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Acid Tests  
  Date Venue - City, State City Media  
1. 10/02/66 Flac - 0, San Francisco San Francisco State University notes

Bill Graham Memorial  
  Date Venue - City, State City Media  
1. 11/03/91 Shn - 0, San Francisco Polo Field Golden Gate Park Bill Graham Memorial 11/03/91 notes

Fillmore West Closing Week 1971  
  Date Venue - City, State City Media  
1. 06/30/71 Shn - 0, F.W.Closing Week N1 San Francisco Fillmore West Night 1 Fillmore West Closing Week 06.30.1971 notes
2. 07/01/71 Shn - 0, F.W.Closing Week N2 San Francisco Fillmore West Night 2 Fillmore West Closing Week 1971 07/01/71 notes
3. 07/02/71 Shn - 0, F.W.Closing Week N3 San Francisco Fillmore West Night 3 Fillmore Wert Closing Week Night 3 notes
4. 07/03/71 Shn - 0, F.W.Closing Week N4 San Francisco Fillmore West Night 4 Fillmore West Closing Week 1971 07/03/71 notes
5. 07/04/71 Shn - 0, F.W.Closing Week N5 San Francisco Fillmore West Night 5 Fillmore West Closing Week 1971 07/04/71 notes

Grateful Dead http://www.dead.net
  Date Venue - City, State City Media  
1. 11/03/65 Shn - 0, 9044 San Francisco Golden State Studios Autumn Records Demo, The Warlocks; SBD> MR> ??> DAT> CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes
2. 01/08/66 Flac 16 - 0, 106505 San Francisco Fillmore Auditorium flac16; Source(s) MR>?>Hi-Fi Stereo VHS>WAV>Soundforge (Editing)>WAV>CDR>EAC>FLAC notes
3. 01/08/66 Shn - 0, 5410 San Francisco Fillmore Auditorium part of Acid Test compilation; via Alan Bershaw, Thomas Wulf; md5s and txt shown both for whole set and for this date notes
4. 01/29/66 Flac 16 - 0, 99527 San Francisco Sound City Acid Test flac16; vinyl>7" reel @ 7.5 ips Rob Berger transfer notes
5. 02/05/66 Flac 16 - 0, 136661 Berkeley The Questing Beast flac16; Soundboard Master-Reel > DAT (48 kHz) notes
6. 02/25/66 Shn - 0, Los Angeles Ivar Theater notes
7. 03/09/66 Flac 16 - 0, 125516 Los Angeles Bear's House flac16; SBD > ?? > wav > cdr > wav via EAC > FLAC notes
8. 03/09/66 Flac 16 - 0, 136654 Los Angeles Bear's House flac16; Source: sbd > 7 inch Master Reel @ 7.5ips 1/2 track > dat(48k) notes
9. 03/10/66 Flac 16 - 0, 136655 Los Angeles Bear's House flac16; Source: sbd > 7 inch Master Reel @ 7.5ips 1/2 track > dat(48k) notes
10. 03/12/66 Shn - 0, 20346 Los Angeles Danish Center MR>DATx>CD SBEs fixed and seeking added 04/26/2003 by terrapinstation notes
11. 03/12/66 Shn - 0, 1593 Los Angeles Danish Center MR> DATx> CD; reportedly this date, plus other '66; may also be listed as '??/??/66'- another shn set of t1-8 material circulates as such notes
12. 03/19/66 Flac 16 - 0, 81951 Los Angeles Carthay Studios flac16; SBD > Rm > Reel > Dat > CD > EAC > CDWav > Flac
EAC and Tracking by Ihor Slabicky Seed provided by Paul Scotton
notes
13. 03/19/66 Shn - 0, 17681 Los Angeles Carthay Studios ??> CD> EAC> CDWave> SHN; EAC (secure mode, offset corrected), track spliting, and shorten encoding (MKW) by D.Winters, with Thanks to T.Doherty for the seed disc notes
14. 03/19/66 Flac 16/44 - , 153760 Los Angeles Carthay Studios flac16/44 Soundboard - provided by Paul Scotton (MSR > R > D > CDR > EAC > CD Wave > Flac) remastered by SIRMick October 2021 notes
15. 03/25/66 Shn - 0, 38 Los Angeles Trouper's Hall with 7/3/66; see notes in info file; to abgd, later to etree; listener Daniel Kessler reports several digispots notes
16. 03/25/66 Flac 16/48 - 0, 139750 Los Angeles Trouper's Hall flac16/48kHz; Source Info: Master Soundboard 10" Reel @15ips 1/2trk > Dat (16/48); Transfer Info: Sony PCM-R500 (16/48) > Tascam DA-3000 > Adobe Audition > TLH flac1648 notes
17. 05/19/66 Flac 16 - 0, 106683 San Francisco Avalon Ballroom flac16; Recording Info:SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v11.03 -> FLAC; Original Transfers and Mastering By David Gans; Additional Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
18. 05/19/66 Flac 16 - 0, 82844 San Francisco Avalon Ballroom flac16; SBD > Reel > DAT > Sonic Solutions > DAT > DAT > CDR > EAC > CD Wave > FLAC notes
19. 05/19/66 Flac 16 - 0, 106828 San Francisco Avalon Ballroom flac16; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; Original Transfers and Mastering By David Gans; Additional Transfers and Mastering By Charlie Miller; this source is an upgrade to source ID 106683 notes
20. 05/19/66 Shn - 0, 6516 San Francisco Avalon Ballroom mr> dat> fm broadcast> cdr> shn; via lestatkatt; Cream Puff War filler notes
21. 05/19/66 Flac 16 - 0, 136658 San Francisco Avalon Ballroom flac16; Set 1 Source: sbd > 10 inch Master Reels @ 15 ips 1/2 track > Dat (48k) notes
22. 06/??/66 Shn - 0, 9513 San Francisco Scorpio Studio Outtakes Scorpio studio outtakes; SBD> MR> DAT> CDR; Conversion: CDR > EAC (secure) > CDWav (retracking) > mkwact (seekable) by Matt Vernon, with thanks to Raoul Duke; via The Music Never Stopped Project notes
23. 07/01/66 Shn - 0, 19924 San Francisco Unknown (perhaps Fillmore Auditorium) MSR>DAT>CDR via Andy Lemieux and Kingbee encoded by Matt Vernon notes
24. 07/03/66 Shn - 0, 40 San Francisco Fillmore Auditorium with 3/25/66; see notes in info file; to abgd, later to etree notes
25. 07/03/66 Flac 16/48 - 0, 139751 San Francisco Fillmore Auditorium flac16/48kHz; Source Info: Master Soundboard 10" Reel @15ips 1/2trk > Dat (16/48); Transfer Info: Sony PCM-R500 (16/48) > Tascam DA-3000 > Adobe Audition > TLH flac1648 notes
26. 07/16/66 Flac 16 - 0, 89555 San Francisco Fillmore Auditorium flac16; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> EAC -> SHN -> WAV -> FLAC; Transferred and Edited By Charlie Miller. This is a fix of shn id 21063 notes
27. 07/16/66 Shn - 0, 13958 San Francisco Fillmore Auditorium Shntool fix of original Jay Serafin seed; Note- This is part of a group effort to 'fix' ALL of Jay Serafin's seeds so that they conform to redbook standards regarding Sector Boundary Errors; Read more about the effort at etree forums ; LINEAGE: SBD > RTR > PCM > SSSB; notes
28. 07/16/66 Shn - 0, 4459 San Francisco Fillmore Auditorium SBD > RTR > PCM > SSSB; via Jay Serafin to gdlive notes
29. 07/16/66 Shn - 0, 21063 San Francisco Fillmore Auditorium SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAC -> SHN; Converted To SHN By Charlie Miller. Upgrade now in circulation. notes
30. 07/17/66 Shn - 0, 21064 San Francisco Fillmore Auditorium SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAc -> SHN; Converted To SHN By Charlie Miller notes
31. 07/17/66 Shn - 0, 4458 San Francisco Fillmore Auditorium SBD > RTR @ 15 I.p.s. > PCM > D > SSSB; via Jay Serafin to gdlive notes
32. 07/17/66 Shn - 0, 13959 San Francisco Fillmore Auditorium Shntool fix of original Jay Serafin seed; Note- This is part of a group effort to fix 'all' of Jay Serafin's seeds so that they conform to redbook standards regarding sector boundary errors; Read more about the effort at etree forums LINEAGE: SBD > RTR @ 15 I.p.s. > PCM > D > SSSB notes
33. 07/29/66 Flac 16 - 0, 94633 Vancouver P.N.E. Garden Auditorium flac16; SBD>10" 1/2 track 15ips MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac notes
34. 07/29/66 Shn - 0, 2243 Vancouver P.N.E. Garden Auditorium probably MR> C> DAT> CDR> EAC> WAV> SHN; from pre-FM David Gans seed; may circulate with or without DSO filler notes
35. 07/29/66 Shn - 0, 9051 Vancouver P.N.E. Garden Auditorium SBD> MR> ??> CDR; Some confusion over date, see info file; via Raoul Duke; Seeded to etree by Matt Vernon notes
36. 07/30/66 Flac 16 - 0, 94631 Vancouver P.N.E. Garden Auditorium flac16; SBD>10" 1/2 track 15ips MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac notes
37. 07/30/66 Shn - 0, 9387 Vancouver P.N.E. Garden Auditorium SBD> MR> ??> CDR; Some confusion over date, see info file; via Raoul Duke; Seeded to etree by Matt Vernon notes
38. 09/16/66 Shn - 0, 11503 San Francisco Avalon Ballroom Soundboard> Vinyl (Vintage- Historic Dead); Seeded to abgd by Tzuriel notes
39. 09/16/66 Shn - 0, 25283 San Francisco Avalon Ballroom Mix from SBD>MR>??>CDR, in order of Vintage Dead and Historic Dead notes
40. 09/16/66 Shn - 0, 9127 San Francisco Avalon Ballroom SBD> MR> ??> CDR; via Raoul Duke; Seeded to etree by Matt Vernon; Note- There are two shn sets listed for this show, one 'original' and one 'de-popped'. ONLY 'de-popped' versions circulate for the last two tracks. notes
41. 09/16/66 Flac 16 - 0, 95970 San Francisco Avalon Ballroom flac16; Source: SBD>MR>?>LP>WAV>WAV>FLAC Transfer: Lyra Helikon phono cartridge, Linn LP12/Lingo turntable, Linn Ittok tonearm, Audioquest LeoPard tonearm cable, PS Audio PS2 preamplifier, Kimber PBJ interconnect, M-Audio Audiophile USB A/D converter notes
42. 09/16/66 Flac 24 - 0, 117435 San Francisco Avalon Ballroom flac24; SBD>MR>?>LP>ZoomH4>WaveLab 5.0>FLAC24
Linn LP12 turntable, SME III tonearm, Benz ACE H2 Cartridge, Rotel RC 1082 preamp
Transfer by indidarkstar
notes
43. 09/16/66 Flac 16/48 - 0, 146098 San Francisco Avalon Ballroom flac16/48khz Vintage Dead (Reel to Reel) 1970, transfered by Matt Smith on 3/28/19 to 9600 Hz Stereo, 24-bit Wave. --tracked and downsampled to 4800 Hz Stereo, 16 bit, adjusted pitch by (-1) semitones on the first 4 tracks, and the last track by (+0.5) semitones. and increased volume of all tracks by 140%. All post work done by Brian Flegel 4/03/19 notes
44. 10/02/66 Flac - 0, San Francisco Commons, S.F. State College notes
45. 10/07/66 Shn - 0, 14102 San Francisco Winterland Arena sbd 3 songs originally part of the SF Nights compilation noted here separately notes
46. 11/19/66 Flac 16 - 0, 94106 San Francisco Fillmore Auditorium flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
47. 11/19/66 Shn - 0, 9730 San Francisco Fillmore Auditorium It Crawled Out of the Vaults of KSAN; Dead material is d1 of 6-disc misc 1966-68 SF band compilation (see info); other md5s are included here for reference notes
48. 11/19/66 Shn - 0, 41 San Francisco Fillmore Auditorium SBD; liberated bootleg source; extraction/SHN by Jon Seff notes
49. 11/19/66 Flac 16 - 0, 75970 San Francisco Fillmore Auditorium flac16; Speed corrected version of liberated bootleg sbd: shn id 41 notes
50. 11/29/66 Shn - 0, 20448 San Francisco The Matrix SBD of unknown lineage. This is the previous seed (shnid=4940) with the missing tracks added. notes
51. 11/29/66 Flac 16 - 0, 106497 San Francisco The Matrix flac16; SBD MR>?>Bill Graham Archive>Reel>CDR>CDR>EAC>FLAC notes
52. 11/29/66 Shn - 0, 4940 San Francisco The Matrix SBD from bootleg CD> EAC> SHN; via thecore; reportedly distant, thin sound notes
53. 12/01/66 Shn - 0, 32800 San Francisco The Matrix Source: SBD>MR>RR>C>DAT Transfer: Tascam DA-20 mkII>SB Audigy>SF 6.0>CD Wave>mkwACT>.shn notes
54. 12/01/66 Shn - 0, 26968 San Francisco The Matrix remastered (NR, cleanup) version of previous shn set, by SIRMick; Noise reduction was done with Waves X-Noise plugin using WaveLab as the host notes
55. 12/01/66 Shn - 0, 8575 San Francisco The Matrix SBD> Rm> Reel> Dat> CD> wav> shnv3; DAE(EAC)> boundary check (SHNTOOL)> SHN (MKWACT)> FTP via neo_levo; with thanks to Charlie Miller notes
56. 12/01/66 Flac 16 - 0, 149985 San Francisco The Matrix flac16; Source: SBD>MR>RR>C>DAT; Transfer: Tascam DA-20 mkII>SB Audigy>SF 6.0>CD Wave>mkwACT>SHN>Sound Forge 11>Flac; Pitch Correction and minor editing/crossfading; Fixed by Michael Lestatkatt notes
57. 12/01/66 Flac 16 - 0, 150269 San Francisco The Matrix flac16: SBD > ? > FLAC notes
58. 12/05/66 Shn - 0, 23064 San Francisco Studio: 1st album outtakes Source: sbd>mc>cass>cd>eac>shn by Teri Kimbro. This is an sbefix of shnid 21295. notes
59. 12/05/66 Shn - 0, 21295 San Francisco Studio: 1st album outtakes 1st Album Outtakes - San Francisco CA Studio Rehearsals Source: sbd>mc>cass>cd>eac>shn via Teri Kimbro; upgrade in circulation notes
60. ??/??/66 Cdr - 1, 2372 Compilation Compilation SBD; 1st Gen FM GDH 557; FM>CD transfer: STB Systems, Inc. PCI DesktopTV Tuner Card, Model number DTV3F > Turtle Beach Montego A3D 64 Voice PCI Sound Card > WAV > CD; note this material is tentatively labeled 2/25/66 in a separate shn set notes
61. ??/??/66 Shn - 0, 18846 Unknown Viola Lee Blues Rehearsals January 1966 (?) - Viola Lee rehearsals; 47 minutes from unknown generation cassette played back on Nak CR7E; via Uli Teute and Hanno Bunjes notes
62. ??/??/66 Shn - 0, 19529 Compilation Compilation SBD:MR> ?> CD; via Jools; venue unknown notes
63. ??/??/66 Flac 16 - 0, 136642 Unknown Unknown flac16; Source: sbd > 10 inch Master Reels @1 5ips 1/2 track > dat(48k) notes
64. ??/??/66 Flac 16 - 0, 136658 Various Acid Tests flac16; Source: sbd > 10 inch Master Reels @ 15 ips 1/2 track > Dat (48k) notes
65. ??/??/66 Flac 16 - 0, 81254 Various Various flac16; SMRs>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>CD Wave Editor>FLAC notes
66. ??/??/66 Flac 16 - 0, 136657 Unknown Unknown flac16; Source: sbd > 10 inch Master Reels @1 5ips 1/2 track > dat(48k) notes
67. 01/14/67 Shn - 0, 9108 San Francisco Polo Field, Golden Gate Park SBD>MR >?>CDR; The great human be-in; via Raoul Duke; Seeded to etree by Matt Vernon notes
68. 01/27/67 Shn - 0, 16744 San Francisco Avalon Ballroom AUD C/? cleaned up & patched, 67:40 total time, via Hanno Bunjes & Uli Teute notes
69. 01/27/67 Shn - 0, 6762 San Francisco Avalon Ballroom Unknown AUD source > ? > shn; upgrade now in circulation notes
70. 02/12/67 Shn - 0, 18124 San Francisco Fillmore Auditorium 2 songs most likely from studio (see notes) notes
71. 03/18/67 Shn - 0, 10282 San Francisco Winterland Arena SBD > MR > ? > CD; Seeded to etree by A.J. Fink notes
72. 03/18/67 Shn - 0, 1594 San Francisco Winterland Arena MSR> R> DATs> CDRs> EAC> SHN; via Darrin Sacks; upgrade now in circulation notes
73. 03/18/67 Flac 16/48 - 0, 141400 San Francisco Winterland Arena flac16/48kHz; Source Info: Master Soundboard Reels > Cassette > Reel to Reel > Dat (16-bit/48k); Transfer Info: Dat (16/48)(Sony PCM-R500) > Tascam DA-3000 (.wav 16/48) > Adobe Audition (16/48) > TLH flac1648 notes
74. 03/18/67 Flac 16/48 - , 156086 San Francisco Winterland Arena flac1648 Source Info: Master Soundboard Reels > ?? > CD > .wav > flac This came from an anonymous source via CD. Provided and prepared by Brian Flegel. notes
75. 04/08/67 Shn - 0, 12623 San Francisco KPIX-TV Studios TV > C/? >CDR; various artists including Dead performance; via Hanno Bunjes, Uli Teute notes
76. 04/??/67 Shn - 0, 9261 San Francisco KMPX Radio Show Pre-FM-MR> R> DAT> CDR; Conversion: CDR > EAC(secure) > Cool Edit(remove gaps) > CDWav (retrack) > mkwact(seekable) by Matt Vernon notes
77. 05/05/67 Shn - 0, 1595 San Francisco Fillmore Auditorium SBD> unknown analog gens> D; via Ben Yerys notes
78. 05/05/67 Flac 24 - 0, 126263 San Francisco Fillmore Auditorium flac24; Don Wolfe's 3.75 ips > Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes
79. 05/05/67 Flac 16 - 0, 126250 San Francisco Fillmore Auditorium flac16; Don Wolfe's 3.75 ips > Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes
80. 06/18/67 Flac 16 - 0, 115858 Monterey Monterey County Fairgrounds flac16; Lineage: SBD Master Reels > DAT (Panasonic 3700) > Delta DiO 2496 > PC hard drive > CDR > CDWAV > Cool Edit > Traders Little Help notes
81. 06/18/67 Shn - 0, 19586 Monterey Monterey County Fairgrounds SBD> MR> ? > DAT x 2> Sonic Solutions> cd Note: There seems to be no cassette generation between the MR and DAT, which is present on the previously circulated version of this show. Remastered by ?Mandrake? notes
82. 06/18/67 Shn - 0, 42 Monterey Monterey County Fairgrounds SBD: MR> Cass> DAT> ZA2> CD; exception: Alligator -> Caution has no cassette gen, and may not even be from same show; CD seed via D. Hollister; original to abgd, to etree 6/00; upgrade now in circulation notes
83. 07/23/67 Flac 16 - 0, 125462 San Francisco Straight Theater flac16; Source Info: track 1 - aud recording > ?? > CD > wav > flac; track 2 - aud recording > ?? > flexi-disc > ?? > cassette x? > wav > flac notes
84. 08/04/67 Shn - 0, 16752 Toronto O'Keefe Center SBD MR>?>2R>C>CD; slight upgrade; via Hanno Bunjes and Uli Teute notes
85. 08/04/67 Shn - 0, 10355 Toronto O'Keefe Center Includes JA Set; Stereo SBD MR>R>DAT(3)>CDR; via Stu Hanson; Seeded to etree by Greg Hurwitt; upgrade now in circulation notes
86. 08/04/67 Shn - 0, 9110 Toronto O'Keefe Center SBD> MR> R> DAT> CDR; via Raoul Duke; Seeded to etree by Matt Vernon; upgrade now in circulation notes
87. 08/05/67 Shn - 0, 10356 Toronto O'Keefe Center Includes JA Set; Multiple SBD sources, see info file for details; via Stu Hanson; Seeded to etree by Greg Hurwitt; upgrade now in circulation notes
88. 08/05/67 Shn - 0, 9111 Toronto O'Keefe Center SBD>MR>R>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon; upgrade now in circulation notes
89. 08/05/67 Shn - 0, 16753 Toronto O'Keefe Center SBD MR>?>2R>C>CD; more complete and slightly better-sounding version; via Hanno Bunjes and Uli Teute notes
90. 09/03/67 Shn - 0, 17272 Rio Nido Dance Hall previous shn set with "original mix Midnight Hour" via Terrapin Station notes
91. 09/03/67 Shn - 0, 43 Rio Nido Dance Hall RM > C > DAT > CD > EAC > SHN; see flaw notes in info file; seed via Jim Wise; via Tim O'Connell shn vine to BUDD, later to etree (via Jon Miller?); note Midnight Hour from this run is on Phil Zone CD- go buy it; upgrade now in circulation notes
92. 09/03/67 Shn - 0, 6180 Rio Nido Dance Hall Not On E-tree ?? notes
93. 09/04/67 Shn - 0, 19529 Rio Nido Dance Hall SBD:MR> Cass> DAT> CD; via Jools notes
94. 09/15/67 Shn - 0, 9192 Hollywood Hollywood Bowl AUD>MC>R>R>NR>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes
95. 10/20/67 Flac 16 - 0, 85631 North Hollywood American Studios flac16; Hunter's MSR > BETA > ??? > cdr > eac(secure mode) wav > flac notes
96. 10/22/67 Flac 16 - 0, 18101 San Francisco Winterland Arena flac16; SBD > Master Reels > DAT; Lineage/Recording Info detail/Editing detail: SBD > Master Reels > DAT (Panasonic 3700) > Sound card (Delta DiO 2496) > PC hard drive > CDR > CDWAV (tracking) > Cool Edit/WavePad (editing) > xACT Audio Compression Toolkit 2.13 notes
97. 10/22/67 Flac 16 - 0, 116228 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
98. 10/22/67 Shn - 0, 18101 San Francisco Winterland Arena SBD -> Rm -> Cass -> Dat via Charlie Miller notes
99. 10/22/67 Shn - 0, 1525 San Francisco Winterland Arena SBDmR> Cass> DAT> Sonic Solutions via D. Gans> CDR; via Ben Yerys; upgrade now in circulation notes
100. 10/31/67 Flac 16 - 0, 33933 San Francisco Winterland Arena flac16; SBD?->unkown tape generation->HHB CDR830->NEC DVD_RW ND-3520A->EAC->CDWAV-FLAC fake version of this show comprised of material from November 10th and 11th, 1967 notes
101. 11/10/67 Flac 16 - 0, 116171 Los Angeles Shrine Exposition Hall flac16; Updated Lineage: SBD Reel from WB Vault to reel @ 7.5 IPS to reel@ 7.5 IPS to digital domain. Korg MR 1000 at 1 bit 5.6 mhz to 24-96 via Korg software. Taped by: Dan Healy; Transfer By: Matt Smith & Bob Menke; Mastering By: Derek McCabe notes
102. 11/10/67 Flac 24/96 - 0, 116368 Los Angeles Shrine Exposition Hall flac24; Updated Lineage: SBD Reel from WB Vault to reel @ 7.5 IPS to reel@ 7.5 IPS to digital domain. Korg MR 1000 at 1 bit 5.6 mhz to 24-96 via Korg software. Taped by: Dan Healy; Transfer By: Matt Smith & Bob Menke; Mastering By: Derek McCabe notes
103. 11/10/67 Shn - 0, 1612 Los Angeles Shrine Exposition Hall MR> R> R> DAT> CD> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; with 7/23/67 Cassady rap filler; note source updated with extra reel gen, based on info from Rob Bertrando notes
104. 11/10/67 Flac 16 - 0, 141132 Los Angeles Shrine Exposition Hall flac16; Source: 8 Track Master Reel > 1st Gen Reel (7.5ips) > PCM (Sony Beta ESXHiFi/L-750) - Given to Tim Dalton by Bob Menke; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred By Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018 notes
105. 11/11/67 Flac 16 - 0, 116172 Los Angeles Shrine Exhibition Hall flac16; Updated Lineage: SBD Reel from WB Vault to reel @ 7.5 IPS to reel@ 7.5 IPS to digital domain. Korg MR 1000 at 1 bit 5.6 mhz to 24-96 via Korg software. Taped by: Dan Healy; Transfer By: Matt Smith & Bob Menke; Mastering By: Derek McCabe notes
106. 11/11/67 Flac 24/96 - 0, 116369 Los Angeles Shrine Exhibition Hall flac24; Updated Lineage: SBD Reel from WB Vault to reel @ 7.5 IPS to reel@ 7.5 IPS to digital domain. Korg MR 1000 at 1 bit 5.6 mhz to 24-96 via Korg software. Taped by: Dan Healy; Transfer By: Matt Smith & Bob Menke; Mastering By: Derek McCabe notes
107. 11/11/67 Shn - 0, 1613 Los Angeles Shrine Exhibition Hall MSR> R> R> DAT> CDR> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; note source updated with extra reel gen, based on info from Rob Bertrando notes
108. 11/11/67 Flac 16 - 0, 141133 Los Angeles Shrine Exhibition Hall flac16; Source: 8 Track Master Reel > 1st Gen Reel (7.5ips) > PCM (Sony Beta ESXHiFi/L-750) - Given to Tim Dalton by Bob Menke; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred By Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018 notes
109. 11/14/67 Flac - 0, 116173 North Hollywood American Studios Source: Healy SBD notes
110. 11/14/67 Flac 24 - 0, 116370 North Hollywood American Studios flac24; SBD > ? > FLAC The Shrine Reels Taped by: Dan Healy Transfer By: Matt Smith & Bob Menke Mastering By: Derek McCabe notes
111. 11/14/67 Shn - 0, 17417 North Hollywood American Studios MSR>C(1)>DAT>WAV>SHN. The circulating versions of these songs are different from the versions on the single and on "What a Long Strange trip It's Been" (which are the same) and therefore are listed separately. The md5's differ from the previous shn set listed. notes
112. 11/??/67 Flac 16 - 0, 81259 Unknown Studio Sessions for Anthem of the Sun flac16; Lineage: Track 01 thru 04: SBD > ? > Cx? > Cassette. Track 05: SBD > ? > Bootleg Vinyl LP > Cassette. Transfer: Cassettes > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC notes
113. ??/??/67 Flac 16 - 0, 125314 Unknown Unknown Studio flac16; Recording Info: Source #1: SBD -> ?? -> 7th gen cassette (stereo) -> wav -> FLAC; Source #2: SBD -> ?? -> unknown gen cassette (mono) -> CDR -> wav via EAC -> FLAC notes
114. 01/17/68 Shn - 0, 11795 San Francisco Carousel Ballroom SBD>MR>C>D>CD; via Raoul Duke; Seeded to etree by Matt Vernon & J. Cotsman notes
115. 01/17/68 Shn - 0, 7995 San Francisco Carousel Ballroom MSR> cass> dat> cdrs, eac> wav> cooledit2000> wav> shn; via Jeff "notimetohate"; see info file for listening notes; same as previous shn set through d1t09. d1t10 through d2t04 now circulate with an unexplained 'fix notes
116. 01/17/68 Shn - 0, 3927 San Francisco Carousel Ballroom MSR> cass> dat> cdrs, eac> wav> cooledit2000> wav> shn; via Jeff "notimetohate"; see info file for listening notes notes
117. 01/20/68 Flac 16 - 0, 97340 Eureka The Eureka Municipal Auditorium flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
118. 01/20/68 Shn - 0, 5181 Eureka The Eureka Municipal Auditorium via Scott Clugston notes
119. 01/20/68 Shn - 0, 47 Eureka The Eureka Municipal Auditorium agment; unconfirmed: SBD > MReel > DAT > CD-R > EAC > SHN; pre-FM GDH?; via R. Ward notes
120. 01/20/68 Shn - 0, 19470 Eureka The Eureka Municipal Auditorium via Julian (Jools) Elliott notes
121. 01/20/68 Shn - 0, 4990 Eureka The Eureka Municipal Auditorium circulated as half of a single CD with a version of 2/3/68; via Abe notes
122. 01/22/68 Flac 16 - 0, 97342 Seattle Eagles Auditorium flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
123. 01/22/68 Shn - 0, 8583 Seattle Eagles Auditorium SBDMR > DAT > Sonic Solutions > CD > EAC > Soundforge > SHN; plus patches- see notes in info file; patching and cleanup by Noah Weiner; to abgd via Charlie Connor notes
124. 01/23/68 Flac 16 - 0, 97343 Seattle Eagles Auditorium flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
125. 01/23/68 Shn - 0, 20347 Seattle Eagles Auditorium Uploaded 2003/ 02/ 15 by Julian (Jools) Elliott notes
126. 01/23/68 Shn - 0, 4528 Seattle Eagles Auditorium Soundboard > MC > R > DAT > CDR; via David Finney, stemming from Merry Prankster tree; 9/20/68 filler notes
127. 01/27/68 Flac 16 - 0, 97344 Seattle Eagles Auditorium flac16; Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
128. 01/27/68 Shn - 0, 14736 Seattle Eagles Auditorium 1 track (all that circ); SBD:MR> DAT> PCM> DAT> CD; EAC > SHN from audio CD by David Hollister; upload by Julian (Jools) Elliott notes
129. 02/02/68 Flac 16 - 0, 97345 Portland Crystal Ballroom flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
130. 02/02/68 Shn - 0, 15801 Portland Crystal Ballroom No source info; Seeded to etree by Jools; notes
131. 02/02/68 Shn - 0, 20299 Portland Crystal Ballroom Shntool fix of previous Julian (Jools) Elliott seed notes
132. 02/03/68 Flac 16 - 0, 97346 Portland The Crystal Ballroom flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
133. 02/03/68 Shn - 0, 14987 Portland The Crystal Ballroom SBD:MR>DAT>Sonic Solutions>CD ? shntool fixed and seekable version of set uploaded to tol.etree.org Feb.1/03 notes
134. 02/03/68 Shn - 0, 4989 Portland The Crystal Ballroom circulated as half of a single CD with a version of 1/20/68; via Abe notes
135. 02/14/68 Flac 16 - 0, 89676 San Francisco Carousel Ballroom flac16; Recording Info: SBD -> (8 Track) Master Reel -> Dat -> CD -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC Transferred and Remastered By Charlie Miller (note: this source contains officially released, copyrighted material) notes
136. 02/14/68 Shn - 0, 15640 San Francisco Carousel Ballroom Source: SBD>MR>DAT>CD>EAC>SHN
+ Midnight Hour patched with: FM>Reel>Reel>DAT>CDR
notes
137. 02/14/68 Shn - 0, 12939 San Francisco Carousel Ballroom SBD 8 track MR>D>CD with some alternate SBD patches; See info file for details; patches by H.B. 12/01 from tapes supplied by Konstantin and Uli notes
138. 02/14/68 Flac 16 - 0, 89437 San Francisco Carousel Ballroom flac16; Lineage: SBD>MR>DAT>CD>EAC>SHN>WAV>Cool Edit Pro v2.0>FLAC via D. Winters (note: this source contains officially released, copyrighted material notes
139. 02/14/68 Shn - 0, 2267 San Francisco Carousel Ballroom MR> DAT> DAT> CD> EAC> SHN, with portions from another source, probably FM; via Garrett Van Cleef, from Jim Douglas seed; includes supplemental hiss-reduced material (see info files); hosted by gdlive.com notes
140. 03/03/68 Shn - 0, 5809 San Francisco Haight Street Deadhead Hour pre-FM; via David Finney notes
141. 03/03/68 Shn - 0, 19904 San Francisco Haight Street Unknown Audience Recording; Extracted with EAC and cut with CD Wav by Julian (Jools) Elliott notes
142. 03/03/68 Shn - 0, 9374 San Francisco Haight Street AUD: Uher RR>DAT>DALCardDeluxe>WAV>CDR; via Raoul Duke; Seeded to etree by matt vernon notes
143. 03/16/68 Flac 16 - 0, 109944 San Francisco Carousel Ballroom flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
144. 03/16/68 Shn - 0, 9388 San Francisco Carousel Ballroom SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes
145. 03/16/68 Flac 16/44 - , 156159 San Francisco Carousel Ballroom flac1644 Recording Info: SBD > (4 Track) Master Reels > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Sound Devices 744T > Adobe Audition > Samplitude Pro X6 Suite > FLAC notes
146. 03/29/68 Flac 16 - 0, 108993 San Francisco Carousel Ballroom flac16; Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
147. 03/29/68 Shn - 0, 6029 San Francisco Carousel Ballroom AUD> MR> D> PCM> D> CD> EAC> SHN; circulates as filler for 5/7/69; via J. Cotsman to vine notes
148. 03/29/68 Shn - 0, 9473 San Francisco Carousel Ballroom AUD > ?? > CDR; via Raoul Duke; seeded to etree by Matt Vernon notes
149. 03/30/68 Flac 16 - 0, 108994 San Francisco Carousel Ballroom flac16; Recording Info:Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
150. 03/30/68 Shn - 0, 9375 San Francisco Carousel Ballroom Partial; AUD>MR>D>PCM>D>CD notes
151. 03/30/68 Shn - 0, 14912 San Francisco Carousel Ballroom AUD>MR>D>PCM>D>CD>EAC>SHN; the most complete form of this show in circulation; Thanks to Andy Lemieux, edits/encoding JCotsman notes
152. 03/31/68 Flac 16 - 0, 108995 San Francisco Carousel Ballroom flac16; Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
153. 03/31/68 Shn - 0, 14913 San Francisco Carousel Ballroom AUD>MR>D>PCM>D>CD>EAC>SHN; excerpt (all that circulates); Thanks to Andy Lemieux; edits/encoding JCotsman notes
154. 05/18/68 Flac 16 - 0, 94491 San Jose Santa Clara County Fairgrounds flac16; Source: Jorma Kaukonen’s On Stage Mic > Reel to Reel Master > DAT x 1 Transfer: playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard > HD as 24 bit/96 KHz WAV Mastering: WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer by Chris Ladner July 2007, Mastering Bill Koucky September 18, 2008 Green Mountain Bros notes
155. 05/18/68 Shn - 0, 18216 San Jose Santa Clara County Fairgrounds Audience Master > ? > SHN notes
156. 05/18/68 Shn - 0, 11796 San Jose Santa Clara County Fairgrounds AUD>?>CD>SHN; Unknown seeder notes
157. 05/18/68 Shn - 0, 50 San Jose Santa Clara County Fairgrounds AUD?; filler on 11/22/68; via Teddy Good Bear to abgd; view info; view poster notes
158. 05/18/68 Flac 16 - 0, 82515 San Jose Santa Clara County Fairgrounds flac 16; Source: Jorma's AUD Master > 3rd Gen Cassette > Soundforge Extraction > Cool Edit > CD Wave Editor, except first few seconds of Alligator, which are AUD Master > Reel > CD > Soundforge Extraction > Cool Edit > CD Wave Editor notes
159. 05/??/68 Shn - 0, 5427 Unknown Unknown Vault Reel> DAT> CD> EAC> SHN; via J. Currier to gdlive notes
160. 06/14/68 Shn - 0, 16532 New York Fillmore East (Late Show) AUD>MC>R>R>PCM>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman notes
161. 06/14/68 Shn - 0, 3897 New York Fillmore East (Late Show) aud> mics?> master cassette> reel> reel> PCM> CDR; via Mike Lai; note info file lists as early show, but Deadlists and elsewhere list as late show notes
162. 06/14/68 Flac 16 - 0, 140953 New York Fillmore East (Late Show) flac16; Source: Audience Cassette Master > Reel > pcm (sony HG tape) provided by Tim Dalton; Transfer: ocm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred By Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018 notes
163. 08/21/68 Shn - 0, 17689 San Francisco Fillmore West MSR> DAT> DAT> WAV> SHN; DAT> SHN conversion by Cousinit; see notes in info file notes
164. 08/21/68 Shn - 0, 1183 San Francisco Fillmore West sdb> reel master> cassette> dat> cdr; via Mike Lai notes
165. 08/21/68 Flac 16 - 0, 139746 San Francisco Fillmore West flac16; SBD > Master Reels > Dat; Charlie Miller Transfer: Dat (Sony PCM-R500) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/44; Checksum & tags created in xACT notes
166. 08/21/68 Shn - 0, 17355 San Francisco Fillmore West SDB>MR>C>D>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by D Litfin notes
167. 08/22/68 Flac 16 - 0, 92733 San Francisco Fillmore West flac16; Source: Soundboard Reels > ? > DAT Transfer: Panasonic SV-3700 > Korg MR-1 DSD [1 Bit/2.8 Mhz] Mastering: AudioGate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > AudioGate to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. July 8, 2008 notes
168. 08/22/68 Shn - 0, 14915 San Francisco Fillmore West SBD>MR>C>D>CD>EAC>SHN; (two cassette sources, one in mono, one in stereo); see info file regarding confusion over this date; Thanks to David(s) Litfin, Sorochty, Gans, et al; edits/encoding JCotsman notes
169. 08/22/68 Shn - 0, 20083 San Francisco Fillmore West SBD portion via Jools, see info file for possible lineage. notes
170. 08/22/68 Flac 16/48 - 0, 143144 San Francisco Fillmore West flac16/48kHz; Source: Soundboard 2 track master reel> cassette > dat (48k) - provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 >wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick September 2018 notes
171. 08/23/68 Shn - 0, 52 Los Angeles Shrine Exposition Hall updated lineage: 8 track multitrack Reels> "Sonic Wizardry"> DAT> Cassette> DATs> CDRs> EAC> SHN;? via Darrin Sacks, who reports: "Not a note of this material appears on Two From The Vault.?It turns out that TFTV is composed exclusively of 8.24.68" (go buy that); with unknown (8/29/68?) filler notes
172. 08/23/68 Flac 16 - 0, 116193 Los Angeles Shrine Exposition Hall flac16; SBD > Various Transfers / Edits (see original info attached) > .flac notes
173. 08/23/68 Flac 16 - 0, 143130 Los Angeles Shrine Exposition Hall Source: SBD > 8 Track Master Reel > PCM > DAT (44.1k) - Provided by Rich Gastwirt
Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 >wav 16/44.1 - Transferred by Charlie Miller
Lineage: wav 16/44.1 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16
notes
174. 08/23/68 Flac 16 - , 153116 Los Angeles Shrine Exposition Hall flac16 Recording Info: Vault Master 8-track Reel > Studio 2-track Mixdown (Dan Healy) > CAS > DAT
Mastering Info: Samplitude Pro X5 > Flac16

Source provided by Anon
Mastering by Jim Blackwood
Speed Correction by Jason Chastain
Track, FLAC and Pack by Steve Gravel
notes
175. 08/28/68 Shn - 0, 18104 San Francisco Avalon Ballroom SBD>??>R>PCM>CD>EAC>SHN; pitch corrected re-shn of previous Vernon seed notes
176. 08/28/68 Shn - 0, 10162 San Francisco Avalon Ballroom SBD:?>Latvala's reel>PCM>CDR; via Steve Martin; Seeded to etree by Matt Vernon notes
177. 08/28/68 Flac 16 - 0, 133762 San Francisco Avalon Ballroom flac16; AUD UNKNOWN LINEAGE > REEL > EDIROL USB UA-1EX AUDIO INTERFACE > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC notes
178. 08/28/68 Flac 16 5.1LPCM - , San Francisco Avalon Ballroom flac16/44kHz; 5.1 LPCM Surround Sound (44k) - SBD (shnid = 10162) SBD:?>Latvala's reel>PCM>CDR; via Steve Martin; Seeded to etree by Matt Vernon + AUD (shnid = 154145) Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - surround mixing by Kevin Tobin notes
179. 08/28/68 Flac 16 - , !%$!$/ San Francisco Avalon Ballroom DTS-Audio-CD 5.1 Mix; - SBD (shnid = 10162) SBD:?>Latvala's reel>PCM>CDR; via Steve Martin; Seeded to etree by Matt Vernon + AUD (shnid = 154145) Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - dts mixing by Kevin Tobin notes
180. 08/28/68 Flac 16 Mtx - , 154146 San Francisco Avalon Ballroom flac16; Matrix 2 Source Mix - SBD (shnid = 10162) SBD:?>Latvala's reel>PCM>CDR; via Steve Martin; Seeded to etree by Matt Vernon + AUD (shnid = 154145) Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - matrix mixing by Kevin Tobin notes
181. 08/28/68 Flac 16 - , 154145 San Francisco Avalon Ballroom flac16: Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 notes
182. 09/02/68 Flac 16 - 0, 115592 Sultan Betty Nelson's Organic Raspberry Farm flac16; Recording Info: SBD -> Master Reel (1/2-inch 4-track reels recorded on Ampex 440) -> Dat (Tascam DA30/44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
183. 09/02/68 Shn - 0, 22095 Sultan Betty Nelson's Organic Raspberry Farm Recording Info: SBD -> Master Reel (Three half-inch four track reels, recorded on Ampex 440) -> Dat (Tascam DA30/44.1k); Transfer Info: Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (1 Disc Audio / 1 Disc SHN); Transfered and Edited By Charlie Miller 2/5/04 notes
184. 09/02/68 Shn - 0, 1979 Sultan Betty Nelson's Organic Raspberry Farm SBD> Reel> DAT> WAV via ZA2> CD> EAC> SHN; via Pat Volkerding notes
185. 09/12/68 Flac 16 - 0, 136643 Unknown Unknown (possibly Pacific High Recording) flac16; Source: sbd > 7 inch Master Reel @ 7.5ips 1/2 track > dat(48k) notes
186. 09/20/68 Flac 16 - 0, 115682 Berkeley Berkeley Community Theater flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC notes
187. 09/20/68 Shn - 0, 5830 Berkeley Berkeley Community Theater may circulate as filler on other discs (has been seen with 1/23/68); info file compiled by Matt Vernon notes
188. 09/20/68 Flac 16 - 0, 32900 Berkeley Berkeley Community Theater flac16; SBD > Master Reel > Cassette > Dat > CD > Adobe Audition v1.5 > CD Wave > FLAC; Transfer and Mastering by Charlie Miller notes
189. 10/10/68 Shn - 0, 4513 San Francisco The Matrix notes
190. 10/12/68 Flac 16 - 0, 115593 San Francisco Avalon Ballroom flac16; Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
191. 10/12/68 Flac 16 - 0, 125211 San Francisco Avalon Ballroom flac16; Recording Info: SBD -> ?? -> cdr -> wav via EAC -> FLAC notes
192. 10/12/68 Shn - 0, 10909 San Francisco Avalon Ballroom SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD; via David Gans; de-glitched at the Frisco Refinery, see info file for details; Seeded to etree by eD(efojr) notes
193. 10/12/68 Shn - 0, 9385 San Francisco Avalon Ballroom MSR> DAT> Sonic Solutions> CD; via David Gans; Charlie Miller; seeded to etree by Michael Owen notes
194. 10/12/68 Flac 16 - 0, 139745 San Francisco Avalon Ballroom flac16; SHNID #115593 > Adobe Audition 3.0 > Flac16 notes
195. 10/12/68 Flac 16 - 0, 86759 San Francisco Avalon Ballroom flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
196. 10/13/68 Flac 16 - 0, 115606 San Francisco Avalon Ballroom flac16; Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
197. 10/13/68 Flac 16 - 0, 86761 San Francisco Avalon Ballroom flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
198. 10/13/68 Shn - 0, 1027 San Francisco Avalon Ballroom via John Oleynick, Lee Revell; tracked for 1x80 min; Lee comments: "sound's a bit rough... but we're fairly certain that this is the best available source"; see info file for misc flaw notes notes
199. 10/13/68 Shn - 0, 9386 San Francisco Avalon Ballroom MSR> DAT> Sonic Solutions> CD; via David Gans; Charlie Miller; seeded to etree by Michael Owen; Note- This shn set is identical to the previous Owen/Miller entry, except for differing md5's on the first and last track. notes
200. 10/13/68 Shn - 0, 10910 San Francisco Avalon Ballroom SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD; via David Gans; de-glitched at the Frisco Refinery, see info file for details; Seeded to etree by eD(efojr) notes
201. 10/13/68 Shn - 0, 7772 San Francisco Avalon Ballroom SBD: MR> DAT> CD> DC-Art Millennium> CD> SHN; tracked for 1x80; stemming from VTree Round 4, Michael Owen, Charlie Miller; see info file for flaw notes notes
202. 10/20/68 Shn - 0, 21441 Berkeley Greek Theatre, U. Of California SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD Charlie Miller charliemiller87@earthlink.net shntool fix -o shn *shn run by tol 03-02-24, and a new md5-file generated. notes
203. 10/20/68 Shn - 0, 9071 Berkeley Greek Theatre, U. Of California Complete; SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; via Charlie Miller notes
204. 11/01/68 Shn - 0, 18100 Chico Armory Building, Silver Dollar Fairgrounds SBD>MR>C>D>CD>EAC>SHN; patched with "barely listenable portion"; Thanks to J. Powell, S. Martin, D. Litfin; edits/encoding by JCotsman notes
205. 11/01/68 Shn - 0, 20008 Chico Armory Building, Silver Dollar Fairgrounds MSR > R > D > CD by Jim Powell EAC > SHN by J.Barnes (heyitsmejess@aol.com) Track 5a edited by Seth Kaplan (alligator69@optonline.net) Uploaded to tol 06/21/2003 by Seth Kaplan notes
206. 11/01/68 Shn - 0, 9965 Chico Armory Building, Silver Dollar Fairgrounds MSR>C>D>CD; Seeded to etree by Seth Kaplan notes
207. 11/01/68 Shn - 0, 17080 Chico Armory Building, Silver Dollar Fairgrounds MSR > R > D > CD by Jim Powell EAC > SHN by J.Barnes (heyitsmejess@aol.com) EAC log files are included notes
208. 11/01/68 Flac 16 - 0, 131661 Chico Armory Building, Silver Dollar Fairgrounds flac16; This is a restoration/rework using shnid 18100 (Cotsman) and 09580 (Axelrod); Diamond Cut Forensics versions 8.5 and Alpha 9 for the editing. notes
209. 11/01/68 Shn - 0, 9580 Chico Armory Building, Silver Dollar Fairgrounds 2nd Set; SBD>MSR>C>DAT>CDR; via Raoul Duke and Mike Axelrod; Seeded to etree by Matt Vernon notes
210. 11/01/68 Flac 16/44,1 - 0, 150968 Chico Armory Building, Silver Dollar Fairgrounds flac16/44.1khz Recording Info: SBD > (8-track) Master Reel (10in 15ips) > DAT (Panasonic SV-3700) > DAT (Panasonic SV-3700)
Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC. (1 Disc Audio)
Original Transfer and Mastering by Rob Eaton. Additional Mastering by Charlie Miller.
notes
211. 11/06/68 Flac 16 - 0, 82393 San Mateo Pacific High Recording flac16; Reel> PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell notes
212. 11/06/68 Shn - 0, 12618 San Mateo Pacific High Recording Alembic rehearsals, composite of sources; via Tzuriel to abgd; upgrade now in circulation notes
213. 11/06/68 Flac 24/96 - , 153017 San Mateo Pacific High Recording Recording Info: SBD > Master Reel (TC) > Cassette (Gans)
Transfer Info: Cassette (Tascam 122mkII) > Focusrite Scarlett (24-bit/96k)
Mastering Info: WAV > Samplitude Pro X6 Suite > FLAC/24
notes
214. 11/06/68 Flac 16/44 - , 154387 San Mateo Pacific High Recording flac1644; Recording Info: SBD > Master Reel (TC) > Cassette (Gans) Transfer Info: Cassette (Tascam 122mkII) > Focusrite Scarlett (24-bit/96k) Mastering Info: WAV > Samplitude Pro X6 Suite > FLAC/24 - This is 153017 24 > 1644 notes
215. 11/22/68 Shn - 0, 10088 Columbus Columbus Veterans Hall AUD>MR>C>C>C>CD; 'Edited' version (speed correction, normalization, etc) of original Goodbear seed; See info file for details; Seeded to etree by J Cotsman notes
216. 11/22/68 Shn - 0, 21933 Columbus Columbus Veterans Hall AUD>MR>C>C>C>CD>SHN This is an edited shn set direct from the previously seeded shn set from Teddy Goodbear. The pitch has been corrected with Sound Forge and the recording has been normalized and retracked. shntool fix -o shn *shn run by tol 03-02-24, and a new md5-file generated. notes
217. 12/07/68 Shn - 0, 16944 Louisville Bellarmine College SBD> CM> C1> DAT> CDR; see info file for details; seeded to etree via D Litfin; shn encoding by Wilbur Haines notes
218. 12/07/68 Shn - 0, 20007 Louisville Bellarmine College SBD>CM>C1>DAT>CDR>CDR via Mike Lai notes
219. 12/07/68 Flac 16 - 0, 88674 Louisville Bellarmine College flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller notes
220. 12/20/68 Flac 16 - 0, 98663 Los Angeles Shrine Exhibition Hall flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
221. 12/20/68 Shn - 0, 9532 Los Angeles Shrine Exhibition Hall SBD cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN; DAT > CDR conversion via HHb 850; editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio for Macintosh; workup> SHN by Jeff Tiedrich; via G.S. Hamilton to BUDD offer; passes shntool check notes
222. 12/21/68 Flac 16 - 0, 89718 Los Angeles Shrine Exhibition Hall flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
223. 12/21/68 Shn - 0, 8533 Los Angeles Shrine Exhibition Hall SBD cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN; DAT > CDR conversion via HHb 850; editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio for Macintosh; workup> SHN by Jeff Tiedrich; via G.S. Hamilton to BUDD offer; passes shntool check notes
224. 12/29/68 Flac 16 - 0, 80197 Hallandale Gulfstream Park Racetrack flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
225. 12/29/68 Shn - 0, 5424 Hallandale Gulfstream Park Racetrack MSC> D> CD> EAC> SHN; Dropouts d2 7:22, d3 7:17; via Steve Barbella with thanks to Seth Kaplan notes
226. 12/29/68 Shn - 0, 5425 Hallandale Gulfstream Park Racetrack SBD> MC> D> CD> EAC> SHN; via J. Cotsman to mail distribution; notes
227. ??/??/68 Shn - 0, 9426 Unknown Unknown or Various 7 undated '68 fragments circulating together; 5 Vault reels> 4 CDs- see info file for available details; via Music Never Stopped shn project notes
228. ??/??/68 Flac 16 - 0, 97671 Unknown Unknown or Various flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Mille notes
229. 01/17/69 Flac 16 - 0, 89798 Santa Barbara Robertson Gym, U.C.S.B. flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller notes
230. 01/17/69 Shn - 0, 3115 Santa Barbara Robertson Gym, U.C.S.B. Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston notes
231. 01/18/69 Flac 16 - 0, 33931 West Hollywood Playboy Club flac16; Source: PCM wav audio from U.K. Mutt's DVD release notes
232. 01/24/69 Flac 16 - 0, 109640 San Francisco Avalon Ballroom flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
233. 01/24/69 Shn - 0, 7922 San Francisco Avalon Ballroom Complete; SBD> MSR> C> DAT> CD> SHN; via Seth Kaplan notes
234. 01/24/69 Shn - 0, 5650 San Francisco Avalon Ballroom Master reel > cassette > DAT > CD; filler on 9/21/74 shn set; whole shn set's info and md5s listed here (not sure which specific md5s correspond to 1/24/69); to a tree? notes
235. 01/24/69 Shn - 0, 2370 San Francisco Avalon Ballroom MSR> C> DAT> CD; via Seth Kaplan; same as other fixed shn set except a couple of md5s differ; [DSH note- not sure if this is pre-fixed or separately fixed version]; noted at easywind and at gdlive notes
236. 01/24/69 Flac 16 - 0, 110304 San Francisco Avalon Ballroom flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller, this is a cleaned up version of source ID 109640 notes
237. 01/24/69 Shn - 0, 2244 San Francisco Avalon Ballroom MSR> C> DAT> CD; via Seth Kaplan, Darrin Sacks; with fixed track boundaries notes
238. 01/25/69 Flac - 0, 109641 San Francisco Avalon Ballroom flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
239. 01/25/69 Shn - 0, 2268 San Francisco Avalon Ballroom set 2; SBD:MR> Cass> DAT> ZA2> CD; via David Hollister, Jeff Sachs to abgd; 12/00: noted at gdlive.com notes
240. 01/25/69 Shn - 0, 2245 San Francisco Avalon Ballroom set 2; MSR> C> DAT> CD; via Seth Kaplan, Darrin Sacks; with fixed track boundaries notes
241. 01/25/69 Shn - 0, 2592 San Francisco Avalon Ballroom set 2; MSR> C> DAT> CD; via Seth Kaplan [DSH note- not sure if this is pre-fixed or separately fixed version]; 1/01: noted at gdlive notes
242. 01/25/69 Shn - 0, 7923 San Francisco Avalon Ballroom Complete; SBD> MSR> C> DAT> CD> SHN; via Seth Kaplan notes
243. 01/26/69 Flac 16 - 0, 109642 San Francisco Avalon Ballroom flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
244. 01/26/69 Shn - 0, 2246 San Francisco Avalon Ballroom MSR> C> DAT> CD; via Seth Kaplan, Darrin Sacks; with fixed track boundaries; tracked for 1x80; see flaw notes in info file; note material from this date also appeared on Live Dead- go buy it notes
245. 01/??/69 Shn - 0, 16760 San Mateo Aoxomoxoa Outtakes Aoxomoxoa Studio Sessions Outtakes 1969; Tracks 1-11: Sandy Troy's TC366 3.75ips Reel> DAT2> CDR; Tracks 12-13: Alan Bershaw's A1040SL 7.5ips Reel> DAT> CDR; Discs kindly provided by Stu Hanson; Cd > eac > cool edit pro > shntool > cdwav > shnv3 by Ernie Dodd notes
246. 02/02/69 Flac 16 - 0, 123283 Minneapolis Labor Temple flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
247. 02/02/69 Shn - 0, 9758 Minneapolis Labor Temple SBD>MR>?>D>CD; via David Litfin; Seeded to etree by J. Cotsman notes
248. 02/04/69 Flac - 0, 7294 Omaha The Music Box SBD> CM> C> D> CD; EAC> SHN (seekable) transfer by Steve Barbella notes
249. 02/04/69 Flac 24 - 0, 137440 Omaha The Music Box flac24; Partial Show; Source: Audience recording > Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Cassette (TDK D-90) recorded by Leon Komar; Tranafer: Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG Audiogate 4 > flac 24/96; transfered by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick notes
250. 02/05/69 Shn - 0, 8993 Kansas City Soldiers & Sailors Memorial Auditorium SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon notes
251. 02/06/69 Shn - 0, 6284 St. Louis Kiel Auditorium SBD> MC> D> CD> EAC> SHN; Soundforge used for pitch correction and pop removal; edited, encoded, vined by J. Cotsman; with thanks to Paul Hartman notes
252. 02/06/69 Flac 16 - 0, 137394 St. Louis Kiel Auditorium flac16; Source: Soundboard > 7 1/2' Reel Master @ 7.5 ips (Recorded By Bear) > 1st gen cassette (Ampex C-90/no dolby) > Dat (from Rob Eaton); Transfer: DAT play back and transfer on a Sony PCM R-500 > Digital Audio Labs Carddeluxe > WAV 16/48; Lineage: wav 16/48 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > wav 16/44.1 > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered by SIRMick notes
253. 02/07/69 Shn - 0, 14471 Pittsburgh Stanley Theater (Early, Late) Late Show ; SBD> MC(Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb>CDR ; Seeded to Etree by T. Wiley notes
254. 02/07/69 Shn - 0, 14472 Pittsburgh Stanley Theater (Early, Late) Early Show; SBD> MC (Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb> CDR ; Seeded to Etree by T. Wiley notes
255. 02/07/69 Flac 16 - 0, 137392 Pittsburgh Stanley Theater (Early, Late) flac16; Source: Soundboard > master cassette (recorded by Bear (Owsley) on a "Concord" cassette deck model unknown > Ampex 90-minute cassette > Restoration & Preservation by Rob Eaton; Transfer: Playback on a Tascam 122 mk111 (azimuth adjusted) > db 926 a/d converter > db 3000 s sample rate converter (variable speed) > panasonic 3800 DAT @ 44.1 kHz By Rob Eaton > DAT > Sony PCM R-500 > Digital Audio Labs Card Deluxe > Adobe Audition C.C.2014 > wav 16/44.1; Lineage: wav 16/44.1 >Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick notes
256. 02/12/69 Shn - 0, 9072 New York Fillmore East (Late Show) SBD> Cassette Master> DAT> CD; More complete version of original Kaplan seed, see info file for details; Seeded to etree by Seth Kaplan notes
257. 02/12/69 Shn - 0, 6285 New York Fillmore East (Late Show) late show; SBD> MR> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman; with thanks to Jeff Cook; Missing Dupree's, Mountains notes
258. 02/14/69 Shn - 0, 6286 Philadelphia Electric Factory SBD> MC> C> C(?)> D> CD> SHN; edited (see notes in info), shned, vined by J. Cotsman; with thanks to Jim Hale notes
259. 02/14/69 Flac 16 - 0, 141006 Philadelphia Electric Factory flac16; Source Info: Master Soundboard Cassette > Reel to Reel > PCM (Sony HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
260. 02/15/69 Shn - 0, 16664 Philadelphia Electric Factory MSR (7" @ 7.5 ips 1/2 track) > Tascam 122mkIII 1st gen. cassette > Nak Dragon playback > Sony PCM R-700 DAT > ZA2 > wav (Sound Forge) > CD (CD Architect) > unknown CD gens > EAC (test & copy, secure mode, offset corrected) > sector boundary verification (shntool) > seekable .shn (mkwact). DAT conversion and CD mastering by aoxoa, CD > SHN by D. Winters. notes
261. 02/15/69 Shn - 0, 2175 Philadelphia Electric Factory SBD MR>C1>DAT; via Teddy Goodbear to abgd notes
262. 02/19/69 Shn - 0, 4511 San Francisco Fillmore West SBD> MC> D> CD; start of Lovelight clipped, ragged sound improves later; via thecore@core.com notes
263. 02/21/69 Flac 16 - 0, 111780 Vallejo Dream Bowl flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
264. 02/21/69 Shn - 0, 7859 Vallejo Dream Bowl Speed corrected SBD >MR> ?> DAT> CDR; via The Owen Brothers Vault; See info file for details notes
265. 02/22/69 Flac 16 - 0, 112691 Vallejo Dream Bowl flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC notes
266. 02/22/69 Shn - 0, 7860 Vallejo Dream Bowl SBD>MR>DAT>CDR; Mastering by The Owen Brothers Vault; see info file for details notes
267. 02/22/69 Shn - 0, 5206 Vallejo Dream Bowl SBD > MR > R > R > DAT > CDR; EAC> Cool Edit (see info)> SHN (seeking) by Matt Vernon, from Paul B. seed discs; see flaw notes in info file notes
268. 02/27/69 Shn - 0, 6315 San Francisco Fillmore West SBD 16-Track Master Reel > Rough Mix DAT > DATx3 > Digital Sound Card > WAV > SHN > WAV > Cool Edit > CDWAV > SHN; via Aoxoa, R. Keshavan, Seth Kaplan; see info file for notes on patches and edits; d2 tracked for 80 min; note material from this date also appeared on Live Dead- go buy it notes
269. 02/27/69 Shn - 0, 16248 San Francisco Fillmore West 16 track RTR (multiple decks) > MCS Master Mixdown D > SSSB; see notes in info file; to gdlive by Jay Serafin notes
270. 02/27/69 Shn - 0, 58 San Francisco Fillmore West SBD reels > PCM > DAT > CD-R; via Robbie Dunn, Lee Orf; note material from this date also appeared on Live Dead- go buy it; 11/01: upgrade now in circulation notes
271. 02/27/69 Flac 16 - 0, 132573 San Francisco Fillmore West flac16; Ampex MM-1000 16 Track Master Two Inch Wide Tape; Multi Track Mix-down To DAT By Dan Healy @ 44.1KHz) circa 1995?; DAT x ONE by Dick Latvala- DAT x TWO via either Dick or Rob Bertrando; Editing (Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); Jim Wise; This is a 100% Flat transfer from the DAT no signal processing what-so-ever notes
272. 02/27/69 Flac 16/44 - , 153342 San Francisco Fillmore West flac16/44kHz; 5.1 LPCM Surround Sound (44k) - SBD (shnid = 132573) Ampex MM-1000 16 Track Master Two Inch Wide Tape; Multi Track Mix-down To DAT By Dan Healy @ 44.1KHz) circa 1995?; DAT x ONE by Dick Latvala- DAT x TWO via either Dick or Rob Bertrando; Editing (Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); Jim Wise + AUD (shnid = 153331) Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - surround mixing by Kevin Tobin notes
273. 02/27/69 Dts Audio 5.1 - , 153341 San Francisco Fillmore West DTS-Audio-CD 5.1 Mix; - SBD (shnid = 132573) Ampex MM-1000 16 Track Master Two Inch Wide Tape; Multi Track Mix-down To DAT By Dan Healy @ 44.1KHz) circa 1995?; DAT x ONE by Dick Latvala- DAT x TWO via either Dick or Rob Bertrando; Editing (Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); Jim Wise + AUD (shnid = 153331) Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - dts mixing by Kevin Tobin notes
274. 02/27/69 Flac 16 Mtx - , 153340 San Francisco Fillmore West flac16; Matrix 2 Source Mix - SBD (shnid = 132573) Ampex MM-1000 16 Track Master Two Inch Wide Tape; Multi Track Mix-down To DAT By Dan Healy @ 44.1KHz) circa 1995?; DAT x ONE by Dick Latvala- DAT x TWO via either Dick or Rob Bertrando; Editing (Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); Jim Wise + AUD (shnid = 153331) Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - matrix mixing by Kevin Tobin notes
275. 02/27/69 Flac 16 - , 153339 San Francisco Fillmore West flac16; Patched & Pitch Corrected Audience - (original shnid = 153331) Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - pitch correction and patches by Kevin Tobin notes
276. 02/27/69 Flac 16 - , 153331 San Francisco Fillmore West flac16: Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 notes
277. 02/28/69 Flac - 0, 3397 San Francisco Fillmore West 16-Track Master Reel> DAT> CD> EAC> SHN, with various patches (see info file); via Charlie Miller, Aoxoa, Seth Kaplan; upload by Darrin Sacks notes
278. 02/28/69 Flac 16/48 - 0, 132672 San Francisco Fillmore West flac16/48kHz; Ampex MM-1000 16 Track Master Reels Two Inch Wide Tape @ 15 ips; Multi Track Mix-down To a Sony PCM 1630 By Dan Healy @ 44.1KHz); Set #1 DAT x ONE by Dick Latvala-DAT x TWO; Set #2 DAT x ? by Rob Bertrando-DAT x; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)-Sample Rate Conversion(r8brain); This is a 100% Flat transfer from the DAT no signal processing what-so-ever. Some pitch correction implemented Jim Wise notes
279. 02/28/69 Flac 16/48 - 0, 139196 San Francisco Fillmore West flac16/48kHz; SBD > 2-track Master Reels > Dat; Charlie Miller Transfer: Dat (Sony PCM-R500) > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/48 notes
280. 03/01/69 Shn - 0, 13584 San Francisco Fillmore West SBD > DUAL RTR DECKS AT 15 I.P.S. > LESH DIGITAL MIXDOWN IN 1998 > MCS D > SSSB (Jay Serafin remaster notes
281. 03/01/69 Shn - 0, 4030 San Francisco Fillmore West SBD> 16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion > Cool Edit 2000 > MKW .shn file conversion > shntool > MKW .WAV file conversion > CD; via Aoxoa, Rango Keshavan, Seth Kaplan; d2 tracked for 80 min; see various notes in info file, including about patches for banter and tuning notes
282. 03/01/69 Shn - 0, 9391 San Francisco Fillmore West Jay Ashley (Bertha) remaster of previous multi-track source; SBD>>MTMR>>DAT>>CDA>>DAW(Bertha)>>CDA notes
283. 03/01/69 Flac 16 - 0, 132657 San Francisco Fillmore West flac16; Ampex MM-1000 16 Track Master Two Inch Wide Tape- Multi Track Mix-down To DAT By Dan Healy @ 44.1KHz); DAT x ONE by Dick Latvala- DAT x TWO(Mine); Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise; This is a 100% Flat transfer from the DAT no signal processing what-so-ever. Some Pitch Correction Implemented notes
284. 03/01/69 Shn - 0, 60 San Francisco Fillmore West revised source info: SBD> cass master > 1 cass > DAT> ZA2> Soundforge> SHN; transfer by R. Nayfield; reel flip beginning Lovelight; 5/01 note upgrade now in circulation notes
285. 03/01/69 Flac 16/48 - 0, 138788 San Francisco Fillmore West flac16/48kHz; SBD > 2-track Master Reels > Dat; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Joe Noel Edited & Mastered in Audacity: Wave > Flac 16/48; Checksum & tags created in xACT notes
286. 03/02/69 Shn - 0, 3344 San Francisco Fillmore West Multi-track reel master > DAT > CD > EAC > SHN; via Seth Kapln, Darrin Sacks; see info file for relation to previous seeds notes
287. 03/02/69 Shn - 0, 7345 San Francisco Fillmore West Jay Ashley (Bertha) remaster of previous multi-reel source; SBD>>MTMR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A Show A notes
288. 03/02/69 Flac 16 - 0, 132581 San Francisco Fillmore West flac16; Ampex MM-1000 16 Track Master Two Inch Wide Tape-Multi Track Mix-down By Dan Healy @ 44.1KHz); DAT x ONE by Dick Latvala- DAT x TWO; Editing (Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)by Jim Wise; This is a 100% Flat transfer from the DAT no signal processing what-so-ever notes
289. 03/15/69 Shn - 0, 28798 San Francisco Hilton Hotel MSC> C> D> CD; This tape is sourced from Bear's cassette master; Pitch correction was performed via Cool Edit 2000; WAV's >.shn by Seth Kaplan notes
290. 03/15/69 Shn - 0, 4280 San Francisco Hilton Hotel SBD> ?> boot CD> retrack> SHN; significant hiss, splice in Eleven; via thecore@core.com notes
291. 03/15/69 Flac 16 - 0, 140931 San Francisco Hilton Hotel flac16; Source: SBD > Bear's cassette > ??? > Sony ESXHiFi/L-750 beta tape; Transfer: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k); Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018 notes
292. 03/22/69 Shn - 0, 8994 Pasadena Rose Palace SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Andrew Clarke notes
293. 03/28/69 Flac 16 - 0, 81543 Modesto Student Center, Modesto Jr. College flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
294. 03/28/69 Flac 16 - 0, 108057 Modesto Student Center, Modesto Jr. College flac16; Source: Master Soundboard Cassette Medium Stock Brands: Master Cassette ampex c120 Analog Lineage: SBD >> Unknown Deck >> MSC Analog Sound Preservation: MSC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bear Transfer By: Bob Menke Mastering By: David Minches, Derek McCabe (This source was originally seeded with errors in the tags. Please don't circulate the original fileset.) notes
295. 03/28/69 Flac 24 - 0, 108240 Modesto Student Center, Modesto Jr. College flac24; SBD >> Unknown Deck >> MSC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] notes
296. 03/28/69 Flac 16 - 0, 135935 Modesto Student Center, Modesto Jr. College flac16; Recording Info: SBD > low generation analog > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 notes
297. 03/28/69 Flac 16 - 0, 140994 Modesto Student Center, Modesto Jr. College notes
298. 03/28/69 Shn - 0, 3342 Modesto Student Center, Modesto Jr. College MSR> C> D> CD; via Frank Bove notes
299. 03/29/69 Flac 16 - 0, 123467 Las Vegas Ice Palace flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
300. 03/29/69 Shn - 0, 1764 Las Vegas Ice Palace SBD> ?> BOOT CD> CDR; EAC> WAV> SHN by Dan Vinson, seed via Greg Mohr; End of Lovelight is cut on the boot cd; fits on 1x80 notes
301. 03/29/69 Flac - 0, 135885 Las Vegas Ice Palace Fix for Charlie Miller source, patched with 4th-gen cassette. notes
302. 03/29/69 Flac 16/48 - 0, 141435 Las Vegas Ice Palace flac16/48kHz; Recording Info: Master Soundboard Reel > Cassette > Dat 16/48; Transfer Info: Dat (16/48)(Sony PCM-R500) > Tascam DA-3000 (.wav 16/48) > Adobe Audition (16/48) > TLH flac1648 notes
303. 04/04/69 Flac - 0, 87542 San Francisco Avalon Ballroom Source: SBD>FM>MR>C1>DAT>CD notes
304. 04/05/69 Shn - 0, 18701 San Francisco Avalon Ballroom Recording Info: SBD -> Rm (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat -> Sonic Solutions -> CD -> EAC -> Samplitude -> SHN Conversion By Charlie Miller notes
305. 04/05/69 Shn - 0, 65 San Francisco Avalon Ballroom SBD > REEL > REEL > DAT > SP/DIF > HD > SHN; via S. Leonard; see pub comments for flaw notes notes
306. 04/05/69 Flac 16 - 0, 136650 San Francisco Avalon Ballroom flac16; Source: Soundboard > Reel Master > Dat (48k) notes
307. 04/06/69 Shn - 0, 9492 San Francisco Avalon Ballroom SBD>FM>MR>C>D>CD; via Joe Jupille; Seeded to etree by J. Cotsman notes
308. 04/06/69 Shn - 0, 9389 San Francisco Avalon Ballroom SBD : FM > MR > C1 > DAT > CD; via Keith Hunter; seeded to etree by Alan J. Fink notes
309. 04/06/69 Flac 16 - 0, 135956 San Francisco Avalon Ballroom flac16; Unknown analog recording > PCM Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Editing and Mastering by Jamie Waddell in Wavelab 7.1; 16bit 44.1kHz Track, FLAC and Pack by John Wenzel notes
310. 04/06/69 Flac 24/96 - 0, 142125 San Francisco Avalon Ballroom flac24; Source Info: FM Broadcast (KPFA/KPFB)> Tom Ordon's Master FM Reels > Matt Smith's 1st Generation Reels; Transfer Info: 1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp .wav 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496 notes
311. 04/06/69 Flac 16/48 - 0, 142124 San Francisco Avalon Ballroom flac16/48kHz; Source Info: FM Broadcast (KPFA/KPFB)> Tom Ordon's Master FM Reels > Matt Smith's 1st Generation Reels; Transfer Info: 1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp .wav 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; This is a 16/48 fileset. 24-bit > 16-bit via dBpoweramp notes
312. 04/06/69 Flac 16/48 - 0, 142814 San Francisco Avalon Ballroom flac16/48kHz; Recording Info: SBD > Master Reel > Cassette (Tascam 122mkIII) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k notes
313. 04/11/69 Shn - 0, 15404 Tucson University Auditorium, U. of Az. SBD>MC>C>D>CD>EAC>SHN pitch corrected and normalized by J. Cotsman notes
314. 04/11/69 Shn - 0, 8190 Tucson University Auditorium, U. of Az. Master Soundboard Cassette > cass > dat > cd; via Steve Barbella; With thanks and praise to Peter Braverman notes
315. 04/11/69 Flac 16/44 - , 152766 Tucson University Auditorium, U. of Az. flac16/44 Recording Info- Bear's SBD cassette > DAT -transferred by Dick Latvala for KXCI's Dead Air program - originally broadcast on Sept 27, 1997 Fresh 2021 DAT transfer by Jim Blackwood - Sony R500 > Tascam DA-3000 Mastered by Jim Blackwood + Jamie Waddell. Pitch correction by Jason Chastain notes
316. 04/12/69 Shn - 0, 14914 Salt Lake City Student Union Ballroom, University of Utah SBD>MC>C>D>CD>EAC>SHN; pitch corrected & normalized; edits/encoding by JCotsman notes
317. 04/13/69 Flac 16 - 0, 87378 Boulder Ballroom, U. of Co. flac16; SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
318. 04/13/69 Shn - 0, 6287 Boulder Ballroom, U. of Co. SBD> MR> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman; with thanks to Dan Zymanski; see flaw notes in info file notes
319. 04/15/69 Flac 16 - 0, 31939 Omaha The Music Box flac16; Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD patched with SBD>Cm>Cass>Dat>CD. Remastered by Charlie Miller notes
320. 04/15/69 Flac 16 Mtx - 0, 33952 Omaha The Music Box flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD); Mixed by dan am-dig; see info file for details notes
321. 04/15/69 Shn - 0, 9073 Omaha The Music Box Partial; Owsley's Master Sounboard Cassette > cass > DAT > CD; Seeded to etree by Kevin Gills notes
322. 04/15/69 Shn - 0, 6288 Omaha The Music Box SBD> Bear's MC> ?> CD> EAC> SHN; partial, all that circulates; vined by J. Cotsman notes
323. 04/15/69 Flac 16 - 0, 31523 Omaha The Music Box flac16; Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD; Flaw in d2t05 fixed on November 15, 2005 Remastered by Charlie Miller notes
324. 04/15/69 Flac - 0, 31672 Omaha The Music Box Unedited version without processing or SBD patching as recorded by the taper. AUDMR->Alesis Masterlink 9600->HD->CD; tracking and editing in SoundEdit 16 for Macintosh platform by Bob Bihlmayer (howlin_bob@hotmail.com) 11/5-6/2005: CD->EAC->SoundEdit 16->FLAC Taper: Leon Komar Equipment: portable Aiwa 5" reel-to-reel, stock Aiwa hand-held microphone; "Automatic Volume Control" (compressor/limiter?) switch ON. Tape: Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono. Real-time transfer, no edits; EQ flat; no boosts/filters applied. source discs and equipment information provided by Iver McLeod. Seeded to etree 11/24/2005 by Seth Kaplan notes
325. 04/15/69 Flac Dts 5.1 - 0, 34269 Omaha The Music Box flac16; DTS-Audio-CD 5.1 Mix notes
326. 04/15/69 Flac - 0, 31435 Omaha The Music Box flac16; Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD. Recorded by Leon Komar; Remastered by Charlie Miller notes
327. 04/17/69 Flac 16 - , 156586 St. Louis Washington University Recording Info: SBD > Cassette Master (Ampex C-90)
Transfer Info: Cassette Master > DAT (44.1k) > FLAC
Mastering Info: FLAC > Samplitude Pro X6 Suite > FLAC/16
Recorded by Bear, Cassette Transfer by Dick Latvala, DAT Transfer by Rob Eaton, Mastered by Charlie Miller
notes
328. 04/18/69 Flac 16 - 0, 88867 Lafayette Memorial Union Ballroom, Purdue U. flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller notes
329. 04/18/69 Shn - 0, 7537 Lafayette Memorial Union Ballroom, Purdue U. SBD>MC>C>DAT>CD; Tony Gardner EAC of previous source; notes
330. 04/20/69 Shn - 0, 4992 Worcester Clark University complete; Cassette Master (Ampex C-90, no Dolby)> DAT(M)@ 44.1K via Panasonic SV3700> DAT(1)> DAT(2)> WAV via Sony SDT9000 DDS drive using VDAT0.6f> Soundforge 4.0 (see edits in info file); Source DAT from Rob Eaton, DAT> SHN by Jamie Lutch notes
331. 04/20/69 Shn - 0, 1312 Worcester Clark University partial (all that circulates); MSC> C> DAT> CDR> EAC> SHN; EAC/SHN by Rango Keshavan; Seeded by Darrin Sacks; see listening notes in pub comments notes
332. 04/21/69 Flac 16 - 0, 88465 Boston The Ark flac16; SBD -> Master Reel -> Dat -> CD All Transfers and Mastering By Charlie Miller notes
333. 04/21/69 Flac 16 - 0, 124439 Boston The Ark flac16; Remastered version of the SBD -> Master Reel -> Dat -> CD -> Samplitude Professional v9.12 -> FLAC source by TomP; see Info File for details notes
334. 04/21/69 Flac 16 - 0, 107347 Boston The Ark flac16; Soundboard => Unknown Deck >> MSC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > ? > flac/16 notes
335. 04/21/69 Shn - 0, 19841 Boston The Ark Bertha Remaster of the Master Reel source; SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN notes
336. 04/21/69 Shn - 0, 6182 Boston The Ark Updated possible gen: MSR> DAT > CDR (had been marked MSR > Cassette > DAT > CDR); intro from alternate SBD; d1t6, d3t2 have cuts from reel; 1/20/68 filler; via Scott Clugston, Lee Revell notes
337. 04/22/69 Flac 16 - 0, 88466 Boston The Ark flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller notes
338. 04/22/69 Shn - 0, 68 Boston The Ark Updated possible gen: SMC>R>D (had been marked MSR > Cassette > DAT x2 > CDR); d1t1,8 have cuts from master;? via Scott Clugston, Lee Revell notes
339. 04/23/69 Flac 16 - 0, 98968 Boston The Ark flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade of 98892 notes
340. 04/23/69 Flac 24 - 0, 98793 Boston The Ark flac24; lineage: gen1 cassette from alternate soundboard source; gen 1 cassette> tascam mkII>Korg MR1000 at 1bit/5.6mHZ>Korg Audio Gate Software>32 bit float/192kHz>Wavelab 6.1 for fades, blank tape removal, and slight channel adjustment>Weiss-Saracon for 24 bit fixed/196kHz Pow-r3 Dither notes
341. 04/23/69 Flac 16 - 0, 98892 Boston The Ark flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation notes
342. 04/23/69 Shn - 0, 70 Boston The Ark MSR> Cassette> DATs> CDRs> EAC >SHN; via Jim Wise, Rob Bertrando, Darrin Sacks; note this reportedly may be an upgrade compared to previously etreed version; same cuts and splices as in previous version; note d1 tracked for 80 min notes
343. 04/23/69 Shn - 0, 28297 Boston The Ark MSR>C>D>CD; fix of shnid=70, by Sean Cribbs notes
344. 04/23/69 Flac 16 - 0, 98927 Boston The Ark flac16; Source: processed and edited in Samplitude v7.22 transferred by Monte Barry; New Source is speed corrected, dehissed, and repatched version of source ID 98820 notes
345. 04/23/69 Flac 16 - 0, 88501 Boston The Ark flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller notes
346. 04/25/69 Flac 16 - 0, 97392 Chicago Electric Theater flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller notes
347. 04/25/69 Shn - 0, 2596 Chicago Electric Theater Source: mR> D> Sonic Solutions> CDR notes
348. 04/26/69 Flac 16 - 0, 97393 Chicago Electric Theater flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Mille notes
349. 04/26/69 Flac 16 - 0, 96449 Chicago Electric Theater flac16; Source: Soundboard Cassette x 1 > DAT Encore Source: 7 inch Master Reels @ 7.5ips 1/2trk > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab Mastering: In WaveLab with Nomad Factory Plugins > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 20, 2008, Green Mountain Bros. notes
350. 04/26/69 Shn - 0, 71 Chicago Electric Theater updated source: cassette master> 1 cassette generation> DAT> CDR (see pub comment); via Ben Yerys; (not T. Wulf's "de-noised" version?) notes
351. 04/26/69 Shn - 0, 13390 Chicago Electric Theater Soundboard complete show, MCas > Cas > DAT >circulation. Minor tracking differences with first etree shn source but that version is rare if it exists at all. notes
352. 04/27/69 Shn - 0, 5070 Minneapolis Labor Temple SBD> MR> D> CD> SHN; EAC/shn encoding/minor Sound Forge edits by J. Cotsman, with thanks to Jeff Krakowka notes
353. 05/03/69 Shn - 0, 73 San Francisco Winterland Arena all that circulates; Reel> PCM> Dat> Tascam DA20> Audio Magic Presto> Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/23/69; via Phunk1; reel splice at beginning of Rag; disc may not have accompanying .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match notes
354. 05/03/69 Flac 16 Mtx - 0, 124068 San Francisco Winterland Arena flac16; This is a matrix recording using two sources: SBD Reel shnid 124067: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification and Audience shnid 000733: Reel>PCM>Dat>Tascam DA20>Audio Magic Presto>Prodif Plus>Soundforge>cdwav>shn notes
355. 05/03/69 Flac 16 - 0, 95138 San Francisco Winterland Arena flac16; Recording Info:SBD -> Master Reel -> ? -> Cassette -> Apogee Ensemble -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
356. 05/03/69 Flac 16 - 0, 124067 San Francisco Winterland Arena flac16; SBD/PA Reel: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification notes
357. 05/03/69 Flac - 0, Rocklin Sierra College notes
358. 05/03/69 Flac 16 - 0, 139575 San Francisco Winterland Arena flac16; Recording Info: (Stage) Sony Stereo Mic > Master Reel > PCM; Transfer Info: PCM (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramtch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes
359. 05/03/69 Flac 24 - 0, 139576 San Francisco Winterland Arena notes
360. 05/07/69 Shn - 0, 6028 San Francisco Polo Field, Golden Gate Park retracking and edit of previous shn set, by J. Cotsman: SBD> MR> C> D> CD> EAC> SHN; with 3/26/68 filler; via J. Cotsman to vine notes
361. 05/07/69 Shn - 0, 5179 San Francisco Polo Field, Golden Gate Park SBD > MR > C > DAT > CD; via Ernie to abgd; note besides d1 seeking shns, Ernie posted wavs for d2 (wav, rar md5s shown); subsequent d2 shn (v3 seek appended, with md5s shown) by DES notes
362. 05/10/69 Shn - 0, 1336 Pasadena Rose Palace mC> C> DAT> Sonic Solutions> CDR; via Ben Yerys; stemming from Tzuriel Kastel tree; d1 contains misc pre-filler notes
363. 05/10/69 Flac 16 - 0, 132812 Pasadena Rose Palace flac16; Cassette Master (Recorded By Bear on a Concord F-400 Cassette Deck) - Cassette (Ampex C-90) Playback Tascam 122 MK111 Cassette Deck No Dolby - Panasonic SV-3700 DAT @ 44.1KHz (DL) notes
364. 05/11/69 Shn - 0, 6296 San Diego Aztec Bowl, San Diego State U. FM SBD> ?> CDR; edited, shned, vined by J. Cotsman; with thanks to Paul Hartman; see notes in info file notes
365. 05/16/69 Shn - 0, 6316 Moraga Campolindo High School Master Soundboard Cassette > Cassette > DAT (speed corrected) > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston notes
366. 05/16/69 Shn - 0, 6297 Moraga Campolindo High School SBD> MC> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman (see info file); with thanks to Paul Hartman notes
367. 05/23/69 Flac 16 - 0, 96631 Hollywood Seminole Indian Village flac16; Source: Soundboard Master Reels > PCM > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky January 1, 2009, Green Mountain Bros. notes
368. 05/23/69 Shn - 0, 12223 Hollywood Seminole Indian Village complete show from compilation of reel master and what is believed to be the cassette master; Source 1: SBD> MR> PCM> D> CD> EAC> SHN ; Source 2: SBD> MC> R> C> D> CD> EAC> SHN (?); See info file for details; via Jim Hale; Seeded to etree by Seth Kaplan & JCotsman notes
369. 05/23/69 Shn - 0, 74 Hollywood Seminole Indian Village partial Dew>>11//; Reel> PCM> DAT; conversion:Tascam DA-20> Audio Magic Presto> Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/3/69; via Phunk1; disc may not have accompanying .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match notes
370. 05/23/69 Flac 16 - 0, 141038 Hollywood Seminole Indian Village flac16; Recording Info: Master Soundboard Reels > 1st generation reels > 2nd generation reels > PCM (Sony HG beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
371. 05/24/69 Shn - 0, 16177 Hollywood Seminole Indian Village Cass>DAT> DAT> SONIC SOLUTIONS> CD> CD> EAC[secure] >SHN from 2003 KPFA Dead Marathon notes
372. 05/24/69 Shn - 0, 10737 Hollywood Seminole Indian Village SB>MR>??> CD; See info file for editing notes; Unknown seeder notes
373. 05/29/69 Shn - 0, 14018 Santa Barbara Robertson Gym, U.C.S.B. Source: reported to be SBD>MR>PCM>DAT>CD(>EAC>WAV>SHN) notes
374. 05/30/69 Flac 16 - 0, 87516 Portland Springer's Inn flac16; SBD -> Cassette Master (Ampex C-90) -> Dat (48k) All Transfers and Mastering By Charlie Miller notes
375. 05/31/69 Shn - 0, 76 Eugene McArthur Court, University of Oregon SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; encore shuffled to fit on 2 discs, but songs can be moved to proper order for 3 discs; see info file for flaw notes notes
376. 06/05/69 Shn - 0, 15204 San Francisco Fillmore West SBD>MC>C>D>CD>EAC>SHN; pitch corrected; patch in Cryptical Reprise from alt sbd; edits/encoding by JCotsman notes
377. 06/05/69 Shn - 0, 6017 San Francisco Fillmore West complete; MSC> LATVALA C> DAT> CD> EAC> SHN; with Cryptical patch; EAC>SHN by Steve Barbella; d1 tracked for 80 min notes
378. 06/05/69 Flac 16 - 0, 135483 San Francisco Fillmore West flac16; Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Samplitude Professional 11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
379. 06/05/69 Flac 16/48 - 0, 135518 San Francisco Fillmore West flac16/48kHz; Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Samplitude Professional 11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller notes
380. 06/06/69 Shn - 0, 9494 San Francisco Fillmore West SBD>MC>C>D>CD; via Joe Jupille; Seeded to etree by J. Cotsman notes
381. 06/06/69 Shn - 0, 4281 San Francisco Fillmore West partial; SBD> MC> C> D> CD; static in Lovelight; via thecore@core.com notes
382. 06/07/69 Shn - 0, 9074 San Francisco Fillmore West MR > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN > CD > SHN; via A.J. Fink; Seeded to etree by Seth Kaplan notes
383. 06/07/69 Flac 16 - 0, 132685 San Francisco Fillmore West flac16; Composite from 3 different source reels; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)-Processing (izotope oZone 6) by Jim Wise notes
384. 06/08/69 Flac 16 - 0, 12986 San Francisco Fillmore West flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
385. 06/08/69 Shn - 0, 4512 San Francisco Fillmore West SBD> MR or MC> C> D> CD> SHN, possible; see info file for flaw notes; via thecore@core.com notes
386. 06/08/69 Shn - 0, 19285 San Francisco Fillmore West set 1: SBD> MR> C> D> CD> EAC> SHN; set 2: SBD> MC> C> D> CD> EAC> SHN, pitch corrected via J. Cotsman notes
387. 06/13/69 Shn - 0, 7775 Fresno Fresno Convention Center Master Soundboard Cassette > Cass > DAT > ZA2 > SF > CD; via Steve Barbella notes
388. 06/14/69 Shn - 0, 5182 Monterey Monterey Performing Arts Center SBD: MCass> Cass> DAT> ZA2> SF> CD; normalized and pitch-shifted; seeded by Jeff Tiedrich, transfer and mastering by David Hollister, SHN by Jim Skinner notes
389. 06/14/69 Flac 16/48 - 0, 150775 Monterey Monterey Performing Arts Center flac16/48kHz; Source: SBD > Bear’s master cassette (Ampex C90) > Dick’s cassette (TDK-SA-X100) > DAT 16bit/48kHz; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > WAV 16/48; Transfer by Charlie Miller; Edited & Mastered by Joe Noel notes
390. 06/14/69 Flac 16/48 - , 155178 Monterey Monterey Performing Arts Center Source Info: Bear’s Master Soundboard Cassettes (Ampex C90) > Dick Latvala's 1st generation cassettes (Tascam 122mkIII deck)(TDK SA-X 100) > Joel Pollack's DAT (16/48) Transfer Info: Joel Pollack's DAT (Tascam DA-40)> Tascam DA-3000 > .wav 16/48 notes
391. 06/21/69 Shn - 0, 16334 New York Fillmore East (Late) late show; BDMC(Bear's) > Dick's C > DAT > CDR; via Frank Bove, stemming from MerryPrankster tree; note d2t2 is labeled as "fixed" notes
392. 06/21/69 Shn - 0, 16334 New York Fillmore East (Late) early and late; Early Show: AUD> MR> C> R> R> R> D> CD> EAC> SHN; Late Show: SBD> MC> C> D> CD> EAC> SHN; via Jeff Cook, encoded by Jeff Cotsman notes
393. 06/21/69 Shn - 0, 8995 New York Fillmore East (Early) early show; AUD> MR> C> R> R> R> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook notes
394. 06/22/69 Shn - 0, 17892 New York Central Park SBD>MC>C>D>CD>EAC>Cool Edit 2000>CD Seeded by Seth Kaplan, only the first 22 minutes of the show notes
395. 06/22/69 Shn - 0, 8836 New York Central Park AUD low gen (complete show), plus alternate SBD MC> C> D> CD (only 20 minutes circulate); via Hanno Bunjes (see notes in info file); with thanks to Julian and Uli notes
396. 06/22/69 Flac 16/44 - , 164056 New York Central Park flac1644 Recording Info: SBD > Cassette Master > Cassette > Dat (48k) > SHN > wav Lineage: wav > Izotope RX10 Advanced > Audacity > WAV > TLH > Flac 16 Mastered by Daniel notes
397. 06/27/69 Shn - 0, 20547 Santa Rosa Veterans Auditorium SBD> MR> Cassette> DAT> DAT; DAT> ZA2> Soundforge> wav> mkw> SHN; DAT seed provided by Michael P. Weitzman; Transfer and SHN by Joe Samaritano notes
398. 06/27/69 Shn - 0, 10344 Santa Rosa Veterans Auditorium SBD: MR>?>Cas>CDR;Slightly modified version of David Finney's prior seed; seeded by cpelz@alaska.net; To abgd via eric notes
399. 06/27/69 Shn - 0, 78 Santa Rosa Veterans Auditorium SBD Reel > ? > cassette (Latvala) > CDR, transfer by David Finney; see info file for flaw notes notes
400. 06/27/69 Flac 16 - , 166576 Santa Rosa Veterans Auditorium flac16; Recording info: SBD master reel > DAT > AIFF via Anon; Mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel notes
401. 06/28/69 Shn - 0, 20548 Santa Rosa Veterans Auditorium SBD> MR> Cassette> DAT> DAT; DAT> ZA2> Soundforge> wav> mkw> SHN; DAT seed provided by Michael P. Weitzman; Transfer and SHN by Joe Samaritano notes
402. 06/28/69 Shn - 0, 3300 Santa Rosa Veterans Auditorium complete; sbd> mr> cass> dat> cd; Conversion: Kenwood TrueX> EAC> shn V3 (seekable); Seed: Brian Cole notes
403. 06/28/69 Flac 16 - , 166577 Santa Rosa Veterans Auditorium flac16; Recording info: SBD master reel > DAT > AIFF via Anon; Mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel notes
404. 06/??/69 Shn - 0, 10510 San Francisco Home Recordings misc "Home recordings"; AUD> cheap mic> portable recorder; via Tzuriel to abgd notes
405. 07/03/69 Flac 16 - 0, 92771 Colorado Springs Reed's Ranch flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller notes
406. 07/03/69 Flac 16 - 0, 121879 Colorado Springs Reed's Ranch flac16; Recording Info: SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; (note: this source contains a significant amount of lossy material) notes
407. 07/03/69 Flac 16 - 0, 132377 Colorado Springs Reed's Ranch flac16; Recording Info: SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Pro X Suite -> FLAC; All Transfers and Mastering By Charlie Miller notes
408. 07/04/69 Shn - 0, 4360 Chicago Electric Theater SBD> MC> D>CD> Soundforge pitch correction> SHN; see info file for flaw notes; via thecore@core.com notes
409. 07/04/69 Shn - 0, 29294 Chicago Electric Theater sbd > mc > d >cd > shn > wav > shn; SHN by SirMick notes
410. 07/05/69 Shn - 0, 4282 Chicago Electric Theater SBD>MC>D>CD; see listening notes in info file; via thecore@core.com notes
411. 07/07/69 Flac 16 - 0, 123468 Atlanta Piedmont Park flac16; Recording Info: SBD -> Cassette Master (Ampex C-90) -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
412. 07/07/69 Shn - 0, 3116 Atlanta Piedmont Park Master Soundboard Cassette > Cassette > DAT > CDR; EAc'ed / SHN'ed by Scott Clugston notes
413. 07/11/69 Flac 16 - 0, 123418 Queens NY State Pavilion, Flushing Meadows Park flac16; SBD Recording Info: Pat Lee from Dick Latvala MC > C > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith notes
414. 07/11/69 Flac 16 - 0, 127258 Queens NY State Pavilion, Flushing Meadows Park flac16; Recording Info: SBD Master Cassette > DAT (Panasonic 3700) > Transfer Info: Delta DiO 2496 sound card > HD > CD-R > Mastering Info: CD WAV > Cool Edit > xACT 2.25 FLAC 8; Mastering by Seth Kaplan March 02, 2014 notes
415. 07/11/69 Flac 24 - 0, 127417 Queens NY State Pavilion, Flushing Meadows Park flac24; SBD Recording Info: Pat Lee from Dick Latvala 1985 Technics 1506> Yamaha K2000 MSC > C > C > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith notes
416. 07/11/69 Shn - 0, 4644 Queens NY State Pavilion, Flushing Meadows Park SBD MC>C>D>CD + patch (Alligator > Drums) from AUD master > low-gen reel > cassette > CD, by Hanno Bunjes; to BUDD offer; Hanno's notes notes
417. 07/11/69 Flac 16 - 0, 136663 Queens NY State Pavilion, Flushing Meadows Park flac16; Source: Sbd > Master Casette > DAT (44k) notes
418. 07/11/69 Flac 16/44 - , 153553 Queens NY State Pavilion, Flushing Meadows Park flac1644; Source: Unknown mono AUD from collection of Rich Petrunis. Transfer: TDK Audua-90's (normal bias) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2021 notes
419. 07/12/69 Flac 16 - 0, 123434 Queens NY State Pavilion, Flushing Meadows Park flac16; Partial SBD Recording Info: Pat Lee from Dick Latvala 1985; Technics 1506> Yamaha K2000 MSC > R > C > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith notes
420. 07/12/69 Shn - 0, 4645 Queens NY State Pavilion, Flushing Meadows Park d1: low-gen AUD; d2: SBD MC> C> D> CD; via Hanno Bunjes to BUDD offer; Hanno's notes notes
421. 07/12/69 Flac 24/96 - 0, 123433 Queens NY State Pavilion, Flushing Meadows Park flac24; Partial SBD Recording Info: Pat Lee from Dick Latvala 1985; Technics 1506> Yamaha K2000 MSC > R > C > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith notes
422. 07/12/69 Flac 16 - 0, 136644 Queens NY State Pavilion, Flushing Meadows Park flac16; Source: Soundboard > Cassette Master > DAT (44k) notes
423. 07/12/69 Flac 16/44 - , 153554 Queens NY State Pavilion, Flushing Meadows Park flac1644; Source: Unknown mono AUD from collection of Rich Petrunis. Transfer: TDK Audua-90's (normal bias) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2021 notes
424. 08/02/69 Flac 16 - 0, 30651 San Francisco Family Dog at the Great Highway flac16; SBD -> Cassette Master -> Dat Transferred and Edited By Charlie Miller notes
425. 08/03/69 Flac 16 - 0, 30652 San Francisco Family Dog at the Great Highway flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Edited By Charlie Miller notes
426. 08/03/69 Flac 16 - 0, 137368 San Francisco Family Dog at the Great Highway flac16; Recording Info: SBD > Reel Master (10" 1/2 track 15ips); Transfer Info: Reel Master (Studer A80) > Sonoma Systems DSD > Dobly Stretched Decode > WAV (24-bit/96k); Mastering Info: WAV > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Reel Transfer by Rob Eaton; Mastered By Charlie Miller; 24bit > 16bit with r8brain notes
427. 08/03/69 Flac 24/96 - 0, 137365 San Francisco Family Dog at the Great Highway flac24; Recording Info: SBD > Reel Master (10" 1/2 track 15ips); Transfer Info: Reel Master (Studer A80) > Sonoma Systems DSD > Dobly Stretched Decode > WAV (24-bit/96k); Mastering Info: WAV > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Reel Transfer by Rob Eaton; Mastered By Charlie Miller notes
428. 08/16/69 Flac 16 - 0, 95918 Bethel Max Yasgur's Farm flac16; Source: 8 Track Master Reels @ 15ips > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with L3 Waves Multimaximizer Rate Conversion with r8brain to [16bit/44.1 khz] > TLH > Flac transfer and mastering by Bill Koucky (This source fixes errors in the previous source) notes
429. 08/16/69 Shn - 0, 6103 Bethel Max Yasgur's Farm SBD?; via David Finney; note needs to be split into 2 discs- see pub commen notes
430. 08/16/69 Shn - 0, 15205 Bethel Max Yasgur's Farm SBD>MR>D>CD>EAC>SHN; 8trk Master Reels @ 15ips; Thanks to David Litfin; edits/encoding by JCotsman notes
431. 08/16/69 Flac 24/96 - 0, 95917 Bethel Max Yasgur's Farm flac24; Source: 8 Track Master Reels @ 15ips > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with L3 Waves Multimaximizer > TLH > Flac ransfer and mastering by Bill Koucky (This source fixes errors in the previous source) notes
432. 08/16/69 Flac 16 - 0, 139807 Bethel Max Yasgur's Farm flac16; Source: sbd > 8 Track Master Reels @ 15ips (mixed by Mark Linette via Joe Gastwirt) > Dat (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - Transfered by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick November 2017 notes
433. 08/21/69 Shn - 0, 13850 Seattle Aqua Theater SBD>MC>C>D>CD>EAC>SHN; complete show; edits/encoding by JCotsman notes
434. 08/21/69 Shn - 0, 1170 Seattle Aqua Theater partial; Soundboard -> Bear's Cassette master -> Cassette -> DAT -> CD; CD>EAC>SHN by Glenn Tremblay; via Frank Bove; cuts into China Cat notes
435. 08/23/69 Shn - 0, 2196 St. Helens Pelletier Farm SBDMC(Bear's) > Dick's C > DAT > CDR; via Frank Bove, stemming from MerryPrankster tree notes
436. 08/23/69 Shn - 0, 6639 St. Helens Pelletier Farm sdb> Master Cassette> Cassette> Dat> CD; via Mike Lai with thanks to Wayne Gucwa; d2 tracked for 80 min notes
437. 08/23/69 Flac 16/44 - , 165005 St. Helens Pelletier Farm flac1644 Recording Info: SBD > Cassette Master > Cassette > Dat (48k) > CDR > SHN > wav Lineage: wav > Izotope RX10 Advanced > Audacity > WAV > TLH > Flac 16 Mastered by Daniel notes
438. 08/23/69 Flac 16/44 - , 165504 St. Helens Pelletier Farm flac1644 Goody's Speed/Pitch-adjusted Remaster notes
439. 08/28/69 Shn - 0, 4234 San Francisco Family Dog at the Great Highway SBD > CM > Cass > DAT > CDR > WAV; via EAC/Trade from Morgan Evans > CDR > EAC > CDWAV > seekable SHN; via Rick Lepley notes
440. 08/29/69 Flac 16 - 0, 123075 San Francisco Family Dog at the Great Highway flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
441. 08/29/69 Shn - 0, 8996 San Francisco Family Dog at the Great Highway SBD> MR> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook notes
442. 08/29/69 Shn - 0, 9179 San Francisco Family Dog at the Great Highway Sdb> ?> Dat> CD; via Mike Lai with thanks to Wayne Gucwa; tracked for 1x80 notes
443. 08/29/69 Flac 16 - 0, 123101 San Francisco Family Dog at the Great Highway flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a fixed version of shnid=123075 (Easy Wind fixed) notes
444. 08/30/69 Flac 16 - 0, 122265 San Francisco Family Dog at the Great Highway flac16; Matrix 2 Source Mix - SBD (shn id 8594) Master Soundboard Reel > Cass > DAT > CD; via Seth Kaplan; Seeded to etree by Steve Barbella + AUD (shn id 122231) AUD > 4th Gen Cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 - matrix mixing by Kevin Tobin notes
445. 08/30/69 Flac 16 - 0, 123076 San Francisco Family Dog at the Great Highway flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
446. 08/30/69 Flac Dts 5.1 - 0, 122268 San Francisco Family Dog at the Great Highway DTS-Audio-CD 5.1 Mix; SBD (shn id 8594) Master Soundboard Reel > Cass > DAT > CD; via Seth Kaplan; Seeded to etree by Steve Barbella + AUD1 (shn id 122231) AUD > 4th Gen Cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 - - dts mixing by Kevin Tobin notes
447. 08/30/69 Flac 16 - 0, 122267 San Francisco Family Dog at the Great Highway flac16; Master Soundboard Reel > Cass > DAT > CD; via Seth Kaplan; Seeded to etree by Steve Barbella - Patched and Tagged by Kevin Tobin notes
448. 08/30/69 Shn - 0, 8594 San Francisco Family Dog at the Great Highway Master Soundboard Reel > Cass > DAT > CD; via Seth Kaplan; Seeded to etree by Steve Barbella notes
449. 08/30/69 Flac 16 - 0, 122266 San Francisco Family Dog at the Great Highway flac16; Source: AUD > 4th Gen Cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 - patches and speed correction by Kevin Tobin notes
450. 08/30/69 Flac 16 - 0, 122231 San Francisco Family Dog at the Great Highway flac16; Source: AUD > 4th Gen Cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. September 2012 notes
451. 08/30/69 Flac 16/44 - , 153186 San Francisco Family Dog at the Great Highway flac16/44kHz; 5.1 LPCM Surround Sound (44k) - SBD (shnid = 123076) Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 153150) Source: AUD > 2nd Gen Ampex Reel, kindly provided by Steve Martin. Transfer: Ampex Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - surround mixing by Kevin Tobin notes
452. 08/30/69 Flac 16 Dts 5.1 - , 153185 San Francisco Family Dog at the Great Highway DTS-Audio-CD 5.1 Mix; - SBD (shnid = 123076) Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 153150) Source: AUD > 2nd Gen Ampex Reel, kindly provided by Steve Martin. Transfer: Ampex Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - dts mixing by Kevin Tobin notes
453. 08/30/69 Flac 16 Mtx - , 153184 San Francisco Family Dog at the Great Highway flac16; Matrix 2 Source Mix - SBD (shnid = 123076) Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 153150) Source: AUD > 2nd Gen Ampex Reel, kindly provided by Steve Martin. Transfer: Ampex Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - matrix mixing by Kevin Tobin notes
454. 08/30/69 Flac 16 - , 153183 San Francisco Family Dog at the Great Highway flac16; Patched & Pitch Corrected Audience - (original shnid = 153150) Source: AUD > 2nd Gen Ampex Reel, kindly provided by Steve Martin. Transfer: Ampex Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - pitch correction and patches by Kevin Tobin notes
455. 08/30/69 Flac 16 - , 153150 San Francisco Family Dog at the Great Highway flac16: Source: AUD > 2nd Gen Ampex Reel, kindly provided by Steve Martin. Transfer: Ampex Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 notes
456. 09/01/69 Shn - 0, 19963 Prairieville Baton Rouge International Speedway Source: MSC (Ampex C-90 cassette) > DAT > CD-R via Andy Lemieux and Kingbee encoded by Matt Vernon notes
457. 09/01/69 Shn - 0, 5042 Prairieville Baton Rouge International Speedway SBD>MC>DAT>CDR>EAC>SHN; via Tony Gardner, Steve Goodrich; first bar of Casey is clipped notes
458. 09/01/69 Shn - 0, 5216 Prairieville Baton Rouge International Speedway SBD> Cm> Dat> CD; EAC> SHN by Seth Kaplan; Tape warble on a few spots in Morning Dew. Lovelight cuts @ 9:06 notes
459. 09/01/69 Flac 16 - , Prairieville Baton Rouge International Speedway notes
460. 09/06/69 Shn - 0, 16608 San Francisco Family Dog at the Great Highway Ampex C-90 Master Cassette Soundboard (No Dolby)->DAT->CD; CD->EAC->SHN By Joe Samaritano. Includes Airplane Set. notes
461. 09/06/69 Shn - 0, 1184 San Francisco Family Dog at the Great Highway sdb> reel master> cassette> dat> cdr; via Mike Lai notes
462. 09/06/69 Flac 16 - 0, 134413 San Francisco Family Dog at the Great Highway flac16; Restored version of Grateful Dead portion of source ID 16608; Lineage given in shnid 16608: Ampex C-90 Master Cassette Soundboard (No Dolby)->DAT->CD->EAC->SHN->CD->EAC->SHN; corrected the speed, and restored the crispness of the recording with a multifilter (spectral filter, two virtual valve simulators for harmonics, channel blender set to mono below 125Hz)using Diamond Cut Forensics 8.5. notes
463. 09/06/69 Flac 16 - 0, 135153 San Francisco Family Dog at the Great Highway flac16; no lineage known; from "San Franciscan Nights 2" notes
464. 09/07/69 Shn - 0, San Francisco Family Dog at the Great Highway SBD, Deadhead Hour pre-FM (some lineage details in info file); via David Finney notes
465. 09/11/69 Shn - 0, 12063 San Francisco The Family Dog at the Great Highway (?) Partial, one song; See info file for details; AUD>?>CD; via Dave Litfin; Seeded to etree by JCotsman notes
466. 09/17/69 Flac 16 - 0, 136664 San Francisco Alembic Studios flac16; Source: Soundboard Master Reels @ 3 3/4 IPS > DAT (44.1) notes
467. 09/26/69 Shn - 0, 14856 New York Fillmore East AUD C/?, early show, minor upgrade compared to the previous version, from Uli Teute & Hanno Bunjes notes
468. 09/26/69 Shn - 0, 9376 New York Fillmore East AUD>?>R>CD; show cuts in and fades out; via JJoops & Jack Warner; Seeded to etree by J. Cotsman notes
469. 09/27/69 Shn - 0, 14857 New York Fillmore East (early) AUD C/?, early show, upgrade compared to the previous version, from Uli Teute & Hanno Bunjes notes
470. 09/27/69 Shn - 0, 12064 New York Fillmore East (early) early show; A:?>C>CD; via Jack Warner; Seeded to etree by j jupille notes
471. 09/29/69 Shn - 0, 79 New York Cafe au Go-Go early show; AUD> ?> Reel> Cass (Maxell UD w/dolby B, playback on Sony TCK-909ES) > DAT (SV-3700 w/Oade +15dB input gain mod) > ZA2 > DiamondCut Noise Reduction > CD; upload by R. Nayfield, stemming from tree run by J. Miller, seeded by D. Hollister; covers notes
472. 09/30/69 Shn - 0, 80 New York Cafe au Go-Go early show; AUD> ? > Cass X 2 > XLR into SV-3700 > ZA2 > SoundForge Noise Reduction > CD; upload by R. Nayfield, stemming from tree run by J. Miller, seeded by D. Hollister; covers notes
473. 10/24/69 Shn - 0, 19527 San Francisco Winterland Arena Low generation audience > CD via Jools notes
474. 10/24/69 Flac 16 - 0, 122194 San Francisco Winterland Arena flac16; Source: AUD > ? > Cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. September 2012 notes
475. 10/25/69 Shn - 0, 81 San Francisco Winterland Arena SBD> MR> DAT> Sonic Solutions> CDR; reel flip after William Tell , edited by David Gans; via R. Jagla notes
476. 10/25/69 Flac 16 - 0, 150136 San Francisco Winterland Arena flac16; Recording Info: SBD > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes
477. 10/26/69 Shn - 0, 9509 San Francisco Winterland Arena SBD : MR > C1 > DAT > CD; via Douglas Ferguson; Seeded to etree by Alan Fink notes
478. 10/31/69 Shn - 0, 3377 San Jose San Jose State University SBD: MC> C1> DAT> CDR; see info file for flaw notes; via Mike Lai notes
479. 10/31/69 Flac 16 - 0, 131863 San Jose San Jose State University flac16; This is a Droncit restoration of source ID 3337 using Diamond Cut Forensics 9 Alpha 8 notes
480. 10/31/69 Flac 16 - 0, 141252 San Jose San Jose State University flac16; Source Info: Unknown Analog Soundboard Master > ? > PCM (Sony Beta HiFi-L750); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
481. 11/01/69 Shn - 0, 6298 San Francisco Family Dog at the Great Highway SBD>MC>C>D>CD>EAC>SHN; edited, shned, vined by J. Cotsman (see info file); vith thanks to Paul Hartman notes
482. 11/02/69 Flac - 0, 32350 San Francisco Family Dog at the Great Highway Fixed version of previous file set. Same source info as 32273, but w/fixed Dark Star. notes
483. 11/02/69 Flac 16 - 0, 32273 San Francisco Family Dog at the Great Highway flac16; Recording Info: Disc 1: SBD -> Master Reel -> Cassette -> Dat (44.1k) Disc 2: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC notes
484. 11/02/69 Shn - 0, 1125 San Francisco Family Dog at the Great Highway mr> c1> dat> turtle bch "Fiji"> SHN; via Teddy GoodBear, Doug Johnson; to abg, later to etree; note track names by title, have spaces and/or special characters; see pub comments for flaw note notes
485. 11/07/69 Flac 16 - 0, 119628 San Francisco Fillmore Auditorium flac16;Recording Info:SBD -> Master Reel -> Dat; Transfer Info:Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
486. 11/07/69 Shn - 0, 21762 San Francisco Fillmore Auditorium Stated lineage: MR > DAT > CD > EAC > CDWAV > Cool Edit Pro Noise Filter > SHN > CDR (Except for * which is MR > DAT > CD) (Deadlists lists a probable cassette generation) sbe fixed 2004-01-18 with shntool same as http://db.etree.org/shninfo_detail.php?shnid=19783 with sbe fixed. notes
487. 11/07/69 Shn - 0, 19783 San Francisco Fillmore Auditorium Stated lineage: MR > DAT > CD > EAC > CDWAV > Cool Edit Pro Noise Filter > SHN > CDR; (Except for * which is MR > DAT > CD) (Deadlists lists a probable cassette generation); via Seth Kaplan notes
488. 11/07/69 Shn - 0, 6299 San Francisco Fillmore Auditorium SBD> MR> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman; vith thanks to Paul Hartman; see listening notes in info file notes
489. 11/08/69 Shn - 0, 17433 San Francisco Fillmore Auditorium This is the same source as the previous one with the "c" md5s. Filenames have been changed to reflect the correct tracking per etree convention. Note complete show is released as Dick's Picks 16- go buy it notes
490. 11/08/69 Flac 16 - 0, 26331 San Francisco Fillmore Auditorium flac16; AKG190E> Uher 400L, Recorded by Marty Weinberg; Audience master reel > (possibly one extra reel gen?) > modified Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > CD > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding; EAC > FLAC by Jack Warner notes
491. 11/08/69 Shn - 0, 82 San Francisco Fillmore Auditorium MR (Dick Latvala) > DAT > SoundForge (Jim Wise) > CD; extensively cleaned up (see info file); via Primal Dead Latvala Tribute Tree; d2t8 apparently bonus track of tuning (with slide whistle) from 11/7/69; note not the entire show, just the "Picks"; flaws not on master, first copy (a): d1t04 Dropout @ 11:01; d1t06 Dropout @ 00:27; d1t07 Dropout @ 00:09, another bump 1:37; d2t02 Dropout/Slight Hesitation @ 05:34 (sounds similar to a track ID error); flawed source went to abgd as well as etree; flawless source (b) obtained by M. Parrillo, up by 11/30 though not at all sites; caution- new version had some track name/ordering mixups; note a third source (c) may be up too, no dropouts; note this show is now released as Dick's Picks 16- go buy it notes
492. 11/15/69 Shn - 0, 9535 Crockett Lanai Theater SBD cassette master > PCM > CDR > iMac > SHN; shntool-fixed version of previous shn set via Nathan Scott, fixed separately by disc; alternate fix (as whole set) also circulates with slight difference notes
493. 11/15/69 Shn - 0, 9538 Crockett Lanai Theater SBD cassette master > PCM > CDR > iMac > SHN; shntool-fixed version of previous shn set, fixed as a whole; alternate fix (by disc) also circulates with slight difference notes
494. 11/15/69 Shn - 0, 9137 Crockett Lanai Theater SBD cassette master > PCM > CDR > iMac > SHN; editing> SHN by Jeff Tiedrich; to BUDD and etree via G.S. Hamilton; note SBEs- see comments; 2 fixes in circ (a and b) notes
495. 11/15/69 Flac 16 - 0, 141256 Crockett Lanai Theater flac16; Source Info: Master Soundboard Cassette > PCM > CDR > iMac > SHN; Transfer Info: SHN's > TLH > flac16 > Samplitude (16/44 .wav)> Adobe Audition 3.0 (16/44 .wav)> TLH flac16 notes
496. 11/21/69 Shn - 0, 6300 Sacramento Cal Expo, Building A mixed source: SBD> MR> (C in set 1, not set 2)> D> CD> EAC> SHN; vined by J. Cotsman notes
497. 11/21/69 Flac 16 - 0, 96580 Sacramento Cal Expo, Building A flac16; Set 2 only; Source: Soundboard Master Reels > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 28, 2008, Green Mountain Bros. notes
498. 12/04/69 Shn - 0, 9496 San Francisco Fillmore West SBD>MC>?>CD; via Joe Jupille; Seeded to etree by J. Cotsman notes
499. 12/04/69 Shn - 0, 23975 San Francisco Fillmore West Owlsley's Cassette (SBD: MC>DAT>DAT>CD>EAC>DC5>CD) ; Owen Brother Vault. The Wizard 05/08/04 notes
500. 12/04/69 Flac 16 - 0, 141723 San Francisco Fillmore West flac16; Source: possibly SBD > cassette > ? > DAT > CD; CD > EAC > WAV > mkwACT > SHN - SHN conversion by Julian Fowler, May 2002; Lineage: shn > wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 16; edited and remastered SIRMick notes
501. 12/05/69 Shn - 0, 11256 San Francisco Fillmore West Harry Ely Sony F995 > Sony TC-124 > Master Cassette > PCM > DAT > CD; Seeded to etree by Seth Kaplan notes
502. 12/05/69 Flac 16/48 - 0, 141664 San Francisco Fillmore West flac16/48kHz; Source: Sony F995 > Sony TC-124 > Cassette Master > DAT (48k) - Recorded by Harry Ely and provided by Tim Dalton; Tansfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac1648; edited and mastered SIRMick April 2018 notes
503. 12/07/69 Shn - 0, 6958 San Francisco Fillmore West SBD> MC> DAT> CDR> EAC> DCart Millennium> CDR; CD's From Julian Elliott; CD Editing and mastering by The Wizard - Owenbrothersvault; see editing notes in info file notes
504. 12/07/69 Flac 16 - 0, 141743 San Francisco Fillmore West flac16; Source: sbd > Bear's cassette master (probably) > dat (Rob Eaton) > dat (44k) - Provided by Tim Dalton; Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave >Flac16; edited and mastered SIRMick notes
505. 12/10/69 Shn - 0, 10986 Los Angeles Thelma Theater MSR > D > CD, plus MSR > ? > D > CD; via Deadlists Poject, circulated with 12/11,12/69- see notes and credits in info file notes
506. 12/10/69 Shn - 0, 8214 Los Angeles Thelma Theater Master Soundboard Reel > DAT > CDR; via Seth Kaplan; Seeded to etree by Steve Barbella notes
507. 12/10/69 Shn - 0, 8997 Los Angeles Thelma Theater (set 1: SBD> MR), (set 2: AUD> MR> R) > D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Andrew Clarke & Jack Warner notes
508. 12/11/69 Shn - 0, 10987 Los Angeles Thelma Theater MSR > R > PCM > CD, plus MSR > ? > Beta PCM > D > CD, plus MSR > R > C > D > CD; via Deadlists Poject, circulated with 12/10,12/69- see notes and credits in info file notes
509. 12/11/69 Flac 16 - 0, 91109 Los Angeles Thelma Theater flac16; MOTB Release: 0063 16/44.1 Analog Audience Source: FOB Master Cassette (MAC) Medium Stock Brands: MAC = Maxell C-90 Analog Lineage: 1 x Sony Microphone => Sony Portable Cassette Recorder [Monophonic] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rion Brady Transfer By: Aadm Egert Mastering By: Derek McCabe notes
510. 12/11/69 Flac 16 - 0, 91152 Los Angeles Thelma Theater flac16; MOTB Release: 0064 16/44.1 Stereo Source, Analog Audience Source: FOB Master Cassette (MAC) Medium Stock Brands: MAC = Maxell C-90 Analog Lineage: 1 x Sony Microphone => Sony Portable Cassette Recorder [Monophonic] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rion Brady Transfer By: Adam Egert Mastering By: Derek McCabe This is a synthesized stereo version of original monaural source notes
511. 12/11/69 Shn - 0, 8998 Los Angeles Thelma Theater mixed AUD/SBD (see notes); edits (see notes), encoding, vined by J. Cotsman; with thanks to Paul B. & Jack Warner notes
512. 12/11/69 Flac 16 - 0, 140676 Los Angeles Thelma Theater flac16; Partial Set 1 source: aud>mac>wav>flac; fob recording by Rion Brady notes
513. 12/12/69 Shn - 0, 10988 Los Angeles Thelma Theater MSR > R > D > CD, plus MSR > R > C > D; via Deadlists Poject, circulated with 12/10,11/69- see notes and credits in info file notes
514. 12/12/69 Shn - 0, 2247 Los Angeles Thelma Theater Master Soundboard Reel > Reel to Reel > DAT > CDR; EAC>SHN by Scott Clugston notes
515. 12/12/69 Flac 16 - 0, 141917 Los Angeles Thelma Theater flac16; Source Info: Master Soundboard Reels > Dat (16/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (.wav 16/44.1k) > Adobe Audition 3.0 > TLH flac16 notes
516. 12/13/69 Shn - 0, 5583 San Bernardino Swing Auditorium 7" Master Soundboard Reels > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston notes
517. 12/19/69 Shn - 0, 5584 San Francisco Fillmore Auditorium 7" Master Soundboard Reels > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston notes
518. 12/19/69 Shn - 0, 9183 San Francisco Fillmore Auditorium previous Clugston seed, with AUD patches added by Hanno Bunjes, with thanks to Uli Teute (see info) notes
519. 12/20/69 Shn - 0, 6301 San Francisco Fillmore Auditorium SBD> MR> ?> FM> ?> CD> EAC> SHN; edited, shned, vined by J. Cotsman; with thanks to Paul Hartman; partial- see info file notes
520. 12/21/69 Shn - 0, 12927 San Francisco Fillmore Auditorium Source: MR > C > D > CDR(s) via Raoul Duke. Shn conversion Matt Vernon. partial show notes
521. 12/26/69 Flac 16 - 0, 28448 Dallas McFarlin Auditorium, Southern Methodist Univ. flac16; Source: Soundboard ; Lineage: MSR> CASS> DAT> CDR> EAC> FLAC; Patched & remastered by Jack Warner; DAE and FLAC encoding by Marc Evans notes
522. 12/26/69 Shn - 0, 1821 Dallas McFarlin Auditorium, Southern Methodist Univ. MSR> C> DAT> CD-R; via Bob Murphy notes
523. 12/26/69 Flac 16/48 - 0, 136636 Dallas McFarlin Auditorium, Southern Methodist Univ. flac16/48kHz; Set 2 Source: sbd > Master Reel > Cassette > Dat (48k) notes
524. 12/28/69 Flac 16 - 0, 96578 Hollywood International Speedway flac16; Source: Soundboard master Reels > Cassette > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab > CD Wave > TLH > Flac notes
525. 12/28/69 Shn - 0, 8999 Hollywood International Speedway mixed source SBD> (MC or MR>C)> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to David Litfin & Jay von Lehe; note d1t1-7 same, later tracks differ from previous Cotsman seed notes
526. 12/28/69 Shn - 0, 6030 Hollywood International Speedway SBD> MC> D> CD> EAC> SHN; see info file for quality notes- patching, pitch correction, probable noise reduction; EAC/edits by J. Cotsman, with thanks to David Litfin; via J. Cotsman to vine notes
527. 12/29/69 Shn - 0, 96413 Boston Boston Tea Party SBD>MR>C>D>CD>EAC>SHN; Likely reDAE of 6302 notes
528. 12/29/69 Shn - 0, 8044 Boston Boston Tea Party SBD MR (7" reel @7.5 ips)>DAT>DAT>CDR notes
529. 12/29/69 Flac 16 - , 157581 Boston Boston Tea Party flac16 Source: Previously uncirculated SBD Vault Reel > Cassette > DAT source from Anon
Speed/pitch adjusted by Jason Chastain
Mastering by Jim Blackwood, Jamie Waddell, and Steve Gravel
Track, FLAC, and pack by Steve Gravel
notes
530. 12/30/69 Shn - 0, 28469 Boston Boston Tea Party Recording Info: SBD -> Cass Master (Ampex C-90 Master Cass/no dolby) -> Cass (Tascam 122mkIII Cass 1st Gen) -> Dat (Technics 3800/44.1k) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN notes
531. 12/30/69 Shn - 0, 4575 Boston Boston Tea Party SBD> ?> DAT> CDR notes
532. 12/30/69 Shn - 0, 14037 Boston Boston Tea Party SBD> MC> C> D> CD> EAC> SHN via T.S. Cotsman; edits/encoding JCotsman; pitch corrected (see notes) notes
533. 12/30/69 Shn - 0, 15372 Boston Boston Tea Party Source: SBD > MC > C > D > CD > SHN notes
534. 12/31/69 Flac 16 - 0, 95420 Boston Boston Tea Party flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes
535. 12/31/69 Shn - 0, 6704 Boston Boston Tea Party significantly edited version of previous shn set: >MKWact> DART Pro98> EAC WAV Processor> MKWact, by Bob Clevenger notes
536. 12/31/69 Shn - 0, 7373 Boston Boston Tea Party EAC of original shn set; via TOL; sbd> reel master> 2 cassette generations> dat> cdr> shn notes
537. ??/??/69 Flac 1644 - 0, 136665 San Francisco Avalon Ballroom flac16; Source: sbd > cassette master > dat(48k) notes
538. 01/02/70 Shn - 0, 18120 New York Fillmore East early show complete early/late shows; SBD> MR> C> D> CD> EAC> SHN with aud patch; Thanks to A. Lemiex, Uli & Hanno notes
539. 01/02/70 Shn - 0, 86 New York Fillmore East - late show late show, partial; SBD-> MR-> DAT (x)-> CDR (x)-> EAC; via S. Windsor abgd; via D. Sacks to etree 12/15; cut in end of Dark Star/ beginning St. Stephen from reel change notes
540. 01/02/70 Shn - 0, 12624 New York Fillmore East early show likely early show, had been marked late show; SBD plus AUD patches; via Hanno Bunjes, Uli Teute notes
541. 01/02/70 Flac 16 - 0, 137375 New York Fillmore East - late show flac16; Soundboard > 7 1/2' Reel Master @ 7.5 ips (Recorded By Bear on a Sony 770 Reel Deck) > 1st gen (TDK SAX-100 cassette) from Dick Latvala (Master Reel Playback on a Technics 1506 Reel to Reel > Tascam 122 MK111 Cassette Deck No dolby) > Analog to Digital (Cassettes played back on Nakamichi Dragon > Sony PCM-R700 DAT @ 44.1 by Jim Wise 1998); Edited and mastered SIRMIck notes
542. 01/03/70 Flac 16 - 0, 97743 New York Fillmore East (Late Show) flac16; Source: Soundboard Master Reels > DAT Master [44.1] Transfer: Panasonic SV-3700 > UA-5 > USB > WaveLab Mastering in WaveLab with iZotope Ozone 4 > CD Wave > TLH > Flac Transfer and Mastering Bill Koucky March 6, 2009, Green Mountain Bros. notes
543. 01/03/70 Shn - 0, 19440 New York Fillmore East (Late Show) improvements on previous seed: Sound improved on d1t02, by Bill Giles; SBE's corrected; seeded by RET notes
544. 01/03/70 Shn - 0, 6642 New York Fillmore East (Late Show) early and late; SBD > MR > DAT > C > DAT > CDR; via Mike Lai, with thanks to Wayne Gucwa; info file by Jeff Hannan notes
545. 01/03/70 Flac 16/48 - 0, 137559 New York Fillmore East (Early Show) flac16/48kHz; Early & Late Show Recording Info: SBD > Master Reel > Cassette > Dat (48k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
546. 01/03/70 Flac 16/48 - 0, 138811 New York Fillmore East (Late Show) flac16/48kHz; Source: sbd > 1st gen reel > dat (48k); provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; transferred by Charlie Miller; Lineage: iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick July 2017 notes
547. 01/10/70 Flac 16 - 0, 89862 San Diego Golden Hall flac16; Recording Info: SBD -> Master Reel -> Reel-> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.0.1 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller notes
548. 01/10/70 Flac 16 - 0, 127228 San Diego Golden Hall flac16; Recording Info: SBD -> Master Reel -> Reel (Maxell UD 35 @7.5ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-Dac -> Wavelab 5 -> FLAC/16; Mastering Info: FLAC/24 -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller notes
549. 01/10/70 Flac 24 - 0, 127227 San Diego Golden Hall flac24; Recording Info: SBD -> Master Reel -> Reel (Maxell UD 35 @7.5ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-Dac -> Wavelab 5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller notes
550. 01/10/70 Flac 16 - 0, 89281 San Diego Golden Hall flac16; Recording Info: SBD -> Master Reel -> Reel-> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.0.1 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller notes
551. 01/10/70 Flac 24 - 0, 89614 San Diego Golden Hall flac24; source: MR > R1 > RX (purported to be 2nd gen) transfer: RX > Technics RS-1506 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > wav [24/96] notes
552. 01/10/70 Shn - 0, 6663 San Diego Golden Hall Master Soundboard Reel > Reel to Reel > DAT> CDR; CD Mastering by Scott Clugston; to abgd notes
553. 01/10/70 Flac 16 - 0, 89157 San Diego Golden Hall b>flac16; source: MR > R1 >RX (purported 2nd gen) transfer: RX (purported 2nd gen) > Technics RS-1506 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > wav [24/96] notes
554. 01/10/70 Shn - 0, 17345 San Diego Golden Hall Lineage: S:MR>DAT>CD ; pitch shifted down 48.4 centones using SoundForge 4.5 and reburned by David Hollister. notes
555. 01/16/70 Shn - 0, 7111 Portland Springer's Inn Portland sbd> ??> cdr> eac> shn; a few cuts (see tracklist); eac>shn by popi n. feeldz, with thanks to Moss Willow notes
556. 01/16/70 Flac 16 - 0, 131910 Portland Springer's Inn Portland b>flac16; restoration of source ID 7111; see info file for details notes
557. 01/16/70 Flac 16 - 0, 140967 Portland Springer's Inn Portland flac16; Source: sbd > reel master > reel > pcm (sony beta tape ESX-HiFi/L-750) - Given to Tim Dalton by the late Harvey Lubar; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) - transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018 notes
558. 01/17/70 Shn - 0, 19283 Corvallis Gill Coliseum, Oregon State University SBD>MR>D>CD>EAC>SHN; pitch corrected via J. Cotsman notes
559. 01/17/70 Shn - 0, 2220 Corvallis Gill Coliseum, Oregon State University Master Soundboard Reel > DAT > CDR; via Scott Clugston notes
560. 01/23/70 Shn - 0, 18153 Honolulu Honolulu Civic Auditorium Updated lineage: SBD > MASTER REEL > CASS > DAT > CD; Originally posted to abgd via Teddy Goodbear; seeded to fungus and tol with minor editing by Charlie Connor notes
561. 01/23/70 Shn - 0, 88 Honolulu Honolulu Civic Auditorium updated lineage: SBD > MASTER REEL > CASS > DAT > CD > SHN; via Teddy Goodbear to abgd, later to etree notes
562. 01/24/70 Shn - 0, 7890 Honolulu Honolulu Civic Auditorium SBD: Master Reel > cassette > DAT > CD > SHN; T06 (Black Peter): subsecond dropout/splice @ 7:44; T07 (Good Lovin'): cuts right before last verse; via Seth Kaplan, upload by G.S. Hamilton notes
563. 01/30/70 Shn - 0, 10546 New Orleans The Warehouse SBD>MR>C>DAT>CDR; via Raoul Duke; seeded to etree by Matt Vernon notes
564. 01/31/70 Shn - 0, 24028 New Orleans The Warehouse notes
565. 01/31/70 Shn - 0, 7045 New Orleans The Warehouse SBD> MR> C> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman notes
566. 02/01/70 Shn - 0, 9629 New Orleans The Warehouse SBD>MSR>C>DAT>CD; Seeded to etree by Seth Kaplan notes
567. 02/01/70 Shn - 0, 18121 New Orleans The Warehouse Partial, Source: SBD>Bill Gadsen Reels>C>DAT>WAV>SHN C>SHN Conversion by Cousinit notes
568. 02/01/70 Flac 16 - 0, 126275 New Orleans The Warehouse flac16; Lineage: Source 1 SBD > MSR > C > DAT (Biodtl thru O1(7:27); Source 2 MR > Revox A77 > tube pre (O1@7:27 thru Lovelight); Transfer info: Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes
569. 02/02/70 Flac 16 - 0, 121041 St. Louis The Fabulous Fox Theatre flac16; SBD -> Master Reel -> Reel (7.5ips/Dolby B) Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k) Mastering Info: Wav (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Transferred By David Gans; Mastered By Charlie Miller notes
570. 02/02/70 Shn - 0, 33334 St. Louis The Fabulous Fox Theatre SBD> RR> RR> PCM> DAT; Transfer: Tascam DA-20 mkII> SB Audigy> SF 6.0> CDWave>mkwACT> .shn notes
571. 02/02/70 Shn - 0, 18122 St. Louis The Fabulous Fox Theatre Partial, Source: SBD>Bill Gadsen Reels>C>DAT>WAV>SHN C>SHN Conversion by Cousinit notes
572. 02/02/70 Flac 24/96 - 0, 121042 St. Louis The Fabulous Fox Theatre flac24; SBD -> Master Reel -> Reel (7.5ips/Dolby B) Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: Wav (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Transferred By David Gans; Mastered By Charlie Miller notes
573. 02/02/70 Shn - 0, 10374 St. Louis The Fabulous Fox Theatre SBD>MR>R>R>PCM>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes
574. 02/02/70 Shn - 0, 17809 St. Louis The Fabulous Fox Theatre SBD> MR> R> R> PCM> D> CD> EAC> SHN; pitch corrected; edits/encoding by JCotsman notes
575. 02/04/70 Shn - 0, 12130 San Francisco Family Dog at the Great Highway SBD>Rm>Cass>Dat>CD>EAC>SHN; Converted to SHN by Charlie Mille notes
576. 02/04/70 Shn - 0, 12601 San Francisco Family Dog at the Great Highway Composite of "crisp" Charlie Miller sbd seed and additional mono tuneage from PBS TV broadcast; via Jeff Cotsman notes
577. 02/04/70 Shn - 0, 14188 San Francisco Family Dog at the Great Highway Lineage: MSR>C>D>CD Tracks 2-7 ** - Two added tracks sourced from PBS TV broadcast via Seth Kaplan notes
578. 02/05/70 Shn - 0, 9184 San Francisco Fillmore West SBD MR> C> D> CD + AUD low-gen; more material than previous versions, >80 min including bonus track; pitch correction, EQ, CD mastering by Hanno Bunjes, with thanks to Uli Teute notes
579. 02/05/70 Shn - 0, 3911 San Francisco Fillmore West SBD> MR> C> D> CD; via Don Bean notes
580. 02/06/70 Shn - 0, 3913 San Francisco Fillmore West SBD> MR> C> D> CD; via Don Bean notes
581. 02/07/70 Shn - 0, 10527 San Francisco Fillmore West SBD MR>C>D>CD + AUD MC>4C>CD patches; via Uli Teute; Seeded to etree by Hanno Bunjes; Note- This is an eac of the 'same' source discs as the previous Hanno seed; See info file for Hanno's comment notes
582. 02/07/70 Shn - 0, 3648 San Francisco Fillmore West SBD> MR> C> D> CD; EAC> SHN by naked_jaybird notes
583. 02/07/70 Shn - 0, 3912 San Francisco Fillmore West SBD> MR> C> D> CD; via Don Bean notes
584. 02/08/70 Shn - 0, 19152 San Francisco Fillmore West composite: AUD>MC>R>PCM>D>CD>EAC>SHN; SBD>MR>C>D>CD>EAC>SHN; several other sources used as patches; differs from previous seeds as having SBD source for Smokestack & SOTOTW; Thanks to Andy Lemieux notes
585. 02/08/70 Shn - 0, 17679 San Francisco Fillmore West MAC> R> PCM> DAT> CD; MSR> C> DAT> CD; MSR> ?> C> DAT> CD (end of Lovelight); Source discs supplied by Andy Lemieux, CD> EAC> WAV> SHN by Sean Cribbs notes
586. 02/08/70 Shn - 0, 18123 San Francisco Fillmore West AUD Source: MAC>R>C>DAT>WAV>SHN SBDa Source: MSR>R>Cassettes>DAT>WAV>SHN SBDb Source: MSR>R>C>DAT>WAV>SHN C>SHN Conversions By Cousinit notes
587. 02/11/70 Flac 16 - 0, 99154 New York Fillmore East (late show) flac16; SBD MR w/ AUD Patches * > DAT > CD > EAC > WAV > FLAC notes
588. 02/11/70 Shn - 0, 90 New York Fillmore East (late show) early and late shows; MSR> DATs> CDRs> EAC> shn; see info file for flaws and notes; shn and u/l by Darrin Sacks; also, Ben Yerys reports UJB encore pops (not sure if from CD or DAT source): 3.23?; 4.35, 5.26??, 5.27??; note d2alt.md5 also shown for a version noted at gdlive 7/01+, having a different d2t3 md5- reason unknown notes
589. 02/11/70 Flac 16 - 0, 126251 New York Fillmore East flac16; SBD MR > DAT (disc 1 and first part of Star, last part lovelight via a DAT transfer so is not from circ. source); MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight); SBD MR > A77 > A77@ 71/2 ips (primary source for disc 2); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes
590. 02/11/70 Flac 24/96 - 0, 127482 New York Fillmore East (late show) flac24; Partial Set 2 Lineage SBD MR - (primary source for disc 2) Technics RS 1506 @7.5 ips > Revox A77(Bob Menke)@7.5 ips > Revox A77 (Pat Lee) @7.5 ips; Transfer info: Akai GX636 direct tape head output > Telefunken Tube tape pre w/a pair of Tesla tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes
591. 02/11/70 Flac 16 - 0, 28402 New York Fillmore East (late show) flac16; late show conclusion; Soundboard (except misc patches as noted): MSR> DAT> CDR> EAC> FLAC; Patched, remastered by Dave Greenberg; DAE> FLAC by Marc Evans; Project coordinated by Jim Powell with a special thanks to DW notes
592. 02/11/70 Shn - 0, 33335 New York Fillmore East (late show) SBD> RR> RR> DAT (tapers John Chester and Alan Mande recorded this show in the basement of the Fillmore using a Revox reel-to-reel tape deck with 15" reels.)l Transfer: DAT> HD-P2> Sound Forge 6.0> CD Wave> mkwAct> .shn notes
593. 02/11/70 Flac 16 - 0, 28292 New York Fillmore East (late show) flac16; portions of early and late shows; Master soundboard reels > DAT > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); includes Patch for Dark Star: Master audience tape > ? > DAT > CD; EAC> FLAC by Jack Warner, with thanks to anonymous and Bob Murphy for patch material notes
594. 02/11/70 Flac 16 - 0, 99052 New York Fillmore East (late show) flac16; Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC > Cool Edit Pro > TLH > FLAC16 notes
595. 02/11/70 Flac - 0, 99152 New York Fillmore East (late show) MAR > ? > R @ 3 ¾ ips. > DAT > CD > EAC > WAV > FLAC notes
596. 02/12/70 Shn - 0, 88908 New York Ungano's Night Club notes
597. 02/12/70 Shn - 0, 5932 New York Ungano's Night Club SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB; EAC (High, Secure) > WAV > SHNv3 by Patrick Murphy, from Jay Serafin seed discs; see Jay's extensive notes; note could really be 2/13/70 early show- see discussion in pub comments notes
598. 02/13/70 Flac 16 - 0, 97639 New York Fillmore East (Late Show) flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (This sources fixes a flaw in d2t08 of source ID 97613) notes
599. 02/13/70 Flac 16 Mtx - 0, 131678 New York Fillmore East (Late Show) flac16; 2-source matrix mix of shnid #97639(SBD) and shnid #123814(AUD) notes
600. 02/13/70 Shn - 0, 9191 New York Fillmore East reportedly early show, though the shns have been circulated as reported 2/12/70 (see alternate entry); SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB , via Jay Serafin, Patrick Murphy notes
601. 02/13/70 Flac 16 - 0, 31636 New York Fillmore East (Late Show) flac16; Early Show Source: SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D >SSSB > EAC (High, secure) > WAV > SHNv3 by Patrick Murphy > ? > .flac notes
602. 02/13/70 Shn - 0, 2208 New York Fillmore East early show; Sbd > Master reel >DAT >Sonic Solutions workstation >CDR >EAC >shn; Seeded by David Gans; posted to abgd notes
603. 02/13/70 Flac 16 - 0, 123814 New York Fillmore East (Late Show) flac16; Late show. Recorded by Jim Cooper from seat # BB 108 (2nd row Center) Hitachi trq-222, 2 Hitachi mikes; Transferred > sony d5pro2 > dbx 2231 EQ > sony rcd w500c notes
604. 02/13/70 Flac - 0, 109535 New York Fillmore East flac16; 5th gen aud casette from unknown source > WAV notes
605. 02/13/70 Shn - 0, 18114 New York Fillmore East (Late Show) early and late; mostly from SBD> MR> D> CD> EAC> SHN, with patches from SBD> MR> PCM> D> CD >EAC> SHN and SBD> MR> R> D> CD> EAC> SHN; mastered on 7" reels @ 15ips; encoding by JCotsman, with thanks to Paul Hartman, David Litfin et al notes
606. 02/14/70 Flac 16 - 0, 97644 New York Fillmore East flac16; Recording Info:SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
607. 02/14/70 Shn - 0, 18115 New York Fillmore East SHNID: 18115 complete early/late shows from: SBD> MR> D> CD> EAC> SHN & SBD> MR> PCM> D> CD> EAC> SHN; TMNSP release, encoding by JCotsman notes
608. 02/14/70 Flac 16 - 0, 124495 New York Fillmore East flac16; source: aud cassette master taped by Jim Cooper; hitachi trq-222 deck nak bx-300 > benchmark adc1 > adobe audition cs6 > tlh flac; transferred & seeded by Rob Berger notes
609. 02/14/70 Flac 16 - 0, 141007 New York Fillmore East flac16; Late Show Recording Info: Master Soundboard Reels (recorded by the Fillmore crew from under the stage) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
610. 02/23/70 Shn - 0, 10375 Austin The Auditorium SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes
611. 02/27/70 Flac 16 - 0, 28833 San Francisco Family Dog at the Great Highway flac16; Recording Info: SBD -> Master Reel (7.5ips 1/2trk) -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller notes
612. 02/27/70 Shn - 0, 2191 San Francisco Family Dog at the Great Highway Master Soundboard Reel > Cassette > DAT > CDR; via Scott Clugston to abgd and etree; note includes Casey and Cumberland notes
613. 02/28/70 Shn - 0, 9377 San Francisco Family Dog at the Great Highway SBD>MR>C>D>CD; Missing Casey Jones and Uncle John's Band notes
614. 03/01/70 Shn - 0, 4641 San Francisco Family Dog at the Great Highway SBD MR>C>D>CD; patch of circulating SBD with AUD by Hanno Bunjes: 3rd gen cassette > CD > SoundForge (5% speed correction/amplify) > CD; to BUDD offer; Hanno's notes notes
615. 03/01/70 Flac 16 - 0, 132769 San Francisco Family Dog at the Great Highway flac16; Recording Info: SBD Master Reels -> Dat (Panasonic 3700); Transfer Info: Delta DiO 2496 sound card > HD > CD-R; Mastering Info: HD > CD WAV > Cool Edit > Trader's Little Helper 2.7 > xACT 2.35 FLAC 8; Mastering by Seth Kaplan (alligator69@optonline.net) March 25, 2015 notes
616. 03/01/70 Flac - 0, 136666 San Francisco Family Dog at the Great Highway flac16; Source: Soundboard > Mater Reel > Dat (44.1k notes
617. 03/01/70 Shn - 0, 91 San Francisco Family Dog at the Great Highway S:MR> C> D> CDR; not complete show, but all that's available of this version; via Dave Goldstein, Ben Yerys; note reel splice @ 5:29 of King Bee notes
618. 03/07/70 Shn - 0, 6156 Santa Monica Civic Auditorium low-gen AUD; shn'ed by Hanno Bunjes, with thanks to Uli Teute for the AUD source; Hanno's notes notes
619. 03/08/70 Flac 16 - 0, 113359 Phoenix Star Theatre flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
620. 03/08/70 Shn - 0, 9195 Phoenix Star Theatre SBD MR>C>D>CD; Unknown seeder notes
621. 03/08/70 Flac 24/48 - 0, 145952 Phoenix Star Theatre flac24; Source: sbd > ??? >cassette (high gen, from The Knudsen Collection at Lossless Legs); Transfer: cassette > Nakamichi CR-7A > TASCAM DA-3000 > wav 24/48 -Transfer by Tom Markson; Lineage: wav 24/38 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMic notes
622. 03/08/70 Flac 16/48 - 0, 145951 Phoenix Star Theatre flac16/48kHz; Source: sbd > ??? > cassette (from The Knudsen Collection at Lossless Legs); Transfer: cassette > Nakamichi CR-7A > TASCAM DA-3000 > wav 24/48 - Transfer by Tom Markson; Lineage: wav 24/48 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/48 >CD Wave > Flac 1648; edited and mastered SIRMick April 2019 notes
623. 03/20/70 Shn - 0, 14287 Port Chester Capitol Theater mixed source (SBD> MR> PCM, unknown gen AUD, 2nd gen AUD)> ZA2> CD, mastered by David Hollister; EAC> SHN by G.S. Hamilton with thanks to Brian Voelz notes
624. 03/20/70 Flac 16 - 0, 99182 Port Chester Capitol Theater flac16; SBD MR > ? > R @ 7.5 ips > CD > EAC > WAV > FLAC notes
625. 03/20/70 Shn - 0, 1315 Port Chester Capitol Theater S:mR> ?> DAT> CDR; EAC/SHN by Ben Yerys, from Jared Minkoff seed; see info file for misc flaw notes notes
626. 03/21/70 Shn - 0, 21779 Port Chester Capitol Theater (Late) late show; Cassette Master> Soundforge> cd> SHN; see more details in txt; Port Chester Resurrection Project notes
627. 03/21/70 Shn - 0, 20184 Port Chester Capitol Theater (Early) early show; Cassette Master> Soundforge> cd> EAC> SHN; Recorded by Ken & Judy Lee on a Sony 124 cassette deck with Sony dynamic mics on a Norelco 120 normal bias tape. Microphones were set up in the balcony with a 20 foot spread; Original tape was baked in "Susie Q", shell replaced and transferred on a Tascam 122mk3 via a Lucid ADA1000 Analog to Digital Converter directly to disc on a Tascam CDRW700 by John Jay Hance.; Cleanup performed by Peter G with Soundforge; EAC performed with correct offsets. SHN conversion with MKWact & retracking done with CD Wave and EAC by Evan Bellaff; Port Chester "Resurrection" Project #2 notes
628. 03/21/70 Shn - 0, 5315 Port Chester Capitol Theater (Early) early electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes- (although these may not even be true- see user comment); Usher tree shn branch notes
629. 03/21/70 Shn - 0, 5316 Port Chester Capitol Theater (Late) late acoustic, electric-2; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes; Usher tree shn branch notes
630. 03/21/70 Flac 16 - 0, 118670 Port Chester Capitol Theater (Early) flac16; Late Show Audience Recording Information: unknown mono reel-to-reel equipment -> master reel-to-reel tape -> 1st generation Maxell XLII-90 cassettes, Dolby B on. Playback 2012-01-20: 1st generation Maxell XLII-90 cassettes on Nakamichi BX-300 cassette deck, Dolby B on, azimuth & pitch adjusted, heads cleaned & demagnatized -> Tascam CD-RW900SL pro CD recorder -> CD-RW -> computer, EAC secure -> wavs -> Audacity (as little as possible... some fades &/or glitches, dropouts, minor volume adjustments, no EQ) -> CD Wave (track splits) -> Trader's Little Helper -> flacs. notes
631. 03/21/70 Flac 16 - 0, 118670 Port Chester Capitol Theater (Late) flac16; Late Show Audience Recording Information: unknown mono reel-to-reel equipment -> master reel-to-reel tape -> 1st generation Maxell XLII-90 cassettes, Dolby B on. Playback 2012-01-20: 1st generation Maxell XLII-90 cassettes on Nakamichi BX-300 cassette deck, Dolby B on, azimuth & pitch adjusted, heads cleaned & demagnatized -> Tascam CD-RW900SL pro CD recorder -> CD-RW -> computer, EAC secure -> wavs -> Audacity (as little as possible... some fades &/or glitches, dropouts, minor volume adjustments, no EQ) -> CD Wave (track splits) -> Trader's Little Helper -> flacs. notes
632. 03/21/70 Flac 16 - 0, 124148 Port Chester Capitol Theater (Late) flac16; source: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob Berger notes
633. 03/21/70 Flac 16 - 0, 144383 Port Chester Capitol Theater (Late) flac16; Late Show; Recording Information: unknown mono reel-to-reel recorder & mike -> master 3" reel-to-reel tapes -> unknown digital transfer, except #14-17 from 1st generation 7 1/2 IPS Maxell UD35-90 reel -> wavs; Playback 2018-12-xx: M & M1 wavs -> Audacity (very little work done... some fades, popmute on clapping in a few places for volume control, minor volume adjustments, pitch (speed) OK on master reel transfers but M1 trax #14-17 used +0.8% fix with single pass after frequency analysis & with pitchpipe verification, no EQ or NR applied) -> CD Wave (track splits) -> Trader's Little Helpe notes
634. 03/24/70 Flac 16 - 0, 32054 Dania Pirates World flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC notes
635. 03/24/70 Flac 24/48 - 0, 136667 Dania Pirates World flac16/48kHz; Source: Soundboard > Master Reel > Cassette > Dat (48k) notes
636. 04/03/70 Flac 16 - 0, 114616 Cincinnati Field House, U. of Cincinnati flac16; SBD MR>R>FLAC; Converted to 16 bit via r8brain high > TLH level 6 flac; tranfer Matt Smith 7/2011 notes
637. 04/03/70 Flac 24 - 0, 114569 Cincinnati Field House, U. of Cincinnati flac24; SBD MR>R>FLAC; Monitor Noise throughout show; tranfer Matt Smith 7/2011 notes
638. 04/03/70 Shn - 0, 4283 Cincinnati Field House, U. of Cincinnati SBD > ?> bootleg CD> pitch correction and retracking > SHN; see info file for notes; via thecore@core.com notes
639. 04/03/70 Flac 16 - 0, 119118 Cincinnati Field House, U. of Cincinnati flac16; MR>R>FLAC (shnid: 114616) Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the over saturation (analog recorder clipping) on the source. notes
640. 04/03/70 Shn - 0, 3862 Cincinnati Field House, U. of Cincinnati SBD; Monitor Noise throughout show; noted at gdlive 5/01; via Aaron Farnsworth notes
641. 04/03/70 Flac 24/96 - 0, 141217 Cincinnati Field House, U. of Cincinnati flac24; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018 notes
642. 04/03/70 Flac 16 - 0, 141224 Cincinnati Field House, U. of Cincinnati flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018 notes
643. 04/03/70 Flac 24/96 - 0, 141361 Cincinnati Field House, U. of Cincinnati flac24; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018 notes
644. 04/03/70 Flac 16 - 0, 144890 Cincinnati Field House, U. of Cincinnati flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018 notes
645. 04/03/70 Flac 16/44 - , 154482 Cincinnati Field House, U. of Cincinnati flac16/44 Source: Reel Master (7 inch Master Reel @ 7.5ips 1/2trk) > Cassette >Tascam 122mkIII > Panasonic SV-3700 > DAT (44k) > wav 16/44.1 - All Transfers by Rob Eaton Lineage: wav > Adobe Audition 3 > iZotope RX9 Advanced > CD Wave > Flac 16 edited and mastered SIRMick November 2021 notes
646. 04/09/70 Shn - 0, 6157 San Francisco Fillmore West complete; SBD MR> C> D> CD + AUD MC> 4C> D> CD; AUD taper Harry Ely; sources assembled by Hanno Bunjes, with thanks to Julian for the SBD and Uli for the AUD; Hanno's notes notes
647. 04/09/70 Flac 16 - 0, 137104 San Francisco Fillmore West flac16; Source: Unknown Taper+Equipment>MA>Cass(Unk); Conversion: NAK Dragon>Cass>WAV>FLAC; FLAC encoding via TLH notes
648. 04/09/70 Flac 16 - 0, 145715 San Francisco Fillmore West flac16; 1) sbd > Dick's Cassette (start through to "UJB") Transfer: Cassette > Nakamichi Dragon > Sony PCM-R700 > wav 16/44.1 - Transferred by Jim Wise; 2) unknown audience recording (through to "Cryptical Envelopment" shnid 137104 seeded by Cousinit) and 3) unknown audience recording ("NFA > Turn On Your Lovelight shnid 6157, seeded by Hanno Bunjes); Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick March 2019 notes
649. 04/11/70 Shn - 0, 12072 San Francisco Fillmore West Partial; 30 min Lovelight and ~2 mins NFA; See info file for details; SBD>MR>C>D>CD; via Chuck Gannon; Seeded to etree by JCotsman notes
650. 04/11/70 Flac 16 - 0, 132470 San Francisco Fillmore West flac16; Partial Set 3; 7 Inch Half Track Reel Master @ 7.5 ips-Recorded by Bear (Reel # 4 Only); 1st Generation Cassettes(TDK SA-X 100's) Transferred By Dick Latvala; (Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No Dolby); Analog to Digital Transfer (Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise); Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing (iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) notes
651. 04/11/70 Flac 16 - 0, 136668 San Francisco Fillmore West flac16; Partial Show Source: sbd > Reel Master > Cassette > DAT (44k) notes
652. 04/12/70 Shn - 0, 3820 San Francisco Fillmore West combination (SBD Reel master > Sonic Solutions > DAT ) plus (Aud cassette master > PCM > DAT > Sonic Solutions) > CD > EAC > SHN; see info file for notes; seed via Seth Kaplan notes
653. 04/12/70 Flac 16 - 0, 143493 San Francisco Fillmore West flac16; One song audience > unk gen > xlII 90 dolby C, tape trade Dec 1984 notes
654. 04/12/70 Flac 16 - 0, 149544 San Francisco Fillmore West >flac16; FM broadcast of source id 3820 Source: SBD for all except Casey Jones through Deep Elem Blues; Small fixes and audio massage by Jamie Waddell; pitch correction by Jason Chastain [100.25%] notes
655. 04/15/70 Shn - 0, 14354 San Francisco Winterland Arena MSR>DAT>CD>EAC>SHN (mkwACT) via Seth Kaplan includes 5 additional songs from a prior seed notes
656. 04/15/70 Shn - 0, 6644 San Francisco Winterland Arena sdb> Master Reel> Cassette> Dat> CD; via Mike Lai, with thanks to Wayne Gucwa notes
657. 04/15/70 Flac 16 - 0, 132743 San Francisco Winterland Arena flac16; Sony 770 7 Inch Half Track Reel Master @ 7.5 ips-(Bob Mathews); DAT x Zero (DL) > DAT x One (RE) > DAT x Two (JW); play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise (note: A fixed version of this source was seeded on 03/28/2015 to address unspecified errors. Please don't circulate the original fileset.) notes
658. 04/24/70 Shn - 0, 19531 Denver Mammoth Gardens AUD master C-120 > reel 3.75ips > DAT > CD ; improvement over all circulating copies, via Hanno Bunjes, Uli Teute, Carsten Baumann, Gerhard Schinzel notes
659. 04/24/70 Shn - 0, 17685 Denver Mammoth Gardens MAR> Reel> DAT> Cool Edit Pro> CDR (From Gergard S' first gen reels) via Glen Gillis notes
660. 04/24/70 Shn - 0, 27205 Denver Mammoth Gardens sources: aud master C-120 > reel 3.75ips > dat > cd > eac > shn > wav > shn.This is a re-master of shn id 19531;see txt file for details. Seeded by SirMick (thedarkstar@btinternet.com)December 2004 notes
661. 04/24/70 Shn - 0, 9498 Denver Mammoth Gardens AUD>MC>C>D>CD; via Chuck Gannon; Seeded to etree by J. Cotsman; Note- Original d2 was 'messed up' and scrapped early. Likely it does not circulate notes
662. 05/01/70 Flac 16 - 0, 95683 Alfred Alfred College flac16 ; Recording Info: Source 1: SBD -> Master Reel -> CD Source 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD Source 3: SBD -> Master Reel -> Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
663. 05/01/70 Flac 16 - 0, 85332 Alfred Alfred College flac16; SBD > Rm > Dat > Sonic Solutions > CD > Samplitude > Flac
Seeds provided by David Gans, Remastered by Charlie Miller
notes
664. 05/01/70 Shn - 0, 5465 Alfred Alfred College Master Soundboard Reel > (reel to reel, for part)> DAT > Sonic Solutions > CDR; EAC'ed / SHN'ed by Scott Clugston notes
665. 05/02/70 Flac 24 - 0, 108673 Binghamton Harpur College flac24; reel> cass > cass Nak Dr-1 > Lynx Studio Interface at 32 bit float / 96 kHz Weiss Saracon for BRC to 24 bit / 96 kHz by Jamie Waddell notes
666. 05/02/70 Flac 16 - 0, 108955 Binghamton Harpur College flac16; Gen 4 SBD Cassettes > SonyTC-W320 > Marantz 510 > CD > EAC > CD Wave Editor > Flac level 8; see info file for details notes
667. 05/02/70 Flac - 0, 100007 Binghamton Harpur College flac16; SBD > 3xcass (maxell XLII), transfer: cassette > Yamaha KX-W282 > Monster digital cable > Yamaha RX-530 > Monster digital cable > JVC XL-R5000 > CDR > EAC (offsets set) > CDWav > Flac (level 8), Dick's Picks 8 Outtake notes
668. 05/02/70 Flac 16 - 0, 120081 Binghamton Harpur College flac16; reel> cass > cass; Nak Dr-1 > Lynx Studio Interface at 32 bit float / 96 kHz Weiss Saracon for BRC to 24 bit / 96 kHz by Jamie Waddell; Resampled from 96 to 44.1 khz in r8brain Pro > dithered in Izotope Ozone 3 (MBIT+, high noise shaping, 16 bit depth, normal dither, DC offset filter on) > exported to 16 bit in Audacity 2.0.0 > FLAC notes
669. 05/02/70 Flac 16/48 - 0, 138227 Binghamton Harpur College flac16/48kHz; Recording Info: SBD > Master Reel (7inch @ 7.5ips 1/2trk) > Dat/48k; Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
670. 05/03/70 Flac 16 - 0, 130667 Middletown Field House, Wesleyan University flac16; Audience cassette master (not sbd as previously thought) > ? > CDr > EAC > Soundforge - editing > shn > aiff (xACT) > flac notes
671. 05/03/70 Flac 16 - 0, 130844 Middletown Field House, Wesleyan University flac16; Recording Information: unknown stereo(?) recording equipment -> master AUD cassette (NOT a SBD as noted in shnid 9770) -> ? -> unknown generation tape used for shnid 9770 -> CDr > EAC > Soundforge (normalize & pitch correction -> shn -> aiff (xACT) -> flacs; flacs -> TLH -> wavs -> Audacity using right channel for mono signal [fades, manual one-at-a-time glitch, bump, pop, click, dropout & dullspot repairs, volume adjustments, NO equalisation] -> CD Wave (track splits) -> flacs (Trader's Little Helper) notes
672. 05/03/70 Shn - 0, 20852 Middletown Field House, Wesleyan University AUD>MR>?>CD>EAC>SHN. Digital editing by Jim Goldman, wavs provided by, minor editing and retracking SIRMick (The Sugarmegs Restoration Krewe) notes
673. 05/03/70 Shn - 0, 9378 Middletown Field House, Wesleyan University AUD>MC>?>C>D>CD; via Jeff Cook; Seeded to etree by J Cotsman notes
674. 05/06/70 Flac - 0, 95816 Cambridge Kresge Plaza, M.I.T. flac16; Source: Master Soundboard Reels 10", 2-sided, 1/2 Track Mono > DAT x 1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with Nomad Factory Plugins Rate Conversion with r8brain to [16bit/44.1 mhz] > TLH > Flac Transfer and Mastering: Bill Koucky, Green Mountain Bros. November 15, 2008 Transfer from Reels to DAT was done in 1994 by Eli Polansky from WMBR MIT Radio Archives for Jim Birkhead, and cloned to Bill Koucky notes
675. 05/06/70 Shn - 0, 95 Cambridge Kresge Plaza, M.I.T. Gans version as for other shn set, SHNed by M. Hall (not sure if this copy got into wide circulation) notes
676. 05/06/70 Shn - 0, 94 Cambridge Kresge Plaza, M.I.T. MSR (MIT WMBR Reels) 10", 2-sided, 1/2 Track Mono (no extra reel gen)-> Otari MX 55 2 track (playback) -> TC 2000 Studio Effects Processor (using only the A->D converter, no effects) -> Sonic Solutions (at 20 bits resolution) -> mastered to CD using Sony SBM 2 (No DAT generations) -> CD (from Gans) > EAC > SHN; (note updated source details); via E. Polonsky, D. Gans, R. Keshavan, D. Sacks; note reel splice at China/Rider transition (track boundary at splice) notes
677. 05/06/70 Flac 24 - 0, 95817 Cambridge Kresge Plaza, M.I.T. flac24; Source: Master Soundboard Reels 10", 2-sided, 1/2 Track Mono > DAT x 1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with Nomad Factory Plugins > TLH > Flac Transfer and Mastering: Bill Koucky notes
678. 05/07/70 Shn - 0, 5439 Cambridge Dupont Gymnasium, MIT AudMC > ? > 7" R > DAT > HD > SHN; Taper, mics, and deck unknown; A > D transfer by Noah Weiner; almalgam of different sources; pitch corrected; see info file for mastering and flaw notes; via Audience Devotional Tree notes
679. 05/07/70 Flac - 0, 32276 Cambridge Dupont Gymnasium, MIT main source: AudMC > ? > 7" R > DAT > HD > SHN Taper, mics, and deck unknown A > D transfer by Noah Weiner - noahbw@home.com This is a remaster of shnid 5439. See text file for full details notes
680. 05/07/70 Flac 16 - 0, 141093 Cambridge Dupont Gymnasium, MIT flac16; Source: Audience Cassette Master > Reel > PCM (Sony HG) - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred By Charlie Miller; New Riders Of The Purple Sage Source: Audience Cassette Master > ? > 7" Reel > DAT; Transfer: DAT > HD > SHN - Transferred by Noah Weiner; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018 notes
681. 05/08/70 Flac 16 - 0, 32056 Delhi Farrell Hall flac16; Recording Info: (Stage) Unknown Mic -> Cassettte Master Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
682. 05/09/70 Shn - 0, 9770 Worcester Worcester Polytechnic Institute Acoustic; SBD>MR>?>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman notes
683. 05/14/70 Shn - 0, 24223 Kirkwood Meramec Community College SBD>MR>?>D>CD>EAC>SHN (acoustic set) SBD>MR>D>CD>EAC>SHN (electric set) same as http://db.etree.org/shninfo_detail.php?shnid=12439 with sbe's fixed and seektables appended. notes
684. 05/14/70 Shn - 0, 12439 Kirkwood Meramec Community College SBD>MR>?>D>CD>EAC>SHN (acoustic set); SBD>MR>D>CD>EAC>SHN (electric set); complete show except for Dire Wolf and Cold Jordan, which are probably not on the masters; Thanks to Dan Capshaw and Walter Schnell; edits/encoding by JCotsman notes
685. 05/14/70 Flac - 0, 28716 Kirkwood Meramec Community College flac16; Source: Soundboard Lineage: MSR> DAT> CDR> EAC> FLAC except * = MSR> DAT> CASS> ?> CASS> DAT> CDR> EAC> FLAC notes
686. 05/14/70 Flac - 0, 97548 Kirkwood Meramec Community College flac16; MSR > DAT > CDR > EAC > FLAC (with portions from MSR > MP3 > WAV > FLAC) notes
687. 05/14/70 Shn - 0, 7604 Kirkwood Meramec Community College Master Soundboard Reel > Cassette > DAT> CDR; via Scott Clugston notes
688. 05/14/70 Shn - 0, 34165 Kirkwood Meramec Community College Acoustic Set; Source: Soundboard of unspecified provenence; CD Re-Mastering / Shn'ed by Scott Clugston 2/15/03 notes
689. 05/14/70 Flac - 0, 136645 Kirkwood Meramec Community College flac16; Set 2 Source: Soundboard > Reel Master > DAT (48k) notes
690. 05/15/70 Shn - 0, 29473 New York Fillmore East (Late Show) New Master Reel transfer: SBD:10" 1/2 track Master Reels @ 7.5 ips>Revox A700 playback deck>Alesis Masterlink ML 9600>CD. No PCM generation in GD/NRPS sets. No analog gens in NRPS sets. Upgrade from previously circulating source. Seeded to etree 5/31/2005 by Chuck Reynolds and Seth Kaplan. notes
691. 05/15/70 Shn - 0, 97 New York Fillmore East (Late Show) acoustic and electric, early and late, includes NRPS; MR > DAT > ZA2 > CDR, except the NRPS sets which have 2 cass gens; this is apparently the best possible available copy- one fewer cass gen than first etreed version, complete NRPS 2nd set, less hifreq hiss; more details in info file; via D. Hollister, J. Tiedrich, D. Finney. L. Orf; note L. Orf did very minor editing, mostly putting tasteful fades where there were cuts in the original- no NR notes
692. 05/15/70 Flac 24 - 0, 136574 New York Fillmore East (Late Show) flac24; source: aud cassette master; taped by Jimmy Cooper; 2 hitachi mics > hitachi trq-222; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger notes
693. 05/15/70 Flac - 0, 136575 New York Fillmore East (Late Show) flac16; source: aud cassette master; taped by Jimmy Cooper; 2 hitachi mics > hitachi trq-222; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger notes
694. 05/16/70 Shn - 0, 17027 Philadelphia Temple University AUD>MC>?>C>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; This shn set is derived from the Noah Weiner seed, and following Noah's edits, has been pitch corrected using Sound Forge; edits/encoding by JCotsman notes
695. 05/16/70 Shn - 0, 14769 Philadelphia Temple University AUDMC > ? > C > CD/0 > EAC > WAV > SHN via Noah Weiner notes
696. 05/24/70 Shn - 0, 6481 Newcastle Newcastle-Under-Lyme SBD MR> C> D> CD + AUD MR> C> D> CD patches; mastered by Hanno Bunjes, with thanks to Uli for the AUD source; Hanno's notes notes
697. 05/24/70 Flac 16 - 0, 135716 Newcastle Newcastle-Under-Lyme flac16; MSR > CDR > PC > my edits in Goldwave > CDR > FLAC; patched with unknown MR > cassette > PC and with shnid 6481 notes
698. 05/24/70 Flac 16 - 0, 135803 Newcastle Newcastle-Under-Lyme flac16; MSR > CDR > PC > my edits in Goldwave > CDR > FLAC; patched with unknown MR > cassette > PC; further patched with shnid 6481 notes
699. 05/24/70 Flac 16 - 0, 136424 Newcastle Newcastle-Under-Lyme flac16; Unknown Board MR > Maxell XLII-S90 cassette (unknown generation) > Audacity via soundcard > Goldwave (to increase volume) > FLAC notes
700. 05/24/70 Flac 16/48 - 0, 136669 Newcastle Newcastle-Under-Lyme flac16/48kHz; Source: sbd > reel master > cassette > dat (48k) notes
701. 05/24/70 Shn - 0, 6159 Newcastle Newcastle-Under-Lyme AUD MR> C> D> CD; mastered by Hanno Bunjes; source supplied by Uli Teute; Hanno's notes notes
702. 06/04/70 Flac 16 - 0, 119921 San Francisco Fillmore West flac16; sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16 notes
703. 06/04/70 Shn - 0, 12135 San Francisco Fillmore West Partial; Last three songs; See info file for details; SBD->Rm->Cass->?>Dat>CD; Seeded to etree by Charlie Miller notes
704. 06/04/70 Flac16 Mtx - 0, 123799 San Francisco Fillmore West flac16; Matrix of Soundboard (shnid:119921) sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16; conversion by: miogi; Soundboard (shnid:12135) SBD->Rm->Cass->?>Dat>CD>EAC>SHN CD>EAC>SHN done by charlie miller; The entire acoustic set has been matrixed. The last three songs of the electric set have been matrixed with (shnid:123798) Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape notes
705. 06/04/70 Flac 16 - 0, 132790 San Francisco Fillmore West flac16; Partial SBD Recording; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bear on a Sony 770 Reel Deck)-1st Generation(TDK SAX-100 cassette)Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No dolby); Analog to Digital(Cassettes on Nakamichi Dragon-Sony PCM-R700 DAT @ 44.1KHz by Jim Wise); DAT X Zero play back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise notes
706. 06/04/70 Flac 16 - 0, 123798 San Francisco Fillmore West flac16; Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape. Lineage via Dan McDonald (droncit@yahoo.com): Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz); DC8Forensics was used to apply the NAB curve for normal bias cassettes. Converted to 16-bit, 44.1kHz using 32-bit interpolation and a triangular high pass dither. After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise. notes
707. 06/05/70 Flac 16 Mtx - 0, 123702 San Francisco Fillmore West flac16; Matrix from Soundboard (shnid:28653) (except where patched with low gen AUD as noted) Lineage: MSR> CASS> DAT> CDR> EAC> FLAC and Audience (shnid:109847) Lineage: Source #1: Dire Wolf through New Speedway - unknown gen aud cassette; Source #2: Cold Rain through Mama Tried - unknown gen aud cassette; Source #3: Cryptical through Casey - unknown gen aud cassette notes
708. 06/05/70 Shn - 0, 4361 San Francisco Fillmore West SBD> MR> C> D> CD> SHN; see info file for flaw notes; via thecore@core.com notes
709. 06/05/70 Flac 16 - 0, 28653 San Francisco Fillmore West flac16; Source: Soundboard (except where patched with low gen AUD as noted) Lineage: MSR> CASS> DAT> CDR> EAC> FLAC notes
710. 06/05/70 Shn - 0, 7589 San Francisco Fillmore West SBD MR>C>D>CD + AUD patch from low-gen cassette courtesy Uli Teute (see info); via Hanno Bunjes; Hanno's notes notes
711. 06/05/70 Flac 16 - 0, 109847 San Francisco Fillmore West flac16; Unknown gen cassettes from unknown aud source > WAV; see info file for details notes
712. 06/05/70 Flac 16 - 0, 132395 San Francisco Fillmore West flac16; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)-1st Generation Cassettes Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no Dolby); Analog to Digital Transfer(Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa late 1990's); Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) JW:February 2015 notes
713. 06/06/70 Shn - 0, 2172 San Francisco Fillmore West electric set; SBD Reel master > cassette > DAT > CD > SHN; Seeded by Jay Ashley; see info file for listening notes notes
714. 06/06/70 Flac 16 - 0, 86951 San Francisco Fillmore West flac16; Electric Set Only: Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC. All Transfers and Mastering By Charlie Miller. notes
715. 06/06/70 Flac 16 - 0, 132157 San Francisco Fillmore West flac16 Acoustic Set Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Mille notes
716. 06/07/70 Shn - 0, 98 San Francisco Fillmore West acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield notes
717. 06/07/70 Flac 16/48 - 0, 132325 San Francisco Fillmore West flac16/48kHz; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SA-X 100's) Taped By Dick Latvala(Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no dolby); Analog to Digital Transfer(Dick's Cassettes played back on Nakamichi Dragon- Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa 1997); DAT play back on a Sony PCM R-500-Analog out-Sony PCM R-700 Analog in @ 48KHz-Digital Audio Labs Carddeluxe-WAV @ 16/48kHz; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) notes
718. 06/13/70 Shn - 0, 9079 Oahu Red Vest Complete; SBD MR> R> D> CD + AUD low-gen; patched by Hanno Bunjes, with thanks to Paul B. and Uli notes
719. 06/21/70 Shn - 0, 6160 Berkeley Pauley Ballroom, U. of California AUD C/3 > CD; extracted/ shortened by Hanno Buunjes, with thanks to Uli for the AUD tape; Hanno's notes notes
720. 06/21/70 Flac 16/48 - , 154086 Berkeley Pauley Ballroom, U. of California flac1648; AUD said to have been recorded by Harry Ely > unknown transfer to WAV-1648 marked 2nd-Gen > Wavelab (small edits & speed adjust) > CD-Wave > TLH > FLAC 1648 tagged. notes
721. 06/24/70 Shn - 0, 9330 Port Chester Capitol Theater (Late) Late Show--Electric Set; center lodge, mics mounted on rails->120-min. Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect->EAC->Sound Forge->SHN; via Crazy Jimi; Seeded to etree by Harlan notes
722. 06/24/70 Flac 16 - 0, 124175 Port Chester Capitol Theater (Late) flac16; source: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob Berger notes
723. 06/24/70 Flac 16 - 0, 98880 Port Chester Capitol Theater (Late) flac16; Late Show partial source: aud reel lineage: aud>?>7" reel @ 3.75 ips, dolby b; transferred & seeded by Rob Berger; pitch correction by Moose notes
724. 06/24/70 Flac 16 - 0, 100223 Port Chester Capitol Theater (Late) flac16; Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC(secure, offset corrected) > Cool Edit Pro > TLH > FLAC16 Analog to Digital by Bill Gadsden, April 2009 notes
725. 06/24/70 Shn - 0, 5339 Port Chester Capitol Theater (Late) late electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes; Usher tree shn branch notes
726. 06/24/70 Shn - 0, 32710 Port Chester Capitol Theater (Late) Audience tape recorded by J.Cooper: Hitachi trq-222 stereo casstte recoder using 2 hitachi mics and a 120 minute tape. Transferred by Coopernicus March 2006: Sony tcd5pro2>dbx223> Sonyrcdw500c MC>EQ>CDR>EAC>FLAC notes
727. 06/24/70 Shn - 0, 23062 Port Chester Capitol Theater (Late) early and late shows (see discussion in txt and pub comments); Sony TC124 with unknown Sony dynamic mics notes
728. 06/24/70 Shn - 0, 7467 Port Chester Capitol Theater (Late) late show, plus 7/10/70 mislabled as 6/24 early; reportedly AUD; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa notes
729. 06/24/70 Flac 16 - 0, 145261 Port Chester Capitol Theater (Late) flac16; Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee; Transfer: The cassettes were baked, processed and transfered via Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 (CDR) by John Jay Hance; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 > CD Wave . Flac 16; edited and mastered SIRMick February 2019 notes
730. 07/01/70 Shn - 0, 9624 Winnipeg Winnipeg Fairgrounds SBD>?>VHS>CD; assumed to be a portion taken from the raw video footage shot during the Trans Continental Pop Festival Tour across Canada by train; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman notes
731. 07/10/70 Shn - 0, 17351 New York Fillmore East AUD>MR>CD>EAC>SHN recorded by Marty Weinberg on an Uher 5 inch open reel deck encoding/edits by Jeff Cotsman notes
732. 07/11/70 Shn - 0, 9379 New York Fillmore East AUD>MC>C>C>D>CD; via Andrew Clarke; Seeded to etree by J. Cotsman notes
733. 07/12/70 Flac - 0, 108002 New York Fillmore East flac16; unknown audience recording; edited and mastered by Jamie Waddell; all transfers and work performed in the 24 bit realm Weiss-Saracon for 16 BIT 44.1kHz; SBE Free, Flac Level 8 with TLH, Meta Data with Tag & Rename notes
734. 07/12/70 Flac - 0, 130938 New York Fillmore East flac16; Combination of the two audience recordings shnid 9379 and shnid 122707; edits were limited to volume, speed, cross-fades at the beginning and end of patches, and such elimination or reduction of drops, static, clicks, and bumps as I could obtain without losing any music; see info files for details notes
735. 07/12/70 Shn - 0, 24663 New York Fillmore East source: aud > ??? > shn > wav > shn via SirMick notes
736. 07/12/70 Flac - 0, 108156 New York Fillmore East flac16; Marty Weinberg's 5" 1/4 track Master Audience Reel>HHb CDR-850>CDR>EAC>CDR>EAC>.WAV>TLH>.FLAC notes
737. 07/12/70 Flac - 0, 122707 New York Fillmore East flac16; Jim Cooper's Hitachi TRQ-222 Cassette recording > CDR > WAV > FLAC notes
738. 07/14/70 Shn - 0, 17815 San Rafael Euphoria Ballroom both sets; SBD> MR> C> D> CD> EAC> SHN; aud patch for Don't Ease; edits/encoding by JCotsman notes
739. 07/14/70 Shn - 0, 96628 San Rafael Euphoria Ballroom sbdmr> dat> cd> shn> cd> ?> shn; this source is possibly derived from source id 1030 notes
740. 07/16/70 Shn - 0, 6485 San Rafael Euphoria Ballroom partial; Master Soundboard Reel > Cassette > Cassette > CDR; CD Mastering by Scott Clugston; to abgd notes
741. 07/16/70 Flac 16 - 0, 32551 San Rafael Euphoria Ballroom flac16; Recording Info: SBD -> Master Reel -> Cassette -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller notes
742. 07/16/70 Shn - 0, 32575 San Rafael Euphoria Ballroom Set 2; SBD>MR>?>C>CD>SHN notes
743. 07/16/70 Flac - 0, 140310 San Rafael Euphoria Ballroom flac16; Source: SBD > Master Reel > Cass > CDR; Lineage: CDR > Eac > wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick December 2017 notes
744. 07/30/70 Shn - 0, 17077 San Anselmo Lion's Share SBD>??>CD>EAC>SHN via Chuck Gannon edits/encoding by Jeff Cotsman notes
745. 07/30/70 Flac 16 - 0, 114020 San Anselmo Lion's Share flac16; MR(Abrams)>R@ 7.5 ips.(Peter Kafer)>R @ 7.5 ips.(Will Boswell) > CD; Transfered and mastered by Matt Smith 5/11; cd > flac dbpoweramp cd ripper notes
746. 07/??/70 Flac 16 - 0, 106571 Unknown Festival Express Train flac16; Recording Info: Unknown Mics -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
747. 08/05/70 Shn - 0, 17271 San Diego Golden Hall Community Concourse MSR > Reel > PCM > DAT > CDR > EAC > SHN via Andy Lemieux, encoding Joe Jupile notes
748. 08/05/70 Shn - 0, 4941 San Diego Golden Hall Community Concourse SBD> MR> PCM> D> CD> EAC> SHN; some normalization and editing with Soundforge; via thecore notes
749. 08/17/70 Shn - 0, San Francisco Fillmore West Partial; 2+ songs & date is 'uncertain'; See info file for details; AUD>MC>D>CD; via Chuck Gannon; Seeded to etree by JCotsman notes
750. 08/18/70 Shn - 0, 1346 San Francisco Fillmore West AUD mC> Rx2> DAT> CDR; EAC and SHN'd by Ben Yerys from Jared Minkoff's seed; DAT>CD transfer by Miles Garret notes
751. 08/18/70 Flac 16 - 0, 141071 San Francisco Fillmore West flac16; AUD mC> Rx2> DAT> CDR; this new version has been pitch adjusted with the following ratios: acoustic set with a 'slight' sliding time scale/pitch shift of +0.123%; 2) electric set with a sliding time scale/pitch shift of +9.678%; (electric [lower volume level] set has also been amplified by +3.9%) notes
752. 08/18/70 Flac 24 - 0, 142417 San Francisco Fillmore West flac24; Unknown Audience Cassette > FLAC notes
753. 08/18/70 Flac 16/48 - 0, 142416 San Francisco Fillmore West flac16/48kHz; Unknown Audience Cassette > FLAC notes
754. 08/19/70 Shn - 0, 11797 San Francisco Fillmore West AUD>MC>R>PCM>D>CD; Missing several songs; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon & JCotsman notes
755. 08/19/70 Flac - 0, 81775 San Francisco Fillmore West flac16; Set 1: AUD>MC>D>FLAC>AIFF>FLAC Set 2: AUD>MC>R>PCM>D>CD>EAC>SHN>AIFF>FLAC notes
756. 08/19/70 Flac - 0, 81605 San Francisco Fillmore West flac16; Recording by Gene Taback: Master Audience Cassette; Sony TC-124 with Sony Stereo Mic Acoustic Set: Master Electric Set: 1st generation cassette Transfer and FLAC encoding by David Minches: Master/1st generation cassettes played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (96Mhz/24 bit)> HD Editing performed in Adobe Audition; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded notes
757. 08/30/70 Shn - 0, 12762 San Francisco KQED Studios Master FM Reel (Taped by Michael Parrish, Sony TC-366 Reel to Reel using "Concert" polyester tape) > 3 CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > .shn encoding using mkwACT. Proper sector boundaries verified using .shntool. EAC > SHN by Joe Jupille, with thanks to Andy Lemieux for the source CDs. notes
758. 08/30/70 Shn - 0, 12750 San Francisco KQED Studios FM-> 7inch MR-> DAT-> CDR-> EAC-> SHN V.3; via D. Backus notes
759. 09/17/70 Shn - 0, 27591 New York Fillmore East remaster of shnid 16090, by SIRMick notes
760. 09/17/70 Shn - 0, 15090 New York Fillmore East mixed sources: MAC> R> C> CD recorded by Jack Toner, with a Sony TC-110 with built-in microphone; plus MAC> ?> C> R> CD and MAC> ?> C> R> R> CD, Unknown tapers/equipment; Source tapes from Dwight Holmes, Transfer to digital by David Minches, Patches and SHN encoding by Jack Warner notes
761. 09/17/70 Shn - 0, 15983 New York Fillmore East MAC> Reel> Cassette> DAT> CD> EAC> SHN; submitted by user seabass; note slightly different tracking from previous shn set notes
762. 09/17/70 Shn - 0, 33826 New York Fillmore East AKG190E>Uher 400L>Master Audience Reel>Reel>DAT>CDR>EAC(Secure Mode)>WAV>Soundforge (Speed Corrected)>FLAC Taped by Marty Weinberg A GEMS production -+-+- www.shnflac.net -+-+- March 2006 notes
763. 09/17/70 Flac 16/44,1 - 0, 146027 New York Fillmore East flac16/44.1khz Matrix of Dark Star by Sirmick notes
764. 09/17/70 Flac 24/96 - 0, 145892 New York Fillmore East flac24; Partial Set 3 Source: AKG190E > Uher 400L >Master Audience Reel > ??? > Reel 3.75 ips (low gen) - Recorded by Marty Weinberg and provided by Don Wolfe; Transfer: Reel > Akai GX636 > Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > wav 24/96; Lineage: wav 24/96 >Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac24; edited and mastered SIRMick March 2019 notes
765. 09/17/70 Flac 16 - 0, 145891 New York Fillmore East flac16; Partial Set 3 Source: AKG190E > Uher 400L > Master Audience Reel > ??? > Reel 3.75 ips (low gen) - Recorded by Marty Weinberg and provided by Don Wolfe; Transfer: Reel > Akai GX636 > Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > wav 24/96; Lineage: wav 24/96 >Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac16; edited and mastered SIRMick March 2019 notes
766. 09/18/70 Flac - 0, 97525 New York Fillmore East flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> TLH(flac encoding) -> FLAC Circulated by Chuck Reynolds, February 13, 2009 notes
767. 09/18/70 Shn - 0, 4670 New York Fillmore East SBD > MR > R > DAT > CDR > EAC (Secure, Test and Copy) > SHN; EAC, SHN extraction and etree seeding done by Gerald Gorinsky, from Paul Botiglio's CD notes
768. 09/18/70 Shn - 0, 17893 New York Fillmore East Soundboard (via Andy Lemieux) and Jack Toner audience tape (via Jack Warner) composite edited and encoded by Jeff Cotsman. Include NRPS, Dead Acoustic and Electric sets notes
769. 09/18/70 Shn - 0, 100 New York Fillmore East updated source info: ?> bootleg CD> CD; previously marked SBDMR > DAT > CD; partial; filler 2/2/70 Dark Star; brief reel glitch in Dancin' at 5:06; original seed via Morgan Evans (1997)- see his notes; etreed via G. Hamilton notes
770. 09/18/70 Flac - 0, 30882 New York Fillmore East flac16; source 1: sbd > mr > r > d > cd > eac > shn > wav > flac; source 2: aud > mc > ? > c > r > cd > eac> shn > wav > flac; remaster of the sources from shnid 17893; via SIRMick notes
771. 09/19/70 Flac 16 - 0, 31510 New York Fillmore East flac16; (disc 3 only) Sick Bits 14; matrix: SBD/AUD mix of 2 previously circulating sources (SBD: shnid=5217 & AUDs (composite): shnid=25473) edited, mixed and converted by Chris Chappell notes
772. 09/19/70 Flac 16 - 0, 97906 New York Fillmore East flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> CoolEdit Pro -> TLH -> FLAC16; Circulated by Chuck Reynolds notes
773. 09/19/70 Shn - 0, 5217 New York Fillmore East MSR > DAT > CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD; EAC> SHN by Seth Kaplan; more complete than previously etreed versions notes
774. 09/19/70 Shn - 0, 102 New York Fillmore East SBD > Reel(0) > DAT > Mac (via Lucid PCI24) > CD-R; DAT from "3 Decades of Dead" Tree CDR; Conversion by Tim Buller notes
775. 09/19/70 Shn - 0, 25473 New York Fillmore East Composite Audience Source (Master audience cassette Taped by Jack Toner, Sony TC-110 with built-in microphone and Master audience reel Taped by Marty Weinberg, AKG190E>Uher 400L) via Dwight Holmes and Dr. Michael Parrish. Patches and EAC > SHN by Jack Warner notes
776. 09/19/70 Flac 16 - 0, 119722 New York Fillmore East flac16; source: aud 1st gen reel; Jerry Moore's copy; lineage: aud reel master>reel @ 3.75 ips master taped by Marty Weinberg: akg d190e>Uher 4000L reel; technics rs-1506>hd-p2 24/96 compact flash > pc > cd wave >adobe audition 2.0 > flac; transferred & seeded by Rob Berger notes
777. 09/19/70 Flac 16/44 - , 152705 New York Fillmore East flac1644 ; AUD fragment; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021 notes
778. 09/20/70 Flac 16 - 0, 97364 New York Fillmore East flac16; MR > R Heavily Edited > R @ 71/2ips > CD * Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16 notes
779. 09/20/70 Shn - 0, 1190 New York Fillmore East mixed sources (see info file for details, plus additional details in pub comments); seed assembled and distributed by Jim Wise; CD> EAC> SHN by Darrin Sacks; Darrin comments: "Has a fair amount of hiss and analog tape wear, but is the best we're probably ever going to hear, as this show isn't in the Vault." notes
780. 09/20/70 Shn - 0, 27583 New York Fillmore East This is a remaster of shn id 1190; hiss has been reduced, a number of clicks and pops have been removed and some other artifacts cleaned up, a number of volume adjustments have been made, final mastering using iZotope Ozone notes
781. 09/20/70 Flac 16 - 0, 81728 New York Fillmore East flac16; AUD MR>CD Marty Weinberg master 5" Uher open-reel. via Jack Warner, Hanno Bunjes notes
782. 09/20/70 Flac 16 - 0, 135798 New York Fillmore East flac16; This is a restored version of shind: 97364; MR > R (Buddy Miller) HEAVILY EDITED > R @ 71/2ips (Will Boswell) > CD; Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16 Restoration completed with Diamond Cut Forensics 10.2. notes
783. 09/20/70 Flac 16 - 0, 136729 New York Fillmore East flac16; Set One: Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Set Two: DAT-> PANASONIC SV-3700-> TASCAM DA-30 (Spring 1996)-> DAT-> Panasonic SV-3800-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> Adobe Audition 3.0.1; Wavelab 7.1 mastering by Jamie Waddell; Track, FLAC and Pack by John Wenzel; a project **GEMS** notes
784. 09/20/70 Flac 16 - 0, 140660 New York Fillmore East flac16; Source Info: Master Soundboard Reels (borrowed by Peter Kafer) > Will Boswell's reel @ 7 1/2 ips; Transfer Info: Reel (Technics RS1506) > Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 notes
785. 09/20/70 Flac 24 - 0, 140665 New York Fillmore East flac24; Source Info: Master Soundboard Reels (borrowed by Peter Kafer) > Will Boswell's reel @ 7 1/2 ips; Transfer Info: Reel (Technics RS1506) > Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 notes
786. 10/04/70 Shn - 0, 19985 San Francisco Winterland Arena SBD> FM> MR> R> R> DAT> WAV> SHN; R>SHN; Conversion By Cousinit, seeded to abgd notes
787. 10/04/70 Shn - 0, 28363 San Francisco Winterland Arena KSAN-FM Master Reel> Barry Glassberg's 1st gen Reel (Dolby B Decoded)> PCM> CDR> EAC> CoolEdit2000 (see notes)> SHN; EAC> seekable SHN by D.Winters, with thanks to Harvey Lubar, Tony Cortazzo, Chuckles notes
788. 10/04/70 Shn - 0, 4942 San Francisco Winterland Arena SBD FM> MR> R> ?> CD> SHN; via thecore; see info file for flaw notes notes
789. 10/04/70 Flac 16 - 0, 145828 San Francisco Winterland Arena flac16; Source: KSAN-FM > Reel Master > Barry Glassberg's 1st Gen 1/4 tr Reel > PCM > CD > Wav - Received from an anonymous benefactor; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick March 2019 notes
790. 10/10/70 Shn - 0, 7590 Flushing Colden Auditorium - Queens College AUD, from low (< 5th) generation tape; via Hanno Bunjes, with thanks to Ulie Teute; Hanno's notes notes
791. 10/10/70 Flac 16/48 - 0, 144636 Flushing Colden Auditorium - Queens College flac16/48kHz; Source: Sony F95's > Sony TC124s > Master Cassette (Ampex 361) > Cassette (Maxell XL2S) > DAT(48k) - Recorded by Ken and Judy Lee; Transfer: DAT > Sony PCM-M1 > Edirol HR09 > Wave > 24/88.2 - Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3 > iZotope RX7 Advanced > wav 16/48 > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick January 2019 notes
792. 10/11/70 Shn - 0, 9500 Wayne Marion Shea Aud., Paterson State Col. AUD>MC>?>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman notes
793. 10/17/70 Flac - 0, 119329 Cleveland Cleveland Music Hall flac16;Recording Info:Unknown Mic -> Cassette Master (Mono); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
794. 10/23/70 Flac - 0, 85071 Washington McDonough Arena, Georgetown U. flac16; Source: Audience Media: Mallory Duratape C-60 Lineage: AUD > Sony TC-124 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Marantz PMD671 > WAV Taped by: Cary Wolfson Transfer by: D. McCabe Mastering by: D. McCabe notes
795. 10/23/70 Shn - 0, 15080 Washington McDonough Arena, Georgetown U. Source: AUD-MCass>DAT>DAT>CDR DAT speed-corrected by David Gans. Various glitches edited out by CW posted to abgd 11/2002. SBE's on all tracks except d2t03 notes
796. 10/23/70 Shn - 0, 12227 Washington McDonough Arena, Georgetown U. includes NRPS; source (a guess?): AUD Taper: Cary Wolfson, Sony TC124 with a 1 point stereo mic 15 feet back from stage > MC > C > DAT > ??? > CD > EAC > shn; seeded by Sketchy; shn info submitted by user jamballyho notes
797. 10/24/70 Flac 16 - 0, 31948 St. Louis Kiel Opera House flac16; SBDMR->R->R->DAT->DAT->ZA2->DartPro32 NR (weight .03/ V.L. smoothing/ Normal frame size /Large freq. carving /V.L. overlay)-> CD "via D. Hollister, J. Ayers" pitch correction using SoundEdit 16 on the Macintosh platform by Bob Bihlmayer (howlin_bob@hotmail.com) 7/16/05: SHN->xACT->AIFF->SoundEdit16->FLAC notes
798. 10/24/70 Shn - 0, 103 St. Louis Kiel Opera House S:MReel> Reelx2> DATx2> ZA2> DartPro32 NR (weight .03/ V.L. smoothing/ Normal frame size /Large freq. carving /V.L. overlay)> CD; cut at beginning of NFA (reel flip?); via D. Hollister, J. Ayers; w/ 12/31/70 filler; 12/31/70 filler notes
799. 10/24/70 Flac 16 - 0, 140923 St. Louis Kiel Opera House flac16; Recording: SBD > Master Reel > Reel > (7.5ips) > PCM (Sony HG tape); Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) notes
800. 10/24/70 Flac 24/96 - 0, 141429 St. Louis Kiel Opera House flac24; Source: Unknown mono soundboard (low gen) - provided by Will Boswell; Transfer: low gen Reel > Technics RS-1506 > Apogee Mini Me > Mini DAC > WaveLab 5 > .wav 24-bit/96k; edited and mastered SIRMick notes
801. 10/24/70 Flac 16 - 0, 144903 St. Louis Kiel Opera House flac16; Source: Unknown mono soundboard (low gen) - provided by Will Boswell; Transfer: low gen Reel > Technics RS-1506 > Apogee Mini Me > Mini DAC > WaveLab 5 > .wav 24-bit/96k; edited and mastered SIRMick; This file set is 16 bit @ 44.1 notes
802. 10/30/70 Flac 16 - 0, 121126 Stony Brook Gym, SUNY (Early Show) flac16; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Dat supplied By Dan De Luca; Transferred By Digitalrbb; Mastered By Charlie Miller; the original files had a flaw in s3t01 which was later fixed (2012/09/06) notes
803. 10/30/70 Flac 16/48 - 0, 121125 Stony Brook Gym, SUNY (Early Show) flac16/48kHz; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/48k; Dat supplied By Dan De Luca; Transferred By Digitalrbb; Mastered By Charlie Miller; the original files had a flaw in s3t01 which was later fixed (2012/09/06) notes
804. 10/30/70 Shn - 0, 20044 Stony Brook Gym, SUNY (Late Show) SBD>MR>PCM>D>CD>EAC>SHN; complete early/late shows via Jeff Cotsman notes
805. 10/30/70 Shn - 0, 29190 Stony Brook Gym, SUNY (Late Show) Late Show: MSR>C>DAT>WAV>SHN Circulated via alt.binaries.gdead usenet group in 4/2003 Going through old discs I realized that this was missing an md5. I added the md5 I had for this txt file. Darryl Hinko 3/4/09 notes
806. 10/30/70 Shn - 0, 17359 Stony Brook Gym, SUNY (Early Show) Early Show: MSR>C>DAT>WAV>SHN via Cousinit (Cassette Source recorded directly from Master Reels) notes
807. 10/30/70 Shn - 0, 7466 Stony Brook Gym, SUNY (Early Show) early show; SDB> MR> PCM> CD; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa notes
808. 10/30/70 Flac 16/44 - , 152644 Stony Brook Gym, SUNY (Late Show) flac1644; 1-song only; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021 notes
809. 10/30/70 Flac 24/96 - , 153005 Stony Brook Gym, SUNY (Early Show) flac24/96 Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 edited and mastered SIRMick August 2021 notes
810. 10/30/70 Flac 16/44 - , 153005 Stony Brook Gym, SUNY (Early Show) flac16/44 Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick August 2021 notes
811. 10/30/70 Flac 24/96 - , 153006 Stony Brook Gym, SUNY (Early Show) flac24/96 Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 edited and mastered SIRMick August 2021 notes
812. 10/30/70 Flac 16/44 - , 153005 Stony Brook Gym, SUNY (Early Show) flac16/44 Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick August 2021 notes
813. 10/31/70 Flac 16 44,1khz - 0, 122043 Stony Brook Gym, S.U.N.Y. (Early) flac16; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Transferred By Digitalrbb; Mastered By Charlie Miller notes
814. 10/31/70 Flac 16/48 - 0, 122042 Stony Brook Gym, S.U.N.Y. (Early) flac16/48kHz; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/48k; Transferred By Digitalrbb; Mastered By Charlie Miller notes
815. 10/31/70 Shn - 0, 16902 Stony Brook Gym, S.U.N.Y. (Late) Late Show, includes NRPS set; MSR> C> DAT> WAV> SHN; Cassette Source recorded directly from Master Reels; C>SHN Conversion by Cousinit; note parens in filenames notes
816. 10/31/70 Shn - 0, 29192 Stony Brook Gym, S.U.N.Y. (Late) Early Show: MSR>C>DAT>WAV>SHN
Circulated via alt.binaries.gdead usenet group in 4/2003
Going through old discs I realized that this was missing an md5. I added the md5 I had for this txt file. Darryl Hinko 3/4/09
notes
817. 10/31/70 Shn - 0, 6917 Stony Brook Gym, S.U.N.Y. (Early) early electric; SBD > Reel > DAT; Transfer: D7 > Coresound > Prodif Plus > Samplitude 5.5 > CDwav > SHN, by Mike Fischer notes
818. 10/31/70 Flac - 0, 33566 Stony Brook Gym, S.U.N.Y. (Late) SOURCE INFO: Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180 min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR and/or EQ processes were performed, using between 95% and 100% analog realm outboard equipment, at Serafin Station Studio A or B; released between 03/94 and 12/96 TRANSFER INFO: Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC Note: Appeared on bt.etree.org ~ 4/1/2006 notes
819. 10/31/70 Flac 24/96 - , 153060 Stony Brook Gym, S.U.N.Y. (Early) flac24/96 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) > Gordon Healy's Reel 1st transfer: Gordon Healy's Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > flac24 edited and mastered SIRMick August 2021 notes
820. 10/31/70 Flac 16/44 - , 153059 Stony Brook Gym, S.U.N.Y. (Early) flac16/44 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) > Gordon Healy's Reel 1st transfer: Gordon Healy's Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick August 2021 notes
821. 10/31/70 Flac 24/96 - , 153146 Stony Brook Gym, S.U.N.Y. (Late) flac24/96 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) Transfer: Master Reel > Kenny Mance’s Revox 77A > Korg MR1000 > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 Edited and mastered SIRMick August 2021 notes
822. 10/31/70 Flac 16/44 - , 153145 Stony Brook Gym, S.U.N.Y. (Late) flac16/44 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) Transfer: Master Reel > Kenny Mance’s Revox 77A > Korg MR1000 > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 notes
823. 11/05/70 Shn - 0, 30115 Port Chester Capitol Theater D1T1 through D2T2: MAC>C>D>CD>EAC>SHN>WAV>FLAC D2T3 through D2T5: MAC>?>C>D>CD>EAC>SHN>WAV>FLAC Recorded by Ken Leigh with a Sony TC-110 with built-in microphone, from center loge. This is remaster of shnid 17182 I decided to track it a little differently to the original seed notes
824. 11/05/70 Shn - 0, 17182 Port Chester Capitol Theater Mastered and encoded by Jack Warner. Recorded by Ken Leigh with a Sony TC-110 with built-in microphone, from center loge. D1T1 through D2T2: MAC>C>D>CD>EAC>SHN. D2T3 through D2T5: MAC>?>C>D>CD>EAC>SHN notes
825. 11/05/70 Shn - 0, 9356 Port Chester Capitol Theater Electric Set; center lodge, mics mounted on rails->Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect; via Crazy Jimi; Seeded to etree by Harlan notes
826. 11/06/70 Shn - 0, 17183 Port Chester Capitol Theater Complete with NRPS sets mastered and encoded by Jack Warner. Acoustic set through 1:50 of El Paso, entire electric set is MAC>C>D>CD>EAC>SHN, from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in microphone. *Uncle John's Band and NRPS set is MAC>C>R>D>CD>EAC>SHN, from Ken Leigh's master. *From 1:50 of El Paso through 0:03 of Uncle John's Band is MAC>R>D>CD>EAC>SHN, from Dave Tamarkin's master, recorded from the floor with a Sony Dictaphone notes
827. 11/06/70 Shn - 0, 19922 Port Chester Capitol Theater disc 3 of previous seed (17183) patched to include Marty Weinberg's audience recording (MAR > CD), via Hanno Bunjes notes
828. 11/06/70 Shn - 0, 3338 Port Chester Capitol Theater see info file; 5/00 to abgd via Teddy Goodbear, Doug Johnson; 3/01 to etree via Morgan Evans, Rick Lepley lepleyr@hotmail.com; note in absence of md5s for 5/00 set, not sure whether there are 2 different shn sets or not; note 3/01 discs labelled as 1,3,4 (d2 reportedly NRPS?) notes
829. 11/06/70 Flac 16 - 0, 119818 Port Chester Capitol Theater flac16; partial: aud reel master > reel, Jerry Moore's copy of Marty Weinberg's master; lineage: aud > akg d190e > uher 4000L mar > 7" reel @ 3.75 ips, dolby b; technics rs-1506 > teac an-180/b > hd-p2 24/96 compact flash > pc > cd wave >adobe audition 2.0 > flac; transferred/seeded by Rob Berger notes
830. 11/07/70 Flac 16 - 0, 98264 Port Chester Capitol Theater flac16; source: aud 1st gen 7" reel @ 3.75 ips, dolby b mastered on uher reel w/akg d190e mics taped by Marty Weinberg lineage: aud reel master>reel technics rs-1506>sony nr-335>hd-p2 24/48> cd wave>adobe 2.0 16/44>flac tranferred & seeded by Rob Berger notes
831. 11/07/70 Shn - 0, 10306 Port Chester Capitol Theater Mixed audience sources; See info file for details; Including NRPS set; via Ken Leigh, Jack Toner, Marty Weinberg; Seeded to etree by Jack Warner notes
832. 11/07/70 Flac 16 - 0, 134083 Port Chester Capitol Theater flac16; source: aud reel master; taped by Marty Weinberg; akg d190e > uher 4000L; transferred by Michael Parish; seeded by Rob Berger notes
833. 11/07/70 Flac 16 - 0, 100330 Port Chester Capitol Theater flac16; source: aud 1st gen reel master taped by Jack Toner; lineage: mac>7" reel@ 7.5 ips, no nr technics rs-1506>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger notes
834. 11/07/70 Flac 24 - 0, 98263 Port Chester Capitol Theater flac24; source: aud 1st gen 7" reel @ 3.75 ips, dolby b mastered on uher reel w/akg d190e mics taped by Marty Weinberg lineage: aud reel master>reel technics rs-1506>sony nr-335>hd-p2 24/48> cd wave>flac tranferred & seeded by Rob Berger notes
835. 11/08/70 Shn - 0, 26975 Port Chester Capitol Theater The Port Chester Resurrection Project #7 Taped by Ken and Judy Lee. See txt file for details. notes
836. 11/08/70 Flac 16 - 0, 94500 Port Chester Capitol Theater flac16; Partial Electric Set Remaster/repitch of the AudMC > DAT > CD > EAC > SHN source (source ID 28609) using Adobe Audition notes
837. 11/08/70 Shn - 0, 28609 Port Chester Capitol Theater AudMC > DAT > CD > EAC > SHN Note: This is a patched fix for the most recent upgrade of this show, put into circulation by The Port Chester Resurrection Project (http://db.etree.org/shninfo_detail.php?shnid=26975). Added to etree by Noah Weiner notes
838. 11/08/70 Shn - 0, 23474 Port Chester Capitol Theater THE OWEN BROTHERS VAULT ; (AUD:Various sources ); Editing and Mastering by The Wizard ; Please see txt for details. 04/14/2004 notes
839. 11/08/70 Shn - 0, 18639 Port Chester Capitol Theater Source: MAR>C>D>WAV>SHN; MAR source seems to be from Marty Weinberg's master, recorded from the floor, AKG 190E mic > Uher 4000 Report-L 5" reel machine; C>SHN Conversion by Cousinit; includes some tracks from the Jack Warner shn set. notes
840. 11/08/70 Shn - 0, 17184 Port Chester Capitol Theater Multiple audience sources mastered by Jack Warner (see info file for details) including MAR>C>D>CD>EAC>SHN, from Marty Weinberg's master, recorded from the floor, AKG 190E mic > Uher 4000 Report-L 5" reel machine; MAC>C>D>CD>EAC>SHN, MAC>C>R>D>CD>EAC>SHN and MAC>C2>D>CD>EAC>SHN from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in mic; and an unknown third master. notes
841. 11/08/70 Flac 16 - 0, 125659 Port Chester Capitol Theater flac16; source: aud reel master taped by Marty Weinberg; akg d190e > uher 4000L; transferred by Michael Parish; the following were used as patch sources: Jerry Moore's 1st gen reel of Marty's mar and Ken Lee's aud cassette master; assembled by Rob Berger notes
842. 11/08/70 Flac 16 - 0, 119787 Port Chester Capitol Theater flac16; aud 1st gen reel, Jery Moore's reel copy of Marty Weinberg's reel; lineage: mar > 7" reel @ 3.75 ips, dolby b; master: akg d190e > uher 4000L 5" open reel deck taped by Marty Weinberg technics rs-1506 > teac an-180/b > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 > flac; transferred & seeded by Rob Berger april 2012 notes
843. 11/08/70 Shn - 0, 3339 Port Chester Capitol Theater mixed sources (see info file); DAT>CD conversion, Miles Garrett; CD> SHN, Morgan Evans; via Rick Lepley lepleyr@hotmail.com; note in absence of md5s for previous listing, not sure if there are 2 different shn sets notes
844. 11/08/70 Flac 24/96 - , 154243 Port Chester Capitol Theater flac24/96 Source: AKG 190E mic > Uher 4000 Report-L > Master Reels - recorded by Marty Weinberg and from the collection of Steve Martin Transfer Master Reels > Akai GX625 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 edited and mastered SIRMick November 2021 notes
845. 11/09/70 Shn - 0, 7591 Island Park Action House AUD low gen; via Hanno Bunjes, with thanks to Uli Teute; pitch corrected up 3%; Hanno's notes notes
846. 11/10/70 Shn - 0, 17032 Island Park Action House AUD>MR>?>CD>EAC>SHN (most of NFA from Weinberg source). AUD>?>C>CD>EAC>SHN (two other aud sources that provide the patch in NFA and all of The Other One); see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman notes
847. 11/10/70 Shn - 0, 8837 Island Park Action House partial; AUD; see notes in info file; via Hanno Bunjes; with thanks to Uli and Jack Warner notes
848. 11/11/70 Shn - 0, 17081 Brooklyn 46th Street Rock Palace AUD>MC>C>C>C>C>D>CD>EAC>SHN; See info file for quality notes; via Chuck Kiefe encoding and edits by Jeff Cotsman notes
849. 11/11/70 Flac 16 - 0, 31154 Brooklyn 46th Street Rock Palace flac16; aud > mc > cass (4 gens) > d > cd > eac > shn > wav > flac; remaster of shnid 17081; via SIRMick notes
850. 11/16/70 Shn - 0, 17361 New York Fillmore East SBD:MR>Revox deck (model unknown): 10" ? track Reel @ 7.5ips > Revox B77 playback deck > Alesis Masterlink ML9600 > CD > EAC > Cool Edit 2000 > SHN. A>D by Bill Gadsden. encoding Dave Winters. (Note: Other shn sets assign this music to 11/23/70). notes
851. 11/16/70 Flac 16 - 0, 112897 New York Fillmore East flac16; SBD > RR > ? > ? > Cassette; Transfer Info: Nak MR2 Deck > Cassette > WAV >Soundforge > FLAC notes
852. 11/16/70 Shn - 0, 4734 New York Fillmore East SBDMR> DAT> CD-r> EAC> SHN; fits on 1x80; retracked and seeded by Mike Lai; reportedly chopped up, as are previous seeds notes
853. 11/16/70 Flac 16 - 0, 135717 New York Fillmore East flac16; Partial; Lineage: aud>?>Rich>nak>nak dolby C> XLII C90, from Rich Petlock; Transfer: Dragon dolby C>UA55>usb> Audacity>TLH>flac16 notes
854. 11/20/70 Shn - 0, 9001 Rochester The Palestra, U. of Rochester AUD (Marty Wienberg)> MR> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook notes
855. 11/21/70 Shn - 0, 17033 Boston Sargent Gym, Boston University SBD>?>C>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman notes
856. 11/21/70 Shn - 0, 14858 Boston Sargent Gym, Boston University Partial; SBD C/?; See info file for detail; From Uli Teute & Hanno Bunjes notes
857. 11/29/70 Shn - 0, 7592 Columbus Club Agora AUD low gen; a few cuts; via Hanno Bunjes with thanks to Uli Teute; pitch corrected; Hanno's notes notes
858. 11/??/70 Flac 16 - 0, 136653 New York Unknown flac16; Master Reel>CD>FLAC; Taped by Marty Weinberg, Transferred by Michael Parrish notes
859. 12/12/70 Flac & Shn - 0, 5985 Santa Rosa Santa Rosa Fairgrounds Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; see info file for deadlist.com notes notes
860. 12/12/70 Flac 16/44 - 0, 151894 Santa Rosa Santa Rosa Fairgrounds flac1644; partial; Gene Taback's Master Audience Cassette (Sony TC-124 with Sony Stereo Mic); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard> HD. Editing performed in Adobe Audition; Flac Encoded notes
861. 12/17/70 Flac 16 - 0, 87356 San Francisco Winterland flac16; SBD > Master Reel > Master Cassette? > Cassette > CoolEdit > Flac notes
862. 12/23/70 Flac 16 - 0, 31608 San Francisco Winterland Arena flac16; Source: SBD > Master Reel? > Master Cassette > Cassette > CoolEdit > Flac notes
863. 12/23/70 Shn - 0, 10376 San Francisco Winterland Arena Partial; SBD>MR>R>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes
864. 12/23/70 Flac 16 - 0, 132343 San Francisco Winterland Arena flac16; Recording Info: (d1t01 - d1t06) SBD -> Master Reel -> CD -> FLAC; (d1t07 - d1t11) SBD -> Master Reel -> Cassette -> Cassette -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
865. 12/26/70 Shn - 0, 22369 El Monte Legion Stadium Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Patch Info: SBD -> Master Reel -> ? -> Dat -> SHN Edited and Patched By Charlie Miller notes
866. 12/26/70 Shn - 0, 14124 El Monte Legion Stadium SBD> ?? (maybe 2 reel gens)> PCM> WAV> CDR> EAC> SHN; Transfer: SPDIF> SEK'D Prodif96Pro, Speed corrected via Samplitude notes
867. 12/26/70 Shn - 0, 7465 El Monte Legion Stadium sdb> R> pcm> cd; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa notes
868. 12/26/70 Flac 16 - 0, 34031 El Monte Legion Stadium flac16; SBD > MR > CASS > DAT > CDA > WAV(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); remaster of shn id 22369 notes
869. 12/27/70 Shn - 0, 23530 El Monte Legion Stadium SBD -> Master Reel (7inch Master Reels@7.5ips 1/2trk) -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited By Charlie Miller notes
870. 12/27/70 Shn - 0, 6016 El Monte Legion Stadium MSR> C> D> CD; via Steve Barbella with thanks to Seth Kaplan notes
871. 12/28/70 Shn - 0, 22313 El Monte Legion Stadium SBD> Master Reel> Cassette> Dat> CD> EAC> Samplitude v7.02 Professional> SHN, Patched with Sony ECM-22> Rm> Dat> CD; All Editing Done By Charlie Mille notes
872. 12/28/70 Flac 16 Mtx - 0, 87294 El Monte Legion Stadium flac16; Matrix 2 Source Mix - SBD (shn id 22313) SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN + AUD (shn id 17706) MR > DAT > CD - matrix mixing by Kevin Tobin notes
873. 12/28/70 Flac Dts 5.1 - 0, 87301 El Monte Legion Stadium DTS Audio 5.1; SBD (shn id 22313) SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN + AUD (shn id 17706) MR > DAT > CD - dts mixing by Kevin Tobin notes
874. 12/28/70 Shn - 0, 17706 El Monte Legion Stadium AUD : MR > DAT > CD via Alan Fink notes
875. 12/28/70 Flac 16 - 0, 87365 El Monte Legion Stadium flac16; AUD : MR > Reel > DAT > CD original via Alan Fink - patched and speed correction by Kevin Tobin notes
876. 12/31/70 Shn - 0, 7283 San Francisco Winterland Arena Complete; Mixed Sources; FMS (KSAN)> ??> Cass> DAT> CDR; SBD MR> Cass> DAT> CDR (Pre-FM GDH) notes
877. 12/31/70 Shn - 0, 106 San Francisco Winterland Arena partial; S:MReel> DAT> Satellite Feed> DAT> ZA2> SoundForge NR (removed hum)> DartPro32 de-hissed (gain 3.0)> CD; filler on 10/24/70 notes
878. 12/31/70 Shn - 0, 6171 San Francisco Winterland Arena (aftershow) "aftershow" and promos; sbd> ?reel?> dat> cd> EAC > CDWav (split)> shn V3; EAC>SHN by Brian Cole, from Jim Oade seed notes
879. 12/31/70 Flac 16 - 0, 101530 San Francisco Winterland Arena flac16; Partial Show, source: sony ecm-22p's>sony tc-770 reel @ 7.5 ips; lineage: aud reel master>7" reel @ 7.5 ips technics rs-1506>hd-p2 24/96>hd>cd wave>adobe 16/44>flac; transferred & seeded by Rob Berger 9/24/09 notes
880. 12/??/70 Shn - 0, 34788 Unknown Radio Unknown source. notes
881. ??/??/70 Flac 16 - 0, 91324 San Francisco Pacific High Recording Studio flac16; studio sessions transfer and mastering by matt smith soundboard > master reel > Kidd Candelario dub > will boswell 7 1/2 ips reel > Apogee 24/96 (dithered to 16/44 via Wavelab 5.0) > CD notes
882. ??/??/70 Shn - 0, 7319 San Francisco Pacific High Recording Studio studio MR> ?> C> SF> CDR; includes repeat of some material with EQ, Dolby A notes
883. ??/??/70 Flac 16 - , 154490 Unknown Unknown flac16 Source: Restoration of SHNID 017271 Thanks to Joe Jupille and Andy Lemiuex for the original source
Transfer: MSR > Reel > PCM > DAT > CDR > EAC > SHN
notes
884. 01/21/71 Flac 16 - 0, 131517 Davis Freeborn Hall, University of California flac16; Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller notes
885. 01/21/71 Flac 24/96 - 0, 131516 Davis Freeborn Hall, University of California flac24; Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller notes
886. 01/21/71 Flac 24/96 - , 153417 Davis Freeborn Hall, University of California flac24/96 Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 notes
887. 01/21/71 Flac 16/48 - , 153406 Davis Freeborn Hall, University of California flac16/48 Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 notes
888. 01/21/71 Flac 16/48 - , 153472 Davis Freeborn Hall, University of California flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 153406) Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 + AUD (shnid = 131517) Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller - surround mixing by Kevin Tobin notes
889. 01/21/71 Dts Audio 5.1 - , 153471 Davis Freeborn Hall, University of California DTS-Audio-CD 5.1 Mix; - SBD (shnid = 153406) Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 + AUD (shnid = 131517) Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller - dts mixing by Kevin Tobin notes
890. 01/21/71 Flac 16 Mtx - , 153470 Davis Freeborn Hall, University of California flac16; Matrix 2 Source Mix - SBD (shnid = 153406) Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 + AUD (shnid = 131517) Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller - matrix mixing by Kevin Tobin notes
891. 01/22/71 Shn - 0, 12592 Eugene Lane Community College SBD> (unknown analog gens)> C> CD> EAC> SHN; Walter Schnell analog-> CD conversion; shn encoding Jeff Cotsman notes
892. 01/24/71 Shn - 0, 6347 Seattle Seattle Center Arena SBD> MR> C> DAT> CDR; Truckin? is missing the opening notes, Good Lovin? reprise cuts at 0:24; via Mike Lai with thanks to Paul B. notes
893. 01/24/71 Flac 16 - 0, 150274 Seattle Seattle Center Arena flac16; Recording Info: SBD > Master Reel > Cassette > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitide Pro X5 Suite > FLAC notes
894. 02/18/71 Flac 16 - 0, 111793 Port Chester Capitol Theater flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
895. 02/18/71 Flac 16 - 0, 85478 Port Chester Capitol Theater flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. notes
896. 02/18/71 Flac 16 - 0, 132101 Port Chester Capitol Theater flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented notes
897. 02/18/71 Shn - 0, 107 Port Chester Capitol Theater SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct) notes
898. 02/18/71 Shn - 0, 6672 Port Chester Capitol Theater direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson notes
899. 02/18/71 Flac 16 - 0, 132136 Port Chester Capitol Theater flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show notes
900. 02/18/71 Flac 16 - 0, 123539 Port Chester Capitol Theater flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC notes
901. 02/18/71 Flac 16 - 0, 123881 Port Chester Capitol Theater flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger notes
902. 02/18/71 Flac 16/48 - 0, 143183 Port Chester Capitol Theater flac16/48kHz; SBD Master Reels>Dat>Clone directly to me via snail mail>file cloned into Microtrack using Tascam Dat deck>Goldwave tracking and removal on one glitch (reel change)>TLH8 notes
903. 02/18/71 Flac 24/96 - 0, 148239 Port Chester Capitol Theater flac24; Source Info: Source A: Master Audience Cassettes; unknown taper, unknown equipment > 1st generation reels; Source B: Master Audience Cassette; unknown taper, unknown equipment > 1st generation reels; Transfer Info (both sources): 1st generation reels (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (.wav 24/96) > Adobe Audition 2019 > TLH flac2496 notes
904. 02/19/71 Flac 16 Mtx - 0, 31210 Port Chester Capitol Theatre flac 16; Sick Bits Vol. 13 - SBD/AUD matrix of two previosly circulated sources (SBD - shnid=1029 + AUD - shnid=30230), edited and encoded by Chris Chappell notes
905. 02/19/71 Shn - 0, 1029 Port Chester Capitol Theatre 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine reduced with notch filter (see info file for details and other flaw notes); via WBOTB tree (site includes covers) notes
906. 02/19/71 Flac 16 - 0, 132102 Port Chester Capitol Theatre flac16; Partial 1st Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented notes
907. 02/19/71 Flac 16 - 0, 30230 Port Chester Capitol Theatre flac16; unknown mono audience recording source: 1st gen reel> Teac A-2300SX> RCA out> Audiophile 2496> Wavelab 4.0 lineage: Wavelab 4.0> CD Wave> MKWact> WAV> FLAC recordist unknown transfered and remastered by Clinton Vadnais (cleantone@hotmail.com) notes
908. 02/19/71 DVD Audio - 0, 91849 Port Chester Capitol Theatre DVD-VA; (Video-Audio) 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > DAW (Bertha)>>Audio DVD; audio only - no video notes
909. 02/19/71 Flac 16/44 - 0, 151881 Port Chester Capitol Theatre flac16/44khz Recording Info: SBD > Master Reel (Sony TC-770/Scotch 7in 1/4 track 7.5ips) Transfer Info: Master Reel (Technics RS-1506) > Sony PCM-R500 (pass through) > Sound Forge > CD Mastering Info: CD > Samplitude Pro X5 Suite > FLAC/16 notes
910. 02/20/71 Flac 16 - 0, 116617 Port Chester Capitol Theater flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes
911. 02/20/71 Flac 16 - 0, 85912 Port Chester Capitol Theater flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. notes
912. 02/20/71 Shn - 0, 111 Port Chester Capitol Theater 7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs notes
913. 02/20/71 Shn - 0, 5188 Port Chester Capitol Theater likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01) notes
914. 02/21/71 Flac 16 - 0, 116618 Port Chester Capitol Theater flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes
915. 02/21/71 Flac 16 - 0, 87134 Port Chester Capitol Theater flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner. notes
916. 02/21/71 Flac 16 - 0, 98034 Port Chester Capitol Theater flac16; SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.) notes
917. 02/21/71 Shn - 0, 1980 Port Chester Capitol Theater SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different notes
918. 02/21/71 Flac 16 - 0, 123830 Port Chester Capitol Theater flac16; source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation notes
919. 02/21/71 Flac 16 - 0, 123885 Port Chester Capitol Theater flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger feb. 2013 notes
920. 02/23/71 Flac 16 - 0, 110353 Port Chester Capitol Theater flac116; Recording Info:SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller notes
921. 02/23/71 Flac 16 - 0, 82755 Port Chester Capitol Theater flac16; Source Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 and Ozone. Dithered L2 type 1 ultra by Jamie Waddell notes
922. 02/23/71 Flac 16 - 0, 98406 Port Chester Capitol Theater flac16; Partial Set 2 source: aud 1st gen 7" reel @ 3.75 ips, dolby b mastered on uher reel by Marty Weinberg lineage: aud reel master>reel technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 2.0 16/44>flac notes
923. 02/23/71 Shn - 0, 113 Port Chester Capitol Theater SBD> MR> DAT> SFNR>C D-R; via Leigh Orf; WBOTB source> distortion removed digitally (see notes) notes
924. 02/23/71 Flac 24/96 - 0, 151503 Port Chester Capitol Theater flac24/96khz Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick January 2021 notes
925. 02/23/71 Flac 16/44,1 - 0, 151502 Port Chester Capitol Theater flac16/44.1khz Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick January 2021 notes
926. 02/24/71 Flac 16 - 0, 87570 Port Chester Capitol Theater flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner. notes
927. 02/24/71 Flac 16 - 0, 121065 Port Chester Capitol Theater flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes
928. 02/24/71 Shn - 0, 6190 Port Chester Capitol Theater seekable reshn of other shn set? by Bob Clevenger; may not have gotten into circulation notes
929. 02/24/71 Shn - 0, 6189 Port Chester Capitol Theater retracked version of previous shn set, by Bob Clevenger notes
930. 02/24/71 Flac 16 - 0, 125171 Port Chester Capitol Theater flac16; akg d190e > Uher 4000 5" open reel; reel master > Marantz CD-RW700; aud reel master, taped by Marty Weinberg, transfer by Michael Parish, seeded by Rob Berger notes
931. 02/24/71 Flac 16 - 0, 140834 Port Chester Capitol Theater flac16; Source Info: Betty's 7" two track Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3> TLH flac16 notes
932. 02/24/71 Shn - 0, 114 Port Chester Capitol Theater via Leigh Orf; WBOTB source > distortion removed digitally (see notes) notes
933. 02/??/71 Flac - 0, 120486 Unknown Unknown flac16; unknown low gen Maxell XLII Cassette>Wav via Teac Stand Alone CD Burner > ? > SBE found - fix (TLH) shift backwards > MD5 + FFP made with (TLH) notes
934. 03/03/71 Shn - 0, 6248 San Francisco Fillmore West SBD> MR> (cass gen?)> DAT> CDR, plus possible patch; see info file for flaw notes; via Mike Lai, with thanks to Paul B. notes
935. 03/03/71 Flac 16 - 0, 130986 San Francisco Fillmore West flac16; Recording Info: SBD > MR > ? > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Upgrade of existing SBD source. First four tracks are stereo, balance of show is 2 track MONO. Transferred, tracked and mastered by Bill Guarneri, August 18, 2014 notes
936. 03/03/71 Flac 16 - 0, 149685 San Francisco Fillmore West flac16; Master Soundboard Recording, unknown pedigree; Transfer - Nak BX-300 > Sony 75ES > DAT; Mastering by Jamie Waddell and Jason Chastain notes
937. 03/03/71 Flac 24/96 - 0, 149880 San Francisco Fillmore West flac24; Source Info: Master Soundboard Reels > Pat Lee's 1st generation reels; Transfer Info: 1st generation reels (Revox A77) > Tascam DA-3000 > dBpoweramp 2496 > Adobe Audition CC 2020 > TLH flac2496 notes
938. 03/03/71 Flac 16/48 - 0, 149879 San Francisco Fillmore West flac16/48kHz; Source Info: Master Soundboard Reels > Pat Lee's 1st generation reels; Transfer Info: 1st generation reels (Revox A77) > Tascam DA-3000 > dBpoweramp 2496 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
939. 03/14/71 Shn - 0, 6115 Madison Camp Randall Field House, University of Wisconsin Sbd> MR> Dat> CD; EAC >CDWav (split)> shn V3 by Brian Cole; parent seed courtesy Jim Oade; some editing in d1t6, d2t1 notes
940. 03/14/71 Flac 16 - 0, 130581 Madison Camp Randall Field House, University of Wisconsin flac16; Recording Info: SBD > MR > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC notes
941. 03/14/71 Shn - 0, 6249 Madison Camp Randall Field House, University of Wisconsin SBD> MR> C> DAT> CDR; disc # 1 is 80 minutes, Truckin? fades in at "typical daydream", splice in Hard To Handle; via Mike Lai, with thanks to Paul B. notes
942. 03/18/71 Shn - 0, 1663 St. Louis Fox Theatre SBD (7") MR> Cass> DAT> CD; via Ben Yerys, M. Wienke notes
943. 03/18/71 Flac 16 - 0, 130560 St. Louis Fox Theatre flac16; Recording Info: SBD > R > C > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC notes
944. 03/18/71 Flac 16 - 0, 132491 St. Louis Fox Theatre flac16; Set 2 Only; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bob Mathews)- Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Sony PCM-R500 DAT Deck @ 44.1KHz); DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) notes
945. 03/20/71 Shn - 0, 5582 Iowa City University of Iowa SBD > MR > cass > dat > CD > SHN (seekable); DAT>CD transfer by Mandrake; EAC> shn by Steve Barbella notes
946. 03/21/71 Shn - 0, 12074 Milwaukee Exposition Center AUD>MC>LP>R>CD; Missing Truckin'; See info file for details; via Chuck Kiefe; Seeded to etree by JCotsman notes
947. 03/24/71 Flac 16 - 0, 85585 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Sony Stereo Mic -> Cassette Master (Sony TC-124) supplies: The Other One (6:59 - 7:23) and Beat It On Down The Line (0:00 - 0:32)All Transfers and Mastering By Charlie Miller notes
948. 03/24/71 Flac 16 - 0, 25313 San Francisco Winterland Arena Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transfered and Edited By Charlie Miller notes
949. 03/24/71 Flac 16 - 0, 95869 San Francisco Winterland Arena flac16; Source: unknown aud > cdr > eac > wav > flac notes
950. 03/24/71 Shn - 0, 9501 San Francisco Winterland Arena Partial; SBD>MR>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman notes
951. 04/04/71 Flac 16 - 0, 110325 New York Manhattan Center flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC All Transfers and Mastering By Charlie Miller notes
952. 04/04/71 Flac 16 - 0, 35252 New York Manhattan Center flac16; MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac notes
953. 04/04/71 Flac 16 - 0, 76807 New York Manhattan Center flac16; source: MSR > C >DAT3 > Delta DiO 2496 > SoundForge 7.0 > cdwav > flac > wav > flac; this is a partial clean up of shn id 35252. see text file (note: this source was originally seeded with some files out of order) notes
954. 04/04/71 Shn - 0, 10358 New York Manhattan Center AUD>?>C>Sound Forge>SHN; via Walter Schnell; Seeded to etree by J. Cotsman notes
955. 04/05/71 Flac 16 - 0, 110185 New York Manhattan Center flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; This source is a fix of shnid=110127 (Fixed track mark on d2t04); All Transfers and Mastering By Charlie Miller notes
956. 04/05/71 Shn - 0, 16606 New York Manhattan Center 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens notes
957. 04/05/71 Flac 16 - 0, 96269 New York Manhattan Center flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 6, 2008, Green Mountain Bros. notes
958. 04/05/71 Flac 16 - 0, 110127 New York Manhattan Center flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
959. 04/05/71 Shn - 0, 117 New York Manhattan Center remastered de-whined version? (see notes) of version circulating 8/99, via Leigh Orf; his other comments: "I also fixed track sector boundaries (urk why can't people get this right the 1st time), cut a couple of annoying micro-dropouts, put smooth fades in/out where the reel stopped/started, and did a seamless crossfade-merge on the reel flip in Lovelight" and retracked d3 notes
960. 04/05/71 Shn - 0, 12367 New York Manhattan Center shntool fix of Orf seed (?- note doesn't jibe with what is know of prev seed), by Chris Ladner notes
961. 04/05/71 Flac 16 - 0, 100052 New York Manhattan Center flac16; Partial show source: aud of unknown origin lineage: mono aud>?>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/7/09 notes
962. 04/06/71 Flac 16 - 0, 96299 New York Manhattan Center flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 8, 2008, Green Mountain Bros. notes
963. 04/06/71 Flac 24/96 - 0, 109026 New York Manhattan Center flac24; Unknown lineage soundboard reels > Akai GX636>Apogee Mini Me @24bit/96kHz > Apogee mini DAC(monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC by Matt Smith Edited and Mastered by Jamie Waddell on the GEMS Edit Station Weiss-Saracon for Pow-r3 Dither MetaData with Tag and Rename TLH for FLAC Level 8 notes
964. 04/06/71 Shn - 0, 18735 New York Manhattan Center 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens notes
965. 04/06/71 Shn - 0, 118 New York Manhattan Center SBD; via M. Lai notes
966. 04/06/71 Flac 16 - 0, 100040 New York Manhattan Center flac16; source: aud of unknown origin; lineage: mono aud>?>7" reel @ 3.34 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/6/09 notes
967. 04/06/71 Flac 16/44 - , 152611 New York Manhattan Center flac16/44 Betty Cantor-Jackson's Master Soundboard Reels (7" 1/2 track @ 7 1/2 ips w/ dolby A) > Steve Whitaker's Sony PCM-501 (PCM/0); Steve Whitaker's PCM/0 (Sony PCM-601; digital out) > Rob Eaton's Panasonic SV-3700 DAT (16/44.1); Rob Eaton's DAT (16/44.1)(Panasonic SV-3700) > Dolby A361 > Rob Eaton's Panasonic SV-3700 (16/44.1)
Transfer Info: DAT (16/44.1)(Tascam DA-40) > Tascam DA-3000 (16/44.1) > .wav (16/44.1) > Adobe Audition 2020 > TLH flac16
notes
968. 04/06/71 Flac 16 - , 154656 New York Manhattan Center Source: Original transfer Betty Cantor Jackson;s Master Reels ((7" 1/2 track @ 7 1/2 ips w/ dolby A)) > Sony TCD-D10 Pro DAT (Oade Brothers mod) > DAT (44k)
Final transfer: DAT > Sony PCM-2600 > Tascam DA-3000 > wav 16/44.1
Lineage: wav 16/44.1 > iZotope RX 9 Advanced > CD Wave > flac 16
notes
969. 04/07/71 Flac 16 - 0, 96225 Boston Music Hall flac16; Source: Betty Cantor 7" two track reel w@ 7 1/2 ips> PCM501ES @ 44.055 kHz CM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Jace Crouch’s original source WBOTB DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 5, 2008, Green Mountain Bros. notes
970. 04/07/71 Flac 16 - 0, 83301 Boston Music Hall flac16; 7" BBD Reel > PCM501ES > Fostex D5 > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 1-12-02 WBOTB Project notes
971. 04/07/71 Shn - 0, 119 Boston Music Hall Betty Board, details as outlined in Compendium; via Leigh Orf; corrupt d2t7 replaced 3/17; note Phil low/absent in mix notes
972. 04/07/71 Flac 16 - 0, 136892 Boston Music Hall flac16; Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 notes
973. 04/07/71 Flac 16 - 0, 141029 Boston Music Hall flac16; Source: sbd > master reel > pcm > dolby A decoded dat > pcm (Sony beta HG) - recorded by Betty Cantor and provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1 - transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018 notes
974. 04/08/71 Flac 16 - 0, 96627 Boston Music Hall flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky January 1, 2009, Green Mountain Bros. notes
975. 04/08/71 Flac 16 - 0, 83756 Boston Music Hall flac16; 7" Betty Board Reel > PCM501ES analog out > Dolby A Decoder > Analog in PCMF1 PCM501ES analog out > Fostex D5 optical S/PDIF out > disk Transferred by Tim Deibert 9-16-02 WBOTB notes
976. 04/08/71 Shn - 0, 120 Boston Music Hall SBD; via Mike Lai; updated info file with tracklist and notes provided by Cosmic Chuck notes
977. 04/08/71 Shn - 0, 14397 Boston Music Hall SMR>PCM>WAV>Shn; Conversion via SEK'd Prodif96Pro, editing via Samplitude filtered the right channel to reduce 60-cycle hum using narrowband filter reducing it a few db's; uploaded by theotherwayne@yahoo.com notes
978. 04/08/71 Shn - 0, 23732 Boston Music Hall sbd; same as http://db.etree.org/shninfo_detail.php?shnid=120 with SBEs fixed and seektables appended with shntool. notes
979. 04/08/71 Flac 16 - 0, 141099 Boston Music Hall flac16; Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
980. 04/10/71 Flac !! - 0, 8674 Lancaster East Hall, Franklin & Marshall College SBD>MR>C>DAT>CD; via Mark Pfortmiller; Seeded to etree by Willy notes
981. 04/12/71 Flac 16 - 0, 31960 Pittsburgh Civic Arena flac16; SBD -> Reel Master -> Dat -> Sound Forge -> CD Transferred By Charlie Miller notes
982. 04/13/71 Flac 16 - 0, 32015 Scranton Catholic Youth Center flac16; MSR>DAT3x>Delta Dio 2496 soundcard>Soundforge>Flac16 notes
983. 04/13/71 Flac 16 - 0, 32077 Scranton Catholic Youth Center flac16; SBD > MR > DAT > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 6) notes
984. 04/13/71 Shn - 0, 9410 Scranton Catholic Youth Center set 2 partial; Master Soundboard Reel > DAT> CDR notes
985. 04/14/71 Shn - 0, 6250 Lewisburg Davis Gymnasium SBD> MR> DAT> CDR; several spots of irreparable reel static; via Mike Lai with thanks to Paul B.; note 4 tracks in d2 had been misnumbered, corrections shown in fixed md5s: 1> 3, 2>4, 3>1, 4>2 notes
986. 04/14/71 Flac 16 - 0, 130916 Lewisburg Davis Gymnasium flac16; Recording Info: SBD > MR > ? > DAT > CDR; Transfer Info: CDR > WAV > Sound Forge 10 > TLH > Flac; Cleaned up, retracked, remastered version of shnid 6250. Cleaned up, retracked and mastered by Bill Guarneri, August 9, 2014 notes
987. 04/14/71 Flac 16/48 - 0, 132543 Lewisburg Davis Gymnasium 16/48kHz: 7 Inch 1/4 Track Reel Master @ 7.5 ips (Recorded By Bob Mathews); Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel to Reel-Sony PCM-R500 DAT Deck @ 48KHz); DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/48KHz; Editing (Adobe Audition CC)-Mastering & Processing (iZotope Ozone 6)-FLAC encoding(dBpoweramp)- Tagging(Tag & Re-name) notes
988. 04/14/71 Flac 16/48 - 0, 132733 Lewisburg Davis Gymnasium flac16/48kHz; Static reduced, speed corrected, slightly eq'ed & gain normalized version of source ID 132543 (SBD> MR> DAT) by Dan McDonald notes
989. 04/15/71 Shn - 0, 11652 Meadville Allegheny College SBD>MR>DAT>CD; missing 5 songs; See info file for details; via Bill O; Seeded to etree by eD(efojr) notes
990. 04/17/71 Flac 16 - 0, 88760 Princeton Dillon Gym, Princeton University flac16; source: soundboard lineage: MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav notes
991. 04/17/71 Flac 16 Mtx - 0, 107384 Princeton Dillon Gym, Princeton University flac16; Matrix 2 Source Mix - SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + AUD (no shnid) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - matrix mixing by Kevin Tobi notes
992. 04/17/71 Shn - 0, 121 Princeton Dillon Gym, Princeton University set1; SBD> Reel> ?> DAT> ZA2 (48>44.1)> CD; via R. Nayfield notes
993. 04/17/71 Flac 16 - 0, 107075 Princeton Dillon Gym, Princeton University flac16; Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith notes
994. 04/17/71 Flac 24/96 - 0, 89031 Princeton Dillon Gym, Princeton University flac24; source: soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate notes
995. 04/17/71 Flac Dts 5.1 - 0, 107385 Princeton Dillon Gym, Princeton University DTS-Audio-CD 5.1 Mix; SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + SBD2 (shn id 122) set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield + AUD1 (no shn id) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - dts mixing by Kevin Tobin notes
996. 04/17/71 Flac 16/48 - 0, 138033 Princeton Dillon Gym, Princeton University flac16/48kHz; SBD Master Reel originally recorded with analog equipment on a 7 inch, 7.5 i.p.s half-track master reel; Transferred to 16 48 WAV February 2017 notes
997. 04/17/71 Shn - 0, 122 Princeton Dillon Gym, Princeton University set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield notes
998. 04/18/71 Shn - 0, 7112 Cortland Lusk Field House, S.U.C.N.Y SBD : MR > RR > DAT > CD; Extraction, editing and .shn encoding by Alan J. Fink, from John Valter seed; patch in UJB; see info file for additional notes notes
999. 04/18/71 Flac 16 - 0, 130710 Cortland Lusk Field House, S.U.C.N.Y flac16; Recording Info: SBD > MR > C > C > C; Transfer Info: C > Nak DR2 > WAV > Sound Forge 10 > TLH > FLAC; This fresh transfer is a nice upgrade over existing sources which are very degraded with loud tape hiss. Transferred, tracked and mastered by Bill Guarneri, July 22, 2014 notes
1000. 04/18/71 Shn - 0, 6251 Cortland Lusk Field House, S.U.C.N.Y SBD> MR> ??> DAT> CDR; splice at 4:20 of Casey Jones, missing a couple seconds, UJB cuts at 3:21; via Mike Lai, with thanks to Paul B. notes
1001. 04/21/71 Shn - 0, 8227 Providence Rhode Island Auditorium MSR> R> D> CD> DAE> SHN; sector boundary fix of previous shn set, by Seth Kaplan notes
1002. 04/21/71 Flac - 0, 130598 Providence Rhode Island Auditorium Recording Info: SBD > R > DAT >CD; Transfer Info: CD >WAV > Sound Forge 10 > TLH > FLAC; Remastered, retracked version of Source ID 8227 notes
1003. 04/21/71 Shn - 0, 2578 Providence Rhode Island Auditorium sdb> MR> PCM> CD; via Mike Lai notes
1004. 04/21/71 Flac 16 - 0, 141116 Providence Rhode Island Auditorium flac16; Source Info: Master Soundboard Reels > 1st generation reels > 2nd generation reels > PCM (Sony HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
1005. 04/22/71 Shn - 0, 2176 Bangor Bangor Municipal Auditorium Master Soundboard Reel > DAT > CDR; shn encoded/uploaded by Scott Clugston; to abgd, 11/00 to etree notes
1006. 04/22/71 Flac 16/44 - , 167465 Bangor Bangor Municipal Auditorium flac1644; Recording info: Master soundboard reel > first generation reel > PCM > DAT (via Anon); Transfer info: Tascam DA-302 > Sound Devices 722 (digital transfer); DAT transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel notes
1007. 04/24/71 Flac 16/48 - 0, 143958 Durham Wallace Wade Stadium, Duke University flac16/48kHz; Source Info: Master 7" 1/2 track Soundboard Reels @ 7.5 ips > Will Boswell's Reels > Matt Smith's 2nd generation Reels; Transfer Info: 2nd (possibly 3rd) Generation Reels (Technics RS-1506) > Apogee Mini Me (24-bit/96k) > Adobe Audition 3.01 (24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
1008. 04/24/71 Flac 24/96 - 0, 143959 Durham Wallace Wade Stadium, Duke University flac24; Source Info:Master 7" 1/2 track Soundboard Reels @ 7.5 ips > Will Boswell's Reels > Matt Smith's 2nd generation Reels; Transfer Info: 2nd (possibly 3rd) Generation Reels (Technics RS-1506) > Apogee Mini Me (24-bit/96k) > Adobe Audition 3.01 (24-bit/96k)> TLH flac2496 notes
1009. 04/24/71 Shn - 0, 2579 Durham Wallace Wade Stadium, Duke University sdb> MR> PCM> CD; via Mike Lai; 3/10, Michael Weise provided modified tracking (alt md5s, same checksums) and updated info file notes
1010. 04/25/71 Flac - 0, 95625 New York Fillmore East flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller notes
1011. 04/25/71 Dvd - 0, 96096 New York Fillmore East DVD-VA; (Video-Audio) SBD>>MR>>CD>>DAW(Bertha)>>Audio DVD; Bertha Remaster of the Master Reel source (source id 95625) Audio only, no video notes
1012. 04/25/71 Flac - 0, 113038 New York Fillmore East flac16; This remaster uses Charlie Miller's gd71-04-25.sbd.miller.95625.sbeok.flac16 as a baseline. Amplitude and Equalization adjustments were made using Cool Edit 2000. notes
1013. 04/25/71 Flac - 0, 30886 New York Fillmore East flac16; Source: SBD -> ? -> C -> CDR via Dave Minor, encoding Matt Vernon notes
1014. 04/25/71 Shn - 0, 8761 New York Fillmore East Partial set 2; sbd>RM>?>DAT>CD; via Charlie Miller; Seeded to etree by Grote notes
1015. 04/26/71 Flac 16 - 0, 105814 New York Fillmore East flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller notes
1016. 04/26/71 Flac 24/96 - 0, 105815 New York Fillmore East flac24; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/24; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller notes
1017. 04/26/71 Shn - 0, 2214 New York Fillmore East MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; includes (wrong) NRPS; note 4 CD best-of-run is available from the Dead notes
1018. 04/26/71 Shn - 0, 4991 New York Fillmore East GD: MR> CDR> SHN; NRPS material: MR> C> CDRx?> SHN, note NRPS is newly seeded, date-accurate; via Bill Gadsden, Jim Wise, John Oleynick et al; see info file for additional source and flaw details; to BUDD tree, nycheads; d1,3 tracked for 80 min; Tzuriel's covers notes
1019. 04/26/71 Flac - 0, 114839 New York Fillmore East Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim>CD Transfered and mastered by Matt Smith 5/11 notes
1020. 04/26/71 Shn - 0, 4330 New York Fillmore East notes
1021. 04/26/71 Flac 24/96 - 0, 143159 New York Fillmore East flac24; Source: Master Soundboard Rell 7.5 ips > Reel - Will Boswell's copy Peter Kafer; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered by SIRMick September 2018 notes
1022. 04/26/71 Flac 16 - 0, 145130 New York Fillmore East flac16; Source: Master Soundboard Rell 7.5 ips > Reel - Will Boswell's copy Peter Kafer; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered by SIRMick September 2018; This file set is 16 bit @ 44.1 notes
1023. 04/26/71 Flac 16 - 0, 126270 New York Fillmore East flac16; MR 7.5 ips > R > FLAC Will Boswells from Peter Kafer; Transfer: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; remastered by Matt Smith 2013 notes
1024. 04/27/71 Flac 16 - 0, 114461 New York Fillmore East flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1025. 04/27/71 Flac 24/96 - 0, 106562 New York Fillmore East flac24; Recording Info Source One: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) Recording Info Source Two: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips) Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two: Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/24; Reels Baked and Transferred By David Gans All Mastering By Charlie Miller notes
1026. 04/27/71 Flac 16 - 0, 114094 New York Fillmore East flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96 > Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > Flac; Transfered and mastered by Matt Smith notes
1027. 04/27/71 Shn - 0, 2221 New York Fillmore East MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead notes
1028. 04/27/71 Shn - 0, 5165 New York Fillmore East mixed reel sources (see info file for details and notes); includes complete NRPS; via Bill Gadsden, Jim Wise?, John Oleynick et al; to BUDD tree; d1,4 tracked for 80 min (A SBE fixed flac version was circulated on 2008-07-06.) notes
1029. 04/27/71 Shn - 0, 2998 New York Fillmore East SBD> MR> R> D> CD; EAC > SHN & upload to Stonebear.etree.org by Abe Stundel; disks came from the Fillmore Tree run on BUDD by Keith Bode. Bode's source disks came from Justin Hoffman who got *his* copies from the Merry Prankster's Tree. Lineage comes from Merry Prankster info; ; note 4 CD best-of-run is available from the Dead notes
1030. 04/27/71 Shn - 0, 4331 New York Fillmore East MR> CDR and MR> R> CDR; includes NRPS and Beach Boys; via vine? notes
1031. 04/27/71 Flac 16 - 0, 141129 New York Fillmore East flac16; Source Info: Master Soundboard Reels > PCM (Sony ESX HiFi/L-750 beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
1032. 04/27/71 Flac 16 - 0, 106550 New York Fillmore East flac16; Recording Info Source One:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Recording Info Source Two:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips); Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller notes
1033. 04/28/71 Flac 16 - 0, 106099 New York Fillmore East flac16; Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/16; All Mastering By Charlie Miller notes
1034. 04/28/71 Flac 24/96 - 0, 114088 New York Fillmore East flac24; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0 > FLAC 24 bit; Transfered and mastered by Matt Smith 6/11 notes
1035. 04/28/71 Flac 24/96 - 0, 106100 New York Fillmore East flac24; Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/24; All Mastering By Charlie Miller notes
1036. 04/28/71 Shn - 0, 11257 New York Fillmore East Complete; Previous splices patched with 'official release' material; See info file for details; Truckin'through Bird Song 02:07.38: MSR>Reel>Alesis Masterlink>CDR; Bird Song 02:08.70 through end of show: MSR 7 inch (7.5 ips) Revox A 77> Alesis Masterlink> CDR (previous splices patched via multi- track sources as noted below); Seeded to etree by Seth D Kaplan and Alan J Fink notes
1037. 04/28/71 Flac 24/96 - 0, 102869 New York Fillmore East flac24; SBD MR>R@ 7 1/2 ips. Tape stock:Maxell UD35-7 tape. Transfer info:Akai GX636>Apogee Mini Me @24bit/96kHz > Apogee mini DAC(monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC. Edited on the GEMS Edit Station by Jamie Waddell. Pow-r3 Dither in Weiss-Saracon FLAC Level 8 in Trader's Lil Helper Meta-Data with Tag&ReName notes
1038. 04/28/71 Shn - 0, 32862 New York Fillmore East MR>R>CDR and MR>CDR with alt. SBD patches; Refined, patched, re-tracked and SHN'ed by Chris Frisco. notes
1039. 04/28/71 Shn - 0, 2248 New York Fillmore East MSR > (Reel post-Bird Song) >Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead notes
1040. 04/28/71 Flac 16 - 0, 114029 New York Fillmore East flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > CD FLAC; Transfered and mastered by Matt Smith notes
1041. 04/28/71 Shn - 0, 4332 New York Fillmore East MR> R> CDR and MR> CDR; includes NRPS; see info file for listening notes; tracked out same as previous shn set (likely same source), but md5s differ; via vine? notes
1042. 04/28/71 Flac 16 - 0, 126262 New York Fillmore East flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Truckin thru Bird Song is from a second gen reel. Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Transfered and mastered by Matt Smith notes
1043. 04/29/71 Flac 16 - 0, 105926 New York Fillmore East flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller notes
1044. 04/29/71 Flac 16 Mtx - 0, 97660 New York Fillmore East flac16; matrix of SBD: shnid=33565 and AUD: shnid=26568 by hansokolow using ProTools notes
1045. 04/29/71 Flac 24/96 - 0, 105925 New York Fillmore East flac24; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/24; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller notes
1046. 04/29/71 Flac 16 - 0, 114145 New York Fillmore East flac16; SBD MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering) > Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > FLAC notes
1047. 04/29/71 Shn - 0, 33565 New York Fillmore East fake version of the show, seeded by Dan Am-Dig to bt.etree.org, actually a composite including material from 4/27,28 as "patches" or "interleaves" (see notes in 4/6 info) notes
1048. 04/29/71 Shn - 0, 4333 New York Fillmore East SBD>MR>CDR; includes NRPS; see info file for listening notes and detailed source info; tracked out and with same background info as previous shn set, but md5s differ; via vine? notes
1049. 04/29/71 Shn - 0, 19639 New York Fillmore East SBD > 8 track RTR @ 15 i.p.s. (Vault Master) > 2 track RTR @ 15 i.p.s. (Phil Lesh 1987 mixdown Safety) > 24/96 DAT > SSSB (SHNTOOL used and verified) notes
1050. 04/29/71 Flac 16 - 0, 114350 New York Fillmore East flac16; Recording Info: SBD -> 16 Track Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1051. 04/29/71 Shn - 0, 126 New York Fillmore East MR> R> DAT> CDR; note 4 CD best-of-run is available from the Dead notes
1052. 04/29/71 Shn - 0, 16782 New York Fillmore East Lineage: (mostly) SB> MR> CD; Refined by Chris Frisco, 20 glitches painstakingly removed without deleting any of the wav; Bird Song patched; See info file for further details; Circ's w/ NRPS opening set notes
1053. 04/29/71 Shn - 0, 1858 New York Fillmore East complete, including NRPS; MSR 7 inch (Revox A-77) @ 7.5 ips > Alesis Masterlink >CD-R; via Bob Murphy, Dan Stephens; stemming from Jim Wise seed of Well vine; note d5 tracked for 80 min; see highly detailed commentary in pub comments; note 4 CD best-of-run is available from the Dead notes
1054. 04/29/71 Flac 16 - 0, 26568 New York Fillmore East flac16; Master audience reel (Taped by Marty Weinberg, AKG190E>Uher 400L) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding; A > D by Steven Martin; Tracking and EAC > SHN by Jack Warner notes
1055. 05/29/71 Flac 16 - 0, 110324 San Francisco Winterland Arena notes
1056. 05/29/71 Shn - 0, 19153 San Francisco Winterland Arena source 1: AUD>M?>C>CD>EAC>SHN; source 2: AUD>M?>C>D>SHN; see caveat for sound quality; Thanks to Jim Powell and others notes
1057. 05/30/71 Flac 16 - 0, 94119 San Francisco Winterland Arena flac16; SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller notes
1058. 05/30/71 Flac 16 - 0, 31968 San Francisco Winterland Arena flac16; Unknown Mics -> ? -> Cassette -> Dat (44.1k) Transferred and Edited By Charlie Miller notes
1059. 06/21/71 Flac 16 - 0, 94356 Herouville Chateau D'Herouville flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1060. 06/21/71 Shn - 0, 4643 Herouville Chateau D'Herouville SBD MR> ?> D> CD patched with AM MR> R> C> CD, 5% speed correction, by Hanno Bunjes; see info file for notes; to BUDD offer, later to etree notes
1061. 07/02/71 Flac 16 - 0, 118485 San Francisco Fillmore West flac16; Partial Set 2, FM>Reel>CDR>TLH>FLAC and Pre-FM MSR>DAT>CDR>TLH>FLAC notes
1062. 07/02/71 Shn - 0, 33659 San Francisco Fillmore West Pre-FM MSR> DAT> CD?; Transfer: EAC> WAV> FLAC by Sean Cribbs, from Connie Veigh source discs notes
1063. 07/02/71 Shn - 0, 11789 San Francisco Fillmore West sdb (suspected FM); via Mike Lai; Sector boundaries fixed, files renamed correctly and txt file cleaned up by Dave Backus notes
1064. 07/02/71 Flac - 0, 18289 San Francisco Fillmore West Source: Master Reel (Pre-FM) > PCM > DAT
Conversion: M-1 > 7-pin optical > Co2 > SB Live > CDwav Record and Index > FLAC (1.1GB)
notes
1065. 07/02/71 Flac 16 - 0, 136638 San Francisco Fillmore West flac16; Pre Broadcast Recording > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audacity and Wavelab 7.1 mastering by Jamie Waddell; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH notes
1066. 07/02/71 Shn - 0, 6193 San Francisco Fillmore West FM; Bob Clevenger's clean-up of Leigh Orf's hosting of Mike Lai's previous shn set; see notes in info file notes
1067. 07/31/71 Shn - 0, 5678 New Haven Yale Bowl, Yale University AKG 190E mic > Uher 4000 Report-L 5" Reel deck, Taper: Marty Weinberg; mixed genealogy: I: AudMR > CD > EAC > WAV > SHN, II: AudMR > C > DAT > CD > EAC > WAV >SHN; final digital version assembled by: Noah Weiner; see info file for details and flaw notes; via Audience Devotional Tree notes
1068. 07/31/71 Flac 16 Mtx - 0, 134686 New Haven Yale Bowl, Yale University flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:132730)SBD -> Master Reel -> CD,CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; Audience (shnid:101438)Sources:I: AudMR > CD > EAC > WAV > SHN,II: AudMR > C > DAT > CD > EAC > WAV > SHN,single AKG 190E mic > Uher 4000 Report-L 5" Reel deck, 1/2 track tapes on a Revox A-700 (tweaked the head azimuth to match the original recording). Signal fed into DigiDesign Pro Tools on a Macintosh with Audio Media III sound card. The only post processing was normalization. notes
1069. 08/04/71 Flac 16 - 0, 95308 San Pedro Terminal Island Correctional Fac. flac16; Recording Info:SBD -> Master Reel -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1070. 08/05/71 Flac 16 - 0, 96540 Hollywood Hollywood Palladium flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1071. 08/05/71 Flac 16 Mtx - 0, 97014 Hollywood Hollywood Palladium flac 16; Sick Bits Vol. 29a - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=96540) + AUD (shnid=94260) as well as patch AUD sources (shnid=88859 and shnid=9768). Matrixed by Chris Chappell. notes
1072. 08/05/71 Flac 16 - 0, 94260 Hollywood Hollywood Palladium flac16; MR > R > CD > EAC > WAV > FLAC MAR (Harvey Kaslow)* @ 7 1/2 ips. > R @ 7 1/2 ips. (Will Boswell via Rob Bertrando) Maxell UD tape > CD 'loser' was missing on this reel but used Don Wolfe's MAR>R>R @ 3 3/4 ips copy... One of the mics malfunctioned before the second set resulting in a mono recording on set 2 R copied @ 7.5 ips using a Revox A-77>A-77 --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD ** > EAC > WAV (shntool confirms no sbes) > FLAC (TLH) notes
1073. 08/05/71 Shn - 0, 9768 Hollywood Hollywood Palladium AUD>MR>R>D>CD; via Jeff Krakowka & Jim Hale; Seeded to etree by J. Cotsman notes
1074. 08/05/71 Flac 16 - 0, 88859 Hollywood Hollywood Palladium flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller notes
1075. 08/05/71 Flac 16 - 0, 137288 Hollywood Hollywood Palladium flac16; Recording Info: SBD -> Master Reel -> FLAC/24; Transfer Info: FLAC/24 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; Mastered By Charlie Miller notes
1076. 08/05/71 Flac 24 - 0, 137274 Hollywood Hollywood Palladium flac24; Recording Info: SBD -> Master Reel -> FLAC/24; Transfer Info: FLAC/24 -> Samplitude Professional v11.2.1 -> FLAC/24; Mastered By Charlie Miller notes
1077. 08/05/71 Flac 24/96 - 0, 141678 Hollywood Hollywood Palladium flac24; Source: (FOB) Sony ECM-22P's > Sony 770 > Master Reel > Reel - Recorded by Harvey Kaslow and Craig Todd, provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick notes
1078. 08/05/71 Flac 16 - 0, 144915 Hollywood Hollywood Palladium flac16; Source: (FOB) Sony ECM-22P's > Sony 770 > Master Reel > Reel - Recorded by Harvey Kaslow and Craig Todd, provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; this file set is 16 bit @ 44.1 notes
1079. 08/05/71 Flac 16 - 0, 147720 Hollywood Hollywood Palladium flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> CD; Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC; converted to .wav files bit rate 14H kbps / 44 khz, retracked, tagged and patched in tracks from the Charlie Miller SBD source and the Boswell / Smith / Sirmick AUD source. Increased the volume on patched SBD tracks by 25%. All post work done by Brian Flegel (using Roxio Sound Editor 2009) notes
1080. 08/06/71 Flac 16 Mtx - 0, 96668 Hollywood Hollywood Palladium flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) January 3, 2009 notes
1081. 08/06/71 Flac 16 - 0, 96541 Hollywood Hollywood Palladium flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1082. 08/06/71 Flac 16 Mtx - 0, 97015 Hollywood Hollywood Palladium flac 16; Sick Bits Vol. 29b - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=96541) + AUD (shnid=94261) as well as patch AUD source (shnid=88816). Matrixed by Chris Chappell. notes
1083. 08/06/71 Flac 16 Mtx - 0, 130793 Hollywood Hollywood Palladium flac16; Matrix 2 Source Mix - SBD (shnid=96541) Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 127690) Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC - matrix mixing by Kevin Tobin notes
1084. 08/06/71 Flac 24/96 - 0, 127690 Hollywood Hollywood Palladium flac24; Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes
1085. 08/06/71 Flac 24/96 - 0, 109430 Hollywood Hollywood Palladium flac24; FOB Sony ECM-22P mics New Riders - MAR>R@ 7.5 ips.>DVD; GD - lineage: MAR>R@ 7.5 ips>DVD; Akai GX636 (a rare black model) > Apogee Mini Me @24bit/96kHz > Apogee mini DAC (monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC notes
1086. 08/06/71 Shn - 0, 129 Hollywood Hollywood Palladium updated source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando et al; (info file had given AKG 330 etc); D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro; via Ben Kasper, Ben Yerys notes
1087. 08/06/71 Flac 24/96 - 0, 114390 Hollywood Hollywood Palladium flac24; Aud.7.5 ips>R(Don Wolfe) Transfer info:Akai GX636 > Apogee Mini Me @24/96; Transfered and mastered by Matt Smith 6/11 notes
1088. 08/06/71 Shn - 0, 30224 Hollywood Hollywood Palladium source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) Remaster of SHNid=129 by Sir Mick notes
1089. 08/06/71 Flac - 0, 77457 Hollywood Hollywood Palladium flac16; fix of the flaws in shn id 30224 source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Harv Kaslow D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) notes: I've been aware for some time that when I originally did the pitch corrction, I didn't get it right on the first 4 tracks. They have now been corrected notes
1090. 08/06/71 Flac Dts 5.1 - 0, 130794 Hollywood Hollywood Palladium DTS-Audio-CD 5.1 Mix; SBD (shnid=96541) Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 127690) Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC - dts mixing by Kevin Tobin notes
1091. 08/06/71 Flac 16 - 0, 94261 Hollywood Hollywood Palladium flac16; MR > R > CD > EAC > WAV > FLAC MAR (Harvey Kaslow)* @ 7 1/2 ips. > R @ 7 1/2 ips. (Will Boswell via Rob Bertrando) Maxell UD tape > CD --- R copied @ 7.5 ips using a Revox A-77>A-77 --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD ** > EAC > WAV (shntool confirms no sbes) > FLAC (TLH) notes
1092. 08/06/71 Flac DVDA - 0, 110278 Hollywood Hollywood Palladium DVD-VA: (Video Audio) SBD>>MR>>CDA>>FLAC>>DAW(Bertha)>>Audio DVD; Bertha Remaster of the Master Reel Source (audio only, no video) notes
1093. 08/06/71 Flac 16 - 0, 88816 Hollywood Hollywood Palladium flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> SHN Transfer Info: SHN -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller notes
1094. 08/14/71 Shn - 0, 21268 Berkeley Berkeley Community Theater Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. Original SHNs were nonseekable and were not named according to etree convention. I renamed the files, cleaned up the splice in d1t06, performed a shntool fix to get rid of the resulting sbe, and re-encoded to seekable SHN. - C.Ladner Another installment of TMNSP, 12/03. notes
1095. 08/14/71 Flac - 0, 130871 Berkeley Berkeley Community Theater flac16; Recording Info: SBD > MR > C > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Transferred, tracked and mastered by Bill Guarneri, August 5, 2014 notes
1096. 08/14/71 Shn - 0, 1451 Berkeley Berkeley Community Theater SBD MR->DAT->CD; to abgd; info courtesy Trip, 9/13/00 notes
1097. 08/15/71 Shn - 0, 21780 Berkeley Berkeley Community Theater Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. edits by C.Ladner notes
1098. 08/15/71 Flac - 0, 130890 Berkeley Berkeley Community Theater flac16; Recording Info: SBD > MR > C > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Upgrade of existing sources. No shn or CDR in lineage. Transferred, tracked and mastered by Bill Guarneri, August 7, 2014 notes
1099. 08/15/71 Shn - 0, 131 Berkeley Berkeley Community Theater mSR> cass> DAT> Serafin remaster> CDR; via Andy Gustin; Andy's comments: "not 100% flawless (eg. reel flip in Rider, sporadic anomalies) but they are absolutely worth getting. To my knowledge this is the best that circulates. They do sound amazing." notes
1100. 08/21/71 Shn - 0, 17179 Novato Mickey's Barn AUDMC(Sony TC-24 with supplied Sony stereo mic) > Nakamichi Dragon (no Dolby) > Sony D7 DAT > optical digital cable (DTC-700 was the playback unit) through a Zefiro ZA2 soundcard tracked and normalized in Sound Forge. Known as "Mickey's Barn Jam" notes
1101. 08/21/71 Flac 16 - 0, 83307 Novato Mickey's Barn flac16; listed as SBD from John Cipollina's reels > 1st generation reel to reel > revox > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac (this is actually an audience recording) notes
1102. 08/23/71 Flac 16 - 0, 125886 Chicago Auditorium Theatre flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1103. 08/23/71 Shn - 0, 9759 Chicago Auditorium Theatre AUD>MR>C>R>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman notes
1104. 08/26/71 Flac 16 - 0, 32303 Bronx Gaelic Park flac16; SBD -> Master Reel (7in @ 7.5ips 1/2 Track) -> Cassette (Tascam 122mkII) -> Dat (48k) Transferred and Edited By Charlie Miller notes
1105. 08/26/71 Flac 16 - 0, 35174 Bronx Gaelic Park flac16; Source 1: set 1 and Casey Jones - unknown aud and Source 2: the rest of set 2 - AKG190E > Uher 400L, taped by Marty Weinberg remastered by SIRMick notes
1106. 08/26/71 Shn - 0, 32351 Bronx Gaelic Park Fixed version of previous file set. Source info same as 32303, but with fix for static in one channel during the last second of d1t12. notes
1107. 08/26/71 Shn - 0, 1559 Bronx Gaelic Park SDBMR> DAT> WAV> SHN; via Dopey; faded in on reel cut into d2t3; apparently level differences between sets 1 and 2 notes
1108. 08/26/71 Flac 16 - 0, 100292 Bronx Gaelic Park flac16; taped by Marty Weinberg: akg d190e mic > Uher 4000L; source: aud 1st gen reel lineage: aud 5" reel masters>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger 7/25/09 notes
1109. 08/26/71 Flac 16 - 0, 126297 Bronx Gaelic Park flac16; source: aud cassette master taped by Jim & Laurie Cooper; 2 unknown mics > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger 2013 notes
1110. 09/29/71 Shn - 0, 16891 Santa Venetia Studio Rehearsals with Keith Godchaux MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt notes
1111. 09/29/71 Flac - 0, 16951 Santa Venetia Studio Rehearsals with Keith Godchaux flac16 Bootleg CDs "Unsurpassed Master Vol 4" And "Unsurpassed Master Vol 6" > EAC > Wav > FLAC notes
1112. 09/??/71 Shn - 0, 16897 Santa Venetia Keith rehearsals Studio Rehearsals w/ Keith Godchaux: Compilation of 09/29 & 09/30, and 10/01/71; boot cd (unsurpassed vol 5) -> eac-> wav-> shn; Unknown seeder; note this shn set used to be listed on 10/1/71 but would be better moved here- use this date instead for the comp notes
1113. 09/??/71 Flac 24/96 - 0, 150976 Santa Venetia Keith rehearsals notes
1114. 09/??/71 Flac 16/48 - 0, 151081 Santa Venetia Keith rehearsals flac16/48khz omplied from multiple sources including analog tapes (from the Jeff Knudsen Archive, curated by Tom Markson, and Blackwood archives) as well as existing shn and bootleg cd sources. Regarding accuracy of dates within the sets of rehearsals: this is as-is as it may not all be 100% correct. Cassette source transfers (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Transfers and Mastering by Jim Blackwood Speed Corrections by Jason Chastain Project assistance from Jamison Waddell notes
1115. 10/01/71 Shn - 0, 16896 Santa Venetia Studio MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt. [An alternate shn set was seeded by Cousinit since original shns were not archived]. notes
1116. 10/19/71 Flac 16 - 0, 114351 Minneapolis Northrop Auditorium, U. of Minn. flac16; Recording Info: SBD -> Reel Master (7 inch 1/4 track) -> Dat (48k) Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1117. 10/19/71 Shn - 0, 3301 Minneapolis Northrop Auditorium, U. of Minn. PreFM Soundboard Reels > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston notes
1118. 10/21/71 Flac - 0, 112086 Chicago Auditorium Theatre flac16; Recording Info:SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1119. 10/21/71 Shn - 0, 9622 Chicago Auditorium Theatre Jay Ashley (Bertha) remaster of original MR source; SBD>>MR>>Cass>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA notes
1120. 10/21/71 Shn - 0, 5071 Chicago Auditorium Theatre SBD> MR> C> D> CD> EAC>S HN; EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Cook; see listening notes in info file notes
1121. 10/21/71 Shn - 0, 5067 Chicago Auditorium Theatre Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston notes
1122. 10/22/71 Flac 16 - 0, 112821 Chicago Auditorium Theatre flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1123. 10/22/71 Flac 16 - 0, 86728 Chicago Auditorium Theatre flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
1124. 10/23/71 Flac - 0, 111673 Detroit Eastown Theater flac16; Recording Info:SBD -> Master Reel (7 Inch - 1/2 Track) -> Sound Devices 744T (24bit/96k) -> FLAC/24; Transfer Info:FLAC/24 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
1125. 10/23/71 Shn - 0, 18666 Detroit Eastown Theater SBD>FM>?>CASS>CD>EAC>DC5>CD Thanks to the Wizard; seedeD notes
1126. 10/23/71 Shn - 0, 19862 Detroit Eastown Theater FM C/3; via Uli Teute and Hanno Bunjes notes
1127. 10/23/71 Shn - 0, 10359 Detroit Eastown Theater SBD>FM>?>C>Sound Forge>SHN; via Walter Schnell; Seeded to etree by J. Cotsman notes
1128. 10/24/71 Shn - 0, 3292 Detroit Eastown Theater Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston notes
1129. 10/24/71 Flac - 0, 125887 Detroit Eastown Theater flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1130. 10/26/71 Shn - 0, 9761 Rochester The Palestra, U. of Rochester Source 1: (all material on discs 1 & 2) SBD>MR>R>C>D>CD(pre FM) Source 2: (all material on disc 3) SBD>MR>?>D>CD; via Matt Vernon, Raoul Duke, and Jeff Cook; Seeded to etree by J. Cotsman notes
1131. 10/27/71 Flac - 0, 32668 Syracuse Onondaga County War Memorial flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
1132. 10/27/71 Flac - 0, 32869 Syracuse Onondaga County War Memorial flac16; SBD > MR > CASS > DAT > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha Remaster of shn id 32668 notes
1133. 10/27/71 Shn - 0, 9503 Syracuse Onondaga County War Memorial Missing 3 2nd set tracks, see info file for details; SBD>FM>MR>?>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman notes
1134. 10/29/71 Flac - 0, 24999 Cleveland Allen Theatre Recording Info: SBD (7inch Master Reels@7.5ips 1/2trk) -> Cass (Tascam 122mkIII) -> Dat (3800/48k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sharp MV10 -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller notes
1135. 10/29/71 Shn - 0, 10357 Cleveland Allen Theatre Complete; 1st set: SBD> FM> ?> C> Sound Forge> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; via Walter Schnell, Tony Gardner & Paul B.; Seeded to etree by J. Cotsman notes
1136. 10/29/71 Shn - 0, 4090 Cleveland Allen Theatre set 2; SBD> MR> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B. CD notes
1137. 10/30/71 Shn - 0, 26608 Cincinnati Taft Auditorium mixed sources; primary: Pre-FM MR (1/2 track, 7.5 ips), Transfer: Revox PR99-MKIII > Panasonic SV3800 (48)/Sony 60ES > M-Audio Audiophile USB > CDWave > Goldwave (resample to 44.1 and edits) > CDwave > mkwACT, Primary source supplied by Josh Braveman; Secondary: FM > Pioneer RT-707 (7" reel @ 19 ips) > CD, Conversion: Kenwood TrueX > EAC > shn v3 (seekable); edited (patching, pitch correction, d/o repair) by Doug Nawrocki et al (see notes) notes
1138. 10/30/71 Flac - 0, 120823 Cincinnati Taft Auditorium flac16; Updated Recording Info: Pre FM SBD > MR > RR @ 7 1/2 IPS; Transfer Info: RR > 1978 Teac 3440 > WAV > Sound Forge 10 > TLH > FLAC; Transfered, tracked and mastered by Bill Guarneri, August 1, 2014 notes
1139. 10/30/71 Shn - 0, 2664 Cincinnati Taft Auditorium FM> Pioneer RT-707 (7" reel @ 19 ips)> CD; Conversion: Kenwood TrueX > EAC > shn v3 (seekable); via Brian Cole notes
1140. 10/30/71 Flac - 0, 137408 Cincinnati Taft Auditorium flac16; Recording of the FM Broadcast on WEBN Cincinnati, DAT provided and transferred by Stuccoholmes, Editing and Mastering by Jamie Waddell in Wavelab 7.1, Critical Listening assitance by John Wenzel. Track, FLAC and Pack by Norm notes
1141. 10/31/71 Flac 16 - 0, 79011 Columbus Ohio Theatre flac16; Set 1 & Encore: Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC notes
1142. 10/31/71 Shn - 0, 16781 Columbus Ohio Theatre partial SBD pre-fm GDH Dick Pick's leftovers notes
1143. 10/31/71 Flac 16 - 0, 142426 Columbus Ohio Theatre flac16; Recording Info: SBD > Master Reel (7in @ 7.5ips 1/2trk) > Dat (Panasonic SV-3700/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes
1144. 11/06/71 Shn - 0, 6253 San Francisco Harding Theater SBD> MR> C> DAT> CDR; note PA problems with the piano throughout show; via Mike Lai, with thanks to Paul B. notes
1145. 11/07/71 Shn - 0, 9570 San Francisco Harding Theater SBD : Pre-FM Reel > DAT > CD; via Seth Kaplan notes
1146. 11/07/71 Flac 16 - 0, 127503 San Francisco Harding Theater flac16; Lineage: FM MR @ 3/ 3.4 ips(Peter Kafer???)>R @ 3 & 3/4 ips(Will Boswell); Transfer info: Akai GX636 direct tape head output > Telefunken tubes tape pre w/a pair of 1960s era Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes
1147. 11/07/71 Flac 24/96 - 0, 127490 San Francisco Harding Theater flac24; Lineage: FM MR @ 3/ 3.4 ips(Peter Kafer???)>R @ 3 & 3/4 ips(Will Boswell); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of 1960s era Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes
1148. 11/07/71 Shn - 0, 2580 San Francisco Harding Theater updated lineage: sdb> MR> [FM> ?>] D> CD; via Mike Lai notes
1149. 11/07/71 Flac 16 - 0, 135990 San Francisco Harding Theater flac16; FM or Pre-FM > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Audacity and Wavelab 7.1 Mastering by Jamie Waddell notes
1150. 11/07/71 Flac 24/96 - , 155687 San Francisco Harding Theater flac24/96 Recording Info: FM > Master Reel (3.75ips) > Reel (3.75ips)
Transfer Info: Reel (Akai GX636) Apogee Mini-Me (24-bit/96k) > FLAC
Mastering Info: FLAC > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Remastered version of shnid=
127490
notes
1151. 11/07/71 Flac 16/44 - , 155721 San Francisco Harding Theater FLAC 1644 Recording Info: FM > Master Reel (3.75ips) > Reel (3.75ips)
Transfer Info: Reel (Akai GX636) Apogee Mini-Me (24-bit/96k) > FLAC
Mastering Info: FLAC > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
Remastered version of shnid=127490
This is 155687 2496 > 1644
notes
1152. 11/11/71 Shn - 0, 8326 Atlanta Atlanta Municipal Auditorium Sbd>MR>?>Dat>cd; via Yubah, Ernie Dodd notes
1153. 11/11/71 Flac 16/44 - , 155920 Atlanta Atlanta Municipal Auditorium flac1644 (Bootleg Tape - from FM broadcast) FM-Cassx?>CD>.wav>flac via Brian Flegel notes
1154. 11/12/71 Shn - 0, 3347 San Antonio San Antonio Civic Auditorium sdb> master reel> pcm> cdr; via Mike Lai notes
1155. 11/12/71 Shn - 0, 14916 San Antonio San Antonio Civic Auditorium 2nd set only; S : MC > C > SONIC SOLUTIONS > CDR > EAC > COOL EDIT PRO >CD (patched with SBD : MR > PCM > CDR source); See info file for details; via Charlie Miller; Seeded to etree by Alan J Fink; notes
1156. 11/12/71 Shn - 0, 4759 San Antonio San Antonio Civic Auditorium Master Soundboard Reel > Cassette > DAT > CDR notes
1157. 11/12/71 Flac 16 - 0, 120716 San Antonio San Antonio Civic Auditorium flac16; Partial aud 1st gen reel Jerry Moore's copy; lineage: aud > AKG d190e > Marty Weinberg's Uher reel master > JM's 1st gen reel @ 3.75 ips/dolby b > dat; sony tc-765 reel > teac an-180/b > sbm1 > sony d8 reel transferred to dat in 1999 by Rob Berger, seeded June 2012 notes
1158. 11/12/71 Flac 16 - 0, 137396 San Antonio San Antonio Civic Auditorium flac16; Source: Sbd > master reel (vault) > reel (dick latvala) > dat 48k (rob Eaton); Transfer: Dat > Sony R500 > Sound Devices 744T > wav 16/48; transfer by Charlie Miller; Lineage: wav 16/48 > Adobe Audition 3.0.1 > iZotope Ozone 5 Advanced > iZotope RX4 advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; edited and mastered SIRMick notes
1159. 11/12/71 Flac 16 - 0, 142439 San Antonio San Antonio Civic Auditorium flac16; Partial Set 2 Source: Sbd > Master reel (vault) > Dick's dat (44.1) - Provided by Rob Eaton; Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 advanced > iZotope Ozone 5 Advanced >CD Wave >Flac 16; edited and mastered SIRMick June 2018 notes
1160. 11/14/71 Shn - 0, 23568 Fort Worth Texas Christian University SBD -> Master Reel (10 inch) -> CD -> Sonic Solutions -> CD -> EAC -> SHN; Converted By Charlie Miller notes
1161. 11/14/71 Shn - 0, 8738 Fort Worth Texas Christian University Charles Weir fix of original SBD source; including a written txt file notes
1162. 11/14/71 Shn - 0, 6254 Fort Worth Texas Christian University SBD> MR> C> (additional analog gens?)> DAT> CDR; minor background noise from 3:21-3:23 of IKYR; via Mike Lai, with thanks to Paul B. notes
1163. 11/15/71 Flac - 0, 31607 Austin Austin Municipal Auditorium flac16; MSR>C>DAT2x>Delta Dio 2496>Soundforge>WAV>FLAC This is from a new single source (seeded 11/15/05) notes
1164. 11/15/71 Shn - 0, 12438 Austin Austin Municipal Auditorium SBD>MR>C>D>CD>EAC>SHN (patched with slightly degraded SBD, also listed with one cassette generation in the lineage); complete show; Thanks to Michael Dixon & Chuck Kiefe; edits/encoding by JCotsman notes
1165. 11/15/71 Shn - 0, 7735 Austin Austin Municipal Auditorium partial: "Big Jam" portion; SBD:MR > Cassette > Sonic Solutions > CDR > EAC > SHN; CD mastering by David Gans. Extraction (EAC), re-tracking (CD Wave and WavMerge), and .shn encoding (mkwACT) by Joe Jupille notes
1166. 11/17/71 Shn - 0, 10285 Albuquerque Albuquerque Civic Auditorium SBD>FM>MC>C>D>CD; Patched with SBD>FM>MC>?>C>Sound Forge>SHN (higher gen than primary source); See info file for details; via Jeff Cook & Walter Schnell; Seeded to etree by J. Cotsman notes
1167. 11/20/71 Flac - 0, 92908 Los Angeles Pauley Pavilion, UCLA flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1168. 11/20/71 Shn - 0, 8806 Los Angeles Pauley Pavilion, UCLA SBD>FM>R>DAT>CDR; via Rick Martin; Seeded to etree by Willy notes
1169. 12/01/71 Flac 16 - 0, 76424 Boston Music Hall flac16; Set 2 Only; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; All Mastering done By Charlie Miller (This source fixes a flaw in the Big Boss Man on the previous source.) notes
1170. 12/01/71 Flac 16 - 0, 83164 Boston Music Hall flac16; Partial Set 2 Matrix. Mix Ratio = +3 db sbd (shnid=76424) / -5.5 db aud (shnid=24765) via Matt Vernon notes
1171. 12/01/71 Flac 16 - 0, 32304 Boston Music Hall flac16; Recording Info: SBD -> Reel Master -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; upgrade in circulation notes
1172. 12/01/71 Shn - 0, 3898 Boston Music Hall set 2; sbd; via Mike Lai notes
1173. 12/01/71 Shn - 0, 24765 Boston Music Hall Source: Unknown aud via David Minor. Likely Lineage: AUDMC > C > C > CDR > EAC > Pitch Correction / editing > SHN Pitch correction and general fixup by David Minches. Minor assistance by Matt Vernon notes
1174. 12/02/71 Shn - 0, 6255 Boston Music Hall SBD> MR> R> DAT> CDR; see info file for flaw notes; via Mike Lai, with thanks to Paul B. (SBE fixed version via SIRMick, January, 2006.) notes
1175. 12/02/71 Flac 16 Fm - 0, 141202 Boston Music Hall flac16; Source Info: FM Broadcast; Unknown Analog Master > 2 cassette generations > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
1176. 12/02/71 Flac 16 - 0, 141424 Boston Music Hall flac16; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp notes
1177. 12/02/71 Flac 24/96 - 0, 141425 Boston Music Hall flac24; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496 notes
1178. 12/02/71 Flac 16/48 - 0, 142970 Boston Music Hall flac16/48kHz; Set 2 Source Info: Master Soundboard Reels > Cassette > Dat (16/48); Transfer Info: Dat (Sony PCM-R500)(16/48)> Apogee aes/ebu cable > Tascam DA-3000 (16/48)> Adobe Audition 3.0 (16/48) > TLH flac1648 notes
1179. 12/02/71 Flac 16/48 - 0, 142968 Boston Music Hall flac16/48kHz; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp; pitch corrected version of shnid 141424 notes
1180. 12/02/71 Flac 24/96 - 0, 142969 Boston Music Hall flac24; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; pitch corrected version of shnid 141425 notes
1181. 12/04/71 Flac - 0, 110128 New York Felt Forum, Madison Square Garden flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
1182. 12/04/71 Shn - 0, 6256 New York Felt Forum, Madison Square Garden SBD> MR> DAT> C> DAT> CDR; missing JB Goode, Cumberland fades in; via Mike Lai, with thanks to Paul B.; note d2t2,3 had been misnumbered (reversed) intially- md5s for correctly named tracks are now shown here notes
1183. 12/04/71 Flac - 0, 120948 New York Felt Forum, Madison Square Garden flac16: aud reel master>reel>dat, taped by Marty Weinberg, Jerry Moore's copy transferred by Rob Berger notes
1184. 12/04/71 Flac 16 - 0, 110186 New York Felt Forum, Madison Square Garden flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1185. 12/05/71 Flac - 0, 3391 New York Felt Forum, Madison Square Garden Updated lineage: FM > MR > DAT > CD; (had been marked pre-FM) stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; notes: no encore, complete Muddy Water, small cut in Casey Jones, chatter edited; see pub comments for md5 notes notes
1186. 12/05/71 Flac 16 - 0, 131532 New York Felt Forum, Madison Square Garden flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1187. 12/05/71 Flac 16 - 0, 100316 New York Felt Forum, Madison Square Garden flac16; FM -> Master Reel -> CD -> EAC -> FLAC. This is a complete show and a real nice upgrade from the so-called Pre-FM. notes
1188. 12/05/71 Shn - 0, 18665 New York Felt Forum, Madison Square Garden Updated lineage: FM>MR>DAT>CD>SHN (had been marked as pre-FM) notes
1189. 12/05/71 Flac 16 - 0, 147715 New York Felt Forum, Madison Square Garden flac16; SOURCE: Pre-FM>MR>DAT>CD>SHN; converted original files (gd1971-12-05.sbd.unknown.18665.sbeok.shnf) to .wav files bit rate 14H kbps / 44 khz, retracked, tagged and fixed every track transitions; All done with crossfades (minus the tracks that naturally segue into each other) and did numerous volume adjustments and little edits notes
1190. 12/05/71 lps. - 0, New York Felt Forum, Madison Square Garden notes
1191. 12/06/71 Flac - 0, 108425 New York Felt Forum, Madison Square Garden flac16; Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1192. 12/06/71 Shn - 0, 2418 New York Felt Forum, Madison Square Garden MSR> DAT> CD; via Seth Kaplan notes
1193. 12/07/71 Shn - 0, 3375 New York Felt Forum, Madison Square Garden SBD> MR @ 10.5 IPS> DAT> CD; stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; note large cut in Casey Jones notes
1194. 12/09/71 Shn - 0, 3345 St. Louis Fox Theatre MSR> LATVALA C> DAT> CDR; EAC> SHN by Seth Kaplan; upload by Darrin Sacks notes
1195. 12/10/71 Flac - 0, 92392 St. Louis Fox Theatre flac16; Set 1 Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
1196. 12/10/71 Shn - 0, 85787 St. Louis Fox Theatre Source: MSR>C>DAT>CD; with FM patch notes
1197. 12/10/71 Shn - 0, 1311 St. Louis Fox Theatre MR> DAT> Latvala's Cassette> D> CDR (slightly updated lineage); EAC/SHN, Ben Yerys; seed via Seth Kaplan, Jared Minkof notes
1198. 12/14/71 Shn - 0, 23842 Ann Arbor Hill Auditorium 7" BBD reel> PCM501ES(beta)> PCM501ES analog out> Fostex D5 @ optical out 48KHz> HD; DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert; includes Tuning between songs. Same as http://db.etree.org/shninfo_detail.php?shnid=12763 with SBEs fixed and seektables appended with shntool. notes
1199. 12/14/71 Shn - 0, 12763 Ann Arbor Hill Auditorium 7" BBD reel> PCM501ES(beta)> PCM501ES analog out> Fostex D5 @ optical out 48KHz> HD; DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert; includes Tuning between songs notes
1200. 12/14/71 Shn - 0, 133 Ann Arbor Hill Auditorium SBD > Master Reel > PCM > DAT x3> CDR > SHN > WAV > Sound Forge Noise Reduction > SHN; 7" two track Betty Cantor Reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz / PCM501ES analog out > Fostex D5 @ 48 kHz; Mastered to CD using a Tascam DA302 > HHB 850; via jeffk; report by L. Orf- NR version lacking fullness relative to orig- more NR discussion notes
1201. 12/14/71 Flac 16 - 0, 140950 Ann Arbor Hill Auditorium flac16; Source Info: Betty's 7" 2-track Master Soundboard Reels > PCM > PCM (14 bit)(Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
1202. 12/15/71 Flac 16 - 0, 97718 Ann Arbor Hill Auditorium flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1203. 12/15/71 Shn - 0, 134 Ann Arbor Hill Auditorium set 2; SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; see info file for flaws notes
1204. 12/15/71 Shn - 0, 12615 Ann Arbor Hill Auditorium both sets, 2 different SBD sources (see notes); via Walter Schnell; encoding and mastering by Jeff Cotsman notes
1205. 12/15/71 Shn - 0, 16464 Ann Arbor Hill Auditorium set 1; MR> ?> C> CD, from Hank Harrison cass, presumed lower-gen than previous versions (see notes); via Uli Teute, Hanno Bunjes & Carsten Baumann notes
1206. 12/15/71 Flac 24 - 0, 149430 Ann Arbor Hill Auditorium flac24; Recording Info: SBD > Master Reel > Pro Tools > FLAC/24; Mastering Info: FLAC/24 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 notes
1207. 12/15/71 Flac 16 - 0, 149966 Ann Arbor Hill Auditorium flac16; Recording Info: SBD > Master Reel > Pro Tools > FLAC/24; Mastering Info: FLAC/24 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
1208. 12/31/71 Shn - 0, 135 San Francisco Winterland Arena FM > Reel > Dat > CDR; via G. Lanum notes
1209. 12/31/71 Flac 16 Fm - 0, 141329 San Francisco Winterland Arena flac16; Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFil-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick notes
1210. 12/31/71 Flac 16 - 0, 142687 San Francisco Winterland Arena flac16; Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFi l-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2018 notes
1211. 12/31/71 Flac 16/48 - 0, 142681 San Francisco Winterland Arena flac16/48 Recording Info: SBD > Master Reel > Dat (48k) Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k (3 Discs Audio / 1 DVD FLAC) All Transfers and Mastering by Charlie Miller notes
1212. 12/31/71 Flac 16/48 - 0, 142742 San Francisco Winterland Arena flac16/48kHz; Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k; this is a fix of shnid=142681 notes
1213. ??/??/71 Flac 16/44 - 0, 152206 Unknown Unknown Studio flac16/44 Source: Alan Bershaw's low generation cassette (Maxell UDXL2 with Dolby B) Transfer: Maxell UDXL2 with Dolby B (Nakamichi Dragon playback with Dolby B) > Lexicon Lambda > Logic 1644.1 (tracking only) > wav > xAct (sbe correction) > FLAC notes
1214. 01/02/72 Shn - 0, 8709 San Francisco Winterland Arena updated lineage: SBD> Reel Master> Reel> CD> Sonic Solutions Workstation> CD; via Charlie Miller; Seeded to etree by eD notes
1215. 01/02/72 Flac 16 - , 161838 San Francisco Winterland Arena flac16 Recording info: SBD > Master Reel > DAT source from Anon; Mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel notes
1216. 03/05/72 Flac 16 - 0, 103282 San Francisco Winterland Arena flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1217. 03/05/72 Shn - 0, 20704 San Francisco Winterland Arena AUD -> ? -> Reel (Mono) -> DAT -> WAV -> SHN Taper, mic, and deck unkown. Analog > DAT by Neil Sturtevant. DAT > SHN & final edits by Charlie Miller. Added to etree by Noah Weiner notes
1218. 03/05/72 Shn - 0, 12152 San Francisco Winterland Arena Partial 1st set and complete 2nd set; See info file for details and 'cuts'; sbd>cass>cass>cass>dat>cd; Seeded to etree by Jools notes
1219. 03/05/72 Shn - 0, 20739 San Francisco Winterland Arena SBD -> ?m -> Cass -> Cass -> Cass -> Cass -> Dat -> SHN Patched w/AUD -> ? -> Reel (Mono) -> Dat -> Samplitude -> SHN via Charlie Miller; upgrade now in circulation notes
1220. 03/21/72 Flac 16 - 0, 92395 New York Academy Of Music flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
1221. 03/21/72 Flac 16 - 0, 32370 New York Academy Of Music flac16; Master Soundboard Reel (2 track)->Dat->Dat-> Sonic Solutions->CD EAC, Re-track, and FLAC by Joe Samaritano notes
1222. 03/21/72 Flac 16 - 0, 136670 New York Academy Of Music flac16; Source: sbd > cassette master > dat(48k) notes
1223. 03/21/72 Shn - 0, 15041 New York Academy Of Music Master Soundboard Reel (2 track)->Dat->Dat-> Sonic Solutions->CD->EAC->SHN CD->EAC->SHN Done By Joe Samaritano; samaritano@adelphia.net, 2/5/03 notes
1224. 03/21/72 Shn - 0, 9331 New York Academy Of Music Set 2; SBD>MR>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes
1225. 03/22/72 Flac - 0, 132726 New York Academy of Music flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1226. 03/22/72 Flac - 0, 136682 New York Academy of Music flac16; Source: sbd > master reel > dat (48k) notes
1227. 03/22/72 Shn - 0, 19142 New York Academy of Music Partial Audience Recording via David Hollister. Lineage: A:?>Cass>Reel>CD>EAC>SHN notes
1228. 03/23/72 Flac 16 - 0, 100000 New York Academy of Music flac16;Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info:Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1229. 03/23/72 Shn - 0, New York Academy of Music notes
1230. 03/23/72 Shn - 0, 137 New York Academy of Music set II; Gans Betty; Source: ?>Jim Wise BBD (Betty Board)> Gans CD> Goodbear's Gans CD clone> SHN; via Teddy Goodbear to abgd, ~10/16; etreed ~10/29; more info; note slight buzz & a touch of hiss notes
1231. 03/23/72 Flac 16 - 0, 136683 New York Academy of Music flac16; Source: sbd > master reel > dat (48k) notes
1232. 03/25/72 Flac 16/48 - 0, 133593 New York Academy of Music flac16/48kHz; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller notes
1233. 03/25/72 Flac 16 - 0, 133592 New York Academy of Music flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Mille notes
1234. 03/25/72 Shn - 0, 8838 New York Academy of Music AUD composite- see notes in info file; via Hanno Bunjes, with thanks to Uli Teute notes
1235. 03/25/72 Flac 16 - 0, 136684 New York Academy of Music flac16; Source: sbd > master reel > dat (48k) notes
1236. 03/25/72 Flac 16 - 0, 100352 New York Academy of Music flac16; source: aud reel; lineage: aud>?>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/29/09 notes
1237. 03/25/72 Shn - 0, 22094 New York Academy of Music Multiple Sources -- see info file, same as shn ID 8838, but SBE's in d1t11, d1t14, and d2t10 fixed with shntool and new md5's generated notes
1238. 03/25/72 Flac 24 - 0, 137696 New York Academy of Music flac24; Source: Audience recording > Sony S95 > Sony TC-124S > cassette Maxell UDXLII (1st gen); Recorded by Ken and Judy Lee; Transfer: cassette > Tascam 112MKII (No Dolby) > Korg MR 2000S DFF DSD @ 5.6 MHz > Audiogate > wave @ 24/88.2; Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick notes
1239. 03/25/72 Flac 16 - 0, 137695 New York Academy of Music flac16; Source: Audience recording > Sony S95 > Sony TC-124S > cassette Maxell UDXLII (1st gen); Recorded by Ken and Judy Lee; Transfer: cassette > Tascam 112MKII (No Dolby) > Korg MR 2000S DFF DSD @ 5.6 MHz > Audiogate > wave @ 24/88.2; Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac16; edited and mastered SIRMick notes
1240. 03/26/72 Flac 16 - 0, 133303 New York Academy of Music flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1241. 03/26/72 Shn - 0, 15413 New York Academy of Music AUD C/3 > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes notes
1242. 03/26/72 Flac 16/48 - 0, 136689 New York Academy of Music flac16/48kHz; Source: sbd > master reel > dat (48k) notes
1243. 03/27/72 Flac 16 - 0, 132366 New York Academy of Music flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1244. 03/27/72 Shn - 0, 15816 New York Academy of Music AUD C/? > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes notes
1245. 03/27/72 Flac 16/48 - 0, 135871 New York Academy of Music flac16/48kHz; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller notes
1246. 03/28/72 Flac - 0, 132729 New York Academy of Music flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1247. 03/28/72 Shn - 0, 15414 New York Academy of Music AUD C/5 > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes notes
1248. 03/28/72 Shn - 0, 24536 New York Academy of Music source: aud C/5 > soundforge > cdr > shn > wav > shn You might wonder why I would bother to remaster this show since the sound on it is so bad. Well firstly, I like a challenge, secondly I had the time but most of all, it's a great show. This recording had serious deficiencies as can be seen from the original notes below. It is now listenable for most of the show but problems remain. Purists will probably not like the way that I have re-mastered this but needs must notes
1249. 04/07/72 Flac 16 - 0, 31329 London Wembley Empire Pool flac16; source: mac (2 sources) > c > cdr + M? > low-gen reel > cdr > ??? > wav > shn > wav > flac; remaster of shnid 6161 by SIRMick notes
1250. 04/07/72 Shn - 0, 6161 London Wembley Empire Pool 2 AUD sources: MR> C> CDR + M?> low-gen reel> CDR (see info file); mastered by Hanno Bunjes from compilation tape by Uli Teute; Hanno's notes notes
1251. 04/08/72 Flac - 0, 83714 London Wembley Empire Pool flac16; Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
1252. 04/08/72 Shn - 0, 2185 London Wembley Empire Pool SBD; Discs 1 and 2: MR > DAT > CD > EAC > SHN; Disc 3: MR > DAT > Sonic Solutions > CD > EAC > SHN; Extraction, retracking of discs 1 and 2, and SHN encoding by G.S. Hamilton, from Seth Kaplan's copy; d3 is identical to previously circulated shn; note 1/01: cleaned version of this now in shn notes
1253. 04/08/72 Flac - 0, 83148 London Wembley Empire Pool SHNID: 83143 notes
1254. 04/08/72 Shn - 0, 2534 London Wembley Empire Pool SBD> MR (16 track)> DAT> [Disc 3 only: SS]> Sound Forge 4.5>CDR; remastering by Bill Giles, with disc 3 work by David Gans; EAC> SHN by Jeff M.; see detailed notes in info file notes
1255. 04/11/72 Flac - 0, 94377 Newcastle Newcastle City Hall flac16; Source: SBD Lineage: MR(recorded by Rex Jackson)>R(JG)>R(WB)>CD transfer info:Maxell UD XL reel tape @ 3 3/4 ips>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring)>LYNX ONE soundcard>Wavelab 5.0(dithered to 20/44)>CD. notes
1256. 04/11/72 Shn - 0, 4640 Newcastle Newcastle City Hall SBD> MC> D> CD> SHN; some Soundforge editing; see info file for flaw notes; via thecore notes
1257. 04/11/72 Shn - 0, 12186 Newcastle Newcastle City Hall remastered by Bill Giles - source is SBD MC>D>CD>SoundForge>CD See info file for flaws & Bill's mastering notes notes
1258. 04/14/72 Flac 16 - 0, 76006 Copenhagen Tivoli Theater flac16 This is a pitch/speed fixed version of shn id 34552 The lineage is extended as follows: SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC -> Adobe Audition 1.5 -> pitch/speed correction* -> flac -> TraLiHe -> sbe's fixed notes
1259. 04/14/72 Flac 16 - 0, 34931 Copenhagen Tivoli Theater flac16; SBD > MR (16 Track) > Dat > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a ReSampler (High Quality) > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 34552 notes
1260. 04/14/72 Shn - 0, 23662 Copenhagen Tivoli Theater Aud (unknown mics), Unknown via Dave Minor encoded by Matt Vernon notes
1261. 04/14/72 Shn - 0, 8828 Copenhagen Tivoli Theater SBD>mR>C>D>CD; See info file for various patches; via Jack Warner; Jim Powell; seeded to etree by Greg Hurwitt notes
1262. 04/14/72 Flac 16 Mtx - 0, 136980 Copenhagen Tivoli Theater flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:76006), Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k)Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC; Bert Slany: Speed Correction.flac -> Adobe Audition 1.5 -> pitch/speed correction* -> flac -> TraLiHe -> sbe's fixed; Audience (shnid:23662), Source: Aud (unknown mics) Lineage: Unknown notes
1263. 04/14/72 Shn - 0, 140 Copenhagen Tivoli Theater MSR> Cass> DATs> CDRs (not the previously circulating FM version); via D. Sacks; note silence track is presumably to mark set break midway through d2; note info file here updated to reflect reel splice d1t8-9; see flaw notes in public comments notes
1264. 04/14/72 Flac 16 - 0, 34552 Copenhagen Tivoli Theater flac16; SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC; Transfers and Mastering By Charlie Miller notes
1265. 04/16/72 Shn - 0, 18103 Aarhus Stakladen, Aarhus University Set 1: SBD>Rm>?>Cass>Sound Forge>SHN Set 2: SBD>Rm>Dat>Sonic Solutions>CD>EAC>Samplitude>SHN Set 2 Conversion and Editing By Charlie Miller notes
1266. 04/16/72 Shn - 0, 19861 Aarhus Stakladen, Aarhus University set 1 from a slightly better sounding cassette source; via Uli Teute and Hanno Bunjes notes
1267. 04/16/72 Shn - 0, 10258 Aarhus Stakladen, Aarhus University Partial set 1 & 2; Mixed SBD sources; SBD>MR>?>C>Sound Forge>SHN; SBD>MR>D>CD>EAC>SHN; See info file for 'caveat'; via Walter Schnell, Mark Sweeney; Seeded to etree by J. Cotsman notes
1268. 04/16/72 Shn - 0, 9196 Aarhus Stakladen, Aarhus University Partial set 2; SBD>MR>??>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes
1269. 04/17/72 Flac 16 - 0, 33802 Copenhagen Tivoli Concert Hall flac16; SBD>16 track 2" MR>DAT4x>Delta Dio 2496>Soundforge>WAV>Cd Wave Editor>Flac notes
1270. 04/17/72 Flac 16 - 0, 34224 Copenhagen Tivoli Concert Hall flac16; source: sbd > 16 track 2" MR>DAT4x > Delta Dio 2496 > Soundforge > wav > Cd Wave Editor > flac > wav > flac This is a further clean up of shn id 33802, which incorporates those already made on shn id 34302 notes
1271. 04/17/72 Flac 16 - 0, 34032 Copenhagen Tivoli Concert Hall flac16; SBD > MR (16Track) > DAT > WAV > CDA > Wav > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); remaster of shn id 33802 notes
1272. 04/17/72 Flac 16/48 - 0, 136685 Copenhagen Tivoli Concert Hall flac16/48kHz; Source: sbd > 14" 16 track Master Reel @15ips > DAT (48k) notes
1273. 04/17/72 Shn - 0, 9390 Copenhagen Tivoli Concert Hall SBD>??>French TV Broadcast>C>DAT>CDR; Several missing tracks, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon notes
1274. 04/17/72 Flac 16 - 0, 34038 Copenhagen Tivoli Concert Hall flac16; sbd > 16 track 2" MR>DAT4x > Delta Dio 2496 > Soundforge > wav > Cd Wave Editor > flac > wav > flac SIRMick fix of shnid 33802. Details of fixes in text file. notes
1275. 04/21/72 Shn - 0, 9380 Bremen Beat Club SBD>FM>MR>PCM>DAT>CDR; Including soundcheck, missing 3 songs, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon notes
1276. 04/21/72 Flac 16 - 0, 116404 Bremen Beat Club Source: SBD -> ? (Remaster of shinid 9380 soundcheck portion). Transfer: CDR>EAC>Adobe Audition 2.0 pitch adjusted +78 cents>CD Wave>FLAC. Seeded by Rob Berger. notes
1277. 04/24/72 Shn - 0, 6956 Düsseldorf Rheinhalle mixed SBD + AUD: RM> C> DAT> CD; see info file for notes notes
1278. 04/24/72 Shn - 0, 16332 Düsseldorf Rheinhalle SHNID: 16332 notes
1279. 04/26/72 Shn - 0, 12884 Frankfurt Jahrhundert Halle This is probably the original FM broadcast No generational info given with original shn set. See text file notes
1280. 04/26/72 Shn - 0, 9197 Frankfurt Jahrhundert Halle 100 Year Hall Outtakes; SBD>MR>DAT>SS>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes
1281. 04/26/72 Shn - 0, 12849 Frankfurt Jahrhundert Halle Source : SBD > ? > CE2K (minor cleanup) > mkwact > SHN(seekable) This is an upgrade to the previous shn set via Matt Vernon notes
1282. 04/26/72 Flac 16/48 - 0, 136637 Frankfurt Jahrhundert Halle flac16/48kHz; Source: Soundboard > Master Reel > Dat (48k) notes
1283. 04/29/72 Flac 16 Mtx - 0, 98401 Hamburg Musikhalle flac16; Matrix SBD Source: SBD > MR > ?? > DAT > CDR with Aud Patch Source: MR* > cass > SB Live! > wav > shn > CD-R. shnid 32877 (* believed to be Uher Reel Machine at 4.75 cm/sec) and Aud Source: MR* > 2 reels > cass > SB Live! > wav > shn > CD-R. shnid 5250 (* believed to be Uher Reel Machine at 4.75 cm/sec) notes
1284. 04/29/72 Flac 16 - 0, 125888 Hamburg Musikhalle flac16; Recording Info: SBD -> Master Reel (14 inch 16 track Master Reels @ 15ips) -> Dat (44.1k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1285. 04/29/72 Flac 16 Mtx - 0, 126010 Hamburg Musikhalle flac16; 2 Source Matrix by dusborne; Soundboard (shinid:125888) Recording Info: SBD -> Master Reel (14 inch 16 track Master Reels @ 15ips) -> Dat (44.1k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; and Audience (shinid:5250) Source: MR*> 2 reels> cass>SB Live!>.wav>.shn>CD-R. seed disks provided by eurodead.net; SHN Conversion by mvernon54@home.com notes
1286. 04/29/72 Shn - 0, 18523 Hamburg Musikhalle SBD Source: MSR*>R>R>C>DAT>WAV>SHN (* Possibly Monitor Board See Notes Below); AUD Patch Source: MR*>cass>SB Live!>.wav>.shn>CD-R. (* Believed to be Uher Reel Machine at 4.75 cm/sec); AUD seed disks provided by eurodead.net; SBD seed by Cousinit; SBD C>SHN Conversion by Cousinit; AUD SHN Conversion by mvernon54@home.com notes
1287. 04/29/72 Shn - 0, 17026 Hamburg Musikhalle SBD>MR>??>DAT>CDR via Raoul Duke. Pitched and patched with etree audience source and shn encoded by Matt Vernon. notes
1288. 04/29/72 Shn - 0, 5250 Hamburg Musikhalle AUD MR (poss. Uher Reel Machine at 4.75 cm/sec)> 2 reels> cass> SB Live!> .wav> .shn> CD-R; EAC > SHN (seekable) by Matt Vernon from eurodead.net seed disks notes
1289. 04/29/72 Shn Mtx - 0, 17025 Hamburg Musikhalle SBD/AUD Matrix of the Set 2 Jam via Matt Vernon from etree aud and sbd sources notes
1290. 04/29/72 Flac 16 - 0, 141886 Hamburg Musikhalle flac16; Source: Unknown mics > Uher 4400 > Master Reel > PCM > DAT (44.1k) - Taped by Wolsander* and provided by Tim Dalton; Tansfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick May 2018 notes
1291. 04/29/72 Flac 16 - 0, 32877 Hamburg Musikhalle This is a remaster of shnid 17026 by Sir Mick notes
1292. 05/03/72 Shn - 0, 142 Paris Olympia Theater SBD > multitrack 2" MR > rough mix by J. Norman/D. Latvala> DAT > CDR > EAC > shn;?? Extraction, shortening, and uploading by Mike Masse; note "honeymoon theft" source: China-Rider, Jed spliced in from E72 album (they were snipped from master reel) notes
1293. 05/03/72 Shn - 0, 21923 Paris Olympia Theater Soundboard> Master Reel (multi-track)> DAT x 5. DAT> ZA2> .wav> mkw> SHN. DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano; note: channel problems fixed by Joe in reseed- get that version instead notes
1294. 05/03/72 Flac 16 - 0, 29082 Paris Olympia Theater flac16; fixed fly away channel problem on SHNid=21923. Soundboard->Master Reel (multi-track)->DAT x 5. DAT->Audiophile 2496->Samplitude v7.02 Professional->FLAC. Transfer and FLAC by Joe Samaritano notes
1295. 05/03/72 Shn - 0, 6453 Paris Olympia Theater possible reDAE/reshn by unIDed person of previous shn set- md5s do not match; same info file with added note; noted at gdlive notes
1296. 05/03/72 Flac 16 - 0, 139539 Paris Olympia Theater flac16; Recording Info: SBD -> 16 Track Master Reels (purportedly Healy's rough mix)-> DAT; Transfer Info: DAT(Sony R500)-> Tascam DA-3000-> Adobe Audition 3.0-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston notes
1297. 05/04/72 Flac 16 - 0, 77294 Paris Olympia Theater flac16; SBD -> (16 Track) Master Reel -> Dat All Transfers and Mastering By Charlie Miller notes
1298. 05/04/72 Shn - 0, 143 Paris Olympia Theater SBD > reel > DAT > CDR; via J. Serafin, C. Gannon; extraction, .shn by G.S. Hamilton; note d1t12 1:33-1:43 digi-noise; Casey Jones beginning cut (on master?) notes
1299. 05/04/72 Shn - 0, 20562 Paris Olympia Theater *Set 1 Only* Soundboard->Master Reel->PCM->DAT x ?; DAT->ZA2->Soundforge->.wav->mkw->SHN. Includes in between song tuning and banter that other sources have edited out. DAT seed, transfer, and SHN by Joe Samaritano. notes
1300. 05/04/72 Flac 16 - 0, 141434 Paris Olympia Theater flac16; Source: sbd cassette master > pcm (Sony L-750ESX-HFB beta tape) - Recorded by Betty Cantor. From the collection Of Tim Dalton and given to him by Harvey Lubar; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav >Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick March 2017 notes
1301. 05/07/72 Flac 16/48 - 0, 133598 Wigan Bickershaw Festival flac16/48kHz; Set 1 Recording Info: SBD -> Master Reel (10 inch - 1/2 track) -> Dat/48k; Transfer Info: Dat -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller notes
1302. 05/07/72 Shn - 0, 9193 Wigan Bickershaw Festival Discs 1 & 2 are a compilation of multiple Audience sources; Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source; There is a 5th disc which contains the NRPS set; Seeded by Scott Clugston notes
1303. 05/07/72 Flac 16 - 0, 140896 Wigan Bickershaw Festival flac16; Partial Set 2 Source Info: Betty's Master Soundboard Reel > PCM > PCM (14-bit)(Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
1304. 05/07/72 Flac 16 - , 155550 Wigan Bickershaw Festival flac16 This has been compiled from three different sources but I only know one of the tapers. The two unknown sources have been used for Set I and Simon Phillips' master for the whole of Set II edited and mastered SIRMick February 2022 notes
1305. 05/10/72 Shn - 0, 1582 Amsterdam Concertgebouw S:MR > Cassette > DAT > CDR > SHN; Extraction and SHN encoding by Seth Kaplan; upload by Greg Hamilton; known flaw: Bertha fades in notes
1306. 05/11/72 Shn - 0, 9357 Rotterdam Rotterdam Civic Hall 10" MR@7.5ips->DAT>CDR; Note This seed does not have the splice in IKYR and it includes OMSN. Shn'ed & uploaded to fungus by Joe Samaritano 12/29/01; Seeded to abgd via Charlie Connor 01/02. notes
1307. 05/11/72 Shn - 0, 3830 Rotterdam Rotterdam Civic Hall d1,2: SBD> MR> C> DAT> CDR> EAC> SHN; d3,4: SBD> MR> ??> FM> ??> CDR> editing> CDR> EAC> SHN; via Tony Gardner with thanks to Paul B.; Remastered by Bill Giles (see info file for his comments) notes
1308. 05/11/72 Shn - 0, 7364 Rotterdam Rotterdam Civic Hall Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>SHN notes
1309. 05/13/72 Shn - 0, 21725 Lille Lille Fairgrounds SBD -> Rm -> Dat -> CD -> EAC -> SHN (1 Disc Audio / 1 Disc SHN); Converted To SHN BY Charlie Miller notes
1310. 05/13/72 Shn - 0, 3457 Lille Lille Fairgrounds sbd > mr > cass > dat > cda > eac > shn v3; via Chris Ladner to vine and etree; encore missing notes
1311. 05/16/72 Shn - 0, 10353 Luxembourg Theatre Hall Shntool fix of previous sbd/reel source; SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN notes
1312. 05/16/72 Shn - 0, 7089 Luxembourg Theatre Hall SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN; Initial DAT Transfer via Panasonic 3700 DAT-> Tascam 122mkII (MX-S Cassette)-> Fostex D5-> Sony 59ES DAT-> DAT-Heads Tree Summer '96-> Sony D7-> Audiophile 2496 Soundcard@48kHz. Editing via Cool Edit: Normalized to 99; 44.1kHzSample rate conversion @ 350 quality; pitch correction: 102 ratio stretch. Tracks inserted via CDWave and SHN conversion via mkwACT; d1 tracked for 80 min notes
1313. 05/16/72 Shn - 0, 23825 Luxembourg Theatre Hall Source: SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN Apparently, d1t06 is from etree seed 7089 and the rest of the show is from 10353. Seeded to Etree via Tol. notes
1314. 05/16/72 Flac 16 - 0, 77980 Luxembourg Theatre Hall flac16; CD "Dead de luxe", Live in Luxembourg "European Bootleg" Source: Soundboard Transfer: CDR>EAC>Wave>Flac Frontend (Level 6)>Flac16 Transfered by: Scott Brown notes
1315. 05/16/72 Flac 16 - 0, 141754 Luxembourg Theatre Hall flac16; Set 1 Source Info: Radio Luxembourg FM Broadcast > 1st generation Reel > PCM > Dat (16 bit/44.1 kHz); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 > dBpoweramp > Adobe Audition 3.0 > TLH flac16 notes
1316. 05/18/72 Flac 16 - 0, 79057 München Kongressaal Deutsches Museum flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC notes
1317. 05/18/72 Flac 16 - 0, 94581 München Kongressaal Deutsches Museum flac16; source info: Master Soundboard Reel (Rex Jackson) > Reel (Jerry Garcia)> Reel (Will Boswell) @ 3 3/4 ips) > CD; CDs copied in EAC and Repairs and Adjustments in Wavelab 6.0 on the **GEMS* Edit Station by Jamie Waddell notes
1318. 05/18/72 Shn - 0, 146 München Kongressaal Deutsches Museum notes
1319. 05/18/72 Shn - 0, 2266 München Kongressaal Deutsches Museum MSR> ?> dat> cdr; Repaired version of previous shn set; See info file for details; via Mike (Unicorn) to abgd; Note- md5's/txt from shn set hosted on tol.etree.org added 4-27-03 notes
1320. 05/23/72 Flac 16 - 0, 97816 London Lyceum Ballroom flac16; 2 track soundboard recording Transferred by Matt Smith Reels > Apogee Mini ME 24/96 > Apogee Mini DAC(monitoring) > Wavelab 5.0(dithered to 16/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station in Wavelab 6.1 with UA DSP FLAC Level8 in TLH MetaData in Tag and Rename notes
1321. 05/23/72 Shn - 0, 16750 London Lyceum Ballroom Lineage (most likely):10" 2-track RM > C > D > C speed corrected, complete 4 disk version via Unicorn notes
1322. 05/23/72 Shn - 0, 2581 London Lyceum Ballroom partial; sdb> MR> PCM> CD; via Mike Lai notes
1323. 05/23/72 Shn - 0, London Lyceum Ballroom notes
1324. 05/23/72 Flac 16 - 0, 32863 London Lyceum Ballroom flac16; Set 2 partial; MSR>C>DAT>CD; EAC>WAV>FLAC by Sean Cribbs, from Lemieux source notes
1325. 05/23/72 Shn - 0, 16089 London Lyceum Ballroom Another shn set claiming this lineage "lineage unknown, but believed to be 10" 2-track reel master>1 cassette generation>DAT> 1 cassette generation > circulation listed at www.resourcesfortraders.com" with different md5's than prior etree seeds with this info file notes
1326. 05/24/72 Shn - 0, 5920 London Lyceum Ballroom AUD: mono crappy Pye cassette recorder with hand-held mike > Ampex R2R > CD-R > EAC > CEP > CDWAV > .shn & CD-R; Original recording by Chris Jones. Transferred (untracked) to CDR by Graham Harper; EAC> all subsequent modification by Alasdair Macdonald; see extensive notes in info file; d1 tracked for 80 min notes
1327. 05/24/72 Flac 16 - 0, 91509 London Lyceum Ballroom flac16; Partial Set 2, Source: MSR>DAT>CDR>EAC>.WAV>TLH>.FLAC notes
1328. 05/24/72 Flac 16 - 0, 87027 London Lyceum Ballroom flac16; source : aud > Pye mono cassette recorder (crappy model) with hand-held mike > mac transfer : mac > ampex R2R > cdr > eac > cep > cdwav > shn taped by Chris Jones transferred (untracked) to CDR by Graham Harper. Remastered by Sir Mick from the raw wav files. notes
1329. 05/24/72 Shn - 0, 24068 London Lyceum Ballroom notes
1330. 05/25/72 Flac 16 - 0, 87682 London Lyceum Ballroom flac16; Recording Info: SBD -> Master Reel 10 inch reels recorded at 7.5 ips (1/2 track) -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat/0 (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
1331. 05/25/72 Shn - 0, 147 London Lyceum Ballroom set 2 partial; MSBDR > 2 casstte gens > DAT > CDR > EAC > SHN; Dick cass leak; u/l via G. Hamilton; note fits on 1 shn disc w/ 6/24/73 disc; update: redundant material in Dark Star, patch of d1t3 circulates notes
1332. 05/25/72 Shn - 0, 26355 London Lyceum Ballroom fix of d1t3 Dark Star in previous shn set to remove redundant material, by Sean Cribbs notes
1333. 05/26/72 Flac - 0, 89641 London Lyceum Ballroom flac16; SBD Reel > DAT > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 All editing and mastering by Jamie Waddell on the GEMS Edit Station. Trac'ed Cdwave,Flac'ed TLH level 8 notes
1334. 05/26/72 Shn - 0, 12758 London Lyceum Ballroom S:MR> DATx5> CD, including patches (see info file for specifics; transfer by David Hollister; reported "superior to all circulating copies" notes
1335. 05/26/72 Flac - 0, 94452 London Lyceum Ballroom flac16; Source: Soundboard Lineage: MR(film crew feed) at 7 1/2 i.p.s.>R at 7 1/2 i.p.s (Don Wolfe) >CD transfer info:Maxell UD XL reel tape>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring)>LYNX ONE soundcard>Wavelab 5.0(dithered to 20/44)>CD by Matt Smith notes
1336. 05/26/72 Shn - 0, 5931 London Lyceum Ballroom Master SBD reel > DAT > CD-R >EAC > CDR; D2T7 some music lost at start; splices in Sugaree, Dew; to etree via Matt Vernon; passes shntool check notes
1337. 06/17/72 Flac 16 - 0, 116272 Hollywood Hollywood Bowl flac16; Recording Info: (FOB) Shure Unidyne III -> Cassette Master (Sony TC-40); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC/16; Recorded By Dave and Jim Melton in Box 52; All Transfers and Mastering By Charlie Miller notes
1338. 06/17/72 Shn - 0, 16470 Hollywood Hollywood Bowl set 1,2p; AUD C/?; pitch corrected; via Hanno Bunjes, Uli Teute and Carsten Baumann notes
1339. 06/17/72 Flac 16 - 0, 115839 Hollywood Hollywood Bowl flac16; Recorded from Box 52 which is just left of center. Recorded with a Sony Cassette recorder with Shure Microphone attached. This recording was transferred directly to digital using Audacity; Taped by: David Melton notes
1340. 07/16/72 Shn - 0, 11285 Hartford Dillon Stadium source 1: SBD>MR>C>D>CD>EAC>SHN source 2: AUD>?>SHN the audience recording supplies: --all of disc 1, --on disc 2, the final portion of Me & My Uncle through to the end of Sing Me Back Home; See info file for details; via Glenn Gillis and Paul B; Seeded to etree by Tim O'Connel & J. Cotsman notes
1341. 07/18/72 Flac - 0, 32878 Jersey City Roosevelt Stadium flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1342. 07/18/72 Flac - 0, 127703 Jersey City Roosevelt Stadium flac16; 2 Source Matrix by Dusborne; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC; and AUDMC>?>R>D>SHN>CDR notes
1343. 07/18/72 Shn - 0, 5916 Jersey City Roosevelt Stadium AUD MC> ?> R> D> SHN> CDR, with change to A:MC> ?> C> D source toward end; A > D transfer by Noah Weiner; via Audience Devotional Tree notes
1344. 07/18/72 Shn - 0, 9097 Jersey City Roosevelt Stadium sdb>>master reel>>reel>>pcm>>cdr; Likely a re-eac of the original Lai seed; Unknown seeder notes
1345. 07/18/72 Shn - 0, 3348 Jersey City Roosevelt Stadium sdb> master reel> reel> pcm> cdr; via Mike Lai notes
1346. 07/18/72 Shn - 0, 88658 Jersey City Roosevelt Stadium Primary: SMR>?>DAT>WAV>CDR>SHN secondary: SMR>reel>PCM>WAV (from Mike Lai source) transfer via SEK'd Prodif96Pro, editing via SEK'd Samplitude Producer notes
1347. 07/18/72 Shn - 0, 9067 Jersey City Roosevelt Stadium SBD with Aud Patches (missing OMSN), see info file for details; via David Hollister; Seeded to etree by Sean Cribbs notes
1348. 07/21/72 Shn - 0, 9246 Seattle Paramount Northwest Theater SBD> MR> CX3(?)> D> CD> EAC> SHN; edits (pitch corrected, normalized), encoding, vined by J. Cotsman, with thanks to Mark Sweene notes
1349. 07/21/72 Flac 16/48 - 0, 148725 Seattle Paramount Northwest Theater flac16/48kHz; Source Info: Bear's Master Soundboard Cassettes > 1st generation Cassettes > 2nd generation Cassettes > Tim Dalton's Dat (16/48); Transfer Info: Dat (Sony PCM-R500) (16/48) > Tascam DA-3000 (16/48)> Adobe Audition CC 2019 > TLH flac1648 notes
1350. 07/22/72 Flac 16 - 0, 94112 Seattle Paramount Northwest Theater flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller notes
1351. 07/22/72 Flac 16 - 0, 86726 Seattle Paramount Northwest Theater flac16; Sound Board Master Reel>DAT 16/48 > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav notes
1352. 07/22/72 Shn - 0, 13562 Seattle Paramount Northwest Theater SBD MR>PCM>D>CD via Hanno notes
1353. 07/22/72 Flac 16 - 0, 106930 Seattle Paramount Northwest Theater flac16; Source: Audience Lineage: Master Reels @ full track mono>Tandberg Model 11>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic Taped and Transferred By: JEMS notes
1354. 07/22/72 Flac 16 - 0, 141112 Seattle Paramount Northwest Theater b>flac16; Recording Info: Betty's 7" 2-track Master Soundboard Reels > PCM (Sony beta HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
1355. 07/22/72 Flac 16 - 0, 141760 Seattle Paramount Northwest Theater flac16; Recording Info: Betty's 7" 2-track Master Soundboard Reels > PCM (Sony beta HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this is a fixed version of source ID 141122 notes
1356. 07/25/72 Flac 16 - 0, 124017 Portland Paramount Theater flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1357. 07/25/72 Shn - 0, 7046 Portland Paramount Theater SBD> MR> C> D> CD> EAC> SHN; encoding, vined by J. Cotsman; with thanks to Mark Sweeney notes
1358. 07/26/72 Flac - 0, 87034 Portland Paramount Theater flac16; Lineage: (from DAT J-Card) MR -> DAT (the DAT is 16-bit; 44.1kHz which could indicate MR->PCM->DAT) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - Transferred January 18, 2007 Mastering By Jamie Waddell on the GEMS Edit Station. Trac'ed cdwave,Flac'ed TLH level 8 notes
1359. 07/26/72 Flac - 0, 34803 Portland Paramount Theater flac16; MR > PCM > DAT > CD > EAC > SHN with patches from MSR > DAT > ZA2 > CDR x2; Fix of shn id 8957 by Andrew Long notes
1360. 07/26/72 Shn - 0, 1411 Portland Paramount Theater nearly complete; updated info: Master Soundboard Reel > PCM> DAT > ZA2 > CDR x2; DAT seed via Jeff Tiedrich, original DAT>CD transfer by David Hollister; subsequent CD remastering and SHN by Scott Clugston; see info file and pub comments for notes notes
1361. 07/26/72 Shn - 0, 8957 Portland Paramount Theater Variation of original Kaplan seed; Filler removed, and He's Gone added; See info file for details; MR > PCM > DAT > CD > EAC > SHN; via Popi notes
1362. 08/12/72 Flac 16 - 0, 105132 Sacramento Sacramento Memorial Auditorium flac16; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Apogee DAC> Apogee Mini Me > Wavelab 5.0 @ 24 bit 96kHz Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1kHz tracked in CDWAV Tag&Rename for Meta_Data TLH for FLAC Level 8 by Patrick White (wharfratpat@shnflac.net) notes
1363. 08/12/72 Flac 16 - 0, 127465 Sacramento Sacramento Memorial Auditorium flac16; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Transferred by Matt Smith March 2014 notes
1364. 08/12/72 Flac 24 - 0, 127433 Sacramento Sacramento Memorial Auditorium flac24; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Transferred by Matt Smith March 2014; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair 1960s era Telefunken tubes > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes
1365. 08/12/72 Shn - 0, 3327 Sacramento Sacramento Memorial Auditorium SBD Reel master > DAT > CDR > EAC > SHN; seed via Seth Kaplan; Retracked (Cool Edit/CDWav) by G.S. Hamilton; see info file for listening notes notes
1366. 08/12/72 Flac 24 - 0, 139784 Sacramento Sacramento Memorial Auditorium flac24; Source Info: 7" Master Soundboard Reels @7.5ips 1/2trk > Garcia's reel @ 3.75 ips > Will Boswell's reel @ 3.75 ips (Maxell UDXL); Transfer Info: Technics RS1506 > Tascam DA-3000 > Adobe Audition > TLH flac2496 notes
1367. 08/12/72 Flac 16 - 0, 139783 Sacramento Sacramento Memorial Auditorium flac16; Source Info: 7" Master Soundboard Reels @7.5ips 1/2trk > Garcia's reel @ 3.75 ips > Will Boswell's reel @ 3.75 ips (Maxell UDXL); Transfer Info: Technics RS1506 > Tascam DA-3000 > Adobe Audition > TLH flac2496 notes
1368. 08/12/72 Flac 24/96 - 0, 104168 Sacramento Sacramento Memorial Auditorium flac24; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Apogee DAC> Apogee Mini Me Wavelab 5.0 @ 24 bit 96kHz Transferred by Matt Smith Fall 2009 Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for Pow-r3 Dither MetaData with Tag and Rename TLH for FLAC Level 8 notes
1369. 08/20/72 Flac 16 - 0, 83733 San Jose San Jose Civic Auditorium flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
1370. 08/20/72 Flac 16 - 0, 32789 San Jose San Jose Civic Auditorium flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
1371. 08/20/72 Flac 16 - 0, 82716 San Jose San Jose Civic Auditorium flac16; Recording by Olaf Schiappacasse (using Gene Taback's equipment): Master Audience Cassette; Sony TC-124 with Sony Stereo Mic (Pacific Stereo Cassettes) Transfer and FLAC encoding by David Minches: Master cassettes played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (96Mhz/24 bit)> HD Editing performed in Adobe Audition; L3 Multimaximizer>Waves Z-Noise; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded notes
1372. 08/20/72 Shn - 0, 14988 San Jose San Jose Civic Auditorium Set 1 SBD; source SBD>?>CDR>WAV>CE2k (*Serious* cleanup)>SHN; Missing Bertha; see notes notes
1373. 08/20/72 Shn - 0, 16335 San Jose San Jose Civic Auditorium SBD>MC>R>C>C>C>D>CD>EAC>SHN (?) see notes on lineage via Chuck Kiefe edits/encoding by Jeff Cotsman notes
1374. 08/21/72 Shn - 0, 150 Berkeley Berkeley Community Theater S:MR > PCM > DAT > CD > EAC > SHN; via D. Hollister, G. Hamilton; see info file for list of minor flaws notes
1375. 08/21/72 Flac 16 - 0, 139581 Berkeley Berkeley Community Theater flac16; Source: SBD > Master Reels @ 7.5ips (10 Inch half-track ) > PCM > DAT (44.1k) - Recorded by Betty Cantor-Jackson, provided by Charlie Miller; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017 notes
1376. 08/22/72 Flac - 0, 27780 Berkeley Berkeley Community Theater mixed sources: Set 1: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> Apogee AD500> Master Dat (Panasonic SV3800/48k); Set 2: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> PCM> Dat> CD; Transferred and Edited (see cleanup notes) by Charlie Mille notes
1377. 08/22/72 Shn - 0, 7285 Berkeley Berkeley Community Theater 2nd Set; S:MR > PCM > DAT > CDR > EAC > SHN via Seth Kaplan; NFA end cuts off; passes shntool check notes
1378. 08/22/72 Shn - 0, 11672 Berkeley Berkeley Community Theater SBD>MR>?>CD>EAC>SHN: (low gen); (set 1) SBD>MR>PCM>D>CD>EAC>SHN: (set 2); Missing first 3 1/2 songs; See info file for details; via Mike Dolgushkin & Seth Kaplan; Seeded to etree by J. Cotsman notes
1379. 08/24/72 Flac - 0, 18093 Berkeley Berkeley Community Theater SBD>Rm>Dat(48k) with missing songs patched from SBD>Rm>Cass>Cass>Cass>Dat>Samplitude>SHN via Charlie Miller notes
1380. 08/24/72 Shn - 0, 151 Berkeley Berkeley Community Theater SBD> ?> DAT> CDR> SHN; d3t5,6 duplic fixed 5/24; note d1t1 only 4 sec notes
1381. 08/24/72 Flac 16 - , 156469 Berkeley Berkeley Community Theater flac16 Source: Master SBD Reel > DAT from ANON
Mastered by Jamie Waddell and Jim Blackwood
Pitch correction by Jason Chastain
Listening assistance, track, FLAC, and pack by Steve Gravel
notes
1382. 08/25/72 Flac 16 - 0, 92840 Berkeley Berkeley Community Theater flac16; Recording Info:SBD -> Master Reel -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1383. 08/25/72 Flac 16 - 0, 94218 Berkeley Berkeley Community Theater flac16; Bertha Remaster of the Master Reel Source: SBD>>MR>>DAT>>FLAC>>DAW(Bertha)>>Audio DVD>>FLAC notes
1384. 08/25/72 Shn - 0, 12751 Berkeley Berkeley Community Theater SHNID: 12751 notes
1385. 08/25/72 Shn - 0, 8474 Berkeley Berkeley Community Theater Partial Set 1: SBD> MR> PCM> DAT; Partial Set 2: FMSBD> ??? notes
1386. 08/25/72 Flac - 0, 93888 Berkeley Berkeley Community Theater DVD-VA; (Video-Audio) SBD>>MR>>DAT>>FLAC>>DAW(Bertha)>>Audio DVD; Bertha Remaster of the Master Reel Source (Audio only - no video) notes
1387. 08/27/72 Shn - 0, 8045 Veneta Old Renaissance Faire Grounds SBD > 4-TRACK RTR @ 7.5 i.p.s. > PCM> (PCM) > D > SSSB; via Jay Serafin to gdlive; see info file for extensive notes notes
1388. 08/27/72 Shn - 0, 3328 Veneta Old Renaissance Faire Grounds SBD-> two-track MR-> DAT-> Sonic Solutions-> CDR-> EAC-> Sound Forge Edit (analog pop removal using pencil tool)-> Sound Forge Pitch Shift (antialias filter followed by pitch shift of +19 cents); stemming from David Gans seed, via Adam Jerugim to Leigh Orf, who fixed up (see details in info file); d3 trackd for 80 min; note previous shn sets have been Betty Board sourced- this is not notes
1389. 08/27/72 Shn - 0, Veneta Old Renaissance Faire Grounds Bertha Remaster of the Braverman/Dank 16 track source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A (Between songs from the two-track master reels) notes
1390. 08/27/72 Shn - 0, 2199 Veneta Old Renaissance Faire Grounds SBD Master Betty reel > PCM > DAT > ZA2 > CD > EAC > SHN; Set 3 has unknown # of PCM gens; via Jeff Tiedrich (DAT seed), David Hollister (transfer> CD), G.S. Hamilton (EAC> SHN); see info file for comments; d3 tracked for 80 min; upgrade relative to previously etreed copy notes
1391. 08/27/72 Shn - 0, 152 Veneta Old Renaissance Faire Grounds SBD MR> DAT> CDR> EAC> SHN; via S. Kaplan, G. Hamilton; known flaws: sound system disortion/buzziness at places; d1t7 d/o @ 11:14; d2t6 discontinuity @ 3:36, static @ 5:07; note least-flawed of several versions assayed (no clicks/pops in Dark Star); 12/00 update: an upgrade version is now circulating notes
1392. 08/27/72 Shn - 0, 16582 Veneta Old Renaissance Faire Grounds SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN; dankseed notes
1393. 08/27/72 Shn - 0, 4682 Veneta Old Renaissance Faire Grounds SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; see info file for details, fixes and flaw notes; note most banter edited out; Reel>DAT transfer by Dick Latvala; DAT clone supplied by Rob Eaton; DAT>SHN by Jamie Lutch; QC courtesy dankseeds notes
1394. 09/03/72 Flac 16 - 0, 101143 Boulder Folsom Field, U of Colorado flac16; Composite sources: MR>cass, MR>cass>cass and multi generation sources; transfers were TascamMKII >Korg MR1000 at 1bit/5.6mHZ and cass> Apogee Mini Me>apogeeDAC>LynxOne at 24/96 PCM WAV; all edits and mastering by Jamie Waddell on the **GEMS** Edit Station at 32bitfloat/88.2kHz Weiss Saracon for SRC and POW-r3 dither to 16 bit/44.1 kHz notes
1395. 09/03/72 Shn - 0, 13563 Boulder Folsom Field, U of Colorado primary source: SBD>MR>C>D>CD>EAC>SHN (provides most of sets 2 and 3); secondary source: AUD>?>C>CD>EAC>SHN (provides all of set 1 plus patches in sets 2 and 3); aud source is pretty weak (see caveat); Thanks to John Steinhaus, Uli Teute, and Hanno Bunjes notes
1396. 09/03/72 Shn - 0, 20168 Boulder Folsom Field, U of Colorado Composite aud/sbd - entire show speed corrected, static removed; includes encore. via Carsten Baumann and Hanno Bunjes notes
1397. 09/03/72 Shn - 0, 92805 Boulder Folsom Field, U of Colorado Unknown aud composite of shnid's 12627 and 20168 notes
1398. 09/03/72 Shn - 0, 18779 Boulder Folsom Field, U of Colorado Composite aud/sbd coordinated by Jim Powell. Patches and final mastering: Dave Greenberg Special thanks to Jack Warner, Hugh Barroll and Steve Fukawa, encoded by Matt Vernon notes
1399. 09/03/72 Flac 24/96 - , 166362 Boulder Folsom Field, U of Colorado flac2496; Recording info: SBD > Bear's Master Reels > Cassette; Transfer info: Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz; Recorded by Augustus Owsley Stanley III (aka Bear); 2023 transfer and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel notes
1400. 09/03/72 Flac 16/48 - , 166363 Boulder Folsom Field, U of Colorado flac1648; Recording info: SBD > Bear's Master Reels > Cassette; Transfer info: Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz; Recorded by Augustus Owsley Stanley III (aka Bear); 2023 transfer and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel notes
1401. 09/09/72 Flac 16 Mtx - 0, 103311 Hollywood Hollywood Palladium flac16; Matrix by Hunter Seamons using Final Cut Pro Pitch correction, normalization, and EQ work by Rob Bertrando notes
1402. 09/09/72 Flac 16 - 0, 105458 Hollywood Hollywood Palladium flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Cool Edit Pro v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1403. 09/09/72 Flac 24 - 0, 131690 Hollywood Hollywood Palladium flac24; updated source info: aud 1st gen reel; Rob Bertrando's copy (via Michael Johan); lineage: MAR > R; sony ecm 22p's > sony tc-770; taped by Bruce Harvie; transfer: tdk 1800-sd 7" reel @ 3.75 ips, dolby b: technics rs-1506 > teac an-180 > benchmark adc1 24/96 > tascam hd-p2, adobe audition cs6 > cd wave > flac; transfer & seeded by Rob Berger notes
1404. 09/09/72 Flac 24 - 0, 133002 Hollywood Hollywood Palladium flac24; Recording Info: MC (Uher deck) > Will Boswell's reel @3.75 ips reel; Transfer Info: Technics 1506 > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith April, 2015 notes
1405. 09/09/72 Flac 16 - 0, 133001 Hollywood Hollywood Palladium flac16; Recording Info: MC (Uher deck) > Will Boswell's reel @3.75 ips reel; Transfer Info: Technics 1506 > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith, April 2015 notes
1406. 09/09/72 Flac 16 - 0, 31949 Hollywood Hollywood Palladium flac16; AUD MR> Cassette (unknown gen) > WAV > FLAC speed-corrected of prior seed ; by Zeb notes
1407. 09/09/72 Flac 16 - 0, 32036 Hollywood Hollywood Palladium flac16; Main source: mac > cass (u/k gen) > wav > flac > wav > flac transfer: nak dr3 > audacity > cdwav. Second source: sbd: mr> dat > cdr > shn > wav > flac via SirMick notes
1408. 09/09/72 Shn - 0, 14086 Hollywood Hollywood Palladium Sbd: MR>DAT>CDR>SHN Audio discs provided by Dyer O' Connor eac>mkw>shn by popi n. feeldz notes
1409. 09/09/72 Flac 24/96 - 0, 131474 Hollywood Hollywood Palladium flac24; lineage: MAR > R > R > R; master taped by Bruce Harvie; sony ecm 22p's > sony tc-770; transfer: maxell ud-35-90 7" reel @ 3.75 ips, dolby b: technics rs-1506 > teac an-180 > benchmark adc1 24/96 > tascam hd-p2, adobe audition cs6 > cd wave > flac; transfer & seeded by Rob Berger 2014 notes
1410. 09/09/72 Flac 16 - 0, 30991 Hollywood Hollywood Palladium flac16; Lineage: AUD MR> Cassette (unknown gen) > WAV > FLAC Transfer: NAK DR3 > AUDACITY > CDWAV notes
1411. 09/09/72 Flac 24/96 - 0, 149458 Hollywood Hollywood Palladium flac24; Source Info: Master Soundboard Cassettes (Uher deck) > Will Boswell's 1st generation reels @3.75 ips; Transfer Info: 1st generation reels (Technics 1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
1412. 09/09/72 Flac 16/48 - 0, 149457 Hollywood Hollywood Palladium flac16/48kHz; Source Info: Master Soundboard Cassettes (Uher deck) > Will Boswell's 1st generation reels @3.75 ips; Transfer Info: 1st generation reels (Technics 1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
1413. 09/10/72 Shn - 0, 22793 Hollywood Hollywood Palladium MSR>C>CD patched with MSR>C>D>C>D; Patches & remaster by Dave Greenberg. notes
1414. 09/10/72 Shn - 0, 5679 Hollywood Hollywood Palladium sdb; via Mike Lai; note boundary-fixed version of this shn set also circulates notes
1415. 09/10/72 Shn - 0, 5680 Hollywood Hollywood Palladium SBD > [MR > C > DAT(s) ??] > CDR(s) > EAC > SHN > SHNTOOL (fix sector boundaries by sets) > mkwact (seekable); via Mike Lai, Matt Vernon; boundary fixed version of previous shn set notes
1416. 09/10/72 Flac 16 - 0, 136690 Hollywood Hollywood Palladium flac16; Soundboard Master-Reel > Reel (1st gen) > DAT 2x (44.1 kHz) notes
1417. 09/10/72 Shn - 0, 17690 Hollywood Hollywood Palladium SBD> MR> Cassette> DAT> CD> EAC> CoolEdit2000> SHN; EAC, CoolEdit 2000, CDWave, MKW, & shntool by D.Winters; reportedly has flaws fixed realtive to previous versions notes
1418. 09/10/72 Flac 16 - , 163863 Hollywood Hollywood Palladium flac16; Vault master SBD reel source (with assumed DAT generation) provided by Charlie Miller; Mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Track, FLAC, and pack by Steve Gravel notes
1419. 09/15/72 Shn - 0, 7924 Boston Music Hall MAC > Reel > Cassette > DAT > CD; Lower quality aud provides many patches, see info file for details; via Noah Weiner; Jack Warner; Seeded to etree by Matt Vernon notes
1420. 09/15/72 Shn - 0, 8946 Boston Music Hall partial set 2; SBD: MR > cassette > DAT > CD > SHN; SHNed by Seth Kaplan; via G.S. Hamilton to BUDD notes
1421. 09/15/72 Flac 16 - 0, 133998 Boston Music Hall flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1422. 09/15/72 Flac 16 - 0, 31990 Boston Music Hall flac16; this is a remaster by SirMick of shnid 7924. Source 1: MAC > Reel > Cassette > DAT > CD Recorded by Bill Degen from balcony front row. Source 2: MAC > ? > DAT (supplied by Dave Minor) > CD provides additional patch and missing material notes
1423. 09/16/72 Shn - 0, 6683 Boston Music Hall partial; 7" SBDMR > Cass > DAT > CDn > EAC > SHN; via Matt Vernon? notes
1424. 09/16/72 Flac 16 Mtx - 0, 77442 Boston Music Hall flac 16; Sick Bits Vol. 20 - SBD/AUD Matrix: SBD (shnid=6683) + AUD (shnid=12932); edited, mixed and converted by Chris Chappell notes
1425. 09/16/72 Shn - 0, 9247 Boston Music Hall mixed source (AUD>MC>) and (SBD>MR>) C> D> CD> EAC> SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Mark Sweeney and unIDed patcher notes
1426. 09/16/72 Shn - 0, 12932 Boston Music Hall AUDMC > C > DAT > CD > SHN recorded by Bill Degen from orchestra seats mic and deck unknown. A > D & shn conversion by Noah Weiner notes
1427. 09/16/72 Flac 24/44,1 - 0, 150979 Boston Music Hall Flac 24/44.1 Vault Master Reel to DAT Provided by ANON
WAV > Samplitude Pro X5 > Flac24
Mastered by Jim Blackwood with assistance provided by Jamison Waddell
Speed Correction by Jason Chastain
notes
1428. 09/16/72 Flac 24/44 - 0, 150978 Boston Music Hall Flac 24/44.1 Bear's Reel > Cassette
Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24
Transferred and Mastered by Jim Blackwood with assistance provided by Jamison Waddell
Speed Correction by Jason Chastain
notes
1429. 09/17/72 Shn - 0, 154 Baltimore Baltimore Civic Center SBDMR > Cass > DAT > SonicSolutions > CD > EAC > SHN; Extraction and SHN encoding by G.S. Hamilton, from D. Hollister seed; known flaws: Missing Saturday Night; small digi-snit during UJB; update: show is now DP23- go buy it notes
1430. 09/17/72 Shn - 0, 28165 Baltimore Baltimore Civic Center Audience Recording (taper Cary Wolfson) > Cassette > DAT > SHN; Extraction and SHN encoding by David Minches notes
1431. 09/19/72 Shn - 0, 12075 Jersey City Roosevelt Stadium AUD>MC>?>D>CD; Many songs are clipped due to taper conservation, though almost all such cuts are minor; See info file for details; via Paul Hartman; Seeded to etree by JCotsman notes
1432. 09/19/72 Flac 24/48 - 0, 152468 Jersey City Roosevelt Stadium flac2448; s1-s2p; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2021 notes
1433. 09/19/72 Flac 16/44 - , 154185 Jersey City Roosevelt Stadium flac16/44 Source Info: Ed Deal's Master Audience Cassettes (Sony C-90); Unknown equipment Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini-Me (24-bit/96k) > WaveLab (16-bit/44.1k) > Adobe Audition CC 2022 > TLH flac16 notes
1434. 09/21/72 Shn - 0, 7296 Philadelphia The Spectrum SBD > reel > DAT > CDR > EAC > shn; via Mike Masse; see flaw notes in info file; a clean-up of d1t11 also circulates; see public comments for details notes
1435. 09/21/72 Flac 16 - 0, 138083 Philadelphia The Spectrum flac16 SBD > Reel > DAT; DAT(c) @ 44.1kHz > Tascam DA-20 > Tascam DR-680 MKII > Canare Coax > Samplitude Pro X3 Suite (Build 35) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; DAT provided by Dave Flaschner; Transfer & edits by Jeff Mitchell notes
1436. 09/21/72 Flac 16 - 0, 150281 Philadelphia The Spectrum flac16; Recording Info: SBD > Master Reel (7-inch 7.5ips 1/2trk) > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller notes
1437. 09/21/72 Flac 24/96 - 0, 152464 Philadelphia The Spectrum flac24/96 Source: unknown audience cassette from the collection of Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac24 edited and mastered SIRMick May 2021 notes
1438. 09/21/72 Flac 16/44 - 0, 152453 Philadelphia The Spectrum flac16/44 Source: uknown audience cassette from the collection pf Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick May 2021 notes
1439. 09/21/72 Flac 24/96 - 0, 152464 fixed Philadelphia The Spectrum flac24/96 Source: unknown audience cassette from the collection of Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac24 edited and mastered SIRMick May 2021 notes
1440. 09/21/72 Flac 16/44 - 0, 152463 fixed Philadelphia The Spectrum flac16/44 Source: uknown audience cassette from the collection pf Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick May 2021 notes
1441. 09/23/72 Shn - 0, 2201 Waterbury Palace Theater SBD> MR> Cass> DAT> CDR> EAC> SHN; via Jeff M.; see listening notes in revised info file notes
1442. 09/23/72 Flac 16 - 0, 130728 Waterbury Palace Theater flac16; Recording Info: SBD > MR > C > DAT > CDR > SHN; Transfer Info: SHN > WAV > Sound Forge 10 > TLH > FLAC; Sonically enhanced, remastered, retracked upgrade of shnid 2201; Mastered and tracked by Bill Guarneri, July 25, 2014 notes
1443. 09/23/72 Flac 16 - 0, 135178 Waterbury Palace Theater flac16; Source: SBD>MR>Cass>DAT>CDR>EAC>SHN; This is a flac encoded & tagged restoration of shnid 2201; Restoration done with Diamond Cut Forensics 10 (beta1 through RC3) notes
1444. 09/24/72 Shn - 0, 2202 Waterbury Palace Theater SBD> MR> CASS> DAT> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes notes
1445. 09/24/72 Shn - 0, 130758 Waterbury Palace Theater flac16; Recording Info: SBD > MR > ? > C > DAT > SHN; Transfer Info: SHN > TLH > WAV > Sound Forge 10 > TLH > FLAC; Tracked, patched and mastered by Bill Guarneri, July 28, 2014 notes
1446. 09/24/72 Shn - 0, 25282 Waterbury Palace Theater Source:SBD Lineage: Reel master > ? > cassette > DAT > CDR > EAC > SHN Edits by Sean Cribbs - see info file for details notes
1447. 09/24/72 Flac - 0, 99860 Waterbury Palace Theater flac16; source: aud; lineage: aud>?>7" reel @ 3.75 ips, no nr technics rs-1506>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac notes
1448. 09/26/72 Shn - 0, 16755 Jersey City Stanley Theatre SBD > MR > DAT(48kHz) > za2 > CD; See user comments for flaw notes notes
1449. 09/26/72 Shn - 0, 19198 Jersey City Stanley Theatre Cleaned up disc 3 of previous SBD by Charles Wier; d1 & d2 are unchanged. See text file for details. notes
1450. 09/26/72 Shn - 0, 156 Jersey City Stanley Theatre SBD Reel> unknown dat gens> digital noise reduction> 3dat gens> za/2 48-41; for flaws see revised info file; note next night 9/27/72 is available as Dick's Picks 11- go buy it notes
1451. 09/26/72 Shn - 0, 25281 Jersey City Stanley Theatre notes
1452. 09/26/72 Flac 16 44,1khz - 0, 136691 Jersey City Stanley Theatre flac16; Soundboard Master-Reel > Reel (1st gen) > DAT (44.1 kHz) notes
1453. 09/27/72 Shn - 0, 18106 Jersey City Stanley Theatre SBD Reel>Reel>PCM>DAT from "People's Choice tree" via Jeff Blaney, encoded by Matt Vernon notes
1454. 09/28/72 Flac 16 - 0, 94268 Jersey City Stanley Theatre flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1455. 09/28/72 Flac 16 - 0, 110020 Jersey City Stanley Theatre flac16; Bear's Cassette Copies Nakamichi Dr-1 > Lynx Studio Interface at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1 kHz Transfered and Lightly Mastered by Jamie Waddell notes
1456. 09/28/72 Shn - 0, 157 Jersey City Stanley Theatre set 2; master reel> pcm> dat> cdr; via M. Lai; note previous night 9/27/72 is available as Dick's Picks 11- go buy it notes
1457. 09/28/72 Shn - 0, 12657 Jersey City Stanley Theatre SBD (probably sbd>mr>dat>cdr) Seeded by Bill from Monterey to clone.etree.org 9/02 any setlist help send to nick@burgis.org notes
1458. 09/28/72 Flac 16 - 0, 136692 Jersey City Stanley Theatre flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k) notes
1459. 09/28/72 Flac 16 - 0, 99843 Jersey City Stanley Theatre flac16; source: aud; lineage: aud>?>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac notes
1460. 09/28/72 Flac 16 - 0, 26933 Jersey City Stanley Theatre flac16; Primary Source: SBD> MR> DAT> CDR> WAV> SHN; patches and missing track from Unknown audience > C > ? > DAT >WAV > FLAC (level 8); AUD material courtesy Uli Teute via Jim Powell; via Chris Ladner? notes
1461. 09/28/72 Shn - 0, 27584 Jersey City Stanley Theatre SBD> MR> DAT> CDA> WAV> SHN> FLAC> DAW (Bertha)> SHN/CDA patched with UNK.AUD> CASS> ???> DAT> WAV> FLAC; Bertha Remaster of shn ID 26933 notes
1462. 09/28/72 Flac - 0, 34162 Jersey City Stanley Theatre SBD>>MR>>DAT>>CDA>>WAV>>SHN>>FLAC>>DAW(Bertha)>>SHN/CDA - Sound A- UNK.AUD>>CASS>>???>>DAT>>WAV>>FLAC - Sound D Bertha Remaster of the patched master reel source Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com. Completed on December 12, 2004. http://www.deadacated.com/BerthaRemasters.htm notes
1463. 09/30/72 Shn - 0, 8184 Washington American University Master 7" Soundboard Reels @ 7 1/2 ips > Cassette > DAT> CDR; CD Mastering by Scott Clugston; EAC'ed / SHN'ed by Scott Clugston to abgd via Wyatt Earp notes
1464. 09/30/72 Shn - 0, 5681 Washington American University SB> MR> Cassette> DAT> CD; except OMSN SB> MR>cass(2)> DAT> CD; CD> cleanup> SHN; see info file for fixes and flaw notes; via Matt Vernon notes
1465. 10/02/72 Flac - 0, 112864 Springfield Springfield Civic Center flac16; Recording Info:SBD -> Master Reel -> Dat -> Data DVD; Transfer Info: Data DVD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1466. 10/02/72 Shn - 0, 158 Springfield Springfield Civic Center master reel sdb> cass> dat> cdr; via M. Lai; listeners report hiss level sounds closer to 2 cass gens notes
1467. 10/09/72 Shn - 0, 5249 San Francisco Winterland Arena SBD > MR > C > DAT > CDR; EAC > Cool Edit (remove some pops, see info file) > SHN (seekable); SHN Conversion by Matt Vernon from Paul B. seed discs notes
1468. 10/09/72 Flac 16 - 0, 130494 San Francisco Winterland Arena flac16; Recording Info: SBD > MR > C > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC notes
1469. 10/17/72 Shn - 0, 2219 St. Louis Fox Theatre MSR> C> DATs> CDRs> EAC> SHN; via Darrin Sacks, from Jack Warner's seed; previously uncirculated notes
1470. 10/18/72 Flac - 0, 7295 St. Louis Fox Theatre SBD > MR > Cass > DAT > CDR; see flaw notes in info file; Note- d2 fix now circulates via Charles Weir; See info file for details notes
1471. 10/18/72 Flac 16 - 0, 123571 St. Louis Fox Theatre flac16; Unknown SBD source (probably shnid 7295) CD > wav > cool edit 2000 > flac notes
1472. 10/18/72 Shn - 0, 3393 St. Louis Fox Theatre MR> Cass> DAT> CD; via Mike Lai with thanks to Lu Khachigian II notes
1473. 10/18/72 Flac 16 - 0, 132378 St. Louis Fox Theatre flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1474. 10/18/72 Flac 16 - 0, 139725 St. Louis Fox Theatre flac16; Recording Info: SBD > Master Reel > Dat; Transfer Info: Dat > Samplitude Professional v10.22 > FLAC; All Transfers and Mastering By Charlie Miller; edited and remastered SIRMick November 2017 notes
1475. 10/19/72 Shn - 0, 4506 St. Louis Fox Theatre SBD > MR > Cass > DAT > CDR; via DES; cuts into Promised notes
1476. 10/21/72 Flac 16 - 0, 94409 Nashville Alumni Lawn, Vanderbilt University flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1477. 10/21/72 Flac 16 - 0, 122342 Nashville Alumni Lawn, Vanderbilt University flac16; SBD -> Master Reel -> Dat -> CD -> DC8; Reworked version of shnID 94453 notes
1478. 10/21/72 Flac 16 - 0, 94453 Nashville Alumni Lawn, Vanderbilt University flac16; SBD -> Master Reel -> Dat -> CD -> -> Samplitude Professional v10.1 -> FLAC -> Remastering -> FLAC; remastered version of the Charlie Miller seed notes
1479. 10/21/72 Flac 16 - 0, 91505 Nashville Alumni Lawn, Vanderbilt University flac16; Partial Set 2 Source: MSR>DAT>CDR>EAC>.WAV>TLH>.FLAC notes
1480. 10/21/72 Flac 16 - 0, 122383 Nashville Alumni Lawn, Vanderbilt University flac16; SBD -> Master Reel -> Dat -> CD -> DC8; this version uses noise reduction; see info file for details notes
1481. 10/23/72 Shn - 0, 18914 Milwaukee Milwaukee Performing Arts Center AUD>MR>?>D>CD; See info file for 'warning'; via Paul Hartman; seeded to etree by J. Cotsman notes
1482. 10/23/72 Flac 16 - 0, 98958 Milwaukee Milwaukee Performing Arts Center flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-124/BASF Normal Bias 120 Min Tapes); Transfer Info: Cassette Master (Nakamichi Dragon) -> Dat -> CD; Mastering Info:CD -> Samplitude Professional v10.2 -> Adobe Audition v1.5 -> FLAC; All Mastering By Charlie Miller notes
1483. 10/24/72 Flac - 0, 105842 Milwaukee Milwaukee Performing Arts Center flac16; A Dick Latvala SBD DAT Transfer is Apogee DAT > Tascam DA-20 > s/pdif > Lynx2 Studio Reference Interface > Wavelab 6.01 at 16 BIT 48Khz Weiss-Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz Tracked in CDWAV Tag&Rename for Meta_Data TLH for FLAC Level 8 by Patrick White notes
1484. 10/24/72 Flac - 0, 106018 Milwaukee Milwaukee Performing Arts Center flac16; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1485. 10/24/72 Shn - 0, 159 Milwaukee Milwaukee Performing Arts Center Set 2, Truckin' through Johnny B. Goode; MR > 1 cass. > DAT > CDR 2x; DAE/.shn conversion by G. Hamilton notes
1486. 10/24/72 Flac - 0, 97614 Milwaukee Milwaukee Performing Arts Center flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-153/BASF Normal Bias 120 Min Tapes) Transfer Info: Cassette Master (Nakamichi Dragon) -> Dat -> CD Mastering Info: CD -> Samplitude Professional v10.2 -> Adobe Audition v1.5 -> FLAC; All Mastering By Charlie Miller notes
1487. 10/26/72 Flac - 0, 32717 Cincinnati Cincinnati Music Hall flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
1488. 10/26/72 Shn - 0, 3117 Cincinnati Cincinnati Music Hall set 2; Master Soundboard Reel > Cassette > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston; reported best circulating copy as of 2/01 notes
1489. 10/26/72 Shn - 0, 15113 Cincinnati Cincinnati Music Hall SBD -> Rm -> Cass -> Cass -> Dat -> Samplitude -> SHN (1 Disc SHN / 2 Discs Audio); Seeded to etree by Charlie Miller notes
1490. 10/27/72 Shn - 0, 18849 Columbus Veterans' Memorial Hall SBD C/? upgrade of first set; via Hanno Bunjes and Uli Teute notes
1491. 10/27/72 Shn - 0, 19630 Columbus Veterans' Memorial Hall Sources: SBD(a) Source: MSR>R>C>DAT>WAV>SHN SBD(b) Source: MSR>Many Gens??>C>DAT>WAV>SHN AUD Source: MAR>C>D>CD>EAC>SHN SBD conversions by Cousinit AUD portion from previously circulating shn set from Paul Hartman edited/encoded by J. Cotsman notes
1492. 10/27/72 Shn - 0, 10286 Columbus Veterans' Memorial Hall Set 1: SBD>?>C>SHN; Set 2: AUD>MR>C>D>CD; See info file for 'warning'; via Paul Hartman, Chris Masciangelo; Seeded to etree by J. Cotsman notes
1493. 10/28/72 Shn - 0, 20301 Cleveland Cleveland Public Hall Complete SBD>MC>D>CD>EAC>SHN Ampex C-90 cassette master via King Bee and Andy Lemieux, encoding etc. by Cotsman notes
1494. 10/28/72 Shn - 0, 160 Cleveland Cleveland Public Hall filler on Seastones disc; Dark Star/Philo Stomp; via D. Finney notes
1495. 10/28/72 Shn - 0, 20405 Cleveland Cleveland Public Hall Bertha Remaster of the Master Cassette source SBD>>MC>>DAT>>CDA>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B Ampex C-90 cassette master notes
1496. 10/28/72 Shn - 0, 11653 Cleveland Cleveland Public Hall Partial; 2 songs; See info file for details; SBD>MR>D>Sonic Solutions>CD notes
1497. 10/30/72 Shn - 0, 10915 Detroit Ford Auditorium AUD>MR>C>C>C>D>CD; via John Steinhaus; Seeded to etree by J. Cotsman notes
1498. 11/12/72 Shn - 0, 9771 Kansas City Soldiers' and Sailors' Memorial Hall SBD>MC>C>D>CD; This recording has 'mix problems'; See info file for details; via Mark Sweeney; Seeded to etree by J. Cotsman notes
1499. 11/13/72 Flac 16 - 0, 105812 Kansas City Soldiers and Sailors Memorial Hall flac16; Dick's copy of Owsley's AUD; Transfer is Apogeee DAT > Tascan DA-20 > s/pdif > Lynx2 Studio Reference Interface > Wavelab 6.01 at 16 BIT 48Khz Weiss-Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz TLH Flac Level 8 Tag & Rename for Meta-Data SBE FREE notes
1500. 11/13/72 Shn - 0, 17416 Kansas City Soldiers and Sailors Memorial Hall AUD(unknown mics) > C(x3) > Nak > Fostex D5 A/D @ 44.1 > CD by Kevin Weil, encoded by Matt Vernon. Note this aud will appeal chiefly to completists and audience tape collectors. It is almost complete except for tape flips and includes more between song banter/crowd than the other sources already circulating. notes
1501. 11/13/72 Shn - 0, 10089 Kansas City Soldiers and Sailors Memorial Hall master #1: AUD MR>C>D>CD recorded by Bear (//Playing through Casey Jones// is all that circulates from this source) master #2: low generation AUD (supplies the rest of the show); via Uli and Julian; Seeded to etree by Hanno B notes
1502. 11/13/72 Shn - 0, 7518 Kansas City Soldiers and Sailors Memorial Hall partial; AUD> MR> C> D> CD> EAC> SHN; via J. Cotsman, with thanks to Jeff Cook; see notes in info file notes
1503. 11/14/72 Shn - 0, 22024 Oklahoma City Civic Center Music Hall Recording Info: Source One: SBD -> Master Reel -> Cassette x 3 -> Dat (d1t01 -> d2t09) Source Two: SBD -> Master Reel -> Cassette -> Dat (d2t10 -> d3t07) Transfer Info: Dat (Sony R500) -> M-Audio Dio 2448 -> Samplitude v6.0 -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers By Charlie Miller charliemiller87@earthlink.net 1/30/04 Notes: --I forgot to make shn's off of my Dats which is why I had to use EAC. --This is a new conversion since the last one was missing GSET. notes
1504. 11/14/72 Shn - 0, 11615 Oklahoma City Civic Center Music Hall SBD>MC>C>D>CD>EAC>SHN (?); May be a MC; See info file for details and flaw notes; via Jeff Cook, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman notes
1505. 11/14/72 Shn - 0, 11836 Oklahoma City Civic Center Music Hall SBD>Rm>Cass>Dat>CD; Seeded to etree by Charlie Miller notes
1506. 11/15/72 Flac 16 - 0, 110631 Oklahoma City Civic Center Music Hall flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1507. 11/15/72 Flac 16 - 0, 91760 Oklahoma City Civic Center Music Hall flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller notes
1508. 11/15/72 Shn - 0, 10916 Oklahoma City Civic Center Music Hall Partial; SBD>MR>C>C>C>D>CD; Pitch corrected; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon & J. Cotsman notes
1509. 11/15/72 Flac - 0, 112616 Oklahoma City Civic Center Music Hall DVD Audio; Video Format-Audio Only: Bertha Remaster of the Master Reel source; SBD>>MR>>DAT>>WAV>>FLAC>>DAW(Bertha)>>Audio DVD; audio only - no video notes
1510. 11/17/72 Shn - 0, 15982 Wichita Century II Convention Hall Master Soundboard Reel > Cassette > DAT > CR > EAC > WAV > SHN; with patches Master Audience Cassette > ? > Cassette > CD; Upgrade to existing SHN copy notes
1511. 11/17/72 Shn - 0, 1185 Wichita Century II Convention Hall sdb> reel master> cassette> dat> cdr; via Mike Lai; note Jeff Tiedrich reports this is more likely MR> C> C> DAT notes
1512. 11/18/72 Flac - 0, 123077 Houston Hofheinz Pavilion flac16; Set 2 Recording Info: SBD -> Master Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1513. 11/18/72 Shn - 0, 9182 Houston Hofheinz Pavilion SHNID: 9182 notes
1514. 11/18/72 Shn - 0, 9002 Houston Hofheinz Pavilion 2nd set only; SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to John Steinhaus notes
1515. 11/19/72 Shn - 0, 17705 Houston Hofheinz Pavilion Source: SBD>MR>Reel>Reel>DAT>CD>EAC>WAV>CoolEdit2000>SHN (Note that there is speculation that this source may contain only one reel generation.) Cool Edit 200 was used to correct various flaws from previously circulating versions notes
1516. 11/19/72 Flac 16 - 0, 122783 Houston Hofheinz Pavilion flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; Upgrade in circulation notes
1517. 11/19/72 Flac 16 - 0, 123578 Houston Hofheinz Pavilion b>flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; This is a cleaned up version of source ID 122783 notes
1518. 11/19/72 Flac 24/96 - 0, 123577 Houston Hofheinz Pavilion flac24; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; This is a cleaned up version of source ID 122784 notes
1519. 11/19/72 Shn - 0, 3910 Houston Hofheinz Pavilion SBD; sound adjustments during Bertha, minor digi-noise at the end of Jack Straw; Transferred and seeded to etree by Mike Lai, from Bruce Fried DAT notes
1520. 11/19/72 Flac 24/96 - 0, 132970 Houston Hofheinz Pavilion flac24; Recording Info: SBD > Master Reel > Revox A77(Menke) > A77(Pat Lee) > Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes
1521. 11/19/72 Flac 16 - 0, 132969 Houston Hofheinz Pavilion flac16; Recording Info: SBD > Master Reel > Revox A77(Menke) > A77(Pat Lee) > Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes
1522. 11/19/72 Flac 16 - 0, 142329 Houston Hofheinz Pavilion flac16; Source: SBD > Master Reel > 1st Gen Reel > DAT (44.1k) - Provided by Tim Dalton; Lineage: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac16; edited and mastered SIRMick June 2018; the original version of this source was missing s2t13 notes
1523. 11/19/72 Flac 24/96 - 0, 122784 Houston Hofheinz Pavilion flac24; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; Upgrade in circulation notes
1524. 11/22/72 Flac 16 - 0, 115765 Austin Austin Municipal Auditorium flac16; Recording Info: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1525. 11/22/72 Flac 16 - 0, 115765 Austin Austin Municipal Auditorium flac16; Recording Info: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC. fix of shnid 115730 notes
1526. 11/22/72 Shn - 0, 4081 Austin Austin Municipal Auditorium sdb> master reel> dat> cdr; via Mike Lai from Bruce Fried DAT; missing Promised; d2 tracked for 80 min notes
1527. 11/22/72 Flac 16 - 0, 141118 Austin Austin Municipal Auditorium flac16; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels (dolby b decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
1528. 11/22/72 Flac 24/96 - 0, 141189 Austin Austin Municipal Auditorium flac24; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels (dolby b decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 notes
1529. 11/24/72 Shn - 0, 5288 Dallas Dallas Memorial Auditorium SBD> MR> DAT> CDR> EAC> SHN; tracked for 2x80; splice in China Cat; seeded by Tony Gardner, from Paul B. discs notes
1530. 11/24/72 Flac 24/96 - 0, 141267 Dallas Dallas Memorial Auditorium flac24; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels @ 3.75 ips (dolby decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 notes
1531. 11/24/72 Flac 16 - 0, 141266 Dallas Dallas Memorial Auditorium flac16; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels @ 3.75 ips (dolby decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
1532. 11/26/72 Flac 16 - 0, 127478 San Antonio San Antonio Civic Auditorium flac16; This is a restored version of SHNID 9248 combined with SHNID 123022 to produce the full show. It is not based on any new sources. Modifications by Dan McDonald (droncit@yahoo.com). notes
1533. 11/26/72 Flac 16 - 0, 123022 San Antonio San Antonio Civic Auditorium flac16; Unknown SBD version of Dark Star > Bobby McGee; this alternate version has no cut in Dark Star, but is slightly hissier than the previous version notes
1534. 11/26/72 Shn - 0, 9248 San Antonio San Antonio Civic Auditorium SBD> MR> (set 1 ?; set 2 C)> D> CD> EAC>SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Paul B. notes
1535. 11/26/72 Flac 16/44 - , 152827 San Antonio San Antonio Civic Auditorium flac16/44 a remaster of shn #9248 with short patches from shn #123022 by acetboy 2021-07-07 notes
1536. 12/10/72 Shn - 0, 5801 San Francisco Winterland Arena MSR > Cass x 3 > DAT > CDR > EAC > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Justin Cucci, Mark Perini notes
1537. 12/10/72 Flac 16 - 0, 132778 San Francisco Winterland Arena flac16; Restored version of source ID 5801 (MSR > Cass x 3 > DAT > CDR > EAC > SHN) by Droncit; Diamond Cut 8.5 Forensics was used for equalization and virtual valve simulation, an enhancer and some slight noise reduction. notes
1538. 12/10/72 Flac 16/48 - 0, 141755 San Francisco Winterland Arena flac16/48kHz; Partial Show Source Info: Master Soundboard Reels > 2 cassette generations > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500) (16-bit/48k)> Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/48k)> Adobe Audition 3.0 > TLH flac1648 notes
1539. 12/11/72 Flac 16 - 0, 107885 San Francisco Winterland Arena flac16; Lineage: 7" MR @ 7 1/2 ips.>R@ 3 3/4 ips.>R @ 3 3/4 ips>DVD Tape stock: Black Maxell UDII reel tape. Transfer info: Akai GX 636 >> Apogee Mini Me(24/96) >> Apogee Mini Dac(monitoring/mastering) >> LynxOne Soundcard >> Wavelab 5.0 >> DVD at 24 bit 96 kHz; All transfers, edits and mastering done in the 24 bit realm Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDWAV | Tag&Rename for Meta_Data TradersLittleHelper for FLAC Level 8 notes
1540. 12/11/72 Flac 16 Mtx - 0, 121029 San Francisco Winterland Arena flac16; 2 source matrix: Soundboard (shnid=107885): Lineage: "7 MR @ 7 1/2 ips.>R@ 3 3/4 ips.(Kidd dub for Jerry)>R @ 3 3/4 ips(Will Boswell)>DVD Tape stock: Black Maxell UDII reel tape. Transfer info: Akai GX 636 >> Apogee Mini Me(24/96) >> Apogee Mini Dac(monitoring/mastering)>> LynxOne Soundcard >> Wavelab 5.0 >> DVD at 24 bit 96 kHz Audience (shnid=108946): Analog Audience Source: Taped from balcony Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x TDK c 90's sd Analog Lineage: External Stereo Mic >> Sony TC-124 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Matrix by dusborne using Adobe Audition CS6 and Audacity 2.0 notes
1541. 12/11/72 Shn - 0, 5251 San Francisco Winterland Arena SBD > MR > ?? > CDR; EAC > Cool Edit (remove some pops, see info file) > CD Wave (split tracks) > SHN (seekable) by Matt Vernon, from Paul B. seed discs; missing some songs; see info file for other flaw notes notes
1542. 12/11/72 Flac 16 - 0, 100398 San Francisco Winterland Arena flac16; Source: SBD>MR>R>C>WAV>FLAC Patch Source: Unknown AUD>??>C>WAV>FLAC; C>FLAC Conversion by Cousinit notes
1543. 12/11/72 Flac 16 - 0, 108946 San Francisco Winterland Arena flac16; Taped from balcony External Stereo Mic >> Sony TC-124 >> MAC; MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke notes
1544. 12/11/72 Flac 16/48 - , 153091 San Francisco Winterland Arena flac16/48 Primary Source Info: Master 7" Soundboard Reels @ 7 1/2 ips > Reel to Reel @ 3 3/4 ips (Kidd dub for Jerry) > Reel to Reel @ 3 3/4 ips(Will Boswell) Secondary Source Info: Master Soundboard Reels > Taper's Section Stream Transfer Info: 2nd generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2021 > TLH flac2496 notes
1545. 12/11/72 Flac 24/96 - , 153092 San Francisco Winterland Arena flac24/96 Primary Source Info: Master 7" Soundboard Reels @ 7 1/2 ips > Reel to Reel @ 3 3/4 ips (Kidd dub for Jerry) > Reel to Reel @ 3 3/4 ips(Will Boswell) Secondary Source Info: Master Soundboard Reels > Taper's Section Stream Transfer Info: 2nd generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2021 > TLH flac2496 notes
1546. 12/12/72 Flac - 0, 32041 San Francisco Winterland Arena SBD (7 inch Master Reel @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC Transfered and Edited By Charlie Miller notes
1547. 12/12/72 Shn - 0, 5802 San Francisco Winterland Arena partial; mixed source SBD, AUD: MR > ? > DAT > CDR > EAC > SHN; Aud: Mcass > DAT > ZA2 > CDR > EAC > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Mark Wienke, Mark Perini; to CDead vine notes
1548. 12/15/72 Shn - 0, 2329 Long Beach Long Beach Arena SBDmR> C> D> CDR; via Ben Yerys, M. Weinke; reportedly stemming from David Gans; includes possibly extraneous Box of Rain, JGB repeats in d3? notes
1549. 12/15/72 Shn - 0, 17186 Long Beach Long Beach Arena Lineage: S:MR>Cass>DAT>PCM>DAT>CD, w/ patches from S:MR>R>R>DAT copy. Remastered, transferred to CD, and encoded to SHN by David Hollister notes
1550. 12/15/72 Flac 16 - 0, 136651 Long Beach Long Beach Arena flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT notes
1551. 12/31/72 Shn - 0, 634ß San Francisco Winterland Arena cleaned up version of previous shn set, by Charles Weir; tracked in as-played order; sector boundaries corrected with shntool; d1,d3 now tracked for 80 min notes
1552. 12/31/72 Shn - 0, 26559 San Francisco Winterland Arena Bertha Remaster of the patched PreFM source, by Jay Ashley notes
1553. 12/31/72 Shn - 0, 1563 San Francisco Winterland Arena Pre-FM KSAN Reel > DAT > .SHN; to abgd; note out of order tracking notes
1554. 12/31/72 Flac 16 - 0, 137465 San Francisco Winterland Arena flac16; Recording of FM Broadcast on KSAN > ? > DAT provided and transferred by Stuccoholmes; Mastering & Editing by Jason Chastain in Audition CC 2015; Final Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by Norm notes
1555. 12/31/72 Shn - 0, 20559 San Francisco Winterland Arena Main Source: Vault pre-FM reels > DAT Patch Source: pre-FM KSAN reel (http://db.etree.org/shninfo_detail.php?shnid=6340) DAT > WAV : Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 by Marc Pujol WAV > SHN editing, encoding & patching by Matt Vernon notes
1556. 12/31/72 Flac 16/48 - 0, 141135 San Francisco Winterland Arena flac16/48kHz; Source Info: Vault Master Soundboard Reels > Dat (16/48k); Transfer Info: Dat (Sony PCM-R500) 16/48k > Tascam DA-3000 (16-bit/48k) > Adobe Audition 3.0 (16/48k)> TLH flac1648; the original source had errors in track 6 notes
1557. ??/??/72 Flac 16/44 - 0, 152205 San Francisco Alembic Studios flac16/44 Source: Alan Bershaw's low generation cassette (Maxell UDXL2 with Dolby B) Transfer: Maxell UDXL2 with Dolby B (Nakamichi Dragon playback with Dolby B) > Lexicon Lambda > Logic 1644.1 (tracking only) > wav > xAct (sbe correction) > FLAC notes
1558. 02/09/73 Shn - 0, 14939 Palo Alto Roscoe Maples Pavilion, Stanford University S : MR > R > DAT > SS > CDR > DAW (Bertha) > CDA > SHN > COOL EDIT PRO > SHN; See info file for 'additional edit' notes from seeder Alan Fink. notes
1559. 02/09/73 Shn - 0, 12571 Palo Alto Roscoe Maples Pavilion, Stanford University Jay Ashley (Bertha) remaster of previous MR source; SBD>>MR>>REEL>>DAT>>SS>>CDR>>DAW(Bertha)>>CDA notes
1560. 02/09/73 Shn - 0, 9888 Palo Alto Roscoe Maples Pavilion, Stanford University SBD> MR> R> DAT> CD; Show SHNed by Bob Allred; md5 / shn renaming and txt file by Patrick Hitt, who notes that "slightly different edit times indicate a different dat source or editor" than previous shn set notes
1561. 02/09/73 Shn - 0, 10361 Palo Alto Roscoe Maples Pavilion, Stanford University MR 2 Track Reel > 7.5 IPS 1/4 tack dolby B reel > DAT > Sonic Solutions > CDR; via D Finney; Seeded to etree by Popi; Note- This is another eac of the same original Finney seed discs according to Popi notes
1562. 02/09/73 Flac 24/96 - 0, 134399 Palo Alto Roscoe Maples Pavilion, Stanford University flac24; Recording Info: MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith notes
1563. 02/09/73 Flac 16 - 0, 134398 Palo Alto Roscoe Maples Pavilion, Stanford University flac16; Recording Info: MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith notes
1564. 02/09/73 Flac 16 - 0, 141001 Palo Alto Roscoe Maples Pavilion, Stanford University flac16; SBD>>MR>>REEL>>DAT>>SS>>CDR>>DAW(Bertha)>>CDA>>SHN>>COOL EDIT PRO>>SHN; Speed-corrected using Celemony Capstan done for each track individually; Reencoded to flac (level 8); SBE's fixed using Trader's Little Helper notes
1565. 02/09/73 Flac 16 - 0, 150166 Palo Alto Roscoe Maples Pavilion, Stanford University flac16; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (44.1k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller notes
1566. 02/15/73 Shn - 0, 1580 Madison Dane County Coliseum MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; upgrade relative to previous shn copies; includes soundcheck and most of encores; via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion) notes
1567. 02/15/73 Flac 16 Mtx - 0, 124360 Madison Dane County Coliseum flac16; 2 Source Matrix by dusborne; Soundboard (shnid:1580): MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD and Audience (shnid:124195): two channel mono MAC> ? > normal bias cassettes (see notes) Two 60 minute and one 90 minute mid 70's vintage Memorex cassettes, Cassettes> Harmon Kardon TD 302, Heads aligned to each tape side> Zoom H2 @16/44.1> SD card> PC> edited and tracked with wavpad> flac level 8 and checksums with traders little helper notes
1568. 02/15/73 Flac 16 - 0, 112812 Madison Dane County Coliseum flac16; Lineage: sbd>?>?>CDR(s)(borrowed) & aud>?>?>cassette(s)(my tape); Transfer: audience tapes>Sony TD-C690 (heads aligned to each tape segment)> Phillips CDR-765>CDDA-R80 X 3>EAC>flac level 8> flacs & checksums with traderslittlehelper CDR > CDR and Analog > CDR transfer October 1999 by arfarf CDR > flac 2011-04-10 by arfarf notes
1569. 02/15/73 Flac 24 - 0, 134028 Madison Dane County Coliseum flac24; Recording Info: SBD MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith notes
1570. 02/15/73 Flac 16 - 0, 134029 Madison Dane County Coliseum flac16; Recording Info: SBD MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith notes
1571. 02/15/73 Flac 16 - 0, 124195 Madison Dane County Coliseum flac16; two channel mono MAC> ? > normal bias cassettes> Harmon Kardon TD 302, Heads aligned to each tape side> Zoom H2 @16/44.1> SD card> PC> edited and tracked with wavpad> flac level 8 and checksums with traderslittlehelper notes
1572. 02/15/73 Flac 16/48 - 0, 150175 Madison Dane County Coliseum flac16/48kHz; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC notes
1573. 02/17/73 Flac 16 - 0, 32580 St. Paul St. Paul Auditorium flac16; SBD -> Master Reel -> PCM -> Dat -> CD All Transfers and Mastering By Charlie Miller notes
1574. 02/17/73 Flac 16 - 0, 32875 St. Paul St. Paul Auditorium flac16; SBD > MR > PCM > DAT > CDA > WAV > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 32580 notes
1575. 02/17/73 Shn - 0, 11771 St. Paul St. Paul Auditorium SBD:MR> PCM> DAT> CD; retracking etc of previous shn set, by Randy Carman notes
1576. 02/17/73 Flac 16/48 - 0, 150300 St. Paul St. Paul Auditorium flac16/48kHz; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC notes
1577. 02/19/73 Flac 16 - 0, 83023 Chicago International Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Ampex C-90) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
1578. 02/19/73 Shn - 0, 15589 Chicago International Amphitheatre SBD : MC > C > DAT > SS > CDR > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. Thanks to Paul B. for the seeds. Seeded to etree on 3/2/03 notes
1579. 02/19/73 Shn - 0, 12826 Chicago International Amphitheatre set 2 partial; SBD> MC> C> DAT> CDR> WAV> SHN; Jeffrey Williams, Jim notes
1580. 02/21/73 Flac 16 - 0, 111120 Urbana Assembly Hall, Univ. Of Illinois Urbana-Champaign flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1581. 02/21/73 Shn - 0, 165 Urbana Assembly Hall, Univ. Of Illinois Urbana-Champaign complete; MR > DAT > 1 cass > DAT > CDR 3x; via G. Hamilton; see info file for misc flaws, esp d1; 4-disc set with 2/22 notes
1582. 02/22/73 Flac 16 - 0, 111189 Urbana Assembly Hall, Univ. Of Illinois Urbana-Champaign flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1583. 02/22/73 Shn - 0, 12215 Urbana Assembly Hall, Univ. Of Illinois Urbana-Champaign reworking of previous shn set, by Randy Carman (see notes in info file) notes
1584. 02/22/73 Shn - 0, 166 Urbana Assembly Hall, Univ. Of Illinois Urbana-Champaign sets 1p,2; MR > DAT > 1 cass> DAT > CDR 3x; via G. Hamilton; see info file for misc flaws, notes
1585. 02/22/73 Shn - 0, 10963 Urbana Assembly Hall, Univ. Of Illinois Urbana-Champaign Partial; According to Deadlists this is missing the 4 songs after Playin' in Set 1, and Around from Set 2; See info file for details; SBD:MR>Cas>DAT>CD; Seeded to etree by Julian Elliot notes
1586. 02/24/73 Shn - 0, 16051 Iowa City Field House, University Of Iowa Partial Set I - Last four songs SBD> MR> DAT> CDR by Sly_Wow Thanks to Raoul Duke notes
1587. 02/24/73 Shn - 0, 11929 Iowa City Field House, University Of Iowa Single track jam segment; see info file for details; SBD>?>GDH CD; seeded to etree by Jools notes
1588. 02/24/73 Flac 16 - 0, 142031 Iowa City Field House, University Of Iowa flac16; partial source: aud cassette master; taped by Mark Owen; sears & robuck deck, floor, 100’ from stage; nakamichi dragon > benchmark adc1 @ 24/96> adobe audition cc > fission > xACT flac 16/44.1; transferred by Rob Berger notes
1589. 02/26/73 Shn - 0, 1208 Lincoln Pershing Municipal Auditorium S:MR > cassette > DAT > CDR > EAC > SHN; EAC/SHN by Seth Kaplan; upload by Greg Hamilton; note D3t02 (Eyes): splice @ 3:25 notes
1590. 02/28/73 Shn - 0, 15386 Salt Lake City Salt Palace Multiple sources SBMR via Noah Weiner and David Gans encoded by Noah Weiner (see info file for details). Upgrade to previous copies with complete EOTW & AWBYGN notes
1591. 02/28/73 Shn - 0, 9986 Salt Lake City Salt Palace SBD:MR>?>DAT>CD; Missing several songs at the end of show; See info file for details; Seeded to etree by Jools notes
1592. 02/28/73 Flac 16/48 - 0, 143133 Salt Lake City Salt Palace flac16/48kHz; Source: SBD > MR > Cas >Dat (48k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 >wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 notes
1593. 03/15/73 Shn - 0, 14035 Uniondale Nassau Veterans Memorial Coliseum composite source 1: AUD>??>CD>EAC>SHN source 2: SBD>MR>C>D>CD>EAC>SHN via JackeySack, Matt Vernon, and Paul Hartman edits/encoding by JCotsman notes
1594. 03/15/73 Shn - 0, 13468 Uniondale Nassau Veterans Memorial Coliseum Source (~complete): Unknown AUD > ? cdr via JackeySack, converted by Matt Vernon notes
1595. 03/15/73 Flac 16 - 0, 136652 Uniondale Nassau Veterans Memorial Coliseum flac16; Source: Soundboard > Reel Master > Cassette > DAT (48k) notes
1596. 03/15/73 Flac 16 - 0, 151902 Uniondale Nassau Veterans Memorial Coliseum flac16 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette (Circa 1984) Transfer/Flac Conversion 02-27-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac notes
1597. 03/16/73 Flac 16 - 0, 79186 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat (44.1k) Set 2: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional -> FLAC notes
1598. 03/16/73 Shn - 0, 19141 Uniondale Nassau Veterans Memorial Coliseum Fixed composite sbd version (based on shnid = 167) by Sean Cribbs. See info file for details. notes
1599. 03/16/73 Shn - 0, 167 Uniondale Nassau Veterans Memorial Coliseum SBD, complete; Set 1: Betty MSR > PCM > DAT > CDR > EAC > SHN; Set 2: MSR > Reel > DAT > CD > EAC > SHN; see info file for misc flaws; via G.S. Hamilton notes
1600. 03/16/73 Flac 16 - 0, 33556 Uniondale Nassau Veterans Memorial Coliseum Source: Audience Lineage: ? > C > CDR > EAC > CE Pro > CDWAV > FLAV (level 8) Thanks to Dave Minor for the source. EAC etc by Matt Vernon notes
1601. 03/16/73 Flac 16/44 - , 152003 Uniondale Nassau Veterans Memorial Coliseum flac16/44 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette (Circa 1984) Transfer/Flac Conversion 03-01-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac notes
1602. 03/19/73 Flac 16 - 0, 123987 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD -> Master Reel -> Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2.1 -> Adobe Audition CS6 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1603. 03/19/73 Shn - 0, 9987 Uniondale Nassau Veterans Memorial Coliseum Playin', plus most of set 2; SBD:MR>Cas>Cas>DAT>CD; Seeded to etree by Jools notes
1604. 03/19/73 Flac 16 - 0, 97506 Uniondale Nassau Veterans Memorial Coliseum flac16; Taper: Dan H. Location: Slightly too close to stage Transfer/editing/flac conversion: Dan McDonald Unknown Mic, Unknown Cassette recorder (mono) ->Master Cassette -> 24bit/96kHz wav -> slight edit (fade-in, out, azimuth adjustment, and slight level changes for crowd noise) -> 16-bit, 44.1 khz wav (triangular noise dither) notes
1605. 03/19/73 Flac 24/96 - 0, 141298 Uniondale Nassau Veterans Memorial Coliseum flac24/96 Recording Info: SBD > Master Reels > Dat (16-bit/44.1k) > upsampled to 24-bit/96k; Mastering Info: WAV > Samplitude Pro X3 Suite > FLAC/24; Master Reel Transferred by Rob Eaton; All Mastering By Charlie Miller; the original version of this source had a 2 second dropout in thrack 16 (Playing In The Band) notes
1606. 03/19/73 Flac 16 - 0, 141309 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD > Master Reels > Dat (16-bit/44.1k) > upsampled to 24-bit/96k; Mastering Info: WAV > Samplitude Pro X3 Suite > FLAC/24; Master Reel Transferred by Rob Eaton; All Mastering By Charlie Miller; the original version of this source had a 2 second dropout in thrack 16 (Playing In The Band) notes
1607. 03/19/73 Flac 16 - 0, 97417 Uniondale Nassau Veterans Memorial Coliseum flac16; Taper Gerry Moskal Sony Stereo ECM x 2 -->SONY TCD126 Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/editing//flac Conversion: Brian Mandel Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac notes
1608. 03/21/73 Flac - 0, 29263 Utica Utica Memorial Auditorium Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller Notes:I originally transferred my Dat back in 2000. At that time, I only made Audio discs. Someone asked me to circulate this source since the circulating source has NR applied to it. My source DOES NOT have any NR applied to it. I made these FLAC's off of my Master Audio Discs. Enjoy...cm notes
1609. 03/21/73 Shn - 0, 5072 Utica Utica Memorial Auditorium SBD> MR> ?> D> CD> SHN; shn EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Krakowka; see listening notes in info file notes
1610. 03/21/73 Flac 24/96 - 0, 152104 Utica Utica Memorial Auditorium flac24/96 Source: Audience Cassette (low gen) - from the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced edited and mastered SIRMick March 2021 notes
1611. 03/21/73 Flac 16/44 - 0, 152103 Utica Utica Memorial Auditorium flac16/44 Source: Audience Cassette (low gen) - from the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick March 2021 notes
1612. 03/21/73 Flac 16/48 - 0, 152018 Utica Utica Memorial Auditorium flac16/48 Source Info: Kevin Ryan's Audience source of unknown provenance; low gen Cassette (Maxell UDXL-II) Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
1613. 03/21/73 Flac 24/96 - 0, 152019 Utica Utica Memorial Auditorium flac24/96 Source Info: Kevin Ryan's Audience source of unknown provenance; low gen Cassette (Maxell UDXL-II) Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
1614. 03/22/73 Flac 16 - 0, 83397 Utica Utica Memorial Auditorium flac 16; Source: 10" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's Tape) > disk; Transferred by Tim Deibert 6-10-2002 notes
1615. 03/22/73 Flac 16 44,1khz - 0, 136267 Utica Utica Memorial Auditorium flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Wavelab 7.1 for Minor Edits by Jamie Waddell 16 bit 44.1kHz notes
1616. 03/22/73 Shn - 0, 1822 Utica Utica Memorial Auditorium MSR> DATs> CDRx1> EAC> SHN; via Darrin Sacks notes
1617. 03/24/73 Shn - 0, 1216 Philadelphia The Spectrum S:MR > cassette > DAT > CDR; note updated source info- actually only 1 cass gen, not 2; via Mike Bryan, Greg Hamilton; see info file for listening notes notes
1618. 03/24/73 Shn - 0, Philadelphia The Spectrum SBD>>MR>>CASS>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN notes
1619. 03/24/73 Flac 16 - 0, 83407 Philadelphia The Spectrum flac16; 10" Betty Board Reel > PCM501ES > Fostex D5 (Jace's tape) optical S/PDIF out > disk Transferred by Tim Deibert 5-18-02 notes
1620. 03/24/73 Flac 16 - 0, 139595 Philadelphia The Spectrum flac16; Primary Source: Betty's 10" MSR -> PCM -> DAT supplies the 2nd Set; Secondary Sources: MSR -> C -> DAT (gd73-03-24.sbd.hamilton.shnid1216) supplies the majority of the 1st set; Betty's 10" MSR -> PCM -> S/PDIF out -> disk -> digital noise reduction w/Sound Forge 6.0 (shnid83407) supplies from 7:38 of "Here Comes Sunshine" (t15)thru the end of the 1st Set; Transfer Info: DAT -> Sony PCM R500-> Tascam DA-3000-> Adobe Audition 3.0-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston notes
1621. 03/26/73 Flac - 0, 34787 Baltimore Civic Center flac16; Recording: SBD > Master Reel > Dat (44.1k) Transfer: Dat (Sony R500) > SEK'D Prodif Plus > Samplitude Profesional v8.01 > FLAC; All Transfers and Mastering By Charlie Miller notes
1622. 03/26/73 Shn - 0, 1373 Baltimore Civic Center SBD> MR> DAT> CDA> CDA> EAC> SHN; via Charlie Miller, Jay Ashley; note info file updated 9/13; see pub comments for flaw notes notes
1623. 03/28/73 Flac 16 - 0, 86459 Springfield Springfield Civic Center flac16; SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
1624. 03/28/73 Flac 16 Mtx - 0, 86833 Springfield Springfield Civic Center flac16; Matrix 2 Source Mix - SBD (shn id 86459) SBD -> Master Reel -> Dat (44.1k) + AUD (shn id 74682) Beyer Mics -> Cassette Master - matrix mixing by Kevin Tobin notes
1625. 03/28/73 Flac 16 - 0, 34759 Springfield Springfield Civic Center flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
1626. 03/28/73 Shn - 0, 1073 Springfield Springfield Civic Center set 2 partial; MSR> DATs> CDRs> EAC> SHN; without steady whine that marred previously-circulating copies; via Jack Warner, Darrin Sacks notes
1627. 03/28/73 Flac 16 - 0, 74682 Springfield Springfield Civic Center flac16; Recording Info: Beyer Mics -> Cassette Master Transfer Info: Cassette Master -> Apogee MiniMe -> Samplitude Professional 8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
1628. 03/28/73 Shn - 0, 16886 Springfield Springfield Civic Center AudMC > R > DAT > WAV > SHN; taper: Andy Nourse - equipment unknown; via Noah Weiner; see background in txt notes
1629. 03/28/73 Flac Dts 5.1 - 0, 86896 Springfield Springfield Civic Center DTS Audio 5.1; SBD (shn id 86459) SBD -> Master Reel -> Dat (44.1k) + AUD (shn id 74682) Beyer Mics -> Cassette Master - dts mixing by Kevin Tobin notes
1630. 03/28/73 Flac 24 - 0, 75138 Springfield Springfield Civic Center flac24; Recording Info: Beyer Mics -> Cassette Master Transfer Info: Cassette Master -> Apogee MiniMe -> Samplitude Professional 8.01 -> FLAC/24 All Transfers and Mastering By Charlie Miller notes
1631. 03/28/73 Shn - 0, 11473 Springfield Springfield Civic Center Discs 1&2; AUD>MC>R>D>CD; Disc 3; SBD>MR>D>CD; Seeded to etree by J Cotsman notes
1632. 03/30/73 Shn - 0, 11616 Rochester Rochester Community War Memorial AUD>MR>?>CD (disc 1); SBD>MR>C>D>CD (remainder); See info file for details; via Paul Hartman & Michael Dixon; Seeded to etree by J. Cotsman notes
1633. 03/30/73 Flac 16/44 - , 154328 Rochester Rochester Community War Memorial flac1644; Source: Unknown mono AUD, composite source, see notes below. Transfer Source-1: ID-11616 AUD tracks > SHN > TLH > WAV > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Transfer Source-2: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. notes
1634. 03/31/73 Shn - 0, 2986 Buffalo Buffalo Memorial Auditorium SBD Reel master > cassette > DAT > CD > EAC > SHN> retrack> reSHN; retracking of previous shn set, by G.S. Hamilton; see info file for listening notes; to BUDD offer notes
1635. 03/31/73 Shn - 0, 2237 Buffalo Buffalo Memorial Auditorium Master Soundboard Reel > Cassette > DAT > CD-R; via Morgan Evans, Ben Yerys; see info file for listening notes; note some offbeat tracking notes
1636. 03/31/73 Flac 16 - 0, 31604 Buffalo Buffalo Memorial Auditorium flac16; SBD > MC > CASS > DAT > CDA > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 notes
1637. 04/02/73 Flac - 0, 17346 Boston Boston Garden SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat. Transfer Info: Dat -> Sonic Solutions -> CD (David Gans' Master Discs) -> EAC (Secure) -> SHN. CD -> SHN Conversion Done By Charlie Miller. Purports to avoid the drop outs present on the previous shn set for this source. notes
1638. 04/02/73 Shn - 0, 22246 Boston Boston Garden Bertha remaster of the Master Reel Soundboard source. SBD>>MR>>DAT>>SS>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+ notes
1639. 04/02/73 Shn - 0, 169 Boston Boston Garden complete, with qualitative change in sound partway through; MSR > Cassette > DAT > CD (unknown gens) > DAE > SHN; mix problems in d1t1, bit of distortion in a few places, esp d1t2; brief dropout at d2t6 2:39; cut d3t1 11:46; via A. Cohen, G. Hamilton notes
1640. 04/02/73 Shn - 0, 170 Boston Boston Garden mSR > cassette > DAT > CDR; via B. Yerys notes
1641. 04/02/73 Shn - 0, 16176 Boston Boston Garden Master 7.5 ips 2 Track reel> DAT> DAT> SONIC SOLUTIONS> CD> CD > EAC[secure] > SHN notes
1642. 05/13/73 Flac 16 - 0, 97558 Des Moines Iowa State Fairgrounds flac16; Lineage-MR>??>TDK C90 cassettes(3)>R>Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs by Jamie Waddell on the GEMS Edit Station>Trac'ed Cdwave Flac'ed level 8 TLH notes
1643. 05/13/73 Flac 16 - 0, 100302 Des Moines Iowa State Fairgrounds flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version of source ID 100239 notes
1644. 05/13/73 Flac 16 - 0, 100239 Des Moines Iowa State Fairgrounds flac16; Recording Info:SBD -> Master Reel -> Dat -> CD -> EAC -> FLAC; EAC -> FLAC conversion By Charlie Miller; fixed version now in circulation notes
1645. 05/13/73 Shn - 0, 7270 Des Moines Iowa State Fairgrounds Complete; d1,2,3,5-SBD : MR > R > DAT > CDR via Paul B.; d4-SBD : MR > ? > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN via David Minches notes
1646. 05/20/73 Flac 16 - 0, 86905 Santa Barbara Campus Stadium, UCSB flac16; SBD > Master Reel (7 inch reels @ 7.5ips 1/2trk) > Dat > CD > EAC > Samplitude Professional v9.11 > FLAC All Transfers and Mastering By Charlie Miller notes
1647. 05/20/73 Flac 16 Mtx - 0, 124567 Santa Barbara Campus Stadium, UCSB flac16; 2 Source Matrix by dusborne Soundboard (shinid:86905) Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat -> CD; Transfer Info: CD -> EAC -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:5915) MC>R>C>DAT>HD>SHN>CD notes
1648. 05/20/73 Shn - 0, 5915 Santa Barbara Campus Stadium, UCSB AUD (Sony Condenser): MC> R> C> DAT> HD> SHN> CD; see notes in info file; via Audience Devotional Tree notes
1649. 05/20/73 Shn - 0, 19564 Santa Barbara Campus Stadium, UCSB 7" Master Reels at 7.5ips half-track > Panasonic SV-3700 DAT > Panasonic SV-3800 DAT > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes
1650. 05/20/73 Shn - 0, 16531 Santa Barbara Campus Stadium, UCSB Set 3 only; MSR> C> DAT> CD; edits, Aud patch from prior shn set; edits by Sean Cribbs notes
1651. 05/20/73 Shn - 0, 16158 Santa Barbara Campus Stadium, UCSB Set 3 only; SBD> MR> C> DAT >CDR ; by Sly_Wow, with thanks to Raoul Duke notes
1652. 05/20/73 Shn - 0, 24495 Santa Barbara Campus Stadium, UCSB Patched Eyes with AUD source. Replaced AUD patch in Eyes with SBD source. notes
1653. 05/26/73 Flac 16 - 0, 83535 San Francisco Kezar Stadium flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
1654. 05/26/73 Flac 16 - 0, 83438 San Francisco Kezar Stadium flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES (Beta HiFi) ( @ 44.055 kHz) > PCM501ES analog out > analog in Fostex D5 ( @ 48kHz) > Fostex D5 optical S/PDIF out (Jace's tape) > Sound Forge 5.0 > wav/shn Transferred by Tim Deibert 12-15-01 notes
1655. 05/26/73 Flac 16 - 0, 81854 San Francisco Kezar Stadium flac16; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>Audio DVD>DVD Audio Extractor 4.1.1>FLAC (44.1Khz/16bit notes
1656. 05/26/73 Shn - 0, 17076 San Francisco Kezar Stadium MSR>DAT>CD>EAC>WAV>SHN CD>EAC>WAV>SHN by Sean Cribbs 4/19/2003 notes
1657. 05/26/73 Shn - 0, 7798 San Francisco Kezar Stadium Re-eac of previous shn set; Betty Board SBD> Reel> PCM> DAT> Digi I/O> wav; via "Datsit, Other1 and Ripple"; note some low levels, brief d/o's; Row Jimmy splice notes
1658. 05/26/73 Flac 16 - 0, 147312 San Francisco Kezar Stadium flac16; Recording by Gene Taback: Master Audience Cassette; Sony TC-124 with Sony Stereo Mic; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard> HD; Editing performed in Adobe Audition; Flac Encoded notes
1659. 05/26/73 Flac 16 - 0, 150710 San Francisco Kezar Stadium flac16; Source: SBD Reel Master > PCM > PCM; Transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered (Adobe Audition) by Joe Noel; original version had flaws notes
1660. 05/26/73 Flac 16/44 - , 154515 San Francisco Kezar Stadium flac1644; Partial; Sources: Matrix of SBD ID-83438 & AUD ID-154514. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged. notes
1661. 05/26/73 Flac 16/44 - , 154514 San Francisco Kezar Stadium flac1644; Partial; Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. notes
1662. 06/09/73 Flac 16 - 0, 91236 Washington Robert F. Kennedy Stadium flac16; Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft, w/arm raised up FOB center infield, between sbd platform and stage platform Lineage: MR cassette > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry; Upgrade in circulation notes
1663. 06/09/73 Shn - 0, 93677 Washington Robert F. Kennedy Stadium Original SBD Source (shnid = 172); Monte Barry patched Sugar Magnolia w/his AUD source (shnid = 91236). (This is a pitch corrected version of the previous patched SBD source.) notes
1664. 06/09/73 Flac 16 Mtx - 0, 130393 Washington Robert F. Kennedy Stadium flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:000172) S:MR > cassette > DAT > CD > EAC > SHN > TLH > flac; Extraction and SHN encoding by G.S. Hamilton and Audience (shnid:120959) Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform; Lineage: transferred professionally by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag; fixed version in circulation notes
1665. 06/09/73 Flac 16 Mtx - 0, 131169 Washington Robert F. Kennedy Stadium flac16; Fix of 2 Source Matrix (130939) by Dusborne; Soundboard (shnid:000172) S:MR > cassette > DAT > CD > EAC > SHN > TLH > flac; Extraction and SHN encoding by G.S. Hamilton and Audience (shnid:120959) Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform; Lineage: transferred professionally by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag notes
1666. 06/09/73 Shn - 0, 172 Washington Robert F. Kennedy Stadium SBD MR > cassette> DAT > CD > EAC > SHN, except Promised Land, Half Step, and Sugar Mag are S:MR > PCM > cassette > DAT > CD > EAC > SHN, and Patch in Box of Rain (very small) from 2nd source; via D. Hollister, G. Hamilton; 8/16 note formerly error in info file at this site, and possibly distributed with show- cass gen in main portion of show had been omitted, (although info file at Hamiltons' CDR list has apparently always been correct)- sorry! notes
1667. 06/09/73 Shn - 0, 22790 Washington Robert F. Kennedy Stadium AUDMR > DAT > SHN - Recorded by Adam Grow with an Electro-Voice RE-15 super cardioid dynamic microphone > Nagra III Reel to Reel deck at 7.5 ips. Added to etree by Noah Weiner notes
1668. 06/09/73 Flac 16 - 0, 120958 Washington Robert F. Kennedy Stadium flac16 Source: taped by Monte Barry, Sony TC 2850SD portable stereo cassette recorder, Sony ECM 99 single-point stereo mic, mic is hand-held on mic-stand shaft, with arm raised up, FOB center infield, between sbd platform and stage platform; Lineage:transferred by Matt Smith, remastered by Monte Barry (some flaws remain) MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > 16/44 > TLH > SBEs fixed > CD Tag notes
1669. 06/09/73 Flac 24/96 - 0, 120959 Washington Robert F. Kennedy Stadium flac24; Source: taped by Monte Barry, Sony TC 2850SD portable stereo cassette recorder, Sony ECM 99 single-point stereo mic, mic is hand-held on mic-stand shaft, with arm raised up, FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith, remastered by Monte Barry (some flaws remain) MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag notes
1670. 06/09/73 Flac 16 Mtx - 0, 117476 Washington Robert F. Kennedy Stadium flac16; Matrix Recording From: Audience Lineage (shnid 91236): MR cassette > Nakamichi 550 > Lexicon Alpha > 48 Khz / 24-bit > USB > Samplitude 7.22 > 44.1 Khz /16-bit and SBD Lineage (shnid 172): S:MR > PCM > cassette > DAT > CD > EAC > SHN; pitch-corrected and matrixed by Monte Barry notes
1671. 06/10/73 Flac 16 - 0, 98730 Washington Robert F. Kennedy Stadium flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. This is a fixed version of shn id 89640 notes
1672. 06/10/73 Flac 16 - 0, 90979 Washington Robert F. Kennedy Stadium flac16; Original SBD (shnid = 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC patched and speed corrected notes
1673. 06/10/73 Flac 16 Mtx - 0, 131065 Washington Robert F. Kennedy Stadium flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:89730) - Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:121031) - Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag notes
1674. 06/10/73 Shn - 0, 174 Washington Robert F. Kennedy Stadium SBD MR (10'' reels)> DAT > CD > EAC > SHN; via David Hollister, G.S. Hamilton; known flaws: d2t01 (Bird Song: very brief tape waver @ 2:44, 2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54, d4t06 (GDTRFB): reel flip/splice @ 6:42; not noted on original info file: sounds like loose cord to board: d1t09 (The Race Is On) 1:33, 1:34, 1:36, 1:44; d1t2 BIODTL begining cut; reportedly "best version available" notes
1675. 06/10/73 Flac 16 - 0, 90351 Washington Robert F. Kennedy Stadium flac16; Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry notes
1676. 06/10/73 Flac 16 Mtx - 0, 90771 Washington Robert F. Kennedy Stadium flac16; Matrix 3 Source Mix - SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin notes
1677. 06/10/73 Flac 16 - 0, 89681 Washington Robert F. Kennedy Stadium flac16; partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant notes
1678. 06/10/73 Flac 24 - 0, 136252 Washington Robert F. Kennedy Stadium flac24; Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger notes
1679. 06/10/73 Flac 16 - 0, 136263 Washington Robert F. Kennedy Stadium flac16; Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg 200 series mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger notes
1680. 06/10/73 Flac 16 - 0, 89640 Washington Robert F. Kennedy Stadium flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. A fixed version now circulates notes
1681. 06/10/73 Flac Dts 5.1 - 0, 90794 Washington Robert F. Kennedy Stadium DTS Audio 5.1; SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin notes
1682. 06/10/73 Flac 16 - 0, 90796 Washington Robert F. Kennedy Stadium flac16; Composite Audience - AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - mixing\speed correction by Kevin Tobin notes
1683. 06/10/73 Flac 16 - 0, 121030 Washington Robert F. Kennedy Stadium flac16; taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder > Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag notes
1684. 06/10/73 Flac 24/96 - 0, 121031 Washington Robert F. Kennedy Stadium flac24; Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag notes
1685. 06/22/73 Flac 16 Mtx - 0, 92375 Vancouver P.N.E. Coliseum flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
1686. 06/22/73 Flac 16 - 0, 88526 Vancouver P.N.E. Coliseum flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller notes
1687. 06/22/73 Shn - 0, 5850 Vancouver P.N.E. Coliseum Master Sounbdoard Reel > PCM > DAT > CDR and likely MSR> C> D> CD, plus AUD patches from 2 sources; d4 tracked for 80 min; some crackle; CD Mastering, EAC'ed / SHN'ed by Scott Clugston notes
1688. 06/22/73 Flac 16 - 0, 88347 Vancouver P.N.E. Coliseum flac16; Main source MSR>PCM>DAT>CD>EAC>WAV; re-patched and re-tracked version of shn id 17270. See info file for details notes
1689. 06/22/73 Flac 16 - 0, 140868 Fixed Vancouver P.N.E. Coliseum flac16; Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; the original source had a dropout in track 22 (Black Peter); Fixed version in circulation notes
1690. 06/22/73 Shn - 0, 16889 Vancouver P.N.E. Coliseum AUDMC > Reel > Reel > CD > DAT > WAV > SHN recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60). A > D by Matt Williams and Noah Weiner, encoded by Noah Weiner notes
1691. 06/22/73 Shn - 0, 17270 Vancouver P.N.E. Coliseum composite: MSR> PCM> DAT> CD> EAC> WAV> SHN for Bertha> Other One//; MAC> R> R> CD> DAT> WAV> SHN for patches, JGB (see notes); MSR> C> DAT> CD> EAC> WAV> SHN for //Other One> end of set 2; EAC> CEP2K edits> encoding by Sean Cribbs notes
1692. 06/22/73 Flac 16 - 0, 85957 Vancouver P.N.E. Coliseum flac16; partial set 1: Lineage: Master cassette > reel @ 3.75 ips > cassette > HD Encoding: CDWave > flac frontend > flac Taped by: ? Transfered by: Pantagruel; reportedly fixed some flaws in the previous SBD source. notes
1693. 06/22/73 Flac 16 - 0, 140897 Vancouver P.N.E. Coliseum flac16; Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this source fixes the flaws in the three circulating Clugston sources: source ID 140868 and source ID 140892; this version includes a fix in track 11, Jack Straw notes
1694. 06/24/73 Flac 16 - 0, 99852 Portland Memorial Coliseum flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1695. 06/24/73 Shn - 0, 176 Portland Memorial Coliseum set 2 partial; MSBDR > 1 cass > CD > EAC > SHN; u/l via G. Hamilton; note fits on 1 shn disc w/ 5/25/72 disc notes
1696. 06/24/73 Shn - 0, 12828 Portland Memorial Coliseum partials of both sets; set 1: SBD> ?>C> CD> EAC> SHN (unknown analog generations); set 2: SBD> MR> C> D> CD> EAC> SHN, edited from previous shn set; the first set is a degraded SBD; Thanks to S. Milewski, G. Hamilton; edits/encoding by JCotsman notes
1697. 06/26/73 Flac 16 Mtx - 0, 100024 Seattle Seattle Center Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) July 4, 2009 notes
1698. 06/26/73 Flac 16 - 0, 80602 Seattle Seattle Center Arena flac 16 Sources: 1 - SBD>MR>C1 (Latvalla?)>GoodBear DAT>5/2000 edit by GoodBear>CD>EAC 11/2006 (slight hiss reduction & remove all remaining Bertha diginoise in CoolEdit Pro)>FLAC 11/2006; 2 - SBD>MR>C1 (Latvalla?)>DAT>CD>"12076">Teddy slight hiss reduction & retracking in 11/2006>FLAC; 3 - AUDMC>Reel>Reel>DAT>WAV>SHN (from "12076")>GoodBear heavy edit>FLAC notes
1699. 06/26/73 Shn - 0, 5293 Seattle Seattle Center Arena set 2 partial, labeled as d2; MR > C1 (Latvala cassette?) > DAT; via Mike Lai notes
1700. 06/26/73 Shn - 0, 12076 Seattle Seattle Center Arena Complete; SBD>MR>C>D>CD patched with: AUD>MR>C>D>CD; Slight pitch correction; See info file for details; Seeded to etree by Mark Sweeney & Chuck Gannon notes
1701. 06/26/73 Shn - 0, 14673 Seattle Seattle Center Arena AUDMC > Reel > Reel > DAT > WAV > SHN. Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D and shn encoding by Noah Weiner notes
1702. 06/26/73 Flac 16 - 0, 105840 Seattle Seattle Center Arena flac16:Taped and Transferred By: JEMS; Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic; Lineage: Master Reels @ full track mono>Tandberg Model 11>>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac. Originally seeded at Dime-A-Dozen ~ 2/4/2010 notes
1703. 06/26/73 Flac 16 - 0, 115571 Seattle Seattle Center Arena flac16; Recorded by Don Amick; Lineage: MAC(Sony TC-126)>R@7.5 ips.(Don's edited copy)>R@3.3/4 ips(Matt Williams reel)>FLAC notes
1704. 06/29/73 Shn - 0, 11617 Universal City Universal Amphitheatre Partial; SBD>MR>R>D>CD; Missing first 11 songs and Around and Casey Jones; via Mark Sweeney; Seeded to etree by JCotsman notes
1705. 06/30/73 Flac 16 - 0, 29753 Universal City Universal Amphitheatre flac16; Sick Bits Vol. 9 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 177, and AUD - SHN ID# 6019); edited and transfered by Chris Chappell notes
1706. 06/30/73 Flac 16 - 0, 128248 Universal City Universal Amphitheatre flac16; SBD > ? > DAT > CD; CD > Sound Forge 10 > flac; Upgrade to existing source SBD 19903 notes
1707. 06/30/73 Shn - 0, 19903 Universal City Universal Amphitheatre SBD>?>DAT>CD>EAC>SHN patched with AudMR>R>DAT>WAV>SHN. This is a patched and re-tracked version of the previously circulating soundboard source. notes
1708. 06/30/73 Flac 16 - 0, 130561 Universal City Universal Amphitheatre flac16; Audience Source Tape: Reel dubbed in 1979 by Will Boswell (3 3/4ips) from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes
1709. 06/30/73 Flac 16 - 0, 100346 Universal City Universal Amphitheatre flac16; AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96)/Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > downsampled to 16/44 in r8brain (with dithering) > FLAC(level 8) notes
1710. 06/30/73 Flac 16 - 0, 99703 Universal City Universal Amphitheatre b>flac16; AudMR(C?) > ? > DAT > WAV > FLAC : Alternate copy originating from same original master recording as source ID 6019. Transferred by Noah Weiner notes
1711. 06/30/73 Flac 24/96 - 0, 130557 Universal City Universal Amphitheatre flac24; Audience Source Tape: Reel dubbed in 1979 by Will Boswell (3 3/4ips) from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes
1712. 06/30/73 Shn - 0, 177 Universal City Universal Amphitheatre SBD> ?> DAT> CD> EAC> SHN; (note Tiedrich's site lists a circulating? SBD> reel master> 1 reel gen> DAT> 1 cass gen> DAT> circulation); Known Flaws: Some digi-noise beginning d1t1, Reel flip middle d1t6,? Reel flip beginnning d3t2; via A. Jerugim; note "E2 USB" is not listed in databases as an encore- may be filler? (has 2 drummers?)- thanks to J. Grimes for alert notes
1713. 06/30/73 Shn - 0, 6019 Universal City Universal Amphitheatre AudMR > R > DAT > WAV > SHN; A > D transfer by Noah Weiner; d1 tracked for 80 min; see info file for notes; via Audience Devotional Tree notes
1714. 06/30/73 Flac 16 - 0, 85816 Universal City Universal Amphitheatre flac16; remaster of shn id 6019: AudMR > R > DAT notes
1715. 06/30/73 Flac 24/96 - 0, 100345 Universal City Universal Amphitheatre flac24; AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96)/Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > FLAC(level 8) notes
1716. 07/01/73 Flac 16 Mtx - 0, 89848 Universal City Universal Amphitheatre flac16; Matrix 2 Source Mix - SBD (shn id 30362) SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA + AUD (shn id 88528) FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg - matrix mixing by Kevin Tobin notes
1717. 07/01/73 Flac 16 - 0, 127028 Universal City Universal Amphitheatre flac16; Recording Info: SBD -> Master Reel -> Sound Devices 744T (24bit/96k); Transfer Info: WAV (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
1718. 07/01/73 Flac 16 Mtx - 0, 127232 Universal City Universal Amphitheatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes
1719. 07/01/73 Flac 16 - 0, 88528 Universal City Universal Amphitheatre flac16 MOTB Release: 0055 16/44.1 Source: FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg Transfer by: A. Egert Mastering by: J. Waddell notes
1720. 07/01/73 Shn - 0, 178 Universal City Universal Amphitheatre daud> Sony ec M22P mics >Sony 770 MR> R1> DAT> CDR; via M. Lai; note info file lists as 2 CDs but shn set is tracked for 3 CDs notes
1721. 07/01/73 Flac 16 - 0, 30362 Universal City Universal Amphitheatre flac16 Source: SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA notes
1722. 07/01/73 Flac Dts 5.1 - 0, 89853 Universal City Universal Amphitheatre DTS Audio 5.1; SBD (shn id 30362) SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA + AUD (shn id 88528) FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg - matrix mixing by Kevin Tobin notes
1723. 07/01/73 Flac 24 - 0, 88608 Universal City Universal Amphitheatre flac24 MOTB Release: 0055 24/96 Source: FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg Transfer by: A. Egert Mastering by: J. Waddell notes
1724. 07/27/73 Flac 16 Mtx - 0, 100410 Watkins Glen Grand Prix Racecourse flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>Soundtrack>WAV>FLAC) notes
1725. 07/27/73 Flac 16 - 0, 27779 Watkins Glen Grand Prix Racecourse flac16; SBD> Master Reel (but see note)> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes
1726. 07/27/73 Flac 16 - 0, 123408 Watkins Glen Grand Prix Racecourse flac16; Recording Info: Recorded by Kidd at the soundboard - MAR > R > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith notes
1727. 07/27/73 Flac 16 - 0, 87464 Watkins Glen Grand Prix Racecourse flac16; source: aud (unknown gen) > ??? > wav > flac; remaster of shn id 28882 notes
1728. 07/27/73 Flac 24 - 0, 135381 Watkins Glen Grand Prix Racecourse flac24; source: aud cassette master; taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222; nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger 3/2016 notes
1729. 07/27/73 Flac 16 - 0, 135383 Watkins Glen Grand Prix Racecourse flac16; source: aud cassette master; taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222; nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred and seeded by Rob Berger 3/2016 notes
1730. 07/27/73 Flac 24 - 0, 123407 Watkins Glen Grand Prix Racecourse flac24; Recording Info: Recorded by Kidd at the soundboard - MAR > R > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith notes
1731. 07/27/73 Shn - 0, 180 Watkins Glen Grand Prix Racecourse no regular info file (covers only); see 2 "history" posts; reported flaws: d2t3 (jam > wharf rat) has pops at 4:37, 9:22, 23:42; see pub comments for other flaw notes; circulated with 7/28/73 notes
1732. 07/27/73 Shn - 0, 25509 Watkins Glen Grand Prix Racecourse Soundcheck: Recording by Jeffrey Siniawsky and Joel Smith front row, 15' from stage, mic attached to top of lean-to tent via Noah Weiner Audience Devotional Tree Round 11 - Note: Soundcheck separated from 7/28/73 notes
1733. 07/27/73 Flac 16 - 0, 146057 Watkins Glen Grand Prix Racecourse flac16; Soundboard Recording Info: SBD -> Master Reel -> Dat (48k) edited and patched with aud cassette master taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222 by cloverman using Roxio Sound Editor 2009 notes
1734. 07/27/73 Shn - 0, 26363 Watkins Glen Grand Prix Racecourse AudMC stereo> ? > C > DAT > WAV > SHN, unknown taper; A>D by Noah Weiner: Cassette playback on Nakamichi MR-1 > Fostex D5 DAT (A>D only)> Turtle Beach Montego II Digital I/O > Sound Forge(wav edits and track IDs)> SHNTOOL (SBE fix) > MKWAct (shn) notes
1735. 07/27/73 Flac 16 - 0, 28882 Watkins Glen Grand Prix Racecourse flac16; Lineage: cassette (unknown gen) > HD Encoding: CDWave > flac frontend > flac Taped by: Unknown Transfered by: Pantagruel notes
1736. 07/27/73 Flac 24/44 - , 152005 Watkins Glen Grand Prix Racecourse flac24/44 Taper Gerry Moskal * Sony Stereo ECM ->SONY TCD126 Location: ** Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/editing//flac Conversion Brian Mandel gdplusmore@aol.com Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24 Circulation: 2-19-12 notes
1737. 07/28/73 Shn - 0, 14196 Watkins Glen Grand Prix Racecourse Soundboard Master Reel>DAT>CD>SHN, with FM, AUD, and other-source SBD patches. Fits to two .shn discs by placing d1 & d4 .shns on one 80 min. disc, d2 & d3 .shns on another. notes
1738. 07/28/73 Flac 24 - 0, 135584 Watkins Glen Grand Prix Racecourse flac24; source: aud cassette master; taped by Jim Cooper; sony ecm22p’s > hitachi trq-232; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger notes
1739. 07/28/73 Flac 16 - 0, 100612 Watkins Glen Grand Prix Racecourse flac16; taped by Jerry Moore source: aud cassette master, lineage: aud>akg d1000e>sony tc-110, tdk c-120sd cassettes, no nr nak dragon>hd-p2 24/48>hd>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger 8/11/09 notes
1740. 07/28/73 Flac 16 - 0, 106794 Watkins Glen Grand Prix Racecourse flac16: AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96) Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > downsampled to 16/44 in r8brain (with dithering) > FLAC(level 8) notes
1741. 07/28/73 Shn - 0, 181 Watkins Glen Grand Prix Racecourse no regular info file (covers only); see 2 "history" posts; reported flaw: d2t6 (truckin) has pop at 2:15; see pub comments for other flaw notes; circulated with 7/27/73 notes
1742. 07/28/73 Shn - 0, 11474 Watkins Glen Grand Prix Racecourse Uher mic > Uher 4000 Report L 5" reels > MacIntosh pre-amp > TEAC 1230 7" reel; via Jeffrey Siniawsky and Joel Smith; Seeded to etree by Noah Weiner. [Note: Circulates with 7/27 Soundcheck which has a separate entry] notes
1743. 07/28/73 Flac 16 - 0, 136693 Watkins Glen Grand Prix Racecourse flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (48k) notes
1744. 07/28/73 Flac 24 - 0, 106793 Watkins Glen Grand Prix Racecourse flac24; AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96) Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > FLAC(level 8) notes
1745. 07/28/73 Flac 16 - 0, 135585 Watkins Glen Grand Prix Racecourse flac16; source: aud cassette master; taped by Jim Cooper; sony ecm22p’s > hitachi trq-232; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred and seeded by Rob Berger notes
1746. 07/28/73 Flac 16 - 0, 141306 Watkins Glen Grand Prix Racecourse flac16; Recording Info: SBD > Master Reels > .wav 24-bit/96k (Master Reels transferred by Rob Eaton); Mastering Info: .wav 24-bit/96k > Adobe Audition 3.0 24/96 > TLH > flac2496; 24-bit > 16-bit via dBpoweramp notes
1747. 07/28/73 Flac 24/96 - 0, 141307 Watkins Glen Grand Prix Racecourse flac24; Recording Info: SBD > Master Reels > .wav 24-bit/96k (Master Reels transferred by Rob Eaton); Mastering Info: .wav 24-bit/96k > Adobe Audition 3.0 24/96 > TLH > flac2496 notes
1748. 07/28/73 Flac 16 - 0, 141310 Watkins Glen Grand Prix Racecourse flac16; Analog Audience Source: Sony ECM 270 mic > Sony TC 110 deck; Medium Stock Brands: TDK C120SD; Analog Sound Preservation: MAC > Nak DR-1 > Korg MR-2 2.8mhz > AudioGate 2496 WAV; Recorded by: Louis Falanga; Transferred by: Bob Menke; Mastering by: Derek McCabe notes
1749. 07/28/73 Flac 16 - 0, 150454 Watkins Glen Grand Prix Racecourse flac16; Composite of 1. Source: SBD > Master Reels > DAT (Master Reels transferred by Rob Eaton); Mastering Info: DAT> Adobe Audition 3.0 24/96 > TLH > flac16; 2. Source: sony ecm22p’s > hitachi trq-232 > MAC; taped by Jim Cooper; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred by Rob Berger; 3. shnid 14196; Soundboard Master Reel > ? > Cassette > DAT > CDR > SHN; see info file for more details notes
1750. 07/28/73 Flac 24/44 - , 152004 Watkins Glen Grand Prix Racecourse flac24/44 Taper Gerry Moskal * Sony Stereo ECM ->SONY TCD126 Location: ** Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Circa (1984) 3-04-21 Transfer/editing//flac Conversion Brian Mandel gdplusmore@aol.com Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24 Circulation: 3-04-21 notes
1751. 07/28/73 Flac 24/44 - , 152006 Watkins Glen Grand Prix Racecourse flac24/44 Taper Gerry Moskal *
Sony Stereo ECM ->SONY TCD126
Location: **
Transfer: Gerry Moskal
Master Cassette Transfer->RR ->Cassette
Transfer/editing//flac Conversion
Brian Mandel Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24
notes
1752. 07/31/73 Flac 24 - 0, 133928 Jersey City Roosevelt Stadium flac24; source: aud cassette master; taped by Jerry Moore; mastered: AKG 1000e > Sony TC-110 TDK c-120sd’s (re-shelled for transfer); Nakamichi Dragon > Benchmark ADC1 24/96 > Tascam HD-P2, compact flash > Mac > Adobe Audition CC > Flac; transferred and seeded by Rob Berger notes
1753. 07/31/73 Flac 16 - 0, 133927 Jersey City Roosevelt Stadium flac16; source: aud cassette master; taped by Jerry Moore; mastered: AKG 1000e > Sony TC-110; TDK c-120sd’s (re-shelled for transfer); Nakamichi Dragon > Benchmark ADC1 24/96 > Tascam HD-P2, compact flash > Mac > Adobe Audition CC > Flac; transferred and seeded by Rob Berger notes
1754. 07/31/73 Shn - 0, 8909 Jersey City Roosevelt Stadium FOB>CM>C>DAT>CDR; via Greg Weister; seeded to etree by Willy; Note- This show may circ with PCM in the lineage (instead of CM) notes
1755. 07/31/73 Shn - 0, 12883 Jersey City Roosevelt Stadium AudMC > DAT > CD > EAC > SHN Recorded by Jerry Moore with AKG 1000 mic > Sony 110 deck. TDK C-120SD master cassettes EAC & SHN transfer by Noah Weiner notes
1756. 07/31/73 Flac 16 - 0, 121160 Jersey City Roosevelt Stadium flac16; taped by Monte Barry, Nakamichi 550 portable stereo cassette recorder, taped with Dolby NR on Maxell UD C90 normal bias cassettes, Sony ECM-99 single-point stereo mic, mic is mounted on a 12-foot pole, FOB. Lineage: transferred by Matt Smith, mastered by Monte Barry. MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag notes
1757. 07/31/73 Flac 24/96 - 0, 121161 Jersey City Roosevelt Stadium flac24; taped by Monte Barry, Nakamichi 550 portable stereo cassette recorder, taped with Dolby NR on Maxell UD C90 normal bias cassettes, Sony ECM-99 single-point stereo mic, mic is mounted on a 12-foot pole, FOB. Lineage: transferred by Matt Smith, mastered by Monte Barry. MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag notes
1758. 08/01/73 Flac 16 - 0, 92478 Jersey City Roosevelt Stadium flac16; This is a remaster of shnid 12222 remastered by SIRMick June 2008 notes
1759. 08/01/73 Flac - 0, 123128 Jersey City Roosevelt Stadium flac16; matrix of shnid 121129 (source 1) and shnid 92478 (source 2) Monte Barry on Dec 16, 2012 notes
1760. 08/01/73 Shn - 0, 182 Jersey City Roosevelt Stadium Soundboard > 7.5ips Master Reel > Cassette > 20 bit A/D > CDR; CD Mastering by D. Gans; EAC and encoding by M. Jungeblut notes
1761. 08/01/73 Shn - 0, 11813 Jersey City Roosevelt Stadium Complete; Discs One and Two; SBD>MSR>R2>D>CD; Disc Three; SBD>7.5ips Master Reel>Cassette>20 bit A/D>CDR; See info file for info and tracking notes; Seeded to etree by Seth Kaplan notes
1762. 08/01/73 Shn - 0, 12222 Jersey City Roosevelt Stadium complete show from most up to date SBD sources with AUD patches; compiled from S. Kaplan and N. Weiner seeds; source 1: SBD>MR>R>R>D>CD>EAC>SHN; source 2: SBD>MR>C>D>CD>EAC>SHN; source 3: AUD>MR>C>C>C>CD>EAC>SHN; See info file for details; Seeded to etree by JCotsman; With thanks to Alan Schlissel & Jeff Cook notes
1763. 08/01/73 Shn - 0, 9145 Jersey City Roosevelt Stadium AudMR > C > C > C > CD; Reported upgrade to previous Weiner seed, see info file for details; Seeded to etree by Noah Weiner notes
1764. 08/01/73 Flac 16 - 0, 119371 Jersey City Roosevelt Stadium flac16; Complete show AUD: source - ElectroVoice RE-15 mic > Nakamichi 550 cassette recorder w/ Dolby NR > Maxell UD C90 Chromium Tapes. Taped, transferred, and remastered by Monte Barry. lineage - MR cassette > Nakamichi LX-3 > Lexicon Alpha > 24-bit / 48KHz > USB > Samplitude > 16-bit / 44.1KHz WAV > TLH > Flac-16 SBE fixed > CD Tag notes
1765. 08/01/73 Flac 24 - 0, 135887 Jersey City Roosevelt Stadium flac24; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger notes
1766. 08/01/73 Flac 16 - 0, 135886 Jersey City Roosevelt Stadium flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transfer & seeded by Rob Berger notes
1767. 08/01/73 Flac - 0, 112572 Jersey City Roosevelt Stadium aud cassette master, akg d1000e>sony tc-110, taped by Jerry Moore, transfer by Rob Berger notes
1768. 08/01/73 Flac 24/96 - 0, 121127 Jersey City Roosevelt Stadium flac24; Source: taped and remastered by Monte Barry; Nakamichi 550 portable stereo cassette recorder taped with Dolby NR on Maxell UD C90 normal bias cassettes Sony ECM-99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up, FOB; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag notes
1769. 08/01/73 Flac 16 - 0, 121129 Jersey City Roosevelt Stadium flac16; Source: taped and remastered by Monte Barry; Nakamichi 550 portable stereo cassette recorder; taped with Dolby NR on Maxell UD C90 normal bias cassettes Sony ECM-99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up, FOB; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag notes
1770. 08/01/73 Shn - 0, 8724 Jersey City Roosevelt Stadium AudMR > R > DAT > WAV > SHN; via ADT; Seeded to etree by Noah Weiner notes
1771. 08/??/73 Shn - 0, 2522 Sausalito Record Plant Wake of Flood outtakes; Betty Cantor reels > PCM > DAT > DIO 2448 > SHN; date(s) (including month) uncertain, this is best guess; via Dave F notes
1772. 08/??/73 Shn - 0, 113751 Sausalito Record Plant Betty> BCM> DAT> DAT> DIO 2448> SHN notes
1773. 08/??/73 Flac 16 - 0, 140895 Sausalito Record Plant flac16; Source: SBD Master Reels > PCM - Recorded by Betty Cantor and provided by Tim Dalton; Transfer: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k) - Transferred by Charlie Miller; Lineage: Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 edited and mastered SIRMick February 2018 notes
1774. 08/??/73 Flac 16 - 0, 148528 Sausalito Record Plant flac16; Taper: Betty Cantor; Editing: Joe D'Amico; SBD Master Reels > PCM > VHS Tape; Sony Hifi 4 Head Vhs Player > Sony Pcm 501 > Korg Mr-1000 > Audio Gate > Adobe Audition > Traders Little Helper notes
1775. 09/07/73 Shn - 0, 1126 Uniondale Nassau Veterans Memorial Coliseum Sbd, Reel M->Cass 1->Dat 0 -> DAT 1(?) -> CD; 7inch Master Reel: 7.5ips 1/2trk->Tascam 122mkIII 1st Gen Cass->DAT 1(?); via Teddy GoodBear to abgd; later to etree; see flaw notes in pub comments notes
1776. 09/07/73 Shn - 0, 18854 Uniondale Nassau Veterans Memorial Coliseum AUDMC > DAT > CD > EAC > SHN: Recorded by Jerry Moore, AKG 1000 mic > Sony 110 deck. TASCAM 112MKII cassette deck (MC playback) > Sony PCM-500 DAT deck > HHB800 stand alone burner (CD) > EAC (secure) > mkwact (SHN). Added to etree by Noah Weiner. notes
1777. 09/07/73 Shn - 0, 19893 Uniondale Nassau Veterans Memorial Coliseum SBD>MR>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; sourced from previous seeds notes
1778. 09/08/73 Shn - 0, 183 Uniondale Nassau Veterans Memorial Coliseum SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf: Tascam DA20> coax> rme digi96 PCI card> centered the waves and edited and smoothed the track boundaries. Only? minor corrections were applied; no crossfading, no hiss or noise reduction; from Honey Vine #14 via T. Wulf, to etree via M. Bolen (who made .md5s) notes
1779. 09/08/73 Flac 16 - 0, 125071 Uniondale Nassau Veterans Memorial Coliseum flac16; SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf:(original shn 183) - pitch correction and patches by Kevin Tobin notes
1780. 09/08/73 Flac 16 - 0, 78349 Uniondale Nassau Veterans Memorial Coliseum flac16; Reel>Cass1>DAT1 (not widely circulated source)>5/1999? edit (no hiss reduction)>CD>hiss edit w/Cool Edit Pro>FLAC notes
1781. 09/08/73 Flac 16 - 0, 126071 Uniondale Nassau Veterans Memorial Coliseum flac16; (original shnid = 126029) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - pitch correction and patches by Kevin Tobin notes
1782. 09/08/73 Flac 16 Mtx - 0, 126079 Uniondale Nassau Veterans Memorial Coliseum flac16; Matrix 2 Source Mix - SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - matrix mixing by Kevin Tobin notes
1783. 09/08/73 Flac 16 - 0, 126029 Uniondale Nassau Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger notes
1784. 09/08/73 Flac Dts 5.1 - 0, 126083 Uniondale Nassau Veterans Memorial Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - DTS mixing by Kevin Tobin notes
1785. 09/08/73 Flac 24/96 - 0, 126070 Uniondale Nassau Veterans Memorial Coliseum flac24; source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger notes
1786. 09/11/73 Flac 16 Mtx - 0, 120143 Williamsburg College Of William & Mary Hall flac16; 2 source matrix: SBD: MR>C1>DAT>Goodbear_Edit>CD (shnid=113051) and Original Audience Source: (shnid=116231) Jimmy Warburton's reel Lineage: AUD>?>7" Reel @ 3.75 ips, No NR Technics RS-1506>hd-p2 24/96>CD Wav>Adobe Audition 2.0>flac Transferred/Seeded by Rob Berger 01.28.2011 notes
1787. 09/11/73 Flac 16 - 0, 113051 Williamsburg College Of William & Mary Hall flac16; SBD:MR>C1>DAT>Edit (see info file)>CD notes
1788. 09/11/73 Shn - 0, 184 Williamsburg College Of William & Mary Hall MSR> one cassette gen> DAT> CDR> shn); via George Lanum; see info file and pub comments for flaw notes notes
1789. 09/11/73 Flac 16 - 0, 116321 Williamsburg College Of William & Mary Hall flac16; Original source: AUD Jimmy Warburton's reel; Lineage: AUD>?>7" Reel @ 3.75 ips, No NR Technics RS-1506>hd-p2 24/96>CD Wav>Adobe Audition 2.0>flac Transferred/Seeded by Rob Berger; Patch source 1: Lineage: MAUD>?>R>C>WAV>FLAC Transferred and Encoded by Cousinit; Patch source 2: Lineage: Unknown Provided by Micgram notes
1790. 09/11/73 Flac 16 - 0, 136694 Williamsburg College Of William & Mary Hall flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1) notes
1791. 09/11/73 Flac 16 - 0, 111742 Williamsburg College Of William & Mary Hall flac16; source: aud; Jimmy Warburton's reel; lineage: aud>?>7" reel @ 3.75 ips, no nr technics rs-1506>hd-p2 24/96>cd wave>adobe audition 2.0>flac; transferred/seeded by Rob Berger notes
1792. 09/11/73 Flac 16 - 0, 112220 Williamsburg College Of William & Mary Hall flac16; source: aud; Jimmy Warburton's reel; lineage: aud>?>7" reel @ 3.75 ips, no nr technics rs-1506>hd-p2 24/96>cd wave>adobe audition 2.0>flac; patched/seeded by Rob Berger 2011-03-03 notes
1793. 09/11/73 Flac 16 - 0, 152009 Williamsburg College Of William & Mary Hall flac16; Source Information: Master Soundboard Reels to DAT 16 bit 44.1kHz from ANON. Also, a Kind LL member shared uncirculated lo-fi audience tapes to patch a few spots.
Transfer Information: Mastering by Jamie Waddell and Jim Blackwood
Speed corrections by Jason Chastain
Listening assistance and track, FLAC and pack by Steve Gravel
FLAC Level 8 at 16 bit 44.1kHz
notes
1794. 09/12/73 Shn - 0, 21618 Williamsburg College Of William & Mary Hall SBD>MR>C>DAT>CD>WAV>SHN encoded by Susan notes
1795. 09/12/73 Shn - 0, 14010 Williamsburg College Of William & Mary Hall SBD>MR>C>DAT>CDR most of show (minus Here comes sunshine) by Sly_Wow notes
1796. 09/12/73 Flac 16 - 0, 152015 Williamsburg College Of William & Mary Hall flac16; Source Information: Master Soundboard Reels to DAT 16 bit 44.1kHz from ANON. Also, a Kind LL member shared uncirculated lo-fi audience tapes to patch a few spots.
Transfer Information: Mastering by Jamie Waddell and Jim Blackwood
Speed corrections by Jason Chastain
Listening assistance and track, FLAC and pack by Steve Gravel
FLAC Level 8 at 16 bit 44.1kHz
notes
1797. 09/15/73 Shn - 0, 1077 Providence Providence Civic Center set 2; SBD :Master Reel> DAT> Sonic Solutions workstation> CD> (EAC) WAV> SHN; EAC, tracking, shn and upload by Evan Levy notes
1798. 09/15/73 Shn - 0, 16174 Providence Providence Civic Center set 1: AUD> M?> C> C> D> SHN; set 2: SBD> MR> D> CD> EAC> SHN; Thanks to Jim Powell, Marc Pujol, and Evan Levy; final edits/encoding by JCotsman notes
1799. 09/17/73 Flac 16 - 0, 107542 Syracuse Onondaga County War Memorial flac16; Source:MR>C>DAT>DAT provided by Jeff Tiedrich>Andrew Gustin Conversion: DA-40>U2A>CDWave>MkW with seek tables appended Transferred by Tyler Jensen tylerlundby@yahoo.com notes
1800. 09/17/73 Shn - 0, 10082 Syracuse Onondaga County War Memorial Source:MSR>C>DAT>DAT Conversion: DA-40>U2A>CDWave>MkW with seek tables appended notes
1801. 09/17/73 Shn - 0, 14473 Syracuse Onondaga County War Memorial SBD>MR>D>CD>EAC>SHN (all but tracks d1t01-->d1t09)); SBD>MR>C>C>D>CD>EAC>SHN (tracks d1t01-->d1t09); Thanks to Peter Braverman; edits/encoding by JCotsman; Note- Fixed d3 now circulates, see public comments for details notes
1802. 09/17/73 Flac 16 - 0, 150977 Syracuse Onondaga County War Memorial Recording Info: SBD > Reel Master (7in 7.5ips 1/2trk) > DAT (Panasonic SV-3700/44.1k) > DAT (Panasonic SV-3700/44.1k)
Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit/44.1k)
Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC
notes
1803. 09/20/73 Shn - 0, 9845 Philadelphia The Spectrum Partial; Master Soundboard Reel > Reel to Reel > PCM > CDR; CD Re-Mastering, EAC'ed & SHN'ed by Scott Clugston; To fungus and abgd via Charlie Connor notes
1804. 09/20/73 Shn - 0, 11618 Philadelphia The Spectrum Complete; Mixed Aud/SBD sources; See info file for details; via Michael Dixon and Scott Clugston; Seeded to etree by JCotsman notes
1805. 09/21/73 Shn - 0, 17410 Philadelphia The Spectrum SBD -> Rm -> Reel -> PCM -> Dat Transfer Info: Dat (Sony R500) -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN via Charlie Miller notes
1806. 09/21/73 Flac 16 - 0, 127554 Philadelphia The Spectrum flac16; Lineage is most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriends house done by Will Boswell was done back in the Spring of '79; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes
1807. 09/21/73 Flac 24 - 0, 127548 Philadelphia The Spectrum flac24; Lineage is most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriends house done by Will Boswell was done back in the Spring of '79; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring > FLAC notes
1808. 09/21/73 Shn - 0, 4082 Philadelphia The Spectrum SBD; via Mike Lai from Bruce Fried DAT; encore missing notes
1809. 09/21/73 Flac 24/96 - 0, 143101 Philadelphia The Spectrum flac24; Source: Most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriend's house done by Will Boswell back in the Spring of '79; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 2; edited and mastered SIRMick September 2018 notes
1810. 09/21/73 Flac 16 - 0, 145131 Philadelphia The Spectrum flac16; Source: Most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriend's house done by Will Boswell back in the Spring of '79; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick September 2018; This file set is 16 bit @ 44.1 notes
1811. 09/21/73 Flac 16 - 0, 33567 Philadelphia The Spectrum flac16; analog>cd recorder on stereo>pc>goldwave>flac I used goldwave to only take the pop/clicks out. Casey Jones with Joe Ellis on trumpet and Martin Fierro on saxophone, last song of the 2'nd set right before the encore This is missing from all other copies out there. I got it from the tape I bought years ago. notes
1812. 09/21/73 Flac 16/44 - , 154301 Philadelphia The Spectrum flac1644; Partial; Source: Unknown mono Lo-Fi AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021 notes
1813. 09/24/73 Flac 16 Mtx - 0, 96744 Pittsburgh Civic Arena flac16; Matrix 4 Source Mix - SBD1 (shn id 95740) MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + SBD2 (shn id 5839) Unknown generation soundboard > PCM > DAT > WAV > SHN by Dan Stephens + AUD1 (shn id 95729) MAR>R>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD2\SBD3 (shn id 11620) SBD\AUD compilition by James Cottsman - patches, timing and matrix mixing by Kevin Tobin notes
1814. 09/24/73 Flac 16 - 0, 95740 Pittsburgh Civic Arena flac16; Mixed SBD\AUD with new sbd material to make a more complete show MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD; CD's supplied by Matt Smith; audio patches by Kevin Tobin notes
1815. 09/24/73 Flac - 0, 95815 Pittsburgh Civic Arena DTS-Audio-CD 5.1 Mix; - SBD1 (shn id 95740) MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + SBD2 (shn id 5839) Unknown generation soundboard > PCM > DAT > WAV > SHN by Dan Stephens + AUD1 (shn id 95729) MAR>R>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD2\SBD3 (shn id 11620) SBD\AUD compilition by James Cottsman - patches, timing and matrix mixing by Kevin Tobin notes
1816. 09/24/73 Flac 16 - 0, 128997 Pittsburgh Civic Arena flac16; Lineage is MAR(w/Harmon Kardon mics @ the board) > R @3 & 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes
1817. 09/24/73 Flac 16 - 0, 95729 Pittsburgh Civic Arena flac16; MAR>R>CD CD's supplied by Matt Smith; Edited and Mastered by Jamie Waddell as a GEMS production; audio patches by Kevin Tobin notes
1818. 09/24/73 Shn - 0, 5839 Pittsburgh Civic Arena partial sets 1,2; Unknown gen SBD > PCM > DAT > WAV > SHN DAT > WAV > SHN by Dan Stephens; Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Tool notes
1819. 09/24/73 Shn Mtx - 0, 11620 Pittsburgh Civic Arena Mixed AUD/SBD sources; See info file for details; via Michael Dixon, Alan Fink, & Dan Stephens; Seeded to etree by JCotsman notes
1820. 09/24/73 Flac 24/96 - 0, 128855 Pittsburgh Civic Arena flac24; Lineage is MAR(w/Harmon Kardon mics @ the board) > R @3 & 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes
1821. 09/24/73 Flac 16 - 0, 150275 Pittsburgh Civic Arena flac16; SBD (shnid=95740) patched with the vault master reel from dead.net taper's section lossy stream; All remastering was done by Charlie Miller notes
1822. 09/26/73 Flac 16 - 0, 80198 Buffalo Community War Memorial Auditorium flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller. This is a re-patch of the original source (it's a more complete version). On 11/23/2006 a version of this source was circulated without the patches in d1t14 and d2t01. notes
1823. 09/26/73 Flac 16 Mtx - 0, 82879 Buffalo Community War Memorial Auditorium flac16; Matrix 2 Source Mix - SBD (shnid 80198) + AUD (shnid 80665) mixed by Kevin Tobin notes
1824. 09/26/73 Shn - 0, 16155 Buffalo Community War Memorial Auditorium SBD: Rm > DAT > CD / Patched with unknown AUD > WAV > SHN; DAE(EAC0.9 beta 4)> tracking(cdwav)> SHN (MKWAct.96f)> FTP by Tripp; with thanks to Darryl Hinko, Tommy Brame notes
1825. 09/26/73 Flac Dts 5.1 - 0, 80710 Buffalo Community War Memorial Auditorium DTS Audio 5.1; Mix of SBD: SBD -> Master Reel -> Dat (48k) and AUD:Unknown lineage transferred by SIRMick; mixed by kevtobin notes
1826. 09/26/73 Flac 16 - 0, 80665 Buffalo Community War Memorial Auditorium flac16; Unknown Audience Lineage provided by Chuck Diliberto transfered by SirMick speed corrected and patched by Kevin Tobin notes
1827. 10/19/73 Shn - 0, 187 Oklahoma City Oklahoma City Fairgrounds Arena mR> DAT> CDR; complete; E2 is tracked for d2, but could fit on 80min d3; via JW Norris, R. Nayfield; update 10/23/00: this date is now released as Dick's Picks 19- go buy that notes
1828. 10/21/73 Shn - 0, 17413 Omaha Omaha Civic Auditorium SBD -> Rm -> ? -> Dat -> Sound Forge -> CD -> EAC -> SHN Converted By Charlie Miller notes
1829. 10/21/73 Shn - 0, 8191 Omaha Omaha Civic Auditorium MSR->C->D->CD; Some static in spots, see info file for details; via Jeff Fishman; Steve Barbella notes
1830. 10/23/73 Flac - 0, 92792 Bloomington Metropolitan Sports Center flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller notes
1831. 10/23/73 Shn - 0, 18899 Bloomington Metropolitan Sports Center MSR>D>CD via M. Goetz encoded by Morgan Evans. Note: Has additional OMSN (see info file for discussion) compared to previous etree shn sets. notes
1832. 10/23/73 Shn - 0, 18227 Bloomington Metropolitan Sports Center partial of set 1 and set 2; source:MR>Dat>cdr using EAC v0.9 prebeta 11 in secure mode to extract, and mkw ver 0.97 beta1 to create shn's conversion to .shn done by Todd Norman norma023@tc.umn.edu notes
1833. 10/25/73 Shn - 0, 14451 Madison Dane County Coliseum SBD Master Reel > ? > DAT > CD-R > EAC (secure) > Cool Edit(minor cleanup) > CDWAV > mkwact(seekable) via wi-jams, cleanup and encoding by Matt Vernon. notes
1834. 10/25/73 Shn - 0, 188 Madison Dane County Coliseum SBD MR> DAT> Sound Forge> CDR; set 2; (shn discs have 10/19/73 filler); a few brief volume drops/noises in Let It Grow; via G. Hamilton; see public comments for a few more flaw notes notes
1835. 10/25/73 Flac 16 - 0, 29668 Madison Dane County Coliseum flac16; Original source: http://db.etree.org/shninfo_detail.php?shnid=188 MSR>D>CD Disc One patched and re-tracked by Sean Cribbs 7/2003; present source added crossfades at reel splices between Let It Grow and GDTRFB and between OMSN and UJB; removed two spots of static at end of Let It Grow; (note: this source is actually a composite of 2 different shows: material from 10/25/73 patched with material from 11/20/73) notes
1836. 10/25/73 Shn - 0, 189 Madison Dane County Coliseum Partial set 2; SBD > Unknown Analog Generation(s) > DAT > Mac (via Lucid PCI25) > CDR; via Tim Buller notes
1837. 10/25/73 Shn - 0, 9213 Madison Dane County Coliseum Unsure if this is the "best in circ", but it is the most complete. SBD:MR>DAT>CD notes
1838. 10/25/73 Flac 16 - 0, 34837 Madison Dane County Coliseum flac16; MSR > D > CD > EAC > WAV > CD > EAC > WAV > FLAC; DAE(EAC) of shn id 29668 by Sean Cribbs (note: this source is actually a composite of 2 different shows: material from 10/25/73 patched with material from 11/20/73) notes
1839. 10/25/73 Flac 16 - 0, 136695 Madison Dane County Coliseum flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k) notes
1840. 10/25/73 Flac 16 - 0, 140863 Madison Dane County Coliseum flac16; Partial Set 2 Source Info: Master 1/2 track Soundboard Reel @ 15ips (Nagra Reel to Reel) > PCM (14-bit)(Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
1841. 10/27/73 Shn - 0, 16583 Indianapolis Indianapolis State Fair Coliseum ource: MSR > R > C > D > CD patched with MAC > ? > D Conversion: CDR > EAC > CDWave > CoolEditPro > shntool > mkwACT > SHN (seekable) by Charles Wier From the Deadlists vine notes
1842. 10/27/73 Flac 16 - 0, 107323 Indianapolis Indianapolis State Fair Coliseum flac16; Unknown Mics >> Unknown Deck >> MAC >> Reel 7.5 ips Revox A77 Reel @ 7.5 ips >> Revox A77 >> Akai GX636>Apogee Mini Me(24/96)>Apogee Mini Dac(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>FLAC Taped By: David Boswell notes
1843. 10/27/73 Flac 16/48 - 0, 142772 Indianapolis Indianapolis State Fair Coliseum flac16/48kHz; Source Info: Master Soundboard Reels > 2 cassette generations > Dat (16/48k)> Dat (16/48k); Transfer Info: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (16/48k)> Adobe Audition 3.01 > TLH flac1648 notes
1844. 10/29/73 Flac 16 - 0, 32352 St. Louis Kiel Auditorium flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC notes
1845. 10/29/73 Flac 16 - 0, 116118 St. Louis Kiel Auditorium flac16; Taper: Unknown; Source: Unknown Mics and Deck>??>C>WAV>FLAC; Transferred and Encoded by Cousinit notes
1846. 10/29/73 Flac 16 Mtx - 0, 131409 St. Louis Kiel Auditorium flac16; Matrix mix of Shnid 32352(sbd) and Shnid 116118(aud) notes
1847. 10/29/73 Flac 16 - 0, 131458 St. Louis Kiel Auditorium flac16; Set 2, Handheld Sony 1 point stereo mic from the 5th and 4th row sometimes standing on chair; Recorderd and transferred by Chaffe McIlhenny; Master cassette>Revox cassette deck to DAT in 1998> to Tascam P2 Flash Card in Oct 2014>Audacity>Traders Little Helper for FLAC Fingerprint creation notes
1848. 10/29/73 Shn - 0, 1014 St. Louis Kiel Auditorium MSR> C> DAT> Circulation> EAC> SHN; no El Paso, otherwise complete show; Source disks from Bob Murphy, eac/shn by Darrin Sacks; Analog anomalies between CRS and BIODTL and between Eyes and China Doll digitally removed with Soundforge. Track boundary error between Bertha and GSET automatically corrected by Exact Audio Copy; Bob Murphy reports seed sounds cleaner than corresponding 10/30/73 notes
1849. 10/29/73 Shn - 0, 1070 St. Louis Kiel Auditorium eel master > 1 cassette gen > DAT > CD > SHN; no El Paso, otherwise complete show; via S. Kaplan, G. Hamilton; see info file and pub comments for flaw notes; note anomalies fixed by Darrin for other shn set seemed to be already lacking here- if they really are still present, please let us know notes
1850. 10/29/73 Shn - 0, 16817 St. Louis Kiel Auditorium Source: MSR > C > D > CD patched with AUD Conversion: CD > EAC > WAV > retracking (shntool) > SHN Complete show in SBD w/ AUD patches (including AUD El Paso) via Dave Greenberg and Jim Powell. Retracked from CDA seed of this source circulated 3/2003 (incorporated brief separate crowd tracks into song tracks). Sector boundaries verified w/ shntool. notes
1851. 10/30/73 Flac 16 - 0, 32367 St. Louis Kiel Auditorium flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC notes
1852. 10/30/73 Shn - 0, 969 St. Louis Kiel Auditorium Reel master > 1 cassette gen > DAT > CD > EAC > SHN; seed via J. Merdler, DAE>SHN by G.S. Hamilton, retracking of d2 by A. J. Fink; some editing between songs; known flaws: d1t1 split-second cut into beginning, d1t6 cuts at 1:21, d2t1 volume change at 3:39, d3t3 cut/splice at 6:27 notes
1853. 10/30/73 Shn - 0, 16818 St. Louis Kiel Auditorium Source: MSR > D > PCM > D > CD patched with AUD
Conversion: CD > EAC > WAV > retracking (shntool) > SHN
Complete show with AUD patches via Dave Greenberg and Jim Powell. Retrack of CDA seed circulated 3/2003 to incorporate separate crowd tracks into song tracks. Different lineage from
previous seed. Cut to start Me & My Uncle patched w/ AUD, no cut in Mexicali. Does have anomolies in China Cat & Eyes noted in that seed.
notes
1854. 10/30/73 Shn - 0, 19809 St. Louis Kiel Auditorium Reel master > 1 cassette gen > DAT > CD > EAC > SHN. Appears to be a re-extraction of John Merdler seed. notes
1855. 10/30/73 Flac 16/44 - , 154414 St. Louis Kiel Auditorium flac1644; 1st Set; Source: Unknown AUD, rescued from ebay with thanks to John Petrunis. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021 notes
1856. 11/01/73 Shn - 0, 22795 Evanston McGaw Memorial Hall, Northwestern University New Version] MSR > C> DAT > PCM > DAT > CD (see notes in info file regarding correctness of genealogy) - Subsequent CD extraction (EAC), editing (Cool Edit Pro 2), and SHN encoding (mkwACT) by Sean Cribbs 12/2003 notes
1857. 11/01/73 Shn - 0, 15759 Evanston McGaw Memorial Hall, Northwestern University Source: MR > C1 > DAT > CD > Toast Audio Extractor (overlap) > WAV > SHN SHNed and seeded by Jon Seff (jon@seff.net) notes
1858. 11/01/73 Flac 16 - 0, 80714 Evanston McGaw Memorial Hall, Northwestern University flac16; MR>C1>DAT>SHN (shnid=2178)>CD>EAC>CoolEdit Pro hiss reduction & minor other edits notes
1859. 11/01/73 Flac 16 44,1khz - 0, 136696 Evanston McGaw Memorial Hall, Northwestern University flac16; Set 2 Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k) notes
1860. 11/01/73 Shn - 0, 8834 Evanston McGaw Memorial Hall, Northwestern University 2nd set only; SBDMR> Cass> DAT> CDR> EAC> Soundforge> DePopper> SHN; via Howling Bob; Seeded to etree by Mike Parrillo notes
1861. 11/01/73 Shn - 0, 2178 Evanston McGaw Memorial Hall, Northwestern University set 2; MR> C1> DAT; via Teddy Goodbear to abgd notes
1862. 11/09/73 Shn - 0, 2657 San Francisco Winterland Arena SBD> MR> C> DAT> CDR; EAC> SHN by Seth Kaplan; Correct sector boundaries verified using .shntool; First few seconds of Here Comes Sunshine are clipped; Small splice at the start of Eyes of the World, some channel dropouts and a little static on a few tunes notes
1863. 11/10/73 Shn - 0, 3290 San Francisco Winterland Arena MSR> reel > PCM > DAT > CD; see info file for listening notes notes
1864. 11/10/73 Flac 16 - 0, 140704 San Francisco Winterland Arena flac16; Partial Show Source Info: Master Soundboard Reel > PCM; Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 notes
1865. 11/11/73 Flac 16 - 0, 88485 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> Cool Edit Pro v2.01 -> FLAC (Pitch correction of shn id 83318) All Transfers and Mastering By Charlie Miller notes
1866. 11/11/73 Shn - 0, 14105 San Francisco Winterland Arena Pitch correction applied by Alan Schlissel to patch in Eyes in previous shn set (which itself was a fix of another previous one). notes
1867. 11/11/73 Flac 16 - 0, 83318 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
1868. 11/11/73 Shn - 0, 12178 San Francisco Winterland Arena Shntool fix (by Tony Gardner) of previous Tony Gardner 'patched eyes' seed; See info file for details; Disks 1-2 MSR>Cass>Cass>DATs>CDRs; Disk 3 MSR>Cass>DATs>CDRs; With Eyes patched from MSR>?>DAT>CDR notes
1869. 11/11/73 Shn - 0, 1016 San Francisco Winterland Arena Source: Disks 1-2 MSR> Cass> Cass> DATs> CDRs> EAC> SHN; Disk 3 MSR> Cass> DATs> CDRs> EAC> SHN; via Bob Murphy, Darrin Sacks; see pub comment for flaw note; note apparent upgrade with patch now circulating notes
1870. 11/11/73 Flac 24/96 - , 166325 San Francisco Winterland Arena flac2496; Recorded by Charles Conner from dead center 10 rows back with a Sony ECM-22P mic (mono)> Sony TC-55 > BASF C90 master cassettes; Transfer and mastering of re-shelled master cassettes by Jim Blackwood on November 11, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz; Speed/pitch adjusted by Jason Chastain notes
1871. 11/11/73 Flac 16/48 - , 166326 San Francisco Winterland Arena flac1648; Recorded by Charles Conner from dead center 10 rows back with a Sony ECM-22P mic (mono)> Sony TC-55 > BASF C90 master cassettes; Transfer and mastering of re-shelled master cassettes by Jim Blackwood on November 11, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz; Speed/pitch adjusted by Jason Chastain notes
1872. 11/14/73 Flac 16 - 0, 79049 San Diego San Diego Sports Arena flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC notes
1873. 11/14/73 Shn - 0, 5612 San Diego San Diego Sports Arena Updated lineage: SBD > MR > cass > DAT > CD > EAC (secure) > SHN (seekable); EAC> SHN by Matt Vernon, from Eurodead Vine source discs; see tracking suggestions in info file notes
1874. 11/14/73 Shn - 0, 14716 San Diego San Diego Sports Arena Lineage: 7" Master Reel > Cassette > CD Transferred, burned, shn'ed, and all by David Hollister notes
1875. 11/14/73 Shn - 0, 6197 San Diego San Diego Sports Arena edit of previous shn set by Bob Clevenger; see info file for notes notes
1876. 11/14/73 Flac 24/96 - , 166343 San Diego San Diego Sports Arena flac2496; Recorded by Charles Conner from center right with a Sony ECM-22P mic (mono)> Sony TC-55 > BASF C90 master cassettes; Transfer of re-shelled master cassettes on November 12, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 13, 2023 by Jim Blackwood; Speed/pitch adjusted by Jason Chastain notes
1877. 11/14/73 Flac 16/48 - , 166344 San Diego San Diego Sports Arena flac1648; Recorded by Charles Conner from center right with a Sony ECM-22P mic (mono)> Sony TC-55 > BASF C90 master cassettes; Transfer of re-shelled master cassettes on November 12, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 13, 2023 by Jim Blackwood; Speed/pitch adjusted by Jason Chastain notes
1878. 11/17/73 Flac 16 - 0, 79548 Los Angeles Pauley Pavilion, UCLA flac16; source: unknown sbd > ??? > shn > wav > flac notes
1879. 11/17/73 Shn - 0, 23731 Los Angeles Pauley Pavilion, UCLA SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN >>DAW(Bertha)>>CDA/SHN>>shntool shntool used to fix SBE's on 4-12-04, applied separately to first and second set by Tony G (spreaddead@bellsouth.net) notes
1880. 11/17/73 Shn - 0, 4749 Los Angeles Pauley Pavilion, UCLA SBD> MR> C> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B.'s discs; Splice between ROR and Playin' (no music affected) notes
1881. 11/17/73 Shn - 0, 23472 Los Angeles Pauley Pavilion, UCLA SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN >>DAW(Bertha)>>CDA/SHN via Jay Ashley notes
1882. 11/17/73 Flac - 0, 22799 Los Angeles Pauley Pavilion, UCLA This is a FLAC composite of different sources that all have cassette/reel flip cuts at various points of the show. See text document for further info notes
1883. 11/17/73 - , 166357 Los Angeles Pauley Pavilion, UCLA flac2496; Recorded by Charles Conner from floor level seats on the right side with a Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes; Transfer of re-shelled master cassettes on November 15, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 16, 2023 by Jim Blackwood; Speed/pitch adjusted by Jason Chastain notes
1884. 11/17/73 - , 166358 Los Angeles Pauley Pavilion, UCLA flac1648; Recorded by Charles Conner from floor level seats on the right side with a Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes; Transfer of re-shelled master cassettes on November 15, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 16, 2023 by Jim Blackwood; Speed/pitch adjusted by Jason Chastain notes
1885. 11/20/73 Flac 16 - 0, 83165 Denver Denver Coliseum flac16; Partial set 2 matrix mix using Cary Wolfson AUD shnid=22879 and sbd shnid=1234 by Matt Vernon notes
1886. 11/20/73 Shn - 0, 1234 Denver Denver Coliseum S:MR > DAT > CD > EAC > SHN; via David Hollister, G. S. Hamilton; note UJB may be from different source?; note portions of set 2 on these discs are in "SBD order" vs. "true" order- see public comments for details notes
1887. 11/20/73 Flac 16 - 0, 76616 Denver Denver Coliseum flac16; main source: S:MR > DAT > CD > EAC > SHN (shnid 1234) patch source: MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) (shnid 22879) notes
1888. 11/20/73 Flac 16 Mtx - 0, 133392 Denver Denver Coliseum flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:1234) MR > DAT > CD > EAC > SHN and Audience (shnid:22879) Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes
1889. 11/20/73 Flac 24/96 - 0, 144266 Denver Denver Coliseum flac24; Master Soundboard Cassettes > Will Boswell's 1st generation Reels @ 3.75 ips; There is speculation that there may be an additional cassette generation before Will Boswell's Reels (Garcia's?). This is part of the Debbie Stash; Transfer Info: 1st (possibly 2nd) Generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496 notes
1890. 11/20/73 Flac 16/48 - 0, 144265 Denver Denver Coliseum flac16/48kHz; Master Soundboard Cassettes > Will Boswell's 1st generation Reels @ 3.75 ips There is speculation that there may be an additional cassette generation before Will Boswell's Reels (Garcia's?); This is part of the Debbie Stash; Transfer Info: 1st (possibly 2nd) Generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
1891. 11/20/73 Flac 16 - 0, 144245 Denver Denver Coliseum flac16; This is a pitch corrected, patched and re-mastered version of the source ID 1234 sbd.hollister source: Source Info: Master Soundboard Reels > (most likely Dick's cassettes) > Dat > CD > EAC > SHN to flac via TLH) > Adobe Audition CC 2019 notes
1892. 11/20/73 Shn - 0, 22879 Denver Denver Coliseum MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) A > D by David Minches EAC > SHN by Jack Warner (jackmw1ATsbcglobalDOTnet) notes
1893. 11/21/73 Flac 16 - 0, 97468 Denver Denver Coliseum flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller (This source fixes swapped channels on source id 88612.) notes
1894. 11/21/73 Flac 16 - 0, 88612 Denver Denver Coliseum flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation notes
1895. 11/21/73 Flac Mtx. - 0, 133522 Denver Denver Coliseum flac; 2 Source Matrix by Dusborne; Soundboard(shnid:97468) SBD -> Master Reel -> Cassette -> Dat -> CD; CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC and Audience(shnid:22096) Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes
1896. 11/21/73 Shn - 0, 22096 Denver Denver Coliseum MAC (Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes
1897. 11/21/73 Shn - 0, 192 Denver Denver Coliseum via D. Barrick (hurtsme2); B. Yerys reports digiprobs at d1t1 ~0:42, d1t4 ~1:10, d2t2 ~10:38 notes
1898. 11/21/73 Shn - 0, 22097 Denver Denver Coliseum MSR > DAT > CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > CDWave v1.71 (tracking) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) Patches: MAC (Taped Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) notes
1899. 11/23/73 Flac 16 - 0, 112801 El Paso County Coliseum flac16; Recording Info:SBD -> Reel Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1900. 11/23/73 Shn - 0, 6702 El Paso County Coliseum retracked, edited version of previous shn set, for 90 min CDs (see info), by Bob Clevenger notes
1901. 11/23/73 Shn - 0, 194 El Paso County Coliseum notes
1902. 11/25/73 Flac 16 - 0, 113007 Tempe Feyline Field flac16; Recording Info:SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1903. 11/25/73 Shn - 0, 2213 Tempe Feyline Field MSR> Cass.> DATs> CDRs> EAC> SHN; via Darrin Sacks; see info file for known flaws; note md5s for d2t8-10 filler tracks (12/4/71) added here 1/24/01 notes
1904. 11/25/73 Flac 16/44,1 - 0, 150853 Tempe Feyline Field flac16/44.1khz Recording Info: SBD > Reel Master > Dat (44.1k) Transfer Info: Dat (Tascam DA-40) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC notes
1905. 11/25/73 Flac 16/44 - 0, 150897 Tempe Feyline Field flac16/44khz 1Recording Info: SBD > Reel Master > Dat (44.1k) Transfer Info: Dat (Tascam DA-40) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC notes
1906. 11/30/73 Shn - 0, 8099 Boston Music Hall sbd > ? > CDR; Some songs from this date are featured on Dick's Picks 14; go buy it notes
1907. 11/30/73 Flac 16 Mtx - 0, 124131 Boston Music Hall flac16; 2 source matrix by dusborne; Soundboard (shnid:8099) sbd > ? > CDR > EAC(secure) > mkwact(seekable) and Audience (shnid:17277) Source: AUDMC(unknown mics) > ? > C > DAT; DAT > WAV(48Khz) Marc Pujol Encoding: WAV(48kHz) > Cool Edit > CDWav > mkwact > SHN notes
1908. 11/30/73 Shn - 0, 17227 Boston Music Hall unknown audience recording via David Minor encoded by Matt Vernon and Marc Pujol notes
1909. 11/30/73 Flac 16/44 - , 155310 Boston Music Hall flac1644; Partial; Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2022 notes
1910. 12/01/73 Flac 16 - 0, 112205 Boston Music Hall flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1911. 12/01/73 Flac 16 Mtx - 0, 124132 Boston Music Hall flac16; 2 source matrix by dusborne Soundboard (shnid:112205) SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional 11.2 -> FLAC and Audience (shnid:110781) FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend. Transfer: Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. notes
1912. 12/01/73 Shn - 0, 4337 Boston Music Hall SBD> MR> DAT> Sonic Solutions> CDR; shn by Tony Gardner, from Paul B.'s discs; note more complete than previous shn versions notes
1913. 12/01/73 Shn - 0, 4972 Boston Music Hall same info file as previous shn set, but md5s differ; poss reDAE/reshn by unIDed person? notes
1914. 12/01/73 Shn - 0, 18094 Boston Music Hall AUDMC(unknown mics) > ? > C > DAT via David Minor, encoded by Marc Pujol and Matt Vernon notes
1915. 12/01/73 Flac 16 - 0, 98049 Boston Music Hall flac16; Audience Analog Master>cdr>eac>flac; Joe Maloney Master Recording notes
1916. 12/01/73 Shn - 0, 6648 Boston Music Hall Master Soundboard Reels > PCM > DAT> CDR; CD Mastering by Scott Clugston notes
1917. 12/01/73 Flac 16 - 0, 110781 Boston Music Hall flac16; FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend. Transfer: Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. notes
1918. 12/02/73 Shn - 0, 3415 Boston Music Hall Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston;a few seconds of overlap between d2,3; to abgd notes
1919. 12/02/73 Flac 16 Mtx - 0, 124133 Boston Music Hall flac16; 3 source matrix by dusborne Soundboard (shnid:3415) Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston; Audience (shnid:17278) Source: MAC > ? > C > DAT > CDR DAT > WAV(48kHz) by Marc Pujol; Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN(seekable) by mvernon54@attbi.com; and Audience (shnid:110782) FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. Transfer: Maxell UD90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. notes
1920. 12/02/73 Shn - 0, 4733 Boston Music Hall same info file as previous shn set, but md5s differ; poss reDAE/reshn by unIDed person?; hosted by Mike Lai notes
1921. 12/02/73 Shn - 0, 17278 Boston Music Hall unknown audience tape via David Minor encoded by Matt Vernon and Marc Pujol notes
1922. 12/02/73 Flac 16/44 - 0, 110782 Boston Music Hall flac16; FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassette, kindly provided by Tim Friend. Transfer: Maxell UD90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. notes
1923. 12/02/73 Flac 16/48 - 0, 150276 Boston Music Hall flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > DAT (48k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller notes
1924. 12/04/73 Flac - 0, 86839 Cincinnati Cincinnati Gardens flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839). notes
1925. 12/04/73 Shn - 0, 11800 Cincinnati Cincinnati Gardens Partial; Half of last song and encore; See info file for details; master soundboard cassette > reel > pcm > dat > cdr; Seeded to etree by Jools notes
1926. 12/04/73 Flac - 0, 30656 Cincinnati Cincinnati Gardens flac16; SET ONE ONLY SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller notes
1927. 12/06/73 Flac 16 - 0, 105560 Cleveland Public Hall flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of source ID 4452 notes
1928. 12/06/73 Shn - 0, 4452 Cleveland Public Hall SBD MR > 1 cass gen > DAT > (AUD patching)> CD > EAC > SHN> slight retrack for d2t3, d3t1, d3t4> shnv2 on those tracks; d3 tracked for 80 min; see notes in info file; seed via David Gans, Jim Powell, Dave Greenberg; shns via Seth Kaplan, Alan Fink, G.S. Hamilton notes
1929. 12/06/73 Flac 16 - 0, 132261 Cleveland Public Hall flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1930. 12/06/73 Shn - 0, 195 Cleveland Public Hall partial; S:MR> Cass> SonicSolutions> DAT> ZA2> CD; via R. Nayfield (from Gans seed?); Reel Splice in Eyes from master notes
1931. 12/06/73 Shn - 0, 6703 Cleveland Public Hall retracked, slightly edited version of previous shn set, for 1x90 min CD (see info), by Bob Clevenger notes
1932. 12/06/73 Flac 16 - 0, 102750 Cleveland Public Hall flac16; Recording Info: SBD > MR > cassette > DAT > CD; Transfer Info: CD > Wav > Sound Forge 9 for compression, volume and EQ > FLAC; remastered version of source ID 4452 notes
1933. 12/06/73 Flac 16 - 0, 147505 Cleveland Public Hall flac16; Recording Info: SBD > Master Reel > Dat; Transfer Info: Dat > Samplitude Professional v11.2.1 > FLAC; Remastering Info: FLAC > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/16 notes
1934. 12/06/73 Flac 16/48 - , 166462 Cleveland Public Hall flac1648 Recorded by Dave Cubbedge on a Sony portable stereo recorder with a stereo mic. LINEAGE: Master > TDK SA copy > WAV > FLAC notes
1935. 12/08/73 Flac 16 - 0, 105607 Durham Cameron Indoor Stadium, Duke University flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 1811 notes
1936. 12/08/73 Shn - 0, 1811 Durham Cameron Indoor Stadium, Duke University SBD:MR> C> DAT> CD> EAC> SHN; via Kirby (Chalupa) Bell, Andy Gustin; note Beginning of Bertha is clipped, JBG is from an AUD source notes
1937. 12/08/73 Flac 16 - 0, 106139 Durham Cameron Indoor Stadium, Duke University flac16; source: aud 1st gen reel* taped by Jerry Moore mastered on sony tc-110 lineage: aud cassette master>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 2496>pc>adobe audition 2.0(levels, dc offset)>cd wave>16/44.1>flac transferred & seeded by Rob Berger notes
1938. 12/08/73 Flac 24/96 - 0, 106138 Durham Cameron Indoor Stadium, Duke University flac24; source: aud 1st gen reel* taped by Jerry Moore mastered on sony tc-110 lineage: aud cassette master>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 2496>pc>adobe audition 2.0 (levels, dc offset)>cd wave>flac notes
1939. 12/08/73 Flac 16 - 0, 141376 Durham Cameron Indoor Stadium, Duke University flac16; Recording Info: Master Soundboard Reel > Dat (16/44.1k)(Dick Latvala); Transfer Info: Dat (Panasonic SV-3800) > Pro Tools (.wav 16/44.1k) > Samplitude Professional v10.22 > Adobe Audition 3.0 > TLH flac16 notes
1940. 12/08/73 Shn - 0, 7586 Durham Cameron Indoor Stadium, Duke University Stereo Soundboard > Master Reel > ? > CD > SHN; via unknown person; May be a re-eac of previous shn set notes
1941. 12/08/73 Flac 16 - 0, 105268 Durham Cameron Indoor Stadium, Duke University notes
1942. 12/08/73 Flac 24/96 - 0, 152573 Durham Cameron Indoor Stadium, Duke University flac24/96 Source: Unknown Audience Cassette (high gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac24 edited and mastered SIRMick June 2021 notes
1943. 12/08/73 Flac 16 - 0, 152572 Durham Cameron Indoor Stadium, Duke University flac16/44 Source: Unknown Audience Cassette (high gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick June 2021 notes
1944. 12/10/73 Shn - 0, 11799 Charlotte Charlotte Coliseum Partial; Last two songs and encore; See info file for details; master soundboard cassette > reel > pcm > dat > cdr; Seeded to etree by Jools notes
1945. 12/12/73 Flac 16 - 0, 105561 Atlanta The Omni flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of source ID 6023; Upgrade in circulation notes
1946. 12/12/73 Flac 16 - 0, 123585 Atlanta The Omni flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a re-master of source ID 105561 notes
1947. 12/12/73 Shn - 0, 3410 Atlanta The Omni souncheck apparently circulates as filler on circulating copy of 11/4/77. notes
1948. 12/12/73 Shn - 0, 6023 Atlanta The Omni nearly complete, with soundcheck; MR > C > DAT > CDR; via Trei Hobbs notes
1949. 12/12/73 Flac 16 - 0, 102910 Atlanta The Omni flac16; Remaster of SHNID 6023 (Recording Info: Sbd > MR > C > CDR) Transfer Info: CDR > Soundforge 8 for many adjustments > Flac Transfer notes: Soundcheck recording changes: Volume increase, EQ and balance adjustments. Main show recording changes: Pitch of entire show was slowed to match A=440. It's close but not perfect, as pitch varied throughout. Volume was increased to modern standards Tape hiss, while still present, was reduced, without compromising overall fidelity notes
1950. 12/18/73 Flac 16 - 0, 113498 Tampa Curtis Hixon Convention Hall flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1951. 12/18/73 Flac 16 Mtx - 0, 126123 Tampa Curtis Hixon Convention Hall flac16; 3 source matrix: Soundboard (shnid 97511); AdamG's audience recording (new flat transfer); and Dan McDonald's audience recording (new flat transfer) notes
1952. 12/18/73 Flac 16 Mtx - 0, 123373 Tampa Curtis Hixon Convention Hall flac16; matrix of shnid 122508 (source 1 AUD) and shnid 116498 (source 2 SBD); matrixed by Monte Barry notes
1953. 12/18/73 Flac 16 - 0, 97511 Tampa Curtis Hixon Convention Hall flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
1954. 12/18/73 Shn - 0, 3119 Tampa Curtis Hixon Convention Hall SBD Reel master > cassette > DAT > CDR (unknown gens); info file circulating with the shn set falsely says this is via G.S. Hamilton- it is not. Please use md5s to ID copies in circulation. This copy has 7 tracks in d2, Greg's real shn set has 9. Reel change in Wharf Rat (d3t04) @ 6:36; reported noise reduction on this copy- see comments notes
1955. 12/18/73 Shn - 0, 12469 Tampa Curtis Hixon Convention Hall further retracking and slight editing of previous retracked shn set, by Bob Clevenger notes
1956. 12/18/73 Shn - 0, 12214 Tampa Curtis Hixon Convention Hall SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > CDWav retracking> SHN; Extraction, retracking, shortening by G.S. Hamilton (for real). Please use md5s to ID copies in circulation. Note d2 has 9 tracks; alternate shn set in circulation has 7 d2 tracks and is not really via Greg, but is apparently from another CD set. (This has same reel change in Wharf Rat (d3t04) @ 6:36.); note noise reduction notes in pub comments apparently pertain to alternate shn set only, no NR on this entry notes
1957. 12/18/73 Flac 16 - 0, 122508 Tampa Curtis Hixon Convention Hall flac16; Audience Cassette->Nakamichi Dragon->Sony PCMR300 Dat (16/44.1)->Sound Forge eq and normalization notes
1958. 12/19/73 Flac 16 - 0, 113503 Tampa Curtis Hixon Convention Hall flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1959. 12/19/73 Flac 16 - 0, 126124 Tampa Curtis Hixon Convention Hall flac16; Matrix from sources: soundboard: 97361; and Dan McDonald's audience tape (new flat transfer) notes
1960. 12/19/73 Shn - 0, 197 Tampa Curtis Hixon Convention Hall "DP 1 Leftovers"; via Gans, D. Finney; rest is on Dick's Picks 1- go buy it notes
1961. 12/19/73 Flac 16 - 0, 97261 Tampa Curtis Hixon Convention Hall flac16; Recording Info:SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1962. 12/19/73 Shn - 0, 86ß2 Tampa Curtis Hixon Convention Hall Audience; MAC>PCM>Cassette>CD; Seeded to etree by Scott Clugston; Note- Parts of this show appear on DP1; go buy it notes
1963. 12/19/73 Flac 16 - 0, 107984 Tampa Curtis Hixon Convention Hall flac16; soundboard source shnid=97361: (Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC); Patch source: Sony EMC-22 mic-> cheap mono cassette (probably Sony) - TDK SD C90s -> Tascam 112-> M-Audio Audiophile 24/96 at 24 bit, 96 kHz. Converted to 16-bit, 44.1 kHz and edited using Diamond Cut 7.5 Forensics. Also used DC 7.5 to correct for a slight azimuth alignment problem, cross-faded and cut on sector boundaries. Converted to flac with trader's little helper notes
1964. ??/??/73 Flac 16 - 0, 97924 Various Studio Rehearsals flac16; Lineage: Unknown Studio Recording -> Sonic Solutions -> CD Transfer: CD -> EAC ->FLAC by Joe Samaritano notes
1965. 02/22/74 Flac 16 - 0, 114556 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1966. 02/22/74 Shn - 0, 21128 San Francisco Winterland Arena Lineage: SBD > D > CD > SSSB *12-14-2002* Files were run through shntool to correct sector boundary errors. The date was also corrected as the soundcheck does not circulate from the 24th, because there wasn't one....FLAC encoding and shntool processing done by Mr. Marmar 12/2002 Converted from flac to shn by SIRMick (thedarkstar@btinternet.com) notes
1967. 02/22/74 Shn - 0, 26763 San Francisco Winterland Arena mixed SBD sources: Vault MR> DAT 48k, plus MR> Cassette> DAT 44.1k, with small patches from MR> Cassette> DAT> CD; Transfer: DAT> Audiophile 2496> Samplitude v7.02 Professional> SHN; Transfer, editing, and SHN by Joe Samaritano, with thanks to Michael P. Weitzman, David Gans, Charlie Miller notes
1968. 02/22/74 Shn - 0, 21539 San Francisco Winterland Arena Sources: 1 - sbd > ? > shn > wav > shn 2 - sbd > cass? > cdr > wav > shn via SIRMick (thedarkstar@btinternet.com) notes
1969. 02/22/74 Shn - 0, 11654 San Francisco Winterland Arena SBD > ? > SHN; Missing Sugar Mag's & UJB; Unknown seeder notes
1970. 02/22/74 Shn - 0, 8623 San Francisco Winterland Arena soundcheck, reportedly this date although mislabeled as 2/24/74 on shn set; SBD > RTR @ 7.5 i.p.s. > D > SSSB; no PCM- see info file; via Jay Serafin to gdlive notes
1971. 02/22/74 Flac 16 - 0, San Francisco Winterland Arena Fixed version of Shnid = 115446 notes
1972. 02/23/74 Flac 16 - 0, 115607 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1973. 02/23/74 Shn - 0, 26362 San Francisco Winterland Arena Bertha Remaster of the Master Reel source; SBD> MR> DAT> CDA> SHN> DAW (Bertha)> CDA/SHN, by Jay Ashley notes
1974. 02/23/74 Shn - 0, 3382 San Francisco Winterland Arena complete; Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; d3 tracked for 80 min notes
1975. 02/23/74 Shn - 0, 198 San Francisco Winterland Arena incomplete; SBD > Reel > PCM > DAT > CD > EAC > SHN; via Jay Serafin, Seth Kaplan, G.S. Hamilton; missing Big River, Ramble On Rose, Me And My Uncle, Casey Jones; note complete copy now in shn notes
1976. 02/23/74 Flac 16 - 0, San Francisco Winterland Arena Fixed version of shni = 115607. notes
1977. 02/24/74 Flac 16 - 0, 116902 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1978. 02/24/74 Shn - 0, 21370 San Francisco Winterland Arena SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R->HP 8200i CDRW Drive (EAC)->SHNCD Mastered by Jay Serafin gdtrfb95@flash.net sector boundaries fixed with shntool, new shns and md5s SIRMick(thedarkstar@btinternet.com) notes
1979. 02/24/74 Shn - 0, 13961 San Francisco Winterland Arena Shntool fix of original Jay Serafin seed; Note- This is part of a group effort to fix 'all' of Jay Serafin's seeds so that they conform to redbook standards regarding sector boundary errors; Read more about the effort at etree forums; SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R-> HP 8200i CDRW Drive (EAC)->SHNCD notes
1980. 02/24/74 Shn - 0, 199 San Francisco Winterland Arena SBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional? PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)> SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated in accompanying info file, and thus does not require overburning (possibly was EZCD artifact?); no flaws noticed notes
1981. 02/24/74 Flac 16 - 0, 136276 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
1982. 02/24/74 Flac 16 - 0, 136266 San Francisco Winterland Arena flac16; Unknown Audience Recording > PCM; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Pitch Corrected By Kevin Tobin In Adobe Audition; Mastering in Wavelab 7.1 by Jamie Waddell; 16bit 44.1kHz Track, FLAC and Pack by John Wenzel notes
1983. 02/24/74 Flac 16 Mtx - 0, 136140 San Francisco Winterland Arena flac16; Matrix 2 Source Mix - SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; - matrix mixing by Kevin Tobin notes
1984. 02/24/74 Flac 16 Dts.5.1 - 0, 136141 San Francisco Winterland Arena DTS-Audio-CD 5.1 Mix; SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1 - DTS mixing by Kevin Tobin notes
1985. 02/24/74 Flac 16/48 - 0, 136142 San Francisco Winterland Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1 - mixing by Kevin Tobin notes
1986. 02/24/74 Flac 16 Mtx - 0, 136641 San Francisco Winterland Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes
1987. 02/24/74 Shn - 0, 200 San Francisco Winterland Arena S:MR> PCM> DAT> CD (Jay Serafin); via David Hollister? notes
1988. 02/24/74 Flac 16/44 - 0, 151723 San Francisco Winterland Arena flac16/44 Fixed version of Recording Info: SBD > Master Reel > Dat (44.1k) Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Adobe Audition v3 > Samplitude Professional v11.2 > FLAC notes
1989. 03/23/74 Shn - 0, 1995 Daly City Cow Palace modification of previously-circulating shn set- d2 retracked by Leigh Orf; update: portions of show are now DP24- go buy it notes
1990. 03/23/74 Flac 16 Mtx - 0, 82507 Daly City Cow Palace flac16; Matrix 2 Source Mix - SBD (shnid 1689) + AUD (shnid 78599) notes
1991. 03/23/74 Shn - 0, 1689 Daly City Cow Palace Master Soundboard Reel > DAT > CDR, with patches from Master Soundboard Reel > Cassette > DAT source, and Audience source; d2 is 80 min; via Scott Clugston; note upgrade relative to previously circulating shn set; reported sector boundary probs on d2t4, d2t6- see pub comments; update: portions of show are now DP24- go buy it notes
1992. 03/23/74 Flac 16 - 0, 78599 Daly City Cow Palace flac16; Master Audience Cassette > Dat (or PCM?) Edits & Tracking in Wavelab 6.0 by **__** : BBE processing, Crystal Sample Rate converter, L3 multimaximizer>dithered44.1k/16>FLACfrontend SBE FREE Patches by Michael Hughey in Adobe Audition notes
1993. 03/23/74 Shn - 0, 1186 Daly City Cow Palace incomplete; SBD> reel master> cassette> dat> cdr; via Mike Lai; update: portions of show are now DP24- go buy it notes
1994. 03/23/74 Flac Dts 5.1 - 0, 82531 Daly City Cow Palace DTS Audio 5.1; SBD (shnid 1689) Master Soundboard Reel > DAT + AUD shnid 79610 Master Audience Cassette > Dat (or PCM?) notes
1995. 03/23/74 Shn - 0, 83453 Daly City Cow Palace Sources: AUD MC>(PCM?)>DAT>DA-20>M-Audio 192 (Shnid=78599) Editing and mastering by The Wizard notes
1996. 03/??/74 Shn - 0, 12468 San Francisco Mars Hotel Outtakes Mars Hotel Outtakes; SBD>?>CDR notes
1997. 05/12/74 Shn - 0, 2224 Reno University Of Nevada MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks; previously uncirculated; see notes in info file notes
1998. 05/12/74 Shn - 0, 16749 Reno University Of Nevada MSR>C>DAT>CD w/ pitch corrected aud patches for disk 3 only of SBD seed via Sean Cribbs notes
1999. 05/12/74 Shn - 0, 22248 Reno University Of Nevada Appears to be reshn'd DAE version of SHNID=2224. Extraction and 'fix' performed by Matt. notes
2000. 05/12/74 Shn - 0, 10529 Reno University Of Nevada Partial 2nd Set; AUD>?>CD; via Jack Warner; Seeded to etree by Matt Vernon notes
2001. 05/12/74 Flac 16 Mtx - 0, 90172 Reno University Of Nevada flac16; Matrix 2 Source Mix - SBD (shn id 2224) MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks + AUD (shn id 10529) Partial 2nd Set; AUD>?>CD; via Jack Warner - matrix mixing by Kevin Tobin notes
2002. 05/12/74 Shn Dts 5.1 - 0, 90179 Reno University Of Nevada DTS Audio 5.1; SBD (shn id 2224) MSR>C>DAT>CDRs>EAC>SHN + AUD (shn id 10529)AUD>?>CDRs>EAC>SHN Shns supplied by Jack Warner - dts mixing by Kevin Tobin notes
2003. 05/12/74 Flac 16 - 0, 90176 Reno University Of Nevada flac16; AUD>?>CDRs>EAC>SHN - original shnid 10529 - audio patches and speed correction by Kevin Tobin notes
2004. 05/12/74 Flac 16 - 0, 150221 Reno University Of Nevada flac16; Recording Info: SBD > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC notes
2005. 05/14/74 Flac - 0, 114462 Missoula Adams Field House, University Of Montana flac16; Recording Info: Set 1: SBD -> Master Reel -> Cassette -> Dat (48k); Set 2: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professionl v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2006. 05/14/74 Shn - 0, 1823 Missoula Adams Field House, University Of Montana MSR> cassette> DAT> CD-R> TAE> shn; via Bob Murphy notes
2007. 05/17/74 Flac 16 - 0, 89972 Vancouver P.N.E. Coliseum flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller notes
2008. 05/17/74 Shn - 0, 202 Vancouver P.N.E. Coliseum updated source: Andy Gustin and Jay Ashley report this could be the SBD cass master>1 cass> DAT> 1 cass gen> DAT version noted on Tiedrich's site (had been marked mSR> DAT> CDR> Toast Audio Extraction> SHN); via Andy Gustin; 9/11/73 filler notes
2009. 05/17/74 Flac 16 - 0, 28041 Vancouver P.N.E. Coliseum flac16; set 1,2p; hand-held external stereo mic> portable Sony cassette deck> BASF LH C120 MC> [1 cass gen for Promised only] > HD> CDWave > flac frontend > flac; Taped by: Mike Kent, transferred by Pantagruel notes
2010. 05/19/74 Flac 16 - 0, 116983 Portland Portland Memorial Coliseum flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2011. 05/19/74 Flac 16 Mtx - 0, 131464 Portland Portland Memorial Coliseum flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:116983) Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:115876) Source:Sony ECM18N mics>Sony 152SD deck; Recorded by Pat Lee; Lineage: MAC>R>R>C>WAV>FLAC Transferred and Encoded by Cousinit notes
2012. 05/19/74 Flac 16 - 0, 79781 Portland Portland Memorial Coliseum flac16; Remastered version of shn id 6957: Master Soundboard Reel > PCM > DAT> CDR with tweaks to the spectrum (Waves REQ 4-band), light compression (Waves R-Comp), slight warmth enhancement to the low-end (BBE2 lo-contour) and digitally maximized with the Waves L3 Multimaximizer. notes
2013. 05/19/74 Flac 16 - 0, 115876 Portland Portland Memorial Coliseum flac16; Source: Sony ECM18N mics>Sony 152SD deck; Recorded by Pat Lee; Lineage: MAC>R>R>C>WAV>FLAC; Transferred and Encoded by Cousinit notes
2014. 05/19/74 Shn - 0, 6957 Portland Portland Memorial Coliseum complete; Master Soundboard Reel > PCM > DAT> CDR; EAC'ed / SHN'ed by Scott Clugston notes
2015. 05/19/74 Shn - 0, 203 Portland Portland Memorial Coliseum SBDMR -> DAT; DAT -> CD -> EAC -> SHN; via A. Jerugim; 5/21: copy retracked on sector boundaries by J. Kempka; see public comments for detailed flaw notes notes
2016. 05/19/74 Flac 16 - 0, 106716 Portland Portland Memorial Coliseum flac16; Recording Info: Source 1: SBD -> Master Reel -> Cassette (Maxell XLII-S90/Sony D6/Dolby C); Source 2: SBD -> Master Reel -> Cassette -> Dat -> CD (shnid=6957); Source 3: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Source 1: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Source 2: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Source 3: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
2017. 05/19/74 Flac 16 - 0, 107165 Portland Portland Memorial Coliseum flac16; Recording Info: Source 1: SBD -> Master Reel -> Cassette (Maxell XLII-S90/Sony D6/Dolby C) Source 2: SBD -> Master Reel -> Cassette -> Dat -> CD (shnid=6957) Source 3: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Source 1: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 2: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 3: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
2018. 05/21/74 Flac 16 Mtx - 0, 109887 Seattle Edmundson Pavilion, University Of Washington flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
2019. 05/21/74 Flac 16 Mtx - 0, 87114 Seattle Edmundson Pavilion, University Of Washington flac16; Matrix 2 Source Mix - SBD (shn id 2597) MSR>C>Dats>CD>EAC>SHN>.WAV + AUD (shn id 10150) AudMC > WAV > SHN - matrix mixing by Kevin Tobin notes
2020. 05/21/74 Flac 16 - 0, 98822 Seattle Edmundson Pavilion, University Of Washington flac16; Recording Info: Sony ECM18N -> Cassette Master (Sony 152SD) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Pat Lee notes
2021. 05/21/74 Flac 16 - 0, 114321 Seattle Edmundson Pavilion, University Of Washington flac16; Updated source: Audience recording by Don Amick; Transcription Pathway: Maxell XLII-90 cassettes (unknown generation) ? Nakamichi DRAGON (no Dolby, EQ 120 µsec) ? ADC Sound Shaper Two Mk II stereo frequency equalizer ? Edirol UA-5 T-MOD PLUS (custom-modified by the Oade Brothers) (driven by MME, in advanced mode; set to Red Book Standard for LPCM streaming) ? USB 2.0 ? Audacity 1.2.6 (set to 32-bit float/44.1kHz resolution for recording LPCM stream; set to Red Book Standard and, with snap-to on, to cdda min:sec:frames 75 fps for cutting tracks on sector boundaries and exporting them as .wav’s); Transcribed by George M. Prescott Jr. on October 14, 2010 notes
2022. 05/21/74 Flac 16 - 0, 87143 Seattle Edmundson Pavilion, University Of Washington flac16; Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony (patched version of shn id 10150 see info file for details) notes
2023. 05/21/74 Flac Dts 5.1 - 0, 87124 Seattle Edmundson Pavilion, University Of Washington DTS Audio 5.1; SBD (shn id 2597) MSR>C>Dats>CD>EAC>SHN>.WAV> Samplitude2496 + AUD (shn id 10150) AudMC > WAV > SHN - dts mixing by Kevin Tobin notes
2024. 05/21/74 Shn - 0, 1347 Seattle Edmundson Pavilion, University Of Washington S:MR > cassette > DAT > CD > EAC > SHN, except Playing In The Band, which is S:MR > DAT > CD > EAC > SHN, with 26 seconds of aud patched in; DAE/SHN by Seth Kaplan, upload by G.S. Hamilton; see info file for misc notes; previously uncirculated; note offbeat tracking- see pub comment notes
2025. 05/21/74 Flac 24 - 0, 89901 Seattle Edmundson Pavilion, University Of Washington flac24; Recording Info: Sony ECM18N -> Cassette Master (Sony 152SD) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Pat Lee notes
2026. 05/21/74 Shn - 0, 2597 Seattle Edmundson Pavilion, University Of Washington MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN; Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip; remastered version of previous shn set, courtesy Josh Belkin notes
2027. 05/21/74 Shn - 0, 22801 Seattle Edmundson Pavilion, University Of Washington MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496 (shn id 2597) patched with AudMC > WAV > SHN (10150) via Charles Wier notes
2028. 05/21/74 Shn - 0, 10150 Seattle Edmundson Pavilion, University Of Washington AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony; via David Minches; Seeded to etree by Noah Weiner notes
2029. 05/21/74 Flac 16/48 - 0, 150950 Seattle Edmundson Pavilion, University Of Washington flac16/48khz Source Info: Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes
2030. 05/21/74 Flac 24/96 - 0, 150951 Seattle Edmundson Pavilion, University Of Washington flac24/96khz Source Info: Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes
2031. 05/25/74 Shn - 0, 205 Santa Barbara Campus Stadium, UCSB MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn; via Jonathan Miller, Adam Roux; David Hollister reports problems on USB track notes
2032. 05/25/74 Flac 16 Mtx - 0, 111432 Santa Barbara Campus Stadium, UCSB flac16; Matrix: 60%sbd/40% aud; Sources: Master Soundboard Reel > Dick Latvala's Cassette > DAT > mastered to CD-R on an HHB CDR-850 > .shn (shnid 2635) Originally seeded to phlash.etree.org by Johnathan Miller. FOB Audience Recording by Jeremy Witt (shnid 111301) Preserved in posterity for 36 years by Jay Abrams (jra-sm) Recording Equipment: Sony TC-152, Sony Mics, BASF 120 minute cassettes, Dolby B Analog to Analog Transfer June 1974: Sony TC-152 -> Teac 1230 - Scotch 150, 7" Reels at 3 3/4 ips Transfer by Jim Blackwood Dec 23 2010 Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion TLH for FLAC8 SBE Free notes
2033. 05/25/74 Flac 16 - 0, 111301 Santa Barbara Campus Stadium, UCSB flac16; Recording Info: FOB Audience Recording by Jeremy Witt Preserved in posterity for 36 years by Jay Abrams (jra-sm) Recording Equipment: Sony TC-152, Sony Mics, BASF 120 minute cassettes, Dolby B Analog to Analog Transfer June 1974: Sony TC-152 -> Teac 1230 - Scotch 150, 7" Reels at 3 3/4 ips Transfer by Jim Blackwood Dec 23 2010 Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion TLH for FLAC8 SBE Free notes
2034. 05/25/74 Shn - 0, 2635 Santa Barbara Campus Stadium, UCSB MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn DAE/reSHN of shn id 205 shn set, via Doug Moog. David Hollister reports problems on USB track notes
2035. 05/25/74 Flac 16 - , 162440 Santa Barbara Campus Stadium, UCSB flac16; Soundboard Reel >DAT >CDR >FLAC Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o by OldNeumanntapr notes
2036. 06/08/74 Flac 16 - 0, 97268 Oakland Oakland-Alameda County Coliseum b>flac16; Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC; Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; Re-mastered By Charlie Miller notes
2037. 06/08/74 Flac 16 - 0, 97182 Oakland Oakland-Alameda County Coliseum flac16; Set 1 & encores MR>R(JG)>R(WB & Pat Lee)@ 3 3/4 ips. Set 2 Lineage: MR>DAT Transfer info: Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs on the GEMS Edit Station>Trac'ed Cdwave Flac'ed level 8 TLH notes
2038. 06/08/74 Flac 16 Mtx - 0, 135277 Oakland Oakland-Alameda County Coliseum flac16; 2 source matrix by Dusborne; Soundboard (shnid:97268), Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC, Re-Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC, Re-mastered By Charlie Miller; Audience (shnid:94596), FOB Master Cassettes (MAC), Analog Lineage: 1 x Sony ECM250 => Sony TC-110 >> MAC, Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96],Mastering: WAV 24/96 > Audition 3.0 > Wavelab 5.0 > Izotope Ozone3(dithering) > CDWave > TLH > Flac 2496, Taped By: Louis Falanga, Transfer By: Bob Menke, Mastering By: Paul Gilbert notes
2039. 06/08/74 Shn - 0, 2365 Oakland Oakland-Alameda County Coliseum Master Audience Reel > Reel to Reel > PCM > DAT, plus Master Soundboard Reel > DAT (Playin' > Wharf Rat> Playin', plus Eyes); mastered and seeded by Scott Clugston with thanks to Skankweed; d3 tracked for 80 min; Ship cut on master notes
2040. 06/08/74 Flac 24 - 0, 94596 Oakland Oakland-Alameda County Coliseum flac24; Analog Lineage: 1 x Sony ECM250 => Sony TC-110 >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> Audition 3.0 >> Wavelab 5.0 >> Izotope Ozone3(dithering) >> CDWave Taped By: Louis Falanga Transfer By: Bob Menke Mastering By: Paul Gilbert Tagged By: Jeff Thomas notes
2041. 06/08/74 Flac 16 - 0, 94594 Oakland Oakland-Alameda County Coliseum flac16; Analog Lineage: 1 x Sony ECM250 => Sony TC-110 >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> Audition 3.0 >> Wavelab 5.0 >> Izotope Ozone3(dithering) >> CDWave >> TLH >> Flac 1644 Taped By: Louis Falanga Transfer By: Bob Menke Mastering By: Paul Gilbert Tagged By: Jeff Thomas notes
2042. 06/16/74 Shn - 0, 26452 Des Moines Des Moines State Fair Grandstand mixed SBD sources: Set 1: MSR> C> DAT> CD Set 2 & 3: MSC> DAT> CD (except for patch in Wharf Rat which is MSR> ?> DAT> CD), lineage reported by Andy Lemieux; assembled/fixed by Sean Cribbs from Alan Fink's, Steve Windsor's and Andy's source material (see notes in txt) notes
2043. 06/16/74 Shn - 0, 207 Des Moines Des Moines State Fair Grandstand SBD (could be MR> C> D); complete version via M. Bryan, G. Hamilton; Bertha- splice @ 4:04- serious mix problems prior to this; Sugaree- MR flip @ 3:59; Playin'- d/o @0:01, d/o @3:16; T.Jed- <1 sec. digi-noise @0:02; W.Rat- MR flip @2:50 notes
2044. 06/16/74 Shn - 0, 17701 Des Moines Des Moines State Fair Grandstand S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself notes
2045. 06/16/74 Flac 24/96 - 0, 136659 Des Moines Des Moines State Fair Grandstand flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger notes
2046. 06/16/74 Flac 16 - 0, 136660 Des Moines Des Moines State Fair Grandstand flac16; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger notes
2047. 06/16/74 Flac 16/48 - 0, 136709 Des Moines Des Moines State Fair Grandstand flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=17701) S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself + AUD (shnid=136659) flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger - mixing by Kevin Tobin notes
2048. 06/16/74 Flac Dts 5.1 - 0, 136707 Des Moines Des Moines State Fair Grandstand DTS-Audio-CD 5.1 Mix; SBD (shnid=17701) S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself + AUD (shnid=136659) flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger - DTS mixing by Kevin Tobin notes
2049. 06/16/74 Flac 16 Mtx - 0, 136706 Des Moines Des Moines State Fair Grandstand flac16; Matrix 2 Source Mix - SBD (shnid=17701) S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself + AUD (shnid=136659) flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger - matrix mixing by Kevin Tobin notes
2050. 06/16/74 Shn - 0, 15781 Des Moines Des Moines State Fair Grandstand S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details notes
2051. 06/16/74 Flac 16 - 0, 143135 Des Moines Des Moines State Fair Grandstand flac16; Partial Show Source: SBD > MR > Dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 >wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/48 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered by SIRMick notes
2052. 06/18/74 Flac 16 - 0, 89690 Louisville Freedom Hall flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> SHN -> Cool Edit Pro -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
2053. 06/18/74 Shn - 0, 18150 Louisville Freedom Hall Bertha Remaster of the digitized Master Reel source. SBD>>MR>>DAT>>ZA2>>SHN>>DAW(Bertha) - Sound A notes
2054. 06/18/74 Flac 16 - 0, 32528 Louisville Freedom Hall flac16; Speed Corrected Version of the SBD>MR>1 cass>DAT>ZA2>SHN source Additional lineage for this version: SHN (id=209) > WAV > Cool Edit Pro (see notes) > FLAC(8) notes
2055. 06/18/74 Shn - 0, 209 Louisville Freedom Hall SBD> MR>1 cass> DAT> ZA2> SHN; newly circulating crisp version); via D. Sacks, D. Hollister; note d3t2 was bad 11/5, fixed 11/8 notes
2056. 06/20/74 Shn - 0, 2179 Atlanta The Omni Master 7", 2 track Soundboard Reel > Cassette > DAT > CDR; uploaded by Scott Clugston; via "the usual"; to abgd, later to etree; note d1 tracked for 80 min notes
2057. 06/20/74 Flac 16 - 0, 105427 Atlanta The Omni flac16; Recording Info: SBD > MR > Cassette > DAT > CD; Transfer Info: CD > Soundforge 8 to retrack and eliminate dead air-no music was cut! > Flac 16. Sourced from shnid 2179 notes
2058. 06/20/74 Shn - 0, 211 Atlanta The Omni Set II, E; SBD reel -> ??? -> CD; t4 8:50 small reel blip; via D. Finney; additional source info not forthcoming notes
2059. 06/22/74 Flac 16 Mtx - 0, 106179 Miami Jai-Alai Fronton flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
2060. 06/22/74 Flac 16 - 0, 90200 Miami Jai-Alai Fronton flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller notes
2061. 06/22/74 Flac 24 - 0, 106156 Miami Jai-Alai Fronton flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC24) notes
2062. 06/22/74 Shn - 0, 212 Miami Jai-Alai Fronton MR> C> DAT2> CDR3> EAC> SHN; via Darrin Sacks notes
2063. 06/22/74 Shn - 0, 30972 Miami Jai-Alai Fronton SBDMR> CASS> DAT> CD> EAC> SHN> DC6> CD; THE OWEN BROTHERS VAULT; Editing and Mastering by The Wizard notes
2064. 06/22/74 Shn - 0, 30999 Miami Jai-Alai Fronton Source: AUD>CASS>DAT>WAV>SHN>DC5>WAV>SHN ; THE OWEN BROTHERS VAULT ; mastering of SHNid=14193; Editing and Mastering by The Wizard notes
2065. 06/22/74 Shn - 0, 14193 Miami Jai-Alai Fronton AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen, December 2002 DAT > SHN/CD by Noah Weiner (noahbw@attbi.com) December, 2002 Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track ids) > SHNTOOL (SBE fix) > MKW (shn) notes
2066. 06/22/74 Flac 24/96 - 0, 105825 Miami Jai-Alai Fronton flac24; akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seed by Rob Berger; lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac notes
2067. 06/22/74 Flac 16 - 0, 140873 Miami Jai-Alai Fronton flac16; Soundcheck Recording Info: Soundboard > ?? > PCM (16 bit) (Sony HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
2068. 06/22/74 Flac 16 - 0, 145646 Miami Jai-Alai Fronton flac16; akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seed by Rob Berger; lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac; This file set is 16 bit @ 44.1 notes
2069. 06/22/74 Flac 16 - 0, 83488 Miami Jai-Alai Fronton flac 16; Sick Bits Vol. 21a - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=212) + AUD (shnid=14193). Matrixed by Chris Chappell notes
2070. 06/22/74 Flac 16 - 0, 148680 Miami Jai-Alai Fronton flac16; source: aud cassette master; taped by Jerry Moore; new "master" created with the original shn #105825 files; Work done in ProTools LE with final eq tweaks in ocenaudio; see info file for details notes
2071. 06/23/74 Flac 16 Mtx - 0, 105983 Miami Jai-Alai Fronton flac16; Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16) notes
2072. 06/23/74 Flac 16 Mtx - 0, 83489 Miami Jai-Alai Fronton flac 16; Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265). Matrixed by Chris Chappell. notes
2073. 06/23/74 Flac 16 - 0, 116312 Miami Jai-Alai Fronton flac16; sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith notes
2074. 06/23/74 Flac 16 - 0, 84615 Miami Jai-Alai Fronton flac16; source: aud cassette master akg d1000e's>Sony TC-152 taped by Jerry Moore lineage: aud c.m.>dat>cdr>eac>cd wave>flac transfered by Rob Berger '99, tracking by John Tallmadge notes
2075. 06/23/74 Flac 24 - 0, 105867 Miami Jai-Alai Fronton flac24:Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & SHN>AIFF>Final Cut>WAV>FLAC24) notes
2076. 06/23/74 Shn - 0, 96890 Miami Jai-Alai Fronton AudMC > DAT>CD>DC6>CD Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT, DAT > SHN/CD Editing and Mastering by The Wizard, see info file for details notes
2077. 06/23/74 Shn - 0, 7894 Miami Jai-Alai Fronton AUD MR> R> DAT/1> HD> SHN> CD; recorded by Neil Merin - unknown mics > Uhrer 5" master reel; A>D transfer by Noah Weiner; includes SBD-sourced encore notes
2078. 06/23/74 Flac 16 Mtx - 0, 122270 Miami Jai-Alai Fronton flac16; Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin notes
2079. 06/23/74 Flac 24 - 0, 105755 Miami Jai-Alai Fronton flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 notes
2080. 06/23/74 Shn - 0, 30846 Miami Jai-Alai Fronton Remaster of sbd w/ aud patches by Owens Brothers notes
2081. 06/23/74 Flac Dts 5.1 - 0, 122271 Miami Jai-Alai Fronton DTS-Audio-CD 5.1 Mix; SBD (shn id 116312) sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD2 (shnid = 105755) aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - dts mixing by Kevin Tobin notes
2082. 06/23/74 Shn - 0, 213 Miami Jai-Alai Fronton SBD, with patches (see updated info file for details, including about "blank" tracks); "painstakingly complete" version assembled by J. Belkin; also see additional comments from D. Sacks: contrary to original info file, primary SBD was not subject to NR; report from Skank: only discs 1&2 were posted? to abgd at first, fixed d3 before completing; to etree via A. Stern 2/2; pre-fixed d3 may have been etreed earlier- note fixed d3 has 10 tracks notes
2083. 06/23/74 Shn - 0, 14265 Miami Jai-Alai Fronton AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. notes
2084. 06/23/74 Flac 24 Mtx - 0, 122269 Miami Jai-Alai Fronton flac24; Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin notes
2085. 06/23/74 Flac 16 - 0, 145674 Miami Jai-Alai Fronton flac16; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010; 16 bit 44.1 khz version notes
2086. 06/23/74 Shn - 0, 16780 Miami Jai-Alai Fronton MSR>DAT>CD w/ MAC>DAT patches notes
2087. 06/23/74 Flac 16 - 0, 122255 Miami Jai-Alai Fronton flac16; sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith - Patched and speed corrected version of shnid 116312 by Kevin Tobin notes
2088. 06/23/74 Flac 16 - 0, 148679 Miami Jai-Alai Fronton flac16; source: aud cassette master; taped by Jerry Moore; new "master" created from the original files from shn #105755; Work done in ProTools LE with final eq tweaks in ocenaudio; see info file for details notes
2089. 06/26/74 Flac 16 Mtx - 0, 119613 Providence Providence Civic Center flac16; 2 source matrix: Soundboard (shnid=00214): Source for disc 1: SBD>MR>C>DAT>CDR; Source for discs 2,3: MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2) and Audience (shnid=105919): source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd, (3)maxell ud-120's, dolby b nak dragon>hd-p2 24/96>cd wave>flac notes
2090. 06/26/74 Shn - 0, 214 Providence Providence Civic Center MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2); seeded by J. Oleynick; note original d1 contains some static blemishes from 'River through Row Jimmy; fixed d1 provided by S. Agan, 2/28, with different source info: SBD> MR> C> DAT> CDR; note most of set II is available as Dick's 12- go buy it notes
2091. 06/26/74 Flac 16 - 0, 136648 Providence Providence Civic Center flac16; source: aud cassette master; taped by Jimmy Cooper; sony ecm22p’s > hitachi trq-232; nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger notes
2092. 06/26/74 Flac 24/96 - 0, 136647 Providence Providence Civic Center flac24; source: aud cassette master; taped by Jimmy Cooper; sony ecm22p’s > hitachi trq-232; nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger notes
2093. 06/26/74 Shn - 0, 16ß37 Providence Providence Civic Center AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoding by Noah Weiner, gdADT Round 17. Complete with Seastones. notes
2094. 06/26/74 Flac 16 - 0, 140081 Providence Providence Civic Center flac16; Recording Info: SBD > Master Reel > Dat (Panasonic SV-3800/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes
2095. 06/26/74 Flac 24 - 0, 105919 Providence Providence Civic Center flac24; aud cassette master, 24 bit transfer, rec. by Jerry Moore, transfer/seed by Rob Berger notes
2096. 06/26/74 Flac 16 Mtx - 0, 149947 Providence Providence Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 140081 & 105919 notes
2097. 06/26/74 Flac 16/44 - 0, 151833 Providence Providence Civic Center flac16/44 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Brian Mandel gdplusmore@aol.com Master Cassette Nakamichi BX-150 Transfer->Nakamichi BX300 Cassette Maxell XL11-S90 x3 circa 1984 Wave/ Flac Conversion & Editing 2-20-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac Edits Tape Flips - Audacity notes
2098. 06/28/74 Shn - 0, 10984 Boston Boston Garden et 1; SBD> MR> DAT> Sonic Solutions> CD> ?> EAC> SHN; EAC'ed / SHN'ed by Tom Snider, Jr., with thanks to Jeff Cook; other material from show is featured on Dick's Picks 12 itself, go buy it notes
2099. 06/28/74 Shn - 0, 16038 Boston Boston Garden complete; AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoded by Noah Weiner gdADT Round 18 notes
2100. 06/28/74 Flac 24 - 0, 106003 Boston Boston Garden flac24; source: aud cassette master taped by Jerry Moore lineage: aud>sony ecm99 stereo mic>sony tc-152sd (2)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 2/11/10 notes
2101. 06/28/74 Flac - 0, 139780 Boston Boston Garden flac16; Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Samplitude Professional v11.1 > FLAC/16; All Transfers and Mastering by Charlie Miller notes
2102. 06/28/74 Flac 16 Mtx - 0, 149954 Boston Boston Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 139780 & 106003. notes
2103. 06/28/74 Flac 16/44 - , 154913 Boston Boston Garden flac1644; Partial Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2021 notes
2104. 06/30/74 Flac 16 - 0, 96275 Springfield Springfield Civic Center flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2105. 06/30/74 Flac 16 Mtx - 0, 97185 Springfield Springfield Civic Center flac16; SBD + AUD Matrix Mix (65%/SBD + 35%/AUD) from SBD (shnID = 96275) Recording Info: SBD > Master Reel > CD and AUD (shnID = 15537) AudMC > DAT > WAV > SHN notes
2106. 06/30/74 Shn - 0, 216 Springfield Springfield Civic Center SBD> MR> cass> DATx2> ZA2> CDRx1> EAC> SHN; via Andy, Tiedrich, Skank, A. Stern; to abgd and etree notes
2107. 06/30/74 Shn - 0, 17814 Springfield Springfield Civic Center SBDMR > DATx2 > CD > SHN > WAV > SHN; Soundboard: DAT > CD > SHN transfer by Dan Lynch; Final editing and AUD patching by Noah Weiner notes
2108. 06/30/74 Flac 16 Mtx - 0, 89998 Springfield Springfield Civic Center flac16; Set 2 only, Matrix of the following sources: sbd: mr > datx2 > cd > shn > wav > shn (shnid 17814) and aud: mc > dat > wav > shn (shnid 15537). This source fixed a flaw in d2t04 of shn id 82179 notes
2109. 06/30/74 Flac 16 Mtx - 0, 82179 Springfield Springfield Civic Center flac16; Set II matrix sources: sbd: mr > datx2 > cd > shn > wav > shn (shnid 17814) and aud: mc > dat > wav > shn (shnid 15537) notes
2110. 06/30/74 Shn - 0, 15537 Springfield Springfield Civic Center AudMC > DAT > WAV > SHN Recorded by Jerry Moore, 1st level off floor, audience right, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT by Mark Cohen encoding Noah Weiner gdADT Round #16 notes
2111. 06/30/74 Shn Dts 5.1 - 0, 97225 Springfield Springfield Civic Center DTS Audio 5.1; DTS-Audio-CD 5.1 Mix of SBD (shnID = 96275) Recording Info: SBD > Master Reel > CD and AUD (shnID = 15537) AudMC > DAT > WAV > SHN notes
2112. 06/30/74 Flac 24/96 - 0, 106027 Springfield Springfield Civic Center flac24; source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger notes
2113. 06/30/74 Flac 24/96 - 0, 143331 Springfield Springfield Civic Center flac24; Source: Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018 notes
2114. 06/30/74 Flac 16 - 0, 145132 Springfield Springfield Civic Center flac16; source: aud cassette master taped by Jerry Moore; lineage: aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac; transferred & seeded by Rob Berger; This file set is 16 bit @ 44.1 notes
2115. 06/30/74 Flac 16 - 0, 145133 Springfield Springfield Civic Center flac16; Source: Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018; This file set is 16 bit @ 44.1 notes
2116. 06/30/74 DvD 5.1 - 0, 97650 Springfield Springfield Civic Center DVD-Audio 5.1 Surround Sound (MLP Encoded 6ch x 16/44) Soundboard - Aud Matrix by Dan Haugh notes
2117. 06/30/74 Flac 16/44 - , 155034 Springfield Springfield Civic Center flac1644; 1st Set, Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2021 notes
2118. 07/19/74 Flac - 0, 32634 Fresno Selland Arena flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) Transfer Info: Dat -> Sound Forge 4.0 -> SHN (Jamie Lutch June 2001) Mastering Info: SHN -> Samplitude Professional v7.02 -> FLAC Mastering By Charlie Miller Patch Info: AUD>Cm>Cass>Cass>Dat>CD supplies patches in Row Jimmy and Playing In The Band. It also supplies all of Seastones and One More Saturday Night -- This copy does not have the NR that other patched copies have -- Thanks to Rob Eaton for supplying the source Dat notes
2119. 07/19/74 Flac - 0, 102866 Fresno Selland Arena flac 16 Source: Recorded by AS and friends with borrowed UC Santa Cruz AV gear; 2 Shure omni mics > Sony portable (152 possibly) cassette recorder; Nakamichi Dragon > Panasonic 3800 DAT > Apple G4 (Peak editing) > Xact; Pitch corrected -72 cents from master playb notes
2120. 07/19/74 Flac - 0, 102766 Fresno Selland Arena flac16; 2 Shure omni mics > Sony portable (152?) cassette recorder Nakamichi Dragon > Panasonic 3800 DAT > Apple G4 (Peak editing) > Xact; Recorded by AS and friends with borrowed UC Santa Cruz AV gear; upgrade now in circulation. notes
2121. 07/19/74 Shn - 0, 217 Fresno Selland Arena set 2 partial; MR> DAT> CDR; seed via D. Gans, D. Finney; md5s for shns and wavs given (complete show now in circulation (Upgrade now in circulatio notes
2122. 07/19/74 Flac Mtx. - 0, 103132 Fresno Selland Arena flac16; Matrix 60% sbd/40% aud (- 4dbs) sbd - shnid 32634 Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) aud - shnid 102866 Recorded by AS and friends with borrowed UC Santa Cruz AV gear 2 Shure omni mics > Sony portable (152?) cassette recorder Nakamichi Dragon > Panasonic 3800 DAT > Apple G4 (Peak editing) > Xact notes
2123. 07/19/74 Shn - 0, 12381 Fresno Selland Arena MSR > D > CD patched with MAC > C > C > D Mastering and patches by Dave Greenberg. SHN conversion by Jay Gerland (EAC/mkwACT). Project instigated and organized by Jim Powell. Additional patching by Tim Symons 7-29-02; Note- This is the previous shn set with the 'additional patching'. (Upgrade now in circulation.) notes
2124. 07/19/74 Shn - 0, 4596 Fresno Selland Arena complete; Master Reel> Cassette(1)> DAT@44.1K> DAT> WAV> Soundforge 4.0> CDWAV> SHN w/seek tables appended; DAT> WAV via Sony SDT-9000 DDS Drive using VDat DAT seed from Rob Eaton, DAT>SHN by Jamie Lutch, QC by dankseeds; see info file for flaw and editing notes; see pub comments for d2 md5 notes (Upgrade now in circulation.) notes
2125. 07/21/74 Flac - 0, 88979 Los Angeles Hollywood Bowl flac16; MOTB Release: 0056 16/44.1 Analog Audience Source: FOB Cassette (MAC) Analog Copy Instances: Reel 1 (R1) Medium Stock Brands: MAC = Sony C90 [CrO2], R1 = Maxell UD 35-90 Analog Lineage: 2 x Sony ECM-22P => Sony TC-152SD >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [3.75 IPS] >> R1 Analog Medium Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rob Bertrando R1 Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe notes
2126. 07/21/74 Shn - 0, 8102 Los Angeles Hollywood Bowl Sony ECM-22p > Sony TC-152 master cassette > reel > DAT > CDR; taper Rob Bertrando; via Andy Gustin, Tony Gardner; end of Scarlet cut notes
2127. 07/21/74 Shn - 0, 8241 Los Angeles Hollywood Bowl Rob Bertrando's Sony ECM-22P mics > Sony TC-152 Cassette Master; AudMC >Reel > DAT > CD; Seeded to etree by Noah Weiner notes
2128. 07/21/74 Flac - 0, 31436 Los Angeles Hollywood Bowl flac16; (FOB) Sony ECM-22P -> Cassette Master (Sony TC-152) -> Reel -> Dat All transfers and Remastering By Charlie Miller notes
2129. 07/21/74 Flac - 0, 88553 Los Angeles Hollywood Bowl flac16; Recording Info: (FOB) Sony ECM-22P -> Cassette Master -> Reel -> Dat; Around & Around through 1:03 of Truckin' supplied by RB's Master: (FOB) Sony ECM-22P -> Cassette Master (Sony TC-152/Sony CRO-90) Dat Transfer Info: Dat -> Samplitude Professional v9.11 -> FLAC Cassette Master Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.11 -> FLAC/16 Recorded By Rob Bertrando All Transfers and Mastering By Charlie Miller notes
2130. 07/21/74 Flac 24 - 0, 98033 Los Angeles Hollywood Bowl flac24 MOTB Release: 0056 24/96 Analog Audience Source: FOB Cassette (MAC) Analog Copy Instances: Reel 1 (R1) Medium Stock Brands: MAC = Sony C90 [CrO2], R1 = Maxell UD 35-90 Analog Lineage: 2 x Sony ECM-22P => Sony TC-152SD >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [3.75 IPS] >> R1 Analog Medium Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rob Bertrando R1 Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe notes
2131. 07/25/74 Shn - 0, 12656 Chicago International Amphitheater SBD -> Rm -> Dat -> Sonic Solutions -> CD seeded by Charlie Miller notes
2132. 07/25/74 Shn - 0, 1072 Chicago International Amphitheater SBD MR > CASS > DAT > CD; original seed via Jim Wise; via Jon Miller, Alan J. Fink, Greg Hamilton; see info file and addendum for notes notes
2133. 07/25/74 Flac 16 - , 152924 Chicago International Amphitheater flac16 Source: SBD -> Vault Master Reel -> Dat -> Sonic Solutions -> CD
Remastered by Jim Blackwood
Pitch Correction by Jason Chastain
notes
2134. 07/27/74 Flac - 0, 107804 Roanoke Roanoke Civic Center flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> SHN Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2135. 07/27/74 Flac - 0, 132282 Roanoke Roanoke Civic Center flac16; Source: Audience Recording > AKG D200e's > Sony TCC152 SD > mac > rr > dat > cdr; Lineage: cdr > eac > wav > Adobe Audition 1.5 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16 notes
2136. 07/27/74 Flac Mtx. - 0, 136793 Roanoke Roanoke Civic Center flac16; 2 Source Matrix by Dusborne; Soundboard (Shnid:107804) Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info: SHN-> Adobe Audition v3.0-> Samplitude Professional v11.03-> FLAC; Audience (Shnid:132282) Source: Audience Recording > AKG D200e's > Sony TCC152 SD > mac > rr > dat > cdr,Lineage: cdr > eac > wav > Adobe Audition 1.5 > iZotope RX4 Advanced > iZotope 5 Advanced >CD Wave > TLH > Flac 16 notes
2137. 07/27/74 Flac - 0, 132188 Roanoke Roanoke Civic Center flac16; unknown gen audience recording > ? > FLAC notes
2138. 07/27/74 Shn - 0, 2420 Roanoke Roanoke Civic Center SBD> MR> C> DAT> CDR; via Seth Kaplan notes
2139. 07/29/74 Flac Mtx - 0, 107756 Landover Capital Centre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut (2496) > AIFF CD tracking via Audacity [w/dither] > FLAC1644 via xAct) notes
2140. 07/29/74 Flac - 0, 107756 Landover Capital Centre flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2141. 07/29/74 Flac - 0, 29482 Landover Capital Centre flac16; Sick Bits Vol. 8 - SBD/AUD Matrix of 2 previously circulating sources: (SBD - SHN ID# 2277, and AUD - SHN ID# 17968); edited and transfered by Chris Chappell notes
2142. 07/29/74 Flac 24 Mtx - 0, 108281 Landover Capital Centre flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC2496 & FLAC1644 > AIFF > Final Cut [2496] > tracking via Audacity > FLAC2496 via xAct) notes
2143. 07/29/74 Shn - 0, 2277 Landover Capital Centre SBD:MR> C1> DAT @ 48kHZ > Sony DAT deck PCM-R300 > coaxial s/pdif > pentium II 350 mHz via Turtle Beach "Fiji" soundcard > CoolEdit Pro > convert to 44.1kHz in CoolEdit Pro > Smart & Friendly CDR SCSI drive > CD; some diginoise was fixed, some smaller diginoise was not; tracked for 2x80 plus encore for filler elsewhere, but can fit on 3x74; via Teddy Good Bear, Doug Johnson to abgd notes
2144. 07/29/74 Flac 24 - 0, 106066 Landover Capital Centre flac24; source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (2)tdk c-120sd's**, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 2/14/10 notes
2145. 07/29/74 Flac - 0, 123816 Landover Capital Centre flac16; Source: 2nd Set Mono AUD, 3rd Gen tape, kindly provided by Seaweed1010. Transfer: MX-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. Feb 2013 notes
2146. 07/29/74 Shn - 0, 17968 Landover Capital Centre AudMC > DAT > WAV > SHN. Recorded by Jerry Moore(see notes), 1st level off floor, audience left, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON, Analog > DAT transfer by Mark Cohen, DAT > SHN/CD by Noah Weiner notes
2147. 07/31/74 Flac - 0, 32353 Hartford Dillon Stadium flac16; Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC notes
2148. 07/31/74 Flac Mtx - 0, 121836 Hartford Dillon Stadium flac16; SBD + AUD Matrix 2 Source Mix(45%-SBD/55%-AUD) SBD (shnid = 32353) Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC and AUD (shnid = 115499) source: aud 1st gen reel; master taped by Jim Anderson; lineage: aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac - matrix mixing by Kevin Tobin notes
2149. 07/31/74 Shn - 0, 7363 Hartford Dillon Stadium AudMC > 7" Reel > DAT > WAV > SHN; via Bill Degen; Noah Weiner notes
2150. 07/31/74 Flac - 0, 112951 Hartford Dillon Stadium flac16; The baseline used for this release: gd1974-07-31.1019 (SBDMR> DATx> CD> DAT> CD> EAC> SHN) I used Cool Edit 2000 to perform amplitude and EQ adjustments. EQ with Cool Edit 2000 by Phil Matera** philipmatera@optonline.net notes
2151. 07/31/74 Flac - 0, 115499 Hartford Dillon Stadium flac16; source: aud 1st gen reel; master taped by Jim Anderson; lineage: aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac notes
2152. 07/31/74 Flac 24 - 0, 136161 Hartford Dillon Stadium flac24; source: aud cassette master; taped by Jimmy & Laurie Cooper; sony ecm22p’s > hitachi trq-222; tdk sd-c90, (2)tdk ed-c90’s, 4 starr c-90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400; transfer & mastering - Rob Berger notes
2153. 07/31/74 Flac - 0, 136162 Hartford Dillon Stadium flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper; sony ecm22p’s > hitachi trq-222; tdk sd-c90, (2)tdk ed-c90’s, 4 starr c-90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400; transfer & mastering - Rob Berger notes
2154. 07/31/74 Flac Dts 5.1 - 0, 121838 Hartford Dillon Stadium DTS-Audio-CD 5.1 Mix; SBD (shn id 32353) Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC + AUD (shn id 115499) source: aud 1st gen reel; master taped by Jim Anderson; lineage: aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac - dts mixing by Kevin Tobin notes
2155. 07/31/74 Shn - 0, 1019 Hartford Dillon Stadium SBDMR> DATx> CD> DAT> CD> EAC> SHN; via Ziggy, Jack Warner, Kirby "Chalupa" Bell, Darrin Sacks; see info file for minor anomalies notes
2156. 08/04/74 Flac Mtx - 0, 100653 Philadelphia Philadelphia Civic Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC16) notes
2157. 08/04/74 Shn - 0, 1631 Philadelphia Philadelphia Civic Arena SBD> MR> DAT> CDR; transfer by Stephen Agan; via Bob Allred to vines, offer; tracked differently from Sacks shn set, but with same AUD patches: in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia; see pub comments for additional notes notes
2158. 08/04/74 Shn - 0, 1574 Philadelphia Philadelphia Civic Arena MSR> DATs> CDRs> EAC> SHN; small aud patches in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia; via Bob Fishman, Darrin Sacks notes
2159. 08/04/74 Shn - 0, 9112 Philadelphia Philadelphia Civic Arena I: AudMC > DAT > WAV > SHN II: AudMC > R? > Beta Hi-Fi PCM > CASS > WAV > CD > EAC > SHN; Seeded to etree by Noah Weiner notes
2160. 08/04/74 Shn - 0, 20369 Philadelphia Philadelphia Civic Arena AUDMC > DAT > WAV > SHN Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen DAT > SHN/CD by Noah Weiner notes
2161. 08/05/74 Shn - 0, 1826 Philadelphia Philadelphia Civic Arena MSR> C> C> DATs> CDRs> EAC, with AUD patches from Jerry's Moore's MC>D>CD (AKG D1000s>Sony TC-152); via Darrin Sacks notes
2162. 08/05/74 Flac 16 - 0, 108814 Philadelphia Philadelphia Civic Arena flac16; Source: MSR>C>C>DAT Conversion : DAT @ 48k - > HT OMega 7.1 Soundcard (Optical Inputs)>WAV (48)> Syntillium Cool Edit Downsample to 44.1 WAV>CD WAV (Track Split)>FLAC notes
2163. 08/05/74 Flac 16 Mtx - 0, 131660 Philadelphia Philadelphia Civic Arena flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:108814) MSR>C>C>DAT DAT @ 48k - > HT OMega 7.1 Soundcard (Optical Inputs)>WAV (48)> Syntillium Cool Edit Downsample to 44.1 WAV>CD WAV (Track Split)>FLAC; Audience (shnid:21294)AUDMC > DAT > WAV > SHN; Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck; Maxell UD-120 cassettes, with Dolby B ON notes
2164. 08/05/74 Shn - 0, 21294 Philadelphia Philadelphia Civic Arena AUDMC > DAT > WAV > SHN - Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Added to etree by Noah Weiner notes
2165. 08/05/74 Flac 16 - 0, 140873 Philadelphia Philadelphia Civic Arena flac16; Recording Info: Soundboard > ?? > PCM (16 bit) (Sony HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16. Note this originally circulated as a soundcheck for 6/22/1974 but was identified as the jam from 8/5/1974 and has been moved to the correct date. notes
2166. 08/05/74 Flac 16/44,1 - 0, 151039 Philadelphia Philadelphia Civic Arena flac16/44.1khz Recording Info: SBD > Reel Master (7in 7.5ips 1/2trk) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamkichi Dragon) > DAT (Panasonic SV-3800/48k) > Avid MBox Pro > Pro Tools 12 > WAV (44.1k) notes
2167. 08/06/74 Shn - 0, 1463 Jersey City Roosevelt Stadium ully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" notes
2168. 08/06/74 Flac Mtx - 0, 126356 Jersey City Roosevelt Stadium flac16; 2 Source Matrix by dusborne; Soundboard (shnid:1463) MR > DAT > CD > Sonic Solutions > CD Circulation > Plextor SCSI 40x Reader > EAC and Audience (shnid:5914) MR>R>DAT>HD>Soundforge>SHN>CD; Recorded by Neil Merinu sing an unknown mic (mono) onto a Uhrer 5" reel deck. The end of the show plus other missing parts from Neil's tapes are supplied by Ihor Slabicky's recording (AUDMC>DAT>HD> Soundforge>SHN>CD) notes
2169. 08/06/74 Flac - 0, 135847 Jersey City Roosevelt Stadium flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 xACT flac; transfer & seeded by Rob Berger notes
2170. 08/06/74 Flac 24 - 0, 135848 Jersey City Roosevelt Stadium flac24; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger notes
2171. 08/06/74 Flac LPCM 5.1 - 0, 134934 Jersey City Roosevelt Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=1463) fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" + AUD (shn id 135848) source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger - mixing by Kevin Tobin notes
2172. 08/06/74 Flac Dts 5.1 - 0, 135930 Jersey City Roosevelt Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=1463) fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" + AUD (shn id 135848) source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger - DTS mixing by Kevin Tobin notes
2173. 08/06/74 Flac Mtx. - 0, 135929 Jersey City Roosevelt Stadium flac16; Matrix 2 Source Mix - SBD (shnid=1463) fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" + AUD (shn id 135848) source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger - matrix mixing by Kevin Tobin notes
2174. 08/06/74 Shn - 0, 5914 Jersey City Roosevelt Stadium AUD (unknown mic) MR> R> DAT> HD> Soundforge> SHN> CD, recorded by Neil Merin; plus patches from Ihor Slabicky's AUD (see info file); A>D by Noah Weiner; via Audience Devotional Tree notes
2175. 08/06/74 Flac 16/44 - , 166779 Jersey City Roosevelt Stadium flac1644; Recording info: Master reel > DAT (via Anon); Transfer info: Tascam DA-302 > Sound Devices 722 (digital transfer); Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel notes
2176. 09/09/74 Flac - 0, 32642 London Alexandra Palace Dick's Picks Vol 7 Outtakes by Sir Mick notes
2177. 09/09/74 Flac 16 - 0, 97013 London Alexandra Palace flac 16; Source: sbd > mr > dat (x2) > cdr > eac > mkwact > wav > flac notes
2178. 09/09/74 Shn - 0, 12846 London Alexandra Palace SBD>MR>DAT(X2)>CDR; Note- Missing 6 of last 8 songs; Seeded to etree by Sly_Wow notes
2179. 09/09/74 Flac 16 - 0, London Alexandra Palace flac16; Partial SBD > ? > flac notes
2180. 09/09/74 Flac 16 - 0, 135655 London Alexandra Palace flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2181. 09/09/74 Flac 16/44 - , 154544 London Alexandra Palace flac16/44 Unknown audience with unknown lineage via Brian Flegel notes
2182. 09/10/74 Shn - 0, 18806 London Alexandra Palace Vault Soundboard Reels->Cassette->DAT->PCM->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano notes
2183. 09/10/74 Shn - 0, 11601 London Alexandra Palace SBD>?>CD; May be missing up to three first set songs; See info file for details; Note- Many tracks appear on DP7, Buy it here ; via Craig Reimer; Seeded to etree by Willy notes
2184. 09/10/74 Flac - 0, 135654 London Alexandra Palace flac16; Lineage: Vault Soundboard Reels->Cassette-> DAT->PCM->DAT notes
2185. 09/10/74 Flac - 0, 135699 London Alexandra Palace flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2186. 09/11/74 Shn - 0, 12183 London Alexandra Palace Candelario Matrix MSR D CD except first 15:22 of Seastones (on Disc #2): AUD end of Sunshine Daydream and encore: AUD See info file for details; Mastering by Dave Greenberg; via Jed Distler; Seeded to etree by Jim Powell and Jay Gerland; See note in 'public comment' area regarding d3fix md5's notes
2187. 09/11/74 Flac - 0, 123207 London Alexandra Palace flac16; Partial SBD > Master Reel > DAT > Sonic Solutions > DAT > CD > FLAC notes
2188. 09/11/74 Flac - 0, 131901 London Alexandra Palace flac16; Recorded by unknown taper; Gen 2 Cassettes; Transferred on a NakCr7a notes
2189. 09/11/74 Shn - 0, 3190 London Alexandra Palace complete; SBD Reel master > DAT > CDR > EAC > SHN; Extraction and .shn encoding by Seth Kaplan; Slight retracking of discs 2 and 3 (CoolEdit/CDWav) and re-shn (v2) by G.S. Hamilton; to BUDD and etree; note parts of the run are on Dick's Picks 7- go buy it notes
2190. 09/11/74 Flac - 0, 132458 London Alexandra Palace flac16; 3 source matrix by Dusborne; Soundboard 1(Shnid:012183) Candelario Matrix MSR > D> CD; Soundboard 2(Shnid:121207) SBD > Master Reel > DAT > Sonic Solutions > DAT > CD > FLAC and Audience (Shnid:131901) unknown taper; Gen 2 Cassettes; Transferred on a NakCr7a notes
2191. 09/11/74 Shn - 0, 7365 London Alexandra Palace Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A notes
2192. 09/11/74 Shn - 0, 4647 London Alexandra Palace SBD (as previous shn set), with added AUD patches- see info file for details; patching by Hanno Bunjes, some cleanup by Alasdair; to BUDD offer; Hanno's notes; note d3 tracked for 80 min; note parts of the run are on Dick's Picks 7- go buy it notes
2193. 09/11/74 Flac - 0, 135802 London Alexandra Palace flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2194. 09/11/74 Flac 16 - 0, 135883 London Alexandra Palace flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes the flaws in source ID 135802 notes
2195. 09/14/74 Flac - 0, 28353 Munich Olympiahalle flac16; Set 2, plus Phil/Ned; SBD> Master Reel (7in @ 7.5ips 1/2tr)> Dat (3700/44.1k)> Dat (3800/44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes
2196. 09/14/74 Flac - 0, 131395 Munich Olympiahalle flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:30653) Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; Transferred and Edited By Charlie Miller and Audience (shnid:9890) MAR > CD. This audience tape was mastered by Gerhard Schinzel from mid-floor using a Philips mic and a Telefunken reel deck. The reel masters were transferred to CD by Uli Teute and were re-mastered by Dave Greenberg notes
2197. 09/14/74 Flac - 0, 28353 Munich Olympiahalle flac16; Set 2, plus Phil/Ned; SBD> Master Reel (7in @ 7.5ips 1/2tr)> Dat (3700/44.1k)> Dat (3800/44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes
2198. 09/14/74 Shn - 0, 9890 Munich Olympiahalle Philips mic> Telefunken reel deck, taper Gerhard Schinzel; master AUD reel > CD with "safety cass" patch in WRS, transferred to CD by Uli Teute and were re-mastered by Dave Greenberg; SHN conversion by Jay Gerland, with thanks to Jason Chastain; circulated via Deadlists Project; see listening notes in info file notes
2199. 09/14/74 Shn - 0, 6162 Munich Olympiahalle AUD MR> D> CD; via Hanno Bunjes; Sugar Magnolia has dropout (seems to be on all copies); Hanno's notes notes
2200. 09/14/74 Flac - 0, 32641 Munich Olympiahalle aud remaster by Sir Mick notes
2201. 09/18/74 Shn - 0, 20732 Dijon Parc Des Expositions Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN via Charlie Miller ((http://db.etree.org/shn/20675) with one track modified to remove a pop (see notes) by Matt Vernon notes
2202. 09/18/74 Flac 16 - 0, 32292 Dijon Parc Des Expositions flac16: **SOUNDCHECK ONLY** Lineage: SBD -> Master Reel -> Dat Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Mastered By Charlie Miller notes
2203. 09/18/74 Shn - 0, 20675 Dijon Parc Des Expositions Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) SHN'd By Charlie Miller from Pre-FM GDH Production Discs charliemiller87@earthlink.net 11/19/03 notes
2204. 09/18/74 Shn - 0, 5807 Dijon Parc Des Expositions SBD > pre-FM master (reel?) > DAT CD, patched with SBD > master reel > PCM > DAT > CD > SoundForge >CD; pitch modified, plus other editing- see notes in info file; missing USB, Phil and Ned notes
2205. 09/18/74 Shn - 0, 21925 Dijon Parc Des Expositions Bertha Remaster of the master reel source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B+ notes
2206. 09/18/74 Shn - 0, 3398 Dijon Parc Des Expositions SBD> MR> ?> DAT> CDR> EAC> SHN; DAE(EAC) and SHN Encoding By Jeff M.; Phil & Ned and Encore are missing notes
2207. 09/20/74 Flac - 0, 131529 Paris Palais Des Sports flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2208. 09/20/74 Shn - 0, 5648 Paris Palais Des Sports SBD > master reel > reel to reel > DAT > CD > SoundForge > CD; stemming from Marcello Gasperini?s and Julian's source material; see info file for various fixes and flaws; to a tree?, runs a bit slow? (see notes in info for companion 9/21/74 shns) notes
2209. 09/20/74 Flac 16/44 - , 154273 Paris Palais Des Sports flac1644; 1st Set; Source: Unknown mono Lo-Fi AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021 notes
2210. 09/21/74 Flac - 0, 30654 Paris Palais Des Sports flac16; SBD -> Master Reel -> Reel -> Dat Transferred and Edited By Charlie Miller notes
2211. 09/21/74 Flac - 0, 131530 Paris Palais Des Sports flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2212. 09/21/74 Shn - 0, 5649 Paris Palais Des Sports sets 2,3; SBD > master reel > reel to reel > DAT > CD > SoundForge > CD, plus patches; see info file for fixes and flaws; d2 tracked for 80 min; to a tree?; reportedly runs a bit fast; includes 1/24/69 filler notes
2213. 10/16/74 Flac 16 - 0, 90145 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller notes
2214. 10/16/74 Flac 16 Mtx - 0, 131539 San Francisco Winterland Arena flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:90145) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC and Audience (shnid:107036) Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 2 x Maxell UD C120; Analog Lineage: Sony ECM 250 >> Sony 110 (mono) >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Louis Falenga notes
2215. 10/16/74 Flac 16 - 0, 88180 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller notes
2216. 10/16/74 Flac 16 - 0, 88251 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller notes
2217. 10/16/74 Shn - 0, 12577 San Francisco Winterland Arena Source: Reel Master>Cassette>DAT>EAC 0.93b>MKWACT via JR Fishman notes
2218. 10/16/74 Shn - 0, 222 San Francisco Winterland Arena SBD: MR> R> C> D> CD> EAC> SHN, with Aud patches: Aud master> Rx2> C> D> CD; via A. Kowalski to BUDD and GDH-Trading; 10/22/67 filler; PITB split into 2 tracks at d/o removal (md5 version d2b); d2a.md5 likely reflects pre-split PITB and may not circulate notes
2219. 10/16/74 Flac 24/96 - 0, 137664 San Francisco Winterland Arena flac24; Set 2 Source: Master Audience Reel > Reel; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > CD Wave > TLH > flac24; edited and mastered SIRMick notes
2220. 10/16/74 Flac 16 - 0, 147663 San Francisco Winterland Arena flac16; Set 2 Source: Master Audience Reel > Reel; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > iZotope RX5 Advanced > wav 16/44.1 > CD Wave > TLH > flac16; edited and mastered SIRMick notes
2221. 10/16/74 Flac 16 - 0, 107036 San Francisco Winterland Arena b>flac16; Sony ECM 250 >> Sony 110 (mono) >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Louis Falenga notes
2222. 10/17/74 Flac 16 - 0, 99031 San Francisco Winterland Arena flac16; Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for SRC POWr3 Dither 16bit/44.1 kHz, TradersLilHelper for FLAC 8 SBE Free Tag&Rename for MetaData notes
2223. 10/17/74 Flac 24/96 - 0, 99032 San Francisco Winterland Arena flac24; Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for POWr3 Dither 24bit/96 kHz, TradersLilHelper for FLAC 8 SBE Free Tag&Rename for MetaData notes
2224. 10/17/74 Shn - 0, 10360 San Francisco Winterland Arena MSR>DAT>CDR; Seeded to etree by Carl Royer notes
2225. 10/17/74 Shn - 0, 16189 San Francisco Winterland Arena MultiTrack Master Reel > DAT > Sonic Solutions > CD; see info file for notes; via Steve Barbella, Rich Danyko, Matt Vernon notes
2226. 10/17/74 Flac 24/96 - 0, 137630 San Francisco Winterland Arena flac24; Partial Set 1 & 2 Source: Room mics * > Master Audience Reel > Reel From The Debbie Stash; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > CD Wave > TLH > flac24; edited and mastered SIRMick notes
2227. 10/17/74 Flac 16/48 - 0, 140588 San Francisco Winterland Arena flac16/48kHz; Soundboard > 1st gen reel > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/48; Checksum & tags created in xACT notes
2228. 10/18/74 Flac - 0, 110771 San Francisco Winterland Arena flac16; Recording Info: Set 1: SBD -> Master Reel -> Reel -> Reel -> PCM -> Dat (44.1k); Set 2: SBD -> Master Reel -> Dat (44.1k); Set 3: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2229. 10/18/74 Flac - 0, 110515 San Francisco Winterland Arena flac16; Bear's reel [1974] > a cassette made at bears house [1996] > mastering room capture in the analog domain in real time to digital [2010] no eq, limiting or compression or color was applied at any stage; Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell notes
2230. 10/18/74 Flac 24 - 0, 111459 San Francisco Winterland Arena flac24; Multi-track SBD reels > ? > reel > ? > FLAC; Presented by Jamie Waddell; A **GEMS** Production January 2011 notes
2231. 10/18/74 Shn - 0, 22796 San Francisco Winterland Arena Bertha Remaster of the Master Reel and multi-gen Reel source; SBD>>MR>>MDAT(44.1k)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B to A+ notes
2232. 10/18/74 Shn - 0, 21785 San Francisco Winterland Arena Set I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II and III : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Transfered and Edited By Charlie Miller notes
2233. 10/18/74 Flac 24 - 0, 110558 San Francisco Winterland Arena flac24; Bear's reel [1974] > a cassette made at bears house [1996] > mastering room capture in the analog domain in real time to digital [2010] no eq, limiting or compression or color was applied at any stage; Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell notes
2234. 10/18/74 Shn - 0, 21213 San Francisco Winterland Arena SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN. SHN'd By Charlie Miller notes
2235. 10/18/74 Shn - 0, 225 San Francisco Winterland Arena set 2 (d1) seeded 3/00, set 3 (d2) seeded 4/00; SBD MR > PCM > DAT > CDR; via A. Fink, R. Nayfield, M. Ferguson; 12/26/69 filler; known flaws: d2 Cut in Promised Land @ 2:29, Filler Black Peter cuts after 2:06; note some material from show appears on album Steal Your Face- go buy it; see public commnets for flaw note on d2t5 notes
2236. 10/18/74 Shn - 0, 5436 San Francisco Winterland Arena sets 2,3; SBD MR > PCM > DAT 44.1kHz > CD > shn; via Jack Romanski to gdlive notes
2237. 10/18/74 Shn - 0, 34950 San Francisco Winterland Arena Recording Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude -> CD -> EAC -> SHN All Transfers Done By Charlie Miller notes
2238. 10/19/74 Shn - 0, 221927 San Francisco Winterland Arena Recording Info: SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info: Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) Patch Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN Transfered and Edited By Charlie Miller charliemiller87@earthlink.net 1/14/04 notes
2239. 10/19/74 Flac 24 - 0, 116341 San Francisco Winterland Arena flac24; Lineage:16 track "truck monitor mix">2 track mixdown reel(Garcia's)>R @ 3 3/4 ips.>FLAC
Transferred by: Matt Smith
notes
2240. 10/19/74 Flac 24 - 0, 112531 San Francisco Winterland Arena flac24; 24 bit 88.2kHz SBD Reel > cass Recorded by the Immortal Owsley Stanley; notes
2241. 10/19/74 Flac 24 - 0, 131694 San Francisco Winterland Arena flac24; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel > R @ 3 3/4 ips. > FLAC; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered October 2014 by Matt Smith notes
2242. 10/19/74 Flac 16 - 0, 131704 San Francisco Winterland Arena flac16; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel > R @ 3 3/4 ips > FLAC; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered October 2014 by Matt Smith notes
2243. 10/19/74 Flac 16 - 0, 112791 San Francisco Winterland Arena flac16; reel > cass recorded by Owsley Stanley
cass > 24bit/88.2kHz by Blackwood/Waddell
dithered/tracked by SteveSw
notes
2244. 10/19/74 Flac 24 - 0, 116170 San Francisco Winterland Arena flac24; SBD Reel > cass Recorded by the Immortal Owsley Stanley; cass > 24bit/88.2kHz WAV by Blackwood/Waddell; WAV (shnid 112531) > CD Wave (remove "dead air" and split tracks) > FLAC (24/88) by Tim Keeler notes
2245. 10/19/74 Shn - 0, 227 San Francisco Winterland Arena SBD multitrack > DAT > CD; via A. Fink, M. Ferguson; known flaw: d3 Beginning of Sugar Magnolia is cut; note some material from show appears on album Steal Your Face- go buy it notes
2246. 10/19/74 Shn - 0, 228 San Francisco Winterland Arena SBD; via D. Finney, stemming from Frank's Picks tree- more info; note some material from show appears on album Steal Your Face- go buy it; see public comments for flaw notes notes
2247. 10/19/74 Flac 16 - 0, 139578 San Francisco Winterland Arena flac16; Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick notes
2248. 10/19/74 Flac 16 - 0, 140626 San Francisco Winterland Arena flac16; Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; This is a fixed version of source ID 139578 notes
2249. 10/19/74 Flac 16/44 - 0, 152593 San Francisco Winterland Arena flac1644; Source: Unknown AUD from the collection of Rich Petrunis. Transfer: TDK Audua-90's (normal bias) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021 notes
2250. 10/20/74 Flac - 0, 84851 San Francisco Winterland Arena flac16; SBD>7" 1/2 track 7 1/2 IPS MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac notes
2251. 10/20/74 Flac - 0, 97193 San Francisco Winterland Arena flac16; Lineage: Multitrack MR>2 track mixdown>?R>R>CD Transfer info: Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs>Trac'ed Cdwave Flac'ed level 8 TLH notes
2252. 10/20/74 Flac - 0, 132113 San Francisco Winterland Arena flac16; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel(Garcia's) > R @ 3 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered December 2014 by Matt Smith notes
2253. 01/??/75 Flac - 0, 137598 Mill Valley Ace's flac16; Source: Studio Reel - Bob Gurman's TDK LX 35/90B @7.5ips; Lineage: Studio Master Reel -> ?-> Reel @7.5ips (TEAC A-4010 SL playback)-> Lexicon Lambda-> Logic 24/96 AIFF -> wav conversion to 16bit-44.1k-> xAct -> flac notes
2254. 02/28/75 Flac 16 - 0, 93779 Mill Valley Bob Weir's Studio flac16; SBD MR > R > R > CD * > EAC > WAV > FLAC notes
2255. 03/17/75 Flac & Shn - 0, 10111 Mill Valley Ace's SBD>MR>DAT>CDR; David Crosby and the Dead from weir's Studio; via Raoul Duke; seeded to etree by Matt Vernon notes
2256. 03/17/75 Flac 16 - 0, 145773 Mill Valley Ace's flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) notes
2257. 03/21/75 Shn - 0, 14288 Mill Valley Ace's studio SNACK rehearsals, poss compilation of dates; ??> cass> cooledit> mkw> shn; Tracking/ re-shn (v3) from original single shn file, by terrapinstation notes
2258. 03/23/75 Flac 16 - 0, 110126 San Francisco Kezar Stadium flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2259. 03/23/75 Flac 24/96 - 0, 126296 San Francisco Kezar Stadium flac24; FMMR (Peter Kafer) @ 7 1/2 ips > R @ 7 1/2 ips (Will Boswell); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes
2260. 03/23/75 Flac 16 - 0, 94026 San Francisco Kezar Stadium flac16; FMMR (Peter Kafer) @ 7 1/2 ips > R @ 7 1/2 ips (Pat Lee)* > CD. Reel to reel transfer by Taper Pat - (R copied @ 7.5 ips using a Revox A-77>A-77) --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD > EAC > WAV (shntool confirms no sbes) > FLAC (TLH) notes
2261. 03/23/75 Shn - 0, 32539 San Francisco Kezar Stadium SBD>Pre-FM SBD MR>DAT>Digi-Remaster>CD>CD>EAC>MKW>SHN notes
2262. 03/23/75 Shn - 0, 13585 San Francisco Kezar Stadium SBD>FM>?>DAT>CDR Only flaw listed: One small d/o in the 1st Blues for Allah (Track 2) @ 4:36 notes
2263. 03/23/75 Shn - 0, 32299 San Francisco Kezar Stadium Source: FM > ??? > WAV > SHN
"Originally part of gd1991-03-31 on gdlive.com."
notes
2264. 03/23/75 Flac - 0, 18525 San Francisco Kezar Stadium Unknown SBD Note: This is disc 1 of a 5 disc set containing all of the sets from the 3/23/1975 SNACK Benefit. Other artists were Tower of Power, Santana, Doobie Brothers, Jefferson Starship, Joan Baez and, finally, Neil Young, Bob Dylan & The Band. notes
2265. 03/26/75 Shn - 0, 14289 Mill Valley Ace's Studio rehearsals; sbd> ?> PCM> SEK'D Prodif96Pro> wav> SHN; 1-disc portion of 6 discs seeded to abgd, with seeking reshn on t1,2 by terrapinstation notes
2266. 03/26/75 Flac 16 - 0, 145774 Mill Valley Ace's Studio flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) notes
2267. 03/??/75 Shn - 0, 4231 Unknown Studio (Blues for Allah Outtakes) iberated bootleg CD-> EAC-> WAV-> SHN; via Dave Backus notes
2268. 03/??/75 Flac 16 - 0, 145786 Mill Valley Bob Weir's Studio flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) notes
2269. 04/02/75 Shn - 0, 14290 Mill Valley Ace's Studio ehearsals; 1st Gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; There's some question as to the accuracy of this date; via terrapinstation to etree notes
2270. 04/02/75 Flac 16 - 0, 145775 Mill Valley Ace's Studio flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) notes
2271. 04/17/75 Shn - 0, 14291 Mill Valley Ace's Studio rehearsals; sbd> ? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; SBEs fixed with shntool, renamed to fit Etree standards and re-shn'ed by terrapinstation notes
2272. 04/17/75 Flac 16 - 0, 122863 Mill Valley Ace's Studio flac16; Straight from my reel to reel masters notes
2273. 06/03/75 Flac 16 - 0, 145776 Mill Valley Ace's Studio flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) notes
2274. 06/04/75 Flac 16 - 0, 145777 Mill Valley Ace's Studio flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) notes
2275. 06/05/75 Shn - 0, 14292 San Rafael Club Front rehearsals; SBD: 2nd gen cass> PCM>SEK'D Prodif96Pro> wav> SHN; SBEs fixed (with shntool), files renamed, re-shn'ed, text file created by terrapinstation notes
2276. 06/05/75 Shn - 0, 21936 San Rafael Club Front rehearsal sessions from June 3, 4 & 5, 1975 from low-generation cassette. via Hanno Bunjes, Uli Teute notes
2277. 06/05/75 Flac 16 - 0, 145778 San Rafael Club Front flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) notes
2278. 06/07/75 Flac 16 - 0, 94427 Mill Valley Bob Weir's Studio flac16; "Blues Ruffs" : SBD MR > R > Rs > CD * > EAC > WAV > FLAC via Matt Smit notes
2279. 06/17/75 Flac 16 - 0, 97077 San Francisco Winterland Arena flac16; 1 x ECM 250, 1 x ECM 270 => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped by Bob Menke & Louis Falanga; Edited By Derek McCabe; MOTB 0033 notes
2280. 06/17/75 Flac 16 Mtx - 0, 29465 San Francisco Winterland Arena flac16; AUD/SBD Matrix of 2 previously circulating sources: AUD - (shn ID #233) and SBD - (shn ID #20084). Edited and converted by Chris Chappell. notes
2281. 06/17/75 Flac 16 - 0, 96125 San Francisco Winterland Arena flac16; SBD Source: MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station notes
2282. 06/17/75 Flac 24/96 - 0, 97078 San Francisco Winterland Arena flac24; 1 x ECM 250, 1 x ECM 270 => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped by Bob Menke & Louis Falanga; Edited By Derek McCabe; MOTB 0033 notes
2283. 06/17/75 Flac 16 Mtx - 0, 96148 San Francisco Winterland Arena flac16; Matrix 2 Source Mix - SBD (shn id 96125) MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD (shn id 233) AUD CM>DAT>CD>EAC>SHN Recorded by Rob Bertrando - patches, timing and matrix mixing by Kevin Tobin notes
2284. 06/17/75 Flac 16 - 0, 97079 San Francisco Winterland Arena flac16; MTX 1 x ECM 250, 1 x ECM 270 => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped by Bob Menke & Louis Falanga; Edited By Derek McCabe; MOTB 0033 and flac16; SBD Source: MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station notes
2285. 06/17/75 Shn - 0, 20084 San Francisco Winterland Arena sbd>? gen cass>PCM>SEK'D Prodif96Pro>wav>SHN via David Backus notes
2286. 06/17/75 Shn Dts 5.1 - 0, 96162 San Francisco Winterland Arena DTS-Audio-CD 5.1 Mix; - SBD (shn id 96125) MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD (shn id 233) AUD CM>DAT>CD>EAC>SHN Recorded by Rob Bertrando - patches, timing and dts encoding by Kevin Tobin notes
2287. 06/17/75 Shn - 0, 233 San Francisco Winterland Arena AUD CM>DAT>CD> EAC> SHN; Recorded by Rob Bertrando: Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the? left of dead center; via Alan Fink, Mark Ferguson notes
2288. 06/17/75 Flac 16 - 0, 143102 San Francisco Winterland Arena flac16; Source: Sony ECM-280's > Sony TC-152SD > Cass master > reel > dat (44.1) - Recorded by Rob Bertrando from the floor, about 30-35' back, just to the left of dead center Provided by Tim Dalton; Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 advanced > iZotope Ozone 5 Advanced >CD Wave >Flac 16; fixed version of source ID 143100 notes
2289. 06/17/75 Flac 16 - 0, 145779 San Francisco Winterland Arena flac16; Partial Set 1 Source: Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) notes
2290. 06/17/75 Flac 16 - 0, 87560 San Francisco Winterland Arena flac16; Sony ECM-280's > Sony TC-152SD playback on Nak Dragon > Sony PCM 601ES > Beta Beta > Sony R500 DAT >HHb-850 CDR Pitch correction and slight EQ in Audacity notes
2291. 07/07/75 Shn - 0, 14293 Mill Valley Ace's Studio sbd>? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; via terrapinstation to etree notes
2292. 07/07/75 Flac 16 - 0, 145780 Mill Valley Ace's Studio flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) notes
2293. 07/23/75 Flac 16 - 0, 140800 San Rafael Club Front Studio flac16; source/lineage: studio reel-> ?-> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda-> Logic Pro-> wav -> xAct -> flac notes
2294. 07/24/75 Flac 16 - 0, 140801 San Rafael Club Front Studio flac16; source/lineage: studio reel-> ?-> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda-> Logic Pro-> wav -> xAct -> flac notes
2295. 08/13/75 Shn - 0, 23661 San Francisco Great American Music Hall Pitch corrected version of FM broadcast originally seeded by CousinIt by Matt Vernon notes
2296. 08/13/75 Shn - 0, 18512 San Francisco Great American Music Hall FM Source: SBD>FM>MC>DAT>WAV>SHN SBD Source: MSR>R(2)>C>DAT>WAV>SHN With full intro and tunings- these are missing from the OFTV release. notes
2297. 08/13/75 Flac 16/44 - , 155570 San Francisco Great American Music Hall flac16/44 (Bootleg Tape - from FM broadcast - 9/1/75) via Brian Flegel notes
2298. 09/01/75 Flac 16 - 0, 140813 San Rafael Club Front Studio flac16; source/lineage: studio reel-> ?-> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda-> Logic Pro-> wav -> xAct -> flac notes
2299. 09/16/75 Flac 16 - 0, 140795 San Rafael Club Front Studio flac16; source/lineage: studio reel-> ?-> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda-> Logic Pro-> wav -> xAct -> flac notes
2300. 09/28/75 Flac 16 Mtx - 0, 102155 San Francisco Lindley Meadows, Golden Gate Park flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC16) notes
2301. 09/28/75 Shn - 0, 236 San Francisco Lindley Meadows, Golden Gate Park Source: ?? > Turtle Tree > CD > SHN; via B. Beggs; note some confusion on this etreed material, needs sorting out notes
2302. 09/28/75 Shn - 0, 22257 San Francisco Lindley Meadows, Golden Gate Park Bertha Remaster of the master reel source; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A notes
2303. 09/28/75 Shn - 0, 9392 San Francisco Lindley Meadows, Golden Gate Park SBD : MR > DAT > CDR (HHb850); DAT > CDR transfer by Dan Sisler; Seeded to etree by Alan J. Fink notes
2304. 09/28/75 Flac 24/96 - 0, 91770 San Francisco Lindley Meadows, Golden Gate Park flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UD 120 Analog Lineage: 2 x Sony ECM-270 => Sony TC-152 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke and Louis Falanga notes
2305. 09/28/75 Shn - 0, 2562 San Francisco Lindley Meadows, Golden Gate Park sbd> reel (mic mix)> DAT> CD; via Mike Lai; modified info file courtesy Dave Laesser; note TLEO not included notes
2306. 09/28/75 Flac 16 - 0, 86250 San Francisco Lindley Meadows, Golden Gate Park flac16; Source: On Stage Mic's (BY Band) > ? > Dat @ 44.1 Transfer: Fostex D5 > Zoltrix > Sf 6.0 (fades,normalized,patches) > Cd Wave > Flac 16/44.1 notes
2307. 09/28/75 Flac 16 - 0, 91769 San Francisco Lindley Meadows, Golden Gate Park flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UD 120 Analog Lineage: 2 x Sony ECM-270 => Sony TC-152 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke and Louis Falanga Transfer By: Bob Menke Mastering By: Derek McCabe notes
2308. ??/??/75 Flac 16 - 0, 151654 Mill Valley Ace's Studio flac16 Studio Recording-> ?-> Cassette Maxell UDXL2 C90 with Dolby B (playback on Nakamichi Dragon with Dolby B)-> Lexicon Lambda-> Logic-> wav 16/44.1 -> flac notes
2309. ??/??/75 - , 163701 Mill Valley Ace's Studio flac1648 Soundboard > Cassette > DVD > WAV > FLAC. This is a sampler from cassettes made by Steve Brown for Jerry Garcia to listen to after the sessions. Tape courtesy of JGMF. notes
2310. 04/20/76 Flac 16 - 0, 141357 Novato Mickey's Barn flac16; Source Info: Soundboard > ? > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
2311. 05/28/76 Flac - 0, 82947 San Francisco Orpheum Theatre flac16; Lineage R2 > D Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell (compilation of material recorded on 5-28,29,30-76; See info file for details) notes
2312. 05/28/76 Shn - 0, 9769 San Francisco Orpheum Theatre Studio Rehersal Tapes; SBD>?>CD; Actually a compilation of material recorded on 5-28,29,30-76; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon notes
2313. 06/03/76 Flac Mtx. - 0, 91912 Portland Paramount Theatre MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008 notes
2314. 06/03/76 Flac 16 - 0, 123507 Portland Paramount Theatre flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
2315. 06/03/76 Flac 16 Mtx - 0, 123898 Portland Paramount Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging) notes
2316. 06/03/76 Shn - 0, 17266 Portland Paramount Theatre Bertha Remaster of the Master Reel/Reel source. SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA - Sound A+ ; upgrade in circulation notes
2317. 06/03/76 Shn - 0, 20004 Portland Paramount Theatre SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included. notes
2318. 06/03/76 Shn - 0, 7825 Portland Paramount Theatre Complete; unknown aud > ? > DAT >; via Dale Shepherd; Matt Vernon. [Dolby decoded version added 7/2003] notes
2319. 06/03/76 Shn - 0, 86745 Portland Paramount Theatre SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN Pitch correction of shn id 20004 by Hunter Seamons using Final Cut Pro (8/10/07) notes
2320. 06/03/76 Shn - 0, 7719 Portland Paramount Theatre SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; reseed with encores also circulates; upgrade in circulation notes
2321. 06/03/76 Flac 16 - 0, 123464 Portland Paramount Theatre flac16; Updated Recording Info: Sony ECM-280 -> Cassette Master -> FLAC; Mastering Info: FLAC -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Reinhardt Holwein; All Mastering By Charlie Miller notes
2322. 06/03/76 Shn - 0, 7555 Portland Paramount Theatre last 2 songs missing; MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR; noted at gdlive notes
2323. 06/03/76 Flac 16 - 0, 99910 Portland Paramount Theatre flac16; aud 1st gen reel; unknown equipment/taper; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac notes
2324. 06/03/76 Flac 16 - 0, 138643 Portland Paramount Theatre flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Wav(16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; the original source had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel" notes
2325. 06/03/76 Flac 24/96 - 0, 123608 Portland Paramount Theatre flac24; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes
2326. 06/03/76 Shn - 0, 14263 Portland Paramount Theatre AUDMC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on notes
2327. 06/03/76 Flac 24/96 - 0, 148568 Portland Paramount Theatre flac24; Source Info: Pat Lee's Master (FOB) Audience Cassettes ; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120); Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
2328. 06/03/76 Flac 16/48 - 0, 148567 Portland Paramount Theatre flac16/48kHz; Source Info: Pat Lee's Master (FOB) Audience Cassettes; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120); Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
2329. 06/04/76 Shn - 0, 9797 Portland Paramount Theatre SBD>MR>?>D>CD; With aud patches for several songs; See info file for details; via Jeff Cook, Jon Miller, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman notes
2330. 06/04/76 Shn - 0, 8034 Portland Paramount Theatre unknown aud > ? > DAT; via Dale Shepherd; Seeded to etree by Matt Vernon notes
2331. 06/04/76 Flac 16 - 0, 99872 Portland Paramount Theatre flac16; unknown equipment/taper; source: aud 1st gen reel; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac notes
2332. 06/04/76 Flac 16 - 0, 143136 Portland Paramount Theatre flac16; Partial Show Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller this files is 16 bit @ 44.1 notes
2333. 06/04/76 Flac 24 - 0, 143064 Portland Paramount Theatre flac24; Partial Show Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
2334. 06/04/76 Flac 16/48 - , 153709 Portland Paramount Theatre flac16/48 Source Info: Mickey Hart's Master Soundboard Cassettes w/dolby B (Sony TC-152SD) > Steve Martin's 1st generation reels @ 3 3/4 ips Transfer Info: Master Cassettes (Sony TC-D5M) > 1st generation reels (Pioneer RT707 @ 3 3/4 ips); 1st generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 notes
2335. 06/04/76 Flac 24/96 - , 153710 Portland Paramount Theatre flac24/96 Source Info: Mickey Hart's Master Soundboard Cassettes w/dolby B (Sony TC-152SD) > Steve Martin's 1st generation reels @ 3 3/4 ips Transfer Info: Master Cassettes (Sony TC-D5M) > 1st generation reels (Pioneer RT707 @ 3 3/4 ips); 1st generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 notes
2336. 06/09/76 Flac 16 - 0, 95399 Boston Boston Music Hall flac16; Recording Info: Set 1: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2337. 06/09/76 Flac 16 Mtx - 0, 29323 Boston Boston Music Hall flac16; SBD/AUD Matrix of 3 previously circulated seeds (SBD I - SHN ID# 12382, SBD II - SHN ID# 5426, AUD - SHN ID #5982); prepared by Chris Chappell notes
2338. 06/09/76 Shn - 0, 5982 Boston Boston Music Hall FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes. notes
2339. 06/09/76 Shn - 0, 5426 Boston Boston Music Hall set 2; SBD> MR> DAT> SS> CDR> EAC> SHN; via Tony Gardner, from Paul B. seed discs notes
2340. 06/09/76 Shn - 0, 12382 Boston Boston Music Hall set 1 SBD>MR>R>D>CD>EAC>SHN with patches from AUD>MC>D>CD>EAC>SHN by J. Cotsman notes
2341. 06/09/76 Flac 16 - 0, 99064 Boston Boston Music Hall flac16; source: aud 1st gen reel lineage: mac>reels @ 7.5 ips, dolby b set I on maxell 7" reel, set II on ampex 10.5" (baked), technics rs-1506>teac an-180>hd-p2 24/48>cd wave>flac; master taped by Steve Maizner; transferred & seeded by Rob Berger notes
2342. 06/09/76 Flac 24/48 - 0, 99063 Boston Boston Music Hall flac24; source: aud 1st gen reel lineage: mac>reels @ 7.5 ips, dolby b set I on maxell 7" reel, set II on ampex 10.5" (baked), technics rs-1506>teac an-180>hd-p2 24/48>cd wave>flac; master taped by Steve Maizner; transferred & seeded by Rob Berger notes
2343. 06/09/76 Shn - 0, 12207 Boston Boston Music Hall set 2; SBD> RM> DAT> sonic solutions> CDR, with Beginning of "St. Stephen" spliced in from unknown audience source; Extracted with Toast Audio Extractor & Plexwriter 4/12 and converted to SHN; via Art Cohen notes
2344. 06/09/76 Flac 24/48 - 0, 152189 Boston Boston Music Hall flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK SD C90 & C120 (normal bias). Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021 notes
2345. 06/09/76 Flac 16 Mtx - , 156991 Boston Boston Music Hall flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 95399 & 99064. notes
2346. 06/10/76 Shn - 0, 14264 Boston Boston Music Hall SBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN vai Charlie Miller notes
2347. 06/10/76 Flac 16 - 0, 82921 Boston Boston Music Hall flac16; Source Info: SBD Master Reel -> PCM -> Dat (44.1k) Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 and Ozone. Dithered L2 Type-1 Ultra by Jamie Waddell notes
2348. 06/10/76 Flac 16 Mtx - 0, 84985 Boston Boston Music Hall flac16; Matrix 2 Source Mix - SBD (shnid 82891) + AUD (shnid 18425) by Kevin Tobin notes
2349. 06/10/76 Shn - 0, 23370 Boston Boston Music Hall Bertha Remaster of the Master Reel source. SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>WAV/SHN notes
2350. 06/10/76 Shn - 0, 18426 Boston Boston Music Hall Recorded by Jimmy Warburton AKG 1000Es> Sony TC-152. Reel -> DAT conversion by Mark Cohen. DAT -> SHN conversion by David Minches. notes
2351. 06/10/76 Shn - 0, 18425 Boston Boston Music Hall Recorded by Jerry Moore; AKG 200Es> Sony TC-153, close to stage in orchestra mics hand held. AUDMC > DAT by Mark Cohen. DAT > SHN by David Minches. notes
2352. 06/10/76 Shn - 0, 5918 Boston Boston Music Hall FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min. notes
2353. 06/10/76 Flac Dts 5.1 - 0, 85004 Boston Boston Music Hall DTS Audio 5.1; SBD (shnid 82891) SBD Master Reel -> PCM -> Dat (44.1k) + AUD shnid 18425 Recorded by Jerry Moore; AKG 200Es> Sony TC-153 - dts mixing by Kevin Tobin notes
2354. 06/10/76 Flac 16 - 0, 141690 Boston Boston Music Hall flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes
2355. 06/10/76 Flac 24/96 - 0, 143ßß3 Boston Boston Music Hall flac24; Source: AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of log; Transfer: MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick August 2018 notes
2356. 06/10/76 Shn - 0, 237 Boston Boston Music Hall ??? > CD > EAC > SHN; via S. Dunahee, W. Stube; known flaws: clicks removed with SF: d1 2:41.707, d2 43:50.421; cut 10 seconds of silence/weird static in d1t01 starting 7:36; d/o's d1t03 2:13-2:24, d1t07 9:38-9:46, d/o into staticky fade in d2t04 5:06-5:10; upgrade in circulation notes
2357. 06/10/76 Flac 16 - 0, 145134 Boston Boston Music Hall flac16; Source: AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of log; Transfer: MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick August 2018; This file set is 16 bit @ 44.1 notes
2358. 06/11/76 Flac 16 Mtx - 0, 118256 Boston Boston Music Hall flac16; Matrix of SBD (shnid=22803) and AUD (shnid=18387) by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes
2359. 06/11/76 Shn - 0, 22803 Boston Boston Music Hall SBD of unknown lineage, claims to be an A+ improvement over previous SBDs in circulation. Available at www.gdlive.com notes
2360. 06/11/76 Shn - 0, 18387 Boston Boston Music Hall Recorded by Jerry Moore; AKG 200Es> Sony TC-153, mics split along front of loge. AUDMC > DAT conversion by Mark Cohen, DAT > SHN conversion by David Minches notes
2361. 06/11/76 Shn - 0, 5919 Boston Boston Music Hall FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades/sbd splice with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min. notes
2362. 06/11/76 Shn - 0, 238 Boston Boston Music Hall SBD> ?> liberated bootleg; via Alan McCarty notes
2363. 06/11/76 Shn - 0, 7824 Boston Boston Music Hall MR>DAT>DAT Clone @ 44.1 kHz (Tascam DA20)>SBLive Platinum SPDIF In>WAV Edit (Sound Forge)>SHN (mkw audio compression tool)>CDR (HP 8200); via GDLive [Note: An sbe-fixed-by-set version also circulates] notes
2364. 06/11/76 Flac 16 - 0, 141709 Boston Boston Music Hall flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; Fixed numerous flaws from previous source notes
2365. 06/12/76 Flac - 0, 100328 Boston Boston Music Hall flac16; Source: FM Reel Master taped by Jerry Moore Sony TC-755 reel/Teac AN-180 dolby unit Maxell UD 35-180 tape; lineage: WBCN simulcast>10.5" reels @ 7.5 ips, dolby b Technics RS1506>Teac AN-180>HD-P2 24/96>hd>cd wave 16/44>flac transferred & seeded by Rob Berger 7/27/09 notes
2366. 06/12/76 Shn - 0, 5556 Boston Boston Music Hall SBD> FM(WBCN)> MR(7.5ips); Conversion: Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN; Taped by Peter Wrenn, Seeded by Stephen Wrenn; to etree via Doug Moog; Wheel from unknown AUD; see notes in info file notes
2367. 06/12/76 Flac - 0, 110456 Boston Boston Music Hall flac16; aud 1st gen reel, akg d1000e's>sony tc-152, taped by Jimmy Warburton, transfer by Rob Berger notes
2368. 06/12/76 Flac - 0, 132933 Boston Boston Music Hall flac16; Matrix Mix of Shnid 100328 (FM) and Shnid 110456 (AUD) notes
2369. 06/12/76 Shn - 0, 5983 Boston Boston Music Hall FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d3 tracked for 80 min. notes
2370. 06/12/76 Flac - 0, 111783 Boston Boston Music Hall flac16; Recording Info: Stereo Microphone -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller notes
2371. 06/14/76 Flac - 0, 82308 New York Beacon Theatre flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell notes
2372. 06/14/76 Flac Mtx - 0, 128772 New York Beacon Theatre flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:82308) Betty Board MR > PCM > DAT; Transfer: SBD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect and Audience (shnid:10917) Source: Sony TC 153 Sony SCM 99A Mikes > Cassette x 2 > DAT > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw notes
2373. 06/14/76 Shn - 0, 240 New York Beacon Theatre SBD Reels> D> CD-R ; via Leigh Orf; caution: d2 t2,4 may be switched?; note md5s here were submitted 7/2001, not sure if originals- see pub comments; upgrade in circulation notes
2374. 06/14/76 Shn - 0, 10917 New York Beacon Theatre Sony TC 153 Sony SCM 99A Mikes > Cassette x 2; See info file for transfer notes; via Dave Minor and Dale Shepherd; Seeded to etree by Matt Vernon notes
2375. 06/14/76 Shn - 0, 22804 New York Beacon Theatre S:MR>PCM>DAT>CD>EAC>SHN Note: This shn set was modified by replacing the incomplete encore at end of disk 3 with the complete encore (previously on end of disk 2) and removing it from end disk 2 notes
2376. 06/14/76 Flac - 0, 78443 New York Beacon Theatre flac16; Set 2 only - source: betty > pcm x 2 > dat conversion: - M-1 > 7-pin optical > Co2 > SB Live - CDwav Record and Index - FLAC - ShnTool notes
2377. 06/14/76 Flac 16 - 0, 143026 New York Beacon Theatre flac16; Source Info: Primary Source: Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM > Dat (16-bit/44.1k); Secondary Source: Betty's 7" two track Master Soundboard Reel @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: Primary Source: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k) > Adobe Audition 3.01 > TLH flac16; Secondary Source: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16 notes
2378. 06/15/76 Flac 16 - 0, 96088 New York Beacon Theatre flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz; Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac; Transfer and mastering by Bill Koucky notes
2379. 06/15/76 Flac 16 - 0, 110148 New York Beacon Theatre flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2380. 06/15/76 Flac 16 Mtx - 0, 130335 New York Beacon Theatre flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:110148) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC and Audience (shnid:10307) Source: Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; DAT clone > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw notes
2381. 06/15/76 Flac 16 - 0, 96088 New York Beacon Theatre flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz; Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac; Transfer and mastering by Bill Koucky notes
2382. 06/15/76 Shn - 0, 10307 New York Beacon Theatre Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; See info file for transfer details; via Dale Shepherd, Dave Minor; Seeded to etree by Matt Vernon notes
2383. 06/15/76 Shn - 0, 241 New York Beacon Theatre SBD > Master Reel > PCM > DAT; Transfer:? DAT > WAV (via TB Fiji S/PDIF) > SHN; via Andy Gustin, Jeff Kempka; see info file and pub comments for flaw notes notes
2384. 06/15/76 Shn - 0, 8323 New York Beacon Theatre SBD>DAT(s)>Tascam DA-20MKII>WaveTerminal 2596> CDWave>SHN; See txt file for details on splices; to abgd via BUG notes
2385. 06/15/76 Shn - 0, 8732 New York Beacon Theatre Jay Ashley (Bertha) remaster of original reel source; SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD notes
2386. 06/15/76 Flac 16 - 0, 143119 New York Beacon Theatre flac16; Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16 notes
2387. 06/17/76 Flac Mtx - 0, 91861 Passaic Capitol Theater MATRIX MIX: SBD/AUD (About 60%/40%) by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>SHN) notes
2388. 06/17/76 Flac Mtx - 0, 123027 Passaic Capitol Theater flac16; Partial 3 song Matrix by Hunter Seamons; Soundboard recording by Betty Cantor-Jackson; Audience recording transferred by Dale Shepherd; note: The seeder's comments indicate that this is a different transfer than his previous matrix source notes
2389. 06/17/76 Flac - 0, 80739 Passaic Capitol Theater flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
2390. 06/17/76 Shn - 0, 10178 Passaic Capitol Theater Sony TC 153 Sony ECM 99A Mikes Master Cassette > Reel > DAT; via Dave Minor, Raoul Duke; Transfer by Dale Shepherd; Seeded to etree by Matt Vernon notes
2391. 06/18/76 Shn - 0, 13052 Passaic Capitol Theater Aud3> CDR> EAC> Pristine Sounds NR> SHN; SHN'd and seeded by Seth Jackson to abgd notes
2392. 06/18/76 Shn - 0, 14449 Passaic Capitol Theater Sony ECM 99's > Sony TC-152 MC > Teac 2300 @ 3.75 ips Reel > Reel played back on Akai GX-4000D > Teac AN-80 Dolby B Noise Reduction Unit > ART DI/O A/D Convertor > Hard Drive > CD. Taper: Jimmy Warburton,30-35 rows right center. A/D Transfer, editing and tracking by David Minches, shn encoding Matt Vernon notes
2393. 06/18/76 Shn - 0, 9796 Passaic Capitol Theater AUDCM>C>DAT>CDR; via Raoul Duke and Dave Minor; Seeded to etree by Matt Vernon; upgrade in circulation notes
2394. 06/18/76 Flac 16 - 0, 92266 Passaic Capitol Theater flac16; Recording Info: SBD -> Master Reel Transfer Info: Apogee AD500 -> DAT -> Samplitude -> CD -> FLAC; All Transfers and Mastering By Charlie Miller (Download Series outtakes) notes
2395. 06/18/76 Flac 24/96 - , 155902 Passaic Capitol Theater flac2496 Recording Info: (FOB) Sony ECM-99 > Cassette Master (Sony TC-152) > Cassette (Maxell UDXLI-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 notes
2396. 06/19/76 Flac - 0, 10186 Passaic Capitol Theater PRE-FM SBD master reel > DAT > CD (x2) > EAC (secure) > SHN (non seekable)
notes
2397. 06/19/76 Flac 16 - 0, 111852 Passaic Capitol Theater flac16; Recording Info:SBD -> Master Cassette (Nakamichi 550); Transfer Info:Master Cassette (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info:AIFF -> Samplitude Professional v10.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller notes
2398. 06/19/76 Flac 16 Mtx - 0, 121140 Passaic Capitol Theater flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes
2399. 06/19/76 Shn - 0, 23024 Passaic Capitol Theater Source: FM>MC>DAT>WAV>SHN via Cousinit notes
2400. 06/19/76 Flac 16 - 0, 111875 Passaic Capitol Theater flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller notes
2401. 06/19/76 Shn - 0, 12077 Passaic Capitol Theater PRE-FM; SBD master reel > DAT > CD (x2); Unknown seeder notes
2402. 06/19/76 Flac 16 - 0, 143174 Passaic Capitol Theater flac16; Source: Pre-FM Master Reel (WNEW) > PCM > DAT (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave >Flac 16; edited and mastered SIRMick September 2018 notes
2403. 06/19/76 Flac 24/96 - 0, 143275 Passaic Capitol Theater flac24; Source: WNEW FM > Teac A3300 7.5 ips Dolby > Master Reel (Scotch Classic 3600 10,5) > Teac A3300 > Reel 1 @3.75 ips (Maxell UD35-90) - Recorded by Barry Glassberg, Jimmy Warburton's copy; Transfer. Reel 1 > Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018 notes
2404. 06/19/76 Flac 16 - 0, 145155 Passaic Capitol Theater flac16; Source: WNEW FM > Teac A3300 7.5 ips Dolby > Master Reel (Scotch Classic 3600 10,5) > Teac A3300 > Reel 1 @3.75 ips (Maxell UD35-90) - Recorded by Barry Glassberg, Jimmy Warburton's copy; Transfer. Reel 1 > Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018; This file set is 16 bit @ 44. notes
2405. 06/21/76 Flac 16 - 0, 112191 Upper Darby The Tower Theatre flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation notes
2406. 06/21/76 Flac16 Mtx - 0, 121045 Upper Darby The Tower Theatre flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes
2407. 06/21/76 Flac 16 - 0, 124828 Upper Darby The Tower Theatre flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; This is a cleaned up version of source ID 112191 notes
2408. 06/21/76 Shn - 0, 6679 Upper Darby The Tower Theatre Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson notes
2409. 06/21/76 Flac 16 - 0, 112171 Upper Darby The Tower Theatre flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation notes
2410. 06/21/76 Flac 16 - 0, 112162 Upper Darby The Tower Theatre flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller notes
2411. 06/22/76 Flac 16 - 0, 112218 Upper Darby The Tower Theatre flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2412. 06/22/76 Flac 16 Mtx - 0, 112900 Upper Darby The Tower Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Soundtrack > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
2413. 06/22/76 Flac 16 - 0, 99093 Upper Darby The Tower Theatre flac16; Source: audience 1st generation reel; AKG D1000es>sony tc-152sd cassette Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips) Transfer by Rob Berger 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 Editing, downsampling and FLAC encoding by David Minches notes
2414. 06/22/76 Flac 16 - 0, 112789 Upper Darby The Tower Theatre flac16; Recording Info: Unknown Mics -> Master Cassette (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller notes
2415. 06/22/76 Shn - 0, 6680 Upper Darby The Tower Theatre Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson notes
2416. 06/23/76 Flac - 0, 95321 Upper Darby The Tower Theatre flac16; Recording Info: Unknown Mics -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2417. 06/23/76 Shn - 0, 15534 Upper Darby The Tower Theatre AudMC > HD > WAV > SHN Recorded by Jerry Moore from 1st row loge, w/ a pretty good spread on mikes with 2 hand held Sony ECM-33Ps > Sony TC-152 deck with Dolby B ON. Analog > Digital transfer David Minches, encoded by Matt Vernon notes
2418. 06/23/76 Shn - 0, 6681 Upper Darby The Tower Theatre Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min notes
2419. 06/24/76 Flac Mtx - 0, 87163 Upper Darby The Tower Theatre flac16; Matrix 3 Source Mix - SBD Set 1 (shn id 25478) WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN + SBD Set 2 (shn id 14498) SBD>MR>DAT>CDR>EAC + AUD (shn id 6682) [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC - matrix mixing by Kevin Tobin notes
2420. 06/24/76 Shn - 0, 25478 Upper Darby The Tower Theatre Note: This is a remastered version of the 2 prior seeds by Dave Bachkus and Tim Wiley. Source one (Set 1 only) : WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN ; Source two (Set 2 only) : SBD>MR>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) ; Remastering : SHN>WAV>Steinberg Mastering Edition Enhanced>Nuendo2>SHN ; seeded by dudeman 08/25/2004 notes
2421. 06/24/76 Shn - 0, 26290 Upper Darby The Tower Theatre flac16; Pitch corrected version of shn id 6682 - Shure mics> Sony TC-152 master cassette > dat's > cdr's; fixed by ktobin notes
2422. 06/24/76 Shn - 0, 6682 Upper Darby The Tower Theatre Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min notes
2423. 06/24/76 Flac - 0, 135606 Upper Darby The Tower Theatre flac16; 3 source matrix by Dusborne; Soundboard 1(Shnid:011937) set 1, WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN; Soundboard 2(Shnid:14498) set 2, Source: SBD>MR>DAT>CDR, Conversion/Edit/Seeded to Etree by T. Wiley 01/14/2003; Audience (Shnid:76290), Source: [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact,eac, Cool Edit's, shns done by mvernon54@attbi.com,- Mixed by kevtobin@yahoo.com notes
2424. 06/24/76 Shn - 0, 14498 Upper Darby The Tower Theatre Set 2 only ; SBD>MR>DAT>CDR ; Via PT. ; Seeded to etree by T. Wiley notes
2425. 06/24/76 Flac Dts 5.1 - 0, 76286 Upper Darby The Tower Theatre DTS Audio 5.1 Mix; SBD:(Set 1)WMMR FM Broadcast > RTR > DAT > CD-R & (Set 2)SBD>MR>DAT>CDR; AUD:Shure mics> Sony TC-152 master cassette > dat's > cdr's ; mixed by ktobin notes
2426. 06/24/76 Shn - 0, 11937 Upper Darby The Tower Theatre WMMR FM Broadcast > RTR > DAT > CD-R; via Jonathan Miller; Seeded to etree by Dave Backus notes
2427. 06/24/76 Flac - 0, 112290 Upper Darby The Tower Theatre flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; All Mastering By Charlie Miller notes
2428. 06/24/76 Flac - 0, 140031 Upper Darby The Tower Theatre flac16; Source: Soundboard > Nakamichi 350 > Cassette Master > Dat (44k); Transfer: Master Cassette > Nakamichi CR-7A > Apogee Ensemble > Peak > AIFF - Transferred By Digitalrbb; Lineage : AIFF > Samplitude Professional v10.1 > FLAC > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 notes
2429. 06/26/76 Flac 16 - 0, 95306 Chicago Auditorium Theatre flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2430. 06/26/76 Shn - 0, 7340 Chicago Auditorium Theatre Aud > ??? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon notes
2431. 06/26/76 Flac 16 - 0, 112790 Chicago Auditorium Theatre flac16; Set 2, Recording Info: Unknown Mics -> Master Cassette (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller notes
2432. 06/26/76 Flac 16 - 0, 147302 Chicago Auditorium Theatre flac16; 2nd set; Source: Lo-fi mono AUD of unknown lineage > ? > cassette. Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 notes
2433. 06/26/76 Flac 24/48 - , 156062 Chicago Auditorium Theatre flac2448 Recording Info: AKG D200E > Cassette Master (Sony TC-153SD) > Cassette (TDK SA-C90/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 notes
2434. 06/27/76 Flac - 0, 112295 Chicago Auditorium Theatre flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Mastering By Charlie Miller notes
2435. 06/27/76 Flac Mtx - 0, 123462 Chicago Auditorium Theatre flac16; 2 source matrix: Soundboard (shnid:112295) Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC and Audience (shnid:98796) Source: audience 1st generation reel (Jerry Moore's reel) Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips); 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 notes
2436. 06/27/76 Shn - 0, 7341 Chicago Auditorium Theatre aud > ?? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon notes
2437. 06/27/76 Flac - 0, 98796 Chicago Auditorium Theatre flac16; Source: audience 1st generation reel (Jerry Moore's reel) Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips) Transfer by Rob Berger 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 Editing, downsampling and FLAC encoding by David Minches Thanks to Joe B. Jones for pitch correction notes
2438. 06/28/76 Flac 16 Mtx - 0, 112676 Chicago Auditorium Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
2439. 06/28/76 Flac 16 - 0, 112296 Chicago Auditorium Theatre flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Mastering By Charlie Miller notes
2440. 06/28/76 Flac 16 - 0, 112417 Chicago Auditorium Theatre flac16;Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; All Mastering By Charlie Miller notes
2441. 06/28/76 Shn - 0, 18388 Chicago Auditorium Theatre Recorded with Shure 545s> Nak 550 via Bob Wagner. Lineage: AUDMC > Reel > WAV > SHN conversion by David Minches. notes
2442. 06/28/76 Shn - 0, 9776 Chicago Auditorium Theatre AUDMR > ? > DAT > SHN with patches from the Weiner seed; See info file for details; via Dale Shepherd; Seeded to etree by Matt Vernon notes
2443. 06/29/76 Flac 16 - 0, 113556 Chicago Auditorium Theatre flac16; Set 2 Recording Info: SBD -> Cassette Master (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller notes
2444. 06/29/76 Flac 16 Mtx - 0, 112458 Chicago Auditorium Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
2445. 06/29/76 Shn - 0, 2594 Chicago Auditorium Theatre CD (Left In The Vaults Vol. 1) -> EAC-> SHN; liberated bootleg?; note all tracks are labelled as 10/29/77, but this date is 6/29/76, as marked within info file; noted 1/01 at gdlive notes
2446. 06/29/76 Flac 16 - 0, 31144 Chicago Auditorium Theatre flac16; SBD>>MR > PCM(Analog) > DAT > CDA > SHN > DAW(Bertha) > Audio DVD files > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > wav > downsampled to 44.1 wav with Wave Lab v.5.00a > SBEs fixed with shntool v.2.0.3 > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 notes
2447. 06/29/76 Flac 16 - 0, 112407 Chicago Auditorium Theatre flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; All Mastering By Charlie Miller notes
2448. 06/29/76 Shn - 0, 1812 Chicago Auditorium Theatre 7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN; via Jeff Tiedrich, David Hollister, Mike (Dank Star) Parrillo, Andy Gustin; with interleaved reel splices for completeness notes
2449. 06/29/76 Flac 16 - 0, 139633 Chicago Auditorium Theatre flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM > DAT; Transfer Info: DAT(Sony PCM-R500)-> Tascam DA-3000-> Adobe Audition-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston notes
2450. 06/29/76 Flac 16 - 0, 149860 Chicago Auditorium Theatre flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44 notes
2451. 07/12/76 Shn - 0, 10362 San Francisco Orpheum Theatre ncludes Soundcheck; Soundcheck, SBD>VHS Master>DAT>CDR; Disc 1 SBD>MR>R>R>R>DAT>CDR; Disc 2 SBD>MR>DAT>Sonic Solutions>CDR; Disc 3 SBD>MR>DAT>Sonic Solutions>CDR; notes
2452. 07/12/76 Flac 16 - 0, 123474 San Francisco Orpheum Theatre flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller notes
2453. 07/12/76 Shn - 0, 18508 San Francisco Orpheum Theatre Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches. notes
2454. 07/12/76 Flac 16 - 0, 113813 San Francisco Orpheum Theatre flac16; Sony ECM 270's => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] notes
2455. 07/12/76 Shn - 0, 7771 San Francisco Orpheum Theatre Soundcheck - SBD-> Master VHS-> DAT-> CD; Set One - SBD-> RM-> Reel-> Reel-> Reel-> DAT-> CD; Set Two - SBD-> RM-> DAT-> Sonic Solutions-> CD; Tennessee Jed from Set One patched from Bob Menke's Aud Recording AUD->RM->DAT->CDCD->EAC (in secure mode)-> SHN conversion by AJ; with thanks to Charlie Miller, David Gans; shn branch of KPFA tree notes
2456. 07/12/76 Flac 16 - 0, 150658 San Francisco Orpheum Theatre flac16; Recording Info: SBD > Cassette Master > Cassette (Maxell XLII/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC (24-bit/48k); except Soundcheck: SBD > VHS > DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC, This file set is 16 bit @ 44.1 notes
2457. 07/13/76 Shn - 0, 18480 San Francisco Orpheum Theatre MSR>?(1st or 2nd gen.Cass.)> CDR with AUD Patch source: MAC w/ Sony ECM 270s>Reel>DAT>CDR via Andy Lemieux, encoded by Matt Vernon notes
2458. 07/13/76 Shn - 0, 9978 San Francisco Orpheum Theatre ay Ashley (Bertha) Remaster of Multi-Gen Reel source; SBD>>MR>>Reel>>Reel>>Reel>>Dat>>CDA>>DAW(Bertha)>>CDA notes
2459. 07/13/76 Flac 16 - 0, 123475 San Francisco Orpheum Theatre flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller notes
2460. 07/13/76 Shn - 0, 18427 San Francisco Orpheum Theatre Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches. notes
2461. 07/13/76 Flac 16 - 0, 150754 San Francisco Orpheum Theatre flac16; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k), This file set is 16 bit @ 44.1; the original version has a dropout in s1t05 notes
2462. 07/13/76 Flac 24/96 - 0, 150753 San Francisco Orpheum Theatre flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; the original version has a dropout in s1t05 notes
2463. 07/13/76 Flac 24/96 - 0, 150847 San Francisco Orpheum Theatre flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; All Transfers and Mastering by Charlie Miller; This is from a different source tape than source ID 150753 notes
2464. 07/13/76 Flac 16/44 - 0, 152157 San Francisco Orpheum Theatre flac16/44 ; Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 - 150867 24 -> 16 @ 44.1 notes
2465. 07/13/76 Flac 16/44 - 0, 152150 San Francisco Orpheum Theatre flac16/44 ; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; All Transfers and Mastering by Charlie Miller - 150847 24 -> 16 @ 44.1 notes
2466. 07/14/76 Shn - 0, 18594 San Francisco Orpheum Theatre SBD>MR>C>DAT>CDR patched with the Bob Menke audience recording via Raoul Duke encoding/patching by Matt Vernon notes
2467. 07/14/76 Shn - 0, 18159 San Francisco Orpheum Theatre MAR > Reels > DAT > CD recorded by Bob Menke with Sony ECM-280 mics into a Sony TC-152. Patch Source: SBD>MR>C>DAT>CDR. Thanks to David Minches for the disks and Jeff Cotsman for the pitch corrections. Encoding and patching by Matt Vernon. notes
2468. 07/14/76 Flac 16 - 0, 123476 San Francisco Orpheum Theatre flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller notes
2469. 07/14/76 Shn - 0, 11938 San Francisco Orpheum Theatre SBD MR > ??? > CD-R; via Jonathan Miller; Seeded to etree by Dave Backus; upgrade in circulation notes
2470. 07/14/76 Flac 24/96 - , 153042 San Francisco Orpheum Theatre SBD > Cassette Master > Cassette (Maxell UD/Dolby B)
Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24
notes
2471. 07/14/76 Flac 16/44 - , 154388 San Francisco Orpheum Theatre flac1644; SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 - This is 153042 2448 > 1644 notes
2472. 07/16/76 Flac 16 Mtx - 0, 28042 San Francisco Orpheum Theatre flac16; SBD + AUD Matrix Mix (50% SBD/50% AUD), seeded by Dan notes
2473. 07/16/76 Shn - 0, 27488 San Francisco Orpheum Theatre Bertha remaster of Set 2 of Charlie Miller's seed; SBD> MR> DAT> SHN> DAW(Bertha)> CDA/SHN; note parens in filenames notes
2474. 07/16/76 Flac Dts 5.1 - 0, 30698 San Francisco Orpheum Theatre Set 2 DTS-Audio-CD 5.1 Mix via Dan notes
2475. 07/16/76 Shn - 0, 23569 San Francisco Orpheum Theatre Set 1 Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152) -> Dat -> CD -> EAC -> SHN (Recorded by Bob Menke)Same md5's as prior seed; Set 2 Recording Info: SBD -> Master Reel -> Master Dat (44.1k)Transfer Info: Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Transferred and Patched By Charlie Miller; See txt file for patch detail notes
2476. 07/16/76 Flac 16 - 0, 123477 San Francisco Orpheum Theatre flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller notes
2477. 07/16/76 Shn - 0, 16943 San Francisco Orpheum Theatre Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony; MAC > DAT > CD, except U.S. Blues encore, which is MAC > R > DAT > CD (Menke could not locate his master recording of the encore when this new transfer was done). EAC> WAV> SHN by Sean Cribbs notes
2478. 07/16/76 Shn - 0, 8666 San Francisco Orpheum Theatre AUD : MC (FOBalcony SonyECM-180 > SonyTC-152 -update: taped by Bob Menke using Rob Bertrando's mics) > R > DAT > DAW (Bertha by Jay Ashley) > CD notes
2479. 07/16/76 Shn - 0, 10377 San Francisco Orpheum Theatre Sony ECM 280 Sony TC-152 Cm (update: taped by Bob Menke using Dr. Rob Bertrando's mics - Front of Balcony) > R > C > DAT; via Dave Minor, Dale Shepherd; Seeded to etree by Matt Vernon notes
2480. 07/17/76 Flac 16 Mtx - 0, 95734 San Francisco Orpheum Theatre flac16; Sick Bits Vol. 25 - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=34708) + AUD (shnid=18389). Matrixed by Chris Chappell. notes
2481. 07/17/76 Flac 16 Mtx - 0, 91827 San Francisco Orpheum Theatre flac16; Matrix: SBD Source: shnid=34708; AUD Source: shnid=18389 : Matrix created by Chris Chappell. Final matrix seed discs provided by Rob Betrando. EAC > FLAC by Noah Weiner (May 2008) notes
2482. 07/17/76 Shn - 0, 18389 San Francisco Orpheum Theatre Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN via David Minches notes
2483. 07/17/76 Shn - 0, 243 San Francisco Orpheum Theatre SBD: Master Reel > DAT > CD (possible "new leak"?); Eyes has a 45-second AUD splice, and 2 sec repeat at 3:30 (is that the splice point?); via J. Fricker notes
2484. 07/17/76 Shn - 0, 34708 San Francisco Orpheum Theatre Fix of shn id 243 - patch in Eyes of the World smoothed out (MSR>DAT>CD>EAC>SHN) notes
2485. 07/17/76 Flac - 0, 141966 San Francisco Orpheum Theatre flac Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC (3 Discs Audio / 1 DVD FLAC) Recorded By Bob Menke All Transfers and Mastering By Charlie Miller notes
2486. 07/18/76 Flac 16 - 0, 107823 San Francisco Orpheum Theatre flac16; source: Pre FM 7" 1/2 track reel @ 7.5 ips, no nr Michael Schuncke's DIR broadcast reels, transfer by Rob Berger notes
2487. 07/18/76 Shn - 0, 14838 San Francisco Orpheum Theatre S : PreFM > MR > PCM > DAT > CDA > DAW (Bertha) > CDA - d1t01 and d3 S : FM > R > DAT > CDA > DAW (Bertha) > CDA - d1t02-d2t07 Bertha Remaster by jashley@deadacated.com Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. notes
2488. 07/18/76 Flac 24 - 0, 107833 San Francisco Orpheum Theatre flac24; source: Pre FM 7" 1/2 track reel @ 7.5 ips, no nr Michael Schuncke's DIR broadcast reels, transfer by Rob Berger notes
2489. 07/18/76 Shn - 0, 244 San Francisco Orpheum Theatre SBD > ??? > CDR > CDR > SHN (via EAC and mkwACT); via M. Ferguson; no digiflaws, some amplifier hum, "dead air" spaces cut notes
2490. 07/18/76 Flac 16 - 0, 150187 San Francisco Orpheum Theatre flac16; Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes
2491. 07/18/76 Flac 16 - 0, 150770 San Francisco Orpheum Theatre flac16; Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; This is a remastered version of source ID 150187 (fixes previous issues) notes
2492. 07/18/76 Flac 16/44,1 - 0, 150982 San Francisco Orpheum Theatre flac16/44.1khz --This is a Flying -M- remaster reducing the buzz and hum with iZotope RX8 advanced (Oct. 29, 2020) Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k) Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16 (3 Discs Audio / 1 DVD FLAC) notes
2493. 08/02/76 Flac 16 - 0, 132697 Hartford Colt Park flac16; Cassette Audience Master recorded By Keith Gatto; Shure SM 94 microphones-Sony TC 152sd Cassette Recorder; Analog to Digital:Cassette Masters played back on Sony TC 152sd-DAT; Transfer by Keith Gatto; DAT-CD JW; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6); CD-WAV-FLAC(dBpoweramp music converter)-Tagging(Tag & Re-name) by Jim Wise notes
2494. 08/02/76 Shn - 0, 245 Hartford Colt Park K. Gatto's AUD (Sony tc-152 cassette> DAT> CD); seed via J. Wise, T. OConnell et al; EAC, shn, upload by A. Jerugim notes
2495. 08/02/76 Flac 24/96 - 0, 81971 Hartford Colt Park flac24/96; Taper: E. Singer Source: FOB (mics ??? either Senn441s or AKG ???) Uher CR-134 > Maxell UD-XL1 C90min. Lineage: Transfer: MAC > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak (24/96 WAV) by D.McCabe. Mastering: SIRMick notes
2496. 08/02/76 Flac 16 - 0, 81456 Hartford Colt Park flac16; Source: Audience FOB Recording Media: Maxell UD-XL1 C90 Master Tapes Lineage: MAC? (we can't for sure indicate that this is a master cassette, this might be a 1st gen copy) > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak 24/96 wav > FLAC > WAV > See Editing notes Taped by: E. Singer Transfer by: Derek McCabe Mastered by: SIRMick notes
2497. 08/02/76 Flac 24/96 - 0, 141900 Hartford Colt Park flac24; Source: Sony ECM 99A > Sony TC 152 > Cassette Master > reel - Recorded by Jimmy Warburton and provided by Pat Lee; Transfer: reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick notes
2498. 08/02/76 Flac - 0, 141900 Hartford Colt Park flac24; Source: Sony ECM 99A > Sony TC 152 > Cassette Master > reel - Recorded by Jimmy Warburton and provided by Pat Lee; Transfer: Baked reel > Technics 1506 > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; the original files were 16 bit/ 96kHz; please don't circulate those files notes
2499. 08/02/76 Flac 16 - 0, 145157 Hartford Colt Park b>flac16; Source: Sony ECM 99A > Sony TC 152 > Cassette Master > reel - Recorded by Jimmy Warburton and provided by Pat Lee; Transfer: Baked reel > Technics 1506 > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; 24 > 16 by Norm notes
2500. 08/02/76 Flac 24/48 - 0, 152092 Hartford Colt Park flac2448 ; Source: Mono Sony hand-held recorder (model unknown) > Memorex MRX-2 C90's (normal bias). Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2021 notes
2501. 08/04/76 Flac 16 Mtx - 0, 120684 Jersey City Roosevelt Stadium flac16; 2 source matrix: Soundboard (shnid=99697) lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe>flac transferred & seeded by Rob Berger 6/22/09 and Audience (shnid=12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore Transfer: CDR > EAC (secure) > Cool Edit (minor fixup) > mkwact(seekable) Patch Source (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN (Tape Flips Patched w/(FOB) Shure Mics>Cm>Dat>CD) (parts of set 1 patched from video soundtrack) from Charlie Miller via Patrick Clifford Matrix by dusborne using Sound Forge Pro 10.0 and Audacity 2.0 06-11-2012 notes
2502. 08/04/76 Flac 16 Mtx - 0, 127240 Jersey City Roosevelt Stadium flac16; Matrix 3 Source Mix - SBD (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - matrix mixing by Kevin Tobin notes
2503. 08/04/76 Flac 16 - 0, 127249 Jersey City Roosevelt Stadium flac16; (original shn 35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford - pitch correction and patches by Kevin Tobin notes
2504. 08/04/76 Flac 16 - 0, 35171 Jersey City Roosevelt Stadium flac16; SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin notes
2505. 08/04/76 Flac 16 - 0, 99698 Jersey City Roosevelt Stadium flac16; source: sbd 2nd gen reel; lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe 16/44>flac notes
2506. 08/04/76 Shn - 0, 12078 Jersey City Roosevelt Stadium Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon notes
2507. 08/04/76 Shn - 0, 12830 Jersey City Roosevelt Stadium SBD> MR> C> D> CD> EAC> SHN; with patches from AUD> MC> D> CD> EAC> SHN; see info file for details; Thanks to Chuck Gannon, Matt Vernon, and David Backus; edits/encoding by JCotsman notes
2508. 08/04/76 Flac Dts 5.1 - 0, 127254 Jersey City Roosevelt Stadium DTS-Audio-CD 5.1 Mix; Matrix 3 Source Mix - SBD (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - matrix mixing by Kevin Tobin notes
2509. 08/04/76 Flac 24/96 - 0, 99697 Jersey City Roosevelt Stadium flac24; source: sbd 2nd gen reel; lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe>flac notes
2510. 08/04/76 Shn - 0, 6677 Jersey City Roosevelt Stadium MSR-> C-> DAT-> CDR-> EAC-> SHN V.3; via Dave of Terrapin Station FTP; see info file for flaw notes; upgrade in circulation notes
2511. 08/04/76 Flac 16 - 0, 127248 Jersey City Roosevelt Stadium flac16; (original shnid = 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon - pitch correction and patches by Kevin Tobin notes
2512. 08/04/76 Flac 16/48 - 0, 145268 Jersey City Roosevelt Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - surround mixing by Kevin Tobin notes
2513. 08/04/76 Flac 24/48 - 0, 152165 Jersey City Roosevelt Stadium flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK-SD (normal bias) back-up tapes. Concert recording by Rich Petrunis. Transfer: 1st-gen > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2021 notes
2514. 08/26/76 Flac 16 - 0, 140993 San Rafael Club Front Studio flac16; source/lineage: studio reel -> ? -> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda -> Logic Pro -> wav -> xAct -> flac notes
2515. 09/23/76 Shn - 0, 14687 Durham Cameron Indoor Stadium, Duke University Primary source - SBD: Cm-> C-> Cx2-> DAT-> CDR->EAC->SHN Aud patch sources: AUD: Cm->?-> C-> DAT-> CDR. DAE and shn encoding done by D.Backus notes
2516. 09/23/76 Flac - 0, 117651 Durham Cameron Indoor Stadium, Duke University flac16; This is a restored version of shnid=14687. It did not involve an upgrade in the source material.
A short portion contains a transfer from an open reel tape I received in trade in 1977 (unknown generations).
notes
2517. 09/24/76 Shn - 0, 16901 Williamsburg College Of William & Mary Hall AUD Reel > 48kDATs > midiman delta dio 2496 > cooledit2000 > wav >shn notes
2518. 09/25/76 Shn - 0, 246 Landover Capital Centre SBDMR> CASS/1> DAT> CD> EAC> SHN; via A. Jerugim; known flaws: 1 sec distortion d3t3 6:22; Sunshine Daydream cuts @0:27; 4/26 update- error in d1- reseeded ~4/27; this date later released as part of Dick's Picks 20 notes
2519. 09/25/76 Shn - 0, 10511 Landover Capital Centre Dick's Picks 20 leftovers: 9/25/76 Its All Over Now, plus 9/28/76 Bertha; SBD > MR > ? > CDR> EAC (secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable); via Matt Vernon with thanks to Raoul Duke notes
2520. 09/25/76 Flac 16 - 0, 147662 Landover Capital Centre flac16; AUD; Presumed source: Shure SM-57's > Sony TC-158SD, concert recording by Scott Jones, MAC > C > C (2nd Gen, c.1978) cassettes via Lee Maddex. Transfering: 2007; Maxell XLII-90's > JVC TD-W309 > Tascam CDRW-700 > CDR. 2019: CDR > EAC > Wavelab > CD-Wave > FLAC 1644 tagged. notes
2521. 09/25/76 Flac 24/96 - 0, 148827 Landover Capital Centre flac24; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496 notes
2522. 09/25/76 Flac 16/48 - 0, 148826 Landover Capital Centre flac16/48kHz; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
2523. 09/27/76 Flac - 0, 87664 Rochester Community War Memorial Auditorium flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
2524. 09/27/76 Flac Dts - 0, 87665 Rochester Community War Memorial Auditorium flac16; DTS-Audio-CD 5.1 Mix of SBD -> Master Reel -> Dat (48k) (shn id 87664 + AUD Sony ECM-33Ps>Sony TC-152 (Cass. master)>DAT>CDR>EAC>Sound Forge (no sound processing)>SHN (shn id 3821) - Mixed by Kevin Tobin notes
2525. 09/27/76 Shn - 0, 3821 Rochester Community War Memorial Auditorium Sony ECM-33Ps> Sony TC-152 (Cass. master)> DAT> CDR> EAC> Sound Forge (no sound processing)> SHN; via Mike "dankstar" Parrillo; to etree and abgd; update- not taped by Jerry Moore notes
2526. 09/27/76 Flac Mtx. - 0, 87661 Rochester Community War Memorial Auditorium flac16; Matrix 2 source mix - SBD (shn id 87664): SBD -> Master Reel -> Dat (48k) + AUD: (shn id 3821): Sony ECM-33Ps>Sony TC-152 (Cass. master)>DAT>CDR>EAC>Sound Forge (no sound processing)>SHN - matrix mixing by Kevin Tobin notes
2527. 09/28/76 Shn - 0, 14355 Syracuse Onongada County War Memorial Source: SBD > ? > SHN > Cool Edit(see notes) > CDWAV > mkwact(seekable). shn encoding and patching (unkown FOB aud)by Matt Vernon notes
2528. 09/28/76 Shn - 0, 14356 Syracuse Onongada County War Memorial Source: Unknown aud (FOB) via Dave Minor patched with SBD. DAT > SHN transfer by Dale Shepherd, shn encoding, pitch correction and patching by Matt vernon notes
2529. 09/28/76 Flac 16 - 0, 100071 Syracuse Onongada County War Memorial flac16; Set 2 only Source: AUD of unknown lineage, Transfer: TDK SA-90 (c1979) > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew notes
2530. 09/28/76 Shn - 0, 10512 Syracuse Onongada County War Memorial Dick's Picks 20 leftovers: 9/25/76 Its All Over Now, plus 9/28/76 Bertha; SBD > MR > ? > CDR> EAC (secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable); via Matt Vernon with thanks to Raoul Duke notes
2531. 09/30/76 Shn - 0, 18107 Columbus Mershon Auditorium, Ohio State University Partial Set 1,2 SBD>Rm>Dat>Sonic Solutions>CD>EAC>SHN via Charlie Miller notes
2532. 09/30/76 Shn - 0, 30225 Columbus Mershon Auditorium, Ohio State University SBD>MR>DAT>CD; Disc 1&3; Disc 2 = SHNid=18107 notes
2533. 09/30/76 Shn - 0, 11939 Columbus Mershon Auditorium, Ohio State University FOB - AUD master cass > Cass > DAT > CD; Scarlet from: SBD master reel > PCM > cass > CD; See info file for details; via Jonathan Miller; Seeded to etree by Dave Backus notes
2534. 09/30/76 Flac Mtx. - 0, 137537 Columbus Mershon Auditorium, Ohio State University flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:030225+018107), Disc 1 & 3 lineage: (30225) SBD > MR > DAT > CD > EAC > SHN, Disc 2 Lineage:(18107) SBD > Rm > Dat > Sonic Solutions>CD > EAC > SHN; Audience (shnid:11939) FOB - AUD master cass > Cass > DAT > CD > EAC > SHN notes
2535. 10/01/76 Flac 16 - 0, 111819 Indianapolis Market Square Arena flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; Transferred and Mastered by David Gans; Re-tracked and converted to FLAC By Charlie Miller notes
2536. 10/01/76 Flac 16 - 0, 112800 Indianapolis Market Square Arena flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2537. 10/01/76 Flac 16 - 0, 84358 Indianapolis Market Square Arena flac16; Source: aud cassette master, Sony ecm-33p's>Sony 153, Maxell UD120's w/dolby b, mics on stand, fob taped by Jerry Moore Lineage: aud c.m.>sbm1>dat>cdr>eac>cd wave>flac Transfer by Rob Berger '99, tracking by John Tallmadge notes
2538. 10/01/76 Flac 16 - 0, 118468 Indianapolis Market Square Arena flac16; SRC: Unknown AUD (likely FOB) > C; Lineage: Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > minor editing (see below) > downsampling in r8brain Pro to 44.1 khz > dithered using Ozone 3 plugin (MBIT+) > exported to 16 bit in Samplitude 11 Producer > FLAC notes
2539. 10/01/76 Flac 24/96 - 0, 118467 Indianapolis Market Square Arena flac24; SRC: Unknown AUD (likely FOB); Lineage: Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > FLAC notes
2540. 10/01/76 Flac 16 Mtx - 0, 137657 Indianapolis Market Square Arena flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:112800), Recording Info: SBD -> Master Reel -> Dat -> CD,Transfer Info:CD -> Samplitude Professional v11.2 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience (shnid:118467), SRC: Unknown AUD (likely FOB),Lineage: Nakamichi DR-1 >Tascam HD-P2 > 24 bit/96 khz WAV > FLAC notes
2541. 10/01/76 Shn - 0, 14558 Indianapolis Market Square Arena AudMC > DAT > WAV > SHN -- Recorded by Jerry Moore about 20 rows from the stage on center axis with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON. notes
2542. 10/01/76 Shn - 0, 10151 Indianapolis Market Square Arena sony tc152 w/ 2 AKGD200e mics > 3C > DAT > CDWav; via Raoul Duke, Dave Minor; DAT Transfer by Marc Pujol; Seeded to etree by Matt Vernon notes
2543. 10/01/76 Flac 16/44 - , 170205 Indianapolis Market Square Arena flac1644; Recording info: Vault master reel sourced files (via anon); Mastered by Jim Blackwood; Pitch adjustment by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel notes
2544. 10/02/76 Shn - 0, 14560 Cincinnati Riverfront Coliseum AudMC > DAT > WAV > SHN taped by Jerry Moore with 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON. A>D and shn encoding by Noah Weiner. notes
2545. 10/02/76 Flac 16 - 0, 134416 Cincinnati Riverfront Coliseum flac16; restored version of source ID 14560: AudMC > DAT > WAV > SHN; Recorded by Jerry Moore on the left side, maybe a third of the way out from the stage and two thirds in front of center court, about 20 rows off the floor with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON;multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization; see info file for details notes
2546. 10/02/76 Shn - 0, 10152 Cincinnati Riverfront Coliseum ACM>??>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes
2547. 10/03/76 Flac 16 - 0, 121945 Detroit Cobo Arena flac16; Set 2 Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascm SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2548. 10/03/76 Shn - 0, 248 Detroit Cobo Arena set 2 partial; FMSBD -> SBDCM -> DAT -> CD> EAC > SHN; via A. Jerugim; no known flaws; upgrade in circulation notes
2549. 10/03/76 Shn - 0, 19415 Detroit Cobo Arena SET ONE: AUD > ? > CD > EAC > SHN edits/encoding by JCotsman. Taken from this version. SET TWO: AUD > ? > CASS > DAT > WAV > SHN A > D by Noah Weiner - August, 2003. Added to etree by Noah Weiner. notes
2550. 10/03/76 Shn - 0, 12832 Detroit Cobo Arena complete; 1st set: AUD> ?> CD> EAC> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; with patches in second set from the audience recording as well as an FM SBD; Thanks to Jeff Cook, Doug Moog; edits/encoding by JCotsman notes
2551. 10/03/76 Shn - 0, 12829 Detroit Cobo Arena set2; SBD> MR> C> DAT> CDR> WAV> SHN; EAC/SHN by jim; upgrade in circulation notes
2552. 10/09/76 Shn - 0, 12519 Oakland Oakland-Alameda County Coliseum Set 2; SBD>Rm>Dat>Sonic Solutions>CD; Seeded to etree by Charlie Miller notes
2553. 10/09/76 Flac 16 Mtx - 0, 89544 Oakland Oakland-Alameda County Coliseum flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD): SBD > RM > Dat>Sonic Solutions > CD > EAC > SHN (shn id 12519) and Unknown aud > ? > DAT Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit(rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn (shn id 10179) notes
2554. 10/09/76 Flac Dts - 0, 86437 Oakland Oakland-Alameda County Coliseum DTS Audio 5.1; Set 2 only: SBD: SBD > RM > Dat>Sonic Solutions > CD > EAC > SHN Converted to SHN By Charlie Miller (shn id 12519) and AUD: Unknown aud > ? > DAT Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit (rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn SHNtool used verify track boundaries prior to wav>shn Transfer by Marc Pujol (shn id 10179) notes
2555. 10/09/76 Shn - 0, 249 Oakland Oakland-Alameda County Coliseum partial; S:GDH PreFM DAT> ZA2> DartPro32 de-hiss w/ 2.7 gain> CD> EAC> SHN; No noise reduction on disc 2; via D. Hollister, J. Ayers; w/ 5/1/70 filler; etreed 3/24/00; 5/1/70 filler notes
2556. 10/09/76 Flac 16 - 0, 83819 Oakland Oakland-Alameda County Coliseum flac16; Source: Unknown aud > ? > DAT; Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit(rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn Fix of shnid 10179 - tracks put back in phase and stretched to 103% by Bill Tetzeli notes
2557. 10/09/76 Flac 16 - 0, 99003 Oakland Oakland-Alameda County Coliseum flac16; master taped by Louis Falanga on a sony tc-152sd lineage: MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 16/44>flac agfa reel baked/transferred/seeded by Rob Berger notes
2558. 10/09/76 Flac 24/48 - 0, 99002 Oakland Oakland-Alameda County Coliseum flac24; master taped by Louis Falanga on a sony tc-152sd lineage: MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac agfa reel baked/transferred/seeded by Rob Berger notes
2559. 10/09/76 Shn - 0, 10179 Oakland Oakland-Alameda County Coliseum Unknown aud > ? > DAT; via Dave Minor; Transfer by Marc Pujol; Seeded to etree by Matt Vernon notes
2560. 10/10/76 Shn - 0, 3381 Oakland Oakland-Alameda County Coliseum Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; tracked for 2x80 notes
2561. 10/10/76 Shn - 0, 11670 Oakland Oakland-Alameda County Coliseum Reinhardt Hollwein Sony ECM-220 + Sony ECM-280>Sony TC-15; via JackySack; Seeded to etree by Matt Vernon notes
2562. 10/10/76 Flac 16 - , 155765 Oakland Oakland-Alameda County Coliseum Recording Info: (FOB) Unknown Mics > Cassette Master (Uher Deck)
Mastering Info: WAV (16-bit/44.1k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/16
notes
2563. 10/10/76 Flac 16/44 - , 155807 Oakland Oakland-Alameda County Coliseum flac16/44 Source: Sony ECM-220 + Sony ECM-280 > Sony TC-15 > Master Audio Casstte - Recorded by Reinhardt Hollwein Lineage: Master Audio Casstte > DAT > CD > EAC (secure) > Cool Edit (minor fixes) > mkwact (seekable) > shn Additional Lineage: Decoded SHN > Wav > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 16 edited and remastered SIRMick February 2022 notes
2564. 10/14/76 Shn - 0, 12614 Los Angeles Shrine Auditorium composite and patched: AUD> MC> R> D> ?> D> CD> EAC> SHN (Bertrando recording) plus SBD> MR> D> CD> EAC> SHN; see notes; via Jeff Cotsman notes
2565. 10/14/76 Shn - 0, 12079 Los Angeles Shrine Auditorium Source: MAC>R>D > ? > D, Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152; via Dave Minor; Dat transfer by Marc Pujol; Seeded to etree by Matt Vernon notes
2566. 10/14/76 Shn - 0, 143276 Los Angeles Shrine Auditorium SBD MR > C1 > DAT notes
2567. 10/15/76 Flac 16 - 0, 84260 Los Angeles Shrine Auditorium flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
2568. 10/15/76 Flac 16 - 0, 105824 Los Angeles Shrine Auditorium flac16; Sony ECM 270's >> Sony TC 152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe notes
2569. 10/15/76 Shn - 0, 32060 Los Angeles Shrine Auditorium MSR>DATs>CDRs>EAC>SHN Fixed SBE of shnid=251 notes
2570. 10/15/76 Shn - 0, 251 Los Angeles Shrine Auditorium MSR> DATs> CDRs> EAC> SHN; via D. Sacks; Flaws: Slight digi-static at beginning of Might as well; Mama Tried Cut at beginning; reel flip at @ 2:18 in Lazy Lightning; Splice @ 2:00 in Samson notes
2571. 10/15/76 Shn - 0, 11655 Los Angeles Shrine Auditorium Source: Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152 Lineage: MAC>D>CD; via JackySack; Seeded to etree by Matt Vernon notes
2572. 12/31/76 Shn - 0, 20760 Daly City Cow Palace Lineage: PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) - Fixed (pops removed) version of disk 3 of Jack Warner's "prefm" shn via Dave Winters
Check the .md5s for d3t03 to see whether you have this seed or #18524.
May circulate as either disc 3 solo with a short "Note added 9/1/2003", or as three discs, which is a combination of Source # 18524 and d3 from this source
notes
2573. 12/31/76 Shn - 0, 18524 Daly City Cow Palace PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
2nd encores from MAR (unknown equipment) > Reel > Beta HiFi > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
[Note: A de-popped version created by Dave Winters for
disk 3 also circulates. Check the .md5 for d3t03 to determine which version you have.]
notes
2574. 12/31/76 Shn - 0, 3863 Daly City Cow Palace FM-SB (KSAN-FM)> ? > CDA; 2 encores missing; via Aaron Farnsworth; noted at gdlive 5/01 notes
2575. 12/31/76 Shn - 0, 15114 Daly City Cow Palace Lineage: FM MR>SBM-1>CD>Cool Edit Pro>CD
Circulating on Furthur in Feb. 2003;
upgrade in circulation
notes
2576. 12/31/76 Flac 24/48 - 0, 152247 Daly City Cow Palace flac2448; Source: Mono Sony hand-held recorder (model unknown) > 3x TDK SD C90's (normal bias). Concert recording by Rich Petrunis, standing center floor about 30 feet out from the stage. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021 notes
2577. 02/17/77 Shn - 0, 16745 Van Nuys Sound City Source:SBD>Master Reel>DAT>CDR>SHN; Terrapin Station and Mars Hotel studio outtakes; DAE(EAC0.9 beta 4)>tracking(CDWAV)>SHN(MKWAct.96f)>FTP via Tripp notes
2578. 02/17/77 Flac 16 - 0, 145156 Van Nuys Sound City flac16; Derived from the tagged version of source ID 16745; Source:SBD> Master Reel> DAT> CDR> SHN; DAE (EAC0.9 beta 4)> tracking(CDWAV)> SHN (MKWAct.96f)> FTP via Tripp; flac files from internet > xACT > WAV > Pro Tools LE > xACT > flac notes
2579. 02/17/77 Flac 16/44 - 0, 145591 Van Nuys Sound City flac16/44.1khz Goody pitch fix of 145156. dBpoweramp (WAV) > Audition (Pitch Bender, various amounts; edits to smooth transitions) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags) notes
2580. 02/20/77 Shn - 0, 9470 Van Nuys Sound City Terrapin Station Outtakes; sbd>?>cdr; Seeded to etree by Paul Moreno notes
2581. 02/26/77 Flac 16 Mtx - 0, 110037 San Bernardino Swing Auditorium flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
2582. 02/26/77 Shn - 0, 9752 San Bernardino Swing Auditorium SBD > Master Reel > PCM > DAT > CD-R; via DaveTree; Seeded to etree by AlphaDog notes
2583. 02/26/77 Flac 16 - 0, 83283 San Bernardino Swing Auditorium flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert) WBOTB notes
2584. 02/26/77 Shn - 0, 23808 San Bernardino Swing Auditorium From the Owen Brothers Vault. Main source: SBD>MR>DATs>CDR>EAC>CDR>EAC>CDWAV>SHN. With AUD patches from: Sony ECM-280>Sony TC-153SD>MC>RR>DAT>CDR and between song tuning patches from: SBD>MR>C>C>CD. notes
2585. 02/26/77 Shn - 0, 32009 San Bernardino Swing Auditorium SBD>MR>DAT>CD; Editing and mastering by The Wizard notes
2586. 02/26/77 Flac 16 - 0, 110231 San Bernardino Swing Auditorium Sony ECM-22P's > 153SD cassette (Maxell UDXLII Dolby) > Technics 1506 reel 3.75 ips Dolby > Tascam CDR > dbPoweramp > wav > FLAC. Recording and transfer by Rob Bertrando. Pitch adjustments, tracking and FLACing by Hunter Seamons. notes
2587. 02/26/77 Shn - 0, 2519 San Bernardino Swing Auditorium EAC> seeking SHN by anonymous of previous set, with "alternate" tracking, but also with additional error- this shn set has been circulated with d1t2,t3 switched- correctly listed in info file, but with incorrect tracknames as in d1error.md5 here; d1ok.md5 here shows correct track ordering; Dropouts noted: Samson and Delilah @ 1:54; Music Never Stopped @ 2:04; upgrade in circulation notes
2588. 02/26/77 Shn - 0, 253 San Bernardino Swing Auditorium Betty Board; d1 overtime- see G. Hamilton's alternate tracking suggestions; no md5s originally- checksums here are generated from the alt tracking; a few dropouts and reel changes; via Datsit, Other1, Steve; listener Jason Palmer asserts that there may be NR applied to this version?; Dropouts noted: Samson and Delilah @ 1:54; Music Never Stopped @ 2:04; note d1 tracks are in correct order unlike later reshn of this version; upgrade in circulation notes
2589. 02/26/77 Flac 16 - 0, 152023 San Bernardino Swing Auditorium Fix Of i.d. 151834. Channels reversed on 151834. This is a remaster & partial upgrade to shnid 83283. Source #1: 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 2-17-2002. Remastered by Joe Noel February 17, 2020 Source #2: Betty Board > Reel Master > PCM (original) > pcm clone > sony 601esd > spdif digital clone to dat > vx pocket > laptop Playback & dbx decode; laptop > vx pocket spdif out > mytek stereo 96 dac > balanced analog out > dbx150X type I dbx decoder > balanced analog out to mr2000 balanced in, 1 bit recorded > Audiogate WAV 24-48 DAT transferred & provided by anonymous. Edited & Mastered using Adobe Audition by Joe Noel. February 16, 2020. notes
2590. 02/26/77 Flac 16 - 0, 151834 San Bernardino Swing Auditorium flac16 This is a remaster & partial upgrade to shnid 83283 - Source #1: 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 2-17-2002. Remastered by Joe Noel February 17, 2020 - Source #2: Betty Board > Reel Master > PCM (original) > pcm clone > sony 601esd > spdif digital clone to dat > vx pocket > laptop Playback & dbx decode; laptop > vx pocket spdif out > mytek stereo 96 dac > balanced analog out > dbx150X type I dbx decoder > balanced analog out to mr2000 balanced in, 1 bit recorded > Audiogate WAV 24/48 DAT transferred & provided by anonymous Edited & Mastered using Adobe Audition by Joe Noel February 16, 2020 notes
2591. 02/27/77 Shn - 0, 10378 Santa Barbara Robertson Gym, U.C.S.B. Sony ECM-280> Sony TC-153SD ACM> R>DAT> CDR taped by Dr. Rob Bertrando; via Raoul Duke; Seeded to etree by Matt Vernon; Note- d2t06 does not exist, this was merely a naming error and the show is complete as is. notes
2592. 02/27/77 Flac 16 - 0, 143885 Santa Barbara Robertson Gym, U.C.S.B. flac16; Source: Sony ECM-280s > Sony TC-153SD > Cassette Master > Reel > Reel - Taped by Dr. Rob Bertrando, Jimmy Warburton's copy; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16; edited and mastered SIRMick November 2018 notes
2593. 02/27/77 Flac 24/96 - 0, 143884 Santa Barbara Robertson Gym, U.C.S.B. flac24; Source: Sony ECM-280s > Sony TC-153SD > Cassette Master > Reel > Reel - Taped by Dr. Rob Bertrando, Jimmy Warburton's copy; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick notes
2594. 02/27/77 Flac 16 - 0, 144912 Santa Barbara Robertson Gym, U.C.S.B. flac16; Partial Set 2 Pitch Corrected Version Recording Info: SBD > Master Reel (7.5ips 1/2trk) > FLAC; Mastering Info: FLAC > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; Transferred by Rob Eaton; Mastered by Charlie Miller notes
2595. 02/27/77 Flac 16 - 0, 144911 Santa Barbara Robertson Gym, U.C.S.B. flac16; Partial Set 2 Recording Info: SBD > Master Reel (7.5ips 1/2trk) > FLAC; Mastering Info: FLAC > Samplitude Pro X3 Suite > FLAC/16; Transferred by Rob Eaton; Mastered by Charlie Miller notes
2596. 02/27/77 Flac 24/96 - 0, 145196 Santa Barbara Robertson Gym, U.C.S.B. flac24; Rob Bertrando's Master Audience Cassettes; Sony ECM-280 mics > Sony TC-153SD > Rob Bertrando's 1st generation reels @ 3.75 ips; Transfer Info: 1st generation reels (Akai GX636)> Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
2597. 02/27/77 Flac 16/48 - 0, 145195 Santa Barbara Robertson Gym, U.C.S.B. flac16/48kHz; Rob Bertrando's Master Audience Cassettes; Sony ECM-280 mics > Sony TC-153SD > Rob Bertrando's 1st generation reels @ 3.75 ips; Transfer Info: 1st generation reels (Akai GX636)> Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
2598. 03/18/77 Shn - 0, 254 San Francisco Winterland Arena SBDMR @ 7.5 ips> DAT> CD> EAC> SHN, with AUD patches; AUD portions: Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette> DAT> CD> EAC> SHN; note skip or maybe reel flip d2t2 5:38; d3t3>4 track marker off by ~1:45; d3t5, 'NFA', has an undocumented AUD splice from 14:20 to 15:06 notes
2599. 03/18/77 Flac 16 - 0, 123285 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Mastering Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2600. 03/18/77 Shn - 0, 79098 San Francisco Winterland Arena notes
2601. 03/18/77 Flac 24/96 - 0, 140916 San Francisco Winterland Arena flac24; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick February 2018; fixed version in circulation notes
2602. 03/18/77 Flac 16 - 0, 140942 San Francisco Winterland Arena flac16; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; fixed version of source ID 140916 notes
2603. 03/18/77 Flac 16 Mtx - 0, 141388 San Francisco Winterland Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 123285 & 140918. notes
2604. 03/18/77 Flac 16 - 0, 145158 San Francisco Winterland Arena flac16; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; 141163 24 > 16 notes
2605. 03/18/77 Flac 16 - 0, 145509 San Francisco Winterland Arena flac16; Analog Audience Source: Sony ECM 270 Microphones > Sony TC 152SD; front row balcony right side; Medium Stock Brands: Maxell UD C90's Cassettes; Analog Sound Preservation: MAC > CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg at 5.6 mhz; Soundboard Source: Source: Recording Info: SBD -> Master Reel -> Dat -> CD; Mastering Info:CD -> Samplitude Professional v11.2.1 -> FLAC; Mastering & Matrix: Derek McCabe notes
2606. 03/18/77 Flac 24/96 - 0, 140918 San Francisco Winterland Arena flac24; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; fixed version of source ID 140916 notes
2607. 03/18/77 Flac 24/96 - 0, 141163 San Francisco Winterland Arena flac24; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; pitch corrected version of the two previous fixes notes
2608. 03/19/77 Shn - 3, 255 San Francisco Winterland Arena SBD>MR>DAT>DAT>Sonic Solutions>CDR; original tree and covers; note circ at one site 10/99 w/ problem in d3t5?; note Terrapin has fluttery flaws from master reel notes
2609. 03/19/77 Flac 16 - 0, 123190 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; Mastered By Charlie Miller notes
2610. 03/19/77 Flac 16 Mtx - 0, 96856 San Francisco Winterland Arena flac16; matrix of SBD: shnid=255 and an uncirculated AUD: shnid=xxxxx by hansokolow using ProTools notes
2611. 03/19/77 Flac 16/44,1 - 0, 139354 San Francisco Winterland Arena flac16 44.1khz Sony ECM 280 ->Cassette ->DAT. Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel. notes
2612. 03/19/77 Flac 16 Mtx - 0, 140347 San Francisco Winterland Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 123190 & 139354 notes
2613. 03/19/77 Flac 16 - 0, 145510 San Francisco Winterland Arena flac16; Analog Audience Source: Sony ECM 270 Microphones > Sony TC 152SD; front row balcony right side; Medium Stock Brands: Maxell UD C90's Cassettes; Analog Sound Preservation: MAC > CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg at 5.6 mhz; Soundboard Source: Source: Recording Info: SBD -> Master Reel -> Dat -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; Mastering & Matrix: Derek McCabe notes
2614. 03/19/77 Flac 24/96 - , 152613 San Francisco Winterland Arena Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
notes
2615. 03/19/77 Flac 16/44 - , 152612 San Francisco Winterland Arena flac16/44 Recording Info: SBD > Reel Master > DAT (44.1k)
Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC
notes
2616. 03/19/77 Flac 16/44 - , 154389 San Francisco Winterland Arena flac1644; Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 152613 2496 > 1644 notes
2617. 03/20/77 Shn - 0, 25610 San Francisco Winterland Arena Recording Info: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Tracked and SHN'd By Charlie Miller notes
2618. 03/20/77 Shn - 0, 257 San Francisco Winterland Arena SBD > Reel(1) > ?? > DAT > WAV > SHN; Transfer via TB Fiji (S/PDIF) by J. Kempka; DAT seeded by T. Buller; no Terrapin encore on this source; some hiss. [Note: A version circulates with the sbe's fixed on set 1]; upgrade in circulation notes
2619. 03/20/77 Flac 16 - 0, 100022 San Francisco Winterland Arena flac16; Partial Second Set Audience Tape Unknown Gen TDK Cassette-> SB Audigy-> Audacity-> CD Wav-> Flac notes
2620. 03/20/77 Flac 16 - 0, 132365 San Francisco Winterland Arena flac16; Partial Recording by Gene Taback center-right balcony toward the front, deck and mics unlabeled and forgotten notes
2621. 03/20/77 Flac 16 - 0, 141691 San Francisco Winterland Arena flac16; Recording Info: SBD > Master Reel (7in 7.5ips 1/2trk dbx) > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes
2622. 03/20/77 Flac 16 - 0, 141710 San Francisco Winterland Arena flac16; Recording Info: SBD > Master Reel (7in 7.5ips 1/2trk dbx) > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; Numerous flaws cleaned up notes
2623. 03/20/77 Flac 16 - 0, 145511 San Francisco Winterland Arena flac16; Analog Audience Source: Sony ECM 270 Microphones > Sony TC 152SD; front row balcony right side; Medium Stock Brands: Maxell UD C90's Cassettes; Analog Sound Preservation: MAC > CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg at 5.6 mhz; Soundboard Source: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN; Mastering & Matrix: Derek McCabe notes
2624. 04/22/77 Flac - 0, 27747 Philadelphia The Spectrum flac16; SBD (7 inch Master Reels @ 7.5ips 1/2trk)> Dat> Dat (44.1k), plus patches from FOB Sony ECM99A> Cassette; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes
2625. 04/22/77 Shn - 0, 10148 Philadelphia The Spectrum Multiple sources; AUD>MC>D>CD; SBD>MR>D>CD; SBD>MR>?>CD; See info file for details; via Matt Vernon, Raoul Duke, & Jools; Seeded to etree by J. Cotsman notes
2626. 04/22/77 Shn - 0, 8673 Philadelphia The Spectrum FOB Sony ECM99A mics > Sony TC152 > Cass > DAT > CDR; Samson is missing due to a tape flip; Seeded to etree by Dave Luzenske notes
2627. 04/22/77 Flac 16/44 - 0, 152296 Philadelphia The Spectrum flac1644; Source: Mono Sony hand-held recorder (model unknown) > Maxell-UD Set 1 & TDK-SD Set 2 (normal bias). Recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2021 notes
2628. 04/23/77 Flac 16 Mtx - 0, 97596 Springfield Springfield Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
2629. 04/23/77 Flac 16 - 0, 88401 Springfield Springfield Civic Center flac16; SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
2630. 04/23/77 Shn - 0, 17178 Springfield Springfield Civic Center AUDMC(Sony ECM99A > Sony152TC) > DAT > CD taped by Steve Hopkins via David Minor encoded by Matt Vernon; upgrade in circulation notes
2631. 04/23/77 Shn - 0, 1827 Springfield Springfield Civic Center SBD> MR> DAT> CD, with AUD patch on reel splice (FOB Sony ECM99A mics> Sony TC152> DAT> CD via Darrin Sacks); via Adam Jerugim; upgrade in circulation notes
2632. 04/23/77 Shn - 0, 27421 Springfield Springfield Civic Center unknown provenance, but with same digisnit in Sugaree and patch in Franklin's as a previous set; however, note fewer tracks and nonstandard naming- poss reDAE/reshn of some kind?; upgrade in circulation notes
2633. 04/23/77 Flac 16 - 0, 83685 Springfield Springfield Civic Center flac16; Recorded by Steve Hopkins Master Audience Cassette; Sony ECM-99a > Sony TC-152sd with dolby b encoding (see info file for details) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> Adobe Audition > Downsample/Dither> flac encoding > FLAC * Patch source; Recorded by Jerry Moore; Sony ECM-33Ps> Sony TC-152 notes
2634. 04/23/77 Shn - 0, 18438 Springfield Springfield Civic Center Recorded by Jerry Moore; Sony ECM-33Ps> Sony 153 pole mounted from floor back of center line. AUDMC > SHN by David Minches. notes
2635. 04/23/77 Flac 16/48 - 0, 139535 Springfield Springfield Civic Center flac16/48kHz; Recording Info: Steve Hopkins Master FOB Audience Cassette; Sony ECM-99a > Sony TC-152sd > DAT; Transfer Info: Sony PCM-500 16/48-> Tascam DA-3000 16/48 -> Adobe Audition 3.0 > TLH Flac16/48; Transfer by Charlie Miller; Mastered by Scott Clugston notes
2636. 04/23/77 Flac 16 - 0, 143265 Springfield Springfield Civic Center flac16; Recording Info: (FOB) AKG D200E > Cassette Master (Sony TC-153SD/Maxell UD-C90) > CD Master (Tascam CD-RW700); Transfer Info: CD Master (Tascam SS-CDR200/Pitch +.8%) > Tascam DA-3000 (16-bit/44.1k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; Recorded by Dave Weidner; fixed version of source ID 143220 notes
2637. 04/23/77 Flac 16 - 0, 143220 Springfield Springfield Civic Center flac16; Recording Info: (FOB) AKG D200E > Cassette Master (Sony TC-153SD/Maxell UD-C90) > CD Master (Tascam CD-RW700); Transfer Info: CD Master (Tascam SS-CDR200/Pitch +.8%) > Tascam DA-3000 (16-bit/44.1k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; Recorded by Dave Weidner; fixed version in circulation This is your collection notes
2638. 04/23/77 Shn - 0, 4334 Springfield Springfield Civic Center retrack> SHNv3 of previous SBD/AUD patch shn set, by Tony Gardner; upgrade in circulation notes
2639. 04/23/77 Flac 16/44 - , 152692 Springfield Springfield Civic Center flac16/44 Source: Sony ECM-99a > Sony TC-152 > Master Cassettes - taped by Jimmy Warburton. The microphone was taped to a walking stick and held about 3 feet above my head. 1st transfer: Master Cassettes > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick July 2021 notes
2640. 04/23/77 Flac 24/96 - , 152639 Springfield Springfield Civic Center flac24/96 Source: Sony ECM-99a > Sony TC-152 > Master Cassettes - taped by Jimmy Warburton. The microphone was taped to a walking stick and held about 3 feet above my head. 1st transfer: Master Cassettes > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > flac24 edited and mastered SIRMick Jun 2021 notes
2641. 04/25/77 Flac - 0, 15879 Passaic Capitol Theater SBD:MR>?>DAT>CDR; Pitch corrected and de-clicked by Tim Symons; See info file for details notes
2642. 04/25/77 Flac 16 - 0, 130529 Passaic Capitol Theater flac16; Recording Info: SBD > R > C> C > C; Transfer Info: C > Nak DR2 > WAV > Sound Forge 10 > TLH > FLAC notes
2643. 04/25/77 Shn - 0, 259 Passaic Capitol Theater AUD, via Teddy Good Bear's tree #1; note reported "unlistenable" notes
2644. 04/25/77 Flac 24 - 0, 141715 Passaic Capitol Theater flac24; Set 1 Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
2645. 04/25/77 Flac 16 - 0, 141903 Passaic Capitol Theater flac16; Set 1 Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
2646. 04/26/77 Shn - 0, 260 Passaic Capitol Theater AUD, via Teddy Good Bear's tree #1; note quality reported on a par with 4/25 from same source notes
2647. 04/27/77 Flac - 0, 98430 Passaic Capitol Theater flac16; source: FM reel master taped by Jerry Moore lineage: wnew simulcast>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger notes
2648. 04/27/77 Flac - 0, 91889 Passaic Capitol Theater flac16; Lineage: FM Cast WNEW FM ->Reel Tapes -> Many Years of Playback ->Sound Forge 6.0-> +4.0DB/2.5 octave bell spread centered at 5Khz-> FLAC via Flac Frontend, level 6, sectors aligned and verified notes
2649. 04/27/77 Flac 24/48 - 0, 98429 Passaic Capitol Theater flac24; source: FM reel master taped by Jerry Moore lineage: wnew simulcast>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac transferred & seeded By Rob Berger notes
2650. 04/27/77 Shn - 0, Passaic Capitol Theater notes
2651. 04/27/77 Shn - 0, 7799 Passaic Capitol Theater notes
2652. 04/29/77 Shn - 0, 7113 New York The Palladium AUD MC> D> CDR> SHN; Jerry Moore recording Sony ECM-33P/Sony TC-158; via CDead notes
2653. 04/30/77 Shn - 0, 17952 New York The Palladium Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon notes
2654. 04/30/77 Shn - 0, 4949 New York The Palladium Sony ECM-33p mics> Sony TC-152 deck, taper Jerry Moore; Conversion: MC> DAT/1> CD> EAC> SHN (mkw with seek tables appended); SHN and upload by Matt Vernon; CDRs supplied by Noah Weiner; see info file for listening notes; upgrade in circulation notes
2655. 05/01/77 Flac 16 - 0, 81739 New York The Palladium flac16; Set 2 Only, Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
2656. 05/01/77 Flac 16 Mtx - 0, 87285 New York The Palladium flac16; A Mick Bit Matrix, Set 2 sources: 1) Recording Info: SBD > Master Reel > Dat > CD Transfer Info: CD > Samplitude Professional v7.02 > FLAC All Transfers and Mastering By Charlie Miller (shn id 81739) and 2) Source: Sony ECM-33Ps >Sony TC-152 taped by Jerry Moore from first row loge A > D Conversion: Master played back on Nak Dragon > ART D I/O > HD > Cool Edit 2000 > Feurio by David Minches (shn id 17953) notes
2657. 05/01/77 Shn - 0, 11941 New York The Palladium Aud Cass master > Reel > PCM > DAT > CD-R > EAC > .SHN: (Loge 1st row AUD center>Cm>Blake Reel (maxell ??? @ 3.75ips) > PCM R500 w/SBM > DAT @ 48 kHz > computer > DAT @ 44.1 kHz or CDRs. Originally taped by Barry Glassberg w/sony ecm 99p's > tc 152 sd deck.); Ending of Samson, 25:47 filler on CD2 & 20:10 filler on CD3 supplied by "Good Bear Source": Panasonic AM/FM Stereo 'boom box like' w/condenser mics) -> cass master -> computer -> CD > EAC > .SHN; See info file for extensive 'mastering' notes; Note- This shn set may circ with the abgd sbd of set 2; via Teddy "Good Bear", Jonathan Miller; Seeded to etree by Dave Backus notes
2658. 05/01/77 Shn - 0, 17953 New York The Palladium Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D conversion by David Minches, EAC by Rango Keeshevan, shn encoding Matt Vernon notes
2659. 05/01/77 Shn - 0, 4763 New York The Palladium Set 2; MSR> DAT> CDR> EAC> SHN; via PJ to abgd notes
2660. 05/01/77 Flac 16 - 0, 141830 New York The Palladium flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
2661. 05/01/77 Flac 24/96 - 0, 151749 New York The Palladium flac24/96 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496 notes
2662. 05/01/77 Flac 16/48 - 0, 151748 New York The Palladium flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496 notes
2663. 05/03/77 Flac 16 - 0, 86241 New York The Palladium flac16; Source: Audience 1st Row Loge Media: TDK-SA 90 min. Lineage: Sony ECM XXX > Sony TCD5 X> MAC Mics spaced 30ft. Transfer: MAC > Nakamichi DR-1 (deck Guitar Tuned) > Grace Design Lunatec V3 > s/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: Derek McCabe notes
2664. 05/03/77 Shn - 0, 6710 New York The Palladium AUD> MR> DAT> CDR > EAC (secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky, with thanks to Ron Speer; d1 tracked for 80 min notes
2665. 05/03/77 Shn - 0, 17954 New York The Palladium Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge or orchestra row 6 or 8. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon notes
2666. 05/03/77 Flac 16 - 0, 141831 New York The Palladium flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
2667. 05/03/77 Shn - 0, 21646 New York The Palladium SBD -> Cm -> ? -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited And SHN'd By Charlie Miller notes
2668. 05/04/77 Flac 16 - 0, 91970 New York The Palladium flac16; Recording Info:Set 1: SBD -> Master Cassette -> Cassette -> ART DIO -> Cool Edit 2000 -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: FLAC -> Sampltiude Professional v9.02 -> FLAC Set 2: CD -> EAC -> FLAC. All Transfers and Mastering By Charlie Miller notes
2669. 05/04/77 Flac 16 Mtx - 0, 99106 New York The Palladium flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
2670. 05/04/77 Shn - 0, New York The Palladium notes
2671. 05/04/77 Flac 16 Mtx - 0, 92159 New York The Palladium flac16; Set 2, Matrix About 55% SBD/45% AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
2672. 05/04/77 Shn - 0, 17967 New York The Palladium Set 1 SBD S: MC > C > CDR patched with Jerry Moore audience tape. A>D Conversion and aud patches by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon notes
2673. 05/04/77 Shn - 0, 17686 New York The Palladium Sony ECM-33Ps> Sony TC-152 taped by Jerry Moore from orchestra row 6 or 8. A>D conversion by David Minches, EAC by Rango Keeshevan, final shn encoding by Matt Vernon notes
2674. 05/04/77 Flac 24/96 - 0, 141751 New York The Palladium flac24/96 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496 notes
2675. 05/04/77 Flac 16/48 - 0, 151750 New York The Palladium flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496 notes
2676. 05/05/77 Flac 16 - 0, 123485 New Haven Veterans Memorial Coliseum flac16; Recording Info: SBD -> Master Reel (DBX-1 Encoded) -> PCM (Sony PCM501ES/44.055k); Transfer Info: PCM (Sony PCM501ES/Analog Out) -> Dat (Panasonic SV-3700/48k) -> Db 924 (96k/24bit) D/A -> Dolby 361 Module w/ DBX K9-22 Cards(DBX Decoded) -> Db 1225 (96k/24bit) A/D -> Db 3000s Noise Shaper (SBM) -> Dat (48k) -> Sound Forge -> CD Wave -> SHN; Mastering Info: SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC; Original Transfer and Mastering By Rob Eaton and Dan Stephens; Remastered By Charlie Miller notes
2677. 05/05/77 Shn - 0, 8832 New Haven Veterans Memorial Coliseum Betty Board reel source transferred to DAT by Rob Eaton, then transferred to CD by Dan Stephens; see info file for details notes
2678. 05/05/77 Shn - 0, 7725 New Haven Veterans Memorial Coliseum notes
2679. 05/05/77 Shn - 0, 261 New Haven Veterans Memorial Coliseum Betty Board; reported flaws: d1: Small digi-snit during Sugaree at 8:53, Drop at 8:19 in T. Jed, Drop at 6:48 in Deal; d2: Snit during Bertha @ 5:29; listener Jason Palmer asserts that there may be NR applied to this version?; upgrade in circulation notes
2680. 05/05/77 Flac 16/44,1 - 0, 139355 New Haven Veterans Memorial Coliseum flac16 44.1khz Source: Audience (Mic's ?) ->Cassette ->DAT Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel notes
2681. 05/05/77 Flac 24/48 - 0, 148735 New Haven Veterans Memorial Coliseum flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel notes
2682. 05/05/77 Flac 24/96 - 0, 152102 New Haven Veterans Memorial Coliseum flac24/96 Source Info: Audience source of unknown provenance; Doug Lamarre's 2nd gen cassettes Transfer Info: 2nd generation cassettes(Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496 notes
2683. 05/05/77 Flac 16/48 - 0, 152101 New Haven Veterans Memorial Coliseum flac16/48 Source Info: Audience source of unknown provenance; Doug Lamarre's 2nd gen cassettes Transfer Info: 2nd generation cassettes(Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496 notes
2684. 05/05/77 Flac 16/44 - 0, 152100 New Haven Veterans Memorial Coliseum flac16/44 Patched, pitch corrected and remastered version of Pete Ebel's shnid 139355 notes
2685. 05/07/77 Flac 16 - 0, 88525 Boston Boston Garden flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller notes
2686. 05/07/77 Flac 16 Mtx - 0, 124619 Boston Boston Garden flac16; 2 Source Matrix by dusborne; Soundboard (shinid:088525) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller and Audience (shnid:6021) audMC > DAT > Soundforge > CDWAV > SHN Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck A > D transfer by Noah Weiner notes
2687. 05/07/77 Shn - 0, 26085 Boston Boston Garden SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard. notes
2688. 05/07/77 Shn - 0, 6021 Boston Boston Garden Sony ECM 33P mic > TC-152 deck, Taper: Steve Rolfe; AudMC > DAT > Soundforge > CDWAV > SHN; A > D transfer by Noah Weiner: AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only); Soundforge was used for normalizing and editing notes
2689. 05/07/77 Shn - 0, Boston Boston Garden notes
2690. 05/07/77 Shn - 0, 262 Boston Boston Garden SBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN; USB missing, Around has a couple of uncorrectable blems; (note missing USB- one might infer this stemmed from the WBOTB source distribution- their USB was intended to become filler on a 4/78 show which did not end up getting around) notes
2691. 05/07/77 Flac 24/48 - 0, 148736 Boston Boston Garden flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel notes
2692. 05/07/77 Flac 24/96 - 0, 148755 Boston Boston Garden flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel; fix of source ID 148736 notes
2693. 05/08/77 Flac 16 - 0, 97274 Ithaca Barton Hall, Cornell University flac16; SBD (shnid=4982) and AUD (shnid=29303 Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); Fixed version in circulation notes
2694. 05/08/77 Flac - 0, 29511 Ithaca Barton Hall, Cornell University Source Info: "3 Source Matrix Mix, SBD + AUD1 + AUD2" notes
2695. 05/08/77 Shn - 0, 4982 Ithaca Barton Hall, Cornell University freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin notes
2696. 05/08/77 Shn - 0, 266 Ithaca Barton Hall, Cornell University w/AUD splices? to patch reel flips: Betty Board Soundboard sections (all but 47 seconds of the show): 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz.; Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES;? PCM501ES analog out > Fostex D5 @ 48 kHz >ZA2>CD; Audience Splices -- Panasonic AM/FM Stereo 'boom box' (w/condenser mics) >? CM (Cassette Masters) > various equalizers & editors > CD (teddy goodbear); EAC extracted and encoded by Darrin Sacks; note number of tracks on discs: 10-7-8; note SBD portion is clear, AUD portion is muddy; reportedly digital error-free; 5/01 note: fixed shn set now in circulation; upgrade in circulation notes
2697. 05/08/77 Flac 16 - 0, 117026 Ithaca Barton Hall, Cornell University flac16; source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller notes
2698. 05/08/77 Flac 24/96 Mtx - 0, 35086 Ithaca Barton Hall, Cornell University flac24/96; SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2) notes
2699. 05/08/77 Flac 16 Dts.5.1 - 0, 30756 Ithaca Barton Hall, Cornell University flac16, DTS; complete show; combination of SBD with 2 AUD sources (see notes in txt) notes
2700. 05/08/77 Flac 24/96 - 0, 134093 Ithaca Barton Hall, Cornell University flac24; source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger notes
2701. 05/08/77 Shn - 0, 5002 Ithaca Barton Hall, Cornell University Lineage: -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive by Karen Hicks notes
2702. 05/08/77 Flac 16 - 0, 28354 Ithaca Barton Hall, Cornell University b>flac16; MAC> R> CD Audience Recording by Jerry Moore; seeded by clarson; possibly different source CDR> DAE compared to similar-looking shn set; upgrade in circulation notes
2703. 05/08/77 Shn Mtx. - 0, 28857 Ithaca Barton Hall, Cornell University Matrix based on these sources: Source Info SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN notes
2704. 05/08/77 Flac 24/96 - 0, 117027 Ithaca Barton Hall, Cornell University flac24; source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller notes
2705. 05/08/77 Shn - 0, 28301 Ithaca Barton Hall, Cornell University MAC> R> CD; recorded by Jerry Moore: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B ; Transfer by Rob Berger: Sony TC 850> Teac AN-180> Sony SBM1 super bit mapper> Tascam CD-Rw4U (see additional source notes in txt); EAC> WAV> SHN by Sean Cribbs notes
2706. 05/08/77 Flac 16 - 0, 87486 Ithaca Barton Hall, Cornell University flac16; Set 1 only; partial SBD (1st part of Set 1 Only) Lineage unknown, possibly RR > CD (unknown transfer) > EAC > SHN Originally posted as shn files to abgd-hs by ArtCube 2007-09-26 (The patch in Minglewood is from material performed on 5-7 and Lazy Lightning from 5-25.) Converted to flac by terrapinstation notes
2707. 05/08/77 Flac 24/96 Mtx - 0, 137569 Ithaca Barton Hall, Cornell University notes
2708. 05/08/77 Flac 16 Mtx - 0, 137570 Ithaca Barton Hall, Cornell University notes
2709. 05/08/77 Flac 24/96 Mtx - 0, 137571 Ithaca Barton Hall, Cornell University notes
2710. 05/08/77 Flac 16 Mtx - 0, 137572 Ithaca Barton Hall, Cornell University notes
2711. 05/08/77 Flac 16 - 0, 29303 Ithaca Barton Hall, Cornell University flac16; Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC Recording And Transfer:Jeff Stevenson notes
2712. 05/08/77 Shn Dts. - 0, 26856 Ithaca Barton Hall, Cornell University DTS Audio 5.1: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version notes
2713. 05/08/77 Flac 16 Mtx - 0, 111493 Ithaca Barton Hall, Cornell University flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from source ID 97274 notes
2714. 05/08/77 Flac 24/48 - 0, 148737 Ithaca Barton Hall, Cornell University flac24; Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48; Edited & Mastered by Joe Noel; WAV > Abobe Audition > Flac 24/48 notes
2715. 05/08/77 Flac 24/48 - 0, 152379 Ithaca Barton Hall, Cornell University flac2448; Source: Mono Sony hand-held recorder (model unknown) > Maxell-LN Set 1 & Maxell-UD Set 2 (normal bias). Recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021 notes
2716. 05/09/77 Flac - 0, 98168 Buffalo Buffalo Memorial Auditorium flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC notes
2717. 05/09/77 Flac - 0, 123480 Buffalo Buffalo Memorial Auditorium flac16; Recording Info: SBD -> Master Reel (DBX-1 Encoded) -> Sony PCM501ES (44.055k); Transfer Info: Sony PCM501ES (Analog Out) -> DBX-1 Decoder> Sony PCM501ES (Analog In) -> Dat (48k/Analog In) -> Sound Forge -> SHN; Mastering Info: SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC; Original Mastering By Charlie Connor; Remastered By Charlie Miller notes
2718. 05/09/77 Shn - 0, 8304 Buffalo Buffalo Memorial Auditorium Sources: Soundboard Source:Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out> Dat @ 48 kHz>Soundforge>Shn: Audience Source:Master Audience Cassette> Sony ecm-33pmics>nak550>reel to reel>cd The audience source supplies patches for the master reel splices at D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10 Seeded via Fungus and abgd by Charlie Connor 3/21/02, with thanks to Joe Samaritano and Scott Clugston notes
2719. 05/09/77 Shn - 0, 77462 Buffalo Buffalo Memorial Auditorium SBD>REEL>PCM>DAT>CDR>EAC>SHN>Sound Forge>SHN (Seekable) notes
2720. 05/09/77 Shn - 0, 8036 Buffalo Buffalo Memorial Auditorium Sony ECM-33Ps > Nak 550>MAC>R>D>CD; Taped by Steve Maizner; via Jack Warner; Seeded to etree by Matt Vernon notes
2721. 05/09/77 - 0, 135189 Buffalo Buffalo Memorial Auditorium flac16; 2 Source Matrix by Dusborne;Soundboard(shnid:123480)SBD -> Master Reel (DBX-1 Encoded) -> Sony PCM501ES (44.055k),Transfer Info: Sony PCM501ES (Analog Out) -> DBX-1 Decoder> Sony PCM501ES (Analog In) -> Dat (48k/Analog In) -> Sound Forge -> SHN,Mastering Info:SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC,Original Mastering By Charlie Connor Remastered By Charlie Miller;Audience (shnid:008036)Recorded by Steve Maizner Sony ECM-33Ps > Nak 550 Lineage: MAC>R>D>CD source cdr mastering by Jack Warner notes
2722. 05/09/77 Shn - 0, 2268 Buffalo Buffalo Memorial Auditorium S:bReel>P>D>CD; tunings and splice (in Music) edited; via Trick and Jason; note Music d1t10 is missing from one circulating version of the shn set (md5s listed here as d1p); complete md5 with d1t10 is listed here as d1tot; thanks to Patrick Murphy for assistance; upgrade in circulation notes
2723. 05/11/77 Flac 16 - 3, 83196 St. Paul St. Paul Civic Center flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC Transferred and Edited By Charlie Miller notes
2724. 05/11/77 Flac 16 - 0, 32305 St. Paul St. Paul Civic Center flac16; FIXED SBD -> Master Reel -> Dat (44.1k) Transferred and Edited By Charlie Miller ; upgrade in circulation notes
2725. 05/11/77 Shn - 0, 8374 St. Paul St. Paul Civic Center SBD> Rm> Dat> Sonic Solutions> CD, Patched w/SBD> Rm> Dat> Cass> Dat> CD; via Charlie Miller; Seeded to etree by Steve Barbella; upgrade in circulation notes
2726. 05/11/77 Shn - 0, 6952 St. Paul St. Paul Civic Center master soundboard reel @ 7.5 IPS (baked) > DAT > Cassette > DAT > CD; via yubah, with thanks to Jools; to abgd; upgrade in circulation notes
2727. 05/11/77 Flac 24/96 - 0, 151619 St. Paul St. Paul Civic Center flac24/96 Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre (given to him by Dan Liff dec'd Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res ditor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick January 2021 notes
2728. 05/11/77 Flac 16/44 - 0, 151618 St. Paul St. Paul Civic Center flac16/44 Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre (given to him by Dan Liff dec'd Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick January 2021 notes
2729. 05/12/77 Shn - 0, 6484 Chicago Auditorium Theatre Updated lineage: Master Audience Cassette > unknown mics/deck> DAT > CDR; fresh transcription of a previously circulating copy (see notes in txt); Re-Mastering by Scott Clugston; missing Cassidy, splice in NFA; d1 tracked for 80 min notes
2730. 05/12/77 Flac 16 - 0, 110253 Chicago Auditorium Theatre flac16; Source: Master Audience cassette> DAT> CDR; Recorded by Keith Gatto; Shure 96s> Sony TC-152; Transfer information unknown notes
2731. 05/13/77 Shn - 0, 9393 Chicago Auditorium Theatre SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; (Post Drums - Fp -> Dat -> CD); Seeded to etree by Charlie Mille notes
2732. 05/13/77 Shn - 0, 14942 Chicago Auditorium Theatre Bertha Remaster of the Master Reel source. SBD>>MR>>Dat>>CDA>>SS>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A+ Post Drums(Disc 3): PreFM>>???>>Dat>>CDA - Sound B- notes
2733. 05/13/77 Shn - 0, 6690 Chicago Auditorium Theatre Pre-FM > Master Reel > DAT > CD; upgrade in circulation notes
2734. 05/15/77 Flac 16 - 0, 28916 St. Louis The Arena flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller charliemiller87@earthlink.net notes
2735. 05/15/77 Flac 16 Mtx - 0, 91911 St. Louis The Arena flac16; Matrix, Sources: 1) Bertha Remaster of the Master Reel source sbd > mr > dat > wav > flac > daw(Bertha) > wav (24/48) > audio dvd > dvd audio ripper > wav > adobe audtion > flac, and 2) Master audience cassette> cassette Recording by Steve Maizner: Sony mic> Sony TC-153; Master played back on Sony TC-153> Awia 760? Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding Matrixed by SIRMick May 2008 notes
2736. 05/15/77 Flac 24/48 - 0, 31605 St. Louis The Arena flac24/48; Bertha Remaster of the Master Reel source source: sbd > mr > dat > wav > flac > daw(Bertha) > wav > audio dvd > dvd audio ripper > wav > adobe audtion > flac Notes: This is a straight rip from the DVD. The flac files have been encoded at 24 bit/48,000 KHz and CANNOT be burned as an audio cd Original Notes with DVD: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com. Completed on April 16, 2005. Although the sound of the original source is very good, the mix is a bit of a kick mix and the low bass was not able to be brought up without having an obtrusively thumping kick. Some compenstation was made in the mid bass frequencies which resulted in a nice balance between the bass and the kick. From the original text file, prior to Bertha Remastering: Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller 4/11/05 Thanks to RjHythloday for making the DVD available. SIRMICK November 2005 notes
2737. 05/15/77 Flac 16 - 0, 99099 St. Louis The Arena flac16; source: aud 1st gen reel taped by Steve Maizner on a sony tc-153 lineage: mac>10.5" reels @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/48>cd wave>adobe 16/44>flac notes
2738. 05/15/77 Shn - 0, 7008 St. Louis The Arena Sbd MR > ? > CDR > EAC (calibrated, secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Kevin Gills; Lazy lightning beginning cut; upgrade in circulation notes
2739. 05/15/77 Shn - 0, 18333 St. Louis The Arena SBD MR>??>CDR; different text file and md5s than the other circulating SBD MR>??>CDR; upgrade in circulation notes
2740. 05/15/77 Flac 24/48 - 0, 99098 St. Louis The Arena flac24; source: aud 1st gen reel taped by Steve Maizner on a sony tc-153 lineage: mac>10.5" reels @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/48>cd wave>flac notes
2741. 05/15/77 Flac 16 - 0, 84714 St. Louis The Arena flac16; Master audience cassette> cassette Recording by Steve Maizner: Sony mic> Sony TC-153; Master played back on Sony TC-153> Awia 760? Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding notes
2742. 05/17/77 Shn - 0, 18554 Tuscaloosa Memorial Coliseum, University Of Alabama flac16; 2 source matrix: Soundboard (shnid=18554): SBDMR > DAT > CD > EAC > SHN and Aud (shnid=88771): Recording by Steve Maizner: Sony ECM-990s>Sony TC153; Transfer of 1st Generation Cassette (Thanks Alan Z.) Transfer and FLAC encoding by David Minches: 1st Generation Cassette played back on Nakamichi Dragon > Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> HD Editing and downsampling performed in Adobe Audition; Flac Encoded notes
2743. 05/17/77 Shn - 0, 18554 Tuscaloosa Memorial Coliseum, University Of Alabama SBDMR > DAT > CD > EAC > SHN note: Sugar Magnolia encore supplied by AUD source. Added to etree by Noah Weiner notes
2744. 05/17/77 Shn - 0, 1107 Tuscaloosa Memorial Coliseum, University Of Alabama SBD>MR 7" (Baked)> DAT> Cass> DAT> CD; via Chuck Kiefe, Andy Singer, Brian Leonard; note tuning pauses have been shortened in some cases, very slight hiss, encore missing; upgrade in circulation notes
2745. 05/17/77 Flac - 0, 88771 Tuscaloosa Memorial Coliseum, University Of Alabama flac16; Recording by Steve Maizner: Sony ECM-990s>Sony TC153 Transfer of 1st Generation Cassette Transfer and FLAC encoding by David Minches: 1st Generation Cassette played back on Nakamichi Dragon > Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> HD Editing and downsampling performed in Adobe Audition; Flac Encoded notes
2746. 05/17/77 Shn - 0, 5420 Tuscaloosa Memorial Coliseum, University Of Alabama S:Rm (7" - baked), D, C, D - 1x90Meter (and Potentially 2x60Meter?); CDR>EAC>Shn; missing encore; stemming from 10/00 BUDD tree, via Stretch N to etree; upgrade in circulation notes
2747. 05/18/77 Flac - 0, 79012 Atlanta Fox Theatre flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC notes
2748. 05/18/77 Shn - 0, 4618 Atlanta Fox Theatre SBD > MR > DAT > CDR > WAV > SHNv3; DAE: EAC (high n' secure, offset corrected) > shntool (boundaries confirmed) > mkwact > ftp via neo_levo from bear g.'s seed; upgrade in circulation notes
2749. 05/18/77 Shn - 0, 5596 Atlanta Fox Theatre SBD > DAT > CDRs > EAC > WAV > SHNv3; EAC and SHNv3 encoding by Patrick Murphy, from Alan Topal seed discs; see info file for flaw notes; upgrade in circulation notes
2750. 05/19/77 Shn - 0, 2461 Atlanta Fox Theatre Master Soundboard Reel > Reel to Reel > DAT > CDR; includes patches from 2 alternate SBD sources (see info file for details); mastered by Scott Clugston; to abgd; note info file here is the updated copy; upgrade relative to previous shn set notes
2751. 05/19/77 Shn - 0, 3120 Atlanta Fox Theatre Master Reel (7-inch @ 7.5 ips) > CD > EAC > SHN; seed supplied by Jim Wise, DAE and re-tracking by DireWolf notes
2752. 05/19/77 Shn - 0, 9394 Atlanta Fox Theatre Jay Ashley (Bertha) Remaster of the Jim Wise Master Reel Source. SBD>>MR>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA notes
2753. 05/19/77 Flac - 0, 139377 Atlanta Fox Theatre flac16/48kHz; Source: sbd > master reel > dat (48k); from Dick Latvala; Transfer: dat > Sony pcm-r500 > Tascam da-3000 > wav 16/48; transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick September 2017 notes
2754. 05/21/77 Shn - 0, 271 Lakeland Lakeland Civic Center SBD>reel>DAT>CD-R; TFBT Tree #5; via D. Boyles; (reportedly there may be 2 different .shn versions of this in circulation, 12/99? notes
2755. 05/21/77 Flac - 0, 139573 Lakeland Lakeland Civic Center flac16; Source: sbd > master reel > dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017 notes
2756. 05/22/77 Shn - 0, 31789 Pembroke Pines The Sportatorium WBAI 99.5fm > Akai Pro Glass Head Cassette Deck(no dolby nr) > CDR Via Rosoft Audio Tools/Track Spliter at 44,100/16 Bit Stereo notes
2757. 05/22/77 Shn - 0, 18803 Pembroke Pines The Sportatorium SBD>MR>C>D>CD>Toast>SHN notes
2758. 05/22/77 Flac 24 - 0, 140278 Pembroke Pines The Sportatorium flac24; Recording Info: SBD > Master Reel > Cassette; Transfer Info: Cassette (Nakamichi BX-300) > Apogee MiniMe > Lynx One > Wavelab 8 > FLAC/24; Maastering Info: FLAC/24 > Samplitude Pro X3 Suite > FLAC/24; Transferred by Matt Smith; Mastered By Charlie Miller notes
2759. 05/22/77 Flac - 0, 140332 Pembroke Pines The Sportatorium flac16; Recording Info: SBD > Master Reel > Cassette; Transfer Info: Cassette (Nakamichi BX-300) > Apogee MiniMe > Lynx One > Wavelab 8 > FLAC/24; Maastering Info: FLAC/24 > Samplitude Pro X3 Suite > FLAC/24; Transferred by Matt Smith; Mastered By Charlie Miller notes
2760. 05/22/77 Flac 16 Mtx - 0, 152392 Pembroke Pines The Sportatorium flac16/44 Matrix created in Adobe Audition by Joe Noel notes
2761. 05/22/77 Flac 24/96 - 0, 152260 Pembroke Pines The Sportatorium flac24/96 Source: uknown audience cassette from the collection of Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flack24 Edited and mastered SIRMick notes
2762. 05/22/77 Flac 16/48 - 0, 152259 Pembroke Pines The Sportatorium flac16/48 Source: uknown audience cassette from the collection of Doug Lamarre Transfer: cassette > Nakamichi CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick April 2021 notes
2763. 05/25/77 Flac 16 - 0, 87539 Richmond The Mosque flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation notes
2764. 05/25/77 Flac 16 - 0, 89591 Richmond The Mosque flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed dropout in d3t02 Wharf Rat of source ID 87539 notes
2765. 05/25/77 Shn - 0, 1071 Richmond The Mosque SBD MR > DAT > CDR > SHN; via Seth Kaplan, Greg Hamilton; upgrade compared to previously etreed version; note two-beat elision at d2t5-6 track break (see George Shannon's pub comment); upgrade in circulation notes
2766. 05/25/77 Flac 16 Mtx - 0, 123381 Richmond The Mosque flac16; Matrix 2 Source Mix - SBD1 (shn id 87591)Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid 107757) Recorded with Nakamichi CM-300s> Nakamichi 550 (except for Cassidy through Promised Land; recorded with Sony ECM-99> Sony 158) Transfer and FLAC encoding by David Minches: 3rd generation reel played back on Otari MX-5050BII> Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/Pitch Correction by Joe B. Jones. Patching using source SHNID 87591. Thanks to Pat Lee for providing the reel. - matrix mixing by Kevin Tobin notes
2767. 05/25/77 Flac 16 - 0, 82048 Richmond The Mosque flac16; Genealogy: MR > DAT > CDR > SHN > CDR > SHN > shntool > FLAC; SBE fix of shn id 13399; upgrade in circulation notes
2768. 05/25/77 Shn - 0, 13399 Richmond The Mosque Source: SBD Genealogy: MR > DAT > CDR > SHN > CDR > SHN ; upgrade in circulation George Shannon added 0.80 seconds of material to disk 2 track 3 at 0:05 to fill the gap in the version downloaded from etree. The material used was received in trade and was from the same show but a different source. The tracks were also re-sequenced so they now appear in original show order with the encore at the end. EAC and Soundforge were the tools used. notes
2769. 05/25/77 Flac Dts 5.1 - 0, 123385 Richmond The Mosque flac16; DTS 5.1 Mix; SBD1 (shn id 87591)Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid 107757) Recorded with Nakamichi CM-300s> Nakamichi 550 (except for Cassidy through Promised Land; recorded with Sony ECM-99> Sony 158) Transfer and FLAC encoding by David Minches: 3rd generation reel played back on Otari MX-5050BII> Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/Pitch Correction by Joe B. Jones. Patching using source SHNID 87591. Thanks to Pat Lee for providing the reel. - dts mixing by Kevin Tobin notes
2770. 05/25/77 Flac 16 - 0, 123382 Richmond The Mosque flac16; Recorded with Nakamichi CM-300s> Nakamichi 550 (except for Cassidy through Promised Land; recorded with Sony ECM-99> Sony 158) Transfer and FLAC encoding by David Minches: 3rd generation reel played back on Otari MX-5050BII> Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC - patched version of shnid 107757 by Kevin Tobin notes
2771. 05/25/77 Flac 16 - 0, 107757 Richmond The Mosque flac16; Recorded with Nakamichi CM-300s> Nakamichi 550 (except for Cassidy through Promised Land; recorded with Sony ECM-99> Sony 158) Transfer and FLAC encoding by David Minches: 3rd generation reel played back on Otari MX-5050BII> Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/Pitch Correction by Joe B. Jones. Patching using source SHNID 87591. Thanks to Pat Lee for providing the reel. This is the 16/44.1 version notes
2772. 05/25/77 Flac 24/96 - 0, 147786 Richmond The Mosque flac24; Recording Info:Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
2773. 05/25/77 Flac 16/48 - 0, 147785 Richmond The Mosque flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
2774. 05/26/77 Flac - 0, 97016 Baltimore Baltimore Civic Center flac 16; Sick Bits Vol. 30a - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=11614) + AUD (shnid=32092) as well as a patch SBD source (shnid=3224). Matrixed by Chris Chappell. notes
2775. 05/26/77 Shn - 0, 11614 Baltimore Baltimore Civic Center SBD > 7" RTR half-track recording @ 7.5 i.p.s. 1/2 track > Marin County Mixdown ADAT > SSSB; Seeded to etree by Jay Serafin notes
2776. 05/26/77 Shn - 0, 32302 Baltimore Baltimore Civic Center SBD>MSR>DAT>SS>CD>EAC>WAV>DC6>SHN
Source: Bettyboard 7 inch master reel @ 7 ? ips > DAT>SS>CD
Patch Source: AUD>MC>DAT>CDR (contrary to popular belief, Jerry Moore did not record this show)
Editing and Mastering by The Wizard
notes
2777. 05/26/77 Shn - 0, 31291 Baltimore Baltimore Civic Center SBD>>MR>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN; Bertha remaster of shn id 11614 notes
2778. 05/26/77 Shn - 0, 18746 Baltimore Baltimore Civic Center AUD>MC>DAT>CDR via Raoul Duke encoded by Matt Vernon notes
2779. 05/26/77 Shn - 0, 3224 Baltimore Baltimore Civic Center Soundboard > 7 inch Master Reels @7.5ips 1/2 track -> DAT(s) -> ZA2 -> CDR (x1)-> EAC -> SHN; with AUD patches (and other fixes) by Scott Clugston, using Master Audience Cassette: Sony ECM-33p mics > Sony TC-158 > D source, taped by Jerry Moore; to etree via Darrin Sacks; see info file for details, other comments and credits notes
2780. 05/26/77 Shn - 0, 32092 Baltimore Baltimore Civic Center AUD>MC>DAT>CDR>EAC>WAV>DC6>WAV Unknown microphones Patch Source: SBD>MSR>DAT>SS>CD>EAC>WAV>DC6>SHN notes
2781. 05/28/77 Shn - 0, 12827 Hartford Hartford Civic Center SBD> DAT> CDA> WAV> DAW (Bertha)> CDA; Seeded by Jay Ashley; despite notes in info file, this is apparently not directly from Seth's shn set- Jay comments, "I extracted the wavs from CDs I received from Charlie Miller, and reassembled them prior to processing." (A flac version of this source was also distributed via bt.etree on 10/18/05 with the following lineage: SBD>MSR>DAT>CD>>SHN>>DAW(Bertha)>>CDA > SHN(non-seekable) > WAV(mkwACT v0.97 beta 1) > FLAC(frontend v1.7.1 at Level 8 with Align on sector boundaries enabled). flac done by Thomas Festa notes
2782. 05/28/77 Shn - 0, 4983 Hartford Hartford Civic Center Bettyboard 7 inch master reel @ 7 ? ips > DAT (zero gen)> CDR (zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn; with AUD patches from Steve Rolfe's FOB; see info file for details; via Seth Kaplan, Jack Warner, Darrin Sacks, Bob Fishman; d3 tracked for 80 min, can shift encore for 74 notes
2783. 05/28/77 Shn - 0, Hartford Hartford Civic Center SBD>MSR>DAT>CD>EAC>SHN>DC6>SHN notes
2784. 05/28/77 Flac 16 Mtx - 0, 97017 Hartford Hartford Civic Center flac 16; Sick Bits Vol. 30b - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=4983) + AUD (shnid=18439). Matrixed by Chris Chappell notes
2785. 05/28/77 Flac 16 - 0, 77267 Hartford Hartford Civic Center flac16; For all of Set 1 & from "NFA" to the end of Set 2: Jim Wise used: 2 Sony 54P mics w/ Sennheiser 441 blend mic > Nakamichi 550 cassette deck FOB > reel @ 3 3/4 ips > DAT @ 48kHz > my computer > DAT @ 44.1kHz or CD. For Set 2, "Samson" through "Drums": (Panasonic AM/FM Stereo 'boom box like' w/condenser mics) -> CM (Cassette Masters) -> my computer* -> CD or DAT @ 44.1kHz 1) Sony 3-head cassette deck (TC-K615S) > 10 band equalizer > My computer using "CoolEdit96" see info file for details (note: The originally seeded shn files were seeded c. 1999; those checksums added to this listing June, 2007.) notes
2786. 05/28/77 Shn - 0, 18439 Hartford Hartford Civic Center Recorded by Jerry Moore; Sony ECM-33Ps>Sony TC-153 mounted on pole 1st tier of seats off floor. AUDMC > SHN by David Minches. notes
2787. 05/28/77 Flac 16 - 0, 141832 Hartford Hartford Civic Center flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
2788. 05/28/77 Flac 24/96 - 0, 152477 Hartford Hartford Civic Center flac24/96 Source: Sony ECM 99A > Sony TC 152 > Master Cassette - recorded by Jimmy Warburton fron about 70" centre. 1st transfer: Master cassette > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 edited and mastered SIRMick May 2021 notes
2789. 05/28/77 Flac 16/44 - 0, 152476 Hartford Hartford Civic Center flac16/44 Source: Sony ECM 99A > Sony TC 152 > Master Cassette - recorded by Jimmy Warburton from about 70" centre. 1st transfer: Master cassette > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick May 2021 notes
2790. 05/28/77 Flac 24/48 - 0, 152419 Hartford Hartford Civic Center flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK-SD/AD (normal bias) back-up tapes. Concert recording by Rich Petrunis. Transfer: 1st-gen > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2021 notes
2791. 06/04/77 Flac - 0, 97183 Inglewood The Forum flac16; 2 x AKG 224E => Sony TC-158SD >> MAC >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB.0096 notes
2792. 06/04/77 Shn - 0, 3417 Inglewood The Forum Rob Bertrando - FOB akg D224Es > Sony TC-153 cassette > CDR? > Rich Plumb DAT > Teddy GoodBear Computer (no edit) > SHN; to abgd; note track names with punctuated song titles may cause probs for some notes
2793. 06/04/77 Flac 24 - 0, 97140 Inglewood The Forum flac24; 2 x AKG 224E => Sony TC-15XSD >> MAC >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB.0096 notes
2794. 06/07/77 Flac - 0, 99001 San Francisco Winterland Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes
2795. 06/07/77 Shn - 0, 1861 San Francisco Winterland Arena Soundboard -> Vault Reels ->DAT -> David Gans' Sonic Solutions Digital Editing -> CDR -> EAC -> CDR -> EAC -> SHN> unknown steps > shn; note the txt file lists Darrin Sacks as seeder, but md5s do not match his already-circulating shn set; the provenance of this set is therefore unconfirmed- info file and lineage shown here may or may not be correct; upgrade in circulation notes
2796. 06/07/77 Shn - 0, 24291 San Francisco Winterland Arena SBD> MR> DAT, plus AUD patches (AKG D220 mics> Tandberg 10X MR taped by Bob Menke and Reinhardt Hollwein> Rob Bertrando's first-gen reel> DAT); DAT> CD transfer, patching by David Hollister; EAC> volume editing> SHN by Keith Bode notes
2797. 06/07/77 Flac - 0, 31951 San Francisco Winterland Arena flac16; AUD, Likely: MAR > Reel > DAT > CDs (See note below) notes
2798. 06/07/77 Flac 24/96 - 0, 141358 San Francisco Winterland Arena flac24; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018 notes
2799. 06/07/77 Flac 16 - 0, 144910 San Francisco Winterland Arena flac16; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018; This file set is 16 bit @ 44.1 notes
2800. 06/08/77 Flac 16 Mtx - 0, 95361 San Francisco Winterland Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
2801. 06/08/77 Shn - 0, 25621 San Francisco Winterland Arena Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Profesional -> SHN Transferred and Edited By Charlie Miller notes
2802. 06/08/77 Shn - 0, 26342 San Francisco Winterland Arena AUD> MR> Reel> DAT> CD(s)> EAC> SHN; Recorded by Bob Menke/Reinhardt Hollwein with AKG D224s> Tandberg 10XD; DAT transfer info unknown; EAC (secure, offset corrected)> SHN by D. Winters notes
2803. 06/08/77 Shn - 0, 4184 San Francisco Winterland Arena SBDMR > PCM > DAT > CDR > EAC > SHN> wav> retrack> seeking shn; initial EAC > SHN by Jason Parmer; retracking> seekable shn by Tony Gardner; upgrade in circulation notes
2804. 06/08/77 Flac 24/96 - 0, 141359 San Francisco Winterland Arena flac24; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick 2018 notes
2805. 06/08/77 Shn - 0, 15421 San Francisco Winterland Arena Master Soundboard Reel > Reel to Reel > PCM> DAT > CDR; Master Audience Cassette > Reel to Reel source supplies various patches see info file for details; Patching/CD Mastering and shn'ed by Scott Clugston; to abgd via Charlie Connor; upgrade in circulation notes
2806. 06/08/77 Flac 16 - 0, 144923 San Francisco Winterland Arena flac16; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick 2018; This file set is 16 bit @ 44.1 notes
2807. 06/09/77 Flac 16 Mtx - 0, 98801 San Francisco Winterland Arena flac16; flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) notes
2808. 06/09/77 Flac 16 - 0, 125857 San Francisco Winterland Arena flac16; Recording Info: Sbd -> Master Reel -> Dat -> Cd; Patch Source: AKG D224 -> Master Reel -> Reel -> DAT -> CD (shnid 26450); Transfer Info - Most Tracks: CD -> EAC -> Samplitude Profesional -> FLAC (shnid 28614); Transfer Info - d2t05: CD -> EAC -> Samplitude Profesional -> FLAC -> WAV -> Peak Dv4 -> WAV -> FLAC; Transfer Info - d3t02 and d3t07: CD -> EAC -> Samplitude Profesional -> FLAC -> WAV -> ProTools LE -> WAV -> FLAC; This is a partial upgrade to shnid 28614 (Charlie Miller's 2005 remaster) with three tracks repaired by Duane Day notes
2809. 06/09/77 Flac 16 - 0, 28614 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Profesional v8.0 -> FLAC Transferred and Edited By Charlie Miller Patch Info: AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD notes
2810. 06/09/77 Shn - 0, 26450 San Francisco Winterland Arena AUD> MR> Reel> DAT> CD(s)> EAC> SHN; Recorded by Dr. Rob Bertrando with AKG D220s>Tandberg 10XD; DAT transfer info unknown; EAC> SHN by D. Winters notes
2811. 06/09/77 Shn - 0, 3869 San Francisco Winterland Arena SBD> Reel> PCM> DAT> DAT> CD; transfer: Fostex D10> hhb 800 professional stand-alone player; no editing; via Jeff Fishman; reportedly fuller-sounding than previously etreed copies; see flaw notes in info file; no Sunrise; upgrade in circulation notes
2812. 06/09/77 Shn - 0, 5597 San Francisco Winterland Arena SBD hybrid source, including encore: retracking of previous shn set with encore patched in from another previous shn set; Patching, retracking, and SHNv3 conversion by Patrick Murphy; see info file for details and flaw notes; upgrade in circulation notes
2813. 06/09/77 Shn - 0, 1409 San Francisco Winterland Arena Master Reels> PCM> DAT> Delta DiO 2496> Sound Forge 4.5> CDWAV> SHN; transfer/shn by John D'Auria; phasing problems from transfer DAT; ; upgrade in circulation notes
2814. 06/09/77 Flac 24/96 - 0, 141360 San Francisco Winterland Arena flac24; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018 notes
2815. 06/09/77 Flac 16 - 0, 144956 San Francisco Winterland Arena flac16; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018; This file set is 16 bit @ 44.1 notes
2816. 06/09/77 Shn - 0, 3372 San Francisco Winterland Arena aster Reels> PCM> DAT> Delta DiO 2496> Sound Forge 4.5> CDWAV> SHN; no phasing probs; via John D'Auria; upgrade in circulation notes
2817. 09/03/77 Flac - 0, 276 Englishtown Raceway Park Two-track Pre-FM reel > DAT > CD-R, except for encore, which is unknown AUD; note d1t1,2 (intro and Promised) are apparently really from 4/27/77!; this show is now released as Dick's Picks 15- go buy it [Note: An sbe-fixed version circulates.] notes
2818. 09/03/77 Flac 16 Mtx - 0, 131317 Englishtown Raceway Park flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:000276) Source: Two-track Pre-FM reel > DAT > CD-R, except for (terrapin), which is unknown AUD and Audience (shnid:91650) 2 Sony ECM 270s> Sony TC-158; Transfer and FLAC encoding by David Minches: Master audience cassette played back on Nak Dragon > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding notes
2819. 09/03/77 Flac 16 - 0, 102410 Englishtown Raceway Park flac16; aud cassette master, tc-153, taped by Ken Flemming, lineage: tc-153 master, maxell ud-c90's, dolby b nak dragon>hd-p2 24/96>hd>adobe auditon 2.0(levels/resample 16/44.1)>cd wave(tracking)>flactransferred by Rob Berger notes
2820. 09/03/77 Flac 16 - 0, 91230 Englishtown Raceway Park flac16; AUD: Unknown mics > JVC KD-1636 portable cassette deck > Maxell UD-90's. Recording Location: "I was right in front of a delay stack in center field." Transfer: MAC > unknown playback > Soundforge > CD-Wave > CDR. Concert recording and transfer to CDR by Tim "Sounddawg" Stiegler. CDR > EAC > TLH > FLAC by Andrew F. notes
2821. 09/03/77 Flac 16 - 0, 91650 Englishtown Raceway Park flac16; Recording by Bob Wagner: 2 Sony ECM 270s> Sony TC-158 Transfer and FLAC encoding by David Minches: Master audience cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding Patch source used: SHNID 91230 AUD: Unknown mics > JVC KD-1636 portable cassette deck > Maxell UD-90's notes
2822. 09/03/77 Flac 24/96 - 0, 102409 Englishtown Raceway Park flac24; aud cassette master, tc-153 taped by Ken Flemming, lineage: tc-153 master, maxell ud-c90's, dolby b nak dragon>hd-p2 24/96>hd>adobe auditon 2.0(levels)>cd wave (tracking)>flactransfer by Rob Berger notes
2823. 09/28/77 Shn - 0, 10482 Seattle Paramount Theatre Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out>Dat @ 48 kHz>Tascam DA-20MKII (playback only)>RME Digi96/8>Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT) Source DAT via Joe Samaritano DAT>Shn conversion, ditital editing via Charlie Connor;Seeded to fungus and abgd by Charlie Connor notes
2824. 09/28/77 Flac 16 - 0, 95952 Seattle Paramount Theatre flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48] Mastering: In WaveLab with Nomad Blue Tube Plugins Rate Conversion with r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky notes
2825. 09/29/77 Flac 16 - 0, 96027 Seattle Paramount Theatre flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz First Reel has no DBX hence MR > P1 > D1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky November 24, 2008 notes
2826. 09/29/77 Shn - 0, 7289 Seattle Paramount Theatre Betty's Master Soundboard Reels > PCM x2> DAT > CDR; numerous blips, ticks, crackles, glitches believed to be on the master reels; via Scott Clugston notes
2827. 09/29/77 Shn - 0, 9003 Seattle Paramount Theatre SBD> MR> PCM> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon. [Note: an alternate md5 file for d3 circulates.] notes
2828. 09/29/77 Flac 24/96 - 0, 142839 Seattle Paramount Theatre flac24; Source Info: Master Audience Cassettes; AKG D224E mics > Will Boswell's 1st generation reels @ 3 3/4 ips; Transfer Info: 1st generation reels ((Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496 notes
2829. 09/29/77 Flac 16/48 - 0, 142840 Seattle Paramount Theatre flac16/48kHz; Source Info: Master Audience Cassettes; AKG D224E mics > Will Boswell's 1st generation reels @ 3 3/4 ips; Transfer Info: 1st generation reels ((Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
2830. 10/01/77 Flac 16 - 0, 86234 Portland Paramount Theatre flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0 notes
2831. 10/01/77 Flac 16 - 0, 123090 Portland Paramount Theatre flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
2832. 10/01/77 Flac 16 - 0, 123211 Portland Paramount Theatre b>flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2833. 10/01/77 Shn - 0, 277 Portland Paramount Theatre Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation notes
2834. 10/01/77 Shn - 0, Portland Paramount Theatre notes
2835. 10/01/77 Flac 16 - 0, 140578 Portland Paramount Theatre flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston notes
2836. 10/01/77 Flac 16 - 0, 140589 Portland Paramount Theatre flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available notes
2837. 10/02/77 Flac 16 - 0, 123102 Portland Paramount Theatre flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2838. 10/02/77 Flac 16 - 0, 96354 Portland Paramount Theatre flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2). notes
2839. 10/02/77 Shn - 0, 278 Portland Paramount Theatre WBOTB tree; Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder > analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones, brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog tape damage leading to a cut during the song. There is an illegal bootleg available that apparently has no cut in Wharf Rat, but the cut has been edited out and the song is about 30 sec shorter than on the Betty reel. No EQ has been performed. You hear what is on the Betty reels.; note md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set; upgrade in circulation notes
2840. 10/02/77 Flac 24/96 - 0, 142120 Portland Paramount Theatre flac24; Recording Info: Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics; Transfer Info: Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496 notes
2841. 10/02/77 Flac 16/48 - 0, 142121 Portland Paramount Theatre flac16/48kHz; Recording Info: Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics; Transfer Info: Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496; This is a 16/48 fileset. 24-bit > 16-bit via dBpoweramp notes
2842. 10/02/77 Flac 16/44,1 - 0, 142122 Portland Paramount Theatre flac16/44.1khz Patched soundboard. Recording Info: SBD > Master Reel > PCM > Dat. Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Samplitude Professional v11.2.1 > FLAC. Patch source Sandy Troy AKG D224E. notes
2843. 10/06/77 Flac 16 - 0, 77476 Tempe Activity Center, Arizona State University flac16; FM > C(x2) > Marantz CDR-510 (rec at -0db) > CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, checksums, and FLAC compression) > FLAC notes
2844. 10/06/77 Flac 16 - 0, 113808 Tempe Activity Center, Arizona State University flac16; King Biscuit Flower Hour > WNEW-FM Broadcast > Off The Air Reel Master > M-Audio Transit > Cool Edit @ 24/96 > CD Wave Editor > Cool Edit Dithered To 16/44 > Traders Little Helper > Flac notes
2845. 10/06/77 Flac 24/96 - 0, 113809 Tempe Activity Center, Arizona State University flac24; King Biscuit Flower Hour > WNEW-FM Broadcast > Off The Air Reel Master > M-Audio Transit > Cool Edit @ 24/96 > CD Wave Editor > Traders Little Helper > Flac notes
2846. 10/06/77 Flac 16 - 0, 150656 Tempe Activity Center, Arizona State University flac16; lineage: King Biscuit Flower Hour FM broadcast > Sansui 8 receiver > unknown reel recorder @ 3.3/4 ips > Maxell UD 35-90 7" reel > Teax X-700R > soundforge (16 bit 44.1 khz wav) > flac (sb's aligned) notes
2847. 10/06/77 Flac 16 - , 164815 Tempe Activity Center, Arizona State University Recording Info: SBD > Cassette Master > DAT (48k) > WAV Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16 Patch Info: FM (KBFH) > Reel Master > FLAC (shnid=113809) supplies: Promised Land (0:00 - 0:13) AUD > ? > Cassette supplies: They Love Each Other (3:35 - 4:38) Eyes Of The World (9:36 - 10:35) Uncle John's Band (0:00 - 1:26) (7:46 - end of track) All Mastering by Charlie Miller. charliemiller87@earthlink.net. July 27, 2018 (original mastering) April 10, 2023 (dozens of clicks cleaned up) May 22, 2023 (patched tape flips) notes
2848. 10/07/77 Flac - 0, 80753 Albuquerque University Arena, University Of New Mexico flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
2849. 10/07/77 Flac - 0, 79020 Albuquerque University Arena, University Of New Mexico flac16; Set 2 only: Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC; upgrade in circulati notes
2850. 10/07/77 Shn - 0, 1191 Albuquerque University Arena, University Of New Mexico partial set 2 (all that circ); SBD-> Master Reels-> DAT-> DAT-> Sonic Solutions-> CD-> CD-> SHN; CD seed via David Gans; via Chuck Kiefe and Chuck Fiske to GDH-T offer; hosted at gdlive.com [Note: A sbe-fixed version also circulates]; upgrade in circulation notes
2851. 10/09/77 Flac 16 - 0, 88961 Denver McNichols Sports Arena flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller notes
2852. 10/09/77 Flac 16 - 0, 109972 Denver McNichols Sports Arena flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2853. 10/09/77 Shn - 0, 6954 Denver McNichols Sports Arena Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; see flaw notes in info file; upgrade in circulation notes
2854. 10/09/77 Shn - 0, 3918 Denver McNichols Sports Arena SBD> ?> CDR> EAC> SHN; via Doug Moog?; missing Casey Jones; upgrade in circulation notes
2855. 10/09/77 Flac 16/48 - 0, 144480 Denver McNichols Sports Arena flac16/48kHz; Source Info: Sandy Troy's 7" Soundboard Reels @ 3.75 ips (reels were not labeled, except to denote the date & dolby b) Transfer Info: Soundboard Reels (Akai GX-636)> Lamb Labs dolby decoder > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496 notes
2856. 10/09/77 Flac 24/96 - 0, 144481 Denver McNichols Sports Arena flac24; Source Info: Sandy Troy's 7" Soundboard Reels @ 3.75 ips (reels were not labeled, except to denote the date & dolby b) Transfer Info: Soundboard Reels (Akai GX-636)> Lamb Labs dolby decoder > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496 notes
2857. 10/11/77 Flac 16 - 0, 87514 Norman Lloyd Noble Center, University Of Oklahoma flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
2858. 10/11/77 Shn - 0, 32796 Norman Lloyd Noble Center, University Of Oklahoma Source: SBD>MR>DAT>WAV>.shn transfer by: Jake Clemens; upgrade in circulation notes
2859. 10/11/77 Shn - 0, 279 Norman Lloyd Noble Center, University Of Oklahoma SBD; poss genealogy: Betty MR> D> C1> D> CD> SHN; some hiss or static, poss partly from MR (though note MR>D copies do circ); Dat > wav > shn> orig upload by S. Anderson; post-processing (minor cuts/fades) by L. Orf ; diginoise in NFA; upgrade in circul notes
2860. 10/11/77 Shn - 0, 19290 Norman Lloyd Noble Center, University Of Oklahoma SBD>MR>D>C>D>CD>EAC>SHN; with aud patches; via J. Cotsman see info file for flaw notes; Thanks to S. Milewski for updated aud patch; upgrade in circulation notes
2861. 10/11/77 Shn - 0, 19239 Norman Lloyd Noble Center, University Of Oklahoma Soundboard Betty MR> D> C> D> CD> SHN DAE[EAC secure mode], SHN encoding[mkw], and upload by Brian Heath; upgrade in circulation notes
2862. 10/11/77 Flac 24/96 - , 152639 Norman Lloyd Noble Center, University Of Oklahoma flac24/96 Source: Unknown udience cassettes from the collection of Doug Lamarre. Each set is from a difference source. Transfer: Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac24 edited and mastered SIRMick June 2021 notes
2863. 10/11/77 Flac 16/44 - , 152638 Norman Lloyd Noble Center, University Of Oklahoma flac16/44 Source: Unknown audience cassettes from the collection of by Doug Lamarre. Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick June 2021 notes
2864. 10/11/77 Flac 16/44 - , 152829 Norman Lloyd Noble Center, University Of Oklahoma flac16/44 Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net October 1, 2007 notes
2865. 10/12/77 Shn - 0, 19291 Austin Manor Downs SBD>MR>C>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN via J. Cotsman; Thanks to S. Milewski for aud patches notes
2866. 10/12/77 Shn - 0, 3919 Austin Manor Downs no source listed; "Compendium Crew release"; d2 tracked for 80 min; via Teddy Goodbear to abgd, 5/01 to etree; upgrade in circulation notes
2867. 10/12/77 Flac - 0, 121616 Austin Manor Downs flac16/48kHz; Recording Info: Unknown Mics -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/48kHz; All Transfers and Mastering By Charlie Miller notes
2868. 10/12/77 Flac - 0, 121618 Austin Manor Downs flac16; Recording Info: Unknown Mics -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/44.1K; All Transfers and Mastering By Charlie Miller notes
2869. 10/14/77 Flac - 0, 110419 Houston Hofheinz Pavilion flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Fix of shnid 110400 notes
2870. 10/14/77 Shn - 0, 34260 Houston Hofheinz Pavilion Fix of shnid 6693 (sbd) by Bill Tetzeli - see info file for details notes
2871. 10/14/77 Flac - 0, 110400 Houston Hofheinz Pavilion flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
2872. 10/14/77 Shn - 0, 6693 Houston Hofheinz Pavilion SBD>MC>R>DAT>CDR > EAC (secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky; woth thanks to Bill Golden notes
2873. 10/15/77 Shn & Flac - 0, 19154 Dallas Moody Coliseum, S.M.U SBD>MC>R>D>CD>EAC>SHN; declicked and pitch corrected notes
2874. 10/15/77 Flac 16 - 0, 129898 Dallas Moody Coliseum, S.M.U flac16; Recording Info: SBD > mc > r > d > CD; Transfer Info: CD > wav > Sound Forge 10 > TLH > flac notes
2875. 10/15/77 Shn - 0, 6664 Dallas Moody Coliseum, S.M.U SBD : MC > R > DAT > CD; via Steve Tobani, Alan J. Fink; upgrade in circulation notes
2876. 10/15/77 Flac 16 - 0, 125642 Dallas Moody Coliseum, S.M.U flac16; Master AUD -> 1st gen Hi-Fi VHS -> wav ->flac notes
2877. 10/15/77 Flac 16 Mtx - 0, 137270 Dallas Moody Coliseum, S.M.U flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:19154), SBD>MC>R>D>CD>EAC>SHN and Audience (shnid:125642),Master AUD -> 1st gen Hi-Fi VHS -> wav -> flac notes
2878. 10/15/77 Flac 24/48 - 0, 144158 Dallas Moody Coliseum, S.M.U flac24; 2nd Set, Source: AUD of unknown lineage > ? > Cassette, via Richie & Rip; Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 12/2018 notes
2879. 10/15/77 Flac 16 - 0, 145159 Dallas Moody Coliseum, S.M.U flac16; 2nd Set, Source: AUD of unknown lineage > ? > Cassette, via Richie & Rip; Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F.; This file set is 16 bit @ 44.1 notes
2880. 10/16/77 Shn - 0, 3350 Baton Rouge Assembly Center, Louisiana State University sdb> MR> C> D> CD; via Mike Lai notes
2881. 10/16/77 Flac 16 - 0, 86712 Baton Rouge Assembly Center, Louisiana State University flac16; partial Set 1: Sony CR-O2 C-90 Cassette tape MASTER > JVC TD-W209 cassette playback deck >JVC XL-R5010 stand-alone>cdr (0)>your cdr notes
2882. 10/16/77 Flac 24/48 - 0, 151786 Baton Rouge Assembly Center, Louisiana State University Flac 24 Source Info: Analog Audience source (unknown equipment) > Reel to Reel @ 3ips > John Brennan's Cassettes
Transfer Info: John Brennan's Cassettes (most likely 2nd generation)(Nakamichi Dragon) > Tascam DA-3000 (DSF 1-bit/5.6MHz)> Sound Forge (.wav 24-bit/48k) > Adobe Audition 2021 > TLH flac24/48
notes
2883. 10/16/77 Flac 16 - 0, 151787 Baton Rouge Assembly Center, Louisiana State University Master Soundboard Reels > Cassette > DAT > CDR
Patched version of
SHNID 3350
notes
2884. 10/16/77 Flac 16/48 - 0, 151785 Baton Rouge Assembly Center, Louisiana State University Flac 1648 Source Info: Analog Audience source (unknown equipment) > Reel to Reel @ 3ips > John Brennan's Cassettes
Transfer Info: John Brennan's Cassettes (most likely 2nd generation)(Nakamichi Dragon) > Tascam DA-3000 (DSF 1-bit/5.6MHz)> Sound Forge (.wav 24-bit/48k) > Adobe Audition 2021 > TLH flac24/48
notes
2885. 10/28/77 Flac - 0, 96159 Kansas City Soldiers & Sailors Memorial Hall flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2886. 10/28/77 Flac - 0, 101196 Kansas City Soldiers & Sailors Memorial Hall flac16; Matrix 2 Source Mix - SBD (shn id 96159) SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 96569) Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding - matrix mixing by Kevin Tobin notes
2887. 10/28/77 Shn - 0, 8520 Kansas City Soldiers & Sailors Memorial Hall Betty Board>MR>?>CD; via Jens Tilsner; Seeded to etree by Willy notes
2888. 10/28/77 Flac Dts 5.1 - 0, 101243 Kansas City Soldiers & Sailors Memorial Hall DTS-Audio-CD 5.1 Mix; SBD (shn id 96159) SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 96569) Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding - dts mixing by Kevin Tobin notes
2889. 10/28/77 Flac - 0, 96569 Kansas City Soldiers & Sailors Memorial Hall flac16; Recording Info: Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding notes
2890. 10/28/77 Flac 16 - 0, 148907 Kansas City Soldiers & Sailors Memorial Hall flac16; Source: Betty SBD > Reel Master > PCM > pcm clone; Transfer: PCM clone > Sony PCM601esd > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44 notes
2891. 10/29/77 Flac - 0, 98032 DeKalb Evans Field House, Northern Illinois University flac16; matrix of SBD: shnid=92085 and AUD: shnid=8035 by hansokolow using ProTools notes
2892. 10/29/77 Flac - 0, 92085 DeKalb Evans Field House, Northern Illinois University flac16 Recording Info:SBD -> Master Reel -> PCM -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2893. 10/29/77 Shn - 0, 8035 DeKalb Evans Field House, Northern Illinois University Sony ECM-990s>Sony TC-158>MAC>R>D>CD; Taped by Steve Maizner; via Jack Warner; Seeded to etree by Matt Vernon notes
2894. 10/29/77 Flac - 0, 108010 DeKalb Evans Field House, Northern Illinois University flac16; Recording Info: Sony ECM-990 -> Cassette Master (Sony TC-158) -> AIFF; Transfer Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; Recorded By Steve Maizner; All Transfers and Mastering By Charlie Miller notes
2895. 10/29/77 Flac - 0, 28613 DeKalb Evans Field House, Northern Illinois University flac16; MSR>PCM>DAT>CDx?>EAC>WAV>FLAC; patch source: shnid=8035; EAC extraction, editing, and FLAC encoding by Sean Cribbs 3/11/05 notes
2896. 10/29/77 Shn - 0, 280 DeKalb Evans Field House, Northern Illinois University SBD > Reel > DAT > WAV (via TB Fiji S/PDIF) > SHN; via Jeff Kempka notes
2897. 10/29/77 Flac Mtx. - 0, 137373 DeKalb Evans Field House, Northern Illinois University flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:92085) Recording Info: SBD -> Master Reel -> PCM -> Dat -> CDTransfer Info:CD -> Samplitude Professional v10.02 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience (shnid:108010), Recorded By Steve Maizner, Recording Info: Sony ECM-990 -> Cassette Master (Sony TC-158) -> AIFF, Transfer Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
2898. 10/29/77 Flac 16 - 0, 148908 DeKalb Evans Field House, Northern Illinois University flac16; Source: Betty SBD > Reel Master > PCM > pcm clone; Transfer: PCM clone > Sony PCM601esd > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; the original source had a "nearly undetectable" flaw in d2t06 which had to be fixed for nearly undetectable reasons notes
2899. 10/30/77 Flac - 0, 99838 Bloomington Assembly Hall flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version of source ID 99765 notes
2900. 10/30/77 Shn - 0, 7564 Bloomington Assembly Hall sbd> mr> pcm> dat> cdr> eac >shn via mkwAct 0.97 beta 1; via Bob Allred GDH-Trading tree; see flaw notes in info file; upgrade in circulation notes
2901. 10/30/77 Flac - 0, 99765 Bloomington Assembly Hall flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version now in circulation notes
2902. 10/30/77 Shn - 0, 14946 Bloomington Assembly Hall Source: SBD > MR > PCM > DAT > CDR > EAC > mkwACT EAC'd/SHN'd by Doug Nawrocki notes
2903. 10/30/77 Flac - 0, 99939 Bloomington Assembly Hall flac16; source: aud 1st gen reel taped by Steve Maizner sony ecm 990s>sony tc-158sd; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac notes
2904. 10/30/77 Flac - 0, 100165 Bloomington Assembly Hall flac16; Recorded by Steve Maizner Sony ECM-990> Master Cassette; Master cassette> reel> FLAC 1st generation reel played back on Akai Gx-4000D> ART DI/O > Digital Audio Labs Card Deluxe soundcard > Adobe Audition> flac encoding > FLAC Transfer and FLAC encoding by David Minches Pitch correction by Joe B. Jones notes
2905. 10/30/77 Flac Mtx. - 0, 137374 Bloomington Assembly Hall flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:99838), Recording Info: SBD -> Master Reel -> PCM -> Dat,Transfer Info:Dat -> Samplitude Professional v10.21 -> FLAC, All Transfers and Mastering By Charlie Miller,Audience (shnid:100165), Recorded by Steve Maizner,Sony ECM-990> Master Cassette; Transfer and FLAC encoding by David Minches:Master cassette> reel> FLAC; 1st generation reel played back on Akai Gx-4000D> ART DI/O > Digital Audio Labs Card Deluxe soundcard > Adobe Audition> flac encoding > FLAC notes
2906. 11/01/77 Flac - 0, 82574 Detroit Cobo Arena flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
2907. 11/01/77 Shn - 0, 2485 Detroit Cobo Arena SBD> Master (Betty Board) Reels> PCM> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.; includes US Blues encore; d1t05 cuts into friend of the devil (about 1st 20 seconds missing); upgrade in circulation notes
2908. 11/02/77 Flac - 0, 86233 Toronto Field House, Seneca College flac 16; Sick Bits Vol. 23 - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=14743) + AUD (shnid=81012). Matrixed by Chris Chappell. notes
2909. 11/02/77 Shn - 0, 86546 Toronto Field House, Seneca College flac16; SBD/AUD Matrix by SIRMick; Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN (shn id 14743) and Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Recorded by Alan Zimmerman (shn id 81012) notes
2910. 11/02/77 Shn - 0, 14743 Toronto Field House, Seneca College Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN TC2000; Equalizer Used To Brighten Up The Rather Dull Sound; CD> EAC> SHN By Joe Samaritano; also to abgd via Charlie Connor; note upgrade to previous copy notes
2911. 11/02/77 Flac - 0, 81012 Toronto Field House, Seneca College flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC notes
2912. 11/04/77 Flac - 0, 29091 Hamilton Cotterell Gym, Colgate University flac 16; SBD/AUD Matrix of 2 previously circulated seeds (SBD - shn ID #2595 & AUD - shn ID #15208); prepared by Chris Chappell notes
2913. 11/04/77 Shn - 0, 3739 Hamilton Cotterell Gym, Colgate University SBD:MR > DAT > CD-R; material from previous shn set, plus patched intro from AUD (see notes in info file); seeded by Peter Braverman notes
2914. 11/04/77 Shn - 0, 15208 Hamilton Cotterell Gym, Colgate University MAC (Taped by Jerry Moore, Sony ECM 33Ps* [directly behind the soundboard] > Sony TC-158** [Dolby B, Maxell UDXLIIC90s]) > Tascam 112 MK-II playback > HHB 800 master CD > HP 9350i extraction (EAC v0.9 beta 4) > editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by John Steinthal, CD > SHN by Joe Jupille and Noah Weiner. notes
2915. 11/04/77 Flac 16 - 0, 130927 Hamilton Cotterell Gym, Colgate University flac16; Source ID 3739 Adjusted amplitudes and equalization with Cool Edit 2000; shn > wav > flac notes
2916. 11/04/77 Shn - 0, 2595 Hamilton Cotterell Gym, Colgate University SBD:MR > DAT > CD-R; noted at gdlive (also to abgd?); upgrade in circulation notes
2917. 11/04/77 Flac 16 - 0, 81110 Hamilton Cotterell Gym, Colgate University flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC notes
2918. 11/04/77 Flac 16 - 0, 141005 Hamilton Cotterell Gym, Colgate University flac16; Source: Audience Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick February 2018 notes
2919. 11/04/77 Flac 24/96 - 0, 141004 Hamilton Cotterell Gym, Colgate University flac24; Source: Audience Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick February 2018 notes
2920. 11/04/77 Flac 16 - 0, 141833 Hamilton Cotterell Gym, Colgate University flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
2921. 11/04/77 Flac 16 - 0, 139656 Hamilton Cotterell Gym, Colgate University flac16; This source is a DAE of the GDLive material listed as source ID 2595; Source/Lineage: SBD Master > DAT > dl gd server > CD-R (15+ yrs) > xACT 2.41 (ffp’s, sector boundaries) > Flac 6 notes
2922. 11/05/77 Shn - 0, 6934 Rochester Community War Memorial Auditorium Master Soundboard Cassette > 1 Reel to Reel gen > DAT, with AUD patches (see info file); Patching, CD Mastering, EAC'ed, SHN'ed by Scott Clugston; to abgd notes
2923. 11/05/77 Shn - 0, 16757 Rochester Community War Memorial Auditorium A:C:D:Cool Edit:CD recorded by Jerry Moore; Sony ECM-33Ps> Sony 158 via David Minches encoded by Sean Cribbs notes
2924. 11/05/77 Flac 16 - 0, 81180 Rochester Community War Memorial Auditorium flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC notes
2925. 11/05/77 Shn - 0, 3293 Rochester Community War Memorial Auditorium Master Audience Cassette > possible analog gen> DAT > CDR; Mastered to disc> EAC> SHN by Scott Clugston. [Note: An alternate shn set differeing only in disks 2 and 3 also circulates. This might have an additional EAC generation.] notes
2926. 11/05/77 Flac 16/48 - 0, 152193 Rochester Community War Memorial Auditorium flac16/48 Source Info: Jimmy Warburton's Master Audience Cassettes; most likely AKG d1000e mics > unknown deck (dolby on); master cassettes (Nakamichi 550, dolby off) > 1st generation reel (Teac 3300, dolby off) @ 3.75 ips Transfer Info: 1st generation reels (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
2927. 11/05/77 Flac 24/96 - 0, 152194 Rochester Community War Memorial Auditorium flac24/96 Source Info: Jimmy Warburton's Master Audience Cassettes; most likely AKG d1000e mics > unknown deck (dolby on); master cassettes (Nakamichi 550, dolby off) > 1st generation reel (Teac 3300, dolby off) @ 3.75 ips Transfer Info: 1st generation reels (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
2928. 11/06/77 Flac 16 Mtx - 0, 92273 Binghamton Broome County Arena flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) June 13, 2008 notes
2929. 11/06/77 Flac 16 - 0, 122296 Binghamton Broome County Arena flac16; MR>PCM>DAT>HD>CDR>EAC>Flac level 8 via TLH notes
2930. 11/06/77 Shn - 0, 283 Binghamton Broome County Arena Reel -> DAT -> CDR; Transfer: EAC -> SHN by D. Nawrocki notes
2931. 11/06/77 Shn - 0, 16758 Binghamton Broome County Arena A:C:D:Cool Edit:CD recorded by Jerry Moore; Sony ECM-33Ps> Sony 158 via David Minches encoded by Sean Cribbs notes
2932. 11/06/77 Flac 16 - 0, 139055 Binghamton Broome County Arena b>flac16; Soundboard Master Reels > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44 notes
2933. 11/06/77 Flac 24/96 - 0, 148412 Binghamton Broome County Arena flac24; 1st Set Recording Info:Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
2934. 11/06/77 Flac 16/48 - 0, 148411 Binghamton Broome County Arena flac1648 1st Set Recording Info:Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
2935. 12/27/77 Shn - 0, 24069 San Francisco Winterland Arena Bertha Remaster of the Master Reel source. SBD>>MR>>SS>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN notes
2936. 12/27/77 Shn - 0, 19288 San Francisco Winterland Arena SBD>MR>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN (multigen); originally circulated by David Gans w/ thanks to S. Milewski for the patches notes
2937. 12/27/77 - 0, San Francisco Winterland Arena notes
2938. 12/27/77 Flac - 0, 137166 San Francisco Winterland Arena flac16; Recording Info: SBD > Master Reel > Dat (44.1k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC; All Transfers and Mastering By Charlie Miller notes
2939. 12/29/77 Shn - 0, 20370 San Francisco Winterland Arena Set I & Encore MSR>R>R>R>C>DAT>WAV>SHN Set II MSR>R>C>DAT>WAV>SHN C>SHN Conversions by Cousinit notes
2940. 12/29/77 Shn - 0, 18675 San Francisco Winterland Arena Dick's Picks 10 outtakes SBD>?>SHN via Terrapin Station notes
2941. 12/29/77 Flac 24/96 - 0, 133041 San Francisco Winterland Arena flac24; Recording Info: master recorded from the balcony on a Tandberg 10X reel to reel @ 7.5 ips. The reel is from Sandy Troy's collection; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith notes
2942. 12/29/77 Flac 16 - 0, 133042 San Francisco Winterland Arena flac16; Recording Info: master recorded from the balcony on a Tandberg 10X reel to reel @ 7.5 ips. The reel is from Sandy Troy's collection; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith notes
2943. 12/29/77 Flac 16 - 0, 92374 San Francisco Winterland Arena flac16; Partial set 2 only, unknown generation maxell cassette-> sb audigy-> audacity-> cd wav-> flac notes
2944. 12/29/77 Flac 16 - 0, 108432 San Francisco Winterland Arena flac16; Reinhardt Holwein Audience Reel > ???? > DAT > CDR > EAC Secure Mode > WAV > FLAC notes
2945. 12/29/77 Flac 16/48 - 0, 137198 San Francisco Winterland Arena flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
2946. 12/29/77 Flac 16 - 0, 137650 San Francisco Winterland Arena flac16; Source: Audience recording (Sennheiser 421s) > ??? > cdr > eac > wav 16/44.1; Lineage: wav 16/44.1 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wav TLH > Flac16; edited and mastered SIRMick notes
2947. 12/29/77 Flac 16 - 0, 141740 San Francisco Winterland Arena flac16; Source Info: Analog Soundboard > Cassette > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
2948. 12/30/77 Shn - 0, 20009 San Francisco Winterland Arena SBDMR>DAT>Sonic Solutions>CD>EAC>SHN notes
2949. 12/30/77 Flac 16 - 0, 132379 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat -> FLAC; Transfer Info: FLAC -> Samplitude Pro X2 Suite -> FLAC; All Transfers and Mastering By Charlie Miller notes
2950. 12/30/77 Flac 16 - 0, 112745 San Francisco Winterland Arena flac16; Audience Recording by Gene Taback; One Casette Master Transferred by Jim Blackwood at 24bit 96 kHz Edited and Mastered by Jamie Waddell Weiss-Saracon for 16 bit 44.1 kHz TLH for FLAC8 Tag&Rename for MetaData notes
2951. 12/30/77 Shn - 0, 20009 San Francisco Winterland Arena partial; SBD> MR> DAT> CD; via Candyman notes
2952. 12/30/77 Flac 16 - 0, 139536 San Francisco Winterland Arena flac16; Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller; This is a patched version of shnid=132379 notes
2953. 12/30/77 Flac 24/96 - 0, 139533 San Francisco Winterland Arena flac24; Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 notes
2954. 12/30/77 Flac 16/48 - 0, 142698 San Francisco Winterland Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - surround mixing by Kevin Tobin notes
2955. 12/30/77 Flac Dts 5.1 - 0, 142697 San Francisco Winterland Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - dts mixing by Kevin Tobin notes
2956. 12/30/77 Flac 16 Mtx - 0, 142696 San Francisco Winterland Arena flac16; Matrix 2 Source Mix - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - matrix mixing by Kevin Tobin notes
2957. 12/31/77 Shn - 0, 35291 San Francisco Winterland Arena Seamless fix of shn id 286 - SBD > Master Reel > DAT > CDR > EAC > SHN notes
2958. 12/31/77 Flac - 0, 20596 San Francisco Winterland Arena Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy (dkonrad99@hotmail.com) notes
2959. 12/31/77 Shn - 0, 286 San Francisco Winterland Arena SBD> MR> DAT> standalone burner> CDR> EAC> SHN; EAC> SHN by B. Purvis; via offer to PCP; etreed 5/9/00 via A. Jerugim notes
2960. 12/31/77 Flac 24/96 - 0, 140952 San Francisco Winterland Arena flac24; Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 notes
2961. 12/31/77 Flac 16 - 0, 140951 San Francisco Winterland Arena flac16; Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24 bit > 16 bit via dBpoweramp notes
2962. 12/31/77 Flac 16/48 - 0, 141127 San Francisco Winterland Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy + AUD (shnid = 140952) Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 - mixing by Kevin Tobin notes
2963. 12/31/77 Flac Dts 5.1 - 0, 141126 San Francisco Winterland Arena notes
2964. 12/31/77 Flac 16 Mtx - 0, 141125 San Francisco Winterland Arena flac16; Matrix 2 Source Mix - SBD (shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy + AUD (shnid = 140952) Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 - matrix mixing by Kevin Tobin notes
2965. 12/31/77 Flac 16 - 0, 141124 San Francisco Winterland Arena flac16; Patched/Pitch Corrected Soundboard (original shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy (dkonrad99@hotmail.com) - pitch correction and patches by Kevin Tobin notes
2966. 12/31/77 Flac 16 - 0, 141799 San Francisco Winterland Arena flac16; Source: SBD > Umatic videotape masters (noted as "remote") - From Bob Gurman; Transfer: Umatic masters > Sony VO-2600 > Tascam CDRW-700 > CDR - Transfered by Alan Bershaw November 26, 2002; Lineage: CDR > wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and master SIRMick April 2018 notes
2967. 12/31/77 Shn - 0, 20596 San Francisco Winterland Arena Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy (dkonrad99@hotmail.com) notes
2968. 12/31/77 Flac 24/96 - 0, 151333 San Francisco Winterland Arena flac2496 Recording Info: Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones). Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596
This updated "version three" was created on January 1, 2021.
...and you may ask yourself, how did we get here? Uncharacteristically, we did a couple fixes to make this show right. The original seed had one of the two tapes channels reversed by accident, so we fixed that. Upon listening, scholars let us know that while Keith was on the left side of the stage physically, the mix was done to put him in the right channel, therefore our second fix had the mix flipped channels wise. Though it represented the stage position of Keith, it had the drummers and band in the wrong locations. Thanks for understanding the process and our desire to present the most accurate possible version. This version three also includes a tiny adjustment to the speed. If you have the previous two versions (151251 + 151298), please don't continue to share them elsewhere. 24 Bit 96 kHz FLAC Level 8
notes
2969. 12/31/77 Flac 16/48 - 0, 151332 San Francisco Winterland Arena flac1648 Recording Info: Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones). Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596.
This updated "version three" was created on January 1, 2021.
...and you may ask yourself, how did we get here? Uncharacteristically, we did a couple fixes to make this show right. The original seed had one of the two tapes channels reversed by accident, so we fixed that. Upon listening, scholars let us know that while Keith was on the left side of the stage physically, the mix was done to put him in the right channel, therefore our second fix had the mix flipped channels wise. Though it represented the stage position of Keith, it had the drummers and band in the wrong locations. Thanks for understanding the process and our desire to present the most accurate possible version. This version three also includes a tiny adjustment to the speed. If you have the previous two versions (151250 + 151297), please don't continue to share them elsewhere. 16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither
notes
2970. 01/06/78 Shn - 0, 6953 San Bernardino Swing Auditorium Master Soundboard Cassette > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; upgrade in circulation notes
2971. 01/06/78 Shn - 0, 24629 San Bernardino Swing Auditorium SBD: MC>RR>DAT>CD>EAC>DC5>CD Discs From Jools Elliott AUD patches from Noah Weiner AUD: MC>RR>DAT>CD Taper=Bob Menke - Sony ECM280s>Sony TC-158 CD Editing and Mastering by The Wizard - Owenbrothersvault@hotmail.com. notes
2972. 01/06/78 Flac 24/96 - , 152855 San Bernardino Swing Auditorium flac24/96 Source: unknown audio cassette (low gen) - from the collection of Doug Lamarre. Transfer: Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > iZotope RX8 Advanced > CD Wave > Flac24 edited and mastered SIRMick July 2021 notes
2973. 01/06/78 Flac 16/44 - , 152854 San Bernardino Swing Auditorium flac16/44 Source: unknown audio cassette (low gen) - from the collection of Doug Lamarre. Transfer: Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick July 2021 notes
2974. 01/06/78 Flac 16/44 - , 153175 San Bernardino Swing Auditorium flac16/44 Source: Sbd > Cassette Master > Cassette (1st gen) Transfer: Cassette (1st gen) > Nakamichi CR7A > PCM > wav 16/44.1 via: Bob Menke Lineage: wav > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > Cd Wave > Flac16 edited and mastered SIRMick August 2021 notes
2975. 01/07/78 Shn - 0, 7204 San Diego Golden Hall, Community Concourse Master Soundboard Cassette > Reel to Reel > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; beginning and end cuts; low volume digiwhiz in mingle @ ~2:10; upgrade in circulation notes
2976. 01/07/78 Flac 16 Mtx - 0, 127345 San Diego Golden Hall, Community Concourse flac16; 2 Source Matrix by dusborne; Soundboard (shnid:17806) SBD>MC>R>D>CD>EAC>SHN patched with: AUD>?>CD>EAC>SHN final edits/encoding by JCotsman and Audience (shnid:89474) Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac; Transfer by: Pantagruel notes
2977. 01/07/78 Shn - 0, 17806 San Diego Golden Hall, Community Concourse SBD> MC> R> D> CD> EAC> SHN from previous Scot Clugston seed, patched with AUD> ??> CD> EAC> SHN; final edits/encoding by JCotsman notes
2978. 01/07/78 Flac 16 - 0, 89474 San Diego Golden Hall, Community Concourse flac16; Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac notes
2979. 01/07/78 Flac - , 152609 San Diego Golden Hall, Community Concourse Recording Info: SBD > Cassette Master > DAT > CD
Transfer Info: CD > Samplitude Professional v10.1 > Adobe Audition v1.5 > FLAC
notes
2980. 01/08/78 Shn - 0, 7201 San Diego Golden Hall, Community Concourse Master Soundboard Cassette > Cassette > DAT> CDR, with AUD patch in Other One; CD Mastering / Patching, EAC'ed / SHN'ed by Scott Clugston; with thanks to Lawrence Peryer, Charlie Connor; d1 tracked for 80 min; upgrade in circulation notes
2981. 01/08/78 Shn - 0, 14670 San Diego Golden Hall, Community Concourse SBDMR > R > PCM > DAT > CD > EAC > SHN note: Jerry had laryngitis on this night and therefore he did not sing. d1t7 - cut in SBD cross faded with AUD/3 from 03:29 to 03:54 d2t5 - cut in SBD cross faded with AUD/3 from 01:00 to 07:12 EAC, SHN and cross fades by Noah Weiner - November, 2002 notes
2982. 01/08/78 Flac 16 - 0, 102500 San Diego Golden Hall, Community Concourse flac16; Analog Audience Source: Master Audience Cassettes (MAC); Medium Stock Brands: MAC = 3 x Maxell UDXL II; Analog Lineage: 2 x AKG D224E's => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein; Transfer By: Bob Menke; Mastering By: Derek McCabe; MOTB Release: 0109 notes
2983. 01/08/78 Flac 24/96 - 0, 102349 San Diego Golden Hall, Community Concourse flac24; Analog Audience Source: Master Audience Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0109 24/96 (The original release of this source from 2009-11-03 had errors in the tags.) notes
2984. 01/08/78 Shn - 0, 34854 San Diego Golden Hall, Community Concourse Aud>C>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Digitally Mastered by Charlie Connor; with Thanks to Lawrence Peryer notes
2985. 01/08/78 Flac 16/44 - , 153085 San Diego Golden Hall, Community Concourse flac16/44 Recording Info: SBD -> Cassette Master -> AIFF
Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC
notes
2986. 01/10/78 Shn - 0, 14523 Los Angeles Shrine Auditorium SBD>MC>?>CD>EAC>SHN; (see lineage info); Thanks to Raoul Duke & Hanno Bunjes; edits/encoding by JCotsman notes
2987. 01/10/78 Flac 16 Mtx - 0, 95134 Los Angeles Shrine Auditorium flac16 Matrix: MAC = 3 x Maxell UDXL II A2 x AKG D224E's => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96] and SBD>MC>?>CD>EAC>SHN (Source ID 14523) notes
2988. 01/10/78 Flac 16 - 0, 95068 Los Angeles Shrine Auditorium flac16; Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II 2 x AKG D224E's => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96] notes
2989. 01/10/78 Flac 16 - 0, 133618 Los Angeles Shrine Auditorium flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> FLAC (24bit/44.1k); Transfer Info: FLAC -> Samplitude Professional v11.1.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; the original files had a flaw in Wharf Rat (d3t02) notes
2990. 01/10/78 Flac 24 - 0, 133619 Los Angeles Shrine Auditorium flac24; Recording Info: SBD -> Cassette Master (Dolby B) -> FLAC (24bit/44.1k); Transfer Info: FLAC -> Samplitude Professional v11.1.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had a flaw in Wharf Rat (d3t02) notes
2991. 01/10/78 Flac 24 - 0, 95069 Los Angeles Shrine Auditorium flac24; MAC = 3 x Maxell UDXL II 2 x AKG D224E's => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96] notes
2992. 01/11/78 Flac Mtx - 0, 110959 Los Angeles Shrine Auditorium flac16; Matrix: Analog Aud: 2 x AKG D224E >> Sony TC-158SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] and Analog SBD: SBD >> MSC (dolby C) >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16 notes
2993. 01/11/78 Shn - 0, 13190 Los Angeles Shrine Auditorium SBD>MC>R>PCM>D>CD>EAC>SHN (??); see comments on lineage; Thanks to Raoul Duke edits/encoding by Matt Vernon & JCotsman notes
2994. 01/11/78 Flac - 0, 92086 Los Angeles Shrine Auditorium flac16; Matrix, Sources used: 1) SBD > MC > R > PCM > D > CD > EAC > SHN and 2) audience recording on a Marantz pro cassette deck, don't recall the model & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac Matrixed by SIRMick notes
2995. 01/11/78 Shn - 0, 12894 Los Angeles Shrine Auditorium SBD master reel > Cass > DAT > CD-R > EAC > .SHN ; upgrade in circulation notes
2996. 01/11/78 Flac - 0, 135498 Los Angeles Shrine Auditorium flac16; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller; the original version had errors in the tracking; [lease don't circulate the original (19 track) version notes
2997. 01/11/78 Flac 24 - 0, 135499 Los Angeles Shrine Auditorium flac24; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller notes
2998. 01/11/78 Flac - 0, 89475 Los Angeles Shrine Auditorium flac16; Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac notes
2999. 01/13/78 Shn - 0, 4629 Santa Barbara Arlington Theater Master Soundboard Cassette> Cassette> DAT> CDR> EAC> SHN notes
3000. 01/13/78 Flac 24 - 0, 135501 Santa Barbara Arlington Theater flac24; Recording Info: SBD -> Cassette Master -> AIFF (24bit/88.2k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller notes
3001. 01/13/78 Flac - 0, 135500 Santa Barbara Arlington Theater flac16; Recording Info: SBD -> Cassette Master -> AIFF (24bit/88.2k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller notes
3002. 01/13/78 Flac - 0, 105208 Santa Barbara Arlington Theater flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD  >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe notes
3003. 01/14/78 Flac Mtx - 0, 105811 Bakersfield Bakersfield Memorial Auditorium flac16; MTX 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Soundboard Source: gd78-01-14.sbd.vernon.16114.sbeok.shnf notes
3004. 01/14/78 Flac - 0, 105758 Bakersfield Bakersfield Memorial Auditorium flac16; 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] notes
3005. 01/14/78 Shn - 0, 16114 Bakersfield Bakersfield Memorial Auditorium SBD> [MR>C ?] >DAT>CDR via Raoul Duke encoded by Matt Vernon notes
3006. 01/14/78 Flac - 0, 88091 Bakersfield Bakersfield Memorial Auditorium flac16; source: aud > ??? > cdr > eac > wav > flac notes
3007. 01/14/78 Flac - 0, 135521 Bakersfield Bakersfield Memorial Auditorium flac16; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller notes
3008. 01/14/78 Flac 24 - 0, 135522 Bakersfield Bakersfield Memorial Auditorium flac24; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller notes
3009. 01/14/78 Flac - 0, 99092 Bakersfield Bakersfield Memorial Auditorium flac16; Source: Unknown Audience recording, believed to be a 3rd gen cass Transfer: cass > Nakamichi DR-1 > Tascam HD-P2 > wav 24/96 > Adobe Audition > Wavelab(with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Flac16 notes
3010. 01/15/78 Shn - 0, 13252 Fresno Selland Arena mixed source: set 1: SBD> ?> C> SHN (low number of analog gens); set 2: AUD> MC> C> D> CD> EAC> SHN; Thanks to Hanno Bunjes, Chuck Kiefe; final edits/encoding by JCotsman. Additional material from the audience recording used for this source can be found here. notes
3011. 01/15/78 Flac - 0, 106182 Fresno Selland Arena flac16; 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein notes
3012. 01/15/78 Flac - 0, 80954 Fresno Selland Arena flac16; AUD>MC>C>D>CD>EAC>SHN>?>FLAC; These are from the same source as the audience portion of shn id 13252. This completes what circulates from that aud. notes
3013. 01/17/78 Shn - 0, 14555 Sacramento Sacramento Memorial Auditorium SBD>MR>C>D>CD>SHN; missing Around & US Blues; Thanks to Raoul Duke; edits/encoding by Matt Vernon & JCotsman notes
3014. 01/17/78 Flac 24/96 - 0, 141145 Sacramento Sacramento Memorial Auditorium flac24; Source Info: Bob Menke's Master Audience Cassettes; AKG D224E mics > Sony TC-158SD; Sandy Troy's 1st generation 10" reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 notes
3015. 01/17/78 Flac 16 - 0, 141144 Sacramento Sacramento Memorial Auditorium flac16; Source Info: Bob Menke's Master Audience Cassettes; AKG D224E mics > Sony TC-158SD; Sandy Troy's 1st generation 10" reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit to 16-bit via dBpoweramp notes
3016. 01/17/78 Flac 16 - 0, 141146 Sacramento Sacramento Memorial Auditorium flac16; Source Info: Master Soundboard Reels > Cassette > Dat > CD > EAC > SHN (shnid 14555); This is a patched and re-mastered version of the shnid14555 soundboard source from Matt Vernon & JCotsman notes
3017. 01/18/78 Shn - 0, 13101 Stockton Stockton Civic Auditorium SBD> MR> ?> D> CD> EAC> SHN; patched with AUD> MC> C> D> CD> EAC> SHN; technical problems with SBD (see caveat); Thanks to Mike Tausig and Jack Warner; edits/encoding by JCotsman notes
3018. 01/18/78 Shn - 0, 18656 Stockton Stockton Civic Auditorium Set Two AUD>MC>??>DAT>CDR via Raoul Duke encoded by Matt Vernon notes
3019. 01/22/78 Flac 16 - 0, 110632 Eugene McArthur Court, University Of Oregon flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> FLAC; Set 2: (1st 4 songs) (FOB) AKG D224E -> Cassette Master -> FLAC (shnid=101436); Set 2: (Terrapin through Saint Stephen) SBD -> Cassette Master > FLAC; Set 2: (Not Fade Away through U.S. Blues) SBD -> Reel Master > FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3020. 01/22/78 Flac 16 - 0, 28846 Eugene McArthur Court, University Of Oregon flac 16; Please note Info file and md5 changed. SBD/AUD Matrix of 2 previously circulated seeds (SBD - ID #4974 & AUD - ID #2014); prepared by Chris Chappell notes
3021. 01/22/78 Shn - 0, 4974 Eugene McArthur Court, University Of Oregon d1,d3: sbd> ??> cd> eac> shn, d2 from previous shn set (see notes in info file); to gdlive, via popi notes
3022. 01/22/78 Flac 16 - 0, 31940 Eugene McArthur Court, University Of Oregon flac16; SBD, 1st 4 songs in 2nd set AUD notes
3023. 01/22/78 Shn - 0, 2014 Eugene McArthur Court, University Of Oregon Source: Audience FOB Sony TC-640 reel to reel > TCD-D8 Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 see additional notes in info file via John D'Auria notes
3024. 01/22/78 Flac 16 - 0, 101436 Eugene McArthur Court, University Of Oregon flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert notes
3025. 01/22/78 Shn - 0, 287 Eugene McArthur Court, University Of Oregon Source: DNC Close Encounters Tree; SBD> M?> C> PCM> Sound Forge> CD-R> SHN; show is missing some tracks in the middle, but it's the only part of the show that circulates in a clean SBD notes
3026. 01/22/78 Flac 24 - 0, 101437 Eugene McArthur Court, University Of Oregon flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert notes
3027. 01/30/78 Flac 16 - 0, 32255 Chicago Uptown Theatre flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller notes
3028. 01/30/78 Shn - 0, 12437 Chicago Uptown Theatre Tim Powell recording (Sony ECM-99/Sony TC-152) AUD>MC>R>DAT>CDR via Raoul Duke notes
3029. 01/30/78 Flac 16 - 0, 148564 Chicago Uptown Theatre flac16; Source Info: Master Soundboard Reel > Dick Latvala's Dat (16/44.1); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> 16/44.1 .wav > Adobe Audition CC 2019 > TLH flac16 notes
3030. 01/31/78 Flac - 0, 32256 Chicago Uptown Theater flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller notes
3031. 01/31/78 Flac - 0, 123059 Chicago Uptown Theater flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Mastering By Charlie Miller notes
3032. 01/31/78 Flac - 0, 101556 Chicago Uptown Theater flac16; Matrix: 60 sbd/40 aud. In addition the gain on the sbd was increased by 1 decibel and for the aud reduced by the same amount sbd: SBD > Master Reel > Dat > CD > FLAC (shnid 32256) and aud: AUD > MC > R > CD > EAC > SHN (shnid 17807) notes
3033. 01/31/78 Shn - 0, 1807 Chicago Uptown Theater set 2; SBDMR> Cass> DAT> CDR> EAC> SHN; via Mike (Dank Star) Parrillo; upgrade in circulation notes
3034. 01/31/78 Shn - 0, 17074 Chicago Uptown Theater set 1 mostly AUD>MC>R>CD>EAC>SHN, set 2 SBD>MR>C>D>CD>EAC>SHN with aud patches via Jack Warner and Mike Parrillo encoded/edits by Jeff Cotsman and Matt Vernon; upgrade in circulation notes
3035. 01/31/78 Shn - 0, 17807 Chicago Uptown Theater AUD> MC> R> CD> EAC> SHN; patched with SBD> MR> C> D> CD> EAC> SHN; Thanks to Jack Warner; edits/encoding by Matt Vernon & JCotsman; note d1t1-7 md5s same as in previous seed, others differ notes
3036. 02/01/78 Shn - 0, 1017 Chicago Uptown Theater MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Mike (Dank Star) Parrillo; u/l via Darrin Sacks notes
3037. 02/01/78 Flac 16 - 0, 97744 Chicago Uptown Theater flac16; MAC>R>C>WAV>FLAC notes
3038. 02/01/78 Flac 16 - 0, 138451 Chicago Uptown Theater flac16; SBD Master Reel > Cassette > DAT; 16 bit 44.1kHz FLAC Level8 SBE Free; Speed Correction and Patching by Jason Chastain in Audition CC; Mastering by Jamie Waddell in Wavelab 7.2.1 notes
3039. 02/03/78 Shn - 0, 19464 Madison Dane County Coliseum Set 2 Only: Soundboard->Master Reel->DAT->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano. notes
3040. 02/03/78 Flac 16 - 0, 132731 Madison Dane County Coliseum flac16; Set 2 Only; 7 Inch Half Track Nagra Reel Master @ 7.5 IPS Recorded By Betty; Analog to Digital:By Dick Latvala(Technics 1506 Reel 2 Reel-Sony PCM R-500 DAT @ 44.1KHz; DAT Zero-(DL) > DAT#1 > DAT#2; 100% flat transfer-DAT#2(JW) play back on Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16bit 44.1 KHz; Editing(Adobe Audition CC)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise notes
3041. 02/03/78 Shn - 0, 19465 Madison Dane County Coliseum Master audience cassette (unknown equipment) > PCM > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes
3042. 02/03/78 Flac 16 - 0, 139370 Madison Dane County Coliseum flac16; Recording Info: SBD > Master Reel > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller; Six songs from Set 1 are .mp3 sourced notes
3043. 02/04/78 Flac 16 Mtx - 0, 123949 Milwaukee Milwaukee Auditorium flac16; Partial 1 song Matrix by Hunter Seamons; Soundboard recording by Dan Healy; Audience recording transferred by Raoul Duke notes
3044. 02/04/78 Flac - 0, 132719 Milwaukee Milwaukee Auditorium flac16; Set 2 Only; 7 Inch Half Track Nagra Reel Master @ 7.5 IPS; Recorded By Betty; Analog to Digital:By Dick Latvala(Technics 1506 Reel 2 Reel-Sony PCM R-500 DAT @ 44.1KHZ; DAT Zero-DAT#1 (Rob Bertrando); 100% flat transfer-DAT#2(JW) play back on Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16bit 44.1 KHz; Editing(Adobe Audition CC)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise notes
3045. 02/04/78 Shn - 0, 12199 Milwaukee Milwaukee Auditorium AUD> MC> R> C> DAT> CDR> EAC> CD; Re-mastered via the Owens?s Brothers Vault. ; via Raoul Duke; Seeded to etree by Matt Vernon notes
3046. 02/05/78 Flac 16 Mtx - 0, 123360 Cedar Falls Uni Dome, University Of Northern Iowa flac16; Set 2 only; Two source matrix: Soundboard (shnid:19471) Soundboard->Master Reel->DAT->DAT->ZA2->Soundforge->.wav->mkw->SHN and Audience (shnid:19466) Master audience cassette (unknown equipment) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes
3047. 02/05/78 Shn - 0, 19471 Cedar Falls Uni Dome, University Of Northern Iowa Set 2 Only: Soundboard->Master Reel->DAT->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. Dat seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano. notes
3048. 02/05/78 Shn - 0, 19466 Cedar Falls Uni Dome, University Of Northern Iowa Set Two only Master audience cassette (unknown equipment) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes
3049. 02/05/78 Flac 16 - 0, 138311 Cedar Falls Uni Dome, University Of Northern Iowa flac16; SBD Master Reel > Cassette > DAT; 16 bit 44.1kHz FLAC Level8 SBE Free; Speed Correction and Patching by Jason Chastain in Audition CC; Mastering by Jamie Waddell in Wavelab 7.2.1 notes
3050. 02/05/78 Flac 16 - 0, 138384 Cedar Falls Uni Dome, University Of Northern Iowa flac16; Set 2; Source: Unknown FOB AUD (mono) from Brian Schley tape collection; Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2017 notes
3051. 02/05/78 Flac 24/96 - 0, 151838 Cedar Falls Uni Dome, University Of Northern Iowa flac24/96 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick February 2021 notes
3052. 02/05/78 Flac 16/44 - 0, 151837 Cedar Falls Uni Dome, University Of Northern Iowa flac16/44 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2021 notes
3053. 02/05/78 Flac 24/96 - 0, 151622 Cedar Falls Uni Dome, University Of Northern Iowa flac24/96 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick notes
3054. 02/05/78 Flac 16 - 0, 151821 Cedar Falls Uni Dome, University Of Northern Iowa flac16 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 16 edited and mastered SIRMick February 2021 notes
3055. 02/05/78 Flac 16/44 - 0, 151646 Cedar Falls Uni Dome, University Of Northern Iowa flac16/44khz; Sick Bits Vol. 34
Matrix: SBD (Shnid=19471) + AUD1 (Shnid=19466) - primary and AUD2 (Shnid=138384) - patches
Matrixed (edited, mixed and converted) by Chris Chappell
notes
3056. 04/06/78 Flac 16 - 0, 81307 Tampa Curtis Hixon Convention Hall flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
3057. 04/06/78 Shn - 0, 290 Tampa Curtis Hixon Convention Hall mSR -> PCM -> DAT 48k -> Turtle Beach Fiji Digi I/O -> AFResamp -> wav2cdr -> CDR; upgrade in circulation notes
3058. 04/06/78 Flac 16 Mtx - 0, 81508 Tampa Curtis Hixon Convention Hall flac16; SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD) Mix consisting of SBD - shn id 81307, AUD - shn id 81494 notes
3059. 04/06/78 Shn - 0, 18510 Tampa Curtis Hixon Convention Hall Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches; upgrade in circulation notes
3060. 04/06/78 Flac 16 - 0, 81494 Tampa Curtis Hixon Convention Hall flac16; Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches; patches and speed correction by Kevin Tobin notes
3061. 04/06/78 Flac Dts 5.1 - 0, 81767 Tampa Curtis Hixon Convention Hall DTS Audio 5.1; Mix of SBD: SBD -> Master Reel -> PCM -> Dat and AUD:Recorded by Bob Wagner; Sony 54Ps> Sony TC-158; mixed by Kevin Tobin notes
3062. 04/06/78 Flac 16 - 0, 140694 Tampa Curtis Hixon Convention Hall flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick January 2018 notes
3063. 04/06/78 Flac 16 - 0, 147759 Tampa Curtis Hixon Convention Hall flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2019 notes
3064. 04/06/78 Flac 24/96 - 0, 148069 Tampa Curtis Hixon Convention Hall flac24; Source Info: Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496 notes
3065. 04/06/78 Flac 16/48 - 0, 148068 Tampa Curtis Hixon Convention Hall flac16/48kHz; Source Info: Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3066. 04/07/78 Flac 16 - 0, 83715 Pembroke Pines The Sportatorium flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
3067. 04/07/78 Shn - 0, 10208 Pembroke Pines The Sportatorium 7" Two Track Reel@ 7 1/2 ips>PCM501ES @44.055kHz>PCM analog out>DAT@48kHZ>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT; Source DAT via Joe Samaritano; upgrade in circulation DAT>Shn conversion, ditital editing via Charlie Connor;Seeded to fungus and abgd by Charlie Connor notes
3068. 04/07/78 Flac 16 - 0, 140736 Pembroke Pines The Sportatorium flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick January 2018 notes
3069. 04/08/78 Shn - 0, 4088 Jacksonville Veterans Memorial Coliseum SBD> Bettyboard 7" reels @ 7.5ips> PCM> DAT> CDR> SHN; seeded by Katy Miller; upgrade in circulation notes
3070. 04/08/78 Flac 16 - 0, 83716 Jacksonville Veterans Memorial Coliseum flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
3071. 04/08/78 Flac 16 - 0, 834404 Jacksonville Veterans Memorial Coliseum flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > Fostex D5 > optical S/PDIF out (Jace's tape) > disk WBOTB Transferred by Tim Deibert 3-10-02 notes
3072. 04/08/78 Shn - 0, 4144 Jacksonville Veterans Memorial Coliseum SBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; upgrade in circulation notes
3073. 04/08/78 Flac 24 - 0, 140789 Jacksonville Veterans Memorial Coliseum flac24; Source: SBD > Master Rreel > Beta Hifi > Beta Hifi; Transfer: Beta Hifi > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > wav 24/96; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick notes
3074. 04/08/78 Flac 16 - 0, 140922 Jacksonville Veterans Memorial Coliseum flac16; Source: SBD > Master Rreel > Beta Hifi > Beta Hifi; Transfer: Beta Hifi > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > wav 24/96; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick notes
3075. 04/08/78 Flac 24/96 - 0, 147788 Jacksonville Veterans Memorial Coliseum flac24; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
3076. 04/08/78 Flac 16/48 - 0, 147787 Jacksonville Veterans Memorial Coliseum flac16/48kHz; Recording Info:Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3077. 04/08/78 Flac 16 - 0, 148006 Jacksonville Veterans Memorial Coliseum flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick November 2019 notes
3078. 04/08/78 Flac 16 Mtx - 0, 148615 Jacksonville Veterans Memorial Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) of shnid's 148006 & 147787. notes
3079. 04/10/78 Flac 16 - 0, 108665 Atlanta Fox Theater flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T-> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3080. 04/10/78 Shn - 0, 15782 Atlanta Fox Theater Betty Board>?>CD; Unknown seeder; upgrade in circulation notes
3081. 04/10/78 Shn - 0, 5259 Atlanta Fox Theater Sbd > MR > PCM >Dat > cdr > Eac > wav > shn; Eac > Shnv3 by Ernie Dodd, from Paul B seed discs; see info file for flaw notes; upgrade in circulation notes
3082. 04/10/78 Shn - 0, 18098 Atlanta Fox Theater SBD -> Rm -> PCM -> Dat via Charlie Miller notes
3083. 04/10/78 Flac 16 - 0, 81262 Atlanta Fox Theater flac16; Recorded by Alan Zimmerman Master Audience Cassette; 2 Sennheiser 421s (or 441s) + Sony 54P> passed through Nakamichi 550> Teac PC-10 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC * Patches supplied by SB>MR>PCM>DAT>CD (Note: On 12/28/2006 David Minches circulated a fixed version of d3t04 through d3t07) notes
3084. 04/10/78 Flac 16 - 0, 140836 Atlanta Fox Theater flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMickJanuary 2018 notes
3085. 04/10/78 Flac 16 - 0, 148538 Atlanta Fox Theater flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k); Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick December 2019 notes
3086. 04/10/78 Flac 16 - 0, 150608 Atlanta Fox Theater flac16; Source: Betty Cantor's Master SBD Reel > PCM > DAT; Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44; Edited & Mastered by Joe Noel May 16, 2020 notes
3087. 04/11/78 Flac - 0, 108666 Atlanta Fox Theater flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T-> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3088. 04/11/78 Shn - 0, 291 Atlanta Fox Theater SBD> Reel > PCM> DAT> CDR> SHN; note missing last 2 songs- Sugar Magnolia, encore JGB; known flaws: noticable clicking on d1t8, possibly from bad DAE; reel Glitch d/o d2t3 10:56 - 11:00; via M. Lai, C. Vinci; upgrade in circulation notes
3089. 04/11/78 Shn - 0, 18099 Atlanta Fox Theater SBD -> Rm -> PCM -> Dat via Charlie Miller; upgrade in circulation notes
3090. 04/11/78 Flac - 0, 81257 Atlanta Fox Theater flac16; SBD -> Rm -> PCM -> Dat - Seamless fix of shn id 18099 via Bill Tetzeli notes
3091. 04/11/78 Flac 16 - 0, 141775 Atlanta Fox Theater flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav >Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2018 notes
3092. 04/11/78 Flac 16 - 0, 150607 Atlanta Fox Theater flac16; Source: Betty Cantor's Master SBD Reel > PCM > DAT; Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44; Edited & Mastered by Joe Noel May 17, 2020 notes
3093. 04/12/78 Flac 16 - 0, 106985 Durham Cameron Indoor Stadium, Duke University flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
3094. 04/12/78 Flac 16 - 0, 107156 Durham Cameron Indoor Stadium, Duke University flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; fix of shind 106985 notes
3095. 04/12/78 Flac Dts 5.1 - 0, 134567 Durham Cameron Indoor Stadium, Duke University DTS-Audio-CD 5.1 Mix; SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin notes
3096. 04/12/78 Flac 16 Mtx - 0, 134566 Durham Cameron Indoor Stadium, Duke University flac16; Matrix 2 Source Mix - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin notes
3097. 04/12/78 Shn - 0, 11476 Durham Cameron Indoor Stadium, Duke University SBD>MR>PCM>D>CD; via Jeff Cotsman; Seeded to etree by J. Henry notes
3098. 04/12/78 Shn - 0, 95673 Durham Cameron Indoor Stadium, Duke University SBD>MR>PCM>D>CD>Toast Audio Extractor>Peak>SHN notes
3099. 04/12/78 Flac 16 - 0, 105875 Durham Cameron Indoor Stadium, Duke University flac16; Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller notes
3100. 04/12/78 Shn - 0, 18805 Durham Cameron Indoor Stadium, Duke University SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified) notes
3101. 04/12/78 Flac 16/48 - 0, 134820 Durham Cameron Indoor Stadium, Duke University flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - mixing by Kevin Tobin notes
3102. 04/12/78 Flac 16 - 0, 141776 Durham Cameron Indoor Stadium, Duke University flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2018 notes
3103. 04/12/78 Shn - 0, 14085 Durham Cameron Indoor Stadium, Duke University Bertha Remaster of Master Reel source. SBD>>MR>>PCM>>DAT>>CDA(Toast)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+ notes
3104. 04/12/78 Flac 16/48 - 0, 148070 Durham Cameron Indoor Stadium, Duke University flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3105. 04/12/78 Flac 24/96 - 0, 148071 Durham Cameron Indoor Stadium, Duke University flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496 notes
3106. 04/12/78 Flac 16 - 0, 149531 Durham Cameron Indoor Stadium, Duke University flac16; Source: Betty Cantor’s Master SBD Reel > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; this is a corrected version of source ID 149339 notes
3107. 04/12/78 Flac 16/48 - , 155360 Durham Cameron Indoor Stadium, Duke University flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin notes
3108. 04/14/78 Flac 16 - 0, 83717 Blacksburg Cassell Coliseum, Virginia Polytechnic flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
3109. 04/14/78 Shn - 0, 7251 Blacksburg Cassell Coliseum, Virginia Polytechnic Betty's 7 inch, 2 track, Master Soundboard Reels> PCM x2> DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; drop out followed by a short digi-snit in JBG ~ 0:28 notes
3110. 04/14/78 Flac 24/96 - 0, 147790 Blacksburg Cassell Coliseum, Virginia Polytechnic flac24; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
3111. 04/14/78 Flac 16/48 - 0, 147789 Blacksburg Cassell Coliseum, Virginia Polytechnic flac16/48kHz; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3112. 04/14/78 Flac 16 - 0, 148291 Blacksburg Cassell Coliseum, Virginia Polytechnic flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2019 notes
3113. 04/14/78 Flac 16 - 0, 149542 Blacksburg Cassell Coliseum, Virginia Polytechnic flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel notes
3114. 04/15/78 Flac 16 Mtx - 0, 86412 Williamsburg William & Mary Hall flac 16; Sick Bits Vol. 24 - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=33683) + AUD (shnid=18556). Matrixed by Chris Chappell. notes
3115. 04/15/78 Flac 16 - 0, 33683 Williamsburg William & Mary Hall flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> Samplitude Professional v7.02 -> FLAC notes
3116. 04/15/78 Flac 16 - 0, 116981 Williamsburg William & Mary Hall flac16 Source: (single) Nakamichi CM300 with CP1 cardioid capsule front of board> Nakamichi 550 deck with dolby B on; Transfer: (original) Nak 550 Dolby B on> Apogee Mini-Me @ 16/44> wav; Assembly: AA3 for fades and edits, CDWav for tracks, TLH for Flac7, Foobar for tags; Recorded by Mark Olkon; Transferred and Assembled by Mike Schuncke notes
3117. 04/15/78 Flac 16 - 0, 34932 Williamsburg William & Mary Hall flac16; SBD > MR > PCM > DAT > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a ReSampler (High Quality) > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 33638 notes
3118. 04/15/78 Shn - 0, 7047 Williamsburg William & Mary Hall SBD> MR> PCM> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman; missing encore, splice in NFA; upgrade in circulation notes
3119. 04/15/78 Shn - 0, 18556 Williamsburg William & Mary Hall Recorded by Bob Wagner; Sony 54Ps> Sony TC-158, transferred and encoded by David Minches notes
3120. 04/15/78 Flac 16 - 0, 137403 Williamsburg William & Mary Hall flac16; Set 2 Source: sbd; Master tapes [were synced] - on a Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] NO Dolby; Tape Transfer: Sharp RT100 Deck [Master Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor to Split Tracks & covert to Flac16 [Level 6]; TLH to fix SBE notes
3121. 04/15/78 Flac 24/96 - 0, 137402 Williamsburg William & Mary Hall flac24; Set 2 Source: sbd; All Master tapes [were synced] - on a Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] NO Dolby; Tape Transfer: Sharp RT100 Deck [Master Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; CD Wave Editor to Split Tracks & covert to Flac24 [Level 6] notes
3122. 04/15/78 Flac 24/96 - 0, 147792 Williamsburg William & Mary Hall flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
3123. 04/15/78 Flac 16/48 - 0, 147791 Williamsburg William & Mary Hall flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3124. 04/15/78 Flac 16 - 0, 148422 Williamsburg William & Mary Hall flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick December 2019 notes
3125. 04/15/78 Flac 24/96 - 0, 148572 Williamsburg William & Mary Hall flac24; Recording Info: Bob Wagner's Master Audience Cassettes; Sony 54p mics > Sony TC-158; Transfer Info: Cassette Master (Nakamichi CR7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
3126. 04/15/78 Flac 16/48 - 0, 148571 Williamsburg William & Mary Hall flac16/48kHz; Recording Info: Bob Wagner's Master Audience Cassettes; Sony 54p mics > Sony TC-158; Transfer Info: Cassette Master (Nakamichi CR7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3127. 04/15/78 Flac 16 - 0, 149543 Williamsburg William & Mary Hall flac16; Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel notes
3128. 04/15/78 Flac 24/48 - , 152890 Williamsburg William & Mary Hall flac2448; Partial AUD; Source: Mono Sony hand-held recorder (model unknown) > Maxell-UD (normal bias) cassette. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021 notes
3129. 04/16/78 Flac 16 Mtx - 0, 98535 Huntington Huntington Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes
3130. 04/16/78 Flac 16 - 0, 822273 Huntington Huntington Civic Center flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC by Charlie Miller notes
3131. 04/16/78 Flac 16 - 0, 81457 Huntington Huntington Civic Center flac16; Source: Betty Soundboard Media: master reels Lineage: SBD > Nagra IV (7.5ips) > R1 Nagra IVs > SR1 > Phillips SuperCD 24/28 > Presonus DigiMax 96 > SB Audigy II Pro > HD WAV > Adobe Audition 1.5 > Izotope Ozone 1.5 > Izotope Ozone 3.5 > WAV16 > flac Taped by: Betty Cantor Transfer by: Jim Goldman Mastered by: Jim Goldman notes
3132. 04/16/78 Shn - 0, 292 Huntington Huntington Civic Center SBD> Reel > PCM> DAT> CDR> SHN; via Mike Lai, Chris Vinci to etree, via breaker to abgd.hs; note copy a seeded to etree 2/00, copy b seeded to abgd 2/01- these differ by only 1 checksum, d1t12; static for a few seconds at the beginning of Sunshine Daydream; upgrade in circulation notes
3133. 04/16/78 Shn - 0, 34971 Huntington Huntington Civic Center Source: SBD>R2R>PCM>DAT>CDR>SHN ; Fix of shn id 292: SBE fixed on D1t12. Processed by xACT 1.55 to make WAVE headers canonical (44 bytes) on all SHN files.; upgrade in circulation notes
3134. 04/16/78 Shn - 0, 20085 Huntington Huntington Civic Center Possible lineage Master reel> PCM>??> DAT> Sonic Solutions>CD via David Gans, encoded by Brooke Hessel for GDH-Trading Tree; upgrade in circulation notes
3135. 04/16/78 Shn - 0, 16619 Huntington Huntington Civic Center another version of previous shn set(s) with unknown relationship to either (parent, reshn, fix?); md5s differ from previous; upgrade in circulation notes
3136. 04/16/78 Flac 16 - 0, 98510 Huntington Huntington Civic Center flac16; source: aud 1st gen reel mastered: (3)sony ecm54p's>nak 550>patch>sony tc-158sd lineage: mac>7" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave> adobe 2.0 16/44>flac transferred & seeded by Rob Berger notes
3137. 04/16/78 Flac 16 - 0, 98791 Huntington Huntington Civic Center flac16; Recording by Bob Wagner: 3 Sony ECM-54 Ps> Sony 158 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding 16 bit/ 44.1 kHz version notes
3138. 04/16/78 Flac 24 - 0, 89509 Huntington Huntington Civic Center flac24; source: aud 1st gen reel mastered: (3)sony ecm54p's>nak 550>patch>sony tc-158sd lineage: mac>7" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac transferred & seeded by Rob Berger notes
3139. 04/16/78 Flac 16 44,1khz - 0, 139240 Huntington Huntington Civic Center flac16 44.1khz Commercial bootleg release; "For The Faithful" Soundboard; Kiss The Stone records KTS 528/529 released 1996 EAC (secure) > Flacfrontend (level 8) 2/2008 by deadtrader notes
3140. 04/16/78 Flac 24/96 - 0, 147802 Huntington Huntington Civic Center flac24; 1st Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
3141. 04/16/78 Flac 16/48 - 0, 147801 Huntington Huntington Civic Center flac16/48kHz; 1st Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3142. 04/16/78 Flac 16 - 0, 148386 Huntington Huntington Civic Center flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick November 2019 notes
3143. 04/16/78 Flac 24/96 - 0, 148566 Huntington Huntington Civic Center flac24; Source Info: Bob Wagner's Master Audience Cassettes; 3 x Sony ECM-54P mics > Sony 158; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
3144. 04/16/78 Flac 16/48 - 0, 148565 Huntington Huntington Civic Center flac16/48kHz; Source Info: Bob Wagner's Master Audience Cassettes; 3 x Sony ECM-54P mics > Sony 158; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3145. 04/16/78 Flac 16 - 0, 149552 Huntington Huntington Civic Center flac16; Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel notes
3146. 04/18/78 Shn - 0, 14036 Pittsburgh Civic Arena SBD>MC(?)>?>C>CD>EAC>SHN (several analog generations) patched with aud via Joey Browning, Matt Vernon, & Raoul Duke mastered by Jeff Cotsman notes
3147. 04/18/78 Shn - 0, 12383 Pittsburgh Civic Arena Source: Shure SM57s>Sony TC-158 > MAC > DAT > CDR via Rauol Duke. shn encoding Matt Vernon notes
3148. 04/18/78 Flac 16 - 0, 132410 Pittsburgh Civic Arena flac16; Set 2 Source: MAC>XL-IIS>XL-IIS (FOB,2); Transfer: Maxell XL-IIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged notes
3149. 04/18/78 Flac 16 - 0, 81315 Pittsburgh Civic Arena flac16; Recorded by Alan Zimmerman Master Audience Cassette; 2 Sennheiser 421s (Alan thinks)> Teac PC-10 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Patches supplied by A:C:D:CD recorded with Shure SM57s> Sony TC-158 notes
3150. 04/19/78 Flac 16 Mtx - 0, 94522 Columbus Veterans Memorial Hall flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
3151. 04/19/78 Shn - 0, 9121 Columbus Veterans Memorial Hall SBD>Rm>CD>David Gans Sonic Solutions>CD; via Charlie Miller; Seeded to etree by Sean Cheadle notes
3152. 04/19/78 Shn - 0, 7286 Columbus Veterans Memorial Hall SBD > Master Reel > CD > Sonic Solutions > CD mastered by David Gans; Source shns from Bob Murphy; partial retrack by Darrin Sacks notes
3153. 04/19/78 Flac 16 - 0, 94494 Columbus Veterans Memorial Hall flac16; Recording Info: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller notes
3154. 04/21/78 Flac 16 - 0, 97501 Lexington Rupp Arena, University Of Kentucky flac16; Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3155. 04/21/78 Flac 16 - 0, 123212 Lexington Rupp Arena, University Of Kentucky flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3156. 04/21/78 Shn - 0, 10149 Lexington Rupp Arena, University Of Kentucky SBD>MR>C>D>CD; Patched with AUD>MC>R>D>CD; Missing US Blues & most of Dire Wolf; See info file for details; via Jim Ballinger & Jeff Cook; Seeded to etree by J. Cotsman notes
3157. 04/21/78 Flac 16/48 - 0, 151823 Lexington Rupp Arena, University Of Kentucky flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
3158. 04/21/78 Flac 24/96 - 0, 151924 Lexington Rupp Arena, University Of Kentucky flac24/96 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
3159. 04/22/78 Flac 16 - 0, 97508 Nashville Nashville Municipal Auditorium flac16; Set 1 Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3160. 04/22/78 Flac 16 - 0, 92808 Nashville Nashville Municipal Auditorium flac16; Recording Info:Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90);Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller notes
3161. 04/22/78 Flac 16 - 0, 133792 Nashville Nashville Municipal Auditorium flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3162. 04/22/78 Flac 16 - 0, 133786 Nashville Nashville Municipal Auditorium flac16; Recording Info: Set 1: SBD -> Master Cassette -> Dat (44.1k); Set 2: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Set 1: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; Set 2: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
3163. 04/22/78 Shn - 0, 12384 Nashville Nashville Municipal Auditorium Source: Sony 54P's>Nak 550--10th Row; FOB MAC>Cass>DAT>CDR. via Willy shn encoding Matt Vernon notes
3164. 04/24/78 Flac 16 - 0, 97543 Normal Horton Field House, Illinois State University flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3165. 04/24/78 Shn - 0, 20598 Normal Horton Field House, Illinois State University sbd attributed to Alan Thompson submitted by okcomputerboy (dkonrad99@hotmail.com); upgrade in circulation notes
3166. 04/24/78 Flac 16 - 0, 32899 Normal Horton Field House, Illinois State University flac16; SBD > Cassette Master > Dat > Cassette > Dat > CD > Samplitude Professional v7.02 > FLAC; Transfer and Mastering by Charlie Miller notes
3167. 04/24/78 Shn - 0, 3296 Normal Horton Field House, Illinois State University MR> ?> R> D> Digi96> Soundforge> CDWAV> SHN; Mike McCaw; see info file for lineage notes; upgrade in circulation notes
3168. 04/24/78 Shn - 0, 20605 Normal Horton Field House, Illinois State University SBD Master Cass>DAT>Cass>DAT>CD>EAC>SHN. Remastered by Mattman from source discs supplied by David Hollister. ; upgrade in circulation notes
3169. 04/24/78 Flac 16 - 0, 109177 Normal Horton Field House, Illinois State University flac16; Recorded on a small mono cassette recorder with built-in Wollensak 402 mic; First Generation Cassette>Tascam130>Pro Tools LE>wav>flac notes
3170. 05/05/78 Flac 16 - 0, 114348 Hanover Thompson Arena, Dartmouth College flac16; Recording Info: SBD -> Reel Master -> Dat -> Data DVD; Transfer Info: Data DVD -> Samplitude Professional v11.2 -> FLAC; This is a remaster of shnid=112180; All Transfers and Mastering By Charlie Miller notes
3171. 05/05/78 Flac 16 - 0, 112180 Hanover Thompson Arena, Dartmouth College flac16; Recording Info: SBD -> Reel Master -> Dat -> Data DVD; Transfer Info: Data DVD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3172. 05/05/78 Shn - 0, 6149 Hanover Thompson Arena, Dartmouth College Sony ECM-99A's>Sony TC-152 > Master Audience Cass > DAT's; Taper: Steve Rolfe; dat> sek'd prodif+ card> hard drive> cdwav > shntool (pad zeros @ end of sets to have complete sectors) >mkw (seekable); dat>shn transfer by dale shepherd, from Matt Vernon DAT; see info file for flaw notes notes
3173. 05/05/78 Shn - 0, 18655 Hanover Thompson Arena, Dartmouth College Source: Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon via Mark Cohen; upgrade in circulation notes
3174. 05/05/78 Flac 16 - 0, 82962 Hanover Thompson Arena, Dartmouth College flac16; Source: FOB Audience Recording (30 Rows Back) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe notes
3175. 05/06/78 Flac 16 - 0, 92356 Burlington Patrick Gymnasium, University Of Vermont flac16; set two partial, Undocumented audience cassette of unknown generations transfered at 24/96 on a tascam112 MKII deck>apogee minime>aes-ebu xlr>Lynx2>wavelab6.0 Mastered on the GEMS Edit Station In Wavelab 6.0 Weiss Saracon Dither to 16/44.1 by Jamie Waddell Trac'ed cdwave,flac'ed flac frontend level 8 Tagged in tag and rename notes
3176. 05/06/78 Shn - 0, 13726 Burlington Patrick Gymnasium, University Of Vermont 1st set: SBD>MC>?>CD>EAC>SHN; 2nd set: AUD>MC>D>SHN; probably not more than one analog gen for the sbd portion; Thanks to Alex MacDonald, Dale Shepherd, and Matt Vernon; edits/encoding by JCotsman notes
3177. 05/06/78 Flac 16 - 0, 96896 Burlington Patrick Gymnasium, University Of Vermont flac16; source: aud cassette master taped by Jerry Moore 3 mics blended through nak 550>sony tc-153sd maxell xlII90 tapes, dolby b lineage: nak dragon>hd-p2 24/48>cd wave>adobe 16/44>flac notes
3178. 05/06/78 Shn - 0, 18657 Burlington Patrick Gymnasium, University Of Vermont Source: Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon via Mark Cohen; upgrade in circulation notes
3179. 05/06/78 Flac 16 - 0, 97070 Burlington Patrick Gymnasium, University Of Vermont flac16; partial; Source: fm > tandberg (probably TCD 310 MkII) with dolby > tdk sa C90; Transfer: same cassette > pioneer ct-f1000 with dolby > sony pcm r700 sbm-1 at 44.1k > delta dio 2496 > cooledit > wav > flac notes
3180. 05/06/78 Flac 24/48 - 0, 86897 Burlington Patrick Gymnasium, University Of Vermont flac24; source: aud cassette master taped by Jerry Moore 3 mics blended through nak 550>sony tc-153sd maxell xlII90 tapes, dolby b lineage: nak dragon>hd-p2 24/48>cd wave>flac notes
3181. 05/06/78 Flac 16 - 0, 97071 Burlington Patrick Gymnasium, University Of Vermont flac16; Source: aud > unknown gens cassettes playback > pioneer ct-f1000 with dolby > maxell xlII c90; Transfer: same cassette > pioneer ct-f1000 with dolby > sony pcm r700 sbm-1 at 44.1k > delta dio 2496 > cooledit > wav > flac (updated source info; had been marked as sbd notes
3182. 05/06/78 Shn - 0, 6711 Burlington Patrick Gymnasium, University Of Vermont Sony ECM-99A's> Sony TC-152 > Master Audience Cass > DAT's; Dat Tascam DA-P1 > Sek'd Prodif+ card > Sek'd Red Roaster (edits, fades- see txt) > Cdwav (splits) > mkw; Boundaries verified with Shntool; No dae, no eq, no signal processing; Recorded by Steve Rolfe; Dat > shn transfer by Dale Shepherd; Source Dats from Matt Vernon notes
3183. 05/06/78 Flac 16 - 0, 82963 Burlington Patrick Gymnasium, University Of Vermont flac16; Source: FOB Audience Recording (25th Row DFC) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe notes
3184. 05/07/78 Shn - 0, 80126 Troy Field House, Rensselaer Polytechnic Institute SBDMC>PCM>DAT>CD w/Aud MC>DAT>CD (shn id 8327) patched with MAC (1 Sony ECM-33P + 1 AKG D1000e>Teac PC-10)>DAT (shn id 8763) notes
3185. 05/07/78 Flac 16 Mtx - 0, 130513 Troy Field House, Rensselaer Polytechnic Institute flac16; Fresh Legs Matrix using shnid=80126 and shnid=91347 notes
3186. 05/07/78 Shn - 0, 8763 Troy Field House, Rensselaer Polytechnic Institute MAC(1 Sony ECM-33P + 1 AKG D1000e>Teac PC-10)>DAT; with SBD patches; via Dale Shepherd; seeded to etree by Matt Vernon notes
3187. 05/07/78 Shn - 0, 18672 Troy Field House, Rensselaer Polytechnic Institute Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal via Mark Cohen SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon; upgrade in circulation notes
3188. 05/07/78 Flac 16 - 0, 83498 Troy Field House, Rensselaer Polytechnic Institute flac16; Source: Audience FOB Recording Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe notes
3189. 05/07/78 Shn - 0, 8327 Troy Field House, Rensselaer Polytechnic Institute SBDMC>PCM>DAT>CD w/Aud MC>DAT>CD; via Jeff Cook; Seeded to etree by Matt Vernon notes
3190. 05/07/78 Flac 16/44 - 0, 152545 Troy Field House, Rensselaer Polytechnic Institute flac1644; Source: Stereo mic & recorder (models unknown) > TDK AD-90's (normal bias) cassettes. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2021 notes
3191. 05/09/78 Flac 16/48 - 0, 132774 Syracuse Onongada County War Memorial flac16/48kHz; Cassette Audience Master recorded By Eddie Claridge; Sony ECM 280 Cardioid Condenser Microphones-Stand Mounted-Sony TC 158 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded Cassette Masters played back on Nakamichi Dragon-Sony PCM R-700 DAT (original A-D by J.W.); DAT Master played back on a Sony PCM R-500-Digital Audio Labs Card deluxe-16 bit 48KHz WAV; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise notes
3192. 05/09/78 Shn - 0, 12184 Syracuse Onongada County War Memorial AUD (Sony 54P's) > MC > DAT > CDR or AUD (Sony 54P's) > MC > C > DAT > CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes
3193. 05/09/78 Flac 16/48 - 0, 147971 Syracuse Onongada County War Memorial flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3194. 05/09/78 Flac 24/96 - 0, 147972 Syracuse Onongada County War Memorial flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
3195. 05/10/78 Shn - 0, 3899 New Haven Veterans Memorial Coliseum SBD; via Mike Lai notes
3196. 05/10/78 Flac 16 Mtx - 0, 127408 New Haven Veterans Memorial Coliseum flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:03899) seeded by Mike Lai and Audience (shnid:18753) Set 1: Sony 54-Ps>Sony TCD158>CM>C>D>CD>EAC .093B>WAV>SHN; Set 2: Sony 54-Ps>Sony TCD158>CM>D>CD>EAC .093B>WAV>SHN; Transcribed by JR Fishman notes
3197. 05/10/78 Shn - 0, 18753 New Haven Veterans Memorial Coliseum Aud, Set 1: Sony 54-Ps>Sony TCD158>CM>C>D>CD>EAC .093B>WAV>SHN Set 2: Sony 54-Ps>Sony TCD158>CM>D>CD>EAC .093B>WAV>SHN Via JR Fishman notes
3198. 05/10/78 Flac 16 - 0, 127486 New Haven Veterans Memorial Coliseum flac16; source: aud cassette master taped by Jerry Moore; mics uncertain > sony tc-153sd, maxell udxlII's, dolby b; nak dragon/b > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transferred & seeded by Rob Berger notes
3199. 05/10/78 Flac 24 - 0, 127485 New Haven Veterans Memorial Coliseum flac24; source: aud cassette master taped by Jerry Moore; mics uncertain > sony tc-153sd, maxell udxlII's, dolby b; nak dragon/b > benchmark adc1 24/96 > adobe audition cs6 > flac; transferred & seeded by Rob Berger notes
3200. 05/11/78 Shn - 0, 16333 Springfield Springfield Civic Center SBD -> Rm -> Cass -> Dat -> CD -> Sonic Solutions -> CD via Charlie Miller notes
3201. 05/11/78 Flac 16 Mtx - 0, 127386 Springfield Springfield Civic Center flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:16333) SBD -> Rm -> Cass -> Dat -> CD -> Sonic Solutions -> CD; Audience (shnid:06317) fob audience recording with a sbd patch nak mics > sony d5 > master audience cass > dat's; dat@48>sek'd prodif+ card (resampled to 44.1)>cd wave>mkw; and Audience (shnid:18658) **This source was used for Drums -> Space only Source: Recorded by Moore, Maisner, and Spitalny; Nak 700s> Nak 550> Sony TC-152 from the floor just to the right of the center Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT notes
3202. 05/11/78 Shn - 0, 18658 Springfield Springfield Civic Center Recorded by Moore, Maisner, and Spitalny; Nak 700s> Nak 550> Sony TC-152 from the floor just to the right of the center Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT by David Minches notes
3203. 05/11/78 Shn - 0, 1187 Springfield Springfield Civic Center sdb> reel master> cassette> dat> cdr; via Mike Lai; upgrade in circulation notes
3204. 05/11/78 Shn - 0, 6317 Springfield Springfield Civic Center FOB Nak mics > sony d5 > master audience cass > dat's; patches added (see info); dat@48> sek'd prodif+ card (resampled to 44.1)> cd wave> mkw; d1 tracked for 80 min; dat>shn transfer by Dale Shepherd, from Matt Vernon source DATs notes
3205. 05/11/78 Flac 24/96 - 0, 147804 Springfield Springfield Civic Center flac24; 2nd Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158 > Cassette; Transfer Info:1st generation cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
3206. 05/11/78 Flac 16/48 - 0, 147803 Springfield Springfield Civic Center flac16/48kHz 2nd Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158 > Cassette; Transfer Info:1st generation cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3207. 05/13/78 Flac 16 - 0, 116978 Philadelphia The Spectrum flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3208. 05/13/78 Shn - 0, 17406 Philadelphia The Spectrum AudMC > DAT > WAV > SHN. Recorded by Steve Rolfe with two Sony ECM-33P's > Teac PC-10 deck left of center, about the 20th row. A > D and encoding by Noah Weiner. notes
3209. 05/13/78 Shn - 0, 7207 Philadelphia The Spectrum Sony ECM33P7 + AKGD1000E > Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits) > Cdwav > Mkw; Source tapes from Matt Vernon; Dat > shn transfer by Dale Shepherd; see info file for editing and flaw notes; d1 tracked for 80 min; upgrade in circulation notes
3210. 05/13/78 Flac 24/48 - , 152885 Philadelphia The Spectrum flac2448; Partial AUD; Source: Mono Sony hand-held recorder (model unknown) > TDK-Audua (normal bias) cassette. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021 notes
3211. 05/14/78 Flac 16 - 0, 108996 Providence Providence Civic Center flac16; Recording Info:SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3212. 05/14/78 Flac 16 Mtx - 0, 124932 Providence Providence Civic Center flac16; 2 source matrix by dusborne; Soundboard (shinid:108996) SBD -> Cassette Master -> Dat -> CD; CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:7639) Sony ECM33P7 + AKGD1000e> Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits*) > Cdwav > Mkw; Boundaries verified with Shntool; No dae, no normalizing, no eq or processing of any kind; Source tapes from Matt Vernon; Dat > shn transfer by Dale Shepherd notes
3213. 05/14/78 Shn - 0, 7639 Providence Providence Civic Center Sony ECM33P7 + AKGD1000e> Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits*) > Cdwav; via Matt Vernon; Dale Shepherd notes
3214. 05/14/78 Flac 16 - 0, 108840 Providence Providence Civic Center flac16;AUD: 1x AKG D200E (mono recording) > Sony TC-153SD > Maxell UD-XLII 90's. Recorded from lower arena riser, first section to left of stage, Section 110 Row G. Taped by Tim Friend. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 07/2010 notes
3215. 05/14/78 Flac 24/48 - 0, 152506 Providence Providence Civic Center flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK-AD (normal bias) cassettes. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2021 notes
3216. 05/16/78 Flac 16 - 0, 128280 Chicago Uptown Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
3217. 05/16/78 Flac 16 - 0, 117206 Chicago Uptown Theater flac16; Partial Set 2 Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3218. 05/16/78 Shn - 0, 8333 Chicago Uptown Theater AKG D202E mics > Sony TC-152; AUDMC > R > DAT > CDWAV; via Noah Weiner notes
3219. 05/16/78 Flac 16 - 0, 106548 Chicago Uptown Theater flac16; Recorded by Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 3.0> Ozone 4.0> FLAC encoding Pitch Correction by Joe B. Jones notes
3220. 05/17/78 Flac 16 Mtx - 0, 109101 Chicago Uptown Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
3221. 05/17/78 Flac 16 - 0, 109000 Chicago Uptown Theater flac16; Recording Info:SBD -> Cassette Master -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3222. 05/17/78 Flac 16 - 0, 128393 Chicago Uptown Theater flac16; Both Sets Partial; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
3223. 05/17/78 Flac 16 - 0, 131740 Chicago Uptown Theater flac16; Complete Set 2 Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi 300 microphones notes
3224. 05/17/78 Shn - 0, 8334 Chicago Uptown Theater AKG D202E mics > Sony TC-152; AUDMC > R > DAT > CDWAV; via Noah Weiner notes
3225. 05/17/78 Flac 16 - 0, 107950 Chicago Uptown Theater flac16; Recorded by Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/pitch Correction by Joe B. Jones. The beginning of many songs were clipped and patched with SHNID 8334. notes
3226. 06/04/78 Shn - 2, 10530 Goleta Campus Stadium, UC Santa Barbara SBD>MC>C>D>CD; patched with AUD>MC>R>D>CD; See info file for details; via Raoul Duke and Mike Tausig; Seeded to etree by Matt Vernon & J. Cotsman notes
3227. 06/04/78 Flac 16 - 0, 94407 Goleta Campus Stadium, UC Santa Barbara flac16; Recording Info: SBD (Betty's Recording Mix) -> Master Cassette (Maxell UD C-90) -> Dat (44.1k);Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3228. 06/04/78 Flac 16 - 0, 87090 Goleta Campus Stadium, UC Santa Barbara flac16; Master audience cassettes> Open Reel (Sony 153>Tandberg 9141) > DAT (Tandberg 9141>Tascam DA-20 @ 44.1kHz) notes
3229. 06/04/78 Flac 16 - 0, 137295 Goleta Campus Stadium, UC Santa Barbara flac16; Set One & Set Two Partial; Source: FOB AUD unknown lineage, from Brian Schley tape collection. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (insert patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016 notes
3230. 06/04/78 Flac 16/44 - , 156757 Goleta Campus Stadium, UC Santa Barbara flac1644; Source: Lo-Fi mono AUD from the tape collection of Rich Petrunis. Transfer: Old TDK's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2022 notes
3231. 06/25/78 Shn - 0, 7048 Eugene Autzen Stadium, University Of Oregon SBD> MC> ?> D> CD> EAC> SHN; ; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman; see notes in info file; d2 tracked for 80 min notes
3232. 06/25/78 Flac 16 - 0, 130649 Eugene Autzen Stadium, University Of Oregon flac16; Recording Info: SBD > MC? > ? > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC; Remastered, retracked upgrade of shnid 7048. notes
3233. 06/25/78 Flac 24/96 - 0, 145144 Eugene Autzen Stadium, University Of Oregon flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3234. 06/25/78 Flac 16/48 - 0, 145143 Eugene Autzen Stadium, University Of Oregon flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3235. 06/25/78 Flac 16/48 - , 152977 Eugene Autzen Stadium, University Of Oregon flac1648 Recording Info: Bear's Master Cassette (Set 1) + Bear's Master Reel > Cassette (Set 2)
Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 > RX8 > Flac16
Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred and Mastered by Jim Blackwood
Speed Correction by Jason Chastain
notes
3236. 06/25/78 Flac 24/96 - , 152976 Eugene Autzen Stadium, University Of Oregon flac2496 Recording Info: Bear's Master Cassette (Set 1) + Bear's Master Reel > Cassette (Set 2)
Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24
Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred and Mastered by Jim Blackwood
Speed Correction by Jason Chastain
notes
3237. 07/01/78 Flac 16 - 0, 97424 Kansas City Arrowhead Stadium flac16; Recording by Bob Wagner: Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
3238. 07/01/78 Shn - 0, 7355 Kansas City Arrowhead Stadium Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Da>Cdr notes
3239. 07/03/78 Flac 16 - 0, 120130 St. Paul St. Paul Civic Center flac16; Low-gen Audience Cassette (Set 1: TDK SA-90; Set 2: Maxell UDXL-II C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (DFF 1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9 (pitch, edit) > CD Wave Editor (track) > Trader's Little Helper (wav > flac) > Flac16; Transfer, edit/patch, pitch correction by Bob Morris, May 2012 notes
3240. 07/03/78 Flac 16 - 0, 97601 St. Paul St. Paul Civic Center flac16; Recording by Bob Wagner: Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
3241. 07/03/78 Shn - 0, 7356 St. Paul St. Paul Civic Center Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Da>Cdr notes
3242. 07/05/78 Flac 16 - 0, 91785 Omaha Omaha Civic Auditorium flac16; MOTB Release: 0070 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight Transfer By: Adam Egert Mastering By: Derek McCabe notes
3243. 07/05/78 Shn - 0, 11481 Omaha Omaha Civic Auditorium AUD(Sony 54P?s>Sony TC-158)>MC>C>DAT>CD; via Paul B; Seeded to Etree by T. Wiley notes
3244. 07/05/78 Flac 16 - 0, 97229 Omaha Omaha Civic Auditorium flac16; Recorded by Bob Wagner Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
3245. 07/05/78 Flac 24/96 - 0, 91786 Omaha Omaha Civic Auditorium flac24; MOTB Release: 0070 24/96 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight Transfer By: Adam Egert Mastering By: Derek McCabe notes
3246. 07/07/78 Flac 16 Mtx - 0, 98817 Morrison Red Rocks Amphitheatre flac16; 3-Source SBD/AUD Matrix Mix by OctopusRider notes
3247. 07/07/78 Flac 16 - 0, 91793 Morrison Red Rocks Amphitheatre flac16; MOTB Release: 0071 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight Transfer By: Adam Egert Mastering By: Derek McCabe notes
3248. 07/07/78 Shn - 0, 33817 Morrison Red Rocks Amphitheatre Fix of shnid 293 - SBD> MR> PCM > DAT; DAT> CD> EAC> SHN by Bill Tetzeli notes
3249. 07/07/78 Shn - 0, 293 Morrison Red Rocks Amphitheatre SBD> MR> PCM> DAT, from Betty Board; DAT> CD> EAC> SHN conversion & upload by Adam Jerugim; known flaw: d3t02 d/o @ 10:14; note summary of Jason Palmer's and AJ's reports: This is not in stereo: the same channel is spread over both using a splitter technique. The channel that should contain Keith, half of Jerry, Billy, and possibly some of Phil, is missing; Keith is minimally audible. This the only SBD source available. If you have a superior source, please contact AJ. [Note: A shntool-fixed-by-set version also circulates]. ; upgrade in circulation notes
3250. 07/07/78 Shn - 0, 18700 Morrison Red Rocks Amphitheatre Source: FOB-MAR>C>C>DAT>WAV>SHN SBD Patch MSR>R>C>C>DAT>WAV>SHN Source C>SHN Conversion By Cousinit SBD Patch C>SHN Conversion By Cousinit notes
3251. 07/07/78 Flac 16 - 0, 134374 Morrison Red Rocks Amphitheatre flac16; Mono Soundboard; lineage from shnid 293 listed as SBD> MR> PCM> DAT, from Betty Board; DAT> CD> EAC> SHN; This is a flac encoded & tagged version of reworked shnid 33817 notes
3252. 07/07/78 Flac 16 - 0, 82931 Morrison Red Rocks Amphitheatre flac16; AUD Source: Recording by Bob Wagner. Sony ECM-54P's > Sony TC-158. Transfer: MAC > Teac AN-180 outboard Dolby unit > Sony TC 755 open reel deck > Scotch Classic reels at 7.5 IPS, Dolby-B, by Jerry Moore. Reels > Sony TC 850 open reel deck > Teac AN-180 Dolby unit > Sony SBM-1 (super bit mapper) > Tascam CD-Rw4U stand alone burner, by Rob Berger. CDR > EAC > WavMerge > CD-Wave (new track ID's) > TLH (SBE-OK, lossless compression, and checksums) > FLAC, Feb 2007 notes
3253. 07/08/78 Flac 16 - 0, 106070 Morrison Red Rocks Amphitheatre flac16; Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3254. 07/08/78 Flac 16 Mtx - 0, 125797 Morrison Red Rocks Amphitheatre flac16; Matrix from Source 1: SBD (shnid=106070) Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC and Source 2: AUD (shnid=91766) Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight; matrix by Roger Eichorn; Upgrade in circulation; the seeder has requested that this version be removed from circulation notes
3255. 07/08/78 Flac 16 Mtx - 0, 126239 Morrison Red Rocks Amphitheatre flac16; 2 Source Matrix from Source 1: SBD (shnid=106070) Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC and Source 2: AUD (shnid=91766) Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 3 x Maxell UD XL II C90; Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Timothy Knight notes
3256. 07/08/78 Shn - 0, 294 Morrison Red Rocks Amphitheatre SBD> [?]> DAT> CDR; via Jeff Hoelter; see pub comments for additional notes. [Note: A shntool-fixed-be-sets version of this source is available]; upgrade in circulation notes
3257. 07/08/78 Flac 16 Mtx - 0, 91777 Morrison Red Rocks Amphitheatre flac16; Matrix 2 Source Mix - SBD (shn id 294) SBD> [?]> DAT> CDR; via Jeff Hoelter + AUD (shn id 91766) Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight - matrix mixing by Kevin Tobin notes
3258. 07/08/78 Flac 16 - 0, 88551 Morrison Red Rocks Amphitheatre flac16; Source: SBD -> ? -> Bootleg CD "The Great Red Rocks" Transfer: EAC (in secure mode w/proper offsets) -> FLAC Seeded by Matt Carney on 11-17-07 ; upgrade in circulation notes
3259. 07/08/78 Flac 16 - 0, 91766 Morrison Red Rocks Amphitheatre flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight notes
3260. 07/08/78 Flac 16 - 0, 91871 Morrison Red Rocks Amphitheatre flac16; SBD> [?]> DAT> CDR; via Jeff Hoelter - patched and pitch correction by Kevin Tobin notes
3261. 07/08/78 Shn - 0, 33818 Morrison Red Rocks Amphitheatre Seamless fix of shn id 294 - SBD> [?]> DAT>CDR by Bill Tetzeli notes
3262. 07/08/78 Flac Dts 5.1 - 0, 91875 Morrison Red Rocks Amphitheatre DTS-Audio-CD 5.1 Mix; SBD (shn id 294) SBD> [?]> DAT> CDR; via Jeff Hoelter + AUD (shn id 91766) Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight - dts mixing by Kevin Tobin notes
3263. 07/08/78 Flac 16 - 0, 88656 Morrison Red Rocks Amphitheatre flac16; Source: SBD -> ? -> Bootleg CD "The Great Red Rocks". Transfer: EAC (in secure mode w/proper offsets) -> FLAC. Seeded by Matt Carney on 11-17-07. Fixed version of shn id 88551. notes
3264. 08/18/78 Shn - 0, 11692 San Rafael Club Front SBD> MR> ??> DAT> CDR> EAC (secure)> CD WAV> SHN (seekable); EAC> etree by Tim Wiley; with thanks to Paul B. for source discs notes
3265. 08/18/78 Shn - 0, 11504 San Rafael Club Front Shakedown Street sessions with Lowell George (Sbd>??>Cdr); Seeded to etree by Tzuriel notes
3266. 08/30/78 Flac 16 - 0, 110151 Morrison Red Rocks Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell UDXLI) -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3267. 08/30/78 Shn - 0, 11479 Morrison Red Rocks Amphitheatre AUD>MC>DAT>CD; Seeded to Etree by T. Wiley notes
3268. 08/30/78 Shn - 0, 8038 Morrison Red Rocks Amphitheatre set 2; SBD> MC> DAT> CDR; via Charlie Miller; Cozmcchuck; Steve Barbella notes
3269. 08/30/78 Flac 24/96 - 0, 145136 Morrison Red Rocks Amphitheatre flac24 1st Set: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 20, seats 73-75)> Sony TC-158SD (Maxell UDXLII); 2nd Set: Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 73-75)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3270. 08/30/78 Flac 16/48 - 0, 145135 Morrison Red Rocks Amphitheatre flac16/48kHz; 1st Set: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 20, seats 73-75)> Sony TC-158SD (Maxell UDXLII); 2nd Set: Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 73-75)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp This is your collection notes
3271. 08/31/78 Shn - 0, 20726 Morrison Red Rocks Amphitheatre Lineage: Source 1: AUD>Cm>Dat>CD>EAC>Samplitude v7.02>SHN Source 2: SBD>Rm>PCM>Dat>Samplitude v7.02>SHN All edits and conversions done by Charlie Miller charliemiller87@earthlink.net 11/12/03 notes
3272. 08/31/78 Flac 16 - 0, 125882 Morrison Red Rocks Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell UDXLI-C90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
3273. 08/31/78 Shn - 0, 11477 Morrison Red Rocks Amphitheatre Partial 2nd set; See info file for details; SBD>MR>DAT>CDR; Seeded to Etree by T. Wiley ; upgrade in circulation notes
3274. 08/31/78 Shn - 0, 11480 Morrison Red Rocks Amphitheatre AUD>MC>DAT>CD; via Paul B; Seeded to Etree by T. Wiley notes
3275. 08/31/78 Flac 24/96 - 0, 145138 Morrison Red Rocks Amphitheatre flac24; Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 77-80)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3276. 08/31/78 Flac 16/48 - 0, 145137 Morrison Red Rocks Amphitheatre flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 77-80)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3277. 09/02/78 Flac 16 - 0, 106818 East Rutherford Giants Stadium flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3278. 09/02/78 Flac 16 - 0, 124588 East Rutherford Giants Stadium flac16; Set 2 Recording Info: (FOB) Sony 54P -> Cassette Master (Sony TC-158SD); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by: Bob Wagner; All Transfers and Mastering By Charlie Miller notes
3279. 09/02/78 Flac 16 Mtx - 0, 131868 East Rutherford Giants Stadium flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:106818) Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC and Audience (shnid:015822) AUDMC > DAT > WAV > SHN; Recorded by Steve Rolfe with two Sony EMC-33P mics > Sony TC-152 deck 50-60 feet left center from the stage notes
3280. 09/02/78 Shn - 0, 5986 East Rutherford Giants Stadium mixed source: set 1 et al: Master Audience Cassette; Shure SM-57 mics> Sony TC-158; bulk of set 2: Master Soundboard Cassette > Cassette > DAT; CD Mastering, EAC'ed / SHN'ed by Scott Clugston notes
3281. 09/02/78 Shn - 0, 7925 East Rutherford Giants Stadium 1st Set unknown gen reel>CD with some aud patches, see info file for details; 2nd Set SBD:MC>Cas>DAT>CD; via Yubah with thanks to Jools notes
3282. 09/02/78 Shn - 0, 15822 East Rutherford Giants Stadium AUDMC > DAT > WAV > SHN recorded by Steve Rolfe with two Sony EMC-33P mics > Sony TC-152 deck 50-60 feet left center from the stage, converted and encoded by Noah Weiner notes
3283. 09/02/78 Flac 24/96 - 0, 139367 East Rutherford Giants Stadium flac24; Set 2 Source: (FOB) Sony 54P > Sony TC-158SD > Cassette Master; taped by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick September 2017 notes
3284. 09/02/78 Flac 16 - 0, 140476 East Rutherford Giants Stadium flac16; Set 2 Source: (FOB) Sony 54P > Sony TC-158SD > Cassette Master; taped by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick September 2017 notes
3285. 09/02/78 Flac 16/48 - 0, 142988 East Rutherford Giants Stadium flac16/48kHz; Set 2 Recording Info: Master Soundboard Cassette (Maxell UDXLII)> Cassette (TDK) > Dat 16/48(Panasonic SV-3700)> Dat x3; Transfer Info: Dat (Sony PCM-R500 16/48) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16/48) > Adobe Audition 3.01 > TLH flac1648 notes
3286. 09/13/78 Shn - 0, 11482 Cairo Gizah Sound and Light Theater Soundcheck from night before the shows; SBD>MR>??>CDR; Seeded to Etree by T. Wiley notes
3287. 09/13/78 Flac 16 - 0, 87779 Cairo Gizah Sound and Light Theater flac16; Soundcheck - Recording Info: Unknown Mics -> Cassette Master -> ? -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
3288. 09/13/78 Shn - 0, 10155 Cairo Gizah Sound and Light Theater soundcheck; Aud Cassette Master -> ?? -> CD; via Jim Bennett notes
3289. 09/13/78 Flac 16 - 0, 136808 Cairo Gizah Sound and Light Theater flac16; Source: Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; shn CD import > xACT for flac fingerprints and md5 verification > FLAC by Dave Schall notes
3290. 09/14/78 Flac 16 - 0, 88171 Cairo Gizah Sound and Light Theater flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC Transfered By Charlie Miller notes
3291. 09/14/78 Flac 16 - 0, 103625 Cairo Gizah Sound and Light Theater flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x ECM280 >> Sony TC-158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Eldon Porray Transfer By: Bob Menke Mastering By: Brion Green notes
3292. 09/14/78 Flac 16 - 0, 94536 Cairo Gizah Sound and Light Theater flac16; 2 Nakamichi 700 cardioid mic's, Sony TCM 158 stereo cassette recorder ,1st gen Maxell UDXL 2 cass Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > plugins > flac lvl 8 (tlh) notes
3293. 09/14/78 Shn - 0, 22169 Cairo Gizah Sound and Light Theater Recording Info: SBD -> Master Reel (2 track) -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN)Transfered By Charlie Miller; upgrade in circulation notes
3294. 09/14/78 Shn - 0, 2054 Cairo Gizah Sound and Light Theater Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder > Sony TC-640 reel to reel; Transfer: TC-640 > Apogee AD1000 > Soundforge 4.5 @48Khz > resampled to 44.1> CDWAV > SHNv3 via John D'Auria; note upgrade now in circulation notes
3295. 09/14/78 Flac 24/96 - 0, 103626 Cairo Gizah Sound and Light Theater flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x ECM280 >> Sony TC-158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Eldon Porray Transfer By: Bob Menke Mastering By: Brion Green notes
3296. 09/14/78 Shn - 0, 6032 Cairo Gizah Sound and Light Theater Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; via John D'Auria; note one less reel gen than previous version notes
3297. 09/15/78 Flac 16 - 0, 87782 Cairo Gizah Sound and Light Theater flac16; Recording Info: Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
3298. 09/15/78 Flac 16 Mtx - 0, 88923 Cairo Gizah Sound and Light Theater flac16; Matrix 2 Source Mix - SBD (shn id 87782) Recording Info: Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC + AUD (shn id 4160) Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 - matrix mixing by Kevin Tobin notes
3299. 09/15/78 Shn - 0, 295 Cairo Gizah Sound and Light Theater set 2; Source: Probably the SBD 90/2nd listed in the Deadlists project which would be - Master 10" reel @ 15ips 1/2trk-> PCM x1-> DAT -> CD-R -> WAV via EAC ->SHN; tracked for 2x74, will fit 1x80; via M. Lai, B. Walker; Known flaws: Jack Straw 0:00 - 1:39 very low vocals, 1:39 - levels being adjusted and left channel boosted, 2:26 - vocals are boosted, 5:26 - vocals drop temporarily;Occasional low level "crackling" throughout; upgrade in circulation notes
3300. 09/15/78 Shn - 0, 5933 Cairo Gizah Sound and Light Theater et 2; SBD > 10" RTR @ 15 I.P.S. 2-track > Sony 601 PCM > Panasonic 3700 DAT > Neve "Capricorn" digital console > DB3000s sample-rate converter & noise shaper > Panasonic 4100 DAT > Panasonic 3700 DAT > SSSB; EAC (High, Secure) > WAV > SHNv3 by Patrick Murphy, from Jay Serafin seed; upgrade in circulation notes
3301. 09/15/78 Flac 16 - 0, 94537 Cairo Gizah Sound and Light Theater flac16; Source: Audience Recording Lineage: 2 Nakamichi 700 cardioid mic's, Sony TCM 158 stereo cassette recorder ,1st gen Maxell UDXL 2 cass > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave >Edited in Adobe Audition, mastered with iZotope Ozone, noise reduction with iZotope RX Advanced, tracked with CD Wave and flac'd with TLH notes
3302. 09/15/78 Flac 16 - 0, 107304 Cairo Gizah Sound and Light Theater flac16; 2 x Sony ecm 280 mics >> Sony 153sd >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16; Taped By: Eldon Porray notes
3303. 09/15/78 Flac Dts 5.1 - 0, 88924 Cairo Gizah Sound and Light Theater DTS Audio 5.1; SBD (shn id 87782) Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC + AUD (shn id 4160) Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 - dts mixing by Kevin Tobin notes
3304. 09/15/78 Shn - 0, 4160 Cairo Gizah Sound and Light Theater Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; Transferred and seeded by John D'Auria; d2 tracked for 80 min;see info file for flaw notes notes
3305. 09/15/78 Shn - 0, 21781 Cairo Gizah Sound and Light Theater Recording Info: Set One: SBD -> Reel Master (2 track) -> Cass -> Dat -> CD -> EAC -> SHN Set Two: SBD -> Reel Master (10" @ 15 I.P.S. 1/2-track) -> Dat -> CD -> EAC -> SHN Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN All transfers By Charlie Miller; upgrade in circulation notes
3306. 09/16/78 Flac 16 - 0, 88314 Cairo Gizah Sound and Light Theater flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
3307. 09/16/78 Flac 16 Mtx - 0, 95316 Cairo Gizah Sound and Light Theater flac16; Matrix 3 Source Mix - SBD: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (shnid 88314) AUD1: Lineage: 2 Nakamichi 700 cardioid mic's > Sony TCM 158 stereo cassette recorder > MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > flac lvl 8 (tlh) (shnid 94548) AUD2: Unknown Mics -> Cassette Master -> ? -> Cassette > CR-5A > HD-p2 > 24/96 wave (no shnid) - matrix mixing by Kevin Tobin notes
3308. 09/16/78 Flac 16 - 0, 107305 Cairo Gizah Sound and Light Theater flac16; 2 x Sony ecm 280 mics >> Sony 153sd >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16; Taped By: Eldon Porray notes
3309. 09/16/78 Flac 16 - 0, 94548 Cairo Gizah Sound and Light Theater flac16; Lineage: 2 Nakamichi 700 cardioid mic's > Sony TCM 158 stereo cassette recorder > MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > flac lvl 8 (tlh) notes
3310. 09/16/78 Flac 16 - 0, 95292 Cairo Gizah Sound and Light Theater flac16; Original Lineage: 2 Nakamichi 700 cardioid mic's > Sony TCM 158 stereo cassette recorder > MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > flac lvl 8 (tlh) (source id 94548) - Patched and Speed Corrected by Kevin Tobin notes
3311. 09/16/78 Flac 24 - 0, 108845 Cairo Gizah Sound and Light Theater flac24;Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON, 23∫ " - Bear, "Maxell UDXLII from Nagra Dolby CRo2 NI-356", Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell notes
3312. 09/16/78 Flac 16 - 0, 136809 Cairo Gizah Sound and Light Theater flac16; Source: Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; shn CD import > xACT for flac fingerprints and md5 verification > FLAC by Dave Schall notes
3313. 09/16/78 Flac Dts 5.1 - 0, 95327 Cairo Gizah Sound and Light Theater DTS-Audio-CD 5.1 Mix; SBD: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (shnid 88314) AUD1: Lineage: 2 Nakamichi 700 cardioid mic's > Sony TCM 158 stereo cassette recorder > MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > flac lvl 8 (tlh) (shnid 94548) AUD2: Unknown Mics -> Cassette Master -> ? -> Cassette > CR-5A > HD-p2 > 24/96 wave (no shnid) - matrix mixing by Kevin Tobin notes
3314. 09/16/78 Flac 24 - 0, 140932 Cairo Gizah Sound and Light Theater flac24; Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON, 23∫ " - Bear, "Maxell UDXLII from Nagra Dolby CRo2 NI-356", Transfer and; Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell; This is 108845 with channels inverted; fixed version of source ID 108845 notes
3315. 09/16/78 Flac 16 - 0, 140935 Cairo Gizah Sound and Light Theater flac16; Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON; Maxell UDXLII from Nagra Dolby CRo2 NI-356; Transfer and Masterig By Jim Blackwood; fixed version of source ID 140477 notes
3316. 09/16/78 Flac 16 Mtx - 0, 143122 Cairo Gizah Sound and Light Theater flac16; Matrix 3 Source Mix - SBD (shnid = 88314) Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140932) Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON, 23∫ " - Bear, "Maxell UDXLII from Nagra Dolby CRo2 NI-356", Transfer and; Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell; This is 108845 with channels inverted - matrix mixing by Kevin Tobin notes
3317. 09/16/78 Flac 16 Dts 5.1 - 0, 143123 Cairo Gizah Sound and Light Theater DTS-Audio-CD 5.1 Mix; - SBD (shnid = 88314) Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 140932) Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON, 23∫ " - Bear, "Maxell UDXLII from Nagra Dolby CRo2 NI-356", Transfer and; Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell; This is 108845 with channels inverted - dts mixing by Kevin Tobin notes
3318. 09/16/78 Flac16/48 LPCM - 0, 143124 Cairo Gizah Sound and Light Theater flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 88314) Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 140932) Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON, 23∫ " - Bear, "Maxell UDXLII from Nagra Dolby CRo2 NI-356", Transfer and; Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell; This is 108845 with channels inverted - surround mixing by Kevin Tobin notes
3319. 09/16/78 Shn - 0, 2319 Cairo Gizah Sound and Light Theater SBD Reel > DAT > Montego II Plus > CDRWAV > CD-R > SHN; no Sunrise; via Leigh Orf- reextraction from CDR copy; upgrade in circulation notes
3320. 10/17/78 Flac 16 - 0, 89257 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller notes
3321. 10/17/78 Shn - 0, 21243 San Francisco Winterland Arena Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC
Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step;
upgrade in circulation
notes
3322. 10/17/78 Shn - 0, 1078 San Francisco Winterland Arena SBD: Master Reel> PCM> DAT> CD> (EAC) WAV> SHN; EAC, tracking, shn and upload by Evan Levy; notes: one splice in Eyes, U.S. Blues cuts off missing ~45 seconds; see pub comments for additional notes; upgrade in circulation notes
3323. 10/17/78 Flac 16 Mtx - 0, 100699 San Francisco Winterland Arena flac16; Matrix: Aud 55% Sbd 45%; see info file for details notes
3324. 10/17/78 Flac - 0, 32906 San Francisco Winterland Arena SBD>Master Reel>Cassette>DAT>WAV>FLAC>WAV>SHN; upgrade in circulation notes
3325. 10/17/78 Flac 16 Mtx - 0, 135503 San Francisco Winterland Arena flac16; 2 source matrix by Dusborne;Soundboard (Shnid:89257), Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k)Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC,All Transfers and Mastering By Charlie Miller;Audience (shnid:100692),Analog Audience Source: AUD Master Cassettes, Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]Taped By: Reinhart Holwein,Transfer By: Bob Menke, Mastering By: Derek McCabe notes
3326. 10/17/78 Flac 16 - 0, 100687 San Francisco Winterland Arena flac16; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000>> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe notes
3327. 10/17/78 Flac 24/96 - 0, 100692 San Francisco Winterland Arena flac24; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe notes
3328. 10/17/78 Flac 24 Mtx - 0, 100703 San Francisco Winterland Arena flac24; Matrix: Aud 55% Sbd 45%; see info file for details notes
3329. 10/17/78 Flac 16 - 0, 138919 San Francisco Winterland Arena flac16; Source: Soundboard > Master Reel > PCM > Dat (44k); Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1; Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017 notes
3330. 10/18/78 Flac 16 - 0, 89335 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
3331. 10/18/78 Flac 24/96 - 0, 100701 San Francisco Winterland Arena flac24; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Adam Egert notes
3332. 10/18/78 Shn - 0, 298 San Francisco Winterland Arena SBD > Master Reel > PCM-1 > DAT > CD> EAC > SHN; via shakedown@canada.com; known flaws (from MR): Sugaree, Miracle cut; PITB, WR spliced; upgrade in circulation notes
3333. 10/18/78 Shn - 0, 21244 San Francisco Winterland Arena Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC
Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step;
upgrade in circulation
notes
3334. 10/18/78 Flac 16 Mtx - 0, 135504 San Francisco Winterland Arena flac16; 2 source matrix by Dusborne;Soundboard (Shnid:89335)Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.01 -> FLAC,All Transfers and Mastering By Charlie Miller;Audience (shnid:100701)Analog Audience Source: AUD Master Cassettes (MAC)Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg AudioGate >> WAV [24/96],Taped By: Reinhart Holwein,Transfer By: Bob Menke Mastering By: Adam Egert notes
3335. 10/18/78 Flac 16 - 0, 100702 San Francisco Winterland Arena flac16; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000>> DSF >> Korg MR-1000 => Korg AudioGate >> WAV [16/44.1] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Adam Egert notes
3336. 10/20/78 Flac 16 - 0, 92542 San Francisco Winterland Arena flac16; Recording Info: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3337. 10/20/78 Flac 24/96 - 0, 100700 San Francisco Winterland Arena flac24; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe notes
3338. 10/20/78 Flac - 0, 21245 San Francisco Winterland Arena Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC
Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step
notes
3339. 10/20/78 Shn - 0, 4159 San Francisco Winterland Arena SBD; transferred and seeded to etree by Mike Lai, from Bruce Fried DAT notes
3340. 10/20/78 Flac 24/44,1 - 0, 102073 San Francisco Winterland Arena flac24; Recorded by: Mike Martin and Mark Bunton with Chuck helping out. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave notes
3341. 10/20/78 Flac 16 Mtx - 0, 135505 San Francisco Winterland Arena flac16; 2 source matrix by Dusborne;Soundboard (Shnid:92542)Recording Info: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFFTransfer Info:AIFF -> Samplitude Professional v10.1 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience(shnid:100700) Analog Audience Source: AUD Master Cassettes,Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC,Analog Sound Preservation: MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein,Transfer By: Bob Menke,Mastering By: Derek McCabe notes
3342. 10/20/78 Flac 16 - 0, 100698 San Francisco Winterland Arena flac16; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [16/44.1] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe notes
3343. 10/20/78 Flac 16 - 0, 102072 San Francisco Winterland Arena flac16; Recorded by: Mike Martin and Mark Bunton with Chuck helping out. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8) notes
3344. 10/20/78 Flac 24/96 - 0, 148357 San Francisco Winterland Arena flac24; Source Info: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes; Transfer Info: 1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3345. 10/20/78 Flac 16/48 - 0, 148356 San Francisco Winterland Arena flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes; Transfer Info: 1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3346. 10/20/78 Flac 24/96 - 0, 150752 San Francisco Winterland Arena flac24; Set 1 & partial Set 2 Recording Info: AKG C12A > Cassette Master (Nakamichi 550) > Cassette (Nakamichi 1000/Maxell UDXLI); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
3347. 10/20/78 Flac 16 - 0, 150755 San Francisco Winterland Arena notes
3348. 10/21/78 Flac 16 Mtx - 0, 94852 San Francisco Winterland Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes
3349. 10/21/78 Flac 16 - 0, 89721 San Francisco Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller notes
3350. 10/21/78 Flac - 0, 21248 San Francisco Winterland Arena flac16; SBD> Master Reel> Cassette> DAT> WAV> FLAC; Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step; upgrade in circulation notes
3351. 10/21/78 Flac 16 - 0, 94599 San Francisco Winterland Arena flac16; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5 notes
3352. 10/21/78 Shn - 0, 6100 San Francisco Winterland Arena sbd> mr> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT seed; see info file for flaw and patch notes; upgrade in circulation notes
3353. 10/21/78 Flac 24 - 0, 102075 San Francisco Winterland Arena flac24; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8) notes
3354. 10/21/78 Flac 16 - 0, 102074 San Francisco Winterland Arena flac16; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8) notes
3355. 10/21/78 Flac 24/96 - 0, 94600 San Francisco Winterland Arena flac24; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5 notes
3356. 10/21/78 Flac 24/96 - 0, 148355 San Francisco Winterland Arena flac24; Source Info: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes; Transfer Info: 1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3357. 10/21/78 Flac 16/48 - 0, 148354 San Francisco Winterland Arena flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes; Transfer Info: 1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3358. 10/22/78 Flac 16 - 0, 92567 San Francisco Winterland Arena flac16;Recording Info:SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3359. 10/22/78 Flac16 Mtx - 0, 99496 San Francisco Winterland Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes
3360. 10/22/78 Flac 16 - 0, 94605 San Francisco Winterland Arena flac16; MOTB0018 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastered By: Derek McCabe Tagged By: Jeff Thomas notes
3361. 10/22/78 Flac 24/44 - 0, 102077 San Francisco Winterland Arena flac24; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8). notes
3362. 10/22/78 Flac - 0, 96700 San Francisco Winterland Arena Source: audience recording on a Marantz pro cassette deck (don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac Recorded by: a friend of a friend Transfer by: Pantagruel notes
3363. 10/22/78 Shn - 0, 299 San Francisco Winterland Arena Sbd: Reel: PCM: Dat; D> CD: Tascam DA30MKII> Opcode Datport> HD (Cool Edit 2000)> Cdwav> SHN; Notes: SRC done by CE2K, and normalization also done by CE2K; via N. "NateDawg" Hifko, tracked for 3 discs by Yubah; etreed 5/10; Jeff K. hosted 5/15 with alternate tracking (q.v.) for d2,3 notes
3364. 10/22/78 Flac 16 - 0, 102076 San Francisco Winterland Arena flac16; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8). notes
3365. 10/22/78 Flac 24/96 - 0, 94604 San Francisco Winterland Arena flac24; MOTB0018 Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG s224e => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5 notes
3366. 10/22/78 Flac - 0, 21247 San Francisco Winterland Arena Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC
Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step
notes
3367. 11/13/78 Shn - 0, 11483 Boston Music Hall AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley notes
3368. 11/13/78 Flac - 0, 119996 Boston Music Hall flac16; Low-generation Audience Cassette (C2?) (Maxell UDXL-II C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > Trader's Little Helper > Flac16; Transfer & edits (patched via Soundforge 9.0) by Bob Morris, April 2012. notes
3369. 11/14/78 Flac - 0, 100205 Boston Music Hall flac16; Recording Info: Nakamichi 300/CP1 -> Cassette Master (Maxell UDXLI/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; Taped By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
3370. 11/14/78 Shn - 0, 11485 Boston Music Hall AUD(Sony ECM-280?s)>MC>DAT>CDR; Seeded to etree by T. Wiley notes
3371. 11/16/78 Shn - 0, 11486 Chicago Uptown Theater Partial; See info file for details; SBD>MC>C>DAT>CDR; Seeded to etree by T. Wiley notes
3372. 11/16/78 Flac 16 - 0, 128612 Chicago Uptown Theater flac16; Both Sets Partial; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
3373. 11/16/78 Shn - 0, 11487 Chicago Uptown Theater AUD(Nak CM-300's>Sony TC-158)>MC>R>CoolEdit>CDR; Seeded to etree by T. Wiley notes
3374. 11/16/78 Flac 16 - 0, 136718 Chicago Uptown Theater flac16; Source: SBD > ? > Cassette, from the Brian Schley tape collection. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2016 notes
3375. 11/16/78 Flac 16 - 0, 150409 Chicago Uptown Theater flac16; Partial 2nd Set; Source: SBD (mono) unknown lineage > Cassette rescued from ebay. Transfer: XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 07/2020 notes
3376. 11/17/78 Flac 16 - 0, 90110 Chicago Rambler Room, Loyola College flac16; sbd > ?? > shn > Wav > remaster > Flac; All editing done on Cool Edit Pro 2.1 by Audiohead22 notes
3377. 11/17/78 Flac - 0, 32879 Chicago Rambler Room, Loyola College Lineage: Soundboard->Master Cassette->DAT->Sonic Solutions->CD Transfer: CD->EAC->FLAC EAC, Re-track, and FLAC by Joe Samaritano notes
3378. 11/17/78 Shn - 0, 7687 Chicago Rambler Room, Loyola College sbd > ?? > shn; via Ernie Dodd; upgrade in circulation notes
3379. 11/17/78 Flac 16/44 - 0, 135718 Chicago Uptown Theater flac16; Partial Source: SBD > ? > Cassette, from the Brian Schley tape collection; Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. notes
3380. 11/17/78 Shn - 0, 11488 Chicago Uptown Theater 2nd set plus Shakedown opener; See info file for details; AUD>MC>??>DAT>CDR; Seeded to etree by T. Wiley notes
3381. 11/18/78 Flac 16 - 0, 81131 Chicago Uptown Theater flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
3382. 11/18/78 Shn - 0, 12080 Chicago Uptown Theater SBD>MC>C>D>CD>EAC>SHN patched with AUD>MC>R>CD>EAC>SHN; Normalized and pitch corrected; See info file for details; via Mike Tausig and Tim Wiley; Seeded to etree by JCotsman; upgrade in circulation notes
3383. 11/18/78 Shn - 0, 11490 Chicago Uptown Theater AUD(Sony ECM-900's>Nak 550)>MC>R>Cool Edit>CDR; Seeded to etree by T. Wiley notes
3384. 11/18/78 Shn - 0, 11489 Chicago Uptown Theater SBD>MC>C>DAT>CDR; Seeded to etree by T. Wiley; upgrade in circulation notes
3385. 11/20/78 Flac 16 - 0, 95660 Cleveland Cleveland Music Hall flac16; Recording Info: Source 1: SBD -> ? -> Cassette -> Sound Devices 744T -> Samplitude Source 2: SBD -> Master Cassette -> Dat -> CD Source 3: Nakamichi 300 -> Reels? -> Dat -> CD Source 4: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This is an upgrade to source id 95244) notes
3386. 11/20/78 Flac 16 Mtx - 0, 32489 Cleveland Cleveland Music Hall flac 16; Sick Bits Vol. 16a - matrix: SBD/AUD mix from 2 previously circulating sources; SBD: (shnid=12947)+ AUD: (shnid=302); edited, mixed and transfered by Chris Chappell notes
3387. 11/20/78 Shn - 0, 12947 Cleveland Cleveland Music Hall complete set 2; Master SBD Cassette > Cassette > DAT > CD-R > EAC > SHN, with plenty of AUD patches; via Art Cohen?; upgrade in circulation notes
3388. 11/20/78 Shn - 0, 301 Cleveland Cleveland Music Hall partial sets 1,2; revised source: MR> Cass Master> Lynxone 24 bit A/D converter> CD; seed via M. Mcleod; abupt cut in the end of Peggy-o; via P. Lucente to BUDD offer; upgrade in circulation notes
3389. 11/20/78 Flac 16 - 0, 95244 Cleveland Cleveland Music Hall flac16; Recording Info: Source 1: SBD -> ? -> Cassette -> CD; Source 2: SBD -> Master Cassette -> Dat -> CD; Source 3: Nakamichi 300 -> Reels? -> Dat -> CD; Source 4: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller (Upgrade now in circulation notes
3390. 11/20/78 Shn - 0, 21727 Cleveland Cleveland Music Hall Complete show. Set1: SBD> ??> CAS> CD> EAC> WAV; Set2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV; Set2 patches: MSC> CAS> DAT> CD-R> EAC> SHN> WAV; and MAC> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. Set 2 derives from all three previous seeds. See info file for edits and flaws notes
3391. 11/20/78 Flac 16 - 0, 117661 Cleveland Cleveland Music Hall flac16; Source: Unknown AUD (marked 4th gen) kindly provided by Seaweed1010. Transfer: XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011 notes
3392. 11/20/78 Shn - 0, 302 Cleveland Cleveland Music Hall complete set 2; AUD, precise source is unknown? (but thought to be Nak 300s), lineage? MAC> Reel> Reel (>Possible 3rd Reel Generation>) DATs> CDRs> EAC> SHN; via Rob Bertrando, Darrin Sacks notes
3393. 11/20/78 Flac 16/48 - 0, 148951 Cleveland Cleveland Music Hall flac16/48kHz; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3394. 11/20/78 Flac 24/96 - 0, 148952 Cleveland Cleveland Music Hall flac24; 2nd Set Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2020 > TLH flac2496 notes
3395. 11/21/78 Flac - 0, 87023 Rochester Community War Memorial Auditorium flac16; Lineage: SBD > ? > Cassettes Transfer: Maxell XL-II's > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC notes
3396. 11/21/78 Shn - 0, 11667 Rochester Community War Memorial Auditorium AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley notes
3397. 11/21/78 Flac - 0, 30116 Rochester Community War Memorial Auditorium flac16; Partial SBD > ? > Cassette Transfer: Cassette > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC. Soundforge for fades & edits, CD-Wave for tracking, Trader's Little Helper for SBE-OK and checksums, FLAC Frontend for lossless compression.; upgrade in circulation notes
3398. 11/21/78 Flac - 0, 119997 Rochester Community War Memorial Auditorium flac16; Partial Set 2 Source: Low-generation (C2?) Audience Cassette (Maxell UDXL-I C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9.0 > CD Wave Editor > Trader's Little Helper > Flac16; Transfer & edits by Bob Morris, April 2012 notes
3399. 11/23/78 Shn - 0, 9846 Landover Capital Centre Master Soundboard Reel > Reel to Reel > Cassette > DAT> CDR; Aud patch for 4 songs; Missing 4 songs; See info file for details; Seeded to etree by Jools; upgrade in circulation notes
3400. 11/23/78 Flac 16 - 0, 96031 Landover Capital Centre flac16; Recording Info: (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller notes
3401. 11/23/78 Shn - 0, 19155 Landover Capital Centre SBD>MR>R>C>D>CD>EAC>SHN; patched with: AUD>MC>D>CD>EAC>SHN; composite compiled from previous SBD & AUD sources notes
3402. 11/23/78 Shn - 0, 11668 Landover Capital Centre AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley notes
3403. 11/23/78 Flac 16 - 0, 151841 Landover Capital Centre flac16 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette (circa 1984) Transfer/Flac Conversion Brian Mandel gdplusmore@aol.com 02-23-21 Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLP->Flac notes
3404. 11/24/78 Flac 16 - 0, 87643 Passaic Capitol Theatre flac16; Recording Info: WBCN Pre-FM -> Studer Console -> Master Reel -> Dat/0 (Sony ES/48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
3405. 11/24/78 Flac 16 - 0, 32876 Passaic Capitol Theatre flac16; SBD(PreFM) > MR>DAT > CDA > Wav(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 13948 notes
3406. 11/24/78 Flac 24 - 0, 101694 Passaic Capitol Theatre flac24; Source: Pre-fm master reel (The Best Of The Biscuit) Lineage: Reel > Teac-X2000R > Korg MR1 1bit/2.8mhz > AudioGate > wav 24/96 > flac 24 notes
3407. 11/24/78 Flac 16 - 0, 77177 Passaic Capitol Theatre flac16; Source: PreFM SBD MR > DAT (48Khz) > DAT > WAV > FLAC. DAT > WAV transfer: Playback on Sony PCM-R500 > Neutrik input on Presonus Firebox preamp/A:D > firewire/XP Pro PC > Wavelab 5, recorded as 24 bit/96 KHz WAV > Waves L3 Multimaximizer (mastered to 16 bit/44.1 KHz WAV using hi res CD dither settings) > CDWAV 1.9 (tracking and FLAC encoding) > FLAC (level 8). notes
3408. 11/24/78 Shn - 0, 8364 Passaic Capitol Theatre FM> Reel> CD; via Fred Dalrymple; Seeded to etree by Peter Braverman. [Note: A shntool-fixed-by-set version circulates.]; upgrade in circulation notes
3409. 11/24/78 Shn - 0, 304 Passaic Capitol Theatre SBD (2- or more?- songs from FM source)> MR> DAT> CDA; reportedly has been in abgd, 5/21 to etree; upgrade in circulation notes
3410. 11/24/78 Shn - 0, 13948 Passaic Capitol Theatre Pre-FM MR > DAT > CD > EAC > WAV > SHN ; upgrade in circulation notes
3411. 11/24/78 Shn - 0, 303 Passaic Capitol Theatre SBD-> FM-> ?; via Doug Horning; Note- md5s and updated txt submitted by user Chris Jones 12/02/02; upgrade in circulation notes
3412. 11/24/78 Flac Dts 5.1 - 0, 127332 Passaic Capitol Theatre DTS-Audio-CD 5.1 Mix; SBD1 (shnid=87642) Recording Info: WBCN Pre-FM -> Studer Console -> Master Reel -> Dat/0 (Sony ES/48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + SBD2 (shn id 32876) SBD(PreFM) > MR>DAT > CDA > Wav(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 13948 + VID (no shn id) low generation video supplied in dvd format for video project - dts mixing by Kevin Tobin notes
3413. 11/24/78 Flac 24 - 0, 137389 Passaic Capitol Theatre flac24; LINEAGE FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240; WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 24/48> TLH FLAC (LEVEL 8) notes
3414. 11/24/78 Flac 24 - 0, 137387 Passaic Capitol Theatre flac24; Partial Sets 1 & 2; LINEAGE FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240; WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 24/48> TLH FLAC (LEVEL 8) notes
3415. 11/24/78 Flac 16 - 0, 137390 Passaic Capitol Theatre flac16; LINEAGE FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240; WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 16/44.1> TLH FLAC (LEVEL 8) notes
3416. 11/24/78 Flac 16 - 0, 137575 Passaic Capitol Theatre flac16:; Live FM broadcast > Sony receiver > Sony cassette deck > Maxell 110 XLII, FM Master cassette > CDR's > EAC > wav > Wavelab > CD-Wave > TLH > FLAC 1644, Recorded by Joey Browning. notes
3417. 11/24/78 Flac 16 - 0, 140483 Passaic Capitol Theatre flac16; Source: Pre-fm master reel (The Best Of The Biscuit) Lineage: Reel > Teac-X2000R > Korg MR1 1bit/2.8mhz > AudioGate > wav 24/96 > flac 24 notes
3418. 11/24/78 Flac 16 - 0, 137388 Passaic Capitol Theatre flac16; Partial Sets 1 & 2; LINEAGE FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240; WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 16/44.1> TLH FLAC (LEVEL 8) notes
3419. 11/24/78 Flac 24/96 - 0, 150970 Passaic Capitol Theatre Recording Info: PRE FM > WBUF Reel Master engineered by David LaRussa Fresh master reel transfer and mastering for broadcast by Jim Blackwood Studer A807 playback of Pre-FM Master Reel (10in 7.5ips) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Speed Correction by Jason Chastain Track, FLAC and Pack by Jamie Waddell notes
3420. 11/24/78 Flac 16/44 - 0, 151616 Passaic Capitol Theatre flac16/44khz , Recording Info: PRE FM > WBUF Reel Master engineered by David LaRussa Fresh master reel transfer and mastering for broadcast by Jim Blackwood Studer A807 playback of Pre-FM Master Reel (10in 7.5ips) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Speed Correction by Jason Chastain Track, FLAC and Pack by Jamie Waddell - 150970 24 -> 16 @ 48 notes
3421. 11/24/78 Flac 16/48 - , 154194 Passaic Capitol Theatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD1 (shnid=87642) Recording Info: WBCN Pre-FM -> Studer Console -> Master Reel -> Dat/0 (Sony ES/48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + SBD2 (shn id 32876) SBD(PreFM) > MR>DAT > CDA > Wav(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 13948 + VID (no shn id) low generation video supplied in dvd format for video project - surround mixing by Kevin Tobin notes
3422. 11/25/78 Flac 16 - 0, 85058 New Haven Veterans Memorial Coliseum flac16; source: aud 1st gen cassette (mastered: akg d200e's> Sony TC-158) taped by Jim Anderson lineage: aud c.m.>cassette>cdr>eac>flac transfer by Rob Berger notes
3423. 12/12/78 Flac 16 - 0, 123741 Miami Jai-Alai Fronton flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3424. 12/12/78 Shn - 0, 19895 Miami Jai-Alai Fronton SBD>MR>C>D>CD>EAC>SHN; patched with AUD>MC>SHN; pitch corrected notes
3425. 12/12/78 Shn - 0, 18511 Miami Jai-Alai Fronton Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches notes
3426. 12/12/78 Shn - 0, 4859 Miami Jai-Alai Fronton Master Soundboard Reel> Cassette> DAT> CDR> EAC> SHN; d1 tracked for 80 min; Mastered, EAC'ed / SHN'ed by Scott Clugston; to abgd ; upgrade in circulation notes
3427. 12/13/78 Shn - 0, 25717 Tampa Curtis Hixon Convention Hall Source: SBD -> Cassette Master > Cassette > Reel > Dat > CD -> EAC -> WAV Transfer Info:WAV -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller notes
3428. 12/13/78 Shn - 0, 22145 Tampa Curtis Hixon Convention Hall SBD > MC > C > Reel > DAT > CD > EAC > SHN; Patched with: AUD>MC>DAT>CDR; Hiss Reduction applied; EAC/SHN by Darryl Hinko; upgrade in circulation notes
3429. 12/13/78 Shn - 0, 9478 Tampa Curtis Hixon Convention Hall AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley notes
3430. 12/15/78 Shn - 0, 9479 Birmingham Boutwell Auditorium AUD(Sony 54P?s)>MC>DAT>CDR; Seeded to etree by Tim W notes
3431. 12/15/78 Flac 16 - 0, 143923 Birmingham Boutwell Auditorium flac16; Source: unknown aud Master Cassette > 10” Reels > PCM; Transfer: PCM > Sony SL-HF360 >Modified Sony 601 > Marantz PMD 661 > wav 16/44.1 - Transferred by the late Kris Westcott; Lineage: wav 16/44.1 > iZotope RX7 Advanced > iZotope Ozone 5 > CD Wave > Flac 16; edited and mastered SIRMick November 2018 notes
3432. 12/16/78 Flac - 0, 82212 Nashville Nashville Municipal Auditorium flac16; Recording Info: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source) notes
3433. 12/16/78 Shn - 0, 8841 Nashville Nashville Municipal Auditorium Source: AUD, unknown mics: CM > 1C > DAT; Seeded to etree by Dan Stephens notes
3434. 12/16/78 Flac - 0, 82211 Nashville Nashville Municipal Auditorium flac16; Recording Info: (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source) notes
3435. 12/16/78 Shn - 0, 9482 Nashville Nashville Municipal Auditorium Robert Wagner Nak 300?s>Sony TC-158>MC>DAT>CDR; Seeded to Etree by Tim W notes
3436. 12/17/78 Shn - 0, 13408 Atlanta Fox Theater SBD>MR>R>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; the SBD is slightly degraded; Thanks to Mike Tausig & Chuck Kiefe; edits/encoding by JCotsman notes
3437. 12/17/78 Flac 16 - 0, 92528 Atlanta Fox Theater flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
3438. 12/17/78 Shn - 0, 9483 Atlanta Fox Theater ACM(Sony 54P's)>DAT>CDR; Seeded to etree by Tim W notes
3439. 12/17/78 Flac 16 - , 156927 Atlanta Fox Theater notes
3440. 12/19/78 Flac 16 - 0, 102429 Jackson Memorial Coliseum, Mississippi State Fairgrounds flac16; Set 1 Only, Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5) Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; All Mastering By Charlie Miller notes
3441. 12/19/78 Flac 16 - 0, 121941 Jackson Memorial Coliseum, Mississippi State Fairgrounds flac16; Recording Info: (FOB) Sony 54P -> Cassette Master (Sony TC-158SD); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner notes
3442. 12/19/78 Flac 16 - 0, 19507 Jackson Memorial Coliseum, Mississippi State Fairgrounds flac16; Sony 54-P/Sony TC-158; Master AUD Cass> DAT> CD> DAE> FLAC; taped by Bob Wagner; reported retransfer of the same original source as previous seed, with different flaws- see pub comments notes
3443. 12/19/78 Shn - 0, 305 Jackson Memorial Coliseum, Mississippi State Fairgrounds FOB AUD Sony 540> Sony TC158> DAT> SoundForge> CD-R> EAC> SHN; via D. Barrick notes
3444. 12/19/78 Flac 16 - 0, 121963 Jackson Memorial Coliseum, Mississippi State Fairgrounds flac16; Rob Bertrando remaster of source ID 121941 (Bob Wagner's Sony 54P -> Cassette Master notes
3445. 12/19/78 Flac 24 - 0, 121940 Jackson Memorial Coliseum, Mississippi State Fairgrounds flac24; Recording Info: (FOB) Sony 54P -> Cassette Master (Sony TC-158SD); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner notes
3446. 12/19/78 Flac 24/96 - , 156949 Jackson Memorial Coliseum, Mississippi State Fairgrounds flac2496 Recording Info: (FOB) Sony 54P > Cassette Master (Sony TC-158SD/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2021 > Samplitude Pro X6 Suite > FLAC/24 notes
3447. 12/19/78 Flac 16/44 - , 157160 Jackson Memorial Coliseum, Mississippi State Fairgrounds flac1644 Recording Info: (FOB) Sony 54P > Cassette Master (Sony TC-158SD/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2021 > Samplitude Pro X6 Suite > FLAC/24 This is 156949 2496 -> 1644 notes
3448. 12/21/78 Shn - 0, 15209 Houston The Summit AUD>MC>?>D>CD>EAC>SHN; pitch corrected, normalized; Thanks to Chuck Kiefe; edits/encoding by JCotsman notes
3449. 12/21/78 Flac 24/96 - , 152900 Houston The Summit flac24/96 Source: unknown sbd cassette (low gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick July 2021 notes
3450. 12/21/78 Flac 16/44 - , 152899 Houston The Summit flac16/44 Source: unknown sbd cassette (low gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick July 2021 notes
3451. 12/22/78 Shn - 0, 14562 Dallas Dallas County Convention Center Arena AUD>MC>?>D>CD>EAC>SHN most set 1 & 2 via Chuck Kiefe, encoding Jeff Cotsman notes
3452. 12/27/78 Shn - 0, 9480 San Diego Golden Hall, Community Concourse Mixed sources; SBD>MR>??>DAT>CDR; AUD(Unknown)>?>CDR; Post Drums missing; See info file for details; Seeded to etree by Tim W notes
3453. 12/27/78 Flac 16 - 0, 13605 San Diego Golden Hall, Community Concourse flac16; Source 1: speed corrected version of shnid 9480: SBD>MR>??>DAT>CDR; Source 2: AUD MR Taped by Greg Schug, 2 Neumann SM69 mics (shnid 21480); Source 3: AUD(Unknown)>?>CDR (shnid 9480) notes
3454. 12/27/78 Shn - 0, 21480 San Diego Golden Hall, Community Concourse MAR (Taped by Greg Schug, 2 Neumann SM69 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes
3455. 12/27/78 Flac 24/96 - 0, 145347 San Diego Golden Hall, Community Concourse flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (section 404, row 8, seats 12-14) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3456. 12/27/78 Flac 16/48 - 0, 145346 San Diego Golden Hall, Community Concourse flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (section 404, row 8, seats 12-14) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3457. 12/28/78 Shn - 0, 7487 San Diego Golden Hall, Community Concourse Master Soundboard Reel > Cassette > CDR; via Dave Cohen; Scott Clugston notes
3458. 12/28/78 Flac 16 - 0, 35159 San Diego Golden Hall, Community Concourse flac16; Fix of shn id 7487 - Cassette to CDR transfer by Dave Cohen via a LynxOne 24 bit A/D card > Wave Lab3 via Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
3459. 12/28/78 Shn - 0, 19506 San Diego Golden Hall, Community Concourse MAR (Taped by Greg Schug, 2 Neumann SM69 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1 notes
3460. 12/28/78 Flac 16/44,1 - 0, 142807 San Diego Golden Hall, Community Concourse flac16/44.1kHz & 48kHz; Source Info: 1st Set: Master Soundboard Cassettes > Cassette > Dat (16-bit/44.1k); 2nd Set: Master Soundboard Cassettes > Dat (16-bit/48k); Transfer Info: 1st Set: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16; 2nd Set: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/48k)> Adobe Audition 3.01 > TLH flac1648 notes
3461. 12/28/78 Flac 24/96 - 0, 145349 San Diego Golden Hall, Community Concourse flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (section 404, row 8, seats 12-14) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3462. 12/28/78 Flac 16/48 - 0, 145348 San Diego Golden Hall, Community Concourse flac16/48kHz Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (section 404, row 8, seats 12-14) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3463. 12/30/78 Shn - 0, 18092 Los Angeles Pauley Pavilion, UCLA SBD>Rm>Reel>Cass>Dat with aud patches via Charlie Miller notes
3464. 12/30/78 Flac 16 - 0, 123103 Los Angeles Pauley Pavilion, UCLA flac16; Recording Info: SBD -> Master Reel -> Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3465. 12/30/78 Flac 16 Mtx - 0, 123100 Los Angeles Pauley Pavilion, UCLA flac16; Matrix from: Soundboard (shnid:34261) Recording Info: SBD>Rm>Reel>Cass>Dat; Transfer Info: Dat(Sony R500)>Prodif Plus>Samplitude v6.0>SHN and Audience (shnid:19417) MAR (Taped by Greg Schug, 2 Neumann KM84 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes
3466. 12/30/78 Shn - 0, 8826 Los Angeles Pauley Pavilion, UCLA SBD> MR> PCM> DAT> CDR; Seeded to etree by Tony G; upgrade in circulation notes
3467. 12/30/78 Shn - 0, 19417 Los Angeles Pauley Pavilion, UCLA MAR (Taped by Greg Schug, 2 Neumann KM84 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes
3468. 12/30/78 Flac 16 - 0, 34216 Los Angeles Pauley Pavilion, UCLA flac16; SBD>Rm>Reel>Cass>Dat - Fix of shn id 18092 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
3469. 12/30/78 Flac 24/96 - 0, 137675 Los Angeles Pauley Pavilion, UCLA flac24; Source: Audience recording > Neumann KM 88's > Nagra > reel master; taped by Sandy Troy; Transfer: reel master > Technics RS1506 > Apogee Mini Me > Apogee Mini Dac> wav 24/96); transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3.0.01 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick notes
3470. 12/30/78 Flac 16 - 0, 137674 Los Angeles Pauley Pavilion, UCLA flac16; Source: Audience recording > Neumann KM 88's > Nagra > reel master; taped by Sandy Troy; Transfer: reel master > Technics RS1506 > Apogee Mini Me > Apogee Mini Dac> wav 24/96); transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3.0.01 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac16; edited and mastered SIRMick notes
3471. 12/30/78 Flac 16 - 0, 142711 Los Angeles Pauley Pavilion, UCLA flac16; Set 1 Source Info: Master Soundboard Cassette (dbx) > Dat (Panasonic SV-3700) (16-bit/48k) > Dat (Panasonic SV-3800) (16-bit/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
3472. 12/30/78 Flac 24/96 - 0, 145351 Los Angeles Pauley Pavilion, UCLA flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (left side, first row of seats above bleachers next to railing, even with the soundboard) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3473. 12/30/78 Flac 16/48 - 0, 145350 Los Angeles Pauley Pavilion, UCLA flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (left side, first row of seats above bleachers next to railing, even with the soundboard) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3474. 12/31/78 Flac 16 Mtx - 0, 106374 San Francisco Winterland Arena b>flac16; SBD + AUD Matrix 2 Source Mix(45%-SBD/55%-AUD) 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] and SBD>>MR>>PCM>>DAT>>CDA; First Three Tracks and Patches Are: FMMR(TANDBERG-TD20ASE)>>SONY(SBM-1)>>CDA(TASCAM-CDRW700) Note: This source was originally seeded with errors, a fixed version now circulates. notes
3475. 12/31/78 Flac 16 - 0, 106102 San Francisco Winterland Arena flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein notes
3476. 12/31/78 Shn - 0, 1791 San Francisco Winterland Arena via Jay Ashley; third and final EAC/SHN (this one 4x-verified bit-identical) of same seed CDs as other 2 previous shn sets notes
3477. 12/31/78 Flac 24/96 - 0, 133281 San Francisco Winterland Arena flac24; Recording Info: First set: FMMR> R @3.75 ips Pat Lee reel; Second set on: FMMR> R @7.5 ips Sandy Troy 10" reel; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith notes
3478. 12/31/78 Flac 16 - 0, 133282 San Francisco Winterland Arena flac16; Recording Info: First set: FMMR> R @3.75 ips Pat Lee reel; Second set on: FMMR> R @7.5 ips Sandy Troy 10" reel; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith notes
3479. 12/31/78 Shn - 0, 1667 San Francisco Winterland Arena SBD> MR> PCM> DAT> CDA, except first 3 tracks plus patches FMMR (Tandberg TD20ASE)> Sony (SBM-1)> CDA (Tascam CDRW700); via Jay Ashley; upgrade in circulation notes
3480. 12/31/78 Flac Dts 5.1 - 0, 106419 San Francisco Winterland Arena DTS-Audio-CD 5.1 Mix; SBD (shn id 1791) SBD> MR> PCM> DAT> CDA via Jay Ashley + AUD1 (shn id 106102) Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein - dts mixing by Kevin Tobin notes
3481. 12/31/78 Flac 16 - 0, 139554 San Francisco Winterland Arena flac16; Source: sbd > master reel (15ips half track) > pcm > dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000; wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 edited and mastered SIRMick notes
3482. 12/31/78 Flac 24/96 - 0, 145356 San Francisco Winterland Arena flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (mounted on railing, right balcony, even with the soundboard)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3483. 12/31/78 Flac 16/48 - 0, 145355 San Francisco Winterland Arena flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (mounted on railing, right balcony, even with the soundboard)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3484. 12/31/78 Flac 16 - 0, 151330 San Francisco Winterland Arena flac16/44.1khz Source: SBD Reel Master > Beta tape > Beta VCR > PCM. Transfer: PCM > Sony PCM601esd (spdif out) > Digigram VX Pocket Sound Card > laptop (spdif in) > Steinberg Nuendo > Waves q10 > WAV 1644. Recording by Betty Cantor Jackson. PCM source & transfer by anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. November 02, 2020. notes
3485. 12/31/78 Flac 24/96 - , 154899 San Francisco Winterland Arena flac24/96 Recording Info: AKG 414 (Omni) > Cassette Master (Nakamichi 550/Maxell UDXLI) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 > Adobe Audition 2020 > Samplitude Pro X5 Suite > DDi Codec > FLAC/24 notes
3486. 12/31/78 Flac 16/44 - , 154898 San Francisco Winterland Arena flac16/44 Recording Info: AKG 414 (Omni) > Cassette Master (Nakamichi 550/Maxell UDXLI) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 > Adobe Audition 2020 > Samplitude Pro X5 Suite > DDi Codec > FLAC/24 notes
3487. 12/31/78 Flac 16/44 - , 155425 San Francisco Winterland Arena flac16/44 Recording Info: AKG 414 (Omni) > Cassette Master (Nakamichi 550/Maxell UDXLI) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 > Adobe Audition 2020 > Samplitude Pro X5 Suite > DDi Codec > FLAC/24 - This is 154899 2496 > 1644 notes
3488. ??/??/78 Flac 16 - 0, 151653 unknown unknown flac16 Studio Recording-> ?-> Cassette Maxell UDXL1 C-60 with Dolby B (playback on Nakamichi )-> Lexicon Lambda-> Logic-> wav 16/44.1 -> flac notes
3489. 01/05/79 Shn - 0, 17342 Philadelphia The Spectrum Taper Unknown: Nakamichi 300/CP1 -> Cm -> Cass -> Dat(48k)Dat (Sony R500) -> Prodif plus -> Samplitude v6.0 -> SHN ; SHN>WAV>Shntool(join)>ADWS>CD WAV>Shntool(Check/fix)>SHN(seekable)-NO DAE ; Via Charlie Miller ; remastered and seeded by T. Wiley notes
3490. 01/05/79 Flac 24/96 - , 156053 Philadelphia The Spectrum flac2406 Recording Info: (FOB) Sony 54P > Cassette Master (Sony TC-158SD/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
3491. 01/07/79 Flac 16 - 0, 87739 New York Madison Square Garden flac16; Recording by Bob Wagner: Nakamichi 300/CP1 -> Cassette Master (Maxell UDXL-II/Sony TC-158) (Set 2 has a Sennheiser 441 mixed in) All Transfers and Mastering By Charlie Miller notes
3492. 01/07/79 Shn - 0, 16467 New York Madison Square Garden AUD> MC> DAT> CDR; via Raoul Duke, encoded by Matt Vernon notes
3493. 01/08/79 Flac 16 - 0, 87657 New York Madison Square Garden flac16; Recording by Robert Wagner: Nakamichi 300/CP1 -> Cassette Master (Maxell UDXL-II/Sony TC-158) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
3494. 01/08/79 Shn - 0, 10283 New York Madison Square Garden Recording by Keith Gatto: Nak 300's>MC>DAT>CD; via Paul; Seeded to etree by Glyde (updated lineage; had been marked Shure SM57's) notes
3495. 01/10/79 Flac 16/48 - 0, 132263 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; Cassette Audience Master Recorded By Dr Keith J. Gatto; Nakamichi CM-300 Electret Condenser Microphones -Sony TCD 158 Cassette Recorder; Location @ FOB; Analog to Digital Transfer by Keith Gatto: Cassette Master played back on Sony TC-158 SD to a "Unknown Model" DAT deck @ 48KHz; Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-32 bit float 48KHz WAV; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); Digital Transfer,Editing & Processing performed in the 32 bit float digital domain By JW; This is a dithered 16 bit 48KHz file set notes
3496. 01/10/79 Flac 16 - 0, 113114 Uniondale Nassau Veterans Memorial Coliseum flac16;Recording Info:(FOB) Sony 54P + (1) Sennheiser 441 -> Namakichi 550 -> Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded By Bob Wagner. upgrade of shnid# 77328 notes
3497. 01/10/79 Flac 16 - 0, 125490 Uniondale Nassau Veterans Memorial Coliseum flac16; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby bset I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 > 16/44.1 > flac; transferred & seeded by Rob Berger 2013 notes
3498. 01/10/79 Shn - 0, 35023 Uniondale Nassau Veterans Memorial Coliseum Recording by Bob Wagner: Master Audience Cassette; 2 Sony ECM-4 Ps w/ Senn 421 blend> Sony 158 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Egosys Waveterminal 2496>Art DI/O>Cool Edit 2000> SHN encoding > SHN Note: d3t02 is will not play or decompress to .wav; d3t03 is missing. upgrade now in circulation notes
3499. 01/10/79 Flac 16 - 0, 77328 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording by Bob Wagner: Master Audience Cassette; 2 Sony ECM-4 Ps w/ Senn 421 blend> Sony 158 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Egosys Waveterminal 2496>Art DI/O>Cool Edit 2000> SHN encoding > SHN > FLAC notes
3500. 01/10/79 Flac 24/44,1 - 0, 113446 Uniondale Nassau Veterans Memorial Coliseum flac24;Recording Info:(FOB) Sony 54P + (1) Sennheiser 441 -> Namakichi 550 -> Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded By Bob Wagner notes
3501. 01/10/79 Shn - 0, 307 Uniondale Nassau Veterans Memorial Coliseum Recording by Keith Gatto: FOB made with Nak 300's and Sony TC-158 > DAT > Soundforge > CDR > Cdparanoia > SHN; Master Cassette was played back on a Nak Dragon > Sony PCM R-700 for the A > D; via R. Donnelly, J. Kempka. notes
3502. 01/10/79 Flac 24/96 - 0, 125491 Uniondale Nassau Veterans Memorial Coliseum flac24; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby b; set I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 > flac; transferred & seeded by Rob Berger 2013 notes
3503. 01/10/79 Flac 16/44 - , 157175 Uniondale Nassau Veterans Memorial Coliseum flac1644; Recording Info: (FOB) (2)Sony 54P + (1)Sennheiser 441 > Namakichi 550 > Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 157156 2496 -> 1644.1 notes
3504. 01/10/79 Flac 24/96 - , 157156 Uniondale Nassau Veterans Memorial Coliseum flac2496 Recording Info: (FOB) (2)Sony 54P + (1)Sennheiser 441 > Namakichi 550 > Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
notes
3505. 01/11/79 Flac 16 - 0, 102446 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; This version has a fixed He's Gone; All Mastering By Charlie Miller notes
3506. 01/11/79 Flac 16/48 - 0, 132250 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; Cassette Audience Master Recorded By Dr Keith J. Gatto; Nakamichi CM-300 Electret Condenser Microphones -Sony TCD 158 Cassette Recorder Location @ FOB; Analog to Digital Transfer by Keith Gatto: Cassette Master played back on Sony TC-158 SD to a "Unknown Model" DAT deck @ 48KHz (circa 1991); Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-32 bit float 48KHz WAV; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); Digital Transfer,Editing & Processing performed in the 32 bit float digital domain By JW notes
3507. 01/11/79 Shn - 0, 308 Uniondale Nassau Veterans Memorial Coliseum Recording by Keith Gatto: FOB (Nak 300's > Sony TC-158 )Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Master Cassette was played back on a Nak Dragon > Sony PCM R-700 for the A > D; via R. Donnelly for, J. Kempka notes
3508. 01/11/79 Flac 16 - 0, 102430 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; upgrade in circulation notes
3509. 01/11/79 Flac 16 - 0, 125492 Uniondale Nassau Veterans Memorial Coliseum flac16; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby b; set I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 16/44.1 > flac; transferred & seeded by Rob Berger 2013 notes
3510. 01/11/79 Flac 24/96 - 0, 125493 Uniondale Nassau Veterans Memorial Coliseum flac24; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby b; set I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 > flac; transferred & seeded by Rob Berger 2013 notes
3511. 01/12/79 Flac 16/48 - 0, 132217 Philadelphia The Spectrum flac16; Cassette Audience Master Recorded 12'th Row FOB Dead Center by Eddie Claridge & Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Stand Mounted-Sony TC 158 Cassette Recorder; Analog-Digital Transfer: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Sony PCM R-700 DAT @ 48 kHz (original A-D by J.W. circa 1991); DAT Master played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-16 bit 48KHz WAV; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-tagging(Tag & Re-name)By J.W. :November 2014 notes
3512. 01/12/79 Shn - 0, 309 Philadelphia The Spectrum Recording by E. Claridge: Split 30' on the balcony with Sony ECM-280 mics > Sony TC158: Transfer: FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Digital Remaster by J. Wise; via R. Donnelly, J. Kempka notes
3513. 01/12/79 Shn - 0, 152537 Philadelphia The Spectrum Unknown audience recording - set 2 only; downloaded from a.b.gd 01/03; notes
3514. 01/14/79 Shn - 0, 18460 Utica Utica Memorial Coliseum Taper unknown: (FOB) Nakamichi 300/CP1 -> Cm -> Cass -> Cass -> Cass -> Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN > WAV>Shntool(join)>ADWS>CD WAV>Shntool(check)>SHN(seekable) ; Via Charlie Miller ; Remastered by T. Wiley 07/16/2003. notes
3515. 01/15/79 Flac 16 - 0, 102389 Springfield Springfield Civic Center flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; All Mastering By Charlie Miller notes
3516. 01/15/79 Flac 16 Mtx - 0, 111582 Springfield Springfield Civic Center flac16; Sick Bits Vol. 32 - matrix by Chris Chappell; Source: SBD: (shnid 102389) via Charlie Miller; AUD: (shnid 90095) recorded by Steve Rolfe via Charlie Miller notes
3517. 01/15/79 Flac 16 - 0, 127556 Springfield Springfield Civic Center flac16; Recorded by Steve Rolfe: Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B); Section 61 Row S Seat 7; Transfer and masteringg by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 6.0> FLAC encoding notes
3518. 01/15/79 Shn - 0, 4669 Springfield Springfield Civic Center Recording by Steve Rolfe: Nakamichi 300's w/Cardoid Capsules > Master Audience Cassette > Sony TC158; Played back on a Nak DR1 > Sony PCMR500 DAT with SBM ON @ 48KHz > (done by Rango Keshavan); Soundforge (noise reduction, bass boost) > CDR (done by Jim Wise) > EAC > SHN; see info file for additional details;; upgrade now in circulation. notes
3519. 01/15/79 Flac 24/96 - 0, 90100 Springfield Springfield Civic Center flac24; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC/24 All Transfers and Mastering By Charlie Miller notes
3520. 01/15/79 Shn - 0, 310 Springfield Springfield Civic Center Recording by Steve Rolfe: Nakamichi 300's w/Cardoid Capsules (one mic was pointed at the PA (left or right) and the other at the drums)> Master Audience Cassette > Sony TC158 > DAT > (J. Wise's 10dB noise reduction, bass boost @ 125Hz)> Tascam DA302 > HHB 850> Soundforge > CDR> 1 CD> Mac Plextor/ Toast> SHN; via A. Cohen; ; upgrade now in circulation. notes
3521. 01/15/79 Flac 16 - 0, 90095 Springfield Springfield Civic Center flac16; Recording by Steve Rolfe :(FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
3522. 01/15/79 Flac 24/96 - 0, 147806 Springfield Springfield Civic Center b>flac24; 1st Set, 2nd Set partial Recording Info: Kathy Sublette's Master (FOB)Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
3523. 01/15/79 Flac 16/48 - 0, 147805 Springfield Springfield Civic Center flac16/48kHz; 1st Set, 2nd Set partial Recording Info: Kathy Sublette's Master (FOB)Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3524. 01/15/79 Flac 24/96 - 0, 127570 Springfield Springfield Civic Center flac24; Recorded by Steve Rolfe: Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B); Section 61 Row S Seat 7; Transfer and masteringg by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 6.0> FLAC encoding notes
3525. 01/17/79 Flac 16 - 0, 102443 New Haven Veterans Memorial Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller notes
3526. 01/17/79 Flac 16 Mtx - 0, 91783 New Haven Veterans Memorial Coliseum flac16; Matrix mix of new SBD Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > WAV and AUD Source Recording by Barry Glassberg FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav (Source ID 85101) Mastered by: D. McCabe Mastering Tools: Matrix created in Adobe Audition 3.0. Plugins included Nomad Factory and Izotope. Matrix is set at 50/50 blend notes
3527. 01/17/79 Flac 24 - 0, 91784 New Haven Veterans Memorial Coliseum flac24; Matrix mix of new SBD Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > WAV and AUD Source Recording by Barry Glassberg FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav (Source ID 85101) Mastered by: D. McCabe Mastering Tools: Matrix created in Adobe Audition 3.0. Plugins included Nomad Factory and Izotope. Matrix is set at 50/50 blend notes
3528. 01/17/79 Flac 24 - 0, 91788 New Haven Veterans Memorial Coliseum flac24; Lineage: SBD Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > 24/96 WAV > FLAC Transfer & Mastering by: D. McCabe Mastering Tools: Plugins included Nomad Factory and Izotope notes
3529. 01/17/79 Shn - 0, 12200 New Haven Veterans Memorial Coliseum Updated lineage: Recording by Steve Rolfe:TEAC PC-10 with nak 300 mic's pole-mounted fob; via Dave Minor; seeded to etree by Marc Pujol & Matt Vernon (had been marked as Nak 700 mics); upgrade now in circulation. notes
3530. 01/17/79 Flac 16 - 0, 77208 New Haven Veterans Memorial Coliseum flac16; SBD: MC > EQ > CDR > EAC > SHN > > FLAC patched w/ shn id 1220;; upgrade now in circulation. notes
3531. 01/17/79 Flac 16 - 0, 99009 New Haven Veterans Memorial Coliseum flac16; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Steve Rolfe (Left Center 17th Row); All Transfers and Mastering By Charlie Miller notes
3532. 01/17/79 Flac 16 - 0, 83831 New Haven Veterans Memorial Coliseum flac16; Recording by Barry Glassberg: Source: Audience FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick notes
3533. 01/17/79 Flac 16 - 0, 91787 New Haven Veterans Memorial Coliseum flac16; Lineage: SBD Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > WAV > FLAC Transfer & Mastering by: D. McCabe Mastering Tools: Plugins included Nomad Factory and Izotope notes
3534. 01/17/79 Flac 24 - 0, 85101 New Haven Veterans Memorial Coliseum flac24; Recording by Barry Glassberg: Source: Audience FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick notes
3535. 01/18/79 Flac 16 - 0, 102444 Providence Providence Civic Center flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller notes
3536. 01/18/79 Flac 16 - 0, 103186 Providence Providence Civic Center flac16; SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; This is an upgrade/fix to source ID 102444 notes
3537. 01/18/79 Shn - 0, 17175 Providence Providence Civic Center Updated lineage: Recording by Steve Rolfe: TEAC PC-10 with nak 300 mic's fob encoded by Matt Vernon (had been marked nak 700 mics) notes
3538. 01/18/79 Flac 16 - 0, 100209 Providence Providence Civic Center flac16; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Maxell UDXLI/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Steve Rolfe notes
3539. 01/18/79 Flac 24/96 - 0, 106899 Providence Providence Civic Center flac24; FOB AUD: AKG D200E (left mic) plus Shure Dynamic (right mic) > Sony TC-153SD > Maxell UD-XLII 90's. Mics on stand, set up FOB floor "dead center" Sec 5 Row H, taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > TLH > FLAC 2496 Tagged. Transfer by Andrew F. 03/2010 notes
3540. 01/18/79 Shn - 0, 13058 Providence Providence Civic Center Source: FOB AUD Master Cassette > DAT >CD-R > SHN. Mikes are allegedly Sennheiser 441's via Fishman notes
3541. 01/18/79 Flac 24 - 0, 202210 Providence Providence Civic Center flac24; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Maxell UDXLI/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Steve Rolfe notes
3542. 01/18/79 Flac 16/44 - 0, 106900 Providence Providence Civic Center flac16; FOB AUD: AKG D200E (left mic) plus Shure Dynamic (right mic) > Sony TC-153SD > Maxell UD-XLII 90's. Mics on stand, set up FOB floor "dead center" Sec 5 Row H, taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 03/2010 notes
3543. 01/20/79 Flac 16 - 0, 99385 Buffalo Shea's Buffalo Theater flac16; Recording Info: (FOB/6th Row) Nakamichi 700 (Sony D5/Dolby B) -> Cassette Master -> Dat -> CD -> FLAC Transfer Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; Recorded By Jerry Moore; All Transfers and Mastering By Charlie Miller; This is a remaster of source ID 86374 notes
3544. 01/20/79 Flac 24 - 0, 110977 Buffalo Shea's Buffalo Theater flac24; source: aud cassette master taped by Jerry Moore from 6th row center; lineage: aud>nak 700's>sony d5 or tc-153; tdk sa-90's, dolby b; transfer: nak dragon/b>hd-p2 24/96>hard drive> adobe audition 2.0 (levels, edits)>cd wave>tlh flac level 8; transferred & seeded by Rob Berger notes
3545. 01/20/79 Shn - 0, 12575 Buffalo Shea's Buffalo Theater AUDMC > DAT > CD Recorded by Jerry Moore, NAK 700's > Sony TC-D5M from the 6th row center, mics very high up on pole. A > D by Mark Cohen - EAC > SHN by Noah Weiner. A previous digitization of this show was found to have digital errors (clicks and ticks), thus the redo;; upgrade now in circulation. notes
3546. 01/20/79 Flac 16 - 0, 124861 Buffalo Shea's Buffalo Theater flac16; Source: FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; Recorded by Eddie Claridge. Split 30' on the balcony with Sony ECM-280 mics > Sony tc158; EQ'd and turned up the volume with hard limiting, balancing the channels; noise reduction using the hiss from the beginning of disc 1 as a sample; numerous cuts between songs crossfaded to smooth out the flow notes
3547. 01/20/79 Flac 16 - 0, 100025 Buffalo Shea's Buffalo Theater flac16; AUD>>MC>>DAT>>CDA>>FLAC>>DAW(Bertha)>>FLAC; Bertha Remaster of Jerry Moore's Master Cassette source (shn ID 99385) notes
3548. 01/20/79 Shn - 0, 312 Buffalo Shea's Buffalo Theater Recording by Eddie Claridge: FOB (Split 30' on the balcony with Sony ECM-280 mics > Sony tc158) Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Digital Remaster by Jim Wise; via Robert Donnelly, Jeff Kempka notes
3549. 01/20/79 Flac 16 - 0, 86374 Buffalo Shea's Buffalo Theater flac16; source: aud cassette master Nak 700's>Sony d5 w/dolby, 6th row center taped by Jerry Moore lineage: c.m.>dat>cdr>eac>cd wave>flac (c.m. played back w/correct eq setting...) transfered '99/encoded by Rob Berger tracked by Johnny(rider) Tallmadge notes
3550. 01/20/79 Shn - 0, 19413 Buffalo Shea's Buffalo Theater pdated source info: AUDMC > DAT > CD Recorded by Jerry Moore, NAK 700's > Sony TC-D5M from the 6th row center, mics very high up on pole>PCM>Dat>Samplitude>Cool Edit Pro>CD Transfer Info: Sony R500>Prodif Plus>Samplitude 2496 v6.0>Cool Edit Pro v2.0>SHN via Charlie Miller : upgrade now in circulation . notes
3551. 01/21/79 Shn - 0, 19083 Detroit Masonic Temple Source: Unknown AUD>?>SHN. Editing: SHN>WAV>CE2K>CDWAVE>shntool>mkwACT. Edited & seeded to etree by MattMan. notes
3552. 02/03/79 Flac 16 - 0, 102445 Indianapolis Market Square Arena flac16; Set 1 only, Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; upgrade in circulation notes
3553. 02/03/79 Flac 16 - 0, 102976 Indianapolis Market Square Arena flac16; **set 1 Only** Recording Info:SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; This is an upgrade/fix to source ID 102851 notes
3554. 02/03/79 Shn - 0, 7116 Indianapolis Market Square Arena set 2; Master FOB Audience Cassette; Nakamichi CM700 mics > Nakamichi 550 cassette deck> DAT > CDR; CD Mastering, EAC\'ed / SHN\'ed by Scott Clugston notes
3555. 02/03/79 Shn - 0, 19414 Indianapolis Market Square Arena Set One only MAC (Unknown equipment) > Unknown analog generations > Cassette > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes
3556. 02/03/79 Flac 16 - , 154522 Indianapolis Market Square Arena Source: Master Audience Cassettes; Unknown Equipment > 1st generation cassettes > .wav 1644
Transfer Info: Unknown
notes
3557. 02/04/79 Shn - 0, 18888 Madison Dane County Coliseum Set 2 Nak 700's>MC>DAT>CDR>EAC>SHN notes
3558. 02/04/79 Flac 16 - 0, 32016 Madison Dane County Coliseum flac16; Set 1 only: Recording Info: (FOB) Nakamichi 700 -> Cassette Master -> 4th Gen Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC notes
3559. 02/04/79 Flac 24/96 - , 154717 Madison Dane County Coliseum flac24/96 Source Info: Master Audience Cassettes; Unknown Equipment > 1st generation cassettes > .wav 2496 Transfer Info: Unknown notes
3560. 02/04/79 Flac 16/48 - , 154716 Madison Dane County Coliseum flac16/48 Source Info: Master Audience Cassettes; Unknown Equipment > 1st generation cassettes > .wav 2496 Transfer Info: Unknown notes
3561. 02/07/79 Shn - 0, 13879 Carbondale SIU Arena, Southern Illinois University SBD>??>C>CD>EAC>SHN (low gen); incomplete; portions of both sets; Thanks to Joey Browning; edits/encoding by JCotsman notes
3562. 02/07/79 Flac 16 - 0, 86941 Carbondale SIU Arena, Southern Illinois University flac16; Set 1 only, Lineage: SBD > ? > Cassette Transfer: Maxell XL-II > Nakamichi BX-125 > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Aug 2007, by Andrew F. notes
3563. 02/09/79 Shn - 0, 13848 Kansas City Soldiers & Sailors Memorial Hall 3 Nak CM-300's>Nak 550>MC>R>CDR>EAC>SHN; Seeded to etree by Glyde notes
3564. 02/09/79 Flac 16/48 - 0, 144050 Kansas City Soldiers & Sailors Memorial Hall b>flac16/48kHz; Source Info: Audience Master (unknown equipment)> ?? > 7" reel @ 3.75ips (Maxell XL135-90B); Transfer Info: 7" reel @ 3.75 ips (Akai GX-636) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3565. 02/09/79 Flac 24/96 - 0, 144051 Kansas City Soldiers & Sailors Memorial Hall flac24; Source Info: Audience Master (unknown equipment)> ?? > 7" reel @ 3.75ips (Maxell XL135-90B); Transfer Info: 7" reel @ 3.75 ips (Akai GX-636) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496 notes
3566. 02/10/79 Flac - 0, 97362 Kansas City Soldiers & Sailors Memorial Hall flac16; **Set 2 Only-Soundboard** Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3567. 02/10/79 Flac - 0, 97354 Kansas City Soldiers & Sailors Memorial Hall flac16; Recording Info: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> Adobe Audition v1.5 -> FLAC/16; Recording by Joani Walker; All Transfers and Mastering By Charlie Miller notes
3568. 02/10/79 Shn - 0, 13849 Kansas City Soldiers & Sailors Memorial Hall AUD>MC>DAT>CDR>EAC>SHN; Seeded to etree by Glyde notes
3569. 02/10/79 Flac - 0, 82238 Kansas City Soldiers & Sailors Memorial Hall flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source) notes
3570. 02/10/79 - 0, 82239 Kansas City Soldiers & Sailors Memorial Hall flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source notes
3571. 02/11/79 Shn - 0, 16468 St. Louis Kiel Auditorium AUD (3 Nak CM-300?s >Nak 550) > MC > R > CDR; via Raoul Duke, encoded by Matt Vernon notes
3572. 02/11/79 Flac 16/44 - , 155704 St. Louis Kiel Auditorium flac16/44 remaster was created from the shn #16468 by acetboy notes
3573. 02/17/79 Flac 16 - 0, 88123 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
3574. 02/17/79 Flac 16 - 0, 105606 Oakland Oakland-Alameda County Coliseum flac16; SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC - pitch correction and patches by Kevin Tobin (update of source ID 88123) notes
3575. 02/17/79 Shn - 0, 313 Oakland Oakland-Alameda County Coliseum SBD > Reel > DAT > TB Fiji (S/PDIF) > WAV > SHN; Source DAT via T. Buller from Family Tree Batch #6; transfer by J. Kempka; some splices from source DAT cleaned up : upgrade now in circulation. notes
3576. 02/17/79 Flac 16 Mtx - 0, 105619 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shn id 88123) SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 105241) flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - matrix mixing by Kevin Tobin notes
3577. 02/17/79 Flac 16 Dts.5.1 - 0, 105608 Oakland Oakland-Alameda County Coliseum flac16; DTS-Audio-CD 5.1 Mix; SBD (shn id 88123) SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 105241) flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - dts mixing by Kevin Tobin notes
3578. 02/17/79 Flac 16 - 0, 105240 Oakland Oakland-Alameda County Coliseum flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe notes
3579. 02/17/79 Flac 24/96 - 0, 145263 Oakland Oakland-Alameda County Coliseum flac24; Master Soundboard Cassettes > 1st generation reels > Sandy Troy's 2nd generation reels @ 3.75 ips; Transfer Info: 2nd generation reels > Technics RS-1506 > Apogee Mini Me (.wav 2496)> Mini DAC > Adobe Audition CC 2109 > TLH flac2496 notes
3580. 02/17/79 Flac 16/48 - 0, 145262 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Master Soundboard Cassettes > 1st generation reels > Sandy Troy's 2nd generation reels @ 3.75 ips; Transfer Info: 2nd generation reels > Technics RS-1506 > Apogee Mini Me (.wav 2496)> Mini DAC > Adobe Audition CC 2109 > TLH flac2496; 24-bit > 16-bit via dBpweramp notes
3581. 02/17/79 Flac 16 Mtx - 0, 150800 Oakland Oakland-Alameda County Coliseum flac16; 2 Source Matrix of Soundboard shnid: 88123 Recording Info: SBD -> Master Reel -> ? -> Dat -> CD and Audience shnid:105240 FOB Master Cassettes (MAC); Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC; Matrix by dusborne notes
3582. 04/16/79 Shn - 0, 4163 San Rafael Studio Rehersal, Club Front sbd> mr> dat> cd; DAE (EAC) by Chris Ladner, from Bear Greider seed; hosted by tol notes
3583. 04/16/79 Shn - 0, 3121 San Rafael Studio Rehersal, Club Front Master Soundboard Cassette > ?Cassette? > DAT > CDR; see info file for source speculation and listening notes; cuts smoothed; CD Mastering, EAC> SHN by Scott Clugston notes
3584. 04/16/79 Flac 16/48 - , 157228 San Rafael Studio Rehersal, Club Front flac1648 Source: Master Cassette > DAT at 16/48 (with possible extra cassette generation)
Speed Correction by Jason Chastain
2022 DAT Transfer and Mastering by Jim Blackwood
Track, FLAC, and Pack by Steve Gravel
notes
3585. 04/22/79 Shn - 0, 12001 San Jose Spartan Stadium, San Jose State University Complete; Mixed sbd sources; Set 1 Source: SBD>?>C>C>WAV>SHN Set 2 Source: SBD MC>C>DAT>CDR>WAV>SHN; See info file for details; via Dave Morris, Jeffrey Smith; Seeded to etree by Jim Bennett notes
3586. 04/22/79 Shn - 0, 12895 San Jose Spartan Stadium, San Jose State University Partial Set 2; WBOTB-CD Source: master reel > PCM-1 > DAT-1 > SHN; See info file for further details; Seeded to etree by Tim Deibert notes
3587. 04/22/79 Flac 16 - 0, 134401 San Jose Spartan Stadium, San Jose State University flac16; 1st Set, Source: SBD > ? > Cassette, from the Brian Schley tape collection. Transfer: XLII (c.1981) > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. 09/2015 notes
3588. 04/22/79 Flac 16 - 0, 105309 San Jose Spartan Stadium, San Jose State University flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG d2243 >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rhineheart Holwein notes
3589. 04/22/79 Flac 16 - 0, 91346 San Jose Spartan Stadium, San Jose State University flac16; Recorded by Mark Severson; 2 Sony ECM-270s> Sony TC-D5 (2 Maxell UD XL-IIs + 1 TDK SA-90) Mics mounted on 2 poles, 3'-5' apart; 20' in front of sound board Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
3590. 04/22/79 Shn - 0, 9424 San Jose Spartan Stadium, San Jose State University 2nd set; SBD>MR>??>DAT>CDR; via Paul B; Seeded to etree by Willy notes
3591. 04/22/79 Flac 16 Mtx - 0, 137822 San Jose Spartan Stadium, San Jose State University flac16; 4 source matrix by dusborne; Soundboard Set 1 (shnid:134401) Source: SBD > ? > Cassette,Transfer: XLII (c.1981) > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644; Soundboard Set 2 (shnid:12001) SBD MC> C> DAT> CDR> WAV> SHN; Audience 1 (shnid:91346), Recorded by Mark Severson; 2 Sony ECM-270s> Sony TC-D5 (2 Maxell UD XL-IIs + 1 TDK SA-90)Mics mounted on 2 poles, 3'-5' apart; 20' in front of sound board, Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0>(dither/downsample)> FLAC; Audience 2 (shnid:105309),Taped By: Rhineheart Holwein, Transfer By: Bob Menke; Mastering By: Derek McCabe,Analog Lineage: 2 x AKG d2243 >> Sony TC-D5 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] notes
3592. 04/22/79 Flac 24/96 - 0, 145140 San Jose Spartan Stadium, San Jose State University flac24; Mark Severson's Master (FOB)Audience Cassette ; Sony ECM-270 mics (DFC, split, mounted on poles 5' apart, 20' in front of soundboard) > Sony TC-158SD (2 x Maxell UDXLII, 1 x TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3593. 04/22/79 Flac 16/48 - 0, 145139 San Jose Spartan Stadium, San Jose State University flac16/48kHz; Mark Severson's Master (FOB)Audience Cassette ; Sony ECM-270 mics (DFC, split, mounted on poles 5' apart, 20' in front of soundboard) > Sony TC-158SD (2 x Maxell UDXLII, 1 x TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3594. 04/22/79 Flac 16 - 0, 148708 San Jose Spartan Stadium, San Jose State University flac16; Source Info: Betty's 7" Master Soundboard Ree1s > PCM > PCM; Transfer Info: Tim Dalton's PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe CC 2019 > TLH flac16 notes
3595. 05/03/79 Flac - 0, 83674 Charlotte Charlotte Coliseum flac16; Recording by Barry Glassberg: MOTB 0024:Source: Audience FOB Recording, 60 Feet back, DFC, 9 foot pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky notes
3596. 05/03/79 Shn - 0, 18870 Charlotte Charlotte Coliseum Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon; upgrade now in circulation. notes
3597. 05/03/79 Flac - 0, 88851 Charlotte Charlotte Coliseum flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
3598. 05/04/79 Flac 16 - 0, 84825 Hampton Hampton Coliseum flac16; Recording by Barry Glassberg: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick notes
3599. 05/04/79 Shn - 0, 18878 Hampton Hampton Coliseum Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon; upgrade now in circulation. notes
3600. 05/04/79 Shn - 0, 3824 Hampton Hampton Coliseum Recording by Barry Glassberg: FOB Nakamichi 700's> Sony D5> Master Cassette> DAT> CDR> EAC> SHN; DAE(EAC) and SHN Encoding by Jeff M.: upgrade now in circulation. notes
3601. 05/04/79 Flac 16 - 0, 89120 Hampton Hampton Coliseum flac16; Recording by Joani Walker: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
3602. 05/04/79 Flac 24 - 0, 86389 Hampton Hampton Coliseum flac24; Recording by Barry Glassberg: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick notes
3603. 05/04/79 Flac 16/44 - 0, 147822 Hampton Hampton Coliseum flac16; Source: AKG-222E x2 > Nakamichi 550, FOB recording by Richie Stankiewicz. Transfer: Back-up tapes (1st or 2nd gen) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2019 notes
3604. 05/05/79 Flac 16 Mtx - 0, 123001 Baltimore Baltimore Civic Center flac16; Matrix with Soundboard (shnid:78748): Original Miller FLACs>WAV>Cool Edit 2k (using Pitch->Stretch functions correcting speed by 3%. Used Glassberg audience as baseline)>FLAC and Audience (shnid:89056): Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 notes
3605. 05/05/79 Flac 16 - 0, 34557 Baltimore Baltimore Civic Center flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC: upgrade now in circulation. notes
3606. 05/05/79 Flac 16 Mtx - 0, 123001 Baltimore Baltimore Civic Center flac16; Matrix with Soundboard (shnid:78748): Original Miller FLACs>WAV>Cool Edit 2k (using Pitch->Stretch functions correcting speed by 3%. Used Glassberg audience as baseline)>FLAC and Audience (shnid:89056): Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 notes
3607. 05/05/79 Shn - 0, 18871 Baltimore Baltimore Civic Center Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon notes
3608. 05/05/79 Flac 16 - 0, 78748 Baltimore Baltimore Civic Center flac16; Pitch and tempo adjusted version of soundboard shn id 34577 by fishmanj using Cool Edit 2000 and Adobe Audition correcting speed by 3% notes
3609. 05/05/79 Shn - 0, 12377 Baltimore Baltimore Civic Center presumed to be:SBD:MC>Cas>DAT>CD via Jools from GANS GDH Disc : upgrade now in circulation. notes
3610. 05/05/79 Flac 16 - 0, 89056 Baltimore Baltimore Civic Center flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
3611. 05/07/79 Shn - 0, 8216 Easton Allan Kirby Field House, Lafayette College Recording by Barry Glassberg: Master Audience Cassette; Nakamichi CM700 mics>Sony TC-158> DAT> CDR; Seeded to etree by Scott Clugston : upgrade now in circulation. notes
3612. 05/07/79 Shn - 0, 3900 Easton Allan Kirby Field House, Lafayette College set 1; aud> mics?> master cassette> dat> cdr; via Mike Lai notes
3613. 05/07/79 Shn - 0, 18877 Easton Allan Kirby Field House, Lafayette College Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon notes
3614. 05/07/79 Flac - 0, 139635 Easton Allan Kirby Field House, Lafayette College flac16; AUD: Unknown taper & gear > Low-gen tapes, kindly provided from the collection of Craig L. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2017 notes
3615. 05/07/79 Flac - 0, 139631 Easton Allan Kirby Field House, Lafayette College flac16/48kHz; Recording Info: SBD > Cassette Master > Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes
3616. 05/08/79 Flac 16 - 0, 97517 State College Recreation Hall, Penn State University flac16 Recording by Barry Glassberg: MOTB Release: 0028 16/44.1 Source: Audience FOB Recording, Right Center Soundboard Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: J. Waddell notes
3617. 05/08/79 Shn - 0, 11552 State College Recreation Hall, Penn State University Recording by Barry Glassberg: Nak 700's>Sony D5>MC>DAT>CDR; Seeded to etree by Willy: upgrade now in circulation. notes
3618. 05/08/79 Shn - 0, 18876 State College Recreation Hall, Penn State University Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon: upgrade now in circulation. notes
3619. 05/08/79 Flac 24/96 - 0, 87806 State College Recreation Hall, Penn State University flac24; Recording by Barry Glassberg: MOTB Release: 0028 24/96 Source: Audience FOB Recording, Right Center Soundboard Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: J. Waddell notes
3620. 05/08/79 Flac 24/96 - 0, 147828 State College Recreation Hall, Penn State University flac24; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
3621. 05/08/79 Flac 16/48 - 0, 147827 State College Recreation Hall, Penn State University flac16/48kHz; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3622. 05/08/79 Flac 16/48 - 0, 152209 State College Recreation Hall, Penn State University flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes
3623. 05/08/79 Flac 24/96 - 0, 152210 State College Recreation Hall, Penn State University flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes
3624. 05/09/79 Flac 16 - 0, 85421 Binghamton Broome County Arena flac16; Recording by Barry Glassberg: Source: Audience FOB Recording, 50ft. DFC, Hand-Held Nak CM700's Media: Maxell UD-XLII 90 min. Lineage 1: Nakamichi CM700's > Sony 158SD > MAC > Sony 158SD > C1 Lineage 2: Nakamichi CM700's > Sony 158SD > MAC Transfer 1: C1 > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Transfer 2: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky notes
3625. 05/09/79 Flac 16 - 0, 99027 Binghamton Broome County Arena flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
3626. 05/09/79 Shn - 0, 4881 Binghamton Broome County Arena FOB Naks > Teac PC-10 (cassette master) > DAT x2; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (tracking, downsampling [Set II only]) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; flips after Minglewood and Drums [Note: A sbe fixed version also circulates notes
3627. 05/09/79 Shn - 0, 18875 Binghamton Broome County Arena Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon: upgrade now in circulation. notes
3628. 05/09/79 Flac 24/96 - 0, 147830 Binghamton Broome County Arena flac24; 2nd Set Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
3629. 05/09/79 Flac 16/48 - 0, 147829 Binghamton Broome County Arena flac16/48kHz; 2nd Set Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3630. 05/09/79 Flac 16/48 - , 155839 Binghamton Broome County Arena flac1648 Source Info: FOB NAK 700-> Cassette-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) notes
3631. 05/11/79 Shn - 0, 19268 Billerica Billerica Forum Recording by Keith Gatto via Mark Cohen encoded by Matt Vernon notes
3632. 05/11/79 Shn - 0, 314 Billerica Billerica Forum FOB Sony ECM 280's > cassette master > 48k DAT; Transfer: DA20 mkII > Audiowerk2 > Waveburner > Peak > Jam > Plex 8/2/20 (on-the-fly card resampling); via A. Gustin notes
3633. 05/11/79 Flac - 0, 99029 Billerica Billerica Forum flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
3634. 05/12/79 Flac 24 - 0, 106433 Amherst Alumni Stadium, University Of Massachusetts flac24; Set 2, FOB AUD: 3x Nakamichi CM-300's > Nakamichi 550 (lead deck) > Sony TC-153SD (Tim's deck) > Maxell UD-XLII's. Set up FOB center aprx sixty feet from stage. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > TLH > FLAC 2496 Tagged. Transfer by Andrew F. 03/2010 notes
3635. 05/12/79 Flac - 0, 106434 Amherst Alumni Stadium, University Of Massachusetts flac16; Set 2, FOB AUD: 3x Nakamichi CM-300's > Nakamichi 550 (lead deck) > Sony TC-153SD (Tim's deck) > Maxell UD-XLII's. Set up FOB center aprx sixty feet from stage. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 03/2010 notes
3636. 05/12/79 Flac - 0, 85220 Amherst Alumni Stadium, University Of Massachusetts flac16; Recording by Barry Glassberg: MOTB 0034: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM300's > Sony 158SD > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick notes
3637. 05/12/79 Shn - 0, 10345 Amherst Alumni Stadium, University Of Massachusetts Recording by Barry Glassberg: Nak CM700s> MC>DAT>CD; via Paul B; Seeded to etree by Willy: upgrade now in circulation. notes
3638. 05/12/79 Shn - 0, 18874 Amherst Alumni Stadium, University Of Massachusetts Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon: upgrade now in circulation. notes
3639. 05/12/79 Flac 16/44,1 - , 151040 Amherst Alumni Stadium, University Of Massachusetts flac16/44.1khz Source: Audience FOB Recording Lineage: Nakamichi CM300's > Sony 158SD Hand-Held Transfer: MAC > Dat@44.1( K. Goto) Taped by: K. Gotto Transfer: MAC > Dat@44.1( K. Gotto) rebuilt Dat(taken Apart to Slice) Transfer Sony M1 analogue out > Edirol R09hr@24/88.2 > Wavelab6 > OzoneRx7A > Ozone6A > R8brain > CDWave notes
3640. 05/13/79 Shn - 0, 18873 Portland Cumberland County Civic Center Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon : upgrade now in circulation. notes
3641. 05/13/79 Flac 24 - 0, 127354 Portland Cumberland County Civic Center flac24; First Set Nakamichi 550>AKG 222e; Second set Nakamichi 550>Sen 441; First Set MAC>Nakamichi 1000II>Sound Device USBPre2; Second set 1st Gen>Nakamichi 1000II>Sound Devices USBPre2; Various patches made with Barry Glassbergs recording; First set Recorded by Richie Stankiewicz; Second set Recorded By Dave Wienman; All transfered by Richie Stankiewicz notes
3642. 05/13/79 Flac 16 - 0, 87854 Portland Cumberland County Civic Center flac16; Recording by Barry Glassberg: MotB Release: 0036 16/44.1 Source: Audience FOB Recording Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: Andy Foust notes
3643. 05/13/79 Flac 24/96 - 0, 88261 Portland Cumberland County Civic Center flac24 Recording by Barry Glassberg: MOTB Release: 0036 24/96 Source: Audience FOB Recording Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: Andy Foust notes
3644. 05/13/79 Shn - 0, 8037 Portland Cumberland County Civic Center Recording by Barry Glassberg: Nak CM 700 > Sony TCD-D5 > DAT > CD; via JR Fishman : upgrade now in circulation (note: this source also circulates without the filler tracks) notes
3645. 06/28/79 Shn - 0, 19514 Sacramento Sacramento Memorial Auditorium Set 2; SBD:MR> Cassettes x?> Pioneer 509 >CD; via Jools notes
3646. 06/28/79 Shn - 0, 11159 Sacramento Sacramento Memorial Auditorium Recording by Reinhardt Hollwein: Sony ECM>Sony-158>Cass>Reel>CD; 'Minor' static/distortion in spots; All Over Now, Fire, Samson, Ship, NFA, Peter; via David Minches & Paul B; Seeded to etree by Willy notes
3647. 06/30/79 Shn - 0, 10346 Portland Portland International Speedway Senn. 441's>MC>DAT>CD; via Paul B; Seeded to etree by Willy notes
3648. 06/30/79 Flac 16 - 0, 105563 Portland Portland International Speedway flac16; 2 x AKG D224e's >> Sony TC-D5 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe notes
3649. 06/30/79 Flac 16 - 0, 94386 Portland Portland International Speedway flac16; Recording Info: (2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k); Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; Taped By Rob Eaton; All Transfers and Mastering By Charlie Miller notes
3650. 06/30/79 Flac 16 - 0, 90694 Portland Portland International Speedway flac16; Recorded by Mark Severson; 2 Sony ECM-270s on pole 40' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
3651. 06/30/79 Flac 24/96 - 0, 145142 Portland Portland International Speedway flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly right of center, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3652. 06/30/79 Flac 16 - 0, 145141 Portland Portland International Speedway flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly right of center, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpowweramp notes
3653. 06/30/79 Flac 16/48 - 0, 152215 Portland Portland International Speedway flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes
3654. 06/30/79 Flac 24/96 - 0, 152216 Portland Portland International Speedway flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes
3655. 07/01/79 Flac 16 Mtx - 0, 95742 Seattle Seattle Center Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes
3656. 07/01/79 Flac 16 - 0, 93433 Seattle Seattle Center Coliseum flac16; Recording Info:SBD -> Cassette Master -> Cassette -> PCM -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3657. 07/01/79 Flac 16 - 0, 105210 Seattle Seattle Center Coliseum flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nak CM 700's >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe notes
3658. 07/01/79 Shn - 0, 315 Seattle Seattle Center Coliseum no source info; via D. Barrick; d3 now tracked out; update 7/00: listener Joe Doss reports that this sounds like a SBD, and Rob Bertrando points out that a SMC> VHS HiFi> R> D version circulates- one might infer that this is that version; see flaw notes in public comment section;; upgrade now in circulation notes
3659. 07/01/79 Flac 16 - 0, 90696 Seattle Seattle Center Coliseum flac16; Recorded by Mark Severson; 2 Sony ECM-270s on pole 35' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
3660. 07/01/79 Flac 16 - 0, 141412 Seattle Seattle Center Coliseum flac16; Recording Info: Reinhart Holhwein's Master Audience Cassettes; AKG D224E mics > Sony TC-158 > Pat Lee's 1st generation Reels; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp notes
3661. 07/01/79 Flac 16 - 0, 141414 Seattle Seattle Center Coliseum flac16; Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp notes
3662. 07/01/79 Flac 24/96 - 0, 141415 Seattle Seattle Center Coliseum flac24; Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 notes
3663. 07/01/79 Flac 24/96 - 0, 141413 Seattle Seattle Center Coliseum flac24; Recording Info: Reinhart Holhwein's Master Audience Cassettes; AKG D224E mics > Sony TC-158 > Pat Lee's 1st generation Reels; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 notes
3664. 07/01/79 Flac 24/96 - 0, 145358 Seattle Seattle Center Coliseum flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3665. 07/01/79 Flac 16/48 - 0, 145357 Seattle Seattle Center Coliseum flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3666. 07/01/79 Flac 24/96 Mtx. - , 156176 Seattle Seattle Center Coliseum flac24; Matrix 2 Source Mix - SBD (shn id 141415) Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 + AUD (shn id 145358) Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 - matrix mixing by Kevin Tobin notes
3667. 07/01/79 Flac 16 - , 156177 Seattle Seattle Center Coliseum flac16; Matrix 2 Source Mix - SBD (shn id 141415) Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 + AUD (shn id 145358) Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 - matrix mixing by Kevin Tobin notes
3668. 07/01/79 Flac 16 Dts 5.1 - , 156179 Seattle Seattle Center Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shn id 141415) Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 + AUD (shn id 145358) Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 - dts mixing by Kevin Tobin notes
3669. 07/01/79 Flac 16/48 LPCM - , 156180 Seattle Seattle Center Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shn id 141415) Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 + AUD (shn id 145358) Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 - surround mixing by Kevin Tobin notes
3670. 07/11/79 Flac 24/96 - , 153602 San Rafael Studio Rehersal, Club Front flac24/96 From the collection of John Musgrave A bit hissy but the Dolby decoding muffled this something awful so no Dolby on playback. Source: Studio > ? > Akai GX650DB @ 3 3/4 ips using Dolby B (most likely?) Transfer: Revox B77 > Korg MR2000-s @ 1 bit 5.6 MHz DSD (November 2020) AudioGate (24-96) > iZotope RX8 advanced > Goody * > TLH Goody Lineage: Speed/Pitch-adjustments using Adobe Audition -M- notes
3671. 07/11/79 Flac 16/48 - , 153601 San Rafael Studio Rehersal, Club Front flac16/44 From the collection of John Musgrave Source: Studio > ? > Akai GX650DB @ 3 3/4 ips using Dolby B (most likely?) Transfer: Revox B77 > Korg MR2000-s @ 1 bit 5.6 MHz DSD (November 2020) AudioGate (24-96) > iZotope RX8 advanced > Goody * > Korg Aqua (16-44) > TLH Goody Lineage: Speed/Pitch-adjustments using Adobe Audition -M- notes
3672. 08/04/79 Shn - 0, 34259 Oakland Oakland Auditorium Arena Fix of soundboard shn id 9578 (sbd) by Bill Tetzeli - see info file for details notes
3673. 08/04/79 Shn - 0, 9578 Oakland Oakland Auditorium Arena SBD>MC>C>DAT>CDR; Missing Jack Straw; via Paul B; Seeded to etree by Willy;; upgrade now in circulation notes
3674. 08/04/79 Flac 16 - 0, 90699 Oakland Oakland Auditorium Arena flac16; Recorded by Mark Severson; 2 Sony ECM-270s on pole 40' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
3675. 08/04/79 Flac 16/44,1 - 0, 144160 Oakland Oakland Auditorium Arena flac16/44.1khz Source Info: Master Soundboard Cassettes > Cassette > PCM > Dat (16-bit/44.1k) Transfer Info: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16 notes
3676. 08/04/79 Flac 24/96 - 0, 148941 Oakland Oakland Auditorium Arena flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, right center, held shoulder high, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3677. 08/04/79 Flac 16/48 - 0, 148940 Oakland Oakland Auditorium Arena flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, right center, held shoulder high, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3678. 08/05/79 Flac 16 Mtx - 0, 98716 Oakland Oakland Auditorium Arena flac16; Matrix Analog Audience Source: Aud Master Cassettes (MAC) Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe and Soundboard Source: gd79-08-05.sbd.munder.9579.sbeok.shnf notes
3679. 08/05/79 Shn - 0, 9579 Oakland Oakland Auditorium Arena SBD>MC>C>DAT>CDR; Some cuts, see info file for details; via Paul B; Seeded to etree by Willy; Note- Fixed versions of d1t09 & d1t10 now circ, courtesy of PainoMan. The 'splice' in Althea was found to be a skip and was fixed, and shntool fixed the resulting sbe for the remaining tracks on d1; 'original' and 'fixed' md5's are listed here notes
3680. 08/05/79 Flac 24 Mtx. - 0, 98717 Oakland Oakland Auditorium Arena flac24; Matrix Analog Audience Source: Aud Master Cassettes (MAC) Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe and Soundboard Source: gd79-08-05.sbd.munder.9579.sbeok.shnf notes
3681. 08/05/79 Flac 24/96 - 0, 98715 Oakland Oakland Auditorium Arena flac24; Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXLII 90 Analog Lineage: Nak CM 700s => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe notes
3682. 08/05/79 Flac 16 - 0, 98714 Oakland Oakland Auditorium Arena flac16; Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXLII 90 Analog Lineage: Nak CM 700s => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe notes
3683. 08/05/79 Flac 24/96 - 0, 148943 Oakland Oakland Auditorium Arena flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, held shoulder high, DFC, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3684. 08/05/79 Flac 16/48 - 0, 148942 Oakland Oakland Auditorium Arena flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, held shoulder high, DFC, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3685. 08/05/79 Flac 16/48 - , 158645 Oakland Oakland Auditorium Arena flac1648; Source and transfer info: Set 1 and Scarlet Begonias: Bear-sourced cassette. Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz. Set 2 starting at Fire on the Mountain: Anon sourced file (same mix as Bear tape) upsampled to 96kHz to match Bear source
Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred (July 2022) and mastered by Jim Blackwood
Speed/pitch adjusted by Jason Chastain
Minor repairs, track, FLAC, and pack by Steve Gravel
notes
3686. 08/05/79 Flac 24/96 - , 158644 Oakland Oakland Auditorium Arena flac24; Source and transfer info: Set 1 and Scarlet Begonias: Bear-sourced cassette. Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz. Set 2 starting at Fire on the Mountain: Anon sourced file (same mix as Bear tape) upsampled to 96kHz to match Bear source
Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred (July 2022) and mastered by Jim Blackwood
Speed/pitch adjusted by Jason Chastain
Minor repairs, track, FLAC, and pack by Steve Gravel
notes
3687. 08/12/79 Flac 16 - 0, 35038 Morrison Red Rocks Amphitheatre flac16; Seamless fix of soundboard shn id 9288 - MSC>R>PCM>CD>EAC>SHN>WAV>FLAC by Bil Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
3688. 08/12/79 Flac 16 - 0, 97683 Morrison Red Rocks Amphitheatre flac16; Master AUD>C>C>WAV>FLAC notes
3689. 08/12/79 Flac 16 - 0, 130347 Morrison Red Rocks Amphitheatre flac16; Recording Info: SBD > MC > R > PCM > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC notes
3690. 08/12/79 Shn - 0, 9288 Morrison Red Rocks Amphitheatre Master Soundboard Cassette > Reel to Reel > PCM > CDR; CD Mastering, Eac'ed & Shn'ed by Scott Clugston; to fungus & abgd via Charlie Connor;; upgrade now in circulation notes
3691. 08/12/79 Flac 16 - 0, 107166 Morrison Red Rocks Amphitheatre flac16; Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXLII 90 Analog Lineage: Nak CM 700s => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke notes
3692. 08/12/79 Flac 24/96 - 0, 145472 Morrison Red Rocks Amphitheatre flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 13, seats 68 & 69 - 1st set held head high, 2nd set mounted on pole)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3693. 08/12/79 Flac 16/48 - 0, 145471 Morrison Red Rocks Amphitheatre flac16/kHz48; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 13, seats 68 & 69 - 1st set held head high, 2nd set mounted on pole)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 126-bit via dBpoweramp notes
3694. 08/13/79 Flac - 0, 119999 Denver McNichols Sports Arena flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat (48k); Set 2: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3695. 08/13/79 Flac - 0, 123208 Denver McNichols Sports Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes
3696. 08/13/79 Shn - 0, 9289 Denver McNichols Sports Arena Sources: Primary: Master Soundboard Cassette > Reel to Reel > PCM > CDR; Sedondary Source: Master Audience Cassette; Nakamichi CM700 mics > 1 Reel to Reel gen > DAT > CDR Aud source supplies portions of "Friend of the Devil", "MInglewood Blues" , "Tuning / Announcements" , and "I Need A Miracle" ;Patching / CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston; to fungus and abgd via Charlie Connor notes
3697. 08/13/79 Flac - 0, 33583 Denver McNichols Sports Arena Master Audience Cassette; Nakamichi CM700 mics > Sony TC-158 cassette deck > Revox Reel to Reel (DBX encoded) > DBX decoded > DAT > CDR > Flac (unknown taper at this time); "Phil's Big Night!"; converted 01 April 2006 by winterland121072@yahoo.com notes
3698. 08/13/79 Flac - 0, 87271 Denver McNichols Sports Arena flac16; Set 1 only: SBD -> Cassette Master -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
3699. 08/13/79 Flac 24/96 - , 154845 Denver McNichols Sports Arena FLAC 2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
notes
3700. 08/13/79 Flac 16/48 - , 154846 Denver McNichols Sports Arena FLAC 1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90)
Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
notes
3701. 08/14/79 Flac 16 - 0, 32500 Denver McNichols Sports Arena flac16; Partial Set 2 Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
3702. 08/14/79 Flac 16 - 0, 32500 Denver McNichols Sports Arena flac16; SBD -> Cassette Master -> Cassette Transferred and Edited By Charlie Miller notes
3703. 08/14/79 Shn - 0, 9563 Denver McNichols Sports Arena FOB-AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy notes
3704. 08/14/79 Flac 16 - 0, 93047 Denver McNichols Sports Arena flac16;Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k) Recorded by Rob Eaton; Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3705. 08/14/79 Flac 16/48 - 0, 125251 Denver McNichols Sports Arena flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes
3706. 08/14/79 Flac 24/96 - 0, 152252 Denver McNichols Sports Arena flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes
3707. 08/31/79 Flac - 0, 92924 Glens Falls Glens Falls Civic Center flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3708. 08/31/79 Flac - 0, 129030 Glens Falls Glens Falls Civic Center flac16; AUD: Set One, AKG D222E's > Nakamichi 550; Set Two, Nak 300's > Nakamichi 550. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014. notes
3709. 08/31/79 Shn - 0, 9973 Glens Falls Glens Falls Civic Center AUD(Nak 300's)>MC>DAT>CDR; via Paul; Seeded to etree by Glyde notes
3710. 08/31/79 Flac - 0, 135775 Glens Falls Glens Falls Civic Center flac16; 2 source matrix by dusborne; Soundboard (shnid:92924), Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k),Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 ->Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; Audience (shnid:9973)AUD(Nak 300?s)>MC>DAT>CDR>EAC>SHN notes
3711. 09/01/79 Shn - 0, 18898 Rochester Holleder Memorial Stadium master SBD cassette (Dolby B) > cassette (Dolby C) > TC 2000 @ 24 bits > HHb 830 Patched wtih AUD>MC>DAT>CDR. Encoding and patching Ernie Dodd. SBD source from David Gans via Zeb Weber. notes
3712. 09/01/79 Flac 16 - 0, 119965 Rochester Holleder Memorial Stadium flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5M/Maxell UDXLII); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner notes
3713. 09/01/79 Flac 16 - 0, 123742 Rochester Holleder Memorial Stadium flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> Cassette (Dolby C) -> TC2000 EQ (24bit) -> Sonic Solutions -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3714. 09/01/79 Flac 16 - 0, 125464 Rochester Holleder Memorial Stadium flac16; AUD: 2x AKG D222E > Nakamichi 550, FOB center aprx 20 feet from the stage. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. August 2013. notes
3715. 09/01/79 Shn - 0, 10363 Rochester Holleder Memorial Stadium AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy notes
3716. 09/01/79 Flac 24/96 - 0, 119964 Rochester Holleder Memorial Stadium flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5M/Maxell UDXLII); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner notes
3717. 09/01/79 Flac 24/96 - 0, 125463 Rochester Holleder Memorial Stadium flac24; AUD: 2x AKG D222E > Nakamichi 550, FOB center aprx 20 feet from the stage. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. August 2013 notes
3718. 09/01/79 Flac 24/96 - 0, 139488 Rochester Holleder Memorial Stadium flac24; Source: (FOB) Nakamichi 700 > Sony D5M Cassette Master (Maxell UDXLII) - taped by Bob Wagner; Transfer: Cassette > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24 edited and mastered SIRMick 2017 notes
3719. 09/01/79 Flac 16 - 0, 145174 Rochester Holleder Memorial Stadium flac16; Source: (FOB) Nakamichi 700 > Sony D5M Cassette Master (Maxell UDXLII) - taped by Bob Wagner; Transfer: Cassette > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24 edited and mastered SIRMick 2017; This file set is 16 bit @ 44.1 notes
3720. 09/02/79 Flac 16 - 0, 93011 Augusta Augusta Civic Center flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3721. 09/02/79 Flac 24 - 0, 127920 Augusta Augusta Civic Center flac24; Set 2 Source AKG D-222e> Nakamichi 550; Recorded and transfered By Richie stankiewicz; Recorded 18th row left ctr; Transfer MAC>Nakamichi 1000II> USBPre2 notes
3722. 09/02/79 Shn - 0, 10364 Augusta Augusta Civic Center Recording by Steve Rolfe: Nak700's > D5: MC>DAT>CDR; via Paul B; Seeded to etree by Willy notes
3723. 09/02/79 Flac 16 - 0, 121942 Augusta Augusta Civic Center flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner notes
3724. 09/02/79 Flac 16 - 0, 130738 Augusta Augusta Civic Center flac16; Source: (FOB) Nakamichi 700 > Sony TC-D5M > Cassette Master (Maxell UDXL-II) - Recorded by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz - Conversion by Charlie Miller: DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017 notes
3725. 09/02/79 Flac 16 - 0, 145183 Augusta Augusta Civic Center flac16; Source: (FOB) Nakamichi 700 > Sony TC-D5M > Cassette Master (Maxell UDXL-II) - Recorded by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz - Conversion by Charlie Miller: DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017; This file set is 16 bit 44.1 notes
3726. 09/02/79 Flac 16 Mtx - 0, 147685 Augusta Augusta Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes
3727. 09/02/79 Flac 24/96 - 0, 147837 Augusta Augusta Civic Center flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
3728. 09/02/79 Flac 16/48 - 0, 147836 Augusta Augusta Civic Center flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3729. 09/02/79 Flac 16 - 0, 149508 Augusta Augusta Civic Center flac16; Source: Nakamichi 300 cardioids > Sony D5 > ? > FLAC; Location: FOB notes
3730. 09/02/79 Flac 16/44,1 - , 151041 Augusta Augusta Civic Center flac16/44.1khz Recorded by Keith Gatto Nak 300s> Sony TC-158 location: FOB Keith transferred his cassettes to Dat 16/44.1 *Dat clone playback Sony M-1(analogue out) > Edirol R09HR @ 24/88.2 Wav WaveLab 6 > Ozone RX4A > Ozone6A > R8brainPro notes
3731. 09/02/79 Flac 16 - , 153100 Augusta Augusta Civic Center Source: Nakamichi 300 cardioids > Sony D5 Location: FOB speed-pitch correction : original flacs > Wav > Magix Music Studio > TLH > Flac 8 sidewindersf 2021 notes
3732. 09/04/79 Flac 16 - 0, 79747 New York Madison Square Garden flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
3733. 09/04/79 Flac 24 - 0, 127491 New York Madison Square Garden flac24; Set 1 Recorded 6th row right center; Nakamichi 550 AKG D-222e; Transfer Nakamichi 1000II>Sound Devices USBPre2; Recorded and transfered by Richie Stankiewicz notes
3734. 09/04/79 Shn - 0, 9452 New York Madison Square Garden Sources: Primary Source: Master Soundboard Cassette > Reel to Reel > PCM > CDR: Secondary Source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700 mics; Secondary source supplies portions of "Jack Straw", "Minglewood Blues", "China Cat Sunflower", "Looks Like Rain" in its entirety, as well as a patch in "Wharf Rat" ; Patching / CD Mastering by Scott Clugston; also to abgd via Charlie Connor : upgrade now in circulation. notes
3735. 09/04/79 Flac 16 - 0, 1117776 New York Madison Square Garden flac16; Nakamichi 700s > Sony TC-158, 14th row recording by Barry Glassberg. Transferred MAC > CDR by Jim Wise (c2000) CDR > EAC > TLH > FLAC 1644 tagged (Dec 2011 notes
3736. 09/04/79 Shn - 0, 8379 New York Madison Square Garden Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org notes
3737. 09/04/79 Flac 24/96 - 0, 151656 New York Madison Square Garden flac24/96khz Recording Info: (FOB/14th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
3738. 09/04/79 Flac 16/44,1 - 0, 151988 New York Madison Square Garden flac16/44.1khz Recording Info: (FOB/14th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151636 24 > 16 @ 44.1 notes
3739. 09/04/79 Flac 16/48 - , 156348 New York Madison Square Garden flac1648 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 notes
3740. 09/04/79 Flac 24/96 - , 156349 New York Madison Square Garden flac2496 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 notes
3741. 09/05/79 Flac 16 Mtx - 0, 110829 New York Madison Square Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16) notes
3742. 09/05/79 Flac 16 - 0, 79748 New York Madison Square Garden flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
3743. 09/05/79 Flac 16 Mtx - 0, 102476 New York Madison Square Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
3744. 09/05/79 Shn - 0, 2484 New York Madison Square Garden Recording by Barry Glassberg: Nak 700's> Sony TC-158> DAT> ZA-2> CDR> EAC> SHN; A>D Transfer by Jim Wise from Barry Glassberg Master; EAC> SHN> upload by Mike 'Dank Star' Parrillo notes
3745. 09/05/79 Shn - 0, 8457 New York Madison Square Garden Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org notes
3746. 09/05/79 Shn - 0, 9453 New York Madison Square Garden Sources: Primary Source;Master Soundboard Cassette > Reel to Reel > PCM > CDR; Secondary source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700's; Secondary source supplies "Loser", "Promised Land", patches in "Scarlet Begonias", "Estimated Prophet", "Eyes of theWorld", "Black Peter", "Bertha". Both the Soundboard and Audience sources are missing the begining of "Mississippi Half-step"; Patching/CD Mastering by Scott Clugston; also to abgd via Charlie Connor : upgrade now in circulation. notes
3747. 09/05/79 Flac 24/96 - 0, 151831 New York Madison Square Garden flac24/96 Recording Info: (FOB/11th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 notes
3748. 09/05/79 Flac 16/44,1 - 0, 151987 New York Madison Square Garden flac16/44.1khz Recording Info: (FOB/11th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - 151831 24 > 16 @ 44.1 notes
3749. 09/05/79 Flac 16/48 - , 156350 New York Madison Square Garden flac1648 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 notes
3750. 09/05/79 Flac 24/96 - , 156351 New York Madison Square Garden flac2496 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 notes
3751. 09/06/79 Flac 16 - 0, 79749 New York Madison Square Garden flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
3752. 09/06/79 Shn - 0, 9454 New York Madison Square Garden Sources: Primary Source; Master Soundboard Cassette > Reel to Reel > PCM > CDR; Secondary Source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700's; Secondary source supplies a patch in "Easy to Love You" (d2t03) from 1:14 thru 1:41; Patching/CD Mastering by Scott Clugston; Also to abgd via Charlie Connor : upgrade now in circulation. notes
3753. 09/06/79 Shn - 0, 8458 New York Madison Square Garden Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org notes
3754. 09/06/79 Flac 16 - 0, 35218 New York Madison Square Garden flac16; Seamless fix of shn id 9454 - Master Soundboard Cassette > Reel to Reel > PCM > CDR > EAC > SHN > WAV > FLAC : upgrade now in circulation. notes
3755. 09/06/79 Flac 24/96 - 0, 151832 New York Madison Square Garden flac24/96 Recording Info: (FOB/14th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
3756. 09/06/79 Flac 16/44 - 0, 151985 New York Madison Square Garden flac16/44 Recording Info: (FOB/14th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151832 24 > 16 @ 44.1 notes
3757. 09/06/79 Flac 16 - 0, 151783 New York Madison Square Garden flac16 Source: Sony Stereo ECM -->SONY TCD126
Location: PA behind Stage
Transfer: Master Cassette Transfer->RR ->Cassette
Transfer/Flac Conversion by Brian Mandel - Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave
CD Wave Editor -> TLP->Flac Taper: Gerry Moskal
notes
3758. 09/06/79 Flac 24/48 - , 152718 New York Madison Square Garden flac2448; Partial AUD; Source: Mono Sony hand-held recorder (model unknown) > TDK-AD (normal bias) cassettes. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 06/2021 notes
3759. 10/24/79 Flac 16 - 0, 97440 Springfield Springfield Civic Center flac16; Set 2 only, Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller notes
3760. 10/24/79 Shn - 0, 19589 Springfield Springfield Civic Center Recording by Steve Rolfe: Sony D5 w/ nak 700's Lineage: AUDMC > DAT > WAV(48K) > SHN AUDMC > DAT by David Minor. DAT > WAV transfer by Marc Pujol. SHN encoding by Matt Vernon notes
3761. 10/24/79 Flac 16 - 0, 93142 Springfield Springfield Civic Center flac16; Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k)-Recorded by Rob Eaton;Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3762. 10/24/79 Flac 24/96 - 0, 145373 Springfield Springfield Civic Center flac24; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3763. 10/24/79 Flac 16/48 - 0, 145372 Springfield Springfield Civic Center flac16/48kHz; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3764. 10/24/79 Flac 16 - 0, 148162 Springfield Springfield Civic Center flac16; Set 1 lineage: SBD > ? > FLAC notes
3765. 10/24/79 Flac 16 - 0, 151424 Springfield Springfield Civic Center flac16; Recording Info: Master Soundboard Cassettes > DAT Transfer Info: Speed Corrections by Jason Chastain Mastering by Jamie Waddell with assistance from Jim Blackwood Track, FLAC and Pack by Steve Gravel 16bit 44.1kHz FLAC Level 8 notes
3766. 10/24/79 Flac 16/48 - 0, 152428 Springfield Springfield Civic Center flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496 notes
3767. 10/24/79 Flac 24/96 - 0, 152429 Springfield Springfield Civic Center flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496 notes
3768. 10/25/79 Shn - 0, 22792 New Haven Veterans Memorial Coliseum Upgrade to previous shn set by Charlie Miller - "Steve Rolfe sent me CDs of the show which sounded better than what I originally used, so on 2/20/04, I re-patched the sbd" notes
3769. 10/25/79 Shn - 0, 4627 New Haven Veterans Memorial Coliseum Set 2 SBD > Cass (Dolby S) > Nak DR-3 (playback) > RME 96/8 PST > SHN notes
3770. 10/25/79 Flac 16 - 0, 90098 New Haven Veterans Memorial Coliseum flac16; Set 2 Recording by Steve Rolfe: Nakamichi 700 -> Cassette Master -> Dat -> CD. Transfer: CD -> EAC -> CEP -> Flac(level 8) by Matt Vernon. Set 1 already circulates. notes
3771. 10/25/79 Flac 16 - 0, 93143 New Haven Veterans Memorial Coliseum flac16; Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k)-Recorded by Rob Eaton;Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3772. 10/25/79 Shn - 0, 21271 New Haven Veterans Memorial Coliseum Set 2 : SBD>Cassette Master>Cassette>DAT>CD (HHB 800 Pro Deck)>EAC .93b>SHN Transferred from DAT to CD-r (1998). Transcribed to SHN 11/28/2003 . JR Fishman : upgrade now in circulation. notes
3773. 10/25/79 Shn - 0, 22311 New Haven Veterans Memorial Coliseum Recording Info: Set 1: Nakamichi 700 -> Cassette Master -> Dat (Recorded By Steve Rolfe) Set 2: SBD -> Master Cassette (Sony TCD5M/Maxell UDXL II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Set 1: Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> Samplitude v7.02 Professional -> SHN Set 2: Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) : upgrade now in circulation. notes
3774. 10/25/79 Shn - 0, 19599 New Haven Veterans Memorial Coliseum Aud:M?>?>CD (It may be either Aud:MC>Cas>DAT>CD or Aud:MC>DAT>CD) via Jools notes
3775. 10/25/79 Flac 24/96 - 0, 145460 New Haven Veterans Memorial Coliseum flac24; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3776. 10/25/79 Flac 16/48 - 0, 145459 New Haven Veterans Memorial Coliseum flac16/48kHz; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3777. 10/25/79 Flac 16/48 - 0, 152435 New Haven Veterans Memorial Coliseum flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496 notes
3778. 10/25/79 Flac 24/96 - 0, 152436 New Haven Veterans Memorial Coliseum flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496 notes
3779. 10/27/79 Flac 16 - 0, 98561 South Yarmouth Cape Cod Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC;All Transfers and Mastering By Charlie Miller; ( upgrade now in circulation). notes
3780. 10/27/79 Flac16 Mtx - 0, 105234 South Yarmouth Cape Cod Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
3781. 10/27/79 Flac 24 - 0, 127550 South Yarmouth Cape Cod Coliseum flac24; Recorded 14th row left center; Nakamichi 550>AKG D222e; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded and transfered by Richie Stankiewicz notes
3782. 10/27/79 Flac 16 - 0, 98950 South Yarmouth Cape Cod Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This is a fix of shnid=29411, 29490 and 98561.) notes
3783. 10/27/79 Flac 16 - 0, 29411 South Yarmouth Cape Cod Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller ( upgrade now in circulation). notes
3784. 10/27/79 Shn - 0, 28832 South Yarmouth Cape Cod Coliseum Set 2 Only: zero gen source upgrade. Lineage: Master SBD Cassette > Master DAT > CDR > EAC > SHN. Seeded to etree by Seth Kaplan : upgrade now in circulation. notes
3785. 10/27/79 Shn - 0, 13980 South Yarmouth Cape Cod Coliseum Master Soundboard Cassette > Cass > DAT > CD; Patches made with Audience recording mastered by Steve Rolfe (Nak CM300 > Sony TC-158); See info file for details; via Scott Clugston; Seeded to etree by Steve Barbella : upgrade now in circulation. notes
3786. 10/27/79 Flac 16 - 0, 92049 South Yarmouth Cape Cod Coliseum flac16; SBD and Audience Matrix Mix of about a 60% SBD to 40% Audience. notes
3787. 10/27/79 Shn - 0, 317 South Yarmouth Cape Cod Coliseum SBD> [?]> DAT (D. DiProsa)> TB Montego Digi i/o (44.1)> .wav> .shn; transfer by A. Walton; see pub comments for listening notes : upgrade now in circulation. notes
3788. 10/27/79 Flac 16 - 0, 120367 South Yarmouth Cape Cod Coliseum flac16; Sennheiser 441's > Nakamichi 550 > CM > C1 > C2 (TDK SA-C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9 > CD Wave Editor > Trader's Little Helper > Flac16; Transfer, edit/patch, and pitch correction by Bob Morris, May 2012. notes
3789. 10/27/79 Shn - 0, 19416 South Yarmouth Cape Cod Coliseum Recording by Steve Rolfe: MAC(Nakamichi CM-700 mics > Sony TC-158) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes
3790. 10/27/79 Shn - 0, 29002 South Yarmouth Cape Cod Coliseum Repatch of SHNid=28832; Lineage: Master SBD Cassette > Master DAT > CDR > EAC > SHN Source: Master SBD Cassette (Sony TC D5 on Maxell UD XL-II cassette tape) Source Playback: Sony D5 DAT Transfer: Panasonic SV3800 (48 KHZ sampling rate) DAT Playback: Sony PCM R-700 Disc Transfer: HHB CDR-800; This is a repatch of disc 2 done by charlie miller on 3/31/05 using samplitude : upgrade now in circulation. notes
3791. 10/27/79 Flac 16 - 0, 29490 South Yarmouth Cape Cod Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller ( upgrade now in circulation). notes
3792. 10/27/79 Flac 16/44 - 0, 109777 South Yarmouth Cape Cod Coliseum flac16; AUD: 3x Nakamichi CM-300's > Nakamichi 550 (lead deck) > Sony TC-153SD (Tim's deck) > Maxell UD-XLII 90's. Set up behind the soundboard. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 09/2010 notes
3793. 10/27/79 Flac 24/96 - 0, 145462 South Yarmouth Cape Cod Coliseum flac24; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3794. 10/27/79 Flac 16/48 - 0, 145461 South Yarmouth Cape Cod Coliseum flac16/48kHz; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3795. 10/27/79 Flac 16 - 0, 145664 South Yarmouth Cape Cod Coliseum flac16; Recorded 14th row left center; Nakamichi 550>AKG D222e; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded and transfered by Richie Stankiewicz; 16bit, 44.1khz file set notes
3796. 10/28/79 Flac 16 Mtx - 0, 105530 South Yarmouth Cape Cod Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
3797. 10/28/79 Flac 16 - 0, 105434 South Yarmouth Cape Cod Coliseum flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional 10.22 -> Adobe Audition v1.5 -> FLAC; Transferred and Edited By Charlie Miller; This is a re-master of source ID 30655 notes
3798. 10/28/79 Flac 16 - 0, 134396 South Yarmouth Cape Cod Coliseum flac16; Recording Info: SBD -> Master Cassette -> Dat; Transfer Info: Dat -> Adobe Audition v3.0 -> Samplitude Professional 11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3799. 10/28/79 Shn - 0, 19590 South Yarmouth Cape Cod Coliseum Recording by Steve Rolfe: Sony D5 w/ nak 700's Lineage: AUDMC > DAT > WAV(48K) > SHN AUDMC > DAT by David Minor. DAT > WAV transfer by Marc Pujol. SHN encoding by Matt Vernon notes
3800. 10/28/79 Flac 16 - 0, 113748 South Yarmouth Cape Cod Coliseum flac16; AUD: 3x Nakamichi CM300/CP1's > patched thru Nakamichi 550 > Sony TC-153SD > Maxell UDXLII's, set up directly behind the soundboard, taped by Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2011 notes
3801. 10/28/79 Flac 24/48 - 0, 113747 South Yarmouth Cape Cod Coliseum flac24; AUD: 3x Nakamichi CM300/CP1's > patched thru Nakamichi 550 > Sony TC-153SD > Maxell UDXLII's, set up directly behind the soundboard, taped by Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. notes
3802. 10/28/79 Shn - 0, 7602 South Yarmouth Cape Cod Coliseum SBD : MC > R > DAT > CDR Beginning through Ship of Fools courtesy of Jim Wise AUD : MC ( NAK 700's > TC-158 by Steve Rolfe) > DAT > CDR Playin' through end of show From Peter Teitelbaum; via Peter Braverman : upgrade now in circulation. notes
3803. 10/28/79 Flac 24/96 - 0, 145465 South Yarmouth Cape Cod Coliseum flac24; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3804. 10/28/79 Flac 16/48 - 0, 145464 South Yarmouth Cape Cod Coliseum flac16/48kHz; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3805. 10/28/79 Flac 16 - 0, 30655 South Yarmouth Cape Cod Coliseum flac16; SBD -> Master Cassette -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation notes
3806. 10/31/79 Flac - 0, 29410 Uniondale Nassau Veterans Memorial Coliseum flac16; Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD Set 2: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller notes
3807. 10/31/79 Flac - 0, 86239 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording by Barry Glassberg: MOTB 0039: Source: Audience At SBD Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TCD5 > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick notes
3808. 10/31/79 Shn - 0, 17360 Uniondale Nassau Veterans Memorial Coliseum Set1: SBD>>MC>>REEL>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Set2: SBD>>MC>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Last 20 minutes of show: MAC(Nak 700's)>>SonyTC-158>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B notes
3809. 10/31/79 Shn - 0, 7921 Uniondale Nassau Veterans Memorial Coliseum Partial 2nd Set; SB> MR> Dick Latvala's cass> DAT> CD> EAC> CDWAV> .shn & CD-R; via Alasdair Macdonald : upgrade now in circulation. notes
3810. 10/31/79 Flac - 0, 91040 Uniondale Nassau Veterans Memorial Coliseum flac16; SBD and Audience Matrix Mix notes
3811. 10/31/79 Flac - 0, 96606 Uniondale Nassau Veterans Memorial Coliseum flac16; Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: unknown Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/flac Conversion Brian Mandel Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac notes
3812. 10/31/79 Shn - 0, 0372 Uniondale Nassau Veterans Memorial Coliseum D1 (set 1) SBD> MR> C> DAT> CD; D2 (set 2a) SBD> MR> Dick Latvala's Cass> DAT> CD; D3 (set 2b) AUDMC (Nak 700's> Sony TC158)> DAT> CD; Seeded to etree by Dave Shepard, w/ thanks to Chuck Reynolds; also to abgd : upgrade now in circulation. notes
3813. 10/31/79 Flac 24/96 - 0, 87523 Uniondale Nassau Veterans Memorial Coliseum flac24; Recording by Barry Glassberg: MOTB Release: 0039 24/96 Source: Audience At SBD Recording Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM-700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick notes
3814. 10/31/79 Flac 16/44 - 0, 151982 Uniondale Nassau Veterans Memorial Coliseum flac16/44 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) Additional Mastering Info: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151882 24 > 16 @ 44.1 notes
3815. 10/31/79 Flac 24/96 - 0, 151882 Uniondale Nassau Veterans Memorial Coliseum flac24/96 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) Additional Mastering Info: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
3816. 11/01/79 Flac 16 - 0, 113354 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info:SBD -> Master Cassette (Sony TC-D5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info:Dat (Sony R500) -> Tascasm SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3817. 11/01/79 Flac 16 Mtx - 0, 128311 Uniondale Nassau Veterans Memorial Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes
3818. 11/01/79 Flac 16 - 0, 91762 Uniondale Nassau Veterans Memorial Coliseum flac16; SBD and Audience Matrix Mix from SBD: shnid 23445 SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller and Audience: shnid 22316 Recording by Pete Jaeger: Master Audience Cassette; 2 Nakamichi 300s> Nakamichi 550 notes
3819. 11/01/79 Shn - 0, 2412 Uniondale Nassau Veterans Memorial Coliseum Master Soundboard Cassette > Cassette > Hi-Fi VHS > DAT > CDR, with nearly complete patches from AUD Nak CM300 (see info file for details); mastered by Scott Clugston; d2 tracked for 80 min; 9/01 update: upgrade now in circulation notes
3820. 11/01/79 Shn - 0, 5586 Uniondale Nassau Veterans Memorial Coliseum Master Soundboard Cassette, played back via Nakamichi DR-3> RME 96/8 PST > Harddrive > SHN; with patches from Master Soundboard Cassette > Cassette > Hi-Fi VHS> CDR, and Master Audience Cassette; Nakamichi CM300 mics > Nakamichi 550 > CDR sources (see info file); Patching / CD Mastering, SHN'ed by Scott Clugston, with thanks to Don Goodwin for new source; d1 tracked for 80 min : upgrade now in circulation notes
3821. 11/01/79 Flac 16 - 0, 78301 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; This is a repatch of shn id 23445 & shn id 77363 notes
3822. 11/01/79 Flac 16 - 0, 77363 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller -- This is a repatch of shn id 23445: upgrade now in circulation notes
3823. 11/01/79 Flac 16 - 0, 77329 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording by Pete Jaeger: Master Audience Cassette; 2 Nakamichi 300s> Nakamichi 550 via David Minches notes
3824. 11/01/79 Shn - 0, 23445 Uniondale Nassau Veterans Memorial Coliseum SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info:Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN; Transferred and Edited By charliemiller87@earthlink.net Charlie Miller; Note: had originally circulated only as set 2; upgrade now in circulation notes
3825. 11/01/79 Flac 16 - 0, Uniondale Nassau Veterans Memorial Coliseum notes
3826. 11/01/79 Flac 16 - 0, 151772 Uniondale Nassau Veterans Memorial Coliseum Source: 2 Nakamichi 300s > Nakamichi 550 > Master Audience Cassettes
Recording by Pete Jaeger.
Edited & Remastered (Adobe Audition) by Joe Noel. January 30, 2021.
Remaster of
SHIND 77329
notes
3827. 11/02/79 Flac16 Mtx - 0, 124392 Uniondale Nassau Veterans Memorial Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes
3828. 11/02/79 Shn - 0, 7920 Uniondale Nassau Veterans Memorial Coliseum SBD> MR> Dick's cassette> DAT> CD; via Alasdair Macdonald notes
3829. 11/02/79 Flac 16 - 0, 94220 Uniondale Nassau Veterans Memorial Coliseum flac16; 2 x Nakamichi CM-700's => Sony TCD5 >> 37th Row Center on the Pole >> MAC >> Nakamichi DR-1 >> Benchmark ADC-1 >> AES >> Sound Devices 722 >> 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Green notes
3830. 11/02/79 Shn - 0, 4672 Uniondale Nassau Veterans Memorial Coliseum SBD > Cass (Dolby S) > Nak DR-3 (playback) > RME 96/8 PST > SHN; First 30-60 seconds of Miss 1/2 Step is missing; to abgd; note spaces in filenames- may need rename : upgrade now in circulation notes
3831. 11/02/79 Flac 16 - 0, 86553 Uniondale Nassau Veterans Memorial Coliseum flac16; Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: Behind Stage Right 30' 300 Section elevation Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/flac Conversion: Brian Mandel Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac notes
3832. 11/02/79 Shn - 0, 12761 Uniondale Nassau Veterans Memorial Coliseum AUD> MC> DAT> CDR; via Paul B, Alan Schlissel notes
3833. 11/02/79 Flac 16/48 - 0, 142393 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II) > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k notes
3834. 11/02/79 Flac 24/96 - 0, 94221 Uniondale Nassau Veterans Memorial Coliseum flac24; 2 x Nakamichi CM-700's => Sony TCD5 >> 37th Row Center on the Pole >> MAC >> Nakamichi DR-1 >> Benchmark ADC-1 >> AES >> Sound Devices 722 >> 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Green notes
3835. 11/02/79 Flac 24/96 - , 154424 Uniondale Nassau Veterans Memorial Coliseum flac24/96 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools > WAV (24-bit/96k) Additional Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 Recorded, Transferred and Mastered by Rob Eaton Additional Editing by Charlie Miller notes
3836. 11/02/79 Flac 16/44 - , 154496 Uniondale Nassau Veterans Memorial Coliseum flac16/44 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools > WAV (24-bit/96k) Additional Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 Recorded, Transferred and Mastered by Rob Eaton Additional Editing by Charlie Miller - This is 154424 2496 > 1644 notes
3837. 11/04/79 Shn - 0, 7919 Providence Providence Civic Center SB>MR>Dick Latvala's cass>DAT>CD>EAC>minor editing>.shn & CD-R; Reported upgrade to previous shn set; see info file for details; Timings are the same; via Alasdair Macdonald notes
3838. 11/04/79 Flac 16 - 0, 128814 Providence Providence Civic Center flac16; Recording Info: SBD > MC > C > DAT > CDR. Transfer Info: CDR > wav > Sound Forge 10 >TLH > flac notes
3839. 11/04/79 Shn - 0, 6947 Providence Providence Civic Center Master Soundboard Cassette > Cassette > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; misc cuts, missing USB notes
3840. 11/04/79 Flac 16 - 0, 101486 Providence Providence Civic Center flac16; AUD: AKG D200's > Technics RS-646DS (lead deck) > Sony TC-153SD (Tim's deck) > Maxell XL-II 90's. Mics on stand, set up behind the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain TLH > FLAC 1644. Transfer by Andrew F. 09/2009 notes
3841. 11/04/79 Flac 16 - 0, 84210 Providence Providence Civic Center flac16; Unknown Taper: Master recorded with 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Master played back on unknown deck to unknown deck to record 1st Generation Cassette 1st Generation Cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding Transfer and FLAC encoding by David Minches notes
3842. 11/04/79 Flac 16/48 - 0, 142917 Providence Providence Civic Center flac16/48kHz; Recording Info: SBD > Cassette Master (Sony TC-D5/Maxell UDXL-II) > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k notes
3843. 11/04/79 Flac 24/96 - 0, 101485 Providence Providence Civic Center flac24; AUD: AKG D200's > Technics RS-646DS (lead deck) > Sony TC-153SD (Tim's deck) > Maxell XL-II 90's. Mics on stand, set up behind the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. 09/2009 notes
3844. 11/05/79 Flac - 0, 28932 Philadelphia The Spectrum Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R700) -> CD (HHB CDR800) Dat > CD Transfer By Jim Wise Patched By Charlie Miller charliemiller87@earthlink.net Patch Info: Estimated Prophet has a tape flip which I pacthed with SBD>Cm>Cass>Dat>CD. End of Lost Sailor through the end of the show patched with Nakamichi 300 -> Cassette Master > C2 > CD notes
3845. 11/05/79 Shn - 0, 2410 Philadelphia The Spectrum Master Soundboard Cassette > Cassette > DAT > CDR; pitch corrected and with AUD Nak CM300 patches (see info file for details); mastered by Scott Clugston : upgrade now in circulation notes
3846. 11/05/79 Shn - 0, 12177 Philadelphia The Spectrum Third in the series :O); This is the previous shn set with a shntool fix and silence removed from d2 (by Charles Weir); See info file for details; Master Soundboard Cassette > Cassette > DAT > CDR. : upgrade now in circulation notes
3847. 11/05/79 Flac 16 - 0, 83710 Philadelphia The Spectrum flac16; Recording by Joel Barnehama: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
3848. 11/05/79 Flac 16 - 0, 89053 Philadelphia The Spectrum flac16; Unknown Taper; Recorded with 3 Nak 300s> Nak 550 2nd Generation Audience Cassette provided by Gordon Sharpless Transfer and FLAC encoding by David Minches: 2nd Generation Cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
3849. 11/06/79 Flac 16 - 0, 29735 Philadelphia The Spectrum flac16; SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat/0 (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller notes
3850. 11/06/79 Flac 16 - 0, 125857 Philadelphia The Spectrum flac16; Source: SBD > Nakamichi 550 > Cassette > Cassette. Transfer: Cassette > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. notes
3851. 11/06/79 Flac 24/96 - 0, 125956 Philadelphia The Spectrum flac24; Source: SBD > Nakamichi 550 > Cassette > Cassette. Transfer: Cassette > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. notes
3852. 11/06/79 Shn - 0, 2417 Philadelphia The Spectrum Master Soundboard Cassette > Cassette > DAT > CDR; mastered by Scott Clugston: upgrade now in circulation notes
3853. 11/06/79 Flac 16 - 0, 137296 Philadelphia The Spectrum flac16; Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering & Editing by Jason Chastain in Audition CC 2015; Final Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by Norm notes
3854. 11/06/79 Flac 16 - 0, 85575 Philadelphia The Spectrum flac 16; set 2 only; Recording by Joel Barnehama: Source: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding;Transfer and FLAC encoding by David Minches: notes
3855. 11/06/79 Flac 24/96 - 0, 150953 Philadelphia The Spectrum flac24/96khz Recording Info: SBD > Cassette Master (Nakamichi 550/TDK-SA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
3856. 11/06/79 Flac 24/96 - 0, 150952 Philadelphia The Spectrum flac24/96khz Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) notes
3857. 11/06/79 Flac 16/44 - 0, 151466 Philadelphia The Spectrum flac16/44khz Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) 150952 24 -> 16 @ 44.1 notes
3858. 11/06/79 Flac 16/44 - 0, 151467 Philadelphia The Spectrum flac16/44khz Recording Info: SBD > Cassette Master (Nakamichi 550/TDK-SA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 150953 24 -> 16 @ 44.1 notes
3859. 11/08/79 Flac 16 - 0, 29503 Landover Capital Centre flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC notes
3860. 11/08/79 Shn - 0, 18126 Landover Capital Centre This shn set combines into a single seed the set 1 and set 2 shn sets previously seeded to etree as singles; see info file for details; seeded to etree via D Litfin; edits/encoding by D Litfin; updated source: both sets SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction) [Had been marked SDB> MR> D> CDR] : upgrade now in circulation notes
3861. 11/08/79 Shn - 0, 8546 Landover Capital Centre retracked version of previous set 2 shn set, for 1x80; md5s do not change, redundant tracks omitted; via Dan MacNeill; updated source: SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction) [Had been marked sdb> master reel> dat> cdr] : upgrade now in circulation notes
3862. 11/08/79 Flac 16 - 0, 132330 Landover Capital Centre flac16; AUD of unknown lineage; TDK D90's (c1979) > Nakamichi CR-5A > Edirol FA-66 Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F 01/2015 notes
3863. 11/08/79 Flac 16 - 0, 132455 Landover Capital Centre flac16; mac > hd or maybe the label was swapped and this is a first gen; unk equip. could be 2xshure sm58>sony 152 notes
3864. 11/08/79 Shn - 0, 8409 Landover Capital Centre set 1; updated source: SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction) [Had been marked sdb> master reel> dat> cdr] via Mike Lai, with thanks to Scott Kolber; meant to accompany previous set 2 shn set (with inclusive txt file), but circulates separately : upgrade now in circulation notes
3865. 11/08/79 Shn - 0, 3901 Landover Capital Centre set 2; updated source: SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction); [had been marked sdb> master reel> dat> cdr]; via Mike Lai; note this set 2 material, labelled as d2-d3, has redundant tracks (d3t1-t5 simply repeat d2t3-t7 and can be omitted); 3/02 note: set 1 now circulates separately : upgrade now in circulation notes
3866. 11/08/79 Flac 16 - 0, 150270 Landover Capital Centre flac16; Set 2 Only; SBD > ? > FLAC notes
3867. 11/09/79 Flac - 0, 34936 Buffalo Community War Memorial Auditorium flac16; SBD> Cm> Cass> Dat> Sound Forge> CD > WAV > SHN > WAV > FLAC - Fix of shn id 318. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
3868. 11/09/79 Flac 16 - 0, 76499 Buffalo Community War Memorial Auditorium flac16; 2 Songs from AUD of unknown lineage via Andrew F and Dennis C (Seeded as filler on 12/10/79 aud from same seeders) notes
3869. 11/09/79 Shn - 0, 318 Buffalo Community War Memorial Auditorium Updated source: SBD> Cm> Cass> Dat> Sound Forge> CD; 6ote d1t1 is JBG from 11/8/79 encore; to abgd previously; via A. Stern; note variable right-channel static throughout. : upgrade now in circulation notes
3870. 11/09/79 Flac - 0, 79702 Buffalo Community War Memorial Auditorium flac16; Audience tape of unknown lineage Transfer: C > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, by Andrew F. November 2006 notes
3871. 11/09/79 Flac 16 - 0, 150448 Buffalo Community War Memorial Auditorium flac16; Soundboard Cassette Master > ? > flac; Speed Corrections by Jason Chastain; Audio Mastering by Jamie Waddell notes
3872. 11/10/79 Shn - 0, 13108 Ann Arbor Crisler Arena Master Soundboard Cassette > Reel to Reel > DAT> CDR, with AUD patches (see notes); via Scott Clugston; to abgd notes
3873. 11/10/79 Shn - 0, 10457 Ann Arbor Crisler Arena SBD>MR>DAT>CDR; Missing first three 1/2 songs of first set; via Paul B; Seeded to etree by Willy : upgrade now in circulation notes
3874. 11/10/79 Flac 16 - , 152823 Ann Arbor Crisler Arena Source Info: Master Soundboard Cassettes > 1st generation cassettes > Tim Dalton's Beta PCM
Transfer Info: Tim Dalton's Beta PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1 > Adobe Audition 2020 > TLH flac16
notes
3875. 11/23/79 Shn - 0, 7861 San Diego Golden Hall, Community Concourse SBD:MC>Cas>DAT>CD, patches from 3rd generation reel source notes
3876. 11/23/79 Flac - 0, 107405 San Diego Golden Hall, Community Concourse flac16; 2 x Nak cm700's >> Sony TC-D5 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] notes
3877. 11/23/79 Flac - 0, 77330 San Diego Golden Hall, Community Concourse flac16; Recording by Bob Wagner: A:C:R:D Nak 700s>Sony TC-158 via David Minches notes
3878. 11/23/79 Flac - 0, 136697 San Diego Golden Hall, Community Concourse flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Mastering Info: Audition CC 2015 -> Samplitude Pro 11.2.1 -> FLAC; All Mastering By Charlie Miller notes
3879. 11/24/79 Flac 16 Mtx - 0, 113741 San Diego Golden Hall, Community Concourse flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
3880. 11/24/79 Flac 16 - 0, 113499 San Diego Golden Hall, Community Concourse flac16; Recording Info: SBD -> Cassette Master; Transfer Info: Cassette Master (Tascam 122MKII) -> Sound Devices 744T -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Mastering By Charlie Miller notes
3881. 11/24/79 Flac 24/96 - 0, 145590 San Diego Golden Hall, Community Concourse flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, section 401, row 8 seats 7 & 8)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3882. 11/24/79 Flac 16/48 - 0, 145589 San Diego Golden Hall, Community Concourse flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, section 401, row 8 seats 7 & 8)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3883. 11/24/79 Shn - 0, 10022 San Diego Golden Hall, Community Concourse Sources:Primary Source:MSC>??>DAT>CDR>EAC>Shn;Alternate Soundboard Source MSC>C>CDR supplies patches in Lost Sailor, Sugar Mag, OMSN,. 2nd Alt Source; Master Aud Cassette>NakCM700>Sony TC-158>Reel>DAT>CDR source supplies patches in China Cat Sunflower , Playin, and Sugar Mag. This source is missing the material needed to patch "Althea" (d1t08). Primary Source Shs via Eric Salmassy; Cd remastered; patched and reshn'ed by Scott Clugston; to Fungus and abgd via Charlie Connor (Note: A sbe-fixed version is circulating as of 4/2008.) notes
3884. 11/24/79 Flac 16 - 0, 106307 San Diego Golden Hall, Community Concourse flac16; 2 x Nak cm700's >> Sony TC-D5 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] notes
3885. 11/25/79 Flac 16 - 0, 84489 Los Angeles Pauley Pavilion, UCLA flac16; Recording Info: SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen); repatched version of shn id 25609 (this has a new patch in Bertha) notes
3886. 11/25/79 Flac 16 Mtx - 0, 90846 Los Angeles Pauley Pavilion, UCLA flac16; Matrix 2 Source Mix - SBD (shn id 25069) SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN + AUD (shn id 90636) Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - matrix mixing by Kevin Tobin notes
3887. 11/25/79 Flac 16 - 0, 90636 Los Angeles Pauley Pavilion, UCLA flac16; Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe notes
3888. 11/25/79 Shn - 0, 7192 Los Angeles Pauley Pavilion, UCLA SBD Cassmaster-> PCM-> DAT-> CDRs-> EAC-> SHN (Unconfirmed); Small splices in The Other One and Bertha, some digipops; via Cozmichuck and Dan : upgrade now in circulation notes
3889. 11/25/79 Shn - 0, 25609 Los Angeles Pauley Pavilion, UCLA Recording Info: SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen) via Charlie Miller : upgrade now in circulation notes
3890. 11/25/79 Flac 16 - 0, 90720 Los Angeles Pauley Pavilion, UCLA flac16; Recorded by Mark Severson; 2 Sony ECM-270s on stand 40' from stage> Sony TC-D5 (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
3891. 11/25/79 Flac Dts 5.1 - 0, 90872 Los Angeles Pauley Pavilion, UCLA DTS Audio 5.1; SBD (shn id 25069) SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN + AUD (shn id 90636) Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - dts mixing by Kevin Tobin notes
3892. 11/25/79 Flac 24/96 - 0, 90638 Los Angeles Pauley Pavilion, UCLA flac24; Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe notes
3893. 11/25/79 Flac 24/96 - 0, 145602 Los Angeles Pauley Pavilion, UCLA flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, 40' from stage)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3894. 11/25/79 Flac 16/48 - 0, 145601 Los Angeles Pauley Pavilion, UCLA flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, 40' from stage)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3895. 11/29/79 Flac 16 - 0, 95831 Cleveland Cleveland Public Hall flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 29421 notes
3896. 11/29/79 Shn - 0, 11630 Cleveland Cleveland Public Hall 2nd Set Only; SBD>?>CDR; via Dr. Sketchy, Stillman; Seeded to etree by jim@juddcreek : upgrade now in circulation notes
3897. 11/29/79 Shn - 0, 12376 Cleveland Cleveland Public Hall Master Soundboard Cassette > Cassette > DAT> Cassette > DAT > CDR complete via Scott Clugston : upgrade now in circulation notes
3898. 11/29/79 Flac 16 - 0, 29421 Cleveland Cleveland Public Hall flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller; upgrade now in circulation notes
3899. 11/29/79 Flac 24/96 - 0, Cleveland Cleveland Public Hall flac24/96 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496 notes
3900. 11/29/79 Flac 16/48 - 0, 151720 Cleveland Cleveland Public Hall flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496 notes
3901. 11/30/79 Flac 16 - 0, 95832 Pittsburgh Stanley Theatre flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 29424 notes
3902. 11/30/79 Flac 16 Mtx - 0, 126893 Pittsburgh Stanley Theatre flac16; 2 Source matrix by Dave Usborne;Soundboard (shnid:95832); All Transfers and Mastering By Charlie Miller;Recording Info:SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k);Transfer Info:Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 ->Adobe Audition v1.5 -> FLAC; Audience (shnid:76348);Taped and Transferred by Charlie Connor; Source: (FOB, 10th Row Center Stage)>Sony ECM 990>JVC 1636mkII(CM);Transfer:Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)>SHNv3 (MKW ACT) notes
3903. 11/30/79 Shn - 0, 76348 Pittsburgh Stanley Theatre Recording by Charlie Connor: (FOB, 10th Row Center Stage)>Sony ECM 990>JVC 1636mkII(CM)Transfer:Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)>SHNv3 (MKW ACT)Taped and Transferred by Charlie Connor notes
3904. 11/30/79 Shn - 0, 24226 Pittsburgh Stanley Theatre SBD > DAT > CDREAC'ed / SHN'ed by Bob Delaney. Circulated 04/19/2004 via Tom Donaldson : upgrade now in circulation notes
3905. 11/30/79 Shn - 0, 3118 Pittsburgh Stanley Theatre Master Soundboard Cassette > Cassette > DAT > CDR, with patches from AUD Nakamichi CM700 source (see info file for details); patching, CD mastering, EAC> SHN by Scott Clugston; d3 tracked for 80 min : upgrade now in circulation notes
3906. 11/30/79 Shn - 0, 33215 Pittsburgh Stanley Theatre Soundboard > Master Soundboard Cassette > Cassette > DAT > CDR, with patches from AUD Nakamichi CM700 source. Note: This is the Clugston source with minor fixes by Charlie Miller. Charlie has circulated a more recent soundboard recording since this fix. : upgrade now in circulation notes
3907. 11/30/79 Shn - 0, 21784 Pittsburgh Stanley Theatre Fixed version of http://db.etree.org/shn/3118 via cm : upgrade now in circulation notes
3908. 11/30/79 Flac 16 - 0, 29424 Pittsburgh Stanley Theatre flac16; SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller; Note: since no one had the previous seed I am just updating this source notes
3909. 11/30/79 Flac 24/96 - 0, 148526 Pittsburgh Stanley Theatre flac24; Source Info: 1st Set: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 300 mics > Sony TC-158 (in the pit); 2nd Set: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-158 (in the pit); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
3910. 11/30/79 Flac 16/48 - 0, 148525 Pittsburgh Stanley Theatre flac16/48kHz; Source Info: 1st Set: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 300 mics > Sony TC-158 (in the pit); 2nd Set: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-158 (in the pit); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
3911. 12/01/79 Flac 16 - 0, 96408 Pittsburgh Stanley Theatre flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller; this is a re-master of source id 29429 notes
3912. 12/01/79 Flac 16 Mtx - 0, 31946 Pittsburgh Stanley Theatre flac16; Sick Bits Vol. 15: SBD/AUD Matrix[SBD: (shnid=29429) AUD: (shnid=31330)] via Chris Chappell notes
3913. 12/01/79 Flac 16 - 0, 29429 Pittsburgh Stanley Theatre flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller; upgrade now in circulation notes
3914. 12/01/79 Shn - 0, 6022 Pittsburgh Stanley Theatre mixed source: set 1: SBD> Rm> Cass> Dat> CD> EAC> SHN, Set 2: SBD> Rm> Dat> CD> EAC> SHN; via Skip Jenkins vine, from Charlie Miller seed; EAC>SHN by Steve Barbella; missing Easy to Love You, Splice in LLR, otherwise complete : upgrade now in circulation notes
3915. 12/01/79 Flac 16 - 0, 120453 Pittsburgh Stanley Theatre flac16; Low-gen Audience Cassette (Maxell UDXLII-C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9 > CD Wave Editor > Trader's Little Helper > Flac16 Transfer, edit, pitch correction by Bob Morris, May 2012 notes
3916. 12/01/79 Flac Dts 5.1 - 0, 34294 Pittsburgh Stanley Theatre flac16; Source: DTS-Audio-CD 5.1 Mix of SBD: shn id 29429 and AUD: shn id 31330 Multichannel Mix by Dan dan@am-dig.com notes
3917. 12/01/79 Shn - 0, 319 Pittsburgh Stanley Theatre set 2; MSR > Cassette > DAT > CDR; via S. Clugston, L. Revell; note reportedly no 10s dropout in LLR : upgrade now in circulation notes
3918. 12/01/79 Flac 16 - 0, 31330 Pittsburgh Stanley Theatre flac16; AUD (unknown equipment and lineage, speculated to have been taped by Scott Jones with Shure > Sony TC-158) via Andrew F notes
3919. 12/01/79 Flac 16 - 0, 82489 Pittsburgh Stanley Theatre flac16; Recording by Joel Barnehama: Master Audience Cassette; 2 Sennheiser 421s> Nakamichi 550 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Digital Audio Labs Card Deluxe (24/96)>Adobe Audition> (dither/downsample)> FLAC encoding notes
3920. 12/01/79 Flac 24/96 - 0, 148532 Pittsburgh Stanley Theatre flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on railing in front of the soundboard)> Sony TC-158 (see notes); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
3921. 12/01/79 Flac 16/48 - 0, 148531 Pittsburgh Stanley Theatre flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on railing in front of the soundboard)> Sony TC-158 (see notes); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3922. 12/01/79 Flac 24/96 - 0, 150983 Pittsburgh Stanley Theatre flac24/96 Recording Info: Set 1: AUD (Unknown Mics) > Cassette Master (Nakamichi 350) Set 2: SBD > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) notes
3923. 12/01/79 Flac 16/44 - 0, 151468 Pittsburgh Stanley Theatre flac16/44khz Recording Info: Set 1: AUD (Unknown Mics) > Cassette Master (Nakamichi 350) Set 2: SBD > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) 150983 24 -> 16 @ 44.1 notes
3924. 12/01/79 Flac 16 Mtx - , 161627 Pittsburgh Stanley Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 96408 & 148531. notes
3925. 12/03/79 Flac 16 - 0, 29434 Chicago Uptown Theater flac16; Set 1: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Set 2: SBD -> Cassette Master -> Cassette -> Dat -> CD Transferred and Edited By Charlie Miller notes
3926. 12/03/79 Shn - 0, 320 Chicago Uptown Theater SBD > Cassette Master > C0 > DAT > SHN (Latvala vault leak); via L. Orf; known flaws: from master, first few seconds of some songs clipped (Orf smoothed with fades), levels low from DAT- left alone (note encore louder) : upgrade now in circulation notes
3927. 12/03/79 Flac 16 Mtx - 0, 135897 Chicago Uptown Theater flac16; 2 source matrix by dusborne; Soundboard (shnid:29434), Recording Info: Set 1: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Set 2: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: Set 1: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC; Set 2: CD -> EAC -> Samplitude Professional v8.0 -> FLAC, Transferred and Edited By Charlie Miller and Audience (shnid:83611),Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC * from 1st generation cassette from same master; master played back on Nak 550> Nak 250 notes
3928. 12/03/79 Shn - 0, 1241 Chicago Uptown Theater "analog> PCMWAVs very close to the master reels"; see notes and flaws discussed in info files; via BongRipper to abgd; later via tol to etree notes
3929. 12/03/79 Flac 16 - 0, 83611 Chicago Uptown Theater flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding * from 1st generation cassette from same master; master played back on Nak 550> Nak 250 notes
3930. 12/04/79 Flac - 0, 34937 Chicago Uptown Theatre flac16; lineage: Master Soundboard Cassette -> Cassette -> DAT transfer: DAT -> CD -> EAC -> SHN - Fix of shn id 2535. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
3931. 12/04/79 Flac - 0, 130387 Chicago Uptown Theatre flac16; Recording Info: SBD > MC > C > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC notes
3932. 12/04/79 Flac - 0, 83593 Chicago Uptown Theatre flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding notes
3933. 12/04/79 Shn - 0, 2535 Chicago Uptown Theatre Master Soundboard Cassette -> Cassette -> DAT; DAT -> CD -> EAC -> SHN conversion by Scott Clugston; to etree via Adam Jerugim; static from MR in d1t3,6 : seamless version upgrade now in circulation notes
3934. 12/04/79 Flac - 0, 135898 Chicago Uptown Theatre flac16; 2 source matrix by dusborne;Soundboard (shnid:34937), Master Soundboard Cassette -> Cassette -> DAT -> CD -> EAC -> SHN; Audience (shnid:83593), Recording by Ira Frisch:Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550Transfer and FLAC encoding by David Minches:Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding notes
3935. 12/05/79 Flac 16 Mtx - 0, 112235 Chicago Uptown Theater flac16:Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/couple areas of EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
3936. 12/05/79 Flac 16 - 0, 112163 Chicago Uptown Theater flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) -> Data DVD; Transfer Info: Data DVD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3937. 12/05/79 Flac 16 - 0, 128622 Chicago Uptown Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
3938. 12/05/79 Shn - 0, 9359 Chicago Uptown Theater 2nd set minus ship of fools and don't ease; See info file for details; SBD>MC>DAT>CDR; via neo_levo/candyman FTP: upgrade now in circulation notes
3939. 12/05/79 Shn - 0, 19418 Chicago Uptown Theater MAC (Unknown equipment) > Unknown analog generations > Nakamichi RX-505 cassette > 20-bit conversion with Burr-Brown ADC, dithered to 16-bit for output > HHB CDR8930 > EAC > CoolEdit > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes
3940. 12/05/79 Flac 16 - 0, 34874 Chicago Uptown Theater flac16; composite of shn id 19418 (set1 aud) + shn id 31959 (set2 sbd) with minor edit to smooth transition by Andrew Long notes
3941. 12/05/79 Flac 16 - 0, 31959 Chicago Uptown Theater flac16; SBD (set 2 only) -> Cassette Master -> Dat (44.1k) Transferred and Remastered By Charlie Miller notes
3942. 12/05/79 Flac 16 - 0, 83532 Chicago Uptown Theater flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding notes
3943. 12/07/79 Flac 16 - 0, 108853 Indianapolis Indiana Convention Center flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid=23682 notes
3944. 12/07/79 Shn - 0, 23682 Indianapolis Indiana Convention Center Updated source info: SBD ->Cass Master > Reel > Dat (48k) Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Dat Supplied By Rob Eaton; Transferred By Charlie Miller (had been marked: BD -> Master Cassette -> Cassette -> Dat (48k)) notes
3945. 12/07/79 Shn - 0, 9114 Indianapolis Indiana Convention Center MAC (3 Nak CM-300s-> Sony TC-158)>R>D>CD); via Jack Warner; Don Chase; Seeded to etree by Matt Vernon;upgrade now in circulation notes
3946. 12/07/79 Shn - 0, 14842 Indianapolis Indiana Convention Center (3) Nak 300>Cm>Reel>CD shn'd by Charlie Miller : same source as shnid 9114 notes
3947. 12/09/79 Flac 16 - 0, 108854 St. Louis Kiel Auditorium flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid=27751 notes
3948. 12/09/79 Flac 16 - 0, 128713 St. Louis Kiel Auditorium flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones. Transferred on a Nak CR 7A notes
3949. 12/09/79 Flac 16 - 0, 27751 St. Louis Kiel Auditorium flac16; SBD> Cassette Master> Reel (Technics)> Dat (3800/48k), plus patch from Nak 700> Cass> Reel source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; transferred and edited by Charlie Miller notes
3950. 12/09/79 Shn - 0, 8833 St. Louis Kiel Auditorium MAC(Nak CM-700s-> Sony TC-158)>R>D>CD; via Jack Warner; Don Chase notes
3951. 12/10/79 Flac 16 - 0, 34938 Kansas City Soldiers & Sailors Memorial Hall flac16; Set 1 SBD>Cm>Reel>Dat>CD>EAC>SHN, Set 2 SBD>Cm>?>Dat>CD>EAC>SHN - Fix of shn id 3371 via Bill Tetzeli notes
3952. 12/10/79 Flac 16 - 0, 128746 Kansas City Soldiers & Sailors Memorial Hall flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on a Nak Cr7A notes
3953. 12/10/79 Flac 16 Mtx - 0, 126986 Kansas City Soldiers & Sailors Memorial Hall flac16; 2 Source Matrix by dusborne; Soundboard (shnid:34938) Set 1 SBD>Cm>Reel>Dat>CD>EAC>SHN; Set 2 SBD>Cm>?>Dat>CD>EAC>SHN; Fix of shnid 3371 and Audience (shnid:89136) Recording Info: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/TDK SA-C90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
3954. 12/10/79 Shn - 0, 3371 Kansas City Soldiers & Sailors Memorial Hall SBD> Cm> (set 1 = Reel, set 2 = ?)> Dat> CD> EAC> SHN; with AUD patch; see info file for notes; via Steve;upgrade now in circulation notes
3955. 12/10/79 Flac 16 - 0, 76498 Kansas City Soldiers & Sailors Memorial Hall flac16; AUD of unknown lineage Transfer: Cassette > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-fix, FLAC compression, and checksums) > FLAC via Andrew F notes
3956. 12/10/79 Flac 16 - 0, 77331 Kansas City Soldiers & Sailors Memorial Hall flac16; Source: A:C:R:D Recorded with Nak 700s>Sony TC-D5 Played back on Akai GX-4000D R2R; Edited and normalized with Cool Edit Transfer and Flac encoding by David Minches notes
3957. 12/10/79 Flac 16 - 0, 89136 Kansas City Soldiers & Sailors Memorial Hall flac16; Recording by Joani Walker: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
3958. 12/10/79 Flac 16/44 - , 165876 Kansas City Soldiers & Sailors Memorial Hall flac1644; Recording info: SBD Cassette Master > DAT > AIF via Anon; Mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel; Replaces Source IDs 165179 and 165429 notes
3959. 12/10/79 Flac 16 Mtx - , 165854 Kansas City Soldiers & Sailors Memorial Hall flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 165179 & 34938 (SBD's), and 128746. notes
3960. 12/11/79 Flac 16 - 0, 103092 Kansas City Soldiers & Sailors Memorial Hall flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550) -> Cassette (Sony D5); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Remaster of shnid 89165 notes
3961. 12/11/79 Flac 16 - 0, 32058 Kansas City Soldiers & Sailors Memorial Hall flac16; SBD -> Cassette Master -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller : upgrade now in circulation notes
3962. 12/11/79 Flac 16 - 0, 128800 Kansas City Soldiers & Sailors Memorial Hall flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on a Nak CR 7A; a complete version now in circulation notes
3963. 12/11/79 Flac 16 - 0, 131731 Kansas City Soldiers & Sailors Memorial Hall flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on a Nak CR 7A notes
3964. 12/11/79 Flac 16 - 0, 89165 Kansas City Soldiers & Sailors Memorial Hall flac16; Recording Info: SBD -> Cassette Master (Nak 550) -> Cassette (Sony D5) Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
3965. 12/11/79 Flac16 Mtx - 0, 92439 Kansas City Soldiers & Sailors Memorial Hall flac16; SBD + AUD Matrix (60%-SBD/40%-AUD) Mixed by Dan Haugh notes
3966. 12/11/79 Flac 2448 - 0, 92287 Kansas City Soldiers & Sailors Memorial Hall flac24; DVD-AUDIO 24/48 SBD+AUD Matrix Mix (60%-SBD/40%-AUD); see info files for sources used notes
3967. 12/11/79 Shn - 0, 5981 Kansas City Soldiers & Sailors Memorial Hall SBD> Cm> Cass> Dat> CD (Tascam CDRW700)> EAC> CD; Tracked with CDWav; via Charlie Miller, Ron Speer, Jim Parzych, Steve Barbella (see notes);upgrade now in circulation notes
3968. 12/11/79 Shn - 0, 9799 Kansas City Soldiers & Sailors Memorial Hall Nak CM-700s-> Sony TC-D5; MAC>R>D>CD; via Jack Warner; Seeded to etree by Don Chase notes
3969. 12/11/79 Flac 16 - 0, 89166 Kansas City Soldiers & Sailors Memorial Hall flac16; Recording by Joani Walker: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
3970. 12/11/79 Flac 16 - 0, 28890 Kansas City Soldiers & Sailors Memorial Hall flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (44.1k). Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller charliemiller87@earthlink.net : upgrade now in circulation notes
3971. 12/26/79 Flac 16 - 0, 81323 Oakland Oakland Auditorium Arena flac16; Lineage: SBD Transfer: SBD -> ? -> DAT; DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing:- All editing and mastering by Jamie Waddell Wavelab 6.0- BBE, L3(type 1 dither)>16/44.1 SBE FREE notes
3972. 12/26/79 Flac 16 - 0, 128505 Oakland Oakland Auditorium Arena flac16; Set 2 Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; first generation "safety tape" transferred on a Nakamichi CR-7A notes
3973. 12/26/79 Flac 16 - 0, 89187 Oakland Oakland Auditorium Arena flac16; Recording by Joani Walker (Soundcheck by David Gans): Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
3974. 12/26/79 Shn - 0, 17418 Oakland Oakland Auditorium Arena AUD>Cm>?>Cass>MiniDisc>Samplitude>SHN Soundcheck via Charlie Miller : upgrade now in circulation notes
3975. 12/26/79 Shn - 0, 16092 Oakland Oakland Auditorium Arena Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor encoded by Matt Vernon with Soundcheck. notes
3976. 12/26/79 Flac 24/96 - 0, 144774 Oakland Oakland Auditorium Arena flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3977. 12/26/79 Flac 16/48 - 0, 144773 Oakland Oakland Auditorium Arena flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3978. 12/26/79 Flac 16/48 - 0, 150235 Oakland Oakland Auditorium Arena flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > DAT (48k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller notes
3979. 12/26/79 Flac 16 Mtx - , 154873 Oakland Oakland Auditorium Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 150235 & 128505. notes
3980. 12/27/79 Flac 16 - 0, 81601 Oakland Oakland Auditorium Arena flac16; 1st Set Only, Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
3981. 12/27/79 Flac 16 - 0, 128618 Oakland Oakland Auditorium Arena flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
3982. 12/27/79 Shn - 0, 5593 Oakland Oakland Auditorium Arena Recording by Steve Rolfe: Master Audience Cassette; Nakamichi CM700 mics > Sony TC-158 cassette deck > DBX encoded Reel to Reel > DBX decoded > Panasonic SV3700 DAT > CDR; EAC'ed / SHN'ed by Scott Clugston : upgrade now in circulation notes
3983. 12/27/79 Flac 16 - 0, 83944 Oakland Oakland Auditorium Arena flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
3984. 12/27/79 Flac 16 - 0, 89199 Oakland Oakland Auditorium Arena flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
3985. 12/27/79 Shn - 0, 15081 Oakland Oakland Auditorium Arena Recording by Steve Rolfe: nak 700's > d5 > DAT > cdr via Dave Minor, encoding Matt Vernon notes
3986. 12/27/79 Flac 16/48 - 0, 144775 Oakland Oakland Auditorium Arena flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
3987. 12/27/79 Flac 24/96 - 0, 144776 Oakland Oakland Auditorium Arena flac24; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
3988. 12/27/79 Flac 24/96 - , 154876 Oakland Oakland Auditorium Arena flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (1st Set + Encore -Maxell UDXLII 90, 2nd set Scotch Chrome Type II 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes
3989. 12/27/79 Flac 16/48 - , 154875 Oakland Oakland Auditorium Arena flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (1st Set + Encore -Maxell UDXLII 90, 2nd set Scotch Chrome Type II 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes
3990. 12/28/79 Flac 16 Mtx - 0, 94267 Oakland Oakland Auditorium Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC notes
3991. 12/28/79 Flac 16 - 0, 87384 Oakland Oakland Auditorium Arena flac16; SBD > MR > PCM > DAT > WAV > FLAC. Seeded by the Green Mountain Bros. notes
3992. 12/28/79 Shn - 0, 4145 Oakland Oakland Auditorium Arena SBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; 7/26/01 update: d2t1 md5 had been missing here, complete md5s now shown : upgrade now in circulation notes
3993. 12/28/79 Flac 16 - 0, 128624 Oakland Oakland Auditorium Arena flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
3994. 12/28/79 Flac 16 - 0, 134499 Oakland Oakland Auditorium Arena flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
3995. 12/28/79 Shn - 0, 19918 Oakland Oakland Auditorium Arena sector boundary errors fixed with shntool and new md5 generated of previous sbd source : upgrade now in circulation notes
3996. 12/28/79 Flac 16 - 0, 103117 Oakland Oakland Auditorium Arena flac16;Recording Info:Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller; Remaster of shnid 89273 notes
3997. 12/28/79 Shn - 0, 16117 Oakland Oakland Auditorium Arena Recording by Steve Rolfe: nak 700's > d5 > DAT > cdr taped via Dave Minor encoded by Matt Vernon notes
3998. 12/28/79 Flac 16 - 0, 89273 Oakland Oakland Auditorium Arena flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
3999. 12/28/79 Flac 16 - 0, 140817 Oakland Oakland Auditorium Arena flac16; Recording Info: Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000(wav 16-bit/44.1k) > Adobe Audition 3.0 > TLH flac16 notes
4000. 12/28/79 Flac 16 - 0, 140833 Oakland Oakland Auditorium Arena flac16; Recording Info: Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000(wav 16-bit/44.1k) > Adobe Audition 3.0 > TLH flac16; this sources fixes two 2 dropouts in the previous source notes
4001. 12/28/79 Flac 16/48 - 0, 144777 Oakland Oakland Auditorium Arena flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4002. 12/28/79 Flac 24/96 - 0, 144778 Oakland Oakland Auditorium Arena flac24; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4003. 12/28/79 Flac 24/96 - , 154878 Oakland Oakland Auditorium Arena flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK KR 90 except Casey Jones and One More Saturday Night - Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes
4004. 12/28/79 Flac 16/48 - , 154877 Oakland Oakland Auditorium Arena flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK KR 90 except Casey Jones and One More Saturday Night - Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes
4005. 12/30/79 Shn - 0, 4797 Oakland Oakland Auditorium Arena SBD> MC> DAT> CD (except for Truckin' which is from an unknown AUD source); seeds via Charlie Miller; DAE and hosting by neo_levo;upgrade now in circulation notes
4006. 12/30/79 Flac 16 - 0, 35219 Oakland Oakland Auditorium Arena flac16; SBD>MC>DAT>CD - Seamless fix of shn id 4797. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
4007. 12/30/79 Shn - 0, 18221 Oakland Oakland Auditorium Arena Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor, encoding Matt Vernon notes
4008. 12/30/79 Flac 16 - 0, 89259 Oakland Oakland Auditorium Arena flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
4009. 12/30/79 Flac 16 - 0, 90677 Oakland Oakland Auditorium Arena flac16; Recorded by Mark Severson; 2 Sony ECM-270s on stand 35' from stage> Sony TC-D5 (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
4010. 12/30/79 Flac 24/96 - 0, 144786 Oakland Oakland Auditorium Arena flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4011. 12/30/79 Flac 16/48 - 0, 144785 Oakland Oakland Auditorium Arena flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4012. 12/30/79 Flac 24/96 - , 154880 Oakland Oakland Auditorium Arena flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes
4013. 12/30/79 Flac 16/48 - , 154879 Oakland Oakland Auditorium Arena flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes
4014. 12/31/79 Shn - 0, 17281 Oakland Oakland Auditorium Arena SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko notes
4015. 12/31/79 Flac 16 - 0, 126183 Oakland Oakland Auditorium Arena flac16; SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko (original shn 17281) - patches and pitch correction by Kevin Tobin notes
4016. 12/31/79 Flac 16 Mtx - 0, 126184 Oakland Oakland Auditorium Arena flac16; Matrix 3 Source Mix - SBD1 (shnid=17281) SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko + AUD1 (shn id 88768) Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 + SBD2 (no shn id) low generation video - matrix mixing by Kevin Tobin notes
4017. 12/31/79 Shn - 0, 5477 Oakland Oakland Auditorium Arena Recording by Steve Rolfe: Master Audience Cassette: Nakamichi CM700 mics > Sony TC-158 cassette deck > DAT > CDR; CD Remastering, EAC'ed / SHN'ed by Scott Clugston; d3 tracked for 80 min : upgrade now in circulation notes
4018. 12/31/79 Shn - 0, 18589 Oakland Oakland Auditorium Arena Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor encoded and patched by Matt Vernon notes
4019. 12/31/79 Shn - 0, 6031 Oakland Oakland Auditorium Arena Recording by Steve Rolfe: AUD > NAK 700s >Sony TC-158 > MC > DAT > CDR > EAC > SHN; EAC> SHN> etree by G. Gorinsky, with thanks to Glenn Gillis; cut in NFA : upgrade now in circulation notes
4020. 12/31/79 Flac 16 - 0, 88768 Oakland Oakland Auditorium Arena flac16;Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 notes
4021. 12/31/79 Flac 16/48 - 0, 144795 Oakland Oakland Auditorium Arena flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, 35' from stage, several feet left of the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4022. 12/31/79 Flac 24/96 - 0, 144796 Oakland Oakland Auditorium Arena flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, 35' from stage, several feet left of the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4023. 12/31/79 Flac 24/96 - , 154882 Oakland Oakland Auditorium Arena flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes
4024. 12/31/79 Flac 16/48 - , 154881 Oakland Oakland Auditorium Arena flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes
4025. 12/31/79 Flac 16/48 - , 156628 Oakland Oakland Auditorium Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 126183) SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko (original shn 17281) - patches and pitch correction by Kevin Tobin + AUD (shnid = 155895) (original shnid = 88768) Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 - surround mixing by Kevin Tobin notes
4026. ??/??/79 Flac 16 - 0, 97925 Unknown Go To Heaven Outtakes flac16; Lineage: Unknown Studio Recording -> Sonic Solutions -> CD Transfer: CD -> EAC -> FLAC by Joe Samaritano notes
4027. ??/??/79 Flac 24 - 0, 137649 Unknown Go To Heaven Outtakes flac24; Recording Info: SBD > Master Reels (24-track) > Betty's Cassette (Maxell UD-XLII); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
4028. ??/??/79 Flac 16 - 0, 137673 Unknown Go To Heaven Outtakes flac16; Recording Info: SBD > Master Reels (24-track) > Betty's Cassette (Maxell UD-XLII); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, Thiss is 137649 24 bit > 16 bit with r8brain notes
4029. 01/13/80 Flac 16 - 0, 106517 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
4030. 01/13/80 Flac 16 - 0, 110680 Oakland Oakland-Alameda County Coliseum flac16; Recorded by BEAR. Transferred by Jim Blackwood at 32 bit 88.2 kHz Edited and Mastered by Jamie Waddell Weiss Saracon for 16 bit 44.1 kHz conversion notes
4031. 01/13/80 Shn - 0, 6145 Oakland Oakland-Alameda County Coliseum sbd> mr> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT notes
4032. 01/13/80 Flac 24/96 - , 158145 Oakland Oakland-Alameda County Coliseum flac2496 Recording info: Maxell MX90 cassette from Bear via Jamie Waddell
Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > FLAC24

Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred (Nov 2021) and mastered by Jim Blackwood
Speed/pitch adjusted by Jason Chastain
Minor repairs, track, FLAC, and pack by Steve Gravel
notes
4033. 01/13/80 Flac 16/48 - , 158146 Oakland Oakland-Alameda County Coliseum flac1648 Recording info: Maxell MX90 cassette from Bear via Jamie Waddell
Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > FLAC24

Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred (Nov 2021) and mastered by Jim Blackwood
Speed/pitch adjusted by Jason Chastain
Minor repairs, track, FLAC, and pack by Steve Gravel
notes
4034. 03/30/80 Flac 16 - 0, 27752 Passaic Capitol Theater flac16; SBD> Cassette Master> Dat, plus patch from FOB Nak 700> Cass; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes
4035. 03/30/80 Flac 16 - 0, 96014 Passaic Capitol Theater flac16; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0082 notes
4036. 03/30/80 Flac 16 - 0, 92666 Passaic Capitol Theater flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 & v10.1 -> Adobe Audition v1.5 -> FLAC notes
4037. 03/30/80 Flac 16 - 0, 96455 Passaic Capitol Theater flac16; MTX; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe Sbd Source: 27752 flac16; SBD> Cassette Master> Dat, plus patch from FOB Nak 700> Cass; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes
4038. 03/30/80 Shn - 0, 4740 Passaic Capitol Theater Recording by Barry Glassberg: nak 700 > sony tc d5m fob tascam 112 > sony pcm r-500 > hhb cdr-850, taper Barry G.; nonseeking shns via Steve Barbella to CDead notes
4039. 03/30/80 Flac 24 - 0, 96015 Passaic Capitol Theater flac24; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0082 notes
4040. 03/31/80 Shn - 0, 4741 Passaic Capitol Theater Recording by Rob Eaton: sennnheiser 421 > nak 550 fob analog mastering AND analog to digital by rob eaton; dat > cd was sony pcm r-700 > hhb cdr-800; nonseeking shns via Steve Barbella to CDead; some cuts and missing songs (see info file) notes
4041. 03/31/80 Flac 24/96 - 0, 151345 Passaic Capitol Theater flac24/96khz Recording Info: (FOB) Sennheiser 421 > Cassette Master (Nakamichi 550) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) notes
4042. 03/31/80 Flac 16/44,1 - 0, 151425 Passaic Capitol Theater flac16/44.1khz Recording Info: (FOB) Sennheiser 421 > Cassette Master (Nakamichi 550) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) -- 151345 24 -> 16 @ 44.1 notes
4043. 04/01/80 Flac - 0, 12386 Passaic Capitol Theater mixed sources: SBD> Rm> Dat> Sonic Solutions> CD> EAC> SHN, SBD> Rm> Cass> Dat> CD> Cool Edit Pro> CD> EAC> SHN, and AUD> Cm> Dat> CD> EAC> SHN; edited, converted, seeded by Charlie Miller notes
4044. 04/01/80 Flac 24/96 - 0, 96453 Passaic Capitol Theater flac24; MOTB.0076; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe notes
4045. 04/01/80 Flac 16 - 0, 96452 Passaic Capitol Theater flac16; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 x x Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >>MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe notes
4046. 04/01/80 Flac 16 Mtx - 0, 96454 Passaic Capitol Theater flac16; MTX; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe SBD Source: Miller's - 12386 notes
4047. 04/01/80 Shn - 0, 26178 Passaic Capitol Theater Bertha remaster of Charlie Miller's previous seed, by Jay Ashley notes
4048. 04/01/80 Shn - 0, 4742 Passaic Capitol Theater Recording by Barry Glassberg: nak 700 > sony tc d5m fob tascam 112 > sony pcm r-500 > hhb cdr-850, taper Barry G.; nonseeking shns via Steve Barbella to CDead notes
4049. 04/01/80 Shn - 0, 9670 Passaic Capitol Theater SBD>MC>??>CDR; 35 seconds of He's Gone and the Other One, as well as the Shakedown encore are provided by an audience source; See info file for details; via Paul B; Seeded to etree by Willy notes
4050. 04/01/80 Flac 16/44,1 - , 152610 Passaic Capitol Theater flac16/44.1khz Recording Info: SBD > Cassette Master > DAT (44.1k)
Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/16
notes
4051. 04/28/80 Flac 16 - 0, 128382 Birmingham Boutwell Auditorium flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
4052. 04/28/80 Flac 16 - 0, 88858 Birmingham Boutwell Auditorium flac16 Recording by Barry Glassberg: MOTB Release: 0040 16/44.1 Source: Master Audience Recording [1st Row Loge, DFC] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe notes
4053. 04/28/80 Flac 24/96 - 0, 88906 Birmingham Boutwell Auditorium flac24 Recording by Barry Glassberg: MOTB Release: 0040 24/96 Source: Master Audience Recording [1st Row Loge, DFC] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe notes
4054. 04/28/80 Shn - 0, 3402 Birmingham Boutwell Auditorium Recording by Barry Glassberg: non-dank version, with differing md5s; FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)> Sony R500 @44.1; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII CD>SHN: EAC (see info file)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch> additional step(s) (reDAE, reSHN?) by unIDed person; to abgd and etree; upgrade in circulation notes
4055. 04/28/80 Shn - 0, 4993 Birmingham Boutwell Auditorium Recording by Barry Glassberg: QC courtesy dankseeds, of Jamie's shns as listed in info file; FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)> Sony R500 @44.1; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII CD>SHN: EAC (see info file)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; non-dank version may also circulate, but with different md5s; upgrade in circulation notes
4056. 04/28/80 Flac 16 - 0, 99886 Birmingham Boutwell Auditorium flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009 notes
4057. 04/29/80 Flac 16 - 0, 128627 Atlanta Fox Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
4058. 04/29/80 Flac 16 - 0, 88772 Atlanta Fox Theater flac16 Recording by Barry Glassberg; MOTB Release: 0041 16/44.1 Source: Master Audience Recording [Loge, Row AA, Seat 101] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky notes
4059. 04/29/80 Shn - 0, 5455 Atlanta Fox Theater Recording by Barry Glassberg: QC courtesy dankseeds, of Jamie's original version, note d1 md5s: FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; alternate version may also be in circ; note dankseeds certified as of 1/8/02 ; upgrade in circulation notes
4060. 04/29/80 Shn - 0, 3403 Atlanta Fox Theater Recording by Barry Glassberg; possible reshn or reDAE (in d1) by unIDed person, of Jamie's version: FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; upgrade in circulation notes
4061. 04/29/80 Flac 24/96 - 0, 88864 Atlanta Fox Theater flac24 Recording by Barry Glassberg; MOTB Release: 0041 24/96 Source: Master Audience Recording [Loge, Row AA, Seat 101] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky notes
4062. 04/29/80 Flac 16 - 0, 99887 Atlanta Fox Theater flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009 notes
4063. 04/29/80 Flac 16 - 0, 88872 Atlanta Fox Theater flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
4064. 05/01/80 Flac 16 - 0, 128684 Greensboro Greensboro Coliseum flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
4065. 05/01/80 Flac 16 - 0, 96313 Greensboro Greensboro Coliseum flac16; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] notes
4066. 05/01/80 Flac 24/96 - 0, 106612 Greensboro Greensboro Coliseum flac24; 1st Set: Shure mics; 2nd Set: Beyer mics (unknown models) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded from the floor by Bob Morris notes
4067. 05/01/80 Shn - 0, 3418 Greensboro Greensboro Coliseum Recording by Barry Glassberg: possible reshn or reDAE by unIDed person, of Jamie's version: FOB (Nakamichi 700)> Master Cassette (Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; d2 tracked for 80 min; to abgd; upgrade in circulation notes
4068. 05/01/80 Flac 24/96 - 0, 96316 Greensboro Greensboro Coliseum flac24; MAC = 2 x Maxell XLII C90, Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DFF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB0084 notes
4069. 05/01/80 Flac 16 - 0, 99951 Greensboro Greensboro Coliseum flac16; 1st Set: Shure mics; 2nd Set: Beyer mics (unknown models) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009 notes
4070. 05/01/80 Shn - 0, 5917 Greensboro Greensboro Coliseum Recording by Barry Glassberg; FOB (Nakamichi 700)> Master Cassette (Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; d2 tracked for 80 min; QC courtesy dankseeds; see info file for listening notes etc notes
4071. 05/01/80 Flac 24/48 - , 155931 Greensboro Greensboro Coliseum flac2448; Source: AKG-414's (mid-side configuration) > Sony TC-D5 > Maxell UDXLII's, set up at the soundboard, recording by the GD crew. Transfer: MAC > Nakamichi CR-5A (Dolby-B) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2022 notes
4072. 05/02/80 Flac 24 - 0, 128515 Hampton Hampton Coliseum flac24; Beyer M-160>Nakamichi 550; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded in the "Sweet Spot"; Recorded and transfered By Richie Stankiewicz notes
4073. 05/02/80 Flac 16 - 0, 128686 Hampton Hampton Coliseum flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
4074. 05/02/80 Flac 16 - 0, 88873 Hampton Hampton Coliseum flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
4075. 05/02/80 Shn - 0, 3202 Hampton Hampton Coliseum Recordings by John Hance and Jim Wise: Mixed Source AUD: FOB (NAK 700 (set 1, John Hance) & AKG 1000E (set 2, Jim Wise))> Master Cassette (Sony TC-D5); Master Cassette (Nakamichi Dragon)> A/D Conversion via Sony R700> COAX to ZA2> Soundforge> MASTER CDR> EAC in Secure Mode> Soundforge> CD WAV> SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD> SHN by Jamie Lutch; via Tim L. to etrade offer; QC courtesy dankseeds; see info file for listening notes etc notes
4076. 05/02/80 Flac 24/96 - 0, 106613 Hampton Hampton Coliseum flac24; (FOB) Beyer mics (unknown model) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 Recorded FOB from the floor by Bob Morris; Upgrade in circulation notes
4077. 05/02/80 Flac 24/96 - 0, 111142 Hampton Hampton Coliseum flac24; (FOB) Beyer mics (unknown model) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0; Recorded FOB from the floor by Bob Morris notes
4078. 05/02/80 Flac 16 - 0, 96450 Hampton Hampton Coliseum flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0085 notes
4079. 05/02/80 Flac 24/96 - 0, 96451 Hampton Hampton Coliseum flac24; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0085 notes
4080. 05/02/80 Flac 16 - 0, 99952 Hampton Hampton Coliseum flac16; (FOB) Beyer mics (unknown model) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009 notes
4081. 05/04/80 Flac 16 - 0, 96910 Baltimore Baltimore Civic Center b>flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037 (This source fixes the flaws in the previous MOTB seed.) notes
4082. 05/04/80 Flac 16 - 0, 128688 Baltimore Baltimore Civic Center flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
4083. 05/04/80 Flac 16 - 0, 99953 Baltimore Baltimore Civic Center flac16; Recorded by Bob Morris Nakamichi shotguns>Marantz Superscope CD320>Maxell XLII Nak Transfer: DR-1>Korg MR-1000>Audiogate>16/44>cdwav by Bob Morris, June, 2009 notes
4084. 05/04/80 Flac 24/96 - 0, 96585 Baltimore Baltimore Civic Center flac24; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037. A fixed version now circulates. notes
4085. 05/04/80 Flac 16 - 0, 96584 Baltimore Baltimore Civic Center flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037. A fixed version now circulates notes
4086. 05/04/80 Shn - 0, 11768 Baltimore Baltimore Civic Center Nak 300's>MC>DAT>CD; via Paul B; Seeded to etree by Willy notes
4087. 05/04/80 Flac 16 - 0, 106081 Baltimore Baltimore Civic Center flac16; Nakamichi shotgun x2 (CM-300?) > Cassette Master (Marantz Superscope CD320>Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Patched w/ shnid 11768 Nak 300's using Soundforge 9.0; Recorded by Bob Morris notes
4088. 05/04/80 Flac 24/96 - 0, 106622 Baltimore Baltimore Civic Center flac24; Nakamichi shotgun x2 (CM-300?) > Cassette Master (Marantz Superscope CD320>Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96kHz) > Soundforge 9.0 Encore recorded with Charlie Connor's Sony ECM-990 stereo mic. Recorded by Bob Morris notes
4089. 05/04/80 Flac 24/96 - 0, 96925 Baltimore Baltimore Civic Center flac24; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037 (This source fixes the flaws in the previous MOTB seed.) notes
4090. 05/04/80 Flac 24/96 - 0, 119812 Baltimore Baltimore Civic Center flac24; 2 AKG-1000E> Sony D-5; Recorded by Jim Wise; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
4091. 05/06/80 Flac 16 - 0, 99954 State College Recreation Hall, Pennsylvania State University flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded by Bob Morris; transferred & mastered by Bob Morris, June, 2009; Patched upgrade in circulation notes
4092. 05/06/80 Flac 16 - 0, 128608 State College Recreation Hall, Pennsylvania State University flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
4093. 05/06/80 Shn - 0, 5075 State College Recreation Hall, Pennsylvania State University Unknown Audience Recording: ??> cassette> wav> shn; playback: Sony es> soundblasterlive platinum> cooledit> cdwave editor> MKWact; A>D conversion, shn, seeded By Popi n. Feeldz; missing encore notes
4094. 05/06/80 Shn - 0, 6691 State College Recreation Hall, Pennsylvania State University Recording by Rob Eaton: Sennnheiser 421 > Nak 550 fob analog; mastering and analog to digital by Rob Eaton; dat > cd: sony pcm r-700 > hhb cdr-800; via Seth Kaplan, Steve Barbella notes
4095. 05/06/80 Flac 16 - 0, 111027 State College Recreation Hall, Pennsylvania State University flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor; Recorded by Bob Morris. Transfer (6/09) & edit / patch (9/10) by Bob Morris notes
4096. 05/07/80 Shn - 0, 26349 Ithaca Barton Hall, Cornell University SBD> Cassette Master> Reel> Dat> CD> EAC> SHN; Converted By Charlie Miller notes
4097. 05/07/80 Flac 16 - 0, 128832 Ithaca Barton Hall, Cornell University flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
4098. 05/07/80 Shn - 0, 3294 Ithaca Barton Hall, Cornell University Master Audience Cassette; Nakamichi CM700 + Nakamichi CM300 blend> Sony TC-D5M > DAT > CDR; CD Mastering> EAC> SHN by Scott Clugston notes
4099. 05/07/80 Flac 24/96 - , 152802 Ithaca Barton Hall, Cornell University flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes
4100. 05/07/80 Flac 16/48 - , 152801 Ithaca Barton Hall, Cornell University flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes
4101. 05/08/80 Shn - 0, 15034 Glens Falls Glens Falls Civic Center Master Soundboard Cassette > Cassette > DAT> CDR (Primary Source) patched with the Jim Wise audience source: Recorded by Jim Wise (via Jeff Hellman), 2 Nak 700s + Nak 300 blend>Sony TC-D5: AUD>MC>DAT>CDR>EAC>mkwACT>SHN; Patched by R.Carman notes
4102. 05/08/80 Shn - 0, 7538 Glens Falls Glens Falls Civic Center Master Soundboard Cassette > Cassette > DAT> CDR; via Scott Clugston; patched upgrade in circulation notes
4103. 05/08/80 Flac 16 - 0, 82434 Glens Falls Glens Falls Civic Center flac16; Master SDB Cassette > Cassette > DAT > CDR. Playback: CDR > Classic Portable CD Player > Panasonic EQ > Tascam CDRW 5000 Stand Alone CD Burner > CDR > increased the volume to acceptable levels and did some other tweaking > Flac frontend > flac; unknown relation to prior patched sbd in circulation notes
4104. 05/08/80 Flac 24/96 - 0, 119061 Glens Falls Glens Falls Civic Center flac24; Recorded by Jim Wise; 2 Nakamichi CM-700s with shotguns> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
4105. 05/08/80 Shn - 0, 13189 Glens Falls Glens Falls Civic Center Updated lineage: Recording by Jim Wise: 3 nak 700's with cpu capsules at the sbd >Nak 550 taped by Jim Wise via Raoul Duke and the Miami SHN Machine notes
4106. 05/08/80 Flac 16 - 0, 120093 Glens Falls Glens Falls Civic Center flac16; 3-Nak 700 Shotguns > Superscope CD-320 > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche notes
4107. 05/08/80 Flac 16 - 0, 100401 Glens Falls Glens Falls Civic Center flac16; Recording Info: (3) Nakamichi CM700 Shotguns -> Namakmichi 550 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes
4108. 05/08/80 Flac 16 - 0, 100243 Glens Falls Glens Falls Civic Center flac16; Source: (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320 Maxell UDXLI);Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit 5.6MHz) >Audiogate 1-bit 5.6MHz > 16-bit 44.1KHz) > cdwav (edits); Recorded from Section 103, Row P, Seat 14 by Bob Morris with thanks to Sam R and Charlie Connor notes
4109. 05/08/80 Flac 24/96 - , 152804 Glens Falls Glens Falls Civic Center flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes
4110. 05/08/80 Flac 16/48 - , 152803 Glens Falls Glens Falls Civic Center flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes
4111. 05/10/80 Flac 16 - 0, 91938 Hartford Hartford Civic Center flac16; Set 2 only, Recording Info: SBD -> Cassette Master -> Dat -> Sound Forge -> WAV; Transfer Info: WAV -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC notes
4112. 05/10/80 Flac 16 - 0, 110830 Hartford Hartford Civic Center flac16; 2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg notes
4113. 05/10/80 Flac 16/48 - 0, 132518 Hartford Hartford Civic Center flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of Jeff Hellman); Nakamichi CM-700 Electret Condenser Microphones w/ CP-4 Shotgun Capsules-Sony TC D-5 Cassette Recorder; Location @ Sound Board; Analog to Digital: Dolby B Decoded Maxell UD-XL11 C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)Tagging(Tag & Re-name)Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise notes
4114. 05/10/80 Flac 24/96 - 0, 132517 Hartford Hartford Civic Center flac24; Cassette Audience Master recorded By Jim Wise (patched out of Jeff Hellman); Nakamichi CM-700 Electret Condenser Microphones w/ CP-4 Shotgun Capsules-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded Maxell UD-XL11 C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise notes
4115. 05/10/80 Flac 16 - 0, 98724 Hartford Hartford Civic Center flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Recorded right beside the soundboard on the left side Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
4116. 05/10/80 Flac 16 - 0, 100402 Hartford Hartford Civic Center flac16; Recording Info: (3) Nakamichi CM700 Shotguns -> Namakmichi 550 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes
4117. 05/10/80 Shn - 0, 18158 Hartford Hartford Civic Center Recording by Steve Rolfe: Nak 700's > Sony D5 Master Cassette recorded by Steve Rolfe from "right beside the soundboard on the left side" AUDMC > DAT > wav(48K) > Cool Edit > CDWAV > mkwact > SHN(seekable) via Dave Minor, converted and shn'd by Marc Pujol and Matt Vernon notes
4118. 05/10/80 Flac 16 - 0, 100248 Hartford Hartford Civic Center flac16; Source:(FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Section B, Row R, Seat 12 by Bob Morris with thanks to Sam R and Charlie Connor notes
4119. 05/10/80 Flac 16 - 0, 83063 Hartford Hartford Civic Center flac16; Recording by Jim Wise: AUD Source: Three Nakamichi CM-300\'s > patched thru Nakamichi 550 > Sony TC-D5. Mics on a stand, next to the soundboard. Taped and transferred (MAC > CDR) by Jim Wise. Transfer: MAC > CD (likely equipment: Nakamichi Dragon > HHB CDR burner). CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC, by Andrew F notes
4120. 05/10/80 Flac 16 - 0, 107544 Hartford Hartford Civic Center flac16; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2010 notes
4121. 05/10/80 Flac 2448 - 0, 107543 Hartford Hartford Civic Center flac24; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 05/2010 notes
4122. 05/10/80 Shn - 0, 7559 Hartford Hartford Civic Center Recording by Steve Rolfe: Nak 700's (was listed as Nak 300's) > Sony D5; Seeded to etree by Willy; upgrade in circulation notes
4123. 05/10/80 Flac 24/96 - 0, 110832 Hartford Hartford Civic Center flac24; 2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg notes
4124. 05/10/80 Flac 24/96 - , 152806 Hartford Hartford Civic Center flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes
4125. 05/10/80 Flac 16/48 - , 152805 Hartford Hartford Civic Center flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes
4126. 05/11/80 Flac 16 - 0, 89577 Portland Cumberland County Civic Center flac16; SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller. This is a repatch and remaster of shn id 13087 notes
4127. 05/11/80 Flac 16 Mtx - 0, 126880 Portland Cumberland County Civic Center flac16; 2 Source Matrix By Dave Usborne;soundboard (shnid:89577); Transfers and Mastering By Charlie Miller;Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; Audience (shnid:98929);Recorded by Steve Rolfe;2 Nak 700s> Sony TC-D5;Transfer and FLAC encoding by David Minches:Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
4128. 05/11/80 Shn - 0, 33501 Portland Cumberland County Civic Center SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR> EAC> SHN V.3 - Patched version of the earlier soundboard version by Bill Tetzeli (upgrade in circulation). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
4129. 05/11/80 Shn - 0, 12259 Portland Cumberland County Civic Center SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR> EAC> SHN V.3 except for Brokedown, which is from an unknown AUD source; EAC and SHN'ed by terrapinstation ; patched upgrade in circulation notes
4130. 05/11/80 Flac 24/96 - 0, 106615 Portland Cumberland County Civic Center flac24; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLI Disc 1 & 2; UDXLII Disc 3) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Tape flip in Space patched (0:17-0:40) w/ ID 97523 Nak 700s. Recorded FOB from floor by Bob Morris. notes
4131. 05/11/80 Shn - 0, 7539 Portland Cumberland County Civic Center Nak 300's>Sony D5>master cassette>DAT(3); Transfer by Frank Venezia; via JD Foltz; Seeded to etree by Willy; Note- d2t09 does not exist, this was a mistake in naming the files, the show is complete as is. notes
4132. 05/11/80 Shn - 0, 19266 Portland Cumberland County Civic Center Recording by Steve Rolfe: Nak 700's > Sony D5 recorded by Steve Rolfe from FOB left center about 40 feet from stage via David Minor, conversion and encoding by Marc Pujol and Matt Vernon notes
4133. 05/11/80 Flac 16 - 0, 98929 Portland Cumberland County Civic Center flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding; Thanks to Joe B. Jones for pitch correction notes
4134. 05/11/80 Flac 16 - 0, 97522 Portland Cumberland County Civic Center flac16; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC>> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Audience Source: FOB Master Cassettes (MAC) Taped By: Barry Glassberg notes
4135. 05/11/80 Flac 24/96 - 0, 97523 Portland Cumberland County Civic Center flac24; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC>> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Audience Source: FOB Master Cassettes (MAC) Taped By: Barry Glassberg notes
4136. 05/11/80 Flac 2448 - 0, 107226 Portland Cumberland County Civic Center flac24; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand "next to the soundboard". Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 04/2010 notes
4137. 05/11/80 Flac 16 - 0, 100250 Portland Cumberland County Civic Center flac16; Source: (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLI Disc 1 & 2; UDXLII Disc 3); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor notes
4138. 05/11/80 Flac 16 - 0, 107227 Portland Cumberland County Civic Center flac16; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand "next to the soundboard". Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 04/2010 notes
4139. 05/11/80 Shn - 0, 13087 Portland Cumberland County Civic Center riginal SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR with patches from the etree Nak 300's> Sony D5>master cassette>DAT(3) source; see info file for details; patching done by Doug Nawrocki; upgrade in circulation notes
4140. 05/11/80 Flac 24/48 - 0, 152441 Portland Cumberland County Civic Center flac24/48 Recording Information: Microphones: Beyer M201c worn in hat Recorder: Sony TC-D5 Maxell UDXLII no nr This Copy: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes
4141. 05/11/80 Flac 16/44 - 0, 152440 Portland Cumberland County Civic Center flac16/44 Microphones: Beyer M201c (worn in hat??) Recorder: Sony TC-D5 Maxell UDXLII no nr This Copy: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes
4142. 05/11/80 Flac 16/44 - , 156568 Portland Cumberland County Civic Center flac1644 Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156013 2496 > 1644.1 notes
4143. 05/12/80 Flac 16 - 0, 92239 Boston Boston Garden flac16 Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; this source has a patch in a cut in d2t09 of the previous Miller source (source ID 91931) notes
4144. 05/12/80 Flac 16 Mtx - 0, 127287 Boston Boston Garden flac16; Matrix 70% sbd/30% aud; Soundboard source: SBD > Cassette Master > Reel > Dat (48k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Professional v10.02 > Cool Edit Pro v2.0 > FLAC; All Transfers and Mastering By Charlie Miller and Audience source: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand, set up in center of upper balcony behind the stage, mics pointed at rear-facing P.A. Taped by Tim Friend. Transfer: MAC > Re-shelled > Nakamichi DR-8 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 16; Transfer by Andrew F. notes
4145. 05/12/80 Flac 16 - 0, 91931 Boston Boston Garden flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation notes
4146. 05/12/80 Shn - 0, 5922 Boston Boston Garden Recording by Steve Rolfe: Nak 700's > Sony TC158 Master Cassette, recorded by Steve Rolfe, front row balcony; A>D by Noah Weiner: AudMC > DAT > Soundforge normalizing and editing > CDWAV > SHN; via Audience Devotional Tree; tracked for 2x80 notes
4147. 05/12/80 Flac 16 - 0, 100251 Boston Boston Garden flac16; Source: Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor notes
4148. 05/12/80 Flac 2448 - 0, 107021 Boston Boston Garden flac24; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand, set up in center of upper balcony behind the stage, mics pointed at rear-facing P.A. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Re-shelled > Nakamichi DR-8 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 04/2010 notes
4149. 05/12/80 Flac 16 - 0, 107022 Boston Boston Garden flac16; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand, set up in center of upper balcony behind the stage, mics pointed at rear-facing P.A. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Re-shelled > Nakamichi DR-8 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 04/2010 notes
4150. 05/14/80 Shn - 0, 3295 Uniondale Nassau Veterans Memorial Coliseum Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering> EAC> SHN by Scott Clugston notes
4151. 05/14/80 Flac 16 - 0, 111136 Uniondale Nassau Veterans Memorial Coliseum flac16; Analog Audience Source: FOB Master Cassettes (MAC); Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5 >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > ? > flac/16; Taped By: Barry Glassberg notes
4152. 05/14/80 Flac 16 Mtx - 0, 126608 Uniondale Nassau Veterans Memorial Coliseum flac16; 2 source matrix by dusborne; Soundboard (shnid:3295) Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering by Scott Clugston and Audience (shnid:125962) Recording by Jim Wise: Master Audience Cassette 2 Nakamichi 700's with 1 Nakamichi 300 Blend> Nak 550> Sony D-5 at the SBD; Transfer and FLAC encoding by David Minches notes
4153. 05/14/80 Flac 24/96 - 0, 125962 Uniondale Nassau Veterans Memorial Coliseum flac24; Recording by Jim Wise: Master Audience Cassette; 2 Nakamichi 700's with 1 Nakamichi 300 Blend> Nak 550> Sony D-5 at the SBD; Transfer and FLAC encoding by David Minches: October 25 2013; Master played back on: Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding notes
4154. 05/14/80 Flac 16 - 0, 111028 Uniondale Nassau Veterans Memorial Coliseum flac16; Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor; Recorded by Bob Morris (from a not-so-good location -- sorry) notes
4155. 05/14/80 Flac 16 - 0, 141890 Uniondale Nassau Veterans Memorial Coliseum flac16; Source Info: Master Soundboard Cassettes > Reel to Reel > Dat > HHB-CDR 850 > EAC > Cool Edit Pro; This is a remaster of shnid 3295 from 2001 notes
4156. 05/15/80 Flac 16 - 0, 93426 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info:SBD -> Cassette Master -> Dat (48k); Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
4157. 05/15/80 Flac16 Mtx - 0, 126892 Uniondale Nassau Veterans Memorial Coliseum flac16; 2 Source Matrix by dusborne; Soundboard (shnid:93426) Recording Info: SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC and Audience (shnid:126082) Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
4158. 05/15/80 Shn - 0, 12790 Uniondale Nassau Veterans Memorial Coliseum AUD> MC> DAT> CDR; via Alan Schlissel, with thanks to Paul B notes
4159. 05/15/80 Flac 16 - 0, 34721 Uniondale Nassau Veterans Memorial Coliseum flac16; AUD Source: AUD MC > DAT > CDR > EAC > Cool Edit 2K > CDWave > SHN FM Patches: FM > CASS > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH > FLAC Edit: SHN > WAV > WaveMerge > Sound Forge > CDWave > FLAC (level 8) notes
4160. 05/15/80 Flac 16 - 0, 103182 Uniondale Nassau Veterans Memorial Coliseum flac16;Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> 16/44.1 notes
4161. 05/15/80 Flac 24/96 - 0, 103183 Uniondale Nassau Veterans Memorial Coliseum flac24;Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Adam Egert notes
4162. 05/15/80 Flac 24/96 - 0, 126082 Uniondale Nassau Veterans Memorial Coliseum flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
4163. 05/16/80 Shn - 0, 7472 Uniondale Nassau Veterans Memorial Coliseum Master Soundboard Cassette > Cassette > DAT> CDR; via Scott Clugston notes
4164. 05/16/80 Flac 16 - 0, 111170 Uniondale Nassau Veterans Memorial Coliseum flac16; Source: FOB Audience Recording Media: MAC = Maxell UDXLII; Lineage: 2 x Nakamichi CM700 w/ EQ 26th Row Center> Sony TC-D5 (dolby encode) Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] > ? > flac16; Taped by: Barry Glassberg notes
4165. 05/16/80 Flac 16 Mtx - 0, 126718 Uniondale Nassau Veterans Memorial Coliseum flac16; 2 source matrix by Dusborne; Soundboard (shnid:89473) Source 1: Master Soundboard Cassette > Cassette > DAT> CDR (s101-s211) Source 2: Unknown nth generation audience cassette > Sony TC-KE500S > The Card > CoolEdit > shntool > FLAC (s211-s212) Source 3: FM broadcast > cassette (TDK SA-90). Transfer: Cassette > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, checksums and FLAC compression) > FLAC (s213) and Audience (shnid:126104) Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s > Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo])Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding notes
4166. 05/16/80 Flac 16 - 0, 89473 Uniondale Nassau Veterans Memorial Coliseum flac16; Source 1: Master Soundboard Cassette > Cassette > DAT> CDR (shnid 7472) Supplies whole show up to half way through D3T5 Source 2: Recording: FM broadcast > cassette (TDK SA-90). Transfer: Cassette > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH > FLAC (shnid 34685) Supplies d3t7 Source 3: Unknown nth generation audience cassette > Sony TC-KE500S > TheCard > CoolEdit > shntool > FLAC Supplies end of D3T5 and all of D3T6 Seeded by Thomas Hempel 10-Jan-2008 notes
4167. 05/16/80 Flac 16 - 0, 107187 Uniondale Nassau Veterans Memorial Coliseum flac16; Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Transfer: Master Cassette Transfer->RR ->Cassette Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac notes
4168. 05/16/80 Flac 16 - 0, 100160 Uniondale Nassau Veterans Memorial Coliseum flac16; Source: 3 Nak 300's > NAK550 Lineage: MAUD>C>WAV>FLAC notes
4169. 05/16/80 Flac 24/96 - 0, 126104 Uniondale Nassau Veterans Memorial Coliseum flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s > Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo])Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding notes
4170. 05/29/80 Shn - 0, 14836 Des Moines Des Moines Civic Center Source: A:C:C:D > CDR via David Minches, shn encoding Matt Vernon notes
4171. 05/29/80 Shn - 0, 25993 Des Moines Des Moines Civic Center sets 1p,2; Nak 300, FOB right center of stage> Nak 550 > DAT, taper unknown; Transfer: DATs (48) > Sony 60ES > M-Audio Audiophile USB > CDWAV > Golwave minor edits and resampling > CDWAV tracking > mkwACT SHN; transfer by Joshua Braveman notes
4172. 05/29/80 Flac 24/96 - 0, 152534 Des Moines Des Moines Civic Center FLAC2496 Source Info: Roughly 10th row FOB master audience tapes from an Anonymous Benefactor, actual gear lost to the fog of memory
Transfer Info: Transferred at 24 bit 96 kHz.
Speed Correction by Jason Chastain
Critical Listening and Track FLAC, Pack by Steven Gravel
Mastering by Jamie Waddell
FLAC Level 8 at 24 bit 96kHz
notes
4173. 05/29/80 Flac 16/48 - 0, 152539 Des Moines Des Moines Civic Center FLAC1648 Source Info: Roughly 10th row FOB master audience tapes from an Anonymous Benefactor, actual gear lost to the fog of memory
Transfer Info: Transferred at 24 bit 96 kHz.
Speed Correction by Jason Chastain
Critical Listening and Track FLAC, Pack by Steven Gravel
Mastering by Jamie Waddell
16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither
notes
4174. 05/29/80 Flac 16/44 - 0, 152540 Des Moines Des Moines Civic Center FLAC1644 Source Info: Taper's Section Set Two SBD MP3 patched with GEMS AUD Source ID 152534
Transfer Info: Transferred at 16 bit 44.1 kHz
Mastering by Jamie Waddell
FLAC Level 8
notes
4175. 05/30/80 Flac 16 - 0, 92217 Milwaukee Milwaukee Auditorium flac16 Recording Info:Set 1: SBD -> ? -> 5th Gen Cassette Set 2: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info:Set 1: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) ->Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; Set 2: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC/16; Set 1 Transferred By Charlie Miller; Set 2 Transferred By Rob Eaton; All Mastering By Charlie Miller notes
4176. 05/30/80 Flac 16 - 0, 128381 Milwaukee Milwaukee Auditorium flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
4177. 05/30/80 Flac 16 - 0, 91932 Milwaukee Milwaukee Auditorium flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes
4178. 05/30/80 Shn - 0, 14837 Milwaukee Milwaukee Auditorium Source: A:C:C:D > CDR via David Minches shn encoding Matt Vernon notes
4179. 05/31/80 Flac 16 - 0, 91763 Bloomington Metropolitan Sports Center flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
4180. 05/31/80 Shn - 0, 11927 Bloomington Metropolitan Sports Center AUD>MC>DAT>CD; via Paul B; Seeded to etree by Willy notes
4181. 05/??/80 Flac 16 - 0, 34685 Uniondale Nassau Veterans Memorial Coliseum flac16; FM broadcast > cassette (TDK SA-90) > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, checksums and FLAC compression) > FLAC notes
4182. 05/??/80 Flac 24/96 - 0, 144275 Uniondale Nassau Veterans Memorial Coliseum flac24; FM Broadcast (King Biscuit Flower Hour); 7" Reel @ 3.75 ips; Transfer Info: 7" 3.75 ips reel (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496 notes
4183. 05/??/80 Flac 16/48 - 0, 144274 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; FM Broadcast (King Biscuit Flower Hour); 7" Reel @ 3.75 ips; Transfer Info: 7" 3.75 ips reel (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4184. 06/05/80 Flac 16 - 0, 100252 Tempe Compton Terrace Amphitheatre flac16; Source: (FOB) Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLI); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor notes
4185. 06/05/80 Flac 24/96 - 0, 106616 Tempe Compton Terrace Amphitheatre flac24; (FOB) Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLI) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded FOB by Bob Morris. Transfer (Jul 09) and 24/96 edit/patch (Dec 09) by Bob Morris. notes
4186. 06/05/80 Shn - 0, 4663 Tempe Compton Terrace Amphitheatre FOB (Sennheiser 421's)> Master Cassette> DAT> CDR> EAC> SHN; Processed with DCArt Millenium software; DAE (EAC) and SHN Encoding by Jeff M.; tracked for 2x80; missing encore notes
4187. 06/05/80 Flac 24 - 0, 141714 Tempe Compton Terrace Amphitheatre flac24; Set 2 Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
4188. 06/05/80 Flac 16 - 0, 141902 Tempe Compton Terrace Amphitheatre flac16; Set 2 Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
4189. 06/07/80 Flac 16 - 0, 128414 Boulder Folsom Field, University Of Colorado flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
4190. 06/07/80 Flac 16 - 0, 88451 Boulder Folsom Field, University Of Colorado flac16;Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXLII-C90) All Transfers and Mastering By Charlie Miller notes
4191. 06/07/80 Shn - 0, 11533 Boulder Folsom Field, University Of Colorado Aud>?>CD; Distortion throughout post drums segment; via Tom G; Seeded to etree by Willy notes
4192. 06/07/80 Flac 16 - 0, 96567 Boulder Folsom Field, University Of Colorado flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole at soundboard> Sony TC-D5 (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
4193. 06/07/80 Flac 16 - 0, 100253 Boulder Folsom Field, University Of Colorado flac16; Source: Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII except d3t01-d3t12: UDXLI); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor notes
4194. 06/07/80 Flac 16 - 0, 31348 Boulder Folsom Field, University Of Colorado flac16; mac > 1st gen cass > cdr > eac > flac; tapes provided by Jeff "Mr Tapes" Maas (1980); transfer by Paul "ESPN" Epstein (2005); via SIRMick notes
4195. 06/07/80 Flac 24/96 - 0, 142841 Boulder Folsom Field, University Of Colorado flac24; Set 1 Recording Info: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII-90); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496 notes
4196. 06/07/80 Flac 16/48 - 0, 142842 Boulder Folsom Field, University Of Colorado flac16/48kHz; Set 1 Recording Info: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII-90); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4197. 06/07/80 Flac 24/96 - 0, 144748 Boulder Folsom Field, University Of Colorado flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (pole mounted at the soundboard)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4198. 06/07/80 Flac 16/48 - 0, 144747 Boulder Folsom Field, University Of Colorado flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (pole mounted at the soundboard)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4199. 06/07/80 Flac 16/48 - , 155700 Boulder Folsom Field, University Of Colorado flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes
4200. 06/07/80 Flac 24/96 - , 155701 Boulder Folsom Field, University Of Colorado flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes
4201. 06/08/80 Flac 16 - 0, 128415 Boulder Folsom Field, University Of Colorado flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
4202. 06/08/80 Flac 16 - 0, 88452 Boulder Folsom Field, University Of Colorado flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXLII-C90) All Transfers and Mastering By Charlie Miller notes
4203. 06/08/80 Shn - 0, 7563 Boulder Folsom Field, University Of Colorado Master Audience Cassette; Sennheiser 421 mics > Sony D5> DAT> CDR, CD Mastering by Scott Clugston, EAC'ed / SHN'ed by Scott Clugston, Posted to abgd via Charlie Connor notes
4204. 06/08/80 Flac 16 - 0, 100260 Boulder Folsom Field, University Of Colorado flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
4205. 06/08/80 Shn - 0, 7193 Boulder Folsom Field, University Of Colorado Recording by Rob Eaton: FOB Senn 421's> Nak 550 Cm> DAT> CD> EAC> Soundforge4> SHN; Recorded By Rob Eaton; includes alternate AUD patches (see info for notes and flaws); stemming from DNC tree Round 9 (1/01); via Tome notes
4206. 06/08/80 Flac 24/96 - 0, 142843 Boulder Folsom Field, University Of Colorado flac24; Set 2 Recording Info: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII-90); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496 notes
4207. 06/08/80 Flac 16/48 - 0, 142844 Boulder Folsom Field, University Of Colorado flac16/48kHz; Set 2 Recording Info: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII-90); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4208. 06/08/80 Flac 24/96 - 0, 144750 Boulder Folsom Field, University Of Colorado flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (pole mounted at the soundboard)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4209. 06/08/80 Flac 16/48 - 0, 144749 Boulder Folsom Field, University Of Colorado flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (pole mounted at the soundboard)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4210. 06/08/80 Flac 16/48 - , 152600 Boulder Folsom Field, University Of Colorado flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496 notes
4211. 06/08/80 Flac 24/96 - , 152601 Boulder Folsom Field, University Of Colorado flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496 notes
4212. 06/08/80 Flac 16/48 - , 155742 Boulder Folsom Field, University Of Colorado FLAC 1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXL-II 90, except for Feel Like A Stranger and Ship Of Fools TDK SA 90)
Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
notes
4213. 06/08/80 Flac 24/96 - , 155741 Boulder Folsom Field, University Of Colorado FLAC 2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXL-II 90, except for Feel Like A Stranger and Ship Of Fools TDK SA 90)
Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
notes
4214. 06/12/80 Flac 16 - 0, 104967 Portland Portland Memorial Coliseum flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nakamichi cm700 >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> WAV [16/44.1] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0108 16/44.1 notes
4215. 06/12/80 Shn - 0, 11361 Portland Portland Memorial Coliseum AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy notes
4216. 06/12/80 Shn - 0, 7007 Portland Portland Memorial Coliseum set 2; Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; Shn'ed by Scott Clugston notes
4217. 06/12/80 Flac 16 - 0, 100261 Portland Portland Memorial Coliseum flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from the left-side riser by Bob Morris notes
4218. 06/12/80 Flac 16 - 0, 141805 Portland Portland Memorial Coliseum flac16; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp notes
4219. 06/12/80 Flac 24 - 0, 141798 Portland Portland Memorial Coliseum flac24; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
4220. 06/12/80 Flac 24 - 0, 150005 Portland Portland Memorial Coliseum flac24; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This fixes the out of phase left channel on source ID 141798 notes
4221. 06/12/80 Flac 16 - 0, 150233 Portland Portland Memorial Coliseum flac16; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This fixes the out of phase left channel on source ID 141798, this file set is 16 bit @ 44.1 notes
4222. 06/13/80 Flac 16 - 0, 100259 Seattle Seattle Center Arena flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII except: d3t03-d3t08 UDXLI) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded "extreme fob" at the stage barricade, center, by Bob Morris notes
4223. 06/13/80 Flac 16 - 0, 91220 Seattle Seattle Center Arena flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 45' from stage Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
4224. 06/13/80 Shn - 0, 7196 Seattle Seattle Center Arena Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; CD Mastering, Shn'ed by Scott Clugston notes
4225. 06/13/80 Flac 24/96 - 0, 144768 Seattle Seattle Center Arena flac24; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (DFC, mounted on pole 35' from stage) > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4226. 06/13/80 Flac 16/48 - 0, 144767 Seattle Seattle Center Arena flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (DFC, mounted on pole 35' from stage) > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4227. 06/13/80 Flac 16/48 - , 155743 Seattle Seattle Center Arena flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90, except Sugar Magnolia and Alabama Getaway-Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes
4228. 06/13/80 Flac 24/96 - , 155744 Seattle Seattle Center Arena flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90, except Sugar Magnolia and Alabama Getaway-Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes
4229. 06/14/80 Flac 16 - 0, 91362 Spokane Spokane Coliseum flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 50' from stage center Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
4230. 06/14/80 Flac 16 - 0, 100258 Spokane Spokane Coliseum flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
4231. 06/14/80 Flac 24/96 - 0, 106617 Spokane Spokane Coliseum flac24; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded by Bob Morris. Transfer (Jul 09) and edit/patch (Dec 09) by Bob Morris notes
4232. 06/14/80 Shn - 0, 7198 Spokane Spokane Coliseum Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; CD Mastering, Shn'ed by Scott Clugston notes
4233. 06/14/80 Flac 16 - 0, 105537 Spokane Spokane Coliseum flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nakamichi cm700 >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe MOTB Release: 0030 16/44.1 notes
4234. 06/14/80 Flac 24/96 - 0, 144772 Spokane Spokane Coliseum flac24; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (DFC, mounted on pole 50' from stage) > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4235. 06/14/80 Flac 16/48 - 0, 144771 Spokane Spokane Coliseum flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (DFC, mounted on pole 50' from stage) > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4236. 06/14/80 Flac 16/48 - , 155813 Spokane Spokane Coliseum flac16/48 Set 2 only. Source Info: Scott Wiseman's Master Audience Cassette; AKG SE-5E mics with CE-1 cardioid capsules (center, behind soundboard, 11' stand) > Sony TC-D5 (TDK SA 90, except One More Saturday Night encore - Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes
4237. 06/14/80 Flac 24/96 - , 155814 Spokane Spokane Coliseum flac24/96 Set 2 only. Source Info: Scott Wiseman's Master Audience Cassette; AKG SE-5E mics with CE-1 cardioid capsules (center, behind soundboard, 11' stand) > Sony TC-D5 (TDK SA 90, except One More Saturday Night encore - Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes
4238. 06/19/80 Flac 16 - 0, 80631 Anchorage West High Auditorium flac 16; Source: SBD -> Cassette Master; Transfer Info: Cassette Master -> Sonic Solutions -> SBM2 -> CD; Mastering Info: CD -> Samplitude Professional v8.01 -> FLAC; Cassette Masters supplied by Richard Hale; Transferred By David Gans; Patch Source Recorded By Mark Severson; Additional Mastering By Charlie Miller notes
4239. 06/19/80 Flac 16 - 0, 113300 Anchorage West High Auditorium flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller notes
4240. 06/19/80 Flac 16 - 0, 89125 Anchorage West High Auditorium flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs + 1 Maxell UD XL-I) Recorded from Row M, Seat 12, Left Side Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
4241. 06/19/80 Shn - 0, 10056 Anchorage West High Auditorium SBD>MC>??>DAT>CDR; via paul B; Seeded to etree by Willy; upgrade in circulation notes
4242. 06/19/80 Flac 24/96 - 0, 144905 Anchorage West High Auditorium flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (mounted on pole, Row M, Seat 12, left side) > Sony TC-D5(2 Maxell XLII's, 1 Maxell UDXLI); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4243. 06/19/80 Flac 16/48 - 0, 144904 Anchorage West High Auditorium flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (mounted on pole, Row M, Seat 12, left side) > Sony TC-D5(2 Maxell XLII's, 1 Maxell UDXLI); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4244. 06/19/80 Flac 16 Mtx - , 153162 Anchorage West High Auditorium flac16/44 flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 113300 & 144904. notes
4245. 06/20/80 Flac 16 Mtx - 0, 92783 Anchorage West High Auditorium flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) notes
4246. 06/20/80 Flac 16 - 0, 113301 Anchorage West High Auditorium flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller notes
4247. 06/20/80 Shn - 0, 13532 Anchorage West High Auditorium both sets; SBD> MC> 1C> WAV (via SBLive)> CDR; Conversion/Editing: SBLive!> COOLEDIT2000 (Noise reduction, tracking at sector boundaries and bass boost)> mkwACT> SHN; via Brian Donohue; see editing notes in info file; upgrade in circulation notes
4248. 06/20/80 Shn - 0, 25469 Anchorage West High Auditorium Recording Info: SBD -> Cassette Master -> Sonic Solutions (20bit) -> SBM2 (Dithered To 16bit) -> CD (Master Production Discs) -> EAC -> SHN (3 Discs Audio / 2 Discs SHN)Patch Info: Patches in Let It Grow and Drums supplied By AKG 414 -> Cm -> Dat -> CD -> EAC -> SHN via Charlie Miller notes
4249. 06/20/80 Flac 16 - 0, 89188 Anchorage West High Auditorium flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded from Row J, Seat 2, Right Side; 25' from stage Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
4250. 06/20/80 Shn - 0, 20205 Anchorage West High Auditorium Recording by Eddie Claridge at the soundboard patched from Dan Healy. AKG 414 stereo mic -> Sony TC-158 deck via John Gaetzi encoded by Matt Vernon notes
4251. 06/20/80 Flac 16 - 0, 73846 Anchorage West High Auditorium flac16; SBD > MC > SS > SBM2 > CDA> WAV(EAC) > SHN > DAW(Bertha) > CDA/SHN > CE2k > FLAC [pitch corrected version of shn id 25468 by Bill Tetzeli]. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
4252. 06/20/80 Shn - 0, 25468 Anchorage West High Auditorium SBD>>MC>>SS>SBM2>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN via Jay Ashley notes
4253. 06/20/80 Shn - 0, 1474 Anchorage West High Auditorium set 1; analog SBD -> Processed in Sound Forge 4.0 -> CDR; Generation Unknown; had been around for a while as data wavs in abgd circles, now shned by James Hicks; note most tracks have more than 1 song; upgrade in circulation notes
4254. 06/20/80 Shn - 0, 17268 Anchorage West High Auditorium SBE-fixed version of previous source: Source: SBD>MC>1C>CD-R CONVERSION: SBLIVE>COOLEDIT2000>mkwACT>SHN Mastered, edited, and shn'd from first gen cassette by Brian Donohue, Kodiak, Alaska. ; upgrade in circulation notes
4255. 06/20/80 Flac 24/96 - 0, 144907 Anchorage West High Auditorium flac24; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on pole 25' from stage, right side, Row J Seat 2) > Sony TC-D5 (Maxell XLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4256. 06/20/80 Flac 16/48 - 0, 144906 Anchorage West High Auditorium flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on pole 25' from stage, right side, Row J Seat 2) > Sony TC-D5 (Maxell XLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4257. 06/21/80 Flac 16 Mtx - 0, 112150 Anchorage West High Auditorium flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
4258. 06/21/80 Flac 16 - 0, 113302 Anchorage West High Auditorium flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller notes
4259. 06/21/80 Shn - 0, 27590 Anchorage West High Auditorium Bertha Remaster of Master Soundboard Cassette Source notes
4260. 06/21/80 Flac 16 Mtx - 0, 28470 Anchorage West High Auditorium flac16; SBD/AUD Matrix Mix (60%-SBD/40%-AUD) SBD source: Soundboard > Cassette Master > Sonic Solutions (20bit) > Sony SBM2 > Master CD > EAC > FLAC (shn id 27448); AUD source: Source: AKG 414 stereo mic -> Sony TC-158 deck, Taper: Eddie Claridge (shn id 23531). SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 60% SBD, 40% AUD mix. Mixed by dan@am-dig.com. note: info file now reflects tracking for 80 minutes CDs notes
4261. 06/21/80 Shn - 0, 23531 Anchorage West High Auditorium Source: Recorded by Eddie Claridge at the soundboard patched from Dan Healy. AKG 414 stereo mic -> Sony TC-158 deck Lineage: MAC > [DAT?] > CDR (no intermediate cassette generations) Encoding: EAC(secure) > Cool Edit Pro > CDWAV > shntool > mkwact > SHN(seekable) by Matt Vernon via John Gaetzi notes
4262. 06/21/80 Flac 24/44 - 0, 28475 Anchorage West High Auditorium flac24; DVD-A 24/44 SBD+AUD Matrix Mix - 24 bit version of other Matrix source by Dan. notes
4263. 06/21/80 Flac 16 - 0, 27448 Anchorage West High Auditorium flac 16; Soundboard> Cassette Master> Sonic Solutions (20bit)> SBM2> Master CD> EAC> FLAC. Cassette Masters provided by Richard Hale, Transfer and patch by David Gans, FLAC and upload by Joe Samaritano notes
4264. 06/21/80 Shn - 0, 8639 Anchorage West High Auditorium Sources:Primary Source:Master Soundboard Cassette > Reel To Reel > DAT> CDR; Secondary Source:Master Audience Cassette; AKG 414 mics source supplies the "Announcements/Intro", portions of "Sugaree", "Loser", "Big Railroad Blues" "Drums". Patching/CD Mastering & shn'ed by Scott Clugston; To fungus and abgd via Charlie Connor ; upgrade in circulation notes
4265. 06/21/80 Flac16 Dts 5.1 - 0, 32228 Anchorage West High Auditorium flac16; DTS-Audio-CD 5.1 Mix of SBD Cassette Master> Sonic Solutions (20bit) (shn id 27448) and AUD AKG 414 stereo mic -> Sony TC-158 deck (shn id 23531) note: info file now reflects tracking for 80 minutes CDs notes
4266. 06/21/80 Flac 16 - 0, 89214 Anchorage West High Auditorium flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded from Row M, Seat 2, Right Center Floor Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
4267. 06/21/80 Flac 16 - 0, 74407 Anchorage West High Auditorium flac16; Repatched fix of shn id 8369 - Master Soundboard Cassette > Reel To Reel > DAT> CDR by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
4268. 06/21/80 Shn - 0, 321 Anchorage West High Auditorium SBD -> ?? -> DAT(2) -> CDR; transfer: Sony PCM-M1 -> coaxial SRC -> Marantz CDR630 ->? Astarte CD-Copy 2.0.3 -> AIFF -> SoundApp (WAVE) -> SHN; seed via J. Wise et al; transfer by Dan M.; d1t1, Random digi-noise/distortion for first 45 seconds; d1t6,? Major Splice is on Master; d2t3, 1st Verse is missing; see additional flaw note about d2t7 in pub comments; upgrade in circulation notes
4269. 06/21/80 Flac 24/96 - 0, 144909 Anchorage West High Auditorium flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (mounted on pole, right center, Row M Seat 2) > Sony TC-D5 (Maxell XLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4270. 06/21/80 Flac 16/48 - 0, 144908 Anchorage West High Auditorium flac1648 Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (mounted on pole, right center, Row M Seat 2) > Sony TC-D5 (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4271. 06/29/80 Shn - 0, 10057 Los Angeles Pauley Pavilion, UCLA 2nd set; SBD>MC>??>DAT>CDR; Missing Sunshine Daydream & US Blues; via Paul B; Seeded to etree by Willy notes
4272. 06/29/80 Shn - 0, 16438 Los Angeles Pauley Pavilion, UCLA set 1; SBD > ? > C > CDR; via Joey Browning, encoded by Matt Vernon notes
4273. 06/29/80 Flac 16 - 0, 128523 Los Angeles Pauley Pavilion, UCLA flac16; Recorded by Mason Taylor; set one master tape; set two first generation safety copy notes
4274. 06/29/80 Flac 16 - 0, 88976 Los Angeles Pauley Pavilion, UCLA flac16; Set 2 Only Ambient master recording by Mase Senn MD421 n.c. -> Sony TC-D5 w/ Maxell XLII 90 Master Maxell XLII cassette - TC-D5 -> Teac A100 casette deck 1st gen copy w/ TC-D5M no n.r. line-out -> Sound Devices 722 @ 24bit 48khz by mfrench track split by Sound Studios 2.2.4, with some "dead-air" removed at tape flip points, with no other edits dither to 44.1 kHz notes
4275. 06/29/80 Flac 16 - 0, 29917 Los Angeles Pauley Pavilion, UCLA flac16; Unknown Mikes> Sony D5 (Maxel XL2s) (master cassette)> Denon DRW-840G (Maxel XL2s) (1st gen cassette)> sony PCM-R300 (via sony 750es & monster interlink cables) (1st DAT gen) > HD (via CTD8000H-S SGI/Seagate Audio Capable DDS-2 DAT running dat2wav) > cdwav 1.54> converted to .flac w/ dbpowerAMP 11 using FLAC codec 1.1.2) notes
4276. 06/29/80 Flac 24/48 - 0, 88977 Los Angeles Pauley Pavilion, UCLA flac24; Set 2 Only Ambient master recording by Mase Senn MD421 n.c. -> Sony TC-D5 w/ Maxell XLII 90 Master Maxell XLII cassette - TC-D5 -> Teac A100 casette deck 1st gen copy w/ TC-D5M no n.r. line-out -> Sound Devices 722 @ 24bit 48khz by mfrench track split by Sound Studios 2.2.4, with some "dead-air" removed at tape flip points, with no other edits notes
4277. 07/01/80 Flac 16 - 0, 125844 San Diego San Diego Sports Arena flac16; Source: SBD > ? > DAT, however there are clearly multiple sources patched together; Conversion: My DAT > Tascam DA-20 S/PDIF > M-Audio Audiophile S/PDIF > Total Recorder (PC) (44.1/16-bit) > WAV > Split with CDWave > Encode to FLAC (Traders Little Helper); Conversion: Justin Mason notes
4278. 07/01/80 Shn - 0, 9361 San Diego San Diego Sports Arena sbd>?>dat; there are splices from an unknown source at Althea and also for the encore; Seeded to etree by Brian Cole notes
4279. 07/01/80 Flac 16 - 0, 136754 San Diego San Diego Sports Arena flac16; Source: Unknown AUD, from the collection of Brian Schley. Transfer: Old TDK SA90s > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. notes
4280. 07/01/80 Flac 16 - 0, 139308 San Diego San Diego Sports Arena flac16; source: sbd; Jerry Moore’s 2nd gen cassettes; maxell udxlII90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transfer & seeded by Rob Berger notes
4281. 07/01/80 Flac 24/96 - 0, 139309 San Diego San Diego Sports Arena flac24; source: sbd; Jerry Moore’s 2nd gen cassettes; maxell udxlII90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transfer & seeded by Rob Berger notes
4282. 07/01/80 Flac 16 - 0, 141396 San Diego San Diego Sports Arena flac16; Source Info: Master Soundboard Cassettes > ?? > Reel to Reel > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
4283. 07/01/80 Flac 16 - 0, 137885 San Diego San Diego Sports Arena flac16: unknown audience recording from collection of CC
Transfer: first gen cassette > VHS HiFi > HK CDR2 > FLAC
notes
4284. 08/16/80 Flac 16 - 0, 88959 Edwardsville Southern Illinois University flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
4285. 08/16/80 Flac 16 - 0, 128616 Edwardsville Southern Illinois University flac16; Set 1 & Partial Set 2 Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; the original version had sector boundary errors; don't circulate the original versio notes
4286. 08/16/80 Shn - 0, 14044 Edwardsville Southern Illinois University Source: MAC>DAT>CDR & MAC>Cass. x ?>DAT>CDR via Andy Lemieux shn encoding by Matt Vernon notes
4287. 08/16/80 Shn - 0, 20137 Edwardsville Southern Illinois University Recording by Joani Walker: FOB MAC w/ Sony ECM-250s>Sony TC-158>CDR via Paul Scotton, tracking & tweaking by Scott Clugston, SHN encoding by Andy Lemieux ; upgrade in circulation notes
4288. 08/17/80 Flac 16 - 0, 93037 Kansas City Kansas City Municipal Auditorium flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes
4289. 08/17/80 Shn - 0, 12107 Kansas City Kansas City Municipal Auditorium AUD>?>CD; via Paul B; Seeded to etree by Willy notes
4290. 08/19/80 Flac 16 - 0, 88172 Chicago Uptown Theater flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> ? -> Dat (48k) Transfer Info: Set 1: Cassette -> Apogee MiniMe -> Samplitude Professional v9.11 -> FLAC Set 2: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
4291. 08/19/80 Shn - 0, 28043 Chicago Uptown Theater et 2p; SBD > Cass(m) > Cass > reel > DAT; conversion: fostex d-5 > zoltrix nightingale > cdwave (resample to 44.1khz, tracking) > shn; upgrade in circulation notes
4292. 08/19/80 Flac 24 - 0, 127497 Chicago Uptown Theater flac24; Set 1 Recorded 1st row balcony Sennheiser 421>Sony TCD-5M>Nak 550; Patched into Neil (aka froggy RIP); transfered by Richie Stankiewicz; 1st Gen>DAT Cakewalk UA-1G notes
4293. 08/19/80 Flac 16 - 0, 131445 Chicago Uptown Theater flac16; Partial; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
4294. 08/19/80 Shn - 0, 8739 Chicago Uptown Theater Recording by Dougal Donaldson: FOBalcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD; via Mark Lindenbaum; Seeded to etree by Willy notes
4295. 08/19/80 Flac 16/48 - 0, 140366 Chicago Uptown Theater flac16/48kHz; Set 2 Audience Cassette of unknown lineage > PC > Soundforge notes
4296. 08/19/80 Flac 16 - 0, 150336 Chicago Uptown Theater flac16; Remaster of source ID 8739: FOB Balcony Nak 700's w/shotgun caps > Master Cassette (Sony TC-158) > DAT > CD; Edited & Remastered using Adobe Audition by Joe Noel; see info file for details notes
4297. 08/19/80 Flac 16/44 - 0, 151796 Chicago Uptown Theater Flac1644 Source: Sennheiser MD-421's (1st row balcony) > TC-D5 > MAC > Low-Gen (1st or 2nd) tapes from the collection of Brian Schley.
Transfer: TDK-SA (Set1) & Maxell-XLII (Set2) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged.
Transferred by Andrew F.
notes
4298. 08/20/80 Flac 16 - 0, 128619 Chicago Uptown Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
4299. 08/20/80 Shn - 0, 8740 Chicago Uptown Theater Recording by Dougal Donaldson: FOBalcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD; via Mark Lindenbaum; Seeded to etree by Willy notes
4300. 08/20/80 Flac 16 - 0, 140367 Chicago Uptown Theater flac16; Partial Set 2 Audience Cassette of unknown lineage with fills from Archives .wav files > PC > Soundforge notes
4301. 08/20/80 Flac 16 - 0, 147370 Chicago Uptown Theater b>flac16; Set 1 Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This fileset is 16 bit at 44.1 notes
4302. 08/20/80 Flac 24 - 0, 147366 Chicago Uptown Theater flac24; Set 1 Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
4303. 08/20/80 Flac 24/48 - 0, 149293 Chicago Uptown Theater flac24; Source: AUD of unknown lineage > ? > lo-gen cassette via Richie & Rip. Transfer: TDK SA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2020 notes
4304. 08/20/80 Flac 16 - , 151836 Chicago Uptown Theater FLAC 16 ; Source: AUD of unknown lineage > ? > lo-gen cassette via Richie & Rip. Transfer: TDK SA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2020 24/48 -> 16/48 of shnid 149293 via Saracon notes
4305. 08/21/80 Flac 16 - 0, 99034 Chicago Uptown Theater flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
4306. 08/21/80 Flac 16 - 0, 128623 Chicago Uptown Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
4307. 08/21/80 Shn - 0, 7913 Chicago Uptown Theater SBD>MC>C>DAT>CD; via Scott Shindell; Seeded to etree by Willy notes
4308. 08/21/80 Flac 16 - 0, 126369 Chicago Uptown Theater flac16; AUD: 2 AKG D222E + 1 Beyer M160 > Nakamichi 550, Orch 20th row right center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 12/2013 notes
4309. 08/21/80 Flac 24/96 - 0, 126368 Chicago Uptown Theater flac24; AUD: 2 AKG D222E + 1 Beyer M160 > Nakamichi 550, Orch 20th row right center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 12/2013 notes
4310. 08/23/80 Flac 16 - 0, 89130 East Troy Alpine Valley Music Theatre flac16; Recording Info: Unknown Mics -> Cassette Master -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
4311. 08/23/80 Shn - 0, 11928 East Troy Alpine Valley Music Theatre Unknown audience equipment>Cass>CDR; Seeded to etree by Glenn Gillis notes
4312. 08/24/80 Flac 16 - 0, 128391 Grand Rapids Grand Center flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
4313. 08/24/80 Shn - 0, 10531 Grand Rapids Grand Center Recording by Rob Eaton: FOB Nakamichi 300> Sony TC-D5> DAT> CDs(3X?); via Dr. Sketchy; Seeded to etree by jim@juddcreek notes
4314. 08/26/80 Shn - 0, 13815 Cleveland Cleveland Public Hall sbd-> cassette-> unknown digital xfer(s)-> Sonic-> CD-> CD-> EAC-> SHN Note: Beginning gap in Don't Ease Me In patched by David Gans using a piece of the chorus in. This is not a "new" source notes
4315. 08/26/80 Flac 16 - 0, 128614 Cleveland Cleveland Public Hall flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
4316. 08/26/80 Shn - 0, 9632 Cleveland Cleveland Public Hall SBD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy notes
4317. 08/26/80 Flac 16 - 0, 106342 Cleveland Cleveland Public Hall flac16:source: master cassette recorded by Nick Millner Nak 300 mics -> Sony D5 patched out of "Gus from Arkansas" 1st gen cassette: Sony D5 -> unknown cassette recorder this recording: 1st gen cassette p/b in Sony D-5 -> sound card -> CDWav editor -> Wav -> FLAC. Seeded at Dime-A-Dozen ~ 2/26/2010 notes
4318. 08/26/80 Flac 16 - 0, 82166 Cleveland Cleveland Public Hall flac16; Recorded by Joel Barnhama Master Audience Cassette; 2 Sennheiser 421s + center mike> Nakamichi 550 (Fuji FX-1) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (24/96)> Adobe Audition > Downsample/Dither> flac encoding > FLAC notes
4319. 08/27/80 Flac 16 - 0, 92385 Clarkston Pine Knob Music Theater flac16; Recording Info:SBD -> Master Cassette -> Cassete -> Dat (48k) -> Pro Tools -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes
4320. 08/27/80 Flac 16 - 0, 123988 Clarkston Pine Knob Music Theater flac16; Recording Info: SBD -> Master Cassette -> Dat; Transfer Info: Dat -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
4321. 08/27/80 Shn - 0, 12160 Clarkston Pine Knob Music Theater AUD>MC>??>DAT>CDR; Multiple analog gens suspected; via Paul B; Seeded to etree by Willy notes
4322. 08/29/80 Flac 16 - 0, 91694 Philadelphia The Spectrum flac16; Recording Info: SBD -> Master Cassette -> Cassete -> Dat (48k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes
4323. 08/29/80 Flac 16 - 0, 102013 Philadelphia The Spectrum flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
4324. 08/29/80 Flac 16 - 0, 100390 Philadelphia The Spectrum flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes
4325. 08/29/80 Flac 16 - 0, 123588 Philadelphia The Spectrum flac16; Set 2 only, AUD, unknown equipment & lineage. Pitch adjusted. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > TLH > FLAC 1644, January 2013. notes
4326. 08/29/80 Shn - 0, 10033 Philadelphia The Spectrum 1st Set; Senn 421's>MC>DAT>CDR 2nd Set; SBD>MC>C>DAT>CDR, with ~1 min of aud patches during Other One & Drums, see info file for details; via Paul B; Seeded to etree by Willy notes
4327. 08/30/80 Flac 16 - 0, 110152 Philadelphia The Spectrum flac16; Recording Info:Set 1: SBD -> Cassette Master -> ? -> CD; Set 2: SBD -> Cassette Master -> Dat -> Sonic Solutions -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
4328. 08/30/80 Flac 16 - 0, 127431 Philadelphia The Spectrum flac16; First Set only. Source: SBD > 3rd Gen cassette (Dolby C) with thanks to Jon Pasternak. Transfer: XLII (Dolby C) > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. notes
4329. 08/30/80 Flac 16 - 0, 107394 Philadelphia The Spectrum flac16; Set 1 SBD>?>CD Set 2 SBD>MR>DAT>DAT Clone>CDR>FLAC>WAV>Cool Edit Repitch>FLAC (see text file for caveats) (note: This fixed source was originally seeded with a flawed d2t01 notes
4330. 08/30/80 Flac 16 - 0, 100392 Philadelphia The Spectrum flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes
4331. 08/30/80 Shn - 0, 15408 Philadelphia The Spectrum 1st Set Only; SBD>?>CD; Entire set pitch corrected; via Joey Browning; Seeded to etree by Willy notes
4332. 08/30/80 Flac 16 - 0, 102015 Philadelphia The Spectrum flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
4333. 08/30/80 Shn - 0, 16039 Philadelphia The Spectrum Recording by Jim Wise: complete; AUD @ Soundboard w/Senn 421's mounted on a pole> Sony TC-D5> CM > Nak Dragon > Sony PCM R-700 > D > HD > SndFge > CDR via Mike McCarthy, encoded by Matt Vernon notes
4334. 08/30/80 Flac 16 - 0, 34939 Philadelphia The Spectrum flac16; Soundboard shn id 15408 and fixed version of shn id 8875 via Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
4335. 08/30/80 Shn - 0, 8775 Philadelphia The Spectrum 2nd set only; SBD>MC>DAT>DAT Clone>CDR; via Rich Graboyes; Seeded to etree by Willy (update source info) notes
4336. 08/31/80 Flac 16 - 0, 128509 Landover Capital Centre flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
4337. 08/31/80 Shn - 0, 26353 Landover Capital Centre AUD, SBD combo: Set 1: Sennheiser 421> Cassette Master> Dat> Sound Forge> CD> EAC> SHN; Set 2: SBD> Cassette Master> Cassette> Dat> CD> EAC> SHN; Converted To SHN By Charlie Miller notes
4338. 08/31/80 Shn - 0, 8824 Landover Capital Centre Audience (unknown equipment -- may be Jim Wise's master); Seeded to etree by Peter Braverman notes
4339. 08/31/80 Shn - 0, 7456 Landover Capital Centre Recording by Jim Wise: Master Audience Cassette > DAT > Hard disk (Sound Forge) > CD; , at the soundboard with Sennheiser 421's; via Popi notes
4340. 08/31/80 Flac 16 - 0, 34418 Landover Capital Centre flac16; Recording by Mark Cohen: Master cassette audience>DAT>CD ; Nak 700s> Sony TC-D5 notes
4341. 08/31/80 Flac 16 - 0, 101718 Landover Capital Centre flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
4342. 08/31/80 Flac 16 - 0, 139642 Landover Capital Centre flac16; Recording Info: Set 1: Sennheiser 421 > Cassette Master > SHN (shnid=7456); Set 2: SBD > Cassette Master > Cassette > CD (shnid=26353); Transfer Info: CD > Adobe Audition CC 2015 > Samplitude Professional v11.2.1 > FLAC; All Mastering By Charlie Miller notes
4343. 08/31/80 Flac 16/48 - 0, 142993 Landover Capital Centre flac16/48kHz; Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony TC158SD (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4344. 08/31/80 Flac 24/96 - 0, 142992 Landover Capital Centre flac24; Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony TC158SD (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496 notes
4345. 08/31/80 Flac 24/96 - 0, 144289 Landover Capital Centre b>flac24; Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4346. 08/31/80 Flac 16/48 - 0, 144288 Landover Capital Centre flac16/48kHz; Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4347. 08/31/80 Flac 24/96 - , 154698 Landover Capital Centre flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2021 > TLH2496 notes
4348. 08/31/80 Flac 16/48 - , 154697 Landover Capital Centre flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2021 > TLH2496 notes
4349. 09/02/80 Flac 16 - 0, 28299 Rochester Community War Memorial Auditorium flac16; mixed sources: d1,2: SBD> Cassette Master> (~4 cass gens?)> Cool Edit Pro> FLAC; d3: SBD> Cassette Master> Dat> Sonic Solutions> CD; Encore: FOB Nakamichi 300/CP1> Cassette Master> Dat> CD; Transferred and Edited By Charlie Miller notes
4350. 09/02/80 Flac 16 - 0, 128438 Rochester Community War Memorial Auditorium flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
4351. 09/02/80 Flac 16 - 0, 127274 Rochester Community War Memorial Auditorium flac16 Set 2 AUD: 2x Beyers M160's > Nakamichi 550, FOB center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 03/2014 notes
4352. 09/02/80 Flac 16 - 0, 34940 Rochester Community War Memorial Auditorium flac16; Patched version of soundboard shn id 28299 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
4353. 09/02/80 Flac 16 Mtx - 0, 110895 Rochester Community War Memorial Auditorium flac16; Matrix: 60% sbd/40% aud Recording Info: Discs 1 & 2: SBD -> Cassette Master -> ? -> Cool Edit Pro -> FLAC Disc 3: SBD -> Cassette Master -> Dat -> Sonic Solutions -> CD Encore: (FOB) Nakamichi 300/CP1 -> Cassette Master -> Dat -> CD Transfer Info: WAV -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller and FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand FOB, taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. notes
4354. 09/02/80 Shn - 0, 26094 Rochester Community War Memorial Auditorium Audience Recording: MC? > Reel/Cass > DAT; Transfer: Sony PCM-R500 DAT > HHB CDR-850> SoundStream WAV> mkACT SHN notes
4355. 09/02/80 Shn - 0, 26458 Rochester Community War Memorial Auditorium AUD (FOB, unknown mics)> MC> DAT> CDR> EAC> SHN; complete version of SHN ID 4954, ; reEAC> SHN from the original source audio CDs; CD Mastering, EAC> SHN> seeding to abgd by Skankweed notes
4356. 09/02/80 Flac 16 - 0, 102776 Rochester Community War Memorial Auditorium flac16; FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand FOB, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 11/2009 notes
4357. 09/02/80 Flac 24/96 - 0, 127723 Rochester Community War Memorial Auditorium flac24; Set 2 AUD: 2x Beyers M160's > Nakamichi 550, FOB center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 03/2014 notes
4358. 09/02/80 Flac 2448 - 0, 102775 Rochester Community War Memorial Auditorium flac24; FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand FOB, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 11/2009 notes
4359. 09/02/80 Flac 16/44 - 0, 148953 Rochester Community War Memorial Auditorium flac16/44.1kHz; 2nd Set Source Info: Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M > Rich Gastwirt's Dat (16/44.1); Transfer Info: Dat (Sony PCM-R500)(16/44.1) > Tascam DA-3000 > .wav (16/44.1) > Adobe Audition 2020 > TLH flac16 notes
4360. 09/03/80 Flac 24/96 - 0, 106618 Springfield Springfield Civic Center flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Tape flip in drums at 5:35 spliced using Soundforge 9.0. Recorded FOB from Section 63, Row J, Seat 12 by Bob Morris notes
4361. 09/03/80 Flac 16 - 0, 102016 Springfield Springfield Civic Center flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded FOB from Section 63, Row J, Seat 12 by Bob Morris notes
4362. 09/03/80 Shn - 0, 16925 Springfield Springfield Civic Center MAC > ? > CD > EAC > SHNv3; EAC(secure mode) and encoded to shnv3(seek enabled) by Charles Bass notes
4363. 09/03/80 Shn - 0, 12576 Springfield Springfield Civic Center Fixed reseed; FOB by Jim Wise and Eddie Claridge (Sony ECM-280 mics > Sony TC-D5) > Master Audience Cassette > CD-R; Seeded to etree by Sean Cribbs Note- Apparently the first shn set to circulate was corrupt. See the public comments for the original seed for more info notes
4364. 09/03/80 Flac 16 - 0, 103169 Springfield Springfield Civic Center flac16:FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up in the arena riser center, end of floor facing the stage. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 12/2009 notes
4365. 09/03/80 Flac 24/48 - 0, 103168 Springfield Springfield Civic Center flac24;FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up in the arena riser center, end of floor facing the stage. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 12/2009 notes
4366. 09/03/80 Flac 24/96 - 0, 126722 Springfield Springfield Civic Center flac24; Recording by Jim Wise & Eddie Claridge; Master Audience Cassette; Sony ecm 280's > Sony D-5 FOB; Transfer and FLAC encoding by David Minches: 1-10-14; Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
4367. 09/03/80 Flac 16/48 - 0, 143031 Springfield Springfield Civic Center flac16/48kHz; Source Info: Primary: George Sterry's Master Audience Cassettes; Unknown mics > Sony TC-158SD > 1st generation cassette (TDK D90); Secondary: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII C90); Transfer Info: Primary: 1st generation cassettes(Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; Secondary: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4368. 09/03/80 Flac 24/96 - 0, 143030 Springfield Springfield Civic Center flac24; Source Info: Primary: George Sterry's Master Audience Cassettes; Unknown mics > Sony TC-158SD > 1st generation cassette (TDK D90); Secondary: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII C90); Transfer Info: Primary: 1st generation cassettes(Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; Secondary: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496 notes
4369. 09/04/80 Flac 16 Mtx - 0, 95601 Providence Providence Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes
4370. 09/04/80 Flac 16 - 0, 95497 Providence Providence Civic Center flac16; Recording Info:Set 1: SBD -> Master Cassette -> ? -> Dat -> CD; Set 2: SBD -> Master Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
4371. 09/04/80 Flac 2448 - 0, 104936 Providence Providence Civic Center flac24; FOB AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up FOB aprx 20th row, center right. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 12/2009 notes
4372. 09/04/80 Flac 16 - 0, 104937 Providence Providence Civic Center flac16; FOB AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up FOB aprx 20th row, center right. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 12/2009 notes
4373. 09/04/80 Shn - 0, 20014 Providence Providence Civic Center Set 2 Soundboard Cassette Master > Reel > Dat > CDR via Andy Lemieux and Kingbee Patch Source: AUD>MC>DAT>SF>CD; encoding by Matt Vernon notes
4374. 09/04/80 Shn - 0, 17432 Providence Providence Civic Center Set 1 SBD>?>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN(Seekable) notes
4375. 09/04/80 Flac 24/96 - 0, 106619 Providence Providence Civic Center flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded from floor Section 8, Row V, Seat 12 by Bob Morris notes
4376. 09/04/80 Shn - 0, 12270 Providence Providence Civic Center AUD>MC>DAT>SF>CD; Transferred with Nakamichi Dragon to Sony PCM R-700; via Paul B; Seeded to etree by Willy notes
4377. 09/04/80 Shn - 0, 24829 Providence Providence Civic Center Recording by Jim Wise: FOB Sony ECM-280s mounted on a stand > Sony TC-D5 > MAC > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV > CD (untracked) > EAC > WAV > CD Wave tracking > SHN or CD. Original recording, transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs notes
4378. 09/04/80 Flac 16 - 0, 93725 Providence Providence Civic Center flac16; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
4379. 09/04/80 Flac 16 - 0, 101719 Providence Providence Civic Center flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from floor Section 8, Row V, Seat 12 by Bob Morr notes
4380. 09/04/80 Flac 24/96 - 0, 126719 Providence Providence Civic Center flac24; Recording by Jim Wise & Eddie Claridge; Master Audience Cassette; Sony ecm 280's > Sony D-5 FOB; Transfer and FLAC encoding by David Minches: 1-10-14; Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
4381. 09/06/80 Flac 16 - 0, 93782 Lewiston State Fairgrounds flac16; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-II); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
4382. 09/06/80 Flac 16 - 0, 126441 Lewiston State Fairgrounds flac16; source: aud cassette master; taped by The Commander; audio-technica condensor mics > sony tc-152, tdk sa-c90's, no nr; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer/seed by Rob Berger & Taperchuck notes
4383. 09/06/80 Shn - 0, 25471 Lewiston State Fairgrounds Recording by Jim Wise: FOB Nak 700s > Sony TC-D5 (Steve Rolfe?s) > Sony TC-D5 (Jim Wise?s) > MAC (Maxell XII; Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV > CD (untracked) > EAC > WAV > CD Wave tracking > SHN or CD. Original recording, transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs. notes
4384. 09/06/80 Shn - 0, 25560 Lewiston State Fairgrounds Recording Info (Source 1): SBD -> Master Cassette -> ? -> Cass -> Fostex D5 (pass-through only) -> ZA2 -> Samplitude v7.02 Professional -> SHN Supplies d1t01 through d2t03 (Provided By Joe Samaritano) Recording Info (Source 2): (FOB) Nakamichi 700 -> Master Cassette (Sony D5) -> Dat -> CD Supplies patch at end of d1t06 and also provides d2t04 through of the show. (Taped By Jim Wise). Remastering by Charlie Miller notes
4385. 09/06/80 Flac 16 - 0, 101685 Lewiston State Fairgrounds flac16; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XL-II 90's. Mics on stand FOB, near the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. 09/20 notes
4386. 09/06/80 Flac 24/96 - 0, 101684 Lewiston State Fairgrounds flac24; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XL-II 90's. Mics on stand FOB, near the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. 09/2009 notes
4387. 09/06/80 Flac 16 - 0, 119726 Lewiston State Fairgrounds flac16; FOB 3 mic blend taped by John Hance; FOB>AMC>DAT>CD>EAC>TLH>FLAC; extracted and flac encoded by Michale Turi notes
4388. 09/06/80 Flac 16 - 0, 102017 Lewiston State Fairgrounds flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded FOB by Bob Morris (note: this source was originally seeded with a corrupt d1t02. A fixed version was seeded on 10/14/2009.) notes
4389. 09/06/80 Shn - 0, 322 Lewiston State Fairgrounds Nak Dragon > Sony PCM r-500 DAT > CDR notes
4390. 09/06/80 Shn - 0, 16926 Lewiston State Fairgrounds MAC > ? > CD > EAC > SHNv3; EAC (secure mode) and encoded to shnv3 (seek enabled) by Charles Bass; missing encores notes
4391. 09/06/80 Flac 24/96 - 0, 106620 Lewiston State Fairgrounds flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded FOB by Bob Morris notes
4392. 09/06/80 Flac 24/88.2k - 0, 93783 Lewiston State Fairgrounds flac24; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-II); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
4393. 09/06/80 Shn - 0, 23371 Lewiston State Fairgrounds Set 1 Only* Soundboard->Unknown->Cassette. Cassette->Fostex D5 (pass-through only)-> ZA2->Samplitude v7.02 Professional-> .wav->mkw->SHN. Cassette seed provided by Joey Browning. Transfer, editing, and SHN by Joe Samaritano notes
4394. 09/06/80 Flac 16/48 - 0, 142972 Lewiston State Fairgrounds flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII-C90)(patched out of Steve Rolfe); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4395. 09/06/80 Flac 24/96 - 0, 142971 Lewiston State Fairgrounds flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII-C90)(patched out of Steve Rolfe); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes
4396. 09/06/80 Flac 16 - 0, 136807 Lewiston State Fairgrounds flac16; Recording by Steve Rolfe & Jim Wise: Master Audience Cassette; 2 NaKamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches; Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
4397. 09/06/80 Flac 24/96 - 0, 126539 Lewiston State Fairgrounds flac24; source: aud cassette master taped by The Commander; audio-technica condensor mics > sony tc-152, tdk sa-c90's, no nr; nak dragon > benchmark adc1 24/96 > adobe audition cs6 > flac; transfer/seed by Rob Berger & Taperchuck notes
4398. 09/06/80 Flac 24/96 - 0, 147839 Lewiston State Fairgrounds flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4399. 09/06/80 Flac 24/96 - 0, 147840 Lewiston State Fairgrounds flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
4400. 09/06/80 Flac 24/96 - 0, 127165 Lewiston State Fairgrounds flac24; Recording by Steve Rolfe & Jim Wise: Master Audience Cassette; 2 NaKamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: February 20 , 2014; Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
4401. 09/06/80 Flac 24/96 - 0, 150981 Lewiston State Fairgrounds flac24/96 1st gen AUD Cassette (unknown source/taper) 1st gen CAS (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Listening Assistance and Track FLAC Pack by Steve Gravel notes
4402. 09/06/80 Flac 16/48 - 0, 150980 Lewiston State Fairgrounds flac16/48khz 1st gen AUD Cassette (unknown source/taper) 1st gen CAS (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Listening Assistance and Track FLAC Pack by Steve Gravel notes
4403. 09/25/80 Shn - 0, 18740 San Francisco Warfield Theater Acoustic Set only; SBD > MR > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes
4404. 09/25/80 Shn - 0, 7303 San Francisco Warfield Theater Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5; via Douglas Ferguson, Matt Vernon notes
4405. 09/25/80 Flac 24/96 - 0, 144697 San Francisco Warfield Theater flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4406. 09/25/80 Flac 16/48 - 0, 144696 San Francisco Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4407. 09/26/80 Flac 16 - 0, 118444 San Francisco Warfield Theater flac16; Recording Info: SBD -> ? -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
4408. 09/26/80 Shn - 0, 18741 San Francisco Warfield Theater Acoustic Set only; SBD > MR > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes
4409. 09/26/80 Flac 16 - 0, 89536 San Francisco Warfield Theater flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008. notes
4410. 09/26/80 Shn - 0, 7304 San Francisco Warfield Theater Recording (attributed to ) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5; via Douglas Ferguson, Matt Vernon notes
4411. 09/26/80 Flac 24/96 - 0, 144651 San Francisco Warfield Theater flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4412. 09/26/80 Flac 16/48 - 0, 144650 San Francisco Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4413. 09/26/80 Flac 24/96 - , 155411 San Francisco Warfield Theater Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90)
Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
notes
4414. 09/26/80 Flac 16/44 - , 155426 San Francisco Warfield Theater flac16/44 Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 155411 2496 > 1644 notes
4415. 09/27/80 Flac 16 - 0, 96271 San Francisco Warfield Theater flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder> analog in PCM501ES analog out > Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48] Mastering: In WaveLab with Nomad Blue Tube Plugins Rate Conversion with r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 6, 2008, Green Mountain Bros. notes
4416. 09/27/80 Shn - 0, 11590 San Francisco Warfield Theater Acoustic set: Master Soundboard Reel > PCM > DAT > CDR;Electric Sets: Master Audience Cassette:(3) Nakamichi CM700 mics> Mixer>Sony D5>1 cassette gen> DAT> CDR;The Audience source supplies "The Race Is On" (d1t01), the first 1:15 of "Jackaroe"(d1t02), from 0:04 - 0:42 and from 5:09 - 6:42 of "Bird Song" (d1t06), as well as from 2:58 thru the end of "Ripple" (d1t09). The Audience source was missing the beginning of "The Race Is On";The multiple patches in "Bird Song" were necessary due to problems on the Master Reels; Acoustic SBD DAT source from Joe Samaritano; Patching/CD Re-Mastering & Shn'ed by Scott Clugston; Uploaded to fungus and posted to abgd via Charlie Connor; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments) notes
4417. 09/27/80 Flac 16 - 0, 89006 San Francisco Warfield Theater flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
4418. 09/27/80 Shn - 0, 7998 San Francisco Warfield Theater acoustic and electric; AUD> NAK CM700 mics X 3> Mixer>Sony D5> Master Cassette> Cassette; Playback: JVC TD-W309 (Pitch Correction)> Tascam DA-20mkII (A/D)> Tascam CD-RW700> CD; seeded by Jeff M. notes
4419. 09/27/80 Shn - 0, 7305 San Francisco Warfield Theater Recording (attributed to Bob Menke): Nakamichi CM700 Mics (3)>Mixer>Sony D-5; via Douglas Ferguson, Matt Vernon notes
4420. 09/27/80 Flac 24/48 - 0, 144228 San Francisco Warfield Theater flac24; Set 1; Source: Mono AUD unknown lineage > ? > Cassette, via Richie & Rip. Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 12/2018 notes
4421. 09/27/80 Flac 24/96 - 0, 144699 San Francisco Warfield Theater flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4422. 09/27/80 Flac 16/48 - 0, 144698 San Francisco Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4423. 09/27/80 Flac 16 - 0, 145209 San Francisco Warfield Theater flac16; Set 1; Source: Mono AUD unknown lineage > ? > Cassette, via Richie & Rip. Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 12/2018; This file set is 16 bit @ 44.1 notes
4424. 09/27/80 Flac 24/96 - , 155740 San Francisco Warfield Theater Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90)
Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24
notes
4425. 09/27/80 Flac 24/96 - , 155901 San Francisco Warfield Theater flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA-90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes
4426. 09/27/80 Flac 16/48 - , 155900 San Francisco Warfield Theater flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA-90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes
4427. 09/27/80 Flac 16/44 - , 156572 San Francisco Warfield Theater flac1644 Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24 - This is 155740 2496 > 1644.1 notes
4428. 09/29/80 Shn - 0, 21926 San Francisco Warfield Theater SBD > MC > C > DAT > CD > EAC > SHN; To Lay Me Down patched with current AUD source; EAC/SHN by Darryl Hinko notes
4429. 09/29/80 Flac 16 - 0, 89075 San Francisco Warfield Theater flac16; Recording by Ron Elner: Source: Master Cassette >Teac Reel > CD Nakamichi 700’s > Sony TC D-5 Location: FOB either on the floor or 1st row balcony Recorded and archived by Ron Elner, the master cassettes were stolen. CD Extraction with EAC > TLH > FLAC level 8 CD Extraction and seeded by B. Koucky Green Mountain Bros. December 2007 notes
4430. 09/29/80 Flac 16 - 0, 106783 San Francisco Warfield Theater flac16; Recording Info: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
4431. 09/29/80 Shn - 0, 12886 San Francisco Warfield Theater Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 from center balcony Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson SHN Conversion: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable) by Matt Vernon notes
4432. 09/29/80 Flac 24/96 - 0, 144655 San Francisco Warfield Theater flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info:Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4433. 09/29/80 Flac 16/48 - 0, 144654 San Francisco Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info:Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4434. 09/30/80 Flac 16 - 0, 96066 San Francisco Warfield Theater flac16; Acoustic Set Recording Info:SBD -> 24 Track Master Reel -> Cassette -> Cassette; Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
4435. 09/30/80 Flac 16 - 0, 132375 San Francisco Warfield Theater flac16; Recording Info: SBD -> Cassette Master -> FLAC; Transfer Info: FLAC -> Adobe Audition v5.5 -> Samplitude Pro X2 Suite -> FLAC; All Transfers and Mastering By Charlie Miller notes
4436. 09/30/80 Flac 16 Mtx - 0, 132779 San Francisco Warfield Theater flac16; 2 source matrix by Dusborne; Soundboard(shinid:132375) SBD -> Cassette Master -> FLAC, FLAC -> Adobe Audition v5.5 -> Samplitude Pro X2 Suite -> FLAC and Audience(shinid:089554) Master Cassette > Nakamichi 700s > Sony TC D-5, Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction with EAC > TLH > FLAC level 8 notes
4437. 09/30/80 Flac 16 - 0, 89554 San Francisco Warfield Theater flac16; Recording by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008 notes
4438. 09/30/80 Shn - 0, 12882 San Francisco Warfield Theater Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 from balcony center taped by Bob Menke Remaster by Douglas Ferguson: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 SHN Conversion by Matt Vernon: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable) notes
4439. 09/30/80 Flac 24/96 - 0, 144728 San Francisco Warfield Theater flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4440. 09/30/80 Flac 16/48 - 0, 144727 San Francisco Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4441. 10/02/80 Flac 16 - 0, 114364 San Francisco Warfield Theater flac16; Recording Info: Set 1: SBD -> Reel Master -> Cassette -> Dat -> CD (shnid=8039); Set 2: Nakamichi 700 -> Cassette Master -> Reel -> Dat -> CD (shnid=89111); Set 3: SBD -> Cassette Master -> Dat -> CD (shnid=2204); Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3 -> FLAC; All Transfers and Mastering By Charlie Miller notes
4442. 10/02/80 Flac 16 - 0, 89111 San Francisco Warfield Theater flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700’s > Sony TC D-5 > Teac Reel > Transfer to PC tracked & burned to CD Location: FOB either on the floor or 1st row balcony CD Extraction with EAC > TLH > FLAC level 8 Recorded and archived by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Peter Mandell CD Extraction and seeded by Bill Koucky Green Mountain Bros. December 2007 notes
4443. 10/02/80 Flac 16 - 0, 96067 San Francisco Warfield Theater flac16; Acoustic Set Recording Info:SBD -> 24 Track Master Reel -> Cassette -> Cassette; Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
4444. 10/02/80 Shn - 0, 2204 San Francisco Warfield Theater set 3; SBD-> Master Cassette-> DAT-> Sonic Solutions-> CD; CD-> EAC-> SHN conversion and upload by Adam Jerugim; seed via David Gans, Chris Meyer, Charlie Miller notes
4445. 10/02/80 Flac 16 - 0, 92204 San Francisco Warfield Theater flac16; Acoustic Set, Matrix sources: a) (shnid 8039) sbd > mr > cass > dat > cdr > eac > shn and b) (shnid 89111) Master Cassette > Nakamichi 700s > Sony TC D-5 > Teac Reel > Transfer to PC tracked & burned to CD Location: FOB either on the floor or 1st row balcony CD Extraction with EAC > TLH > FLAC level 8 Matrix by SIRMick June 2008 notes
4446. 10/02/80 Shn - 0, 8039 San Francisco Warfield Theater Acoustic set; SBD> MR> CASSETTE> DAT> CDR; via Paul B.; Tim Wiley notes
4447. 10/02/80 Shn - 0, 16154 San Francisco Warfield Theater acoustic and electric sets; Nak300 > Sony TC-152; via Charles Gannon, encoded by Matt Vernon notes
4448. 10/02/80 Flac 16 - 0, 138019 San Francisco Warfield Theater flac16; SBD > ? > cassette > CD > WAV > FLAC notes
4449. 10/02/80 Flac 16 - 0, 141014 San Francisco Warfield Theater flac16; Partial Show Recording Info: AKG Mics (m/s) > Cassette Master (Sony TC-D5M/Maxell UD-XLII/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
4450. 10/02/80 Flac 16 - 0, 141014 San Francisco Warfield Theater flac16; Partial Show Recording Info: AKG Mics (m/s) > Cassette Master (Sony TC-D5M/Maxell UD-XLII/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
4451. 10/03/80 Flac 16 Mtx - 0, 94131 San Francisco Warfield Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
4452. 10/03/80 Shn - 0, 2200 San Francisco Warfield Theater acoustic; SBD-> Master Cassette-> DAT-> Sonic Solutions-> CD; CD-> EAC-> SHN conversion and upload by Adam Jerugim; seed via David Gans, Chris Meyer, Charlie Miller notes
4453. 10/03/80 Flac 16 - 0, 89128 San Francisco Warfield Theater flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700’s > Sony TC D-5. Location: FOB either on the floor or 1st row balcony 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction: EAC > TLH > FLAC level 8. Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction and seeded by Bill Koucky. Green Mountain Bros. December 2007. notes
4454. 10/03/80 Shn - 0, 16208 San Francisco Warfield Theater Nak300 > Sony TC-152 > AMC > CoolEdit Pro > CD; via Charles Gannon; encoded by Matt Vernon notes
4455. 10/03/80 Flac 16 Mtx - 0, 146232 San Francisco Warfield Theater flac16 Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) of shnid's 2200 and 89128 notes
4456. 10/04/80 Shn - 0, 14989 San Francisco Warfield Theater complete SBD>?>CDR>EAC>Cool Edit(minor cleanup, normalization)>CDWAV(tracking)>mkwact(seekable) via Joey Browning, Steve Blanchard notes
4457. 10/04/80 Shn - 0, 19147 San Francisco Warfield Theater SBD>>MR>>PCM>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN notes
4458. 10/04/80 Shn - 0, 8778 San Francisco Warfield Theater Acoustic and partial set 2; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy notes
4459. 10/04/80 Flac 16 - 0, 141334 San Francisco Warfield Theater flac16; Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
4460. 10/04/80 Flac 24/96 - 0, 151265 San Francisco Warfield Theater flac24/96khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 notes
4461. 10/04/80 Flac 16/44,1 - 0, 151266 San Francisco Warfield Theater flac16/44.1khz Source: Master SBD Reel > PCM > DAT Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44 notes
4462. 10/06/80 Flac 16 - 0, 89169 San Francisco Warfield Theater flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5. Location: FOB either on the floor or 1st row balcony. 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction with EAC > TLH > FLAC level 8. Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction and seeded by Bill Koucky; Green Mountain Bros. December 2007. notes
4463. 10/06/80 Shn - 0, 8779 San Francisco Warfield Theater Acoustic set only; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy notes
4464. 10/06/80 Shn - 0, 13062 San Francisco Warfield Theater Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 tfrom Balcony, Center. Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson. shn conversion by Matt Vernon via Raoul Duke notes
4465. 10/06/80 Flac 16 - 0, 141335 San Francisco Warfield Theater flac16; Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
4466. 10/06/80 Flac 24/96 - 0, 144726 San Francisco Warfield Theater flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4467. 10/06/80 Flac 16/48 - 0, 144725 San Francisco Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4468. 10/06/80 Flac 16/44,1 - 0, 151267 San Francisco Warfield Theater flac16/44.1khz Source: Master SBD Reel > PCM > DAT Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44 notes
4469. 10/06/80 Flac 24/96 - , 155950 San Francisco Warfield Theater flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes
4470. 10/06/80 Flac 16/48 - , 155949 San Francisco Warfield Theater flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes
4471. 10/07/80 Shn - 0, 24664 San Francisco Warfield Theater Source: Acoustic and partial set 1 electric: MSR>C>DAT>WAV>SHN C>SHN Encoding by Cousinit Seeded to abgd notes
4472. 10/07/80 Flac - 0, 198882 San Francisco Warfield Theater SBD > Reel > Sony TCD5 > Cassette Master (Betty's) TDK SA-X 60 > DAT > Mastering (Custom Analog & Digital 06-10 ) > WAV. Reel to cassette transfer on 1981-02-06. Lineage: WAV > FLAC [7]. Recording Engineer: possibly Bear (Tape noted: Bear's Monitor At Gig). Original Cassette Master > DAT Transfer: Jim Blackwood. Mastering: Jim Blackwood, Mastering assistance: Jamie Waddell notes
4473. 10/07/80 Shn - 0, 14046 San Francisco Warfield Theater Recording (attributed to) Bob Menke: Balcony, Center Nakamichi CM700 Mics (3)>Mixer>Sony D-5. Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson shn encoding by Matt Vernon via Raoul Duke notes
4474. 10/07/80 Flac 16 - 0, 89189 San Francisco Warfield Theater flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5M. Location: FOB either on the floor or 1st row balcony. 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction with EAC > TLH > FLAC level 8. Masters Recorded by Ron Ellner and archived to Reels by Peter Mandell, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction by Bill Koucky. Green Mountain Bros. December 2007. notes
4475. 10/07/80 Flac 24/96 - 0, 144739 San Francisco Warfield Theater flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4476. 10/07/80 Flac 16/48 - 0, 144738 San Francisco Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4477. 10/07/80 Flac 24/96 - 0, 151264 San Francisco Warfield Theater flac24/96khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24 notes
4478. 10/07/80 Flac 16/44,1 - 0, 151440 San Francisco Warfield Theater flac16/44.1khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24 -- 151264 24 -> 16 @ 44.1 notes
4479. 10/09/80 Shn - 0, 11042 San Francisco Warfield Theater labelled as SBD> R> DAT> CD, but see info file notes; note same txt file as other shn set, but md5s differ notes
4480. 10/09/80 Shn - 0, 32402 San Francisco Warfield Theater Source: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > 3 DAT Generations DAT > WAV > SHN: Dan Stephens (dms@well.com) Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE) notes
4481. 10/09/80 Flac 16 - 0, 140924 San Francisco Warfield Theater flac16; Partial 1st Electric Set Source Info: Betty's 7" 2-track Master Soundboard Reel @ 7.5 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
4482. 10/09/80 Flac 16 - 0, 141349 San Francisco Warfield Theater flac16; Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
4483. 10/09/80 Flac 24/96 - 0, 144735 San Francisco Warfield Theater flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4484. 10/09/80 Flac 16/48 - 0, 144734 San Francisco Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit viadBpweramp notes
4485. 10/09/80 Flac 16/44,1 - 0, 151441 San Francisco Warfield Theater flac16/44.1khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24, 151344 24 -> 16 @ 44.1 notes
4486. 10/10/80 Flac 16 - 0, 28740 San Francisco Warfield Theater flac16; SBD/AUD Matrix of 3 previously circulated seeds; prepared by Chris Chappell notes
4487. 10/10/80 Shn - 0, 24710 San Francisco Warfield Theater MSR>C>C>DAT>WAV>SHN; C>DAT Conversion by Cousinit Patch Source: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 notes
4488. 10/10/80 Shn - 0, 8780 San Francisco Warfield Theater Acoustic set only; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy notes
4489. 10/10/80 Shn - 0, 14386 San Francisco Warfield Theater Acoustic set only; SBD>MR>PCM>DAT>CDR>EAC>SHN This new seed does not have the problems in Dark Hollow like the previous seed. notes
4490. 10/10/80 Flac 16 - 0, 73820 San Francisco Warfield Theater flac16; Acoustic Set - sbd reel master > dats @ 44.1 kHz wavelab > cd wave/flac notes
4491. 10/10/80 Flac 16 - 0, 89560 San Francisco Warfield Theater flac16; Recording by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008. notes
4492. 10/10/80 Shn - 0, 13989 San Francisco Warfield Theater Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 from Balcony, Center Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson, via Roual Duke, SHN Conversion by Matt Vernon notes
4493. 10/10/80 Flac 24/96 - 0, 144766 San Francisco Warfield Theater flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5(Maxell UDXLI); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4494. 10/10/80 Flac 16/48 - 0, 144765 San Francisco Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5(Maxell UDXLI); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4495. 10/10/80 Flac 24/96 - , 156341 San Francisco Warfield Theater flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes
4496. 10/10/80 Flac 16/48 - , 156340 San Francisco Warfield Theater flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes
4497. 10/11/80 Shn - 0, 16336 San Francisco Warfield Theater SBD:MC >? >CDR >EAC >cool edit 2000 (minor clean up,normalization) >CDWAV (tracking) >mkwact(seekable) w/expanded drums this becomes a 3 disc show. notes
4498. 10/11/80 Flac 16 - 0, 73821 San Francisco Warfield Theater flac16; Acoustic Set - sbd reel master > dats @ 44.1 kHz wavelab > cd wave/flac notes
4499. 10/11/80 Shn - 0, 323 San Francisco Warfield Theater acoustic set; SBD> Reel> PCM> DAT> CDR> Plexwriter CD-R (EAC)> HP 8200i CDRW Drive (EAC); via Andy "Bear" Greider, Stephen Windsor, Darrin Sacks notes
4500. 10/11/80 Flac 16 - 0, 89615 San Francisco Warfield Theater flac16; Recorded by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008 notes
4501. 10/11/80 Shn - 0, 6198 San Francisco Warfield Theater shn set from Bob Clevenger; edit of previously circulating sh set - see info for details notes
4502. 10/11/80 Flac 24/96 - 0, 142012 San Francisco Warfield Theater flac24; Source Info: Master Soundboard Cassettes > 1st generation cassettes > Matt Smith's 2nd generation cassettes; Transfer Info: 2nd generation cassettes (Nakamichi BX-300)> Apogee Mini Me > Apogee Mini DAC > WaveLab 5.0 (.wav 24-bit/96k) > Adobe Audition 3.0 > TLH flac2496 notes
4503. 10/11/80 Flac 16/48 - 0, 142010 San Francisco Warfield Theater flac16/48kHz; Master Soundboard Cassettes > 1st generation cassettes > Matt Smith's 2nd generation cassettes (Nakamichi BX-300)> Apogee Mini Me > Apogee Mini DAC > WaveLab 5.0 (.wav 24-bit/96k) > Adobe Audition 3.0 > TLH flac 24/96; This is a 16/48 fileset. 24-bit > 16-bit via dBpoweramp notes
4504. 10/11/80 Flac 24/96 - , 155315 San Francisco Warfield Theater Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90)
Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
notes
4505. 10/11/80 Flac 16/44 - , 155431 San Francisco Warfield Theater flac16/44: Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 155315 2496 > 1644 notes
4506. 10/11/80 Flac 24/96 - , 156343 San Francisco Warfield Theater flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496 notes
4507. 10/11/80 Flac 16/48 - , 156342 San Francisco Warfield Theater flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496 notes
4508. 10/13/80 Shn - 0, 25559 San Francisco Warfield Theater Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat -> CD -> EAC -> SHN Set 3: SBD -> 3rd Gen Pro Shot Video Transfer Info: 3rd Gen Pro Shot Video -> Dat (Sony R500/48k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller notes
4509. 10/13/80 Shn - 0, 13064 San Francisco Warfield Theater Acoustic set only; SBD>MR>PCM>DAT>CDR; via Paul B; Seeded to etree by Willy notes
4510. 10/13/80 Flac 16 - 0, 137256 San Francisco Warfield Theater flac16; Recording Info: 1st Electric Set & 2nd Electric Set partial (thru The Other One) SBD > many cassette generations > Cass; Transfer Info: Cassette played back on Nakamichi Dragon > Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) > Korg AudioGate > WAV [24/96] > Adobe Audition 6.0> FLAC encoding notes
4511. 10/13/80 Flac 16 - 0, 137297 San Francisco Warfield Theater flac16; sbd composite upgrade by Alan Bershaw; see info file for details notes
4512. 10/13/80 Flac 16 - 0, 114417 San Francisco Warfield Theater flac16; source: unknown audience recording > cassette x2 > CDR (using Nakamichi BX300 playback > H/K CDR2 (stand alone CD recorder); transfer: CDR > MacBook using Xact to create flac files, no other work has been done on this recording notes
4513. 10/14/80 Flac - 0, 108883 San Francisco Warfield Theater SBD > Reel > Sony TCD5 > Cassette Master (Betty's) TDK SA-X 60 > DAT > Mastering (Custom Analog & Digital 06-10 ) > WAV. Reel to cassette transfer on 1981-02-06. Lineage: WAV > FLAC [7]. Recording Engineer: possibly Bear (Tape noted: Bear's Monitor At Gig). Original Cassette Master > DAT Transfer: Jim Blackwood. Mastering: Jim Blackwood. Mastering assistance: Jamie Waddell notes
4514. 10/14/80 Shn - 0, 3576 San Francisco Warfield Theater SBD> MR> DAT> CDR> EAC> SHN; note Acoustic first set and encore missing; via Tony Gardner; note upgrade in circulation notes
4515. 10/14/80 Shn - 0, 3828 San Francisco Warfield Theater Set 1 and encores: unknown audience> ?> CDR> EAC> SHN; Sets 2,3: SBD> MR> DAT> CDR> EAC> SHN; via Tony Gardner, with thanks to Paul B., Mario Mancilla; update to Tony's previous shn set, his comments: "I found another source for the acoustic set and called it disc 0. encores are added on disc 3. I cut about two minutes of silence from the end of disc 1 and 2, no other changes"; see info file for more comments notes
4516. 10/14/80 Flac 16 - 0, 89632 San Francisco Warfield Theater flac16; Recorded by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > WaveLab (edits) > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and edits by Bill Koucky. Green Mountain Bros. January 2008 notes
4517. 10/14/80 Flac 16 - 0, 119320 San Francisco Warfield Theater flac16; Sets 2 and 3; 2 source matrix-electric sets: Soundboard (shnid=3828): SBD> MR> DAT> CDR> EAC> SHN >TLH >flac and Audience (shnid=89632): FOB either on the floor or 1st row balcony Master Cassette > Nakamichi 700s > Sony TC D-5M notes
4518. 10/14/80 Flac 16/48 - 0, 137560 San Francisco Warfield Theater flac16/48Khz; Set 2 & 3 Recording Info: SBD -> Master Reel (10in 15ips 1/2 trk) > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
4519. 10/14/80 Flac 16/44 - , 155439 San Francisco Warfield Theater flac16/44 Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 155412 2496 > 1644 notes
4520. 10/18/80 Flac 16 - 0, 133594 New Orleans Saenger Performing Arts Center flac16; Recording Info: SBD -> Cassette Master -> Dat -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
4521. 10/18/80 Flac 16 - 0, 135529 New Orleans Saenger Performing Arts Center flac16; Recording Info: SBD -> Cassette Master -> Dat -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
4522. 10/18/80 Shn - 0, 13596 New Orleans Saenger Performing Arts Center FOB Neumann km84> Cm> Dat> CD via Mike McCarthy and Raoul Duke, encoding subcontracted to Matt Vernon by The Miami SHN Machine notes
4523. 10/19/80 Flac 16 - 0, 125633 New Orleans Saenger Performing Arts Center flac16; AUD: 2x Beyer M160's > Sony TC-D5, 20-foot spread, front edge of balcony. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. notes
4524. 10/19/80 Flac 16/48 - 0, 134368 New Orleans Saenger Performing Arts Center flac16/48kHz; s1 described as aud, s2 and s3 described as fob aud cas> R2; see info file for details; Transfer: trade dats at 48k > m-audio audiophile 2496 > cooledit2000 > 48k wav > flac notes
4525. 10/19/80 Flac 16 - 0, 125234 New Orleans Saenger Performing Arts Center flac16; Set 3 Source: Unknown AUD, lo-gen tape kindly provided by Seaweed1010. Transfer: XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 07/2013 notes
4526. 10/19/80 Flac 24/96 - 0, 125632 New Orleans Saenger Performing Arts Center flac24; AUD: 2x Beyer M160's > Sony TC-D5, 20-foot spread, front edge of balcony. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. notes
4527. 10/19/80 Shn - 0, 16908 New Orleans Saenger Performing Arts Center AUDMC(unknown mics) > C > C > WAV; set 1 acoustic only (other sets already circulate); via Hanno Bunjes, encoded by Matt Vernon notes
4528. 10/19/80 Shn - 0, 13469 New Orleans Saenger Performing Arts Center unknown FOB aud source electric sets 2-3 via Raoul Duke and Mike McCarthy, encoding by Matt Vernon notes
4529. 10/22/80 Flac 16 - 0, 101778 New York Radio City Music Hall flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Row SS, Seat 109 by Bob Morris notes
4530. 10/22/80 Flac 16 - 0, 100416 New York Radio City Music Hall flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes
4531. 10/22/80 Shn - 0, 8479 New York Radio City Music Hall AUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley notes
4532. 10/22/80 Flac 16 - 0, 120053 New York Radio City Music Hall flac16; Lodge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 Tracked in Audacity 2.0 by dusborne notes
4533. 10/23/80 Flac 16 - 0, 101256 New York Radio City Music Hall flac16; Recording Info:(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller notes
4534. 10/23/80 Flac 24/96 - 0, 111029 New York Radio City Music Hall flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded from Orchestra Row A, Seat 310, by Bob Morris; This is an upgrade to shn 108016: deleted extraneous bad tracks; renamed files; Patched with ID 101256 notes
4535. 10/23/80 Flac 16 - 0, 102026 New York Radio City Music Hall flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Row A, Seat 310, by Bob Morris notes
4536. 10/23/80 Flac 24/96 - 0, 108016 New York Radio City Music Hall flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded from Orchestra Row A, Seat 310, by Bob Morris; Upgrade in circulation notes
4537. 10/23/80 Flac 16 - 0, 120072 New York Radio City Music Hall flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 ; Tracked in Audacity 2.0 by dusborne notes
4538. 10/23/80 Shn - 0, 8700 New York Radio City Music Hall AUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley notes
4539. 10/23/80 Shn - 0, 13140 New York Radio City Music Hall Recording by Mark Cohen: AUD from orchestra seats with Nak 700s > Sony D5; Lineage: AUDMC > Cass > DAT > CDR via Jay Jurina, conversion Matt Vernon notes
4540. 10/23/80 Flac 24/96 - 0, 143352 New York Radio City Music Hall flac24; Source Info: Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony D5 (located in the orchestra seats); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496 notes
4541. 10/23/80 Flac 16/48 - 0, 143351 New York Radio City Music Hall flac16/48kHz; Source Info:Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony D5 (located in the orchestra seats); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4542. 10/25/80 Flac 16 - 0, 116769 New York Radio City Music Hall flac16; AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 10/2011 notes
4543. 10/25/80 Flac 16 - 0, 120163 New York Radio City Music Hall flac16; Nak 700's > Sony D-5 > AMC; Recorded Dead front center loge by Keith Gatto & Pete Jaeger; AMC > DAT > CDR > EAC > FLac (EAC > Flac by Michael Turi); Equalization: Used a multifilter with the following order: 20-band EQ with linear increases from 0-500 Hz. One subharmonic synthesizer set at 125 Hz. Two expanders (dynamic noise in expander mode) to increase the dynamic range. May, 2012-Dan McDonald notes
4544. 10/25/80 Flac 16 - 0, 102405 New York Radio City Music Hall flac16; Recording Info:(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes
4545. 10/25/80 Flac 24/48 - 0, 116768 New York Radio City Music Hall flac24; AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. 10/2011 notes
4546. 10/25/80 Flac 16 - 0, 93804 New York Radio City Music Hall flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
4547. 10/25/80 Shn - 0, 8726 New York Radio City Music Hall AUD>MC>DAT>CDR; Seeded to etree by Tim W notes
4548. 10/26/80 Flac16 Mtx - 0, 101967 New York Radio City Music Hall flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) notes
4549. 10/26/80 Shn - 0, 18896 New York Radio City Music Hall PLEASE NOTE: This is a Remaster of the original SBD SHN Seed released by Darryl Hinko. Main Source: SBD>MR>DAT>CD>EAC>SHN ; Patch Source: AUD(Wise Sony ECM 280?s)>Sony D-5>MC Playback on Nak Dragon>Sony PCM-R700>Hard Drive via ZA2>CDR>EAC(secure)>Cool Edit Pro>CD WAV>SHN(seekable) ; Remaster Conversion: SHN>WAV>ADWS>SHN(Seekable); Via Hinks ; Seeded by T. Wiley 08/15/2003. notes
4550. 10/26/80 Shn - 0, 18862 New York Radio City Music Hall Updated Source; SBD > MR > C (no dolby) > DAT > CD > EAC > SHN; was marked: SBD > MR > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes
4551. 10/26/80 Shn - 0, 8765 New York Radio City Music Hall Updated lineage: Recording by Jim Wise: Nak 700s>Sony D-5>MC>PCM>ZA2>CDR; Seeded to etree by Tim W notes
4552. 10/26/80 Flac 16 - 0, 120169 New York Radio City Music Hall flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 05-17-2012 notes
4553. 10/26/80 Shn - 0, 11837 New York Radio City Music Hall Source: CAUD >D>CD>EAC>WAV>SHN Location: 1st row, Lowest Balcony, Center Seats Source Recording: Sony ECM 270 Condensors > Cassette With 10/18/88 (Matrix) filler; See info file for details; Seeded to etree by JR Fishman notes
4554. 10/26/80 Flac 16 - 0, 116426 New York Radio City Music Hall flac16; AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 10/2011 notes
4555. 10/26/80 Flac 16 - 0, 94269 New York Radio City Music Hall flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
4556. 10/27/80 Flac 16 - 0, 101293 New York Radio City Music Hall flac16; Recording Info: Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller notes
4557. 10/27/80 Shn - 0, 324 New York Radio City Music Hall Recording by Jim Wise: senn. 441 > d-5 center lower balcony several rows back; playback on nak dragon & ran the signal right through sony pcm r-700 directly to hard disc via za2; no other processing apart form minor editing and normalization; recording, transfer by J. Wise; EAC> SHN by R. Donnelly> CD > SHN by M. Lai; known flaw: some sporadic wow & flutter (mainly on elec#1); Donnelly's 4/00 original shns may not have gotten mirrored from stellablue before a loss- 5/00 reextraction (md5s shown) by M. Lai notes
4558. 10/27/80 Flac 24/48 - 0, 116195 New York Radio City Music Hall flac2448: AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine front row, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011 notes
4559. 10/27/80 Flac 16 - 0, 116196 New York Radio City Music Hall flac16: AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine front row, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 09/2011 notes
4560. 10/27/80 Shn - 0, 7290 New York Radio City Music Hall Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd notes
4561. 10/29/80 Flac 16 - 0, 122003 New York Radio City Music Hall flac16; Partial Soundboard, Set 1: SBD>?>?cassette in Dolby B>Harmon Kadon TD 302, Dolb B on>Zoom H2>PC>edited and tracked with wavepad>flac and checksums with traderslittlehelper, sept.14, 2012 by John Wenzel notes
4562. 10/29/80 Shn - 0, 1953 New York Radio City Music Hall Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd notes
4563. 10/29/80 Flac 16 - 0, 101306 New York Radio City Music Hall flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller notes
4564. 10/29/80 Flac 16 - 0, 120307 New York Radio City Music Hall flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 05-22-2012 notes
4565. 10/29/80 Flac 16 - 0, 126919 New York Radio City Music Hall flac16; AUD: 2x Beyer M160's > Sony TC-D5, Fifth row center orchestra. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 02/2014 notes
4566. 10/29/80 Flac 16 - 0, 35029 New York Radio City Music Hall flac16; Seamless fix/combination of shn id 1953 and shn id 32538 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
4567. 10/29/80 Flac 16 - 0, 32538 New York Radio City Music Hall **Partial SBD** Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller -- Thanks to Paul Scotton and Joani walker for the cassette notes
4568. 10/29/80 Flac 24 - 0, 140302 New York Radio City Music Hall flac24; partial set 1 source: sbd 2nd gen cassette; Jerry Moore’s copy; nakamichi dragon/c > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger notes
4569. 10/29/80 Flac 16 - 0, 140301 New York Radio City Music Hall flac16; Partial Sets 2 & 3 Recording Info: SBD > Cassette Master > Cassette; Transfer Info: Cassette (Sony TC-WE475) > Sony R500 (Pass Through) > SEK'D Prodif Plus > Samplitude Professional v8.01 > Flac; Transferred and Edited By Charlie Miller; This is a pitch corrected version of source ID 32538; edited by SIRMick notes
4570. 10/29/80 Flac 16 - 0, 140496 New York Radio City Music Hall flac16; partial set 1 source: sbd 2nd gen cassette; Jerry Moore’s copy; nakamichi dragon/c > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger notes
4571. 10/29/80 Flac 16 - 0, 140899 New York Radio City Music Hall flac16; SBD DAT-> Panasonic SV-3700-> SP; DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Mastering, Patching & Editing by Jason Chastain in Audition CC 2015; Final Mastering by Jamie Waddell in Wavelab 7.1 notes
4572. 10/30/80 Flac 16 - 0, 101427 New York Radio City Music Hall flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded by Jim Wise; All Transfers and Mastering By Charlie Miller notes
4573. 10/30/80 Shn - 0, 1954 New York Radio City Music Hall Recording by Jim Wise. Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd notes
4574. 10/30/80 Flac 16 - 0, 120537 New York Radio City Music Hall flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 06-06-2012 notes
4575. 10/30/80 Flac 16 - 0, 139599 New York Radio City Music Hall flac16; Source: 10Ó 1/4 track SBD Feed Master Reels @ 7.5ips; Lineage: 10Ó 1/4 track Reels (Revox A-77 playback) -> Lexicon Lambda (24/96) -> Logic (mastering: speed correction, track indexing, dithering to 16/44.1) -> AIFF -> Xact (sbe correction) -> wav -> flac; Transfer (November 2009) and mastering (October 2017) by Alan Bershaw notes
4576. 10/31/80 Flac 16 Mtx - 0, 122543 New York Radio City Music Hall flac16; 3 Source Matrix: Soundboard (shnid=83158): Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN; Electric: MSR>R>C>DAT>WAV>SHN; Audience (shnid=94270): Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Audience (shnid=120839): Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger notes
4577. 10/31/80 Flac 24 - 0, 131907 New York Radio City Music Hall flac24; Partial Show; Beyer M-88>Sony TCD-5M 4th row right center; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded and transfered By Richie stankiewicz notes
4578. 10/31/80 Flac 16/48 - 0, 132277 New York Radio City Music Hall flac16/48kHz; Cassette Audience Master recorded By Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Sony TC D-5 Cassette Recorder; Location:Mics placed Overhanging Rail Ledge Dead Center 1st Lodge; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-tagging(Tag & Re-name)-Sample Rate Conversions(r8atebrain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise notes
4579. 10/31/80 Flac 24/96 - 0, 132278 New York Radio City Music Hall flac24; Cassette Audience Master recorded By Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Sony TC D-5 Cassette Recorder; Location:Mics placed Overhanging Rail Ledge Dead Center 1st Lodge; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name)-Sample Rate Conversions(r8atebrain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise notes
4580. 10/31/80 Shn - 0, 20377 New York Radio City Music Hall Source: Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN Electric: MSR>R>C>DAT>WAV>SHN C>SHN Conversion by Cousinit Seeded to abgd 10/03 notes
4581. 10/31/80 Flac 16 - 0, 120839 New York Radio City Music Hall flac16; Loge Dead front center Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 06-20-2012 notes
4582. 10/31/80 Flac 16 - 0, 101428 New York Radio City Music Hall flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded by Jim Wise; All Transfers and Mastering By Charlie Miller notes
4583. 10/31/80 Flac 24/88 - 0, 94270 New York Radio City Music Hall flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
4584. 10/31/80 Flac 16 - 0, 137839 New York Radio City Music Hall flac16; Source: Soundboard (monitor mix) > Sony TC-D5 > cassette (2nd gen); Taped by Happy Jack and friend; Transfer: Cassette > Nakamichi CD1 > Sony PCM-M10 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; transferred, edited and mastered SIRMick notes
4585. 10/31/80 Flac 24/96 - 0, 137840 New York Radio City Music Hall flac24; Source: Soundboard (monitor mix) > Sony TC-D5 > cassette (2nd gen); Taped by Happy Jack and friend; Transfer: Cassette > Nakamichi CD1 > Sony PCM-M10 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; transferred, edited and mastered SIRMick notes
4586. 10/31/80 Flac 16 - 0, 140416 New York Radio City Music Hall flac16; Source: 10” 1/4 track SBD Feed Master Reels @ 7.5ips; Lineage: 10” 1/4 track Reels (Revox A-77 playback) -> Lexicon Lambda (24/96) -> Logic (mastering: speed correction, track indexing, dithering to 16/44.1) -> AIFF -> Xact (sbe correction) -> wav -> flac; Transfer (October 2009) and mastering (December 2017) by Alan Bershaw notes
4587. 10/31/80 Flac 16 - 0, 141354 New York Radio City Music Hall flac16; Source Info: Satellite Feed > (McIntosh) 10" Master Reels @ 7.5 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
4588. 10/31/80 Shn - 0, 1955 New York Radio City Music Hall Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd notes
4589. 10/31/80 Flac 16 - 0, 83158 New York Radio City Music Hall flac16; Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN; Electric: MSR>R>C>DAT>WAV>SHN; Edits: SHNs > WAV > Cool Edit 2000/Cool Edit Pro > shntool > FLAC Edited and seeded by Bill Tetzeli notes
4590. 10/31/80 Flac 24/96 - 0, 137448 New York Radio City Music Hall flac24; Updated source Info: Source: SBD Recording [This is A 2nd Generation]; Lineage: mixingboard [Line out Left/Right] > TC-d5 [Line In recording level 3.5. No Dolbly] > Master Cassettes [Sony UCX90]; tapes was dubbed on a Aiwa CX-NA555; Tape Transfer: Sharp RT100 Deck [Sony UCX90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, removing some cable connection pops. Pitch correction & speed correction. No music was Lost, Altered and/or Touched. Still some tape warble; CD Wave Editor To Split Tracks & converted to Flac24 [Level 6]; the original seed of this source was marked as an AUD notes
4591. 10/31/80 Flac 16 - 0, 137449 New York Radio City Music Hall flac16; Updated source Info: SBD Recording [This is A 2nd Generation]; Lineage: mixingboard [Line out Left/Right] > TC-d5 [Line In recording level 3.5. No Dolbly] > Master Cassettes [Sony UCX90]; tapes was dubbed on a Aiwa CX-NA555; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 12/27/2016; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, removing some cable connection pops. Pitch correction & speed correction. No music was Lost, Altered and/or Touched. Still some tape warble; Converting Sample Rate: Adobe Audition 3.0 was also used to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor To Split Tracks & converted to Flac16 [Level 6]; TLH to fix SBE; the original seed of this source was marked as an AUD notes
4592. 11/26/80 Shn - 0, 3380 Pembroke Pines The Sportatorium Master Soundboard Cassette > Cassette > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; 6/01 note: new d2.md5 from abgd submitted here with unspecified fixes on d2t3,4- not given how, or by whom notes
4593. 11/26/80 Flac 24/96 - 0, 132222 Pembroke Pines The Sportatorium flac24; Cassette Audience Master recorded By Jim Wise (patched out of Richie Stankiewicz); Beyerdynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; This is the 24 bit 96KHz file set; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise notes
4594. 11/26/80 Flac 16 Mtx - 0, 132344 Pembroke Pines The Sportatorium flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:03380) Source: Master Soundboard Cassette > Cassette > DAT > CDRCD and Audience (shnid:101699) Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)by Jim Wise Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16 notes
4595. 11/26/80 Shn - 0, 82278 Pembroke Pines The Sportatorium Main source: Master Soundboard Cassette > Cassette > DAT > CDR Patch source: Beyer M-160?s>Sony TC-D5>MC>DAT>CDRCD by Bill Tetzeli notes
4596. 11/26/80 Flac 16 - 0, 134094 Pembroke Pines The Sportatorium flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
4597. 11/26/80 Flac 16 - 0, 135530 Pembroke Pines The Sportatorium flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
4598. 11/26/80 Flac 16 - 0, 101699 Pembroke Pines The Sportatorium flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes
4599. 11/26/80 Shn - 0, 13065 Pembroke Pines The Sportatorium Recording by Jim Wise: Beyer M-160?s>Sony TC-D5>MC>DAT>CDR; via Paul B; Seeded to etree by Willy notes
4600. 11/26/80 Flac 16 - 0, 132221 Pembroke Pines The Sportatorium flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of Richie Stankiewicz); Beyerdynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Cassette Masters (TDK SA-90) played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; This is the properly dithered 16 bit 48 KHz file set; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise notes
4601. 11/26/80 Flac 16 Mtx - 0, 150965 Pembroke Pines The Sportatorium Sick Bits Vol. 33a Source: Matrix (SBD-AUD mix) ratio ~ Phi (the Golden Ratio) - 1.618-1 or 62%-38% SBD: (shnid=3380) Source: Master Soundboard Cassette > Cassette > DAT > CDR. via Scott Clugston (EAC-SHN) AUD: (shnid=13065) Jim Wise Beyer M-160’s > Sony TC-D5 > MC > DAT > CDR. via Paul B (CDRs). via Willy (EAC-SHN) Matrixed by Chris Chappell. (SHN > Vegas 5 > CD Wave > Flac16) March 17, 2007 notes
4602. 11/28/80 Flac 16 - 0, 127546 Lakeland Lakeland Civic Center flac16; Recording by Bob Wagner/Jim Wise: Master Audience Cassette; FOB 2 Nakamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
4603. 11/28/80 Flac 16 - 0, 90013 Lakeland Lakeland Civic Center flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
4604. 11/28/80 Flac 16 - 0, 90062 Lakeland Lakeland Civic Center flac16; Source: (original shnid 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR via Scott Clugston Encoding/patching by Matt Vernon - speed correction and additional patching by Kevin Tobin notes
4605. 11/28/80 Flac 16 Mtx - 0, 90057 Lakeland Lakeland Civic Center flac16; Matrix 2 Source Mix - SBD (shn id 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding/patching by Matt Vernon + AUD (shn id 89932) Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky - matrix mixing by Kevin Tobin notes
4606. 11/28/80 Shn - 0, 20049 Lakeland Lakeland Civic Center Source: Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR via Scott Clugston Encoding/patching by Matt Vernon notes
4607. 11/28/80 Flac 24/96 - 0, 127547 Lakeland Lakeland Civic Center flac24; Recording by Bob Wagner/Jim Wise: Master Audience Cassette; FOB 2 Nakamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
4608. 11/28/80 Flac 16 - 0, 89932 Lakeland Lakeland Civic Center flac16; Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky February 7, 2008 notes
4609. 11/28/80 Shn - 0, 2222 Lakeland Lakeland Civic Center Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR; via Scott Clugston notes
4610. 11/28/80 Flac 16 - 0, 76519 Lakeland Lakeland Civic Center flac16; Source Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT Transfer: Casio DA-7 > Tascam CD-RW 700 (pass through -2 db) > Audiophile 2496 > @ 24 Bit to WaveLab > 16 Bit > CD Wave > EAC > Flac ; upgrade in circulation notes
4611. 11/28/80 Flac Dts 5.1 - 0, 90062 Lakeland Lakeland Civic Center DTS Audio 5.1; SBD (shn id 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding/patching by Matt Vernon + AUD (shn id 89932) Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky - dts mixing by Kevin Tobin notes
4612. 11/29/80 Flac 24 - 0, 127229 Gainesville Alligator Alley Gymnasium, University Of Florida flac24; Recorded Sony TCD-5m>Beyer M-88 in the "sweet spot"; Transfer MAC>Nakamichi 1000II>USBPre 2; Recorded and transfered by Richie Stankiewicz notes
4613. 11/29/80 Flac 16/48 - 0, 132456 Gainesville Alligator Alley Gymnasium, University Of Florida flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of MadRiverRich); Beyer dynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded TDK SA-C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise notes
4614. 11/29/80 Flac 24/96 - 0, 132457 Gainesville Alligator Alley Gymnasium, University Of Florida flac24; Cassette Audience Master recorded By Jim Wise (patched out of MadRiverRich); Beyer dynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded TDK SA-C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise notes
4615. 11/29/80 Flac 16 - 0, 90104 Gainesville Alligator Alley Gymnasium, University Of Florida flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
4616. 11/29/80 Flac 24/48 - 0, 134703 Gainesville Alligator Alley Gymnasium, University Of Florida flac24; AUD: Unknown mics > unknown lead deck > Sony TC-D5 > TDK-SA (1st Set) and Maxell XLII (2nd Set), recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2015 notes
4617. 11/29/80 Flac 16 - 0, 134704 Gainesville Alligator Alley Gymnasium, University Of Florida flac16; AUD: Unknown mics > unknown lead deck > Sony TC-D5 > TDK-SA (1st Set) and Maxell XLII (2nd Set), recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015 notes
4618. 11/29/80 Shn - 0, 325 Gainesville Alligator Alley Gymnasium, University Of Florida no source info; via D. Barrick notes
4619. 11/29/80 Shn - 0, 2409 Gainesville Alligator Alley Gymnasium, University Of Florida Recording by Jim Wise: FOB - Beyer M-160's> Sony TC-D5> CDR via Alesis Masterlink; Mics were on a 15'? pole at the SBD; Taped by Jim Wise; via Darrin Sacks, Rango Keshavan and Dankstar; note upgrade relative to previous shn set notes
4620. 11/29/80 Flac - 0, 139321 Gainesville Alligator Alley Gymnasium, University Of Florida flac24; Set 2 Recording Info: SBD > Multi-Gen Cassette (Maxell XLII 90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
4621. 11/29/80 Flac 16 - 0, 139322 Gainesville Alligator Alley Gymnasium, University Of Florida flac16; Set 2 Recording Info: SBD > Multi-Gen Cassette (Maxell XLII 90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139321 24 bit -> 16 bit notes
4622. 11/29/80 Flac 16 - 0, 89938 Gainesville Alligator Alley Gymnasium, University Of Florida flac16; Recording by Jim Wise. Source: Beyer M-160's > Sony TC-D5 > CDR > DAT Recording by Jim Wise Mics were on a 15' pole at the SBD Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 7, 2008 notes
4623. 11/29/80 Flac 16 - 0, 145665 Gainesville Alligator Alley Gymnasium, University Of Florida flac16; Recorded Sony TCD-5m>Beyer M-88 in the "sweet spot"; Transfer MAC>Nakamichi 1000II>USBPre 2; Recorded and transfered by Richie Stankiewicz; 16bit, 44.1khz file set notes
4624. 11/29/80 Flac 16 - 0, 101722 Gainesville Alligator Alley Gymnasium, University Of Florida flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise (mics were set up at soundboard); All Transfers and Mastering By Charlie Miller notes
4625. 11/30/80 Flac 16 Mtx - 0, 110936 Atlanta Fox Theater flac16; Source: Matrix (SBD/AUD mix) Ratio ~ Phi SBD: (shnid=2416): Source: MSC>Reel>DATs>CDRs>EAC>SHN (Through Scarlet>Fire only), AUD1: 24 bit (set 1 only) Recording Info: Taped by Dr. Bob Wagner Nakamichi 700s (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B), and AUD2: 24 bit (shnid=90530) (Scarlet>Fire only) AUD3: 16 bit (shnid=90497) (rest of the show - no matrix) Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Matrixed by Chris Chappell notes
4626. 11/30/80 Flac 24/96 - 0, 127319 Atlanta Fox Theater flac24; Set 1 - Recording by Jim Oade & Jim Wise: Master Audience Cassette: 2 Teac ME-120s> Sony D-5; location: SBD and Partial Set 2 - Recording by Richie Stankiewicz & Jim Wise: Master Audience Cassette: 2 Beyer M160s> Sony D-5 location SBD; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo])Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
4627. 11/30/80 Flac 16 - 0, 128440 Atlanta Fox Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
4628. 11/30/80 Flac 16 - 0, 90497 Atlanta Fox Theater flac16; Set 2 only, Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
4629. 11/30/80 Flac 24/96 - 0, 123306 Atlanta Fox Theater flac24; Partial source: aud cassette master taped by Jerry Moore or ???*; sennheiser 421's > sony d5m, fofb; maxell mx-90/dolby b; nak dragon/b > tascam hd-p2 24/96 > pc > adobe audition 2.0 > cd wave > flac; transferred & seeded by Rob Berger notes
4630. 11/30/80 Flac 16 - 0, 110921 Atlanta Fox Theater flac16; Set 1 Only, Recording Info: Taped by Dr. Bob Wagner Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble (24bit/44.1kHz) -> Peak Pro -> AIFF -> Vegas 10 > CD WAV -> FLAC/16 All Transfers and Mastering By Chris Chappell notes
4631. 11/30/80 Shn - 0, 2416 Atlanta Fox Theater complete; MSC> Reel> DATs> CDRs> EAC> SHN (set I and Scarlet>Fire from Set II); remainder Jim Wise's Sony ECM280s> D5> DATs> CDRs> EAC> SHN, also with patches from other AUDs (see info file); via Scott Clugston, Dankstar, Darrin Sacks; upgrade relative to previous shn set; note copy a noted at shakedown- has fixed track boundaries, copy b noted at gdlive does not (d3 is same for both)- see pub comments notes
4632. 11/30/80 Flac 24/96 - 0, 90530 Atlanta Fox Theater flac24; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/24 All Transfers and Mastering By Charlie Miller notes
4633. 12/06/80 Shn - 0, 5478 Mill Valley Mill Valley Recreation Center Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston notes
4634. 12/12/80 Flac 16 - 0, 31509 San Bernardino Swing Auditorium flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Nak CR7A) -> Dat (Sony R500/SBM On) Transferred By Neil Sturtevant Dat (Sony D8) -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC; Transferred and Remastered Charlie Miller notes
4635. 12/12/80 Flac 16 - 0, 89134 San Bernardino Swing Auditorium flac16; Recorded by Ron Ellner: MOTB Release: 0059 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x TDK SA-X 90 Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Ron Ellner MAC Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: SIRMick notes
4636. 12/12/80 Flac 16 - 0, 124542 San Bernardino Swing Auditorium flac16; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave notes
4637. 12/12/80 Shn - 0, 13912 San Bernardino Swing Auditorium 2nd set only; AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy notes
4638. 12/12/80 Shn - 0, 16906 San Bernardino Swing Auditorium set 1; aud (unknown mics); via Brad Kelsey; encoded by Matt Vernon. notes
4639. 12/12/80 Flac 24/96 - 0, 89247 San Bernardino Swing Auditorium flac24: Recorded by Ron Ellner: MOTB Release: 0059 24/96 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x TDK SA-X 90 Analog Lineage: 2 x Nakamichi CM-700 => Nakamichi 550 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Ron Ellner MAC Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: SIRMick notes
4640. 12/12/80 Flac 16 Mtx - 0, 136722 San Bernardino Swing Auditorium flac16; 3 source matrix by Dusborne; Soundboard(Shnid:31509) Recording Info: SBD -> Cassette Master -> ? -> Cassette; Transfer Info: Cassette (Nak CR7A) -> Dat (Sony R500/SBM On); Dat (Sony D8) -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC; Audience 1(Shnid:89134) Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5M >> MAC,Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] =>Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Ron Ellner; Audience 2(Shnid:124542) Recorded by: Ron Goldshine and John Musgrave 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes)My Copy of masters:Sony D5M (w/ Dolby, Bias @ 70us) > AkaiiGX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor notes
4641. 12/13/80 Flac 16 - 0, 91939 Long Beach Long Beach Arena flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller notes
4642. 12/13/80 Flac 16 - 0, 128617 Long Beach Long Beach Arena flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
4643. 12/13/80 Flac 16 - 0, 88964 Long Beach Long Beach Arena flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
4644. 12/13/80 Flac 16 - 0, 124551 Long Beach Long Beach Arena flac16; Recorded from the 15th row dead center on the floor with the microphones about 10 feet apart; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes) Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave notes
4645. 12/13/80 Shn - 0, 13412 Long Beach Long Beach Arena Complete; (FOB) Nak 700 -> Cm -> Reel -> Dat shn encoding Charlie Miller notes
4646. 12/13/80 Shn - 0, 1633 Long Beach Long Beach Arena set 2; Master Audience Cassette; Sony ECM-280 mics > Sony D5> DAT > CDR; via Scott Clugston, Lee Revell notes
4647. 12/13/80 Flac 16 Mtx - 0, 136725 Long Beach Long Beach Arena flac16; 3 source matrix by Dusborne;Soundboard (Shnid:91939) Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 ->Cool Edit Pro v2.0 -> FLAC; Audience 1 (Shnid:88964) Recording Info: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->Samplitude Professional v9.12 -> FLAC/16; and Audience 2 (Shnid:124551) Recorded by: Ron Goldshine and John Musgrave; 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes)My Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes)) Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) >NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor notes
4648. 12/14/80 Flac 16 - 0, 108813 Long Beach Long Beach Arena flac16; MSC>C (originally listed as nnknown generation cassette from sound board master) Transfer and FLAC encoding by David Minches: Cassette played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/pitch Correction by Joe B. Jones. Missing sections were patched with SHNID 89058. Patch Info: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Thanks to Michael Parrish for the sound board recording. notes
4649. 12/14/80 Flac 16 - 0, 128626 Long Beach Long Beach Arena flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
4650. 12/14/80 Flac 16 - 0, 124583 Long Beach Long Beach Arena flac16; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave notes
4651. 12/14/80 Shn - 0, 13193 Long Beach Long Beach Arena AUD(Nak 700?s)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy; upgrade in circulation notes
4652. 12/14/80 Flac 16 - 0, 89058 Long Beach Long Beach Arena flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
4653. 12/14/80 Flac 16 - 0, 89003 Long Beach Long Beach Arena flac16; Recording Info: Nakamichi 700 -> Cassette Master (Sony D5M) -> Dat Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude Professional v6.0 -> SHN -> FLAC All Transfers And Mastering By Charlie Miller notes
4654. 12/14/80 Flac 16 Mtx - 0, 136726 Long Beach Long Beach Arena flac16; 3 source matrix by Dusborne; Soundboard (Shnid:108813) MSC > C; Cassette played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC; Audience 1 (Shnid:89058) Recording Info: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16; Audience 2 (Shnid:124583) Recorded by: Ron Goldshine and John Musgrave; 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes) Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes) Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor notes
4655. 12/26/80 Flac 16 Mtx - 0, 121533 Oakland Oakland Auditorium Arena flac16; Matrix 3 Source Mix - SBD1 (shn id 17279) MSR>C>DAT>WAV>SHN w/ Aud Patch - NAK 700's FOB>MAC>C>DAT>WAV>SHN. C>SHN Conversion by Cousinit + SBD2 Mono from Video soundtrack used to patch Sbd 1 + AUD1 (shn id 89260) Recording by Joani Walker: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin notes
4656. 12/26/80 Flac 24 - 0, 127564 Oakland Oakland Auditorium Arena flac24; Recorded with Sony TCD-5M>Beyer M-160; Recording made in the "Sweet Spot"; Transfer MAC>Sony TCDKA-3ES>USBPre2; Recorded and transfered by Richie Stankiewicz notes
4657. 12/26/80 Shn - 0, 17279 Oakland Oakland Auditorium Arena MSR>C>DAT>WAV>SHN w/ Aud Patch - NAK 700's FOB>MAC>C>DAT>WAV>SHN. C>SHN Conversion by Cousinit notes
4658. 12/26/80 Flac 16 - 0, 123631 Oakland Oakland Auditorium Arena flac16; MSR>C>DAT>WAV>SHN w/mono audio patch from video and timing correction. Originally converted by Cousinit (Shnid=17279) notes
4659. 12/26/80 Flac 16 - 0, 89260 Oakland Oakland Auditorium Arena flac16; Recording by Joani Walker: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
4660. 12/26/80 Flac Dts 5.1 - 0, 121572 Oakland Oakland Auditorium Arena DTS-Audio-CD 5.1 Mix; SBD1 (shn id 17279) MSR>C>DAT>WAV>SHN w/ Aud Patch - NAK 700's FOB>MAC>C>DAT>WAV>SHN. C>SHN Conversion by Cousinit + SBD2 Mono from Video soundtrack used to patch Sbd 1 + AUD1 (shn id 89260) Recording by Joani Walker: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin notes
4661. 12/26/80 Shn - 0, 15880 Oakland Oakland Auditorium Arena Recording by Joani Walker: Nak 300's > D5 > ACM recorded by Joani Walker(1), ACM > CDR by Paul Scotton, encoding Matt Vernon ; upgrade in circulation notes
4662. 12/26/80 Flac 16 - 0, 34400 Oakland Oakland Auditorium Arena flac16; Recording by Joan Walker: Source: Nak 300's > D5 > ACM recorded by Joani Walker(1) Lineage: ACM > CDR > EAC > Cool Edit > CDWAV > SHN; Fix: SHN > WAV > SoundForge > CDWave > SHNTOOOL > FLAC. Fix of shnid 15880 ; upgrade in circulation notes
4663. 12/27/80 Flac 24 - 0, 127152 Oakland Oakland Auditorium Arena flac24; Sony TCD-5M two Beyer M-88; Recorded in the "Sweet Spot"; Recorded and tansfered by Richie Stankiewicz notes
4664. 12/27/80 Shn - 0, 327 Oakland Oakland Auditorium Arena SBD; via Stewart McCloskey (his transfer setup: PCM R500> AES/EBU monstercable> ZA2> Cooledit)? to ShortSnail/ shntraders list; d2 reportedly needs breaking up as desired (see addendum); info and md5s here courtesy Bill Borsodi, John Primozic notes
4665. 12/27/80 Shn - 0, 18736 Oakland Oakland Auditorium Arena MSR>C>DAT>WAV>SHN; Conversion by Cousinit notes
4666. 12/27/80 Flac 16 - 0, 107791 Oakland Oakland Auditorium Arena flac16; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller notes
4667. 12/27/80 Flac 16 - 0, 136139 Oakland Oakland Auditorium Arena flac16; Fix of shnid.135987 - Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Editing and Mastering by Jamie Waddell in Wavelab 7.1; shnid.135987 had the channels reversed in Set 1, this fixes that issue notes
4668. 12/27/80 Flac 16 - 0, 89269 Oakland Oakland Auditorium Arena flac16; Recording by Joani Walker: Nakamichi 300/CP4 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
4669. 12/27/80 Flac 16 - 0, 141648 Oakland Oakland Auditorium Arena flac16; Source Info: Jeff Hellman's Master Soundboard Cassettes (dolby B) > Dan DeLuca's 1st generation reels > Tim Dalton's PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
4670. 12/28/80 Flac 16 - 0, 35036 Oakland Oakland Auditorium Arena flac16; Seamless fix of shn id 17421 - Main SRC: MSR>C>DAT>WAV>SHN with patches Patch source: shn id 13299 AUD (Nak 300's)>MC>DAT>CD>SHN from LlaMA by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
4671. 12/28/80 Flac 16 - 0, 34368 Oakland Oakland Auditorium Arena flac16; MSR>C>DAT>WAV>SHN; Patches from AUD (Nak 300's)>MC>DAT>CD; (Fix) SHN>WAV>Sound Forge>CDWAVE>SHNTOOL>FLAC; Patched, re-tracked and encoded by aolong. notes
4672. 12/28/80 Flac 16 Mtx - 0, 122408 Oakland Oakland Auditorium Arena flac16; Matrix: sbd 70%/aud 30%; sbd: Source: MSR>C>DAT>WAV>SHN; Edit: SHN>WAV>Sound Forge>CDWAVE>SHNTOOL>FLAC & aud: Recording Info: Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Bob Wagner; editing and matrix: SIRMick notes
4673. 12/28/80 Flac 16 - 0, 107792 Oakland Oakland Auditorium Arena flac16; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller notes
4674. 12/28/80 Flac 16 - 0, 135991 Oakland Oakland Auditorium Arena flac16; Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums and tagged with xACT; Editing and Mastering by Jamie Waddell in Wavelab 7.1 notes
4675. 12/28/80 Shn - 0, 13299 Oakland Oakland Auditorium Arena AUD (Nak 300's)>MC>DAT>CD; via Paul B; Seeded to etree by Willy notes
4676. 12/28/80 Shn - 0, 17421 Oakland Oakland Auditorium Arena MSR>C>DAT>WAV>SHN via Cousin-It notes
4677. 12/28/80 Flac 16 - 0, 141649 Oakland Oakland Auditorium Arena flac16; Source Info: Jeff Hellman's Master Soundboard Cassettes (dolby B) > Dan DeLuca's 1st generation reels > Tim Dalton's PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
4678. 12/28/80 Shn - 0, 8862 Oakland Oakland Auditorium Arena SB:>?>DAT>Tascam DA-20>EgoSys WaveTermanial 2496>CD-Wave > SHN; via Peter Gallagher; Seeded to etree by Willy notes
4679. 12/30/80 Flac 16 Mtx - 0, 121396 Oakland Oakland Auditorium Arena flac16; Source: Matrix (50/50) using mono sbd from video mixed with (shnid = 13300): AUD (nak 300's); Mixed by kevtobin@yahoo.com; FLAC conversion 17-JUL-2012 notes
4680. 12/30/80 Flac 16 - 0, 90468 Oakland Oakland Auditorium Arena flac16; Soundcheck Recording Info: Sennheiser 421 -> Cassette Master -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
4681. 12/30/80 Shn - 0, 13300 Oakland Oakland Auditorium Arena Recording by Steve Rolfe: AUD (nak 300's)>MC>DAT>CD; via Paul B; Seeded to etree by Willy notes
4682. 12/30/80 Flac 24/48 - 0, 146611 Oakland Oakland Auditorium Arena flac24; Source: AUD of unknown lineage > Lo-gen cassette via Richie & Rip. Transfer: SA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 05/2019 notes
4683. 12/31/80 Flac 16 - 0, 108290 Oakland Oakland Auditorium Arena flac16; SBD master cassette > cassette; Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz notes
4684. 12/31/80 Flac 16 Mtx - 0, 105029 Oakland Oakland Auditorium Arena flac16; Matrix 3 Source Mix - SBD (shn id 17693) MSR>C>DAT>WAV>SHN, C>SHN Conversion by Cousinit + AUD1 (shn id 104971) Analog Audience Source:FOB Master Cassettes (MAC) Medium Stock Brands:3 x Maxell UDXL II 90 Analog Lineage:2 x Nakamichi CM 300 >> Sony TC D5 >> MAC Analog Sound Preservation:: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Anonymous Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0106 24/96 + AUD2 (shn id 16911) Recording by Steve Rolfe: Nak 300 Shotguns > D5 > MAC > DAT > CDR; taped by Steve Rolfe via Dave Minor; encoded by Matt Vernon - matrix mixing by Kevin Tobin notes
4685. 12/31/80 Flac 16 - 0, 105027 Oakland Oakland Auditorium Arena flac16; MSR>C>DAT>WAV>SHN - pitch correction and patches by Kevin Tobin (update of source ID 17693) notes
4686. 12/31/80 Shn - 0, 17693 Oakland Oakland Auditorium Arena MSR> C> DAT> WAV> SHN, plus Aud Patch - NAK 700's FOB> MAC> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit notes
4687. 12/31/80 Flac 16 - 0, 123336 Oakland Oakland Auditorium Arena flac16; set 3 only: aud cassette master, sennheiser 421's>d5m maxell mx-90's, dolby b; nak dragon/b > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 > flac; unknown taper, transfer Rob Berger notes
4688. 12/31/80 Flac 16 - 0, 35083 Oakland Oakland Auditorium Arena flac16; - SBD > Rm > Cass > Dat > Samplitude > CDR > EAC > SHN - Seamless fix and patch of shn id 6391 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
4689. 12/31/80 Shn - 0, 6391 Oakland Oakland Auditorium Arena SBD > Rm > Cass > Dat > Samplitude > CDR > EAC> SHN; plus AUD patches (see info file for notes and flaws); EAC, SHN, etreed by G.Gorinsky; with thanks to Bill Golden notes
4690. 12/31/80 Shn - 0, 16911 Oakland Oakland Auditorium Arena Recording by Steve Rolfe: Nak 300 Shotguns > D5 > MAC > DAT > CDR; taped by Steve Rolfe via Dave Minor; encoded by Matt Vernon notes
4691. 12/31/80 Flac 16 - 0, 104968 Oakland Oakland Auditorium Arena flac16; Analog Audience Source:FOB Master Cassettes (MAC) Medium Stock Brands:3 x Maxell UDXL II 90 Analog Lineage:2 x Nakamichi CM 300 >> Sony TC D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Anonymous Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0106 16/44.1 notes
4692. 12/31/80 Flac 16 - 0, 107822 Oakland Oakland Auditorium Arena flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes
4693. 12/31/80 Flac 16 Dts.5.1 - 0, 105031 Oakland Oakland Auditorium Arena DTS-Audio-CD 5.1 Mix; SBD (shn id 17693) MSR> C> DAT> WAV> SHN, plus Aud Patch - NAK 700's FOB> MAC> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit + AUD1 (shn id 104971) Analog Audience Source:FOB Master Cassettes (MAC) Medium Stock Brands:3 x Maxell UDXL II 90 Analog Lineage:2 x Nakamichi CM 300 >> Sony TC D5 >> MAC Analog Sound Preservation:: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Anonymous Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0106 24/96 + AUD2 (shn id 16911) Recording by Steve Rolfe: Nak 300 Shotguns > D5 > MAC > DAT > CDR; taped by Steve Rolfe via Dave Minor; encoded by Matt Vernon - dts mixing by Kevin Tobin notes
4694. 12/31/80 Flac 16 - , 155390 Oakland Oakland Auditorium Arena flac16; Patched & Pitch Corrected Soundboard: - (original shnid = 108290) SBD master cassette > cassette; Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz - pitch correction and patches by Kevin Tobin notes
4695. 12/31/80 Flac 16/48 LPCM - , 155424 Oakland Oakland Auditorium Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 155390) Patched & Pitch Corrected Soundboard: - (original shnid = 108290) SBD master cassette > cassette; Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz - pitch correction and patches by Kevin Tobin + AUD (shnid = 107822) Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller - surround mixing by Kevin Tobin notes
4696. 12/31/80 Flac 16/48 - , 163455 Oakland Oakland Auditorium Arena flac1648; Source info: Two Maxell MX90s from Bear via Jamie Waddell, Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > 24 Bit 96 kHz FLAC, Recorded by Augustus Owsley Stanley III (aka Bear), Transferred and mastered by Jim Blackwood, Speed/pitch adjusted by Jason Chastain, Minor repairs, track, FLAC, and pack by Steve Gravel notes
4697. 12/31/80 Flac 24/96 - , 163454 Oakland Oakland Auditorium Arena flac2496; Source info: Two Maxell MX90s from Bear via Jamie Waddell, Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > 24 Bit 96 kHz FLAC, Recorded by Augustus Owsley Stanley III (aka Bear), Transferred and mastered by Jim Blackwood, Speed/pitch adjusted by Jason Chastain, Minor repairs, track, FLAC, and pack by Steve Gravel notes
4698. ??/??/80 Flac 1644 - 0, 142330 San Rafael Club Front flac24; Lineage: The tape was labelled "2nd generation off master", taken to mean MSR or MSC > Cass1 > Cass2; Transfer: Maxell UD-XLI > Nakamichi DR-8 (Dobly Off) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC1644 notes
4699. 02/17/81 Flac 24 - 0, 142325 San Rafael Club Front flac24; Recording Info: Rough Mixes > Cassette (TDK SA-X90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
4700. 02/17/81 Flac 16 - 0, 142487 San Rafael Club Front flac16; Recording Info: Rough Mixes > Cassette (TDK SA-X90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
4701. 02/26/81 Flac 16 Mtx - 0, 28383 Chicago Uptown Theater flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell notes
4702. 02/26/81 Shn - 0, 4597 Chicago Uptown Theater SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes notes
4703. 02/26/81 Flac 16 - 0, 128750 Chicago Uptown Theater flac16; Recorded By Mason Taylor on a Sony D5 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on a Nak Cr7A notes
4704. 02/26/81 Shn - 0, 20342 Chicago Uptown Theater Taped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon notes
4705. 02/26/81 Flac 16 - 0, 140360 Chicago Uptown Theater flac16; Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/44; Transfer Info: Sony PCM-R500 > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 notes
4706. 02/26/81 Flac 24/48 - 0, 149226 Chicago Uptown Theater flac24; Source: Sennheiser MD-421's > MAC > 1st-Gen cassettes via Richie & Rip. Transfer: TDK SA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2020 notes
4707. 02/27/81 Flac 16 Mtx - 0, 28384 Chicago Uptown Theater flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell notes
4708. 02/27/81 Flac 24 - 0, 127511 Chicago Uptown Theater flac24; Recorded 1st row balcony Sony TCD-5M> Beyer M-160; MAC>Sony TCKA3ES>USBPre-2 notes
4709. 02/27/81 Flac 16 - 0, 128712 Chicago Uptown Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones notes
4710. 02/27/81 Flac 16 Mtx - 0, 120386 Chicago Uptown Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ work > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes
4711. 02/27/81 Shn - 0, 4598 Chicago Uptown Theater SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; note encore missing notes
4712. 02/27/81 Shn - 0, 20344 Chicago Uptown Theater Taped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon notes
4713. 02/27/81 Flac 24 - 0, 139732 Chicago Uptown Theater flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 (patched out of Rip Thompkins)> Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes
4714. 02/27/81 Flac 16 - 0, 139731 Chicago Uptown Theater flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 (patched out of Rip Thompkins)> Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes
4715. 02/28/81 Flac 16 Mtx - 0, 28398 Chicago Uptown Theater flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell notes
4716. 02/28/81 Shn - 0, 4668 Chicago Uptown Theater SBD > Cassette Master > DAT(0) (Reel> DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > CDR Master (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; d1 tracked for 80 min notes
4717. 02/28/81 Flac 16 - 0, 128747 Chicago Uptown Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550 properly notes
4718. 02/28/81 Shn - 0, 20345 Chicago Uptown Theater Taped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon notes
4719. 02/28/81 Flac 16 - 0, 141412 Chicago Uptown Theater flac16; Recording Info: Master Soundboard Cassette > Dat (Panasonic SV-3700 16/48k) > CDR > Dat (Sony PCM R-700 16/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 notes
4720. 02/28/81 Flac 24/96 - 0, 143845 Chicago Uptown Theater flac24; 2nd Set: Source Info: Frank Streeter's Master Audience Cassette; Beyer M-160 mics > Sony D5 Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496 notes
4721. 02/28/81 Flac 16/48 - 0, 143844 Chicago Uptown Theater flac16/48kHz; 2nd Set: Source Info: Frank Streeter's Master Audience Cassette; Beyer M-160 mics > Sony D5 Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4722. 02/28/81 Flac 16/44 - 0, 151913 Chicago Uptown Theater flac16/44 This is an updated version of shnid142412 using an alternate soundboard source for patching rather than an audience source Recording Info: Master Soundboard Cassette > Dat (Panasonic SV-3700 16/48k) > CDR > Dat (Sony PCM R-700 16/44.1k) Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 2020 > TLH flac16 notes
4723. 02/28/81 Flac 16/44 - 0, 151914 Chicago Uptown Theater flac16/44 Source Info: Master Soundboard Cassette > ? > DAT (16/44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 (16/44.1k) > Adobe Audition 2020 > TLH flac16 notes
4724. 02/28/81 Flac 16 Mtx - , 154897 Chicago Uptown Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 151913, 20345 (set 1) & 143844 (set 2). notes
4725. 03/02/81 Flac 16 - 0, 112768 Cleveland Cleveland Music Hall flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v1.5 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller notes
4726. 03/02/81 Flac 16 - 0, 83826 Cleveland Cleveland Music Hall flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither notes
4727. 03/02/81 Flac 16 - 0, 89119 Cleveland Cleveland Music Hall flac16; Recording by Bob Wagner: MOTB Release: 0058 16/44.1 Analog Audience Source: Master Cassettes [FOB, 15th Row] (MAC) Analog Copy Instances: Reel Set 1 (R1) Medium Stock Brands: MAC = Maxell XLIIS-90, R1 = 2 x Maxell UD 35-90 Analog Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] => Sony TC-D5M >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [7.5 IPS] >> R1 Analog Sound Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner R1 Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: D. McCabe notes
4728. 03/02/81 Flac 16 - 0, 90165 Cleveland Cleveland Music Hall flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
4729. 03/02/81 Flac 24/96 - 0, 89129 Cleveland Cleveland Music Hall flac24; Recording by Bob Wagner: Analog Audience Source: Master Cassettes [FOB, 15th Row] (MAC) Analog Copy Instances: Reel Set 1 (R1) Medium Stock Brands: MAC = Maxell XLIIS-90, R1 = 2 x Maxell UD 35-90 Analog Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] => Sony TC-D5M >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [7.5 IPS] >> R1 Analog Sound Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner R1 Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: D. McCabe notes
4730. 03/02/81 Shn - 0, 9511 Cleveland Cleveland Music Hall Recording by Bob Wagner: Nak 700's> TC-D5> MC> DAT> CDR; via Paul B; Seeded to etree by Willy; upgrade in circulation notes
4731. 03/02/81 Flac 24/96 - 0, 139734 Cleveland Cleveland Music Hall flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM-700 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes
4732. 03/02/81 Flac 16 - 0, 139733 Cleveland Cleveland Music Hall flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM-700 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes
4733. 03/02/81 Flac 24/96 - 0, 90450 Cleveland Cleveland Music Hall flac24/96; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/24 All Transfers and Mastering By Charlie Miller notes
4734. 03/03/81 Flac 16 - 0, 112777 Cleveland Cleveland Music Hall flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation notes
4735. 03/03/81 Flac 16 - 0, 83828 Cleveland Cleveland Music Hall flac16; Recording by Mason Taylor and Mark Radnor: NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither notes
4736. 03/03/81 Flac 16 - 0, 90473 Cleveland Cleveland Music Hall flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
4737. 03/03/81 Flac 16 - 0, 123978 Cleveland Cleveland Music Hall flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; Dats Supplied By Rob Eaton; Transferred By Digitalrbb; Mastered By Charlie Miller notes
4738. 03/03/81 Shn - 0, 9113 Cleveland Cleveland Music Hall Recording by Mark Horvath: fob> Sennheiser 421s> master cassette> cdr; via Mark Horvath; Seeded to etree by Sean Cheadle; Note- New d2t05 now circ's; See 'user comments' for details notes
4739. 03/03/81 Shn - 0, 3902 Cleveland Cleveland Music Hall aud> mics?> cassette master> dat> cdr; via Mike Lai notes
4740. 03/03/81 Shn - 0, 18579 Cleveland Cleveland Music Hall Recording by Bob Wagner; Nak 700s>Sony TC-D5. AUDMC > SHN conversion by David Minches notes
4741. 03/03/81 Flac 24/96 - 0, 139736 Cleveland Cleveland Music Hall flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M88 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes
4742. 03/03/81 Flac 16 - 0, 139735 Cleveland Cleveland Music Hall flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M88 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes
4743. 03/04/81 Flac 24 - 0, 142326 San Rafael Club Front flac24; Recording Info: Master Production Disc > Cassette Master (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
4744. 03/04/81 Flac 16 - 0, 142485 San Rafael Club Front flac16; Recording Info: Master Production Disc > Cassette Master (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
4745. 03/05/81 Shn - 0, 14024 Pittsburgh Stanley Theater Set 2 soundboard, minus encore, last song cut; See info file for details; S : MC > C > D > CD > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. notes
4746. 03/05/81 Flac 24/96 - 0, 128300 Pittsburgh Stanley Theater flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s > Sony D-5 Center Loge; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding notes
4747. 03/05/81 Flac 16 - 0, 129756 Pittsburgh Stanley Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550 notes
4748. 03/05/81 Flac 16 - 0, 128378 Pittsburgh Stanley Theater flac16; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s > Sony D-5 Center Loge; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding 16/44.1 version notes
4749. 03/05/81 Flac 16 - 0, 83494 Pittsburgh Stanley Theater flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Location: 1st Row of lower balcony Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer by: Adam Gross - Cassette Master > HHB Porta-a-DAT DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 (note: this was originally seeded with the files named incorrectly. The info file below reflects the corrected file names and a renamed md5 file has been included.) notes
4750. 03/05/81 Shn - 0, 3920 Pittsburgh Stanley Theater Audience recording by Jim Wise (Sennheiser 421>D5) set up loge center; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD>SHN by Jamie Lutch; QC courtesy dankseeds notes
4751. 03/05/81 Flac 16 - 0, 139506 Pittsburgh Stanley Theater flac16; AUD: Unknown taper & gear > Low-gen tapes, kindly provided from the collection of Craig L. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2017 notes
4752. 03/05/81 Flac 24/96 - 0, 139740 Pittsburgh Stanley Theater flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes
4753. 03/05/81 Flac 16 - 0, 139739 Pittsburgh Stanley Theater flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes
4754. 03/05/81 Flac 16/48 - 0, 152596 Pittsburgh Stanley Theater flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
4755. 03/05/81 Flac 24/96 - 0, 152597 Pittsburgh Stanley Theater flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
4756. 03/06/81 Shn - 0, 14019 Pittsburgh Stanley Theater Set 2 soundboard, minus encore; S : MC > C > D > CDR > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. notes
4757. 03/06/81 Flac 16 - 0, 129552 Pittsburgh Stanley Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on crome tapes, with Nakamichi microphones; mics spread 15' on lip of lower balcony onto Maxell Metal tapes notes
4758. 03/06/81 Flac 16 - 0, 83827 Pittsburgh Stanley Theater flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Location: 1st Row of lower balcony Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither notes
4759. 03/06/81 Flac 16 - 0, 128579 Pittsburgh Stanley Theater flac16; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5 Center Loge; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
4760. 03/06/81 Flac 24 - 0, 128664 Pittsburgh Stanley Theater flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5 Center Loge; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]); Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding (24/96 version) notes
4761. 03/06/81 - 0, Pittsburgh Stanley Theater flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes
4762. 03/06/81 Flac 16 - 0, 139741 Pittsburgh Stanley Theater flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes
4763. 03/06/81 Shn - 0, 3921 Pittsburgh Stanley Theater Audience recording by Jim Wise (Sennheiser 421>D5) set up loge center; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD>SHN by Jamie Lutch; QC courtesy dankseeds notes
4764. 03/07/81 Flac 16 - 0, 82370 College Park Cole Field House, University Of Maryland flac16; Recording by Barry Glassberg; MOTB-0008 Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner notes
4765. 03/07/81 Flac 16 - 0, 128755 College Park Cole Field House, University Of Maryland flac16; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5; Location: set up at the SBD; Transfer and FLAC encoding by David Minches; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
4766. 03/07/81 Shn - 0, 22933 College Park Cole Field House, University Of Maryland Recording by Jim Wise: Senn 421 mics, > SonyD5> MC> CD> ?> EAC> SHN notes
4767. 03/07/81 Shn - 0, 6961 College Park Cole Field House, University Of Maryland FOB> Nak 700 mics> Sony TCD5M> MC> Sony D8> DAT@48k> ZA2> @44.1khz> SF & CD Architect4.5> CD; EAC/SHN by Willy, from Scott Shindell seed discs; missing Passenger, cut in LLR; tracked for 2x80 notes
4768. 03/07/81 Flac 24/96 - 0, 82371 College Park Cole Field House, University Of Maryland flac24/96; Recording by Barry Glassberg: MOTB-0008: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner notes
4769. 03/07/81 Flac 24/96 - 0, 128812 College Park Cole Field House, University Of Maryland flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5; Transfer and FLAC encoding by David Minches: May 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding 24/96 source notes
4770. 03/09/81 Flac 16 Mtx - 0, 101168 New York Madison Square Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC16) notes
4771. 03/09/81 Flac 16 - 0, 74220 New York Madison Square Garden flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
4772. 03/09/81 Flac 24/96 - 0, 95179 New York Madison Square Garden flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
4773. 03/09/81 Flac 16 - 0, 95060 New York Madison Square Garden flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
4774. 03/09/81 Shn - 0, 4953 New York Madison Square Garden Sources: Master Soundboard Cassette > Cassette > DAT > CDR; Jim Wise's Master Audience Cassette; Nakamichi CM700 mics >Sony TC-D5 supplies the tuning and first few notes of "Deep Elem Blues" (d1t06), approximately 0:38. ; upgrade in circulation notes
4775. 03/09/81 Flac 16 - 0, 130233 New York Madison Square Garden flac16; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5 Location @ Soundboard; Transfer and FLAC encoding by David Minches: June 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]); Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
4776. 03/09/81 Flac 24 Mtx - 0, 101159 New York Madison Square Garden flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC24) notes
4777. 03/09/81 Shn - 0, 328 New York Madison Square Garden Recording by Barry Glassberg: FOB Nak700> SonyTCD5M> Sony TCD-D8> HHB800> "Sonic Super Charge" (Jim Wise)> CDRs (Mastered by Jim Wise)> EAC> SHN; via DNC Permatree, D. Sacks; upgrade in circulation notes
4778. 03/09/81 Shn - 0, 7473 New York Madison Square Garden Recording by Barry Glassberg: Improved 'transfer' of original fob source; via Barry glassberg; Jim Wise; upgrade in circulation notes
4779. 03/09/81 Flac 24 - 0, 82373 New York Madison Square Garden flac24/96; Recording by Barry Glassberg: MOTB-0009 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner notes
4780. 03/09/81 Flac 16 - 0, 82372 New York Madison Square Garden flac16; Recording by Barry Glassberg: MOTB-0009 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner notes
4781. 03/10/81 Flac 16 - 0, 115598 New York Madison Square Garden flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
4782. 03/10/81 Flac 24/96 - 0, 131564 New York Madison Square Garden flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5; Transfer and FLAC encoding by David Minches: September 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
4783. 03/10/81 Flac 16 - 0, 131563 New York Madison Square Garden flac16; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5; Transfer and FLAC encoding by David Minches: September 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding notes
4784. 03/10/81 Flac 16 Mtx - 0, 131701 New York Madison Square Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes
4785. 03/10/81 Flac 16 - 0, 95275 New York Madison Square Garden flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
4786. 03/10/81 Flac 16 - 0, 82374 New York Madison Square Garden flac16; Recording by Barry Glassberg: MOTB-0010 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner notes
4787. 03/10/81 Shn - 0, 7630 New York Madison Square Garden Recording by Barry Glassberg: Improved 'transfer' of original fob source; via Barry glassberg; Jim Wise; ; upgrade in circulation notes
4788. 03/10/81 Flac 24/96 - 0, 82375 New York Madison Square Garden flac24/96; Recording by Barry Glassberg: MOTB-0010: Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner notes
4789. 03/10/81 Flac 24/96 - 0, 95276 New York Madison Square Garden flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
4790. 03/10/81 Flac 16 - 0, 91764 New York Madison Square Garden flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller notes
4791. 03/10/81 Flac 16/48 - , 162636 New York Madison Square Garden flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
4792. 03/10/81 Flac 24/96 - , 152637 New York Madison Square Garden flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
4793. 03/12/81 Flac 16 - 0, 95243 Boston Boston Garden flac16; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
4794. 03/12/81 Shn - 0, 7584 Boston Boston Garden Recording by Steve Rolfe: Nak 700's > Sony D5 Master Cassette; 16th Row ; A>D by Noah Weiner; d1 tracked for 80 min; passes shntool check notes
4795. 03/12/81 Flac 16 - 0, 102025 Boston Boston Garden flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA except d3t1-t6: Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Floor Section BB, Row 45, Seat 2 by Bob Morris notes
4796. 03/12/81 Shn - 0, 3307 Boston Boston Garden taped in "upper left", Sony ECM 280 > Sony TC-D5 > CD > EAC (see info) > SHN v3; via Mike Murray, Chris L notes
4797. 03/12/81 Flac 16 - 0, 109872 Boston Boston Garden flac16; AUD: 3x Nakamichi CM300/CP4's shotguns > Nakamichi 550 > Maxell XLII-S 90's, set up center balcony facing stage, section 102. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 09/2010 notes
4798. 03/12/81 Flac 24/96 - 0, 139831 Boston Boston Garden flac24; Source: (FOB) AKG D330BT's >Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer : Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > TLH > flac 2496 - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick November 2017 notes
4799. 03/12/81 Flac 24/96 - 0, 95259 Boston Boston Garden flac24; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
4800. 03/12/81 Flac 16 - 0, 145210 Boston Boston Garden flac16; Source: (FOB) AKG D330BT's >Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer : Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > TLH > flac 2496 - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick November 2017; This file set is 16 bit @ 44.1 notes
4801. 03/12/81 Flac 24/48 - 0, 152443 Boston Boston Garden flac2448 Recording Information: Microphones:Beyer M201's in hat Recorder: Sony TCD5 Maxell UDXLII 90's Location: lower balcony behind drums This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes
4802. 03/12/81 Flac 16/44 - 0, 152442 Boston Boston Garden flac1644 Recording Information: Microphones:Beyer M201's in hat Recorder: Sony TCD5 Maxell UDXLII 90's Location: lower balcony behind drums This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes
4803. 03/13/81 Flac 16 - 0, 112659 Utica Utica Memorial Auditorium flac16; Partial Set 1, Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller; Upgrade in circulation notes
4804. 03/13/81 Flac 16/48 - 0, 132620 Utica Utica Memorial Auditorium flac16/48kHz; Cassette Audience Master recorded by Jim Wise; Sennheiser MD 421 mic's mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Maxell XL-11 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversion(r8brain) by Jim Wise notes
4805. 03/13/81 Flac 24 - 0, 132621 Utica Utica Memorial Auditorium flac24; Cassette Audience Master recorded by Jim Wise; Sennheiser MD 421 mic's mounted on a stand- Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Maxell XL-11 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name) Jim Wise notes
4806. 03/13/81 Flac 16 - 0, 33336 Utica Utica Memorial Auditorium flac16; Second Set Only; Source: Mono Soundboard of unknown lineage Transfer: Cassette > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-fix, checksums, and FLAC compression) notes
4807. 03/13/81 Shn - 0, 4167 Utica Utica Memorial Auditorium Recording by Jim Wise: Sennheiser 421>D5 , set up at SBD; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam CD-D4000mkII > EAC> Soundforge > CD WAV > SHNv3 w/seek; A>D>CD Conversion by Jim Wise; CD>SHN by Jamie Lutch, 5/2001; QC courtesy dankseeds; see info file for flaws etc notes
4808. 03/13/81 Flac 16 - 0, 99104 Utica Utica Memorial Auditorium flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
4809. 03/13/81 Flac 16 - 0, 81392 Utica Utica Memorial Auditorium flac16; Recorded by Alan Zimmerman Master Audience Cassette; 2 Sennheiser 421s (Alan thinks)> Sony TC-158 (Fuji FX-I 90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC notes
4810. 03/13/81 Flac 16 - 0, 90455 Utica Utica Memorial Auditorium flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
4811. 03/13/81 Flac 24/96 - 0, 140010 Utica Utica Memorial Auditorium flac24; Source: AKG D330BT's >Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer : Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > TLH > flac 2496 - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick November 2017 notes
4812. 03/13/81 Flac 16 - 0, 113101 Utica Utica Memorial Auditorium flac16; Partial Set 1, Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller; Upgrade of Shn ID 112659 notes
4813. 03/13/81 Flac 24/96 - 0, 147852 Utica Utica Memorial Auditorium flac24; Recording Info:Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (with bass EQ)> Sony D5M (dolby B)(Maxell XLIIS); Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
4814. 03/13/81 Flac 16/48 - 0, 147851 Utica Utica Memorial Auditorium flac16/48kHz; Recording Info:Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (with bass EQ)> Sony D5M (dolby B)(Maxell XLIIS); Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4815. 03/14/81 Flac 16 - 0, 112720 Hartford Hartford Civic Center flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:at (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller notes
4816. 03/14/81 Flac 16 - 0, 84826 Hartford Hartford Civic Center flac16; Recording by Barry Glassberg: MOTB-0029 Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner notes
4817. 03/14/81 Flac 16 - 0, 95287 Hartford Hartford Civic Center flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
4818. 03/14/81 Flac 16 - 0, 109989 Hartford Hartford Civic Center flac16; AUD: 3x Nakamichi CM300/CP4's shotguns > Nakamichi 550 > Maxell XLII-S 90's, set up in arena riser "all the way back" center, facing the stage. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 09/2010 notes
4819. 03/14/81 Flac 16 - 0, 81340 Hartford Hartford Civic Center flac16; Recorded by Bob Wagner Master Audience Cassette; 2 Nak 700s> Sony D5M (Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Patches supplied by A:C:D:CD recorded with Sennheiser 421s notes
4820. 03/14/81 Shn - 0, 7217 Hartford Hartford Civic Center Aud (?)-> CD-> EAC-> SHN; via Andy Hayum;Admin note:This is the Glassberg recording as noted in comments by C. Ladner. upgrade now in circulation. notes
4821. 03/14/81 Flac 24/96 - 0, 95288 Hartford Hartford Civic Center flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
4822. 03/14/81 Flac 24/96 - 0, 139797 Hartford Hartford Civic Center flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes
4823. 03/14/81 Flac 16 - 0, 139796 Hartford Hartford Civic Center flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes
4824. 03/14/81 Flac 24/96 - 0, 132757 Hartford Hartford Civic Center flac24; Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder-Location:Soundboard; Analog to Digital:Dolby B Decoded Maxell XL-11 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]Transfer: David Minches:Oct 2014; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise notes
4825. 03/14/81 Flac 24/48 - 0, 152445 Hartford Hartford Civic Center flac24/48 Recording Information: Microphones: Beyer M201's in hat Recorder: Sony TCD5 Maxell UDXLII 90 no nr Location: behind drums > This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes
4826. 03/14/81 Flac 16/44 - 0, 152444 Hartford Hartford Civic Center flac16/44 Recording Information: Microphones: Beyer M201's in hat Recorder: Sony TCD5 Maxell UDXLII 90 no nr Location: behind drums > This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes
4827. 03/14/81 Flac 16/48 - , 152901 Hartford Hartford Civic Center flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
4828. 03/14/81 Flac 24/96 - , 152902 Hartford Hartford Civic Center flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
4829. 03/20/81 Flac 16 - 0, 104928 London Rainbow Theatre flac16; master soundboard cassettes > Nak Dr-1 > Lynx2 Studio Interface 24 bit 48kHz. Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz MetaData with Tag and Rename TLH for FLAC Level 8 SBE FREE Seeded on The Winter Solstice 2009 (Note: The original 12-21-2009 version of this source had flaws and should not be circulated.) notes
4830. 03/20/81 Flac 24/48 - 0, 104938 London Rainbow Theatre flac24; soundboard master cassettes > Nak Dr-1 > Lynx2 Studio Interface 24 bit 48kHz. Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station MetaData with Tag and Rename TLH for FLAC Level 8 notes
4831. 03/20/81 Flac 16 - 0, 113433 London Rainbow Theatre flac16: Soundcheck Source: AUD cassette (Unknown equipment & lineage). Tape kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged, May 2011 notes
4832. 03/20/81 Shn - 0, 9198 London Rainbow Theatre MAC > C > C > D > CD; via Jack Warner; seeded to etree by Matt Vernon notes
4833. 03/20/81 Shn - 0, 32142 London Rainbow Theatre AUD > MC > C > SB!Live > CD > EAC > WaveLab > CDWave > shn MC: Sony TC D5M, dolby B, TDK MA C90, Sennheiser 406T C/1: TDK SA-C90, dolby B, Nakamishi DR1 Different mics position in set 2. via Bernd Weiskircher notes
4834. 03/20/81 Flac 24/96 - 0, 139744 London Rainbow Theatre flac24; Source Info: 1st Set: Frank Streeter's Master FOB Audience assette; Sennheiser 421 > Sony TC-D5M (TDK MA90); 2nd Set: Master FOB Audience Cassette; AKG 224> Sony TC-D5M > 1 cassette gen (Maxell UDXLII); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes
4835. 03/20/81 Flac 16 - 0, 139743 London Rainbow Theatre flac16; Source Info: 1st Set: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 > Sony TC-D5M (TDK MA90); 2nd Set: Master FOB Audience Cassette; AKG 224> Sony TC-D5M > 1 cassette gen (Maxell UDXLII); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes
4836. 03/20/81 Flac 24/96 - , 154684 London Rainbow Theatre FLAC2496 Recording Info: UDXL1 SBD cassettes from Bear via Jamie Waddell
Transfer Info: Nakamichi CR-7A (March 2021 transfer) > Tascam DA-3000 > Samplitude Pro X5 > Flac24

Recorded by Augustus Owsley Stanley III (aka Bear) Transferred and Mastered by Jim Blackwood
Speed Correction by Jason Chastain
Track, FLAC, and pack by Steve Gravel
notes
4837. 03/20/81 Flac 16/48 - , 154685 London Rainbow Theatre FLAC1648 Recording Info: UDXL1 SBD cassettes from Bear via Jamie Waddell
Transfer Info: Nakamichi CR-7A (March 2021 transfer) > Tascam DA-3000 > Samplitude Pro X5 > Flac24

Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred and Mastered by Jim Blackwood
Speed Correction by Jason Chastain
Track, FLAC, and pack by Steve Gravel
notes
4838. 03/21/81 Flac 16 Mtx - 0, 114710 London Rainbow Theatre flac16; SBD/AUD - Matrix SBD:MC > C > CD (speed corrected) & AUD:MC > C/1 > SB!Live > WaveLab > shn MC: Sony TC D5M, dolby B, TDK MA C90, Sennheiser 406T C/1: TDK SA-C90, Maxell XL II, dolby B, Nakamishi DR1 minor denoising and equalising (WaveLab) Frank Streeter's Sennheiser 421 mic > Sony D5 Audience source supplies the Intro as well as a patch in Drums notes
4839. 03/21/81 Flac 16 - 0, 106778 London Rainbow Theatre flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
4840. 03/21/81 Shn - 0, 6684 London Rainbow Theatre SBD:MC> Cass> CD, with AUD Senn 421 patches (see info file); tracked for 2x80 notes
4841. 03/21/81 Shn - 0, 6666 London Rainbow Theatre Master Soundboard Cassette > Cassette > CDR, with AUD Senn 421 patches (see info file); CD Mastering, Patching, EAC, SHN by Scott Clugston; tracked for 2x80; to abgd notes
4842. 03/21/81 Shn - 0, 3594 London Rainbow Theatre Senn 421's> Sony TC-D5 positioned at SBD> MC> DAT> CDR> EAC> CDWAV (retrack)> SHN (W/seek tables appended); Frank Streeter recording; A>D by Rich Gastwirt; D>CD Sony R-700> HHB CDR 800 by Jim Wise; EAC/SHN by Charles Hogan; d2 tracked for 80 min notes
4843. 03/21/81 Shn - 0, 32143 London Rainbow Theatre AUD > MC > C > Nakamishi DR1 > SB!Live > WaveLab > CDWave > SHN MC: Sony TC D5M, dolby B, metal-cassettes, Sennheiser 406T C/1: TDK SA-C90, Maxell XL II, dolby B via Bernd Weiskircher notes
4844. 03/21/81 Flac 24/96 - 0, 139799 London Rainbow Theatre flac24; Source Info: Frank Streeter's Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes
4845. 03/21/81 Flac 16 - 0, 139798 London Rainbow Theatre flac16; Source Info: Frank Streeter's Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes
4846. 03/23/81 Shn - 0, 6685 London Rainbow Theatre AUD> MC> DAT> CD notes
4847. 03/23/81 Shn - 0, 32145 London Rainbow Theatre AUD > MC > C > Nakamishi DR1 > SB!Live > WaveLab > CDWave > shn MC: Sony TC D5M, dolby B, TDK MA C90, Sennheiser 406T C/1: TDK SA-C90, dolby B via Bernd Weiskircher notes
4848. 03/23/81 Flac 16 - 0, 81275 London Rainbow Theatre flac16; Recording by B.Koucky. Source: Condenser mics, portable JVC Boombox, 20 ft from stage left, hand held on a riser 6ft off floor > Maxell UDXL-Is Transfer: MAC playback on Nakamichi DR-2, no NR > Presonus Firebox > firewire > PC, XP-Pro > recorded as 24 bit/96 KHz PCM WAV, Wavelab 5 > Waves X-Noise and L3 Multimaximizer @ 24 bit > UVHR-22 (dither to 16/44.1) > CDWAV 1.9 > WAV > FLAC notes
4849. 03/23/81 Flac 24/96 - 0, 139843 London Rainbow Theatre flac24; Source Info: Frank Streeter's Master Audience Cassette(at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes
4850. 03/23/81 Flac 16 - 0, 139842 London Rainbow Theatre flac16; Source Info: Frank Streeter's Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes
4851. 03/24/81 Shn - 0, 10532 London Rainbow Theatre Recording by Frank Streeter: Senn 421's> TC-D5> MC> DAT> CDR; via Paul B; Seeded to etree by Alan Schlissel notes
4852. 03/24/81 Shn - 0, 10308 London Rainbow Theatre AUD > MC > C > SB!Live > CD > EAC > WaveLab > shn MC: Sony TC D5M, dolby B, metal-cassettes, Sennheiser 406T C/1: Maxell XL II C90, dolby B, Nakamishi DR1; Seeded to etree by Bernd Weiskircher notes
4853. 03/24/81 Flac 24 - 0, 139845 London Rainbow Theatre flac24; Source Info: 1st Set: Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M > 1 cassette gen (Maxell UDXLII); 2nd Set: Frank Streeter's Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: 1st Set: 1st generation cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; 2nd Set: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes
4854. 03/24/81 Flac 16 - 0, 139844 London Rainbow Theatre flac16; Source Info: 1st Set: Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M > 1 cassette gen (Maxell UDXLII); 2nd Set: Frank Streeter's Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: 1st Set: 1st generation cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; 2nd Set: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston notes
4855. 03/28/81 Shn - 0, 3306 Essen Grugahalle stereo FM -> reel master -> DAT -> CDWAV -> SoundForge -> CDR, with other FM patches; via Hanno Bunjes et al; see info file for detailed notes; Hanno's notes notes
4856. 03/28/81 Flac 16 - 0, 22802 Essen Grugahalle flac16; SBE fixed and FLAC'd version of Stereo Soundboard Reel Master by deep_elem@despammed.com. notes
4857. 03/28/81 Shn - 0, 1343 Essen Grugahalle updated lineage: copy of bootleg CD "Trippin Around", not SBRD> Pre-FM> DAT> CD-R> EAC> SHN ("unconfirmed"); to abgd by Jeremy Duncan; 3/01 note- upgrade now in circulation notes
4858. 03/28/81 Flac 16 - 0, 85958 Essen Grugahalle flac16; FM (live broadcast) > Revox A76 Tuner > Revox A77 (1/2 track, 3 1/2 ips, TDK LX 35) March 2007: TDK LX 35 > Revox A77 > Audiophile 2496 > WaveLab > CDWave > Flac frontend notes
4859. 03/28/81 Shn - 0, 16434 Essen Grugahalle partial set 2 (post Drums); Master time-coded pre-broadcast tapes> first-gen Hi-Fi VHS> WAV> SHN; via Sean Cribbs notes
4860. 03/28/81 Flac 24/88 Fm - 0, 136977 Essen Grugahalle flac24; Recording Lineage: FM broadcast -> Master Reel on Revox B77; Playback Lineage: Master Reel on same Revox B77 -> Alesis Masterlink ML9600 @ 24/88 -> AIFF -> Foobar2000 to FLAC notes
4861. 03/28/81 Flac 16/48 - 0, 140323 Essen Grugahalle flac16/48kHz; Recording Info: Master FM Cassette > Dat 16/48; Transfer Info: Sony PCM-R500 16/48 > Tascam DA-3000 16/48 > Adobe Audition 3.0> TLH flac1648 notes
4862. 04/25/81 Flac - 0, Berkeley Berkeley Community Theater notes
4863. 04/25/81 Flac 24/96 - , 157603 Berkeley Berkeley Community Theater flac2496 Recording Info: TDK MA90 cassette from Bear via Jamie Waddell
Transfer Info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X5 > Flac24

Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred and mastered by Jim Blackwood
Speed/pitch adjustment by Jason Chastain
Minor repairs, track, FLAC, and pack by Steve Gravel
notes
4864. 04/25/81 Flac 16/48 - , 157604 Berkeley Berkeley Community Theater flac1648 Recording Info: TDK MA90 cassette from Bear via Jamie Waddell
Transfer Info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X5 > Flac24

Recorded by Augustus Owsley Stanley III (aka Bear)
Transferred and mastered by Jim Blackwood
Speed/pitch adjustment by Jason Chastain
Minor repairs, track, FLAC, and pack by Steve Gravel
notes
4865. 04/30/81 Flac 16 - 0, 91728 Greensboro Greensboro Coliseum flac16; Recording Info:SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info:Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes
4866. 04/30/81 Flac 24/96 - 0, 134544 Greensboro Greensboro Coliseum flac24; Cassette Audience Master recorded By Jim Wise; Set 1 Beyerdynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Set 2 Nakamichi 700's -Sony TC D-5; Location @ 12 row center stage; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 (DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing (Adobe Audition CC)-Mastering (iZotope Ozone 6)-FLAC ; encoding (dBpoweramp)-Tagging (Tag & Re-name); All Editing & Processing Jim Wise notes
4867. 04/30/81 Shn - 0, 5057 Greensboro Greensboro Coliseum Recording by Jim Wise: mixed-source AUD: set 1, Beyer M160's > Sony D5 @ SBD; set 2: NAK 700's > Sony D5 12th row center; Master cass> DAT> CD> EAC> (Tracked in)CoolWave> SHN> CD; EAC> tracking> shn by Seth Kaplan; etreed by Steve Bertoni; see info file for flaw notes notes
4868. 04/30/81 Flac 16 - 0, 139758 Greensboro Greensboro Coliseum flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
4869. 04/30/81 Flac 24 - 0, 139759 Greensboro Greensboro Coliseum flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
4870. 04/30/81 Flac 24/96 - 0, 147854 Greensboro Greensboro Coliseum flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (12th row)> Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
4871. 04/30/81 Flac 16/48 - 0, 147853 Greensboro Greensboro Coliseum flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (12th row)> Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4872. 05/01/81 Flac 16 Mtx - 0, 107749 Hampton Hampton Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
4873. 05/01/81 Flac 16 - 0, 92415 Hampton Hampton Coliseum flac16; CM-700 => Sony TCD5-M >> Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taper Bob Wagner, Transfer: aegert, Edit: dmccabe MOTB.0074 notes
4874. 05/01/81 Flac 16 - 0, 29087 Hampton Hampton Coliseum flac16; SBD > MC > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes
4875. 05/01/81 Flac 16 - 0, 107437 Hampton Hampton Coliseum flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of shnid 29087 notes
4876. 05/01/81 Flac 24/96 - 0, 92416 Hampton Hampton Coliseum flac24; 2 x Nakamichi CM-700 => Sony TCD5-M >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner Transfer By: Adam Egert Mastering By: Derek McCabe MOTB 0074 24bit notes
4877. 05/01/81 Flac 24 - 0, 135069 Hampton Hampton Coliseum flac24; Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: FOB DFC; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches notes
4878. 05/01/81 Flac 16 - 0, 136387 Hampton Hampton Coliseum flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII-S 90's, Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 07/2016 notes
4879. 05/01/81 Flac 24/48 - 0, 136386 Hampton Hampton Coliseum flac24; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII-S 90's, Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2016 notes
4880. 05/01/81 Flac 16 - 0, 99233 Hampton Hampton Coliseum flac16; Recording Info: (FOB) Sennheiser 421 -> Sony TC D-5 Transfer Info: Cassette Master(Dolby B) Maxell XL Type 2 -> Playback On Nackamichi Dragon -> Sony PCM R700 DAT -> Hard Drive (via Zefiro ZA-2 & Sound Forge 4.0) -> CD (via HHB CDR-800 PRO) ->FLAC recorded by Jim Wise; upgrade to the previous Jim Wise source notes
4881. 05/01/81 Shn - 0, 2218 Hampton Hampton Coliseum Recording by Jim Wise: Master FOB Audience Cassette > Sennheiser 421 mics> Sony D5 cassette deck > DAT > CDR; via Scott Clugston; upgrade in circulation notes
4882. 05/01/81 Flac 16 - 0, 139774 Hampton Hampton Coliseum flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
4883. 05/01/81 Flac 24/96 - 0, 139775 Hampton Hampton Coliseum flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
4884. 05/01/81 Flac 24/96 - 0, 142845 Hampton Hampton Coliseum flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes
4885. 05/01/81 Flac 16/48 - 0, 142846 Hampton Hampton Coliseum flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4886. 05/01/81 Flac 24/96 - 0, 147856 Hampton Hampton Coliseum flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
4887. 05/01/81 Flac 16/48 - 0, 147855 Hampton Hampton Coliseum flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4888. 05/01/81 Flac 16/48 - , 152903 Hampton Hampton Coliseum flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
4889. 05/01/81 Flac 24/96 - , 152904 Hampton Hampton Coliseum flac24/96 Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
4890. 05/02/81 Flac 16 - 0, 30152 Philadelphia The Spectrum flac16; SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat Transferred By Joe Samaritano Patched and Edited By Charlie Miller notes
4891. 05/02/81 Shn - 0, 22310 Philadelphia The Spectrum Main Lineage: Soundboard -> Cassette Master -> 1/2 track 7.5 Reel -> DAT. DAT -> ZA2 -> SoundForge -> .wav -> mkw -> SHN.
Patch Lineage: (Jim Wise FOB) Sennheiser 421 -> Cassette Master (Sony TCD5M) -> Dat -> CD -> EAC -> SHN. Patch and patchwork provided by Charlie Miller. Soundboard seed and transfer by Joe Samaritano
notes
4892. 05/02/81 Flac 24 - 0, 134759 Philadelphia The Spectrum b>flac24; Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 (DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing (Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging (Tag & Re-name); All Editing & Processing by Jim Wise notes
4893. 05/02/81 Flac 16 Mtx - 0, 135559 Philadelphia The Spectrum flac16; 2 source matrix by Dusborne; Soundboard (shnid:30152) Recording Info: SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat; Transfer Info: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude v7.02 Professional -> FLAC,Transferred By Joe Samaritano,Patched and Edited By Charlie Miller; Audience (shnid:134759)Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder, Location: Soundboard,Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96],Recording,Editing & Processing by Jim Wise,Transfer by David Minches notes
4894. 05/02/81 Shn - 0, 15981 Philadelphia The Spectrum AUD : MC (FOB Senn 421s > Sony TC-D5M by Jim Wise) > DAT > CD > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net); Thanks to Charlie Miller for the seeds notes
4895. 05/02/81 Shn - 0, 7463 Philadelphia The Spectrum Recording by Jim Wise. (FOB) Senn 421> Cm> Dat> CD; via Craig Reimer; Seeded to etree by Willy ; upgrade in circulation notes
4896. 05/02/81 Flac 16 - 0, 28304 Philadelphia The Spectrum flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape. (Jeff Silberman's guns on Howard Shame's bodies); Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; Transferred: CD> FLAC by Alex Ford notes
4897. 05/02/81 Flac 24/96 - 0, 142847 Philadelphia The Spectrum flac24; Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes
4898. 05/02/81 Flac 16/48 - 0, 142848 Philadelphia The Spectrum flac16/48kHz; Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4899. 05/04/81 Shn - 0, 2250 Philadelphia The Spectrum Master Soundboard Cassette > Cassette > DAT > CDR, with patches from AUD Nakamichi CM300 mics > Sony D5 source; via Scott Clugston; see info file for notes notes
4900. 05/04/81 Flac 16 - 0, 90454 Philadelphia The Spectrum flac16; 1st Gen (FOB) 2 x Nakamichi 700 [on a stand] > Sony D5 > MAC > TDK MA90 (Set I) and Maxell XLII 90 (Set II). Taper: Nick Milner. 1st gen audience cassettes graciously provided by Mark McCue. Transferred and mastered by Alex Ford February 2008. notes
4901. 05/04/81 Flac 24/96 - 0, 134792 Philadelphia The Spectrum flac24; Cassette Audience Master recorded By Jim Wise Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name notes
4902. 05/04/81 Flac 16 Mtx - 0, 135560 Philadelphia The Spectrum flac16; 2 source matrix by Dusborne; Soundboard (shnid:2250), Master Soundboard Cassette > Cassette > DAT > CDR, CD Mastering by Scott Clugston; Audience (shnid:134792),Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder,Location:Soundboard,Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Recording,Editing and Mastering by Jim Wise, Transfer by David Minches notes
4903. 05/04/81 Shn - 0, 30112 Philadelphia The Spectrum Recording by Ohr Weinberg. Master Audience Cassette : 2 Sony ECM-23F microphones > Nakamichi 550 Cassette Deck (Maxell XLII-S 90 Cassettes), Dolby B. Transfer: Master Cassette > Nakamichi Dragon > HHB CDR-830 Plus (by Ohr)> EAC > Sound Forge 5.0 (spliced tape flip during drums, fades, and cleanup) > CD Wave 1.71 > WAV > SHN (by Anne Cohen) 5/2005 notes
4904. 05/04/81 Flac 16 - 0, 141484 Philadelphia The Spectrum flac16; Source Info: Master Soundboard Cassette > Cassette (Latvala)> Dat 16/44.1(Latvala); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000(.wav 16/44.1) > Adobe Audition 3.0 > TLH flac16 notes
4905. 05/04/81 Flac 16/48 - 0, 142850 Philadelphia The Spectrum flac16/48kHz; Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4906. 05/04/81 Flac 24/96 - 0, 142849 Philadelphia The Spectrum flac24; Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes
4907. 05/04/81 Flac 16/48 - 0, 151458 Philadelphia The Spectrum flac16/48khz Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes
4908. 05/04/81 Flac 24/96 - 0, 151459 Philadelphia The Spectrum flac24/96khz Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes
4909. 05/04/81 Flac 16/48 - 0, 152195 Philadelphia The Spectrum flac16/48 Source Info: Jim Vita's Master (FOB) Audience Cassettes (12th row, center); Nakamichi DM500 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
4910. 05/04/81 Flac 24/96 - 0, 152196 Philadelphia The Spectrum flac24/96 Source Info: Jim Vita's Master (FOB) Audience Cassettes (12th row, center); Nakamichi DM500 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
4911. 05/05/81 Flac 16 - 0, 135255 Glens Falls Glens Falls Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger notes
4912. 05/05/81 Flac 24/96 - 0, 135254 Glens Falls Glens Falls Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger notes
4913. 05/05/81 Flac 24/96 - 0, 134951 Glens Falls Glens Falls Civic Center flac24; Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing (Adobe Audition CC)-Mastering (iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing by Jim Wise notes
4914. 05/05/81 Flac 16 - 0, 125867 Glens Falls Glens Falls Civic Center flac16; Set 2 Source: Unknown AUD, lo-gen tape kindly provided by Ted Gidley. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 10/2013 notes
4915. 05/05/81 Shn - 0, 8595 Glens Falls Glens Falls Civic Center Recording by Jim Wise. Master Audience Cassette: Sennheiser 421 mics > Sony TC-D5 > DAT> CDR; Seeded to etree by Scott Clugston notes
4916. 05/05/81 Flac 16 - 0, 102023 Glens Falls Glens Falls Civic Center flac16; (FOB) Nakamichi CM-300 Shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded FOB from floor Section 105, Row H, Seat 10 by Bob Morris notes
4917. 05/05/81 Flac 16 - 0, 28356 Glens Falls Glens Falls Civic Center flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Mic Config: "primitive DIN" pointing the mics directly at the stacks forming a "Y"; Mic Location: first row behind the soundboard cage; Sony D5 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; taped and transferred by Doug Mow; CDR> flac by Alex Ford notes
4918. 05/05/81 Flac 16/48 - 0, 143044 Glens Falls Glens Falls Civic Center flac16/48kHz; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4919. 05/05/81 Flac 24/96 - 0, 143043 Glens Falls Glens Falls Civic Center flac24; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes
4920. 05/05/81 Flac 16 - 0, 150659 Glens Falls Glens Falls Civic Center flac16; Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-S/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; Recorded by Bob Wagner, This file set is 16 bit @ 44.1 notes
4921. 05/05/81 Flac 24/48 - 0, 152447 Glens Falls Glens Falls Civic Center flac24/48 Recording Information: Microphones: Beyer m201c Recorder: Sony TCD5 Maxell UDXLII 90's Location: tape says: 'Mics in hat 2nd row reserved even with sbd' Meaning about 75 feet from stacks 5-7 feet off of the floor This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90 no nr Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity (reduced speed 3.47%)| cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes
4922. 05/05/81 Flac 16/44 - 0, 152446 Glens Falls Glens Falls Civic Center flac16/44 Recording Information: Microphones: Beyer m201c Recorder: Sony TCD5 Maxell UDXLII 90's Location: tape says: 'Mics in hat 2nd row reserved even with sbd' Meaning about 75 feet from stacks 5-7 feet off of the floor This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90 no nr Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity (reduced speed 3.47%)| cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes
4923. 05/06/81 Flac 16 - 0, 82368 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording by Jim Wise. Sennheiser 421's > Sony TC-D5, set up near the soundboard. Taped and transferred (MAC > CD) by Jim Wise. Transfer: MAC > CD (likely equipment: Nakamichi Dragon > HHB CDR burner). CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC, by Andrew F notes
4924. 05/06/81 Shn - 0, 10379 Uniondale Nassau Veterans Memorial Coliseum Recording by Barry Glassberg. Nak 700's > Sony TC-D5M > MC > DAT > CD; via Jay Jurina; Seeded to etree by Matt Vernon; Note- This show is available as Dick's Picks 13 ; upgrade in circulation notes
4925. 05/06/81 Shn - 0, 17697 Uniondale Nassau Veterans Memorial Coliseum NAK-700's > SONY TC-D5M Dolby On taped by Barry Glassberg FOB via Mark Cohen, John Steinthal encoded by Matt Vernon; Note- - this version supercedes a previous shn set from this same source notes
4926. 05/06/81 Flac 24/96 - 0, 136735 Uniondale Nassau Veterans Memorial Coliseum b>flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes
4927. 05/06/81 Flac 16 - 0, 136736 Uniondale Nassau Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes
4928. 05/06/81 Flac 24/96 - 0, 139786 Uniondale Nassau Veterans Memorial Coliseum flac24; Set 2 Source Info: Frank Streeter's Master FOB Audience Cassette; Unknown mics (?? Sennheiser 421's ??) > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
4929. 05/06/81 Flac 16 - 0, 139785 Uniondale Nassau Veterans Memorial Coliseum flac16; Set 2 Source Info: Frank Streeter's Master FOB Audience Cassette; Unknown mics (?? Sennheiser 421's ??) > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
4930. 05/06/81 Flac 24/96 - 0, 140903 Uniondale Nassau Veterans Memorial Coliseum flac24; Source Info: Jim Wise's Master Audience Cassette w/ dolby B; Sennheiser 421's > Sony TC-D5; Transfer Info: Cassette Master (Nakamichi Dragon) w/ dolby B > KORG MR1000 (.wav 24 bit-96k) > Samplitude > Adobe Audition 3.0> TLH flac2496 notes
4931. 05/06/81 Flac 16 - 0, 140902 Uniondale Nassau Veterans Memorial Coliseum flac16; Source Info: Jim Wise's Master Audience Cassette w/ dolby B; Sennheiser 421's > Sony TC-D5; Transfer Info: Cassette Master (Nakamichi Dragon) w/ dolby B > KORG MR1000 (.wav 24 bit-96k) > Samplitude > Adobe Audition 3.0> TLH flac2496; 24 bit > 16 bit via dBpoweramp notes
4932. 05/06/81 Flac 24/96 - 0, 144701 Uniondale Nassau Veterans Memorial Coliseum flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - on a handheld pole 30' from stage in the penalty box)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4933. 05/06/81 Flac 16/48 - 0, 144700 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - on a handheld pole 30' from stage in the penalty box)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4934. 05/06/81 Flac 24/48 - 0, 150430 Uniondale Nassau Veterans Memorial Coliseum flac24; AUD: Unknown mics & lead deck > Sony TC-D5 > Maxell XLII-S 90's. Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2020 notes
4935. 05/06/81 Flac 16/48 - , 152949 Uniondale Nassau Veterans Memorial Coliseum notes
4936. 05/06/81 Flac 24/96 - , 152950 Uniondale Nassau Veterans Memorial Coliseum flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
4937. 05/07/81 Flac 16/44,1 - 0, 147903 New York Tommorow With Tom Snyder, NBC Studios flac16/44.1khz Source: Cable Broadcast > VHS(M) > standalone DVD recorder > DVD(0) Lineage: DVD(0) > TMPGEnc [demux] > DVD Architect [chapters/author] > DVD Audio Specs: PCM 1.54Mbps Audio only, ffmpeg extraction from DVD (gd1981-05-07.tomsnyder.dvdf) down-sampled from 16-48 to 16-44.1 using ffmpeg sector boundary errors fixed using shntool notes
4938. 05/08/81 Flac 16 Mtx - 0, 92002 Uniondale Nassau Veterans Memorial Coliseum flac16; MATRIX MIX: SBD/2 AUD (About 60%/40%) notes
4939. 05/08/81 Flac 16 - 0, 95764 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD -> Master Cassette -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes
4940. 05/08/81 Shn - 0, 28300 Uniondale Nassau Veterans Memorial Coliseum SBD> Master Cassette> Dat (44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Barry Glassberg's FOB Nakamichi 700 source; Transferred and Patched By Charlie Miller notes
4941. 05/08/81 Flac 24 - 0, 136537 Uniondale Nassau Veterans Memorial Coliseum flac24; Cassette Audience Master: Recorded By Jeff Hellman (lead deck) > Eddie Claridge (2nd deck) > Jim Wise (3rd deck); Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorders; Location: Soundboard Stand permitted by Dan Healy; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing (Adobe Audition CC)-FLAC encoding (dBpoweramp); Tagging (Tag & Re-name) notes
4942. 05/08/81 Shn - 0, 9712 Uniondale Nassau Veterans Memorial Coliseum Recording by Jim Wise: FOB Senn 421's> Sony D5> MC> DAT> CDR; via Mark Linden; Seeded to etree by Willy notes
4943. 05/08/81 Shn - 0, 17698 Uniondale Nassau Veterans Memorial Coliseum Recording by Barry Glassberg. FOB NAK-700's > SONY TC-D5M Dolby On via Mark Cohen, John Steinthal encoded by Matt Vernon notes
4944. 05/08/81 Flac 16 - 0, 136760 Uniondale Nassau Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes
4945. 05/08/81 Flac 24 - 0, 139788 Uniondale Nassau Veterans Memorial Coliseum flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Unknown mics (?? Sennheiser 421's ??) > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
4946. 05/08/81 Flac 16 - 0, 139787 Uniondale Nassau Veterans Memorial Coliseum flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Unknown mics (?? Sennheiser 421's ??) > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
4947. 05/08/81 Flac 24/96 - 0, 136739 Uniondale Nassau Veterans Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes
4948. 05/08/81 Flac 16 - 0, 139412 Uniondale Nassau Veterans Memorial Coliseum flac16; Set 2 AUD: Unknown mics & lead decks > Sony TC-D5 > Maxell XLIIS-90, FOB recording by Brian Schley; Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged; Transferred by Andrew F. 09/2017 notes
4949. 05/08/81 Flac 24/48 - 0, 139413 Uniondale Nassau Veterans Memorial Coliseum flac24; Set 2 AUD: Unknown mics & lead decks > Sony TC-D5 > Maxell XLIIS-90, FOB recording by Brian Schley; Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged; Transferred by Andrew F. 09/2017 notes
4950. 05/08/81 Flac 24/96 - 0, 148945 Uniondale Nassau Veterans Memorial Coliseum flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - standing on a chair 35' from stage)> custom mixer by Jamie Poris > Sony TC-D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4951. 05/08/81 Flac 16/48 - 0, 148944 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - standing on a chair 35' from stage)> custom mixer by Jamie Poris > Sony TC-D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4952. 05/08/81 Flac 16/48 - , 152971 Uniondale Nassau Veterans Memorial Coliseum flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
4953. 05/08/81 - , 152971 Uniondale Nassau Veterans Memorial Coliseum flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
4954. 05/09/81 Flac 16 Mtx - 0, 92246 Uniondale Nassau Veterans Memorial Coliseum flac16; MATRIX MIX: 1 SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) June 10, 2008 notes
4955. 05/09/81 Shn - 0, 10031 Uniondale Nassau Veterans Memorial Coliseum Recording by Jim Wise. AUD> MC> DAT> CD; Missing encore; via Paul B; Seeded to etree by Willy notes
4956. 05/09/81 Shn - 0, 17699 Uniondale Nassau Veterans Memorial Coliseum Recording by Barry Glassberg. FOB NAK-700's > SONY TC-D5M Dolby On via Mark Cohen, John Steinthal encoded by Matt Vernon notes
4957. 05/09/81 Flac 16 - 0, 137370 Uniondale Nassau Veterans Memorial Coliseum flac16; Sennheiser MD421 Dynamic Cardioid Microphones > TC D5 Cassette Recorders> Jim Wise's Cassette Audience Master; Location: Soundboard Stand permittted by Dan Healy; Transfer: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 > DSF 1-bit 5.6448 MHz Stereo > Korg AudioGate > WAV 24/96; Lineage: Wav 24/96 > Adobe Audition 3.0.1 > > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > WAv 16/44.1 > CD Wave > TLH > Flac16; Transferred by David Minches; Edited and mastered SIRMick notes
4958. 05/09/81 Flac 24/96 - 0, 137366 Uniondale Nassau Veterans Memorial Coliseum flac24; Sennheiser MD421 Dynamic Cardioid Microphones > TC D5 Cassette Recorders> Jim Wise's Cassette Audience Master; Location: Soundboard Stand permitted by Dan Healy; Transfer: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 > DSF 1-bit 5.6448 MHz Stereo > Korg AudioGate > WAV 24/96; Lineage: Wav 24/96 > Adobe Audition 3.0.1 > > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; Transferred by David Minches; Edited and mastered SIRMick notes
4959. 05/09/81 Flac 16 - 0, 139664 Uniondale Nassau Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger 10/2017 notes
4960. 05/09/81 Flac 24/96 - 0, 139665 Uniondale Nassau Veterans Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger 10/2017 notes
4961. 05/09/81 Flac 16 - 0, 32883 Uniondale Nassau Veterans Memorial Coliseum flac16;Recording By Rob Eaton. Recording Info: (FOB) Sennheiser 421 + PZM -> Cassette Master (Nak 500) -> Dat (48k). Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC. All Transfers and Mastering By Charlie Miller notes
4962. 05/09/81 Flac 16 - 0, 44930 Uniondale Nassau Veterans Memorial Coliseum flac16; SBD -> Cassette Master -> Dat All Transfers and Mastering By Charlie Miller notes
4963. 05/09/81 Flac 16 Mtx - 0, 118878 Uniondale Nassau Veterans Memorial Coliseum flac16; Matrix of SBD (shnid=33930) and AUDs (shnid=17699 & 32883) by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging). This is a pitch corrected version of shnid=92246. notes
4964. 05/09/81 Flac 24/96 - 0, 148948 Uniondale Nassau Veterans Memorial Coliseum flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell MX); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
4965. 05/09/81 Flac 16/48 - 0, 148947 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell MX); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4966. 05/09/81 Flac 16/48 - , 153007 Uniondale Nassau Veterans Memorial Coliseum flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
4967. 05/09/81 Flac 24/96 - , 153008 Uniondale Nassau Veterans Memorial Coliseum flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
4968. 05/11/81 Flac 16 Mtx - 0, 107252 New Haven Veterans Memorial Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
4969. 05/11/81 Flac 16 - 0, 30646 New Haven Veterans Memorial Coliseum flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller notes
4970. 05/11/81 Flac 16 - 0, 102086 New Haven Veterans Memorial Coliseum flac16; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side (stage right) first-level riser, about half way back. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 10/09 notes
4971. 05/11/81 Flac 16 - 0, 118959 New Haven Veterans Memorial Coliseum flac16; source: (2) nakamichi 300> d-5; conversion: sony tc we435> soundcard> cdwave 48000/stereo/16 bit 44.1kHz> traders little helper encoding option 8; conversion rate: 48000/stereo/16 bit 44.1kHz; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
4972. 05/11/81 Shn - 0, 4142 New Haven Veterans Memorial Coliseum notes
4973. 05/11/81 Flac 16 - 0, 28355 New Haven Veterans Memorial Coliseum flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; Taped and transferred by Doug Mow; CDR> FLAC by Alex Ford notes
4974. 05/11/81 Flac 24/96 - 0, 136746 New Haven Veterans Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; behind the stage speakers; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes
4975. 05/11/81 Flac 16 - 0, 136747 New Haven Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; behind the stage speakers; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes
4976. 05/11/81 Flac 24/96 - 0, 139882 New Haven Veterans Memorial Coliseum flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
4977. 05/11/81 Flac 16 - 0, 139881 New Haven Veterans Memorial Coliseum flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
4978. 05/11/81 Flac 24/48 - 0, 102085 New Haven Veterans Memorial Coliseum flac24; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side stage right) first-level riser, about half way back. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 10/09 notes
4979. 05/11/81 Flac 24/96 - 0, 149197 New Haven Veterans Memorial Coliseum flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496 notes
4980. 05/11/81 Flac 16/48 - 0, 149196 New Haven Veterans Memorial Coliseum flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4981. 05/12/81 Flac 16 Mtx - 0, 99045 New Haven Veterans Memorial Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
4982. 05/12/81 Flac 16 - 0, 123259 New Haven Veterans Memorial Coliseum flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
4983. 05/12/81 Flac 16 - 0, 99007 New Haven Veterans Memorial Coliseum flac16; Set 1 Source: Senn 421>?>Cassette, Set 2 Source: Senn 421>Cassette Master Lineage: AUD>MC>DAT>CD>EAC>WAV>FLAC Encoding Post DAE Editing: 1st Set was somewhat too speedy and needed to be reprocessed. 1st set was speed corrected by 2.2 percent with Audacity. notes
4984. 05/12/81 Shn - 0, 1664 New Haven Veterans Memorial Coliseum SBD> Master Cassette> Cassette > DAT> CDR; via Jeff M. notes
4985. 05/12/81 Shn - 0, 5241 New Haven Veterans Memorial Coliseum essentially same as previous shn set, but with redundant, split China-Rider tacked onto d1; 9/01: noted at gdlive with incorrect info file and- d1.md5; see pub comments. ; upgrade in circulation notes
4986. 05/12/81 Flac 16 - 0, 101925 New Haven Veterans Memorial Coliseum flac16; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side (stage right) first-level riser, about half way back. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. 10/2009 notes
4987. 05/12/81 Flac 24/48 - 0, 101924 New Haven Veterans Memorial Coliseum flac24; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side (stage right) first-level riser, about half way back. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448. Transfer by Andrew F. 10/2009 notes
4988. 05/12/81 Flac 16 - 0, 118987 New Haven Veterans Memorial Coliseum flac16; Updated Source Info: Copy of source ID 1664: SBD> Master Cassette> Cassette > DAT> CDR (Had been marked: sbd> d-5sony> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8); Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
4989. 05/12/81 Flac 24/96 - 0, 139675 New Haven Veterans Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; behind stage; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes
4990. 05/12/81 Flac 16 - 0, 139674 New Haven Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; behind stage; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes
4991. 05/12/81 Flac 16 - 0, 139953 New Haven Veterans Memorial Coliseum flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
4992. 05/12/81 Flac 24/96 - 0, 139954 New Haven Veterans Memorial Coliseum flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
4993. 05/12/81 Flac 24/96 - 0, 149199 New Haven Veterans Memorial Coliseum flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496 notes
4994. 05/12/81 Flac 16/48 - 0, 149198 New Haven Veterans Memorial Coliseum flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
4995. 05/12/81 Flac 16/48 - , 153021 New Haven Veterans Memorial Coliseum flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
4996. 05/12/81 Flac 24/96 - , 153022 New Haven Veterans Memorial Coliseum flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
4997. 05/13/81 Flac 16 - 0, 86780 Providence Providence Civic Center flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
4998. 05/13/81 Flac 16 Mtx - 0, 87917 Providence Providence Civic Center flac16; Matrix 3 Source Mix - SBD (shn id 86780) SBD -> Master Cassette -> Reel -> Dat (48k) + AUD1 (shn id 8918) Nak 300's>MC>DAT>CDR + AUD2 Master VHS -> David Minor friend's 1st GEN VHS-> standalone dvd recorder - matrix mixing by Kevin Tobin notes
4999. 05/13/81 Shn - 0, 86947 Providence Providence Civic Center DTS Audio 5.1 - SBD (shn id 86780) SBD -> Master Cassette -> Reel -> Dat (48k) + AUD1 (shn id 8918) Nak 300's>MC>DAT>CDR + AUD2 Master VHS -> David Minor friend's 1st GEN VHS-> standalone dvd recorder - dts mixing by Kevin Tobin notes
5000. 05/13/81 Flac 2448 - 0, 102180 Providence Providence Civic Center flac24; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550. Mics on stand, 25th row right center. Taped by Tim Friend & Joe Morrone. MAC copied to 1st Gen Maxell XL-II 90's on Nakamichi 680ZX. Transfer: 1st Gen cassettes > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 10/09 notes
5001. 05/13/81 Flac 16 - 0, 119041 Providence Providence Civic Center flac16; lineage: nak 300 (fob)> d-5> mc tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8
Appears to be a copy of
SHN # 8918. Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
notes
5002. 05/13/81 Shn - 0, 8918 Providence Providence Civic Center Nak 300's>MC>DAT>CDR; Missing Mama Tried>Mexicali; via Paul B; Seeded to etree by Willy notes
5003. 05/13/81 Flac 24/96 - 0, 136723 Providence Providence Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; recorded from the floor; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes
5004. 05/13/81 Flac 16 - 0, 136724 Providence Providence Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; recorded from the floor; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes
5005. 05/13/81 Flac 24/96 - 0, 136723 Providence Providence Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; recorded from the floor; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes
5006. 05/13/81 Flac 16 - 0, 136724 Providence Providence Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; recorded from the floor; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes
5007. 05/13/81 Flac 16 - 0, 139955 Providence Providence Civic Center flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
5008. 05/13/81 Flac 24/96 - 0, 139957 Providence Providence Civic Center flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
5009. 05/13/81 Flac 16 - 0, 102181 Providence Providence Civic Center flac16; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550. Mics on stand, 25th row right center. Taped by Tim Friend & Joe Morrone. MAC copied to 1st Gen Maxell XL-II 90's on Nakamichi 680ZX. Transfer: 1st Gen cassettes > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 10/09 notes
5010. 05/13/81 Flac 16 Mtx - 0, 152426 Providence Providence Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 86780 & 136724. notes
5011. 05/15/81 Flac 16 - 0, 95751 Piscataway Athletic Center, Rutgers University flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes
5012. 05/15/81 Shn - 0, 30113 Piscataway Athletic Center, Rutgers University MAC>DAT>CD. Recording by Kenny Mance. AKG CE-1 microphones > Uher CR-240 cassette deck, no dolby, TDK SA C90 cassettes. audience cassette master recorded by Kenny Mance. Transfer: MAC > Uher CR-240 > Sony PCM-M1(2/05). Sony PCM-R500 > HHB CDR830plus > EAC > Sound Forge 5.0 > CD Wave 1.71 > cd. *1/2 step patch source: (downloaded 4/2005 from tol- gd1981-05-15.senn.munder.9008) fob Senn 421>Cm>Dat>CD (0 to 6:48). a-d transfer 2/05, editing, tracking and shn conversion by Anne Cohen 4/05. notes
5013. 05/15/81 Shn - 0, 9008 Piscataway Athletic Center, Rutgers University (FOB) Senn 421> Cm> Dat> CD; via Charlie Miller; Seeded to etree by Willy notes
5014. 05/15/81 Flac 16 Mtx - 0, 137907 Piscataway Athletic Center, Rutgers University flac16; 2 source matrix by Dusborne; Soundboard (Shnid:95751), Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k),Transfer Info:Dat (Sony D8) -> Samplitude Professional v9.11 -> Adobe Audition v1.5 -> FLAC; and Audience (shnid:30113), MAC>DAT>CD,AKG CE-1 microphones > Uher CR-240 cassette deck, no dolby, TDK SA C90 cassettes.audience cassette master recorded by Kenny Mance; Transfer: MAC > Uher CR-240 > Sony PCM-M1(2/05). Sony PCM-R500 > HHB CDR830plus > EAC > Sound Forge 5.0 > CD Wave 1.71 > cd notes
5015. 05/15/81 Flac 16 - 0, 86783 Piscataway Athletic Center, Rutgers University flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
5016. 05/15/81 Flac 16/48 - 0, 142953 Piscataway Athletic Center, Rutgers University flac16/48 Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard) Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496. Mastered by Scott Clugston. notes
5017. 05/15/81 Flac 24/96 - 0, 142954 Piscataway Athletic Center, Rutgers University flac24/96 Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard) Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496. Mastering by Scott Clugston. notes
5018. 05/15/81 Flac 16 Mtx - 0, 152448 Piscataway Athletic Center, Rutgers University flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 95751 & 142953. notes
5019. 05/16/81 Flac 16 Mtx - 0, 107484 Ithaca Barton Hall, Cornell University flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Soundtrack > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
5020. 05/16/81 Flac 16 - 0, 30647 Ithaca Barton Hall, Cornell University flac16; Set 1: SBD -> Master Cassette -> Reel -> Dat Set 2: SBD -> Master Cassette -> Dat Transferred and Edited By Charlie Miller notes
5021. 05/16/81 Flac 16 - 0, 28007 Ithaca Barton Hall, Cornell University flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape; Transferred Nak ZX7> CDR by Doug Mow; CDR> FLAC16, minor editing by Alex Ford notes
5022. 05/16/81 Shn - 0, 2212 Ithaca Barton Hall, Cornell University Recording by Jim Wise. FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise); etreed by Darrin Sacks; some clicking and analog dropouts- see flaw notes in info file; upgrade in circulation notes
5023. 05/16/81 Shn - 0, 14714 Ithaca Barton Hall, Cornell University Recording by Jim Wise. Main Source:FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise).(Previous SHN release); Patch Source: Eddie Claridge's 421 mics(set up on the SBD)>(Eddie's)D-5>(Jim Wise's)D-5>D-5>D-5>CDR ; Please see text file for further details on sources ; Via Torbjorn & Tommy Dunscuk ; Seeded to Etree by T. Wiley notes
5024. 05/16/81 Shn - 0, 2203 Ithaca Barton Hall, Cornell University Recording by Jim Wise. Senn 421 > Sony TC-D5 (way up high on a mic boom stand right at the Soundboard). Maxell XL-II, Dolby B master > Nak Dragon > hard disk (a > d using a Sony PCM R-700) > CDR; via Mike "Dank Star" Parrillo; upgrade in circulation notes
5025. 05/16/81 Flac 24/96 - 0, 139959 Ithaca Barton Hall, Cornell University flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; (3) Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
5026. 05/16/81 Flac 16 - 0, 139958 Ithaca Barton Hall, Cornell University flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; (3) Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
5027. 05/16/81 Flac 16/48 - 0, 142974 Ithaca Barton Hall, Cornell University flac16/48kHz; Set 2 Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony D3 (TDK-SA90); Transfer Info: Cassette Masters (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; ; 24-bit > 16-bit via dBpoweramp notes
5028. 05/16/81 Flac 24/96 - 0, 142973 Ithaca Barton Hall, Cornell University flac24; Set 2 Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony D3 (TDK-SA90); Transfer Info: Cassette Masters (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496 notes
5029. 05/16/81 Flac 24/48 - 0, 152450 Ithaca Barton Hall, Cornell University flac24/48 Recording Information: Microphones: Beyer m201c Recorder: Sony TC-D5 Dolby Location: worn in cowboy hat about 60-75' from stacks in Balcony This Source: 1GenAUDCA 1st Analog Transfer: Sony TC-D5 > Denon DR330 On Maxell UDXLII 90's Dolby B on Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC; speed corrected -.65% Recorded by: David Prescott Transfer by: Kyle Holbrook notes
5030. 05/16/81 Flac 16/44 - 0, 152449 Ithaca Barton Hall, Cornell University flac16/44 Recording Information: Microphones: Beyer m201c Recorder: Sony TC-D5 Dolby Location: worn in cowboy hat about 60-75' from stacks in Balcony This Source: 1GenAUDCA 1st Analog Transfer: Sony TC-D5 > Denon DR330 On Maxell UDXLII 90's Dolby B on Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC; speed corrected -.65% Recorded by: David Prescott Transfer by: Kyle Holbrook notes
5031. 05/17/81 Flac 16 - 0, 112865 Syracuse Onondaga County War Memorial flac16;set2: Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller notes
5032. 05/17/81 Flac 16 - 0, 27974 Syracuse Onondaga County War Memorial flac16; Recording by Doug Mow. 2 Nak CM300 (DIN, TS) > Sony TC-D5M > Maxell MX tape; Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC16; Minor editing and EAC> FLAC16 by Alex Ford notes
5033. 05/17/81 Shn - 0, 9000 Syracuse Onondaga County War Memorial Possible Jim Wise Recording: AUD>MC>SF>CDR; via Paul B; Seeded to etree by Willy notes
5034. 05/17/81 Flac 24/96 - 0, 139961 Syracuse Onondaga County War Memorial flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
5035. 05/17/81 Flac 16 - 0, 139960 Syracuse Onondaga County War Memorial flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
5036. 05/17/81 Flac 16/48 - 0, 143036 Syracuse Onondaga County War Memorial flac16/48kHz; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5037. 05/17/81 Flac 24/96 - 0, 143035 Syracuse Onondaga County War Memorial flac24; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes
5038. 05/17/81 Flac 24/48 - 0, 152452 Syracuse Onondaga County War Memorial flac24/48 Recording Information: Microphones: Beyer M 300n Recorder: Nakamichi 550 Location: unknown This Source: 2Gen AUDCA 1st Analog Transfer: Nakamichi 550 >Sony TC-D5 2nd Analog Transfer: Sony TC-D5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes
5039. 05/17/81 Flac 16/44 - 0, 152451 Syracuse Onondaga County War Memorial flac16/44 Recording Information: Microphones: Beyer M 300n Recorder: Nakamichi 550 Source: 1st Analog Transfer: Nakamichi 550 >Sony TC-D5 2nd Analog Transfer: Sony TC-D5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes
5040. 07/02/81 Flac 16 - 0, 134520 Houston The Summit flac16; Source: 1st Set AUD tape kindly provided by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 notes
5041. 07/02/81 Flac 16 - 0, 134521 Houston The Summit flac16; 2nd Set AUD: Unknown Mics > lead deck > Sony TC-D5 > Hitachi ME Metal tape, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 notes
5042. 07/02/81 Flac 24/48 - 0, 134522 Houston The Summit flac24; 2nd Set AUD: Unknown Mics > lead deck > Sony TC-D5 > Hitachi ME Metal tape, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015 notes
5043. 07/02/81 Shn - 0, 9828 Houston The Summit Senn 421's>MC>DAT>CD; Missing US Blues Encore; via Paul B; Seeded to etree by Willy notes
5044. 07/02/81 Flac 16/48 - , 152646 Houston The Summit flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony TC-D5M (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
5045. 07/02/81 Flac 24/96 - , 152547 Houston The Summit flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony TC-D5M (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
5046. 07/04/81 Flac 16 - 0, 110199 Austin Manor Downs flac16; Recording Info:SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat -> Samplitude Professional 11.1 -> Adobe Audition v3.0 -> FLAC; Transferred By Joe Samaritano; Mastered By Charlie Miller notes
5047. 07/04/81 Flac 24/48 - 0, 134381 Austin Manor Downs flac24; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLIIS-90's, FOB recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015 notes
5048. 07/04/81 Flac 16 - 0, 134382 Austin Manor Downs flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLIIS-90's, FOB recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015 notes
5049. 07/04/81 Flac 16 - 0, 102022 Austin Manor Downs flac16; Nakamichi CM-300 Shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris notes
5050. 07/04/81 Shn - 0, 21802 Austin Manor Downs Recording Info:SBD -> Cassette Master -> Dat -> ZA2 -> SHN (Transfered By Joe Samaritano). Patch Notes: (FOB) Nakamichi 700 -> Cassette Master -> Cassette -> Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> SHN (Transfered By Charlie Miller). Patched and Edited By Charlie Miller ; upgrade in circulation notes
5051. 07/04/81 Shn - 0, 2216 Austin Manor Downs Master FOB Audience Cassette: Nakamichi CM700 mics > Sony D5 > DAT > CDR; via Scott Clugston notes
5052. 07/04/81 Flac 16/48 - 0, 140286 Austin Manor Downs flac16/48kHz; Source Info: Jim Vita's Master (FOB) Audience Cassette; Nakamichi CM300 mics > Sony TC-D5 > Dat 16/48; Transfer Info: Dat 16/48 (Sony PCM-R500) > Tascam DA-3000 16/48 > Adobe Audition 3.0 > TLH flac16/48 notes
5053. 07/04/81 Flac 16 - 0, 30151 Austin Manor Downs flac16; SBD -> Cassette Master -> Dat (48k) Transferred By Joe Samaritano Patched and Edited By Charlie Miller notes
5054. 07/04/81 Flac 16/48 - , 152649 Austin Manor Downs flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony TC-D5M (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
5055. 07/04/81 Flac 24/96 - , 152650 Austin Manor Downs flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony TC-D5M (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
5056. 07/04/81 Flac 16/44 - , 155432 Austin Manor Downs flac16/44 Master Cassettes recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Sony TC-D5M Cassette Deck (Maxell XLII-S 90 Cassettes with Dolby B) Transfer: Anne Cohen: AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR-800 > CD Ohr: CD > EAC > WAV > FLAC notes
5057. 07/05/81 Flac 16 - 0, 109639 Oklahoma City Zoo Amphitheater flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a remaster of shnid=30648 notes
5058. 07/05/81 Flac 16/48 - 0, 132362 Oklahoma City Zoo Amphitheater flac16/48kHz; Set 2 Cassette Audience Master recorded by Ohr Weinberg FOB DFC; Sony ECM23-F Electret Condenser Microphones-Nakamichi 550 Cassette Recorder; Analog to Digital Transfer-Dolby B Decoded Master played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 48KHz; DAT Master played back on a Sony PCM R-500- Digital Audio Labs Carddeluxe-WAV 16/48; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name) notes
5059. 07/05/81 Flac 24/48 - 0, 135205 Oklahoma City Zoo Amphitheater flac24; 2nd Set Aud: Nakamichi Cm300/cp4 Shotguns > Unknown Lead Deck > Sony Tc-d5m > Hitachi Me-metal, Fob Recording By Brian Schley. Transfer: Mac > Nakamichi Cr-5a > Edirol Fa-66 > Wavelab 2448 > Cd-wave (24bit Output) > Tlh > Flac 2448 Tagged. Transferred By Andrew F. 02/2016 notes
5060. 07/05/81 Flac 16 - 0, 135206 Oklahoma City Zoo Amphitheater flac16; 2nd Set AUD: Nakamichi CM300/CP4 shotguns > unknown lead deck > Sony TC-D5M > Hitachi ME-Metal, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2016 notes
5061. 07/05/81 Flac 16 - 0, 30648 Oklahoma City Zoo Amphitheater flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller notes
5062. 07/05/81 Shn - 0, 9126 Oklahoma City Zoo Amphitheater Nak CM700?s> Sony D-5> MC> DAT> CD; via Paul B; Seeded to etree by Willy notes
5063. 07/05/81 Flac 16 - 0, 109861 Oklahoma City Zoo Amphitheater flac16; Set 2 only, audience tape trade cdrs -> flac notes
5064. 07/05/81 Flac 24/96 - , 152669 Oklahoma City Zoo Amphitheater flac24/96 Source Info: Jim Vita's Master Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
5065. 07/05/81 Flac 16/48 - , 152668 Oklahoma City Zoo Amphitheater flac16/48 Source Info: Jim Vita's Master Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
5066. 07/07/81 Flac 16 - 0, 109850 Kansas City Kansas City Municipal Auditorium Arena flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat; Transfer Info: Dat (sony R500) -> Samplitude Professional V11.1 -> Adobe Audition V3.0 -> Flac; All Transfers And Mastering By Charlie Miller; This Is A Remaster Of Shnid=30649 notes
5067. 07/07/81 Flac 16 Mtx - 0, 110637 Kansas City Kansas City Municipal Auditorium Arena flac16; Matrix 60% sbd/40% aud SBD -> Cassette Master -> Reel -> Dat (shnid 109850) and Aud (Neumann KMi84's)>MC>DAT>CD (shnid 13962) notes
5068. 07/07/81 Flac 16 - 0, 30649 Kansas City Kansas City Municipal Auditorium Arena flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller notes
5069. 07/07/81 Flac 24/48 - 0, 134089 Kansas City Kansas City Municipal Auditorium Arena flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2015 notes
5070. 07/07/81 Flac 16 - 0, 134090 Kansas City Kansas City Municipal Auditorium Arena flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015 notes
5071. 07/07/81 Shn - 0, 7292 Kansas City Kansas City Municipal Auditorium Arena 1st Set Only; SBD> Cm> Reel> Dat> CD via Charlie Miller; Seeded to etree by Willy ; upgrade in circulation notes
5072. 07/07/81 Shn - 0, 13962 Kansas City Kansas City Municipal Auditorium Arena Complete; Aud (Neumann KMi84's)>MC>DAT>CD; via Tommy Danscuk; Seeded to etree by Willy notes
5073. 07/08/81 Flac 24/48 - 0, 134091 St. Louis Kiel Auditorium flac24; AUD: Nakamichi CM300's > lead deck > Sony TC-D5 > Maxell XLII's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2015 notes
5074. 07/08/81 Flac 16 - 0, 134092 St. Louis Kiel Auditorium flac16; AUD: Nakamichi CM300's > lead deck > Sony TC-D5 > Maxell XLII's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015 notes
5075. 07/08/81 Shn - 0, 13301 St. Louis Kiel Auditorium (FOB) Neumann KM84>Cm>Dat>Cool Edit Pro>CD; via Charlie Miller; Seeded to etree by Willy notes
5076. 07/08/81 Flac 24/96 - 0, 139980 St. Louis Kiel Auditorium flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
5077. 07/08/81 Flac 16 - 0, 139979 St. Louis Kiel Auditorium flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
5078. 07/10/81 Shn - 0, 7314 St. Paul St. Paul Civic Center Originally mislabeled as "Behind (Stage) Nak 300/cp1>Cm>Cass>Dat>CD; via Charlie Miller; Seeded to etree by Willy", actually (FOB) Sennheiser 421; upgrade in circulation notes
5079. 07/10/81 Flac 16 - 0, 135490 St. Paul St. Paul Civic Center flac16; AUD: Unknown mics & lead deck > Sony TC-D5 > Maxell XLII-S 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016 notes
5080. 07/10/81 Shn - 0, 14195 St. Paul St. Paul Civic Center Recording by Ohr Weinberg. MAC w/ Sony ECM F's BOS>Sony TC-D5M>DAT>CDR>EAC>SHN notes
5081. 07/10/81 Flac 16 - 0, 32880 St. Paul St. Paul Civic Center flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
5082. 07/10/81 Flac 24/48 - 0, 137693 St. Paul St. Paul Civic Center flac24; 2nd Set AUD: Nakamichi CM-700's > lead deck > Sony TC-D5 > TDK MA-Metal, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017 notes
5083. 07/10/81 Flac 16 - 0, 137694 St. Paul St. Paul Civic Center flac16; 2nd Set AUD: Nakamichi CM-700's > lead deck > Sony TC-D5 > TDK MA-Metal, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017 notes
5084. 07/10/81 Flac 16/48 - 0, 141430 St. Paul St. Paul Civic Center flac16/48kHz; Unknown audience > DAT @ 16/48; Editing, volume adjustments, fades and tracking with Audacity; Tagged with mp3tag; flac level 8 and checksums with traderslittlehelper notes
5085. 07/10/81 Flac 16/48 - , 152767 St. Paul St. Paul Civic Center flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics (behind the stage, patched out of John Steinthal)> Sony TC-D5M (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
5086. 07/10/81 Flac 24/96 - , 152768 St. Paul St. Paul Civic Center flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics (behind the stage, patched out of John Steinthal)> Sony TC-D5M (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
5087. 07/11/81 Shn - 0, 14020 East Troy Alpine Valley Music Theatre Set 2; S : MC > C > D > CDR > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. notes
5088. 07/11/81 Flac 16 - 0, 122830 East Troy Alpine Valley Music Theatre flac16; Partial 2 song Matrix by Hunter Seamons; Soundboard recording by Dan Healy; Audience recording transferred by Rick Martin notes
5089. 07/11/81 Shn - 0, 7370 East Troy Alpine Valley Music Theatre Senn 421>CM>DAT>CD; via Rick Martin; Seeded to etree by Willy notes
5090. 07/13/81 Shn - 0, 3903 Denver McNichols Sports Arena SBD; via Mike Lai notes
5091. 07/13/81 Flac 16 - 0, 128714 Denver McNichols Sports Arena flac16; Recording and transfer info: SBD > MC? > C? > C? > C > CD; CD > wav > Sound Forge 10 > TLH > fla notes
5092. 07/13/81 Flac 16 - 0, 130172 Denver McNichols Sports Arena flac16; Set 2 Lineage: from Sandy Troy's reel through the kindness of Charlie Miller - SBD MC > R?? Maybe one more gen in there; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC notes
5093. 07/13/81 Flac 24 - 0, 135739 Denver McNichols Sports Arena flac24; AUD: Nakamichi CM300/CP4 shotguns > unknown lead deck > Sony TC-D5M > Maxell XLII's, FOB(?) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2016 notes
5094. 07/13/81 Flac 16 - 0, 135740 Denver McNichols Sports Arena flac16; AUD: Nakamichi CM300/CP4 shotguns > unknown lead deck > Sony TC-D5M > Maxell XLII's, FOB(?) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2016 notes
5095. 07/13/81 Flac 24/96 - 0, 130034 Denver McNichols Sports Arena flac24; Set 2 Lineage: from Sandy Troy's reel - SBD MC > R?? Maybe one more gen; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC (originally seeded with files mislabeled "gd1981-07-31") notes
5096. 07/13/81 Flac 16 - 0, 138742 Denver McNichols Sports Arena flac16; source: SBD; Jerry Moore’s 2nd gen cassette; maxell mx90’s/dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac16; transfer & mastering - Rob Berger 7/2017 notes
5097. 07/13/81 Flac 24/96 - 0, 138741 Denver McNichols Sports Arena flac24; source: SBD; Jerry Moore’s 2nd gen cassette; maxell mx90’s/dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac24; transfer & mastering - Rob Berger 7/2017 notes
5098. 07/13/81 Flac 16 - 0, 141402 Denver McNichols Sports Arena flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90) > Frank Streeter's Reel to Reel @ 3.75 ips (Sony TC770/Maxell UD35-90B) > Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
5099. 07/13/81 Flac 16 - , 155435 Denver McNichols Sports Arena flac16/44 Master Cassettes recorded by Ohr Weinberg: 2 Nakamichi CM-100 microphones w/ CP-4 Shotgun Capsules > Sony TC-D5M Cassette Deck (1st Set: Maxell XLII-S 90 Cassette, 2nd Set: TDK MA-C90 Cassette), Dolby B Transfer: Anne Cohen: AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR-800 > CD Ohr: CD > EAC > WAV > FLAC notes
5100. 07/14/81 Flac 24/48 - 0, 135808 Denver McNichols Sports Arena flac24; AUD: Nakamichi CM100/CP4 shotguns > unknown lead deck > Sony TC-D5M > TDK MA-Metal, FOB(?) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2016 notes
5101. 07/14/81 Flac 16 - 0, 135809 Denver McNichols Sports Arena flac16; AUD: Nakamichi CM100/CP4 shotguns > unknown lead deck > Sony TC-D5M > TDK MA-Metal, FOB(?) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2016 notes
5102. 07/14/81 Shn - 0, 9794 Denver McNichols Sports Arena AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy notes
5103. 07/14/81 Flac 16/48 - , 152844 Denver McNichols Sports Arena flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
5104. 07/14/81 Flac 24/96 - , 152845 Denver McNichols Sports Arena flac24/96 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
5105. 08/12/81 Shn - 0, 10548 Salt Lake City Salt Palace SBD>MC>R>DAT>CDR (with unknown aud patches); See info file for details; via paul B; Seeded to etree by Willy notes
5106. 08/12/81 Flac 16 - 0, 130235 Salt Lake City Salt Palace flac16; Recording Info: SBD > MC > R > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC notes
5107. 08/12/81 Flac 16 - 0, 95346 Salt Lake City Salt Palace flac16; Source: aud > ??? > cass (unknown gens) Transfer: cass > Nakamichi BE-125E > EMU 0202 > Wavelab > wav (24/96) > flac notes
5108. 08/12/81 Flac 16/48 - 0, 139593 Salt Lake City Salt Palace flac16/48kHz; Recording Info: SBD > Cassette Master (Sony TC-D5M) > Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes
5109. 08/12/81 Flac 24/96 - 0, 139592 Salt Lake City Salt Palace flac24; Partial Show; Monitor Mix sbd [Jerry's side]; Source: sbd > > Sony TC-D5 > Master Cassettes; Transfer: Clone [Maxell MX90 Cassette] > Nakamichi CR-3A > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Recording Mode: LPCM [wav] 96.00kHz/24bit; Lineage: 96.00kHz/24bit wav > Adobe Audition 3.0. > WaveLab6 > iZotope Ozone 3 > CD Wave > TLH > Flac 24 notes
5110. 08/12/81 Flac 24/96 - 0, 142956 Salt Lake City Salt Palace flac24/96 Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) Transfer Info: 1st generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496. Mastered by Scott Cluston. notes
5111. 08/12/81 Flac 16/48 - 0, 142955 Salt Lake City Salt Palace flac16/48 Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) Transfer Info: 1st generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496. Mastered by Scott Clugston. notes
5112. 08/12/81 Flac 24/96 - , 153257 Salt Lake City Salt Palace flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sony Stereo mic > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
5113. 08/12/81 Flac 16/48 - , 153256 Salt Lake City Salt Palace flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sony Stereo mic > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
5114. 08/14/81 Flac 16 - 0, 134817 Seattle Seattle Center Coliseum flac16; Set 2 AUD: Unknown mics > unknown lead deck > Sony TC-D5 > Maxell MX, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2015 notes
5115. 08/14/81 Flac 16 - 0, 91768 Seattle Seattle Center Coliseum flac16; Recorded by Mark Severson; 3 Nak 700s with 2 carcoid, center omni head> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 45' from stage center Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
5116. 08/14/81 Shn - 0, 8213 Seattle Seattle Center Coliseum NAK 700's>Sony TC-D5M>MC>R>DAT>CDR; Seeded to etree by Tony Gardner notes
5117. 08/14/81 Flac 16/48 - 0, 152262 Seattle Seattle Center Coliseum flac16/48 Source Info: Mark Severson's Master (FOB) Audience Cassettes (45' from stage, center); (2) Nakamichi 700 cardioid mics (L/R) + (1) Nakamichi 700 omni (center) blend, mounted on a hand held pole > unknown equalizer > Sony D5M (Maxell MX-90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
5118. 08/14/81 Flac 24/96 - 0, 152263 Seattle Seattle Center Coliseum flac24/96 Source Info: Mark Severson's Master (FOB) Audience Cassettes (45' from stage, center); (2) Nakamichi 700 cardioid mics (L/R) + (1) Nakamichi 700 omni (center) blend, mounted on a hand held pole > unknown equalizer > Sony D5M (Maxell MX-90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
5119. 08/15/81 Flac 16 - 0, 91771 Portland Portland Memorial Coliseum flac16; Recorded by Mark Severson; 3 Nak 700s with 2 carcoid, center omni head> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 35' from stage, left side Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
5120. 08/15/81 Shn - 0, 11022 Portland Portland Memorial Coliseum Recording by Mark Severson. 3 Nak 700s>Sony D5M>MC>Reel>CDR; Distortion throughout first three songs; See info file for details; via David Minches & Paul B; Seeded to etree by Willy notes
5121. 08/16/81 Flac 16 - 0, 32019 Eugene McArthur Court, University Of Oregon flac16; SBD > ? > (Cx?) > CDR > EAC > WAV > WavMerge > Soundforge > CD-Wave > TLH (for checksums and SBE-OK) > FLAC Frontend notes
5122. 08/16/81 Flac 24/48 - 0, 135516 Eugene McArthur Court, University Of Oregon flac24; AUD: Nakamichi CM300/CP4 shotguns > lead Sony D5 > Sony TC-D5M > Maxell MX-90's, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2016 notes
5123. 08/16/81 Flac 16 - 0, 135517 Eugene McArthur Court, University Of Oregon flac16; AUD: Nakamichi CM300/CP4 shotguns > lead Sony D5 > Sony TC-D5M > Maxell MX-90's, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016 notes
5124. 08/16/81 Flac 16 - 0, 94900 Eugene McArthur Court, University Of Oregon flac16; Recording Info:Nakamichi 300 -> Master Cassette -> Dat -> CD -> SHN; Transfer Info:SHN -> Adobe Audition v1.5 -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller notes
5125. 08/16/81 Shn - 0, 9381 Eugene McArthur Court, University Of Oregon Recording by Jim Vita. Nakamichi CM300 mics with shotgun capsules >Sony TC-D5m cassette > HHb 800 master CD > SV-3800 DAT > CD (originally noted as Nak 300's>MC>DAT>CDR) notes
5126. 08/16/81 Flac 16 - 0, 148439 Eugene McArthur Court, University Of Oregon flac16; This is a remaster of the source ID 32019 soundboard source: Sbd > ? > CDR > EAC; see info file for details notes
5127. 08/16/81 Flac 16/48 - , 153276 Eugene McArthur Court, University Of Oregon flac16/48 Source Info: Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLII-S) Transfer Info: Master cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
5128. 08/16/81 Flac 24/96 - , 153277 Eugene McArthur Court, University Of Oregon flac24/96 Source Info: Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLII-S) Transfer Info: Master cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
5129. 08/27/81 Shn - 0, 4977 Long Beach Long Beach Arena FOB (unknown mics)> Master Cassette> DAT> CDR; processed with DC ART Millenium software; DAE(EAC) and SHN Encoding by Jeff M. notes
5130. 08/27/81 Flac 24/96 - 0, 139525 Long Beach Long Beach Arena flac24; Frank Streeter FOB Recording: Sennheiser 421 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
5131. 08/27/81 Flac 16 - 0, 141134 Long Beach Long Beach Arena flac16; Frank Streeter FOB Recording: Sennheiser 421 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
5132. 08/27/81 Flac 24/96 - 0, 149184 Long Beach Long Beach Arena flac24; Recording: (FOB) Sennheiser 421 > Cassette Master (Sony TC-D5M); Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Master Cassette Recording by Frank Streeter notes
5133. 08/27/81 Flac 16/48 - , 153334 Long Beach Long Beach Arena flac16/48 Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLII-S) Transfer Info: Master cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5134. 08/27/81 Flac 24/96 - , 153335 Long Beach Long Beach Arena flac24/96 Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLII-S) Transfer Info: Master cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5135. 08/28/81 Flac 16 - 0, 113680 Long Beach Long Beach Arena flac16; Recording Info: SBD -> Cassette Master -> ? -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
5136. 08/28/81 Flac 16 Mtx - 0, 92893 Long Beach Long Beach Arena flac16; Matrix Mix - SBD Source: SBD>?>CD>WAV (100%) and AUD Source: MAC>DAT>CD>WAV (50%) 2008 Update: Encore Source: Barry Glassberg's master audience recording. Matrix by PainoMan notes
5137. 08/28/81 Shn - 0, 8670 Long Beach Long Beach Arena SBD>?>CD>EAC 0.9b3 (Secure Mode)>Sound Forge 4.5>CDWave 1.7>MKWact 0.97b1 (Seeking SHN); Seeded to etree by PainoMan ; upgrade in circulation notes
5138. 08/28/81 Flac 16 - 0, 91231 Long Beach Long Beach Arena flac16 MOTB Release:0065 - 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell XLIIS 90 Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Ron Ellner MAC Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Adam Egert (EQU) Mastering By: Bill Koucky (Edits/Tracking) notes
5139. 08/28/81 Shn - 0, 9572 Long Beach Long Beach Arena SBD>?>CD; w/ patches from AUD>MC>DAT>CD; upgrade to previous Paino seed; via Willy; Chris Cantergiani; Seeded to etree by PainoMan notes
5140. 08/28/81 Flac 24/96 - 0, 139526 Long Beach Long Beach Arena flac24; Frank Streeter FOB Recording: Sennheiser 421 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
5141. 08/28/81 Flac 16 - 0, 141136 Long Beach Long Beach Arena flac16; Frank Streeter FOB Recording: Sennheiser 421 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
5142. 08/28/81 Flac 24/96 - 0, 149185 Long Beach Long Beach Arena flac24; Recording: (FOB) Sennheiser 421 > Cassette Master (Sony TC-D5M); Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Master Cassette Recording by Frank Streeter notes
5143. 08/28/81 Flac 16/48 - , 153336 Long Beach Long Beach Arena flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 304 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5144. 08/28/81 Flac 24/96 - , 153337 Long Beach Long Beach Arena flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 304 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5145. 08/30/81 Flac 16 - 0, 105216 Tempe Compton Terrace Amphitheatre flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of shnid 30118 notes
5146. 08/30/81 Flac 16 - 0, 30118 Tempe Compton Terrace Amphitheatre flac16; SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD Transferred and Edited By Charlie Miller notes
5147. 08/30/81 Flac 16 - 0, 104973 Tempe Compton Terrace Amphitheatre flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes
5148. 08/30/81 Flac 24/96 - 0, 136727 Tempe Compton Terrace Amphitheatre flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; set up left of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes
5149. 08/30/81 Flac 16 - 0, 136728 Tempe Compton Terrace Amphitheatre flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; set up left of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger notes
5150. 08/30/81 Shn - 0, 9707 Tempe Compton Terrace Amphitheatre FOB Senn 441's>SonyTC-150>CM>DAT>CD; via Mike Rogers; Seeded to etree by Willy notes
5151. 08/30/81 Flac 24/96 - 0, 104976 Tempe Compton Terrace Amphitheatre flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/24; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes
5152. 08/30/81 Flac 24/96 - 0, 139997 Tempe Compton Terrace Amphitheatre flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
5153. 08/30/81 Flac 16 - 0, 139996 Tempe Compton Terrace Amphitheatre flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
5154. 08/30/81 Flac 24/96 - 0, 144668 Tempe Compton Terrace Amphitheatre flac24; Source Info: Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
5155. 08/30/81 Flac 16/48 - 0, 144667 Tempe Compton Terrace Amphitheatre flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5156. 08/30/81 Flac 16 - 0, 78602 Tempe Compton Terrace Amphitheatre flac16; Pitch and tempo adjusted version of shn id 30118 by JR Fishman to 96.92% using audience recording notes
5157. 08/30/81 Flac 24/96 - , 152724 Tempe Compton Terrace Amphitheatre flac24/96 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
5158. 08/30/81 Flac 16/48 - , 152723 Tempe Compton Terrace Amphitheatre flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
5159. 08/31/81 Flac 16 - 0, 110200 Las Vegas Aladdin Theater flac16; Recording Info:SBD -> Cassette Master -> ? -> Cassette -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
5160. 08/31/81 Flac 16 Mtx - 0, 122085 Las Vegas Aladdin Theater flac16; 2 source matrix: Soundboard (shnid=110200) SBD -> Cassette Master -> ? -> Cassette -> CD -> Adobe Audition v3.0 -> Samplitude Professional and Audience (shnid=91893) from 1st gen cassette, unknown mics, unknown recorder; unknown taper notes
5161. 08/31/81 Flac 16 - 0, 91893 Las Vegas Aladdin Theater flac16; Audience from 1st gen cassette unknown mics unknown recorder unknown taper unknown transfer notes
5162. 08/31/81 Shn - 0, 9619 Las Vegas Aladdin Theater AUD>MC>DAT>CDR; Certified Owens Brothers Vault Release, processed with DC Art Millenium Software on a Dell Optiplex GX300 Workstation; via Paul B; Seeded to etree by Willy notes
5163. 08/31/81 Flac 24/96 - 0, 140007 Las Vegas Aladdin Theater flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
5164. 08/31/81 Flac 16 - 0, 140006 Las Vegas Aladdin Theater flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
5165. 08/31/81 Flac 16 - 0, 30070 Las Vegas Aladdin Theater flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller Patch Info: The beginning of Stranger and the middle Of Dew through the end of the show are patched with AUD>Cm>DAT>CD (shnid=9619). notes
5166. 08/31/81 Flac 24/96 - 0, 144666 Las Vegas Aladdin Theater flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90); Transfer Info:Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
5167. 08/31/81 Flac 16/48 - 0, 144665 Las Vegas Aladdin Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90); Transfer Info:Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5168. 08/31/81 Flac 16/48 - , 153343 Las Vegas Aladdin Theater flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
5169. 08/31/81 Flac 24/96 - , 153344 Las Vegas Aladdin Theater flac24/96 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
5170. 09/11/81 Flac 16 - 0, 95290 Berkeley Greek Theatre, University Of California flac16; Source: Audience Recording Lineage: 3 Nakamich 700's (left and right Cardiod at 100 Deg, center omni 45 deg up) 45 feet from stage, dead center > Hand made 3 mic mixer > Sony D5 > MAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > WL 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH) notes
5171. 09/11/81 Flac 16 - 0, 95743 Berkeley Greek Theatre, University Of California flac16; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-D5M/Maxell UDXLII); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded by Joani Walker; All Transfers and Mastering By Charlie Miller notes
5172. 09/11/81 Shn - 0, 7090 Berkeley Greek Theatre, University Of California Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5,(see Jim Wise notes in info file); d3 tracked for 80 min; via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy notes
5173. 09/11/81 Flac 16 - 0, 31791 Berkeley Greek Theatre, University Of California flac16; 2 nak 300 mics>Sony TC-5m(Dolby B)>Nak Dragon(dolby decoded)>Panasonic 3800 DAT (A-D)>Soundforge-CD Architect>cdr>roxio toast>Apple G4(Xact); Recorded by Ned Hoey notes
5174. 09/11/81 Flac 24 - 0, 123665 Berkeley Greek Theatre, University Of California flac24; Recorded, Transferred and Mastered by N. Hoey (tagged version) 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK SA-X C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging) notes
5175. 09/11/81 Flac 16 - 0, 125676 Berkeley Greek Theatre, University Of California flac16; Recorded, Transferred and Mastered by N. Hoey (tagged version)(flac16); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK SA-X C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing, sample rate conversion, dithering) > xACT (flac-tagging) notes
5176. 09/11/81 Flac 24/96 - 0, 148624 Berkeley Greek Theatre, University Of California flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right, omni center, 45' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
5177. 09/11/81 Flac 16/48 - 0, 148623 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 80 degree angle; 6db bass EQ, omni center pointed straight at stage, 45' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5178. 09/12/81 Flac 16 - 0, 125697 Berkeley Greek Theatre, University Of California flac16;Recorded, Transferred and Mastered by N. Hoey (shnid 123788)(tagged version) 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(tracks 01-13, 22 TDK SA-X C 90 ~ tracks 14-21, 23,24 Maxell UDXL II C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing, sample rate conversion, dithering) > xACT (flac-tagging) notes
5179. 09/12/81 Flac 16 - 0, 95391 Berkeley Greek Theatre, University Of California flac16; Source: Audience Recording Lineage: 3 Nakamichi 700's (l & R-Cross Cardiod, 6db Bass EQ, 75 Deg angle, center-omni straight at stage, 40 deg up) 40 feet from stage, dead center > 3 mic mixer(made by Jamie Poris) > Sony D5 > MAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH) notes
5180. 09/12/81 Flac 16 - 0, 105584 Berkeley Greek Theatre, University Of California flac16;Recording Info:Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller notes
5181. 09/12/81 Flac 16 - 0, 95671 Berkeley Greek Theatre, University Of California flac16; Recording Info:(FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-D5M/Maxell UDXLII); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recoded by Joani Walker; All Transfers and Mastering By Charlie Miller notes
5182. 09/12/81 Shn - 0, 7091 Berkeley Greek Theatre, University Of California Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5, (see Jim Wise's notes in info file); d3 tracked for 80 min; via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy notes
5183. 09/12/81 Shn - 0, 23658 Berkeley Greek Theatre, University Of California This is the same as shnid 7091 with Good Lovin' added (from an alternate aud source) so that the show is now complete via SIRMick(thedarkstar@btinternet.com) notes
5184. 09/12/81 Flac 16 - 0, 23729 Berkeley Greek Theatre, University Of California flac16; Recording by Steven Martin. Master audience cassette (modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding notes
5185. 09/12/81 Shn - 0, 25317 Berkeley Greek Theatre, University Of California Recording by Jim Wise. FOB Senn 421s > Sony TC-D5 > MAC (Maxell XL II 90, Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV (no processing!) > CD > EAC > WAV > SHN. Transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs notes
5186. 09/12/81 Flac 16 - 0, 101497 Berkeley Greek Theatre, University Of California flac16; Recording info: 2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(TDK SA-X 90, Maxell UDXL-II 90 'Estimated thru Baby Bloe') Playback, Editing, Preparation info: Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact notes
5187. 09/12/81 Flac 24 - 0, 123788 Berkeley Greek Theatre, University Of California flac24; Recorded, Transferred and Mastered by N. Hoey (shnid 123665)(tagged version); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(tracks 01-13, 22 TDK SA-X C 90 ~ tracks 14-21, 23,24 Maxell UDXL II C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging) notes
5188. 09/12/81 Flac 24/96 - 0, 142835 Berkeley Greek Theatre, University Of California flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes
5189. 09/12/81 Flac 16/48 - 0, 142836 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5190. 09/12/81 Flac 24/96 - 0, 148626 Berkeley Greek Theatre, University Of California flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 75 degree angle; 6db bass EQ, omni center pointed straight at stage, 40' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
5191. 09/12/81 Flac 16/48 - 0, 148625 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 75 degree angle; 6db bass EQ, omni center pointed straight at stage, 40' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5192. 09/13/81 Flac 16 - 0, 32576 Berkeley Greek Theatre, University Of California flac16; Set 1: SBD -> Cassette Master -> ? -> Cassette -> Sound Forge -> CD Set 2: SBD -> Cassette Master -> Cassette All Transfers and Mastering By Charlie Miller notes
5193. 09/13/81 Flac 16 - 0, 95425 Berkeley Greek Theatre, University Of California flac16; Source: Audience Recording Lineage: 3 Nakamichi 700's (l & R-Cross Cardiod, 6db Bass EQ, 80 Deg angle, center-omni straight at stage) 45 feet from stage, dead center > 3 mic mixer(made by Jamie Poris) > Sony D5 > MAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH) notes
5194. 09/13/81 Flac 24 - 0, 125670 Berkeley Greek Theatre, University Of California flac24; Recorded, Transferred and Mastered by N. Hoey (tagged version); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B) (tracks 01-11 TDK SA-X C 90 ~ tracks 14-26 Maxell UDXL IIS C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging) notes
5195. 09/13/81 Flac 16 - 0, 105585 Berkeley Greek Theatre, University Of California flac16;Recording Info:Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller notes
5196. 09/13/81 Flac 16 - 0, 103437 Berkeley Greek Theatre, University Of California flac16; Recording Info:Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes
5197. 09/13/81 Shn - 0, 32132 Berkeley Greek Theatre, University Of California Set 1 Soundboard of unknown lineage. Transfer: Cassette > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH (SBE-OK, FLAC compression, checksums) > bt.etree 01/06. ; upgrade in circulation notes
5198. 09/13/81 Shn - 0, 7092 Berkeley Greek Theatre, University Of California Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5, (see Jim Wise's notes in info file); via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy notes
5199. 09/13/81 Flac 24/96 - 0, 140011 Berkeley Greek Theatre, University Of California flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
5200. 09/13/81 Flac 24/96 - 0, 140012 Berkeley Greek Theatre, University Of California flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
5201. 09/13/81 Flac 16/48 - 0, 148627 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 80 degree angle; 6db bass EQ, omni center pointed straight at stage, 45' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5202. 09/13/81 Flac 24/96 - 0, 148628 Berkeley Greek Theatre, University Of California flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 80 degree angle; 6db bass EQ, omni center pointed straight at stage, 45' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
5203. 09/13/81 Flac 24/96 - 0, 148724 Berkeley Greek Theatre, University Of California flac24; Source Info: Master Soundboard Cassette > Cassette; Transfer Info: 1st generation cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
5204. 09/13/81 Flac 16/48 - 0, 148723 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Master Soundboard Cassette > Cassette; Transfer Info: 1st generation cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5205. 09/25/81 Flac 16 - 0, 88822 Bethlehem Stabler Arena, Lehigh University flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller notes
5206. 09/25/81 Shn - 0, 2215 Bethlehem Stabler Arena, Lehigh University Master Soundboard Cassette > Cassette > CDR, with AUD patches from Sennheiser 441 and Nakamichi CM300's + CP4's; via Scott Clugston; see extensive notes in info file ; upgrade in circulation notes
5207. 09/25/81 Shn - 0, 13725 Bethlehem Stabler Arena, Lehigh University Source: MAC>DAT>CDR (x2)>EAC>CoolEdit 2000>WAV>SHN (seekable); Note- TMNSP may be from another (unknown) source; See info file for detail notes
5208. 09/25/81 Shn - 0, 23626 Bethlehem Stabler Arena, Lehigh University Recording by Steve Rolfe. AUDMC > DAT > WAV > SHN from 1st row off the floor, center stage with two Nak 700 mics into a Sony D-5 deck. Added to etree by Noah Weiner notes
5209. 09/25/81 Flac 24/96 - 0, 140018 Bethlehem Stabler Arena, Lehigh University flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
5210. 09/25/81 Flac 16 - 0, 140017 Bethlehem Stabler Arena, Lehigh University flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
5211. 09/25/81 Flac 16 - 0, 139467 Bethlehem Stabler Arena, Lehigh University flac16; Source info: Master FOB Audience Cassette; Nakamichi CM300's + CP4's > DAT > CDR; Transfer info: Master cassette played back via Nak BX300 > Panasonic SV-3500 > HHB 850 > EAC > Cool Edit Pro; Transfer by Scott Clugston; Mastered by Scott Clugston notes
5212. 09/25/81 Flac 16 - 0, 148686 Bethlehem Stabler Arena, Lehigh University flac16; Sources Info: Master Soundboard Cassettes > Dick Latvala's Cassettes; Transfer Info: Dick Latvala's Cassettes (Nakamichi BX-300) > HHb CDR850 > CDR > EAC > Adobe Audition CC2019 > TLH flac16 notes
5213. 09/25/81 Flac 24/96 - , 153965 Bethlehem Stabler Arena, Lehigh University flac24/96 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 microphones > Sony TC-D5M (TDK MA-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5214. 09/25/81 Flac 16/48 - , 153964 Bethlehem Stabler Arena, Lehigh University flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 microphones > Sony TC-D5M (TDK MA-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5215. 09/26/81 Flac - 0, 18110 Buffalo Community War Memorial Auditorium SBD>Cm>Cass>Dat>CD with aud patches via Charlie Miller notes
5216. 09/26/81 Flac 16 Mtx - 0, 30117 Buffalo Community War Memorial Auditorium flac16; Sick Bits Vol. 10 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 18110, and AUD - SHN ID# 12554); edited and transfered by Chris Chappell notes
5217. 09/26/81 Flac 16 - 0, 112234 Buffalo Community War Memorial Auditorium flac16: AUD: 2x Sennheiser mics > Sony TC-D5. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. notes
5218. 09/26/81 Shn - 0, 12554 Buffalo Community War Memorial Auditorium Recording by Dan Healy. Set 1: Nak 100's w/cardioid capsules>Uher CR-240>DAT>CDR Set 2: AKG 414's>Revox cassette deck (Cass. Master)>DAT>CDR (Recorded by Dan Healy at the sbd); Thanks to John Tallmadge for the discs; eac>shn popi n. feeldz notes
5219. 09/26/81 Shn - 0, 9418 Buffalo Community War Memorial Auditorium AUD>MC>?>CD; via Scott Shindell; Seeded to etree by Willy notes
5220. 09/26/81 Flac 16 - 0, 140027 Buffalo Community War Memorial Auditorium flac16; Set 2 Recording Info: Dan Healy's Master Soundboard Cassette (Sony TC-D5)> Cassette (Sony TC-D5 > Maxell UDXL-II); Transfer Info: 1st generation cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; the original source had the channels reversed; please don't circulate that source notes
5221. 09/26/81 Flac 24 - 0, 140028 Buffalo Community War Memorial Auditorium flac24; Set 2 Recording Info: Dan Healy's Master Soundboard Cassette (Sony TC-D5)> Cassette (Sony TC-D5 > Maxell UDXL-II); Transfer Info: 1st generation cassette Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; the original source had the channels reversed; please don't circulate that source notes
5222. 09/26/81 Flac 24/48 - 0, 152508 Buffalo Community War Memorial Auditorium flac24/48 Microphones: Beyer M201c (worn in hat??) Recorder: Sony TC-D5 Maxell UDXLII no nr Location: Balcony behind and above drums This Copy: 1st Gen AUDCA s1: Maxell UDXLIIc90 s2: Scotch AVM 90 Studio Master Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90/Scotch AVM 90 no nr Digital Transfer: Nakamichi LX5 > Tascam DR-680 @24/48|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes
5223. 09/26/81 Flac 16/44 - 0, 152507 Buffalo Community War Memorial Auditorium flac16/44 Microphones: Beyer M201c (worn in hat??) Recorder: Sony TC-D5 Maxell UDXLII no nr Location: Balcony behind and above drums This Copy: 1st Gen AUDCA s1: Maxell UDXLIIc90 s2: Scotch AVM 90 Studio Master Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90/Scotch AVM 90 no nr Digital Transfer: Nakamichi LX5 > Tascam DR-680 @24/48|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes
5224. 09/27/81 Shn - 0, 8910 Landover Capital Centre SBD>Cm>PCM>Dat>CD; via Charlie Miller; Seeded to etree by Willy; Upgrade in circulation notes
5225. 09/27/81 Flac 16 - 0, 122188 Landover Capital Centre flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
5226. 09/27/81 Flac 16 - 0, 110054 Landover Capital Centre flac16; Set 2 Source: Unknown AUD (cassette circa 1982) Transfer: Maxell UD90 > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC Tagged notes
5227. 09/27/81 Flac 1644 - 0, 110722 Landover Capital Centre 2 Nakamichi 300's (taped to railing split approx 10 ft. behind stage) > Sony D5 > MAC (dolby B) Lineage: 1st Gen. cassette (dolby B) > Nakamichi CR-2A (Dolby B) > Tascam HD-P2 > 24/88.2 Wave > Wavelab 5 (UV22HR) > 16/44.1 wave > CD wave > FLAC Taped by: Unknown Transferred by: Dean Grabski notes
5228. 09/27/81 Flac 16 - 0, 112343 Landover Capital Centre flac16; Set 1 Source: AUD (unknown equipment) MAC > 2nd Gen cassette. Transfer: Maxell UDXLII > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. notes
5229. 09/30/81 Flac 24 - 0, 123231 Edinburgh Playhouse Theatre b>flac24; sbd 2nd gen cassette, Jerry Moore's copy; lineage: sbd > master > cassette > cassette source copies made 10/86: Nak BX2 > Sony D5m, Maxell MX-90's, dolby b; nak dragon/b > tascam hd-p2 24/96 compact flash > pc > adobe audition 2.0 ( levels, edits ) > cd wave > flac; transferred & seeded by Rob Berger notes
5230. 09/30/81 Shn - 0, 12229 Edinburgh Playhouse Theatre SBD> ?> C > C> WAV> noise reduction applied in Cool Edit Pro> SHN; EAC/SHN by jim; see info file for flaw notes ; upgrade in circulation notes
5231. 09/30/81 Flac 24/96 - 0, 151110 Edinburgh Playhouse Theatre Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > Flac 24 edited and mastered SIRMick December 2020 notes
5232. 09/30/81 Flac 16 - 0, 151109 Edinburgh Playhouse Theatre Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 notes
5233. 10/02/81 Flac 16 - 0, 128794 London Rainbow Theatre flac16; Recording and transfer info: SBD > MC? > C > C; C > wav > Sound Forge 10 > TLH > flac notes
5234. 10/02/81 Shn - 0, 6147 London Rainbow Theatre sbd> reel> ?> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT; missing Mama Tried, Mexicali notes
5235. 10/02/81 Flac 16 - 0, 80289 London Rainbow Theatre flac16; source: aud > low gen cass > Wavelab > wav > flac transfer: Sony TC-FX2 > Creative Extigy > wav via Simon Phillips and SirMick notes
5236. 10/02/81 Flac 16 - 0, 120454 London Rainbow Theatre flac16; Set 2, Beyer M-160 (x2) > Sony TCD5M / CM > C1 > C2 (Maxell UDXLII-C90); Cassette 2 (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > Soundforge 9 (patch) > Trader's Little Helper > Flac16 Transfer, edit, & patch by Bob Morris, May 2012 notes
5237. 10/02/81 Flac 16 - 0, 138170 London Rainbow Theatre flac16/96kHz; Source: Audience recording > Sony ECM-99 > JVC CD-1635 > Master Cassettes (C90 Maxell UD XLII x 2); Taped by Peter Williams from the balcony, about halfway between centre and right wall; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkIII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX4 Advanced > iZotope 5 Advanced > iZotope RX4 Advanced > wav 24/96 > CD Wave > TLH > Flac 24; edited and mastered SIRMick notes
5238. 10/02/81 Flac 16 - 0, 138169 London Rainbow Theatre flac16; Source: Audience recording > Sony ECM-99 > JVC CD-1635 > Master Cassettes (C90 Maxell UD XLII x 2); Taped by Peter Williams from the balcony, about halfway between centre and right wall; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkIII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX4 Advanced > iZotope 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > > CD Wave > TLH > Flac 16; edited and mastered SIRMick notes
5239. 10/02/81 Flac 24/176,4 - 0, 138171 London Rainbow Theatre flac24/176.4kHz; Source: Audience recording > Sony ECM-99 > JVC CD-1635 > Master Cassettes (C90 Maxell UD XLII x 2); Taped by Peter Williams from the balcony, about halfway between centre and right wall; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkIII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick notes
5240. 10/02/81 Flac 16/48 - 0, 151207 London Rainbow Theatre flac16/48khz Recording Info: SBD > Cassette Master > Cassette (Tascam 122mkIII) Transfer Info: Cassette (Nakamichi Dragon) > DAT (Panasonic SV-3800/48k) > Avid MBox Pro > Pro Tools 12 > WAV notes
5241. 10/02/81 Flac 24 - 0, 151194 London Rainbow Theatre Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > Flac 24 edited and mastered SIRMick notes
5242. 10/02/81 Flac 16 - 0, 151193 London Rainbow Theatre Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick December 2020 notes
5243. 10/02/81 Flac 16 - 0, 151770 London Rainbow Theatre FLAC 16 Source: Soundboard Cassette (1st gen)
Transfer Cassette > Tascam 122 MK3 > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96.
Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16
edited and mastered SIRMick February 2021
notes
5244. 10/03/81 Flac 16 - 0, 103480 London Rainbow Theatre flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Cool Edit Pro v2.0 -> FLAC ; All Transfers and Mastering By Charlie Miller notes
5245. 10/03/81 Shn - 0, 2369 London Rainbow Theatre complete; SBD> MC> DAT> CDR; EAC> SHN by Jeff M. notes
5246. 10/03/81 Flac 16/48 - 0, 143078 London Rainbow Theatre flac16/48kHz; Master Soundboard Cassettes > 1st generation reels (Technics)> Dat(Panasonic SV-3800)(16-bit/48k)> Tim Dalton's Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)(16-bit/48k)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/48k) > Adobe Audition 3.01 > TLH flac1648 notes
5247. 10/03/81 Flac 24/48 - 0, 145249 London Rainbow Theatre flac24; 2nd set, Source: BeyerDynamic M160's > Sony TC-D5M > MAC > 1st-Gen tape. Concert recording by Richie Stankiewicz, copy via Rip Tompkins. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019 notes
5248. 10/03/81 Flac 16 - 0, 145359 London Rainbow Theatre flac16; 2nd set, Source: BeyerDynamic M160's > Sony TC-D5M > MAC > 1st-Gen tape. Concert recording by Richie Stankiewicz, copy via Rip Tompkins. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019; This file set is 16 bit @ 44.1 notes
5249. 10/04/81 Flac 16 - 0, 118248 London Rainbow Theatre flac16; Source: SBD > ? > Cassette, kindly provided by Seaweed1010 & Bernie Brown. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. Januray 2012 notes
5250. 10/04/81 Flac 24 - 0, 127286 London Rainbow Theatre flac24; Partial Audience Recording TCD-5M> beyer M-88 Right side; Transfered 1st gen cassette>Sony TCKA-3Es>USBPre 2 notes
5251. 10/04/81 Flac 16 - 0, 128620 London Rainbow Theatre flac16; Sbd > CM? > C > C; C > Pioneer deck > wav > Sound Forge 10 > TLH > Flac; Could be CM > C. This is one gen (or more) upgrade of shnid 12887 notes
5252. 10/04/81 Shn - 0, 12887 London Rainbow Theatre Source 1: SBD>?>C>C>WAV>SHN; Source 2: SBD>?>C>C>WAV>SHN; See info file for detail; Seeded to etree by jim@juddcreek notes
5253. 10/04/81 Flac 24/96 - 0, 151455 London Rainbow Theatre flac24/96khz Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > Flac 24 edited and mastered SIRMick January 2021 notes
5254. 10/04/81 Flac 16/44,1 - 0, 151454 London Rainbow Theatre flac16/44.1hz Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick January 2021 notes
5255. 10/06/81 Flac 16 - 0, 103627 London Rainbow Theatre flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller notes
5256. 10/06/81 Flac 16 - 0, 120405 London Rainbow Theatre flac16; Recording Info: SBD > MC > C > C; Transfer Info: C > Nak DR2 > WAV > Sound Forge 10 > TLH > FLAC notes
5257. 10/06/81 Flac 16 - 0, 126527 London Rainbow Theatre flac16; AUD 2nd Set Only: 2x Beyer M-88 > Sony TC-D5, taped from the orchestra (stalls) section. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 01/2014. notes
5258. 10/06/81 Shn - 0, 3303 London Rainbow Theatre Master Soundboard Cassette > Cassette > CDR ; EAC > SHN by Brian Polgar; to abgd; cuts are master tape flips or ends. The first few words of Sunshine Daydream are also clipped notes
5259. 10/06/81 Flac 16 - 0, 137268 London Rainbow Theatre flac16; Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by John Wenzel notes
5260. 10/06/81 Flac 24/96 - 0, 139198 London Rainbow Theatre flac24; Audience recording > Sony ECM-99 > JVC CD-1635 > Master Cassettes (C90 Maxell UD XLII x 3); Taped by Peter Williams from middle of stalls, just right of centre and about 1/3 back from front of stage; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX5 Advanced > iZotope Ozone 5 Advanced > iZotope RX5 Advanced wav 24/96 > CD Wave >TLH > Flac 24; transferred, edited and mastered SIRMick April 2017 notes
5261. 10/06/81 Flac 16 - 0, 139197 London Rainbow Theatre flac16; Audience recording > Sony ECM-99 > JVC CD-1635 > Master Cassettes (C90 Maxell UD XLII x 3); Taped by Peter Williams from middle of stalls, just right of centre and about 1/3 back from front of stage; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX5 Advanced > iZotope Ozone 5 Advanced > iZotope RX5 Advanced wav 16.44.1 > CD Wave >TLH > Flac 24; transferred, edited and mastered SIRMick April 2017 notes
5262. 10/06/81 Flac 24 - 0, 138249 London Rainbow Theatre flac/176.4kHz; Source: Audience recording > Sony ECM-99 > JVC CD-1635 > aster Cassettes (C90 Maxell UD XLII x 3); Taped by Peter Williams from middle of stalls about 1/3 back from front of stage; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX5 Advanced > iZotope Ozone 5 Advanced > CD Wave >TLH > Flac 24 notes
5263. 10/06/81 Flac 24/96 - 0, 126571 London Rainbow Theatre flac24; AUD 2nd Set Only: 2x Beyer M-88 > Sony TC-D5, taped from the orchestra (stalls) section. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 01/2014. notes
5264. 10/08/81 Shn - 0, 7918 Copenhagen Forum Theater SBD: CM > CASS > DAT > Pro CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon notes
5265. 10/08/81 Flac 16 - 0, 128681 Copenhagen Forum Theater flac16; Recording and transfer info SBD > CM > C; C > Pioneer deck > wav > Sound Forge 10 > TLH > flac notes
5266. 10/08/81 Flac 16 - 0, 126105 Copenhagen Forum Theater flac16; Partial, AUD: 2x Beyer M-88 > Sony TC-D5, center floor area, MAC. Transfer: 1st-gen tape > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 11/2013 notes
5267. 10/08/81 Flac 24/96 - 0, 151700 Copenhagen Forum Theater flac24/96khz Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > Flac 24 edited and mastered SIRMick February 2021 notes
5268. 10/08/81 Flac 16/44,1 - 0, 151699 Copenhagen Forum Theater flac16/44.1khz Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2021 notes
5269. 10/08/81 Flac 16/44 - 0, 152229 Copenhagen Forum Theater flac16/44 Source: Sony ECM-150 -> Sony TCD-D5 Transfer: Master Casette -> B&O Beocord 9000 -> Sony pcm-a1 (96/24) -> audition -> cdwav -> flac Taper: G. [2021-03-31 transfer by W.- No EQ - Only downsampled to 44,1/16] notes
5270. 10/10/81 Flac 24 - 0, 127498 Bremen Stadthalle flac24; Recording Sony TCD-5M>Beyer M-88(ribbon); Recorded in back of Board GA concert 1/2 empty; Transfer MAC>DAT>Cakewalk UA-1G; Recording and transfer by Richie Stankiewicz notes
5271. 10/10/81 Shn - 0, 12998 Bremen Stadthalle SBD>?>C>C>WAV>SHN; Seeded to etree by jim@juddcreek notes
5272. 10/10/81 Shn - 0, 7481 Bremen Stadthalle Recording by Bernd Weiskircher. Sennheiser MD441 > Sony TCD 5M > Maxell MX C90 tape (Dolby B) 15-20 m in front of stage; MC via Nakamichi DR-1 > HD > remaster (see notes) > CD by Bernd Weiskircher; Eurodead 10/81 Tree disks supplied by Nigel Mouncey; Seeded to etree by Matt Vernon notes
5273. 10/10/81 Flac 16 - 0, 151745 Bremen Stadthalle flac16/44 Source: Soundboard Cassette Master Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2021 notes
5274. 10/10/81 Flac 24/96 - 0, 151746 Bremen Stadthalle flac24/96 Source: Soundboard Cassette Master Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > Flac 24 edited and mastered SIRMick February 2021 notes
5275. 10/12/81 Shn - 0, 7916 Munich Olympia Halle SBD: MC > CASS > DAT > CDR; via Jens Tilsner; Alasdair Macdonald; Seeded to etree by Matt Vernon notes
5276. 10/12/81 Flac 16 - 0, 128591 Munich Olympia Halle flac16; Recording and transfer details: SBD > MC > C(Maxell XL II) C > Pioneer deck > wav > Sound Forge 10 > TLH > flac notes
5277. 10/12/81 Shn - 0, 3196 Munich Olympia Halle sbd > mc > dat > cd > eac > wav > shn; missing encore; via anon benefactor to vine, now etreed. ; upgrade in circulation notes
5278. 10/12/81 Shn - 0, 32146 Munich Olympia Halle Recording by Uwe Dehnel. AUD > MC > CD > EAC > SHN Sony TC D5, one point stereo mic, handhold Mastering: MC > CD by Uwe Dehnel via Bernd Weiskircher notes
5279. 10/12/81 Flac 16 - 0, 130555 Munich Olympia Halle flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> Dat -> CD (shnid=7916); Set 2: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90); Transfer Info: Set 1: CD -> Samplitude Professional v11.1 -> FLAC; Set 2: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
5280. 10/12/81 Flac 16/48 - 0, 143063 Munich Olympia Halle flac16/48kHz; Master Soundboard Cassettes > Dick Latvala's 1st generation cassettes (Tascam 122mkIII)> Rob Eaton's 2nd generation cassettes (Nakamichi Dragon) > Rob Eaton's Dat (Panasonic SV-3800)(16-bit/48k) > Tim Dalton's Dat (16-bit/48k) Transfer Info: Dat (Sony PCM-R500)(16-bit/48k)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/48k) > Adobe Audition 3.01 > TLH flac1648 notes
5281. 10/13/81 Shn - 0, 13143 Russelsheim Walter Koebel Halle SBD> ?> C> C> WAV> SHN; via Jim; caution- d1 does not fit on 80 min, see pub comments notes
5282. 10/13/81 Flac 16 - 0, 128542 Russelsheim Walter Koebel Halle flac16; Recording and transfer info: SBD > MC > C > C (Maxell XL II) C > Pioneer deck > wav > Sound Forge 10 > TLH > flac notes
5283. 10/13/81 Shn - 0, 7496 Russelsheim Walter Koebel Halle AUD > MR > DAT > CD no mic info; via Bernd Weiskircher; Matt Vernon notes
5284. 10/13/81 Flac 16 - 0, 139556 Russelsheim Walter Koebel Halle flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Dat -> CD (shnid=13143); Set 2: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90); Transfer Info: Set 1: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; Set 2: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
5285. 10/15/81 Flac 16 - 0, 126148 Amsterdam Club Melk Weg flac16; AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 11/2013. notes
5286. 10/15/81 Flac 16 - 0, 120382 Amsterdam Club Melk Weg flac16; Beyer M-160 (x2) > Sony TCD5M / CM > C1 > C2 (Maxell XLII C90); Cassette 2 (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > Soundforge 9.0 (patch, pitch) > Trader's Little Helper > Flac16; Recorded by Rich S., transfer/edit (Mar 2010), patch/pitch (May 2012) by Bob Morris. notes
5287. 10/15/81 Shn - 0, 25829 Amsterdam Club Melk Weg Source:Senheiser-pro-direction.>New Marantz cass.rec.(looking like SonyTC-D5>TDK-SA-C90(master tape) Master cass.>SonyTC-D5M>CDwave>Mkw>Shn; upgrade in circulation notes
5288. 10/15/81 Shn - 0, 1406 Amsterdam Club Melk Weg AUD (FOB by unknown Belgian taper with unknown equipment)> CM> C> DAT> CDRx1> EAC> SHN; via Stephen Agan to abgd notes
5289. 10/15/81 Flac 16 - 0, 79933 Amsterdam Club Melk Weg flac16; Aud master tapes > CDwave > Flac - One Shure and one Senheiser attached together in "V" on a round battery and held by hand (heavy !). The recorder was a brand new Marrantz (superscope) lookalike Sony TC-D5. The cassette tapes were TDK-SA90. notes
5290. 10/15/81 Flac 24/96 - 0, 126147 Amsterdam Club Melk Weg flac24; AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 11/2013. notes
5291. 10/16/81 Flac16 Mtx - 0, 110497 Amsterdam Club Melk Weg flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
5292. 10/16/81 Flac 16 - 0, 110351 Amsterdam Club Melk Weg flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
5293. 10/16/81 Flac16 Mtx - 0, 95431 Amsterdam Club Melk Weg flac16; Sick Bits Vol. 27 - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=1217) + AUD (shnid=80060). Matrixed by Chris Chappell. notes
5294. 10/16/81 Flac 24/96 - 0, 125733 Amsterdam Club Melk Weg flac24; AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013 notes
5295. 10/16/81 Shn - 0, 25938 Amsterdam Club Melk Weg Source:Senheiser-pro-direction.>New Marantz cass.rec.(looking like SonyTC-D5>TDK-SA-C90(master tape) Master cass.>SonyTC-D5M>CDwave>Mkw>Shn. ; upgrade in circulation notes
5296. 10/16/81 Shn - 0, 1217 Amsterdam Club Melk Weg SBD:MCASS> CASS> DAT> CDR, with aud patches: FOB:MCASS> CASS> DAT> CDR; EAC> SHN by Dan Vinson; patched in Playin' and Sugar Mag- see info file for notes notes
5297. 10/16/81 Flac 16 - 0, 125774 Amsterdam Club Melk Weg flac16; AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. notes
5298. 10/16/81 Flac 16 - 0, 80060 Amsterdam Club Melk Weg flac16; Aud master tapes > CDwave > Flac - One Shure and one Senheiser attached together in "V" on a round battery and held by hand (heavy !). The recorder was a brand new Marrantz (superscope) lookalike Sony TC-D5. The cassette tapes were TDK-SA90. notes
5299. 10/16/81 Flac 16 - 0, 120383 Amsterdam Club Melk Weg flac16; Beyer M-160 (x2) > Sony TCD5M / CM > C1 > C2 (Maxell XLII C90); Cassette 2 (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > Soundforge 9 (patch, pitch) > Trader's Little Helper > Flac16; Recorded by Rich S., transfer/edit (Mar 2010) & patch/pitch (May 2012) by Bob Morris notes
5300. 10/16/81 Flac 16/48 - 0, 147843 Amsterdam Club Melk Weg flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 110351) Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125774) AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. - surround mixing by Kevin Tobin notes
5301. 10/16/81 Flac 16 Dts.5.1 - 0, 147842 Amsterdam Club Melk Weg DTS-Audio-CD 5.1 Mix; - SBD (shnid = 110351) Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125774) AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. - dts mixing by Kevin Tobin notes
5302. 10/16/81 Flac 16 Mtx - 0, 147841 Amsterdam Club Melk Weg flac16; Matrix 2 Source Mix - SBD (shnid = 110351) Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125774) AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. - matrix mixing by Kevin Tobin notes
5303. 10/17/81 Flac 16 - 0, 116993 Paris The Hippodrome flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
5304. 10/17/81 Shn - 0, 7915 Paris The Hippodrome SBD: MC > DAT > CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon notes
5305. 10/17/81 Flac 16 - 0, 86854 Paris The Hippodrome flac16; SBD: MC > DAT > CDR; seamless fix of shn id 7915 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
5306. 10/17/81 Shn - 0, 32147 Paris The Hippodrome AUD > MC > CD > EAC > SHN Sony TCD 5M, Sennheiser MK 2002, Dolby B Mastering: MC via Nakamichi DR-1 > HD > CD by Bernd Weiskircher notes
5307. 10/17/81 Flac 24/48 - 0, 145260 Paris The Hippodrome flac24; 2nd set, Source: BeyerDynamic M160's > Sony TC-D5M > MAC > 1st-Gen tape. Concert recording by Richie Stankiewicz, copy via Rip Tompkins. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019 notes
5308. 10/17/81 Flac 16 - 0, 145360 Paris The Hippodrome flac16; 2nd set, Source: BeyerDynamic M160's > Sony TC-D5M > MAC > 1st-Gen tape. Concert recording by Richie Stankiewicz, copy via Rip Tompkins. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019; This file set is 16 bit @ 44.1 notes
5309. 10/19/81 Flac - 0, 95791 Barcelona Sports Palace flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info:SHN -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
5310. 10/19/81 Flac 24 - 0, 131465 Barcelona Sports Palace flac24; Beyer M-160>Sony TC-D5m; Transfer 1st set MAC>Sony TC-K3es>USBPre2; Transfer 2nd set 1st Gen>Sony TC-K3es>USBPre2; Recorded center directly in back of soundboard; Recorded and transfered By Richie stankiewic notes
5311. 10/19/81 Flac - 0, 131522 Barcelona Sports Palace flac16; Source: Beyer M-160>Sony TC-D5M. Transfer 1st set: MAC > Sony TC-K3es > USBPre2. Transfer 2nd set: 1st Gen > Sony TC-K3es > USBPre2. Recorded center directly in back of soundboard. Recorded and transferred to 24bit/96kHz by Richie Stankiewicz. 16bit: ID-131465 > TLH > R8Brain > Wavelab > CD-Wave > TLH > FLAC 1644 tagged notes
5312. 10/19/81 Flac - 0, 131801 Barcelona Sports Palace flac16; 2 source matrix by Dusborne; Soundboard (shnid:095781) Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info: SHN -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; and Audience (shnid:131465) Beyer M-160>Sony TC-D5m; Transfer 1st set MAC>Sony TC-K3es>USBPre2; Transfer 2nd set 1st Gen>Sony TC-K3es>USBPre2; Recorded center directly in back of soundboard; Recorded and transferred By Richie stankiewicz notes
5313. 10/19/81 Shn - 0, 7914 Barcelona Sports Palace SBD: CM > CASS > DAT > Pro CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon notes
5314. 10/19/81 Flac - 0, 119976 Barcelona Sports Palace flac16: recording: aud master recording lineage: master analog tape SONY low noise 90 x 2 > aiwa wx 220 > audacity> cd wave ed.>TLH> flac equipment: unknown recorded : by Zappa edited by carbobueno notes
5315. 11/29/81 Flac 16 - 0, 108844 Pittsburgh Civic Arena flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC. All Transfers and Mastering By Charlie Miller notes
5316. 11/29/81 Flac 24 - 0, 134752 Pittsburgh Civic Arena flac24; Cassette Audience Master recorded By Jim Vita; Sennheiser MD421 Dynamic Cardioid Microphone TC D-5 Cassette Recorder; Location: FOB; Analog to Digital: Dolby B Decoded High-Bias(CrO2) Cassette Masters played back on Tascam MK11-Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]; Transfer by John Steinthal notes
5317. 11/29/81 Shn - 0, 9610 Pittsburgh Civic Arena Senn 421's>MC>DAT>CDR; via Paul B; seeded to etree by Willy notes
5318. 11/29/81 Flac 24 - 0, 140035 Pittsburgh Civic Arena flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
5319. 11/29/81 Flac 16 - 0, 140034 Pittsburgh Civic Arena flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496 notes
5320. 11/29/81 Flac 16/48 - , 153700 Pittsburgh Civic Arena flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300mics + CP4 caps > Sony TC-D5M (Maxell XLII-S 90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition 2021 > TLH flac2496 notes
5321. 11/29/81 Flac 24/96 - , 153701 Pittsburgh Civic Arena flac24/96 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300mics + CP4 caps > Sony TC-D5M (Maxell XLII-S 90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition 2021> TLH flac2496 notes
5322. 11/30/81 Flac 16 - 0, 108843 Dayton Hara Arena flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC. All Transfers and Mastering By Charlie Miller notes
5323. 11/30/81 Flac 16 - 0, 133562 Dayton Hara Arena flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
5324. 11/30/81 Shn - 0, 9591 Dayton Hara Arena Nak 300?s>Sony D-5>MC>DAT>CD; via Paul B; Seeded to etree by Willy notes
5325. 11/30/81 Flac 16 - 0, 124605 Dayton Hara Arena flac16; Source: AUD 2nd-Gen (MAC > C > C), unknown equipment. Transfer: XLII > Nakamichi CR5A > Edirol FA66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 & tagged. May 2013 notes
5326. 11/30/81 Flac 16/48 - 0, 143852 Dayton Hara Arena flac16/48kHz; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5327. 11/30/81 Flac 24/96 - 0, 143853 Dayton Hara Arena flac24; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes
5328. 11/30/81 Flac 16/48 - , 153766 Dayton Hara Arena flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 caps > Sony TC-D5M (Maxell XLII-S 90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition 2021> TLH flac2496 notes
5329. 11/30/81 Flac 24/96 - , 153767 Dayton Hara Arena flac24/96 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 caps > Sony TC-D5M (Maxell XLII-S 90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition 2021> TLH flac2496 notes
5330. 11/30/81 Flac 16 Mtx - , 158800 Dayton Hara Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 133562 & 153766. notes
5331. 12/02/81 Flac 16 - 0, 108842 Champaign Assembly Hall, University Of Illinois flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC. All Transfers and Mastering By Charlie Miller notes
5332. 12/02/81 Shn - 0, 9595 Champaign Assembly Hall, University Of Illinois (FOB) Senn 421>Cm>Dat>CD; Missing Drums & Don't Ease encore; via Charlie Miller; Seeded to etree by Willy notes
5333. 12/02/81 Flac 16/48 - 0, 144276 Champaign Assembly Hall, University Of Illinois flac1648; Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5334. 12/02/81 Flac 24/96 - 0, 144277 Champaign Assembly Hall, University Of Illinois flac24; Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496 notes
5335. 12/02/81 Flac 24 - 0, 145543 Champaign Assembly Hall, University Of Illinois flac24; Set 1 Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
5336. 12/02/81 Flac 16 - 0, 145662 Champaign Assembly Hall, University Of Illinois flac16; Set 1 Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This file set is 16 bit @ 44.1 notes
5337. 12/02/81 Flac 16 Mtx - , 158823 Champaign Assembly Hall, University Of Illinois flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 145662, 108842 & 144276. notes
5338. 12/03/81 Flac 16 - 0, 108335 Madison Dane County Coliseum flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
5339. 12/03/81 Flac 16 - 0, 118889 Madison Dane County Coliseum flac16; Set 2 Only, Recorded by the late George "Fingers" Bethke FOB in the sweet spot as always; Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M>1st gen backup copy from Justin Lee No Dolby on master cassettes. first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz) 24/96 with Korg Audiogate 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011 notes
5340. 12/03/81 Shn - 0, 6143 Madison Dane County Coliseum Nak 300's > Sony D5; via Peter Gallagher, Willy notes
5341. 12/03/81 Flac 16 - 0, 28901 Madison Dane County Coliseum flac16; Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford notes
5342. 12/03/81 Flac 16/48 - 0, 141698 Madison Dane County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 108335) Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 28901) Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford. - surround mixing by Kevin Tobin notes
5343. 12/03/81 Flac 16 Dts - 0, 141697 Madison Dane County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid = 108335) Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 28901) Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford. - dts mixing by Kevin Tobin notes
5344. 12/03/81 Flac 16 Mtx - 0, 141696 Madison Dane County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 108335) Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 28901) Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford. - matrix mixing by Kevin Tobin notes
5345. 12/03/81 Flac 16/48 - 0, 142018 Madison Dane County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 108335) Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 28901) Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford. - surround mixing by Kevin Tobin notes
5346. 12/03/81 Flac 16/48 - , 153800 Madison Dane County Coliseum flac16/48 Source Info: Jim Vita's Master Audience Cassettes ; Nakamichi 300 mics + CP4 capsules > Sony D5M (TDK SA-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
5347. 12/03/81 Flac 24/96 - , 153801 Madison Dane County Coliseum flac24/96 Source Info: Jim Vita's Master Audience Cassettes ; Nakamichi 300 mics + CP4 capsules > Sony D5M (TDK SA-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496 notes
5348. 12/03/81 Flac 16 Mtx - , 158830 Madison Dane County Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 108335 & 153800. notes
5349. 12/05/81 Flac 16 - 0, 109393 Indianapolis Market Square Arena flac16; Updated Info: NAK 300>CM>DAT (Up Front Audience)>DAT @ 44.1k -> HT OMega 7.1 Soundcard (Optical Inputs)>WAV (44.1> >CD WAV (Track Split)>FLAC notes
5350. 12/05/81 Shn - 0, 5488 Indianapolis Market Square Arena Master Soundboard Cassette > Reel to Reel > DAT > CDR, with Audience source for Ramble on Rose d1t7; CD Re-mastering, EAC'ed / SHN'ed by Scott Clugston notes
5351. 12/05/81 Flac 16 - 0, 80290 Indianapolis Market Square Arena flac16; Recording Info: Unknown Audience Recording From Jim Wise -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
5352. 12/05/81 Flac 16 - 0, 31945 Indianapolis Market Square Arena flac16; Recording by Doug Mow. Nak 700 shotguns (mics pointed at stacks) > Sony TC D5M > Maxell XLIIS Transfer: D5 > Edirol UA5 custom Oade mod > USB > IBM R40 > Soundforge > WAV > CDR > EAC > WinXP Pro > Flac Frontend > FLAC16. Transferred By Doug Mow EAC, conversion & upload to bt.etree.org by Alex Ford 12/23/05 notes
5353. 12/05/81 Flac 24/48 - 0, 139173 Indianapolis Market Square Arena flac24; AUD: Beyers mics > lead deck (Richie Stankiewicz) > Sony TC-D5 > Hitachi UD-90's, FOB recording by Craig L (patched out). Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 08/2017 notes
5354. 12/05/81 Flac 16 - 0, 139180 Indianapolis Market Square Arena flac16; AUD: Beyers mics > lead deck (Richie Stankiewicz) > Sony TC-D5 > Hitachi UD-90's, FOB recording by Craig L (patched out). Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 08/2017 notes
5355. 12/05/81 Flac 16/48 - 0, 144086 Indianapolis Market Square Arena flac16/48kHz; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5356. 12/05/81 Flac 24/96 - 0, 144087 Indianapolis Market Square Arena flac24; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496 notes
5357. 12/05/81 Flac 16 - 0, 111784 Indianapolis Market Square Arena flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
5358. 12/05/81 Flac 16/48 - , 153869 Indianapolis Market Square Arena flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M (TDK-MA C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2020 > TLH flac2496 notes
5359. 12/05/81 Flac 24/96 - , 153870 Indianapolis Market Square Arena flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M (TDK-MA C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2020 > TLH flac2496 notes
5360. 12/05/81 Flac 16 Mtx - , 158836 Indianapolis Market Square Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 111784 & 139180. notes
5361. 12/06/81 Flac 16 - 0, 108841 Rosemont Rosemont Horizon flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC. All Transfers and Mastering By Charlie Miller notes
5362. 12/06/81 Flac 16 - 0, 133563 Rosemont Rosemont Horizon flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
5363. 12/06/81 Flac 16 - 0, 119584 Rosemont Rosemont Horizon flac16; Recorded by the late George "Fingers" Bethke; FOB, Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011 notes
5364. 12/06/81 Shn - 0, 8200 Rosemont Rosemont Horizon Unknown Aud>DAT>CDR; via Glenn Gillis; Seeded to etree by Peter Braverman notes
5365. 12/06/81 Flac 16 - 0, 32317 Rosemont Rosemont Horizon flac16;Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell MX 90 transferred by Doug Mow Conversion and seeding to bt.etree.org by Alex Ford notes
5366. 12/06/81 Flac 16 - 0, 78646 Rosemont Rosemont Horizon flac16; AUD Master Cass>DAT>HD-P2>Soundforge 6.0>CD Wave>FLAC Frontend>.flac notes
5367. 12/06/81 Flac 2448 - 0, 139344 Rosemont Rosemont Horizon flac24; AUD: First Set; Richie Stankiewicz's Beyer M160's FOB. Second Set; Nakamichi CM300's w/CP4 shotguns from the floor area. Both Sets; Lead decks(s) > Sony TC-D5 > Hitachi UD-90's. Recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2017 notes
5368. 12/06/81 Flac 16 - 0, 139345 Rosemont Rosemont Horizon flac16; AUD: First Set; Richie Stankiewicz's Beyer M160's FOB. Second Set; Nakamichi CM300's w/CP4 shotguns from the floor area. Both Sets; Lead decks(s) > Sony TC-D5 > Hitachi UD-90's. Recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 09/2017 notes
5369. 12/06/81 Flac 24/96 - 0, 148950 Rosemont Rosemont Horizon flac24; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496 notes
5370. 12/06/81 Flac 16/48 - 0, 148949 Rosemont Rosemont Horizon flac16/48kHz; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5371. 12/06/81 Flac 16/48 - , 153910 Rosemont Rosemont Horizon flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421's + Nakamichi 300 + CP4 capsule blend > Sony D5M (Maxell XLIIS 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2021 > TLH flac2496 notes
5372. 12/06/81 Flac 24/96 - , 163911 Rosemont Rosemont Horizon flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421's + Nakamichi 300 + CP4 capsule blend > Sony D5M (Maxell XLIIS 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2021 > TLH flac2496 notes
5373. 12/06/81 Flac 16 Mtx - , 158845 Rosemont Rosemont Horizon flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 133563 & 139345. notes
5374. 12/07/81 Flac - 0, 12970 Des Moines Des Moines Civic Center 2nd set only; SBD> MC> C> DAT> CD; seeded by Charlie Miller notes
5375. 12/07/81 Flac 16 - 0, 79857 Des Moines Des Moines Civic Center flac16; pitch corrected version of shn id 8448: Unknown Audience Source via SirMick. notes
5376. 12/07/81 Shn - 0, 8448 Des Moines Des Moines Civic Center Unknown Audience Source; via Scot Mellor; Seeded to etree by Willy; upgrade in circulation notes
5377. 12/07/81 Flac 24 - 0, 141707 Des Moines Des Moines Civic Center flac24; SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
5378. 12/07/81 Flac 16 - 0, 141898 Des Moines Des Moines Civic Center b>flac16; SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
5379. 12/07/81 Flac 16/48 - 0, 143938 Des Moines Des Moines Civic Center flac16/48kHz; Set 2 Source Info: Frank Streeter's Master Audience Cassette; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassette (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5380. 12/07/81 Flac 24/96 - 0, 143939 Des Moines Des Moines Civic Center flac24; Set 2 Source Info: Frank Streeter's Master Audience Cassette; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassette (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496 notes
5381. 12/07/81 Flac 16 Mtx - , 158878 Des Moines Des Moines Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 141898 & 8448. notes
5382. 12/09/81 Shn - 0, 13061 Boulder Events Center, University Of Colorado Master Soundboard Cassette > Reel to Reel > DAT> CDR Sennheiser 421 Audience source supplies "Mama Tried" (d1t06), the first 1:38 of "Mexicali Blues" (d1t07), as well as from 4:54 of "Space" (d3t01) thru 4:13 of "The Other One" (d3t02) Patching / CD Mastering by Scott Clugston EAC'ed / Shn'ed by Scott Clugston 10/02/02 ; upgrade in circulation notes
5383. 12/09/81 Shn - 0, 11626 Boulder Events Center, University Of Colorado SBD>Rm>Dat>CD, with 'unknown aud' patches; See info file for details; via Zephyr; Seeded to etree by MOTU ; upgrade in circulation notes
5384. 12/09/81 Shn - 0, 7827 Boulder Events Center, University Of Colorado SBD Unknown Analog Master> Cassette> Cassette> DAT> via 20bit SBM> DATPort> Cool Edit (NR@ 5% to reduce tape hiss)> CDWAV (split tracks)> CDR; Missing Satisfaction (2nd encore); via John Spaventa; Seeded to etree by Willy; upgrade in circulation notes
5385. 12/09/81 Flac 16 - 0, 87349 Boulder Events Center, University Of Colorado flac16; SBD -> Master Reel (7 inch Reel @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
5386. 12/09/81 Flac 16 - 0, 82199 Boulder Events Center, University Of Colorado flac16; Recording by Jim Wise. AUD Source: Sennheiser 421's > Sony TC-D5, set up near the sbd. transferred (MAC > CD) by Jim Wise. Transfer: MAC > CD likely Nakamichi Dragon > HHB CDR burner. CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC notes
5387. 12/09/81 Flac 24/48 - 0, 147222 Boulder Events Center, University Of Colorado flac24; Source: BeyerDynamic M88's > Sony TC-D5M > TDK MA (1st Set and Satisfaction) and Maxell XLIIS (2nd Set thru USBlues). Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2019 notes
5388. 12/09/81 Flac 16 Mtx - , 158935 Boulder Events Center, University Of Colorado flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 87349 & 82199. notes
5389. 12/12/81 Flac 16 - 0, 83462 San Mateo Fiesta Hall, San Mateo County Fairgrounds flac16; Recording Details: Soundboard -> Master Reel -> DAT(4); Transfer Details: DAT(4) > Panasonic sv-3700 (spdif out)->Lynx L22 AES/EBU (spdif in)-> Soundforge 8.0 16bit/48kHz wav notes
5390. 12/12/81 Shn - 0, 14011 San Mateo Fiesta Hall, San Mateo County Fairgrounds MAC w/ Nak 300's>Sony TC-D5M (w/ Dolby B)>DAT>CDR via Andy Lemieux encoded by Matt Vernon notes
5391. 12/12/81 Flac 16/48 - 0, 142976 San Mateo Fiesta Hall, San Mateo County Fairgrounds flac16/48kHz; Source Info: Master Audience Cassettes; Nakamichi CM300 mics with CP4 capsules > Sony TC-D5M (dbx)> Frank Streeter's 1st generation (dbx decoded) cassettes (Sony TC-D5M)(Maxell UDXLII-C90); Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5392. 12/12/81 Flac 24/96 - 0, 142975 San Mateo Fiesta Hall, San Mateo County Fairgrounds flac24; Source Info: Master Audience Cassettes; Nakamichi CM300 mics with CP4 capsules > Sony TC-D5M (dbx)> Frank Streeter's 1st generation (dbx decoded) cassettes (Sony TC-D5M)(Maxell UDXLII-C90); Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k) > TLH flac2496 notes
5393. 12/26/81 Flac 16 - 0, 84265 Oakland Oakland Auditorium Arena flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> LynxOne -> CD Set 2: SBD -> Cassette Master (Maxell UDXLII-90) Set 1 Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC Set 2 Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; note: this version has the 2 drop outs in shn id 83996 d3t02 fixed notes
5394. 12/26/81 Shn - 0, 10533 Oakland Oakland Auditorium Arena Recording by Bob Menke. AUD> MC> R> DAT> CDR> EAC> SHN; Senn 421s>Sony TC-D5; via Paul; Seeded to etree by Glyde notes
5395. 12/26/81 Flac 16 - 0, 23897 Oakland Oakland Auditorium Arena flac16; Recording by Steven Martin. Master audience cassette (2 modified Nakamichi CM-700 mics with boost + 1 Shure mic without boost > Sony TC-D5M on Maxell metal tape, about 20' in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding notes
5396. 12/26/81 Flac 16 - 0, 136898 Oakland Oakland Auditorium Arena flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XL-II (S1 + Encore) and Sony UCX-S (S2), FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2016 notes
5397. 12/26/81 Flac 16 - 0, 120368 Oakland Oakland Auditorium Arena flac16; Audience Cassette Master, Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(Set 1-encore Maxell UDXL-IIS 90)(Set II TDK MA C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(transferred @ 44.1/24[soft limit] dithered to 44.1/16 bit) > (Peak 7 OS X editing-dithering) > xACT notes
5398. 12/26/81 Flac 16/48 - 0, 143444 Oakland Oakland Auditorium Arena flac16/48kHz; Set 2 Source Info: Joani Walker's Master Soundboard Cassettes; Nakamichi 550(Maxell UDXLII-90) Transfer Info:Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5399. 12/26/81 Flac 24/96 - 0, 143445 Oakland Oakland Auditorium Arena flac24; Set 2 Source Info: Joani Walker's Master Soundboard Cassettes; Nakamichi 550(Maxell UDXLII-90) Transfer Info:vMaster Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes
5400. 12/26/81 Flac 16/48 - 0, 143446 Oakland Oakland Auditorium Arena flac16/48kHz; Source Info: 1st Set: Joani Walker's Master Audience Cassettes; Sennheiser 421 mics > Nakamichi 550(Maxell UDXLII-90)(patched out of Jim Voss, located at the soundboard) 2nd Set: Joani Walker's 1st generation Audience Cassettes; Sennheiser 421 mics > Nakamichi 550 (Maxell UDXLII-90) (copy of Jim Voss's Sennheiser 421 master, located at the soundboard); 24-bit > 16-bit via dBpoweramp notes
5401. 12/26/81 Flac 24/96 - 0, 143447 Oakland Oakland Auditorium Arena flac24; Source Info: 1st Set: Joani Walker's Master Audience Cassettes; Sennheiser 421 mics > Nakamichi 550(Maxell UDXLII-90) (patched out of Jim Voss, located at the soundboard); 2nd Set: Joani Walker's 1st generation Audience Cassettes; Sennheiser 421 mics > Nakamichi 550 (Maxell UDXLII-90)(copy of Jim Voss's Sennheiser 421 master, located at the soundboard); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes
5402. 12/27/81 Flac 16 - 0, 33568 Oakland Oakland Auditorium Arena flac16; Recording Info: SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Dolby B) -> Sonic 24bit -> SBM2 -> CD -> EAC -> FLAC Transferred and Mastered By David Gans Converted To FLAC By Charlie Miller Thanks to Joani Walker and Paul Scotton for the tapes notes
5403. 12/27/81 Flac 16 - 0, 120133 Oakland Oakland Auditorium Arena flac16; Audience Cassette Master, Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(Set 1-encore Maxell UDXL-IIS 90)(Set II TDK MA C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(transferred @ 44.1/24[soft limit] dithered to 44.1/16 bit) > (Peak 7 OS X editing-dithering) > Xact notes
5404. 12/27/81 Shn - 0, 8201 Oakland Oakland Auditorium Arena SBD>MC>DAT>CD; Missing Baby Blue encore; via Mark Perini; Seeded to etree by Willy; upgrade in circulation notes
5405. 12/27/81 Flac 16 - 0, 96562 Oakland Oakland Auditorium Arena flac16; Source: Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Wavelab 5 > Plugins > r8brain Pro > 16/44.1 Wave > CD Wave > flac16 notes
5406. 12/27/81 Shn - 0, 9733 Oakland Oakland Auditorium Arena Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; To abgd via Charlie Connor. ; upgrade in circulation notes
5407. 12/27/81 Flac 16 - 0, 140329 Oakland Oakland Auditorium Arena flac16; Recording Info: Vault Master Soundboard Cassette -> PCM; Transfer Info: PCM (Sony SL-10) > Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 notes
5408. 12/27/81 Flac 16 - 0, 143468 Oakland Oakland Auditorium Arena flac16; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5409. 12/27/81 Flac 24/96 - 0, 143469 Oakland Oakland Auditorium Arena flac24; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes
5410. 12/27/81 Flac 24/96 - 0, 143630 Oakland Oakland Auditorium Arena flac24; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes
5411. 12/27/81 Flac 16 - 0, 143629 Oakland Oakland Auditorium Arena flac16; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5412. 12/28/81 Flac 16 - 0, 96304 Oakland Oakland Auditorium Arena flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
5413. 12/28/81 Shn - 0, 21036 Oakland Oakland Auditorium Arena SBD > MC > C > DAT > CD > EAC > SHN; Hiss reduction applied; EAC/SHN by Darryl Hinko notes
5414. 12/28/81 Flac 16 - 0, 96571 Oakland Oakland Auditorium Arena flac16; Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Wavelab 5.0 > Waves L3 UltraMaximizer > 16/44.1 Wave > CD Wave > TLH > flac16. Taped by Mark Severson, he who wishes to remain anonymous, and Jamie Poris. Transferred & Edited by Bgreen. Edited and Mastered by Alex Ford. notes
5415. 12/28/81 Shn - 0, 10534 Oakland Oakland Auditorium Arena AUD (Senn. 421?s)> MC> DAT> CD; via Paul; Seeded to etree by Glyde notes
5416. 12/28/81 Flac 24 - 0, 123597 Oakland Oakland Auditorium Arena notes
5417. 12/28/81 Flac 16 - 0, 143470 Oakland Oakland Auditorium Arena flac16; Source Info: Joani Walker's Master Audience Cassettes; Dan Healy's AKG 414 mics > Nakamichi 550 (Maxell UDXLII C90); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5418. 12/28/81 Flac 24/96 - 0, 143471 Oakland Oakland Auditorium Arena flac24; Source Info: Joani Walker's Master Audience Cassettes; Dan Healy's AKG 414 mics > Nakamichi 550(Maxell UDXLII C90); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes
5419. 12/28/81 Flac 24/96 - 0, 145475 Oakland Oakland Auditorium Arena flac24; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes
5420. 12/28/81 Flac 16/48 - 0, 143474 Oakland Oakland Auditorium Arena flac16; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info:Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5421. 12/28/81 Flac 24/96 - 0, 143473 Oakland Oakland Auditorium Arena flac24; Set 2 only. Source Info: Master Soundboard Cassette; Sony D5 (Maxell UDXLIIS-90) Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes
5422. 12/28/81 Flac 16 - 0, 143472 Oakland Oakland Auditorium Arena flac16; Set 2 Source Info: Master Soundboard Cassette; Sony D5 (Maxell UDXLIIS-90); Transfer Info:Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5423. 12/30/81 Flac 16 - 0, 117246 Oakland Oakland Auditorium Arena flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat -> CD; Set 2 Pre Drums: SBD -> Cassette Master -> PCM -> Dat -> CD; Set 2 Post Drums: SBD -> Cassette Master -> Reel -> Cassette -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
5424. 12/30/81 Flac 16 - 0, 96582 Oakland Oakland Auditorium Arena flac16; Source: Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > 16/44.1 Wave > CD Wave > TLH > flac16. notes
5425. 12/30/81 Flac 16 - 0, 90866 Oakland Oakland Auditorium Arena flac16; SBD>MC>DAT>CD>SHN>TLH>FLAC patched with: D2T01 Unknown Aud>MC>?>C>Sony TC-KE500S>TheCard>CoolEdit>TLH>FLAC and D2T02-3 SBD>Cm>C>C>C>C>Sony TC-KE500S>TheCard>CoolEdit>TLH>FLAC notes
5426. 12/30/81 Shn - 0, 8211 Oakland Oakland Auditorium Arena 1st Set SBD> MC> DAT> CD; 2nd Set Pre Drums SBD> Cm> PCM> Dat> CD>Cool Edit Pro> CD; 2nd Set Post Drums SBD> Cm> Reel> Cass> CD; via Charlie Miller; Seeded to etree by Willy notes
5427. 12/30/81 Flac 16 - 0, 139771 Oakland Oakland Auditorium Arena flac16; Set 1 + Set 2 Partial; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > TDK MA-90. Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2017 notes
5428. 12/30/81 Flac 24/96 - 0, 143560 Oakland Oakland Auditorium Arena flac24 Source Info:Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B)(TDK MA-R C90) Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes
5429. 12/30/81 Flac 16 - 0, 143559 Oakland Oakland Auditorium Arena flac16 Source Info:Joani Walker's Master Audience Cassettes; Dan Healy's AKG 414 mics > Nakamichi 550(Maxell UDXLII C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes
5430. 12/30/81 Flac 24/48 - 0, 147937 Oakland Oakland Auditorium Arena notes
5431. 12/31/81 Flac 16 - 0, 96106 Oakland Oakland Auditorium Arena flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.) notes
5432. 12/31/81 Flac 16 Mtx - 0, 126611 Oakland Oakland Auditorium Arena flac16; Matrix 3 Source Mix - SBD (shnid=96107) flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 96611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. + VID (no shn id) low generation video found on the internet for a video project - matrix mixing by Kevin Tobin notes
5433. 12/31/81 Flac 16 - 0, 33660 Oakland Oakland Auditorium Arena flac16; SBD> Cassette Master (Dolby B)> Sonic 24bit> SBM2> CD> EAC> FLAC; Transferred and Mastered By David Gans; FLAC By Charlie Miller notes
5434. 12/31/81 Shn - 0, 12784 Oakland Oakland Auditorium Arena Jay Ashley (Bertha) remaster of Jay Serafin's 4 TRACK RTR source; SBD> MR> PCM> DAT> CDR> SHN> DAW(Bertha)> CDA; Note- Joan Baez set missing notes
5435. 12/31/81 Shn - 0, 7041 Oakland Oakland Auditorium Arena electric sets; Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB; via Jay Serafin to gdlive; see extensive notes in txt files notes
5436. 12/31/81 Shn - 0, 14040 Oakland Oakland Auditorium Arena Acoustic set only (w/ Joan Baez); SBD > MR > CASS > DAT > CDR > EAC > SHN via Chris Warren; upgrade in circulation notes
5437. 12/31/81 Flac 16 - 0, 96611 Oakland Oakland Auditorium Arena flac16; Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither notes
5438. 12/31/81 Flac 24/96 - 0, 96107 Oakland Oakland Auditorium Arena flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.) notes
5439. 12/31/81 Shn - 0, 14686 Oakland Oakland Auditorium Arena Master reels->cass->DAT->CD-R->EAC(x2 w/wav compare)->shn. ; upgrade in circulation notes
5440. 12/31/81 Shn - 0, 331 Oakland Oakland Auditorium Arena Reels > Cass > Dat > CDR; via G. Lanum; 8/00: note tracklist now apparently corrected here from what had been listed originally; see pub comments for flaw notes.; upgrade in circulation notes
5441. 12/31/81 Flac 16 - 0, 96082 Oakland Oakland Auditorium Arena flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
5442. 12/31/81 Flac 16 - 0, 85628 Oakland Oakland Auditorium Arena flac16; Recording by Matt Field. Source: FOB Nak 100's > D-5 > D-5 > Maxell UDXL I cassettes. Transfer and Mastering: Cassette (1st Gen) playback on Nakamichi CR-7A, azimuth adjusted, no Dolby > Grace Lunatec V3, sample rate at 96 KHz > AES digital connection > LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transfer and mastering by Chris L. notes
5443. 12/31/81 Flac 24/96 - 0, 96090 Oakland Oakland Auditorium Arena flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
5444. 12/31/81 Flac 24/96 - 0, 143571 Oakland Oakland Auditorium Arena flac24; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 notes
5445. 12/31/81 Flac 16/48 - 0, 143570 Oakland Oakland Auditorium Arena flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5446. 12/31/81 Flac 16/48 - 0, 143777 Oakland Oakland Auditorium Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 143571) Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 + AUD (shnid = 096611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - surround mixing by Kevin Tobin notes
5447. 12/31/81 Flac 16 - 0, 143773 Oakland Oakland Auditorium Arena flac16; Patched & Pitch Corrected Audience - AUD (original shnid = 96611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - pitch correction and patches by Kevin Tobin notes
5448. 12/31/81 Flac Dts 5.1 - 0, 143775 Oakland Oakland Auditorium Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 143571) Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 + AUD (shnid = 096611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - dts mixing by Kevin Tobin notes
5449. 12/31/81 Flac 16 Mtx - 0, 143774 Oakland Oakland Auditorium Arena flac16; Matrix 2 Source Mix - SBD (shnid = 143571) Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 + AUD (shnid = 096611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - matrix mixing by Kevin Tobin notes
5450. 12/31/81 Flac 24/96 - , 156059 Oakland Oakland Auditorium Arena flac2496 Source Info: Jim Voss's Master FOB Audience Cassettes: Sennheiser 421 mics (14th row)> Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5451. 12/31/81 Flac 16/48 - , 156058 Oakland Oakland Auditorium Arena flac1648 Source Info: Jim Voss's Master FOB Audience Cassettes: Sennheiser 421 mics (14th row)> Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5452. 01/01/82 Shn - 0, 19808 Novato Mickey's ranch studio studio recording by Mickey Hart, Barry Melton, Bill Graham and others - 'The Bugs' - unreleased radio play. from 3rd gen cassette via Hanno Bunjes, Uli Teute notes
5453. 02/16/82 Shn - 0, 19502 San Francisco Warfield Theater MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape, about 20 feet in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1 notes
5454. 02/16/82 Flac 16 - 0, 111364 San Francisco Warfield Theater flac16: Recorded, Transferred and Mastered by N. Hoey 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(Maxell UDXL-IIS 90) (lower loge) Nakamichi Dragon (Dolby B decoded) > RME PAD 96(A/D conversion) > Apple G4 (Peak editing) > Xact (SBE Fixed version seeded 01/08/2011.) notes
5455. 02/16/82 Shn - 0, 19267 San Francisco Warfield Theater Set 1 and Encore Audience (unknown mics) via Barry Bryson. C > WAV conversion by Peter Braverman, encoded by Matt Vernon notes
5456. 02/16/82 Flac 24/48 - 0, 149928 San Francisco Warfield Theater flac24; Set One & Encore: AUD: Unknown mics > Sony TC-D5 > Maxell MX-90, FOB recording by Brian Schley; Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged; Transferred by Andrew F. 05/2020 notes
5457. 02/16/82 Flac 16 - 0, 149912 San Francisco Warfield Theater flac16; Source: Unknown mics > Sony TC-D5 > Maxell XLIIS 90's; Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz; Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged; Transferred by Andrew F. 05/2020 notes
5458. 02/17/82 Flac 16 - 0, 112408 San Francisco Warfield Theater flac16;Recording Info:Set 1: SBD -> Cassette Master (TDK MA-R90); Set 2: SBD -> Cassette Master -> Cassette (Dolby C); Transfer Info:Set 1: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> FLAC/16; Set 2: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
5459. 02/17/82 Shn - 0, 23221 San Francisco Warfield Theater Main source: MSC>DAT>CD (http://db.etree.org/shn_downloadtxt.php?shnid=15033) Patch source: Steven Martin's MAC>DAT>CD (http://db.etree.org/shninfo_detail.php?shnid=21916) via Sean Cribbs notes
5460. 02/17/82 Shn - 0, 15033 San Francisco Warfield Theater Source: SBD Lineage: Master Cassette> DAT> CD> SHN; Seeded by Peter Braverman notes
5461. 02/17/82 Flac 16 - 0, 111448 San Francisco Warfield Theater flac16; Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(Maxell UDXL-IIS 90) (Lower Loge Section 3 Row AA Seats 3-7) Nakamichi Dragon (Dolby B decoded) > TC Electronics Konnekt8 (A/D conversion)(transferred @ 88.2/24-resampled to 44.1k/dithered to 16 bit) > Apple OS X 10.5.8 (Peak 6 editing-resampling-dithering) > Xact (SBE Fixed version seeded 01/10/2011.) notes
5462. 02/17/82 Flac - 0, 21916 San Francisco Warfield Theater MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding (flac 1.1.0, compression level 8) notes
5463. 02/17/82 Flac 16 Mtx - 0, 138012 San Francisco Warfield Theater flac16; Matrix of SBD (shnid=112408) and AUD (shnid=21916) by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes
5464. 02/17/82 Flac 16/48 - 0, 144621 San Francisco Warfield Theater flac16/48kHz; Frank Streeter's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M (TDK SA-90); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5465. 02/17/82 Flac 24/96 - 0, 144622 San Francisco Warfield Theater flac24; Frank Streeter's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M (TDK SA-90); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496 notes
5466. 02/19/82 Flac 16 - 0, 94395 San Diego Golden Hall, Community Concourse flac16; Recording Info: (FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller notes
5467. 02/19/82 Flac 16 - 0, 136426 San Diego Golden Hall, Community Concourse flac 16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal. FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 notes
5468. 02/19/82 Shn - 0, 13570 San Diego Golden Hall, Community Concourse Sony ECM200T>SonyTCD5>C>NakDR1>PCM> PC>CoolEditBass Boost>DAT>CDR via Rick Martin, encoding by Willy, The Miami SHn Machine notes
5469. 02/19/82 Flac 16 - 0, 28382 San Diego Golden Hall, Community Concourse flac16; MAC (Recorded by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); A > D by Steven Martin, EAC> FLAC by Jack Warner notes
5470. 02/19/82 Shn - 0, 28732 San Diego Golden Hall, Community Concourse Recorded by Rango Keshavan 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On Playback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable > Turtle Beach Montego II Digital I/O card > PC (CDWav used to record and break up tracks) notes
5471. 02/19/82 Flac 24/96 - 0, 149020 San Diego Golden Hall, Community Concourse flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (55' from stage, 10' right of center, section 201, row 10, seat 4); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes
5472. 02/19/82 Flac 16/48 - 0, 149019 San Diego Golden Hall, Community Concourse flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (55' from stage, 10' right of center, section 201, row 10, seat 4); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5473. 02/19/82 Flac 24/96 - , 151132 San Diego Golden Hall, Community Concourse flac24/96khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
5474. 02/19/82 Flac 16/48 - , 151131 San Diego Golden Hall, Community Concourse flac16/48khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
5475. 02/19/82 Flac 24/48 - , 156326 San Diego Golden Hall, Community Concourse flac2448; Source: BeyerDynamic mics > Sony TC-D5M > Maxell-MX. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022 notes
5476. 02/20/82 Flac - 0, 94410 San Diego Golden Hall, Community Concourse flac16; Recording Info: (FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller notes
5477. 02/20/82 Shn - 0, 13613 San Diego Golden Hall, Community Concourse AUD>MC>DAT>CD; via Scott Shindell; seeded to etree by Willy notes
5478. 02/20/82 Shn - 0, 23823 San Diego Golden Hall, Community Concourse Recording by Rango Keshevan: Nakamichi 300/CP4 -> Cassette Master (Sony TCD5M / Hitachi ME C90 Metal Tape). Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> Samplitude v7.02 Professional -> SHN Transfered By Bill Reutelhuber Tracked and Edited By Charlie Miller notes
5479. 02/20/82 Flac 24 - 0, 137590 San Diego Golden Hall, Community Concourse flac24; Set 1 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017 notes
5480. 02/20/82 Flac - 0, 137591 San Diego Golden Hall, Community Concourse flac16; Set 1 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017 notes
5481. 02/20/82 Shn - 0, 28778 San Diego Golden Hall, Community Concourse Recorded by Rango Keshavan 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On Playback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable > Turtle Beach Montego II Digital I/O card > PC (CDWav used to record and break up tracks) notes
5482. 02/20/82 Flac 24/96 - 0, 149022 San Diego Golden Hall, Community Concourse flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (50' from stage, 5' right of center, section 201, row 11, seat 5); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes
5483. 02/20/82 Flac 16/48 - 0, 149021 San Diego Golden Hall, Community Concourse flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (50' from stage, 5' right of center, section 201, row 11, seat 5); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5484. 02/20/82 Flac 24/96 - , 151134 San Diego Golden Hall, Community Concourse flac24/96khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
5485. 02/20/82 Flac 16/48 - , 151133 San Diego Golden Hall, Community Concourse flac16/48khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
5486. 02/21/82 Shn - 0, 16247 Los Angeles Pauley Pavilion, UCLA Sbd> cassette > dat> cdr> Eac > cool edit pro > shntool > cdwav > shnv3; eac > shnv3 (secure with proper offsets) by Ernie Dodd; Discs kindly provided by Mark Horvath notes
5487. 02/21/82 Flac 24/48 - 0, 144729 Los Angeles Pauley Pavilion, UCLA flac24; 2nd set only; Source: BeyerDynamic M88's > Sony TC-D5M > Maxell XLIIS. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2019 notes
5488. 02/21/82 Flac 16 - 0, 148007 Los Angeles Pauley Pavilion, UCLA flac16; Source Info: Master Soundboard Cassette > Cassette > Dat (16/44.1); Transfer Info: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Sound Devices 744T (wav 16/44)> Adobe Audition CC 2019 > TLH flac16 notes
5489. 02/21/82 Flac 24/96 - 0, 149024 Los Angeles Pauley Pavilion, UCLA flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (20' left of center, 35-40' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes
5490. 02/21/82 Flac 16/48 - 0, 149023 Los Angeles Pauley Pavilion, UCLA flac16/48; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (20' left of center, 35-40' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5491. 02/21/82 Flac 24/96 - , 151136 Los Angeles Pauley Pavilion, UCLA flac24/96khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
5492. 02/21/82 Flac 16/48 - , 151135 Los Angeles Pauley Pavilion, UCLA flac16/48khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
5493. 02/21/82 Flac 16/48 - , 154098 Los Angeles Pauley Pavilion, UCLA flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5 (Maxell XLII-S 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5494. 02/21/82 Flac 24/96 - , 154099 Los Angeles Pauley Pavilion, UCLA flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5 (Maxell XLII-S 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5495. 02/21/82 Flac 16 - , 155433 Los Angeles Pauley Pavilion, UCLA flac16/44 Master Cassettes recorded by Ohr Weinberg: 2 unknown microphones (don't remember) -> Sony TC-D5M (Maxell MX-90 Cassettes with Dolby B) Transfer: Anne Cohen: AD Transfer - Master cassettes played on Nakamichi Dragon -> HHB CDR-800 -> EAC -> CD Ohr: CD > EAC >WAV > FLAC notes
5496. 03/13/82 Flac 16 - 0, 112858 Reno Reno Centennial Coliseum flac16 set2; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC notes
5497. 03/13/82 Flac 24/48 - 0, 134012 Reno Reno Centennial Coliseum flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2015 notes
5498. 03/13/82 Flac 16 - 0, 134013 Reno Reno Centennial Coliseum flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015 notes
5499. 03/13/82 Shn - 0, 18983 Reno Reno Centennial Coliseum Set 2 Neumann M-25?s via Raoul Duke encoded by Matt Vernon notes
5500. 03/13/82 Shn - 0, 21918 Reno Reno Centennial Coliseum MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding (flac 1.1.0, compression level 8) via Jack Warner notes
5501. 03/13/82 Flac 24/96 - 0, 149033 Reno Reno Centennial Coliseum flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (+3db bass boost) > Mixer > Sony D5 (60' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes
5502. 03/13/82 Flac 16/48 - 0, 149032 Reno Reno Centennial Coliseum flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (+3db bass boost) > Mixer > Sony D5 (60' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5503. 03/13/82 Flac 24/96 - , 154366 Reno Reno Centennial Coliseum flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5 (Maxell XLII C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5504. 03/13/82 Flac 16/48 - , 154365 Reno Reno Centennial Coliseum flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5 (Maxell XLII C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5505. 03/14/82 Shn - 0, 24457 Davis Recreation Hall, UC Davis Source: Master Soundboard Cassette > Reel to Reel > DAT > CDR; same as 7220 with sector boundary errors fixed. notes
5506. 03/14/82 Flac 24/48 - 0, 133984 Davis Recreation Hall, UC Davis flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLIIS (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2015 notes
5507. 03/14/82 Flac 16 - 0, 133985 Davis Recreation Hall, UC Davis flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLIIS (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015 notes
5508. 03/14/82 Shn - 0, 7220 Davis Recreation Hall, UC Davis Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering, SHN'ed by Scott Clugston; d1 tracked for 80 min notes
5509. 03/14/82 Flac 24/48 - 0, 147055 Davis Recreation Hall, UC Davis flac24; Source: FOB Beyers M88's > Sony TC-D5M > Maxell XLIIS. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2019 notes
5510. 03/14/82 Flac 16 - 0, 139382 Davis Recreation Hall, UC Davis flac16; Recording Info: SBD > Reel Master > Cassette > Dat 44.1k; Transfer Info: Dat Sony PCM-R500 > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/44.1k; Transfer By Charlie Miller; Speed correction by Jason Chastain in Adobe CC; Mastering by Jamie Waddell in Wavelab 7.2.1; FLAC8 16 bit 44.1 kHz SBE Free notes
5511. 03/14/82 Flac 24/96 - 0, 149035 Davis Recreation Hall, UC Davis flac24; Source Info: 1st Set: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center -3db) L/R 95 degrees, center down 20 degrees > Mixer (equal balance) > Sony D5M (30' from stage, row L, seat 8); 2nd Set: Mark Severson's Master (FOB) Audience Cassettes; 2 x Nakamichi 700 cardioids (left/right), 1 x Nakamichi 700 omni (center, -6db), L/R 80 degrees, center up 10 degrees > Mixer (equal balance) Sony D5M (30' from stage, row L, seat 8); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes
5512. 03/14/82 Flac 16/48 - 0, 149034 Davis Recreation Hall, UC Davis flac16/48kHz; Source Info: 1st Set: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center -3db) L/R 95 degrees, center down 20 degrees > Mixer (equal balance) > Sony D5M (30' from stage, row L, seat 8); 2nd Set: Mark Severson's Master (FOB) Audience Cassettes; 2 x Nakamichi 700 cardioids (left/right), 1 x Nakamichi 700 omni (center, -6db), L/R 80 degrees, center up 10 degrees > Mixer (equal balance) Sony D5M (30' from stage, row L, seat 8); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5513. 03/14/82 Flac 16/48 - , 156432 Davis Recreation Hall, UC Davis flac1648 Source Info: Master Soundboard Cassettes (Sony D6) Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 notes
5514. 03/14/82 Flac 24/96 - , 156433 Davis Recreation Hall, UC Davis flac2496 Source Info: Master Soundboard Cassettes (Sony D6) Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 notes
5515. 04/02/82 Shn - 0, 34846 Durham Cameron Indoor Stadium, Duke University MSC>C>DAT>CD>EAC>SHN - Seamless fix of shn id 7221 via Bill Tetzeli notes
5516. 04/02/82 Flac - 0, 129029 Durham Cameron Indoor Stadium, Duke University flac16; Recording Info: SBD > MC > C > ? > ? > DAT > CDR; Transfer Info: CDR > WAV > Sound Forge 10 > TLH > FLAC notes
5517. 04/02/82 Flac - 0, 132918 Durham Cameron Indoor Stadium, Duke University flac16; AUD Source: Low-gen, unknown taper & gear, kindly provided by Tom P. aka "Laser Beam" and poordevil. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged; Tape transfer & editing by Andrew F. April 2015 notes
5518. 04/02/82 Flac 24 - 0, 135561 Durham Cameron Indoor Stadium, Duke University flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Hitachi ME Metal C-90s, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2016 notes
5519. 04/02/82 Flac - 0, 135562 Durham Cameron Indoor Stadium, Duke University flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Hitachi ME Metal C-90s, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016 notes
5520. 04/02/82 Flac - 0, 110597 Durham Cameron Indoor Stadium, Duke University flac16; AUD Source: Nakamichi CM-700's > Sony TC-D5. Low Gen (1st or 2nd) copy, provided by Tim Friend. Transfer: Maxell XLIIs > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2010 notes
5521. 04/02/82 Flac - 0, 132146 Durham Cameron Indoor Stadium, Duke University flac16; NAK deck > 2 90 minute UDXL II cassette masters, REC from centered seats behind the stage. Tascam 322 > Marantz CDR 510 > CDR > EAC > WAV > CD WAV Editor > Flac 8; Upgrade in circulation notes
5522. 04/02/82 Flac - 0, 122822 Durham Cameron Indoor Stadium, Duke University flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony TC-D5M/Maxell XLIIS/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes
5523. 04/02/82 Shn - 0, 7221 Durham Cameron Indoor Stadium, Duke University Master Soundboard Cassette > Cassette > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; upgrade in circulation notes
5524. 04/02/82 Flac 16/48 - , 154425 Durham Cameron Indoor Stadium, Duke University flac16/48 Source Info: Master Audience Cassettes; (2) Beyer M160 + (1) Beyer M88 blend > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5525. 04/02/82 Flac 24/96 - , 154426 Durham Cameron Indoor Stadium, Duke University flac24/96 Source Info: Master Audience Cassettes; (2) Beyer M160 + (1) Beyer M88 blend > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5526. 04/03/82 Flac 16 - 0, 96069 Norfolk The Scope flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
5527. 04/03/82 Flac 16 - 0, 119009 Norfolk The Scope flac16; Source: SBD > ? > Lo-gen Cassette, kindly provided by Seaweed1010. Transfer: Maxell MX90 > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2012 notes
5528. 04/03/82 Flac 16 - 0, 112827 Norfolk The Scope flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony TC-D5M/Maxell XLIIS/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner notes
5529. 04/03/82 Flac 16 - 0, 82757 Norfolk The Scope flac16; Recording by Bob Wager, Nak 700s>Sony TC-D5M Transfer : A:C:D:CD. Seeded to etree by David Minches notes
5530. 04/03/82 Shn - 0, 23824 Norfolk The Scope Up Front Audience, Sennheiser 441 Microphones > Cassette Master > DAT (via Fostex D-10 Playback) > CD-R (hhb 800 Standalone) > EAC 0.9 > WAV > CDRWAV (for track recutting)>SHN (via MKWACT) via Fishman notes
5531. 04/03/82 Shn - 0, 5314 Norfolk The Scope AUD?> Bootleg CD> EAC> SHN; "liberated" by Justin Snyder notes
5532. 04/03/82 Flac 16 - 0, 140074 Norfolk The Scope flac16; AUD: Nakamichi CM300/CP4 shotguns > lead deck (?) > Sony TC-D5 > Maxell XLII 90's, recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017 notes
5533. 04/03/82 Flac 16 - 0, 142851 Norfolk The Scope flac16; Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; this is 142815 24 -> 16 at 44.1 notes
5534. 04/03/82 Flac 24 - 0, 142815 Norfolk The Scope flac24; Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
5535. 04/03/82 Flac 24/48 - 0, 150384 Norfolk The Scope flac24; Source: FOB Beyers mics > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2020 notes
5536. 04/03/82 Flac 16 Mtx - , 163574 Norfolk The Scope flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 142851 & 140074. notes
5537. 04/05/82 Flac 16 - 0, 90496 Philadelphia The Spectrum flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
5538. 04/05/82 Shn - 0, 113612 Philadelphia The Spectrum (FOB, 4th Row) Senn 441>Cm>Dat>CD; via Charlie Miller; Seeded to etree by Willy notes
5539. 04/05/82 Flac 24/48 - 0, 147439 Philadelphia The Spectrum flac24; Source: AUD (unknown gear) > MAC > 1st-Gen cassette via Richie & Rip. Transfer: Maxell XLII-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2019 notes
5540. 04/05/82 - , 164911 Philadelphia The Spectrum flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5541. 04/05/82 - , 154912 Philadelphia The Spectrum flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5542. 04/06/82 Flac 16 - 0, 105237 Philadelphia The Spectrum flac16;Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
5543. 04/06/82 Flac 16 - 0, 90469 Philadelphia The Spectrum flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
5544. 04/06/82 Shn - 0, 16768 Philadelphia The Spectrum AUD/fob cm>dat>cdr>eac>shn extraction and conversion by cdipietro notes
5545. 04/06/82 Shn - 0, 16785 Philadelphia The Spectrum Main Source: SBD(unknown lineage)>SHN(Mike Lai Seed) ; Patch Source: AUD/FOB>CM>DAT>CDR>EAC>SHN ; Remastering/Seeded by T. Wiley 4/23/03 notes
5546. 04/06/82 Flac 24/96 - 0, 143051 Philadelphia The Spectrum flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Bob Wagner's Sony TC-D5M > Jim's Sony TC-D5M (Maxell UDXLII-C90) Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes
5547. 04/06/82 Flac 16 - 0, 143370 Philadelphia The Spectrum flac16; Matrix: SBD -> Cassette Master -> Dat +2db added to SBD source and Jim Wise's Master (FOB) Audience Cassettes notes
5548. 04/06/82 Flac 16/48 - 0, 143050 Philadelphia The Spectrum flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Bob Wagner's Sony TC-D5M > Jim's Sony TC-D5M (Maxell UDXLII-C90)Transfer Info:Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5549. 04/08/82 Flac 16 - 0, 109567 Syracuse Onongada County War Memorial flac16; Set 2 Only Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
5550. 04/08/82 Flac 16 - 0, 102213 Syracuse Onongada County War Memorial flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog Lineage: Sennheiser 421 > Sony TC-D5M > MAC Analog Sound Preservation: MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Jim Vita Transfer By: John Steinthal Mastering By: Bill Koucky notes
5551. 04/08/82 Flac 24 - 0, 136854 Syracuse Onongada County War Memorial flac24; Recording Info: (2) Beyer M160's + (1) Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); Recorded By Frank Streeter; Transferred and Mastered By Charlie Miller notes
5552. 04/08/82 Shn - 0, 8475 Syracuse Onongada County War Memorial Jim Wise sennheiser 421 mics; via DNC Feb 2002 Vine; seeded to etree by Matt Vernon notes
5553. 04/08/82 Flac 16 - 0, 103280 Syracuse Onongada County War Memorial flac16; Nak 700's > Bass Box > TCD-5M Digitized 24/48 > Sound Forge 7.0 > CD wave > Flac.16 notes
5554. 04/08/82 Shn - 0, 14543 Syracuse Onongada County War Memorial FOB) Senn 421 -> Cm (sony D5/Dolby B)-> Dat -> Behringer UltraMatch SRC 2000 -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD; Dat -> CD Transfer done by Charlie Miller notes
5555. 04/08/82 Flac 16 - 0, 137071 Syracuse Onongada County War Memorial flac16; Recording Info: (2) Beyer M160's + (1) Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); Recorded By Frank Streeter; Transferred and Mastered By Charlie Miller notes
5556. 04/08/82 Flac 24/96 - 0, 102214 Syracuse Onongada County War Memorial flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog Lineage: Sennheiser 421 > Sony TC-D5M > MAC Analog Sound Preservation: MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Jim Vita Transfer By: John Steinthal Mastering By: Bill Koucky notes
5557. 04/08/82 Flac 24/96 - 0, 140785 Syracuse Onongada County War Memorial flac24; source: nak 300 (3 rows fob,lc, 7’) > tcd5m > udxlii +dolby > master > tascam 122 mkii -dolby > rosetta200 > audacity (levels, normalize, tracks, fades) > flac24/96 > xact (tags, checksums); recorded: david barfield + david lane; transferred/seeded: barfield notes
5558. 04/08/82 Flac 24/48 - 0, 152456 Syracuse Onongada County War Memorial flac24/48 Microphones: Nakamichi 300 shotguns Recorder:Sony TC-D5M 2nd deck in line Location:10 feet behind SBD, LOC (left side of the audience/stage right) This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott & Chuck Sussman Transfer by: Kyle Holbrook notes
5559. 04/08/82 Flac 16/44 - 0, 152455 Syracuse Onongada County War Memorial flac16/44 Source: 1st Gen AUDCA:Nakamichi 300 shotguns > Sony TC-D5M 2nd deck in line Maxell UDXLII 90's Location:10 feet behind SBD, LOC (left side of the audience/stage right) Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott & Chuck Sussman Transfer by: Kyle Holbrook notes
5560. 04/09/82 Flac 16 - 0, 107054 Rochester Community War Memorial Auditorium flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
5561. 04/09/82 Flac 16 - 0, 105524 Rochester Community War Memorial Auditorium flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog Lineage: Sennheiser 421 > Sony TC-D5M > MAC Analog Sound Preservation: MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Jim Vita Transfer By: John Steinthal Mastering By: Bill Koucky; MOTB Release: 0098 16/44.1 notes
5562. 04/09/82 Flac 16 - 0, 32716 Rochester Community War Memorial Auditorium flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
5563. 04/09/82 Shn - 0, 28204 Rochester Community War Memorial Auditorium FOB Rob Eaton Recording Senn 441's>Nak 550>DAT>CDRs>EAC>SHN (seekable). This is the same as shn id 10918 with undocumented changes to d3t05. notes
5564. 04/09/82 Flac 24/96 - 0, 136855 Rochester Community War Memorial Auditorium flac24; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); Recorded By Frank Streeter; Transferred and Mastered By Charlie Miller notes
5565. 04/09/82 Flac 16 - 0, 103245 Rochester Community War Memorial Auditorium flac16;Nak 700's > Bass Box> Digitized 24/48 > Sound Forge 7 > CD Wave > Flac 16 Recorded and seeded by David Dyche notes
5566. 04/09/82 Shn - 0, 10918 Rochester Community War Memorial Auditorium Rob Eaton FOB Senn 441's>Nak 550>DAT>CDR; via Mike McCarthy; seeded to etree by Darrin Sacks notes
5567. 04/09/82 Flac 16 - 0, 137074 Rochester Community War Memorial Auditorium flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); Recorded By Frank Streeter; Transferred and Mastered By Charlie Miller notes
5568. 04/09/82 Flac 24 - 0, 137581 Rochester Community War Memorial Auditorium flac24; AUD: Nakamichi CM300/CP4 shotguns > lead deck (?) > Sony TC-D5 > Maxell XLII 90's, recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017 notes
5569. 04/09/82 Flac - 0, 137582 Rochester Community War Memorial Auditorium flac16; AUD: Nakamichi CM300/CP4 shotguns > lead deck (?) > Sony TC-D5 > Maxell XLII 90's, recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017 notes
5570. 04/09/82 Flac 24/96 - 0, 144606 Rochester Community War Memorial Auditorium flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger 2019 notes
5571. 04/09/82 Flac 16 - 0, 144605 Rochester Community War Memorial Auditorium flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger 2019; fixed version circulated 01/17/2019 notes
5572. 04/09/82 Flac 24/48 - 0, 152458 Rochester Community War Memorial Auditorium flac24/48 Microphones: Beyer m201's in hat Recorder: Sony TCD5 no dolby Location: 40' from stacks in 100's reserved RT of SBD (about 12 feet above floor.) This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes
5573. 04/09/82 Flac 16/44 - 0, 152457 Rochester Community War Memorial Auditorium flac16/44 Microphones: Beyer m201's in hat Recorder: Sony TCD5 no dolby Location: 40' from stacks in 100's reserved RT of SBD (about 12 feet above floor.) This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook notes
5574. 04/09/82 Flac 24/96 - , 155211 Rochester Community War Memorial Auditorium flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLIIS 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5575. 04/09/82 Flac 16/48 - , 155210 Rochester Community War Memorial Auditorium flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLIIS 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5576. 04/11/82 Flac 16 - 0, 108852 Uniondale Nassau Coliseum flac16;Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
5577. 04/11/82 Flac 16 - 0, 114002 Uniondale Nassau Coliseum flac16; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 06/2011 notes
5578. 04/11/82 Shn - 0, 6959 Uniondale Nassau Coliseum Jim Wise - (9th row - center) Senn 421's > Sony TC D5 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) >EAC >SHN (tracking with CDWAV); encore sourced from a beyer m160 > d5 master made at the sbd; d1 tracked for 80 min; via Darrin Sacks notes
5579. 04/11/82 Flac 16 - 0, 102037 Uniondale Nassau Coliseum flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris notes
5580. 04/11/82 Flac 16 Mtx - 0, 137976 Uniondale Nassau Coliseum flac16; 2 source matrix by Dusborne; Soundboard (shnid:108852), SBD -> Cassette Master -> Reel -> Dat (48k),Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC and Audience (shnid:114002), AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged notes
5581. 04/11/82 Flac 16 - 0, 144611 Uniondale Nassau Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger; fixed version circulated 01/17/2019 notes
5582. 04/11/82 Flac 16/48 - , 155626 Uniondale Nassau Coliseum flac16/48 Source Info: Master Audience Cassettes; Beyer M88 mics > unknown deck; Jim Vita's 1st generation cassette (Maxell XLIIS 90) Transfer Info: 1st generation cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5583. 04/11/82 Flac 24/96 - , 155627 Uniondale Nassau Coliseum flac24/96 Source Info: Master Audience Cassettes; Beyer M88 mics > unknown deck; Jim Vita's 1st generation cassette (Maxell XLIIS 90) Transfer Info: 1st generation cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5584. 04/12/82 Flac 16 - 0, 32014 Uniondale Nassau Coliseum flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC notes
5585. 04/12/82 Flac 16 - 0, 95638 Uniondale Nassau Coliseum flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; pitch corrected version of of shn id 32014 notes
5586. 04/12/82 Flac 16 - 0, 35160 Uniondale Nassau Coliseum flac16; Fix of shn id 32014 - SBD -> Cassette Master -> Reel -> Dat (48k). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
5587. 04/12/82 Flac 16 - 0, 113826 Uniondale Nassau Coliseum flac16; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2011 notes
5588. 04/12/82 Shn - 0, 9580 Uniondale Nassau Coliseum AUD>MC>DAT>CDR; via Paul; Seeded to etree by Glyde notes
5589. 04/12/82 Flac 24/48 - 0, 137410 Uniondale Nassau Coliseum flac24; AUD: Unknown mics (likely Beyers) > lead deck > Sony TC-D5M > Maxell XLII's, FOB recording by Brian Schley. Transfer: Set 1 (1982 1st-gen) and Set 2 (MAC) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2016 notes
5590. 04/12/82 Flac 16 - 0, 137411 Uniondale Nassau Coliseum flac16; AUD: Unknown mics (likely Beyers) > lead deck > Sony TC-D5M > Maxell XLII's, FOB recording by Brian Schley. Transfer: Set 1 (1982 1st-gen) and Set 2 (MAC) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2016 notes
5591. 04/12/82 Flac 24/48 - 0, 113824 Uniondale Nassau Coliseum flac24; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 05/2011 notes
5592. 04/12/82 Flac 16 Mtx - 0, 138011 Uniondale Nassau Coliseum flac16; 2 source matrix by Dusborne;Soundboard (shnid:95638), Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k),Transfer Info:Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 ->FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; amd Audience (shnid:113826), AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone; Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 notes
5593. 04/12/82 Flac 16 - 0, 141257 Uniondale Nassau Coliseum flac16; Source Info: Frank Streeter's Master FOB Audience Cassettes; Beyer M160 mics > Sony D5; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24/96)> Adobe Audition 3.0 (.wav 24/96) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5594. 04/12/82 Flac 24/96 - 0, 141258 Uniondale Nassau Coliseum flac24; Source Info: Frank Streeter's Master FOB Audience Cassettes; Beyer M160 mics > Sony D5; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24/96)> Adobe Audition 3.0 (.wav 24/96) > TLH flac2496 notes
5595. 04/12/82 Flac 16 - 0, 144613 Uniondale Nassau Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
5596. 04/12/82 Flac 24/96 - 0, 144614 Uniondale Nassau Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
5597. 04/14/82 Shn - 0, 7629 Glens Falls Glens Falls Civic Center SBD MC>Cass>DAT>CDR; via Peter Braverman notes
5598. 04/14/82 Flac 16 Mtx - 0, 30206 Glens Falls Glens Falls Civic Center flac16; Matrix of Soundboard and audience recording by Ohr Weinberg via PLS. notes
5599. 04/14/82 Flac Dts 5.1 - 0, 76504 Glens Falls Glens Falls Civic Center DTS Audio 5.1; dts version: SBD - MC > Cass > DAT > CDR and AUD - MAC > CD > WAV > SHN - dts mixed by pls notes
5600. 04/14/82 Shn - 0, 26234 Glens Falls Glens Falls Civic Center Recording by Ohr Weinberg: 2 Sennheiser MD421's > Sony TC-D5M 10th row (sec 102 row J seat 3) 7-8' stand, Maxell MX90 cassettes with Dolby B; A>D transfer by Anne Cohen: Master Cassette > Nakamichi Dragon (Modified by Stephen Sank) with Dolby B > HHB CDR 830plus > EAC > Sound Forge 5.0 (tape flip splice) > CD Wave Editor 1.71 > WAV > SHN, or > FLAC notes
5601. 04/14/82 Flac 24 - 0, 137550 Glens Falls Glens Falls Civic Center flac24; Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded By Frank Streeter notes
5602. 04/14/82 Flac 16 - 0, 137552 Glens Falls Glens Falls Civic Center flac16; Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded By Frank Streeter, 24bit > 16bit with r8brain notes
5603. 04/14/82 Flac 24/96 - 0, 144618 Glens Falls Glens Falls Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
5604. 04/14/82 Flac 16 - 0, 144617 Glens Falls Glens Falls Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
5605. 04/14/82 Flac 16/48 - , 155628 Glens Falls Glens Falls Civic Center flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5606. 04/14/82 Flac 24/96 - , 155629 Glens Falls Glens Falls Civic Center flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5607. 04/15/82 Flac 16 - 0, 106527 Providence Providence Civic Center flac16; AUD: 3x Nakamichi CM300/CP1's > Nakamichi 550 > Maxell XLII-S. Mics on stand, FOB floor, right center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 03/2010 notes
5608. 04/15/82 Flac 24/96 - 0, 95435 Providence Providence Civic Center flac24; **SET 2 ONLY** Recording Info:(FOB/13th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Sony FeCr90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; Taped By Michael Kirschner; All Transfers and Mastering By Charlie Miller notes
5609. 04/15/82 Flac 16 - 0, 96434 Providence Providence Civic Center flac16; **SET 2 ONLY** Recording Info:(FOB/13th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Sony FeCr90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; Taped By Michael Kirschner; All Transfers and Mastering By Charlie Miller notes
5610. 04/15/82 Shn - 0, 11930 Providence Providence Civic Center AUD(NAK 700's)>MC>DAT>CD; via Paul; Seeded to etree by Glyde notes
5611. 04/15/82 Flac 24/48 - 0, 106526 Providence Providence Civic Center flac24; AUD: 3x Nakamichi CM300/CP1's > Nakamichi 550 > Maxell XLII-S. Mics on stand, FOB floor, right center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 03/2010 notes
5612. 04/15/82 Flac 16 - 0, 144634 Providence Providence Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger 2019 notes
5613. 04/15/82 Flac 24/96 - 0, 144633 Providence Providence Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger 2019 notes
5614. 04/15/82 Flac 16 - 0, Providence Providence Civic Center notes
5615. 04/15/82 Flac 24/96 - , 155569 Providence Providence Civic Center flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S) Transfer Info: Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5616. 04/15/82 Flac 16/48 - , 155618 Providence Providence Civic Center flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5617. 04/17/82 Shn - 0, 23933 Hartford Hartford Civic Center Bertha Remaster of unknown Soundboard source (*)SBD>>???>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN notes
5618. 04/17/82 Shn - 0, 332 Hartford Hartford Civic Center set II; SBD> PCM> C> DAT> ZA2 downsampling> CDR; conversion: second half of the set was normalized because the levels were lower; known flaws: some mic crackle in shakedown, and a few clicks and pops- but does not have the bad diginoise in Sailor et al that's present on another widely circ copy; room for filler on each disc; via R. Nayfield notes
5619. 04/17/82 Flac 16 - 0, 115651 Hartford Hartford Civic Center flac16; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 08/2011 notes
5620. 04/17/82 Flac 16 - 0, 76142 Hartford Hartford Civic Center flac16; AUD: Unknown mics (possibly Shure) > Nakamichi 550 (likely) tape deck > Maxell UDXL-II 90's, with Dolby off. Set up in Section 114, Row R, Seat 9 (Brent's side). Taped by Dennis C. (See note below.) Transfer: MAC > Sony TC-D5M (Dolby off) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-Fix, Checksums, FLAC compression) > FLAC by Andrew F. notes
5621. 04/17/82 Flac 16 - 0, 78747 Hartford Hartford Civic Center flac16; Recording by Barry Glassberg:FOB-Nak 700's > Sony D5 Transfer:Aud > mastercassette > DAT > CDR > EAC > Flac-level 8 notes
5622. 04/17/82 Flac 16 - 0, 137574 Hartford Hartford Civic Center flac16; Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded By Frank Streeter; Source ID 137573 24bit > 16bit with r8brain notes
5623. 04/17/82 Flac 24 - 0, 137573 Hartford Hartford Civic Center flac24; Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded By Frank Streeter notes
5624. 04/17/82 Flac 16 - 0, 141100 Hartford Hartford Civic Center flac16; Set 2 Source Info: Vault Master Soundboard PCM > PCM (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
5625. 04/17/82 Flac 16 - 0, 144638 Hartford Hartford Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
5626. 04/17/82 Flac 24/96 - 0, 144637 Hartford Hartford Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
5627. 04/17/82 Flac 16 - 0, 146324 Hartford Hartford Civic Center flac16; Recording Info: SBD > PCM Master (Sony PCM-F1/Maxell HG-T120 VHS); Transfer Info: PCM Master (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes
5628. 04/17/82 Flac 16 Mtx - 0, 151688 Hartford Hartford Civic Center flac16; 2 Source Matrix by Dusborne; Soundboard(shnid:146324)Recording Info: SBD > PCM Master (Sony PCM-F1/Maxell HG-T120 VHS),Transfer Info:PCM Master (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro >Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X4 Suite > FLAC/16,All Transfers and Mastering by Charlie Miller;Audience(shnid:137573)Recording Info:(FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90)Transfer Info:Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 All Transfers and Mastering By Charlie Miller notes
5629. 04/18/82 Flac 16 Mtx - 0, 107090 Hartford Hartford Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
5630. 04/18/82 Flac - 0, 18116 Hartford Hartford Civic Center SBD -> Cm -> PCM -> Dat(48k) via Charlie Miller notes
5631. 04/18/82 Flac 16 - 0, 118275 Hartford Hartford Civic Center flac16; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 01/2012 notes
5632. 04/18/82 Flac 16 - 0, 82487 Hartford Hartford Civic Center flac16; AUD Source: Beyers M160's > Sony TC-D5, near the Sbd. Transfer: MAC > CDR from Jim Wise. CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC notes
5633. 04/18/82 Flac 16 - 0, 102038 Hartford Hartford Civic Center flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris notes
5634. 04/18/82 Flac 16 - 0, 78984 Hartford Hartford Civic Center flac16; Recording by Barry Glassberg FOB-Nak 700's > Sony D5. Transfer:Aud > mastercassette > DAT > CDR > EAC > Flac-level8 notes
5635. 04/18/82 Shn - 0, 14487 Hartford Hartford Civic Center FOB Nak 700's taped by Mark Cohen, MAC to CDR transfer by Jim Wise using Nak Dragon > HHB cdr 800 > cdr, EAC > wav > shn by Don Chase notes
5636. 04/18/82 Flac 24/96 - 0, 144652 Hartford Hartford Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
5637. 04/18/82 Flac 16 - 0, 144653 Hartford Hartford Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
5638. 04/18/82 Flac 16/48 - , 155702 Hartford Hartford Civic Center flac16/48 Source Info: Jim Vita's Master Audience Cassettes ; Sennheiser 421 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2020 > TLH flac2496 notes
5639. 04/18/82 Flac 24/96 - , 155703 Hartford Hartford Civic Center flac24/96 Source Info: Jim Vita's Master Audience Cassettes ; Sennheiser 421 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2020 > TLH flac2496 notes
5640. 04/19/82 Flac 16 Mtx - 0, 89314 Baltimore Baltimore Civic Center flac16; Matrix 2 Source Mix - SBD (shn id 89313) MAC > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV + AUD (shn id 19420) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD - matrix mixing by Kevin Tobin notes
5641. 04/19/82 Flac 16 - 0, 89313 Baltimore Baltimore Civic Center flac16;SBD Master Cassette > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV notes
5642. 04/19/82 Flac 24/96 - 0, 89384 Baltimore Baltimore Civic Center flac24; SBD Master Cassette > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV notes
5643. 04/19/82 Flac 16 Dts 5.1 - 0, 89354 Baltimore Baltimore Civic Center flac16; DTS Audio 5.1; SBD (shn id 89313) MAC > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV + AUD (shn id 19420) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD - matrix mixing by Kevin Tobin notes
5644. 04/19/82 Shn - 0, 2316 Baltimore Baltimore Civic Center Master Soundboard Cassette > Cassette > DAT > CDR; EAC'ed/SHN'ed by Scott Clugston; via David Warren to abgd notes
5645. 04/19/82 Shn - 0, 28291 Baltimore Baltimore Civic Center same as shn id 2316 with an undocumented change to d2t05; Master Soundboard Cassette > Cassette > DAT > CDR EAC'ed/SHN'ed by Scott Clugston notes
5646. 04/19/82 Shn - 0, 19420 Baltimore Baltimore Civic Center MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) ; upgrade in circulation notes
5647. 04/19/82 Flac 16 - 0, 89371 Baltimore Baltimore Civic Center flac16; MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) - original shnid 19420 - audio patches by Kevin Tobin notes
5648. 04/19/82 Flac 24/96 Mtx - 0, 89389 Baltimore Baltimore Civic Center flac24; Matrix 2 Source Mix - SBD (shn id 89313) MAC > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV + AUD (shn id 19420) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD - matrix mixing by Kevin Tobin notes
5649. 04/19/82 Flac 24/96 - 0, 144568 Baltimore Baltimore Civic Center flac24; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
5650. 04/19/82 Flac 16/48 - 0, 144567 Baltimore Baltimore Civic Center flac16/48kHz; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5651. 04/19/82 Flac 16 - , 155354 Baltimore Baltimore Civic Center Master Audience Cassettes - recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Sony TC-D5M Cassette Deck (1st & 2nd Sets: Maxell XLII-S 90 Cassettes), Dolby B Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR830Plus > CD Ohr : CD > EAC > WAV > FLAC notes
5652. 05/21/82 Shn - 0, 5041 Berkeley Greek Theatre, University Of California sbd master cassette > DAT > CDR > EAC > SHN; via Gerald Gorinsky with thanks to Kevin Gills, Mark Perini; see info file for flaw notes notes
5653. 05/21/82 Flac 16 - 0, 86330 Berkeley Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Pro fessional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes a flaw in the previous source. notes
5654. 05/21/82 Flac 16 Mtx - 0, 132100 Berkeley Greek Theatre, University Of California flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:96330) SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; CD -> Samplitude Professional v10.1 -> FLAC and Audience (shnid:109334) (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90); Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16 notes
5655. 05/21/82 Flac 16 - 0, 96310 Berkeley Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation. notes
5656. 05/21/82 Flac 16 - 0, 109334 Berkeley Greek Theatre, University Of California flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16; Recorded By Bob Wagner ; All Transfers and Mastering By Charlie Miller notes
5657. 05/21/82 Flac 24/96 - 0, 122438 Berkeley Greek Theatre, University Of California flac24; Recorded. transferred and edited by N. Hoey; 2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(TDK MA C-90); Nakamichi Dragon (Dolby B decoded) > Apogee Mini Me (A/D 96/24 [soft limiting OFF] ) > OSX Peak 7 (editing) > xACT 1st 3 songs not recorded and are missing on this source notes
5658. 05/21/82 Flac 16/48 - 0, 149236 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M (50' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5659. 05/21/82 Flac 24/96 - 0, 149237 Berkeley Greek Theatre, University Of California flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M (50' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes
5660. 05/21/82 Flac 24/48 - , 156363 Berkeley Greek Theatre, University Of California flac2448; 1st Set; Source: Sennheiser MD-421's > Sony TC-D5M > Maxell-MX. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022 notes
5661. 05/22/82 Flac 16 Mtx - 0, 101450 Berkeley Greek Theatre, University Of California flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes
5662. 05/22/82 Flac 16 - 0, 96331 Berkeley Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
5663. 05/22/82 Flac 16 - 0, 82532 Berkeley Greek Theatre, University Of California flac16; Set 2 only - SBD -> MSC -> PCM -> DAT(x2) Transfer: Panasonic SV-3800 -> Optical out -> FW 410. Recorded in Samplitude v.8.01 (24/48) Re-Mastered: Wavelab v.5. -> CD Wave -> FlacFrontend Level 8 -> check sums via. TLH via M.Townshend/GEMS notes
5664. 05/22/82 Flac 16 - 0, 101328 Berkeley Greek Theatre, University Of California flac16; 2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(FOB on stand)(Maxell UDXL-IIS 90) Playback, Editing, Preparation info: Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion 44.1)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact. Recorded, transferred and mastering by N. Hoey notes
5665. 05/22/82 Flac 16 - 0, 109335 Berkeley Greek Theatre, University Of California flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes
5666. 05/22/82 Shn - 0, 5215 Berkeley Greek Theatre, University Of California soundboard -> master cassette > DAT > CDR > CDR > EAC > SHN; EAC, SHN, etreed by Gerald Gorinsky, with thanks to Kevin Gills and Mark Perini notes
5667. 05/22/82 Flac 24 - 0, 109336 Berkeley Greek Theatre, University Of California flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/24; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes
5668. 05/22/82 Flac 16 - 0, 81059 Berkeley Greek Theatre, University Of California flac16; Unknown FOB Audience source > ? > CD > EAC > FLAC notes
5669. 05/22/82 Flac 16/44 - , 155392 Berkeley Greek Theatre, University Of California flac16/44 Master Cassettes recorded by Ohr Weinberg: 2 PML (Pearl Mikrofon Laboratorium) VM-41 Microphones > PML 7320-S 48V Power Supply > Sony TC-D5M (Maxell MX-90 Cassettes with Dolby B). Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR830Plus > CD Ohr : CD > EAC > WAV > FLAC notes
5670. 05/22/82 Flac 16/48 - , 156108 Berkeley Greek Theatre, University Of California flac1648 Set 2 only. Source Info: Master Audience Cassettes; Beyer M160 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5671. 05/22/82 Flac 24/96 - , 156109 Berkeley Greek Theatre, University Of California flac2496 Set 2 only. Source Info: Master Audience Cassettes; Beyer M160 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5672. 05/23/82 Flac 16 Mtx - 0, 102124 Berkeley Greek Theatre, University Of California flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes
5673. 05/23/82 Flac 16 - 0, 96332 Berkeley Greek Theatre, University Of California flac16;Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
5674. 05/23/82 Shn - 0, 5058 Berkeley Greek Theatre, University Of California sbd -> Master cassette > DAT > CDR> CDR > EAC (secure mode) > SHN; EAC, SHN , upload by Gerald Gorinsky, with thanks to Kevin Gills, Mark Perini notes
5675. 05/23/82 Flac 16 - 0, 135249 Berkeley Greek Theatre, University Of California flac16; AUD: Unknown mics (possibly handheld Naks) > unknown lead deck > Sony TC-D5M > Maxell MX-90's, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2016 notes
5676. 05/23/82 Flac 16 - 0, 101955 Berkeley Greek Theatre, University Of California flac16; 2 Nakamichi CM 300 mics > SONY TC D-5m(Dolby B)(TDK AD-X 90 set 1)(Maxell UDXLII-S, MX 90 set 2) Plybck: Nakamichi Dragon (Dolby B decoded) > Apple G4(RME DIGI PAD 96 A/D conversion 44.1k)(PEAK editing) > Xact notes
5677. 05/23/82 Flac 16 - 0, 109969 Berkeley Greek Theatre, University Of California flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes
5678. 05/23/82 Flac 16/48 - , 156110 Berkeley Greek Theatre, University Of California notes
5679. 05/23/82 Flac 16/48 - , 156110 Berkeley Greek Theatre, University Of California flac1648 Source Info: Master Audience Cassettes; Sennheiser 421 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5680. 05/23/82 Flac 24/96 - , 156111 Berkeley Greek Theatre, University Of California notes
5681. 05/28/82 Flac 16 Mtx - 0, 120201 San Francisco Moscone Convention Center flac16; Matrix 4 Source Mix - SBD (shnid=11362) Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner + AUD1 (shn id 87547) 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8) + AUD2 (shnid=10974) Partial Set 1, complete Set 2; Source: 1st gen analog Nakamichi 300 shotguns > Sony D-5 Transfer: Nakamichi DR-3 > Apogee AD-1000 > EGO-SYS WT2496 (soundcard) > Soundforge 4.5 > CDWAVE > Mkwact; Seeded to etree by dgrabski@efn.org + VID (no shn id) video used for patching and time correction - matrix mixing by Kevin Tobin notes
5682. 05/28/82 Flac 16 - 0, 130199 San Francisco Moscone Convention Center flac16; (original shnid = 11362) SBD:Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner - pitch correction and patches by Kevin Tobin notes
5683. 05/28/82 Flac 16 - 0, 87547 San Francisco Moscone Convention Center flac16; 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8). notes
5684. 05/28/82 Flac Dts 5.1 - 0, 130202 San Francisco Moscone Convention Center DTS-Audio-CD 5.1 Mix; SBD (shnid=11362) Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner + AUD1 (shn id 87547) 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8) + AUD2 (shnid=10974) Partial Set 1, complete Set 2; Source: 1st gen analog Nakamichi 300 shotguns > Sony D-5 Transfer: Nakamichi DR-3 > Apogee AD-1000 > EGO-SYS WT2496 (soundcard) > Soundforge 4.5 > CDWAVE > Mkwact; Seeded to etree by dgrabski@efn.org + VID (no shn id) video used for patching and time correction - dts mixing by Kevin Tobin notes
5685. 05/28/82 Shn - 0, 11362 San Francisco Moscone Convention Center SBD:Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner notes
5686. 05/28/82 Flac 16 - 0, 130200 San Francisco Moscone Convention Center flac16; (original shnid = 87547) 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8) - pitch correction and patches by Kevin Tobin notes
5687. 05/28/82 Shn - 0, 10947 San Francisco Moscone Convention Center Partial Set 1, complete Set 2; Source: 1st gen analog Nakamichi 300 shotguns > Sony D-5 Transfer: Nakamichi DR-3 > Apogee AD-1000 > EGO-SYS WT2496 (soundcard) > Soundforge 4.5 > CDWAVE > Mkwact; Seeded to etree by dgrabski@efn.org notes
5688. 05/28/82 Flac 2448 - 0, 136997 San Francisco Moscone Convention Center flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2016 notes
5689. 05/28/82 Flac 16 - 0, 136998 San Francisco Moscone Convention Center flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2016 notes
5690. 05/28/82 Flac 16 - 0, 131808 San Francisco Moscone Convention Center flac16; SBD: It's from a Pat Lee reel, Dick Latvala gave it to him. Maybe MC>R @3 3/4ips?? Maybe one more gen; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered June 2014 by Matt Smith notes
5691. 05/28/82 Flac 24/96 - 0, 131809 San Francisco Moscone Convention Center flac24; SBD: It's from a Pat Lee reel, Dick Latvala gave it to him. Maybe MC>R @3 3/4ips?? Maybe one more gen. Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered June 2014 by Matt Smith notes
5692. 07/17/82 Flac 16 - 0, 102494 Ventura Ventura County Fairgrounds flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes
5693. 07/17/82 Flac 16 - 0, 98609 Ventura Ventura County Fairgrounds flac16; 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B ) > Nak DR-1 > HD-P2 > 24/96 Wave > Wavelab 5 > UAD Plugs > r8brain Pro > izotope ozone mbit + > 16/44.1 Wave > Wavelab (tracking) > TLH (flac lvl8 ) notes
5694. 07/17/82 Flac 16 - 0, 136979 Ventura Ventura County Fairgrounds flac16; Set 2 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patch) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2016 notes
5695. 07/17/82 Flac 16 - 0, 102172 Ventura Ventura County Fairgrounds flac16; Source: (FOB) Nakamichi CM-300s w/CP-4 Shotguns -> Sony WM-D6 -> WM-D6(M-Cass) Lineage: Cass/1 -> HHb CDR 800 PRO via analog i/o Taped by: Jim Ho Transferred by: Jeff Bowen CDR>EAC>TLH(6)>FLAC: Brad Foster (10/25/09) notes
5696. 07/17/82 Shn - 0, 8483 Ventura Ventura County Fairgrounds Senn 421's>MC>DAT>CDR; Believed to be Jim Wise's recording; Seeded to etree by Willy notes
5697. 07/17/82 Flac 16/48 - 0, 139532 Ventura Ventura County Fairgrounds flac16/48kHz; Jim Wise FOB recording: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) > DAT; Charlie Miller transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/48; Checksum & tags created in xACT notes
5698. 07/17/82 Flac 24/48 - , 152880 Ventura Ventura County Fairgrounds flac2448; Source: FOB Beyers mics > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021 notes
5699. 07/17/82 Flac 24/96 - , 156183 Ventura Ventura County Fairgrounds flac2496 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5700. 07/17/82 Flac 16/48 - , 156182 Ventura Ventura County Fairgrounds flac1648 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5701. 07/18/82 Flac 16 - 0, 102501 Ventura Ventura County Fairgrounds flac16; Recording Info: (FOB) (2) Sennheiser 421 + (1) Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes
5702. 07/18/82 Flac 16 - 0, 98604 Ventura Ventura County Fairgrounds flac16; Source: aud > Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) > -15 db pads > 3 mic mixer Preamp > Patchbay > Sony D5 > MAC (Dolby B) taping position: 25 foot back, Dead Center Lineage: mac > Nak DR-1 > HD-P2 > 24/96 Wave > Adobe Audition > Wavelab (with Izotope Ozone 4 and Algorithmix Pro) > iZotope RX Advanced > 16/44.1 wave > CD Wave > TLH > flac16 notes
5703. 07/18/82 Shn - 0, 8484 Ventura Ventura County Fairgrounds Senn 421's>MC>DAT>CDR; Believed to be Jim Wise recordings; Seeded to etree by Willy notes
5704. 07/18/82 Shn - 0, 17030 Ventura Ventura County Fairgrounds Recording by Ohr Weinberg, FOB w/ two Sennheiser MD-441's (8 1/2' Stand) > Sony TC-D5M (Maxell MX-90 Cassettes w/ Dolby B). A->D (Ohr): Master Cassette > Nakamichi Dragon > HHB CDR 830 Plus > EAC -> CD Wave > Drums Tape Flip Spliced w/ Soundforge 5.0 > MKW ACT > SHN notes
5705. 07/18/82 Flac 16 - 0, 100203 Ventura Ventura County Fairgrounds flac16; Recording and transfer info: FOB audience recording, taper and equipment unknown - may have been Dan Healy Master cassette -> metal cassette x 2 -> CD-R (Sony K717ES -> Marantz CDR500) -> Audacity -> FLAC; Pitch adjusted - 1% to match patch source. Transferred and mastered by Tom Van Sant, July 2009; fixed version now in circulation notes
5706. 07/18/82 Flac 16 - 0, 100727 Ventura Ventura County Fairgrounds flac16; Recording and transfer info: FOB audience recording, taper and equipment unknown Master cassette -> metal cassette x 2 -> CD-R (Sony TC-K717ES -> Marantz CDR500) -> Audacity -> AIFF -> FLAC Pitch adjusted - 1% to match patch source Transferred and mastered by Tom Van Sant; this is a fixed version of source ID 100203 notes
5707. 07/18/82 Flac 16 - 0, 102176 Ventura Ventura County Fairgrounds flac16; Source: (FOB) Nakamichi CM-300s w/CP-4 Shotguns -> Sony WM-D6 -> WM-D6(M-Cass) Lineage: Cass/1 -> HHb CDR 800 PRO via analog i/o Taped by: Jim Ho notes
5708. 07/18/82 Flac 16 - 0, 146889 Ventura Ventura County Fairgrounds flac16; 3 Nakamichi 700s (DBX II) > Master Cassette > PCM (2); Bill Reutelhuber transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Wav 16/44; Edited & Mastered by Joe Noel: Wav > Audacity > Flac 16/44 notes
5709. 07/18/82 Flac 24/96 - , 156185 Ventura Ventura County Fairgrounds flac2496 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5710. 07/18/82 Flac 16/48 - , 156184 Ventura Ventura County Fairgrounds flac1648 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5711. 07/25/82 Flac 16 - 0, 102502 Tempe Compton Terrace Amphitheatre flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes
5712. 07/25/82 Shn - 0, 18481 Tempe Compton Terrace Amphitheatre Lineage: AUD>?>DAT>CD>EAC>SHN>WAV>CE2K>CDWAVE>SHNTOOL>mkwACT. Source possibly Jim Wise FOB. Editing/Tracking/Seeding by JBGoode & MattMan notes
5713. 07/25/82 Flac 16 - 0, 80279 Tempe Compton Terrace Amphitheatre flac16; Recording by Jim Vita: 2 Sennheiser 421s> Sony D-5 (TDK MA-R) Transfer: Master cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Transfer and FLAC encoding by David Minches notes
5714. 07/25/82 Flac 2448 - 0, 137191 Tempe Compton Terrace Amphitheatre flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > TDK-MA (Set 1), Maxell-MX (Set 2), FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2016 notes
5715. 07/25/82 Flac 2448 - 0, 138609 Tempe Compton Terrace Amphitheatre flac24 48khz Source: Master Audience Recording: Beyer M 201c Location: 150 feet from stage|40 ft LOC (on axis with LT stack) Lineage - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Transfer: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-7k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes
5716. 07/25/82 Flac 16/44 - 0, 138608 Tempe Compton Terrace Amphitheatre flac16 44 khz Source: Master Audience Recording: Beyer M 201c Location: 150 feet from stage|40 ft LOC (on axis with LT stack) Lineage - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Transfer: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-7k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes
5717. 07/25/82 Flac 16 - 0, 142278 Tempe Compton Terrace Amphitheatre flac16; Marc Severson & Anonymous Recording (FOB): Nakamichi 700s (DBX II) > Master Cassette > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Wav 16/44 notes
5718. 07/25/82 Flac 16 - 0, 137192 Tempe Compton Terrace Amphitheatre flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > TDK-MA (Set 1), Maxell-MX (Set 2), FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016 notes
5719. 07/25/82 Flac 24/96 - , 156345 Tempe Compton Terrace Amphitheatre flac2496 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5720. 07/25/82 Flac 16/48 - , 156344 Tempe Compton Terrace Amphitheatre flac1648 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
5721. 07/25/82 Flac 16 - , 156388 Tempe Compton Terrace Amphitheatre flac16; Nakamichi CM304>Sony TCD-5M (Maxell XLllS) > FOB, Stand at 6 feet Taper: >Michael Gardner, edited and uploaded by Tony Suraci This is your collection notes
5722. 07/25/82 Flac 24/48 - , 156387 Tempe Compton Terrace Amphitheatre flac2448; Nakamichi CM304>Sony TCD-5M (Maxell XLllS) > FOB, Stand at 6 feet Taper: >Michael Gardner, edited and uploaded by Tony Suraci notes
5723. 07/25/82 Flac 24/48 - , 156497 Tempe Compton Terrace Amphitheatre flac2448; 2nd set; Source: BeyerDynamic mics > Sony TC-D5M > TDK MA-90. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022 notes
5724. 07/27/82 Flac 16 Mtx - 0, 109780 Morrison Red Rocks Amphitheatre flac16; Matrix 60% soundboard/40% audience; sources: 1 - SBD>Cass/1>DAT>HD-P2>Soundforge 6.0>Flac Frontend>FLAC (shnid 78746) Tranfer by Jake Clemens 2 - (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) (shnid 102570) Transfers and Mastering By Charlie Miller notes
5725. 07/27/82 Flac 16 - 0, 129411 Morrison Red Rocks Amphitheatre flac16 ; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes; Senn 441's>Sony D5>Mason's Nak 550: Transferred on Mason's restored Nak550 properly notes
5726. 07/27/82 Flac 16 - 0, 78746 Morrison Red Rocks Amphitheatre flac16; Source: SBD>Cass/1>DAT>HD-P2>Soundforge 6.0>Flac Frontend>FLAC Tranfer by: Jake Clemens notes
5727. 07/27/82 Flac 24/96 - 0, 143384 Morrison Red Rocks Amphitheatre flac24; Recording Info: (FOB) (2)Beyer M160 + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller notes
5728. 07/27/82 Flac 16 - 0, 134383 Morrison Red Rocks Amphitheatre flac16; Recording Info: (FOB) (2)Beyer M160 + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller notes
5729. 07/27/82 Flac 16 - 0, 135510 Morrison Red Rocks Amphitheatre flac16; nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> 16/44.1 > xACT flac; taped by Doug Lamarre; transferred and seeded by Rob Berger notes
5730. 07/27/82 Flac 24/96 - 0, 135509 Morrison Red Rocks Amphitheatre flac24; nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; taped by Doug Lamarre; transferred and seeded by Rob Berger notes
5731. 07/27/82 Flac 16 - 0, 102570 Morrison Red Rocks Amphitheatre flac16;Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes
5732. 07/27/82 Shn - 0, 4705 Morrison Red Rocks Amphitheatre Recording by Jim Wise FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression and Upload by Mike "dankstar" Parrillo; note crossfade applied on Drumz tape flip notes
5733. 07/27/82 Flac 24/96 - 0, 138611 Morrison Red Rocks Amphitheatre flac24 48khz Source Audience Recording: Beyer M 201c Location: 75 feet from stage|30' LOC Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes
5734. 07/27/82 Flac 16 44,1 - 0, 138610 Morrison Red Rocks Amphitheatre flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 75 feet from stage|30' LOC Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes
5735. 07/27/82 Flac 16 - 0, 141510 Morrison Red Rocks Amphitheatre flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
5736. 07/27/82 Flac 16 - 0, 142566 Morrison Red Rocks Amphitheatre flac16; Marc Severson & Anonymous Recording (FOB): Nakamichi 700s > DBX box II > Master Cassette > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Wav 16/44 notes
5737. 07/27/82 Flac 16/48 - , 156434 Morrison Red Rocks Amphitheatre flac1648 Source Info: Master Audience Cassettes; Beyer M88 mics > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX-90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes
5738. 07/27/82 Flac 24/96 - , 156435 Morrison Red Rocks Amphitheatre flac2496 Source Info: Master Audience Cassettes; Beyer M88 mics > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX-90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes
5739. 07/28/82 Flac 16 - 0, 129707 Morrison Red Rocks Amphitheatre flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on crome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak55 notes
5740. 07/28/82 Flac 24/96 - 0, 134511 Morrison Red Rocks Amphitheatre flac24; Recording Info: (FOB) (3)Nakamichi 700 -> dbx 222 -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) -> dbx 224 -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller notes
5741. 07/28/82 Flac 16 - 0, 134510 Morrison Red Rocks Amphitheatre flac16; Recording Info: (FOB) (3)Nakamichi 700 -> dbx 222 -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) -> dbx 224 -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller notes
5742. 07/28/82 Flac 24 - 0, 135515 Morrison Red Rocks Amphitheatre flac24; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger notes
5743. 07/28/82 Flac 16 - 0, 135514 Morrison Red Rocks Amphitheatre flac16; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2,compact flash > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger notes
5744. 07/28/82 Flac 16 - 0, 102571 Morrison Red Rocks Amphitheatre flac16;Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes
5745. 07/28/82 Shn - 0, 4980 Morrison Red Rocks Amphitheatre FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression & Upload by Mike "dankstar" Parrillo; note another version circulates with some different md5s notes
5746. 07/28/82 Flac 24/48 - 0, 138613 Morrison Red Rocks Amphitheatre flac24 48khz Source Audience Recording: Beyer M 201c Location: 50 feet from stage|DFC Lineage FOB - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II 90, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes
5747. 07/28/82 Flac 16 - 0, 142567 Morrison Red Rocks Amphitheatre flac16; Marc Severson & Anonymous Recording (FOB): Nakamichi 700s > DBX box II > Master Cassette > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Wav 16/44 notes
5748. 07/28/82 Flac 16/44,1 - 0, 138612 Morrison Red Rocks Amphitheatre flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 50 feet from stage|DFC Lineage FOB - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II 90, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes
5749. 07/28/82 Flac 16 - 0, 32707 Morrison Red Rocks Amphitheatre flac16; Source: Soundboard of unknown lineage > ? > Cassette. Transfer: Cassettes > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-Fix, Checksums, and FLAC Compression) > FLAC notes
5750. 07/29/82 Flac 16 - 0, 129722 Morrison Red Rocks Amphitheatre flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550 notes
5751. 07/29/82 Flac 16 - 0, 102569 Morrison Red Rocks Amphitheatre flac16; Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes
5752. 07/29/82 Flac 24 - 0, 135525 Morrison Red Rocks Amphitheatre flac24; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell udxl-II90, mx90, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger notes
5753. 07/29/82 Flac 16 - 0, 135524 Morrison Red Rocks Amphitheatre flac16; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell udxl-II90, mx90, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> 16/44.1 > xACT flac; transferred and seeded by Rob Berger notes
5754. 07/29/82 Flac 24 - 0, 135532 Morrison Red Rocks Amphitheatre flac24; Recording Info: (FOB) (2)Beyer M160's + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller notes
5755. 07/29/82 Flac 16 - 0, 135533 Morrison Red Rocks Amphitheatre flac16; Recording Info: (FOB) (2)Beyer M160's + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller notes
5756. 07/29/82 Shn - 0, 4722 Morrison Red Rocks Amphitheatre nearly same info as previous shn set, but checksums differ for d1t1,8, d2t1, d3t1; unspecified editing or reDAE?; via Mike Lai; upgrade in circulation notes
5757. 07/29/82 Flac 16 - 0, 102039 Morrison Red Rocks Amphitheatre flac16; Nakamichi CM-300 shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris notes
5758. 07/29/82 Shn - 0, 4981 Morrison Red Rocks Amphitheatre FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression & Upload by Mike "dankstar" Parrillo; ; note another version circulates with some different md5s notes
5759. 07/29/82 Flac 2448 - 0, 138615 Morrison Red Rocks Amphitheatre flac24 48khz Source Audience Recording: Beyer M 201c Location: 110 feet from stage|DFC (1st row behind soundboard) Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 All but Minglewood: equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost. set 2 equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes
5760. 07/29/82 Flac 16 - 0, 142568 Morrison Red Rocks Amphitheatre flac16; Marc Severson & Anonymous Recording (FOB): Nakamichi 700s > DBX box II > Master Cassette > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44 notes
5761. 07/29/82 Flac 16/44,1 - 0, 138614 Morrison Red Rocks Amphitheatre flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 110 feet from stage|DFC (1st row behind soundboard) Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 All but Minglewood: equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost. set 2 equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes
5762. 07/29/82 Flac 24/48 - , 156430 Morrison Red Rocks Amphitheatre flac2448; Source: BeyerDynamic mics > Sony TC-D5M > TDK MA-90s. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022 notes
5763. 07/31/82 Flac 16 Mtx - 0, 30625 Austin Manor Downs flac16; SBD/AUD matrix - Sick Bits Vol. 11 (edited/mixed from 2 previously circulating sources: SBD - shnID=3415, AUD - shnID=19017) - prepared by Chris Chappell notes
5764. 07/31/82 Flac 16 - 0, 112575 Austin Manor Downs fkac16: Exact "as is" untouched DAT transfers from Dick Latvala Transfered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz notes
5765. 07/31/82 Shn - 0, 13310 Austin Manor Downs Lineage: Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN; Cleanup of previous Jeff M seed (by Chris Perkins); See info file for details; upgrade in circulation notes
5766. 07/31/82 Flac 16 - 0, 31002 Austin Manor Downs flac16; SBD -> Cassette Master -> Dat (44.1k) Transferred and Edited By Charlie Mille notes
5767. 07/31/82 Shn - 0, 3419 Austin Manor Downs Soundboard> Master Cassette> Cassette> Dat> CDR> EAC> SHN; DAE (EAC) + SHN Encoding by Jeff M.; upgrade in circulation notes
5768. 07/31/82 Shn - 0, 19017 Austin Manor Downs MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) notes
5769. 07/31/82 Flac 24/48 - 0, 138617 Austin Manor Downs flac24 48khz Source Audience Recording: Beyer M 201c Location: 85 feet from stage|DFC (15 feet in front of soundboard) Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes
5770. 07/31/82 Flac 16 44,1 - 0, 138616 Austin Manor Downs flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 85 feet from stage|DFC (15 feet in front of soundboard) Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes
5771. 07/31/82 Flac 16 - 0, 141511 Austin Manor Downs flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
5772. 08/01/82 Shn - 0, 10226 Oklahoma City Zoo Amphitheater SBD>MC>DAT>CD; Missing JBG & US Blues; via Steve Wigley; Seeded to etree by Willy notes
5773. 08/01/82 Flac 16 Mtx - 0, 124193 Oklahoma City Zoo Amphitheater flac16; 2 Source Matrix by dusborne; Soundboard (shnid:10226) SBD>MC>DAT>CD EAC/SHN by Willy and Audience (shnid:82883) Source: (FOB) Nakamichi CM-700s > Sony TC-D5M > MC > Cassette x2 Location: FOB, 12th Row, LOC Taper: David Seligman Transfer: 2nd GEN Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR >Lunatec V3 (@24 bit 96 kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer(dither) > 16 bit WAV > CD Wave Editor > TLH > FLAC16. Transfer, edits and conversion by Alex Ford notes
5774. 08/01/82 Flac 24 - 0, 124646 Oklahoma City Zoo Amphitheater flac24; Akg CE1 > Uher Cr240 > Tandberg Tcd-420A >1st Gen TDK SA-X 90 Tapes > Nak Dragon Tape Deck > Korg Mr1000 > Adobe Audition CS6 > Traders Little Helper notes
5775. 08/01/82 Flac 16 - 0, 82883 Oklahoma City Zoo Amphitheater flac16; (FOB) Nakamichi CM-700s > Sony TC-D5M > MC > Cassette x2 Taper: David Seligman Transfer: 2nd GEN Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3 (@24 bit 96 kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer(dither) > 16 bit WAV > CD Wave Editor > TLH > FLAC16. 2nd GEN cassettes provided by Jake Feinberg. Transfer, edits and conversion by Alex Ford 02/26/07. notes
5776. 08/01/82 Flac 16 - 0, 124647 Oklahoma City Zoo Amphitheater flac16; Akg CE1 > Uher Cr240 > Tandberg Tcd-420A >1st Gen TDK SA-X 90 Tapes > Nak Dragon Tape Deck > Korg Mr1000 > Adobe Audition CS6 > Traders Little Helper notes
5777. 08/01/82 Flac 16/44,1 - 0, 138679 Oklahoma City Zoo Amphitheater flac16 44.1khz Master: Nakamichi 300 guns 120 feet from stage|12 feet up|DFC >>Nakamichi 550 >>Sony TCD5M; Maxell XLII 90, Dolby B on Transfer: Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes
5778. 08/01/82 Flac 24/48 - 0, 138680 Oklahoma City Zoo Amphitheater flac24 48khz Master: Nakamichi 300 guns 120 feet from stage|12 feet up|DFC >>Nakamichi 550 >>Sony TCD5M; Maxell XLII 90, Dolby B on Transfer: Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes
5779. 08/01/82 Flac 16 - 0, 141594 Oklahoma City Zoo Amphitheater flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
5780. 08/01/82 Flac 16/44 - 0, 152430 Oklahoma City Zoo Amphitheater flac16/44 2 Beyerm160>Sony TCD5M Master Tape > SHN > CD > EAC > FLAC notes
5781. 08/01/82 Flac 16/44 - , 155757 Oklahoma City Zoo Amphitheater flac16/44 Master Audience Cassettes - recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Sony TC-D5M Cassette Deck (1st & 2nd Sets: Maxell MX 90 Cassettes), Dolby B Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR800 > CD Ohr : CD > EAC > WAV > FLAC notes
5782. 08/03/82 Flac 16 - 0, 77196 Kansas City Starlight Theater flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
5783. 08/03/82 Flac 16 - 0, 30705 Kansas City Starlight Theater flac16; Sick Bits Vol. 12, SBD/AUD matrix of two previously circulating sources; SBD: shnid=19228, AUD: shnid=5984; edited and mixed by Chris Chappell. notes
5784. 08/03/82 Shn - 0, 19228 Kansas City Starlight Theater Lineage:SBD>MC>PCM>DAT>CDR Missippi Half-Step cuts in at 12 seconds, Cassidy has several cuts throughout , Let It Grow cuts at tailend as they play out to drums * Aud patch assumed from widely circulated audience source ; upgrade in circulation notes
5785. 08/03/82 Flac 16 - 0, 136587 Kansas City Starlight Theater flac16; AUD: FOB, Sennheiser 441's > Sony TC-D5 > MAC > (likely) 1st Gen, from the Brian Schley tape collection; Transfer: TDK-MA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. notes
5786. 08/03/82 Shn - 0, 5984 Kansas City Starlight Theater Recording by Paul Hogan. MC (FOB, 27th Row, , Senn 441's > Sony TC-D5) > DAT > CD; includes SBD: ? > C patches in d1t5,6 by Alan Fink; orig CD seed from Paul B.; note md5s for unpatched d1t5,6 are also included for reference notes
5787. 08/03/82 Flac 16 - 0, 121407 Kansas City Starlight Theater flac16; Set 2 Source (unconfirmed): AKG CE-1 > UHER CR-40 (cassette master audience); Transfer: unknown cassette > ? > CD; CD > FLAC notes
5788. 08/03/82 Flac 24/96 - 0, 131973 Kansas City Starlight Theater flac24; Aud -> AKG CE1s -> Uher CR240 cassette -> Uher Royal Deluxe 7.5 ips -> Korg MR1000 @24/96 -> AudioGate -> flac level 8; Recorded by Jimi, transferred to digital by CR. AudioGate was used for tracking only notes
5789. 08/03/82 Flac 16 - 0, 33614 Kansas City Starlight Theater flac16; Patch fix of shnid 19228 by Bill Tetzeli; Main source: SBD> MC> PCM> DAT> CDR> EAC> SHN; Patch source: MAC> DAT> CD> EAC> SHN; upgrade in circulation. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
5790. 08/03/82 Flac 24/48 - 0, 138619 Kansas City Starlight Theater flac24 48khz Master: Nakamichi cm300|cp4 shotgun capsules >> Nakamichi 550 >>Sony TCD5M 2nd in line; Maxell XLII 90, Dolby B on Location: set1] 100 feet from stage| 8 feet up|25 ft LOC set2] 85 feet from stage|10 feet up|5 ft LOC Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48|SD Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 20-400 Hz cut ~2.5dB down. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes
5791. 08/03/82 Flac 16.44,1 - 0, 138618 Kansas City Starlight Theater flac16 44.1khz Master: Nakamichi cm300|cp4 shotgun capsules >> Nakamichi 550 >>Sony TCD5M 2nd in line; Maxell XLII 90, Dolby B on Location: set1] 100 feet from stage| 8 feet up|25 ft LOC set2] 85 feet from stage|10 feet up|5 ft LOC Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48|SD Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 20-400 Hz cut ~2.5dB down. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes
5792. 08/03/82 Flac 24/96 - 0, 140037 Kansas City Starlight Theater flac24; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017 notes
5793. 08/03/82 Flac 16 - 0, 145217 Kansas City Starlight Theater flac16; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017; This file set is 16 bit @ 44.1 notes
5794. 08/04/82 Flac 16 - 0, 93839 St. Louis Kiel Auditorium flac16; Source: Soundboard Lineage: SBD > ? > PCM > played through HHb CDR800 for digital signal lock > DAT (probably Panasonic SV3500 or SV3700). DAT > PCM-M1 > S/Pdif > Protools 4.1.1 > Audiomedia III PCI card > Powermac G3/266 > Protools 4.1.1 > AIFF > Powermac G4 MDD/ Dual 1.42 > Audacity 1.2.6 (tracking in 1/75 second increments) > AIFF\'s > xACT 1.64 > FLAC via morst notes
5795. 08/04/82 Shn - 0, 7388 St. Louis Kiel Auditorium SBD>MasterCass>DAT>CD; via Scott Whitford; Seeded to etree by Willy notes
5796. 08/04/82 Flac 16 - 0, 136573 St. Louis Kiel Auditorium flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell UDXLII 90s. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. July 2016 notes
5797. 08/04/82 Flac 24/48 - 0, 138621 St. Louis Kiel Auditorium flac24 48khz Source Audience Master Recording: Beyer M 201c Location: 25 feet from RT stacks (on axis with RT stack)|side section about 15 rows off floor Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II Dolby B ON Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with overall bass boost below 400Hz, & some mid cut. set 2 equalized with less bass boost. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes
5798. 08/04/82 Flac 16 44,1khz - 0, 138620 St. Louis Kiel Auditorium flac16 44.1khz Source Audience Master Recording: Beyer M 201c Location: 25 feet from RT stacks (on axis with RT stack)|side section about 15 rows off floor Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II Dolby B ON Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with overall bass boost below 400Hz, & some mid cut. set 2 equalized with less bass boost. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook notes
5799. 08/04/82 Flac 16 - 0, 141652 St. Louis Kiel Auditorium flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
5800. 08/04/82 Flac 24/48 - , 153018 St. Louis Kiel Auditorium flac2448; Source: FOB Beyers mics > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2021 notes
5801. 08/06/82 Flac 16 Mtx - 0, 101618 St. Paul St. Paul Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) notes
5802. 08/06/82 Flac 16 - 0, 118462 St. Paul St. Paul Civic Center flac16; Recording Info: SBD -> Cassette Master -> Cassette (Sony TC-D5M/Dolby B/TDK MA-C90); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
5803. 08/06/82 Flac 16 Mtx - 0, 125889 St. Paul St. Paul Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging and embedded cover art) notes
5804. 08/06/82 Shn - 0, 16043 St. Paul St. Paul Civic Center S : MC > C1 > DAT > CDR > SHN Steve Apria's soundboard master cassette->Mark Cohen's cassette->DAT->CDR->.WAV->SHN (Steve Apria lost the master cassette years ago); Identical to previous sbd seed, except for d1t's 6&7; Aud patch in El Paso and silence removed from Bird Song by Darryl Hinko; See info file for details notes
5805. 08/06/82 Shn - 0, 15028 St. Paul St. Paul Civic Center S : MC > C1 > DAT > CDR > SHN Steve Apria's soundboard master cassette->Mark Cohen's cassette->DAT->CDR->.WAV->SHN (Steve Apria lost the master cassette years ago); Thanks to John Horzepa for seeding this!; Seeded to Etree by Alan J Fink; upgrade in circulation notes
5806. 08/06/82 Shn - 0, 7288 St. Paul St. Paul Civic Center Recording by Ohr Weinberg from behind the stage: Sony ECM 23-F's >Aud Master; A>D transfer by Jim Wise; via Todd Norman; Note- May circ with Goin Down the Road mislabeled as Good Lovin notes
5807. 08/06/82 Flac 24/48 - 0, 144702 St. Paul St. Paul Civic Center flac24; Source: BeyerDynamic M88's > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2019 notes
5808. 08/07/82 Shn - 0, 6148 East Troy Alpine Valley Music Theatre sbd> mc> pcm> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT notes
5809. 08/07/82 Shn - 0, 7720 East Troy Alpine Valley Music Theatre SBD > PCM > ? > D > Serafin Station mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes notes
5810. 08/07/82 Shn - 0, 7689 East Troy Alpine Valley Music Theatre SBD : MC > MR > DAT > CDR Transfer done by Jim Wise notes
5811. 08/07/82 Flac 16 - 0, 92183 East Troy Alpine Valley Music Theatre flac16; Set 2 - Master Cassette recorded by Ohr Weinberg: (20th row, center, 8ft stand)2 Sony ECM-23F microphones (90 degrees, coincident)-> Sony TC-D5M -> 2 Maxell XLII-S 90 Cassettes w/ Dolby B. Transfer by Ohr Weinberg: Master Cassette -> Nakamichi Dragon -> HHB CDR830 Plus -> EAC -> CDWave -> FLAC notes
5812. 08/07/82 Flac 16 - 0, 83513 East Troy Alpine Valley Music Theatre flac16; Source: *Mics>Sony D5M>Master Cass.>1st Gen Location: FOB, exact location and stand height unknown Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: *Unknown Transfer and upload by Tony Suraci notes
5813. 08/07/82 Flac 16 - 0, 137625 East Troy Alpine Valley Music Theatre flac16; Recording Info: SBD > Cassette Master > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller notes
5814. 08/07/82 Flac 24/48 - 0, 138632 East Troy Alpine Valley Music Theatre flac24 48khz Set 2 only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard) Lineage: Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook notes
5815. 08/07/82 Flac 16/44,1 - 0, 138622 East Troy Alpine Valley Music Theatre flac16 44.1khz Set two only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard) Lineage: Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook notes
5816. 08/07/82 Flac 16 - 0, 141795 East Troy Alpine Valley Music Theatre flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
5817. 08/07/82 Flac 24/48 - , 156451 East Troy Alpine Valley Music Theatre flac2448; 1st Set; Source: BeyerDynamic mics > Sony TC-D5M > TDK MA-90. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022 notes
5818. 08/07/82 Flac 16 Mtx - , 165372 East Troy Alpine Valley Music Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 137625 & 83513. notes
5819. 08/08/82 Shn - 0, 333 East Troy Alpine Valley Music Theatre no source info; via D. Barrick; no d3 .md5 available originally- one shown here supplied by J. Primozic from his copy notes
5820. 08/08/82 Shn - 0, 7690 East Troy Alpine Valley Music Theatre SBD : MC > MR > DAT > CDR Transfer done by Jim Wise notes
5821. 08/08/82 Shn - 0, 15580 East Troy Alpine Valley Music Theatre Soundboard cassette-> Reel-> DAT-> CDR-> .WAV-> SHN-> WAV-> SF 5.0 (retrack, d/o fixes)-> CD WAVE-> SHN, by Skankweed; Retrack/fix of previously circulating version of Merry Pranksters tree which is NOT listed here at db.etree.org notes
5822. 08/08/82 Flac 24 - 0, 138625 East Troy Alpine Valley Music Theatre flac24 48khz Master: Nakamichi 300 guns with NAK 300 center "blend" mic -> Nak MX 100 3 channel mixer 100 feet from stage|5 feet up|15 feet ROC-Right front Corner SBD >>Nakamichi 550 >>Sony TCD5 2nd in line; Maxell XLII 90, Dolby B on Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook notes
5823. 08/08/82 Flac 16 44,1khz - 0, 138624 East Troy Alpine Valley Music Theatre flac16 44.1khz Master: Nakamichi 300 guns with NAK 300 center "blend" mic -> Nak MX 100 3 channel mixer 100 feet from stage|5 feet up|15 feet ROC-Right front Corner SBD >>Nakamichi 550 >>Sony TCD5 2nd in line; Maxell XLII 90, Dolby B on Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook notes
5824. 08/08/82 Flac 24 - 0, 140124 East Troy Alpine Valley Music Theatre flac24; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24 notes
5825. 08/08/82 Flac 16 - 0, 140500 East Troy Alpine Valley Music Theatre flac16; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24 notes
5826. 08/08/82 Flac 16 - 0, 141498 East Troy Alpine Valley Music Theatre flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)(Harvey Lubar transfer)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
5827. 08/08/82 Flac 24/96 - 0, 144731 East Troy Alpine Valley Music Theatre flac24; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF-1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
5828. 08/08/82 Flac 16/48 - 0, 144730 East Troy Alpine Valley Music Theatre flac16/48kHz; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF-1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5829. 08/10/82 Flac 16 - 0, 102577 Iowa City University Of Iowa Fieldhouse flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes
5830. 08/10/82 Flac 16 Mtx - 0, 102902 Iowa City University Of Iowa Fieldhouse flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes
5831. 08/10/82 Flac 16 Mtx - 0, 92073 Iowa City University Of Iowa Fieldhouse flac16; MATRIX MIX: About 50%AUD/50%SBD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 7/25/07 Remastered 06/01/08; remastered version of shn id 86585 notes
5832. 08/10/82 Flac 16 Mtx - 0, 86585 Iowa City University Of Iowa Fieldhouse MATRIX MIX: 50% AUD/50% SBD using AKG CE-1 (4th row) > UHER CR-240 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x2) > EAC > FLAC (tracking with CDWAV) Taped by Kenny Mance (shn id 82875) and SBD -> Cm -> Dat -> Samplitude 2496 v6.0 -> CD -> EAC -> SHN (shn id 12453) Note: a SBE fixed version was also circulated. notes
5833. 08/10/82 Shn - 0, 334 Iowa City University Of Iowa Fieldhouse SBD > Master Cassette > DAT > Digidesign/Audio Media > DAT; Transfer: DAT > WAV (via TB Fiji S/PDIF) > SHN; via A. Gustin, J. Kempka; 4/19/82 filler; upgrade in circulation notes
5834. 08/10/82 Flac 16 - 0, 82875 Iowa City University Of Iowa Fieldhouse flac16; AKG CE-1 (4th row) > UHER CR-240 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x2) > EAC > FLAC (tracking with CDWAV) Taped by Kenny Mance. EAC to FLAC by cbass 2/25/07 notes
5835. 08/10/82 Shn - 0, 12453 Iowa City University Of Iowa Fieldhouse SBD -> Cm -> Dat -> Samplitude 2496 v6.0 -> CD -> EAC -> SHN; via Charlie Miller notes
5836. 08/10/82 Flac 16 - 0, 137640 Iowa City University Of Iowa Fieldhouse flac16; Source: Audience Recording > AKG CE-1 mics > Uher Cr-240 > master cassette; Taped by Jim Mance; Transfer: master cassette > Nakamichi Dragon > Sony R700 DAT > Sony PCM p-700 DAT @ 44.1k > Digital Audio Labs Card Deluxe > wav 16/44.1 by Jim Wise; Lineage: wav 16/44.1 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited by SIRMick notes
5837. 08/10/82 Flac 24 - 0, 139779 Iowa City University Of Iowa Fieldhouse flac24; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90); Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017 notes
5838. 08/10/82 Flac 24/96 - 0, 140989 Iowa City University Of Iowa Fieldhouse flac24; Source Info: Dan Healy's Master Soundboard Cassette (Sony D5)> Frank Streeter's 1st generation Reel to Reel (Sony TC-770, Maxell UD); Transfer Info: 1st generation Reels (Technics RS 1506)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 notes
5839. 08/10/82 Flac 16 - 0, 140988 Iowa City University Of Iowa Fieldhouse flac16; Source Info: Dan Healy's Master Soundboard Cassette (Sony D5)> Frank Streeter's 1st generation Reel to Reel (Sony TC-770, Maxell UD); Transfer Info: 1st generation Reels (Technics RS 1506)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp notes
5840. 08/10/82 Flac 16 - 0, 145223 Iowa City University Of Iowa Fieldhouse flac16; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90); Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017; This file set is 16 bit @44.1 notes
5841. 08/10/82 Flac 24/44 - , 152133 Iowa City University Of Iowa Fieldhouse flac24/44 AKG CE-1 (4th row, Dead Center) > UHER CR-240 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x2) > EAC > FLAC (tracking with CDWAV) Taped by Craig Rogers Transferred, tracked, and patched by Jim Wise patch s2t13 from 1:44 to 2:50 unknown source EAC to FLAC by cbass 2/25/07 Mastered by Craig Rogers 11/30/18 This is a mastered version of the raw transfer, shnid: 82875 It required quite significant EQ and became a much bigger file so it is now 24 bit. This recording has been erroneously credited to one or the other of the Mance brothers. Endless thanks to Jerry Garcia for his permission and providing the tickets. This is an Uher Archive production. uherarchive@live.com notes
5842. 08/10/82 Flac 16/44 - , 155680 Iowa City University Of Iowa Fieldhouse flac16/44 Master Audience Cassettes - recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Sony TC-D5M Cassette Deck (1st & 2nd Sets: Maxell XLII-S 90 Cassettes), Dolby B Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR830Plus > CD Ohr : CD > EAC > WAV > FLAC notes
5843. 08/28/82 Flac 16 - 0, 106166 Veneta Oregon Country Fair flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
5844. 08/28/82 Shn - 0, 2333 Veneta Oregon Country Fair sdb> cassette master> cassette> cdr; transfer by Mike Lai from Bruce Fried's seed; reportedly stemming from Rock Scully notes
5845. 08/28/82 Flac 16 - 0, 34933 Veneta Oregon Country Fair flac16; sbd>>cassette master>>cassette>>cdr>>WAV>>shn>>wav>>flac - fix of shn id 2333. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
5846. 08/28/82 Flac 16 - 0, 106749 Veneta Oregon Country Fair flac16;Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; fix of shnid 106166; Upgrade in circulation notes
5847. 08/28/82 Flac 16 - 0, 112828 Veneta Oregon Country Fair flac16;Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; This is a re-patch of source ID 106749 notes
5848. 08/28/82 Flac 16 - 0, 112955 Veneta Oregon Country Fair flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony TC-D5M/Maxell XLIIS/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes
5849. 08/28/82 Flac 16 - 0, 141624 Veneta Oregon Country Fair flac16; Source Info: Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (dolby B)(taper unknown) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
5850. 08/28/82 Flac 16 - 0, 79350 Veneta Oregon Country Fair flac16; Set 2 only - 1st Gen: (FOB) Nakamichi CM 300s w/ CP4 shotgun capsules > ?? > master audience cassette Master audience cassette > cassette (Maxell XLII-S 90) Taper: David Fleishner 1st Gen cassette provided by Jake Feinberg. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford 10/20/2006. notes
5851. 08/29/82 Shn - 0, 17957 Seattle Seattle Center Coliseum (FOB) Nak 300/CP4 > Cm > Dat > Sound Forge > CD > EAC > SHN encoded by Charlie Miller notes
5852. 08/29/82 Flac 24 - 0, 140735 Seattle Seattle Center Coliseum flac24; partial source: sbd unknown gen cassette; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger notes
5853. 08/29/82 Flac 16 - 0, 140984 Seattle Seattle Center Coliseum flac16; partial source: sbd unknown gen cassette; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger notes
5854. 08/29/82 Flac 16 - 0, 142688 Seattle Seattle Center Coliseum flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
5855. 08/29/82 Flac 24/96 - 0, 148748 Seattle Seattle Center Coliseum flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
5856. 08/29/82 Flac 16/48 - 0, 148747 Seattle Seattle Center Coliseum flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5857. 08/29/82 Flac 16/48 LPCM - , 156590 Seattle Seattle Center Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid 142688) Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 + AUD (shn id 148747) Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp - surround mixing by Kevin Tobin notes
5858. 08/29/82 Dts Audio 5.1 - , 156589 Seattle Seattle Center Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid 142688) Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 + AUD (shn id 148747) Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp - dts mixing by Kevin Tobin notes
5859. 08/29/82 Flac 16 Mtx - , 156588 Seattle Seattle Center Coliseum flac16; Matrix 2 Source Mix - SBD (shnid 142688) Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 + AUD (shn id 148747) Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp - matrix mixing by Kevin Tobin notes
5860. 09/05/82 Flac 16 - 0, 113726 Devore US Festival, Glen Helen Regional Park flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD -> SHN; Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
5861. 09/05/82 Flac 16 - 0, 106681 Devore US Festival, Glen Helen Regional Park flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes
5862. 09/05/82 Shn - 0, 5490 Devore US Festival, Glen Helen Regional Park SBD: MC > DAT > CDR; From Jack Warner; with AUD patches in d1t1,2 by Alan J. Fink; cuts in d1t7 and between d1t5>6 notes
5863. 09/05/82 Flac 16 - 0, 87210 Devore US Festival, Glen Helen Regional Park flac16; source : Nakamichi CM300 shotguns > Technics 686 > Maxell UD XL II transfer : mac > Nakamichi 680ZX > Tascam CD RW5000 > Bias Peak 3.21 on G4 Powerbook > wav > flac (on 9/13/2007 a fixed version of this source was circulated; the info file for the fixed version is below. Please do not circulate the original source.) notes
5864. 09/05/82 Flac 16/48 - 0, Devore US Festival, Glen Helen Regional Park notes
5865. 09/05/82 Flac 16/48 - 0, 142714 Devore US Festival, Glen Helen Regional Park flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (wav 16-bit/48k)> Adobe Audition 3.0 > TLH flac16 notes
5866. 09/05/82 Flac 24/96 - 0, 149978 Devore US Festival, Glen Helen Regional Park b>flac24; Ben Lukosky's Master Audience Cassettes; FOB Sennheiser 421 mics > Sony D5 (Maxell MX-90) Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496; Transferred and Mastered by gsarchivist; Speed Correction by Jason Chastain notes
5867. 09/09/82 Shn - 0, 11735 New Orleans Saenger Performing Arts Center SBD> MC> PCM> DAT> CD; With aud patches; See info file for details; Missing both encores; via Kevin Gills; Seeded to etree by Willy; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments) notes
5868. 09/09/82 Flac 16 - 0, 123191 New Orleans Saenger Performing Arts Center flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller notes
5869. 09/09/82 Flac 16 - 0, 134287 New Orleans Saenger Performing Arts Center flac16; SBD>MC>PCM>DAT>CD; source ID 11735 with pre-emphasis removed, FLAC, tags using xAct 2.36 notes
5870. 09/09/82 Flac 24/96 - 0, 140051 New Orleans Saenger Performing Arts Center flac24; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick notes
5871. 09/09/82 Flac 16/48 - 0, 142762 New Orleans Saenger Performing Arts Center flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (wav 16-bit/48k)> Adobe Audition 3.0 > TLH flac1648; the original version had a duplicate "Space" ("Drums > Space" were 1 track, followed by "Space" again) notes
5872. 09/09/82 Flac 16 - 0, 145246 New Orleans Saenger Performing Arts Center flac16; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; This file set is 16 bit @ 44.1 notes
5873. 09/09/82 Flac 24/48 - 0, 149747 New Orleans Saenger Performing Arts Center flac24; Source: Set One & Encore, Unknown AUD > MAC > 1st Gen copy (see note) and; Set Two, Beyers-Dynamic M160's > Sony TC-D5 > MAC. Recording by Rip Tompkins & with thanks to Richie Stankiewicz! Transfer: TDK MA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 04/2020 notes
5874. 09/11/82 Shn - 0, 2192 West Palm Beach West Palm Beach Civic Center Master Soundboard Cassette > Reel to Reel > DAT> CDR; with patches from FOB Nak CM300 (see info file); via Scott Clugston to abgd and etree notes
5875. 09/11/82 Flac 16 - 0, 122155 West Palm Beach West Palm Beach Civic Center flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell MX-90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter notes
5876. 09/11/82 Flac 16 - 0, 85854 West Palm Beach West Palm Beach Civic Center flac16; Source: Two AUD cassette sources of unknown lineage. Transfer: Cassettes > Sony TC-D5M > Audiophile 2496 Analog RCA Input > Soundforge > CD-Wave > TLH > FLAC, June 2007. notes
5877. 09/11/82 Flac 16 Mtx - 0, 122988 West Palm Beach West Palm Beach Civic Center flac16; 2 source Matrix using SDB (shnid=2192) and AUD (shnid=122155) notes
5878. 09/11/82 Flac 24 - 0, 122154 West Palm Beach West Palm Beach Civic Center flac24; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell MX-90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter notes
5879. 09/11/82 Flac 16 - 0, 137379 West Palm Beach West Palm Beach Civic Center flac16; 10th Row Center; Nakamichi CM-300 > Sony TC-D5 > MC > DAT; DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell notes
5880. 09/11/82 Flac 16 Mtx - 0, 146916 West Palm Beach West Palm Beach Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) of shnid's 2192 and 122155 notes
5881. 09/11/82 Flac 16/44 - , 155686 West Palm Beach West Palm Beach Civic Center flac16/44 Recording Info: SBD > Cassette Master > DAT (44.1k)
Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition > Samplitude Pro X6 Suite > FLAC
notes
5882. 09/12/82 Flac 16 - 0, 114138 Lakeland Lakeland Civic Center flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v1.5 -> FLAC; This is a re-master of Source ID 7826; All Transfers and Mastering By Charlie Miller notes
5883. 09/12/82 Flac 16 - 0, 135162 Lakeland Lakeland Civic Center flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell MX-90. FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2016 notes
5884. 09/12/82 Flac 24/48 - 0, 135161 Lakeland Lakeland Civic Center SHNID: 135161 notes
5885. 09/12/82 Flac 16 - 0, 122168 Lakeland Lakeland Civic Center flac16; Recording Info: Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; All Transfers and Mastering By Charlie Miller notes
5886. 09/12/82 Flac 24 - 0, 122169 Lakeland Lakeland Civic Center flac24; Recording Info: Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded By Frank Streeter; All Transfers and Mastering By Charlie Miller notes
5887. 09/12/82 Flac 24/96 - 0, 144362 Lakeland Lakeland Civic Center b>flac24; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
5888. 09/12/82 Flac 16/48 - 0, 144361 Lakeland Lakeland Civic Center flac16/48kHz; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5889. 09/12/82 Shn - 0, 7826 Lakeland Lakeland Civic Center SBD>Cm>Reel>Dat>CD. via Paul B.; Chris Ladner; Upgrade in circulation notes
5890. 09/12/82 Flac 24/48 - , 152842 Lakeland Lakeland Civic Center flac2448; Source: Beyers mics > Sony TC-D5M > Maxell XLII-S 90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B out) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021 notes
5891. 09/14/82 Shn - 0, 20906 Charlottesville University Hall, University Of Virginia Recording Info: 1st Set: Beyer M160 -> Cassette Master (Sony D5) -> Dat -> CD -> EAC -> SHN 2nd Set: SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller notes
5892. 09/14/82 Flac 16 - 0, 121944 Charlottesville University Hall, University Of Virginia flac16; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Maxell XLII-S/TDK MA-R); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter notes
5893. 09/14/82 Shn - 0, 7547 Charlottesville University Hall, University Of Virginia Master Soundboard Cassette > Reel to Reel > DAT > CDR, CD Re-Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston 1/3/02, posted to abgd via Charlie Connor notes
5894. 09/14/82 Flac 24 - 0, 121943 Charlottesville University Hall, University Of Virginia flac24; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Maxell XLII-S/TDK MA-R); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter notes
5895. 09/14/82 Flac 24/48 - 0, 146663 Charlottesville University Hall, University Of Virginia flac24; Source: FOB Beyers M88's > Sony TC-D5M > Maxell XLIIS-90 (1st Set, He's Gone, and JBGoode) and TDK MA-90 (2nd Set). Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 06/2019 notes
5896. 09/14/82 Flac 16/44 - , 155665 Charlottesville University Hall, University Of Virginia flac16/44 Recording Info: SBD > Cassette Master > Cassette > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition > Samplitude Pro X6 Suite > FLAC/16 (2 Discs Audio / 1 DVD FLAC) notes
5897. 09/15/82 Flac - 0, 118440 Landover Capital Centre flac16; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller notes
5898. 09/15/82 Shn - 0, 11881 Landover Capital Centre Master Sondboard Cassette > PCM > CDR; With Audience Patches; Patching/CD Mastering by Scott Clugston; SHN'ed and Seeded to fungus by Scott Clugston; also to abgd via Charlie Connor notes
5899. 09/15/82 Flac - 0, 118451 Landover Capital Centre flac24; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/24; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller notes
5900. 09/15/82 Flac 24 - 0, 134869 Landover Capital Centre flac24; AUD: Nakamichi CM300/CP-4 shotguns > Sony TC-D5 > Maxell XLII. Set up inside SBD perimeter area for 1st Set, mics moved onto SBD platform for 2nd Set, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2015 notes
5901. 09/15/82 Flac - 0, 134870 Landover Capital Centre flac16; AUD: Nakamichi CM300/CP-4 shotguns > Sony TC-D5 > Maxell XLII. Set up inside SBD perimeter area for 1st Set, mics moved onto SBD platform for 2nd Set, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2015 notes
5902. 09/15/82 Flac - 0, 81690 Landover Capital Centre flac16; Recording by Tiger Rose - FOB Nak shotgun mics > Sony TC-D5. MAC > CD Analog to Digital transfer by David Howard." Transfer: CDR > EAC > WavMerge > Soundforge (on d2t12) > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC notes
5903. 09/15/82 Shn - 0, 8550 Landover Capital Centre combination SBD (Jim Wise) and FOB Nak shotguns (Tiger Rose, David Howard) - see notes in info file; Patching, tracking and Shn encoding by Sean Cribbs; Upgrade in circulation notes
5904. 09/15/82 Flac 16 - 0, 124586 Landover Capital Centre flac16; Recording Info: SBD -> Master Cassette -> Reel -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a remaster of source ID 8550 notes
5905. 09/15/82 Flac 16/48 - 0, 152347 Landover Capital Centre flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (3)Beyer M160 mics > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes
5906. 09/15/82 Flac 24/96 - 0, 152348 Landover Capital Centre flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (3)Beyer M160 mics > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496 notes
5907. 09/17/82 Flac Mtx - 0, 82208 Portland Cumberland County Civic Center flac16; SBD + AUD Matrix - 4 Source Mix consisting of SBD Set 1 Recording: SBD > Dolby B metal cassette master, SBD Set 2 Recording: SBD > ? (likely cassette master), AUD1 FOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen, AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5, AUD3 Unknown AUD notes
5908. 09/17/82 Flac - 0, 80770 Portland Cumberland County Civic Center flac16; Recording/Transfer Info: Set 1 - Recording: SBD > Dolby B metal cassette master Playback: Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge (create tracks) > CDR (Gen 1) > EAC > Flac Set 2 - Recording: SBD > ? (likely cassette master) Playback: ? > DAT (x N) > Delta Dio 24/96 > Cool Edit 2000 > CD Wave Editor > Flac All Transfers By Rob Harrison notes
5909. 09/17/82 Flac Dts 5.1 - 0, 82184 Portland Cumberland County Civic Center DTS Audio 5.1; 4 Source Mix: SBD Set 1. Recording: SBD > Dolby B metal cassette master, SBD Set 2. Recording: SBD > ? (likely cassette master), AUD1 FOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen, AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5, and AUD3 Unknown AUD notes
5910. 09/17/82 Shn - 0, 18105 Portland Cumberland County Civic Center partial set 2 SBD>C or C1>D>CD>EAC>WAV>SHN via Fishman; upgrade in circulation notes
5911. 09/17/82 Flac - 0, 99888 Portland Cumberland County Civic Center flac16; (FOB) Nakamichi CM-300's (CP-1) > Cassette Master (Sony TCD5M/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009 notes
5912. 09/17/82 Flac - 0, 99679 Portland Cumberland County Civic Center flac16; AUD: 3x Nakamichi CM300's > Nakamichi 550 > Maxell XLII-S. Set up in the row of tapers directly behind the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 2496. Transfer by Andrew F. 06/2009 notes
5913. 09/17/82 Flac 24 - 0, 135445 Portland Cumberland County Civic Center flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, mics set-up on the SBD platform, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2016 notes
5914. 09/17/82 Flac - 0, 135446 Portland Cumberland County Civic Center flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, mics set-up on the SBD platform, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016 notes
5915. 09/17/82 Flac 24 - 0, 111030 Portland Cumberland County Civic Center flac24; (FOB) Nakamichi CM-300's (CP-1) > Cassette Master (Sony TCD5M/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded on the floor FOB by Bob Morris notes
5916. 09/17/82 Flac - 0, 119075 Portland Cumberland County Civic Center flac16; lineage: nakamichi 300 fob> d-5sony> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
5917. 09/17/82 Shn - 0, 18985 Portland Cumberland County Civic Center Recording by Mark Cohen Nak 700s> Sony D5, A:D by Mark Cohen, D>SHN by David Minches notes
5918. 09/17/82 Shn - 0, 2577 Portland Cumberland County Civic Center complete; marked sbd (see user comments concerning audience or matrix) ; via Mike Lai from Bruce Fried seed; d1 md5s identical to previous shn set; tracked for 2x80 notes
5919. 09/17/82 Flac - 0, 91483 Portland Cumberland County Civic Center flac16; AUD: FOB, Sennheiser MD-421's > Sony TC-D5. Concert recording and transfer to CDR by Jim Wise. CDR > EAC > WavMerge > CD-Wave > Soundforge > TLH > FLAC notes
5920. 09/17/82 Flac 24 - 0, 139320 Portland Cumberland County Civic Center flac24 48khz Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on. Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48. Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac). Taped by: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager. Transferred by: Kyle Holbrook notes
5921. 09/17/82 Flac - 0, 139319 Portland Cumberland County Civic Center flac16 44.1khz Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on. Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48. Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac). Taped by: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager. Transferred by: Kyle Holbrook. notes
5922. 09/17/82 Flac 24/96 - 0, 142824 Portland Cumberland County Civic Center flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes
5923. 09/17/82 Flac 16/48 - 0, 142823 Portland Cumberland County Civic Center flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
5924. 09/17/82 Flac 24/96 - 0, 99678 Portland Cumberland County Civic Center flac24; AUD: 3x Nakamichi CM300's > Nakamichi 550 > Maxell XLII-S. Set up in the row of tapers directly behind the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. notes
5925. 09/17/82 Shn - 0, 335 Portland Cumberland County Civic Center Master FOB Audience Cassette > Nak CM300 mics > Sony D5: master cassette played back via a Nakamichi DR-1 > HHB 850 > EAC for DAE to Harddrive > CEP > CDWave > CDRWin > Yamaha CR8424 CDR; via S. Clugston, L. Revell notes
5926. 09/17/82 Flac 24/96 - 0, 144657 Portland Cumberland County Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
5927. 09/17/82 Flac 16 - 0, 144658 Portland Cumberland County Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
5928. 09/17/82 Flac 16 Mtx - , 152910 Portland Cumberland County Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 80770 & 91483, plus 135446 for two songs. notes
5929. 09/18/82 Flac 16 - 0, 107429 Boston Boston Garden flac16; SBD->Cassette Master(Dolby)>Cassette>CD>EAC>SHN>WAV>CE Processing>FLAC notes
5930. 09/18/82 Flac 16 - 0, 123061 Boston Boston Garden flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
5931. 09/18/82 Flac 16 - 0, 97590 Boston Boston Garden flac16; AUD: 2x Nakamichi CM300's with CP4 shotguns (L+R), plus 1x Nakamichi CM300 with CP1 cardioid (blend mic) > Nakamichi 550 > Maxell XLII-S 90's. Mics on stand, set up in center right section riser, just off the floor. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-8 (w/no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Andrew F. 02/2009. notes
5932. 09/18/82 Shn - 0, 2335 Boston Boston Garden sdb> cassette master> cassette> cdr; transfer by Mike Lai from Bruce Fried seed; note a subsequent copy (b) at Mike's site 1/18 has all different md5s; upgrade in circulation notes
5933. 09/18/82 Flac 16 - 0, 98059 Boston Boston Garden flac16; Recording Info: (FOB) Nakamichi 300/CP4 -> Cassette Master (Sony TC-D5M/Maxell UDXLII); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v8.0 -> FLAC/16; Recorded By Bob Morris; All Transfers and Mastering By Charlie Miller notes
5934. 09/18/82 Flac 16 - 0, 119221 Boston Boston Garden flac16; Updated Source Info: This source is derived from source ID 3153 (Had been marked: sbd> d-5sony> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8); Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
5935. 09/18/82 Flac 24/96 - 0, 98061 Boston Boston Garden flac24;Recording Info: (FOB) Nakamichi 300/CP4 -> Cassette Master (Sony TC-D5M/Maxell UDXLII); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v8.0 -> FLAC/24; Recorded BY Bob Morris; All Transfers and Mastering By Charlie Miller notes
5936. 09/18/82 Flac 24/96 - 0, 144662 Boston Boston Garden flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
5937. 09/18/82 Flac 16 - 0, 144663 Boston Boston Garden flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
5938. 09/18/82 Shn - 0, 3153 Boston Boston Garden SBD> CAS/1 (Dolby)> CD; via Michael K. Weise; reported upgrade relative to previously circulating shn set notes
5939. 09/18/82 Flac 16 - 0, 150660 Boston Boston Garden flac16; Recording Info: AUD > Cassette Master; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
5940. 09/18/82 Flac 16 Mtx - 0, 150788 Boston Boston Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 123051 & 98059. notes
5941. 09/20/82 Flac 16 Mtx - 0, 97897 New York Madison Square Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
5942. 09/20/82 Flac 16 - 0, 88857 New York Madison Square Garden flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v.20 -> FLAC All Transfers and Mastering By Charlie Miller (Pitch correction of shn id 77482.) notes
5943. 09/20/82 Shn - 0, 15806 New York Madison Square Garden 1st set only; SBD>Cm>Cass>CD; Seeded to etree by charlie miller and neil sturtevant; upgrade in circulation notes
5944. 09/20/82 Shn - 0, 18113 New York Madison Square Garden Set 2 SBD>Cm>Cass>CD via Charlie Miller; upgrade in circulation notes
5945. 09/20/82 Flac 16 - 0, 122089 New York Madison Square Garden flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter notes
5946. 09/20/82 Shn - 0, 19145 New York Madison Square Garden Recording by Mark Cohen Nak 700s> Sony D5 , A>D by Mark Coehn, D>SHN by David Minches notes
5947. 09/20/82 Flac 16 - 0, 119120 New York Madison Square Garden flac16; Updated Source Info: Recording by Jim Wise Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > ? > FLAC (Had been marked: lineage: nakamichi 300 (fob)> d-5> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8); Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
5948. 09/20/82 Shn - 0, 3151 New York Madison Square Garden Recording by Jim Wise Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) > EAC(tracked with Addawav & CDWav) >SHN; transferred by Jim Wise; upload by Darrin Sacks notes
5949. 09/20/82 Flac 1644 - 0, 118799 New York Madison Square Garden flac16; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, from the end of floor riser, fifteen rows up, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. February 2012 notes
5950. 09/20/82 Flac 24 - 0, 122088 New York Madison Square Garden flac24; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recoded by Frank Streeter notes
5951. 09/20/82 Flac 24/48 - 0, 118798 New York Madison Square Garden flac24; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, from the end of floor riser, fifteen rows up, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. February 2012 notes
5952. 09/20/82 Flac 16 - 0, 77482 New York Madison Square Garden flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC ; upgrade in circulation notes
5953. 09/21/82 Flac 16 Mtx - 0, 97705 New York Madison Square Garden flac 16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
5954. 09/21/82 Flac 16 - 0, 109209 New York Madison Square Garden flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC All Transfers and Mastering By Charlie Miller notes
5955. 09/21/82 Flac 16 - 0, 34723 New York Madison Square Garden flac16; Seamless fix of shn id 13306 - msc>dat>cd>wav>shn>wav>flac by Bill Tetzeli notes
5956. 09/21/82 Shn - 0, 13306 New York Madison Square Garden csbd>dat>cd (unconfirmed); Seeded to etree by C. Perkins ; upgrade in circulation notes
5957. 09/21/82 Flac 16 - 0, 33684 New York Madison Square Garden flac16; SBD -> Cassette Master -> Dat All Transfers and Mastering By Charlie Miller notes
5958. 09/21/82 Flac 16 - 0, 34754 New York Madison Square Garden flac16; Pitch corrected version of shn id 33684: SBD -> Cassette Master -> Dat by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
5959. 09/21/82 Flac 16 - 0, 105339 New York Madison Square Garden flac16; Nak 300 shotguns > Sony TCD-5M> Digitized 24-48 Sound Forge 7.0 > CD wave > Flac.16 Recorded by DDyche notes
5960. 09/21/82 Flac 16 - 0, 119147 New York Madison Square Garden flac16; Updated Source Info: Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > ? > FLAC (Hade been Marked: lineage: nak 300 (fob)> d-5sony> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8); Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
5961. 09/21/82 Shn - 0, 3152 New York Madison Square Garden Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) > EAC(tracked with Addawav & CDWav) >SHN; taped and transferred by Jim Wise; upload by Darin Sacks notes
5962. 09/21/82 Flac 16/48 - 0, 142918 New York Madison Square Garden flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (wav 16-bit/48k)> Adobe Audition 3.01 > TLH flac1648 notes
5963. 09/21/82 Flac 24/48 - 0, 149659 New York Madison Square Garden flac24; Source: FOB Beyers M88's > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2020 notes
5964. 09/21/82 Flac 24/96 - , 152737 New York Madison Square Garden flac24/96 Recording Info: (FOB) AUD > Unknown Gen Cassette (Maxell UDXLII) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 notes
5965. 09/21/82 Flac 24/96 - , 152737 New York Madison Square Garden flac24/96 Recording Info: (FOB) AUD > Unknown Gen Cassette (Maxell UDXLII) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 notes
5966. 09/21/82 Flac 16/44 - , 154391 New York Madison Square Garden notes
5967. 09/23/82 Flac 16 - 0, 108973 New Haven New Haven Veterans Memorial Coliseum flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
5968. 09/23/82 Flac 16 - 0, 100254 New Haven New Haven Veterans Memorial Coliseum flac16; Source: Sennheiser 421 x2 > Cassette Master (Sony TCD5M/Maxell UDXLII except Disc Two: UDXLII-S); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded on floor behind soundboard by Bob Morris with thanks to Sam notes
5969. 09/23/82 Flac 24/96 - 0, 111031 New Haven New Haven Veterans Memorial Coliseum flac24; Sennheiser 421 x2 > Cassette Master (Sony TCD5M/Maxell UDXLII except s2t01-t05: UDXLII-S); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edit/patch); Recorded on the floor behind the soundboard by Bob Morris notes
5970. 09/23/82 Shn - 0, 12520 New Haven New Haven Veterans Memorial Coliseum (FOB) Senn 421>Cm>Dat>CD; Seeded to etree by Charlie Miller notes
5971. 09/23/82 Flac 16 - 0, 117590 New Haven New Haven Veterans Memorial Coliseum flac16; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX 90s, set up in bottom of center riser facing stage, back of floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011 notes
5972. 09/23/82 Flac 24/48 - 0, 117589 New Haven New Haven Veterans Memorial Coliseum b>flac24; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX 90s, set up in bottom of center riser facing stage, back of floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. December 2011 notes
5973. 09/23/82 Flac 24/96 - 0, 144676 New Haven New Haven Veterans Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
5974. 09/23/82 Flac 16 - 0, 144677 New Haven New Haven Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
5975. 09/23/82 Flac 24/48 - , 153117 New Haven New Haven Veterans Memorial Coliseum flac2448; Source: FOB Beyers mics > Sony TC-D5M > Maxell MX-90 for 1st Set & Encore, and TDK MA-90 for 2nd Set. Concert recording by Rip Tompkins, and with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2021 notes
5976. 09/24/82 Shn - 0, 4994 Syracuse Carrier Dome, Syracuse University SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN w/ seek tables appended; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f, wavs compared for errors using EAC; DAT seed from Rob Eaton, DAT> SHN by Jamie Lutch; QC courtesy dankseeds; see info file for flaws etc notes
5977. 09/24/82 Flac 16 Mtx - 0, 134685 Syracuse Carrier Dome, Syracuse University flac16; 3 Source Matrix by Dusborne;Soundboard (shnid:04994)SBD>Master Cassette>1Reel>DAT>DAT>WAV> Soundforge 4.0>CDWAV 1.53>MKW 0.97b>SHN w/ seek tables appended DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f;Audience (shnid:18987)AUD>MC>DAT>CDR;Audience (shnid:103388)Nakamichi CM300/CP4->Sony D-5M(Dolby B encoded)->Maxell XLII,MAC->Sony D-5M(Dolby B decoded)->Korg MR-1000 (1Bit/5.6Mhz)->Korg Audiogate->wav.(16/44.1)>Soundforge 8.0->Flac notes
5978. 09/24/82 Shn - 0, 18987 Syracuse Carrier Dome, Syracuse University AUD (Beyer 88?s) > MC > DAT > CDR via Raoul Duke encoded by Matt Vernon notes
5979. 09/24/82 Flac 16 - 0, 103388 Syracuse Carrier Dome, Syracuse University flac16; Source: Nakamichi CM300/CP4->Sony D-5M(Dolby B encoded)->Maxell XLII Lineage: MAC->Sony D-5M(Dolby B decoded)->Korg MR-1000 (1Bit/5.6Mhz)->Korg Audiogate->wav.(16/44.1)->Soundforge 8.0->Flac Taped by: D. Barfield and /or D. Lane; Transferred and Seeded By M. Watson notes
5980. 09/24/82 Flac 24/48 - 0, 139440 Syracuse Carrier Dome, Syracuse University flac24 48khz Source 1: First Gen of Audience Master Recording: Beyer M 201c Location: 120 feet from stage 12 Feet ROC directly even with SBD Lineage: Beyer M201's (hyper cardiod)handheld at shoulder height >> Sony TCD5M w TDK MA-C90 XL, Dolby B ON; First gen tape- Maxell UDXL-IIS Source 2: Sennheiser 421's Location: 60 feet from stage DFC Lineage: Sennheiser 421's >> Sony TCD5M Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD|WIN7|Audacity |cdwave editor|TLH flac 8 Recorded by: Executive Crew Kyle Holbrook, Mike Yacavone, olvy Johnson Transferred by: Kyle Holbrook notes
5981. 09/24/82 Flac 16 44,1 - 0, 139439 Syracuse Carrier Dome, Syracuse University flac16 44.1khz Source 1: First Gen of Audience Master Recording: Beyer M 201c Location: 120 feet from stage 12 Feet ROC directly even with SBD Lineage: Beyer M201's (hyper cardiod)handheld at shoulder height >> Sony TCD5M w TDK MA-C90 XL, Dolby B ON; First gen tape- Maxell UDXL-IIS. Source 2: Sennheiser 421's. Location: 60 feet from stage DFC. Lineage: Sennheiser 421's >> Sony TCD5M. Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48. Processing:SD|WIN7|Audacity |cdwave editor|TLH flac 8 Recorded by: Executive Crew Kyle Holbrook, Mike Yacavone, olvy Johnson. Transferred by: Kyle Holbrook notes
5982. 09/24/82 Flac 24/96 - 0, 140705 Syracuse Carrier Dome, Syracuse University flac24; source: nak 300 (vfh*, 50 yard line) > tcd5m > idxlii +dolby > master > tascam mk122mkii -dolby > apogee rosetta 200 (24/96) > audacity (levels, normalize, fades, tracks) > flac2496 > xact (tags, checksums); recorded: david lane + david Barfield; transferred seeded: david barfield notes
5983. 09/24/82 Flac 24/48 - 0, 144884 Syracuse Carrier Dome, Syracuse University flac24; Source: BeyerDynamic M88's > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019 notes
5984. 09/24/82 Flac 16 - 0, 145961 Syracuse Carrier Dome, Syracuse University flac16; Source: BeyerDynamic M88's > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019. This file set is 16 bit @ 44.1 notes
5985. 09/24/82 Flac 16 - 0, 145955 Syracuse Carrier Dome, Syracuse University flac16; source: nak 300 (vfh*, 50 yard line) > tcd5m > idxlii +dolby > master > tascam mk122mkii -dolby > apogee rosetta 200 (24/96) > audacity (levels, normalize, fades, tracks) > flac2496 > xact (tags, checksums); recorded: david lane + david Barfield; transferred seeded: david barfield. This file set is 16 bit @ 44.1 notes
5986. 10/09/82 Flac 16 - 0, 110621 Palo Alto Frost Amphitheatre flac16; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
5987. 10/09/82 Flac 16 Mtx - 0, 93811 Palo Alto Frost Amphitheatre flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) August 3, 2008 notes
5988. 10/09/82 Flac 16 - 0, 111040 Palo Alto Frost Amphitheatre flac16; Recorded, Transferred and Mastered by N. Hoey 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(TDK MA-90)(FOB) Nakamichi Dragon (Dolby B decoded) > Panasonic 3800 DAT (internal A/D conversion) > Soundforge (editing) > CD Architect > Mitsui disc > Toast 9 > Xact notes
5989. 10/09/82 Shn - 0, 23730 Palo Alto Frost Amphitheatre Soundboard->Cassette Master(MA-R90/Dolby B)-> 1st Generation Cassette(XLII-S90/Dolby C). 1st Generation Cassette->Fostex D5 (pass-through only)->ZA2->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano notes
5990. 10/09/82 Flac 16 - 0, 95656 Palo Alto Frost Amphitheatre flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > wavelab 5 > plugins > r8brain Pro > 16/44.1 wave > cd wave > THL (lvl 8) notes
5991. 10/09/82 Flac 24/88.2 - 0, 93825 Palo Alto Frost Amphitheatre flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d1t09 of the previous Charlie Miller source.) notes
5992. 10/09/82 Flac 16 - 0, 93682 Palo Alto Frost Amphitheatre flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes
5993. 10/09/82 Shn - 0, 15800 Palo Alto Frost Amphitheatre Main Source A : SBD>MR>PCM>DAT>CD-R ; Patch Source B : Rango Keshavan's FOB Master Audience Cassette, Sony ECM-220T mics > Sony TC-D5M > DAT > CDR ; Seeded by T. Wiley ; upgrade in circulation notes
5994. 10/09/82 Flac 16 - 0, 93827 Palo Alto Frost Amphitheatre flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d1t09 of the previous Charlie Miller source.) notes
5995. 10/09/82 Flac 24 - 0, 93683 Palo Alto Frost Amphitheatre flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes
5996. 10/09/82 Shn - 0, 5183 Palo Alto Frost Amphitheatre ango Keshavan's FOB Master Audience Cassette; Sony ECM-220T mics > Sony TC-D5M > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; to abgd notes
5997. 10/09/82 Shn - 0, 337 Palo Alto Frost Amphitheatre source update: SBDMR> PCM> DAT> CD-R; via Dave Barrick; upgrade in circulation notes
5998. 10/09/82 Flac 24/48 - 0, 147105 Palo Alto Frost Amphitheatre flac24; Source: FOB Beyers M160's > Sony TC-D5M > Maxell MX. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2019 notes
5999. 10/10/82 Flac 16 Mtx - 0, 110970 Palo Alto Frost Amphitheatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF CD tracking via Audacity (w/dither) > FLAC16 via xACT) notes
6000. 10/10/82 Flac 16 - 0, 110626 Palo Alto Frost Amphitheatre flac16; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
6001. 10/10/82 Flac 16 - 0, 128808 Palo Alto Frost Amphitheatre flac16; AUD: 2x Beyers M160's > Sony TC-D5, in the sweet spot. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014. notes
6002. 10/10/82 Flac 24/48 - 0, 110628 Palo Alto Frost Amphitheatre flac24; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
6003. 10/10/82 Flac 16 - 0, 79903 Palo Alto Frost Amphitheatre flac16; Patched fix of shnid 338 - MC>DAT>ZA2>CD>EAC>SHN (shn id 338) patched with Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC>FLAC (shn id 29315) notes
6004. 10/10/82 Shn Mtx - 0, 86784 Palo Alto Frost Amphitheatre Matrix mix: SBD/AUD (About 60%/40%) AUD: Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC Recorded by Rango Keshavan and SBD: MC>DAT>ZA2>CD>EAC>SHN notes
6005. 10/10/82 Flac 16 - 0, 123624 Palo Alto Frost Amphitheatre flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by David Gans; All Transfers and Mastering By Charlie Miller notes
6006. 10/10/82 Flac 16 - 0, 95682 Palo Alto Frost Amphitheatre flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > wavelab 5 > plugins > r8brain Pro > 16/44.1 wave > cd wave > THL (lvl 8) notes
6007. 10/10/82 Flac 16 - 0, 93732 Palo Alto Frost Amphitheatre flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes
6008. 10/10/82 Flac 24/48 - 0, 110783 Palo Alto Frost Amphitheatre flac24; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; This source has the encores fixed notes
6009. 10/10/82 Flac 16 - 0, 29315 Palo Alto Frost Amphitheatre flac16; Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC Recorded by Rango Keshavan Flacs and covers by Tzuriel 5/2005 notes
6010. 10/10/82 Flac 24 Mtx - 0, 110744 Palo Alto Frost Amphitheatre flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF tracking via Audacity > FLAC24 via xACT) notes
6011. 10/10/82 Flac 24/96 - 0, 128807 Palo Alto Frost Amphitheatre flac24; AUD: 2x Beyers M160's > Sony TC-D5, in the sweet spot. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014. notes
6012. 10/10/82 Shn - 0, 338 Palo Alto Frost Amphitheatre SBD:MCass>(?)DAT>CD>EAC>SHN; transfer by David Hollister; via Josh Ayers; known flaws: small cut in Crazy Fingers, momentary "blip" during Saint, cut in Drums (tape flip), momentary dropout during The Wheel, the very end of Sunshine Daydream is cut; note problem with d3 on etree, fixed version up by 12/3 via Darrin Sacks (old md5s shown here?); upgrade in circulation notes
6013. 10/10/82 Flac 24 - 0, 93733 Palo Alto Frost Amphitheatre flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes
6014. 10/10/82 Flac 24/48 - 0, 124623 Palo Alto Frost Amphitheatre flac24; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded by David Gans; All Transfers and Mastering By Charlie Miller notes
6015. 10/10/82 Flac 16 - 0, 111039 Palo Alto Frost Amphitheatre flac16; Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(TDK MA-90)(FOB) Nakamichi Dragon (Dolby B decoded) > Panasonic 3800 DAT (internal A/D conversion) > Soundforge (editing) > CD Architect > Mitsui disc > Toast 9 > Xact notes
6016. 10/10/82 Flac 16 - 0, 109822 Palo Alto Frost Amphitheatre flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes
6017. 10/10/82 Flac 24/48 - 0, 109823 Palo Alto Frost Amphitheatre flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes
6018. 10/10/82 Flac 16 - 0, Palo Alto Frost Amphitheatre flac16; AUD>>CASS>>DAT>>CDA>>WAV(EAC)>>FLAC>>DAW(Bertha)>>FLAC; Bertha remaster of shn id 29315 notes
6019. 10/10/82 Flac 16 - 0, 110784 Palo Alto Frost Amphitheatre flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; This source has the encores fixed notes
6020. 10/10/82 Flac 16 - 0, 141523 Palo Alto Frost Amphitheatre flac16; Source Info: Master Soundboard Cassettes (TDK MA-R90/Dolby B > Tim Dalton's PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
6021. 10/10/82 Flac 24/96 - 0, 143391 Palo Alto Frost Amphitheatre flac24; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (TDK SA-90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k) notes
6022. 10/10/82 Flac 16 - 0, 145248 Palo Alto Frost Amphitheatre flac16; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (TDK SA-90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k); This file set is 16 bit @ 44.1 notes
6023. 10/10/82 Flac 16 Mtx - 0, 92058 Palo Alto Frost Amphitheatre flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 08/13/07 Remastered: 05/30/08 (A re-synchronized version of d2t06 was circulated in April, 2009. No other changes were made to the file set.) notes
6024. 10/17/82 Shn - 0, 18108 Santa Fe Santa Fe Downs (FOB) AUD>Cm>Reel>Dat via Charlie Miller notes
6025. 10/17/82 Flac 24 - 0, 150574 Santa Fe Santa Fe Downs flac24; Recording Info: (FOB) AUD > Cassette Master > Reel; Transfer Info: Reel (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC (24-bit/48k) notes
6026. 10/17/82 Flac 16 - 0, 150661 Santa Fe Santa Fe Downs flac16; Recording Info: (FOB) AUD > Cassette Master > Reel; Transfer Info: Reel (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC (24-bit/48k), This file set is 16 bit @ 44.1 notes
6027. 11/25/82 Flac - 0, 112816 Montego Bay Bob Marley Performing Arts Center flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
6028. 11/25/82 Flac 24 - 0, 134118 Montego Bay Bob Marley Performing Arts Center flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX Metal. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2015 notes
6029. 11/25/82 Flac - 0, 134119 Montego Bay Bob Marley Performing Arts Center flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX Metal. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015 notes
6030. 11/25/82 Shn - 0, 34204 Montego Bay Bob Marley Performing Arts Center Source: SBD->CM->DAT Transfer: Tascam DA-20 mkII->Tascam HD-P2->Soundforge 6.0->CD Wave->mkwAct->.shn by Jake C notes
6031. 11/25/82 Shn - 0, 5647 Montego Bay Bob Marley Performing Arts Center poss Master Soundboard Cassette > Reel to Reel > DAT> CDR; fix of previous version, by Scott Clugston: tick removed, channel patching, speed correction (see info file); upgrade in circulation notes
6032. 11/25/82 Flac 24 - 0, 121817 Montego Bay Bob Marley Performing Arts Center flac24; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes
6033. 11/25/82 Shn - 0, 21065 Montego Bay Bob Marley Performing Arts Center lineage: MSC(Sony TCD-5M) > WAV > SHN recording: MSC - master soundboard cassette w/ Dolby B by Frank Streeter digital transfer: Nakamichi CD 2 cassette deck > HHB 850 Pro stand-alone CD burner (16 bit @ 44.1khz) by Frank Streeter and Henry Fisher tracking and editing: AIF (Toast 5.2) > WAV (Peak 3.21) > SHN (shntool 1.2.2) WAV sector boundaries verified with shntool by Ted Erhard notes
6034. 11/25/82 Flac - 0, 126243 Montego Bay Bob Marley Performing Arts Center flac16; SDB>>MR>>PCM>>DAT>>CDR>>SHN>>TLH>>FLAC8; tech notes: shorten files recoded to flac8 w/traders little helper v2.7.0 the source(B. Fried's) ran about 4 cents too fast. speed, pitch & tempo corrected -4.200% with Audacity(dc offsets, normalized, high qual shaped dithering) & exported as flac 8. tagged with foobar v1.2.9 & the tradersfriend/etree live show tagger notes
6035. 11/25/82 Shn - 0, 1419 Montego Bay Bob Marley Performing Arts Center possible updated lineage: SBD MCass> Reel> PCM> DAT @44.1K> CDR (had been marked SBD> MR> PCM> DAT> CDR, with possible cass gen somewhere)- see pub comment; via Mike Lai, from Bruce Fried DAT seed; note had date typo at first as 11/25/82, now corrected; upgrade in circulation notes
6036. 12/26/82 Flac 16 - 0, 81602 Oakland Oakland Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
6037. 12/26/82 Shn - 0, 6665 Oakland Oakland Auditorium Master Soundboard Cassette > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; to abgd; upgrade in circulation notes
6038. 12/26/82 Flac 16 - 0, 95953 Oakland Oakland Auditorium flac16; Set 2 only Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
6039. 12/26/82 Shn - 0, 1420 Oakland Oakland Auditorium SDB> MR> PCM> DAT> CDR, with possible cass gen somewhere; via Mike Lai, from Bruce Fried DAT seed; upgrade in circulation notes
6040. 12/26/82 Flac 16/44 - , 154593 Oakland Oakland Auditorium flac16/44 Source: (FOB) Senn MD441-U > Sony TC-D5 > Cassette Master (Maxell UDXLII C90 Dolby On) > Nakamichi 581 > Cassette (1st gen) Transfer: 1st gen Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF 24/96 PCM) > Audacity (Trim, both tracks both sides amplified by +4db) Lineage: wav 24/96 > iZotope RX 9 Advanced > wav 16/44.1 > CD Wave > flac 16 edited and mastered SIRMick December 2021 notes
6041. 12/26/82 Flac 24/96 - , 154594 Oakland Oakland Auditorium flac24/96 Source: (FOB) Senn MD441-U > Sony TC-D5 > Cassette Master (Maxell UDXLII C90 Dolby On) > Nakamichi 581 > Cassette (1st gen) Transfer: 1st gen Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF 24/96 PCM) > Audacity (Trim, both tracks both sides amplified by +4db) Lineage: wav 24/96 > iZotope RX 9 Advanced > CD Wave > flac 24 edited and mastered SIRMick December 2021 notes
6042. 12/27/82 Flac 16 - 0, 95954 Oakland Oakland Auditorium flac16; Set 2 only Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
6043. 12/27/82 Flac 16 Mtx - 0, 34705 Oakland Oakland Auditorium flac16; Sick Bits Vol. 18a - SBD/AUD Matrix of 3 sources (1 previously circulated SBD for set 1 - shnid=32134 and 2 uncirculated sources) - edited, mixed and encoded by Chris Chappell notes
6044. 12/27/82 Flac 16 - 0, 32134 Oakland Oakland Auditorium flac16; Source: SBD > MC(?) > Cx > DAT > DAT from Dr. Bruce Fried, 4/96 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV/FLAC > WAV (depopping/retracking, see below)> FLAC (level 5). Original digital transfer and FLAC seeded by billk@neci.edu, January 2006 via planetflac. Remastering and retracking by C.Ladner. notes
6045. 12/27/82 Flac 16 - 0, 81515 Oakland Oakland Auditorium flac16; Set 2 only, Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 notes
6046. 12/27/82 Flac 16 - 0, 77463 Oakland Oakland Auditorium flac16; Recording by Bill Koucky: FOB Sennheiser 441s > Sony D5 > Sony D5 (first gen CM). Transfer: Playback on Nakamich BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV > FLAC. Recording, transfer, and original encoding by Bill K. Remastering: FLAC > WAV > Wavelab 5 (smoothed pauses/flips with crossfades > Waves L3 Multimaximizer (-2 dB threshold/-0.1 dB ceiling/type I dither/ultra shaping) > WAV > CDWAV1.9 (tracking and level 5 FLAC encoding) > FLAC by Chris L. notes
6047. 12/27/82 Flac 24/96 - 0, 147920 Oakland Oakland Auditorium flac24; Source Info: Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6048. 12/27/82 Flac 16/48 - 0, 147919 Oakland Oakland Auditorium flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6049. 12/28/82 Flac 16 - 0, 31967 Oakland Oakland Auditorium flac16; SBD -> Master PCM -> Dat/0 Transferred and Edited By Charlie Miller notes
6050. 12/28/82 Flac 16 Mtx - 0, 34715 Oakland Oakland Auditorium flac16; Sick Bits Vol. 18b - SBD/AUD Matrix of 1 previously circulated SBD source (shnid=31967) and 1 uncirculated AUD source. Edited, mixed and encoded by Chris Chappell notes
6051. 12/28/82 Shn - 0, 18980 Oakland Oakland Auditorium SBD > MC > DAT > CD > EAC > SHN; upgrade in circulation notes
6052. 12/28/82 Flac 24/48 - 0, 134117 Oakland Oakland Auditorium flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2) Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015 notes
6053. 12/28/82 Flac 16 - 0, 134178 Oakland Oakland Auditorium flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015 notes
6054. 12/28/82 Flac 16 - 0, 126612 Oakland Oakland Auditorium flac16; Recording Info: Nak300 (hand-held) -> Sony D-5; Transfer Info: Sony D-5 -> Turtle Beach -> Goldwave -> WAV -> CD -> EAC -> FLAC; Recorded, transferred and edited by Mark Fulton notes
6055. 12/28/82 Flac 16/48 - 0, 147921 Oakland Oakland Auditorium flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6056. 12/28/82 Flac 24/96 - 0, 147922 Oakland Oakland Auditorium flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6057. 12/30/82 Flac 16 - 0, 105819 Oakland Oakland Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
6058. 12/30/82 Flac 16 - 0, 95955 Oakland Oakland Auditorium flac16; Set 2 only Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
6059. 12/30/82 Flac 16 - 0, 77300 Oakland Oakland Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
6060. 12/30/82 Shn - 0, 8764 Oakland Oakland Auditorium SBD>MC>PCM>DAT>CDR (likely cass gen); Seeded to etree by Tony G; upgrade in circulation notes
6061. 12/30/82 Flac 24/48 - 0, 134321 Oakland Oakland Auditorium flac24; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLIIS 90s. Set up FOB near the SBD area, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015 notes
6062. 12/30/82 Flac 24/48 - 0, 134319 Oakland Oakland Auditorium flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015 notes
6063. 12/30/82 Flac 16 - 0, 134322 Oakland Oakland Auditorium flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLIIS 90s. Set up FOB near the SBD area, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015 notes
6064. 12/30/82 Flac 16 - 0, 134320 Oakland Oakland Auditorium flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015 notes
6065. 12/30/82 Flac 24/96 - 0, 147924 Oakland Oakland Auditorium flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6066. 12/30/82 Flac 16/48 - 0, 147923 Oakland Oakland Auditorium flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6067. 12/30/82 Flac 16/44 - 0, 151469 Oakland Oakland Auditorium flac16/44khz ; Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; Recorded by Bob Wagner 150778 24 -> 16 @ 44.1 notes
6068. 12/31/82 Flac 16 - 0, 105820 Oakland Oakland Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
6069. 12/31/82 Shn - 0, 5958 Oakland Oakland Auditorium SBD> MR> DAT> CD> EAC> SHN; Show and lineage information from Charlie Miller; DAE, SHN conversion, by Keith Bode; upgrade in circulation notes
6070. 12/31/82 Flac 16 - 0, 77301 Oakland Oakland Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
6071. 12/31/82 Flac 16 - 0, 118487 Oakland Oakland Auditorium flac16; Set 3 Only, source: sbd> d-5; conversion: sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8; conversion rate: 48000/stereo/16 bit; lineage: sbd> d-5> sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
6072. 12/31/82 Flac 24/48 - 0, 134485 Oakland Oakland Auditorium flac24; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015 notes
6073. 12/31/82 Flac 16 - 0, 134488 Oakland Oakland Auditorium flac16; 3rd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME Metal tape. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 notes
6074. 12/31/82 Flac 24/48 - 0, 134487 Oakland Oakland Auditorium flac24; 3rd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME Metal tape. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015 notes
6075. 12/31/82 Flac 16 - 0, 134486 Oakland Oakland Auditorium flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 notes
6076. 12/31/82 Flac 16 - 0, 113090 Oakland Oakland Auditorium flac16; FM Radio Broadcast > Cassete > Wave > Flac notes
6077. 12/31/82 Flac 16/48 - 0, 148507 Oakland Oakland Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) SBD (shnid = 105820) SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015. - surround mixing by Kevin Tobin notes
6078. 12/31/82 Flac 16 Dts.5.1 - 0, 148506 Oakland Oakland Auditorium DTS-Audio-CD 5.1 Mix; SBD (shnid = 105820) SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015. - dts mixing by Kevin Tobin notes
6079. 12/31/82 Flac 16 Mtx - 0, 148505 Oakland Oakland Auditorium flac16; Matrix 2 Source Mix<.i> SBD (shnid = 105820) SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015. - matrix mixing by Kevin Tobin notes
6080. 12/31/82 Flac 16 - 0, 148498 Oakland Oakland Auditorium flac16; Patched & Pitch Corrected Audience AUD (original shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 - pitch correction and patches by Kevin Tobin notes
6081. 01/24/83 Shn - 0, 21264 Novato Stone House Studio Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03 notes
6082. 01/31/83 Shn - 0, 21265 Novato Stone House Studio Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03 notes
6083. 02/01/83 Shn - 0, 21266 Novato Stone House Studio Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03 notes
6084. 02/06/83 Shn - 0, 21270 Novato Stone House Studio Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03 notes
6085. 03/14/83 Shn - 0, 21269 San Rafael Club Front - Rehearsals Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03 notes
6086. 03/25/83 Shn - 0, 23572 Tempe Compton Terrace Amphitheatre SBD -> Cassette Master -> Reel -> Cass -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN;Patched with 3 Sennheiser 421's -> Cassette Master -> Dat -> CD -> EAC -> SHN; Patched and Edited By Charlie Miller notes
6087. 03/25/83 Flac 24/48 - 0, 134370 Tempe Compton Terrace Amphitheatre flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015 notes
6088. 03/25/83 Flac 16 - 0, 134371 Tempe Compton Terrace Amphitheatre flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015 notes
6089. 03/25/83 Shn - 0, 7350 Tempe Compton Terrace Amphitheatre FOB>3 Senn. 421's>MC>DAT>CD; via Tom Eliason; Seeded to etree by Willy notes
6090. 03/25/83 Flac 16 - 0, 139596 Tempe Compton Terrace Amphitheatre flac16; Source Info: Master FOB Audience PCM; (3)Sennheiser 421 mics; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Adobe Audition 3.0> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston notes
6091. 03/25/83 Flac 24/48 - 0, 141356 Tempe Compton Terrace Amphitheatre flac24/48 Recording Information Master AUD Cassette: Nakamichi 300's >Sony TCD5> 3rd in line Sony TCD5M|TDK MA-C90 Location: 75 ft from stacks DFC Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded by: Kyle Holbrook Transferred: Kyle Holbrook notes
6092. 03/25/83 Flac 16/44,1 - 0, 141355 Tempe Compton Terrace Amphitheatre flac16/44.1 Recording Information Master AUD Cassette: Nakamichi 300's >Sony TCD5> 3rd in line Sony TCD5M|TDK MA-C90 Location: 75 ft from stacks DFC Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded by: Kyle Holbrook Transferred: Kyle Holbrook notes
6093. 03/25/83 Flac 16 - 0, 148801 Tempe Compton Terrace Amphitheatre flac16; Source Info: Master Soundboard Cassette > Cassette > PCM; Transfer Info: PCM (unknown equipment) > .wav (16/44.1) > Adobe Audition 2019 > TLH flac16 notes
6094. 03/26/83 Flac 16 - 0, 79605 Las Vegas Aladdin Theater flac16; Set2: Sennheiser 421 > Sony TC-770 Reel to Reel at 3 3/4 ips > Sony DTC-2000ES > DAT > M-Audio Delta 410 > wav > *Adobe AUdition 1.5 > shntool > FLAC lvl8 notes
6095. 03/26/83 Flac 16/48 - 0, 79606 Las Vegas Aladdin Theater flac16/48; Set2: Sennheiser 421 > Sony TC-770 Reel to Reel at 3 3/4 ips > Sony DTC-2000ES > DAT > M-Audio Delta 410 > wav > Adobe Audition 1.5 > shntool > FLAC lvl8 notes
6096. 03/26/83 Flac 16 - 0, 81092 Las Vegas Aladdin Theater flac16; Recording Info: (FOB) Neumann KM54 -> Cassette Master -> Dat Transfer Info: Dat -> CD (Tascam CDRW700) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
6097. 03/26/83 Shn - 0, 11260 Las Vegas Aladdin Theater AUD>MC>DAT>CDR KM 54?s; via the Retired General; Seeded to etree by Ernie Dodd notes
6098. 03/26/83 Flac 16 - 0, 137371 Las Vegas Aladdin Theater flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLIIS, mics clamped to balcony rail center, recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (insert patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2016 notes
6099. 03/26/83 Flac 16/48 - 0, 140315 Las Vegas Aladdin Theater flac16/48kHz; Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 notes
6100. 03/26/83 Flac 24/48 - 0, 141353 Las Vegas Aladdin Theater flac24/48 Recording Info: First set: Unknown mics-> Sony PCMF1->Analog out-> Sony TCD5M (4th in line) Maxell XLII90 Dolby B on; 18th row DFC Second Set: JVC HM 200E Binaural headphone microphones worn on head >>Sony TCD5M; Maxell XLII 90, Dolby B on; 100 feet from stage DFC Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Kyle Holbrook Transferred & Processed: Kyle Holbrook notes
6101. 03/26/83 Flac 16 44,1 - 0, 141352 Las Vegas Aladdin Theater flac16/44.1 Recording Info: First set: Unknown mics-> Sony PCMF1->Analog out-> Sony TCD5M (4th in line) Maxell XLII90 Dolby B on; 18th row DFC Second Set: JVC HM 200E Binaural headphone microphones worn on head >>Sony TCD5M; Maxell XLII 90, Dolby B on; 100 feet from stage DFC Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Kyle Holbrook Transferred & Processed: Kyle Holbrook notes
6102. 03/27/83 Shn - 0, 11261 Irvine Irvine Meadows AUD> MC> DAT> CDR Senn 421s; via Paul; Seeded to etree by Ernie Dodd notes
6103. 03/27/83 Flac 16/48 - 0, 140316 Irvine Irvine Meadows flac16/48kHz; Set 2 Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 notes
6104. 03/27/83 Flac 16 - 0, 142769 Irvine Irvine Meadows flac16; Source Info: Master Audience Cassettes; Sennheiser 421 mics > unknown deck > Dat > CDR, Eac > Cool Edit > shntool > cdwav >shnv3 EAC >shn; Re-Mastered by Scott Clugston; This is a pitch corrected and re-mastered version of shnid 11261 notes
6105. 03/27/83 Flac 16 - 0, 142769 Irvine Irvine Meadows flac16; Source Info: Master Audience Cassettes; Sennheiser 421 mics > unknown deck > Dat > CDR, Eac > Cool Edit > shntool > cdwav >shnv3 EAC >shn; Re-Mastered by Scott Clugston; This is a pitch corrected and re-mastered version of shnid 11261 notes
6106. 03/27/83 Flac 16/48 - 0, 142767 Irvine Irvine Meadows flac16/48kHz; Set 2 Recording Info: Master Soundboard Cassettes > Technics Reel to Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Dat (Sony PCM-R500 16/48) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16/48) > Adobe Audition 3.0 > TLH flac1648; This is a patched and pitch corrected version of shnid 140316 notes
6107. 03/27/83 Flac 16/48 - 0, 142768 Irvine Irvine Meadows flac16/48kHz; Recording Info: Master Soundboard Cassettes > Cassette > Dat 16/48; Transfer Info: Dat (Sony PCM-R500 16/48) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16/48) > Adobe Audition 3.0 > TLH flac1648 notes
6108. 03/29/83 Shn - 0, 11262 San Francisco Warfield Theater AUD>MC>CDR Paul Hogan, 1st row behind SBD, Senn 441?s>Sony D-6; via Paul B; Seeded to etree by Ernie Dodd notes
6109. 03/29/83 Flac - 0, 137269 San Francisco Warfield Theater flac16; Source: AUD from the Brian Schley tape collection (see note). Transfer: Maxell XLII 90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (insert patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016 notes
6110. 03/30/83 Flac - 0, 77081 San Francisco Warfield Theater flac16; SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller notes
6111. 03/30/83 Shn - 0, 10919 San Francisco Warfield Theater SBD>CM>Cassette x1>DAT>CDRx2; Seeded to etree by Jim Bennett ; upgrade in circulation notes
6112. 03/30/83 Flac - 0, 137243 San Francisco Warfield Theater flac16; Set 1 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII-90, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016 notes
6113. 03/30/83 Flac - 0, 139681 San Francisco Warfield Theater flac16 44.1khz Source Info: Sennheiser 441-> Cassette-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. notes
6114. 03/31/83 Flac - 0, 94016 San Francisco Warfield Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
6115. 03/31/83 Flac - 0, 77086 San Francisco Warfield Theater flac16; SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
6116. 03/31/83 Flac - 0, 32306 San Francisco Warfield Theater flac16; SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller ; upgrade in circulation notes
6117. 03/31/83 Flac - 0, 32296 San Francisco Warfield Theater SBD > C(x5) > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (SBE-OK, checksums, Flac compression) > bt.etree 01/06. ; upgrade in circulation notes
6118. 03/31/83 Shn - 0, 18112 San Francisco Warfield Theater (FOB) Sennheiser 421 -> Cm (Sony D5) -> Dat via Charlie Miller notes
6119. 04/09/83 Flac 16 Mtx - 0, 97109 Hampton Hampton Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
6120. 04/09/83 Flac 16 - 0, 93145 Hampton Hampton Coliseum flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN -> WAV -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller notes
6121. 04/09/83 Flac 16 - 0, 135190 Hampton Hampton Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6122. 04/09/83 Flac 24/96 - 0, 135191 Hampton Hampton Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6123. 04/09/83 Shn - 0, 27703 Hampton Hampton Coliseum SBD> Master Cassette> Reel> Dat (48k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Rob Eaton's FOB Senn 441 source; Transferred, Edited and Patched By Charlie Miller notes
6124. 04/09/83 Flac 24/48 - 0, 137037 Hampton Hampton Coliseum flac24; Set Two AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2016 notes
6125. 04/09/83 Flac 16 - 0, 137038 Hampton Hampton Coliseum flac16; Set Two AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2016 notes
6126. 04/09/83 Shn - 0, 14190 Hampton Hampton Coliseum Audience Recording: Sennheiser 441-->Sony D6 Note: Track 1 is incomplete; posted to abgd notes
6127. 04/09/83 Shn - 0, 9199 Hampton Hampton Coliseum Senn 421 mics > Sony TC-D5 > MAC > DAT > CD; via Tiger-Rose; Seeded to etree by Sean Cribbs notes
6128. 04/09/83 Flac 24/48 - 0, 141615 Hampton Hampton Coliseum flac24/48 Source Audience Recording: JVC200E Binaural headphone microphones Location: 60 feet from stage|DFC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook notes
6129. 04/09/83 Flac 24/48 - 0, 141613 Hampton Hampton Coliseum flac24/48 Source Audience Recording: Beyer M 201c Location: 60 feet from stage|DFC Lineage: MA CA FOB - Beyer M201's (hyper cardiod)XY 6ft>> Sony TCD5M w Maxell XL-II, No Dolby Playback: Nakamichi CR-5A ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by Kyle Holbrook notes
6130. 04/09/83 Flac 16 44,1 - 0, 141614 Hampton Hampton Coliseum flac16/44.1 Source Audience Recording: JVC200E Binaural headphone microphones Location: 60 feet from stage|DFC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook notes
6131. 04/09/83 Flac 16 44,1 - 0, 141612 Hampton Hampton Coliseum flac16/44.1 Source Audience Recording: Beyer M 201c Location: 60 feet from stage|DFC Lineage: MA CA FOB - Beyer M201's (hyper cardiod)XY 6ft>> Sony TCD5M w Maxell XL-II, No Dolby Playback: Nakamichi CR-5A ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by Kyle Holbrook notes
6132. 04/09/83 Flac 24/96 - 0, 145467 Hampton Hampton Coliseum flac24; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
6133. 04/09/83 Flac 16/48 - 0, 145466 Hampton Hampton Coliseum flac16/48kHz; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6134. 04/10/83 Shn - 0, 16579 Morgantown West Virginia University Coliseum Set 1 SBD > PCM > Dat x 2 > CDR > SHN; Set 2 SBD > Cassette Master > Dat x 2 > CDR > SHN; via Bob Harrell; drgseeds notes
6135. 04/10/83 Flac 24/96 - 0, 130279 Morgantown West Virginia University Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes
6136. 04/10/83 Flac 16 - 0, 130282 Morgantown West Virginia University Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6137. 04/10/83 Shn - 0, 9993 Morgantown West Virginia University Coliseum KG 581?s>Sony D-5>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd notes
6138. 04/10/83 Shn - 0, 14191 Morgantown West Virginia University Coliseum Audience Recording: Sennheiser 441-->Sony D6; posted to abgd notes
6139. 04/10/83 Flac 24/48 - 0, 137676 Morgantown West Virginia University Coliseum flac24; 2nd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017 notes
6140. 04/10/83 Flac 16 - 0, 137677 Morgantown West Virginia University Coliseum flac16; 2nd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017 notes
6141. 04/10/83 Flac 24 - 0, 140084 Morgantown West Virginia University Coliseum flac24; aud cassette master, nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger notes
6142. 04/10/83 Flac 16 - 0, 140085 Morgantown West Virginia University Coliseum flac16; aud cassette master, nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger notes
6143. 04/10/83 Flac 24/48 - 0, 141631 Morgantown West Virginia University Coliseum flac24/48 Source Audience Recording: JVC200E Binaural headphone microphones Location: 80 feet from stage|Right corner of SBD ~ 20' ROC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook notes
6144. 04/10/83 Flac 16 44,1 - 0, 141630 Morgantown West Virginia University Coliseum flac16/44.1 Source Audience Recording: JVC200E Binaural headphone microphones Location: 80 feet from stage|Right corner of SBD ~ 20' ROC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook notes
6145. 04/12/83 Flac 16 - 0, 30808 Binghamton Broome County Arena flac16; Recording Info: SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.0 -> FLAC notes
6146. 04/12/83 Flac 16 Mtx - 0, 124253 Binghamton Broome County Arena flac16; 3 Source Matrix by Dusborne: Soundboard (shnid:17264) Set 1 SBD > Cassette master > Dats > CDR > SHN by drgseeds, Soundboard (shnid:30808) Set 2 Recording Info: SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller and Audience (shnid:93961) Source: MAC; (FOB) 2 x Sennheiser 421 > Sony D5 > 2 x Maxell UDXL II C90 Location: 20th Row center. Recorded by Rick "Coyote" Colyard. Transfer and mastering by Alex Ford. notes
6147. 04/12/83 Shn - 0, 10075 Binghamton Broome County Arena SBD>PCM>DAT>CDR; with aud patches; See info file for details; via Rick Martin, Willy, and Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation notes
6148. 04/12/83 Flac 16 - 0, 134998 Binghamton Broome County Arena flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Fuji Metal (S1) and TDK MA-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2016 notes
6149. 04/12/83 Flac 16 - 0, 93961 Binghamton Broome County Arena flac16; MAC; (FOB) 2 x Sennheiser 421 > Sony D5 > 2 x Maxell UDXL II C90 Taper: Rick "Coyote" Colyard. Transferred and mastered by Alex Ford notes
6150. 04/12/83 Shn - 0, 9947 Binghamton Broome County Arena Jim Wise recording, FOB Sennheuser 421s>Sony D5>DAT>CDR; Seeded to etree by Darrin Sacks notes
6151. 04/12/83 Shn - 0, 17264 Binghamton Broome County Arena Primary source: SBD > Cassette master > Dats > CDR > SHN. Patch source: FOB Sennheuser 421s > Sony D5 > DAT > CDR. via drgseeds; upgrade in circulation notes
6152. 04/12/83 Flac 24/96 - 0, 103166 Binghamton Broome County Arena flac24; nakamichi 300 > tcd5m (udxl IIs, dolby on, @ soundboard) > master cassette/tcd5m (original recorder, +dolby) > minime (24/96) > sd744t > audacity > xact (flac24) notes
6153. 04/12/83 Shn - 0, 9746 Binghamton Broome County Arena 2nd set only; AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd notes
6154. 04/12/83 Flac 16 - 0, 137356 Binghamton Broome County Arena flac16; nakamichi 300 > tcd5m (udxl IIs, dolby on, @ soundboard) > master cassette/tcd5m (original recorder, +dolby) > minime (24/96) > sd744t > audacity > xact (flac24), 24bits > 16bits with r8brain notes
6155. 04/12/83 Flac 16/48 - 0, 138560 Binghamton Broome County Arena flac16/48kHz; Unknown Taper (FOB): Sennheiser 421 > cassette master* > dat; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, Patch & Pack : Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
6156. 04/12/83 Flac 16 - 0, 140047 Binghamton Broome County Arena flac16; Set 2 Recording Info: Master Soundboard PCM > PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM 601ESD> Behringer Ultramatch Pro> Tascam DA-3000 (16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; Mastered by Scott Clugston notes
6157. 04/12/83 Flac 24 - 0, 140087 Binghamton Broome County Arena flac24; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger notes
6158. 04/12/83 Flac 16 - 0, 140086 Binghamton Broome County Arena flac16; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger notes
6159. 04/12/83 Flac 24/48 - 0, 141633 Binghamton Broome County Arena flac24/48 Location: 80ft from Stacks Dead center First Gen AUD: Master was:Sennheiser MD421's-> Sony TCD5M (2nd in line)|TDK MA (TP,OJ,MY,KH) Marked as patched out of Jim Wise. Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded by Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by: Kyle Holbrook notes
6160. 04/12/83 Flac 16 44,1 - 0, 141632 Binghamton Broome County Arena flac16/44.1 Location: 80ft from Stacks Dead center First Gen AUD: Master was:Sennheiser MD421's-> Sony TCD5M (2nd in line)|TDK MA (TP,OJ,MY,KH) Marked as patched out of Jim Wise. Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded by Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by: Kyle Holbrook notes
6161. 04/13/83 Flac 16 Mtx - 0, 113852 Burlington Patrick Gymnasium, U of Vermont flac16; Matrix by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
6162. 04/13/83 Shn - 0, 23849 Burlington Patrick Gymnasium, U of Vermont SDB>>CM>>C>>DAT>>CDR via Mike Lai notes
6163. 04/13/83 Shn - 0, 1614 Burlington Patrick Gymnasium, U of Vermont MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN; via Jim Wise, Darrin Sacks notes
6164. 04/13/83 Flac 24/96 - 0, 119845 Burlington Patrick Gymnasium, U of Vermont flac24; Updated Source Info: (2) sennheiser 421 fob>d-5; conversion: sony tc we435>sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/stereo/24 bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures notes
6165. 04/13/83 Flac 16 - 0, 102860 Burlington Patrick Gymnasium, U of Vermont flac 16 Source: 3 Microphone Setup>unknown Deck>cassette Master->my Cassette notes
6166. 04/13/83 Flac 16 - 0, 82876 Burlington Patrick Gymnasium, U of Vermont flac16; AUD Source: Nakamichi CM-300's (no shotguns) > patched thru one Sony D5 > Marantz PMD-340 > TDK SA-90's. Mics on stand aprx six feet high, set up second or third row up in the bleachers directly behind the soundboard. Transfer: MAC > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC. Taped and transferred by Andrew F notes
6167. 04/13/83 Flac 16/48 - 0, 138339 Burlington Patrick Gymnasium, U of Vermont b>flac16/48kHz; Set 2 1st gen dbx cassette SBD > Cassette Master > Cassette (dbx) > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48 notes
6168. 04/13/83 Flac 16 - 0, 119554 Burlington Patrick Gymnasium, U of Vermont flac16; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012 notes
6169. 04/13/83 Flac 24/48 - 0, 119531 Burlington Patrick Gymnasium, U of Vermont flac24; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. notes
6170. 04/13/83 Flac 24 - 0, 140090 Burlington Patrick Gymnasium, U of Vermont flac24; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger notes
6171. 04/13/83 Flac 16 - 0, 140089 Burlington Patrick Gymnasium, U of Vermont flac16; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger notes
6172. 04/13/83 Shn - 0, 21921 Burlington Patrick Gymnasium, U of Vermont Source: MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN. Taper: M.Horvath notes
6173. 04/13/83 Flac 16/44,1 - 0, 141636 Burlington Patrick Gymnasium, U of Vermont flac16/44.1 Location: 50ft from Right Stack about row 17 aisle seats First Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH) Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney & Kyle Holbrook Transferred by: Kyle Holbrook notes
6174. 04/13/83 Flac 24/48 - 0, 141637 Burlington Patrick Gymnasium, U of Vermont flac24/48 Location: 50ft from Right Stack about row 17 aisle seats First Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH) Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney & Kyle Holbrook Transferred by: Kyle Holbrook notes
6175. 04/15/83 Flac - 0, 32780 Rochester Community War Memorial Auditorium Recording Info: Set 1: SBD -> Cassette Master -> Reel -> Dat (48k) Set 2: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
6176. 04/15/83 Flac 16 - 0, 94282 Rochester Community War Memorial Auditorium flac16;Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B); Transfer Info:Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded and Transfered By Charlie Miller (Previous transfers were not dolby decoded, this one is.) notes
6177. 04/15/83 Flac 16 - 0, 135460 Rochester Community War Memorial Auditorium flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII (Set 1 + JBG & Baby Blue), Hitachi ME-Metal (Set 2 thru A&A), FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016 notes
6178. 04/15/83 Flac 16 - 0, 87725 Rochester Community War Memorial Auditorium flac16; Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II) Transfer Info: Cassette Master (Namamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 Recorded and Transfered By Charlie Miller notes
6179. 04/15/83 Shn - 0, 9975 Rochester Community War Memorial Auditorium 2nd set; SBD>PCM>DAT>Sonic Solutions>CDR; via Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation notes
6180. 04/15/83 Flac 24/96 - 0, 94283 Rochester Community War Memorial Auditorium flac24; Recording Info:(FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded and Transfered By Charlie Miller (Previous transfers were not dolby decoded, this one is.) notes
6181. 04/15/83 Flac 24/48 - 0, Rochester Community War Memorial Auditorium flac24; Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II) Transfer Info: Cassette Master (Namamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/24 Recorded and Transfered By Charlie Miller notes
6182. 04/15/83 Shn - 0, 9974 Rochester Community War Memorial Auditorium Senn. 421?s > MC>DAT>CD; via Paul B; Seeded to etree by Ernie Dodd notes
6183. 04/15/83 Flac 16 - 0, 88659 Rochester Community War Memorial Auditorium flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-11th row DFC @6 ft high on stand(head high) Taper: Rick "Coyotte" Colyard 2 maxell UD-XL2-S-Cassette MASTERS Transfer: Cassette Masters> Sony TC-W21>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Tapeflips joined with Media Join 2.0 Transfered and edited and seeded freely by Muletaper 11-18-2007 notes
6184. 04/15/83 Shn - 0, 23850 Rochester Community War Memorial Auditorium (FOB) Audio Technica Mics -> Sony D5 (Lead Deck) -> Cassette Master (Patched Off Of Lead Deck With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller; upgrade in circulation notes
6185. 04/15/83 Flac 16 Mtx - 0, 138067 Rochester Community War Memorial Auditorium flac16; 2 source matrix by Dusborne; Soundboard (shnid:32780), Recording Info: set 1: SBD -> Cassette Master -> Reel -> Dat (48k)Set 2: SBD -> PCM -> Dat (44.1k)Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC and Audience (shnid:94282), Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->Samplitude Professional v10.1 -> FLAC/16, Recorded and Transfered By Charlie Miller notes
6186. 04/15/83 Flac 16 - 0, 140059 Rochester Community War Memorial Auditorium flac16; Set 2 Recording Info: Master Soundboard PCM > PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM 601ESD> Behringer Ultramatch Pro> Sound Devices 744T (16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; Mastered by Scott Clugston notes
6187. 04/15/83 Flac 24 - 0, 140095 Rochester Community War Memorial Auditorium flac24; aud cassette master, nak 300 guns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger notes
6188. 04/15/83 Flac 16 - 0, 140094 Rochester Community War Memorial Auditorium flac16; aud cassette master; nak 300 guns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger notes
6189. 04/15/83 Flac 24 - 0, 143055 Rochester Community War Memorial Auditorium flac24; Recording Info: (FOB) Audio Technica ATM11 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded, Transferred and Mastered by Charlie Miller notes
6190. 04/15/83 Flac 24/96 - 0, 140687 Rochester Community War Memorial Auditorium flac24; source: nak-300 (12’ near sbd) > tcd5m > udxliis +dolby > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, fades, tracks) > flac2496 > xact (tags, checksums); recorded: david barfield + david lane; transferred seeded: barfield notes
6191. 04/15/83 Flac 16 - 0, 143504 Rochester Community War Memorial Auditorium flac16; Recording Info: (FOB) Audio Technica ATM11 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded, Transferred and Mastered by Charlie Miller; This file set is 16 bit @ 44.1 notes
6192. 04/15/83 Flac 16/44,1 - 0, 141638 Rochester Community War Memorial Auditorium flac16/44.1 Recording Information Master AUD: Beyer M201 hypercardiod XY 65ft from stacks ->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Executive Crew- KAH, MY, OJ, assist to TP notes
6193. 04/15/83 Flac 24/48 - 0, 141639 Rochester Community War Memorial Auditorium flac24/48 Recording Information Master AUD: Beyer M201 hypercardiod XY 65ft from stacks ->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Executive Crew- KAH, MY, OJ, assist to TP notes
6194. 04/15/83 Flac 16/44,1 - 0, 141640 Rochester Community War Memorial Auditorium flac16/44.1 Recording Information First Gen AUD: Master was: Sennheiser MD421's XY 60ft from stacks ->Marantz Superscope PMD430 (3rd in line)|TDK MA no Dolby (TP) Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded BY: Tom Pinney assist to Executive Crew Transferred by: Kyle Holbrook notes
6195. 04/15/83 Flac 24/48 - 0, 141641 Rochester Community War Memorial Auditorium flac24/48 Recording Information First Gen AUD: Master was: Sennheiser MD421's XY 60ft from stacks ->Marantz Superscope PMD430 (3rd in line)|TDK MA no Dolby (TP) Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded BY: Tom Pinney assist to Executive Crew Transferred by: Kyle Holbrook notes
6196. 04/16/83 Flac 16 - 0, 28294 East Rutherford Meadowlands Arena flac16; mixed sources: SBD> Cassette Master> Reel> Dat> CD> EAC> WAV> FLAC; Set 2: SBD> PCM> Dat> Cool Edit Pro> WAV; WAV> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes
6197. 04/16/83 Flac 16 - 0, 125924 East Rutherford Meadowlands Arena flac16; (FOB) Sennheiser 421s > Sony D5 > MAC (from lead deck) > 1st Gen Cassettes (via Mark McCue); Location: (FOB) 8th or 10th row center, chest to head level; Transfer/Lineage: 1st Gen Cassette> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16e> WaveLab 7.2.1(UAD-2)> .wav @24/88.2> Apogee UV22HR> .wav @16/44.1> xAct> flac16; Taped by Tom G. Transferred, edited and mastered by Alex Ford notes
6198. 04/16/83 Flac 16 - 0, 132874 East Rutherford Meadowlands Arena flac16; Soundboard Master Cassettes > (Unk) Reel To Reel > Low Gen PCM Early 90's > Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD > SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Track Renamed With AudioGate Software V.3.0.2 @ 16/44 Wave; Tracked/Flacked With AudioGate V.3.0.2; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6199. 04/16/83 Shn - 0, 14940 East Rutherford Meadowlands Arena S : MC > DAT > CDR > EAC > SHN Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper sector boundaries verified via shntool. Seeded to Etree by Alan J Fink 02/02/2003. Thanks to Jeff Williams for the disks!; upgrade in circulation notes
6200. 04/16/83 Flac 16 44,1 - 0, 32618 East Rutherford Meadowlands Arena Set 2 Only: Source: Sennheiser 421's > Sony TCD5M > Sony D-6 Master Maxell XLIIS Tape Transfer: Nakamichi CR-2A > Apogee MiniMe (16/44.1) > EGOSYS WT2496 > Soundforge 7 Location: 4-5 rows up from the back of the floor dead center notes
6201. 04/16/83 Shn - 0, 23851 East Rutherford Meadowlands Arena (FOB) Beyer M160 -> Sony D5 (Lead Deck) -> Cassette Master (Patched With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller notes
6202. 04/16/83 Shn - 0, 7316 East Rutherford Meadowlands Arena AudMC > DAT > CDWAV > SHN; Taped by Steve Rolfe; via Noah Weiner; tracked for 2x80; passes shntool check notes
6203. 04/16/83 Flac 24/96 - 0, 119967 East Rutherford Meadowlands Arena flac24; Updated Lineage: Set 2 Only: (2) nakamichi 300 fob> d-5> sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures notes
6204. 04/16/83 Flac 16 - 0, 117477 East Rutherford Meadowlands Arena flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6205. 04/16/83 Flac 16 - 0, 137376 East Rutherford Meadowlands Arena flac16; Set 2 Recording Info: (FOB) Beyer M160 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller, 24bits > 16bits with r8brain notes
6206. 04/16/83 Flac 24 - 0, 137372 East Rutherford Meadowlands Arena flac24; Set 2 Recording Info: (FOB) Beyer M160 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller notes
6207. 04/16/83 Flac 16 Mtx - 0, 138225 East Rutherford Meadowlands Arena flac16; 2 source matrix by Dusborne; Soundboard (shnid:28294),Recording Info: Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> WAV -> FLAC; Set 2: SBD -> PCM -> Dat -> Cool Edit Pro -> FLAC -> WAV, Transfer Info: WAV -> Samplitude v7.02 Professional -> FLAC; Audience (shnid:117477), Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott, Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes, Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6208. 04/16/83 Flac 24/96 - 0, 140308 East Rutherford Meadowlands Arena flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlIIs90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger notes
6209. 04/16/83 Flac 16 - 0, 140307 East Rutherford Meadowlands Arena flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlIIs90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger notes
6210. 04/16/83 Flac 16 - 0, 140359 East Rutherford Meadowlands Arena flac16; Partial Set 1, All of Set 2 Recording Info: Master Soundboard Vault PCM > PCM Clone by Gans; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T (16-bit/44.1k); Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T (16-bit/44.1k) notes
6211. 04/16/83 Flac 16/48 - 0, 140358 East Rutherford Meadowlands Arena flac1648; Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 > Tascam DA-3000 16/48 > Adobe Audition 3.0 > TLH flac1648 notes
6212. 04/16/83 Flac 24/48 - 0, 141684 East Rutherford Meadowlands Arena flac24/48 First Gen AUD Cassette: Maxell UDXLI90 set1; Maxell XLII90 set2 Master was: Beyer M201 hypercardiod XY 120ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney Transferred By: Kyle Holbrook notes
6213. 04/16/83 Flac 16 44,1 - 0, 141681 East Rutherford Meadowlands Arena flac16/44.1 First Gen AUD Cassette: Maxell UDXLI90 set1; Maxell XLII90 set2 Master was: Beyer M201 hypercardiod XY 120ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney Transferred By: Kyle Holbrook notes
6214. 04/16/83 Flac 24 - 0, 143070 East Rutherford Meadowlands Arena flac24; Set 2 Recording Info: (FOB) Beyer M160 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded, Transferred and Mastered by Charlie Miller notes
6215. 04/16/83 Flac 16 - 0, 143237 East Rutherford Meadowlands Arena flac16; Set 2 Recording Info: (FOB) Beyer M160 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded, Transferred and Mastered by Charlie Miller; This file set is 16 bit @ 44.1 notes
6216. 04/16/83 Flac 24/96 - , 153497 East Rutherford Meadowlands Arena flac24/96 Recording Info: (FOB) Beyer M160 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
6217. 04/16/83 Flac 16/44 - , 154392 East Rutherford Meadowlands Arena flac1644; Recording Info: (FOB) Beyer M160 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153497 2496 > 1644 notes
6218. 04/17/83 Shn - 0, 14941 East Rutherford Meadowlands Arena SBD : MC > C > DAT > CDR Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper sector boundaries verified via shntool. Seeded to Etree by Alan J Fink 02/02/2003. Thanks to Jeff Williams for the disks! notes
6219. 04/17/83 Flac 16 - 0, 132876 East Rutherford Meadowlands Arena flac16; Soundboard Master Cassettes > Unk > Low Gen PCM Early 90's > Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD > SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Track Renamed With AudioGate Software V.3.0.2 @ 16/44 Wave; Tracked/Flacked With AudiGate V.3.0.2; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6220. 04/17/83 Flac 16 - 0, 127256 East Rutherford Meadowlands Arena flac16; Updated source info: (FOB) Recoton mm180 mics > Sony D5 > master cassette > Aiwa home deck > 1st gen cassette(McCue); Location: FOB; center floor, approx. 35 ft. from stage. Lineage: MAC> Sony D5> Aiwa home deck> 1st gen cassettes (1983)> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16e> WaveLab 7.2.1(UAD-2)> .wav @24/88.2> Apogee UV22HR> .wav @16/44.1> xAct> flac16(tags). Taper: Tom Gagen; Master cassette transfer by Mark McCue (April 1983); 1st Gen cassette transfer, editing, mastering: Alex Ford notes
6221. 04/17/83 Flac 24 - 0, 120026 East Rutherford Meadowlands Arena flac24; Updated Lineage: (2) beyers m88 fob> d-5> mc> sony tc we435> sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures notes
6222. 04/17/83 Shn - 0, 7317 East Rutherford Meadowlands Arena AudMC > DAT > CDWAV > SHN; Taped by Steve Rolfe; via Noah Weiner; d1 tracked for 80 min; passes shntool check notes
6223. 04/17/83 Shn - 0, 23852 East Rutherford Meadowlands Arena (FOB/3 mic Mix) Three Beyer M160's -> Sony D5 (Lead Deck) -> Cassette Master (Patched With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller notes
6224. 04/17/83 Flac 16 - 0, 117500 East Rutherford Meadowlands Arena flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6225. 04/17/83 Flac 16 - 0, 137378 East Rutherford Meadowlands Arena flac16; Set 1 Recording Info: (FOB) 3 Beyer M160's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller, 24bits > 16bits with r8brain notes
6226. 04/17/83 Flac 24 - 0, 137377 East Rutherford Meadowlands Arena flac24; Set 1 Recording Info: (FOB) 3 Beyer M160's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller notes
6227. 04/17/83 Flac 24 - 0, 137398 East Rutherford Meadowlands Arena flac24; Partial Show Source: sbd; Lineage: mixingboard > d5 [recording level 4.5. No Dolbly] > MASTER Cassettes [Maxell XLII90]; Master Cassette copied on an Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] no Dolby; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Laptop HD by way of USB > 96.00kHz/24bit wav; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; CD Wave Editor to Split Tracks & covert to Flac24 [Level 6] notes
6228. 04/17/83 Flac 16 - 0, 137399 East Rutherford Meadowlands Arena flac16; Partial Show Source: sbd; Lineage: mixingboard > d5 [recording level 4.5. No Dolbly] > MASTER Cassettes [Maxell XLII90]; Master Cassette copied on an Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] no Dolby; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Laptop HD by way of USB > 96.00kHz/24bit wav; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor To Split Tracks & converted to Flac16 [Level 6]; TLH to fix SBE notes
6229. 04/17/83 Flac 16 Mtx - 0, 138277 East Rutherford Meadowlands Arena flac16; 2 source matrix by Dusborne;Soundboard (shnid:132876), Soundboard Master Cassettes > Unk > Low Gen PCM Early 90's >Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD >SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Audience (shnid:117500) Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott, Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes, Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6230. 04/17/83 Flac 16 - 0, 138602 East Rutherford Meadowlands Arena b>flac16; SBD > Cassette Master* > Dat; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac, Pack & Patch: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT notes
6231. 04/17/83 Flac 16/48 - 0, 140357 East Rutherford Meadowlands Arena flac1648; Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 > Tascam DA-3000 16/48 > Adobe Audition 3.0 > TLH flac1648 notes
6232. 04/17/83 Flac 24/48 - 0, 141683 East Rutherford Meadowlands Arena flac24/48 First Gen AUD Cassette: Maxell UDXLI90 set1; Maxell XLII90 set2 Master was: Beyer M201 hypercardiod XY 120ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney Transferred By: Kyle Holbrook notes
6233. 04/17/83 Flac 16/44 - 0, 141682 East Rutherford Meadowlands Arena flac16/44.1khz First Gen AUD Cassette: Maxell XLII90 x 2 Master was: Beyer M201 hypercardiod XY 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney Transferred by: Kyle Holbrook notes
6234. 04/17/83 Flac 24/96 - , 153580 East Rutherford Meadowlands Arena flac24/96 Recording Info: (FOB) 3-Beyer M160's > Yamaha Mixer > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
6235. 04/17/83 Flac 16/44 - , 154393 East Rutherford Meadowlands Arena flac1644; Recording Info: (FOB) 3-Beyer M160's > Yamaha Mixer > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153580 2496 > 1644 notes
6236. 04/19/83 Flac - 0, 123052 Orono Alfond Arena, University Of Maine flac16; Set 1 Recording Info: SBD -> Cassette Master -> Cassette -> FLAC (shnid=123036); Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Mastering By Charlie Miller notes
6237. 04/19/83 Flac - 0, 123036 Orono Alfond Arena, University Of Maine flac16 Set 1 sbd, unknown gen, Jerry Moore's copy, Rob Berger transfer/seed; lineage: sbd > ? > cassette nak dragon > tascam hd-p2 24/96 > pc > adobe audition 2.0 > cd wave > flac notes
6238. 04/19/83 Shn - 0, 3856 Orono Alfond Arena, University Of Maine set 1; sdb> ?> cassette> cdr; transferred and edited by Mike Lai, from Bruce Fried seed notes
6239. 04/19/83 Flac - 0, 118073 Orono Alfond Arena, University Of Maine flac16; AUD: 2x Nakamichi CM300 w/CP1 cardioids > Sony TC-D5M > Maxell MX-90s, floor, left of the soundboard (stage right), taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. January 2012 notes
6240. 04/19/83 Flac - 0, 83761 Orono Alfond Arena, University Of Maine flac16; Main Source: Rumored to be a Steve Rolfe Recording (FOB Nak700's > d5 ?) Lineage: cm>dat>cd>eac>Cool Edit Pro > cdwav flac16 (lev 8) via Dave Minor encoding etc. Matt Vernon notes
6241. 04/19/83 Shn - 0, 21922 Orono Alfond Arena, University Of Maine Recording Info: (FOB/Center) 3 Sennheiser 421 -> Mixer -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Nakamichi Dragon) -> Sony R700 (As A>D Converter) -> ZA2 -> Sound Forge -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) 12/9/03 Recorded and Transfered By Jim Wise Converted To SHN BY Charlie Miller notes
6242. 04/19/83 Flac 24 - 0, 123037 Orono Alfond Arena, University Of Maine flac24; Set 1 sbd, unknown gen, Jerry Moore's copy, Rob Berger transfer/seed; lineage: sbd > ? > cassette nak dragon > tascam hd-p2 24/96 > pc > adobe audition 2.0 > cd wave > flac notes
6243. 04/19/83 Flac 24 - 0, 118072 Orono Alfond Arena, University Of Maine flac24; AUD: 2x Nakamichi CM300 w/CP1 cardioids > Sony TC-D5M > Maxell MX-90s, floor, left of the soundboard (stage right), taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. January 2012 notes
6244. 04/19/83 Flac 24 - 0, 140304 Orono Alfond Arena, University Of Maine flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlIIs90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger notes
6245. 04/19/83 Flac - 0, 140303 Orono Alfond Arena, University Of Maine flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlIIs90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger notes
6246. 04/20/83 Flac 16 - 0, 27860 Providence Providence Civic Center flac16; SBD> Master Cassette> Reel> Dat (SV3800/48k), plus patch from FOB Sennheiser 421> Master Cassette; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes
6247. 04/20/83 Flac 16 - 0, 92322 Providence Providence Civic Center flac16; AUD: Sennheiser MD-421's > Sony TC-D5, recorded from "upper level". Concert recording and transfer to CDR by Jim Wise. CDR > EAC > WavMerge > CD-Wave > Soundforge > TLH > FLAC notes
6248. 04/20/83 Flac 16 - 0, 102040 Providence Providence Civic Center flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
6249. 04/20/83 Shn - 0, 10090 Providence Providence Civic Center FOB-Senn. 421?s>Sony D-5>CM>DAT>CDR; via Charlie Miller, Paul B; seeded to etree by Ernie Dodd notes
6250. 04/20/83 Flac 16 - 0, 120098 Providence Providence Civic Center flac16; Beyer M160's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche notes
6251. 04/20/83 Flac 16/48 - 0, 139219 Providence Providence Civic Center flac16/48kHz; Unknown taper: (FOB) Sennheiser 441 > Master Cassette > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/48; Checksum & tags created in xACT notes
6252. 04/20/83 Flac 24 - 0, 139213 Providence Providence Civic Center flac24; Set 1 Recording Info: (FOB) Beyer M160 > Sony TC-D5M > Cassette Master (Sony WM-D6C/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller notes
6253. 04/20/83 Flac 24 - 0, 120287 Providence Providence Civic Center flac24; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, floor center section 23rd row, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2012 notes
6254. 04/20/83 Flac 16 - 0, 120288 Providence Providence Civic Center flac16; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, floor center section 23rd row, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2012 notes
6255. 04/20/83 Flac 16 - 0, 139277 Providence Providence Civic Center flac16; Set 1 Recording Info: (FOB) Beyer M160 > Sony TC-D5M > Cassette Master (Sony WM-D6C/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller, This is 139213 24 bit -> 16 bit notes
6256. 04/20/83 Flac 24 - 0, 140669 Providence Providence Civic Center flac24; source: nak 300 > tcd5m (udxliis +dolby) > master > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (fades, normalize, tracks) > flac2496 > xact; recorded: david barfield; transferred/seeded: barfield notes
6257. 04/20/83 Flac 24/96 - 0, 144679 Providence Providence Civic Center flac24; Set 2 source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5; maxell xlIIS90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred by Rob Berger notes
6258. 04/20/83 Flac 16 - 0, 144678 Providence Providence Civic Center flac16; Set 2 source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5; maxell xlIIS90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred by Rob Berger notes
6259. 04/22/83 Flac 16 - 0, 119987 New Haven Veterans' Memorial Coliseum flac16; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2012 notes
6260. 04/22/83 Shn - 0, 1863 New Haven Veterans' Memorial Coliseum FOB-Sennheiser 421> Master Cass(Sony D5)> Dat> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes notes
6261. 04/22/83 Shn - 0, 21442 New Haven Veterans' Memorial Coliseum Barry Glassberg FOB AUDMC w/Nak 700s > Sony TC-D5 > DAT > CDR notes
6262. 04/22/83 Flac 16 - 0, 88088 New Haven Veterans' Memorial Coliseum flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-14th row DFC @6 ft high on stand Taper: Rick "Coyotte" Colyard 2 maxell xl2's-cassette MASTERS Transfer: Sony ES-950>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)> FlacFrontend (level-8)>flac-16 Transfered and edited by muletaper 10/07 notes
6263. 04/22/83 Flac 24/96 - 0, 119995 New Haven Veterans' Memorial Coliseum b>flac24; Updated Lineage: (2) sennheiser 441 fob>d-5> mc> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures notes
6264. 04/22/83 Flac 16 - 0, 102045 New Haven Veterans' Memorial Coliseum flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
6265. 04/22/83 Flac 16 - 0, 124522 New Haven Veterans' Memorial Coliseum flac16; 1st Gen AUD Unknown Mics > DAT > CD > EAC > FLAC > TLH notes
6266. 04/22/83 Flac 24/48 - 0, 119986 New Haven Veterans' Memorial Coliseum flac24; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2012 notes
6267. 04/22/83 Flac 16 - 0, 140318 New Haven Veterans' Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger notes
6268. 04/22/83 Flac 24/96 - 0, 140319 New Haven Veterans' Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger notes
6269. 04/22/83 Flac 24/48 - 0, 141734 New Haven Veterans' Memorial Coliseum flac24/48 First Gen AUD Cassette: Maxell XLII90 x 2 no NR Master was: Nakamichi 700 wcp1 caps 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby (arrived late and patched) Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney assist to Executive Crew Transferred by: Kyle Holbrook notes
6270. 04/22/83 Flac 16/44,1 - 0, 141733 New Haven Veterans' Memorial Coliseum flac16/44.1 First Gen AUD Cassette: Maxell XLII90 x 2 no NR Master was: Nakamichi 700 wcp1 caps 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby (arrived late and patched) Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney assist to Executive Crew Transferred by: Kyle Holbrook notes
6271. 04/22/83 Flac 16/48 - 0, 143128 New Haven Veterans' Memorial Coliseum flac16/48kHz; Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6272. 04/22/83 Flac 24/96 - 0, 143129 New Haven Veterans' Memorial Coliseum flac24; Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes
6273. 04/23/83 Flac 16 - 0, 29469 New Haven Veterans' Memorial Coliseum flac16; SBD -> Cassette Master -> Reel -> Dat -> CD Transferred and Edited By Charlie Miller; Scarlet -> Fire patched from Charlie Miller's Aud: (FOB) Senn 421 -> Cassette Master -> Sound Forge -> CD notes
6274. 04/23/83 Flac 16 - 0, 119742 New Haven Veterans' Memorial Coliseum flac16; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, first row in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2012 notes
6275. 04/23/83 Flac 16 - 0, 119873 New Haven Veterans' Memorial Coliseum flac16; Set 2 Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded, Transferred and Mastered By Charlie Miller notes
6276. 04/23/83 Flac 16 - 0, 96150 New Haven Veterans' Memorial Coliseum flac16; Source:FOB-Sennheiser 421 > Master Cass (Sony D5) > Dat > CDR > EAC > SHN > Wav > flac; edited with Adobe Audition and remastered with iZotope Ozone by SIRMick, December 2008 notes
6277. 04/23/83 Flac 24 - 0, 120025 New Haven Veterans' Memorial Coliseum flac24; Updated Lineage: (2) nakamichi 300 fob> d-5> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96kHz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures notes
6278. 04/23/83 Flac 16 - 0, 117598 New Haven Veterans' Memorial Coliseum flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6279. 04/23/83 Shn - 0, 1864 New Haven Veterans' Memorial Coliseum FOB-Sennheiser 421> Master Cass(Sony D5)> Dat> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes notes
6280. 04/23/83 Flac 16 - 0, 88482 New Haven Veterans' Memorial Coliseum flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-11th row DFC @6 ft high on stand. Transfer: Sony ES-950>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Transfered and edited by muletaper 10/31/07 notes
6281. 04/23/83 Flac 16 - 0, 102044 New Haven Veterans' Memorial Coliseum flac16; Nakamichi shotgun x2 (CM-300?) > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded behind the board by Bob Morris notes
6282. 04/23/83 Flac 16 - 0, 124568 New Haven Veterans' Memorial Coliseum flac16; Set 2 only compilation of Soundboard and Audience sources: 1st Gen AUD Unknown Mics > DAT > CD > EAC > FLAC > TLH and sbd from Dick Latvala > ? > FLAC notes
6283. 04/23/83 Flac 24 - 0, 119741 New Haven Veterans' Memorial Coliseum flac24; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, first row in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2012 notes
6284. 04/23/83 Flac 24 - 0, 119875 New Haven Veterans' Memorial Coliseum flac24; Set 2 Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; Recorded, Transferred and Mastered By Charlie Miller notes
6285. 04/23/83 Flac 24 - 0, 140325 New Haven Veterans' Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger notes
6286. 04/23/83 Flac 16 - 0, 140324 New Haven Veterans' Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger notes
6287. 04/23/83 Flac 24/48 - 0, 141736 New Haven Veterans' Memorial Coliseum flac24/48 First Gen AUD Cassette: TDK MA 90 x 2 no NR Master was: Beyer M201's hypercardiod XY 120 ft from stage DFC (1st row behind SBD)->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Executive Crew- Tom Pinney & Kyle Holbrook Transferred by: Kyle Holbrook notes
6288. 04/23/83 Flac 16/44 - 0, 141735 New Haven Veterans' Memorial Coliseum flac16/44.1 First Gen AUD Cassette: TDK MA 90 x 2 no NR Master was: Beyer M201's hypercardiod XY 120 ft from stage DFC (1st row behind SBD)->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Executive Crew- Tom Pinney & Kyle Holbrook Transferred by: Kyle Holbrook notes
6289. 04/23/83 Flac 16/48 - 0, 143126 New Haven Veterans' Memorial Coliseum flac16/48kHz; Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6290. 04/23/83 Flac 24/96 - 0, 143127 New Haven Veterans' Memorial Coliseum flac24; Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes
6291. 04/25/83 Flac 2448 - 0, 134417 Philadelphia The Spectrum flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015 notes
6292. 04/25/83 Flac 16 - 0, 134418 Philadelphia The Spectrum flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 notes
6293. 04/25/83 Flac 16 - 0, 88164 Philadelphia The Spectrum flac16; Source:2-Nak 700's>Sony D5 Location: FOB-7th row DFC @6 ft high on stand(head high) Taper: Rick "Coyotte" Colyard 2 maxell UDXL2-Cassette MASTERS Transfer: Sony TCW-21(analog out)>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>Media Join(join tape flips)>FlacFrontend (level-8)>flac-16 notes
6294. 04/25/83 Flac 24/96 - 0, 136748 Philadelphia The Spectrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6295. 04/25/83 Flac 16 - 0, 136749 Philadelphia The Spectrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6296. 04/25/83 Flac 16 - 0, 119642 Philadelphia The Spectrum flac16; Set 1 Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded, Transferred and Mastered By Charlie Miller notes
6297. 04/25/83 Shn - 0, 9763 Philadelphia The Spectrum Source: Senn 421's > MC > Dat > Cdr; via Paul B; Seeded to etree by Ernie Dodd notes
6298. 04/25/83 Flac 16 - 0, 112559 Philadelphia The Spectrum flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes notes
6299. 04/25/83 Flac 24/96 - 0, 119643 Philadelphia The Spectrum b>flac24; Set 1 Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; Recorded, Transferred and Mastered By Charlie Miller notes
6300. 04/26/83 Flac 16 - 0, 97544 Philadelphia The Spectrum flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
6301. 04/26/83 Flac 16 Mtx - 0, 132607 Philadelphia The Spectrum flac16; 2 Source Matrix by Dusborne; Soundboard(shinid:97544) SBD -> Cassette Master -> Cassette -> Dat (48k); Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; and Audience(shinid:28360) Unknown mics > MC > C > C > Hardrive via souncard > Cool Edit to split tracks > flac notes
6302. 04/26/83 Flac 16/48 - 0, 132784 Philadelphia The Spectrum flac16/48kHz; Master Soundboard Cassette (Dan Healy)-1st Generation 7 Inch Reel @ 7.5 ips 1/4 Track(Dick L)-Tascam 122MK111 Cassette Deck-Technics 1506 Reel 2 Reel); Analog To Digital-Reel Playback on Otari MX5050-JVC SV-3700 DAT Deck @48KHz; DAT x Zero-DAT x One JVC 3700-JVC 3700 via AES cable; DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/48KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise notes
6303. 04/26/83 Flac 24/88 .2 - 0, 133385 Philadelphia The Spectrum flac24; MAC; (FOB) Recoton mm180s > Sony TCM-D5; Location: 14th row center; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon>Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> .wav @ 24/88.2>UAD-2> .wav@24/88.2> xAct> flac24; Tapers: Rick "Coyote" Colyard and Tom Gagen; Transfer, edits and mastering: Alex Ford notes
6304. 04/26/83 Flac 16 - 0, 133384 Philadelphia The Spectrum flac16; MAC; (FOB) Recoton mm180s > Sony TCM-D5; Location: 14th row center; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon>Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> .wav @ 24/88.2>UAD-2> UVHR22/Crystal Resampler> .wav@16/44.1> xAct> flac16. Tapers: Rick "Coyote" Colyard and Tom Gagen; Transfer, edits and mastering: Alex Ford notes
6305. 04/26/83 Flac 16 - 0, 34395 Philadelphia The Spectrum flac16; Seamless fix of shn id 2606 - SBDMC>Cass>DAT>CDR>EAC>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
6306. 04/26/83 Shn - 0, 28161 Philadelphia The Spectrum set2; Sennheiser shotguns > Sony D-5 onto Maxell XLIIS-90, No dolby used; recorded by David Hanscom, center, about 2/3rds back on floor (FOB); Transfer: MC > CDR: NAK BX-300 > Philips CDR-820 standalone recorder, as long, multi-song files; EAC> CDWAV> shn by Bzl notes
6307. 04/26/83 Shn - 0, 2606 Philadelphia The Spectrum SBDMC> Cass> DAT> CDR> EAC> SHN; via Mike 'Dank Star' Parrillo notes
6308. 04/26/83 Flac 16 - 0, 28360 Philadelphia The Spectrum flac16; Unknown mics > MAC > C > C > Hardrive via souncard > Cool Edit to split tracks > flac; transfer by David Dillon notes
6309. 04/26/83 Flac 16 - 0, 136745 Philadelphia The Spectrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6310. 04/26/83 Flac 24/96 - 0, 136744 Philadelphia The Spectrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6311. 04/26/83 Flac 16 - 0, 112583 Philadelphia The Spectrum flac16; Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6312. 04/26/83 Flac 24/48 - 0, 141738 Philadelphia The Spectrum flac24/48 Master AUD: Beyer M201 hypercardiod XY->Sony TCD5M|TDK MA90 No Dolby Location: set1 20ft from stacks RT side lower section set2 behind stage 20 feet from stacks 5 ' ROC Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Olvy Johnson Transferred by: Kyle Holbrook notes
6313. 04/26/83 Flac 16/44,1 - 0, 141737 Philadelphia The Spectrum flac16/44.1 Master AUD: Beyer M201 hypercardiod XY->Sony TCD5M|TDK MA90 No Dolby Location: set1 20ft from stacks RT side lower section set2 behind stage 20 feet from stacks 5 ' ROC Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Olvy Johnson Transferred by: Kyle Holbrook notes
6314. 05/13/83 Flac 16 - 0, 95059 Berkeley Greek Theatre, University Of California flac16; Recording Info: SBD -> Master Cassette -> PCM -> Apogee Ensemble -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
6315. 05/13/83 Flac 16 - 0, 94514 Berkeley Greek Theatre, University Of California flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller; pitch corrected source of 94393 notes
6316. 05/13/83 Flac 16 - 0, 94393 Berkeley Greek Theatre, University Of California flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller notes
6317. 05/13/83 Flac 16 - 0, 96817 Berkeley Greek Theatre, University Of California flac16; Audience Recording Lineage: 3 Nak 700's (L & R Cardioids, Center Omni - 3 DB Low Pass filter)> -15 db pads> 3 mic mixer Preamp> Patchbay> Sony D6> MAC (Dolby B )> CR-5A> HD-P2> 24/96 .wav> WaveLab 5.0> Waves L3 UltraMaximizer> 16/44.1 .wav> CD Wave Editor> TLH> flac16. Taped by the anonymous taper, Mark Severson and Jamie Poris. notes
6318. 05/13/83 Shn - 0, 18224 Berkeley Greek Theatre, University Of California FOB Sony ECM-220T>TC-D5>DAT>CDR>EAC(secure)>SHN FOB Sony ECM-220T>TC-D5 by Rango Keshavan see notes for patch information Jim Powell provided the seed discs EAC>SHN by J.Barnes (heyitsmejess@aol.com) notes
6319. 05/13/83 Shn - 0, 341 Berkeley Greek Theatre, University Of California FOB Sony Mics > D5 > DAT; Transfer:? D8 > ZA2 (S/PDIF) > SHN; Good Lovin' ends rather abruptly and may be cut; a dropout or two, but could be tape flips from cass master; DAT seed via Jon Boltz; transfer by Jeff Kempka notes
6320. 05/13/83 Flac 24/96 - 0, 147897 Berkeley Greek Theatre, University Of California flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6321. 05/13/83 Flac 16/48 - 0, 147896 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpweramp notes
6322. 05/13/83 Flac 16 - 0, 32809 Berkeley Greek Theatre, University Of California flac16; 2 Nak 700's > Bass Box EQ > Sony D5 > Sony D5 > Maxell MX 90's Taper: unknown Mark McCue Master Transfer by Mark McCue notes
6323. 05/14/83 Flac 16 - 0, 91136 Berkeley Greek Theatre, University Of California flac16; Set 1 only, Soundboard->Cassette Master->1st Generation Cassette repatched by Bill Tetzeli notes
6324. 05/14/83 Shn - 0, 25407 Berkeley Greek Theatre, University Of California *Set 1 Only*
Soundboard->Cassette Master->1st Generation Cassette. 1st Generation Cassette->Audiophile 2496->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano
notes
6325. 05/14/83 Flac 16 - 0, 96570 Berkeley Greek Theatre, University Of California flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter)> -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D6 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone and Waves RBass > iZotope RX Advanced > 16/44.1 wave > CD Wave > TLH > flac16; Taped by the anonymous taper, Jamie Poris, and the many others notes
6326. 05/14/83 Flac 16 - 0, 94396 Berkeley Greek Theatre, University Of California flac16; Recording Info:(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller notes
6327. 05/14/83 Flac 16 - 0, 94515 Berkeley Greek Theatre, University Of California flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller; pitch corrected source of 94396 notes
6328. 05/14/83 Flac 16/48 - 0, 33502 Berkeley Greek Theatre, University Of California flac16; Master: Beyer M201's X-Y > Sony TCD5M (Maxell MX 90, no dolby) Location: 85 feet from stage, DFC Transfer: Sony TC-RX 370 > Echo Gina 24@16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7573 (internal) > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed. Mastered by the Executive Crew (T.P, K.H.) Transferred by Kyle Holbrook notes
6329. 05/14/83 Shn - 0, 18225 Berkeley Greek Theatre, University Of California FOB Sennheiser 421s>Sony PCM F-1>DAT>CDR>EAC(secure)>SHN seed provided by jim powell. EAC>SHN by j.barnes (heyitsmejess@aol.com) see notes for patch information notes
6330. 05/14/83 Shn - 0, 15387 Berkeley Greek Theatre, University Of California FOB: Sennheiser 421's > Sony PCM-F1 (Jeff Silberman's PCM Master) encoded by Jeff Fishman notes
6331. 05/14/83 Shn - 0, 342 Berkeley Greek Theatre, University Of California FOB: 3 Sennheiser 421's > Sony PCM-F1, M. Field, D. Cramer; Conversion: 3800-> Montego II Plus @44k > HD via Soundforge> CDWav, A. Gustin; known flaw: very end of Bertha is cut notes
6332. 05/14/83 Flac 16 - 0, 138938 Berkeley Greek Theatre, University Of California Source: Audience recording > Schoeps > pcm > dat (44k) recorded FOB, taper unknown. Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 edited and mastered SIRMick August 2017 notes
6333. 05/14/83 Flac 16/48 - 0, 140368 Berkeley Greek Theatre, University Of California flac16/48kHz; Recording Info: 1st Set: Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; 2nd Set: Unknown Audience Master; possibly recorded at the soundboard by a crew member, presumably, this is what is in the vault for this date; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 notes
6334. 05/14/83 Flac 24/48 - 0, 141945 Berkeley Greek Theatre, University Of California b/>flac24/48 Master: AUD MC Beyer M201's X-Y > Sony TCD5M no dolby TDK MA90 s1|Maxell MX90 s2 Location: 85 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Tom Pinney Kyle Holbrook John Hance Transferred by Kyle Holbrook notes
6335. 05/14/83 Flac 16/44,1 - 0, 141946 Berkeley Greek Theatre, University Of California flac16/44.1 Master: AUD MC Beyer M201's X-Y > Sony TCD5M no dolby TDK MA90 s1|Maxell MX90 s2 Location: 85 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Tom Pinney Kyle Holbrook John Hance Transferred by Kyle Holbrook notes
6336. 05/15/83 Flac 16 - 0, 94516 Berkeley Greek Theatre, University Of California flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller; pitch corrected source of 94397 notes
6337. 05/15/83 Flac 16 - 0, 96565 Berkeley Greek Theatre, University Of California flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter)> -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D6 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone and Waves RBass > iZotope RX Advanced > 16/44.1 wave > CD Wave > TLH > flac16 notes
6338. 05/15/83 Shn - 0, 2217 Berkeley Greek Theatre, University Of California FOB Aud Sony ECM 220T > Sony D5 using Fuji Metals no dolby> Played back on a Nak DR1 with Azimuth adjustment > Sony PCMR500 DAT 48KHz SBM ON > PC transfer via Turtle Beach Montego II Digital I/O > SHN; via Rango Keshavan notes
6339. 05/15/83 Flac 16 - 0, 34167 Berkeley Greek Theatre, University Of California flac16; Set 2 ONLY; Source: 2 Nak 700's > Bass Box EQ > Sony D5 > Sony D5 > Maxell MX 90's Taper: unknown Mark McCue Master #05 Transfer by Mark McCue. EAC, patch, conversion, and seeding to bt.etree.org by Alex Ford notes
6340. 05/15/83 Flac 16 - 0, 94397 Berkeley Greek Theatre, University Of California flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller notes
6341. 05/15/83 Flac 24/96 - 0, 147899 Berkeley Greek Theatre, University Of California flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6342. 05/15/83 Flac 16/48 - 0, 147898 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6343. 06/18/83 Flac 24/96 - 0, 124569 Saratoga Springs Saratoga Performing Arts Center flac24; Set 2 Only; Original Recording By Jeff Silberman; Sennheiser 441 (Front Row Balcony) > PCM > Dat >?; DAT Transfer Info: Friend's Dat (2 Hour) > (Possibaly 1 PCM) > (Unknown Cassette Deck) > Tape TDK MA 110; Transfer Information: Nakamichi MR-1 > Korg MR-1000 @ 1Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz notes
6344. 06/18/83 Flac 16 - 0, 105236 Saratoga Springs Saratoga Performing Arts Center flac16; Recording Info: (2) Beyer M160 + (1) Beyer M88 -> Cassette Master (Nakamichi 550/TDK SA90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded By Rudy Huston notes
6345. 06/18/83 Shn - 0, 14411 Saratoga Springs Saratoga Performing Arts Center Source: Senn 421's > Sony D-5 > CDR taped by Jim Wise *these are not the originally seeded shns (well mostly) see below for details * I rejoined the Morning Dew and Crowd tracks that were separated with a disc break and a fade out from the Dew into one track with Cool Edit Pro. The original md5's are the same except for the Morning Dew and the track names have changed on Space and all the tunes after that. - Doug Nawrocki notes
6346. 06/18/83 Flac 16 - 0, 103285 Saratoga Springs Saratoga Performing Arts Center flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes
6347. 06/18/83 Flac 16 - 0, 103293 Saratoga Springs Saratoga Performing Arts Center flac16; Set 2 only, Recording Info: (Front Row Balcony) Sennheiser 441 -> PCM -> Dat -> CD -> Dat Transfer Info: Dat (Sony D8) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) -> Samplitude Professional v10.22 -> FLAC; Recorded by Jeff Silberman; This is a re-master of source ID 21741; All Transfers and Mastering By Charlie miller notes
6348. 06/18/83 Flac 16 - 0, 119438 Saratoga Springs Saratoga Performing Arts Center flac16; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, recorded from inside the pavilion, directly behind the soundboard area, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012 notes
6349. 06/18/83 Shn - 0, 21741 Saratoga Springs Saratoga Performing Arts Center (Front Row Balcony) Sennheiser 441 -> PCM -> CD -> Dat notes
6350. 06/18/83 Shn - 0, 4605 Saratoga Springs Saratoga Performing Arts Center Sennheiser 421's> Sony D-5 taped by Jim Wise; cass master> CDR; via Tony Gardner with thanks to Paul B.; Note-May circ with mislabelled tracks, they would read 6-13-83 notes
6351. 06/18/83 Flac 16 - 0, 124473 Saratoga Springs Saratoga Performing Arts Center flac16; Set 2 Only; Original Recording By Jeff Silberman; Sennheiser 441 (Front Row Balcony) > PCM > Dat >?; DAT Transfer Info: Friend's Dat (2 Hour) > (Possibaly 1 PCM) > (Unknown Cassette Deck) > Tape TDK MA 110; Transfer Information: Nakamichi MR-1 > Korg MR-1000 @ 1Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6352. 06/18/83 Flac 16 - 0, 138859 Saratoga Springs Saratoga Performing Arts Center flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns* > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 notes
6353. 06/18/83 Flac 24/96 - 0, 138860 Saratoga Springs Saratoga Performing Arts Center flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns* > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 notes
6354. 06/18/83 Flac 2448 - 0, 119437 Saratoga Springs Saratoga Performing Arts Center flac24; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, recorded from inside the pavilion, directly behind the soundboard area, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2012 notes
6355. 06/18/83 Flac 24/48 - 0, 142271 Saratoga Springs Saratoga Performing Arts Center flac24/48 Master: AUD MC Beyer M201's X-Y 8'up > Sony TCD5M no dolby Maxell MX90 x 2. First Gen patch: [Same mics]Sony TCD5M no dolby Maxell UDXLII 90 Cassette copy: Sony TCD5M> Denon DR330 Location: ~150 feet from stage, 40 feet from lawn rail on lawn DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8. Mastered: Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor Transferred: Kyle Holbrook This is your collection notes
6356. 06/18/83 Flac 16/44,1 - 0, 142270 Saratoga Springs Saratoga Performing Arts Center flac16 44.1khz Master: AUD MC Beyer M201's X-Y 8'up > Sony TCD5M no dolby. Maxell MX90 x 2. First Gen patch: [Same mics]Sony TCD5M no dolby Maxell UDXLII 90. Cassette copy: Sony TCD5M> Denon DR330 Location: ~150 feet from stage, 40 feet from lawn rail on lawn DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor Transferred: Kyle Holbrook notes
6357. 06/18/83 Flac 16 - 0, 143267 Saratoga Springs Saratoga Performing Arts Center flac16; Lineage: Aud Pcm Master# 16-441 Recorded Front Row Balcony>Dat>cool edit Pro 16-441; Unknown Pcm Recorder Most Likely 2 Or 3 Sennheiser 441 Mics; Remasterd Beerengineer On 10-05 18 notes
6358. 06/18/83 Flac 16/48 - 0, 148043 Saratoga Springs Saratoga Performing Arts Center flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6359. 06/18/83 Flac 24/96 - 0, 148044 Saratoga Springs Saratoga Performing Arts Center flac24; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6360. 06/18/83 Flac 16 - , 154660 Saratoga Springs Saratoga Performing Arts Center flac16 Source: Sennheiser 441 > Technics 14 Bit Pcm > Dat Location: Front Row Balcony Transfer Info: Pcm Vhs Master > Sony Pcm 2500 Dat Recorder @khz (by Jeff); Tascam Da20 Mark Ii Dat > Roland Src-2 Sample Rate Format Converter (from Spdif To Optical) > Mac Mini > Audacity@k > Wave (by John) Recorded By Jeff Silberman Pcm To Dat Transfer By Jeff Silberman Dat Transfer By John Ammons Edited & Mastered (adobe Audition) By Joe Noel November 05, 2021 notes
6361. 06/20/83 Flac 16 - 0, 32795 Columbia Merriweather Post Pavilion flac16; Source: Nakamichi 300's > Sony TCD5M > Sony D-6 Maxell XLIIS Master (outside in the insane weather and thick sound!) Thanks to Ted (?) for the patch Transfer: Maxell XLIIS Master > Nakamichi DR-3 > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 notes
6362. 06/20/83 Shn - 0, 3926 Columbia Merriweather Post Pavilion set 2; Sen. 441 -> D5 -> Dat Recorded by J. Silberman; Mastering: Pan SV3700 -> Za2 -> .shn by SWS notes
6363. 06/20/83 Flac 24 - 0, 119816 Columbia Merriweather Post Pavilion flac24; source: (3) audio technica atm11> d-5; conversion: sony tc we435> soundcard> cdwave 44100/stereo/24 bit> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
6364. 06/20/83 Flac 16 - 0, 102042 Columbia Merriweather Post Pavilion flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Section Right Loge, Row J, Seat 208 by Bob Morris notes
6365. 06/20/83 Flac 16 - 0, 83762 Columbia Merriweather Post Pavilion flac16; Source: fob about the 12th row ctr. or so with a sony 939lt stereo - single point mic > d6 taped and transferred by David Minor Lineage: MAC > CD > EAC > Cool Edit Pro > CDWAV > flac16 level 8 encoding etc. by Matt Vernon notes
6366. 06/20/83 Flac 16 - 0, 117531 Columbia Merriweather Post Pavilion flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6367. 06/20/83 Shn - 0, 11931 Columbia Merriweather Post Pavilion Set 1 and Set 2 up to Drums is: FOB-Sennheiser 421>MasterCass>Dat>CD; Set 2 From Space to Sugar Mags is FOB-Sennheiser 441>PCM>Dat>CD; Seeded to etree by SWS notes
6368. 06/20/83 Flac 24/96 - 0, 140672 Columbia Merriweather Post Pavilion flac24; source: nak 300 (location ?) > tcd5m MX90 +dolby > master > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, tracks, fades) > flac2496 > act (tags, checksums); recorded: david lane + david barfield; transferred/seeded: barfield notes
6369. 06/20/83 Flac 16 - 0, 32643 Columbia Merriweather Post Pavilion flac16; Source:FOB-35FT off Stage@10ft 2 Sennheiser Md421's>Sony TCD5>Maxell XL2 Cassettes Recorded by Rick Colyard Transfer.Sony TCD21>Soundforge 8.0(record,resample,fades,anti-alias filter in highest setting)>CDWav(tracks)>Flacfrontend(flac16bit) Trandsfer and editing by: MULETAPER notes
6370. 06/20/83 Flac 24/96 - 0, 148016 Columbia Merriweather Post Pavilion flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6371. 06/20/83 Flac 16/48 - 0, 148015 Columbia Merriweather Post Pavilion flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6372. 06/21/83 Flac 16 - 0, 102041 Columbia Merriweather Post Pavilion flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Section Right Loge, Row H, Seat 212 by Bob Morris notes
6373. 06/21/83 Flac 16 - 0, 117317 Columbia Merriweather Post Pavilion flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6374. 06/21/83 Flac 16 - 0, 83763 Columbia Merriweather Post Pavilion flac16; Source: fob about the 12th row ctr. or so with a sony 939lt stereo - single point mic > d6 by David Minor Lineage: MAC > CD > EAC > Cool Edit Pro > CDWAV > flac16 level 8 encoding etc. by Matt Vernon notes
6375. 06/21/83 Shn - 0, 11491 Columbia Merriweather Post Pavilion AUD>MC>DAT>CDRSony ECM-939?s; via Paul; seeded to etree by Ernie Dodd notes
6376. 06/21/83 Flac - 0, 32881 Columbia Merriweather Post Pavilion Source: Nakamichi 300's w/CP-4 capsules > Sony TCD5M > Sony D-6 Maxell XLIIS & MX Master Transfer: Maxell XLIIS & MX Master > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Recorded and transferred by Dean Grabski notes
6377. 06/21/83 Flac 24/96 - 0, 140698 Columbia Merriweather Post Pavilion flac24; Set 1 source: nak 300 (7’ right front corner of sbd w/+nod from healy) > tcd5m > mx90 +dolby > master > tascam 122mkii -dolby > apogee rosetta 200 (24/96) > audacity (fix levels, normalize, fades, tracks) > flac2496 > act (tags,checksums); recorded: david barfield; transferred/seeded: barfield notes
6378. 06/21/83 Flac 24/96 - 0, 147953 Columbia Merriweather Post Pavilion flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6379. 06/21/83 Flac 16/48 - 0, 147952 Columbia Merriweather Post Pavilion flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6380. 06/22/83 Flac 16 - 0, 88881 Harrisburg City Island flac16; source: Nakamichi CM300/CP4 > Sony TCD5M > Sony D-6 > Maxell XL-IIS masters transfer: Master cassettes > Nakamichi CR-2A > Tascam HD-P2 (88.2/24) > firewire > DAW WAVELAB (UV22HR) > CDWAVE > FLAC notes
6381. 06/22/83 Flac 16 - 0, 92208 Harrisburg City Island flac16; AUD: FOB, Sennheiser ME-88 shotguns > patched thru 1 or 2 decks > Marantz PMD-340 cassette deck > TDK SA-90's, Dolby on. Transfer: MAC > Nakamichi DR-8 (Dolby on) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F. notes
6382. 06/22/83 Flac 24/96 - 0, 136719 Harrisburg City Island flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6383. 06/22/83 Flac 16 - 0, 136720 Harrisburg City Island flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6384. 06/22/83 Flac 24/96 - 0, 119806 Harrisburg City Island flac24; Updated Lineage: (3) audio technica atm11 (fob)> d-5 mc> sony tc we435> pcm-m10> cdwave> traders little helper encoding option 8; conversion rate: 96/24 bit Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures notes
6385. 06/22/83 Flac 16 - 0, 102068 Harrisburg City Island flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : (3) audio technica atm fob> tcm d-5> cm> cd Recording Location: fob Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8 notes
6386. 06/22/83 Flac 24/96 - 0, 81511 Harrisburg City Island flac24/96; Recordist: Kyle Holbrook Location: ~10' Left Of Center, ~100' from stage lip Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > TDK MA-R90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: TDK MA-R90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 notes
6387. 06/22/83 Shn - 0, 7222 Harrisburg City Island Recorded on Sony D5M using (2) Sennheiser ME-80 and (2) AKG D-1000 mikes run through mixer, 30 feet from stage dead center. Recorded by Tommy McKeown; Master > Peak encoded AIFF using Audiophile 2496 A/D converter > SHN; note spaces in tracknames; note user DES reports this show circulates with a shntool fix of d2. Those md5's are listed here along with the originals.; upgrade in circulation notes
6388. 06/22/83 Shn - 0, 14908 Harrisburg City Island 2 Sennheiser ME-80 and 2 AKG D-1000 mikes run through mixer>Sony D5M (30 feet from stage dead center. Recorded by Tommy McKeown) Note- This is the same source as the previous etree seed (shnid #7222), though I believe the previous seed has been normalized. The previous seed was also missing the last 4 minutes of Deal, and had small (DAO) silent spots between all the tracks; via Eric Ray; Seeded to etree by Willy notes
6389. 06/22/83 Flac 16 - 0, 81274 Harrisburg City Island flac16; Recordist: Kyle Holbrook Location : ~10' Left Of Center, ~100' from stage lip Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > TDK MA-R90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: TDK MA-R90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 notes
6390. 06/22/83 Flac 24 - 0, 140681 Harrisburg City Island flac24; source: nak 300 (12’ only patch of grass near soundboard) > tcd5m > udxliis -1st fuji fr-metal90 2nd +dolby > tascam 122mkii -dolby > apogee rosetta 200 (24/96) > audacity > (fades, tracks, normalize) > xact (tags, checksums); recorded: david barfield + david lane; transferred/seeded: david barfield notes
6391. 06/22/83 Flac 16/48 - 0, 148029 Harrisburg City Island flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6392. 06/22/83 Flac 24/96 - 0, 148030 Harrisburg City Island flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6393. 06/22/83 Flac 16 - 0, 150102 Harrisburg City Island flac16; Source: Sennheiser 422's > Sony D5; Location: FOB; No other source or transfer information notes
6394. 06/22/83 Flac 16/48 - 0, Harrisburg City Island flac16/48khz Source Info: Master Audience Cassettes (possibly 1st generation); Unknown equipment Transfer Info: Cassette Master (possibly 1st generation)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496 notes
6395. 06/22/83 Flac 24/96 - 0, 151457 Harrisburg City Island flac24/96khz Source Info: Master Audience Cassettes (possibly 1st generation); Unknown equipment Transfer Info: Cassette Master (possibly 1st generation)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496 notes
6396. 06/22/83 Flac 24/96 - , 155966 Harrisburg City Island flac24/96 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 notes
6397. 06/22/83 Flac 16/48 - , 155965 Harrisburg City Island flac1648 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 notes
6398. 06/24/83 Flac 16 - 0, 135375 Madison Dane County Coliseum flac16; Audience recording, taper, gear and generation unknown; 16 bit version; Trade cassettes > Teac W890R, heads aligned to tape > m-audio 2496 audiophile sound card @ 24/48 > editing, volume adjustments and tracked with Audacity; 24/48 resampled and dithered to 16/44.1 with dBpoweramp; flac level 8 and checksums with traderslittlehelper; Tagged with winamp; Transfer and all other mastering by arfarf, March 13, 2016 notes
6399. 06/24/83 Flac 24/96 - 0, 135481 Madison Dane County Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6400. 06/24/83 Flac 16 - 0, 135482 Madison Dane County Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6401. 06/24/83 Flac 16 - 0, 118888 Madison Dane County Coliseum flac16; Recorded by the late George "Fingers" Bethke FOB in the sweet spot as always Sennheisser 421s>Sony TCD5M>Sony TCD5M (1st gen backup copy from Justin Lee) No Dolby on master cassettes. The first gen. cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011; additional lineage: files tagged with Tag&Rename, checksums created with traderslittlehelper, Tagging, checksums and text February 12,2012 - John Wenzel notes
6402. 06/24/83 Shn - 0, 7291 Madison Dane County Coliseum D5>Nakamichi 300 Shotguns in front of the stage 10th row; via Clark Ohnesorge; Seeded to etree by Willy notes
6403. 06/24/83 Flac 24/48 - 0, 135376 Madison Dane County Coliseum flac24; Audience recording, taper, gear and generation unknown; 24 bit version; Trade cassettes > Teac W890R, heads aligned to tape > m-audio 2496 audiophile sound card @ 24/48 > editing, volume adjustments and tracked with Audacity; flac level 8 and checksums with traderslittlehelper; tagged with winamp; Transfer and all other mastering by arfarf, March 13, 2016 notes
6404. 06/24/83 Flac 24 - 0, 140520 Madison Dane County Coliseum flac24; Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT notes
6405. 06/24/83 Flac 16 - 0, 141159 Madison Dane County Coliseum flac16; Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
6406. 06/24/83 Flac 24 - 0, 146150 Madison Dane County Coliseum flac24 Source: Nakamichi CM300 (with CP4 caps)>Sony TCD-5M Location: FOB, Stand at 7.5 feet Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24 Taper: Michael Gardner Transfer and editing: Tony Suraci. Note - This version has the fixed track for Brown Eyed Women notes
6407. 06/24/83 Flac 16/44,1 - 0, 146149 Madison Dane County Coliseum flac16/44.1khz Source: Nakamichi CM300 (with CP4 caps)>Sony TCD-5M Location: FOB, Stand at 7.5 feet Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16 Taper: Michael Gardner Transfer and editing: Tony Suraci. Note - This version has the fixed track for Brown Eyed Women notes
6408. 06/24/83 Flac 24/96 - 0, 147991 Madison Dane County Coliseum flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6409. 06/24/83 Flac 16/48 - 0, 147990 Madison Dane County Coliseum flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6410. 06/25/83 Flac 16 - 0, 118005 St. Paul St. Paul Civic Center flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Center Of Horseshoe 1/2 Way Up)> Sony WM-D6 (Maxell UD-XLII); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
6411. 06/25/83 Flac 16 - 0, 135474 St. Paul St. Paul Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6412. 06/25/83 Flac 24/96 - 0, 135473 St. Paul St. Paul Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6413. 06/25/83 Flac 24/48 - 0, 118004 St. Paul St. Paul Civic Center flac24; Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Center Of Horseshoe 1/2 Way Up)> Sony WM-D6 (Maxell UD-XLII); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
6414. 06/25/83 Shn - 0, 11802 St. Paul St. Paul Civic Center ACM>C>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd notes
6415. 06/25/83 Flac 24 - 0, 140521 St. Paul St. Paul Civic Center flac24; Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT notes
6416. 06/25/83 Flac 16 - 0, 141160 St. Paul St. Paul Civic Center flac16; Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
6417. 06/25/83 Flac 16 - 0, 118900 St. Paul St. Paul Civic Center flac16; Sennheisser 421s>Sony TCD5M>cassette>cassette, Recorded by the late George "Fingers" Bethke FOB in the sweet spot as always; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz) 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen notes
6418. 06/25/83 Flac 24/48 - 0, 142363 St. Paul St. Paul Civic Center flac24/48 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 ++ First Gen patch: [Same mics]Marantz Superscope PMD420| Maxell UDXLII 90 Cassette copy: Sony TCD5M> Denon DR330 Location: ~40 feet from stage, 25 feet LOC (in front of Phil) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook notes
6419. 06/25/83 Flac 16/44,1 - 0, 142362 St. Paul St. Paul Civic Center flac16 44.1khz Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 ++ First Gen patch: [Same mics]Marantz Superscope PMD420| Maxell UDXLII 90 Cassette copy: Sony TCD5M> Denon DR330 Location: ~40 feet from stage, 25 feet LOC (in front of Phil) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook notes
6420. 06/25/83 Flac 16/48 - 0, 148002 St. Paul St. Paul Civic Center flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6421. 06/25/83 Flac 24/96 - 0, 148003 St. Paul St. Paul Civic Center flac24; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6422. 06/27/83 Flac 24/96 - 0, 135377 Hoffman Estates Poplar Creek Music Theatre flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6423. 06/27/83 Flac 16 - 0, 135378 Hoffman Estates Poplar Creek Music Theatre flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6424. 06/27/83 Flac 16 - 0, 119577 Hoffman Estates Poplar Creek Music Theatre b>flac16; Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; FOB Recorded by the late George "Fingers" Bethke; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011 notes
6425. 06/27/83 Flac 16 - 0, 89790 Hoffman Estates Poplar Creek Music Theatre b>flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat -> CD Transfer Info #1: Dat (Sony D8) -> CD (Tascam CD-RW700) Transfer Info #2: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
6426. 06/27/83 Shn - 0, 9994 Hoffman Estates Poplar Creek Music Theatre Aud>Cass Master>C>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd notes
6427. 06/27/83 Flac 24 - 0, 140552 Hoffman Estates Poplar Creek Music Theatre flac24; Robert Bryant recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT notes
6428. 06/27/83 Flac 16 - 0, 141161 Hoffman Estates Poplar Creek Music Theatre flac16; Robert Bryant recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
6429. 06/27/83 Flac 16 - 0, 141770 Hoffman Estates Poplar Creek Music Theatre flac16; Updated Recording Info: FOB Sennheiser 441 mics > Canare Cable > Technics SV100 PCM > Panasonic VHS; Taper: Timon Malloy; Master FOB PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
6430. 06/27/83 Flac 24/48 - 0, 142390 Hoffman Estates Poplar Creek Music Theatre flac24/48 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~100 feet from stage, 15 feet LOC (just left of SBD cage) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook notes
6431. 06/27/83 Flac 16/44,1 - 0, 142389 Hoffman Estates Poplar Creek Music Theatre flac16/44.1 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~100 feet from stage, 15 feet LOC (just left of SBD cage) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook notes
6432. 06/27/83 Flac 24/96 - 0, 148046 Hoffman Estates Poplar Creek Music Theatre flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6433. 06/27/83 Flac 16/48 - 0, 148045 Hoffman Estates Poplar Creek Music Theatre flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6434. 06/28/83 Flac 16 - 0, 135356 Hoffman Estates Poplar Creek Music Theatre flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6435. 06/28/83 Flac 24/96 - 0, 135355 Hoffman Estates Poplar Creek Music Theatre flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6436. 06/28/83 Flac 16 - 0, 119579 Hoffman Estates Poplar Creek Music Theatre flac16; Recorded by the late George "Fingers" Bethke; FOB, Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions) notes
6437. 06/28/83 Shn - 0, 3593 Hoffman Estates Poplar Creek Music Theatre FOB Senn 421's> Sony TCD5M w/ Maxell XLII dolby B encoded MC> DAT> CDR> EAC> SHN (w/seek tables appended); Jim Vita recording, 17th Row center; Analog> digital> cdr: tascam 112mk11> Sony PCM R500 @44.1khz> HHB CDR-850 transfer by Jim Wise; Eac/SHN by Chuck Hogan with thanks to John Tallmadge notes
6438. 06/28/83 Flac 16 - 0, 28361 Hoffman Estates Poplar Creek Music Theatre flac16; FOB Sennheiser 441> PCM> Dat> CD; Transfer: CD> EAC> Samplitude Professional v8.0> FLAC; plus patch from FOB Sennheiser 421 source; Transferred and Edited By Charlie Miller notes
6439. 06/28/83 Flac 24 - 0, 140523 Hoffman Estates Poplar Creek Music Theatre flac24; Robert Bryant recording: unknown mics > cassette master (sony wm-d6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT notes
6440. 06/28/83 Flac 16 - 0, 141162 Hoffman Estates Poplar Creek Music Theatre flac16; Robert Bryant recording: unknown mics > cassette master (sony wm-d6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
6441. 06/28/83 Flac 24/48 - 0, 142395 Hoffman Estates Poplar Creek Music Theatre flac24/48 First GEN AUD: Beyer M201's X-Y 7'up > Marantz Superscope PMD420 Maxell UDXLII 90 > Cassette copy: (Superscope to Denon Dr330) [1983] > Maxell UDXLII 90 Master was: MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~80 feet from stage, 20 feet ROC (just in front and right of SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook notes
6442. 06/28/83 Flac 16/44,1 - 0, 142394 Hoffman Estates Poplar Creek Music Theatre flac16/44.1 First GEN AUD: Beyer M201's X-Y 7'up > Marantz Superscope PMD420 Maxell UDXLII 90 > Cassette copy: (Superscope to Denon Dr330) [1983] > Maxell UDXLII 90 Master was: MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~80 feet from stage, 20 feet ROC (just in front and right of SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook notes
6443. 06/28/83 Flac 24 - 0, 146188 Hoffman Estates Poplar Creek Music Theatre flac24; Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24; Taper: Michael Gardner; Transfer and editing: Tony Suraci notes
6444. 06/28/83 Flac 16 - 0, 146187 Hoffman Estates Poplar Creek Music Theatre flac16; Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16; Taper: Michael Gardner; Transfer and editing: Tony Suraci notes
6445. 06/28/83 Flac 24/192 - 0, 149921 Hoffman Estates Poplar Creek Music Theatre flac24/192kHz; Mics: Mics: AKG 460B with the CK1 capsules; Recorder: 1981 TCD-5M Sony Cassette Pro Portable; Location: Sec 100 Row C Seat 107; Cassettes: Fuji Metal Bias C90: Dolby on but left off for this playback; Playback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment; Chord Company Interconnect Cable (Naim Co.); Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz; Sound Forge just to track notes
6446. 06/28/83 Flac 16 - 0, 149944 Hoffman Estates Poplar Creek Music Theatre flac16; Mics: AKG 460B with the CK1 capsules; Recorder: 1981 TCD-5M Sony Cassette Pro Portable; Location: Sec 100 Row C Seat 107; Cassettes: Fuji Metal Bias C90: Dolby on but left off for this playback; Playback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment; Chord Company Interconnect Cable (Naim Co.); Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz; Sound Forge just to track 24/192 > 16/44.1 notes
6447. 07/30/83 Flac 16 - 0, 96401 Ventura Ventura County Fairgrounds flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2 -> r8brain PRO v1.5 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller notes
6448. 07/30/83 Shn - 0, 11932 Ventura Ventura County Fairgrounds ACM>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd notes
6449. 07/30/83 Flac 16/48 - 0, 140317 Ventura Ventura County Fairgrounds flac16/48kHz; Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 notes
6450. 07/30/83 Flac 16/48 - 0, 150939 Ventura Ventura County Fairgrounds flac16/48 Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
6451. 07/30/83 Flac 24/96 - 0, 150940 Ventura Ventura County Fairgrounds flac24/96 Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
6452. 07/31/83 Flac 16 - 0, 88149 Ventura Ventura County Fairgrounds flac16; SBD -> Cassette Master -> Cass -> Dat -> CD All Transfers and Mastering By Charlie Miller notes
6453. 07/31/83 Flac 16 - 0, 96409 Ventura Ventura County Fairgrounds flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.2 -> r8brain PRO v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Recorded by Rango Keshavan notes
6454. 07/31/83 Shn - 0, 11933 Ventura Ventura County Fairgrounds AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd notes
6455. 07/31/83 Flac - 0, 140320 Ventura Ventura County Fairgrounds flac16/48kHz; Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 notes
6456. 07/31/83 Flac 24/96 - , 151138 Ventura Ventura County Fairgrounds flac24/96khz Source : Nakamichi mics > Nakamichi deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
6457. 07/31/83 Flac 16/48 - , 151137 Ventura Ventura County Fairgrounds flac16/48khz Source : Nakamichi mics > Nakamichi deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
6458. 08/20/83 Flac 16 - 0, 96387 Palo Alto Frost Amphitheatre flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2 -> r8brain PRO v1.5 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller notes
6459. 08/20/83 Flac 16 - 0, 111528 Palo Alto Frost Amphitheatre flac16; Source: 2 Sennheiser 421 microphones (25 feet from stage-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6460. 08/20/83 Shn - 0, 12081 Palo Alto Frost Amphitheatre AUD(Neumann KM 84?s)>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd notes
6461. 08/20/83 Flac 24/96 - 0, 148067 Palo Alto Frost Amphitheatre flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6462. 08/20/83 Flac 16/48 - 0, 148066 Palo Alto Frost Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6463. 08/20/83 Flac 24/96 - , 151140 Palo Alto Frost Amphitheatre flac24/96khz MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
6464. 08/20/83 Flac 16/48 - , 151139 Palo Alto Frost Amphitheatre flac16/48khz MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
6465. 08/20/83 Flac 24/96 - , 155968 Palo Alto Frost Amphitheatre flac2496 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 notes
6466. 08/20/83 Flac 16/48 - , 155967 Palo Alto Frost Amphitheatre flac1648 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496 notes
6467. 08/21/83 Flac 16 - 0, 95672 Palo Alto Frost Amphitheatre flac16; Recording Info:(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Michael Kirschner; All Transfers and Mastering By Charlie Miller notes
6468. 08/21/83 Flac 24/96 - 0, 95687 Palo Alto Frost Amphitheatre flac24; Recording Info:(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Michael Kirschner; All Transfers and Mastering By Charlie Miller notes
6469. 08/21/83 Flac 16 - 0, 111536 Palo Alto Frost Amphitheatre flac16; Source: 2 Sennheiser 421 microphones (25 feet from stage-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6470. 08/21/83 Shn - 0, 10920 Palo Alto Frost Amphitheatre FOB Senn 441>Sony TC-D5>DAT>CD; via Pete; Seeded to etree by Jim Bennett notes
6471. 08/21/83 Shn - 0, 23853 Palo Alto Frost Amphitheatre Recording Info: (Immediate Left Of SBD) Nakamichi 300/CP4 -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) Process Info:Processed through Nuendo using Waves (slight eq and rendered down to a 16 bit wave file). Recorded and Transfered BY Bill Reutelhuber Tracked and SHN'd By Charlie Miller notes
6472. 08/21/83 Flac 24/48 - 0, 142899 Palo Alto Frost Amphitheatre flac24/48khz Source: MAC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~125 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Transferred: Kyle Holbrook notes
6473. 08/21/83 Flac 16/44,1 - 0, 142898 Palo Alto Frost Amphitheatre flac16/44.1khz Source: MAC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~125 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Transferred: Kyle Holbrook notes
6474. 08/21/83 Flac 24/96 - 0, 148073 Palo Alto Frost Amphitheatre flac24; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6475. 08/21/83 Flac 16/48 - 0, 148072 Palo Alto Frost Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6476. 08/21/83 Flac 24/96 - , 151142 Palo Alto Frost Amphitheatre flac24/96khz Source : Nakamichi mics > Nakamichi deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
6477. 08/21/83 Flac 16/48 - , 151141 Palo Alto Frost Amphitheatre />flac16/48khz Source : Nakamichi mics > Nakamichi deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
6478. 08/26/83 Flac 16 - 0, 110903 Portland Portland Memorial Coliseum flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes
6479. 08/26/83 Shn - 0, 12258 Portland Portland Memorial Coliseum AUD (Senn. 421's)> MC >DAT>CDR; Eac >cool edit > shntool > cdwav >shnv3, by Ernie Dodd notes
6480. 08/26/83 Flac 24/48 - 0, 142901 Portland Portland Memorial Coliseum flac24/48khz ource Audience Recording: Beyer M 201c;1st gen TDK MA metal 90 Location: set 1: 100 feet from stage|DFC set 2: 70 feet from stage|DFC Lineage: Master was: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON 1st Gen copied to TDK MA metal 90 Sony TCD5M -> Sony TCD5M Playback: Nakamichi CR-5A ->Tascam DR-680 24/48 Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8 Taped by Kyle Holbrook & Chris Kidwell Transferred by Kyle Holbrook notes
6481. 08/26/83 Flac 16/44,1 - 0, 142900 Portland Portland Memorial Coliseum flac16/44.1khz ource Audience Recording: Beyer M 201c;1st gen TDK MA metal 90 Location: set 1: 100 feet from stage|DFC set 2: 70 feet from stage|DFC Lineage: Master was: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON 1st Gen copied to TDK MA metal 90 Sony TCD5M -> Sony TCD5M Playback: Nakamichi CR-5A ->Tascam DR-680 24/48 Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8 Taped by Kyle Holbrook & Chris Kidwell Transferred by Kyle Holbrook notes
6482. 08/26/83 Flac 24/96 - 0, 148833 Portland Portland Memorial Coliseum flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mini mics (mounted in hat, left side, 40' from stage)(Row A, Section 15, seats 4 & 5) > Sony D5M (TDK-MA90); Transfer Info: Master Cassettes (Nakamchi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
6483. 08/26/83 Flac 16/48 - 0, 148832 Portland Portland Memorial Coliseum flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mini mics (mounted in hat, left side, 40' from stage)(Row A, Section 15, seats 4 & 5) > Sony D5M (TDK-MA90); Transfer Info: Master Cassettes (Nakamchi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6484. 08/27/83 Shn - 0, 16439 Seattle Seattle Center Coliseum Unknown AUD, with patches from an alternate source; via Darryl Hinko notes
6485. 08/27/83 Shn - 0, 12359 Seattle Seattle Center Coliseum AUD(Senn. 421?s)>MC>DAT>CDR Eac >shn (secure with proper offsets) by Ernie Dodd; Note Ernie has since supplied the missing tracks (disc 3); See info file for details notes
6486. 08/27/83 Flac 16 - 0, 31635 Seattle Seattle Center Coliseum flac16; source: unknown mics > Sony D5 cassette deck (probable) Location: (FOB?) Recorded by: Jamie Herbst transfer: cassettes (2nd gen) > PC > CDWAV (track splits) > GOLDWAVE (fades) > FLAC notes
6487. 08/27/83 Flac 16 - 0, 111818 Seattle Seattle Center Coliseum flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6488. 08/27/83 Flac 24/48 - 0, 142903 Seattle Seattle Center Coliseum flac24/48khz Source Audience Recording: Beyer M 201c: Master Maxell MX90 Location: set 1: 70 feet from stage|DFC Lineage: Master AUD: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON Playback: Nakamichi CR-5A ->Tascam DR-680 24/48 Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8 Taped by Kyle Holbrook & Chris Kidwell Transferred by Kyle Holbrook notes
6489. 08/27/83 Flac 16/44,1 - 0, 142902 Seattle Seattle Center Coliseum flac16/44.1khz Source Audience Recording: Beyer M 201c: Master Maxell MX90 Location: set 1: 70 feet from stage|DFC Lineage: Master AUD: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON Playback: Nakamichi CR-5A ->Tascam DR-680 24/48 Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8 Taped by Kyle Holbrook & Chris Kidwell Transferred by Kyle Holbrook notes
6490. 08/27/83 Flac 16 - 0, 92307 Seattle Seattle Center Coliseum flac16; FOB, Nakamichi CM300's > Sony TC-D5. Tape copied after show, MAC > C1, Sony TC-D5 > Marantz PMD-340 > TDK SA-90's (no Dolby). Transfer: C1 > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes
6491. 08/27/83 Flac 24/96 - 0, 148750 Seattle Seattle Center Coliseum flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (60' from stage, DFC)> Jamie Pouris' custom preamp/dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
6492. 08/27/83 Flac 16/48 - 0, 148749 Seattle Seattle Center Coliseum flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (60' from stage, DFC)> Jamie Pouris' custom preamp/dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6493. 08/29/83 Shn - 0, 11603 Eugene Silva Hall, Hult Center SBD>Cass(2)>DAT>CDR; Seeded to etree by Willy notes
6494. 08/29/83 Flac 16 - 0, 105523 Eugene Silva Hall, Hult Center flac16; FOB AUD: Nakamichi CM300's > unknown deck > MAC > 1st Gen tape. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. notes
6495. 08/29/83 Flac 16 - 0, 135945 Eugene Silva Hall, Hult Center flac16; Soundboard > PCM;Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 for Minor Edits by Jamie Waddell; channels flipped, minor cuts, and tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH; the original seed for this had errors notes
6496. 08/29/83 Flac 16/48 - 0, 140330 Eugene Silva Hall, Hult Center flac16/48kHz; Recording Info: Master Soundboard Cassette -> Tascam MKIII 1st Gen Cassette -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 notes
6497. 08/29/83 Flac 24/96 - 0, 141485 Eugene Silva Hall, Hult Center flac24; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300) > Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496 notes
6498. 08/29/83 Flac 16 - 0, 141486 Eugene Silva Hall, Hult Center flac16; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp notes
6499. 08/29/83 Flac 24/48 - 0, 142925 Eugene Silva Hall, Hult Center flac24/48 Source: Master Was: Beyer M201's X-Y 6'up > Sony TCD5M no dolby Denon DXM 90 Metal x 2 This take: First Gen TDK MA90 x 2 Location: ~80 feet from stage, 40'ROC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes
6500. 08/29/83 Flac 16 - 0, 105285 Eugene Silva Hall, Hult Center flac16; Source: Unknown audience recording > cass (unknown gens) Lineage: cass > Nakamichi BX-125E > EMU 0202 > Wavelab 6 > wav 24/96 > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > flac 16 notes
6501. 08/29/83 Flac 16 - 0, 111087 Eugene Silva Hall, Hult Center flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes
6502. 08/29/83 Flac 16/44,1 - 0, 142924 Eugene Silva Hall, Hult Center flac16/44.1 Source: Master Was: Beyer M201's X-Y 6'up > Sony TCD5M no dolby. Denon DXM 90 Metal x 2. This take: First Gen TDK MA90 x 2 Location: ~80 feet from stage, 40'ROC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes
6503. 08/29/83 Flac 24/96 - 0, 148763 Eugene Silva Hall, Hult Center flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mics on pole, held head high, 50' from stage - row O, seats 208 & 209- DFC) > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
6504. 08/29/83 Flac 16/48 - 0, 148762 Eugene Silva Hall, Hult Center flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mics on pole, held head high, 50' from stage - row O, seats 208 & 209- DFC) > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6505. 08/30/83 Shn - 0, 15110 Eugene Silva Hall, Hult Center Keysey intro: MSC>Cass. x 2>PCM>DAT>CDR Set Ip + Set II: Kesey's MSC>DAT>CDR Audience patches: Sennheiser 421's>Sony TC-D5M>Cass.>DAT>CDR taped by Rick Saeger (previous seed) notes
6506. 08/30/83 Flac 16 - 0, 29342 Eugene Silva Hall, Hult Center flac16; Source: Sennheiser 421's > Sony TC-D5 Lineage: MAC > C (first generation cassette used for this transfer) Transfer: C > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC. Seeded by nfagdtrfbyahoo notes
6507. 08/30/83 Flac 16 - 0, 111590 Eugene Silva Hall, Hult Center flac16; Source: 2 Sennheiser 441 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6508. 08/30/83 Shn - 0, 12485 Eugene Silva Hall, Hult Center AUD (Senn. 421?s)> MC> DAT> CDR; Eac >cool edit > shntool > cdwav >shnv3 by Ernie Dodd; missing second half of set 2 notes
6509. 08/30/83 Flac 24/96 - 0, 141487 Eugene Silva Hall, Hult Center flac24; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496 notes
6510. 08/30/83 Flac 16 - 0, 141488 Eugene Silva Hall, Hult Center flac16; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp notes
6511. 08/30/83 Flac 16/44,1 - 0, 142996 Eugene Silva Hall, Hult Center flac16/44.1kh Source: MAC: Beyer M201's X-Y 7'up > Sony TCD5M no dolby Denon DXM 90 Metal x 2 Location: ~70 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes
6512. 08/30/83 Flac 24/48 - 0, 142997 Eugene Silva Hall, Hult Center flac24/48 Source: MAC: Beyer M201's X-Y 7'up > Sony TCD5M no dolby Denon DXM 90 Metal x 2 Location: ~70 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes
6513. 08/31/83 Flac 16 - 0, 84934 Eugene Silva Hall, Hult Center flac16; AUD (Senn. 421’s)>MC>DAT>CDR>Eac >cool edit > shntool > cdwav >shnv3 repitched to 103.37% and converted to FLAC notes
6514. 08/31/83 Flac 16 - 0, 11598 Eugene Silva Hall, Hult Center flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6515. 08/31/83 Shn - 0, 12486 Eugene Silva Hall, Hult Center AUD (Senn. 421?s)> MC> DAT> CDR, via Paul B, seeded to Etree by Ernie Dodd notes
6516. 08/31/83 Flac 16 - 0, 34928 Eugene Silva Hall, Hult Center flac16; Lineage: AUD > unknown mics > Sony TC-D5 > MAC > 1st generation cassettes Transfer: Sony UCX-S 90s > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression, and checksums) > FLAC notes
6517. 08/31/83 Flac 16/48 - 0, 140336 Eugene Silva Hall, Hult Center flac16/48kHz; Recording Info: Master Soundboard Cassette -> Tascam MKIII 1st Gen Cassette -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 notes
6518. 08/31/83 Flac 24/96 - 0, 141489 Eugene Silva Hall, Hult Center flac24; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496 notes
6519. 08/31/83 Flac 16 - 0, 141490 Eugene Silva Hall, Hult Center flac16; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp notes
6520. 08/31/83 Flac 24/48 - 0, 142927 Eugene Silva Hall, Hult Center flac24/48 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Nakamichi ZX-C90 x 2 Location: 100 feet from stage, DFC (2 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes
6521. 08/31/83 Flac 16/44,1 - 0, 142926 Eugene Silva Hall, Hult Center flac16/44.1 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Nakamichi ZX-C90 x 2 Location: 100 feet from stage, DFC (2 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes
6522. 08/31/83 Flac 24/96 - 0, 148767 Eugene Silva Hall, Hult Center flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted in a hat)(row U, seat 104) > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
6523. 08/31/83 Flac 16/48 - 0, 148766 Eugene Silva Hall, Hult Center flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted in a hat)(row U, seat 104) > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6524. 09/02/83 Flac 16 Mtx - 0, 100930 Boise Boise State University Pavillion flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) notes
6525. 09/02/83 Shn - 0, 33819 Boise Boise State University Pavillion SBD> cassette master>DAT>CDR>SHN - Patched fix of shnid 2174 by Bill Tetzeli notes
6526. 09/02/83 Shn - 0, 2174 Boise Boise State University Pavillion SBD> cassette master> (cass?)> DAT> CDR; via anonymous benefactor; upgrade in circulation notes
6527. 09/02/83 Shn - 0, 1374 Boise Boise State University Pavillion FOB AUD PCM(dbx)> dbx decode> DAT> CD> EAC>WAV> SHN; Extracted and posted to alt.binaries.gdead by Bob Donnelly; later to etree notes
6528. 09/02/83 Shn - 0, 17958 Boise Boise State University Pavillion Source: FOB AUD PCM (DBX) > DBX Decode > DAT > CDR > EAC > *Cool Edit Pro 2.0 > CDWave > FLAC *Original source had most of the between track crowd cut out I applied crossfades to smooth these cuts. Patched D/O in Eyes. Original source was also in need of retracking. EAC'd... by Doug Nawrocki notes
6529. 09/02/83 Flac 16 - 0, 103181 Boise Boise State University Pavillion flac16, FOB MAC 2 Beyer M160 and 1 Sennheiser 421 > Sony TCD5M > Soundblaster PCI.
This is a new transfer from the same FOB MACs as SHNID 23854. Recorded by vlenihan
notes
6530. 09/02/83 Shn - 0, 23854 Boise Boise State University Pavillion 10th Row Center 2 BeyerM160 Left & Right Channels 1 Sennheiser 421 Center Chanel Sony TCD5M Cassette Master>SoundForge5; upgrade in circulation notes
6531. 09/02/83 Flac 16/44,1 - 0, 142998 Boise Boise State University Pavillion flac16/44.1 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Nakamichi ZX-C90 x 2 Location: 40 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes
6532. 09/02/83 Flac 24/48 - 0, 142999 Boise Boise State University Pavillion flac24/48 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Nakamichi ZX-C90 x 2 Location: 40 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes
6533. 09/02/83 Flac 24/96 - 0, 149224 Boise Boise State University Pavillion flac24; 2nd Set Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496 notes
6534. 09/02/83 Flac 16/48 - 0, 149223 Boise Boise State University Pavillion flac16/48kHz; Set 2 Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6535. 09/04/83 Flac 16 - 0, 117185 Park City Park West Ski Resort flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
6536. 09/04/83 Flac 16 Mtx - 0, 132245 Park City Park West Ski Resort flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:117185) SBD -> Cassette Master -> Reel (Technics Deck) -> Dat (Panasonic SV3800/48k); Dat -> Samplitude Professional v11.2 -> FLAC and Audience (shnid:104956) MAC FOB 2 Beyer M160 & 1 Sennheiser 441 > Sony TCD5M > Sound Blaster PCI> CD Wav notes
6537. 09/04/83 Flac 16 - 0, 119805 Park City Park West Ski Resort flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Back Right Corner Of Soundboard/6 Feet High)> Sony WM-D6, Tapes Maxell UD-XLII's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6538. 09/04/83 Flac 16 - 0, 35214 Park City Park West Ski Resort flac16; Seamless fix of shn id 2193 - MSC>C>DAT>CD>EAC>SHN>WAV>FLAC w/patch in drums. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
6539. 09/04/83 Flac 24/48 - 0, 119804 Park City Park West Ski Resort flac24; Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Back Right Corner Of Soundboard/6 Feet High)> Sony WM-D6, Tapes Maxell UD-XLII's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
6540. 09/04/83 Shn - 0, 10253 Park City Park West Ski Resort Master Tape; 2 Beyer M160, 1 Sennheiser 441 Blend; Sony TCD5M > Sound Forge 5 > MKW .96f > Power Post 2K notes
6541. 09/04/83 Flac 24/96 - 0, 111032 Park City Park West Ski Resort flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris notes
6542. 09/04/83 Flac 16 - 0, 104956 Park City Park West Ski Resort flac16; MAC FOB 2 Beyer M160 & 1 Sennheiser 441 > Sony TCD5M > Sound Blaster PCI> CD Wav notes
6543. 09/04/83 Flac 16/48 - 0, 138366 Park City Park West Ski Resort flac16/48kHz; Set 2 Recording from Unknown taper: Senn 421, 3 mic blend> MAC> DAT set 2 only; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
6544. 09/04/83 Flac 16 - 0, 102050 Park City Park West Ski Resort flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
6545. 09/04/83 Flac 16/44 - 0, 143000 Park City Park West Ski Resort flac16/44 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes
6546. 09/04/83 Flac 24/48 - 0, 143001 Park City Park West Ski Resort flac24/48 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes
6547. 09/04/83 Flac 16 - 0, 142047 Park City Park West Ski Resort flac16; SBD MC>DAT>Clone>file created in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8 notes
6548. 09/04/83 Shn - 0, 2193 Park City Park West Ski Resort Master Soundboard Cassette > Cassette > DAT > CDR; via Scott Clugston to abgd and etree; upgrade in circulation notes
6549. 09/04/83 Flac 24/96 - 0, 149229 Park City Park West Ski Resort flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes
6550. 09/04/83 Flac 16/48 - 0, 149228 Park City Park West Ski Resort flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6551. 09/04/83 Flac 16 - , 150334 Park City Park West Ski Resort flac16; Source: Nakamichi 100 shotguns > Sony D5 > ? > FLAC; Location: FOB; Recorded by John O'Connor notes
6552. 09/04/83 Flac 16 Mtx - , 169013 Park City Park West Ski Resort flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 117185 & 149228. notes
6553. 09/06/83 Flac16 Mtx - 0, 95820 Morrison Red Rocks Amphitheatre flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
6554. 09/06/83 Shn - 0, 5489 Morrison Red Rocks Amphitheatre Master Soundboard Cassette > Cassette > DAT > CDR, with AUD patches from 2 Master Audience Cassettes: Sennheiser 421 mics > Sony D5, Sennheiser 441 mics > Sony D6 (see info file); Patching / CD Mastering, EAC'ed / SHN'ed by Scott Clugston notes
6555. 09/06/83 Flac 24/96 - 0, 111033 Morrison Red Rocks Amphitheatre flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris notes
6556. 09/06/83 Shn - 0, 111866 Morrison Red Rocks Amphitheatre Senn 421's (FOB) > Analog Master > DAT > Montego > SoundForge 6 (normalize) > SHN; taped: Dean Grabski; seeded: Lou Wilkinson notes
6557. 09/06/83 Flac 16 - 0, 111711 Morrison Red Rocks Amphitheatre flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
6558. 09/06/83 Flac 16 - 0, 35084 Morrison Red Rocks Amphitheatre flac16; Master: Beyer M201's (X-Y) > Sony TCD5M (Maxell MX 90, no dolby) Location: 140 feet from stage (behind board) Transfer: Sony TC-RX 370 > Echo Gina 24 @ 16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7808 > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed notes
6559. 09/06/83 Shn - 0, 11589 Morrison Red Rocks Amphitheatre 2 Sennheiser 421 > Sony TCD5M Half way between stage and board Master tape> Sound Forge5>Powerpost 2k To abgd via Walstib notes
6560. 09/06/83 Flac 24/48 - 0, 143040 Morrison Red Rocks Amphitheatre flac24/48 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 40 feet from stage (sixth row), DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes
6561. 09/06/83 Flac 16/44,1 - 0, 143039 Morrison Red Rocks Amphitheatre flac16/44.1 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 40 feet from stage (sixth row), DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes
6562. 09/06/83 Flac 16 Mtx - 0, 147910 Morrison Red Rocks Amphitheatre flac16; Matrix: Source One: shnid 5489: Master Soundboard Cassette > Cassette > DAT > CDR; Source Two: shnid 11589: Two Sennheiser 421 > Sony TCD5M: Source Three: shnid 35084: Beyer M201's X-Y 5.5'up > Maxell MX90 x 2 (Sony TCD5M, dolby off); Source Four: shnid 111711: Two Sennheiser 421 microphones > Sony TC-D5M > master analog cassettes; Matrix created with Audacity by Joe Noel notes
6563. 09/06/83 Flac 16 - 0, 102051 Morrison Red Rocks Amphitheatre flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
6564. 09/06/83 Flac 24/96 - 0, 148336 Morrison Red Rocks Amphitheatre flac24; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6565. 09/06/83 Flac 16/48 - 0, 148335 Morrison Red Rocks Amphitheatre flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6566. 09/07/83 Flac 16 - 0, 113550 Morrison Red Rocks Amphitheatre flac16; Recording Info: (FOB) 3 Nakamichi 700 Omni's -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded Bob Wagner; All Transfers and Mastering By Charlie Mille notes
6567. 09/07/83 Flac 16 - 0, 102052 Morrison Red Rocks Amphitheatre flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
6568. 09/07/83 Flac 24/96 - 0, 111034 Morrison Red Rocks Amphitheatre flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris notes
6569. 09/07/83 Flac 16 - 0, 110913 Morrison Red Rocks Amphitheatre flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6570. 09/07/83 Shn - 0, 10254 Morrison Red Rocks Amphitheatre 3 Beyer Dynamics M160> Sony TCD5m Mater Tape Recorded Half way between Board and Stage; Sound Forge 5> Power Post 2K notes
6571. 09/07/83 Flac 24/48 - 0, 143042 Morrison Red Rocks Amphitheatre flac24/48 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 50 feet from stage 8ft ROC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes
6572. 09/07/83 Flac 16/44,1 - 0, 143041 Morrison Red Rocks Amphitheatre flac16/44.1 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 50 feet from stage 8ft ROC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes
6573. 09/07/83 Flac 24/96 - 0, 148305 Morrison Red Rocks Amphitheatre flac24; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6574. 09/07/83 Flac 16/48 - 0, 148304 Morrison Red Rocks Amphitheatre flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6575. 09/08/83 Flac 16 - 0, 113684 Morrison Red Rocks Amphitheatre flac16; Recording Info: (FOB) 3 Nakamichi 700 Omni's -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller notes
6576. 09/08/83 Shn - 0, 20536 Morrison Red Rocks Amphitheatre Lineage: MSC>Reel>DAT>CDR (Scarlet>Fire from Eaton's MAC) notes
6577. 09/08/83 Flac 16 - 0, 84856 Morrison Red Rocks Amphitheatre flac16; SOURCES: Set 1: Nakamichi CM304's > Sony D5 > Sony D6 (shnid=79047) with patches for tuning before Shakedown & L.L. Rain from: Senn. 441s? > MC > DAT > CDR (shnid=12482) Set 2: MSC (except for AUD Scarlet>Fire) > Reel > DAT > CDR > EAC > SHN > WAV > FLAC (level 8) (shnid=20536) with patches for start of Baby Blue from: Nakamichi CM304's > Sony D5 > Sony D6 (shnid=79047) notes
6578. 09/08/83 Flac 16 - 0, 102053 Morrison Red Rocks Amphitheatre flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
6579. 09/08/83 Flac 24/96 - 0, 111035 Morrison Red Rocks Amphitheatre flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris notes
6580. 09/08/83 Flac 16 - 0, 111728 Morrison Red Rocks Amphitheatre flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; transfer: Sony TC-D5M (original record deck) >Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes
6581. 09/08/83 Shn - 0, 12482 Morrison Red Rocks Amphitheatre AUD (Senn. 441's)> MC> DAT> CDR; via Paul B. Seeded to etree by Ernie Dodd notes
6582. 09/08/83 Flac 16 - 0, 79047 Morrison Red Rocks Amphitheatre flac16; Source: Nakamichi CM304's>Sony D5>Sony D6 Location: At SBD, stand at 7 Feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16bit>CDwav>flac16 Tapers: Mike G. and Tony S notes
6583. 09/08/83 Flac 24/48 - 0, 143057 Morrison Red Rocks Amphitheatre flac24/48 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 3 Location: 140 feet from stage, 10 ft. ROC (~10 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes
6584. 09/08/83 Flac 16/44,1 - 0, 143056 Morrison Red Rocks Amphitheatre flac16/44.1 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 3 Location: 140 feet from stage, 10 ft. ROC (~10 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook notes
6585. 09/10/83 Flac 16 - 0, 96920 Santa Fe Santa Fe Downs flac16; Lineage: Master cassette: Nak 550 with Nak 300 mics with shotgun caps Transfer: Nak BX3->Mac->CD->EAC extract->cd wave to split China Rider ->TLH convert to Flac6 notes
6586. 09/10/83 Flac 16 - 0, 94508 Santa Fe Santa Fe Downs flac16; Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5m >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner Transfer By: Adam Egert Mastering By: Adam Egert notes
6587. 09/10/83 Flac 24/96 - 0, 94509 Santa Fe Santa Fe Downs flac24; 2 x Nakamichi CM700 => Sony TC-D5m >> MAC >> Nakamichi DR-1 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner Transfer By: Adam Egert Mastering By: Adam Egert notes
6588. 09/10/83 Flac 16 - 0, 110915 Santa Fe Santa Fe Downs flac16; source: 2 Sennheiser 421 microphones (25 feet from stage) ~ Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) ~Pre Sonus Inspire GT~Sound Forge~.wav files~Trader's Little Helper~flac files notes
6589. 09/10/83 Flac 16 - 0, 84487 Santa Fe Santa Fe Downs flac16; Recording Info: (FOB) Sennheiser 441 -> PCM (Technics SV100) -> Dat Transfer Info: Dat (Sony R500) -> VX Pocket v2 -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes
6590. 09/10/83 Flac 24/96 - 0, 139020 Santa Fe Santa Fe Downs flac24; billydee recording (patched out of): Beyerdynamics 180's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT notes
6591. 09/10/83 Flac 16 - 0, 79068 Santa Fe Santa Fe Downs flac16; Source: *Nakamichi CM304's>Sony D5>Sony D6 Location: FOB, stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: *Mike G. and Tony S. Transfered and uploaded by Tony S./nak700 notes
6592. 09/10/83 Shn - 0, 4860 Santa Fe Santa Fe Downs Sources: Primary: Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM> DAT> CDR; Secondary: Aud> CM> C> NakDR10 (Playback Only)> PCM; Note: Secondary aud source used to patch in approximately 15 seconds missing from Minglewood. CD Remastering, EAC'ed / SHN'ed by Scott Clugston notes
6593. 09/10/83 Flac 16/48 - 0, 139299 Santa Fe Santa Fe Downs flac16/48kHz; Recording Info: SBD > Cassette Master > Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
6594. 09/10/83 Flac 16 Mtx - 0, 139379 Santa Fe Santa Fe Downs flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 139020 & 139299. notes
6595. 09/10/83 Flac 16 - 0, 141023 Santa Fe Santa Fe Downs flac16; billydee recording (patched out of): Beyerdynamics 180's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
6596. 09/10/83 Flac 24/48 - 0, 143080 Santa Fe Santa Fe Downs flac24/48 Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 100 feet from stage, 2 ft. LOC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Transferred: Kyle Holbrook notes
6597. 09/10/83 Flac 16/44,1 - 0, 143079 Santa Fe Santa Fe Downs flac16/44.1 Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 100 feet from stage, 2 ft. LOC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Transferred: Kyle Holbrook notes
6598. 09/10/83 Flac 24/96 - 0, 151508 Santa Fe Santa Fe Downs flac24/96khz Source Info: Robert Bryant's Master (FOB) Audience Cassettes; unknown mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
6599. 09/10/83 Flac 16/48 - 0, 151507 Santa Fe Santa Fe Downs flac16/48khz Source Info: Robert Bryant's Master (FOB) Audience Cassettes; unknown mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
6600. 09/11/83 Shn - 0, 4995 Santa Fe Santa Fe Downs SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f; see info file for details and flaw notes; QC courtesy dankseeds notes
6601. 09/11/83 Flac 16 Mtx - 0, 125609 Santa Fe Santa Fe Downs flac16; 2 Source Matrix Matrix by dusborne; Soundboard (shinid:4995) SBD>Master Cassette>1 Reel>DAT>DAT>WAV>Soundforge 4.0>CDWAV 1.53>MKW 0.97b>SHN DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f and Audience (shnid:100454) FOB) Nakamichi CM300->PCM->DAT (16/44) Lineage: Dat clone->Sony PCM R-500->VX Pocket V2->SF6 Taper: Unknown Transferred and Seeded by Mike Watson notes
6602. 09/11/83 Flac 16 Mtx - 0, 131805 Santa Fe Santa Fe Downs flac16; 2 Source Matrix by dusborne; This is a remix and remaster of gd83-09-11.125609.mtx.dusborne.flac16 notes
6603. 09/11/83 Flac 16 - 0, 100454 Santa Fe Santa Fe Downs flac16; Source: (FOB) Nakamichi CM300->PCM->DAT (16/44) Lineage: Dat clone->Sony PCM R-500->VX Pocket V2->SF6 Taper: Unknown Transferred and Seeded by Mike Watson on 08/03/2009 notes
6604. 09/11/83 Flac 16 - 0, 112783 Santa Fe Santa Fe Downs flac16; source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6605. 09/11/83 Shn - 0, 109158 Santa Fe Santa Fe Downs SBD-> ?->CD->EAC->WAV->SHN w/ Aud Patches notes
6606. 09/11/83 Shn - 0, 4874 Santa Fe Santa Fe Downs Source: Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM > DAT > CDR> EAC> SHN; CD Remastering, EAC'ed / SHN'ed by Scott Clugston; to abgd? notes
6607. 09/11/83 Shn - 0, 23224 Santa Fe Santa Fe Downs Source: Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM > DAT > CDR *Additional Editing by The Mighty Terrapin(Had The Remaining tracks from d1t06-10) notes
6608. 09/11/83 Flac 16 - 0, 79168 Santa Fe Santa Fe Downs flac16; Source: *Nakamichi CM304's>Sony D5>Sony D6 Location: FOB, stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: *Mike G. and Tony S. Transfered and uploaded by Tony S./nak700 notes
6609. 09/11/83 Flac 16 - 0, 139652 Santa Fe Santa Fe Downs flac16; Set 2 Jeff Silberman FOB Master Recording: Sennheiser 441's > Technics PCM master > Vault Clone > David Gans Clone; Charlie Miller Transfer: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k); Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT (note: the original source had an error of d2t05) notes
6610. 09/11/83 Flac 16 - 0, 141025 Santa Fe Santa Fe Downs flac16; billydee recording (patched out of): Beyerdynamics 180's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
6611. 09/11/83 Flac 24/48 - 0, 143082 Santa Fe Santa Fe Downs flac24/48 Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell UDXLII90 x 2 Location: 100 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Transferred: Kyle Holbrook notes
6612. 09/11/83 Flac 16/44,1 - 0, 143081 Santa Fe Santa Fe Downs flac16/44.1 Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell UDXLII90 x 2 Location: 100 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Transferred: Kyle Holbrook notes
6613. 09/11/83 Flac 24/96 - 0, 139021 Santa Fe Santa Fe Downs flac24; billydee recording (patched out of): Beyerdynamic m201 mics > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT notes
6614. 09/11/83 Flac 24/96 - 0, 151510 Santa Fe Santa Fe Downs flac24/96khz Source Info: Robert Bryant's Master (FOB) Audience Cassettes; unknown mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
6615. 09/11/83 Flac 16/48 - 0, 151509 Santa Fe Santa Fe Downs flac16/48khz Source Info: Robert Bryant's Master (FOB) Audience Cassettes; unknown mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
6616. 09/11/83 Flac 16 Mtx - , 152635 Santa Fe Santa Fe Downs flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging),of shnid's 4995 & 151509. notes
6617. 09/13/83 Flac 16 - 0, 83117 Austin Manor Downs flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat Transfer Info: Dat -> CD (Tascam CDRW700) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
6618. 09/13/83 Flac 16 - 0, 110772 Austin Manor Downs flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
6619. 09/13/83 Shn - 0, 12483 Austin Manor Downs ACM> ??> CDR; EAC>SHN by Ernie Dodd, with thanks to Paul B. notes
6620. 09/13/83 Flac - 0, 110514 Austin Manor Downs Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Sennheiser 421 microphones (up front) > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
6621. 09/13/83 Flac 24/48 - 0, 143084 Austin Manor Downs flac24/48 Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 80 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Transferred: Kyle Holbrook notes
6622. 09/13/83 Flac 16/44,1 - 0, 143083 Austin Manor Downs flac16/44.1 Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 80 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Transferred: Kyle Holbrook notes
6623. 09/13/83 Flac 24 - 0, 146170 Austin Manor Downs flac24; Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24; Taper: Michael Gardner; Transfer and editing: Tony Suraci notes
6624. 09/13/83 Flac 16 - 0, 146169 Austin Manor Downs flac16; Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16; Taper: Michael Gardner; Transfer and editing: Tony Suraci notes
6625. 09/13/83 Flac 16/48 - 0, 151514 Austin Manor Downs flac16/48khz Source Info: Robert Bryant's Master (FOB) Audience Cassettes; unknown mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
6626. 09/13/83 Flac 24/96 - 0, 151515 Austin Manor Downs flac24/96khz Source Info: Robert Bryant's Master (FOB) Audience Cassettes; unknown mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
6627. 09/18/83 Flac 16 - 0, 79375 Grass Valley Nevada County Fairgrounds flac16; FOB AUD Source: 2 Sony ECM-220 mics + 1 Sony ECM-939LT (stereo) mic > Sony MX-10L 4-channel mixer > Marantz PMD-340 cassette deck. Taped on Maxell UDXL-II 90's, Dolby on. Mics aprx seven feet high, and set up aprx half-way between the stage and the soundboard. Transfer: MAC > Sony TC-D5M (Dolby on) > Marantz CDR-500 > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, October 2006. Taped and transfered by Andrew F notes
6628. 09/18/83 Flac 16 - 0, 98307 Grass Valley Nevada County Fairgrounds flac16; Nak 700's w/D5 and dbx fob dfc MAC>NakCR-3A>dbx224>hd>Audacity>CDwave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler notes
6629. 09/18/83 Shn - 0, 7225 Grass Valley Nevada County Fairgrounds set 2; Master FOB Audience Cassette; Neumann KM84 mics > Sony D5M cassette deck: master cassette played back via a Nakamichi CR7A > Sony R500 w/ "Super Bit-Mapping" turned "On" > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston notes
6630. 09/18/83 Flac 24/96 - 0, 138828 Grass Valley Nevada County Fairgrounds flac24; billydee recording (patched out of Yamaguchi/Poris): Nak 700's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: master audio cassette > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Joe Noel Edited & Mastered in Audacity, Flac 24/96; Checksum & tags created in xACT notes
6631. 09/18/83 Flac 16 - 0, 140957 Grass Valley Nevada County Fairgrounds flac16; billydee recording (patched out of Yamaguchi/Poris): Nak 700's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: master audio cassette > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Joe Noel Edited & Mastered in Audacity, Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
6632. 09/18/83 Shn - 0, 17409 Grass Valley Nevada County Fairgrounds MSC>Cass>DAT>CDR Eac > cool edit pro > shntool > cdwav > shnv3 Discs kindly provided by Andy Lemieux Eac > shn by Ernie Dodd notes
6633. 09/18/83 Flac 24/96 - , 151143 Grass Valley Nevada County Fairgrounds flac24/96khz Source : Unspecified mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
6634. 09/18/83 Flac 16/48 - , 151144 Grass Valley Nevada County Fairgrounds flac16/48khz Source : Unspecified mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp 1648 notes
6635. 09/24/83 Shn - 0, 9201 Watsonville Santa Cruz County Fairgrounds 1st set only; SBD>MC>C>DAT>CDR; Seeded to etree by Tim W notes
6636. 09/24/83 Flac 16 - 0, 98308 Watsonville Santa Cruz County Fairgrounds flac16; Nak700's w/d5 dbx fob dfc MAC>NakCR-3A>dbx224>hd>Audacity>CDwave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler notes
6637. 09/24/83 Shn - 0, 9200 Watsonville Santa Cruz County Fairgrounds FOB-AUD(Neuman KM-84?s>Sony TC-D5)>MC>C>DAT>CDR; seeded to etree by Tim Wiley notes
6638. 09/24/83 Flac 24/96 - 0, 138952 Watsonville Santa Cruz County Fairgrounds flac24; Set 1 billydee recording (patched out of unknown): Nakamichi 300 shotguns > unknown deck > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: master audio cassette > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT notes
6639. 09/24/83 Flac 16 - 0, 141027 Watsonville Santa Cruz County Fairgrounds flac16; Set 1 billydee recording (patched out of unknown): Nakamichi 300 shotguns > unknown deck > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: master audio cassette > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
6640. 09/24/83 Flac 24 - 0, 146138 Watsonville Santa Cruz County Fairgrounds flac24; Source: Nakamichi CM300 (with CP4 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24; Taper: Michael Gardner; Transfer and editing: Tony Suraci notes
6641. 09/24/83 Flac 16 - 0, 146137 Watsonville Santa Cruz County Fairgrounds flac16; Source: Nakamichi CM300 (with CP4 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16; Taper: Michael Gardner; Transfer and editing: Tony Suraci notes
6642. 09/24/83 Flac 24/96 - 0, 16702 Watsonville Santa Cruz County Fairgrounds flac24; Source: (FOB) Unknown recording > cassette (low gen); Transfer: Cassette > Nakamichi CD1 > Tascam DR100-MKIII > wav 24/96; Lineage: wav 24/96 > Adobe Auditon 3 > iZotope RX7 Advanced > iZotope Ozone 5 Adavanced > CD Wave > Flac24; edited and mastered SIRMick notes
6643. 09/24/83 Flac 16 - 0, 146701 Watsonville Santa Cruz County Fairgrounds flac16; Source: (FOB) Unknown recording > cassette (low gen); Transfer: Cassette > Nakamichi CD1 > Tascam DR100-MKIII > wav 24/96; Lineage: wav 24/96 > Adobe Auditon 3 > iZotope RX7 Advanced > iZotope Ozone 5 Adavanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac16; edited and mastered SIRMick June 2019 notes
6644. 10/08/83 Flac 24/96 - 0, 135278 Richmond Richmond Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6645. 10/08/83 Flac 16 - 0, 135279 Richmond Richmond Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6646. 10/08/83 Shn - 0, 11364 Richmond Richmond Coliseum D5 audience master from the Chris Beach library. 15th row center. 3 Nak 701s > Mx-100(modified) > D5 > D10 > HHB CDR800 > SHN; A/D transfers done on origianl D5; via furthur; Note- This source has missing tracks and other problems; See public comments area for details notes
6647. 10/08/83 Flac 16 - 0, 97883 Richmond Richmond Coliseum flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; Recorded by Jeff Silberman; All Transfers and Mastering By Charlie Miller notes
6648. 10/08/83 Flac 16 - 0, 89802 Richmond Richmond Coliseum flac16; Set 2 Only - Source: Master Audience Cassette Sennheiser 421 > Sony D5 > Sony D6 Location: FOB 8th Row Center Taper: Ross Lipton for Bill Devanney Media: TDK MA 90 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC notes
6649. 10/08/83 Flac 24 - 0, 137299 Richmond Richmond Coliseum flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
6650. 10/08/83 Flac 16 - 0, 137317 Richmond Richmond Coliseum flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24 > 16 notes: 24 bit files decoded to wav > r8brain @ very high > 16 44.1 output wav; 16 44.1 wav > TLH encode flac level 8 & fix sbe > TLH notes
6651. 10/08/83 Shn - 0, 11734 Richmond Richmond Coliseum FOB-MC>DAT>CD; with patches from etree Nak source; See info file for details; via Tommy Danscuk; Seeded to etree by Willy notes
6652. 10/08/83 Shn - 0, 24156 Richmond Richmond Coliseum Source: MAC(FOB Atm 11)>DAT>CDR>WAV>SHN Taper: Mark Horvath. DAE(EAC0.9b4, offset corrected, secure mode) > wav editing (SF6) > tracking(cdwav) > sector boundaries confirmed (shntool) > SHN (mkwact) by C.Ladner. notes
6653. 10/08/83 Flac 16 - 0, 111147 Richmond Richmond Coliseum flac16; Source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (up front) > ? blend box ? > Sony TCD5M - analog master cassettes; Transfer: Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes
6654. 10/08/83 Flac 16 - 0, 101936 Richmond Richmond Coliseum flac16; FOB Audience Recording Lineage: master cassette > cd > eac > flac Recording Equipment: 3 audio techinca atm 11 > sony d-5 Recording Location: FOB DFC Sweet Spot Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
6655. 10/08/83 Flac 16 - 0, 100036 Richmond Richmond Coliseum flac16; Source: (FOB)Nak CM300->?->PCM->Apogee->DAT Lineage: Dat Clone->Sony PCM R-500->VX Pocket V2->Soundforge 6.0->FLAC; Taper: Unknown Transferred and seeded by M.Watson on 7/05/09 notes
6656. 10/08/83 Flac 24 - 0, Richmond Richmond Coliseum flac24; Updated Lineage: (3) audio technica atm11 (fob)> realistic mixer> d-5> tc sony tc we435> pcm m10> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96kHz/24 bit Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures notes
6657. 10/08/83 Flac 16 - 0, 123722 Richmond Richmond Coliseum flac16; Recording Info: Master was the third D5 in line; about halfway between soundboard and stage; First Set 3 Sennheiser 441s -> Sony MX-7 Blend Box -> Sony TC-D5m, Second Set 2 Sennheiser 441s -> Sony TC-D5m; Transfer Info: Master Sony UCX-S Cassette Playback on Sony TC-D5m -> Marantz PMD670 -> Wav -> FLAC notes
6658. 10/08/83 Flac 24/48 - 0, 143257 Richmond Richmond Coliseum flac24/48 Master: AUD MC Sennheiser mke2002 binaurals worn on head > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage DFC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 This is 24 bit copy Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Gary Steele Greg Martens Transferred: Kyle Holbrook notes
6659. 10/08/83 Flac 16/44,1 - 0, 143256 Richmond Richmond Coliseum flac16/44.1 Master: AUD MC Sennheiser mke2002 binaurals worn on head > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage DFC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Gary Steele Greg Martens Transferred: Kyle Holbrook notes
6660. 10/08/83 Flac 16/48 - 0, 143272 Richmond Richmond Coliseum flac16/48kHz; Source: (FOB) Beyer M-88'S > Cassette > DAT; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC; Taper Unidentified; Transferred & Seeded by Bill Graves notes
6661. 10/09/83 Flac 16 - 0, 89786 Greensboro Greensboro Coliseum flac16; Set 2 Only - Source: Master Audience Cassette Sennheiser 421 > Sony D5 > Sony D6 Location: FOB 8th Row Center Taper: Ross Lipton Media: Maxell XLII 90 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC notes
6662. 10/09/83 Flac 24/96 - 0, 135284 Greensboro Greensboro Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6663. 10/09/83 Flac 16 - 0, 135283 Greensboro Greensboro Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6664. 10/09/83 Flac 16 - 0, 111240 Greensboro Greensboro Coliseum flac16; Source: 2 Sennheiser 421 microphones (up front) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6665. 10/09/83 Flac 16 - 0, 101937 Greensboro Greensboro Coliseum flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : 3 audio technica atm 11 > sony d-5 Recording Location: FOB DFC Sweet Spot Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
6666. 10/09/83 Flac 24 - 0, 137300 Greensboro Greensboro Coliseum flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
6667. 10/09/83 Flac 16 - 0, 137321 Greensboro Greensboro Coliseum flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain notes
6668. 10/09/83 Shn - 0, 5077 Greensboro Greensboro Coliseum 3 Audio Technica ATM 11s > Sony TCM D-5 > MC, Cass > CD-R: MC > Sony TC-we 435 > analog Coax Cables > analog inputs > Philips CDR 870 > CD-R (see notes in info file); taped, Cass > CD-R conversion by Mark Horvath; CD-R> EAC 3x > .wavs compared by MD5s and EAC's .wav compare tool > Cool Edit (rejoin tracks and fades, see note in info) > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN, by Jan Welch; d2 tracked for 80 min notes
6669. 10/09/83 Flac 24/96 - 0, 120042 Greensboro Greensboro Coliseum flac24; Updated Lineage: (3) audio technica atm 11 fob>tcm-d-5>mc>sony tc we435> pcm m10> > soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96kHz/24bit Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures notes
6670. 10/09/83 Flac 16/48 - 0, 143494 Greensboro Greensboro Coliseum flac16/48kHz; Source: (FOB) Beyer M-88's > Cassette > DAT; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC; Taper Unknown; Transferred & Seeded by Bill Graves notes
6671. 10/11/83 Flac 16 - 0, 120001 New York Madison Square Garden flac16; 2 source matrix: Soundboard Source(shnid=07372): SBD > Cassette Master > Dat x 2 > CDR > SHN and Audience Source (shnid=344): FOB Sennheiser 441's > Technics PCM master > DAT; Transfer: DAT > ZA2 > SoundForge notes
6672. 10/11/83 Shn - 0, 26459 New York Madison Square Garden noise-reduced and Bertha Remaster of a Master Cassette source, probably this previous version, or possibly this one (not specified); an alternate NR version also circulates; via Jay Ashley notes
6673. 10/11/83 Shn - 0, 7339 New York Madison Square Garden Sbd > Cassette Master > Dat x 2 > CDR > SHN; plus AUD patches from Jeff Silberman Senn source (see info file); to etree via Bob Harrell ; upgrade in circulation notes
6674. 10/11/83 Shn - 0, 14525 New York Madison Square Garden Sbd > Cassette Master > Dat x 2 > CDR > SHN; plus AUD patches from Jeff Silberman Senn source (see info file); to gdlive via Bob Harrell Note: This is exactly the same seed as the one seeded to etree with the same lineage, but it has noise reduction applied and was seeded to gdlive. ; upgrade in circulation notes
6675. 10/11/83 Flac 16 - 0, 101949 New York Madison Square Garden flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : 3 audio technica atm 11 > sony d-5 Recording Location: FOB dead center Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd traders little helper (fixed version now in circulation); Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
6676. 10/11/83 Flac 16 Mtx - 0, 135250 New York Madison Square Garden flac16; 2 Source Matrix by Dusborne; Soundboard(shnid:07372)SBD > Cassette Master > Dat x 2 > CDR > SHN; Audience (shnid:91124) Recording Info:(FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; Recorded By Rob Eaton,Transfers and Mastering By Charlie Miller notes
6677. 10/11/83 Flac 24/96 - 0, 135286 New York Madison Square Garden flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6678. 10/11/83 Flac 16 - 0, 135285 New York Madison Square Garden flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked with Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6679. 10/11/83 Shn - 0, 7372 New York Madison Square Garden Peter Braverman 'fix' of the sub second audience patch in d2t01 of the original sbd version; SBD > Cassette Master > Dat x 2 > CDR > SHN notes
6680. 10/11/83 Flac 16 - 0, 91124 New York Madison Square Garden flac16; Recording Info: (FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller; Recorded By Rob Eaton notes
6681. 10/11/83 Flac 24 - 0, 137301 New York Madison Square Garden flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
6682. 10/11/83 Flac - 0, 137322 New York Madison Square Garden flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain notes
6683. 10/11/83 Flac - 0, 102106 New York Madison Square Garden flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : 3 audio technica atm 11 > sony d-5; Recording Location: FOB dead center; Recorded By: chasingwilma; Transfer: sony tc-we435 > philips cdr870; Tracked in CDwave, FLACd traders little helper; presumably a fix of source ID 101949 notes
6684. 10/11/83 Shn - 0, 344 New York Madison Square Garden FOB Sennheiser 441's > Technics PCM master > DAT; Transfer: DAT > ZA2 > SoundForge; Taper: Jeff Silberman; via A. Gustin to etree, stemming from tree run by M. Daniel, F. Venezia; barely fits on 2 discs without filler; filler 4/17/84, same source notes
6685. 10/11/83 Flac 24 - 0, 122215 New York Madison Square Garden flac24; Updated Lineage: (3)audio technica atm11 fob> optimus> d-5> sony tc we435> pcm m10> > soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures notes
6686. 10/11/83 Flac 16 - 0, 118673 New York Madison Square Garden flac16; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8; conversion rate: 48000/stereo/16 bit; lineage: (3)audio technica atm11 fob> optimus> d-5> optimus> d-5> sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
6687. 10/11/83 Flac 16 - 0, 103298 New York Madison Square Garden flac16; Beyerdynamic M-201's xy 90 w/ Marantz CD-320 No nr Maxell XL II S 90 Recorded from directly in front of the board ,center Master>Nak CR-3AAudacity>CDWave>TLH Recorded by Tom Pinney Mastered by Russ Cansler notes
6688. 10/11/83 Flac - 0, 32644 New York Madison Square Garden Recording Info: Beyer M160 -> Cassette Master (Sony D5) -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.01 -> FLAC Recorded By Jim Wise Transferred and Edited By Charlie Miler notes
6689. 10/11/83 Flac 16/48 - 0, 143046 New York Madison Square Garden flac16/48kHz; Jim Wise's Master Audience Cassettes; Beyer M160 mics > Sony TC-D5 (Maxell UDXLII C90)(located at the soundboard)Transfer Info:Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6690. 10/11/83 Flac 24/96 - 0, 143047 New York Madison Square Garden flac24; Jim Wise's Master Audience Cassettes; Beyer M160 mics > Sony TC-D5 (Maxell UDXLII C90)(located at the soundboard) Transfer Info:Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496 notes
6691. 10/11/83 Flac 24/48 - 0, 143295 New York Madison Square Garden flac24/48 Master set 1: AUD MC Sennheiser 421's ORTF 10'up > Sony TCD5M no dolby Maxell Metal90 (Third deck in line) Location set 1: 160 feet from stage, DFC (first row behind SBD) Master set 2: AUD MC Beyer M201's X-Y 9'up > Sony TCD5M no dolby Konica Metal90 Location set 2: 165 feet from stage, 5 ft. ROC (2 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 24 bit copy Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook notes
6692. 10/11/83 Flac 16/44,1 - 0, 142258 New York Madison Square Garden flac16/44.1 Master set 1: AUD MC Sennheiser 421's ORTF 10'up > Sony TCD5M no dolby Maxell Metal90 (Third deck in line) Location set 1: 160 feet from stage, DFC (first row behind SBD) Master set 2: AUD MC Beyer M201's X-Y 9'up > Sony TCD5M no dolby Konica Metal90 Location set 2: 165 feet from stage, 5 ft. ROC (2 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook notes
6693. 10/11/83 Flac 24/96 - 0, 143611 New York Madison Square Garden flac24; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496 notes
6694. 10/11/83 Flac 16 - 0, 143610 New York Madison Square Garden flac16; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg) Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6695. 10/11/83 Flac 24/96 - 0, 148172 New York Madison Square Garden flac24; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6696. 10/11/83 Flac 16/48 - 0, 148171 New York Madison Square Garden flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6697. 10/11/83 Shn - 0, 152504 New York Madison Square Garden 2 Beyer M160> Sony TCD5M Master Cassette> SHN (circulated ~ Jan 2003) notes
6698. 10/11/83 Flac 16 Mtx - , 168941 New York Madison Square Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 7372 & 152504. notes
6699. 10/12/83 Flac 16 - 0, 92461 New York Madison Square Garden flac16; SBD and Audience Matrix Mix of about 60% SBD to 40% Audience. Completed June 26,2008 notes
6700. 10/12/83 Shn - 0, 8112 New York Madison Square Garden SBD > Cassette Master > Dat x 2 > CDR; via Bob Harrell notes
6701. 10/12/83 Flac 16 - 0, 30827 New York Madison Square Garden flac16; Source: FOB > 1 Neumann U87 + 2 Sennheiser 421's > Nak 550 (Master Cassette) > Dat Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 4.0 > Fades + Resampled to 44.1 > Cd Wave > Flac Transferred/Seeded By: Greg Lance notes
6702. 10/12/83 Flac 16 Mtx - 0, 135251 New York Madison Square Garden b>flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:08112) SBD > Cassette Master > Dat x 2 > CDR > SHN; Audience (shnid:91125) Recording Info: (FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k) Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; Recorded By Rob Eaton,Transfers and Mastering By Charlie Miller notes
6703. 10/12/83 Flac 16 - 0, 135290 New York Madison Square Garden flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Set 1 TDK MA 90, Set 2 Maxell UDXLII 90; Set 1 No Label, Set 2 Labelled As First Generation Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6704. 10/12/83 Flac 24/96 - 0, 135298 New York Madison Square Garden flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Set 1 TDK MA 90, Set 2 Maxell UDXLII 90; Set 1 No Label, Set 2 Labelled As First Generation Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6705. 10/12/83 Flac 16 - 0, 91125 New York Madison Square Garden flac16; Recording Info: (FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller; Recorded By Rob Eaton notes
6706. 10/12/83 Flac 24 - 0, 137302 New York Madison Square Garden flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
6707. 10/12/83 Flac 16 - 0, 137323 New York Madison Square Garden flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain notes
6708. 10/12/83 Shn - 0, 345 New York Madison Square Garden unknown aud (could be FOB Schoeps mk4- see pub comments); Transfer:? DAT > ZA2 > SoundForge; via Andy Gustin to etree, stemming from tree run by M. Daniel, F. Venezia notes
6709. 10/12/83 Flac 24/96 - 0, 122216 New York Madison Square Garden flac24; Updated Lineage: Sennhesier 441 fob> tcm-d-5>mc> sony tc we435> sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer proced notes
6710. 10/12/83 Flac 16 - 0, 117774 New York Madison Square Garden flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6711. 10/12/83 Flac 16 - 0, 33340 New York Madison Square Garden flac16; Sennheiser 421's > Sony TCD-5M > Sony D-6 TDK MA and SAX masters; Transfer: TDK MA and SAX masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1; Location: approx 1/2 way between stage and sbd on the left side 10-15 rows up notes
6712. 10/12/83 Shn - 0, 99070 New York Madison Square Garden Beyer M160>Sony TCD5M Master Cassette>SHN notes
6713. 10/12/83 Flac 24 - 0, 140818 New York Madison Square Garden flac24; Partial Show Recording Info: AKG Mics (m/s) > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This is your collection notes
6714. 10/12/83 Flac 16 - 0, 141012 New York Madison Square Garden flac16; Partial Show Recording Info: AKG Mics (m/s) > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
6715. 10/12/83 Flac 24/96 - 0, 143609 New York Madison Square Garden flac24; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496 notes
6716. 10/12/83 Flac 16 - 0, 143608 New York Madison Square Garden flac16; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6717. 10/12/83 Flac 16 - 0, 101954 New York Madison Square Garden flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : 3 sennheiser 441 > sony d-5 Recording Location: behind the soundboard Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
6718. 10/12/83 Flac 16 Mtx - , 168943 New York Madison Square Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 8112 & 99070. notes
6719. 10/14/83 Flac 24/96 - 0, 135129 Hartford Hartford Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6720. 10/14/83 Flac 16 - 0, 135320 Hartford Hartford Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6721. 10/14/83 Flac 16 - 0, 103233 Hartford Hartford Civic Center flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller notes
6722. 10/14/83 Flac 16 - 0, 102056 Hartford Hartford Civic Center flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
6723. 10/14/83 Flac 24 - 0, 137303 Hartford Hartford Civic Center flac24; Partial Set 2 Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
6724. 10/14/83 Flac 16 - 0, 137326 Hartford Hartford Civic Center flac16; Partial Set 2Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain notes
6725. 10/14/83 Shn - 0, 16907 Hartford Hartford Civic Center 3 ATM 11 (tapers section) > d-5> cassmaster> cdr; Taped and discs kindly provided by Mark Horvath; Eac > cool edit pro > shntool > cdwav > shnv3 By Ernie Dodd notes
6726. 10/14/83 Shn - 0, 20023 Hartford Hartford Civic Center Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's->Sony CDR-W66>EAC>CDWave>CD via Ficca notes
6727. 10/14/83 Flac 16 - 0, 101999 Hartford Hartford Civic Center flac16; Lineage: master cassette > cd > eac > flac Recording Equipment: (3) audio technica atm fob> tcm d-5> cm> cd Recording Location: fob Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
6728. 10/14/83 Flac 24/96 - 0, 111055 Hartford Hartford Civic Center flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris notes
6729. 10/14/83 Flac 24/96 - 0, 103234 Hartford Hartford Civic Center flac24;nak 300/cp4 (row in front of board @ 8', dfc enough) > tcd5m > maxell mx 90s (+dolby) -- master cassette > tcd5m (orig recorder) > minime (24/96) > sd744t > audacity > xact (flac24) recorded: david lane and or david barfield transferred/seeded: david barfield notes
6730. 10/14/83 Flac 24/96 - 0, 122237 Hartford Hartford Civic Center flac24; Updated Lineage: (3)audio technica atm11 fob> optimus> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures notes
6731. 10/14/83 Flac 16 - 0, 124718 Hartford Hartford Civic Center flac16; AUD: Nakamichi CM300 w/CP1 cardioid capsules > Sony TC-D5M > TDK MA90's, front row of center riser, straight back, Section 325 (aka 225), Row A, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 06/2013 notes
6732. 10/14/83 Flac - 0, 32360 Hartford Hartford Civic Center 2 Nak 700's>Sony TC-D5M>Maxell MX90 (1st set), TDK MA90 (2nd set) Taped and transferred by Doug Mow Conversion and seeding to bt.etree.org by Alex Ford 02/12/06 notes
6733. 10/14/83 Flac 24/48 - 0, 143261 Hartford Hartford Civic Center flac24/48 Source: Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC shoulder height (several rows in front of SBD) Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 24 bit copy Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Greg Martens Transferred: Kyle Holbrook notes
6734. 10/14/83 Flac 16/44,1 - 0, 143260 Hartford Hartford Civic Center flac16/44.1 Source: Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC shoulder height (several rows in front of SBD) Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Greg Martens Transferred: Kyle Holbrook notes
6735. 10/14/83 Flac 16 - 0, 150969 Hartford Hartford Civic Center Recording Info: SBD > Cassette Master > DAT (Panasonic SV-3700-44.1k) > DAT (Panasonic SV-3800) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-44.1k) Additional Mastering: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC Original Transfer and Mastering by Rob Eaton. Additional Mastering by Charlie Miller. November 29, 2020 notes
6736. 10/14/83 Flac 24/96 - 0, 151153 Hartford Hartford Civic Center flac24/96 Recording Info: Sennheiser 441 + (1) Neumann U87 blend > Cassette Master (Nakamichi 550) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) Additional Mastering: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
6737. 10/14/83 Flac 16/44,1 - 0, 151597 Hartford Hartford Civic Center flac16/44.1khz Recording Info: Sennheiser 441 + (1) Neumann U87 blend > Cassette Master (Nakamichi 550) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) Additional Mastering: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151153 24 -> 16 @ 44.1 notes
6738. 10/14/83 Flac 16 Mtx - , 153345 Hartford Hartford Civic Center flac16; 2 Source Matrix by Dusborne; Soundboard(shnid:150969)Recording Info: SBD > Cassette Master > DAT (Panasonic SV-3700/44.1k) > DAT (Panasonic SV-3800) Transfer Info:DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16bit/44.1k)Additional Mastering:WAV > Adobe Audition 2020 > Samplitude ProX5Suite>FLAC,Original Transfer and Mastering by Rob Eaton,Additional Mastering by Charlie Miller;Audience(shnid:151153),Recording Info: Sennheiser 441 + (1) Neumann U87 blend > Cassette Master (Nakamichi 550)Transfer Info:Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12>WAV(24bit/96k) Additional Mastering:WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 Transfer and Mastering by Rob Eaton,Additional Mastering by Charlie Miller notes
6739. 10/14/83 Flac 24 - , 155763 Hartford Hartford Civic Center Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > DDi Codec (Dolby B) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
notes
6740. 10/14/83 Flac 16 Mtx - , 155720 Hartford Hartford Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 150969 & 103233. notes
6741. 10/14/83 Flac 16/44 - , 156564 Hartford Hartford Civic Center flac1644 Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > DDi Codec (Dolby B) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 155763 2496 > 1644.1 notes
6742. 10/14/83 Flac 16 Mtx - , 165105 Hartford Hartford Civic Center flac1644 A Photoleon Matrix Source #1 (156564); Recording Info: (fob) Beyer M160 > Cassette Master (sony Tc-d5m Maxell Xlii-s90 Dolby B) Recorded By John Ficca & Transferred By Charlie Miller. February 17, 2022 Source #2 (150969); Recording Info: Sbd > Cassette Master > Dat (panasonic Sv-3700-k) > Dat (panasonic Sv-3800) Original Transfer And Mastering By Rob Eaton. Additional Mastering By Charlie Miller. Source #3 (124718); Recording Info: Nakamichi Cm300 W Cp1 Cardioid Capsules > Sony Tc-d5m > Tdk Ma90's, Front Row Of Center Riser, Straight Back, Section 325 (aka 225), Row A, Taped By Tim Friend & Joe Morrone. Transfer By Andrew F. notes
6743. 10/15/83 Flac 16 Mtx - 0, 99326 Hartford Hartford Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
6744. 10/15/83 Shn - 0, 12617 Hartford Hartford Civic Center Soundboard of unknown origin; seeded by Jack to gdlive, with noise reduction- see his pub comment; reportedly has SBEs; track timings reportedly match those of the previous FOB version notes
6745. 10/15/83 Flac 24/96 - 0, 124291 Hartford Hartford Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Set 1 Maxell UDXLII 90, Set 2 TDK MA 90; Set 1 Labelled:1st GEN - 2 Nakamichi 100 Guns Sandy, Set 2 No Label; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rena notes
6746. 10/15/83 Flac 16 - 0, 88018 Hartford Hartford Civic Center flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-4th row DFC @6 ft high Taper: Rick "coyotte"Colyard Team Old Skool FOB Released 10/28/07 2 maxell xl2's-cassette MASTERS Transfer: Sony ES-950>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)> FlacFrontend (level-8)>flac-16 Transfered by muletaper 10/07 notes
6747. 10/15/83 Flac 16 - 0, 93751 Hartford Hartford Civic Center flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat (44.1k);Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; Recorded By Jeff Silberman; All Transfers and Mastering By Charlie Miller notes
6748. 10/15/83 Flac 1644 - 0, 135914 Hartford Hartford Civic Center flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII for Set 1 and TDK MA-Metal for Set 2, FOB (approx tenth row) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2496 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016 notes
6749. 10/15/83 Flac 24 - 0, 137304 Hartford Hartford Civic Center flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
6750. 10/15/83 Flac 16 - 0, 137327 Hartford Hartford Civic Center flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain notes
6751. 10/15/83 Flac 16 - 0, 110904 Hartford Hartford Civic Center flac16; source: 2 Sennheiser 421 microphones (12th row-center) >Sony TC-D5M - master analog cassettes; transfer: Sony TC-D5M (original record deck) >Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes
6752. 10/15/83 Flac 16 - 0, 103306 Hartford Hartford Civic Center flac16; (3) Beyer M160\'s > Nax Blend Box > TCD 5M > Digitized 24/48 > Sound Forge 7.0 > CD wave > Flac.16 notes
6753. 10/15/83 Flac 16 - 0, 102000 Hartford Hartford Civic Center flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : (3) audio technica atm fob> tcm d-5> cm> cd Recording Location: fob Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
6754. 10/15/83 Shn - 0, 346 Hartford Hartford Civic Center FOB Sennheiser 441's > Technics PCM master > DAT; taper Jeff Silberman; Transfer:? DAT > ZA2 > SoundForge; via Andy Gustin to etree, stemming from tree run by M. Daniel, Frank Venezia; note d1t3,4 had pauses post-song, fixed versions up by 2/2 notes
6755. 10/15/83 Shn - 0, 20024 Hartford Hartford Civic Center Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's and 1 Beyer Dynamic 88->Sony CDR-W66>EAC>CDWave>CD via Ficca notes
6756. 10/15/83 Flac 16 - 0, 32293 Hartford Hartford Civic Center flac16; 2 Nak 700's pointed to stacks (FOB) > Maxell MX 90 > Sony TC-D5M Taped and transferred by Doug Mow. Conversion and Seeding to bt.etree.org by Alex Ford notes
6757. 10/15/83 Flac 24/96 - 0, 122371 Hartford Hartford Civic Center flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8 notes
6758. 10/15/83 Flac 24/96 - 0, 111056 Hartford Hartford Civic Center flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris notes
6759. 10/15/83 Flac 24/96 - 0, 138812 Hartford Hartford Civic Center flac16/96kHz; Set 2 billydee recording: Beyerdynamics 180's > Sony TC-D5M (patched out of Beyer setup) > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Joe Noel Edited & Mastered in Audacity, Flac 24/96; Checksum & tags created in xACT notes
6760. 10/15/83 Flac 16 - 0, 138858 Hartford Hartford Civic Center flac16; Jeff Silberman recording: Senn 441 > Technics PCM > DAT (FOB 17th row); Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT notes
6761. 10/15/83 Flac 16 - 0, 124552 Hartford Hartford Civic Center flac16; AUD: Nakamichi CM300 w/CP1 cardioid capsules > Sony TC-D5M > TDK MA90's, center floor section 8 row B, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 05/2013 notes
6762. 10/15/83 Flac 16 - 0, 102058 Hartford Hartford Civic Center flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
6763. 10/15/83 Flac 24/48 - 0, 143263 Hartford Hartford Civic Center flac24/48 Source: Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC shoulder height (several rows in front of SBD) Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 24 bit copy Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Transferred: Kyle Holbrook notes
6764. 10/15/83 Flac 16/44,1 - 0, 143262 Hartford Hartford Civic Center flac16/44.1 Source: Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC shoulder height (several rows in front of SBD) Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Greg Martens Transferred: Kyle Holbrook notes
6765. 10/15/83 Flac 16/44,1 - 0, 143302 Hartford Hartford Civic Center flac16/44.1 Master: AUD MC Sennheiser mke2002 binaurals worn on head > Sony TCD5M no dolby Maxell MX90 x 2 (kidwell) Location: 75 feet from stage DFC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook Transferred: Kyle Holbrook notes
6766. 10/15/83 Flac 24/48 - 0, 143303 Hartford Hartford Civic Center flac24/48 Master: AUD MC Sennheiser mke2002 binaurals worn on head > Sony TCD5M no dolby Maxell MX90 x 2 (kidwell) Location: 75 feet from stage DFC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook Transferred: Kyle Holbrook notes
6767. 10/15/83 Flac 24/96 - 0, 143606 Hartford Hartford Civic Center flac24; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496 notes
6768. 10/15/83 Flac 16/48 - 0, 143607 Hartford Hartford Civic Center flac16; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6769. 10/15/83 Flac 16 - 0, 145259 Hartford Hartford Civic Center flac16; Set 2 billydee recording (patched out of Yamaguchi/Poris): 3 Nak 700's blend > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Joe Noel Edited & Mastered in Audacity, Flac 24/96; This file set is 16 bit @ 44.1 using the Fixed 24 to make this 16 bit notes
6770. 10/15/83 Flac 16 Mtx - , 165106 Hartford Hartford Civic Center flac1644 A Photoleon Matrix Source #1 (1388580 - Remaster); Recording Info: (fob 17th Row) Senn 441 > Technics Pcm > Dat. Transfer Info: Dat (panasonic Sv-3700) > Tascam Da-3000 > Wav 16 Fob Recording By Jeff Silberman Transfer By Charlie Miller Edited & Mastered By Joe Noel July 2017 Source #2 (7313); Recording Info: Sbd > Cassette Master > Dat X 2 > Cdr > Shn (bob Harrell) Matrix Created In Adobe Audition By Joe Noel October 07, 2022 notes
6771. 10/17/83 Flac 16 Mtx - 0, 92424 Lake Placid Olympic Center flac16; MATRIX MIX: 2 SBD/ 1 AUD (About 60%/40%); Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC); yet another fix/ugrade of the previous matrix sources: shn id 91192 and shn id 91239 notes
6772. 10/17/83 Flac 16 - 0, 27585 Lake Placid Olympic Center flac16; mixed SBD sources, plus AUD patches: Set 1: SBD> Master Cassette> Dat> Sonic Solutions> CD> EAC> FLAC; Set 2: SBD> Master Cassette> Reel> Dat> CD> EAC> Samplitude v7.02 Professional> FLAC; Patch Info: (FOB/12th Row) Sennheiser 421> Master Cassette (Sony D5)> Dat> CD; Edited By Charlie Miller notes
6773. 10/17/83 Shn - 0, 26460 Lake Placid Olympic Center reDAE of very same audio CD as used for previous fileset, seeded to abgd by Skankweed; upgrade in circulation notes
6774. 10/17/83 Shn Mtx. - 0, 91239 Lake Placid Olympic Center MATRIX MIX: 2 SBD/ 1 AUD (About 60%/40%); this source fixes a flaw in the previous matrix source notes
6775. 10/17/83 Flac 24/96 - 0, 135188 Lake Placid Olympic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6776. 10/17/83 Flac 16 - 0, 135187 Lake Placid Olympic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6777. 10/17/83 Flac 16 - 0, 88957 Lake Placid Olympic Center flac16; Source: DAT Copy of Master Cassette Sennheiser MD 441 U > Sony TCD-5M FOB 10th Row Recorded and Copied to DAT by Chuck Jackson Transfer:Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 48 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/48 KHz WAV > Ozone 3.0 > MBIT+ and > CDWAV 1.9 Converted to 16/44.1 KHz WAV with r8brain > FLAC (level 8). with TLH Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. Transferred by C. Ladner Mastering by B. Koucky notes
6778. 10/17/83 Flac 16 - 0, 91126 Lake Placid Olympic Center flac16; Recording Info: (FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller; Recorded By Rob Eaton notes
6779. 10/17/83 Flac 24 - 0, 137305 Lake Placid Olympic Center flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
6780. 10/17/83 Flac 16 - 0, 137328 Lake Placid Olympic Center flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain notes
6781. 10/17/83 Flac 16 - 0, 105301 Lake Placid Olympic Center b>flac16; 2 Beyer M160's & 1 Beyer M88 Blend > sony TCD-5m > Digitized 24/48 > Sound Forge 7.0 > CD wave > Flac.16 Recorded by DDyche notes
6782. 10/17/83 Flac 16 - 0, 102070 Lake Placid Olympic Center flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : (3) sennhesier 421 fob> tcm d-5> cm> cd Recording Location: fob Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
6783. 10/17/83 Shn - 0, 347 Lake Placid Olympic Center FOB (12th Row) > Sennheiser 421s > WM-D5 (Cassette master) > DAT > CD; 4/17/84 filler; stemming from Skankweed's post to abgd; etreed by Evan Levy 2/00 after reextraction/SHN (md5s here are for etree copy) notes
6784. 10/17/83 Flac 24/96 - 0, 122384 Lake Placid Olympic Center flac24; lineage: sennheiser 421 fob> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
6785. 10/17/83 Flac 16 - 0, 111611 Lake Placid Olympic Center flac16; Source: 2 Sennheiser 421 microphones (14th row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6786. 10/17/83 Flac 16/44,1 - 0, 143306 Lake Placid Olympic Center flac16/44.1khz AUD MC Sennheiser mke2002 binaurals on dummy head on stand > Sony TCD5M no dolby Maxell MX90 x 2 (kidwell) Location: 75 feet from stage 3-5' ROC 8 feet up on stand Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook Phil Schuman Mike Yacavone Olvy Johnson Transferred: Kyle Holbrook notes
6787. 10/17/83 Flac 24/48 - 0, 143305 Lake Placid Olympic Center flac24/48khz Master AUD/MC Beyer M201's X-Y 9'up > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC (several rows in front of SBD) Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Phil Schuman Mike Yacavone Olvy Johnson Transferred: Kyle Holbrook notes
6788. 10/17/83 Flac 16/44,1 - 0, 143304 Lake Placid Olympic Center flac16/44.1khz Master AUD/MC Beyer M201's X-Y 9'up > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC (several rows in front of SBD) Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Phil Schuman Mike Yacavone Olvy Johnson Transferred: Kyle Holbrook notes
6789. 10/17/83 Flac 24/48 - 0, 143307 Lake Placid Olympic Center flac24/48khz AUD MC Sennheiser mke2002 binaurals on dummy head on stand > Sony TCD5M no dolby Maxell MX90 x 2 (kidwell) Location: 75 feet from stage 3-5' ROC 8 feet up on stand Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook Phil Schuman Mike Yacavone Olvy Johnson Transferred: Kyle Holbrook notes
6790. 10/17/83 Flac 24/96 - 0, 148174 Lake Placid Olympic Center flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6791. 10/17/83 Flac 16/48 - 0, 148173 Lake Placid Olympic Center flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6792. 10/18/83 Flac 16 - 0, 135185 Portland Cumberland County Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6793. 10/18/83 Flac 24/96 - 0, 135186 Portland Cumberland County Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6794. 10/18/83 Flac 16 - 0, 91344 Portland Cumberland County Civic Center flac16; Recording Info: (FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; Recorded By Rob Eaton All Transfers and Mastering By Charlie Miller. notes
6795. 10/18/83 Flac 16 - 0, 87180 Portland Cumberland County Civic Center flac16; Set One Source: Sennheiser MD-421's > patched thru one deck > Marantz PMD-360 > Maxell XL-II, with no Dolby. Mics on stand, set up FOB. Taped by Ted Carpenter. Set Two source: First-gen cassette from another taper on the floor, equipment unknown. Transfer: MAC/1st Gen > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes
6796. 10/18/83 Flac 16 - 0, 102059 Portland Cumberland County Civic Center flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded FOB center by Bob Morris notes
6797. 10/18/83 Flac 24 - 0, 137306 Portland Cumberland County Civic Center flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
6798. 10/18/83 Flac 16 - 0, 137330 Portland Cumberland County Civic Center flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain notes
6799. 10/18/83 Flac 24/96 - 0, 122385 Portland Cumberland County Civic Center flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
6800. 10/18/83 Flac 16 - 0, 120128 Portland Cumberland County Civic Center flac16; 3 - Nak 701's > Nak Blend Box > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche notes
6801. 10/18/83 Flac 16 - 0, 112006 Portland Cumberland County Civic Center flac16; Source: 2 Sennheiser 421 microphones (up front & center) > Sony TCD5M (dolby off) - analog master cassettes; Transfer: Sony TC-D5M (original record deck-dolby off) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6802. 10/18/83 Flac 24/96 - 0, 111057 Portland Cumberland County Civic Center flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded FOB center by Bob Morris notes
6803. 10/18/83 Flac 16 - 0, 102071 Portland Cumberland County Civic Center flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : (3) audio technica atm fob> tcm d-5> cm> cd Recording Location: fob Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8 notes
6804. 10/18/83 Shn - 0, 12484 Portland Cumberland County Civic Center FOB-AUD> MC> CDR; via Paul B., Seeded to etree by Ernie Dodd notes
6805. 10/18/83 Flac 16/48 - 0, 140356 Portland Cumberland County Civic Center flac1648; Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 notes
6806. 10/18/83 Flac 16/44,1 - 0, 143308 Portland Cumberland County Civic Center flac16/44.1 Master AUD/MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Konica Metal90 x 2 Location: 40 feet from stage, DFC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Sean Murtha Mike Yacavone Olvy Johnson Transferred: Kyle Holbrook notes
6807. 10/18/83 Flac 24/48 - 0, 143309 Portland Cumberland County Civic Center flac24/48 Master AUD/MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Konica Metal90 x 2 Location: 40 feet from stage, DFC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 24 bit copy Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Sean Murtha Mike Yacavone Olvy Johnson Transferred: Kyle Holbrook notes
6808. 10/18/83 Flac 16 - 0, 144722 Portland Cumberland County Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
6809. 10/18/83 Flac 24/96 - 0, 144721 Portland Cumberland County Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
6810. 10/18/83 Flac 16 Mtx - , 155810 Portland Cumberland County Civic Center flac16; Matrix 2 Source Mix - SBD (shnid = 140356) Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 + AUD (shnid = 144721) source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger - matrix mixing by Kevin Tobin notes
6811. 10/18/83 Flac 16 Dts 5.1 - , 155811 Portland Cumberland County Civic Center DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140356) Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 + AUD (shnid = 144721) source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger - dts mixing by Kevin Tobin notes
6812. 10/18/83 Flac 16/48 - , 155812 Portland Cumberland County Civic Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140356) Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 + AUD (shnid = 144721) source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger - surround mixing by Kevin Tobin notes
6813. 10/20/83 Flac 24/96 - 0, 135089 Worcester The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's Tapes Labelled: Nak 100's w/Guns Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6814. 10/20/83 Flac 16 - 0, 102060 Worcester The Centrum flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
6815. 10/20/83 Flac 16 - 0, 28406 Worcester The Centrum flac16; AKG D224E > Sony TC-D5M > Maxell MX; Transfer: Sony TC-D5M > Edirol UA5 Custom mod > IBM R40/WinXP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; taped, transferred by Doug Mow; CDR> FLAC by Alex Ford notes
6816. 10/20/83 Flac 24 - 0, 137307 Worcester The Centrum flac24; Set 1 & Partial Set 2 Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
6817. 10/20/83 Flac 16 - 0, 137331 Worcester The Centrum flac16; Set 1 & Partial Set 2 Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain notes
6818. 10/20/83 Shn - 0, 19515 Worcester The Centrum FOB Sony TCD5M with 2 Beyer Dynamic 160's recorded by Ficca and Brennan encoded by Jake Markezin notes
6819. 10/20/83 Shn - 0, 9960 Worcester The Centrum 20th row center w/ 3 Nak 701s > MX-100 > D5 > DAT > SHN; Unknown seeder; Note- You need to put Day Job on d1 if you want to fit this show onto two discs notes
6820. 10/20/83 Shn - 0, 13164 Worcester The Centrum AUD> Senn 441s (FOB)> PCM> DAT> CDRx?> EAC> SF 6.0> CDWAVE> SHN, Jeff Silberman; with Day Job patched from Sony 939s FOB; via Skankweed, with thanks to Duncan notes
6821. 10/20/83 Flac 24/96 - 0, 122445 Worcester The Centrum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
6822. 10/20/83 Flac 24/96 - 0, 111058 Worcester The Centrum flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris notes
6823. 10/20/83 Flac 16 - 0, 111381 Worcester The Centrum flac16; Source: 2 Sennheiser 421 microphones (15th row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6824. 10/20/83 Flac 16 - 0, 102125 Worcester The Centrum flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : 3 audio technica atm 11 > sony d-5 Recording Location: FOB dead center Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd traders little helper; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
6825. 10/20/83 Flac 16 - 0, 139323 Worcester The Centrum flac16; Jeff Silberman FOB Recording: Sennheiser 441's > Technics PCM master > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/44; Checksum & tags created in xACT notes
6826. 10/20/83 Flac 24/48 - 0, 143326 Worcester The Centrum flac24/48 Master AUD/MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 80 feet from stage, DFC ** patch source: AU/MC Sennheiser mke2002 headworn > Sony TCD5M Location: unknown Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Sean Murtha Chris Kidwell Greg Martens Transferred: Kyle Holbrook notes
6827. 10/20/83 Flac 16/44,1 - 0, 143325 Worcester The Centrum flac16/44.1 Master AUD/MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 80 feet from stage, DFC ** patch source: AU/MC Sennheiser mke2002 headworn > Sony TCD5M Location: unknown Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Sean Murtha Chris Kidwell Greg Martens Transferred: Kyle Holbrook notes
6828. 10/20/83 Flac 16 - 0, 144724 Worcester The Centrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90, mx-90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
6829. 10/20/83 Flac 24/96 - 0, 144723 Worcester The Centrum flac24: source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90, mx-90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
6830. 10/20/83 Flac 16 - 0, 135088 Worcester The Centrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's Tapes Labelled: Nak 100's w/Guns Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked with Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6831. 10/20/83 Flac 16/44 - , 156192 Worcester The Centrum flac1644Recording Info: (FOB) Sennheiser 441 > PCM Master > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X6 Suite > FLAC/16 notes
6832. 10/21/83 Flac 16 Mtx - 0, 105419 Worcester The Centrum flac16; Matrix by Hunter Seamons using Final Cut Pro & Soundtrack Pro (SHN>AIFF>Final Cut & Soundtrack>WAV>FLAC) notes
6833. 10/21/83 Shn - 0, 8113 Worcester The Centrum SBD > PCM > Dat X 3 > CDR; via Bob Harrell notes
6834. 10/21/83 Shn - 0, 9979 Worcester The Centrum Jay Ashley (Bertha) remaster of SBD>PCM source; SBD>>MPCM>>CASS>>DAT>>CDA>>SHN>>WAV>>DAW(Bertha)>>CDA; upgrade in circulation notes
6835. 10/21/83 Shn - 0, 5557 Worcester The Centrum Master Soundboard PCM > Cassette > DAT > CDR; see info file for flaw notes; CD Remastering, EAC'ed / SHN'ed by Scott Clugston notes
6836. 10/21/83 Flac 24/96 - 0, 135083 Worcester The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's Tapes Labelled: Nak 100's w/Guns Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6837. 10/21/83 Flac 16 - 0, 135082 Worcester The Centrum notes
6838. 10/21/83 Flac 2448 - 0, 111507 Worcester The Centrum flac24; AUD: 2 Beyer M88's plus 1 Nakamichi CM300/CP1 cardioid blend mic > Nakamichi 550 > Maxell XLII-S 90's, floor near the SBD. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 01/2011 notes
6839. 10/21/83 Flac 16 - 0, 102063 Worcester The Centrum flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
6840. 10/21/83 Flac 24 - 0, 137308 Worcester The Centrum flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
6841. 10/21/83 Flac 16 - 0, 137332 Worcester The Centrum flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 24bit > 16bit with r8brain notes
6842. 10/21/83 Shn - 0, 24998 Worcester The Centrum SBD>>PCM>>Dat>>CDR>>SHN>>DAW(Bertha)>>CDA/SHN There is another Bertha Remaster of 10/21/83. That version was done with the source that had a cassette gen in the lineage. This version has no cassette gen. notes
6843. 10/21/83 Flac - 0, 28888 Worcester The Centrum flac16; AKG D224E > Sony TC-D5M > Maxell MX Taper: Doug Mow Lineage: Sony TC-D5M > Edirol UA5 Custom mod > IBM R40/WinXP Pro/Sound Forge 5.0/CDR > EAC (no errors) > WinXP Pro > FLAC Frontend > FLAC16. first time in circulation 4/7/05. notes
6844. 10/21/83 Shn - 0, 348 Worcester The Centrum FOB (2nd row, dead center) Sennheiser 441's > Technics PCM master > DAT; Transfer: DAT > ZA2 > SoundForge; Taper: Jeff Silberman; slight glitch in Music; JGB encore not on master; tracking not quite right in a few places; via Andy Gustin, stemming from tree run by M. Daniel, Frank Venezia notes
6845. 10/21/83 Flac 24/48 - 0, 143328 Worcester The Centrum flac24/48 Master AUD/MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Nakamichi ZX c-90 x 2 Location: 90 feet from stage, 10' ROC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Sean Murtha Transferred: Kyle Holbrook notes
6846. 10/21/83 Flac 16/44,1 - 0, 143327 Worcester The Centrum flac16/44.1khz Master AUD/MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Nakamichi ZX c-90 x 2 Location: 90 feet from stage, 10' ROC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Sean Murtha Transferred: Kyle Holbrook notes
6847. 10/21/83 Shn - 0, 19516 Worcester The Centrum FOB Sony TCD5M with 2 Beyer Dynamic 160's recorded by Ficca and Brennan encoded by Jake Markezin notes
6848. 10/21/83 Flac 16 - 0, 102126 Worcester The Centrum flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : 3 audio technica atm 11 > sony d-5 Recording Location: FOB dead center Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd traders little helper; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
6849. 10/21/83 Flac 16 - 0, 111388 Worcester The Centrum flac16; Source: 2 Sennheiser 421 microphones (16th row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6850. 10/21/83 Flac 24/96 - 0, 122446 Worcester The Centrum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
6851. 10/21/83 Flac 24/96 - 0, 111059 Worcester The Centrum flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris notes
6852. 10/21/83 Flac 24/96 - 0, 144732 Worcester The Centrum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
6853. 10/21/83 Flac 16 - 0, 144733 Worcester The Centrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
6854. 10/21/83 Flac 16 - 0, 139515 Worcester The Centrum flac16; Jeff Silberman Recording FOB (2nd row) Sennheiser 441's > Technics PCM master > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT notes
6855. 10/21/83 Flac 16/44 - , 156193 Worcester The Centrum flac1644 Recording Info: (FOB/2nd Row) Sennheiser 441 > PCM Master > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X6 Suite > FLAC/16 notes
6856. 10/22/83 Shn - 0, 17274 Syracuse Carrier Dome, Syracuse University SBD > Cassette Master > Cassette > Dat > CDR > SHN. via drgseeds notes
6857. 10/22/83 Flac 16 - 0, 88715 Syracuse Carrier Dome, Syracuse University flac16; Source:Sennheiser-MD421's>Sony D5 Location: FOB-6th Row DFC @8 ft high on stand Taper: Rick "Coyotte" Colyard 2 Maxell SA-X90-Cassette MASTERS Transfer:MAC> Sony TCW-21(Analog out)>Edirol Digi-Mod UA5@44.1khz>Digital-Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Transfered and Edited by MULETAPER- 11/23/07 notes
6858. 10/22/83 Flac 16 Mtx - 0, 135184 Syracuse Carrier Dome, Syracuse University flac16; 2 Source Matrix by Dusborne;Soundboard(shnid:17274)SBD > Cassette Master > Cassette > Dat > CDR > SHN; Audience(shnid:88725) Source:Sennheiser-MD421's>Sony D5,Taper: Rick "Coyotte" Colyard,Sennheiser-MD421's>Sony D5,Location: FOB-6th Row DFC @8 ft high on stand,Transfer:MAC> Sony TCW-21(Analog out)>Edirol Digi-Mod UA5@44.1khz>Digital-Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16,Transfered and Edited by MULETAPER- 11/23/07 notes
6859. 10/22/83 Flac 24/96 - 0, 135076 Syracuse Carrier Dome, Syracuse University flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's,Tapes Labelled: Nak 300 Gun's Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6860. 10/22/83 Flac 16 - 0, 135075 Syracuse Carrier Dome, Syracuse University b>flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of Sony TC-D5M, Tapes:Maxell UDXLII 90's,Tapes Labelled: Nak 300 Gun's Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6861. 10/22/83 Flac 24 - 0, 137309 Syracuse Carrier Dome, Syracuse University flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
6862. 10/22/83 Flac 16 - 0, 137333 Syracuse Carrier Dome, Syracuse University flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bit > 16bit with r8brain notes
6863. 10/22/83 Flac 24/44 - 0, 143147 Syracuse Carrier Dome, Syracuse University flac24; Master Audience Recording & Transfer by Ray Ackerman; 2 x Sennheiser 421 > Master Cassette (TDK MA XG) > Sony D5; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/44 notes
6864. 10/22/83 Flac 16/44,1 - 0, 143329 Syracuse Carrier Dome, Syracuse University flac16/44.1khz Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX-90 x 2 Location: 60 feet from stage, 15' LOC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Olvy Johnson Tom Pinney Mike Yacavone Transferred: Kyle Holbrook notes
6865. 10/22/83 Flac 24/48 - 0, 143330 Syracuse Carrier Dome, Syracuse University flac24/48khz Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX-90 x 2 Location: 60 feet from stage, 15' LOC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Olvy Johnson Tom Pinney Mike Yacavone Transferred: Kyle Holbrook notes
6866. 10/22/83 Flac 24/96 - 0, 122495 Syracuse Carrier Dome, Syracuse University flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
6867. 10/22/83 Shn - 0, 10547 Syracuse Carrier Dome, Syracuse University AUD>MC>DAT>CDR Senn. 421?s; via Paul B; Seeded to etree by Ernie Dodd notes
6868. 10/22/83 Flac 16 - 0, 111406 Syracuse Carrier Dome, Syracuse University flac16; Source: 2 Sennheiser 421 microphones (22nd row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6869. 10/22/83 Flac 24/96 - 0, 144763 Syracuse Carrier Dome, Syracuse University flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90, mx-90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
6870. 10/22/83 Flac 16 - 0, 144764 Syracuse Carrier Dome, Syracuse University flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90, mx-90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
6871. 10/22/83 Flac 24/96 - 0, 148200 Syracuse Carrier Dome, Syracuse University flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6872. 10/22/83 Flac 16/48 - 0, 148199 Syracuse Carrier Dome, Syracuse University flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6873. 10/22/83 Flac 16 - 0, 148290 Syracuse Carrier Dome, Syracuse University flac16; Source Info: Master Soundboard Cassette > Cassette > Dat (16/44.1); Transfer Info: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Sound Devices 744T (wav 16/44.1)> Adobe Audition CC 2019 > TLH flac16 notes
6874. 10/22/83 Flac 16 Mtx - 0, 143329 Syracuse Carrier Dome, Syracuse University flac16/44.1khz Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX-90 x 2 Location: 60 feet from stage, 15' LOC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Olvy Johnson Tom Pinney Mike Yacavone Transferred: Kyle Holbrook notes
6875. 10/30/83 Shn - 0, 22800 San Rafael Marin County Veterans Auditorium Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN) via Charlie Miller notes
6876. 10/30/83 Shn - 0, 92382 San Rafael Marin County Veterans Auditorium AUD: Realistic Mini-mics > Sony WM-D6 > Toshiba KT-R2 > Maxell XL-II (1st set) and Maxell XL-IIS (2nd set). Mics on stand, FOB aprx 20th row. Taped by Andrew F. A>D: MAC > Nakamichi CR-2A (tape 2 side A: Nakamichi Dragon) > HHB CDR 830-Plus > EAC > Soundforge 6.0 > CDWave 1.94.5 > WAV > SHN. Transfer by Anne C notes
6877. 10/30/83 Flac 24 - 0, 142967 San Rafael Marin County Veterans Auditorium flac24; Recording Info: SBD > Cassette Master > Cassette (TDK SA-X90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 notes
6878. 10/30/83 Flac 16 - 0, 143503 San Rafael Marin County Veterans Auditorium flac16; Recording Info: SBD > Cassette Master > Cassette (TDK SA-X90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; This file set is 16 bit @ 44.1 notes
6879. 10/31/83 Shn - 0, 34934 San Rafael Marin County Veterans Auditorium SBD>MC>DAT>CDR>EAC>CDWAV>SHN - Fix of shn id 3827 via Bill Tetzeli notes
6880. 10/31/83 Shn - 0, 3811 San Rafael Marin County Veterans Auditorium Master Soundboard Cassette > DAT > CDR; with possible matrix patch (see notes); CD Mastering, EAC'ed / SHN'ed by Scott Clugston ; upgrade in circulation notes
6881. 10/31/83 Shn - 0, 3827 San Rafael Marin County Veterans Auditorium SBD> MC> DAT> CDR> EAC> CDWAV> SHN; via Tony Gardner with thanks to Paul B.; upgrade in circulation notes
6882. 10/31/83 Flac 16 - 0, 138759 San Rafael Marin County Veterans Auditorium flac16; Source: FOB Audience recording > Nakamichi 700s > ??? > dbx cassette master >dat (44.1k); Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1; Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017 notes
6883. 10/31/83 Shn - 0, 19894 San Rafael Marin County Veterans Auditorium Source: FOB(Nak 700)>MC>DAT>CDR>WAV>SHN. Taper: Mark Horvath. SHN encoding via C.Ladner. notes
6884. 10/31/83 Flac 16 - 0, 151222 San Rafael Marin County Veterans Auditorium Soundboard Cassette Master > DAT
Provided by ANON
notes
6885. 12/27/83 Flac 16 - 0, 32502 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller notes
6886. 12/27/83 Flac 16 Mtx - 0, 133049 San Francisco San Francisco Civic Auditorium flac16; Matrix 2 Source Mix - SBD (shnid=96167) SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16 and AUD (shn id 89483) Sennheiser MD-441's > patched thru 2 tapedecks > Marantz PMD-340 > Sony UCX-S 90's, Dolby on. Mics on 8-foot stand, just behind the Sbd. Transfer: MAC > Nakamichi DR-8 (Dolby B on) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and tranferred by Andrew F. - matrix mixing by Kevin Tobin notes
6887. 12/27/83 Flac Dts 5.1 - 0, 133050 San Francisco San Francisco Civic Auditorium DTS-Audio-CD 5.1 Mix; SBD (shnid=96167) SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; and AUD (shn id 89483) Sennheiser MD-441's > patched thru 2 tapedecks > Marantz PMD-340 > Sony UCX-S 90's, Dolby on. Mics on 8-foot stand, just behind the Sbd. Transfer: MAC > Nakamichi DR-8 (Dolby B on) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and tranferred by Andrew F. - dts mixing by Kevin Tobin notes
6888. 12/27/83 Flac 16 - 0, 134872 San Francisco San Francisco Civic Auditorium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: First Tape 1st Gen Nak 100's with Guns, Second Tape None; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked with Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6889. 12/27/83 Flac 24/96 - 0, 134873 San Francisco San Francisco Civic Auditorium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: First Tape 1st Gen Nak 100's with Guns, Second Tape None; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6890. 12/27/83 Flac 16 - 0, 89483 San Francisco San Francisco Civic Auditorium flac16; AUD: Sennheiser MD-441's > patched thru 2 tapedecks > Marantz PMD-340 > Sony UCX-S 90's, Dolby on. Mics on 8-foot stand, just behind the Sbd. Transfer: MAC > Nakamichi DR-8 (Dolby B on) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and tranferred by Andrew notes
6891. 12/27/83 Shn - 0, 18258 San Francisco San Francisco Civic Auditorium SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko. [Note: This shn set differs from the previous one submitted by Darryl in the last 2 tracks of disk 3 which are patched here per the info file. This is the preferred shn set.]; upgrade in circulation notes
6892. 12/27/83 Flac 24/96 - 0, 137635 San Francisco San Francisco Civic Auditorium flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS 90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes
6893. 12/27/83 Flac 16 - 0, 137634 San Francisco San Francisco Civic Auditorium flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS 90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes
6894. 12/27/83 Shn - 0, 18222 San Francisco San Francisco Civic Auditorium SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko; upgrade in circulation notes
6895. 12/27/83 Flac 16 - 0, 112241 San Francisco San Francisco Civic Auditorium flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6896. 12/27/83 Flac 16 - 0, 79267 San Francisco San Francisco Civic Auditorium flac16; Source: *Sennheiser Shotguns>Sony D5M>Sony D5M Location: FOB/Right of Center/Stand at 8 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G. Transfer and upload by Tony S notes
6897. 12/27/83 Shn - 0, 17419 San Francisco San Francisco Civic Auditorium Aud>?>CD>EAC>SHN via Steve Barbella notes
6898. 12/27/83 Shn - 0, 17961 San Francisco San Francisco Civic Auditorium (FOB) Senn 441>PCM>Dat recorded by Jeff Silberman encoded by Charlie Miller notes
6899. 12/27/83 Flac 16 - 0, 96167 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
6900. 12/27/83 Flac 16/48 - , 154451 San Francisco San Francisco Civic Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=96167) SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; and AUD (shn id 89483) Sennheiser MD-441's > patched thru 2 tapedecks > Marantz PMD-340 > Sony UCX-S 90's, Dolby on. Mics on 8-foot stand, just behind the Sbd. Transfer: MAC > Nakamichi DR-8 (Dolby B on) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and tranferred by Andrew F. - surround mixing by Kevin Tobin notes
6901. 12/28/83 Flac 16 - 0, 96172 San Francisco San Francisco Civic Auditorium flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
6902. 12/28/83 Flac 16 Mtx - 0, 127489 San Francisco San Francisco Civic Auditorium b>flac16; Matrix 3 Source Mix - SBD (shnid=96172) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 99126) FOB AUD: Sennheiser MD-421's > patched thru one deck (Nak 550) > Marantz PMD-340 > Sony UCX-S 90's, with Dolby. Mics on seven-foot stand, aprx 25 feet from the stage in the center, mics angled up. Transfer: MAC > Nakamichi DR-8 (Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. 05/2009 + VID (no shn id) used for patching and timing reference - matrix mixing by Kevin Tobin notes
6903. 12/28/83 Shn - 0, 10312 San Francisco San Francisco Civic Auditorium SBD>MC>C>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation notes
6904. 12/28/83 Flac 24/96 - 0, 134876 San Francisco San Francisco Civic Auditorium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6905. 12/28/83 Flac 16 - 0, 134875 San Francisco San Francisco Civic Auditorium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6906. 12/28/83 Flac 16 - 0, 99127 San Francisco San Francisco Civic Auditorium flac16; FOB AUD: Sennheiser MD-421's > patched thru one deck (Nak 550) > Marantz PMD-340 > Sony UCX-S 90's, with Dolby. Mics on seven-foot stand, aprx 25 feet from the stage in the center, mics angled up. Transfer: MAC > Nakamichi DR-8 (Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. 05/2009 notes
6907. 12/28/83 Flac 24/96 - 0, 137656 San Francisco San Francisco Civic Auditorium flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes
6908. 12/28/83 Flac 16 - 0, 137655 San Francisco San Francisco Civic Auditorium flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes
6909. 12/28/83 Flac 24/96 - 0, 99126 San Francisco San Francisco Civic Auditorium flac24; FOB AUD: Sennheiser MD-421's > patched thru one deck (Nak 550) > Marantz PMD-340 > Sony UCX-S 90's, with Dolby. Mics on seven-foot stand, aprx 25 feet from the stage in the center, mics angled up. Transfer: MAC > Nakamichi DR-8 (Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. 05/2009 notes
6910. 12/28/83 Flac 16 - 0, 112242 San Francisco San Francisco Civic Auditorium flac16:Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6911. 12/28/83 Flac 16/44 - 0, 79351 San Francisco San Francisco Civic Auditorium flac16; Source: *Nakamichi CM304's(pointed at stacks)>Sony D5M>Sony D5M Location: FOB/Right of Center/Stand at 8 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G notes
6912. 12/28/83 Shn - 0, 23061 San Francisco San Francisco Civic Auditorium Source: FOB AUD -- Senn. 441's > Marantz 340 Transfer: By Aoxoa from MCassette - (Probably) Playback on Nak Dragon > HHB 850 > EAC > SHN Recorded by Andy F., Aoxoa's neighbor notes
6913. 12/28/83 Flac 16/48 - 0, 147476 San Francisco San Francisco Civic Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=96172) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 99126) FOB AUD: Sennheiser MD-421's > patched thru one deck (Nak 550) > Marantz PMD-340 > Sony UCX-S 90's, with Dolby. Mics on seven-foot stand, aprx 25 feet from the stage in the center, mics angled up. Transfer: MAC > Nakamichi DR-8 (Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. 05/2009 - surround mixing by Kevin Tobin notes
6914. 12/28/83 Flac 16 Dts. - 0, 147475 San Francisco San Francisco Civic Auditorium flac16; DTS CD Audio - SBD (shnid=96172) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 99126) FOB AUD: Sennheiser MD-421's > patched thru one deck (Nak 550) > Marantz PMD-340 > Sony UCX-S 90's, with Dolby. Mics on seven-foot stand, aprx 25 feet from the stage in the center, mics angled up. Transfer: MAC > Nakamichi DR-8 (Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. 05/2009 - dts mixing by Kevin Tobin notes
6915. 12/28/83 Flac 16 - 0, 32505 San Francisco San Francisco Civic Auditorium b>flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller notes
6916. 12/28/83 Flac 24/96 - 0, 148205 San Francisco San Francisco Civic Auditorium flac24; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6917. 12/28/83 Flac 16/48 - 0, 148204 San Francisco San Francisco Civic Auditorium flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6918. 12/28/83 Flac 16/48 - 0, 150938 San Francisco San Francisco Civic Auditorium flac16/48 Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
6919. 12/28/83 Flac 24/96 - 0, 150941 San Francisco San Francisco Civic Auditorium flac24/96khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
6920. 12/30/83 Flac 16 - 0, 112281 San Francisco San Francisco Civic Auditorium flac16; Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6921. 12/30/83 Flac 16 - 0, 96181 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
6922. 12/30/83 Shn - 0, 10280 San Francisco San Francisco Civic Auditorium SBD>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation notes
6923. 12/30/83 Flac 24/96 - 0, 134896 San Francisco San Francisco Civic Auditorium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6924. 12/30/83 Flac 16 - 0, 134895 San Francisco San Francisco Civic Auditorium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6925. 12/30/83 Flac 16 - 0, 109130 San Francisco San Francisco Civic Auditorium flac16; AUD: Sennheiser MD-441's > patched out of Nak 550 > Marantz PMD-340 > Sony UCX-S 90's. FOB 25 feet from stage in center. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2496 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Taped & transferred by Andrew F. 07/2010 notes
6926. 12/30/83 Flac 24/96 - 0, 109129 San Francisco San Francisco Civic Auditorium flac24; AUD: Sennheiser MD-441's > patched out of Nak 550 > Marantz PMD-340 > Sony UCX-S 90's. FOB 25 feet from stage in center. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2496 > CD-Wave > TLH > FLAC 2496 Tagged. Taped and transferred by Andrew F. 07/2010 notes
6927. 12/30/83 Flac 16 - 0, 137665 San Francisco San Francisco Civic Auditorium b>flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes
6928. 12/30/83 Flac 24/96 - 0, 137666 San Francisco San Francisco Civic Auditorium flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes
6929. 12/30/83 Flac 16 - 0, 77321 San Francisco San Francisco Civic Auditorium flac16; Nakamichi CM304's(pointed at stacks)>Sony D5M(Maxell UDXLII's) Location: FOB/Right of Center/Stand at 8 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G notes
6930. 12/30/83 Flac 16 - 0, 112281 San Francisco San Francisco Civic Auditorium flac16; Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6931. 12/30/83 Flac 16 - 0, 30072 San Francisco San Francisco Civic Auditorium flac16; Source: Sennheiser MD-441 mics > Marantz PMD-340 cassette deck Taped onto Sony UC-XS 90 cassette tape with Dolby On Set up FOB aprx 25 feet from stage, mics on 8-foot stand Transfer: MAC > Sony TC-D5M > Marantz CDR-500 > CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC notes
6932. 12/30/83 Flac 24/96 - 0, 151043 San Francisco San Francisco Civic Auditorium flac24/96khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
6933. 12/30/83 Flac 16/48 - 0, 151042 San Francisco San Francisco Civic Auditorium flac16/48khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
6934. 12/31/83 Flac 16 - 0, 94185 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
6935. 12/31/83 Flac 16 Mtx - 0, 126610 San Francisco San Francisco Civic Auditorium flac16; Matrix 3 Source Mix - SBD (shnid=96185) Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 112282) Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files + VID (no shn id) low generation video found on the internet for a video project - matrix mixing by Kevin Tobin notes
6936. 12/31/83 Flac 16 - 0, 90059 San Francisco San Francisco Civic Auditorium flac16; Set 3 only - National FM Broadcast > FM (93.3 WMMR) > unknown tape deck > TDK SA90 (Master Cassette) Transfer: Master FM Cassette > Nakamichi Cassette Deck 2 > Kind Kables RCA/XLR > Lunatec V3 (@ 24/96) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper FLAC16 notes
6937. 12/31/83 Flac 16 - 0, 134901 San Francisco San Francisco Civic Auditorium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
6938. 12/31/83 Flac 24/96 - 0, 134902 San Francisco San Francisco Civic Auditorium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
6939. 12/31/83 Flac 16 - 0, 32514 San Francisco San Francisco Civic Auditorium flac16; SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transferred and Edited By Charlie Miller notes
6940. 12/31/83 Shn - 0, 14948 San Francisco San Francisco Civic Auditorium Bertha Remaster) SBD>>MR>>DAT>>M-Audio2448>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Brokedown Palace Source: Pre-FM>Cm>Cass>Dat>CD - Sound C- notes
6941. 12/31/83 Shn - 0, 13963 San Francisco San Francisco Civic Auditorium SBD -> Rm -> Dat -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD (SHN) Brokedown Palace patched from Pre-FM>Cm>Cass>Dat>CD Dat -> SHN Transfer Done By Charlie Miller charliemiller87@earthlink.net 8/27/02; upgrade in circulation notes
6942. 12/31/83 Flac 24/96 - 0, 137701 San Francisco San Francisco Civic Auditorium flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes
6943. 12/31/83 Flac 16 - 0, 137700 San Francisco San Francisco Civic Auditorium flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes
6944. 12/31/83 Shn - 0, 6102 San Francisco San Francisco Civic Auditorium sbd> mr> dats> wav> shn w/seek; dat> wav> shn by popi n. feeldz, from Michael Grossman DAT seed; Brokedown missing; Jack Straw beginning cut; upgrade in circulation notes
6945. 12/31/83 Shn - 0, 18737 San Francisco San Francisco Civic Auditorium 3 Beyer M160 FOB> Sony TCD5M Master Cassette>shn; Seeded to abgd by Walstib notes
6946. 12/31/83 Flac 16 - 0, 79383 San Francisco San Francisco Civic Auditorium flac16; Source: *Nakamichi CM304's(pointed at stacks)>Sony D5M>Sony D5M Location: FOB/Right of Center/Stand at 8 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G notes
6947. 12/31/83 Flac 16 - 0, 112282 San Francisco San Francisco Civic Auditorium flac16; Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6948. 12/31/83 Flac 16/44 - 0, 34968 San Francisco San Francisco Civic Auditorium flac16; FOB Sennheiser 421s > Sony D5 > TDK MA90 MACs. Recorded by R.Lipton using B.Koucky's deck/blanks. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer/mastering/encoding/initial torrenting at bt.etree.org via C.Ladner notes
6949. 12/31/83 Flac 24/96 - 0, 148208 San Francisco San Francisco Civic Auditorium flac24; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6950. 12/31/83 Flac 16/48 - 0, 148207 San Francisco San Francisco Civic Auditorium flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6951. 12/31/83 Flac 24/96 - 0, 151339 San Francisco San Francisco Civic Auditorium flac24/96khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
6952. 12/31/83 Flac 16/48 - 0, 151338 San Francisco San Francisco Civic Auditorium flac16/48khz Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
6953. 12/31/83 Flac 16/48 - , 155215 San Francisco San Francisco Civic Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=96185) Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 112282) Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - surround mixing by Kevin Tobin notes
6954. 03/28/84 Flac 16 - 0, 109259 San Rafael Marin County Veterans Auditorium flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
6955. 03/28/84 Shn - 0, 28296 San Rafael Marin County Veterans Auditorium 2 Sony ECM 939LT stereo microphones > Marantz PMD 340, TDK AD-X90 cassettes with Dolby B, 8' stand 2nd set, 6.5' 1st set, ~20th row center just behind soundboard, Recorded by AndrewF; A-D transfer: master cassette > Nakamichi Dragon (Dolby B) > HHB CDR 830plus > EAC > Sound Forge 5.0 > CD Wave Editor 1.71 > WAV > SHN by Anne Cohen; drums are cut notes
6956. 03/28/84 Shn - 0, 27303 San Rafael Marin County Veterans Auditorium (FOB/20th Row) Sony ECM 939LT> Cassette Master (Marantz PMD430); Transfer Info: Cassette Master (Nak Dragon/Dolby B)> CD (HHb CDr 830Plus)> EAC> Sound Forge 5.0> SHN; Recorded By Andrew Faintych; Transferred By Anne Cohen; Converted By Charlie Miller; Drums Are Cut notes
6957. 03/28/84 Shn - 0, 16665 San Rafael Marin County Veterans Auditorium unknown aud > cass > cd Discs kindly provided by Mark Horvath Eac > cool edit pro > shntool > cdwav > shnv3 by Ernie Dodd Partial 2nd set Only notes
6958. 03/28/84 Flac 24/96 - 0, 148339 San Rafael Marin County Veterans Auditorium flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6959. 03/28/84 Flac 16/48 - 0, 148337 San Rafael Marin County Veterans Auditorium flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6960. 03/29/84 Flac 16 - 0, 106071 San Rafael Marin County Veterans Auditorium flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
6961. 03/29/84 Flac 16 - 0, 109112 San Rafael Marin County Veterans Auditorium flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes - TDK MA-R90's transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
6962. 03/29/84 Flac 16 - 0, 32515 San Rafael Marin County Veterans Auditorium flac16; SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transferred and Edited By Charlie Miller notes
6963. 03/29/84 Shn - 0, 10559 San Rafael Marin County Veterans Auditorium Rex Foundation Benefit; Soundboard > ??? > CDR; Jerry's guitar is low in the mix at times; Seeded to etree by David Angelini; upgrade in circulation notes
6964. 03/29/84 Flac 16 - 0, 29645 San Rafael Marin County Veterans Auditorium flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up two rows behind soundboard, and eight seats to the right Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC Soundforge used for fades and some minor repairs (see notes) CD-Wave for Track ID's, and FLAC Frontend for lossless compression Verified and repaired SBE's with Traders Little Helper program notes
6965. 03/29/84 Flac 24/96 - 0, 148307 San Rafael Marin County Veterans Auditorium flac24; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6966. 03/29/84 Flac 16/48 - 0, 148306 San Rafael Marin County Veterans Auditorium notes
6967. 03/31/84 Flac 16 - 0, 105821 San Rafael Marin County Veterans Auditorium flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
6968. 03/31/84 Shn - 0, 3576 San Rafael Marin County Veterans Auditorium SBD; via Mike Lai; upgrade in circulation notes
6969. 03/31/84 Shn - 0, 14078 San Rafael Marin County Veterans Auditorium Source: SBD > MC > DAT > CDR > EAC > Cool Edit Pro 2.0* > CDWave > mkwACT EAC'd/Pitch Corrected/SHN'd by Doug Nawrocki Source kindly provided by Vojo; upgrade in circulation notes
6970. 03/31/84 Flac 16 - 0, 79468 San Rafael Marin County Veterans Auditorium flac16; Source: *Nakamichi CM301's>Sony D5M>Sony D5M Location: FOB/Stand at 6 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G notes
6971. 03/31/84 Flac 16 - 0, 29916 San Rafael Marin County Veterans Auditorium b>flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up in center seat directly behind the soundboard Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC Soundforge used for fades, edits and patches over the tape-flip areas CD-Wave for Track ID's, and FLAC Frontend for lossless compression Verified SBE's and checksums with Trader's Little Helper program Cross-faded patches taken from LAMA's source: SBD > MC > DAT > CDR > EAC > Cool Edit Pro 2.0 > CD-Wave > mkwACT notes
6972. 03/31/84 Flac 16 - 0, 111289 San Rafael Marin County Veterans Auditorium flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6973. 03/31/84 Flac 16 - 0, 98823 San Rafael Marin County Veterans Auditorium flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Rango Keshavan notes
6974. 03/31/84 Flac 16 - 0, 32516 San Rafael Marin County Veterans Auditorium flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation notes
6975. 03/31/84 Flac 24/96 - 0, 148340 San Rafael Marin County Veterans Auditorium flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
6976. 03/31/84 Flac 16/48 - 0, 148393 San Rafael Marin County Veterans Auditorium flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
6977. 04/01/84 Shn - 0, 7366 San Rafael Marin County Veterans Auditorium Master Soundboard Casette>PCM>DAT>DAT>Serafin Studios>CDR>EAC>SHN; upgrade in circulation notes
6978. 04/01/84 Flac 16 - 0, 105822 San Rafael Marin County Veterans Auditorium flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
6979. 04/01/84 Flac 16 - 0, 32535 San Rafael Marin County Veterans Auditorium flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation notes
6980. 04/01/84 Flac 16 - 0, 95693 San Rafael Marin County Veterans Auditorium flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Michael Kirschner; All Transfers and Mastering By Charlie Miller notes
6981. 04/01/84 Shn - 0, 9064 San Rafael Marin County Veterans Auditorium Analog Soundboard->Pioneer PDR-509->CDRW->Audio Catalyst 2.1->WAV->Cool Edit 2000->MKW Compression Tool->SHN; To abgd via Acquiesce; upgrade in circulation notes
6982. 04/01/84 Flac 16 - 0, 79458 San Rafael Marin County Veterans Auditorium flac16; Source: *Nakamichi CM304's>Sony D5M>Sony D5M Location: ^At SBD/Stand at 7 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G notes
6983. 04/01/84 Flac 16 - 0, 32797 San Rafael Marin County Veterans Auditorium flac16; FOB: 2 Beyer M160s + 1 Senn. 421>D5>MC>CDR>EAC>FLAC Taper: Jim Quirk notes
6984. 04/01/84 Flac 16 - 0, 111291 San Rafael Marin County Veterans Auditorium flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
6985. 04/01/84 Flac 16 - 0, 30828 San Rafael Marin County Veterans Auditorium flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up in center seat, two rows behind the soundboard Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC Soundforge used as noted below. CD-Wave for Track-ID's, Trader's Little Helper to verify SBE-OK and make checksums, and Flac Frontend for lossless compression notes
6986. 04/06/84 Shn - 0, 10159 Las Vegas Aladdin Theater SBD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy notes
6987. 04/06/84 Flac 16 - 0, 109232 Las Vegas Aladdin Theater flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (13th row-center) > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
6988. 04/06/84 Flac 16 - 0, 77310 Las Vegas Aladdin Theater flac16; Source: Nakamichi CM300*(with CP1 Card caps)>Sony TCD-5M Location: FOB/Right Center Orch. Sec. 1 Row M/Stand at 6-7 Feet Transfer: Sony D5M>Sound Device 722@24/96>Adobe Aud. 2.0> 16 bit>Cdwav>flac16. Tapers: Tony Suraci and Eugene D'alessandro notes
6989. 04/06/84 Flac 16 - 0, 148570 Las Vegas Aladdin Theater flac16; Source Info: Master Soundboard Cassettes; Sony D6 (dolby C) > Dat > PCM; Transfer Info: PCM (unknown equipment) > .wav 16/44.1 > Adobe Audition 2019 > TLH > flac16 notes
6990. 04/07/84 Shn - 0, 13816 Irvine Irvine Meadows sbd>MC>Dat>cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd notes
6991. 04/07/84 Flac 16 - 0, 135528 Irvine Irvine Meadows flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD (shnid=13816); Transfer Info: CD -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC; All Patching and Remastering By Charlie Miller notes
6992. 04/07/84 Flac 16 - 0, 108618 Irvine Irvine Meadows flac16; source: 3 Beyer M160's > Nak100 > Sony TC-D5M - 17th Row Center - analog master cassettes - TDK MA-R90's transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
6993. 04/07/84 Flac 16/48 - 0, 146012 Irvine Irvine Meadows flac16/48kHz; Soundboard Master from The Knudsen Collection at Lossless Legs; Nakamichi CR-7A -> Sound Devices MixPre-3M notes
6994. 04/13/84 Flac - 0, 27733 Hampton Hampton Coliseum flac16; SBD> Cassette Master> Cassette> Dat (Panasonic SV3800/48k), plus patches from Eaton FOB Neumann U87> Cass source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes
6995. 04/13/84 Flac 16 - 0, 123178 Hampton Hampton Coliseum flac16; MAC; Nakamichi 300's(w/shotguns) > Sony D5 > Sony D6 (master) > 2 x Maxell XLII 90; Location/Info: center, directly behind SBD, 10-12 feet high; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@ 24/88.2)> Lynx AES16e> WaveLab 7.2.1> .wav @ 24/88.2> Crystal Resampler> Apogee UV22HR> .wav @16/44.1> xACT(encoding/tracking/meta tagging)> flac16 (level eight); Tapers: Mark McCue and Kurt Casey; Transfer, editing and mastering: Alex Ford notes
6996. 04/13/84 Flac 16 - 0, 126039 Hampton Hampton Coliseum flac16; Master: 2 Beter M-160s and Sony TC-D5m; 2nd deck in line after another D5; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670 notes
6997. 04/13/84 Flac 16 - 0, 137369 Hampton Hampton Coliseum flac16; Set 2 Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Robert Bryant 24bit > 16bit with r8brain notes
6998. 04/13/84 Flac 24 - 0, 137367 Hampton Hampton Coliseum flac24; Set 2 Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Robert Bryant notes
6999. 04/13/84 Flac 24/48 - 0, 132772 Hampton Hampton Coliseum flac24; Source:Sennheiser MKE2002 Binaurals mounted on fake head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC; Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH); Transferred by Kyle Holbrook notes
7000. 04/13/84 Flac 16 - 0, 132771 Hampton Hampton Coliseum flac16; Source:Sennheiser MKE2002 Binaurals mounted on fake head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC; Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH); Transferred by Kyle Holbrook notes
7001. 04/13/84 Flac 24/96 - 0, 122974 Hampton Hampton Coliseum flac24; source: (3) audio technica atm 11 fob>tcm-d-5; conversion: sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit notes
7002. 04/13/84 Flac 16 - 0, 109288 Hampton Hampton Coliseum flac16; source: 3 Beyer M160's (up front) > custom made blend box> Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7003. 04/13/84 Flac 16 - 0, 90470 Hampton Hampton Coliseum flac16; Recording Info: (FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
7004. 04/13/84 Shn - 0, 34469 Hampton Hampton Coliseum Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Location: FOB and to the left to avoid blocking view MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity Normalization > WAV > CDWave > WAVs > mkwAC > SHNs notes
7005. 04/13/84 Shn - 0, 21130 Hampton Hampton Coliseum Rob Eaton FOB Center (Neumann U89)>Sony TC-D5>DAT>CDR>EAC>SHN notes
7006. 04/13/84 Shn - 0, 1521 Hampton Hampton Coliseum Neumann U-87 mics > Sony D6 cass > Dat > CDR; via PJ to abgd; includes alternate tracking suggestion for 2 discs notes
7007. 04/13/84 Flac 16 - 0, 102499 Hampton Hampton Coliseum flac16;Recording Info:SBD -> Cassette Master -> Cassette -> Dat (Panasonic SV3800/48k); Transfer Info:Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes
7008. 04/13/84 Flac 24/48 - 0, 149110 Hampton Hampton Coliseum flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook) Transferred by Kyle Holbrook notes
7009. 04/13/84 Flac 16/44 - 0, 149109 Hampton Hampton Coliseum flac 16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook) Transferred by Kyle Holbrook notes
7010. 04/13/84 Flac 16/48 - , 154377 Hampton Hampton Coliseum flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
7011. 04/13/84 Flac 24/96 - , 154378 Hampton Hampton Coliseum flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
7012. 04/13/84 Flac 24/96 - , 155212 Hampton Hampton Coliseum FLAC 2496 Recording Info: (FOB) Neumann U87 > Cassette Master (Nakamichi 550)
Transfer Info: Master Cassettes (Nakamichi Dragon) > Avid Mbox Pro > Pro Tools 12 (WAV 24-bit/96k)
Mastering Info: WAV > Samplitude Pro X6 Suite > FLAC/24
notes
7013. 04/13/84 Flac 16/44 - , 155699 Hampton Hampton Coliseum FLAC 16/44 Recording Info: (FOB) Neumann U87 > Cassette Master (Nakamichi 550) Transfer Info: Master Cassettes (Nakamichi Dragon) > Avid Mbox Pro > Pro Tools 12 (WAV 24-bit/96k) Mastering Info: WAV > Samplitude Pro X6 Suite > FLAC/24 This is 155212 2496 > 1644 notes
7014. 04/14/84 Flac 16 - 0, 105836 Hampton Hampton Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Dolby B/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
7015. 04/14/84 Flac 16 - 0, 109331 Hampton Hampton Coliseum flac16; source: 2 Beyer M160's & 1 Sennheiser 421 Microphones (up front) > Nak MX100 w/2001> Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7016. 04/14/84 Flac 16 - 0, 32501 Hampton Hampton Coliseum flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation notes
7017. 04/14/84 Flac 16 - 0, 126040 Hampton Hampton Coliseum flac16; Master: 2 Sennhesier 441s and Sony TC-D5m Cassette Master; 2nd deck in line after another D5; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670 notes
7018. 04/14/84 Flac 24 - 0, 139328 Hampton Hampton Coliseum flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24 notes
7019. 04/14/84 Flac 16 - 0, 139327 Hampton Hampton Coliseum flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/16 notes
7020. 04/14/84 Flac 24/96 - 0, 123023 Hampton Hampton Coliseum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7021. 04/14/84 Flac 16 - 0, 90595 Hampton Hampton Coliseum flac16; Recording Info: (FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
7022. 04/14/84 Flac 16 - 0, 79652 Hampton Hampton Coliseum flac16; (FOB) MAC: Sennheiser 421s (shoulder level) > Sony D5 > Sony D5 > Maxell XLII 90s Location: FOB. 15-20 feet from stage, DFC Tapers: unknown & Mark McCue Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > CDWAV > Trader's Little Helper > FLAC16. Master audience cassettes supplied by Mark McCue. Transfer, edits & upload to bt.etree.org by Alex Ford 11/01/2006. notes
7023. 04/14/84 Flac 16 - 0, 34901 Hampton Hampton Coliseum flac16; Source: FOB Sennheiser 441s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on cleaned/demagged Nakamich DR-2 > Presonus Firebox preamp/A-D > firewire > 2 GHz P4 PC - XP Pro > Wavelab 5, recorded as 24 bit/96 KHz WAV > rendered to 16 bit/44.1 KHz WAV using Waves L3 Multimaximizer, hi res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer and editing by C.Ladner notes
7024. 04/14/84 Shn - 0, 34555 Hampton Hampton Coliseum Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Location: behind SBD and to the left. Taped and transfered to shn by Charles Bandrofcheck. MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity Normaliation > WAV > CDWave > WAVs > mkwAC > SHN notes
7025. 04/14/84 Shn - 0, 12572 Hampton Hampton Coliseum 3 Nak 701s > MX-100(modified) > D5 > D10 > SHN (track names originally in the form of "d1t1.shn" - original md5 was not consistent with this file naming. with consistent file naming, all SHNs do verify) notes
7026. 04/14/84 Shn - 0, 1562 Hampton Hampton Coliseum Neumann U-87 mics > Sony D-6 > DAT > CDR; d2 is 80 min; via PJ to abgd; (thanks to Trip Bates for txt/md5 here) notes
7027. 04/14/84 Flac 24/96 - 0, 148458 Hampton Hampton Coliseum flac24; Source Info: Bill Koucky's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5 (Maxell MX90) (2nd deck in line, in the pit); Transfer Info: Master Cassettes (Nakamichi DR-1) > Edirol UA-5 24/96 > WaveLab 6.01 24/96 > Adobe Audition 24/96 > TLH flac2496 notes
7028. 04/14/84 Flac 16/48 - 0, 148457 Hampton Hampton Coliseum flac16/48kHz; Source Info: Bill Koucky's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5 (Maxell MX90) (2nd deck in line, in the pit); Transfer Info: Master Cassettes (Nakamichi DR-1) > Edirol UA-5 24/96 > WaveLab 6.01 24/96 > Adobe Audition 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7029. 04/14/84 Flac 24/48 - 0, 149112 Hampton Hampton Coliseum flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook) Transferred by Kyle Holbrook notes
7030. 04/14/84 Flac 16/44 - 0, 149111 Hampton Hampton Coliseum flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook) Transferred by Kyle Holbrook notes
7031. 04/14/84 Flac 24/48 - 0, 149491 Hampton Hampton Coliseum flac24/48khz Source: MAUD CA: Beyer M201's XY 60 feet from stage >Sony TCD5M > s1 Sony Metallic90; s2:TDK MA c90 No Dolby Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook, Mike Yacavone, Olvy Johnson) Transferred by Kyle Holbrook notes
7032. 04/14/84 Flac 16/44,1 - 0, 149490 Hampton Hampton Coliseum flac16/44.1khz Source: MAUD CA: Beyer M201's XY 60 feet from stage >Sony TCD5M > s1 Sony Metallic90; s2:TDK MA c90 No Dolby Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook, Mike Yacavone, Olvy Johnson) Transferred by Kyle Holbrook notes
7033. 04/14/84 Flac 16/48 - , 154427 Hampton Hampton Coliseum flac16/48 Source Info: Master Audience Cassettes; (2) Beyer M160 + (1) Beyer M88 blend > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
7034. 04/14/84 Flac 24/96 - , 154428 Hampton Hampton Coliseum flac24/96 Source Info: Master Audience Cassettes; (2) Beyer M160 + (1) Beyer M88 blend > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
7035. 04/14/84 Flac 16 Mtx - , 161418 Hampton Hampton Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 105836 & 154427. notes
7036. 04/16/84 Flac 16 - 0, 109343 Rochester Community War Memorial Auditorium flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (12th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7037. 04/16/84 Flac 16 - 0, 127159 Rochester Community War Memorial Auditorium flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2014 notes
7038. 04/16/84 Flac 16 - 0, 133031 Rochester Community War Memorial Auditorium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
7039. 04/16/84 Flac 24/96 - 0, 133032 Rochester Community War Memorial Auditorium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
7040. 04/16/84 Flac 24/48 - 0, 127158 Rochester Community War Memorial Auditorium flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 02/2014 notes
7041. 04/16/84 Flac 16 - 0, 106621 Rochester Community War Memorial Auditorium flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded FOB by Bob Morris notes
7042. 04/16/84 Flac 16 - 0, 32884 Rochester Community War Memorial Auditorium flac16; Source: FOB Sennheiser 441s > Sony D5. Patched out of Steve Adleman's D5>D5 at the show. Transfer: MAC playback on Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs extracted with EAC to WAV > FLAC. Originally recorded to analog MAC and transferred to digital realm by B.Koucky. Editing/remastering: All editing with Wavelab 5 (Level fluctuations adjusted using gain function > Tape pauses between tracks during the first set & tape flips smoothed with crossfades > Waves L3 Multimaximizer at -1.1 dB threshold, ceiling -0.1 dB with hi res CD rendering > CDWAV 1.9 > FLAC (level 5) > bt.etree.org by C.Ladner. notes
7043. 04/16/84 Flac 16/48 - 0, 137003 Rochester Community War Memorial Auditorium flac16/48kHz; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller notes
7044. 04/16/84 Flac 24/96 - 0, 141022 Rochester Community War Memorial Auditorium flac24; Source Info: Ray Ackerman's Master Audience Cassettes ; 2 x Nakamichi 300/CP4 + 1 x Nakamichi 300/CP1 center fill > unknown mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkii)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96 notes
7045. 04/16/84 Flac 16 - 0, 141021 Rochester Community War Memorial Auditorium flac16; Source Info: Ray Ackerman's Master Audience Cassettes ; 2 x Nakamichi 300/CP4 + 1 x Nakamichi 300/CP1 center fill > unknown mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkii)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96; 24-bit > 16-bit via dBpoweramp notes
7046. 04/16/84 Flac 24/96 - 0, 113880 Rochester Community War Memorial Auditorium flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes
7047. 04/16/84 Shn - 0, 1298 Rochester Community War Memorial Auditorium Neumann U-87 > Sony d-6 >dat >cdr; d2 tracked for 80 min; posted to abgd notes
7048. 04/16/84 Flac 16 - 0, 35408 Rochester Community War Memorial Auditorium flac16; Pitch corrected and patched version of shn id 32884 - FOB Sennheiser 441s > Sony D5 > DAT > CD > EAC > FLAC by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
7049. 04/16/84 Flac 24/96 - 0, 123069 Rochester Community War Memorial Auditorium flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000Hz/24 bit notes
7050. 04/16/84 Flac 24/48 - 0, 149114 Rochester Community War Memorial Auditorium flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage ROC >Sony TCD5M > Maxell Metal 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson notes
7051. 04/16/84 Flac 16/44,1 - 0, 149113 Rochester Community War Memorial Auditorium flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage ROC >Sony TCD5M > Maxell Metal 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson notes
7052. 04/16/84 Flac 24/48 - 0, 149493 Rochester Community War Memorial Auditorium flac24/48khz Recording Information: Source: MAUD CA: Beyer M201's (Hypercardioid) 75 feet from stage DFC >Sony TCD5M > s1:TDK MA90; s2:TDK MA-R90 No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson notes
7053. 04/16/84 Flac 16/44,1 - 0, 149492 Rochester Community War Memorial Auditorium flac16/44.1khz Recording Information: Source: MAUD CA: Beyer M201's (Hypercardioid) 75 feet from stage DFC >Sony TCD5M > s1:TDK MA90; s2:TDK MA-R90 No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson notes
7054. 04/16/84 Flac 16/48 - , 154453 Rochester Community War Memorial Auditorium flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
7055. 04/16/84 Flac 24/96 - , 154454 Rochester Community War Memorial Auditorium flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496 notes
7056. 04/17/84 Flac 16 - 0, 127261 Niagara Falls Niagara Falls Convention Center flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2014 notes
7057. 04/17/84 Flac 16 - 0, 133027 Niagara Falls Niagara Falls Convention Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
7058. 04/17/84 Flac 24/96 - 0, 133028 Niagara Falls Niagara Falls Convention Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
7059. 04/17/84 Flac 24/48 - 0, 127260 Niagara Falls Niagara Falls Convention Center flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2014 notes
7060. 04/17/84 Flac 16 - 0, 32708 Niagara Falls Niagara Falls Convention Center flac16; Source: FOB Sennheiser 441 > Sony D5. Transfer: MAC playback on Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs > (EAC)WAV > FLAC. Recorded at the show on analog master cassette and transferred to digital realm by B.Koucky. Editing/FLACing: Pauses between tracks during the first set and tape flips were smoothed with crossfades using Wavelab > Waves L3 Multimaximizer applied at hi res CD rendering settings, threshold of -1.1 dB and ceiling of -0.1 dB > CDWAV 1.9 (tracking/flac'ing). Edits/mastering and flac encoding via C.Ladner. notes
7061. 04/17/84 Flac 16 - 0, 109346 Niagara Falls Niagara Falls Convention Center flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (way up front) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7062. 04/17/84 Flac 16 - 0, 79670 Niagara Falls Niagara Falls Convention Center flac16; (FOB) MAC: 3 Beyer mics > Sony D5 > Teac mdx 90s: Location: FOB, 20-30 feet from stage; Taper: Mark McCue ;Master audience cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford notes
7063. 04/17/84 Flac 16/48 - 0, 137250 Niagara Falls Niagara Falls Convention Center flac16/48kHz; Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
7064. 04/17/84 Flac 24 - 0, 139330 Niagara Falls Niagara Falls Convention Center flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24 notes
7065. 04/17/84 Flac 16 - 0, 139329 Niagara Falls Niagara Falls Convention Center flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/16 notes
7066. 04/17/84 Flac 24 - 0, 140463 Niagara Falls Niagara Falls Convention Center flac24; source: ots 12’ > nak 300 > tcd5m > master = tdk ma90 +dolby > master via tascam 122 mk ii > apogee rosetta 200 > (24/96) > audacity (normalize, tracks, fades) > xact (tags, ffp, md5); recorded: david barfield + david lane; transfer-seeded: barfield notes
7067. 04/17/84 Flac 24/96 - 0, 141837 Niagara Falls Niagara Falls Convention Center flac24; Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 notes
7068. 04/17/84 Shn - 0, 8460 Niagara Falls Niagara Falls Convention Center FOB Nak 300>?>CDR; Seeded to etree by JT James notes
7069. 04/17/84 Flac 16 - 0, 90543 Niagara Falls Niagara Falls Convention Center flac16; Recording Info: (FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
7070. 04/17/84 Flac 16 - 0, 79556 Niagara Falls Niagara Falls Convention Center flac16; 1 Audio Technica + 2 Nakamichi 300s/cp4s > Sony D5 > DAT > CDR Location: FOB Taper: unknown Transfer: EAC (no errors) > CDWAV > TLH > FLAC16. Source CD-Rs provided by Mark McCue. Transfer from CDR through FLAC16 by Alex Ford. This source may be derived from the same master as shn id 8460 notes
7071. 04/17/84 Shn - 0, 28762 Niagara Falls Niagara Falls Convention Center 2 Beyer M160 > Sony TCD5M Master Cassette FOB > SHN notes
7072. 04/17/84 Flac 16 - 0, 86942 Niagara Falls Niagara Falls Convention Center flac16; Recorded by Gordon Sharpless Master Audience Cassette; 2 Neumann U-87s> Nakamichi 550> Sony D5 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3> Digital Audio Labs Card Deluxe soundcard > Adobe Audition > flac encoding > FLAC notes
7073. 04/17/84 Flac 16 - 0, 96460 Niagara Falls Niagara Falls Convention Center flac16; ATII/Nak 300 FOB ud>?>CDR>EAC>SHN > ? > FLAC notes
7074. 04/17/84 Flac 24/96 - 0, 113881 Niagara Falls Niagara Falls Convention Center flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes
7075. 04/17/84 Flac 24/96 - 0, 123129 Niagara Falls Niagara Falls Convention Center flac24; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7076. 04/17/84 Flac 16 - 0, 107548 Niagara Falls Niagara Falls Convention Center flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
7077. 04/17/84 Flac 16 - 0, 145332 Niagara Falls Niagara Falls Convention Center flac16; source: ots 12’ > nak 300 > tcd5m > master = tdk ma90 +dolby > master via tascam 122 mk ii > apogee rosetta 200 > (24/96) > audacity (normalize, tracks, fades); recorded: david barfield + david lane; transfer-seeded: barfield; This file set is 16 bit @ 44.1 notes
7078. 04/17/84 Flac 16 - 0, 145264 Niagara Falls Niagara Falls Convention Center flac16; Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1 notes
7079. 04/17/84 Flac 24/48 - 0, 149173 Niagara Falls Niagara Falls Convention Center flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson notes
7080. 04/17/84 Flac 16/44 - 0, 149172 Niagara Falls Niagara Falls Convention Center flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson notes
7081. 04/17/84 Flac 24/48 - 0, 149495 Niagara Falls Niagara Falls Convention Center flac24/48khz Recording Information: Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson notes
7082. 04/17/84 Flac 16/44,1 - 0, 149494 Niagara Falls Niagara Falls Convention Center flac16/44.1khz Recording Information: Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson notes
7083. 04/17/84 Flac 16/48 - , 154529 Niagara Falls Niagara Falls Convention Center flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes
7084. 04/17/84 Flac 24/96 - , 154530 Niagara Falls Niagara Falls Convention Center flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes
7085. 04/19/84 Flac 16 - 0, 27892 Philadelphia Philadelphia Civic Center flac16; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller notes
7086. 04/19/84 Flac 16 - 0, 118658 Philadelphia Philadelphia Civic Center flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (SV3800/48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
7087. 04/19/84 Flac 24/96 - 0, 132980 Philadelphia Philadelphia Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Sennheiser 421's (X-Y Cross) And 2 Nakamichi CM300/CP4 Shotguns (Spread) > Unknown Mixer > Sony D5, Tapes:Maxell UDXLII - 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
7088. 04/19/84 Flac 16 - 0, 132979 Philadelphia Philadelphia Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Sennheiser 421's (X-Y Cross) And 2 Nakamichi CM300/CP4 Shotguns (Spread) > Unknown Mixer > Sony D5, Tapes:Maxell UDXLII - 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
7089. 04/19/84 Shn - 0, 19598 Philadelphia Philadelphia Civic Center Sbd > Cassette Master > Cassette > Dat x 2 > CDR > SHN; Seeded to FurthurNET; upgrade in circulation notes
7090. 04/19/84 Flac 24/96 - 0, 135777 Philadelphia Philadelphia Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell mx90’s, dolby b, FOB, section 102 Row O; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger notes
7091. 04/19/84 Flac 16 - 0, 135776 Philadelphia Philadelphia Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell mx90’s, dolby b, FOB, section 102 Row O; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berge notes
7092. 04/19/84 Flac 16 - 0, 139155 Philadelphia Philadelphia Civic Center flac16; Jeff Silberman (FOB) Recording: Sennheiser 441's > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/44 notes
7093. 04/19/84 Flac 24 - 0, 139332 Philadelphia Philadelphia Civic Center flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24 notes
7094. 04/19/84 Flac 16 - 0, 139331 Philadelphia Philadelphia Civic Center flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/16 notes
7095. 04/19/84 Flac 16 - 0, 142045 Philadelphia Philadelphia Civic Center flac16; Jeff Silberman (FOB/15th row) Recording: Sennheiser 441's > PCM (Technics SV-100 14bit); Charlie Miller Transfer: from Ted's clone of Jeff's master > Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16 notes
7096. 04/19/84 Flac 16 - 0, 109352 Philadelphia Philadelphia Civic Center flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (12th row-center) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7097. 04/19/84 Flac 16 - 0, 99667 Philadelphia Philadelphia Civic Center flac16; Source: (fob) Nakamichi CM300/CP4->Sony D-5M (Dolby B encoded)->TDK MA90 (x2)->Sony D-5M (Dolby B decoded) ->Korg MR-1000 (1Bit/5.6MHz)->AudioGate->16/44.1 wav->Soundforge 8.0->flac; Tapers: Dave Barfield and Dave Lane; Transferred and seeded by M. Watson notes
7098. 04/19/84 Shn - 0, 34680 Philadelphia Philadelphia Civic Center Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Transfer: MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > SoundForge 5.0 normalization > WAV > CDWave > WAVs > mkwAC > SHNs Location: front of tapers section Transfer and seed by Charles Bandrofcheck notes
7099. 04/19/84 Shn - 0, 14013 Philadelphia Philadelphia Civic Center AUD>MC>CD; via Paul B; Seeded to etree by Willy notes
7100. 04/19/84 Flac 24/48 - 0, 149497 Philadelphia Philadelphia Civic Center flac24/48khz Recording Information: Source 1: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Source 2: 2 Beyer M160 (hypercardioid)& 1 Sennheiser 421 (hypercardioid)> Nakamichi MX100 mixer > Sony TCD5M Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes
7101. 04/19/84 Flac 16/44,1 - 0, 149496 Philadelphia Philadelphia Civic Center flac16/44.1khz Recording Information: Source 1: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Source 2: 2 Beyer M160 (hypercardioid)& 1 Sennheiser 421 (hypercardioid)> Nakamichi MX100 mixer > Sony TCD5M Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes
7102. 04/19/84 Flac 24/96 - , 154719 Philadelphia Philadelphia Civic Center flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row O, seat 15); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes
7103. 04/19/84 Flac 16/48 - , 154718 Philadelphia Philadelphia Civic Center flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row O, seat 15); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes
7104. 04/19/84 Flac 16 Mtx - , 166575 Philadelphia Philadelphia Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 118658 & 154718. notes
7105. 04/20/84 Flac 16 - 0, 103432 Philadelphia Philadelphia Civic Center flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (SV3800/48k) -> WAV; Transfer Info: WAV -> Samplitude v7.02 Professional -> Cool Edit Pro v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes
7106. 04/20/84 Flac 16 - 0, 132941 Philadelphia Philadelphia Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
7107. 04/20/84 Flac 24/96 - 0, 132942 Philadelphia Philadelphia Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
7108. 04/20/84 Shn - 0, 11873 Philadelphia Philadelphia Civic Center Master Soundboard Cassette > Cassette > CDR; CD Mastering, Shn'ed and Seeded by Scott Clugston; also to abgd via Charlie Connor; upgrade in circulation notes
7109. 04/20/84 Flac 16 - 0, 27775 Philadelphia Philadelphia Civic Center flac16; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller (note: a fixed fileset was circulated to correct a flaw in d2t02; additionally this source originally circulated tracked for 2 discs. The info below reflects the best available version of this source.) notes
7110. 04/20/84 Flac 24/96 - 0, 135799 Philadelphia Philadelphia Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger notes
7111. 04/20/84 Flac 16 - 0, 135800 Philadelphia Philadelphia Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 xACT flac; transferred and seeded by Rob Berger notes
7112. 04/20/84 Flac 16 - 0, 139156 Philadelphia Philadelphia Civic Center flac16; Jeff Silberman (FOB) Recording: Sennheiser 441's > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/44 notes
7113. 04/20/84 Flac 24 - 0, 139334 Philadelphia Philadelphia Civic Center flac24 Set 1 Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24 notes
7114. 04/20/84 Flac 16 - 0, 139333 Philadelphia Philadelphia Civic Center flac16; Set 1 Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/16 notes
7115. 04/20/84 Flac 24/96 - 0, 141519 Philadelphia Philadelphia Civic Center flac24; Set 2 Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 notes
7116. 04/20/84 Shn - 0, 7854 Philadelphia Philadelphia Civic Center Source Senn 441 > PCM Digital Audience (up-front) > DAT (SV3700) > DAT (Fostex D10) > CDR (Single WAV) > CDR-WAV (wav splits) > SHN (via MKWACT); via JR Fishman notes
7117. 04/20/84 Shn - 0, 4769 Philadelphia Philadelphia Civic Center DAUD(FOB/Senn 441s by Jim Wise)>PCM>DAT>CDA>SHN notes
7118. 04/20/84 Flac 16 - 0, 120265 Philadelphia Philadelphia Civic Center flac16; AKG 224's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche notes
7119. 04/20/84 Flac 16 - 0, 109353 Philadelphia Philadelphia Civic Center flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (14th row-center) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7120. 04/20/84 Flac 16 - 0, 144957 Philadelphia Philadelphia Civic Center flac16; Set 2 Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1 notes
7121. 04/20/84 Flac 24/48 - 0, 149499 Philadelphia Philadelphia Civic Center flac24/48khz Recording Information: Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes
7122. 04/20/84 Flac 16/44,1 - 0, 149498 Philadelphia Philadelphia Civic Center flac16/44.1khz Recording Information: ** This is a 16 bit fileset ** Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes
7123. 04/20/84 Flac 24/48 - 0, 149751 Philadelphia Philadelphia Civic Center flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 45 feet from stage ROC (13th row) >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from second deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes
7124. 04/20/84 Flac 16/44,1 - 0, 149750 Philadelphia Philadelphia Civic Center flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 45 feet from stage ROC (13th row) >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from second deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes
7125. 04/20/84 Flac 24/96 - , 154737 Philadelphia Philadelphia Civic Center flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes
7126. 04/20/84 Flac 16/48 - , 154736 Philadelphia Philadelphia Civic Center flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes
7127. 04/20/84 Flac 16 Mtx - , 166578 Philadelphia Philadelphia Civic Center notes
7128. 04/21/84 Flac 24/96 - 0, 132913 Philadelphia Philadelphia Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
7129. 04/21/84 Flac 16 - 0, 132913 Philadelphia Philadelphia Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
7130. 04/21/84 Flac 24/96 - 0, 135804 Philadelphia Philadelphia Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger notes
7131. 04/21/84 Flac 16 - 0, 135805 Philadelphia Philadelphia Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac;transferred and seeded by Rob Berger notes
7132. 04/21/84 Flac 16 - 0, 136794 Philadelphia Philadelphia Civic Center flac16; Source: AUD FOB 2 Beyer 160s->sony TCD5M->Sony CDR-W66->EAC->cdwave->CD notes
7133. 04/21/84 Flac 16 - 0, 106643 Philadelphia Philadelphia Civic Center flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded by Bob & Amanda Morris, lower balcony Row J, Seats 5 & 6. notes
7134. 04/21/84 Flac 16/48 - 0, 137247 Philadelphia Philadelphia Civic Center flac16/48kHz; Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
7135. 04/21/84 Flac 16/48 - 0, 137273 Philadelphia Philadelphia Civic Center flac16/48kHz: 5.1 LPCM Surround Sound (48k) - SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - mixing by Kevin Tobin notes
7136. 04/21/84 Flac Dts 5.1 - 0, 137272 Philadelphia Philadelphia Civic Center DTS-Audio-CD 5.1 Mix: SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - matrix mixing by Kevin Tobin notes
7137. 04/21/84 Flac 16 Mtx - 0, 137271 Philadelphia Philadelphia Civic Center flac16; Matrix 2 Source Mix - SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - matrix mixing by Kevin Tobin notes
7138. 04/21/84 Flac 16 - 0, 137380 Philadelphia Philadelphia Civic Center flac16; FOB; Schoeps (no other info given); DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell notes
7139. 04/21/84 Flac 16 - 0, 141118 Philadelphia Philadelphia Civic Center flac16; Source Info: Rob Ackerman's Master Audience Cassettes; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkII)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96; 24-bit > 16-bit via dBpoweramp notes
7140. 04/21/84 Flac 24/96 - 0, 141117 Philadelphia Philadelphia Civic Center flac24; Source Info: Rob Ackerman's Master Audience Cassettes; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkII)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96 notes
7141. 04/21/84 Shn - 0, 34682 Philadelphia Philadelphia Civic Center Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Transfer: MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > SoundForge 5.0 normalization > WAV > CDWave > WAVs > mkwAC > SHNs to end of Throwing stones. Very End of Throwing Stones, Not Fade Away & Brokedown place from LMA Source: Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM > DAT > CDR Transfer and seed by Charles Bandrofcheck notes
7142. 04/21/84 Flac 16 - 0, 109391 Philadelphia Philadelphia Civic Center flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (14th row-center) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7143. 04/21/84 Shn - 0, 18253 Philadelphia Philadelphia Civic Center Patched Eaton/Silberman FOB (17th Row Split 30 feet) Neumann U87's via Doug Nawrocki notes
7144. 04/21/84 Flac 24/96 - 0, 113882 Philadelphia Philadelphia Civic Center flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes
7145. 04/21/84 Shn - 0, 10035 Philadelphia Philadelphia Civic Center Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes notes
7146. 04/21/84 Flac 24/48 - 0, 149501 Philadelphia Philadelphia Civic Center flac24/48khz Recording Information: Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes
7147. 04/21/84 Flac 16/44,1 - 0, 149500 Philadelphia Philadelphia Civic Center flac16/44.1khz Recording Information: ** This is a 16 bit fileset ** Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes
7148. 04/21/84 Flac 16/48 - 0, 148828 Philadelphia Philadelphia Civic Center flac16/48kHz; Source Info: Robert Bryant's Master (FOB) Audience Cassettes; Schoeps CMC4 MK41 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7149. 04/21/84 Flac 24/96 - 0, 148829 Philadelphia Philadelphia Civic Center flac24; Source Info: Robert Bryant's Master (FOB) Audience Cassettes; Schoeps CMC4 MK41 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
7150. 04/21/84 Flac 24/96 - , 154847 Philadelphia Philadelphia Civic Center FLAC 2496 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M
Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
notes
7151. 04/21/84 Flac 16/48 - , 154848 Philadelphia Philadelphia Civic Center FLAC 1648 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M
Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
notes
7152. 04/21/84 Flac 16 Mtx - , 166581 Philadelphia Philadelphia Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 137247 & 154848. notes
7153. 04/23/84 Flac 16 - 0, 105927 New Haven Veterans' Memorial Coliseum flac16; Recording Info:SBD -> Cassette Master -> Cassette (TDK SA-X90 Dolby B); Transfer Info:Cassette (Nakamichi DR-1 Dolby B) -> Sound Devices 744T (24bit 96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC 16; All Transfers and Mastering By Charlie Miller notes
7154. 04/23/84 Flac 16 - 0, 126316 New Haven Veterans' Memorial Coliseum flac16; 2nd set only. AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2013 notes
7155. 04/23/84 Flac 16 - 0, 132885 New Haven Veterans' Memorial Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
7156. 04/23/84 Flac 24/96 - 0, 132886 New Haven Veterans' Memorial Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
7157. 04/23/84 Flac 16 - 0, 32536 New Haven Veterans' Memorial Coliseum flac16; Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90 / Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton and Joani Walker for the Cassettes -- This is an upgrade to all previous circulating sbd's notes
7158. 04/23/84 Flac 16 - 0, 31147 New Haven Veterans' Memorial Coliseum flac16; First Set - Soundboard (unknown lineage) Transfer: Cassette > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > TLH (to verify SBE-OK & make checksums) > CD-Wave (for Track-ID's) > FLAC Frontend (for lossless compression); upgrade in circulation notes
7159. 04/23/84 Flac 16 - 0, 32240 New Haven Veterans' Memorial Coliseum flac16; SBD -> Master Cassette -> Reel -> Dat -> CD Transferred and Edited by Charlie Miller; upgrade in circulation notes
7160. 04/23/84 Shn - 0, 14949 New Haven Veterans' Memorial Coliseum 2nd set only; SBD -> Cm -> Reel -> Dat -> CD; Seeded to etree by Charlie Miller; upgrade in circulation notes
7161. 04/23/84 Flac 24/96 - 0, 123463 New Haven Veterans' Memorial Coliseum flac24; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7162. 04/23/84 Flac 16 - 0, 109416 New Haven Veterans' Memorial Coliseum flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7163. 04/23/84 Shn - 0, 14563 New Haven Veterans' Memorial Coliseum Mark Horvath FOB ATM2?s>Sony TC-D5>MC>CDR; Muddy recording; 2nd set more so than the 1st; via Paul B; Seeded to etree by Willy notes
7164. 04/23/84 Flac 24/48 - 0, 149175 New Haven Veterans' Memorial Coliseum flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals worn on head 60-70 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes
7165. 04/23/84 Flac 16/44 - 0, 149174 New Haven Veterans' Memorial Coliseum flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals worn on head 60-70 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes
7166. 04/23/84 Flac 24/48 - 0, 149582 New Haven Veterans' Memorial Coliseum flac24/48khz Recording Information: Source: MAUD CA: Beyer M201 hypercardioid XY 90' 60-70 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes
7167. 04/23/84 Flac 16/44,1 - 0, 149581 New Haven Veterans' Memorial Coliseum flac16/44.1khz Source: MAUD CA: Beyer M201 hypercardioid XY 90' 60-70 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes
7168. 04/23/84 Flac 16/48 - , 155349 New Haven Veterans' Memorial Coliseum flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes
7169. 04/23/84 Flac 24/96 - , 155350 New Haven Veterans' Memorial Coliseum flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes
7170. 04/24/84 Flac 16 - 0, 105854 New Haven Veterans' Memorial Coliseum flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette, Set 2: SBD -> Cassette Master -> Cassette (TDK SA-X90/Dolby B); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
7171. 04/24/84 Flac 16 - 0, 32620 New Haven Veterans' Memorial Coliseum flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton, Joani Walker and Jacob Feinberg for the tapes notes
7172. 04/24/84 Flac 16 - 0, 92518 New Haven Veterans' Memorial Coliseum flac16; FOB AUD: Patched from unknown mics and lead decks > Marantz PMD-340 > Maxell XLII 90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, June 2008. Transfer by Andrew F. notes
7173. 04/24/84 Flac 16 - 0, 32537 New Haven Veterans' Memorial Coliseum flac16; Set 2 Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton and Joani Walker for the Cassettes; upgrade in circulation notes
7174. 04/24/84 Flac 24/48 - 0, 126230 New Haven Veterans' Memorial Coliseum flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24 bit) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 11/2013 notes
7175. 04/24/84 Flac 16 - 0, 126231 New Haven Veterans' Memorial Coliseum flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2013 notes
7176. 04/24/84 Flac 24 - 0, Oade New Haven Veterans' Memorial Coliseum notes
7177. 04/24/84 Shn - 0, 14564 New Haven Veterans' Memorial Coliseum Set 1; AUD (Nak300's)>MC>DAT>CDR Set 2; Mark Horvath FOB ATM2?s> Sony TC-D5>MC>CDR; Set 2 is 'muddy'; via Paul B; Seeded to etree by Willy notes
7178. 04/24/84 Flac 16 - 0, 109423 New Haven Veterans' Memorial Coliseum flac16; source: 3 Beyer M160 microphones (13th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7179. 04/24/84 Flac 24/48 - 0, 149587 New Haven Veterans' Memorial Coliseum flac24/48khz Source: MAUD CA: Beyer M201's (Hypercardioid) 45 feet from stage 6'high DFC >Sony TCD5M > TDK MA90; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook, Gary Steele notes
7180. 04/24/84 Flac 16/44,1 - 0, 149586 New Haven Veterans' Memorial Coliseum flac16/44.1khz Source: MAUD CA: Beyer M201's (Hypercardioid) 45 feet from stage 6'high DFC >Sony TCD5M > TDK MA90; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook notes
7181. 04/24/84 Flac 24/48 - 0, 149940 New Haven Veterans' Memorial Coliseum flac24/48khz Source: MAUD CA: Sennheiser mke2002 Binaural on dummy head 45 feet from stage 6'high DFC >Sony TCD5M > Sony TCD6M Maxell XLIIS90; No Dolby - Master copy from second deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes
7182. 04/24/84 Flac 16/44,1 - 0, 149939 New Haven Veterans' Memorial Coliseum flac16/44.1khz Source: MAUD CA: Sennheiser mke2002 Binaural on dummy head 45 feet from stage 6'high DFC >Sony TCD5M > Sony TCD6M Maxell XLIIS90; No Dolby - Master copy from second deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes
7183. 04/24/84 Flac 24/96 - , 155621 New Haven Veterans' Memorial Coliseum flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes
7184. 04/24/84 Flac 16/48 - , 155620 New Haven Veterans' Memorial Coliseum flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes
7185. 04/26/84 Flac 16 - 0, 91432 Providence Providence Civic Center flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes
7186. 04/26/84 Flac 16 Mtx - 0, 92297 Providence Providence Civic Center flac16; MATRIX MIX: SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>Soundtrack>WAV>SHN) May 10, 2008 Remastered June 14, 2008. Cleaned up version of the previous Seamons matrix source notes
7187. 04/26/84 Flac 16 - 0, 91432 Providence Providence Civic Center flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes
7188. 04/26/84 Flac 16 - 0, 125166 Providence Providence Civic Center flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 07/2013 notes
7189. 04/26/84 Shn - 0, 4770 Providence Providence Civic Center Master Soundboard Cassette > Cassette > DAT > CDR notes
7190. 04/26/84 Flac 16 - 0, 92429 Providence Providence Civic Center flac16; FOB AUD: Patched from unknown mics and lead decks > Marantz PMD-340 > Maxell XLII-S 90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F. notes
7191. 04/26/84 Flac 24/96 - 0, 135839 Providence Providence Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, sec 1, row g; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger notes
7192. 04/26/84 Flac 16 - 0, 135838 Providence Providence Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, sec 1, row g; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger notes
7193. 04/26/84 Flac 16 - 0, 78773 Providence Providence Civic Center flac16; Set I - 1st Gen; Sennheiser MKE 2002 (binaural, head worn) > Sony D5 > Sony D5 > Maxell XLII-S (no Dolby) Set II - MAC; Beyer M201s (hyper cards, X-Y) > Sony TC D5M > TDK MA90 (no Dolby) Tapers: Sennheiser MKE 2002s - Chris K./ Beyer M201s - Kyle H. Transfer: Nakamichi CD2 [azimuth adjusted]>Kind Kables rca>xlr>Lunatec V3>coax>Audiophile 24960> CEP 2.0 (normalized_100%)>CD Wave Editor>Traders Little Helper>FLAC16. Transfer, all edits, conversion & upload to bt.etree.org by Alex Ford 10/5/2006. notes
7194. 04/26/84 Flac 24/48 - 0, 125165 Providence Providence Civic Center flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24 bit) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 07/2013 notes
7195. 04/26/84 Flac 24/96 - 0, 123621 Providence Providence Civic Center flac24; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7196. 04/26/84 Flac 16 - 0, 109441 Providence Providence Civic Center flac16; source: 2 Sennheiser 441's & 1 Beyer M160 microphones (15th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on)- analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7197. 04/26/84 Flac 16 - 0, 125778 Providence Providence Civic Center flac16; Master: 3 Sennhesier 441s/Yamaha MM10 Mic Mixer and Sony TC-D5m Cassette Master; 16th Row on Phil's side; 1st deck out of mic mixer; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670 notes
7198. 04/26/84 Flac 16/44,1 - 0, 149636 Providence Providence Civic Center flac16/44.1khz Source: set 1: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 50 feet from stage DFC >Sony TCD6M > TDK MA 90s No Dolby - Master copy from 2nd deck run by SM. set 2: MAUD CA: Beyer M201's (Hypercardioid) 50 feet from stage 6'high DFC >Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes
7199. 04/26/84 Flac 24/48 - 0, 149635 Providence Providence Civic Center flac24/48khz Source: set 1: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 50 feet from stage DFC >Sony TCD6M > TDK MA 90s No Dolby - Master copy from 2nd deck run by SM. set 2: MAUD CA: Beyer M201's (Hypercardioid) 50 feet from stage 6'high DFC >Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes
7200. 04/26/84 Flac 24/48 - 0, 149898 Providence Providence Civic Center flac24/48khz Recording Information: Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 50 feet from stage DFC >Sony TCD6M > TDK MA 90s x2.5 No Dolby - Master copy from 2nd deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes
7201. 04/26/84 Flac 16/44,1 - 0, 149897 Providence Providence Civic Center flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 50 feet from stage DFC >Sony TCD6M > TDK MA 90s x2.5 No Dolby - Master copy from 2nd deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes
7202. 04/26/84 Flac 16/48 - , 155745 Providence Providence Civic Center flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics (section 5, row G, seta10) > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes
7203. 04/26/84 Flac 24/96 - , 155746 Providence Providence Civic Center flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics (section 5, row G, seta10) > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes
7204. 04/27/84 Flac 16 - 0, 32619 Providence Providence Civic Center flac16; Source: FOB 15th Row Ctr Sennheiser 441 > Sony D5. Transfer: MAC playback on Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs extracted with EAC to WAV > FLAC. Originally recorded and transferred to digital realm by B.Koucky. Mastering: FLAC > WAV > Wavelab 5.0 (crossfaded tape flips, level adjustents and L3 Multimaximizer) > CDWAV 1.9 (tracking) > FLAC (level5) > torrenting by C.Ladner. notes
7205. 04/27/84 Shn - 0, 3158 Providence Providence Civic Center mixed source: 1st set - Neumann > D6 > DAT > CDR > EAC > WAV > SHN, 2nd set - MSbd> Cass > DAT > CDR > EAC > WAV > SHN; to abgd.hs by PJ notes
7206. 04/27/84 Flac 16 - 0, 132605 Providence Providence Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Sennheiser 421's (X-Y Cross) And 2 Nakamichi CM300/CP4 Shotguns (Spread) > Unknown Mixer > Sony D5, Tapes:Set 1 Maxell UDXLII - 90, Set 2 TDK MA - 90, Tapes Labelled:Master - Ross; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
7207. 04/27/84 Flac 24/96 - 0, 132606 Providence Providence Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Sennheiser 421's (X-Y Cross) And 2 Nakamichi CM300/CP4 Shotguns (Spread) > Unknown Mixer > Sony D5, Tapes:Set 1 Maxell UDXLII - 90, Set 2 TDK MA - 90, Tapes Labelled:Master - Ross; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
7208. 04/27/84 Flac 16 - 0, 124956 Providence Providence Civic Center flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 07/2013 notes
7209. 04/27/84 Flac 16 - 0, 135908 Providence Providence Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row S; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger notes
7210. 04/27/84 Flac 24/96 - 0, 135909 Providence Providence Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row S; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger notes
7211. 04/27/84 Flac 16 - 0, 125779 Providence Providence Civic Center flac16; Master: 3 Sennhesier 441s/Yamaha MM10 Mic Mixer and Sony TC-D5m Cassette Master; 16th Row on Phil's side; 1st deck out of mic mixer; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670 notes
7212. 04/27/84 Flac 24/48 - 0, 124955 Providence Providence Civic Center flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24 bit) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 07/2013 notes
7213. 04/27/84 Flac 24/96 - 0, 123721 Providence Providence Civic Center flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7214. 04/27/84 Flac 16 - 0, 109471 Providence Providence Civic Center flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on)- analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7215. 04/27/84 Flac 24/48 - 0, 149652 Providence Providence Civic Center flac24/48khz Recording Information: Source: MAUD CA: Beyer M201's (Hypercardioid) 50 feet from stage 6'high DFC >Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes
7216. 04/27/84 Flac 16/44,1 - 0, 149651 Providence Providence Civic Center flac16/44.1khz Recording Information:*** This is a 16 bit fileset *** Source: MAUD CA: Beyer M201's (Hypercardioid) 50 feet from stage 6'high DFC >Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes
7217. 04/27/84 Flac 24/48 - 0, 149952 Providence Providence Civic Center flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90 No Dolby -second deck inline run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes
7218. 04/27/84 Flac 16 - 0, 149951 Providence Providence Civic Center flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90 No Dolby -second deck inline run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes
7219. 04/27/84 Flac 16/48 - , 155815 Providence Providence Civic Center flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics (section 2, row S, seat 7) > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes
7220. 04/27/84 Flac 24/96 - , 155816 Providence Providence Civic Center flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics (section 2, row S, seat 7) > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496 notes
7221. 04/29/84 Flac 16 - 0, 91146 Uniondale Nassau Coliseum flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller Recorded By Rick Pauline notes
7222. 04/29/84 Flac 16 - 0, 125853 Uniondale Nassau Coliseum flac16; Set 2 only; Master: 2 Crown PZM-315 Microphones and Sony TC-D5m Cassette Master microphones spread about 20 feet behind stage, obstructed view seating; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670 notes
7223. 04/29/84 Flac 16/48 - 0, 140355 Uniondale Nassau Coliseum flac1648; 1st Set: Rob Eaton's (FOB) Master Audience Cassette; Neumann U-87 mics > Sony TC-D5M (21st Row, DFC)> Panasonic SV-3800 16/48; 2nd Set: Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 notes
7224. 04/29/84 Flac 16 - 0, 109481 Uniondale Nassau Coliseum flac16; source: 2 Beyer M160 & 1 Sennheiser 421 mic's (17th row-center) > Nak100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7225. 04/29/84 Shn - 0, 15390 Uniondale Nassau Coliseum (FOB/14th Row) 3 Beyer M160's -> Cm -> Sound Forge -> CD -> EAC -> SHN; Converted to SHN By Charlie Miller notes
7226. 04/29/84 Flac 24/96 - 0, 123815 Uniondale Nassau Coliseum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7227. 04/29/84 Flac 24/48 - 0, 149679 Uniondale Nassau Coliseum flac24/48khz Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes
7228. 04/29/84 Flac 16/44,1 - 0, 149678 Uniondale Nassau Coliseum flac16/44.1khz Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes
7229. 04/29/84 Flac 24/48 - 0, 149684 Uniondale Nassau Coliseum flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 90 feet from stage DFC (1st row 2nd section)>Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Patch source: MAUD CA Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes
7230. 04/29/84 Flac 16/44,1 - 0, 149683 Uniondale Nassau Coliseum flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 90 feet from stage DFC (1st row 2nd section)>Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Patch source: MAUD CA Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes
7231. 04/30/84 Flac 16 - 0, 91165 Uniondale Nassau Coliseum flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
7232. 04/30/84 Flac 16/48 - 0, 140354 Uniondale Nassau Coliseum flac1648 Set 1: (FOB) Neumann U-87 mics > Sony TC-D5M (21st Row, DFC)> Panasonic SV-3800 16/48; Set 2: Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac164 notes
7233. 04/30/84 Flac 16 - 0, 34687 Uniondale Nassau Coliseum flac16; Source: FOB/Row 11 Sennheiser 441s > Sony D5 > Maxell MX90 Type IV Cassettes (Master Audience Cassette). Taped by Bill "whynotus" Koucky. Transfer/Mastering: MAC playback on Nakamichi DR-2 cassette deck > gold RCAs > Audiophile 24/96-Pentium IV PC > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered using Waves XNoise (learn mode) and L3 Multimaximizer, rendered to 16 bit/44.1 KHz WAV using hi-res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8) notes
7234. 04/30/84 Shn - 0, 5302 Uniondale Nassau Coliseum aud> senn 441> cassette master> cdr; via Mike Lai with thanks to Alan Powell notes
7235. 04/30/84 Flac 16 - 0, 109497 Uniondale Nassau Coliseum flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (17th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7236. 04/30/84 Flac 24/96 - 0, 123922 Uniondale Nassau Coliseum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7237. 04/30/84 Flac 24/48 - 0, 149177 Uniondale Nassau Coliseum flac24/48khz Source: 1st Gen AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby -lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes
7238. 04/30/84 Flac 16/44 - 0, 149176 Uniondale Nassau Coliseum flac16/44.1khz Source: 1st Gen AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby -lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele notes
7239. 04/30/84 Flac 24/48 - 0, 149695 Uniondale Nassau Coliseum flac24/48khz Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes
7240. 04/30/84 Flac 16/44,1 - 0, 149692 Uniondale Nassau Coliseum flac16/44.1khz Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes
7241. 04/30/84 Flac 24/48 - 0, 149983 Uniondale Nassau Coliseum flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLIIS 90 s2:TDK MA 90 No Dolby -second deck inline run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes
7242. 04/30/84 Flac 16/44,1 - 0, 149982 Uniondale Nassau Coliseum flac16/44.1khz Recording Information: ** This is a 16 bit fileset ** Source: Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLIIS 90 s2:TDK MA 90 No Dolby -second deck inline run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel notes
7243. 05/06/84 Flac 16 - 0, 107138 Eugene Silva Hall, Hult Center flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
7244. 05/06/84 Flac 16 - 0, 77302 Eugene Silva Hall, Hult Center flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
7245. 05/06/84 Shn - 0, 18638 Eugene Silva Hall, Hult Center SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko; upgrade in circulation notes
7246. 05/06/84 Flac 16 - 0, 29302 Eugene Silva Hall, Hult Center flac16; Source: Sen 421's > patched thru 3(?) decks > Toshiba KT-R2 Walkman Taped on Sony UCX-S 90 cassette (no dolby on the Toshiba walkman) Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC; Set 2 Only notes
7247. 05/06/84 Flac 16/48 - 0, 152043 Eugene Silva Hall, Hult Center flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
7248. 05/06/84 Flac 24/96 - 0, 152044 Eugene Silva Hall, Hult Center flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
7249. 05/07/84 Flac 16 - 0, 96343 Eugene Silva Hall, Hult Center flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; this source fixes a flaw in the previous source. notes
7250. 05/07/84 Flac 16 - 0, 77303 Eugene Silva Hall, Hult Center flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
7251. 05/07/84 Flac 16 - 0, 96297 Eugene Silva Hall, Hult Center flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; upgrade in circulation. notes
7252. 05/07/84 Flac 16 - 0, 88850 Eugene Silva Hall, Hult Center flac16; source: sbd >dat x 2 > wav > shnn > wav > flac; upgrade in circulation notes
7253. 05/07/84 Shn - 0, 350 Eugene Silva Hall, Hult Center SBD> Cass> DAT> cdr; via Chris Vinci, Mike Lai; upgrade in circulation notes
7254. 05/07/84 Flac 16 - 0, 105436 Eugene Silva Hall, Hult Center flac16; Set 2 Only. Sennheiser 441's > patched thru unknown decks > Toshiba KTR2 Walkman. Recorded in the mezzanine. 1st Gen cassette transferred. Transfer: Maxell XLII > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. notes
7255. 05/07/84 Flac 16/48 - 0, 152056 Eugene Silva Hall, Hult Center flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
7256. 05/07/84 Flac 24/96 - 0, 152057 Eugene Silva Hall, Hult Center flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
7257. 05/08/84 Flac 16 - 0, 77312 Eugene Silva Hall, Hult Center flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
7258. 05/08/84 Shn - 0, 2573 Eugene Silva Hall, Hult Center SBD> MR> C> DAT> CDR; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation notes
7259. 05/08/84 Flac 16 - 0, 134517 Eugene Silva Hall, Hult Center flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
7260. 05/08/84 Flac 16 Mtx - 0, 134627 Eugene Silva Hall, Hult Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes
7261. 05/08/84 Shn - 0, 12521 Eugene Silva Hall, Hult Center Set 2 only; (Mics?)>Sony D5>Master AUD Cassette>Cassette>WAV (CDWav)>SHN (MKWAct); Taped by Dave Morris, seeded by Jim Bennett and Brian Bontempo notes
7262. 05/08/84 Flac 16 - 0, 29304 Eugene Silva Hall, Hult Center flac16; Source: Sony ECM-939LT stereo mic > Marantz PMD-340 cassette deck. Sony UCX-S 90 cassettes, with Dolby B On. Taped by Andrew F. Mic on 7-foot tent pole, center seat of 30th row (rear orchestra). Transfer: MAC > Sony TC-D5M > Marantz CDR-500 > EAC > Soundforge > CD-Wave > FLAC Soundforge used for fades and to smooth out a few rough spots. There were too many yells and hand-claps to deal with, so I left those as-is. CD-Wave used for track-ID?s, and FLAC Frontend for lossless compression. notes
7263. 05/08/84 Flac 16/48 - 0, 152058 Eugene Silva Hall, Hult Center flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
7264. 05/08/84 Flac 24/96 - 0, 152059 Eugene Silva Hall, Hult Center flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
7265. 06/09/84 Flac 16 - 0, 77322 Sacramento Cal Expo flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
7266. 06/09/84 Shn - 0, 18251 Sacramento Cal Expo SBD > MC > DAT > CD > EAC > SHN via Darryl Hinko; upgrade in circulation notes
7267. 06/09/84 Shn - 0, 14950 Sacramento Cal Expo 1st set only; Lineage: SBD -> Cm -> Dat -> MiniDisc -> Samplitude -> CD Recording Info: SBD -> Cm -> Dat; Note- Deal is patched from an aud source; See info file for details; upgrade in circulation notes
7268. 06/09/84 Flac 16 - 0, 106006 Sacramento Cal Expo flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
7269. 06/09/84 Shn - 0, 14565 Sacramento Cal Expo AUD (Nak 700?s)>MC>DAT>CD; Missing encore; via Paul B; Seeded to etree by Willy notes
7270. 06/09/84 Flac 24/48 - 0, 148188 Sacramento Cal Expo flac24/48 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes
7271. 06/09/84 Flac 16/44 - 0, 148187 Sacramento Cal Expo flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes
7272. 06/09/84 Flac 24/96 - 0, 151074 Sacramento Cal Expo flac24/96khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
7273. 06/09/84 Flac 16/48 - 0, 151073 Sacramento Cal Expo flac16/48khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
7274. 06/10/84 Flac 16 - 0, 105976 Sacramento Cal Expo flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 ; All Transfers and Mastering By Charlie Miller notes
7275. 06/10/84 Shn - 0, 10163 Sacramento Cal Expo SBD>MC>C>DAT>CDR; Stranger & Brokedown cut in, see info file for details; via Paul B; seeded to etree by Willy; upgrade in circulation notes
7276. 06/10/84 Flac 16 - 0, 77323 Sacramento Cal Expo flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
7277. 06/10/84 Flac 16 - 0, 32366 Sacramento Cal Expo FOB: 2Beyer M160s>D5>MC>CDR>EAC>FLAC notes
7278. 06/10/84 Flac 24/48 - 0, 148190 Sacramento Cal Expo flac24/48 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes
7279. 06/10/84 Flac 16/44 - 0, 148189 Sacramento Cal Expo flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes
7280. 06/12/84 Flac 16 - 0, 78162 Morrison Red Rocks Ampitheatre flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony Suraci. Transfer and upload by Tony Suraci notes
7281. 06/12/84 Flac 24/96 - 0, 140182 Morrison Red Rocks Ampitheatre flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 notes
7282. 06/12/84 Flac 16 - 0, 140181 Morrison Red Rocks Ampitheatre flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp notes
7283. 06/12/84 Flac 16 - 0, 122313 Morrison Red Rocks Ampitheatre flac16; Set 2 Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M; Transfer: Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files; From: 1st generation analog cassette notes
7284. 06/12/84 Flac 24/48 - 0, 147334 Morrison Red Rocks Ampitheatre flac24/48khz Recording Information: Source: MAUD CA|Sennheiser MKE2002 Binaurals on Kyle's Head set 1; dummy head set 2 > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes
7285. 06/12/84 Flac 16/48 - 0, 147368 Morrison Red Rocks Ampitheatre flac16/48khz Recording Information: Source: MAUD CA|Sennheiser MKE2002 Binaurals on Kyle's Head set 1; dummy head set 2 > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes
7286. 06/12/84 Flac 24/48 - 0, 148192 Morrison Red Rocks Ampitheatre flac24/48 Recording Information: MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook notes
7287. 06/12/84 Flac 16/44 - 0, 148191 Morrison Red Rocks Ampitheatre flac16/44 Recording Information: MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook notes
7288. 06/12/84 Flac 24/96 - 0, 148388 Morrison Red Rocks Ampitheatre flac24; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
7289. 06/12/84 Flac 16/48 - 0, 148387 Morrison Red Rocks Ampitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7290. 06/13/84 Shn - 0, 11263 Morrison Red Rocks Ampitheatre SBD>PCM>DAT>CDR; via Rick M; Seeded to etree by Chris L notes
7291. 06/13/84 Flac 16 - 0, 78363 Morrison Red Rocks Ampitheatre flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony S notes
7292. 06/13/84 Flac 24/96 - 0, 140184 Morrison Red Rocks Ampitheatre flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 notes
7293. 06/13/84 Flac 16 - 0, 140183 Morrison Red Rocks Ampitheatre flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp notes
7294. 06/13/84 Flac 16 - 0, 122132 Morrison Red Rocks Ampitheatre flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M; Transfer: Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files; From: 1st generation analog cassettes notes
7295. 06/13/84 Flac 16 - 0, 135955 Morrison Red Rocks Ampitheatre flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD -> SHN -> WAV; Transfer Info: WAV -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC notes
7296. 06/13/84 Flac 24/48 - 0, 148194 Morrison Red Rocks Ampitheatre flac24/48khz MAUD CA: Beyer M88's XY > Sony TCD5M|maxell MX90 x2 no NR ***[Hell in A Bucket from first generation same source] Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Chris Kidwell Transferred: Kyle Holbrook notes
7297. 06/13/84 Flac 16/44 - 0, 148193 Morrison Red Rocks Ampitheatre flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M|maxell MX90 x2 no NR ***[Hell in A Bucket from first generation same source] Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Chris Kidwell Transferred: Kyle Holbrook notes
7298. 06/13/84 Flac 24/96 - 0, 148390 Morrison Red Rocks Ampitheatre flac24; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
7299. 06/13/84 Flac 16/48 - 0, 148389 Morrison Red Rocks Ampitheatre flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7300. 06/14/84 Shn - 0, 18804 Morrison Red Rocks Ampitheatre SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes
7301. 06/14/84 Flac 16 - 0, 78371 Morrison Red Rocks Ampitheatre flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony S. notes
7302. 06/14/84 Flac 16 - 0, 139553 Morrison Red Rocks Ampitheatre flac16; Recording Info: SBD > PCM Master > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller notes
7303. 06/14/84 Flac 24/96 - 0, 140186 Morrison Red Rocks Ampitheatre flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 notes
7304. 06/14/84 Flac 16 - 0, 140185 Morrison Red Rocks Ampitheatre flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp notes
7305. 06/14/84 Flac 16 - 0, 122133 Morrison Red Rocks Ampitheatre flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M; Transfer: Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files; From: 1st generation analog cassettes notes
7306. 06/14/84 Shn - 0, 351 Morrison Red Rocks Ampitheatre AUD/1>CD (poss Sennheiser>D5); via Teddy GoodBear to abgd; extensive notes notes
7307. 06/14/84 Flac 24/48 - 0, 147345 Morrison Red Rocks Ampitheatre flac24/48khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 140 feet from stage 15' ROC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes
7308. 06/14/84 Flac 16/48 - 0, 147367 Morrison Red Rocks Ampitheatre flac16/48khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 140 feet from stage 15' ROC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes
7309. 06/14/84 Flac 24/48 - 0, 148196 Morrison Red Rocks Ampitheatre flac24/48khz MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook notes
7310. 06/14/84 Flac 16/44 - 0, 148195 Morrison Red Rocks Ampitheatre flac16/44 MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook notes
7311. 06/21/84 Shn - 0, 15405 Maple Kingswood Music Theater FM>MC>PCM>DAT>Cool Edit Pro>CDR>SHN; Via Andy L; EAC'ed and SHN'ed by tbrame notes
7312. 06/21/84 Flac 24/96 - 0, 132583 Maple Kingswood Music Theater flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
7313. 06/21/84 Flac 16 - 0, 132582 Maple Kingswood Music Theater flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
7314. 06/21/84 Shn - 0, 352 Maple Kingswood Music Theater "liberated" Bootleg CD > EAC > SHN; via B. de Vos; see flaw notes in pub comments notes
7315. 06/21/84 Flac 16 - 0, 32640 Maple Kingswood Music Theater flac16; AUD Source: Two Nakamichi CM-300's with CP-4 shotguns capsules, plus one Nakamichi CM-300 with CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Set up behind the soundboard. Taped by Ray Ackerman. notes
7316. 06/21/84 Flac 16/48 - 0, 137832 Maple Kingswood Music Theater flac16/48kHz; FM > MC > DAT; DAT @ 48kHz > Sony PCM-R500 > Tascam SS-R1 > Canare Coax > Samplitude Pro X2 Suite (Build 256) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; Transfer & edits by Jeff Mitchell notes
7317. 06/21/84 Flac 24/96 - 0, 140158 Maple Kingswood Music Theater flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 notes
7318. 06/21/84 Flac 16 - 0, 140157 Maple Kingswood Music Theater flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 notes
7319. 06/21/84 Flac 24/96 - 0, 141522 Maple Kingswood Music Theater flac24; Ray Ackerman’s Master Audience Cassettes; 2 Nakamichi CM-300's w/ CP-4 shotguns capsules + 1 Nakamichi CM-300 w/ CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Located behind the SBD dead center; Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 notes
7320. 06/21/84 Flac 24/96 - 0, 90982 Maple Kingswood Music Theater flac24; Partial Set 1 & All Set 2, Recordist: Kyle Holbrook Location: unknown Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Recorded Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 (No Dolby, Azimuth Adjusted) > Canare Star Quad interconnects > Sound Devices 722 (Line In, +10.0 dB) > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.2.0, FLAC Frontend v1.7.0.1, Level 8 All transfers and DSP performed by Tim Burke notes
7321. 06/21/84 Flac 16 - 0, 91024 Maple Kingswood Music Theater flac16; Partial Set 1 & All Set 2, Recordist: Kyle Holbrook Location: unknown Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Recorded Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 (No Dolby, Azimuth Adjusted) > Canare Star Quad interconnects > Sound Devices 722 (Line In, +10.0 dB) > IBM ThinkPad T41 Editing: Steinberg WaveLab v5.01b (resample, dither) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.2, FLAC Frontend v1.7.0.1, Level 8, Sector Boundaries Aligned All transfers and DSP performed by Tim Burke notes
7322. 06/21/84 Flac 16 - 0, 117777 Maple Kingswood Music Theater flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (18th row)> Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes
7323. 06/21/84 Flac 16 - 0, 145045 Maple Kingswood Music Theater flac16; Ray Ackerman’s Master Audience Cassettes; 2 Nakamichi CM-300's w/ CP-4 shotguns capsules + 1 Nakamichi CM-300 w/ CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Located behind the SBD dead center; Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1 notes
7324. 06/21/84 Flac 24/48 - 0, 147383 Maple Kingswood Music Theater flac24/48khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes
7325. 06/21/84 Flac 16/44,1 - 0, 147382 Maple Kingswood Music Theater flac16/44.1khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes
7326. 06/21/84 Flac 16/44 - 0, 148197 Maple Kingswood Music Theater flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes
7327. 06/21/84 Flac 24/48 - 0, 148198 Maple Kingswood Music Theater flac24/48khz Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook notes
7328. 06/21/84 Flac 24/96 - 0, 151253 Maple Kingswood Music Theater flac24/96khz Recording Info: FM > Cassette Master (Tascam 122) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) notes
7329. 06/21/84 Flac 16/44 - 0, 151598 Maple Kingswood Music Theater flac16/44khz Recording Info: FM > Cassette Master (Tascam 122) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) - 151253 24 -> 16 @ 44.1 notes
7330. 06/23/84 Flac 16 - 0, 81280 Harrisburg City Island flac16; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 notes
7331. 06/23/84 Flac 24/96 - 0, 138874 Harrisburg City Island flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 notes
7332. 06/23/84 Flac 16 - 0, 138873 Harrisburg City Island flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 notes
7333. 06/23/84 Flac 16/48 - 0, 140159 Harrisburg City Island flac16/48kHz; Recording Info: Master Soundboard Cassette -> Reel to Reel -> Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 > Adobe Audition 3.0 -> TLH flac1648 notes
7334. 06/23/84 Flac 24 - 0, 140516 Harrisburg City Island flac24; source: nak 300 (12’ dfc by board) > tcd5m > master = maxwell udxl ii (1) / mx 90 (2) +dolby > master via tascam 122 mk ii > apogee rosetta 200(24/96) > audacity (normalize, tracks, fades) > flac24/96 > xact (tags, ffp, md5) notes
7335. 06/23/84 Flac 16 - 0, 141597 Harrisburg City Island flac16; Ray Ackerman’s Master Audience Cassettes; Four (4) Sennheiser 441's > Yamaha mixer > SonyD5 > SonyD6 > Cassette > DAT (FOB); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Kyocera D811 > Sony PCM 2600 using SBM > DAT 16/44 notes
7336. 06/23/84 Flac 24/96 - 0, 81548 Harrisburg City Island flac24/96; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke notes
7337. 06/23/84 Shn - 0, 14951 Harrisburg City Island Recording Info: (FOB) Senn 441 -> PCM -> Dat; Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC (Plextor 24/10/40A) -> Cool Edit Pro v1.2 -> SHN (2 Discs SHN / 2 Discs Audio); Seeded to etree by Charlie Miller notes
7338. 06/23/84 Shn - 0, 14566 Harrisburg City Island AUD (Nak 100's)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy notes
7339. 06/23/84 Flac 24/96 - 0, 124088 Harrisburg City Island flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7340. 06/23/84 Flac 16 - 0, 109812 Harrisburg City Island flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; Transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7341. 06/23/84 Shn - 0, 18226 Harrisburg City Island Nak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by David Minches notes
7342. 06/24/84 Flac 16 - 0, 27449 Saratoga Springs Saratoga Performing Arts Center flac16: SBD> Cassette Master> Dat; patches from Nakamichi 300/CP1> Cassette Master> Dat; Transfer: Dat> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> FLAC; All Transfers and Editing By Charlie Miller notes
7343. 06/24/84 Flac 16 - 0, 132576 Saratoga Springs Saratoga Performing Arts Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
7344. 06/24/84 Flac 24/96 - 0, 132577 Saratoga Springs Saratoga Performing Arts Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
7345. 06/24/84 Flac 24/48 - 0, 109483 Saratoga Springs Saratoga Performing Arts Center flac24; FOB AUD: 3x Nakamichi CM300/CP1's cardioids > Nakamichi 550 > Maxell XLII-S 90's, set up in 12th row left of center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 08/2010 notes
7346. 06/24/84 Flac 16 - 0, 89559 Saratoga Springs Saratoga Performing Arts Center flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller. notes
7347. 06/24/84 Flac 16 - 0, 109484 Saratoga Springs Saratoga Performing Arts Center flac16; FOB AUD: 3x Nakamichi CM300/CP1's cardioids > Nakamichi 550 > Maxell XLII-S 90's, set up in 12th row left of center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 08/2010 notes
7348. 06/24/84 Flac 16 - 0, 138865 Saratoga Springs Saratoga Performing Arts Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 notes
7349. 06/24/84 Flac 24/96 - 0, 138866 Saratoga Springs Saratoga Performing Arts Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 notes
7350. 06/24/84 Flac 24/96 - 0, 139813 Saratoga Springs Saratoga Performing Arts Center flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
7351. 06/24/84 Flac 16 - 0, 141137 Saratoga Springs Saratoga Performing Arts Center flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
7352. 06/24/84 Flac 16 - 0, 81627 Saratoga Springs Saratoga Performing Arts Center flac16; Recordist: Kyle Holbrook Location: Set One: ~5' ROC, ~175' from stage lip, head height | Set Two: Centered, ~150' from stage lip, head height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 notes
7353. 06/24/84 Flac 24/96 - 0, 81707 Saratoga Springs Saratoga Performing Arts Center flac24/96; Recordist: Kyle Holbrook Location: Set One: ~5' ROC, ~175' from stage lip, head height | Set Two: Centered, ~150' from stage lip, head height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format : 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 notes
7354. 06/24/84 Shn - 0, 4628 Saratoga Springs Saratoga Performing Arts Center Aud> Nak300> CM> CDR> EAC(Secure Mode)> CDWave(Retracking Only)> Shnv3(MKW ACT) notes
7355. 06/24/84 Flac 24/96 - 0, 126261 Saratoga Springs Saratoga Performing Arts Center flac24; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7356. 06/24/84 Flac 16 - 0, 117800 Saratoga Springs Saratoga Performing Arts Center flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes
7357. 06/26/84 Flac 16 - 0, 110057 Columbia Merriweather Post Pavilion flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
7358. 06/26/84 Flac 16 - 0, 123260 Columbia Merriweather Post Pavilion flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller notes
7359. 06/26/84 Flac 16 - 0, 127526 Columbia Merriweather Post Pavilion flac16; Source from Doug Oade: Schoeps cmc441 > Sony TC-D5M > Sony PCM-601ESD > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created and SBE's fixed in Traders Little Helper notes
7360. 06/26/84 Shn - 0, 20324 Columbia Merriweather Post Pavilion Source: SBD>PCM>DAT>CD>SHN. Tennessee Jed and Day Job are patched from an audience recording via Ray Hansen, encoded by Peter Braverman; upgrade in circulation notes
7361. 06/26/84 Flac 16 - 0, 91181 Columbia Merriweather Post Pavilion flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller notes
7362. 06/26/84 Flac 16 - 0, 87625 Columbia Merriweather Post Pavilion flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (patch upgrade of shn id 87511) notes
7363. 06/26/84 Flac 24/96 - 0, 139840 Columbia Merriweather Post Pavilion flac24; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
7364. 06/26/84 Flac 16 - 0, 141138 Columbia Merriweather Post Pavilion flac16; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
7365. 06/26/84 Flac 16 - 0, 81741 Columbia Merriweather Post Pavilion flac16; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 notes
7366. 06/26/84 Flac 24/96 - 0, 81875 Columbia Merriweather Post Pavilion flac24/96; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke notes
7367. 06/26/84 Shn - 0, 7293 Columbia Merriweather Post Pavilion AUD SENN 421's>TCD5-M, Recorded by R. Pauline; MC transferred to CD by Lou B.; cdr > eac (secure) > mkwact > shn (seekable) by Matt Vernon notes
7368. 06/26/84 Flac 16 - 0, 81495 Columbia Merriweather Post Pavilion flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck notes
7369. 06/26/84 Shn - 0, 77449 Columbia Merriweather Post Pavilion Source Info:Sennheiser421's>Sony D5:CD Transfer: Denon DN-790r>Audiophile 2496>Cool Edit 200>wav>shn: Taped and Transferred by Phil Unger; originally posted to abgd July 2002; sbe's fixed with shntool 9/16/2006 notes
7370. 06/26/84 Flac 16 - 0, 111458 Columbia Merriweather Post Pavilion flac16; source: 2 Beyer M160 and 1 Sennheiser 421 microphones (14th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
7371. 06/26/84 Flac 24/96 - 0, 148234 Columbia Merriweather Post Pavilion flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
7372. 06/26/84 Flac 16/48 - 0, 148233 Columbia Merriweather Post Pavilion flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7373. 06/27/84 Flac 16 - 0, 87467 Columbia Merriweather Post Pavilion flac16; SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation notes
7374. 06/27/84 Flac 16 - 0, 87658 Columbia Merriweather Post Pavilion flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller. This is a pitch correction of the previous Miller source, shn id 87467 notes
7375. 06/27/84 Flac 16 - 0, 82420 Columbia Merriweather Post Pavilion flac16; Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 notes
7376. 06/27/84 Shn - 0, 4615 Columbia Merriweather Post Pavilion SBD> MC> C> DAT> CDRx1> EAC> SHN; Mastered, ripped, encoded and posted by Skankweed to abgd; upgrade in circulation notes
7377. 06/27/84 Shn - 0, 12929 Columbia Merriweather Post Pavilion SBD>Cassette Master>Cassette>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN (updated source info); upgrade in circulation notes
7378. 06/27/84 Flac - 0, 122873 Columbia Merriweather Post Pavilion flac16; 2nd set only. Gen 1 audience cassette > Sony TC-W320 > Marantz CDR 500 > CDR > EAC > flac notes
7379. 06/27/84 Flac 24/96 - 0, 82450 Columbia Merriweather Post Pavilion flac24; Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 notes
7380. 06/27/84 Flac 24/96 - 0, 139841 Columbia Merriweather Post Pavilion flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
7381. 06/27/84 Flac 16 - 0, 141139 Columbia Merriweather Post Pavilion flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
7382. 06/27/84 Flac 16 - 0, 111477 Columbia Merriweather Post Pavilion flac16; source: 2 Beyer M160 and 1 Sennheiser 421 microphones (15th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
7383. 06/27/84 Flac 16 - 0, 81509 Columbia Merriweather Post Pavilion flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck notes
7384. 06/27/84 Shn - 0, 6999 Columbia Merriweather Post Pavilion Aud> Nak300> D5> CM> Cdr> EAC> CDWave (Retracking Only)> Shnv3 (MKW ACT); recorded by Steve Ziemba; transferred by Mike Lai; EAC. SHN by Charlie Connor; thanks to Mike Lai and Jon Rianhard; flip in Throwing Stones notes
7385. 06/27/84 Flac 16 - 0, 91375 Columbia Merriweather Post Pavilion flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller notes
7386. 06/27/84 Flac 24/96 - 0, 148236 Columbia Merriweather Post Pavilion flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
7387. 06/27/84 Flac 16/48 - 0, 148235 Columbia Merriweather Post Pavilion flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7388. 06/29/84 Flac - 0, 32781 Cuyahoga Falls Blossom Music Center **SET 2 SOUNDBOARD** Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
7389. 06/29/84 Flac 24/96 - 0, 140004 Cuyahoga Falls Blossom Music Center flac24; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
7390. 06/29/84 Flac 16 - 0, 141140 Cuyahoga Falls Blossom Music Center flac16; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
7391. 06/29/84 Shn - 0, 14682 Cuyahoga Falls Blossom Music Center Jim Wise Senn 421?s>Sony TC-D5M>MC>DAT>CD; Second set pitch corrected; via Paul B; Seeded to etree by Willy notes
7392. 06/29/84 Flac 16 - 0, 111502 Cuyahoga Falls Blossom Music Center flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (18th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
7393. 06/29/84 Flac 24/48 - 0, 150222 Cuyahoga Falls Blossom Music Center flac24/48khz MAUD CA: Beyer M160's PAS > Sony TCD5M|s1 Maxell UDXLIIS90; s2 Maxell MX90 Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Eddie Wahba Transferred: Kyle Holbrook notes
7394. 06/29/84 Flac 16/44,1 - 0, 150223 Cuyahoga Falls Blossom Music Center flac16/44.1khz MAUD CA: Beyer M160's PAS > Sony TCD5M|s1 Maxell UDXLIIS90; s2 Maxell MX90 no NR Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Eddie Wahba Transferred: Kyle Holbrook notes
7395. 06/30/84 Flac 16 - 0, 120740 Indianapolis Indianapolis Sports and Music Center flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
7396. 06/30/84 Flac 16 - 0, 123778 Indianapolis Indianapolis Sports and Music Center flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
7397. 06/30/84 Shn - 0, 2542 Indianapolis Indianapolis Sports and Music Center set 2, plus set 1 partial; SBD> MC> DAT> CDR; from Merry Pranksters Tree round 5, SHN branch; possibly via David Finney to etree? notes
7398. 06/30/84 Flac 24 - 0, 137072 Indianapolis Indianapolis Sports and Music Center flac24; Recording Info: (FOB) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes
7399. 06/30/84 Flac 16 - 0, 137073 Indianapolis Indianapolis Sports and Music Center flac16; Recording Info: (FOB) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
7400. 06/30/84 Flac 16 - 0, 140199 Indianapolis Indianapolis Sports and Music Center flac16; Source Info: Master (FOB) Audience Cassette (11th row, DFC); 3 x Nakamichi CM700 mics > unknown deck > Dat > CDR; Transfer Info: CDR (EAC)> hard disk drive > Adobe Audition 3.0 > TLH flac16 notes
7401. 06/30/84 Shn - 0, 18559 Indianapolis Indianapolis Sports and Music Center FOB MAC (Sennheiser 2 ME-80's & 2 441's 12th row center>sony d-5>WAV>SHN>SHNTOOL>mkwACT. Recorded by Tommy McKeown. sbe fix/seeding by MattMan. notes
7402. 06/30/84 Flac 16 - 0, 31225 Indianapolis Indianapolis Sports and Music Center flac16; AUD: FOB, Sennheiser MD-421's > DBX NX-40 > Sony TC-D5 Taper: Unknown MAC > CD Transfer: Unknown CDR > EAC > WAV > WavMerge > CD-Wave > Soundforge > TLH > FLAC Frontend by Andrew F, Oct 2005. Some of the ID's were missing or in the wrong spot, so I merged the files and re-split them. I used Soundforge to make some small fades for the start and end of discs. I used TLH to verify SBE-OK and to make checksums, and Flac Frontend for lossless compression notes
7403. 06/30/84 Flac 16 - 0, 109804 Indianapolis Indianapolis Sports and Music Center flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7404. 06/30/84 Flac 24/48 - 0, 150278 Indianapolis Indianapolis Sports and Music Center flac24/48khz Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook notes
7405. 06/30/84 Flac 16/44 - 0, Indianapolis Indianapolis Sports and Music Center flac16/44.1khz Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook notes
7406. 06/30/84 Shn - 0, 152505 Indianapolis Indianapolis Sports and Music Center MAC> wav>shn Recorded by Tommy McKeown sony d-5 Sennheiser 2 ME-80 & 2 441's 12th. row center (originally circulated July 2003) notes
7407. 06/30/84 Flac 16 Mtx - , 154326 Indianapolis Indianapolis Sports and Music Center flac16; Matrix 3 Source Mix - SBD (shnid = 123778) Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 109804) source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files + AUD2 (shnid = 150278) Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook - matrix mixing by Kevin Tobin notes
7408. 06/30/84 Dts Audio 5.1 - , 154327 Indianapolis Indianapolis Sports and Music Center DTS-Audio-CD 5.1 Mix; - SBD (shnid = 123778) Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 109804) source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files + AUD2 (shnid = 150278) Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook - dts mixing by Kevin Tobin notes
7409. 06/30/84 Flac 16/48 - , 154329 Indianapolis Indianapolis Sports and Music Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 123778) Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 109804) source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files + AUD2 (shnid = 150278) Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook - surround mixing by Kevin Tobin notes
7410. 07/01/84 Flac 16 - 0, 115107 Clarkston Pine Knob Music Theater flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Danny Taggart and Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz notes
7411. 07/01/84 Flac 16/48 - 0, 137029 Clarkston Pine Knob Music Theater flac16/48kHz; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller notes
7412. 07/01/84 Flac 24/96 - 0, 140005 Clarkston Pine Knob Music Theater b>flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
7413. 07/01/84 Flac 16 - 0, 141151 Clarkston Pine Knob Music Theater flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
7414. 07/01/84 Flac 16 - 0, 109950 Clarkston Pine Knob Music Theater flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (14th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7415. 07/01/84 Shn - 0, 25810 Clarkston Pine Knob Music Theater Recorded by Bill Reutelhuber with Nak CM100 shotgun mics into a Sony TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from the 20th row center FOB notes
7416. 07/01/84 Flac 16 - 0, 76620 Clarkston Pine Knob Music Theater flac16; Set 2 only - AUD Source: FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M cassette deck, onto Maxell UD-XLII tape, no Dolby. Taped by Ted Carpenter. MAC > CD transfer by Jim Wise (2002), likely done with Nakamichi Dragon > HHB Burner. Transfer Info: CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, by Andrew F notes
7417. 07/01/84 Shn - 0, 14683 Clarkston Pine Knob Music Theater AUD>MC>??>DAT>CDR; via Paul B; Seeded to etree by Willy notes
7418. 07/03/84 Flac 16 - 0, 115108 Kansas City Starlight Theater flac16; Source: (FOB) Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Greg Holtz and Danny Taggart; Transfers, mastering, track/FLAC by Greg Holtz notes
7419. 07/03/84 Flac 16 - 0, 118238 Kansas City Starlight Theater flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software By Keo notes
7420. 07/03/84 Flac 24/48 - 0, 118263 Kansas City Starlight Theater flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
7421. 07/03/84 Flac 16 - 0, 139105 Kansas City Starlight Theater flac16; Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC notes
7422. 07/03/84 Flac 24 - 0, 140693 Kansas City Starlight Theater flac24; Set 2 Recording Info: SBD > PCM Master > PCM Clone (Maxell HGX Gold); Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
7423. 07/03/84 Flac 16 - 0, 141152 Kansas City Starlight Theater flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
7424. 07/03/84 Shn - 0, 14909 Kansas City Starlight Theater AUD>MC>??>DAT>CDR; via Paul B; seeded to etree by Willy notes
7425. 07/03/84 Flac 16 - 0, 31634 Kansas City Starlight Theater flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII tape, with no Dolby notes
7426. 07/03/84 Flac 16 - 0, 77440 Kansas City Starlight Theater flac16; Source: *Nakamichi CM300's(with CP1 Caps/pointed)>Sony D5M(XLIIS)Location: FOB/DFC Stand at 7 Feet/Pointed at Stacks Transfer: #Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0 dither and resample/16Bit>Cdwav>flac16 Tapers: Tony Suraci and Eugene D'alessandro:Transfer and upload by Tony Suraci./Nak700 notes
7427. 07/03/84 Shn - 0, 25811 Kansas City Starlight Theater Nak CM100 shotgun mics into a Sony TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from the 20th row behind the sbd with microphones separated left/right by 10', and 14' high; recorded by Bill Reutelhuber notes
7428. 07/03/84 Flac 16 - 0, 123823 Kansas City Starlight Theater flac16; nak300>cp4>d5 no dolby; ots dfc mics @ 10ft. pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.7>cdwave splits>tlh flac 8 notes
7429. 07/03/84 Flac 24/96 - 0, 140013 Kansas City Starlight Theater flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
7430. 07/04/84 Flac 16 - 0, 93858 Cedar Rapids Five Seasons Center flac16; Recording Info:SBD -> Master Cassette -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes
7431. 07/04/84 Flac 16 - 0, 78958 Cedar Rapids Five Seasons Center flac16; Source: *Nakamichi CM304's>Sony D5M(XLIIS) Location: ^FOB at SBD, Stand at 9 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: Eugene D. and Tony S notes
7432. 07/04/84 Flac 16 - 0, 87341 Cedar Rapids Five Seasons Center flac16; AUD: Sennheiser MD-421's > patched thru one deck (D5?) > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes
7433. 07/04/84 Shn - 0, 27761 Cedar Rapids Five Seasons Center SBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley notes
7434. 07/04/84 Shn - 0, 27862 Cedar Rapids Five Seasons Center noise reduction> Bertha Remaster of Master Cassette> Cassette source, by Jay Ashley notes
7435. 07/04/84 Flac 24/96 - 0, 140014 Cedar Rapids Five Seasons Center flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
7436. 07/04/84 Flac 16 - 0, 141153 Cedar Rapids Five Seasons Center flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
7437. 07/04/84 Flac 16 - 0, 78958 Cedar Rapids Five Seasons Center flac16; Source: *Nakamichi CM304's>Sony D5M(XLIIS) Location: ^FOB at SBD, Stand at 9 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: Eugene D. and Tony S notes
7438. 07/04/84 Shn - 0, 14194 Cedar Rapids Five Seasons Center AUD: MC (Sennheiser 421)> DAT> CD> SHN; Seeded by Peter Braverman notes
7439. 07/04/84 Flac 16 - 0, 109942 Cedar Rapids Five Seasons Center flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7440. 07/06/84 Flac 16 - 0, 86943 East Troy Alpine Valley Music Theatre flac16; AUD: Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes
7441. 07/06/84 Flac 16 - 0, 121096 East Troy Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/Back Of Left Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
7442. 07/06/84 Flac 24/48 - 0, 121095 East Troy Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/Back Of Left Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes
7443. 07/06/84 Flac 16 - 0, 139531 East Troy Alpine Valley Music Theatre flac16; Recording Info: SBD > PCM Master > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller notes
7444. 07/06/84 Flac 24/96 - 0, 14032 East Troy Alpine Valley Music Theatre flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
7445. 07/06/84 Flac 16 - 0, 141154 East Troy Alpine Valley Music Theatre flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
7446. 07/06/84 Flac 16 - 0, 142540 East Troy Alpine Valley Music Theatre flac16; Bill Reutelhuber Master Recording: Nakamichi cm100 shotguns (spread on lawn) > master cassette (Maxell MX - Sony tcd5m Dolby B); A Philly Crew Transfer: Master Cassette > Nak CR7a > Korg MR1000 5.6 mhz 1 bit > Audiogate render > Flac 16/44 notes
7447. 07/06/84 Flac 16 - 0, 109764 East Troy Alpine Valley Music Theatre flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7448. 07/06/84 Shn - 0, 13898 East Troy Alpine Valley Music Theatre Fob: Sennheiser 441's > MC > Dat > Cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd notes
7449. 07/07/84 Flac 16 - 0, 94379 East Troy Alpine Valley Music Theatre flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Cassette -> PCM -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
7450. 07/07/84 Flac 16 - 0, 121124 East Troy Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/DFC Halfway In Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo notes
7451. 07/07/84 Shn - 0, 18752 East Troy Alpine Valley Music Theatre SBDMC(R?) > DAT > WAV > SHN w/ AUD(Senn 441s > D5 > DAT > CD) patches notes
7452. 07/07/84 Flac 24/48 - 0, 121123 East Troy Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/DFC Halfway In Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes
7453. 07/07/84 Flac 24/96 - 0, 140033 East Troy Alpine Valley Music Theatre flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
7454. 07/07/84 Flac 16 - 0, 141155 East Troy Alpine Valley Music Theatre flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
7455. 07/07/84 Flac 16 - 0, 142541 East Troy Alpine Valley Music Theatre flac16; Bill Reutelhuber Master Recording: Nakamichi cm100 shotguns (spread on lawn) > master cassette (Maxell MX - Sony tcd5m Dolby B); A Philly Crew Transfer: Master Cassette > Nak CR7a > Korg MR1000 5.6 mhz 1 bit > Audiogate render > Flac 16/44 notes
7456. 07/07/84 Flac 16 - 0, 109750 East Troy Alpine Valley Music Theatre flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones - 13th row-center > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7457. 07/07/84 Flac 16 - 0, 91489 East Troy Alpine Valley Music Theatre flac16; Set 2 Only, AUD: FOB, Nakamichi CM-300's w/CP-4 shotguns > Sony TC-D5M > Maxell XL-II, w/no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes
7458. 07/07/84 Shn - 0, 4861 East Troy Alpine Valley Music Theatre Aud>Nak300>D5>CM>CDR>EAC(Secure Mode)>CDWave(Retracking Only)>shnv3(MKW ACT) notes
7459. 07/13/84 Flac 16 Mtx - 0, 105570 Berkeley Greek Theatre, U. Of California flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes
7460. 07/13/84 Flac 16 - 0, 96153 Berkeley Greek Theatre, U. Of California flac16; Recording Info:SBD -> Cassette Master (Sony D6/Maxell XLII-S90/TDK MA90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
7461. 07/13/84 Flac 16 - 0, 31989 Berkeley Greek Theatre, U. Of California flac16; Source: FOB: 2Beyer M160s>D5>MC>CDR>EAC>FLAC notes
7462. 07/13/84 Shn - 0, 353 Berkeley Greek Theatre, U. Of California SBD > ? > CDR> DAE (cdparanoia)> SHN; via Mark Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an analog generation" notes
7463. 07/13/84 Flac 16 - 0, 90464 Berkeley Greek Theatre, U. Of California flac16; SBD > ? > CDR > WAV > Cool Edit Pro (see notes) > FLAC(8); pitch corrected version of shn id 353 notes
7464. 07/13/84 Flac 16 - 0, 136425 Berkeley Greek Theatre, U. Of California flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 notes
7465. 07/13/84 Flac 16 - 0, 139747 Berkeley Greek Theatre, U. Of California flac16; Partial Set 2 Recording Info: SBD > PCM (cloned from vault master); Transfer: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16 notes
7466. 07/13/84 Flac 24/96 - 0, 140048 Berkeley Greek Theatre, U. Of California flac24; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
7467. 07/13/84 Flac 16 - 0, 141156 Berkeley Greek Theatre, U. Of California flac16; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
7468. 07/13/84 Flac 24/96 - 0, 143392 Berkeley Greek Theatre, U. Of California flac24; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k) notes
7469. 07/13/84 Flac 16 - 0, 145333 Berkeley Greek Theatre, U. Of California flac16; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k); This file set is 16 bit @ 44.1 notes
7470. 07/13/84 Flac 24/44 - 0, 150404 Berkeley Greek Theatre, U. Of California flac24; Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell notes
7471. 07/13/84 Flac 16/44,1 - 0, 152324 Berkeley Greek Theatre, U. Of California flac16/44.1 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90/TDK MA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24- 152162 24 > 16 @ 44.1 notes
7472. 07/13/84 Flac 24/96 - 0, 152162 Berkeley Greek Theatre, U. Of California flac24/96 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90/TDK MA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 notes
7473. 07/13/84 Flac 16/48 - , 154195 Berkeley Greek Theatre, U. Of California flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
7474. 07/13/84 Flac 24/96 - , 154196 Berkeley Greek Theatre, U. Of California flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
7475. 07/14/84 Flac 16 - 0, 77326 Berkeley Greek Theatre, U. Of California flac16; Recording Info: SBD -> Cassette Master (Sony D6/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
7476. 07/14/84 Flac 16 - 0, 96120 Berkeley Greek Theatre, U. Of California flac16; Recording Info: SBD -> Cassette Master (Sony D6/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
7477. 07/14/84 Shn - 0, 25316 Berkeley Greek Theatre, U. Of California Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller; upgrade in circulation notes
7478. 07/14/84 Shn - 0, 354 Berkeley Greek Theatre, U. Of California SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; Jack Straw beginning cut; upgrade in circulation notes
7479. 07/14/84 Flac 16 - 0, 136427 Berkeley Greek Theatre, U. Of California flac16; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 notes
7480. 07/14/84 Flac 24/96 - 0, 140049 Berkeley Greek Theatre, U. Of California flac24; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
7481. 07/14/84 Flac 16 - 0, 141157 Berkeley Greek Theatre, U. Of California flac16; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
7482. 07/14/84 Flac 16 - 0, 32093 Berkeley Greek Theatre, U. Of California flac16; FOB: 2 Beyer M160s>D5>MC>CDR>EAC>FLAC Taper: Jim Quirk notes
7483. 07/14/84 Flac 24/44 - 0, 150405 Berkeley Greek Theatre, U. Of California flac24; Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell notes
7484. 07/14/84 Flac 16/44,1 - 0, 152255 Berkeley Greek Theatre, U. Of California flac16/44.1 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 152164 24 > 16 notes
7485. 07/14/84 Flac 24/96 - 0, 152164 Berkeley Greek Theatre, U. Of California flac24/96 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
7486. 07/14/84 Flac 16/48 - , 154224 Berkeley Greek Theatre, U. Of California flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
7487. 07/14/84 Flac 24/96 - , 154225 Berkeley Greek Theatre, U. Of California flc24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
7488. 07/14/84 Flac 16 Mtx - , 157189 Berkeley Greek Theatre, U. Of California flac1644;Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 152255 & 32093. notes
7489. 07/15/84 Flac 16 - 0, 96152 Berkeley Greek Theatre, U. Of California flac16; Recording Info:SBD -> Cassette Master (Sony D6/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
7490. 07/15/84 Flac 16 Mtx - 0, 125681 Berkeley Greek Theatre, U. Of California flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) September 15, 2013 notes
7491. 07/15/84 Shn - 0, 355 Berkeley Greek Theatre, U. Of California SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; a few track markers misplaced; upgrade in circulation notes
7492. 07/15/84 Flac 16 - 0, 30641 Berkeley Greek Theatre, U. Of California flac16; Set 1: SBD -> PCM Master -> Dat/0 -> Samplitude Professional v8.0 -> FLAC Set 2: SBD -> PCM Master -> Dat/0 -> Sonic Solutions -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller notes
7493. 07/15/84 Flac 16 - 0, 136514 Berkeley Greek Theatre, U. Of California flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo; 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 mastering by Jamie Waddell; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm notes
7494. 07/15/84 Flac 24/96 - 0, 140050 Berkeley Greek Theatre, U. Of California flac24; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
7495. 07/15/84 Flac 16 - 0, 141158 Berkeley Greek Theatre, U. Of California flac16; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
7496. 07/15/84 Flac 16 - 0, 32295 Berkeley Greek Theatre, U. Of California flac16; FOB: 2 Beyer M160s>D5>MC>CDR>EAC>FLAC Taper: Jim Quirk EAC and FLAC Conversion by David Perez Jan. 26, 2006 notes
7497. 07/15/84 Flac 24/44 - 0, 150406 Berkeley Greek Theatre, U. Of California flac24; Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell notes
7498. 07/15/84 Flac 16/44,1 - 0, 152256 Berkeley Greek Theatre, U. Of California flac16/44.1 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - 152163 24 > 16 notes
7499. 07/15/84 Flac 24/96 - 0, 152163 Berkeley Greek Theatre, U. Of California flac24/96 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 notes
7500. 07/15/84 Flac 16/48 - , 154262 Berkeley Greek Theatre, U. Of California flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
7501. 07/15/84 Flac 24/96 - , 154263 Berkeley Greek Theatre, U. Of California flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
7502. 07/21/84 Flac 16 - 0, 96394 Ventura Ventura County Fairgrounds flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
7503. 07/21/84 Flac 16 - 0, 77327 Ventura Ventura County Fairgrounds flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
7504. 07/21/84 Shn - 0, 14329 Ventura Ventura County Fairgrounds Cool Edit fix of previous shn set SBD Master Reel-> DAT->ZA2- >CD, by Matthew Cole; upgrade in circulation notes
7505. 07/21/84 Flac 16 - 0, 88940 Ventura Ventura County Fairgrounds flac16; Master: Sony ECM-939LT (dead center, halfway between sbd and the stage) > Cassette Master (Sony TC-D6C) Transfer: Cassette Master (Nakamichi RX-202) > SBM > Sony PCM R500 (pass-through only @ 48kHz) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC Mastered and transfered by Dan Gale notes
7506. 07/21/84 Shn - 0, 1616 Ventura Ventura County Fairgrounds Master Reel-> DAT-> ZA2-> CD; via Mike Lai from Bruce Fried DAT seed; upgrade in circulation notes
7507. 07/21/84 Flac 24/96 - 0, 96410 Ventura Ventura County Fairgrounds flac24; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes
7508. 07/21/84 Flac 16 - 0, 136717 Ventura Ventura County Fairgrounds flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 for minor edits by Jamie Waddell; Audition CC 2015 for patch edits by Jason Chastain; Tracked with Audition 1.5-> shntool-> flac level 8 and checksums with TLH-> tagged with Mp3tag; 16bit 44.1kHz Track, FLAC and Pack by Jason Chastain notes
7509. 07/21/84 Flac 16 - 0, 112806 Ventura Ventura County Fairgrounds flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (30 feet from stage-center) > Nak MX100 W/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
7510. 07/21/84 Shn - 0, 14329 Ventura Ventura County Fairgrounds Cool Edit fix of previous shn set SBD Master Reel-> DAT->ZA2- >CD, by Matthew Cole; upgrade in circulation notes
7511. 07/21/84 Flac 16 - 0, 139444 Ventura Ventura County Fairgrounds flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24; Recorded By Robert Bryant (patched out of the Oade brothers); This fileset is 16/44 - 24bit > 16bit using dBpoweramp notes
7512. 07/21/84 Flac 24 - 0, 139445 Ventura Ventura County Fairgrounds flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24; Recorded By Robert Bryant (patched out of the Oade brothers) notes
7513. 07/21/84 Flac 24/48 - 0, 150380 Ventura Ventura County Fairgrounds flac24/48khz Source: MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 90 feet from stage DFC Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Sean Murtha, John Hance Transferred: Kyle Holbrook notes
7514. 07/21/84 Flac 16/44,1 - 0, 150379 Ventura Ventura County Fairgrounds flac16/44.1khz Source: MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 90 feet from stage DFC Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Sean Murtha, John Hance Transferred: Kyle Holbrook notes
7515. 07/21/84 Flac 16/44,1 - 0, 152322 Ventura Ventura County Fairgrounds flac16/44.1 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - 152178 24 > 16 @ 44.1 notes
7516. 07/21/84 Flac 24/96 - 0, 152178 Ventura Ventura County Fairgrounds flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 notes
7517. 07/21/84 Flac 16 Mtx - , 153529 Ventura Ventura County Fairgrounds flac1644 Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 152322 & 112806. notes
7518. 07/22/84 Flac 16 - 0, 30650 Ventura Ventura County Fairgrounds flac16; SBD -> PCM -> Dat Transferred and Edited By Charlie Miller notes
7519. 07/22/84 Shn - 0, 5896 Ventura Ventura County Fairgrounds sbd> mr> dats> wav> shn w/seek; dat> wav> shn by popi n. feeldz with thanks to michael grossman for the dat; upgrade in circulation notes
7520. 07/22/84 Shn - 0, 5959 Ventura Ventura County Fairgrounds SBD> PCM> Dat> CD> EAC> SHN (mkwACT); via Keith Bode; upgrade in circulation notes
7521. 07/22/84 Flac 16 - 0, 102101 Ventura Ventura County Fairgrounds flac16; Recording Info: Nakamichi CM300s w/CP4 shotgun caps > Sony WM-D6C, FOB; Transfer Info: MAC > PC > CD > EAC > FLAC8 notes
7522. 07/22/84 Flac 16 - 0, 108370 Ventura Ventura County Fairgrounds flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones > Nak MX100 W/2001 > Sony TC-D5M - analog master cassettes - TDK MA-R90's 30 feet from stage-center transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7523. 07/22/84 Flac 16 - 0, 87037 Ventura Ventura County Fairgrounds flac16; Master: Sony ECM-939LT (dead center, halfway between sbd and the stage) > Cassette Master (Sony TC-D6C) Transfer: Cassette Master (Nakamichi RX-202) > SBM > Sony PCM R500 (pass-through only @ 48kHz) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC notes
7524. 07/22/84 Flac 16/44,1 - 0, 150381 Ventura Ventura County Fairgrounds flac16/44.1khz Source: MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 75 feet from stage DFC Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Sean Murtha, John Hance Transferred: Kyle Holbrook notes
7525. 07/22/84 Flac 24/48 - 0, 150382 Ventura Ventura County Fairgrounds flac24/48khz Source: MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 75 feet from stage DFC Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Sean Murtha, John Hance Transferred: Kyle Holbroo notes
7526. 07/22/84 Flac 16 Mtx - 0, 150532 Ventura Ventura County Fairgrounds flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 30650 & 108370. notes
7527. 07/22/84 Flac 16/44,1 - 0, 152323 Ventura Ventura County Fairgrounds flac16/44.1 Recording Info: SBD > Cassette Master (Sony TC-D5M) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 152201 24 > 16 @ 44.1 notes
7528. 07/22/84 Flac 24/96 - 0, 152201 Ventura Ventura County Fairgrounds flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
7529. 07/22/84 Flac 16/44 - 0, 152001 Ventura Ventura County Fairgrounds flac16/44 Recording Info: SBD > PCM Master (Sony Betamax) > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16 notes
7530. 10/05/84 Flac 16/48 - 0, 127551 Charlotte Charlotte Coliseum flac16/48kHz; Set 1 Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply then a modified Sony TCD-D5M then > Sony PCM-F1 > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper notes
7531. 10/05/84 Shn - 0, 2591 Charlotte Charlotte Coliseum updated source: SBDMC> [no Cass?]> DATs> CDRs> SHN, with FOB Nak 300 patches by Scott Clugston; edited by Darrin Sacks from Blacula's seed; no Sunshine Daydream notes
7532. 10/05/84 Flac 16 - 0, 132574 Charlotte Charlotte Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
7533. 10/05/84 Flac 24/96 - 0, 132575 Charlotte Charlotte Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
7534. 10/05/84 Flac 16 - 0, 87757 Charlotte Charlotte Coliseum flac16; Source: FOB: Nakamichi CM-300 Microphones with CP-4 Shotgun capsules>Sony WM-D6 cassette tape deck > Cdwave > TLH All transfers and Mastering done by Jamie Waddell on the GEMS Edit Station notes
7535. 10/05/84 Flac 16 Mtx - 0, 133026 Charlotte Charlotte Coliseum flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:02591) SBD> MC> Cass> DATs> CDRs> SHN and Audience (shnid:109982) 2 Beyer M160's & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7536. 10/05/84 Shn - 0, 15528 Charlotte Charlotte Coliseum FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT notes
7537. 10/05/84 Flac 16 - 0, 83188 Charlotte Charlotte Coliseum flac16; Source: Nakamichi CM-100 w/ CP-4 Shotgun Capsules -> Sony D6 (Maxell XLII-S 90 x 2) Location: Mics on stand 10" apart and about 10' high in front and to the left of soundboard Tansfer/re-master: Nak MR-1 -> Presonus Tube Pre-Amp -> BBE 882i -> Behringer Ultrafex Pro Behringer -> Behringer MDX4600 Pro-XL Composer -> DBX 231 EQ -> FW-410 -> wavelab @24/96 (tracking, minor edits and bit rate reduction 16bit/44.1khz) -> flacfrontend L8 Taper: Greg Holtz (garageboy) Transfer/mastering: mtownshend@adelphia.net; this file set fixes errors in shn id 83161 notes
7538. 10/05/84 Flac 24/96 - 0, 124130 Charlotte Charlotte Coliseum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7539. 10/05/84 Flac 16 - 0, 109982 Charlotte Charlotte Coliseum flac16; source: 2 Beyer M160's & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7540. 10/05/84 Flac 16 - 0, 103309 Charlotte Charlotte Coliseum flac16; Sony ECM 23F Stereo Mic>Sony WMD6 Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Recorded by David Cohen 25 feet FOB DFC 6.5 ft stand notes
7541. 10/05/84 Flac 16 - 0, 77703 Charlotte Charlotte Coliseum flac16; Source: *Beyer M88's>Sony D5M(XLIIS) Location: DFC/FOB Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700 notes
7542. 10/05/84 Flac 24/96 - 0, 148396 Charlotte Charlotte Coliseum flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
7543. 10/05/84 Flac 16/48 - 0, 148395 Charlotte Charlotte Coliseum flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7544. 10/06/84 Flac 16 - 0, 92283 Richmond Richmond Coliseum flac16; Taper: Greg Holtz Source: Nakamichi CM100s CP4caps, FOB-> D-6 Transfer: (By Holtz 1997) Unknown Nakamichi Tape Deck-> RCA-1/8"-> D-3 DAT @ 48kHz Current Transfer: (By JAZ) DAT (Direct from Cassette Master)-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0-> R8brainPro 44.1kHZ-> Traders Little Helper flac8; Upgrade in circulation notes
7545. 10/06/84 Flac 16/48 - 0, 127557 Richmond Richmond Coliseum flac16/48kHz; Set 2 Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply then a modified Sony TCD-D5M then > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper notes
7546. 10/06/84 Flac 16 - 0, 132557 Richmond Richmond Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
7547. 10/06/84 Flac 24/96 - 0, 132556 Richmond Richmond Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
7548. 10/06/84 Flac 16 - 0, 112860 Richmond Richmond Coliseum flac16; Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC; Transfer: MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > R8-Brain dither to 16/44 > TLH > Flac Level 8 notes
7549. 10/06/84 Flac 24/96 - 0, 112831 Richmond Richmond Coliseum flac24; Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC; Transfer: MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > TLH > Flac Level 8 > 24/96 notes
7550. 10/06/84 Flac 24/96 - 0, 124157 Richmond Richmond Coliseum flac24; lineage: (2) audio technica atm11/ (2) nakamichi 300 cp1 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7551. 10/06/84 Flac 16 - 0, 109985 Richmond Richmond Coliseum flac16; source: 2 Beyer M-88's & 1 Beyer M-160 Microphones > Nak MX100 w/2001> Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7552. 10/06/84 Flac 16 - 0, 91173 Richmond Richmond Coliseum flac16; taper : Joe D'Amico nak 300 mics > sony d5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend (This source is an EAC version of the previous D'Amico source.) notes
7553. 10/06/84 Flac 16 - 0, 87015 Richmond Richmond Coliseum flac16; taper : Joe D'Amico aka Joebeacon nak 300 mics > sony d5 Transfer: nak dragon tape deck into creative extigy sound card into pc -flac frontend notes
7554. 10/06/84 Flac 16 - 0, 77750 Richmond Richmond Coliseum flac16; Source: *Beyer M88's>Sony D5M(XLIIS) Location: FOB/DFC Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700 notes
7555. 10/06/84 Shn - 0, 33955 Richmond Richmond Coliseum This is a re-record of shnid 32898 using azimuth adjustment and Audacity. notes
7556. 10/06/84 Shn - 0, 32898 Richmond Richmond Coliseum Unknown shotgun mics > Sony D6 > MC > Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwACT > SHN; upgrade in circulation notes
7557. 10/06/84 Shn - 0, 15573 Richmond Richmond Coliseum FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT notes
7558. 10/06/84 Shn - 0, 3160 Richmond Richmond Coliseum AUD?; no other info available notes
7559. 10/08/84 Shn - 0, 14450 Worcester The Centrum SBD>MC>DAT>CDR ; AUDMC>Nakamichi DR-1>HHB 850 CDR ; SBD with Audience Patches seed text info ; Via Andy L. ; Seeded to Etree by T. Wiley notes
7560. 10/08/84 Flac 16 - 0, 132550 Worcester The Centrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Me, Bass Switch Wrong - Metered; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
7561. 10/08/84 Flac 24/96 - 0, 132549 Worcester The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Me, Bass Switch Wrong - Metered; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
7562. 10/08/84 Flac 16 - 0, 97535 Worcester The Centrum flac16; Source: Recorded by: Greg Holtz and Tony Bolton Master Cassette FOB right side about 8 feet in front of the SBD(Jerry's side - about 10 feet right of center - 2 Nak 100's w/CP-4 shotgun caps > Sony D-5 Transfer: Tascam112mkII > KorgMR1000 at 1bit/5.6mHz DSD> Audio Gate Software for 24/96 by Jamie Waddell Editing and Mastering: Alex Ford in Wavelab 6.10 with UAD in 24/96,Weiss Saracon for SRC to 16/44.1 POWR-3 Dither notes
7563. 10/08/84 Flac 16 - 0, 91376 Worcester The Centrum flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller notes
7564. 10/08/84 Flac 16 - 0, 94302 Worcester The Centrum flac16; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
7565. 10/08/84 Flac 16 - 0, 135916 Worcester The Centrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90, tdk ma90, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger notes
7566. 10/08/84 Flac 24/96 - 0, 135917 Worcester The Centrum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90, tdk ma90, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger notes
7567. 10/08/84 Flac 16 - 0, 106644 Worcester The Centrum flac16; Recorded FOB from floor Section 3, Row Q, Seat 8 by Bob Morris. (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes
7568. 10/08/84 Flac 24/96 - 0, 94303 Worcester The Centrum flac24; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
7569. 10/08/84 Flac 16 - 0, 110008 Worcester The Centrum flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7570. 10/08/84 Flac 16 - 0, 77843 Worcester The Centrum flac16; Source: Beyer M88's>Sony D5M(XLIIS) Location: FOB/DFC Section 2, Row M Stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96. Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700 notes
7571. 10/08/84 Shn - 0, 7773 Worcester The Centrum Mike Rice's MC; Nak CM 100 mics w/ shotgun capsules > Sony D5 cassette deck; via JD Foltz; Seeded to etree by Willy notes
7572. 10/08/84 Flac 24/96 - 0, 124185 Worcester The Centrum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7573. 10/08/84 Flac 24/96 - 0, 113963 Worcester The Centrum flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes
7574. 10/08/84 Flac 24/96 - 0, 124207 Worcester The Centrum flac24; lineage: (2) nakamichi 300 cp4> d-5 mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7575. 10/09/84 Shn - 0, 14499 Worcester The Centrum SBD>MC>DAT>CDR ; Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) ; Via Andy L. ; Seeded to Etree by T. Wiley notes
7576. 10/09/84 Flac 16 Mtx - 0, 123414 Worcester The Centrum flac16; 2 Source Matrix by dusborne; Soundboard (shinid:14499) Main Source: SBD>MC>DAT>CDR with Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) Taper: Mike Rice and Audience (shnid:120082) Akg 224's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche notes
7577. 10/09/84 Flac 16 - 0, 132544 Worcester The Centrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
7578. 10/09/84 Flac 24/96 - 0, 132545 Worcester The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
7579. 10/09/84 Flac 16 - 0, 96737 Worcester The Centrum flac16; Source: Master Cassette Recording Location: FOB Jerry's side roughly 10-12 feet right of center,Recording Equipment: Nakamichi CM-100 mics with CP-4 Shotgun caps > Sony D-5 Recorded by Greg Holtz and Tony Bolton Transfer: Tascam112mkII > KorgMR1000 at 1bit/5.6mHz DSD> Audio Gate Software for 24/96 file for mastering Editing and Mastering: Weiss Saracon for SRC to 16/44.1 POWR-3 Dither Trac'ed Cdwave Flac'ed level 8 TLH notes
7580. 10/09/84 Flac 16 - 0, 91410 Worcester The Centrum flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller notes
7581. 10/09/84 Flac 16 - 0, 94344 Worcester The Centrum flac16;Recording Info:(FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
7582. 10/09/84 Flac 24/96 - 0, 135912 Worcester The Centrum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger notes
7583. 10/09/84 Flac 16 - 0, 135911 Worcester The Centrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger notes
7584. 10/09/84 Flac 16 - 0, 106645 Worcester The Centrum flac16; Recorded FOB from floor Section 3, Row Q, Seat 8 by Bob Morris. Transferred & edited by Bob Morris 10/09. (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes
7585. 10/09/84 Flac 24 - 0, 94345 Worcester The Centrum flac24; Recording Info:(FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
7586. 10/09/84 Flac 24/96 - 0, 124292 Worcester The Centrum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7587. 10/09/84 Flac 16 - 0, 120082 Worcester The Centrum flac16; Akg 224's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche notes
7588. 10/09/84 Flac 24/96 - 0, 113964 Worcester The Centrum flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes
7589. 10/09/84 Flac 16 - 0, 81386 Worcester The Centrum flac16; AUD Source: FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII's, no Dolby. Taped by Ted Carpenter. Transfer: MAC > CD by Jim Wise (2002), likely Nakamichi Dragon > HHB Burner. CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression and checksums) > FLAC, Jan 2007 by Andrew F notes
7590. 10/09/84 Flac 16 - 0, 110019 Worcester The Centrum flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7591. 10/09/84 Shn - 0, 7774 Worcester The Centrum Mike Rice's MC; Nak CM 100 mics w/ shotgun capsules > Sony D5 cassette deck; via JD Foltz; Seeded to etree by Willy notes
7592. 10/09/84 Flac 16 - 0, 77880 Worcester The Centrum flac16; Source: *Beyer M88's>Sony D5M; Location: #FOB/DFC Sec. 5, Row G, Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony Suraci/nak700 notes
7593. 10/11/84 Shn - 0, 17411 Augusta Augusta Civic Center Retracked and sector boundary errors fixed version of previous Oade Schoeps source; Source: FOB Schoeps MK41/CMC4 > Oade M118 > Sony TC D-5 Cassette Master > PCM > DAT @44.1khz; seeded by Sacks via Clifton notes
7594. 10/11/84 Flac 24/96 - 0, 132352 Augusta Augusta Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes
7595. 10/11/84 Flac 16 - 0, 132351 Augusta Augusta Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
7596. 10/11/84 Flac 16 - 0, 100420 Augusta Augusta Civic Center flac16; FOB AUD: Nakamichi CM100 mics w/CP-4 shotgun capsules > Sony TC-D5M cassette deck. Situated exact center, directly in front of the soundboard, mic stand at about 7', shotguns pointing at stacks Transfer: MAC > Nakamichi DR-1 cassette deck > HHb 850 Standalone CD Burner > CDR > EAC > Cool Edit Pro > CD Wave > FLAC Level 8; Recorded by Greg Holtz & Tony Bolton notes
7597. 10/11/84 Flac 16 - 0, 132793 Augusta Augusta Civic Center flac16; Remaster of Oade source 8794; Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut and Flac files created in Audacity 2.0.5 notes
7598. 10/11/84 Flac 16 - 0, 94404 Augusta Augusta Civic Center flac16; FOB AUD: Sennhesier MD-441's > Sony TC-D5M > Maxell UD-XLII 90's, no Dolby. Mics on seven-foot stood, angled up at stacks, approx 25 feet from the stage, in the center. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F. notes
7599. 10/11/84 Flac 16 - 0, 99190 Augusta Augusta Civic Center flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
7600. 10/11/84 Flac 24/96 - 0, 137264 Augusta Augusta Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger notes
7601. 10/11/84 Flac 16 - 0, 137265 Augusta Augusta Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger notes
7602. 10/11/84 Flac 24/96 - 0, 139116 Augusta Augusta Civic Center flac24; billydee recording (patched out of): Neumann km84i's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT notes
7603. 10/11/84 Flac 16 - 0, 141028 Augusta Augusta Civic Center flac16; billydee recording (patched out of): Neumann km84i's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
7604. 10/11/84 Flac 16/48 - 0, 143631 Augusta Augusta Civic Center flac16; Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mics w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7605. 10/11/84 Flac 24/96 - 0, 143623 Augusta Augusta Civic Center flac24; Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mics w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496 notes
7606. 10/11/84 Shn - 0, 8794 Augusta Augusta Civic Center ource: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor; upgrade in circulation notes
7607. 10/11/84 Shn - 0, 5304 Augusta Augusta Civic Center AUD, unknown mic (reportedly possible Schoeps or Sennheiser); via Nick Scarano? notes
7608. 10/11/84 - 0, 124355 Augusta Augusta Civic Center flac24; lineage: (2)nakamichi 300 cp1 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7609. 10/11/84 Flac 24/96 - 0, 113965 Augusta Augusta Civic Center flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes
7610. 10/11/84 Flac 16 - 0, 110034 Augusta Augusta Civic Center flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7611. 10/11/84 Flac 16 - 0, 106646 Augusta Augusta Civic Center flac16; Recorded by Bob Morris.Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes
7612. 10/11/84 Flac 16 - 0, 77916 Augusta Augusta Civic Center flac16; Source: Beyer M88's>Sony D5M Location: FOB/Right side, Stand at 8 feet. Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16 Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700 notes
7613. 10/11/84 Shn - 0, 33825 Augusta Augusta Civic Center Source: FOB Beyer M160s > Sony TCD5M > Master Audience Cassette (Maxell MX90 Type IV Cassettes). Transfer: MAC playback on Nakamich DR-2 > Audiophile 2496 > recorded as 24bit /96 KHz WAV > Wavelab/Waves L3 (see notes) > rendered to 16/44.1 WAV > CDWAV 1.9 > FLAC (level 8). notes
7614. 10/12/84 Flac 16 Mtx - 0, 117573 Augusta Augusta Civic Center flac16; Matrix of SBD (shnid=5585) and AUD (shnid=8795) by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes
7615. 10/12/84 Shn - 0, 5585 Augusta Augusta Civic Center Master Soundboard Cassette > Reel to Reel > DAT> CDR; with patches from Mike Rice's Master Audience Cassette: Nakamichi CM100 mics + CP4's> Sony D5; CDR ReMastering, Patching, EAC'ed, SHN'ed by Scott Clugston; see info file for details notes
7616. 10/12/84 Flac 24/96 - 0, 132346 Augusta Augusta Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes
7617. 10/12/84 Flac 16 - 0, 132345 Augusta Augusta Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
7618. 10/12/84 Flac 16 - 0, 132822 Augusta Augusta Civic Center flac16; Remastered version of the original Oade source 8795 by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut and Flac files created in Audacity 2.0.6 notes
7619. 10/12/84 Flac 16 - 0, 85219 Augusta Augusta Civic Center flac 16; Recording by Mtownshend:FOB -> Sony TC D5 -> PCM -> DAT (@44.1k) Transfer/mastering: Panasonic (optical out) -> E-MU 1010 (analog out) -> analog rack (ADAT out) -> E-MU 1010 -> Wavelab Tracking and Compression: CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper notes
7620. 10/12/84 Flac 16 - 0, 101952 Augusta Augusta Civic Center flac16; Lineage: Nakamichi CM-100 mics with CP-4 shotgun caps to a Sony D-5 stereo cassette recorder; Master Cassette >> Nakamichi DR-1 >> Korg MR-1000 at 1bit/5.6mHZ DSD Korg AudioGate Software for DSD to PCM WAV conversion at 24bit/44.1kHz Transfers, Editing and Mastering by Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither TradersLilHelper for FLAC8 Meta-Data with Tag&ReName notes
7621. 10/12/84 Flac 16 - 0, 99198 Augusta Augusta Civic Center flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
7622. 10/12/84 Flac 16 - 0, 77979 Augusta Augusta Civic Center flac16; *Beyer M88's>Sony D5M, FOB/left of center, stand at 8 feet. Taped, transfered and uploaded by Tony S notes
7623. 10/12/84 Flac 24/96 - 0, 137580 Augusta Augusta Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger notes
7624. 10/12/84 Flac 16 - 0, 137579 Augusta Augusta Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger notes
7625. 10/12/84 Flac 24/96 - 0, 139117 Augusta Augusta Civic Center flac24; billydee recording (patched out of Rob Eaton*): Neumann U87 (15' apart) > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT notes
7626. 10/12/84 Flac 16 - 0, 139563 Augusta Augusta Civic Center flac16; Dan McSheffrey recording: Neumann KM84 > Nakamichi DMP-100 PCM > Dat (FOB); Charlie Miller transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered by Joe Noel in Audacity: Wave > Flac 16/44; Checksum & tags created in xACT notes
7627. 10/12/84 Flac 16 - 0, 30192 Augusta Augusta Civic Center flac16; Source Update: Note that the seeder Mtownshend indicates that this recording most likely is from an audience source. See the public comments regarding the source of this recording. (Had been marked:SBD/AUD Healy Matrix) notes
7628. 10/12/84 Flac 16 - 0, 132814 Augusta Augusta Civic Center flac16; MSC > Reel > DAT > CDR > EAC > WAV > TLH > FLAC notes
7629. 10/12/84 Flac 16/48 - 0, 143086 Augusta Augusta Civic Center flac16/48kHz; George Sterry's Master Audience Cassettes; Schoeps mics (model unknown) > Sony TC-158SD(Maxell UDXLII-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7630. 10/12/84 Flac 24/96 - 0, 143087 Augusta Augusta Civic Center flac24; George Sterry's Master Audience Cassettes; Schoeps mics (model unknown) > Sony TC-158SD(Maxell UDXLII-C90)Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496 notes
7631. 10/12/84 Flac 16/48 - 0, 143637 Augusta Augusta Civic Center flac16; 2nd Set Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7632. 10/12/84 Flac 24/96 - 0, 143638 Augusta Augusta Civic Center flac24; 2nd Set Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496 notes
7633. 10/12/84 Shn - 0, 17412 Augusta Augusta Civic Center Oade Schoeps retracked for 2 disks and free of sector boundary errors via Clifton; Source: FOB Schoeps MK41/CMC4 > Oade M118 > Sony TC D-5 Cassette Master > PCM > DAT @44.1khz; upgrade in circulation notes
7634. 10/12/84 Shn - 0, 8795 Augusta Augusta Civic Center Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable);Seeded by Darrin Sacks; also to abgd via Charlie Connor; upgrade in circulation notes
7635. 10/12/84 Shn - 0, 20022 Augusta Augusta Civic Center Master Tapes by Ficca Source: FOB Center Sony TCD5M with 2 Beyer Dynamic 160's > Sony CDR-W66 > EAC > CDWave > CDA encoded by Ficca notes
7636. 10/12/84 Shn - 0, 256 Augusta Augusta Civic Center MAC > CDR > CDR > CDR > SHN; Mike Rice's Master Audience Cassette; Nakamichi CM100 mics w/ shotgun capsules > Sony D5 cassette deck: Master cassette played back via a Nakamichi DR-1 cassette deck> HHb 850 CDR; EAC>?CEP editing > CDWav? > CDRWin > Matsushita 7582 4x CDR; via Gregg Nixon, Scott Clugston, John Oleynick; see info file for flaw notes notes
7637. 10/12/84 Shn - 0, 18436 Augusta Augusta Civic Center Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable) ***7.16.03*** Beginning of CR&S patched with alternate FOB Schoeps source, lineage is below. Patched with Cool Edit Pro 2.0 in multitrack view > mkwACT by Doug Nawrocki. d2t01 is the only md5 that differs from the original. Patch source lineage: MAC(FOB 2 Schoeps MK41/CMC4 > Sony TCD-5M) > WAV > SHN digital transfer: Kenwood KX1030 cassette deck > EMI 6|2m (16 bit @ 44.1khz) > Peak 3.21 > WAV > Shorten 1.1a4 > SHN notes
7638. 10/12/84 Flac 16 - 0, 106647 Augusta Augusta Civic Center flac16; Recorded by Bob Morris. Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes
7639. 10/12/84 Flac 24/96 - 0, 124399 Augusta Augusta Civic Center flac24; lineage: (3)audio technica atm11fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7640. 10/12/84 Flac 24/96 - 0, 113966 Augusta Augusta Civic Center flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes
7641. 10/12/84 Flac 16 - 0, 110040 Augusta Augusta Civic Center flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front)> Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7642. 10/12/84 Flac 24/96 - 0, 148414 Augusta Augusta Civic Center flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp(24/96k)> Adobe CC 2019(24-bit/96k) > TLH flac2496 notes
7643. 10/12/84 Flac 16/48 - 0, 148413 Augusta Augusta Civic Center flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp(24/96k)> Adobe CC 2019(24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7644. 10/14/84 Flac 24/96 - 0, 132342 Hartford Hartford Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes
7645. 10/14/84 Flac 16 - 0, 132341 Hartford Hartford Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
7646. 10/14/84 Flac 16 - 0, 98567 Hartford Hartford Civic Center flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S90). Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; NOTE: This is source ID 91385 with a new patch added in Drums to make the show complete notes
7647. 10/14/84 Flac 16 - 0, 91385 Hartford Hartford Civic Center flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller notes
7648. 10/14/84 Flac 16/48 - 0, 143829 Hartford Hartford Civic Center flac16/48kHz; Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7649. 10/14/84 Flac 24/96 - 0, 143830 Hartford Hartford Civic Center flac24; Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496 notes
7650. 10/14/84 Flac 24/96 - 0, 113967 Hartford Hartford Civic Center flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes
7651. 10/14/84 Flac 16 - 0, 110042 Hartford Hartford Civic Center Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Beyer M160 & 1 Sennheiser 421 microphones (14th row)> Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7652. 10/14/84 Flac 16 - 0, 78934 Hartford Hartford Civic Center flac16; 1st Gen; Sennhieser ME80s > Sony D5 > TDK MA90s Taper: Lucian Zaleski Transfer: Nakamichi CD2 [azimuth adjusted]>Kind Kables rca/xlr>Lunatec V3>coax>Audiophile 2496>CEP 2.0>CD Wave Editor>Flac Frontend>FLAC16. 1st Gen cassettes provided by Mark McCue. Transfer, edits, conversion and upload to bt.etree.org Alex Ford 10/09/2006 notes
7653. 10/14/84 Flac 16 - 0, 106648 Hartford Hartford Civic Center flac16; Recorded FOB from Section 2, Row J, Seat 10 by Bob Morris. (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes
7654. 10/14/84 Flac 16 - 0, 77990 Hartford Hartford Civic Center flac16; Source: *Beyer M88's>Sony D5M Location: FOB/DFC Sec. 2 Row M Stand at 7 Feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700 notes
7655. 10/14/84 Shn - 0, 3592 Hartford Hartford Civic Center FOB> Nakamichi 300's> CP4Cassette Master> DAT> CDR> Eac> SHN; DAE(EAC) + SHN Encoding by Jeff M.; see info file for notes notes
7656. 10/14/84 Shn - 0, 77477 Hartford Hartford Civic Center fob-aud (Lineage Unknown) Seeded to abgd by Seth Jackson notes
7657. 10/14/84 Flac 24/96 - 0, 124467 Hartford Hartford Civic Center flac24; lineage: (2)nakamichi 300 cp4> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7658. 10/14/84 Flac 24/96 - 0, 148574 Hartford Hartford Civic Center flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
7659. 10/14/84 Flac 16/48 - 0, 148573 Hartford Hartford Civic Center flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7660. 10/14/84 Flac 16/48 - 0, 151292 Hartford Hartford Civic Center flac16/48 Set 2 Only: First SBD For This Date.
Recording Info: SBD > Cassette Master > Reel (Technics) > DAT (Panasonic SV-3800-48k).
Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-48k)
Additional Mastering: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC16
Transfers by Rob Eaton. Mastering by Charlie Miller. December 29, 2020
notes
7661. 10/15/84 Shn - 0, 4771 Hartford Hartford Civic Center Aud>? (lineage Unknown); Seeded to abgd by Seth Jackson notes
7662. 10/15/84 Flac 24/96 - 0, 132332 Hartford Hartford Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes
7663. 10/15/84 Flac 16 - 0, 132331 Hartford Hartford Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
7664. 10/15/84 Flac 16 - 0, 91434 Hartford Hartford Civic Center flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller notes
7665. 10/15/84 Flac 24/96 - 0, 124518 Hartford Hartford Civic Center flac24; lineage: (2)nakamichi 300 cp4> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7666. 10/15/84 Flac 24/96 - 0, 113968 Hartford Hartford Civic Center flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes
7667. 10/15/84 Flac 16 - 0, 110044 Hartford Hartford Civic Center flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7668. 10/15/84 Flac 16 - 0, 106649 Hartford Hartford Civic Center flac16; Recorded FOB from Section 2, Row K, Seat 12 by Bob Morris. (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes
7669. 10/15/84 Shn - 0, 22022 Hartford Hartford Civic Center Recording Info: (FOB) Senn 421 -> Cassette Master -> Dat -> CD Transfer Info: EAC -> Samplitude v7.02 Professional -> SHN - Transfered and Edited By Charlie Miller notes
7670. 10/15/84 Flac 16 - 0, 79023 Hartford Hartford Civic Center flac16; Source: Source update: Master Audience Cassette; (FOB) Sennheiser 421s > Sony D5 > D5 > D6 > 2 TDK MA90s Mic Config: pointed at the stacks, upper chest level Location: FOB, 15th or 17th row, slightly LOC Tapers: long forgotten taper, Adam, & Mark McCue Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > Kind Kables rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > CD Wave Editor > TLH > FLAC16 notes
7671. 10/15/84 Flac 16 - 0, 150964 Hartford Hartford Civic Center Recording Info: SBD > PCM Master > DAT (Panasonic SV-3700) > DAT (Panasonic SV-3800) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC (3 Discs Audio) Original Transfer and Mastering by Rob Eaton. Additional Mastering by Charlie Miller. November 27, 2020 notes
7672. 10/15/84 Flac 16 Mtx - 0, 151235 Hartford Hartford Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes
7673. 10/17/84 Flac 16 - 0, 32057 East Rutherford Meadowlands Arena flac16; Recording Info: Set 1: SBD -> Master Cassette -> ? -> Cassette (Dolby C) Set 2: SBD -> Master Cassette -> Dat -> CD -> EAC -> SHN Transfer Info: Set 1: Cassette (Sony TC-WE475/Dolby C) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Set 2: SHN -> WAV -> FLAC notes
7674. 10/17/84 Flac 16/48 - 0, 127692 East Rutherford Meadowlands Arena flac16/48kHz; Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply > modified Sony TCD-D5M. Later, Sony TCD-D5M > DAW (via SEKD Prodif) > Wav16/48; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper notes
7675. 10/17/84 Flac 16 - 0, 132254 East Rutherford Meadowlands Arena flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
7676. 10/17/84 Flac 24/96 - 0, 132253 East Rutherford Meadowlands Arena flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes
7677. 10/17/84 Flac 16 - 0, 27975 East Rutherford Meadowlands Arena flac16; 3 Nak CM700 (DIN; Row S, DFC) > Sony TC-D5M > Maxell MX tape; Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; Taped, transferred by Doug Mow; CDR> FLAC16 and minor editing by Alex Ford notes
7678. 10/17/84 Shn - 0, 21783 East Rutherford Meadowlands Arena Source: SBD > MC>DAT via J.Powell encoded by C.Ladner.; upgrade in circulation notes
7679. 10/17/84 Flac 16 - 0, 110051 East Rutherford Meadowlands Arena flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7680. 10/17/84 Flac 24/96 - 0, 113969 East Rutherford Meadowlands Arena flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes
7681. 10/17/84 Shn - 0, 15125 East Rutherford Meadowlands Arena AUD(Nak 300?s)>MC>DAT>CD via Paul B encoded by Willy notes
7682. 10/17/84 Flac 16 - 0, 78015 East Rutherford Meadowlands Arena flac16; Source: Beyer M88's>Sony D5M(XLIIS/Set 1, MX/Set 2) Location: FOB/DFC Sec. 8, Row G(7 rows from stage)Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony Suraci/aka Nak700 notes
7683. 10/17/84 Flac 16 - 0, 106650 East Rutherford Meadowlands Arena flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Floor Section 7, Row Y, Seat 4 by Bob Morris. notes
7684. 10/18/84 Flac 16 - 0, 128497 East Rutherford Meadowlands Arena flac16; Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply > modified Sony TCD-D5M. Later, Sony TCD-D5M > DAW (via SEKD Prodif) > Wav16/44 (set 1) & 16/48 (set 2); Transfer and mastering by droncit 4/29/2014 notes
7685. 10/18/84 Flac 24/96 - 0, 132239 East Rutherford Meadowlands Arena flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes
7686. 10/18/84 Flac 16 - 0, 132238 East Rutherford Meadowlands Arena flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
7687. 10/18/84 Flac 16/48 - 0, 137213 East Rutherford Meadowlands Arena flac16/48kHz; Recording Info: SBD -> Cassette Master > Reel > Dat (48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
7688. 10/18/84 Flac 24 - 0, 142353 East Rutherford Meadowlands Arena flac24; Recording Info: Neumann KM86 (cardioid) > Master Reel (Uher Deck 1/2 trk Scotch Reels); Transfer Info: Master Reel (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Adobe Audition CC2015 > Samplitude Pro X3 > FLAC/24; Recorded by Frank Streeter and Rob Eaton; Transferred by Matt Smith; Mastered by Charlie Miller notes
7689. 10/18/84 Flac 16 - 0, 142514 East Rutherford Meadowlands Arena flac16; Recording Info: Neumann KM86 (cardioid) > Master Reel (Uher Deck 1/2 trk Scotch Reels); Transfer Info: Master Reel (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Adobe Audition CC2015 > Samplitude Pro X3 > FLAC/24; Recorded by Frank Streeter and Rob Eaton; Transferred by Matt Smith; Mastered by Charlie Miller notes
7690. 10/18/84 Flac 16 - 0, 28290 East Rutherford Meadowlands Arena flac16; 3 Nak CM700 (Row N, DFC, DIN)> Sony TC-D5M > Maxell MX tape; Transfer: Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; Taped, transferred by Doug Mow; EAC> flac by Alex Ford notes
7691. 10/18/84 Shn - 0, 17273 East Rutherford Meadowlands Arena (FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller notes
7692. 10/18/84 Flac 16 - 0, 106651 East Rutherford Meadowlands Arena flac16; Recorded from Floor Section 7, Row Y, Seat 4 by Bob Morris. Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes
7693. 10/18/84 Flac 16 - 0, 87016 East Rutherford Meadowlands Arena flac16; taper : Joe D'Amico aka joebeacon nak 300 mics > sony d5 converted : nak dragon deck > behringer ultra curve pro 24 bit main frame >creative extigy soundcard > cool edit pro > flac frontend notes
7694. 10/18/84 Flac 16 - 0, 78116 East Rutherford Meadowlands Arena flac16; Source: *Beyer M88's>SonyD5M(XLIIS/set 1, MX/Set 2) Location: FOB/Right Sec. 7, Row M, stand at 8 feet Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped and Transferred by Tony Suraci notes
7695. 10/18/84 Shn - 0, 21131 East Rutherford Meadowlands Arena 3 Nak 701s > D5 > MX-100 > D10 > SHN notes
7696. 10/18/84 Flac 16 - 0, 110052 East Rutherford Meadowlands Arena flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7697. 10/18/84 Flac 16 - 0, 120142 East Rutherford Meadowlands Arena flac16; Source: Teac ME-20 > WMD6 FOB Sec 8 Row A Seat 14; Conversion: HK TD302Bk> PMD661; Recorded by Stan Roberts notes
7698. 10/18/84 Flac 24/96 - 0, 113970 East Rutherford Meadowlands Arena flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes
7699. 10/18/84 Flac 24/48 - , 149998 East Rutherford Meadowlands Arena flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head 45 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLII 90 s2:Maxell MX 90 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Gary Steel notes
7700. 10/18/84 Flac 16/44,1 - , 149997 East Rutherford Meadowlands Arena flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head 45 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLII 90 s2:Maxell MX 90 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Gary Steel notes
7701. 10/20/84 Flac 16 - 0, 105445 Syracuse Carrier Dome, Syracuse U flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a re-master of source ID 15673 notes
7702. 10/20/84 Flac 16 Mtx - 0, 122859 Syracuse Carrier Dome, Syracuse U flac16; Matrix from: Soundboard (shnid:105445) SBD -> Cassette Master -> Dat -> CD; All Transfers and Mastering By Charlie Miller and Audience (shnid:110063)source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott notes
7703. 10/20/84 Flac 16 - 0, 128437 Syracuse Carrier Dome, Syracuse U flac16; Set 2 Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper notes
7704. 10/20/84 Flac 16 - 0, 131798 Syracuse Carrier Dome, Syracuse U flac16; Master Audience Recorded By Sandy For Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 24/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
7705. 10/20/84 Flac 24/96 - 0, 131799 Syracuse Carrier Dome, Syracuse U flac24; Master Audience Recorded By Sandy For Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
7706. 10/20/84 Flac 24/96 - 0, 108304 Syracuse Carrier Dome, Syracuse U flac24; FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell UD-XLII 90's w/no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496 Tagged. Transfer by Andrew F. notes
7707. 10/20/84 Shn - 0, 15673 Syracuse Carrier Dome, Syracuse U SBD> CM> DAT> computer processing> CDR> EAC> SHNTOOL> MKWACT; Editing by MattMan, from Alan Matta source discs; Upgrade in circulation notes
7708. 10/20/84 Flac 24/96 - 0, 140929 Syracuse Carrier Dome, Syracuse U flac24; Source Info: Ray Ackerman's (FOB) Master Audience Cassette (first row in front of soundboard); Sennheiser 441 mics > Sony D5 > Sony D6; Transfer Info: Cassette (Nakamichi mkii)> Grace Design Lunatec V3 > Oade modified M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3 > TLH flac24/96 notes
7709. 10/20/84 Flac 16 - 0, 140928 Syracuse Carrier Dome, Syracuse U flac16; Source Info: Ray Ackerman's (FOB) Master Audience Cassette (first row in front of soundboard); Sennheiser 441 mics > Sony D5 > Sony D6; Transfer Info: Cassette (Nakamichi mkii)> Grace Design Lunatec V3 > Oade modified M-Audio MicroTrack II (wav 24 bit/96k)> Adobe Audition 3 > TLH flac24/96; 24 bit > 16 bit via dBpoweramp notes
7710. 10/20/84 Flac 24/96 - 0, 124527 Syracuse Carrier Dome, Syracuse U flac24; lineage: sennheiser 441 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7711. 10/20/84 Shn - 0, 1871 Syracuse Carrier Dome, Syracuse U nak300> cassette master> cd wav> cool edit pro> shn> cdr; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation notes
7712. 10/20/84 Flac 16 - 0, 33341 Syracuse Carrier Dome, Syracuse U flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M, onto Maxell UD-XLII tape, with no Dolby. Taped by Ted Carpenter notes
7713. 10/20/84 Flac 16 - 0, 106652 Syracuse Carrier Dome, Syracuse U flac16; Recorded from Floor Section 3, Row L, Seat 9 by Bob Morris.Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes
7714. 10/20/84 Flac 16 - 0, 110063 Syracuse Carrier Dome, Syracuse U flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7715. 10/20/84 Flac 24/96 - 0, 108407 Syracuse Carrier Dome, Syracuse U flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded from Floor Section 3, Row L, Seat 9 by Bob Morris notes
7716. 10/20/84 Flac 16 - 0, 150967 Syracuse Carrier Dome, Syracuse U Recording Info: SBD > PCM Master > DAT (Panasonic SV-3700) > DAT (Panasonic SV-3800) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC. (3 Discs Audio) Original Transfer and Mastering by Rob Eaton. Additional Mastering by Charlie Miller. November 28, 2020 notes
7717. 10/20/84 Flac 24/48 - , 152671 Syracuse Carrier Dome, Syracuse U flac24/48 Source: Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On)
Location: Three Rows Directly In Front Of Healy (sorry Dan!); Stand 6 To 7 Feet High.
notes
7718. 10/20/84 Flac 16 - , 152672 Syracuse Carrier Dome, Syracuse U flac16 This Is A 16bit File Set, Dithered Using Dbpoweramp Source: Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Three Rows Directly In Front Of Healy (sorry Dan!); Stand 6 To 7 Feet High. Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby> Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq & Software Dolby B Decode Using Nuendo & Ddicodec. Recorded, Transferred & Mastered By Anon Edited With Add'l Mastering In Adobe Audition By Joe Noel February 16, 2021 notes
7719. 10/27/84 Flac 16 - 0, 106797 Berkeley Berkeley Community Theater flac16; SBD > Cassette Master > Cassette > FLAC; All Transfers and Mastering By Charlie Miller (note: This source was originally seeded as part of a collection of uncirculated SBD tracks.) notes
7720. 10/27/84 Flac 16 - 0, 123743 Berkeley Berkeley Community Theater flac16; Partial SBD > Cassette Master > Cassette > FLAC; All Transfers and Mastering By Charlie Miller notes
7721. 10/27/84 Shn - 0, 17414 Berkeley Berkeley Community Theater Senn 441?s>Sony D-5. AUD>MC>DAT>CDR via Raoul Duke encoded by Willy and Matt Vernon notes
7722. 10/27/84 Flac 24/96 - 0, 145576 Berkeley Berkeley Community Theater flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row nn, seat 15; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
7723. 10/27/84 Flac 16 - 0, 145577 Berkeley Berkeley Community Theater flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row nn, seat 15; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
7724. 10/28/84 Shn - 0, 21935 Berkeley Berkeley Community Theater Source: SBD>MC>DAT>CDR>WAV>SHN - entire first set except for aud splice during LLR. First three tracks of second set are SBD with the remainder from an unlineaged FOB audience recording. notes
7725. 10/28/84 Flac 16 - 0, 88181 Berkeley Berkeley Community Theater flac16; Taped by Jay Abrams (jra-sm) and Keith Prior Digitized and edited by Jay Abrams Location: Section CTR - Row GG - Seat 23 Source: Quad Nakimichi's - (Nakimichi 700's and Nakimichi 100's) - mixed down to two channels at show Sony WM-D6C > Maxell Metal - Dolby C > Wav > CD Wav > xAct encoding to Flac notes
7726. 10/28/84 Flac 16 - 0, 106167 Berkeley Berkeley Community Theater flac16; Recording Info: Nakamichi 300/CP1 Mics -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
7727. 10/28/84 Flac 24/96 - 0, 145578 Berkeley Berkeley Community Theater flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row OO, seat 1; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
7728. 10/28/84 Flac 16 - 0, 145579 Berkeley Berkeley Community Theater flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row OO, seat 1; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
7729. 10/28/84 Flac 16 - 0, 20ß80 Berkeley Berkeley Community Theater flac16; AudMC > DAT > CD > EAC > FLAC Recoreded by Michael Parrish from taper section with 2 Nak mini-700s (with pressure zones) and 2 Senn 441s > battery powered DBX 224X > Sony D-6 (master cassette) - CD>FLAC by Noah Weiner, April 2005. notes
7730. 10/30/84 Shn - 0, 22256 Berkeley Berkeley Community Theater Source: Set 1: SBD>MC>DAT>CDR>WAV>SHN. Set 2: SBD>MC>DAT>CDR>WAV>SHN (first 3 tracks) AUD(Senn 441?s>Sony D-5)>MC>DAT>CDR>WAV>SHN (remainder of second set + encore) notes
7731. 10/30/84 Flac 16 - 0, 106168 Berkeley Berkeley Community Theater flac16; Recording Info: Nakamichi 300/CP1 Mics -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
7732. 10/30/84 Shn - 0, 17415 Berkeley Berkeley Community Theater Senn 441?s>Sony D-5. Lineage: AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon notes
7733. 10/30/84 Flac 24/96 - 0, 145582 Berkeley Berkeley Community Theater flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row mm, seat 11; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
7734. 10/30/84 Flac 16 - 0, 145583 Berkeley Berkeley Community Theater flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row mm, seat 11; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
7735. 10/30/84 Flac 24/48 - 0, 150782 Berkeley Berkeley Community Theater flac24/48khz Source: MAUD CA Sennheiser mke2002 Binaural mics, worn on Seans head > Sony TCD5M|TDK MA90 x2 Location: Upper balcony, ROC Row O Seat 22 Lineage: Nakmichi LX5 > Marantz PMD661|SD Recorded by: Sean Murtha, Gary Steel, Executive Crew Transferred: Kyle Holbrook notes
7736. 10/30/84 Flac 16/44,1 - 0, 150783 Berkeley Berkeley Community Theater flac16/44.1khz Source: MAUD CA Sennheiser mke2002 Binaural mics, worn on Seans head > Sony TCD5M|TDK MA90 x2 Location: Upper balcony, ROC Row O Seat 22 Lineage: Nakmichi LX5 > Marantz PMD661|SD Recorded by: Sean Murtha, Gary Steel, Executive Crew Transferred: Kyle Holbrook notes
7737. 10/31/84 Flac 16 - 0, 106798 Berkeley Berkeley Community Theater flac16; SBD > Cassette Master > Cassette > FLAC; All Transfers and Mastering By Charlie Miller (note: This source was originally seeded as part of a collection of uncirculated SBD tracks.) notes
7738. 10/31/84 Flac 16/48 - 0, Berkeley Berkeley Community Theater flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k notes
7739. 10/31/84 Flac 16/48 - 0, 142494 Berkeley Berkeley Community Theater flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k notes
7740. 10/31/84 Shn - 0, 14947 Berkeley Berkeley Community Theater Source: AUD (Sennheiser 441) > CM > CDR > WAV > SHN. Thanks to Dr. B.Fried for the cassette masters. Original SHN conversion by Mike Lai. Note- This is a re-seed of previous seed by C Ladner; See info file for details notes
7741. 10/31/84 Flac 24/96 - 0, 145613 Berkeley Berkeley Community Theater flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90's; center floor, row OO, seat 13; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
7742. 10/31/84 Flac 16 - 0, 145614 Berkeley Berkeley Community Theater flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90's; center floor, row OO, seat 13; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
7743. 11/02/84 Shn - 0, 10172 Berkeley Berkeley Community Theater Set 1: SBD>Master Cassette> Cassette> DAT> CD> SHN:Set 2: SBD>PCM>DAT@44.1>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 >CDWav beta1.6(tracking only)> SHNv3 (MKW ACT) Set 1 source via Trip Bates shntool fixed version of Braverman SBD seed; Set 2 source: DAT via Joe Samaritano. Seeded to Fungus and abgd by Charlie Connor notes
7744. 11/02/84 Flac 16 - 0, 77878 Berkeley Berkeley Community Theater flac16; Sennheiser 421s? > PCM > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 > shntool > FLAC (lvl8) notes
7745. 11/02/84 Shn - 0, 9753 Berkeley Berkeley Community Theater Tony G shntool fix of original Braverman SBD seed; ; upgrade in circulation notes
7746. 11/02/84 Shn - 0, 9382 Berkeley Berkeley Community Theater Set 1: SBD> Master Cassette> Cassette> DAT> CD; Set 2: SBD> PCM> DAT> CD; via Charlie Miller; Seeded to etree by Peter Braverman; upgrade in circulation notes
7747. 11/02/84 Flac 24/96 - 0, 137968 Berkeley Berkeley Community Theater flac24; Monitor Mix Source: Soundboard (monitor mix) > Sony TC-D5 > Master [Maxell XLII-S90 cassette] Clone was made on a Aiwa CX-NA555 to a Maxell XLII-S90 cassette; Transfer: Sharp RT100 Deck[Clone Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/27/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Master Audience Source: Power Cards direct mics > Sony TC-D5 [Nakamichi SX-C90 Cassette] Transfer: Sharp RT100 Deck[Master Cassette & Clone Cassette] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/28/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Lineage: 96.00kHz/24bit wav > Adobe Audition 3.0. > WaveLab6 > iZotope Ozone 3 > CD Wave > TLH > Flac 24 notes
7748. 11/02/84 Flac 16 - 0, 137969 Berkeley Berkeley Community Theater flac16; Monitor Mix Source: Soundboard (monitor mix) > Sony TC-D5 > Master [Maxell XLII-S90 cassette] Clone was made on a Aiwa CX-NA555 to a Maxell XLII-S90 cassette; Transfer: Sharp RT100 Deck[Clone Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/27/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Master Audience Recording Source: Power Cards direct mics > Sony TC-D5 [Nakamichi SX-C90 Cassette] Transfer: Sharp RT100 Deck[Master Cassette & Clone Cassette] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/28/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Lineage: 96.00kHz/24bit wav > Adobe Audition 3.0. > WaveLab6 > iZotope Ozone 3 > CD Wave > TLH > Flac 16; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping notes
7749. 11/02/84 Flac 24/96 - 0, 147486 Berkeley Berkeley Community Theater flac24; source: aud cassette master; sennheiser 441's > sony d5; center floor, row nn, seat 27; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger notes
7750. 11/02/84 Flac 16 - 0, 147485 Berkeley Berkeley Community Theater flac16; source: aud cassette master; sennheiser 441's > sony d5; center floor, row nn, seat 27; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger notes
7751. 11/02/84 Flac 16/44 - , 152202 Berkeley Berkeley Community Theater flac14/44 Speed-correction done with Celemony Capstan by Roger Eichorn notes
7752. 11/03/84 Flac 16 - 0, 110773 Berkeley Berkeley Community Theater flac16; Recording Info: SBD -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
7753. 11/03/84 Flac 16 - 0, 78704 Berkeley Berkeley Community Theater flac16; Sennheiser 421s > PCM > DAT > Sony DTC-2000ES > M-Audio Delta 410 > Soundforge 8.0 wav > Adobe Audition 1.5 > Shntool > FLAC lvl8 notes
7754. 11/03/84 Shn - 0, 21761 Berkeley Berkeley Community Theater MSP > D > CD patched with MAC > C > C > D EAC & SHN conversion by John Mollman from Jim Powell's seed notes
7755. 11/03/84 Shn - 0, 8212 Berkeley Berkeley Community Theater SBD> MC> DAT> CD; Seeded to etree by Peter Braverman notes
7756. 11/03/84 Shn - 0, 18111 Berkeley Berkeley Community Theater AUD>MC>DAT>CDR via Raoul Duke, encoded by Willy and Matt Vernon notes
7757. 11/03/84 Flac 24/96 - 0, 147479 Berkeley Berkeley Community Theater flac24; source: aud cassette master; sennheiser 441's > sony d5; center floor, row nn, seat 19; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger notes
7758. 11/03/84 Flac 16 - 0, 147478 Berkeley Berkeley Community Theater flac16; source: aud cassette master; sennheiser 441's > sony d5 center floor, row nn, seat 19; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger notes
7759. 11/03/84 Flac 24/48 - 0, 150802 Berkeley Berkeley Community Theater flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head front Row Balcony 145 feet from stage DFC >Nakamichi 550 Maxell UDXLIIS 90 x 3 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Gary Steel notes
7760. 11/03/84 Flac 16/44,1 - 0, 150801 Berkeley Berkeley Community Theater flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head front Row Balcony 145 feet from stage DFC >Nakamichi 550 Maxell UDXLIIS 90 x 3 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Gary Steel notes
7761. 12/18/84 Shn - 0, 16613 San Rafael Arista Studio demos and rehearsals; Master Cassette Soundboard-> DAT-> Sonic Solutions-> CD-> EAC-> SHN; CD-> EAC-> SHN Done by Joe Samaritano from Gans seed; part of the KPFA Marathon broadcast on 2/22/2003 by David Gans notes
7762. 12/28/84 Flac 16 - 0, 132495 San Francisco San Francisco Civic Auditorium flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald notes
7763. 12/28/84 Flac 16 - 0, 105002 San Francisco San Francisco Civic Auditorium flac16; TAPER: Greg Holtz & Tony Bolton SOURCE: Front Row OTS, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename notes
7764. 12/28/84 Flac 16 - 0, 106103 San Francisco San Francisco Civic Auditorium flac16; Sennheiser 441 > Sony TCD5-M > Maxell MX CM>Nakamichi CR7A > Edirol R4Pro (Oade Preamp Mod ) > WaveBurner > xACT > FLAC notes
7765. 12/28/84 Flac 16 - 0, 118250 San Francisco San Francisco Civic Auditorium flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
7766. 12/28/84 Flac 24/48 - 0, 118249 San Francisco San Francisco Civic Auditorium flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
7767. 12/28/84 Flac 24/96 - 0, 140169 San Francisco San Francisco Civic Auditorium flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 notes
7768. 12/28/84 Flac 16 - 0, 140168 San Francisco San Francisco Civic Auditorium flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp notes
7769. 12/28/84 Flac 16/48 - 0, 142611 San Francisco San Francisco Civic Auditorium flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k notes
7770. 12/28/84 Flac 16/48 - 0, 142611 San Francisco San Francisco Civic Auditorium flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k notes
7771. 12/28/84 Shn - 0, 16584 San Francisco San Francisco Civic Auditorium Audience cassette > ? > DAT > CDR > SHN notes
7772. 12/28/84 Flac 16 - 0, 80953 San Francisco San Francisco Civic Auditorium flac16; Source: MAC: Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Location: 1st row balcony lip, DEAD Center Taper: Adam Transfer: MAC: Nakamichi CD2(played back on type IV setting, azimuth adjusted) > rca/xlr > Luntec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, conversion and upload to bt.etree.org by Alex Ford. notes
7773. 12/28/84 Flac 24/96 - 0, 148398 San Francisco San Francisco Civic Auditorium flac24; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
7774. 12/28/84 Flac 16/48 - 0, 148397 San Francisco San Francisco Civic Auditorium flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7775. 12/28/84 Flac 24/48 - 0, 151178 San Francisco San Francisco Civic Auditorium flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4' pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode notes
7776. 12/28/84 Flac 16/44,1 - 0, 151177 San Francisco San Francisco Civic Auditorium flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4' pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode notes
7777. 12/28/84 Flac 24/48 - 0, 151176 San Francisco San Francisco Civic Auditorium flac24/48khz Source: Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD) Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode notes
7778. 12/28/84 Flac 16/44,1 - 0, 151175 San Francisco San Francisco Civic Auditorium flac16/44.1khz Source: Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD) Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode notes
7779. 12/28/84 Flac 16/48 - 0, 152227 San Francisco San Francisco Civic Auditorium flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
7780. 12/28/84 Flac 24/96 - 0, 152228 San Francisco San Francisco Civic Auditorium flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
7781. 12/29/84 Flac 16 - 0, 106169 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD -> ? -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
7782. 12/29/84 Flac 16 - 0, 132520 San Francisco San Francisco Civic Auditorium flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Recorded by the Oade Brothers; Mastering by Dan McDonald & Dave Usborne notes
7783. 12/29/84 Flac 16 - 0, 105032 San Francisco San Francisco Civic Auditorium flac16; TAPER: Greg Holtz & Tony Bolton. SOURCE: Front Row Balcony, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M. TRANSFER: By (JAZ) Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename notes
7784. 12/29/84 Flac 16 - 0, 118252 San Francisco San Francisco Civic Auditorium flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
7785. 12/29/84 Flac 16 - 0, 95694 San Francisco San Francisco Civic Auditorium flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Michael Kirschner; All Transfers and Mastering By Charlie Miller notes
7786. 12/29/84 Flac 24/48 - 0, 118251 San Francisco San Francisco Civic Auditorium flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
7787. 12/29/84 Flac 16 - 0, 140187 San Francisco San Francisco Civic Auditorium flac16; Recording Info: 1st Set: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); 2nd Set: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: 1st Set: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 24/96 > dBpoweramp 16/44 > Adobe Audition 3.0 > TLH flac16; 2nd Set: Master PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes
7788. 12/29/84 Flac 16/48 - 0, 142761 San Francisco San Francisco Civic Auditorium flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k notes
7789. 12/29/84 Shn - 0, 12926 San Francisco San Francisco Civic Auditorium AUD>?>CDR>EAC>SHN>WAV(re-tracked)>SHN; via Brian Bontempo; Seeded to etree by jim@juddcreek notes
7790. 12/29/84 Flac 16 - 0, 81758 San Francisco San Francisco Civic Auditorium flac16; MAC; 2 Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Location: Front row of balcony, Dead Center Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Taper: Mark McCue Lineage: MAC > Nakamichi Cassette Deck 2(azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(A/D at 24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5 > editing > Waves L3 UltraMaximizer > 16 bit 44.1 kHz > CDWave Editor > TLH > FLAC16 notes
7791. 12/29/84 Shn - 0, 87705 San Francisco San Francisco Civic Auditorium Source Update: Unknown Audience Source (Had been marked:MSC > C > DAT > WAV > SHN with patches from Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN) notes
7792. 12/29/84 Shn - 0, 24294 San Francisco San Francisco Civic Auditorium Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN notes
7793. 12/29/84 Flac 24/48 - 0, San Francisco San Francisco Civic Auditorium notes
7794. 12/29/84 Flac 24/96 - 0, 148400 San Francisco San Francisco Civic Auditorium flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
7795. 12/29/84 Flac 16/48 - 0, 148399 San Francisco San Francisco Civic Auditorium flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7796. 12/29/84 Flac 24/48 - 0, 151202 San Francisco San Francisco Civic Auditorium flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals headworn > lead Sony TCD5M > s1:maxell UDXLIIS90 No Dolby; s2:Maxell MX90 No Dolby -lead deck run by CK. Source 2: # MAUDCA (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M) Kirshner|Miller Location: 40-50 feet from stage DFC on Kyle's head Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode notes
7797. 12/29/84 Flac 16/44,1 - 0, 151201 San Francisco San Francisco Civic Auditorium flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals headworn > lead Sony TCD5M > s1:maxell UDXLIIS90 No Dolby; s2:Maxell MX90 No Dolby -lead deck run by CK. Source 2: # MAUDCA (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M) Kirshner|Miller Location: 40-50 feet from stage DFC on Kyle's head Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode notes
7798. 12/29/84 Flac 24/96 - 0, 152536 San Francisco San Francisco Civic Auditorium flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
7799. 12/29/84 Flac 16/48 - 0, 152535 San Francisco San Francisco Civic Auditorium flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
7800. 12/31/84 Flac 16 - 0, 106351 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
7801. 12/31/84 Flac 16 - 0, 128592 San Francisco San Francisco Civic Auditorium flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Droncit; No changes to the file except for minor edits, fade-ins/fade-outs, and level changes as needed. One short blank space in Jack Straw cut out for flow. Editing with Diamond Cut Forensics 8 and Forensics 9 (alpha). Paragraphic and Spectral Filters applied for equalization. notes
7802. 12/31/84 Flac 16 - 0, 118306 San Francisco San Francisco Civic Auditorium flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
7803. 12/31/84 Flac 16 - 0, 105154 San Francisco San Francisco Civic Auditorium flac16; TAPER: Greg Holtz & Tony Bolton SOURCE: Front Row Balcony, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename notes
7804. 12/31/84 Flac 16 - 0, 96435 San Francisco San Francisco Civic Auditorium flac16; Nak 300 shotguns w/D6 OTS MAC>NakCR-3A>HD>Audacity>CDwave>TLH; recorded and transferred by Russ Cansler notes
7805. 12/31/84 Flac 24/48 - 0, 118305 San Francisco San Francisco Civic Auditorium flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
7806. 12/31/84 Flac 16 - 0, 32347 San Francisco San Francisco Civic Auditorium flac16; Recording Info: FM -> Master Reel (1/4 Track 7.5ips Dolby B Tandberg Deck) -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC notes
7807. 12/31/84 Shn - 0, 6395 San Francisco San Francisco Civic Auditorium SB > MR > ?? [apparently FM] > DAT > CDR > EAC> SHN; EAC, SHN, etreed by G.Gorinsky; with thanks to Bill Golden notes
7808. 12/31/84 Flac 16 - 0, 82046 San Francisco San Francisco Civic Auditorium flac16; MAC; 2 Sennheiser 421s > Sony D5 > TDK MA-R 90 (Set I & II) & Maxell MX 90 (Set III) Location: 1st row of balcony, Dead Center Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3 (24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24bit/96kHz .wav files (1 per tape side) > Waves L3 UltraMaximizer(dither) > 16bit/44.1kHz > CD Wave Editor > TLH > FLAC16. notes
7809. 12/31/84 Flac 16 - 0, 106684 San Francisco San Francisco Civic Auditorium flac16; Recording Info: AKG Mics -> Cassette Master (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Rango Keshavan; All Transfers and Mastering By Charlie Miller notes
7810. 12/31/84 Flac 16 - 0, 140160 San Francisco San Francisco Civic Auditorium flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 notes
7811. 12/31/84 Flac 24/96 - 0, 140161 San Francisco San Francisco Civic Auditorium flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 notes
7812. 12/31/84 Flac 16 - 0, 147328 San Francisco San Francisco Civic Auditorium flac16; Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1; Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 notes
7813. 12/31/84 Flac 16 - 0, 121725 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; This is a remaster of source ID 106251; All Transfers and Mastering By Charlie Miller notes
7814. 12/31/84 Flac 24/96 - 0, 148402 San Francisco San Francisco Civic Auditorium flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
7815. 12/31/84 Flac 16/48 - 0, 148401 San Francisco San Francisco Civic Auditorium flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7816. 12/31/84 Flac 24/48 - 0, 151278 San Francisco San Francisco Civic Auditorium flac24/48khz Master: Sennheiser 421's, NORTF, front row balcony 150 feet from stage>Sony TCD5M; Maxell MX 90 w/dolby B Nr second deck in line; patched from Eddie Claridge mics & rig. Transfer: Nakamichi LX-5|ESI Juli@ @24/48||WIN10| Audacity| cdwav editor | TLH | FLAC Recorded by: Executive Crew- Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode Transferred by Kyle Holbrook notes
7817. 12/31/84 Flac 16/44,1 - 0, 151277 San Francisco San Francisco Civic Auditorium flac16/44.1khz Master: Sennheiser 421's, NORTF, front row balcony 150 feet from stage>Sony TCD5M; Maxell MX 90 w/dolby B Nr second deck in line; patched from Eddie Claridge mics & rig. Transfer: Nakamichi LX-5|ESI Juli@ @24/48||WIN10| Audacity| cdwav editor | TLH | FLAC Recorded by: Executive Crew- Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode Transferred by Kyle Holbrook notes
7818. 12/31/84 Flac 16/48 - , 154659 San Francisco San Francisco Civic Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 150896) Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1 Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 + AUD (shnid = 140161) Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 - surround mixing by Kevin Tobin notes
7819. 12/31/84 Dts Audio 5.1 - , 154658 San Francisco San Francisco Civic Auditorium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 150896) Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1 Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 + AUD (shnid = 140161) Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 - dts mixing by Kevin Tobin notes
7820. 12/31/84 Flac 16 Mtx - , 154657 San Francisco San Francisco Civic Auditorium flac16; Matrix 2 Source Mix - SBD (shnid = 150896) Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1 Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 + AUD (shnid = 140161) Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 - matrix mixing by Kevin Tobin notes
7821. 02/18/85 Shn - 0, 7588 Oakland Henry J. Kaiser Convention Center SBD>CM>DAT>SoundForge>CD; Source DAT from Charlie Miller; see info file for more detailed lineage; via John Spaventa; Seeded to etree by Willy notes
7822. 02/18/85 Flac 16 - 0, 105539 Oakland Henry J. Kaiser Convention Center flac16; Source: Audience recording > Nakamichi CM-100's CP-4 caps > Sony WM-D5 > mac Lineage: mac > Tascam 122B > Tascam HD-P2 > 24/48 wav > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > flac 16 taped by Gregg Holtz from OTS notes
7823. 02/18/85 Flac 16 - 0, 82843 Oakland Henry J. Kaiser Convention Center flac16; MAC; Sennheiser 421s > Sony TC-MD5 > Maxell MX90s Location: behind SBD Taper: Mark McCue Transfer: MAC > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Wave L3 UltraMaximizer (dither to 16 bit 44.1kHz) > CD Wave Editor > Trader's Little Helper > FLAC16. Transfer, dither and conversion by Alex Ford 02/23/2007. notes
7824. 02/18/85 Flac 16 - 0, 112038 Oakland Henry J. Kaiser Convention Center flac16; Source: 3 Sennheiser 421 microphones (up front-center) > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
7825. 02/19/85 Shn - 0, 9879 Oakland Henry J. Kaiser Convention Center SBD>MC>C>DAT>C>C>ZA2>CDR Lineage may be incorrect based on Nice Sound Quality It just sounds too good to be 4 analogs; via raul; Seeded to etree by steve barbella notes
7826. 02/19/85 Flac 16 - 0, 106685 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: AKG C422 (M/S) -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Joani Walker; All Transfers and Mastering By Charlie Miller notes
7827. 02/19/85 Flac 16 - 0, 82946 Oakland Henry J. Kaiser Convention Center flac16; MAC; (FOB) Sennheiser 421s > Sony D5 > Maxell MX 90s Taper: Mark McCue Transfer: MAC > Nakamich Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer > 16 bit WAV > CD Wave Editor > TLH > FLAC16. Master Audience cassettes provided by Mark McCue Transfer, editing and conversion by Alex Ford notes
7828. 02/19/85 Flac 16 - 0, 112126 Oakland Henry J. Kaiser Convention Center flac16; Source: 2 Beyer M160 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
7829. 02/20/85 Shn - 0, 21917 Oakland Henry J. Kaiser Convention Center SBD ->Cassette Master -> Cassette -> Dat -> Cassette -> CD -> EAC -> SHN notes
7830. 02/20/85 Flac 16 - 0, 83096 Oakland Henry J. Kaiser Convention Center flac16; MAC; (FOB) Sennheiser 421s > Sony D5 > Maxell MX90s Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer > 16 bit WAV > CD Wave Editor > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue Transfer, editing and conversion by Alex Ford 03/06/2007. notes
7831. 02/20/85 Flac 16 - 0, 106686 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: AKG C422 (M/S) -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Joani Walker; All Transfers and Mastering By Charlie Miller notes
7832. 02/20/85 Shn - 0, 5303 Oakland Henry J. Kaiser Convention Center aud> senn 441> cassette master> cdr; via Mike Lai with thanks to Alan Powell notes
7833. 02/20/85 Flac 16 - 0, 110930 Oakland Henry J. Kaiser Convention Center flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7834. 02/??/85 Flac 16 - 0, 107163 Unknown Unknown flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16 notes
7835. 03/09/85 Flac 16 - 0, 104962 Berkeley Berkeley Community Theater flac16; Recording Info:SBD -> Cassette Master -> ? -> Cassette -> FLAC; Transfer Info:FLAC -> WAV -> Cool Edit Pro v2.0 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade to shnid 97331 notes
7836. 03/09/85 Flac 16 - 0, 91881 Berkeley Berkeley Community Theater flac16; Source: SBD Transfer: Nak MR-1(Maxell XLII-S 90min) -> DAW -> M-Audio 66 -> Wavelab v.5 Re-Master: Wavelab v5: Ozone, graphical Edits, Fades -> CDWave Compression: FlacFrontend Level 8 -> TLH: shntool, ffp, md5 notes
7837. 03/09/85 Flac 16 - 0, 84027 Berkeley Berkeley Community Theater flac16; MAC; Sennheiser 421s > Sony D5 > TDK MA90s Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > Waves L2 Ultramaximizer (dither) > WAV @ 16/44.1 > TLH > FLAC16. Transfer, all edits, conversion & seeding by Alex Ford notes
7838. 03/09/85 Flac 16 - 0, 97331 Berkeley Berkeley Community Theater flac16; Source: sbd > ? > cassette (Maxell XLII). Transfer: Sony TC-FX150 cassette player > "Santa Cruz" sound card > Nero SoundTrax > CDWav > TLH > FLAC16. Transferred, tracked & seeded by Chris Quinn; Upgrade in circulation notes
7839. 03/09/85 Shn - 0, 26334 Berkeley Berkeley Community Theater Realistic PZM mics, taper section > Sony TC-D5M cassette deck > Maxell MX-90 cassettes; Transfer: SF> CD Wave> MKW-ACT SHN; via seabass? notes
7840. 03/09/85 Shn - 0, 14448 Berkeley Berkeley Community Theater Unknown aud via Jim Decker, pitch correction Jeff Cotsman, shn encoding Matt Vernon notes
7841. 03/09/85 Flac 16 - 0, 96610 Berkeley Berkeley Community Theater flac16; Recorded by Tazuo Yamaguchi; Nak 700 cardiods on 12 inch pzm plates> poris preamp> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
7842. 03/10/85 Flac 16 - 0, 96594 Berkeley Berkeley Community Theater flac16; Taper: Greg Holtz Source: Nakamichi cm 300's CP-4 guns -> D-5 Transfer: (By JAZ) Cassette Master (Maxell Super Fine Epilaxial XLII-s 90's) -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII Compact Flash -> USB -> Mastered with UAD Technology in Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8 notes
7843. 03/10/85 Flac 16 - 0, 83219 Berkeley Berkeley Community Theater flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC notes
7844. 03/10/85 Flac 16 - 0, 84291 Berkeley Berkeley Community Theater flac16; Sennheiser 421s > Sony D5 > 2 TDK MA90s Location: directly behind SBD Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@ 24/96) > coax > Audiophile 2496 > WaveLab 5 > WAV @2496 > Waves L2 (dither) > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & seeding by Alex Ford notes
7845. 03/10/85 Flac 16 - 0, 96630 Berkeley Berkeley Community Theater flac16; Recorded by Tazuo Yamaguchi; Nak 700 cardiods on 12 inch pzm plates (spread 4 seats apart)> dbx 224> poris preamp> Sony D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
7846. 03/10/85 Shn - 0, 10255 Berkeley Berkeley Community Theater FOB Senn421's > Master Cassette > DAT > CD; via Raul Duke; Seeded to etree by Steve Barbella notes
7847. 03/12/85 Flac 16 - 0, 96701 Berkeley Berkeley Community Theater flac16;Taper: Greg Holtz Source: Nakamichi cm 300's CP-4 guns -> Sony D-5 Transfer: (By JAZ) Cassette Master (Maxell Super Fine Epilaxial XLII-s 90's) -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII Compactflash -> USB -> Mastered with UAD Technology in Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8 notes
7848. 03/12/85 Flac 16 - 0, 84323 Berkeley Berkeley Community Theater flac16; MAC; Sennheiser 421's > Sony TC-D5M > TDK MA90 Cassettes Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @24/96 > Waves L2 (dither) > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion and seeding by Alex Ford. notes
7849. 03/12/85 Flac 16 - 0, 83444 Berkeley Berkeley Community Theater flac16; Lineage: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX Transfer: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC notes
7850. 03/12/85 Shn - 0, 10256 Berkeley Berkeley Community Theater FOB Senn421's > Master Cassette > DAT > CD; via Raoul Duke; Seeded to etree by Steve Barbella notes
7851. 03/12/85 Shn - 0, 26433 Berkeley Berkeley Community Theater Sennheiser MD-421's > Sony TC-D5M > Maxell MX-90 cassettes, Set up in the taper's section; CD Wave tracking> Mkw-ACT shn; Transferred by AndrewF notes
7852. 03/12/85 Flac 16 - 0, 96439 Berkeley Berkeley Community Theater flac16; Recorded by Tazuo Yamaguchi; Nak 700 cardiods on 12 inch pzm plates> dbx 224> poris preamp> Sony TC-D5; mics were spread 4 seats apart Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding notes
7853. 03/13/85 Flac 16 - 0, 117344 Berkeley Berkeley Community Theater flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
7854. 03/13/85 Flac 16 - 0, 84490 Berkeley Berkeley Community Theater flac16; MAC; Sennheiser 421s > Sony D5 > TDK MA90 cassettes Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@24/96) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @24/96 > Waves L2 > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion and seeding by Alex Ford 4/24/2007. notes
7855. 03/13/85 Flac 16 - 0, 77347 Berkeley Berkeley Community Theater flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90/Dolby B) Transfer Info: Cassette Master (Sony TC-WE475/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
7856. 03/13/85 Flac 24/96 - 0, 117343 Berkeley Berkeley Community Theater flac24; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes
7857. 03/13/85 Shn - 0, 9961 Berkeley Berkeley Community Theater Master Soundboard Cassette > DAT > CDR; via raul; Seeded to etree by steve barbella; upgrade in circulation notes
7858. 03/13/85 Flac 16 - 0, 32017 Berkeley Berkeley Community Theater flac16; Nakamichi CM-300's w/CP-4 shotguns > Sony TC-D5M, taper's section. Taped onto Maxell MX-90, with Dolby off for recording and playback Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > Trader's Little Helper > FLAC Frontend notes
7859. 03/21/85 Flac 16 - 0, 82311 Hampton Hampton Coliseum flac16; Unknown SBD source > Cass(x) > WAV > CD > WAV > FLAC notes
7860. 03/21/85 Flac 16 - 0, 33949 Hampton Hampton Coliseum flac16; (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum core (Set II)]. Tapers: Mark McCue, Adam, Monica & John. Transfer, cuts, fades, encoding and seeding to bt.etree.org by Alex Ford. notes
7861. 03/21/85 Flac 24 - 0, 140837 Hampton Hampton Coliseum flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96;Checksum & tags created in xACT notes
7862. 03/21/85 Flac 24 - 0, 140865 Hampton Hampton Coliseum flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
7863. 03/21/85 Flac 16 - 0, 141205 Hampton Hampton Coliseum ; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
7864. 03/21/85 Flac 24/96 - 0, 124555 Hampton Hampton Coliseum flac24; lineage: sennheiser 421 fob> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7865. 03/21/85 Shn - 0, 9976 Hampton Hampton Coliseum FOB-AUD>MC>CDR Mark Horvath recording, Senn. 421?s>Sony TC-D5; via Paul B; Seeded to etree by Brad Ingle notes
7866. 03/21/85 Flac 16 - 0, 87046 Hampton Hampton Coliseum flac16; taper : Joe D'Amico nak 300 mics > sony d5 nak dragon deck > creative extigy souncard>cool edit pro >flac frontend notes
7867. 03/21/85 Flac 16 - 0, 117820 Hampton Hampton Coliseum flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
7868. 03/22/85 Flac - 0, 23144 Hampton Hampton Coliseum Oade Brothers Recording: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac notes
7869. 03/22/85 Flac - 0, 34470 Hampton Hampton Coliseum MAC (FOB) 2 Sennheiser 421's > Sony TC-D5 > 2 TDK MA90's; Tapers: Mark McCue, Adam, Monica & John; Transfer, encoding and seeding to bt.etree.org by Alex Ford notes
7870. 03/22/85 Flac 24/96 - 0, 140838 Hampton Hampton Coliseum flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
7871. 03/22/85 Flac 24 - 0, 140867 Hampton Hampton Coliseum flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
7872. 03/22/85 Flac 16 - 0, 141206 Hampton Hampton Coliseum flac16; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
7873. 03/22/85 Flac 24/96 - 0, 124570 Hampton Hampton Coliseum flac24; lineage: sennheiser 421 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7874. 03/22/85 - 0, 87093 Hampton Hampton Coliseum flac16; Taper Joe D'Amico Nak 300 Mics > Sony D5 Nak Dragon Tape Deck > Creative Extigy Soundcard > Cooledit Pro > Flac Frontend notes
7875. 03/22/85 Shn - 0, 13782 Hampton Hampton Coliseum Taper:Mark Gibbs Nak 300's > Sony D5 > Master CASS > SoundMAX Digital Audio > CD Wav > SHN Transferred by John Hudson notes
7876. 03/22/85 Flac 16 - 0, 117821 Hampton Hampton Coliseum flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
7877. 03/22/85 Shn - 0, 8593 Hampton Hampton Coliseum 2nd set only; AUD>PCM>DAT>CDR; Seeded to etree by Brad Ingle notes
7878. 03/22/85 Shn - 0, 35257 Hampton Hampton Coliseum Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHNs Recorded, transfered and seeded by Charles Bandrofcheck notes
7879. 03/22/85 Flac 16/48 - 0, 148303 Hampton Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - AUD1 (shnid = 23144) Oade Brothers Recording: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac + AUD2 (shnid = 87093) Taper Joe D'Amico Nak 300 Mics > Sony D5 Nak Dragon Tape Deck > Creative Extigy Soundcard > Cooledit Pro > Flac Frontend - surround mixing by Kevin Tobin notes
7880. 03/22/85 Flac 16 Dts.5.1 - 0, 148302 Hampton Hampton Coliseum DTS-Audio-CD 5.1 Mix; - AUD1 (shnid = 23144) Oade Brothers Recording: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac + AUD2 (shnid = 87093) Taper Joe D'Amico Nak 300 Mics > Sony D5 Nak Dragon Tape Deck > Creative Extigy Soundcard > Cooledit Pro > Flac Frontend - dts mixing by Kevin Tobin notes
7881. 03/22/85 Flac 16 - 0, 148300 Hampton Hampton Coliseum flac16; Patched & Pitch Corrected Audience - AUD (original shnid = 87093) Taper Joe D'Amico Nak 300 Mics > Sony D5 Nak Dragon Tape Deck > Creative Extigy Soundcard > Cooledit Pro > Flac Frontend - pitch correction and patches by Kevin Tobin notes
7882. 03/22/85 Flac 16 Mtx - 0, 148301 Hampton Hampton Coliseum flac16; Matrix 2 Audience Source Mix - AUD1 (shnid = 23144) Oade Brothers Recording: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac + AUD2 (shnid = 87093) Taper Joe D'Amico Nak 300 Mics > Sony D5 Nak Dragon Tape Deck > Creative Extigy Soundcard > Cooledit Pro > Flac Frontend - matrix mixing by Kevin Tobin notes
7883. 03/22/85 Flac 24/96 - 0, 149239 Hampton Hampton Coliseum flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
7884. 03/22/85 Flac 16/48 - 0, 149238 Hampton Hampton Coliseum flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7885. 03/24/85 Shn - 0, 11699 Springfield Springfield Civic Center 2nd set only; SBD>?>CD; via Tommy Danscuk; Seeded to etree by Willy notes
7886. 03/24/85 Flac 16 - 0, 130232 Springfield Springfield Civic Center flac16; Set 1: Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne; Set 2 Source: gd85-03-24.oade.connor.8461.sbeok.shnf: Oade's Master Audience PCM: Schoeps CMC-441 mics > Oade M118 > Sony PCM-F1 > DAT > CDR > EAC > Shn; Converted to flac using Traders Little Helper notes
7887. 03/24/85 Flac 16 - 0, 125720 Springfield Springfield Civic Center flac16; 2 M-160s and Sony TC-D5m Cassette Master; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670 notes
7888. 03/24/85 Flac 16 - 0, 99178 Springfield Springfield Civic Center flac16; Nakamichi 700's > d6 > MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit + > 16/44.1 Wave > Flac notes
7889. 03/24/85 Shn - 0, 8461 Springfield Springfield Civic Center Oade's Master Audience PCM>Schoeps CMC-441 mics>Oade M118>Sony PCM-F1>DAT>CDR>EAC>Shn EAC'ed/Shn'ed and seeded to fungus and abgd by Charlie Connor 3/26/02 with thanks To Scott Clugston and to Doug Oade. notes
7890. 03/24/85 Flac 24 - 0, 140840 Springfield Springfield Civic Center flac24; Source Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496 notes
7891. 03/24/85 Flac 16 - 0, 140839 Springfield Springfield Civic Center notes
7892. 03/24/85 Flac 24/96 - 0, 124603 Springfield Springfield Civic Center flac24; lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7893. 03/24/85 Flac 24/96 - 0, 114485 Springfield Springfield Civic Center flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes
7894. 03/24/85 Flac 16 - 0, 87182 Springfield Springfield Civic Center flac16; audio tech mics > sony d-6 nak dragon tape deck > creative extigy soundcard> cool edit pro > flac frontend taper Joe D'Amico notes
7895. 03/24/85 Flac 16 - 0, 112149 Springfield Springfield Civic Center flac16; Source: 2 Sennheiser 421 microphones (up front-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
7896. 03/24/85 Flac 16 - 0, 106780 Springfield Springfield Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris. Transferred & edited by Bob Morris 10/09. notes
7897. 03/24/85 Flac 16 - 0, 106779 Springfield Springfield Civic Center flac16; Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes
7898. 03/24/85 Flac 16 - 0, 34619 Springfield Springfield Civic Center flac16; MAC: (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90's Tapers: Mark McCue, Adam, Monica & John Transfer, minor editing, encoding and seeding to bt.etree.org by Alex Ford 05/08/2006. notes
7899. 03/24/85 Flac 16 - 0, 78645 Springfield Springfield Civic Center flac16; Source: *Beyer M88's>Sony D5M Location: *At SBD, stand at 9 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16 bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S notes
7900. 03/24/85 Flac 24/96 - 0, 145291 Springfield Springfield Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
7901. 03/24/85 Flac 16 - 0, 145292 Springfield Springfield Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
7902. 03/24/85 Flac 24/96 - 0, 149243 Springfield Springfield Civic Center flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
7903. 03/24/85 Flac 16/48 - 0, 149242 Springfield Springfield Civic Center flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7904. 03/25/85 Flac 16 - 0, 84410 Springfield Springfield Civic Center flac16; Original SRC: MSC>Cass.>DAT>CDR>SHN Edit: SHN > WAV > repitch and patch in Cool Edit Pro > FLAC. Patched with Oade Schoeps PCM; Pitch corrected and patched version of shnid shn id 15403 by Bill Tetzeli notes
7905. 03/25/85 Flac 16 Mtx - 0, 132153 Springfield Springfield Civic Center flac16; 2 source matrix by Dusborne; Soundboard (shnid:084410) Pitch fix of shnid 15403 Original SRC: MSC>Cass.>DAT>CDR>SHN; Edit: SHN > WAV > repitch and patch in Cool Edit Pro > FLAC and Audience (shnid:23222) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Recorded by the Oade Brothers notes
7906. 03/25/85 Flac 24/48 - 0, 132989 Springfield Springfield Civic Center flac24; AUD: Beyers M88's > lead deck Sony D5 > Sony TC-D5M > TDK MA-90's, with no Dolby, set up in second row of seats at end of the floor. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Recording and transfer by Andrew F. 05/2015 notes
7907. 03/25/85 Flac 16 - 0, 132990 Springfield Springfield Civic Center flac16; AUD: Beyers M88's > lead deck Sony D5 > Sony TC-D5M > TDK MA-90's, with no Dolby, set up in second row of seats at end of the floor. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Recording and transfer by Andrew F. 05/2015 notes
7908. 03/25/85 Flac - 0, 23222 Springfield Springfield Civic Center Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Recorded by the Oade Brothers Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net) notes
7909. 03/25/85 Shn - 0, 15403 Springfield Springfield Civic Center MSC>Cass.>DAT>CDR>SHN; Audio Discs from Andy L; EAC'ed & SHN'ed by tbrame; upgrade in circulation notes
7910. 03/25/85 Flac 24 - 0, 140842 Springfield Springfield Civic Center flac24; Source Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496 notes
7911. 03/25/85 Flac 16 - 0, 140841 Springfield Springfield Civic Center flac16; Source Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp notes
7912. 03/25/85 Flac 24/96 - 0, 124626 Springfield Springfield Civic Center flac24; lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7913. 03/25/85 Flac 24/96 - 0, 114486 Springfield Springfield Civic Center flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes
7914. 03/25/85 Flac 24/96 - 0, 145310 Springfield Springfield Civic Center flac24: source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
7915. 03/25/85 Flac 16 - 0, 145311 Springfield Springfield Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
7916. 03/25/85 Shn - 0, 14497 Springfield Springfield Civic Center Pitch corrected AUD Lineage: Nak 300 mics, Phil's side, next to board, -> Sony D5, -> HHb 850 -> SHN -> Schlisseltronics -> SHN notes
7917. 03/25/85 Flac 16 - 0, 34684 Springfield Springfield Civic Center flac16; MAC: (FOB) 2 Sennheiser 421s > Sony TC-D5 > 2 TDK MA90s Master Cassettes supplied by Mark McCue. Transfer, minor edits, conversion and seeding to bt.etree.org by Alex Ford. notes
7918. 03/25/85 Flac 16 - 0, 78800 Springfield Springfield Civic Center flac16; Source: *Beyer M88's>Sony D5M Location: *At SBD, stand at 9 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16bit>Cdwav>flac16 Taped, Transfered and uploaded by Tony S notes
7919. 03/25/85 Flac 16 - 0, 107547 Springfield Springfield Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
7920. 03/25/85 Flac 16 - 0, 112152 Springfield Springfield Civic Center flac16; Source: 2 Beyer M160 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
7921. 03/25/85 Flac 24/96 - 0, 149267 Springfield Springfield Civic Center flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
7922. 03/25/85 Flac 16/48 - 0, 149266 Springfield Springfield Civic Center flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7923. 03/25/85 Flac 24/96 - 0, 150739 Springfield Springfield Civic Center Flac24 Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96)
Lineage: Wav24/96 > Wavelab 10 (tracking, patching) > FLAC 2496
notes
7924. 03/25/85 Flac 16 - 0, 150738 Springfield Springfield Civic Center Flac16 Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96)
Lineage: Wav24/96 > Wavelab 10 (tracking, patching, resample, MBit+ dither) > FLAC 16
notes
7925. 03/25/85 Flac 16/48 - 0, 150966 Springfield Springfield Civic Center flac16/48khz Source Info: Master Vault Cassettes > Dick Latvala's 1st generation cassettes > Rob Eaton's DAT (16-48) > Tim Dalton's DAT (16-48) Transfer Info: Vault Cassettes (Tascam 122 MKIII) > Dick Latvala's Cassettes (Tascam 122 MKIII); Dick's 1st generation cassettes played back on a Nakamichi Dragon > Panasonic SV-3800 DAT (16-48) by Rob Eaton; Rob Eaton's DAT 16-48 (Panasonic SV-3800) > Tim Dalton's DAT (Panasonic SV-3800)(16-48); Tim Dalton's DAT (16-48)(Sony PCM R-500) > Tascam DA-3000 (DSF 1-bit-5.6 MHz)> .wav (16-48) > Adobe Audition CC 2020 > TLH flac1648 Mastered by Scott Clugston. February 2020 notes
7926. 03/27/85 Shn - 0, 8567 Uniondale Nassau Veterans Memorial Coliseum SBD> MC> C> DAT> CDR> WAV> SHN; DAE, FTP via neo_levo notes
7927. 03/27/85 Flac - 0, 23442 Uniondale Nassau Veterans Memorial Coliseum Recorded by the Oade Brothers;Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net) notes
7928. 03/27/85 Flac 24/96 - 0, 140844 Uniondale Nassau Veterans Memorial Coliseum flac24; Set 2 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
7929. 03/27/85 Flac 16 - 0, 141207 Uniondale Nassau Veterans Memorial Coliseum flac16; Set 2 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
7930. 03/27/85 Flac 24/96 - 0, 124675 Uniondale Nassau Veterans Memorial Coliseum flac24; lineage: sennheiser 421 (fob)> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7931. 03/27/85 Flac 24/96 - 0, 103144 Uniondale Nassau Veterans Memorial Coliseum flac24; nak300/cp4 (ots, 12') > sony tcd5m > tdk-ma (dolby on, master) playback: tcd5m (same as recorder) > minime (24/96) > sd744 > audacity > xact (flac) notes
7932. 03/27/85 Shn - 0, 7369 Uniondale Nassau Veterans Memorial Coliseum updated source: PCM AUD (unknown taper/mics)> PCM> DAT> CDR(1)> SHN, big thanks to David Minches for the seed (had been marked unknown aud); via Scott Zarnegar; Matt Vernon notes
7933. 03/27/85 Flac 16 - 0, 34778 Uniondale Nassau Veterans Memorial Coliseum flac16; MAC: (FOB) 2 Sennheiser 421's > Sony D5 > TDK MA90's Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Transfer, editing, conversion and seeding by Alex Ford. Master Cassettes provided by Mark McCue. notes
7934. 03/27/85 Shn - 0, 78403 Uniondale Nassau Veterans Memorial Coliseum Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel notes
7935. 03/27/85 Flac 16 - 0, 87209 Uniondale Nassau Veterans Memorial Coliseum flac16; taper Joe D'Amico audio tech mics > sony d5 > ? > flac notes
7936. 03/27/85 Flac 16 - 0, 106784 Uniondale Nassau Veterans Memorial Coliseum flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris. Transferred & edited by Bob Morris 10/09. notes
7937. 03/27/85 Flac 16 - 0, 107391 Uniondale Nassau Veterans Memorial Coliseum flac16; source: 2 Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ almost 6 feet) > analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
7938. 03/27/85 Flac 24/96 - 0, 149304 Uniondale Nassau Veterans Memorial Coliseum flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
7939. 03/27/85 Flac 16/48 - 0, 149303 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7940. 03/27/85 Flac 16 - 0, 149949 Uniondale Nassau Veterans Memorial Coliseum flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche notes
7941. 03/27/85 Flac 24/48 - 0, 152066 Uniondale Nassau Veterans Memorial Coliseum flac24/48 Source: Master AUDCA: Beyer M201's XY > Nakamichi 550 > 2nd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by ??. Location: 40 feet from stage DFC, 8 ft up Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt notes
7942. 03/27/85 Flac 16/44 - 0, 152065 Uniondale Nassau Veterans Memorial Coliseum flac16/44 Source: Master AUDCA: Beyer M201's XY > Nakamichi 550 > 2nd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by ??. Location: 40 feet from stage DFC, 8 ft up Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt notes
7943. 03/28/85 Flac 16 - 0, 94544 Uniondale Nassau Veterans Memorial Coliseum flac16; Set 1 only, Matrix by Hunter Seamons using Soundtrack/Final Cut Pro (SHN & FLAC>AIFF>Soundtrack>Final Cut>WAV>FLAC) notes
7944. 03/28/85 Flac 16 - 0, 118304 Uniondale Nassau Veterans Memorial Coliseum flac16; Soundboard > 1st Gen Tape > Nak Dragon > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'Amico notes
7945. 03/28/85 Flac 16 Mtx - 0, 94484 Uniondale Nassau Veterans Memorial Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
7946. 03/28/85 Shn - 0, 23443 Uniondale Nassau Veterans Memorial Coliseum Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net) notes
7947. 03/28/85 Shn - 0, 5313 Uniondale Nassau Veterans Memorial Coliseum SBD> MC> DAT> CDR; via Randy Griesman; dropouts at d1t7 0:10, d2t1 0:32 notes
7948. 03/28/85 Flac 16 Mtx - 0, 77465 Uniondale Nassau Veterans Memorial Coliseum flac16;MTX by PLS SBD > MC > DAT > CDR > FLAC EAC'd and converted on 9/17/2001 by Randy Griesman and AUD Recorded by the Oade Brothers Transferred by Doug Oade, traced by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac ; upgrade in circulation notes
7949. 03/28/85 Flac 16 Mtx - 0, 89074 Uniondale Nassau Veterans Memorial Coliseum flac16; Matrix of SBD: SBD > MC > DAT > CDR > FLAC EAC'd and converted by Randy Griesman and Oade AUD: Recorded by the Oade Brothers Transferred by Doug Oade, traced by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac This seed fixes d1t04 of shn id 77465, on which the sbd and aud were badly out of sync notes
7950. 03/28/85 Shn - 0, 357 Uniondale Nassau Veterans Memorial Coliseum set 1; SBD PCM > DAT > Sonic Solutions > CD; via Alan Fink, Mark Ferguson ; upgrade in circulation notes
7951. 03/28/85 Flac Dts 5.1 - 0, 89043 Uniondale Nassau Veterans Memorial Coliseum DTS Audio 5.1; by Randy Griesman Sources used: AUD: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac and SBD: SBD > MC > DAT > CDR > FLAC notes
7952. 03/28/85 Flac 16 - 0, 137507 Uniondale Nassau Veterans Memorial Coliseum flac16; Set 1 Recording Info: SBD -> PCM Master > Dat Clone (44.1k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller notes
7953. 03/28/85 Flac 24 - 0, 137534 Uniondale Nassau Veterans Memorial Coliseum flac24; Set 1 Matrix of SBD & AUD (both FLAC/24) -> Audacity 2.0.6 -> alignment -> Dynamic Range Compression -> Normalization -> Export FLAC 24 (single file) -> Audacity -> labeled, tracked & exported (multiple files) -> FLAC 24 (level 8) notes
7954. 03/28/85 Flac 16 - 0, 141047 Uniondale Nassau Veterans Memorial Coliseum flac16; Soundboard> 1st Gen Tape>Nak Dragon>Korg Mr-1000>Audio Gate>Cool Edit>Traders Little Helper>xACT>ProTools LE>xACT; this is a fix for source ID 118304; see info file for details notes
7955. 03/28/85 Flac 24/96 - 0, 124745 Uniondale Nassau Veterans Memorial Coliseum flac24; lineage: sennheiser 441 (fob)> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7956. 03/28/85 Flac 24/96 - 0, 103184 Uniondale Nassau Veterans Memorial Coliseum flac24; nakamichi 300/cp4 (ots 12') > tcd5m (tdk mar, +dolby) > master cassette > tcd5m (original recorder +dolby) > minime (24/96) > sd744t > audacity > xact (flac24) notes
7957. 03/28/85 Flac 16 - 0, 34839 Uniondale Nassau Veterans Memorial Coliseum flac16; MAC: (FOB) 2 Nakamichi 700s [modified w/ plexiglass shock mounts@] > Sony D5 > TDK MA 90s. Tapers: Mark McCue, Adam, Monica, Johnny Kelly & Davey the beeker meade. Transfer, edits, conversion & seeding to bt.etree.org by Alex Ford 5/31/2006. Master cassettes provided by Mark McCue. notes
7958. 03/28/85 Flac 16 - 0, 87226 Uniondale Nassau Veterans Memorial Coliseum flac16; taper : Joe D'Amico nak 300 mics > sony d-5 > ? > flac notes
7959. 03/28/85 Flac 16 - 0, 106785 Uniondale Nassau Veterans Memorial Coliseum flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris. Transferred & edited by Bob Morris 10/09. notes
7960. 03/28/85 Shn - 0, 78436 Uniondale Nassau Veterans Memorial Coliseum Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel notes
7961. 03/28/85 Flac 16/48 - 0, 145224 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (Set 1)(shnid = 137507) Recording Info: SBD -> PCM Master > Dat Clone (44.1k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + SBD (Set 2)(shnid = 5313) SBD> MC> DAT> CDR; via Randy Griesman + AUD (shnid = 23443) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks - surround mixing by Kevin Tobin notes
7962. 03/28/85 Flac 16 Dts.5.1 - 0, 145222 Uniondale Nassau Veterans Memorial Coliseum DTS-Audio-CD 5.1 Mix; - SBD (Set 1)(shnid = 137507) Recording Info: SBD -> PCM Master > Dat Clone (44.1k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + SBD (Set 2)(shnid = 5313) SBD> MC> DAT> CDR; via Randy Griesman + AUD (shnid = 23443) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks - dts mixing by Kevin Tobin notes
7963. 03/28/85 Flac 16 Mtx - 0, 145221 Uniondale Nassau Veterans Memorial Coliseum flac16; Matrix 3 Source Mix - SBD (Set 1)(shnid = 137507) Recording Info: SBD -> PCM Master > Dat Clone (44.1k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + SBD (Set 2)(shnid = 5313) SBD> MC> DAT> CDR; via Randy Griesman + AUD (shnid = 23443) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks - matrix mixing by Kevin Tobin notes
7964. 03/28/85 Flac 24/96 - 0, 149306 Uniondale Nassau Veterans Memorial Coliseum flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
7965. 03/28/85 Flac 16/48 - 0, 149305 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7966. 03/28/85 Flac 16 - 0, 149979 Uniondale Nassau Veterans Memorial Coliseum flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche; the fixed version has the d1t07 that was missing from the original seed notes
7967. 03/28/85 Flac 16/48 - 0, 151044 Uniondale Nassau Veterans Memorial Coliseum flac16/48khz Source Info: Master Vault Cassettes > Dick Latvala's 1st generation cassettes > Rob Eaton's DAT (16/48) > Tim Dalton's DAT (16/48) Transfer Info: Vault Cassettes (Tascam 122 MKIII) > Dick Latvala's Cassettes (Tascam 122 MKIII); Dick's 1st generation cassettes played back on a Nakamichi Dragon > Panasonic SV-3800 DAT (16/48) by Rob Eaton; Rob Eaton's DAT 16/48 (Panasonic SV-3800) > Tim Dalton's DAT (Panasonic SV-3800)(16/48); Tim Dalton's DAT (16/48)(Sony PCM R-500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> .wav (16/48) > Adobe Audition CC 2020 > TLH flac1648 notes
7968. 03/28/85 Flac 24/48 - 0, 162068 Uniondale Nassau Veterans Memorial Coliseum flac24/48 Source: Master AUDCA: Beyer M88's XY > Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck Location: 40 feet from stage DFC, 8 ft up Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt notes
7969. 03/28/85 Flac 16/44 - 0, 152067 Uniondale Nassau Veterans Memorial Coliseum flac16/44 Source: Master AUDCA: Beyer M88's XY > Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck Location: 40 feet from stage DFC, 8 ft up Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt notes
7970. 03/29/85 Flac - 0, 23475 Uniondale Nassau Veterans Memorial Coliseum Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 recorded by the Oade Brothers and tracked/flac'd by Darrin Sacks notes
7971. 03/29/85 Flac 24/96 - 0, 140845 Uniondale Nassau Veterans Memorial Coliseum flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
7972. 03/29/85 Flac 16 - 0, 141208 Uniondale Nassau Veterans Memorial Coliseum flac16; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
7973. 03/29/85 Flac 24/96 - 0, 124750 Uniondale Nassau Veterans Memorial Coliseum flac24; lineage: sennhesier 421 (fob)> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
7974. 03/29/85 Shn - 0, 78439 Uniondale Nassau Veterans Memorial Coliseum Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel notes
7975. 03/29/85 Flac 16 - 0, 34648 Uniondale Nassau Veterans Memorial Coliseum flac16; MAC: (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90's Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Transfer, minor editing, and encoding by Alex Ford on 5/10/2006. notes
7976. 03/29/85 Flac 16 - 0, 78438 Uniondale Nassau Veterans Memorial Coliseum flac16; Source: *Beyer M88's>Sony D5M(Sony UCX-S) Location: FOB, Sand at 7 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S notes
7977. 03/29/85 Flac 16 - 0, 112216 Uniondale Nassau Veterans Memorial Coliseum flac16; Source: 2 Beyer M160 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
7978. 03/29/85 Shn - 0, 10493 Uniondale Nassau Veterans Memorial Coliseum AUD>MC>DAT>CDR; via raul; Seeded to etree by steve barbella notes
7979. 03/29/85 Flac 16 - 0, 87242 Uniondale Nassau Veterans Memorial Coliseum flac16; taper : Joe D'Amico nak 300 mics > sony d5 nak dragon tape deck > creative extigy soundcard> cool edit pro > flac frontend notes
7980. 03/29/85 Flac 16 - 0, 106058 Uniondale Nassau Veterans Memorial Coliseum flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
7981. 03/29/85 Flac 24/96 - 0, 145317 Uniondale Nassau Veterans Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
7982. 03/29/85 Flac 16 - 0, 145318 Uniondale Nassau Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
7983. 03/29/85 Flac 24/96 - 0, 149308 Uniondale Nassau Veterans Memorial Coliseum flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
7984. 03/29/85 Flac 16/48 - 0, 149307 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
7985. 03/29/85 Flac 16 - 0, 150081 Uniondale Nassau Veterans Memorial Coliseum flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche notes
7986. 03/29/85 Flac 24/48 - 0, 125070 Uniondale Nassau Veterans Memorial Coliseum flac24/48 Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 65 feet from stage, 5 feet LOC, head level Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt notes
7987. 03/29/85 Flac 16/44 - 0, 152069 Uniondale Nassau Veterans Memorial Coliseum flac16/44 Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 65 feet from stage, 5 feet LOC, head level Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt notes
7988. 03/31/85 Shn - 0, 14671 Portland Cumberland County Civic Center SBD: MC> DAT> CD> SHN via Peter Braverman set 2 only notes
7989. 03/31/85 Flac - 0, 23592 Portland Cumberland County Civic Center Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac notes
7990. 03/31/85 Flac 24 - 0, 139080 Portland Cumberland County Civic Center flac24; Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (Analog Outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; the original version had incorrect PCM emphasis notes
7991. 03/31/85 Flac 16 - 0, 139086 Portland Cumberland County Civic Center flac16; Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes
7992. 03/31/85 Flac 24/96 - 0, 140858 Portland Cumberland County Civic Center flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
7993. 03/31/85 Flac 16 - 0, 141209 Portland Cumberland County Civic Center flac16; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
7994. 03/31/85 Flac 24/96 - 0, 141602 Portland Cumberland County Civic Center flac24; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 notes
7995. 03/31/85 Flac 16/48 - 0, 142415 Portland Cumberland County Civic Center flac16/48kHz; Recording Info: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); Set 2: SBD > PCM (clone off vault master); Transfer Info: Set 1: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/44.1k; Set 2: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k This is your collection notes
7996. 03/31/85 Flac 16/48 - 0, 142808 Portland Cumberland County Civic Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD Set1 (shnid = 142415) Recording Info: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); + SBD Set2 (shnid = 139086)Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller + AUD (shnid = 106791) Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller - surround mixing by Kevin Tobin notes
7997. 03/31/85 Flac Dts 5.1 - 0, 142806 Portland Cumberland County Civic Center DTS-Audio-CD 5.1 Mix; - SBD Set1 (shnid = 142415) Recording Info: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); + SBD Set2 (shnid = 139086)Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller + AUD (shnid = 106791) Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin notes
7998. 03/31/85 Flac 16 Mtx - 0, 142805 Portland Cumberland County Civic Center flac16; Matrix 3 Source Mix - SBD Set1 (shnid = 142415) Recording Info: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); + SBD Set2 (shnid = 139086)Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller + AUD (shnid = 106791) Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin notes
7999. 03/31/85 - 0, 142788 Portland Cumberland County Civic Center flac16; Matrix of AUD: Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR> EAC(Secure mode)> Shn(MKW ACT) and SBD: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); Set 2: SBD > PCM (clone off vault master); MATRIX: +2.5db added to Oade source; Mastering done by mdmilhausen notes
8000. 03/31/85 Flac 24/96 - 0, 114487 Portland Cumberland County Civic Center flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes
8001. 03/31/85 Flac 24/96 - 0, 104927 Portland Cumberland County Civic Center flac24; source: nak 300/cp4 (12' ots) > tcd5m/maxell mx 90 (+dolby) > master cassette/tcd5m (orig recorder) > minime (24/96) > sd744t > audacity > xact (flac24); recorded: david barfield and/or david lane transferred/seeded: david barfield notes
8002. 03/31/85 Flac 16 - 0, 143374 Portland Cumberland County Civic Center flac16; Matrix: AUD: Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR> EAC(Secure mode)> Shn(MKW ACT) and SBD: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); Set 2: SBD > PCM (clone off vault master) +2.5db added to Oade source rendered @ -3db via wavelab 5; Mastering done by mdmilhausen notes
8003. 03/31/85 Flac 16 - 0, 78505 Portland Cumberland County Civic Center flac16; Source: *Beyer M88's>Sony D5M Location: FOB, stand at 7 feet; Transfer: Sony D5Pro>Lunatec V3>722 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony Suraci./nak700 notes
8004. 03/31/85 Flac 16 - 0, 106786 Portland Cumberland County Civic Center flac16;Recorded by Bob Morris. Transferred & edited by Bob Morris 11/09. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) . Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes
8005. 03/31/85 Flac 16 - 0, 145051 Portland Cumberland County Civic Center flac16; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1 notes
8006. 03/31/85 Flac 24/96 - 0, 145326 Portland Cumberland County Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; neumann U84's* > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
8007. 03/31/85 Flac 16 - 0, 145328 Portland Cumberland County Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; neumann U84's* > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
8008. 03/31/85 Flac 16 - 0, 35409 Portland Cumberland County Civic Center flac16; MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II) Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Master cassettes provided by Mark McCue. Transfer, edits, conversion, and seeding to bt.etree.org by Alex Ford. notes
8009. 03/31/85 Shn - 0, 8244 Portland Cumberland County Civic Center Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR; Seeded to etree by Charlie Connor notes
8010. 03/31/85 Flac 16 - 0, 30884 Portland Cumberland County Civic Center flac16; Nak CM100's > D5 at the soundboard taped by Dave Minor encoded by Matt Vernon notes
8011. 03/31/85 Flac 16 - 0, 87283 Portland Cumberland County Civic Center flac16; taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes
8012. 03/31/85 Flac 16 - 0, 109791 Portland Cumberland County Civic Center b>flac16; Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes
8013. 03/31/85 Flac 24/96 - 0, 149310 Portland Cumberland County Civic Center flac24 Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
8014. 03/31/85 Flac 16/48 - 0, 149309 Portland Cumberland County Civic Center flac1648 Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8015. 03/31/85 Flac 24/48 - 0, 152072 Portland Cumberland County Civic Center flac24/48 Source: Master AUDCA: Beyer M88's XY > 2nd Sony TCD5M in line no nr > Maxell MX 90s No Dolby -lead deck Location: 60 feet from stage DFC, shoulder height Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt notes
8016. 03/31/85 Flac 16/44 - 0, 125071 Portland Cumberland County Civic Center flac16/44 Source: Master AUDCA: Beyer M88's XY > 2nd Sony TCD5M in line no nr > Maxell MX 90s No Dolby -lead deck Location: 60 feet from stage DFC, shoulder height Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt notes
8017. 04/01/85 Shn - 0, 23659 Portland Cumberland County Civic Center Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 notes
8018. 04/01/85 Flac 16 - 0, 76321 Portland Cumberland County Civic Center flac16; Source: MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II) Mic Config: mics on T-Bar, pointed at the stacks, chest high Location: FOB, 20-25 feet from the stage, DFC Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade Transfer: MAC > Nakamichi CD 2 (azimuth adjusted) > rca > xlr > Lunatec V3(@16 bit/44.1 Hz) > coax > Audiophile 2496 > CEP 2.0 > CD Wave Editor > Trader's Little Helper > FLAC16 notes
8019. 04/01/85 Flac 16/48 - 0, 138254 Portland Cumberland County Civic Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) AUD1 (shnid = 87290) taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend + AUD2 (shnid = 124788) lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - mixing by Kevin Tobin notes
8020. 04/01/85 Flac Dts 5.1 - 0, 138253 Portland Cumberland County Civic Center DTS-Audio-CD 5.1 Mix: AUD1 (shnid = 87290)taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend + AUD2 (shnid = 124788) lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - dts mixing by Kevin Tobin notes
8021. 04/01/85 Flac 16 - 0, 138246 Portland Cumberland County Civic Center flac16; Patched/Pitch Corrected Audience (original shnid = 87290) taper: Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin notes
8022. 04/01/85 Flac 16 Mtx - 0, 138252 Portland Cumberland County Civic Center flac16; Matrix 2 Source Mix - AUD1 (shnid = 87290)taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend + AUD2 (shnid = 124788) lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - matrix mixing by Kevin Tobin notes
8023. 04/01/85 Flac 24/96 - 0, 138250 Portland Cumberland County Civic Center flac24; (original shnid = 124788) lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - 96/24 conversion to 48/24, pitch correction, and patches by Kevin Tobin notes
8024. 04/01/85 Flac 24/96 - 0, 140859 Portland Cumberland County Civic Center flac24; Set 2 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer:Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
8025. 04/01/85 Flac 16 - 0, 140210 Portland Cumberland County Civic Center b>flac16; Set 2 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer:Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT: 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
8026. 04/01/85 Flac 24/96 - 0, 141603 Portland Cumberland County Civic Center flac24; Set 2 Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 notes
8027. 04/01/85 Flac 24/96 - 0, 124788 Portland Cumberland County Civic Center flac24; lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8028. 04/01/85 Flac 16 - 0, 87290 Portland Cumberland County Civic Center flac16; taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend notes
8029. 04/01/85 Flac 16 - 0, 30885 Portland Cumberland County Civic Center flac16; Nak CM100's > D5 at the soundboard taped by Dave Minor encoded by Matt Vernon notes
8030. 04/01/85 Flac 16 - 0, 78512 Portland Cumberland County Civic Center flac16; Source: *Beyer M88's >Sony D5M Location: FOB, stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud>16bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700 notes
8031. 04/01/85 Flac 16 - 0, 102139 Portland Cumberland County Civic Center flac16; Source: (2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5 Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16 Recorded by Ray Ackerman Conversion by Ray Ackerman Tracks, FLACs, Tags by Craig Taraszki Originally seeded 2009-10-22 notes
8032. 04/01/85 Flac 24/96 - 0, 114488 Portland Cumberland County Civic Center flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes
8033. 04/01/85 Flac 24/96 - 0, 103296 Portland Cumberland County Civic Center flac24; source: nak 300/cp4 (ots, 12') > tcd5m/maxell mx 90 > master cassette > tcd5m (orig recorder) > minime (24/96) > sd744t > audacity > xact (flac24) recorded: david barfield & david lane transferred/seeded: david barfield notes
8034. 04/01/85 Shn - 0, 8521 Portland Cumberland County Civic Center Sources: Primary Source:Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR>EAC>Shn Secondary Source:Steve Ziemba's Cassette Master;Aud>Nak300>D5>CM>CDR>EAC>Shn;The secondary source supplies the Baby Blue encore; Seeded to fungus and abgd by Charlie Connor with Thanks to Scott Clugston and Doug Oade notes
8035. 04/01/85 Shn - 0, 5594 Portland Cumberland County Civic Center Aud> Nak300> D5> CM> CDR> EAC(Secure Mode)> CDWave (Retracking Only)> shnv3 (MKW ACT); Cassette master recorded by Steven Ziemba; Transferred to cd by Michael Lai; EAC/Retracked/Shn'ed by Charlie Connor; to abgd notes
8036. 04/01/85 Flac 16 - 0, 106787 Portland Cumberland County Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris and Sam Morris. Transferred & edited by Bob Morris 11/09. notes
8037. 04/01/85 Flac 16 - 0, 145060 Portland Cumberland County Civic Center flac16; Set 2 Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1 notes
8038. 04/01/85 Flac 24/96 - 0, 145330 Portland Cumberland County Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
8039. 04/01/85 Flac 16 - 0, 145331 Portland Cumberland County Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
8040. 04/01/85 Flac 24/96 - 0, 149312 Portland Cumberland County Civic Center flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
8041. 04/01/85 Flac 16/48 - 0, 149311 Portland Cumberland County Civic Center flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8042. 04/01/85 Flac 16 - 0, 149791 Portland Cumberland County Civic Center flac16; AKG 224’s > Sony TCD-5M > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche notes
8043. 04/01/85 Flac 24/48 - 0, 152074 Portland Cumberland County Civic Center flac24/48 Source: 1st Gen AUDCA: Beyer M88's XY > Marantz PMD430 w dbx > Maxell MX 90s No Dolby -lead deck Location: 50 feet from stage DFC, shoulder height Original Transfer: Marantz PMD430 dbx on > Sony TCD5M no nr Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt notes
8044. 04/01/85 Flac 16/44 - 0, 152073 Portland Cumberland County Civic Center flac16/44 Source: 1st Gen AUDCA: Beyer M88's XY > Marantz PMD430 w dbx > Maxell MX 90s No Dolby -lead deck Location: 50 feet from stage DFC, shoulder height Original Transfer: Marantz PMD430 dbx on > Sony TCD5M no nr Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt notes
8045. 04/03/85 Flac 16 - 0, 106252 Providence Providence Civic Center flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
8046. 04/03/85 Shn - 0, 7550 Providence Providence Civic Center Sources: Master Soundboard Cassette > C > CDR, Master Audience Cassette: (2) Sennheiser ME-80's + (2) Sennheiser 441's source supplies patches,CD Mastering / Patching by Scott Clugston; EAC'ed / SHN'ed by Scott Clugston with thanks to Tommy McKeown & Charlie Connor; posted to abgd via Trip Bates notes
8047. 04/03/85 Flac 16 - 0, 132859 Providence Providence Civic Center flac16; AUD: 2x AT835B shotguns plus 1x AKG D12E center mic > unknown mixer > unknown lead deck > Sony WM-D6C > MAC, recording and transfer to CDR by Ray Ackerman. Transfer: MAC > CDR on unknown equipment 2005. CDR > EAC (secure) > WavMerge > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, April 2015. notes
8048. 04/03/85 Flac 16 - 0, 95409 Providence Providence Civic Center flac16; Taper: Greg Holtz Source: Nakamichi CM 100's with CP-4 shotguns -> D-5 Transfer: (By JAZ) Master Cassettes (Set I Fugi FR type IV metal 90, Set II Maxell Metaxial 90) -> Tascam 112 -> RCA -> Edirol M-10dx 24bit 96kHz -> COAX -> M-audio Delta 1010lt -> Wave Lab 5.0 -> R8brainPro 16bit 44.1kHz -> Traders Little Helper flac 8 notes
8049. 04/03/85 Flac 16 - 0, 140860 Providence Providence Civic Center flac16; Source Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp notes
8050. 04/03/85 Flac 24 - 0, 140861 Providence Providence Civic Center flac24; Source Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496 notes
8051. 04/03/85 Flac 24/96 - 0, 124794 Providence Providence Civic Center flac24; lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8052. 04/03/85 Flac 16 - 0, 87313 Providence Providence Civic Center flac16; taper Joe D'Amico nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes
8053. 04/03/85 Flac 16 - 0, 106795 Providence Providence Civic Center flac16; Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes
8054. 04/03/85 Shn - 0, 8825 Providence Providence Civic Center Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR> EAC> Shn; EAC'ed/Shn'ed and seeded to Fungus and abgd by Charlie Connor with thanks To Scott Clugston and Doug Oade notes
8055. 04/03/85 Flac 24/96 - 0, 145343 Providence Providence Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
8056. 04/03/85 Flac 16 - 0, 145344 Providence Providence Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
8057. 04/03/85 Flac - 0, 23927 Providence Providence Civic Center Recorded by the Oade Brothers Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac notes
8058. 04/03/85 Flac 16 - 0, 76403 Providence Providence Civic Center flac16; Source: MAC: Sennheiser 421s > Sony D5 > 2 TDK MA90s Location: Tapers Section Mic Config: Mics on T bar pointed at the stacks, chest high. Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade Transfer: MAC>Nakamichi CD2>Lunatec V3(16/44.1)>Audiophile 2496>CEP 2.0>CD Wave Editor>Traders Little Helper>FLAC16 conversion and seeding to bt.etree.org by Alex Ford notes
8059. 04/03/85 Flac 24/96 - 0, 149314 Providence Providence Civic Center flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
8060. 04/03/85 Flac 16/48 - 0, 149313 Providence Providence Civic Center flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8061. 04/03/85 Flac 24/44 - 0, 150652 Providence Providence Civic Center flac24; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Master PCM (Oade mod Sony PCM-F1) > DAT; Transfer: DAT > Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 24-44; Edited & Mastered (Adobe Audition) by Joe Noel. September 17, 2020; Oade Brothers for recording notes
8062. 04/03/85 Flac 16 - 0, 150693 Providence Providence Civic Center flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Master PCM (Oade mod Sony PCM-F1) > DAT; Transfer: DAT > Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 24/44; Edited & Mastered (Adobe Audition) by Joe Noel; Dither info: WAV (24-bit/44k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson October 14, 2020 notes
8063. 04/03/85 Flac 16/44 - 0, 152125 Providence Providence Civic Center flac16/44 Recording Information: Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 55 feet from stage, DFC, head level (19th row) Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis notes
8064. 04/03/85 Flac 24/48 - 0, 152126 Providence Providence Civic Center flac24/48 Recording Information: Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 55 feet from stage, DFC, head level (19th row) Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis notes
8065. 04/04/85 Shn - 0, 33816 Providence Providence Civic Center Fix of shn id 11704 (space patched in from Oade source) - SBD > MVHS HiFi Video > MC > CDR notes
8066. 04/04/85 Flac 16 - 0, 77029 Providence Providence Civic Center flac16; MAC; 2 Sennheiser 421s > Sony D5 > 2 TDK MA90s. Location: TS - first row, DFC, mics @ 15 feet Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beaker meade. Transfer: Master Audience Cassettes>Nakamichi CD2(azimuth adjusted)> rca>xlr>Lunatec V3> coax>Audiophille 2496>CEP 2.0>Trader's Little Helper>FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer,edits, patches, conversion and upload to bt.etree by Alex Ford. notes
8067. 04/04/85 Flac 16 - 0, 132860 Providence Providence Civic Center flac16; AUD: 2x AT835B shotguns plus 1x AKG D12E center mic > unknown mixer > unknown lead deck > Sony WM-D6C > MAC, recording and transfer to CDR by Ray Ackerman. Transfer: MAC > CDR on unknown equipment 2005. CDR > EAC (secure) > WavMerge > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, April 2015 notes
8068. 04/04/85 Flac 16 - 0, 95626 Providence Providence Civic Center flac16; Taper: Greg Holtz Source: Nakamichi CM 100's with CP-4 shotguns -> D-5 Transfer: (By JAZ) Master Cassettes (Maxell Metaxial 90) -> Tascam 112 -> RCA to XLR -> Edirol M-10dx 24bit 96kHz -> COAX -> M-Audio Delta 1010lt -> Wave Lab 5.0 -> R8brainPro 16bit 44.1kHz -> Traders Little Helper flac 8 Note: Cross fades applied between most songs do to tape pauses. notes
8069. 04/04/85 Shn - 0, 11704 Providence Providence Civic Center SBD>HiFi Video (Lighting crew)>MC>CDR; Missing Space (tape flip); via Tommy Danscuk; Seeded to etree by Willy notes
8070. 04/04/85 Flac - 0, 23848 Providence Providence Civic Center Recorded by the Oade Brothers Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac notes
8071. 04/04/85 Flac 16 - 0, 126237 Providence Providence Civic Center flac16; soundboard of unknown lineage. Transfer: XLII tapes BX-300 w/o Dolby on playback > Philips standalone CDR > CDWav to split and encode as Flac (level 5). notes
8072. 04/04/85 Flac 24/96 - 0, 140940 Providence Providence Civic Center flac24; Source Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496 notes
8073. 04/04/85 Flac 16 - 0, 140939 Providence Providence Civic Center flac16; Source Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp notes
8074. 04/04/85 Flac 24/96 - 0, 124813 Providence Providence Civic Center flac24; lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8075. 04/04/85 Flac 16 - 0, 87352 Providence Providence Civic Center flac16; taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes
8076. 04/04/85 Flac 16 - 0, 118787 Providence Providence Civic Center flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
8077. 04/04/85 Flac 24/96 - 0, 145468 Providence Providence Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
8078. 04/04/85 Flac 16 - 0, 145469 Providence Providence Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
8079. 04/04/85 Flac 24/96 - 0, 149316 Providence Providence Civic Center flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
8080. 04/04/85 Flac 16 - 0, 149449 Providence Providence Civic Center flac16 Source Info: Unknown SBD > Dat (16/44.1); Transfer Info: Unknown notes
8081. 04/04/85 Flac 16/48 - 0, 149315 Providence Providence Civic Center flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8082. 04/04/85 Flac 24/96 - 0, 151192 Providence Providence Civic Center Flac24 Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96)
Lineage: Wav24/96 > Wavelab 10 (tracking, pitch correctio, levels) > FLAC 2496
notes
8083. 04/04/85 Flac 16 - 0, 151191 Providence Providence Civic Center Flac16 Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, pitch correctio, levels, resample, MBit+ dither) > FLAC 1644 notes
8084. 04/04/85 Flac 16/44 - 0, 152459 Providence Providence Civic Center flac16/44 Recording Info: SBD > PCM Master (Sony Betamax) > DAT Clone (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC-16 All Transfers and Mastering by Charlie Miller. March 27, 2021. notes
8085. 04/04/85 Flac 24/48 - 0, 152128 Providence Providence Civic Center flac24/48 Recording Information: Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 55 feet from stage, DFC, head level (19th row) Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis notes
8086. 04/04/85 Flac 16/44 - 0, 152127 Providence Providence Civic Center flac16/44 Recording Information: Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 55 feet from stage, DFC, head level (19th row) Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis notes
8087. 04/06/85 Flac - 0, 13467 Philadelphia The Spectrum SBD>Cm>Cass>Dat>CD>EAC>SHN; Converted to SHN by Charlie Miller notes
8088. 04/06/85 Flac 16 - 0, 96803 Philadelphia The Spectrum flac16; Taper: Greg Holtz Source: Nakamichi CM 100's with CP-4 shotguns -> Sony D-5 Transfer: (By JAZ) Master Cassettes (FUJI FR metal type IV) -> Tascam 112 -> RCA/XLR -> Edirol M-10dx 24bit 96kHz -> COAX -> M-Audio Delta 1010lt -> Mastered with UAD Technology in Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8 notes
8089. 04/06/85 Flac - 0, 24027 Philadelphia The Spectrum Recorded by the Oade Brothers; transferred by Doug Oade, tracked by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac notes
8090. 04/06/85 Flac 16 - 0, 135801 Philadelphia The Spectrum flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
8091. 04/06/85 Shn - 0, 28633 Philadelphia The Spectrum Sennheiser 421's > Sony D-5 > TDK 90 Taper: Mark McCue Lineage: Sony D-5 > Tascam CD4U stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16. transfer from Sony D5 through CDR by Mark McCue. transfer from CDR through FLAC16 by Alex Ford on 03/10/05 notes
8092. 04/06/85 Flac 24/96 - 0, 140875 Philadelphia The Spectrum flac24/96 Set 2 partial. Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M). Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96. Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96. notes
8093. 04/06/85 Flac 16 - 0, 141211 Philadelphia The Spectrum flac16; Set 2 partial Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M). Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96. Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96. 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
8094. 04/06/85 Shn - 0, 8900 Philadelphia The Spectrum Unknown Audience source; Shn'ed and seeded to abgd by Chris Perkins with thanks to Michael McGinnis. notes
8095. 04/06/85 Shn - 0, 10990 Philadelphia The Spectrum Master Audience Cassette>DAT>CDR; Missing OMSN encore; via Raoul; Seeded to etree by Steve Barbella notes
8096. 04/06/85 Shn - 0, 33703 Philadelphia The Spectrum Nakamichi 300 Shotguns CP4's & Sony TCD5M; Transfer: Nakamichi BX300 Master cass-> Macintosh ->Peak Bias-> JAM-> cdr-> EAC-> MKW-> shn Sector boundaries verrified via shn tools; Taped & Transfered by Brian Mandel notes
8097. 04/06/85 Shn - 0, 73770 Philadelphia The Spectrum Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHN; recorded, transfered and seeded by Charles Bandrofcheck (other3) notes
8098. 04/06/85 Flac 16 - 0, 78851 Philadelphia The Spectrum flac16; Source: *Beyer M88's>Sony D5M Location: FOB, stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S notes
8099. 04/06/85 Flac 24/96 - 0, 124819 Philadelphia The Spectrum flac24; lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8100. 04/06/85 Flac 24/96 - 0, 145479 Philadelphia The Spectrum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
8101. 04/06/85 Flac 16 - 0, 145480 Philadelphia The Spectrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
8102. 04/06/85 Flac 24/96 - 0, 149318 Philadelphia The Spectrum flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
8103. 04/06/85 Flac 16/48 - 0, 149317 Philadelphia The Spectrum flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8104. 04/06/85 Flac 24/48 - 0, 152154 Philadelphia The Spectrum flac24/48 Recording Information: Source: Master AUDCA: Beyer M201's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 60 feet from stage, 6 ft LOC, head level Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis notes
8105. 04/06/85 Flac 16/44 - 0, 153153 Philadelphia The Spectrum flac16/44 Recording Information: Source: Master AUDCA: Beyer M201's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 60 feet from stage, 6 ft LOC, head level Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis notes
8106. 04/07/85 Shn - 0, 3346 Philadelphia The Spectrum Csbd> DAT> CDR> EAC> SHN; via Scott Z., Darrin Sacks notes
8107. 04/07/85 Flac 16 - 0, 128613 Philadelphia The Spectrum flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper notes
8108. 04/07/85 Flac 16 - 0, 118484 Philadelphia The Spectrum flac16; Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico notes
8109. 04/07/85 Flac 16 Mtx - 0, 132713 Philadelphia The Spectrum flac16; 2 Source Matrix by Dusborne; Soundboard(shinid:003346) CSBD>DAT>CDR>EAC>SHN and Audience(shinid:128613) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav notes
8110. 04/07/85 Flac 16 - 0, 91389 Philadelphia The Spectrum flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller notes
8111. 04/07/85 Shn - 0, 14614 Philadelphia The Spectrum Seeded by Todd Campbell EAC & SHN by Jim Keith Lineage SBD>?>CD (WILL UPDATE) notes
8112. 04/07/85 Flac 16 - 0, 28488 Philadelphia The Spectrum flac16; Sennheiser 421's > Sony D5 > Tascam CRD4U > EAC > CDR Taper: M. McCue Lineage: Sony D-5 > Tascam CDR4U stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16. Transfer from Sony D5 through CDR by Mark McCue Transfer from CDR through FLAC16 by Alex Ford on 03/07/05. notes
8113. 04/07/85 Flac 16/48 - 0, 139542 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - mixing by Kevin Tobin notes
8114. 04/07/85 Flac Dts 5.1 - 0, 139541 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin notes
8115. 04/07/85 Flac 16 Mtx - 0, 139540 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin notes
8116. 04/07/85 Flac 24/96 - 0, 140866 Philadelphia The Spectrum flac24; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
8117. 04/07/85 Flac 16 - 0, 141212 Philadelphia The Spectrum flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
8118. 04/07/85 Shn - 0, 35081 Philadelphia The Spectrum Sennheiser 421's FOB & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel notes
8119. 04/07/85 Flac 16 - 0, 81454 Philadelphia The Spectrum flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs notes
8120. 04/07/85 Flac 16 - 0, 87419 Philadelphia The Spectrum flac16; taper : Joe D'Amico nak 300 mics > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes
8121. 04/07/85 Flac 16 - 0, 103429 Philadelphia The Spectrum flac16; Recorded by Dave Cohen Just to the right of the Board Sennheisser 421s>Sony TCD5M>Sony WMD6 Maxell XLII cassette masters. Dolby B was used on the Master Cassettes.The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes
8122. 04/07/85 Flac 16 - 0, 107238 Philadelphia The Spectrum flac16; source: 2 Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ almost 6 feet) > analog cassette master Maxell MX90's. transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
8123. 04/07/85 Flac 24/96 - 0, 124835 Philadelphia The Spectrum flac24; lineage: sennheiser 421 (fob)> optimus> d-5 > sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8124. 04/07/85 Flac 24/96 - 0, 145487 Philadelphia The Spectrum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
8125. 04/07/85 Flac 16 - 0, 145488 Philadelphia The Spectrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
8126. 04/07/85 Flac 24/96 - 0, 149320 Philadelphia The Spectrum flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
8127. 04/07/85 Flac 16/48 - 0, 149319 Philadelphia The Spectrum flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8128. 04/07/85 Flac 24/48 - 0, 152156 Philadelphia The Spectrum flac24/48 Recording Information: Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -2nd deck Location: 65 feet from stage, 2 ft LOC, shoulder level Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis notes
8129. 04/07/85 Flac 16/44 - 0, 152155 Philadelphia The Spectrum flac16/44 Recording Information: Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -2nd deck Location: 65 feet from stage, 2 ft LOC, shoulder level Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis notes
8130. 04/08/85 Flac 16 - 0, 118375 Philadelphia The Spectrum flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat (48) -> WAV; Transfer Info: WAV -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
8131. 04/08/85 Flac 16 - 0, 118481 Philadelphia The Spectrum flac16; Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper : Dan Healy; Editing : Joe D'Amic notes
8132. 04/08/85 Flac - 0, 24227 Philadelphia The Spectrum Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac notes
8133. 04/08/85 Flac 16 - 0, 96598 Philadelphia The Spectrum flac16; Taper: Greg Holtz Source: Nakamichi 100's & Sennheiser 421's Mix -> D-5 Transfer: (By JAZ) Cassette Master (Maxell Metaxial 90) -> Tascam 112, dolbyB -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8 notes
8134. 04/08/85 Flac 16 - 0, 117189 Philadelphia The Spectrum flac16; Source: MAC; (FOB) unknown mics > Sony D5 > Sony D5 > Sony D5 > Sony D5 > 2 x TDK MA90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> r8brain PRO> .wav @ 16/44.1> CD Wave Editor> TLH> flac16. Location: Approx. 20 feet from the stage, Dead Center; Taper: Mark McCue; Transferred and mastered by Alex Ford notes
8135. 04/08/85 Flac 24/88.2 - 0, 117212 Philadelphia The Spectrum flac24; MAC; (FOB) unknown mics > Sony D5 > Sony D5 > Sony D5 > Sony D5 > 2 x TDK MA90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> CD Wave Editor> TLH> flac24. Location: Approx. 20 feet from the stage, Dead Center; Recorded by Mark McCue; Transferred and mastered by Alex Ford notes
8136. 04/08/85 Flac 24/96 - 0, 124854 Philadelphia The Spectrum flac24; lineage: nakamichi 700 (fob)> optimus> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8137. 04/08/85 Flac 24/96 - 0, 102065 Philadelphia The Spectrum flac24; Source: Nak 300/CP4 > TCD5m - TDK MA90 (metal), OTS, 12' -- TCD5m (same as recorder) > Minime @ 24/96 > SD744 > Audacity > Flac24; Recorded: David Barfield And/Or David Lane; Transfer: David Barfield notes
8138. 04/08/85 Shn - 0, 3420 Philadelphia The Spectrum possible reDAE/reSHN of previous shn set; via redbeard to abgd notes
8139. 04/08/85 Shn - 0, 74161 Philadelphia The Spectrum Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHN taped and transferred by Charles Bandrofcheck notes
8140. 04/08/85 Flac 16 - 0, 103445 Philadelphia The Spectrum flac16; Recorded by Dave Cohen Back right corner of the Board Sennheisser 421s>Sony TCD5M>Sony WMD6 Maxell XLII cassette masters. Dolby B was NOT used on the Master Cassettes.The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes
8141. 04/08/85 Flac 16 - 0, 87465 Philadelphia The Spectrum flac16; taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro >flac frontend notes
8142. 04/08/85 Flac 16 - 0, 107045 Philadelphia The Spectrum flac16; source: 2 Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ 6 feet) > analog cassette master Maxell MX90's. transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files; recorded and mastered to cdr by D5scott notes
8143. 04/08/85 Flac 24/96 - 0, 145497 Philadelphia The Spectrum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
8144. 04/08/85 Flac 16 - 0, 145498 Philadelphia The Spectrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger notes
8145. 04/08/85 Shn - 0, 8755 Philadelphia The Spectrum (Healy Mix)SBD>MC>PCM>BETA>DAT>CDR; Seeded to etree by Tim W notes
8146. 04/08/85 Shn - 0, 20010 Philadelphia The Spectrum SB> MC> DAT> CD via Kevin Gills notes
8147. 04/08/85 Flac 24/96 - 0, 149322 Philadelphia The Spectrum flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
8148. 04/08/85 Flac 16/48 - 0, 149321 Philadelphia The Spectrum flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8149. 04/08/85 Flac 24/96 - 0, 151431 Philadelphia The Spectrum 24 bit Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wavelab 10 (tracking, patching, pitch correction, Ozone 8 Maximizer for levels) > FLAC 2496 notes
8150. 04/08/85 Flac 16 - 0, 151430 Philadelphia The Spectrum 16 bit Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum
Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96)
Lineage: Wavelab 10 (tracking, patching, pitch correction, Ozone 8 Maximizer for levels, resample, mBit+ dither) > FLAC 1644
notes
8151. 04/08/85 Flac 24/48 - 0, 152174 Philadelphia The Spectrum flac24/48 Recording Information: Source: Master AUDCA: Beyer M88's XY > 4th Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location:200 feet from stage 15 feet ROC (RT rear corner of SBD), 15 feet up Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, JJ Hance, Sean Murtha, Gary Steel, Eric Britt, Mike Davis, Kenny Davis, Mikey notes
8152. 04/08/85 Flac 16/44 - 0, 152173 Philadelphia The Spectrum flac16/44 Source: Master AUDCA: Beyer M88's XY > 4th Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location:200 feet from stage 15 feet ROC (RT rear corner of SBD), 15 feet up Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, JJ Hance, Sean Murtha, Gary Steel, Eric Britt, Mike Davis, Kenny Davis, Mikey notes
8153. 04/13/85 Flac 16 - 0, 122198 Irvine Irvine Meadows flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
8154. 04/13/85 Shn - 0, 6146 Irvine Irvine Meadows sbd> mc> reel> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT notes
8155. 04/13/85 Flac 16 - 0, 97199 Irvine Irvine Meadows flac16; Source: Nakamichi cm 100's W/shotguns -> Sony D-5 Transfer: (By JAZ) Cassette Master (maxell super fine epilaxial XLII-s 90's) -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8 notes
8156. 04/13/85 Flac 16 - 0, 83071 Irvine Irvine Meadows flac16; SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC > patches with Cool Edit > FLAC, patched version of shn id 77348 by Bill Tetzeli; Upgrade in circulation notes
8157. 04/13/85 Flac 16 - 0, 77348 Irvine Irvine Meadows flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Upgrade in circulation notes
8158. 04/13/85 Flac 24/48 - 0, 123130 Irvine Irvine Meadows flac24; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes
8159. 04/13/85 Flac 24 - 0, 124884 Irvine Irvine Meadows flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 32595. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
8160. 04/13/85 Flac 16 - 0, 32595 Irvine Irvine Meadows flac16; MAC: (FOB) Sennheiser 421's* > Sony D5 > Maxell XLII-S 90(Set I) & Maxell MX 90(Set II); Tapers: Adam, Justin & Monica; Mark McCue Masters; Transfer, minor editing and conversion by Alex Ford notes
8161. 04/14/85 Shn - 0, 3667 Irvine Irvine Meadows SBD> Master Cassette> DAT> CDR> EAC> SHN; DAE (EAC) + SHN Encoding by Jeff M. notes
8162. 04/14/85 Flac 16 - 0, 97220 Irvine Irvine Meadows flac16; Taper: Greg Holtz Source: Nakamichi cm 100's W/shotguns -> Sony D-5 Transfer: (By JAZ) Cassette Master (maxell super fine epilaxial XLII-s 90's) -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8 notes
8163. 04/14/85 Flac 24/96 - 0, 143490 Irvine Irvine Meadows flac24; Set 2, Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k) notes
8164. 04/14/85 Flac 16/44,1 - 0, 144159 Irvine Irvine Meadows flac16; Source Info: Master Soundboard Cassettes > Dat (16-bit/44.1k); Transfer Info: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Sound Devices 744T (.wav 16-bit/44.1k) > Adobe Audition 3.01 > TLH flac16 notes
8165. 04/14/85 Shn - 0, 32621 Irvine Irvine Meadows MAC: (FOB) Sennheiser 421's > Sony D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II) Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 03/08/2006. notes
8166. 04/14/85 Flac 24 - 0, 124931 Irvine Irvine Meadows flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 32621. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
8167. 04/14/85 Flac 16 - 0, 145334 Irvine Irvine Meadows flac16; Set 2, Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k); This file set is 16 bit @ 44.1 notes
8168. 04/14/85 Flac 24/96 - 0, 152159 Irvine Irvine Meadows flac24/96 Recording Info: SBD > Cassette Master (Sony WM-D6) Transfer Info: Cassette Master (Nakamichi Dragon) > Tascam DA-3000 (1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 notes
8169. 04/14/85 Flac 24/96 - 0, 152161 Irvine Irvine Meadows flac24/96 FIXED Version: Recording Info: SBD > Cassette Master (Dan Healy) > Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 notes
8170. 04/14/85 Flac 16/48 - 0, 151830 Irvine Irvine Meadows flac16/48 Source: SBD > unknown > Reel @ 7.5ips Transfer: Reel > Korg MR2000 (1 bit 5.6 mhz) (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 16/48 Reel Source unknown Transfer by Anonymous Edited & Mastered (Adobe Audition) by Joe Noel January 17, 2021 notes
8171. 04/14/85 Flac 16/44,1 - 0, 152519 Irvine Irvine Meadows flac16/44.1 FIXED Version: Recording Info: SBD > Cassette Master (Dan Healy) > Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 153161 24 -> 16 @ 44.1 notes
8172. 04/14/85 Flac 16/44,1 - 0, 152518 Irvine Irvine Meadows flac16/44.1 Recording Info: SBD > Cassette Master (Sony WM-D6) Transfer Info: Cassette Master (Nakamichi Dragon) > Tascam DA-3000 (1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152159 24 -> 16 @ 44.1 notes
8173. 04/21/85 Flac - 0, 121733 San Rafael Marin Veterans Memorial Auditorium flac16; Source: SBD > ? > Cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. August 2012 notes
8174. 04/21/85 Flac - 0, 121757 San Rafael Marin Veterans Memorial Auditorium flac16; Source: SBD > ?>Low Gen Maxell XLII Cassette>Wav>Soundforge 10 (Tracking, Pitch Correction and *Editing)>Flac notes
8175. 04/27/85 Shn - 0, 25467 Palo Alto Frost Amphitheatre Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN via Charlie Miller notes
8176. 04/27/85 Flac 16 Mtx - 0, 78504 Palo Alto Frost Amphitheatre flac16; SBD + AUD Matrix 3 Source Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584 notes
8177. 04/27/85 Flac 24/48 - 0, 78681 Palo Alto Frost Amphitheatre flac24; DVD-AUDIO 24/48 SBD+AUD Matrix Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584 notes
8178. 04/27/85 Flac 16 - 0, 102035 Palo Alto Frost Amphitheatre flac16; Taper: Greg Holtz Source: Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5; Transfer: (By JAZ) Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8 notes
8179. 04/27/85 Flac 16 - 0, 99835 Palo Alto Frost Amphitheatre flac16; Nakamichi 700's > d6 > MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit + > 16/44.1 Wave > Flac notes
8180. 04/27/85 Shn - 0, 17265 Palo Alto Frost Amphitheatre Source: SBD > MC > DAT > CDR > EAC > mkwACT Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic. notes
8181. 04/27/85 Shn - 0, 20683 Palo Alto Frost Amphitheatre Pitch-corrected version of shnid=17265. notes
8182. 04/27/85 Flac 16 - 0, 32648 Palo Alto Frost Amphitheatre flac16; MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)] Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 3/10 & 11/2006. notes
8183. 04/27/85 Flac Dts 5.1 - 0, 78437 Palo Alto Frost Amphitheatre DTS Audio 5.1; 3 source DTS-Audio-CD 5.1 Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584 notes
8184. 04/27/85 Flac 24/96 - 0, 143491 Palo Alto Frost Amphitheatre flac24; Set 2, Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k notes
8185. 04/27/85 Flac 16 - 0, 76584 Palo Alto Frost Amphitheatre flac16; Source: MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s. Recorded by B.Koucky. Transfer: MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9 notes
8186. 04/27/85 Flac 24 - 0, 124981 Palo Alto Frost Amphitheatre flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 32648. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
8187. 04/27/85 Flac 16 - 0, 145335 Palo Alto Frost Amphitheatre flac16; Set 2, Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k); This file set is 16 bit @ 44.1 notes
8188. 04/27/85 Shn - 0, 359 Palo Alto Frost Amphitheatre SBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim; no known flaws notes
8189. 04/27/85 Flac 24/96 - 0, 148416 Palo Alto Frost Amphitheatre flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
8190. 04/27/85 Flac 16/48 - 0, 148415 Palo Alto Frost Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8191. 04/27/85 Flac 24/48 - 0, 148527 Palo Alto Frost Amphitheatre flac24; 5.1 LPCM Surround Sound (48k) - Original 5.1 DVD-A (78681) DVD-AUDIO 24/48 SBD+AUD Matrix Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584 - extraction/flac/tagging by Kevin Tobin notes
8192. 04/27/85 Flac 24/96 - 0, 151703 Palo Alto Frost Amphitheatre flac24/96khz Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB, OTS, MSWS till end of show. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96 Recording by Craig Rogers. Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel. January 20, 2021 notes
8193. 04/27/85 Flac 24/96 - 0, 152284 Palo Alto Frost Amphitheatre flac24/96 Source Info: Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
8194. 04/27/85 Flac 16/48 - 0, 153383 Palo Alto Frost Amphitheatre flac16/48 Source Info: Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
8195. 04/27/85 Flac 24/96 - 0, 151970 Palo Alto Frost Amphitheatre flac24/96 This is a fix of shnid 151703. Channels were reversed on the other release. Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by Craig Rogers. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel.January 20, 2021. notes
8196. 04/27/85 Flac 16 - 0, 151947 Palo Alto Frost Amphitheatre Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes
Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Recording by Craig Rogers
notes
8197. 04/27/85 Flac 24/96 - , 148348 Palo Alto Frost Amphitheatre Source: Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded)
Analog Sound Peservation: Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files
notes
8198. 04/28/85 Flac 16 - 0, 28439 Palo Alto Frost Amphitheatre flac16 **NEW UPGRADE** Source Updated CD Burner changed Recording Info: SBD -> Cassette Master -> Cassette -> CD (Marantz CDR 500 Pro) Transfer Info: CD -> EAC -> Samplitude Professional v8.0 -> FLAC Transferred and Edited By Charlie Miller notes
8199. 04/28/85 Flac 16 - 0, 102036 Palo Alto Frost Amphitheatre flac16; Taper: Greg Holtz Source: Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5; Transfer: (By JAZ) Cassette Master, TDK MA-R90 Alluminum Core -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD-> R8brain for sample rate conversion to 16bit 44.1kHz -> Traders Little Helper flac8 notes
8200. 04/28/85 Flac 16 - 0, 124404 Palo Alto Frost Amphitheatre flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By: Bob Wagner; All Transfers and Mastering By Charlie Miller notes
8201. 04/28/85 Flac 16 - 0, 77406 Palo Alto Frost Amphitheatre flac16; source: Soundboard > DAT > DAT > CD > wav > shn > wav > flac patch source : SBD -> Cassette Master -> Cassette -> CD (Tascam CDRW5000) see text file for details notes
8202. 04/28/85 Flac 16 - 0, 105549 Palo Alto Frost Amphitheatre flac16; Source: Audience > Nakamichi 700's > Sony WM-D6 > mac Lineage: mac > Nakamichi DR-1 > Tascam HD-P2 > 24/96 wave > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 Wave > CD Wave > Flac 16 notes
8203. 04/28/85 Flac 16 - 0, 28357 Palo Alto Frost Amphitheatre flac16; SBD> Cassette Master> Dat (48k)?; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes
8204. 04/28/85 Flac 24 - 0, 140826 Palo Alto Frost Amphitheatre flac24; Recording Info: Bob Wagner's Master FOB Audience Cassettes; Nakamichi CM700 mics > Sony TC-D5M (Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000(DSF 1-bit/5.8 MHz) > dBpoweramp (flac 24-bit/96k) > Adobe Audition 3 > TLH flac2496 notes
8205. 04/28/85 Flac 16 - 0, 140825 Palo Alto Frost Amphitheatre flac16; Recording Info: Bob Wagner's Master FOB Audience Cassettes; Nakamichi CM700 mics > Sony TC-D5M (Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000(DSF 1-bit/5.8 MHz) > dBpoweramp (flac 24-bit/96k) > Adobe Audition 3 24/96 > TLH flac2496; 24 bit > 16 bit via dBpoweramp notes
8206. 04/28/85 Flac 24/96 - 0, 143492 Palo Alto Frost Amphitheatre flac24; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k) notes
8207. 04/28/85 Shn - 0, 33505 Palo Alto Frost Amphitheatre MAC: (FOB) Sennheiser 421's > Sony D5 > Maxell XLII-S 90 (Set I) & TDK MA-R [aluminum core (Set II)]; Tapers: Adam, Justin & Monica; Master Cassettes provided by Mark McCue; Transfer, editing, conversion and seeding to bt.etree.org by Alex Ford. notes
8208. 04/28/85 Flac 24 - 0, 125010 Palo Alto Frost Amphitheatre flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 33505. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
8209. 04/28/85 Flac 16 - 0, 145342 Palo Alto Frost Amphitheatre flac16; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k); This file set is 16 bit @ 44.1 notes
8210. 04/28/85 Shn - 0, 14192 Palo Alto Frost Amphitheatre Master Soundboard Reel > DAT > CD; Seeded to etree by Steve Barbella notes
8211. 04/28/85 Flac 24/96 - 0, 148418 Palo Alto Frost Amphitheatre flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
8212. 04/28/85 Flac 16/48 - 0, 148417 Palo Alto Frost Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8213. 04/28/85 Flac 24/96 - 0, 151704 Palo Alto Frost Amphitheatre flac24/96khz Source: AKG CE1s > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip (Phil's side) Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96 Recording by KM & Craig Rogers. Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel. January 21, 2021. notes
8214. 04/28/85 Flac 24/96 - 0, 152303 Palo Alto Frost Amphitheatre flac24/96 Source Info: Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
8215. 04/28/85 Flac 16/48 - 0, 152302 Palo Alto Frost Amphitheatre flac16/48 Source Info: Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
8216. 04/28/85 Flac 24/96 - 0, 151971 Palo Alto Frost Amphitheatre flac24/96 This is a fix of shnid 151704. Channels were reversed on the original release. Source: AKG CE1s > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip (Phil's side) Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by KM & Craig Rogers. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. January 21, 2021. notes
8217. 04/28/85 Flac 16 - 0, 151948 Palo Alto Frost Amphitheatre Source: AKG CE1s > Uher CR240 > Master Cassettes
Location: Mouth, ten heads back from stage lip (Phil's side)
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Recording by KM & Craig Rogers
notes
8218. 06/14/85 Flac 16 - 0, 117028 Berkeley Greek Theatre, U. Of California flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN; Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
8219. 06/14/85 Flac 16 Mtx - 0, 85831 Berkeley Greek Theatre, U. Of California flac16; Sick Bits Vol. 22a - SBD/AUD matrix of 3 previously circulating sources: SBD (shnid=13747) + Oade AUD (shnid=24451). Another AUD (shnid=32867) was used to patch crowd and tunings. Matrixed by Chris Chappell. notes
8220. 06/14/85 Flac 16 - 0, 130924 Berkeley Greek Theatre, U. Of California flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 08/2014 notes
8221. 06/14/85 Flac 16 - 0, 132923 Berkeley Greek Theatre, U. Of California flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald; All editing and sound alteration done with Diamond Cut Forensics 8.5. The recording sounded distant. I used a 30-band equalizer and Punch & Crunch effect to give it more presence notes
8222. 06/14/85 Flac 16 - 0, 97221 Berkeley Greek Theatre, U. Of California flac16; Source: Aud Recording Lineage: 3 Nak 700's (L & R Cardioids, Center Omni - 3 DB Low Pass filter)> -15 db pads> 3 mic mixer Preamp> Patchbay> Sony D6> MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs (Cambridge EQ, Precisions Buss Compressor, Precision Limiter) > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 ) notes
8223. 06/14/85 Shn - 0, 4978 Berkeley Greek Theatre, U. Of California Schoeps cmc42S (spread around 8') > Oade M118 prototype "b" > Oade Modified PCM-F1 > DATx2 (44.1khz) Recorded by Doug Oade, Taper's Section; Transfer: Sony D7> Sonic Sense Modified Sony 7 Pin Coax > Zoltrix Nightingale > CDWAV > SHN; DAT>SHN conversion and seeding by Darrin Sacks notes
8224. 06/14/85 Flac 16 - 0, 135615 Berkeley Greek Theatre, U. Of California flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller notes
8225. 06/14/85 Flac 16/48 - 0, 135656 Berkeley Greek Theatre, U. Of California flac16/48kHz; Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller notes
8226. 06/14/85 Shn - 0, 13747 Berkeley Greek Theatre, U. Of California Updated Source: SBD > Cassette DAT > CDR/? Conversion: CDR > EAC (read offset correct) > CDWave > CoolEditPro > mkwACT > SHN (seekable) by Randy Carman rcarman@cogeco.ca notes
8227. 06/14/85 Flac 16 - 0, 105542 Berkeley Greek Theatre, U. Of California flac16; Recording Info:Sony ECM-220T -> Cassette Master (Sony TC-D5M/TDK MA90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Rango Keshavan; All Transfers and Mastering By Charlie Miller notes
8228. 06/14/85 Flac 24/96 - 0, 140888 Berkeley Greek Theatre, U. Of California flac24; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96;Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
8229. 06/14/85 Flac 16 - 0, 141238 Berkeley Greek Theatre, U. Of California flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96;Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
8230. 06/14/85 Flac 24 - 0, 126336 Berkeley Greek Theatre, U. Of California flac24; Taper: Danny Thompson; Editing: Joe D'Amico; AKG Se-5 Preis Mics W/ Ce-1 Caps > Uher Cr 240 Was 1st Deck > 2nd Deck Uher Cr 160; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper notes
8231. 06/14/85 Flac 16 - 0, 126338 Berkeley Greek Theatre, U. Of California flac16; Taper: Danny Thompson; Editing: Joe D'Amico; AKG Se-5 Preis Mics W/ Ce-1 Caps > Uher Cr 240 Was 1st Deck > 2nd Deck Uher Cr 160; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper notes
8232. 06/14/85 Flac 16 - 0, 111797 Berkeley Greek Theatre, U. Of California flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
8233. 06/14/85 Shn - 0, 32867 Berkeley Greek Theatre, U. Of California Sennheiser 441's > Sony D5 > Sony D5 > Cassettes Tapers: Adam,Justin & Monica Mark McCue Master 1st deck out Conversion, minor editing, and seeding to bt.etree.org by Alex Ford. notes
8234. 06/14/85 Flac - 0, 24451 Berkeley Greek Theatre, U. Of California Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc42S (spread around 8') > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac notes
8235. 06/14/85 Flac 24/48 - 0, 130923 Berkeley Greek Theatre, U. Of California flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 08/2014 notes
8236. 06/14/85 Flac 16/48 - 0, 145329 Berkeley Greek Theatre, U. Of California flac16/48kHz; Set 2 Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; Patch info: shnid 117028 (SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN); the patch was created with Audacity by Joe Noel notes
8237. 06/14/85 Flac 16/48 - 0, 145575 Berkeley Greek Theatre, U. Of California flac16/48kHz; Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; Edited & patched with Audacity by Joe Noel notes
8238. 06/14/85 Flac 24/96 - 0, 148769 Berkeley Greek Theatre, U. Of California flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(12 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8239. 06/14/85 Flac 16/48 - 0, 148768 Berkeley Greek Theatre, U. Of California flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(12 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8240. 06/14/85 Flac 24/48 - , 152641 Berkeley Greek Theatre, U. Of California flac24/48 Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high. Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDI Codec. Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel January 26, 2021 notes
8241. 06/14/85 Flac 16/48 - , 152788 Berkeley Greek Theatre, U. Of California This Is 1648 Version Of Shnid 152641 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (maxell Mx90s, Dolby B On) Location: Taper Section; Stand 6 To 7 Feet High. Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby> Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq & Software Dolby B Decode Using Nuendo & Ddi Codec. Recorded, Transferred & Mastered By Anon Edited & Add'l Mastering In Adobe Audition By Joe Noel January 26, 2021 notes
8242. 06/15/85 Flac 16 - 0, 96317 Berkeley Greek Theatre, U. Of California flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 ->FLAC/16; All Transfers and Mastering By Charlie Miller notes
8243. 06/15/85 Flac 16 Mtx - 0, 85832 Berkeley Greek Theatre, U. Of California flac16; Sick Bits Vol. 22b - SBD/AUD matrix of 3 previously circulating sources: set 1 SBD (shnid=5682) and set 2 SBD (shnid=28449) + Oade AUD (shnid=24586). Matrixed by Chris Chappell. notes
8244. 06/15/85 Flac e - 0, 24586 Berkeley Greek Theatre, U. Of California Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac notes
8245. 06/15/85 Flac - 0, 28449 Berkeley Greek Theatre, U. Of California flac16; *Set 2 Only* Soundboard->Vault PCM->PCM Clone->Sonic Solutions->Master CD. Master CD->EAC->FLAC. EAC, Re-track, and FLAC by Joe Samaritano notes
8246. 06/15/85 Flac 16 - 0, 97497 Berkeley Greek Theatre, U. Of California flac16; Source: Aud FOB Recording Lineage: 2 Nak 700's > Pre > Sony D6> MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 ) notes
8247. 06/15/85 Shn - 0, 5682 Berkeley Greek Theatre, U. Of California SBD> ?> CD-R> EAC> CDWAV retrack> SHN; via Randy Griesman notes
8248. 06/15/85 Flac 16 - 0, 97125 Berkeley Greek Theatre, U. Of California flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > JVC ME-90P Metal tape, with no Dolby. Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. January 2009. notes
8249. 06/15/85 Shn - 0, 34302 Berkeley Greek Theatre, U. Of California Fix of shnid 5682 by Bill Tetzeli - see info file for details notes
8250. 06/15/85 Shn - 0, 20878 Berkeley Greek Theatre, U. Of California SBD of unknown lineage, patched with AUD (see notes in text file) via Peter Etter notes
8251. 06/15/85 Flac 16 - 0, 140073 Berkeley Greek Theatre, U. Of California b>flac16; Set 2 Recording Info: Master Soundboard PCM > PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM 601ESD> Behringer Ultramatch Pro> Sound Devices 744T (16-bit/44.1k)> Adobe Audition 3.0> TLH flac16 notes
8252. 06/15/85 Flac 24/96 - 0, 140889 Berkeley Greek Theatre, U. Of California flac24 Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
8253. 06/15/85 Flac 16 - 0, 141239 Berkeley Greek Theatre, U. Of California flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
8254. 06/15/85 Flac 16 - 0, 33338 Berkeley Greek Theatre, U. Of California flac16; Sennheiser 441's > Sony D5 > Sony D5 > Master Cassettes; Tapers: Adam,Justin & Monica Mark McCue Master 1st deck out; Transfer by Mark McCue; Conversion, edits, retracking, seeding to bt.etree.org by Alex Ford notes
8255. 06/15/85 Shn - 0, 7086 Berkeley Greek Theatre, U. Of California Oade PCM-AUD -- Schoeps MK41 (90 deg -- Tapers' Section) -> CMC4 -> Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT; Recorded by Doug Oade; Transfer: (Set I: 48K DAT; Set II: 44.1k DAT, from Doug Oade) Sony PCM-M1 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> Cooledit 2k (sample rate conversion) -> CDWAV -> SHN; DAT>SHN conversion and seeding by Darrin Sacks notes
8256. 06/15/85 Flac 16 - 0, 112725 Berkeley Greek Theatre, U. Of California b>flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
8257. 06/15/85 Flac 24/96 - 0, 97124 Berkeley Greek Theatre, U. Of California flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > JVC ME-90P Metal tape, with no Dolby. Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009. notes
8258. 06/15/85 Flac - 0, 24586 Berkeley Greek Theatre, U. Of California Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac notes
8259. 06/15/85 Flac 24/96 - 0, 148771 Berkeley Greek Theatre, U. Of California flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(13 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8260. 06/15/85 Flac 16/48 - 0, 148770 Berkeley Greek Theatre, U. Of California flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(13 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8261. 06/15/85 Flac 24/96 - 0, 152254 Berkeley Greek Theatre, U. Of California Flac 2496 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
notes
8262. 06/15/85 Flac 16/44,1 - 0, 152520 Berkeley Greek Theatre, U. Of California flac16/44.1 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152254 24 -> 16 @ 44.1 notes
8263. 06/15/85 Flac 24/48 - , 152642 Berkeley Greek Theatre, U. Of California flac24/48 Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high. Transfer: Master Cassette > Nakamichi CR7a playback with no dolby > Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec. Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021 notes
8264. 06/15/85 Flac 16/48 - , 152789 Berkeley Greek Theatre, U. Of California This Is 1648 Version Of Shnid 152642 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (maxell Mx90s, Dolby B On) Location: Taper Section; Stand 6 To 7 Feet High. Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby > Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq And Software Dolby B Decode Using Nuendo And Ddicodec. Recorded, Transferred & Mastered By Anon Edited & Add'l Mastering In Adobe Audition By Joe Noel February 17, 2021 notes
8265. 06/15/85 Flac 16/48 - , 154489 Berkeley Greek Theatre, U. Of California flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 152254) ecording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 24586) Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac - surround mixing by Kevin Tobin notes
8266. 06/15/85 Flac 16 Dts 5.1 - , 154488 Berkeley Greek Theatre, U. Of California DTS-Audio-CD 5.1 Mix; - SBD (shnid = 152254) ecording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 24586) Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac - dts mixing by Kevin Tobin notes
8267. 06/15/85 Flac 16 Mtx - , 154458 Berkeley Greek Theatre, U. Of California flac16; Matrix 2 Source Mix - SBD (shnid = 152254) ecording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 24586) Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac - matrix mixing by Kevin Tobin notes
8268. 06/16/85 Flac 16 Mtx - 0, 85833 Berkeley Greek Theater, U. of California flac16; Sick Bits Vol. 22c - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=79021) + Oade AUD (shnid=24611). Matrixed by Chris Chappell. notes
8269. 06/16/85 Flac 16 - 0, 105876 Berkeley Greek Theater, U. of California flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
8270. 06/16/85 Flac 16 - 0, 24511 Berkeley Greek Theater, U. of California flac16; Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1, Recorded by Oade Brothers; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac, Transferred by Doug Oade, freshly tracked by Darrin Sacks notes
8271. 06/16/85 Flac 16 - 0, 79021 Berkeley Greek Theater, U. of California flac16; Recording Info: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC notes
8272. 06/16/85 Flac 16 - 0, 97499 Berkeley Greek Theater, U. of California flac16; Source: Aud FOB Recording Lineage: 2 Nak 700's > Pre > Sony D6> MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 ) notes
8273. 06/16/85 Shn - 0, 9218 Berkeley Greek Theater, U. of California Oade PCM-AUD Schoeps MK41 (90deg spaced spaced 17 cm- aka DIN variant, Tapers' Section)> CMC4> Oade M118 prototype b> Oade Modified PCM-F1> DAT (x3?) (48khz); Recorded by Doug Oade: Transfer: Sony PCM-M1> Sonic Sense Modified Sony 7 Pin Coax> Zoltrix Nightingale (coax Mod)> Cooledit 2k (sample rate conversion)> CDWAV> SHN; Note: There are two circulating transcriptions seeded by Darrin Sacks, this seed is from the 48kHz DAT source; see alternate seed; also to abgd via Charlie Connor notes
8274. 06/16/85 Shn - 0, 26080 Berkeley Greek Theater, U. of California SBD > Reel Master [?- see pub comments] > DATs; Transfer, by jbraveman: DAT 60ES > M-Audio Audiophile USB > CDWAV > Goldwave (normalization and minor edits) > CDWAV > mkwACT notes
8275. 06/16/85 Flac 16 - 0, 105543 Berkeley Greek Theater, U. of California flac16; Recording Info:AKG Mics -> Cassette Master (Sony TC-D5M/TDK MA90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Rango Keshavan; All Transfers and Mastering By Charlie Miller notes
8276. 06/16/85 Flac 16 - 0, 127488 Berkeley Greek Theater, U. of California flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Maxell MX-90s, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. 03/2014 notes
8277. 06/16/85 Flac 24/96 - 0, 140857 Berkeley Greek Theater, U. of California flac24; Source: Unknown mics > cassette master (Sony WM-D6) - Taped By Robert Bryant; Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited amd mastered SIRMick January 2018 notes
8278. 06/16/85 Flac 16 - 0, 140862 Berkeley Greek Theater, U. of California flac16; Source: Unknown mics > cassette master (Sony WM-D6) - Taped By Robert Bryant; Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited amd mastered SIRMick January 2018 notes
8279. 06/16/85 Shn - 0, 33669 Berkeley Greek Theater, U. of California (FOB) 2 Sennheiser 441's > Sony D5 > Master Cassettes Tapers: Adam, Justin and Monica Mark McCue Master Transferred by Mark McCue, conversion and seeding to bt.etree.org by Alex Ford notes
8280. 06/16/85 Shn - 0, 7087 Berkeley Greek Theater, U. of California Oade PCM-AUD Schoeps MK41 (90deg spaced spaced 17 cm- aka DIN variant, Tapers' Section)> CMC4> Oade M118 prototype b> Oade Modified PCM-F1> DAT (x1?) (44.1khz); Recorded by Doug Oade; Transfer: Sony d7> Sonic Sense Modified Sony 7 Pin Coax> Zoltrix Nightingale (coax Mod)> CDWAV (no sample Rate Conversion Performed); DAT>SHN conversion and seeding by Darrin Sacks; There are two circulating transcriptions seeded by Darrin Sacks, this seed is from the 44.1kHz DAT source; see alternate seed notes
8281. 06/16/85 Flac 24/48 - 0, 127487 Berkeley Greek Theater, U. of California b>flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Maxell MX-90s, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448. Taped and transferred by Andrew F. 03/2014 notes
8282. 06/16/85 Shn - 0, 970 Berkeley Greek Theater, U. of California SBD> MVHS> DAT> CD-R; via Dave Barrick?; note there is an alternate 3 CD version notes
8283. 06/16/85 Flac 24/96 - 0, 148773 Berkeley Greek Theater, U. of California flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(11 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8284. 06/16/85 Flac 16/48 - 0, 148772 Berkeley Greek Theater, U. of California flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(11 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8285. 06/16/85 Flac 24/96 - 0, 150523 Berkeley Greek Theater, U. of California flac24; (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. July 18, 2020 notes
8286. 06/16/85 Flac 24/96 - 0, 152304 Berkeley Greek Theater, U. of California flac24/96 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
8287. 06/16/85 Flac 16/44,1 - 0, 152521 Berkeley Greek Theater, U. of California flac16/44.1 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152304 24 -> 16 @ 44.1 notes
8288. 06/16/85 Flac 24/48 - , 152643 Berkeley Greek Theater, U. of California flac24/48 Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high. Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec. Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021 notes
8289. 06/16/85 Flac 16/48 - , 152790 Berkeley Greek Theater, U. of California This Is 1648 Version Of Shnid 15263 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (maxell Mx90s, Dolby B On) Location: Taper Section; Stand 6 To 7 Feet High. Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby> Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq And Software Dolby B Decode Using Nuendo And Ddicodec. Recorded, Transferred & Mastered By Anon Edited & Add'l Mastering In Adobe Audition By Joe Noel February 17, 2021 notes
8290. 06/21/85 Flac 16 Mtx - 0, 108266 East Troy Alpine Valley Music Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
8291. 06/21/85 Shn - 0, 11492 East Troy Alpine Valley Music Theatre Master Soundboard Cassette > DAT > CDR; via Jack Straw; Seeded to etree by steve barbella notes
8292. 06/21/85 Flac 16 - 0, 86472 East Troy Alpine Valley Music Theatre flac16; MAC; 2 Nakamichi 100s > Sony D5 > 2 Maxell MX 90s Taped by Greg Holtz Transfer: MAC > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L3 UltraMaximizer > WAV @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Greg Holtz. Transfer, edits, conversion and seeding by Alex Ford July 2007. notes
8293. 06/21/85 Flac 24/96 - 0, 133591 East Troy Alpine Valley Music Theatre flac24; Field: 2x Nakamichi CM100 mics with CP-4 shotgun capsules > Sony TS-D5M analog cassette recorder > Maxell MX-90 cassette tapes; Transfer: MAC > Tascam 112 analog tape deck > Edirol UA-5 USB Audio Interface > 2496 WAVs > Audacity > Trader's Little Helper > FLAC 24/96 notes
8294. 06/21/85 Flac 16 - 0, 120969 East Troy Alpine Valley Music Theatre flac16; Set 2 Source: Very Low Gen SBD set 2 >NakCR-3A>Sony PCM M-10@24/44.1 M-10>Soundforge9.0>CDWave>TLH notes
8295. 06/21/85 Flac 24/96 - 0, 141292 East Troy Alpine Valley Music Theatre flac24; Source: Unknown mics > Sony WM-D6 > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018 notes
8296. 06/21/85 Flac 16 - 0, 145363 East Troy Alpine Valley Music Theatre flac16; Source: Unknown mics > Sony WM-D6 > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018; This file set is 16 bit @ 44.1 notes
8297. 06/21/85 Flac 16 - 0, 117822 East Troy Alpine Valley Music Theatre flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
8298. 06/21/85 Flac 24/96 - , 154486 East Troy Alpine Valley Music Theatre flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8299. 06/21/85 Flac 16/48 - , 154485 East Troy Alpine Valley Music Theatre flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8300. 06/22/85 Flac 16 Mtx - 0, 109561 East Troy Alpine Valley Music Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
8301. 06/22/85 Flac 16 - 0, 123586 East Troy Alpine Valley Music Theatre flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat (44.1k); Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
8302. 06/22/85 Flac 16 - 0, 86805 East Troy Alpine Valley Music Theatre flac16; (MAC) 4 Nakamichi 100s (2 for each channel) > Sony D5 > 2 Maxell MX90s Taper: Greg Holtz Transfer: MAC > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L3 UltraMaximizer > WAV @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Transfer, edits, conversion & seeding by Alex Ford August 2007. notes
8303. 06/22/85 Flac 24/96 - 0, 133603 East Troy Alpine Valley Music Theatre flac24; Field: 4x Nakamichi CM100 mics with CP-4 shotgun capsules front row OTS > Niles Audio Mixer > Sony TS-D5M analog cassette recorder > Maxell MX-90 cassette tapes; Transfer: MAC > Tascam 112 analog tape deck > Edirol UA-5 USB Audio Interface > 2496 WAVs > Audacity > Trader's Little Helper > FLAC 24/96 notes
8304. 06/22/85 Shn - 0, 2665 East Troy Alpine Valley Music Theatre SBD> ?> CD; Seeded by Andy Greider; Extracted & Shortened by Jim Keith; note cut in space (see pub comment) notes
8305. 06/22/85 Shn - 0, 13478 East Troy Alpine Valley Music Theatre SBD > (poss cass gen)? > PCM > DAT @ 44.1 (pre-emphasis on); Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5 > pre-emphasis removed (see notes) > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig; via Bill Gardner, Ghost to etree notes
8306. 06/22/85 Flac 16 - 0, 117823 East Troy Alpine Valley Music Theatre flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
8307. 06/22/85 Flac 24/48 - , 152621 East Troy Alpine Valley Music Theatre flac24/48 Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel? Transfer by: Kyle Holbrook First AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8308. 06/22/85 Flac 16/44,1 - , 152620 East Troy Alpine Valley Music Theatre flac16/44.1 Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel? Transfer by: Kyle Holbrook First AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8309. 06/22/85 Flac 16/48 - , 154531 East Troy Alpine Valley Music Theatre flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8310. 06/22/85 Flac 24/96 - , 154532 East Troy Alpine Valley Music Theatre flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8311. 06/24/85 Flac 16 Mtx - 0, 94663 Cincinnati River Bend Music Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
8312. 06/24/85 Shn - 0, 25315 Cincinnati River Bend Music Center SBD > Cassette Master > PCM > DAT > CD; Transfer: CD > EAC > Cool Edit Pro v2.0 > Samplitude v7.02 Professional > SHN; Transferred and Edited By Charlie Miller; note flaw fix in d3t4 reflected in fixed md5 (see pub comments) notes
8313. 06/24/85 Shn - 0, 2274 Cincinnati River Bend Music Center fixed version of previous shn set, to boost Samson>He's Gone; via Patrick Murphy; hosted at gdlive.com notes
8314. 06/24/85 Shn - 0, 8198 Cincinnati River Bend Music Center Sbd > Cm > Dat x 3 > Cdr; NR applied with Cool edit; via Bob harrell; upgrade in circulation notes
8315. 06/24/85 Flac Mtx - 0, 32310 Cincinnati River Bend Music Center SBD/AUD Matrix by Timothy Pytlik notes
8316. 06/24/85 Flac 24/96 - 0, 140890 Cincinnati River Bend Music Center flac24; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
8317. 06/24/85 Flac 16 - 0, 141240 Cincinnati River Bend Music Center flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
8318. 06/24/85 Shn - 0, 360 Cincinnati River Bend Music Center Nak 300 > D5 > CM > CDR; via Chris Vinci, Mike Lai; Some left channel dropouts at beginning of USB notes
8319. 06/24/85 Flac - 0, 24662 Cincinnati River Bend Music Center Set II Only; Recorded by Jim Oade Transferred by Doug Oade, tracked by Darrin Sacks; Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac notes
8320. 06/24/85 Flac 16 - 0, 118986 Cincinnati River Bend Music Center flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
8321. 06/24/85 Flac 24/48 - , 152623 Cincinnati River Bend Music Center flac24/48 Microphones: AKG C422|AKG S42 XY 90º Cardioid see *** Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba Transfer by: Kyle Holbrook Second AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8322. 06/24/85 Flac 16/44,1 - , 152622 Cincinnati River Bend Music Center flac16/44.1 Microphones: AKG C422|AKG S42 XY 90º Cardioid see *** Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba Transfer by: Kyle Holbrook Second AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8323. 06/24/85 Flac 24/96 - , 154534 Cincinnati River Bend Music Center flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8324. 06/24/85 Flac 16/48 - , 154533 Cincinnati River Bend Music Center flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8325. 06/25/85 Flac 16 Mtx - 0, 106640 Cuyahoga Falls Blossom Music Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
8326. 06/25/85 Shn - 0, 18663 Cuyahoga Falls Blossom Music Center SBD -> Cm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN (2 Discs Audio / 2 Discs SHN) Converted By Charlie Miller notes
8327. 06/25/85 Flac 16 - 0, 132561 Cuyahoga Falls Blossom Music Center flac16; Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Master PCM > DAW (via SEKD Prodif) > Wav; Recorded by the Oade Brothers; Mastered by Dan McDonald notes
8328. 06/25/85 Flac 16 - 0, 106739 Cuyahoga Falls Blossom Music Center flac16; OTS: Sennheiser MD441U > Sony TCD5-M > MaxeLL MX > Nakamichi CR 7A > Edirol R4Pro ( Oade Preamp Mod ) @ 24/88.2 > WaveBurner > xACT > FLAC16; Recorded, processed, and let loose by Mike Kutik notes
8329. 06/25/85 Shn - 0, 3049 Cuyahoga Falls Blossom Music Center SBD> Master Cassette> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.; Known Flaws: d2t01 two minor clicks during first :02 of Gimme Some Lovin' notes
8330. 06/25/85 Flac 24/96 - 0, 140891 Cuyahoga Falls Blossom Music Center flac24; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
8331. 06/25/85 Flac 16 - 0, 141241 Cuyahoga Falls Blossom Music Center flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
8332. 06/25/85 Flac 16 - 0, 142391 Cuyahoga Falls Blossom Music Center flac16; Source Info: Master Soundboard Cassettes (dolby b) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
8333. 06/25/85 Flac 16 - 0, 121562 Cuyahoga Falls Blossom Music Center flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
8334. 06/25/85 Flac 24/96 - 0, 148521 Cuyahoga Falls Blossom Music Center flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8335. 06/25/85 Flac 16/48 - 0, 148520 Cuyahoga Falls Blossom Music Center flac16/48kHz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8336. 06/25/85 Flac 24/48 - , 152625 Cuyahoga Falls Blossom Music Center flac24/48 Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Pavilion ~100' from stage 30' ROC (Sec 22 Row R) This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Eddie Wahba Transfer by: Kyle Holbrook Third AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8337. 06/25/85 Flac 16/44,1 - , 152624 Cuyahoga Falls Blossom Music Center flac16/44.1khz Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Pavilion ~100' from stage 30' ROC (Sec 22 Row R) This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Eddie Wahba Transfer by: Kyle Holbrook Third AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8338. 06/27/85 Flac 16 Mtx - 0, 92963 Saratoga Springs Saratoga Performing Arts Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) July 6, 2008 Speed Corrected July 20. (This source fixes the speed of the previous Seamons source.) notes
8339. 06/27/85 Flac 16 - 0, 27863 Saratoga Springs Saratoga Performing Arts Center flac16; SBD> Master Cassette> PCM> Dat (unconfirmed- could be SBD> VHS> Cass> Dat> CD); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes
8340. 06/27/85 Flac 16 - 0, 112499 Saratoga Springs Saratoga Performing Arts Center flac16; Field Gear: Nakamichi CM-100's w/CP-4 Shotgun Capsules > Sony D-5 > MAC; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > Trader's Little Helper > FLAC Level 8; Recorded, transferred, tracked & FLAC'd by Greg Holtz notes
8341. 06/27/85 Flac 16 - 0, 79382 Saratoga Springs Saratoga Performing Arts Center flac16; Source: SBD > MC > DAT(48KHz).Transfer: DAT playback on Sony PCM-R500 > unbalanced XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracked with CDWAV 1.9 > FLAC. DAT via M.Townshend. Transfer, mastering and lossless encoding by C.Ladner notes
8342. 06/27/85 Flac 24/88 - 0, 135270 Saratoga Springs Saratoga Performing Arts Center flac24; MAC; Sennheiser 441s > Sony TCM-D5 > TDK MA 90s; Mic info: 2 rows behind board on Jerry side, mics @ 10ft; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatic V3 (@24/88.2)> WaveLab 7.2.1> .wav @24/88.2> UAD-2(editing/mastering)> .wav @24/88.2> xAct> flac24; Taper: Mark McCue; Transfer, editing and mastering: Alex Ford notes
8343. 06/27/85 Flac 16 Mtx - 0, 92645 Saratoga Springs Saratoga Performing Arts Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) See info file for details notes
8344. 06/27/85 Flac 16 - 0, 135268 Saratoga Springs Saratoga Performing Arts Center flac16; MAC Sennheiser 441s > Sony TCM-D5 > TDK MA 90s; Mic info: 2 rows behind board on Jerry side, mics @ 10ft; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatic V3 (@24/88.2)> WaveLab 7.2.1> .wav @24/88.2> UAD-2(editing/mastering)> .wav @24/88.2> UV22HR/Crystal Resampler> .wav @16/44.1> xAct> flac16; Taper: Mark McCue; Transfer, editing and mastering: Alex Ford notes
8345. 06/27/85 Shn - 0, 6104 Saratoga Springs Saratoga Performing Arts Center Amy's Soundboard VHS > Cassette > DAT> CDR; CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston notes
8346. 06/27/85 Flac 24/96 - 0, 141598 Saratoga Springs Saratoga Performing Arts Center flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; eited and mastered SIRMick April 2018 notes
8347. 06/27/85 Flac 16 - 0, 121563 Saratoga Springs Saratoga Performing Arts Center flac16; Source: 2 Beyer M160 microphones > Sony TCD5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
8348. 06/27/85 Shn - 0, 7006 Saratoga Springs Saratoga Performing Arts Center FOB AUD> CM (unknown mics)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT); Digital Mastering by Charlie Connor, from Painoman's Master Analog Cassettes notes
8349. 06/27/85 Flac 16 - 0, 79597 Saratoga Springs Saratoga Performing Arts Center flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *Lawn, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 notes
8350. 06/27/85 Shn - 0, 25000 Saratoga Springs Saratoga Performing Arts Center Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac. Recorded by Jim Oade; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) notes
8351. 06/27/85 Flac 24/96 - 0, 114489 Saratoga Springs Saratoga Performing Arts Center flac24; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes
8352. 06/27/85 Flac 16 - 0, 106788 Saratoga Springs Saratoga Performing Arts Center flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Orchestra Section 8, Row GG, Seat 122 by Bob Morris. Transfer, edits, patch by Bob Morris 11/09. notes
8353. 06/27/85 Flac 24/96 - 0, 126238 Saratoga Springs Saratoga Performing Arts Center flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8354. 06/27/85 Flac 16 - 0, 145345 Saratoga Springs Saratoga Performing Arts Center flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; eited and mastered SIRMick April 2018; This file set is 16 bit @ 44.1 notes
8355. 06/27/85 Flac 24/96 - 0, 97558 Saratoga Springs Saratoga Performing Arts Center flac24/96; Source: SBD > MC > DAT(48KHz). Transfer: Playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and digitization > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > tracked with CDWAV 1.9 > FLAC. 24/96 Stereo DVD-A rendering was also generated using Discwelder Chrome II. Transfer, mastering and DVD-Audio rendering by C.Ladner notes
8356. 06/27/85 Flac 24/48 - , 152627 Saratoga Springs Saratoga Performing Arts Center flac24/48 Microphones: AKG C422|AKG S42 XY s1:60º cardioid s2: 90º cardioid [-10dB pad on] Recorder: Sony TC-D5M [mic master] Location: Lawn ~175' from stage DFC This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney Transfer by: Kyle Holbrook Fourth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8357. 06/27/85 Flac 16/44,1 - , 152626 Saratoga Springs Saratoga Performing Arts Center flac16/44.1 Microphones: AKG C422|AKG S42 XY s1:60º cardioid s2: 90º cardioid [-10dB pad on] Recorder: Sony TC-D5M [mic master] Location: Lawn ~175' from stage DFC This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney Transfer by: Kyle Holbrook Fourth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8358. 06/27/85 Flac 16/48 - , 154535 Saratoga Springs Saratoga Performing Arts Center flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8359. 06/27/85 Flac 24/96 - , 154536 Saratoga Springs Saratoga Performing Arts Center flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8360. 06/28/85 Flac 16 - 0, 107066 Hershey Hershey Park Stadium flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
8361. 06/28/85 Flac 16 Mtx - 0, 132533 Hershey Hershey Park Stadium flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:107066) SBD -> Cassette Master -> Dat -> CD; CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; and Audience (shnid:114680) Nakamichi CM-300 (CP-4) x2 > Cassette Master; Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > flac16 by Bob Morris notes
8362. 06/28/85 Flac 16 - 0, 33339 Hershey Hershey Park Stadium flac16; (FOB) 2 Sennheiser 441's > Sony D5 > Master Cassettes; Taped transferred by Mark McCue; Retracking, conversion and seeding to bt.etree.org by Alex Ford notes
8363. 06/28/85 Shn - 0, 5822 Hershey Hershey Park Stadium SBD? liberated bootleg; via lemon2 notes
8364. 06/28/85 Flac 16 - 0, 77931 Hershey Hershey Park Stadium flac16; source: Soundboard > ??? (cass or pcm) > DAT > DAT > WAV > SHN > WAV > FLAC see text file for full details notes
8365. 06/28/85 Shn - 0, 23593 Hershey Hershey Park Stadium Set 1 Source: SBD (pitch corrected shnid = 5822). Set 2 Source: SBD>Reel>PCM>DAT. Remastering by MattMan: SHN>WAV>ADOBE AUDITION>CDWAV>SHNTOOL>mkwACT. notes
8366. 06/28/85 Flac 16 - 0, 137289 Hershey Hershey Park Stadium flac16; Phase Fix of source ID 33339; (FOB) 2 Sennheiser 441's (PAS) > Sony D5 > Master Cassettes; Location: 10 yard line, DFC; Original Transfer: MAC> Sony D5> Tascam Stand Alone burner(tracked on the fly)> EAC> HD> CDR> EAC> WinXP Pro> wav files joined> CD Wave Editor(retracking)> Flac Frontend> flac16; New edits: WaveLab 7.2.1 (phase fix and minor edits) > retrack > xAct> flac16; Taped and transferred by Mark McCue; Phase fix/minor edits by Alex Ford notes
8367. 06/28/85 Flac 24/96 - 0, 141599 Hershey Hershey Park Stadium flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick April 2018 notes
8368. 06/28/85 Shn - 0, 76159 Hershey Hershey Park Stadium Sennheiser 4xx's > Marantz PMDxxx > MC Playback on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen) 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwACT > SHN Recorded by Jeff Hubbard notes
8369. 06/28/85 Flac 16 - 0, 79609 Hershey Hershey Park Stadium flac16; Source: Nakamichi CM304's>Sony D5M Location: *At SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 notes
8370. 06/28/85 Flac 24/96 - 0, 89009 Hershey Hershey Park Stadium flac24; Source: Nakamichi CM304's>Sony D5M Location: *At SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition>Cdwav/tracking>flac24 Taper: Tony Suraci Transfer and upload by Tony Suraci notes
8371. 06/28/85 Flac 16 - 0, 111343 Hershey Hershey Park Stadium flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) >Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes
8372. 06/28/85 Flac 16 - 0, 114680 Hershey Hershey Park Stadium flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > flac16; Microphones on tripod stand at 7 ft height under an umbrella in the rain; Recorded by Bob Morris notes
8373. 06/28/85 Flac 24/96 - 0, 114490 Hershey Hershey Park Stadium flac24; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24 notes
8374. 06/28/85 Flac 24/96 - 0, 126140 Hershey Hershey Park Stadium flac24; source: (3) audio technica atm 11> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8375. 06/28/85 Flac 24 - 0, 126158 Hershey Hershey Park Stadium flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 33339. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
8376. 06/28/85 Shn - 0, 22517 Hershey Hershey Park Stadium AUD: FOB Sony D-5M Sennheiser 441's Recorded by Steve (the Lizzard); Posted to abgd by Tommy McKeown notes
8377. 06/28/85 Shn - 0, 25985 Hershey Hershey Park Stadium FOB Sony D-5M Sennheiser 441's Recorded by Steve (the Lizzard) /shninfo_detail.php?shnid=22517 sbe's were repaired with shntool notes
8378. 06/28/85 Flac 16 - 0, 145352 Hershey Hershey Park Stadium flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick April 2018; This file set is 16 bit @ 44.1 notes
8379. 06/28/85 Shn - 0, 26144 Hershey Hershey Park Stadium Source: SBD > CM > DAT > DAT > DAT Transfer: DAT 60ES > M-Audio Audiophile USB > CDWAV (48) > Goldwave (normalization 100%, patch, and resample 44.1) > CDWAV tracking > mkwACT SHN; transfer by Joshua Braveman notes
8380. 06/28/85 Flac 16/48 - 0, 151254 Hershey Hershey Park Stadium flac16/48khz Source Info: Master Soundboard Cassettes (Sony D5M)> 1st generation cassettes (Sony D5M) > Rob Eaton's DAT (Panasonic SV-3800)(16/48) > Tim Dalton's DAT (Panasonic SV-3700)(16/48) Transfer Info: 1st generation cassettes (unknown deck) > Panasonic SV-3800 DAT (16/48) by Rob Eaton; Rob Eaton's DAT 16/48 (Panasonic SV-3800) > Tim Dalton's DAT (Panasonic SV-3800)(16/48); Tim Dalton's DAT (16/48)(Sony PCM R-500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> .wav (16/48) > Adobe Audition CC 2020 > TLH flac1648 notes
8381. 06/28/85 Flac 16/44 - 0, 151829 Hershey Hershey Park Stadium flac16/44 Source Info: 1st Set and Morning Dew thru Encore: Oade brothers Master Audience Cassettes ; Schoeps CMC4 MK41 mics > Sony D5M 2nd Set thru I Need A Miracle: Oade brothers Master Audience PCM; Schoeps CMC4 MK41 mics > Modified Sony PCM-F1 Transfer Info: Unknown Playback equipment > HDD via SEK'D Prodif by Doug Oade notes
8382. 06/28/85 Flac 24/96 - , 154538 Hershey Hershey Park Stadium flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8383. 06/28/85 Flac 16/48 - , 154537 Hershey Hershey Park Stadium flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8384. 06/30/85 Flac 16 Mtx - 0, 94642 Columbia Merriweather Post Pavilion flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes
8385. 06/30/85 Flac 16 - 0, 89192 Columbia Merriweather Post Pavilion flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller notes
8386. 06/30/85 Flac - 0, 25242 Columbia Merriweather Post Pavilion Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac (via Darrin Sacks)
notes
8387. 06/30/85 Flac 16 - 0, 30158 Columbia Merriweather Post Pavilion flac16; SBD -> Cassette Master -> Dat -> CD -> EAC -> FLAC Converted By Charlie Miller notes
8388. 06/30/85 Flac 16 - 0, 138280 Columbia Merriweather Post Pavilion flac16; MAC; Sennheiser 441's > Sony D5; Location: 3 rows behind Healy on left; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> UAD-2(mastering)> .wav @24/88.2> Crystal Resampler/UV22HR> .wav @16/44.1> xAct> flac16; Tapers: Mark McCue and Davey Meade; Transfer and mastering: Alex Ford notes
8389. 06/30/85 Flac 24/48 - 0, 138288 Columbia Merriweather Post Pavilion flac24/48kHz; MAC; Sennheiser 441s > Sony D5; Location: 3 rows behind Healy on left; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> UAD-2(mastering)> .wav @24/88.2> Crystal Resampler> .wav @24/48> xAct> flac24; Tapers: Mark McCue and Davey Meade; Transfer and mastering: Alex Ford notes
8390. 06/30/85 Flac 24/96 - 0, 141619 Columbia Merriweather Post Pavilion flac24; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 notes
8391. 06/30/85 Flac 24/96 - 0, 84246 Columbia Merriweather Post Pavilion flac24/96; Recordist: Kyle Holbrook Location: Lawn, ~275' from stage lip Mic Config: XY, 90 degrees Source: AKG C422 (Cardioid) > AKG S42 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 notes
8392. 06/30/85 Flac 16 - 0, 84267 Columbia Merriweather Post Pavilion flac16; Recordist: Kyle Holbrook Location: Lawn, ~275' from stage lip Mic Config: XY, 90 degrees Source: AKG C422 (Cardioid) > AKG S42 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab 5.01b (resample, dither) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 All transfers and DSP performed by Tim Burke notes
8393. 06/30/85 Flac 24/96 - 0, 144155 Columbia Merriweather Post Pavilion flac24; 2nd Set Source Info: Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90); Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496 notes
8394. 06/30/85 Flac 16/48 - 0, 144154 Columbia Merriweather Post Pavilion flac16/48kHz; 2nd Set Source Info: Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90); Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8395. 06/30/85 Flac 16 - 0, 33702 Columbia Merriweather Post Pavilion Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC)> SBLive! > Audacity > WAV > CDWave > WAVs > mkwAC > SHNs; Recorded, transferred by Charles Bandrofcheck notes
8396. 06/30/85 Shn - 0, 7893 Columbia Merriweather Post Pavilion set 1; Recorded by Tommy McKeown; Master AUD Sony D5 Sennheiser ME 80 & 441's > Wav > SHN; 5 sec. dropout on left channel during BEW notes
8397. 06/30/85 Shn - 0, 7833 Columbia Merriweather Post Pavilion set 2; Daud -- Oade recording: Schoeps CMC441 (@ 90 degrees) > Oade M118 > Oade Modified PCM-F1 > DATs > CDRs > EAC > SHN (Seekable); via Darrin Sacks notes
8398. 06/30/85 Flac 16 - 0, 79641 Columbia Merriweather Post Pavilion flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes
8399. 06/30/85 Flac 24/96 - 0, 89039 Columbia Merriweather Post Pavilion flac24; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0>Cdwav/tracking>flac24 Taper: Tony Suraci Transfer and upload by Tony Suraci notes
8400. 06/30/85 Flac 16 - 0, 102134 Columbia Merriweather Post Pavilion flac16; Source: (2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5 Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16 Recorded by Ray Ackerman Conversion by Ray Ackerman Tracks, FLACs, Tags by Craig Taraszki; Originally seeded 2009-10-21 notes
8401. 06/30/85 Flac 16 - 0, 145353 Columbia Merriweather Post Pavilion flac16; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1 notes
8402. 06/30/85 Shn - 0, 23223 Columbia Merriweather Post Pavilion SBDmc>DAT>CD; fixed disc 3 SHNid=366 by Darryl Hinko and Tommy Brame notes
8403. 06/30/85 Shn - 0, 366 Columbia Merriweather Post Pavilion SBDmc> DAT> CD; via Nick Georges; reported lots of hiss, and inferior "digital manipulation"; additional notes in public comments Note- This show also circ's with 'corrected' track names via ccryder@westerncom.net notes
8404. 06/30/85 Flac 24/96 - 0, 126176 Columbia Merriweather Post Pavilion flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8405. 06/30/85 Flac 24/96 - 0, 148523 Columbia Merriweather Post Pavilion flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8406. 06/30/85 Flac 16/48 - 0, 148522 Columbia Merriweather Post Pavilion flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8407. 06/30/85 Flac 16/44,1 - 0, 151255 Columbia Merriweather Post Pavilion flac16/44.1khz Recording Info: SBD > Cassette Master (Sony WM-D6C/Dolby C) > DAT > CD > WAV Transfer Info: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/16 notes
8408. 06/30/85 Flac 16/44 - , 152701 Columbia Merriweather Post Pavilion flac16/44 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~275' from stage (crest of the hill) This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, John Borg, Gary Steel Transfer by: Kyle Holbrook notes
8409. 06/30/85 Flac 24/48 - , 152702 Columbia Merriweather Post Pavilion flac24/48 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~275' from stage (crest of the hill) This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, John Borg, Gary Steel Transfer by: Kyle Holbrook notes
8410. 07/01/85 Flac 16 Mtx - 0, 94681 Columbia Merriweather Post Pavilion flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
8411. 07/01/85 Flac - 0, 46421 Columbia Merriweather Post Pavilion Recording Info: SBD -> Cm -> ? -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> CD; Transfered and Edited By Charlie Miller notes
8412. 07/01/85 Flac 16 - 0, 101283 Columbia Merriweather Post Pavilion flac16; Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 notes
8413. 07/01/85 Shn - 0, 17350 Columbia Merriweather Post Pavilion Hybrid soundboard - Original Paino seed w/ D3 Cribbs Patch and Charlie Miller "Day Job" via Torbjorn notes
8414. 07/01/85 Flac - 0, 25243 Columbia Merriweather Post Pavilion Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 (Oade brothers, via Darrin Sacks)
Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > soundforge 6 where necessary for patching > Flac (sector boundaries aligned via flac frontend
notes
8415. 07/01/85 Flac 16 - 0, 83465 Columbia Merriweather Post Pavilion flac16; Source: FOB-Nakamichi 700s > Sony D5 > Maxell MX90 type IV cassettes. Taped by B.Koucky, patched out of B. Glassberg. Transfer: MAC playback, Nakamichi CR-7A, azimuth adjusted > 1 ft Lynx RCA-XLR audio cables > Lunatec V3 > AES digital out > LynxTwo in a E6400-based DuoCore 2 PC > Wavelab 5, recorded as 24/96 KHz WAV > mastering with Ozone 3 > dithered to 16/44.1 KHz using Izotope MBIT+ > CDWAV1.9 > FLAC (level 8). Analog>Digital transfer and mastering by C.Ladner notes
8416. 07/01/85 Flac 16/48 - 0, 139047 Columbia Merriweather Post Pavilion flac16/48kHz; Source: SBD > Cassette Master > DAT (48k); Provided by Rich Gastwirt; Transfer: DAT > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick 2017 notes
8417. 07/01/85 Flac 24/96 - 0, 85993 Columbia Merriweather Post Pavilion b>flac24/96; Recordist: Kyle Holbrook Location: Reserved Section, ~20' behind SBD, ~10' Left Of Center, ~120' from stage lip, ~7' high Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: AddaWav v1.3 (join the two separate "Drums" tracks) Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.4, FLAC Frontend, Level 8 This is your collection notes
8418. 07/01/85 Flac 16/44 - 0, 85820 Columbia Merriweather Post Pavilion flac16; Recordist: Kyle Holbrook Location: Location: Reserved Section, ~20' behind SBD, ~10' Left Of Center, ~120' from stage lip, ~7' high Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab v5.01b (resample, dither) AddaWav v1.3 (join the two separate "Drums" tracks) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.4, FLAC Frontend, Level 8 All transfers and DSP performed by Tim Burke notes
8419. 07/01/85 Flac 24/96 - 0, 144157 Columbia Merriweather Post Pavilion flac24; Source Info: Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496 notes
8420. 07/01/85 Flac 16/48 - 0, 144156 Columbia Merriweather Post Pavilion flac16/48kHz; Source Info: Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8421. 07/01/85 Shn - 0, 7892 Columbia Merriweather Post Pavilion Oade recording: Schoeps cmc441 (ortf @90 degrees) > Oade M118 > Modified Sony PCM-F1 > DATs >CDs > EAC > SHN (seekable); plus patches from fob beyer m160 source (see txt); EAC, patching, upload by Darrin Sacks; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments) notes
8422. 07/01/85 Shn - 0, 32796 Columbia Merriweather Post Pavilion Unknown shotgun type mics > Sony D6 > Maxell XLII 90's 12" stand Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN by Charles Bandrofcheck. This is the 2nd re-transfer by Charles of his source. notes
8423. 07/01/85 Shn - 0, 34164 Columbia Merriweather Post Pavilion Unknown shotgun mics audience recording by Charles Bandrofcheck. This is a re-record of shnid=32596. Changes are the azimuth adustment on the SD 4050 and the use of Audacity for noise reduction and normalization notes
8424. 07/01/85 Flac 24/96 - 0, 90242 Columbia Merriweather Post Pavilion flac24/96; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0>Cdwav/tracking>flac24 Taper: Tony Suraci Transfer and upload by Tony Suraci notes
8425. 07/01/85 Flac 16 - 0, 118988 Columbia Merriweather Post Pavilion flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
8426. 07/01/85 Flac 16 - 0, 79649 Columbia Merriweather Post Pavilion flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes
8427. 07/01/85 Shn - 0, 16581 Columbia Merriweather Post Pavilion D3 only; Oade Patched version of previous SBD shn set by Sean Cribbs; upgrade in circulation notes
8428. 07/01/85 Shn - 0, 8482 Columbia Merriweather Post Pavilion Fix of previous sbd shn set; See info file for details; Disc 1 & 2: SBDmc>?>DAT>CD>EAC>SHN>CD>EAC Disc 3: SBDmc>?>DAT>CD>EAC Seeded to etree by Paino Man notes
8429. 07/01/85 Flac 24/96 - 0, 126180 Columbia Merriweather Post Pavilion flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8430. 07/01/85 Flac 16 - 0, 151269 Columbia Merriweather Post Pavilion flac16/44.1khz Source Info: Master Soundboard Cassettes > 1st generation cassettes (unknown dubbing deck/Dolby C) > DAT > CD > .wav (16-bit/44.1k) Transfer Info: .wav > Adobe Audition 2020 > TLH > flac16 notes
8431. 07/01/85 Flac 16/44 - , 152708 Columbia Merriweather Post Pavilion flac16/44 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~250' from stage (just below crest of the hill) This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, John Borg, Gary Steel Transfer by: Kyle Holbrook Sixth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8432. 07/01/85 Flac 24/48 - , 152709 Columbia Merriweather Post Pavilion flac24/48 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~250' from stage (just below crest of the hill) This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, John Borg, Gary Steel Transfer by: Kyle Holbrook Sixth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8433. 07/01/85 Flac 16/48 - , 154539 Columbia Merriweather Post Pavilion flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8434. 07/01/85 Flac 24/96 - , 154540 Columbia Merriweather Post Pavilion flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8435. 07/02/85 Flac 16 - 0, 121191 Pittsburgh Civic Arena flac16; MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford. notes
8436. 07/02/85 Shn - 0, 18249 Pittsburgh Civic Arena Source:SBD>MC>D> -Tape flip after RXR cuts in Promised -cut in brokedown uploaded from furthur via Sbd seeded to etree by bubba42 notes
8437. 07/02/85 Flac 16 - 0, 92906 Pittsburgh Civic Arena flac16; MAC; (FOB) 2 x Sennheiser 421 > Sony D5 > 2 x Maxell XLII 90. Recorded by Rick "Coyote" Colyard. Transfer and mastering by Alex Ford. Master Audience Cassettes provided by Rick Colyard via Muletaper. notes
8438. 07/02/85 Flac Dts 5.1 - 0, 133613 Pittsburgh Civic Arena DTS-Audio-CD 5.1 Mix; SBD (shnid=18249) BD>MC>D> seeded to etree by bubba420 + AUD (shn id 121191) MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford. - DTS mixing by Kevin Tobin notes
8439. 07/02/85 Flac 16 Mtx - 0, 133612 Pittsburgh Civic Arena flac16; Matrix 2 Source Mix - SBD (shnid=18249) BD>MC>D> seeded to etree by bubba420 + AUD (shn id 121191) MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford. - matrix mixing by Kevin Tobin notes
8440. 07/02/85 Flac 16 - 0, 133611 Pittsburgh Civic Arena flac16; Source:SBD>MC>D> - seeded to etree by bubba420 (original shnid 18249) - pitch correction and patches by Kevin Tobin notes
8441. 07/02/85 Flac - 0, 25244 Pittsburgh Civic Arena Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
notes
8442. 07/02/85 Flac 24/96 - 0, 142046 Pittsburgh Civic Arena flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick May 2018 notes
8443. 07/02/85 Shn - 0, 12082 Pittsburgh Civic Arena FOB Senn. 421's > Sony TC-D5 > DAT > CD; via Storyteller & Mark Horvath; Seeded to etree by Steve Barbella notes
8444. 07/02/85 Flac 16 - 0, 111805 Pittsburgh Civic Arena flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
8445. 07/02/85 Flac 24/96 - 0, 126240 Pittsburgh Civic Arena flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8446. 07/02/85 Flac 16 - 0, 145388 Pittsburgh Civic Arena flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick May 2018, This file set is 16 bit @ 44.1 notes
8447. 07/02/85 Flac 16/44 - , 152710 Pittsburgh Civic Arena flac16/44 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: OTS- 100' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel Transfer by: Kyle Holbrook Seventh AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8448. 07/02/85 Flac 24/48 - , 152711 Pittsburgh Civic Arena flac24/48 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: OTS- 100' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel Transfer by: Kyle Holbrook Seventh AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8449. 07/02/85 Flac 16/48 - , 154547 Pittsburgh Civic Arena flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8450. 07/02/85 Flac 24/96 - , 154548 Pittsburgh Civic Arena flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8451. 07/13/85 Flac 16 - 0, 106193 Ventura Ventura County Fairgrounds flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
8452. 07/13/85 Flac 16 - 0, 89032 Ventura Ventura County Fairgrounds flac16; 2 x Sennheiser 441 > Sony D5 > Sony D5 > 2 x Maxell MX 90. Mic Config: waist high (covered with a black shawl), PAS. Location: FOB, 15-20 feet from the stage, DFC. Taper: Adam. Master Audience Cassettes provided by Mark McCue. 24 bit transfer, editing and conversion by Alex Ford December 2007. notes
8453. 07/13/85 Flac 24/96 - 0, 133534 Ventura Ventura County Fairgrounds flac24; Field Equipment: Nakamichi CM-100 mics w/CP-4 Shotgun caps > Sony TC-D5M Analog Cassette Recorder > Maxell MX-90 tapes; Transfer: MAC > Tascam 112 Analog Cassette Recorder > Edirol UA-5 > 24/96 > PC > Audacity > Trader's Little Helper > FLAC 24/96; Recorded, transferred, edited, tracked and FLAC'd by Greg Holtz notes
8454. 07/13/85 Flac 16 - 0, 76913 Ventura Ventura County Fairgrounds flac16; Source: FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped & Transferred by Charlie Connor notes
8455. 07/13/85 Flac 16 - 0, 77489 Ventura Ventura County Fairgrounds flac16; Source: Nakamichi CM301's(split)>Sony D5M Location: Directly behind SBD, one stand at each corner at 10 ft. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16 Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700 notes
8456. 07/13/85 - 0, 372 Ventura Ventura County Fairgrounds SBDmc> DAT> CD> eac> cool edit> shn; hiss cleaned up with Cooledit (non-cleaned version may be available from Nick too); crackling sound on both discs here and there apparently due to Phil's equip; via N. Georges notes
8457. 07/13/85 Flac 24/96 - 0, 150524 Ventura Ventura County Fairgrounds flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. July 26, 2020. notes
8458. 07/13/85 Flac 24/96 - 0, 152473 Ventura Ventura County Fairgrounds flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
8459. 07/13/85 Flac 16/48 - 0, 152075 Ventura Ventura County Fairgrounds flac16/48 Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
8460. 07/13/85 Flac 24/96 - 0, 152076 Ventura Ventura County Fairgrounds flac24/96 Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
8461. 07/13/85 Flac 16/44,1 - 0, 152522 Ventura Ventura County Fairgrounds flac16/44.1 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152473 24 -> 16 @ 44.1 notes
8462. 07/13/85 Flac 24/48 - , 152826 Ventura Ventura County Fairgrounds flac24/48 Source: Master AUDCA: Beyer M88's XY > 2nd Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location: 65 feet from stage DFC, shoulder height Transfer: Nakamichi 582ZX > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, Mike Davis, Kenny Davis, Pat Gillies notes
8463. 07/13/85 Flac 16/44 - , 152825 Ventura Ventura County Fairgrounds flac16/44 Source: Master AUDCA: Beyer M88's XY > 2nd Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location: 65 feet from stage DFC, shoulder height Transfer: Nakamichi 582ZX > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, Mike Davis, Kenny Davis, Pat Gillies notes
8464. 07/14/85 Flac 16 - 0, 106194 Ventura Ventura County Fairgrounds flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
8465. 07/14/85 Flac 24/96 - 0, 133535 Ventura Ventura County Fairgrounds flac24; Field Equipment: Nakamichi CM-100 mics w/CP-4 Shotgun caps > Sony TC-D5M Analog Cassette Recorder > Maxell MX-90 tapes; Transfer: MAC > Tascam 112 Analog Cassette Recorder > Edirol UA-5 > 24/96 > PC > Audacity > Trader's Little Helper > FLAC 24/96; Recorded, transferred, edited, tracked and FLAC'd by Greg Holtz notes
8466. 07/14/85 Flac 16 - 0, 111253 Ventura Ventura County Fairgrounds flac16; MAC; Sennheiser 441 > Sony D5 > D5 > 2 x Maxell MX 90; Transfer/Lineage: MAC> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> iZotope Ozone 3> .wav @16/44.1> CD Wave Editor> TLH> flac16; Taped by Adam; Transferred, Edited and Mastered by Alex Ford notes
8467. 07/14/85 Shn - 0, 7546 Ventura Ventura County Fairgrounds Master Soundboard Cassette > CDR,CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston, posted to abgd via Charlie Connor notes
8468. 07/14/85 Flac 16 - 0, 79026 Ventura Ventura County Fairgrounds flac16; Source: Nakamichi CM301's(split)>Sony D5M Location: Directly behind SBD, one stand at each corner at 10 ft. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16 Bit>Cdwav>flac Taped, transfered and uploaded by Tony S notes
8469. 07/14/85 Flac 24/96 - 0, 148420 Ventura Ventura County Fairgrounds flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
8470. 07/14/85 Flac 16/48 - 0, 148419 Ventura Ventura County Fairgrounds flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8471. 07/14/85 Flac 24/96 - 0, 150525 Ventura Ventura County Fairgrounds flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel July 27, 2020. notes
8472. 07/14/85 Flac 24/96 - 0, 152538 Ventura Ventura County Fairgrounds flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
8473. 07/14/85 Flac 16/44,1 - 0, 152561 Ventura Ventura County Fairgrounds flac16/44.1 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 152538 24 -> 16 @ 44.1 notes
8474. 08/24/85 Flac - 0, 106195 Donner's Summit Boreal Ridge Ski Resort notes
8475. 08/24/85 Flac - 0, 99010 Donner's Summit Boreal Ridge Ski Resort flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology -> R8brainPro for SRC 16/44.1KHz -> Traders Little Helper flac8 notes
8476. 08/24/85 Flac - 0, 77079 Donner's Summit Boreal Ridge Ski Resort flac16; Source:AKG's > Sony TCD5M > Sony TCDM > (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta 1.57(tracking only)>flac 16: Taped and transferred by Charlie Connor notes
8477. 08/24/85 Shn - 0, 13991 Donner's Summit Boreal Ridge Ski Resort Source: MSC > cdr via Paul Scotton encoded by Matt Vernon notes
8478. 08/30/85 Flac 16 - 0, 32799 Houston Southern Star Amphitheater flac16; Recording Info: SBD > (CM?) > DAT > DAT Transfer Info: Sony PCM-R300 > SB X-Fi EP > COOL EDIT PRO2 > .WAV > .FLAC (1.7.1) notes
8479. 08/30/85 Flac 16 - 0, 96289 Houston Southern Star Amphitheater flac16; MAC; (FOB) 2 x Sennheiser 441 > Sony D5 > Sony D5 > 2 x Maxell MX 90. Taped by Adam, Justin & Monica. Transferred, edited and mastered by Alex Ford. Master Audience Cassettes provided by and from the collection of Mark McCue. notes
8480. 08/30/85 Flac - 0, 25470 Houston Southern Star Amphitheater Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac via Darrin Sacks notes
8481. 08/30/85 Shn - 0, 16903 Houston Southern Star Amphitheater SBD > ? > CD-R obtained by Slick Willie > EAC > correction of tracking > SHN by sunspot; Some diginoise was eliminated, some remains; seeded to etree by bubba420 notes
8482. 08/30/85 Flac 24 - 0, 96349 Houston Southern Star Amphitheater flac24; MAC; (FOB) 2 x Sennheiser 441 > Sony D5 > Sony D5 > 2 x Maxell MX 90. Recorded by Adam, Justin & Monica. Transfer, editing and mastering by Alex Ford. Master Audience Cassettes provided by and from the collection of Mark McCue. notes
8483. 08/30/85 Flac 24/96 - 0, 138385 Houston Southern Star Amphitheater flac24; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
8484. 08/30/85 Flac 16 - 0, 138390 Houston Southern Star Amphitheater flac16; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138385 24 bit -> 16 bit notes
8485. 08/30/85 Shn - 0, 8792 Houston Southern Star Amphitheater Source:Charlie Connor's Master Audience Cassettes Lineage:AUD>Nak 300's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav(tracking only)>SHNv3 (MKW ACT)Note: This is a new transcription of my prior seed. This one doesn't have the EAC layer and of course the A>D is done with different equipment.Digital mastering and seeded via fungus and abgd by Charlie Connor notes
8486. 08/30/85 Flac 16 - 0, 123819 Houston Southern Star Amphitheater flac16; nak300>cp4>d5 no dolby; ots mics @12ft. pas; cass(m)>hhb830 cds 16/44.1 in 2003; cd>audacity +2.5>cdwave splits>tlh flac 8 notes
8487. 08/30/85 Flac 24/48 - , 153035 Houston Southern Star Amphitheater flac24/48 Microphones: Beyer M201's XY (hypercardioid) Patch Source 2: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high > Sony TC-D5M|4th in line Recorder: Sony TC-D5M| mic deck Location: Lawn- 250' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Phil Schuman Transfer by: Kyle Holbrook Dedicated to Kenny Davis RIP notes
8488. 08/30/85 Flac 16/44 - , 153034 Houston Southern Star Amphitheater flac16/44 Microphones: Beyer M201's XY (hypercardioid) Patch Source 2: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high > Sony TC-D5M|4th in line Recorder: Sony TC-D5M| mic deck Location: Lawn- 250' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Phil Schuman Transfer by: Kyle Holbrook Dedicated to Kenny Davis RIP notes
8489. 08/30/85 Flac 24/48 - , 153033 Houston Southern Star Amphitheater flac24/48 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high Patch Source 2: Beyer M201's XY (hypercardioid) > Sony TC-D5M Recorder: Sony TC-D5M| 4th in line Location: Lawn- 150' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Phil Schuman Transfer by: Kyle Holbrook Eighth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8490. 08/30/85 Flac 16/44 - , 153032 Houston Southern Star Amphitheater flac16/44 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high Patch Source 2: Beyer M201's XY (hypercardioid) > Sony TC-D5M Recorder: Sony TC-D5M| 4th in line Location: Lawn- 150' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Phil Schuman Transfer by: Kyle Holbrook Eighth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8491. 08/30/85 Flac 16/48 - , 154549 Houston Southern Star Amphitheater flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
8492. 08/30/85 Flac 24/96 - , 154550 Houston Southern Star Amphitheater flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
8493. 08/31/85 Flac 16 - 0, 25943 Austin Manor Downs flac16; updated lineage: 90 X-Y Schoeps CMC441 & 8ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac; Oade Brothers Recording, Transferred by Doug Oade, tracked by Darrin Sacks notes
8494. 08/31/85 Shn - 0, 8237 Austin Manor Downs updated lineage: 90 X-Y Schoeps CMC441 & 8ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1> DAT> CDR> EAC> Shn; taped by Doug Oade; EAC'ed/Shn'ed, and Seeded via Fungus and abgd by Charlie Connor with thanks to Scott Clugston and Doug Oade notes
8495. 08/31/85 Flac 16 - 0, 82367 Austin Manor Downs flac16; Taper: Mark McCue Source: (FOB) 2 Sennheiser 441s > Sony TC-D5M > Maxell MX 90s Location: FOB, 10-15 rows back, DFC Lineage: Transfer: Master AUD Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@24/96)* > coax > M-Audio Audiophile 2496 > WaveLab 5.0 > WAV > Traders Little Helper > FLAC24 *V3 recording levels set equally at 25 + 3 trim, by Alex Ford Mastering: SIRMick notes
8496. 08/31/85 Flac 24/96 - 0, 82689 Austin Manor Downs flac24/96; Source: Audience FOB Recording, 10-15 rows back, DFC Media: Maxell MX 90s, Lineage: 2 Sennheiser 441s > Sony TC-D5M > MAC Transfer: MAC > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Grace Design Lunatec V3(@24/96)* > coax > M-Audio Audiophile 2496 > WaveLab 5.0 > WAV > Traders Little Helper > FLAC24 *V3 recording levels set equally at 25 + 3 trim Taped by: M. McCue Transfer by: A. Ford Mastering: SIRMick notes
8497. 08/31/85 Flac 16 - 0, 77193 Austin Manor Downs flac16; Source:FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's)Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16: Taped & Transferred by Charlie Connor Seeded 9/04/2006 notes
8498. 08/31/85 Flac 16 - 0, 108163 Austin Manor Downs flac16; Source Info: Master audience cassette recorded with 2 Beyer M160 microphones > Sony TC-D5M - Maxell MX90. Transfer: Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
8499. 08/31/85 Flac 16 - 0, 123824 Austin Manor Downs flac16; Nak300>CP4>D5 no dolby; ots dfc mics @10ft pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.5>cdwave splits>tlh flac8 notes
8500. 08/31/85 Flac 16/48 - 0, 151428 Austin Manor Downs flac16/48khz Source Info: Eddie Mook's Master Audience Cassettes; Nakamichi 100 mics + CP4 capsules > Sony D5 > Sony D6 Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
8501. 08/31/85 Flac 24/96 - 0, 151429 Austin Manor Downs flac24/96 Source Info: Eddie Mook's Master Audience Cassettes; Nakamichi 100 mics + CP4 capsules > Sony D5 > Sony D6 Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
8502. 08/31/85 Flac 24/48 - , 153037 Austin Manor Downs flac24/48 This Source: Master AUDCA Maxell MX90 No NR [KH] Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high Recorder: Sony TC-D5M| 2nd in line Location: OTS- 120' from stage ** [44:45 -45:10] Spliced 25 seconds end of space through first 10 seconds of GDTRFB from OADE Schoeps rig, KH master- info: Patch Source:Microphones: Schoeps 90º X-Y 10 feet high > Oade M118 Recorder: OADE Analog patchbay|1st Sony TC-D5M in line [KH] Location: OTS- 120' from stage (6 feet away from AKG stand) Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson, Mike Yacavone, Phil Schuman Transfer by: Kyle Holbrook Ninth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8503. 08/31/85 Flac 16/44 - , 153036 Austin Manor Downs flac16/44 This Source: Master AUDCA Maxell MX90 No NR [KH] Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high Recorder: Sony TC-D5M| 2nd in line Location: OTS- 120' from stage ** [44:45 -45:10] Spliced 25 seconds end of space through first 10 seconds of GDTRFB from OADE Schoeps rig, KH master- info: Patch Source:Microphones: Schoeps 90º X-Y 10 feet high > Oade M118 Recorder: OADE Analog patchbay|1st Sony TC-D5M in line [KH] Location: OTS- 120' from stage (6 feet away from AKG stand) Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson, Mike Yacavone, Phil Schuman Transfer by: Kyle Holbrook Ninth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8504. 08/31/85 Flac 16/48 - , 154551 Austin Manor Downs flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
8505. 08/31/85 Flac 24/96 - , 154552 Austin Manor Downs flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
8506. 09/02/85 Shn - 0, 19475 Oklahoma City Zoo Amphitheater SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes
8507. 09/02/85 Flac 16 - 0, 117763 Oklahoma City Zoo Amphitheater flac16; Master Audience Recorded By Mr. Darby Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software By Keo notes
8508. 09/02/85 Flac 16 - 0, 85981 Oklahoma City Zoo Amphitheater flac16; MAC; (FOB) Sennheiser 441s > Sony D5 > Sony D5 > 2 Maxell MX90s Tapers: Adam, Justin & Monica Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L2 > WAV @ 1644 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, patches/edits, conversion, and seeding by Alex Ford - June 2007. notes
8509. 09/02/85 Flac 24/28 - 0, 117782 Oklahoma City Zoo Amphitheater flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
8510. 09/02/85 Flac 24 - 0, 138386 Oklahoma City Zoo Amphitheater flac24; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
8511. 09/02/85 Flac 16 - 0, 138397 Oklahoma City Zoo Amphitheater flac16; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138386 24 bit -> 16 bit notes
8512. 09/02/85 Flac 16 Mtx - 0, 142182 Oklahoma City Zoo Amphitheater flac16; Matrix 2 Source Mix - SBD (shnid = 138386) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 117762) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - matrix mixing by Kevin Tobin notes
8513. 09/02/85 Flac 16/48 - 0, 142184 Oklahoma City Zoo Amphitheater flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 138386) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 117762) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - surround mixing by Kevin Tobin notes
8514. 09/02/85 Flac Dts 5.1 - 0, 142183 Oklahoma City Zoo Amphitheater DTS-Audio-CD 5.1 Mix; - SBD (shnid = 138386) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 117762) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - dts mixing by Kevin Tobin notes
8515. 09/02/85 Flac 24 Mtx - 0, 142181 Oklahoma City Zoo Amphitheater flac24; Matrix 2 Source Mix - SBD (shnid = 138386) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 117762) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - matrix mixing by Kevin Tobin notes
8516. 09/02/85 Flac 24 - 0, 142179 Oklahoma City Zoo Amphitheater flac24; Patched & Pitch Corrected Audience (original shnid = 117762) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - pitch correction and patches by Kevin Tobin notes
8517. 09/02/85 Flac 16 - 0, 142180 Oklahoma City Zoo Amphitheater flac16; Patched & Pitch Corrected Audience (original shnid = 117762) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - pitch correction and patches by Kevin Tobin notes
8518. 09/02/85 Shn - 0, 2373 Oklahoma City Zoo Amphitheater MC> CD; Taped By: Glenn Steinkamp for the seed and transfer notes
8519. 09/02/85 Shn - 0, 17431 Oklahoma City Zoo Amphitheater Schoeps CMC34> PCM> DAT> CD-R> ?> SHN> MKW> WAVE LAB> MKW> SHN (Seekable); slight cleanup of some other shn set; seeded by Steven Leeds, with thanks to Jason Eckert notes
8520. 09/02/85 Shn - 0, 26077 Oklahoma City Zoo Amphitheater flac16; updated lineage: 90 X-Y Schoeps CMC441 & 8ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac; Oade Brothers Recording, Transferred by Doug Oade, tracked by Darrin Sacks notes
8521. 09/02/85 Flac 24/48 - , 153041 Oklahoma City Zoo Amphitheater flac24/48 Microphones: Beyer M201c (Cardioid)XY 90º Recorder: Sony TC-D5M Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson, Mike Yacavone Transfer by: Kyle Holbrook notes
8522. 09/02/85 Flac 16/44 - , 153040 Oklahoma City Zoo Amphitheater flac16/44 Microphones: Beyer M201c (Cardioid)XY 90º Recorder: Sony TC-D5M Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson, Mike Yacavone Transfer by: Kyle Holbrook notes
8523. 09/02/85 Flac 24/48 - , 153039 Oklahoma City Zoo Amphitheater flac24/48 Microphones: AKG C422 (Cardioid)XY 90º|AKG S42 Recorder: Sony TC-D5M Location: Lawn ~175' from stage This Source: Master AUDCA Maxell MX90 No NR Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson, Mike Yacavone Transfer by: Kyle Holbrook Tenth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8524. 09/02/85 Flac 16/44 - , 153038 Oklahoma City Zoo Amphitheater flac16/44 Microphones: AKG C422 (Cardioid)XY 90º|AKG S42 Recorder: Sony TC-D5M Location: Lawn ~175' from stage This Source: Master AUDCA Maxell MX90 No NR Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson, Mike Yacavone Transfer by: Kyle Holbrook Tenth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8525. 09/02/85 Flac 16/48 - , 154367 Oklahoma City Zoo Amphitheater flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8526. 09/02/85 Flac 24/96 - , 154368 Oklahoma City Zoo Amphitheater flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8527. 09/03/85 Flac 16 Mtx - 0, 94595 Kansas City Starlight Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) notes
8528. 09/03/85 Flac 16 - 0, 34772 Kansas City Starlight Theater flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
8529. 09/03/85 Flac 16 - 0, 123078 Kansas City Starlight Theater flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
8530. 09/03/85 Flac 16 - 0, 119571 Kansas City Starlight Theater flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/LOC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
8531. 09/03/85 Flac - 0, 27250 Kansas City Starlight Theater flac16 Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac; Oade Brothers Recording Transferred by Doug Oade, tracked by Darrin Sacks; possible difference re normalization compared to a similar previous fileset (see txt note) notes
8532. 09/03/85 Flac 16/48 - 0, 34668 Kansas City Starlight Theater flac16/48; FOB Schoeps CMC42Omni and CMC34Cardiod Passive Mix > F1 > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5* > shntool > flac (8) notes
8533. 09/03/85 Shn - 0, 7229 Kansas City Starlight Theater SBD; Seeded by Todd Campbell; EAC> Shn by Jim Keith; Slight DigiNoise(?) before Feels Like A Stranger; Tape flip plays the begining of Music Never Stops twice (very short) notes
8534. 09/03/85 Flac 24/48 - 0, 119570 Kansas City Starlight Theater flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/LOC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
8535. 09/03/85 Shn - 0, 1681 Kansas City Starlight Theater AUD> Beyer 160> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN; A>D Conversion by Stephen Agan; seeded to abgd by Charlie Connor notes
8536. 09/03/85 Shn - 0, 7891 Kansas City Starlight Theater Oade Master -- 9-3-85 was 90 degree X-Y CMC441 + CMC42s (spaced 10') -> Oade mixer->Oade mod PCM-F1 first row behind board > ? (no digital processing performed) > Audio CDR from Doug Oade; via Darrin Sacks notes
8537. 09/03/85 Flac 16 - 0, 77197 Kansas City Starlight Theater flac16; Primary Source: FOB (Section 2A Row D Seat 8)>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M(Charlie Connor's CM - TDK MA90's) Secondary Source:Oade Master -Schoeps CMC441 The Secondary source supplies Patches as follows:d1t07 3:48 - 3:50 (two seconds of crowd noise d2t02 Last seven seconds;d2t07 First 47 secondsTransfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped & Transferred by Charlie Connor notes
8538. 09/03/85 Flac 16 - 0, 34669 Kansas City Starlight Theater flac16; FOB Schoeps CMC42Omni and CMC34Cardiod Passive Mix > F1 > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 44.1kHz* > shntool > flac (8) notes
8539. 09/03/85 Flac 24/96 - 0, 148576 Kansas City Starlight Theater flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8540. 09/03/85 Flac 16/48 - 0, 148575 Kansas City Starlight Theater flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8541. 09/03/85 Flac 16/48 - , 150552 Kansas City Starlight Theater flac16/48kHz; Source: Beyer M160 > Sony D5 (Cass/M) > DAT @ 16/48; Transfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > iZotope RX > xACT (FLAC/TAG) notes
8542. 09/03/85 Flac 24/48 - , 153133 Kansas City Starlight Theater flac24/48 Microphones: AKG C422 (Cardioid)XY 90º|AKG S42 Recorder: Sony TC-D5M Location: front row OTS; ~125' from stage This Source: 1st gen AUDCA Maxell UDXLII90 x2 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, Sean Murtha Transfer by: Kyle Holbrook Eleventh AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8543. 09/03/85 Flac 16/44 - , 153132 Kansas City Starlight Theater flac16/44 Microphones: AKG C422 (Cardioid)XY 90º|AKG S42 Recorder: Sony TC-D5M Location: front row OTS; ~125' from stage This Source: 1st gen AUDCA Maxell UDXLII90 x2 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, Sean Murtha Transfer by: Kyle Holbrook Eleventh AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8544. 09/05/85 Flac 16 - 0, 102034 Morrison Red Rocks Amphitheatre flac16; SBD >> ? > CDR > EAC > SHN - pitch correction and patches by Kevin Tobin (update of source ID 12180) notes
8545. 09/05/85 Flac 16 - 0, 119573 Morrison Red Rocks Amphitheatre flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
8546. 09/05/85 Shn - 0, 12180 Morrison Red Rocks Amphitheatre SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Dan Michael notes
8547. 09/05/85 Flac 16 - 0, 79778 Morrison Red Rocks Amphitheatre flac16; MAC: Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s; Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 >Trade's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford 11/08/2006. notes
8548. 09/05/85 Flac 16 Mtx - 0, 102032 Morrison Red Rocks Amphitheatre flac16; Matrix 4 Source Mix - SBD (shn id 12180) SBD >> ? > CDR > EAC > SHN + AUD1 (shn id 79778) Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s; Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 >Trade's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. + AUD2 (shn id 27680) Oade Master, 90 X-Y Schoeps CMC441 + 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac + AUD3 (no shn id) low generation audio from vhs located somewhere in taper section - matrix mixing by Kevin Tobin notes
8549. 09/05/85 Flac Dts 5.1 - 0, 102049 Morrison Red Rocks Amphitheatre DTS-Audio-CD 5.1 Mix; SBD (shn id 12180) SBD >> ? > CDR > EAC > SHN + AUD1 (shn id 79778) Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s; Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 >Trade's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. + AUD2 (shn id 27680) Oade Master, 90 X-Y Schoeps CMC441 + 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac + AUD3 (no shn id) low generation audio from vhs located somewhere in taper section - dts mixing by Kevin Tobin notes
8550. 09/05/85 Flac 24/48 - 0, 118572 Morrison Red Rocks Amphitheatre flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
8551. 09/05/85 Flac 24/96 - 0, 140900 Morrison Red Rocks Amphitheatre flac24; Set 1 from Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96 notes
8552. 09/05/85 Flac 16 - 0, 141242 Morrison Red Rocks Amphitheatre flac16; Set 1 from Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
8553. 09/05/85 Flac 24/48 - 0, 142290 Morrison Red Rocks Amphitheatre flac24; Patched & Pitch Corrected Audience - (original shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - pitch correction and patches by Kevin Tobin notes
8554. 09/05/85 Flac 16/48 - 0, 142294 Morrison Red Rocks Amphitheatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 12180) SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Dan Michael + AUD (shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - surround mixing by Kevin Tobin notes
8555. 09/05/85 Flac Dts 5.1 - 0, 142293 Morrison Red Rocks Amphitheatre DTS-Audio-CD 5.1 Mix; - SBD (shnid = 12180) SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Dan Michael + AUD (shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - dts mixing by Kevin Tobin notes
8556. 09/05/85 Flac 16 - 0, 142291 Morrison Red Rocks Amphitheatre flac16; Patched & Pitch Corrected Audience - (original shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - pitch correction and patches by Kevin Tobin notes
8557. 09/05/85 Flac 16 Mtx - 0, 142292 Morrison Red Rocks Amphitheatre flac16; Matrix 2 Source Mix - SBD (shnid = 12180) SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Dan Michael + AUD (shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - matrix mixing by Kevin Tobin notes
8558. 09/05/85 Flac 16 - 0, 106789 Morrison Red Rocks Amphitheatre flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris. Transferred and edited by Bob Morris 11/09. notes
8559. 09/05/85 Flac 16 - 0, 27680 Morrison Red Rocks Amphitheatre flac16 Oade Master, 90 X-Y Schoeps CMC441 + 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac; Transferred by Doug Oade, tracked by Darrin Sacks notes
8560. 09/05/85 Shn - 0, 11493 Morrison Red Rocks Amphitheatre Master Audience Cassette > DAT > CDR; via Jack Straw; Seeded to etree by steve barbella notes
8561. 09/05/85 Flac 24/96 - 0, 148578 Morrison Red Rocks Amphitheatre flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8562. 09/05/85 Flac 16/48 - 0, 148577 Morrison Red Rocks Amphitheatre flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8563. 09/05/85 Flac 24/48 - , 153178 Morrison Red Rocks Amphitheatre flac24/48 Microphones: s1: AKG C422 (Cardioid) > AKG S42 XY 90º s2: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M Location: last row OTS- 120' from stage; 25 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney Transfer by: Kyle Holbrook Twelth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8564. 09/05/85 Flac 16/44 - , 153177 Morrison Red Rocks Amphitheatre flac16/44 Microphones: s1: AKG C422 (Cardioid) > AKG S42 XY 90º s2: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M Location: last row OTS- 120' from stage; 25 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney Transfer by: Kyle Holbrook Twelth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8565. 09/06/85 Shn - 0, 12181 Morrison Red Rocks Amphitheatre SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Chad Magdanz notes
8566. 09/06/85 Flac 16 - 0, 28184 Morrison Red Rocks Amphitheatre flac16; Oade Master: 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM> DAW (via SEKD Prodif)> Wav> cdwav> flac; Transferred by Doug Oade, tracked by Darrin Sacks notes
8567. 09/06/85 Flac 16 - 0, 119586 Morrison Red Rocks Amphitheatre flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
8568. 09/06/85 Flac 24/48 - 0, 119685 Morrison Red Rocks Amphitheatre flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
8569. 09/06/85 Flac 16/48 - 0, 138827 Morrison Red Rocks Amphitheatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 12181SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Chad Magdanz + AUD (shnid = 28164) Oade Master: 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM> DAW (via SEKD Prodif)> Wav> cdwav> flac; Transferred by Doug Oade, tracked by Darrin Sacks - surround mixing by Kevin Tobin notes
8570. 09/06/85 Flac Dts 5.1 - 0, 138826 Morrison Red Rocks Amphitheatre DTS-Audio-CD 5.1 Mix: SBD (shnid = 12181SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Chad Magdanz + AUD (shnid = 28164) Oade Master: 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM> DAW (via SEKD Prodif)> Wav> cdwav> flac; Transferred by Doug Oade, tracked by Darrin Sacks - dts mixing by Kevin Tobin notes
8571. 09/06/85 Flac 16 Mtx - 0, 138825 Morrison Red Rocks Amphitheatre flac16; Matrix 2 Source Mix - SBD (shnid = 12181SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Chad Magdanz + AUD (shnid = 28164) Oade Master: 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM> DAW (via SEKD Prodif)> Wav> cdwav> flac; Transferred by Doug Oade, tracked by Darrin Sacks - matrix mixing by Kevin Tobin notes
8572. 09/06/85 Flac 24/96 - 0, 142608 Morrison Red Rocks Amphitheatre flac24; Set 2 Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018 notes
8573. 09/06/85 Flac 16 - 0, 80444 Morrison Red Rocks Amphitheatre flac16; Sennheiser 441s > Sony D5 > Maxell MX 90s Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16 Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford November 2006. notes
8574. 09/06/85 Flac 16 - 0, 106790 Morrison Red Rocks Amphitheatre flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris. Transferred and edited by Bob Morris 11/09. notes
8575. 09/06/85 Flac 24/96 - 0, 148580 Morrison Red Rocks Amphitheatre flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8576. 09/06/85 Flac 16/48 - 0, 148579 Morrison Red Rocks Amphitheatre flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8577. 09/06/85 Flac 24/48 - , 153180 Morrison Red Rocks Amphitheatre flac24/48 Microphones: Beyer m201 (hypercardioid) XY 90º (no windscreens) Recorder: Sony TC-D5M No Dolby Location: third row OTS- 110' from stage; 5 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney Transfer by: Kyle Holbrook Dedicated to Kenny Davis RIP notes
8578. 09/06/85 Flac 16/44 - , 153179 Morrison Red Rocks Amphitheatre flac16/44 Microphones: Beyer m201 (hypercardioid) XY 90º (no windscreens) Recorder: Sony TC-D5M No Dolby Location: third row OTS- 110' from stage; 5 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney Transfer by: Kyle Holbrook Dedicated to Kenny Davis RIP notes
8579. 09/07/85 Flac 16 Mtx - 0, 92521 Morrison Red Rocks Amphitheatre flac16; MATRIX MIX: About 60%SBD/40%AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) June 4, 2008 (This source fixes flaws in the two previous Seamons sources of this matrix, shn id 92111 and shn id 92124.) notes
8580. 09/07/85 Flac 16 Mtx - 0, 92184 Morrison Red Rocks Amphitheatre flac16; Sick Bits Vol. 26 - SBD/AUD matrix of 2 previously circulating sources: CM PCM SBD (shnid=33954) + Oade AUD (shnid=17078). Matrixed by Chris Chappell. notes
8581. 09/07/85 Flac 16 - 0, 33954 Morrison Red Rocks Amphitheatre flac16; Recording Info: SBD -> PCM Master -> Dat/0 (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> Cool Edit Pro v2.0 -> FLAC; Transfers and Mastering By Charlie Miller notes
8582. 09/07/85 Flac 16 - 0, 29305 Morrison Red Rocks Amphitheatre flac16; Oade Brothers Recording Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac notes
8583. 09/07/85 Flac 16 - 0, 119696 Morrison Red Rocks Amphitheatre flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
8584. 09/07/85 Flac 24/48 - 0, 119595 Morrison Red Rocks Amphitheatre flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
8585. 09/07/85 Shn - 0, 18102 Morrison Red Rocks Amphitheatre SBD>Cm>Dat>CD>EAC>SHN via Charlie Miller notes
8586. 09/07/85 Shn - 0, 34271 Morrison Red Rocks Amphitheatre Fix of shnid 18102 (sbd) by Bill Tetzeli - see info file for details notes
8587. 09/07/85 Shn - 0, 17031 Morrison Red Rocks Amphitheatre source: SB (Cassette > PCM > DAT) conversion: M-1 > 7-pin optical > Co2 > SB Live > CDwave Record > CE 2000 FFT NR > CDwave Index > (FLAC, SHN) Note: Has analog conversion through SBLive and Digital Noise Reduction. notes
8588. 09/07/85 Flac 16 - 0, Morrison Red Rocks Amphitheatre flac16; Unknown microphones x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
8589. 09/07/85 Flac 24/96 - 0, 140901 Morrison Red Rocks Amphitheatre flac24; Partial Show from Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96 notes
8590. 09/07/85 Flac 16 - 0, 141243 Morrison Red Rocks Amphitheatre flac16; Partial Show from Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
8591. 09/07/85 Flac 16 - 0, 80723 Morrison Red Rocks Amphitheatre flac16; MAC: Sennheiser 441s > Sony D5 > Maxell MX 90s Tapers: Justin, Adam and Monica Transfer: MAC>Nakamichi CD2(azimuth adjusted)>rca/xlr>Lunatec V3>coax>Audiophile 2496>CEP 2.0>CDWav Editor>TLH>FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, conversion and upload to bt.etree bt Alex Ford. SBE's fixed with Trader's Little Helper. Files encoded @ level 6. notes
8592. 09/07/85 Flac 16 - 0, 29305 Morrison Red Rocks Amphitheatre flac16; Oade Brothers Recording Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac notes
8593. 09/07/85 Shn - 0, 17078 Morrison Red Rocks Amphitheatre Source: Schoeps CMC42S > Oade power supply +90deg x-y Schoeps CMC441 > Oade power supply. Then both into custom Oade mixer into Oade modified PCM-F1 and digitally remastered by Doug Oade > DAT > TB Fiji digi I/O > yarec > wav2cdr > wav (CD) > EAC > SHN Note: This version hosted by Nicks Picks. It is unclear what may be different from the previous schoeps source. notes
8594. 09/07/85 Shn - 0, 373 Morrison Red Rocks Amphitheatre Schoeps CMC42S> Oade power supply +90deg x-y Schoeps CMC441> Oade power supply. Then both into custom Oade mixer into Oade modified PCM-F1 and digitally remastered by Doug Oade> DAT > TB Fiji digi I/O > yarec > wav2cdr > wav; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments) notes
8595. 09/07/85 Flac 16 Mtx - 0, 92124 Morrison Red Rocks Amphitheatre flac16; MATRIX MIX: About 60%SBD/40%AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) June 4, 2008; This source was a fix of the original Seamons matrix. A fixed upgrade is now in circulation notes
8596. 09/07/85 Flac 16 Mtx - 0, 92111 Morrison Red Rocks Amphitheatre flac16; MATRIX MIX: About 60%SBD/40%AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) June 4, 2008; fixed upgrade now in circulation notes
8597. 09/07/85 Flac 16 Mtx - 0, 150520 Morrison Red Rocks Amphitheatre flac16 Remaster of source ID 7637: SBD/AUD matrix of 2 previously circulating sources: CM PCM SBD shnid=33954 and Oade AUD shnid=17078; see info file for details notes
8598. 09/07/85 Flac 16/44 - , 153128 Morrison Red Rocks Amphitheatre flac16/44 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: tenth row (behind OTS)- 140' from stage; 15 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney Transfer by: Kyle Holbrook Dedicated to Kenny Davis RIP notes
8599. 09/07/85 Flac 16/44 - , 153181 Morrison Red Rocks Amphitheatre flac16/44 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: tenth row (behind OTS)- 140' from stage; 15 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney Transfer by: Kyle Holbrook Dedicated to Kenny Davis RIP notes
8600. 09/10/85 Flac 16 - 0, 105881 Oakland Henry J. Kaiser Convention Center notes
8601. 09/10/85 Flac 16 - 0, 118374 Oakland Henry J. Kaiser Convention Center flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
8602. 09/10/85 Flac 16 - 0, 77361 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> amplitude Professional v8.01 -> FLAC notes
8603. 09/10/85 Shn - 0, 10092 Oakland Henry J. Kaiser Convention Center SBD> Reel>DAT; Conversion: Tascam DA-20 MK II (via RCA analog out for pre-emphasis removal) > Tascam DA-20 > Delta Dio 2496 > Soundforge XP 4.5 (volume change and channel swap) > CD Wave > (CD> EAC d1t1-7)> SHN; Taped by ?, Converted by Rob (Odeo) Harrison notes
8604. 09/10/85 Flac 24/48 - 0, 118373 Oakland Henry J. Kaiser Convention Center flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
8605. 09/10/85 Flac 24/96 - 0, 142793 Oakland Henry J. Kaiser Convention Center flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018 notes
8606. 09/10/85 Flac 16 - 0, 77198 Oakland Henry J. Kaiser Convention Center flac16; SET ONE ONLY - Source:TS>AKG CE5's>Uher>Sony TCD5M (Charlie Connor's CM - TDK MA90's) Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16: Taped & Transferred by Charlie Connor notes
8607. 09/10/85 Flac 16 - 0, 145456 Oakland Henry J. Kaiser Convention Center flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018, This file set is 16 bit @ 44.1 notes
8608. 09/11/85 Flac 16 - 0, 105709 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
8609. 09/11/85 Flac 16 - 0, 118337 Oakland Henry J. Kaiser Convention Center flac16; Master Audience Recorded By Mr. Darby And First Generation Tape For Set 2; Set 1:SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Set 2:2 Nakamichi CM300/CP4 Shotguns And 1 Nakamichi CM300/CP1 (DFC Row 2 Balcony/3.5 Feet High)>Sony Mixer>Sony TC-D5M Sony TC-D5M>Sony TC-D5M,Tape Maxell XLII-S (Set 2 Master Tape Destroyed); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
8610. 09/11/85 Flac 16 - 0, 77362 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
8611. 09/11/85 Flac 24/48 - 0, 118336 Oakland Henry J. Kaiser Convention Center flac24; Master Audience Recorded By Mr. Darby And First Generation Tape For Set 2; Set 1:SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Set 2:2 Nakamichi CM300/CP4 Shotguns And 1 Nakamichi CM300/CP1 (DFC Row 2 Balcony/3.5 Feet High)>Sony Mixer>Sony TC-D5M Sony TC-D5M>Sony TC-D5M,Tape Maxell XLII-S (Set 2 Master Tape Destroyed); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
8612. 09/11/85 Shn - 0, 11494 Oakland Henry J. Kaiser Convention Center Master Soundboard Cassette > Cass > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella notes
8613. 09/11/85 Flac 24/96 - 0, 142800 Oakland Henry J. Kaiser Convention Center flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018 notes
8614. 09/11/85 Flac 16 - 0, 77200 Oakland Henry J. Kaiser Convention Center flac16; Source:TS>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16: Taped and Transferred by Charlie Connor notes
8615. 09/11/85 Flac 16 - 0, 145493 Oakland Henry J. Kaiser Convention Center flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018, This file set is 16 bit @ 44.1 notes
8616. 09/12/85 Shn - 0, 11803 Oakland Henry J. Kaiser Convention Center Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella notes
8617. 09/12/85 Flac 16 - 0, 118332 Oakland Henry J. Kaiser Convention Center flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
8618. 09/12/85 Flac 16 Mtx - 0, 123888 Oakland Henry J. Kaiser Convention Center flac16; Matrix 3 Source Mix - SBD (shn id 11803) Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella + AUD (shn id 118324) flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + VID (noshnid) VIDEO Patches supplied by audio from a video sent by Russ C. and worked on by BHP - matrix mixing by Kevin Tobin notes
8619. 09/12/85 Flac 24/48 - 0, 118321 Oakland Henry J. Kaiser Convention Center flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
8620. 09/12/85 Flac 16 - 0, 123886 Oakland Henry J. Kaiser Convention Center flac16; upgrade of Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella (original shnid = 11803)- pitch correction and patches by Kevin Tobin notes
8621. 09/12/85 Flac 24/96 - 0, 142801 Oakland Henry J. Kaiser Convention Center flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018 notes
8622. 09/12/85 Flac 16/48 - 0, 144569 Oakland Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 11803) SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Chad Magdanz + AUD (shnid = 118321) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - surround mixing by Kevin Tobin notes
8623. 09/12/85 Flac 16 Dts 5.1 - 0, 123989 Oakland Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; SBD (shn id 11803) Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella + AUD (shn id 118324) flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + VID (noshnid) VIDEO Patches supplied by audio from a video sent by Russ C. and worked on by BHP - matrix mixing by Kevin Tobin notes
8624. 09/12/85 Flac 16 - 0, 77181 Oakland Henry J. Kaiser Convention Center flac16; Source:TS>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and Transferred by Charlie Connor notes
8625. 09/12/85 Flac 16 - 0, 123887 Oakland Henry J. Kaiser Convention Center flac16; Patched and pitch corrected Master Audience Recording (source ID 118322) Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo (original shnid = 118321) - pitch correction and patches by Kevin Tobin notes
8626. 09/12/85 Flac 16 - 0, 145494 Oakland Henry J. Kaiser Convention Center flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018, This file set is 16 bit @ 44.1 notes
8627. 09/12/85 Flac 24/96 - 0, 148637 Oakland Henry J. Kaiser Convention Center flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
8628. 09/12/85 Flac 16/48 - 0, 148636 Oakland Henry J. Kaiser Convention Center b>flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8629. 09/15/85 Flac 16 - 0, 34722 Chula Vista Devore Field, Southwestern U flac16; Recording Info: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller notes
8630. 09/15/85 Flac 16 - 0, 120922 Chula Vista Devore Field, Southwestern U flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
8631. 09/15/85 Flac 16 - 0, 88814 Chula Vista Devore Field, Southwestern U flac16; Source:Sennheiser-MD421's>Sony D5 Location: FOB-DFC-20 foot off stage@ 7 ft high on stand Taper: Rick "Coyotte" Colyard 2 TDK-SA90-Cassette MASTERS Transfer:MAC> Sony TCW-21(Analog out)>Edirol Digi-Mod UA5@44.1khz>Digital-Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Transfered and Edited by MULETAPER- 11/25/07 notes
8632. 09/15/85 Flac - 0, 76992 Chula Vista Devore Field, Southwestern U flac16; Source:Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16 Taped and transferred by Charlie Connor notes
8633. 09/15/85 Shn - 0, 376 Chula Vista Devore Field, Southwestern U set 1; SBD -> ? -> DAT -> CD -> EAC -> SHN conversion by AJ notes
8634. 09/15/85 Shn - 0, 378 Chula Vista Devore Field, Southwestern U set 2 only; cut in Drums/Space; reportedly SBD>CM>DAT>CDR; extraction> shn> upload by E. Walker; note a SBD> PCM> DAT version of set 2, plus encore and two set 1 songs is known to circulate- might this be a 1-disc (length ~74:15) condensation from same source? notes
8635. 09/15/85 Flac 24/48 - 0, 120921 Chula Vista Devore Field, Southwestern U flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed,Metadata Tagging With Tag&Rename By Keo notes
8636. 09/15/85 Shn - 0, 13600 Chula Vista Devore Field, Southwestern U Unknown Mics (parabolic reflectors, 40" apart)>Unknown deck> CM> C> Sony R500 w/ SBM (a/d)>WAV>CD-R. notes
8637. 09/15/85 Flac 24/96 - 0, 150271 Chula Vista Devore Field, Southwestern U flac24; Doug Schnetlage's Master Audience Cassettes; Sennheiser 441 mics > Sony D5 (TDK HX-S90); 33 foot microphone spacing; Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496; Transferred and Mastered by Jim Blackwood notes
8638. 09/15/85 Flac 24/96 - 0, 150272 Chula Vista Devore Field, Southwestern U flac24; Set 2 Only; Ben Lukosky's Master Audience Cassette; Sennheiser 421 mics > Sony D5 (TDK HX-S90); 33 foot microphone spacing; Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496; Transferred and Mastered by Jim Blackwood notes
8639. 09/15/85 Flac 16 Mtx - 0, 151233 Chula Vista Devore Field, Southwestern U flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 34722 & 13600. notes
8640. 09/15/85 Flac 16/48 - , 155725 Chula Vista Devore Field, Southwestern U Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M) > DAT (48k)
Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition > Samplitude Pro X6 Suite > FLAC/48k
notes
8641. 10/25/85 Flac 16 - 0, 89117 Pembroke Pines The Sportatorium flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller notes
8642. 10/25/85 Flac 16 - 0, 132295 Pembroke Pines The Sportatorium flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper notes
8643. 10/25/85 Flac 16 - 0, 34691 Pembroke Pines The Sportatorium flac16; Source: FOB Nak 100s > Sony D6 > Master Audience Cassette (TDK MA90s), recorded by Bill Koucky. Transfer/edits/mastering: MAC playback on Nakamichi DR-2 tape deck > Presonus Firebox > firewire out > P4 2.0 GHz PC, recorded as 24 bit/96 KHz WAV on PC utilizing Wavelab 5, mastering with Waves X-Noise (learn mode) and L3 Multimaximizer > rendered to 16 bit/44.1 KHz WAV using hi res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8) by C. Ladner notes
8644. 10/25/85 Shn - 0, 3873 Pembroke Pines The Sportatorium (2) Beyers 160/(2) Nakamichi 300+CPI (Front of Board)> Master Cassette> DAT> CDR; Taped by Mark Horvath; CDR> EAC> MKW> SHN by Jan Welch notes
8645. 10/25/85 Flac 24/96 - 0, 126276 Pembroke Pines The Sportatorium flac24; source: (2) beyers 160/ (2) nakamichi 300> mixer> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8646. 10/25/85 Flac 16 - 0, 140491 Pembroke Pines The Sportatorium flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes
8647. 10/25/85 Flac 16/48 - 0, 151825 Pembroke Pines The Sportatorium flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8648. 10/25/85 Flac 24/96 - 0, 151826 Pembroke Pines The Sportatorium flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8649. 10/26/85 Flac 16 - 0, 33929 Tampa Sun Dome flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
8650. 10/26/85 Flac 16 - 0, 128703 Tampa Sun Dome flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope Ozone 5 Paragraphic EQ used for De-Emphasis Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper notes
8651. 10/26/85 Flac 16 - 0, 124361 Tampa Sun Dome flac16; Set 1 Recording Info: Nakamichi 300 Mics ->Maxell XLII 90, set up in back of the floor. Transfer Info: Maxell XLII 90->Tascam BX1 (modified for flat transfer)->Tascam MKII-DR07 (24/bit, 96kHz) Editing: All editing (NAB curve applied, fade in, 2 fades out cut into tracks) with DC8Forensics. Slight correction for distance from speakers. Recorded by Bill Doherty notes
8652. 10/26/85 Shn - 0, 18986 Tampa Sun Dome Ken Mance's Audience Cassette Masters recorded on Uher CR-240/AKG CE-1 Microphones. A:D by Mark Cohen, D>SHN by David Minches notes
8653. 10/26/85 Shn - 0, 5078 Tampa Sun Dome FOB Audio Technica ATM 11s / 2 Nakamichi 300s > Sony TCM D-5 > Master Cassette; Conversion: MC > Sony TC-we 435 > Sony DTC 700 > DAT > Sony DTC 700 > digital ouput > Philips CDR 870 > CD-R (see note in info file); taped, Cass > CD-R conversion by Mark Horvath; CD-R > SHN: CD-R* > EAC 3x > .wavs compared by MD5s and EAC's .wav compare tool > Cool Edit (rejoin tracks and fades) > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN, by Jan Welch notes
8654. 10/26/85 Flac 24/96 - 0, 126295 Tampa Sun Dome flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> mixer> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8655. 10/26/85 Shn - 0, 17275 Tampa Sun Dome Set 2 Only; S:MC>D>CDR; Uploaded To Furthur Via DigiB; Seeded To Etree 05-16-03 By Bubba420 notes
8656. 10/26/85 Flac 16/48 - 0, 151827 Tampa Sun Dome flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8657. 10/26/85 Flac 24/96 - 0, 151828 Tampa Sun Dome flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8658. 10/26/85 Flac 24/96 - , 152787 Tampa Sun Dome Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B)
Transfer Info: Cassette Master (Nakamichi CR-7A) Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Izotope RX8 Advanced > Samplitude Pro X6 Suite > FLAC/24
notes
8659. 10/26/85 Flac 16/44 - , 154406 Tampa Sun Dome flac1644; Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Izotope RX8 Advanced > Samplitude Pro X6 Suite > FLAC/24 notes
8660. 10/26/85 Flac 24/96 - , 154871 Tampa Sun Dome FLAC 2496 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496
notes
8661. 10/26/85 Flac 16/48 - , 154872 Tampa Sun Dome FLAC 1648 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M
Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496
notes
8662. 10/28/85 Flac 16 - 0, 105882 Atlanta Fox Theater b>flac16; Recording Info:SBD -> Cassette Master (Sony D5/Maxell MX90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
8663. 10/28/85 Flac 16 - 0, 128757 Atlanta Fox Theater flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Droncit; Editing with Diamond Cut Forensics 8 and Forensics 9 (alpha). BCE de-emphasis curve (modified PCM de-emphasis) applied. May 19,2014 notes
8664. 10/28/85 Flac 16 - 0, 88862 Atlanta Fox Theater flac16; Source: Master Audience Recording Media: MAC Maxell MX 90 type IV cassettes Lineage: 2 x Sennheiser 421 > Sony TC D5M > Sony TC D5M [Tapers Section] Transfer: MAC playback, Nakamichi CR-7A, azimuth adjusted > 1 ft Lynx RCA-XLR audio cables > Lunatec V3 > AES digital out > LynxTwo in a E6400-based DuoCore 2 PC > Wavelab 5 [24/96] Mastering Software: WaveLab, iZotope Ozone 3 and Waves Q4 EQ, > converted to [44.1/16] with r8brain > CDWAV1.9 >TLH > Flac Level 8 Taped by B.Koucky Transfer by C.Ladner. Mastered By B. Koucky notes
8665. 10/28/85 Flac 16 - 0, 194706 Atlanta Fox Theater flac16; Recorded by Dave Cohen Orchestra Floor Sec. R/C Row RR Seat 54 3 Nakamichi CM300s w/CP4s> Nakamichi MX100 mixer>patchbay>Sony WMD6 Maxell XLII cassette masters No Dolby. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes
8666. 10/28/85 Flac 16 - 0, 77370 Atlanta Fox Theater flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
8667. 10/28/85 Flac 16 - 0, 88156 Atlanta Fox Theater flac16; Set 2 only. source: 2 Sony ECM-33P's > Sony TC-D5M (Dolby B)Maxell MX90 cassette. recorded by Jerry Moore, 8th row orchestra. transfer: master cassette (maxell MX90)> Nakamichi Dragon (Dolby B) > HHBCDR830plus > EAC > SoundForge 6.O (fades and tape flip)> CD Wave > flac. Transfer and flac encoding by Anne Cohen, May 2007. notes
8668. 10/28/85 Shn - 0, 18250 Atlanta Fox Theater Set 2 S:MC>D>CDR>Toast 1.1>SHN uploaded to furthur via Sbd seeded to etree by bubba420 notes
8669. 10/28/85 Flac 16 - 0, 119947 Atlanta Fox Theater flac16; Source: Sony C38B> TCD5M OTS Seat CTR EE 103; Conversion: TD302Bk>PMD660> CDWave > flacfrontend > traderslittle helper; Recorded by Stan Roberts notes
8670. 10/28/85 Flac 16 - 0, 118891 Atlanta Fox Theater flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
8671. 10/28/85 Flac 16 - 0, 83672 Atlanta Fox Theater flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC notes
8672. 10/28/85 Shn - 0, 13566 Atlanta Fox Theater Source: FOB Schoeps CMC3's/MK4's > PCM > DAT > CDR > EAC > CDWave > mkwACT Beginning of Sugaree and Scarlet Begonias patched with following source: Nak 300's > D5/Sony KA1ES > HHB 850 > EAC Eac'd/Patched/SHN'd by Doug Nawrocki notes
8673. 10/28/85 Shn - 0, 8566 Atlanta Fox Theater Nak 300->Sony D-5>MC>Sony KA1ES->HHb 850>CD>EAC>Cool Edit 2000>CDwav>Shnv3; via Tommy Danscuk; Seeded to etree by Ernie Dodd notes
8674. 10/28/85 Flac 24/96 - 0, 126299 Atlanta Fox Theater flac24; source: (2)audio technica atm 11/(2) beyers 160> mixer> tcd-d5>mc; conversion: sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8675. 10/28/85 Shn - 0, 17276 Atlanta Fox Theater SET 1 and Encore ONLY; S:CM>D>CDR; Uploaded To Furthur Via DigiB; Seeded To Etree 05-16-03 By Bubba420 notes
8676. 10/28/85 Flac 24/96 - 0, 148422 Atlanta Fox Theater flac24; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8677. 10/28/85 Flac 16/48 - 0, 148421 Atlanta Fox Theater flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8678. 10/28/85 Flac 24/96 - 0, 148851 Atlanta Fox Theater flac24; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8679. 10/28/85 Flac 16/48 - 0, 148850 Atlanta Fox Theater flac16/48kHz; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8680. 10/28/85 Flac 16/48 - 0, 151839 Atlanta Fox Theater flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8681. 10/28/85 Flac 24/96 - 0, 151840 Atlanta Fox Theater flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8682. 10/28/85 Flac 24/96 - , 154299 Atlanta Fox Theater flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 notes
8683. 10/28/85 Flac 16/44 - , 154408 Atlanta Fox Theater flac1644; Recording Info: SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 - -- This is 154299 2496 > 1644 notes
8684. 10/28/85 Flac 16 Mtx - , 158504 Atlanta Fox Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC/24 > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity w/dither > FLAC/16 via xACT w/meta-tagging), of shnid's 154299 & 151840. notes
8685. 10/29/85 Flac 16 - 0, 105818 Atlanta Fox Theater flac16; Recording Info:SBD -> Cassette Master (Sony D5/Maxell MX90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
8686. 10/29/85 Flac 16 - 0, 132358 Atlanta Fox Theater flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; BCE de-emphasis curve (modified PCM de-emphasis) applied. Tracks cut and Flac files created in Audacity 2.0.5 notes
8687. 10/29/85 Flac 16 - 0, 89970 Atlanta Fox Theater flac16; Source: Master Audience Cassette Taper: Bill Koucky Location:Taper Section – Mezzanine Media: Maxell MX 90’s Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 10, 2008 notes
8688. 10/29/85 Flac 16 - 0, 33704 Atlanta Fox Theater flac16; SBD> Cassette Master (Sony D5/Maxell MX90); Transfer: Cassette Master (Sony TC-WE475)> Sony R500 (Pass Through)> SEK'D Prodif Plus> Samplitude Professional v8.01> FLAC; Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
8689. 10/29/85 Flac 24/96 - 0, 151884 Atlanta Fox Theater flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Orchestra, Center, Row BB, Seat 103); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8690. 10/29/85 Flac 16 - 0, 83024 Atlanta Fox Theater flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC. The microphone location was 'dead center' and approximately 50 to 60 feet from the stage, which was about 50 feet or so in front of the Official Taper's Section notes
8691. 10/29/85 Shn - 0, 8599 Atlanta Fox Theater Complete; Nak 300-> Sony D-5 > MC > Sony KA1ES -> HHb 850 > CD; via Tommy Danscuk; Seeded to etree by Ernie Dodd notes
8692. 10/29/85 Shn - 0, 16756 Atlanta Fox Theater Pitch Corrected/Fixed/Retracked version of follwing source (*Cool Edit Pro notes at bottom): Nak 300 > Sony D-5; Sony KA1ES > HHb 850 > CD > EAC > Cool Edit 2000 > CDwav > Shnv3 Master Cass. > Cdr by Tommy Danscuk; Man with the plan: Willy Eac > cool edit > CDwav > shnv3 Ernie Dodd shntool verified notes
8693. 10/29/85 Flac 16 - 0, 104708 Atlanta Fox Theater flac16; Recorded by Dave Cohen Orchestra Floor Sec. L/C Row RR Seat 73 3 Nakamichi CM300s w/CP4s> Nakamichi MX100 mixer>patchbay>Sony WMD6 Maxell XLII cassette masters No Dolby. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes
8694. 10/29/85 Shn - 0, 8501 Atlanta Fox Theater AUD > DAT > CDR > EAC > CDR > EAC > SHN; Seeded to abgd by cepx with thanks to Paul B.; Note 2nd set only: see txt file for editing notes notes
8695. 10/29/85 Flac 16 - 0, 119948 Atlanta Fox Theater flac16; Source: Sony C38B> TCD5M OTS Seat CTR EE 103; Conversion. TD302Bk>PMD660> CDWave > flacfrontend > traderslittle helper; Recorded by Stan Roberts notes
8696. 10/29/85 Flac 16 - 0, 108081 Atlanta Fox Theater flac16; Source: 2 Beyer M-160 microphones > Sony TC-D5M ~ Mics @ 7 feet 16th row-center Maxell MX90's Transfer: Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
8697. 10/29/85 Flac 24/96 - 0, 126305 Atlanta Fox Theater flac24; source: (4) nakamichi 300> mixer> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8698. 10/29/85 Shn - 0, 12182 Atlanta Fox Theater 2nd set only; Source: SBD>Cassette>Cassette>DAT Conversion: Tascam DA-20 MK II >SoundForge (48KHz>44.1KHz)>Cool Edit 2000 (10db hiss reduction and FFT filter to reduce treble from Dolby)>CD Wave>MKW (SHN) Taped by ?, Converted by Rob (Odeo) Harrison (www.odeo.net) 7/8/02. Includes filler from GDH #461 - Warfield, 2/17/82 notes
8699. 10/29/85 Shn - 0, 21533 Atlanta Fox Theater SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes
8700. 10/29/85 Flac 24/96 - 0, 148424 Atlanta Fox Theater flac24; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8701. 10/29/85 Flac 16/48 - 0, 148423 Atlanta Fox Theater flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8702. 10/29/85 Flac 24/96 - 0, 148859 Atlanta Fox Theater flac24; Source Info: Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8703. 10/29/85 Flac 16/48 - 0, 148858 Atlanta Fox Theater flac16/48kHz; Source Info: Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8704. 10/29/85 Flac 16/48 - 0, 151883 Atlanta Fox Theater flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Orchestra, Center, Row BB, Seat 103); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8705. 10/29/85 Flac 24/96 - , 154300 Atlanta Fox Theater flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 notes
8706. 10/29/85 Flac 16/44 - , 154409 Atlanta Fox Theater flac1644; Recording Info: SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 - This is 154300 2496 > 1644 notes
8707. 10/29/85 Flac 24 - , 157449 Atlanta Fox Theater flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC/24 > AIFF > Final Cut w/EQ > AIFF tracking via Audacity > FLAC/24 via xACT w/meta-tagging), of shnid's 154300 & 151884. notes
8708. 10/29/85 Flac 16 Mtx - , 157450 Atlanta Fox Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC/24 > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity w/dither > FLAC/16 via xACT w/meta-tagging), of shnid's 154300 & 151884. notes
8709. 10/31/85 Shn - 0, 23590 Columbia Carolina Coliseum, University Of South Carolina SBD -> Master Cassette -> Reel -> Dat (48k)Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Patch Info: d1t08 (Tennessee Jed) - Patched from 7:04-7:26 Schoeps CMC4/MK41 > Oade M118 > Oade Modified Sony PCM-F1 > CD; Transferred and Patched By Charlie Miller notes
8710. 10/31/85 Flac - 0, 31189 Columbia Carolina Coliseum, University Of South Carolina flac16; blend of CM*SBD(shnid=23590) and Oade AUD (id=20282) notes
8711. 10/31/85 Shn - 0, 19209 Columbia Carolina Coliseum, University Of South Carolina S:D>C>D>C>D>CDR [Note: See info file for further details] Lineage: Cassette > D8 > Sony R500>HHB CDR800 Toast 1.1 for Wav via Seanb@isoc.net notes
8712. 10/31/85 Flac Mtx. - 0, 30829 Columbia Carolina Coliseum, University Of South Carolina flac16; Matrix of sbd(id=19209) & Oade Master PCM(id=20282) notes
8713. 10/31/85 Shn - 0, 8793 Columbia Carolina Coliseum, University Of South Carolina Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)> Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN(Seekable) Seeded by Darrin Sacks; Also to abgd via Charlie Connor notes
8714. 10/31/85 Shn - 0, 20282 Columbia Carolina Coliseum, University Of South Carolina Field: Schoeps CMC441 (from TS, 17cm @ 90deg) > Oade M118 > Oade modSony PCM-F1 Transfer: master PCM > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN) notes
8715. 10/31/85 Shn - 0, 32864 Columbia Carolina Coliseum, University Of South Carolina Unknown shotgun mikes > Sony D6 > Maxell MX 90s (MC); MC > Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN; Location: First row of taping section seats. Well above the crowd in the gym via Charles Bandrofcheck notes
8716. 10/31/85 Flac 16 - 0, 122146 Columbia Carolina Coliseum, University Of South Carolina flac16; Source: Senn ME-80 > TCD5M; Conversion: Playback HK TD302 > PMD661; Processing: Audacity Pitch correction > Cdwave > Flac Frontend > Foobar2000 > TLH; Recorded by Stan Roberts notes
8717. 10/31/85 Flac 24/96 - 0, 126314 Columbia Carolina Coliseum, University Of South Carolina flac24; source: (2) sennheiser 441> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8718. 10/31/85 Shn - 0, 2028 Columbia Carolina Coliseum, University Of South Carolina SBD> C?-> DAT-> CDR-> SHN-> CDR-> SHN; Ripped by John Zei; update: mp3 generation somewhere in lineage- please do not circulate! notes
8719. 10/31/85 Flac 16/48 - 0, 151885 Columbia Carolina Coliseum, University Of South Carolina flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Section G, Row A, Seat 8); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8720. 10/31/85 Flac 24/96 - 0, 151886 Columbia Carolina Coliseum, University Of South Carolina flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Section G, Row A, Seat 8); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8721. 11/01/85 Shn - 0, 379 Richmond Richmond Coliseum Soundboard> ?> DAT> CDr; R500> AES/EBU> ZA2> Cooleditpro> SHN; via Stewart McCloskey to shntraders list; not etreed; d2 tracked for 80 min; 3/01 update: this show is now Dick's Picks 21- go buy it notes
8722. 11/01/85 Flac 16 - 0, 91179 Richmond Richmond Coliseum flac16; MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. notes
8723. 11/01/85 Flac 24/48 - 0, 97646 Richmond Richmond Coliseum flac24; source: aud cassette master beyer m88's>sony d5, tdk ma-r90's taped by Rob Berger lineage: nak dragon>hd-p2 24/48>adobe>cd wave>flac transferred & seeded by Rob Berger notes
8724. 11/01/85 Flac 16/48 - 0, 134979 Richmond Richmond Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k): SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - mixing by Kevin Tobin Source Inform notes
8725. 11/01/85 Flac Dts 5.1 - 0, 134978 Richmond Richmond Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - DTS mixing by Kevin Tobin notes
8726. 11/01/85 Flac 16 Mtx - 0, 134977 Richmond Richmond Coliseum flac16; Matrix 2 Source Mix - SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - matrix mixing by Kevin Tobin notes
8727. 11/01/85 Flac Dts 5.1 - 0, 34558 Richmond Richmond Coliseum DTS Audio 5.1 DTS-Audio-CD 5.1 SBD/AUD Mix by dan@am-dig.com notes
8728. 11/01/85 Flac 24/96 - 0, 96195 Richmond Richmond Coliseum flac24; Source: 2x Sennheiser 421 > Sony TC-D5 > Sony TC-D5 Master Cassettes Maxell MX–90’s Location: FOB, 20' from stage. Center patched out of Steve Adleman Transfer: Nakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer > CD WAVE > TLH > Flac Taped, Transfer, Mastering by: Bill Koucky December 3, 2008 notes
8729. 11/01/85 Shn - 0, 20416 Richmond Richmond Coliseum Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 [recorded by the Oade Brothers] notes
8730. 11/01/85 Shn - 0, 32709 Richmond Richmond Coliseum Source: Can't remember shotgun mics > Sony D6 > Maxel MX 90s Location: As close as they'd let you get to the left of SBD. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN notes
8731. 11/01/85 Flac 16 - 0, 96194 Richmond Richmond Coliseum flac16; Source: 2x Sennheiser 421 > Sony TC-D5 > Sony TC-D5 Master Cassettes Maxell MX–90’s Location: FOB, 20' from stage. Center patched out of Steve Adleman Transfer: Nakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer Rate Conversion to WAV [16/44.1] with r8brain > CD WAVE > TLH > Flac Taped, Transfer, Mastering by: Bill Koucky December 3, 2008 notes
8732. 11/01/85 Flac 24/96 - 0, 126321 Richmond Richmond Coliseum flac24; source: (3) audio technica atm 11 (fob)> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8733. 11/01/85 Shn - 0, 9217 Richmond Richmond Coliseum Sources: Primary Source:Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable: Secondary Source:Charlie Connor's Cassette Master: FOB>Beyer M88's>Sony TCM D5>Wav:The Secondary Source Supplies patch on d1t02 3:28-3:34: Seeded to etree by Darrin Sacks with thanks to JJ; also to abgd via Charlie Connor; 3/01 update: this date is now released as Dick's Picks 21- go buy that notes
8734. 11/01/85 Flac 16/48 - 0, 151915 Richmond Richmond Coliseum flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8735. 11/01/85 Flac 24/96 - 0, 151916 Richmond Richmond Coliseum flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8736. 11/02/85 Flac 16 Mtx - 0, 27582 Richmond Richmond Coliseum flac16; Matrix from 3 sources: SBD> ?> DAT> CD> EAC> WAV> SHN; AUD - Connor (FOB) Mics: Beyer Dynamic M88's; AUD - Oade (Tapers? Section) Mics: Schoeps (2 x CMC441, 1 x CMC42)> Sony PCM-F1; Matrixed by Chris Chappell notes
8737. 11/02/85 Shn - 0, 14804 Richmond Richmond Coliseum SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN notes
8738. 11/02/85 Shn - 0, 20663 Richmond Richmond Coliseum Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 [recorded by the Oade Brothers] notes
8739. 11/02/85 Flac 16 - 0, 91238 Richmond Richmond Coliseum flac16; MAC; 2 x Sennheiser 421 > Sony D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX90 (Set II). Recorded by Lucien Zaleski. Transferred and Mastered by Alex Ford. Master audience cassettes provided by Mark McCue. notes
8740. 11/02/85 Flac 16 - 0, 77525 Richmond Richmond Coliseum flac16; SRC: MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B in)) taped by Tim Alexander; Transfer: MAC playback on Nak DR-1 (Dolby B out) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC notes
8741. 11/02/85 Flac 24/48 - 0, 77906 Richmond Richmond Coliseum flac24; SRC: MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B)) taped by Tim Alexander Transfer: MAC playback on Nak DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC notes
8742. 11/02/85 Flac 16 - 0, 137152 Richmond Richmond Coliseum flac16; (original shnid = 14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN - pitch correction and patches by Kevin Tobin notes
8743. 11/02/85 Flac LPCM 5.1 - 0, 137207 Richmond Richmond Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN + AUD (shnid=4772)(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd - mixing by Kevin Tobin notes
8744. 11/02/85 Flac Dts 5.1 - 0, 137206 Richmond Richmond Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN + AUD (shnid=4772)(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd - dts mixing by Kevin Tobin notes
8745. 11/02/85 Flac Mtx. - 0, 137205 Richmond Richmond Coliseum flac16; Matrix 2 Source Mix - SBD (shnid=14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN + AUD (shnid=4772)(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd - matrix mixing by Kevin Tobin notes
8746. 11/02/85 Shn - 0, 4772 Richmond Richmond Coliseum (FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd notes
8747. 11/02/85 Shn - 0, 32798 Richmond Richmond Coliseum Source: Can't remember shotgun mics > Sony D6 > Maxel MX 90s Location: As close as they'd let you get Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN via Charles Bandrofcheck notes
8748. 11/02/85 Flac 16 - 0, 121577 Richmond Richmond Coliseum flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
8749. 11/02/85 Flac 24/96 - 0, 126333 Richmond Richmond Coliseum flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8750. 11/02/85 Flac 24/96 - 0, 148861 Richmond Richmond Coliseum flac24; Source Info: Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8751. 11/02/85 Flac 16/48 - 0, 148860 Richmond Richmond Coliseum flac16/48kHz; Source Info: Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8752. 11/02/85 Flac 16/48 - 0, 151992 Richmond Richmond Coliseum flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8753. 11/02/85 Flac 24/96 - 0, 151993 Richmond Richmond Coliseum flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8754. 11/04/85 Shn - 0, 7801 Worcester The Centrum SBD:MC> DAT> C> DAT> CD; via Skip Jenkins; Peter Braverman notes
8755. 11/04/85 Flac 16 - 0, 132765 Worcester The Centrum flac16; Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Master PCM > DAW (via SEKD Prodif) > Wav; Recorded by the Oade Brothers; Mastering by Dave Usborne notes
8756. 11/04/85 Flac 16 - 0, 83072 Worcester The Centrum flac16; SBD:MC> DAT> C> DAT> CD> SHN> Cool Edit pitch correction and patching> FLAC (fixed version of shn id 7801) by Bill Tetzeli notes
8757. 11/04/85 Flac 16 - 0, 79656 Worcester The Centrum flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes
8758. 11/04/85 Flac 16 - 0, 77298 Worcester The Centrum flac16; SRC: MAC (Senn 421's + Nak 300s > Yamaha mixer > Sony D-5); Transfer: Playback on Nak DR-1 > HD-P2 > WAV > FLAC notes
8759. 11/04/85 Flac 24/48 - 0, 77835 Worcester The Centrum flac24; SRC: MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B)) taped by Tim Alexander Transfer: MAC playback on Nak DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLACTransferred by Bill Tetzeli notes
8760. 11/04/85 Flac 24/96 - 0, 126360 Worcester The Centrum flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8761. 11/04/85 Shn - 0, 11880 Worcester The Centrum Taper: phil Unger;Nakamici #100 Shotguns> SonyD5; CD Transfer Info: Denon D-790R > Audiophile 2496 > Cool Edit 2000 > Wav > SHN; Tracked with CD Wave: Seeded to ABGD notes
8762. 11/04/85 Flac 16 - 0, 77167 Worcester The Centrum flac16; 2nd Set Only: Beyer Dynamic M88's>Sony TCD5M (CM - Maxell Mx90)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and transferred by Charlie Connor notes
8763. 11/04/85 Flac 16 - 0, 106580 Worcester The Centrum flac16;Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Taper Section 101, Row CC, Seat 14 by Bob Morris. notes
8764. 11/04/85 Flac 24/96 - 0, 114674 Worcester The Centrum flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 101, Row CC, Seat 14 by Bob Morris notes
8765. 11/04/85 Flac 24/96 - 0, 148635 Worcester The Centrum flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8766. 11/04/85 Flac 16/48 - 0, 148634 Worcester The Centrum flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8767. 11/04/85 Flac 16 - 0, 150099 Worcester The Centrum flac16; SBD Cassette > DAT > FLAC notes
8768. 11/04/85 Flac 16/48 - 0, 151944 Worcester The Centrum flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section 5, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8769. 11/04/85 Flac 24/96 - 0, 151995 Worcester The Centrum flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section 5, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8770. 11/05/85 Shn - 0, 188 Worcester The Centrum sdb> reel master> cassette> dat> cdr; via Mike Lai notes
8771. 11/05/85 Flac 16/48 - 0, 143430 Worcester The Centrum flac16/48kHz; Source: sbd > cassette master > reel > dat (48k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick October 2018 notes
8772. 11/05/85 Shn - 0, 21246 Worcester The Centrum Source: Audience (Tapers? Section) ? Digital Master Mics: Schoeps (2 x CMC441) Processor: Sony PCM-F1 (Oade Modified) Tape Deck: Sony Portable BetaMax Taper: Oades Tracked: Conrad notes
8773. 11/05/85 Flac 16 - 0, 77163 Worcester The Centrum flac16; 2nd Set Only: Beyer Dynamic M88's>Sony TCD5M (CM - Maxell Mx90)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16 Taped and transferred by Charlie Connor notes
8774. 11/05/85 Flac 16 - 0, 79669 Worcester The Centrum flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS behind SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci notes
8775. 11/05/85 Flac 16 - 0, 87482 Worcester The Centrum flac16; taper ; Joe D'Amico nak 300 mics > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes
8776. 11/05/85 Flac 16 - 0, 106581 Worcester The Centrum flac16; Recorded from Taper Section 101, Row DD, Seat 2 by Bob Morris. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes
8777. 11/05/85 Flac 24/96 - 0, 114675 Worcester The Centrum flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 101, Row DD, Seat 2 by Bob Morris notes
8778. 11/05/85 Flac 24/96 - 0, 126366 Worcester The Centrum flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8779. 11/05/85 Flac 16 - 0, 150100 Worcester The Centrum flac16; SBD Cassette > DAT > FLAC notes
8780. 11/05/85 Flac 16/48 - 0, 151996 Worcester The Centrum flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section 5, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8781. 11/05/85 Flac 24/96 - 0, 151997 Worcester The Centrum flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section 5, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8782. 11/07/85 Flac 16 - 0, 88815 Rochester Community War Memorial Auditorium flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller (This is a repatch of shn id 88727.) notes
8783. 11/07/85 Shn - 0, 22798 Rochester Community War Memorial Auditorium Tapers: Oade Bros Field: Schoeps CMC441 (TS, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1 Transfer: Master PCM > DAW (via SEKD card) > DSP* > CD data > HD > CDWave 1.7 > Wavelab 4 > mkwACT0.97b (SHN) Seeded via Bit Torrent February 23, 2004 by macdaddy notes
8784. 11/07/85 Flac 16 - 0, 127712 Rochester Community War Memorial Auditorium flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, with no Dolby. Set up to the right (stage left) of the SBD. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 04/2014 notes
8785. 11/07/85 Shn - 0, 5300 Rochester Community War Memorial Auditorium SBD (MSC> Reel> DAT> CDR> TAE> CDR> EAC> Shnv3) with AUD patches (FOB AUD> Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3); assembled by Charlie Connor, from Dave Shepard's SBD seed and Cahrlie's AUD; alternative d1 AUD tracks also included notes
8786. 11/07/85 Flac 24 - 0, 139716 Rochester Community War Memorial Auditorium flac24; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
8787. 11/07/85 Flac 16 - 0, 139852 Rochester Community War Memorial Auditorium flac16; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
8788. 11/07/85 Flac 16/48 - 0, 142341 Rochester Community War Memorial Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 139716) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 127711) Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, with no Dolby. Set up to the right (stage left) of the SBD. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 04/2014 - surround mixing by Kevin Tobin notes
8789. 11/07/85 Flac Dts 5.1 - 0, 142338 Rochester Community War Memorial Auditorium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 139716) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 127711) Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, with no Dolby. Set up to the right (stage left) of the SBD. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 04/2014 - dts mixing by Kevin Tobin notes
8790. 11/07/85 Flac 16 Mtx - 0, 142337 Rochester Community War Memorial Auditorium flac16; Matrix 2 Source Mix - SBD (shnid = 139716) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 127711) Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, with no Dolby. Set up to the right (stage left) of the SBD. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 04/2014 - matrix mixing by Kevin Tobin notes
8791. 11/07/85 Flac 24/96 - 0, 114676 Rochester Community War Memorial Auditorium flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded by Bob Morris notes
8792. 11/07/85 Flac 24/96 - 0, 89069 Rochester Community War Memorial Auditorium flac24; Source: Nakamichi CM300's(with CP4 shotgun caps/pointed)>Sony D5M Location: Front left corner of board, stand at 10 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud>Cdwav>flac24 Taped, transfered and uploaded by Tony S./nak700 notes
8793. 11/07/85 Flac 16 - 0, 111088 Rochester Community War Memorial Auditorium flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
8794. 11/07/85 Flac 16 - 0, 102153 Rochester Community War Memorial Auditorium flac16; Recorded by Ray Ackerman (2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5 Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16 Conversion by Ray Ackerman. Tracks, FLACs, Tags by Craig Taraszki notes
8795. 11/07/85 Flac 16 - 0, 87494 Rochester Community War Memorial Auditorium flac16; taper : Joe D'Amico ''aka'' Joebeacon nak 300 mics > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes
8796. 11/07/85 Flac 16 - 0, 77503 Rochester Community War Memorial Auditorium flac16; Source: Nakamichi CM300's(with CP4 shotgun caps/pointed)>Sony D5M Location: Front left corner of board, stand at 10 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700 notes
8797. 11/07/85 Flac 16 - 0, 30554 Rochester Community War Memorial Auditorium flac16; Recording Info: FOB AUD>Beyer Dynamic M88's>Sony TCD5M(CM Maxell Mx 90) Transfer INfo: Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>Flac Front End; Recorded and digitally mastered by Charlie Connor notes
8798. 11/07/85 Shn - 0, 25276 Rochester Community War Memorial Auditorium Taped & Transfered by Brian Mandel Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn. Sector boundaries verrified via shn tools. notes
8799. 11/07/85 Flac 24/96 - 0, 126422 Rochester Community War Memorial Auditorium flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8800. 11/07/85 Flac 24/48 - 0, 127711 Rochester Community War Memorial Auditorium flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, with no Dolby. Set up to the right (stage left) of the SBD. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 04/2014 notes
8801. 11/07/85 Flac 24/96 - 0, 148633 Rochester Community War Memorial Auditorium flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8802. 11/07/85 Flac 16/48 - 0, 148632 Rochester Community War Memorial Auditorium flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8803. 11/07/85 Flac 16/48 - 0, 151998 Rochester Community War Memorial Auditorium flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8804. 11/07/85 Flac 24/96 - 0, 151999 Rochester Community War Memorial Auditorium flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8805. 11/07/85 Flac 24/48 - , 154070 Rochester Community War Memorial Auditorium flac24/48 Master: MAUD CA Microphones: AKG C 422 crossed figure 8's (crossed at 90') handheld shoulder height >> Recorder: Sony TC-D5M| Maxell MX 90's no Dolby Location: approximately 40 feet from stage; 50 feet LOC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook Transferred: Kyle Holbrook notes
8806. 11/07/85 Flac 16/44 - , 154069 Rochester Community War Memorial Auditorium flac16/44 Master: MAUD CA Microphones: AKG C 422 crossed figure 8's (crossed at 90') handheld shoulder height >> Recorder: Sony TC-D5M| Maxell MX 90's no Dolby Location: approximately 40 feet from stage; 50 feet LOC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook Transferred: Kyle Holbrook notes
8807. 11/08/85 Shn - 0, 35361 Rochester Community War Memorial Auditorium Seamless fix of shn id 5301 - Master Soundboard Cassette > Reel to Reel > DAT > CDR > WAV > SHN notes
8808. 11/08/85 Shn - 0, 5301 Rochester Community War Memorial Auditorium Master Soundboard Cassette > Reel to Reel > DAT > CDR, with patches from Charlie Connor's Master Audience Cassette (Beyer M88 mics> Sony TC-D5M in d1t7,8; CD Mastering, EAC> SHN by Scott Clugston; d2 tracked for 80 min notes
8809. 11/08/85 Flac 16 - 0, 86547 Rochester Community War Memorial Auditorium flac16; AUD Source: AKG CK1's > Uher CR-240 > Sony TC-D5M (first deck out). Taped onto Maxell MX-90's with no Dolby. Mics on stand (aprx 7 feet) set up just to the left (stage right) of the soundboard. Transfer by Jim Wise (2002), MAC > Nakamichi Dragon (no Dolby) > HHB CDR-800 > CDR. EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC notes
8810. 11/08/85 Flac 24 - 0, 139717 Rochester Community War Memorial Auditorium flac24; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
8811. 11/08/85 Flac 16 - 0, 139899 Rochester Community War Memorial Auditorium flac16; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
8812. 11/08/85 Flac 16/48 - 0, 142752 Rochester Community War Memorial Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 139717) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 126696) source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - surround mixing by Kevin Tobin notes
8813. 11/08/85 Flac Dts 5.1 - 0, 142751 Rochester Community War Memorial Auditorium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 139717) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 126696) source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - dts mixing by Kevin Tobin notes
8814. 11/08/85 Flac 24 Mtx - 0, 142749 Rochester Community War Memorial Auditorium flac24; Matrix 2 Source Mix - SBD (shnid = 139717) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 126696) source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - matrix mixing by Kevin Tobin notes
8815. 11/08/85 Flac 16 Mtx - 0, 142750 Rochester Community War Memorial Auditorium flac16; Matrix 2 Source Mix - SBD (shnid = 139717) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 126696) source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - matrix mixing by Kevin Tobin notes
8816. 11/08/85 Flac 24/96 - 0, 142747 Rochester Community War Memorial Auditorium flac24; Patched & Pitch Corrected Audience (original shnid = 126696) source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - pitch correction and patches by Kevin Tobin notes
8817. 11/08/85 Flac 16 - 0, 124748 Rochester Community War Memorial Auditorium flac16; Patched & Pitch Corrected Audience (original shnid = 126696) source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - pitch correction and patches by Kevin Tobin notes
8818. 11/08/85 Flac 24/96 - 0, 114677 Rochester Community War Memorial Auditorium flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded by Bob Morris notes
8819. 11/08/85 Shn - 0, 4773 Rochester Community War Memorial Auditorium AUD FOB> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT); d2 tracked for 80 min; taped, transferred and seeded to abgd by Charlie Connor notes
8820. 11/08/85 Shn - 0, 25275 Rochester Community War Memorial Auditorium Taped & Transfered by Brian Mandel Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn. Sector boundaries verrified via shn tools. notes
8821. 11/08/85 Flac 16 - 0, 79024 Rochester Community War Memorial Auditorium flac16; Source: Nakamichi CM300's(with CP4 shotgun caps/pointed)>Sony D5M Location: Front left corner of board, stand at 10 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16bit>Cdwav>flac Taped, transfered and uploaded by Tony S. notes
8822. 11/08/85 Flac 16 - 0, 87509 Rochester Community War Memorial Auditorium flac16; taper : Joe D'Amico nak 300 mics > sony d-5 infront of the soundboard nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes
8823. 11/08/85 Flac 16 - 0, 106807 Rochester Community War Memorial Auditorium flac16;Recorded by Bob Morris. Transferred & edited by Bob Morris 11/09. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes
8824. 11/08/85 Shn - 0, 22023 Rochester Community War Memorial Auditorium Tapers: Oade Bros Field: Schoeps CMC441 (TS, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1 Transfer: Master PCM > DAW (via SEKD card) > DSP* > CD data > HD > CDWave 1.7 > Wavelab 4 > mkwACT0.97b (SHN) Tracking, fades and verification done by dwonk. First hosted via Bit Torrent February 5, 2004 by macdadd notes
8825. 11/08/85 Flac 24/96 - 0, 126696 Rochester Community War Memorial Auditorium flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8826. 11/08/85 Flac 24/96 - 0, 149436 Rochester Community War Memorial Auditorium flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
8827. 11/08/85 Flac 16/48 - 0, 149435 Rochester Community War Memorial Auditorium flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8828. 11/08/85 Flac 16/48 - 0, 152020 Rochester Community War Memorial Auditorium flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8829. 11/08/85 Flac 24/96 - 0, 152021 Rochester Community War Memorial Auditorium flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8830. 11/08/85 Flac 24/48 - , 154072 Rochester Community War Memorial Auditorium flac24/48 Microphones: AKG C 422 crossed figure 8's (crossed at 90') on monopod shoulder height >> Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; 50 feet LOC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kyle Holbrook Transferred by kyle@rocksuitcase.com Fourteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8831. 11/08/85 Flac 16/44 - , 154071 Rochester Community War Memorial Auditorium flac16/44 Microphones: AKG C 422 crossed figure 8's (crossed at 90') on monopod shoulder height >> Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; 50 feet LOC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kyle Holbrook Transferred by kyle@rocksuitcase.com Fourteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8832. 11/10/85 Shn - 0, 12264 East Rutherford Meadowlands Arena Master Soundboard Cassette > DAT > Sonic Solutions > CD seeded by Steve Barbella notes
8833. 11/10/85 Flac 16 - 0, 128517 East Rutherford Meadowlands Arena flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS90 (1st set) & TDK MA90 (2nd set) with no Dolby. Set up last row of floor far right (stage left) side. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 05/2014 notes
8834. 11/10/85 Shn - 0, 12202 East Rutherford Meadowlands Arena SBD> CM> DAT> DAT CLONE> CDR> EAC >SHN; transfer via Ken Doughty; EAC/SHN'd via Barbara Doughty; Seeded to Furthur Network via JBGoode4 Known flaws: d1t06 - end of All Over Now clipped(tape flip) notes
8835. 11/10/85 Flac 16 - 0, 141082 East Rutherford Meadowlands Arena flac16; Source Info: Master Soundboard Cassette (dolby b decoded) > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac16 notes
8836. 11/10/85 Shn - 0, 32638 East Rutherford Meadowlands Arena shotgun mics > Sony D6 > Maxell MX 90's. First right hand seat of taper section 12" stand. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN via Charlie notes
8837. 11/10/85 Shn - 0, 25472 East Rutherford Meadowlands Arena Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools via Brian Mandel notes
8838. 11/10/85 Flac 16 - 0, 87524 East Rutherford Meadowlands Arena flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cooledit pro > flac frontend notes
8839. 11/10/85 Flac 16 - 0, 106808 East Rutherford Meadowlands Arena flac16;Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris. Transferred, edited, patched by Bob M 11/09. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes
8840. 11/10/85 Shn - 0, 4774 East Rutherford Meadowlands Arena AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT); d2 tracked for 80 min; Taped and Transferred by Charlie Connor notes
8841. 11/10/85 Shn - 0, 7955 East Rutherford Meadowlands Arena Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd. notes
8842. 11/10/85 Shn - 0, 19212 East Rutherford Meadowlands Arena Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taping, transfer by Doug Oade, fileset prep by dwonk, seeded via BT by macdaddy; note no DAE and possible remaster compared to previous shn set notes
8843. 11/10/85 Flac 16 - 0, 79689 East Rutherford Meadowlands Arena flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS Floor Section 5, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes
8844. 11/10/85 Flac 16 - 0, 127525 East Rutherford Meadowlands Arena flac16; Recording Info: SBD Grateful Dead hour shows transferred music only shows No. 393, 394, 395 > Pre FM Satellite Feed > Nak pro deck > Maxell metal cassettes; Transfer Info: Master cassettes > Nak DR2 deck > Sound Forge Pro 10 > wav Traders Little Helper > flac notes
8845. 11/10/85 Flac 24/96 - 0, 126721 East Rutherford Meadowlands Arena flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8846. 11/10/85 Flac 16 - 0, 145354 East Rutherford Meadowlands Arena flac16; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1 notes
8847. 11/10/85 Flac 24/96 - 0, 114678 East Rutherford Meadowlands Arena flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris notes
8848. 11/10/85 Flac 24/96 - 0, 141651 East Rutherford Meadowlands Arena flac24; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 notes
8849. 11/10/85 Flac 16 Mtx - 0, 142930 East Rutherford Meadowlands Arena flac16; Matrix 2 Source Mix - SBD (shnid = 141082) Source Info: Master Soundboard Cassette (dolby b decoded) > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac16 + AUD (shnid = 7955) Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd. - matrix mixing by Kevin Tobin notes
8850. 11/10/85 Flac 16 Dts.5.1 - 0, 142931 East Rutherford Meadowlands Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141082) Source Info: Master Soundboard Cassette (dolby b decoded) > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac16 + AUD (shnid = 7955) Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd. - dts mixing by Kevin Tobin notes
8851. 11/10/85 Flac 16/48 - 0, 141932 East Rutherford Meadowlands Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141082) Source Info: Master Soundboard Cassette (dolby b decoded) > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac16 + AUD (shnid = 7955) Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd. - surround mixing by Kevin Tobin notes
8852. 11/10/85 Flac 24/96 - 0, 148906 East Rutherford Meadowlands Arena flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8853. 11/10/85 Flac 16/48 - 0, 148905 East Rutherford Meadowlands Arena flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8854. 11/10/85 Flac 16 - 0, 149792 East Rutherford Meadowlands Arena flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche notes
8855. 11/10/85 Flac 24/96 - 0, 151337 East Rutherford Meadowlands Arena flac24/96khz Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
8856. 11/10/85 Flac 16/48 - 0, 151336 East Rutherford Meadowlands Arena flac16/48khz Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
8857. 11/10/85 Flac 16/48 - 0, 152045 East Rutherford Meadowlands Arena flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section B, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8858. 11/10/85 Flac 24/96 - 0, 152046 East Rutherford Meadowlands Arena flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section B, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8859. 11/10/85 Flac 24/48 - , 154261 East Rutherford Meadowlands Arena flac24/48 Master: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 60' set 1; 90' set 2) head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (second in line) Location: approximately 70 feet from stage; 10 feet ROC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook Fifteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8860. 11/10/85 Flac 16/44 - , 154260 East Rutherford Meadowlands Arena flac16/44 Master: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 60' set 1; 90' set 2) head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (second in line) Location: approximately 70 feet from stage; 10 feet ROC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook Fifteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8861. 11/11/85 Flac 16 Mtx - 0, 95966 East Rutherford Meadowlands Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) notes
8862. 11/11/85 Shn - 0, 14862 East Rutherford Meadowlands Arena Lineage:SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT(seekable)Editing: SHN>WAV>CE2K> shntool>mkwACT Transfer by Ken Doughty. Editing by Matt Cole. Seeded by JBGoode4 notes
8863. 11/11/85 Flac 16 - 0, 94621 East Rutherford Meadowlands Arena flac16; MAC; (FOB) 2 x Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) and TDK MA-R90(Set II). Lineage: Master Audience Cassettes> Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3(@ 24/96)> coax> Audiophile 2496> WaveLab 5.0> .wav @ 24/96> Waves L3 UltraMaximizer> .wav @ 16/44.1> CD Wave Editor> Trader's Little Helper> FLAC16. Taped by Mark McCue. Transferred and Mastered by Alex Ford. notes
8864. 11/11/85 Flac 16 - 0, 95245 East Rutherford Meadowlands Arena flac16; Repitch of McCue source shn id 94621: FOB 2 x Sennheiser 441 > Sony D5 > Maxell XLII-S 90 Set I and TDK MA-R90 Set II along with putting channels back in phase and other small edits. notes
8865. 11/11/85 Flac 16/48 - 0, 143076 East Rutherford Meadowlands Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 14862) Lineage: SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT (seekable) Editing: SHN>WAV>CE2K> shntool>mkwACT Transfer by Ken Doughty. Editing by Matt Cole. Seeded by JBGoode4 + AUD (shnid = 19303) Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taped and transferred by Doug Oade; Fades, track cuts, WAV > SHN conversion & verification done by dwonk; seeded by macdaddy via BT - surround mixing by Kevin Tobin notes
8866. 11/11/85 Flac Dts 5.1 - 0, 143075 East Rutherford Meadowlands Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 14862) Lineage: SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT (seekable) Editing: SHN>WAV>CE2K> shntool>mkwACT Transfer by Ken Doughty. Editing by Matt Cole Seeded by JBGoode4 + AUD (shnid = 19303) Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taped and transferred by Doug Oade; Fades, track cuts, WAV > SHN conversion & verification done by dwonk; seeded by macdaddy via BT - dts mixing by Kevin Tobin notes
8867. 11/11/85 Flac 16 Mtx - 0, 143074 East Rutherford Meadowlands Arena flac16; Matrix 2 Source Mix - SBD (shnid = 14862) Lineage: SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT(seekable) Editing: SHN>WAV>CE2K> shntool>mkwACT Transfer by Ken Doughty. Editing by Matt Cole Seeded by JBGoode4 + AUD (shnid = 19303) Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taped and transferred by Doug Oade; Fades, track cuts, WAV > SHN conversion & verification done by dwonk; seeded by macdaddy via BT - matrix mixing by Kevin Tobin notes
8868. 11/11/85 Flac 16 - 0, 143073 East Rutherford Meadowlands Arena flac16; Remastered & Patched & Pitch Corrected Soundboard - SBD:(original shnid = 14862) Lineage: SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT(seekable) Editing: SHN>WAV>CE2K> shntool>mkwACT Transfer by Ken Doughty. Editing by Matt Cole Seeded by JBGoode4 - remastered by Charlie Miller with pitch correction and patches by Kevin Tobin notes
8869. 11/11/85 Flac 16 - 0, 79719 East Rutherford Meadowlands Arena flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS Floor Section 5, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci notes
8870. 11/11/85 Flac 16 - 0, 87540 East Rutherford Meadowlands Arena flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes
8871. 11/11/85 Flac 24/96 - 0, 114679 East Rutherford Meadowlands Arena flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris notes
8872. 11/11/85 Shn - 0, 19303 East Rutherford Meadowlands Arena Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taped and transferred by Doug Oade; Fades, track cuts, WAV > SHN conversion & verification done by dwonk; seeded by macdaddy via BT notes
8873. 11/11/85 Shn - 0, 32639 East Rutherford Meadowlands Arena unknown shotguns > Sony D6 > Maxell MX 90's. First right hand seat of taper section 12" stand. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN via Charlie Bandrofcheck notes
8874. 11/11/85 Shn - 0, 33584 East Rutherford Meadowlands Arena Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn notes
8875. 11/11/85 Flac 16 - 0, 106809 East Rutherford Meadowlands Arena flac16;Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris. Transferred & edited by Bob Morris 11/09. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes
8876. 11/11/85 Flac 24/96 - 0, 126730 East Rutherford Meadowlands Arena flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
8877. 11/11/85 Shn - 0, 12083 East Rutherford Meadowlands Arena 2nd set only; Schoeps CMC 341's> Master Cassette > DAT > CDR; via Storyteller; Seeded to etree by Steve Barbella notes
8878. 11/11/85 Shn - 0, 17960 East Rutherford Meadowlands Arena MAC > CDR > WAV > SHN. Audience analog cassette master 2 Nakamichi cm-700's > Sony tc-d5M(dolby b) recorded by Mark Cohen. a-d transfer > SHN by Anne Cohen. notes
8879. 11/11/85 Flac 16 - 0, 149798 East Rutherford Meadowlands Arena flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche notes
8880. 11/11/85 Flac 16/48 - 0, 152047 East Rutherford Meadowlands Arena flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section B, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8881. 11/11/85 Flac 24/96 - 0, 152048 East Rutherford Meadowlands Arena flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section B, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496 notes
8882. 11/16/85 Shn - 0, 18374 Long Beach Long Beach Arena Lineage: SBD>CM>C>DAT>DAT>CD>EAC>SHN>WAV>CE2K>CDWAVE>SHNTOOL>mkwACT(seekable); Patched with shnid=12263 (Schoeps MK41?s>PCM>DAT>CDR). Source files prepared and provided by JBGoode1; Editing by MattMan. notes
8883. 11/16/85 Flac 16 - 0, 134553 Long Beach Long Beach Arena flac16; AUD: Unknown mics (see note) > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015 notes
8884. 11/16/85 Flac 24/48 - 0, 134552 Long Beach Long Beach Arena flac24; AUD: Unknown mics (see note) > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2015 notes
8885. 11/16/85 Shn - 0, 12263 Long Beach Long Beach Arena Schoeps MK41?s > PCM > DAT > CDR seeded by Steve Barbella notes
8886. 11/16/85 Flac 24/96 - 0, 148775 Long Beach Long Beach Arena flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
8887. 11/16/85 Flac 16/48 - 0, 148774 Long Beach Long Beach Arena flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8888. 11/17/85 Shn - 0, 12360 Long Beach Long Beach Arena Master Soundboard Cassette > DAT > CD uploaded by Steve Barbella notes
8889. 11/17/85 Flac 16 - 0, 134589 Long Beach Long Beach Arena flac16; AUD: Unknown mics (see note) > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015 notes
8890. 11/17/85 Flac 24/48 - 0, 134588 Long Beach Long Beach Arena flac24; AUD: Unknown mics (see note) > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2015 notes
8891. 11/17/85 Shn - 0, 12361 Long Beach Long Beach Arena Schoeps MK41?s > PCM > DAT > CDR uploaded by Steve Barbella notes
8892. 11/17/85 Flac 24/96 - 0, 148831 Long Beach Long Beach Arena flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
8893. 11/17/85 Flac 16/48 - 0, 148830 Long Beach Long Beach Arena flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8894. 11/20/85 Flac 16 - 0, 105991 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
8895. 11/20/85 Flac 16 - 0, 77371 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
8896. 11/20/85 Flac 16 - 0, 92898 Oakland Henry J. Kaiser Convention Center flac16; Hat Mounted Realistic pzm's with Sony WMD6-C Sony UCX-S 90 Cnr Offical Taping Section,120 feet away,dead center Master>D6>HD>Audicity>CDWave>TLH>Torrent notes
8897. 11/20/85 Flac 24/48 - 0, 135131 Oakland Henry J. Kaiser Convention Center flac24; AUD: Unknown mics > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2016 notes
8898. 11/20/85 Flac 16 - 0, 135122 Oakland Henry J. Kaiser Convention Center flac16; AUD: Unknown mics > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2016 notes
8899. 11/20/85 Flac Dts 5.1 - 0, 134789 Oakland Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; SBD (shnid=105991) Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 92898)Hat Mounted Realistic pzm's with Sony WMD6-C Sony UCX-S 90 Cnr Offical Taping Section,120 feet away,dead center Master>D6>HD>Audicity>CDWave>TLH>Torrent - dts mixing by Kevin Tobin notes
8900. 11/20/85 Flac 16 - 0, 134787 Oakland Henry J. Kaiser Convention Center flac16; (original shnid = 92898) Hat Mounted Realistic pzm's with Sony WMD6-C Sony UCX-S 90 Cnr Offical Taping Section,120 feet away,dead center Master>D6>HD>Audicity>CDWave>TLH>Torrent - pitch correction and patches by Kevin Tobin notes
8901. 11/20/85 Flac 16 Mtx - 0, 134788 Oakland Henry J. Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid=105991) Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 92898)Hat Mounted Realistic pzm's with Sony WMD6-C Sony UCX-S 90 Cnr Offical Taping Section,120 feet away,dead center Master>D6>HD>Audicity>CDWave>TLH>Torrent - matrix mixing by Kevin Tobin notes
8902. 11/20/85 Flac 16/48 - 0, 134823 Oakland Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k)- SBD (shnid=105991) Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 92898)Hat Mounted Realistic pzm's with Sony WMD6-C Sony UCX-S 90 Cnr Offical Taping Section,120 feet away,dead center Master>D6>HD>Audicity>CDWave>TLH>Torrent - mixing by Kevin Tobin notes
8903. 11/20/85 Flac 16 - 0, 98517 Oakland Henry J. Kaiser Convention Center flac16; vintage Uher's w/dbx>D5 FOB DFC spread 6ft MAC>NakCR-3A>dbx>HD>Audacity>CDwave>TLH; Recorded by Tazuo Yamaguchi and anon Transferred by Russ Cansler notes
8904. 11/20/85 Shn - 0, 15478 Oakland Henry J. Kaiser Convention Center Master Soundboard Cassette > Cassette > DAT > CDR via Andy Lemieux encoded by Matt Vernon notes
8905. 11/21/85 Flac 16 - 0, 105992 Oakland Henry J. Kaiser Convention Center flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
8906. 11/21/85 Shn - 0, 3351 Oakland Henry J. Kaiser Convention Center dsbd> pcm> dat> cdr; no filler; d1 same as previous shns, d2 md5s differ; via Mike Lai notes
8907. 11/21/85 Flac 16 - 0, 98519 Oakland Henry J. Kaiser Convention Center flac16; Vintage Uher's w/dbx>D5 FOB DFC spread 6ft MAC>NakCR-3A>dbx224>HD>Audacity>CDWave>TLH Recorded by Tazuo Yamaguchi and anon Transferred by Russ Cansler notes
8908. 11/21/85 Flac 24/48 - 0, 135123 Oakland Henry J. Kaiser Convention Center flac24; AUD: Unknown mics > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2016 notes
8909. 11/21/85 Flac 16 - 0, 135124 Oakland Henry J. Kaiser Convention Center flac16; AUD: Unknown mics > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2016 notes
8910. 11/21/85 Flac Dts 5.1 - 0, 134748 Oakland Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; SBD (shnid=105992) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid=98519) Vintage Uher's w/dbx>D5 FOB DFC spread 6ft MAC>NakCR-3A>dbx224>HD>Audacity>CDWave>TLH Recorded by Tazuo Yamaguchi and anon Transferred by Russ Cansler - DTS mixing by Kevin Tobin notes
8911. 11/21/85 Flac 16 Mtx - 0, 134747 Oakland Henry J. Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid=105992) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid=98519) Vintage Uher's w/dbx>D5 FOB DFC spread 6ft MAC>NakCR-3A>dbx224>HD>Audacity>CDWave>TLH Recorded by Tazuo Yamaguchi and anon Transferred by Russ Cansler - matrix mixing by Kevin Tobin notes
8912. 11/21/85 Flac 16 - 0, 134746 Oakland Henry J. Kaiser Convention Center flac16; (original shnid = 98519) Vintage Uher's w/dbx>D5 FOB DFC spread 6ft MAC>NakCR-3A>dbx224>HD>Audacity>CDWave>TLH Recorded by Tazuo Yamaguchi and anon Transferred by Russ Cansler - pitch correction and patches by Kevin Tobin notes
8913. 11/21/85 Flac 16 - 0, 137508 Oakland Henry J. Kaiser Convention Center flac16; Set 1 Recording Info: SBD -> PCM Master > Dat Clone (44.1k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller notes
8914. 11/21/85 Flac 16/48 - 0, 134815 Oakland Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=105992) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid=98519) Vintage Uher's w/dbx>D5 FOB DFC spread 6ft MAC>NakCR-3A>dbx224>HD>Audacity>CDWave>TLH Recorded by Tazuo Yamaguchi and anon Transferred by Russ Cansler - mixing by Kevin Tobin notes
8915. 11/21/85 Flac 24/96 - 0, 149201 Oakland Henry J. Kaiser Convention Center flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > custom "black box" built by Chris using Jensen transformers to supply phantom power and gain to line in > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
8916. 11/21/85 Flac 16/48 - 0, 149200 Oakland Henry J. Kaiser Convention Center flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > custom "black box" built by Chris using Jensen transformers to supply phantom power and gain to line in > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8917. 11/22/85 Flac 16 - 0, 105993 Oakland Henry J. Kaiser Convention Center flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
8918. 11/22/85 Flac 2448 - 0, 135125 Oakland Henry J. Kaiser Convention Center flac24; AUD: Unknown mics > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2016 notes
8919. 11/22/85 Flac 16 - 0, 135126 Oakland Henry J. Kaiser Convention Center flac16; AUD: Unknown mics > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2016 notes
8920. 11/22/85 Flac 16/48 - 0, 135609 Oakland Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 135125) flac24; AUD: Unknown mics > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2016 - mixing by Kevin Tobin notes
8921. 11/22/85 Flac Dts 5.1 - 0, 135608 Oakland Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; SBD (shnid=105993) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 135125) flac24; AUD: Unknown mics > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2016 - dts mixing by Kevin Tobin notes
8922. 11/22/85 Flac 16 Mtx - 0, 135607 Oakland Henry J. Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid=105993) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 135125) flac24; AUD: Unknown mics > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2016 - matrix mixing by Kevin Tobin notes
8923. 11/22/85 Shn - 0, 9709 Oakland Henry J. Kaiser Convention Center Master Soundboard Cassette > ? > Dat > CDR; Seeded to etree by Steve Barbella notes
8924. 11/22/85 Flac 16 - 0, 98520 Oakland Henry J. Kaiser Convention Center flac16; Vintage Uhers w/dbx>D5 FOB DFC spread 6ft MAC>NakCR-3A>dbx224>HD>Audacity>CDWave>TLH recorded by Tazuo Yamaguchi and anon Transferred by Russ Cansler notes
8925. 11/22/85 Flac 16 - 0, 77404 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
8926. 12/30/85 Flac 16 - 0, 106019 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
8927. 12/30/85 Flac 16 - 0, 77405 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
8928. 12/30/85 Flac 16 - 0, 81324 Oakland Oakland-Alameda County Coliseum flac16; Source: Digital FOB Audience Tape - Taper Unknown Recording Info: Schoeps Hypercardiods > PCM > DAT; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Transfered September 2006 Editing Info: Editing and Mastering by Jamie Waddell Wavelab 6.0- Waves Tools(DC offset correction and EQ), BBE, L2(dither-type2,ultra)-16/44.1 Traders Lil Helper Flac Level 8 notes
8929. 12/30/85 Flac 1644 - 0, 135393 Oakland Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM-100 mics w/CP-4 shotgun caps > Sony TC-D5M > MAC (Maxell MX-90's); Taper location: On floor at soundboard a few feet right of center, mics 8' high; Transfer: MAC > Tascam 112 > Edirol UA-5 > Audacity 24/48 wavs > R8 Brain 16/44 wavs > TLH > flac16; Recorded, transferred, edited, tracked and flac'd by Greg Ho notes
8930. 12/30/85 Shn - 0, 1223 Oakland Oakland-Alameda County Coliseum SBDmc> DAT> CD> EAC; ripped & seeded by Nick Georges; d2 tracked for 80 min (see additional tracking notes in pub comments); final update 8/23- because a couple of online setlist dbs show incorrect setlist order for set 1, d1 was thought to be misarranged. However, Nick's first seeding of the show was correct: My Brother Esau> Stagger Lee>. -tuning- > Little Red Rooster notes
8931. 12/30/85 Flac 24/96 - 0, 140909 Oakland Oakland-Alameda County Coliseum flac24; Set 1 from Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
8932. 12/30/85 Flac 16 - 0, 140958 Oakland Oakland-Alameda County Coliseum flac16; Set 1 from Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
8933. 12/30/85 Flac 16/48 - 0, 142100 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106019) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 81314) Source: Digital FOB Audience Tape - Taper Unknown Recording Info: Schoeps Hypercardiods > PCM > DAT; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Transfered September 2006 Editing Info: Editing and Mastering by Jamie Waddell Wavelab 6.0- Waves Tools(DC offset correction and EQ), BBE, L2(dither-type2,ultra)-16/44.1 Traders Lil Helper Flac Level 8 - surround mixing by Kevin Tobin notes
8934. 12/30/85 Flac Dts 5.1 - 0, 142099 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 106019) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 81314) Source: Digital FOB Audience Tape - Taper Unknown Recording Info: Schoeps Hypercardiods > PCM > DAT; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Transfered September 2006 Editing Info: Editing and Mastering by Jamie Waddell Wavelab 6.0- Waves Tools(DC offset correction and EQ), BBE, L2(dither-type2,ultra)-16/44.1 Traders Lil Helper Flac Level 8 - dts mixing by Kevin Tobin notes
8935. 12/30/85 Flac16 Mtx - 0, 14098 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 106019) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 81314) Source: Digital FOB Audience Tape - Taper Unknown Recording Info: Schoeps Hypercardiods > PCM > DAT; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Transfered September 2006 Editing Info: Editing and Mastering by Jamie Waddell Wavelab 6.0- Waves Tools(DC offset correction and EQ), BBE, L2(dither-type2,ultra)-16/44.1 Traders Lil Helper Flac Level 8 - matrix mixing by Kevin Tobin notes
8936. 12/30/85 Flac 16 - 0, 118434 Oakland Oakland-Alameda County Coliseum flac16; Set 2 Only Source: 2 Sennheiser 421 microphones - up front/center > Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
8937. 12/30/85 Flac 16 - 0, 30208 Oakland Oakland-Alameda County Coliseum flac16; (FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM Maxell MX90)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>flac; Recorded and digitally mastered by Charlie Connor 7/30/2005 notes
8938. 12/30/85 Flac 24/96 - 0, 148710 Oakland Oakland-Alameda County Coliseum flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
8939. 12/30/85 Flac 16/48 - 0, 148709 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
8940. 12/30/85 Flac 24/48 - , 154651 Oakland Oakland-Alameda County Coliseum flac24/48 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (fourth in line) Location: approximately 50 feet from stage; DFC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook Fifteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8941. 12/30/85 Flac 16/44 - , 154650 Oakland Oakland-Alameda County Coliseum flac16/44 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (fourth in line) Location: approximately 50 feet from stage; DFC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook Fifteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8942. 12/31/85 Flac 16 - 0, 106021 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
8943. 12/31/85 Flac 16 - 0, 113739 Oakland Oakland-Alameda County Coliseum flac16; Recording Data: FM Broadcast > Harmon Kardon FM Tuner > Teac A4300 RR Deck > Scotch Highlander 1800' , 7 1/2 IPS Master Tapes, 45 min. per side; Transfer Data: RR Master Tapes > Teac A4300 Deck > Wav > Soundforge > FLAC conversion via Trader's Little Helper notes
8944. 12/31/85 Flac 16 - 0, 120798 Oakland Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
8945. 12/31/85 Shn - 0, 20006 Oakland Oakland-Alameda County Coliseum SBD (PreFM)> CASS> DAT> CD> Emphasis correction> remastering using custom DAW (Bertha)> CD> SHN; by Jay Ashley, from Lisa Biasi source notes
8946. 12/31/85 Flac 16 - 0, 78054 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
8947. 12/31/85 Flac 16 - 0, 135434 Oakland Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM-100 mics w/CP-4 shotgun caps > Sony TC-D5M > MAC (Maxell MX-90's); Taper location: On floor at soundboard a few feet right of center, mics 8' high; Transfer: MAC > Tascam 112 > Edirol UA-5 > Audacity 24/48 wavs > R8 Brain 16/44 wavs > TLH > flac16; Recorded, transferred, edited, tracked and flac'd by Greg Holtz notes
8948. 12/31/85 Flac 24/48 - 0, 120797 Oakland Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
8949. 12/31/85 Flac 24/96 - 0, 140910 Oakland Oakland-Alameda County Coliseum flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
8950. 12/31/85 Flac 16 - 0, 141244 Oakland Oakland-Alameda County Coliseum flac16; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
8951. 12/31/85 Flac 16/48 - 0, 141997 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106021) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin notes
8952. 12/31/85 Flac Dts 5.1 - 0, 141996 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 106021) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin notes
8953. 12/31/85 Flac 16 - 0, 141994 Oakland Oakland-Alameda County Coliseum flac16; Patched and Pitch Corrected Audience - AUD (original shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin notes
8954. 12/31/85 Flac 16 Mtx - 0, 141995 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 106021) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin notes
8955. 12/31/85 Flac16/48 LPCM - 0, 142017 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106021) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin notes
8956. 12/31/85 Flac 16/44 - 0, 30642 Oakland Oakland-Alameda County Coliseum Primary Source: Recording Info: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End Secondary Source: Steve Barbella's seed from shn id 12086 AUD>?>DAT>CDR; See txt file for details on Patches. Recorded, patched and digitally transferred by Charlie Connor August 28,2005 notes
8957. 12/31/85 Shn - 0, 12086 Oakland Oakland-Alameda County Coliseum AUD>?>DAT>CDR; encore supplied by Peter Braverman's seed of Nak 300 cass master source; See info file for details; via PBx2; Seeded to etree by Steve Barbella notes
8958. 12/31/85 Shn - 0, 9627 Oakland Oakland-Alameda County Coliseum Charles Wier shntool fix of original Braverman Nak sourc notes
8959. 12/31/85 Shn - 0, 8395 Oakland Oakland-Alameda County Coliseum Audience cassette (Nak 300/Sony D5)> Nakamichi BX-300> CD> SHN; via Stephen B. Porter; Seeded to etree by Peter Braverman; upgrade in circulation notes
8960. 12/31/85 Flac 16 - 0, 121395 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Sennheiser 421 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
8961. 12/31/85 Flac 24/48 - , 154653 Oakland Oakland-Alameda County Coliseum flac24/48 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 45 feet from stage; DFC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Aaron Yamaguchi, John Hance Transferred: Kyle Holbrook Sixteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8962. 12/31/85 Flac 16/44 - , 154652 Oakland Oakland-Alameda County Coliseum flac16/44 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 45 feet from stage; DFC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Aaron Yamaguchi, John Hance Transferred: Kyle Holbrook Sixteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP notes
8963. 02/08/86 Flac 16 - 0, 106033 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
8964. 02/08/86 Flac 16 - 0, 32541 Oakland Henry J. Kaiser Convention Center flac16; SBD -> Cassette Master (TDK MA-R90) Transferred and Edited By Charlie Miller notes
8965. 02/08/86 Shn - 0, 20724 Oakland Henry J. Kaiser Convention Center Source: SBD>MC>PCM>CDR>WAV>SHNv3 via neo_levo/candyman FTP notes
8966. 02/08/86 Flac 16 - 0, 140205 Oakland Henry J. Kaiser Convention Center flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes
8967. 02/08/86 Flac 16/48 - 0, 142388 Oakland Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106033) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140205) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - surround mixing by Kevin Tobin notes
8968. 02/08/86 Flac Dts 5.1 - 0, 142381 Oakland Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; - SBD (shnid = 106033) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140205) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - dts mixing by Kevin Tobin notes
8969. 02/08/86 Flac 16 Mtx - 0, 142380 Oakland Henry J. Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid = 106033) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140205) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - matrix mixing by Kevin Tobin notes
8970. 02/08/86 Flac 16 - 0, 83804 Oakland Henry J. Kaiser Convention Center flac16; Taped by "PA Deli Mike" 2x Sennheiser 441's OTS with 30 foot spread > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC by Mr. Chips notes
8971. 02/08/86 Shn - 0, 2987 Oakland Henry J. Kaiser Convention Center AUD> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); Both Analog & Digital Mastering by Charlie Connor: seeded to abgd.hs notes
8972. 02/09/86 Flac - 0, 106119 Oakland Henry J. Kaiser Convention Center flac16; Recording Info:SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
8973. 02/09/86 Flac - 0, 119376 Oakland Henry J. Kaiser Convention Center flac16; Set 2 Only Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/6 Feet LOC First Row Of Balcony)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
8974. 02/09/86 Flac 24 - 0, 119375 Oakland Henry J. Kaiser Convention Center flac24; Set 2 Only Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/6 Feet LOC First Row Of Balcony)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
8975. 02/09/86 Flac 16 - 0, 74135 Oakland Henry J. Kaiser Convention Center flac16; Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8) notes
8976. 02/09/86 Shn - 0, 7543 Oakland Henry J. Kaiser Convention Center Master Soundboard Cassette > CDR, disc 2 runs 74:25, CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston, posted to abgd via Charlie Connor notes
8977. 02/09/86 Flac LPCM 5.1 - 0, 138525 Oakland Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) SBD (shnid = 106119) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 74135) Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8) - mixing by Kevin Tobin notes
8978. 02/09/86 Flac Dts 5.1 - 0, 138523 Oakland Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix: SBD (shnid = 106119) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 74135) Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8) - dts mixing by Kevin Tobin notes
8979. 02/09/86 Flac Mtx. - 0, 138522 Oakland Henry J. Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid = 106119)Recording Info:SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 74135) Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8) - matrix mixing by Kevin Tobin notes
8980. 02/09/86 Flac - 0, 140206 Oakland Henry J. Kaiser Convention Center flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes
8981. 02/11/86 Flac - 0, 117261 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
8982. 02/11/86 Flac - 0, 117797 Oakland Henry J. Kaiser Convention Center flac16; Matrix of SBD (shnid=117263) and AUD (shnid=74961) by Jubal H. Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging) notes
8983. 02/11/86 Flac - 0, 119364 Oakland Henry J. Kaiser Convention Center flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/front Row Of Balcony/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo notes
8984. 02/11/86 Shn - 0, 11716 Oakland Henry J. Kaiser Convention Center notes
8985. 02/11/86 Flac - 0, 74961 Oakland Henry J. Kaiser Convention Center flac16; Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (lvl8) notes
8986. 02/11/86 Flac 24 - 0, 119363 Oakland Henry J. Kaiser Convention Center flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/front Row Of Balcony/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
8987. 02/11/86 Flac - 0, 135519 Oakland Henry J. Kaiser Convention Center flac16; Set 2 Recording Info: SBD -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
8988. 02/11/86 Flac 24 - 0, 117263 Oakland Henry J. Kaiser Convention Center flac24; Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes
8989. 02/11/86 Flac 24 - 0, 117798 Oakland Henry J. Kaiser Convention Center flac24; 24 Bit Matrix at 96 kHz Rate of SBD (shnid=117263) and AUD (shnid=74961) by Jubal H. Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut w/EQ > AIFF tracking via Audacity > FLAC24 via xACT w/meta-tagging) notes
8990. 02/12/86 Flac 16 - 0, 81517 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 notes
8991. 02/12/86 Flac 16 - 0, 119374 Oakland Henry J. Kaiser Convention Center flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
8992. 02/12/86 Shn - 0, 21614 Oakland Henry J. Kaiser Convention Center Bertha Remaster of the soundboard source. SBD>>(?)>>Wav(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A notes
8993. 02/12/86 Flac 24/48 - 0, 119373 Oakland Henry J. Kaiser Convention Center flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
8994. 02/12/86 Shn - 0, 3302 Oakland Henry J. Kaiser Convention Center AUD> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav v1.6 (tracking only)> SHNv3 (MKW ACT); taped, transferred and seeded to abgd by Charlie Connor; includes Nevilles set as d1; d3 tracked for 80 min notes
8995. 02/14/86 Shn - 0, 11625 Oakland Henry J. Kaiser Convention Center SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD; via David Gans; RE-Seeded to etree by Charlie Miller with 'simple bass lift'; See info file for details notes
8996. 02/14/86 Flac 16 - 0, 119392 Oakland Henry J. Kaiser Convention Center flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo notes
8997. 02/14/86 Flac 24/48 - 0, 119391 Oakland Henry J. Kaiser Convention Center flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
8998. 02/14/86 Shn - 0, 382 Oakland Henry J. Kaiser Convention Center SBD; via M. Lai; note d2t7 5:58? (Wharf Rat) reportedly skips back for a 1:27 repeat; fix up by 5/5/00; upgrade in circulation notes
8999. 02/14/86 Shn - 0, 10921 Oakland Henry J. Kaiser Convention Center SBD> PCM> Dat> Samplitude> Cool Edit Pro> CD; via David Gans; Seeded to etree by Charlie Miller notes
9000. 02/14/86 Flac 16 - 0, 140227 Oakland Henry J. Kaiser Convention Center flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes
9001. 02/14/86 Flac 16 - 0, 142427 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD > PCM (Vault Master) > Dat Clone (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes
9002. 02/14/86 Shn - 0, 29447 Oakland Henry J. Kaiser Convention Center Primary Source:Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's); Secondary Source: SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD (shn id 11625); The secondary source covers patches in the last 17 seconds of dt05(drums); the first 4:13 of d2t06 (space), and the first 6 seconds of d2t10 (Brokedown Palace: Recorded, Transferred, Patched and Tracked by Charlie Connor notes
9003. 03/19/86 Flac 16 - 0, 118517 Hampton Hampton Coliseum flac16; Sennheiser 441 + Sennheiser ME80-> 4 channel mic preamp/mixer, (mixer unknown)-> analog stereo out-> Technics RS-B68R home deck; Config/Location: ORTF behind board OTS (~20' behind board); Transfer: Metal Master TDK cassette>JVC TD-V661 3 head>Technics RS-B68R>unbalanced RCA analog inputs of Egosys Waveterminal 2496 record/tracked with CDWave @ 44.1>Macbook>Sound Studio 3.6(normalize peak, +gain)>xACT 2.15(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Unknown; Patch taped and transferred by: Mike Buyers; Processing and seeded by: Lenny Stubbe notes
9004. 03/19/86 Flac 16 - 0, 109838 Hampton Hampton Coliseum flac16; Set 1 only, Source: unknown soundboard * Lineage: cass > Denon DRR-730 > Sony RCD-W10 > cdr > eac > wav > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > CD Wave > TLH > Flac 16 notes
9005. 03/19/86 Flac 16 - 0, 34223 Hampton Hampton Coliseum flac16; Taper: JOEBEACON Nak 300 Mics w/ CP4 shotguns > Sony D5; upgrade in circulation notes
9006. 03/19/86 Flac 16 - 0, 77978 Hampton Hampton Coliseum flac16; Sennheiser 421s > Sony D-5 (Dolby B in) > MAC taped by Tim Alexander Transfer: Playback on Nakamich DR-1 (Dolby B out) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC Patch source: Mike Lai archive.org seed (Sony mikes > C > CD) - shnid 3905 notes
9007. 03/19/86 Flac 16 - 0, 109882 Hampton Hampton Coliseum flac16; Set 1 ONLY; Source: unknown soundboard * Lineage: cass > Denon DRR-730 > Sony RCD-W10 > cdr > eac > wav > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > CD Wave > TLH > Flac 16 notes
9008. 03/19/86 Flac 24/48 - 0, 78163 Hampton Hampton Coliseum flac24; SRC: Sennheiser 421s > Sony D-5 (Dolby B in) > MAC taped by Tim Alexander Transfer: Playback on Nakamich DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC Patch source: Mike Lai archive.org seed (Sony mikes > C > CD) - shnid 3905 notes
9009. 03/19/86 Flac 16 - 0, 140272 Hampton Hampton Coliseum flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes
9010. 03/19/86 Shn - 0, 3905 Hampton Hampton Coliseum aud> sony mics> cassette master> cdr; via Mike Lai notes
9011. 03/19/86 Flac 16 - 0, 81797 Hampton Hampton Coliseum flac16; Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs notes
9012. 03/19/86 Flac 16 - 0, 87597 Hampton Hampton Coliseum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes
9013. 03/19/86 Flac 16 - 0, 132686 Hampton Hampton Coliseum flac16; OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD notes
9014. 03/19/86 Flac 24/96 - 0, 127512 Hampton Hampton Coliseum flac24; source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9015. 03/19/86 Flac 16/48 - 0, 147518 Hampton Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - AUD1 (shnid = 132686) OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD + AUD2 (shnid = 140272) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - surround mixing by Kevin Tobin notes
9016. 03/19/86 Flac 16 Dts.5.1 - 0, 147517 Hampton Hampton Coliseum b>DTS-Audio-CD 5.1 Mix; - AUD1 (shnid = 132686) OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD + AUD2 (shnid = 140272) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - dts mixing by Kevin Tobin notes
9017. 03/19/86 Flac 16 Mtx - 0, 147516 Hampton Hampton Coliseum flac16; Matrix 2 Audience Source Mix - AUD1 (shnid = 132686) OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD + AUD2 (shnid = 140272) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - matrix mixing by Kevin Tobin notes
9018. 03/19/86 Flac 16/48 - 0, 151154 Hampton Hampton Coliseum flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
9019. 03/19/86 Flac 24/96 - 0, 151155 Hampton Hampton Coliseum flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
9020. 03/19/86 Flac 24/96 - 0, 151705 Hampton Hampton Coliseum flac24/96khz Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96 Recording by Kenny Mance. Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel. February 02, 2021. notes
9021. 03/19/86 Flac 24/96 - 0, 151976 Hampton Hampton Coliseum flac24/96 This is a fixed version of shnid 151705. Original release had channels reversed. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by Kenny Mance. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 02, 2021. notes
9022. 03/19/86 Flac 16/44 - 0, 151949 Hampton Hampton Coliseum flac16/44 Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96 Recording by Kenny Mance Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 02, 2021. Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021 notes
9023. 03/19/86 Flac 16/44 - , 156021 Hampton Hampton Coliseum flac1644 Source: MAUD CA Microphones: set 1: AKG c422 cardioid's (X-Y at 90') head level|AKG B18 set 2: Beyer M201 XY head level Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd D5M in line) Location: approximately 40 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Sean Murtha, Gary Steel, Kyle Holbrook, Tom Pinney, John Hance Transferred: Kyle Holbrook notes
9024. 03/19/86 Flac 24/48 - , 156022 Hampton Hampton Coliseum flac2448 Source: MAUD CA Microphones: set 1: AKG c422 cardioid's (X-Y at 90') head level|AKG B18 set 2: Beyer M201 XY head level Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd D5M in line) Location: approximately 40 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Sean Murtha, Gary Steel, Kyle Holbrook, Tom Pinney, John Hance Transferred: Kyle Holbrook notes
9025. 03/20/86 Flac 16 - 0, 107321 Hampton Hampton Coliseum flac16; Updated source info: Unknown Audience Source Respeed Processing: SHN>FLAC>WAV>Cool Edit Pro Processing>FLAC (Had been marked: Matrix SBD>MC>C>CD>SHN> Respeed Processing: SHN>FLAC>WAV>Cool Edit Pro Processing>FLAC) notes
9026. 03/20/86 Shn - 0, 8098 Hampton Hampton Coliseum Updated Source info: Unknown Audience Recording (Had been marked: Matrix SBD>MC>C>CD) Some minor digi-noise noted; See txt for details; via Jim Skinner; Seeded to etree by Willy notes
9027. 03/20/86 Flac 16 - 0, 87611 Hampton Hampton Coliseum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cooledit pro > flac frontend notes
9028. 03/20/86 Flac 16 - 0, 140273 Hampton Hampton Coliseum flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes
9029. 03/20/86 Flac 16 - 0, 81845 Hampton Hampton Coliseum flac16; Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. notes
9030. 03/20/86 Shn - 0, 3906 Hampton Hampton Coliseum aud> sony mics> cassette master> cdr; via Mike Lai; reportedly may circulate with or without Comes a Time, possibly from 3/31/86, as filler (d1t10) notes
9031. 03/20/86 Flac 16 - 0, 132687 Hampton Hampton Coliseum flac16; OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD notes
9032. 03/20/86 Flac 24/96 - 0, 127513 Hampton Hampton Coliseum b>flac24; source: (2) akg shotguns> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9033. 03/20/86 Flac 16/48 - 0, 151196 Hampton Hampton Coliseum notes
9034. 03/20/86 Flac 16/48 - 0, 151196 Hampton Hampton Coliseum flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
9035. 03/20/86 Flac 24/96 - 0, 151197 Hampton Hampton Coliseum flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
9036. 03/20/86 Flac 16/44 - , 156023 Hampton Hampton Coliseum flac1644 Source: MAUD CA Microphones: Beyer M201 XY head level Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd D5M in line) Location: approximately 40 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Sean Murtha, Gary Steel?, Mike Davis, Kenny Davis, Kyle Holbrook?, Tom Pinney, John Hance Transferred: Kyle Holbrook notes
9037. 03/20/86 Flac 24/48 - , 156024 Hampton Hampton Coliseum flac2448 Source: MAUD CA Microphones: Beyer M201 XY head level Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd D5M in line) Location: approximately 40 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Sean Murtha, Gary Steel?, Mike Davis, Kenny Davis, Kyle Holbrook?, Tom Pinney, John Hance Transferred: Kyle Holbrook notes
9038. 03/21/86 Shn - 0, 8453 Hampton Hampton Coliseum 1st set only; Updated lineage: Unknown Audience recording (Had been marked: Matrix SBD>MC>C>CD); via Jim Skinner; Seeded to etree by Willy notes
9039. 03/21/86 Flac 16 - 0, 140274 Hampton Hampton Coliseum flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes
9040. 03/21/86 Flac 16/48 - 0, 142450 Hampton Hampton Coliseum flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k notes
9041. 03/21/86 Flac 16 - 0, 142491 Hampton Hampton Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 142450) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 107555) source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files - matrix mixing by Kevin Tobin notes
9042. 03/21/86 Flac 16/48 - 0, 142493 Hampton Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 142450) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 107555) source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files - surround mixing by Kevin Tobin notes
9043. 03/21/86 Shn - 0, 5178 Hampton Hampton Coliseum Nakamichi 300 with Shotguns, Marantz PMD-430; Transfer: Nakamichi BR3 -> Cool Edit 2000 -> Shn; see info file for flaw notes; via Willy notes
9044. 03/21/86 Flac 16 - 0, 87638 Hampton Hampton Coliseum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes
9045. 03/21/86 Flac 16 - 0, 132688 Hampton Hampton Coliseum flac16; OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M>Fuji Metal; Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD notes
9046. 03/21/86 Flac 16 - 0, 107555 Hampton Hampton Coliseum flac16; source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files notes
9047. 03/21/86 Flac 24/96 - 0, 127531 Hampton Hampton Coliseum flac24; source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9048. 03/21/86 Flac 16 - 0, 81864 Hampton Hampton Coliseum flac16; Source: Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. notes
9049. 03/21/86 Flac 16 Dts.5.1 - 0, 142492 Hampton Hampton Coliseum notes
9050. 03/21/86 Flac 16/48 - 0, 151198 Hampton Hampton Coliseum flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
9051. 03/21/86 Flac 24/96 - 0, 151199 Hampton Hampton Coliseum flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
9052. 03/21/86 Flac 16/44 - , 156025 Hampton Hampton Coliseum flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel?, Kyle Holbrook?, Tom Pinney Transfer by: Kyle Holbrook notes
9053. 03/21/86 Flac 24/48 - , 156026 Hampton Hampton Coliseum flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel?, Kyle Holbrook?, Tom Pinney Transfer by: Kyle Holbrook notes
9054. 03/23/86 Flac 16 - 0, 102167 Philadelphia The Spectrum flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8 notes
9055. 03/23/86 Shn - 0, 15244 Philadelphia The Spectrum MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's) > wav > shn; Note- This is an sbefix of ; this source notes
9056. 03/23/86 Flac 16 - 0, 133940 Philadelphia The Spectrum flac16; Partial Set 2 Source: SBD > ? > Cassette. Transfer: Hitachi ME-Metal > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Andrew F. 08/2015 notes
9057. 03/23/86 Flac 16 - 0, 141998 Philadelphia The Spectrum flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes
9058. 03/23/86 Flac 16/48 - 0, 142392 Philadelphia The Spectrum flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k notes
9059. 03/23/86 Flac 16 - 0, 133873 Philadelphia The Spectrum flac16; FOB Schoeps CMC3s/MK4s>PCM>DAT; Transfer: DAT>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by Unknown; de-emphasis version of source ID 132708 using xACT 2.34 by chillwig notes
9060. 03/23/86 Flac 16 - 0, 132708 Philadelphia The Spectrum flac16; FOB Schoeps CMC3s/MK4s>PCM>DAT; Transfer: DAT>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by Unknown; CDRs provided by Mark Lynn; Conversion to wav>flac by DATBRAD notes
9061. 03/23/86 Shn - 0, 15203 Philadelphia The Spectrum MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's) > wav > shn notes
9062. 03/23/86 Shn - 0, 79565 Philadelphia The Spectrum Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools. Taped & Transfered by Brian Mandel notes
9063. 03/23/86 Flac 16 - 0, 79879 Philadelphia The Spectrum flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci notes
9064. 03/23/86 Flac 16 - 0, 111956 Philadelphia The Spectrum flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (up front-center) > Nak MX100 w/2001 > Sony TC-D5M (dolby off) - master analog cassettes; Transfer: Sony TC-D5M (original record deck-dolby off) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
9065. 03/23/86 Flac 16 - 0, 87649 Philadelphia The Spectrum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes
9066. 03/23/86 Flac 24/96 - 0, 127536 Philadelphia The Spectrum flac24; source: schoeps CMC 44> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9067. 03/23/86 Flac 16/48 - 0, 145705 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 142392) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 141998) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - surround mixing by Kevin Tobin notes
9068. 03/23/86 Flac 16 Dts.5.1 - 0, 145703 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 142392) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 141998) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - dts mixing by Kevin Tobin notes
9069. 03/23/86 Flac 16 Mtx - 0, 145702 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 142392) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 141998) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - matrix mixing by Kevin Tobin notes
9070. 03/23/86 Flac 24/96 - 0, 148873 Philadelphia The Spectrum flac24; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
9071. 03/23/86 Flac 16/48 - 0, 148872 Philadelphia The Spectrum flac16/48kHz; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9072. 03/23/86 Flac 24/48 - , 156077 Philadelphia The Spectrum flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: 1st Gen AUDCA Maxell MX90 No NR [KH; SM master] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney notes
9073. 03/23/86 Flac 16/44 - , 156076 Philadelphia The Spectrum flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: 1st Gen AUDCA Maxell MX90 No NR [KH; SM master] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney notes
9074. 03/23/86 Flac 24/96 - , 156623 Philadelphia The Spectrum flac2496 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
9075. 03/23/86 Flac 16/48 - , 156622 Philadelphia The Spectrum flac1648 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
9076. 03/24/86 Shn - 0, 22783 Philadelphia The Spectrum Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller notes
9077. 03/24/86 Flac 16 - 0, 103442 Philadelphia The Spectrum flac16; FOB recording By Tony Lochner Schoeps CMC-441 60 degrees AUD>PCM-F1/SL-2000 Betamax>F1 Copy>F1 Copy Transferred media is Sony PRO-X L-500, master and intermediate copy unknown Mic power supply unknown, probably Doug Oade 18V supply Transfer: Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 at 24/44.1 Mike Grace Fall2009 Editing-Mastering:Jamie Waddell on GEMS Edit Station. Weiss=Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither FLACLevel8 notes
9078. 03/24/86 Flac 16 - 0, 102168 Philadelphia The Spectrum flac16; Taper: Greg Holtz Source: 2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8 (note: This source originally circulated with a corrupt track 02.) notes
9079. 03/24/86 Flac 16 - 0, 92275 Philadelphia The Spectrum flac16; 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] notes
9080. 03/24/86 Flac 24/96 - 0, 92276 Philadelphia The Spectrum flac24; 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] notes
9081. 03/24/86 Flac 16 - 0, 139772 Philadelphia The Spectrum flac16; Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT notes
9082. 03/24/86 Shn - 0, 79610 Philadelphia The Spectrum Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools notes
9083. 03/24/86 Flac 16 - 0, 87655 Philadelphia The Spectrum flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend notes
9084. 03/24/86 Shn - 0, 16746 Philadelphia The Spectrum Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN This is a new seed, with sector boundary errors fixed but otherwise no changes, April 2003. (Peter Braverman) notes
9085. 03/24/86 Shn - 0, 5570 Philadelphia The Spectrum AUD> Sony microphones> Nakamichi BX-300 deck> Maxell metal cassette, Recorded by Tony Cirella; Playback: Nakamichi DR?10> Monster analog cables> Tascam CD-RW700 CD burner> CD, transfer by Paul B.; EAC>SHN Greg Kerbel; tape flip in Space notes
9086. 03/24/86 Shn - 0, 7480 Philadelphia The Spectrum Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Peter Braverman; upgrade in circulation notes
9087. 03/24/86 Flac 16 - 0, 107413 Philadelphia The Spectrum flac16; source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files notes
9088. 03/24/86 Flac 16 - 0, 102654 Philadelphia The Spectrum flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick; recorded by Jon Pasternak notes
9089. 03/24/86 Shn - 0, 17890 Philadelphia The Spectrum Source: Schoeps CMC 4's/MK 4's > Sony D5 > DA-P1 > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT The between track crowd noise in the first set was edited out on the source discs. I used crossfades to make this as fluid as possible. Thanks to Mark McCue for the source discs. EAC'd/Seeded by Doug Nawrocki notes
9090. 03/24/86 Flac 24/96 - 0, 127535 Philadelphia The Spectrum flac24; source: schoeps CMC 44> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9091. 03/24/86 Shn - 0, 21920 Philadelphia The Spectrum Soundboard > ? > CDR > Shn; seeded by Joey Browning; Shn converted with Mkw by Robert Goetz; upgrade in circulation notes
9092. 03/24/86 Flac 16/48LPCM - 0, 148734 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 22783) Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller + AUD1 (shnid = 79610) (Set 1 Only) Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools + AUD2 (shnid = 139772) (Set 2 Only) Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT - surround mixing by Kevin Tobin notes
9093. 03/24/86 Flac 16 Dts.5.1 - 0, 148733 Philadelphia The Spectrum flac16; DTS-Audio-CD 5.1 Mix SBD (shnid = 22783) Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller + AUD1 (shnid = 79610) (Set 1 Only) Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools + AUD2 (shnid = 139772) (Set 2 Only) Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT - dts mixing by Kevin Tobin notes
9094. 03/24/86 Flac 16 Mtx - 0, 148732 Philadelphia The Spectrum flac16; Matrix 3 Source Mix - SBD (shnid = 22783) Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller + AUD1 (shnid = 79610) (Set 1 Only) Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools + AUD2 (shnid = 139772) (Set 2 Only) Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT - matrix mixing by Kevin Tobin notes
9095. 03/24/86 Flac 16 - 0, 151214 Philadelphia The Spectrum Recording Info: (FOB) Neumann KM84i > PCM Master (Sony PCM F1/SL2000) > PCM Clone
Transfer Info: PCM Clone (Sony SL-HF860D) > Sony PCM-601ESD > Behringer Ultramatch Pro (16-bit/44.1k) > Tascam SS-CDR200 > Samplitude Pro X5 Suite > FLAC/16
notes
9096. 03/24/86 Flac 24/48 - , 156079 Philadelphia The Spectrum flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby, third deck in line Location: 45 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel Transfer by: Kyle Holbrook notes
9097. 03/24/86 Flac 16/44 - , 156078 Philadelphia The Spectrum flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby, third deck in line Location: 45 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel Transfer by: Kyle Holbrook notes
9098. 03/25/86 Shn - 0, 9880 Philadelphia The Spectrum Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start notes
9099. 03/25/86 Flac 16 - 0, 111954 Philadelphia The Spectrum flac16; MAC; (FOB) Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) Maxell MA-R 90(Set II); Taped by Mark McCue; Transferred, Edited and Mastered by Alex Ford notes
9100. 03/25/86 Flac 16 - 0, 102169 Philadelphia The Spectrum flac16; Taper: Greg Holtz Source: 2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8 notes
9101. 03/25/86 Shn - 0, 9404 Philadelphia The Spectrum SBD> Master Cassette> DAT> CD> SHN; via Rob Harrison; Seeded to etree by Peter Braverman; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start; upgrade in circulation notes
9102. 03/25/86 Flac 16 - 0, 139773 Philadelphia The Spectrum flac16; Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK4's > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT notes
9103. 03/25/86 Flac 16 - 0, 105580 Philadelphia The Spectrum flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD front row of taper's section behind soundboard by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
9104. 03/25/86 Flac 24/96 - 0, 127540 Philadelphia The Spectrum flac24; source: nakamichi 700> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9105. 03/25/86 Flac 16 - 0, 117825 Philadelphia The Spectrum flac16; Source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
9106. 03/25/86 Flac 16 - 0, 87672 Philadelphia The Spectrum flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9107. 03/25/86 Shn - 0, 80002 Philadelphia The Spectrum Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel notes
9108. 03/25/86 Flac 16 - 0, 79901 Philadelphia The Spectrum flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes
9109. 03/25/86 Shn - 0, 3188 Philadelphia The Spectrum AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor; flip in Don't Ease, no other flaws noted; d2 tracked for 80 min notes
9110. 03/25/86 Flac 16/48 - 0, 145624 Philadelphia The Spectrum b>flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN + AUD (shnid = 3188) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - surround mixing by Kevin Tobin notes
9111. 03/25/86 Flac Dts 5.1 - 0, 145623 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN + AUD (shnid = 3188) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - dts mixing by Kevin Tobin notes
9112. 03/25/86 Flac 16 - 0, 145618 Philadelphia The Spectrum flac16; Patched & Pitch Corrected Soundboard - SBD (original shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start - pitch correction and patches by Kevin Tobin notes
9113. 03/25/86 Flac 16 - 0, 145619 Philadelphia The Spectrum flac16; Patched & Pitch Corrected Audience - AUD (original shnid = 3118) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - pitch correction and patches by Kevin Tobin notes
9114. 03/25/86 Flac 16 Mtx - 0, 145620 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN + AUD (shnid = 3188) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - matrix mixing by Kevin Tobin notes
9115. 03/25/86 Flac 24/96 - 0, 151099 Philadelphia The Spectrum flac24/96khz Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
9116. 03/25/86 Flac 16/48 - 0, 151098 Philadelphia The Spectrum flac16/48khz Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
9117. 03/25/86 Flac 24/48 - , 156081 Philadelphia The Spectrum flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney notes
9118. 03/25/86 Flac 16/44 - , 156080 Philadelphia The Spectrum flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney notes
9119. 03/27/86 Flac 16 - 0, 121600 Portland Cumberland County Civic Center flac16; SBD -> Cassette Master -> Reel -> Dat -> ? -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
9120. 03/27/86 Shn - 0, 26347 Portland Cumberland County Civic Center SBD> Cassette Master> Reel> Dat> ?> Dat> CD -> EAC> SHN; plus AUD patch from (FOB) Neumann U87> Cassette Master> CD, using Samplitude v7.02 Professional; SHN Conversion and Patch By Charlie Miller; Upgrade in circulation notes
9121. 03/27/86 Shn - 0, 5003 Portland Cumberland County Civic Center FOB (center)> AUD> MC> CDR; Neumann U87's> Uher CR240> Maxell XLII 90 Cass. Master> Marantz Pro CDR 500; Paul Hogan recording; EAC/SHN by Charles Hogan notes
9122. 03/27/86 Flac 16 - 0, 79067 Portland Cumberland County Civic Center flac16; MAC (Sennheiser 421s + Nakamichi 300 shotguns > Yamaha mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC notes
9123. 03/27/86 Shn - 0, 95808 Portland Cumberland County Civic Center S:D>C>D>CDR Set two could have a extra analog generation. Downloaded from Furthur 10/2008 - no other info in text file notes
9124. 03/27/86 Flac 24/48 - 0, 79187 Portland Cumberland County Civic Center flac24; MAC (Sennheiser 421s + Nakamichi 300 shotguns > Yamaha mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC notes
9125. 03/27/86 Flac 16 - 0, 106565 Portland Cumberland County Civic Center flac16;Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) . Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes
9126. 03/27/86 Flac 16 - 0, 139324 Portland Cumberland County Civic Center flac16; Schoeps CMC4/MK4 > Oade pcm > Bryant pcm patch > Gastwirt dat (cloned from Bryant pcm); Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT notes
9127. 03/27/86 Flac 24/96 - 0, 139468 Portland Cumberland County Civic Center flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT This is your collection notes
9128. 03/27/86 Flac 16 - 0, 141048 Portland Cumberland County Civic Center flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
9129. 03/27/86 Flac 24/96 - 0, 127543 Portland Cumberland County Civic Center flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9130. 03/27/86 Flac 16 - 0, 35289 Portland Cumberland County Civic Center flac16; Source: FOB Nakamichi 700s > Sony D6 > Maxell MX90 metal master audience cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (preamp and A/D) > firewire/P4/XP Pro > recorded as 24 bit/96 KHz WAV (Wavelab 5) > rendered to 16 bit/44.1 KHz WAV (Waves L3 Multimaximizer, hi res CD settings) > tracking (CDWAV 1.9) > FLAC, level 8 encoding notes
9131. 03/27/86 Shn - 0, 24029 Portland Cumberland County Civic Center Source: FOB(CENTER)>AUD>MC>CDR Neumann U87's>Uher CR240>Maxell XLII 90 Cass. Master>Marantz Pro CDR 500 Paul Hogan recording. Note: Original seed (shnid#5003) was TAO. Someone fixed it and uploaded it to TOL in 3/03. notes
9132. 03/27/86 Flac 16 - 0, 107068 Portland Cumberland County Civic Center flac16; Beyer M-88's XY 90w/D5 40 feet away,5 feet high,center Mac>NakCR-3A>AudigySE>Audacity>CDwave>TLH; Recorded by Tom Pinney Transferred by Russ Cansler notes
9133. 03/27/86 Flac 16 - 0, 87700 Portland Cumberland County Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9134. 03/27/86 Flac 24/96 - , 156131 Portland Cumberland County Civic Center flac2496 Microphones: AKG 422 XY fig 8's > Nakamichi 550 > Recorder: Sony TC-D5M No Dolby Maxell MX90 x 2 Location: 40 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: s1: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens Transfer by: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP notes
9135. 03/27/86 Flac 16/44 - , 156130 Portland Cumberland County Civic Center flac1644 Microphones: set 1 Beyer m201 (hypercardioid) XY 90º set 2 AKG 422 XY fig 8's > Nakamichi 550 > Recorder: Sony TC-D5M No Dolby Maxell MX90 x 2 Location: 40 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: s1: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens Transfer by: Kyle Holbrook notes
9136. 03/28/86 Flac 16 Mtx - 0, 95598 Portland Cumberland County Civic Center flac16; Sick Bits Vol. 28 - AUD1/SBD/AUD2 matrix of 3 previously circulating sources: AUD1 (shnid=32520) + SBD (shnid=31603) + AUD2 (shnid=5004)-low end only. Matrixed by Chris Chappell. notes
9137. 03/28/86 Flac 16 - 0, 88950 Portland Cumberland County Civic Center flac16; MOTB Release: 0032 16/44.1Source: Audience FOB Recording Media: MAC = Denon HD8 90 Lineage: 2 x AKG C 460 B-ULS/CK 61-ULS => Uher CR-240 >> MAC Transfer: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [S/PDIF] => TASCAM HD-P2 >> WAV [24/96] Taped by: D. Thompson Transfer by: A. Egert Mastering by: D. McCabe notes
9138. 03/28/86 Flac 16 - 0, 31603 Portland Cumberland County Civic Center flac16; Updated Lineage: SBD (Tascam322 to Marantz CDR500) > Cx? > CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC Frontend notes
9139. 03/28/86 Flac 24/96 - 0, 88953 Portland Cumberland County Civic Center flac24; MOTB Release: 0032 24/96 Source: Audience FOB Recording Media: MAC = Denon HD8 90 Lineage: 2 x AKG C 460 B-ULS/CK 61-ULS => Uher CR-240 >> MAC Transfer: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [S/PDIF] => TASCAM HD-P2 >> WAV [24/96] Taped By: D. Thompson Transfer By: A. Egert Mastering By: D. McCabe notes
9140. 03/28/86 Flac 16 - 0, 32520 Portland Cumberland County Civic Center flac16; Source: FOB Sennheiser ME88 > D5 > Maxell Metal Cassette master. Transfer: Playbackon Nakamichi BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > FLAC. Original recording, transfer, and FLAC'ing by Bill K. Mastering: Wavelab 5 (crossfades to smooth flips, minimal Waves L3 (-1 dB threshold)) > CDWAV 1.9 > FLAC by Chris L. notes
9141. 03/28/86 Flac 16 - 0, 106564 Portland Cumberland County Civic Center flac16;Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes
9142. 03/28/86 Flac 16 - 0, 79289 Portland Cumberland County Civic Center flac16; Sennheiser 421s + Nakamichi 300s > Yamaha mixer > Sony D5 (Dolby B) > MAC taped by Tim Alexander Transfer: MAC playback on Nakamichi DR-1 > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC notes
9143. 03/28/86 Flac 16 - 0, 139325 Portland Cumberland County Civic Center flac16; Schoeps CMC4/MK4 > Oade pcm > Bryant pcm patch > Gastwirt dat (cloned from Bryant pcm); Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT notes
9144. 03/28/86 Flac 24/96 - 0, 139469 Portland Cumberland County Civic Center flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
9145. 03/28/86 Flac 16 - 0, 141049 Portland Cumberland County Civic Center flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
9146. 03/28/86 Flac 16 - 0, 87706 Portland Cumberland County Civic Center flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9147. 03/28/86 Shn - 0, 5004 Portland Cumberland County Civic Center FOB (Center)> AUD> MC> CDR Neumann U87's> Uher CR240> Maxell XLII 90 Cass. Master> Marantz Pro CDR 500; Paul Hogan Recording; EAC/SHN by Charles Hogan notes
9148. 03/28/86 Flac 24/96 - 0, 127544 Portland Cumberland County Civic Center flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9149. 03/28/86 Flac 24/48 - 0, 79328 Portland Cumberland County Civic Center flac24; MAC (2 Sennheiser 421s + 2 Nakamichi 300 shotguns > Yamaha mixer > Sony D5) taped by Tim Alexander. Transfer: MAC played back on Nakamichi DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC notes
9150. 03/28/86 Flac 24/96 - , 156133 Portland Cumberland County Civic Center flac2496 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; DFC Transfer: s1: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP notes
9151. 03/28/86 Flac 16/44 - , 156132 Portland Cumberland County Civic Center flac1644 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; DFC Transfer: s1: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP notes
9152. 03/30/86 Flac 16 - 0, 106110 Providence Providence Civic Center flac16; Recording Info: SBD -> ? -> 2nd Gen Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
9153. 03/30/86 Flac 16 - 0, 106566 Providence Providence Civic Center flac16;Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes
9154. 03/30/86 Flac 24/96 - 0, 139470 Providence Providence Civic Center flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
9155. 03/30/86 Flac 16 - 0, 139523 Providence Providence Civic Center flac16; Source: FOB recording > Schoeps cmc4 mk41 > pcm > dat (44.1k) - recorded by Robert Bryant (patched out of the Oades) and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick 10/07/2017 notes
9156. 03/30/86 Flac 16 - 0, 141050 Providence Providence Civic Center flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
9157. 03/30/86 Flac 16/48 - 0, 142406 Providence Providence Civic Center flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k notes
9158. 03/30/86 Flac 16 - 0, 103229 Providence Providence Civic Center flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
9159. 03/30/86 Shn - 0, 10076 Providence Providence Civic Center Nak 300/Sony D5> Nakamichi BX-300> CD; via Stephen B. Porter; Seeded to etree by Peter Braverman notes
9160. 03/30/86 Flac 16 - 0, 87741 Providence Providence Civic Center flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9161. 03/30/86 Flac 24/96 - 0, 127545 Providence Providence Civic Center flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9162. 03/30/86 Shn - 0, 25526 Providence Providence Civic Center Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller notes
9163. 03/30/86 Flac 24/48 - , 156187 Providence Providence Civic Center flac2448 ource: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 200 feet from stage; 30 feet LOC Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP notes
9164. 03/30/86 Flac 16/48 - , 156186 Providence Providence Civic Center flac1648 Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 200 feet from stage; 30 feet LOC Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP notes
9165. 03/31/86 Flac 16 - 0, 106111 Providence Providence Civic Center flac16; Recording Info: SBD -> ? -> 2nd Gen Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
9166. 03/31/86 Flac 16 - 0, 83186 Providence Providence Civic Center flac16; Source: Audience FOB Recording Media: TDK HX-90 Cassette Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: D. Thompson Transfer by: A. Egert Mastering by: SIRMick notes
9167. 03/31/86 Flac 16 - 0, 106556 Providence Providence Civic Center flac16; Nakamichi Cm-300 X2 > Cassette Master (sony Tcd5m/maxell Mx 90) Cassette Master (nakamichi Dr-1) > Korg Mr-1000 (1-bit/5.6mhz) > Audiogate (1-bit/5.6mhz > 16-bit/44.1khz) > Cdwav (edits); Recorded from Taper section 8, Row F, Seat 2 by Bob Morris notes
9168. 03/31/86 Flac 24/96 - 0, 83475 Providence Providence Civic Center flac24/96; Source: Audience FOB Recording Media: TDK HX-90 Cassette Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: D. Thompson Transfer by: A. Egert Mastering by: SIRMick notes
9169. 03/31/86 Flac 16 - 0, 122001 Providence Providence Civic Center flac16; Recording Info: (FOB) Schoeps -> PCM -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> SHN -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Recorded By Jon Pasternak notes
9170. 03/31/86 Flac 24/96 - 0, 139471 Providence Providence Civic Center flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
9171. 03/31/86 Flac 16 - 0, 141051 Providence Providence Civic Center flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
9172. 03/31/86 Flac 16/48 - 0, 142429 Providence Providence Civic Center flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k notes
9173. 03/31/86 Shn - 0, 13463 Providence Providence Civic Center AUD>MC>CDR; via Mr.Benson; seedeD notes
9174. 03/31/86 Flac 24/96 - 0, 127552 Providence Providence Civic Center flac24; source: (3) atm 11> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9175. 03/31/86 Flac 24/96 - 0, 127568 Providence Providence Civic Center flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc;conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9176. 03/31/86 Flac 16 - 0, 88001 Providence Providence Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shot guns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9177. 03/31/86 Flac 16 - 0, 79912 Providence Providence Civic Center flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: *OTS Floor Sec 7 Row C, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci notes
9178. 03/31/86 Flac 16 - 0, 102337 Providence Providence Civic Center flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
9179. 03/31/86 Shn - 0, 25527 Providence Providence Civic Center Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info:Nakamichi 300/CP4 -> Master Cassette (Marantz PMD430) -> CD (Tascam CDRW5000) -> EAC -> Cool Edit Pro v1.2 -> SHN (Taped By Jon Pasternak) via Charlie Miller; the origianal seed for this source had a flaw in d2t06; Upgrade in circulation notes
9180. 03/31/86 Shn - 0, 25294 Providence Providence Civic Center Taped:Joe Damico Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Brian Mandel Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verified via shn tools notes
9181. 03/31/86 Flac 24/48 - , 156189 Providence Providence Civic Center flac2448 Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 > Nakamichi 550 mic deck Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 175 feet from stage; Center Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP notes
9182. 03/31/86 Flac 16/44 - , 156188 Providence Providence Civic Center flac1644 Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 > Nakamichi 550 mic deck Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 175 feet from stage; Center Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP notes
9183. 04/01/86 Flac 16 - 0, 106114 Providence Providence Civic Center flac16; Recording Info: SBD -> ? -> 2nd Gen Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
9184. 04/01/86 Flac 16 - 0, 101104 Providence Providence Civic Center flac16; AUD: Sennheiser MD-441's > Sony TC-D5M > Maxell MX-90's, no Dolby, next to the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. notes
9185. 04/01/86 Flac 16 - 0, 106555 Providence Providence Civic Center flac16:Recording by Bob Morris. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90). Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) notes
9186. 04/01/86 Flac 24/96 - 0, 101103 Providence Providence Civic Center flac24; AUD: Sennheiser MD-441's > Sony TC-D5M > Maxell MX-90's, no Dolby, next to the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. notes
9187. 04/01/86 Flac 24/96 - 0, 139472 Providence Providence Civic Center flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
9188. 04/01/86 Flac 16 - 0, 141052 Providence Providence Civic Center flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
9189. 04/01/86 Flac 16/48 - 0, 142452 Providence Providence Civic Center flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k notes
9190. 04/01/86 Shn - 0, 17810 Providence Providence Civic Center Unknown Sony Mics> Sony TC-D5> Maxell Metal Cassette; Transfer: Nakamichi DR-10> Monster Analog cables> Tascam CD-RW700 Burner; Edit: EAC (IOMEGA CDRW9602EXT-B, Secure with C2, accurate stream, NO disable cache, Read offset correction = -147)> CE2K> SHNTOOL> mkwACT; via mattman notes
9191. 04/01/86 Shn - 0, 25529 Providence Providence Civic Center Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 300/CP4 -> Master Cassette (Sony D5) -> CD via Charlie Miller notes
9192. 04/01/86 Shn - 0, 7342 Providence Providence Civic Center Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Stephen B. Porter; Peter Braverman. [Note: Original shn set had sbe's on all tracks - a sbe-fixed-by set- version also circulates] notes
9193. 04/01/86 Flac 24/96 - 0, 127676 Providence Providence Civic Center flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9194. 04/01/86 Flac 24/96 - 0, 127553 Providence Providence Civic Center flac24; source: (3) atm 11> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9195. 04/01/86 Flac 16 - 0, 88016 Providence Providence Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9196. 04/01/86 Flac 16 - 0, 79925 Providence Providence Civic Center flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: *OTS Floor Sec 7 Row F, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes
9197. 04/01/86 Flac 24/48 - , 156191 Providence Providence Civic Center flac2448 Recording Information: Source: MAUD CA Microphones: AKG c422 cardiods's (X-Y at 90')|AKG B18 7' high Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 150 feet from stage; Front row OTS Transfer: Nakamichi LX-5> Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook notes
9198. 04/01/86 Flac 16/44 - , 156190 Providence Providence Civic Center flac1644 Source: MAUD CA Microphones: AKG c422 cardiods's (X-Y at 90')|AKG B18 7' high Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 150 feet from stage; Front row OTS Transfer: Nakamichi LX-5> Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook notes
9199. 04/03/86 Shn - 0, 2789 Hartford Hartford Civic Center SBD> Master Cassette> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M. notes
9200. 04/03/86 Shn - 0, 18509 Hartford Hartford Civic Center Vault PCM Master->10 inch reels at 15 ips->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman Transfer and SHN by Joe Samaritano notes
9201. 04/03/86 Flac 16 - 0, 76097 Hartford Hartford Civic Center flac16; FOB/TS - Schoeps CMC 44 Cardioids > Sony PCM F1, FOB > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl 8 notes
9202. 04/03/86 Flac 16 - 0, 106553 Hartford Hartford Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
9203. 04/03/86 Flac 16 - 0, 142712 Hartford Hartford Civic Center flac16; Recording Info: PCM Master > Neve 8068 Console > Reel (Studer A80/10in 7.5ips 1/2trk); Transfer Info: Reel > Pro Tools (24-bit/96k) > WAV; Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; This is 142690 24 -> 16 notes
9204. 04/03/86 Flac 24/96 - 0, 142699 Hartford Hartford Civic Center flac24; Recording Info: PCM Master > Neve 8068 Console > Reel (Studer A80/10in 7.5ips 1/2trk); Transfer Info: Reel > Pro Tools (24-bit/96k) > WAV; Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; This is a patched version of shnid=142690 notes
9205. 04/03/86 Flac 16 - 0, 88022 Hartford Hartford Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9206. 04/03/86 Shn - 0, 86824 Hartford Hartford Civic Center akamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Location: 10Flor Sec 8 Row N Seat 3 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Taped & Transfered by Brian Mandel notes
9207. 04/03/86 Flac 16 - 0, 77346 Hartford Hartford Civic Center flac16; Source: Nakamichi CM304's(pointed)>Sony D5M(Maxell MX) Location: OTS Stand at 10 feet. Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>cdwav>flac16 Taped, Transfered and uploaded by Tony Suraci notes
9208. 04/03/86 Flac 24/96 - 0, 103357 Hartford Hartford Civic Center flac24; source: nak 300/cp4 (@ board, 12') > tcd5m (tdk mar 90 +dolby) transfer: master cassette > tcd5m (orig recorder +dolby) > minime (24/96) > sd744t > audacity > xact (flac24) recorded: david lane/david barfield transferred/seeded: david barfield notes
9209. 04/03/86 Flac 24/96 - 0, 127695 Hartford Hartford Civic Center flac24; source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9210. 04/03/86 Flac 24/96 - 0, 148582 Hartford Hartford Civic Center flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
9211. 04/03/86 Flac 16/48 - 0, 148581 Hartford Hartford Civic Center flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9212. 04/03/86 Flac 16/44 - , 156235 Hartford Hartford Civic Center flac1644 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 50 feet from stage; DFC Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This AKG c422 recording dedicated to our brother Kenny Davis notes
9213. 04/03/86 Flac 24/48 - , 156236 Hartford Hartford Civic Center flac2448 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 50 feet from stage; DFC Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This AKG c422 recording dedicated to our brother Kenny Davis notes
9214. 04/04/86 Flac 16 - 0, 76152 Hartford Hartford Civic Center flac16; Schoeps CMC 44 Cardioids > Sony PCM F1, FOB/TS > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl8 notes
9215. 04/04/86 Flac 16 - 0, 108472 Hartford Hartford Civic Center flac16; AKG C-422>D5; AUD Master Cassettes (2-Maxell MX90)>NAK 1.5>wav>flac16 (Traders Little Helper) Type I - No Dolby - No Normalization or mastering of any kind notes
9216. 04/04/86 Shn - 0, 13464 Hartford Hartford Civic Center AUD>MC>CDR; via Mr.Benson; seedeD notes
9217. 04/04/86 Flac 16 - 0, 88106 Hartford Hartford Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9218. 04/04/86 Flac 16/44 - 0, 29580 Hartford Hartford Civic Center Recording Info: Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA-R60 1st set; MA-R90 2nd set)Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded, Transferred, Patched and Tracked by Charlie Connor notes
9219. 04/04/86 Flac 16 - 0, 79986 Hartford Hartford Civic Center flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: *OTS Floor Sec 8 Row F, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes
9220. 04/04/86 Flac 24/96 - 0, 127700 Hartford Hartford Civic Center flac24; source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9221. 04/04/86 Flac 24/96 - 0, 104943 Hartford Hartford Civic Center flac24; source: nak 300/cp4 (12', ots) > tcd5m/tdk ma-r90 (+dolby) -- master cassette > tcd5m (orig recorder +dolby) > minime (24/96) > sd744t > audacity > xact (flac24) notes
9222. 04/04/86 Flac 16 - 0, 103228 Hartford Hartford Civic Center flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
9223. 04/04/86 Shn - 0, 87346 Hartford Hartford Civic Center Source: Nakamichi 300 Shotguns CP4's & Sony TCD5M. Location: 10Flor Sec 8 Row M Seat 4 Transfered:Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn. Taped and transfered by Brian Mandel notes
9224. 04/04/86 Flac 24/96 - 0, 148584 Hartford Hartford Civic Center flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
9225. 04/04/86 Flac 16/48 - 0, 148583 Hartford Hartford Civic Center flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9226. 04/04/86 Flac 16/44 - , 156237 Hartford Hartford Civic Center flac1644 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (first in line) Location: approximately 75 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook notes
9227. 04/04/86 Flac 24/48 - , 156238 Hartford Hartford Civic Center flac2448 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (first in line) Location: approximately 75 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook notes
9228. 04/12/86 Flac 16 - 0, 85126 Irvine Irvine Meadows flac16; (FOB) Sennheiser 441s > Sony D5 > MAC > 1st Gen Cassettes. Tapers: Adam & Justin. 1st Gen Cassettes provided by Mark McCue. Transfer, edits, conversion & seeding by Alex Ford May 2007 notes
9229. 04/12/86 Shn - 0, 13465 Irvine Irvine Meadows AUD>MC>DAT>CDR; Schoeps CMC44?s; via Joe Brown; seedeD notes
9230. 04/12/86 Flac 24/96 - 0, 148778 Irvine Irvine Meadows flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
9231. 04/12/86 Flac 16/48 - 0, 148777 Irvine Irvine Meadows flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9232. 04/12/86 Flac 24/96 - , 151150 Irvine Irvine Meadows flac24/96khz Source : Nak mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
9233. 04/12/86 Flac 16/48 - , 151149 Irvine Irvine Meadows flac16/48khz Source : Nak mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp 1648 notes
9234. 04/13/86 Flac 16 - 0, 81647 Irvine Irvine Meadows flac16; SBD -> Cassette Master -> Cassette -> Cassette; All Transfers and Mastering By Charlie Miller notes
9235. 04/13/86 Flac 16 - 0, 119476 Irvine Irvine Meadows flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/Loge Row 6 Row FF Seat 617/6 Feet High)> Sony TC D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
9236. 04/13/86 Flac 24/48 - 0, 119475 Irvine Irvine Meadows flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/Loge Row 6 Row FF Seat 617/6 Feet High)> Sony TC D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
9237. 04/13/86 Shn - 0, 13513 Irvine Irvine Meadows AUD>MC>DAT>CDR; Schoeps CMC34?s; via Annie Beauneu; seedeD notes
9238. 04/13/86 Flac 16 - 0, 85287 Irvine Irvine Meadows flac 16; Source: (FOB) Sennheiser 441s > Sony D5 > MAC > 1st Gen Cassettes Tapers: Adam and Justin; 1st Gen Cassettes provided by Mark McCue;24 bit transfer, edits, conversion & seeding by Alex Ford notes
9239. 04/13/86 Flac 24/96 - 0, 148867 Irvine Irvine Meadows flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
9240. 04/13/86 Flac 16/48 - 0, 148866 Irvine Irvine Meadows flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9241. 04/13/86 Flac 24/96 - , 151151 Irvine Irvine Meadows flac24/96khz Source : Nak mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
9242. 04/13/86 Flac 16/48 - , 151152 Irvine Irvine Meadows flac16/48khz Source : Nak mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp 1648 notes
9243. 04/18/86 Flac 16 - 0, 34762 Berkeley Berkeley Community Theater flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
9244. 04/18/86 Flac 16 - 0, 119488 Berkeley Berkeley Community Theater flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
9245. 04/18/86 Flac 16 - 0, 32059 Berkeley Berkeley Community Theater flac16; Don Crandel's PCM, Schoeps, FOB > ? > CDR > EAC to transfer the CDR's to WAV > Trader's Little Helper v.1.0.0.72 for SBE-OK, checksums, and lossless compression to FLAC notes
9246. 04/18/86 Flac 16 - 0, 34748 Berkeley Berkeley Community Theater flac16; Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC All Transfers and Mastering By David Gans Converted To FLAC By Charlie Miller notes
9247. 04/18/86 Flac 24/48 - 0, 19487 Berkeley Berkeley Community Theater flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
9248. 04/18/86 Flac 16 - 0, 140188 Berkeley Berkeley Community Theater flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes
9249. 04/18/86 Flac 16 - 0, 117300 Berkeley Berkeley Community Theater flac16; nak300>cp4>Sony D5 OTS 9ft master tapes >hhb830 cd 16/44.1; taped/transferred by Doug Wright; DAE>TLH Flac 8 seeded by c. cage notes
9250. 04/18/86 Shn - 0, 24365 Berkeley Berkeley Community Theater unknown SBD; upgrade in circulation notes
9251. 04/19/86 Flac - 0, 34419 Berkeley Berkeley Community Theater flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
9252. 04/19/86 Flac - 0, 34764 Berkeley Berkeley Community Theater flac16; Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC All Transfers and Mastering By David Gans notes
9253. 04/19/86 Flac - 0, 82049 Berkeley Berkeley Community Theater flac16; Patched tracks of the SBD -> PCM source (shn id 34764) notes
9254. 04/19/86 Flac - 0, 116409 Berkeley Berkeley Community Theater flac16; Taper Mike Darby; Master Audience Sennheiser MD421's(PAS/Sec CTR Row NN Seat 19/6ft)> Sony TC-D5M (Maxell MX); Original Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking,Fades,FLAC8); Tracks Re-Named,MetaData Tagging With AudiGate Software; Dithered With Korg Aqua To 16/44; SBE's Checked All OK notes
9255. 04/19/86 Shn - 0, 8568 Berkeley Berkeley Community Theater SBD> MC> DAT> CDR> WAV> SHN; DAE (EAC)> d/o repair (sound forge 5)> tracking (cdwav> boundary check (shntool)> SHN (mkwact)> FTP via neo_levo notes
9256. 04/19/86 Flac 24 - 0, 116408 Berkeley Berkeley Community Theater flac24; Taper Mike Darby; Master Audience Sennheiser MD421's(PAS/Sec CTR Row NN Seat 19/6ft)> Sony TC-D5M (Maxell MX); Original Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking,Fades,FLAC8); Tracks Re-Named,MetaData Tagging With AudiGate Software notes
9257. 04/19/86 Flac - 0, 140200 Berkeley Berkeley Community Theater flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes
9258. 04/21/86 Flac - 0, 34765 Berkeley Berkeley Community Theater flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
9259. 04/21/86 Flac - 0, 116432 Berkeley Berkeley Community Theater flac16; Taper Mike Darby; Master Audience Sennheiser MD421's(PAS/Sec CTR Row LL Seat 21/6ft)> Sony TC-D5M (Maxell MX); Original Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking,Fades,FLAC8); Tracks Re-Named,MetaData Tagging With AudiGate Software; SBE's Checked/Fixed With Trader's Little Helper notes
9260. 04/21/86 Flac 24 - 0, 116431 Berkeley Berkeley Community Theater flac24; Taper Mike Darby; Master Audience Sennheiser MD421's(PAS/Sec CTR Row LL Seat 21/6ft)> Sony TC-D5M (Maxell MX); Original Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking,Fades,FLAC8); Tracks Re-Named,MetaData Tagging With AudiGate Software notes
9261. 04/21/86 Shn - 0, 1857 Berkeley Berkeley Community Theater SBD> Master Cassette> DAT> CDR> EAC> SHN; via Jeff M. notes
9262. 04/21/86 Flac - 0, 140223 Berkeley Berkeley Community Theater flac16; Source Info: (FOB) Schoeps CMC4/MK41 (110 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes
9263. 04/21/86 Flac 16 - 0, 34766 Berkeley Berkeley Community Theater flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller notes
9264. 04/22/86 Flac 16 - 0, 34767 Berkeley Berkeley Community Theater flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
9265. 04/22/86 Flac 16 - 0, 34768 Berkeley Berkeley Community Theater flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller notes
9266. 04/22/86 Flac 16 - 0, 119493 Berkeley Berkeley Community Theater flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4 Shotguns; (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
9267. 04/22/86 Flac 24/48 - 0, 119492 Berkeley Berkeley Community Theater flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4 Shotguns; (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
9268. 04/22/86 Flac 16 - 0, 140245 Berkeley Berkeley Community Theater flac16; Source Info: (FOB) Schoeps CMC4/MK41 (110 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes
9269. 04/22/86 Shn - 0, 13583 Berkeley Berkeley Community Theater AUD>PCM>DAT>CDR; via Johanna; seedeD notes
9270. 05/03/86 Flac 16 - 0, 81516 Sacramento Cal Expo Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 notes
9271. 05/03/86 Flac 16 - 0, 119544 Sacramento Cal Expo Amphitheatre flac16; Set 1 Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
9272. 05/03/86 Flac 24/48 - 0, 119543 Sacramento Cal Expo Amphitheatre flac24; Set 1 Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
9273. 05/03/86 Shn - 0, 18375 Sacramento Cal Expo Amphitheatre SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko notes
9274. 05/03/86 Flac 24 - 0, 135008 Sacramento Cal Expo Amphitheatre flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
9275. 05/03/86 Shn - 0, 9626 Sacramento Cal Expo Amphitheatre Beyer M88s>PCM>metal cass>CDR; via Drew Berry; Seeded to etree by jimmy cronk notes
9276. 05/03/86 Flac 24/48 - , 156456 Sacramento Cal Expo Amphitheatre flac2448 Source: 1GEN AUDCA 2.5% speed correction each set Microphones: Nakamichi 300/CP4 shotgun capsules Recorder: Sony TC-D5M| Maxell MX 90's no Dolby Location: OTS (tape says "behind board") original transfer: Sony TC-D5M > Sony TC-D5M Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Kenny Davis, Mike Davis, Tom Pinney, John Goode Transferred: Kyle Holbrook notes
9277. 05/03/86 Flac 16/44 - , 156455 Sacramento Cal Expo Amphitheatre flac1644 Source: 1GEN AUDCA 2.5% speed correction each set Microphones: Nakamichi 300/CP4 shotgun capsules Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (1st in line) Location: OTS (tape says "behind board") original transfer: Sony TC-D5M > Sony TC-D5M Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Kenny Davis, Mike Davis, Tom Pinney, John Goode Transferred: Kyle Holbrook notes
9278. 05/04/86 Flac 16 - 0, 81603 Sacramento Cal Expo Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
9279. 05/04/86 Flac 16 - 0, 119546 Sacramento Cal Expo Amphitheatre flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
9280. 05/04/86 Shn - 0, 12088 Sacramento Cal Expo Amphitheatre SBD -> PCM -> ? -> Cass (DBX) -> Dat; Seeded to etree by Charlie Miller notes
9281. 05/04/86 Flac 24/48 - 0, 119545 Sacramento Cal Expo Amphitheatre flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging By Keo notes
9282. 05/04/86 Flac 24 - 0, 135009 Sacramento Cal Expo Amphitheatre flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
9283. 05/04/86 Shn - 0, 15234 Sacramento Cal Expo Amphitheatre AUD>PCM>DAT>CDR; Schoeps CMC-441's>Sony PCM-F1; Thanks to Billie Jean; seedeD notes
9284. 05/04/86 Flac 24/96 - 0, 148639 Sacramento Cal Expo Amphitheatre flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
9285. 05/04/86 Flac 16/48 - 0, 148638 Sacramento Cal Expo Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9286. 05/04/86 Flac 24/96 - 0, 148869 Sacramento Cal Expo Amphitheatre flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
9287. 05/04/86 Flac 16/48 - 0, 148868 Sacramento Cal Expo Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9288. 05/04/86 Flac 24/48 - , 156458 Sacramento Cal Expo Amphitheatre flac2448 Source: 1GEN AUDCA speed corrected 1.5% Microphones: AKG c422 cardioid (X-Y at 90') chest level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (1st in line) Location: approximately 30 feet from stage; DFC original transfer: Sony TC-D5M > Sony TC-D5M Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Tom Pinney, Kenny Davis, John Goode Transferred: Kyle Holbrook notes
9289. 05/04/86 Flac 16/44 - , 156457 Sacramento Cal Expo Amphitheatre flac1644 Source: 1GEN AUDCA speed corrected 1.5% Microphones: AKG c422 cardioid (X-Y at 90') chest level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (1st in line) Location: approximately 30 feet from stage; DFC original transfer: Sony TC-D5M > Sony TC-D5M Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Tom Pinney, Kenny Davis, John Goode Transferred: Kyle Holbrook notes
9290. 05/10/86 Flac 16 - 0, 81625 Palo Alto Frost Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
9291. 05/10/86 Flac 16 - 0, 120491 Palo Alto Frost Amphitheatre flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
9292. 05/10/86 Flac 24/48 - 0, 120490 Palo Alto Frost Amphitheatre flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo (The first seed of this source had errors on tracks six and 13; please do not circulate that version.) notes
9293. 05/10/86 Shn - 0, 13817 Palo Alto Frost Amphitheatre AUD>MC*>DAT>CDR; via Abraham & Isaac; seedeD notes
9294. 05/10/86 Shn - 0, 19962 Palo Alto Frost Amphitheatre SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes
9295. 05/10/86 Flac 16 - 0, 140256 Palo Alto Frost Amphitheatre flac16; Source Info: (FOB) Schoeps CMC4/MK41 (120 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes
9296. 05/10/86 Flac 24/96 - 0, 135047 Palo Alto Frost Amphitheatre flac24; lineage: schoeps cmc 44 fob> tcd-d5> tcd-d5>mc sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8 notes
9297. 05/10/86 Flac 24/96 - 0, 148865 Palo Alto Frost Amphitheatre notes
9298. 05/10/86 Flac 16/48 - 0, 148864 Palo Alto Frost Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9299. 05/10/86 Flac 24/48 - , 156609 Palo Alto Frost Amphitheatre flac2448 1GEN AUDCA Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, Aaron; patched out of Poris/Olness custom rig Transferred & Processed by Kyle Holbrook notes
9300. 05/10/86 Flac 16 - , 156608 Palo Alto Frost Amphitheatre flac1644 1GEN AUDCA Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, Aaron; patched out of Poris/Olness custom rig Transferred & Processed by Kyle Holbrook notes
9301. 05/11/86 Flac 16 - 0, 81626 Palo Alto Frost Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
9302. 05/11/86 Flac 16 - 0, 120513 Palo Alto Frost Amphitheatre flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
9303. 05/11/86 Flac 16 - 0, 26557 Palo Alto Frost Amphitheatre flac16; SBD > MC > C > DAT > CD > EAC > FLAC; inlcuding AUD patches from previous Beyer source; EAC/FLAC by Darryl Hinko, from David Feldstein's source discs notes
9304. 05/11/86 Flac 24/48 - 0, 120512 Palo Alto Frost Amphitheatre flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes
9305. 05/11/86 Shn - 0, 8115 Palo Alto Frost Amphitheatre SBD>MC>DAT>CDR (Additional Cass generations?); via Tony Gardner notes
9306. 05/11/86 Flac 16 - 0, 140257 Palo Alto Frost Amphitheatre flac16; Source Info: (FOB) Schoeps CMC4/MK41 (120 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes
9307. 05/11/86 Flac 24/96 - 0, 135048 Palo Alto Frost Amphitheatre flac24; lineage: schoeps cmc 44 fob> tcd-d5> tcd-d5>mc sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8 notes
9308. 05/11/86 Shn - 0, 2317 Palo Alto Frost Amphitheatre AUD> Beyer Dynamic M88's> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN; taped by Charlie Connor; A>D conversion by Stephen Agan; via Charlie Connor to abgd; see alternate tracking suggestions in info file notes
9309. 05/11/86 Flac 24/48 - , 156611 Palo Alto Frost Amphitheatre flac2448 1GEN AUDCA speed corrected 2.25% usig Audacity Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, John Hance, Aaron; patched out of Poris/Olness rig Transferred & Processed by Kyle Holbrook notes
9310. 05/11/86 Flac 16 - , 156610 Palo Alto Frost Amphitheatre flac1644 1GEN AUDCA speed corrected 2.25% usig Audacity Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, John Hance, Aaron; patched out of Poris/Olness rig Transferred & Processed by Kyle Holbrook notes
9311. 05/11/86 Flac 16 - , 168552 Palo Alto Frost Amphitheatre flac16; OTS; Left, Realistic Stereo Cardioid Condenser 33-919 (On Stand) >Sharp Boom Box . Recording and transfer by OldNeumanntapr notes
9312. 06/20/86 Flac 16 - 0, 81645 Berkeley Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
9313. 06/20/86 Flac 16 - 0, 117827 Berkeley Greek Theatre, University Of California flac16; Master Audience Recorded By Mr. Darby; AKGC414B-ULS (Cardoid/DIN/DFC/Last Row OTS/6 Feet High)> Sony PCM-F1 (RCA Out)>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
9314. 06/20/86 Shn - 0, 23591 Berkeley Greek Theatre, University Of California SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes
9315. 06/20/86 Flac 16 - 0, 105540 Berkeley Greek Theatre, University Of California flac16; A combination of microphones and select console feeds. TDK MA-R 90 master metal cassette [typeIV] [no dolby] > Nak DR-1 [no dolby] >Lynx2 Studio Reference Interface > Wavelab 6.01 at 24 BIT 88.2 kH Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz Tracked in Wavelab Flac Level 8 with TLH SBE Free; A Master Cassette recording by Owsley Stanley, seeded on his 75th birthday notes
9316. 06/20/86 Flac 24/48 - 0, 117826 Berkeley Greek Theatre, University Of California flac24; Master Audience Recorded By Mr. Darby; AKGC414B-ULS (Cardoid/DIN/DFC/Last Row OTS/6 Feet High)> Sony PCM-F1 (RCA Out)>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
9317. 06/20/86 Flac 24/96 - 0, 138909 Berkeley Greek Theatre, University Of California flac24; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 notes
9318. 06/20/86 Flac 16 - 0, 138908 Berkeley Greek Theatre, University Of California flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 notes
9319. 06/20/86 Shn - 0, 22935 Berkeley Greek Theatre, University Of California Sean Webber-Small Recording -- Spaced (8') Schoeps CMC42s->m118>MOD PCM-1 Transfer: Sony PCM-601ESD > Terratec EWX2496 card > DAW > DSP by Doug Oade tracked (cdwave) and re-flac'ed by Darrin Sacks notes
9320. 06/20/86 Flac 24 - 0, 126349 Berkeley Greek Theatre, University Of California notes
9321. 06/20/86 Shn - 0, 15243 Berkeley Greek Theatre, University Of California AUD>MC>DAT>CDR; Senn 441>Sony TC-D5; Thanks to the Plowman; seedeD notes
9322. 06/20/86 Flac 16 - 0, 126350 Berkeley Greek Theatre, University Of California flac16; Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460 Preis CK61 Caps > Uher 240; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row DFC Behind Soundboard notes
9323. 06/20/86 Flac 24/96 - 0, 148447 Berkeley Greek Theatre, University Of California flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
9324. 06/20/86 Flac 16/48 - 0, 148446 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9325. 06/20/86 Flac 24/96 - 0, 151706 Berkeley Greek Theatre, University Of California flac24/96khz Set 2 Only. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes. Location: 3rd, 4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96. Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 04, 2021. notes
9326. 06/20/86 Flac 16/48 - 0, 152063 Berkeley Greek Theatre, University Of California flac16/48 version of i.d. 151977. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 04, 2021. notes
9327. 06/20/86 Flac 24/96 - 0, 151977 Berkeley Greek Theatre, University Of California flac24/96 Set 2 Only. This is a fixed version of shnid 151706. Original release had channels reversed. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 04, 2021. notes
9328. 06/20/86 Flac 16 - 0, 151950 Berkeley Greek Theatre, University Of California Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 3rd/4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96 Recording by JFK Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 04, 2021 Patch info: - shnid 22023 (Schoeps CMC442, Oade) supplies - s2t07; 00:20 - 00:28 - s2t11; all Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for supplying the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - UJB had 3 minor left channel d/o's repaired with the right channel - This is an Uher Archive production. - uherarchive@live.com - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021 notes
9329. 06/20/86 Flac 24/96 - , 164844 Berkeley Greek Theatre, University Of California flac2496; Recording info: Maxell MA-R90 cassette from Bear via Jamie Waddell; Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > 24 Bit 96 kHz FLAC; Recorded by Augustus Owsley Stanley III (aka Bear); Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Track, FLAC, and pack by Steve Gravel notes
9330. 06/20/86 Flac 16/48 - , 164845 Berkeley Greek Theatre, University Of California flac1648; Recording info: Maxell MA-R90 cassette from Bear via Jamie Waddell; Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > 24 Bit 96 kHz FLAC; Recorded by Augustus Owsley Stanley III (aka Bear); Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Track, FLAC, and pack by Steve Gravel notes
9331. 06/21/86 Flac 16 - 0, 81518 Berkeley Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 notes
9332. 06/21/86 Flac 16 Mtx - 0, 35025 Berkeley Greek Theatre, University Of California flac16; matrix sources: set 1: sbd > pcm > dat > sonic solutions > cd > eac > flac transferred and mastered by David Gans set 2: sbd > cassette master (sony d5/maxell mx-90) transferred and mastered by Laurie Partridge aud: Jim Oade recording -120 degree schoeps cmc44 > mod pcm-1 notes
9333. 06/21/86 Flac 16 - 0, 98673 Berkeley Greek Theatre, University Of California flac16; Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 notes
9334. 06/21/86 Flac 16 - 0, 117829 Berkeley Greek Theatre, University Of California flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's + Nakamichi CM300/CP4's (PAS/DFC/Last Row OTS/6 Feet High)> Sony MX-10>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
9335. 06/21/86 Flac 16 - 0, 81011 Berkeley Greek Theatre, University Of California flac16; Set 1 only: Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> FLAC Converted By Charlie Miller notes
9336. 06/21/86 Flac 24/48 - 0, 117828 Berkeley Greek Theatre, University Of California flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's + Nakamichi CM300/CP4's (PAS/DFC/Last Row OTS/6 Feet High)> Sony MX-10>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
9337. 06/21/86 Shn - 0, 15406 Berkeley Greek Theatre, University Of California MSC>DAT>CDR>SHN; Discs from Andy L. DAE and SHN (Seekable) by tbrame notes
9338. 06/21/86 Flac 24/96 - 0, 139058 Berkeley Greek Theatre, University Of California flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 notes
9339. 06/21/86 Flac 16 - 0, 139049 Berkeley Greek Theatre, University Of California flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017 notes
9340. 06/21/86 Flac 16/48 - 0, 141791 Berkeley Greek Theatre, University Of California flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - mixing by Kevin Tobin notes
9341. 06/21/86 Flac 16 Dts - 0, 141790 Berkeley Greek Theatre, University Of California DTS-Audio-CD 5.1 Mix; SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - dts mixing by Kevin Tobin notes
9342. 06/21/86 Flac 16 Mtx - 0, 141789 Berkeley Greek Theatre, University Of California flac16; Matrix 2 Source Mix - SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - matrix mixing by Kevin Tobin notes
9343. 06/21/86 Flac16/48 LPCM - 0, 142016 Berkeley Greek Theatre, University Of California flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - surround mixing by Kevin Tobin notes
9344. 06/21/86 Shn - 0, 13063 Berkeley Greek Theatre, University Of California AUD>MC>DAT>CDR; Senn 441?s>Sony TC-D5; via the Poor Boy; seedeD notes
9345. 06/21/86 Flac - 0, 21924 Berkeley Greek Theatre, University Of California Jim Oade Recording -- 120 degree Schoeps CMC44 ->MOD PCM-1 Transfer: Master PCM>DAW (via Sekd card)> DSP by Doug Oade using Audacity (Linux) -- Downloaded, tracked (cdwave) and re-flac'ed by Darrin (dsacks@pcisys.net) notes
9346. 06/21/86 Flac 24/96 - 0, 148479 Berkeley Greek Theatre, University Of California flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
9347. 06/21/86 Flac 16/48 - 0, 148478 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9348. 06/21/86 Flac 24/96 - 0, 151707 Berkeley Greek Theatre, University Of California flac24/96khz Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes. Location: 3rd, 4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96. Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 05, 2021. notes
9349. 06/21/86 Flac 16/48 - 0, 152062 Berkeley Greek Theatre, University Of California flac16/48 version of i.d. of 152060. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 05, 2021. notes
9350. 06/21/86 Flac 24/96 - 0, 152060 Berkeley Greek Theatre, University Of California flac24/96 Fix Of 151978. Set 1 was saved as 1648 instead of 2496. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96 Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 05, 2021. notes
9351. 06/21/86 Flac 16/44 - 0, 151951 Berkeley Greek Theatre, University Of California flac16/44 Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 3rd/4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96 Recording by JFK Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 05, 2021 Patch info: - Schoeps CMC442, Oade supplies - s1t01 - s1t04; all - s2t01; start - 03:13 (crowd) - s2t07; 01:13 - 01:26 Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for providing the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - This is an Uher Archive production. - uherarchive@live.com * Dedicated to Len Bias - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021 notes
9352. 06/22/86 Flac 16 - 0, 81646 Berkeley Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
9353. 06/22/86 Flac 16 - 0, 117831 Berkeley Greek Theatre, University Of California flac16; Master Audience Recorded By Mr. Darby; AKGC460B/A60/CK1's (PAS/DFC/First Row OTS/6 Feet High)> Uher340>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
9354. 06/22/86 Shn - 0, 388 Berkeley Greek Theatre, University Of California DSDB> DAT> CDr; via Mike Lai notes
9355. 06/22/86 Flac 16 - 0, 100204 Berkeley Greek Theatre, University Of California flac16; Recorded by Mike Grace and Annie Szvetecz; Lineage: Mike Grace Master PCM Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1 Recording Location: Official Tapers Section PCM to DAW Transfer by Mike Grace Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 wav notes
9356. 06/22/86 Flac 24 - 0, 117830 Berkeley Greek Theatre, University Of California flac24; Master Audience Recorded By Mr. Darby; AKGC460B/A60/CK1's (PAS/DFC/First Row OTS/6 Feet High)> Uher340>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
9357. 06/22/86 Flac 16 - 0, 139290 Berkeley Greek Theatre, University Of California flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes
9358. 06/22/86 Flac 24 - 0, 139291 Berkeley Greek Theatre, University Of California flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes
9359. 06/22/86 Flac 16 - 0, 140671 Berkeley Greek Theatre, University Of California flac16; Source Info: (FOB) Schoeps CMC4/MK2 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes
9360. 06/22/86 Flac 16/44 - 0, 30865 Berkeley Greek Theatre, University Of California Primary Source: Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Secondary Source: Neumann kmi-84->neumann bs48i-2>pcmf1,(at sbd)PCM->DAT shn id 7281 The secondary source covers patches in the last 26 seconds of d2t05(drums); the first 12 seconds of d3to1 (space) Recorded, digitally mastered and patched by Charlie Connor notes
9361. 06/22/86 Shn - 0, 7281 Berkeley Greek Theatre, University Of California Neumann kmi-84-> Neumann bs48i-2> pcmf1, at sbd; ; Taper Randy Fleck; PCM-> DAT: Sony pcm-601esd-> panasonic 3500; DAT->CD: fostex d5->marantz cdr615-> eac-> cdwav-> mkwact notes
9362. 06/22/86 Flac 16/44,1 - 0, 138856 Berkeley Greek Theatre, University Of California flac16 44.1khz Source: AKG 460 w/CK61 Caps > Uher 240. Transfer: Master Tapes > Nak Dragon > Korg Mr 1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper . Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon notes
9363. 06/22/86 Flac 24/96 - 0, 138857 Berkeley Greek Theatre, University Of California flac24 96khz Source: AKG 460 w/CK61 Caps > Uher 240. Transfer: Master Tapes > Nak Dragon > Korg Mr 1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper . Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon notes
9364. 06/22/86 Flac 24/96 - 0, 148481 Berkeley Greek Theatre, University Of California flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
9365. 06/22/86 Flac 16/48 - 0, 148480 Berkeley Greek Theatre, University Of California flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9366. 06/26/86 Flac 16 - 0, 116647 Minneapolis Hubert H. Humphrey Metrodome flac16; Source: Nakamichi CM-100 mics w/ CP-1 Caps > Sony D-6 (Maxell MX-90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Danny Taggart - Third Row, Mics Hand-held Transfers, edits, track/FLAC by Greg Holtz notes
9367. 06/26/86 Flac 16 - 0, 92713 Minneapolis Hubert H. Humphrey Metrodome flac16; source: aud > ??? > cass (low gen) transfer: cass > Nakamichi BX-125E > Creative Extigy > Wavelab > wav > flac transferred, edited and mastered SIRMick July 2008 notes
9368. 06/26/86 Flac 24 - 0, 139268 Minneapolis Hubert H. Humphrey Metrodome flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 >Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9369. 06/26/86 Flac 16 - 0, 139278 Minneapolis Hubert H. Humphrey Metrodome flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 >Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 139268 24 bit -> 16 bit notes
9370. 06/26/86 Shn - 0, 25616 Minneapolis Hubert H. Humphrey Metrodome Recording Info: Sony ECM-939 -> Cassette Master -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller notes
9371. 06/28/86 Flac - 0, 21272 East Troy Alpine Valley Music Theatre Recording Info: SBD -> Cassette Master -> ? -> Dat -> CD Editing Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Patch Info: Looks Like Rain -> Don't Ease Me In Patched From AUD -> Cassette Master -> ? -> Dat -> CD Editing and Patch Done By Charlie Miller notes
9372. 06/28/86 Flac 16 - 0, 116664 East Troy Alpine Valley Music Theatre flac16; Recording: Nakamichi CM100/CP-4 > Sony TC-D5M - OTS - Front of Lawn; Transfer: MAC > Tascam 122 > Edirol UA-5 > PC > Audacity > TLH > FLAC; Recorded by Greg Holtz and Danny Taggart; Transfer by Greg Holtz notes
9373. 06/28/86 Flac 16 - 0, 96552 East Troy Alpine Valley Music Theatre flac16; OTS AUD: Sennheiser ME-88 shotguns > patched thru one Sony D5 > Sony TC-D5M > Sony UCX-S 90's, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F. notes
9374. 06/28/86 Flac 16 - 0, 135534 East Troy Alpine Valley Music Theatre flac16; Recording Info: Sennheiser ME80 -> Cassette Master (Sony TC-DD5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Michael Hessberg notes
9375. 06/28/86 Flac 24 - 0, 139269 East Troy Alpine Valley Music Theatre flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9376. 06/28/86 Flac 16 - 0, 139279 East Troy Alpine Valley Music Theatre flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 139269 24 bit -> 16 bit notes
9377. 06/28/86 Flac 16 - 0, 140312 East Troy Alpine Valley Music Theatre flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes
9378. 06/28/86 Flac 16 - 0, 104995 East Troy Alpine Valley Music Theatre flac16; Recorded by David Cohen Sec 2 Row SS Seat 102 Stand head height 2 Nakamichi CM100s/ CP4>Sony WMD6 w/Teac MDX90 cassette masters. No Dolby was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009 notes
9379. 06/28/86 Flac 16 - 0, 76516 East Troy Alpine Valley Music Theatre flac16; Source: FOB(21st Row)>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's);Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16: Taped by Jim Vita; Transferred by Charlie Connor notes
9380. 06/28/86 Shn - 0, 13059 East Troy Alpine Valley Music Theatre AUD>MC>??>DAT>CDR; via Mary Shelly; seedeD notes
9381. 06/28/86 Flac 24/96 - 0, 144609 East Troy Alpine Valley Music Theatre flac24; Recording & Transfer by Ray Ackerman; Audio-Technica AT8035 + AKG D-12E blend > Sony D5 > Master Audience Cassettes (FOB); Transfer; Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; Edited & Mastered w/ Audacity by Joe Noel notes
9382. 06/29/86 Flac 16 - 0, 76557 East Troy Alpine Valley Music Theatre flac16; Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and transferred by Charlie Connor notes
9383. 06/29/86 Flac 16 - 0, 96558 East Troy Alpine Valley Music Theatre flac16; Set 2 only; OTS AUD: (Set Two only) Sennheiser ME-88 shotguns > patched thru one Sony D5 > Sony TC-D5M > Sony UCX-S 90, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F. notes
9384. 06/29/86 Flac 24 - 0, 138161 East Troy Alpine Valley Music Theatre flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9385. 06/29/86 Flac 16 - 0, 138165 East Troy Alpine Valley Music Theatre flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is shnid 138161 24 bit > 16 notes
9386. 06/29/86 Flac 16 - 0, 140313 East Troy Alpine Valley Music Theatre flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes
9387. 06/29/86 Shn - 0, 12969 East Troy Alpine Valley Music Theatre AUD> MC> ??> DAT> CDR; via Tom Thumb; seeded by eD notes
9388. 06/29/86 Flac 16 - 0, 104996 East Troy Alpine Valley Music Theatre flac16; Recorded by David Cohen Sec 2 Row KK Seat 44 Stand head height 2 Nakamichi CM100s/ CP4>Sony WMD6 w/Teac MDX90 cassette masters. No Dolby was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes
9389. 06/29/86 Flac 24/96 - 0, 144610 East Troy Alpine Valley Music Theatre flac24; Recording & Transfer by Ray Ackerman; Audio-Technica AT8035 + AKG D-12E blend > Sony D5 > Master Audience Cassettes (FOB); Transfer; Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; Edited & Mastered w/ Audacity Joe Noel notes
9390. 06/30/86 Flac 16 - 0, 87348 Cincinnati Riverbend Music Center flac16; Schoeps CMC4/MK4 -> Oade M118 -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation notes
9391. 06/30/86 Flac 16 - 0, 116720 Cincinnati Riverbend Music Center flac16; Recording: Nakamichi CM100/CP-4 > Sony TC-D5M - OTS - Front of Lawn; Transfer: MAC > Tascam 122 > Edirol UA-5 > PC > Audacity > TLH > FLAC; Recorded by Greg Holtz and Danny Taggart; Transfer by Greg Holtz notes
9392. 06/30/86 Flac 24 - 0, 139270 Cincinnati Riverbend Music Center flac24; Set 2 Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9393. 06/30/86 Flac 16 - 0, 139282 Cincinnati Riverbend Music Center flac16; Set 2 Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139270 24 bit -> 16 bit notes
9394. 06/30/86 Flac 16 - 0, 76473 Cincinnati Riverbend Music Center flac16; Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and transferred by Charlie Connor notes
9395. 06/30/86 Shn - 0, 12935 Cincinnati Riverbend Music Center Schoeps CMC4/MK4 -> Oade M118 -> PCM -> Dat -> CD; via the Captain; seedeD (updated source info) notes
9396. 06/30/86 Flac 16 - 0, 105003 Cincinnati Riverbend Music Center flac16; Recorded by David Cohen Front Row Lawn DFC 2 Nakamichi CM100s/ CP4>Sony WMD6 w/Teac MDX90 (Set 1) & TDK MAR90 (Set 2) cassette masters. No Dolby was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes
9397. 06/30/86 Flac 16 - 0, 132662 Cincinnati Riverbend Music Center flac16; OTS - In pavilion/section 800; 2 Nakamichi CM300s/cP4 shotguns(PAS)>Sony TCD5M>Fuji Metal; Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD notes
9398. 06/30/86 Flac 16 - 0, 87521 Cincinnati Riverbend Music Center flac16; Recording Info: Schoeps CMC4/MK4 -> Oade M118 -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (This fileset fixes an error in d1t02 of shn id 87348.) notes
9399. 07/02/86 Flac 16 - 0, 124587 Akron Rubber Bowl, University of Akron flac16; Recording Info: Sennheiser ME80 -> Cassette Master (Sony TC-DD5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by: Michael Hessberg; All Transfers and Mastering By Charlie Miller notes
9400. 07/02/86 Flac 16 - 0, 82519 Akron Rubber Bowl, University of Akron flac16; Source: Audience FOB Recording, Media: Denon HD8 90 min High Bias Tape Lineage: AKG C460b preís with Ck61uls capsules > Uher CR260AV > MAC Transfer: Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV Taped by: D. Thompson Transfer by: A. Egert Mastering by: M. Hughey notes
9401. 07/02/86 Flac 24/96 - 0, 82520 Akron Rubber Bowl, University of Akron flac24/96; Source: Audience FOB Recording, Media: Denon HD8 90 min High Bias Tape Lineage: AKG C460b preís with Ck61uls capsules > Uher CR260AV > MAC Transfer: Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV Taped by: D. Thompson Transfer by: A. Egert Mastering by: M. Hughey notes
9402. 07/02/86 Flac - 0, Joint Ventures L.P Akron Rubber Bowl, University of Akron Grateful Dead 07/02/86 notes
9403. 07/02/86 Flac 24 - 0, 139271 Akron Rubber Bowl, University of Akron flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9404. 07/02/86 Flac 16 - 0, 139284 Akron Rubber Bowl, University of Akron flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139271 24 bit -> 16 bit notes
9405. 07/02/86 Flac 24/96 - 0, 139414 Akron Rubber Bowl, University of Akron flac24; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
9406. 07/02/86 Flac 16/48 - 0, 139580 Akron Rubber Bowl, University of Akron flac16/48kHz; Oade Brothers Recording: Schoeps > spaced omnis > PCM > DAT (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel > flac 16/44; Checksum & tags created in xACT notes
9407. 07/02/86 Flac 16 - 0, 141053 Akron Rubber Bowl, University of Akron flac16; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
9408. 07/02/86 Shn - 0, 12934 Akron Rubber Bowl, University of Akron AUD>DAT>CDR; via the Doodah Man; seedeD notes
9409. 07/02/86 Flac 24/96 - 0, 135055 Akron Rubber Bowl, University of Akron flac24; lineage: sennheiser 421 fob> tcd-d5> mc > c sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8 notes
9410. 07/02/86 Flac 16 - 0, 105444 Akron Rubber Bowl, University of Akron flac16; Recorded by David Cohen FOB Phil's side about 35 yards from stage chest high mic stand 2 Nakamichi CM100s/ CP1>Sony WMD6 Maxell XLII cassette masters. No Dolby was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes
9411. 07/02/86 Shn - 0, 22381 Akron Rubber Bowl, University of Akron 2 Beyer M160 FOB> Sony TCD5M Master Cassette>shn notes
9412. 07/04/86 Flac 16 - 0, 118659 Buffalo Rich Stadium flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
9413. 07/04/86 Flac 2448 - 0, 117033 Buffalo Rich Stadium flac24; Source: SBD 2nd Gen cassette (MSC > C > C) kindly provided by Seaweed1010. (*Last three songs in Set One from AUD.); Transfer: Maxell MXS-90 > Nakamichi CR-5A > Edirol FA-66 > WaveLab > TLH > FLAC 2448. Transfer by Andrew F. 11/2011 notes
9414. 07/04/86 Flac 16 - 0, 89997 Buffalo Rich Stadium flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
9415. 07/04/86 Flac 16 - 0, 111542 Buffalo Rich Stadium flac16; Master Audience Nakamichi CM300/CP4 Shotguns>DBX Reduction>Sony D5 Tapes:Maxell XLII-S 90,90 Taper:Floater,Transfer by Keo Transfer with Nakamichi MR-1>Korg MR-1000 @ 1 BIT/5.6MHz Tracking/Editing/sample Rate Conversion/Metadata tagging with AudioGate Software to 32 Bit Float/96kHz Flacked/Dithered With Korg Aqua to 16/44 SBE's checked/fixed with trader's little helper notes
9416. 07/04/86 Flac 24/96 - 0, 111541 Buffalo Rich Stadium flac24; Master Audience Nakamichi CM300/CP4 Shotguns>DBX Reduction>Sony D5 Tapes:Maxell XLII-S 90,90 Taper:Floater,Transfer by Keo Transfer with Nakamichi MR-1>Korg MR-1000 @ 1 BIT/5.6MHz Tracking/Editing/sample Rate Conversion/Metadata tagging/Flacked with AudioGate Software to 24 Bit/96kHz notes
9417. 07/04/86 Flac 24/96 - 0, 139415 Buffalo Rich Stadium flac24; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
9418. 07/04/86 Flac 16 - 0, 141054 Buffalo Rich Stadium flac16; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
9419. 07/04/86 Flac 24/96 - 0, 143038 Buffalo Rich Stadium flac24; Recording & Transfer by Ray Ackerman; Sennheiser 441 > Sony D5 > Master Audience Cassettes (FOB); Transfer; Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 notes
9420. 07/04/86 Flac 24/96 - 0, 135203 Buffalo Rich Stadium flac24; lineage: (2) audio technica atm 11/ (2) nakamichi 300 cp4 shotguns> tcd-d5> mc > c sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8 notes
9421. 07/04/86 Shn - 0, 13565 Buffalo Rich Stadium CDR source: AUD > Sennheiser 441 > D5 > ? > HHB stand-alone burner > CDR Video source: AUD > Farm-Aid satellite feed > Hi-Fi VHS x ? ; includes uncut drums>space notes
9422. 07/04/86 Shn - 0, 12930 Buffalo Rich Stadium FOB-AUD>MC>DAT>CDR; Senn 421?s>Sony TC-D5; via Uncle Sam; seeded by eD notes
9423. 07/04/86 Flac 16 - 0, 145496 Buffalo Rich Stadium flac16; Recording & Transfer by Ray Ackerman; Sennheiser 441 > Sony D5 > Master Audience Cassettes (FOB); Transfer; Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96, This file set is 16 bit @ 44.1 notes
9424. 07/06/86 Shn - 0, 12928 Washington Robert F. Kennedy Stadium FOB-AUD>MC>DAT>CDR; Senn 421?s>Sony TC-D5; via Frankenstein; seeded by eD notes
9425. 07/06/86 Flac 24/96 - 0, 139416 Washington Robert F. Kennedy Stadium flac24; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
9426. 07/06/86 Flac 16 - 0, 141037 Washington Robert F. Kennedy Stadium flac16; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
9427. 07/06/86 Flac 24/96 - 0, 135065 Washington Robert F. Kennedy Stadium flac24; lineage: sennheiser 421 fob> tcd-d5> mc > c> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8 notes
9428. 07/06/86 Flac 16 - 0, 86521 Washington Robert F. Kennedy Stadium flac16; Source: FOB Sennheiser 441s > Sony D5 > MAC (TDK MA90s). Taped by B.Koucky, patched from S.Adelman. Transfer: MAC playback on Nakamich CR-7A, azimuth adjusted > Lunatec V3 > LynxTwo > PC (Wavelab 5) > HD @ 24 bit/96 KHz) > Ozone 3 > 16/44.1 FLAC by Chris L notes
9429. 07/07/86 Flac 16 - 0, 88176 Washington Robert F. Kennedy Stadium flac16; In-House FM -> FM Receiver -> Cassette Master (Sony TC-D6C/Denon HD-M90) All Transfers and Mastering By Charlie Miller notes
9430. 07/07/86 Flac 16 - 0, 34750 Washington Robert F. Kennedy Stadium flac16; Master: In-house FM > Portable FM Receiver > Cassette Master (Sony TC-D6C) Transfer: Cassette Master (NAD 6050C) > SBM > DAT @48kHz (Sony PCM R500) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC Mastered (on my 22nd birthday) and transfered by Dan Gale (dgale@loslobos.org) notes
9431. 07/07/86 Flac 24/96 - 0, 139417 Washington Robert F. Kennedy Stadium flac24; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT notes
9432. 07/07/86 Flac 24 - 0, 139718 Washington Robert F. Kennedy Stadium flac24; Recording Info: AKG C42 (m/s) > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9433. 07/07/86 Flac 16 - 0, 138930 Washington Robert F. Kennedy Stadium flac16; Recording Info: AKG C42 (m/s) > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9434. 07/07/86 Flac 16 - 0, 141055 Washington Robert F. Kennedy Stadium flac16; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
9435. 07/07/86 Flac 24/96 - 0, 135066 Washington Robert F. Kennedy Stadium flac24; lineage: sennheiser 421 fob> tcd-d5> mc > c> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8 notes
9436. 07/07/86 Shn - 0, 7001 Washington Robert F. Kennedy Stadium FOB Aud> Schoeps cmc3mk4> PCM> DAT> CD> EAC (Secure mode)> CDWave (Retracking only)> shnv3 (MKW ACT); with patches from second AUD (see info file); EAC/ Patched/ Retracked/ Shn'd by Charlie Connor; with thanks to Mike Lai and Jon Rianhard; Seeded to abgd by Trip Bates notes
9437. 07/07/86 Flac 16 - 0, 108262 Washington Robert F. Kennedy Stadium recorded and mastered to cdr by D5scott source: 2 Beyer M160 Microphones > Sony TC-D5M - analog master cassette - Maxell MX90's - 50 feet from stage-center - mic's on a stand @ 6 feet transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
9438. 07/07/86 Flac 16 - 0, 30992 Washington Robert F. Kennedy Stadium flac16; "Partial" SBD >multi gen cass> Sony TC-WE305 > Rotel 1090 > Rane ME60 analog processor > Tascam CD-RW 750 > CD > Eac (secure) > cdwav > CE pro 2.1 > flac16 (level 8) notes
9439. 12/15/86 Flac 16 - 0, 99035 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
9440. 12/15/86 Flac 16 Mtx - 0, 128689 Oakland Oakland-Alameda County Coliseum flac16; 2 source matrix mix of AUD: shnid 80809 and SBD: shnid 99035 notes
9441. 12/15/86 Flac 16 - 0, 132368 Oakland Oakland-Alameda County Coliseum flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's, with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2015 notes
9442. 12/15/86 Flac 24 - 0, 132367 Oakland Oakland-Alameda County Coliseum flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's, with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2015 notes
9443. 12/15/86 Shn - 0, 13270 Oakland Oakland-Alameda County Coliseum Source: SBD Lineage: Master Cassette> DAT> CD> SHN via Peter Braverman notes
9444. 12/15/86 Flac 16 - 0, 114699 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz notes
9445. 12/15/86 Shn - 0, 19600 Oakland Oakland-Alameda County Coliseum Master Dolby B Cass>Sonic Solutions via TC2000 @ 24 bits>SBM2 CD>CD > EAC[secure] > SHN. [Note - this is apparently another version of the KPFA sbd source.] notes
9446. 12/15/86 Shn - 0, 16330 Oakland Oakland-Alameda County Coliseum Master Dolby B Cass>Sonic Solutions via TC2000 @ 24 bits>SBM2 CD>CD > EAC[secure] > SHN notes
9447. 12/15/86 Shn - 0, 8230 Oakland Oakland-Alameda County Coliseum SBD > ?? > Cassette > analog signal to ESS Maestro sound card >wav > CDR >wav >shn; seeded to abgd by Bill Tetzeli with Thanks to Thom Moore; Good lovin cut missing JBG encore.; upgrade in circulation notes
9448. 12/15/86 Flac 16 Mtx - 0, 137555 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 99035) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 88884) taper: Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes
9449. 12/15/86 Flac 16 - 0, 137554 Oakland Oakland-Alameda County Coliseum flac16; (original shnid = 88884) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin notes
9450. 12/15/86 Flac Dts 5.1 - 0, 137558 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid = 99035) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 88884) taper: Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes
9451. 12/15/86 Flac 16/48 - 0, 137576 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 99035) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 88884) taper: Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - mixing by Kevin Tobin notes
9452. 12/15/86 Flac 24/96 - 0, 139362 Oakland Oakland-Alameda County Coliseum flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT notes
9453. 12/15/86 Flac 16 - 0, 140293 Oakland Oakland-Alameda County Coliseum flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes
9454. 12/15/86 Flac 16 - 0, 80809 Oakland Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci/nak700 notes
9455. 12/15/86 Flac - 0, 25263 Oakland Oakland-Alameda County Coliseum Field: Nakamichi CM-101 > Nakamichi 550 > Sony WM-D6C (Master) Tapers: Adam Smith & Andy Liu (dwonk)
Location: DFC of Taper Section (actually FOB by about 30 feet), 10' spread between mics (AB Stereo, two channel)
Transfer: Nakamichi DR-3 (Master) > Oade adc24mod SONY SBM-1 > M-Audio AP2496 > Sound Forge XP4.5 > CDwave1.6 > FLAC
notes
9456. 12/15/86 Flac 16 - 0, 88884 Oakland Oakland-Alameda County Coliseum flac16; taper : Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9457. 12/15/86 Flac 16 Mtx - 0, 128698 Oakland Oakland-Alameda County Coliseum flac16; 2 source matrix mix of AUD: shnid 80809 and SBD: shnid 99035 notes
9458. 12/16/86 Flac 16 - 0, 99044 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
9459. 12/16/86 Flac 16 - 0, 131397 Oakland Oakland-Alameda County Coliseum flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2014 notes
9460. 12/16/86 Flac 16 - 0, 114700 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps/Sennheiser 421's > Niles Audio Mixer > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz notes
9461. 12/16/86 Flac 16 - 0, 77409 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
9462. 12/16/86 Flac 2448 - 0, 131396 Oakland Oakland-Alameda County Coliseum flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2014 notes
9463. 12/16/86 Shn - 0, 8399 Oakland Oakland-Alameda County Coliseum Src: SBD > ?? > cassette > .wav > CDR > EACed to .wav > .shn; Seeded to abgd by Bill Tetzeli notes
9464. 12/16/86 Shn - 0, 4094 Oakland Oakland-Alameda County Coliseum set 2; SBD> 2nd gen Analog Cassette> CD-R> EAC> WAV> SHN; Digitally remastered by Joel Barr; Seeded by Ben Janik; upgrade in circulation notes
9465. 12/16/86 Flac 16/48 - 0, 137316 Oakland Oakland-Alameda County Coliseum b>flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=99044) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 131396) flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2014 - mixing by Kevin Tobin notes
9466. 12/16/86 Flac Dts 5.1 - 0, 137315 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=99044) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 131396) flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2014 - matrix mixing by Kevin Tobin notes
9467. 12/16/86 Flac 16 Mtx - 0, 137314 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid=99044) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 131396) flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2014 - matrix mixing by Kevin Tobin notes
9468. 12/16/86 Flac 24/96 - 0, 139363 Oakland Oakland-Alameda County Coliseum flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT notes
9469. 12/16/86 Flac 24 U Mtx - 0, 139726 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 notes
9470. 12/16/86 Flac 16 U Mtx - 0, 139900 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 notes
9471. 12/16/86 Flac 16 - 0, 140294 Oakland Oakland-Alameda County Coliseum flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes
9472. 12/16/86 Flac 16 - 0, 141035 Oakland Oakland-Alameda County Coliseum flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
9473. 12/16/86 Flac 16 - 0, 88891 Oakland Oakland-Alameda County Coliseum flac16; taper : Joe D'Amico nak 300 mics > sony d-5 infront of the soundboard notes
9474. 12/16/86 Flac 16 - 0, 80849 Oakland Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci/nak700 notes
9475. 12/16/86 Shn - 0, 9115 Oakland Oakland-Alameda County Coliseum 2nd Set; FOB Nak 300s>AUD>MC>CDR; via Michael Sewall; Seeded to etree notes
9476. 12/16/86 Flac 16 - 0, 118298 Oakland Oakland-Alameda County Coliseum flac16; Matrix soundboard/audience; Taper: Dan Healy; Editing: Joe D'Amico; First gen of Healy's masters > ? > FLAC notes
9477. 12/17/86 Flac 16 - 0, 131309 Oakland Oakland-Alameda County Coliseum flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Sony ES-Metal 90's, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 09/2014 notes
9478. 12/17/86 Flac 16 - 0, 99048 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
9479. 12/17/86 Flac 16 - 0, 114701 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps/Sennheiser 421's > Niles Audio Mixer > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz notes
9480. 12/17/86 Flac 2448 - 0, 131309 Oakland Oakland-Alameda County Coliseum flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Sony ES-Metal 90's, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 09/2014 notes
9481. 12/17/86 Flac Dts 5.1 - 0, 134892 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=99048) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 88926)taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin notes
9482. 12/17/86 Flac Mtx. - 0, 134891 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid=99048) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 88926)taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes
9483. 12/17/86 Flac 16 - 0, 134890 Oakland Oakland-Alameda County Coliseum flac16; (original shnid = 88926) AUD: taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin notes
9484. 12/17/86 Flac 16/48 - 0, 134893 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound Mix from SBD (shnid=99048) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 88926) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - mixing by Kevin Tobin notes
9485. 12/17/86 Flac 24/96 - 0, 139364 Oakland Oakland-Alameda County Coliseum flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT notes
9486. 12/17/86 Flac 24 - 0, 139727 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 notes
9487. 12/17/86 Flac 24 - 0, 139728 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 notes
9488. 12/17/86 Ultra Mtx Sbd - 0, 139919 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 notes
9489. 12/17/86 Flac 16 - 0, 139917 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 notes
9490. 12/17/86 Flac 16 - 0, 140295 Oakland Oakland-Alameda County Coliseum flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes
9491. 12/17/86 Flac 16 - 0, 141036 Oakland Oakland-Alameda County Coliseum flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2 notes
9492. 12/17/86 Flac 24/96 - 0, 141745 Oakland Oakland-Alameda County Coliseum flac24; Matrix 2 Source Mix - SBD (shnid = 139727) Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 139364) Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT - matrix mixing by Kevin Tobin notes
9493. 12/17/86 Shn - 0, 14452 Oakland Oakland-Alameda County Coliseum AUD>DAT>CDR; Nak 300's; via Melinda; seedeD notes
9494. 12/17/86 Flac 16 - 0, 80996 Oakland Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham notes
9495. 12/17/86 Flac 16 - 0, 88926 Oakland Oakland-Alameda County Coliseum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9496. 12/17/86 Flac 16 Mtx - 0, 145501 Oakland Oakland-Alameda County Coliseum b>flac16; Matrix 2 Source Mix - SBD (shnid = 139727) Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 139364) Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT - matrix mixing by Kevin Tobin, This file set is 16 bit @ 44.1 notes
9497. 12/17/86 Flac 16 - 0, 77410 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
9498. 12/17/86 Flac 24/96 - 0, 148871 Oakland Oakland-Alameda County Coliseum flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
9499. 12/17/86 Flac 16/48 - 0, 148870 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9500. 12/27/86 Flac 16 - 0, 99050 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
9501. 12/27/86 Flac 16 Mtx - 0, 128690 Oakland Henry J. Kaiser Convention Center flac16; 2 Source matrix mix of shnid 81267(aud) and shnid 99050(sbd) with patches used from shnid 88965(aud) notes
9502. 12/27/86 Flac 16 - 0, 96566 Oakland Henry J. Kaiser Convention Center flac16; OTS AUD: AKG 451's (likely w/CK1's) > Sony TC-D5M > TDK MA-90's, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. 12/27/2008. notes
9503. 12/27/86 Flac 24/48 - 0, 137441 Oakland Henry J. Kaiser Convention Center flac24; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac Fingerprints notes
9504. 12/27/86 Flac 24 - 0, 139729 Oakland Henry J. Kaiser Convention Center flac24; Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 notes
9505. 12/27/86 Flac 24 - 0, 139730 Oakland Henry J. Kaiser Convention Center flac24; Recording Info: Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9506. 12/27/86 Flac 16 U Mtx - 0, 139998 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9507. 12/27/86 Flac 16 - 0, 139994 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 notes
9508. 12/27/86 Flac 16 - 0, 88965 Oakland Henry J. Kaiser Convention Center flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9509. 12/27/86 Flac 24/96 - 0, 135200 Oakland Henry J. Kaiser Convention Center flac24; lineage: beyers 160 fob> tcd-d5> tcd-d5> mc sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8 notes
9510. 12/27/86 Flac 16 - 0, 81267 Oakland Henry J. Kaiser Convention Center flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci notes
9511. 12/27/86 Flac 16 Mtx - 0, 143870 Oakland Henry J. Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid = 139729) Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 88965) Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes
9512. 12/27/86 Flac Dts 5.1 - 0, 143871 Oakland Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; - SBD (shnid = 139729) Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 88965) Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin notes
9513. 12/27/86 Flac 16/48 - 0, 143872 Oakland Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 139729) Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 88965) Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - surround mixing by Kevin Tobin notes
9514. 12/27/86 Shn - 0, 9152 Oakland Henry J. Kaiser Convention Center Set 1: SBD > MC > ? > DAT > CDR> WAV > SHN Set 2: SBD > MC > DAT > CDR > WAV > SHN; Seeded to etree by Chris L notes
9515. 12/27/86 Flac 16 - 0, 77443 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
9516. 12/27/86 Flac 16 - 0, 14300 Oakland Henry J. Kaiser Convention Center flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes
9517. 12/28/86 Flac 16 - 0, 99637 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
9518. 12/28/86 Shn Mtx - 0, 11495 Oakland Henry J. Kaiser Convention Center Ultramatrix (SBD/AUD mix)> Master cassette> DAT> CD> SHN; via Charlie Miller; Seeded to etree by Peter Braverman notes
9519. 12/28/86 Flac 16 - 0, 77445 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
9520. 12/28/86 Flac 24/48 - 0, 137444 Oakland Henry J. Kaiser Convention Center flac24; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac Fingerprints notes
9521. 12/28/86 Flac 16 - 0, 142301 Oakland Henry J. Kaiser Convention Center flac16; Source Info: Master (FOB) PCM; Unknown Schoeps mics > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
9522. 12/28/86 Flac 24/96 - 0, 135511 Oakland Henry J. Kaiser Convention Center flac24; source: schoeps cmc 4 fob > tcd-d5> tcd-d5> mc; conversion:sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate:96000/24 bit notes
9523. 12/28/86 Flac 16 - 0, 81281 Oakland Henry J. Kaiser Convention Center flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci notes
9524. 12/28/86 Flac 16 - 0, 117834 Oakland Henry J. Kaiser Convention Center flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
9525. 12/28/86 Flac 16 - 0, 106450 Oakland Henry J. Kaiser Convention Center flac16; Source: Superscope EC-7 Cardioids > Sony TC-153SD (Maxell XLIIS) Lineage: M-Cass > Sony TC-D5M > HHb CDR 800 Location: OTS, Balcony; Recorded/Transferred: Jeff Bowen; Extraction (CDR>EAC>WAV>FLAC): Brad Foster notes
9526. 12/28/86 Flac 16/44,1 - 0, 138869 Oakland Henry J. Kaiser Convention Center flac16 44.1khz Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper notes
9527. 12/28/86 - 0, 88967 Oakland Henry J. Kaiser Convention Center flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9528. 12/28/86 Shn - 0, 152495 Oakland Henry J. Kaiser Convention Center Senn 421 > master cassette > cdr > trade cdrs > eac > wav > shn notes
9529. 12/28/86 Flac 16 - , 155895 Oakland Henry J. Kaiser Convention Center flac16; Patched & Pitch Corrected Audience - (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin notes
9530. 12/28/86 Flac 16 Mtx - , 155896 Oakland Henry J. Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid = 99637) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155895) (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin - matrix mixing by Kevin Tobin notes
9531. 12/28/86 Flac 16 Dts 5.1 - , 155897 Oakland Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; - SBD (shnid = 99637) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155895) (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin - dts mixing by Kevin Tobin notes
9532. 12/28/86 Flac 16/48 - , 155898 Oakland Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 99637) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155895) (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin - surround mixing by Kevin Tobin notes
9533. 12/28/86 Flac 24/96 - , 155977 Oakland Henry J. Kaiser Convention Center flac24: Recording Info: Ultramatrix SBD > Cassette Master (Tascam Deck/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 notes
9534. 12/28/86 Flac 16/48 - , 156031 Oakland Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 155977) Recording Info: Ultramatrix SBD > Cassette Master (Tascam Deck/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 + AUD (shnid = 155895) (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin - surround mixing by Kevin Tobin notes
9535. 12/28/86 Flac 16/44 - , 156498 Oakland Henry J. Kaiser Convention Center flac1644: Recording Info: Ultramatrix SBD > Cassette Master (Tascam Deck/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 - This is 155977 2496 > 1644.1 notes
9536. 12/30/86 Flac 16 - 0, 99638 Oakland Henry J. Kaiser Convention Center flac16; Recording Info:SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
9537. 12/30/86 Flac 16 Mtx - 0, 128691 Oakland Henry J. Kaiser Convention Center flac16; 2 source Matrix mix of Shnid 81308(aud) and shnid 99638(sdb) with patches used from shnid 88983(aud) notes
9538. 12/30/86 Flac 16 - 0, 105203 Oakland Henry J. Kaiser Convention Center flac16; Source: Audience > Nakamichi CM-100 mics with CP-4 shogtun caps > Sony TC-D5 > mac Lineage: mac > Tascam 122b > Tascam HD-P2 > wav 24/48 > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > CD Wave > Flac 16 Taped by Gregg Holtz, from OTS notes
9539. 12/30/86 Shn - 0, 6025 Oakland Henry J. Kaiser Convention Center SBD> Cm> DAT> CD> EAC> CDWAV editing > SHN (seekable); via Steve Barbella notes
9540. 12/30/86 Flac 16 - 0, 80818 Oakland Henry J. Kaiser Convention Center flac16; shn id 77446: MSC -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC patched with shn id 6025: Barbella source - SBD> Cm> DAT> CD> EAC> CDWAV editing > SHN (seekable) and multigen cassette purporting to be from an FM post-dated broadcast (no shnid). notes
9541. 12/30/86 Flac 16 - 0, 77446 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
9542. 12/30/86 Flac 24/48 - 0, 137456 Oakland Henry J. Kaiser Convention Center flac24; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac Fingerprints notes
9543. 12/30/86 Flac 24 - 0, 137978 Oakland Henry J. Kaiser Convention Center flac24; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9544. 12/30/86 Flac 16 - 0, 138007 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD > Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, this is the 137978 24bit->16bit notes
9545. 12/30/86 Flac 16 - 0, 142302 Oakland Henry J. Kaiser Convention Center flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes
9546. 12/30/86 Flac 24/96 - 0, 135512 Oakland Henry J. Kaiser Convention Center flac24; source: set 1 beyers 160 fob> tcd-d5> tcd-d5> mc; set 2 sennheiser 441 (3) fob> tcd-d5> mc > c; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9547. 12/30/86 Flac 16 - 0, 81308 Oakland Henry J. Kaiser Convention Center flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci notes
9548. 12/30/86 Flac 16/44,1 - 0, 138870 Oakland Henry J. Kaiser Convention Center flac16 44.1khz Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper notes
9549. 12/30/86 Flac 16 - 0, 88983 Oakland Henry J. Kaiser Convention Center flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend notes
9550. 12/30/86 Flac 16 - 0, 138362 Oakland Henry J. Kaiser Convention Center flac16; Set 2 Unknown: FOB Schoeps CMC44 > Sony PCM-F1 > PCM master > DAT at 44.1 kHz; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 44 > Wave; Joe Noel Edits: T,F,P & P: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT notes
9551. 12/31/86 Flac 16 - 0, 99051 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
9552. 12/31/86 Shn - 0, 4637 Oakland Henry J. Kaiser Convention Center Pre-FM SBD > PCM > CDR > WAV > SHNv3; DAE (EAC> shntools> ftp) by neo_levo notes
9553. 12/31/86 Flac 16 - 0, 77445 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
9554. 12/31/86 Flac 16 - 0, 137263 Oakland Henry J. Kaiser Convention Center flac16; Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; Track, FLAC and Pack by Norm notes
9555. 12/31/86 Flac 24 - 0, 137457 Oakland Henry J. Kaiser Convention Center flac24; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac Fingerprints notes
9556. 12/31/86 Flac 16 - 0, 142303 Oakland Henry J. Kaiser Convention Center flac16; Source Info: 1st Set: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; 2nd Set: Oade's Master (FOB) Audience PCM; (2) Schoeps CMC4/MK41mics + (1) CMC4/MK4 center fill > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes
9557. 12/31/86 Flac 16 - 0, 140822 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: Master UltraMatrix PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000(wav 16-bit/44.1k)> Adobe Audition > TLH flac16 notes
9558. 12/31/86 Flac 24/96 - 0, 135513 Oakland Henry J. Kaiser Convention Center flac24; source: beyers 160 fob> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9559. 12/31/86 Flac 16 - 0, 81330 Oakland Henry J. Kaiser Convention Center flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci notes
9560. 12/31/86 Flac 24/96 - , 155987 Oakland Henry J. Kaiser Convention Center flac2496 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
9561. 12/31/86 Flac 16/44 - , 156532 Oakland Henry J. Kaiser Convention Center flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 155987 2496 > 1644.1 notes
9562. 01/28/87 Flac 16 - 0, 83286 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
9563. 01/28/87 Shn - 0, 17073 San Francisco San Francisco Civic Auditorium Source: SBDcm(Healy Mix)>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN; Seeded to etree by Steven Leeds notes
9564. 01/28/87 Flac 16 - 0, 119289 San Francisco San Francisco Civic Auditorium flac16; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell XLII-S. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Taped & transferred by Andrew F. 02/2012 notes
9565. 01/28/87 Flac 16/48 - 0, 135159 San Francisco San Francisco Civic Auditorium SHNID: 135159 notes
9566. 01/28/87 Flac 16 Mtx - 0, 135157 San Francisco San Francisco Civic Auditorium flac16; Matrix 2 Source Mix - SBD (shnid=83286) SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 119326) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell XLII-S. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Taped & transferred by Andrew F. 02/2012 - matrix mixing by Kevin Tobin notes
9567. 01/28/87 Flac Dts 5.1 - 0, 135158 San Francisco San Francisco Civic Auditorium DTS-Audio-CD 5.1 Mix; SBD (shnid=83286) SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 119326) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell XLII-S. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Taped & transferred by Andrew F. 02/2012 - DTS mixing by Kevin Tobin notes
9568. 01/28/87 Flac 24 Mtx - 0, 140689 San Francisco San Francisco Civic Auditorium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9569. 01/28/87 Flac 16 U Mtx - 0, 140787 San Francisco San Francisco Civic Auditorium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9570. 01/28/87 Flac 24/96 - 0, 135543 San Francisco San Francisco Civic Auditorium flac24; lineage: sennheiser 421 fob> tcd-d5> tcd-d5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9571. 01/28/87 Flac 24/48 - 0, 119326 San Francisco San Francisco Civic Auditorium flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell XLII-S. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Taped & transferred by Andrew F. 02/2012 notes
9572. 01/28/87 Flac 16 - 0, 79466 San Francisco San Francisco Civic Auditorium flac16; Source: Nakamichi 100s, taper's section > Sony D5 > Maxell MX90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3, rendered to 16/44.1 using Waves IDR hi res CD dither settings > CDWAV 1.9 > FLAC (level 8 encoding). Digital transfer, rendering and FLAC encoding by C.Ladner. notes
9573. 01/29/87 Flac 16 - 0, 83284 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
9574. 01/29/87 Shn - 0, 10535 San Francisco San Francisco Civic Auditorium Healey ultramix: PCM -> Cassette Master > wav > mkw > shn; Seeded to etree by drgseeds via Bob H notes
9575. 01/29/87 Flac 16 - 0, 116280 San Francisco San Francisco Civic Auditorium flac16; Source: (OTS/Balcony) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster notes
9576. 01/29/87 Flac 24 Mtx - 0, 140690 San Francisco San Francisco Civic Auditorium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9577. 01/29/87 Flac 16 - 0, 140788 San Francisco San Francisco Civic Auditorium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9578. 01/29/87 Flac 16 - 0, 141938 San Francisco San Francisco Civic Auditorium flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Modified Sony F-1 PCM; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 notes
9579. 01/29/87 Flac Dts 5.1 - 0, 142029 San Francisco San Francisco Civic Auditorium DTS-Audio-CD 5.1 Mix; SBD (shnid = 83284)Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shnid = 79467) Source: Nakamichi 100s, taper's section > Sony D5 > Maxell MX90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3, rendered to 16/44.1 using Waves IDR hi res CD dither settings > CDWAV 1.9 > FLAC (level 8 encoding). Digital transfer, rendering and FLAC encoding by C.Ladner. - dts mixing by Kevin Tobin notes
9580. 01/29/87 Flac 16 Mtx - 0, 142028 San Francisco San Francisco Civic Auditorium flac16; Matrix 2 Source Mix - SBD (shnid = 83284)Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shnid = 79467) Source: Nakamichi 100s, taper's section > Sony D5 > Maxell MX90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3, rendered to 16/44.1 using Waves IDR hi res CD dither settings > CDWAV 1.9 > FLAC (level 8 encoding). Digital transfer, rendering and FLAC encoding by C.Ladner. - matrix mixing by Kevin Tobin notes
9581. 01/29/87 Flac 16 - 0, 79467 San Francisco San Francisco Civic Auditorium flac16; Source: Nakamichi 100s, taper's section > Sony D5 > Maxell MX90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3, rendered to 16/44.1 using Waves IDR hi res CD dither settings > CDWAV 1.9 > FLAC (level 8 encoding). Digital transfer, rendering and FLAC encoding by C.Ladner. notes
9582. 01/29/87 Flac 16/48 - 0, 142030 San Francisco San Francisco Civic Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 83284)Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shnid = 79467) Source: Nakamichi 100s, taper's section > Sony D5 > Maxell MX90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3, rendered to 16/44.1 using Waves IDR hi res CD dither settings > CDWAV 1.9 > FLAC (level 8 encoding). Digital transfer, rendering and FLAC encoding by C.Ladner. - surround mixing by Kevin Tobin notes
9583. 01/30/87 Flac 16 - 0, 83285 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
9584. 01/30/87 Shn - 0, 19299 San Francisco San Francisco Civic Auditorium SBD > MC > C > DAT > CD > EAC > SHN; EAC?SHN by Darryl Hinko notes
9585. 01/30/87 Flac 16 - 0, 116296 San Francisco San Francisco Civic Auditorium flac16; Source: (OTS/Balcony) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster notes
9586. 01/30/87 Flac 24 Mtx - 0, 140697 San Francisco San Francisco Civic Auditorium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9587. 01/30/87 Flac 24 - 0, 140810 San Francisco San Francisco Civic Auditorium flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9588. 01/30/87 UltraMtx Flac16 - 0, 140791 San Francisco San Francisco Civic Auditorium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9589. 01/30/87 Flac 16 - 0, 140919 San Francisco San Francisco Civic Auditorium flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9590. 01/30/87 Flac 16 - 0, 141947 San Francisco San Francisco Civic Auditorium flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes
9591. 01/30/87 Shn - 0, 12089 San Francisco San Francisco Civic Auditorium AUD>DAT>CDR; via Easy Jim; Seeded to etree by eD notes
9592. 01/30/87 Flac 16 - 0, 79562 San Francisco San Francisco Civic Auditorium flac16; Source: Nakamichi 100s, taper's section > Sony D5 > Maxell MX90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3, rendered to 16/44.1 using Waves IDR hi res CD dither settings > CDWAV 1.9 > FLAC (level 8 encoding). Digital transfer, rendering and FLAC encoding by C.Ladner. notes
9593. 01/30/87 Flac 24/96 - 0, 148707 San Francisco San Francisco Civic Auditorium flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
9594. 01/30/87 Flac 16/48 - 0, 148706 San Francisco San Francisco Civic Auditorium flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9595. 03/01/87 Flac 16 - 0, 82567 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
9596. 03/01/87 Shn - 0, 23060 Oakland Henry J. Kaiser Convention Center Soundboard->Master Cassettes->Sonic 20-bit->Sony SBM2->CD. CD->EAC->SHN. Transfer, edits, and SHN by Joe Samaritano notes
9597. 03/01/87 Flac 2448 - 0, 135409 Oakland Henry J. Kaiser Convention Center flac24; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2016 notes
9598. 03/01/87 Flac 16 - 0, 135410 Oakland Henry J. Kaiser Convention Center flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016 notes
9599. 03/01/87 Shn - 0, 12090 Oakland Henry J. Kaiser Convention Center SBD>MC>DAT>SF>CDR; via Tom Banjo; Seeded to etree by eD notes
9600. 03/01/87 Shn - 0, 18118 Oakland Henry J. Kaiser Convention Center SBD > DAT > CDR > EAC > SHN via Fishman notes
9601. 03/01/87 Flac 24 - 0, 149855 Oakland Henry J. Kaiser Convention Center flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9602. 03/01/87 Flac 24 UMtx. - 0, 149856 Oakland Henry J. Kaiser Convention Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9603. 03/01/87 Flac 16 - 0, 150137 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
9604. 03/01/87 Flac 16 - 0, 150138 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
9605. 03/01/87 Flac 24/96 - 0, 149037 Oakland Henry J. Kaiser Convention Center flac24; 2nd Set: Recording Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
9606. 03/01/87 Flac 16/48 - 0, 149036 Oakland Henry J. Kaiser Convention Center flac16/48kHz; 2nd Set: Recording Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9607. 03/02/87 Flac 16 - 0, 82728 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 This is a Matrix SBD, the straight SBD also circulates notes
9608. 03/02/87 Shn - 0, 1965 Oakland Henry J Kaiser Convention Center SBD; conversion by Mike Lai, from Bruce Fried's seed notes
9609. 03/02/87 Flac 16 - 0, 82728 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 notes
9610. 03/02/87 Flac 16 - 0, 135360 Oakland Henry J Kaiser Convention Center flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016 notes
9611. 03/02/87 Flac 2448 - 0, 135359 Oakland Henry J Kaiser Convention Center flac24; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2016 notes
9612. 03/02/87 Flac 24 - 0, 149861 Oakland Henry J Kaiser Convention Center flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9613. 03/02/87 Flac 24 UMtx. - 0, 149862 Oakland Henry J Kaiser Convention Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 notes
9614. 03/02/87 Flac 16 - 0, 150139 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
9615. 03/02/87 Flac 16 - 0, 150140 Oakland Henry J Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
9616. 03/02/87 Flac 24/96 - 0, 149039 Oakland Henry J Kaiser Convention Center flac24; Recording Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
9617. 03/02/87 Flac 16/48 - 0, 149038 Oakland Henry J Kaiser Convention Center flac16/48kHz; Recording Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9618. 03/03/87 Flac 16 - 0, 82726 Oakland Henry J Kaiser Convention Center flac16; Recording info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 This is a Matrix SBD, the straight SBD also circulates notes
9619. 03/03/87 Flac 16 - 0, 82726 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 notes
9620. 03/03/87 Flac 2448 - 0, 135313 Oakland Henry J Kaiser Convention Center flac24; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2016 notes
9621. 03/03/87 Flac 16 - 0, 135214 Oakland Henry J Kaiser Convention Center flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016 notes
9622. 03/03/87 Shn - 0, 9175 Oakland Henry J Kaiser Convention Center SBD > MC > DAT > CDR; via neo_levo/candyman FTP notes
9623. 03/03/87 Flac 16/48 - 0, 142402 Oakland Henry J Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 82726) Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 + AUD (shnid = 135314) Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016 - surround mixing by Kevin Tobin notes
9624. 03/03/87 Flac Dts 5.1 - 0, 142401 Oakland Henry J Kaiser Convention Center DTS-Audio-CD 5.1 Mix; - SBD (shnid = 82726) Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 + AUD (shnid = 135314) Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016 - dts mixing by Kevin Tobin notes
9625. 03/03/87 Flac16 Mtx - 0, 142400 Oakland Henry J Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid = 82726) Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 + AUD (shnid = 135314) Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016 - matrix mixing by Kevin Tobin notes
9626. 03/03/87 Flac 24 UMtx. - 0, 149960 Oakland Henry J Kaiser Convention Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9627. 03/03/87 Flac 16 - 0, 150141 Oakland Henry J Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
9628. 03/03/87 Flac 24/96 - 0, 149054 Oakland Henry J Kaiser Convention Center flac24; Recording Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
9629. 03/03/87 Flac 16/48 - 0, 149053 Oakland Henry J Kaiser Convention Center flac16/48kHz; Recording Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9630. 03/22/87 Shn - 0, 25580 Hampton Hampton Coliseum Recording Info:Set 1: SBD -> Master Cassette -> Reel -> PCM -> CD Set 2: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller notes
9631. 03/22/87 Flac 16 - 0, 123019 Hampton Hampton Coliseum flac16; SBD/AUD Matrix master tapes recorded by Don Pearson; transferred by Jim Blackwood; mastered by Jamie Waddell at 24/96 src with Weiss Saracon to 16/44.1; Tracked in CD Wave Editor; Tag&Rename for Meta Data; TradersLittleHelper for FLAC (Level 8 by Patrick White(wharfratpat@shnflac.net) notes
9632. 03/22/87 Flac 24/96 - 0, 132231 Hampton Hampton Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; AKG D224Es "8" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
9633. 03/22/87 Flac 16 - 0, 132232 Hampton Hampton Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; AKG D224Es "8" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
9634. 03/22/87 Flac 16 - 0, 88595 Hampton Hampton Coliseum flac16; Nakamichi CM-100 mics with CP-4 shotgun capsules. Floor, right side (Jerry's side) of SBD. All transfers and Mastering done by Jamie Waddell on the GEMS Edit Station Trac'ed Cdwave Flac'ed level 8 TLH notes
9635. 03/22/87 Flac 16 - 0, 126109 Hampton Hampton Coliseum flac16; 2 AKG 451s with CK-8 Capsules and Sony TC-D5m Cassette Master Taping Section; Transfer: Playback Maxell XLII-S cassette masters on Sony TC-D5m to Marantz PMD-670 (note: on the original source tracks 15 & 16 will not decode to .wav; a fixed version mow circulates) notes
9636. 03/22/87 Flac 16/48 - 0, 138644 Hampton Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) SBD (shnid = 25580)Recording Info:Set 1: SBD -> Master Cassette -> Reel -> PCM -> CD Set 2: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller + AUD (shnid = 77199) Source: Sennheiser shotguns (ME-88) > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res dither settings) > CDWAV 1.9 > FLAC (level 8 encoding). Transfer and FLAC encoding by C.Ladner - mixing by Kevin Tobin notes
9637. 03/22/87 Flac Dts 5.1 - 0, 138633 Hampton Hampton Coliseum b>DTS-Audio-CD 5.1 Mix; SBD (shnid = 25580)Recording Info:Set 1: SBD -> Master Cassette -> Reel -> PCM -> CD Set 2: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller + AUD (shnid = 77199) Source: Sennheiser shotguns (ME-88) > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res dither settings) > CDWAV 1.9 > FLAC (level 8 encoding). Transfer and FLAC encoding by C.Ladner - dts mixing by Kevin Tobin notes
9638. 03/22/87 Flac 16 Mtx - 0, 138632 Hampton Hampton Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 25580)Recording Info:Set 1: SBD -> Master Cassette -> Reel -> PCM -> CD Set 2: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller + AUD (shnid = 77199) Source: Sennheiser shotguns (ME-88) > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res dither settings) > CDWAV 1.9 > FLAC (level 8 encoding). Transfer and FLAC encoding by C.Ladner. - matrix mixing by Kevin Tobin notes
9639. 03/22/87 Flac 16 - 0, 89045 Hampton Hampton Coliseum flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9640. 03/22/87 Shn - 0, 3854 Hampton Hampton Coliseum FOB Schoeps CMC441 > Oade P.S. > Sony PCMF1; Sony PCMF1> DAT by Sean Weber-Small; Tranfer: DAT (master, direct copy from PCM @ 44.1) Sony DTC-A6 > DIO 2448 > CDWAV > SHN by Bill Gardner; QC by dankseeds notes
9641. 03/22/87 Flac 24/96 - 0, 135544 Hampton Hampton Coliseum flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
9642. 03/22/87 Shn - 0, 9734 Hampton Hampton Coliseum Master Soundboard Cassette (Ultra-Matrix) > Reel to Reel > PCM > CDR; CD Mastering, SHN'ed by Scott Clugston; To abgd via Charlie Connor notes
9643. 03/22/87 Flac 16 - 0, 77199 Hampton Hampton Coliseum flac16; Source: Sennheiser shotguns (ME-88) > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res dither settings) > CDWAV 1.9 > FLAC (level 8 encoding). Transfer and FLAC encoding by C.Ladner. notes
9644. 03/22/87 Flac 24 UMtx. - 0, 147624 Hampton Hampton Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
9645. 03/22/87 Flac 16 U Mtx. - 0, 147634 Hampton Hampton Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This file set is 16 bit @ 44.1 notes
9646. 03/23/87 Flac 16 - 0, 95716 Hampton Hampton Coliseum flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
9647. 03/23/87 Flac 24/96 - 0, 132155 Hampton Hampton Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
9648. 03/23/87 Flac 16 - 0, 132154 Hampton Hampton Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
9649. 03/23/87 Flac 16 - 0, 90868 Hampton Hampton Coliseum flac16; Nakamichi CM-100's with CP-4 shotgun capsules>>Sony D-5 cassette recorder located just at the right front lip of the soundboard. Recorded by Greg Holtz & Mike Rice master cass> tascam112mkII>presonus firestudio>firewire>wavelab6.0 a GEMS transfer at 32bf/96kHz, crystal resampler to 16/44.1 in wavelab 6.0 by Jamie Waddell notes
9650. 03/23/87 Flac 16 - 0, 126162 Hampton Hampton Coliseum flac16; 2 AKG 451s with CK-8 Capsules and Sony TC-D5m Cassette Master; Taping Section; Transfer: Playback Maxell XL-IIS cassette masters on Sony TC-D5m to Marantz PMD-670 notes
9651. 03/23/87 Flac 24 - 0, 140679 Hampton Hampton Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9652. 03/23/87 Flac 16 - 0, 140683 Hampton Hampton Coliseum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9653. 03/23/87 Flac 24/96 - 0, 141278 Hampton Hampton Coliseum b>flac24; Patched & Pitch Corrected Audience (original shnid = 132155) Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - pitch correction and patches by Kevin Tobin notes
9654. 03/23/87 Flac 16 - 0, 141279 Hampton Hampton Coliseum flac16; Patched and Pitch Corrected Audience (original shnid = 132155) Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - pitch correction and patches by Kevin Tobin notes
9655. 03/23/87 Flac 16/48 - 0, 141287 Hampton Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140679) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 132155) Source Info: Master Audience Recorded By Steve Hill, Transfer By Keo! Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's. Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz. Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - mixing by Kevin Tobin notes
9656. 03/23/87 Flac 24 Mtx - 0, 141284 Hampton Hampton Coliseum flac24; Matrix 2 Source Mix - SBD (shnid = 140679) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 132155) Source Info: Master Audience Recorded By Steve Hill, Transfer By Keo! Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's. Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz. Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - matrix mixing by Kevin Tobin notes
9657. 03/23/87 Flac 16 Dts - 0, 141286 Hampton Hampton Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid = 140679) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 132155) Source Info: Master Audience Recorded By Steve Hill, Transfer By Keo! Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's. Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz. Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - dts mixing by Kevin Tobin notes
9658. 03/23/87 Flac 16 Mtx - 0, 141285 Hampton Hampton Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 140679) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 132155) Source Info: Master Audience Recorded By Steve Hill, Transfer By Keo! Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's. Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz. Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - matrix mixing by Kevin Tobin notes
9659. 03/23/87 Flac 24/96 - 0, 135582 Hampton Hampton Coliseum flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
9660. 03/23/87 Flac 16 - 0, 77786 Hampton Hampton Coliseum flac16; Source: Sennheiser ME88 shotguns > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res dither settings) > CDWAV 1.9 > FLAC (level 8 encoding). Transfer and FLAC encoding by C.Ladner notes
9661. 03/23/87 Shn - 0, 3870 Hampton Hampton Coliseum FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1; Sony PCMF1> DAT by Sean Weber-Small; CD Transfer: DAT (master, direct copy from PCM @ 44.1) Sony DTC-A6 > DIO 2448 > CDWAV > SHN by Bill Gardner; QC by dankseeds notes
9662. 03/23/87 Flac 16 - 0, 89057 Hampton Hampton Coliseum flac16; taper : Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9663. 03/24/87 Flac 16 - 0, 94349 Hampton Hampton Coliseum flac16; Recording Info: Set 1: SBD -> Master Cassette -> Cassette; Set 2: SBD -> Master Cassette -> Dat (44.1k); Transfer Info: Set 1: Cassette -> Apogee MiniMe -> Samplitude Professional v9.1 -> FLAC; Set 2: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC; All Transfers and Mastering By Charlie Miller notes
9664. 03/24/87 Flac 24 - 0, 131807 Hampton Hampton Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
9665. 03/24/87 Flac 16 - 0, 131806 Hampton Hampton Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
9666. 03/24/87 Flac 16 - 0, 91254 Hampton Hampton Coliseum flac16; Nakamichi CM-100's with CP-4 shotgun capsules>>Sony D-5 cassette recorder located just at the right front lip of the soundboard. Recorded by Greg Holtz & Mike Rice master cassette> tascam112mkII>presonus firestudio>firewire>Wavelab 6.0 transfer at 32bf/96kHz mastering and crystal resampler to 16/44.1 in Wavelab 6.0 by Jamie Waddell on the GEMS Edit Station. Trac'ed cdwave,Flac'ed Flac Frontend level 8 notes
9667. 03/24/87 Shn - 0, 24481 Hampton Hampton Coliseum Set 2 Only - Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller notes
9668. 03/24/87 Flac 16 - 0, 126241 Hampton Hampton Coliseum flac16; 2 Sennhesier 441s and Sony TC-D5m Cassette Master; FOB; Transfer: Playback Maxell XL-IIS cassette masters on Sony TC-D5m to Marantz PMD-670 notes
9669. 03/24/87 Shn - 0, 10077 Hampton Hampton Coliseum Nakamichi 300/Sony D-5> Nakamichi BX-300 > CD; via Stephen B. Porter; Seeded to etree by Peter Braverman notes
9670. 03/24/87 Flac 16 - 0, 77915 Hampton Hampton Coliseum flac16; Source: Sennheiser ME88 shotguns > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res CD dither settings) > CDWAV 1.9 (tracking and encoding) > FLAC (level 8 encoding). Transfer, mastering and encoding by C.Ladner notes
9671. 03/24/87 Ultra MtxFlac24 - 0, 140805 Hampton Hampton Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9672. 03/24/87 Flac 16 U Mtx - 0, 140920 Hampton Hampton Coliseum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9673. 03/24/87 Flac 16 Mtx - 0, 142042 Hampton Hampton Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin notes
9674. 03/24/87 Flac 24/96 - 0, 142039 Hampton Hampton Coliseum flac24; Patched & Pitch Corrected Audience (original shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin notes
9675. 03/24/87 Flac 16 - 0, 142040 Hampton Hampton Coliseum flac16; Patched & Pitch Corrected Audience (original shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin notes
9676. 03/24/87 Flac 16/48 - 0, 142044 Hampton Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k)- SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin notes
9677. 03/24/87 Flac 24/96 Mtx - 0, 142041 Hampton Hampton Coliseum flac24; Matrix 2 Source Mix - SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin notes
9678. 03/24/87 Flac Dts 5.1 - 0, 142043 Hampton Hampton Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin notes
9679. 03/24/87 Flac 16 - 0, 89110 Hampton Hampton Coliseum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1> creative extigy soundcard> cool edit pro> flac frontend notes
9680. 03/24/87 Flac 24/96 - 0, 135546 Hampton Hampton Coliseum flac24; Set 2 source: neuman kmr 184 fob> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9681. 03/24/87 Shn - 0, 10354 Hampton Hampton Coliseum FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1 Sony PCMF1> DAT; via Sean Weber-Small, Bill Gardner; Shntool fix by Darrin Sacks notes
9682. 03/24/87 Flac 16 - 0, 135992 Hampton Hampton Coliseum flac16; OTS 2 Nakamichi CM100s w/cP4 shotguns(PAS)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6) notes
9683. 03/26/87 Shn - 0, 109923 Hartford Hartford Civic Center Set I info Source: SBD Lineage: Master Cassette > DAT > CD > SHN; Set II info Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette > DAT > CD > SHN; via Douglas Tunstall, Nick Scarano and Jeff Hawkins; seeded to etree by Peter Braverman notes
9684. 03/26/87 Flac 24 Mtx - 0, 124744 Hartford Hartford Civic Center flac24; Set 2 Source: SBD (Healy Matrix) > Metal cassette 1st Gen > Maxell MXS-90 2nd Gen cassette. With kind thanks to Seaweed1010. Transfer: MXS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit) > TLH > FLAC 2448 tagged. June 2013, Andrew F. notes
9685. 03/26/87 Flac 24 - 0, 138162 Hartford Hartford Civic Center b>flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9686. 03/26/87 Flac 16 - 0, 138166 Hartford Hartford Civic Center flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is shnid 138162 24 > 16 notes
9687. 03/26/87 Flac 16 - 0, 138700 Hartford Hartford Civic Center flac16; Robert Bryant recording: (patched out of the Oade Brothers) FOB Schoeps CMC4 MK41 > Sony PCM > DAT/44; Charlie Miller transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel edits: Track, Flac & Pack: Wave > Audacity > flac 16/44; Checksum & tags created in xACT notes
9688. 03/26/87 Flac 24/96 - 0, 143349 Hartford Hartford Civic Center flac24; Ray Ackerman’s Master Audience Cassettes: Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony TCD5 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 notes
9689. 03/26/87 Flac 16 - 0, 89168 Hartford Hartford Civic Center flac16; taper : Joe D'Amico nak300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9690. 03/26/87 Flac 16 - 0, 81450 Hartford Hartford Civic Center flac16; Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci notes
9691. 03/26/87 Flac 16 - 0, 106901 Hartford Hartford Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Taper Section 8, Row H, Seat 14 by Bob Morris. Transferred & edited by Bob Morris 11/09 notes
9692. 03/26/87 Flac 16 - 0, 102131 Hartford Hartford Civic Center flac16; Source: (2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5 Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16 Recorded by Ray Ackerman Conversion by Ray Ackerman Tracks, FLACs, Tags by Craig Taraszki Originally seeded 2009-10-21 notes
9693. 03/26/87 Flac 24/96 - 0, 135547 Hartford Hartford Civic Center flac24; 2 nakamichi 300 + cp4 / (2) audio technica shotguns> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9694. 03/26/87 Flac 16 - 0, 145505 Hartford Hartford Civic Center flac16; Ray Ackerman's Master Audience Cassettes: Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony TCD5 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96, This file set is 16 bit @ 44.1 notes
9695. 03/26/87 Flac 24/96 - 0, 150850 Hartford Hartford Civic Center flac24; Recording Info: Sennheiser 441 > Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Doug Lamarre notes
9696. 03/26/87 Flac 16/44,1 - 0, 151599 Hartford Hartford Civic Center flac16/44.1khz ; Recording Info: Sennheiser 441 > Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Doug Lamarre - 150850 24 -> 16 @ 44.1 notes
9697. 03/26/87 Flac 16 - , 150711 Hartford Hartford Civic Center flac16; Nak 300 Mics W/Cp4 Shotguns > Sony D5; Nak Dragon > Sony Sbm1 > Cool Edit > Master Raw Files > Adobe Audition CS6 > Trader's Little Helper; Taper: Joe D'Amico; Editing: Joe D'Amico notes
9698. 03/27/87 Flac 16 - 0, 95717 Hartford Hartford Civic Center flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
9699. 03/27/87 Flac 2448 Mtx - 0, 111241 Hartford Hartford Civic Center flac24; Source: SBD (Matrix) > Metal cassettes 1st Gen > XLII-S 1st Set and MX-S 2nd Set, 2nd Gen cassettes. With thanks to Seaweed1010. Transfer: Cassettes > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Dec 2010 Transfer by Andrew F. notes
9700. 03/27/87 Flac 24 - 0, 140855 Hartford Hartford Civic Center flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9701. 03/27/87 Flac 24 U Mtx - 0, 140871 Hartford Hartford Civic Center notes
9702. 03/27/87 Flac 16 - 0, 142501 Hartford Hartford Civic Center flac16; Set 2, OTS Schoeps CMC441 (@90ยบ x-y) > PCM (Sony PCM F1) > DAT(1); John Ammons Transfer: from his clone of the DAT. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 44K > Wave notes
9703. 03/27/87 Flac 24/96 - 0, 143350 Hartford Hartford Civic Center flac24; Ray Ackerman’s Master Audience Cassettes: Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony TCD5 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96 notes
9704. 03/27/87 Shn - 0, 7343 Hartford Hartford Civic Center Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Stephen B. Porter; Peter Braverman notes
9705. 03/27/87 Flac 16 - 0, 89300 Hartford Hartford Civic Center flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend notes
9706. 03/27/87 Flac 16 - 0, 106796 Hartford Hartford Civic Center flac16; Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes
9707. 03/27/87 Flac 16 - 0, 102128 Hartford Hartford Civic Center flac16; Source: (2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5 Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16 Recorded by Ray Ackerman Conversion by Ray Ackerman Tracks, FLACs, Tags by Craig Taraszki Originally seeded 2009-10-21 notes
9708. 03/27/87 Flac 24/96 - 0, 135548 Hartford Hartford Civic Center flac24; source: (2) nakamichi 300 + cp4 / (2) audio technica shotguns> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9709. 03/27/87 Flac 16 - 0, 145672 Hartford Hartford Civic Center flac16; Ray Ackerman’s Master Audience Cassettes: Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony TCD5 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96. This file set is 16 bit @ 44.1 notes
9710. 03/27/87 Flac 24/96 - 0, 151256 Hartford Hartford Civic Center flac24/96khz Recording Info: Sennheiser 441 > Cassette Master (Sony TC-D5M/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
9711. 03/27/87 Flac 16/44 - 0, 151600 Hartford Hartford Civic Center flac16/44khz Recording Info: Sennheiser 441 > Cassette Master (Sony TC-D5M/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151256 24 -> 16 @ 44.1 notes
9712. 03/27/87 Flac 16 - , 150712 Hartford Hartford Civic Center flac16; Nak 300 Mics W/Cp4 Shotguns > Sony D5; Nak Dragon > Sony Sbm1 > Cool Edit > Master Raw Files > Adobe Audition CS6 > Trader's Little Helper; Taper: Joe D'Amico; Editing: Joe D'Amico notes
9713. 03/29/87 Flac 16 - 0, 89320 Philadelphia The Spectrum flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm-1 > creative extigy soundcard > cool edit pro > flac frontend notes
9714. 03/29/87 Flac 16 - 0, 138638 Philadelphia The Spectrum flac16; Robert Bryant recording: (patched out of the Oade Brothers) FOB Schoeps CMC4 MK41 > Sony PCM > DAT/44; Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > flac 16/44; Checksum & tags created in xACT notes
9715. 03/29/87 Flac 24 - 0, 139719 Philadelphia The Spectrum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9716. 03/29/87 Flac 16 U Mtx - 0, 139803 Philadelphia The Spectrum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9717. 03/29/87 Shn - 0, 7344 Philadelphia The Spectrum Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Stephen B. Porter; Peter Braverman notes
9718. 03/29/87 Flac 16 - 0, 77977 Philadelphia The Spectrum flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up next to the soundboard, on the left side (stage right). Mics on stand aprx 7-1/2 feet high, pointed at the stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC Taped and transfered by Andrew F notes
9719. 03/29/87 Flac 16 - 0, 81513 Philadelphia The Spectrum flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci notes
9720. 03/29/87 Flac 16 - 0, 109186 Philadelphia The Spectrum flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
9721. 03/29/87 Flac 16 - 0, 119403 Philadelphia The Spectrum flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
9722. 03/29/87 Flac 24/96 - 0, 135569 Philadelphia The Spectrum flac24; source: nakamichi 3 + cp4> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9723. 03/30/87 Shn - 0, 18255 Philadelphia The Spectrum Master Soundboard Cassette (Ultr-Matrix Mix) > Reel to Reel > PCM > CDR notes
9724. 03/30/87 Shn - 0, 34394 Philadelphia The Spectrum Seamless fix of shn id 18255 - MSC (Ultr-Matrix Mix) > Reel to Reel > PCM > CDR notes
9725. 03/30/87 UltraMtx Flac24 - 0, 139720 Philadelphia The Spectrum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9726. 03/30/87 Ultra MtxFlac16 - 0, 139805 Philadelphia The Spectrum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9727. 03/30/87 Flac 24/96 - 0, 134853 Philadelphia The Spectrum flac24; Source: Nakamichi CM-300s/Shotguns -> Sony Walkman Pro/Maxell MX 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes
9728. 03/30/87 Shn - 0, 5572 Philadelphia The Spectrum AUD> Sony microphones> Nakamichi BX-300 deck> Maxell metal cassette, Recorded by Tony Cirella; Playback: Nakamichi DR-10> Monster analog cables> Tascam CD-RW700 CD burner> CD, transfer by Paul B.; EAC>SHN by Greg Kerbel notes
9729. 03/30/87 Shn - 0, 10922 Philadelphia The Spectrum Source: Audience Master Cassette (Nak 300/Sony D5) Lineage: Nakamichi BX-300> CD> SHN; via Stephen B. Porter; Seeded to etree by Peter Braverman notes
9730. 03/30/87 Flac 16 - 0, 89341 Philadelphia The Spectrum flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9731. 03/30/87 Flac 24/96 - 0, 135570 Philadelphia The Spectrum flac24; source: nakamichi 3 + cp4> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9732. 03/31/87 Flac - 0, 21267 Philadelphia The Spectrum Recording Info: FM -> Cassette Master -> Dat Transfer Info: Dat -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> EAC -> SHN All Transfers Done By Charlie Miller charliemiller87@earthlink.net SHN'd On 12/8/03 notes
9733. 03/31/87 Shn - 0, 7357 Philadelphia The Spectrum FM(AUD):MC> DAT> CD> AIFF> WAV> SHN; via Peter Braverman notes
9734. 03/31/87 Shn - 0, 14524 Philadelphia The Spectrum FM Broadcast (93.3 WMMR, Philadelphia) > Hi-Fi VHS Master> CDR; Seeded to etree by Scott Clugston notes
9735. 03/31/87 Flac 16 - 0, 81534 Philadelphia The Spectrum flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci aka nak700 notes
9736. 03/31/87 Flac 24 - 0, 139721 Philadelphia The Spectrum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9737. 03/31/87 Flac 16 U Mtx - 0, 139806 Philadelphia The Spectrum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9738. 03/31/87 Flac 24/96 - 0, 135571 Philadelphia The Spectrum flac24; source: nakamichi 3 + cp4> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9739. 03/31/87 Flac 16 - 0, 89349 Philadelphia The Spectrum flac16; taper: Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9740. 04/02/87 Flac 16 - 0, 82310 Worcester The Centrum flac16; Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller notes
9741. 04/02/87 Flac 24/96 - 0, 131411 Worcester The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's ? * > Sony Tc-D5M, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
9742. 04/02/87 Flac 16 - 0, 131412 Worcester The Centrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's ? * > Sony Tc-D5M, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
9743. 04/02/87 Flac 16 - 0, 99141 Worcester The Centrum flac16; Recording Info: (FOB/25th Row) Nakamichi 700 -> Sansui Tricode PCM Audio Processor -> Magnovox VCR; Transfer Info: PCM Master -> Samplitude Professional v10.2.1 -> FLAC; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
9744. 04/02/87 Flac 24 Mtx - 0, 140289 Worcester The Centrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9745. 04/02/87 Flac 16 Mtx - 0, 140333 Worcester The Centrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9746. 04/02/87 Flac 24 - 0, 140525 Worcester The Centrum flac24; source: nak 300 (12' ots) > tcd5m (mx90s +dolby) > master > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, fades, tracks) >flac2496 > xact (tags, md5, ffp); recorded: david lane + david barfield; transferred / seeded: barfield notes
9747. 04/02/87 Flac 16 - 0, 140668 Worcester The Centrum flac16; source: nak 300 (12' ots) > tcd5m (mx90s +dolby) > master > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, fades, tracks) >flac2496 > xact (tags, md5, ffp); recorded: david lane + david barfield; transferred / seeded: barfield notes
9748. 04/02/87 Flac 24/48 - 0, 141281 Worcester The Centrum flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; 2 x AudioTechnica AT835 mics + 1 x AKG D12E center fill > Yamaha mixer > Sony TC-D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/48k) > WaveLab 5 (24/48) > Adobe Audition 3.0 (24/48) > TLH flac2448 notes
9749. 04/02/87 Flac 16 - 0, 141280 Worcester The Centrum flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; 2 x AudioTechnica AT835 mics + 1 x AKG D12E center fill > Yamaha mixer > Sony TC-D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/48k) > WaveLab 5 (24/48) > Adobe Audition 3.0 (24/48) > TLH flac2448; 24-bit > 16-bit via dBpoweramp notes
9750. 04/02/87 Flac 16 - 0, 141969 Worcester The Centrum flac16; Set 2 Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes
9751. 04/02/87 Flac 16 - 0, 106902 Worcester The Centrum flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Taper Section 5, Row U, Seat 2 by Bob Morris. Transferred & edited by Bob Morris 11/09. notes
9752. 04/02/87 Flac 16 - 0, 89395 Worcester The Centrum flac16; nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9753. 04/02/87 Shn - 0, 11804 Worcester The Centrum AUD>PCM>DAT>CDR; via Charlie Phogg; Seeded to etree by eD notes
9754. 04/03/87 Flac 16 - 0, 95720 Worcester The Centrum flac16; Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
9755. 04/03/87 Flac 24/96 - 0, 131430 Worcester The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony Tc-D5M, Tapes: Maxell XLII 90's; Tapes Are Labeled: 2 Sennheiser 441's Casey; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
9756. 04/03/87 Flac 16 - 0, 131429 Worcester The Centrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony Tc-D5M, Tapes: Maxell XLII 90's; Tapes Are Labeled: 2 Sennheiser 441's Casey; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
9757. 04/03/87 Flac 16 - 0, 99165 Worcester The Centrum flac16; Recording Info: (FOB) Nakamichi 700 -> Sansui Tricode PCM Audio Processor -> Magnovox VCR Transfer Info: PCM Master -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
9758. 04/03/87 Ultra Mtx Sbd - 0, 140292 Worcester The Centrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9759. 04/03/87 Flac 24/96 - 0, 141283 Worcester The Centrum flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; 2 x AudioTechnica AT835 mics + 1 x AKG D12E center fill > Yamaha mixer > Sony TC-D5 Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) > WaveLab 5 (24/96) > Adobe Audition 3.0 (24/96) > TLH flac2496 notes
9760. 04/03/87 Flac 16 - 0, 141282 Worcester The Centrum flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; 2 x AudioTechnica AT835 mics + 1 x AKG D12E center fill > Yamaha mixer > Sony TC-D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) > WaveLab 5 (24/96) > Adobe Audition 3.0 (24/96) > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9761. 04/03/87 Flac 16 - 0, 141970 Worcester The Centrum flac16; Set 2 Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes
9762. 04/03/87 Shn - 0, 11631 Worcester The Centrum 2nd set only; FOB-AUD>MC>CDR; Senn 421?s>Sony TC-D5; via August West; Seeded to etree by eD(efojr) notes
9763. 04/03/87 Shn - 0, 24898 Worcester The Centrum Recording Info: Sennheiser ME80 -> Master Cassette -> Dat(44.1k) -> ZA2 -> SHN notes
9764. 04/03/87 Flac 24/96 - 0, 135572 Worcester The Centrum flac24; Set 2 source: nakamichi 3 + cp4> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9765. 04/03/87 Flac 16 - 0, 89432 Worcester The Centrum flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9766. 04/03/87 Flac 16 - 0, 140335 Worcester The Centrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9767. 04/04/87 Flac 16 - 0, 95721 Worcester The Centrum flac16; Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller notes
9768. 04/04/87 Flac 16 - 0, 131520 Worcester The Centrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony Tc-D5M, Tapes: Maxell XLII 90's; Set 2 Tape Is Labelled 2 Sennheiser 441's Casey; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software V.3.02 To 32 Bit Float/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
9769. 04/04/87 Flac 24/96 - 0, 131521 Worcester The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony Tc-D5M, Tapes: Maxell XLII 90's; Set 2 Tape Is Labelled 2 Sennheiser 441's Casey; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
9770. 04/04/87 Flac 24/96 - 0, 131521 Worcester The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony Tc-D5M, Tapes: Maxell XLII 90's; Set 2 Tape Is Labelled 2 Sennheiser 441's Casey; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
9771. 04/04/87 Flac 16 - 0, 99167 Worcester The Centrum flac16; Recording Info: (FOB) Nakamichi 700 -> Sansui Tricode PCM Audio Processor -> Magnovox VCR Transfer Info: PCM Master -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC; Recorded by Steve Rolfe; All Transfers and Mastering By Charlie Miller notes
9772. 04/04/87 Flac 24 U Mtx - 0, 140306 Worcester The Centrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9773. 04/04/87 Flac 16 - 0, 140373 Worcester The Centrum flac16; Recording Info: FM (WCUW) > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9774. 04/04/87 Flac 16 U Mtx - 0, 140372 Worcester The Centrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9775. 04/04/87 Shn - 0, 9362 Worcester The Centrum FOB Schoeps > PCM > DAT > CDR; via Rick M; neo_levo/candman FTP, 4/2002 notes
9776. 04/04/87 Flac 16 - 0, 89471 Worcester The Centrum flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9777. 04/04/87 Flac 24/96 - 0, 135583 Worcester The Centrum flac24; source: nakamichi 3 + cp4> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit notes
9778. 04/04/87 Flac 16 - 0, 109785 Worcester The Centrum flac16; FOB>AKG 414's>D5>MC>CDr>EAC>WAV>FLAC; Recorded By: Jeff Stevenson notes
9779. 04/04/87 Flac 16 - 0, 78055 Worcester The Centrum flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC notes
9780. 04/06/87 Flac - 0, 25809 East Rutherford Meadowlands Arena Patch for previous Matrix shn set, wherein d1t01 audience patch is from previous AUD shn set and SBEs fixed for d1t09, d2t01, and d2t11 [note: on 01/24/2007/ Charlie Miller distributed a flac version of this fileset.] notes
9781. 04/06/87 Shn Mtx - 0, 19848 East Rutherford Meadowlands Arena Healy Matrix TDK MA-90 cassette > Dick's Reel (Technics 1506) > PCM > CD (HHB CDR 800) > EAC > SHN; EAC/SHN by Darryl Hinko; a set of patches circulates notes
9782. 04/06/87 Ultra Mtx Sbd - 0, 140339 East Rutherford Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9783. 04/06/87 UltraMtx Flac16 - 0, 140376 East Rutherford Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9784. 04/06/87 Flac 16 - 0, 106903 East Rutherford Meadowlands Arena flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Taper Section 2, Row L, Seat 14 by Bob Morris. Transferred & edited by Bob M 11/09. notes
9785. 04/06/87 Flac 16 - 0, 89507 East Rutherford Meadowlands Arena flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9786. 04/06/87 Flac 16 - 0, 102655 East Rutherford Meadowlands Arena flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick; recorded by Jon Pasternak notes
9787. 04/06/87 Flac 16 - 0, 81380 East Rutherford Meadowlands Arena flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci aka nak700 notes
9788. 04/06/87 Shn - 0, 10924 East Rutherford Meadowlands Arena AUD>MC>DAT>CDR Schoeps CMC-441?s>Sony D-5; via Paul; Seeded to etree by eD(efojr) notes
9789. 04/06/87 Flac 24/96 - 0, 135913 East Rutherford Meadowlands Arena flac24; lineage: sennheiser 21 (fob)> tcd-d5> mc> c> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
9790. 04/07/87 Flac 16 - 0, 89971 East Rutherford Meadowlands Arena flac16; Source: WNEW-FM > unknown receiver > Onkyo TA-2048 > TDK SA-90's, with Dolby C on. Taped by Jon Pasternak. Transfer: MFC > Nakamichi DR-8 (Dolby C) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes
9791. 04/07/87 Shn - 0, 19284 East Rutherford Meadowlands Arena Source: FM-SBD(WNEW)>C>CDR>WAV>SHN. Transfer to CDR via jabuzz420. SHN encoding via neo_levo. notes
9792. 04/07/87 UltraMtx Flac16 - 0, 140337 East Rutherford Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9793. 04/07/87 Flac 24/96 - 0, 134681 East Rutherford Meadowlands Arena flac24; Source: Nakamichi CM-300s/2-Mic CP-4 super-directional shotgun capsule -> Sony Walkman Pro/Triad Metal Position MG-X 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes
9794. 04/07/87 Flac 16 - 0, 89541 East Rutherford Meadowlands Arena flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
9795. 04/07/87 Flac 16 - 0, 81407 East Rutherford Meadowlands Arena flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci aka nak700 notes
9796. 04/07/87 Shn - 0, 11649 East Rutherford Meadowlands Arena AUD>MC>DAT>CDR; Schoeps CMC-441?s>Sony D-5; via Mojo Hand; Seeded to etree by eD(efojr) notes
9797. 04/07/87 Flac 24/96 - 0, 135915 East Rutherford Meadowlands Arena flac24; Set 2 lineage:sennheiser 421 (fob)> tcd-d5> mc> c> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
9798. 04/07/87 Flac 16 - 0, 106060 East Rutherford Meadowlands Arena flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Taper Section 2, Row M, Seat 8 by Bob Morris notes
9799. 04/07/87 Flac 24 UMtx. - 0, 140340 East Rutherford Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9800. 04/09/87 Flac 16 - 0, 90477 Chicago UIC Pavilion flac16; Recording Info: SBD -> Cassette Master -> Cassette (Sony D6/Maxell XLII-S90/Dolby C) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
9801. 04/09/87 Shn - 0, 10160 Chicago UIC Pavilion Source: Audience cassette (Nakamichi 300/Sony D5) Lineage: Nakamichi BX-300 > CD > SHN; via Stephen B. Porter; Seeded to etree by Peter Braverman notes
9802. 04/09/87 Flac 16 - 0, 30135 Chicago UIC Pavilion flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2469 > Soundforge > CD-Wave > TLH > FLAC, July 2008 by Andrew F. notes
9803. 04/09/87 Flac 24 U Mtx - 0, 140872 Chicago UIC Pavilion flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9804. 04/09/87 Flac 16 - 0, 140893 Chicago UIC Pavilion flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9805. 04/09/87 Flac 16 - 0, 119019 Chicago UIC Pavilion flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
9806. 04/09/87 Shn - 0, 10262 Chicago UIC Pavilion Shntool fix of original Braverman; Source: Audience cassette (Nakamichi 300/Sony D5) Lineage: Nakamichi BX-300 > CD > SHN notes
9807. 04/09/87 Shn - 0, 11657 Chicago UIC Pavilion FOB-AUD>MC>DAT>CDR; Schoeps CMC 441?s w/hyper Cartoid; via Billy Sunday; Seeded to etree by eD(efojr) notes
9808. 04/09/87 Flac 24/96 - 0, 148683 Chicago UIC Pavilion flac24; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser 421 and Sennheiser ME-80 blend > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
9809. 04/09/87 Flac 16/48 - 0, 148682 Chicago UIC Pavilion flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser 421 and Sennheiser ME-80 blend > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9810. 04/09/87 Flac 24/96 - 0, 150526 Chicago UIC Pavilion flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. August 01, 2020 notes
9811. 04/10/87 Flac 16 - 0, 102188 Chicago UIC Pavilion flac16; Source: SBD Unknown Taper Lineage: ? -> CD-R (uncut waves) -> CD Player (XLR out) -> M-Audio Delta 66 -> Flac16 notes
9812. 04/10/87 Shn - 0, 10537 Chicago UIC Pavilion Source: Audience Cassette (Nakamichi 300/Sony D5) Lineage: Nakamichi BX-300> CD> SHN; via Stephen B. Porter; Seeded to etree by Peter Braverman notes
9813. 04/10/87 Flac 16 - 0, 134675 Chicago UIC Pavilion flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
9814. 04/10/87 Flac 16 - 0, 93385 Chicago UIC Pavilion flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2469 > Soundforge > CD-Wave > TLH > FLAC, July 2008 by Andrew F. notes
9815. 04/10/87 Flac 24 U Mtx - 0, 140874 Chicago UIC Pavilion flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9816. 04/10/87 Flac 16 - 0, 140894 Chicago UIC Pavilion flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9817. 04/10/87 Flac 16 - 0, 119029 Chicago UIC Pavilion flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
9818. 04/10/87 Shn - 0, 10156 Chicago UIC Pavilion Schoeps CMC-441 Hyper Cartoid> PCM-F1> Panasonic 3700 DAT, CDR> EAC> MKWAct; via Jim Bennett notes
9819. 04/10/87 Flac 16 - 0, 105529 Chicago UIC Pavilion flac16; Recorded by Dave Cohen & Justin Lee Sec. 109 Row U Seat 17 8 ft. stand 2 Nakamichi CM100/CP4s>Nakamichi 550 w/Maxell XLIIS 90 cassettes. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes
9820. 04/10/87 Flac 16/48 - 0, 146113 Chicago UIC Pavilion flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140874) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 10156) Schoeps CMC-441 Hyper Cartoid> PCM-F1> Panasonic 3700 DAT, CDR> EAC> MKWAct; via Jim Bennett - surround mixing by Kevin Tobin notes
9821. 04/10/87 Flac 16 Dts.5.1 - 0, 146112 Chicago UIC Pavilion DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140874) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 10156) Schoeps CMC-441 Hyper Cartoid> PCM-F1> Panasonic 3700 DAT, CDR> EAC> MKWAct; via Jim Bennett - dts mixing by Kevin Tobin notes
9822. 04/10/87 Flac 16 - 0, 146111 Chicago UIC Pavilion flac16; Matrix 2 Source Mix - SBD (shnid = 140874) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 10156) Schoeps CMC-441 Hyper Cartoid> PCM-F1> Panasonic 3700 DAT, CDR> EAC> MKWAct; via Jim Bennett - matrix mixing by Kevin Tobin notes
9823. 04/10/87 Flac 24/96 - 0, 150527 Chicago UIC Pavilion flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition 2020) by Joe Noel. August 18, 2020 notes
9824. 04/11/87 Flac 16 - 0, 123652 Chicago UIC Pavilion flac16; Lineage: WXRT FM Broadcast Analog Master To Wav To Audio Cleaning Lab For Track Marks And Tape Flip Edits To CDR To EAC To TLH FLAC Level 8 No EQ notes
9825. 04/11/87 Shn - 0, 32365 Chicago UIC Pavilion (Re)fix of GDLive source. Please disregard my previous documentation. notes
9826. 04/11/87 Shn - 0, 34417 Chicago UIC Pavilion Seamless fix of shn id 22934 - Pre-FM > Master Reel > Dat > Sonic Solutions > CD source by Bill Tetzeli notes
9827. 04/11/87 Shn - 0, 22934 Chicago UIC Pavilion SOURCE: Pre-FM > Master Reel > Dat > Sonic Solutions > CD notes
9828. 04/11/87 Shn - 0, 392 Chicago UIC Pavilion SBD > ? > .shn; via David Finney; see listening notes in pub comments notes
9829. 04/11/87 Flac 16 - 0, 92950 Chicago UIC Pavilion flac16; OTS AUD Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2469 > Soundforge > CD-Wave > TLH > FLAC, July 2008 by Andrew F. notes
9830. 04/11/87 Flac 24 UMtx - 0, 140921 Chicago UIC Pavilion flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9831. 04/11/87 Flac 16 - 0, 140941 Chicago UIC Pavilion flac16; Recording Info: FM (WXRT) > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9832. 04/11/87 Flac 24 - 0, 140936 Chicago UIC Pavilion flac24; Recording Info: FM (WXRT) > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9833. 04/11/87 Flac 16 U Mtx - 0, 140927 Chicago UIC Pavilion flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9834. 04/11/87 Flac 16 - 0, 119031 Chicago UIC Pavilion flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
9835. 04/11/87 Flac 24/96 - 0, 148863 Chicago UIC Pavilion flac24; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser 421 and Sennheiser ME-80 blend > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
9836. 04/11/87 Flac 16/48 - 0, 148862 Chicago UIC Pavilion flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser 421 and Sennheiser ME-80 blend > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9837. 04/11/87 Flac 24/96 - 0, 150528 Chicago UIC Pavilion flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. August 21, 2020 notes
9838. 04/17/87 Flac 16 - 0, 83731 Irvine Irvine Meadows flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
9839. 04/17/87 Flac 16 - 0, 86837 Irvine Irvine Meadows flac16; MAC; Sennheiser 441s > D5 > D5 > gold plated Monster Cables > D5 > Maxell XLII-S 90 (set I) TDK MA-R90 (set II). Taper: Johnny Corso. Transfer: Master Audience Cassettes > Nakamichi Dragon > RCA/XLR > Lunatec V3 @ 2496 > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496. Transferred by Alex Ford - August 2007. notes
9840. 04/17/87 Flac 16 - 0, 141131 Irvine Irvine Meadows flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9841. 04/17/87 Flac 24 U Mtx - 0, 141128 Irvine Irvine Meadows flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9842. 04/17/87 Shn - 0, 11658 Irvine Irvine Meadows AUD>PCM>DAT>CDR; Schoeps CMC 34?s w/Cartoid & Full Wind Screens; Missing CR&S, Rooster; via Shotgun Ragtime Band; Seeded to etree by eD(efojr) notes
9843. 04/17/87 Flac 24/96 - , 151126 Irvine Irvine Meadows flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
9844. 04/17/87 Flac 16/48 - , 151125 Irvine Irvine Meadows flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
9845. 04/18/87 Flac 16 - 0, 83732 Irvine Irvine Meadows flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
9846. 04/18/87 Flac 16 - 0, 87639 Irvine Irvine Meadows flac16; MAC; Sennheiser 441s > D5 > D5 > gold plated Monster Cables > D5 > Maxell XLII-S 90 (set I) TDK MA-R90 (set II) Taper: John Corso Transfer: Master Audience Cassettes > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > iZotope Ozone 3 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC( 8 ) Master Audience Cassettes provided by Mark McCue. Transfer, editing, conversion and seeding by Alex Ford October 2007. notes
9847. 04/18/87 Shn - 0, 11882 Irvine Irvine Meadows Master Soundboard Casette > PCM> DAT> CDR EAC'ed/SHN'ed & Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor notes
9848. 04/18/87 Flac 24 U Mtx - 0, 141225 Irvine Irvine Meadows flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9849. 04/18/87 Flac 16 U Mtx - 0, 141231 Irvine Irvine Meadows flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9850. 04/18/87 Shn - 0, 11659 Irvine Irvine Meadows AUD>DAT>CDR; Schoeps CMC 44?s; via Bad Man Brown; Seeded to etree by eD(efojr) notes
9851. 04/18/87 Flac 24/96 - , 151128 Irvine Irvine Meadows flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) This is your collection notes
9852. 04/18/87 Flac 16/48 - , 151127 Irvine Irvine Meadows flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification notes
9853. 04/19/87 Flac 16 - 0, 83734 Irvine Irvine Meadows flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
9854. 04/19/87 Shn - 0, 3883 Irvine Irvine Meadows Healy Ultramix SBD/AUD> CM> DAT; via lemon2 notes
9855. 04/19/87 Shn - 0, 3822 Irvine Irvine Meadows SBD > Cass Master > PCM > Dat > Behringer UltraMatch 2000 > CD > EAC > SHNv3; via c.m. (updated lineage; had been marked SBD (Matrix) > PCM > DAT...) notes
9856. 04/19/87 Shn - 0, 11883 Irvine Irvine Meadows Master Soundboard Casette > PCM> DAT> CDR EAC'ed,SHN'ed and Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor notes
9857. 04/19/87 Flac 16 - 0, 98052 Irvine Irvine Meadows flac16; Audience Recording Master Audience Cassette; 2 x Sennheiser 441>Sony D5>D5>D5>Maxell MA-R 90 Taped by John Corso. Set I transfer and EAC by Johnny Kelly. Set II cassette transfer by Alex Ford. Edited and Mastered by Alex Ford. All audio from the collection of Mark McCue notes
9858. 04/19/87 Flac 16 - 0, 135967 Irvine Irvine Meadows flac16; Digital Soundboard/MTX > PCM copy; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Wavelab 7.1 for Minor Edits by Jamie Waddell notes
9859. 04/19/87 Flac 24 UMtx - 0, 142119 Irvine Irvine Meadows flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9860. 04/19/87 Flac 16 - 0, 142134 Irvine Irvine Meadows flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9861. 04/19/87 Flac 16 - 0, 34964 Irvine Irvine Meadows flac16; source: Beyer Dynamic M88's>Sony TCD5M(CM) Transfer: Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)>flac16; Taped and transferred by Charlie Connor notes
9862. 04/19/87 Flac 24/96 - , 151130 Irvine Irvine Meadows flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
9863. 04/19/87 Flac 16/48 - , 151129 Irvine Irvine Meadows flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
9864. 05/02/87 Flac 16 - 0, 83737 Palo Alto Frost Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
9865. 05/02/87 Flac 16 - 0, 105509 Palo Alto Frost Amphitheatre flac16; Master Digital Audience Recording by Michael Grace Lineage: Schoeps CMC-32s (Omni) spaced 10 foot, 0 degrees > Grace 18V mic power supply, polypropylene coupling capacitors > PCM-F1/SL-2000 Betamax Sony SL-HF900 Transfer Info: Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 to 24 BIT - 44.1 kHz by Michael Grace Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDWAV Tag&Rename for Meta_Data TLH for FLAC Level 8 by Patrick White notes
9866. 05/02/87 Shn - 0, 18847 Palo Alto Frost Amphitheatre SBD > MC > DAT > EAC > SHN; EAC/SHN by Darryl Hinko notes
9867. 05/02/87 Flac 16 - 0, 141909 Palo Alto Frost Amphitheatre flac16; Recording Info: Master UltraMatrix PCM > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
9868. 05/02/87 Shn - 0, 24492 Palo Alto Frost Amphitheatre Source: FOB 10th Row Sony D5 w/NAK 700's>MAC>C>DAT>WAV>SHN C>SHN Conversion by Cousinit Notes: Disc 1 requires an 80 minute disc notes
9869. 05/02/87 Flac 16 - 0, 98158 Palo Alto Frost Amphitheatre flac16; Source: FOB 10th Row Sony D5 w/NAK 700's>MAC>C>DAT>WAV>SHN; C>SHN>remaster>FLAC, Conversion by Cousinit; this is a remaster of source ID 24492 notes
9870. 05/02/87 Flac 24/96 - 0, 148780 Palo Alto Frost Amphitheatre flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
9871. 05/02/87 Flac 16/48 - 0, 148779 Palo Alto Frost Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9872. 05/03/87 Flac 16 - 0, 83738 Palo Alto Frost Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
9873. 05/03/87 Flac 16 - 0, 34396 Palo Alto Frost Amphitheatre flac16; Seamless fix of shn id 1193 - 65% DSBD PRE-FM SBD/35% FOB Schoeps CMC32S. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
9874. 05/03/87 Shn - 0, 16175 Palo Alto Frost Amphitheatre Unknown SBD patched with circulating Matrix; via Darryl Hinko notes
9875. 05/03/87 Shn - 0, 18848 Palo Alto Frost Amphitheatre SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes
9876. 05/03/87 Flac 16 - 0, 135937 Palo Alto Frost Amphitheatre flac16; Digital Soundboard > PCM copy > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH; the fixed version has the channels corrected; please don't circulate the original version notes
9877. 05/03/87 Flac 16 - 0, 98294 Palo Alto Frost Amphitheatre flac16; FOB 10th Row Sony D5 w/NAK 700's>MAC>C>DAT>WAV>FLAC, C>FLAC Conversion by Cousinit notes
9878. 05/03/87 Shn Mtx. - 0, 1193 Palo Alto Frost Amphitheatre DSBD/DAUD MIX: 65% DSBD PRE-FM SBD --> PCM --> DAT --> CDR, 35% FOB Schoeps CMC32S --> Grace P.S. --> Sony PCM601 ES --> DAT --> CDR; mixed by Sean Weber, converted to shn by Bill Gardner; note drums and space spread across multiple tracks; see pub comments for additional/updated source notes notes
9879. 05/03/87 Flac 24/96 - 0, 148782 Palo Alto Frost Amphitheatre flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496 notes
9880. 05/03/87 Flac 16/48 - 0, 148781 Palo Alto Frost Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9881. 05/03/87 Flac 16/48 - , 152831 Palo Alto Frost Amphitheatre flac16/48 Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496 notes
9882. 05/03/87 Flac 24/96 - , 152832 Palo Alto Frost Amphitheatre flac24/96 Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496 notes
9883. 05/09/87 Flac - 0, 83749 Monterey Laguna Seca Recreation Area flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
9884. 05/09/87 Shn Mtx - 0, 5059 Monterey Laguna Seca Recreation Area SBD (matrix)> PCM> Dat; Conversion: Sony M1> Oade Cable> Zoltrx Pro6> Soundforge(wav)> CDWav(split)> Shn V3 (no DAE); Conversion & Seed: Brian Cole notes
9885. 05/09/87 Flac - 0, 130885 Monterey Laguna Seca Recreation Area flac16; (FOB) Sennheiser 2002s(stealth) > Sony D5 > Master Cassettes > 1st Gen Cassettes; Transfer/Lineage: 1st Gen Cassettes> Nakamichi Dragon> Lunatec V3 (@ 24/88.2)> Lynx AES16> WaveLab 7.2.1> UAD-2 (editing/mastering)> Crystal Resampler/Apogee UV22HR> .wav @ 16/44.1> xAct> flac16(tags). Tapers: John Corso and Tom (last name long forgotten); Transferred, edited and mastered by Alex Ford; 1st Gen cassettes from the collection of Mark McCue notes
9886. 05/09/87 Flac - 0, 92165 Monterey Laguna Seca Recreation Area flac16; Hat Mounted Realistic PZM's with Sony WMD6-C Maxell MX 90 No nr 20 feet away 10 feet left of center Master>D6>HD>Audacity(pan 20% right)>CDWave>TLH notes
9887. 05/10/87 Flac 16 - 0, 83750 Monterey Laguna Seca Recreation Area flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
9888. 05/10/87 Shn - 0, 2256 Monterey Laguna Seca Recreation Area DSBD> PCM> DAT> zefiro2> soundforge> CDR> EAC> SHN; via Karl Schneiderman, John Zei notes
9889. 05/10/87 Flac 16 - 0, 92344 Monterey Laguna Seca Recreation Area flac16; Hat-Mounted Realistic PZM's with Sony WMD6-C No nr 1st set 20 feet away, dead center 2nd set 100 feet away, dead center TDK MA-X 90 Master>D6>HD>Audacity>CDWave>TLH>torrent Recorded and Transfered by Russjcan notes
9890. 05/10/87 Flac 16 - 0, 137069 Monterey Laguna Seca Recreation Area flac16; PCM Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by John Wenzel; 16 bit 44.1kHz a project **GEMS** Betamania Release 2016-10-17 notes
9891. 05/10/87 Flac 24 U Mtx - 0, 142115 Monterey Laguna Seca Recreation Area flac24; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK E-HG L-750); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9892. 05/10/87 Flac 16 U Mtx - 0, 142116 Monterey Laguna Seca Recreation Area flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony Betamax/TDK E-HG L-750); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes
9893. 05/10/87 Flac 16 - 0, 142133 Monterey Laguna Seca Recreation Area flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK E-HG L-750); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9894. 05/10/87 Flac 16 - 0, 148844 Monterey Laguna Seca Recreation Area flac16; Bertha Remaster of source ID 137069: PCM Soundboard Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 notes
9895. 06/12/87 Flac 16 - 0, 83751 Ventura Ventura County Fairgrounds flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Mille notes
9896. 06/12/87 Flac 16 - 0, 81458 Ventura Ventura County Fairgrounds flac16; Source: Audience FOB Recording Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette Lineage: AKG C460b pre’s with Ck61uls capsules > Uher CR240 (about 10th row DFC) > Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV24/96 > Wavelab 6.0 (WavesTools(C4,RBass,Q10)), BBE, L3(type1 dither dither, no noise shaping )> Flac Taped by: Danny Thomson Transfer by: Derek McCabe Mastered by: Jamie Waddell notes
9897. 06/12/87 Shn - 0, 11884 Ventura Ventura County Fairgrounds Master Soundboard Cassette > PCM > DAT> CDR; EAC'ed, SHN'ed and Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor notes
9898. 06/12/87 Shn - 0, 14854 Ventura Ventura County Fairgrounds Bertha Remaster of the original MSC source . SBD>>MC>>PCM>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A notes
9899. 06/12/87 Flac 16 44,1 - 0, 142923 Ventura Ventura County Fairgrounds flac16/44.1 Source Info: 1st Set: Master UltraMatrix PCM > Cassette > Dat (16-bit/44.1k) 2nd Set: Master UltraMatrix PCM > Dat (16-bit/44.1k) Transfer Info: Dat (Sony R-500)> Apogee aes/ebu cable > Tascam DA-3000(.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16. Rob Eaton source Dat, Charlie Miller transfer, mastering by Scott Clugston. notes
9900. 06/12/87 Flac 24/96 - 0, 142921 Ventura Ventura County Fairgrounds flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 All Transfers and Mastering by Charlie Miller. notes
9901. 06/12/87 Flac 16 - 0, 143510 Ventura Ventura County Fairgrounds flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 All Transfers and Mastering by Charlie Miller; This file set is 16/44.1 notes
9902. 06/12/87 Shn - 0, 11496 Ventura Ventura County Fairgrounds FOB-AUD>MC>CDR; Beyer 160?s>Sony TC-D5; via Paul; Seeded to etree by eD(efojr) notes
9903. 06/12/87 Flac 24/96 - 0, 135927 Ventura Ventura County Fairgrounds flac24; lineage:beyers 160 fob> tcd-d5> tcd-d5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
9904. 06/12/87 Flac 24/96 - 0, 81970 Ventura Ventura County Fairgrounds flac24/96; Taper: Danny Thomson Source: FOB AKG C460b pre's with Ck61uls capsules > Uher CR240 (about 10th row DFC) > AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette Transfer: Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak by Derek McCabe Mastering: WAV24/96 > Wavelab 6.0 (WavesTools(C4, RBass, Q10)), BBE, L3 (type1 dither, no noise shaping) > FLAC by Jamie Waddell notes
9905. 06/12/87 Flac 16/48 - , 151117 Ventura Ventura County Fairgrounds flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
9906. 06/12/87 Flac 24/96 - , 151118 Ventura Ventura County Fairgrounds flac24/96 Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
9907. 06/13/87 Flac 16 - 0, 83752 Ventura Ventura County Fairgrounds flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
9908. 06/13/87 Flac 16 - 0, 83747 Ventura Ventura County Fairgrounds flac16; Source: Audience FOB Recording, Center Media: AKY Recording Supply Custom Wound BASF 100% CrO2 90 min. Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: Wavelab 6.0 Ozone EQ, BBE and L2 for Dither; Resampled using Crystal Sample Rate Converter. Taped by: D. Thompson Transfer by: A. Egert Mastering by: J. Waddell notes
9909. 06/13/87 Shn - 0, 10309 Ventura Ventura County Fairgrounds Matrix SBD>CASS>DAT>CD; via Israel Regardie; Seeded to etree by PainoMan notes
9910. 06/13/87 Flac 16 - 0, 80715 Ventura Ventura County Fairgrounds flac16; Main Source: Master Soundboard Cassette > PCM > DAT> CDR Patch source: MAC (2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)) taped by Tim Alexander; MAC (Nakamichi DR-1 (Dolby B decode)) > Edirol R-09 (24bit/48khz) > Nomad Jukebox 3 > WAV > FLAC notes
9911. 06/13/87 Flac 16 - 0, 77185 Ventura Ventura County Fairgrounds flac16; MAC (2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: MAC (Nakamichi DR-1 (Dolby B decode)) > Edirol R-09 (24bit/48khz) > Nomad Jukebox 3 > WAV > FLAC notes
9912. 06/13/87 Flac 24/48 - 0, 77268 Ventura Ventura County Fairgrounds flac24; SRC: MAC (2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: MAC (Nakamichi DR-1 (Dolby decode)) > Edirol R-09 (24 bit/48 khz) > WAV > FLAC Normalized to 98% Transferred on 8/6/06 by Bill Tetzeli notes
9913. 06/13/87 Shn - 0, 11895 Ventura Ventura County Fairgrounds Master Soundboard Cassette > PCM > DAT> CDR EAC'ed, SHN'ed and Seeded to Etree by Scott Clugston; Also to abgd via Charlie Connor notes
9914. 06/13/87 Flac 24/96 - 0, 135928 Ventura Ventura County Fairgrounds flac24; lineage:beyers 160 fob> tcd-d5> tcd-d5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
9915. 06/13/87 Flac 24/96 - 0, 83748 Ventura Ventura County Fairgrounds flac24/96; Source: Audience FOB Recording, Center Media: AKY Recording Supply Custom Wound BASF 100% CrO2 90 min. Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: Wavelab 6.0 - Ozone EQ, BBE Bass Contour and L2 for Dither. Taped by: D. Thompson Transfer by: A. Egert Mastering by: J. Waddell notes
9916. 06/13/87 Flac 16/48 - , 151119 Ventura Ventura County Fairgrounds flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
9917. 06/13/87 Flac 24/96 - , 151120 Ventura Ventura County Fairgrounds flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
9918. 06/14/87 Flac 16 - 0, 83755 Ventura Ventura County Fairgrounds flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Mille notes
9919. 06/14/87 Flac 16 - 0, 83990 Ventura Ventura County Fairgrounds flac16; Source: Audience FOB Recording, DFC Media: TDK SA-X Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: D. Thompson Transfer by: A. Egert Mastering by: B. Koucky notes
9920. 06/14/87 Flac 16 - 0, 75505 Ventura Ventura County Fairgrounds flac16; Seamless fix of shn id 11896 - Master Soundboard Cassette > PCM > DAT > CD > WAV > SHN > WAV > FLAC notes
9921. 06/14/87 Shn - 0, 11896 Ventura Ventura County Fairgrounds Master Soundboard Cassette > PCM > DAT> CDR; CD Re-Mastering by Scott Clugston; EAC'ed, SHN'ed and Seeded to Etree by Scott Clugston; Also to abgd via Charlie Connor notes
9922. 06/14/87 Flac 24/48 - 0, 77365 Ventura Ventura County Fairgrounds flac24; SRC: MAC (2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby B decode) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC notes
9923. 06/14/87 Flac 24/96 - 0, 135940 Ventura Ventura County Fairgrounds flac24; lineage:beyers 160 fob> tcd-d5> tcd-d5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
9924. 06/14/87 Flac 24 - 0, 84953 Ventura Ventura County Fairgrounds flac24; Source: Audience FOB Recording, DFC Media: TDK SA-X Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: D. Thompson Transfer by: A. Egert Mastering by: B. Koucky notes
9925. 06/14/87 Flac 16 - 0, 77364 Ventura Ventura County Fairgrounds flac16; SRC: MAC (2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby B decode)> Tascam HD-P2 (pass through) > Waveterminal U2A > Inspiron 8000 > WAV > FLAC notes
9926. 06/14/87 Shn Mtx. - 0, 17347 Ventura Ventura County Fairgrounds Matrix SBD>CASS>DAT>CD; via Israel Regardie notes
9927. 06/14/87 Flac 24/96 - , 151122 Ventura Ventura County Fairgrounds flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
9928. 06/14/87 Flac 16/48 - , 151121 Ventura Ventura County Fairgrounds flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
9929. 06/19/87 Flac 16 - 0, 83765 Berkeley Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
9930. 06/19/87 Shn - 0, 11942 Berkeley Greek Theatre, University Of California Master Soundboard Cassette> DAT> CDR; EAC'ed/SHN'ed & Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor notes
9931. 06/19/87 Shn - 0, 11560 Berkeley Greek Theatre, University Of California SBD>Cm>PCM>Dat>CD; Missing Drums/Space; via C. Miller; Seeded to etree by C. Ladner notes
9932. 06/19/87 Flac 16 - 0, 138259 Berkeley Greek Theatre, University Of California flac16; Source: Audience recording > Schoeps omnis > pcm > dat (44.1k); Recorded by Robert Bryant (patched out of the Oades) and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; dited and mastered SIRMick May 2017 notes
9933. 06/19/87 Flac 16 - 0, 104894 Berkeley Greek Theatre, University Of California flac16; Source: (OTS) Nakamichi cm300/cp4->Sony D-5M(Dolby B Encoded)->Maxell MX90; Lineage: MAC->Sony D-5M(Dolby B Decoded)->Korg MR-1000 (1 Bit/5.6 MHz)->Korg AudioGate->(16/44.1) wav.->SF8->flac Taped by Dave Barfield and/or Dave Lane; Transferred and Seeded by M. Watson notes
9934. 06/19/87 Flac 16/44,1 - 0, 138871 Berkeley Greek Theatre, University Of California flac16 44.1khz AKG 460 Preis W/CK61 Caps > Uher Cr240. Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Trader's Little Helper. Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon notes
9935. 06/19/87 Flac 24/96 - 0, 138872 Berkeley Greek Theatre, University Of California flac24 96 khz AKG 460 Preis W/CK61 Caps > Uher Cr240. Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Trader's Little Helper. Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon notes
9936. 06/19/87 Flac 24/96 - 0, 135307 Berkeley Greek Theatre, University Of California flac24; Source: Previously unreleased Cassette original master. Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/Triad Metal-Position MG-X 90 -> JVC TD-W354 -> (analog) Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24; Recorded, tracked and seeded by bltz notes
9937. 06/19/87 Flac 16 - 0, 81604 Berkeley Greek Theatre, University Of California flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes
9938. 06/20/87 Flac 16 - 0, 93080 Berkeley Greek Theatre, University Of California flac16; Recording Info:SBD -> PCM -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
9939. 06/20/87 Flac - 0, 93886 Berkeley Greek Theatre, University Of California DTS Audio 5.1; DTS-Audio-CD 5.1 Mix of SBD (ShnID = 93080) and AUD (ShnID = 77988). See info file for details. notes
9940. 06/20/87 Flac 16 - 0, 83766 Berkeley Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
9941. 06/20/87 Shn - 0, 11943 Berkeley Greek Theatre, University Of California Master Soundboard Cassette> DAT> CDR; EAC'ed/SHN'ed & Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor notes
9942. 06/20/87 Flac 16 - 0, 77988 Berkeley Greek Theatre, University Of California flac16; Taped by Robert Bryant w/ AKG 414 B/TL mics, cardioid pattern with windscreens, ORTF-> Oade PS-> Sony PCM F1. Transfer: PCM 601-> Sony DTC2000ES DAT-> M-Audio Delta 410-> Soundforge -> Samplitude Professional V8.01 -> waves X Crackle -> ffe l6 Transfered by Rich Gastwirt. edited by Bob Loy. notes
9943. 06/20/87 Shn - 0, 11561 Berkeley Greek Theatre, University Of California SBD/Matrix>Cm>PCM>DAT>CD; via cm; Seeded to etree by neo_levo notes
9944. 06/20/87 Flac 16 - 0, 138260 Berkeley Greek Theatre, University Of California flac16; Source: AKG 414 B/TL cardioids > ORTF > Oade PS > Sony PCM FI > dat (44.1); Recorded by Robert Bryant and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick May 2017 notes
9945. 06/20/87 Flac 24 - 0, 124397 Berkeley Greek Theatre, University Of California flac24; Taper: Danny Thompson; Editing: Joe D'Amico; AKG C 460 Mics W/ CK61 Capsules > Uher Cr 240 Tape Deck; Master Tapes > Nak Dragon > Korg MR-1000 > Adobe Audition CS6 > Traders Little Helper; FOB About 9th Row Jerry's Side notes
9946. 06/20/87 Flac 24/96 - 0, 135308 Berkeley Greek Theatre, University Of California flac24; Source: Previously unreleased Cassette original master. Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/ (Triad Metal-Position MG-X 90 for Set 1 and Maxell MX 90 for Set 2) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24; Recorded, tracked and seeded by bltz notes
9947. 06/20/87 Flac 16 - 0, 124398 Berkeley Greek Theatre, University Of California flac16; Taper: Danny Thompson; Editing: Joe D'Amico; AKG C 460 Mics W/ CK61 Capsules > Uher Cr 240 Tape Deck; Master Tapes > Nak Dragon > Korg MR-1000 > Adobe Audition CS6 > Traders Little Helper; FOB About 9th Row Jerry's Side notes
9948. 06/20/87 Flac 16 - 0, 81744 Berkeley Greek Theatre, University Of California flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes
9949. 06/20/87 Flac 16 - 0, 146928 Berkeley Greek Theatre, University Of California flac16; MAC; Sennheiser 441s(left of board) > Sony D5 > Maxell XLII90 + Maxell MX90; Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3> Lynx AES16> .wav @24/88.2> WaveLab 7.2.1> UAD-2> Crystal Resampler/UV22HR> .wav @16/44.1> xAct> flac16 notes
9950. 06/21/87 Flac 16 - 0, 83767 Berkeley Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
9951. 06/21/87 Shn - 0, 11497 Berkeley Greek Theatre, University Of California Missing China Doll & Drums; SBD>Cm>PCM>Dat>CD; via C Miller; Seeded to etree by Chris L notes
9952. 06/21/87 Shn - 0, 17348 Berkeley Greek Theatre, University Of California SBD Source: SBD>PCM>CASS>DAT>CD; AUD Source: AUD>PCM>DAT>CD; via Sir Peter Pendragon notes
9953. 06/21/87 Flac 16 - 0, 76379 Berkeley Greek Theatre, University Of California flac16; AKG 414 B/TL mics, cardioid pattern, with windscreens, ORTF -> Oade PS -> Sony PCM F1. Transfer: PCM 601 -> Sony DTC2000ES DAT -> M-Audio Delta 410 -> Soundforge. Transfered by Rich Gastwirt.(set1 Wavelabs 3 - Isotope Ozone raised level 3db to -.1) -> Tracking w/ Audacity -> FFE L6 sbe's verified w/ shntool. Editing track and flac by Bob Loy notes
9954. 06/21/87 Flac 16 - 0, 138261 Berkeley Greek Theatre, University Of California flac16; Source: AKG 414 B/TL cardioids > ORTF > Oade PS > Sony PCM FI > dat (44.1); Taped by Robert Bryant and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick May 2017 notes
9955. 06/21/87 Flac 24/96 - 0, 135385 Berkeley Greek Theatre, University Of California flac24; Source: Previously unreleased Cassette original master. Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/Maxell MX 90 -> JVC TD-W354 (analog) -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24 notes
9956. 06/21/87 Flac 16 - 0, 81798 Berkeley Greek Theatre, University Of California flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes
9957. 06/21/87 Shn - 0, 13567 Berkeley Greek Theatre, University Of California 1st Set and Encore: Nak CM300 Audience source 2nd Set: Master Soundboard Cassette> ?? > DAT> CDR notes
9958. 06/21/87 Flac 16/48 - 0, 152598 Berkeley Greek Theatre, University Of California flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496 notes
9959. 06/21/87 Flac 24/96 - 0, 152599 Berkeley Greek Theatre, University Of California flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496 notes
9960. 06/26/87 Flac 16 - 0, 131214 East Troy Alpine Valley Music Theatre flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD notes
9961. 06/26/87 Shn - 0, 8138 East Troy Alpine Valley Music Theatre AUD> Nakamichi 300 microphones> Sony D5 deck> master cassette; Playback/CD Transfer: Master cassette played on Denon DRM740 and fed to Tascam CDRW700; Recorded, transferred by Scott Bille; Eac(secure)> Shn by Greg Kerbel; Seeded through the 80's Audience Perma-Tree, BUDD, Philzone; see flaw notes in info file notes
9962. 06/27/87 Flac 16 - 0, 117502 East Troy Alpine Valley Music Theatre flac16; Sennheiser MD421's (X/Y/35 Ft. Away From Left Lawn Stack/6' High)> Sony TC-D5M Tapes:TDK MA Set 1,Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
9963. 06/27/87 Flac 24/48 - 0, 117501 East Troy Alpine Valley Music Theatre flac24; Sennheiser MD421's (X/Y/35 Ft. Away From Left Lawn Stack/6' High)> Sony TC-D5M Tapes:TDK MA Set 1,Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software notes
9964. 06/27/87 Flac 16 - 0, 89731 East Troy Alpine Valley Music Theatre flac16; taper : Joe D'Amico nak 300 mics > sony d-5 front of board nak dragon tape deck > sony sbm1 > creative extigy sooundcard > cool edit pro > flac frontend notes
9965. 06/27/87 Shn - 0, 8139 East Troy Alpine Valley Music Theatre AUD> Nakamichi 300 microphones> Sony D5 deck> master cassette; Playback/CD Transfer: Master cassette played on Denon DRM740 and fed to Tascam CDRW700; Recorded, transferred by Scott Bille; Eac(secure)> Shn by Greg Kerbel; Seeded through the 80's Audience Perma-Tree, BUDD, Philzone; see flaw notes in info file notes
9966. 06/27/87 Flac 16 - 0, 131215 East Troy Alpine Valley Music Theatre flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD notes
9967. 06/27/87 Flac 24/96 - 0, 148849 East Troy Alpine Valley Music Theatre flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
9968. 06/27/87 Flac 16/48 - 0, 148848 East Troy Alpine Valley Music Theatre flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9969. 06/28/87 Flac 16 - 0, 117535 East Troy Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Darby Sennheiser MD421's (X/Y/35 Feet Away From Left Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked Metadata Tagging With Korg Aqua To 16/44 By Keo notes
9970. 06/28/87 Flac 24/48 - 0, 117534 East Troy Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Darby Sennheiser MD421's (X/Y/35 Feet Away From Left Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
9971. 06/28/87 Shn - 0, 8140 East Troy Alpine Valley Music Theatre AUD> Nakamichi 300 microphones> Sony D5 deck> master cassette; Playback/CD Transfer: Master cassette played on Denon DRM740 and fed to Tascam CDRW700; Recorded, transferred by Scott Bille; Eac(secure)> Shn by Greg Kerbel; Seeded through the 80s Audience Perma-Tree, BUDD, Philzone; see flaw notes in info file notes
9972. 06/28/87 Flac 16 - 0, 89976 East Troy Alpine Valley Music Theatre flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend notes
9973. 06/28/87 Flac 16 - 0, 131216 East Troy Alpine Valley Music Theatre flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD notes
9974. 06/28/87 Flac 16 - 0, 105601 East Troy Alpine Valley Music Theatre flac16; Front Row Lawn DFC 2 Nakamichi CM100s/CP4>Nakamichi550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B on Maxell MX90 cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes
9975. 06/30/87 Shn - 0, 13442 Maple Kingswood Music Theater Primary Source: Ultra Matrix MSC>DAT>CDR>EAC>SHN (Seekable) Patch Source: AUD (mic. unk) > DAT > CDR > SHN notes
9976. 06/30/87 Shn - 0, 34404 Maple Kingswood Music Theater Seamless fix of shn id 13443 - Ultra Matrix MSC>DAT>CDR>EAC>SHN (Seekable)w/AUD patches notes
9977. 06/30/87 Shn - 0, 8577 Maple Kingswood Music Theater AUD (mic. unk) > DAT > CDR > SHN; DAE (EAC)> SHN (MKWACT)> FTP via C. Ladner; with thanks to Paul B. for the seeds notes
9978. 06/30/87 Flac 16 - 0, 136800 Maple Kingswood Music Theater flac16; Sbd > ? > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 notes
9979. 06/30/87 Flac 16 - 0, 136770 Maple Kingswood Music Theater flac16; Set 2 only - Audience > unknown > cassette (John) > Sony TC-R303 > Zoom h4n > Audition CC 2015 > shntool > TLH notes
9980. 06/30/87 Flac 24 U Mtx - 0, 141750 Maple Kingswood Music Theater flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9981. 06/30/87 Flac 16 - 0, 141896 Maple Kingswood Music Theater flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
9982. 06/30/87 Flac 24/96 - 0, 148702 Maple Kingswood Music Theater flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
9983. 06/30/87 Flac 16/48 - 0, 148701 Maple Kingswood Music Theater flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
9984. 06/??/87 Shn - 0, 97489 San Rafael Club Front Rehearsal material from soundboard cassette masters > DAT > CD-R > ? > SHN notes
9985. 06/??/87 Flac 16/48 - 0, 147314 San Rafael Club Front flac16/48khz source: cassette (soundboard) > DAT > Maxell DM 120 Digital Audio Tape Back Coated (DAT clone 26-11-1996 from Jed) > ***Transfer 15-May-2019 by LTA*** TASCAM DA-30 Digital Audio Tape Recorder (Digital Output Coaxial S/PDIF IEC 958 Type II) > Cable Mountain 24k Gold Plated Single RG59 Shielded Coaxial Phono Cable for SPDIF/Digital Audio > M-Audio MicroTrack II Professional 2-Channel Mobile Digital Recorder (S/PDIF) (WAV 16/48) > Hi-Speed USB Revision 2.0 Shielded 28AWG/2C+28AWG/2C E101344 AVM Style 2725 80° C 30 V Space Shuttle-C > AppleUSBXHCIAR USB 3.1 Bus > iMac18,3 4,2 GHz Intel Core i7 / macOS Mojave 10.14.4 (18E226) > WAV 16/48 > HairerSoft Amadeus Pro 2.4.7 (2023) (balance, tracking) > iZotope RX 7 Audio Editor (64 bit) 7.00.218 > xACT 2.47 (7974) > FLAC16/48 notes
9986. 07/02/87 Shn - 0, 6473 Rochester Silver Stadium update: Healy Ultramix > cass> DAT > CDR > EAC > addawav> CDWave > mkwACT; EAC> Seeded by Doug Nawrocki notes
9987. 07/02/87 Flac 16 - 0, 115813 Rochester Silver Stadium flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes
9988. 07/02/87 Flac 24/96 - 0, 115812 Rochester Silver Stadium flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz notes
9989. 07/02/87 Flac 16 - 0, 35441 Rochester Silver Stadium flac16; Seamless fix of shn id 22057 - First Set:Healy Ultramix > C > DAT > CDR > *EAC > CDWave > SHN > (WAV > FLAC) Second Set: Beyer M88's>Sony TCD5M>CM (Note: The original .flac file set had replay gain applied; it should not be circulated.) Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
9990. 07/02/87 Flac 24/96 - 0, 134827 Rochester Silver Stadium flac24; Source: Nakamichi CM-300s With Shotguns -> Sony Walkman Pro/Maxell XL2-S 90 (Original Master -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes
9991. 07/02/87 Shn - 0, 22057 Rochester Silver Stadium Primary Source: Charlie Connor's Cassette Master Secondary Source: Healy Ultramix Previously seeded by Doug Nawrocki; The Secondary Source supplies all of the first set and Patches at 0:04-0:24 and 01:35-01:45 of D3t01 (Space). In my most definitely biased opinion the Aud is a slightly better mix. posted to abgd and tol via Charlie Connor notes
9992. 07/02/87 Flac 24/96 - 0, 138305 Rochester Silver Stadium flac24; source: beyers 160 fob>sony d-5>mc> c; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
9993. 07/02/87 Flac 24/96 - 0, 150917 Rochester Silver Stadium flac24 Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
All Transfers and Mastering By Charlie Miller
notes
9994. 07/02/87 Flac 16/44 - 0, 151601 Rochester Silver Stadium flac16/44khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 All Transfers and Mastering By Charlie Miller - 150917 24 -> 16 @ 44.1 notes
9995. 07/04/87 Flac 16 - 0, 101650 Foxboro Sullivan Stadium flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes
9996. 07/04/87 Shn - 0, 97513 Foxboro Sullivan Stadium Soundboard > ? > SHN notes
9997. 07/04/87 Flac 16 - 0, 106724 Foxboro Sullivan Stadium flac16; Master: Nakamichi CM300's/CP1's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
9998. 07/04/87 Flac 16 - 0, 87743 Foxboro Sullivan Stadium flac16; AUD Source: First gen cassettes (MAC > C) from unknown equipment Transfer: TDK SA-90's > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes
9999. 07/04/87 Flac 16 - 0, 139594 Foxboro Sullivan Stadium flac16; Dan McSheffrey recording: (FOB) AKG 460/CK2 > PCM (Sony PCM-F1) > Dat (44.1k); Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel: wav 16/44 > flac 16/44; Checksum & tags created in xACT notes
10000. 07/04/87 Flac 16/48 - 0, 143052 Foxboro Sullivan Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 101650) Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139594) Dan McSheffrey recording: (FOB) AKG 460/CK2 > PCM (Sony PCM-F1) > Dat (44.1k); Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel: wav 16/44 > flac 16/44; Checksum & tags created in xACT - surround mixing by Kevin Tobin notes
10001. 07/04/87 Flac Dts 5.1 - 0, 143049 Foxboro Sullivan Stadium DTS-Audio-CD 5.1 Mix;; SBD (shnid = 101650) Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139594) Dan McSheffrey recording: (FOB) AKG 460/CK2 > PCM (Sony PCM-F1) > Dat (44.1k); Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel: wav 16/44 > flac 16/44; Checksum & tags created in xACT - dts mixing by Kevin Tobin notes
10002. 07/04/87 Flac 16 Mtx - 0, 143048 Foxboro Sullivan Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 101650) Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139594) Dan McSheffrey recording: (FOB) AKG 460/CK2 > PCM (Sony PCM-F1) > Dat (44.1k); Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel: wav 16/44 > flac 16/44; Checksum & tags created in xACT - matrix mixing by Kevin Tobin notes
10003. 07/04/87 Shn - 0, 3858 Foxboro Sullivan Stadium FOB> aud> senn me80> cassette master> cdr; conversion by Mike Lai from Bruce Fried DAT notes
10004. 07/04/87 Shn - 0, 30370 Foxboro Sullivan Stadium FOB> aud> senn me80> cassette master> cdr; This apprears to be shn id 3858 with undocumented changes to d3t01 and d3t03 via archive.org notes
10005. 07/04/87 Flac 24/96 - 0, 136316 Foxboro Sullivan Stadium flac24; source: neuman kmr 81>sony d-5>mc> c; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate notes
10006. 07/04/87 Flac 24/96 - 0, 145605 Foxboro Sullivan Stadium flac24; Michael Hessberg's Master Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 notes
10007. 07/04/87 Flac 16/48 - 0, 145604 Foxboro Sullivan Stadium flac16/48kHz; Michael Hessberg's Master Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
10008. 07/06/87 Flac 16 - 0, 84623 Pittsburgh Civic Arena flac16; Source: 2 Sennheiser 421s > Sony D5 > Sony D5 > TDK; Transfer: Master Cassettes > Nakamichi Dragon > Kind Kables > Lunatec V3 > coax > Audiophile 2496 > WaveLab 5 > WAV @24/96 > TLH > FLAC24; Editing : FLAC24 > Wavelab 5.0 using Ozone and L3 for dither > FLAC16 notes
10009. 07/06/87 Flac 16 U Mtx - 0, 138790 Pittsburgh Civic Arena flac16; Recording Info: UltraMatrix SBD > PCM Master; Transfer Info: PCM Master (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes
10010. 07/06/87 Flac 24 U Mtx - 0, 142086 Pittsburgh Civic Arena flac24; Recording Info: UltraMatrix SBD > Beta HiFi Master (TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
10011. 07/06/87 Flac 16 - 0, 142087 Pittsburgh Civic Arena flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes
10012. 07/06/87 Flac 16 U Mtx - 0, 142126 Pittsburgh Civic Arena flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
10013. 07/06/87 Shn - 0, 2583 Pittsburgh Civic Arena AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, and posted to abgd by Charlie Connor notes
10014. 07/06/87 Shn - 0, 3829 Pittsburgh Civic Arena unknown AUD> ?> CDR> EAC> cdwav> shn; via Tony Gardner with thanks to Willy Keats notes
10015. 07/06/87 Flac 24/96 - 0, 134826 Pittsburgh Civic Arena flac24; Source: Nakamichi CM-300s With Shotguns -> Sony Walkman Pro/Maxell XL2-S 90 (Original Master -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes
10016. 07/06/87 Flac 24/96 - 0, 148855 Pittsburgh Civic Arena flac24; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
10017. 07/06/87 Flac 16/48 - 0, 148854 Pittsburgh Civic Arena flac16/48kHz; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
10018. 07/07/87 Flac 16 - 0, 124756 Roanoke Roanoke Civic Center flac16; Recording: Schoeps CMC44 (OTS) > Oade Power Supply > Sony PCM-F1 (with Apogee modified A/D filters) by Sean Weber-Small; Transfer: DAT Clone @ 44.1 kHz with pre-emphasis on. Sony PCM-2600 > Turtle Beach Fiji > Soundforge 4.5 > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig notes
10019. 07/07/87 Flac 16 - 0, 35152 Roanoke Roanoke Civic Center flac16; Source: Nakamichi 300s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer/mastering/encoding/initial torrenting at bt.etree.org via C.Ladner, June 2006. notes
10020. 07/07/87 Shn - 0, 2584 Roanoke Roanoke Civic Center AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred and posted to abgd by Charlie Connor notes
10021. 07/07/87 Flac 16 - 0, 82271 Roanoke Roanoke Civic Center flac16; Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. notes
10022. 07/07/87 Shn - 0, 2309 Roanoke Roanoke Civic Center Schoeps > PCM > DAT > CD > EAC > SHN; [no info file?]; via Steve Wigley, Randy to offers notes
10023. 07/07/87 Flac 16 - 0, 102909 Roanoke Roanoke Civic Center flac16; Recorded by Dave Cohen 4th row behind Board, DFC (Sec.LT4, Row D, Seat 2) 2 Nakamichi CM100s/CP4>Sony TCD5M w/ Dolby Maxell MX90 cassettes Master Cassettes were played back with Azimuth adjustment and Dolby decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager notes
10024. 07/08/87 Flac 16 - 0, 90146 Roanoke Roanoke Civic Center flac16; Recording Info: SBD -> Cassette Master -> Dat -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
10025. 07/08/87 Shn - 0, 1600 Roanoke Roanoke Civic Center FOB aud.->DAT->WAV->SHN; can fit on 2x80; via DonBean?; note no md5s with shn set- ones shown here were generated by Joe Sary after download notes
10026. 07/08/87 Flac 16 - 0, 142149 Roanoke Roanoke Civic Center flac16; Set 2 Source: (FOB) Schoeps cmc mk4 (ortf) > pcm > dat - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited an mastered SIRMick June 2018 notes
10027. 07/08/87 Shn - 0, 2318 Roanoke Roanoke Civic Center AUD (taper's section)> Beyer Dynamic M88's> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN; taped by Charlie Connor; A>D conversion by Stephen Agan; via Charlie Connor to abgd notes
10028. 07/08/87 Flac 16 - 0, 124757 Roanoke Roanoke Civic Center flac16; Recording: Schoeps CMC44 (OTS) > Oade Power Supply > Sony PCM-F1 (with Apogee modified A/D filters) by Sean Weber-Small; Transfer: DAT Clone @ 44.1 kHz with pre-emphasis on. Sony PCM-2600 > Turtle Beach Fiji > Soundforge 4.5 > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig notes
10029. 07/08/87 Flac 24/96 - 0, 134871 Roanoke Roanoke Civic Center flac24; Source: Nakamichi CM-300s/2-Mic CP-4 super-directional shotgun capsule -> Sony Walkman Pro/Maxell XLII-S 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes
10030. 07/08/87 Flac 16 - 0, 105726 Roanoke Roanoke Civic Center flac16; Recorded by Dave Cohen 5th row behind Board, DFC (Sec LT5 Row E Seat 5) 2 Nakamichi CM100s/CP4>Sony TCD5M w/Dolby Maxell MX90s cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transferred by Dave Cohen November 2009. notes
10031. 07/08/87 Flac 16 - 0, 35339 Roanoke Roanoke Civic Center flac16; Source: Taper's section at the SBD, Nakamichi 300s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8) Transfer/mastering/encoding/initial torrenting at bt.etree.org via C.Ladner notes
10032. 07/08/87 Shn - 0, 3343 Roanoke Roanoke Civic Center FOB Schoeps > PCM > DAT @ 44.1 khz; DAT > CD Conversion: Don Becker; Equipment: PCM-M1 > Oade Active Cable > Sek'd Prodif Plus > Samplitude v5.5 > CDWAV notes
10033. 07/10/87 Flac 16 - 0, 101651 Philadelphia John F Kennedy Stadium flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes
10034. 07/10/87 Shn - 0, 97490 Philadelphia John F Kennedy Stadium Soundboard > ? > SHN (One track patched from an unknown audience source.) (An alternate file set from this show also circulates possibly representing an EAC version.) notes
10035. 07/10/87 Flac 16/48LPCM - 0, 135282 Philadelphia John F Kennedy Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid 87266) AUD: Nakamichi CM-700's > patched from one Sony D5 > Sony TC-D5M > Maxell MX-90's (no Dolby), set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. - mixing by Kevin Tobin notes
10036. 07/10/87 Flac Dts 5.1 - 0, 134281 Philadelphia John F Kennedy Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=101651) Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid 87266) AUD: Nakamichi CM-700's > patched from one Sony D5 > Sony TC-D5M > Maxell MX-90's (no Dolby), set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. - dts mixing by Kevin Tobin notes
10037. 07/10/87 Flac 16 Mtx - 0, 135276 Philadelphia John F Kennedy Stadium flac16; Matrix 2 Source Mix - SBD (shnid=101651) Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid 87266) AUD: Nakamichi CM-700's > patched from one Sony D5 > Sony TC-D5M > Maxell MX-90's (no Dolby), set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. - matrix mixing by Kevin Tobin notes
10038. 07/10/87 Shn - 0, 93077 Philadelphia John F Kennedy Stadium Soundboard (except Queen Jane Approximately) notes
10039. 07/10/87 Shn - 0, 3859 Philadelphia John F Kennedy Stadium FOB> aud> senn me80> cassette master> cdr; conversion by Mike Lai from Bruce Fried DAT notes
10040. 07/10/87 Flac 16 - 0, 116336 Philadelphia John F Kennedy Stadium flac16; Set 1 Only Source: Nakamichi cm300/cp4's > Sony D5; Lineage: Cass/2 > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded: Rob ?; Transferred: Jeff Bowen; Extraction: Brad Foster notes
10041. 07/10/87 Flac 16 - 0, 102170 Philadelphia John F Kennedy Stadium flac16; Nak 300 Mics > Sony D-5 Taper: Rob Editing: Joe D'Amico "AKA" Joebeacon This Is From My 1st Gen Tape . My Buddy Rob Taped This Up Front Way In Front Of The Board notes
10042. 07/10/87 Flac 16 - 0, 87266 Philadelphia John F Kennedy Stadium flac16; AUD: Nakamichi CM-700's > patched from one Sony D5 > Sony TC-D5M > Maxell MX-90's (no Dolby), set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes
10043. 07/10/87 Flac 24 UMtx. - 0, 149828 Philadelphia John F Kennedy Stadium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10044. 07/10/87 Flac 24 - 0, 149827 Philadelphia John F Kennedy Stadium flac24; Recording Info: SBD (Mono) > Beta HiFi Master (TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10045. 07/10/87 Flac 16 - 0, 149959 Philadelphia John F Kennedy Stadium flac16; Recording Info: SBD (Mono) > Beta HiFi Master (TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
10046. 07/10/87 Flac 16 U Mtx. - 0, 149955 Philadelphia John F Kennedy Stadium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
10047. 07/12/87 Flac 16 - 0, 84266 East Rutherford Giants Stadium flac16; Recording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
10048. 07/12/87 Flac 16 - 0, 84935 East Rutherford Giants Stadium flac16; Pitch adjusted version of Source A (Entire GD set, last 3 tracks): likely AUD FOB CM> C> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz; A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); Source B (first 3 songs of Dylan set): Unknown AUD Source C (d2t13-d3t08): Unknown SBD Edit: SHNs > WAV > time/pitch stretching in CE Pro (see below) > FLAC by Bill Tetzeli notes
10049. 07/12/87 Shn - 0, 97491 East Rutherford Giants Stadium Soundboard > ? > SHN (except AUD PCM>DAT 1st 3 tracks) notes
10050. 07/12/87 Shn - 0, 3860 East Rutherford Giants Stadium SBD; via Stephen Agan, Mike Lai; Note- This is an aud recording except (apparently) for a few of the 'w/Dylan' tracks; See the 'user comments' for details notes
10051. 07/12/87 Flac 16 - 0, 106804 East Rutherford Giants Stadium flac16; 48k trade dat described as AUD PCM>DAT; Transfer 3/31/10: 48k dat > midiman delta dio 2496 > cooledit > wav > flac; cooledit used to convert to 44k at highest quality, for splitting tracks, patching, and editing notes
10052. 07/12/87 Flac Dts 5.1 - 0, 137180 East Rutherford Giants Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=84266) SRecording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid=406819) Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick - DTS mixing by Kevin Tobin notes
10053. 07/12/87 Flac16 Mtx - 0, 137179 East Rutherford Giants Stadium flac16; Matrix 2 Source Mix - SBD (shnid=84266) Recording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid=406819) Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick - matrix mixing by Kevin Tobin notes
10054. 07/12/87 Flac 16 - 0, 137298 East Rutherford Giants Stadium flac16; Set 3 Audience Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400->Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; Track, FLAC and Pack by Drew Frazer 16 bit 44.1kHz notes
10055. 07/12/87 Flac 16 - 0, 142137 East Rutherford Giants Stadium flac16; Source Info: 1st & 2nd Set: (FOB) Schoeps > PCM > PCM; 3rd Set: (FOB) Schoeps > PCM > Dat > CD (shnid 84266); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
10056. 07/12/87 Flac 16 - 0, 144301 East Rutherford Giants Stadium flac16; Set 3 Source info: SBD > Sony CCD-V90 (Patched out of screen feed) > 8mm Master (Maxell P6 120) Transfer: Master 8mm > Sony DCR-TRV230 > Datvideo TBC100 > ATI Wonder HD 600 > USB > HD > VirtualDub (.avi) > TMPGEnc Video Mastering 6 > WaveLab 6.0 > RBrain Pro > Flac 16/44 Taped by Don Pearson, Tapes Provided by Charlie Miller, Transfer and Mastered by Kevin Tobin notes
10057. 07/12/87 Flac 16 Mtx - 0, 144319 East Rutherford Giants Stadium flac16; Matrix 2 Source Mix - Set 3 Source Info: SBD (shnid=144301) SBD > Sony CCD-V90 (Patched out of screen feed) > 8mm Master (Maxell P6 120) Transfer: Master 8mm > Sony DCR-TRV230 > Datvideo TBC100 > ATI Wonder HD 600 > USB > HD > VirtualDub (.avi) > TMPGEnc Video Mastering 6 > WaveLab 6.0 > RBrain Pro > Flac 16/44 Taped by Don Pearson, Tapes Provided by Charlie Miller, Transfer and Mastered by Kevin Tobin + AUD (shnid=84266) (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin notes
10058. 07/12/87 Flac 16 Dts - 0, 144320 East Rutherford Giants Stadium DTS-Audio-CD 5.1 Mix; Set 3 Source Info: SBD (shnid=144301) SBD > Sony CCD-V90 (Patched out of screen feed) > 8mm Master (Maxell P6 120) Transfer: Master 8mm > Sony DCR-TRV230 > Datvideo TBC100 > ATI Wonder HD 600 > USB > HD > VirtualDub (.avi) > TMPGEnc Video Mastering 6 > WaveLab 6.0 > RBrain Pro > Flac 16/44 Taped by Don Pearson, Tapes Provided by Charlie Miller, Transfer and Mastered by Kevin Tobin + AUD (shnid=84266) (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin notes
10059. 07/12/87 Flac 16/48 - 0, 144321 East Rutherford Giants Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k)Set 3 Source Info: SBD (shnid=144301) SBD > Sony CCD-V90 (Patched out of screen feed) > 8mm Master (Maxell P6 120) Transfer: Master 8mm > Sony DCR-TRV230 > Datvideo TBC100 > ATI Wonder HD 600 > USB > HD > VirtualDub (.avi) > TMPGEnc Video Mastering 6 > WaveLab 6.0 > RBrain Pro > Flac 16/44 Taped by Don Pearson, Tapes Provided by Charlie Miller, Transfer and Mastered by Kevin Tobin + AUD (shnid=84266) (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller - surround mixing by Kevin Tobin notes
10060. 07/12/87 Shn - 0, 3422 East Rutherford Giants Stadium AUD FOB CM> C> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz; A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); via Charlie Connor, Paino Man to abgd; d2 tracked for 80 min notes
10061. 07/12/87 Flac 16 - 0, 137381 East Rutherford Giants Stadium flac16; Set 1 & 2: FOB AKG460 Omni (no other info given); Set 3: Unknown (likely the same source as #106804); DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell notes
10062. 07/12/87 Flac 16 - 0, 106819 East Rutherford Giants Stadium Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
10063. 07/12/87 Flac 24/96 - 0, 149438 East Rutherford Giants Stadium flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
10064. 07/12/87 Flac 16/48 - 0, 149437 East Rutherford Giants Stadium flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
10065. 07/19/87 Shn - 0, 97492 Eugene Autzen Stadium, University Of Oregon Soundboard > ? > SHN notes
10066. 07/19/87 Shn Mtx - 0, 13023 Eugene Autzen Stadium, University Of Oregon Source: Matrix DSBD>D>CD-R>EAC (0.93) >SHN (MKWACT 97) via JR Fishman notes
10067. 07/19/87 Flac - 0, 97651 Eugene Autzen Stadium, University Of Oregon Primary source: Soundboard Sony multi-track PCM master > mixdown cassette [recorded on Sony TCD5M] > Sony F1 PCM Beta tape > PCM Beta clone > CD [digital transfer with HHB standalone]. with splices from: Secondary source: Unknown lineage (low gen.) audience recording from PCM Beta tape copy Combination REMASTER info: Audience PCM Beta tape > Sony SL-HF900 Beta deck > Sony PCM601ESD interface and Soundboard CD received in trade > Macintosh with DigiDesign AudioMedia III soundcard > Pro Tools [speed match, seamless edits, normalization and tracking] > AIFF > xACT (FLAC level 8 files with sector boundaries verified). md5 file created with checkSUM+. No equalization or noise reduction was used in the remastering process. [Torrented at Dime-A-Dozen] notes
10068. 07/19/87 Shn - 0, 17352 Eugene Autzen Stadium, University Of Oregon AUD Source (Discs 1 & 2): AUD>CASS>DAT>CD; SBD Source (Disc 3): SBD>?>CD; via Sir Peter Pendragon notes
10069. 07/19/87 Flac 16 - 0, 136765 Eugene Autzen Stadium, University Of Oregon flac16; Healy matrix -> PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; tracking with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm notes
10070. 07/19/87 Flac 16 - 0, 137294 Eugene Autzen Stadium, University Of Oregon flac16; Set 3 Unknown Audience recording; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400->Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; Track, FLAC and Pack by Drew Frazer notes
10071. 07/19/87 Flac 16/48 - 0, 141646 Eugene Autzen Stadium, University Of Oregon flac16/48kHz; Set 3 Dsdb>cassette>Dat>clone to me>File cloned in Microtrack>Goldwave tracking and removal of gaps between songs>TLH8 notes
10072. 07/19/87 Flac 24 UMtx. - 0, 149748 Eugene Autzen Stadium, University Of Oregon flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24 notes
10073. 07/19/87 Flac 16 - 0, 149779 Eugene Autzen Stadium, University Of Oregon flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
10074. 07/19/87 Flac 24/96 - 0, 152143 Eugene Autzen Stadium, University Of Oregon Flac 24/96 Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
notes
10075. 07/19/87 Flac 16/48 - 0, 152142 Eugene Autzen Stadium, University Of Oregon Flac 16.48 Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
notes
10076. 07/24/87 Shn - 0, 97484 Oakland Oakland-Alameda County Stadium Soundboard > ? > SHN notes
10077. 07/24/87 Flac 16 - 0, 97493 Oakland Oakland-Alameda County Stadium flac16; Lineage: Primary Source: Soundboard Sony Multi-track PCM Master > Mixdown Cassette [recorded On Sony TCD5M] > Sony F1 PCM Beta Tape > Beta PCM Clone > CD [digital Transfer To Hhb Standalone] With Splices From: Secondary Source: Dan Healy's Audience Master - Microphones Hung In Front Of The House Sound Booth Above The Crowd > Sony F1 PCM Beta Tape Master > Beta PCM Clone > CD [digital Transfer To HHB Standalone] Combination Remaster Info: CD's > Macintosh with DigiDesign AudioMedia III soundcard > Pro Tools [speed match, seamless edits, normalization and tracking] > AIFF > xACT (FLAC level 8 files with sector boundaries verified). md5 file created with checkSUM+. No equalization or noise reduction was used in the remastering process notes
10078. 07/24/87 Flac 16 - 0, 92568 Oakland Oakland-Alameda County Stadium flac16; Hat-Mounted Realistic PZM's with Sony WMD6-C, taped from 60 feet away,dead center, using Maxell MX 90 No nr, by Russ Cansler notes
10079. 07/24/87 Shn - 0, 17353 Oakland Oakland-Alameda County Stadium AUD (schoeps CMC 32s)>DAT>CDM; via Sir Peter Pendragon; Includes Dylan/Dead set notes
10080. 07/24/87 Flac 16 - 0, 138228 Oakland Oakland-Alameda County Stadium flac16; Source: AKG 460 omni > Sony PCM-F1 > Dat; Recorded Fob; From the collection of Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transferred by Charle Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced Audio Editor > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick May 2017 notes
10081. 07/24/87 Flac 16 - 0, 141768 Oakland Oakland-Alameda County Stadium flac16; Set 3 Recorded by Daspyknows and friends; Dead Center FOB; Schoeps CCM4 Sony PCM-F1/SL2000; Transferred by NickyC; Processed using Soundforge 11; TLH to convert to Flac notes
10082. 07/26/87 Shn - 0, 97495 Anaheim Anaheim Stadium Soundboard > ? > SHN (except unknown audience source for the last 3 tracks) notes
10083. 07/26/87 Flac 16 - 0, 98214 Anaheim Anaheim Stadium flac16; Modified Nak 700's omni w/D5 dbx nr FOB spread 6ft MAC>nakCR-3A>dbx>hd>Audacity>CDWave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler notes
10084. 07/26/87 Flac 16 - 0, 124098 Anaheim Anaheim Stadium flac16; Source: 1x Sennheiser MD-421 (mono) > unknown deck > MAC, recorded "off second stack behind Healy". 1st Gen cassettes kindly provided by Seaweed1010. Transfer: XLII-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. March 2013 notes
10085. 07/26/87 Flac 16 - 0, 139993 Anaheim Anaheim Stadium flac16; Source: (FOB) AKG C460 (omni) > PCM F1 > DAT (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 notes
10086. 07/26/87 Flac 24 UMtx - 0, 141759 Anaheim Anaheim Stadium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10087. 07/26/87 Flac 16 - 0, 141897 Anaheim Anaheim Stadium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10088. 07/26/87 Flac 16 - 0, 138248 Anaheim Anaheim Stadium flac16; Set 3 Source: soundboard segment from a trade, no lineage is available; audience portion Source: 2 Sennheiser MKH404tu > Sony D6 w/ Dolby C; Transfer: Nakamichi CR3A w/ Dolby B > Audigy 4 pro @ 16-44 > NERO > EAC > WAVE > Adobe Audition (combine tracks and remove small gaps from SBE errors) iZotope RX4 advanced (fix dropouts, remove loud clapping, increase volume, reduced bass in places) > CD Wave > TLH (flac level 8) notes
10089. 07/26/87 Flac 16/48 - 0, 148618 Anaheim Anaheim Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141759) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 98214) (Set 1 Only) Modified Nak 700's omni w/D5 dbx nr FOB spread 6ft MAC>nakCR-3A>dbx>hd>Audacity>CDWave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler + AUD2 (shnid = 139993) (Set 2&3 Only) Source: (FOB) AKG C460 (omni) > PCM F1 > DAT (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 - surround mixing by Kevin Tobin notes
10090. 07/26/87 Flac 16 Dts.5.1 - 0, 148617 Anaheim Anaheim Stadium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141759) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 98214) (Set 1 Only) Modified Nak 700's omni w/D5 dbx nr FOB spread 6ft MAC>nakCR-3A>dbx>hd>Audacity>CDWave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler + AUD2 (shnid = 139993) (Set 2&3 Only) Source: (FOB) AKG C460 (omni) > PCM F1 > DAT (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 - dts mixing by Kevin Tobin notes
10091. 07/26/87 Flac 16 Mtx - 0, 148616 Anaheim Anaheim Stadium flac16; Matrix 3 Source Mix - SBD (shnid = 141759) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 98214) (Set 1 Only) Modified Nak 700's omni w/D5 dbx nr FOB spread 6ft MAC>nakCR-3A>dbx>hd>Audacity>CDWave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler + AUD2 (shnid = 139993) (Set 2&3 Only) Source: (FOB) AKG C460 (omni) > PCM F1 > DAT (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 - matrix mixing by Kevin Tobin notes
10092. 08/11/87 Shn - 0, 14944 Morrison Red Rocks Amphitheatre SBD -> PCM -> CD -> EAC -> SHN (Grateful Dead Hour Pre-FM Discs) via Charlie Miller notes
10093. 08/11/87 Flac 16 - 0, 92056 Morrison Red Rocks Amphitheatre flac16; Recording Info:SBD -> PCM -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller notes
10094. 08/11/87 Shn - 0, 4951 Morrison Red Rocks Amphitheatre set 2; SBD> PCM> Dat> Cass> Dat; Conversion: Sony M1> Oade Cable> Zoltrx Pro6> Soundforge(wav)> CDWav(split)> Shn V3 (no EAC); Conversion & Seed: Brian Cole; show stemming from John Craft and Jay Serafin; see info file for notes notes
10095. 08/11/87 Shn Mtx - 0, 5247 Morrison Red Rocks Amphitheatre set 1; SBD> PCM> ??> Dat> CD (Healy Matrix); Conversion: Kenwood TrueX> EAC> shn V3 (seekable); via Brian Cole, from Paul B.'s seed' see info file for notes notes
10096. 08/11/87 Flac 16 - 0, 138972 Morrison Red Rocks Amphitheatre flac16; Patched/Pitch Corrected Audience (original shnid = 138303) FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT - pitch correction and patches by Kevin Tobin notes
10097. 08/11/87 Flac16 Mtx - 0, 138973 Morrison Red Rocks Amphitheatre flac16; Matrix 2 Source Mix - SBD (shnid = 92056) Recording Info:SBD -> PCM -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller + AUD (shnid = 138303) FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT - matrix mixing by Kevin Tobin notes
10098. 08/11/87 Flac Dts 5.1 - 0, 138974 Morrison Red Rocks Amphitheatre >DTS-Audio-CD 5.1 Mix; SBD (shnid = 92056) Recording Info:SBD -> PCM -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller + AUD (shnid = 138303) FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT - dts mixing by Kevin Tobin notes
10099. 08/11/87 Flac 16/48 - 0, 138975 Morrison Red Rocks Amphitheatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 92056) Recording Info:SBD -> PCM -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller + AUD (shnid = 138303) FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT - surround mixing by Kevin Tobin notes
10100. 08/11/87 Flac 16 - 0, 142088 Morrison Red Rocks Amphitheatre flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes
10101. 08/11/87 Flac 16 - 0, 81953 Morrison Red Rocks Amphitheatre flac16; AUD Source: Nakamichi CM-100's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in 15th row, stage left side of the soundboard. Taped by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and FLAC compression) > FLAC notes
10102. 08/11/87 Flac 16 - 0, 82033 Morrison Red Rocks Amphitheatre flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Suraci aka nak700 notes
10103. 08/11/87 Flac 16 - 0, 138303 Morrison Red Rocks Amphitheatre flac16; FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT notes
10104. 08/12/87 Flac 16 - 0, 95684 Morrison Red Rocks Amphitheatre flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF (24bit/48k) Transfer Info: AIFF -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
10105. 08/12/87 Flac 16 - 0, 81677 Morrison Red Rocks Amphitheatre flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS) Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10106. 08/12/87 Flac 16 - 0, 77164 Morrison Red Rocks Amphitheatre flac16; Schoeps CMC 44 cardiods, ORTF > Sony PCM F1, FOB > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 > shntool > FLAC (lvl8) notes
10107. 08/12/87 Shn - 0, 17354 Morrison Red Rocks Amphitheatre AUD (Nak CM-100s)>CASS>DAT>CDM; via Sir Peter Pendragon notes
10108. 08/12/87 Flac 16 - 0, 142089 Morrison Red Rocks Amphitheatre flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes
10109. 08/12/87 Flac 16 - 0, 81967 Morrison Red Rocks Amphitheatre AUD Source: Nakamichi CM-100's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in front row of taper's section. Taped by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and FLAC compression) > FLAC, January 2007. notes
10110. 08/12/87 Flac 16 - 0, 82054 Morrison Red Rocks Amphitheatre flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci notes
10111. 08/12/87 Shn - 0, 14911 Morrison Red Rocks Amphitheatre Nak CM 100>MC>DAT>CD; via Paul B; Seeded to etree by Willy notes
10112. 08/13/87 Shn - 0, 7992 Morrison Red Rocks Amphitheatre sbd > mc > dat X3 > wav > shn NR applied using CEP; via Bob Harrell notes
10113. 08/13/87 Flac 16 - 0, 142090 Morrison Red Rocks Amphitheatre flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes
10114. 08/13/87 Flac 16 - 0, 81988 Morrison Red Rocks Amphitheatre flac16; AUD Source: Nakamichi CM-100's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in front row of taper's section. Taped by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and FLAC compression) > FLAC notes
10115. 08/13/87 Flac 16 - 0, 82098 Morrison Red Rocks Amphitheatre flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Suraci notes
10116. 08/13/87 Shn - 0, 21348 Morrison Red Rocks Amphitheatre S:?>D>CD via Chris Larson notes
10117. 08/15/87 Flac 16 - 0, 83904 Telluride Town Park flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10118. 08/15/87 Shn - 0, 17010 Telluride Town Park PreFM SBD(Healy Mix)>MC>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN (Seekable) notes
10119. 08/15/87 Flac 16 - 0, 74165 Telluride Town Park flac16; Patch fix of shn id 17010 - Source: PreFM SBD(Healy Mix)>MC>DAT>CDR notes
10120. 08/15/87 Flac 2448 - 0, 112718 Telluride Town Park flac24; Source: Nakamichi CM-300/CP-4 shotguns > Marantz PMD-420 > Maxell XLII-S 90's, taped from the OTS by Jon Pasternak. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448. Transfer by Andrew F. 04/2011 notes
10121. 08/15/87 Flac 16 - 0, 142153 Telluride Town Park flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes
10122. 08/15/87 Flac 16 - 0, 82167 Telluride Town Park flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Surac notes
10123. 08/15/87 Shn - 0, 8324 Telluride Town Park FOB > PCM > DAT > CD; seeded to etree 5/2001 - neo_levo notes
10124. 08/16/87 Flac 16 - 0, 81679 Telluride Town Park flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10125. 08/16/87 Shn - 0, 4170 Telluride Town Park PreFM > Rm > DAT > CDR > EAC > SHN; via C. Ladner; known flaws: d2t6:digipop@7:19, d2t7: song cuts @ 6:56 notes
10126. 08/16/87 Flac 16 - 0, 142154 Telluride Town Park flac16; Source Info: 1st Set - Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; 2nd Set - Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK2 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes
10127. 08/16/87 Flac 16 - 0, 82200 Telluride Town Park flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Suraci notes
10128. 08/18/87 Flac 16 - 0, 138289 Tempe Compton Terrace Amphitheatre flac16; FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel Label, Pack & Seed; Checksum & tags created in xACT notes
10129. 08/18/87 Flac 16 - 0, 138304 Tempe Compton Terrace Amphitheatre flac16; Rich Gastwirt Recording: FOB Schoeps CMC 44 cardioids, ORTF > Sony PCM F1 > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT notes
10130. 08/18/87 Flac 24 - 0, 140125 Tempe Compton Terrace Amphitheatre flac24; Set 1 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10131. 08/18/87 Flac 16 - 0, 140235 Tempe Compton Terrace Amphitheatre flac16; Set 1 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10132. 08/18/87 Flac 16 - 0, 142155 Tempe Compton Terrace Amphitheatre flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK2 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes
10133. 08/18/87 Shn - 0, 13102 Tempe Compton Terrace Amphitheatre Schoeps CMC 32s > DAT > CD; via Sephira Yesod; Seeded to etree by PainoMan notes
10134. 08/18/87 Flac 24/96 - 0, 145600 Tempe Compton Terrace Amphitheatre flac24; 1st Set: Michael Hessberg's Master Audience Cassette; Nakamichi 300 mics > Sony D5M; 2nd Set: Michael Hessberg's Master In-House FM Cassette > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496 notes
10135. 08/18/87 Flac 16/48 - 0, 145599 Tempe Compton Terrace Amphitheatre flac16/48kHz; 1st Set: Michael Hessberg's Master Audience Cassette; Nakamichi 300 mics > Sony D5M; 2nd Set: Michael Hessberg's Master In-House FM Cassette > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
10136. 08/20/87 Flac 16 - 0, 106078 Park City Park West Ski Resort flac16: Set 2 only - Soundboard - Audience Matrix Mix. Taper: Unknown. Recording Gear: Unknown. Extra Processing BY mjallen FLAC -> TLH -> wAVE -> TLH (CHECK,REPAIR SBE) -> FlAC (level 8) Torrented at Dime-A-Dozen ~ 2/12/2010 notes
10137. 08/20/87 Shn - 0, 8373 Park City Park West Ski Resort unk. mic's > DAT > CDR; Seeded to etree by Chris Ladner notes
10138. 08/20/87 Flac 16 - 0, 138285 Park City Park West Ski Resort >b>flac16; FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Pack & Seed; Checksum & tags created in xACT notes
10139. 08/20/87 Flac 24 - 0, 140126 Park City Park West Ski Resort flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10140. 08/20/87 Ultra MtxFlac16 - 0, 140236 Park City Park West Ski Resort flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10141. 08/20/87 Flac 16 - 0, 142156 Park City Park West Ski Resort flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes
10142. 08/20/87 Flac 24/96 - 0, 151082 Park City Park West Ski Resort flac24/96khz Source Info: Michael Hessberg's In-House FM master cassettes; unknown receiver > Sony D5M Transfer Info: Master cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10143. 08/20/87 Flac 16/48 - 0, 151080 Park City Park West Ski Resort flac16/48khz Source Info: Michael Hessberg's In-House FM master cassettes; unknown receiver > Sony D5M Transfer Info: Master cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10144. 08/22/87 Flac 16 - 0, 103628 Angels Camp Calaveras County Fairgrounds flac16; Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
10145. 08/22/87 Shn - 0, 4232 Angels Camp Calaveras County Fairgrounds updated source: SBD> Master PCM> DAT> CDR> EAC> shn; via Tony Gardner notes
10146. 08/22/87 Shn - 0, 4795 Angels Camp Calaveras County Fairgrounds updated source: SBD> Master PCM> DAT> CDR> EAC> first shn by Tony Gardner> misc flaw fixes by Steve Barbella (see info file)> reshn (nonseeking) notes
10147. 08/22/87 Flac 16 - 0, 142139 Angels Camp Calaveras County Fairgrounds flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony Betamax/TDK HS); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes
10148. 08/22/87 Flac 24 UMtx. - 0, 142138 Angels Camp Calaveras County Fairgrounds flac24; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
10149. 08/22/87 Flac 16 - 0, 142146 Angels Camp Calaveras County Fairgrounds flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
10150. 08/22/87 Flac 16/44,1 - 0, 149781 Angels Camp Calaveras County Fairgrounds flac16/44.1khz Taper: anon Location: right of center FOB; Gear: unknown stero mic (in hat) > Sony WMD6C (Maxell XLII); Transfer: Nakamichi BX-300 > xx cables > Waveterminal 2496 > Adobe Audition 3.0 in @ 16/48, downsample to 44.1; Tracking: CD Wave; FLAC encoding: TLH. notes
10151. 08/22/87 Flac 24/96 - 0, 151076 Angels Camp Calaveras County Fairgrounds flac24/96khz Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10152. 08/22/87 Flac 16/48 - 0, 151075 Angels Camp Calaveras County Fairgrounds flac16/48khz Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10153. 08/23/87 Shn - 0, 34422 Angels Camp Calaveras County Fairgrounds SBD>MC>DAT>CDR>EAC>shn - Seamless fix of shn id 4233 notes
10154. 08/23/87 Flac 16 - 0, 103629 Angels Camp Calaveras County Fairgrounds flac16; Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
10155. 08/23/87 Flac 16 - 0, 02277 Angels Camp Calaveras County Fairgrounds flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXLIIs Analog Lineage: 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Danny Thompson Transfer By: Adam Egert Mastering By: Derek McCabe notes
10156. 08/23/87 Shn - 0, 4233 Angels Camp Calaveras County Fairgrounds SBD> MC> DAT> CDR> EAC> shn; via Tony Gardner; includes filler from 9/9/87 (see pub comments) notes
10157. 08/23/87 Flac 24/96 - 0, 92498 Angels Camp Calaveras County Fairgrounds flac24; 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Danny Thompson Transfer By: Adam Egert Mastering By: Derek McCabe notes
10158. 08/23/87 Flac 16/48 - 0, 138758 Angels Camp Calaveras County Fairgrounds flac16/48kHz; unknown taper: Schoeps > spaced cardioids > pcm > dat (FOB); Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > flac 16/44; Checksum & tags created in xACT; (Admin note: the info file indocates that these files are 44.1kHz; they are actually 48kHz) notes
10159. 08/23/87 Flac 24 - 0, 142150 Angels Camp Calaveras County Fairgrounds flac24; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10160. 08/23/87 Flac 16 - 0, 142151 Angels Camp Calaveras County Fairgrounds flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony Betamax/TDK HS); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes
10161. 08/23/87 Flac 16 U Mtx - 0, 142157 Angels Camp Calaveras County Fairgrounds flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10162. 08/23/87 Flac 16 - 0, 142332 Angels Camp Calaveras County Fairgrounds flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes
10163. 08/23/87 Flac 16 - 0, 142151 Angels Camp Calaveras County Fairgrounds flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony Betamax/TDK HS); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes
10164. 08/23/87 Flac 16/48 - 0, 151156 Angels Camp Calaveras County Fairgrounds flac16/4khz Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10165. 08/23/87 Flac 24/96 - 0, 151157 Angels Camp Calaveras County Fairgrounds flac24/96khz Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10166. 08/23/87 Flac 24/96 - 0, 152484 Angels Camp Calaveras County Fairgrounds flac24/96 Dead Aire 100.1 FM master by Mike French "Moke" Lineage: Mostly Dead Aire 100.1 FM, but with a couple of patches from the sbd in set two to fix fm signal loss issues. Master: Portable FM radio (walkman type) headphone out-> Sony WM-D6C "b" n.r. Recorded live, from inside the concert venue. Lineage to 24/96 high resolution digital: master playback,... Sony TC-D5M "B" n.r. on, with Maxell MX90 master cassette -> *Grace Lunatec V3 +23dB gain analog out-> Sound Devices SD722 @ 24/96 *I needed additional +6dB of clean gain to run unity gain with the 722. then: SD722 digital files via firewire->Mac G4 (tiger 10.4) Processed via Sonic Studios 2.2.4 16/44.1 sbd patch-in samples, up-sampled to 24/96 via SS 2.2.4 Flac by xACT @ 7/8 notes
10167. 09/07/87 Flac 16 - 0, 106061 Providence Providence Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
10168. 09/07/87 Shn - 0, 8596 Providence Providence Civic Center Sony ECM220T mics from taper's section; via DNC vine notes
10169. 09/07/87 Flac 16 - 0, 73861 Providence Providence Civic Center flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up in taper's section, mics on stand aprx 7-1/2 feet high. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC notes
10170. 09/07/87 Flac 16 - 0, 89984 Providence Providence Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
10171. 09/07/87 Flac 16 - 0, 82277 Providence Providence Civic Center flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci notes
10172. 09/07/87 Flac 16 - 0, 106821 Providence Providence Civic Center flac16; Recording Info:Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes
10173. 09/07/87 Flac 16/48 - 0, 151411 Providence Providence Civic Center flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10174. 09/07/87 Flac 24/96 - 0, 151412 Providence Providence Civic Center flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10175. 09/07/87 Flac 16/44 - , 156739 Providence Providence Civic Center flac1644 Lineage: Nak 300 w/ cp4 Shotguns -> Sony TDC5M ( no dolby )-> TDK-MA 90s -> Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> R8brain (resampled to 16bit 44.1khz ) -> TLH -> analysis,SBE,flac,checksums. taped and transferred by Ted Carpenter notes
10176. 09/08/87 Flac 16 - 0, 20994 Providence Providence Civic Center flac16; Recording Info: SBD -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering by Charlie Miller notes
10177. 09/08/87 Shn - 0, 20994 Providence Providence Civic Center SBD -> PCM -> Dat -> CD -> EAC -> SHN Converted To SHN by Charlie Miller notes
10178. 09/08/87 Shn - 0, 7468 Providence Providence Civic Center Unknown Soundboard Slight hiss, otherwise good sound; via Andrew Pitner notes
10179. 09/08/87 Flac 16 - 0, 106592 Providence Providence Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
10180. 09/08/87 Flac 16 - 0, 141882 Providence Providence Civic Center flac16; Recording Info: Ultramatrix PCM > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
10181. 09/08/87 Flac 16 - 0, 89995 Providence Providence Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
10182. 09/08/87 Shn - 0, 8597 Providence Providence Civic Center Sony ECM220T mics from taper's section; via DNC vine notes
10183. 09/08/87 Flac 16 - 0, 82309 Providence Providence Civic Center flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci notes
10184. 09/08/87 Flac 16 - 0, 106822 Providence Providence Civic Center flac16; Recording Info:Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller notes
10185. 09/08/87 Flac 16 - 0, 102183 Providence Providence Civic Center flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
10186. 09/08/87 Flac 16 - 0, 74162 Providence Providence Civic Center flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up in taper's section, mics on stand aprx 7-1/2 feet high Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC notes
10187. 09/08/87 Flac 24/96 - 0, 151414 Providence Providence Civic Center flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10188. 09/08/87 Flac 16/48 - 0, 151413 Providence Providence Civic Center flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10189. 09/09/87 Flac 16 - 0, 106832 Providence Providence Civic Center flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
10190. 09/09/87 Flac 16 - 0, 106591 Providence Providence Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded by Bob Morris notes
10191. 09/09/87 Flac 16 - 0, 139781 Providence Providence Civic Center flac16; Recording Info: UltraMatrix SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Matering by Charlie Miller notes
10192. 09/09/87 Shn - 0, 8598 Providence Providence Civic Center Sony ECM220T mics from taper's section; via DNC vine notes
10193. 09/09/87 Flac 16 - 0, 106827 Providence Providence Civic Center flac16; Recording Info:Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
10194. 09/09/87 Flac 16 - 0, 90033 Providence Providence Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
10195. 09/09/87 Flac 16 - 0, 75532 Providence Providence Civic Center flac16; AUD, Nakamichi CM-300's with CP-4 shotgun capsules >Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up in taper's section, mics on stand aprx 7-1/2 feet higH: Taped and Transferred by Andrew F. notes
10196. 09/09/87 Shn - 0, 10161 Providence Providence Civic Center Source: Audience (but see note below) Lineage: Master Cassette> DAT> CD> SHN (unconfirmed but likely); via Stephen Porter, Steve Aserkoff; Seeded to etree by Peter Braverman notes
10197. 09/09/87 Shn - 0, 6686 Providence Providence Civic Center Nak 300's > Sony D5 Casette Master > Sound Forge (wav) > Shorten; via valis_under notes
10198. 09/09/87 Shn - 0, 21014 Providence Providence Civic Center Recording Info: SBD -> Cassette Master -> Dat Transfer Info #1: Dat (Tascam DA-20mkII) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) Transfer Info #2: CD (Plextor 48/24/48A) -> EAC (v0.9 beta 4)-> Samplitude v7.02 Professional -> SHN All transfers and edits by Charlie Miller notes
10199. 09/09/87 Flac 16/48 - 0, 151426 Providence Providence Civic Center flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10200. 09/09/87 Flac 24/96 - 0, 151427 Providence Providence Civic Center flc24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10201. 09/09/87 Flac 16/44 - , 156740 Providence Providence Civic Center flac1644 Lineage: Nak 300 w/ cp4 Shotguns -> Sony TDC5M ( no dolby )-> TDK-MA 90s -> Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> R8brain (resampled to 16bit 44.1khz ) -> TLH -> analysis,SBE,flac,checksums. taped and trasferred by Ted Carpenter notes
10202. 09/11/87 Flac 16 U Mtx - 0, 14ß925 Landover Capital Centre flac16; Set 2 Source Info: UltraMatrix Soundboard > unknown cassette generations > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
10203. 09/11/87 Flac 16 - 0, 117662 Landover Capital Centre flac16; Master: Nakamichi CM100's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.13 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
10204. 09/11/87 Flac 16 - 0, 90065 Landover Capital Centre flac16; taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
10205. 09/11/87 Shn - 0, 8906 Landover Capital Centre FOB Schoeps> PCM> D> CDR> shn; via Chris Dipietro notes
10206. 09/11/87 Flac 16 - 0, 82369 Landover Capital Centre flac16; Source: Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. notes
10207. 09/12/87 Shn - 0, 31019 Landover Capital Centre Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. notes
10208. 09/12/87 Shn - 0, 24293 Landover Capital Centre Source: SBD > ? (C1 or C2?) > DAT (44.1 w/pre-emphasis) Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5 > pre-emphasis removed and converted to 44.1kHz* > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig notes
10209. 09/12/87 Flac 16 - 0, 108280 Landover Capital Centre flac16; Schoeps > Sony D5 master cassettes Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz. Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz MetaData with Tag and Rename TLH for FLAC Level 8 SBE FREE; Supplied by Vern B, Taped by Scott F. notes
10210. 09/12/87 Shn - 0, 4702 Landover Capital Centre CSBD?> DAT?; via chill and unIDed seeder; skipping in Black Muddy notes
10211. 09/12/87 Flac 16/48 - 0, 138221 Landover Capital Centre flac16/48kHz; 5.1 LPCM Surround Sound (48k) SBD (shnid = 31018)Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. + AUD (shnid = 8907) FOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro - mixing by Kevin Tobin notes
10212. 09/12/87 Flac 16 - 0, 138218 Landover Capital Centre flac16; (original shnid = 31018) Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. - pitch correction and patches by Kevin Tobin notes
10213. 09/12/87 Flac Dts 5.1 - 0, 138220 Landover Capital Centre DTS-Audio-CD 5.1 Mix:SBD (shnid = 31018)Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. + AUD (shnid = 8907) FOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro - dts mixing by Kevin Tobin notes
10214. 09/12/87 Flac16 Mtx - 0, 138219 Landover Capital Centre flac16; Matrix 2 Source Mix - SBD (shnid = 31018)Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. + AUD (shnid = 8907) FOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro - matrix mixing by Kevin Tobin notes
10215. 09/12/87 Shn - 0, 8907 Landover Capital Centre FOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro notes
10216. 09/12/87 Flac 16 - 0, 117967 Landover Capital Centre flac16; Master: Nakamichi CM100's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.13 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
10217. 09/12/87 Flac 16 - 0, 150673 Landover Capital Centre flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
10218. 09/13/87 Flac 16 - 0, 138247 Landover Capital Centre flac16; Source: AKG 414 > PCM > DAT (44.1 khz); Location: Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)> Firewire>Macbook>SoX v14.4.2(remove emphasis)>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
10219. 09/13/87 - 0, 82399 Landover Capital Centre flac16; Source: Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs notes
10220. 09/13/87 Flac 16 - 0, 117982 Landover Capital Centre flac16; Master: Nakamichi CM100's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.13 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
10221. 09/13/87 Shn - 0, 8908 Landover Capital Centre FOB Schoeps> PCM> D> CDR> mkw> shn; missing encore; via Chris Dipietro notes
10222. 09/13/87 Flac 16 - 0, 90082 Landover Capital Centre flac16; taper : Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative soundcard extigy > cool edit pro > flac frontend notes
10223. 09/15/87 Flac 16 - 0, 76347 New York Madison Square Garden flac16; Recording Info: SBD -> Cassette Master (Sony D6/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude v7.02 Professional -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller notes
10224. 09/15/87 Shn - 0, 21981 New York Madison Square Garden SBD -> Cassette Master -> Dat (48k) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN - Transfered and Edited By Charlie Miller notes
10225. 09/15/87 Shn - 0, 20176 New York Madison Square Garden SBD:CM>DATs>CDRs notes
10226. 09/15/87 Flac 24/48 - 0, 115933 New York Madison Square Garden flac24; 24bit/48kHz file set: OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011 notes
10227. 09/15/87 Flac 16 - 0, 90103 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro> flac frontend notes
10228. 09/15/87 Flac 16 - 0, 125699 New York Madison Square Garden Taper: M.Laurentus Taper Tection: Section H, Row 28, Seat 14 AT835B's -SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac notes
10229. 09/15/87 Shn - 0, 15388 New York Madison Square Garden AUD (Schoeps CMC 44's)>MC*>DAT>CD via Raoul Duke encoded by Willy notes
10230. 09/15/87 Flac 16/48 - , 154305 New York Madison Square Garden flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10231. 09/15/87 Flac 24/96 - , 154306 New York Madison Square Garden flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10232. 09/16/87 Flac 16 - 0, 89065 New York Madison Square Garden flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10233. 09/16/87 Shn - 0, 22797 New York Madison Square Garden SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes
10234. 09/16/87 Shn - 0, 15409 New York Madison Square Garden Partial 2nd Set; SBD>MC>DAT>SS>CDR; See info file for details; via Paul B; Seeded to etree by Willy notes
10235. 09/16/87 Flac 24/48 - 0, 115934 New York Madison Square Garden flac24; 24bit/48kHz file set: OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011 notes
10236. 09/16/87 Flac 16 - 0, 141891 New York Madison Square Garden flac16; Source Info: Master (FOB) PCM; AKG 414 mics > Sony PCM-F1 > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
10237. 09/16/87 Flac 16 - 0, 105471 New York Madison Square Garden flac16; Master: Nakamichi CM100's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD taper's section by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
10238. 09/16/87 Flac 16 - 0, 90164 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend notes
10239. 09/16/87 Flac 16 - 0, 82365 New York Madison Square Garden flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci notes
10240. 09/16/87 Shn - 0, 15206 New York Madison Square Garden AUD (Schoeps CMC 34's)>MC*>DAT>CD EAC/SHN by Willy notes
10241. 09/16/87 Flac 16 - 0, 125758 New York Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: Section H, Row 28, Seat 14; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes
10242. 09/16/87 Flac 16 - 0, 149869 New York Madison Square Garden flac16; Nak 700’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche notes
10243. 09/16/87 Flac 16/48 - , 154307 New York Madison Square Garden flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10244. 09/16/87 Flac 24/96 - , 154308 New York Madison Square Garden flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10245. 09/18/87 Flac - 0, 96139 New York Madison Square Garden flac16; matrix of DSBD: shnid=19002 and AUD: shnid=82359 by hansokolow using ProTools notes
10246. 09/18/87 Shn - 0, 19002 New York Madison Square Garden MattMan remaster of shnid=10536; SBD PCM> DATx3> WAV> SHN, with alterrnate-source SBD patches (see notes) notes
10247. 09/18/87 Flac - 0, 126038 New York Madison Square Garden flac16; 3 Source Matrix from Source 1: SBD (shnid=20025; patched with shnid=21241); Lineage: Vault PCM Master->DAT; Transfer: DAT->ZA2->Soundforge->.wav->mkw->SHN Source 2: AUD (shnid=105797); Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD; Taper's section by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors and Source 3: AUD (shnid=112782); OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Matrix by Roger Eichorn; Upgrade in circulation; the seeder has requested that this version be removed from circulation notes
10248. 09/18/87 Shn - 0, 21241 New York Madison Square Garden Soundboard (Healy Ultra Box)->Cassette Master. Cassette Master->HHb CDR-850 (pass-through only)->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano notes
10249. 09/18/87 Flac - 0, 124840 New York Madison Square Garden flac16; shnid=20025 (Vault PCM Master->DAT->ZA2->Soundforge->.wav->mkw->SHN) patched with shnid=21241 (Soundboard (Healy Ultra Box)->Cassette Master. Cassette Master->HHb CDR-850 (pass-through only)->ZA2->.wav->mkw->SHN). The following patches were made: (1) The beginning of the second set ('Tuning' and first seconds of 'Shakedown') (2) Most of 'Space. notes
10250. 09/18/87 Flac e - 0, 126165 New York Madison Square Garden flac16; Matrix from Source 1: SBD (shnid=20025; patched with shnid=21241) Lineage: Vault PCM Master->DAT Transfer: AT->ZA2->Soundforge->.wav->mkw->SHN, Source 2: AUD (shnid=105797) Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Taper's section by Jon Pasternak CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors and Source 3: AUD (shnid=112782) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged notes
10251. 09/18/87 Shn - 0, 394 New York Madison Square Garden SBD; via David Finney; see public comments for filler notes notes
10252. 09/18/87 Shn - 0, 76470 New York Madison Square Garden Most likely lineage: SBD>PCM>DAT>CD; Original SHN files provided by dfinney & Joe Internet; Patch material (D2T01 & D2T05) provided by Kiss The Stone notes
10253. 09/18/87 Shn - 0, 20025 New York Madison Square Garden Vault PCM Master->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano. notes
10254. 09/18/87 Flac 24 - 0, 116004 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011 notes
10255. 09/18/87 Flac - 0, 134393 New York Madison Square Garden flac16; Set 1 SBD: ?? > CD > EAC > .wav > Flac; From Lisa Biasi collection. EAC > flac - Kevin Tobin notes
10256. 09/18/87 Flac Dts - 0, 134456 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD1 (shnid=134393) Set 1 SBD: ?? > CD > EAC > .wav > Flac; From Lisa Biasi collection. EAC > flac - Kevin Tobin + SBD2 (shnid=76470) Set 2 Most likely lineage: SBD>PCM>DAT>CD; Original SHN files provided by dfinney & Joe Internet; Patch material (D2T01 & D2T05) provided by Kiss The Stone + AUD (shnid=90241) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - dts mixing by Kevin Tobin notes
10257. 09/18/87 Flac Mtx - 0, 134455 New York Madison Square Garden flac16; Matrix 3 Source Mix - SBD1 (shnid=134393) Set 1 SBD: ?? > CD > EAC > .wav > Flac; From Lisa Biasi collection. EAC > flac - Kevin Tobin + SBD2 (shnid=76470) Set 2 Most likely lineage: SBD>PCM>DAT>CD; Original SHN files provided by dfinney & Joe Internet; Patch material (D2T01 & D2T05) provided by Kiss The Stone + AUD (shnid=90241) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes
10258. 09/18/87 Flac - 0, 134825 New York Madison Square Garden flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD1 (shnid=134393) Set 1 SBD: ?? > CD > EAC > .wav > Flac; From Lisa Biasi collection. EAC > flac - Kevin Tobin + SBD2 (shnid=76470) Set 2 Most likely lineage: SBD>PCM>DAT>CD; Original SHN files provided by dfinney & Joe Internet; Patch material (D2T01 & D2T05) provided by Kiss The Stone + AUD (shnid=90241) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - mixing by Kevin Tobin notes
10259. 09/18/87 Flac - 0, 34707 New York Madison Square Garden flac16/48; Master Soundboard PCM->Cassette->DAT @ 48kHz x 4. Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC. Conversion by Mark Lynn notes
10260. 09/18/87 Flac - 0, 137535 New York Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 24bit > 16bit with r8brain notes
10261. 09/18/87 Flac 24 - 0, 137533 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10262. 09/18/87 Flac 16 - 0, 125735 New York Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: Section H, Row 30, Seat 13; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes
10263. 09/18/87 Flac 16 - 0, 105497 New York Madison Square Garden flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD taper's section by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
10264. 09/18/87 Flac 16 - 0, 90241 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend notes
10265. 09/18/87 Flac 16 - 0, 82359 New York Madison Square Garden flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci notes
10266. 09/18/87 Shn - 0, 10536 New York Madison Square Garden sbd PCM > Dat x3 > wav > shn; With alternate SBD patches; See info file for details; Seeded to etree by drgseeds via Bob H notes
10267. 09/18/87 Flac 16/48 - , 154309 New York Madison Square Garden flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10268. 09/18/87 Flac 24/96 - , 154310 New York Madison Square Garden flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10269. 09/19/87 Flac 16 - 0, 76469 New York Madison Square Garden flac16; Most likely SBD>PCM>DAT>CD>EAC>FLAC; Original CDs provided by Jay Serafin in 2000 notes
10270. 09/19/87 Flac 16 Mtx - 0, 126294 New York Madison Square Garden flac16; Matrix from Source 1: SBD (shnid=76469) SBD>CD>EAC>FLAC; Source 2 (Set 1): AUD (shnid=91977) Taper(s): David Barfield and/or David Lane Source: (OTS) Nakamichi cm 300/cp4->Sony D-5M(Dolby B)->Maxell mx90 x 2; Transfer: MAC->Nakamichi MR-1->Korg MR-1000 (1 bit/ 5.6 Mhz)->Audio Gate->16/44 wav->flac; and Source 2 (Set 2): AUD (shnid=116065) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged; Transfer by Andrew F.; Upgrade in circulation; the seeder has requested that this version be removed from circulation notes
10271. 09/19/87 Flac 16 Mtx - 0, 126346 New York Madison Square Garden flac16; Another Matrix from Source 1: SBD (shnid=76469) SBD>CD>EAC>FLAC; Source 2 (Set 1): AUD (shnid=91977) Taper(s): David Barfield and or David Lane; Source: (OTS) Nakamichi cm 300/cp4->Sony D-5M(Dolby B)->Maxell mx90 x 2; ransfer: MAC->Nakamichi MR-1->Korg MR-1000 (1 bit/ 5.6 Mhz)->Audio Gate->16/44 wav->flac; and Source 2 (Set 2): AUD (shnid=116065) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged notes
10272. 09/19/87 Flac 24/96 - 0, 131809 New York Madison Square Garden flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Beyer's Unknown Make > Sony TC-D5M; Tapes: Set 1 Maxell XLII 90, Set 2 Maxell XLII-S 90; Tapes Labelled:Master - 2 Beyer, T.D.; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
10273. 09/19/87 Shn - 0, 396 New York Madison Square Garden SBD; via Bill Frank, Alan McCarthy notes
10274. 09/19/87 Flac Dts 5.1 - 0, 134126 New York Madison Square Garden DTS-Audio-CD 5.1; MixSBD (shnid=76469) Most likely SBD>PCM>DAT>CD>EAC>FLAC; Original CDs provided by Jay Serafin in 2000 + AUD (shn id 90485) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin notes
10275. 09/19/87 Flac 16 Mtx - 0, 134125 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=76469) Most likely SBD>PCM>DAT>CD>EAC>FLAC; Original CDs provided by Jay Serafin in 2000 + AUD (shn id 90485) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes
10276. 09/19/87 Flac 16 - 0, 134124 New York Madison Square Garden flac16; (original shnid = 90485) Master Audience taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin notes
10277. 09/19/87 Flac 2448 - 0, 116065 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011 notes
10278. 09/19/87 Flac 24 - 0, 137405 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10279. 09/19/87 Flac 16 - 0, 137413 New York Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 137405 24bit > 16bit with r8brain notes
10280. 09/19/87 Flac 16 - 0, 142211 New York Madison Square Garden flac16; Set 2 Source Info: Oade's Master Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes
10281. 09/19/87 Flac 24/96 - 0, 134925 New York Madison Square Garden flac24; Source: Nakamichi CM-300s/2-Mic CP-4 super-directional shotgun capsule -> Sony Walkman Pro/TDK MA-90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes
10282. 09/19/87 Flac 16 - 0, 82419 New York Madison Square Garden flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci notes
10283. 09/19/87 Flac 16 - 0, 105569 New York Madison Square Garden flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD taper's section by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
10284. 09/19/87 Flac 16 - 0, 90485 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
10285. 09/19/87 Flac 16 - 0, 125736 New York Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: Section H, Row 30, Seat 1; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes
10286. 09/19/87 Flac 16 - 0, 91977 New York Madison Square Garden flac16; Taper(s): David Barfield and or David Lane Source: (OTS) Nakamichi cm 300/cp4->Sony D-5M(Dolby B)->Maxell mx90 x 2 Transfer: MAC->Nakamichi MR-1->Korg MR-1000 (1 bit/ 5.6 Mhz)->Audio Gate->16/44 wav->flac Transferred and seeded on 5/23/2008 by: M. Watson notes
10287. 09/19/87 Flac 16/48 - , 154311 New York Madison Square Garden flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10288. 09/19/87 Flac 24/96 - , 154312 New York Madison Square Garden flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10289. 09/20/87 Shn - 0, 33820 New York Madison Square Garden Seamless fix of shn id 16128 - Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN notes
10290. 09/20/87 Shn - 0, 16128 New York Madison Square Garden Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN; resliceD notes
10291. 09/20/87 Flac 24/96 - 0, 121638 New York Madison Square Garden flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP1's Or CP4's ? > Sony TC-D5M; Tapes:Set 1 Maxell XLII 90, Set 2 Maxell XLII-S 90; Tapes Labelled:Master - 2 Nak 300, Alex; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
10292. 09/20/87 Flac 16 - 0, 131627 New York Madison Square Garden flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP1's Or CP4's ? > Sony TC-D5M; Tapes:Set 1 Maxell XLII 90, Set 2 Maxell XLII-S 90; Tapes Labelled:Master - 2 Nak 300, Alex; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
10293. 09/20/87 Flac 16 - 0, 134352 New York Madison Square Garden flac16; (original shnid = 16128) Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN; resliceD - pitch correction and patches by Kevin Tobin notes
10294. 09/20/87 Flac 16 Mtx - 0, 134350 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=16128) Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN; resliceD + AUD (shn id 90492) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro> flac frontend - matrix mixing by Kevin Tobin notes
10295. 09/20/87 Flac Dts 5.1 - 0, 134351 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=16128) Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN; resliceD + AUD (shn id 90492) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro> flac frontend - DTS mixing by Kevin Tobin notes
10296. 09/20/87 Shn - 0, 16091 New York Madison Square Garden Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN; Note 'actual' tracking in info file notes
10297. 09/20/87 Flac 2448 - 0, 116089 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011 notes
10298. 09/20/87 Flac 16 - 0, 136704 New York Madison Square Garden flac16; Master Audience Recorded By Seremetcc And Bean, Transfer By Keo; Unknown Mics And Lead Deck > Marantz PMD-430, Tapes:Maxell XLII-S 90's; Recorded From The OTS; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
10299. 09/20/87 Flac 24/96 - 0, 136703 New York Madison Square Garden flac24; Master Audience Recorded By Seremetcc And Bean, Transfer By Keo; Unknown Mics And Lead Deck > Marantz PMD-430, Tapes:Maxell XLII-S 90's; Recorded From The OTS; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
10300. 09/20/87 Flac 24 - 0, 137407 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10301. 09/20/87 Flac 16 - 0, 137419 New York Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 137407 > 24bits > 16bits with r8brain notes
10302. 09/20/87 Flac 16 - 0, 142212 New York Madison Square Garden flac16; Source Info: Oade's Master Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes
10303. 09/20/87 Flac 16 - 0, 90492 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro> flac frontend notes
10304. 09/20/87 Flac 16 - 0, 104491 New York Madison Square Garden flac16; Source: Nakamichi cm300/cp4->Sony D-5M(Dolby B Encoded)->TDK MA-X90; Lineage: MAC->Sony D-5M(Dolby B decoded)->Korg MR-1000 (1 Bit/5.6MHz)->Korg AudioGate->Wav. (16/44.1)->SF8->FLAC; Taper: Dave Barfield and/or David Lane; Transferred and Seeded by M. Watson on 12/17/2009 notes
10305. 09/20/87 Flac 16 - 0, 82460 New York Madison Square Garden flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci notes
10306. 09/20/87 Shn - 0, 15410 New York Madison Square Garden AUD (Schoeps CMC 34's)>MC*>DAT>CD; via Paul B; Seeded to etree by Willy notes
10307. 09/20/87 Flac 16 - 0, 125746 New York Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: Section 57A, Row E, Seat 7; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes
10308. 09/20/87 Flac 16/48 - , 154315 New York Madison Square Garden flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10309. 09/20/87 Flac 24/96 - , 154316 New York Madison Square Garden flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10310. 09/22/87 Shn - 0, 8218 Philadelphia The Spectrum SBD>C>DAT>CDR>EAC>MKW>SHN (1)- w/ Spencer Davis known flaws: d1t01 - digi noise at 1:48 uploaded 3/09/02 by spoogles notes
10311. 09/22/87 Shn - 0, 16139 Philadelphia The Spectrum Cleanup by Chris Frisco of previous seed; SBD>C>DAT>CDR; See info file for details notes
10312. 09/22/87 Flac 16 - 0, 134676 Philadelphia The Spectrum flac16; Recording Info: SBD -> Cassette Master -> Cassette (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
10313. 09/22/87 Flac 16 - 0, 136999 Philadelphia The Spectrum flac16; (original shnid = 90540) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend - pitch correction and patches by Kevin Tobin notes
10314. 09/22/87 Flac Dts 5.1 - 0, 137001 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; SBD (shnid=134676) Recording Info: SBD -> Cassette Master -> Cassette (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; + AUD (shn id 90540) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend - dts mixing by Kevin Tobin notes
10315. 09/22/87 Flac 16 Mtx - 0, 137000 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid=134676) Recording Info: SBD -> Cassette Master -> Cassette (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; + AUD (shn id 90540) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend - matrix mixing by Kevin Tobin notes
10316. 09/22/87 Flac LPCM 5.1 - 0, 137002 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=134676) Recording Info: SBD -> Cassette Master -> Cassette (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; + AUD (shn id 90540) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend - mixing by Kevin Tobin notes
10317. 09/22/87 Flac 16 - 0, 140363 Philadelphia The Spectrum flac16; Recording info: SBD > MC > PCM > DAT; Transfer info: DAT > Sony PCM-R500 > TASCAM DA-3000 > wav 16/44; Transfer by Charlie Miller. Edited & Mastered in Audacity wav 16/44 > flac 16/44 by Joe Noel; Checksum & tags created in xACT; this is a fixed version of Source ID 140349 notes
10318. 09/22/87 Flac 24/44,1 - 0, 140349 Philadelphia The Spectrum flac24/44.1kHz; Recording info: SBD > MAC > PCM > DAT; Transfer info: DAT > Sony PCM-R500 > TASCAM DA-3000 > wav 16/44; Transfer by Charlie Miller. Edited & Mastered in Audacity wav 16/44 > flac 16/44 by Joe Noel; Checksum & tags created in xACT; fixed version in circulation notes
10319. 09/22/87 Flac 24/96 - 0, 134854 Philadelphia The Spectrum flac24; Source: Nakamichi CM-300s/Shotguns -> Sony Walkman Pro/Maxell MX 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes
10320. 09/22/87 Flac 16 - 0, 90540 Philadelphia The Spectrum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend notes
10321. 09/22/87 Flac 16 - 0, 116949 Philadelphia The Spectrum flac16; Set 2 Only source: 2 Beyer M160 microphones-11th row/center> Sony TC-D5M - analog master cassette; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
10322. 09/22/87 Flac 16/48 - , 154369 Philadelphia The Spectrum flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10323. 09/22/87 Flac 24/96 - , 154370 Philadelphia The Spectrum flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10324. 09/23/87 Flac 16 - 0, 30887 Philadelphia The Spectrum flac16; Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. notes
10325. 09/23/87 Flac 16 - 0, 30887 Philadelphia The Spectrum flac16; Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. notes
10326. 09/23/87 Shn - 0, 15207 Philadelphia The Spectrum SBD>MC>DAT>CD; Terrible static first 1:12 Stranger; See info file for details; EAC/SHN by Willy notes
10327. 09/23/87 Flac 16 - 0, 137225 Philadelphia The Spectrum flac16; (original shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin notes
10328. 09/23/87 Flac 16 - 0, 137226 Philadelphia The Spectrum flac16; (original shnid = 30887) Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. - pitch correction and patches by Kevin Tobin notes
10329. 09/23/87 Flac 16/48 - 0, 137231 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 30887) Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. + AUD (shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - mixing by Kevin Tobin notes
10330. 09/23/87 Flac Dts 5.1 - 0, 137230 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; SBD (shnid = 30887) Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. + AUD (shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin notes
10331. 09/23/87 Flac 16 Mtx - 0, 137228 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 30887)Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. + AUD (shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes
10332. 09/23/87 Flac 24 - 0, 137412 Philadelphia The Spectrum flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10333. 09/23/87 Flac 16 - 0, 137420 Philadelphia The Spectrum flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 137412 fixed 24bit > 16bit with r8brain notes
10334. 09/23/87 Flac 16 - 0, 133606 Philadelphia The Spectrum Source / Lineage : Taper section nakamichi CM 100 / CP-4s > Marantz PMD 420, Master Cassette > CD, Transfered on a Nakamichi DR-2 > Tascom CDRW 2000 > me >EAC > TLH level 8 > flac 16 > you > enjoy Tape and Transfer By Jon Pasternak notes
10335. 09/23/87 Flac 16 - 0, 90559 Philadelphia The Spectrum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
10336. 09/23/87 Flac 16/48 - , 154371 Philadelphia The Spectrum flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10337. 09/23/87 Flac 24/96 - , 154372 Philadelphia The Spectrum flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496 notes
10338. 09/24/87 Flac 16 - 0, 92282 Philadelphia The Spectrum flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> CD Set 2: SBD -> PCM -> Dat (44.1k) Transfer Info: Set 1: CD -> Samplitude Professional v10.02 -> FLAC Set 2: Dat -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d1t03 of shn id 92282) notes
10339. 09/24/87 Shn - 0, 21782 Philadelphia The Spectrum SBD>DAT>Standalone CD Burner (hhB800)> EAC>WAV>ADDAWAV>CDWAV(retracking)>MKWACT>SHN Transcribed on 12/25/03 by JR Fishman fishmanj_98ATyahooDOTcom notes
10340. 09/24/87 Shn - 0, 398 Philadelphia The Spectrum Pre FM> HiFi VHS> CDr; via Mike Lai notes
10341. 09/24/87 Flac 24/44,1 - 0, 140350 Philadelphia The Spectrum flac24/44.1kHz; Set 2 Robert Bryant (patched out of Oade Bros.) Recording: Schoeps > CMC4 > MK41 > PCM > DAT (FOB); Charlie Miller Transfer: DAT > Sony PCM-R500 > TASCAM DA-3000 > wav 16/44; Edited & Mastered by Joe Noel in Audacity > flac 16/44; Checksum & tags created in xACT; fixed version in circulation notes
10342. 09/24/87 Flac 16 - 0, 140364 Philadelphia The Spectrum flac16; Set 2 Robert Bryant (patched out of Oade Bros.) Recording: Schoeps > CMC4 > MK41 > PCM > DAT (FOB); Charlie Miller Transfer: DAT > Sony PCM-R500 > TASCAM DA-3000 > wav 16/44; Edited & Mastered by Joe Noel in Audacity > flac 16/44; Checksum & tags created in xACT; this is a fixed version of Source ID 140350 notes
10343. 09/24/87 Flac 16 - 0, 81857 Philadelphia The Spectrum flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in the taper's section. Taped and transferred thru CDR by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and FLAC compression) > FLAC notes
10344. 09/24/87 Flac 16 - 0, 90683 Philadelphia The Spectrum flac16; taper ; Joe D'Amico nak 300 mics > sony d-5 infront of the soundboard notes
10345. 09/24/87 Flac 16 - 0, 107876 Philadelphia The Spectrum flac16; source: 2 Beyer M160 Microphones > Sony TC-D5M - 16th row-center > analog cassette masters - Maxell MX90's. transfer: Sony TC-D5M (original record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files notes
10346. 09/24/87 Flac 16 - 0, 92282 Philadelphia The Spectrum flac16; Recording Info:Set 1: SBD -> PCM -> Dat -> CD; Set 2: SBD -> PCM -> Dat (44.1k); Transfer Info:Set 1: CD -> Samplitude Professional v10.02 -> FLAC; Set 2: Dat -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller. (Fixed version now in circulation.) notes
10347. 10/02/87 Flac 16 - 0, 83905 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
10348. 10/02/87 Flac 16 - 0, 121960 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
10349. 10/02/87 Shn - 0, 7367 Mountain View Shoreline Amphitheatre Jay Ashley (Bertha) remaster of master cassette source (that had been transferred by Keith Bode); SBD> MC> DAT> WAV> CDR> SHN> DAW(Bertha)> CDA/SHN notes
10350. 10/02/87 Shn - 0, 8827 Mountain View Shoreline Amphitheatre SBD> CM> DAT> WAV> CD> EAC> SHN (mkwACT); DAT>CD Transfer By David Hollister; see notes in info file; this version circulated by Keith Bode, but is distinct from previous Hollister/Bode seeds of this date notes
10351. 10/02/87 Flac 16 - 0, 94115 Mountain View Shoreline Amphitheatre flac16; Hat Mounted realistic pzm's w/D6,100 feet away ,Right of center MAC>D6>HD>Audacity>CDWave>TLH Recorded and transfered by Russ Cansler notes
10352. 10/02/87 Shn - 0, 6938 Mountain View Shoreline Amphitheatre SBD> CM> DAT> WAV (Ego Sys U2A, Cool Edit Pro)> SHN (mkwACT), via Keith Bode notes
10353. 10/02/87 Flac 16 - 0, 142333 Mountain View Shoreline Amphitheatre flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes
10354. 10/02/87 Flac 24 - 0, 142470 Mountain View Shoreline Amphitheatre flac24; Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10355. 10/02/87 Flac 16 - 0, 142580 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10356. 10/02/87 Flac 16/48 - 0, 143555 Mountain View Shoreline Amphitheatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 121960) Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142333) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - surround mixing by Kevin Tobin notes
10357. 10/02/87 Flac Dts 5.1 - 0, 143554 Mountain View Shoreline Amphitheatre DTS-Audio-CD 5.1 Mix; - SBD (shnid = 121960) Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142333) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - dts mixing by Kevin Tobin notes
10358. 10/02/87 Flac 16 Mtx - 0, 143553 Mountain View Shoreline Amphitheatre flac16; Matrix 2 Source Mix - SBD (shnid = 121960) Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142333) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - matrix mixing by Kevin Tobin notes
10359. 10/03/87 Flac 16 - 0, 83906 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
10360. 10/03/87 Flac 16 - 0, 121961 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; the original seed for this source had a flaw in d1t08 which has been fixed notes
10361. 10/03/87 Shn - 0, 8829 Mountain View Shoreline Amphitheatre SBD> CM> DAT> CD> EAC> SHN (mkwACT); DAT>CD Transfer By David Hollister; see notes in info file; this version circulated by Keith Bode, but is distinct from previous Hollister/Bode seeds of this date; d2 tracked for 80 min notes
10362. 10/03/87 Flac 16 Mtx - 0, 79380 Mountain View Shoreline Amphitheatre flac16; Source: Healy Matrix SBD > PCM > DAT (48KHz)> DAT. Transfer: DAT playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracking (CDWAV 1.9) > FLAC (level 8) notes
10363. 10/03/87 Shn - 0, 399 Mountain View Shoreline Amphitheatre SBD> MCass> DAT> DAL CardDeluxe> WAV> shn;? transfer by Michael Owen; stemming from Pavman tree; some between-song tunings cut (cass flips?); via Steve B. to etree offer notes
10364. 10/03/87 Shn - 0, 7368 Mountain View Shoreline Amphitheatre Jay Ashley remaster of master cassette source; SBD> MC> DAT> WAV> CDR> SHN> DAW(Bertha)> CDA/SHN notes
10365. 10/03/87 Flac 16 U Mtx - 0, 139804 Mountain View Shoreline Amphitheatre flac16; Recording Info: UltraMatrix SBD -> PCM; Transfer: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes
10366. 10/03/87 Flac 16 - 0, 142709 Mountain View Shoreline Amphitheatre flac16; Recording Info: UltraMatrix SBD -> Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
10367. 10/03/87 Flac 24 UMtx - 0, 142689 Mountain View Shoreline Amphitheatre flac24; Recording Info: UltraMatrix SBD -> Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
10368. 10/03/87 Flac 16/48 - 0, 143836 Mountain View Shoreline Amphitheatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 121961) Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 116344) Source: (OTS/Lawn/Center) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster - surround mixing by Kevin Tobin notes
10369. 10/03/87 Flac Dts 5.1 - 0, 143835 Mountain View Shoreline Amphitheatre DTS-Audio-CD 5.1 Mix; SBD (shnid = 121961) Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 116344) Source: (OTS/Lawn/Center) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster - dts mixing by Kevin Tobin notes
10370. 10/03/87 Flac 16 Mtx - 0, 143833 Mountain View Shoreline Amphitheatre flac16; Matrix 2 Source Mix - SBD (shnid = 121961) Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 116344) Source: (OTS/Lawn/Center) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster - matrix mixing by Kevin Tobin notes
10371. 10/03/87 Flac 16 - 0, 116344 Mountain View Shoreline Amphitheatre flac16; Source: (OTS/Lawn/Center) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster notes
10372. 10/04/87 Flac 16 - 0, 83907 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
10373. 10/04/87 Flac 16 - 0, 121962 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
10374. 10/04/87 Flac 16 Mtx - 0, 79381 Mountain View Shoreline Amphitheatre flac16; Source: Healy Matrix SBD > PCM > DAT (48KHz)> DAT. Transfer: DAT playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracking (CDWAV 1.9) > FLAC (level 8 notes
10375. 10/04/87 Shn - 0, 7996 Mountain View Shoreline Amphitheatre Jay Ashley (Bertha) Remaster of Master Cassette Source; SBD> MC> DAT> CDA> WAV> SHN> DAW (Bertha)> CDA notes
10376. 10/04/87 Shn - 0, 401 Mountain View Shoreline Amphitheatre Master> DAT> CDr; via Mike Lai notes
10377. 10/04/87 Flac 16 - 0, 94185 Mountain View Shoreline Amphitheatre flac16; 1st gen Sennheiser 441's w/D5 OTS MAC>1st gen>D6>HD>Audacity>CDWave>TLH notes
10378. 10/04/87 Flac 16 - 0, 142334 Mountain View Shoreline Amphitheatre flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 notes
10379. 10/04/87 Flac 16 - 0, 116359 Mountain View Shoreline Amphitheatre flac16; Source: (OTS/Lawn/Center) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster notes
10380. 10/04/87 Shn - 0, 8830 Mountain View Shoreline Amphitheatre SBD> CM> DAT> CD> EAC> SHN (mkwACT); DAT>CD Transfer By David Hollister; see notes in info file; this version circulated by Keith Bode, but is distinct from previous Hollister/Bode seeds of this date notes
10381. 11/06/87 Flac 16 - 0, 83941 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
10382. 11/06/87 Flac 16 - 0, 122166 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
10383. 11/06/87 Shn - 0, 11656 Oakland Henry J Kaiser Convention Center SBD>Cm>Dat>Samplitude>Cool Edit Pro>CD; Seeded to etree by Charlie Miller notes
10384. 11/06/87 Flac 16 - 0, 116460 Oakland Henry J Kaiser Convention Center flac16; First Generation Cassettes From Unknown Mics/Deck>Unknown Original Copy Decks/Info; Tapes From White,Transfer By Keo; Tapes Maxell XLII Gold 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With AudioGate Software To 16/44; SBE's Checked/Fixed With Trader's Little helper notes
10385. 11/06/87 Flac 24/96 - 0, 116459 Oakland Henry J Kaiser Convention Center flac24; First Generation Cassettes From Unknown Mics/Deck>Unknown Original Copy Decks/Info; Tapes From White,Transfer By Keo; Tapes Maxell XLII Gold 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
10386. 11/07/87 Flac 16 - 0, 83998 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
10387. 11/07/87 Flac 16 - 0, 122203 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
10388. 11/07/87 Shn - 0, 9242 Oakland Henry J Kaiser Convention Center SBD > PCM > CDR; Transfer: PCM SBD -> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5 (editing- see notes)/CD Architect > CDR by Sean Weber-small; CDR > EAC > SHN by Bill Gardner notes
10389. 11/07/87 Flac 16 - 0, 27581 Oakland Henry J Kaiser Convention Center flac16 Remaster of shn id 9242 by uh_clem. See info file for details notes
10390. 11/07/87 Flac 16 - 0, 116669 Oakland Henry J Kaiser Convention Center flac16; First Generation Cassettes From Unknown Mics/Deck>Unknown Original Copy Decks/Info; Tapes From White,Transfer By Keo Tapes Maxell XLII Gold 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes
10391. 11/07/87 Flac 16 - 0, 138156 Oakland Henry J Kaiser Convention Center flac16; Sbd > ? > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering by Jamie Waddell in Wavelab 7.2.1; Track, FLAC and Pack by Chris James notes
10392. 11/07/87 Flac 24/96 - 0, 116665 Oakland Henry J Kaiser Convention Center flac24; First Generation Cassettes From Unknown Mics/Deck>Unknown Original Copy Decks/Info; Tapes From White,Transfer By Keo; Tapes Maxell XLII Gold 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
10393. 11/08/87 Flac 16 - 0, 85587 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
10394. 11/08/87 Flac 16 - 0, 122167 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info:FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
10395. 11/08/87 Shn - 0, 12039 Oakland Henry J. Kaiser Convention Center FOB, Schoeps CMC44 (110' ORTF) on stand --> Oade Power Supply --> Sony PCM-F1; Transfer: PCM Master, Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC and minor edits by Bill Gardner; ; QC by dankseeds notes
10396. 11/13/87 Flac 16 - 0, 95410 Long Beach Long Beach Arena flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Maxell XLIIS) Set 2: SBD -> Cassette Master (TDK MA-R90) Transfer Info: Set 1: Cassette -> Samplitude Professional v10.1 -> FLAC Set 2: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
10397. 11/13/87 Flac 16 - 0, 122189 Long Beach Long Beach Arena flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Maxell XLIIS); Set 2: SBD -> Cassette Master (TDK MA-R90); Transfer Info: Set 1: Cassette -> Samplitude Professional v10.1 -> FLAC; Set 2: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
10398. 11/13/87 Shn - 0, 13568 Long Beach Long Beach Arena SBD -> Cm -> Cass -> Sony SBM1(Modified) -> VX Pocket -> Samplitude -> Cool Edit Pro -> SHN; Upgrade in circulation notes
10399. 11/13/87 Flac 24/96 - , 151112 Long Beach Long Beach Arena flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
10400. 11/13/87 Flac 16/48 - , 151111 Long Beach Long Beach Arena flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
10401. 11/14/87 Flac 16 - 0, 85588 Long Beach Long Beach Arena flac16; Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
10402. 11/14/87 Flac 16 - 0, 122199 Long Beach Long Beach Arena flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
10403. 11/14/87 Shn - 0, 14675 Long Beach Long Beach Arena Source 1 = SBD -> Cm -> Cass -> Sony SBM1(Modified) -> VX Pocket -> Samplitude -> Cool Edit Pro -> SHN Charlie Miller Seed. Source 2 = FOB Nak?s>cassette master > DAT > CDR > EAC > SHN via Todd Norman Source 3 = SBD>Cm>?>SHN via Todd Norman notes
10404. 11/14/87 Shn - 0, 15823 Long Beach Long Beach Arena AUD>MC>DAT>CD; via Paul B; Seeded to etree by Willy notes
10405. 11/14/87 Flac 16 - 0, 143686 Long Beach Long Beach Arena flac16; Sennheiser 441>tcd5m>cas (1st Gen Copy Made On Matching Calibrated Dragons mx-90 master,mx-90 copy); Transfer: Transfer: Mx-90 > Nakamichi Dragon > Olympus LS-10 > SoundForge9 > 16bit/44100hz > Goldwave > Cdwav > Flac; Recorded And Edited By Jason Flair notes
10406. 11/14/87 Shn - 0, 14068 Long Beach Long Beach Arena Partial, 4 songs; SBD -> Cm -> Cass -> Sony SBM1(Modified) -> VX Pocket -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller (this may circulate as filler on 11/13/87) notes
10407. 11/14/87 Flac 24/96 - , 151114 Long Beach Long Beach Arena flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
10408. 11/14/87 Flac 16/48 - , 151113 Long Beach Long Beach Arena flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
10409. 11/15/87 Flac 16 - 0, 95402 Long Beach Long Beach Arena flac16; Recording Info: SBD -> Sony D6 Cassette Master (TDK MA-R90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
10410. 11/15/87 Flac 16 - 0, 27307 Long Beach Long Beach Arena flac16; edited version of previous fileset, to remove fade in and fade out between Drumz & Space, correct SBEs and DC Offset; fixup by uh_clem notes
10411. 11/15/87 Shn - 0, 4750 Long Beach Long Beach Arena SBD > MC > Sonic Solutions > Pre-FM Dat @44.1; Transfer: DA-P1 > Delta Audiophile 2496 > Sound Forge 5 > CDWave > mkwACT, by Doug Nawrocki notes
10412. 11/15/87 Shn - 0, 17185 Long Beach Long Beach Arena Digital Ambient recording by M. French 20th row near center (Phil's side) Sennheiser MKE 2002 (HRTF, worn in/on hat) > WM-D6C (dolby C)analog>CD via hardware transfer, CD master (EAC) notes
10413. 11/15/87 Flac 16 - 0, 24535 Long Beach Long Beach Arena Sennheiser441>tcd5m>cas(1st Gen Copy Made On Matching Calibrated Dragons metal master,metal copy Transfer: JVC tdw-154>Nomad Creative Jukebox 3@44.1>goldwave>cdwav>flac notes
10414. 11/15/87 Flac 24/96 - , 151116 Long Beach Long Beach Arena flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
10415. 11/15/87 Flac 16/48 - , 151115 Long Beach Long Beach Arena flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) This is your collection notes
10416. 12/27/87 Flac 16 - 0, 85592 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10417. 12/27/87 Shn - 0, 17420 Oakland Oakland-Alameda County Coliseum Soundboard-> Cassette Master (Gans) played back on NAK CR-7A->Panasonic 3700 DAT. Fostex D5 DAT->ZA2->Soundforge->.wav->mKw->SHN (Joe Samaritano). notes
10418. 12/27/87 Flac 16 - 0, 97960 Oakland Oakland-Alameda County Coliseum flac16; Source: Audience Recording Lineage: Nakamichi CM-300's with CP-4 shotgun capsules > Sony D-5 cassette recorder > MAC > nakamichi DR-1 > 24/96 Wave > wavelab 5 > uad plugs > r8brain Pro > ozone mbit + > 16/44.1 wave > cd wave > TLH ( lvl 8 ) > Tag And Rename notes
10419. 12/27/87 Shn - 0, 15082 Oakland Oakland-Alameda County Coliseum SBD -> Cm -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN via Charlie Miller notes
10420. 12/27/87 Flac 24/48 - 0, 120466 Oakland Oakland-Alameda County Coliseum flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 06/2012 notes
10421. 12/27/87 Flac 16 - 0, 141883 Oakland Oakland-Alameda County Coliseum flac16; Source Info: (FOB) Audience > unknown Schoeps mics > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
10422. 12/27/87 Flac 24/96 - 0, 135198 Oakland Oakland-Alameda County Coliseum b>flac24; Source: Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MA 90 -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24 notes
10423. 12/28/87 Flac 16 - 0, 85593 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10424. 12/28/87 Shn - 0, 16910 Oakland Oakland-Alameda County Coliseum Ultramatrix (soundboard/audience mix) Master Cassette> DAT> CD> SHN patched with FOB Schoeps; via Raoul Duke, encoded & patched by Peter Braverman notes
10425. 12/28/87 Shn - 0, 17280 Oakland Oakland-Alameda County Coliseum Master Cassette Soundboard (Gans)->DAT->ZA2->SoundForge->SHN. *No* audience patch. Low generation lineage guaranteed. See info file for details. SHN'd and seeded to etree by Joe Samaritano notes
10426. 12/28/87 Flac 24/48 - 0, 120467 Oakland Oakland-Alameda County Coliseum flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 06/2012 notes
10427. 12/28/87 Flac 24/96 - 0, 135155 Oakland Oakland-Alameda County Coliseum flac24; Source: Nakamichi CM-300s/Shotguns -> Sony Walkman Pro/TDK MA90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Recorded, tracked and seeded by bltz notes
10428. 12/28/87 Shn - 0, 16585 Oakland Oakland-Alameda County Coliseum Schoeps FOB->PCM->DAT->CD->CD->WAV->SHN via "M.D." encoded by Curtis Ewing notes
10429. 12/30/87 Flac 16 - 0, 85682 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10430. 12/30/87 Shn - 0, 9363 Oakland Oakland-Alameda County Coliseum SBD>MC>DAT>CDR; via PB; neo_levo/candyman FTP 4/2002 notes
10431. 12/30/87 Shn - 0, 17422 Oakland Oakland-Alameda County Coliseum Soundboard->Cassette Master (Gans) played back on NAK CR-7A->Panasonic 3700 DAT (sgrmag). Fostex D5 DAT->ZA2->Soundforge->.wav->mKw->SHN (Joe Samaritano). notes
10432. 12/30/87 Flac 24/48 - 0, 120547 Oakland Oakland-Alameda County Coliseum flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 06/2012 notes
10433. 12/30/87 Flac 24/96 - 0, 135192 Oakland Oakland-Alameda County Coliseum flac24; Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MA 90 -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24 notes
10434. 12/30/87 Flac 16 - 0, 84986 Oakland Oakland-Alameda County Coliseum flac16; Schoeps FOB > PCM > DAT > CD > CD> EAC > WAV > FLAC notes
10435. 12/31/87 Flac 16 - 0, 85684 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10436. 12/31/87 Shn - 0, 402 Oakland Oakland-Alameda County Coliseum SBD> FM> REEL (TandbergTD20ASE)> WAV> SHN; recording: MacIntosh 2500 System (JBL 18" Sub-Woffers) with a Yamaha Reference Analog Tuner; Digitized to WAV with modified SBLive; recodring and seed by J. Ashley; No NR or digital alteration;? Mix was heavy on Bass notes
10437. 12/31/87 Shn - 0, 23040 Oakland Oakland-Alameda County Coliseum Primary source: bootleg disc of unknown source (pre-FM?) -- Sound: A+ Secondary source: Jay Ashley's FM reel -- SBD>>FM>>REEL(TandbergTD20ASE)>>WAV>>SHN -- Sound A- see http://db.etree.org/shninfo_detail.php?shnid=402 (see txt file for details)Compiled and edited by peet, 1/2004. notes
10438. 12/31/87 Flac16 Pcm - 0, 140070 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Broadcast Mix > PCM (clone off Sony F1 Master); Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer UltraMatch Pro > Tascam SS-CDR200 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes
10439. 12/31/87 Shn - 0, 16436 Oakland Oakland-Alameda County Coliseum Schoeps FOB> PCM> DAT> CD> CD> WAV> SHN; via Curtis Ewing, with thanks to Michelle Duffy notes
10440. 12/31/87 Flac 24/48 - 0, 120782 Oakland Oakland-Alameda County Coliseum flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 06/2012 notes
10441. 02/13/88 Flac 16 - 0, 85908 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
10442. 02/13/88 Flac 16 - 0, 102929 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -> FLAC/16; This is a re-master of shnid=85908; All Transfers and Mastering By Charlie Miller notes
10443. 02/13/88 Shn - 0, 24292 Oakland Henry J. Kaiser Convention Center SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes
10444. 02/13/88 Shn - 0, 14952 Oakland Henry J. Kaiser Convention Center Schoeps CMC3/MK41>Dat>CD; Seeded to etree by Charlie Miller notes
10445. 02/13/88 Flac 16 - 0, 96634 Oakland Henry J. Kaiser Convention Center flac16; OTS AUD: Sennheiser MD-441's > patched thru one Sony D5 > Sony WM-D6C > Maxell MX-90's with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Taped and transferred by Andrew F. notes
10446. 02/13/88 Shn - 0, 15126 Oakland Henry J. Kaiser Convention Center Schoeps CMC3/MK41>Dat>CDR ; Via Charlie Miller, Re Seeded by T. Wiley ; NOTE: This is a fix copy of Charlie Miller's seed. notes
10447. 02/14/88 Flac 16 - 0, 103110 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -> FLAC/16; This is a re-master of shnid=85909; All Transfers and Mastering By Charlie Miller notes
10448. 02/14/88 Shn - 0, 23533 Oakland Henry J. Kaiser Convention Center Source 1: SBD>Master Cassette>CD>EAC>Samplitude>SHN Source 2: SBD>Dat>ZA2>Sound Forge>SHN (Terrapin, Miracle to End Of Show) Patches: Schoeps CMC3/MK41>Dat>Sound Forge>CD>EAC>SHN (Start Of China Cat) notes
10449. 02/14/88 Flac 16 - 0, 85909 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10450. 02/14/88 Shn - 0, 24995 Oakland Henry J. Kaiser Convention Center SBD > MC > DAT > CD > EAC > SHN; except for Mighty Quinn, this is from the DSBD source; No cut at beginning of China Cat; EAC/SHN by Darryl Hinko notes
10451. 02/14/88 Shn - 0, 22312 Oakland Henry J. Kaiser Convention Center Source 1 (Seeded by Charlie Miller): Schoeps CMC3/MK41>Dat>CD>Cool Edit Pro>SHN.
Source 2 (Seeded by Joe Samaritano): Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN.
notes
10452. 02/14/88 Shn - 0, 14953 Oakland Henry J. Kaiser Convention Center Schoeps CMC3/MK41>Dat>CD; Seeded to etree by Charlie Miller notes
10453. 02/14/88 Flac 16 - 0, 96635 Oakland Henry J. Kaiser Convention Center flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony WM-D6C > Maxell MX-90's with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Taped and transferred by Andrew F. notes
10454. 02/14/88 Shn - 0, 15202 Oakland Henry J. Kaiser Convention Center Schoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of Charlie Miller's seed. notes
10455. 02/14/88 Flac 16/44 - , 155850 Oakland Henry J. Kaiser Convention Center flac1644 Source Info: FOB Schoeps CMC 3 MK4-> PCM-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/44.1) notes
10456. 02/14/88 Flac 24/96 - , 156169 Oakland Henry J. Kaiser Convention Center Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK SA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
10457. 02/14/88 - , 156445 Oakland Henry J. Kaiser Convention Center flac1644 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK SA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156169 2496 > 1644.1 notes
10458. 02/16/88 Flac 16 - 0, 103111 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -. FLAC/16; This is a re-master of shnid=88400; All Transfers and Mastering By Charlie Miller notes
10459. 02/16/88 Flac - 0, 88400 Oakland Henry J. Kaiser Convention Center flac16; SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10460. 02/16/88 Flac 16 - 0, 96936 Oakland Henry J. Kaiser Convention Center flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony WM-D6C > Maxell MX-90's with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Taped and transferred by Andrew F. notes
10461. 02/16/88 Shn - 0, 14954 Oakland Henry J. Kaiser Convention Center Schoeps CMC3/MK41>Dat>CD; Seeded to etree by Charlie Miller notes
10462. 02/16/88 Shn - 0, 15477 Oakland Henry J. Kaiser Convention Center Schoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of Charlie Miller's seed. notes
10463. 02/16/88 Shn - 0, Oakland Henry J. Kaiser Convention Center SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes
10464. 02/17/88 Flac 16 - 0, 88399 Oakland Henry J. Kaiser Convention Center flac16; SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10465. 02/17/88 Shn - 0, 18297 Oakland Henry J. Kaiser Convention Center SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko notes
10466. 02/17/88 Shn - 0, 24764 Oakland Henry J. Kaiser Convention Center SBD > MC > DAT > CD >EAC > SHN; EAC/SHN by Darryl Hinko notes
10467. 02/17/88 Shn - 0, 14955 Oakland Henry J. Kaiser Convention Center Schoeps CMC3/MK41>Dat>CD; Seeded to etree by Charlie Miller notes
10468. 02/17/88 Flac 16 - 0, 96637 Oakland Henry J. Kaiser Convention Center flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony WM-D6C > Maxell MX-90's with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. notes
10469. 02/17/88 Shn - 0, 16113 Oakland Henry J. Kaiser Convention Center Schoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of Charlie Miller's seed. notes
10470. 03/12/88 Flac 16 - 0, 138189 San Francisco Civic Auditorium flac16; Source: KFOG-FM > Cassette (compilation tape of GD-related highlights, marked 3rd Gen) kindly provided from the collection of DL; Transfer: TDK SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017 notes
10471. 03/12/88 Flac 16/44 - , 156441 San Francisco Civic Auditorium flac1644 Recording Info: SBD > DAT > PCM Transfer Info: PCM (Sony SL-HF860D) > Sony PCM-601ESD > Behringer Ultramatch Pro (16-bit/44.1k) > Tascam SS-CDR200 > Samplitude Pro X6 Suite > FLAC/16 notes
10472. 03/16/88 Flac 16 Mtx - 0, 113434 Oakland Henry J. Kaiser Convention Center flac16: Matrix by Jubal H. Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
10473. 03/16/88 Shn - 0, 8864 Oakland Henry J. Kaiser Convention Center SB>DAT>CDR>EAC>CDR; via Peter Gallagher; Seeded to etree by Willy notes
10474. 03/16/88 Flac 16 - 0, 92985 Oakland Henry J. Kaiser Convention Center flac16; Hat-Mounted Realistic pzm's with Sony WMD6-C TDK MA-X90 No nr 5 feet away, dead center Master>D6>HD>Audacity>CDWave>TLH>torrent notes
10475. 03/16/88 Flac 16 - 0, 136272 Oakland Henry J. Kaiser Convention Center flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016 notes
10476. 03/16/88 Flac 16 - 0, 141645 Oakland Henry J. Kaiser Convention Center flac16; Source Info: Master (FOB) Audience PCM; Schoeps CMC4/MK4 (ORTF) > Oade P/S > Sony PCM-F1 > PCM Clone (Sony SL-2000); Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
10477. 03/16/88 Flac 24/96 Mtx - 0, 141899 Oakland Henry J. Kaiser Convention Center flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller notes
10478. 03/16/88 Flac 16 - 0, 141950 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller notes
10479. 03/16/88 Flac 16 - 0, 102670 Oakland Henry J. Kaiser Convention Center flac 16 Source: Nak 700>dbx II>D5 40 ft dfc MAC>NakCR-3A>HD>Audacity>CDwave>TLH notes
10480. 03/17/88 Flac 16 - 0, 91156 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
10481. 03/17/88 Shn - 0, 13602 Oakland Henry J. Kaiser Convention Center Master (SBD) DAT>DATS>CDR>EAC>SHN; Seeded to etree by robertwstephens notes
10482. 03/17/88 Flac 16 - 0, 136123 Oakland Henry J. Kaiser Convention Center flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016 notes
10483. 03/17/88 Flac 16 - 0, 137354 Oakland Henry J. Kaiser Convention Center flac16; Soundboard Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11, Editing and Mastering by Jamie Waddell in Wavelab 7.1, Track, FLAC and Pack by Norm notes
10484. 03/17/88 Flac 16 U Mtx - 0, 141884 Oakland Henry J. Kaiser Convention Center flac16; Source Info: Master UltraMatrix PCM > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
10485. 03/17/88 Flac 24 UMtx - 0, 141919 Oakland Henry J. Kaiser Convention Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10486. 03/17/88 Flac 16 U Mtx - 0, 141952 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10487. 03/17/88 Shn - 0, 21297 Oakland Henry J. Kaiser Convention Center Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano notes
10488. 03/18/88 Flac 16 - 0, 91157 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
10489. 03/18/88 Shn - 0, 7989 Oakland Henry J. Kaiser Convention Center SBD>DAT>CD; via Kevin Gills; Seeded to etree by Willy notes
10490. 03/18/88 Shn - 0, 21298 Oakland Henry J. Kaiser Convention Center Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano notes
10491. 03/18/88 Flac 16 - 0, 136106 Oakland Henry J. Kaiser Convention Center flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016 notes
10492. 03/18/88 Flac 24 UMtx - 0, 141920 Oakland Henry J. Kaiser Convention Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10493. 03/18/88 Flac 16 U Mtx - 0, 141953 Oakland Henry J. Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10494. 03/24/88 Flac 16 - 0, 91232 Atlanta The Omni flac16; Set 1 Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD -> Samplitude -> FLAC; Set 2 Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10495. 03/24/88 Shn - 0, 15127 Atlanta The Omni SBD>MC>DAT>CDR (Healy Matrix) Eac(secure with proper offsets) >cool edit pro > shntool >cdwav> shn by Ernie Dodd & Willy notes
10496. 03/24/88 Flac 24 UMtx. - 0, 140261 Atlanta The Omni flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10497. 03/24/88 Flac 16 - 0, 140259 Atlanta The Omni flac16; AUD: Sennheiser ME-80's > Keith L's lead deck > Sony TC-D5M > Maxell XLII-S 90's, OTS recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017 notes
10498. 03/24/88 Flac 16 - 0, 140327 Atlanta The Omni flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10499. 03/24/88 Shn - 0, 9540 Atlanta The Omni AUD> ?? > Cass x2 > WAV > SHN; via Grant Wood notes
10500. 03/24/88 Flac 24/96 - 0, 148853 Atlanta The Omni flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
10501. 03/24/88 Flac 16/48 - 0, 148852 Atlanta The Omni b>flac16/48; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
10502. 03/26/88 Shn - 0, 7164 Hampton Hampton Coliseum Matrix Analog Cass Master-> DAT-> CDR, via Peter Braverman notes
10503. 03/26/88 Flac 16 - 0, 91158 Hampton Hampton Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10504. 03/26/88 Flac 16 Mtx - 0, 95488 Hampton Hampton Coliseum flac16; Matrix 4 Source Mix - SBD1:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller (shnid 91158) SBD2:Matrix Analog Cass Master-> DAT-> CDR, via Peter Braverman (shnid=7164) AUD1: Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Recorded and transferred by Dean Grabski (shnid 33950) AUD2: 1st or 2nd generation VHS supplied by Dan Sisler (no shnid) - matrix mixing by Kevin Tobin notes
10505. 03/26/88 Flac Dts 5.1 - 0, 95931 Hampton Hampton Coliseum DTS-Audio-CD 5.1 Mix; SBD1: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 (shnid 91158) SBD2: Matrix Analog Cass Master-> DAT-> CDR, (shnid=7164) AUD1: Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Recorded and transferred by Dean Grabski (shnid 33950) AUD2: 1st or 2nd generation VHS supplied by Dan Sisler (no shnid) - dts mixing by Kevin Tobin notes
10506. 03/26/88 Flac 16 - 0, 113740 Hampton Hampton Coliseum flac16; SBD Analog Cass Master-> DAT-> CDR -> ? -> FLAC notes
10507. 03/26/88 Flac 24 U Mtx - 0, 141142 Hampton Hampton Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10508. 03/26/88 Flac 16 U Mtx - 0, 141311 Hampton Hampton Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10509. 03/26/88 Flac 16 - 0, 142502 Hampton Hampton Coliseum flac16; Sean Weber-Small and Baird Garret FOB Recording: Schoeps CMC3 omni #3 > spaced/aimed > PCM(2); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44 notes
10510. 03/26/88 Flac 16 - 0, 119007 Hampton Hampton Coliseum flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
10511. 03/26/88 Flac 16 - 0, 33950 Hampton Hampton Coliseum flac16; Source: Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Recorded and transferred by Dean Grabski notes
10512. 03/26/88 Flac 16 - 0, 107820 Hampton Hampton Coliseum flac16; Master: OTS Nakamichi CM100/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors notes
10513. 03/26/88 Flac 16 - 0, 134379 Hampton Hampton Coliseum flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY-PAS)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn notes
10514. 03/26/88 Flac 16 - 0, 106049 Hampton Hampton Coliseum flac16; Recorded by Dave Cohen 2 Nakamichi CM100/CP4s 1 Nakamichi CM300/CP1 Nakamichi 550 w/Dolby B in OTS.Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes
10515. 03/26/88 Flac 16 - 0, 106000 Hampton Hampton Coliseum flac16; Set 2 only Recorded by Dave Cohen 2 Nakamichi CM100/CP4s 1 Nakamichi CM300/CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS.Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009 notes
10516. 03/26/88 Flac 24/96 - 0, 144486 Hampton Hampton Coliseum flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 notes
10517. 03/26/88 Flac 16 - 0, 144485 Hampton Hampton Coliseum flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick January 2019 notes
10518. 03/26/88 Flac 24/96 - 0, 147993 Hampton Hampton Coliseum flac24; Source Info: Michael Hessberg's Master In-House FM Cassettes; Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
10519. 03/26/88 - 0, 147992 Hampton Hampton Coliseum flac16/48kHz; Source Info: Michael Hessberg's Master In-House FM Cassettes; Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
10520. 03/26/88 Shn - 0, 152469 Hampton Hampton Coliseum Set 2 only: Audience cassette master > burned to standalone Pioneer burner > ripped with DAC > shinned with MKW. notes
10521. 03/27/88 Shn - 0, 17262 Hampton Hampton Coliseum Updated Source info: In-House FM > Ultramatrix (SBD/AUD mix). Lineage: DAT (Panasonic 3800)> CD (HHBCDR800)> EAC> SHN via Peter Braverman notes
10522. 03/27/88 Flac 16 - 0, 34202 Hampton Hampton Coliseum flac16; Source: in house FM > unknown 'boom box' > Sony TCD5M > Sony WM-D6C TDK MA-X master cassettes Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 recorded and transferred by Dean Grabski notes
10523. 03/27/88 Shn - 0, 406 Hampton Hampton Coliseum SBD (Matrix)> DAT> CD> EAC> [retracking of d1 w/ SF, no other alteration]> SHN; known flaws: end of Let it Grow is missing - the last minute, but the jam does not get cut; via Adam Jerugim; listener reports additional skip or splice in Scarlet Begonias d2t3; note patched version now in circulation notes
10524. 03/27/88 Flac 16 - 0, 88250 Hampton Hampton Coliseum flac16; Source: FOB > Schoeps Cmc3 + omni #3 > Dat @ 44.1k Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 5.0 > Cd Wave > FLAC notes
10525. 03/27/88 Shn - 0, 3383 Hampton Hampton Coliseum patched version of previous SBD seed, with AUD patches applied by Peter Braverman (see info file) notes
10526. 03/27/88 Flac 16 - 0, 140806 Hampton Hampton Coliseum flac16; Set 2 Source; unknown taper: Schoeps Cmc3 + omni #3 > Dat @ 44.1k (FOB); Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered by Joe Noel in Audacity > flac 16/44; Checksum & tags created in xACT notes
10527. 03/27/88 Flac 24 U Mtx - 0, 141213 Hampton Hampton Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10528. 03/27/88 Flac 16 U Mtx - 0, 141312 Hampton Hampton Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10529. 03/27/88 Flac 16 - 0, 107907 Hampton Hampton Coliseum flac16; Master: OTS Nakamichi CM100/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
10530. 03/27/88 Flac 16 - 0, 106174 Hampton Hampton Coliseum flac16; Recorded by Dave Cohen 2 Nakamichi CM100/CP1 X-Y@90degrees 1 Nakamichi CM300/CP2 Nakamichi 550 w/Dolby B in OTS. Sony UX Pro 90 cassettes. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes
10531. 03/27/88 Flac 24/96 - 0, 144488 Hampton Hampton Coliseum flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 notes
10532. 03/27/88 Flac 16 - 0, 144487 Hampton Hampton Coliseum flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - Taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick January 2019 notes
10533. 03/27/88 Flac 24/96 - 0, 147999 Hampton Hampton Coliseum flac24; Source Info: Michael Hessberg's Master In-House FM Cassettes; Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
10534. 03/27/88 Flac 16/48 - 0, 147998 Hampton Hampton Coliseum flac16/48kHz; Source Info: Michael Hessberg's Master In-House FM Cassettes; Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
10535. 03/27/88 Flac 16/48 - , 152858 Hampton Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) -SBD (shnid = 141213) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 144488) Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 - surround mixing by Kevin Tobin notes
10536. 03/27/88 Flac 16 Dts 5.1 - , 152857 Hampton Hampton Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141213) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 144488) Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 - dts mixing by Kevin Tobin notes
10537. 03/27/88 Flac 16 Mtx - , 152856 Hampton Hampton Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 141213) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 144488) Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 - matrix mixing by Kevin Tobin notes
10538. 03/28/88 Flac 16 - 0, 91233 Hampton Hampton Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10539. 03/28/88 Shn - 0, 9977 Hampton Hampton Coliseum IN House FM>Sony D-5>MC>DAT>CDR; via Paul B; Seeded to etree by Brad Ingle notes
10540. 03/28/88 Flac 16 - 0, 34203 Hampton Hampton Coliseum flac16; Source: in house FM > unknown receiver > Sony TCD5M > Sony WM-D6C TDK MA-X master cassettes Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 recorded and transferred by Dean Grabski notes
10541. 03/28/88 Flac 24 - 0, 141215 Hampton Hampton Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10542. 03/28/88 Flac 16 - 0, 141232 Hampton Hampton Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10543. 03/28/88 Flac 16 - 0, 119008 Hampton Hampton Coliseum flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
10544. 03/28/88 Flac 16 - 0, 132732 Hampton Hampton Coliseum flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY-PAS)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD notes
10545. 03/28/88 Flac 16 - 0, 106181 Hampton Hampton Coliseum flac16; Recorded by Dave Cohen 2 Nakamichi CM100/CP1s: one on each stack 1 Nakamichi CM300/CP1 straight at stage Nakamichi 550 w/Dolby B in OTS.Maxell XLIIS cassettes. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes
10546. 03/28/88 Flac 16 - 0, 132751 Hampton Hampton Coliseum flac16; Source: Sony C38B > TCD5M; Conversion: TCD5M > PMD660 > Cdwave > TLH > Foobar2000; Recorded by Stan Roberts notes
10547. 03/28/88 Flac 24/96 - 0, 144490 Hampton Hampton Coliseum flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 notes
10548. 03/28/88 Flac 16 - 0, 144489 Hampton Hampton Coliseum flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick January 2019 notes
10549. 03/28/88 Flac 24/96 - 0, 151272 Hampton Hampton Coliseum flac24/96khz Source Info: Michael Hessberg's Master In-House FM Cassettes; unknown receiver > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
10550. 03/28/88 Flac 16/48 - 0, 151271 Hampton Hampton Coliseum flac16/48khz Source Info: Michael Hessberg's Master In-House FM Cassettes; unknown receiver > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
10551. 03/28/88 Flac 16/48 - , 152937 Hampton Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141215) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 119008) Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - surround mixing by Kevin Tobin notes
10552. 03/28/88 Flac 16 Dts 5.1 - , 152936 Hampton Hampton Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141215) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 119008) Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - dts mixing by Kevin Tobin notes
10553. 03/28/88 Flac 16 Mtx - , 152935 Hampton Hampton Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 141215) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 119008) Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - matrix mixing by Kevin Tobin notes
10554. 03/28/88 Flac 16 - , 152934 Hampton Hampton Coliseum flac16; Patched & Pitch Corrected Audience - (original shnid = 119008) Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - pitch correction and patches by Kevin Tobin notes
10555. 03/28/88 Flac 16 - , 156408 Hampton Hampton Coliseum Recording Info: (fob) Schoeps Mk3 Omni's Spread > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) > Pcm Transfer Info: Pcm > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Don Crandall, Chris Huron & Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 07, 2021 notes
10556. 03/30/88 Flac 16 - 0, 91159 East Rutherford Meadowlands Arena flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10557. 03/30/88 Flac 16 - 0, 124809 East Rutherford Meadowlands Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
10558. 03/30/88 Flac 16 - 0, 83821 East Rutherford Meadowlands Arena flac16; Source: Internal FM broadcast > Unknown portable receiver > Sony TC-D5M > Sony WM-D6C Transfer: Master cassette > Nakamichi CR-2A > Apogee Mini-Me (24/48)> EGO-SYS WT2496 > Sound Forge 8.0 > CDWAVE 1.95.1 > FLAC frontend 1.7.1 Transferred by Dean Grabski 3-31-07 notes
10559. 03/30/88 Shn - 0, 408 East Rutherford Meadowlands Arena SBD; via Mike Lai; note had circulated without set 1 (aka d1) at first notes
10560. 03/30/88 Flac 24/96 - 0, 124808 East Rutherford Meadowlands Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
10561. 03/30/88 Flac 16 - 0, 89813 East Rutherford Meadowlands Arena flac16; AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. February 2008. notes
10562. 03/30/88 Ultra Mtx Sbd - 0, 140341 East Rutherford Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10563. 03/30/88 UltraMtx Flac16 - 0, 140378 East Rutherford Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10564. 03/30/88 Flac 16 - 0, 30515 East Rutherford Meadowlands Arena Beyer Dynamic M88's>Sony TCD5M (CM - 1st Maxell MX90; 2nd Sony Metal ES 90) Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded and digitally mastered by Charlie Conno notes
10565. 03/30/88 Flac 16 - 0, 124842 East Rutherford Meadowlands Arena flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Taper Section: 2,Row-J,Seat-16 notes
10566. 03/30/88 Flac 24/96 - 0, 145753 East Rutherford Meadowlands Arena flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick March 2019 notes
10567. 03/30/88 Flac 16 - 0, 145752 East Rutherford Meadowlands Arena flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; editerd and mastered SIRMick March 2019 notes
10568. 03/30/88 Flac 16 - 0, 124809 East Rutherford Meadowlands Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
10569. 03/31/88 Shn - 0, 25528 East Rutherford Meadowlands Arena Recording Info: In House FM -> Cassette Master -> Dat -> CD -> Samplitude v7.02 Professional -> SHN via Charlie Miller notes
10570. 03/31/88 Shn - 0, 8137 East Rutherford Meadowlands Arena SBD; see flaw notes in info file; via unknown seeder to furthurnet notes
10571. 03/31/88 Flac 16 - 0, 90802 East Rutherford Meadowlands Arena flac16; AUD: Nakamichi CM300/CP4's > patched thru one deck > Marantz PMD-420 > Maxell MX-90's w/Dolby B, set up front row of OTS. Taped by Jon Pasternak. Transfer: MAC > Nakamichi DR-8 (Dolby B) > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. March 2008. notes
10572. 03/31/88 Flac 16 - 0, 138890 East Rutherford Meadowlands Arena flac16; Robert Bryant (patched out of Oade Bros.) Schoeps > CMC4 > MK41 > PCM > DAT (FOB); Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered by Joe Noel in Audacity > flac 16/44; Checksum & tags created in xACT notes
10573. 03/31/88 UltraMtx Flac24 - 0, 140279 East Rutherford Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10574. 03/31/88 Ultra MtxFlac16 - 0, 140328 East Rutherford Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10575. 03/31/88 Flac 16 - 0, 140737 East Rutherford Meadowlands Arena flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (1st row center, OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes
10576. 03/31/88 Flac - 0, 30748 East Rutherford Meadowlands Arena Recording Info: Taper's Section 110 row 9, seat 9> Beyer Dynamic M88's> Sony TCD5M (CM - 1 st set Maxell MX90;2nd set Sony Metal ES90) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded and digitally transferred by Charlie Connor notes
10577. 03/31/88 Flac 16 - 0, 124843 East Rutherford Meadowlands Arena flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Taper Section: 2,Row-K,Seat-13 notes
10578. 03/31/88 Flac 24/96 - 0, 146219 East Rutherford Meadowlands Arena flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick May 2019 notes
10579. 03/31/88 Flac 16 - 0, 146218 East Rutherford Meadowlands Arena flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick May 2019 notes
10580. 04/01/88 Flac 16 - 0, 91160 East Rutherford Meadowlands Arena flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
10581. 04/01/88 Flac 24 - 0, 124797 East Rutherford Meadowlands Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
10582. 04/01/88 Shn - 0, 22309 East Rutherford Meadowlands Arena Set 1 Only*
Soundboard (Healy Ultra Box)->DAT Master->DAT. DAT->ZA2->Soundforge(recording)->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano. De-popping by Charlie Miller
notes
10583. 04/01/88 Flac 16 - 0, 124798 East Rutherford Meadowlands Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
10584. 04/01/88 Shn - 0, 9795 East Rutherford Meadowlands Arena SBD>DAT>?>CD (Possible Healy-FM); via Master Therion; Seeded to etree by PainoMan notes
10585. 04/01/88 Flac 16 - 0, 90921 East Rutherford Meadowlands Arena flac16; AUD Set One: Nakamichi CM300/CP4's > patched thru two decks > Marantz PMD-420, front row of OTS. AUD Set Two: Nakamichi CM100/CP4's > patched thru two decks > Marantz PMD-420, set up inside the fenced soundboard area. Taped onto Maxell MX-90's, with Dolby B. Taped by Jon Pasternak. Transfer: MAC > Nakamichi DR-8 (Dolby B) > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. March 2008 notes
10586. 04/01/88 UltraMtx Flac24 - 0, 140343 East Rutherford Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10587. 04/01/88 Flac 16 - 0, 140934 East Rutherford Meadowlands Arena flac16; Recording Info: 1st Set: Master Audience PCM; B&K 4011 mics (1st row center, OTS)> Sony Dat > PCM (Sony PCM-F1); 2nd Set: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (1st row center, OTS); Transfer Info: 1st Set: 1st gen PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16; 2nd Set: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude > Adobe Audition 3.0 > TLH flac16 notes
10588. 04/01/88 Flac 16 - 0, 124839 East Rutherford Meadowlands Arena flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Taper Section 2,Row-J,Seat-16 notes
10589. 04/01/88 Flac 16 - 0, 91296 East Rutherford Meadowlands Arena flac16; Source: (OTS) Senn. ME-80 (pointed at stacks)-> Marantz PMD 430 (Dolby B)-> Sony UX-Pro90 x 2 Transfer: MAC-> Nakamichi MR-1-> Korg MR-1000 (DFF 1Bit/5.6MHz)-> Korg AudioGate-> Wav 24/96-> Soundforge 9.0->16/44->flac Taper: WKLITZ Transferred and seeded on 4/10/08 by: M.Watson notes
10590. 04/01/88 Flac 24/96 - 0, 147043 East Rutherford Meadowlands Arena flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24 notes
10591. 04/01/88 Flac 16/44,1 - 0, 147042 East Rutherford Meadowlands Arena flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16 notes
10592. 04/01/88 Shn Mtx. - 0, 11264 East Rutherford Meadowlands Arena Source: Ultramatrix (SBD/AUD mix) Lineage: DAT> ?> CD> SHN; via Raul; Seeded to etree by Peter Braverman notes
10593. 04/01/88 Flac 16 - 0, 140394 East Rutherford Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10594. 04/03/88 Flac 16 - 0, 91161 Hartford Hartford Civic Center flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
10595. 04/03/88 Shn - 0, 9628 Hartford Hartford Civic Center SBD>?>CD (Possible Matrix); via Ankh-af-na-khonsu; Seeded to etree by PainoMan notes
10596. 04/03/88 Flac 16 - 0, 89986 Hartford Hartford Civic Center flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008 notes
10597. 04/03/88 Flac 16 - 0, 109056 Hartford Hartford Civic Center flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Front row OTS by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
10598. 04/03/88 Flac 24/96 - , 153796 Hartford Hartford Civic Center flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 notes
10599. 04/03/88 Flac 16/44 - , 153797 Hartford Hartford Civic Center flac16/44 Recording Info: (FOB) Schoeps CMC4/MK41 (Oade Brothers) > PCM Master (Robert Bryant) > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/16 notes
10600. 04/03/88 Flac 24/96 - , 153796 Hartford Hartford Civic Center flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 notes
10601. 04/03/88 Flac 16/44 - , 153797 Hartford Hartford Civic Center flac16/44 Recording Info: (FOB) Schoeps CMC4/MK41 (Oade Brothers) > PCM Master (Robert Bryant) > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/16 notes
10602. 04/03/88 Flac 16/44 - , 154410 Hartford Hartford Civic Center flac1644; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 153796 2496 > 1644 notes
10603. 04/04/88 Flac 16 - 0, 91162 Hartford Hartford Civic Center flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
10604. 04/04/88 Shn - 0, 19972 Hartford Hartford Civic Center SBD>Cassette Master>DAT>CD (Possible Matrix); with two d/o's patched from a SBD>MC source; See info file for details; via Ankh-af-na-khonsu; Seeded to etree by PainoMan (updated lineage; had been labeled SBD>DAT>CD) notes
10605. 04/04/88 Flac 16 - 0, 89996 Hartford Hartford Civic Center flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008 notes
10606. 04/04/88 Flac 16 - 0, 138456 Hartford Hartford Civic Center flac16; Recorded by Robert Bryant FOB (patched out of Oade Brothers) Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > flac 16/44; Checksum & tags created in xACT notes
10607. 04/04/88 Flac 16 - 0, 86913 Hartford Hartford Civic Center flac16; Source: Tapers section, Sennheiser ME88s > Sony D5. Master Analog Cassettes Maxell MX90 Type IV cassettes. Taped by B.Koucky. Transfer: MAC playback on azimuth adjusted Nakamich CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to harddrive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves Z-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8). Transfer and mastering by Chris L. notes
10608. 04/04/88 Flac 24/96 - 0, 152203 Hartford Hartford Civic Center flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DFF 1-bit/5.6MHz > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
10609. 04/04/88 Flac 16/44 - 0, 152576 Hartford Hartford Civic Center flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DFF 1-bit/5.6MHz > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152203 24 -> 16 @ 44.1 notes
10610. 04/05/88 Flac 16 - 0, 91234 Hartford Hartford Civic Center flac16; Set 1: AUD -> Unknown Mics -> PCM -> Dat -> CD (shnid=10073) and Set 2: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10611. 04/05/88 Flac 16 - 0, 90054 Hartford Hartford Civic Center flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. notes
10612. 04/05/88 Flac 16/48 - 0, 138196 Hartford Hartford Civic Center flac16/48kHz; Set 2 Unknown taper: Schoeps CMC54 at 110 degrees ORTF > Neumann PS > Sony D10 Pro; mics on 8 foot stand 1st row behind soundboard; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac, & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
10613. 04/05/88 Flac 24 U Mtx - 0, 140284 Hartford Hartford Civic Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10614. 04/05/88 Flac 16 U Mtx. - 0, 140331 Hartford Hartford Civic Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10615. 04/05/88 Shn - 0, 10073 Hartford Hartford Civic Center AUD>PCM>CD (Possible Matrix, Healy-FM or one damn good audience recording!); via Ankh-af-na-khonsu; Seeded to etree by PainoMan notes
10616. 04/05/88 Flac 16 - 0, 109167 Hartford Hartford Civic Center flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
10617. 04/05/88 Flac 16 - 0, 140331 Hartford Hartford Civic Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10618. 04/07/88 Flac 16 - 0, 91163 Worcester The Centrum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
10619. 04/07/88 Shn - 0, 17684 Worcester The Centrum Pre-FM > MR > VHS > DAT > CD > EAC > SHN (seekable) Via Darryl Hinko notes
10620. 04/07/88 Flac 16 - 0, 106062 Worcester The Centrum flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Taper Section 101, Row CC, Seat 9 by Bob Morris notes
10621. 04/07/88 Flac 16 - 0, 90340 Worcester The Centrum flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008 notes
10622. 04/07/88 Flac 16 - 0, 125776 Worcester The Centrum flac16; Taper: M. Laurentus; In House FM- FM Reciever -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes
10623. 04/07/88 Flac 16 - 0, 127683 Worcester The Centrum flac16; WCUW Worcester 91.3 FM stereo broadcast > reciever > Teac 3340 reel recorder (3.3/4 ips) > Maxell UD 7" master reel > (1st set copied to 1g reel) > played on Akai GX-77 into soundforge (wav) > flac (sb's aligned) notes
10624. 04/07/88 Flac 16/48 - 0, 141713 Worcester The Centrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 91163)Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 90340) AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. - surround mixing by Kevin Tobin notes
10625. 04/07/88 Flac 16 Dts - 0, 141712 Worcester The Centrum notes
10626. 04/07/88 Flac 16 Mtx - 0, 141711 Worcester The Centrum notes
10627. 04/07/88 Flac16/48 LPCM - 0, 142015 Worcester The Centrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 91163)Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 90340) AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. - surround mixing by Kevin Tobin notes
10628. 04/07/88 Flac 16 - 0, 111676 Worcester The Centrum flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (14th row-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
10629. 04/07/88 Flac 16 - 0, 125775 Worcester The Centrum flac16; Taper: M. Laurentus; Taper Section 101, Row B, Seat 8; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes
10630. 04/07/88 Flac 16 - 0, 137382 Worcester The Centrum flac16; Schoeps CMC5 w/ MK4V; DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell notes
10631. 04/07/88 Flac 24/96 - , 156054 Worcester The Centrum flac2495 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 notes
10632. 04/07/88 Flac 16/44 - , 156450 Worcester The Centrum flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 156054 2496 > 1644.1 notes
10633. 04/08/88 Flac 16 - 0, 91240 Worcester The Centrum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10634. 04/08/88 Shn - 0, 15128 Worcester The Centrum In-House FM>PCM>Dat>CD via Mike Murray; encoded by Willy notes
10635. 04/08/88 Flac 16 - 0, 106590 Worcester The Centrum flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Taper Section 101, Row CC, Seat 15 by Bob Morris notes
10636. 04/08/88 Flac - 0, 90465 Worcester The Centrum flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. notes
10637. 04/08/88 Flac 16 - 0, 127693 Worcester The Centrum flac16; WCUW Worcester 91.3 FM stereo broadcast > reciever > Teac 3340 reel recorder (3.3/4 ips) > Maxell UD 7" master reel > played on Akai GX-77 into soundforge (wav) > flac (sb's aligned) notes
10638. 04/08/88 Flac 24/96 - 0, 140313 Worcester The Centrum flac24; source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy; lineage: pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger notes
10639. 04/08/88 Flac 16 - 0, 142253 Worcester The Centrum flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK41 mics, ortf (1st row center, OTS, directly behind soundboard); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes
10640. 04/08/88 Flac 16 - 0, 111677 Worcester The Centrum flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 - microphones (12th row-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
10641. 04/08/88 Flac 16 - 0, 82599 Worcester The Centrum flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and Mike E Transfer and upload by Tony Suraci notes
10642. 04/08/88 Flac 16 - 0, 140489 Worcester The Centrum flac16; source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy; lineage: pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger notes
10643. 04/08/88 Flac 24/96 - , 156055 Worcester The Centrum flac2495 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
10644. 04/08/88 Flac 16/44 - , 156451 Worcester The Centrum flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156055 2496 > 1644.1 notes
10645. 04/09/88 Flac 16 - 0, 91241 Worcester The Centrum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10646. 04/09/88 Flac 16 - 0, 91019 Worcester The Centrum flac16; SBD + AUD Matrix 3 Source Mix: Audio Source Information SBD1 (shnid=91241) Recording Info: SBD -> Cassette Master (TDK SA-X90), SBD2 (shnid=15098) - only used for patches Source: Pre-FM broadcast Lineage: Master Reel> VHS (PCM)> DAT> CD> SHN, and AUD (shnid=90487) (Set 1 Right channel and all of set 2 both channels) Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter notes
10647. 04/09/88 Shn - 0, 15098 Worcester The Centrum pre-FM Master Reel> VHS (PCM)> DAT> CD> SHN via Skip Jenkins, encoded by Peter Braverman notes
10648. 04/09/88 Flac Dts 5.1 - 0, 91632 Worcester The Centrum DTS-Audio-CD 5.1 Mix; Audio Source Information SBD1 (shnid=91241) Recording Info: SBD -> Cassette Master (TDK SA-X90), SBD2 (shnid=15098) - only used for patches Source: Pre-FM broadcast Lineage: Master Reel> VHS (PCM)> DAT> CD> SHN, and AUD (shnid=90487) (Set 1 Right channel and all of set 2 both channels) Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter - dts mixed by Kevin Tobin notes
10649. 04/09/88 Flac 16 - 0, 106589 Worcester The Centrum flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Taper Section 101, Row CC, Seat 14 by Bob Morris notes
10650. 04/09/88 Flac 16 - 0, 90487 Worcester The Centrum flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008 notes
10651. 04/09/88 Flac 16 - 0, 127694 Worcester The Centrum flac16; Set 2 lineage: WCUW Worcester 91.3 FM stereo broadcast > reciever > Teac 3340 reel recorder (3.3/4 ips) > Maxell UD 7" master reel > played on Akai GX-77 into soundforge (wav) > flac (sb's aligned notes
10652. 04/09/88 Flac 24 - 0, 140395 Worcester The Centrum flac24; source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy; lineage: pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger notes
10653. 04/09/88 Flac 16 - 0, 140490 Worcester The Centrum flac16; source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy; lineage: pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger notes
10654. 04/09/88 Flac 16 - 0, 111691 Worcester The Centrum Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones - 13th row-center > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
10655. 04/09/88 Flac 16 - 0, 82671 Worcester The Centrum flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and Mike E. Transfer and upload by Tony Suraci notes
10656. 04/09/88 Flac 24/96 - , 156056 Worcester The Centrum flac2495 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
10657. 04/09/88 Flac 24/96 - , 156419 Worcester The Centrum flac2496 Recording Info: Pre-FM (WCUW-FM) > Reel Master > VHS HiFi (Scott SVR330S); Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 notes
10658. 04/09/88 Flac 16/44 - , 156454 Worcester The Centrum flac1644 Recording Info: Pre-FM (WCUW-FM) > Reel Master > VHS HiFi (Scott SVR330S); Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 156419 2496 > 1644.1 notes
10659. 04/09/88 Flac 16/44 - , 156453 Worcester The Centrum flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156056 2496 > 1644.1 notes
10660. 04/11/88 Flac 16 - 0, 91243 Detroit Joe Louis Arena flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10661. 04/11/88 Flac 16 - 0, 116466 Detroit Joe Louis Arena flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-5 (Maxell XL-IIS 90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz notes
10662. 04/11/88 Shn - 0, 10157 Detroit Joe Louis Arena reEAC, reshn of previous shn set (see info), via Jim Bennett; SBD > In house FM broadcast > MC > CDR > EAC > CDWave > MKWAct > CDR (> EAC > CDWave > MKWAct) notes
10663. 04/11/88 Flac 24 - 0, 141859 Detroit Joe Louis Arena flac24; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10664. 04/11/88 Flac 16 - 0, 141881 Detroit Joe Louis Arena flac16; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10665. 04/13/88 Flac 16 - 0, 91164 Rosemont Rosemont Horizon flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
10666. 04/13/88 Flac 16 - 0, 120447 Rosemont Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/Section 2, Row 44, Seat 3/6 Feet High)> Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
10667. 04/13/88 Flac 16 - 0, 95753 Rosemont Rosemont Horizon flac16; Source: Aud > Nak CM-100's CP-4 shotgun caps > Sony D-5 > MAC Transfer: MAC > Nak CR-5A > Tascam HD-p2 > 24/96 wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > CD Wave > TLH > Flac notes
10668. 04/13/88 Flac 24/48 - 0, 120446 Rosemont Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/Section 2, Row 44, Seat 3/6 Feet High)> Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes
10669. 04/13/88 Shn - 0, 16748 Rosemont Rosemont Horizon Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette> ?> DAT> CD> SHN (?) Listener reports multiple analog generations. notes
10670. 04/13/88 Flac 16/44 - , 156479 Rosemont Rosemont Horizon flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156074 2496 > 1644.1 notes
10671. 04/13/88 Flac 24/96 - , 156074 Rosemont Rosemont Horizon flac2496 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
10672. 04/14/88 Flac 16 - 0, 91248 Rosemont Rosemont Horizon flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10673. 04/14/88 Flac 16 - 0, 120456 Rosemont Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s + AKG D112 (PAS/Section 2, Row 44, Seat 3/6 Feet High)> Nakamichi 550>Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
10674. 04/14/88 Shn - 0, 26283 Rosemont Rosemont Horizon SBD (Matrix) > MC > C > DAT > CD > EAC > SHN; includes patch from AUD source; EAC/SHN (nonseeking) by Darryl Hinko notes
10675. 04/14/88 Flac 24/48 - 0, 120455 Rosemont Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s + AKG D112 (PAS/Section 2, Row 44, Seat 3/6 Feet High)> Nakamichi 550>Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes
10676. 04/14/88 Shn - 0, 15824 Rosemont Rosemont Horizon AUD>MC*>DAT>CD; *The MC is 'probable' but unconfirmed; Entire show pitch corrected; The mix is a bit 'hot' at times, most noticeably in Jerry's vocals and in the first set; via Paul B; Seeded to etree by Willy notes
10677. 04/14/88 Flac 16/44 - , 156481 Rosemont Rosemont Horizon flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156075 2496 > 1644.1 notes
10678. 04/14/88 Flac 24/96 - , 156075 Rosemont Rosemont Horizon flac2496 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
10679. 04/15/88 Flac 16 - 0, 92263 Rosemont Rosemont Horizon flac16 Recording Info:SBD -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes
10680. 04/15/88 Flac 16 - 0, 120482 Rosemont Rosemont Horizon flac16; Master Audience Recorded By Mr. Allen And Mr. Darby; Neumann KMI 84s (X/Y/Section 2, Row 40, Seat 3/6 Feet High)> Unknown Phantom Power Supply> Marantz PMD-430>Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
10681. 04/15/88 Shn - 0, 2020 Rosemont Rosemont Horizon SBD> Cass master?-> pre-FM cdr-> EAC-> Gans voiceover removed> shn; via John Zei; see John's comments in info file; Drums cuts into Space notes
10682. 04/15/88 Flac 16 - 0, 95824 Rosemont Rosemont Horizon flac16; Source: Aud > Nak CM-100's CP-4 shotgun caps > Sony D-5 > MAC (except #) Transfer: MAC > Nak CR-5A > Tascam HD-p2 > 24/96 wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > CD Wave > TLH > Flac notes
10683. 04/15/88 Flac 24/48 - 0, 120481 Rosemont Rosemont Horizon flac24; Master Audience Recorded By Mr. Allen And Mr. Darby; Neumann KMI 84s (X/Y/Section 2, Row 40, Seat 3/6 Feet High)> Unknown Phantom Power Supply> Marantz PMD-430>Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes
10684. 04/15/88 Flac 24/96 - , 156057 Rosemont Rosemont Horizon flac2495 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 notes
10685. 04/15/88 Flac 16/44 - , 156486 Rosemont Rosemont Horizon flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 156057 2496 > 1644.1 notes
10686. 04/22/88 Flac - 0, 26818 Irvine Irvine Meadows flac16; SBD (Matrix) > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes
10687. 04/22/88 Flac 16 - 0, 137944 Irvine Irvine Meadows flac16; Source: (2)Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH notes
10688. 04/22/88 Flac 24 - 0, 140422 Irvine Irvine Meadows flac24; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2017 notes
10689. 04/22/88 Flac 16 - 0, 140443 Irvine Irvine Meadows flac16; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017 notes
10690. 04/22/88 Shn - 0, 16070 Irvine Irvine Meadows AUD(unknown mics/deck)> PCM> DAT> CDR; Via Paul G.; Seeded to Etree by T. Wiley notes
10691. 04/22/88 Flac 24/96 - 0, 152289 Irvine Irvine Meadows flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 notes
10692. 04/22/88 Flac 16/44 - 0, 152577 Irvine Irvine Meadows flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152289 24 -> 16 @ 44.1 notes
10693. 04/22/88 Flac 24/96 - , 151102 Irvine Irvine Meadows flac24/96khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
10694. 04/23/88 Flac 16 Mtx - 0, 28710 Irvine Irvine Meadows flac16; SBD (Matrix) > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes
10695. 04/23/88 Shn - 0, 18117 Irvine Irvine Meadows Set 2 Ultramatrix (SBD/AUD mix) Lineage: Master cassette> DAT> CD> EAC> SHN> CD> SHN via Peter Braverman notes
10696. 04/23/88 Flac 2448 - 0, 140379 Irvine Irvine Meadows flac24; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, FOB recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2017 notes
10697. 04/23/88 Flac 16 - 0, 140380 Irvine Irvine Meadows flac16; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, FOB recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017 notes
10698. 04/23/88 Flac 16 - 0, 142254 Irvine Irvine Meadows flac16; Recording Info: Ted Mattes' Master (FOB) Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK41 mics, ORTF; Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes
10699. 04/23/88 Shn - 0, 16924 Irvine Irvine Meadows FOB-AUD> PCM> DAT> CDR> EAC> WAVE LAB> CD WAVE> MKW> SHN (Seekable); Converted and seeded to etree by Steven Leeds, with thanks to Paul B notes
10700. 04/23/88 Flac 24/96 - 0, 152337 Irvine Irvine Meadows FLAC 24 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
notes
10701. 04/23/88 Flac 16/44 - 0, 152578 Irvine Irvine Meadows flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152337 24 -> 16 @ 44.1 notes
10702. 04/23/88 Flac 24/96 - , 151104 Irvine Irvine Meadows flac24/96khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
10703. 04/23/88 Flac 16/48 - , 151103 Irvine Irvine Meadows flac16/48khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
10704. 04/24/88 Flac 16 Mtx - 0, 31976 Irvine Irvine Meadows flac16; SBD (Matrix) > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes
10705. 04/24/88 Shn - 0, 16887 Irvine Irvine Meadows FOB-AUD> PCM> DAT> CDR; EAC> WAVE LAB> CD WAVE> MKW> SHN (Seekable); Converted and seeded to etree by Steven Leeds, with thanks to Paul B notes
10706. 04/24/88 Flac 24/96 - 0, 152480 Irvine Irvine Meadows flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 notes
10707. 04/24/88 Flac 16/44 - 0, 152579 Irvine Irvine Meadows flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 152480 24 -> 16 @ 44.1 notes
10708. 04/24/88 Flac 24/96 - , 151106 Irvine Irvine Meadows flac24/96khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
10709. 04/24/88 Flac 16/48 - , 151105 Irvine Irvine Meadows flac16/48khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
10710. 04/30/88 Shn - 0, 4664 Palo Alto Frost Amphitheatre Healy Ultramatrix; via lemon2 with thanks to childo notes
10711. 04/30/88 Shn - 0, 3394 Palo Alto Frost Amphitheatre Pre-FM> Reel> Cassette> cdr; via Biff Blond, Mike Lai notes
10712. 04/30/88 Flac 24/48 - 0, 141810 Palo Alto Frost Amphitheatre flac24; Lineage: Nakamichi 700 cardioids front of board -> tcd5m (master) -> Korg mr1000 (1 bit, 5.6 Mhz) -> render in AudioGate to 24 bits 48 khz sampling notes
10713. 04/30/88 Flac 24 UMtx - 0, 141865 Palo Alto Frost Amphitheatre flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10714. 04/30/88 Flac 16 - 0, 141889 Palo Alto Frost Amphitheatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10715. 04/30/88 Shn - 0, 7727 Palo Alto Frost Amphitheatre AUD : Recorded 20th row center w/Uher 240 casette deck by Danny T.(the mouth); SHN by Tommy McKeown; to abgd notes
10716. 04/30/88 Flac 16 - 0, 118630 Palo Alto Frost Amphitheatre flac16; Source: (OTS/LOC) Superscope EC-7's [near coicident/cardioids] > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/transferred: Jeff Bowen; Extraction/seed: Brad Foster notes
10717. 04/30/88 Flac 16 - 0, 145595 Palo Alto Frost Amphitheatre flac16; Lineage: Nakamichi 700 cardioids front of board -> tcd5m (master) -> Korg mr1000 (1 bit, 5.6 Mhz) -> render in AudioGate to 24 bits 48 khz sampling; Mastered by Joe Noel, Flac > Audacity > Flac. April 26, 2018; This file set is 16 bit @ 44.1 notes
10718. 04/30/88 Flac 16/48 - , 151107 Palo Alto Frost Amphitheatre flac16/48khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
10719. 04/30/88 Flac 24/96 - , 151108 Palo Alto Frost Amphitheatre flac24/96khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
10720. 05/01/88 Flac 24/48 - 0, 141811 Palo Alto Frost Amphitheatre flac24; Lineage: Nakamichi 700 cardioids front of board -> tcd5m (master) -> Korg mr1000 (1 bit, 5.6 Mhz) -> render in AudioGate to 24 bits 48 khz sampling notes
10721. 05/01/88 Shn - 0, 2206 Palo Alto Frost Amphitheatre DSBD->DAT Master->DAT Clone; DAT-> CD-> EAC-> CDWave-> SHN conversion and seeded by Adam Jerugim notes
10722. 05/01/88 Flac 16 - 0, 118671 Palo Alto Frost Amphitheatre flac16; Source: (OTS/LOC) Superscope EC-7's [near coicident/cardioids] > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/transferred: Jeff Bowen; Extraction/seed: Brad Foster notes
10723. 05/01/88 Flac 16 - 0, 145596 Palo Alto Frost Amphitheatre flac16; Lineage: Nakamichi 700 cardioids front of board -> tcd5m (master) -> Korg mr1000 (1 bit, 5.6 Mhz) -> render in AudioGate to 24 bits 48 khz sampling; Mastered by Joe Noel, Flac > Audacity > Flac, April 27, 2018; This file set is 16 bit @ 44.1 notes
10724. 06/17/88 Flac 16 - 0, 112317 Bloomington Metropolitan Sports Center flac16; Recorded, transferred, tracked and FLACd by Greg Holtz; Field Equipment: Nakamichi CM100 CP-4 shotgun caps > D-5; Transfer: MAC > Cassette 1st gen > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > TLH > FLAC notes
10725. 06/17/88 Shn - 0, 19544 Bloomington Metropolitan Sports Center UNKNOWN AUD>?>CDR>WAV>SHN; Shn converted with Mkw by Robert Goetz (winterland121072@yahoo.com) notes
10726. 06/17/88 Shn - 0, 19286 Bloomington Metropolitan Sports Center AUD(likely sennheiser)>?>CDR>WAV>SHN. SHN encoding via C.Ladner. notes
10727. 06/19/88 Flac 16 - 0, 95920 East Troy Alpine Valley Music Theatre flac16; Recording Info:SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Transfer Info:Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
10728. 06/19/88 Flac 16 - 0, 119124 East Troy Alpine Valley Music Theatre flac16; Set 2 Only Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAc8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo notes
10729. 06/19/88 Flac 24/48 - 0, 119123 East Troy Alpine Valley Music Theatre flac24; Set 2 Only Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAc8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
10730. 06/19/88 Flac 16 - 0, 107564 East Troy Alpine Valley Music Theatre flac16; Sennheiser 421s> Sony D5> Sony D5> MAC> 1st gen cassettes Maxell XLII (Set I) and Maxell XLII-S (Set II). Taped by Lucien Zaleski. Transferred, Edited and Mastered by Alex Ford notes
10731. 06/19/88 Flac 16 - 0, 127250 East Troy Alpine Valley Music Theatre flac16; Source (AUD): Shure SM57 (PAS, front row OTS, center, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller notes
10732. 06/19/88 Shn - 0, 17267 East Troy Alpine Valley Music Theatre Source: AUD(Senn 441's)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN. Taper: Craig Camus. CDR source via Todd Norman. SHN encoding/FTP transmission via Chris Ladner/candyman FTP. notes
10733. 06/19/88 Flac 16 - 0, 111252 East Troy Alpine Valley Music Theatre flac16; Source: 2 Neumann KMF4 microphones-20th row > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes
10734. 06/19/88 Flac 24 UMtx. - 0, 151049 East Troy Alpine Valley Music Theatre flac24/96khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
10735. 06/19/88 Flac 24/96 - 0, 151200 East Troy Alpine Valley Music Theatre flac24/96 Patched version of: Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 (1 DVD FLAC) notes
10736. 06/19/88 Flac 16/44,1 - 0, 151602 East Troy Alpine Valley Music Theatre flac16/44.1khz Patched version of: Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 (1 DVD FLAC) - 151200 24 -> 16 @ 44.1 notes
10737. 06/20/88 Flac 16 - 0, 119380 East Troy Alpine Valley Music Theatre flac16; Recording Info: SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
10738. 06/20/88 Flac 16 - 0, 123452 East Troy Alpine Valley Music Theatre flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Set 2: SBD -> Cassette Master -> ? -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
10739. 06/20/88 Flac 16 - 0, 119068 East Troy Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tapes, Maxell MX Set 1,TDK MA-X Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAc8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo notes
10740. 06/20/88 Flac 16 - 0, 127251 East Troy Alpine Valley Music Theatre flac16; Source (AUD): Shure SM57 (DIN, center, OTS, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller notes
10741. 06/20/88 Flac 24/48 - 0, 119067 East Troy Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tapes, Maxell MX Set 1,TDK MA-X Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAc8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
10742. 06/20/88 Shn - 0, 17269 East Troy Alpine Valley Music Theatre Source: AUD(Senn 441's)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN. Taper: Craig Camus. CDR source via Todd Norman. SHN encoding/FTP transmission via Chris Ladner/candyman FTP. notes
10743. 06/20/88 Flac 16 - 0, 111266 East Troy Alpine Valley Music Theatre flac16; Source: 2 Neumann KMF4 microphones (11th row)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes
10744. 06/20/88 Flac 16 - 0, 147212 East Troy Alpine Valley Music Theatre flac16; Source: AKG 460(FOB 20th Row); Transfer: DAT > Sony PCM R300 > Tascam DR680 notes
10745. 06/20/88 Flac 24/48 - 0, 151410 East Troy Alpine Valley Music Theatre flac24/48khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
10746. 06/20/88 Flac 16/44 - 0, 151614 East Troy Alpine Valley Music Theatre flac16/44khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151410 24 -> 16 @ 44.1 notes
10747. 06/22/88 Flac 16 - 0, 119780 East Troy Alpine Valley Music Theatre flac16; Set 2 Recording Info: SBD -> ? -> Cassette/4; Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
10748. 06/22/88 Flac 16 - 0, 119341 East Troy Alpine Valley Music Theatre flac16; Set 2 Only Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tape TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
10749. 06/22/88 Flac 24/48 - 0, 119340 East Troy Alpine Valley Music Theatre flac24; Set 2 Only Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tape TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
10750. 06/22/88 Flac 16 - 0, 127252 East Troy Alpine Valley Music Theatre flac16; Source (AUD): Shure SM57 (A/B, 10" spacing, center, OTS, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller notes
10751. 06/22/88 Flac 16 - 0, 111276 East Troy Alpine Valley Music Theatre flac16; Source: 2 Neumann KMF4 microphones - 7th row > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes
10752. 06/22/88 Shn - 0, 17349 East Troy Alpine Valley Music Theatre AUD(Senn 441's, Row 16, DFC)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN taped by Craig Camus via Todd Norman encoded by Chris Ladner notes
10753. 06/22/88 Flac 16 - 0, 31633 East Troy Alpine Valley Music Theatre flac16; Source: AKG414 > Sony PCM > Tascam Porta 5 w/ Dolby DBX Transfer: Cassette Master > CD > LibParanoia > AIFF > FLAC Taped by: Jim O'Malley notes
10754. 06/23/88 Shn - 0, 13051 East Troy Alpine Valley Music Theatre yet another DAE/re-SHN of the exisitng DSBD?; posted to abgd by terrapin flyer notes
10755. 06/23/88 Flac 16 - 0, 119343 East Troy Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tapes Set 1 Maxell-MX, Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
10756. 06/23/88 Shn - 0, 9446 East Troy Alpine Valley Music Theatre Likely eac of original DSBD source notes
10757. 06/23/88 Flac 24/48 - 0, 119342 East Troy Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tapes Set 1 Maxell-MX, Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
10758. 06/23/88 Flac 16 - 0, 127253 East Troy Alpine Valley Music Theatre flac16; Source (AUD): Shure SM57 (A/B, 10" spacing, center, OTS, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller notes
10759. 06/23/88 Flac 16/48 UMtx - 0, 142398 East Troy Alpine Valley Music Theatre flac16/48kHz; Recording Info: UltraMatrix SBD > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Master by Charlie Miller notes
10760. 06/23/88 Shn - 0, 17407 East Troy Alpine Valley Music Theatre AUD(Senn 441's, Row 16, DFC)>CM (Marantz PMD430)>DAT>CDR>WAV>SHN. Recorded and transferred (CM > DAT > CDR) by Craig Camus. Encoding/edits by Chris Ladner. notes
10761. 06/23/88 Flac 16 - 0, 30114 East Troy Alpine Valley Music Theatre flac16; Source: AKG414 > PCM > Stereo Line Out > Tascam Port 5 Analog Tape Deck w/ DBX Dolby Transfer: Cassette Master > DAT > CD > LibParanoia > Flac16 Taped by O'Malley notes
10762. 06/23/88 Flac 16 - 0, 111227 East Troy Alpine Valley Music Theatre flac16; Source: 2 Neumann KMF4 microphones - 11th row > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes
10763. 06/25/88 Flac 16 - 0, 107387 Hebron Buckeye Lake Music Center flac16; Sennheiser 421s> Sony D5> Sony D5> MAC> 1st Gen cassettes Taped by Lucien Zaleski and Andrew Kolodjeski. Transferred, Edited and Mastered by Alex Ford. notes
10764. 06/25/88 Flac 16 - 0, 143077 Hebron Buckeye Lake Music Center flac16; Master (FOB) Audience PCM; Schoeps MK2S split omnis > Tim Dalton's PCM clone (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16 notes
10765. 06/25/88 Flac 24/96 - 0, 134860 Hebron Buckeye Lake Music Center flac24; Source: Nakamichi CM-300s/Shotguns -> Sony Walkman Pro/TDK MA90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes
10766. 06/25/88 Shn - 0, 6478 Hebron Buckeye Lake Music Center Schoeps MK2s fob; Unknown seeder notes
10767. 06/25/88 Flac 16 - 0, 149261 Hebron Buckeye Lake Music Center flac16; Source Info: FOB Microphones Unknown-> PCM-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
10768. 06/26/88 Flac - 0, 123834 Pittsburgh Civic Arena flac16; Recording Info: (FOB) Schoeps CMC4/MK2 -> PCM -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
10769. 06/26/88 Flac 24 a - 0, 115734 Pittsburgh Civic Arena flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell XL-II 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz notes
10770. 06/26/88 Flac - 0, 115733 Pittsburgh Civic Arena flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell XL-II 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes
10771. 06/26/88 Flac - 0, 139226 Pittsburgh Civic Arena flac16/48kHz; Source: Audience recording > Schoeps MK2 > PCM > DAT (48k); provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; transferred by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick September 2017 notes
10772. 06/26/88 Flac 16/48 - 0, 139246 Pittsburgh Civic Arena flac16/48kHz; Source: Audience recording > Schoeps MK2 > PCM > DAT (48k); provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; transferred by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick September 2017 notes
10773. 06/26/88 Shn Mtx. - 0, 5608 Pittsburgh Civic Arena SBD/Matrix > Dat > CDR > Sonic Solutions > CDR > EAC > CDWave > mkwACT; extracted/seeded by Doug Nawrocki notes
10774. 06/28/88 Shn - 0, 7831 Saratoga Springs Saratoga Performing Arts Center (Pre FM) SBD> MC> DAT> CDR> Shn, Digital editing, retracking and posted to abgd by Charlie Connor with thanks to Skankweed notes
10775. 06/28/88 Shn - 0, 12187 Saratoga Springs Saratoga Performing Arts Center FM (matrix): DAT > CD > TrackThief > AIFF > Peak > WAV > SHN > shntool (corrected S.B.problems); Seeded to etree by Peter Braverman with thanks to Doug Nawrocki notes
10776. 06/28/88 Flac 16 - 0, 130781 Saratoga Springs Saratoga Performing Arts Center flac16; Recording Info: SBD > MC > DAT > CDR > SHN; Transfer Info: SHN > TLH > WAV > Sound Forge 10 > TLH > FLAC; Retracked, remastered version of shnid 7831; Retracked and mastered by Bill Guarneri, July 30, 2014 notes
10777. 06/28/88 Shn - 0, 17956 Saratoga Springs Saratoga Performing Arts Center FM (matrix): DAT> CD> TrackThief> AIFF> Peak> WAV> SHN via Braverman (upgrade of prior seeds from this source) notes
10778. 06/28/88 Flac 24/96 - 0, 13ß427 Saratoga Springs Saratoga Performing Arts Center flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Nakamichi CM100/CP4 Shotguns > Unknown Mixer > Sony TC-D5m, Tapes Maxell MX-90's; Recorded From The Official Taper's Section; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
10779. 06/28/88 Flac 16 - 0, 130426 Saratoga Springs Saratoga Performing Arts Center flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Nakamichi CM100/CP4 Shotguns > Unknown Mixer > Sony TC-D5m, Tapes Maxell MX-90's; Recorded From The Official Taper's Section; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
10780. 06/28/88 Flac 24/96 - 0, 132523 Saratoga Springs Saratoga Performing Arts Center flac24; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD-8-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
10781. 06/28/88 Flac 16 - 0, 132524 Saratoga Springs Saratoga Performing Arts Center flac16; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD-8-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
10782. 06/28/88 Shn - 0, 7802 Saratoga Springs Saratoga Performing Arts Center (pre- FM) SBD> MC> DAT> CDR, EAC'ed/Shn'ed and Posted to abgd by Stephen Agan notes
10783. 06/28/88 Flac 24 - 0, 134529 Saratoga Springs Saratoga Performing Arts Center flac24; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Tascam 122mkII) -> Focusrite Scarlett -> AIFF (24bit/44.1k); Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; Mastered By Charlie Miller notes
10784. 06/28/88 Flac 16 - 0, 134530 Saratoga Springs Saratoga Performing Arts Center flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Tascam 122mkII) -> Focusrite Scarlett -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; Mastered By Charlie Miller notes
10785. 06/28/88 Flac 24/96 - 0, 141703 Saratoga Springs Saratoga Performing Arts Center flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes
10786. 06/28/88 Flac 16 - 0, 110953 Saratoga Springs Saratoga Performing Arts Center flac16; Source: AKG 460b/ck63uls > AKG B18> Sony TCD5; Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16; Recorded by Ray Ackerman; Conversion by Ray Ackerman; Tracks, FLACs, Tags by Craig Taraszki notes
10787. 06/28/88 Flac 16 - 0, 145612 Saratoga Springs Saratoga Performing Arts Center flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k), Edited & Mastered by Joe Noel, WAV > Audacity > FLAC 24/96, April 10, 2018; This file set is 16 bit @ 44.1 notes
10788. 06/30/88 Flac 16 - 0, 96071 Rochester Silver Stadium flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Set 2: SBD -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
10789. 06/30/88 Flac 16 - 0, 80269 Rochester Silver Stadium flac16; Set 2 only: MAC > C1 (Maxell XLII 90) > Nakamichi 480, azimuth aligned > Tascam DA-40 (A/D only) > M-Audio Audiophile 192 > Adobe Audition > CDWave > FLAC Frontend notes
10790. 06/30/88 Shn - 0, 19530 Rochester Silver Stadium Set 2 SBD > DAT [vault] > DAT [vault clone] > CDR. Discs kindly provided by Zeb Weber via David Gans. cd > eac > shnv3 by Ernie Dodd. [Note: This is a more complete and uncensored version of this source (http://db.etree.org/shninfo_detail.php?shnid=6670).] notes
10791. 06/30/88 Shn - 0, 6670 Rochester Silver Stadium set 2; SBD> DAT> Sonic Solutions> CDR from David Gans; via Skankweed, David Finney notes
10792. 06/30/88 Flac 16 - 0, 138070 Rochester Silver Stadium flac16; Set 2 Source: FOB recording by Ted Mattes; Schoeps CMC42s (omnis spaced 8 feet) > Apogee Mod Sony PCM F1 FOB; Transfer: John Ammons; Beta master > DAT > CD > Audacity; Patch, tags & checksums: Joe Noel in Audacity & xACT; fixed version cirulated 2017/03/29: cut between BION removed duplicate patch removed from end of space (crossfades re-applied) re-tracked; please don't circuulate the original source notes
10793. 06/30/88 Flac 24/96 - 0, 141704 Rochester Silver Stadium flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes
10794. 06/30/88 Flac 16 - 0, 142404 Rochester Silver Stadium flac16; Ted Mattes FOB Recording: Schoeps CMC42s (omnis spaced 8 feet) > Apogee Mod Sony PCM F1 > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44 notes
10795. 06/30/88 Flac 16 - 0, 81533 Rochester Silver Stadium flac16; AUD Source: AKG 460's with CK3 hypercardioid capsules > Sony TC-D5M. Set up FOB, even with the front of the board. Taped by Ray Ackerman. Transfer: MAC > CD by Ray Ackerman (equipment unknown). CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007 by Andrew F notes
10796. 06/30/88 Shn - 0, 414 Rochester Silver Stadium FOB split Schoeps CMC5/mk21's > PCM > DAT; Conversion: DAT->Montego II->HD via Soundforge->CDWav->MKW .shn; via A. Gustin notes
10797. 06/30/88 Flac 24/96 - 0, 135156 Rochester Silver Stadium flac24; Set 2 Source: Nakamichi CM-300s/Shotguns -> Sony Walkman Pro/TDK MX-S 100 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Recorded, tracked and seeded by bltz notes
10798. 06/30/88 Flac 24/96 - 0, 144572 Rochester Silver Stadium flac24; Ray Ackerman's Master Audience Cassette Recording & Transfer; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette; Located, front left side of sound board; Transfer: Master Cassettes > Kyocera D811 > Grace V3 > M-Audio MicroTrack II > WAV 96Hz/24bit; Edited & Mastered w/ Audacity by Joe Noel notes
10799. 06/30/88 Flac 16 - 0, 145661 Rochester Silver Stadium flac16; Ray Ackerman's Master Audience Cassette Recording & Transfer; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette; Located, front left side of sound board; Transfer: Master Cassettes > Kyocera D811 > Grace V3 > M-Audio MicroTrack II > WAV 96Hz/24bit; Edited & Mastered w/ Audacity by Joe Noel. This file set is 16 bit @ 44.1 notes
10800. 06/30/88 Flac 16 - 0, 146890 Rochester Silver Stadium flac16; John Kemble & Don Crandall (FOB) Recording: Schoeps CMC4 + 41 Cardiod capsules @ 110ยบ > MIT Proline XLR cables > OADE 48V "wonder cap" power supply > PCM (Sony PCM-F1/SL-2000) > PCM(2); Bill Reutelhuber transfer: PCM(2) > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44; Edited & Mastered by Joe Noel Flac > Audacity > Flac 16/44 notes
10801. 07/01/88 Shn - 0, 20606 Cape Elizabeth The Inn By The Sea Tape "The Inn By The Sea" tape; This tape was left in a room occupied by The Grateful Dead at "The Inn By The Sea," Cape Elizabeth, Maine when they were doing the July 2 and 3, 1988 at Oxford Plains, Maine; Recorded at Club Front?; SBD>DAT>CT>CD>EAC>SHN; shn(1)>cda(1) notes
10802. 07/02/88 Flac 16 Mtx - 0, 92583 Oxford Oxford Plains Speedway flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD) notes
10803. 07/02/88 Flac 16 - 0, 86817 Oxford Oxford Plains Speedway flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
10804. 07/02/88 Shn - 0, 21211 Oxford Oxford Plains Speedway Source: SBD + AUD 'Matrix Mix' Source 1) FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR Source 2) SBD > Dat > Sonic Solutions > CDR Both sources were extracted using EAC and time aligned/mixed/shn'ed by dan@am-dig.com using Cool Edit 2k (see additional notes in text file) notes
10805. 07/02/88 Flac 24/96 - 0, 124844 Oxford Oxford Plains Speedway flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
10806. 07/02/88 Flac 16 - 0, 132393 Oxford Oxford Plains Speedway flac16; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD8 100's; Recorded By The Soundboard; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
10807. 07/02/88 Flac 24/96 - 0, 132394 Oxford Oxford Plains Speedway flac24; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD8 100's; Recorded By The Soundboard; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
10808. 07/02/88 Flac 16 - 0, 124845 Oxford Oxford Plains Speedway flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
10809. 07/02/88 Shn - 0, 2328 Oxford Oxford Plains Speedway SBD> Master Cassette> DAT> CDR> EAC> SHN; via Jeff M. notes
10810. 07/02/88 Flac 16 - 0, 74652 Oxford Oxford Plains Speedway flac16 Fix of shn id 2328 - SBD>Master Cassette>DAT>CDR>EAC>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
10811. 07/02/88 Flac Dts 5.1 - 0, 21434 Oxford Oxford Plains Speedway Source: SBD + AUD '5.1 DTS'; FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR; SBD > Dat > Sonic Solutions > CDR notes
10812. 07/02/88 Flac 16 - 0, 106588 Oxford Oxford Plains Speedway flac16; (FOB) Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded FOB by Bob Morris notes
10813. 07/02/88 Flac 16/48 - 0, 138736 Oxford Oxford Plains Speedway flac16/48kHz; 5.1 LPCM Surround Sound (48k) Set 2 Only - SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin notes
10814. 07/02/88 Flac Dts 5.1 - 0, 138738 Oxford Oxford Plains Speedway DTS-Audio-CD 5.1 Mix; Set 2 Only SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin notes
10815. 07/02/88 Flac 16 Mtx - 0, 138737 Oxford Oxford Plains Speedway flac16; Matrix 2 Source Mix Set 2 Only - SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin notes
10816. 07/02/88 Flac 16 - 0, 140673 Oxford Oxford Plains Speedway flac16; Set 1 from Robert Bryant (from an Oade Bros. patch) FOB; Recording: Schoeps MK2 spaced omni's > Sony F1 > PCM > DAT; Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT notes
10817. 07/02/88 Flac 16 - 0, 140674 Oxford Oxford Plains Speedway flac16; Jeff Silberman Master FOB Recording: Neumann U89 spaced omnis -> Technics SV-100 -> PCM; John Ammons Transfer: Tascam DA20 Mark II -> Roland SRC-2 -> Mac Mini > Audacity 3.0 @ 44K -> WAV; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT notes
10818. 07/02/88 Flac 16 Dts - 0, 92582 Oxford Oxford Plains Speedway DTS Audio 5.1; DTS-Audio-CD 5.1 Mix, see info file for details notes
10819. 07/02/88 Flac 24/96 - 0, 141757 Oxford Oxford Plains Speedway flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes
10820. 07/02/88 Flac 16/48 - 0, 142977 Oxford Oxford Plains Speedway flac16/48kHz; Recording by Stephen Porter: Sennheiser Me80 > Sony D5 > Master Cassette (Maxell XLII-S 90); Transfer by Kris Wescott: Master Cassette > Nakamichi CR7a (dolby on) > Korg mr1000 1 bit @ 5.6 mhz > WAV 1648 notes
10821. 07/02/88 Flac 16 - 0, 124766 Oxford Oxford Plains Speedway flac16; Taper: M. Laurentus; FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes
10822. 07/02/88 Flac 16 - 0, 82762 Oxford Oxford Plains Speedway flac16; Source: Nakamichi CM304's>BeyerM101>Sony Mixer>Sony D5M Location: At SBD*, Stand at 8 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes
10823. 07/02/88 Flac 16 - 0, 32636 Oxford Oxford Plains Speedway Nakamichi 100's > Marantz 430-PDM [Maxell metals w/ dbx] Sony 59 ES > wavelab > cd wave > flac notes
10824. 07/02/88 Flac 16 - 0, 145666 Oxford Oxford Plains Speedway flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1 notes
10825. 07/02/88 Flac 24/96 - 0, 147158 Oxford Oxford Plains Speedway flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited asnd mastered SIRMick July 2019 notes
10826. 07/02/88 Flac 24 UMtx. - 0, 150683 Oxford Oxford Plains Speedway flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
10827. 07/03/88 Shn - 0, 3908 Oxford Oxford Plains Speedway SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko notes
10828. 07/03/88 Flac 16 Mtx - 0, 92585 Oxford Oxford Plains Speedway flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD) notes
10829. 07/03/88 Flac 16 - 0, 107117 Oxford Oxford Plains Speedway flac16; (FOB) Schoeps CMC42s (Spaced Omni) > Sony PCM F1/SL2000 > PCM 601ES > Dan Houck's DAT; Lineage: Sony TCD-790 > Hucht Copyprocessor MKII > Tascam HD-P2 > WAV > FLAC notes
10830. 07/03/88 Flac 24 - 0, 132399 Oxford Oxford Plains Speedway flac24; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD 430 > Tapes:Denon HD 8-100's; Recorded From The Repeater Stack; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes
10831. 07/03/88 Flac 16 - 0, 132398 Oxford Oxford Plains Speedway flac16; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD 430 > Tapes Denon HD 8-100's; Recorded From The Repeater Stack; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
10832. 07/03/88 Flac 16 - 0, 124856 Oxford Oxford Plains Speedway flac16; Master Audience Recorded By Fitzy, Transfer By Keo! Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
10833. 07/03/88 Flac 16 - 0, 92586 Oxford Oxford Plains Speedway flac16; FOB AUD: Nakamichi CM-300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, July 2008. Transfer by Andrew F. notes
10834. 07/03/88 Flac Dts 5.1 - 0, 92584 Oxford Oxford Plains Speedway DTS Audio 5.1; DTS-Audio-CD 5.1 Mix, see info file for details notes
10835. 07/03/88 Flac 16 - 0, 106587 Oxford Oxford Plains Speedway flac16; (FOB) Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded FOB by Bob Morris notes
10836. 07/03/88 Flac 16/48 - 0, 139083 Oxford Oxford Plains Speedway flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 3908) SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko + AUD (shnid = 124810) FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus - surround mixing by Kevin Tobin notes
10837. 07/03/88 Flac Dts 5.1 - 0, 139082 Oxford Oxford Plains Speedway DTS-Audio-CD 5.1 Mix; SBD (shnid = 3908) SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko + AUD (shnid = 124810) FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus - dts mixing by Kevin Tobin notes
10838. 07/03/88 Flac 16 Mtx - 0, 139081 Oxford Oxford Plains Speedway flac16; Matrix 2 Source Mix - SBD (shnid = 3908) SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko + AUD (shnid = 124810) FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus - matrix mixing by Kevin Tobin notes
10839. 07/03/88 Flac 16 - 0, 140675 Oxford Oxford Plains Speedway flac16; Jeff Silberman Master FOB Recording: Neumann U89 spaced omnis -> Technics SV-100 -> PCM; John Ammons Transfer: Tascam DA20 Mark II -> Roland SRC-2 -> Mac Mini > Audacity 3.0 @ 44K -> WAV; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT notes
10840. 07/03/88 Flac 24/96 - 0, 141758 Oxford Oxford Plains Speedway flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes
10841. 07/03/88 Flac 16/48 - 0, 142978 Oxford Oxford Plains Speedway flac16/48kHz; Recording by Stephen Porter: Sennheiser Me80 > Sony D5 > Master Cassette (Maxell XLII-S 90); Transfer by Kris Wescott: Master Cassette > Nakamichi CR7a (dolby on) > Korg mr1000 1 bit @ 5.6 mhz > WAV 1648 notes
10842. 07/03/88 Flac 16 - 0, 124810 Oxford Oxford Plains Speedway flac16; FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus notes
10843. 07/03/88 Shn - 0, 3325 Oxford Oxford Plains Speedway (FOB) AUD> Beyer Dynamic 201's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav v1.6 (tracking only)> SHNv3 (MKW ACT); taped, mastered and seeded to abgd by Charlie Connor notes
10844. 07/03/88 Flac 16 - 0, 82801 Oxford Oxford Plains Speedway flac16; Source: Nakamichi CM304's>BeyerM101>Sony Mixer>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes
10845. 07/03/88 Flac 16 - 0, 145667 Oxford Oxford Plains Speedway flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44. notes
10846. 07/03/88 Flac 24/96 - 0, 124855 Oxford Oxford Plains Speedway flac24; Master Audience Recorded By Fitzy, Transfer By Keo! Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
10847. 07/03/88 Flac 24/96 - 0, 147523 Oxford Oxford Plains Speedway flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick September 2019 notes
10848. 07/03/88 - 0, Oxford Oxford Plains Speedway (FOB) AUD> Beyer Dynamic 201's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav v1.6 (tracking only)> SHNv3 (MKW ACT); taped, mastered and seeded to abgd by Charlie Connor notes
10849. 07/15/88 Flac 16 - 0, 34751 Berkeley Greek Theatre, U. Of California flac16; Seamless fix of shn id 10343 - Ultramatrix>DAT>?>CD>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
10850. 07/15/88 Shn - 0, 10343 Berkeley Greek Theatre, U. Of California Sources: Primary Source: Prev Braverman Matrix Seed Seconday Source: Prev Gardner Seed of Sean Weber-Small's Aud PCM Master The secondary source supplies a patch in Estimated Prophet(d2t05) from 3:03 thru 3:07; Patched by Scott Clugston. Vined and posted to abgd via Charlie Connor notes
10851. 07/15/88 Shn - 0, 10079 Berkeley Greek Theatre, U. Of California Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman notes
10852. 07/15/88 Flac 16 - 0, 140749 Berkeley Greek Theatre, U. Of California flac16; Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
10853. 07/15/88 Flac 24 UMtx - 0, 141922 Berkeley Greek Theatre, U. Of California flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10854. 07/15/88 Flac 16 - 0, 141964 Berkeley Greek Theatre, U. Of California flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10855. 07/15/88 Flac 16/48 - 0, 141962 Berkeley Greek Theatre, U. Of California flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - mixing by Kevin Tobin notes
10856. 07/15/88 Flac 16 - 0, 141959 Berkeley Greek Theatre, U. Of California flac16; Patched and Pitch Corrected Audience - AUD (original shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - pitch correction and patches by Kevin Tobin notes
10857. 07/15/88 Flac Dts 5.1 - 0, 141961 Berkeley Greek Theatre, U. Of California DTS-Audio-CD 5.1 Mix; SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - dts mixing by Kevin Tobin notes
10858. 07/15/88 Flac 16 Mtx - 0, 141960 Berkeley Greek Theatre, U. Of California flac16; Matrix 2 Source Mix - SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - matrix mixing by Kevin Tobin notes
10859. 07/15/88 Flac16/48 LPCM - 0, 142014 Berkeley Greek Theatre, U. Of California flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - surround mixing by Kevin Tobin notes
10860. 07/15/88 Flac 16 Pre Fm - 0, 143155 Berkeley Greek Theatre, U. Of California flac16; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This file set is 16 bit @ 44.1 notes
10861. 07/15/88 Flac 16 - 0, 143187 Berkeley Greek Theatre, U. Of California flac16; Sean Weber-Small recording: Schoeps CMC42S (Spaced Omni 14' Split)> Oade Power Supply> PCM (Sony PCM-F1 w/ Apogee modified A/D filters); Location (OTS, 2nd Row behind Healy); A Philly Crew transfer: PCM(1)> Sony PCM601esd (spdif out)> VX Pocket (spdif in)> Nuendo> FLAC 16/44 notes
10862. 07/15/88 Flac 16 - 0, 137888 Berkeley Greek Theatre, U. Of California flac16; NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH notes
10863. 07/15/88 Shn - 0, 9244 Berkeley Greek Theatre, U. Of California 2nd Row Behind Healy (see notes): Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters; Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner notes
10864. 07/15/88 Flac 16 - 0, 138063 Berkeley Greek Theatre, U. Of California flac16; Fixed version Source Info: Healy-FM > FM Receiver(RCA output) > D-6 (Dolby C on) > Maxell MX-90; Transfer Info: Maxell MX-90 > Onkyo TA-2027(Dolby C on/azimuth adjusted) > Carver HR-722 > Sony M-10 (Wave 24bit/96k/tracked) > Soundforge 9 (fades / patch) > Converted to 16bit/44k w/ Audacity > Encoded to FLAC (level 8) w/ TLH; Original source marked pre-FM and had some files that were 44.1kHz and others 96kHz notes
10865. 07/15/88 Flac 24/96 - 0, 138064 Berkeley Greek Theatre, U. Of California flac24; Some file are 24 bit and others are 16bit; Source Info: pre-FM > FM Receiver(RCA output) > D-6 (Dolby C on) > Maxell MX-90; Transfer Info: Maxell MX-90 > Onkyo TA-2027(Dolby C on) > Carver HR-722 > Sony M-10 (Wave 24bit/96k/tracked) > Soundforge 9 (fades / patch) > Encoded to FLAC (level 8) w/ TLH; this entry is for documentation purposes notes
10866. 07/16/88 Flac 16 - 0, 87751 Berkeley Greek Theatre, U. Of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10867. 07/16/88 Flac 16 Mtx - 0, 139808 Berkeley Greek Theatre, U. Of California flac16; Recording Info: UltraMatrix SBD (Broadcast Mix) > PCM Master; Transfer Info: PCM Master (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes
10868. 07/16/88 Flac 16 Mtx - 0, 140549 Berkeley Greek Theatre, U. Of California notes
10869. 07/16/88 Flac 24 - 0, 140495 Berkeley Greek Theatre, U. Of California flac24; Recording Info: UltraMatrix SBD (Broadcast Mix) > Ultra Hi-FI VHS Master; Transfer Info: Ultra Hi-Fi VHS Master (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1 bit/5.8 MHz) > Adobe Audition 3.0 24/96 > TLH flac2496 notes
10870. 07/16/88 Flac 16 - 0, 140750 Berkeley Greek Theatre, U. Of California flac16; Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
10871. 07/16/88 Flac 24 Pre Fm - 0, 143156 Berkeley Greek Theatre, U. Of California flac24; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10872. 07/16/88 Flac 16 - 0, 143160 Berkeley Greek Theatre, U. Of California flac16; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10873. 07/16/88 Flac 16 - 0, 107042 Berkeley Greek Theatre, U. Of California flac16; Nak700/cp701>Bill Box>dbx224>D5: Nak>dbx224>mytek8x96AD6(24bit)ftp>r8brain>audacity>cdwave>tlh; Recorded and Transferred by Bill Reutelhuber notes
10874. 07/16/88 U.Mtx Shn - 0, 10080 Berkeley Greek Theatre, U. Of California Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman notes
10875. 07/17/88 Flac 16 - 0, 87752 Berkeley Greek Theatre, U. Of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10876. 07/17/88 Shn Mtx - 0, 10081 Berkeley Greek Theatre, U. Of California Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman.; Note- This may be an FM source; See user comments notes
10877. 07/17/88 Shn - 0, 1808 Berkeley Greek Theatre, U. Of California SBD> DAT Master> CDR> EAC> WAV> SHN; known flaws: d2t05 - d/o's 4:34, 5:06; via Jeff M.; Note- This may be an FM source; See user comments notes
10878. 07/17/88 Flac 16 Mtx - 0, 140579 Berkeley Greek Theatre, U. Of California flac16; Set 2 Recording Info: UltraMatrix SBD (Broadcast Mix) > Ultra Hi-Fi VHS Master; Transfer Info: Ultra Hi-Fi VHS Master (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1 bit/5.8 MHz) > Adobe Audition 3.0 24/96 > TLH flac2496; channels are correct on this 16 bit notes
10879. 07/17/88 Flac 24 - 0, 140512 Berkeley Greek Theatre, U. Of California flac24; Set 2 Recording Info: UltraMatrix SBD (Broadcast Mix) > Ultra Hi-Fi VHS Master; Transfer Info: Ultra Hi-Fi VHS Master (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1 bit/5.8 MHz) > Adobe Audition 3.0 24/96 > TLH flac2496; the original source had errors, please don't circulate that version notes
10880. 07/17/88 Flac 16 - 0, 140511 Berkeley Greek Theatre, U. Of California flac16; Set 1 Recording Info: (FOB) Master Audience PCM; AKG 414btl mics, Master PCM > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 notes
10881. 07/17/88 Flac 24 - 0, 143157 Berkeley Greek Theatre, U. Of California flac24; Recording Info: In-House FM (SBD) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10882. 07/17/88 Flac 24 Pre Fm - 0, 143158 Berkeley Greek Theatre, U. Of California flac24; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10883. 07/17/88 Flac 16 - 0, 143173 Berkeley Greek Theatre, U. Of California flac16; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10884. 07/17/88 Flac 16 - 0, 143211 Berkeley Greek Theatre, U. Of California flac16; Recording Info: In-House FM (SBD) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 notes
10885. 07/17/88 Shn - 0, 9245 Berkeley Greek Theatre, U. Of California 2nd Row Behind Healy (see notes). Schoeps CMC42S (Spaced Omni 10' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters. Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner notes
10886. 07/17/88 Flac 16 - 0, 138013 Berkeley Greek Theatre, U. Of California flac16; NAK-CM100-CP4 Shotguns(2) TOA-K1 Cardoids (2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up right of center on hill behind seating and walkway on 2 mic stands 8'&12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flips/start/end and patch) > encoded to FLAC (level 8) w/ TLH notes
10887. 07/29/88 Flac 16 - 0, 106034 Monterey Laguna Seca Recreation Area flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
10888. 07/29/88 Flac 16 - 0, 93970 Monterey Laguna Seca Recreation Area flac16; Hat Mounted Realistic pzm's w/sony WMD6-C 45 feet away,dead center MAC>D6>HD>Audacity>CDWave>TLH notes
10889. 07/29/88 Flac 16 - 0, 102903 Monterey Laguna Seca Recreation Area flac16; TAPER: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps (Hand Held FOB) Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 notes
10890. 07/29/88 Flac 16 - 0, 105341 Monterey Laguna Seca Recreation Area flac16; Second Set Only 3rd gen sbd>NakCR-3A>AudigySE>Audacity>CDwave>TLH notes
10891. 07/29/88 Shn - 0, 5395 Monterey Laguna Seca Recreation Area Soundboard (was originally labeled as Aud CM-> DAT-> CDR-> EAC w/correct offsets using Secure Mode w/C2 (Plextor UW)-> SHN (MKW)); encore is different AUD source; see notes in info file; via Andy Hayum with thanks to Ken Doughty, Karen Lutz Benbrook notes
10892. 07/29/88 Flac 16 - 0, 86255 Monterey Laguna Seca Recreation Area flac16; Source: Schoeps cmc 4/mk2-> Sony pcm-f1->Beta->Dat->Sony pcm R-500(playback)->vx pocket v2->SF6 Taper: unknown notes
10893. 07/29/88 Flac 16 Mtx - , 158384 Monterey Laguna Seca Recreation Area A Photoleon Matrix Source 1 (a Remastered Version Of Shnid 86255): Schoeps Cmc4 Mk2 > Sony Pcm-f1 > Beta > Dat Transfer: Dat > Sony Pcm R-500 > Vx Pocket V2 > Sf6 Taper: Unknown Transferred And Encoded To Flac By: M.watson Source Dat By: Wklitz Remastered In Adobe Audition By Joe Noel July 23, 2022 Source 2 (shnid 106034): Sbd > Cassette Master > Dat > Cd Transfer: Cd -> Adobe Audition V-> Samplitude Professional V-> Flac Transfer & Mastering By Charlie Miller February 14, 2010 Matrix Created In Adobe Audition By Joe Noel July 20, 2022 notes
10894. 07/30/88 Shn - 0, 19585 Monterey Laguna Seca Recreation Area mixed sources: set1: sbd matrix> unknown cassette generations> ?dat?> cdr> wav> shn; set 2: aud (unknown taper)> unknown cassette generations> ?dat?> cdr> wav> shn; EAC> SHN by Robert Goetz from Mike Rider's source disc notes
10895. 07/30/88 Flac 16 - 0, 131102 Monterey Laguna Seca Recreation Area flac16; 2nd Set SBD 2nd generation recording Sony D6-c dolby b on > Sony PCM M10@24/44.1; SDcard>SoundForge9>CDWave>TLH notes
10896. 07/30/88 Flac 16 - 0, 102904 Monterey Laguna Seca Recreation Area flac16; Taper: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps (In Hat FOB) Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 notes
10897. 07/30/88 Flac 16 - 0, 94495 Monterey Laguna Seca Recreation Area flac16; Hat Mounted Realistic pzm's w/D6 45 feet,dfc MAC>D6>HD>Audacity>CDwave>TLH notes
10898. 07/30/88 Shn - 0, 21092 Monterey Laguna Seca Recreation Area Recording Info:(FOB/Split 10 to 20 Feet)Nakamichi CM700/CP701 -> dbx type II encoder -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi Cassette Deck 1) -> dbx 224x -> Mytek 8X96ADC -> Nuendo (24bit) -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN); Process Info: Very slight eq with waves Q10 and rendered to a 16 bit file with waves L2; Editing Info: Normalized and Tracked with Samplitude v7.02 Professional; Recorded and Transfered BY Bill Reutelhuber; Edited By Charlie Miller 12/15/03 notes
10899. 07/30/88 Flac 16 - 0, 82207 Monterey Laguna Seca Recreation Area flac 16:Primary Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's) Secondary Source: Bill Reutelhuber's Nakamichi CM700/CP701>dbx type II encoder>Cassette Master (Sony TC-D5M) (shn id 21092)Transfer:Nakamichi DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16 Level 8: Taped and transferred by Charlie Connor notes
10900. 07/31/88 Shn - 0, 1669 Monterey Laguna Seca Recreation Area SBD > MR > DAT @48Khz; Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHN3 (seekable); via John D'Auria; d2 tracked for 80 min; small glitch in Bucket, no other flaws notes
10901. 07/31/88 Flac 16 - 0, 85999 Monterey Laguna Seca Recreation Area flac16; Source: Audience FOB Recording, DFC Media: TDK-SA-X Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV notes
10902. 07/31/88 Flac 16 - 0, 102905 Monterey Laguna Seca Recreation Area flac16; Taper: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps (In Hat FOB) Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 notes
10903. 07/31/88 Flac 16 - 0, 142255 Monterey Laguna Seca Recreation Area flac16; Source Info: Master Soundboard Cassette > PCM; Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes
10904. 07/31/88 Flac 16/48 - 0, 142396 Monterey Laguna Seca Recreation Area flac16/48kHz; Set 1 Recording Info: UltraMatrix SBD > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes
10905. 08/26/88 Flac 16/48 - 0, 143125 Tacoma Tacoma Dome flac16/48kHz; Master UltraMatrix Soundboard Dat > Steve Block's cassettes > Jim Blackwood's Dat (16-bit/48k)Transfer Info: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Sound Devices 744T (.wav 16-bit/48k) > Adobe Audition 3.01 > TLH flac1648 notes
10906. 08/26/88 Flac 16 U Mtx - 0, 143143 Tacoma Tacoma Dome flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24. this file set is 16 bit at 44.1 notes
10907. 08/26/88 Flac 24 - 0, 143062 Tacoma Tacoma Dome flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 notes
10908. 08/26/88 Shn - 0, 8215 Tacoma Tacoma Dome FOB Schoeps CMC34 --> Sony PCM-601ES --> DAT; Seeded to etree by Bill Gardner notes
10909. 08/26/88 Flac 24/96 - 0, 152393 Tacoma Tacoma Dome flac24/96 repaired the flutter from shnid=143062 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > Izotope RX8 Advanced > FLAC/24 notes
10910. 08/26/88 Flac 16/48 - 0, 152077 Tacoma Tacoma Dome flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes
10911. 08/26/88 Flac 24/96 - 0, 152078 Tacoma Tacoma Dome flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes
10912. 08/26/88 Flac 16/44 - 0, 152580 Tacoma Tacoma Dome flac16/44 repaired the flutter from shnid=143062 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > Izotope RX8 Advanced > FLAC/24 - This is 152393 24 -> 16 @ 44.1 notes
10913. 08/28/88 Flac 16 - 0, 31107 Eugene Autzen Stadium, University Of Oregon flac16; Source: Healy SBD Ultramix Patch > Sony D5 > MSC(TDK MA-XG90 Type IV Cassettes). Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. Transfer and encoding by C. Ladner. notes
10914. 08/28/88 Shn - 0, 16085 Eugene Autzen Stadium, University Of Oregon SBD>MC>DAT>CDR; via Paul G; Seeded by T. Wiley notes
10915. 08/28/88 Flac 16 44,1khz - 0, 139356 Eugene Autzen Stadium, University Of Oregon flac16 44.1khz Set 1 Only. Source: Schoeps CMC 34-> PCM-> DAT Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel notes
10916. 08/28/88 Flac 16 - 0, 140488 Eugene Autzen Stadium, University Of Oregon flac16; Sony WM-D3 with stock mic > Maxell XL-II 90 minute cassette > Nakamichi CR-7A azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 2.0 (16/44.1 capture to .wav) > iZotope RX and Ozone > FLAC notes
10917. 08/28/88 Flac 16/48 - 0, 152079 Eugene Autzen Stadium, University Of Oregon flac16/48 Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes
10918. 08/28/88 Flac 24/96 - 0, 152080 Eugene Autzen Stadium, University Of Oregon flac24/96 Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496 notes
10919. 09/02/88 Flac 16 - 0, 28799 Landover Capital Centre flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat (SV3800/48k) Set 2: SBD -> Dat -> Sonic Solutions -> CD Transfer Info: Set 1: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC Set 2: CD -> EAC -> Samplitude Professional v8.0 -> FLAC notes
10920. 09/02/88 Flac 16 - 0, 27748 Landover Capital Centre flac16; SBD> Cassette Master> Dat (SV3800/48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller notes
10921. 09/02/88 Shn - 0, 18156 Landover Capital Centre NAK 300's + CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700; Cassette Playback on Nakamichi CR 7.AES/EBU out of AD into Fostex D5; Conversion: EAC>CD WAV> COOL EDIT PRO >MKW >SHN (Seekable); Converted and seeded to etree by Steven Leeds; Thanks to Mark Lynn and Mike B for the source discs, to Willy for the patch source notes
10922. 09/02/88 Flac 16 - 0, 82922 Landover Capital Centre flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac notes
10923. 09/02/88 Flac 16 - 0, 140732 Landover Capital Centre flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (5th row center, OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
10924. 09/02/88 Flac 16 - 0, 82542 Landover Capital Centre flac16; Sennheiser 4xx's > Marantz PMDxxx > MC Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck notes
10925. 09/02/88 Flac 16 - 0, 131128 Landover Capital Centre flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD notes
10926. 09/03/88 Flac 16 - 0, 27749 Landover Capital Centre flac16; verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller. (Note: The encore tracks circulate from the vault digital DAT separately here notes
10927. 09/03/88 Flac 16 - 0, 31224 Landover Capital Centre flac16; Vault dat SBD via Charlie Miller notes
10928. 09/03/88 Flac 16 - 0, 82511 Landover Capital Centre flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck notes
10929. 09/03/88 Flac 16 - 0, 82967 Landover Capital Centre flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac notes
10930. 09/03/88 Flac 16 - 0, 136751 Landover Capital Centre flac16; (original shnid = 82980) Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci - pitch correction and patches by Kevin Tobin notes
10931. 09/03/88 Flac 16/48 - 0, 136755 Landover Capital Centre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (original shnid = 27749)verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller & (original shnid = 31224) Vault dat SBD (of encore) via Charlie Miller + AUD (original shnid = 82980) Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci - mixing by Kevin Tobin notes
10932. 09/03/88 Flac Dts 5.1 - 0, 136753 Landover Capital Centre DTS-Audio-CD 5.1 Mix; SBD (original shnid = 27749)verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller & (original shnid = 31224) Vault dat SBD (of encore) via Charlie Miller + AUD (original shnid = 82980) Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci - DTS mixing by Kevin Tobin notes
10933. 09/03/88 Flac 16 - 0, 136750 Landover Capital Centre flac16; (original shnid = 27749) verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; & (original shnid = 31224) Vault dat SBD (of encore) - pitch correction and patches by Kevin Tobin notes
10934. 09/03/88 Flac 16 Mtx - 0, 1356752 Landover Capital Centre flac16; Matrix 2 Source Mix - SBD (original shnid = 27749)verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller & (original shnid = 31224) Vault dat SBD (of encore) via Charlie Miller + AUD (original shnid = 82980) Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci - matrix mixing by Kevin Tobin notes
10935. 09/03/88 Flac 16 - 0, 142142 Landover Capital Centre flac16; Don Crandall & Chris Huron OTS Recording: Schoeps CMC3 MK41 > PCM (Nakamichi DMP-100); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16 notes
10936. 09/03/88 Flac 16 - 0, 92980 Landover Capital Centre flac16; Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci notes
10937. 09/03/88 Shn - 0, 5913 Landover Capital Centre Updated source: Unknown Mics> Cm> Sound Forge> Dat> CD> Cool Edit Pro> CD (Patched w/(FOB) Senn ME80>Cm), by Charlie Miller; EAC > MKW > SHNv3 by DES; level adjustments during d1t1,2; d2 tracked for 80 min notes
10938. 09/03/88 Flac 16 - 0, 131130 Landover Capital Centre flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD notes
10939. 09/05/88 Flac 16 - 0, 80630 Landover Capital Centre flac16; Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
10940. 09/05/88 Flac 16 - 0, 83250 Landover Capital Centre flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac notes
10941. 09/05/88 Flac 16/48 - 0, 139475 Landover Capital Centre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - mixing by Kevin Tobin notes
10942. 09/05/88 Flac Dts 5.1 - 0, 139474 Landover Capital Centre DTS-Audio-CD 5.1 Mix; - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - dts mixing by Kevin Tobin notes
10943. 09/05/88 Flac 16 Mtx - 0, 139473 Landover Capital Centre flac16; Matrix 3 Source Mix - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - matrix mixing by Kevin Tobin notes
10944. 09/05/88 Flac 16 - 0, 140015 Landover Capital Centre flac16; Source: Sennheiser ME-80 Mics>Unknown Lead Deck> Sony WM-D6C Cassette Deck>TDK MA 90 Metal Cassette Master Tapes>Sony TC-D5M; Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>Edirol R-09 HR(Playback)>CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Section 128,Row EE Seats 4 Official Taper Section notes
10945. 09/05/88 Flac 16 - 0, 142143 Landover Capital Centre flac16; Don Crandall & Chris Huron FOB Recording: Schoeps sub cards @ 130ยบ > PCM (Nakamichi DMP-100); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16 notes
10946. 09/05/88 Shn - 0, 1644ß Landover Capital Centre NAK 300's+CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700; Cassette Playback on Nakamichi CR 7; AES/EBU out of AD into Fostex D5; Conversion: EAC> CD WAV> COOL EDIT PRO >MKW >SHN (Seekable); via Steven Leeds, with thanks to Mark Lynn and Mike B for discs notes
10947. 09/05/88 Flac 16 - 0, 131131 Landover Capital Centre flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD notes
10948. 09/06/88 Flac 16 - 0, 27750 Landover Capital Centre flac16; SBD> Cassette Master> Dat (SV3800/48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller notes
10949. 09/06/88 Flac 16 - 0, 83295 Landover Capital Centre flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Transfer by Dave Hanscom Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files, mkw to encode to shn. This is done by Bzl > flac notes
10950. 09/06/88 Flac 16 - 0, 140020 Landover Capital Centre flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Nakamichi 550 Cassette Deck (Lead Deck) >Sony WM-D6C Cassette Deck>TDK MA-90 Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section, Section 128 Row Bb,Seat 8 notes
10951. 09/06/88 Flac 16 - 0, 142144 Landover Capital Centre flac16; Don Crandall & Chris Huron OTS Recording: Schoeps CMC3 MK41 > PCM (Nakamichi DMP-100); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16 notes
10952. 09/06/88 Shn - 0, 9984 Landover Capital Centre AUD>PCM>DAT>CDR (Schoeps CMC-34?s); via Paul Raoul; Seeded to etree by Brad Ingl notes
10953. 09/06/88 Flac 16 - 0, 131132 Landover Capital Centre flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD notes
10954. 09/08/88 Flac - 0, 1561 Philadelphia The Spectrum SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree (A re-tracked version circulates as of April, 2009. The audio data is identical. The "fixed info file is below.) notes
10955. 09/08/88 Flac 16 - 0, 116062 Philadelphia The Spectrum b>flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Flaoter,Transfer By Keo; Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes
10956. 09/08/88 Flac 16 Mtx - 0, 136887 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid=1561) SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files + AUD (shn id 120487) Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - matrix mixing by Kevin Tobin notes
10957. 09/08/88 Flac 16/48 - 0, 136889 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=1561) SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree + AUD (shn id 120487) Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - mixing by Kevin Tobin notes
10958. 09/08/88 Flac Dts 5.1 - 0, 136888 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; SBD (shnid=1561) SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree + AUD (shn id 120487) Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - DTS mixing by Kevin Tobin notes
10959. 09/08/88 Flac 16 - 0, 136886 Philadelphia The Spectrum flac16; (original shnid = 1561) SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree - pitch correction and patches by Kevin Tobin notes
10960. 09/08/88 Flac 24/96 - 0, 141741 Philadelphia The Spectrum flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes
10961. 09/08/88 Flac 16 - 0, 142147 Philadelphia The Spectrum flac16; Don Crandall & Chris Huron Recording (OTS): Schoeps CMC4/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16 notes
10962. 09/08/88 Flac 16 - 0, 120487 Philadelphia The Spectrum flac16; Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe notes
10963. 09/08/88 Flac 16 - 0, 110021 Philadelphia The Spectrum flac16; Source:Sony D6 Cassette Master>Beyer M160 Mics>Sony Tc-WE 325 Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac notes
10964. 09/08/88 Flac 16 - 0, 109176 Philadelphia The Spectrum flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
10965. 09/08/88 Flac 16 - 0, 145670 Philadelphia The Spectrum flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1 notes
10966. 09/08/88 Flac 24/96 - 0, 116063 Philadelphia The Spectrum flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Flaoter,Transfer By Keo; Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
10967. 09/08/88 Flac 24 - 0, 147775 Philadelphia The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10968. 09/08/88 Flac 16 - 0, 147850 Philadelphia The Spectrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, this file set is 16 bit @ 44.1 notes
10969. 09/08/88 Flac 24 UMtx. - 0, 147973 Philadelphia The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is a pitch corrected version of shnid=147775 (tracks 04 through 06 were fixed) notes
10970. 09/08/88 Flac 16/48 - 0, 148085 Philadelphia The Spectrum flac16/48kHz; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is a pitch corrected version of shnid=147775 (tracks 04 through 06 were fixed); This file set is 16 bit @ 44.1 notes
10971. 09/09/88 Shn - 0, 14840 Philadelphia The Spectrum SBD > Cass Master > DAT > CDR > CDR > EAC > SHN notes
10972. 09/09/88 Flac 16/48 - 0, 138816 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 14840) SBD > Cass Master > DAT > CDR > CDR > EAC > SHN ; EAC/SHN by Darryl Hinko + AUD (shnid = 120488) Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - surround mixing by Kevin Tobin notes
10973. 09/09/88 Flac Dts 5.1 - 0, 138815 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; SBD (shnid = 14840) SBD > Cass Master > DAT > CDR > CDR > EAC > SHN ; EAC/SHN by Darryl Hinko + AUD (shnid = 120488) Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - dts mixing by Kevin Tobin notes
10974. 09/09/88 Flac 16 Mtx - 0, 138813 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 14840) SBD > Cass Master > DAT > CDR > CDR > EAC > SHN ; EAC/SHN by Darryl Hinko + AUD (shnid = 120488) Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - matrix mixing by Kevin Tobin notes
10975. 09/09/88 Flac 24/96 - 0, 141742 Philadelphia The Spectrum flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes
10976. 09/09/88 Flac 16 - 0, 142148 Philadelphia The Spectrum flac16; Don Crandall & Chris Huron Recording (FOB): Schoeps CMC3/MK4 ORTF > PCM (Nakamichi DMP-100); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16 notes
10977. 09/09/88 Flac 16 - 0, 26465 Philadelphia The Spectrum flac16; AKG 414's> SonyD5> MC> CDR> EAC> WAV> FLAC notes
10978. 09/09/88 Flac 16 - 0, 109517 Philadelphia The Spectrum flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
10979. 09/09/88 Flac 16 - 0, 120488 Philadelphia The Spectrum flac16; Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe notes
10980. 09/09/88 Flac 16 - 0, 110654 Philadelphia The Spectrum flac16;Sony D6 Cassette Master>Sennheiser 441 Mics>Sony TC- We 325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac. Taped By Boeditaper. notes
10981. 09/09/88 Flac 16 - 0, 145671 Philadelphia The Spectrum flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1 notes
10982. 09/09/88 Flac 16 - 0, 148147 Philadelphia The Spectrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
10983. 09/09/88 Flac 24 UMtx. - 0, 147844 Philadelphia The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10984. 09/11/88 Flac 16 - 0, 81175 Philadelphia The Spectrum flac16; 1st set only: SBD (Healy Mix) > MC > CD (via Lisa Biasi) speed correction and patching by Kevin Tobin notes
10985. 09/11/88 Shn - 0, 17408 Philadelphia The Spectrum Matrix DSBD>D>CD>EAC>WAV>Cool Edit Processing (drop out cross-fades)>SHN (seekable, via MKWACT) via Fishman notes
10986. 09/11/88 Shn - 0, 8701 Philadelphia The Spectrum (Healy Mix) SBD> DAT> Cassette> DAT> CDR> EAC (secure)> Cool Edit Pro> CD WAV>SHN(seekable); Seeded to etree by Tim Wiley notes
10987. 09/11/88 Shn - 0, 14841 Philadelphia The Spectrum Bertha Remaster of the Soundboard/Cassette source. SBD(Healy Mix)>>DAT>>(*)CASS>>DAT>>>CDR>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A- Note- Changes were made to d2t02 and d2t03 immediately before distribution. It is believed that the pre-change shns do not circulate. notes
10988. 09/11/88 Flac 16 - 0, 110569 Philadelphia The Spectrum flac16; Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-WE325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac. Taped By Boeditaper notes
10989. 09/11/88 Flac 16 - 0, 120489 Philadelphia The Spectrum flac16; Source: Schoeps CMC3/MK4 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 17th row; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe notes
10990. 09/11/88 Flac 16 - 0, 83070 Philadelphia The Spectrum flac16; Source: Nak CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci notes
10991. 09/11/88 Flac 16 - 0, 92003 Philadelphia The Spectrum flac16; Tapers: David Barfield and David Lane Source: (OTS) Nakamichi cm300/cp4->D-5M->Maxell MX90 x 2 Transfer: MAC->Nakamichi MR-1->Korg MR-1000I(DFF 1 Bit/5.6 Mhz)->Audio Gate->16/44.1 wav->FLAC Transferred and seeded on 5/25/2008 by: M. Watson notes
10992. 09/11/88 Flac 16 - 0, 109518 Philadelphia The Spectrum flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
10993. 09/11/88 Flac 24 - 0, 149209 Philadelphia The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
10994. 09/11/88 Flac 16 U Mtx. - 0, 149212 Philadelphia The Spectrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
10995. 09/11/88 Flac 16/48 - 0, 149235 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 149209) Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120489) Source: Schoeps CMC3/MK4 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 17th row; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - surround mixing by Kevin Tobin notes
10996. 09/11/88 Flac 16 Dts.5.1 - 0, 149234 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; SBD (shnid = 149209) Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120489) Source: Schoeps CMC3/MK4 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 17th row; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - dts mixing by Kevin Tobin notes
10997. 09/11/88 Flac 16 Mtx - 0, 149233 Philadelphia The Spectrum flac16; Matrix 2 Audience Source Mix - SBD (shnid = 149209) Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120489) Source: Schoeps CMC3/MK4 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 17th row; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - matrix mixing by Kevin Tobin notes
10998. 09/11/88 Flac 16 - , 156409 Philadelphia The Spectrum Recording Info: (fob) Schoeps Cmc441 (ortf) > Nakamichi Dmp-100 Deck > Sony Sl-2000 > Pcm (master) Location: 16th Row, Center Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 Master Audience Pcm Recorded By Ted Mattes & Paul Thompson Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 06, 2021 notes
10999. 09/12/88 Shn - 0, 8477 Philadelphia The Spectrum (Healy Mix) SBD>DAT>CDR; Seeded to etree by Tim Wiley notes
11000. 09/12/88 Shn - 0, 11285 Philadelphia The Spectrum SBD/Matrix > MC > DAT > CDR; via Dan Szymanski; Seeded to etree by Doug Nawrocki notes
11001. 09/12/88 Flac 16 - 0, 109514 Philadelphia The Spectrum flac16; Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak. Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
11002. 09/12/88 Flac 16 - 0, 109019 Philadelphia The Spectrum flac16; source: 2 Neumann KMF4's > Sony TC-D5M (10th row-center) - analog master cassettes - Maxell MX-90's transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
11003. 09/12/88 Flac 16 - 0, 110575 Philadelphia The Spectrum flac16; Source:Sony D6 Cassette Master>Sennheiser ME-80 Mics>Sony TC-WE 325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac. Taped By boeditaper notes
11004. 09/12/88 Flac 16 - 0, 123923 Philadelphia The Spectrum flac16; Source: Schoeps CMC4/MK41 > Oade P/S? > PCM (Master) > PCM (Clone1); Location: FOB 16th row center; PCM Transfer: Sony PCM 601ES > DAT (0) (44.1khz); Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT (0) provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe notes
11005. 09/12/88 Flac 24 UMtx. - 0, 149279 Philadelphia The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11006. 09/12/88 Flac 16 - 0, 149414 Philadelphia The Spectrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This file set is 16 bit @ 44.1 notes
11007. 09/14/88 Shn - 0, 5573 New York Madison Square Garden SBD> MC> DAT> CDR> EAC> WAV> SHN; via Nick Scarano; Nick's initial shn set was missing encore- encore track added from previous shn set thanks to DES and Willy- both versions (+/- encore) may circulate notes
11008. 09/14/88 Flac Dts - 0, 134429 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=5573) SBD> MC> DAT> CDR> EAC> WAV> SHN; via Nick Scarano; Nick's initial shn set was missing encore- encore track added from previous shn set thanks to DES and Willy- both versions (+/- encore) may circulate + AUD (shn id 90707) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin notes
11009. 09/14/88 Flac 16 - 0, 134427 New York Madison Square Garden flac16; (original shnid = 90707) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin notes
11010. 09/14/88 Flac 16 Mtx - 0, 134428 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=5573) SBD> MC> DAT> CDR> EAC> WAV> SHN; via Nick Scarano; Nick's initial shn set was missing encore- encore track added from previous shn set thanks to DES and Willy- both versions (+/- encore) may circulate + AUD (shn id 90707) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes
11011. 09/14/88 Flac 16 - 0, 134426 New York Madison Square Garden flac16; (original shnid = 5573) SBD> MC> DAT> CDR> EAC> WAV> SHN; via Nick Scarano; Nick's initial shn set was missing encore- encore track added from previous shn set thanks to DES and Willy- both versions (+/- encore) may circulate - pitch correction and patches by Kevin Tobin notes
11012. 09/14/88 Shn - 0, 7488 New York Madison Square Garden Jay Ashley (Bertha) remaster of original shn set; SBD> CM> DAT> CDA> DAW (Bertha)> CDA notes
11013. 09/14/88 Flac 16 - 0, 89084 New York Madison Square Garden flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes
11014. 09/14/88 Flac 16/48 - 0, 139048 New York Madison Square Garden flac16/48kHz; Robert Bryant (patched out of Oade Brothers) recording: Schoeps CMC4 MK41 > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edited & Mastered in Audacity: Wave > Flac 16/48; Checksum & tags created in xACT notes
11015. 09/14/88 Flac 24 U Mtx - 0, 142091 New York Madison Square Garden flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11016. 09/14/88 Flac 16 U Mtx - 0, 142128 New York Madison Square Garden flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11017. 09/14/88 Flac 16 - 0, 142130 New York Madison Square Garden flac16; Ted Mattes & Paul Thompson Master (FOB) Recording: Schoeps CMC3/MK4 (ORTF) > PCM (Nakamichi DMP-100, 14-bit); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16 notes
11018. 09/14/88 Flac 16 - 0, 90707 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
11019. 09/14/88 Flac 16 - 0, 125771 New York Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: 57D, Row A, Seat 2; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes
11020. 09/14/88 Flac 16 - 0, 144150 New York Madison Square Garden flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 16/44.1 - Transferred by Nick Carbonetta; Lineage: wav 16/44.1 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 16; edited and mastered SIRMick December 2018 notes
11021. 09/15/88 Shn - 0, 5068 New York Madison Square Garden SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min notes
11022. 09/15/88 Flac Dts5.1 Mix - 0, 132910 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=5068) SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min + AUD (shn id 88535) AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - dts mixing by Kevin Tobin notes
11023. 09/15/88 Flac 16 Mtx - 0, 132909 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=5068) SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min + AUD (shn id 88535) AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - matrix mixing by Kevin Tobin notes
11024. 09/15/88 Flac 16 - 0, 103230 New York Madison Square Garden flac16; MAC; (FOB) Sennheiser 421s> Sony D5> Maxell XLII 60 (Set I) and Maxell XLII-s 90 (Set II). Transfer/Lineage: Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3 (@24/88.2)> coax> Audiophile 2496> WaveLab 6.10> .wav @ 24/88.2> R8brain> 16/44.1> CD Wave Editor> Traders Little Helper> FLAC16. Editing and Mastering in Wavelab 6.10 with UAD in 24/88.2. Taped by Mark McCue and Lucien Zaleski. Transferred, Edited and Mastered by Alex Ford. notes
11025. 09/15/88 Flac 16 - 0, 88535 New York Madison Square Garden flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes
11026. 09/15/88 Flac 16 - 0, 139644 New York Madison Square Garden flac16; Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity by Joe Noel: Flac 16/44; Checksum & tags created in xACT notes
11027. 09/15/88 Flac 16 - 0, 143842 New York Madison Square Garden flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Steve Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 16/44.1 - Transferred by Nick Carbonetta; Lineage: Wav 16/44.1 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 16; edited and mastered SIRMick November 2018 notes
11028. 09/15/88 Flac 16 - 0, 90744 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
11029. 09/15/88 Flac 16 - 0, 125772 New York Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: 57F, Row C, Seat 5; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes
11030. 09/16/88 Shn - 0, 5289 New York Madison Square Garden Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia notes
11031. 09/16/88 Flac 16 - 0, 105567 New York Madison Square Garden flac16; MAC; (FOB) MAC; (FOB) Sennheiser 421s > Sony D5 > 2 x Maxell XLII-S 90 Transfer: MAC> Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3(@24/88.2)> coax> Audiophile 2496> WaveLab 6.10> .wav @ 24/88.2> Waves L3 UltraMaximizer> CD Wave Editor> Trader's Little Helper> flac16. Editing and Mastering in WaveLab 6.10 with UAD in 24/88.2. Flac files tagged. Taped by Mark McCue and Lucien Zaleski. Transferred, Edited and Mastered by Alex Ford. notes
11032. 09/16/88 Shn - 0, 13603 New York Madison Square Garden Jay Ashley (Bertha) Remaster of the Jim Wise release. SBD>>MC>>DAT>>(*)>>CDA>>DAW(Bertha)>>CDA - Sound A notes
11033. 09/16/88 Flac Dts. - 0, 132967 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=5289) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90776) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin notes
11034. 09/16/88 Flac 16 Mtx - 0, 132966 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=5289) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90776) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes
11035. 09/16/88 Flac 16 - 0, 31965 New York Madison Square Garden flac16; AKG D224E (XY) > Sony TC D5M > Maxell MX Taper: Doug Mow Transfer: Cassette Master > Sony D5 > Edirol UA5 custom Oade mod > USB > IBM R40 > Soundforge > WAV > CDR > EAC > WinXP Pro > Flac Frontend > FLAC16 notes
11036. 09/16/88 Flac 16 44,1khz - 0, 139634 New York Madison Square Garden flac 16 44.1khz Set 1 Only. From the Gastwirt Collection. Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT. Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44 Edited & Mastered by Joe Noel in Audacity: Wave > Flac 16/44 notes
11037. 09/16/88 Flac 16 - 0, 140945 New York Madison Square Garden flac16; Recording info: Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Paul Thompson & Ted Mattes (OTS) notes
11038. 09/16/88 Flac 16 - 0, 90776 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
11039. 09/16/88 Flac 24/96 - 0, 149117 New York Madison Square Garden flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick February 2020 notes
11040. 09/16/88 Flac 16 - 0, 149116 New York Madison Square Garden flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16 notes
11041. 09/18/88 Shn - 0, 12746 New York Madison Square Garden SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD notes
11042. 09/18/88 Flac 16 Dts.5.1 - 0, 133006 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=12746) SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD + AUD (shn id 90920) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - dts mixing by Kevin Tobin notes
11043. 09/18/88 Flac 16 Mtx - 0, 133005 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=12746) SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD + AUD (shn id 90920) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes
11044. 09/18/88 Flac 16 - 0, 133004 New York Madison Square Garden flac16; (original shnid = 90920) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin notes
11045. 09/18/88 Flac 16 - 0, 133003 New York Madison Square Garden flac16; SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD (original shnid 12746) - pitch correction and patches by Kevin Tobin notes
11046. 09/18/88 Flac 16 - 0, 139645 New York Madison Square Garden flac16; Set 2 Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Flac 16/44; Checksum & tags created in xACT notes
11047. 09/18/88 Flac 1644 - 0, 139685 New York Madison Square Garden flac16 44.1khz Source Info: TS Schoeps CMC4 MK41 (Hyper Cards)-> PCM-> DAT (Jim Oade)-> DAT (Ryan Varnum). Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers By Pete Ebel notes
11048. 09/18/88 Flac 16 - 0, 140946 New York Madison Square Garden flac16; Recording info: Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Don Crandall & Chris Huron (OTS) notes
11049. 09/18/88 Flac 16 - 0, 125777 New York Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: 58A, Row B, Seat 2; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes
11050. 09/18/88 Flac 16 - 0, 114059 New York Madison Square Garden flac16; Source: 2 Neumann KMF4 microphones (15th row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
11051. 09/18/88 Flac 16 - 0, 90920 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend notes
11052. 09/18/88 Flac 24/96 - 0, 148685 New York Madison Square Garden flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2020 notes
11053. 09/18/88 Flac 16/44,1 - 0, 148684 New York Madison Square Garden flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick January 2020 notes
11054. 09/19/88 Shn - 0, 15076 New York Madison Square Garden SBD>MC>DAT>CDR ; Via Paul G ; Seeded by T. Wiley notes
11055. 09/19/88 Flac 16 - 0, 106202 New York Madison Square Garden flac16; MAC; (FOB) Sennheiser 421s > Sony D5 > 2 x Maxell XLII-S 90. Transfer: MAC> Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3(@24/88.2)> coax> Audiophile 2496>WaveLab 6.10> .wav @ 24/88.2> R8Brain> .wav @ 16/44.1> CD Wave Editor> TLH> flac16(level eight). Taped by Mark McCue and Lucien Zaleski. Transferred, Edited and Mastered by Alex Ford. notes
11056. 09/19/88 Flac Dts 5.1 - 0, 133320 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin notes
11057. 09/19/88 Flac 16 Mtx - 0, 133319 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes
11058. 09/19/88 Flac 16 - 0, 133318 New York Madison Square Garden flac16; SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley (original shnid 15076) - pitch correction and patches by Kevin Tobin notes
11059. 09/19/88 Flac 16 - 0, 88613 New York Madison Square Garden flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes
11060. 09/19/88 Flac 16 - 0, 139646 New York Madison Square Garden flac16; Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity by Joe Noel: Flac 16/44; Checksum & tags created in xACT notes
11061. 09/19/88 Flac 16 - 0, 125780 New York Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: 57A, Row D, Seat 3; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes
11062. 09/19/88 Flac 16 - 0, 90976 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
11063. 09/19/88 Flac 24/96 - 0, 149278 New York Madison Square Garden flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick March 2020 notes
11064. 09/19/88 Flac 16 - 0, 149277 New York Madison Square Garden flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick March 2020 notes
11065. 09/19/88 Flac 16 - 0, 148730 New York Madison Square Garden flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>2 TDK SA-X 90 Minute Cassette Master Tapes> Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flav Level 8; Sector Boundaries Aligned Uisng Traders Little Helper; Taped By Dave Boedicker, Official Taper Section notes
11066. 09/19/88 Flac 16/48 - , 156567 New York Madison Square Garden flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes
11067. 09/20/88 Shn - 0, 2422 New York Madison Square Garden SBD> DAT> Casette Master> DAT> Montego II> CDR> EAC> SHN; via Jeff M.; includes encore, has small cut d1t7; upgrade relative to previous shn set notes
11068. 09/20/88 Flac 16 - 0, 28450 New York Madison Square Garden flac16; *Set 1 Only* Soundboard->DAT Master(48k)->DAT Clone->Sonic Solutions->CD->CD. CD->EAC->FLAC. EAC, Track, and FLAC by Joe Samaritano notes
11069. 09/20/88 Flac 16 - 0, 130698 New York Madison Square Garden flac16; Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC notes
11070. 09/20/88 Flac 16 - 0, 124883 New York Madison Square Garden flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11071. 09/20/88 Flac Dts 5.1 - 0, 133540 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=130698) Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC + AUD (shn id 90977) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - dts mixing by Kevin Tobin notes
11072. 09/20/88 Flac16 Mtx - 0, 130539 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=130698) Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC + AUD (shn id 90977) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes
11073. 09/20/88 Flac 16 - 0, 130538 New York Madison Square Garden flac16; Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC (original shnid 130698) - pitch correction and patches by Kevin Tobin notes
11074. 09/20/88 Flac 16 - 0, 89256 New York Madison Square Garden flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand, set up next to the lighting board, just in front of the OTS area. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes
11075. 09/20/88 Flac 16 - 0, 138359 New York Madison Square Garden flac16; Source: Unknown audience recording > dat (44.1k); Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfered by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick May 2017 notes
11076. 09/20/88 Flac 16 - 0, 139647 New York Madison Square Garden flac16; Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity by Joe Noel: Flac 16/44; Checksum & tags created in xACT notes
11077. 09/20/88 Flac 16 - 0, 142131 New York Madison Square Garden flac16; Don Crandall & Chris Huron Recording (OTS): Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16 notes
11078. 09/20/88 Flac 16 - 0, 31991 New York Madison Square Garden flac16; AKG 224E > Sony D5 > Maxell MX Master Taper: Doug Mow Transfer: Cassette Master > Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/Windows XP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Flac Frontend > FLAC16. notes
11079. 09/20/88 Flac 16 - 0, 90977 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend notes
11080. 09/20/88 Flac 16 - 0, 116442 New York Madison Square Garden flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
11081. 09/20/88 Flac 24/96 - 0, 124882 New York Madison Square Garden flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename This is your collection notes
11082. 09/20/88 Flac 24/96 - 0, 152253 New York Madison Square Garden flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24 notes
11083. 09/20/88 Flac 24/96 - 0, 152253 New York Madison Square Garden flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24 notes
11084. 09/22/88 Shn - 0, 5290 New York Madison Square Garden Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia; see info file for flaw notes notes
11085. 09/22/88 Flac 16 - 0, 124922 New York Madison Square Garden flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11086. 09/22/88 Flac Dts 5.1 - 0, 133700 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=5290) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 124922) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 - dts mixing by Kevin Tobin notes
11087. 09/22/88 Flac 16 - 0, 133698 New York Madison Square Garden flac16; (original shnid = 124922) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 - pitch correction and patches by Kevin Tobin notes
11088. 09/22/88 Flac 16 - 0, 133697 New York Madison Square Garden flac16; (original shnid = 5290) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia - pitch correction and patches by Kevin Tobin notes
11089. 09/22/88 Flac 16 - 0, 89048 New York Madison Square Garden flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes
11090. 09/22/88 Flac 24/96 - 0, 124921 New York Madison Square Garden flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
11091. 09/22/88 Flac 16 - 0, 140947 New York Madison Square Garden flac16; Recording info: Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Don Crandall & Chris Huron (OTS) notes
11092. 09/22/88 Flac 16 Mtx - 0, 133699 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=5290) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 124922) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 - matrix mixing by Kevin Tobin notes
11093. 09/22/88 Flac 16 - 0, 149942 New York Madison Square Garden flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche notes
11094. 09/22/88 Flac 24/96 - 0, 150695 New York Madison Square Garden flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - Taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz - Transferred by Nick Carbonetta; Lineage: DSF 1-bit/5.6MHz > DBPoweramp > wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > CD Wave > flac 24; edited and mastered SIRMick October 2020 notes
11095. 09/22/88 Flac 16 - 0, 150694 New York Madison Square Garden flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - Taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz - Transferred by Nick Carbonetta; Lineage: DSF 1-bit/5.6MHz > DBPoweramp > wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick October 2020 notes
11096. 09/23/88 Shn - 0, 5291 New York Madison Square Garden Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia notes
11097. 09/23/88 Flac 16 - 0, 79923 New York Madison Square Garden flac16; Soundcheck - Recording Info: SBD -> Cassette Master (Sony D6/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller notes
11098. 09/23/88 Flac Dts 5.1 - 0, 133796 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=5291) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90983) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm 1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin notes
11099. 09/23/88 Flac 16 - 0, 133794 New York Madison Square Garden flac16; (original shnid = 5291) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia - pitch correction and patches by Kevin Tobin notes
11100. 09/23/88 Flac 16 Mtx - 0, 133795 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=5291) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90983) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm 1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin notes
11101. 09/23/88 Flac 16 - 0, 88997 New York Madison Square Garden flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > TDK MA-XG 90's, no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F notes
11102. 09/23/88 Flac 16 - 0, 139648 New York Madison Square Garden flac16; Set 2 Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Joe Noel Edited & Mastered in Audacity: Flac 16/44; Checksum & tags created in xACT notes
11103. 09/23/88 Flac 16 - 0, 140944 New York Madison Square Garden flac16; Recording info: Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Don Crandall & Chris Huron (OTS) notes
11104. 09/23/88 Flac 16 - 0, 115860 New York Madison Square Garden flac16; Source: 2 Neumann KMF4 microphones (6th row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
11105. 09/23/88 Flac 16 - 0, 90983 New York Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm 1 > creative extigy soundcard > cool edit pro > flac frontend notes
11106. 09/24/88 Flac 16 - 0, 82486 New York Madison Square Garden flac16; Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches notes
11107. 09/24/88 Flac Dts 5.1 - 0, 133969 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=82486) Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches + AUD (shn id 121064) Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - dts mixing by Kevin Tobin notes
11108. 09/24/88 Flac 16 - 0, 133987 New York Madison Square Garden flac16; (original shnid = 82486) Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches - pitch correction and patches by Kevin Tobin notes
11109. 09/24/88 Flac 16 Mtx - 0, 133968 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=82486) Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches + AUD (shn id 121064) Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - matrix mixing by Kevin Tobin notes
11110. 09/24/88 Shn - 0, 425 New York Madison Square Garden encores missing; no source info; benefit with misc guests; via Rich (yubah); Keith Bode reports he traded around a bootleg CD of this show that matches setlist here- maybe this is his "very high quality bootleg notes
11111. 09/24/88 Flac 16 - 0, 89303 New York Madison Square Garden flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > TDK MA 90's, no Dolby. Mics on stand on floor near sbd. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes
11112. 09/24/88 Shn - 0, 83073 New York Madison Square Garden Main source: Unknown FM or pre-FM source (shnid 425) Patch source: FM > C > poss. extra C gen > Tascam HD-P2 > .wav > SHN provided by Joey Browning (provides encores notes
11113. 09/24/88 Flac 24 - 0, 142104 New York Madison Square Garden flac24; Soundboard Recording Info: SBD > PCM Master (Sony ES-HG); Soundboard Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Audience Recording Info: AKG C42 (m/s) > Beta HiFi Master (Sony ES-HG); Audience Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Mastering Info: DSF > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller notes
11114. 09/24/88 Flac 16 - 0, 142105 New York Madison Square Garden flac16; Recording Info: SBD > PCM Master (Sony ES-HG); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes
11115. 09/24/88 Flac 16 - 0, 142132 New York Madison Square Garden flac16; Recording Info: AKG C42 (m/s) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
11116. 09/24/88 Flac 16 - 0, 121064 New York Madison Square Garden flac16; Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
11117. 09/24/88 Flac 24 - 0, 142112 New York Madison Square Garden flac24; Recording Info: AKG C42 (m/s) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
11118. 09/24/88 Flac 16 - 0, 142129 New York Madison Square Garden flac16; Soundboard Recording Info: SBD > PCM Master (Sony ES-HG); Soundboard Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Audience Recording Info: AKG C42 (m/s) > Beta HiFi Master (Sony ES-HG); Audience Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Mastering Info: DSF > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller notes
11119. 09/30/88 Shn - 0, 7585 Mountain View Shoreline Amphitheatre 2nd set only; Soundboard Cassette >DAT> CDR> EAC> seekable SHN; via Darrin Sacks notes
11120. 09/30/88 Flac - 0, 21093 Mountain View Shoreline Amphitheatre et One Recording Info:(FOB/Section 102 Nakamichi CM700/CP701 -> dbx II -> Cassette Master (Sony TC-D5M); Set One Transfer Info: Cassette Master (Nakamichi Cassette Deck 1) -> dbx 224x -> Mytek 8X96ADC -> Nuendo (24bit) -> Samplitude v7.02 -> SHN (2 Discs Audio / 2 Discs SHN); Set Two Recording Info: SBD -> Cassette Master -> Dat -> CD > EAC -> SHN; Process Info: --slight eq with waves Q10 and slight dynamic expansion with waves C4 and rendered down to a 16 bit file with waves L2; Editing Info: --Tracked and Normalized with Samplitude v7.02 Professional; Recorded and Transfered BY Bill Reutelhuber; Edited and SHN'd By Charlie Miller 12/15/03 notes
11121. 09/30/88 Flac 24 UMtx - 0, 142145 Mountain View Shoreline Amphitheatre flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11122. 09/30/88 Flac 16 U Mtx - 0, 142152 Mountain View Shoreline Amphitheatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11123. 09/30/88 Flac 16 - 0, 94477 Mountain View Shoreline Amphitheatre flac16; Beyer M-88's w/D6 OTS MAC>D6>HD>Audacity>CDWave>TLH notes
11124. 10/01/88 Shn - 0, 7728 Mountain View Shoreline Amphitheatre SBD> Cass> DAT> CDR> EAC> SHN (seekable); via Darrin Sacks to abgd, etree notes
11125. 10/01/88 Flac 16 - 0, 94478 Mountain View Shoreline Amphitheatre flac16; Beyer M-88's w/D6 OTS MAC>D6>HD>Audacity>CDWave>TLH notes
11126. 10/01/88 Flac 24 - 0, 142331 Mountain View Shoreline Amphitheatre flac24; Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11127. 10/01/88 Flac 16 - 0, 142489 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11128. 10/01/88 Flac 16 - 0, 116400 Mountain View Shoreline Amphitheatre flac16; Set 2 Only Source: (OTS) Superscope EC-7's > Marantz PMD-430; Lineage: Cass/M > Sony D5 > HHb 800 > EAC > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster notes
11129. 10/02/88 Flac 16 - 0, 34467 Mountain View Shoreline Amphitheatre flac16; Seamless fix of shn id 7637 - Cassette Soundboard>DAT>CDR>EAC>SHN(seekable)>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
11130. 10/02/88 Shn - 0, 7637 Mountain View Shoreline Amphitheatre SBD> Cass> DAT> CDR> EAC>SHN (seekable); via Darrin Sacks to abgd, etree notes
11131. 10/02/88 Flac 24 - 0, 142403 Mountain View Shoreline Amphitheatre flac24; Set 2 Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11132. 10/02/88 Flac 16 - 0, 142490 Mountain View Shoreline Amphitheatre flac16; Set 2 Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11133. 10/02/88 Flac 16 - 0, 94479 Mountain View Shoreline Amphitheatre flac16; Beyer M-88's w/D6 OTS MAC>D6>HD>Audacity>CDWave>TLH notes
11134. 10/14/88 Shn - 0, 22791 Miami Miami Arena REPITCHED VERSION (2/22/04) using Charlie Miller's original SHN's; done by JR Fishman. See info file for additional edits notes
11135. 10/14/88 Shn - 0, 22289 Miami Miami Arena Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller notes
11136. 10/14/88 Flac 16 - 0, 83676 Miami Miami Arena flac16; Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz notes
11137. 10/14/88 Flac Dts 5.1 - 0, 134023 Miami Miami Arena DTS-Audio-CD 5.1 Mix; SBD (shnid=22289) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller + AUD (shn id 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - dts mixing by Kevin Tobin notes
11138. 10/14/88 Flac 16 - 0, 134024 Miami Miami Arena flac16; (original shnid = 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - pitch correction and patches by Kevin Tobin notes
11139. 10/14/88 Flac 16 Mtx - 0, 134022 Miami Miami Arena flac16; Matrix 2 Source Mix - SBD (shnid=22289) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller + AUD (shn id 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - matrix mixing by Kevin Tobin notes
11140. 10/14/88 Flac 24/96 - 0, 138830 Miami Miami Arena flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; taper section, section 101, row t, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes
11141. 10/14/88 Flac 16 - 0, 138829 Miami Miami Arena flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; taper section, section 101, row t, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes
11142. 10/14/88 Flac 24 U Mtx - 0, 141626 Miami Miami Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11143. 10/14/88 Flac 16 - 0, 141625 Miami Miami Arena flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
11144. 10/14/88 Flac 16 U Mtx - 0, 141685 Miami Miami Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11145. 10/14/88 Flac 24/96 - 0, 146317 Miami Miami Arena flac24; Recording Info: Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg notes
11146. 10/14/88 Flac 24/96 - 0, 148493 Miami Miami Arena flac24; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
11147. 10/14/88 Flac 16/48 - 0, 148492 Miami Miami Arena flac16/48kHz; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
11148. 10/15/88 Flac 16 - 0, 83504 St. Petersburg Bayfront Center Arena flac16; Source: Nak100's -> Sony D-6 (Marantz PMD43x was lead deck) Location: Tapers Section - Jerry's side behind board up 12": mics 10' up and 10" apart Transferred by mtownshend@adelphia.net notes
11149. 10/15/88 Flac - 0, 28438 St. Petersburg Bayfront Center Arena flac16; Recording Info: SBD -> Dat Master (48k) -> Dat (Cloned From Vault Master) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller (Set 2 partial) notes
11150. 10/15/88 Flac 16 - 0, 138836 St. Petersburg Bayfront Center Arena flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 4, seat 3; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes
11151. 10/15/88 Flac 24/96 - 0, 138837 St. Petersburg Bayfront Center Arena flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 4, seat 3; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes
11152. 10/15/88 Flac 16 - 0, 141447 St. Petersburg Bayfront Center Arena flac16; Source Info: Ted Mattes' Master (FOB) Audience PCM; Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
11153. 10/15/88 Flac 16/48 - 0, 142462 St. Petersburg Bayfront Center Arena b>flac16/48kHz; Source Info: 1st Set - Master UltraMatrix Soundboard Dat > Technics Reel to Reel > Panasonic SV-3800 Dat (16/48k); 2nd Set - Audience recording of unknown provenance; Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000(wav 16-bit/48k)> Adobe Audition 3.0 > TLH flac1648 notes
11154. 10/15/88 Shn - 0, 17181 St. Petersburg Bayfront Center Arena UNKNOWN AUD>?>?>SHN Conversion: MKW>WAVE LAB>CD WAVE>MKW>SHN (Seekable) by Steven Leeds notes
11155. 10/15/88 Flac 24/96 - 0, 146318 St. Petersburg Bayfront Center Arena flac24; Recording Info: Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg notes
11156. 10/15/88 Flac 24/96 - 0, 148495 St. Petersburg Bayfront Center Arena flac24; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
11157. 10/15/88 Flac 16/48 - 0, 148494 St. Petersburg Bayfront Center Arena flac16/48kHz; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
11158. 10/15/88 Flac 16/44 - 0, 152008 St. Petersburg Bayfront Center Arena flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Izotope RX8 Advanced (WOW & Flutter Repair) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC/24 - 152002 24 > 16 @ 44.1 notes
11159. 10/15/88 Flac 24/96 - 0, 152002 St. Petersburg Bayfront Center Arena flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Izotope RX8 Advanced (WOW & Flutter Repair) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC/24 notes
11160. 10/16/88 Flac 16 - 0, 92389 St. Petersburg Bayfront Center flac16; Recording Info: SBD -> Cassette Master (TDK SA-x90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11161. 10/16/88 Flac 16 - 0, 138840 St. Petersburg Bayfront Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 3, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes
11162. 10/16/88 Flac 16 - 0, 141448 St. Petersburg Bayfront Center flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
11163. 10/16/88 Flac 24 U Mtx - 0, 141650 St. Petersburg Bayfront Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11164. 10/16/88 Flac 16 U Mtx - 0, 141686 St. Petersburg Bayfront Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11165. 10/16/88 Flac 16 - 0, 86914 St. Petersburg Bayfront Center flac16; Source: Master Analog Cassettes Nakamichi 300’s > Sony D5. Tapers section Maxell MX90 Type IV cassettes. Taped by B.Koucky. Transfer: MAC playback on azimuth adjusted Nakamich CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to harddrive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves Z-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8). Transfer and mastering by Chris L. notes
11166. 10/16/88 Flac 16 - 0, 28478 St. Petersburg Bayfront Center flac16; UPDATED source info: 2 Sennheiser ME80 shotguns > Sony D-5 > Maxell MX 90 (first set), TDK MA-XG90 (2nd set). Taper: Mark McCue Lineage: Sony D5 > Tascam CDR4U stand alone burner > CDR > EAC (no errors) > Win XP Pro > FLAC Frontend > FLAC 16. transfer from Sony D5 through CDR by Mark McCue. transfer from CDR through FLAC16 by Alex Ford on 03/08/05. notes
11167. 10/16/88 Flac 16 - 0, 26381 St. Petersburg Bayfront Center flac16; Remaster of shnid=10058, including secondary AUD patches from AUD> 2nd gen VHS, EQ and pitch correction; AUD> MC> DAT> CDR> SHN> WAV> ADOBE AUDITION> CDWAV> SHNTOOL> FLAC, by MattMan notes
11168. 10/16/88 Flac 24/96 - 0, 146319 St. Petersburg Bayfront Center flac24; Recording Info: Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg notes
11169. 10/16/88 Flac 24/96 - 0, 138841 St. Petersburg Bayfront Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 3, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes
11170. 10/16/88 Flac 24/96 - 0, 148497 St. Petersburg Bayfront Center flac24; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
11171. 10/16/88 Flac 16/48 - 0, 148496 St. Petersburg Bayfront Center flac16/48kHz; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
11172. 10/18/88 Shn - 0, 17079 New Orleans Keifer Lakefront Arena SBD(Healy Mix)>MC>HiFi VHS>DAT>CDR>CD WAVE>WAVE LAB>MKW>SHN (Seekable); See info file for notes; Seeded to etree 05/07/03 by Steven Leeds notes
11173. 10/18/88 Flac 16 Mtx - 0, 122771 New Orleans Keifer Lakefront Arena flac16; Matrix 3 Source Mix - SBD (shn id 17079) SBD(Healy Mix)>MC>HiFi VHS>DAT>CDR>CD WAVE>WAVE LAB>MKW>SHN Seeded to etree 05/07/03 by Steven Leeds + AUD1 (shn id 116240) Master Audience AKG414>Technics Dat>Sony D6 Dolby C; Taper White,Transfer By Keo; Tapes Maxell MX 90's; Transfer With Nakamichi MR-1,No Dolby C>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz + AUD2 (shn id 122747) Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project - matrix mixing by Kevin Tobin notes
11174. 10/18/88 Flac 16 - 0, 115801 New Orleans Keifer Lakefront Arena flac16; Encores Only, AUD > ? > FLAC notes
11175. 10/18/88 Flac 16 - 0, 122733 New Orleans Keifer Lakefront Arena flac16; SBD(Healy Mix)>MC>HiFi VHS>DAT>CDR>CD WAVE>WAVE LAB>MKW>SHN - patched and speed corrected version of shnid 17079 by Kevin Tobin notes
11176. 10/18/88 Flac 16 - 0, 116241 New Orleans Keifer Lakefront Arena flac16; Master Audience AKG414>Technics Dat>Sony D6 Dolby C; Taper White,Transfer By Keo; Tapes Maxell MX 90's; Transfer With Nakamichi MR-1,No Dolby C>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes
11177. 10/18/88 Flac 24/96 - 0, 116240 New Orleans Keifer Lakefront Arena flac24; Master Audience AKG414>Technics Dat>Sony D6 Dolby C; Taper White,Transfer By Keo; Tapes Maxell MX 90's; Transfer With Nakamichi MR-1,No Dolby C>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
11178. 10/18/88 Flac 16 - 0, 122747 New Orleans Keifer Lakefront Arena flac16; Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project notes
11179. 10/18/88 Flac 16 - 0, 141504 New Orleans Keifer Lakefront Arena flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
11180. 10/18/88 Flac 24/96 - 0, 151208 New Orleans Keifer Lakefront Arena flac24/96khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
11181. 10/18/88 Flac 16/44 - 0, 151615 New Orleans Keifer Lakefront Arena flac16/44khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151208 24 -> 16 @ 44.1 notes
11182. 10/20/88 Flac 16 - 0, 105858 Houston The Summit flac16; Taper: Alan "Dogman" Miller. Lineage AKG Microphones > Nakamichi550 1st Generation Maxell XLII-S Tapes ( the masters are gone ). Nakamichi DR-1 [no dolby] > Lynx2 Studio Reference Interface > Wavelab 6.01 at 24 BIT 48 kHz Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz. Tracked in CDWAV Tag&Rename for Meta_Data. Trader's Little Helper for FLAC Level8 by Patrick White (wharfratpat@shnflac.net) notes
11183. 10/20/88 Flac 16 - 0, 82488 Houston The Summit flac16; Set 2 Only, Taper: Unknown AKGC422 > Sony D5 8ft high 30 ft center (or D5 tuned up and Nak300) JVC TD-V1050 cassette deck -> Lynx Two A/D (24-bit, 48kHz) -> Wavelab 6.0 Edited and Remastered: Wavelab 6.0 with Waves Plugins and Ozone by Jamie Waddell notes
11184. 10/20/88 Flac 24/96 - 0, 116358 Houston The Summit flac24; Master Audience Sennheiser 441's>Sony D5>Sony D6 (Patched) Dolby C On; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz notes
11185. 10/20/88 Flac 16 - 0, 141656 Houston The Summit flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Schoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
11186. 10/20/88 Flac 16 - 0, 116357 Houston The Summit flac16; Master Audience Sennheiser 441's>Sony D5>Sony D6 (Patched) Dolby C On; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes
11187. 10/20/88 Flac 16/44 - 0, 152172 Houston The Summit flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MX-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24 - 152119 24 > 16 @ 44.1 notes
11188. 10/20/88 Flac 24/96 - 0, 152119 Houston The Summit flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MX-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24 notes
11189. 10/21/88 Flac - 0, 30814 Dallas Reunion Arena Recording Info: SBD -> Dat; Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC); Transferred and Edited By Charlie Miller charliemiller87@earthlink.net notes
11190. 10/21/88 Shn - 0, 18188 Dallas Reunion Arena MSC>?>DAT>CDR Eac > cool edit > shntool > cdwav > shnv3 Dat> Cdr by Andy Lemieux Eac > shnv3(secure with proper offsets) by Ernie Dodd notes
11191. 10/21/88 Flac 16 - 0, 116361 Dallas Reunion Arena flac16; Master Audience Unknown Realistic Mics>Sony D6,Dolby C On; Recorded Third Row In Front Of The Left Speaker Stack; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua Top 16/44; SBE's Checked/Fixed with Trader's Little Helper notes
11192. 10/21/88 Flac 16/44,1 - 0, 141026 Dallas Reunion Arena flac16/44.1 Source Info: FOB Schoeps CMC 4 Mk4-> Sony F1 PCM-> DAT (Lance Deal?) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
11193. 10/21/88 Flac 16 - 0, 141657 Dallas Reunion Arena flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Schoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
11194. 10/21/88 Shn - 0, 31108 Dallas Reunion Arena Unknown Nakamichi mics > ? > Sony D-5 > Master Cassette > 1st Generation Cassette (2 Maxell XLII's) Taper: Unknown Lineage: 2 Maxell XLII's > Nakamichi Cassette Deck 2 > UA-5 @ 16 bit/44.1 kHz (analog in) > USB > WinXP Pro > Cool Edit Pro 2.0 > CDWave Editor > TLH (sbe fix) > Flac Frontend > FLAC16. Transfer and seeding to bt.etree.org by Alex Ford 10/06/2005 A very special thanks goes out to Barry B. for supplying (and trusting) me with his 1st Gen Cassettes. notes
11195. 10/21/88 Flac 24/96 - 0, 116361 Dallas Reunion Arena flac24; Master Audience Unknown Realistic Mics>Sony D6,Dolby C On; Recorded Third Row In Front Of The Left Speaker Stack; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
11196. 12/09/88 Shn - 0, 16465 Long Beach Long Beach Arena Set 2; Master Soundboard Cassette >DAT >CD; via Mark Lynn and Mike B, encoded by Steven Leeds notes
11197. 12/09/88 Shn - 0, 16093 Long Beach Long Beach Arena AUD>DAT>CD; via Paul B; Seeded to etree by Willy notes
11198. 12/09/88 Flac 24/96 - 0, 152483 Long Beach Long Beach Arena flac24/96 Ambient Master by Mike French "Moke". A solo effort Tapers From Hell: A Journey to the Impact Zone Sennheiser MKE2002 omni's (x2) HRTF @ 6'4" -> Sony TC-D5M no dolby n.r.. From 16th row, center section, FOB,.. Not true center, but a few feet left of center. Solo effort, no blockers or quiet zone. To the digital realm @ 24/96: Sony TC-D5M master deck, and master cassette no n.r. -> Tascam DVRA1000 DSD recorder in PCM Mode 24/96, mastered directly to DVD+RW. By MF Master DVD+RW disc imported to Mac G4 Tiger 10.4 Track divisions, and fades by Sound Studios 2.2.4. Flac by xACT by Scott Brown @ 6/8 By MF notes
11199. 12/09/88 Flac 16 - 0, 152145 Long Beach Long Beach Arena Recording Info: UltraMatrix SBD > Cassette Master (Don Pearson) > Cassette (Dolby C) > WAV (16-bit/44.1k)
Mastering Info: WAV > Samplitude Pro X5 Suite > FLAC/16
notes
11200. 12/09/88 Flac 16/48 - , 151088 Long Beach Long Beach Arena flac16/48khz Source : Unknown mics > DAT > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
11201. 12/09/88 Flac 24/96 - , 151089 Long Beach Long Beach Arena flac24/96khz Source : Unknown mics > DAT > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
11202. 12/10/88 Shn - 0, 16094 Long Beach Long Beach Arena AUD>DAT>CD; via Paul B; Seeded to etree by Willy notes
11203. 12/10/88 Flac 16 - 0, 152146 Long Beach Long Beach Arena Recording Info: UltraMatrix SBD > Cassette Master (Don Pearson) > Cassette (Dolby C) > WAV (16-bit/44.1k)
Mastering Info: WAV > Samplitude Pro X5 Suite > FLAC/16
notes
11204. 12/10/88 Flac 16/48 - , 151090 Long Beach Long Beach Arena flac16/48khz Source : Unknown mics > DAT > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp >1648 notes
11205. 12/10/88 Flac 24/96 - , 151091 Long Beach Long Beach Arena flac24/96khz Source : Unknown mics > DAT > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
11206. 12/11/88 Shn - 0, 16095 Long Beach Long Beach Arena AUD>DAT>CD; via Paul B; Seeded to etree by Willy notes
11207. 12/11/88 Flac 16 - 0, 152147 Long Beach Long Beach Arena Recording Info: UltraMatrix SBD > Cassette Master (Don Pearson) > Cassette (Dolby C) > WAV (16-bit/44.1k)
Mastering Info: WAV > Samplitude Pro X5 Suite > FLAC/16
notes
11208. 12/11/88 Flac 16/48 - , 151092 Long Beach Long Beach Arena flac16/48khz Source : Unknown mics > DAT > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
11209. 12/11/88 Flac 24/96 - , 151093 Long Beach Long Beach Arena flac24/96khz Source : Unknown mics > DAT > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
11210. 12/28/88 Flac 16 - 0, 97099 Oakland Oakland-Alameda County Coliseum flac16; Source: aud > Nak CM-100's with CP-4 shotgun mics > D-5 > mac taped from the official tapers section Transfer: mac > Nakamichi CR-5A > Tascam HDP2 > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16 notes
11211. 12/28/88 Flac 16 - 0, 75302 Oakland Oakland-Alameda County Coliseum flac16; Seamless fix of shn id 3914 - SBD: Healy Mix>PCM>DAT>EventGina>WAV>CD>EAC>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
11212. 12/28/88 Shn - 0, 3914 Oakland Oakland-Alameda County Coliseum Healy Mix (SBD+AKG C 424b mic)> PCM> DAT> EventGina> WAV> CD> EAC> SHN; to abgd as well as etree? notes
11213. 12/28/88 Flac 16 Mtx - 0, 137866 Oakland Oakland-Alameda County Coliseum flac16; Healy Matrix -> Beta; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF->Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF->RME FIREFACE 800-> FireWire 400->Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab7; Audition CC 2015 Mastering and Patching by Jason Chastain; Track, FLAC, Pack by mdftunes notes
11214. 12/28/88 Flac 16 - 0, 141658 Oakland Oakland-Alameda County Coliseum notes
11215. 12/28/88 Flac 16 - 0, 117670 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
11216. 12/28/88 Flac 24 UMtx. - 0, 149731 Oakland Oakland-Alameda County Coliseum b>flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11217. 12/28/88 Flac 16 - 0, 149778 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
11218. 12/29/88 Shn - 0, 6313 Oakland Oakland-Alameda County Coliseum sbd> dats> wav> shn; dat> wav> shn by popi n. feeldz, from Michael Grossman DAT seed notes
11219. 12/29/88 Shn Mtx - 0, 7347 Oakland Oakland-Alameda County Coliseum Ultra-Matrix DSBD>DAT>CDR>EAC>HD>SHN; via Glenn Gillis; Tony Gardner notes
11220. 12/29/88 Flac 16 Mtx - 0, 137692 Oakland Oakland-Alameda County Coliseum flac16; Healy Matrix -> Beta; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab7; Audition CC 2015 Mastering and Patching by Jason Chastain; Critical Listening Assistance and Track, FLAC, Pack by Norm notes
11221. 12/29/88 Flac 16 - 0, 140701 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony F1/Sony PRO-XL500); Transfer Info: PCM Master (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes
11222. 12/29/88 Flac 16 - 0, 141659 Oakland Oakland-Alameda County Coliseum flac16; Source Info: Ted Mattes' (with an assist to Jeff Travitz) Master (FOB) Audience PCM; Schoeps CMC4/MK4 > Sony PCM-F1 with Apogee filters; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam SS-CDR2000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
11223. 12/29/88 Flac 16 - 0, 98925 Oakland Oakland-Alameda County Coliseum flac16; 2 Nak 100's w/ CP-4 Guns > Sony D5 > MAC > Nak dr-1 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 ) notes
11224. 12/29/88 Flac 24/96 - 0, 152285 Oakland Oakland-Alameda County Coliseum flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
11225. 12/29/88 Flac 16/44 - 0, 152582 Oakland Oakland-Alameda County Coliseum flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 -This is 152285 24 -> 16 @ 44.1 notes
11226. 12/31/88 Flac 16 - 0, 85966 Oakland Oakland-Alameda County Coliseum flac16; SBD -> Cassette Master (Sony D5/TDK MAX-G90) All Transfers and Mastering By Charlie Miller notes
11227. 12/31/88 Shn - 0, 3189 Oakland Oakland-Alameda County Coliseum Healy Mix (SBD+AKG C 424b mic)> PCM> DAT> DALCardDeluxe> WAV> CD> EAC> SHN; via Stagger? to abgd, thence to etree; some balloon pops edited down or out notes
11228. 12/31/88 Shn - 0, 9396 Oakland Oakland-Alameda County Coliseum Jay Ashley (Bertha) Remaster of Healy SBD Mix; SBD(Healy Mix>>PCM>>DAT>>DALCardDeluxe>>WAV>>CDA>SHN>>DAW(Bertha)>>CDA notes
11229. 12/31/88 Flac 16 - 0, 97786 Oakland Oakland-Alameda County Coliseum flac16; Source: fm > Sony Walkman Fm stereo receiver > Marantz PMD-431 (probably) > mac Transfer: mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16 notes
11230. 12/31/88 Flac 16 - 0, 138904 Oakland Oakland-Alameda County Coliseum flac16; Set 1 Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (44.1k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017 notes
11231. 12/31/88 Flac 16 Mtx - 0, 136731 Oakland Oakland-Alameda County Coliseum flac16; Healy Matrix pre-fm -> Beta; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; tracking with Audacity-> flac level 8->tagged with Tag&Rename and checksums with TLH by Norm; 16 bit 44.1kHz a project **GEMS** notes
11232. 12/31/88 Flac 16 - 0, 140702 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony F1/Sony PRO-XL500); Transfer Info: PCM Master (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes
11233. 12/31/88 Flac 16 - 0, 149469 Oakland Oakland-Alameda County Coliseum flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>3 TDK SA-X 90 Minute Master Cassette Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section notes
11234. 12/31/88 Flac 24/96 - 0, 152286 Oakland Oakland-Alameda County Coliseum flac24/96 Recording Info: UltraMatrix SBD (Broadcast Mix) > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
11235. 12/31/88 Flac 16/44 - 0, 152538 Oakland Oakland-Alameda County Coliseum flac16/44 Recording Info: UltraMatrix SBD (Broadcast Mix) > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152286 24 -> 16 @ 44.1 notes
11236. 02/05/89 Flac 16 - 0, 108689 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B) Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
11237. 02/05/89 Shn - 0, 15402 Oakland Henry J Kaiser Convention Center Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette> ?> DAT> CD> SHN. Thanks to Johnny Venus for the disks. Normalized and seeded by Peter Braverman notes
11238. 02/05/89 Flac 24 - 0, 108848 Oakland Henry J Kaiser Convention Center flac24; Recording Info: SBD -> Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes
11239. 02/05/89 Flac 16 - 0, 32542 Oakland Henry J Kaiser Convention Center notes
11240. 02/05/89 Flac 16 - 0, 139666 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD > PCM Master (Vault) > PCM Clone; Transfer Info: PCM (Sony SL-10) > Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston notes
11241. 02/05/89 Flac 24 - 0, 139649 Oakland Henry J Kaiser Convention Center flac24; Set 2 Soundboard Recording Info: SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/Maxell HGX GOLD); Audience Recording Info: AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/Maxell HGX GOLD); Soundboard Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Audience Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Mastering Info: KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller notes
11242. 02/05/89 Flac 16 - 0, 139794 Oakland Henry J Kaiser Convention Center flac16; Set 2 Soundboard Recording Info: SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/Maxell HGX GOLD); Audience Recording Info: AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/Maxell HGX GOLD); Soundboard Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Audience Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Mastering Info: KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller notes
11243. 02/05/89 Flac 24 - 0, 140729 Oakland Henry J Kaiser Convention Center flac24; Set 2 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 notes
11244. 02/05/89 Flac 16 - 0, 140728 Oakland Henry J Kaiser Convention Center flac16; Set 2 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp notes
11245. 02/05/89 Flac 16 - 0, 140996 Oakland Henry J Kaiser Convention Center flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small notes
11246. 02/05/89 Flac 16 - 0, 116407 Oakland Henry J Kaiser Convention Center flac16; Source: (OTS) Superscope EC-7's (ortf/cardioids) > Sony WM-D6C; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster notes
11247. 02/05/89 Shn - 0, 9484 Oakland Henry J Kaiser Convention Center Mark Horvath FOB Senn. 421?s> Sony TC-D5> MC> CDR; Seeded to etree by Tim W notes
11248. 02/05/89 Flac 16 - 0, 138905 Oakland Henry J Kaiser Convention Center flac16; Ted Mattes Recording; Schoeps CMC 44 > Sony PCM F1 (110 degrees ORTF - FOB); Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz. Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; ReTracted & Packed in Audacity & seeded by Joe Noel > flac 16/44; Checksum & tags created in xACT notes
11249. 02/05/89 Flac 16 - 0, 124836 Oakland Henry J Kaiser Convention Center flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus notes
11250. 02/05/89 Flac 16 - 0, 105612 Oakland Henry J Kaiser Convention Center flac16; Recording Info:SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
11251. 02/06/89 Flac 16 - 0, 107030 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
11252. 02/06/89 Flac 16 - 0, 26330 Oakland Henry J Kaiser Convention Center flac16; SBD> Master Cassette> CD (Marantz CDR 500 Pro); Transfer Info: CD (Sony CDP-XE500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> Cool Edit Pro v2.0> FLAC; Transferred and Edited By Charlie Miller, with thanks to Paul Scotton and Joani Walker notes
11253. 02/06/89 Flac 16 - 0, 138906 Oakland Henry J Kaiser Convention Center flac16; Set 1 Ted Mattes Recording; Schoeps CMC 44 > Sony PCM F1 (110 degrees ORTF - FOB); Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz. Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; ReTracted & Packed in Audacity & seeded by Joe Noel > flac 16/44; Checksum & tags created in xACT notes
11254. 02/06/89 Flac 16 - 0, 116433 Oakland Henry J Kaiser Convention Center flac16; Source: (OTS) Superscope EC-7's (ortf/cardioids) > Sony WM-D6C; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster notes
11255. 02/06/89 Shn - 0, 9485 Oakland Henry J Kaiser Convention Center Mark Horvath FOB Senn. 421?s> Sony TC-D5> MC> CDR; Seeded to Etree by Tim W notes
11256. 02/06/89 Flac 24 - 0, 146587 Oakland Henry J Kaiser Convention Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 notes
11257. 02/06/89 Flac 16 - 0, 147384 Oakland Henry J Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; This file set is 16 bit @ 44.1 notes
11258. 02/06/89 Flac 16 - 0, 124837 Oakland Henry J Kaiser Convention Center flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus notes
11259. 02/07/89 Flac 16 - 0, 106929 Oakland Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller notes
11260. 02/07/89 Shn - 0, 9202 Oakland Henry J Kaiser Convention Center SBD>MC>DAT>CDR; Seeded to etree by Tim W notes
11261. 02/07/89 Flac - 0, 32543 Oakland Henry J Kaiser Convention Center flac16; SBD -> Cassette Master (TDK MA-X90) Transferred and Edited By Charlie Miller notes
11262. 02/07/89 Flac 16 - 0, 138907 Oakland Henry J Kaiser Convention Center flac16; Ted Mattes Recording; Schoeps CMC 44 > Sony PCM F1 (110 degrees ORTF - FOB); Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz. Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Mastered, ReTracted & Packed in Audacity & seeded by Joe Noel > flac 16/44; Checksum & tags created in xACT notes
11263. 02/07/89 Flac 16 - 0, 124838 Oakland Henry J Kaiser Convention Center flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus notes
11264. 02/07/89 Flac 24 UMtx. - 0, 149648 Oakland Henry J Kaiser Convention Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11265. 02/07/89 Flac 16 U Mtx. - 0, 149698 Oakland Henry J Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
11266. 02/10/89 Flac 16 - 0, 13060 Inglewood Great Western LA Forum flac16; Seamless fix of shn id 13060 - Master Cassette SBD>DAT(Fostex D-10 playback)>CD-R (hhb800 standalone)>EAC 0.9>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
11267. 02/10/89 Shn - 0, 13060 Inglewood Great Western LA Forum Source: Master Cassette SBD>DAT(Fostex D-10 playback)>CD-R (hhb800 standalone)>EAC 0.9>SHN (via MKWACT) notes
11268. 02/10/89 Flac 24/96 - 0, 137004 Inglewood Great Western LA Forum flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); All Transfers and Mastering By Charlie Miller notes
11269. 02/10/89 Flac 16 - 0, 137076 Inglewood Great Western LA Forum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller notes
11270. 02/10/89 Flac 24/96 - 0, 74843 Inglewood Great Western LA Forum flac24/96; Senn MKE2002 omni\'s HRTF -> Sony TC-D5M @ 6\' 5\" FOB/DFC to 24/96 digital: Sony TC-D5M master deck and master, no n.r. -> Tascam DVRA1000 DSD recorder in high res PCM mode of 24bit/96khz to flac: DVRA1000 Project Disc 23/96 files imported via Mac Tiger 10.4. Flac compression by xACT to 7/8 compression notes
11271. 02/10/89 Flac 16 - 0, 77647 Inglewood Great Western LA Forum flac16; Senn MKE2002 omni's HRTF -> Sony TC-D5M @ 6' 5" FOB/DFC to 24/96 digital: Sony TC-D5M master deck and master, no n.r. -> Tascam DVRA1000 DSD recorder in high res PCM mode of 24bit/96khz to flac: DVRA1000 Project Disc 24/96 files imported via Mac Tiger 10.4.Flac compression by xACT to 7/8 compression conversion: by Bob Loy Samplitude Professional V8.01 > Declipping > -13db > Isotope Ozone loudness maximizer > new max peak -.1db > 16bit 44100hz >ffe l6 sbes aligned by set>1d3 tag notes
11272. 02/10/89 Flac 16 - 0, 139760 Inglewood Great Western LA Forum flac16; Source Info: (FOB) Audience PCM; Schoeps CMC4/MK4 > Sony PCM-F1 > Dat (16/44); Transfer Info: Sony PCM-R500 > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 notes
11273. 02/10/89 Flac 16 - 0, 140997 Inglewood Great Western LA Forum flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small notes
11274. 02/10/89 Flac 16 - 0, 124829 Inglewood Great Western LA Forum flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Section 1, Row DDD, Seat 8 notes
11275. 02/10/89 Flac 24/48 - 0, 77708 Inglewood Great Western LA Forum flac24/48; Senn MKE2002 omni's HRTF -> Sony TC-D5M @ 6' 5" FOB/DFC to 24/96 digital: Sony TC-D5M master deck and master, no n.r. -> Tascam DVRA1000 DSD recorder in high res PCM mode of 24bit/96khz to flac: DVRA1000 Project Disc 24/96 files imported via Mac Tiger 10.4.Flac compression by xACT to 7/8 compression conversion 24/48: by Bob Loy Samplitude Professional V8.01 > Declipping > -13db > Isotope Ozone loudness maximizer > new max peak -.1db > 24bit 48hz >ffe l6; this is a clean-up of the original 24 bit source notes
11276. 02/11/89 Shn - 0, 9203 Inglewood Great Western LA Forum SBD>MC>DAT>CDR; Seeded to etree by Tim W notes
11277. 02/11/89 Flac 16 - 0, 134776 Inglewood Great Western LA Forum flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat; Set 2: SBD -> PCM Master -> Dat; Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> WAV -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
11278. 02/11/89 Shn - 0, 20759 Inglewood Great Western LA Forum DAUD[master] > CDR > EAC > AddaWav > CDWAV > SHN; EAC > SHN by harlan; CDR from D. Loebig notes
11279. 02/11/89 Flac 24 - 0, 35158 Inglewood Great Western LA Forum b>flac24/96; Set one: Sennheiser MKE2002 HRTF headband -> Sony TC-D5M @ 6'5" by Mike French Set two: ~ Schoeps cmc?? cards (caps on bodies, cardioids) ORTF @ 6'4" covered by the Mike Stand (MF) at eye level ~ Oade pre (m118 ?) -> Sony PCM processor->beta, line out (Sean Weber Small rig) -> Sony TC-D5M master by Mike French Transfer to 24/96: Sony TC-D5M master deck w/ master, no n.r. -> Tascam DVRA1000 DSD recorder in high-res pcm mode, 24/96 by Mike French then to flac: DVRA1000 Project Disc 24/96 imported to Mac OS-X Tiger, conversion by xACT notes
11280. 02/11/89 Flac 24 - 0, 140731 Inglewood Great Western LA Forum flac24; Set 1 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 notes
11281. 02/11/89 Flac 16 - 0, 140730 Inglewood Great Western LA Forum flac16; Set 1 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp notes
11282. 02/11/89 Flac 16 - 0, 140719 Inglewood Great Western LA Forum flac16; Recording Info: Set 1: SBD > PCM; Set 2: UltraMatrix SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes
11283. 02/11/89 Flac 16 - 0, 140999 Inglewood Great Western LA Forum flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small notes
11284. 02/11/89 Flac 16 - 0, 124830 Inglewood Great Western LA Forum flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Section 1, Row DDD, Seat 8 notes
11285. 02/11/89 Flac 16 - 0, 76125 Inglewood Great Western LA Forum flac16; From the Impact Zone, fob/dfc Set one: Sennheiser MKE2002 HRTF headband -> Sony TC-D5M @ 6'5" by Mike French Set two; ~ Schoeps cmc?? cards (caps on bodies, cardioids) ORTF @ 6'4" covered by the Mike Stand (MF) at eye level. ~ Oade pre (m118 ?) -> Sony PCM processor->beta, line out (Sean Weber Small rig) -> Sony TC-D5M master by Mike French Transfer to 24/96; Sony TC-D5M master deck w/ master, no n.r. -> Tascam DVRA1000 DSD recorder in high-res pcm mode, 24/96 by Mike French then to flac; DVRA1000 Project Disc 24/96 imported to Mac OS-X Tiger, conversion by xACT, by MF - downsampled to 16/44.1 using Adobe Audition 1.5, dithered with iZotope Ozone. New flacs, etc created notes
11286. 02/12/89 Flac 16 - 0, 89200 Inglewood Great Western LA Forum flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.0.1 -> FLAC All Transfers and Mastering By Charlie Miller notes
11287. 02/12/89 Shn - 0, 4680 Inglewood Great Western LA Forum SBD> MC> DAT> CD> SHN notes
11288. 02/12/89 Shn - 0, 429 Inglewood Great Western LA Forum SBD; via Mike Lai notes
11289. 02/12/89 Flac 24/96 - 0, 137005 Inglewood Great Western LA Forum flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); All Transfers and Mastering By Charlie Miller notes
11290. 02/12/89 Flac 16 - 0, 137086 Inglewood Great Western LA Forum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller notes
11291. 02/12/89 Flac 16 - 0, 139800 Inglewood Great Western LA Forum flac16; Set 1 Source Info: (FOB) Audience PCM; Schoeps CMC4/MK4 > Sony PCM-F1 > Dat (16/44); Transfer Info: Sony PCM-R500 > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 notes
11292. 02/12/89 Flac 16/48 - 0, 140915 Inglewood Great Western LA Forum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 137086) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; + AUD (shnid = 31265) Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion. - surrround mixing by Kevin Tobin notes
11293. 02/12/89 Flac 16 Dts - 0, 140914 Inglewood Great Western LA Forum DTS-Audio-CD 5.1 Mix; SBD (shnid = 137086) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; + AUD (shnid = 31265) Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion. - dts mixing by Kevin Tobin notes
11294. 02/12/89 Flac 16 Mtx - 0, 140913 Inglewood Great Western LA Forum flac16; Matrix 2 Source Mix - SBD (shnid = 137086) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; + AUD (shnid = 31265) Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion. - matrix mixing by Kevin Tobin notes
11295. 02/12/89 Flac 16 - 0, 140998 Inglewood Great Western LA Forum flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small notes
11296. 02/12/89 Flac 16 - 0, 76126 Inglewood Great Western LA Forum flac16; Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion - downsampled to 16/44.1 using Adobe Audition 1.5, dithered with iZotope Ozone. - retracked, new flacs, etc created, files have been renamed to Etree conventions notes
11297. 02/12/89 Flac 16 - 0, 124818 Inglewood Great Western LA Forum flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Section 1, Row DDD, seat 6 notes
11298. 02/12/89 Flac 24/96 - 0, 31265 Inglewood Great Western LA Forum flac24; Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion. notes
11299. 03/27/89 Flac 16 - 0, 81528 Atlanta The Omni flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 notes
11300. 03/27/89 Flac 24/96 - 0, 108015 Atlanta The Omni flac24; Lineage: Master Audience Cassette Nak300.Sony D3.Maxell XLII-S 90's Transfer:Nak MR-1>Korg MR-1000 1Bit/5.6MHz Sample rate conversion with AudioGate software to 24/96 FLAC notes
11301. 03/27/89 Flac 16 - 0, 124947 Atlanta The Omni flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11302. 03/27/89 Shn - 0, 9204 Atlanta The Omni AUD(Schoeps CMC-441's)>DAT>CDR; Seeded to etree by Tim W notes
11303. 03/27/89 Flac 24/96 - 0, 124946 Atlanta The Omni flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
11304. 03/27/89 Flac 24 UMtx. - 0, 147800 Atlanta The Omni flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11305. 03/27/89 Flac 16 U Mtx. - 0, 147894 Atlanta The Omni flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
11306. 03/27/89 Flac 16 Mtx - , 158251 Atlanta The Omni flac1644 A Photoleon Matrix Source 1 Shnid 9204 Source: Aud(schoeps Cmc-441's)> Dat> Cdr Conversion: Eac(secure)> Cd Wav> Cool Edit Pro> Shn(seekable) Conversion Edit Seeded To Etree By Tim Wiley 4 1 02 Another Installment Of The Music Never Stopped Project! Source 2 Shnid 147894 Recording: Ultramatrix Sbd > Cassette Master (tdk Ma-xg90) Recorded By Don Pearson & Dan Healy Transfer: Cassette Master (nakamichi Cr-7a) > Tascam Da-3000 (dsf 1-bit Mhz) > Adobe Audition Cc2015 > Samplitude Pro X4 Suite > Flac 24 Transfer & Mastering By Charlie Miller October 24, 2019 Source 3 Shnid 108015 Lineage: Master Audience Cassette Nak300.sony D3.maxell Xlii-s 90's Transfer:nak Mr-1>korg Mr-1000 1bit Mhz. Sample Rate Conversion With Audiogate Software To 24 Flac. Taper: Baker Matrix Created In Adobe Audition By Joe Noel August 04, 2022 notes
11307. 03/27/89 Flac 16/44 - , 158251 Atlanta The Omni flac1644 A Photoleon Matrix Source 1 Shnid 9204 Source: Aud(schoeps Cmc-441's)> Dat> Cdr Conversion: Eac(secure)> Cd Wav> Cool Edit Pro> Shn(seekable) Conversion Edit Seeded To Etree By Tim Wiley 4 1 02 Another Installment Of The Music Never Stopped Project! Source 2 Shnid 147894 Recording: Ultramatrix Sbd > Cassette Master (tdk Ma-xg90) Recorded By Don Pearson & Dan Healy Transfer: Cassette Master (nakamichi Cr-7a) > Tascam Da-3000 (dsf 1-bit Mhz) > Adobe Audition Cc2015 > Samplitude Pro X4 Suite > Flac 24 Transfer & Mastering By Charlie Miller October 24, 2019 Source 3 Shnid 108015 Lineage: Master Audience Cassette Nak300.sony D3.maxell Xlii-s 90's Transfer:nak Mr-1>korg Mr-1000 1bit Mhz. Sample Rate Conversion With Audiogate Software To 24 Flac. Taper: Baker Matrix Created In Adobe Audition By Joe Noel August 04, 2022 notes
11308. 03/28/89 Flac 16 - 0, 81529 Atlanta The Omni flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 notes
11309. 03/28/89 Flac 16 - 0, 124994 Atlanta The Omni flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11310. 03/28/89 Flac 16 - 0, 111791 Atlanta The Omni flac 16; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [2/2/11] notes
11311. 03/28/89 Flac 24/48 - 0, 111792 Atlanta The Omni flac 24; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [2/2/11] notes
11312. 03/28/89 Shn - 0, 9205 Atlanta The Omni AUD>DAT>CDR; Seeded to etree by Tim W notes
11313. 03/28/89 Flac 24/96 - 0, 124993 Atlanta The Omni flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
11314. 03/28/89 Flac 24 UMtx. - 0, 147818 Atlanta The Omni flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11315. 03/28/89 Flac 16 - 0, 148154 Atlanta The Omni flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
11316. 03/28/89 Flac 16 - , 156410 Atlanta The Omni Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 08, 2021 notes
11317. 03/30/89 Flac 16 - 0, 81531 Greensboro Greensboro Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11318. 03/30/89 Flac 16 - 0, 125412 Greensboro Greensboro Coliseum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11319. 03/30/89 Flac 16 - 0, 133932 Greensboro Greensboro Coliseum flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes
11320. 03/30/89 Flac 16 - 0, 79836 Greensboro Greensboro Coliseum flac16; Set 1 only: Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
11321. 03/30/89 Flac 16 - 0, 141801 Greensboro Greensboro Coliseum flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes
11322. 03/30/89 Shn - 0, 10059 Greensboro Greensboro Coliseum Mark Horvath FOB Senn. 421?s>Sony TC-D5>MC>CDR; via Paul "Raoul" B; Seeded to etree by Brad Ingle notes
11323. 03/30/89 Flac 16/48 - 0, 137921 Greensboro Greensboro Coliseum flac16/48kHz; Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48khz)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
11324. 03/30/89 Flac 24/96 - 0, 125411 Greensboro Greensboro Coliseum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes
11325. 03/30/89 Flac 24 UMtx. - 0, 147819 Greensboro Greensboro Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11326. 03/30/89 Flac 16 - 0, 148153 Greensboro Greensboro Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
11327. 03/31/89 Flac 16 - 0, 32349 Greensboro Greensboro Coliseum flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Set 1: Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
11328. 03/31/89 Flac 16 - 0, 125426 Greensboro Greensboro Coliseum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11329. 03/31/89 Flac 16 - 0, 95221 Greensboro Greensboro Coliseum flac16; Source: aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S taped by John Bleich Transfer : mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav 24/96) > flac notes
11330. 03/31/89 Flac 16 - 0, 133938 Greensboro Greensboro Coliseum flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes
11331. 03/31/89 Shn - 0, 16666 Greensboro Greensboro Coliseum sbd>cass>dat>cd>eac>wav>shn>wav>shn; via Ray Hansen; seedeD notes
11332. 03/31/89 Flac 16 - 0, 140966 Greensboro Greensboro Coliseum flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes
11333. 03/31/89 Flac 16/48 - 0, 138065 Greensboro Greensboro Coliseum flac16/48kHz; Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
11334. 03/31/89 Shn - 0, 3826 Greensboro Greensboro Coliseum schoeps cmc?/mk21> DAT fob; via Childo and unIDed seeder; note offbeat track breaks; includes unIDed filler notes
11335. 03/31/89 Flac 24/96 - 0, 125425 Greensboro Greensboro Coliseum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes
11336. 03/31/89 Flac 24 UMtx. - 0, 147823 Greensboro Greensboro Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11337. 03/31/89 Flac 16 - 0, 148151 Greensboro Greensboro Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, this file set is 16 bit @ 44.1 notes
11338. 03/31/89 Flac 16/48LPCM - 0, 149814 Greensboro Greensboro Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147823) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138065) Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe - surround mixing by Kevin notes
11339. 03/31/89 Flac 16 Mtx - 0, 149811 Greensboro Greensboro Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 147823) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138065) Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe - matrix mixing by Kevin Tobin notes
11340. 03/31/89 Flac 16 Dts.5.1 - 0, 149813 Greensboro Greensboro Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147823) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138065) Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe - dts mixing by Kevin Tobin notes
11341. 03/31/89 Flac 24/96 - 0, 148612 Greensboro Greensboro Coliseum flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
11342. 03/31/89 Flac 16/48 - 0, 148611 Greensboro Greensboro Coliseum flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
11343. 03/??/89 Flac 16 - 0, 113358 San Rafael Club Front - Grateful Dead Studio flac16: Source reported to be: (Video ~ 1st gen video8 > stand alone DVR)
Audio ~ AC3 48000Hz 256 kb/s tot , stereo (2/0)
Extracted, Tracked, Downsampled and Converted to FLAC May 2011 by Teddy "GoodBear" - Number of Audio channels: 2 Audio Coding mode: Linear PCM audio Sampling Rate: 44.1kHz
notes
11344. 04/02/89 Shn - 0, 17177 Pittsburgh Civic Arena Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan notes
11345. 04/02/89 Flac 16 - 0, 89780 Pittsburgh Civic Arena flac16; AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008 notes
11346. 04/02/89 Flac 16 - 0, 134822 Pittsburgh Civic Arena flac16; Source: B&K4011 FOB AUD > ? > PCM unknown taper; Transfer: PCM (x) > DAT (0) > Microtrack 24/96 > WAV 44.1 > Flac 16/44.1 notes
11347. 04/02/89 Flac Dts 5.1 - 0, 135454 Pittsburgh Civic Arena DTS-Audio-CD 5.1 Mix; SBD (shnid=17177) Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan + AUD (shn id 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - dts mixing by Kevin Tobin notes
11348. 04/02/89 Flac 16 - 0, 135452 Pittsburgh Civic Arena flac16; (original shnid = 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - pitch correction and patches by Kevin Tobin notes
11349. 04/02/89 Flac 16 Mtx - 0, 135453 Pittsburgh Civic Arena flac16; Matrix 2 Source Mix - SBD (shnid=17177) Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan + AUD (shn id 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - matrix mixing by Kevin Tobin notes
11350. 04/02/89 Flac 24/96 - 0, 141669 Pittsburgh Civic Arena flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes
11351. 04/02/89 Flac 16 - 0, 96554 Pittsburgh Civic Arena flac16; source: aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell SII-S taped by John Bleich from Section 9F, Row TT, Seat 8 transfer: mac > Nakamichi BX-125E > EMU 020 > Wavelab > wav (24/96) > flac *except for It's All Over Now, Baby Blue: mac > Nakamichi ZX-9 > Tascam HD-P2 > wav (24/96) > flac notes
11352. 04/02/89 Shn - 0, 29734 Pittsburgh Civic Arena AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Note this is the original shn seed for shn id9206 This source was made from my master cassettes and doesn't have the digital flaws noted on d2t01 (bad EAC) of shn id 9206. Digital Mastering by Charlie Connor Seeded to abgd 3/29/01; seeded to etree bt 6/21/05 notes
11353. 04/02/89 Shn - 0, 9206 Pittsburgh Civic Arena AUD(Beyer M-88?s>Sony TC-D5)>MC>DAT>CDR; Seeded to etree by Tim W notes
11354. 04/02/89 Flac 16 - 0, 145673 Pittsburgh Civic Arena flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1 notes
11355. 04/02/89 Flac 16/48 - 0, 135455 Pittsburgh Civic Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=17177) Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan + AUD (shn id 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - mixing by Kevin Tobi notes
11356. 04/02/89 Flac 24 UMtx. - 0, 147793 Pittsburgh Civic Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11357. 04/02/89 Flac 16 U Mtx. - 0, 147892 Pittsburgh Civic Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
11358. 04/02/89 Flac 24/96 - 0, 149268 Pittsburgh Civic Arena flac24; Source Info: TS Sennheiser-> Sony D5-> Sony D6-> Cassette; Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes
11359. 04/02/89 Flac 24/96 - 0, 151401 Pittsburgh Civic Arena Fresh Transfer and Remaster Of Source 141669. Source: (OTS) AKG 460 with ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette. Transfer: Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz-24bit Recording & Transfer by Ray Ackerman. Edited & Mastered (Adobe Audition) by Joe Noel. January 2, 2021 notes
11360. 04/02/89 Flac 16/44,1 - 0, 151419 Pittsburgh Civic Arena flac16/44.1khz Ackerman Archives Source: (OTS) AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette Transfer: Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz/24bit Recording & Transfer by Ray Ackerman Edited & Mastered (Adobe Audition) by Joe Noel notes
11361. 04/03/89 Flac 16 Mtx - 0, 7507 Pittsburgh Civic Arena flac16; Matrix 4 Source Mix - SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor + AUD2 (shn id 125023)Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; + Video (no shnid) - matrix mixing by Kevin Tobin notes
11362. 04/03/89 Flac 24/96 - 0, 125022 Pittsburgh Civic Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
11363. 04/03/89 Flac 16 - 0, 125023 Pittsburgh Civic Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11364. 04/03/89 Shn - 0, 7507 Pittsburgh Civic Arena SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell notes
11365. 04/03/89 Flac 16 - 0, 133939 Pittsburgh Civic Arena flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes
11366. 04/03/89 Flac Dts 5.1 - 0, 125403 Pittsburgh Civic Arena DTS-Audio-CD 5.1 Mix; SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor + AUD2 (shn id 125023)Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; + Video (no shnid) - dts mixing by Kevin Tobin notes
11367. 04/03/89 Flac 16 - 0, 89791 Pittsburgh Civic Arena flac16; AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. notes
11368. 04/03/89 Flac 16 - 0, 96796 Pittsburgh Civic Arena flac16; Source: aud > Nakamichi 300 shotguns > Sony WM-D6 > mac taped by John Bleich Transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav (16/44.1) > Cd Wave > TLH > flac16 notes
11369. 04/03/89 Flac 16 - 0, 125413 Pittsburgh Civic Arena flac16; SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell (shnid 7507) - Patched, Pitch Correction and Tagged by Kevin Tobin notes
11370. 04/03/89 Flac 16/48 - 0, 135433 Pittsburgh Civic Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor - mixing by Kevin Tobin notes
11371. 04/03/89 Flac 24/96 - 0, 141670 Pittsburgh Civic Arena flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes
11372. 04/03/89 Flac 16 - 0, 100161 Pittsburgh Civic Arena flac16; Source: (FOB) Schoeps CMC5/MK4->DAT (16/48) Lineage: Dat Clone->Sony PCM R-500->VX Pocket V2->Soundforge 6.0 (fades, normalize (127.20%/2.09dB), resample)->FLAC; Taper: Unknown notes
11373. 04/03/89 Shn - 0, 29758 Pittsburgh Civic Arena FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor notes
11374. 04/03/89 Flac 16 - 0, 145689 Pittsburgh Civic Arena flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1 notes
11375. 04/03/89 Flac 24 UMtx. - 0, 147794 Pittsburgh Civic Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11376. 04/03/89 Flac 16 - 0, 147893 Pittsburgh Civic Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
11377. 04/03/89 Flac 24/96 - 0, 151402 Pittsburgh Civic Arena Fresh Transfer And Remaster Of Source 141670. Source: (OTS) AKG 460 with ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette. Transfer: Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz-24bit Recording & Transfer by Ray Ackerman. Edited & Mastered (Adobe Audition) by Joe Noel. January 4, 2021. notes
11378. 04/03/89 Flac 16/44,1 - 0, 151420 Pittsburgh Civic Arena flac16/44.1khz Ackerman Archives Source: (OTS) AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette Transfer: Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz/24bit Recording & Transfer by Ray Ackerman Edited & Mastered (Adobe Audition) by Joe Noel notes
11379. 04/05/89 Flac 16 - 0, 83501 Ann Arbor Crisler Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11380. 04/05/89 Shn - 0, 1091 Ann Arbor Crisler Arena Healy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop notes
11381. 04/05/89 Shn - 0, 5491 Ann Arbor Crisler Arena Healy Ultra Mix Cassette Master-> DAT-> CDR notes
11382. 04/05/89 Flac 16 - 0, 100671 Ann Arbor Crisler Arena flac16; Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 notes
11383. 04/05/89 Flac 16 - 0, 141802 Ann Arbor Crisler Arena flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes
11384. 04/05/89 Flac 24 - 0, 144913 Ann Arbor Crisler Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11385. 04/05/89 Flac 16 - 0, 111957 Ann Arbor Crisler Arena flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; Transfer Date: 2011-02-16; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master cassette(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard notes
11386. 04/05/89 Flac 16 - 0, 83800 Ann Arbor Crisler Arena flac16; source: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone notes
11387. 04/05/89 Flac 16 - 0, 145037 Ann Arbor Crisler Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 notes
11388. 04/06/89 Shn - 0, 1092 Ann Arbor Crisler Arena Healy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop; missing encore; note most md5s and/or tracks of d3 were accidentally labelled as d2tn; renamed version (md5s shown here) may circulate >8/15/01 thanks to Aaron notes
11389. 04/06/89 Flac 16 - 0, 100672 Ann Arbor Crisler Arena flac16; Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 notes
11390. 04/06/89 Flac Dts 5.1 - 0, 126153 Ann Arbor Crisler Arena DTS-Audio-CD 5.1 Mix; SBD (shnid=83508) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - DTS mixing by Kevin Tobin notes
11391. 04/06/89 Flac 16 Mtx - 0, 85256 Ann Arbor Crisler Arena flac16; matrix sources: 1) SBD -> Cassette Master (TDK MA-XG90) transfer : Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 and 2) aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer : mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone except for Brokedown which is is from B&K 4011 source notes
11392. 04/06/89 Shn - 0, 5492 Ann Arbor Crisler Arena complete; Soundboard Cassette Master-> DAT-> CDR except encore which is from B&K 4011 source notes
11393. 04/06/89 Flac 16 Mtx - 0, 126150 Ann Arbor Crisler Arena flac16; Matrix 2 Source Mix - SBD (shnid=83508) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - matrix mixing by Kevin Tobin notes
11394. 04/06/89 Flac 16 - 0, 126149 Ann Arbor Crisler Arena flac16; (original shnid = 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - pitch correction and patches by Kevin Tobin notes
11395. 04/06/89 Flac 16 - 0, 141803 Ann Arbor Crisler Arena flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes
11396. 04/06/89 Flac 16 - 0, 111974 Ann Arbor Crisler Arena flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; Transfer Date: 2011-02-17; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard notes
11397. 04/06/89 Flac 16 - 0, 83801 Ann Arbor Crisler Arena flac16; source: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone notes
11398. 04/06/89 Flac 16 - 0, 83508 Ann Arbor Crisler Arena notes
11399. 04/06/89 Flac 24 UMtx. - 0, 147831 Ann Arbor Crisler Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11400. 04/06/89 Flac 16 - 0, 148148 Ann Arbor Crisler Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
11401. 04/06/89 Flac 16 - , 156411 Ann Arbor Crisler Arena Recording Info: (ots) Schoeps Cmc441 Hypercardiod Capsules (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 08, 2021 notes
11402. 04/06/89 Flac 16 Mtx - , 158252 Ann Arbor Crisler Arena A Photoleon Matrix Source 1 Shnid 156411 Recording Info: (ots) Schoeps Cmc441 Hypercardiod Capsules (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 08, 2021 Source 2 Shnid 148148 Recording: Ultramatrix Sbd > Cassette Master (tdk Ma-xg90) Recorded By Don Pearson & Dan Healy Transfer: Cassette Master (nakamichi Cr-7a) > Tascam Da-3000 (dsf 1-bit Mhz) > Adobe Audition Cc2015 > Samplitude Pro X4 Suite > Flac 24 Transfer & Mastering By Charlie Miller October 26, 2019 Matrix Created In Adobe Audition By Joe Noel July 29, 2022 notes
11403. 04/06/89 Flac 16 Mtx - , 158252 Ann Arbor Crisler Arena A Photoleon Matrix Source 1 Shnid 156411 Recording Info: (ots) Schoeps Cmc441 Hypercardiod Capsules (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 08, 2021 Source 2 Shnid 148148 Recording: Ultramatrix Sbd > Cassette Master (tdk Ma-xg90) Recorded By Don Pearson & Dan Healy Transfer: Cassette Master (nakamichi Cr-7a) > Tascam Da-3000 (dsf 1-bit Mhz) > Adobe Audition Cc2015 > Samplitude Pro X4 Suite > Flac 24 Transfer & Mastering By Charlie Miller October 26, 2019 Matrix Created In Adobe Audition By Joe Noel July 29, 2022 notes
11404. 04/08/89 Flac 16 Mtx - 0, 94166 Cincinnati Riverfront Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
11405. 04/08/89 Flac 16 - 0, 83510 Cincinnati Riverfront Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11406. 04/08/89 Shn - 0, 26348 Cincinnati Riverfront Arena SBD> Cassette Master> Dat> CD> EAC> SHN; Converted to SHN By Charlie Miller notes
11407. 04/08/89 Flac 16 Mtx - 0, 135470 Cincinnati Riverfront Arena flac16; Matrix 2 Source Mix - SBD (shnid=83510) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - matrix mixing by Kevin Tobin notes
11408. 04/08/89 Flac 16 - 0, 135469 Cincinnati Riverfront Arena flac16; (original shnid = 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - pitch correction and patches by Kevin Tobin notes
11409. 04/08/89 Flac 16/48 - 0, 135472 Cincinnati Riverfront Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=83510) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - mixing by Kevin Tobin notes
11410. 04/08/89 Flac 16 Dts.5.1 - 0, 135471 Cincinnati Riverfront Arena DTS-Audio-CD 5.1 Mix; SBD (shnid=83510) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - matrix mixing by Kevin Tobin notes
11411. 04/08/89 Flac - 0, 140807 Cincinnati Riverfront Arena flac16; Set 1 Source; Unknown taper: FOB Schoeps > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT notes
11412. 04/08/89 Flac 16 - 0, 141804 Cincinnati Riverfront Arena flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes
11413. 04/08/89 Flac 16 - 0, 83802 Cincinnati Riverfront Arena flac16; source: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone notes
11414. 04/08/89 Shn - 0, 7857 Cincinnati Riverfront Arena Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor notes
11415. 04/08/89 Flac 16 - 0, 84175 Cincinnati Riverfront Arena flac16; Source: FOB Schoeps > PCM > DAT > CDR > EAC > *Adobe Audition 2.0 (Waves Q10 [pre-emphasis removal] and L3) > CDWave > FLAC EAC'd by Doug Nawrocki notes
11416. 04/08/89 Flac 16 - 0, 111975 Cincinnati Riverfront Arena flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; Transfer Date: 2011-02-17; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard notes
11417. 04/08/89 Flac 16 - 0, 131015 Cincinnati Riverfront Arena flac16; Master Digital Audience recording: Neumann KMR-81's> ?> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Panasonic SV-3700 (spdif)> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracks)> TLH (SBE/Flac16/ffp); Tranfer completed and uploaded to etree.org on August 22, 2014 by jwpetty notes
11418. 04/08/89 Flac 24 UMtx. - 0, 147838 Cincinnati Riverfront Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11419. 04/08/89 Flac 16 U Mtx. - 0, 147895 Cincinnati Riverfront Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
11420. 04/08/89 Flac 24/96 - 0, 149284 Cincinnati Riverfront Arena flac16; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96)-> Down Sample 16-44.1; Taped & Transfers by Pete Ebel notes
11421. 04/09/89 Flac 16 - 0, 34962 Louisville Freedom Hall flac16; SBD> CM> DAT> CD> EAC> SHN; speed corrected version of shn id 13207 (via Charlie Miller, Patrick White); fix by Kevin Tobin notes
11422. 04/09/89 Flac 16 - 0, 83523 Louisville Freedom Hall flac16; Source: Audience FOB Recording, 12th row DFC Media: BASF Chrome Maxima II 90 min. Lineage: AKG C460b preís with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: Wavelab5: Isotope Ozone 3 to brighten a little -> crosfaded at tape flips as noted -> Minor Z-Noise reduction -> Tracked w/ CDwave -> L3 Bit depth reduction/down sampled -> FlacFrontend Taped by: D. Thompson Transfer by: A. Egert Mastering by: M. Townshend notes
11423. 04/09/89 Shn - 0, 13207 Louisville Freedom Hall SBD> CM> DAT> CD> EAC> SHN; via Charlie Miller, Patrick White notes
11424. 04/09/89 Flac 16 - 0, 75504 Louisville Freedom Hall flac16; Seamless fix of shn id 34962 - SBD>CM>DAT>CD>EAC>SHN(>WAV>FLAC). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
11425. 04/09/89 Flac 16/48 - 0, 138255 Louisville Freedom Hall flac16/48kHz; Source: Neumann KMR-82i > DAT (48 khz); Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
11426. 04/09/89 Shn - 0, 7858 Louisville Freedom Hall Digital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. notes
11427. 04/09/89 Flac 16 - 0, 84036 Louisville Freedom Hall flac16; source: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone notes
11428. 04/09/89 Flac 24 UMtx. - 0, 147845 Louisville Freedom Hall flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11429. 04/09/89 Flac 16 - 0, 148146 Louisville Freedom Hall flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
11430. 04/09/89 Flac 16 - , 156412 Louisville Freedom Hall Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recorded By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 10, 2021 notes
11431. 04/11/89 Shn - 0, 15109 Rosemont Rosemont Horizon SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller notes
11432. 04/11/89 Flac 16 - 0, 120303 Rosemont Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11433. 04/11/89 Flac 24/48 - 0, 120302 Rosemont Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
11434. 04/11/89 Flac 16 - 0, 141850 Rosemont Rosemont Horizon flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes
11435. 04/11/89 Flac 16 - 0, 106238 Rosemont Rosemont Horizon flac16; Recorded by Justin L. Lee 2 Nakamichi CM300s CP4 1 Nakamichi CM100 CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes
11436. 04/11/89 Flac 16 - 0, 94240 Rosemont Rosemont Horizon flac16; Source: Audience recording Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5> MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > wavelab 5 > Plugins > r8brainpro > 16/44.1 wave > cd wave > flac lvl 8 (TLH) notes
11437. 04/11/89 Flac 24 UMtx. - 0, 147985 Rosemont Rosemont Horizon flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11438. 04/11/89 Flac 16 - 0, 148145 Rosemont Rosemont Horizon flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 16 bit @ 44.1 notes
11439. 04/11/89 Flac 16 - , 156413 Rosemont Rosemont Horizon Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 01, 2021 notes
11440. 04/12/89 Flac 16 - 0, 83768 Rosemont Rosemont Horizon flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11441. 04/12/89 Shn Mtx. - 0, 9962 Rosemont Rosemont Horizon Shntool fix by-disc by Willy of previous Braverman seed; Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD notes
11442. 04/12/89 Flac 16 - 0, 120337 Rosemont Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 43, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11443. 04/12/89 Flac 16 - 0, 95291 Rosemont Rosemont Horizon flac16; Source: Audience Recording Lineage: Source: Audience recording Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5> MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > Adobe Audition 3.0 > CDWave > Flac16 notes
11444. 04/12/89 Shn Mtx - 0, 29631 Rosemont Rosemont Horizon likely by-set shntool fix of Braverman seed; Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD> SHN; notes
11445. 04/12/89 Shn - 0, 9383 Rosemont Rosemont Horizon Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD> SHN; via PB (l'autre); Seeded to etree by Peter Braverman notes
11446. 04/12/89 Flac 16 - 0, 140990 Rosemont Rosemont Horizon flac16; Set 2 Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes
11447. 04/12/89 Flac 24/48 - 0, 120338 Rosemont Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 43, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
11448. 04/12/89 Flac 16 - 0, 149418 Rosemont Rosemont Horizon flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 This file set is 16 bit @ 44.1 notes
11449. 04/12/89 Flac 24 UMtx. - 0, 149393 Rosemont Rosemont Horizon flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 notes
11450. 04/12/89 Flac 16 - , 156414 Rosemont Rosemont Horizon Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 02, 2021 notes
11451. 04/13/89 Flac 16 - 0, 83769 Rosemont Rosemont Horizon flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11452. 04/13/89 Flac 16 - 0, 120340 Rosemont Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11453. 04/13/89 Flac 16 - 0, 134548 Rosemont Rosemont Horizon flac16; Source: Audience recording; Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-6; Transfer: MAC > tascam 112 > Edirol UA-5 > Audacity > 2448wav > R8 Brain > 1644 wav > Trader's Little Helper > flac16; Taped by Dan Taggart and Greg Holtz notes
11454. 04/13/89 Flac 24/48 - 0, 120339 Rosemont Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
11455. 04/13/89 Flac 16 - 0, 140991 Rosemont Rosemont Horizon flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes
11456. 04/13/89 Shn - 0, 5607 Rosemont Rosemont Horizon SBD > MC > Dat > CDR > EAC > CDWave > mkwACT; Extraction/Seeding by Doug Nawrocki, from Kevin Gills source discs notes
11457. 04/13/89 Flac 24/96 - 0, 152345 Rosemont Rosemont Horizon flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 notes
11458. 04/13/89 Flac 16/44 - , 154422 Rosemont Rosemont Horizon flac16/44; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152345 2496 > 1644 notes
11459. 04/13/89 Flac 16 - , 156415 Rosemont Rosemont Horizon Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 03, 2021 notes
11460. 04/15/89 Flac 16 - 0, 82405 Milwaukee The Mecca flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11461. 04/15/89 Flac 16 - 0, 102457 Milwaukee The Mecca flac16; TAPER: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps -> Sony WM-D6 TRANSFER: By JAZ, Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 notes
11462. 04/15/89 Shn - 0, 430 Milwaukee The Mecca Matrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN; Known Flaws - 1 sec. d/o @1:52 & 5 sec. d/o @2:46-2:51 during Space (d2t6) - some clipping on the left channel due to drums and bass being too high in the SBD mix. The master has this flaw as well; via A. Jerugim notes
11463. 04/15/89 Flac 16 Mtx - 0, 80277 Milwaukee The Mecca flac16; Source: Dan Healy's Matrix Mix -> MSC -> PCM -> DAT(x2) Transfer: Panasonic SV-3800 -> Optical out -> M-Audio CO2 -> Apogee S/PDIF -> M-Audio 1010LT. Recorded in Samplitude v.8.01 (24/48) Re-Mastered: Wavelab v.5. -> CD Wave -> FlacFrontend Level 8 notes
11464. 04/15/89 Flac 16 - 0, 118401 Milwaukee The Mecca flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
11465. 04/15/89 Flac 16 Mtx - 0, 128700 Milwaukee The Mecca flac16; Set One 2 source Matrix 80% sbd/20% soundtrack; Audio edited with iZotope Ozone 5 advanced; Matrix created with Adobe Audition 1.5; Audio editing and matrix by SIRMick notes
11466. 04/15/89 Flac 16 - 0, 141013 Milwaukee The Mecca flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes
11467. 04/15/89 Flac 16 - 0, 140992 Milwaukee The Mecca flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16 notes
11468. 04/15/89 Flac 16 - 0, 106308 Milwaukee The Mecca flac16: Recorded by Justin Lee & Dave Cohen OTS Sec. PP Row 5 Seat 3. 2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1. Nakamichi 550>Sony TCD5M Oade Erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen November 2009. notes
11469. 04/15/89 Flac 24 UMtx. - 0, 147300 Milwaukee The Mecca flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 notes
11470. 04/15/89 Flac 16 - 0, 147385 Milwaukee The Mecca flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; This file set is 16 bit @ 44.1 notes
11471. 04/15/89 Flac 24/48 - 0, 118400 Milwaukee The Mecca flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
11472. 04/15/89 Flac 16 - , 156416 Milwaukee The Mecca Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 11, 2021 notes
11473. 04/15/89 Flac 16 Mtx - , 167804 Milwaukee The Mecca flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 82405 & 141013 notes
11474. 04/16/89 Flac 16 - 0, 81703 Milwaukee The Mecca flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11475. 04/16/89 Flac 16 - 0, 118403 Milwaukee The Mecca flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Litttle Helper; Metadata Tagging With AudioGate Software notes
11476. 04/16/89 Flac 16 - 0, 112742 Milwaukee The Mecca flac 16; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [4/2/11] notes
11477. 04/16/89 Flac 24/48 - 0, 118402 Milwaukee The Mecca flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
11478. 04/16/89 Shn - 0, 9371 Milwaukee The Mecca SBD> DAT> C> DAT> CD; via Paul B; Seeded to etree by Peter Braverman notes
11479. 04/16/89 Shn - 0, 9963 Milwaukee The Mecca Shntool fix by Willy of previous Braverman seed; SBD> DAT> C> DAT> CD notes
11480. 04/16/89 Flac 16 - 0, 140995 Milwaukee The Mecca flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
11481. 04/16/89 Flac 16 - 0, 106339 Milwaukee The Mecca flac16;Recorded by Justin Lee & Dave Cohen OTS Sec. PP Row 5 Seat 2, 2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1 w/ Nakamichi 550>Sony TCD5M Oade erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes
11482. 04/16/89 Flac 16 - 0, 96081 Milwaukee The Mecca flac16; Source: AKG 460B omni capsules, 7' high, 6' spread > Crown phantom power > Sony TC-D5M (pass-thru) > Yamaha MT1X (dbx type II encode, Maxell XL-IIS) Transfer: Yamaha MT120S (dbx type II decode) > Tascam DA-20 (D/A conversion) > coax/optical converter > Creative Nomad Jukebox 3 > Amarok > Cool Edit (edits and fades) > CDWAV > FLAC Taped and transferred by Pat Volkerding , 2008-11. notes
11483. 04/16/89 Flac 24/48 - 0, 112743 Milwaukee The Mecca flac24; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [4/2/11] notes
11484. 04/16/89 Flac 16 Mtx - 0, 122041 Milwaukee The Mecca flac16; Matrix 3 Source Mix - SBD (shn id 81703) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shn id 118402) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + AUD2 (no shn id) Audience recording from Video soundtrack - matrix mixing by Kevin Tobin notes
11485. 04/16/89 Flac 24 UMtx. - 0, 149618 Milwaukee The Mecca flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 notes
11486. 04/16/89 Flac 16 - 0, 149699 Milwaukee The Mecca flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
11487. 04/16/89 Flac 16 - 0, 149793 Milwaukee The Mecca flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes> Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24.44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section, Section PP,Row5,Seat 7 notes
11488. 04/16/89 Flac 16 - , 156417 Milwaukee The Mecca Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 13, 2021 notes
11489. 04/16/89 Flac 16 Mtx - , 167825 Milwaukee The Mecca flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 81703 & 140995, with a patch from 156417. notes
11490. 04/17/89 Flac 24/48 - 0, 117564 Minneapolis Metropolitan Sports Center flac24; Master Audience Recorded By Mr. Darby; AKGC451E/ck1's (PAS/Sec 2 Row 42 Seat 13/6 Feet High)> Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
11491. 04/17/89 Flac 16 - 0, 117565 Minneapolis Metropolitan Sports Center flac16; Master Audience Recorded By Mr. Darby; AKGC451E/ck1's (PAS/Sec 2 Row 42 Seat 13/6 Feet High)> Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
11492. 04/17/89 Flac 24 U Mtx - 0, 138286 Minneapolis Metropolitan Sports Center flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11493. 04/17/89 Flac 16 U Mtx - 0, 138305 Minneapolis Metropolitan Sports Center flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138286 24 bit -> 16 bit notes
11494. 04/17/89 Flac 16 - 0, 141003 Minneapolis Metropolitan Sports Center flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
11495. 04/17/89 Shn - 0, 9207 Minneapolis Metropolitan Sports Center AUD>DAT>CDR; Seeded to etree by Tim W notes
11496. 04/17/89 Shn - 0, 24003 Minneapolis Metropolitan Sports Center Source - 1st set MAC>C>C>D>cdwav>SHN; 2nd set MAC>C>D>cdwav>SHN; No deck or mic info; Seeded to tol.etree.org by John Stairs 4/04/04 notes
11497. 04/17/89 Flac 16 - 0, 149521 Minneapolis Metropolitan Sports Center flac16; Set 2 Source: Sennheiser 441 Mics>Sony WM-D6C Cassette Deck>Maxell MX-90 Minute Metal Cassette Master Tape>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker notes
11498. 04/17/89 Flac 16 - , 156066 Minneapolis Metropolitan Sports Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 138305 & 141003. notes
11499. 04/28/89 Flac 16 - 0, 88099 Irvine Irvine Meadows flac16; SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11500. 04/28/89 Shn - 0, 13755 Irvine Irvine Meadows Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd via Charlie Connor notes
11501. 04/28/89 Shn - 0, 82050 Irvine Irvine Meadows Master Soundboard Cassette > CDR > EAC > SHN > patching/editing > SHN notes
11502. 04/28/89 Flac 16 - 0, 141008 Irvine Irvine Meadows flac16; Set 1 Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
11503. 04/28/89 Flac 16/48 - 0, 142343 Irvine Irvine Meadows flac16/48kHz; Source Info: Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
11504. 04/28/89 Flac 16 - 0, 77841 Irvine Irvine Meadows his is a 16/44.1 conversion by SirMick of this source: Ambient Master by Tapers From Hell: A Journey to the Impact ZoneAnalog master by Mike French and John C. (DelCor Pizza! yummy!)Mike as the Mic Stand, and John tweaking the knobs using Sennheiser MKE2002 omni's(x2) HRTF @ 6'4" notes
11505. 04/28/89 Shn - 0, 9208 Irvine Irvine Meadows AUD>PCM>DAT>CDR; Seeded to etree by Tim W notes
11506. 04/28/89 Flac 24 - 0, 32087 Irvine Irvine Meadows flac24; Ambient Master by Tapers From Hell: A Journey to the Impact Zone Analog master by Mike French and John C. Sennheiser MKE2002 omni's(x2) HRTF @ 6'4" -> Sony TC-D5M "B"n.r. on the master. From Row WW, section 2, at the right front corner of the sbd, a few feet RoC notes
11507. 04/29/89 Flac 16 - 0, 88124 Irvine Irvine Meadows flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11508. 04/29/89 Shn - 0, 13756 Irvine Irvine Meadows Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd via Charlie Conn notes
11509. 04/29/89 Flac 16 - 0, 141009 Irvine Irvine Meadows flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
11510. 04/29/89 Flac 16/48 - 0, 142344 Irvine Irvine Meadows flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
11511. 04/29/89 Flac 16 - 0, 76511 Irvine Irvine Meadows flac16; 16/44.1 conversion of shn id 76495 Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master to the digital realm @ 24-96: Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits xACT by Scott Brown. Patched and edited by Bob Loy -> 16/44 conversion Samplitude Professional V8.01: remove dc offset, remove clipping, convert sample rate ultra high 1 -> 44100hz, dither POW-r#3 Noise shaping -> 16 bit output -> ffe L6 sector boundaries aligned -> id3 tag notes
11512. 04/29/89 Shn - 0, 9052 Irvine Irvine Meadows AUD>PCM>DAT>CDR; Seeded to etree by Tim W notes
11513. 04/29/89 Flac 24/96 - 0, 35360 Irvine Irvine Meadows flac24; Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master. From the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd., and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail at the front of this audience section, directly above the lighting board. The OTS for this concert was likely 75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far back as possible in the seated area. to the digital realm @ 24-96: Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits xACT by Scott Brown as FLAC front end. notes
11514. 04/29/89 Flac 24/96 - 0, 76495 Irvine Irvine Meadows flac24; patched/edited version of shn id 35360 Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master to the digital realm @ 24-96: Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits notes
11515. 04/30/89 Flac 16 - 0, 88173 Irvine Irvine Meadows flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11516. 04/30/89 Shn - 0, 13757 Irvine Irvine Meadows Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; To abgd via Charlie Connor notes
11517. 04/30/89 Flac 16 - 0, 95853 Irvine Irvine Meadows flac16; FOB AUD: Nakamichi CM-300's with CP-1 cardioid capsules > Sony TC-D5M > Maxell MX-90's, 17th row. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew notes
11518. 04/30/89 Flac 16 - 0, 141010 Irvine Irvine Meadows flac16; Set 1 Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16 notes
11519. 05/06/89 Shn - 0, 5423 Palo Alto Frost Amphitheatre DSBD, with some editing (see notes in info file); via Jay Serafin to gdlive notes
11520. 05/06/89 Shn - 0, 34769 Palo Alto Frost Amphitheatre Seamless fix of shn id 14262 - DSBD notes
11521. 05/06/89 Shn - 0, 14262 Palo Alto Frost Amphitheatre shntool fixed shns of Jay Serafin dsbd seed notes
11522. 05/06/89 Flac 24 - 0, 135820 Palo Alto Frost Amphitheatre flac24; AUD: ? > cassette (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > TLH notes
11523. 05/06/89 Flac 16 - 0, 135821 Palo Alto Frost Amphitheatre flac16; AUD: ? > cassette (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > shntool > TLH notes
11524. 05/06/89 Flac 24 - 0, 140948 Palo Alto Frost Amphitheatre flac24; Recorded and Mastered by ArchivalAudio, Ian Stoy; Master Audience cassette: Toa K1’s spaced about 30” (Pointed At The Stacks) + Sennheiser 416’s (or Sennheiser MKH-415T?) > Sony MX-12 (mixer) > Sony WM-D6c; media: Denon HD8 (metal partial-high bias) 90 for first set and 100 for second set. Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -1.0db remove DC offset > flac24; xACT Flac Fingerprints notes
11525. 05/06/89 Flac 24/96 - 0, 141608 Palo Alto Frost Amphitheatre flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller. notes
11526. 05/06/89 Flac 16 U Mtx - 0, 141687 Palo Alto Frost Amphitheatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller. notes
11527. 05/06/89 Flac 16/48 - 0, 142355 Palo Alto Frost Amphitheatre flac16/48kHz; Source Info: Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
11528. 05/06/89 Flac 16/48 - 0, 137275 Palo Alto Frost Amphitheatre flac16/48kHz; Healy DSBD > DAT 16/48 > DAT clone (16/48) > Tascam US144mkII > PC > Wav > CD Wave > TLH Flac1648; Set I peaked at -8db, set II peaked at -16db. Both sets have been normalized to -1db notes
11529. 05/07/89 Shn - 0, 10978 Palo Alto Frost Amphitheatre DSBD > DAT; DAT > WAV > SHN: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > CDWAV v1.71 > MKW, by Dan Stephens; tracked for 2x80 notes
11530. 05/07/89 Flac 16 - 0, 34771 Palo Alto Frost Amphitheatre flac16; Seamless fix of shn id 3329 - SBD>DAT>DALCardDeluxe>WAV>CD>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
11531. 05/07/89 Shn - 0, 3329 Palo Alto Frost Amphitheatre SBD > DAT> DALCard Deluxe> WAV> CD> SHN; CD Mastering by Michael Owen: DAT at 48kHz-Wave file resampled to 44.1 with Audio Magic Ring Software, File normalized (low levels) with DC-Art Millennium (Peak Normalization), Seven assorted pops and gliches corrected; From DooDah Tree #43, later to cdead; to etree via Tony Gardner notes
11532. 05/07/89 Shn - 0, 3864 Palo Alto Frost Amphitheatre updated source: bootleg CD> WAV> SHN; note Other One missing from the bootleg notes
11533. 05/07/89 Flac 24/48 - 0, 140949 Palo Alto Frost Amphitheatre flac24; Recorded and Mastered by ArchivalAudio, Ian Stoy; Master Audience cassette: Toa K1’s spaced about 30” (Pointed At The Stacks) + Sennheiser 416’s (or Sennheiser MKH-415T?) > Sony MX-12 (mixer) > Sony WM-D6c media: Denon HD8 (metal partial-high bias) 90 for first set and 100 for second set. Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -1.0db remove DC offset > flac24; xACT Flac Fingerprints notes
11534. 05/07/89 Flac 24/96 - 0, 141609 Palo Alto Frost Amphitheatre flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller notes
11535. 05/07/89 Flac 16 - 0, 141689 Palo Alto Frost Amphitheatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller notes
11536. 05/07/89 Flac 16/48 - 0, 142356 Palo Alto Frost Amphitheatre flac16/48kHz; Source Info: Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
11537. 05/07/89 Flac 16 - 0, 118277 Palo Alto Frost Amphitheatre flac16; Source: 2 Sonic Studio DSM-1Sx microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
11538. 05/07/89 Flac 16 - 0, 99567 Palo Alto Frost Amphitheatre flac16; Source:(ots) Sennheiser ME-80-> Marantz PMD-430 (Dolby B)-> Sony UX-S 90 x2-> Nakamichi MR-1->Korg MR-1000 (1bit/5.6Mhz)->AudioGate->16/44.1 wav.->flac Taped with Keith Litzenberger's gear, his master, he's not sure he attended this show. Transfer and upload: M. Watson notes
11539. 05/27/89 Flac 16 - 0, 87604 Oakland Oakland-Alameda County Stadium flac16; SBD -> Cassette Master (Sony D5/Maxell MX90) All Transfers and Mastering By Charlie Miller notes
11540. 05/27/89 Shn - 0, 6667 Oakland Oakland-Alameda County Stadium Dan Healy's Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd notes
11541. 05/27/89 Flac 16 - 0, 93686 Oakland Oakland-Alameda County Stadium flac16; Hat-Mounted Realistic pzm's with Sony WMD6-C 50 feet away,dead center Maxell XLII S 90 No nr Recorded and transferred by Russ Cansler Master>D6>HD>Audacity>CDWave>Goldwave>TLH notes
11542. 05/27/89 Flac 24/96 - , 155314 Oakland Oakland-Alameda County Stadium Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell MA-XG90)
Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 (pitch correction) > Samplitude Pro X6 Suite > FLAC/24
notes
11543. 05/27/89 Flac 16/44 - , 155440 Oakland Oakland-Alameda County Stadium flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 (pitch correction) > Samplitude Pro X6 Suite > FLAC/24 - This is 155314 2496 > 1644 notes
11544. 06/18/89 Flac 16 - 0, 83709 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> FLAC Transfers and Mastering By Charlie Miller notes
11545. 06/18/89 Flac 16 - 0, 83635 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11546. 06/18/89 Shn - 0, 9053 Mountain View Shoreline Amphitheatre SBD>??>DAT>CDR; Seeded to etree by Tim W notes
11547. 06/18/89 Flac 16/48 - 0, 142377 Mountain View Shoreline Amphitheatre flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
11548. 06/18/89 Flac 16 - 0, 121369 Mountain View Shoreline Amphitheatre flac16; Set 1 Source: 2 Sonic Studio DSM-1Sx microphones - 22nd row > Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
11549. 06/18/89 Flac 16 - 0, 127416 Mountain View Shoreline Amphitheatre flac16; Source (AUD): Audio Technica ATM11 (~ORTF, left of center, 7' up) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby NR off); Transfer: master cassettes > Sony TC-WE635 (Dolby NR off) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t05 & s1t06, during s2t06 and between s2t12 & s2t13); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC; fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller notes
11550. 06/18/89 Flac 16 - 0, 111015 Mountain View Shoreline Amphitheatre flac16; Source: 1 Neumann KMF4 microphones (22nd row)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes
11551. 06/19/89 Flac 16 - 0, 83673 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11552. 06/19/89 Shn - 0, 8111 Mountain View Shoreline Amphitheatre SBD>Cassette Master>DAT>CDR; via Tony Gardner (updated lineage; had been labeled SBD>DAT>CD) notes
11553. 06/19/89 Flac 16/48 - 0, 142378 Mountain View Shoreline Amphitheatre flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
11554. 06/19/89 Flac 16 - 0, 111098 Mountain View Shoreline Amphitheatre flac16; Source: 1 Neumann KMF4 microphone (25th row)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes
11555. 06/19/89 Flac 16 - 0, 127417 Mountain View Shoreline Amphitheatre flac16; Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t06 & s1t07 during s2t08 and between s2t13 & s2t14); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller notes
11556. 06/19/89 Flac 16 Mtx - , 160236 Mountain View Shoreline Amphitheatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 83673 & 142378. notes
11557. 06/21/89 Flac 16 - 0, 83718 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11558. 06/21/89 Shn - 0, 4603 Mountain View Shoreline Amphitheatre Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN; EAC> SHN> etree by Gerald Gorinsky; includes E: Brokedown // from listed source + complete E: Brokedown from Jack Schlottman?s 1st-gen FM simulcast> CDR source) notes
11559. 06/21/89 Shn - 0, 16888 Mountain View Shoreline Amphitheatre Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended); via Vern White; with patch/crossfade Brokedown Palace from Jack Schlottman's FM > MC > CDR source by Doug Nawrocki notes
11560. 06/21/89 Flac 16/48 - 0, 142379 Mountain View Shoreline Amphitheatre flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
11561. 06/21/89 Flac 16 - 0, 127418 Mountain View Shoreline Amphitheatre flac16; Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t08 & s1t09, during s2t06 and between s2t11 & s2t12); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller notes
11562. 06/21/89 Flac 16 - 0, 123383 Mountain View Shoreline Amphitheatre flac16; Source: VHS master (live PPV rec on TDK E-HG) > Analog (Nakamichi BX-300 on Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi notes
11563. 06/21/89 Flac 16 Mtx - 0, 144779 Mountain View Shoreline Amphitheatre flac16; Matrix 2 Source Mix - SBD (shnid = 83718) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shnid = 142379) Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - matrix mixing by Kevin Tobin notes
11564. 06/21/89 Flac Dts 5.1 - 0, 144782 Mountain View Shoreline Amphitheatre DTS-Audio-CD 5.1 Mix; - SBD (shnid = 83718) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shnid = 142379) Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dts mixing by Kevin Tobin notes
11565. 06/21/89 Flac 16/48 - 0, 144792 Mountain View Shoreline Amphitheatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 83718) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shnid = 142379) Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - surround mixing by Kevin Tobin notes
11566. 06/21/89 Flac 16/48 - 0, 138342 Mountain View Shoreline Amphitheatre flac16/48kHz; Ted Mattes FOB Recording (hand held): Schoeps CMC521 at 100 ORTF with Schoeps t-bar > SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
11567. 06/21/89 Flac 24/96 - 0, 150851 Mountain View Shoreline Amphitheatre flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11568. 06/21/89 Flac 16/44 - 0, 151620 Mountain View Shoreline Amphitheatre flac1644; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller 150851 24 -> 16 @ 44.1 notes
11569. 07/02/89 Flac 16 - 0, 81459 Foxboro Sullivan Stadium flac16; Source: Audience FOB Recording Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette Lineage: FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC(level 8) Taper: Danny Thomson Transfer: Derek McCabe Mastering: Chris Ladner notes
11570. 07/02/89 Flac 16 - 0, 77444 Foxboro Sullivan Stadium flac16; SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC notes
11571. 07/02/89 Flac 16 - 0, 133781 Foxboro Sullivan Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes
11572. 07/02/89 Flac 16 - 0, 109498 Foxboro Sullivan Stadium flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac (Maxell XLIIS x 3) Transfer: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich notes
11573. 07/02/89 Flac 16 - 0, 99912 Foxboro Sullivan Stadium flac16; FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side). Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. 06/2009 notes
11574. 07/02/89 Flac 24/96 - 0, 99911 Foxboro Sullivan Stadium flac24; FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side). Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. 06/2009 notes
11575. 07/02/89 Flac 24 - 0, 138287 Foxboro Sullivan Stadium flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11576. 07/02/89 Flac 16 - 0, 138258 Foxboro Sullivan Stadium b>flac16; Ted Mattes FOB recording: Schoeps CMC42s (omnis spaced 8 feet) > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; DAT Master > Sony PCM601/Beta > DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Audacity 3.0 at 44K > Wave; Joe Noel Track, Flac, Patch, Pack & Seed: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT notes
11577. 07/02/89 Flac 16 U Mtx - 0, 138306 Foxboro Sullivan Stadium flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138287 24 bit -> 16 bit notes
11578. 07/02/89 Flac 16 - 0, 134395 Foxboro Sullivan Stadium flac16; Source: Audience FOB Recording; Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette; Lineage: FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC (level 8); Taper: Danny Thomson; Transfer: Derek McCabe notes
11579. 07/02/89 Flac 24/48 - 0, 77458 Foxboro Sullivan Stadium flac24; SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC notes
11580. 07/02/89 Flac 16 - 0, 30363 Foxboro Sullivan Stadium flac16; AKG c414>?>DAT>CD(1gen)>EAC>FLAC notes
11581. 07/02/89 Shn - 0, 1110 Foxboro Sullivan Stadium FOB Schoeps CMC42s spaced omnis > Sony SL-2000PCM; Taped by: Rich Gastwirt; via NateDawg to offer, 2/01 to abgd notes
11582. 07/02/89 Flac 16 - 0, 30364 Foxboro Sullivan Stadium flac16; FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC notes
11583. 07/02/89 Shn - 0, 8243 Foxboro Sullivan Stadium Digital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern notes
11584. 07/02/89 Flac 16 - 0, 106586 Foxboro Sullivan Stadium flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris notes
11585. 07/02/89 Flac 24/96 - 0, 81855 Foxboro Sullivan Stadium flac24/96; Taper: Danny Thomson Source: FOB Nak700's > Uher 240 > Master Cassette Maxell XLII 90min. Transfer: Playback on Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak (24 bit/96 KHz WAV) by D.McCabe. Mastering: Wavelab 5 > Waves L3 Multimaximizer (threshold -2.3 dB/ceiling -0.1 dB) > CDWAV 1.9 > FLAC (level 8), by C.Ladner. notes
11586. 07/02/89 Flac 16/44 - 0, 149202 Foxboro Sullivan Stadium flac16; Source: Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section notes
11587. 07/02/89 Flac 16 Mtx - 0, 150431 Foxboro Sullivan Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 138287) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 77458) SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC - matrix mixing by Kevin Tobin notes
11588. 07/02/89 Flac 16 Dts 5.1 - 0, 150432 Foxboro Sullivan Stadium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 138287) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 77458) SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC - dts mixing by Kevin Tobin notes
11589. 07/02/89 Flac 16/48LPCM - 0, 150433 Foxboro Sullivan Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 138287) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 77458) SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC - surround mixing by Kevin Tobin notes
11590. 07/02/89 Flac 16 Mtx - , 153412 Foxboro Sullivan Stadium flac16 A Photoleon Matrix: (fob) Schoeps Cmc42s (omnis Spaced 8') > Panasonic Sv250 > Dat + Ultra Matrix Sbd > Cassette Master. Fob Schoeps Recording By Ted Mattes. Sbd Provided By Charlie Miller. Matrix Created By Joe Noel. July 2, 2021 notes
11591. 07/04/89 Shn - 0, 18542 Orchard Park Rich Stadium SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko notes
11592. 07/04/89 Flac 16 - 0, 78771 Orchard Park Rich Stadium flac16; SRC: FOB (AKG 414s) > Sony D-5 (Dolby B) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby decode) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC Transferred and seeded by Bill Tetzeli notes
11593. 07/04/89 Flac 16 - 0, 133778 Orchard Park Rich Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes
11594. 07/04/89 Flac 16 - 0, 101996 Orchard Park Rich Stadium flac16; Source: audience > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac Transfer: mac > Nakamichi BX-125E > Emu 0202 > Wavelab 5 > wav 24/96 Wavelab 5 (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16 Taped by John Bleich from OTS notes
11595. 07/04/89 Flac 24/96 - 0, 135541 Orchard Park Rich Stadium flac24; Master Audience Recorded By Seremetcc And Bean, Transfer By Keo; Mics Unk (Nak 300's ?) > Marantz PMD-430, Tapes:Maxell MX 90's; Mics Spread Behind SBD 30', 12-15' High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
11596. 07/04/89 Flac 16 - 0, 135542 Orchard Park Rich Stadium b>flac16; Master Audience Recorded By Seremetcc And Bean, Transfer By Keo; Mics Unk (Nak 300's ?) > Marantz PMD-430, Tapes:Maxell MX 90's; Mics Spread Behind SBD 30', 12-15' High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11597. 07/04/89 Flac 24/48 - 0, 78959 Orchard Park Rich Stadium flac24; FOB (AKG 414s) > Sony D-5 (Dolby B) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby decode) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC notes
11598. 07/04/89 Flac 24 U Mtx - 0, 140127 Orchard Park Rich Stadium flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11599. 07/04/89 Ultra MtxFlac16 - 0, 140237 Orchard Park Rich Stadium flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11600. 07/04/89 Flac 16 - 0, 141011 Orchard Park Rich Stadium flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 > PCM; Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); PCM Recorded & Provided by Ted Mattes notes
11601. 07/04/89 Flac 24/96 - 0, 141726 Orchard Park Rich Stadium flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB); Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes
11602. 07/04/89 Shn - 0, 9045 Orchard Park Rich Stadium UD>MC>DAT>CDR; Seeded to etree by Tim W notes
11603. 07/04/89 Flac 16 - 0, 118538 Orchard Park Rich Stadium flac16; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Recorded & Transfered By: Robert Mullen notes
11604. 07/04/89 Flac 16 - 0, 123367 Orchard Park Rich Stadium flac16; Source: Realistic omnis > Sony WM-D6 (Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi and David Crupi; Transfer by B Crupi notes
11605. 07/04/89 Flac 16 - 0, 145743 Orchard Park Rich Stadium flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB); Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1 notes
11606. 07/04/89 Flac 24/96 - 0, 149269 Orchard Park Rich Stadium flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes
11607. 07/07/89 Flac 16 - 0, 35410 Philadelphia John F. Kennedy Stadium flac16; Seamless fix of shn id 7855 - Audience [was labeled as (Healy Mix) SBD>MC>DAT>CDR>EAC>SHN(WAV>FLAC)]. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
11608. 07/07/89 Flac Mtx - 0, 7855 Philadelphia John F. Kennedy Stadium Audience (was labeled as (Healy Mix) SBD>MC>DAT>CDR_; via Paul B.; Tim wiley notes
11609. 07/07/89 Flac 16 - 0, 125120 Philadelphia John F. Kennedy Stadium flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 > Sony WM-D5; Tapes: Set 1: Maxell XLII-S 90, Set 2: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11610. 07/07/89 Flac 16 - 0, 133776 Philadelphia John F. Kennedy Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes
11611. 07/07/89 Flac 16 - 0, 89616 Philadelphia John F. Kennedy Stadium flac16; Source: 1st Gen; (FOB) 2 x Sennheiser 421's > Sony D5 > Sony D5 > 2 x Maxell UDXL I C90 Location: FOB, 30 feet from the stage, slightly ROC, mics were run above head level (7 - 8 feet high). Taper: Lucien Zaleski Transfer: Nakamichi Dragon > Kind Cables RCA/XLR > Lunatec V3 (@ 26/96) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Transferred and mastered by Alex Ford January 20 notes
11612. 07/07/89 Flac 16 - 0, 96994 Philadelphia John F. Kennedy Stadium flac16; FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. January 2009. notes
11613. 07/07/89 Flac 24/96 - 0, 96993 Philadelphia John F. Kennedy Stadium flac24; 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009. notes
11614. 07/07/89 Flac 24 - 0, 140152 Philadelphia John F. Kennedy Stadium flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11615. 07/07/89 Flac 16 U Mtx - 0, 140262 Philadelphia John F. Kennedy Stadium flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11616. 07/07/89 Flac 24/96 - 0, 141727 Philadelphia John F. Kennedy Stadium flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB); Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes
11617. 07/07/89 Flac 16/48 - 0, 142464 Philadelphia John F. Kennedy Stadium flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK41 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
11618. 07/07/89 Flac 16/48 - 0, 142785 Philadelphia John F. Kennedy Stadium b>flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - surround mixing by Kevin Tobin notes
11619. 07/07/89 Flac 24 Mtx - 0, 142782 Philadelphia John F. Kennedy Stadium flac24; Matrix 2 Source Mix - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - matrix mixing by Kevin Tobin notes
11620. 07/07/89 Flac Dts 5.1 - 0, 142784 Philadelphia John F. Kennedy Stadium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - dts mixing by Kevin Tobin notes
11621. 07/07/89 Flac 16 Mtx - 0, 142783 Philadelphia John F. Kennedy Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - matrix mixing by Kevin Tobin notes
11622. 07/07/89 Flac 16/48 - 0, 139283 Philadelphia John F. Kennedy Stadium flac16/48kHz; Source: Schoeps CMC4/MK2 > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.40(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
11623. 07/07/89 Flac 16 - 0, 89653 Philadelphia John F. Kennedy Stadium flac16; Source: AKG414 FOB (probably from Dan Tepper's rig - AKG414TL > AKG B18 power supplies > Technics SV-MD1) Transfer: CDs received from Dan Lynch; extracted with Max 0.7.1 using CD paranoia setting; compressed using XACT 1.6.2 FLAC level 5; shntool, ffp and md5 by XACT 1.6.2) notes
11624. 07/07/89 Shn - 0, 4665 Philadelphia John F. Kennedy Stadium AKG 414TL's FOB; via Dave of ratdog.org notes
11625. 07/07/89 Shn - 0, 10925 Philadelphia John F. Kennedy Stadium Audience DAT mastered with unknown mics/deck; via Chaz Connor; Seeded to etree by Scott Clugston notes
11626. 07/07/89 Flac 16 - 0, 146745 Philadelphia John F. Kennedy Stadium flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB); Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1 notes
11627. 07/07/89 Flac 24/96 - 0, 125119 Philadelphia John F. Kennedy Stadium flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 > Sony WM-D5; Tapes: Set 1: Maxell XLII-S 90, Set 2: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
11628. 07/07/89 Flac 16 Mtx - , 153413 Philadelphia John F. Kennedy Stadium flac16 A Photoleon Matrix: Source: Akg 414-btl (cardioid X-y)> Neuman Bs945i> Technics Svmd1> Master Dat + Schoeps Cmc4 Mk41 Mics > Panasonic Sv-250 > Master Dat + Ultra Matrix Sbd> Cassette Master. Fob Recorded By Dan Tepper. Aud Recorded By Ted Mattes. Sbd Provided By Charlie Miller. Matrix Created By Joe Noel. July 4, 2021 notes
11629. 07/09/89 Flac 16 - 0, 81177 East Rutherford Giants Stadium flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Mille notes
11630. 07/09/89 Flac 16 Mtx - 0, 124498 East Rutherford Giants Stadium flac16; 2 Source Matrix using Soundboard (shinid:81177) SBD -> Cassette Master (TDK SA-X90), Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 and Audience (shnid:78977) AKG 414s > Sony D5 > MAC (Dolby B) taped by Tim Alexander Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC notes
11631. 07/09/89 Flac 24/96 - 0, 125228 East Rutherford Giants Stadium flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
11632. 07/09/89 Flac 24/48 - 0, 78977 East Rutherford Giants Stadium flac24; SRC: AKG 414s > Sony D5 > MAC (Dolby B) taped by Tim Alexander; Transfer: Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC notes
11633. 07/09/89 Flac 16 - 0, 133773 East Rutherford Giants Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes
11634. 07/09/89 Flac 16 - 0, 78968 East Rutherford Giants Stadium flac16; AKG 414s > Sony D5 > MAC (Dolby B) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC notes
11635. 07/09/89 Flac 24 - 0, 141761 East Rutherford Giants Stadium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11636. 07/09/89 Flac 16 - 0, 141880 East Rutherford Giants Stadium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11637. 07/09/89 Flac 16/48 - 0, 142466 East Rutherford Giants Stadium flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
11638. 07/09/89 Flac 16/48 - 0, 142584 East Rutherford Giants Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=142581) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 133773) MSource: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper - surround mixing by Kevin Tobin notes
11639. 07/09/89 Flac Dts 5.1 - 0, 142583 East Rutherford Giants Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=142581) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 133773) MSource: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper - dts mixing by Kevin Tobin notes
11640. 07/09/89 Flac 24 U Mtx - 0, 142581 East Rutherford Giants Stadium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11641. 07/09/89 Flac 16 Mtx - 0, 142582 East Rutherford Giants Stadium flac16; Matrix 2 Source Mix - SBD (shnid=142581) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 133773) MSource: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper - matrix mixing by Kevin Tobin notes
11642. 07/09/89 Flac 16 - 0, 109562 East Rutherford Giants Stadium flac16; Master: FOB AKG 451's>Sony TC-D5>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
11643. 07/09/89 Flac 16 - 0, 142610 East Rutherford Giants Stadium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11644. 07/09/89 Shn - 0, 89725 East Rutherford Giants Stadium Source: AKG 414TL (FOB) > AKG B18 p/s (?) > Technics SV-MD1 @48kHz by Dan Tepper Transfer: DAT Clone(x) > Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5; downsampled to Cool Edit Pro 1.2 > Using pre/post filtering at best setting > CD Wave 1.62 > MKWAct 0.97 notes
11645. 07/09/89 Shn - 0, 6943 East Rutherford Giants Stadium AUD (FOB/ AKG414TL)>> ???>> SHN>> Dual DAW (Bertha)>> CDA; remastering by Jay Ashley (apparently of a previously shned source); to CDead notes
11646. 07/09/89 Shn - 0, 4650 East Rutherford Giants Stadium AKG 414TL's fob; via lemon2, with thanks to wellaw; note appears similar to other shn set, but md5s differ; also note files are all mislabeled as "9/7/89", except inside info file (md5 tracks have been renamed at this site) notes
11647. 07/09/89 Flac 16 - 0, 125229 East Rutherford Giants Stadium flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11648. 07/09/89 Flac 16/48 - 0, 142466 East Rutherford Giants Stadium flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
11649. 07/10/89 Shn - 0, 16071 East Rutherford Giants Stadium Unknown SBD (Matrix); EAC/SHN by Darryl Hinko notes
11650. 07/10/89 Flac16 Mtx - 0, 124499 East Rutherford Giants Stadium flac16; 2 Source Matrix using Soundboard (shinid:016071) Source: Unknown SBD > EAC > SHN and Audience (shnid:79608) FOB (AKG 414s > Sony D5 (Dolby B) > MAC) taped by Tim Alexander Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC notes
11651. 07/10/89 Flac 16 - 0, 125292 East Rutherford Giants Stadium flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11652. 07/10/89 Flac 24/96 - 0, 125291 East Rutherford Giants Stadium flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
11653. 07/10/89 Flac 16 - 0, 133774 East Rutherford Giants Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes
11654. 07/10/89 Flac 16 - 0, 109588 East Rutherford Giants Stadium flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac Transfer: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich notes
11655. 07/10/89 Flac 24/48 - 0, 79608 East Rutherford Giants Stadium flac24/48; FOB (AKG 414s > Sony D5 (Dolby B) > MAC) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC notes
11656. 07/10/89 Flac 16 - 0, 79589 East Rutherford Giants Stadium flac16; FOB (AKG 414s > Sony D5 (Dolby B) > MAC) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC notes
11657. 07/10/89 Flac 16/48 - 0, 138781 East Rutherford Giants Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 16071) Unknown SBD (Matrix); EAC/SHN by Darryl Hinko + AUD (shnid = 76249) AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - surround mixing by Kevin Tobin notes
11658. 07/10/89 Flac Dts 5.1 - 0, 138770 East Rutherford Giants Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid = 16071) Unknown SBD (Matrix); EAC/SHN by Darryl Hinko + AUD (shnid = 76249) AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - dts mixing by Kevin Tobin notes
11659. 07/10/89 Flac 24 - 0, 138789 East Rutherford Giants Stadium flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11660. 07/10/89 Flac16 Mtx - 0, 138762 East Rutherford Giants Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 16071) Unknown SBD (Matrix); EAC/SHN by Darryl Hinko + AUD (shnid = 76249) AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - matrix mixing by Kevin Tobin notes
11661. 07/10/89 Flac 16 - 0, 138761 East Rutherford Giants Stadium flac16; Patched/Pitch Corrected Soundboard (original shnid = 16071) Unknown SBD (Matrix); EAC/SHN by Darryl Hinko - pitch correction and patches by Kevin Tobin notes
11662. 07/10/89 Flac 16 U Mtx - 0, 138792 East Rutherford Giants Stadium flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138789 24 bit -> 16 bit notes
11663. 07/10/89 Flac 16/48 - 0, 142467 East Rutherford Giants Stadium flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
11664. 07/10/89 Flac 16 - 0, 132698 East Rutherford Giants Stadium flac16; Recording info: FOB/Schoeps cmc 42 S (spaced omni's)> Oade p/s> SV-250 by Ted Mattes; DAT clones provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> M-Audio USB transit> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty notes
11665. 07/10/89 Flac 16 - 0, 76249 East Rutherford Giants Stadium flac16; AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. notes
11666. 07/10/89 Shn - 0, 13053 East Rutherford Giants Stadium 2nd set only; unknown audience source (possibly Schoeps FOB)> DAT> Cassette> HD> CDWAVE> CDR; via Patrick White, with thanks to Tom Goshaw notes
11667. 07/10/89 Flac 16 - 0, 138791 East Rutherford Giants Stadium flac16; Set 1 Recording Info: SBD -> Cassette Master -> Sony R500 (A>D) -> Sound Forge -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
11668. 07/10/89 Flac 16 Mtx - , 153414 East Rutherford Giants Stadium flac16 A Photoleon Matrix. Source; (fob) Akg 414-btl (cardioid X-y) > Neuman Bs945i > Technics Svmd1 Master Dat + (ots) Schoeps Cmc4 Mk2s Mics Spaced On Stands, Ots > Panasonic Sv-250 Master Dat + Umtx Sbd> Cassette Master. Fob Recorded By Dan Tepper. Ots Recorded By Ted Mattes. Sbd Shared By Charlie Miller. Matrix Created By Joe Noel. July 13, 2021 notes
11669. 07/12/89 Flac 16 - 0, 125359 Washington Robert F. Kennedy Stadium flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11670. 07/12/89 Flac 24 - 0, 125358 Washington Robert F. Kennedy Stadium flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
11671. 07/12/89 UltraMtx Flac24 - 0, 140351 Washington Robert F. Kennedy Stadium flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11672. 07/12/89 UltraMtx Flac16 - 0, 140396 Washington Robert F. Kennedy Stadium flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11673. 07/12/89 Flac 24 - 0, 140444 Washington Robert F. Kennedy Stadium flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel. notes
11674. 07/12/89 Flac 24/96 - 0, 141906 Washington Robert F. Kennedy Stadium flac24; Patched & Pitch Corrected Audience (original shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin notes
11675. 07/12/89 Flac Dts 5.1 - 0, 141911 Washington Robert F. Kennedy Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid = 140351) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin notes
11676. 07/12/89 Flac 24/96 Mtx - 0, 141908 Washington Robert F. Kennedy Stadium flac24; Matrix 2 Source Mix - SBD (shnid = 140351) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin notes
11677. 07/12/89 Flac 16 - 0, 141907 Washington Robert F. Kennedy Stadium flac16; Patched & Pitch Corrected Audience (original shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin notes
11678. 07/12/89 Flac16 Mtx - 0, 141910 Washington Robert F. Kennedy Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 140351) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin notes
11679. 07/12/89 Flac 16/48 - 0, 141912 Washington Robert F. Kennedy Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140351) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin notes
11680. 07/12/89 Flac16/48 LPCM - 0, 142013 Washington Robert F. Kennedy Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140351) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin notes
11681. 07/12/89 Shn - 0, 2354 Washington Robert F. Kennedy Stadium FOB Schoeps CMC34 > DAT @ 44.1 KHZ; Transfer: DAT Clone > DIO 2448 > CD WAV > SHN, by Bill Gardner notes
11682. 07/12/89 Shn - 0, 32130 Washington Robert F. Kennedy Stadium MC>CDR>EAC>CD Wave>shn; NAK-100s > Sony D-5, using Dolby B. Two Maxell MX- 90s recorded by Boyd McHugh from tapers' section(bfmch@aol.com) Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Transfer by Dave Hanscom (dehanscom@hotmail.com) Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files, mkw to encode to shn. This is done by Bzl (bzlrbi@aol.com) notes
11683. 07/12/89 Flac 16/48 - 0, 86332 Washington Robert F. Kennedy Stadium flac16/48;Source: (F.O.B.) AKG 414-> dat-> Sony pcm R-500 (playback)->vx pocket v2->SF6->flac Taper: Unknown ; Transferred, encoded and uploaded by: M. Watson ; Source dat provided by: wklitz notes
11684. 07/13/89 Flac 16 - 0, 95839 Washington Robert F. Kennedy Stadium flac16; Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes
11685. 07/13/89 Flac 16 - 0, 125364 Washington Robert F. Kennedy Stadium flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11686. 07/13/89 Flac 16 - 0, 133784 Washington Robert F. Kennedy Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes
11687. 07/13/89 Flac 16 - 0, 32897 Washington Robert F. Kennedy Stadium flac16; NAK-100s > Sony D-5, using Dolby B.> cass, recorded by Boyd McHugh; MC > standalone TDK DA-5800 by Dave Hanscom; CDR> EAC> SHN (not seekable) Bzl; SHN> FLAC by Gary notes
11688. 07/13/89 Flac Dts 5.1 - 0, 136570 Washington Robert F. Kennedy Stadium DTS-Audio-CD 5.1 Mix; Source 1: SBD (shnid=95939) Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC + Source 2: AUD1 (shn id 133784) Set 2, Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper + Source 3: AUD2 (shnid 125363) Complete show, Master Audience Recorded By Fitzy; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin notes
11689. 07/13/89 Flac Mtx. - 0, 136568 Washington Robert F. Kennedy Stadium flac16; Matrix 3 Source Mix - Source 1: SBD (shnid=95939) Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC + Source 2: AUD1 (shn id 133784) Set 2, Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper + Source 3: AUD2 (shnid 125363) Complete show, Master Audience Recorded By Fitzy; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin notes
11690. 07/13/89 Flac LPCM 5.1 - 0, 136662 Washington Robert F. Kennedy Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - Source 1: SBD (shnid=95939) Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC + Source 2: AUD1 (shn id 133784) Set 2, Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper + Source 3: AUD2 (shnid 125363) Complete show, Master Audience Recorded By Fitzy; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - mixing by Kevin Tobin notes
11691. 07/13/89 Flac 24 - 0, 125363 Washington Robert F. Kennedy Stadium flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
11692. 07/13/89 UltraMtx Flac24 - 0, 140352 Washington Robert F. Kennedy Stadium flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11693. 07/13/89 UltraMtx Flac16 - 0, 140397 Washington Robert F. Kennedy Stadium flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11694. 07/13/89 Flac 24 - 0, 140446 Washington Robert F. Kennedy Stadium flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel. notes
11695. 07/13/89 Shn - 0, 9046 Washington Robert F. Kennedy Stadium (Schoeps)AUD>PCM>DAT>CDR; Seeded to etree by Tim W notes
11696. 07/15/89 Flac 16 - 0, 97307 Noblesville Deer Creek Music Center flac16; Recording Info:Set 1 + Encore: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Cassette -> Dat -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller notes
11697. 07/15/89 Flac 16 - 0, 100391 Noblesville Deer Creek Music Center flac16; Taper: Greg Holtz Source: Nak CM-100s with CP-1 cardiod caps -> Sony WMD-6C Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal Dolby B) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Prepared in Wave Lab 5.0 using UAD Technology -> Traders Little Helper flac8 notes
11698. 07/15/89 Flac 16 - 0, 125722 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11699. 07/15/89 Shn - 0, 11266 Noblesville Deer Creek Music Center SBD > MR > DAT > C > DAT > CDR; Seeded to etree by Doug Nawrocki notes
11700. 07/15/89 Flac 16 - 0, 139107 Noblesville Deer Creek Music Center flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24, This is 139106 24 bit -> 16 bit notes
11701. 07/15/89 Flac 24 - 0, 139106 Noblesville Deer Creek Music Center flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 notes
11702. 07/15/89 Flac 16 - 0, 139292 Noblesville Deer Creek Music Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes
11703. 07/15/89 Flac 24/96 - 0, 139293 Noblesville Deer Creek Music Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger notes
11704. 07/15/89 Flac 24/96 - 0, 141072 Noblesville Deer Creek Music Center flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's) Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96) Taped & Transfers by Pete Ebel notes
11705. 07/15/89 Flac 16 - 0, 97691 Noblesville Deer Creek Music Center flac16; Source: Source: NAK550>2 CM300's w/CP4 Shotguns, 1 CM300 (Center Mic) Recorded and Encoded by Cousinit notes
11706. 07/15/89 Flac 16 - 0, 118804 Noblesville Deer Creek Music Center flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. Located in the designated "taper" section. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8) notes
11707. 07/15/89 Flac 16 - 0, 106500 Noblesville Deer Creek Music Center b>flac16; Recorded by David Cohen & Justin Lee. Front Row of Lawn 8 foot stand 2 Nakamichi CM300s/ CP1s X-Y @ 90degrees w/1 Nakamichi CM300/CP2 bisecting the X-Y Pair> Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes
11708. 07/15/89 Flac 16 - 0, 96609 Noblesville Deer Creek Music Center flac16; Source: Nak300 (4 mic mix; 2 shotgun, 2 cardioid) > Tandy 4 channel mixer > Sony TC-D5M (pass thru) > Yamaha MT1X (dbx type II encode, Maxell XL-IIS) Recorded by Eddie Wahba and Pat Volkerding Transfer: Yamaha MT120S (dbx type II decode) > Tascam DA-20 (A>D conversion) > coax/optical converter > Creative Nomad Jukebox 3 > Firewire > Amarok > CDWAV > FLAC notes
11709. 07/15/89 Flac 24/96 - 0, 125721 Noblesville Deer Creek Music Center flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
11710. 07/17/89 Flac 16 Mtx - 0, 96230 East Troy Alpine Valley Music Theatre flac16; matrix of DSBD: shnid=17702 and AUD: shnid=92457 by hansokolow using ProTools notes
11711. 07/17/89 Flac 16 - 0, 106490 East Troy Alpine Valley Music Theatre flac16; TAPER: GREG HOLTZ "1st two nights we were up on the lawn shooting at the repeater stacks from very close range" SOURCE: Nakamichi CM-300's with CP4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac 8 -> Tagged w/Tag & Rename notes
11712. 07/17/89 Flac 16 - 0, 92457 East Troy Alpine Valley Music Theatre flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 27, 2008 notes
11713. 07/17/89 Shn - 0, 177702 East Troy Alpine Valley Music Theatre Source: SBD > DAT > CDR > EAC > *Cool Edit Pro > mkwACT *Beginning of LTGTR, We Bid You Goodnight and Johnny B. Goode patched with Matrix > MC > CDR source. notes
11714. 07/17/89 Flac 16 - 0, 125724 East Troy Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Set 1 Maxell XLII-S 90, Set 2 Maxell XLII-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11715. 07/17/89 Flac 24/96 - 0, 15723 East Troy Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Set 1 Maxell XLII-S 90, Set 2 Maxell XLII-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
11716. 07/17/89 Shn - 0, 433 East Troy Alpine Valley Music Theatre DSBD > DAT > WAV (via S/PDIF) >CD > WAV (via EAC) > SHN; via stink_kind; d1t1 slight digi-noise at 10s and 30s; d1t1,d3t6,7 clipped on MSBD notes
11717. 07/17/89 Flac 24 U Mtx - 0, 138345 East Troy Alpine Valley Music Theatre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11718. 07/17/89 Flac 16 U Mtx - 0, 138355 East Troy Alpine Valley Music Theatre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138345 24 bit -> 16 bit notes
11719. 07/17/89 Flac 16/48 - 0, 142297 East Troy Alpine Valley Music Theatre flac16/48kHz; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller Transfer: DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
11720. 07/17/89 Flac 16 - 0, 106654 East Troy Alpine Valley Music Theatre flac16; Front Row of Lawn 8 foot stand 2 Nakamichi CM300s/ CP1's X-Y @ 90degrees w/1 Nakamichi CM300/CP1 bisecting the X-Y Pair> Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Maxell MX90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen Nov 2009. notes
11721. 07/17/89 Flac 24/96 - 0, 149270 East Troy Alpine Valley Music Theatre flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel notes
11722. 07/17/89 Flac 16 Dts.5.1 - 0, 150010 East Troy Alpine Valley Music Theatre DTS-Audio-CD 5.1 Mix; - SBD (shnid = 138345) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 149270) Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel - dts mixing by Kevin Tobin notes
11723. 07/17/89 Flac 16/48LPCM - 0, 150011 East Troy Alpine Valley Music Theatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 138345) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 149270) Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel - surround mixing by Kevin Tobin notes
11724. 07/17/89 Flac 24 Mtx. - 0, 150008 East Troy Alpine Valley Music Theatre flac24; Matrix 2 Source Mix - SBD (shnid = 138345) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 149270) Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel - matrix mixing by Kevin Tobin notes
11725. 07/17/89 Flac 16 Mtx - 0, 150009 East Troy Alpine Valley Music Theatre flac16; Matrix 2 Source Mix - SBD (shnid = 138345) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 149270) Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel - matrix mixing by Kevin Tobin This file set is 16 bit @ 44.1 notes
11726. 07/18/89 Shn - 0, 9854 East Troy Alpine Valley Music Theatre DSBD; Transfer: D8 > Waveterminal 2496 (@44.1) > Samplitude 2496 > CDWav > mkwACT (seeking); Transfer and Seed by Jason Brantley; see inof file for flaw notes notes
11727. 07/18/89 Flac 16 Mtx - 0, 96231 East Troy Alpine Valley Music Theatre flac16; matrix of DSBD: shnid=9854 and AUD: shnid=92430 by hansokolow using ProTools notes
11728. 07/18/89 Flac 16 - 0, 106491 East Troy Alpine Valley Music Theatre flac16; TAPER: GREG HOLTZ "1st two nights we were up on the lawn shooting at the repeater stacks from very close range" SOURCE: Nakamichi CM-300's with CP4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename notes
11729. 07/18/89 Flac 16 - 0, 92430 East Troy Alpine Valley Music Theatre flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 24, 2008 notes
11730. 07/18/89 Shn - 0, 435 East Troy Alpine Valley Music Theatre DSBD> DAT> CD; via Nick Georges; reported diginoise at the beginning of Touch and in a few other places, like just before Jack-A-Roe starts, and in Sugar Mag :22-:28; weirdness note: info file gives 7-5-7 tracking, md5s shown here have 9-5-7 tracking; further, listener B. de Vos reports d1t5 FOTD is not on info file, and neither is d1t9 TMNS- the latter was not even played at the show (must be filler) notes
11731. 07/18/89 Flac 16 - 0, 125511 East Troy Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11732. 07/18/89 Shn - 0, 28474 East Troy Alpine Valley Music Theatre Source: DSBD Transfer: D8 > Waveterminal 2496 (@44.1) > Samplitude 2496 > CDWav > mkwACT Transfer and Seed by Jason Brantley (jason@spreadwidepanic.com) 3/27/2003 -sector boundary error in d1t02 of shn id 9854; disc fixed with shntool -SBE in d1t02 fixed by William at TuneTree ; via TuneTraa and LMA notes
11733. 07/18/89 Flac 24/96 - 0, 125510 East Troy Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
11734. 07/18/89 Flac 24 - 0, 138479 East Troy Alpine Valley Music Theatre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11735. 07/18/89 Flac 16 - 0, 138496 East Troy Alpine Valley Music Theatre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138479 24 bit -> 16 bit notes
11736. 07/18/89 Flac 16/48 - 0, 142298 East Troy Alpine Valley Music Theatre flac16/48kHz; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller Transfer: DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
11737. 07/18/89 Flac 16 - 0, 119722 East Troy Alpine Valley Music Theatre flac16; Source:Sony WM-D6C Cassette Master(Maxell MX Metal Tapes,Dolby "B" On)>Dak Shotgun Mics>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,On The Hill About 20 Yards In Front Of The Relay Tower notes
11738. 07/18/89 Flac 16 - 0, 106720 East Troy Alpine Valley Music Theatre flac16; Recorded by David Cohen & Justin Lee Front Row of Lawn 8 foot stand 2 Nakamichi CM300s/ CP4's w/1 Nakamichi CM300/CP2> Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Maxell MX90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes
11739. 07/18/89 Flac 24/96 - 0, 147567 East Troy Alpine Valley Music Theatre flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel notes
11740. 07/19/89 Shn - 0, 437 East Troy Alpine Valley Music Theatre DSBD> DAT> CD> eac> SHN; via N. Georges notes
11741. 07/19/89 Flac 16 Mtx - 0, 96232 East Troy Alpine Valley Music Theatre flac16; matrix of DSBD: shnid=437 and AUD: shnid=92447 by hansokolow using ProTools notes
11742. 07/19/89 Flac 16 - 0, 125854 East Troy Alpine Valley Music Theatre flac16; DSBD -> DAT -> CD -> eac -> SHN (original shn 437) - pitch correction and patches by Kevin Tobin notes
11743. 07/19/89 Flac 16 - 0, 106492 East Troy Alpine Valley Music Theatre flac16; TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename notes
11744. 07/19/89 Flac 16 - 0, 125506 East Troy Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11745. 07/19/89 Flac 16 Mtx - 0, 125861 East Troy Alpine Valley Music Theatre flac16; Matrix 4 Source Mix - SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - matrix mixing by Kevin Tobin notes
11746. 07/19/89 Flac 16 - 0, 130697 East Troy Alpine Valley Music Theatre flac16; Set 2 FOB MC>A>A(XL-II)>CD>flac notes
11747. 07/19/89 Flac 16 - 0, 92447 East Troy Alpine Valley Music Theatre flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 notes
11748. 07/19/89 Flac 16 - 0, 138818 East Troy Alpine Valley Music Theatre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had PA static during t03, Sugaree, This is fixed 138808 24 bit -> 16 bit notes
11749. 07/19/89 Flac 24 Mtx - 0, 138808 East Troy Alpine Valley Music Theatre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had PA static during t03, Sugaree notes
11750. 07/19/89 Flac 24/96 - 0, 141076 East Troy Alpine Valley Music Theatre flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's) Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96) Transfers by Pete Ebel notes
11751. 07/19/89 Flac 16/48 - 0, 142229 East Troy Alpine Valley Music Theatre flac16/48kHz; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller Transfer: DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
11752. 07/19/89 Flac 16 Dts.5.1 - 0, 125862 East Troy Alpine Valley Music Theatre DTS-Audio-CD 5.1 Mix; SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - dts mixing by Kevin Tobin notes
11753. 07/19/89 Flac 16 - 0, 125855 East Troy Alpine Valley Music Theatre flac16; (original shnid = 92447) Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 - pitch correction and patches by Kevin Tobin notes
11754. 07/19/89 Flac 24/96 - 0, 125505 East Troy Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
11755. 08/04/89 Flac 16 - 0, 89884 Sacramento Cal Expo flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11756. 08/04/89 Flac 16 - 0, 82598 Sacramento Cal Expo flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 Mhz] Mastering: AudioGate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. July 4, 2008 notes
11757. 08/04/89 Shn - 0, 11267 Sacramento Cal Expo SBD > MC > DAT > CDR; Seeded to etree by Doug Nawrocki notes
11758. 08/04/89 Flac 16 - 0, 78877 Sacramento Cal Expo flac16; AUD Source: Nakamichi CM-300's with CP-1 (cardioid) capsules > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 6-feet high. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC notes
11759. 08/04/89 Flac 16 - 0, 131470 Sacramento Cal Expo flac16; Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clone provided by Lance Deal. Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE's/Flac/md5) notes
11760. 08/05/89 Flac 16 - 0, 89885 Sacramento Cal Expo flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11761. 08/05/89 Shn - 0, 13206 Sacramento Cal Expo set 2; SBD> CM> DAT> CD> EAC> SHN; via Charlie Miller, Patrick White notes
11762. 08/05/89 Flac 16 Mtx - 0, 96341 Sacramento Cal Expo flac16; matrix of SBD: shnid=89885 and DAUD: shnid=3871 by hansokolow using ProTools notes
11763. 08/05/89 Shn - 0, 18256 Sacramento Cal Expo SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko notes
11764. 08/05/89 Flac 16 - 0, 35362 Sacramento Cal Expo flac16; Seamless fix of shn id 13206 - Set 2 only; SBD>CM>DAT>CD>EAC>SHN w/AUD patch. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
11765. 08/05/89 Flac 16 - 0, 92636 Sacramento Cal Expo flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 Mhz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. July 6, 2008 notes
11766. 08/05/89 Shn - 0, 3871 Sacramento Cal Expo FOB Schoeps MK2 (spread) > dat > cdr; Transfer: EAC (range extraction at 100%) > CDWAV > mkwACT; d2 tracked for 80 min; encore missing notes
11767. 08/05/89 Flac 16 - 0, 78865 Sacramento Cal Expo flac16; AUD Source: Neumann KM-150's > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 5-feet high. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC notes
11768. 08/05/89 Flac 16 - 0, 131471 Sacramento Cal Expo flac16; FOB/Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clone provided by Lance Deal. Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5) notes
11769. 08/06/89 Flac 16 - 0, 89966 Sacramento Cal Expo flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11770. 08/06/89 Flac 16 Mtx - 0, 96358 Sacramento Cal Expo flac16; matrix of SBD: shnid=89966 and AUD: shnid=14197 by hansokolow using ProTools notes
11771. 08/06/89 Shn - 0, 12831 Sacramento Cal Expo Ultramatrix (SBD/AUD mix); Lineage: Master Cassette> DAT> CD> SHN> Peak> WAV> SHN via Scott Kolber and Diesel. Retracked, normalized, seeded by Peter Braverman; fixup of previous shn set notes
11772. 08/06/89 Flac 16 - 0, 78852 Sacramento Cal Expo flac16; AUD Source: Neumann KM-150's > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 5-feet high. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC notes
11773. 08/06/89 Flac 16 - 0, 127421 Sacramento Cal Expo flac16; Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony WM-D6C (XLIIS); Cassette Master Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS; Recorded/Transferred By: Jeff Bowen notes
11774. 08/06/89 Shn - 0, 14179 Sacramento Cal Expo Set 1 Source: FOB Spaced 50 ft. Neumann km150's > MC > CDR > EAC > Sound Forge 4.5 > mkwACT Set 2 Source: FOB Spaced Nak 700's > MC > DAT Transfer: DA-P1 > Montego II (hardware resample 48 > 44.1) > Sound Forge 4.5 > mkwACT EAC/Transfer/Seed by Doug Nawrocki notes
11775. 08/06/89 Flac 16 - 0, 131472 Sacramento Cal Expo flac16; FOB/Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clone provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); the original version of this source had a flaw in set2t02; please do not circulate that version notes
11776. 08/06/89 Shn - 0, 12385 Sacramento Cal Expo SBD> Cassette> DAT> CDR via Tommy Brame; fixed version also circulates notes
11777. 08/17/89 Flac 16 - 0, 119330 Berkeley The Greek Theatre - University of California flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
11778. 08/17/89 Flac 16 - 0, 83733 Berkeley The Greek Theatre - University of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11779. 08/17/89 Flac 16 - 0, 111996 Berkeley The Greek Theatre - University of California flac16; RECORDED BY: Greg Holtz; SOURCE: Healy's MTX -> Sony Stereo receiver (10 feet from In House FM Broadcast Source) -> Sony WM-D6C; TRANSFER: (By: JAZ) Master Cassettes (Maxell MX 90 IEC TYPE IV METAL) Tascam 112, Metal & Dolby B engaged -> Korg MR-1 @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename notes
11780. 08/17/89 Shn - 0, 25432 Berkeley The Greek Theatre - University of California Soundboard->Dat->Cassette->Dat(44.1) x ? Dat->Audiophile 2496->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano notes
11781. 08/17/89 Shn - 0, 8965 Berkeley The Greek Theatre - University of California SBD>??>DAT>CDR; Seeded to etree by Tim W notes
11782. 08/17/89 Flac 24 - 0, 124751 Berkeley The Greek Theatre - University of California flac24; Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240 Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard notes
11783. 08/17/89 Flac 16 - 0, 131524 Berkeley The Greek Theatre - University of California flac16; Source info: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 12, 2014 by Will Petty notes
11784. 08/17/89 Flac 16 - 0, 82800 Berkeley The Greek Theatre - University of California flac16; Lineage: 2x Senheiser 441's + 1x Nakamichi 700 (Cardioid Capsule) > MX-100 > Sony TCD5-M Transfer: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC notes
11785. 08/17/89 Flac 16 - 0, 124752 Berkeley The Greek Theatre - University of California flac16; Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240; Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard (note: this source was originally seeded with a corrupt track 305 represented by the alt-md5 checksum; a fixed version now circulates) notes
11786. 08/18/89 Flac 16 - 0, 111997 Berkeley The Greek Theatre - University of California flac16; RECORDED BY: Greg Holtz; SOURCE: Healy's MTX -> Sony Stereo receiver (10 feet from In House FM Broadcast) -> Sony WM-D6C; TRANSFER: (By: JAZ) Master Cassettes (Maxell MX 90 IEC TYPE IV METAL) Tascam 112, Metal & Dolby B engaged -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename notes
11787. 08/18/89 Flac 16 - 0, 83774 Berkeley The Greek Theatre - University of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11788. 08/18/89 Shn - 0, 4796 Berkeley The Greek Theatre - University of California Healy Matrix Digital SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer via D-10 > HHb800 by fishman; DAE by neo_levo: EAC (high, secure, offset corrected, with repeated extractions yielding matching wav md5's), tracked using CDWAVE (boundaries confirmed w/ shntool) > mkwact > SHNv3 notes
11789. 08/18/89 Shn - 0, 34570 Berkeley The Greek Theatre - University of California Seamless fix of shn id 4796 - Healy Matrix Digital SBD > DAT > CDR > WAV > SHNv3 notes
11790. 08/18/89 Shn - 0, 9964 Berkeley The Greek Theatre - University of California Jay Ashley (Bertha) remaster of Healy SBD mix; SBD>>DAT>>CDR>>WAV>>SHNv3>>WAV>>DAW(Bertha)>>CDA notes
11791. 08/18/89 Flac 16 - 0, 89375 Berkeley The Greek Theatre - University of California flac16; AUD: Sennheiser MD-421's > patched thru one Sony D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on six-foot stand in OTS. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Soundforge (for fades) > CD-Wave > TLH (SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transferred by Andrew F. notes
11792. 08/18/89 Flac 24 - 0, 140718 Berkeley The Greek Theatre - University of California flac24; Set 2 Recording Info: Master Soundboard Ultramatrix DAT > Hi-Fi VHS; Transfer Info: Hi-Fi VHS (Sony SLV-M20HF)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 notes
11793. 08/18/89 Flac 16 - 0, 140721 Berkeley The Greek Theatre - University of California flac16; Recording Info: Master Soundboard Ultramatrix DAT > PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 notes
11794. 08/18/89 - 0, 141056 Berkeley The Greek Theatre - University of California flac16; Set 2 Recording Info: Master Soundboard Ultramatrix DAT > Hi-Fi VHS; Transfer Info: Hi-Fi VHS (Sony SLV-M20HF)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 notes
11795. 08/18/89 Flac 24/96 - 0, 138867 Berkeley The Greek Theatre - University of California flac24 96khz Akg C460B > Preamp Ck61 Uls > Uher Cr240. Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper . Recorded Front Row Dead Center Right Behind Soundboard .Taper : Danny Thompson Editing : Joe D'Amico ''AKA'' Joebeacon. notes
11796. 08/18/89 Flac 16 - 0, 119338 Berkeley The Greek Theatre - University of California flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
11797. 08/18/89 Flac 16 - 0, 131525 Berkeley The Greek Theatre - University of California flac16; Source info: Schoeps CMC 52 S (spaced 8' in TS)> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 12, 2014 by Will Petty notes
11798. 08/18/89 Flac 16/44,1 - 0, 138868 Berkeley The Greek Theatre - University of California flac16 44.1khz Akg C460B > Preamp Ck61 Uls > Uher Cr240. Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper. Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon notes
11799. 08/18/89 Flac 16 - 0, 94487 Berkeley The Greek Theatre - University of California flac16; LINEAGE: 2x Sennheiser 441 + 1x Nakamichi 700 (Cardioid Capsule) > Nakamichi MX-100 > Sony TCD5-M>Maxell MX. TRANSFER: CM>Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD >xACT extraction > WAV > FLAC NOTE: Canare microphone cables used, otherwise Monster cables throughout. Recorded and transferred by Mike Kutik notes
11800. 08/19/89 Flac 16 - 0, 111998 Berkeley The Greek Theatre - University Of California flac16; RECORDED BY: Greg Holtz; SOURCE: Healy's MTX -> Sony Stereo receiver (10 feet from In House FM Broadcast) -> Sony WM-D6C; TRANSFER: (By: JAZ) Master Cassettes (Maxell MX 90 IEC TYPE IV METAL) Tascam 112, Metal & Dolby B engaged -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename notes
11801. 08/19/89 Flac 16 Mtx - 0, 96303 Berkeley The Greek Theatre - University Of California flac16; matrix of SBD: shnid=83775 and AUD: shnid=13254 by hansokolow using ProTools notes
11802. 08/19/89 Flac 16 - 0, 83775 Berkeley The Greek Theatre - University Of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11803. 08/19/89 Shn - 0, 5213 Berkeley The Greek Theatre - University Of California SBD Cassette Master > DAT > .WAV > .SHN; d2 tracked for 80 min; via Jon Miller to tree; see info file for flaw notes notes
11804. 08/19/89 Flac 16 - 0, 91088 Berkeley The Greek Theatre - University Of California flac16; AUD: Sennheiser MD-421's > patched thru one Sony D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on six-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog input > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes
11805. 08/19/89 Shn - 0, 23066 Berkeley The Greek Theatre - University Of California SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes
11806. 08/19/89 Flac 16 Mtx - 0, 139669 Berkeley The Greek Theatre - University Of California flac16; Three Source Matrix created in Audacity notes
11807. 08/19/89 Flac 16 - 0, 139782 Berkeley The Greek Theatre - University Of California flac16;Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/16; Recorded by Don Pearson; Transferred by Charlie Miller notes
11808. 08/19/89 Flac 24 - 0, 124774 Berkeley The Greek Theatre - University Of California flac24; Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240; Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard notes
11809. 08/19/89 Flac 16 - 0, 119339 Berkeley The Greek Theatre - University Of California flac16; Source: 2 Sonic Studio DSM-1S/x microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
11810. 08/19/89 Flac 16 - 0, 124775 Berkeley The Greek Theatre - University Of California flac16; Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240; Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard notes
11811. 08/19/89 Flac 16 - 0, 131526 Berkeley The Greek Theatre - University Of California b>flac16; Source info: Schoeps CMC 52 S (spread 8')> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal and others. Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 12, 2014 by Will Petty notes
11812. 08/19/89 Shn - 0, 13254 Berkeley The Greek Theatre - University Of California Schoeps cmc42s ->M118 -> Oade Mod PCM-F1, Taper Jim Oade; Transfer: Tascam DA-20 (DAT)-> Tascam CDRW4U -> EAC (secure) -> CDWave (tracking) -> CDR -> SHN (MKWact), from Oade DATs, by Matt Shapiro; EAC'd and SHN'd by jim notes
11813. 08/19/89 Flac 16 - 0, 83803 Berkeley The Greek Theatre - University Of California flac16; Recorded Front of OTS by 'PA Deli Mike' 2x Senheiser 441's + 1x Nakamichi 700 (Cardioid Capsule) > MX-100 > Sony TCD5-M. TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC by Mr. Chips notes
11814. 08/19/89 Flac 16 - 0, 131536 Berkeley The Greek Theatre - University Of California flac16; Source info: FOB/Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clones provided by Lance Deal. Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 14, 2014 by Will Petty notes
11815. 08/19/89 Flac 16 - 0, 138155 Berkeley The Greek Theatre - University Of California flac16; Original Source info (shnid 131536): FOB/Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clones provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Patched, Tracked, Flac'd & rePacked in Audacity by Joe Noel; Checksum & tags created in xACT notes
11816. 09/29/89 Flac 16 - 0, 81704 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11817. 09/29/89 Shn - 0, 7282 Mountain View Shoreline Amphitheatre Ultramatrix: Master Cassette> DAT> CD> SHN> Peak> WAV> SHN; poss cass gen (see notes); Retracking and normalizing by Peter Braverman; with thanks to Skot G notes
11818. 09/29/89 Flac 16 - 0, 81705 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Dat Transfer Info: Dat -> M-Audio DIO2448 -> Samplitude -> Cool Edit Pro -> FLAC All Transfers and Mastering By Charlie Miller notes
11819. 09/29/89 Flac 16 - 0, 141772 Mountain View Shoreline Amphitheatre flac16; Recording info: Spaced Schoeps MK2 omni's > Sony F1 > PCM (OTS); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (FLAC 16-bit/44.1k) notes
11820. 09/29/89 Flac 16 - 0, 117927 Mountain View Shoreline Amphitheatre flac16; Source: 2 Sonic Studio DSM-1S/x microphones-up front/center> Sony DAT > 1st generation analog cassettes; Transfer: Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
11821. 09/29/89 Flac 16 - 0, 127422 Mountain View Shoreline Amphitheatre flac16; Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony WM-D6C (XLIIS); XLIIS Master Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS, Section 202, Row H, Seat #5; Recorded/Transferred By: Jeff Bowen notes
11822. 09/29/89 Shn - 0, 17703 Mountain View Shoreline Amphitheatre This is an updated text and md5 file for the previousshn set via Charlie Miller; Flaws in d2t08 and d2t09 fixed on 10/10/02 notes
11823. 09/29/89 Flac 24/96 - 0, 151409 Mountain View Shoreline Amphitheatre flac24/96khz Recording Info: SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
11824. 09/29/89 Flac 16/44 - 0, 151621 Mountain View Shoreline Amphitheatre flac16/44khz Recording Info: SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 151409 24 -> 16 @ 44.1 notes
11825. 09/30/89 Flac 16 - 0, 81719 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11826. 09/30/89 Shn - 0, 8964 Mountain View Shoreline Amphitheatre SBD>MC>DAT>CDR; Seeded to etree by Tim W notes
11827. 09/30/89 Flac 16/48 - 0, 142503 Mountain View Shoreline Amphitheatre flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
11828. 09/30/89 Flac 16 - 0, 97332 Mountain View Shoreline Amphitheatre flac16; Source: (OTS) Nakamichi cm300/cp4->Sony D-5(Dolby B)->Maxell XL II(x2) Taper: Dave Barfield Transfer: MAC->Nakamichi MR-1->Korg MR-1000(1bit/5.6 mhz)->Korg Audiogate->16/44.1 wav.->soundforge 9.0->waves Q-10->FLAC Transferred and seeded by: M. Watson notes
11829. 09/30/89 Flac 24/96 - 0, 151398 Mountain View Shoreline Amphitheatre flac 24/96kHz; Recording Info: SBD > Cassette Master (TDK MA-XG). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24. notes
11830. 09/30/89 Flac 16/44 - 0, 151622 Mountain View Shoreline Amphitheatre flac 16/44kHz; Recording Info: SBD > Cassette Master (TDK MA-XG). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24. 151398 24 -> 16 @ 44.1 notes
11831. 10/01/89 Flac 16 - 0, 81721 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11832. 10/01/89 Flac - 0, 26989 Mountain View Shoreline Amphitheatre flac16; Unknown SBD source > ? > CDR; Transfer: CDR > EAC > hard drive > CD Wave Editor (tracking) > FLAC (v. 1.7.1) compression level 8; Extraction and minor edit and FLACtion by Gary Field, with thanks to Joey Browning for the CDR notes
11833. 10/01/89 Flac 24 - 0, 142347 Mountain View Shoreline Amphitheatre flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
11834. 10/01/89 Flac 16/48 - 0, 142504 Mountain View Shoreline Amphitheatre flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Aerco preamp > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
11835. 10/01/89 Flac 16 U Mtx - 0, 142513 Mountain View Shoreline Amphitheatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
11836. 10/01/89 Flac 16 - 0, 121222 Mountain View Shoreline Amphitheatre flac16; Set 2 Source: 2 Sonic Studio DSM-1Sx microphones - 14th row/center > Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
11837. 10/01/89 Shn - 0, 8963 Mountain View Shoreline Amphitheatre AUD>MC>C>CDR; Seeded to etree by Tim W notes
11838. 10/01/89 Flac 16 - 0, 132699 Mountain View Shoreline Amphitheatre flac16; Recording info on DAT: Schoeps CMC 42 S; DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> M-Audio USB transit>Audacity @ 16/48>16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty notes
11839. 10/08/89 Flac 16 - 0, 81532 Hampton Hampton Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11840. 10/08/89 Flac 16 Mtx - 0, 96442 Hampton Hampton Coliseum flac16; matrix of SBD: shnid=81532 and DAUD: shnid=439 by hansokolow using ProTools notes
11841. 10/08/89 Flac 16 - 0, 32427 Hampton Hampton Coliseum flac16; SBD > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes
11842. 10/08/89 Flac 24/96 - 0, 120376 Hampton Hampton Coliseum flac24; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 421> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-100's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 Khz; Metadata Tagging With Tag&Rename notes
11843. 10/08/89 Flac 16 - 0, 120377 Hampton Hampton Coliseum flac16; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 421> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430>Dolby B, Ran By Mr. Currier; Tapes Maxell MX-100's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11844. 10/08/89 Shn - 0, 25261 Hampton Hampton Coliseum SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN notes
11845. 10/08/89 Shn - 0, 17732 Hampton Hampton Coliseum SBD; CDR> EAC> WAV> SHNv3 via Dan Carr notes
11846. 10/08/89 Flac 16 - 0, 89508 Hampton Hampton Coliseum flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand on the floor, near the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes
11847. 10/08/89 Shn - 0, 8365 Hampton Hampton Coliseum SBD> Master Cass>DAT>CD; via CDead vine; Unknown seeder notes
11848. 10/08/89 Flac 16/48 - 0, 142509 Hampton Hampton Coliseum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar stand, shoulder height > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
11849. 10/08/89 Shn - 0, 439 Hampton Hampton Coliseum FOB Schoeps CMC34's -> Panasonic SV-250; Transfer: D8 -> Montego II digi I/O -> CDWAV by D. Nawrocki; seed via P. Delgado notes
11850. 10/08/89 Flac 24 UMtx. - 0, 147605 Hampton Hampton Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11851. 10/08/89 Flac 16 - 0, 147651 Hampton Hampton Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 notes
11852. 10/09/89 Flac 16 - 0, 80840 Hampton Hampton Coliseum flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC . This has an upgraded patch source. notes
11853. 10/09/89 Flac 16 Mtx - 0, 92495 Hampton Hampton Coliseum flac16; SBD + AUD Matrix - 4 Source Mix (60%-SBD, 10%-AUD1, 20%-AUD2, 10%-AUD3) notes
11854. 10/09/89 Shn - 0, 26236 Hampton Hampton Coliseum SBD + AUD Matrix Mix (60%-SBD/40%-AUD); SBD: PCM (analog out) > DAT x 4 > CDR; AUD FOB: Schoeps CMC641 > DAT; Mixed by dan@am-dig.com; related 5.1 mix also circulates notes
11855. 10/09/89 Shn - 0, 7721 Hampton Hampton Coliseum Lineage: SBD > PCM (analog output) > D > D > D > D; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes notes
11856. 10/09/89 Flac 24/96 - 0, 120403 Hampton Hampton Coliseum flac24; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 Khz; Metadata Tagging With Tag&Rename notes
11857. 10/09/89 Flac 16 - 0, 120404 Hampton Hampton Coliseum flac16; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby B>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11858. 10/09/89 Shn - 0, 2276 Hampton Hampton Coliseum SBD> CASS(x)> DAT> CDR> EAC> SHN; via PainoMan to gdlive.com notes
11859. 10/09/89 Shn - 0, 31211 Hampton Hampton Coliseum Recording by: Rob R 3 Nak CM300 - 2 CP4's and 1 CP3 arrianged X/Y direct to dat > ? > .shn SBEs on Set 2 repaired using shntool v.2.0.3 (10/11/2005) notes
11860. 10/09/89 Flac 16 - 0, 89563 Hampton Hampton Coliseum flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand on the floor, near the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes
11861. 10/09/89 Shn - 0, 17704 Hampton Hampton Coliseum FOB Schoeps CMC421> DAT> HHB standalone CD> EAC> ADDAWAV> CDWav retracking> WAV> SHN; conversions done by JR Fishman notes
11862. 10/09/89 Flac 16 - 0, 32902 Hampton Hampton Coliseum flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
11863. 10/09/89 Flac Dts 5.1 - 0, 92005 Hampton Hampton Coliseum DTS Audio 5.1 Mix; 4 Source Mix - SBD (ShnID = 80840), SBD (ShnID = 80840), AUD2 (ShnID = 17704) and AUD3 (ShnID = 443) notes
11864. 10/09/89 Shn Dts - 0, 26235 Hampton Hampton Coliseum DTS-Audio-CD 5.1 Mix; SBD: PCM (analog out) > DAT x 4 > CDR AUD; FOB: Schoeps CMC641 > DAT; mixed by dan@am-dig.com; related matrix also circulates notes
11865. 10/09/89 Flac 16/48 - 0, 142510 Hampton Hampton Coliseum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar stand, shoulder height > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
11866. 10/09/89 Shn - 0, 443 Hampton Hampton Coliseum Schoeps CMC421 (note change from previous mic info)> DAT > SEK'D Prodif 32 > SoundForge 4.5 (Level Increase & Resample - <48to44.1>) > CDWav> WAV > SHN; via T. Howland; note set 1 will fit all on d1 if you overburn 26 sec; listener M. Burgess reports, "first set sounds ok, maybe a little muddy, but the second sounds thin and trebley, totally different from the first set"; note Mark Ferguson renamed md5s and shns with his 8/3/00 rehosting- see his public comments, and md5s marked "ren" (for "rename") notes
11867. 10/09/89 Flac 16 - 0, 116646 Hampton Hampton Coliseum flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster notes
11868. 10/09/89 Flac 16/48 - 0, 125737 Hampton Hampton Coliseum flac16/48kHz; Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
11869. 10/09/89 Flac 16 - 0, 99647 Hampton Hampton Coliseum flac16; Source: Nakamichi cm300/cp4->Sony D-5M (Dolby B encoded)->Maxell MX90 x 2->Sony D-5M (Dolby B decoded)->Korg MR-1000 (1bit/5.5MHz)->AudioGate->(16/44.1) wav-> Soundforge 8.0->flac; Taper: Dave Barfield; Transfer and seeded by: M. Watson notes
11870. 10/09/89 Flac 16 - 0, 125738 Hampton Hampton Coliseum flac16; Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
11871. 10/09/89 Flac 16 - 0, 131003 Hampton Hampton Coliseum flac16; Master Digital FOB Recording by Lance Deal using Schoeps CMC521's> Schoeps VMS 52 UB> Technics SVMD1; Transfer: Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5) notes
11872. 10/09/89 Flac 16 U Mtx. - 0, 147621 Hampton Hampton Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 notes
11873. 10/09/89 Flac 24 UMtx. - 0, 147611 Hampton Hampton Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; notes
11874. 10/09/89 Flac 16 Mtx - , 154041 Hampton Hampton Coliseum flac16; Matrix 2 Source Mix>/i> - SBD (shnid = 147611) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; + AUD (shnid = 116646) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - matrix mixing by Kevin Tobin notes
11875. 10/09/89 Flac 16 Dts 5.1 - , 154042 Hampton Hampton Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147611) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; + AUD (shnid = 116646) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - dts mixing by Kevin Tobin notes
11876. 10/09/89 Flac 16/48 - , 154043 Hampton Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147611) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; + AUD (shnid = 116646) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - surround mixing by Kevin Tobin notes
11877. 10/09/89 Flac 16 Mtx - , 158308 Hampton Hampton Coliseum flac16; Matrix by Hunter Seamons using Soundtrack Pro and Final Cut Pro (FLAC > AIFF > Soundtrack and Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 80840 & 125738. notes
11878. 10/11/89 Flac 16 - 0, 83282 East Rutherford Meadowlands Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11879. 10/11/89 Flac 16 Mtx - 0, 96599 East Rutherford Meadowlands Arena flac16; matrix of SBD: shnid=83292 and AUD: shnid=89613 by hansokolow using ProTools notes
11880. 10/11/89 Shn - 0, 6668 East Rutherford Meadowlands Arena Master Soundboard DAT > Cassette > DAT> CDR, with numerous ticks fixed (see notes); CD Re-mastering, SHN'ed by Scott Clugston; tracked for 2x80; to abgd notes
11881. 10/11/89 Flac 16 - 0, 89613 East Rutherford Meadowlands Arena flac16; AUD: Sennheiser MD-421's > patched thru one D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on 8-foot stand, front row of OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by An notes
11882. 10/11/89 Shn - 0, 13572 East Rutherford Meadowlands Arena Sbd> Cas(m)> Dat> ZA2/PC> SF> CD Architect> CDR?s; Note- This may be the same source that was cleaned up by Scott Clugston; See Here; Submitted with a reference to "some blips and goofy electronic noises"; via Dave Koehler notes
11883. 10/11/89 Flac 16/48 - 0, 138157 East Rutherford Meadowlands Arena flac16/48kHz; Schoeps CMC521 > Panasonic SV250; FOB Taper unknown; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
11884. 10/11/89 Flac 24/96 - 0, 135411 East Rutherford Meadowlands Arena flac24; Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes
11885. 10/11/89 Flac 16 - 0, 125661 East Rutherford Meadowlands Arena flac16; Taper: M. Laurentus; Taper Section 2, Row T, Seat 8; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes
11886. 10/11/89 Flac 24 - 0, 147618 East Rutherford Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11887. 10/11/89 Flac 16 - 0, 147652 East Rutherford Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 notes
11888. 10/11/89 Flac 16/48 - 0, 147681 East Rutherford Meadowlands Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147618) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 135411) Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 - surround mixing by Kevin Tobin notes
11889. 10/11/89 Flac 24/96 Mtx - 0, East Rutherford Meadowlands Arena flac24; Matrix 2 Source Mix - SBD (shnid = 147618) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 135411) Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 - matrix mixing by Kevin Tobin notes
11890. 10/11/89 Flac 16 Dts.5.1 - 0, 147680 East Rutherford Meadowlands Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147618) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 135411) Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 - dts mixing by Kevin Tobin notes
11891. 10/11/89 Flac 16 Mtx - 0, 147679 East Rutherford Meadowlands Arena flac16; Matrix 2 Source Mix - SBD (shnid = 147618) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 135411) Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 - matrix mixing by Kevin Tobin notes
11892. 10/11/89 Flac 24/96 - 0, 147677 East Rutherford Meadowlands Arena flac24; Patched & Pitch Corrected Audience - (original shnid = 135411) Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 - pitch correction and patches by Kevin Tobin notes
11893. 10/12/89 Flac 16 - 0, 83293 East Rutherford Meadowlands Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11894. 10/12/89 Flac 16 Mtx - 0, 96790 East Rutherford Meadowlands Arena flac16; matrix of SBD: shnid=83293 and AUD: shnid=89620 by hansokolow using ProTool notes
11895. 10/12/89 Flac 24/96 - 0, 115445 East Rutherford Meadowlands Arena flac24; Master Audience Cassette Nakamichi CM300/CP4 Shotguns>Sony D5; Tapes:Maxell XLII-90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz notes
11896. 10/12/89 Shn - 0, 5925 East Rutherford Meadowlands Arena Sbd> Cas(m)> Dat> ZA2/PC> SF> CD Architect> CDR?s; via Dave Koehler notes
11897. 10/12/89 Flac 24/96 - 0, 125769 East Rutherford Meadowlands Arena flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP1s > Sony D6, Tapes:Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
11898. 10/12/89 Flac 16 - 0, 125770 East Rutherford Meadowlands Arena flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP1s > Sony D6, Tapes:Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11899. 10/12/89 Flac 16 - 0, 115444 East Rutherford Meadowlands Arena flac16; Master Audience Cassette Nakamichi CM300/CP4 Shotguns>Sony D5; Tapes:Maxell XLII-90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes
11900. 10/12/89 Shn - 0, 30867 East Rutherford Meadowlands Arena Lineage: SBD -> Cm -> Dat -> Samplitude -> CD -> EAC -> SHN Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude 2496 v6.0 Dat -> CD -> EAC -> SHN all performed by Charlie Miller notes
11901. 10/12/89 Flac 16 - 0, 89620 East Rutherford Meadowlands Arena flac16; AUD: Sennheiser MD-421's > patched thru one D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on 8-foot stand, front row of OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes
11902. 10/12/89 Flac 16/48 - 0, 138158 East Rutherford Meadowlands Arena flac16/48kHz; Schoeps CMC521 > Panasonic SV250; FOB Taper unknown; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Patch'd, Track'd, Flac'd & Pack'd: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
11903. 10/12/89 Flac 16/48 - 0, 142511 East Rutherford Meadowlands Arena notes
11904. 10/12/89 Flac 16 - 0, 125669 East Rutherford Meadowlands Arena flac16; Taper: M. Laurentus; Taper Section 2, Row T, Seat 1; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes
11905. 10/12/89 Flac 24 - 0, 147625 East Rutherford Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11906. 10/12/89 Flac 16 - 0, 147659 East Rutherford Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44. notes
11907. 10/14/89 Flac 16 Mtx - 0, 96794 East Rutherford Meadowlands Arena flac16; matrix of SBD: shnid=83296 and DAUD: shnid=88087 by hansokolow using ProTools notes
11908. 10/14/89 Flac 16 - 0, 83296 East Rutherford Meadowlands Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11909. 10/14/89 Flac 16 - 0, 120686 East Rutherford Meadowlands Arena flac16; Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes supplied By Mr. Currier; AKG568s With Shotguns+(1)Sennheiser441>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96kHz; Ditherd/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11910. 10/14/89 Shn - 0, 25319 East Rutherford Meadowlands Arena Recording Info: SBD -> Master Cassette -> Dat -> ZA2 -> Sound Forge -> CD -> EAC -> SHN Patch Info: AUD -> Dat (48k) -> Sound Forge -> SHN Editing Info: SHN -> Samplitude v7.02 Professional -> SHN All Editing Done By Charlie Miller notes
11911. 10/14/89 Shn - 0, 5926 East Rutherford Meadowlands Arena Sbd> Cas(m)> Dat> ZA2/PC> SF> CD Architect> CDR?s; via Dave Koehler notes
11912. 10/14/89 Flac 16 - 0, 89655 East Rutherford Meadowlands Arena flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru 1 or 2 decks > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in front row of OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F notes
11913. 10/14/89 Flac 24/96 - 0, 141763 East Rutherford Meadowlands Arena flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) notes
11914. 10/14/89 Flac 16/48 - 0, 142512 East Rutherford Meadowlands Arena flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
11915. 10/14/89 Flac 16 - 0, 101824 East Rutherford Meadowlands Arena flac16; Sennheiser ME-80's>Technics SVM-D1 (Front of Taper's Section) DAT Master; Transferred on Oct 07, 2009:Sony TCD-D10PROII> Sound Devices 744t>Soundforge 9(Sample Rate Conversion/Fades)>CDWAV>FLAC; Recorded & Processed by Keith Litzenberger notes
11916. 10/14/89 Flac 16 - 0, 107823 East Rutherford Meadowlands Arena flac16; Master: AKG 458's>Sony TC-D5m>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, front row of the taper section Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
11917. 10/14/89 Flac 16 - 0, 121841 East Rutherford Meadowlands Arena flac16; Set 2 Source: 2 Neumann KMF4 microphones - up front/center > Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
11918. 10/14/89 Flac 16/48 - 0, 138137 East Rutherford Meadowlands Arena flac16/48kHz; Ted Mattes FOB recording: Schoeps CMC34 w/stand at 110 degrees on Schoeps t-bar > Oade Power Supply > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT; Note: the original seed of this source had Set 1 at 16 bit 48kHz; Set 2 at 16 bit 44.1kHz; the fixed version is all 48kHz notes
11919. 10/14/89 Flac 16 - 0, 125657 East Rutherford Meadowlands Arena flac16; Taper: M. Laurentus; Taper: Section 2, Row W, Seat 10; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes
11920. 10/14/89 Flac 16 - 0, 88087 East Rutherford Meadowlands Arena flac16; Sennheiser ME-80's>Technics SVM-D1 (Front of Taper's Section) DAT Master>Sony TCD-D10PROII>Edirol R-4>Wavelab 5(Sample Rate Conversion to 44.1khz & Fades)>CDWAV>FLAC Recorded by Keith Litzenberger & Sam Tzirlin Transfer by Keith Litzenberger notes
11921. 10/14/89 Flac 16 - 0, 145746 East Rutherford Meadowlands Arena flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1 notes
11922. 10/14/89 Flac 24/96 - 0, 120685 East Rutherford Meadowlands Arena flac24; Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes supplied By Mr. Currier; AKG568s With Shotguns+(1)Sennheiser441>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96kHz; Metadata Tagging With Tag&Rename notes
11923. 10/14/89 Flac 24 UMtx. - 0, 147627 East Rutherford Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11924. 10/14/89 Flac 16 - 0, 147664 East Rutherford Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 notes
11925. 10/15/89 Flac 16 Mtx - 0, 96884 East Rutherford Meadowlands Arena flac16; matrix of SBD: shnid=3159 and DAUD: shnid=89674 by hansokolow using ProTools notes
11926. 10/15/89 Flac 16 - 0, 83298 East Rutherford Meadowlands Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11927. 10/15/89 Shn - 0, 3159 East Rutherford Meadowlands Arena SBD> C> DAT> CDR; seeded by Chaser notes
11928. 10/15/89 Flac 16 - 0, 120535 East Rutherford Meadowlands Arena flac16; Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes Transferred From Mr. Currier's Tapes; (2)Sennheiser441s+(1)Nakamichi CM300/CP1>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11929. 10/15/89 Flac 16 - 0, 89647 East Rutherford Meadowlands Arena flac16; AUD: Sennheiser MD-421's > patched thru one D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on 8-foot stand, front row of OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes
11930. 10/15/89 Flac 16/48 - 0, 138138 East Rutherford Meadowlands Arena flac16/48kHz; Set 2 Ted Mattes FOB recording: Schoeps CMC521 > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
11931. 10/15/89 Flac 16/48 - 0, 142542 East Rutherford Meadowlands Arena flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
11932. 10/15/89 Flac 16 - 0, 107841 East Rutherford Meadowlands Arena flac16; Master: AKG 458's>Sony TC-D5m>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, front row of the taper section Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
11933. 10/15/89 Flac 16 - 0, 125556 East Rutherford Meadowlands Arena flac16; Set 1 Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
11934. 10/15/89 Flac 16/48 - 0, 125555 East Rutherford Meadowlands Arena flac16/48kHz; Set 1 Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
11935. 10/15/89 Flac 16 - 0, 125662 East Rutherford Meadowlands Arena flac16; Taper: M. Laurentus; Taper Section 2, Row W, Seat 2; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes
11936. 10/15/89 Flac 24/96 - 0, 120533 East Rutherford Meadowlands Arena flac24; Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes Transferred From Mr. Currier's Tapes; (2)Sennheiser441s+(1)Nakamichi CM300/CP1>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96kHz; Metadata Tagging With Tag&Rename notes
11937. 10/15/89 Flac 24 UMtx. - 0, 147631 East Rutherford Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11938. 10/15/89 Flac 16/44,1 - 0, 147666 East Rutherford Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 notes
11939. 10/15/89 Flac 16 - 0, 149522 East Rutherford Meadowlands Arena flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Master Cassette Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boeicker, Official Taper Section notes
11940. 10/16/89 Flac 16 Mtx - 0, 96899 East Rutherford Meadowlands Arena flac16; matrix of DSBD: shnid=446 and AUD: shnid=32131 (Set 1) and DAUD: shnid=34658 (Set 2) by hansokolow using ProTools notes
11941. 10/16/89 Shn - 0, 446 East Rutherford Meadowlands Arena source update: DSBD> DAT> WAV> CD-R; via Dave Barrick; 5/00- there may be another version around, possibly reextraction of this- at least 1 track matches the md5 shown here, another track doesn't; listener Jeff Davis reports errors: "some dropouts during the beginning of D1T1, and a dropout around 3:40 of "Space" on Disc 3"; see pub comments for tracking; Update: whole show now released as Nightfall of Diamonds- go buy it notes
11942. 10/16/89 Flac 16 - 0, 126359 East Rutherford Meadowlands Arena flac16; Master Audience Recorded By Mr. Baker And Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Set 1 Sony D6, Tape Maxell MX-90, Mr. Baker's; Set 2 Sony TC-D5M, Tape Denon HD-M 100, Fitzy's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
11943. 10/16/89 Flac 24/96 - 0, 126358 East Rutherford Meadowlands Arena flac24; Master Audience Recorded By Mr. Baker And Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Set 1 Sony D6, Tape Maxell MX-90, Mr. Baker's, Set 2 Sony TC-D5M, Tape Denon HD-M 100, Fitzy's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
11944. 10/16/89 Flac 16 - 0, 34658 East Rutherford Meadowlands Arena flac16; Set 2 Only - FOB Schoeps CMC34 Cardiod>Panasonic SV250(?)>DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav @48K/16b (WinXP) > 44.1K/16b Audacity 1.2.3 (FC3)> Tracks cut with shntool 2.0.3 > Flac 1.1.2 compression level 8 on FC3 Linux notes
11945. 10/16/89 Flac 16 U Mtx - 0, 140163 East Rutherford Meadowlands Arena flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11946. 10/16/89 Flac 16 U Mtx - 0, 140263 East Rutherford Meadowlands Arena flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11947. 10/16/89 Flac 16/48 - 0, 142543 East Rutherford Meadowlands Arena flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
11948. 10/16/89 Flac 16 - 0, 124087 East Rutherford Meadowlands Arena flac16; Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; Transferred and seeded by: Lenny Stubbe notes
11949. 10/16/89 Flac 16/48 - 0, 124086 East Rutherford Meadowlands Arena b>flac16/48kHz; Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; Transferred and seeded by: Lenny Stubbe notes
11950. 10/16/89 Flac 16 - 0, 32131 East Rutherford Meadowlands Arena unknown audience recording CD > EAC > FLAC notes
11951. 10/16/89 Flac 16 - 0, 125658 East Rutherford Meadowlands Arena flac16; Taper: M. Laurentus; Taper Section 2, Row U, Seat 12; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac notes
11952. 10/16/89 Flac 16 - , 150534 East Rutherford Meadowlands Arena flac16; Source: Dak Shotgun Mics>Sony Wm-D6C Cassette Deck>2 Maxell MX-90 Metal Master Cassette Tapes>Sony TC-D5M Cassette Deck (Playback)> Edirol R-09 GR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section notes
11953. 10/18/89 Flac 16 - 0, 83776 Philadelphia The Spectrum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11954. 10/18/89 Shn - 0, 12091 Philadelphia The Spectrum Healy Ultramix > MC > DAT > CDR; Beginning of Shakedown, Drumz and Space patched with following source-Digital Audience - Jill & Rob R 3 Nak CM 300's; See info file for details; Seeded to etree by Doug Nawrocki notes
11955. 10/18/89 Flac 16 Mtx - 0, 89967 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shn id 83776) SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 89963) MAV (Taped by LazyCow camera crew) JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Adobe Audition 3.0 - matrix mixing by Kevin Tobin notes
11956. 10/18/89 Flac 16 - 0, 89963 Philadelphia The Spectrum flac16; MAV (Taped by LazyCow camera crew) JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Adobe Audition 3.0 notes
11957. 10/18/89 Flac 16/48 - 0, 142562 Philadelphia The Spectrum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
11958. 10/18/89 Shn - 0, 7551 Philadelphia The Spectrum Digital Audience - Jill & Rob R,3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section. Posted to abgd via ArtCube notes
11959. 10/18/89 Flac 16 - 0, 101845 Philadelphia The Spectrum flac16; Sennheiser ME-80's>Technics SV-MD1 from front left corner of SBD DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC; Recorded By Keith Litzenberger notes
11960. 10/18/89 Flac 16 - 0, 120496 Philadelphia The Spectrum flac16; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.18(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
11961. 10/18/89 Flac 16 - 0, 100218 Philadelphia The Spectrum flac16; Source: Nakamichi cm300/cp4->Sony D-5M (Dolby B encoded)->Maxell MX90 x 2 Lineage: MAC->Sony D-5M (Dolby B decoded)->Korg MR-1000 (1bit/5.5MHz)->AudioGate->(16/44.1) wav-> Soundforge 8.0->flac; Taper: Dave Barfield; Transferred and seeded by M.Watson on July 19, 2009 notes
11962. 10/18/89 Flac 16 - 0, 116662 Philadelphia The Spectrum flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster notes
11963. 10/18/89 Flac 16/48 - 0, 120495 Philadelphia The Spectrum flac16/48kHz; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps; CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.18(encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
11964. 10/18/89 Flac 16 Dts.5.1 - 0, 89968 Philadelphia The Spectrum DTS Audio 5.1; SBD (shn id 83776) SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 89963) MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Adobe Audition 3.0 - mixing by Kevin Tobin notes
11965. 10/18/89 Flac 24 UMtx. - 0, 147697 Philadelphia The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11966. 10/18/89 Flac 16/48 - 0, 147725 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147697) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142562) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - surround mixing by Kevin Tobin notes
11967. 10/18/89 Flac 16 Dts.5.1 - 0, 147724 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147697) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142562) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dts mixing by Kevin Tobin notes
11968. 10/18/89 Flac 16 Mtx - 0, 147723 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 147697) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142562) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - matrix mixing by Kevin Tobin notes
11969. 10/18/89 Flac 16 - 0, 17728 Philadelphia The Spectrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44. notes
11970. 10/18/89 Flac 16 - 0, 149607 Philadelphia The Spectrum flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassete Deck>2 Maxell MX-90 Monute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section, Section 107 Row 5.Seat 16 notes
11971. 10/19/89 Flac 16 Mtx - 0, 96967 Philadelphia The Spectrum flac16; matrix of SBD: shnid=83305 and DAUD: shnid=7595 by hansokolow using ProTools notes
11972. 10/19/89 Flac 16 - 0, 83305 Philadelphia The Spectrum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11973. 10/19/89 Shn - 0, 7640 Philadelphia The Spectrum DSBD>C?>DAT>CDR; via eD O'Connor notes
11974. 10/19/89 Shn - 0, 34571 Philadelphia The Spectrum Seamless fix of shn id 7640 - DSBD>C?>DAT>CDR>EAC>WAV>CDR notes
11975. 10/19/89 Flac 16/48 - 0, 94273 Philadelphia The Spectrum flac16/48; Sennheiser ME-80's>Technics SV-MD1 from 2 rows in front of Soundboard DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades)>CDWAV>FLAC Recorded, transferred & Uploaded By Keith Litzenberger *48KHZ Version* notes
11976. 10/19/89 Flac 16/48 - 0, 120497 Philadelphia The Spectrum flac16/48kHz; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.18(encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
11977. 10/19/89 Flac 16 - 0, 116663 Philadelphia The Spectrum flac16; Set 1 Only Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster notes
11978. 10/19/89 Flac 16 - 0, 99977 Philadelphia The Spectrum flac16; Source: Nakamichi CM300/CP4->Sony D-5M (Dolby B encoded)->TDK MA-X90 x2->Sony D-5M (Dolby B decoded)->Korg MR-1000 (1bit/5.5MHz)->AudioGate->(16/44.1) wav-> Soundforge 8.0->flac; Taper: Dave Barfield notes
11979. 10/19/89 Shn - 0, 7595 Philadelphia The Spectrum Digital Audience - Jill & Rob R, 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section. Seeded to abgd via ArtCube notes
11980. 10/19/89 Flac 16 - 0, 101809 Philadelphia The Spectrum flac16; Sennheiser ME-80's>Technics SV-MD1 from 2 rows in front of Soundboard DAT MASTER>Sony TCD-D10PROII>Sound Devices 744t>Soundforge 9(Fades/Sample Rate Conversion)>CDWAV>FLAC; Recorded & transferred By Keith Litzenberger on October 7, 2009 notes
11981. 10/19/89 Flac 16 - 0, 120498 Philadelphia The Spectrum flac16; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.18(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
11982. 10/19/89 Flac 16 - 0, 94274 Philadelphia The Spectrum flac16; Sennheiser ME-80's>Technics SV-MD1 from 2 rows in front of Soundboard DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded, transferred & Uploaded By Keith Litzenberger notes
11983. 10/19/89 Flac 24 UMtx. - 0, 157722 Philadelphia The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
11984. 10/19/89 Flac 16 - 0, 147729 Philadelphia The Spectrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
11985. 10/19/89 Flac 16 - 0, 149634 Philadelphia The Spectrum flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section; Section 107, Row 5,Seat 15 notes
11986. 10/20/89 Flac 16 Mtx - 0, 102200 Philadelphia The Spectrum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes
11987. 10/20/89 Flac 16 - 0, 11527 Philadelphia The Spectrum flac16; SBD Master Cassettes recorded by BEAR; Transferred and Mastered by Jim Blackwood; Tracked in CDWAV Tag&Rename for Meta_Data TradersLittleHelper for FLAC Level 8 by Patrick White notes
11988. 10/20/89 Flac 16 - 0, 83317 Philadelphia The Spectrum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
11989. 10/20/89 Shn - 0, 13032 Philadelphia The Spectrum Ultra-Matrix Soundboard DAT > Cassette > DAT > CDR; Audience source supplies first 0:48 of "Hey Pocky Way" (d2t01); Alternate Sbd source supplies balance of "Hey Pocky Way" (d2t01) as well as the first 4:46 of "Scarlet Begonias" (d2t02);Patching / CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston; to abgd via terrapin flyer notes
11990. 10/20/89 Shn - 0, 7641 Philadelphia The Spectrum DSBD>C?>DAT>CDR; via eD O'Connor notes
11991. 10/20/89 Flac 16 Mtx - 0, 123590 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shn id 83317) SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 123584) MAV (Taped by Peanut Production camera crew);Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen. Transfer: S-VHS 1st Gen. -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> BHP -> Adobe Audition 3.0 -> R8Brain Pro -> CDWave - matrix mixing by Kevin Tobin notes
11992. 10/20/89 Flac 16 - 0, 123584 Philadelphia The Spectrum flac16; MAV (Taped by Peanut Production camera crew);Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen. Transfer: S-VHS 1st Gen. -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> BHP -> Adobe Audition 3.0 -> R8Brain Pro -> CDWave notes
11993. 10/20/89 Shn - 0, 99071 Philadelphia The Spectrum Possibly Shure M57s audience cassette master > burned to standalone Pioneer burner > ripped with DAC > shinned with MKW notes
11994. 10/20/89 Flac Dts 5.1 - 0, 123591 Philadelphia The Spectrum DTS Audio 5.1; SBD (shn id 83317) SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 123584) MAV (Taped by Peanut Production camera crew);Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen. Transfer: S-VHS 1st Gen. -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> BHP -> Adobe Audition 3.0 -> R8Brain Pro -> CDWave - mixing by Kevin Tobin notes
11995. 10/20/89 Flac 16/48 - 0, 142563 Philadelphia The Spectrum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
11996. 10/20/89 Flac 16/48 - 0, 120499 Philadelphia The Spectrum flac16/48kHz; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.18(encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
11997. 10/20/89 Flac 16 - 0, 99867 Philadelphia The Spectrum flac16; Source: (OTS)Nak.300/cp4->Sony D-5M (Dolby B encoded)->TDK MA-X90 x2->Sony D-5M (Dolby B decoded)->Korg MR-1000 (1Bit/5.6MHz)-> AudioGate->wav(16/44.1)->SF8->FLAC; Taper: Dave Barfield notes
11998. 10/20/89 Flac 16 - 0, 116721 Philadelphia The Spectrum flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster notes
11999. 10/20/89 Flac 16 - 0, 120500 Philadelphia The Spectrum flac16; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.18(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
12000. 10/20/89 Flac 24 UMtx. - 0, 147749 Philadelphia The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12001. 10/20/89 Flac 16/48 - 0, 147739 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shn id 83317) SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 123584) MAV (Taped by Peanut Production camera crew);Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen. Transfer: S-VHS 1st Gen. -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> BHP -> Adobe Audition 3.0 -> R8Brain Pro -> CDWave - surround mixing by Kevin Tobin notes
12002. 10/20/89 Flac 16 U Mtx. - 0, 147902 Philadelphia The Spectrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
12003. 10/20/89 Shn - 0, 34579 Philadelphia The Spectrum Seamless fix of shn id 13032 - Ultramatrix SBD DAT>C>DAT>CD>EAC>SHN notes
12004. 10/20/89 Flac 16 - 0, 149682 Philadelphia The Spectrum flac16; Source:DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper Taped By Dave Boedicker, Official Taper Section, Section 107, Row 5, Seat 20 notes
12005. 10/22/89 Flac 16 Mtx - 0, 102399 Charlotte Charlotte Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes
12006. 10/22/89 Flac 16 - 0, 83319 Charlotte Charlotte Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
12007. 10/22/89 Shn - 0, 12188 Charlotte Charlotte Coliseum SBD> ?> CD> EAC> SHN (EAC); DAE & SHN Encoding by Tommy Brame notes
12008. 10/22/89 Flac 16/48 - 0, 142576 Charlotte Charlotte Coliseum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
12009. 10/22/89 Flac 16 - 0, 97414 Charlotte Charlotte Coliseum flac16; Source: aud > Nakamichi CM-300s > Sony WD-5 > mac Transfer: mac > Nakamichi CR-5A > Tascam HD-P2 > 24/96 wav > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > flac16 notes
12010. 10/22/89 Flac 16 - 0, 132700 Charlotte Charlotte Coliseum flac16; Recording info: FOB/ Schoeps cmc 521's> Colette (active) cables> Schoeps VMS 52 UB p/s> Technics SV-MD1 by Lance Deal; Master DAT's provided by Lance Deal by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty notes
12011. 10/22/89 Flac 24/96 - 0, 147644 Charlotte Charlotte Coliseum flac24; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes
12012. 10/22/89 Flac 24 - 0, 147755 Charlotte Charlotte Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12013. 10/22/89 Flac 16 U Mtx. - 0, 148202 Charlotte Charlotte Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
12014. 10/22/89 Flac 16 - 0, 149693 Charlotte Charlotte Coliseum flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8 Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section notes
12015. 10/23/89 Flac 16 Mtx - 0, 102771 Charlotte Charlotte Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes
12016. 10/23/89 Flac 16 - 0, 83327 Charlotte Charlotte Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
12017. 10/23/89 Shn - 0, 2223 Charlotte Charlotte Coliseum SBD>Cassette Master> Sonic Solutions> CD> FM> DAT> CDR> EAC> SHN; via Jeff M. notes
12018. 10/23/89 Flac 16 - 0, 116205 Charlotte Charlotte Coliseum flac16: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper JB,Transfer By Keo Tapes Maxell MX 90,100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes
12019. 10/23/89 Flac 24/96 - 0, 116206 Charlotte Charlotte Coliseum flac24: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper JB,Transfer By Keo Tapes Maxell MX 90,100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz No Dithering With These Files notes
12020. 10/23/89 Flac 16/48 - 0, 142577 Charlotte Charlotte Coliseum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
12021. 10/23/89 Flac 16 - 0, 131026 Charlotte Charlotte Coliseum flac16; Source: Set One is digital FOB/12th Row/Schoeps CMC 54's> DAT; Set Two is an ANALOG transfer from Schoeps CMC 421's in the T.S (AAD); DAT's provided by Lance Deal; Transfer: Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Transferred and liberated to bt.etree on August 24, 2014 by jwpetty notes
12022. 10/23/89 Flac 24/96 - 0, 147645 Charlotte Charlotte Coliseum flac24; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes
12023. 10/23/89 Flac 24 - 0, 147762 Charlotte Charlotte Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12024. 10/23/89 Flac 16/48 - 0, 147918 Charlotte Charlotte Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147762) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147645) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - surround mixing by Kevin Tobin notes
12025. 10/23/89 Flac 16 Dts.5.1 - 0, 147917 Charlotte Charlotte Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147762) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147645) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - matrix mixing by Kevin Tobin notes
12026. 10/23/89 Flac 24/96 Mtx - 0, 147913 Charlotte Charlotte Coliseum flac24; Matrix 2 Source Mix - SBD (shnid = 147762) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147645) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - matrix mixing by Kevin Tobin notes
12027. 10/23/89 Flac 16 Mtx - 0, 147916 Charlotte Charlotte Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 147762) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147645) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - matrix mixing by Kevin Tobin notes
12028. 10/23/89 Flac 16 - 0, 148155 Charlotte Charlotte Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
12029. 10/23/89 Flac 16 - 0, 96922 Charlotte Charlotte Coliseum flac16; Source: Audience Recording Lineage: Nak CM-300s with CP-4 caps (OTS on tall stand) > D-5 > MAC > Nak zx-7 > Tascam HD-P2 > 24/96 wave > wavelab 5 > plugs > r8brain pro > 16/44.1 wave > cd wave > flac 16 (TLH lvl 8) notes
12030. 10/23/89 Flac 16 - 0, 149694 Charlotte Charlotte Coliseum flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section notes
12031. 10/25/89 Flac 16 - 0, 83398 Miami Miami Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
12032. 10/25/89 Flac 16 Mtx - 0, 125645 Miami Miami Arena flac16; 2 Source Matrix by dusborne Soundboard (shinid:83398) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16; All Transfers and Mastering By Charlie Miller and Audience (shnid:124034) Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz) Config/Location: ORTF/FOB on a stand Transfer: Sony PCM-2600(Apogee ES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ) Taped by: Ted Mattes notes
12033. 10/25/89 Flac 16 - 0, 83398 Miami Miami Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
12034. 10/25/89 Flac 16 - 0, 79611 Miami Miami Arena flac16; Nakamichi 300 shotguns > Sony D5 > MAC taped by Tim Alexander Transfer: MAC playback on Nakamichi DR-1 > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC notes
12035. 10/25/89 Shn - 0, 1828 Miami Miami Arena Cassette SBD> DATs> CDRs> EAC> SHN; via Peter L., Sean Cribbs, Darrin Sacks notes
12036. 10/25/89 Flac 24/48 - 0, 79637 Miami Miami Arena flac24/48; Nakamichi 300 shotguns > Sony D5 (Dolby B) > MAC taped by Tim Alexander Transfer: MAC playback on Nakamichi DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC notes
12037. 10/25/89 Ultra MtxFlac24 - 0, 140815 Miami Miami Arena flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12038. 10/25/89 Flac 16 - 0, 140917 Miami Miami Arena flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12039. 10/25/89 Flac 16/48 - 0, 142606 Miami Miami Arena flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
12040. 10/25/89 Flac 16 Mtx - 0, 143025 Miami Miami Arena flac16; Matrix 2 Source Mix - SBD (shnid = 140815) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142606) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dts mixing by Kevin Tobin notes
12041. 10/25/89 Flac Dts 5.1 - 0, 143027 Miami Miami Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140815) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142606) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dts mixing by Kevin Tobin notes
12042. 10/25/89 Flac 16/48 - 0, 143028 Miami Miami Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140815) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142606) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - surround mixing by Kevin Tobin notes
12043. 10/25/89 Flac 24 - 0, 143033 Miami Miami Arena flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This source has a fixed Hell In A Bucket notes
12044. 10/25/89 Flac 16/48 - 0, 124034 Miami Miami Arena flac16/48kHz; Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB on a stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; Transferred and seeded by: Lenny Stubbe notes
12045. 10/25/89 Flac 16 - 0, 124035 Miami Miami Arena flac16; Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB on a stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; Transferred and seeded by: Lenny Stubbe notes
12046. 10/25/89 Flac 16 - 0, 143511 Miami Miami Arena flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This source has a fixed Hell In A Bucket; This file set is 16/44.1 notes
12047. 10/26/89 Flac 16 - 0, 83428 Miami Miami Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
12048. 10/26/89 Flac16 Mtx - 0, 125695 Miami Miami Arena flac16;2 Source Matrix by dusborne Soundboard (shinid:83428) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Audience (shnid:123831) Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz) Config/Location: ORTF/FOB on a stand Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ) Taped by: Ted Mattes notes
12049. 10/26/89 Shn - 0, 18664 Miami Miami Arena SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN Set 2 only. Converted By Charlie Miller notes
12050. 10/26/89 Shn - 0, 24587 Miami Miami Arena Complete show Set 1 from shn id 20614 and seamlessly fixed Set 2 from shn id 18664 notes
12051. 10/26/89 Shn - 0, 20614 Miami Miami Arena Set 1 only. SBD -> Cm -> Dat -> CD -> EAC -> Samplitude v7.02 -> SHN by Charlie Miller notes
12052. 10/26/89 Shn - 0, 1829 Miami Miami Arena Soundboard > Cassette > DATs > CDRs > EAC > SHN; via Peter L., Sean Cribbs, Darrin Sacks notes
12053. 10/26/89 Shn - 0, 19163 Miami Miami Arena Soundboard (Ultra Matrix) > DAT Master > DAT > Sonic Solutions > Master CD > EAC > .wav > FLAC Frontend > FLAC, Compiled by Dan Lynch, Master CD provided by David Gans notes
12054. 10/26/89 Flac 16 - 0, 107258 Miami Miami Arena flac16;Schoeps CMC34 > PCM F1 > DAT (Fostex D-10 Playback) > CD (hhb800 standalone) > EAC (0.93b) > WAV > SHN (via MKWACT) notes
12055. 10/26/89 Flac 16/48 - 0, 142607 Miami Miami Arena flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
12056. 10/26/89 Flac 16/48 - 0, 123831 Miami Miami Arena flac16/48kHz; Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB on a stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
12057. 10/26/89 Flac 16 - 0, 123832 Miami Miami Arena flac16; Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB on a stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
12058. 10/26/89 Flac 24 UMtx. - 0, 147714 Miami Miami Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12059. 10/26/89 Flac 16 - 0, 147766 Miami Miami Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
12060. 10/26/89 Flac 16 Dts.5.1 - 0, 147753 Miami Miami Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147714) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142607) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dts mixing by Kevin Tobin notes
12061. 10/26/89 Flac 16 Mtx - 0, 147752 Miami Miami Arena flac16; Matrix 2 Source Mix - SBD (shnid = 147714) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142607) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - matrix mixing by Kevin Tobin notes
12062. 10/26/89 Flac 16/48 - 0, 147754 Miami Miami Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147714) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142607) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - surround mixing by Kevin Tobin notes
12063. 12/06/89 Shn - 0, 14917 Oakland Oakland-Alameda County Coliseum SBD -> Dat (Encore is SBD>Cm>Dat with AUD Patch starting at 4:16) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN (2 Discs SHN / 3 Discs Audio Transfered and Edited By Charlie Miller notes
12064. 12/06/89 Flac 16 - 0, 92964 Oakland Oakland-Alameda County Coliseum flac16; FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA-XG 90's with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes
12065. 12/06/89 Shn - 0, 7446 Oakland Oakland-Alameda County Coliseum sdb>dat>wav>cooledit>shn; via John Acquafredda notes
12066. 12/06/89 Flac16/48 UMtx - 0, 138926 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Ultra Matrix Soundboard Master > DAT; Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT notes
12067. 12/06/89 Flac 24 UMtx - 0, 140164 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12068. 12/06/89 Shn - 0, 33821 Oakland Oakland-Alameda County Coliseum Seamless fix of shn id 14917 - SBD -> DAT -> Prodif Plus -> Samplitude v6.0 -> SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
12069. 12/06/89 Flac 16 UMtx - 0, 140264 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12070. 12/06/89 Flac 16/48 - 0, 142700 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
12071. 12/06/89 Flac 16 - 0, 107991 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Beyer M-160 microphones > Sony TC-D5M ~ Mics @ 6 feet ~ 25 feet from stage-center ~ Maxell MX90's Transfer: Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
12072. 12/08/89 Flac 16 - 0, 88396 Inglewood Great Western LA Forum flac16; SBD -> Dat -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
12073. 12/08/89 Shn - 0, 15641 Inglewood Great Western LA Forum Source: Set 1 SBD>CM>CM?>DAT>CDR>WAV>SHNv3 Set 2 SBD>CM>DAT>CDR>WAV>SHNv3 (w/ aud splices). See info file for splice details. Source discs via M.Rider. SHN encoding/initial propagation via neo_levo/candyman FTP. notes
12074. 12/08/89 Shn - 0, 8961 Inglewood Great Western LA Forum AUD>DAT>CDR; Seeded to etree by Tim W notes
12075. 12/08/89 Flac 24 UMtx - 0, 140166 Inglewood Great Western LA Forum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12076. 12/08/89 Flac 16 U Mtx - 0, 140265 Inglewood Great Western LA Forum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12077. 12/08/89 Flac 24/96 - 0, 35372 Inglewood Great Western LA Forum flac24; Ambient recording master by Mike French / Tapers From Hell From the Impact Zone, fob/dfc (same spot as entire 02-89 run, and entire 12-89 run) Sennheiser MKE2002 omni's HRTF stealth stereo -> Sony TC-D5M to 24/96 pcm: Sony TC-D5M and cassette master, no n.r. -> Tascam DVRA1000 in pcm mode @24/96 to flac: Tascam DVRA1000 in usb 2.0 mode, master disc file import -> Mac G4 OS-X Tiger. Flac compression (6/8) by xACT by Scott Brown NOTE: this is not the "exact" .flac fileset seeded my Mike French, reencoded to flac level 8 added id3 tags by Bob Loy notes
12078. 12/08/89 Flac 16 - 0, 132701 Inglewood Great Western LA Forum flac16; Recording info on DAT's: FOB/Schoeps cmc 44's; DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty notes
12079. 12/08/89 Flac 16 - 0, 76251 Inglewood Great Western LA Forum flac16; Ambient recording master by Mike French - Tapers From Hell From the Impact Zone, fob,dfc (same spot as entire 02-89 run, and entire 12-89 run) Sennheiser MKE2002 omni's HRTF stealth stereo -> Sony TC-D5M to 24/96 pcm: Sony TC-D5M and cassette master, no n.r. -> Tascam DVRA1000 in pcm mode @24/96 to flac: Tascam DVRA1000 in usb2.0 mode, master disc file import -> Mac G4 OS-X Tiger. Flac compression (6/8) by xACT by Scott Brown -> 16/44 conversion - shntool join -> Wavelabs 5: converted to 44100hz -> Isotope Ozone - dither: type mbit+, noise shaping high, bit depth 16, dither amount normal -> Wavelab - processed to 16bit -> Audacity: tracking only -> ffe l6 sector boundaries aligned>id3 tag <-Seamless transition between Discs 2 and 3-> notes
12080. 12/09/89 Shn - 0, 5450 Inglewood Great Western LA Forum SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer - via C. Miller. DAE, tracking (EAC > cdwave > shntool > mkwact) and FTP/ABGD via C. Ladner; see info file for listening notes notes
12081. 12/09/89 Shn - 0, 29754 Inglewood Great Western LA Forum Source: SBD > DAT > CDR > WAV > SHNv3. This is shn id 5450 with undocumented changes to d2t01 via LMA. notes
12082. 12/09/89 Flac 24 U Mtx - 0, 140180 Inglewood Great Western LA Forum flac24; Recording Info: UltraMatrix Master Soundbonard Dat 16/48 > Dat clone 16/48 directly from Dat master; Transfer Info: Dat 16/48 (Sony PCM-R500) > Sound Devices 744T 16/48 > Adobe Audition 3.0 > TLH flac1648; All Transfers and Mastering By Charlie Miller notes
12083. 12/09/89 Flac 16/48 - 0, 140198 Inglewood Great Western LA Forum flac16/48 Recording Info: UltraMatrix Master Soundbonard Dat 16/48 > Dat clone 16/48 directly from Dat master. Transfer Info: Dat 16/48 (Sony PCM-R500) > Sound Devices 744T 16/48 > Adobe Audition 3.0 > TLH flac1648. Transfer by Charlie Miller. Mastered by Scott Clugston notes
12084. 12/09/89 Flac 16 U Mtx - 0, 140275 Inglewood Great Western LA Forum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; the original source had errors on the last three tracks; please don't circulate that version notes
12085. 12/09/89 Flac 16/48 - 0, 141796 Inglewood Great Western LA Forum flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 at 110 degrees on stand (FOB) > Oade capacitor supply > Panasonic SV-250 > DAT (48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes notes
12086. 12/09/89 Flac 24/96 - 0, 35373 Inglewood Great Western LA Forum flac24; Ambient master by Tapers From Hell: A Journey to the Impact Zone Analog Masters by Mike French "Moke" Sennheiser MKE2002 omni's HRTF (baffled omni's) -> Sony TC-D5M, FOB/DFC in the center of a giant quiet zone of tapers and friends. Mics at 6'5". I was also covering the fob mic tree for this entire 12/89 run. A Tapers From Hell gathering. to 24/96 digital: Sony TC-D5M master deck, master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: track marks originally applied via the DVRA1000 to the dvd+rw master. Then,.. master disc imported via Mac 10.4 Tiger, and flac compression by xACT by Scott Brown, level 6 NOTE: this is not the "exact" .flac fileset seeded my Mike French, it has added id3 tags by Bob Loy notes
12087. 12/09/89 Flac 16 - 0, 102174 Inglewood Great Western LA Forum flac16; Source: Nakamichi CM-300s w/CP-4's -> Sony TCD-D10 Lineage: M-DAT -> DAT/1 -> Tascam DA-30 -> HHb CDR 800 PRO via analog i/o Location: 2nd row OTS Taped/Transferred: Jeff Bowen CDR>EAC>TLH(6)>FLAC: Brad Foster (10/25/09) notes
12088. 12/09/89 Flac 16 - 0, 76273 Inglewood Great Western LA Forum flac16; Ambient recording master by Mike French - Tapers From Hell From the Impact Zone, fob,dfc (same spot as entire 02-89 run, and entire 12-89 run) Sennheiser MKE2002 omni's HRTF stealth stereo -> Sony TC-D5M to 24/96 pcm: Sony TC-D5M and cassette master, no n.r. -> Tascam DVRA1000 in pcm mode @24/96 All x'fers up to flac / master disc burn, by Mike French to flac: Tascam DVRA1000 in usb2.0 mode, master disc file import -> Mac G4 OS-X Tiger. Flac compression (6/8) by xACT by Scott Brown -> 16/44 conversion by Bob Loy -> shntool join -> Wavelabs 5: converted to 44100hz -> Isotope Ozone - dither: type mbit+, noise shaping high, bit depth 16, dither amount normal -> Wavelab - processed to 16bit -> Audacity: tracking only -> ffe l6 sector boundaries aligned -> id3 tag <-Seamless transition between Discs 1 and 2-> notes
12089. 12/10/89 Flac 16 - 0, 119728 Inglewood Great Western LA Forum flac16; Recording Info: SBD (Dan Healy's UltraMatrix Mix) -> Dat (48k); Transfer Info: Dat (Tascam DA20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
12090. 12/10/89 Shn - 0, 5451 Inglewood Great Western LA Forum SBD > DAT > CDR > WAV > SHNv3; DAE via C. Ladner (EAC > CDWave > SHNTOOL > MKWACT), from Charlie Miller seed notes
12091. 12/10/89 Flac 16 Mtx - 0, 102402 Inglewood Great Western LA Forum flac16; Matrix 3 Source Mix - SBD (shn id 5451) SBD > DAT > CDR > WAV > SHNv3; DAE via C. Ladner (EAC > CDWave > SHNTOOL > MKWACT), from Charlie Miller seed + AUD1 (shn id 83792) Sennheiser MKE2002 omni's HRTF -> Sony TC-D5M. Mics at 6'5" Also covering an ortf pair of Neumann km84's -> Sony TC-D5M rig, on a stand. to 24/96 pcm: Sony TC-D5M master deck and master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: Tascam DVRA1000 in USB2.0 mode -> Mac OS-X Tiger import -> xACT by Scott Brown 6/8 level compression. + AUD2 (no shn id) low generation video supplied in dvd format by Dave Minor for video project - matrix mixing by Kevin Tobin notes
12092. 12/10/89 Shn - 0, 16669 Inglewood Great Western LA Forum Source: SBD > DAT > CDR > WAV > SHNv3. DAE via C. Ladner (EAC > CDWave > SHNTOOL > MKWACT). notes
12093. 12/10/89 Flac 16 - 0, 102510 Inglewood Great Western LA Forum flac16; SBD > DAT > CDR > WAV > SHNv3 - pitch correction and patches by Kevin Tobin (update of source ID 5451) notes
12094. 12/10/89 Flac 16 - 0, 137973 Inglewood Great Western LA Forum flac16; Source: (2) Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; recorded by Gris w/ my gear; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH notes
12095. 12/10/89 Ultra Mtx Flac - 0, 140202 Inglewood Great Western LA Forum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12096. 12/10/89 Flac 16 - 0, 140276 Inglewood Great Western LA Forum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12097. 12/10/89 Flac 16/48 - 0, 141797 Inglewood Great Western LA Forum flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 at 110 degrees on stand (FOB) > Oade capacitor supply > Panasonic SV-250 > DAT (48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes notes
12098. 12/10/89 Flac 24/96 - 0, 83792 Inglewood Great Western LA Forum flac24/96; Sennheiser MKE2002 omni's HRTF -> Sony TC-D5M. Mics at 6'5" Also covering an ortf pair of Neumann km84's -> Sony TC-D5M rig, on a stand. to 24/96 pcm: Sony TC-D5M master deck and master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: Tascam DVRA1000 in USB2.0 mode -> Mac OS-X Tiger import -> xACT by Scott Brown 6/8 level compression. notes
12099. 12/10/89 Flac 16 - 0, 102175 Inglewood Great Western LA Forum flac16; Source: Nakamichi CM-300s w/CP-4's -> Sony TCD-D10 Lineage: M-DAT -> DAT/1 -> Tascam DA-30 -> HHb CDR 800 PRO via analog i/o Location: 2nd row OTS Taped/Transferred: Jeff Bowen CDR>EAC>TLH(6)>FLAC: Brad Foster (10/25/09) notes
12100. 12/10/89 Flac 16/44,1 - 0, 146096 Inglewood Great Western LA Forum flac16/44.1khz Ambient Master by Mike French TFH: A Journey to the Impact Zone Sennheiser MKE2002 omni's HRTF -> Sony TC-D5M. Mics at 6'5" FOB/DFC (same spot as 2/89 run, and all 12/89 run) Also covering an ortf pair of Neumann km84's -> Sony TC-D5M rig, on a stand. to 24/96 pcm: Sony TC-D5M master deck and master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: Tascam DVRA1000 in USB2.0 mode -> Mac OS-X Tiger import -> xACT by Scott Brown 6/8 level compression. notes
12101. 12/10/89 Flac 16 Dts.5.1 - 0, 102513 Inglewood Great Western LA Forum DTS-Audio-CD 5.1 Mix; SBD (shn id 5451) SBD > DAT > CDR > WAV > SHNv3; DAE via C. Ladner (EAC > CDWave > SHNTOOL > MKWACT), from Charlie Miller seed + AUD1 (shn id 83792) Sennheiser MKE2002 omni's HRTF -> Sony TC-D5M. Mics at 6'5" Also covering an ortf pair of Neumann km84's -> Sony TC-D5M rig, on a stand. to 24/96 pcm: Sony TC-D5M master deck and master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: Tascam DVRA1000 in USB2.0 mode -> Mac OS-X Tiger import -> xACT by Scott Brown 6/8 level compression. + AUD2 (no shn id) low generation video supplied in dvd format by Dave Minor for video project - dts mixing by Kevin Tobin notes
12102. 12/27/89 Flac 16 - 0, 88397 Oakland Oakland-Alameda County Coliseum flac16; SBD -> Dat -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
12103. 12/27/89 Shn - 0, 82051 Oakland Oakland-Alameda County Coliseum Source: Dan Healy's Master Soundboard Cassette > CDR > SHN > patching/editing > SHN notes
12104. 12/27/89 Shn - 0, 6662 Oakland Oakland-Alameda County Coliseum Dan Healy's Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd notes
12105. 12/27/89 Flac 24 - 0, 140369 Oakland Oakland-Alameda County Coliseum flac24; Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints notes
12106. 12/27/89 Flac 16 - 0, 140420 Oakland Oakland-Alameda County Coliseum flac16; Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints notes
12107. 12/27/89 Flac 16/48 - 0, 142683 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
12108. 12/27/89 Flac 16 - 0, 142852 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12109. 12/27/89 Flac 24 - 0, 142853 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12110. 12/27/89 Shn - 0, 20785 Oakland Oakland-Alameda County Coliseum FOB>Shoeps CMC3/mk-4 > DAT > CDR > WAV > SHNv3; Taper unknown @ this time. notes
12111. 12/27/89 Flac 16 - 0, 105433 Oakland Oakland-Alameda County Coliseum flac16; Nakamichi Shotgun Mics>Sony D-5>Marantz PMD430; Recorded by Mike Mahoney notes
12112. 12/27/89 Shn - 0, 8960 Oakland Oakland-Alameda County Coliseum AUD>DAT>CDR; Seeded to etree by Tim W notes
12113. 12/27/89 Flac 16 - 0, 131027 Oakland Oakland-Alameda County Coliseum b>flac16; Digital FOB by Lance Deal using Schoeps CMC 521's (FOB)> Schoeps VMS 52 UB> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Fostex D-5 (AES/EBU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Transferred and liberated to bt.etree on August 24, 2014 by jwpetty notes
12114. 12/27/89 Flac 16 - 0, 117696 Oakland Oakland-Alameda County Coliseum flac16; Set 2 only Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
12115. 12/27/89 Flac 16/48 - 0, 144153 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 142853) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142683) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - surround mixing by Kevin Tobin notes
12116. 12/27/89 Flac 16 Dts - 0, 144152 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid = 142853) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142683) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dtsmixing by Kevin Tobin notes
12117. 12/27/89 Flac 16 MTX - 0, 144151 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 142853) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142683) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - matrix mixing by Kevin Tobin notes
12118. 12/27/89 Flac 16 Mtx - , 165017 Oakland Oakland-Alameda County Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 142852 & 142683. notes
12119. 12/28/89 Flac 16 - 0, 32254 Oakland Oakland-Alameda County Coliseum flac16; SBD -> Master Cassette Transferred By David Gans Converted to FLAC By Charlie Miller notes
12120. 12/28/89 Flac 24 - 0, 126030 Oakland Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12121. 12/28/89 Flac 16 - 0, 126031 Oakland Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12122. 12/28/89 Flac 16/48 - 0, 139207 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Set 1 unknown taper: Schoeps CMC34 at 110 degrees ORTF > Panasonic SV250; hand held on Schoeps t-bar FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel: flac 16/48; Checksum & tags created in xACT notes
12123. 12/28/89 Flac 24 - 0, 140375 Oakland Oakland-Alameda County Coliseum flac24; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Front Of Board Master Audience cassette: Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints notes
12124. 12/28/89 Flac 16 - 0, 140421 Oakland Oakland-Alameda County Coliseum flac16; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Front Of Board Master Audience cassette: Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints notes
12125. 12/28/89 Flac 16/48 - 0, 142684 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: 1st Set - Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); 2nd Set - Master Audience Dat (OTS) AKG 414 mics > unknown Dat deck (16-bit/48k) > Ted Mattes' Dat (16-bit/48k); Transfer Info: 1st Set: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648; 2nd Set: Master Dat clone (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
12126. 12/28/89 Flac 16 - 0, 131028 Oakland Oakland-Alameda County Coliseum flac16; Digital FOB by Lance Deal using Schoeps CMC 521's (FOB)> Schoeps VMS 52 UB> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Transferred and liberated to bt.etree on August 24, 2014 by jwpetty notes
12127. 12/28/89 Flac 16 - 0, 117731 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
12128. 12/28/89 Flac 16 - 0, 91643 Oakland Oakland-Alameda County Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 from front of Taper's Section DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades and Sample Rate Conversion)>CDWAV>FLAC Recorded By Keith Litzenberger & Gerry Gordon, All Transfers by Keith Litzenberger notes
12129. 12/28/89 Shn - 0, 12565 Oakland Oakland-Alameda County Coliseum 2 Beyer M160 FOB > Sony TCD5M Cassette Master > SHN; Unknown seeder notes
12130. 12/28/89 Flac 24/96 - , 153956 Oakland Oakland-Alameda County Coliseum flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
12131. 12/28/89 Flac 16/44 - , 154423 Oakland Oakland-Alameda County Coliseum flac1644; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153956 2496 > 1644 notes
12132. 12/28/89 Flac 16 Mtx - , 165021 Oakland Oakland-Alameda County Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 154423 & 142684. notes
12133. 12/30/89 Shn - 0, 9122 Oakland Oakland-Alameda County Coliseum Source: Ultramatrix (SBD/AUD mix); Lineage: DAT> CD> SHN; via Rob Harrison; Seeded to etree by Peter Braverman notes
12134. 12/30/89 Flac 24/96 - 0, 126975 Oakland Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12135. 12/30/89 Shn - 0, 8754 Oakland Oakland-Alameda County Coliseum ony G shntool fix of original Braverman seed; Ultramatrix (SBD/AUD mix); Lineage: DAT> CD> SHN notes
12136. 12/30/89 Flac 16 - 0, 126076 Oakland Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12137. 12/30/89 Shn - 0, 5069 Oakland Oakland-Alameda County Coliseum mixed source: Set 1- DSBD> ?> D> CDR; Set 2- Schoeps CMC3/mk-4 FOB notes
12138. 12/30/89 Flac 16/48 - 0, 139208 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Set 1 unknown taper: (FOB) Schoeps CMC34 at 110 degrees ORTF > Panasonic SV250; hand held on Schoeps t-bar; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/48; Checksum & tags created in xACT notes
12139. 12/30/89 Flac 24 U Mtx - 0, 141200 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12140. 12/30/89 Flac 16 U Mtx - 0, 141314 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12141. 12/30/89 Flac 16/48 - 0, 142692 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod)> Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
12142. 12/30/89 Flac 16 - 0, 131029 Oakland Oakland-Alameda County Coliseum flac16; Digital FOB by Lance Deal using Schoeps CMC 521's (FOB)> Schoeps VMS 52 UB> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Panasonic SV-3700 (s/sdif)> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Transferred and liberated to bt.etree on August 24, 2014 by jwpetty notes
12143. 12/30/89 Flac 16 - 0, 117741 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
12144. 12/30/89 Flac - 0, 109948 Oakland Oakland-Alameda County Coliseum (OTS) Nakamichi CM-300/CP-4 > TCD-D10 Lineage: DAT-M > Tascam DA-30 > HHb CDR 800 Recorded/Transferred: Jeff Bowen Extraction [CD>EAC>WAV>FLAC]: Brad Foster notes
12145. 12/30/89 Flac 16 Mtx - , 165033 Oakland Oakland-Alameda County Coliseum flac1644; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 141314 & 142692. notes
12146. 12/31/89 Flac 16 - 0, 87784 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
12147. 12/31/89 Flac 16 - 0, 96560 Oakland Oakland-Alameda County Coliseum flac16; matrix of DSBD: shnid=28735 and DAUD: shnid=92896 by hansokolow using ProTools notes
12148. 12/31/89 Shn - 0, 23574 Oakland Oakland-Alameda County Coliseum Pre-FM -> Dat -> Samplitude -> CD -> EAC -> SHN; Transfer By Charlie Miller notes
12149. 12/31/89 Shn - 0, 6116 Oakland Oakland-Alameda County Coliseum FMS > DAT > CDR > EAC (secure mode, test and copy) > SHN; EAC> SHN> etree by G. Gorinsky; with thanks to Glenn Gillis notes
12150. 12/31/89 Shn - 0, 28735 Oakland Oakland-Alameda County Coliseum Recording Info: Pre-FM -> Dat -> Samplitude -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers By Charlie Miller charliemiller87@earthlink.net; Cleaned and Patched by Darryl Hinko 3/21/05; Patch in Dear Mr Fantasy with unknown AUD notes
12151. 12/31/89 Shn - 0, 18674 Oakland Oakland-Alameda County Coliseum SBD>>PreFM>>DAT>>CDA>>WAV(EAC)>> SHN>>DAW(Bertha)>>CDA/SHN notes
12152. 12/31/89 Flac 16/48 - 0, 142693 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: Master (FOB)Audience Dat; B&K 4011 mics (ORTF, 110 degrees)(16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 notes
12153. 12/31/89 Flac 16 - 0, 92896 Oakland Oakland-Alameda County Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 (1st few row of OTS) DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades)>CDWAV>FLAC Transferred By Keith Litzenberger notes
12154. 12/31/89 Flac 16 - 0, 117749 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
12155. 12/31/89 Flac 16 - 0, 109949 Oakland Oakland-Alameda County Coliseum (OTS) Nakamichi CM-300/CP-4 > TCD-D10 Lineage: DAT-M > Tascam DA-30 > HHb CDR 800 Recorded/Transferred: Jeff Bowen Extraction [CD>EAC>WAV>FLAC]: Brad Foster notes
12156. 12/31/89 Flac 16 - 0, 105224 Oakland Oakland-Alameda County Coliseum flac16; Recorded by Mike Mahoney; Nakamichi Shotgun Mics>Sony D-5>Marantz PMD430 notes
12157. 12/31/89 - , 154085 Oakland Oakland-Alameda County Coliseum flac16/44 Pitch corrected, re-patched version of shnid 87784 notes
12158. 12/31/89 Flac 24 - , 154970 Oakland Oakland-Alameda County Coliseum flac24/96 Recording Info: UltraMatrix SBD (Broadcast Mix) > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
12159. 12/31/89 Flac 16 - , 155442 Oakland Oakland-Alameda County Coliseum flac16/44 Recording Info: UltraMatrix SBD (Broadcast Mix) > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 154970 2496 > 1644 notes
12160. 12/31/89 Flac 16 Mtx - , 165046 Oakland Oakland-Alameda County Coliseum flac1644; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 155442 & 142693. notes
12161. ??/??/89 Shn - 0, 123640 Various Ante Up - Built to Last interview SHN > WAV > Audacity (only to cut music out), FLAC Frontend Level 8, TLH to fix SBE notes
12162. 02/25/90 Flac 16 - 0, 87786 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
12163. 02/25/90 Flac 16 Mtx - 0, 82923 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid 29345) + AUD (shnid 11805) mixed by Kevin Tobin notes
12164. 02/25/90 Flac 16 - 0, 28345 Oakland Oakland-Alameda County Coliseum flac16; SBD > DAT > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes
12165. 02/25/90 Shn - 0, 13142 Oakland Oakland-Alameda County Coliseum Set 2; SBD with patches from Schoeps AUD; Lineage: SBD> DAT> CASS> DAT> CDR; via Patrick White notes
12166. 02/25/90 Flac 16 - 0, 93476 Oakland Oakland-Alameda County Coliseum flac16; FOB AUD: AKG C-568's > patched thru Panasonic SV-255 > Sony TC-D5M > TDK MA (1st Set) & TDK MA-XG (2nd Set), with no Dolby. Mics on stand, thirty feet from the stage, in the center. Taped by B and D. Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes
12167. 02/25/90 Flac 24/96 - 0, 125809 Oakland Oakland-Alameda County Coliseum flac24; Master Audience Recorded By M.L./Keo, Transfer By Keo; Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12168. 02/25/90 Flac 16 - 0, 125810 Oakland Oakland-Alameda County Coliseum flac16; Master Audience Recorded BY M.L./Keo, Transfer By Keo; Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename This is your collection notes
12169. 02/25/90 Flac 24/96 - 0, 135099 Oakland Oakland-Alameda County Coliseum flac24; Source: Schoeps CMC 421 Sub Cardioids, ORTF, SV-250 DAT, FOB -> NAK 682 ZX/Sony Metal-SR/100 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Recorded by: Richard Berner and Friends notes
12170. 02/25/90 Flac 16 - 0, 135154 Oakland Oakland-Alameda County Coliseum flac16; Source: Schoeps CMC 421 Sub Cardioids, ORTF, SV-250 DAT, FOB -> NAK 682 ZX/Sony Metal-SR/100 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; further processing: .flac2496 to .wav2496 (TLH) to .wav1644 (r8brain, very high) to .flac1644 (THL, level 8, fix SBEs); Recorded by: Richard Berner and Friends notes
12171. 02/25/90 Flac Dts 5.1 - 0, 34732 Oakland Oakland-Alameda County Coliseum DTS-Audio 5.1; Mix of SBD:SBD > DAT > C > DAT > CD > EAC > FLAC; and AUD:CMC 44’s)>DAT>CDR; mixed by ktobin notes
12172. 02/25/90 Flac 16/48 - 0, 141870 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes notes
12173. 02/25/90 Shn - 0, 11805 Oakland Oakland-Alameda County Coliseum AUD(Schoeps CMC 44?s)>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley notes
12174. 02/25/90 Flac 16 - 0, 117754 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
12175. 02/25/90 Flac 16 - 0, 130975 Oakland Oakland-Alameda County Coliseum flac16; Source: FOB Master Recording by Ted Mattes and Rick Katzeff using Schoeps CMC4/MK4> Oade> sv-255> clone(1:1); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (amplified set1 3.9/amplified set2 4.7)> 16/44> CDWave (tracking)> TLH (SBE/Flac16 (level 8)/ffp); Transfer completed August 15, 2014 by jwpetty notes
12176. 02/25/90 Flac 16 - 0, 150674 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-XG); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
12177. 02/25/90 Flac 24/96 - 0, 150630 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-XG); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12178. 02/26/90 Shn - 0, 16946 Oakland Oakland-Alameda County Coliseum Snbd > Dat> cdr >Dat > sblive > cd wave > mkw Audio tools > Shn; Unknown seeder notes
12179. 02/26/90 Flac 16 - 0, 131004 Oakland Oakland-Alameda County Coliseum flac16; Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5) notes
12180. 02/26/90 Shn - 0, 451 Oakland Oakland-Alameda County Coliseum SBD > CM> DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; via shakedown@canada.com; note revision in txt file for d1t8 This is your collection notes
12181. 02/26/90 Flac 16 - 0, 93841 Oakland Oakland-Alameda County Coliseum flac16; FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA 90's with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes
12182. 02/26/90 Flac Mtx.16/48 - 0, 137905 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 2 source matrix by PhotoLeon using Audacity 2.0.6; Source 1: [shnid: 451] SBD > DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; and Source 2: Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5); Audacity: Alligned -> Labeled -> DC offset removed & normalized -> flac 16/48; tags & checksums created in xACT notes
12183. 02/26/90 Flac 16 - 0, 137963 Oakland Oakland-Alameda County Coliseum flac16; Source: (2)Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH; this source contains two versions: a complete version and a slightly edited version that fits on two CDs (for that one person that still burns CDs) notes
12184. 02/26/90 Flac 16/48 - 0, 141871 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes notes
12185. 02/27/90 Shn - 0, 8569 Oakland Oakland-Alameda County Coliseum SBD > DAT > CDR > WAV > SHNv3; DAE (EAC)> tracking/ boundary (CDWAV/SHNTOOL)> SHN(MKWACT) > FTP via neo_levo notes
12186. 02/27/90 Flac 24/96 - 0, 125838 Oakland Oakland-Alameda County Coliseum flac24; Set One Master Audience Recorded BY M.L./Keo Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12187. 02/27/90 Flac 16 - 0, 125839 Oakland Oakland-Alameda County Coliseum flac16; Set One Master Audience Recorded BY M.L./Keo Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12188. 02/27/90 Flac 16 - 0, 93955 Oakland Oakland-Alameda County Coliseum flac16; FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA (1st Set), TDK MA-XG (2nd Set), with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes
12189. 02/27/90 Flac 16/48 UMtx - 0, 141692 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Recording Info: Ultra Matrix SBD > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes
12190. 02/27/90 Flac 16/48 - 0, 141872 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes notes
12191. 02/27/90 Flac 16 - 0, 131005 Oakland Oakland-Alameda County Coliseum flac16; FOB Digital Audience Recording by Ted Mattes & Rick Katzeff using Schoeps CMC 44's> ? (presumed Oade p/s)> ? (presumed SV-250/255)> L. Deal clone; Transfer: Fosex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5) notes
12192. 03/14/90 Shn - 0, 8466 Landover Capital Centre sbd>mc>dats>Soundforge 4.5>CD; via Tom E; Hosted by candyman.etree.org notes
12193. 03/14/90 Flac 16 - 0, 125852 Landover Capital Centre flac16; Master Audience Recorded by Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12194. 03/14/90 Flac 16 Mtx - 0, 89693 Landover Capital Centre flac16; Matrix 2 Source Mix - SBD (shn id 8466) sbd> mc> dats> Soundforge 4.5>CD; via Tom E; + AUD (shn id 89689) MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 - matrix mixing by Kevin Tobin notes
12195. 03/14/90 Flac 24/96 - 0, 125851 Landover Capital Centre flac24; Master Audience Recorded by Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12196. 03/14/90 Flac - DTS - 0, 89733 Landover Capital Centre DTS Audio 5.1; SBD (shn id 8466) sbd> mc> dats> Soundforge 4.5>CD; via Tom E; + AUD (shn id 89689) MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 - mixing by Kevin Tobin notes
12197. 03/14/90 Flac 24 U Mtx - 0, 140959 Landover Capital Centre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12198. 03/14/90 Flac 16 - 0, 140969 Landover Capital Centre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12199. 03/14/90 Flac 16 - 0, 142544 Landover Capital Centre flac16/48kHz; Ted Mattes Recording: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: 1st row Tapers Section; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12200. 03/14/90 Flac 16 - 0, 116746 Landover Capital Centre flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster notes
12201. 03/14/90 Flac 16 - 0, 116030 Landover Capital Centre flac16; Unknown Mic > Unknown Deck > Marantz PMD 430 Tapers Section Floor section 128, row FF, seat 1; Master Cassettes > SB Audigy > Adobe Audition @24bit/44.1Khz Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit. CDwave: tracking Trader's little Helper: md5, ffp, flac notes
12202. 03/14/90 Flac 16 - 0, 83778 Landover Capital Centre flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck notes
12203. 03/14/90 Flac 16 - 0, 89689 Landover Capital Centre flac16; MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 notes
12204. 03/14/90 Flac 16/48 - 0, 149324 Landover Capital Centre flac16/48kHz; reMaster of shnid 142544; Source info: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: 1st row Tapers Section; Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes notes
12205. 03/15/90 Flac 16 - 0, 105690 Landover Capital Centre flac16; Recording Info:SBD -> Cassette Master (TDK SA90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
12206. 03/15/90 Flac 16 - 0, 125672 Landover Capital Centre flac16; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12207. 03/15/90 Flac 24/96 - 0, 125871 Landover Capital Centre flac24; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12208. 03/15/90 Flac 16 U Mtx - 0, 140985 Landover Capital Centre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12209. 03/15/90 Flac 24 U Mtx - 0, 140983 Landover Capital Centre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12210. 03/15/90 Flac 16 - 0, 142545 Landover Capital Centre flac16/48kHz; Ted Mattes Master Recording: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: 1st row Tapers Section stand @ 8.5ft; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12211. 03/15/90 Flac 16 - 0, 83675 Landover Capital Centre flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck notes
12212. 03/15/90 Shn - 0, 28293 Landover Capital Centre Nak 300's > Sony D-5 (w/dolby B)> Maxell MX cass, Taper's section recorded by Boyd McHugh; Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks, Transfer by Dave Hanscom; CDWav> EAC> shn by Bzl notes
12213. 03/15/90 Flac 16 - 0, 115935 Landover Capital Centre flac16; Unknown Mic > Unknown Deck > Marantz PMD 430 Tapers Section Floor section 128, row FF, seat 12; Master Cassettes > SB Audigy(line in) > Adobe Audition @24bit/44.1Khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit. CDwave: tracking. Trader's little Helper: md5, ffp, flacs notes
12214. 03/15/90 Shn - 0, 109251 Landover Capital Centre source: aud>?>Tascam 42mkII>Adobe Audition>wav notes
12215. 03/15/90 Flac 16/48 - 0, 149325 Landover Capital Centre flac16/48kHz; reMaster of shnid 142545; Source info: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: 1st row Tapers Section; Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes notes
12216. 03/16/90 Flac 16 - 0, 85201 Landover Capital Centre flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC All Transfers and Mastering By Charlie Miller notes
12217. 03/16/90 Flac 16 Mtx - 0, 97023 Landover Capital Centre flac16; matrix of SBD: shnid=85201 and AUD: shnid=91782 by hansokolow using ProTools notes
12218. 03/16/90 Flac 16 - 0, 125874 Landover Capital Centre flac16; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Renam notes
12219. 03/16/90 Shn - 0, 5227 Landover Capital Centre sbd > ? > cdr > eac > shn; 2 cuts in each BTW, Blow Away; Estimated declicked by unIDed person (md5s shown for pre and post-edited- see info file); via Willy from Andrew Wigdahl seed discs; filler on d3 notes
12220. 03/16/90 Flac 16 Mtx - 0, 96549 Landover Capital Centre flac16; matrix of SBD: shnid=5227 and AUD: shnid=83791 by hansokolow using ProTools notes
12221. 03/16/90 Flac 16 - 0, 76037 Landover Capital Centre flac16; Seamless and patched edit of shn id 5227 - sbd > ? > cdr > eac > shn > wav > flac This is your collection notes
12222. 03/16/90 Flac 24/96 - 0, 125873 Landover Capital Centre flac24; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12223. 03/16/90 Flac Dts5.1 - 0, 132661 Landover Capital Centre DTS-Audio-CD 5.1 Mix; SBD (shn id 85201) Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 116749) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - dts mixing by Kevin Tobin notes
12224. 03/16/90 Flac 16 Mtx - 0, 132660 Landover Capital Centre flac16; Matrix 2 source mix - SBD (shn id 85201) Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 116749) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - matrix mixing by Kevin Tobin notes
12225. 03/16/90 Flac 16/48 - 0, 138312 Landover Capital Centre flac16/48kHz; Rick Katzeff and Ted Mattes recording; Set 1: CMC34 @110 ORTF > SV250 OTS; Set 2: CMC44 @110 ORTF > Oade PS > SV250 FOB; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: T,F & P Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
12226. 03/16/90 Flac 16/48 - 0, 139176 Landover Capital Centre flac16/48kHz; Rick Katzeff & Ted Mattes (FOB) Recording; Schoeps CMC44 @110 ORTF > Oade PS > SV250 FOB; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT notes
12227. 03/16/90 Flac 16 - 0, 141000 Landover Capital Centre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12228. 03/16/90 Flac 24 U Mtx - 0, 140993 Landover Capital Centre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12229. 03/16/90 Flac 16/48 - 0, 142546 Landover Capital Centre flac16/48kHz; Ted Mattes Master Recording: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: FOB, set I; sec 2; row s. Set II sec 2; row t; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12230. 03/16/90 Flac 16 - 0, 91782 Landover Capital Centre flac16; Unknown Microphones > Unknown Deck > Marantz PMD 430 Tapers Section Floor section 128, row GG, seat 15 Master Cassettes > SB Audigy > Adobe Audition @24bit/44.1Khz Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit. CDwave: tracking Trader's little Helper: md5, ffp, flacs Recorded by Chris LaPorte notes
12231. 03/16/90 Flac 16 - 0, 83791 Landover Capital Centre flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck notes
12232. 03/16/90 Flac 16 - 0, 32135 Landover Capital Centre flac16; Aud MC > CDR > EAC > CD Wave > .flac notes
12233. 03/16/90 Flac 16 - 0, 116749 Landover Capital Centre flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster notes
12234. 03/16/90 Flac 16/48 - 0, 149326 Landover Capital Centre flac16/48kHz; eMaster of shnid 142546; Source: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: FOB, set I; sec 2; row s. Set II sec 2; row t; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes notes
12235. 03/18/90 Flac 16 - 0, 90486 Hartford Hartford Civic Center flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Mille notes
12236. 03/18/90 Flac 16 Mtx - 0, 96568 Hartford Hartford Civic Center flac16; matrix of SBD: shnid=9364 and AUD: shnid=94400 by hansokolow using ProTools notes
12237. 03/18/90 Flac 24/96 - 0, 125607 Hartford Hartford Civic Center flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Maxell MX 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12238. 03/18/90 Flac 16 - 0, 125608 Hartford Hartford Civic Center flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Maxell MX 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12239. 03/18/90 Shn - 0, 9364 Hartford Hartford Civic Center Hartford Civic Center SBD feed to HCN studios via ISDN > HCN Master Reel > DAT(Sony ES)recorded/(Tascam DA20mkII) playback>Pioneer PDR 555>CDR; Some aud splices, see info file for details; via David Huck, Matt Fuggi, & Michael Dixon (splicing and tracking) notes
12240. 03/18/90 Flac 16 - 0, 139225 Hartford Hartford Civic Center flac16; Recording Info: SBD (Recording Mix) > Dat Master > PCM (Sony Beta L-750); Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16 notes
12241. 03/18/90 Flac 16/48 - 0, 141913 Hartford Hartford Civic Center flac16/48kHz; Ted Mattes Recording (FOB): Schoeps CMC4 MK4 > DAT (Panasonic SV250); Location: Sec 2 Row t Seat 8; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
12242. 03/18/90 Flac 16 - 0, 138118 Hartford Hartford Civic Center flac16; Ted Mattes/Rick Katzeff FOB recording: Schoeps CMC34 at 110 degrees ORTF on Schoeps t-bar > Panasonic SV250 (phase corrected); John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 44K > Wave; Joe Noel Edits, T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
12243. 03/18/90 Flac 16 - 0, 132671 Hartford Hartford Civic Center flac16; Recording info: 2nd row OTS/Schoeps cmc 521's> Schoeps VMS 52 UB p/s> SV-MD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CD Wave (tracking)> TLH (SBE's/Flac/md5); Transferred and liberated to etree by Will Petty notes
12244. 03/18/90 Flac 16 - 0, 91358 Hartford Hartford Civic Center flac16; Sennheiser ME-80's>Technics SV-MD1 (1st row OTS) 1st set recorded on Maxell R-90 DAT, 2nd Set Maxell R-120 DAT DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Recorded & Transferred By Keith Litzenberger notes
12245. 03/18/90 Flac 16 - 0, 35401 Hartford Hartford Civic Center flac16; AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Mics on stand 7-feet high, set up near the back of the floor, aprx five rows behind the soundboard area. (Note: There was no taping area at this show.) Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 burner > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72. (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transferred by Andrew F. notes
12246. 03/18/90 Flac 16 - 0, 139667 Hartford Hartford Civic Center flac16; Three source matrix created in Audacity notes
12247. 03/18/90 Flac 16/48 - 0, 149332 Hartford Hartford Civic Center flac16/48kHz; reMaster of shnid 141913; Source: (FOB) Schoeps CMC4 MK4 > DAT (Panasonic SV250); Location: Sec 2 Row t Seat 8; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Master Digital Audience Recording by Ted Mattes notes
12248. 03/18/90 Flac 24 UMtx. - 0, 149480 Hartford Hartford Civic Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
12249. 03/18/90 Flac 16 - 0, 149785 Hartford Hartford Civic Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes
12250. 03/19/90 Flac 16 Mtx - 0, 97024 Hartford Hartford Civic Center flac16; matrix of SBD: shnid=1526 and AUD: shnid=94400 by hansokolow using ProTool notes
12251. 03/19/90 Flac 24/96 - 0, 125628 Hartford Hartford Civic Center flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Set 1, Maxell MX 90 Set 2, Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12252. 03/19/90 Flac 16 - 0, 34777 Hartford Hartford Civic Center flac16; Seamless fix of shn id 1526 - Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN -> WAV -> FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
12253. 03/19/90 Flac 16 - 0, 86825 Hartford Hartford Civic Center flac16; AUD: Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand 7-feet high, set up just behind the soundboard area: Sec 8, Row D.Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes
12254. 03/19/90 Shn - 0, 1526 Hartford Hartford Civic Center updated source: Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN; source CDs from Kirby (Chalupa) Bell/Bob Fishman, eac>shn by Darrin Sacks; see info file for flaw notes notes
12255. 03/19/90 Flac 16 - 0, 125629 Hartford Hartford Civic Center flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Set 1, Maxell MX 90 Set 2, Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12256. 03/19/90 Flac 16/48 - 0, 141914 Hartford Hartford Civic Center flac16/48kHz; Ted Mattes Recording (FOB): Schoeps CMC4 MK4 > DAT (Panasonic SV250); Location: Sec 2 Row p Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
12257. 03/19/90 Flac 16 - 0, 94400 Hartford Hartford Civic Center flac16; Sennheiser ME-80's>Technics SV-MD1 (2nd row Taper's Section) DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes
12258. 03/19/90 Flac 16 - 0, 132673 Hartford Hartford Civic Center flac16; Recording info: 2nd row center OTS/ortf/Schoeps cmc 521's> Schoeps VMS 52 UB p/s> SV-MD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CD Wave (tracking)> TLH (SBE's/Flac/md5); Transferred and liberated to etree by Will Petty notes
12259. 03/19/90 Flac 16/48 - 0, 149333 Hartford Hartford Civic Center flac16/48kHz; reMaster of shnid 141914; Source: (FOB) Schoeps CMC4 MK4 > DAT (Panasonic SV250); Location: Sec 2 Row p Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Master Digital Audience Recording by Ted Mattes notes
12260. 03/19/90 Flac 24 - 0, 149504 Hartford Hartford Civic Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
12261. 03/19/90 Flac 16 - 0, 149701 Hartford Hartford Civic Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes
12262. 03/21/90 Flac 16 - 0, 107870 Hamilton Copps Coliseum flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
12263. 03/21/90 Flac 16 Mtx - 0, 96638 Hamilton Copps Coliseum flac16; matrix of SBD: shnid=5307 and DAUD: shnid=1355 by hansokolow using ProTools notes
12264. 03/21/90 Shn - 0, 5307 Hamilton Copps Coliseum SBD Master Cassette > DAT > CD> EAC> SHN; via Brian Heath notes
12265. 03/21/90 Flac 16 - 0, 91967 Hamilton Copps Coliseum flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F. notes
12266. 03/21/90 Flac 16/48 - 0, 138583 Hamilton Copps Coliseum flac16/48kHz; Taper unknown; Set I: Schoeps CMC54 (ORTF) > Aerco PS > Panasonic SV250; FOB Row L; Set II: Schoeps CMC44 (ORTF) > Panasonic SV250; FOB 23rd Row; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: T,F & P Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
12267. 03/21/90 Flac 16/48 - 0, 141111 Hamilton Copps Coliseum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS> AKG B18 phantom power unit> Panasonic SV250> DAT (OTS); Transfer info: Tascam DA 30 mkii> Microtrack ii> wavelab 5> WAV 16/48 notes
12268. 03/21/90 Flac 16/48 - 0, 141930 Hamilton Copps Coliseum flac16/48kHz; Ted Mattes Recording: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: 1st row Tapers Section; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12269. 03/21/90 Shn - 0, 1355 Hamilton Copps Coliseum FOB Schoeps CMC44's > DAT > CD; Transfer: DVD > Optical cable > Phillips CDR870(CDDA) > EAC > CE2k > CDWAV > Shorten32 (see info file for notes); seeded by Doug Nawrocki notes
12270. 03/21/90 Flac 24/96 - 0, 148534 Hamilton Copps Coliseum flac24; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes
12271. 03/21/90 Flac 16/48 - 0, 149412 Hamilton Copps Coliseum flac16/48kHz; a reMaster of shnid 141930; Source: (FOB) Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes notes
12272. 03/21/90 Flac 24/96 - , 156194 Hamilton Copps Coliseum flac2496 Recording Info Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
12273. 03/21/90 Flac 16/44 - , 156422 Hamilton Copps Coliseum flac1644 Recording Info Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156194 2496 > 1644.1 notes
12274. 03/21/90 Flac 24/96 Mtx. - , 156790 Hamilton Copps Coliseum flac24; Matrix 2 Source Mix - SBD (shn id 156194) Recording Info Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 + AUD (shn id 148534) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - matrix mixing by Kevin Tobin notes
12275. 03/21/90 Flac 16 Mtx - , 156791 Hamilton Copps Coliseum flac16; Matrix 2 Source Mix - SBD (shn id 156194) Recording Info Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 + AUD (shn id 148534) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - matrix mixing by Kevin Tobin notes
12276. 03/21/90 Flac 16 Dts 5.1 - , 156792 Hamilton Copps Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shn id 156194) Recording Info Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 + AUD (shn id 148534) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - dts mixing by Kevin Tobin notes
12277. 03/21/90 Flac 16/48 LPCM - , 156794 Hamilton Copps Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - notes
12278. 03/22/90 Flac 16 Mtx - 0, 113144 Hamilton Copps Coliseum flac16:Matrix by Jubal Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
12279. 03/22/90 Flac 16 - 0, 107871 Hamilton Copps Coliseum flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Mille notes
12280. 03/22/90 Flac 16 Mtx - 0, 126698 Hamilton Copps Coliseum flac16; Matrix 3 Source Mix - SBD (shnid=107871) Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 125880) flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe + VID (no shn id) master video found supplied by Peanut Production for a video project - matrix mixing by Kevin Tobin notes
12281. 03/22/90 Shn - 0, 111464 Hamilton Copps Coliseum Soundboard Unknown>CD>EAC>WAV>SHN (This source was submitted to Etree with the alt-md5; the seed of this source did not match the alt-md5 on d1t7. A new shn-md5 was created.) notes
12282. 03/22/90 Flac 16 - 0, 91779 Hamilton Copps Coliseum flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F. notes
12283. 03/22/90 Shn - 0, 21433 Hamilton Copps Coliseum Bertha Remaster of the Master Cassette source; SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN notes
12284. 03/22/90 Shn Mtx - 0, 28040 Hamilton Copps Coliseum SBD + AUD Matrix Mix (60%-SBD/40%-AUD); Mixed & Shn conversion by Dan notes
12285. 03/22/90 Shn Mtx - 0, 453 Hamilton Copps Coliseum SBD (Matrix)> DAT> CD> EAC> [retracking of d2 w/ SF, no other alteration]> SHN; via Adam Jerugim; known flaws: 1 sec d/o d2t7 @0:17 notes
12286. 03/22/90 Shn Dts - 0, 31772 Hamilton Copps Coliseum DTS Audio 5.1; Mix of AUD Dave Brotman FOB > Schoeps CMC54 (ORTF) > Aerco PS > DAT & SBD > MC > DAT notes
12287. 03/22/90 Flac 16 Dts.5.1 - 0, 126699 Hamilton Copps Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=107871)Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 125880) flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe + VID (no shn id) master video supplied by Peanut Production for a video project - dts mixing by Kevin Tobin notes
12288. 03/22/90 Flac 16 - 0, 139224 Hamilton Copps Coliseum flac16; Recording Info: SBD (Recording Mix) > Dat Master > PCM (Sony Beta L-750); Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16 notes
12289. 03/22/90 Flac 16/48 - 0, 141112 Hamilton Copps Coliseum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 notes
12290. 03/22/90 Flac 16/48 - 0, 141931 Hamilton Copps Coliseum flac16/48kHz; Ted Mattes Recording: Schoeps CMC5 MK4 > DAT 48k (Panasonic SV-250); Location: row 23 seat 10; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12291. 03/22/90 Flac 16/48 - 0, 143170 Hamilton Copps Coliseum flac16/48kHz; Ted Mattes Recording: Schoeps CMC5 MK4 > DAT 48k (Panasonic SV-250); Location: row 23 seat 10; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Remaster notes: The right channel was inverted, that has been corrected; The levels were on the timid side, each track has been normalized notes
12292. 03/22/90 Flac 16/48 - 0, 125880 Hamilton Copps Coliseum flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe notes
12293. 03/22/90 Shn - 0, 7460 Hamilton Copps Coliseum Schoeps CMC54 (ORTF, 19th row) > Aerco PS > DAT @ 48kHz; via Dankseeds notes
12294. 03/22/90 Flac 16 - 0, 125881 Hamilton Copps Coliseum flac16; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)>Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8); Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe notes
12295. 03/22/90 Flac 16/48 - 0, 149413 Hamilton Copps Coliseum flac16/48kHz; reMaster of shnid 143170; Source: (FOB) Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes notes
12296. 03/22/90 Flac 24/96 - , 156195 Hamilton Copps Coliseum flac2496Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
12297. 03/22/90 Flac 16/44 - , 156423 Hamilton Copps Coliseum flac1644: Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156195 2496 > 1644.1 notes
12298. 03/22/90 Flac 16 Mtx - , 165885 Hamilton Copps Coliseum flac16; Matrix by Jubal Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 139224 & 125881. notes
12299. 03/24/90 Flac 16 - 0, 107873 Albany Knickerbocker Arena flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
12300. 03/24/90 Shn Mtx - 0, 32082 Albany Knickerbocker Arena SBD + AUD Matrix Mix (60%-SBD/40%-AUD) notes
12301. 03/24/90 Flac 16 Mtx - 0, 127119 Albany Knickerbocker Arena flac16; 3 Source Matrix by dusborne; Soundboard (shnid:107873) Recording Info: SBD -> Cassette Master (TDK SA90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Audience (shnid:011806) Source: AUD(Schoeps CMC 421’s)>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) Conversion/Edit/Seeded to Etree by T. Wiley 8/29/2002 and Audience (shnid:125389) Source: Nakamichi CM300/CP4 > Panasonic SV250 (48 khz) Location: OTS Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 ) Taped by: Dr. Stan Lobitz; Transferred and seeded by: Lenny Stubbe notes
12302. 03/24/90 Shn - 0, 12791 Albany Knickerbocker Arena SBD > Dat x 3 > CDR > SHN; via drgseeds with thanks to Bob Harrell notes
12303. 03/24/90 Flac 24/96 - 0, 120742 Albany Knickerbocker Arena flac24; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Sony TCD-D10>Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes
12304. 03/24/90 Flac 16 - 0, 120743 Albany Knickerbocker Arena flac16; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Sony TCD-D10>Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12305. 03/24/90 Flac 16 Mtx - 0, 91828 Albany Knickerbocker Arena flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F. notes
12306. 03/24/90 Shn Dts - 0, 32075 Albany Knickerbocker Arena DTS-Audio-CD 5.1; Mix of SBD - SBD: DAT x 3 > CDR > SHN and AUD - FOB: Schoeps CMC 421 > DAT > CDR notes
12307. 03/24/90 Flac 16/48 - 0, 141113 Albany Knickerbocker Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 notes
12308. 03/24/90 Flac 16/48 - 0, 142989 Albany Knickerbocker Arena flac16/48kHz; Ted Mattes Master DAT Recording (FOB): Schoeps CMC5 MK21 (ORTF) > DAT (Panasonic SV-250); Location: Sec 5 Row Q Seat 7/8; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12309. 03/24/90 Shn - 0, 11806 Albany Knickerbocker Arena AUD(Schoeps CMC 421?s)>DAT>CDR; See info file for flaw notes; via Paul B; Seeded to Etree by T. Wiley notes
12310. 03/24/90 Flac 16/48 - 0, 94287 Albany Knickerbocker Arena flac16/48; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
12311. 03/24/90 Shn - 0, 28387 Albany Knickerbocker Arena FOB Schoeps CMC5/MK21> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller notes
12312. 03/24/90 Flac 16 - 0, 94288 Albany Knickerbocker Arena flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
12313. 03/24/90 Flac 16/48 - 0, 125389 Albany Knickerbocker Arena flac16/48kHz; Source: Nakamichi CM300/CP4 > Panasonic SV250 (48 khz); Location: OTS; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Dr. Stan Lobitz; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
12314. 03/24/90 Flac 16 - 0, 125390 Albany Knickerbocker Arena flac16; Source: Nakamichi CM300/CP4 > Panasonic SV250 (48 khz); Location: OTS; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Dr. Stan Lobitz; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
12315. 03/24/90 Flac 16 - 0, 147527 Albany Knickerbocker Arena b>flac16; Source:Sennheiser 441 Mics>Sony TC-D5M Cassteet Deck (Lead Deck)>Sony Wm-D6C Cassette Deck>TDK Ma-90 And TDK; Ma-100 Metal Cassette Master Tapes (One For each Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section notes
12316. 03/24/90 Flac 24/96 - , 156367 Albany Knickerbocker Arena flac2496 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
12317. 03/24/90 Flac 16/44 - , 156426 Albany Knickerbocker Arena flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156367 2496 > 1644.1 notes
12318. 03/25/90 Flac 16 - 0, 87347 Albany Knickerbocker Arena flac16; SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller notes
12319. 03/25/90 Flac 16 Mtx - 0, 127157 Albany Knickerbocker Arena flac16; 2 Source Matrix by dusborne; Soundboard (shnid:87347) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller and Audience (shnid:114260) Recorded By Floater,Transfer By Keo; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes Maxell XLII-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz notes
12320. 03/25/90 Flac 16 - 0, 114260 Albany Knickerbocker Arena flac16; Recorded By Floater,Transfer By Keo; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Tapes Maxell XLII-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes
12321. 03/25/90 Flac 24/96 - 0, 114256 Albany Knickerbocker Arena flac24; Recorded By Floater,Transfer By Keo; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Tapes Maxell XLII-90,100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz; No Dithering With These Files notes
12322. 03/25/90 Shn - 0, 8506 Albany Knickerbocker Arena 24 track SBD MR> Healy 2 track Mixdown> C> DAT> CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky notes
12323. 03/25/90 Flac 16 - 0, 91879 Albany Knickerbocker Arena flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F. notes
12324. 03/25/90 Shn - 0, 4688 Albany Knickerbocker Arena SBD cass master > DAT > SHN DAT>SHN via Sony PCM-M1 > midiman CO2 s/pdif format converter > Zoltrix Nightengale > CoolEdit for record/downsample > CDWAV for tracking > MKW-ACT for SHN encoding. done by nick@nickspicks.com Notes: d3t01 (drums) cassette flip @ 1:26 notes
12325. 03/25/90 Flac 24 - 0, 120859 Albany Knickerbocker Arena flac24; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12326. 03/25/90 Flac 16 - 0, 120858 Albany Knickerbocker Arena flac16; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12327. 03/25/90 Flac 16 - 0, 135276 Albany Knickerbocker Arena flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> Adobe Audition CS6 -> FLAC/16; All Transfers And Mastering By Charlie Miller; This is a pitch corrected version of source ID 87347 notes
12328. 03/25/90 Flac 16/48 - 0, 141114 Albany Knickerbocker Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 notes
12329. 03/25/90 Flac 16/48 - 0, 142990 Albany Knickerbocker Arena flac16/48kHz; Ted Mattes DAT Recording (FOB): Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location unknown; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12330. 03/25/90 Flac 16/48 - 0, 143188 Albany Knickerbocker Arena flac16/48kHz; Ted Mattes Master DAT Recording (FOB): Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location unknown; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Remaster Notes: The right channel was inverted, that has been corrected; The levels were on the timid side, each track has been normalized notes
12331. 03/25/90 Shn - 0, 28389 Albany Knickerbocker Arena FOB Schoeps CMC4/MK21> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller; Fixed version now in circulation notes
12332. 03/25/90 Flac 16 - 0, 91500 Albany Knickerbocker Arena flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab>CDWAV>FLAC Recorded By Keith Litzenberger notes
12333. 03/25/90 Flac 16 - 0, 132707 Albany Knickerbocker Arena flac16; Recording Info: (FOB) Schoeps CMC4/MK21 -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master); Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Recorded By Ted Mattes; fix of source ID 28389 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC notes
12334. 03/25/90 Flac 16/48 - 0, 130429 Albany Knickerbocker Arena flac16/48kHz; Source: AKG 414B-ULS (cards) > Oade Deluxe + Nakamichi CM300/CP4 > Unknown mixer (Radio Shack?) > (analog) Panasonic SV250 (48 khz); Config/Location: AKG’s pointed just outside the stacks/Official Tapers Section; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.26(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Dr. Stan Lobitz; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
12335. 03/25/90 Flac 16 - 0, 130430 Albany Knickerbocker Arena flac16; Source: AKG 414B-ULS (cards) > Oade Deluxe + Nakamichi CM300/CP4 > Unknown mixer (Radio Shack?) > (analog) Panasonic SV250 (48 khz); Config/Location: AKG’s pointed just outside the stacks/Official Tapers Section; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.26(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Dr. Stan Lobitz; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe This is your collection notes
12336. 03/25/90 Shn - 0, 7508 Albany Knickerbocker Arena SBD>24 Track Mixdown>DAT>C>PCM>FC/DD2496>CD; via David Hollister; Brian Voelz notes
12337. 03/25/90 Flac 16/48 - 0, 149394 Albany Knickerbocker Arena flac16/48kHz; reMaster of shnid 142990; Source: (FOB) Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location: unknown; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes notes
12338. 03/26/90 Flac 16 - 0, 87350 Albany Knickerbocker Arena flac16; SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller notes
12339. 03/26/90 Flac 16 - 0, 126789 Albany Knickerbocker Arena flac16; Master FM Recording, Broadcast From WPYX 106.5 Albany, New York; Recorded By Fitzy, Transfer By Keo; Unknown Recording Deck > Maxell XLII-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12340. 03/26/90 Flac 16 Mtx - 0, 127210 Albany Knickerbocker Arena flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:087350) Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller and Audience (shnid:094411) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER > Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 (Fades & Sample Rate Conversion) > CDWAV > FLAC; Recorded, Transferred & Uploaded By Keith Litzenberger notes
12341. 03/26/90 Shn - 0, 6697 Albany Knickerbocker Arena SBD> ?> CD; EAC> SHN by Randy Griesman; note portions of the show appear on Dozin' at the Knick- go buy it notes
12342. 03/26/90 Flac 24 - 0, 126788 Albany Knickerbocker Arena flac24; Master FM Recording, Broadcast From WPYX 106.5 Albany, New York; Recorded By Fitzy, Transfer By Keo; Unknown Recording Deck > Maxell XLII-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12343. 03/26/90 Flac 24 - 0, 112093 Albany Knickerbocker Arena flac24; FM Broadcast (WPYX)Albany,NY>HIFI VHS>1St Generation Cassette Taper Rich P.,Transfer By Keo Original Equipment/VHS Tape/Cassette Transfer Unknown Transferred With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
12344. 03/26/90 Flac 16 - 0, 112092 Albany Knickerbocker Arena flac16; FM Broadcast (WPYX)Albany,NY>HIFI VHS>1St Generation Cassette Taper Rich P.,Transfer By Keo Original Equipment/VHS Tape/Cassette Transfer Unknown; Transferred With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes
12345. 03/26/90 Shn - 0, 7509 Albany Knickerbocker Arena SBD> 24 Track Mixdown> DAT> C> PCM> FC/DD2496> CD; via David Hollister; Brian Voelz; note portions of the show appear on Dozin' at the Knick- go buy it notes
12346. 03/26/90 Shn - 0, 8508 Albany Knickerbocker Arena 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky; Note- portions of the show appear on Dozin' at the Knick- go buy it notes
12347. 03/26/90 Flac 16 - 0, 91916 Albany Knickerbocker Arena flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F. notes
12348. 03/26/90 Flac 24/96 - 0, 120942 Albany Knickerbocker Arena flac24; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12349. 03/26/90 Flac 16 - 0, 120943 Albany Knickerbocker Arena flac16; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12350. 03/26/90 Flac 16 - 0, 135497 Albany Knickerbocker Arena flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> Adobe Audition CS6 -> FLAC/16; This is a pitch corrected version of source ID 87350; All Transfers And Mastering By Charlie Miller notes
12351. 03/26/90 Flac 16/48 - 0, 141115 Albany Knickerbocker Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 notes
12352. 03/26/90 Flac 16/48 - 0, 142991 Albany Knickerbocker Arena flac16/48kHz; Ted Mattes Master DAT Recording (FOB): Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location: Sec 5 Row E Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12353. 03/26/90 Flac 16 - 0, 94411 Albany Knickerbocker Arena flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes
12354. 03/26/90 Flac 24/96 - 0, 135063 Albany Knickerbocker Arena flac24; First set, Set II Victim, and, after China -> Rider: Richard Berner's B&K 4011's, 110 degrees ORTF, hand-held @ 5' high, Prolink -> Neumann Power Supply -> D10, 26th Row Center, FOB -> DAT Master, Apogee 701/BETA -> NAK 682 ZX -> Sony Metal-SR/90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; China -> Rider: Schoeps CMC 421 Sub Cardioids, 100 degrees, 1 row in front of soundboard, about 4 seats right notes
12355. 03/26/90 Flac 16/48 - 0, 122541 Albany Knickerbocker Arena flac16/48kHz; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Fixed version in circulation notes
12356. 03/26/90 Flac 16/48 - 0, 133045 Albany Knickerbocker Arena flac16/48kHz; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; this is a fixed version of source ID 122541 notes
12357. 03/26/90 Flac 16 - 0, 122542 Albany Knickerbocker Arena flac16; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
12358. 03/26/90 Flac 16/48 - 0, 149395 Albany Knickerbocker Arena flac16/48kHz; reMaster of shnid 142991; Source: (FOB) Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location: Sec 5 Row E Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes notes
12359. 03/28/90 Flac 16 Mtx - 0, 95943 Uniondale Nassau Coliseum flac16; SBD + AUD Matrix: SBD (ShnID = 87643) Recording Info: SBD > DAT > Cassette Master (TDK MA-R90) and AUD (ShnID = 28381) Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) > Oade Cap Coupled Supply > DAT (Panasonic SV250/48k) > DAT (Cloned From Master) notes
12360. 03/28/90 Flac 16 - 0, 87643 Uniondale Nassau Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller notes
12361. 03/28/90 Flac 16 - 0, 95943 Uniondale Nassau Coliseum flac16; SBD + AUD Matrix: SBD (ShnID = 87643) Recording Info: SBD > DAT > Cassette Master (TDK MA-R90) and AUD (ShnID = 28381) Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) > Oade Cap Coupled Supply > DAT (Panasonic SV250/48k) > DAT (Cloned From Master) notes
12362. 03/28/90 Flac 16 - 0, 121788 Uniondale Nassau Coliseum flac16; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12363. 03/28/90 Flac 24/96 - 0, 126837 Uniondale Nassau Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes Maxell MX-90s; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12364. 03/28/90 Flac 16 - 0, 126838 Uniondale Nassau Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes Maxell MX-90s; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12365. 03/28/90 Flac 24/96 - 0, 123786 Uniondale Nassau Coliseum flac24; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12366. 03/28/90 Shn - 0, 4685 Uniondale Nassau Coliseum SBD 24 Track Mix > Master Cass > Dat > CD-R > SHN > WAV > AddAWave > retracking > shn (single MD5 for entire show) > WAV > shn (with MD5s for each disc); Discs provided by Steve Wigley, original shn by Doug Nawrocki; reshn of previous shn set, by Jan Welch- checksums now differ; see info file for details and flaw notes notes
12367. 03/28/90 Shn - 0, 7510 Uniondale Nassau Coliseum SBD> 24 Track Mixdown> DAT> C> PCM> FC/DD2496> CD; via David Hollister; Brian Voelz notes
12368. 03/28/90 Shn - 0, 3872 Uniondale Nassau Coliseum sbd/32 track mix> mc> dat> cdr> shn> wav> addawav> retrack> shnv3; from Steve Wigley CD, first shn by Steve (may not circ?), second shn step (to v3, md5s shown here) by Doug Nawrocki; see flaw notes in info file; note a later re-reshn also in circ notes
12369. 03/28/90 Shn - 0, 8510 Uniondale Nassau Coliseum 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky notes
12370. 03/28/90 Shn - 0, 33833 Uniondale Nassau Coliseum Seamless fix of shn id 8510 - 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>SHN notes
12371. 03/28/90 Flac - 0, 95825 Uniondale Nassau Coliseum DTS-Audio-CD 5.1 Mix; SBD (ShnID = 87643) Recording Info: SBD > DAT > Cassette Master (TDK MA-R90) and AUD (ShnID = 28381) Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) > Oade Cap Coupled Supply > DAT (Panasonic SV250/48k) > DAT (Cloned From Master) notes
12372. 03/28/90 Flac - 0, 132873 Uniondale Nassau Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=87643) SRecording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller + AUD (shn id 87701) AUD (Changed mics between sets). Set One: Nakamichi CM-300's with CP-4 shotguns. Set Two: Sennheiser MD-441's. Mics > Sony TC-D5M > Maxell MX 90/100 tape, with no Dolby. Mics on 7-foot stands, in front row of OTS. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Wav > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - DTS 5.1 mixing by Kevin Tobin notes
12373. 03/28/90 Flac 16 Mtx - 0, 132872 Uniondale Nassau Coliseum flac16; Matrix 2 Source Mix - SBD (shnid=87643) Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller + AUD (shn id 87701) AUD (Changed mics between sets). Set One: Nakamichi CM-300's with CP-4 shotguns. Set Two: Sennheiser MD-441's. Mics > Sony TC-D5M > Maxell MX 90/100 tape, with no Dolby. Mics on 7-foot stands, in front row of OTS. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Wav > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - matrix mixing by Kevin Tobin notes
12374. 03/28/90 Flac 16 - 0, 135520 Uniondale Nassau Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> Adobe Audition CS6 -> FLAC/16; All Transfers And Mastering By Charlie Mill notes
12375. 03/28/90 Flac 16/48 - 0, 141954 Uniondale Nassau Coliseum flac16/48kHz; Ted Mattes Recording: Schoeps CMC4 MK4 (ORTF) > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 24 Seat 8/9; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12376. 03/28/90 Shn - 0, 28381 Uniondale Nassau Coliseum Updated Includes d1t08 Cassidy; FOB Schoeps CMC4/MK4 (ORTF)> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller notes
12377. 03/28/90 Flac 16 - 0, 91355 Uniondale Nassau Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 DAT (OTS) 1st set recorded on Maxell R-90 DAT, 2nd Set Maxell R-120 DAT DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Recorded & Transferred By Keith Litzenberger notes
12378. 03/28/90 Shn - 0, 91202 Uniondale Nassau Coliseum Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools. Taped & Transfered by Brian Mandel notes
12379. 03/28/90 Flac 16 - 0, 87701 Uniondale Nassau Coliseum flac16; AUD (Changed mics between sets). Set One: Nakamichi CM-300's with CP-4 shotguns. Set Two: Sennheiser MD-441's. Mics > Sony TC-D5M > Maxell MX 90/100 tape, with no Dolby. Mics on 7-foot stands, in front row of OTS. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Wav > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes
12380. 03/28/90 Flac 16 - 0, 124834 Uniondale Nassau Coliseum flac16; AT835B's- AT 8202's-SONY TCD-5M-Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Taper Section Sec B2,Row 54,Seat 10 notes
12381. 03/28/90 Flac 16 - 0, 132758 Uniondale Nassau Coliseum b>flac16; Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller; due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed. Thanks to Craig for discovering this issue and taking the time to fix source ID 28381 notes
12382. 03/28/90 Flac 16/48 - 0, 149443 Uniondale Nassau Coliseum flac16/48kHz; reMaster of shnid 141954; Source: Schoeps CMC4 MK4 (ORTF) > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 24 Seat 8/9; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes notes
12383. 03/28/90 Flac 24/96 - , 157770 Uniondale Nassau Coliseum flac2496; Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 notes
12384. 03/28/90 Flac 16/44 - , 158167 Uniondale Nassau Coliseum flac1644; Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 157770 2496 > 1644 notes
12385. 03/29/90 Shn - 0, 33925 Uniondale Nassau Coliseum Fix of shnid 26341 - SBD> DAT> CD> EAC> SHN> WAV> FLAC patched with shnid 1317 (FOB>DAT>?>CD). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
12386. 03/29/90 Shn - 0, 26341 Uniondale Nassau Coliseum SBD> Dat> CD; SHN Conversion By Charlie Miller notes
12387. 03/29/90 Flac 16 Mtx - 0, 97118 Uniondale Nassau Coliseum flac16; matrix of DSBD: shnid=????? and DAUD: shnid=91347 by hansokolow using ProTools This is your collection notes
12388. 03/29/90 Flac 16 Mtx - 0, 127385 Uniondale Nassau Coliseum flac16; matrix of shnid=33925 and shnid=91347 by Roger Eichorn (Fresh Legs, vol. 9) notes
12389. 03/29/90 Flac 16 - 0, 126847 Uniondale Nassau Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M; Tapes: Set 1: Maxell MX-90, Set 2: TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12390. 03/29/90 Flac 24 - 0, 126846 Uniondale Nassau Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes: Set 1: Maxell MX-90, Set 2: TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12391. 03/29/90 Shn - 0, 3389 Uniondale Nassau Coliseum SBD> DAT> CDR; via Andy Bear Greider, Doug Nawrocki; note reshn version also in circ notes
12392. 03/29/90 Flac 16 - 0, 121843 Uniondale Nassau Coliseum flac16; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12393. 03/29/90 Shn - 0, 4686 Uniondale Nassau Coliseum SBD> DAT> CDR> SHN by Doug Nawrocki> wav> reshn by Jan Welch; note reshn of previous shn set (see info file)- checksums differ notes
12394. 03/29/90 Flac 24/96 - 0, 121842 Uniondale Nassau Coliseum flac24; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12395. 03/29/90 Shn - 0, 24996 Uniondale Nassau Coliseum SBD>DAT>CDR; fixed copy of SHNid=3389; encoded by Darryl Hinko notes
12396. 03/29/90 Flac 16/48 - 0, 141955 Uniondale Nassau Coliseum flac16/48kHz; Ted Mattes Recording: Schoeps CMC4 MK21 (ORTF) > Prolink Oade Modified Grace Preamp > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 20 Seat 8/9; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12397. 03/29/90 Flac 16/48 - 0, 143171 Uniondale Nassau Coliseum flac16/48kHz; Ted Mattes Recording: Schoeps CMC4 MK21 (ORTF) > Prolink Oade Modified Grace Preamp > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 20 Seat 8/9; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Remaster Notes: The right channel was inverted, that has been corrected; The levels were on the timid side, each track has been normalized notes
12398. 03/29/90 Flac 16 - 0, 91347 Uniondale Nassau Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 DAT (OTS) 1st set recorded on Maxell R-90 DAT, 2nd Set Maxell R-120 DAT DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Recorded & Transferred By Keith Litzenberger notes
12399. 03/29/90 Flac 16 - 0, 83612 Uniondale Nassau Coliseum flac16; AUD Source: Nakamichi CM300's with CP4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with Dolby off. Mics on stand aprx 7-feet high, pointed at stacks, set up in taper's area second row center. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC; Taped and transferred by Andrew F notes
12400. 03/29/90 Shn - 0, 1317 Uniondale Nassau Coliseum set 2; FOB> DAT> ?> CDR, mics and taper unknown; reportedly SBD-like; posted by Stephen Agan to abgd, later by Darrin Sacks to etree notes
12401. 03/29/90 Flac - 0, 29191 Uniondale Nassau Coliseum Source: Unknown Mics > DAT > HiFi VHS (TDK HDXpro) Transfer: HiFi VHS > SBM-1 > Audiophile 2496 > Adobe Audition > FLAC Audio VHS provided by David Neaman. Transfer by Doug Nawrocki. notes
12402. 03/29/90 Flac 16/48 - 0, 124324 Uniondale Nassau Coliseum flac16/48kHz; Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Fixed version of source ID 123924 notes
12403. 03/29/90 Flac 16 - 0, 123925 Uniondale Nassau Coliseum flac16; Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Upgrade in circulation notes
12404. 03/29/90 Flac 16/48 - 0, 123924 Uniondale Nassau Coliseum flac16/48kHz; Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Upgrade in circulation notes
12405. 03/29/90 Flac 16 - 0, 124325 Uniondale Nassau Coliseum flac16; Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Fixed version of source ID 123925 notes
12406. 03/29/90 Flac 16 - 0, 149419 Uniondale Nassau Coliseum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This file set is 16 bit @ 44.1 notes
12407. 03/29/90 Flac 24 UMtx. - 0, 149396 Uniondale Nassau Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12408. 03/29/90 Flac 16/48LPCM - 0, 149594 Uniondale Nassau Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 149396) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - surround mixing by Kevin Tobin notes
12409. 03/29/90 Flac 24 - 0, 149589 Uniondale Nassau Coliseum flac24; Patched & Pitch Corrected Audience - (original shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - pitch correction and patches by Kevin Tobin notes
12410. 03/29/90 Flac 24 Mtx. - 0, 149591 Uniondale Nassau Coliseum flac24; Matrix 2 Source Mix - SBD (shnid = 149396) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - matrix mixing by Kevin Tobin notes
12411. 03/29/90 Flac 16 Dts.5.1 - 0, 149593 Uniondale Nassau Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 149396) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - dts mixing by Kevin Tobin notes
12412. 03/29/90 Flac 16 - 0, 149590 Uniondale Nassau Coliseum flac16; Patched & Pitch Corrected Audience - (original shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - pitch correction and patches by Kevin Tobin This file set is 16 bit @ 44.1 notes
12413. 03/29/90 Flac 16 Mtx - 0, 149592 Uniondale Nassau Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 149396) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - matrix mixing by Kevin Tobin This file set is 16 bit @ 44.1 notes
12414. 03/30/90 Flac 16 - 0, 89173 Uniondale Nassau Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
12415. 03/30/90 Flac 16 - 0, 87742 Uniondale Nassau Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
12416. 03/30/90 Flac 16 - 0, 126886 Uniondale Nassau Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes:Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked with Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12417. 03/30/90 Flac 16 Mtx - 0, 123944 Uniondale Nassau Coliseum flac16; Matrix 2 Source Mix - SBD (shn id 89173) SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 123934) MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 - matrix mixing by Kevin Tobin notes
12418. 03/30/90 Flac - 0, 123945 Uniondale Nassau Coliseum DTS AUDIO 5.1 - SBD (shn id 89173) SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 123934) MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 - DTS mixing by Kevin Tobin notes
12419. 03/30/90 Shn - 0, 8511 Uniondale Nassau Coliseum 24 track SBD MR>John Cutler 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky notes
12420. 03/30/90 Shn - 0, 4687 Uniondale Nassau Coliseum FM> DAT> CDR> SHN by Doug Nawrocki> wav> reshn by Jan Welch; note reshn of previous shn set (see info file)- checksums differ notes
12421. 03/30/90 Shn - 0, 3390 Uniondale Nassau Coliseum FM>DAT>CDR; via Andy Bear Greider, Doug Nawrocki; note reshn also in circ notes
12422. 03/30/90 Flac 16 - 0, 123934 Uniondale Nassau Coliseum flac16; MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 notes
12423. 03/30/90 Shn - 0, 33926 Uniondale Nassau Coliseum Seamless fix of shn id 8511 - 24 track SBD MR> John Cutler 2 track Mixdown> C> DAT> CDR> SHN notes
12424. 03/30/90 Shn - 0, 8366 Uniondale Nassau Coliseum 24-track master (presumably ADAT) > 2-track mixdown > DAT > Cass > PCM > CD; Seeded to etree by Steve Barbella notes
12425. 03/30/90 Flac 24 - 0, 126885 Uniondale Nassau Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes:Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12426. 03/30/90 Flac 16/48 - 0, 138584 Uniondale Nassau Coliseum flac16/48kHz; Taper unknown: B&K 4011 (ORTF) > Sony D10Pro, 1st row, center OTS; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
12427. 03/30/90 Flac 16/48 - 0, 141956 Uniondale Nassau Coliseum flac16; Ted Mattes Recording: Schoeps CMC4 MK4 (ORTF) > Oade Modified Grace Preamp > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 20 Seat 8/9; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12428. 03/30/90 Flac 16/48 - 0, 149442 Uniondale Nassau Coliseum flac16/48kHz; reMaster of shnid 141956; Source: Schoeps CMC4 MK4 (ORTF) > Oade Modified Grace Preamp > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 20 Seat 8/9; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes notes
12429. 04/01/90 Flac 16 Mtx - 0, 35168 Atlanta The Omni flac16; matrix sources: sbd : 24 Track Mixdown > DAT > C > PCM > FC/DD2496 > CD aud: FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro > RME46/8 > SoundForge > CD notes
12430. 04/01/90 Flac 16 Mtx - 0, 97203 Atlanta The Omni flac16; matrix of SBD: shnid=87809 and AUD: shnid=3458 by hansokolow using ProTools notes
12431. 04/01/90 Flac 16 - 0, 87809 Atlanta The Omni flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller notes
12432. 04/01/90 Shn - 0, 8512 Atlanta The Omni 24 track SBD MR>John Cutler 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky notes
12433. 04/01/90 Shn - 0, 33927 Atlanta The Omni Seamless fix of shn id 8512 - 24 track SBD MR> John Cutler 2 track Mixdown> C> DAT> CDR>SHN notes
12434. 04/01/90 Shn - 0, 7512 Atlanta The Omni SBD>24 Track Mixdown>DAT>C>PCM>FC/DD2496>CD; via David Hollister; Brian Voelz notes
12435. 04/01/90 Flac 16 - 0, 135535 Atlanta The Omni flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller; This is a pitch corrected version of source ID 87809 notes
12436. 04/01/90 Flac 16 - 0, 131204 Atlanta The Omni flac16; Source info: FOB/Schoeps CMC 521's (hand held/ortf/110°)> Collette active cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty notes
12437. 04/01/90 Flac 16 - 0, 106757 Atlanta The Omni flac16; Recorded by David Cohen. OTS 8 foot stand (sec. 128 Row DD Seat 3) 2 Nakamichi CM300s/ CP4's w/1 Nakamichi CM300/CP2> Nakamichi 550 w/Maxell XLIIS90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred Transferred by Dave Cohen, November 2009. notes
12438. 04/01/90 Shn - 0, 5063 Atlanta The Omni notes
12439. 04/01/90 Flac 24/96 - 0, 145218 Atlanta The Omni flac24; Recording Info: Sennheiser 421 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel notes
12440. 04/01/90 Flac 16 - 0, 145747 Atlanta The Omni flac16; Recording Info: Sennheiser 421 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel. This file set is 16 bit @ 44,1 notes
12441. 04/01/90 Shn - 0, 3458 Atlanta The Omni aud MC> DAT> CD-R; Nak 300/CP4's > PMD 420; Alan Wallace, tapers section; via Tony Gardner; note some clipping notes
12442. 04/01/90 Flac 16/48 - 0, 149445 Atlanta The Omni flac16/48kHz; Set 2 Source: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Dave Brotman notes
12443. 04/01/90 Flac 24/96 - , 158174 Atlanta The Omni flac2496 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > Samplitude Pro X6 Suite > FLAC/24 notes
12444. 04/01/90 Flac 16/44 - , 158176 Atlanta The Omni flac1644 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 158174 2496 > 1644 notes
12445. 04/02/90 Flac 16 Mtx - 0, 97216 Atlanta The Omni flac16; matrix of SBD: shnid=17731 and AUD: shnid=3299 by hansokolow using ProTools notes
12446. 04/02/90 Shn - 0, 12198 Atlanta The Omni SBD -> ? -> Dat -> Samplitude -> Cool Edit Pro -> SHN. Transfer and editing done by Charlie Miller notes
12447. 04/02/90 Shn - 0, 13391 Atlanta The Omni SBD -> ? -> Dat -> Samplitude -> Cool Edit Pro -> SHN, same as previous with d1t1 fix notes
12448. 04/02/90 Shn - 0, 17731 Atlanta The Omni MSC> DAT> Cdr > Eac > cool edit pro > cdwav > shntool > shnv3; Discs kindly provided by Andy Lemieux; Eac > shn by Ernie Dodd; reportedly upgrade relative to previous shn set notes
12449. 04/02/90 Flac 16 - 0, 137933 Atlanta The Omni b>flac16; Source: (2)Nak CP-100s w/CP-4 shotgun capsules L & R(tracks 1 & 2) w/(1)Senheiser 441 panned to center(track 3) > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH notes
12450. 04/02/90 Flac 16/48 - 0, 142002 Atlanta The Omni flac16/48kHz; Dave Brotman FOB Recording using Ted mattes' rig: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12451. 04/02/90 Flac 16/48 - 0, 143172 Atlanta The Omni flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Remaster Notes: The right channel was inverted, that has been corrected; The levels were on the timid side, each track has been normalized notes
12452. 04/02/90 Flac 16 - 0, 106763 Atlanta The Omni flac16;Recorded by David Cohen. OTS 8 foot stand (sec. 128 Row CC Seat11) 2 Nakamichi CM300s/ CP4's w/1 Nakamichi CM300/CP2> Nakamichi 550 w/Maxell XLIIS90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November, 2009 notes
12453. 04/02/90 Flac 16 - 0, 131205 Atlanta The Omni flac16; Source info: FOB/Schoeps CMC 421's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal and Rick Katzeff; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty notes
12454. 04/02/90 Flac 16 - 0, 133276 Atlanta The Omni flac16; Source info: FOB/Schoeps CMC 421's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal and Rick Katzeff; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio; Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); fix of SHNID 131205 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed notes
12455. 04/02/90 Shn - 0, 5064 Atlanta The Omni FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro > RME46/8 > SoundForge > CD> EAC> SHN notes
12456. 04/02/90 Shn - 0, 3299 Atlanta The Omni Nak 300's/cp 4's > *Marantz PMD420 (mc) > dat > cdr >eac (range extracted at 100% for retracking) > cdwave > mkwact; Taped by Alan Wallace; Discs provided by Kevin Gills, shn by Doug Nawrocki notes
12457. 04/02/90 Flac 24/96 - 0, 145219 Atlanta The Omni flac24; Recording Info: (OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel notes
12458. 04/02/90 Flac 16 - 0, 145749 Atlanta The Omni flac16; Recording Info: (OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel. This file set is 16 bit @ 44.1 notes
12459. 04/02/90 Flac 16/48 - 0, 149446 Atlanta The Omni flac16/48kHz; reMaster of shnid 142002; Source: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Dave Brotman notes
12460. 04/02/90 Flac 24/96 - 0, 152287 Atlanta The Omni flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
12461. 04/02/90 Flac 16/44 - 0, 152510 Atlanta The Omni flac16/44 Source: A:D AudioTechnica815A shotguns>Panasonic SV-250(48kHz) Transfer: DAT(48kHz)>ZA2(S/PDIF)>Samplitude2496>CD-r Tapes provided by Tom and Roger Transfer by Chris Larson (VegasBobby@gmail.com) notes
12462. 04/02/90 Flac 16/44 - , 154440 Atlanta The Omni flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152287 2496 > 1644 notes
12463. 04/03/90 Flac 16 Mtx - 0, 97566 Atlanta The Omni flac16; matrix of SBD: shnid=17811 and AUD: shnid=3732 by hansokolow using ProTools notes
12464. 04/03/90 Shn - 0, 17811 Atlanta The Omni Soundboard Master Cassette > Sonic Solutions @ 24 bits > CD (Sony Super Bit Mapping 2) > EAC > SHN (seekable); via Darryl Hinko with thanks to Dave Sanders; Drums patched and tuning returned to first set from AUD source notes
12465. 04/03/90 Flac 16/48 - 0, 142003 Atlanta The Omni flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12466. 04/03/90 Flac 16/48 - 0, 142216 Atlanta The Omni flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC5 MK21 (@ 100ยบ spaced array) > DAT 48k (Panasonic SV-250). Mics were hand held; John Ammons Transfer from clone of DAT master: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; the original version was missing Promised Land notes
12467. 04/03/90 Flac 16 - 0, 133277 Atlanta The Omni flac16; Source: FOB by Rick Katzeff using Schoeps CMC 44's> Oade p/s> SV 255> 1:1 clone; DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); fix of SHNID 131206 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed notes
12468. 04/03/90 Flac 24/96 - 0, 135201 Atlanta The Omni flac24; Source: Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MX-S 90 (Set II TDK SA100) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24 notes
12469. 04/03/90 Flac 16 - 0, 106904 Atlanta The Omni b>flac16; Recorded by David Cohen OTS 8 foot stand (sec. 128 Row CC Seat 12) 2 Nakamichi CM300s/ CP4's w/1 Nakamichi CM300/CP2> Nakamichi 550 w/Maxell XLIIS90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes
12470. 04/03/90 Flac 16 - 0, 131206 Atlanta The Omni flac16; Source: FOB by Rick Katzeff using Schoeps CMC 44's> Oade p/s> SV 255> 1:1 clone; DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty notes
12471. 04/03/90 Shn - 0, 3732 Atlanta The Omni FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro; EAC'd and Shned by Estim8ted notes
12472. 04/03/90 Shn - 0, 3577 Atlanta The Omni Nak 300/CP4's > PMD 420 by Alan Wallace, tapers section; MC> DAT> CD-R; note first few seconds of Promised Land missing; via Kevin Gills, Tony Gardner notes
12473. 04/03/90 Flac 24/96 - 0, 145220 Atlanta The Omni flac24; Recording Info: (OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel notes
12474. 04/03/90 Flac 16 - 0, 145750 Atlanta The Omni flac16; Recording Info: (OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel. This file set is 16 bit @ 44.1 notes
12475. 04/03/90 Flac 16/48 - 0, 149447 Atlanta The Omni flac16/48kHz; reMaster of shnid 142003; Source: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Dave Brotman notes
12476. 04/03/90 Flac 16/44 - 0, 152511 Atlanta The Omni flac16/44 Source: A: Audio Technica 815A Shotguns>Panasonicsv250 Transfer: DAT(48kHz)>ZA2(S/PDIF)>WaveLab 3.03>CD-r Transfer by Chris Larson (nswboogy@easystreet.com) http://www.easystreet.com/~nswboogy notes
12477. 05/05/90 Shn - 0, 11660 Carson Cal State Dominguez Hills DSBD>DAT>CDR; Encore from FM source; via Paul B; Seeded to Etree by T. Wiley notes
12478. 05/05/90 Shn - 0, 4850 Carson Cal State Dominguez Hills DSBD> Cass> DAT> CD> EAC (secure)> MKW-Act seekable SHN encoding by nick@nickspicks.com This show was broadcast over FM. I doubt this is a PRE-FM source though. notes
12479. 05/05/90 Flac 24/96 - 0, 137021 Carson Cal State Dominguez Hills flac24; Set 1 Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); All Transfers and Mastering By Charlie Miller notes
12480. 05/05/90 Flac 16 - 0, 137088 Carson Cal State Dominguez Hills flac16; Set 1 Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp; flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller notes
12481. 05/05/90 Flac 16 - 0, 97423 Carson Cal State Dominguez Hills flac16; Set 1 only, FOB AUD: Schoeps CMC5/MK2 (omnis) > Panasonic SV255 Dat. Mics 7-foot spread, 20-feet from the stage. MAD > Cassette by Alabama Bob. Taped by the B&D Crew. Transfer: That's CD-90 Metal cassette > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644, by Andrew F. Feb 2009. notes
12482. 05/05/90 Flac 16 - 0, 131207 Carson Cal State Dominguez Hills flac16; Source info: Schoeps CMC 521's (110°/ortf/20 yards FOB/hand held)> Collette (active) cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty notes
12483. 05/05/90 Flac 24/96 - 0, 141262 Carson Cal State Dominguez Hills flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller notes
12484. 05/05/90 Flac 16 - 0, 141275 Carson Cal State Dominguez Hills flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller notes
12485. 05/05/90 Flac 16/48 - 0, 141939 Carson Cal State Dominguez Hills flac16/48kHz; Ted Mattes Recording (FOB): Set I: Schoeps CMC4 MK4 > Grace preamp > DAT 48k; Set II: B+K 4011 > DAT 48k; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12486. 05/05/90 Flac 16 - 0, 138649 Carson Cal State Dominguez Hills b>flac16; This is an FM broadcast, recorded live in the concert venue; KPFK public radio broadcast; The lineage guessing, in part; The FM receiver was a portable “Walkman”-type portable FM rec’vr; patched to my spare deck: Sony WM-D6C; transfer to digital was without any Dolby N.R., regardless of whether or not it was on the master; That transfer was via my Sony TC-D5M -> Tascam DR70D at a 24.96 sampling notes
12487. 05/05/90 Flac 24/96 - 0, 134997 Carson Cal State Dominguez Hills flac24; Source: B&K 4011 Cardioids, ORTF, 5' Tall Stand, front-of-board -> ProLink Cables -> Neumann Power Supply -> DAT TCD-10 -> Beta -> Nak 682ZX -> TDK SAX 90 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes
12488. 05/05/90 Flac 16 - 0, 131207 Carson Cal State Dominguez Hills flac16; Source info: Schoeps CMC 521's (110°/ortf/20 yards FOB/hand held)> Collette (active) cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty notes
12489. 05/05/90 Flac 16 - 0, 116818 Carson Cal State Dominguez Hills flac16; Source: (3) Nakamichi cm300 [(2) cp4 Shotgun Capsules + (1) cp3 Super Omni] > Boss BX-4 Mixer > Aiwa HD-X1; Lineage: DAT/M > DAT/1 > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: John Lech; Transferred: Jeff Bowen; Extraction: Brad Foster notes
12490. 05/05/90 Flac 16 - 0, 138648 Carson Cal State Dominguez Hills flac16; Bruel and Kjaer 4011 cardioids as ORTF stereo => Neumann p48v power => Sony TCD-D10 DAT => Sony TC-D5M cassette master (TC-D5M in live recording chain; this analog master is the 24.96 digital master source); From upfront, FOB-DFC; Mics at 6’03”+ being covered by Mike. Knobs and buttons twiddlin’ by Tom D. notes
12491. 05/05/90 Flac 16 - 0, 143960 Carson Cal State Dominguez Hills flac16; Tim Dalton Source: In house FM > Dat; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/44; Edited & Mastered in Audacity by Joe Noel notes
12492. 05/06/90 Flac 16 - 0, 80278 Carson Cal State Dominguez Hills flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Mille notes
12493. 05/06/90 Flac 16 Mtx - 0, 97237 Carson Cal State Dominguez Hills flac16; matrix of DSBD: shnid=80278 and DAUD: shnid=7891 by hansokolow using ProTools notes
12494. 05/06/90 Shn - 0, 11661 Carson Cal State Dominguez Hills SBD>MC>DAT>CD; via Paul B; Seeded to Etree by T. Wiley notes
12495. 05/06/90 Flac 16 - 0, 116826 Carson Cal State Dominguez Hills flac16; Source: (3) Nakamichi cm300 [(2) cp4 Shotgun Capsules + (1) cp3 Super Omni] > Boss BX-4 Mixer > Aiwa HD-X1; Lineage: DAT/M > DAT/1 > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: John Lech; Transferred: Jeff Bowen; Extraction: Brad Foster notes
12496. 05/06/90 Flac 16 - 0, 131208 Carson Cal State Dominguez Hills flac16; Source info: Schoeps CMC 54's (20 yards FOB/on stand)> Collette (active) cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to bt.etree on September 3, 2014 by Will Petty notes
12497. 05/06/90 Flac 16 - 0, 111299 Carson Cal State Dominguez Hills flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
12498. 05/06/90 Flac 16 - 0, 137861 Carson Cal State Dominguez Hills flac16 Ambient recording by Tom Tech twiddlin' the knobs (Tom D.), and Mike French covering the  mics at 6'6". Bruel and Kjaer B&K 4011 cardioids as ORTF stereo at 6’6”, Neumann p48v power pack,Sony TCD-D10 DAT 1648 From: FOB/DFC  notes
12499. 05/06/90 Flac 24/96 - 0, 141263 Carson Cal State Dominguez Hills flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller notes
12500. 05/06/90 Flac 16 - 0, 141276 Carson Cal State Dominguez Hills flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller notes
12501. 05/06/90 Flac 16/48 - 0, 141940 Carson Cal State Dominguez Hills flac16/48kHz; Ted Mattes Recording (FOB): Set I: Schoeps CMC4 MK2 > Grace preamp > DAT 48k; Set II: B+K 4011 > DAT 48k; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12502. 05/06/90 Shn - 0, 7891 Carson Cal State Dominguez Hills FOB Schoeps CMC44> master audience DAT> DAT> CD> EAC> SHN notes
12503. 06/08/90 Shn - 0, 34387 Sacramento Cal Expo FOB Matrix SBD > DAT > CDR > WAV > SHN - Seamless fix of shn id 6935 notes
12504. 06/08/90 Flac 16 - 0, 130389 Sacramento Cal Expo flac16; 3 Source Matrix by Dusborne Soundboard (shnid:034397) Source: FOB Matrix SBD > DAT > CDR > WAV > SHN, Audience (shnid:095184) FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob and Audience (shnid:111329) Recorded by The Weasel with 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes notes
12505. 06/08/90 Flac 16 - 0, 130419 Sacramento Cal Expo flac16; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12506. 06/08/90 Shn - 0, 6935 Sacramento Cal Expo FOB Matrix SBD > DAT > CDR > WAV > SHN. End of Sugar Magnolia and encore: Schoeps CMC 441's > PCM > SL2000 > DAT > Cass > SHN (Kutick/Adelman); Thanks to C. Miller for the SBD seeds. DAE (EAC) > tracking (cdwave) > boundary checking (shntool) > shn (mkwact) via neo_levo; see flaw notes in info file notes
12507. 06/08/90 Flac 24/96 - 0, 130418 Sacramento Cal Expo flac24; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12508. 06/08/90 Flac 16 - 0, 95184 Sacramento Cal Expo flac16; FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes
12509. 06/08/90 Shn - 0, 29385 Sacramento Cal Expo Source: Schoeps CMC 441's > Sony PCM F-1 > SL-2000 > DAT master > cassette > SHN; Taper: Michael Kutick; DAT > cassette > SHN transfer, splicing & tracking: Ken Adelman; Also to abgd via David Warren notes
12510. 06/08/90 Flac 16 - 0, 94233 Sacramento Cal Expo flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded By Gerry Gordon & Keith Litzenberger Transferred & Uploaded By Keith Litzenberger notes
12511. 06/08/90 Flac 16 - 0, 111329 Sacramento Cal Expo flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
12512. 06/08/90 Shn - 0, 9630 Sacramento Cal Expo ob "at the impact zone" 6' stands 6' spaced schoeps omis > Oade pre (presumably m118) > SV250 analog line out>D10 recording by Sean Weber and west coast "tapers fro hell" crew notes
12513. 06/08/90 Flac 16/48 - 0, 143343 Sacramento Cal Expo flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC4/MK2S (Spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12514. 06/08/90 Flac 16 Mtx - 0, 147925 Sacramento Cal Expo flac16; Source: Matrix SBD > DAT > CDR > WAV > SHN > FLAC (See additional notes.) notes
12515. 06/08/90 Flac 24 UMtx. - 0, 149619 Sacramento Cal Expo flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
12516. 06/08/90 Flac 16 - 0, 149702 Sacramento Cal Expo flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes
12517. 06/08/90 Flac 24/96 - 0, 150583 Sacramento Cal Expo flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 10, 2020 notes
12518. 06/08/90 Flac 16/44 - 0, 150618 Sacramento Cal Expo flac16; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 22, 2020 notes
12519. 06/08/90 Flac 24/96 - , 153498 Sacramento Cal Expo flac24/96 Recording Info: 2 x Nakamichi 100/CP4 + 2 x AKG C1000S (Cardioid) > Boss BX-4 > Cassette Master (Sony WM-D6C/Maxell XLII-S100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
12520. 06/08/90 Flac 16/44 - , 154441 Sacramento Cal Expo flac16/44 Recording Info: 2 x Nakamichi 100/CP4 + 2 x AKG C1000S (Cardioid) > Boss BX-4 > Cassette Master (Sony WM-D6C/Maxell XLII-S100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153498 2496 > 1644 notes
12521. 06/09/90 Shn - 0, 34398 Sacramento Cal Expo SBD (Matrix) > DAT > CDR > WAV > SHN - Seamless fix of shn id 6936 notes
12522. 06/09/90 Flac 16 - 0, 126538 Sacramento Cal Expo flac16; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12523. 06/09/90 Flac 24/96 - 0, 126537 Sacramento Cal Expo flac24; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12524. 06/09/90 Shn - 0, 6936 Sacramento Cal Expo SBD (Matrix) > DAT > CDR > WAV > SHN; with AUD patch at end of encore: Schoeps CMC441s > Sony PCM F1> SL-2000> DAT> Cass> SHN (Ken Adelman). DAE (EAC) > tracking (CDWAV) > boundary checking (SHNTOOL) > SHN (MKWACT) via neo_levo; SBD seed via Charlie Miller notes
12525. 06/09/90 Flac 16 - 0, 95251 Sacramento Cal Expo flac16; FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes
12526. 06/09/90 Flac 16 - 0, 88197 Sacramento Cal Expo flac16; Source (AUD): Josephson C-640 w/ KA-20 (cardioid) capsules > 5532 differential pre-amp (+21db) > Sony WMD-6C (Dolby C) Microphone configuration: Microphones split approx 30 feet (left and right side of the SBD), 7' up (on stands) Master format: Maxell MX 100 cassettes Transfer: Sony WMD-6C > Lunatec V3 (44.1 kHz, 16 bit, ANSR on) > m-Audio Delta 2496 (SPDIF) > WaveLab Digital editing: Steinberg CuBase (pre and post set fades, blend between d1t07 and d1t08) Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2 Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC) Recorded, processed and distributed by Chuck Miller notes
12527. 06/09/90 Flac 16/48 - 0, 142578 Sacramento Cal Expo flac16/48kHz; Sean Weber-Small (FOB) Recording: Schoeps CMC4 MK2 > Oade Power Supply > DAT 48k (Panasonic SV-250) mics spaced 8' w/ mic stands @ 5' 11"; Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12528. 06/09/90 Flac 16 - 0, 111342 Sacramento Cal Expo flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
12529. 06/09/90 Flac 16 - 0, 23532 Sacramento Cal Expo B&K 4011 110degrees ORTF on the "Mike Stand" 6'4" Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) > DAT master > TAscam DA-20 MKII > Marigo Audio Lab Coax S/PDIF cable > Tascam CDRW700 > CD-R master > Marantz CDR500 dual well cd burner at 1x > 1st gen CD-R copy > EAC in secure mode > FLAC notes
12530. 06/09/90 Shn - 0, 29386 Sacramento Cal Expo Source: Schoeps CMC 441's > Sony PCM F-1 > SL-2000 > DAT master > cassette > SHN; Taper: Michael Kutik; DAT > cassette > SHN transfer, splicing & tracking: Ken Adelman; Also to abgd via David Warren notes
12531. 06/09/90 Flac 16/48 - 0, 134549 Sacramento Cal Expo flac16/48kHz; Recorded by Sean Weber-Small with Schoeps CMC42s (FOB omnis spaced 8' with 5' 11" mic stands) -> Oade Power Supply -> Panasonic SV-250. Transfer from a DAT clone of Sean's Master by FOBAUD: Playback on Tascam DA20 -> Roland SRC-2 -> Mac Mini -> Audacity 2.1 -> WAV @48kHz notes
12532. 06/09/90 Flac 16/48 - 0, 143344 Sacramento Cal Expo b>flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC4/MK2S (Spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12533. 06/09/90 Flac 16 - 0, 145489 Sacramento Cal Expo flac16; Source: Utramatrix > Dat (44k) - Provided by Rich Gastwirt; Transfer: Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - Transfer by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick February 2019 notes
12534. 06/09/90 Flac 24 UMtx. - 0, 149620 Sacramento Cal Expo flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
12535. 06/09/90 Flac 16 - 0, 149721 Sacramento Cal Expo flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller,This file set is 16 bit @ 44.1 notes
12536. 06/09/90 Flac 24/96 - 0, 150584 Sacramento Cal Expo flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 11, 2020 notes
12537. 06/09/90 Flac 16/44 - 0, 150619 Sacramento Cal Expo flac16; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 22, 2020 notes
12538. 06/10/90 Flac Mtx. - 0, 30369 Sacramento Cal Expo SBD + AUD Matrix Mix (50%-SBD/50%-AUD); Mixed by dan@am-dig.com; Note: This is a remix and upgrade to shn ID 30361 See txt file for additional comments notes
12539. 06/10/90 Shn Mtx - 0, 6937 Sacramento Cal Expo SBD/Matrix > DAT > CDR > WAV > SHN; plus patch from Mike Lai AUD source (see info) EAC, SHNTOOL, and minor repair work (cdwave) via neo_levo; SBD seed via Charlie Miller notes
12540. 06/10/90 Flac 16 - 0, 95449 Sacramento Cal Expo flac16; FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes
12541. 06/10/90 Falc Dts - 0, 30373 Sacramento Cal Expo DTS-Audio-CD 5.1 Mix; Mixed by dan@am-dig.com. This is a remix and upgrade to shn ID 29669 See txt file for additional comments notes
12542. 06/10/90 Flac 16 Mtx - 0, 20361 Sacramento Cal Expo flac16; SBD + AUD Matrix Mix (50%-SBD/50%-AUD); Source 1: SBD: DAT > CDR > WAV > SHN Source 2: FOB: B&K 4011 (ORTF 6'4 mic Stand) > Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) notes
12543. 06/10/90 Shn Dts - 0, 29669 Sacramento Cal Expo DTS-Audio-CD 5.1 Mix (See Tech Notes in Txt File), Source Info:SBD - SBD: DAT > CDR > WAV > SHN; AUD - FOB: B&K 4011 (ORTF 6'4 mic Stand) > Neumann p48 phantom supply > Sony TCD-D10 pro II 48k); Seeded by Dan@Am-Dig notes
12544. 06/10/90 Flac 16/48 - 0, 142579 Sacramento Cal Expo flac16/48kHz;Sean Weber-Small (FOB) Recording: Schoeps CMC4 MK2 > Oade Power Supply > DAT 48k (Panasonic SV-250). Mics spaced 8' w/ mic stands @ 5' 11"; Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12545. 06/10/90 Flac 16 - 0, 97059 Sacramento Cal Expo flac16; Schoeps Omni Spaced 27'>Oade?>Technics SV-MD1 in Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC (It's likely that my DAT was patched via analog output of lead deck as the mics were not mine and the Technics has no Digital in.) Processed By Keith Litzenberger notes
12546. 06/10/90 Shn - 0, 457 Sacramento Cal Expo daud> schoeps mk4> D> CD; d3 filler not IDed?; etreed via M. Ferguson? notes
12547. 06/10/90 Flac 16 - 0, 111334 Sacramento Cal Expo flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
12548. 06/10/90 Flac 16/48 - 0, 143345 Sacramento Cal Expo flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC4/MK2S (Spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12549. 06/10/90 Flac 16 Mtx - 0, 147940 Sacramento Cal Expo flac16; Source: SBD/Matrix > DAT > CDR > WAV > SHN > FLAC (See additional notes.) notes
12550. 06/10/90 Flac 24 UMtx. - 0, 149621 Sacramento Cal Expo flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
12551. 06/10/90 Flac 16 - 0, 149727 Sacramento Cal Expo flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes
12552. 06/10/90 Flac 24/96 - 0, 150585 Sacramento Cal Expo flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 14, 2020 notes
12553. 06/10/90 Flac 16 - 0, 150620 Sacramento Cal Expo flac16; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 22, 2020 notes
12554. 06/10/90 Flac 24/96 - , 152180 Sacramento Cal Expo flac24/96 FOB Aud Nakamichi CP-702 omni capsules, 12' spread > custom pre-amp/power supply > Dbx Type II noise reduction encoder > Sony TC-D5 cassette Transfer: Master cassette playback on Nakamichi Dragon > Dbx 224X-DS Type II noise reduction decoder > RME Fireface 800, 24-bit 96kHz notes
12555. 06/15/90 Flac 16 - 0, 106144 Mountain View Shoreline Amphitheatre SHNID: 106144 notes
12556. 06/15/90 Flac 16 - 0, 126233 Mountain View Shoreline Amphitheatre flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12557. 06/15/90 Flac 24/96 - 0, 126232 Mountain View Shoreline Amphitheatre flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12558. 06/15/90 Shn - 0, 8570 Mountain View Shoreline Amphitheatre SBD > DAT > CDR > WAV > SHN; plus AUD patch; DAE(EAC) > boundary/ splice/ tracking(SHNTOOL, SF5) > SHN (MKWACT) via neo_levo notes
12559. 06/15/90 Flac 16 - 0, 35161 Mountain View Shoreline Amphitheatre flac16; Fix of shn id 8570 - SBD > DAT > CDR > WAV > SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
12560. 06/15/90 Flac 16/48 - 0, 138464 Mountain View Shoreline Amphitheatre flac16/48kHz; Set 2, unknown taper: Schoeps CMC 42s > Panasonic SV255; mics spaced 9 feet with 6'5" stand; front row taper section; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Pack & Patch: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
12561. 06/15/90 Flac 16/48 - 0, 142345 Mountain View Shoreline Amphitheatre flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman OTS Recording: Schoeps CMC4 MK2's > DAT (Panasonic SV250): mics spaced 9' on a stand at 6'5"; front row OTS; Charlie Miller Transfer from DAT clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
12562. 06/15/90 Shn - 0, 7762 Mountain View Shoreline Amphitheatre 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner notes
12563. 06/15/90 Flac 16 - 0, 143855 Mountain View Shoreline Amphitheatre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1 notes
12564. 06/15/90 Flac 24 - 0, 143854 Mountain View Shoreline Amphitheatre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12565. 06/15/90 Flac 16/48 - 0, 146443 Mountain View Shoreline Amphitheatre flac16/48kHz; Dave Brotman & Jeff Metchick Master Digital Recording: Set I: (FOB) Spaced Schoeps CMC4 MK4's > Oade Pre Amp > (-20db pad) > DAT (Panasonic SV255); Location: Row F Seat 21 & 27, mics were on stands at 6' 4" spaced 9' 1"; Set II: (OTS) Schoeps CMC4 MK4's (110°) > Oade Pre Amp > DAT (Panasonic SV250); Location: front row tapers section; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel: Flac 16/48 > Audacity > 16/48 notes
12566. 06/15/90 Flac 16 Mtx - 0, 146936 Mountain View Shoreline Amphitheatre flac16; Matrix: Source one: Dave Brotman & Jeff Metchick Master Digital (FOB/OTS) Recording: Set I: Spaced Schoeps CMC4 MK4's > Oade Pre Amp > (-20db pad) > DAT (Panasonic SV255); Location: Row F Seat 21 & 27, mics were on stands at 6' 4" spaced 9' 1"; Set II: (OTS) Schoeps CMC4 MK4's (110°) > Oade Pre Amp > DAT (Panasonic SV250); Location: front row tapers section; Source two: Recording Info: SBD -> Dat -> CD; Both sources edited & mastered for matrix by Joe Noel notes
12567. 06/16/90 Flac 16 - 0, 106145 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
12568. 06/16/90 Flac 16 - 0, 126273 Mountain View Shoreline Amphitheatre flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12569. 06/16/90 Flac 24/96 - 0, 126272 Mountain View Shoreline Amphitheatre flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12570. 06/16/90 Shn - 0, 8571 Mountain View Shoreline Amphitheatre SBD > DAT > CDR > WAV > SHN; plus AUD patch; DAE(EAC)> boundary/ splice (SHNTOOL)> SHN(MKWACT) > FTP via neo_levo notes
12571. 06/16/90 Flac 16/48 - 0, 138399 Mountain View Shoreline Amphitheatre flac16/48kHz; unknown taper; Set 1: B&K 4011 at 110 ORTF > Sony D10Pro with 7' stand first row taper section; Set 2: Schoeps CMC54 at 110 ORTF > Aerco Power Supply > M1000 Cables > Panasonic SV255 hand held Section 102 Row R center; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT; the original version had errors in s2t01 and s2t04; please don't circulate that version notes
12572. 06/16/90 Flac 16/48 - 0, 142612 Mountain View Shoreline Amphitheatre flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman OTS Recording: Schoeps CMC4/MK4 (110º) > DAT (Panasonic SV250); Charlie Miller Transfer from DAT clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
12573. 06/16/90 Shn - 0, 7763 Mountain View Shoreline Amphitheatre Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner notes
12574. 06/16/90 Flac 16 - 0, 96407 Mountain View Shoreline Amphitheatre flac16; 1st set: DAT CLONE:AKG 414's>?>Technics SV-MD1 Recorded By Bill Savage; 2nd Set: DAT MASTER:Sennheiser ME-80's>Technics SV-MD1 Recorded By Keith Litzenberger DAT>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Transferred By Keith Litzenberger notes
12575. 06/16/90 Flac 16/48 - 0, 143425 Mountain View Shoreline Amphitheatre flac16/48kHz; Set 2 Dave Brotman (FOB) Recording: Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12576. 06/16/90 Flac 16/48 - 0, 146444 Mountain View Shoreline Amphitheatre flac16/48kHz; Dave Brotman & Jeff Metchick Master Digital Recording: Set I: (OTS) Schoeps CMC4/MK2 (110°) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Set II: (FOB) Schoeps CMC5/MK4 (110°) > M1000 Cables > Oade Pre-Amp > Jensen 16 > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Edited & Mastered by Joe Noel: Flac 16/48 > Audacity > Flac 16/48 notes
12577. 06/16/90 Flac 16 Mtx - 0, 146937 Mountain View Shoreline Amphitheatre flac16; Matrix: Source One: Dave Brotman & Jeff Metchick (FOB) Recording: Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Source Two: Recording Info: SBD > Dat > CD; Transfer Info: CD > Samplitude Professional v11.03 > FLAC; Source Three: Set 1: B&K 4011 at 110 ORTF > Sony D10Pro with 7' stand first row taper section; All Three sources edited & mastered for matrix by Joe Noel notes
12578. 06/16/90 Flac 24 UMtx. - 0, 147584 Mountain View Shoreline Amphitheatre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12579. 06/16/90 Flac 16 - 0, 147773 Mountain View Shoreline Amphitheatre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
12580. 06/17/90 Flac 16 - 0, 106170 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
12581. 06/17/90 Flac 16 Mtx - 0, 97329 Mountain View Shoreline Amphitheatre flac16; matrix of DSBD: shnid=10062 and DAUD: shnid=96420 by hansokolow using ProTools notes
12582. 06/17/90 Flac 24/96 - 0, 126387 Mountain View Shoreline Amphitheatre flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12583. 06/17/90 Flac 16 - 0, 126388 Mountain View Shoreline Amphitheatre flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12584. 06/17/90 Shn - 0, 10062 Mountain View Shoreline Amphitheatre SBD>DAT>CDR; via Paul B; Seeded to etree by neo_levo notes
12585. 06/17/90 Flac 16/48 - 0, 138400 Mountain View Shoreline Amphitheatre flac16/48kHz; unknown taper; Set 1: Schoeps CMC52s > Aerco Power Supply > M1000 Cables > Panasonic SV255; mics spaced 9 feet front row taper section; Set 2: Schoeps CMC44 at 110 degrees ORTF > Panasonic SV250 Section 102; Row M center (FOB); John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
12586. 06/17/90 Flac 16 - 0, 111846 Mountain View Shoreline Amphitheatre flac16; Source: 2 Neumann KMF4 - microphones - 8th row > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
12587. 06/17/90 Flac 16 - 0, 96420 Mountain View Shoreline Amphitheatre flac16; 1st Set: DAT MASTER:Sennheiser ME-80's>Technics SV-MD1 Recorded By Keith Litzenberger 2nd Set: DAT CLONE:AKG 414's>?>Technics SV-MD1 Recorded By Bill Savage DAT>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Transferred By Keith Litzenberger notes
12588. 06/17/90 Shn - 0, 7764 Mountain View Shoreline Amphitheatre 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner notes
12589. 06/17/90 Flac 16/48 - 0, 143426 Mountain View Shoreline Amphitheatre flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12590. 06/17/90 Flac 24 UMtx. - 0, 149334 Mountain View Shoreline Amphitheatre flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12591. 06/17/90 Flac 16 U Mtx. - 0, 149425 Mountain View Shoreline Amphitheatre b>flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This file set is 16 bit @ 44.1 notes
12592. 06/23/90 Flac 16 Mtx - 0, 108310 Eugene Autzen Stadium - University of Oregon flac16; Matrix by Hansokolow using ProTools of these sources: SBD: shnid=28690 // DAUD: shnid=88105 notes
12593. 06/23/90 Flac 16 - 0, 99648 Eugene Autzen Stadium - University of Oregon flac16; Recording Info: Nakamichi 100/CP4 + AKG C1000S -> Boss BX-4 -> Cassette Master (Sony WM-D6C) -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Mixed, Recorded, Transfered and Mastered By Charlie Miller notes
12594. 06/23/90 Shn - 0, 10261 Eugene Autzen Stadium - University of Oregon Audience (was labeled as SBD>Cm>Dat>Samplitude>CD). Seeded by Charlie Miller via Neo_Levo to candyman and abgd. notes
12595. 06/23/90 Shn - 0, 28690 Eugene Autzen Stadium - University of Oregon Source: SBD-matrix>CM>DAT>CDR>WAV>SHN; this is shn id 20695 with undocumented changes to d3t3 via Tol and LMA. notes
12596. 06/23/90 Flac 24 UMtx - 0, 141774 Eugene Autzen Stadium - University of Oregon flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12597. 06/23/90 Flac 16 UMtx - 0, 141861 Eugene Autzen Stadium - University of Oregon flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12598. 06/23/90 Flac 16/48 - 0, 141894 Eugene Autzen Stadium - University of Oregon flac16/48kHz; Ted Mattes Recording (FOB): Schoeps CMC4 MK21 (ORTF - 90º) > DAT (Panasonic SV250); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
12599. 06/23/90 Shn - 0, 6945 Eugene Autzen Stadium - University of Oregon Digital Audience - Jill & Rob R. 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section notes
12600. 06/23/90 Flac 16/48 - 0, 124302 Eugene Autzen Stadium - University of Oregon flac16/48kHz; Source: Schoeps CMC3/MK2S > P/S > Panasonic SV255 (48 khz); Config/Location: spaced 8'/FOB/6' stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
12601. 06/23/90 Flac 16 - 0, 121911 Eugene Autzen Stadium - University of Oregon flac16; Source: 2 Beyer M160 microphones - up front/center > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
12602. 06/23/90 Flac 16 - 0, 88105 Eugene Autzen Stadium - University of Oregon flac16; Sennheiser ME-80's>Technics SVM-D1 (Front Of Taper's Section) Dat Master>Sony TCD-D0PROII>Edirol R-4>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded by G. Gordon using Keith Litzenberger's gear Transfer & Uploaded to Etree by Keith Litzenberger notes
12603. 06/23/90 Flac 16/48 - 0, 143537 Eugene Autzen Stadium - University of Oregon flac16/48kHz; Set 2 Dave Brotman (FOB) Recording: (FOB) Schoeps CMC5/MK2S (spaced 9ft stand 5'10" off to right 2ft) > M1000 Cables > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12604. 06/23/90 Flac 16 - 0, 124301 Eugene Autzen Stadium - University of Oregon flac16; Source: Schoeps CMC3/MK2S > P/S > Panasonic SV255 (48 khz); Config/Location: spaced 8'/FOB/6' stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
12605. 06/23/90 Flac 24/96 - 0, 147808 Eugene Autzen Stadium - University of Oregon flac24; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes
12606. 06/23/90 Flac 16/48 - 0, 147807 Eugene Autzen Stadium - University of Oregon flac16/48kHz; Recording Info: ,Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes
12607. 06/23/90 Flac 16/48 - , 152691 Eugene Autzen Stadium - University of Oregon flac16/48 Remaster Of Shnid 141894 Source: (fob)schoeps Cmc4 Mk21 (ortf - 90º) > Dat (panasonic Sv250) Transfer: Dat > Sony Pcm R500 > Tascam Da-3000 > Wav 16 48 Recorded By Ted Mattes Transfer By Charlie Miller Edited & Remastered By Joe Noel June 24, 2021 notes
12608. 06/24/90 Flac 16 Mtx - 0, 108329 Eugene Autzen Stadium, U. of Oregon flac16; Matrix of these sources: SBD: shnid=12092 // DAUD: shnid=94258 notes
12609. 06/24/90 Shn - 0, 12092 Eugene Autzen Stadium, U. of Oregon sbd>mc>dat>cdr; Unkown seeder notes
12610. 06/24/90 Flac 16/48 - 0, 141255 Eugene Autzen Stadium, U. of Oregon flac16/48kHz; Master DAT Recording by Rick Katzeff, Marcus Buick & John Ammons: Set I (HSF only): Schoeps CMC52s omnis 8' apart on 6' stands > Panasonic SV250 (FOB); Master DAT Recording by unknown: Set I (post HSF) & Set II: Schoeps CMC 421 at 90 degrees 'RED' > Oade PS > SV250 (OTS); Transfer by John Ammons: DAT clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave notes
12611. 06/24/90 Flac 24 UMtx - 0, 141784 Eugene Autzen Stadium, U. of Oregon flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12612. 06/24/90 Flac 16 UMtx - 0, 141862 Eugene Autzen Stadium, U. of Oregon flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12613. 06/24/90 Flac 16/48 - 0, 141895 Eugene Autzen Stadium, U. of Oregon flac16/48kHz; Ted Mattes Recording (OTS): Schoeps CMC4 MK21 (ORTF - 90º) > DAT (Panasonic SV250); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
12614. 06/24/90 Flac 16 - 0, 106896 Eugene Autzen Stadium, U. of Oregon flac16; Source Info: Master audience recording with 2 Beyer M160 microphones > Sony TC-D5M (90 minute Maxell Metal Cassettes). Recorded from about 40 feet from stage-center. Mic's on a stand about 6 feet high. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
12615. 06/24/90 Flac 16 - 0, 94258 Eugene Autzen Stadium, U. of Oregon flac16; Sennheiser ME-80's>Technics SVM-D1 (Front Of Taper's Section) Dat Master>Sony TCD-D0PROII>Edirol R-4>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded by Gerry Gordon using Keith Litzenberger's gear Transferred & Uploaded by Keith Litzenberger notes
12616. 06/24/90 Shn - 0, 6946 Eugene Autzen Stadium, U. of Oregon Digital Audience - Jill & Rob R: 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section notes
12617. 06/24/90 Flac 16/48 - 0, 143538 Eugene Autzen Stadium, U. of Oregon flac16/48kHz; Dave Brotman (OTS) Recording: (Schoeps CMC4/MK21 > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12618. 06/24/90 Flac 24/96 - 0, 147810 Eugene Autzen Stadium, U. of Oregon flac24; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes
12619. 06/24/90 Flac 16/48 - 0, 147809 Eugene Autzen Stadium, U. of Oregon flac16/48kHz; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes
12620. 07/04/90 Flac 16 - 0, 81523 Bonner Springs Sandstone Ampitheatre flac16; patched version of shn id 26351: SBD -> Dat -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD -> EAC -> SHN; all SHNs converted to FLAC notes
12621. 07/04/90 Flac 16 - 0, 117550 Bonner Springs Sandstone Ampitheatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/20 Feet Directly In Front Of Left Lawn Stack/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes (Sony Metal-ES); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudiGate Software notes
12622. 07/04/90 Flac 24/48 - 0, 117549 Bonner Springs Sandstone Ampitheatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/20 Feet Directly In Front Of Left Lawn Stack/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes (Sony Metal-ES); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging By Keo With AudioGate Software notes
12623. 07/04/90 Shn - 0, 26351 Bonner Springs Sandstone Ampitheatre SBD> Dat> Cassette Master; Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller notes
12624. 07/04/90 Flac 24/96 - 0, 133536 Bonner Springs Sandstone Ampitheatre flac24; Field: 2x Nakamichi CM100 mics with CP-4 shotgun capsules > Sony TC-D5M analog cassette recorder > Maxell MX90 tapes; Transfer: MAC > Tascam 112 analog cassette deck > Edirol UA-5 USB Audio Interface > 24/96 > PC > Audacity (tracks and fades) > Trader's Little Helper > flac 24/96 notes
12625. 07/04/90 Flac 16 - 0, 137897 Bonner Springs Sandstone Ampitheatre flac16; Front of lawn, dead center, 16' mic stand; NAK-CM-100 w/CP-4 shotgun capsules left & right and Senheiser-441 panned to center > Tascam PortaOne 4-track Cassette (dbx type II on) > Maxell XLII-S 100's (without the 100's Fire would have cut, so glad they came out w/ 100's); Maxell XLII-S100 > Onkyo TA-2027(I have 2 NAK's and neither one work, bought the Onkyo as it has 1/4" mic inputs L & R) > dbx 224x > Sony M-10 (16 bit WAVE & tracked) > Soundforge 9 (fades at start and tape flipps) > encoded to FLAC (level 8) w/TLH notes
12626. 07/04/90 Flac 16/48 - 0, 140955 Bonner Springs Sandstone Ampitheatre flac16/48kHz; Recording by Rick Katzeff: Set I: Schoeps CMC32s (omni's spaced 8 1/2 feet) > Panasonic SV255 (front row OTS); Set II: Schoeps CMC421 at "100 degrees RED" > Panasonic SV255 (FOB); Transfer by John Ammons: DAT clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave notes
12627. 07/04/90 Flac 16 - 0, 127374 Bonner Springs Sandstone Ampitheatre flac16; Set 1 Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1); Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, iZotope RX DeClick, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, a 1 second section of s1t06 was patched with the analog cassette master of the same source); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC; fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC) Recorded, transfered, processed and distributed by Chuck Miller notes
12628. 07/04/90 Flac 16 - 0, 131537 Bonner Springs Sandstone Ampitheatre flac16; Source info: Set 1: Schoeps CMC 421's> Schoeps VMS 52 UB(?)> Technics SVMD1; Set 2: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 14, 2014 by Will Petty notes
12629. 07/04/90 Shn - 0, 8573 Bonner Springs Sandstone Ampitheatre AUD (AKG 414?s) > DAT (Sony D-3) > CDR > WAV > SHNv3; DAE(EAC)>tracking (CDWAV)> boundary check (SHNTOOL)> SHN(MKWACT)> FTP via neo_levo notes
12630. 07/04/90 Flac 16/48 - 0, 143599 Bonner Springs Sandstone Ampitheatre flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC5/MK4 (ortf) > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Location: Row V Seats 4 + 5; Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48 notes
12631. 07/04/90 Flac 24/96 - 0, 147812 Bonner Springs Sandstone Ampitheatre flac24; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes
12632. 07/04/90 Flac 16/48 - 0, 147811 Bonner Springs Sandstone Ampitheatre flac16/48kHz; Recording Info: , Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes
12633. 07/04/90 Flac 24/96 - , 153738 Bonner Springs Sandstone Ampitheatre flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 notes
12634. 07/04/90 Flac 16/44 - , 154442 Bonner Springs Sandstone Ampitheatre flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 153738 2496 > 1644 notes
12635. 07/06/90 Shn - 0, 12770 Louisville Cardinal Stadium SBD> Dat> Sonic Solutions> CD; EAC'd and SHN'd By Charlie Miller notes
12636. 07/06/90 Flac 16 - 0, 126122 Louisville Cardinal Stadium flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12637. 07/06/90 Shn - 0, 9009 Louisville Cardinal Stadium SBD>C>C>DAT>CD>EAC>CDRWAV>WAV>SHN; Speed corrected, see info file for details; Seeded to etree by JR Fishman notes
12638. 07/06/90 Flac 24/96 - 0, 130511 Louisville Cardinal Stadium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Uknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12639. 07/06/90 Flac 16 - 0, 130512 Louisville Cardinal Stadium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Uknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12640. 07/06/90 Flac 16 - 0, 102291 Louisville Cardinal Stadium flac16; Taper: Greg Holtz Source: Nakamichi CM-300's w/CP-4 shotgun caps FOB > D-5 Transfer: By (JAZ) Master Cassettes (Maxell MX100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 notes
12641. 07/06/90 Shm - 0, 2255 Louisville Cardinal Stadium SBD> D-> CDR-> EAC> SHN; Ripped by John Zei; quick d/o in pre-Drums jam notes
12642. 07/06/90 Flac 24/96 - 0, 126121 Louisville Cardinal Stadium flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12643. 07/06/90 Flac 16/48 - 0, 142685 Louisville Cardinal Stadium flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording: Schoeps CMC3 MK4 > Jensen 16 PS > DAT (Panasonic sv250); set I though pre drums mics are hand held, post drums mics are on a stand @ 6'2"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
12644. 07/06/90 Flac 24/96 - 0, 134928 Louisville Cardinal Stadium flac24; Source: Schoep CMC 34 Cardioids, O.R.T.F. -> SV255, Section 13-3, Row P, Center. DAT Master -> Clone -> Apogee 701/Beta -> Nak BX125 -> Maxell MX90 (Set 1), TDK MA110 (Set 2) -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes
12645. 07/06/90 Flac 16 - 0, 131219 Louisville Cardinal Stadium flac16; Source info: Schoeps CMC 52 S (spread 8'/Taper Section)> Pro-Link cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 4, 2014 by jwpetty notes
12646. 07/06/90 Flac 16 - 0, 131218 Louisville Cardinal Stadium flac16; Source info: FOB/Schoeps CMC 34's (ortf)> DAT> 1:1 clone DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to bt.etree on September 4, 2014 by Will Petty notes
12647. 07/06/90 Flac 16/48 - 0, 143600 Louisville Cardinal Stadium flac16/48kHz; Dave Brotman Master DAT Recording: Set I: (FOB) Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Set II: (FOB) Schoeps CMC5/MK21 (spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
12648. 07/06/90 Flac 16 - 0, 82915 Louisville Cardinal Stadium flac16; Set 2 only, Taper: unknown Location: ots Mic Config: unknown Source: schoeps cmc52>??>dat Record Format: 16-bit, 44.1 kHz Conversion: tascam da20mkII>spdif>edirol ua25>usb>audacity (2007-02-26) Edit: none Final Format: 16-bit, 44.1 kHz Track: CD-Wave notes
12649. 07/06/90 Flac 24/96 - , 153082 Louisville Cardinal Stadium flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24 notes
12650. 07/06/90 Flac 16/44 - , 154443 Louisville Cardinal Stadium flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24 - This is 153082 2496 > 1644 notes
12651. 07/08/90 Flac 24/96 - 0, 130548 Pittsburgh Three Rivers Stadium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12652. 07/08/90 Flac 16 - 0, 130549 Pittsburgh Three Rivers Stadium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12653. 07/08/90 Shn - 0, 16157 Pittsburgh Three Rivers Stadium SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore notes
12654. 07/08/90 Flac 16 - 0, 109665 Pittsburgh Three Rivers Stadium flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac Lineage: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich notes
12655. 07/08/90 Flac 16 - 0, 97714 Pittsburgh Three Rivers Stadium flac16; Source: aud > Nakamichi CM-300 mics with CP-4 Shotgun Caps > Sony D-5 > mac Transfer: mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > Cd Wave > TLH > Flac16 notes
12656. 07/08/90 Flac 24 - 0, 135742 Pittsburgh Three Rivers Stadium flac24; SBD: ? > cassette/4 (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > > TLH notes
12657. 07/08/90 Flac 16 - 0, 135741 Pittsburgh Three Rivers Stadium flac16; SBD: ? > cassette/4 (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > shntool > TLH notes
12658. 07/08/90 Flac 16/48 - 0, 138452 Pittsburgh Three Rivers Stadium flac16/48kHz; Set 1: Unknown Schoeps > DAT; OTS; Set 2: Schoeps CMC34 @ 110 degrees ORTF > Panasonic SV255; FOB (10 rows front of board center) recorded by Rick Katzeff; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
12659. 07/08/90 Flac 16/48 - 0, 138704 Pittsburgh Three Rivers Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore + AUD (shnid = 130548) Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin notes
12660. 07/08/90 Flac Dts 5.1 - 0, 138703 Pittsburgh Three Rivers Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore + AUD (shnid = 130548) Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin notes
12661. 07/08/90 Flac 16 - 0, 138701 Pittsburgh Three Rivers Stadium flac16; Patched/Pitch Corrected Soundboard (original shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore - pitch correction and patches by Kevin Tobin notes
12662. 07/08/90 Flac 16 Mtx - 0, 138702 Pittsburgh Three Rivers Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore + AUD (shnid = 130548) Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin notes
12663. 07/08/90 Flac 24 UMtx - 0, 141773 Pittsburgh Three Rivers Stadium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12664. 07/08/90 Flac 16 - 0, 141863 Pittsburgh Three Rivers Stadium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12665. 07/08/90 Flac 16/48 - 0, 142686 Pittsburgh Three Rivers Stadium flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman Recording: Set I: (FOB*) Schoeps CMC3 MK4 (ORTF) > DAT. 10 rows FOB; Set II: (FOB) Schoeps CMC MK2y > Jenson 16 PS > DAT (Panasonic sv250). Mics spread 9'5" on stands @ 7'5", row LL; DFC; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
12666. 07/10/90 Flac 16 - 0, 106373 Raleigh Carter-Finley Stadium flac16; Recording Info:SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
12667. 07/10/90 Shn - 0, 8256 Raleigh Carter-Finley Stadium SBD > MC > DAT > EAC > SHN; Unknown seeder notes
12668. 07/10/90 Flac 16 - 0, 130402 Raleigh Carter-Finley Stadium flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12669. 07/10/90 Flac 24/96 - 0, 130583 Raleigh Carter-Finley Stadium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12670. 07/10/90 Flac 16 - 0, 130584 Raleigh Carter-Finley Stadium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12671. 07/10/90 Flac 16 Mtx - 0, 128383 Raleigh Carter-Finley Stadium flac16; 3 source matrix mix of AUD shnid 126182, SBD shnid 106373 and AUD shnid 31790; Mixed by Nick Crump notes
12672. 07/10/90 Flac 16 - 0, 128182 Raleigh Carter-Finley Stadium flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's > AKG 9V Phantom Power > Marantz PDM 430 > Probaly Dolby (Not Marked) > Tapes Maxell MX 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12673. 07/10/90 Flac 24 - 0, 120403 Raleigh Carter-Finley Stadium flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12674. 07/10/90 Flac 24/96 - 0, 126181 Raleigh Carter-Finley Stadium flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's > AKG 9V Phantom Power > Marantz PDM 430 > Probaly Dolby (Not Marked) > Tapes Maxell MX 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12675. 07/10/90 Flac 16 - 0, 133954 Raleigh Carter-Finley Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes
12676. 07/10/90 Flac 16/48 - 0, 142694 Raleigh Carter-Finley Stadium flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman Recording: (8 rows FOB) Schoeps CMC3 MK4 (ORTF) > DAT. Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
12677. 07/10/90 Flac 16 - 0, 31790 Raleigh Carter-Finley Stadium flac16; FOB DFC Schoeps MK4s ORTF On Stand->Oade m118->Panasonic SV255@48 kHz Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample) -> CDWAV (track) ->FLAC notes
12678. 07/10/90 Flac 24/96 - 0, 135049 Raleigh Carter-Finley Stadium flac24; Source: Schoeps CMC-34 Cardioids, ORTF, Hand-held, 8 rows in front-of-board -> ProLink Cables -> Neumann Power Supply -> DAT TCD-10 -> Beta -> Nak 682ZX -> Maxell MX 90 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Set 2, Schoeps CMC-54 Cardioids, ORTF, on stand -> SV-250 Up Front notes
12679. 07/10/90 Flac 16/48 - 0, 143601 Raleigh Carter-Finley Stadium flac16/48kHz; Dave Brotman Master DAT Recording: (FOB 8 Rows) Schoeps CMC3/MK4 (ortf) > M1000 Cables > JE13 > Dat (Panasonic SV-255/48k); Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
12680. 07/10/90 Flac 16 - 0, 149323 Raleigh Carter-Finley Stadium flac16; Source:Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker, Official Taper Section notes
12681. 07/10/90 Flac 24 UMtx. - 0, 150367 Raleigh Carter-Finley Stadium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 notes
12682. 07/10/90 Flac 16 Dts.5.1 - 0, 150397 Raleigh Carter-Finley Stadium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 150367) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 143601) Dave Brotman Master DAT Recording: (FOB 8 Rows) Schoeps CMC3/MK4 (ortf) > M1000 Cables > JE13 > Dat (Panasonic SV-255/48k); Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 - dts mixing by Kevin Tobin notes
12683. 07/10/90 Flac 16/48 - 0, 150398 Raleigh Carter-Finley Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 150367) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 143601) Dave Brotman Master DAT Recording: (FOB 8 Rows) Schoeps CMC3/MK4 (ortf) > M1000 Cables > JE13 > Dat (Panasonic SV-255/48k); Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 - surround mixing by Kevin Tobin notes
12684. 07/10/90 Flac 16 Mtx - 0, 150396 Raleigh Carter-Finley Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 150367) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 143601) Dave Brotman Master DAT Recording: (FOB 8 Rows) Schoeps CMC3/MK4 (ortf) > M1000 Cables > JE13 > Dat (Panasonic SV-255/48k); Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 - matrix mixing by Kevin Tobin notes
12685. 07/10/90 Flac 16 - 0, 150501 Raleigh Carter-Finley Stadium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
12686. 07/12/90 Shn - 0, 21980 Washington Robert F. Kennedy Stadium Recording Info: Set One: SBD -> Dat Set Two: SBD -> Cassette Master (TDK SA-X 100) Transfer Info: Set One: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Set Two: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16bit /44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers and Edits Done By Charlie Miller charliemiller87@earthlink.net 1/27/04 notes
12687. 07/12/90 Flac 16 Mtx - 0, 128388 Washington Robert F. Kennedy Stadium flac16; Matrix mix of AUD shnid 121537 and SBD shnid 021980 with patches from shnid 97709; Mixed by Nick Crump notes
12688. 07/12/90 Flac 24/96 - 0, 130618 Washington Robert F. Kennedy Stadium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12689. 07/12/90 Flac 16 - 0, 130610 Washington Robert F. Kennedy Stadium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12690. 07/12/90 Flac 16 - 0, 97709 Washington Robert F. Kennedy Stadium flac16; Source: FOB-Schoeps CMC3 MK4-> Oade P/S->Sony D10 Pro->DAT->CDR->WAV->FLAC Transfer: Dat Clone->Panasonic SV3700-> Marantz CDR 615-> CDR Ripped with EAC (No Errors)Tracks Named -> Flac (Level 8) with Traders Little Helper and Tagged with Foobar 2000. Transfers by Pete Ebel on March 3, 2009 notes
12691. 07/12/90 Flac 24/96 - 0, 121563 Washington Robert F. Kennedy Stadium flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12692. 07/12/90 Shn - 0, 2482 Washington Robert F. Kennedy Stadium SBD > DAT > DAT clones > ZA-2 > wave (via Cool Edit) > CD-R; transfer by John McAtee; poss cass gen somewhere- see pub comment notes
12693. 07/12/90 Shn - 0, 17688 Washington Robert F. Kennedy Stadium source, lineage unspecified; Posted to a.b.gd.hs notes
12694. 07/12/90 Flac 16 - 0, 133957 Washington Robert F. Kennedy Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes
12695. 07/12/90 Flac 16 - 0, 141394 Washington Robert F. Kennedy Stadium flac16/48kHz; Rick Katzeff Recording: Spaced Schoeps CMC32s @ 8 1/2' > Panasonic SV250 > DAT [FOB]; John Ammons Transfer: (dat clone from master) Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave notes
12696. 07/12/90 Flac 16/48 - 0, 143602 Washington Robert F. Kennedy Stadium flac16/48kHz; Dave Brotman Master DAT Recording: (FOB) Schoeps CMC3/MK2S (spaced) > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
12697. 07/12/90 Flac 24 - 0, 149523 Washington Robert F. Kennedy Stadium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 notes
12698. 07/12/90 Flac 16 - 0, 149730 Washington Robert F. Kennedy Stadium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
12699. 07/12/90 Flac 16 - 0, 149329 Washington Robert F. Kennedy Stadium flac16; Source:DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5 Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section notes
12700. 07/12/90 Flac 16 Mtx - , 161266 Washington Robert F. Kennedy Stadium flac16; Matrix by Hunter Seamons using Soundtrack Pro and Final Cut Pro (FLAC > AIFF > Soundtrack & Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 21980 (set 1), 149730 (set 2) & 97709. notes
12701. 07/14/90 Flac 16 - 0, 106403 Foxboro Foxboro Stadium flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
12702. 07/14/90 Flac 16 - 0, 128385 Foxboro Foxboro Stadium flac16; 16 bit matrix mix of AUD shnid 121510 and SBD shnid 106404; Mixed by Nick Crump notes
12703. 07/14/90 Flac 24/96 - 0, 106404 Foxboro Foxboro Stadium flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes
12704. 07/14/90 Flac 24/96 - 0, 130835 Foxboro Foxboro Stadium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12705. 07/14/90 Flac 16 - 0, 130834 Foxboro Foxboro Stadium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12706. 07/14/90 Flac 16 - 0, 92772 Foxboro Foxboro Stadium flac16; Source: OTS Audience Recording - set up at the right front lip of the sbd Lineage: Nakamichi CM-300's with CP-4 Shotgun Caps > Sony D-5 > MAC > NAK D3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh) notes
12707. 07/14/90 Flac 16/48 - 0, 79750 Foxboro Foxboro Stadium flac16/48; source: Schoeps CMC 44 cardioids ORTF FOB 6' stand-> Oade PS-> modified Panasonic SV-255 Taped and transferred by Rich Gastwirt notes
12708. 07/14/90 Shn - 0, 84979 Foxboro Foxboro Stadium SBD cass master>DAT>SHN notes
12709. 07/14/90 Shn - 0, 463 Foxboro Foxboro Stadium SBD(?) ("could be DSBD, likely SBDm")> ? ("could also have a cassette gen between the source and DAT, not sure")> DAT> CD> EAC; via Nick Georges; see pub comments for flaw notes notes
12710. 07/14/90 Shn - 0, 31950 Foxboro Foxboro Stadium SBD > ? > CD > EAC >SHN notes
12711. 07/14/90 Flac 24/96 - 0, 121510 Foxboro Foxboro Stadium flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12712. 07/14/90 Flac 16 - 0, 121511 Foxboro Foxboro Stadium flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12713. 07/14/90 Flac 16 - 0, 111133 Foxboro Foxboro Stadium flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped from OTS, and transferred by John Bleich notes
12714. 07/14/90 Flac 16 - 0, 133966 Foxboro Foxboro Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes
12715. 07/14/90 Flac 16 - 0, 141395 Foxboro Foxboro Stadium flac16/48kHz; Rick Katzeff Recording: Spaced Schoeps CMC32s @ 8' > Panasonic SV250 > DAT [FOB]; John Ammons Transfer: (dat clone from master) Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave notes
12716. 07/14/90 Flac 16 Mtx - 0, 141748 Foxboro Foxboro Stadium flac16; A photoLeon Matrix; Source #1: Rick Katzeff Recording: Spaced Schoeps CMC32s @ 8' > Panasonic SV250 > DAT [FOB]. Mics on stands, set I @ 6', set II @ 6'3" and Source #2: Recorded, Transferred and Digitally Mastered by Dan Tepper; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT notes
12717. 07/14/90 Flac 24/96 - 0, 134830 Foxboro Foxboro Stadium flac24; Source: B&K 4011 Cardioids FOB -> ? -> Nakamichi 682ZX -> Maxell MX 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes
12718. 07/14/90 Flac 24 - 0, 128386 Foxboro Foxboro Stadium flac24; 24bit matrix mix of AUD shnid 121510 and SBD shnid 106404; Mixed by Nick Crump notes
12719. 07/14/90 Shn - 0, 15508 Foxboro Foxboro Stadium 2Beyerm160 > SonyTCD5M Master Cassette> SHN; seeded to abgd by Walstib notes
12720. 07/14/90 Flac 16/48 - 0, 143603 Foxboro Foxboro Stadium flac16/48kHz; Set 1 Dave Brotman Master DAT Recording: (FOB) Schoeps CMC3/MK2S (spaced 8'5" stands 6'3") > JE13 > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
12721. 07/14/90 Flac 24/96 - 0, 147814 Foxboro Foxboro Stadium flac24; Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes
12722. 07/14/90 Flac 16/48 - 0, 147813 Foxboro Foxboro Stadium flac16/48kHz; Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes
12723. 07/14/90 Flac 16 - 0, 149340 Foxboro Foxboro Stadium flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Master Cassette Tapes>Sony TC-D5 M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section notes
12724. 07/14/90 Flac 16/48 - 0, 79750 Foxboro Foxboro Stadium flac16/48; source: Schoeps CMC 44 cardioids ORTF FOB 6' stand-> Oade PS-> modified Panasonic SV-255 Taped and transferred by Rich Gastwirt notes
12725. 07/14/90 Flac 16 - , 152771 Foxboro Foxboro Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 106404) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147814) Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 - matrix mixing by Kevin Tobin notes
12726. 07/14/90 Dts Audio 5.1 - , 152772 Foxboro Foxboro Stadium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 106404) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147814) Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 - dts mixing by Kevin Tobin notes
12727. 07/14/90 Flac 16/48 - , 152773 Foxboro Foxboro Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106404) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147814) Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 - surround mixing by Kevin Tobin notes
12728. 07/16/90 Flac 16 - 0, 95782 Orchard Park Rich Stadium flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
12729. 07/16/90 Flac 16 Mtx - 0, 128387 Orchard Park Rich Stadium flac16; 3 source matrix mix of AUD shnid 95580, SBD shnid 95782 and AUD shnid 116444; Mixed by Nick Crump notes
12730. 07/16/90 Shn - 0, 1316 Orchard Park Rich Stadium SBD> DAT> CD's> EAC> SHN; SHN/upload by Randall Ward, seed via Matt Knapp notes
12731. 07/16/90 Flac 24/96 - 0, 131229 Orchard Park Rich Stadium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12732. 07/16/90 Flac 1644 - 0, 131228 Orchard Park Rich Stadium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12733. 07/16/90 Flac 16 - 0, 98919 Orchard Park Rich Stadium flac16; Source: Nakamichi CM-100s with CP-4 shotgun caps > D-5 > mac; at the soundboard, a bit right of center if memory serves me correctly Lineage: mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16 notes
12734. 07/16/90 Flac 16 - 0, 116444 Orchard Park Rich Stadium flac16; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Radio Shack Mixer>Sony D5>Sony D5 Unknown Number Of Patch In Line; Taper JB,Transfer By Keo; Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes
12735. 07/16/90 Flac 16 - 0, 121581 Orchard Park Rich Stadium flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Traders Little Helper; Metadata Tagging With Tag&Rename notes
12736. 07/16/90 Shn - 0, 84980 Orchard Park Rich Stadium DSBD>CD notes
12737. 07/16/90 Flac 16 - 0, 95580 Orchard Park Rich Stadium flac16; FOB AUD: Sennheiser MD-441's > Sony TC-D5M > TDK SA 90's with no Dolby. Mics on stand, 18th row FOB. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F. notes
12738. 07/16/90 Flac 16 - 0, 32018 Orchard Park Rich Stadium flac16; 1st Set:Soundboard->DAT@48 kHz->DAT.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample->CDWAV (track) ->FLAC. 2nd Set:Soundboard->DAT@44.1 kHz->DAT.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC. Conversion by Mark Lynn notes
12739. 07/16/90 Flac 24/96 - 0, 121580 Orchard Park Rich Stadium flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12740. 07/16/90 Flac 24/96 - 0, 116445 Orchard Park Rich Stadium flac24; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Radio Shack Mixer>Sony D5>Sony D5 Unknown Number Of Patch In Line; Taper JB,Transfer By Keo; Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
12741. 07/16/90 Flac 16/48 - 0, 142695 Orchard Park Rich Stadium flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording: Set I: Spaced Schoeps CMC5 MK21 > Jensen PS > DAT (Panasonic SV250); Mics spaced @ 8'5" on stands @ 6'; Set II: Spaced Schoeps CMC3 MK2 > Jensen PS > DAT (Panasonic SV250). Mics spaced @ 8'5" on stands @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
12742. 07/16/90 Flac 16 - 0, 133997 Orchard Park Rich Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes
12743. 07/16/90 Flac 16/48 - 0, 143604 Orchard Park Rich Stadium flac16/48kHz; Set 1 Dave Brotman Master DAT Recording: (FOB/DFC) Schoeps CMC3/MK2S (spaced 8'3" stands 6'4") > JE13 > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
12744. 07/16/90 Flac 16/48 - 0, 145658 Orchard Park Rich Stadium flac16/48kHz; Source: Utramatrix > Dat (48k) - Provided by Rich Gastwirt; Transfer: Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick March 2019 notes
12745. 07/16/90 Flac 16 - 0, 149401 Orchard Park Rich Stadium flac16; Source: Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell XL-II 90 And 100 Minute Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section notes
12746. 07/18/90 Flac 16 - 0, 95807 Noblesville Deer Creek Music Center flac16; Recording Info:Set 1: SBD -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD; Set 2: SBD -> Dat Master (48k); Transfer Info:Set 1: CD -> Samplitude Professional v10.1 -> FLAC; Set 2: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
12747. 07/18/90 Shn - 0, 28889 Noblesville Deer Creek Music Center Set1 SBD>>DAT>>MC>>SHN>>DAW(Bertha)>>CDA/SHN + Set2 SBD>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+ notes
12748. 07/18/90 Flac 24/96 - 0, 131339 Noblesville Deer Creek Music Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12749. 07/18/90 Flac 16 - 0, 131337 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12750. 07/18/90 Flac 16 - 0, 117698 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
12751. 07/18/90 Shn - 0, 12760 Noblesville Deer Creek Music Center whole show, SBD> 5th Gen analog cassette> Sound Forge> CD> EAC> SHN, with AUD splice in Drums tape flip; via Jeff Wilson notes
12752. 07/18/90 Shn - 0, 32218 Noblesville Deer Creek Music Center Braverman fix and cleanup of previously circulating Miller source (SHNID 26352). Purports to fix/clean up only d1t01, d1t02, d2t07, and d3t01 through d3t04 of original source. See text file for details. notes
12753. 07/18/90 Shn - 0, 12579 Noblesville Deer Creek Music Center Source for set 1: SBD Lineage: MC> C5*> SoundForge> CD> EAC> SHN Source for set 2: SBD Lineage: unknown, likely S:DAT> C> DAT> CD> SHN via Mike W and Mike Lai; seeded and tracked by Peter Braverman notes
12754. 07/18/90 Flac 24/48 - 0, 117697 Noblesville Deer Creek Music Center flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
12755. 07/18/90 Shn - 0, 26352 Noblesville Deer Creek Music Center SBD, mixed source: Set 1: SBD> Dat> Cassette Master; Set 2: SBD> Dat> CD; Set 1 Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller; see pub comments for additional lineage notes notes
12756. 07/18/90 Flac 16 - 0, 118904 Noblesville Deer Creek Music Center flac16; Recorded by Dave Cohen and Justin Lee 2 Nakamichi CM300 Omnis Spaced at 2 meters>Nakamichi 550 w/dolby B Maxell XLIIS90s cassettes 3/4 of the way back in OTS, DFC; The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transfer by Dave Cohen notes
12757. 07/18/90 Flac 16 Mtx - 0, 132853 Noblesville Deer Creek Music Center flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:095807) Set 1: SBD -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD; Set 2: SBD -> Dat Master (48k) and Audience (shnid:118904) 2 Nakamichi CM300 Omnis Spaced at 2 meters -> Nakamichi 550 w/dolby B; Maxell XLIIS90s cassettes notes
12758. 07/18/90 Flac 16 - 0, 137862 Noblesville Deer Creek Music Center flac16; Updated Source: Neumann KM54 > Neumann P/S > Denon DTR-80P (44.1 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)> Firewire> Macbook> Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.38(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe notes
12759. 07/18/90 Flac 16/48 - 0, 138229 Noblesville Deer Creek Music Center flac16/48kHz; Rick Katzeff recording: Schoeps CMC34 at 110 degrees ORTF on Schoeps t-bar > Oade PS > Panasonic SV255. 1st set 20th row hand held DFC; 2nd set 25th row DFC with 6'3" stand; John Ammons; Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
12760. 07/18/90 Shn - 0, 7358 Noblesville Deer Creek Music Center unknown aud>?>cdr>eac>shn; via Paul B.; Tony Gardner notes
12761. 07/18/90 Flac 16 - 0, 97366 Noblesville Deer Creek Music Center flac16; Source: NAK550>2 CM300's w/CP4 Shotguns, 1 CM300 (Center Mic) Lineage: MC>WAV>FLAC Recorded and Encoded by Cousinit notes
12762. 07/18/90 Flac 16 - 0, 118892 Noblesville Deer Creek Music Center flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; This was recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. We were located in the designated "taper" section for this recording. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8) notes
12763. 07/18/90 Flac 16/48 - 0, 143605 Noblesville Deer Creek Music Center flac16/48kHz; Dave Brotman Master Dat Recording: (FOB/Row 20/21) Schoeps CMC3/MK4 (ortf) > M1000 > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
12764. 07/18/90 Flac 24 - 0, 147560 Noblesville Deer Creek Music Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 notes
12765. 07/18/90 Flac 16 - 0, 147774 Noblesville Deer Creek Music Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
12766. 07/18/90 Flac 24/96 - 0, 147817 Noblesville Deer Creek Music Center flac24; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes
12767. 07/18/90 Flac 16/48 - 0, 147816 Noblesville Deer Creek Music Center flac16/48kHz; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes
12768. 07/19/90 Flac 16 - 0, 95783 Noblesville Deer Creek Music Center flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
12769. 07/19/90 Flac 16 - 0, 34617 Noblesville Deer Creek Music Center flac16; Seamless fix of shn id 2177 - DSBD>DAT>CD-R>EAC>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
12770. 07/19/90 Flac 24/96 - 0, 131316 Noblesville Deer Creek Music Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12771. 07/19/90 Flac 16 - 0, 131315 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12772. 07/19/90 Flac 16 - 0, 117700 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
12773. 07/19/90 Flac 16 - 0, 105263 Noblesville Deer Creek Music Center flac16; TAPER: Greg Holtz SOURCE: FOB Sec B Row 17 DFC Nakamichi CM-100's with CP-1 caps -> Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename notes
12774. 07/19/90 Shn - 0, 2177 Noblesville Deer Creek Music Center DSBRD> DAT> CD-R> EAC> SHN; via Garcia420 to abgd notes
12775. 07/19/90 Flac 16 - 0, 32354 Noblesville Deer Creek Music Center flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
12776. 07/19/90 Flac 24/48 - 0, 117699 Noblesville Deer Creek Music Center flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
12777. 07/19/90 Flac 16 - 0, 118905 Noblesville Deer Creek Music Center flac16; Recorded by Dave Cohen and Justin Lee 2 Nakamichi CM300 Omnis Spaced at 2 meters>Nakamichi 550 w/dolby B Maxell XLIIS90s cassettes 3/4 of the way back in OTS, DFC The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transfer by Dave Cohen notes
12778. 07/19/90 Flac 16 Mtx - 0, 132854 Noblesville Deer Creek Music Center flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:095783) SBD -> Dat Master (48k) and Audience (shnid:118905) 2 Nakamichi CM300 Omnis Spaced at 2 meters -> Nakamichi 550 w/dolby B; Maxell XLIIS90s cassettes notes
12779. 07/19/90 Flac 16/48 - 0, 142346 Noblesville Deer Creek Music Center flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 (ORTF)> Jensen 16's > DAT (Panasonic sv250); Location: row 5/v center; Charlie Miller Transfer of clone from master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
12780. 07/19/90 Flac 16 - 0, 118893 Noblesville Deer Creek Music Center flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; This was recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. We were located in the designated "taper" section for this recording. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8) notes
12781. 07/19/90 Flac 24 - 0, 147566 Noblesville Deer Creek Music Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12782. 07/19/90 Flac 16 - 0, 147777 Noblesville Deer Creek Music Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
12783. 07/19/90 Flac 24/96 - , 154264 Noblesville Deer Creek Music Center flac2496; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes
12784. 07/19/90 Flac 16/48 - , 154265 Noblesville Deer Creek Music Center flac1648; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 notes
12785. 07/21/90 Flac 16 - 0, 95809 Tinley Park World Music Theatre flac16; Recording Info:SBD -> Dat Master (48k); Transfer Info:Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
12786. 07/21/90 Flac 24/96 - 0, 131365 Tinley Park World Music Theatre flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename This is your collection notes
12787. 07/21/90 Flac 16 - 0, 131366 Tinley Park World Music Theatre flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename This is your collection notes
12788. 07/21/90 Flac 16 - 0, 117734 Tinley Park World Music Theatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
12789. 07/21/90 Shn - 0, 7832 Tinley Park World Music Theatre Master Soundboard DAT > CDR,EAC'ed / SHN'ed by Scott Clugston; to abgd via Charlie Connor notes
12790. 07/21/90 Shn - 0, 2109 Tinley Park World Music Theatre SBD> D-> CDR-> EAC> SHN; Ripped by John Zei; Drums & Space are cut notes
12791. 07/21/90 Flac 24/96 - 0, 117733 Tinley Park World Music Theatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
12792. 07/21/90 Flac 16 - 0, 112524 Tinley Park World Music Theatre flac16; Field Gear: Nakamichi CM-300's w/ CP-4 shotgun capsules > Sony D-5 > MAC; Taping location: Front of Lawn; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > TLH > FLAC Level 8; Taped, transferred, mastered, track/FLAC by Greg Holtz notes
12793. 07/21/90 Flac 16/48 - 0, 142004 Tinley Park World Music Theatre flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 (ORTF) > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
12794. 07/21/90 Flac 16 - 0, 131538 Tinley Park World Music Theatre flac16; FOB/Schoeps CMC 34's>(presumed Oade p/s)> (presumed SV-250 or 255) by (likely Katzeff or Mattes); DAT clones provided by Lance Deal; Transfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CD Wave (tracking)> TLH (SBE's/Flac/md5); Transferred and liberated to etree on October 14, 2014 by Will Petty notes
12795. 07/21/90 Flac 16/48 - 0, 143930 Tinley Park World Music Theatre flac16/48kHz; Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 notes
12796. 07/21/90 Flac 16 - 0, 133841 Tinley Park World Music Theatre flac16; lineage: sbd/aud matrix>dat>cd> eac> cdwave> traders little helper encoding option 8 notes
12797. 07/21/90 Flac 24 UMtx. - 0, 150458 Tinley Park World Music Theatre flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12798. 07/21/90 Flac 16 - 0, 150502 Tinley Park World Music Theatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
12799. 07/21/90 Flac 16/48 - 0, 150564 Tinley Park World Music Theatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 150458) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 143930) Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 - surround mixing by Kevin Tobin notes
12800. 07/21/90 Dts Audio 5.1 - 0, 150563 Tinley Park World Music Theatre DTS-Audio-CD 5.1 Mix; - SBD (shnid = 150458) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 143930) Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 - dts mixing by Kevin Tobin notes
12801. 07/21/90 Flac 16 Mtx - 0, 150562 Tinley Park World Music Theatre flac16; Matrix 2 Source Mix - SBD (shnid = 150458) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 143930) Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 - matrix mixing by Kevin Tobin notes
12802. 07/22/90 Flac 16 - 0, 115497 Tinley Park World Music Theatre flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes a drop out in d2t03 of source ID 95870 notes
12803. 07/22/90 Flac 24/96 - 0, 131372 Tinley Park World Music Theatre flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Renam notes
12804. 07/22/90 Flac 1644 - 0, 131371 Tinley Park World Music Theatre flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12805. 07/22/90 Flac 16 - 0, 117740 Tinley Park World Music Theatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
12806. 07/22/90 Flac 16 - 0, 112525 Tinley Park World Music Theatre flac16; Field Gear: Nakamichi CM-300's w/ CP-4 shotgun capsules > Sony D-5 > MAC; Taping location: 3rd level corporate box inside pavilion; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > TLH > FLAC Level 8; Taped, transferred, mastered, track/FLAC by Greg Holtz notes
12807. 07/22/90 Shn - 0, 9397 Tinley Park World Music Theatre Jay Ashley (Bertha) remaster of Master DAT source; SBD>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA notes
12808. 07/22/90 Flac 24/48 - 0, 117739 Tinley Park World Music Theatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
12809. 07/22/90 Shn - 0, 7834 Tinley Park World Music Theatre Master Soundboard DAT > CDR,EAC'ed / SHN'ed by Scott Clugston, to abgd via Charlie Connor notes
12810. 07/22/90 Flac 16 - 0, 95870 Tinley Park World Music Theatre flac16; Recording Info:SBD -> Dat Master (48k); Transfer Info:Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation notes
12811. 07/22/90 Flac 16/48 - 0, 138459 Tinley Park World Music Theatre flac16/48kHz; Rick Katzeff recording: FOB Schoeps cardioids* at 110 degrees ORTF > Panasonic SV250 > DAT; Set I is labeled CMC34 & set II is labeled CMC54; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
12812. 07/22/90 Flac 16/48 - 0, 142005 Tinley Park World Music Theatre flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 (ORTF) > DAT (Panasonic SV250); Location info: s1, Section 103 Row BB Seat 28 (hand held); s2, same as s1, mics on stand @ 6'2"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
12813. 07/22/90 Flac 16/48 - 0, 143931 Tinley Park World Music Theatre flac16/48kHz; Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info (FOB): s1, Section 103 Row BB Seat 28 (hand held); s2, same as s1, mics on stand @ 6'2"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 notes
12814. 07/22/90 Flac 16 - 0, 133842 Tinley Park World Music Theatre flac16; lineage: sbd/aud matrix>dat>cd> eac> traders little helper encoding option 8 notes
12815. 07/22/90 Flac 24/96 - , 158175 Tinley Park World Music Theatre flac2496 Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 notes
12816. 07/22/90 Flac 16/44 - , 158192 Tinley Park World Music Theatre flac1644 Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 158175 2496 > 1644 notes
12817. 07/23/90 Flac 16 - 0, 95898 Tinley Park World Music Theatre flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
12818. 07/23/90 Flac 16 - 0, 131406 Tinley Park World Music Theatre flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12819. 07/23/90 Flac 24/96 - 0, 131407 Tinley Park World Music Theatre flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12820. 07/23/90 Flac 16 - 0, 117751 Tinley Park World Music Theatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
12821. 07/23/90 Flac 24 - 0, 117750 Tinley Park World Music Theatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
12822. 07/23/90 Flac 16 - 0, 112526 Tinley Park World Music Theatre flac16; Field Gear: Nakamichi CM-300's w/ CP-4 shotgun capsules > Sony D-5 > MAC; Taping location: Front Row Lawn; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > TLH > FLAC Level 8; Taped, transferred, mastered, track/FLAC by Greg Holtz notes
12823. 07/23/90 Shn - 0, 7612 Tinley Park World Music Theatre sbd>dat>cd>shn; via Ed O'Connor notes
12824. 07/23/90 Shn - 0, 7835 Tinley Park World Music Theatre Master Soundboard DAT > CDR, EAC'ed / SHN'ed by Scott Clugston, to abgd via Charlie Connor notes
12825. 07/23/90 Shn - 0, 7417 Tinley Park World Music Theatre listed as SBD, no other source in info file seeded by Chaser notes
12826. 07/23/90 Flac 16 - 0, 81303 Tinley Park World Music Theatre flac16; Bertha Remaster of shn id 7835: Master SBD DAT > CDR >DAW(Bertha) > SHN > WAV > FLAC (note: the original shn file set has not been distributed) notes
12827. 07/23/90 Flac 16 - 0, 133843 Tinley Park World Music Theatre flac16; lineage: sbd/aud matrix>dat>cd> eac> traders little helper encoding option 8 notes
12828. 07/23/90 Flac 16/48 - 0, 142006 Tinley Park World Music Theatre flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 ORTF > DAT (Panasonic SV250); Location info: Row 26 Center mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
12829. 07/23/90 Flac 24/96 - 0, 135062 Tinley Park World Music Theatre flac24; Source: Schoeps CMC-34 Cardioids, 110° ORTF, Up Front/FOB-> ProLink Cables -> Neumann Power Supply -> SV25 -> Nak 682ZX -> TDK MA 110 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes
12830. 07/23/90 Flac 16/48 - 0, 147604 Tinley Park World Music Theatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 95898) Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138985) Rick Katzeff FOB Recording: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Checksum & tags created in xACT - surround mixing by Kevin Tobin notes
12831. 07/23/90 Flac 16 Dts.5.1 - 0, 147602 Tinley Park World Music Theatre DTS-Audio-CD 5.1 Mix; - SBD (shnid = 95898) Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138985) Rick Katzeff FOB Recording: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Checksum & tags created in xACT - dts mixing by Kevin Tobin notes
12832. 07/23/90 Flac 16 Mtx - 0, 147601 Tinley Park World Music Theatre flac16; Matrix 2 Source Mix - SBD (shnid = 95898) Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138985) Rick Katzeff FOB Recording: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Checksum & tags created in xACT - matrix mixing by Kevin Tobin notes
12833. 07/23/90 Flac 24 UMtx. - 0, 147719 Tinley Park World Music Theatre flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12834. 07/23/90 Flac 16 - 0, 147778 Tinley Park World Music Theatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
12835. 07/23/90 Flac 16/48 - 0, 138958 Tinley Park World Music Theatre flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Checksum & tags created in xACT notes
12836. 08/28/90 Flac 24/96 - , 156714 San Rafael Club Front flac2496 Recording Info: SBD > Cassette Master (TDK SA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) >Tascam Hi-Res Editor (WAV 24-bit-96k) > Samplitude Pro X6 Suite > FLAC24 (1 DVD FLAC) All Transfers and Mastering by Charlie Miller. May 9, 2022 Notes: -- This is not the full band -- Thanks to David Beckwith for supplying the cassette notes
12837. 08/28/90 Flac 16/44 - , 157161 San Rafael Club Front flac1644 Recording Info: SBD > Cassette Master (TDK SA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) >Tascam Hi-Res Editor (WAV 24-bit-96k) > Samplitude Pro X6 Suite > FLAC24 (1 DVD FLAC) All Transfers and Mastering by Charlie Miller. May 9, 2022 Notes: -- This is not the full band -- Thanks to David Beckwith for supplying the cassette - This is 156714 2496 -> 1644 notes
12838. 09/07/90 Flac 16 - 0, 92240 Richfield Richfield Coliseum flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
12839. 09/07/90 Flac 16 - 0, 131684 Richfield Richfield Coliseum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: TDK SA-100's; Microphones Set Up Upper seats Last Row Vince's Side; Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12840. 09/07/90 Flac 24/96 - 0, 131685 Richfield Richfield Coliseum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: TDK SA-100's; Microphones Set Up Upper seats Last Row Vince's Side; Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12841. 09/07/90 Flac 16 - 0, 98877 Richfield Richfield Coliseum flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony D-5 Transfer: Master Cassettes (Maxell MX90) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology -> Traders Little Helper flac8 notes
12842. 09/07/90 Flac 16 44,1khz - 0, 101018 Richfield Richfield Coliseum flac16; Source: Audience > Nakamichi 300s with cp1 caps > Sony WM-D6 > MAC (Sony Metal-SR) Transfer: MAC > Nakamichi BX-125E > EMU 0202 > Wavelab > wav 24/96 > Adobe Audition > Wavelab (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16; Taped by John Bleich from OTS sec 8, row ccc, seat 3 notes
12843. 09/07/90 Shn - 0, 13253 Richfield Richfield Coliseum SBD> Cassette; Conversion: Tascam DA-20 MK II > (via RCA analog for Emphasis removal) Tascam DA-20 >Delta Dio 2496 > Soundforge XP 4.5 > CDRWIN > EAC > SHN, by Rob (Odeo) Harrison notes
12844. 09/07/90 Flac 16/48 - 0, 146060 Richfield Richfield Coliseum flac16/48kHz; Recording info: (FOB) Schoeps CMC3/MK4 (110°) > M1000 Cables > Oade Preamp > Master Dat (Panasonic SV-250/48k). Location: (Sect. 2, Row V, Seat 11, mics hand held); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48 Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel notes
12845. 09/07/90 Flac 16/48 - 0, 138484 Richfield Richfield Coliseum flac16/48kHz; Rick Katzeff Recording: Schoeps CMC34 at 110 degrees ORTF > Panasonic SV250; FOB, Row V Center; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
12846. 09/08/90 Flac 16 Mtx - 0, 97359 Richfield Richfield Coliseum flac16; matrix of SBD: shnid=92241 and AUD: shnid=11662 by hansokolow using ProTools notes
12847. 09/08/90 Flac 16 - 0, 112302 Richfield Richfield Coliseum flac16; Field Equipment: Sanken 2-way Capsule Stereo Microphone > Sony D-5; Transfer: MAC>Tascam 112 MKII > Edirol R-09 (16/44) > Audacity > TLH > FLAC; Recorded, transferred, tracked & FLAC'd by Greg Holtz notes
12848. 09/08/90 Flac 24/96 - 0, 131696 Richfield Richfield Coliseum SHNID: 131696 flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5; Tapes: Maxell XLII-s 90 *, Maxell MX 100; Microphones Set Up Upper seats Last Row Vince's Side Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12849. 09/08/90 Flac 16 - 0, 131695 Richfield Richfield Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5; Tapes: Maxell XLII-s 90 *, Maxell MX 100; Microphones Set Up Upper seats Last Row Vince's Side Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename This is your collection notes
12850. 09/08/90 Flac 16 - 0, 92241 Richfield Richfield Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
12851. 09/08/90 Shn - 0, 14045 Richfield Richfield Coliseum Set 2 only SBD>CM>DAT>CDR>EAC>SHN All transcription and conversion from DAT done by JR Fishman NY, NY fishmanj_98@yahoo.com notes
12852. 09/08/90 Flac 16 - 0, 101148 Richfield Richfield Coliseum flac16; Source: Audience > Nakamichi 300s with cp1 caps > Sony WM-D6 > MAC (Maxel XL II-S) Transfer: MAC > Nakamichi BX-125E > EMU 0202 > Wavelab > wav 24/96 > Adobe Audition > Wavelab (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16 Taped by John Bleich from OTS sec 8, row ccc, seat 14 notes
12853. 09/08/90 Flac 16 - 0, 98889 Richfield Richfield Coliseum flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony D-5 Transfer: Master Cassettes (Maxell MX90) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology -> Traders Little Helper flac8 notes
12854. 09/08/90 Shn - 0, 11662 Richfield Richfield Coliseum AUD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley notes
12855. 09/08/90 Flac 16/48 - 0, 144620 Richfield Richfield Coliseum flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick 2019 notes
12856. 09/08/90 Flac 16/48 - 0, 146061 Richfield Richfield Coliseum flac16/48kHz; Set 1 Recording info: B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k) Location: (DFC, Row 1, OTS); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel notes
12857. 09/10/90 Flac 16 - 0, 80955 Philadelphia The Spectrum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
12858. 09/10/90 Flac 16 Mtx - 0, 137115 Philadelphia The Spectrum flac16; 2 Source Matrix by Dusborne; Soundboard (Shnid:80955)Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16; Audience (Shnid:11807) Source: AUD(Nak. 300's>D-5)>CM>??>CDR>There maybe another Cass. gen in the lineage. Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) notes
12859. 09/10/90 Flac 16/48 - 0, 142361 Philadelphia The Spectrum flac16/48kHz; Set I - Rick Katzeff Recording; Schoeps CMC44 (110ยบ ORT F) > M100 > DAT (Panasonic SV250). Location; FOB, Sect 102; Row 14; Seat 13; Set II - Rich Berner; B&K 4011's (110ยบ ORTF) > Neumann P.S. > DAT (Sony D10 Pro); Location; Row 16; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV notes
12860. 09/10/90 Shn - 0, 11807 Philadelphia The Spectrum AUD(Nak. 300's>D-5)>CM>??>CDR; See info file for edit notes; via Dan Faust; Seeded to Etree by T. Wiley notes
12861. 09/10/90 Shn - 0, 8702 Philadelphia The Spectrum AUD>DAT>CDR; Seeded to etree by Tim Wiley notes
12862. 09/10/90 Flac 16/48 - 0, 146062 Philadelphia The Spectrum flac16/48kHz; Recording info: Schoeps CMC4/MK4 (110°) > M1000 Cables > Oade Preamp > Master DAT (Panasonic SV-250/48k). Location: FOB; Sec, 102 Row 14, Seat 13 (mics hand held); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel notes
12863. 09/11/90 Flac 16 - 0, 122145 Philadelphia The Spectrum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
12864. 09/11/90 Flac 24/48 - 0, 122144 Philadelphia The Spectrum flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes
12865. 09/11/90 Flac 16 - 0, 121665 Philadelphia The Spectrum notes
12866. 09/11/90 Flac 24/96 - 0, 121664 Philadelphia The Spectrum flac24; Master Audience Recorded By MR. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12867. 09/11/90 Shn - 0, 11809 Philadelphia The Spectrum (Healy Mix)SBD>DAT>C>DAT>CDR; with FOB(Nak. 300's>D-5)>CM>??>CDR patches; See info file for details; via Paul B and Dan Faust; Seeded to Etree by T. Wiley notes
12868. 09/11/90 Flac 16 Mtx - 0, 137116 Philadelphia The Spectrum flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:122145) Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Audience (shnid:011808)Source: FOB(Nak. 300's > D-5) > CM >?? > CDR >There maybe another Cass. gen. in the lineage. Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable notes
12869. 09/11/90 Flac 16/48 - 0, 142423 Philadelphia The Spectrum flac16/48kHz; Set 1 Rich Berner FOB Recording; B&K 4011s @ 110ยบ ORTF > Mod Neumann PS > DAT (Sony D10 Pro). Location; Section 102 Row 16 Seat 9; mics on stand @ 6'; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV This is your collection notes
12870. 09/11/90 Shn - 0, 11808 Philadelphia The Spectrum FOB(Nak. 300's>D-5)>CM>??>CDR; See info file for edit notes; via Dan Faust; Seeded to Etree by T. Wiley notes
12871. 09/11/90 Flac 16/48 - 0, 146063 Philadelphia The Spectrum flac16/48kHz; Recording info: B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k). Location: FOB; Sec, 102 Row 14, Seat 13 (mics on stand @ 6'); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel notes
12872. 09/12/90 Flac 16 - 0, 74247 Philadelphia The Spectrum flac16; SBD > Dat > Cassette Master (TDK SA100) > Dat (44.1k) > Sony D8 > VX Pocket 440 > Sony Vaio C1VP > Samplitude Professional v7.02 > FLAC; Transfers and Mastering By Charlie Miller notes
12873. 09/12/90 Shn - 0, 8818 Philadelphia The Spectrum First set only; (Healy Mix) SBD> Cassette Master> ??> CDR; Seeded to etree by Tim W notes
12874. 09/12/90 Flac 16 Mtx - 0, 137117 Philadelphia The Spectrum flac16; 2 Source Matrix by Dusborne; Soundboard (Shnid:74247) Recording Info: SBD -> Dat -> Cassette Master (TDK SA100) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC; Audience (Shnid:7741)Source:Schoeps CMC-34?s, FOB-AUD>DAT>CDR notes
12875. 09/12/90 Flac 16/48 - 0, 142424 Philadelphia The Spectrum flac16/48kHz; Rich Berner FOB Recording; B&K 4011s @ 110ยบ ORTF > Mod Neumann PS > DAT (Sony D10 Pro). Location; Section 102 Row 16 Seat 9; mics on stand @ 6'; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV notes
12876. 09/12/90 Shn - 0, 7741 Philadelphia The Spectrum Schoeps CMC-34?s, FOB-AUD> DAT> CDR; via Paul B.; Tim Wiley notes
12877. 09/12/90 Flac 16/48 - 0, 146065 Philadelphia The Spectrum flac16/48kHz; Recording info: B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k); Location: FOB, Sec 102, Row 15 (s1) Row 14 (s2), Seat 13 (mics on stand @ 6'); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel notes
12878. 09/12/90 Shn - 0, 13141 Philadelphia The Spectrum Schoeps MK4V> DAT> CD-R> EAC> ADDAWAV (for retracking set 1)> CDRWAV> MKWACT> SHN; via JR Fishman notes
12879. 09/14/90 Flac 16 Mtx - 0, 97443 New York Madison Square Garden flac16; matrix of DSBD: shnid=74405 and DAUD: shnid=88942 by hansokolow using ProTools notes
12880. 09/14/90 Flac 16 - 0, 74405 New York Madison Square Garden flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
12881. 09/14/90 Shn - 0, 7769 New York Madison Square Garden analog sbd> dat> cd> eac> cd; via Jeff Fishman; Steve Barbella notes
12882. 09/14/90 Flac 16 - 0, 92017 New York Madison Square Garden flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony TC-D5M > Sony TC-D5M > Maxell MX90/100, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Taped and transferred by Andrew F. notes
12883. 09/14/90 Flac 16/48 - 0, 141164 New York Madison Square Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 notes
12884. 09/14/90 Flac 16 - 0, 88942 New York Madison Square Garden flac16; Ambient Recording by Sean Weber & Rick Katseff B&K 4011's ORTF -> Grace pre -> Panasonic SV250 line-in transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +6dB digital gain added in the transfer from DAT to CDR master notes
12885. 09/14/90 Flac 16 - 0, 117928 New York Madison Square Garden flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
12886. 09/14/90 Shn - 0, 11810 New York Madison Square Garden Dave Brotman FOB (15th row, center) AUD(Schoeps)> DAT> CDR; via Paul B; Seeded to Etree by T. Wiley notes
12887. 09/14/90 Flac 16/48 - 0, 144756 New York Madison Square Garden flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick January 2019 notes
12888. 09/14/90 Shn - 0, 9623 New York Madison Square Garden Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). notes
12889. 09/14/90 Flac 16/48 - 0, 150531 New York Madison Square Garden flac16/48kHz; Recording info: (FOB) B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k); Location: Section 2, row 15, seat 1 (mics on stand at 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Master Digital Audience Recording by Dave Brotman & Jeff Metchick; Transfer by Charlie Miller; Edited & Mastered by Joe Noel (Adobe Audition) August 22, 2020 notes
12890. 09/15/90 Flac 16 - 0, 89070 New York Madison Square Garden flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
12891. 09/15/90 Flac 16 Mtx - 0, 97498 New York Madison Square Garden flac16; matrix of SBD: shnid=89070 and DAUD: shnid=9047 by hansokolow using ProTools notes
12892. 09/15/90 Flac 24/96 - 0, 131637 New York Madison Square Garden flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12893. 09/15/90 Flac 16 - 0, 131636 New York Madison Square Garden flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12894. 09/15/90 Flac 24 - 0, 132066 New York Madison Square Garden flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12895. 09/15/90 Flac 16 - 0, 132065 New York Madison Square Garden flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12896. 09/15/90 Shn - 0, 7770 New York Madison Square Garden analog sbd>dat>cd>eac>cd; via Jeff Fishman; Steve Barbella notes
12897. 09/15/90 Shn - 0, 7746 New York Madison Square Garden DSBD> Sony SDT-9000> VDAT> WAV> CDWAV; via Martman notes
12898. 09/15/90 Flac 16 - 0, 77205 New York Madison Square Garden flac16; source: dsbd > dat > dat > dat@44k transfer: Sony D8(modified) > dat@44K > wavelab5.0 > wav > flac16 see text file for details notes
12899. 09/15/90 Flac 16 - 0, 92063 New York Madison Square Garden flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony TC-D5M > Sony TC-D5M > Maxell MX90/100, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Taped and transferred by Andrew F. notes
12900. 09/15/90 Flac 16 - 0, 77295 New York Madison Square Garden flac16; SBD -> Dat -> Cassette Master -> Dat Transferred By bendover@theotherones.org Mastered By Charlie Miller notes
12901. 09/15/90 Flac 16/48 - 0, 141165 New York Madison Square Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 notes
12902. 09/15/90 Flac 16 - 0, 91474 New York Madison Square Garden b>flac16; Sennheiser ME-80's>Techinics SV-MD1 from Taper's Section Dat Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded by Keith Litzenberger notes
12903. 09/15/90 Flac 16 - 0, 88946 New York Madison Square Garden flac16; Ambient Recording by tdarian - John Corso B&K 4011's ORTF -> Grace Pre -> Panasonic SV250 line-in FOB 17th Row seat 3 near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +6dB digital gain added in the transfer from DAT to CDR master notes
12904. 09/15/90 Shn - 0, 9047 New York Madison Square Garden Recorded by Dave Brotman: FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). notes
12905. 09/15/90 Flac 16/48 - 0, 144813 New York Madison Square Garden flac16/48kHz; Set 1 Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick January 2019 notes
12906. 09/15/90 Flac 16 - , 150667 New York Madison Square Garden flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 TDK MA-X 90 And 110 Minute Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback) >Edirol R-09 HR (24/44.1 KHZ) >CD Wav Editor>Traders Little Helper >Flac level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section notes
12907. 09/16/90 Flac 16 - 0, 132022 New York Madison Square Garden flac16; Set 1 And Encore Only; Master Audience Recorded By Mr. Currier, Tranfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tape: Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12908. 09/16/90 Flac 24 - 0, 132021 New York Madison Square Garden flac24; Set 1 And Encore Only; Master Audience Recorded By Mr. Currier, Tranfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tape: Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12909. 09/16/90 Flac 16 - 0, 92158 New York Madison Square Garden flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony TC-D5M > Sony TC-D5M > Maxell MX90/100, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Taped and transferred by Andrew F notes
12910. 09/16/90 Flac 16 Mtx - 0, 136806 New York Madison Square Garden flac16; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 tape speed correction, Multiband Compression, Equalization, Volume and DC Offset notes
12911. 09/16/90 Flac 16/48 - 0, 141166 New York Madison Square Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 notes
12912. 09/16/90 Flac 16 - 0, 125564 New York Madison Square Garden flac16; Taper: M. Laurentus; Loge/Taper Section Sec 57F,Row A,Seat 14; AT835B's- AT 8202’s-SONY TCD-5M-Cassette- Cassette-Tascam DR5 Line In-CD Wave- FLAC notes
12913. 09/16/90 Flac 16 - 0, 97707 New York Madison Square Garden flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC; Recorded By Keith Litzenberger notes
12914. 09/16/90 Shn - 0, 9435 New York Madison Square Garden Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects); Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor notes
12915. 09/16/90 Shn - 0, 11663 New York Madison Square Garden Recorded by Dave Brotman, FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects); via Paul B; Seeded to Etree by T. Wiley notes
12916. 09/16/90 Flac 16 - 0, 88947 New York Madison Square Garden flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLink cables -> Neumann p48v -> Sony TCD-D10 DAT line-in Section 1 row 18 center - on center aisle Seat A FOB near center. transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 CDR master transfer by Mike French notes
12917. 09/16/90 Flac 16 - 0, 144815 New York Madison Square Garden flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This fileset is 16 bit @ 44.1 notes
12918. 09/16/90 Flac 16/48 - 0, 144814 New York Madison Square Garden flac16/48kHz; Set 1 Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick January 2019 notes
12919. 09/16/90 Flac 24 - 0, 144784 New York Madison Square Garden flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12920. 09/16/90 Flac 16 Mtx - 0, 145946 New York Madison Square Garden flac16; Matrix: SBD (shnid=144815): Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) and AUD (shnid=141166): Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS) notes
12921. 09/18/90 Flac 16 - 0, 86952 New York Madison Square Garden flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC. All Transfers and Mastering By Charlie Miller. (Fixes a dropout in shn id 79022; see info file for details) notes
12922. 09/18/90 Flac 16 Mtx - 0, 96156 New York Madison Square Garden flac16; matrix of DSBD: shnid=79022 and DAUD: shnid=9772 by hansokolow using ProTools notes
12923. 09/18/90 Shn - 0, 11811 New York Madison Square Garden SBD>DAT MASTER>DATX2>CD; via the Piper; Seeded to etree by troy richey notes
12924. 09/18/90 Flac 24/96 - 0, 131909 New York Madison Square Garden flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
12925. 09/18/90 Flac 16 - 0, 131908 New York Madison Square Garden flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
12926. 09/18/90 Flac 16 - 0, 35162 New York Madison Square Garden flac16; Fix of shn id 12885 - SBD->Cm->Dat->CD->Cool Edit Pro->CD>EAC>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
12927. 09/18/90 Flac 16 - 0, 79022 New York Madison Square Garden flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC notes
12928. 09/18/90 Shn - 0, 12885 New York Madison Square Garden Lineage: SBD->Cm->Dat->CD->Cool Edit Pro->CD via Charlie Miller notes
12929. 09/18/90 Flac 16/48 - 0, 139520 New York Madison Square Garden flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC 34's (ortf)> M-1000> Oade p/s> SV-255; Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT notes
12930. 09/18/90 Flac 16/48 - 0, 141167 New York Madison Square Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 notes
12931. 09/18/90 Shn - 0, 9772 New York Madison Square Garden DFOB MAD>D>CD Recorded by Dave Bratman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). 4, 1 second d/o's were patched w/ an FOB source; See info file for details; Seeded to etree by Darrin Sacks notes
12932. 09/18/90 Flac 16 - 0, 88968 New York Madison Square Garden flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open From Section A Row 19, seat 2 FOB - near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +2dB digital gain added in the transfer from DAT to CDR master This is your collection notes
12933. 09/18/90 Flac 16 Mtx - 0, 138069 New York Madison Square Garden flac16; Matrix by photoleon; Ambient Recording by Tom Darian; B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open; From Section A Row 19, seat 2 FOB - near center; transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700; and SBD -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC notes
12934. 09/18/90 Flac 16 - 0, 124767 New York Madison Square Garden flac16; Taper: M. Laurentus; Loge/Taper Section Sec 56D,Row A,Seat 12; AT835B's- AT 8202’s-SONY TCD-5M-Cassette-Tascam DR-5 Line In-CD Wave- Flac notes
12935. 09/18/90 Flac 16 - 0, 96934 New York Madison Square Garden flac16; Taper: M.Laurentus Loge/Taper Section Sec 56D,Row A,Seat 12 Taper-M. Laurentus AT835B's- AT 8202’s-SONY TCD-5M-Cassette-SoundBlaster Extreme Hi-Fi Line In-Creative Recorder-CD Wave- FLAC (This source was originally seeded missing Heaven's Door & Other One; then reseeded with Heaven's Door added.). A version of this source without the missing songs now circulates. notes
12936. 09/18/90 Flac 16 - 0, 97021 New York Madison Square Garden flac16; Taper: M.Laurentus Loge/Taper Section Sec 56D,Row A,Seat 12 Taper-M. Laurentus AT835B's- AT 8202’s-SONY TCD-5M-Cassette-SoundBlaster Extreme Hi-Fi Line In- Creative Recorder-CD Wave- FLAC; This is the fixed/complete version of source id 96934. notes
12937. 09/18/90 Flac 16/48 - 0, 144893 New York Madison Square Garden flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2019 notes
12938. 09/18/90 Flac 24 UMtx. - 0, 147622 New York Madison Square Garden flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12939. 09/18/90 Flac 16 - 0, 147781 New York Madison Square Garden flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
12940. 09/18/90 Flac 16/48 - 0, 150544 New York Madison Square Garden flac16/48kHz; Recording Info: (FOB) Schoeps CMC3-MK4 (ORTF) > M1000 Cables > Oade PS > Master Dat (Panasonic SV-250-48k); Location: Sec A Row 19 Seat 01 (FOB, mics on stand @ 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16-48; Master Digital Audience Recording by Dave Brotman & Jeff Metchick; Transfer by Charlie Miller; Edited & Mastered by Joe Noel (Adobe Audition 2020). August 22, 2020 notes
12941. 09/18/90 Flac 16 Mtx - , 152738 New York Madison Square Garden flac16; Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 86952 & 141167. notes
12942. 09/19/90 Flac 16 Mtx - 0, 97641 New York Madison Square Garden flac16; matrix of DSBD: shnid=85003 and DAUD: shnid=11664 by hansokolow using ProTools notes
12943. 09/19/90 Flac 16 - 0, 85003 New York Madison Square Garden flac16; Recording Info: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD Set 2: SBD -> Dat Master -> Sonic Solutions -> CD Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC Original Transfer and Mastering By David Gans Additional Editing and Tracking By Charlie Miller notes
12944. 09/19/90 Shn - 0, 3373 New York Madison Square Garden Updated lineage: SBD> CM> DAT> CDR> EAC> SHN; via Jeff M. notes
12945. 09/19/90 Shn - 0, 14674 New York Madison Square Garden Jay Ashley remaster of previous sbd source. SBD>>DAT>>CASS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN notes
12946. 09/19/90 Flac 16 Mtx - 0, 96157 New York Madison Square Garden flac16; matrix of DSBD: shnid=3373 and DAUD: shnid=11664 by hansokolow using ProTools notes
12947. 09/19/90 Shn - 0, 26081 New York Madison Square Garden amalgam of 2 previous seeds A and B, remastered by Tim Wiley; see info file for details notes
12948. 09/19/90 Flac Mtx.16/48 - 0, 138055 New York Madison Square Garden flac16/48kHz; MTX from Audience recording: Recording by Tom Darian; From Section A Row 19, seat 2 FOB - near center; B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open; Transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +2dB digital gain added in the transfer from DAT to CDR master and SBD Recording: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD; Set 2: SBD -> Dat Master -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC notes
12949. 09/19/90 Flac 24/96 - 0, 143131 New York Madison Square Garden 24 bit George Sterry (OTS) Recording: Sony ECM-909A > Cassette Master (Sony TC-158SD)
Charlie Miller Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > FLAC 24/96
Edited & Mastered by Joe Noel Flac 24/96 > Audacity > Flac 24/96
notes
12950. 09/19/90 Shn - 0, 9988 New York Madison Square Garden MAD>D>CD; FOB B&K 4011's; Seeded to etree by Darrin Sacks notes
12951. 09/19/90 Shn - 0, 11664 New York Madison Square Garden Dave Brotman FOB(15th row, Center)-AUD(Scheops)>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley notes
12952. 09/19/90 Flac 16 - 0, 88969 New York Madison Square Garden flac16; Ambient recording by tdarian B&K 4011's ORTF -> ProLink cables -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide-open Mics at 6'3" Section A - Row 18 - Seat 2 - FOB near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 notes
12953. 09/19/90 Flac 16 - 0, 96927 New York Madison Square Garden flac16; Taper: M.Laurentus Loge/Taper Section Sec 56D,Row B,Seat 2 AT835B's- AT 8202’s-SONY TCD-5M-Cassette-SoundBlaster Extreme Hi-Fi Line In-Creative Recorder-CD Wave- FLAC notes
12954. 09/19/90 Flac 24 UMtx. - 0, 147623 New York Madison Square Garden flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12955. 09/19/90 Flac 16 - 0, 147888 New York Madison Square Garden flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
12956. 09/19/90 Flac 16/48 - 0, 149583 New York Madison Square Garden flac16/48kHz; Recording info: Schoeps CMC3/MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250/48k); Location: Section A, Row 18, Seat 1 (mics on stand @ 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel notes
12957. 09/19/90 Flac 16/48 - 0, 150545 New York Madison Square Garden flac16/48kHz; Recording Info: Schoeps CMC3-MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250-48k); Location: Section A, Row 18, Seat 1 (mics on stand @ 6'5"); Transfer Info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16-48; Master Digital Audience Recording by Dave Brotman & Jeff Metchick; Transfer by Charlie Miller; Edited & Mastered by Joe Noel (Adobe Audition 2020); Notes: Remaster of shnid 149583 notes
12958. 09/20/90 Shn Mtx - 0, 30868 New York Madison Square Garden BD + AUD Matrix Mix (50%-SBD/50%-AUD) using SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN, shn id 12111 and AUD Source: FOB > Scheops > DAT > CDR Location: Row 15, Center shn id 11633 notes
12959. 09/20/90 Shn - 0, 14855 New York Madison Square Garden Bertha Remaster of the original DSBD Source. SBD>>Dat>>(*)>>SHN>>DAW(Bertha)>>CDA - Sound A+ notes
12960. 09/20/90 Shn Dts - 0, 31773 New York Madison Square Garden DTS-Audio 5.1; mix of SBD > DAT > Samplitude > Cool Edit Pro > SHN & Dave Brotman FOB > Scheops > DAT > CDR notes
12961. 09/20/90 Shn - 0, 465 New York Madison Square Garden set II,E; Ultramix SBD > DAT > CD-R; CD Mastering by C.J. Eichinger; Tape from T. Buller; see pub comments for flaw note notes
12962. 09/20/90 Shn - 0, 28691 New York Madison Square Garden SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN. There was a flaw in the original transfer (d3t05 - Throwing Stones) that has been fixed. Flaws in d1t02 and d3t01 were also fixed notes
12963. 09/20/90 Shn - 0, 12111 New York Madison Square Garden SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN; Seeded to etree by Charlie Miller notes
12964. 09/20/90 Shn - 0, 34629 New York Madison Square Garden Seamless fix of shn id 28691 - SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN notes
12965. 09/20/90 Flac 16/48 - 0, 141168 New York Madison Square Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48 notes
12966. 09/20/90 Shn - 0, 9989 New York Madison Square Garden Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects); With SBD patches in Truckin', see info file for details; Seeded to etree by Darrin Sacks notes
12967. 09/20/90 Shn - 0, 11633 New York Madison Square Garden FOB AUD Schoeps (Row 15,Center)> DAT> CDR> EAC> CEP editing> SHN; taped by Dave Brotman; Seeded by Tim Wiley from Paul B. source discs notes
12968. 09/20/90 Flac 16 - 0, 88970 New York Madison Square Garden flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLink cable -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide open Mics on stand at 6'+ transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 notes
12969. 09/20/90 Flac 16 - 0, 96918 New York Madison Square Garden flac16; Taper: M.Laurentus Loge/Taper Section Sec 56D,Row A,Seat-14 AT835B's- AT 8202’s-SONY TCD-5M-Cassette-SoundBlaster Extreme Hi-Fi Line In-Creative Recorder-CD Wave- FLAC notes
12970. 09/20/90 Flac 16 Mtx - 0, 138036 New York Madison Square Garden b>flac16; 2 source matrix: shnid: 108849 - SBD -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC and shnid: 88970 - Ambient Recording by Ted Darian; B&K 4011's ORTF-> ProLink cable-> Neumann p48v-> Sony TCD-D10 DAT 48khz line-in wide open Mics on stand at 6'+; transfer and edit notes: Tascam DA20mkII 48k DAT master> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 notes
12971. 09/20/90 Flac 16 - 0, 132709 New York Madison Square Garden flac16; Recording info: FOB (Section A, Row 18, Seat 1); Schoeps CMC 34's (ortf)> M-1000> Oade p/s> SV-255 by Rick Katzeff; DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 23, 2015 by Will Petty notes
12972. 09/20/90 Flac 16 - 0, 108849 New York Madison Square Garden flac16; Recording Info: SBD -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
12973. 09/20/90 Flac 16/48 - 0, 149578 New York Madison Square Garden flac16/48kHz; Recording info: Schoeps CMC3-MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250-48k). Location: Sec A Row 18 Seat 01 (FOB, mics on stand @ 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 1648 notes
12974. 09/20/90 Flac 16/48 - 0, 150546 New York Madison Square Garden flac16/48kHz; Recording Info: Schoeps CMC3-MK4 (ORTF) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250-48k); Location: Sec A Row 18 Seat 01 (FOB, mics on stand @ 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16-48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel; Notes: Remaster of shnid 149578 notes
12975. 09/20/90 Flac 16 Mtx - , 152739 New York Madison Square Garden flac16; Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 108849 & 141168. notes
12976. 09/20/90 Flac 16 - , 150669 New York Madison Square Garden flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>1 TDM MA-90 Metal Cassette Tape (1stSet) And 1 100 Minute Sony Metal SR Cassette Tape(2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper> Flace Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section notes
12977. 09/20/90 Flac 24/96 - , 156442 New York Madison Square Garden flac2496 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
12978. 09/20/90 Flac 16/44 - , 156488 New York Madison Square Garden flac1644 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156442 2496 > 1644.1 notes
12979. 09/28/90 Shn - 0, 13531 San Rafael Front Street Unknown SBD> ? (possible cassette gen)> CDR> EAC> SHN; via Jeff M notes
12980. 10/13/90 Shn - 0, 21971 Stockholm Ice Stadium DSBD > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes
12981. 10/13/90 Shn - 0, 11627 Stockholm Ice Stadium SBD>MC>C>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley notes
12982. 10/13/90 Flac 16 - 0, 92841 Stockholm Ice Stadium flac16; Audience Recording Lineage: Unknown Mics > Sony D-5 > MAC > NAK D3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh) notes
12983. 10/13/90 Flac 16 - 0, 90031 Stockholm Ice Stadium flac16; Source: Audience Master Cassette Nakamichi 300’s > Marantz PMD-430 Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 16, 2008 notes
12984. 10/13/90 Flac 16/48 - 0, 138953 Stockholm Ice Stadium flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger notes
12985. 10/13/90 Flac 24 U Mtx - 0, 141086 Stockholm Ice Stadium flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
12986. 10/13/90 Flac 16 U Mtx - 0, 141088 Stockholm Ice Stadium SHNID: 141088 notes
12987. 10/13/90 Flac 16 - 0, 128225 Stockholm Ice Stadium flac16; Recording Info :SONY WM-D6C > MARANTZ EM-8 > Cassette Tape; Transfer Info: Cassette Tape > Nakamichi Dragon Cassette Deck > SONY PCM-M10 (24bit/44,1kHz) > iZotope RX (for hissreduction and sometimes minor eq) > Audacity for Mac (for track splitting) WAV>TLH>FLAC notes
12988. 10/17/90 Shn - 0, 11613 Essen GrugaHalle DSBD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley notes
12989. 10/17/90 Flac 16 - 0, 112818 Essen GrugaHalle flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XL II 90,100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes
12990. 10/17/90 Flac 24 - 0, 112819 Essen GrugaHalle flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XL II 90,100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
12991. 10/17/90 Flac 16 - 0, 92977 Essen GrugaHalle flac16; Source: Audience Recording Lineage: Unknown Mics > Sony D-5 > MAC > NAK DR-3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh) notes
12992. 10/17/90 Flac 16 Mtx - 0, 143496 Essen GrugaHalle flac16; Two source matrix 70% sbd/30% aud; Sources: sbd - shnid 11613 DSBD > DAT > CDR; aud - shnid 143495 Neumann U89 > Sonosax SX-M2 > Sony TCD-D10 pro > Dat x 3; edited and matrix SIRMick November 2018 notes
12993. 10/17/90 Flac 16/48 - 0, 143495 Essen GrugaHalle flac16/48kHz; Source: (probably) Neumann U89 > Sonosax SX-M2 > Sony TCD-D10 pro > Dat x 3 (48k) - Taped by Jeff Silberman and provided by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick October 2018 notes
12994. 10/17/90 Flac 24/96 - 0, 144816 Essen GrugaHalle flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger notes
12995. 10/17/90 Flac 16 - 0, 144817 Essen GrugaHalle flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger notes
12996. 10/17/90 Flac 16 - 0, 89987 Essen GrugaHalle flac16; Audience Master Cassette Nakamichi 300’s > Marantz PMD-430 Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 12, 2008 notes
12997. 10/19/90 Shn - 0, 12892 Berlin Internationales Congress Centrum DSBD: Healy mix>MD>D>CD; seeded to abgd by dieter notes
12998. 10/19/90 Shn - 0, 8199 Berlin Internationales Congress Centrum [D]SBD > ? > CDR; via Terry Rogers; Seeded to etree by Matt Vernon notes
12999. 10/19/90 Flac 16 - 0, 93854 Berlin Internationales Congress Centrum flac16; Source: Audience Recording Lineage: Unknown Mics > Sony D-5 > MAC > NAK DR-3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh) notes
13000. 10/19/90 Flac 16 - 0, 90094 Berlin Internationales Congress Centrum flac16; Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Sony Walkman Pro D-6 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media Maxell MX-90, MX-100 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 20, 2008 notes
13001. 10/19/90 Flac 16 - 0, 131475 Berlin Internationales Congress Centrum flac16; Source info: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5) notes
13002. 10/19/90 Flac 24/96 - 0, 144894 Berlin Internationales Congress Centrum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger notes
13003. 10/19/90 Flac 16 - 0, 144895 Berlin Internationales Congress Centrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger notes
13004. 10/20/90 Flac 16 Mtx - 0, 98728 Berlin Internationales Congress Centrum flac16; matrix of SBD: shnid=12931 and DAUD: shnid=90641 by hansokolow using ProTools notes
13005. 10/20/90 Shn - 0, 12931 Berlin Internationales Congress Centrum DSBD: Healy mix>MD>D>CD notes
13006. 10/20/90 Flac 16 - 0, 115551 Berlin Internationales Congress Centrum flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XLII 90,XLII-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes
13007. 10/20/90 Flac 24/96 - 0, 115552 Berlin Internationales Congress Centrum flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XLII 90,XLII-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz notes
13008. 10/20/90 Shn - 0, 8245 Berlin Internationales Congress Centrum Source : SBD > ? > CDR; via Terry Rogers; Seeded to etree by Matt Vernon notes
13009. 10/20/90 Flac 16 - 0, 90641 Berlin Internationales Congress Centrum flac16; Source: Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Sony Walkman Pro D-6 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 MX-100 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 6, 2008 notes
13010. 10/20/90 Flac 16/48 - 0, 138476 Berlin Internationales Congress Centrum flac16/48kHz; Mark Teitelbaum Recording: B&K 4011 (ORTF) > Neumann power supply > Panasonic SV255; FOB w/ stand; John Ammons Transfer: Tascam DA-20 MKII > Roland SRC-2 > Mac Mini optical input > Audacity 2.1 > WAV @ 48kHz; Joe Noel Edits: (re)Track & Pack: Flac > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT; Set 1 is 48kHz, Set 2 is 44.1kHz notes
13011. 10/20/90 Flac 16/48 - 0, 139112 Berlin Internationales Congress Centrum flac16/48kHz; source: aud dat master > dat> dat; Doug Lamarre’s clone via Dan Liff r.i.p; taped by Jeff Silberman; neumann U89 > sonosax 5000 > sony tcd-d10 pro; transferred & seeded by Rob Berger notes
13012. 10/20/90 Flac 16 - 0, 131473 Berlin Internationales Congress Centrum flac16; Source info: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5) notes
13013. 10/20/90 Flac 16/48 - 0, 144552 Berlin Internationales Congress Centrum flac16/48kHz; Source: Schoeps MK4 > Schoeps CMC4 > VMS52UB > Sony SBM-1 > Panasonic SV-255; Transfer: DAT(c) @48kHz > Tascam DA-P1 > Tascam SS-R1 > Samplitude Pro X3 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger); Thanks to Dave Flaschner for the DATs; Transfer & edits by Jeff Mitchell notes
13014. 10/20/90 Flac 24/96 - 0, 144900 Berlin Internationales Congress Centrum flac24; source: aud cassette master; taped by Doug Lamarre;sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger notes
13015. 10/20/90 Flac 16 - 0, 144901 Berlin Internationales Congress Centrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger notes
13016. 10/20/90 Flac 16 - 0, 150273 Berlin Internationales Congress Centrum flac16; SBD > ? > FLAC notes
13017. 10/20/90 Flac 16/44 - , 153737 Berlin Internationales Congress Centrum flac15/44 Source: Sony ECM-150 -> Sony TCD-D5 Transfer: Master Casette -> B&O Beocord 9000 -> Sony pcm-a1 (96/24) -> audition -> cdwav -> flac Taper: G. [2021-10-01 transfer by Willer [light EQ + levels + normalizing - Downsampled to 44,1/16] notes
13018. 10/22/90 Shn - 0, 22315 Frankfurt Festhalle DSBD > CD > EAC > SHN; No cut in Bird Song; EAC/SHN by Darryl Hinko notes
13019. 10/22/90 Flac 16 - 0, 114392 Frankfurt Festhalle flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XLII 90,XLII-S 100 Taper:Friend Of Floater; Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes
13020. 10/22/90 Flac 24/96 - 0, 114393 Frankfurt Festhalle flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100; Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
13021. 10/22/90 Shn - 0, 13466 Frankfurt Festhalle SBD>CM>D>CD>EAC>SHN, transcribed by JR Fishman notes
13022. 10/22/90 Shn - 0, 8722 Frankfurt Festhalle SBD>DAT>C>DAT>CDR; Seeded to etree by Tony Gardner notes
13023. 10/22/90 Flac 16 - 0, 90745 Frankfurt Festhalle flac16; Source: Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set: TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 11, 2008 notes
13024. 10/22/90 Flac 16 - 0, 131001 Frankfurt Festhalle flac16; Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Fostex D-5> Luminous Monarch cable> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE/Flac 16-Level 8/md5); Transfer completed August 18, 2014 by jwpetty notes
13025. 10/22/90 Shn - 0, 12833 Frankfurt Festhalle 2 Beyer M160> Sony TCD5M Front Of Board Master Cassette> CDR via unknown seeder notes
13026. 10/22/90 Flac 16/48 - 0, 143528 Frankfurt Festhalle flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick notes
13027. 10/22/90 Flac 24/96 - 0, 144925 Frankfurt Festhalle flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger notes
13028. 10/22/90 Flac 16 - 0, 144926 Frankfurt Festhalle flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger notes
13029. 10/24/90 Flac 16 - 0, 84961 Hamburg Sportsahalle flac16; SBD->DAT->CDR->EAC->WAV->FLAC notes
13030. 10/24/90 Flac 16 - 0, 131010 Hamburg Sportsahalle flac16; Digital FOB (20') Recording by Lance Deal using Schoeps CMC 521's (110°)> Schoeps VMS 52UB p/s> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Liberated on August 21, 2014 by jwpetty notes
13031. 10/24/90 Shn - 0, 11612 Hamburg Sportsahalle SBD>DAT>C>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable); via Paul B; Seeded to Etree by T. Wiley notes
13032. 10/24/90 Flac 16 - 0, 90754 Hamburg Sportsahalle flac16; Source: Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 MX-100 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 12, 2008 notes
13033. 10/24/90 Flac 16/48 - 0, 139115 Hamburg Sportsahalle flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger notes
13034. 10/24/90 Flac 16 - 0, 141756 Hamburg Sportsahalle flac16; Source Info: Master UltraMatrix Soundboard Dat > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16 notes
13035. 10/24/90 Flac 16 - 0, 131010 Hamburg Sportsahalle flac16; Digital FOB (20') Recording by Lance Deal using Schoeps CMC 521's (110°)> Schoeps VMS 52UB p/s> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Liberated on August 21, 2014 by jwpetty notes
13036. 10/24/90 Flac 16/48 - 0, 143962 Hamburg Sportsahalle flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick December 2018 notes
13037. 10/27/90 Shn - 0, 9373 Paris The Zenith SBD>DAT>CD; via Tommy Danscuk; Seeded to etree by Peter Braverman notes
13038. 10/27/90 Shn - 0, 21254 Paris The Zenith sbe-fixed version of the SBD>DAT>CD source notes
13039. 10/27/90 Flac 16 - 0, 90800 Paris The Zenith flac16; Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 14, 2008 notes
13040. 10/27/90 Flac 16/48 - 0, 139118 Paris The Zenith flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger notes
13041. 10/27/90 Flac 24/96 - 0, 141604 Paris The Zenith flac24/96 Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller. notes
13042. 10/27/90 Flac 16 - 0, 141693 Paris The Zenith flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller. notes
13043. 10/27/90 Flac 16 - 0, 113534 Paris The Zenith >flac16; Source: Sennheiser ME-80/K3U > Sony TC-D5M (no dolby); Transfer: Sony TC-D5M (original used for master) > Tascam HD-P2 24/48 > CF Card > Sound Forge 8 (vol/fades) > WaveLab (UV22HR) CD WAVE > FLAC van den Hul The First Ultimate cable used between D-5 and HD-P2; Recorded and transferred by Dean Grabski notes
13044. 10/27/90 Flac 16 - 0, 84288 Paris The Zenith flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Set up in the balcony taper section, a few rows from the edge. Mics on stand aprx 5-feet high, aimed at stacks and angled down slightly. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, April 2007. Taped and transferred by Andrew F. notes
13045. 10/27/90 Flac 16/48 - 0, 144199 Paris The Zenith flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick December 2018 notes
13046. 10/28/90 Shn - 0, 3264 Paris The Zenith SBD> DATx3; Conversion: Sony M-1 > Midiman Optical > SPDIF SB Platinum > CoolEdit WAV > CDWav WAV > SHN (mkw); Shns Produced by JamPhan notes
13047. 10/28/90 Flac 16 - 0, 114394 Paris The Zenith flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helpe notes
13048. 10/28/90 Flac 24/96 - 0, 114395 Paris The Zenith flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
13049. 10/28/90 Flac 16 - 0, 83696 Paris The Zenith flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Set up in the balcony taper section, a few rows from the edge. Mics on stand aprx 5-feet high, aimed at stacks and angled down slightly. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, March 2007. Taped and transferred by Andrew F notes
13050. 10/28/90 Flac 16 - 0, 90833 Paris The Zenith flac16; Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 15, 2008 notes
13051. 10/28/90 Flac 16/48 - 0, 139119 Paris The Zenith flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger notes
13052. 10/28/90 Flac 24/96 - 0, 141605 Paris The Zenith flac24/96 Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller. notes
13053. 10/28/90 Flac 16 - 0, 141694 Paris The Zenith flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller. notes
13054. 10/28/90 Flac 16 - 0, 113591 Paris The Zenith flac16; RECORDING LINEAGE: Source: Sennheiser ME-80/K3U > Sony TC-D5M (no dolby); Transfer: Sony TC-D5M (original used for master) > Tascam HD-P2 24/48 > CF Card > Sound Forge 8 (vol/fades) > WaveLab (UV22HR) CD WAVE > FLAC van den Hul The First Ultimate cable used between D-5 and HD-P2; Recorded and transferred by Dean Grabski notes
13055. 10/28/90 Flac 16/48 - 0, 144200 Paris The Zenith flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick December 2018 notes
13056. 10/30/90 Flac 16 - 0, 34545 London Wembley Arena flac16; Seamless fix of shn id 6678 - dsbd>dat>cd>shn>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
13057. 10/30/90 Flac 16 Mtx - 0, 126879 London Wembley Arena flac16; 2 Source matrix by Dave Usborne; Soundboard shnid:34645); dsbd>dat>cd>shn>WAV>FLAC via Bill Tetzeli;Audience (shnid:81706); Taped and transferred by Andrew F;AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks;Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007 notes
13058. 10/30/90 Shn - 0, 7449 London Wembley Arena SBD> DAT> CDR; EAC'ed / SHN'ed by Dieter; to abgd notes
13059. 10/30/90 Shn - 0, 6678 London Wembley Arena dsbd> dat> cd> shn; via Steve Barbella notes
13060. 10/30/90 Flac 16 - 0, 90836 London Wembley Arena flac16; Set 2 only Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 16, 2008 notes
13061. 10/30/90 Flac 16 Mtx - 0, 136847 London Wembley Arena flac16; SBD MTX > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by Norm notes
13062. 10/30/90 Flac 16/48 - 0, 139120 London Wembley Arena flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger notes
13063. 10/30/90 Flac 24 UMtx - 0, 140864 London Wembley Arena flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13064. 10/30/90 Flac 16 - 0, 140898 London Wembley Arena flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13065. 10/30/90 Flac 16 - 0, 81706 London Wembley Arena flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007. Taped and transferred by Andrew F notes
13066. 10/30/90 Flac 16/48 - 0, 143863 London Wembley Arena flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick notes
13067. 10/31/90 Shn - 0, 8070 London Wembley Arena SBD > DAT > CDR > WAV > SHNv3; seed discs via Tim Symons, DAE(EAC) > SHNTOOL > MKWACT via neo_levo; reportedly with Werewolves splice, but fewer pops than previous shn sets notes
13068. 10/31/90 Flac 16 Mtx - 0, 125745 London Wembley Arena flac16; 2 Source Matrix by dusborne; Soundboard (shinid:8070) Source: SBD > DAT > CDR > WAV > SHNv3; DAE(EAC) > SHNTOOL > MKWACT via Chris L. and Audience (shnid:90844) Source: Audience Master Cassette Nakamichi 300's Shotguns > Marantz PMD-430 w/Dolby B; Tapers: Alf Houck and Robert Wright Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC; Transfer and Mastered by Bill Koucky March 16, 2008 notes
13069. 10/31/90 Flac 16 - 0, 90844 London Wembley Arena b>flac16; Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 16, 2008 notes
13070. 10/31/90 Flac 16/48 - 0, 138688 London Wembley Arena flac16/48kHz; Set I: Mark Teitlebaum FOB recording w/stand; B&K 4011 at 110 degrees ORTF > Neumann PS > Panasonic SV255; Set II: Rick Katzeff FOB recording w/stand; Schoeps CMC34 at 110 degrees ORTF > MIT Cables > Oade PS > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: raw waves track'd, flac'd, pack'd & patch'd in Audacity & exported as flac 16/48; Checksum & tags created in xACT notes
13071. 10/31/90 Flac 16/48 - 0, 139125 London Wembley Arena flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger notes
13072. 10/31/90 Flac 16/48 - 0, 139615 London Wembley Arena flac16/48kHz; Source: (FOB) Schoeps cmc4 mk41 > modified Panasonic SV-250 > Dat x 2 (48k) - Recorded by Jim Oade and provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017 notes
13073. 10/31/90 Flac 16/48 - 0, 142715 London Wembley Arena flac16/48kHz; Dave Brotman FOB Recording: Schoeps CMC3 MK4 (ORTF)> MIT cables > Jensen 16 P.S. > DAT (Panasonic sv250), mics on stand; 6'3" (s1), 6'5" (s2); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
13074. 10/31/90 Flac 16/48 - 0, 142734 London Wembley Arena flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC3 MK4 (ORTF)> MIT cables > Jensen 16 P.S. > DAT (Panasonic sv250), mics on stand; 6'3" (s1), 6'5" (s2); Charlie Miller Transfer from clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 notes
13075. 10/31/90 Flac 16 - 0, 85914 London Wembley Arena flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX tapes, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Audiophile 2496 analog RCA-In > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, June 2007. Taped and transferred by Andrew F. notes
13076. 10/31/90 Flac 16/48 - 0, 143864 London Wembley Arena flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick notes
13077. 10/31/90 Flac 24 UMtx. - 0, 150006 London Wembley Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 notes
13078. 10/31/90 Flac 16 - 0, 150234 London Wembley Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
13079. 11/01/90 Shn - 0, 8068 London Wembley Arena SBD > DAT > CDR > WAV > SHNv3; via Tim S., neo_levo notes
13080. 11/01/90 Shn - 0, 34651 London Wembley Arena SBD > DAT > CDR > WAV > SHN - Seamless fix of shn id 8068 notes
13081. 11/01/90 Flac 16 Mtx - 0, 125953 London Wembley Arena flac16; 2 Source Matrix by dusborne; Soundboard (shinid:34651) Souce: SBD > DAT > CDR > WAV > SHNv3 and Audience (shinid:90994) Source: DAUD Schoeps CMC54 > vms 5u > Sony D-10 2 Pro DAT x 1 Recorded by unknown German Taper, Dats provided by David Flaschner Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 > CD Wave > TLH > FLAC notes
13082. 11/01/90 Shn - 0, 3861 London Wembley Arena Set 1= MDAT AUD> DAT> CDR> EAC> SHN (taper unknown); Set 2= MSBD DAT> DAT> CDR> EAC> SHN; transfer by Karen Benbrook; editing and shn by Jeff Romanowski (see his notes in info file) notes
13083. 11/01/90 Flac 16 - 0, 82406 London Wembley Arena flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, February 2007. Taped and transferred by Andrew F notes
13084. 11/01/90 Flac 16 - 0, 90994 London Wembley Arena flac16; Source: DAUD Schoeps CMC54 > vms 5u > Sony D-10 2 Pro DAT x 1 Recorded by unknown German Taper, Dats provided by David Flaschner Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 > CD Wave > TLH > FLAC Transfer and Mastered by Bill Koucky March 25, 2008 notes
13085. 11/01/90 Flac 16/48 - 0, 138689 London Wembley Arena flac16/48kHz; Mark Teitlebaum FOB recording w/stand; B&K 4011 at 110 degrees ORTF > Neumann PS > Panasonic SV255; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: raw waves track'd, flac'd, pack'd & patch'd in Audacity & exported as flac 16/48; Checksum & tags created in xACT notes
13086. 11/01/90 Flac 16/48 - 0, 139147 London Wembley Arena flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger notes
13087. 11/01/90 Flac 16/48 - 0, 143865 London Wembley Arena flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick November 2018 notes
13088. 11/01/90 Flac 24 UMtx - 0, 145544 London Wembley Arena flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13089. 11/01/90 Flac 16 - 0, 145663 London Wembley Arena flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This file set is 16 bit @ 44.1 notes
13090. 12/03/90 Flac 16 - 0, 81740 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Maxell Metal Capsule/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
13091. 12/03/90 Flac 16 - 0, 119331 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
13092. 12/03/90 Shn - 0, 13992 Oakland Oakland-Alameda County Coliseum AUD(Nak mics + CP4)>DAT>CDR; via Paul B; Seeded to etree by Tim Wiley notes
13093. 12/03/90 Flac 16/48 - 0, 138092 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Rob Darroch FOB DFC Recording: B&K 4011s at 110 degrees ORTF on Schoeps T-bar > Neumann Power Supply > Panasonic SV255; 1st set stand at 6'1", 2nd set at 6'3"; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
13094. 12/03/90 Flac 24 UMtx - 0, 143373 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 notes
13095. 12/03/90 Flac 16 U Mtx - 0, 143512 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; This file set is 16/44.1 notes
13096. 12/03/90 Flac 16/48 - 0, 145151 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2019 notes
13097. 12/03/90 Flac 24/96 - 0, 150663 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 26, 2020 notes
13098. 12/03/90 Flac 16 - 0, 150691 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson notes
13099. 12/03/90 Flac 24/96 - , 153867 Oakland Oakland-Alameda County Coliseum flac24/96 Recording Info: 2 x Nakamichi 100/CP4 + 2 x AKG C1000S (Cardioid) > Boss BX-4 > Cassette Master (Sony WM-D6C/Maxell Metal 100) > Cassette (Maxell XLII-S90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
13100. 12/03/90 Flac 16/44 - , 154445 Oakland Oakland-Alameda County Coliseum flac16/44 Recording Info: 2 x Nakamichi 100/CP4 + 2 x AKG C1000S (Cardioid) > Boss BX-4 > Cassette Master (Sony WM-D6C/Maxell Metal 100) > Cassette (Maxell XLII-S90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153867 2496 > 1644 notes
13101. 12/04/90 Shn - 0, 9365 Oakland Oakland-Alameda County Coliseum SBD>DAT>CDR; Uncle>Big River are from either an Excellent Aud source, or they have a different, Matrix like mix; via neo_levo/candyman ftp - 4/2002 notes
13102. 12/04/90 Flac 16 - 0, 105425 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Beyer M160 Mics > Sony TC-D5M 25 feet from stage - center - mics @ 5.5 feet high on a stand > analog cassette master Maxell Metal cassettes with Dolby on - Limiter off Transfer: Analog cassette master (original record deck-Dolby off) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files notes
13103. 12/04/90 Flac 16/48 - 0, 138093 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Rob Darroch FOB DFC Recording: B&K 4011s at 110 degrees ORTF on Schoeps T-bar > Neumann Power Supply > Panasonic SV255; 1st set stand at 6'3", 2nd set at 6'4"; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
13104. 12/04/90 Flac 24 - 0, 143376 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13105. 12/04/90 Flac 16/48 - 0, 143441 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source: Digital Soundboard > DAT (clone); Transfer: DAT (clone) > Sony PCM-R500 > Marantz PMD661 (via SPDIF) > FLAC 16/48; Edited & Mastered by Joe Noel; Flac > Audacity Flac 16/48 notes
13106. 12/04/90 Flac 16 U Mtx - 0, 143517 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16/44.1 notes
13107. 12/04/90 Flac 16/48 - 0, 145225 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2019 notes
13108. 12/04/90 Flac 16/44,1 - 0, 143584 Oakland Oakland-Alameda County Coliseum flac16/44.1khz Source Info: Soundboard (Ultra-Matrix?) -> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. notes
13109. 12/04/90 Flac 24/96 - 0, 150654 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 26, 2020 notes
13110. 12/04/90 Flac 16 - 0, 150692 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson notes
13111. 12/08/90 Shn - 0, 472 Chandler Compton Terrace Amphitheatre S:PCM> DAT> ZA2> CD; no encore; unfortunate diginoise during Victim (on all DATs); seeded by D. Hollister; via Skank, and/or J. Sachs to abgd?; via A. Stern to etree; note d2t3 gives an error when burning with CDRWin- to fix, Adam suggests opening this track in a wav editor (like CEP) and saving before burning notes
13112. 12/08/90 Flac 16 - 0, 124096 Chandler Compton Terrace Amphitheatre flac16; Recording Info: Set 1 SBD>CM>DAT>CD>WAV (remaster of shnid=472); Set 2 SBD>CM>CAS1>WAV; Set 2 Transfer Info: Nak CR-7A > MADA-2-> Sequoia 11-> FLAC; Mastered by Jim Blackwood notes
13113. 12/08/90 Flac 16 - 0, 117558 Chandler Compton Terrace Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet From Center Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
13114. 12/08/90 Flac 24/48 - 0, 117559 Chandler Compton Terrace Amphitheatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet From Center Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
13115. 12/08/90 Flac 24/96 - 0, 141606 Chandler Compton Terrace Amphitheatre flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. notes
13116. 12/08/90 Flac 16 - 0, 141700 Chandler Compton Terrace Amphitheatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. notes
13117. 12/08/90 Flac 16 - 0, 130961 Chandler Compton Terrace Amphitheatre flac16; Digital Audience Recording by R. Katzeff/Schoeps CMC321 subs (fob)> ?> sv-250> L. Deal clone; Transfer: Panasonic SV-3500 (spdif)> M-Audio Audiophile 24/96> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE/Flac16-Level 8/ffp); Transfer completed August 14, 2014 by jwpetty; the original seed for this source was missing set2t06; please do not circulate that version notes
13118. 12/08/90 Flac 16 - 0, 89867 Chandler Compton Terrace Amphitheatre flac16; AT Shotguns > unknown decks x2 > PMD430 Tapers section on lawn behind SBD PMD430 > SB Audigy Line IN > Adobe Audition @24bit/48khz Adobe Audition: Noise Reduction of hiss, fade ins/outs, pop/click eliminator, dithered and resampled to 16bit/44khz. CDwave: tracking Trader's little Helper: flacs notes
13119. 12/09/90 Flac 16 - 0, 76351 Chandler Compton Terrace flac16; source: SBD > DAT(x?) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav tracked in CDWav/44.1 output notes
13120. 12/09/90 Flac 16 - 0, 117610 Chandler Compton Terrace flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet From Center Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
13121. 12/09/90 Shn - 0, 5155 Chandler Compton Terrace SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer - via C. Miller; DAE (EAC > shntool > mkwact) by C. Ladner notes
13122. 12/09/90 Flac 24/48 - 0, 117609 Chandler Compton Terrace flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet From Center Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
13123. 12/09/90 Flac 24/96 - 0, 141607 Chandler Compton Terrace flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. notes
13124. 12/09/90 Flac 16 - 0, 141701 Chandler Compton Terrace flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. notes
13125. 12/09/90 Shn - 0, 4182 Chandler Compton Terrace source: ? (info to follow) betaseed; via Tony Gardner with thanks to Andrew McCall; Space cut notes
13126. 12/09/90 Flac 16 - 0, 130925 Chandler Compton Terrace flac16; Set 1 Master Audience Recording by R. Katzeff/Schoeps CMC32S (fob/spaced 8.5 feet Section D & E/Row 6/Seats 2 & 2)> pro-link> sv-250> clone; Transfer: Fostex D-5 (spdif out)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE/Flac16/ffp) notes
13127. 12/09/90 Flac 16 - 0, 89799 Chandler Compton Terrace flac16; Nak 300's > Unknown Deck > Marantz pmd430 Taper section on lawn behind SBD PMD430 > SB Audigy Line IN> Adobe Audition @ 24bit/48khz Adobe Audition: Noise Reduction of hiss, fade ins/outs, pop/click eliminator, dithered and resampled to 16bit/44khz. CDwave: tracking Trader's little Helper: flacs notes
13128. 12/09/90 Flac 16/48 - 0, 76477 Chandler Compton Terrace flac16/48; source: SBD > DAT(x?) > ? > CD Wave > flac notes
13129. 12/12/90 Flac 16 - 0, 109289 Denver McNichols Sports Arena flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
13130. 12/12/90 Flac 16 - 0, 120137 Denver McNichols Sports Arena flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13131. 12/12/90 Flac 16 - 0, 87372 Denver McNichols Sports Arena flac16; Set 2 only, SBD > Healy DAT > PCM > DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 > ? > FLAC notes
13132. 12/12/90 Flac 16 Mtx - 0, 87659 Denver McNichols Sports Arena flac16; Matrix 3 Source Mix - SBD1 (shn id 87461) (1st set only) SBD -> Dat (48k) + SBD2 (shn id 87372) (2nd set only) Healy DAT > PCM > DAT + AUD (shn id 32020) Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master - matrix mixing by Kevin Tobin notes
13133. 12/12/90 Flac 24 - 0, 120136 Denver McNichols Sports Arena flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
13134. 12/12/90 Flac 16 - 0, 87660 Denver McNichols Sports Arena flac16; AUD : Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master by Dean Grabski - patched and speed correction of shn id 32020 by Kevin Tobin notes
13135. 12/12/90 Flac 16 - 0, 87461 Denver McNichols Sports Arena flac16; Set 1 only, Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
13136. 12/12/90 Shn - 0, 2030 Denver McNichols Sports Arena SBD> D-> CDR-> EAC> SHN; Ripped by John Zei notes
13137. 12/12/90 Flac Dts 5.1 - 0, 87686 Denver McNichols Sports Arena DTS Audio 5.1; SBD1 (shn id 87461) (1st set only) SBD -> Dat (48k) + SBD2 (shn id 87372) (2nd set only) Healy DAT > PCM > DAT + AUD (shn id 32020) Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master - dts mixing by Kevin Tobin notes
13138. 12/12/90 Flac 16/48 - 0, 140071 Denver McNichols Sports Arena flac16/48kHz; Rick Katzeff recording: Schoeps CMC4 MK2 Omni's > Panasonic SV-250 > DAT (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wave > flac 16/48; Checksum & tags created in xACT notes
13139. 12/12/90 Flac 16 Mtx - 0, 140146 Denver McNichols Sports Arena flac16; Two Source Matrix by PhotoLeon: Source #1 Recording Info: SBD -> Dat (48k) and Source #2 Rick Katzeff recording: Schoeps CMC4 MK2 Omni's > Panasonic SV-250 > DAT (FOB) notes
13140. 12/12/90 Flac 16 - 0, 142547 Denver McNichols Sports Arena flac16; Patched & Pitch Corrected Audience (original shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin notes
13141. 12/12/90 Flac 16/48 - 0, 142550 Denver McNichols Sports Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 109289) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin notes
13142. 12/12/90 Flac Dts 5.1 - 0, 142549 Denver McNichols Sports Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 109289) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin notes
13143. 12/12/90 Flac 16 Mtx - 0, 142548 Denver McNichols Sports Arena flac16; Matrix 2 Source Mix - SBD (shnid = 109289) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin notes
13144. 12/12/90 Flac 16 - 0, 127359 Denver McNichols Sports Arena flac16; Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1); Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES X-Click, Paragraphic EQ & Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper (SBE check, FLAC & FLAC fingerprint) > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller notes
13145. 12/12/90 Flac 16 - 0, 32020 Denver McNichols Sports Arena flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 >CDWAVE >FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski notes
13146. 12/12/90 Flac 16 - 0, 109289 Denver McNichols Sports Arena flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
13147. 12/12/90 Flac 24 UMtx. - 0, 149544 Denver McNichols Sports Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X6 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13148. 12/12/90 Flac 16 - 0, 149736 Denver McNichols Sports Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X6 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
13149. 12/13/90 Flac 16 - 0, 108981 Denver McNichols Sports Arena flac16; Recording Info:SBD -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
13150. 12/13/90 Flac 16 - 0, 120150 Denver McNichols Sports Arena b>flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section EEE Row 6 Seat 15/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13151. 12/13/90 Shn - 0, 224411 Denver McNichols Sports Arena Source: Soundboard Matrix:D-> DAT; Transfer: DAT-> Sony PCM R-300 > RME digi 96/8PAD > Soundforge 6.0 @48k by Marc Pujol; Encoding: 48k -> 44.1k via Cool Edit Pro High Accuracy Setting > Cool Edit (diginoise patches) > CDWAV > mkwact (seekable) by Matt Vernon notes
13152. 12/13/90 Flac 24/48 - 0, 120149 Denver McNichols Sports Arena flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section EEE Row 6 Seat 15/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
13153. 12/13/90 Shn - 0, 4988 Denver McNichols Sports Arena similar to previous shn set except d2t1 checksum differs, and no seeder attribution in info file; noted 8/01 at hydro (with 11/00 datestamp) notes
13154. 12/13/90 Shn - 0, 2031 Denver McNichols Sports Arena SBD> D> CDR> EAC> SHN; Ripped by John Zei notes
13155. 12/13/90 Flac 16 - 0, 32021 Denver McNichols Sports Arena flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 > CDWAVE > FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski notes
13156. 12/13/90 Flac 16/48 - 0, 138731 Denver McNichols Sports Arena flac16/48kHz; Rick Katzeff recording: Schoeps CMC521 configured in a 90 degree spaced array > Oade PS > Panasonic SV250; front & center taper section; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Wave > Audacity > flac 16/48; Checksum & tags created in xACT notes
13157. 12/13/90 Flac 16/48 - 0, 140290 Denver McNichols Sports Arena flac16/48kHz; Two Source Matrix: Source #1 (shnid: 108981) Recording Info: SBD -> Dat (48k) and Rick Katzeff recording: Schoeps CMC521 configured in a 90 degree spaced array > Oade PS > Panasonic SV250; front & center taper section; Joe Noel Edits: Wave > Audacity > flac 16/48 notes
13158. 12/13/90 Flac 16 - 0, 127360 Denver McNichols Sports Arena flac16; Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1); Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, iZotope RX DeClick, WAVES Q10 Paragraphic EQ (high-pass only), WAVES L2 Ultramaximizer, a 2 second section of s1t10 was patched with the analog cassette master of the same source); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller notes
13159. 12/13/90 Flac 24 UMtx. - 0, 149556 Denver McNichols Sports Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13160. 12/13/90 Flac 16 - 0, 149746 Denver McNichols Sports Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
13161. 12/14/90 Flac 16 - 0, 89127 Denver McNichols Sports Arena flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 notes
13162. 12/14/90 Flac 1644 - 0, 120165 Denver McNichols Sports Arena flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 3 Seat 6/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13163. 12/14/90 Flac 24/48 - 0, 120164 Denver McNichols Sports Arena flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 3 Seat 6/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
13164. 12/14/90 Flac 16 - 0, 32022 Denver McNichols Sports Arena flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 > CDWAVE > FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski notes
13165. 12/14/90 Flac 16/48 - 0, 138732 Denver McNichols Sports Arena flac16/48kHz; Set 1: Schoeps CMC321 at 110 degrees "RED" > Panasonic SV250; Section AAA, Row 15, Seat 17; mics hand held recorded by Rick Katzeff; Set 2: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV255; front row and center of taper section; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Wave > Audacity > flac 16/48; Checksum & tags created in xACT notes
13166. 12/14/90 Flac 16/48 - 0, 140291 Denver McNichols Sports Arena flac16/48kHz; Two Source Matrix: Source #1 (shnid: 89127) Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) and Source #2 (shnid 138732) Set 1: Schoeps CMC321 at 110 degrees "RED" > Panasonic SV250; Section AAA, Row 15, Seat 17; mics hand held recorded by Rick Katzeff; Set 2: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV255; front row and center of taper section; Joe Noel Edits: Wave > Audacity > flac 16/48 notes
13167. 12/14/90 Flac 16 - 0, 127361 Denver McNichols Sports Arena flac16; Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1); Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, iZotope RX DeClick, WAVES Q10 Paragraphic EQ (high-pass only), WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller notes
13168. 12/14/90 Flac 24 UMtx. - 0, 149608 Denver McNichols Sports Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
13169. 12/14/90 Flac 16 - 0, 149757 Denver McNichols Sports Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes
13170. 12/27/90 Shn - 0, 8193 Oakland Oakland-Alameda County Coliseum 2nd set only; SBD(matrix)>DAT>CDR; Seeded to etree by Tony Gardner; Note- There is now a 'retracked' version of disc 1 circ'ing, I have included the md5's here. notes
13171. 12/27/90 Flac 16 - 0, 76115 Oakland Oakland-Alameda County Coliseum flac16; Set One: AKG 460/CK8X (Front Row Taper's Section) -> Dat (Sony D3) -> PCM -> Dat (Sony R500) -> Samplitude v7.02 Professional -> SHN; Set Two: SBD -> Dat -> SHN; Seamless edit of shn id 21928 notes
13172. 12/27/90 Shn - 0, 21928 Oakland Oakland-Alameda County Coliseum Set One: AKG 460/CK8X (Front Row Taper's Section) -> Dat (Sony D3) -> PCM -> Dat (Sony R500) -> Samplitude v7.02 Professional -> SHN Set Two: SBD -> Dat -> SHN Recorded By Paul Tumolo Transfered By Charlie Miller and Neil Sturtevant notes
13173. 12/27/90 Flac 16/48 - 0, 138040 Oakland Oakland-Alameda County Coliseum flac16/48kHz; source(s): Set I: B&K 4011 > Prolink Cables > Mod Neumann PS > Panasonic SV255; FOB DFC with 6 ft stand; Tapped by Rob Darroch; Set II: Schoeps CMC34 > MIT Cables > Oade PS > Panasonic SV250; FOB DFC hand held by Marcus Buick; Taped by Rick Katzeff and Marcus Buick; Transfer: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave. By John Ammons from his DAT clone of the masters; Wave > xACT > flac > Audacity > labeled > patched > export multiple > flac 16/44 (level 8); Checksum & tags created in xACT; Set 1 is 16 bit 44.1 kHz, Set 2 is 16 bit 48kHz notes
13174. 12/27/90 Flac 24 - 0, 138473 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13175. 12/27/90 Flac 16 - 0, 138519 Oakland Oakland-Alameda County Coliseum b>flac16; Recording Info: Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138473 24 bit -> 16 bit notes
13176. 12/27/90 Flac 16/48 - 0, 138040 Oakland Oakland-Alameda County Coliseum flac16/48kHz; source(s): Set I: B&K 4011 > Prolink Cables > Mod Neumann PS > Panasonic SV255; FOB DFC with 6 ft stand; Tapped by Rob Darroch; Set II: Schoeps CMC34 > MIT Cables > Oade PS > Panasonic SV250; FOB DFC hand held by Marcus Buick; Taped by Rick Katzeff and Marcus Buick; Transfer: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave; By John Ammons from his DAT clone of the masters; Wave > xACT > flac > Audacity > labeled > patched > export multiple > flac 16/44 (level 8); Checksum & tags created in xACT; Note: the original seed of this source had Set 1 at 16 bit 44.1 kHz, Set 2 at 16 bit 48kHz; the fixed version is all 48kHz notes
13177. 12/27/90 Flac 16 - 0, 116109 Oakland Oakland-Alameda County Coliseum flac16; Set 2 source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
13178. 12/27/90 Shn - 0, 28385 Oakland Oakland-Alameda County Coliseum set2; FOB AKG 460/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN ; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller notes
13179. 12/27/90 Flac 16 - 0, 127387 Oakland Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM-300x3; 2 CP-4 Shotgun Capsules + 1 CP-1; Cardioid Capsule > Boss BX-4 Mixer > Sony WM-D6C (MX-S 100 Masters); Transfer: Cassette Masters > Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS; SEC 112; Recorded/Transferred By: Jeff Bowen notes
13180. 12/28/90 Flac 16 - 0, 114440 Oakland Oakland-Alameda County Coliseum flac16; Recording Info:SBD -> Dat (48k); Transfer Info:Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
13181. 12/28/90 Shn - 0, 11498 Oakland Oakland-Alameda County Coliseum (Healy Mix)SBD>??>DAT>CDR; Seeded to etree by T. Wiley notes
13182. 12/28/90 Ultra Mtx Flac - 0, 140147 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > Adobe Audition CC2015 > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13183. 12/28/90 Flac 16 - 0, 127432 Oakland Oakland-Alameda County Coliseum flac16; Set 1 Source: Nakamichi CM-300x3; Two CP-4 Shotguns + One CP-1 Cardioid > Boss BX-4 Mixer > Sony WM-D6C (MX-S 90); MX-S 90 Master Transferred: Sony TC-D5M > HHb CDR 800 PRO > CD Master > FLAC (Level 8) Via xACT 2.25; Location: OTS; Exact Row, Seat # Not Recorded; Recorded/Transferred By: Jeff Bowen notes
13184. 12/28/90 - 0, 136762 Oakland Oakland-Alameda County Coliseum flac16: Recorded by Chris Dusio AT835's>SonyD6>That's Metal Cassette>ZoomF8>Audacity notes
13185. 12/28/90 Flac 16/48 - 0, 138057 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Set I: B&K 4011 > Schoeps T-bar @ 100 degrees ORTF > ProLink Cables > Mod Neumann PS > Panasonic SV255; hand held by Rob Darroch; Set 2: Schoeps CMC 34 > Schoeps T-bar @ 100 degrees ORTF > MIT Cables >Oade PS > Panasonic SV250; with stand through drums; hand held by Rick Katzeff from Space; Transfer: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave by John Ammons; Wave > Audacity > labeled > patched > export multiple > flac 16/48 (level 8); Checksum & tags created in xACT; Tracking, patch, checksum & tags by Joe Noel notes
13186. 12/28/90 Flac 16 - 0, 140247 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > Adobe Audition CC2015 > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13187. 12/28/90 Flac 16 - 0, 116114 Oakland Oakland-Alameda County Coliseum flac16; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
13188. 12/30/90 Flac 16 - 0, 119696 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD (Dan Healy's UltraMatrix) -> Dat (48k); Transfer Info: Dat (Tascam DA20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
13189. 12/30/90 Flac 16 - 0, 116105 Oakland Oakland-Alameda County Coliseum flac16; First or Second Generation Tapes (I Believe); Possible Lineage: Sennheiser 441's>Sony D5>Transfer Decks 2 Sony TCRX-410's No Dolby; Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes
13190. 12/30/90 Flac 24/96 - 0, 116104 Oakland Oakland-Alameda County Coliseum flac24; First or Second Generation Tapes (I Believe); Possible Lineage: Sennheiser 441's>Sony D5>Transfer Decks 2 Sony TCRX-410's No Dolby; Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
13191. 12/30/90 Shn - 0, 22025 Oakland Oakland-Alameda County Coliseum Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) -> EAC -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) - All Transfers and Editing By Charlie Miller notes
13192. 12/30/90 Shn - 0, 11669 Oakland Oakland-Alameda County Coliseum SBD>??>DAT>CDR; Seeded to Etree by T. Wiley notes
13193. 12/30/90 Flac 16/48 - 0, 138190 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Set 1 Rob Darroch recording (hand held): B&K 4011 at 110 degrees ORTF on Schoeps t-bat > Pro-Link Cables > Mod Neumann PS > Panasonic SV255; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
13194. 12/30/90 Flac 24 UMtx - 0, 141848 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13195. 12/30/90 Flac 16 - 0, 141864 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13196. 12/30/90 Flac 16 - 0, 127333 Oakland Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony TC-153SD Master (SA-X100) SA-X100 Masters Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS; Recorded/Transferred By: Jeff Bowen notes
13197. 12/30/90 Flac 16 - 0, 116142 Oakland Oakland-Alameda County Coliseum flac16: Recorded by "Da Weez". Transferred and mastered to .wav files by D5scott; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
13198. 12/31/90 Flac 16 - 0, 90102 Oakland Oakland-Alameda County Coliseum flac16; Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08. notes
13199. 12/31/90 Flac 16 - 0, 121782 Oakland Oakland-Alameda County Coliseum flac16; timing corrected and patched upgrade of (shnid 116141):Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files. Upgrade by Kevin Tobin notes
13200. 12/31/90 Shn - 0, 1688 Oakland Oakland-Alameda County Coliseum Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR; Montego II > CDWave > Sound Forge XP 4.5; via Mike Hall notes
13201. 12/31/90 Flac Dts 5.1 - 0, 121792 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shn id 90102) Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08. + AUD1 (shn id 116141) Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files + AUD2 (no shn id) Video soundtrack used to patch AUD1 - dts mixing by Kevin Tobin notes
13202. 12/31/90 Flac 16 - 0, 126823 Oakland Oakland-Alameda County Coliseum flac16; FM live stereo broadcast (not pre-recorded) > Yamaha 500 reciever with digital tuner and wire antenna > (tracks 10-16:) Teac 3340 reel recorder, no dolby (3.3/4 ips) > Maxell UD 7" master reel tape > played on Akai GX-77 reel deck into soundforge (wav) > (tracks 1-9 and 17-20:) Maxell MX 90 minute metal master cassette > Nak. BX- 100 cassette deck (dolby off) > played on tascam 112 into soundforge (wav) > flac (sb's aligned) notes
13203. 12/31/90 Flac 16/48 - 0, 138041 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Rob Darroch recording [FOB DFC]: Hand held at 110 degrees ORTF on Schoeps T-bar with B&K 4011 > Pro-Link Mic Cables > Modified Neumann PS > Panasonic SV255; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel track, flac & pack: Wave > flac > Audacity > tracked > export multiple > flac 16/44; Checksum & tags created in xACT notes
13204. 12/31/90 Flac 24 - 0, 138723 Oakland Oakland-Alameda County Coliseum flac24; Soundboard Recording Info: SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/TDK E-HG); Audience Recording Info: AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/TDK E-HG); Soundboard Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Audience Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Mastering Info: KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller notes
13205. 12/31/90 Flac 16 - 0, 138744 Oakland Oakland-Alameda County Coliseum flac16; Soundboard Recording Info: SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/TDK E-HG); Audience Recording Info: AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/TDK E-HG); Soundboard Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Audience Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Mastering Info: KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller, This is 138723 24 bit -> 16 bit notes
13206. 12/31/90 Flac 16 Mtx - 0, 121790 Oakland Oakland-Alameda County Coliseum flac16; Matrix 3 Source Mix - SBD (shn id 90102) Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08. + AUD1 (shn id 116141) Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files + AUD2 (no shn id) Audience recording from Vidoe soundtrack - matrix mixing by Kevin Tobin notes
13207. 12/31/90 Flac 24 - 0, 140734 Oakland Oakland-Alameda County Coliseum flac24; Set 2 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496 notes
13208. 12/31/90 Flac 16 - 0, 140733 Oakland Oakland-Alameda County Coliseum flac16; Set 2 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp notes
13209. 12/31/90 Flac 16 - 0, 140720 Oakland Oakland-Alameda County Coliseum flac16; Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes
13210. 12/31/90 Flac 24 U Mtx - 0, 141792 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13211. 12/31/90 Flac 16 - 0, 141868 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13212. 12/31/90 Flac 16 - 0, 127388 Oakland Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM-300 CP-4 Shotguns > Sony TC-153SD (TDK SA-X Masters); Cassette Masters Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS; SEC 111, Row N, Seat #3; Recorded/Transferred By: Jeff Bowen notes
13213. 12/31/90 Flac 16 - 0, 116141 Oakland Oakland-Alameda County Coliseum flac16: Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
13214. 12/31/90 Flac 16/48 - 0, 138041 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Rob Darroch recording [FOB DFC]: Hand held at 110 degrees ORTF on Schoeps T-bar with B&K 4011 > Pro-Link Mic Cables > Modified Neumann PS > Panasonic SV255; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel track, flac & pack: Wave > flac > Audacity > tracked > export multiple > flac 16/44; Checksum & tags created in xACT notes
13215. 02/19/91 Shn - 0, 8574 Oakland Oakland-Alameda County Coliseum SBD > DAT > Soundforge> CDR > WAV > SHN; DAE(EAC)> SHN (MKWACT), via neo_levo with thanks to Charlie Miller notes
13216. 02/19/91 Flac 16 - 0, 132350 Oakland Oakland-Alameda County Coliseum flac16; FOB/Schoeps CMC 34's> Oade p/s> M-1000 cables> SV-255 by Ted Mattes. DAT clone provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on January 27, 2015 by Will Petty notes
13217. 02/19/91 Flac 24 - 0, 141764 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13218. 02/19/91 Flac 16 - 0, 141849 Oakland Oakland-Alameda County Coliseum flac16;; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Fixed version of source ID 141847 notes
13219. 02/19/91 - 0, Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Fixed version in circulation notes
13220. 02/20/91 Flac 16 - 0, 28471 Oakland Oakland-Alameda County Coliseum flac16; SBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes
13221. 02/20/91 Flac 16 - 0, 118255 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Beyer M160 microphones - up front/center > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
13222. 02/20/91 Shn - 0, 11271 Oakland Oakland-Alameda County Coliseum Updated source: 2 Nak 100/CP4 + 2 AKG C1000, Front Row Tapers Section> Boss BX4 Mixer> Cassette Master (Sony D6/Dolby B), taped by Charlie Miller; Cass> DAT transfer by Dan Sisler; Dat (Sony R500/SBM On)> CD (Tascam CDRW700) transfer by Charlie Miller; EAC> CDWAV> SHN by eD(efojr), from Paul's seed discs notes
13223. 02/20/91 Flac 24 - 0, 141769 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13224. 02/20/91 Flac 16 - 0, 141851 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13225. 02/20/91 Flac 16/48 - 0, 138072 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Rob Darroch recording [FOB DFC]: Hand held at 110 degrees ORTF on Schoeps T-bar with B&K 4011 > Pro-Link Mic Cables > Modified Neumann PS > Panasonic SV255. Set 1 hand held by Rob, set 2 on stand at 6'2"; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48 notes
13226. 02/21/91 Shn - 0, 22308 Oakland Oakland-Alameda County Coliseum Recording Info: SBD -> Dat Transfer Info: Dat (Sony D8) -> Delta DiO 2496 -> Samplitude 2496 -> SHN 3 Discs Audio / 2 Discs SHN Re-tracked and Normalized with Samplitude v7.02 Professional By Charlie Miller charliemiller87@earthlink.net 2/11/04 notes
13227. 02/21/91 Flac 16 - 0, 93474 Oakland Oakland-Alameda County Coliseum flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master using Sony 75ES -> Technics SV-DA10 Recording Equipment : B&K 4011 Cardiod (ORTF) -> Rob’s Neumann Supply -> Panasonic sv255 -> On Stand (6’ 3”) Recording Location: FOB DFC Sweet Spot Recorded By: Unknown Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes
13228. 02/21/91 Shn - 0, 1469 Oakland Oakland-Alameda County Coliseum SBD > DAT x2; Transfer TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHN; transfer and hosted by John D'Auria notes
13229. 02/21/91 Flac 16 - 0, 93842 Oakland Oakland-Alameda County Coliseum flac16; Hat-mounted realistic pzm's with Sony WMD6-C 30 feet,dfc MAC>D6>HD>Audacity>cdwave>TLH notes
13230. 02/21/91 Flac 24 - 0, 141771 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13231. 02/21/91 Flac 16 - 0, 141853 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13232. 02/21/91 Flac 16 - 0, 121377 Oakland Oakland-Alameda County Coliseum flac16; Source for 1st set: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassette; Source for 2nd set: 2 Schoeps ? microphones - up front/center> Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
13233. 03/17/91 Flac 16 - 0, 28295 Landover Capital Centre flac16; SBD> Master Dat> Master Cassette (Tascam 122mkIII)> Dat (SV3800/48k); Transfer: Dat> Cool Edit Pro> Samplitude v7.02 Professional> FLAC; Patch Info: Nakamichi 300/CP4 + Neumann KM84> Cassette Master (Sony D5/Maxell MX-S90); Patched and Edited By Charlie Miller notes
13234. 03/17/91 Shn - 0, 8745 Landover Capital Centre SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy notes
13235. 03/17/91 Flac 24/96 - 0, 132297 Landover Capital Centre flac24; Master Audience Recorded By J.B., Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-90, Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
13236. 03/17/91 Flac 16 - 0, 132296 Landover Capital Centre flac16; Master Audience Recorded By J.B., Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-90, Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13237. 03/17/91 Flac 16/48 - 0, 135341 Landover Capital Centre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=8745) SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy + AUD (shn id 94062) Master:Sennheiser ME-80's>Technics SV-MD1 OTS Transfer:DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - mixing by Kevin Tobin notes
13238. 03/17/91 Flac 16 - 0, 135338 Landover Capital Centre flac16; (original shnid = 8745) SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy - pitch correction and patches by Kevin Tobin notes
13239. 03/17/91 Flac 16 Mtx - 0, 135339 Landover Capital Centre flac16; Matrix 2 Source Mix - SBD (shnid=8745) SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy + AUD (shn id 94062) Master:Sennheiser ME-80's>Technics SV-MD1 OTS Transfer:DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - matrix mixing by Kevin Tobin notes
13240. 03/17/91 Flac Dts 5.1 - 0, 135340 Landover Capital Centre DTS-Audio-CD 5.1 Mix; SBD (shnid=8745) SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy + AUD (shn id 94062) Master:Sennheiser ME-80's>Technics SV-MD1 OTS Transfer:DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - dts mixing by Kevin Tobin notes
13241. 03/17/91 Flac 16 - 0, 94062 Landover Capital Centre flac16; Master:Sennheiser ME-80's>Technics SV-MD1 OTS Transfer:DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger (The original source is missing Crazy Finders, d2t05.) notes
13242. 03/17/91 Shn - 0, 28386 Landover Capital Centre FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Jeff Metchik (sp?); Transferred By Charlie Miller notes
13243. 03/17/91 Flac 16 - 0, 107115 Landover Capital Centre flac16; Recorded by David Cohen Official Taping Section 8 Ft. Stand (Sec. 128, Row C, seat 4) 2 Nakamichi CM300s/ CP4s w/6" diameter plexiglass plates directly behind the rear pickups of the capsules> Nakamichi 550 w/Maxell XLIIS cassette masters Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes
13244. 03/17/91 Flac 16/48 - 0, 149502 Landover Capital Centre flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48); Location: Section 2, Row R, Seat 14, DFC; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick notes
13245. 03/17/91 Flac 24 - 0, 149656 Landover Capital Centre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13246. 03/17/91 Flac 16 - 0, 149664 Landover Capital Centre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
13247. 03/18/91 Flac 16 - 0, 28162 Landover Capital Centre flac16; SBD > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes
13248. 03/18/91 Shn - 0, 10926 Landover Capital Centre 2nd Set; SBD>MC>DAT>CD; via Paul; Seeded to etree by eD(efojr) notes
13249. 03/18/91 Flac 24/96 - 0, 132303 Landover Capital Centre flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D6, Tapes:Maxell MX-90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
13250. 03/18/91 Flac 16 - 0, 132302 Landover Capital Centre flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D6, Tapes:Maxell MX-90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13251. 03/18/91 Flac Dts 5.1 - 0, 33770 Landover Capital Centre DTS-Audio-CD 5.1 Mix; SBD:SBD > MC > DAT > CD;AUD:AUD (unknown mics) >DAT>Cass (X1)>CDR; mixed by ktobin notes
13252. 03/18/91 Flac 16 - 0, 107155 Landover Capital Centre flac16; Recorded by David Cohen Official Taping Section 8 foot stand (sec. 128 Row B Seat 13) 3 Nakamichi CM300s/CP4s>Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes
13253. 03/18/91 Shn - 0, 16779 Landover Capital Centre AUD (unknown mics) >DAT>Cass (X1)>CDR via D.Duquette. DAE/SHN encoding neo_levo/candyman notes
13254. 03/18/91 Flac 16/48 - 0, 149503 Landover Capital Centre flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48); Location: first row center, taper’s section; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick notes
13255. 03/18/91 Flac 16 - 0, 149665 Landover Capital Centre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
13256. 03/18/91 Flac 24 - 0, 149661 Landover Capital Centre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13257. 03/20/91 Flac 16 Mtx - 0, 111794 Landover Capital Centre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
13258. 03/20/91 Flac 16 - 0, 93177 Landover Capital Centre flac16; Recording Info:SBD -> Dat -> Cassette Master -> Sound Forge -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d2t01 of the previous Charlie Miller source.) notes
13259. 03/20/91 Flac 24/96 - 0, 132417 Landover Capital Centre flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
13260. 03/20/91 Flac 16 - 0, 123416 Landover Capital Centre flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
13261. 03/20/91 Flac 16 - 0, 93038 Landover Capital Centre flac16; Recording Info:SBD -> Dat -> Cassette Master -> Sound Forge -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
13262. 03/20/91 Shn - 0, 11272 Landover Capital Centre SBD>DAT>CDR; See info file for 'anomalies'; via Paul; Seeded to etree by eD(efojr) notes
13263. 03/20/91 Flac 16 - 0, 34559 Landover Capital Centre flac16; **SOUNDCHECK** Recording Info:Unknown Mics -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net -- Thanks to Gary Field for the cassette -- Thanks to macdaddy for the Nak Cassette Deck notes
13264. 03/20/91 Flac 16 - 0, 76521 Landover Capital Centre flac16; Set 2 only - MAC>CDR Nak 100s > Sony D-5, using dolby B, onto Maxell cassettes. Taper's section. recorded by Boyd McHugh Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files (updated mic info) notes
13265. 03/20/91 Flac 16/48 - 0, 138740 Landover Capital Centre flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017 notes
13266. 03/20/91 Flac 16 - 0, 107168 Landover Capital Centre flac16; Recorded by David Cohen Official Taping Section 8 foot stand (Sec. 128 Row A Seat 4) 3 Nakamichi CM300s/CP4s>Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes
13267. 03/20/91 Flac 16/48 - 0, 149506 Landover Capital Centre flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (1648); Location: First Row Center, Taper’s Section; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 notes
13268. 03/20/91 Flac 24/96 - 0, 152131 Landover Capital Centre flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
13269. 03/20/91 Flac 16/44 - , 154460 Landover Capital Centre flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 --- This is 152131 2496 > 1644 notes
13270. 03/21/91 Flac 16 Mtx - 0, 111877 Landover Capital Centre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) notes
13271. 03/21/91 Flac 16 - 0, 132471 Landover Capital Centre flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13272. 03/21/91 Flac 24/96 - 0, 132472 Landover Capital Centre flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
13273. 03/21/91 Shn - 0, 474 Landover Capital Centre SBD> DAT> ZA2> SHN; slight cut d2t7 ~5:44; via G. King notes
13274. 03/21/91 Flac 16 - 0, 87289 Landover Capital Centre flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
13275. 03/21/91 Flac 16/48 - 0, 138994 Landover Capital Centre flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick August 2017 notes
13276. 03/21/91 Flac 16 - 0, 94179 Landover Capital Centre flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC notes
13277. 03/21/91 Flac 16 - 0, 109365 Landover Capital Centre flac16; Recorded by David Cohen Official Taping Section 8 foot stand (Sec. 128 Row A Seat 4) 2 Nakamichi CM300s/ CP4s w/6" diameter plexiglass plates directly behind the rear pickups of the capsules & 1 Nakamichi CM300/CP1 > Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. notes
13278. 03/21/91 Flac 16/48 - 0, 149507 Landover Capital Centre flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (1648); Location: first row center, taper’s section; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 notes
13279. 03/21/91 Flac 24/96 - 0, 151341 Landover Capital Centre flac24/96khz Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
13280. 03/21/91 Flac 16 - 0, 151624 Landover Capital Centre flac16/44khz Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151341 24 -> 16 @ 44.1 notes
13281. 03/23/91 Flac 16 - 0, 87729 Albany Knickerbocker Arena flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
13282. 03/23/91 Flac 16 - 0, 133033 Albany Knickerbocker Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13283. 03/23/91 Flac 24/96 - 0, 133034 Albany Knickerbocker Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
13284. 03/23/91 Flac 16 - 0, 81969 Albany Knickerbocker Arena flac16; Recorded by B.Koucky, patched out of B.Glassberg. Source: FOB Nak 700s > Sony D5 > Type IV cassette (Maxell MX100s), no Dolby during recording. Transfer and mastering: MAC playback on Nakamichi CR-7A with manually adjusted azmimuth > Presonus Firebox Neutrik inputs > Firewire/XP Pro > Wavelab 5, recorded as 24 bit 96 KHz PCM WAV > Waves L3 Multimaximizer (-1.7 dB/-0.1 ceiling > rendered to 16 bit/44.1 KHz WAV using UV22 HR, normal/no autoblack > CDWAV 1.9 > FLAC (level 8) by C.Ladner notes
13285. 03/23/91 Flac 16 - 0, 34967 Albany Knickerbocker Arena flac16; AUD: Nackamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 Dat. Taped onto Maxell DM-120 tape, set up in second row of taper's section, center seat. Mics on stand aprx 7-1/2 feet high, pointing at stacks and kept level (not angled up). Transfer: MAD > Sony DTC-690 > Optical cable > Marantz CDR-500 burner > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression, and checksums) > FLAC > bt.etree. Taped and transferred by Andrew F. notes
13286. 03/23/91 Shn - 0, 9507 Albany Knickerbocker Arena AUD: Schoeps CMC 34?s>DAT; via Paul; Seeded to etree by eD(efojr) notes
13287. 03/23/91 Flac 16 - 0, 94366 Albany Knickerbocker Arena flac16; Sennheiser ME-80's>Technics SV-MD1; DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
13288. 03/23/91 Flac 16/48 - 0, 145316 Albany Knickerbocker Arena flac16/48kHz; Source: Nakamichi 300s (shotgun/omni mix) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2019 notes
13289. 03/23/91 Flac 16/48 - 0, 149299 Albany Knickerbocker Arena flac16/48kHz; Recording info: (FOB) Schoeps CMC34 @ 110˚ > M1000 Cables > Tao Research PS > Panasonic SV255 > Master DAT > clone; Transfer info: clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 > Wave 48Hz 16bits notes
13290. 03/23/91 Flac 24/96 - 0, 152177 Albany Knickerbocker Arena flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
13291. 03/23/91 Flac 16/44 - , 154461 Albany Knickerbocker Arena flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152177 2496 > 1644 notes
13292. 03/24/91 Shn - 0, 25274 Albany Knickerbocker Arena SBD > MC > DAT > CD > EAC > SHN; Patched with AUD> DAT> CDR; Schoeps CMC-421?s>Oade>Panasonic SV-255; EAC/SHN by Darryl Hinko notes
13293. 03/24/91 Flac - 0, 122515 Albany Knickerbocker Arena flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13294. 03/24/91 Shn - 0, 18119 Albany Knickerbocker Arena Source: SBD>CM>DAT>Cx>CDR>WAV>SHN Transfer via Ja.Buzz420 (playback on Denon DRM-540 > HHB 830 CDR). SHN and encoding and hosting via neo_levo/candyman FTP notes
13295. 03/24/91 Flac - 0, 115573 Albany Knickerbocker Arena flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6; Tapes Maxell MX-S 90,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes
13296. 03/24/91 Flac - 0, 113002 Albany Knickerbocker Arena flac16; AUD: 2x Nakamichi CM300/CP4 shotguns > Casio DA-7 > Maxell DM Dat. Mics on 7-foot stand, front row OTS. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Wavelab (SRC & Dither) > CD-Wave > TLH > FLAC 1644 Tagged. Taped & transferred by Andrew F. 04/2011 notes
13297. 03/24/91 Flac 24 - 0, 113127 Albany Knickerbocker Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-s 90 + MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
13298. 03/24/91 Flac - 0, 133126 Albany Knickerbocker Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-s 90 + MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helepr; Metadata Tagging With Tag&Rename notes
13299. 03/24/91 Flac 24 - 0, 122514 Albany Knickerbocker Arena flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
13300. 03/24/91 Flac 24 - 0, 115572 Albany Knickerbocker Arena flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6; Tapes Maxell MX-S 90,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
13301. 03/24/91 Flac 24 - 0, 137075 Albany Knickerbocker Arena flac24; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes
13302. 03/24/91 Flac - 0, 137101 Albany Knickerbocker Arena flac16; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller notes
13303. 03/24/91 Shn - 0, 12093 Albany Knickerbocker Arena AUD> DAT> CDR; Schoeps CMC-421?s>Oade>Panasonic SV-255; via WIlliam-O; Seeded to etree by eD notes
13304. 03/24/91 Flac 16 - 0, 97694 Albany Knickerbocker Arena flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC notes
13305. 03/24/91 Shn - 0, 28388 Albany Knickerbocker Arena FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller notes
13306. 03/24/91 Flac 16/48 - 0, 149546 Albany Knickerbocker Arena flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110degrees) > Panasonic SV-255 (1648); Location: @ soundboard, section 5, row F, seat 8; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel notes
13307. 03/24/91 Flac 24/96 - 0, 152197 Albany Knickerbocker Arena flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
13308. 03/24/91 Flac 16/44 - , 154462 Albany Knickerbocker Arena flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152197 2496 > 1644 notes
13309. 03/25/91 Flac 16 - 0, 87731 Albany Knickerbocker Arena flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
13310. 03/25/91 Shn - 0, 18376 Albany Knickerbocker Arena sbd>cass-master>dat>shn notes
13311. 03/25/91 Flac 16 - 0, 122507 Albany Knickerbocker Arena flac16; Master Audience Recorded by Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13312. 03/25/91 Flac 24/96 - 0, 133309 Albany Knickerbocker Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90 + MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
13313. 03/25/91 Flac 16 - 0, 133308 Albany Knickerbocker Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90 + MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13314. 03/25/91 Flac 24/96 - 0, 122506 Albany Knickerbocker Arena flac24; Master Audience Recorded by Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
13315. 03/25/91 Flac 24/96 - 0, 111860 Albany Knickerbocker Arena flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Floater,Transfer By Keo Tapes: Set 1 Maxell MX-90 set 2 Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
13316. 03/25/91 Flac 16/48 - 0, 138814 Albany Knickerbocker Arena flac16/48kHz; Set 2, unknown taper: Schoeps CMC34 at 110 degrees ORTF > M1000 Cables > Tao Research Power Supply > Panasonic SV255; 3 rows FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edited & Mastered in Audacity, exported > flac 16/48; Checksum & tags created in xACT notes
13317. 03/25/91 Flac 16 - 0, 91972 Albany Knickerbocker Arena flac16; Source:Sennheiser ME-80's>Techics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes
13318. 03/25/91 Flac 16 - 0, 84645 Albany Knickerbocker Arena flac16; AUD: Nackamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 Dat. Taped onto Maxell DM-120 tape, set up in front row of taper's section, one seat off center. Mics on stand aprx 7-1/2 feet high, pointing at stacks and kept level (not angled up). Transfer: MAD > Sony D10-P > Coax SPDIF > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred (April 2007) by Andrew F notes
13319. 03/25/91 Flac 16/48 - 0, 146016 Albany Knickerbocker Arena flac16/48kHz; Source: Nakamichi 300s (shotgun/omni mix) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick April 2019 notes
13320. 03/25/91 Flac 16 - 0, 111859 Albany Knickerbocker Arena flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Floater,Transfer By Keo Tapes: Set 1 Maxell MX-90 set 2 Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With AudioGate Software To 16/44 SBE's Checked/Fixed With Traders Little Helper notes
13321. 03/25/91 Flac 16/48 - 0, 149547 Albany Knickerbocker Arena flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110degrees) > Panasonic SV-255 (1648); Location: FOB three rows in front of soundboard; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel notes
13322. 03/25/91 Flac 24/96 - 0, 152198 Albany Knickerbocker Arena flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
13323. 03/25/91 Flac 16/44 - , 154463 Albany Knickerbocker Arena flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152198 2496 > 1644 notes
13324. 03/27/91 Flac 16 - 0, 120855 Uniondale Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; the original files had errors on d1t05 and d1t10. notes
13325. 03/27/91 Shn - 0, 9405 Uniondale Nassau Veterans Memorial Coliseum SBD> Master Cassette > DAT> CD> SHN; Box of Rain from aud patch; via Rob Harrison; Seeded to etree by Peter Braverman notes
13326. 03/27/91 Shn - 0, 10310 Uniondale Nassau Veterans Memorial Coliseum Chris L shntool fix of original Braverman seed; SBD> Master Cassette > DAT> CD notes
13327. 03/27/91 Flac 16 - 0, 35163 Uniondale Nassau Veterans Memorial Coliseum flac16; Fix of shn id 14486 - SBD -> Cm (Sony D5) -> Dat. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
13328. 03/27/91 Flac 16 - 0, 112169 Uniondale Nassau Veterans Memorial Coliseum flac16: AUD: 2x Nakamichi CM300/CP4 shotguns > Casio DA-7 > Maxell DM Dat. Mics on 7-foot stand, front row OTS. Transfer: MAD > Sony DTC-690 > Optical Out > Marantz CDR-500 > CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged. Taped & transferred by Andrew F. 04/2011 notes
13329. 03/27/91 Flac - 0, 144486 Uniondale Nassau Veterans Memorial Coliseum Recording Info: SBD -> Cm (Sony D5) -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices USB Pre -> Sony Vaio C1VP -> Samplitude 6.0 -> Cool Edit Pro v2.0 -> SHN; Transfered and Remastered By Charlie Miller; Upgrade in circulation notes
13330. 03/27/91 Flac 24/96 - 0, 120857 Uniondale Nassau Veterans Memorial Coliseum flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had errors on d1t05 and d1t10. notes
13331. 03/27/91 Flac 24/96 - 0, 133608 Uniondale Nassau Veterans Memorial Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio shack Mixer > Sony D5,Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
13332. 03/27/91 Flac 16 - 0, 133607 Uniondale Nassau Veterans Memorial Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio shack Mixer > Sony D5,Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13333. 03/27/91 Shn - 0, 9980 Uniondale Nassau Veterans Memorial Coliseum Tony G shntool fix of original Braverman seed; SBD> Master Cassette > DAT> CD notes
13334. 03/27/91 Flac 16/48 - 0, 139159 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k); Recorded by Rich Gastwirt from 1st row OTS Transfer: Set I - Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Set II - Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick August 2017 notes
13335. 03/27/91 Flac 16/48 - 0, 141407 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes
13336. 03/27/91 Shn - 0, 9189 Uniondale Nassau Veterans Memorial Coliseum AUD>DAT>CDR; Seeded to etree by eD notes
13337. 03/27/91 Flac 16 - 0, 91484 Uniondale Nassau Veterans Memorial Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 Recorded in the Taper Section by Keith Litzenberger DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades & Sample Rate Conversion)>CDWAV>FLAC notes
13338. 03/27/91 Shn - 0, 28390 Uniondale Nassau Veterans Memorial Coliseum set2; FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney. Dan O'Neill Transferred By Charlie Miller notes
13339. 03/27/91 Flac 16/48 - 0, 146181 Uniondale Nassau Veterans Memorial Coliseum flac16/48kHz; (FOB) Neuman SKM150 (90 Deg X-Y) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick April 2019 notes
13340. 03/27/91 Flac 24/96 - 0, 152199 Uniondale Nassau Veterans Memorial Coliseum flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
13341. 03/27/91 Flac 16/44 - , 154474 Uniondale Nassau Veterans Memorial Coliseum flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152199 2496 > 1644 notes
13342. 03/28/91 Flac 16 - 0, 87732 Uniondale Nassau Coliseum flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Mill notes
13343. 03/28/91 Shn - 0, 7287 Uniondale Nassau Coliseum SBD> DAT> CDR> EAC> SHN (seekable) via Steve Barbella notes
13344. 03/28/91 Flac 16 - 0, 107569 Uniondale Nassau Coliseum flac16; AUD: 2x Nakamichi CM300/CP4 shotguns > Casio DA-7 > Maxell DM Dat. Mics on 7-foot stand, front row OTS. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Taped & transferred by Andrew F. 05/2010 notes
13345. 03/28/91 Flac 24/96 - 0, 133617 Uniondale Nassau Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
13346. 03/28/91 Flac 16 - 0, 133516 Uniondale Nassau Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13347. 03/28/91 Flac 16/48 - 0, 140091 Uniondale Nassau Coliseum flac16/48kHz; Rich Gastwirt recording: (OTS) Schoeps CMC4 MK4 (ortf)> DAT (Panasonic SV-255); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes
13348. 03/28/91 Flac 16/48 - 0, 141408 Uniondale Nassau Coliseum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes
13349. 03/28/91 Flac 16 U Mtx - 0, 142169 Uniondale Nassau Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13350. 03/28/91 Flac 24 UMtx - 0, 142213 Uniondale Nassau Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is a fixed version of shnid=142161 notes
13351. 03/28/91 Flac 16 - 0, 142428 Uniondale Nassau Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is a fixed version of shnid=142161 notes
13352. 03/28/91 Flac 16 - 0, 91713 Uniondale Nassau Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 from Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred by Keith Litzenberger notes
13353. 03/28/91 Shn - 0, 28391 Uniondale Nassau Coliseum FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller notes
13354. 03/28/91 Flac 16/48 - 0, 146430 Uniondale Nassau Coliseum flac16/48khz Source: (FOB) Neuman SKM150 (90 Deg X-Y) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648 edited and mastered SIRMick May 2019 notes
13355. 03/28/91 Flac 24 UMtx. - 0, 142161 Uniondale Nassau Coliseum b>flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Fixed version in circulation notes
13356. 03/28/91 Flac 16/48 - 0, 149560 Uniondale Nassau Coliseum flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (1648); Location: FOB mics hand held, section B1, row 19, seat 8; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 notes
13357. 03/29/91 Shn - 0, 8232 Uniondale Nassau Coliseum SBD> DAT> Cassette> DAT> Tascam DA-20 MKII> Delta Dio 2496> Cool Edit> CDR; via Rob Harrison; Seeded to etree by Tim Wiley notes
13358. 03/29/91 Shn - 0, 12757 Uniondale Nassau Coliseum SBD> Cass(1)> DAT> SHN; DAT> SHN conversion done by Leo Samouilidis: DAT> Opcode SonicPort> HD(Cool Edit)> MKW ACT> SHN notes
13359. 03/29/91 Flac 16 - 0, 109110 Uniondale Nassau Coliseum flac16; Master Audience Four Mic Mix Nakamichi CM300's/CP4 Sotguns And Sennheiser 441's> unknown Mixer>Sony D-6>--# Patch out of ?--- Tapes:Maxell MX-S 100's Transfer: Nakamichi MR-1>Dolby B>Korg MR 1000 @ 1 Bit/5.6mHz>Sample rate conversion with AudioGate software to 32 bit float/96kHz Wave>Dithered with Korg Aqua to 16/44 notes
13360. 03/29/91 Flac 24/96 - 0, 133624 Uniondale Nassau Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
13361. 03/29/91 Flac 16 - 0, 133623 Uniondale Nassau Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13362. 03/29/91 Flac 24/48 - 0, 114398 Uniondale Nassau Coliseum flac24; AUD: 2x Nakamichi CM300/CP4 shotguns > Casio DA-7 (lead deck) > Sony TC-D5M (first deck out) > Maxell MXS 90/100. Mics on 7-foot stand, front row OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448. Transfer by Andrew F. July 2011. notes
13363. 03/29/91 Flac 16 - 0, 114339 Uniondale Nassau Coliseum flac16; AUD: 2x Nakamichi CM300/CP4 shotguns > Casio DA-7 (lead deck) > Sony TC-D5M (first deck out) > Maxell MXS 90/100. Mics on 7-foot stand, front row OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. July 2011. notes
13364. 03/29/91 Flac 24 - 0, 137079 Uniondale Nassau Coliseum flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes
13365. 03/29/91 Flac 16 - 0, 137102 Uniondale Nassau Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller notes
13366. 03/29/91 Flac 16/48 - 0, 141409 Uniondale Nassau Coliseum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes
13367. 03/29/91 Flac 24 UMtx - 0, 142237 Uniondale Nassau Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
13368. 03/29/91 Flac 24 - 0, 142236 Uniondale Nassau Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This is a pitch corrected (remastered) version of shnid=137079 notes
13369. 03/29/91 Flac 16 U Mtx - 0, 142431 Uniondale Nassau Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
13370. 03/29/91 Flac 16 - 0, 142430 Uniondale Nassau Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This is a pitch corrected (remastered) version of shnid=137079 This is your collection notes
13371. 03/29/91 Flac 16/48 - 0, 146568 Uniondale Nassau Coliseum flac16/48kHz; Source: (FOB) Neuman SKM150 (90 Deg X-Y) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick May 2019 notes
13372. 03/29/91 Flac 16/48 - 0, 149579 Uniondale Nassau Coliseum flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (1648); Location: FOB mics hand held, section B1, row 19, seat 8; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 notes
13373. 03/29/91 Flac 16 U Mtx. - 0, 149815 Uniondale Nassau Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1, contains fixed New Speedway Boogie notes
13374. 03/31/91 Flac 16 - 0, 120029 Greensboro Greensboro Coliseum flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
13375. 03/31/91 Flac 16 - 0, 93473 Greensboro Greensboro Coliseum flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Schoeps CMC34 (ORTF) -> MIT Cable -> Oade Power Supply -> Panasonic sv255 Recording Location: FOB Recorded By: Unknown Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes
13376. 03/31/91 Shn - 0, 31955 Greensboro Greensboro Coliseum SBD dat master > dat > cd (eac, secure) > SHN notes
13377. 03/31/91 Shn - 0, 9451 Greensboro Greensboro Coliseum SBD > ?? > EAC > Multiquence > Shn; Seeded by C Perkins with thanks to Chris Luper; see text file for noted flaws.Samson and Eyes appear on Dick's Picks 17, Please support the artist and their commercial releases go buy it notes
13378. 03/31/91 Flac 16 Mtx - 0, 99386 Greensboro Greensboro Coliseum flac16; Matrix: SBD (shnid=31955) and AUD (shnid=93473); matrix by Joey South (shn and flac>wav>wavelab>wav>cd wave for tracking>flac) notes
13379. 03/31/91 Flac 16 - 0, 109862 Greensboro Greensboro Coliseum flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac Transfer: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped from OTS, and transferred by John Bleich notes
13380. 03/31/91 Flac 24/96 - 0, 112999 Greensboro Greensboro Coliseum flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96kHz notes
13381. 03/31/91 Flac 16 - 0, 113300 Greensboro Greensboro Coliseum flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96kHz Dithered/Flacked With Korg Aqua to 16/44 SBE's Checked/Fixed With Trader's Little Helper notes
13382. 03/31/91 Flac 16/48 - 0, 149580 Greensboro Greensboro Coliseum flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (1648); Location: FOB mics hand held, center section, row S, seat 9; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 notes
13383. 03/31/91 Flac 24/96 - 0, 152200 Greensboro Greensboro Coliseum flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
13384. 03/31/91 Flac 16/44 - , 154477 Greensboro Greensboro Coliseum flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152200 2496 > 1644 notes
13385. 04/01/91 Flac 16 - 0, 31966 Greensboro Greensboro Coliseum flac16; SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> CD Transferred and Edited By Charlie Miller notes
13386. 04/01/91 Shn - 0, 2021 Greensboro Greensboro Coliseum SBD> D-> cdr-> EAC-> shn; Ripped by John Zei notes
13387. 04/01/91 Flac 16 - 0, 109943 Greensboro Greensboro Coliseum flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac Transfer: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich notes
13388. 04/01/91 Shn - 0, 9732 Greensboro Greensboro Coliseum Sources: Primary Source; Jay Serafin's seed SBD>D>A>D>SSSB: Secondary Source:SBD>DAT>CDR (Musicfan's seed to abgd; Secondary Source provides d1t01-t04; the last 5 seconds of d1t07;the last 2:01 of d1t09; CD Remastering by Charlie Connor; Seeded to Fun_Gus and abgd by Charlie Connor notes
13389. 04/01/91 Shn - 0, 8257 Greensboro Greensboro Coliseum set 2 plus partial set 1; SBD > D > A > D > SSSB; via Jay Serafin to gdlive notes
13390. 04/01/91 - 0, 137439 Greensboro Greensboro Coliseum flac24; Recording Info: SBD > Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13391. 04/01/91 Flac 16 - 0, 137352 Greensboro Greensboro Coliseum flac16; Recording Info: SBD > Dat Master > PCM; Transfer Info: PCM (Sony SL-HF500) > Sony PCM601-ESD > Omega Fenix HT > Audio Audition 6.0 > FLAC; Mastering Info: FLAC > Samplitude Pro X3 Suite > FLAC; Transferred By David Minches; Mastered By Charlie Miller; the original version had a drop out in Peggy-O; please don't circulate that version notes
13392. 04/01/91 Flac 16 - 0, 141915 Greensboro Greensboro Coliseum flac16; Recording Info: SBD > Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13393. 04/01/91 Flac 24/96 - 0, 148614 Greensboro Greensboro Coliseum flac24; Source Info: Michael Hessberg's Master Audience Cassettes; AKG C522 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496 notes
13394. 04/01/91 Flac 16/48 - 0, 148613 Greensboro Greensboro Coliseum flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; AKG C522 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp notes
13395. 04/01/91 Flac 16/48 - 0, 149231 Greensboro Greensboro Coliseum flac16/48kHz; Source Info: FOB Schoeps CMC3 MK4-> Oade P/S/-> Panasonic SV255-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Taped: Believed to be Clay Brennecke & Jamie Young; Transfers by Pete Ebel notes
13396. 04/01/91 Flac 24 UMtx. - 0, 149649 Greensboro Greensboro Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13397. 04/01/91 Flac 16 U Mtx. - 0, 149666 Greensboro Greensboro Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
13398. 04/01/91 Flac 16/48 - 0, 149611 Greensboro Greensboro Coliseum flac16/48kHz; Recording: Schoeps CMC3 MK4s (ORTF) > Panasonic SV-255 (16/48); Location: FOB mics on stand, center section, row U, seat 9; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer by Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel notes
13399. 04/03/91 Flac - 0, 107083 Atlanta The Omni flac16; sbd> dat> cass(2)> dat> spdif> cdr> eac> shn> wav (CE Processing)>flac; Pitch corrected version of source ID 4735 notes
13400. 04/03/91 Flac - 0, 103622 Atlanta The Omni flac16; Taper: Greg Holtz SOURCE: Front Row OTS, Nakamichi CM-300 w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX-S 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename notes
13401. 04/03/91 Shn - 0, 4735 Atlanta The Omni sbd> dat> cass(2)> dat> spdif> cdr> eac> shn; via Tony Gardner; Pitch corrected upgrade in circulation notes
13402. 04/03/91 Flac 16 - 0, 112293 Atlanta The Omni flac16; Master Audience Nakamichi CM300/CP4 Shotguns>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96kHz Dithered/Flacked With Korg Aqua to 16/44 SBE's Checked/Fixed With Trader's Little Helper notes
13403. 04/03/91 Flac 24 - 0, 112294 Atlanta The Omni flac24; Master Audience Nakamichi CM300/CP4 Shotguns>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96kHz notes
13404. 04/03/91 Flac - 0, 133733 Atlanta The Omni flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13405. 04/03/91 Flac 24 - 0, 133732 Atlanta The Omni flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
13406. 04/03/91 Flac 16/44 - 0, 152010 Atlanta The Omni flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151842 24 > 16 @ 44.1 notes
13407. 04/03/91 Flac 24/96 - 0, 151842 Atlanta The Omni flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
13408. 04/04/91 Flac 16 - 0, 99240 Atlanta The Omni flac16; Recording Info:SBD -> Cassette Master -> Cassette (Sony D5/TDK SA90); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
13409. 04/04/91 Flac 16 - 0, 93472 Atlanta The Omni flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Schoeps CMC34 (ORTF) -> Panasonic sv255 Recording Location: FOB Recorded By: Unknown Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes
13410. 04/04/91 Flac 16 - 0, 103623 Atlanta The Omni flac16; Taper: Greg Holtz SOURCE: Front Row OTS, Nakamichi CM-300 w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX-S 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename notes
13411. 04/04/91 Flac 16 - 0, 112310 Atlanta The Omni flac16; Master Audience Nakamichi CM300 CP4 Shotguns + Sennheiser 441's>Radio Shack Mixer>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,MX-S 100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit 5.6 MHz Tracking Sample Rate Conversion Metadata Tagging With AudioGate Software To 32 Bit Float 96 kHz Dithered Flacked With Korg Aqua To 16 44 SBE's Checked Fixed With Trader's Little Helper notes
13412. 04/04/91 Flac 24 - 0, 133810 Atlanta The Omni flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Sennheiser 441s > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
13413. 04/04/91 Flac 16 - 0, 133809 Atlanta The Omni flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Sennheiser 441s > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13414. 04/04/91 Flac 24/96 - 0, 112309 Atlanta The Omni flac24; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441\'s>Radio Shack Mixer>?>Sony D6; Tapes From Floater,Transfer By Keo; Tapes:Maxell MX 90,MX-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
13415. 04/04/91 Flac 16/48 - 0, 138838 Atlanta The Omni flac16/48kHz; Set 2, unknown taper: Schoeps CMC34 at 100 degrees ORTF > M1000 Cables > Tao Research PS > Panasonic SV255; 7 Rows FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT notes
13416. 04/04/91 Flac 16/48 - 0, 140691 Atlanta The Omni flac16/48kHz; Set 2 Oade Brothers Recording: Neumann TLM170 -> DAT (OTS); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes
13417. 04/04/91 Shn - 0, 24711 Atlanta The Omni patched shnID 15548, FOB> AKGc1000s>Sony Cassette D3 > cdr >Eac > cool edit > shntool > cdwav >shnv3 with patch of promised land with cassette master by cdipietro; source of patch: AT835's> D5ProII> master cassette crossfaded with soundforge 7.0 via Tol notes
13418. 04/04/91 Shn - 0, 15548 Atlanta The Omni FOB> AKGc1000s>Sony Cassette D3 > cdr Eac > cool edit > shntool > cdwav >shnv3 Taped by Thomas Larson Discs provided by Chris Adams Eac >shn (secure with proper offsets) by Ernie Dodd notes
13419. 04/04/91 Flac 16 - 0, 31954 Atlanta The Omni flac16; record: Audio Technica 835a's>b18's>D5proII ots transfer: Cassette Master>Aiwa F810>M Audio Audiophile 24/96 @44.1>Wavelab 5>cdwav>flac record & transfer by cdipietro notes
13420. 04/04/91 Flac 16/48 - 0, 149626 Atlanta The Omni flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (1648); Location: FOB mics hand held, section 5, row FF, seat 7; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 notes
13421. 04/04/91 Flac 16 - 0, 152093 Atlanta The Omni flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 152022 24 -> 16 @ 44.1 notes
13422. 04/04/91 Flac 24/96 - 0, 152022 Atlanta The Omni flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
13423. 04/05/91 Shn - 0, 4162 Atlanta The Omni sbd> ?> cdr> eac> shn; shn by Jay James, hosted by Tony Gardner notes
13424. 04/05/91 Flac 16 - 0, 103624 Atlanta The Omni flac16; Taper: Greg Holtz SOURCE: Front Row OTS, Nakamichi CM-300 w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX-S 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename notes
13425. 04/05/91 Flac 16 - 0, 112389 Atlanta The Omni flac16; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's>RadioShack Mixer>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,MX-S 100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes
13426. 04/05/91 Flac 16 - 0, 133955 Atlanta The Omni flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13427. 04/05/91 Flac 24 - 0, 133956 Atlanta The Omni flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
13428. 04/05/91 Flac 16/48 - 0, 132572 Atlanta The Omni flac16/48kHz; DAT sound board master recorded by Dan Healy; DAT x Zero-Cassette x Zero Transfer By Dan Healy using his custom built multi cassette cloning machine nicknamed "The "Gorgon"; Analog Cassette (via Dick Latvala) to DAT Digital-Nakamichi Dragon-Sony PCM R-500 DAT@ 48KHz (circa 1998); DAT play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV; Editing(Adobe Audition 3.0)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name) Jim Wise notes
13429. 04/05/91 Flac 24 - 0, 112390 Atlanta The Omni flac24; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's>RadioShack Mixer>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,MX-S 100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96kHz notes
13430. 04/05/91 Flac 16/48 - 0, 138839 Atlanta The Omni flac16/48kHz; Set 2, unknown taper: Schoeps CMC34 at 100 degrees ORTF > M1000 Cables > Tao Research PS > Panasonic SV255; FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xAC notes
13431. 04/05/91 Flac 16/48 - 0, 140692 Atlanta The Omni flac16/48kHz; Oade Brothers Recording: Neumann TLM170 -> DAT (OTS); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes
13432. 04/05/91 Flac 16/48 - 0, 149628 Atlanta The Omni flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (1648); Location: FOB mics hand held, section 5, row FF, seat 7; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648 notes
13433. 04/05/91 Flac 16 - 0, 152171 Atlanta The Omni flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 152099 24 > 16 @ 44.1 notes
13434. 04/05/91 Flac 24/96 - 0, 152099 Atlanta The Omni flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
13435. 04/07/91 Shn - 0, 31953 Orlando Orlando Arena SBD DAT master > DAT > CD-R my discs (made from DAT) > EAC (secure) > SHN w/mkw-act seekable notes
13436. 04/07/91 Shn - 0, 476 Orlando Orlando Arena SBD > ? > SHN; via M. Ferguson, neo_levo notes
13437. 04/07/91 Shn - 0, 2022 Orlando Orlando Arena SBD> D-> cdr-> EAC->shn; Ripped by John Zei notes
13438. 04/07/91 Flac 16 - 0, 115109 Orlando Orlando Arena flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-5 (Maxell MX-S analog cassette tapes) - Front Row OTS; Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Recorded by Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz notes
13439. 04/07/91 Flac 24 - 0, 137080 Orlando Orlando Arena flac24; Set 1 Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes
13440. 04/07/91 Flac 16 - 0, 137081 Orlando Orlando Arena flac16; Recording Info: Set 1: SBD -> Cassette Master (TDK SA-X100); Set 2: SBD -> Dat (44.1k); Set 1 Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/16; Set 2 Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
13441. 04/07/91 Flac 16/48 - 0, 138128 Orlando Orlando Arena flac16/48kHz; Dan (?) running Bob Melomed's rig (Set I) FOB Schoeps CMC34 110 degrees ORTF on Scheops t-bar > M1000 Cable > Tao Research Power Supply > SV255; 5 Rows FOB; Chuck Vasseur recording (Set II) Neumann KM54 tube mics > Technics SVMD1; 14th Row center; John Ammons Transfer: from his DAT clones of the masters. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Patched, Track'd, Flac'd & Pack'd: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
13442. 04/07/91 Flac 16/48 - 0, 33337 Orlando Orlando Arena flac16/48; Sennheiser ME-80's/KU-3's > Casio DA-7; Wavelab > CD Wave > flac notes
13443. 04/07/91 Flac 16/48 - 0, 143388 Orlando Orlando Arena flac16/48kHz; Source: Neuman KM86 Custom 60° X-Y * > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick notes
13444. 04/07/91 Flac 16 - 0, 149622 Orlando Orlando Arena flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes
13445. 04/07/91 Flac 24 - 0, 149563 Orlando Orlando Arena flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
13446. 04/07/91 Flac 16/48 - 0, 149826 Orlando Orlando Arena flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ortf) > Panasonic SV-255 (16/48); Location: FOB mics hand held, section F5, row B, seat 5; Transfer: DAT (Tascam DA-40) > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel notes
13447. 04/07/91 Flac 16 Mtx - 0, 150455 Orlando Orlando Arena flac16; Set 2 Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 137081 & 138128. notes
13448. 04/07/91 Flac 16 Mtx - 0, 150456 Orlando Orlando Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 137081, 31953 & 138128. notes
13449. 04/08/91 Flac 16 Mtx - 0, 95260 Orlando Orlando Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
13450. 04/08/91 Shn - 0, 10060 Orlando Orlando Arena SBD>DAT>C>DAT>CDR; via Paul "Raoul B." Duke; seeded to etree by Brad Ingle notes
13451. 04/08/91 Flac - 0, 115377 Orlando Orlando Arena flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-5 (Maxell MX-S analog cassette tapes) - Front Row OTS; Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Recorded by Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz notes
13452. 04/08/91 Shn - 0, 9384 Orlando Orlando Arena SBD> DAT> C> DAT> CD> SHN; via PB (el otro); Seeded to etree by Peter Braverman notes
13453. 04/08/91 Flac 16/44 - 0, 137103 Orlando Orlando Arena flac16; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller notes
13454. 04/08/91 Flac 24 - 0, 137100 Orlando Orlando Arena flac24; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller notes
13455. 04/08/91 Flac 16/48 - 0, 34297 Orlando Orlando Arena flac16/48; Sen. 421's ~> Casio DA-7 Wavelab > CD Wave w/ Flac (48kHz files) notes
13456. 04/08/91 Flac 16/48 - 0, 143389 Orlando Orlando Arena flac16/48kHz; Source: Neuman KM86 Custom 60° X-Y * > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick notes
13457. 04/08/91 Flac 16/48 - 0, 149300 Orlando Orlando Arena flac16/48kHz; Recording info: (FOB) Schoeps CMC34 @ 110˚ > M1000 Cables > Tao Research PS > Panasonic SV255 > Master DAT > clone; Transfer info: clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 > Wave 48Hz 16bits notes
13458. 04/08/91 Flac 16/48 - 0, 149657 Orlando Orlando Arena flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ortf) > Panasonic SV-255 (1648); Location: FOB mics hand held, section F5, row B, seat 6; Transfer: Dat > Sony PCM r500 > Tascam DA-40 > Tascam DA-3000 > Flac 1648 notes
13459. 04/08/91 Flac 24/96 - 0, 152230 Orlando Orlando Arena flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 notes
13460. 04/08/91 - , 154478 Orlando Orlando Arena flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152230 2496 > 1644 - This is 152230 2496 > 1644 notes
13461. 04/09/91 Shn - 0, 25466 Orlando Orlando Arena Recording Info: SBD -> Master Dat (Panasonic 3700) -> Master Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Master Cassette (Nakamichi CR-7A) -> Dat (Sony R500/48k/SBM On) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller notes
13462. 04/09/91 Flac 16 - 0, 115534 Orlando Orlando Arena flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-5 (Maxell MX-S analog cassette tapes) - Front Row OTS; Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Recorded by Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz notes
13463. 04/09/91 Flac 16 - 0, 93471 Orlando Orlando Arena flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Schoeps CMC34 (ORTF) -> Panasonic sv255 Recording Location: FOB Recorded By: Unknown Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) ->Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes
13464. 04/09/91 Flac 16 - 0, 113172 Orlando Orlando Arena flac16: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes:Maxell MX 90,100 Tapes From Floater,Transfer By Keo notes
13465. 04/09/91 Shn - 0, 10061 Orlando Orlando Arena SBD>??>DAT>??>CDR (Liberated Bootleg); Missing Masterpiece, NFA & Brokedown; Some distortion throughout; See info file for details; via PBR Duke; Seeded to etree by Brad Ingle notes
13466. 04/09/91 Flac 24 - 0, 113168 Orlando Orlando Arena flac24: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes:Maxell MX 90,100 Tapes From Floater,Transfer By Keo notes
13467. 04/09/91 Flac 24/96 - 0, 137171 Orlando Orlando Arena flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC/24; All Transfers and Mastering By Charlie Miller; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper. notes
13468. 04/09/91 Flac 24 - 0, 137163 Orlando Orlando Arena flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13469. 04/09/91 Flac 16/48 - 0, 34654 Orlando Orlando Arena flac16/48; Sen. ME-80's/KU-3's ~> Casio DA-7 Dat master > m-audio usb > Wavelab > CD Wave w/ Flac notes
13470. 04/09/91 Flac 16/48 - 0, 143390 Orlando Orlando Arena flac16/48kHz;; Source: Neuman KM86 Custom 60° X-Y * > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick notes
13471. 04/09/91 Flac 16/48 - 0, 149658 Orlando Orlando Arena flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ortf) > Panasonic SV-255 (1648); Location: FOB mics hand held, section F5, row B, seat 6; Transfer: Dat > Sony PCM r500 > Tascam DA-40 > Tascam DA-3000 > Flac 1648 notes
13472. 04/09/91 Flac 24/96 - 0, 152232 Orlando Orlando Arena flac24/96 Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
13473. 04/09/91 Flac 16/48 - 0, 152231 Orlando Orlando Arena flac16/48 Set 2 Recording Info: SBD > DAT Master (48k) Transfer Info: DAT Master (Sony PCM-R500) > Sound Devies 744T (16-bit/48k) > Samplitude Pro X5 Suite > FLAC notes
13474. 04/09/91 Flac 24/96 - 0, 152233 Orlando Orlando Arena flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 notes
13475. 04/09/91 Flac 16/44 - , 154481 Orlando Orlando Arena flac16/44 Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152232 2496 > 1644 notes
13476. 04/09/91 Flac 16/44 - , 154480 Orlando Orlando Arena flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152233 2496 > 1644 notes
13477. 04/27/91 Flac 16 - 0, 26332 Las Vegas Sam Boyd Silver Bowl flac16; 3 source combo: 1: SBD> Dat> Cassette Master> Dat (48k); 2: SBD> Dat> Sonic Solutions> CD; 3: (FOB) Schoeps CMC3/MK2> Dat (48k); Transfer: Dat or CD> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transfers and Editing By Charlie Miller notes
13478. 04/27/91 Flac 16 Mtx - 0, 102906 Las Vegas Sam Boyd Silver Bowl flac16; 3 source matrix: a - SBD -> Dat -> Cassette Master -> Dat (48k) (shnid 26332) b - FOB Schoeps CMC 32 Omni (on stands 6' 2" high and spaced 8 feet) > Panasonic sv250 (shnid 93470) c - video soundtrack, 3rd Gen VHS supplied by Donald Buderus and extracted by Awolfoutwest a - 60% both channels, b - 40% left channel, c - 40% right channel notes
13479. 04/27/91 Flac 16 - 0, 93470 Las Vegas Sam Boyd Silver Bowl flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Schoeps CMC 32 Omni (on stands 6' 2" high and spaced 8 feet) > Panasonic sv250 Recording Location: FOB Recorded By: James Young (patched into the Schoeps Rig) Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes
13480. 04/27/91 Shn - 0, 6111 Las Vegas Sam Boyd Silver Bowl Purported: SBD> Phil Lesh's cassette master> DAT> CDR; CDR > EAC > mkw > SHN by Matt Vernon, from Tim Wheaton seed discs; see info file for flaw notes notes
13481. 04/27/91 Shn - 0, 12018 Las Vegas Sam Boyd Silver Bowl SBD material from previous shn set with AUD patches added by Alan J. Fink from eD's first-gen source cass notes
13482. 04/27/91 Flac 16 - 0, 118572 Las Vegas Sam Boyd Silver Bowl flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Sec FFF Row 3 Seat 6/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua T0 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13483. 04/27/91 Flac 24/48 - 0, 118571 Las Vegas Sam Boyd Silver Bowl flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Sec FFF Row 3 Seat 6/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename notes
13484. 04/27/91 Flac 16 - 0, 91055 Las Vegas Sam Boyd Silver Bowl flac16; Set 2 only - 1st gen; (FOB) unknown modified vintage microphone > Sony D5 > MAC > D5 > TDK SA90. Taper: unknown via Justin R. Mastered by Alex Ford. 1st Gen Audience Cassette provided by Mark McCue. notes
13485. 04/27/91 Flac 16 - 0, 112862 Las Vegas Sam Boyd Silver Bowl flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
13486. 04/27/91 Flac 24/96 - , 156258 Las Vegas Sam Boyd Silver Bowl flac2496: Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
13487. 04/27/91 Flac 16/44,1 - , 156404 Las Vegas Sam Boyd Silver Bowl flac1644.1: Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156358 2496 > 1644.1 notes
13488. 04/28/91 Flac 16 - 0, 92278 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info:Set 1: SBD -> Dat -> Cassette Master -> Dat -> CD; Set 2: SBD -> Dat (44.1k); Transfer Info: Set 1: CD -> Samplitude Professional v10.02 -> FLAC Set 2: Dat -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes
13489. 04/28/91 Flac 16 Mtx - 0, 102923 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; 3 source matrix: a - shnid 92278: Set 1: SBD -> Dat -> Cassette Master -> Dat -> CD, Set 2: SBD -> Dat (44.1k), b - shnid 93469: FOB Digital Audience Recording Recording Equipment: Neumann U89 (on stands 6' 2" high and spaced 8 feet) > Sony D10 Pro Recorded By: James Young c - video soundtrack, 3rd Gen VHS supplied by Donald Buderus and extracted by Awolfoutwest; Mix: a - 60%, b - 20%, c - 20% notes
13490. 04/28/91 Flac 16 - 0, 118632 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13491. 04/28/91 Flac 16 - 0, 93469 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Neumann U89 (on stands 6' 2" high and spaced 8 feet) > Sony D10 Pro Recording Location: FOB Recorded By: James Young (patched into the Neumann Rig) Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes
13492. 04/28/91 Shn - 0, 6112 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Purported: SBD> Phil Lesh's cassette master> DAT> CDR; CDR > EAC > mkw > SHN by Matt Vernon, from Tim Wheaton seed discs; see info file for flaw notes notes
13493. 04/28/91 Flac 24/48 - 0, 118631 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename notes
13494. 04/28/91 Flac 16 - 0, 83074 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Main source: (purported) SBD> Phil Lesh's cassette master>DAT>CDR>EAC>mkw>SHN Patch source A: FOB MAC (2 beyerm 160 & 1 Sennheiser 421>Sony TCD5M)>?>SHN (shnid 19161) and Patch source B: FOB Neumann U87's > ? > CDR > EAC(secure) > mkwact(seekable) (shnid 8196) by Bill Tetzeli notes
13495. 04/28/91 Flac 16 - 0, 112926 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
13496. 04/28/91 Shn - 0, 8196 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. FOB Neumann U87's > ? > CDR; via Marcus Thunich; Seeded to etree by Matt Vernon notes
13497. 04/28/91 Shn - 0, 19161 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Source: FOB MAC (2 beyerm 160 & 1 Sennheiser 421>Sony TCD5M)>?>SHN. Mastering: SHN>WAV>CE2K>SHNTOOL>mkwACT. Mastered & seeded by MattMan. notes
13498. 04/28/91 Flac 16 - 0, 116859 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Source: (FOB) AT853a [cardioids/xy] > Panasonic SV-255; Lineage: DAT/M > VHS/1 > HHb 800 > EAC > CDWav > FLAC; Recorded: John Lech; Transferred: Jeff Bowen; Extraction: Brad Foster notes
13499. 04/28/91 Flac 16/48 - , 151049 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
13500. 04/28/91 Flac 24/96 - , 151050 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac24/96khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
13501. 04/28/91 Flac 24/96 - , 156366 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac2496 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
13502. 04/28/91 Flac 16/44,1 - , 156406 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac1644.1: Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156366 2496 > 1644.1 notes
13503. 05/03/91 Flac 16 - 0, 109233 Sacramento Cal Expo flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat (48k) Set 2: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
13504. 05/03/91 Shn - 0, 8831 Sacramento Cal Expo Source: SBD > DAT > C > DAT > CDR > WAV > SHN notes
13505. 05/03/91 Flac 24 - 0, 142256 Sacramento Cal Expo flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
13506. 05/03/91 Flac 16 - 0, 142435 Sacramento Cal Expo flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
13507. 05/03/91 Flac 16 - 0, 113064 Sacramento Cal Expo flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
13508. 05/03/91 Flac 16 - 0, 91195 Sacramento Cal Expo flac16; Equipment: Schoeps Omnis (on stands spaced 10ft apart) -> Panasonic sv250 Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 notes
13509. 05/04/91 Flac 16 - 0, 109234 Sacramento Cal Expo flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
13510. 05/04/91 Shn - 0, 9117 Sacramento Cal Expo SBD > DAT > C > DAT > CDR; via R. Martin; Seeded to etree by C. Ladner notes
13511. 05/04/91 Flac 16/48 - 0, 138120 Sacramento Cal Expo flac16/48kHz; Set 2 Rob Darroch & John Ammons recording: B&K 4006 Omni's in SASS mount > Hoyt Power Supply > Panasonic SV255; FOB DFC with stand @ 5' 11"; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48 notes
13512. 05/04/91 - 0, 113100 Sacramento Cal Expo flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
13513. 05/04/91 Flac 24/48 - 0, 97785 Sacramento Cal Expo flac24; OTS Nak 300's > unknown DAT deck > DATmaster > Master Analog Cassettes MAC > SBaudigy > Adobe Audition @ 24bit/48khz Adobe Audition: noise reduction, pop/click eliminator, fade in/out. CD wave: Tracking. Trader's little Helper: md5, ffp, flac notes
13514. 05/04/91 Flac 16 - 0, 116894 Sacramento Cal Expo flac16; Source: (FOB) AT853a [cardioids/xy] > Panasonic SV-255; Lineage: DAT/M > VHS/1 > HHb 800 > EAC > CDWav > FLAC; Recorded: John Lech; Transferred: Jeff Bowen; Extraction: Brad Foster notes
13515. 05/04/91 Flac 16 - 0, 98069 Sacramento Cal Expo flac16; OTS Nak 300's > unknown DATdeck > DATmaster > Master Analog Cassettes MAC > SBaudigy > Adobe Audition @ 24bit/48khz Adobe Audition: noise reduction, pop/click eliminator, fade in/out, dithered/resampled to 16/44.1 CD wave: Tracking. Trader's little Helper: md5, ffp, flac; transfered by Chris LaPorte notes
13516. 05/04/91 Flac 24 - 0, 150657 Sacramento Cal Expo flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
13517. 05/04/91 Flac 16 - 0, 150676 Sacramento Cal Expo flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes
13518. 05/05/91 Shn - 0, 19181 Sacramento Cal Expo DSBD > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes
13519. 05/05/91 Shn - 0, 9367 Sacramento Cal Expo Set 1: AUD:Schoeps CMC-34's>DAT>CDR Set 2: SBD>DAT>C>DAT>CDR; Missing Encore; via Paul; Seeded to etree by eD(efojr) - 05/05/02 notes
13520. 05/05/91 Flac 1644 - 0, 140123 Sacramento Cal Expo flac16/44.1 Source Info: TS Nak 300 CP-4 (Shotgun)-> DAT Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Early 2000's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. notes
13521. 05/05/91 Flac 16 - 0, 140179 Sacramento Cal Expo flac16; AUD: Schoeps CMC4/Hyper-cards (MK41) > Sony TC-D5 (no Dolby) > Maxell XLII-S 90/100, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017 notes
13522. 05/05/91 Flac 24/96 - 0, 150666 Sacramento Cal Expo flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 32-bit/192k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC (24-bit/96k); All Transfers and Mastering by Charlie Miller notes
13523. 05/05/91 Flac 16 - 0, 150665 Sacramento Cal Expo notes
13524. 05/10/91 Shn - 0, 6257 Mountain View Shoreline Amphitheatre SBD > DAT > CDR > WAV > SHNv3; DAE (EAC) > boundary checking (shntool) > compression (mkwact) via neo_levo, with thanks to C. Miller notes
13525. 05/10/91 Flac 16/48 - 0, 138129 Mountain View Shoreline Amphitheatre flac16/48kHz; John Ammons recording: Schoeps CMC32s > M1000 Cable > Tao Research Power Supply > Panasonic SV255; omni's spaced 8 1/2 feet with 6' 7" stands; Section 202, Row F, Seats 20 & 25 (1st row behind Healy); John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
13526. 05/10/91 Flac 16 - 0, 149676 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
13527. 05/10/91 Flac 24 - 0, 149670 Mountain View Shoreline Amphitheatre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13528. 05/10/91 Flac 16 Mtx - , 166598 Mountain View Shoreline Amphitheatre flac1644; Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut for pre- and post-mix EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shind's 6257 & 138129. notes
13529. 05/11/91 Shn - 0, 7638 Mountain View Shoreline Amphitheatre SBD : DAT > C (Latvala) > DAT > CDR; via Tom Angello; d2 tracked for 80 min notes
13530. 05/11/91 Flac 16 - 0, 111121 Mountain View Shoreline Amphitheatre flac16; Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes
13531. 05/11/91 Flac 24 - 0, 149686 Mountain View Shoreline Amphitheatre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24 notes
13532. 05/11/91 Flac 16 - 0, 149697 Mountain View Shoreline Amphitheatre flac16: Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
13533. 05/11/91 Flac 16/48 - 0, 150239 Mountain View Shoreline Amphitheatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 149686) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24 + AUD (shnid = 111121) Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files - surround mixing by Kevin Tobin notes
13534. 05/11/91 Flac 16 Dts.5.1 - 0, 150238 Mountain View Shoreline Amphitheatre DTS-Audio-CD 5.1 Mix; - SBD (shnid = 149686) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24 + AUD (shnid = 111121) Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files - dts mixing by Kevin Tobin notes
13535. 05/11/91 Flac 16 - 0, 150236 Mountain View Shoreline Amphitheatre flac16; Patched & Pitch Corrected Audience - (original shnid = 111121) Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files - pitch correction and patches by Kevin Tobin notes
13536. 05/11/91 Flac 16 Mtx - 0, 150237 Mountain View Shoreline Amphitheatre flac16; Matrix 2 Source Mix - SBD (shnid = 149686) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24 + AUD (shnid = 111121) Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files - matrix mixing by Kevin Tobin notes
13537. 05/11/91 Flac 16/48 - , 151051 Mountain View Shoreline Amphitheatre flac16/48khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
13538. 05/11/91 Flac 24/96 - , 151052 Mountain View Shoreline Amphitheatre flac24/96khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
13539. 05/12/91 Flac 16 - 0, 31962 Mountain View Shoreline Amphitheatre flac16; SBD -> Dat Transferred and Edited By Charlie Miller notes
13540. 05/12/91 Flac 16 - 0, 111372 Mountain View Shoreline Amphitheatre flac16; Schoeps MK4 w/ RBox 16 Bit 48K. Do not recall DAT use to master this show. Recorded from section 102. Transferred by Nick C using Sony D7>Edirol R-44 via coax digital. Processed using Soundforge 10b, resample, to 16bit 44.1K and split tracks TLH to convert to Flac notes
13541. 05/12/91 Shn - 0, 7362 Mountain View Shoreline Amphitheatre Master Soundboard Cassette > CDR; via Scott Clugston notes
13542. 05/12/91 Flac 16 - 0, 137353 Mountain View Shoreline Amphitheatre flac16; Set 1 Recording Info: SBD > Dat Master > PCM; Transfer Info: PCM (Sony SL-HF500) > Sony PCM601-ESD > Omega Fenix HT > Audio Audition 6.0 > FLAC; Mastering Info: FLAC > Samplitude Pro X3 Suite > FLAC; Transferred By David Minches; Mastered By Charlie Miller notes
13543. 05/12/91 Flac 16 - 0, 111135 Mountain View Shoreline Amphitheatre flac16; Source: 2 Neumann KMF4 microphones (15th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files notes
13544. 05/12/91 Shn - 0, 9402 Mountain View Shoreline Amphitheatre FOB-AUD:Schoeps MK4V>DAT>CDR; via Paul; Seeded to etree by eD(efojr) notes
13545. 05/12/91 Flac 24 - 0, 149691 Mountain View Shoreline Amphitheatre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24 notes
13546. 05/12/91 Flac 16 - 0, 149700 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
13547. 05/12/91 Flac 16/48 - , 151053 Mountain View Shoreline Amphitheatre flac16/48khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
13548. 05/12/91 Flac 24/96 - , 151054 Mountain View Shoreline Amphitheatre flac24/96khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
13549. 06/01/91 Shn - 0, 6020 Los Angeles Los Angeles Coliseum DSBD> Dat> c> Dat> CD> EAC> SHN; via Steve Barbella, with thanks to John Valter, Paul B. notes
13550. 06/01/91 Flac 16 44,1khz - 0, 139357 Los Angeles Los Angeles Coliseum flac16 44.1khz Source: NAK 300-> DAT (Tapers Section) Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel notes
13551. 06/01/91 Flac 24 - 0, 140453 Los Angeles Los Angeles Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13552. 06/01/91 Flac 16 - 0, 140459 Los Angeles Los Angeles Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13553. 06/01/91 Flac 16/44,1 - 0, 151504 Los Angeles Los Angeles Coliseum flac16/44.1khz Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 69 1644 Edition Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 1644 > Audacity > TLH > FLAC notes
13554. 06/01/91 Flac 24/96 - , 151056 Los Angeles Los Angeles Coliseum flac24/96khz Source : AT-815As (near soundboard) > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
13555. 06/01/91 Flac 24/96 - , 151505 Los Angeles Los Angeles Coliseum flac24/96khz Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 68 2496 Edition Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC notes
13556. 06/01/91 Flac 16/48 - , 151055 Los Angeles Los Angeles Coliseum flac16/48khz Source : AT-815As (near soundboard) > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
13557. 06/06/91 Shn - 0, 18711 Noblesville Deer Creek Music Center Recording Info: SBD -> Dat -> Cm -> Dat Transfer Info: Dat -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude v.60 -> Cool Edit Pro v1.2 -> CD -> EAC (Secure Mode) -> SHN (3 Discs Audio / 2 Discs SHN) All transfers done by Charlie Miller notes
13558. 06/06/91 Shn - 0, 478 Noblesville Deer Creek Music Center DSBD -> 48 KHz DAT Read in by Other1: DigiI/O via SGI DAT drive -> shn file -> internet to chastewk -> unshned -> sample rate conversion and normalization with Cooledit 96 -> tracked w/ CD-WAV > SHN notes
13559. 06/06/91 Flac 16 - 0, 118714 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13560. 06/06/91 Flac 24 - 0, 118713 Noblesville Deer Creek Music Center flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
13561. 06/06/91 Flac 1644 - 0, 140234 Noblesville Deer Creek Music Center flac16/44 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48). This is 24 bit -> 16 bit. Transfers by Pete Ebel notes
13562. 06/06/91 Flac 24 - 0, 140482 Noblesville Deer Creek Music Center flac24 96khz Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel. notes
13563. 06/06/91 Shn - 0, 11604 Noblesville Deer Creek Music Center Nakamichi 300 shotguns, back tapers lawn > Sony D-6 (Denon Hd8-100 masters output from same deck) > Sony ES-59 DAT; Seeded to etree by JamPhan notes
13564. 06/06/91 Flac 16 - 0, 95639 Noblesville Deer Creek Music Center flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes
13565. 06/06/91 Flac 24 - 0, 149524 Noblesville Deer Creek Music Center flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 notes
13566. 06/06/91 Flac 16 - 0, 149638 Noblesville Deer Creek Music Center flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
13567. 06/07/91 Shn - 0, 18712 Noblesville Deer Creek Music Center Recording Info: SBD -> Dat -> Cm -> Dat Transfer Info: Dat -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude v.60 -> Cool Edit Pro v1.2 ->CD -> EAC (Secure Mode) -> SHN All transfers done by Charlie Miller notes
13568. 06/07/91 Flac 16 - 0, 95640 Noblesville Deer Creek Music Center flac16; Set 2 only, Lineage: DAT1 – Cloned from DAT Master Recording Equipment: AKG C460 w/ CK61 110º ORTF -> Grace Supply -> Master DAT Recording Location: FOB Recorded By: JC Mahoney Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes
13569. 06/07/91 Shn - 0, 480 Noblesville Deer Creek Music Center via Other1 and Chas; note d2t4 bad- to be replaced >9/12 notes
13570. 06/07/91 Flac 16 - 0, 118760 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13571. 06/07/91 Flac 16 - 0, 105581 Noblesville Deer Creek Music Center flac16; source: [ots] Nakamichi cm300/cp4 -> Sony D8 [16/48]. recorded by: Trew Rickers; transfer: dat [m] -> Tascam DA20 mkII -> R-44 -> CD Wave 1.98 -> Wavelab 5.01a [fades/Resampler 192] -> FLAC [8]. transfer: Chris Davis [1/22/10] notes
13572. 06/07/91 Flac 1644 - 0, 140239 Noblesville Deer Creek Music Center b/>flac16/44 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48). Transfers by Pete Ebel notes
13573. 06/07/91 Flac 24 - 0, 140484 Noblesville Deer Creek Music Center flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel. notes
13574. 06/07/91 Flac 24/48 - 0, 118759 Noblesville Deer Creek Music Center flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
13575. 06/07/91 Flac 16/48 - 0, 149420 Noblesville Deer Creek Music Center flac16/48kHz; Source Info: Set #1: T/S B&K 4011-> Sony D10 Pro II-> DAT; Clay Brennecke & Jamie Young Recording; Set #2: FOB:AKG C460 w/ CK61 110º ORTF -> Grace Supply -> Master DAT (SHN ID#095640); Recorded By: JC Mahoney; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes
13576. 06/07/91 Flac 24 - 0, 149529 Noblesville Deer Creek Music Center flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 notes
13577. 06/07/91 Flac 16 - 0, 149639 Noblesville Deer Creek Music Center flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
13578. 06/09/91 Shn - 0, 12756 Hebron Buckeye Lake Music Center SBD> DAT> CD> SHN; provenance unknown, submitted by user kberry notes
13579. 06/09/91 Flac 16 Mtx - 0, 128299 Hebron Buckeye Lake Music Center flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:012756) SBD>DAT>CD>SHN; Audience (shnid:095641) B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro; DFC Front Row Taper Section; Recorded By: James Young & Clay Brennecke and Audience (shnid:118811) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M; Tapes Sony Metal-ES notes
13580. 06/09/91 Flac 16 - 0, 118811 Hebron Buckeye Lake Music Center flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13581. 06/09/91 Flac 16 - 0, 138333 Hebron Buckeye Lake Music Center flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is 138321 24 bit -> 16 bit notes
13582. 06/09/91 Flac 24 - 0, 138321 Hebron Buckeye Lake Music Center flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13583. 06/09/91 Flac 1644 - 0, 140238 Hebron Buckeye Lake Music Center flac16/44 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48). This is 24 bit -> 16 bit. Transfers by Pete Ebel. notes
13584. 06/09/91 Flac 24 - 0, 140469 Hebron Buckeye Lake Music Center flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel. notes
13585. 06/09/91 Flac 16/48 - 0, 140670 Hebron Buckeye Lake Music Center flac16/48; taper unknown: FOB Schoeps CMC32s spaced 8 ft > Tao Research PS > M1000 cables > Panasonic SV255 with 6'3" stands; John Ammons Transfer: Tascam DA-20 MKII > Roland SRC-2 > Mac Mini optical input > Audacity 2.1 > WAV @ 48kHz; Edited & mastered in Audacity by Joe Noel: WAV > Flac48 notes
13586. 06/09/91 Flac 16 - 0, 134008 Hebron Buckeye Lake Music Center flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes
13587. 06/09/91 Flac 16 - 0, 95641 Hebron Buckeye Lake Music Center flac16; Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes
13588. 06/09/91 Flac 16/48 - 0, 150368 Hebron Buckeye Lake Music Center flac16/48kHz; Recording: FOB Schoeps CMC32's spaced 8' > Tao Research PS > M1000 cables > Panasonic SV255mod> Master DAT. Location: FOB on stand @ 6'3"; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 01, 2020 notes
13589. 06/11/91 Shn - 0, 5609 Charlotte Charlotte Coliseum source unknown (likely SBD> CM> DAT> CDR); DAE: CDR> EAC> SHN; Extraction and shorten conversion by JT James; reported upgrade relative to previous shn set notes
13590. 06/11/91 Flac 16 - 0, 95642 Charlotte Charlotte Coliseum flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes
13591. 06/11/91 Shn - 0, 5158 Charlotte Charlotte Coliseum SBD > CM > DAT > CDR; DAE: EAC (high, secure, offset corrected) > shntools (boundaries confirmed) > MKWACT > SHNv3 by Chris L.; with thanks to J.Valter for seed; reported problems in West LA- upgrade now in circulation notes
13592. 06/11/91 Flac 16 - 0, 138388 Charlotte Charlotte Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 138322 24 bit -> 16 bit notes
13593. 06/11/91 Flac 24 - 0, 138322 Charlotte Charlotte Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13594. 06/11/91 Flac 16 Mtx - 0, 138343 Charlotte Charlotte Coliseum flac16; Two source matrix: 70% sbd/30% aud with a few level adjustments; sbd: Cassette Master (TDK SA-X100/Tascam Deck); transferred and master by Charlie Miller; Resampled an dithered with iZotope RX 6 Advanced; and aud: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recorded by James Young & Clay Brennecke, transferred by Todd Evans and mastered by Jamie Waddell; matrix created with Adobe Audition 1.5 SIRMick notes
13595. 06/11/91 Flac 16 - 0, 132802 Charlotte Charlotte Coliseum notes
13596. 06/11/91 Flac 16 - 0, 111294 Charlotte Charlotte Coliseum notes
13597. 06/12/91 Shn - 0, 13266 Charlotte Charlotte Coliseum SBD> DAT> CDR (previous shn set) + AUD patch for encore notes
13598. 06/12/91 Flac 16 - 0, 95643 Charlotte Charlotte Coliseum flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes
13599. 06/12/91 Shn - 0, 9403 Charlotte Charlotte Coliseum SBD>DAT>CDR; via Paul; Seeded to etree by eD(efoj notes
13600. 06/12/91 Flac 24 - 0, 138334 Charlotte Charlotte Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13601. 06/12/91 Flac 16 - 0, 138341 Charlotte Charlotte Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138334 24 bit -> 16 bit notes
13602. 06/12/91 Flac 16 - 0, 94310 Charlotte Charlotte Coliseum flac16; Sennheiser ME-80\'s>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
13603. 06/12/91 Flac 16 - 0, 132803 Charlotte Charlotte Coliseum flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro notes
13604. 06/12/91 Flac 16/48 - 0, 150369 Charlotte Charlotte Coliseum flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ortf) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set 1; Center Orchestra Row R, Seat 7 (hand held); Location: Set 2; Center Orchestra Row R, Seat 7 (on stand); Transfer: Master DAT > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer by Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 02, 2020 notes
13605. 06/14/91 Shn - 0, 16816 Washington Robert F. Kennedy Stadium SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) notes
13606. 06/14/91 Flac 16 Mtx - 0, 100610 Washington Robert F. Kennedy Stadium flac16; Matrix - Audience source: soundtrack from a low gen, audience shot, VHS, provided by Greyful Dave amd Soundboard source: DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN (shnid16816) seeded by Peter Braverman notes
13607. 06/14/91 Flac 16 Mtx - 0, 128575 Washington Robert F. Kennedy Stadium flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:016816) Lineage: DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN and Audience (shnid:094371) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes
13608. 06/14/91 Flac 16 - 0, 111113 Washington Robert F. Kennedy Stadium flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Lineage: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition 1.5 > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich notes
13609. 06/14/91 Flac 16/48 - 0, 135774 Washington Robert F. Kennedy Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=16816) SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) + AUD (shn id 94371) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - mixing by Kevin Tobin notes
13610. 06/14/91 Flac Dts 5.1 - 0, 135773 Washington Robert F. Kennedy Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=16816) SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) + AUD (shn id 94371) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - DTS mixing by Kevin Tobin notes
13611. 06/14/91 Flac 16 Mtx - 0, 135771 Washington Robert F. Kennedy Stadium flac16; Matrix 2 Source Mix - SBD (shnid=16816) SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) + AUD (shn id 94371) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - matrix mixing by Kevin Tobin notes
13612. 06/14/91 Flac 16 - 0, 135770 Washington Robert F. Kennedy Stadium flac16; (original shnid = 16816) SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) - pitch correction and patches by Kevin Tobin notes
13613. 06/14/91 Flac 16 - 0, 94371 Washington Robert F. Kennedy Stadium flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes
13614. 06/14/91 Flac 16 - 0, 149642 Washington Robert F. Kennedy Stadium flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This fie set is 16 bit @ 44.1 notes
13615. 06/14/91 Flac 24 - 0, 149609 Washington Robert F. Kennedy Stadium flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
13616. 06/16/91 Flac - 0, 34783 East Rutherford Giants Stadium flac16; DSBD>DAT>WAV>CD>EAC>SHN>WAV>FLAC - Seamless fix of shn id 17028. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
13617. 06/16/91 Flac - 0, 128625 East Rutherford Giants Stadium flac16; 2 Source Matrix by Dusborne Soundboard (shnid:034783) Seamless fix of shinid=17028 by Bill Tetzeli: Source: DSBD->DAT->Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S and Audience (shnid:122648) Master Audience Recorded By Mr. Currier, Transfer By Keo AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's notes
13618. 06/16/91 Shn - 0, 4798 East Rutherford Giants Stadium SBD > ? > DAT > CDR > WAV > SHNv3, further source info is pending; DAE: EAC (high, secure mode, offset corrected) > shntool (boundaries confirmed); brief bout of digistatic ~ 31 seconds into d1t05; via Chris L. with thanks to John Valter; can be tracked 2x80 (see info file) notes
13619. 06/16/91 Shn - 0, 17028 East Rutherford Giants Stadium Source: DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF notes
13620. 06/16/91 Flac - 0, 109124 East Rutherford Giants Stadium flac16; Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 notes
13621. 06/16/91 Flac - 0, 122648 East Rutherford Giants Stadium flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13622. 06/16/91 Flac 24 - 0, 122647 East Rutherford Giants Stadium flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
13623. 06/16/91 Flac LPCM 5.1 - 0, 135892 East Rutherford Giants Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - mixing by Kevin Tobin notes
13624. 06/16/91 Flac Dts 5.1 - 0, 135891 East Rutherford Giants Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - DTS mixing by Kevin Tobin notes
13625. 06/16/91 Flac - 0, 135889 East Rutherford Giants Stadium flac16; (original shnid = 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - pitch correction and patches by Kevin Tobin notes
13626. 06/16/91 Flac Mtx. - 0, 135890 East Rutherford Giants Stadium flac16; Matrix 2 Source Mix - SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - matrix mixing by Kevin Tobin notes
13627. 06/16/91 Flac - 0, 135888 East Rutherford Giants Stadium flac16; (original shnid = 17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF - pitch correction and patches by Kevin Tobin notes
13628. 06/16/91 Flac 16 - 0, 134056 East Rutherford Giants Stadium flac16; Source: B&K 4011 (ORTF) > SONY D10 Pro > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes
13629. 06/16/91 Flac 24 - 0, 149986 East Rutherford Giants Stadium flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13630. 06/16/91 Flac 16 - 0, 150162 East Rutherford Giants Stadium b>flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
13631. 06/16/91 Flac 16/48 - 0, 150370 East Rutherford Giants Stadium flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (SV-255mod) (16-48); Location: FOB, Section B, Row 30, Seat 20 (hand held); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 02, 2020 notes
13632. 06/17/91 Shn - 0, 25608 East Rutherford Giants Stadium SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller; [Note: This is the only circulating source without an analog gen in it.] notes
13633. 06/17/91 Flac 16 Mtx - 0, 31606 East Rutherford Giants Stadium flac16; SBD + AUD Matrix Mix notes
13634. 06/17/91 Flac 16 Mtx - 0, 128692 East Rutherford Giants Stadium flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:025608) Recording Info: SBD -> Master Dat (44.1k) -> Dat Clone; Audience (shnid:095644) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro by James Young & Clay Brennecke; and Audience (shnid:122791) AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's notes
13635. 06/17/91 Flac 16 - 0, 95644 East Rutherford Giants Stadium flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes
13636. 06/17/91 Dts 5.1 Mix - 0, 33670 East Rutherford Giants Stadium DTS-Audio-CD 5.1 Mix notes
13637. 06/17/91 Shn - 0, 3591 East Rutherford Giants Stadium sbd> ?> cdr> eac> shn; via Tony Gardner, with thanks to Peter Braverman notes
13638. 06/17/91 Flac 16 - 0, 122791 East Rutherford Giants Stadium flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13639. 06/17/91 Shn - 0, 484 East Rutherford Giants Stadium DSBD> DAT> CDR> SHN; new version d1, 5/18/99; first 1-2 sec of Eyes is missing; note md5s were lacking- ones shown here generated by G.S. Hamilton, for OK shns with the newer d1 notes
13640. 06/17/91 Flac 24/96 - 0, 122790 East Rutherford Giants Stadium flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
13641. 06/17/91 Flac 16/48 - 0, 135941 East Rutherford Giants Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - mixing by Kevin Tobin notes
13642. 06/17/91 Flac Dts 5.1 - 0, 135943 East Rutherford Giants Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - DTS mixing by Kevin Tobin notes
13643. 06/17/91 Flac16 Mtx - 0, 135942 East Rutherford Giants Stadium flac16; Matrix 2 Source Mix - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - matrix mixing by Kevin Tobin notes
13644. 06/17/91 Flac 24 - 0, 137545 East Rutherford Giants Stadium flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13645. 06/17/91 Flac 16/48 - 0, 86659 East Rutherford Giants Stadium notes
13646. 06/17/91 Flac 16 - 0, 134054 East Rutherford Giants Stadium flac16; Source: AKG 414-BTL (hypercard X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper notes
13647. 06/17/91 Flac 16 - 0, 86660 East Rutherford Giants Stadium flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped & transferred (7/2007) by Andrew F. notes
13648. 06/17/91 Flac 16 - 0, 137457 East Rutherford Giants Stadium flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 24bit > 16bit with r8brain notes
13649. 06/17/91 Flac 16/48 - 0, 150371 East Rutherford Giants Stadium flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: FOB, Section B, Row 30, Seat 20 (hand held); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 04, 2020 notes
13650. 06/17/91 Flac 16 - 0, 150677 East Rutherford Giants Stadium flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
13651. 06/19/91 Shn - 0, 2786 Clarkston Pine Knob Music Theater SBD > DAT > Cass > DAT > CD > EAC > CDWav (retrack) > CD; Retracking done by Ivan Kotch; to etree via Adam Jerugim; known flaws: splice during Promised, noise during FOTM (A patched version of d1t08 also circulates as of June, 2010.) notes
13652. 06/19/91 Shn - 0, 109345 Clarkston Pine Knob Music Theater SBD>CM>DAT>SHN>CD; edited and transferred to cd by michael lai notes
13653. 06/19/91 Flac 16 - 0, 116154 Clarkston Pine Knob Music Theater flac16; Master Audience Nakamichi CM300/CP4 Shotguns SonyD5; Taper Mr. Baker,Tapes From JB's Collection,Transfer By Keo; Tapes Maxell MX-s 90.100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes
13654. 06/19/91 Flac 16 - 0, 95645 Clarkston Pine Knob Music Theater flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes
13655. 06/19/91 Shn - 0, 2786 Clarkston Pine Knob Music Theater SBD > DAT > Cass > DAT > CD > EAC > CDWav (retrack) > CD; Retracking done by Ivan Kotch; to etree via Adam Jerugim; known flaws: splice during Promised, noise during FOTM (A patched version of d1t08 also circulates as of June, 2010.) notes
13656. 06/19/91 Flac 24 - 0, 116153 Clarkston Pine Knob Music Theater flac24; Master Audience Nakamichi CM300/CP4 Shotguns SonyD5; Taper Mr. Baker,Tapes From JB's Collection,Transfer By Keo; Tapes Maxell MX-s 90.100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
13657. 06/19/91 Flac 16 - 0, 138579 Clarkston Pine Knob Music Theater flac16; SBD>CM>DAT>SHN>CD; This is a minor remaster of shnid: 109345 notes
13658. 06/19/91 Flac 24 - 0, 140452 Clarkston Pine Knob Music Theater b/>flac24/96Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel notes
13659. 06/19/91 Shn - 0, 18392 Clarkston Pine Knob Music Theater FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer : Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller notes
13660. 06/19/91 Shn - 0, 19144 Clarkston Pine Knob Music Theater Source: AUD (unknown mics) >DAT>CDR>WAV>SHN. SHN encoding via C.Ladner. notes
13661. 06/19/91 Flac 16 - 0, 149645 Clarkston Pine Knob Music Theater flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
13662. 06/19/91 Flac 24 - 0, 149584 Clarkston Pine Knob Music Theater flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 notes
13663. 06/19/91 Flac 16/48 - 0, 150372 Clarkston Pine Knob Music Theater flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set I FOB, Section Center, Row O, Seat 18 (hand held);Location: Set II FOB, Section Center, Row O, Seat 18 (on stand @ 6'); Transfer: Dat > Sony PCM r500 > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick. Transfer By Charlie Miller. Edited & Mastered using Adobe Audition by Joe Noel.May 16, 2020 notes
13664. 06/20/91 Shn - 0, 2787 Clarkston Pine Knob Music Theater SBD > DAT > Cass > DAT > CD > EAC, with Audience patch: Unknown DAUD > CD > EAC; All editing done with EAC, CDWave and SoundForge 4.5, by Ivan Kotch; to etree via Adam Jerugim; see info file for notes notes
13665. 06/20/91 Flac 16 - 0, 95646 Clarkston Pine Knob Music Theater flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes
13666. 06/20/91 Flac 16 - 0, 105023 Clarkston Pine Knob Music Theater flac16; Source: Audience > Nakamichi CM-300 mics with CP-4 shotgun caps > Sony TC-D5 > mac Lineage: mac > Tascam 122b > Tascam HD-P2 > wav 24/48 > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > CD Wave > Flac 16 Taped by Gregg Holtz, from front of OTS, DFC notes
13667. 06/20/91 Flac 24 - 0, 140466 Clarkston Pine Knob Music Theater flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel. notes
13668. 06/20/91 Shn - 0, 2187 Clarkston Pine Knob Music Theater unknown mics > DAT > CDR > EAC x 2 > WAV > SHN3.0; via Chris Ladner, from Marc Laurent's discs; see info file for listening notes notes
13669. 06/20/91 Shn - 0, 28393 Clarkston Pine Knob Music Theater FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller notes
13670. 06/20/91 Flac 16 - 0, 149646 Clarkston Pine Knob Music Theater flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes
13671. 06/20/91 Flac 24 - 0, 149585 Clarkston Pine Knob Music Theater flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
13672. 06/20/91 Flac 16/48 - 0, 150373 Clarkston Pine Knob Music Theater b>flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set 1 FOB, Section Center, Row O, Seat 15 (hand held); Location: Set 2 FOB, Section Center, Row O, Seat 15 (on stand @ 6'); Transfer: Dat > Sony PCM r500 > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 19, 2020 notes
13673. 06/22/91 Flac 16 - 0, 112775 Chicago Soldier Field flac16; Recording Info: SBD -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
13674. 06/22/91 Flac 16 - 0, 105541 Chicago Soldier Field flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
13675. 06/22/91 Flac - 0, 29057 Chicago Soldier Field This is shn id 485 with undocumented changes. See the comments here for a possible explanation. Via Tol and LMA. notes
13676. 06/22/91 Flac 16 - 0, 118489 Chicago Soldier Field flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/Sec J Row 17 Seat 4/6 Feet High)> Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13677. 06/22/91 Flac 24/48 - 0, 118488 Chicago Soldier Field flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/Sec J Row 17 Seat 4/6 Feet High)> Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
13678. 06/22/91 Flac 16/48 - 0, 150374 Chicago Soldier Field flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set 1 FOB, Section B, Row 26, Seat 39 (hand held - two seats off center); Location: Set 2 FOB, Section B, Row 26, Seat 39 (on stand @ 6' - two seats off center); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 19, 2020 notes
13679. 06/22/91 Flac 24 - 0, 150648 Chicago Soldier Field flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
13680. 06/22/91 Flac 16 - 0, 150678 Chicago Soldier Field flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes
13681. 06/24/91 Flac 16 - 0, 35351 Bonner Springs Sandstone Ampitheatre flac16; Fix of shn id 2533 - DSBD>DAT>CDR>WAV>SHN>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
13682. 06/24/91 Flac 16 - 0, 118934 Bonner Springs Sandstone Ampitheatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13683. 06/24/91 Shn - 0, 2533 Bonner Springs Sandstone Ampitheatre DSBD> DAT> CDR; EAC> SHN by Jeff M. notes
13684. 06/24/91 Flac 24/48 - 0, 118933 Bonner Springs Sandstone Ampitheatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
13685. 06/24/91 Shn - 0, 28394 Bonner Springs Sandstone Ampitheatre FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); plus patch from Schoeps hypercards> custom supply> SV255 section tape; Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill, with patch source by Ed Boardman; Transferred By Charlie Miller notes
13686. 06/24/91 Flac 16 - 0, 116711 Bonner Springs Sandstone Ampitheatre flac16; Schoeps CMC5u/ MK-4 > Panasonic SV 255 > Sony WMD-6C (Dolby C encoded); Microphone configuration: TS, center, ORTF, 10' up Master format (analog): Maxell MX-S 90 & MX 110 cassettes; Transfer: Sony TC-WE635 (Dolby C decoded) > Tascam DR-680 > SDHC card > (card reader) PC > CuBase SX; Digital editing: CuBase SX (pre and post set fades, level correction, WAVES 10 band Paragraphic EQ, WAVES L1 Ultramaximizer (limiting), cassette flips patched with etree source #28394); Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded via analog patch from Richard Wood, processed and distributed by Chuck Miller notes
13687. 06/24/91 Shn - 0, 21648 Bonner Springs Sandstone Ampitheatre FOB AKG 460 cardioid > DAT > CD DAT > CD: Panasonic sv3700 > Cool Edit Pro > CD Wave > mkw notes
13688. 06/24/91 Flac 24 - 0, 146590 Bonner Springs Sandstone Ampitheatre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
13689. 06/24/91 Flac 16 - 0, 147391 Bonner Springs Sandstone Ampitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This file set is 16 bit @ 44.1 notes
13690. 06/24/91 Flac 16/48 - 0, 150375 Bonner Springs Sandstone Ampitheatre flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set 1 FOB, Section 3, Row W, Seat 2 (hand held - 5 seats off center); Location: Set 2 FOB, Section 3, Row W, Seat 2 (on stand @ 6'5" - 5 seats off center); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. June 18, 2020 notes
13691. 06/25/91 Shn - 0, 15590 Bonner Springs Sandstone Ampitheatre SBD > DAT > CDR > EAC > Cool Edit Pro 2.0 > mkwACT; fades have been patched; EAC'd/SHN'd by Doug Nawrocki notes
13692. 06/25/91 Flac 16 - 0, 95647 Bonner Springs Sandstone Ampitheatre flac16; Lineage: Clone of Master DAT Recording Equipment: AKG C460B/CK61 (ORTF) -> Mike Grace Early Preamp -> Dat Master (Casio DA-7/ 16-bit - 48kHz) Recording Location: FOB Recorded By: JC Mahoney & Dan Oneil Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes
13693. 06/25/91 Shn - 0, 26350 Bonner Springs Sandstone Ampitheatre SBD> Vault Dat> Dat> Dat (44.1k); Transfer: Dat (Tascam DA20)> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> Cool Edit Pro v2.0> SHN; All Transfers and Editing By Charlie Miller; note upgrade compared to prev sources in circ (NOT from liberated bootleg) notes
13694. 06/25/91 Shn - 0, 489 Bonner Springs Sandstone Ampitheatre DSBD Boot? > CDR > SHN (EAC); 2x80 min; liberated KTS bootleg; via screenwriter to abgd 11/99; to etree ~12/3 notes
13695. 06/25/91 Flac 16 - 0, 119018 Bonner Springs Sandstone Ampitheatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13696. 06/25/91 Flac 24/48 - 0, 119017 Bonner Springs Sandstone Ampitheatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
13697. 06/25/91 Flac 16 - 0, 123825 Bonner Springs Sandstone Ampitheatre flac16; nak300>cp4>pmd430 no dbx; ots dfc mics@12 ft. pas; cass(m)>hhb830 cds 16/44.1 in 2003; cd>audacity +2.1.cdwave splits tlh flac 8; t&s by c. cage notes
13698. 06/25/91 Flac 16 - 0, 116626 Bonner Springs Sandstone Ampitheatre notes
13699. 06/25/91 Shn - 0, 28403 Bonner Springs Sandstone Ampitheatre FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller notes
13700. 06/25/91 Flac 24 - 0, 149530 Bonner Springs Sandstone Ampitheatre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
13701. 06/25/91 Flac 16 - 0, 149647 Bonner Springs Sandstone Ampitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes
13702. 06/25/91 Flac 16/48 - 0, 150376 Bonner Springs Sandstone Ampitheatre flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (110˚)> Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: FOB, Section 3, Row Y, Seat 3 (hand held); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel.June 18, 2020 notes
13703. 06/28/91 Shn - 0, 11706 Denver Mile High Stadium SBD> Dat> Samplitude> CD, Seed Supplied By David Gans; Transfer Info: Sony R500> Behringer SRC2000> M-Audio Dio 2448> Compaq 5452, Transfer done by Charlie Miller; Recorded with Samplitude v6.0, Fades done with Cool Edit Pro v1.2, Tracked with CDWave v1.71, SHN'd with MKW v0.97 Beta1 notes
13704. 06/28/91 Flac 16 - 0, 119064 Denver Mile High Stadium flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13705. 06/28/91 Flac 16 - 0, 96359 Denver Mile High Stadium flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB - 20th Row - Hand Held Both Sets Recorded By: James Young Transfer: 16 bit – 48kHz DAT > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes
13706. 06/28/91 Shn - 0, 9592 Denver Mile High Stadium SBD>DAT>CDR; via Paul; Seeded to etree by eD(efojr); Note- May be an FM source notes
13707. 06/28/91 Flac 24/48 - 0, 119063 Denver Mile High Stadium flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename by Keo notes
13708. 06/28/91 Flac 16 - 0, 84509 Denver Mile High Stadium flac16; Recorded by Patrick H. Source: Sony ECM33F mics -> Sony D6 -> Master cassette TDK SA90 No Dolby Type II Location: In front of band Transfer: Nak -> MC (TDK SA90) -> RME DIGI Interface -> Samplitude 6.0 -> Flac(8) notes
13709. 06/28/91 Flac 16 - 0, 150679 Denver Mile High Stadium flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
13710. 08/12/91 Flac 16 - 0, 29496 Sacramento Cal Expo flac16; SBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes
13711. 08/12/91 Flac 16 - 0, 119081 Sacramento Cal Expo flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
13712. 08/12/91 Flac 16 - 0, 96371 Sacramento Cal Expo flac16; Lineage: Clone from Master DAT Recording Equipment: Schoeps Omni -> Oade Supply -> Panasonic SV-255 Recording Location: FOB, on stands 8 feet hight and mic stands spaced 8.5 feet apart Recorded By: Unknown Transfer: 16 bit – 48kHz DAT > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes
13713. 08/12/91 Shn - 0, 8109 Sacramento Cal Expo Don Pearson Master Cassette > Cassette > D > CD-r; d3 circs w/ filler from 8-13-91 set 1; Same source; via JR Fishman notes
13714. 08/12/91 Flac 24/48 - 0, 119080 Sacramento Cal Expo flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-s Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
13715. 08/12/91 Flac 16 - 0, 137911 Sacramento Cal Expo flac16; DAT Master DSBDs, no transfer inf0 > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 notes
13716. 08/12/91 Flac 16 - 0, 113423 Sacramento Cal Expo Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
13717. 08/12/91 Flac 16 - 0, 143090 Sacramento Cal Expo flac16; Unknown taper: Schoeps Omni MK2 (spaced 12') > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT > PCM; Charlie Miller Transfer: PCM (Sony SL-10) > Sony PCM601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > FLAC 16/44 notes
13718. 08/12/91 Flac 16 - 0, 148406 Sacramento Cal Expo flac16; Source Info: FOB Schoeps CMC3 MK4-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
13719. 08/12/91 Flac 24 - 0, 150299 Sacramento Cal Expo flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13720. 08/13/91 Flac 16 - 0, 109241 Sacramento Cal Expo flac16; Recording Info:SBD -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
13721. 08/13/91 Flac 16 - 0, 119112 Sacramento Cal Expo flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13722. 08/13/91 Shn - 0, 10927 Sacramento Cal Expo SBD>CM>DAT>CDR; via Paul; seeded to etree by eD(efojr) notes
13723. 08/13/91 Flac 24/48 - 0, 119111 Sacramento Cal Expo flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
13724. 08/13/91 Flac 16 - 0, 137912 Sacramento Cal Expo flac16; DAT Master SBDs, no transfer info > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 notes
13725. 08/13/91 Flac 16/48 - 0, 138191 Sacramento Cal Expo flac16/48kHz; 1st set [partial]: B&K 4011's 110 degrees ORTF with Schoeps t-bar > Mod Neumann PS > Panasonic SV255 with stand, recorded by Rob Darroch; 2nd set: Schoeps CMC34 110 degrees ORTF with Schoeps t-bat > Canare Cable > Tao Research PS > Pro-Link jumper cable > Panasonic SV255 hand held at 5'10" by John Ammons; John Ammons Transfer: master DAT > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
13726. 08/13/91 Flac 16 - 0, 91678 Sacramento Cal Expo flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes
13727. 08/13/91 Flac 16 - 0, 113426 Sacramento Cal Expo flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
13728. 08/13/91 Flac 16 - 0, 143088 Sacramento Cal Expo flac16; unknown taper: Schoeps Omni MK2 (spaced 12') > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT > PCM; Charlie Miller Transfer: PCM (Sony SL-10) > Sony PCM601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > FLAC 16/44 notes
13729. 08/13/91 Flac 16/48 - 0, 148404 Sacramento Cal Expo flac16/48kHz; Set 1 Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)->SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes
13730. 08/13/91 Flac 16 - 0, 148403 Sacramento Cal Expo flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
13731. 08/13/91 Flac 24 - 0, 15ß306 Sacramento Cal Expo flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24 notes
13732. 08/14/91 Flac 16 - 0, 30073 Sacramento Cal Expo flac16; SBD > DAT > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes
13733. 08/14/91 Flac 16 - 0, 119112 Sacramento Cal Expo flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-s Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13734. 08/14/91 Shn - 0, 9798 Sacramento Cal Expo SBD>DAT>??>DAT>CDR; via Paul; Seeded to etree by eD(efojr) notes
13735. 08/14/91 Flac 24/48 - 0, 119121 Sacramento Cal Expo flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
13736. 08/14/91 Flac 16 - 0, 137920 Sacramento Cal Expo flac16; DAT Master SBDs no transfer info > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11 notes
13737. 08/14/91 Flac 16 - 0, 113427 Sacramento Cal Expo Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
13738. 08/14/91 Flac 16 - 0, 143089 Sacramento Cal Expo flac16; Set 2 Unknown taper: FOB Schoeps Omni MK2 (spaced 12') > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT > PCM; Charlie Miller Transfer: PCM (Sony SL-10) > Sony PCM601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > FLAC 16/44 notes
13739. 08/14/91 Flac 16 - 0, 148407 Sacramento Cal Expo flac16; Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
13740. 08/16/91 Flac - 0, 17011 Mountain View Shoreline Amphitheatre ource: SB DAT 48khz low-gen clone
Conversion: Sony PCM-1 (7-pin optical) > Zoltrix C-Media CMI8738/C3DX PCI (optical) > Ce2k pro record (48) > Ce2k pro convert sample (44.1, highest quality, pre-post filter) > CDWav > FLAC
notes
13741. 08/16/91 Flac - 0, 111330 Mountain View Shoreline Amphitheatre flac16; Updated Source Info: SBD > ? > DAT Clone > FLAC (Had been marked Schoeps MK4 w/ RBox 16 Bit 48K...) notes
13742. 08/16/91 Shn - 0, 6676 Mountain View Shoreline Amphitheatre SBD:DAT> DAT> SF> WAV> SHN; via J.T. James, Peter Braverman notes
13743. 08/16/91 Flac - 0, 81571 Mountain View Shoreline Amphitheatre flac16/48; Soundboard->DAT @ 48 kHz->DAT x 4.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC notes
13744. 08/16/91 Flac 16 - 0, 121806 Mountain View Shoreline Amphitheatre flac16; AKG451 w/ CK1's>DAT>?DAT?>501PCM>BETA tape>601PCM>coax> DAD USB>Audacity> 24-48 WAV...>PATCH W/SBD>flac16-44>tlh sbe fix. set1:ots AKG 451 CK1,set2 ots 460 CK8; patches from sbd source nickc shn 111330. notes
13745. 08/16/91 Flac - 0, 137942 Mountain View Shoreline Amphitheatre b>flac16/48kHz; DSBD 16 bit 48kHz DAT; Ampex 467 R-124 Certified Mastering Audio Cassettes [DATs]-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Mastering by Jamie Waddell in Wavelab 7.2.1; Track, FLAC and Pack by Norm notes
13746. 08/16/91 Flac 24/96 - 0, 141274 Mountain View Shoreline Amphitheatre flac24/96 Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller notes
13747. 08/16/91 Flac 16 - 0, 141316 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller notes
13748. 08/16/91 Flac 16/48 - , 151057 Mountain View Shoreline Amphitheatre flac16/48khz Source : Nak CM-100s > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
13749. 08/16/91 Flac 24/96 - , 151058 Mountain View Shoreline Amphitheatre flac24/96khz Source : Nak CM-100s > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
13750. 08/17/91 Flac 16 Mtx - 0, 107826 Mountain View Shoreline Amphitheatre flac16; Hansokolow matrix of these digital sources: SBD: shnid=20696 // AUD: shnid=94196 (Taped by: Keith Litzenberger) notes
13751. 08/17/91 Shn - 0, 20696 Mountain View Shoreline Amphitheatre Source: SBD -> DAT Master -> DAT Clone -> Tascam DA40 ->(SPDIF)-> SB Live -> SoundForge -> wav -> shn. This set of files represents a SHNTOOL fixed correction of the previously circulating SHN set (http://db.etree.org/shninfo_detail.php?shnid=497). notes
13752. 08/17/91 Flac 16/48 - 0, 81572 Mountain View Shoreline Amphitheatre flac16/48; Soundboard->DAT @ 48 kHz->DAT x 4.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC notes
13753. 08/17/91 Shn - 0, 497 Mountain View Shoreline Amphitheatre SBD -> DAT Master -> DAT Clone -> Tascam DA40 -> (SPDIF)-> SB Live -> SoundForge -> Wav -> Shorten; via J. Josephs, originally named by song, with underscores, apostrophes et al; C. Hannigan renamed and reordered tracks to fit so the encore is at the beginning- see his new info file notes
13754. 08/17/91 Flac 24/96 - 0, 141289 Mountain View Shoreline Amphitheatre flac24/96 Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. notes
13755. 08/17/91 Flac 16 - 0, 141317 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. notes
13756. 08/17/91 Flac 16 - 0, 94196 Mountain View Shoreline Amphitheatre flac16; Source: Sennheiser ME-80\'s> Technics SV-MD1 (DAT) Lineage: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Taped by: Keith Litzenberger from Section 202 Row E Seat 23 (Front Row Center OTS) Transferred by: Keith Litzenberger notes
13757. 08/17/91 Flac 16 - 0, 119208 Mountain View Shoreline Amphitheatre flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
13758. 08/17/91 Flac 16/48 - 0, 149444 Mountain View Shoreline Amphitheatre flac16/48kHz; Source Info: Set #1: T/S Sennheiser ME 88->DAT; Set #2: T/S B&K 4003 (Omni Caps)-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes
13759. 08/17/91 Flac 16/48 - , 151059 Mountain View Shoreline Amphitheatre flac16/48khz Source : Nak CM-100s > Nak 550 > D6 > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
13760. 08/17/91 Flac 24/96 - , 151060 Mountain View Shoreline Amphitheatre flac24/96khz Source : Nak CM-100s > Nak 550 > D6 > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
13761. 08/18/91 Flac 16 Mtx - 0, 107883 Mountain View Shoreline Amphitheatre flac16; Matrix by hansokolow of these two sources: DSBD: (shnid=21349) SB DAT 48khz low-gen clone // DAUD: (shnid=94188) Sennheiser ME-80's>Technics SV-MD1; By Keith Litzenberger notes
13762. 08/18/91 Flac 16/48 - 0, 81573 Mountain View Shoreline Amphitheatre flac16/48; Soundboard->DAT @ 48 kHz->DAT x 4.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC notes
13763. 08/18/91 Shn - 0, 21349 Mountain View Shoreline Amphitheatre Source:SB DAT 48khz low-gen clone via kung@steve-behan.com Patch Source: SBD > DAT > ZA2 > CDR > EAC Patched, retracked, shn'd... by Doug Nawrocki notes
13764. 08/18/91 Flac - 0, 19870 Mountain View Shoreline Amphitheatre Source: SBD DAT 48khz low-gen clone (on 60 min/120 minute audio dats, 93?)
Transfer: Sony PCM-1 / 7 pin > Nightengale PCI / Optical (reverse format) > Ce Pro 2000 Record 48k > Ce Pro 2000 Downsample to 44k / highest quality, pre-post filter > CDWav > ShnTool > FLAC
notes
13765. 08/18/91 Flac 24/96 - 0, 141295 Mountain View Shoreline Amphitheatre flac24/96 Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. notes
13766. 08/18/91 Flac 16 - 0, 141326 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller. notes
13767. 08/18/91 Flac 16 - 0, 94188 Mountain View Shoreline Amphitheatre flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded,Transferred & Uploaded By Keith Litzenberger notes
13768. 08/18/91 Flac 24 - 0, 147507 Mountain View Shoreline Amphitheatre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This source has a fixed Deal notes
13769. 08/18/91 Flac 16 - 0, 148256 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This source has a fixed Deal (3 static bursts remain @ 7:10, 7:12, 7:18 on aLL know sources), This file set is 16 bit @ 44.1 notes
13770. 08/18/91 Flac 16/48 - 0, 149439 Mountain View Shoreline Amphitheatre flac16/48kHz; Source Info: T/S B&K 4003 (Omni Caps)-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes
13771. 08/18/91 Flac 16/48 - , 151061 Mountain View Shoreline Amphitheatre flac16/48khz Source : Unspecified mics > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
13772. 08/18/91 Flac 24/96 - , 151062 Mountain View Shoreline Amphitheatre flac24/96khz Source : Unspecified mics > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
13773. 09/04/91 Flac 16 - 0, 95313 Richfield Richfield Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
13774. 09/04/91 Shn - 0, 5558 Richfield Richfield Coliseum sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs notes
13775. 09/04/91 Flac 16 - 0, 111271 Richfield Richfield Coliseum flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich notes
13776. 09/04/91 Flac 16 Mtx - 0, 132960 Richfield Richfield Coliseum flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:095313) SBD -> Dat -> Cassette Master; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16 and Audience (shnid:091802) Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. 16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 notes
13777. 09/04/91 Shn - 0, 28404 Richfield Richfield Coliseum Schoeps CMC4/MK4 (FOB/Row Q, ORTF)> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Dan O'Neill; Transferred By Charlie Miller notes
13778. 09/04/91 Flac 16 - 0, 132810 Richfield Richfield Coliseum flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro notes
13779. 09/04/91 Flac 16 - 0, 96192 Richfield Richfield Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
13780. 09/04/91 Flac 16 - 0, 121608 Richfield Richfield Coliseum flac16; Original Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Transfers and Mastering By Charlie Miller; Tech Notes: Levels Ran Throughout(to my fine tuned ears) way Too HOT!!; Decoded To Wave w/Traders Little Helper v2.7.1; Normalized to -7 dB w/Audacity v2.0.1(64 bit), DC Offsets Removed. Channels Independently Changed; Re-encoded to Flac Level 8 w/TLH. Tagged w/Foobar2000 v.1.1.13/tradersfriend addon; Checksums Rehashed & Verified w/TLH v271 Additional Editing & Coding By Joe "Terrapin" Barberi notes
13781. 09/04/91 Flac 24/48 - 0, 147568 Richfield Richfield Coliseum flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Set #1:Maxell XL-II's 90's & Set #2:Maxell XL-II's 100's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48); Transfers by Pete Ebel notes
13782. 09/04/91 Flac 16 - 0, 91802 Richfield Richfield Coliseum b>flac16; FOB Digital Audience Recording Lineage: DAT Master Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. Recording Location: FOB DFC … Section 2, Row 17 Recorded By: Dan O'Neil Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes
13783. 09/04/91 Flac 16/48 - 0, 149459 Richfield Richfield Coliseum flac16/48kHz; Source Info: FOB B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes
13784. 09/04/91 Flac 24 - 0, 150016 Richfield Richfield Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24 notes
13785. 09/04/91 Flac 16 - 0, 150284 Richfield Richfield Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
13786. 09/04/91 Flac 16/48 - 0, 151811 Richfield Richfield Coliseum flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: Set 1; Row Q (handheld), Set 2; Row Q (stand) Transfer: Master DAT > Tascam DA-20mk2 > coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 27, 2021. Notes: Fresh transfer & processing of shnid 91802. notes
13787. 09/05/91 Flac 16 - 0, 121620 Richfield Richfield Coliseum flac16; sbd > dat > cassette > dat > cdr; Levels Ran Throughout(to my fine tuned ears) way Too HOT!!; Decoded To Wave w/Traders Little Helper v2.7.1; Normalized to -7 dB w/Audacity v2.0.1(64 bit), DC Offsets Removed. Channels Independently Changed. Clipped Excess Blank/Silent Space at end of 1st & 2nd sets. Fixed Gap Between d1t01 & d1t02. Encoded to Flac Level 8 w/TLH. Tagged w/Foobar2000 v.1.1.13/tradersfriend addon. Checksums Rehashed & Verified w/TLH v2.7.1; Additional Editing & Coding By Joe "Terrapin" Barberi notes
13788. 09/05/91 Flac 16 Mtx - 0, 92785 Richfield Richfield Coliseum flac16; Matrix sources: (shnid 5559) sbd > dat > c > dat > cdr and (shnid 91803) FOB Digital Audience Recording Matrixed by SIRMick July 2008 notes
13789. 09/05/91 Flac 16 - 0, 91803 Richfield Richfield Coliseum flac16; FOB Digital Audience Recording Lineage: DAT Master Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. Recording Location: FOB DFC … Section 2, Row 17 Recorded By: Dan O'Neil Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes
13790. 09/05/91 Shn - 0, 5559 Richfield Richfield Coliseum sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs notes
13791. 09/05/91 Flac 16 Mtx - 0, 132961 Richfield Richfield Coliseum flac16; 2 Source Matrix by Dusborne Soundboard (shnid:005559) sbd>dat>c>dat>cdr and Audience (shnid:091803) Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. 16 bit 48kHz DAT Master > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 notes
13792. 09/05/91 Flac 16 - 0, 138373 Richfield Richfield Coliseum flac16; Lineage: AKG 414B-ULS>OADE M148>Panasonic SV255>DAT; Playback: Sony PCM-R300>SPDIF>Tascam PMD671 CF 24 48>HD>CDWAV Splits>16.441>TLH FLAC8; Location: FOB TaperSection DFC; Recorded, Transferred and uploaded By Dave D notes
13793. 09/05/91 Flac 16 - 0, 94300 Richfield Richfield Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
13794. 09/05/91 Flac 16 - 0, 132811 Richfield Richfield Coliseum flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro notes
13795. 09/05/91 Flac 16/48 - 0, 147493 Richfield Richfield Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 5559) sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs + AUD (shnid = 138373) Lineage: AKG 414B-ULS>OADE M148>Panasonic SV255>DAT; Playback: Sony PCM-R300>SPDIF>Tascam PMD671 CF 24 48>HD>CDWAV Splits>16.441>TLH FLAC8; Location: FOB TaperSection DFC; Recorded, Transferred and uploaded By Dave D - surround mixing by Kevin Tobin notes
13796. 09/05/91 Flac 16 Dts.5.1 - 0, 147492 Richfield Richfield Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 5559) sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs + AUD (shnid = 138373) Lineage: AKG 414B-ULS>OADE M148>Panasonic SV255>DAT; Playback: Sony PCM-R300>SPDIF>Tascam PMD671 CF 24 48>HD>CDWAV Splits>16.441>TLH FLAC8; Location: FOB TaperSection DFC; Recorded, Transferred and uploaded By Dave D - dts mixing by Kevin Tobin notes
13797. 09/05/91 Flac 16 Mtx - 0, 147491 Richfield Richfield Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 5559) sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs + AUD (shnid = 138373) Lineage: AKG 414B-ULS>OADE M148>Panasonic SV255>DAT; Playback: Sony PCM-R300>SPDIF>Tascam PMD671 CF 24 48>HD>CDWAV Splits>16.441>TLH FLAC8; Location: FOB TaperSection DFC; Recorded, Transferred and uploaded By Dave D - matrix mixing by Kevin Tobin notes
13798. 09/05/91 Flac 24/48 - 0, 147569 Richfield Richfield Coliseum flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Set #1:Maxell XL-II's 90's & Set #2:Maxell XL-II's 100's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48); Transfers by Pete Ebel notes
13799. 09/05/91 Flac 16/48 - 0, 149460 Richfield Richfield Coliseum flac16/48kHz; Source Info: FOB B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes
13800. 09/05/91 Flac 24 - 0, 150030 Richfield Richfield Coliseum b>flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24 notes
13801. 09/05/91 Flac 16 - 0, 150285 Richfield Richfield Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
13802. 09/05/91 Flac 16/48 - 0, 151812 Richfield Richfield Coliseum flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB-DFC; Set 1 Row R, Seat 10 (handheld); Set 2 Row R Seat 10 (stand) Transfer: Master DAT > Tascam DA-20mk2 > coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 28, 2021. Notes: fresh transfer & processing of shnid 91802. notes
13803. 09/06/91 Flac 16 - 0, 95314 Richfield Richfield Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
13804. 09/06/91 Flac 16 - 0, 91804 Richfield Richfield Coliseum flac16; FOB Digital Audience Recording Lineage: DAT Master Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. Recording Location: FOB DFC … Section 2, Row 17 Recorded By: Dan O'Neil Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, Tag & Rename for FLAC Meta-Tagging FLAC’d Flac Frontend level 8 notes
13805. 09/06/91 Shn - 0, 5560 Richfield Richfield Coliseum sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs notes
13806. 09/06/91 Shn - 0, 82052 Richfield Richfield Coliseum sbd>dat>c>dat>cdr>shn>patching/editing>shn notes
13807. 09/06/91 Flac 16 Mtx - 0, 132965 Richfield Richfield Coliseum flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:095314) SBD -> Dat -> Cassette Master; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16 and Audience (shnid:091804) Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255 6 bit 48kHz DAT Master > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 notes
13808. 09/06/91 Flac 16 - 0, 132813 Richfield Richfield Coliseum flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro notes
13809. 09/06/91 Shn - 0, 28405 Richfield Richfield Coliseum FOB Schoeps CMC4/MK4 (ORTF)> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Dan O'Neill; Transferred By Charlie Miller notes
13810. 09/06/91 Flac 16 - 0, 94234 Richfield Richfield Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
13811. 09/06/91 Flac 24/48 - 0, 147570 Richfield Richfield Coliseum flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Set #1:Maxell XL-II's 90's & Set #2:Maxell XL-II's 100's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48); Transfers by Pete Ebel notes
13812. 09/06/91 Flac 16 - 0, 149462 Richfield Richfield Coliseum flac16; Source Info: TS Schoeps CMC 4 Mk41-> Koch P/S-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
13813. 09/06/91 Flac 16/48 - 0, 149641 Richfield Richfield Coliseum flac16/48kHz; Source Info: FOB B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes
13814. 09/06/91 - 0, Richfield Richfield Coliseum notes
13815. 09/06/91 Flac 24 - 0, 150031 Richfield Richfield Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24 notes
13816. 09/06/91 Flac 16 - 0, 150286 Richfield Richfield Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
13817. 09/06/91 Flac 16/48 - 0, 151813 Richfield Richfield Coliseum flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k). Location: FOB-DFC. Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 29, 2021. Notes: fresh transfer & processing of shnid 91804. notes
13818. 09/08/91 Shn - 0, 75772 New York Madison Square Garden DSBD > CDA > DAT; Cleaned up copy of SHNid=1069; Clean up by Darryl Hinko notes
13819. 09/08/91 Flac 16 - 0, 130711 New York Madison Square Garden flac16; Recording Info: DSBD > DAT > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; A fresh transfer of my DAT clone. Upgrade to single source SBD. Transferred, tracked and mastered by Bill Guarneri, July 22, 2014 notes
13820. 09/08/91 Flac 16 Mtx - 0, 99108 New York Madison Square Garden flac16; SBD + AUD Matrix Mix - 3 Source Mix: SBD (shnID = 75772), AUD1 (shnID = 96398) and AUD2 (shnID = 98392); 65%-SBD, 20%-AUD1, 15%-AUD2 notes
13821. 09/08/91 Flac 16 - 0, 96398 New York Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Row R, Off Center Set 2 On Stand, Row R, On Aisle Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes
13822. 09/08/91 Shn - 0, 1069 New York Madison Square Garden DSBD> DAT> CD; via Jay Ashley: see flaw note in pub comments notes
13823. 09/08/91 Flac 16 - 0, 34661 New York Madison Square Garden flac16; DSBD>DAT>CD>WAV>SHN>WAV>FLAC - Seamless fix of shn id 1069, fade tracks added. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
13824. 09/08/91 Flac 16 Dts - 0, 99074 New York Madison Square Garden flac16; DTS-Audio-CD 5.1 Mix - 3 Source Mix of SBD (shnID = 75772), AUD1 (shnID = 96398) and AUD2 (shnID = 98392) notes
13825. 09/08/91 Flac 24/48 - 0, 123844 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 02/2013 notes
13826. 09/08/91 Flac 16 - 0, 98392 New York Madison Square Garden flac16; Sennheiser ME-80's>Technics SV-MD1 from OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC; Recorded & Transferred By Keith Litzenberger notes
13827. 09/08/91 Flac 16/48 - 0, 88003 New York Madison Square Garden flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand, back of floor center, directly behind the lighting board. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes
13828. 09/08/91 Flac 16 - 0, 88002 New York Madison Square Garden flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand, back of floor center, directly behind the lighting board. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F. notes
13829. 09/08/91 Flac 24 - 0, 149783 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13830. 09/08/91 Flac 16 - 0, 149846 New York Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
13831. 09/08/91 Flac 16/48 - 0, 150539 New York Madison Square Garden flac16/48kHz; Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa; Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48; edited and mastered SIRMick August 2020 notes
13832. 09/09/91 Flac 16 - 0, 96399 New York Madison Square Garden b>flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 3, Row S, On Aisle Set 2 On Stand, Section 3, Row V, Seat 2 Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. notes
13833. 09/09/91 Flac 16 Mtx - 0, 110640 New York Madison Square Garden flac16; This is a matrix of these sources: SBD: shnid=508 (DSBD>>DAT>>CDA) // DAUD: shnid=96399 (Recording Equipment: B&K 4011 110∫ ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro) notes
13834. 09/09/91 Flac 16 - 0, 34677 New York Madison Square Garden flac16; SBD>>DAT>>CDA>>WAV>>SHN>>WAV>>FLAC - Seamless fix of shn id 508. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
13835. 09/09/91 Shn - 0, 75773 New York Madison Square Garden DSBD > DAT > CDA; Clean up copy of SHNid=508; Clean up by Darryl Hinko notes
13836. 09/09/91 Shn - 0, 508 New York Madison Square Garden DSBD> DAT> CD; via C. Miller, J. Ashley notes
13837. 09/09/91 Flac 24/48 - 0, 123544 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 01/2013 notes
13838. 09/09/91 Shn - 0, 28851 New York Madison Square Garden Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Dan O'Neill Transferred By Charlie Miller notes
13839. 09/09/91 Flac 24 - 0, 149749 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13840. 09/09/91 Flac 16 - 0, 149777 New York Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
13841. 09/09/91 Flac 16/48 - 0, 150412 New York Madison Square Garden flac16/48kHz; Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa; Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48; edited and mastered SIRMick July 2020 notes
13842. 09/09/91 Flac 16/48 - 0, 151920 New York Madison Square Garden flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB; Sec 2, Row V, Seat 3; Set I (handheld), Set II (stand over 6') Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 25, 2021. notes
13843. 09/10/91 Flac 16 - 0, 89085 New York Madison Square Garden flac16; SBD DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0 notes
13844. 09/10/91 Flac 16 - 0, 34678 New York Madison Square Garden flac16; DSBD>DATs>CDRs>EAC>SHN>WAV>FLAC - Seamless fix of shn id 511. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
13845. 09/10/91 Shn - 0, 511 New York Madison Square Garden complete; DSBD> DATs> CDRs> EAC> SHN; via Darrin Sacks notes
13846. 09/10/91 Flac 16 Mtx - 0, 98132 New York Madison Square Garden flac16; Matrix synch completed by Amdig SBD + AUD Matrix from 2 GEMS Source Mix (65%-SBD/35%-AUD) Time sych done in CEPro 2.0 Multitrack matrix mixdown to 24/48 in CEPro 2.0 Final Matrix Matstering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by BlueDakota. Tracked in Wavelab 6.0, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging; Matrix Recordings Created from these GEMS Sources: source ID 89085 - GEMS DSBD (DSBD 16-bit, 44.1kHz Vault DAT Clone) and source ID 96422 - GEMS FOB Aud (Master FOB DAT 16-bit, 48kHz) notes
13847. 09/10/91 Flac 16 - 0, 96422 New York Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 2, Row S, Seat 2 Set 2 On Stand, Section 2, Row V, Seat 2 Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8Tag & Rename for FLAC Meta-Tagging. notes
13848. 09/10/91 Flac 24 Mtx - 0, 98701 New York Madison Square Garden flac24; SBD+AUD Matrix Mix (65%-SBD/35%-AUD) SBD (shnID = 89085) and AUD (shnID = 96422) notes
13849. 09/10/91 Flac - 0, 30755 New York Madison Square Garden Source: SBD: DAT(M) > DAT(1) > DAT(2) Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC; FLAC conversion done by dan@am-dig.com notes
13850. 09/10/91 Flac 16 - 0, 117024 New York Madison Square Garden flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
13851. 09/10/91 Shn Dts - 0, 98655 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; Source Info - SBD (shnID = 89085) and AUD (shnID = 96422) Recorded By: James Young and Clay Brennecke notes
13852. 09/10/91 Flac 24/48 - 0, 122424 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 10/2012 notes
13853. 09/10/91 Flac 24/96 - 0, 117023 New York Madison Square Garden flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
13854. 09/10/91 Flac 16/48 - 0, 138917 New York Madison Square Garden flac16/48kHz; source: Schoeps cmc34 (FOB) -> Oade P/S -> Panasonic SV-255 (48k); transfer: (DAT master) Sony D8 -> Oade 7-pin/Coax -> Tascam HD-P2 -> wav -> Sound Studio -> xACT -> flac (16/48); recorded by: Dan O'Neill, set 1 handheld, Set 2 stand over 6'; location: Sec 2, Row V, Seat 3 notes
13855. 09/10/91 Flac 24 - 0, 149509 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13856. 09/10/91 Flac 16 - 0, 149650 New York Madison Square Garden flac; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
13857. 09/10/91 Flac 16/48 - 0, 151921 New York Madison Square Garden flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB; Sec 2, Row V, Seat 3; Set I (handheld), Set II (stand over 6') Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel.January 25, 2021. Notes: Fresh transfer & mastering of shnid 138917. notes
13858. 09/10/91 Flac 16/44 - , 153418 New York Madison Square Garden fkac16/44 A Photoleon Matrix Source: Schoeps Cmc34 (ortf) > M1000 Cables > Tao Research Oade Supply > Panasonic Sv255> Master Dat (48k) + (ots) Nak Cm300 Cp4 Shotguns> Cassette + Sbd> Dat(?). Fob Recording By Dan O'neill. Ots Recording By Jb. Sbd Dat Sourced From Todd Evans. Matrix Created By Joe Noel. August 03, 2021 notes
13859. 09/12/91 Flac 16 - 0, 110641 New York Madison Square Garden flac16; This is a matrix of these sources: DSBD: shnid=28871 (soundboard > DAT > CDR > SHN) // DAUD: shnid=97386 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro) notes
13860. 09/12/91 Shn - 0, 28871 New York Madison Square Garden Clean up of SHNid=516; SBD > DAT > CDR > SHN; Cleaned by Darryl Hinko. See notes. notes
13861. 09/12/91 Flac 16 - 0, 97386 New York Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB - Hand Held, Upfront Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes
13862. 09/12/91 Shn - 0, 516 New York Madison Square Garden SBD > DAT > CDR > .shn; .via Jon, Adam Roux; (note may have been in abgd before this perhaps?) notes
13863. 09/12/91 Flac 24/48 - 0, 122165 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012 notes
13864. 09/12/91 Flac 16/48 - 0, 139651 New York Madison Square Garden flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k) - Recorded by Rick Gastwirt from 1st row OTS; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017 notes
13865. 09/12/91 Flac 24 - 0, 149784 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13866. 09/12/91 Flac 16 - 0, 149847 New York Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
13867. 09/12/91 Flac 16/48 - 0, 150655 New York Madison Square Garden flac16/48kHz; Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa; Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48; edited and mastered SIRMick October 2020 notes
13868. 09/13/91 Flac 16 - 0, 110642 New York Madison Square Garden flac16; This is a matrix of these sources: SBD: shnid=31244 (DSBD > DAT > CD > EAC > FLAC) // DAUD: shnid=97387 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro) notes
13869. 09/13/91 Flac 16 - 0, 31244 New York Madison Square Garden flac16; DSBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko; No cut in Masterpiece notes
13870. 09/13/91 Flac 16 - 0, 97387 New York Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Hand Held, Upfront Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes
13871. 09/13/91 Shn - 0, 520 New York Madison Square Garden via A. Kowalski to offer notes
13872. 09/13/91 Flac 16 - 0, 34679 New York Madison Square Garden flac16; DSBD>DAT>CD>WAV>SHN>WAV>FLAC - Seamless fix of shn id 520. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
13873. 09/13/91 Flac 16 - 0, 111224 New York Madison Square Garden flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich notes
13874. 09/13/91 Flac 24/48 - 0, 122120 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012 notes
13875. 09/13/91 Flac 16/48 - 0, 138572 New York Madison Square Garden flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k); Recorded by Rich Gastwirt from 1st row OTS; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick June 2017 notes
13876. 09/13/91 Flac 16 - 0, 141921 New York Madison Square Garden flac16; Matrix: 1. SHNID 97387 Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro; 2. SHNID 138572 Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k) and 3. SHNID 31244 Source: Source: DSBD > DAT > CD > EAC > FLAC notes
13877. 09/13/91 Flac 16/48 - 0, 147304 New York Madison Square Garden flac16/48kHz; Source: (FOB) B&K 4011 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick August 2019 notes
13878. 09/13/91 Flac 24 - 0, 149790 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13879. 09/13/91 Flac 16 - 0, 149851 New York Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
13880. 09/13/91 Flac 16/48 - 0, 150956 New York Madison Square Garden Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and nastered SIRMick November 2020 notes
13881. 09/14/91 Flac 16 - 0, 110643 New York Madison Square Garden flac16; This is a matrix of these sources: SBD: shnid=77789 (SBD -> Dat -> CD) // DAUD: shnid=97388 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro) notes
13882. 09/14/91 Flac 16 - 0, 32904 New York Madison Square Garden flac16; SBD -> Dat -> CD All Transfers and Mastering By Charlie Miller notes
13883. 09/14/91 Flac 16 - 0, 97388 New York Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes
13884. 09/14/91 Shn - 0, 77789 New York Madison Square Garden SBD -> Dat -> CD; Clean up of SHNid=32904 by Darryl Hinko notes
13885. 09/14/91 Shn - 0, 522 New York Madison Square Garden sbd> dat> cd> eac> shn; via A. Kowalski to GDH-Trading loop, not yet etreed notes
13886. 09/14/91 Flac 16 - 0, 111250 New York Madison Square Garden flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich notes
13887. 09/14/91 Flac 24/48 - 0, 122035 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012 notes
13888. 09/14/91 Flac - 0, 25318 New York Madison Square Garden NAK CM 300s + CP4->Casio DA7 Location:On The Floor Directly Behind The Soundboard In Front Of The Official Taper Section. Conversion: Sony 60 ES-> Emagic AudiowerkII -> Soundforge (record/resample) -> CDWAV (track) -> FLAC notes
13889. 09/14/91 Flac 16/48 - 0, 138918 New York Madison Square Garden flac16/48kHz; source: Schoeps cmc34 (FOB) -> Oade P/S -> Panasonic SV-255 (48k); transfer: (DAT master) Sony D8 -> Oade 7-pin/Coax -> Tascam HD-P2 -> wav -> Sound Studio -> xACT -> flac (16/48); recorded by: Dan O'Neill, FOB/DFC notes
13890. 09/14/91 Flac 16/48 - 0, 147629 New York Madison Square Garden flac16/48kHz; Source: (FOB) B&K 4011 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick notes
13891. 09/14/91 Flac 24 - 0, 149977 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13892. 09/14/91 Flac 16 - 0, 150163 New York Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
13893. 09/14/91 Flac 16/48 - 0, 151340 New York Madison Square Garden flac16/48khz Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick January 2021 notes
13894. 09/16/91 Shn - 0, 525 New York Madison Square Garden sbd> dat> cd> eac> shn; via A. Kowalski to GDH-Trading loop, not yet etreed notes
13895. 09/16/91 Flac 16 Mtx - 0, 100910 New York Madison Square Garden flac16; SBD + AUD Matrix Mix (65%-SBD, 35%-AUD) Source Info: SBD (shnID = 525) > DAT > CD > EAC > SHN and FOB AUD (shnID = 97389) Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Recorded By: James Young and Clay Brennecke notes
13896. 09/16/91 Flac 16 - 0, 98389 New York Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes
13897. 09/16/91 Flac 16 Dts - 0, 100911 New York Madison Square Garden flac16; DTS-Audio-CD 5.1 Mix of SBD (shnID = 525) > DAT > CD > EAC > SHN and FOB AUD (shnID = 97389) Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Recorded By: James Young and Clay Brennecke notes
13898. 09/16/91 Flac 24/48 - 0, 121949 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012 notes
13899. 09/16/91 Flac 16 - 0, 135484 New York Madison Square Garden flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
13900. 09/16/91 Flac 16/48 - 0, 139795 New York Madison Square Garden flac16/48kHz; Source: Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k) - Recorded by Rich Gastwirt from 1st row OTS; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 notes
13901. 09/16/91 Flac 16 - 0, 94246 New York Madison Square Garden flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
13902. 09/16/91 Shn - 0, 4868 New York Madison Square Garden FOB B&K 4011 (hand-held, sets recorded from different positions) -> Canari cables -> Neumann Phantom Power ->Sony TCD D10 Pro 2 Modified-> DAT @48k; Transfer: Clone from Master played back through Sony PCM-M1 -> 7pin Coax Out -> Zoltrix Nightingale -> Cooledit 2k (48k->44.1k conversion) -> cdwav (track splitting) -> shorten; recorded by Clay Brennecke and James Young notes
13903. 09/16/91 Flac 16 - 0, 149653 New York Madison Square Garden flac; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
13904. 09/16/91 Flac 24 - 0, 149633 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13905. 09/16/91 Flac 16/48 - 0, 151778 New York Madison Square Garden Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa.
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller.
Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48
edited and mastered SIRMick February 2021
notes
13906. 09/16/91 Flac 16/48 - , 152918 New York Madison Square Garden flac16/48 Recording: Fob Schoeps Cmc3 Mk4’s (ortf)> Tao Research Ps > Mit Cables > Master Dat (panasonic Sv-255mod) (16 Location: Set I Fob, Section 3, Row U, Seat 14 (on Stand @ 6') Location: Set Ii Fob, Section 3, Row U, Seat 14 (on Stand @ 6'5") Transfer: Dat > Tascam Da-40 > Tascam Da-3000 > Flac 16 48 Master Digital Fob Recording By Dave Brotman & Jeff Metchick Transfer By Charlie Miller Edited & Mastered Using Adobe Audition By Joe Noel July 02, 2020 notes
13907. 09/16/91 Flac 16/44 - , 153419 New York Madison Square Garden flac16/44 A Photoleon Matrix: (fob) Schoeps Cmc3 Mk4’s (ortf)> Tao Research Ps > Mit Cables > Master Dat + (ots) Schoeps Cmc4 Mk4> Master Dat + Sbd> Master Cassette. Fob Recording By Dave Brotman & Jeff Metchick. Ots Recording By Rich Gastwirt. Sbd Recording By Don Pearson & Dan Healy Matrix Created By Joe Noel. July 28, 2021 notes
13908. 09/17/91 Flac 16 Mtx - 0, 110644 New York Madison Square Garden flac16; This is a matrix of these sources: SBD: shnid=12847 (SBD: DAT> CD> EAC> SHN) // DAUD: shnid=97390 (B&K 4011 110∫ ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro) notes
13909. 09/17/91 Shn - 0, 12847 New York Madison Square Garden SBD: DAT> CD> EAC> SHN notes
13910. 09/17/91 Flac 16 - 0, 113422 New York Madison Square Garden flac16: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell Metal Capsule 100's Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With AudioGate Software To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes
13911. 09/17/91 Flac 24/96 - 0, 113421 New York Madison Square Garden flac24: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell Metal Capsule 100's Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz No Dithering With These Files notes
13912. 09/17/91 Flac 24/48 - 0, 121837 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012 notes
13913. 09/17/91 Flac 16 - 0, 97390 New York Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes
13914. 09/17/91 Flac 16 - 0, 94213 New York Madison Square Garden flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
13915. 09/17/91 - 0, 150054 New York Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13916. 09/17/91 Flac 16 - 0, 150293 New York Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
13917. 09/17/91 Flac 16/48 - 0, 151779 New York Madison Square Garden Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa.
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller.
Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48
edited and mastered SIRMick February 2021
notes
13918. 09/18/91 Flac 16 Mtx - 0, 110645 New York Madison Square Garden flac16; This is a matrix of these sources: SBD: shnid=2788 (DSBD -> DAT -> CD -> EAC -> SHN) // DAUD: shnid=97391 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro) notes
13919. 09/18/91 Shn - 0, 2788 New York Madison Square Garden DSBD -> DAT -> CD -> EAC -> SHN; via Adam Jerugim notes
13920. 09/18/91 Shn - 0, 527 New York Madison Square Garden dsbd> dat(s)> cd; via A. Kowalski to offer; 1/01 to etree notes
13921. 09/18/91 Flac 24/48 - 0, 121805 New York Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012 notes
13922. 09/18/91 Flac 16 - 0, 97391 New York Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes
13923. 09/18/91 Flac 16 - 0, 94309 New York Madison Square Garden flac16; Sennheiser ME-80's>Technics SV-MD1>Sony TCD-D3 DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
13924. 09/18/91 Flac 16 - 0, 150680 New York Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
13925. 09/18/91 Flac 16/48 - 0, 152268 New York Madison Square Garden flac16/48 Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick April 2021 notes
13926. 09/20/91 Flac 16 Mtx - 0, 111352 Boston Boston Garden flac16; Matrix 50% sbd/50% aud; Sources: SBD > DAT > CDR > WAV > SHNv3 (shnid 5700) thanks to Andy 'Bear' G. for the seeds. DAE (eac) > tracking (cdwave) > bourndary checking (shntool) > SHNv3 (mkwact) > FTP via Chris L. and aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S 90 (shnid 94608) taped by John Bleich from section U, row k, seat 7 transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > iZotope RX Advanced wav (16/44.1) > CD Wave > TLH > flac 16; editing and matrix by SIRMick notes
13927. 09/20/91 Shn - 0, 34799 Boston Boston Garden SBD > DAT > CDR > WAV > SHN - Seamless fix of shn id 5700 notes
13928. 09/20/91 Flac 16 - 0, 101438 Boston Boston Garden flac16; Lineage: Set 2 Master DAT, Set 1 Clone of Master DAT Recording Equipment: Set 1 - Schoeps CMC34 (ORTF) > Oade Supply > Panasonic sv255 Set 2 - B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: Set 1 FOB - Set 2 FOB Section BB Row 24 Seat 3 Recorded By: Set 1 by Dan Oneil and Set 2 by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither notes
13929. 09/20/91 Shn - 0, 21647 Boston Boston Garden Unknown SBD source. Hosted by tol.etree.org; seeded via bittorrent by Tony G. notes
13930. 09/20/91 Shn - 0, 5700 Boston Boston Garden SBD > DAT > CDR > WAV > SHNv3; via Chris L. from Andy 'Bear' G. seed notes
13931. 09/20/91 Flac 16 - 0, 94608 Boston Boston Garden flac16; Source: aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S 90 taped by John Bleich from section U, row k, seat 7 transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > flac mastered with iZotope Ozone and iZotope RX Advanced transferred, edited and mastered SIRMick notes
13932. 09/20/91 Flac 16 - 0, 124202 Boston Boston Garden flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13933. 09/20/91 Flac 16 Mtx - 0, 133731 Boston Boston Garden flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:034799) SBD > DAT > CDR > WAV > SHNv3 and Audience (shnid:101438) Set 1 - Schoeps CMC34 (ORTF) > Oade Supply > Panasonic sv255; Set 2 - B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro 16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 notes
13934. 09/20/91 Flac 16/48 - 0, 138147 Boston Boston Garden flac16/48kHz; DSBD Masters; DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017 notes
13935. 09/20/91 Flac 16/48 - 0, 139815 Boston Boston Garden flac16/48kHz; source: daud; taped by Dan Liff R.I.P; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded - Rob Berger notes
13936. 09/20/91 Shn - 0, 18596 Boston Boston Garden Recorded with nakamichi 300 plus cp4 (shotguns) from the taping section by Mark Horvath notes
13937. 09/20/91 Flac 16 Mtx - 0, 111333 Boston Boston Garden flac16; matrix 50% sbd/50% aud; Sources: SBD > DAT > CDR > WAV > SHNv3 (shnid 5700) thanks to Andy 'Bear' G. for the seeds. DAE (eac) > tracking (cdwave) > bourndary checking (shntool) > SHNv3 (mkwact) > FTP via Chris L. and aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S 90 (shnid 94608) taped by John Bleich from section U, row k, seat 7 transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > iZotope RX Advanced wav (16/44.1) > CD Wave > TLH > flac 16; Upgrade in circulation notes
13938. 09/20/91 Flac 24/96 - 0, 124201 Boston Boston Garden flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes
13939. 09/20/91 Flac 16/48 - 0, 148910 Boston Boston Garden flac16/48kHz; Source: Neuman KMi86 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2020 notes
13940. 09/20/91 Flac 24 - 0, 149505 Boston Boston Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13941. 09/20/91 Flac 16 - 0, 149655 Boston Boston Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
13942. 09/20/91 Flac 16/48 - 0, 151922 Boston Boston Garden flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB/DFC; Sec BB Row 19 Seat 15; Set 1 (handheld), Set 2 (stand) Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited and Mastered (Adobe Audition) by Joe Noel. January 24, 2021 Notes: Set I fresh transfer and mastering of shnid 101438 Set II new to circulation notes
13943. 09/20/91 Flac 16/44 - 0, 152512 Boston Boston Garden notes
13944. 09/20/91 Flac 16 Mtx - , 153420 Boston Boston Garden flac16/44 A Photoleon Matrix: Source: (fob) Schoeps Cmc34> Master Dat + Sbd > Cassette Master. Fob Recording By Dan O'neill. Sbd Recording By Don Pearson & Dan Healy. Matrix Created By Joe Noel September 15, 2021 notes
13945. 09/20/91 Flac 16/48 - , 154501 Boston Boston Garden flac16/48 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick November 2021 notes
13946. 09/21/91 Shn - 0, 529 Boston Boston Garden sbd> DAT> CD-R> EAC> SHN (no cass in gen); seed via A. McCall, via A. Eaglestone to BUDD et al offer; 11/00 at gdlive.com notes
13947. 09/21/91 Flac 16 - 0, 101439 Boston Boston Garden flac16; Lineage: Set 1 Clone of Master DAT, Set 2 Master DAT Set 1 Clone of Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither notes
13948. 09/21/91 Flac 16 - 0, 124450 Boston Boston Garden flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flcked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
13949. 09/21/91 Flac 16 Mtx - 0, 134353 Boston Boston Garden flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:000529) SBD->DAT->CDR->EAC->SHN and Audience(shnid:101439)Set 2 Master DAT, Set 1 Clone of Master DAT,B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro,16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 notes
13950. 09/21/91 Flac 24/96 - 0, 124449 Boston Boston Garden flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes
13951. 09/21/91 Flac 16 - 0, 94674 Boston Boston Garden flac16; source: aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell SII-S taped by John Bleich from section V, row K, seat 3 transfer: mac > Nakamichi BX-125E > EMU 020 > Wavelab > wav (24/96) > flac notes
13952. 09/21/91 Flac 16 - 0, 138148 Boston Boston Garden flac16; DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017 notes
13953. 09/21/91 Flac 16/48 - 0, 139816 Boston Boston Garden flac16/48kHz; source: daud; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded - Rob Berger notes
13954. 09/21/91 Flac 16 - 0, 106585 Boston Boston Garden flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Floor Section BB, Row 31, Seat 14 by Bob & Sam Morris notes
13955. 09/21/91 Flac 16 - 0, 85221 Boston Boston Garden flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa Dat tape. Mics on 7-foot stand, pointed at stacks, third row of taping area. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F. notes
13956. 09/21/91 Flac 16/48 - 0, 85222 Boston Boston Garden flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa Dat tape. Mics on 7-foot stand, pointed at stacks, third row of taping area. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped & transferred (5/2007) by Andrew F. notes
13957. 09/21/91 Flac 16/48 - 0, 149852 Boston Boston Garden flac16/48kHz; Source: Neuman TLM170 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > CD Wave > flac 1648 notes
13958. 09/21/91 Flac 24 - 0, 149996 Boston Boston Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
13959. 09/21/91 Flac 16 - 0, 150164 Boston Boston Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
13960. 09/21/91 Flac 16/48 - 0, 151923 Boston Boston Garden flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB-DFC; Sec BB Row 19 Seat 15; Set 1 (handheld), Set 2 (stand) Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 25, 2021. notes
13961. 09/21/91 Flac 16/48 - , 154722 Boston Boston Garden flac16/48 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick December 2021 notes
13962. 09/22/91 Shn - 0, 17180 Boston Boston Garden DSBD>DAT>CD-R>EAC>WAV>ADDAWAV>CDRWAV>SHN (via MKWACT) via J. Fishman notes
13963. 09/22/91 Flac 16 - 0, 83156 Boston Boston Garden flac 16; Source: Soundboard -> DAT @ 48kHz. Transfer: Sony PCM-R500 -> Nuendo Multiset -> WaveLab 4.0g Resampled with WaveLab 4.0g, tracked with CDWav 1.91 and converted to FLAC. notes
13964. 09/22/91 Flac 16 - 0, 101440 Boston Boston Garden flac16; Set 1 Only - Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither notes
13965. 09/22/91 Flac 16 - 0, 34686 Boston Boston Garden flac16; SBD > GD MASTER DIGITAL MULTI-TRACK > MARIN COUNTY DIGITAL MIXDOWN TO DAT > SSSB - Seamless fix of shn id 7692 notes
13966. 09/22/91 Shn - 0, 530 Boston Boston Garden DSBD> DAT> ZA2> CD-R; 6/99 first seed, some skips in d1 from ZA2 probs; 1/3 retransfer- still a skip? (see pub comment); via Frank Spinale (and to abgd 1/9) notes
13967. 09/22/91 Shn - 0, 7692 Boston Boston Garden updated lineage SBD > ? [reputed GD master multitrack- see pub comment] > DAT > SSSB; via Jay Serafin; GDLive notes
13968. 09/22/91 Flac 16 Mtx - 0, 134354 Boston Boston Garden flac16; 3 Source Matrix byDusborne;Soundboard (shnid:83156)Soundboard -> DAT @ 48kHz,Audience set 1(shnid:101440)B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro,16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0, Audience Set 2 (shnid:124594)AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's,Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz notes
13969. 09/22/91 Flac 24/96 - 0, 124593 Boston Boston Garden flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes
13970. 09/22/91 Flac 16 - 0, 138149 Boston Boston Garden flac16; DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017 notes
13971. 09/22/91 Flac 16/48 - 0, 139817 Boston Boston Garden flac16/48kHz; source: daud; taped by Dan Liff r.i.p; neumann rsm 190i > sony tcd-d10 pro; transferred & seeded - Rob Berger notes
13972. 09/22/91 Flac 16/48 - 0, 85224 Boston Boston Garden flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa Dat tape. Mics on 7-foot stand, pointed at stacks, third row of taping area. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped & transferred (5/2007) by Andrew F. notes
13973. 09/22/91 Flac 16 - 0, 85223 Boston Boston Garden flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa Dat tape. Mics on 7-foot stand, pointed at stacks, third row of taping area. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F. notes
13974. 09/22/91 Flac 24 - 0, 150637 Boston Boston Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
13975. 09/22/91 Flac 16 - 0, 150681 Boston Boston Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes
13976. 09/22/91 Flac 16/48 - , 155571 Boston Boston Garden flac16/48Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick 02/03/2022 notes
13977. 09/24/91 Flac - 0, 25939 Boston Boston Garden SBD> Dat x 3; Transfer: Dat (Tascam DA20)> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> SHN; All Transfers and Editing by Charlie Miller; reported upgrade to previous circulating copies notes
13978. 09/24/91 Flac 16 - 0, 101441 Boston Boston Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 24 Seat 10 Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither notes
13979. 09/24/91 Shn - 0, 7693 Boston Boston Garden updated lineage: SBD > ? [reputed GD master multitrack- see pub comment] > DAT > SSSB; via Jay Serafin; GDLive notes
13980. 09/24/91 Flac 24/96 - 0, 97595 Boston Boston Garden flac24; Set 2 Recording Info: SBD -> Dat x (presumably? - best guess for the era) -> Analog Master -> First Generation Cassette Transfer Info: First Generation Cassette -> Sony TC WE475 Cassette Deck -> Rotel 680BX preamplifier -> M-Audio Audiophile 192 at 96,000 Hz 24bit -> Soundforge 8 -> .flac level 6 via Traders Little Helper notes
13981. 09/24/91 Shn - 0, 2374 Boston Boston Garden SBD > MC > DAT > CDR; vtree round 2 (8/00), to etree 11/00 notes
13982. 09/24/91 Shn - 0, 33813 Boston Boston Garden Refix of Jay Serafin seed using "orthodox" methods SBD> ? > DAT > SSB notes
13983. 09/24/91 Flac 16 - 0, 116037 Boston Boston Garden flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell MX 90,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes
13984. 09/24/91 Flac 16 - 0, 35363 Boston Boston Garden flac16; SBD -> Dat x 3 -> CD (Tascam CDRW700) -> EAC -> Samplitude v7.02 Professional -> SHN (-> WAV -> FLAC) - Seamless fix of shn id 25939. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
13985. 09/24/91 Flac 16 Mtx - 0, 134355 Boston Boston Garden flac16; 2 Source Matrix byDusborne; Soundboard (shnid:025939,SBD -> Dat x 3,Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> Samplitude v7.02 Professional -> SHN, Audience (shnid:101441),Master DAT,B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro,Transfer:16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 notes
13986. 09/24/91 Flac 24/96 - 0, 116036 Boston Boston Garden flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell MX 90,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
13987. 09/24/91 Flac 16 - 0, 138150 Boston Boston Garden flac16; DSBD Masters; DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017 notes
13988. 09/24/91 Flac 16/48 - 0, 139829 Boston Boston Garden flac16/48kHz; source: daud; neumann rsm 190iS > sony tcd-d10 pro; taped by Dan Liff r.i.p; transferred & seeded - Rob Berger notes
13989. 09/24/91 Flac 16 - 0, 84982 Boston Boston Garden flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F notes
13990. 09/24/91 Flac 16/48 - 0, 84983 Boston Boston Garden flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes
13991. 09/24/91 Flac 16 - 0, 148445 Boston Boston Garden flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Master>2 Maxell XL-II-S Tapes (1 90 Minite For 1st Set, 1 100 Minute Tape For 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (34/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section, Section U, Row E, Seat 10 notes
13992. 09/24/91 Flac 16/48 - 0, 150196 Boston Boston Garden flac16/48kHz; Source: (FOB) Schoeps cmc4/mk4 (ortf) > Oade modified Panasonic SV-255 > dat master (48k) - Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfered by Charlie Miller; Lineage: wav 16/48 > iZotope RX7 Advanced > CD Wave > Flac 16/48; edited and mastered SIRMick Junwe 2020 notes
13993. 09/24/91 Flac 24 - 0, 150638 Boston Boston Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
13994. 09/24/91 Flac 16 - 0, 150682 Boston Boston Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes
13995. 09/24/91 Flac 16 Mtx - , 153241 Boston Boston Garden flac16/44 A Photoleon Matrix: Source; (fob) B&k 4011> Dat Master + (eof) Schoeps Cmc3 Mk4> Dat Master + Sbd> Cassette Master. Fob Recording By James Young & Clay Brennecke. Eof Recording By Andrew F. Sbd Recording By Don Pearson & Dan Healy. Matrix Created By Joe Noel August 17, 2021 notes
13996. 09/24/91 Flac 16/48 - , 155581 Boston Boston Garden flac16/48 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick February 2022 notes
13997. 09/25/91 Flac 16 - 0, 101442 Boston Boston Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither notes
13998. 09/25/91 Flac 16 - 0, 138151 Boston Boston Garden flac16; DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 20 notes
13999. 09/25/91 Flac 16/48 - 0, 139839 Boston Boston Garden flac16/48kHz; source: daud; neumann rsm 190iS > sony tcd-d10 pro; taped by Dan Liff r.i.p; transferred & seeded - Rob Berger notes
14000. 09/25/91 Shn - 0, 16667 Boston Boston Garden Nakamichi CM300 + CP4REAR > d-5>cm >cdr Taped and discs kindly provided by Mark Horvath Eac > cool edit pro > shntool > cdwav > shnv3 By Ernie Dodd notes
14001. 09/25/91 Flac 16/48 - 0, 84858 Boston Boston Garden flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes
14002. 09/25/91 Flac 16 - 0, 84857 Boston Boston Garden flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F. notes
14003. 09/25/91 Flac 16/48 - 0, 148726 Boston Boston Garden flac16/48kHz; Source: Set I Neumann TLM 170 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT; Set II Neumann KMi86 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT; Transfer: Master DAT > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Master Digital Audience recording by Tim Dalton; Transfer by Charlie Miller; Edited & Mastered w/ Adobe Audition by Joe Noel notes
14004. 09/25/91 Flac 16 - 0, 149681 Boston Boston Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
14005. 09/25/91 Flac 24 - 0, 149672 Boston Boston Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14006. 09/25/91 Flac 16 - 0, 148533 Boston Boston Garden flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Master>1 Maxell XL-II-S Tapes (1 90 Minute For 1st Set, 1 TDK SA-X 100 Minute Tape For 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (34/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section, Section M, Row K, Seat 10 notes
14007. 09/25/91 Flac 16/48 - , 156464 Boston Boston Garden flac1648 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick April 2022 notes
14008. 09/26/91 Flac 16 Mtx - 0, 95247 Boston Boston Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) notes
14009. 09/26/91 Flac 16 - 0, 95534 Boston Boston Garden flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v7.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
14010. 09/26/91 Flac16 Mtx - 0, 101543 Boston Boston Garden flac16; Matrix of Soundboard (shnid 95534) and Front of Board Audience (shnid 101443) -> Matrix by Amdig notes
14011. 09/26/91 Flac 16 - 0, 101443 Boston Boston Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 18 Seat 15 Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither notes
14012. 09/26/91 Shn - 0, 1575 Boston Boston Garden SBD> MC> DAT> CDA; high pitched buzz (9200hz- 10200hz) throughout the show removed with a 30% notch filter; via Jay Ashley; etreed; presumably identical source to abgd copy, but md5s differ notes
14013. 09/26/91 Shn - 0, 21242 Boston Boston Garden SBD(1)>DAT>CD>EAC>CDWAVE>MKWACT>SHN This may be a digital soundboard. There is no wow and flutter in Eyes of the World as existed in older versions of the 9/26/91 SBD. Thanks to an old friend Dougal Donaldson for providing me with the source DATS some years back. Listener reports probably one cassette generation. Transfers and conversions all done by JR Fishman notes
14014. 09/26/91 Flac 16 - 0, 124759 Boston Boston Garden flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14015. 09/26/91 Flac 16 - 0, 121750 Boston Boston Garden flac16; Master Audience Recorded By JB, Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony TC-D5M; Tapes:Set 1 Maxell MX 100, set 2 3M Black Watch 4040 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14016. 09/26/91 Flac 16 - 0, 34852 Boston Boston Garden flac16; Set 2 only - DAUD FOB B&K 4011 B&Ks on mic stand from Sec. BB Row 18 Seat 15 recorded by Clay Brennecke > Modified Sony D10 Pro > DAT (1) > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5* 44kHz > flac (8) notes
14017. 09/26/91 Flac 16 - 0, 76050 Boston Boston Garden flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA100) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
14018. 09/26/91 Flac Dts 5.1 - 0, 102067 Boston Boston Garden DTS Audio 5.1; Mix of SBD (shnID = 95534) SBD > DAT > CD > EAC > SHN; Via A. Kowalski and AUD (shnID = 101443) FOB Digital Audience Recording notes
14019. 09/26/91 Flac 24/96 - 0, 121758 Boston Boston Garden flac24; Master Audience Recorded By JB, Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony TC-D5M; Tapes:Set 1 Maxell MX 100, set 2 3M Black Watch 4040 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes
14020. 09/26/91 Flac 16/48 - 0, 34851 Boston Boston Garden flac16/48; Set 2 only - DAUD FOB B&K 4011 B&Ks on mic stand from Sec. BB Row 18 Seat 15 recorded by Clay Brennecke > Modified Sony D10 Pro > DAT (1) > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5* 48kHz > flac (8) notes
14021. 09/26/91 Flac 16 - 0, 138152 Boston Boston Garden flac16; DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017 notes
14022. 09/26/91 Flac 16/48 - 0, 139874 Boston Boston Garden flac16/48kHz; source: daud; neumann rsm 190iS > sony tcd-d10 pro; taped by Dan Liff r.i.p; transferred & seeded - Rob Berger notes
14023. 09/26/91 Flac 16 - 0, 94247 Boston Boston Garden flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
14024. 09/26/91 Flac 16 - 0, 84852 Boston Boston Garden flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F. notes
14025. 09/26/91 Flac 16/48 - 0, 84853 Boston Boston Garden flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes
14026. 09/26/91 Flac 24/96 - 0, 124758 Boston Boston Garden flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes
14027. 09/26/91 Flac 16/48 - 0, 148727 Boston Boston Garden flac16/48kHz; Source: Set I Neumann TLM 170 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT; Set II Neumann KMi86 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT; Transfer: Master DAT > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Master Digital Audience recording by Tim Dalton; Transfer by Charlie Miller; Edited & Mastered w/ Adobe Audition by Joe Noel notes
14028. 09/26/91 Flac 24 - 0, 149553 Boston Boston Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 notes
14029. 09/26/91 Flac 16 - 0, 149662 Boston Boston Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
14030. 09/26/91 Flac 16 - 0, 148585 Boston Boston Garden flac16; Source:DAK Shotgun Mics>Sony WM-D6C Cassette Master>1 Maxell XL-II-S Tapes (1 90 Minute For 1st Set,1TDK SA-X 100 Minute Tape For 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (34/44.1 KHZ)>Cd Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section, Section U, Row E,Seat 7 notes
14031. 09/26/91 Flac 16 Mtx - , 153422 Boston Boston Garden flac16/44 A Photoleon Matrix: Source: (fob) B&k 4011> Master Dat + (ots) Neumann Tlm 170> Master Dat + Sbd (dat). Fob Recording By James Young & Clay Brennecke. Ots Recording By Tim Dalton. Sbd Shared By Po & Stucco Tina Holmes. Matrix Created By Joe Noel August 12, 2021 notes
14032. 09/26/91 Flac 16/48 - , 156465 Boston Boston Garden flac1648 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 EDited and mastered SIRMick April 2022 notes
14033. 09/26/91 Flac 16/48 - , 156465 Boston Boston Garden flac1648 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 EDited and mastered SIRMick April 2022 notes
14034. 10/27/91 Flac 16 - 0, 81199 Oakland Oakland-Alameda County Coliseum flac16; Source: SBD > DAT(48KHz) > DAT playback on Sony PCM-R500 > XLR analog outputs > Mogami Gold cables > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV withWavelab 5 > mastered with Waves L3 Multimaximizer (threshold of -2.9 dB, ceiling -0.1 dB)> rendered to 16 bit /44.1 KHz WAV using UV22-HR dithering (normal/no autoblack) > tracked with CDWAV 1.9 > FLAC notes
14035. 10/27/91 Flac 16 - 0, 120120 Oakland Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14036. 10/27/91 Flac 16 - 0, 102206 Oakland Oakland-Alameda County Coliseum flac16; Lineage: Clone of Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by James Young and Marcus Buick Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging notes
14037. 10/27/91 Shn - 0, 537 Oakland Oakland-Alameda County Coliseum SBD> DAT> ZA2> Soundforge 4> CD Architect> CDR> EAC> shn; via Eric, Jeff notes
14038. 10/27/91 Flac 24/48 - 0, 120119 Oakland Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes
14039. 10/27/91 Flac 16/48 - 0, 137738 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Recording Info: SBD > Dat Master (48k); Transfer Info: Dat Master (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller notes
14040. 10/27/91 Flac 24 - 0, 139272 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14041. 10/27/91 Flac 16 - 0, 139300 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139272 24 bit -> 16 bit notes
14042. 10/27/91 Flac 16 - 0, 117198 Oakland Oakland-Alameda County Coliseum flac16; source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
14043. 10/28/91 Shn - 0, 12789 Oakland Oakland-Alameda County Coliseum SBD> DAT (n clones)> PCM> DAT; Conversion: Tascam DA-20 MK II > Delta Dio 2496 > Soundforge XP 4.5 > CDWave > SHN by Rob (Odeo) Harrison; tracked for 2x80 notes
14044. 10/28/91 Flac - 0, 120100 Oakland Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Traders Little Helper; Metadata Tagging With Tag&Renam notes
14045. 10/28/91 Flac 24 - 0, 120099 Oakland Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes
14046. 10/28/91 Flac - 0, 102207 Oakland Oakland-Alameda County Coliseum flac16; Lineage: Clone of Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by James Young and Marcus Buick Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging notes
14047. 10/28/91 Flac 24 - 0, 139274 Oakland Oakland-Alameda County Coliseum b>flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14048. 10/28/91 Flac - 0, 139303 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139274 24 bit -> 16 bit notes
14049. 10/28/91 Flac 16 - 0, Oakland Oakland-Alameda County Coliseum notes
14050. 10/30/91 Shn - 0, 25262 Oakland Oakland-Alameda County Coliseum DSBD > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes
14051. 10/30/91 Flac 16 - 0, 120061 Oakland Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14052. 10/30/91 Flac 16 - 0, 102209 Oakland Oakland-Alameda County Coliseum flac16; Lineage: Clone of Master DAT Recording Equipment: Schoeps CMC34 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by James Young and Marcus Buick Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging notes
14053. 10/30/91 Flac 24/48 - 0, 120060 Oakland Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes
14054. 10/30/91 Flac 24 - 0, 139275 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14055. 10/30/91 Flac 16 - 0, 139304 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139275 24 bit -> 16 bit notes
14056. 10/30/91 Shn - 0, 9762 Oakland Oakland-Alameda County Coliseum Senn 421's>DAT>CDR; via Paul; Seeded to etree by eD(efojr) notes
14057. 10/31/91 Flac16 Mtx - 0, 102252 Oakland Oakland-Alameda County Coliseum flac16; SBD+AUD Matrix Mix (60% SBD & 40% AUD); Multitrack Mixdown: SBD -3db, Aud -8db; Matrix by Amdig notes
14058. 10/31/91 Shn - 0, 540 Oakland Oakland-Alameda County Coliseum SBD; set 1 and set II seeded separately, but merged together here; seeded by Ghost and Andrew Elborgen; Update 11/18/08 I found discs of these so I added the md5s I have with mine. Darryl Hinko notes
14059. 10/31/91 Flac 16 - 0, 32241 Oakland Oakland-Alameda County Coliseum flac16; DSBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes
14060. 10/31/91 Flac 16 - 0, 120041 Oakland Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename; The original source for this seed has an encoding error on track 20 notes
14061. 10/31/91 Flac 24/48 - 0, 120040 Oakland Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes
14062. 10/31/91 Flac 16 - 0, 102211 Oakland Oakland-Alameda County Coliseum flac16; Lineage: Clone of Master DAT Recording Equipment: Schoeps CMC34 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging notes
14063. 10/31/91 Flac - 0, 30699 Oakland Oakland-Alameda County Coliseum Matrix by RJ Hythloday of sbd > (?) > shn(id=2897)& FOB recorded by Marcus Buick Transferred By Charlie Miller notes
14064. 10/31/91 Shn - 0, 2897 Oakland Oakland-Alameda County Coliseum sbd> ?> shn; via Tony Gardner notes
14065. 10/31/91 Flac 24 - 0, 102251 Oakland Oakland-Alameda County Coliseum flac24; SBD+AUD Matrix Mix (60% SBD & 40% AUD) Multitrack Mixdown: SBD -3db, Aud -8db; Matrix by Amdig notes
14066. 10/31/91 Flac Dts 5.1 - 0, 103307 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; Source Info: SBD (shnID = 32241) DSBD > DAT > CD > EAC > FLAC and AUD (shnID = 101443) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 18 Seat 15 Recorded by James Young and Clay Brennecke notes
14067. 10/31/91 Flac 24 - 0, 139276 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14068. 10/31/91 Flac 16 - 0, 139305 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139276 24 bit -> 16 bit notes
14069. 10/31/91 Shn - 0, 28612 Oakland Oakland-Alameda County Coliseum Recording Info: (FOB) Schoeps CMC3/MK4 -> 'Tao Research" Oade -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Marcus Buick (mics in a giant costume hat) Transferred By Charlie Miller notes
14070. 11/03/91 Flac 16 - 0, 107797 San Francisco Polo Field, Golden Gate Park flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
14071. 11/03/91 Flac 24/48 - 0, 117752 San Francisco Polo Field, Golden Gate Park flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
14072. 11/03/91 Flac 16 - 0, 34912 San Francisco Polo Field, Golden Gate Park flac16; Source: FM > VHS HiFi (Maxell XL120) Transfer: Panasonic AG-5210 > Soundforge 8 - 44.1KHz/24bit > highpass triangular dither-> 16bit > CD Wave > FLAC16 notes
14073. 11/03/91 Shn - 0, 19292 San Francisco Polo Field, Golden Gate Park Source: Liberated Bootleg CD>EAC>SHN notes
14074. 11/03/91 Flac 24/48 - 0, 117752 San Francisco Polo Field, Golden Gate Park flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
14075. 11/03/91 Flac 24/96 - 0, 150808 San Francisco Polo Field, Golden Gate Park flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
14076. 11/03/91 Flac 16/48 - 0, 150807 San Francisco Polo Field, Golden Gate Park flac16/48kHz; Recording Info: UltraMatrix SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes
14077. 11/03/91 Flac 16 - , 153785 San Francisco Polo Field, Golden Gate Park flac16; Pitch Corrected Audience - (original shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - pitch correction by Kevin Tobin notes
14078. 11/03/91 Flac 24/48 - , 153784 San Francisco Polo Field, Golden Gate Park flac24; Pitch Corrected Audience - (original shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - pitch correction by Kevin Tobin notes
14079. 11/03/91 Flac 16/48 - , 153783 San Francisco Polo Field, Golden Gate Park flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 150808) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller + AUD (shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - surround mixing by Kevin Tobin notes
14080. 11/03/91 Flac 16 Dts 5.1 - , 153782 San Francisco Polo Field, Golden Gate Park DTS-Audio-CD 5.1 Mix; - SBD (shnid = 150808) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller + AUD (shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - dts mixing by Kevin Tobin notes
14081. 11/03/91 Flac 16 Mtx - , 153781 San Francisco Polo Field, Golden Gate Park fflac16; Matrix 2 Source Mix - SBD (shnid = 150808) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller + AUD (shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - matrix mixing by Kevin Tobin notes
14082. 11/03/91 Flac 24 Mtx. - , 153780 San Francisco Polo Field, Golden Gate Park flac24; Matrix 2 Source Mix - SBD (shnid = 150808) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller + AUD (shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - matrix mixing by Kevin Tobin notes
14083. 12/27/91 Flac 16 - 0, 105582 Oakland Oakland-Alameda County Coliseum flac16; Recording Info:SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
14084. 12/27/91 Shn - 0, 25944 Oakland Oakland-Alameda County Coliseum DSBD > DAT > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko, with patches added from previous AUD source notes
14085. 12/27/91 Flac 16 - 0, 127428 Oakland Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM-300x3; Two CP-4 Shotguns + One CP-1 Cardioid > Boss BX-4 Mixer > Sony WM-D6C (w/Dolby C) > Cassette Master (MX-S 100); Masters Transferred Via: WM-D6C (Original Record Deck w/Dolby C) > HHb CDR 800 > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS, Low And Center (Exact Row, Seat # Not Recorded); Recorded/Transferred By: Jeff Bowen notes
14086. 12/27/91 Shn - 0, 12094 Oakland Oakland-Alameda County Coliseum AUD> DAT> CDR; Schoeps MK4's; via Billy DeLyon; Seeded to etree by eD notes
14087. 12/27/91 Flac 24/96 - 0, Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
14088. 12/28/91 Flac 16 - 0, 104999 Oakland Oakland-Alameda County Coliseum flac16; Lineage: Clone of Master DAT Recording Equipment: B&K 4011 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging notes
14089. 12/28/91 Flac 16 Mtx - 0, 97730 Oakland Oakland-Alameda County Coliseum flac16; matrix of DSBD: shnid=76116 and DAUD: shnid=4534 by hansokolow using ProTools notes
14090. 12/28/91 Flac 16 - 0, 76116 Oakland Oakland-Alameda County Coliseum flac16; Set 1: SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN (> WAV > FLAC); Set 2: SBD -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN (> WAV > FLAC) - Seamless edit of shn id 21615 notes
14091. 12/28/91 Shn - 0, 4534 Oakland Oakland-Alameda County Coliseum FOB/DFC B&K 4011 ORTF > Canari ?(Canare cables?) > Neumann (phantom?) > Sony TDC D10 Pro 2 (w/Oade modification) notes
14092. 12/28/91 Flac 16 MTX - 0, 143947 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 143856) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 104999) Lineage: Clone of Master DAT Recording Equipment: B&K 4011 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging - matrix mixing by Kevin Tobin notes
14093. 12/28/91 Flac 16/48 - 0, 143949 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 143856) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 104999) Lineage: Clone of Master DAT Recording Equipment: B&K 4011 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging - surround mixing by Kevin Tobin notes
14094. 12/28/91 Flac 16 Dts - 0, 143948 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid = 143856) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 104999) Lineage: Clone of Master DAT Recording Equipment: B&K 4011 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging - dts mixing by Kevin Tobin notes
14095. 12/28/91 Flac 24 - 0, 143856 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 notes
14096. 12/28/91 Flac 16 - 0, 143857 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; This file set is 16 bit @ 44.1 notes
14097. 12/28/91 Shn - 0, 21615 Oakland Oakland-Alameda County Coliseum Set 1: SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN Set 2: SBD -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN notes
14098. 12/28/91 Flac 16 - 0, 144616 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Dat Master (44.1k); Transfer Info: Dat Master (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes
14099. 12/28/91 Flac 16/48 - 0, Oakland Oakland-Alameda County Coliseum notes
14100. 12/30/91 Flac 16 - 0, 32574 Oakland Oakland-Alameda County Coliseum flac16; SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller notes
14101. 12/30/91 Flac 16/48 - 0, 135054 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - mixing by Kevin Tobin notes
14102. 12/30/91 Flac Dts 5.1 - 0, 135052 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - dts mixing by Kevin Tobin notes
14103. 12/30/91 Flac 16 Mtx - 0, 135051 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - matrix mixing by Kevin Tobin notes
14104. 12/30/91 Shn - 0, 6812 Oakland Oakland-Alameda County Coliseum FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. notes
14105. 12/30/91 Flac 16 - 0, 105000 Oakland Oakland-Alameda County Coliseum flac16; Lineage: Clone of Master DAT Recording Equipment: B&K4011s > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging notes
14106. 12/30/91 Flac 16/48 - 0, Oakland Oakland-Alameda County Coliseum notes
14107. 12/31/91 Flac 16 - 0, 76545 Oakland Oakland-Alameda County Coliseum flac16; SBD->Satellite Feed->DAT>CDR->WAV->SHNv3->FLAC; fix of shn id 5921 notes
14108. 12/31/91 Shn - 0, 5921 Oakland Oakland-Alameda County Coliseum SBD > Satellite Feed > DAT> CDR > WAV > SHNv3; DAE (EAC) > tracking (cdwave) > boundary checking (shntool) > SHNv3 (mkwact) via C.Ladner, from C.Larson for seed discs notes
14109. 12/31/91 Flac 16 - 0, 94248 Oakland Oakland-Alameda County Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger from front row Taper's Section notes
14110. 12/31/91 Flac 24 - 0, 149557 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 notes
14111. 12/31/91 Flac 16/48 - 0, 149558 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Recording Info: UltraMatrix SBD (Broadcast Mix) > DAT Master (48k); Transfer Info: DAT Master (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes
14112. 12/31/91 Flac 16 - 0, 149663 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
14113. 02/13/92 Shn - 0, 17404 San Rafael Club Front DSBD->CD->EAC->SHN by Joe Samaritano Studio Rehearsal of So Many Roads notes
14114. 02/21/92 Shn - 0, 8189 San Rafael Club Front Studio Seeded to abgd by Doo Dah Man; Note original files contained an SFV integrity file. Md5 was created from the original shns and provided to the etree db here. notes
14115. 02/22/92 Flac 16 - 0, 96395 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
14116. 02/22/92 Flac 16 - 0, 77722 Oakland Oakland-Alameda County Coliseum flac16; FOB Digital Audience Set 1: B&K 4011 (ORTF) Hand Held -> Canare Cable -> Neumann Supply -> Modified Sony D10 Pro Jamie Young Rig) Set 2: Schoeps CMC34 -> Panasonic sv250 (Marcus Rig) notes
14117. 02/22/92 Shn - 0, 9981 Oakland Oakland-Alameda County Coliseum SBD>MC>C>DAT>CDR; via Paul; Seeded to etree bt Tony G notes
14118. 02/22/92 Flac 16/48 - 0, 138245 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16/48; edited and mastered SIRMick May 2017 notes
14119. 02/22/92 Flac 16 - 0, 117851 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Beyer M160 microphones - up front/center > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
14120. 02/22/92 Flac 24 - 0, 149848 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 notes
14121. 02/22/92 Flac 16 - 0, 145007 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
14122. 02/23/92 Flac 16 - 0, 96396 Oakland Oakland-Alameda County Coliseum flac16; Set 2 Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
14123. 02/23/92 Flac 16 - 0, 119790 Oakland Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tape Set 1:Maxell MX-S,Set 2:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14124. 02/23/92 Flac 24/48 - 0, 119789 Oakland Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tape Set 1:Maxell MX-S,Set 2:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
14125. 02/23/92 Flac 16 - 0, 138164 Oakland Oakland-Alameda County Coliseum flac16; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; edited and mastered SIRMick April 2017 notes
14126. 02/23/92 Shn - 0, 9982 Oakland Oakland-Alameda County Coliseum AUD>DAT>CDR (Schoeps CMC 34?s); via Paul; Seeded to etree by Tony G notes
14127. 02/23/92 Flac 16/48 - 0, 149263 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: FOB Sennheiser 421-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes
14128. 02/23/92 Flac 16/48 - 0, 149262 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: FOB B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes
14129. 02/23/92 Flac 24 - 0, 149829 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24 notes
14130. 02/23/92 Flac 16 - 0, 150012 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
14131. 02/24/92 Flac 16 - 0, 96397 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
14132. 02/24/92 Flac 16 - 0, 119799 Oakland Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tape Set 1:Maxell MX-S,Set 2:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14133. 02/24/92 Shn - 0, 9983 Oakland Oakland-Alameda County Coliseum 2nd Set; SBD>MC>C>DAT>CDR; Missing encore, last song cuts; via Paul; Seeded to etree by Tony G notes
14134. 02/24/92 Flac 16 - 0, 95566 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
14135. 02/24/92 Flac 24/48 - 0, 119798 Oakland Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tape Set 1:Maxell MX-S,Set 2:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging By Keo notes
14136. 02/24/92 Flac 16 - 0, 117852 Oakland Oakland-Alameda County Coliseum flac16; Source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
14137. 02/24/92 Flac 16/48 - 0, 140814 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Set I - B&K 4011 > DAT (unknown taper* - FOB); Set II - Soundboard > DAT (Dan Healy mix); Both sets transferred by Charlie Miller: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes
14138. 02/24/92 Shn - 0, 17680 Oakland Oakland-Alameda County Coliseum B&K 4011> Neumann PS> Sony D10ProII, FOB, Stand D> CD: Tascam DA-P20> HHb-850> EAC> CDWAV> SHN via Roy Earl Pettus notes
14139. 02/24/92 Flac 24 - 0, 149849 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14140. 02/24/92 Flac 16 - 0, 149850 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > DAT (44.1k); Transfer Info: DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes
14141. 02/24/92 Flac 16 - 0, 150023 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1 notes
14142. 03/01/92 Flac 16 - 0, 97712 Atlanta The Omni flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC notes
14143. 03/01/92 Flac - 0, 92617 Atlanta The Omni OTS AUD: Nakamichi CM-300's with CP-4 shotguns > Sony TC-D5M > Maxell MX-S 90/100, with no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes
14144. 03/01/92 Flac 16 - 0, 105618 Atlanta The Omni flac16; source: [ots] Nakamichi cm300/cp4 -> Sony D8 [16/48]. recorded by: Trew Rickers; transfer: dat [m] -> Tascam DA20 mkII -> R-44 -> CD Wave 1.98 -> Wavelab 5.01a [fades/Resampler 192] -> FLAC [8]. transfer: Chris Davis [1/22/10] notes
14145. 03/01/92 Flac 24 - 0, 140221 Atlanta The Omni flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14146. 03/01/92 Flac 16 - 0, 140287 Atlanta The Omni flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14147. 03/01/92 Shn - 0, 4736 Atlanta The Omni Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 FOB; via Tony Gardner notes
14148. 03/01/92 Flac 16/48 - , 155822 Atlanta The Omni flac16/48 Recording Info (set I): (fob) Schoeps Cmc3 Mk4’s (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: Section 5, Row Ff, Set 7 Recording Info (set Ii): (ots) Neumann Tlm 170's > Dat Transfer: Dat > Panasonic Sv-3800 > Vx Pocket Sound Card > Panasonic Toughbook > Steinberg Nuendo > Wav 1648 Set I Recorded By Dave Brotman & Jeff Metchick Set Ii Recorded By Unknown & Provided By Dave Brotman Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 6, 2022 notes
14149. 03/02/92 Flac 16 - 0, 105675 Atlanta The Omni flac16; source: [ots] Nakamichi cm300/cp4 -> Sony D8 [16/48]. recorded by: Trew Rickers; transfer: dat [m] -> Tascam DA20 mkII -> R-44 -> CD Wave 1.98 -> Wavelab 5.01a [fades/Resampler 192] -> FLAC [8]. transfer: Chris Davis [1/26/10] notes
14150. 03/02/92 Flac 16 - 0, 92749 Atlanta The Omni flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, next to lighting board area, stage right. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC. Taped and transferred by Andrew F. notes
14151. 03/02/92 Flac 16/48 - 0, 92748 Atlanta The Omni flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, next to lighting board area, stage right. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes
14152. 03/02/92 Flac 24 - 0, 140255 Atlanta The Omni flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14153. 03/02/92 Flac 16 - 0, 140297 Atlanta The Omni flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14154. 03/02/92 Shn - 0, 4737 Atlanta The Omni Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 FOB; via Tony Gardner notes
14155. 03/02/92 Flac 16/48 - , 155823 Atlanta The Omni flac16/48 Recording (set I): (fob) Schoeps Cmc3 Mk4’s (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: Row Ff Recording (set Ii): (ots) Schoeps Cmc3 Mk4’s (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: Ots Transfer: Master Dat > Panasonic Sv-3800 > Vx Pocket Sound Card > Panasonic Toughbook > Steinberg Nuendo > Wav 1648 Recorded By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 06, 2022 notes
14156. 03/02/92 Flac 16/48 - , 155824 Atlanta The Omni flac16/48 Recording: (fob) B&k4011 > Sony D10 Pro Ii > Dat > Clone Transfer: Clone > Panasonic Sv-3800 > Vx Pocket Sound Card > Panasonic Toughbook > Steinberg Nuendo > Wav 1648 Recorded By Clay Brennecke Source Provided By Dave Brotman Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 11, 2022 notes
14157. 03/03/92 Flac 16 - 0, 92897 Atlanta The Omni flac16; OTS AUD: Nakamichi CM-300's with CP-4 shotguns > Sony TC-D5M > Maxell MX-S 90/100, with no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. notes
14158. 03/03/92 Flac 24 - 0, 140251 Atlanta The Omni flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14159. 03/03/92 Flac 16 - 0, 140298 Atlanta The Omni flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14160. 03/03/92 Shn - 0, 9471 Atlanta The Omni AUD>DAT>CDR (Schoeps CMC 34?s); via Paul; Seeded to etree by Tony G notes
14161. 03/03/92 Flac 16/48 - , 155825 Atlanta The Omni flac16/48 Source: Fob Schoeps Cmc3 Mk4’s (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: Row J Seat 8 Transfer: Master Dat > Panasonic Sv-3800 > Vx Pocket Sound Card > Panasonic Toughbook > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 07, 2022 notes
14162. 03/05/92 Flac - 0, 27422 Hampton Hampton Coliseum SBD > DAT > C > DAT > CD > EAC > FLAC; includes patching from B&K4011's ORTF FOB; EAC/FLAC by Darryl Hinko notes
14163. 03/05/92 Shn - 0, 5240 Hampton Hampton Coliseum SBD> DAT> ?> CD> EAC> SHN; EAC> SHN by Ben Luton; small dropout d3t4 5:56 ; upgrade in circulation notes
14164. 03/05/92 Flac 24 - 0, 140253 Hampton Hampton Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14165. 03/05/92 Flac 16 - 0, 140299 Hampton Hampton Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14166. 03/05/92 Flac 16 - 0, 25729 Hampton Hampton Coliseum B&K4011's ORTF FOB On Stand (6 - 7 feet high) >Neumann BS48i-2 Supply> Modified Sony D10 Pro (Modified by Bob Katz) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410>Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC notes
14167. 03/05/92 Flac 16/48 - 0, 148535 Hampton Hampton Coliseum flac16/48kHz; Source Info: Sennheiser 421-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes
14168. 03/05/92 Flac 16/48 - , 155826 Hampton Hampton Coliseum flac16/48 Source: Fob Schoeps Cmc3 Mk4’s (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: 20th Row Center, Mics On Stand @ 7' Transfer: Master Dat > Panasonic Sv-3800 > Vx Pocket Sound Card > Panasonic Toughbook > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 08, 2022 notes
14169. 03/06/92 Flac 16/48 - 0, 131577 Hampton Hampton Coliseum flac16/48kHz; DAT soundboard master > Cassette; Cassette > DAT via Nakamichi Dragon to Sony PCM R-500 DAT 48khz; Digital Transfer and FLAC encoding by Jim Wise: October 2014; DAT played back on a Sony PCM R-500-> Digital Audio Labs Carddeluxe-> WAV [16/48]; Adobe Audition 3.0- FLAC encoding; Digital Transfer and FLAC encoding by Jim Wise: October 2014 notes
14170. 03/06/92 Flac 16/48 - 0, 85418 Hampton Hampton Coliseum flac16/48; FOB AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown mic power & lead dat deck > Coax SPDIF > Casio DA-7 > Sony DT-Dat tape. FOB aprx 30-feet from stage, mics handheld at aprx 5-1/2 feet. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes
14171. 03/06/92 Flac 16 - 0, 85420 Hampton Hampton Coliseum flac16; FOB AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown mic power & lead dat deck > Coax SPDIF > Casio DA-7 > Sony DT-Dat tape. FOB aprx 30-feet from stage, mics handheld at aprx 5-1/2 feet. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F. notes
14172. 03/06/92 Flac 24 - 0, 140254 Hampton Hampton Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14173. 03/06/92 Flac 16 - 0, 140300 Hampton Hampton Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14174. 03/06/92 Shn - 0, 9472 Hampton Hampton Coliseum AUD>DAT>CDR (Nak 700?s>Sony D-3); via Paul; seeded to etree by Tony G notes
14175. 03/06/92 Flac 16/48 - 0, 148536 Hampton Hampton Coliseum flac16/48kHz; Source Info: B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes
14176. 03/06/92 Flac 16/48 - , 155827 Hampton Hampton Coliseum flac16/48 Source: Fob Schoeps Cmc3 Mk4’s (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: 20th Row Center Transfer: Master Dat > Panasonic Sv-3800 > Vx Pocket Sound Card > Panasonic Toughbook > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 08, 2022 notes
14177. 03/08/92 Flac 16 - 0, 113040 Landover Capital Centre flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes:Maxell MX-S 100's Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes
14178. 03/08/92 Shn - 0, 14083 Landover Capital Centre S : MC > D > CDR; see info file for edit notes; via Paul B; Tony G; Alan Fink notes
14179. 03/08/92 Flac 16 - 0, 111091 Landover Capital Centre flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Lineage: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich notes
14180. 03/08/92 Flac 24/96 - 0, 113039 Landover Capital Centre flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes:Maxell MX-S 100's Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
14181. 03/08/92 Flac 24 - 0, 141627 Landover Capital Centre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14182. 03/08/92 Flac 16 - 0, 141705 Landover Capital Centre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14183. 03/08/92 Flac 24/96 - 0, 148230 Landover Capital Centre flac24; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes
14184. 03/08/92 Flac 16 - 0, 148229 Landover Capital Centre flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
14185. 03/09/92 Shn - 0, 9755 Landover Capital Centre SBD> DAT> C> PCM> DAT> CD; via Rob Harrison; Seeded to etree by Peter Braverman; Shntool fix by Tony G notes
14186. 03/09/92 Flac 24/88 - 0, 112438 Landover Capital Centre flac24; SBD Master Casettes >> 24BIT 88.2kHz; All Transfers and Mastering by Jim Blackwood and Jamie Waddell notes
14187. 03/09/92 Shn - 0, 8110 Landover Capital Centre Soundboard -> DAT -> Cassette -> PCM -> DAT; upgrade in circulation notes
14188. 03/09/92 Flac 24/96 - 0, 115700 Landover Capital Centre flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Sony D6(Patched); Tapes From Floater,Transfer By Keo; Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz notes
14189. 03/09/92 Flac 16 - 0, 115701 Landover Capital Centre flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Sony D6(Patched); Tapes From Floater,Transfer By Keo; Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes
14190. 03/09/92 Flac 24 - 0, 141629 Landover Capital Centre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14191. 03/09/92 Flac 24/48 - 0, 141719 Landover Capital Centre flac24; OTS AUD: AKG-568's > lead decks(s) > Sony TC-D5 > Maxell XLII's, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2018 notes
14192. 03/09/92 Flac 16 - 0, 141720 Landover Capital Centre flac16; OTS AUD: AKG-568's > lead decks(s) > Sony TC-D5 > Maxell XLII's, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2018 notes
14193. 03/09/92 Flac 16 - 0, 141716 Landover Capital Centre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14194. 03/09/92 Flac 24/96 - 0, 148231 Landover Capital Centre flac24; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes
14195. 03/09/92 Flac 16 - 0, 148232 Landover Capital Centre flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
14196. 03/09/92 Flac 16/48 - , 155828 Landover Capital Centre flac16/48 Source: (fob) Schoeps Cmc3 Mk4’s (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Transfer: Master Dat > Panasonic Sv-3800 > Vx Pocket Sound Card > Panasonic Toughbook > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 14, 2022 notes
14197. 03/11/92 Shn - 0, 9398 Uniondale Nassau Coliseum SBD>DAT>CDR (probable cassette gen); Seeded to etree by Tony G notes
14198. 03/11/92 Flac 24/96 - 0, 109266 Uniondale Nassau Coliseum flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D-6 Tapes Maxell MX-s 90,100; Transfer Nakamichi MR-1 Cassette Deck>Dolby B>Korg MR 1000 @ 1 Bit/5.6mHz Tracking/Sample Rate Conversion with AudioGate software to 24/96kHz notes
14199. 03/11/92 Flac 16 - 0, 109265 Uniondale Nassau Coliseum flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D-6 Tapes Maxell MX-s 90,100; Transfer Nakamichi MR-1 Cassette Deck>Dolby B>Korg MR 1000 @ 1 Bit/5.6mHz Tracking/Sample Rate Conversion with AudioGate software to 32 Bit Float/96kHz Dithered with Korg Aqua to 16/44 notes
14200. 03/11/92 Flac 16/48 - 0, 138278 Uniondale Nassau Coliseum flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16/48; edited and mastered SIRMick May 2017 notes
14201. 03/11/92 Flac 16 Mtx - 0, 138279 Uniondale Nassau Coliseum flac16; Matrix: 60/40; soundboard - shnid 9398, seeded by Tony Gardner and audience - shnid 138278, taped by Rich Gastwirt; edited and mastered SIRMick May 2017 notes
14202. 03/11/92 Flac 24 - 0, 141616 Uniondale Nassau Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14203. 03/11/92 Flac 16 - 0, 141717 Uniondale Nassau Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14204. 03/11/92 Flac 24/96 - 0, 135166 Uniondale Nassau Coliseum flac24; Source: Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MX-S 90 (Set II MX-S 100) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24 notes
14205. 03/11/92 Flac 16 - 0, 127220 Uniondale Nassau Coliseum flac16; Partial Show, Source: Sony condenser mics (2 channel) > Sony WM cassette deck; Config/Location: 20' from Garcia/in the hat FOB 7th and 3rd row center; Transfer: (master cassette) Nakamichi DR-1>Sound Devices 722 (24/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> WavEditor 1.5.7 (iZotope Resampler, MBIT+ Dither)> xACT 2.25(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Scott M.; Transferred and seeded by: Lenny Stubbe notes
14206. 03/11/92 Flac 2448 - 0, 127219 Uniondale Nassau Coliseum flac24; Partial Show, Source: Sony condenser mics (2 channel) > Sony WM cassette deck; Config/Location: 20' from Garcia/in the hat FOB 7th and 3rd row center; Transfer: (master cassette) Nakamichi DR-1>Sound Devices 722 (24/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.25(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Scott M.; Transferred and seeded by: Lenny Stubbe notes
14207. 03/11/92 Flac 16 - 0, 148349 Uniondale Nassau Coliseum flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
14208. 03/11/92 Flac 16/48 - , 155829 Uniondale Nassau Coliseum flac16/48 Recording: Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 11, 2022 notes
14209. 03/12/92 Flac 24/96 - 0, 135463 Uniondale Nassau Coliseum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6,Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
14210. 03/12/92 Flac 16 - 0, 135464 Uniondale Nassau Coliseum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6,Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14211. 03/12/92 Flac 16/48 - 0, 86703 Uniondale Nassau Coliseum flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS, left side (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes
14212. 03/12/92 Flac 16 - 0, 86704 Uniondale Nassau Coliseum flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS, left side (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1 kHz) > TLH > FLAC. Taped and transferred by Andrew F. notes
14213. 03/12/92 Flac 24 - 0, 141617 Uniondale Nassau Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14214. 03/12/92 Flac 16 - 0, 141718 Uniondale Nassau Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14215. 03/12/92 Shn - 0, 9476 Uniondale Nassau Coliseum ACM>DAT>CDR (Schoeps CMC4); via Paul; Seeded to etree by Tony G notes
14216. 03/12/92 Flac 16 - 0, 142173 Uniondale Nassau Coliseum flac16/48kHz; Source: Schoeps cmc4 mk4(ortf) > Oade modified Panasonic SV-255 > Dat (48k) 0- Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick June 2018 notes
14217. 03/12/92 Flac 16 - 0, 148350 Uniondale Nassau Coliseum flac16; Source Info: FOB Schoeps CMC3 Mk4-> Oade P/S-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
14218. 03/12/92 Flac 16/48 - , 155830 Uniondale Nassau Coliseum flac16/48 Recording: Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 11, 2022 notes
14219. 03/13/92 Flac 16 - 0, 137748 Uniondale Nassau Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger notes
14220. 03/13/92 Flac 24/96 - 0, 137749 Uniondale Nassau Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96> fission> adobe audition cc> xACT flac; transferred - Rob Berger notes
14221. 03/13/92 Flac 16/48 - 0, 139621 Uniondale Nassau Coliseum flac16/48kHz; Source: Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > Dat (48k) - Taped by Rich Gastwirt from 1st row tapers section; Transfer: Set I - Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Set II - Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; editerd and mastered SIRMick October 2017 notes
14222. 03/13/92 Flac 24 - 0, 141618 Uniondale Nassau Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14223. 03/13/92 Flac 16 - 0, 141721 Uniondale Nassau Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14224. 03/13/92 Flac 24/96 - 0, 134996 Uniondale Nassau Coliseum flac24; Source: Nakamichi CM-300s/2-Mic, CP-1 Cardioids, ORTF -> Sony Walkman Pro, Maxell MX-S 100 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 notes
14225. 03/13/92 Shn - 0, 9477 Uniondale Nassau Coliseum ACM>DAT>CDR (Nak 700?s>Sony D-3); via Paul; Seeded to etree by Tony G notes
14226. 03/13/92 Flac 16 - 0, 148351 Uniondale Nassau Coliseum flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
14227. 03/13/92 Flac 16/48 - , 155831 Uniondale Nassau Coliseum flac16/48 Recording: Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: 18th Row Center Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 16, 2022 notes
14228. 03/16/92 Flac 16 - 0, 122021 Philadelphia The Spectrum flac16; SBD->DAT->?->Cas->CD->EAC->SHN via Dan - patched and speed corrected version of shnid 13571 by Kevin Tobin notes
14229. 03/16/92 Shn - 0, 13571 Philadelphia The Spectrum SBD->DAT->?->Cas->CD->EAC->SHN via Dan notes
14230. 03/16/92 Flac Dts 5.1 - 0, 122040 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix SBD (shn id 13571)SBD->DAT->?->Cas->CD->EAC->SHN via Dan + AUD1 (shn id 85338)Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS: Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. + AUD2 (no shn id) Audience recording from Video soundtrack - dts mixing by Kevin Tobin notes
14231. 03/16/92 Flac 16 Mtx - 0, 122020 Philadelphia The Spectrum flac16; Matrix 3 Source Mix - SBD (shn id 13571)SBD->DAT->?->Cas->CD->EAC->SHN via Dan + AUD1 (shn id 85338)Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS: Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. + AUD2 (no shn id) Audience recording from Video soundtrack - matrix mixing by Kevin Tobin notes
14232. 03/16/92 Flac 16/48 - 0, 85338 Philadelphia The Spectrum flac 16-48kHz; Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS: Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes
14233. 03/16/92 Flac 16 - 0, 85423 Philadelphia The Spectrum flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F. notes
14234. 03/16/92 Flac 24 - 0, 138163 Philadelphia The Spectrum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14235. 03/16/92 Flac 16 - 0, 138167 Philadelphia The Spectrum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is shnid 138163 24 > 16 notes
14236. 03/16/92 Flac 16/48 - 0, 139653 Philadelphia The Spectrum flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT> AKG 414 > Sony D10 Pro II; Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Transfer by Charlie Miller; Mastered by Scott Clugston notes
14237. 03/16/92 Flac 16 - 0, 147757 Philadelphia The Spectrum flac16; Source:Nakamichi 300 Mics W/CP1 Cardioids>Sony WM-D6C Cassette Master>2 Maxell Metal Cassette Master Tapes (Sony MX-90 Minute 1st Set, MX-S 100 Minute Tape 2nd Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)> Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector BoundariesAligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section notes
14238. 03/16/92 Flac 16 - 0, 148408 Philadelphia The Spectrum flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
14239. 03/16/92 Flac 16 - 0, 148530 Philadelphia The Spectrum flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD; Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel; Note: This Version Fixes Digital Noise on source ID 148408 during Corrina notes
14240. 03/16/92 Flac 16 - 0, 149240 Philadelphia The Spectrum flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel; This Version Fixes Digital Noise on source ID 148530during Scarlet Begonias notes
14241. 03/16/92 Flac 16/48 - , 155832 Philadelphia The Spectrum flac16/48 Recording Info (set I): Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat > Clone Recording Info (set Ii): Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: 18th Row Center Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 17, 2022 notes
14242. 03/17/92 Flac 16 - 0, 126961 Philadelphia The Spectrum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony WM-D6; Set 1 Tape:Maxel MX-S 90, Set 2 Tape:TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14243. 03/17/92 Flac 24/96 - 0, 126960 Philadelphia The Spectrum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony WM-D6; Set 1 Tape:Maxel MX-S 90, Set 2 Tape:TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename notes
14244. 03/17/92 Flac 16/48 - 0, 139654 Philadelphia The Spectrum flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT> AKG 414 > Sony D10 Pro II; Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Transfer by Charlie Miller; Mastered by Scott Clugston notes
14245. 03/17/92 Flac 24 - 0, 140827 Philadelphia The Spectrum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14246. 03/17/92 Flac 16 - 0, 140843 Philadelphia The Spectrum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14247. 03/17/92 Shn - 0, 16052 Philadelphia The Spectrum Nak 300 > Sony d-5 > cass master > cdr; Eac > cool edit pro > shntool > cdwav > shnv3; Taped and discs kindly provided by Mark Horvath; eac > shn (secure with proper offsets) by Ernie Dodd notes
14248. 03/17/92 Flac 16 - 0, 148367 Philadelphia The Spectrum flac16; Source: Nakamichi 300 Mics W/CP1 Cardioids>Sony WM-D6C Cassette Master>2 Maxell Metal Cassette Master Tapes (Sony MX-90 Minute 1st Set, MX-S 100 Minute Tape 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section notes
14249. 03/17/92 Flac 16 - 0, 148409 Philadelphia The Spectrum flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
14250. 03/17/92 Flac 16/48 - , 155642 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141827) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155639) Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project - surround mixing by Kevin Tobin notes
14251. 03/17/92 Flac 16 Dts 5.1 - , 155641 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141827) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155639) Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project - dts mixing by Kevin Tobin notes
14252. 03/17/92 Flac 16 - , 155640 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 141827) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155639) Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project - matrix mixing by Kevin Tobin notes
14253. 03/17/92 Flac 16 - , 155639 Philadelphia The Spectrum flac16; Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project notes
14254. 03/17/92 Flac 16/48 - , 155833 Philadelphia The Spectrum flac16/48 Recording Info (set I): Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Recording Info (set Ii): Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat > Clone Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 18, 2022 notes
14255. 03/18/92 Flac 16 - 0, 90077 Philadelphia The Spectrum flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. notes
14256. 03/18/92 Flac 16/48 - 0, 139655 Philadelphia The Spectrum flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT> AKG 414 > Sony D10 Pro II; Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Transfer by Charlie Miller; Mastered by Scott Clugston notes
14257. 03/18/92 Flac 24 - 0, 141628 Philadelphia The Spectrum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14258. 03/18/92 Flac 16 - 0, 141800 Philadelphia The Spectrum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14259. 03/18/92 Shn - 0, 9756 Philadelphia The Spectrum AUD>DAT>CDR (AKG460b/CK8's); via Paul; Seeded to etree by Tony G notes
14260. 03/18/92 Flac 16 - 0, 111290 Philadelphia The Spectrum flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich notes
14261. 03/18/92 Flac 16 - 0, 148368 Philadelphia The Spectrum flac16; Source: Nakamichi 300 Mics W/CP1 Cardioids>Sony WM-D6C Cassette Master>2 Maxell Metal Cassette Master Tapes (Sony MX-90 Minute 1st Set, MX-S 100 Minute Tape 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)> Cd Wav Editor>Traders Little Helper>Flac Level 8 Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section notes
14262. 03/18/92 Flac 16 - 0, 148410 Philadelphia The Spectrum flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
14263. 03/18/92 Flac 16 Mtx - , 154885 Philadelphia The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 141800) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 9756) AUD>DAT>CDR (AKG460b/CK8's); via Paul; Seeded to etree by Tony G - matrix mixing by Kevin Tobin notes
14264. 03/18/92 Flac 16 Dts 5.1 - , 154886 Philadelphia The Spectrum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141800) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 9756) AUD>DAT>CDR (AKG460b/CK8's); via Paul; Seeded to etree by Tony G - dts mixing by Kevin Tobin notes
14265. 03/18/92 Flac 16/48 - , 154887 Philadelphia The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141800) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 9756) AUD>DAT>CDR (AKG460b/CK8's); via Paul; Seeded to etree by Tony G - surround mixing by Kevin Tobin notes
14266. 03/18/92 Flac 16/48 - , 155834 Philadelphia The Spectrum flac16/48 Recording: Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 48) > Master Dat Location: 18th Row Center, Mics On Stand @ 6' Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 19, 2022 notes
14267. 03/20/92 Flac 16 Mtx - 0, 95208 Hamilton Copps Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) notes
14268. 03/20/92 Shn - 0, 9757 Hamilton Copps Coliseum SBD>DAT>CDR; Missing Brown Eyed Women; via Paul; Seeded to etree by Tony G notes
14269. 03/20/92 Flac 16 - 0, 76478 Hamilton Copps Coliseum flac16; FOB Digital Audience - 13th Row Center Schoeps CMC34 Cardiod (110 degrees ORTF) -> Oade Supply -> Panasonic 2v255; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav; Edited Adobe Audition 1.5 Dithered 48/44.1 w/gaussian noise and aslight noise-shaping in r8brain v1.9 Tracked in CDWav Flac Level8 in TLH notes
14270. 03/20/92 Flac 24 - 0, 141785 Hamilton Copps Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14271. 03/20/92 Flac 24 - 0, 141785 Hamilton Copps Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14272. 03/20/92 Flac 16 - 0, 116465 Hamilton Copps Coliseum flac16; Master: Sonic Studios DSM-6>Sony TCD-D5M by Alan Schmit, 15th row center; Conversion: Cass(m)>Onkyo TA-6711>Tascam DA-20 (A/D)>Microtrack 24/96>WAV WAV>Sound Studio 2.2.4>xACT 2.13>FLAC by Dave Mallick notes
14273. 03/20/92 Flac 16 - 0, 96171 Hamilton Copps Coliseum flac16; Recording Info: Sennheiser ME-80's>Technics SV-MD1; Transfer Info: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC; Recorded & Processed By Keith Litzenberger notes
14274. 03/20/92 Flac 24/96 - 0, 149301 Hamilton Copps Coliseum flac24; Source Info: TS Nakamichi CM-300 CP4-> Casio DA-2 DAT-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes
14275. 03/20/92 Flac 16/48 - 0, 149525 Hamilton Copps Coliseum flac16/48kHz; Set 2 Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Taped By Clay Brennecke; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) notes
14276. 03/20/92 Flac 16/48 - , 155835 Hamilton Copps Coliseum flac16/48 Recording: Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 12, 2022 notes
14277. 03/21/92 Shn - 0, 17696 Hamilton Copps Coliseum SBD DAT master > cass (suspected) > DAT > CD (mine) > EAC > SHN via Peter Braverman notes
14278. 03/21/92 Flac 16 - 0, 76484 Hamilton Copps Coliseum flac16; FOB Digital Audience - 13th Row Center Schoeps CMC34 Cardiod (110 degrees ORTF) -> Oade Supply -> Panasonic 2v255; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav; tracked in CDWav/48k output *Re-Sampled to 44.1k via r8brain @ Highest Quality settings.* Flac Level 8 in TLH notes
14279. 03/21/92 Flac 24 - 0, 141786 Hamilton Copps Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14280. 03/21/92 Flac 16 - 0, 141807 Hamilton Copps Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14281. 03/21/92 Flac 16 - 0, 116405 Hamilton Copps Coliseum flac16; Set 1 and partial Set 2 Master: B&K 4011's>Sony D10 Pro>D5 by Alan Schmit, 14th row center, patched out of Clay Brennecke; Conversion: Cass(m)>Onkyo TA-6711>Tascam DA-20 (A/D)>Microtrack 24/96>WAV WAV>Sound Studio 2.2.4>xACT 2.13>FLAC; by Dave Mallick notes
14282. 03/21/92 Flac 16 - 0, 116108 Hamilton Copps Coliseum flac16; Source:Sony D6 Cassette Master(Dolby B On)>Nakamichi 300 Mics W/CP1 Cardioids>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped In Official Taper Section notes
14283. 03/21/92 Flac 16 - 0, 97542 Hamilton Copps Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades/Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes
14284. 03/21/92 Shn - 0, 11268 Hamilton Copps Coliseum Schoeps CMC 34's > PCM > DAT > CDR; via Dave DiMartino; Seeded to etree by Doug Nawrocki notes
14285. 03/21/92 Flac 24/96 - 0, 149302 Hamilton Copps Coliseum flac24; Set 2 Source Info: TS Nakamichi CM-300 CP4-> Casio DA-2 DAT-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes
14286. 03/21/92 Flac 16/48 - 0, 149526 Hamilton Copps Coliseum flac16/48kHz; Set 1 Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Taped By Clay Brennecke; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); this is the same source used in SHN ID #116405 minus the Cassette generation notes
14287. 03/21/92 Flac 16/48 - , 155836 Hamilton Copps Coliseum flac16/48 Recording: Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 15, 2022 notes
14288. 03/23/92 Shn - 0, 451 Auburn Hills The Palace SBD> D->CDR-> EAC> SHN; Ripped by John Zei notes
14289. 03/23/92 Flac 24 - 0, 141787 Auburn Hills The Palace flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14290. 03/23/92 Flac 16 - 0, 141808 Auburn Hills The Palace flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14291. 03/23/92 Flac 16 - 0, 116458 Auburn Hills The Palace flac16; Master: Sonic Studios DSM-6>Sony TCD-D5M by Alan Schmit, 16th row center; Conversion: Cass(m)>Onkyo TA-6711>Tascam DA-20 (A/D)>Microtrack 24/96>WAV WAV>Sound Studio 2.2.4>xACT 2.13>FLAC by Dave Mallick notes
14292. 03/23/92 Flac 24/96 - 0, 148319 Auburn Hills The Palace flac24; Source Info: TS Nakamichi CM-300 CP4-> Casio DA-2 DAT-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes
14293. 03/23/92 Flac 16 - 0, 148316 Auburn Hills The Palace flac16; Source Info: FOB AKG 460-> Oade P/S-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
14294. 03/23/92 Flac 16/48 - , 155837 Auburn Hills The Palace flac16/48 Recording: (fob) Akg 460 > Oade P S > Panasonic Sv255 > Dat Transfer: Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By B. Gately Dat Provided By Dave Brotman Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 23, 2022 notes
14295. 03/24/92 Shn - 0, 17024 Auburn Hills The Palace SBD>DAT>CASS>DAT>CD. dat > cd via stand alone CD-R; CDs (first gen) > EAC > SHN Note: These are a second EAC from the same source disks by Nick George but the md5's are different from his first shn set circulated. notes
14296. 03/24/92 Flac 16 - 0, 116616 Auburn Hills The Palace flac16; Master: Sonic Studios DSM-6>Sony TCD-D5M by Alan Schmit, 16th row center; Conversion: Cass(m)>Onkyo TA-6711>Tascam DA-20 (A/D)>Microtrack 24/96>WAV WAV>Sound Studio 2.2.4>xACT 2.13>FLAC by Dave Mallick notes
14297. 03/24/92 Flac 24 - 0, 141788 Auburn Hills The Palace >flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14298. 03/24/92 Flac 16 - 0, 141809 Auburn Hills The Palace flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14299. 03/24/92 Flac 24/96 - 0, 148323 Auburn Hills The Palace flac24; Source Info: TS Nakamichi CM-300 CP4-> Casio DA-2 DAT-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel notes
14300. 03/24/92 Flac 16 - 0, 148322 Auburn Hills The Palace flac16; Source Info: FOB AKG 460-> Oade P/S-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
14301. 03/24/92 Flac 16/48 - , 155838 Auburn Hills The Palace flac16/48 Recording: (fob) Akg 460 > Oade P S > Panasonic Sv255 > Dat Transfer: Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By B. Gately Dat Provided By Dave Brotman Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 15, 2022 notes
14302. 05/19/92 Flac 16 - 0, 92286 Sacramento Cal Expo flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
14303. 05/19/92 Flac 16 - 0, 119815 Sacramento Cal Expo flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14304. 05/19/92 Shn - 0, 20003 Sacramento Cal Expo Source A:SBD>DAT>CDR>EAC>Cool Edit>SHN Source B:SBD>CM>CDR>EAC>Cool Edit>SHN shntool fix of Wiley seed with patched encore notes
14305. 05/19/92 Shn - 0, 7856 Sacramento Cal Expo SBD> DAT> CDR; 2nd encore patched w/ SBD> CM> CDR; via Paul Bottiglio; Tim Wiley; upgrade in circulation notes
14306. 05/19/92 Flac 16/48 - 0, 86251 Sacramento Cal Expo flac16/48; AKG 460/CK8s (25-foot split) > Tascam DA-P20; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) Tapers: Scott Swayne and Carl S. Transfer by Scott Swayne notes
14307. 05/19/92 Flac 16 - 0, 86238 Sacramento Cal Expo flac16; AKG 460/CK8s (25-foot split) > Tascam DA-P20; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) Tapers: Scott Swayne and Carl S. Transfer by Scott Swayne notes
14308. 05/19/92 Flac 24/48 - 0, 119814 Sacramento Cal Expo flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
14309. 05/19/92 Flac 16 - 0, 118736 Sacramento Cal Expo flac16; Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
14310. 05/19/92 Flac 24 - 0, 150040 Sacramento Cal Expo flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
14311. 05/19/92 Flac 16 - 0, 150294 Sacramento Cal Expo flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes
14312. 05/20/92 Flac 16 - 0, 92387 Sacramento Cal Expo flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
14313. 05/20/92 Flac 16 - 0, 119829 Sacramento Cal Expo flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Ditherd/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14314. 05/20/92 Shn - 0, 16580 Sacramento Cal Expo Please NOTE this is a fixed copy of the original SHN set ; SBD>DAT>C>DAT>CDR ; See info file for details; Seeded By T. Wiley notes
14315. 05/20/92 Flac 16/48 - 0, 86455 Sacramento Cal Expo flac16/48; Field: AKG 460/CK8s (25-foot split) > Tascam DA-P20 ; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) Tapers: Scott Swayne and Carl S. notes
14316. 05/20/92 Flac 16 - 0, 86454 Sacramento Cal Expo flac16; Field: AKG 460/CK8s (25-foot split) > Tascam DA-P20 ; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) Tapers: Scott Swayne and Carl S. notes
14317. 05/20/92 Flac 24 - 0, 119827 Sacramento Cal Expo flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
14318. 05/20/92 Flac 24 - 0, 140700 Sacramento Cal Expo flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14319. 05/20/92 Flac 16 - 0, 140816 Sacramento Cal Expo flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14320. 05/20/92 Shn - 0, 8040 Sacramento Cal Expo 2nd Set; AUD (Schoeps MK4's)> DAT> CDR; via Tim Wiley notes
14321. 05/20/92 Flac 16 - 0, 149280 Sacramento Cal Expo flac16; Source Info: Set #1: TS AKG 568B-> DAT; Set #2: FOB Schoeps CMC 54-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
14322. 05/20/92 Flac 24/96 - , 151064 Sacramento Cal Expo b/>flac24/96khz Source : Unspecified mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
14323. 05/20/92 Flac 16/48 - , 151063 Sacramento Cal Expo flac16/48khz Source : Unspecified mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
14324. 05/21/92 Flac 16 - 0, 92355 Sacramento Cal Expo flac16; Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Mille notes
14325. 05/21/92 Flac 24/48 - 0, 119840 Sacramento Cal Expo flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
14326. 05/21/92 Shn - 0, 8703 Sacramento Cal Expo Pre-FM DSBD> DAT (48kHz)> DAT> ZA2 (S/PDIF)> Samplitude 2496> CDR; via Tom and Roger; Seeded to etree by Chris Larson notes
14327. 05/21/92 Flac 16 - 0, 119841 Sacramento Cal Expo flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14328. 05/21/92 Flac 16/48 - 0, 86281 Sacramento Cal Expo flac16/48; AKG 460/CK8s (25-foot split) > Tascam DA-P20 ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) notes
14329. 05/21/92 Flac 16 - 0, 86280 Sacramento Cal Expo flac16; AKG 460/CK8s (25-foot split) > Tascam DA-P20 ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) notes
14330. 05/21/92 Shn - 0, 9655 Sacramento Cal Expo Pre FM SBD> DAT> CD-R (single Track) > EAC 0.9 > Cool Edit Pro > CDR Win (for track cuts) > SHN (via MKWACT); see editing notes in info file; via JR Fishman, Steve Barbella; upgrade in circulation notes
14331. 05/21/92 Flac 24 - 0, 150055 Sacramento Cal Expo flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
14332. 05/21/92 Flac 16 - 0, 150295 Sacramento Cal Expo flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes
14333. 05/21/92 Flac 16/48 - , 151065 Sacramento Cal Expo flac16/48khz Source : AKG 568 (behind soundboard) > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
14334. 05/21/92 Flac 24/96 - , 151066 Sacramento Cal Expo flac24/96khz Source : AKG 568 (behind soundboard) > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
14335. 05/23/92 Flac 16 - 0, 92271 Mountain View Shoreline Amphitheatre flac16; Recording Info:SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller notes
14336. 05/23/92 - 0, Mountain View Shoreline Amphitheatre AKG 460/CK8X -> Dat (Sony D3) -> PCM -> Dat (Sony R500/44.1k) recorded by Paul Tumolo, shn conversion Charlie Miller notes
14337. 05/23/92 Flac 16/48 - 0, 85245 Mountain View Shoreline Amphitheatre flac16/48; Location: OTS Row F center Equipment: AKG 460-CK8's spaced 5' apart -> TEAC DA-P20 Transfer: TASCAM DA-30 (48k)-(S/PDIF)-> Diamond Xtreme Sound Card-> Cool Edit Pro -> CDWave -> FLAC Taped By: Scott Swayne Transfer By: Scott Swayne notes
14338. 05/23/92 Flac 16 - 0, 149285 Mountain View Shoreline Amphitheatre flac16; Source Info: Neumann KM84-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel notes
14339. 05/23/92 Flac 24/48 - 0, 150399 Mountain View Shoreline Amphitheatre flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24 notes
14340. 05/23/92 Flac 16 - 0, 150506 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
14341. 05/23/92 Flac 16/48 - , 151067 Mountain View Shoreline Amphitheatre flac16/48khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
14342. 05/23/92 Flac 24/96 - , 151068 Mountain View Shoreline Amphitheatre flac24/96khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
14343. 05/24/92 Flac 16 - 0, 92272 Mountain View Shoreline Amphitheatre flac16; Recording Info:SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Mille notes
14344. 05/24/92 Shn - 0, 8704 Mountain View Shoreline Amphitheatre SBD> MC> DAT> ZA2 (S/PDIF)> Wavelab3.03> SHN; via Roger and Tom; Seeded to etree by Chris Larson notes
14345. 05/24/92 Flac 16 - 0, 119319 Mountain View Shoreline Amphitheatre flac16; Source: 2 Sennheiser 441 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
14346. 05/24/92 Flac 16/48 - 0, 142238 Mountain View Shoreline Amphitheatre flac16/48kHz; source: AKG 460/CK8 microphones>DAT; recorded by Scott Swayne; lineage: DAT clone of master>Tascam DA-20 mkII>S/PDIF> MOTU 2408 mkII>computer>Wavelab (fades only)>CD Wav>TLH>flac1648; xfer/edits: Henry Heikkinen notes
14347. 05/24/92 Flac 16 - 0, 149286 Mountain View Shoreline Amphitheatre flac16; Source Info: Neumann KM84-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel notes
14348. 05/24/92 Flac 24 - 0, 150425 Mountain View Shoreline Amphitheatre flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k); All Transfers and Mastering by Charlie Miller notes
14349. 05/24/92 Flac 16 - 0, 150516 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k); All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes
14350. 05/24/92 Flac 16/48 - , 151069 Mountain View Shoreline Amphitheatre flac16/48khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
14351. 05/24/92 Flac 24/96 - , 151070 Mountain View Shoreline Amphitheatre flac24/96khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
14352. 05/25/92 Shn - 0, 16469 Mountain View Shoreline Amphitheatre SBD> DAT> C> DAT> CDR; via Tim Wiley; improvements over prior seed- see notes (pitch and amplitude correction, but no NR) notes
14353. 05/25/92 Flac 16 - 0, 119933 Mountain View Shoreline Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Loge Section 202 Row H Seat 23/6 Feet High)> Whirlwind Phantoms>Teac DA-P20>Sony TC-D5M,Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14354. 05/25/92 Flac 24/48 - 0, 119932 Mountain View Shoreline Amphitheatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Loge Section 202 Row H Seat 23/6 Feet High)> Whirlwind Phantoms>Teac DA-P20>Sony TC-D5M,Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
14355. 05/25/92 Flac 16 - 0, 149287 Mountain View Shoreline Amphitheatre flac16; Source Info: Neumann KM84-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel notes
14356. 05/25/92 Flac 24/48 - 0, 150463 Mountain View Shoreline Amphitheatre flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k) notes
14357. 05/25/92 Flac 16 - 0, 150517 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k). This file set is 16 bit @ 44.1 notes
14358. 05/25/92 Flac 16/48 - , 151071 Mountain View Shoreline Amphitheatre flac16/48khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
14359. 05/25/92 Flac 24/96 - , 151072 Mountain View Shoreline Amphitheatre flac24/96khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
14360. 05/29/92 Shn - 0, 35295 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. SBD*>DAT>CDR>WAV>SHN; Cleaned up copy of SHNid=21320; Clean up and SHN by Darryl Hinko notes
14361. 05/29/92 Shn - 0, 21320 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Source: SBD monitor mix>DAT>CDR>WAV>SHN.; upgrade in circulation notes
14362. 05/29/92 Flac 16 - 0, 84998 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; FOB Schoeps MK4s -> Reutelhuber-> sv255 -> (clone) Teac DA-p20 -> Tascam DA-30 -> Diamond xTreme Sound Card -> Cool Edit Pro -> CDWave -> flac notes
14363. 05/29/92 Shn - 0, 9990 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. AKG 460/ck8x > DAT > CDR; via Charlie Miller; Seeded to etree by neo_levo notes
14364. 05/29/92 Flac 16 - 0, 116446 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Source (AUD): Josephson C-640 w/ KA-20 (cardioid) capsules > 5532 differential pre-amp (+21db) > Sony WMD-6C (Dolby C encoded); Microphone configuration: TS, centered, DIN, 9' up Master format (analog): Maxell MX-S 90 & MX 110 cassettes; Transfer: Sony TC-WE635 (Dolby C decoded) > Tascam DR-680 > SDHC card > (card reader) PC > WaveLab 5 Digital editing: WaveLab 5 (pre and post set fades, speed correction, cassette flips patched with etree source #84998) Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC) Recorded, processed and distributed by Chuck Miller notes
14365. 05/29/92 Flac 24 - 0, 150037 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
14366. 05/29/92 Flac 16 - 0, 150296 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes
14367. 05/29/92 Flac 24/96 - , 151085 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac24/96khz Set 2 Only. Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
14368. 05/29/92 Flac 16/48 - , 151084 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48khz Set 2 Only. Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
14369. 05/30/92 Flac 16 Mtx - 0, 83094 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Matrix 2 Source Mix - SBD (shnid 75698) + AUD (shnid 10063) mixed by Kevin Tobin notes
14370. 05/30/92 Flac 16 - 0, 76082 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR > EAC > SHN - Seamless edit of shn id 75698 notes
14371. 05/30/92 Flac 16 - 0, 75698 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR > EAC > SHN; speed corrected version of shn id 8255 (via Charlie Kidder); fix by Kevin Tobin ; upgrade in circulation notes
14372. 05/30/92 Shn Dts 5.1 - 0, 75713 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. DTS Audio 5.1; Mix SBD:SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR; AUD:(FOB) Schoeps MK4 > DAT > CDR > WAV > SHN; mixed by ktobin notes
14373. 05/30/92 Shn - 0, 8255 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. whole show; SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR; CDR> EAC> WAV> MKW> SHN by Charlie Kidder; upgrade in circulation notes
14374. 05/30/92 Shn - 0, 10063 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. (FOB) Schoeps MK4 > DAT > CDR; via C. M.; Seeded to etree by neo_levo notes
14375. 05/30/92 Flac 16 - 0, 116403 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Source (AUD): Josephson C-640 w/ KA-20 (cardioid) capsules > 5532 differential pre-amp (+21db) > Sony WMD-6C (Dolby C encoded); Microphone configuration: TS, centered, NOS, 8' up; Master format(analog): Maxell MX 100 cassettes; Transfer: Sony TC-WE635 (Dolby C decoded) > Tascam DR-680 > SDHC card > (card reader) PC > WaveLab 5; Digital editing: WaveLab 5 (pre and post set fades, speed correction, DC offset removal, cassette flips patched with etree source #10063); Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, processed and distributed by Chuck Miller notes
14376. 05/30/92 Flac 24 - 0, 150038 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 notes
14377. 05/30/92 Flac 16 - 0, 150297 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
14378. 05/31/92 Flac 16 - 0, 92388 Las Vegas Sam Boyd Silver Bowl, U.N.L.V flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
14379. 05/31/92 Flac 16 - 0, 34692 Las Vegas Sam Boyd Silver Bowl, U.N.L.V flac16; Seamless fix of shn id 544 - SBD > DAT > SONY D8 (S/PDIF) > HD > SHN > WAV > FLAC; upgrade in circulation. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
14380. 05/31/92 Shn - 0, 544 Las Vegas Sam Boyd Silver Bowl, U.N.L.V SBD > DAT > SONY D8 (S/PDIF) > HD > SHN; via Mike Lai; listeners John Florek et al report diginoise d1t8 ~1:50-2:00; upgrade in circulation notes
14381. 05/31/92 Flac 16 - 0, 87281 Las Vegas Sam Boyd Silver Bowl, U.N.L.V flac16; SBD -> Dat -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony D8) -> Behringer Ultramatch Pro SRC2496 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller notes
14382. 05/31/92 Flac 16 - 0, 118794 Las Vegas Sam Boyd Silver Bowl, U.N.L.V flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
14383. 05/31/92 Flac 16 - 0, 116420 Las Vegas Sam Boyd Silver Bowl, U.N.L.V flac16; Source: Josephson C-640 w/ KA-20 (cardioid) capsules > 5532 differential pre-amp (+21db) > Sony WMD-6C (Dolby C encoded); Transfer: Sony TC-WE635 (Dolby C decoded) > Tascam DR-680 > SDHC card > PC > WaveLab 5 > CD Wave Editor 1.95.1 > Flac Frontend 1.7.1 > Flac; Taped and Transferred by Chuck Miller notes
14384. 05/31/92 Flac 24 - 0, 150039 Las Vegas Sam Boyd Silver Bowl, U.N.L.V flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
14385. 05/31/92 Flac 16 - 0, 150298 Las Vegas Sam Boyd Silver Bowl, U.N.L.V flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes
14386. 05/31/92 Flac 16/48 - , 151086 Las Vegas Sam Boyd Silver Bowl, U.N.L.V flac16/48khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
14387. 05/31/92 Flac 24/96 - , 151087 Las Vegas Sam Boyd Silver Bowl, U.N.L.V flac24/96khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) notes
14388. 05/31/92 Flac 16/48 - , 151086 Las Vegas Sam Boyd Silver Bowl, U.N.L.V flac16/48khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648 notes
14389. 06/06/92 Shn - 0, 14042 Orchard Park Rich Stadium Second Set Only SBD>DAT>WAV>CoolEdit>CDWAV>SHN; upgrade in circulation notes
14390. 06/06/92 Flac 16 - 0, 82444 Orchard Park Rich Stadium flac16; MAD Recording - FOB DFC Audience: 1st Two Songs of Set 1 - B&K4011's Balance of Show: Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48 notes
14391. 06/06/92 Shn - 0, 16815 Orchard Park Rich Stadium set 2 SBD DAT>WAV>CE>CDWAV>CDR & SHN via Steve Herman (previous source but with sbe's fixed and made seekable) encoded by Chris Ladner notes
14392. 06/06/92 Flac 24/96 - 0, 134943 Orchard Park Rich Stadium flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
14393. 06/06/92 Flac 16 - 0, 134942 Orchard Park Rich Stadium flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14394. 06/06/92 Flac 16 - 0, 111171 Orchard Park Rich Stadium SHNID: 111171 notes
14395. 06/06/92 Flac 24/96 - 0, 137752 Orchard Park Rich Stadium flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger notes
14396. 06/06/92 Flac 16 - 0, 137751 Orchard Park Rich Stadium flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger notes
14397. 06/06/92 Flac 24 - 0, 140203 Orchard Park Rich Stadium flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14398. 06/06/92 Flac 16 - 0, 140277 Orchard Park Rich Stadium flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14399. 06/06/92 Flac 16 - 0, 119035 Orchard Park Rich Stadium flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience cassette; Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master cassette(TDK SA-X90)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8) notes
14400. 06/06/92 Flac 16 - 0, 124862 Orchard Park Rich Stadium notes
14401. 06/06/92 Shn - 0, 8242 Orchard Park Rich Stadium AUD > CM > DAT > CDR > WAV > SHN;(unk. mic); Unknown seeder notes
14402. 06/08/92 Flac 16 - 0, 89981 Richfield Richfield Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
14403. 06/08/92 Flac 16 - 0, 83493 Richfield Richfield Coliseum flac16; MAD FOB DFC Digital Audience Recording Taped by Todd Evans, Section 2, Row S, Seats 8 and 9 Recording Info: Schoeps CMC34 (cardiod) > Oade Mic Preamp > Panasonic sv255 DAT Recorder > DAT Master Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> M-Audio Firewire Solo Interface -> Soundforge 8.0 notes
14404. 06/08/92 Flac 16 - 0, 81791 Richfield Richfield Coliseum flac16; Senn 441’s>Sony D-5>Sony D6 > ? > flac Recorded by Mike Mahoney notes
14405. 06/08/92 Flac - 0, 12561 Richfield Richfield Coliseum flac16 format; DSBD > DAT > 1C > DAT; Transfer: DAT > WAV > FLAC: Dan Stephens, Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (normalize, 48-44.1, highest accuracy with anti-alias filter) > CDWav v1.71 > FLAC Frontend; (no DAE ; 48k, unmodified FLAC archived and available upon request); upgrade in circulation notes
14406. 06/08/92 Flac 16 - 0, 111193 Richfield Richfield Coliseum flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich notes
14407. 06/08/92 Flac 16 44,1 - 0, 141251 Richfield Richfield Coliseum flac16/44.1 Set 1 Only. Source Info: FOB B&K 4011-> DAT (Clay and Jamie?) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel notes
14408. 06/08/92 Flac 24 - 0, 150494 Richfield Richfield Coliseum flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k) notes
14409. 06/08/92 Flac 16 - 0, 150518 Richfield Richfield Coliseum flac16; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k), This file set is 16 bit @ 44.1 notes
14410. 06/09/92 Flac 16 - 0, 89985 Richfield Richfield Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
14411. 06/09/92 Flac 16 - 0, 81856 Richfield Richfield Coliseum flac16; Senn 441’s>Sony D-5>Sony D6 > ? > flac Recorded by Mike Mahoney notes
14412. 06/09/92 Flac 16 44,1 - 0, 141250 Richfield Richfield Coliseum flac16/44.1 Source Info: FOB B&K 4011-> DAT (Clay and Jamie?). Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel notes
14413. 06/09/92 Flac 16 - 0, 12574 Richfield Richfield Coliseum flac16 format; Set I: AUD, FOB Schoeps CMC32's > DAT > PCM > DAT, Set II: AUD, OTS AKG 568's > DAT > PCM > DAT; Transfer: DAT > WAV > FLAC: Dan Stephens: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > CDWav v1.71 > FLAC Frontend (no DAE) notes
14414. 06/09/92 Flac 16 - 0, 111202 Richfield Richfield Coliseum flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich notes
14415. 06/09/92 Flac 24/48 - 0, 150594 Richfield Richfield Coliseum flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k) notes
14416. 06/11/92 Flac 16 - 0, 90105 Albany Knickerbocker Arena flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
14417. 06/11/92 Flac 16 - 0, 110979 Albany Knickerbocker Arena flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo notes
14418. 06/11/92 Shn - 0, 8069 Albany Knickerbocker Arena sbd> dat> cass> dat> cdr> wav> shnv3; via cozmic chuck, neo_levo; upgrade in circulation notes
14419. 06/11/92 Flac 16 - 0, 134956 Albany Knickerbocker Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14420. 06/11/92 Flac 24/96 - 0, 134957 Albany Knickerbocker Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename notes
14421. 06/11/92 Flac 24/96 - 0, 110978 Albany Knickerbocker Arena flac24; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24 taped by Baker and transferred by Keo notes
14422. 06/11/92 Flac 16 - 0, 137549 Albany Knickerbocker Arena flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck (Maxell MX-90 Minute Metal Tapes,1st Set,Sony SR-100 Minute Metal Tapes,2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,1st Row Official Taping Section notes
14423. 06/11/92 Flac 24/96 - 0, 137755 Albany Knickerbocker Arena flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger notes
14424. 06/11/92 Flac 16 - 0, 137754 Albany Knickerbocker Arena flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger notes
14425. 06/11/92 Flac 24 - 0, 139452 Albany Knickerbocker Arena flac24; AKG 568s -> Oade Power Supply > Casio DA-7 Portable DAT Deck -> Sony PCM-R500 Deck -> Hosa ODL-312 Optical AES/EBU Link -> Audacity on a Macintosh, all digital end-to-end. Front row tapers, center section; Taped by Bob Block, tracked and seeded by bltz notes
14426. 06/11/92 Shn - 0, 18581 Albany Knickerbocker Arena AUD(unknown mics)> DAT > CDR via Raoul Duke encoded by Matt Vernon notes
14427. 06/11/92 Flac 16 - 0, 86034 Albany Knickerbocker Arena flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > R8Brain (44.1kHz) > TLH > FLAC. Taped and transferred (June 2007) by Andrew F. This is your collection notes
14428. 06/11/92 Flac 16/48 - 0, 86035 Albany Knickerbocker Arena flac16/48; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (June 2007) by Andrew F. notes
14429. 06/11/92 Flac 16 - 0, 116122 Albany Knickerbocker Arena flac16; Source:Sony D6 Cassette Master(Dolby B On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Cd Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped 1st Row Official Tapers Section.Taped By Dave Boedicker notes
14430. 06/11/92 Flac 16 - 0, 149565 Albany Knickerbocker Arena b>flac16; Source Info: TS: Schoeps CMC3 MK4-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped By Jeff Travitz; Transfers by Pete Ebel notes
14431. 06/11/92 Flac 16 - 0, 149564 Albany Knickerbocker Arena flac16; Set 1 Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
14432. 06/11/92 Flac 24/48 - , 152717 Albany Knickerbocker Arena flac24/48 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 notes
14433. 06/11/92 Flac 16/44 - , 154484 Albany Knickerbocker Arena flac16/44 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 152717 2496 > 1644 notes
14434. 06/12/92 Flac 16 - 0, 90111 Albany Knickerbocker Arena flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
14435. 06/12/92 Flac 16 - 0, 83891 Albany Knickerbocker Arena flac16; Main Source: MSC > cassette > DAT > CoolEdit > CD > Peak edits > SHN (shnid 15821) Patch Source: (FOB)B+K 4011 > DAT > CDR/? > EAC > CDR > EAC > SHNv3 (shnid 4882) Edit: SHN > WAV > editing in Cool Edit Pro > CD Wave (patched tracks) > shntool > FLAC. Pitch correction of shnid 15821 by Bill Tetzeli notes
14436. 06/12/92 Shn - 0, 15821 Albany Knickerbocker Arena SBD > Master cassette> cassette> DAT> CoolEdit> CD> Peak edits> SHN via Johnny Venus encoded by Peter Braverman; upgrade in circulation notes
14437. 06/12/92 Flac 24/96 - 0, 134968 Albany Knickerbocker Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename notes
14438. 06/12/92 Flac 16 - 0, 134967 Albany Knickerbocker Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14439. 06/12/92 Flac 24/96 - 0, 111079 Albany Knickerbocker Arena flac24; Source: Master Audience > Nakamichi CM300 with CP4 caps > Sony D6 > (Maxell MX, 1x90, 1x100); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24; taped by Baker and transferred by Keo notes
14440. 06/12/92 Flac 16 - 0, 111080 Albany Knickerbocker Arena flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (Maxell MX, 1x90, 1x100); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo notes
14441. 06/12/92 Flac 16 - 0, 137823 Albany Knickerbocker Arena flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger notes
14442. 06/12/92 Flac 24/96 - 0, 137824 Albany Knickerbocker Arena flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger notes
14443. 06/12/92 Flac 16 - 0, 86095 Albany Knickerbocker Arena flac16; Set One: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS. Set Two: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7. Transfer: 1st Set MAD & 2nd Set clone > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC notes
14444. 06/12/92 Flac 16 - 0, 96095 Albany Knickerbocker Arena flac16; Sennheiser MD421's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades,Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
14445. 06/12/92 Flac 16/48 - 0, 86096 Albany Knickerbocker Arena flac16/48; Set One: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS. Set Two: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7. Transfer: 1st Set MAD & 2nd Set clone > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC notes
14446. 06/12/92 Flac 16 - 0, 116279 Albany Knickerbocker Arena flac16; Source: Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boudaries Aligned Using Traders Little Helper. Taped By Dave Boedicker, 1st Row Taper Section. notes
14447. 06/12/92 Flac 16 - 0, 123682 Albany Knickerbocker Arena flac16; Source: OTS/DFC/Audix shotguns > Sony WM-D6 (Set 1: 90 min Denon HD8; Set 2: 100 min Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/44.1) > Edirol UA25 > Sonar LE > Sound Forge 9.0 (convert 16 bit, tracking, added fades and normalize) > TLH (flac@8/ffp/sbe); Recorded, transferred and seeded by Bob Crupi notes
14448. 06/12/92 Flac 16 - 0, 137492 Albany Knickerbocker Arena flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck(Maxell MX-90 Minute Metal Tapes,1st Set,Sony SR-100 Minute Metal; Tapes, 2nd Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,1st Row Official Taping Section notes
14449. 06/12/92 Shn - 0, 4882 Albany Knickerbocker Arena (FOB)B+K 4011 > DAT > CDR/? > EAC > CDR > EAC > SHNv3; via Scott Agne notes
14450. 06/12/92 Flac 16 - 0, 145128 Albany Knickerbocker Arena flac16; Recording info: Set I: AKG 451eb/ck3 (FOB) > DAT (Sony D10 Pro) > PCM; Set II: Neumann KMi86 (OTS) > DAT (Panasonic SV255) > PCM; Transfer info: Beta PCM (video track) digital output: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (FLAC 16-bit/44.1k); Digital Recordings made by unknown notes
14451. 06/12/92 Flac 24/48 - , 152725 Albany Knickerbocker Arena flac24/48 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 notes
14452. 06/12/92 Flac 16/44 - , 154491 Albany Knickerbocker Arena flac16/44 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 152725 2448 > 1644 notes
14453. 06/14/92 Flac 16 - 0, 89071 East Rutherford Giants Stadium flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller notes
14454. 06/14/92 Flac 16 - 0, 85997 East Rutherford Giants Stadium flac16; Source: FOB(30 yrd line) Neumann KM82i's > Sony D5 > Maxell MX90 type IV stereo cassette. Taped by B. Koucky. Transfer: MAC playback on Nakamichi CR-7A, azimuth adjusted > Lynx RCA-XLR cables > Lunatec V3 @ 96 KHz, AES XLR digital out > AES digital input, LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transferred and mastering by C.Ladner. notes
14455. 06/14/92 Flac 16 - 0, 105592 East Rutherford Giants Stadium flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX. Set up front row OTS. Taped & transfer to CDR by Jon Pasternak. Transfer: MAC > Nakamichi DR-2 > Tascam CDRW2000 > CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged. EAC thru FLAC by Andrew F. 01/2010 notes
14456. 06/14/92 Shn - 0, 1035 East Rutherford Giants Stadium "analog sbd", no further info available; 2-3 spots of diginoise; via Aaron Kowalski to BUDD offer; circ as 3-disc shn set with 7/10/89; txt/md5s here courtesy DES, 6/23/01; upgrade in circulation notes
14457. 06/14/92 Flac 16/48 - 0, 138565 East Rutherford Giants Stadium flac16/48kHz; Unknown Taper: B&K 4011 (ORTF) > Neumann PS > Sony D10Pro; FOB w/stand; Stand specified at 6' 5" for 2nd set; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
14458. 06/14/92 Flac 24/96 - , 153971 East Rutherford Giants Stadium flac24/96 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (WAV 24-bit/48k) > FLAC/24 notes
14459. 06/14/92 Flac 16/44 - , 154495 East Rutherford Giants Stadium flac16/44 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (WAV 24-bit/48k) > FLAC/24 - This is 153971 2448 > 1644 notes
14460. 06/15/92 Flac 16 - 0, 32449 East Rutherford Giants Stadium flac16; SBD -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller notes
14461. 06/15/92 Flac 16 Mtx - 0, 122576 East Rutherford Giants Stadium flac16; Matrix - sbd 65%/aud 35%: 1) SBD -> Dat -> CD and 2) FOB>DAT>CDR; Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 notes
14462. 06/15/92 Flac 16 - 0, 105593 East Rutherford Giants Stadium flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX. Set up front row OTS. Taped & transfer to CDR by Jon Pasternak. Transfer: MAC > Nakamichi DR-2 > Tascam CDRW2000 > CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged. EAC thru FLAC by Andrew F. 01/2010 notes
14463. 06/15/92 Shn - 0, 9972 East Rutherford Giants Stadium FOB>DAT>CDR; Schoeps CMC3/MK4> Oade M118> Panasonic SV-250; via John Valter; Seeded to etree by eD(efojr) notes
14464. 06/17/92 Flac 16 - 0, 32486 Charlotte Charlotte Coliseum flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller notes
14465. 06/17/92 Flac 24/96 - 0, 110947 Charlotte Charlotte Coliseum flac24; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24; taped by Baker and transferred by Keo notes
14466. 06/17/92 Flac 24/96 - 0, 134987 Charlotte Charlotte Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename notes
14467. 06/17/92 Flac 16 - 0, 134986 Charlotte Charlotte Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14468. 06/17/92 Flac 16 - 0, 110948 Charlotte Charlotte Coliseum flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo notes
14469. 06/17/92 Shn - 0, 4673 Charlotte Charlotte Coliseum AUD (CMC-31)> DAT> CDR> EAC> CDWAVE (excess silences removed)> SHN (MKW); DAE (EAC V0.9pb9) and SHN conversion (mkwACT 0.97 beta 1) by Charles Wier, from Paul Bottiglio's CDs notes
14470. 06/18/92 Flac 16 - 0, 32487 Charlotte Charlotte Coliseum flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller notes
14471. 06/18/92 Shn - 0, 29702 Charlotte Charlotte Coliseum Set II only: Source: Sbd > ?? > CD's (likely a cassette gen) Transfer: CD's > EAC (secure) > MKWACT > SHN EAC/SHN by Chris Davis; upgrade in circulation notes
14472. 06/18/92 Flac 16 - 0, 134975 Charlotte Charlotte Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14473. 06/18/92 Flac 24/96 - 0, 134976 Charlotte Charlotte Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename notes
14474. 06/18/92 Flac 24 - 0, 139446 Charlotte Charlotte Coliseum flac24; Nakamichi CM-300, CP-4 Shotguns > Casio DA-7 Portable DAT Deck -> Sony PCM-R500 Deck -> Hosa ODL-312 Optical AES/EBU Link -> Audacity on a Macintosh notes
14475. 06/18/92 Shn - 0, 4674 Charlotte Charlotte Coliseum AUD (CMC-31)> DAT> CDR> EAC> SHN (MKW); DAE (EAC V0.9pb9) and SHN conversion (mkwACT 0.97 beta 1) by Charles Wier, from Paul Bottiglio's CDs; Known flaws: 25 ms analog dropout at 2:50 of He's Gone notes
14476. 06/18/92 Flac 16 - 0, 96087 Charlotte Charlotte Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 Dat Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades,Sample Rate Conversion)>CDWAV>FLAC Recorded, transferred & Uploaded By Keith Litzenberger notes
14477. 06/18/92 Flac 16/48 - 0, 144379 Charlotte Charlotte Coliseum flac16/48khz Recorded by: Mark Lynn Source: NAK 300s + CP4 shotguns > Casio DA7 with emphasis > DAT @48 kHz (on floor) Transferred by Mark Lynn & morst: Mark Lynn: DAT master > Sound Devices 722 morst: FLAC > Audacity 2.1.0 > WAVs > xACT 2.47 > FLACs @ 48kHz notes
14478. 06/20/92 Flac 16 - 0, 32488 Washington Robert F. Kennedy Stadium flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller notes
14479. 06/20/92 Flac 16 - 0, 93996 Washington Robert F. Kennedy Stadium flac16; Recording Info: SBD -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v8.01 -> FLAC with fixed d2t01 by Tim Leavy (see info file for details). This is a fixed version of shn ID shn id 32488 notes
14480. 06/20/92 Flac 16/48 - 0, 33953 Washington Robert F. Kennedy Stadium flac16/48; Master Soundboard DAT @ 48KHZ->DAT x 4; Conversion: Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC, by Mark Lynn notes
14481. 06/20/92 Shn - 0, 546 Washington Robert F. Kennedy Stadium SBD> DATs> CDRs> EAC> SHN; via Darrin Sacks; level change during Corinna- a few min in the level suddenly goes up a bit and may actually clip then immediately goes down by about 6db and stays that way for the rest of the set; upgrade in circulation notes
14482. 06/20/92 Shn - 0, 2207 Washington Robert F. Kennedy Stadium DSBD, no other info available; has same change in level in Corinna as mentioned on the other shn set in circulation; via Tony Gardner; upgrade in circulation notes
14483. 06/20/92 Flac 16/48 - 0, 34827 Washington Robert F. Kennedy Stadium flac16/48; FOB DFC Digital Audience Recording Schoeps CMC34 -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master - Recorded by Todd Evans notes
14484. 06/20/92 Flac 16 - 0, 34817 Washington Robert F. Kennedy Stadium flac16; FOB DFC Digital Audience Recording Schoeps CMC34 -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master - Recorded by Todd Evans notes
14485. 06/20/92 Flac 16 - 0, 94214 Washington Robert F. Kennedy Stadium flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
14486. 06/22/92 Flac 16 - 0, 32490 Burgettstown Star Lake Amphitheatre flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller notes
14487. 06/22/92 Flac 24/96 - 0, 135072 Burgettstown Star Lake Amphitheatre flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename notes
14488. 06/22/92 Flac 16 - 0, 135071 Burgettstown Star Lake Amphitheatre flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14489. 06/22/92 Shn - 0, 14043 Burgettstown Star Lake Amphitheatre Second Set Only SBD ?>DAT>WAV>CE>CDWAV>CDR & SHN [probable cassette generation]; upgrade in circulation notes
14490. 06/22/92 Flac 16 - 0, 86435 Burgettstown Star Lake Amphitheatre flac16; source : aud > Nak 300s > WMD-6 > mac taped by John Bleich transfer : mac > Aiwa AD-F410 > Creative Extigy > Wavelab > wav (24/96) > flac downsampled to 16/44.1 with Wavelab and dithered with iZotope Ozone notes
14491. 06/22/92 Flac 16 - 0, 121415 Burgettstown Star Lake Amphitheatre flac16; Set 2 Source: 2 Beyer M160 microphones - 9th row/center> Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
14492. 06/22/92 Shn - 0, 5218 Burgettstown Star Lake Amphitheatre DAUD (master) > CDR > EAC > CDWAV > SHN >wav > shn w/seeking, plus encore: SBD > DAT > Cassette > DAT > Delta Dio 2496 > CDR > EAC> .shn; via brothercrow, harlan from D. Loebig, Rob Harrison seeds notes
14493. 06/23/92 Flac 16 - 0, 32491 Burgettstown Star Lake Amphitheatre flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller notes
14494. 06/23/92 Shn - 0, 6024 Burgettstown Star Lake Amphitheatre SBD> Dat> c> Dat> Cool Edit> cd> EAC> SHN (seekable);EAC>SHN Steve Barbella, from John Valter seed discs; upgrade in circulation notes
14495. 06/23/92 Flac 24/96 - 0, 135074 Burgettstown Star Lake Amphitheatre flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename notes
14496. 06/23/92 Flac 16 - 0, 135073 Burgettstown Star Lake Amphitheatre flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rena notes
14497. 06/23/92 Shn - 0, 9985 Burgettstown Star Lake Amphitheatre DAUD (master) > CDR; via D. Loebig; Seeded to etree by Harlan notes
14498. 06/23/92 Flac 16 - 0, 86634 Burgettstown Star Lake Amphitheatre flac16; source: aud > Nak 300s > WMD-6 > mac taped by John Bleich transfer : mac > Aiwa AD-F410 > Creative Extigy > Wavelab > wav (24/96) > flac downsampled to 16/44.1 with Wavelab and dithered with iZotope Ozone notes
14499. 06/25/92 Flac - 0, 32496 Chicago Soldier Field flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller notes
14500. 06/25/92 Shn - 0, 22794 Chicago Soldier Field Source: Soundboard (was originally labeled as Shure Beta 57's > Tascam Porta 5 DBX Analog Deck > Cass Master > DAT > CDR) Transfer: EAC > CDR > FLAC Taper: Jim O'Malley Location: "...down on the field close to the stage..." notes
14501. 06/25/92 Shn - 0, 2258 Chicago Soldier Field SBD> D-> CDR-> EAC> SHN; Ripped by John Zei; Missing encore; upgrade in circulation notes
14502. 06/25/92 Shn - 0, 548 Chicago Soldier Field SBD->CASS0->DAT @ 44.1 Khz (encore 48 Khz, resampled via CoolEdit Pro @ 999 qs); Transfer: DAT->PC (S/PDIF, TB Fiji), SHNs from original WAVs, A. Shiffman; see info file for flaw notes; upgrade in circulation notes
14503. 06/25/92 Flac - 0, 34801 Chicago Soldier Field flac16; Seamless fix of shn id 8959 - SBD > GD MASTER D > D > SSSB notes
14504. 06/25/92 Shn - 0, 8959 Chicago Soldier Field SBD > RF Digital Earpiece Monitor Mix Buss (mix was fed to Kreutzman/Hart) > Vault Archive ADAT > 24-bit/96 kHz 2-track Mixdown DAT (Marin County Source) > SSSB; Seeded to etree by Jay Serafin notes
14505. 06/25/92 Flac - 0, 138876 Chicago Soldier Field flac16/48kHz; Set 2, unknown taper: B&K 4011 at 110 degrees ORTF > Neumann PS > Sony D10Pro - FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT notes
14506. 06/25/92 Flac - 0, 139264 Chicago Soldier Field flac16 44.1khz Set 1 only. Recorded by David Cohen & Justin Lee. OTS 8 foot stand. 2 Nakamichi CM300 Omnis spaced 2 meters >Sony D10Pro II DAT 48K Master sample rate converted to 44.1 in Wavelab notes
14507. 06/25/92 Flac - 0, 139369 Chicago Soldier Field flac16 44.1khz Source Info: FOB B&K 4011-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel notes
14508. 06/25/92 Flac - 0, 139368 Chicago Soldier Field flac16 44.1khz Source Info: FOB Schoeps CMC3 MK2-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1).Transfers by Pete Ebel notes
14509. 06/26/92 Flac - 0, 32497 Chicago Soldier Field flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller notes
14510. 06/26/92 Shn - 0, 9118 Chicago Soldier Field DAUD[master] > CDR; via D. Loebig; Seeded to etree by harlan notes
14511. 06/28/92 Flac 16 - 0, 32550 Noblesville Deer Creek Music Center flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller notes
14512. 06/28/92 Flac 16 Mtx - 0, 97810 Noblesville Deer Creek Music Center flac16; matrix of DSBD: shnid=32550 and DAUD: shnid=90152 by hansokolow using ProTools notes
14513. 06/28/92 Flac 16/48 - 0, 90149 Noblesville Deer Creek Music Center flac16/48; AUD: Schoeps CMC3/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > Sony DDS-Dat tape. Mics on seven foot stand, set up dead center, front edge of grass, just behind last seating row. Transfer: MAD > Sony TCD-D10P > Audiophile 2496 SPDIF-In > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F notes
14514. 06/28/92 Shn - 0, 8601 Noblesville Deer Creek Music Center SBD; Lineage; Master Cassette> DAT> CD; 1st set via Charlie Miller; Seeded to etree by Peter Braverman; upgrade in circulation notes
14515. 06/28/92 Flac 16 - 0, 28395 Noblesville Deer Creek Music Center flac16; SBD> Dat> CD> CD> Sonic Solutions> CD> CD> EAC> FLAC; via Charlie Miller; upgrade in circulation notes
14516. 06/28/92 Flac 24/96 - 0, 135321 Noblesville Deer Creek Music Center flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename notes
14517. 06/28/92 Flac 16 - 0, 135322 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14518. 06/28/92 Flac 24 - 0, 140204 Noblesville Deer Creek Music Center flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14519. 06/28/92 Flac 16 - 0, 140280 Noblesville Deer Creek Music Center flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14520. 06/28/92 Flac 16 - 0, 132788 Noblesville Deer Creek Music Center flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro notes
14521. 06/28/92 Shn - 0, 550 Noblesville Deer Creek Music Center FOB (hand held) B&K 4011's -> D10 Pro, P. Delgado; Transfer: D8 -> Montego II -> CDWAV -> Shorten32, D. Nawrocki notes
14522. 06/28/92 Flac 16/48 - 0, 149397 Noblesville Deer Creek Music Center flac16/48kHz; Source Info:;FOB B&K 4011-> Sony D-10 Pro II-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) notes
14523. 06/28/92 Flac 16/48 - 0, 149398 Noblesville Deer Creek Music Center flac16/48kHz; Set 1 Source Info: Beyer CM 101-> Casio DA-7-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) notes
14524. 06/29/92 Shn - 0, 9399 Noblesville Deer Creek Music Center SBD>DAT>C>DAT>CDR; Seeded to etree by Tony G notes
14525. 06/29/92 Flac 24/96 - 0, 135350 Noblesville Deer Creek Music Center flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename notes
14526. 06/29/92 Flac 16 - 0, 135351 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14527. 06/29/92 Flac 24 - 0, 140222 Noblesville Deer Creek Music Center flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14528. 06/29/92 Flac 16 - 0, 140285 Noblesville Deer Creek Music Center flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14529. 06/29/92 Flac 16 - 0, 132789 Noblesville Deer Creek Music Center flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro notes
14530. 06/29/92 Shn - 0, 2281 Noblesville Deer Creek Music Center Nak300 (CP-4 shotgun caps) -> Sony D5M-Pro (used as mic preamp) -> Yamaha MT1X cassette deck using DBX type II encoding; A/D Playback: Cassette Master in Yamaha MT120S using DBX type II decoding ->Tascam DA20 -> Zefiro ZA2 -> CoolEdit editing -> CDR; slight bit of the beginning of Desolation is missing, as well as the first couple notes of Deal; tape flip in Drums/Space spliced together with Cool Edit; Recording by Pat Volkerding and Eddie Wahba; A>D>CDR transfer by by Pat Volkerding; upload by Chris Ladner; see info file for burning notes notes
14531. 06/29/92 Flac 16 - 0, 91644 Noblesville Deer Creek Music Center flac16; Sennheiser ME-80's>Technics SV-MD1 from Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes
14532. 06/29/92 Flac 16/48 - 0, 149399 Noblesville Deer Creek Music Center flac16/48kHz; Source Info: FOB B&K 4011-> Sony D-10 Pro II-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) notes
14533. 07/01/92 Shn - 0, 5701 Hebron Buckeye Lake Music Center preFM SBD > CM > DAT > CDR > WAV > SHNv3; d1 tracked for 80 min; some clipping; via Chris L. notes
14534. 07/01/92 Flac 24/96 - 0, 110853 Hebron Buckeye Lake Music Center flac24; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D5 > MAC (1 x Maxell MX-S100 + 1 x MX-S90) Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24 taped by Baker and transferred by Keo notes
14535. 07/01/92 Flac 16 - 0, 81844 Hebron Buckeye Lake Music Center flac16; Schoeps CMC32's (8 foot spaced omnis on 6 foot stands) -> Monster M1000 Cable -> Oade Mic Preamp -> Monster M1000 Jumper Cables -> Panasonic sv255 DAT Deck; DAT > TASCAM DA-20 > M-Audio FireWire Solo > Soundforge 8.0 wav notes
14536. 07/01/92 Flac 16 - 0, 110852 Hebron Buckeye Lake Music Center flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D5 > MAC (1 x Maxell MX-S100 + 1 x MX-S90) Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped by Baker and transferred by Keo notes
14537. 07/01/92 Flac 24 - 0, 140128 Hebron Buckeye Lake Music Center flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14538. 07/01/92 Flac 16 - 0, 140226 Hebron Buckeye Lake Music Center flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14539. 07/01/92 Flac 16/48 - 0, 147571 Hebron Buckeye Lake Music Center b>flac16/48kHz; Source Info: Beyer CM 101-> Casio DA-7-> DAT (Taped by Pete Ebel); Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes
14540. 12/02/92 Flac 16 - 0, 119982 Denver McNichols Sports Arena flac16; Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14541. 12/02/92 Flac 16 - 0, 82302 Denver McNichols Sports Arena flac16; MAD FOB Digital Audience Recording - 13th Row Schoeps Mk4v Cardiod Capsule (ORTF) -> Schopes Kc5 Active Cable -> Schoeps CMC3 Mic Body -> Oade Mic Pre -> Monster M1000 Jumper Cable (12" -> Panasonic sv255 DAT Master Recorded by Todd Evans - (DFC was the aisle, this recording 1 seat from aisle) Transfer- MAD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 notes
14542. 12/02/92 Flac 24/48 - 0, 119982 Denver McNichols Sports Arena flac24; Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes
14543. 12/02/92 Flac 24 - 0, 140148 Denver McNichols Sports Arena flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14544. 12/02/92 Flac 16 - 0, 140248 Denver McNichols Sports Arena flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14545. 12/02/92 Flac 16/48 - 0, 141410 Denver McNichols Sports Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes
14546. 12/02/92 Flac 16/48 - 0, 132562 Denver McNichols Sports Arena flac16/48kHz; Recording Notes: recorded and transferred by jlevene; Source: undocumented (but probably Nak 300 > Sony D3) > DAT/master (32kHz); Transfer: Tascam DA-20 > analog connection > Marantz PMD661 (digital tansfer) .wav (16/48); SFv9, CDwave, TLH and mp3tag were used to finish the conversion to .flac; minor level adjustments during T2/FLAS notes
14547. 12/02/92 Shn - 0, 9991 Denver McNichols Sports Arena 2nd Set; AUD(Neumann KM 140's)>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes
14548. 12/02/92 Shn - 0, 12228 Denver McNichols Sports Arena (Unknown Audience) Digital Master> DAT> DMXFire> CDWav> mkw> shn; shn info submitted by user ststephen notes
14549. 12/03/92 Flac 16 - 0, 120034 Denver McNichols Sports Arena flac16; Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14550. 12/03/92 Flac 16 - 0, 82352 Denver McNichols Sports Arena flac16; MAD FOB Digital Audience Recording - 14th Row Schoeps Mk4v Cardiod Capslue (ORTF) -> Schopes Kc5 Active Cable -> Schoeps CMC3 Mic Body -> Oade Mic Pre -> Monster M1000 Jumper Cable (12" -> Panasonic sv255 DAT Master Recorded by Todd Evans - (DFC was the aisle, this recording 1 seat from aisle) Transfer: MAD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 notes
14551. 12/03/92 Flac 24/48 - 0, 120033 Denver McNichols Sports Arena flac24; Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo notes
14552. 12/03/92 Flac 24 - 0, 140149 Denver McNichols Sports Arena flac24; Set 1 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14553. 12/03/92 Flac 16 - 0, 140249 Denver McNichols Sports Arena flac16; Set 1 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14554. 12/03/92 Flac 16/48 - 0, 141411 Denver McNichols Sports Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes
14555. 12/03/92 Shn - 0, 9474 Denver McNichols Sports Arena Neumann KM 140's > DAT > CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes
14556. 12/03/92 Flac 16 - 0, 30071 Denver McNichols Sports Arena flac16; Recording Info: (FOB/ORTF) B&K 4011 -> Modified Neumann Power supply -> Dat (Modified Sony D10 Pro) -> Dat Clone Transfer Info: Dat Clone (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC notes
14557. 12/03/92 Flac 16/48 - 0, 132563 Denver McNichols Sports Arena flac16/48kHz; Recording Notes: recorded and transferred by jlevene; Source: undocumented (but probably Nak 300 > Sony D3 in the taper section) > DAT/master (32kHz); Transfer: Tascam DA-20 > analog connection > Marantz PMD661 (digital tansfer) .wav (16/48); SFv9, CDwave, TLH and mp3tag were used to finish the conversion to .flac notes
14558. 12/05/92 Flac - 0, 33827 Tempe Compton Terrace Amphitheatre Digital Audience Recording Taped by Todd Evans Schoeps CMC32 Split Omnis -> Monster M1000 Jumpers -> Oade Pre -> MonsterM1000 Cable -> 7ft Stand -> Panasonic sv255 DAT Master from Todd Evans MASTER DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav Soundforge 8.0 for 48/44.1>tracked in shntool-2.0.3> FLAC Frontend Level8 notes
14559. 12/05/92 Flac 16 - 0, 117623 Tempe Compton Terrace Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DID/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
14560. 12/05/92 Flac - 0, 117622 Tempe Compton Terrace Amphitheatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DID/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
14561. 12/05/92 Flac 24 - 0, 140150 Tempe Compton Terrace Amphitheatre flac24; Set 2 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14562. 12/05/92 Flac 16 - 0, 140250 Tempe Compton Terrace Amphitheatre flac16; Set 2 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14563. 12/05/92 Shn - 0, 8757 Tempe Compton Terrace Amphitheatre AUD(AKG-460's)>DAT>CDR; Seeded to etree by Tim W notes
14564. 12/06/92 Flac 16 - 0, 94107 Tempe Compton Terrace Amphitheatre flac16; Recording Info:SBD -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
14565. 12/06/92 Flac 16 Mtx - 0, 97819 Tempe Compton Terrace Amphitheatre flac16; matrix of DSBD: shnid=94107 and DAUD: shnid=33956 by hansokolow using ProTools notes
14566. 12/06/92 Flac 16 - 0, 117626 Tempe Compton Terrace Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/First Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
14567. 12/06/92 Flac 16 - 0, 33956 Tempe Compton Terrace Amphitheatre flac16; Schoeps CMC32 Split Omnis -> Monster M1000 Jumpers -> Oade Pre -> MonsterM1000 Cable -> 7ft Stand -> Panasonic sv255 soundforge 8.0 48kHz/44.1kHz conversion> tracked in CDWav>FLAC; Taped by Todd Evans; patched with shnid 8706, a GEMS production notes
14568. 12/06/92 Flac 24/48 - 0, 117627 Tempe Compton Terrace Amphitheatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/First Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
14569. 12/06/92 Shn - 0, 8706 Tempe Compton Terrace Amphitheatre SBD>D> Delta Dio 2496 > Cool Edit >CDR; Seeded to etree by Tim Wiley notes
14570. 12/06/92 Flac 16/44,1 - 0, 141065 Tempe Compton Terrace Amphitheatre flac16/44.1khz Source Info: FOB AKG 460-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
14571. 12/06/92 Flac 16 - 0, 125410 Tempe Compton Terrace Amphitheatre flac16; Shoeps 441>DAT>CM>WAV>FLAC; TRANSFER NAKCR1>TEAC CRW250>WAV>FLAC notes
14572. 12/06/92 Shn - 0, 10381 Tempe Compton Terrace Amphitheatre Unknown aud > ? > CDR; via Raoul Duke and Ziggy; Seeded to etree by Matt Vernon notes
14573. 12/06/92 Flac 16 - 0, 117301 Tempe Compton Terrace Amphitheatre flac16; dave homes dat master; lineage: audience dat master to cdr krw_co transfer to eac to tlh flac level 8 notes
14574. 12/06/92 Flac 16 - 0, 114526 Tempe Compton Terrace Amphitheatre flac16; Source DAT labeled AKG C-61's w/ Hyper-Cardiod caps > Denon DTR-80P ; Source taped by Steve Fink and Marcus Barnett Tascam DA-40 > S/PDIF > M-Audio 2496 @ 48khz > 44khz sample rate conversion via iZotope SRC 64 bit SRC Tracking performed in Adobe Audition 3.0 FLAC conversion via Trader's Little Helper; All transfers by ifthir@hotmail.com 7/8/2011 notes
14575. 12/11/92 Shn - 0, 9534 Oakland Oakland-Alameda County Coliseum SBD DAT master > DAT/1 > CDR > iMac > SHN; note shntool-fixed version of previous shn set, via Nathan Scott; seekable notes
14576. 12/11/92 Shn - 0, 5548 Oakland Oakland-Alameda County Coliseum Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa\'s nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear; missing Deal; upgrade in circulation notes
14577. 12/11/92 Flac 16 - 0, 79264 Oakland Oakland-Alameda County Coliseum flac16; Recording - Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer - DAT Clone from Dat Master from collection of Todd Evans DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info - Wavelab 6.0 - 48/16 wav> BBE, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE notes
14578. 12/11/92 Flac 16 - 0, 86009 Oakland Oakland-Alameda County Coliseum flac16; Schoeps CMC-441's > Panasonic SV-255> DAT (clone) ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) ; Taped By (likely) Ed Boardman ; Transfer By Scott Swayne (AltheasBoy) in 06/2007 notes
14579. 12/11/92 Flac 16/48 - 0, 86010 Oakland Oakland-Alameda County Coliseum flac16/48; Schoeps CMC-441's > Panasonic SV-255> DAT (clone) ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) ; Taped By (likely) Ed Boardman ; Transfer By Scott Swayne (AltheasBoy) in 06/2007 ; 48k version notes
14580. 12/11/92 Flac 16/48 - 0, 139686 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Jim Wise recording: AKG 414 > Oade preamp > Sony D-10 Pro > DAT (FOB); Jim Wise transfer: DAT > Sony D-10 Pro > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT notes
14581. 12/11/92 Flac 24 - 0, 140828 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14582. 12/11/92 Flac 16 - 0, 140846 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14583. 12/11/92 Shn - 0, 9773 Oakland Oakland-Alameda County Coliseum AUD (AKG-460's) >DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes
14584. 12/11/92 Flac 16/48 - 0, 141731 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Recording info: Set I: Schoeps CMC34 (110° ORTF) > MIT Cable > TAO Research P.S. > Panasonic SV225 > DAT Recorded by John Ammons, hand held @ 5'9" FOB, center; Set II: AMS ST-250 (ambisonic mode)> 4 track Nagra D open reel 24 bit digital deck> 2 channel stereo DAT (Blumlein pattern)> DAT; Recorded by Jeff Silberman, just left of center, FOB; Transfer info: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Transfer by John Ammons of his s1 Master DAT & s2 clone of Silberman Master DAT notes
14585. 12/11/92 Flac 16/48 - 0, 150535 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Recording: Schoeps MK4 CMC3mod (ORTF)> MIT shotgun XLR > TAO-Oade PS > MIT shotgun XLR > Panasonic SV250mod > Master DAT (16bit48kHz); Location, FOB, DFC; Mics handheld 5'9"-1st Set, 5'10"-2nd Set; Transfer: Master DAT > Panasonic SV3800 > S-PDIF(16bit48kHz) > Edirol-R4 > WAV 48-16; Master Digital FOB Recording by Marcus Buick & Rob Darroch with assistance of John Ammons; Transfer by Marcus Buick; Edited & Mastered using Adobe Audition (2020) by Joe Noel notes
14586. 12/12/92 Flac 16 Mtx - 0, 97937 Oakland Oakland-Alameda County Coliseum flac16; matrix of SBD: shnid=5549 and AUD: shnid: set 1=23220, set 2=28878 by hansokolow using ProTools notes
14587. 12/12/92 Shn - 0, 5549 Oakland Oakland-Alameda County Coliseum Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear; d2 tracked for 80 min notes
14588. 12/12/92 Flac 16 - 0, 79599 Oakland Oakland-Alameda County Coliseum flac16; Recording info-Digital FOB Audience Schoeps CMC54 taper: unknown Transfer info-DAT Clone from Dat Master DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info-Edited and Mastered By Blingfreein Adobe Audition 1.5; -48/44.1 SRC(Crystal Ultra), L3 type 1 dither in Wavelab 6.0 by Jamie Waddell - Flac Level 8 in FLACFrontend SBE FREE notes
14589. 12/12/92 Flac 16/48 - 0, 139687 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Jim Wise recording: AKG 414 > Oade preamp > Sony D-10 Pro > DAT (FOB); Jim Wise transfer: DAT > Sony D-10 Pro > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT notes
14590. 12/12/92 Flac 24 - 0, 140829 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14591. 12/12/92 Flac 16 - 0, 140850 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14592. 12/12/92 Shn - 0, 28878 Oakland Oakland-Alameda County Coliseum Set 2 only; Recording Info: (FOB) Soundfield AMS ST250 (Blumlein) -> Nagra D Digital Reel To Reel (20 bit) -> Dat -> Dat Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Jeff Silberman Dat Supplied By JC Mahoney Transferred By Charlie Miller notes
14593. 12/12/92 Flac - 0, 23220 Oakland Oakland-Alameda County Coliseum Source: fob 30' center(from stage) hand held cmc 4,41 ortf>canare star quad cables>koch power supply > canare star quad cables>koch modified panasonic sv-255 panasonic sv-3700>hhb 830>CD-r>EAC (secure mode)>.wav>Flac Taped and transfered (DAT to Cd-r) Ed Boardman & CD-r>EAC>.wav>Flac by C Evans notes
14594. 12/12/92 Shn - 0, 9510 Oakland Oakland-Alameda County Coliseum AUD (AKG-460's)>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes
14595. 12/12/92 Flac 16/48 - 0, 150536 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Recording: Schoeps MK4 CMC3mod (ORTF, FOB) > MIT shotgun XLR > TAO-Oade PS > MIT shotgun XLR > Panasonic SV250mod > Master DAT (16bit 48kHz); Location, FOB, DFC. Mic handheld 5'9"-1st Set, 5'10"-2nd Set; Transfer: Master DAT > Panasonic SV3800 > S-PDIF(16bit48kHz) > Edirol-R4 > WAV 48-16; Master Digital FOB Recording by Marcus Buick & Rob Darroch with assistance of John Ammons; Transfer by Marcus Buick; Edited & Mastered using Adobe Audition (2020) by Joe Noel notes
14596. 12/13/92 Shn - 0, 10928 Oakland Oakland-Alameda County Coliseum Steve Barbella retrack of of original Healy Master seed; Dan Healy 2 track pa sbd dat master > Healy cassette; via Tommy Banjo & MerryPranksterTree; Seeded to etree by StoneBear notes
14597. 12/13/92 Flac 16 - 0, 79352 Oakland Oakland-Alameda County Coliseum flac16; Recording - Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer - DAT Clone from Dat Master DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info - All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3(w type 1 dither), Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE notes
14598. 12/13/92 Flac 16 - 0, 86041 Oakland Oakland-Alameda County Coliseum flac16; Schoeps CMC441's > Panasonic SV-255 > (clone) Teac DA-P20; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) notes
14599. 12/13/92 Flac 16/48 - 0, 86037 Oakland Oakland-Alameda County Coliseum flac16/48; Schoeps CMC441's > Panasonic SV-255 > (clone) Teac DA-P20; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8 notes
14600. 12/13/92 Flac 16/48 - 0, 139688 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Jim Wise recording: AKG 414 > Oade preamp > Sony D-10 Pro > DAT (FOB); Jim Wise transfer: DAT > Sony D-10 Pro > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT notes
14601. 12/13/92 Flac 16/48 - 0, 140381 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017 notes
14602. 12/13/92 Flac 24 - 0, 140830 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14603. 12/13/92 Flac 16 - 0, 140851 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14604. 12/13/92 Flac 16/48 - 0, 149335 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: FOB Neumann Mics-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes
14605. 12/16/92 Shn - 0, 5551 Oakland Oakland-Alameda County Coliseum Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear notes
14606. 12/16/92 Flac 16 - 0, 79547 Oakland Oakland-Alameda County Coliseum flac16; Recording- Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer- DAT Clone from Dat Master DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3 type1 dither, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE notes
14607. 12/16/92 Flac 16 Mtx - 0, 27580 Oakland Oakland-Alameda County Coliseum flac16; Matrix mix of Set 2 SBD (shnid=5551) plus FOB (shnid=25812) by MattMan; SHN/FLAC> WAV> Adobe Audition> CDWAV> shntool> FLAC Frontend notes
14608. 12/16/92 Flac 16/48 - 0, 138710 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source: unknown aud (possibly AKGs) > dat (48k) provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; transferred by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick notes
14609. 12/16/92 Flac 16/48 - 0, 140423 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Set 2 Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 notes
14610. 12/16/92 Flac 24 - 0, 140831 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14611. 12/16/92 Flac 16 - 0, 140853 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14612. 12/16/92 Flac 16/48 - 0, 140956 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Recording info: Schoeps CMC34 at 110 degrees ORTF on Schoeps t-bar > MIT Cable > Tao Research Power Supply > Panasonic SV255; Location info: FOB, one person right of center, directly under center court Warriors scoreboard. Set 1 handheld at 5'9" & Set 2 w/ 5'11" stand; Transfer info: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Master DAT Recording & transfer by John Ammons notes
14613. 12/16/92 Shn - 0, 15395 Oakland Oakland-Alameda County Coliseum FOB Schoeps MK4V> Sony D3> D> CD> EAC> WAV> SHN encoded by JR Fishman notes
14614. 12/16/92 Flac 16 - 0, 25812 Oakland Oakland-Alameda County Coliseum flac16; FOB center (30' from stage) hand held CMC 4,41 ORTF> Canare star quad cables> Koch power supply > Canare star quad cables> Koch modified Panasonic sv-255 >hhb 830> CD-r> EAC >.wav> Flac; taped, transferred by Ed Boardman; DAE> flac by Chris Evans notes
14615. 12/16/92 Flac 16/48 - 0, 138068 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Set 2 Fob recording > AKG 414 > Oade preamp > Sony D-10 Pro > DAT; recorded by Jim Wise; Transfer: DAT > Sony D-10 Pro > Tascam DA-3000 > wav 16/48; Taped and transferred by Jim Wise; Lineage: wav 16/48 > Adobe Audition 3.1 > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick notes
14616. 12/16/92 Shn - 0, 9631 Oakland Oakland-Alameda County Coliseum AUD>??>CDR; via Raoul Duke; Seeded to etree by Matt Vernon notes
14617. 12/17/92 Shn - 0, 5552 Oakland Oakland-Alameda County Coliseum Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear notes
14618. 12/17/92 DTS - 0, 88013 Oakland Oakland-Alameda County Coliseum DTS Audio 5.1; 4 Source Mix - SBD (shn id 5552) Dan Healy 2 track pa sbd dat master > Healy cassette + AUD1 (shn id 79732) Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 + AUD2 (shn id 29086) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz + AUD3 AUD3 (no shn id) 2nd Generation Video with LPCM audio supplied by Awolfoutwest - dts mixing by Kevin Tobin notes
14619. 12/17/92 Flac 16 Mtx - 0, 87983 Oakland Oakland-Alameda County Coliseum flac16; Matrix 4 Source Mix - SBD (shn id 5552) Dan Healy 2 track pa sbd dat master > Healy cassette + AUD1 (shn id 79732) Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 + AUD2 (shn id 29086) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz + AUD3 AUD3 (no shn id) 2nd Generation Video with LPCM audio supplied by Awolfoutwest - matrix mixing by Kevin Tobin notes
14620. 12/17/92 Flac 16 - 0, 79732 Oakland Oakland-Alameda County Coliseum flac16; Recording- Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer- DAT Clone from Dat Master from collection of Todd Evans - DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3 dither type1, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE notes
14621. 12/17/92 Flac 24 - 0, 140832 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14622. 12/17/92 Flac 16 - 0, 140854 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14623. 12/17/92 Shn - 0, 29086 Oakland Oakland-Alameda County Coliseum Source: Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz Transfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r Transfer by Chris Larson notes
14624. 12/17/92 Flac 16 - 0, 119222 Oakland Oakland-Alameda County Coliseum flac16; Source: Sonic Solution DSM-1S/x microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
14625. 12/17/92 Shn - 0, 28903 Oakland Oakland-Alameda County Coliseum Source: Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz Transfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r Transfer by Chris Larson notes
14626. 01/24/93 Shn - 0, 5610 Oakland Oakland-Alameda County Coliseum SBD > DAT > C > DAT > CDR > TAE (overlap) > WAV > SHN; Ripped, SHNed, and seeded by Jon Seff; see info file for lineage notes notes
14627. 01/24/93 Flac 16 - 0, 85009 Oakland Oakland-Alameda County Coliseum flac16; Set 2: FOB Schoeps MK4s > Panasonic sv255 > (clone) Teac DA-P20 > Tascam DA-30 > Diamond xTreme Sound Card >Cool Edit Pro > CDWave > Flac16 notes
14628. 01/24/93 Flac 16 - 0, 116031 Oakland Oakland-Alameda County Coliseum flac16; source: 2 Neumann KMF4's up front-center> Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
14629. 01/24/93 Flac 16/48 - 0, 138078 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Rob Darroch recording [FOB DFC]: Schoeps MK4 Capsules in hat > Bill Reutelhuber PS > Panasonic SV250. Mics worn in hat by Rob Darroch; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48 notes
14630. 01/24/93 Flac 16/44,1 - 0, 141070 Oakland Oakland-Alameda County Coliseum flac16/44.1 set 2 only. Source Info: FOB Schoeps CMC3 Mk4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
14631. 01/24/93 Flac 16 - 0, 142855 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Dat Clone (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes
14632. 01/24/93 Flac 16 - 0, 142856 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14633. 01/24/93 Flac 24 - 0, 142854 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14634. 01/25/93 Shn - 0, 9368 Oakland Oakland-Alameda County Coliseum SBD>CM>DAT>CDR; via Rick M; neo_levo/candyman FTP notes
14635. 01/25/93 Flac 16 - 0, 116032 Oakland Oakland-Alameda County Coliseum flac16; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
14636. 01/25/93 Flac 16/44,1 - 0, 141064 Oakland Oakland-Alameda County Coliseum flac16/44.1 Source Info: FOB Schoeps CMC3 Mk4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
14637. 01/25/93 Flac 16 - 0, 142994 Oakland Oakland-Alameda County Coliseum flac16; Set 2 Recording Info: SBD > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes
14638. 01/25/93 Flac 24 - 0, 142995 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14639. 01/25/93 Flac 16 - 0, 143521 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16/44.1 notes
14640. 01/26/93 Shn - 0, 26346 Oakland Oakland-Alameda County Coliseum SBD> Dat> Cassette Master> Dat> CD> EAC> SHN; Converted To SHN By Charlie Miller notes
14641. 01/26/93 Flac 16/48 - 0, 85934 Oakland Oakland-Alameda County Coliseum flac16/48; AKG 460/CK8's (2' spacing on custom T-Bar) > Marantz PMD-700 > (clone) DA-P20 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8 notes
14642. 01/26/93 Flac 16 - 0, 85933 Oakland Oakland-Alameda County Coliseum flac16; AKG 460/CK8's (2' spacing on custom T-Bar) > Marantz PMD-700 > (clone) DA-P20 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1kHz) > CDWave > FLAC (L8 notes
14643. 01/26/93 Flac 16/48 - 0, 134781 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source: Unknown FOB AUD > DAT; Transfer: DATx > Microtrack 24/96 16/48 > WAV > Flac (TLH) notes
14644. 01/26/93 Shn - 0, 4083 Oakland Oakland-Alameda County Coliseum AUD > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff notes
14645. 01/26/93 Shn - 0, 21493 Oakland Oakland-Alameda County Coliseum Source: AUD > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff (jon@seff.net); d2t2, d2t3 fixed from http://db.etree.org/shninfo_detail.php?shnid=4083 notes
14646. 01/26/93 Flac 16/48 - 0, 141744 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Set 2 Rob Darroch recording [FOB DFC]: Schoeps MK4 Capsules in hat > Bill Reutelhuber PS > Panasonic SV250. Mics worn in hat by Rob Darroch; John Ammons Transfer; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave notes
14647. 01/26/93 Flac 16/48 - 0, Set 2 Only Oakland Oakland-Alameda County Coliseum notes
14648. 01/26/93 Flac 24 - 0, 143161 Oakland Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 notes
14649. 01/26/93 Flac 16 - 0, 143219 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 This file set is 16 bit @ 44.1 notes
14650. 02/13/93 Shn - 0, 17435 San Rafael Club Front Club Front Studio Rehearsal; DSBD->CD->EAC->SHN; CD->EAC->SHN by Joe Samaritano notes
14651. 02/21/93 Flac 16 - 0, 86058 Oakland Oakland-Alameda County Coliseum flac16; Recording- Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer- DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3 type1 dither, Crystal SRC(ultra)> 44.1/16> Trac'ed cdwave,Flac'ed level 8 TLH notes
14652. 02/21/93 Flac 16 - 0, 132376 Oakland Oakland-Alameda County Coliseum flac16; SBD> DAT> Steve Block CAS master> DAT> CDR> Sequoia 11-> WAV notes
14653. 02/21/93 Flac 16 - 0, 138697 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller notes
14654. 02/21/93 Shn - 0, 1055 Oakland Oakland-Alameda County Coliseum FOB (mics unknown) > DAT @ 48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > downsampled to 44.1k/normalized to 98% > SHN (no extraction); Transferred, SHNed, and seeded by: Jon Seff; note tracked for 1x80, 1x74 notes
14655. 02/22/93 Shn - 0, 19283 Oakland Oakland-Alameda County Coliseum DSBD: DAT > DAT > CD encoded by Matt Vernon notes
14656. 02/22/93 Flac 16 - 0, 116143 Oakland Oakland-Alameda County Coliseum flac16; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
14657. 02/22/93 Flac 16 - 0, 138698 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller notes
14658. 02/22/93 Flac 16 44,1 - 0, 141178 Oakland Oakland-Alameda County Coliseum flac16/44.1 Source Info: FOB Schoeps CMC 5 MK 4-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel notes
14659. 02/22/93 Flac 16/48LPCM - 0, 149128 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 19238) DSBD: DAT > DAT > CD encoded by Matt Vernon + AUD (shnid = 116143) source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files.-surround mixing by Kevin Tobin notes
14660. 02/22/93 Flac 16 Dts.5.1 - 0, 149127 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid = 19238) DSBD: DAT > DAT > CD encoded by Matt Vernon + AUD (shnid = 116143) source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files.-dts mixing by Kevin Tobin notes
14661. 02/22/93 Flac 16 Mtx - 0, 149126 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix SBD (shnid = 19238) DSBD: DAT > DAT > CD encoded by Matt Vernon + AUD (shnid = 116143) source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files.- matrix mixing by Kevin Tobin notes
14662. 02/22/93 Flac 16 - 0, 149125 Oakland Oakland-Alameda County Coliseum flac16; Patched & Pitch Corrected Audience AUD (original shnid = 116143) source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - pitch correction and patches by Kevin Tobin notes
14663. 02/23/93 Flac 16 Mtx - 0, 123213 Oakland Oakland-Alameda County Coliseum flac16; Matrix created with Audacity, Sbd +0 dB Gain, Aud -8 dB Gain, with slight variations to avoid clipping; soundboard source - gd93-02-23.sbd.unknown.14485.sbeok.shnf and aud source - gd1993-02-23.116152.NeumannKMF4.daweez.d5scott notes
14664. 02/23/93 Shn - 0, 14485 Oakland Oakland-Alameda County Coliseum SBD>DAT(S)>CDR with Brokedown from unspecified audience source notes
14665. 02/23/93 Flac 16/48 - 0, 134784 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source: Neumann TLM 170 FOB AUD > DAT; Transfer: DATx (Sony 60ES) > Microtrack 24/96 WAV > TLH Flac 16/48 notes
14666. 02/23/93 Flac 16 - 0, 116152 Oakland Oakland-Alameda County Coliseum flac16; source: 2 Neumann KMF4 microphones-up front > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
14667. 02/23/93 Flac 16/48 - 0, 138786 Oakland Oakland-Alameda County Coliseum b>flac16/48kHz; Rob Darroch recording [FOB DFC]: Schoeps MK4 Capsules in hat > Bill Reutelhuber PS > Panasonic SV250. Mics worn in hat by Rob Darroch; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48 notes
14668. 02/23/93 Flac 16/44,1 - 0, 141069 Oakland Oakland-Alameda County Coliseum flac16/44.1 set 1 only. Source Info: FOB Mic's Unknown-> DAT Transfer Info: DAT (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel notes
14669. 02/23/93 Flac 16/44,1 - 0, 141067 Oakland Oakland-Alameda County Coliseum fl1c6/44.1 Source Info: FOB Schoeps CMC 54-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel notes
14670. 02/23/93 Flac 16/48 - 0, 142897 Oakland Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 1611) SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall + AUD (shnid = 141067) fl1c6/44.1 Source Info: FOB Schoeps CMC 54-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel - surround mixing by Kevin Tobin notes
14671. 02/23/93 Flac Dts 5.1 - 0, 142896 Oakland Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 1611) SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall + AUD (shnid = 141067) fl1c6/44.1 Source Info: FOB Schoeps CMC 54-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel - dts mixing by Kevin Tobin notes
14672. 02/23/93 Flac 16 Mtx - 0, 142895 Oakland Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 1611) SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall + AUD (shnid = 141067) fl1c6/44.1 Source Info: FOB Schoeps CMC 54-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel - matrix mixing by Kevin Tobin notes
14673. 02/23/93 Shn - 0, 1611 Oakland Oakland-Alameda County Coliseum SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall notes
14674. 02/23/93 Flac 16/48 - 0, 149400 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Source Info: FOB Schoeps MK4->Reutelhuber P/S->Panasonic SV255-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) notes
14675. 03/09/93 Flac - 0, 110510 Rosemont Rosemont Horizon flac16; Recording Info:SBD -> Master Dat (44.1k); Transfer Info:Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
14676. 03/09/93 Flac - 0, 119620 Rosemont Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 49 Seat 1/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Maxell MX-S,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14677. 03/09/93 Flac 24 - 0, 119619 Rosemont Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 49 Seat 1/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Maxell MX-S,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
14678. 03/09/93 Flac - 0, 96075 Rosemont Rosemont Horizon flac16; Source: Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
14679. 03/09/93 Shn - 0, 10084 Rosemont Rosemont Horizon AUD>DAT>CDR (AKG 460's); via Paul; Seeded to etree by Tony G notes
14680. 03/09/93 Flac - 0, 132702 Rosemont Rosemont Horizon flac16; Recording info: FOB/Schoeps CMC 34> Oade p/s> SV-255 by Vezzetti; DAT's provided by Lance Deal; Transfer: Fostex D-5 (optical)> M Audio USB Transit> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty notes
14681. 03/10/93 Flac - 0, 120543 Rosemont Rosemont Horizon flac16; Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
14682. 03/10/93 Flac - 0, 119635 Rosemont Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 2 Row 49 Seat 5/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14683. 03/10/93 Shn - 0, 35215 Rosemont Rosemont Horizon Sbd > DAT master > analog > DAT > CDR > EAC > SHN - Seamless fix of shn id 2024 notes
14684. 03/10/93 Shn - 0, 2024 Rosemont Rosemont Horizon Sbd > DAT master > analog > DAT > CDR > EAC > SHN; via Doug Nawrocki, Chris Ladner; "no known flaws" reported by seeder notes
14685. 03/10/93 Flac 24 - 0, 119634 Rosemont Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 2 Row 49 Seat 5/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
14686. 03/10/93 Flac - 0, 96436 Rosemont Rosemont Horizon flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
14687. 03/11/93 Flac 16 - 0, 120726 Rosemont Rosemont Horizon flac16; Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
14688. 03/11/93 Flac 16 Mtx - 0, 120865 Rosemont Rosemont Horizon flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes
14689. 03/11/93 Flac 16 - 0, 119637 Rosemont Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 48 Seat 8/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked with Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14690. 03/11/93 Flac 24/48 - 0, 119636 Rosemont Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 48 Seat 8/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
14691. 03/11/93 Flac 16 - 0, 96384 Rosemont Rosemont Horizon flac16; Source: Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
14692. 03/11/93 Shn - 0, 10538 Rosemont Rosemont Horizon AUD>DAT>CDR (AKG 460's); via Paul; Seeded to etree by Tony G notes
14693. 03/11/93 Shn - 0, 10383 Rosemont Rosemont Horizon SBD>CAS>DAT>CD; Seeded to etree by wharf_ratt notes
14694. 03/14/93 Flac 16 - 0, 96305 Richfield Richfield Coliseum flac16; Recording Info: SBD -> Dat Master (44.1k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
14695. 03/14/93 Flac 16 - 0, 110491 Richfield Richfield Coliseum flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell MX-s 90,100 Taper:JB Transfer By;Keo Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 32 Bit Float/96kHz Dithered with Korg Aqua to 16 Bit/44.1kHz notes
14696. 03/14/93 Flac 16 - 0, 119653 Richfield Richfield Coliseum flac16; Master Audience Recorded By Mr. Darby And Mr. Walker; AKGC460B/CK61's (DIN/DFC/Middle Of OTS/8 Feet High)> AKGB18's (With 48V Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1:Maxell MX-S,Set 2:Dennon HD-M; Mr. Darby Was Patched Out Of His Late Friend Rob Walker; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14697. 03/14/93 Flac 16 - 0, 83162 Richfield Richfield Coliseum flac16; Recording Info: Schoeps Mk4 (cardiod) > Schoeps KC5 active Cable > Schoeps CMC 3 mic body > Monster M1000 Jumper cable > Panasonic sv255 DAT Recorder > DAT Master Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> M-Audio Firewire Solo Interface -> Soundforge 8.0 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 using Ozone and L2 for dither Trac'ed Cdwave, Flac'ed level 8 TLH notes
14698. 03/14/93 Shn - 0, 19782 Richfield Richfield Coliseum Source: Set I: AUD, OTS, Sennheiser ME80's > Teac DA-P20 ; Set II: SBD, DSBD > ?C > DAT ; seeded to etree by Dan Stephens (dms@well.com) notes
14699. 03/14/93 Flac 24/96 - 0, 136407 Richfield Richfield Coliseum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
14700. 03/14/93 Flac 16 - 0, 136408 Richfield Richfield Coliseum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14701. 03/14/93 Flac 24/96 - 0, 110493 Richfield Richfield Coliseum flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell MX-s 90,100 Taper:JB Transfer By;Keo Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 24 Bit/96kHz notes
14702. 03/14/93 Flac 24/48 - 0, 119652 Richfield Richfield Coliseum flac24; Master Audience Recorded By Mr. Darby And Mr. Walker; AKGC460B/CK61's (DIN/DFC/Middle Of OTS/8 Feet High)> AKGB18's (With 48V Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1:Maxell MX-S,Set 2:Dennon HD-M; Mr. Darby Was Patched Out Of His Late Friend Rob Walker; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
14703. 03/14/93 Shn - 0, 14830 Richfield Richfield Coliseum Source: Sennheiser ME80's (taper section)>Teac DA-P20 Transfer: Panasonic SV-3700>HHb CDR-800>EAC>Shn notes
14704. 03/14/93 Flac 16 - 0, 117608 Richfield Richfield Coliseum flac16; Source: Sony D6 Cassette master(Dolby B On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)>CD WavEditor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker, Official Taper Section notes
14705. 03/14/93 Shn - 0, 4703 Richfield Richfield Coliseum AKG468 shotguns > DAT; Conversion: DAT (Panasonic SV-3800) > CD (HHB CDR-850) > EAC (Plextor PX-40TS, secure mode) > SHN; seed by Robert Brown to abgd notes
14706. 03/16/93 Flac - 0, 120741 Landover Capital Centre flac16; Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
14707. 03/16/93 Shn - 0, 5442 Landover Capital Centre sbd> dat> c> dat> cdr; via Tony Gardner, from Paul B. seed discs notes
14708. 03/16/93 Flac Dts 5.1 - 0, 135259 Landover Capital Centre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=120741) Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid 85173) AKG 460/CK8's -> Panasonic SV-255 -> (clone) TEAC DA-P20 -> Tascam DA-30 (48k) --[coaxial S/PDIF]--> Diamond xTreme Sound Card (48k) - mixing by Kevin Tobin notes
14709. 03/16/93 Flac Mtx. - 0, 135257 Landover Capital Centre flac16; Matrix 2 Source Mix - SBD (shnid=120741) Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid 85173) AKG 460/CK8's -> Panasonic SV-255 -> (clone) TEAC DA-P20 -> Tascam DA-30 (48k) --[coaxial S/PDIF]--> Diamond xTreme Sound Card (48k) - matrix mixing by Kevin Tobin notes
14710. 03/16/93 Flac - 0, 97708 Landover Capital Centre flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC; Recorded By Keith Litzenberger notes
14711. 03/16/93 Flac - 0, 85173 Landover Capital Centre flac16; AKG 460/CK8's -> Panasonic SV-255 -> (clone) TEAC DA-P20 -> Tascam DA-30 (48k) --[coaxial S/PDIF]--> Diamond xTreme Sound Card (48k) notes
14712. 03/16/93 Shn - 0, 28658 Landover Capital Centre Source: Af: AKG 414's>D Transfer: D(48kHz)>Panasonic sv3700>ZA2(S/PDIF)>Wavelab 3.03.CDWav>.wav or .shn notes
14713. 03/16/93 Flac - 0, 31958 Landover Capital Centre flac16; record: akg 451's>b18's>D5proII ots transfer: Cassette Master>Aiwa F810>MAudio audiophile 24/96 @44.1>Wavelab 5>cdwav>flac record& transfer by cdipietro notes
14714. 03/16/93 Flac - 0, 139672 Landover Capital Centre flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648 notes
14715. 03/16/93 Flac - 0, 140082 Landover Capital Centre flac16/48kHz; Set 2 Rich Gastwirt recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes
14716. 03/16/93 Flac 16 Dts.5.1 - 0, 135258 Landover Capital Centre DTS-Audio-CD 5.1 Mix; SBD (shnid=120741) Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid 85173) AKG 460/CK8's -> Panasonic SV-255 -> (clone) TEAC DA-P20 -> Tascam DA-30 (48k) --[coaxial S/PDIF]--> Diamond xTreme Sound Card (48k) - dts mixing by Kevin Tobin notes
14717. 03/17/93 Flac - 0, 79050 Landover Capital Centre flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC notes
14718. 03/17/93 Flac - 0, 86711 Landover Capital Centre flac16; Source: Unknown AUD > ? > Cassette. Transfer: Cassette > Sony TC-D5M (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC (August 2007) by Andrew F. (note: the date in the info file and file names is incorrect; this is from 3/17/93.) notes
14719. 03/17/93 Shn - 0, 4979 Landover Capital Centre SBD > MC > DAT > CDR > WAV > SHN; see info file for notes; upload C. Ladner, from cm's seed notes
14720. 03/17/93 Flac - 0, 77788 Landover Capital Centre flac16; NAK-300s > Sony D-5, using Dolby B. Two Maxwell MXS tapes recorded by Boyd McHugh from tapers' section Transfer: MC > standalone Philips 880 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks > EAC to extract to hard drive, CD Wave for splitting resulting .wav files, flac Fromtend to encode to flac. This is done by Bzl notes
14721. 03/17/93 Flac - 0, 31957 Landover Capital Centre flac16; record: akg 451's>b18's>D5proII ots transfer: Cassette Master>Aiwa F810>MAudio audiophile 24/96 @44.1>Wavelab 5>cdwav>flac record& transfer by cdipietro notes
14722. 03/17/93 Flac - 0, 34421 Landover Capital Centre flac16; **SOUNDCHECK** Recording Info: Unknown Mics -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
14723. 03/17/93 Flac - 0, 89163 Landover Capital Centre flac 16; Source: AKG 460/CK8's -> Panasonic SV-255 -> (clone) TEAC DA-P20 ->Tascam DA-30 (48k) --[coaxial S/PDIF]--> Diamond xTreme Sound Card (48k) notes
14724. 03/17/93 Flac - 0, 117743 Landover Capital Centre flac16; Source: Sony D6 Cassette master(Dolby B On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders little Helper. Taped By Dave Boedicker,Official Taper Section notes
14725. 03/17/93 Flac - 0, 138877 Landover Capital Centre flac16/48kHz; Set 2, Taped by Ron Keyser: AMS ST-250 Soundfield mic > Modified Sony D10Pro> DAT - FOB; John Ammons Transfer from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT notes
14726. 03/18/93 Flac - 0, 79070 Landover Capital Centre flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC notes
14727. 03/18/93 Shn - 0, 16814 Landover Capital Centre FOB (SoundField ST250)>DAT(playback on Panasonic SV-3800)>HHb CDR-850>CDR>WAV>SHN. CDR source via D.Duquette. SHN encoding/initial FTP propagation via C.Ladner/candyman FTP. notes
14728. 03/18/93 Shn - 0, 28659 Landover Capital Centre Source: Af: Schoeps cmc5&mk21's>D 11th row, center Transfer: D(48kHz)>Panasonic sv3700>ZA2(S/PDIF)>Wavelab 3.03>CDWav>.wav>CD or .shn notes
14729. 03/18/93 Flac - 0, 118320 Landover Capital Centre flac16; Source:Sony D6 cassette Master(Dolby "B" On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker,Official Taper Section notes
14730. 03/18/93 Flac - 0, 106322 Landover Capital Centre flac16/48kHz; Source: Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro; Transfer: Tascam DA20 MKII->Edirol R44->SD->PC->CD Wave Editor->Flac Frontend; Tapers Unknown ,Eliot Byron's Rig,Eliot Byron's tape marked Master. Transfer and upload by Frank D'Auria. notes
14731. 03/18/93 Flac - 0, 139673 Landover Capital Centre flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648 notes
14732. 03/20/93 Flac 16 - 0, 28428 Atlanta The Omni flac16; SBD> Dat> Cassette Master> Dat> CD> EAC> SHN> WAV> Samplitude Professional v8.0> FLAC; plus patch from FOB Soundfield AMS ST250 source; Edited By Charlie Miller notes
14733. 03/20/93 Shn - 0, 3385 Atlanta The Omni AKG 568 (shotguns)-> Sony D3; transferred the master DATs to CDR with a Panasonic SV3800 -> HHb CDR-850 via optical; CDR-> EAC-> SHN; via Tony Gardner notes
14734. 03/20/93 Flac 16 - 0, 111267 Atlanta The Omni flac16; 2 NAK300s/CP4s(PAS) + 1 NAK300/CP1(CTR)>NAK MX100>TC-D5m(line out)>TCD-D3(16/48); Digital transfer: (TCD-D8>PMD670>CF>HDD); MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6); notes
14735. 03/20/93 Flac 16/48 - 0, 147585 Atlanta The Omni flac16/48kHz; Source Info: TS Nak 300-> Casio DA-7-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Taped & Transfers by Pete Ebel notes
14736. 03/20/93 Flac 16 - 0, 149271 Atlanta The Omni flac16; Source Info: FOB AMS ST-250-> Sony D10 Pro II-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) notes
14737. 03/20/93 Flac 24/48 - 0, 151158 Atlanta The Omni flac24/48khz Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 notes
14738. 03/20/93 Flac 16/44 - 0, 151663 Atlanta The Omni flac16/44khz Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 151158 24 -> 16 @ 44.1 notes
14739. 03/21/93 Flac - 0, 28429 Atlanta The Omni flac16; SBD> Dat> Cassette Master> Dat> CD> EAC> SHN> WAV> Samplitude Professional v8.0> FLAC; Edited By Charlie Miller notes
14740. 03/21/93 Flac - 0, 132695 Atlanta The Omni flac16; Set One recording info on DAT: Neumann TLM-170/Oade (presumed Oade recording); Set Two recording info on DAT: B&K 4011 received from Jim Lyle; DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on by Will Petty notes
14741. 03/21/93 Shn - 0, 3386 Atlanta The Omni AKG 568 (shotguns)-> Sony D3; transferred the master DATs to CDR with a Panasonic SV3800 -> HHb CDR-850 via optical; CDR-> EAC-> SHN; via Tony Gardner notes
14742. 03/21/93 Flac - 0, 111268 Atlanta The Omni flac16; 2 NAK300s/CP4s(PAS) + 1 NAK300/CP1(CTR)> NAK MX100>TC-D5m(line out)>TCD-D3(16/48); Digital transfer: (TCD-D8>PMD670>CF>HDD); MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6); (OTS/sec 128F-row PP-seat 14) notes
14743. 03/21/93 Shn - 0, 7470 Atlanta The Omni FOB/DFC Soundfield ST-250 > Sony D10 Pro-II (48k) Master DAT Mastered live by James Young / Ron kaiser; via nick@nickspicks.com notes
14744. 03/21/93 Flac 24/48 - 0, 151159 Atlanta The Omni flac24/48khz Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 notes
14745. 03/21/93 Flac 16/44 - 0, 151664 Atlanta The Omni flac16/44khz Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 151159 24 -> 16 @ 44.1 notes
14746. 03/22/93 Flac 16 - 0, 28430 Atlanta The Omni flac16; set1; SBD> Dat> Cassette Master> Dat> CD> EAC> SHN> WAV> Samplitude Professional v8.0> FLAC; Edited By Charlie Miller notes
14747. 03/22/93 Flac 16 - 0, 1132696 Atlanta The Omni flac16; Recording info on DAT: Neumann TLM 170/Oade (presumed Oade Brothers recording); DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on by Will Petty notes
14748. 03/22/93 Flac 16 - 0, 111269 Atlanta The Omni b>flac16; 2 NAK300s/CP4s(PAS) + 1 NAK300/CP1(CTR)> NAK MX100>TC-D5m(line out)>TCD-D3(16/48); Digital transfer: (TCD-D8>PMD670>CF>HDD); MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6); (OTS/sec 128F-row NN-seat 14) notes
14749. 03/22/93 Shn - 0, 3388 Atlanta The Omni AKG 568 (shotguns)-> Sony D3; transferred the master DATs to CDR with a Panasonic SV3800 -> HHb CDR-850 via optical; CDR-> EAC with proper offset-> SHN; known flaw: glitch at 2:00 on d3t03; via Tony Gardner; note gaps from previous version are fixed in this copy notes
14750. 03/22/93 Flac 24 - 0, 141620 Atlanta The Omni flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14751. 03/22/93 Flac 16 - 0, 141812 Atlanta The Omni flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14752. 03/24/93 Flac - 0, 109210 Chapel Hill Dean Smith Center flac16; Recording Info: SBD -> Dat Master (48k) Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller notes
14753. 03/24/93 Flac - 0, 25664 Chapel Hill Dean Smith Center Source: Master SBD>DAT via Modified Sony D10 Pro II. Recorded By Ron Keyser (This is from the lead deck from the daisey chain feed to the taper section) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC notes
14754. 03/24/93 Shn - 0, 16885 Chapel Hill Dean Smith Center SBD > D10 proII transfered and encoded by Doug Nawrocki notes
14755. 03/24/93 Shn - 0, 4707 Chapel Hill Dean Smith Center SBD > DAT > CDR > EAC > SHN; DAE and shn conversion by Jason Parmer notes
14756. 03/24/93 Shn - 0, 100675 Chapel Hill Dean Smith Center Updated lineage: SBD > ? > SHN (Had been marked Unknown Audience source notes
14757. 03/24/93 Flac - 0, 85794 Chapel Hill Dean Smith Center flac16; AKG 460/CK8's > Marantz PMD-700 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007 notes
14758. 03/24/93 Flac - 0, 89795 Chapel Hill Dean Smith Center flac16/48; AKG 460/CK8's > Marantz PMD-700 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007 ** 48k version ** notes
14759. 03/24/93 Flac - 0, 25754 Chapel Hill Dean Smith Center Set 2 Only: AMS ST250 FOB DFC> AMS Control Box (Blumlein Technique)> Modified Sony D10 Pro Cloned to another Mod. Sony D10 PRO (This clone was used for this transfer) Master recorded By James Young Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC notes
14760. 03/24/93 Flac - 0, 139181 Chapel Hill Dean Smith Center flac16/48kHz; source: sbd dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; sony tcd-d10 pro; transferred & seeded by Rob Berger notes
14761. 03/24/93 Flac Mtx. - 0, 140000 Chapel Hill Dean Smith Center flac16; Matrix of Source 1 (shnid 109210): Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; and Source 2 (shnid 85794): Recording info: AKG 460/CK8's > Marantz PMD-700; Transfer info: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) notes
14762. 03/25/93 Flac 16 - 0, 103176 Chapel Hill Dean Smith Center flac16; Recording Info:SBD -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller notes
14763. 03/25/93 Flac 16 - 0, 25820 Chapel Hill Dean Smith Center flac16; SBD> Panasonic SV255 (Master DAT)> Modified Sony D10 Pro (Master DAT) Recorded By Ron Keyser. Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC Aud. Patch: AMS ST250 FOB DFC> AMS Control Box (Blumlein Technique)> Modified Sony D10 Pro Cloned to another Mod. Sony D10 PRO (This clone was used for this transfer) Master recorded By James Young notes
14764. 03/25/93 Shn - 0, 10078 Chapel Hill Dean Smith Center SBD>DAT>CD (This lineage is probable but not confirmed.); via Donnie Loeffler; Seeded to etree by Peter Braverman notes
14765. 03/25/93 Shn - 0, 3191 Chapel Hill Dean Smith Center SBD> DAT, with first 2 songs patched in from AUD AMS ST-250>D10; SBD via Pete Delgado; Transfer by Doug Nawrocki: DA-P1> Montego II> CE2k> CDWav> MKWAct; some declicking (see notes in info file) notes
14766. 03/25/93 Shn - 0, 16433 Chapel Hill Dean Smith Center SBD > D10proII; Transfer: DA-P1 > Montego II > CE2000 > CDWave > shn > CEP 2.0 (Slightly smoothed audience patch and boosted levels 3db on entire show) > shn; presumably an edit of previous shn set, by unIDed person notes
14767. 03/25/93 Flac 16 - 0, 85829 Chapel Hill Dean Smith Center flac16; AKG 460/CK8's > Marantz PMD-700 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007 notes
14768. 03/25/93 Flac 16/48 - 0, 85830 Chapel Hill Dean Smith Center flac16/48; AKG 460/CK8's > Marantz PMD-700 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007 **48k version ** notes
14769. 03/25/93 Shn - 0, 14831 Chapel Hill Dean Smith Center Nak 300's at 8'> sony d3; transfer: Dat> sblive> cdwave> mkw audio tools> SHN; Taped By Wally Stine, locn TS notes
14770. 03/25/93 Flac 16 - 0, 25805 Chapel Hill Dean Smith Center set 1 only; flac16; AMS ST250 FOB DFC> AMS Control Box (Blumlein Technique)> Modified Sony D10 Pro Cloned to another Mod. Sony D10 PRO; recorded By James Young; Transfer: Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF> Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC, by Ron Keyser notes
14771. 03/25/93 Flac 16/48 - 0, 139204 Chapel Hill Dean Smith Center flac16/48kHz; source: sbd dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; sony tcd-d10 pro; transferred & seeded by Rob Berger notes
14772. 03/27/93 Flac 16 - 0, 92523 Albany Knickerbocker Arena flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat Set 2: SBD -> Dat Transfer Info: Set 1: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> WAV Set 2: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude Professional v7.02 -> WAV Mastering Info: WAV -> Samplitude Professional v10.1 -> FLAC All Transfers By Charlie Miller and Joe Samaritano All Mastering By Charlie Miller notes
14773. 03/27/93 Flac 16 - 0, 110576 Albany Knickerbocker Arena flac16; Master Audience Nakamichi CM100/CP4 Shotguns>Sony D5>Dolby On Tapes: Maxell Metal Capsule 100's Taper:Heaton Transfer By:Keo Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 32 Bit Float/96kHz,Dithered with Korg Aqua to 16/44 notes
14774. 03/27/93 Shn - 0, 555 Albany Knickerbocker Arena SBD> DAT; via D. DiProsa; Transfer: D8> 7 pin/digi coax> Montego II digi I/O> CDWAV by D. Nawrocki notes
14775. 03/27/93 Flac 24/96 - 0, 110577 Albany Knickerbocker Arena flac24; Master Audience Nakamichi CM100/CP4 Shotguns>Sony D5>Dolby On Tapes: Maxell Metal Capsule 100's Taper:Heaton Transfer By:Keo Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 24 Bit/96kHz No Dithering on these files notes
14776. 03/27/93 Shn - 0, 31956 Albany Knickerbocker Arena Source: SBD > DAT Transfer: D8 > 7 pin/digi coax > Montego II > CDWave > SHN by Doug Nawrocki with patched d2t03 notes
14777. 03/27/93 Shn - 0, 6701 Albany Knickerbocker Arena FOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by James Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > Edirol UA-5 (s/pdif in, hardware resample from 48 > 44.1k, USB out > SF 5.0 > CDWave (tracking) > MKW-Act (SHN, seekable) DAT transfer/encoding by nick@nickspicks.com notes
14778. 03/27/93 Flac 16 - 0, 95958 Albany Knickerbocker Arena flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) TLH > FLAC; Taped & transferred by Andrew F. notes
14779. 03/27/93 Flac 16 - 0, 119209 Albany Knickerbocker Arena flac16; Audience Recording Source:Sony D6 Cassette Master(Dolby "B" ON>Maxell MX-S Metal Cassettes)>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders little Helper. Taped By Dave Boedicker. Official Tapers Section notes
14780. 03/27/93 Flac 16/48 - 0, 139670 Albany Knickerbocker Arena flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648 notes
14781. 03/27/93 Flac 16/48 - 0, 140009 Albany Knickerbocker Arena flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger notes
14782. 03/27/93 Flac 16/48 - 0, 144223 Albany Knickerbocker Arena flac16/48kHz; Source: AKG CK63 > AKG 460B > Custom Pre > Teac DAP-20; Transfer: DAT(m) @48kHz > Sony PCM-R500 > Korg MR-2000S > Samplitude Pro X3 Suite > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger); Taped by Dave Flaschner; Provided by Dave Flaschner; Transfer & edits by Jeff Mitchell notes
14783. 03/27/93 Flac 24/96 - 0, 136687 Albany Knickerbocker Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
14784. 03/27/93 Flac 16 - 0, 136688 Albany Knickerbocker Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14785. 03/27/93 Flac 16 Mtx - , 152952 Albany Knickerbocker Arena flac16; Matrix by Hunter Seamons using Final Cut Pro for set 1 and Soundtrack Pro for set 2 (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 92523 & 140009. notes
14786. 03/28/93 Flac 16 - 0, 96215 Albany Knickerbocker Arena flac16; Recording Info: SBD -> Master Dat -> soundBlade -> DVD (16bit/44.1k); Transfer Info:DVD -> Samplitude Professional v10.1 -> FLAC; Transferred and Mastered By David Gans; Additional Mastering By Charlie Miller notes
14787. 03/28/93 Shn - 0, 16747 Albany Knickerbocker Arena SBD>DAT>C>DAT>CDR encoded by Dan Carr [note: a fix of a d/o on d1t05 also circulates] notes
14788. 03/28/93 Flac 16 - 0, 95962 Albany Knickerbocker Arena flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644. Taped/transfer Andrew F notes
14789. 03/28/93 Shn - 0, 5702 Albany Knickerbocker Arena FOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by Jamies Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > CO2 s/pdif format converter > Zoltrix Nightengale > CE2K (record, resample) > CDWAV (tracking > SHN (seekable) DAT transfer/encoding by nick@nickspicks.com notes
14790. 03/28/93 Flac 16 - 0, 136700 Albany Knickerbocker Arena flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14791. 03/28/93 Flac 24/96 - 0, 136669 Albany Knickerbocker Arena flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
14792. 03/28/93 Flac 16/48 - 0, 95961 Albany Knickerbocker Arena flac16/48; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648. Taped/transfer Andrew F. notes
14793. 03/28/93 Flac 24/48 - 0, 124514 Albany Knickerbocker Arena b>flac24; Source: OTS/Audix shotguns > Sony WM-D6 (Sony ES-IV analog master/NR: On); Transfer: Nakamichi BX300 (analog master/Set 1 NR: OFF/Set 2 NR: ON) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/48) > Edirol UA25 > Sonar v4LE >Sound Forge 9.0 (tracking & fades) > TLH (flac@8/ffp); Recorded by Bob Crupi; Transferred and seeded by Bob Crupi notes
14794. 03/28/93 Flac 16 - 0, 124513 Albany Knickerbocker Arena flac16; Source: OTS/Audix shotguns > Sony WM-D6 (Sony ES-IV analog master/NR: On); Transfer: Nakamichi BX300 (analog master/Set 1 NR: OFF/Set 2 NR: ON) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/48) > Edirol UA25 > Sonar4 LE > Sound Forge 9.0 (convert 16/44.1, tracking & fades) > TLH (flac@8/ffp); Recorded by Bob Crupi; Transferred and seeded by Bob Crupi notes
14795. 03/28/93 Flac 16 - 0, 119290 Albany Knickerbocker Arena flac16; Source: Sony D6 Cassette Master(Maxell MX-S Metal Cassettes, Dolby "B" ON>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker, Official Taper Section notes
14796. 03/28/93 Flac 16 - 0, 106368 Albany Knickerbocker Arena b>flac16; Source:Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro; Transfer:Tascam DA20 MKII->Edirol R44->SD->PC->CD Wave Editor->Flac Frontend Taped by Eliot Byron and others unknown. Taped from row 15 FOB,Up front in the hat notes
14797. 03/28/93 Flac 16/48 - 0, 139671 Albany Knickerbocker Arena flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648 notes
14798. 03/28/93 Flac 16/48 - 0, 140016 Albany Knickerbocker Arena flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger notes
14799. 03/28/93 Flac 16/48 - 0, 144224 Albany Knickerbocker Arena flac16/48kHz; Source: AKG CK63 > AKG 460B > Custom Pre > Teac DAP-20; Transfer: DAT(m) @48kHz > Sony PCM-R500 > Korg MR-2000S > Adobe Audition CS6 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger); Taped by Dave Flaschner; Provided by Dave Flaschner; Transfer & edits by Jeff Mitchell notes
14800. 03/28/93 Flac 16 Mtx - , 154748 Albany Knickerbocker Arena Flac16; Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 96215 & 140016. notes
14801. 03/29/93 Shn - 0, 13512 Albany Knickerbocker Arena SBD>DAT>Cass>DAT; via Chris Larson ; Seeded to etree by T. Wiley notes
14802. 03/29/93 Flac 16/48 - 0, 134819 Albany Knickerbocker Arena flac16/48kHz; Source: FOB > DAT; unknown taper and equipment; Transfer: DAT (x) > 60ES > Microtrack 24/96 > WAV 16/48 > Flac 16/48; Patch source: DAUD/OTS Schoeps mk4(ORTF); taped by Eliot Byron; transfer>upload by Jim Raras SHNID 8376 notes
14803. 03/29/93 Flac 16 - 0, 96029 Albany Knickerbocker Arena flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644. Taped/transfer Andrew F. notes
14804. 03/29/93 Flac 16 - 0, 136710 Albany Knickerbocker Arena flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 100 + 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14805. 03/29/93 Flac 24/96 - 0, 136708 Albany Knickerbocker Arena flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 100 + 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
14806. 03/29/93 Flac 16/48 - 0, 96025 Albany Knickerbocker Arena flac16/48; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648. Taped/transfer Andrew F. notes
14807. 03/29/93 Flac 16 - 0, 119472 Albany Knickerbocker Arena flac16; Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns(Maxell MX-s Metal Tapes,Dolby "B" ON)>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders little Helper.Taped By Dave Boedicker,Official Taper Section notes
14808. 03/29/93 Shn - 0, 8376 Albany Knickerbocker Arena DAUD/OTS Schoeps mk4(ORTF); taped by Eliot Byron; transfer>upload by Jim Raras; QC courtesy Dankseeds notes
14809. 03/29/93 Flac 16/48 - 0, 140019 Albany Knickerbocker Arena flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger notes
14810. 03/29/93 Flac 16/48 - 0, 144225 Albany Knickerbocker Arena flac16/48kHz; Source: AKG CK63 > AKG 460B > Custom Pre > Teac DAP-20; Transfer: DAT(m) @48kHz > Sony PCM-R500 > Korg MR-2000S > Adobe Audition CS6 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger); Taped by Dave Flaschner; Provided by Dave Flaschner; Transfer & edits by Jeff Mitchell notes
14811. 03/29/93 Flac 16/48 - 0, 139668 Albany Knickerbocker Arena flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648 notes
14812. 03/29/93 Flac 24/48 - 0, 151342 Albany Knickerbocker Arena flac24/48khz Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 notes
14813. 03/29/93 Flac 16/44 - 0, 151665 Albany Knickerbocker Arena flac16/44khz Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 151342 24 -> 16 @ 44.1 notes
14814. 03/29/93 Flac 16/44 - , 154852 Albany Knickerbocker Arena flac16/44; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 151665 & 140019. notes
14815. 03/31/93 Flac 16 - 0, 1144456 Uniondale Nassau Coliseum flac16; Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
14816. 03/31/93 Shn - 0, 18750 Uniondale Nassau Coliseum Recording Info: SBD -> Dat -> Cm -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> CD -> EAC -> SHN All transfers done by Charlie Miller notes
14817. 03/31/93 Shn - 0, 31000 Uniondale Nassau Coliseum Soundcheck ; *Note* this is a fixed copy of Ken K's original flac seed. Source: Unknown Generation cassette (a montior feed or an "AUD" tape made inside the venue?) ; Transfer & Encoding by Ken K. ; track renaming and sector error fix by one of the folks @ tmnsp.net notes
14818. 03/31/93 Flac 16 - 0, 96100 Uniondale Nassau Coliseum flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644. Taped/transfer Andrew F. notes
14819. 03/31/93 Flac 16/48 - 0, 96099 Uniondale Nassau Coliseum flac16/48; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648. Taped/transfer Andrew F. notes
14820. 03/31/93 Flac 16 - 0, 124440 Uniondale Nassau Coliseum flac16; Source: OTS/Audix shotguns > Sony WM-D6 (Sony ES-IV analog master/NR: On); Transfer: Nakamichi BX300 (analog master/NR: off) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/48) > Edirol UA25 > Sonar LE > Sound Forge 9.0 (convert 16/44.1, tracking, fades and normalize) > TLH (flac@8/ffp); Recorded by Bob Crupi; Transferred and seeded by Bob Crupi notes
14821. 03/31/93 Flac 16/48 - 0, 139689 Uniondale Nassau Coliseum flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Recorded & Transferred by Jim Wise; Mastered by Scott Clugston notes
14822. 03/31/93 Flac 16/48 - 0, 139964 Uniondale Nassau Coliseum flac16/48kHz; source: aud dat master; taped by Doug Lamarre; sennheiser 441’s > denon dtr-80; taper section; transferred & seeded - Rob Berger notes
14823. 03/31/93 Shn - 0, 8756 Uniondale Nassau Coliseum AUD(Schoeps CMC 541's)>DAT>CDR; Unknown Seeder notes
14824. 03/31/93 Flac 24 - 0, 149467 Uniondale Nassau Coliseum flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
14825. 03/31/93 Flac 16 - 0, 150156 Uniondale Nassau Coliseum flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes
14826. 04/01/93 Shn - 0, 23822 Uniondale Nassau Coliseum DSBD > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko notes
14827. 04/01/93 Flac - 0, 96103 Uniondale Nassau Coliseum flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Sony DT-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644. Taped/transfer Andrew F. notes
14828. 04/01/93 Flac - 0, 96102 Uniondale Nassau Coliseum flac16/48; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Sony DT-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648. Taped/transfer Andrew F. notes
14829. 04/01/93 Shn - 0, 17682 Uniondale Nassau Coliseum B&K 4011 w/balls > HDS1@stacks front center of ts > CD; Conversion: CD > EAC > Cool Edit 2000 > CDWav > mkwACT 0.97 > shn by Steve Blanchard notes
14830. 04/01/93 Flac - 0, 139690 Uniondale Nassau Coliseum flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Recorded & Transferred by Jim Wise; Mastered by Scott Clugston notes
14831. 04/01/93 Flac - 0, 139965 Uniondale Nassau Coliseum flac16/48kHz; source: aud dat master; taped by Doug Lamarre; sennheiser 441’s > denon dtr-80; taper section; transferred & seeded - Rob Berger notes
14832. 04/01/93 Flac 24 - 0, 149968 Uniondale Nassau Coliseum flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
14833. 04/01/93 Flac 16 - 0, 150157 Uniondale Nassau Coliseum flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes
14834. 04/02/93 Shn - 0, 13500 Uniondale Nassau Coliseum SBD>DAT>C>DAT>CDR>EAC>WAV>MKW>SHNv3 notes
14835. 04/02/93 Shn - 0, 18527 Uniondale Nassau Coliseum AUD(Schoeps CMC-541?s) > DAT > CDR via Raoul Duke encoded by Matt Vernon notes
14836. 04/02/93 Flac - 0, 139691 Uniondale Nassau Coliseum flac16/48kHz; Set 2 Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Recorded & Transferred by Jim Wise; Mastered by Scott Clugston notes
14837. 04/02/93 Flac - 0, 139966 Uniondale Nassau Coliseum flac16/48kHz; source: aud dat master; taped by Doug Lamarre; sennheiser 441’s > denon dtr-80; taper section; transferred & seeded - Rob Berger notes
14838. 04/02/93 Flac 24 - 0, 149469 Uniondale Nassau Coliseum flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24 notes
14839. 04/02/93 Flac 16 - 0, 150158 Uniondale Nassau Coliseum flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1 notes
14840. 04/04/93 Flac 16 - 0, 27976 Uniondale Nassau Coliseum flac16; SBD > DAT > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko notes
14841. 04/04/93 Flac 16/48 - 0, 85860 Uniondale Nassau Coliseum flac16/48; AKG 460/CK8's (2' apart on a custom T-Bar) -> Panasonic SV-255 -> Teac DA-P20 -> Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) **48k version** notes
14842. 04/04/93 Flac 16 - 0, 85859 Uniondale Nassau Coliseum flac16; AKG 460/CK8's (2' apart on a custom T-Bar) -> Panasonic SV-255 -> Teac DA-P20 -> Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) notes
14843. 04/04/93 Shn - 0, 18978 Uniondale Nassau Coliseum Source: Nak 300/CP4>CM>CDR>WAV>SHN. CDR source via O.Clark. SHN encoding/FTP via C.Ladner/candyman FTP. notes
14844. 04/04/93 Shn - 0, 18528 Uniondale Nassau Coliseum AUD(Schoeps CMC-541?s) > DAT > CDR via Raoul Duke encoded by Matt Vernon notes
14845. 04/04/93 Flac 16 - 0, 138482 Uniondale Nassau Coliseum flac16 Source - Lineage : OTS - Nak CM 300 > CP-4S > Sony TCD5 > Cassette Master > Transfer to CD > me > EAC > TLH level 8 > flac 16 > you > enjoy ! Tape and Transferred by Jon Pasternak notes
14846. 04/04/93 Flac 16/48 - 0, 139692 Uniondale Nassau Coliseum flac16/48kHz; Set 2 Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Recorded & Transferred by Jim Wise; Mastered by Scott Clugston notes
14847. 04/04/93 Flac 24 - 0, 149970 Uniondale Nassau Coliseum flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
14848. 04/04/93 Flac 16 - 0, 150159 Uniondale Nassau Coliseum flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes
14849. 04/05/93 Shn - 0, 12095 Uniondale Nassau Coliseum SBD>MC>DAT>CDR; via Raoul Duke; Seeded to etree by Tony G notes
14850. 04/05/93 Shn - 0, 8842 Uniondale Nassau Coliseum 1st set only; DAUD/FOB Schoeps mk21(ORTF); via Dankseeds notes
14851. 04/05/93 Flac 16 - 0, 107784 Uniondale Nassau Coliseum flac16; Recording: Sonic Solutions DSM-6P -> Sony D6 Section B1, Row 16, Seat 9 (DFC) Transfer: Onkyo TA-2600 -> Audacity -> Wav -> xACT -> Flac notes
14852. 04/05/93 Flac 16/48 - 0, 139693 Uniondale Nassau Coliseum flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Recorded & Transferred by Jim Wise; Mastered by Scott Clugston notes
14853. 04/05/93 Flac 24 - 0, 149971 Uniondale Nassau Coliseum flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller notes
14854. 04/05/93 Flac 16 - 0, 150160 Uniondale Nassau Coliseum flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1 notes
14855. 05/14/93 Flac 16/48 - 0, 137245 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48kHz; Recording Info: (FOB) Schoeps MK41 -> Dat (Panasonic SV-255/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
14856. 05/14/93 Shn - 0, 17812 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. A : ? > DAT > CDR > EAC > SHN; CDR > EAC > CDWAV > SHN by Alan J Fink, with thanks to Paul B. notes
14857. 05/14/93 Flac 16 - 0, 94259 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
14858. 05/14/93 Flac 16 - 0, 112085 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: FOBH 30' center Schoeps Mk-41 3.5" @ 90* ( 1/2 O.R.T.F ) > Schoeps KC5 Actives > CMC 4 > Canare Star Quad > Koch Power Supply > Canare Star Quad > Koch Modified Panasonic SV-255; Transfer Info: DAT x 3 48k > Hosa ODL-276 > Nomad Jukebox 3 > USB > Dell Home Computer > R8t Brain 48K to 44.1k > CD Wave > Flac Frontend notes
14859. 05/14/93 Flac 24 - 0, 140129 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14860. 05/14/93 Flac 16 - 0, 140224 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14861. 05/14/93 Flac 16/48 - 0, 141491 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460/61 B18 > AKG B18 phantom power unit > Panasonic SV255 > DAT (OTS); Location: on the rail behind the soundboard dead center; Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes
14862. 05/15/93 Flac - 0, 32091 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: FOBH 30' center Schoeps Mk-41 3.5" @ 90* ( 1/2 O.R.T.F ) > Schoeps KC5 Actives > CMC 4 > Canare Star Quad > Kock Power Supply > Canare Star Quad > Koch Modified Panasonic SV-255. Transfer Info: DAT x 3 48k > Hosa ODL-276 > Nomad Jukebox 3 > USB > Dell Home Computer > R8t Brain 48K to 44.1k > CD Wave > Flac Frontend. notes
14863. 05/15/93 Flac - 0, 137246 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48kHz; Recording Info: (FOB) Schoeps MK41 -> Dat (Panasonic SV-255/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
14864. 05/15/93 Shn - 0, 17955 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. A : Schoeps CMC 521's > DAT > CDR > EAC > CE Pro > SHN; CDR > EAC > CE Pro > SHN by Alan J Fink (aj.fink@verizon.net) notes
14865. 05/15/93 Flac 24 - 0, 140130 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14866. 05/15/93 Flac - 0, 140225 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14867. 05/15/93 Flac 16/48 - 0, 141493 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48kHz; Set 2 Master Audience Recording & Transfer by Ray Ackerman: AKG 460/61 B18 > AKG B18 phantom power unit > Panasonic SV255 > DAT (OTS); Location: on the rail behind the soundboard dead center; Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes
14868. 05/16/93 Flac 16 - 0, 34826 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Seamless fix of shn id 32348 - SBD -> Master Dat -> Sonic Solutions -> CD -> EAC -> FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
14869. 05/16/93 Flac 16 - 0, 32348 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: SBD -> Master Dat -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> FLAC notes
14870. 05/16/93 Shn - 0, 4183 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Internal FM> DAT (48kHz); Transfer: DAT> ZA2 (S/PDIF)> Samplitude2496> shn; Conversion by Chris Larson, from Tom and Roger's tapes notes
14871. 05/16/93 Shn - 0, 11934 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. SBD>DAT(48kHz); via Steve Herman; Seeded to etree by M. Walke notes
14872. 05/16/93 Flac 16 - 0, 135614 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: Schoeps MK41 -> Dat (48k); Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller notes
14873. 05/16/93 Flac 16 - 0, 116301 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
14874. 05/16/93 Flac 24 - 0, 140260 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14875. 05/16/93 Flac 16 - 0, 140326 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14876. 05/16/93 Flac 16/48 - 0, 141494 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460/61 B18 > AKG B18 phantom power unit > Panasonic SV255 > DAT (OTS); Location: on the rail behind the soundboard dead center; Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes
14877. 05/16/93 Flac 24/96 - 0, 151343 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac24/96khz Remastered Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Samplitude Pro X5 Suite > FLAC/24 notes
14878. 05/16/93 Flac 16/44 - 0, 151684 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/44khz Remastered Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Samplitude Pro X5 Suite > FLAC/24 151343 24 -> 16 @ 44.1 notes
14879. 05/21/93 Flac 16 - 0, 32499 Mountain View Shoreline Amphitheatre flac16; SBD -> Master Dat -> Sonic Solutions -> CD Converted By Charlie Miller notes
14880. 05/21/93 Flac 16/48 - 0, 137252 Mountain View Shoreline Amphitheatre flac16/48kHz; Recording Info: (FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k); Transfer Info: Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
14881. 05/21/93 Flac 16/48 - 0, 137355 Mountain View Shoreline Amphitheatre b>flac16/48kHz; Set 2 Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
14882. 05/21/93 Shn - 0, 9400 Mountain View Shoreline Amphitheatre AUD(Schoeps CMC 521?s)>DAT>CDR; Seeded to etree by Tony G notes
14883. 05/21/93 Flac 24 - 0, 140856 Mountain View Shoreline Amphitheatre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14884. 05/21/93 Flac 16 - 0, 140870 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
14885. 05/22/93 Shn - 0, 11665 Mountain View Shoreline Amphitheatre SBD -> Dat -> Sonic Solutions -> CD; Seeded to etree by Charlie Miller notes
14886. 05/22/93 Shn - 0, 9401 Mountain View Shoreline Amphitheatre SBD>DAT>??>DAT>CDR; Seeded to etree by Tony G notes
14887. 05/22/93 Flac - 0, 137254 Mountain View Shoreline Amphitheatre flac16/48kHz; Recording Info: (FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k); Transfer Info: Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
14888. 05/22/93 Flac - 0, 137350 Mountain View Shoreline Amphitheatre flac16/48kHz; Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
14889. 05/22/93 Flac - 0, 127320 Mountain View Shoreline Amphitheatre flac16; Source: Nakamichi CM-300 x 3; 2 CP-4’s + 1 CP-1 > Boss BX-4 Mixer > Sony TC-D5M XLIIS Cass Master; Transferred: TC-D5M (Original Record Deck) > HHb CDR 800 PRO via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS, SEC 202, Left; Recorded/Transferred By:Jeff Bowen notes
14890. 05/23/93 Shn - 0, 8707 Mountain View Shoreline Amphitheatre DSBD>DAT>CDR; Seeded to etree by Tim Wiley notes
14891. 05/23/93 Flac - 0, 137255 Mountain View Shoreline Amphitheatre flac16/48kHz; Recording Info: (FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k); Transfer Info: Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
14892. 05/23/93 Flac - 0, 137351 Mountain View Shoreline Amphitheatre flac16/48kHz; Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
14893. 05/23/93 Flac - 0, 94352 Mountain View Shoreline Amphitheatre flac16; Neumann KM140's>Panasonic SV-250>Analog out>Technics SV-MD1(don't have preamp used written on my label) DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
14894. 05/25/93 Shn - 0, 19224 Sacramento Cal Expo DSBD: DAT > DAT > Sonic Solutions > CD > CD encoded by Matt Vernon notes
14895. 05/25/93 Flac 16/48 - 0, 34853 Sacramento Cal Expo flac16/48; FOB Schoeps Mk2 Omni Capsule 7' spaced omnis in hat -> Schoeps Active Cables -> Schoeps CMC 5 Mic Body -> Monster M1000 Jumper -> Neumann Supply -> Canare Cable -> Panasonic sv255 Transfer: Transfer by Todd Evans May 2006 - todd@bluedakota.com DAT Clone > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav notes
14896. 05/25/93 Flac 16 - 0, 34849 Sacramento Cal Expo flac16; FOB Schoeps Mk2 Omni Capsule 7' spaced omnis in hat -> Schoeps Active Cables -> Schoeps CMC 5 Mic Body -> Monster M1000 Jumper -> Neumann Supply -> Canare Cable -> Panasonic sv255 Transfer: Transfer by Todd Evans May 2006 - todd@bluedakota.com DAT Clone > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav notes
14897. 05/25/93 Flac 16/48 - 0, 137257 Sacramento Cal Expo flac16/48kHz; Recording Info: (FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k); Transfer Info: Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
14898. 05/25/93 Shn - 0, 19223 Sacramento Cal Expo Schoeps > DAT > CDR via Tom Bellanca encoded by Matt Vernon notes
14899. 05/25/93 Flac 24 - 0, 140499 Sacramento Cal Expo flac24/96 Source AK40's (in kangol hat)>lc3 cables>km100's>Neumann 48v. P.S.>(Oade Modifed) SV-250. Lineage DAT Master>SV-3700 (digital out)>Apogee Duet>Macbook Pro>Audacity>Audition>Flac24/48. Taped by Taper Troy. notes
14900. 05/26/93 Flac - 0, 27776 Sacramento Cal Expo flac16; SBD> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller notes
14901. 05/26/93 Flac - 0, 84031 Sacramento Cal Expo flac16; Recording Info: FOB Schoeps Mk2 Omni Capsule (omnis in hat) spaced 8 feet apart -> Schoeps Active Cables -> Schoeps CMC 5 Mic Body -> Monster M1000 Jumper -> Neumann Supply -> Canare Cable -> Panasonic sv255 DAT Clone > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 using Ozone and L2 for dither Tracked: Cdwave Flac'ed Level 8 Tlh notes
14902. 05/26/93 Shn - 0, 19132 Sacramento Cal Expo DSBD>CASS>DAT>CDx2 > EAC in secure mode > SHN notes
14903. 05/26/93 Shn - 0, 1958 Sacramento Cal Expo M:C> D> CD> EAC> SHN; via Nick Georges; CD insert available at www.nickspicks.com notes
14904. 05/26/93 Flac - 0, 15384 Sacramento Cal Expo flac16; FOB Schoeps CMC3, 2-> OADE/PS-SV255; DAT>CD conversion, unknown; My audio discs > EAC (secure) > FLAC; ripped/FLAC'd/edits done by Nick Georges notes
14905. 05/26/93 Flac - 0, 140311 Sacramento Cal Expo flac16/48kHz; Set 1 Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017 notes
14906. 05/26/93 Flac 16/48 - 0, 152130 Sacramento Cal Expo flac16/48 Recording Info: (FOB) Schoeps MK41 > DAT Master (Modified Panasonic SV-255/48k) Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k notes
14907. 05/27/93 Flac - 0, 27777 Sacramento Cal Expo flac16; SBD> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller notes
14908. 05/27/93 Flac - 0, 100800 Sacramento Cal Expo flac16; FOB Digital Audience Recording Lineage: Clone of Master DAT Recording Equipment: Schoeps Mk2 Omni Capsules in-hat human mic stands spaced 8' apart -> Schoeps Active Cables -> Schoeps CMC Mic Body -> Oade Mic Pre -> Panasonic sv255 Recorded By: Unknown; Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0; Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither TradersLilHelper for FLAC8 SBE FREE Tag & Rename for FLAC Meta-Tagging notes
14909. 05/27/93 Shn - 0, 1932 Sacramento Cal Expo M:C> D> transfer via dap1>zoltrix nightengale> SHN; no noise reduction; via Nick Georges; may or may not have extra cass gen- see Nick's listening notes in info file notes
14910. 05/27/93 Flac - 0, 137258 Sacramento Cal Expo flac16/48kHz; Recording Info: (FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k); Transfer Info: Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
14911. 05/27/93 Flac - 0, 91374 Sacramento Cal Expo flac16; Neumanns(model forgotten over the last 15 years, likely KM150's)>Technics SV-MD1 Recorded FOB By Steve Fink & Keith Litzenberger Transfer by Keith Litzenberger DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC notes
14912. 05/27/93 Flac - 0, 109587 Sacramento Cal Expo flac16; Sankens COS1 FOB -> ? -> DAT (16 bit/48 khz); Transfer: Sony R500->Sound Devices 722; Mastered: Soundforge Pro 10.0b - *All file manipulation in Soundforge done at 24 bits*. Volume normalization, minor clap removal during some quiet parts of drums/space, sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter, then dithered back to 16 bits using using iZotope MBIT+ with Ultra noise shaping, High dither settings. Tracked in CDWav; Recorded By ?; Transfer, mastering, and tracking August 2010 by Scott Bernstein notes
14913. 06/05/93 Shn - 0, 8328 East Rutherford Giants Stadium DSDB master> DAT Clone> ?> CDR; Seeded to etree by Tim Wiley notes
14914. 06/05/93 Flac 16 - 0, 104982 East Rutherford Giants Stadium flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, set up back of floor. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 12/2009 notes
14915. 06/05/93 Flac 24/96 - 0, 136842 East Rutherford Giants Stadium flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Dolby B On; Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Dolby B On > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
14916. 06/05/93 Flac 16 - 0, 135843 East Rutherford Giants Stadium flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Dolby B On; Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Dolby B On > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14917. 06/05/93 Shn - 0, 8ß41 East Rutherford Giants Stadium AUD>DAT>CDR; via Paul B.; Tim Wiley notes
14918. 06/05/93 Flac 16/48 - 0, 141595 East Rutherford Giants Stadium flac16/48kHz; Set 2 Source Info: Jim Wise's Master (FOB) Audience Dat; Modified Nakamichi 700 mics > Sony D10 (16-bit/48k); Transfer Info: Dat (16/48k)(Sony PCM-R500) > Tascam DA-3000 > .wav 16-bit/48k > Adobe Audition 3.0 > TLH flac1648 notes
14919. 06/05/93 Flac 16/48 - 0, 149527 East Rutherford Giants Stadium flac16/48kHz; Source Info: FOB Sennheiser MKH-40 (Wide-Angled Cardioid)-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) notes
14920. 06/06/93 Flac 16 - 0, 100023 East Rutherford Giants Stadium flac16:; Replaygain and repeat-glitch fix of DSBD>CDR>shn>WAV>FLAC: SHNID 34835, which was in turn a seamless fix of SHNID 8246. notes
14921. 06/06/93 Shn - 0, 8246 East Rutherford Giants Stadium DSBD> CDR> shn; via Andy Gustin with thanks to Kevin Kaye notes
14922. 06/06/93 Flac 16 - 0, 105266 East Rutherford Giants Stadium flac16; FOB AUD: Sonics Studios mics > Cassette > 1C. Transfer: 1st gen Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged notes
14923. 06/06/93 Shn - 0, 8329 East Rutherford Giants Stadium DSBD master> Dat Clone> ?> CDR; Seeded to etree by Tim Wiley notes
14924. 06/06/93 Flac 16 - 0, 136851 East Rutherford Giants Stadium flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Dolby B On; Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Dolby B On > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14925. 06/06/93 Flac 24/96 - 0, 136850 East Rutherford Giants Stadium flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Dolby B On; Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Dolby B On > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
14926. 06/06/93 Flac 24/96 - 0, 135170 East Rutherford Giants Stadium b>flac24; Source: Previously unreleased FOB DAT -> cassette. Sennheiser MKH 40 Cardioids, ORTF, 5'8" High on stand -> Canare Cable -> Sennheiser MSA 14 Power Supplies -> Sony TCDC-D10 DAT, Sec. 6, row 3, Seat 18, ~24 rows from stage, 2 seats right of center, FOB; DAT x-fer -> Apogee 701 BETA -> Nak BX300 / TDK MA110 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Recorded by Richard Berner notes
14927. 06/06/93 Flac 16/48 - 0, 149528 East Rutherford Giants Stadium flac16/48kHz; Source Info: FOB Sennheiser MKH-40 (Wide-Angled Cardioid)-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); this is the same source as (#135170) minus the Cassette generation notes
14928. 06/08/93 Shn - 0, 6673 Auburn Hills The Palace DSBD > DAT (possibly DSBD > 1C > DAT); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE); upload by Scott Thompson notes
14929. 06/08/93 Flac 16 - 0, 116346 Auburn Hills The Palace flac16; First Generation Tapes Of Unknown Mics/Deck; Transfer By Keo; Tapes:Maxell XLII 90,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed with Traders Little Helper notes
14930. 06/08/93 Flac 24/96 - 0, 116345 Auburn Hills The Palace flac24; First Generation Tapes Of Unknown Mics/Deck; Transfer By Keo; Tapes:Maxell XLII 90,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz notes
14931. 06/08/93 Flac 16/48 - 0, 150587 Auburn Hills The Palace flac16/48kHz; Recording Info: SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes
14932. 06/09/93 Shn - 0, 13601 Auburn Hills The Palace SBD>Dat>Cm>Dat>Samplitude>CD; Seeded to etree by Charlie Miller notes
14933. 06/09/93 Shn - 0, 6674 Auburn Hills The Palace DSBD > 1C > DAT; DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE); upload by Scott Thompson notes
14934. 06/09/93 Shn - 0, 9457 Auburn Hills The Palace S>D>C>D>CD; Unknown seeder notes
14935. 06/09/93 Flac 16 - 0, 94350 Auburn Hills The Palace flac16; Sennheiser ME-80's>Technics SV-MD1; DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
14936. 06/09/93 Flac 16/48 - 0, 150588 Auburn Hills The Palace flac16/48kHz; Recording Info: SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes
14937. 06/11/93 Shn - 0, 34399 Hebron Buckeye Lake Music Center SBD>MDAT>Sonic Solutions>CD->EAC->SHN - Seamless fix of shn id 19217 notes
14938. 06/11/93 Flac - 0, 100405 Hebron Buckeye Lake Music Center flac16; 3-Source SBD/AUD Matrix: SBD: shnid=34399, AUD 1: shnid=34163, and AUD 2: shnid=3192 see info files for details notes
14939. 06/11/93 Shn - 0, 19217 Hebron Buckeye Lake Music Center Soundboard->DAT Master->Sonic Solutions->CD->EAC->SHN. CD seed provided by DG. EAC and SHN by Joe Samaritano. notes
14940. 06/11/93 Flac - 0, 34163 Hebron Buckeye Lake Music Center flac16; FOB DFC Digital Audience Recording Schoeps CMC32 (8' Split Omni's) -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav Tracked w CDWav ->verified SBEOK shntool-2.0.3 -> Soundforge 8.0 48/44.1 conversion -> FlacFrontend(level8) notes
14941. 06/11/93 Flac - 0, 111293 Hebron Buckeye Lake Music Center flac16; Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony Tc We-325 Home Cassette Deck(PLayback)>Edirol R-09 HR>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper notes
14942. 06/11/93 Flac - 0, 109886 Hebron Buckeye Lake Music Center flac16; Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes
14943. 06/11/93 Shn - 0, 3192 Hebron Buckeye Lake Music Center AKG 451 hypercardioid (90 deg XY)> TCD-D3> Dio2448> CE2k (48>44.1)> WAV> SHN; via Doug Nawrocki. [Note added 8/27/2003: An sbe-fixed shn set also circulates] notes
14944. 06/11/93 Flac 16/48 - 0, 149566 Hebron Buckeye Lake Music Center flac16/48kHz; Set 1 Source Info: Beyer CM 101-> Casio DA-7-> DAT; Transfer Info: Master DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes
14945. 06/13/93 Flac 16 - 0, 105491 Orchard Park Rich Stadium flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller notes
14946. 06/13/93 Flac 16 - 0, 116901 Orchard Park Rich Stadium flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Sony Metal SR-100,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
14947. 06/13/93 Shn - 0, 8584 Orchard Park Rich Stadium FOB-AUD (Schoeps CMC-32?s)> DAT> CDR> WAV> SHN; DAE (EAC)> Boundary Check (SHNTOOL)> SHNv3 (MKWACT)> FTP via neo_levo notes
14948. 06/13/93 Flac 24/96 - 0, 136917 Orchard Park Rich Stadium flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename notes
14949. 06/13/93 Flac 16 - 0, 136918 Orchard Park Rich Stadium flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14950. 06/13/93 Flac 24/96 - 0, 116900 Orchard Park Rich Stadium flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Sony Metal SR-100,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz notes
14951. 06/13/93 Flac - 0, 111953 Orchard Park Rich Stadium flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience cassette Transfer Date: 2011-02-15; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master cassette(TDK SA-X90)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section, on the floor, behind the soundboard notes
14952. 06/13/93 Flac 16 - 0, 147183 Orchard Park Rich Stadium flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Master>2 Maxell MX-90 And MX-100 Cassette Master Tapes (1 For Each Set)>Sony TC-D5 M Cassette Deck(Playback)CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section notes
14953. 06/15/93 Shn - 0, 10085 Louisville Freedom Hall SBD>DAT>C>DAT>CDR; via Paul; Seeded to etree by Tony G notes
14954. 06/15/93 Flac 16 - 0, 117680 Louisville Freedom Hall flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/Last Row On Floor Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
14955. 06/15/93 Flac 16 - 0, 105743 Louisville Freedom Hall flac16; source: [ots] Nakamichi cm300/cp4 -> Sony D8 [16/48]. recorded by: Trew Rickers; transfer: dat [m] -> Tascam DA20 mkII -> R-44 -> CD Wave 1.98 -> Wavelab 5.01a [fades/Resampler 192] -> FLAC [8]. transfer: Chris Davis [1/30/10] notes
14956. 06/15/93 Flac 16/48 - 0, 117679 Louisville Freedom Hall flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/Last Row On Floor Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
14957. 06/15/93 Flac 16/48 - 0, 137334 Louisville Freedom Hall flac16/48kHz; Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
14958. 06/15/93 Flac 16/48 Mtx - 0, 137863 Louisville Freedom Hall flac16/48kHz; Matrix Source 1 (shnid 137334): Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k and Source 2 (shnid 106551): Recording info: (Handheld/ORTF/110^/FOB/DFC/Row20) B&K 4011s > Neumann BS48i-2 > Panasonic SV-255 > DAT(m); Transfer info: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit notes
14959. 06/15/93 Shn - 0, 18984 Louisville Freedom Hall FOB/DFC Soundfield ST-250 (blumlein mode) > Sony D10-Pro II (48k); hand held for first set; on stand (6') for second set; upgrade in circulation notes
14960. 06/15/93 Flac 16 - 0, 106551 Louisville Freedom Hall flac16; Source: (Handheld/ORTF/110^/FOB/DFC/Row20) B&K 4011s > Neumann BS48i-2 > Panasonic SV-255 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC DAT(m) sourced by Alan Schmit Transfer by Terry Watts 16/48k Master FLAC available notes
14961. 06/15/93 Flac 16 - 0, 99146 Louisville Freedom Hall flac16; FOB/DFC Soundfield ST-250 (blumlein mode) > Sony D10-Pro II (48k) hand held for set one, on stand (6') for 2nd set 1st gen clone played back through Sony PCM-M1 > Oade active cable > Edirol UA-5 (hardware resample to 44.1k) > USB out > HP Omnibook (cool Edit 2000 for record/edit) > CD-WAV > SHN; fix of source ID 18984 notes
14962. 06/15/93 Flac 16 - 0, 125096 Louisville Freedom Hall flac16; SBD>DAT>C>DAT>CDR>WAV>SHN>WAV>FLAC - fix of shnid 10085 notes
14963. 06/15/93 Flac 16/44 - 0, 152513 Louisville Freedom Hall flac16/44 Source: Af: Schoeps CMC34 -> Oade M148 -> Panasonic SV-255>D Transfer: D(48kHz)>Panasonic sv3700>ZA2(S/PDIF)>Wavelab 3.03>CDWav>.wav>CD or .shn Transfered by Chris Larson (gdvault@gmail.com) 3/13/2002 notes
14964. 06/16/93 Shn - 0, 13330 Louisville Freedom Hall SBD>DAT>C>DAT>Samplitude>CD>EAC>SHN seeded by Tom Eliason notes
14965. 06/16/93 Flac 16/48 - 0, 117681 Louisville Freedom Hall flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/Last Row On Floor Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
14966. 06/16/93 Flac 16 - 0, 117682 Louisville Freedom Hall flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/Last Row On Floor Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
14967. 06/16/93 Flac 16/48 - 0, 137335 Louisville Freedom Hall b>flac16/48kHz; Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
14968. 06/16/93 Flac 16Mtx16/48 - 0, 137894 Louisville Freedom Hall flac16/48kHz; Matrix: Source 1 (shnid 137335): Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; and Source 2 (shnid 131217): Recording info: FOB (20th Row)/Schoeps CMC 521's> Schoeps VMS 52 UB> Sony D-3 by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminous Monarch> M-Audio Audiophile 2496 (s/pdif)> Audacity @ 16/48> 16/44> CD Wav (Tracking)> TLH (SBE's/Flac16/md5) notes
14969. 06/16/93 Shn - 0, 10929 Louisville Freedom Hall Nak 300's>sonyD3 at soundboard. DAt>sblive>cdwave; Seeded to etree by Wally Stine notes
14970. 06/16/93 Shn - 0, 8192 Louisville Freedom Hall Taper Section Neumann TLM 170's (cardioid) > Teac DA-20; via Doug Nawrocki notes
14971. 06/16/93 Flac 16 - 0, 99155 Louisville Freedom Hall flac16; 4 x Nak CM-300/CP-4's (3' spread @ 12' height) -> Sony TCD-D3 DAT @ 48k -> Audigy 2 -> Adobe Audition 3.0 -> 16/44.1 wave -> TLH -> Flac 16 notes
14972. 06/16/93 Flac 16 - 0, 107044 Louisville Freedom Hall flac16; Partial Set 1 Source: (Handheld/ORTF/110^/FOB/DFC/Row20) B&K 4011s > Neumann BS48i-2 > Panasonic SV-255 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC DAT(m) sourced by Alan Schmit Transfer by Terry Watts notes
14973. 06/16/93 Flac 16 - 0, 131217 Louisville Freedom Hall flac16; Source: FOB (20th Row)/Schoeps CMC 521's> Schoeps VMS 52 UB> Sony D-3 by Lance Deal; Master DAT provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminous Monarch> M-Audio Audiophile 2496 (s/pdif)> Audacity @ 16/48> 16/44> CD Wav (Tracking)> TLH (SBE's/Flac16/md5); Trasferred and liberated to etree.org on September 4, 2014 by Will Petty notes
14974. 06/16/93 Flac 16 - 0, 110439 Louisville Freedom Hall flac16; Source: (Handheld/ORTF/110^/FOB/DFC/Row20) B&K 4011s > Neumann BS48i-2 > Panasonic SV-255 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) provided by Alan Schmit; Transfer by Terry Watts notes
14975. 06/16/93 Flac 16/44 - 0, 152514 Louisville Freedom Hall flac16/44 Source: A(ts):D(48kHz) Audio Technica 815A Shotguns>Panasonic sv250 Transfer: D ( through a Panasonic sv 3700)>ZA2(S/PDIF)>Wavelab 3.03>CDWav>.wav(or shn) Thanks to Tom and Roger for the dats Transferred by Chris Larson (gdvault@gmail.com) notes
14976. 06/18/93 Shn - 0, 13784 Chicago Soldier Field SBD>Dat>Samplitude>Cool Edit Pro>CD; Box Of Rain and Liberty patched from unknown Digital Audience source. notes
14977. 06/18/93 Shn - 0, 2033 Chicago Soldier Field SBD> D-> CDR-> EAC> SHN; Ripped by John Zei notes
14978. 06/18/93 Flac - 0, 119661 Chicago Soldier Field flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/OTS Section 1 Row 30 Seat 7)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14979. 06/18/93 Flac - 0, 33932 Chicago Soldier Field flac16; Fob Digital Audience Recording Schoeps CMC321 (Sub Cardiods) -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master - Recorded by Todd Evans, Adam Gross and Bill Pobega DAT Master from Todd Evans DAT Master > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav 48K >> 44.1 resampling (audacity 1.2.3), tracking (shntool 2.0.3) and flac16 encoding (flac 1.1.2) running on FC3 linux by triportweek. notes
14980. 06/18/93 Flac - 0, 119660 Chicago Soldier Field flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/OTS Section 1 Row 30 Seat 7)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
14981. 06/18/93 Flac 16/48 - 0, 150589 Chicago Soldier Field flac16/48kHz; Recording Info: SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes
14982. 06/19/93 Flac 16 - 0, 28298 Chicago Soldier Field flac16; SBD> Dat> CD> EAC> Sampltiude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller; Dat supplied by David Gans, original mastering by Donnie Loeffler, Thanks to Bob Kidder for the vine disc notes
14983. 06/19/93 Flac 16 - 0, 119664 Chicago Soldier Field flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/OTS Section 1 Row 30 Seat 7)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
14984. 06/19/93 Flac 16/48 - 0, 119662 Chicago Soldier Field flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/OTS Section 1 Row 30 Seat 7)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
14985. 06/19/93 Shn - 0, 16607 Chicago Soldier Field schoeps CMC44's>Panasonic SV-255>??>CDR>EAC>SHN notes
14986. 06/19/93 Flac 16/48 - 0, 149441 Chicago Soldier Field flac16/48kHz; Set 2 Source Info: FOB: Schopes CMC 3 MK2 (Omni)-> Panasonic SV255-> DAT; Row: 21, Space 10' on Stands; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes
14987. 06/19/93 Flac 16 - 0, 149440 Chicago Soldier Field flac16; Source Info: TS: Nak 300 CP4-> Casio DA-2-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
14988. 06/21/93 Flac 16 - 0, 108962 Noblesville Deer Creek Music Center flac16; Recording Info:SBD -> Dat Master (48k); Transfer Info:Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
14989. 06/21/93 Flac 16/48 - 0, 118165 Noblesville Deer Creek Music Center flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
14990. 06/21/93 Shn - 0, 14121 Noblesville Deer Creek Music Center SBD: DAT> CD> SHN; Seeded by Peter Braverman, with thanks to Raoul; see notes in info file notes
14991. 06/21/93 Flac 16 - 0, 118116 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
14992. 06/21/93 Flac 16 - 0, 32095 Noblesville Deer Creek Music Center flac16; Source: Realistic PZMs DFC/Lawn > Sony D5 > D7@48 Transfer: Aiwa HD-S1 > Behringer Ultramatch 2496 > JB3 > SF8 (edits/SRC) notes
14993. 06/21/93 Shn - 0, 13305 Noblesville Deer Creek Music Center Source:AMS ST-250 -> Modified D10 pro By Pete Delgado. Transfer:D8 -> Montego II -> CDWAV -> Shorten3; Note- This is a re-eac (as noted in the txt) however all efforts were made to find the original shn's and no one seems to have archived them. notes
14994. 06/21/93 Flac 16/48 - , 154455 Noblesville Deer Creek Music Center flac16/48 Source Info: Jason Greenberg's Master Audience Cassettes; Sennheiser 441 mics > Marantz PMD430 Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496 notes
14995. 06/21/93 Flac 24/96 - , 154456 Noblesville Deer Creek Music Center flac24/96 Source Info: Jason Greenberg's Master Audience Cassettes; Sennheiser 441 mics > Marantz PMD430 Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496 notes
14996. 06/22/93 Flac 16 - 0, 108983 Noblesville Deer Creek Music Center flac16; Recording Info:SBD -> Dat Master (48k); Transfer Info:Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
14997. 06/22/93 Flac 16/48 - 0, 118167 Noblesville Deer Creek Music Center flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
14998. 06/22/93 Shn - 0, 14122 Noblesville Deer Creek Music Center SBD: DAT> CD> SHN; Seeded by Peter Braverman, with thanks to Raoul; see notes in info file notes
14999. 06/22/93 Flac 16 - 0, 118168 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
15000. 06/22/93 Flac 16 - 0, 34718 Noblesville Deer Creek Music Center flac16; Digital FOB Audience Soundfield AMS Mic -> Sony D10 Pro Modified Taped by Jamie Young Set 1 Hand Held - Set 2 Stand DAT > TASCAM DA-20 > M-Audio 192 > Soundforge 8.0 wav by Todd Evans Edits/downsampling (Adobe Audition 1.5), Tracking (CDWave), FLAC (1.1.2) by Mike Hughey notes
15001. 06/22/93 Flac 16/48 - 0, 34752 Noblesville Deer Creek Music Center flac16/48; Digital FOB Audience Soundfield AMS Mic -> Sony D10 Pro Modified Taped by Jamie Young Set 1 Hand Held - Set 2 Stand DAT > TASCAM DA-20 > M-Audio 192 > Soundforge 8.0 wav by Todd Evans Edits(Adobe Audition 1.5), Tracking (CDWave), FLAC (1.1.2) by Mike Hughey notes
15002. 06/22/93 Flac 16 - 0, 77360 Noblesville Deer Creek Music Center flac16; daud source notes
15003. 06/22/93 Shn - 0, 3467 Noblesville Deer Creek Music Center FOB AMS ST-250 > Modified D10 pro > CDR > EAC > SHN; via Doug Nawrocki notes
15004. 06/22/93 Flac 16 - 0, 97725 Noblesville Deer Creek Music Center flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC; Recorded By Keith Litzenberg notes
15005. 06/22/93 Flac 16/48 - , Noblesville Deer Creek Music Center notes
15006. 06/22/93 Flac 24/96 - , Noblesville Deer Creek Music Center notes
15007. 06/23/93 Flac 16 - 0, 108984 Noblesville Deer Creek Music Center flac16; Recording Info:SBD -> Dat Master (48k); Transfer Info:Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
15008. 06/23/93 Flac 16/48 - 0, 118191 Noblesville Deer Creek Music Center flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo notes
15009. 06/23/93 Shn - 0, 14123 Noblesville Deer Creek Music Center SBD: DAT> CD> SHN; Seeded by Peter Braverman, with thanks to Raoul; see notes in info file notes
15010. 06/23/93 Flac 16 - 0, 118192 Noblesville Deer Creek Music Center flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Littles Helper; Metadata Tagging With AudioGate Software notes
15011. 06/23/93 Flac 16/48 - 0, 34653 Noblesville Deer Creek Music Center flac16/48; Recording Detail: Taped by Jamie Young and Clay Brennecke - Row N Seat 13 AMS ST-250 microphone in the Blumlein Pattern on a Cool-Lux MD5500 Collapsible Light Stand both Sets 6"0' in air > AMS Microphone Preamp > Modified Sony TCD D-10 Professional DAT machine Transfer Detail: DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav DAT(1) notes
15012. 06/23/93 Shn - 0, 559 Noblesville Deer Creek Music Center FOB AMS ST-250(cardioid) -> Modified D-10 Pro, by Pete Delgado; Transfer: D8 -> Montego II -> CDWAV -> Shorten32,? by Doug Nawrocki notes
15013. 06/23/93 Flac 16 - 0, 138004 Noblesville Deer Creek Music Center flac16; Source: Sennheisser Mix (35 yards up on lawn center) 2 md 421-U cardiod ORTF and 2 me 80 short shotgun aimed at house stacks > 4 channel mixer > sony d-8 (Master DAT); Conversion: M-1 > Co2 > SB Live > CDwave Record and Index > FLAC notes
15014. 06/23/93 Flac 24/96 - , 154631 Noblesville Deer Creek Music Center flac24/96 Source Info: Jason Greenberg's Master Audience Cassettes; Sennheiser 441 mics > Marantz PMD430 Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496 notes
15015. 06/23/93 Flac 16/48 - , 154630 Noblesville Deer Creek Music Center flac16/48 Source Info: Jason Greenberg's Master Audience Cassettes; Sennheiser 441 mics > Marantz PMD430 Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496 notes
15016. 06/25/93 Flac 16 - 0, 110519 Washington Robert F. Kennedy Stadium flac16; Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
15017. 06/25/93 Flac 16 - 0, 91249 Washington Robert F. Kennedy Stadium flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves x-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky notes
15018. 06/25/93 Flac 16/48 - 0, 34893 Washington Robert F. Kennedy Stadium flac16/48; Soundfield AMS ST250 Microphone Cardiod -> Modified Sony D10 Pro DAT Recorded by Jamie Young edited by mtownshend DAT(1) from Todd Evans DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 waV > sf7.0 bit depth conversion w/ dither from 96kHz to 48kHz > FLACFrontend conversion to FLAC & ffp notes
15019. 06/25/93 Flac Dts 5.1 - 0, 133307 Washington Robert F. Kennedy Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=110519) Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Transfers and Mastering By Charlie Miller + AUD (shn id 91996) Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - dts mixing by Kevin Tobin notes
15020. 06/25/93 Flac 16 Mtx - 0, 133306 Washington Robert F. Kennedy Stadium flac16; Matrix 2 Source Mix - SBD (shnid=110519) Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Transfers and Mastering By Charlie Miller + AUD (shn id 91996) Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - matrix mixing by Kevin Tobin notes
15021. 06/25/93 Shn - 0, 19270 Washington Robert F. Kennedy Stadium Source: Primary Source: SBD/Monitor Mix > Beta > VHS > SB Audigy Platinum > CDWave > MKWact Patch Source: FOB AMS ST-250 (Blumlein) > Modified D10 Pro II FOB Source provides patch in Crowd/Tuning d2t01 and from 01:00 of Corinna to end of show SBD source provided by Matt Ziegler. Patched/SHN'd by Doug Nawrocki notes
15022. 06/25/93 Shn - 0, 1061 Washington Robert F. Kennedy Stadium AMS ST-250 run blumlein config > Sony D-10 Pro II FOB; via Nick Georges notes
15023. 06/25/93 Flac 16 - 0, 91996 Washington Robert F. Kennedy Stadium flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes
15024. 06/25/93 Flac 16 - 0, 26124 Washington Robert F. Kennedy Stadium flac16; Audience: Master DATS - Recorded by James Young & Ron Keyser AMS ST250 FOB DFC > AMS Control Box with the pattern on control box was set as close to ORTF(cardioids at 110 degrees) as possible > Modified Sony D10 Pro> Sony D10 Pro via Sony AES/EBU digital cable. (Both decks Modified By Bob Katz) Transfer By Ron Keyser Master DATS played back in a Sony D8 > M-Audio Auiophile USB > Sony PCV-RS410 Soundforge v 7.0 for resampling and fades. (Disc 2 & 3 are seamless) CD Wave Editor for tracking Flac Frontend. notes
15025. 06/25/93 Flac 16 - 0, 127453 Washington Robert F. Kennedy Stadium flac16; Source: Sony D6 Cassette master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker,Sect 12, Row 10, Seat 17. Taper Section. notes
15026. 06/25/93 Flac 16 Mtx - 0, 127502 Washington Robert F. Kennedy Stadium flac16; Lineage: Matrixed & retracked in Adobe Audition 3; SBD -> Master Dat (48k); Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> Flac and AUD Sony D6 Cassette master > Nakamichi 300 Mics W/CP4 Shotguns > Sony TC-D5M; Cassette Deck (Playback) > Edirol R-09 HR (24/44.1 KHZ) > CD Wav Editor > Traders Little Helper > Flac Level 8.Sector Boundaries Aligned; Taped By Dave Boedicker, Sect 12, Row 10, Seat 17.Taper section notes
15027. 06/25/93 Flac 16/48 - 0, 147796 Washington Robert F. Kennedy Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=110519) Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Transfers and Mastering By Charlie Miller + AUD (shn id 91996) Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - surround mixing by Kevin Tobin notes
15028. 06/25/93 Flac 16/48 - 0, 149336 Washington Robert F. Kennedy Stadium flac16/48kHz; Source Info: FOB Nakamichi CM300-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes
15029. 06/26/93 Flac 16 - 0, 110520 Washington Robert F. Kennedy Stadium flac16; Recording Info:SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
15030. 06/26/93 Shn - 0, 7742 Washington Robert F. Kennedy Stadium sbd > dat > cass > dat > cd; via Brent Peich notes
15031. 06/26/93 Flac 16 - 0, 76834 Washington Robert F. Kennedy Stadium flac16; seamless, patched version of shn id 7742 - sbd > dat > cass > dat > cd > eac > shn > wav > flac notes
15032. 06/26/93 Flac 16 - 0, 26279 Washington Robert F. Kennedy Stadium flac16; Aud AMS ST250 FOB DFC > AMS Control Box with the pattern on control box was set as close to ORTF (cardioids at 110 degrees) as possible > Modified Sony D10 Pro> Modified Sony D10 Pro via Sony AES/EBU digital cable; (Both decks Modified By Bob Katz); Recorded by James Young & Ron Keyser; Transfer By Ron Keyser: Master DATS played back in a Sony D8 > M-Audio Auiophile USB > Sony PCV-RS410 Soundforge v 7.0 for resampling and fades> CD Wave Editor for tracking> Flac Frontend notes
15033. 06/26/93 Flac 16 - 0, 127688 Washington Robert F. Kennedy Stadium flac16; Source: Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section,Section 120,Row 10 Seat 15 notes
15034. 06/26/93 Flac 16/48 - 0, 149337 Washington Robert F. Kennedy Stadium flac16/48kHz; Source Info: FOB Nakamichi CM300-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes
15035. 06/26/93 Flac 16 - 0, 149338 Washington Robert F. Kennedy Stadium flac16; Source Info: FOB Schoeps CMC 5 MK 21-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
15036. 08/21/93 Flac 16 - 0, 87291 Eugene Autzen Stadium, University of Oregon flac16; FOB Schoeps Omnis Mk2 Omni Capsules (the two mic stands were “human” – capsules were in hat and the “stands” were 10’ apart) -> Schoeps Active Cables -> Schoeps CMC 3 Mic Body -> Monster M1000 Jumper -> Oade Supply -> Canare Cable -> Panasonic sv255 DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav notes
15037. 08/21/93 Shn - 0, 15035 Eugene Autzen Stadium, University of Oregon Source: SBD > DAT > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT First few minutes of Here Comes Sunshine patched by Pat Volkerding with FM > DAT source Various patching/crossfades by Doug Nawrocki with Jay Serafin liberated bootleg source EAC'd/SHN'd by Doug Nawrocki notes
15038. 08/21/93 Shn - 0, 11269 Eugene Autzen Stadium, University of Oregon SBD > Pre-FM RTR > ? > ILLEGAL BOOTLEG CD > D > SSSB; Seeded to etree by Jay Serafin notes
15039. 08/21/93 Flac 16 - 0, 87555 Eugene Autzen Stadium, University of Oregon flac16; Source: FM Signal (KLCC 89.7) -> Harmon Kardon receiver -> HiFi Stereo VCR Lineage: HiFi Stereo VCR -> Teac P20 DAT -> Edirol UA-3FX -> Amadeus -> Flac Taped/Transferred: Mike Albright notes
15040. 08/21/93 Shn - 0, 561 Eugene Autzen Stadium, University of Oregon SBD> DAT> CD> EAC> Cool Edit '96 (removed digipop prior to music in beginning of d1t1)> CDWAV> Shorten32; via D. Nawrocki notes
15041. 08/21/93 Flac 16 - 0, 119060 Eugene Autzen Stadium, University of Oregon flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac file notes
15042. 08/21/93 Flac 16/48 - 0, 140172 Eugene Autzen Stadium, University of Oregon flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > Cd Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017 notes
15043. 08/21/93 Flac 16/48 - 0, 141530 Eugene Autzen Stadium, University of Oregon flac16/48kHz; John Ammons & Jeff Silberman Digital FOB Recording; AMS ST-250 (ambisonic mode) > 4 track Nagra D open reel 24 bit digital deck > 2 channel stereo DAT using a Blumlein pattern > DAT (mics on 6' stand); John Ammons Transfer: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave notes
15044. 08/21/93 Flac 16/48 - 0, 151100 Eugene Autzen Stadium, University of Oregon flac16/48khz Recording Info: SBD > DAT Master (48k) Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k notes
15045. 08/22/93 Shn - 0, 562 Eugene Autzen Stadium, University Of Oregon SBD> DAT> CD> EAC> Cool Edit '96 (removed digipops prior to music in beginning of d2t1 & d3t1)> CDWAV> Shorten32; via Doug Nawrocki notes
15046. 08/22/93 Flac 16 Mtx - 0, 98235 Eugene Autzen Stadium, University Of Oregon flac16; matrix of DSBD: shnid=562 and DAUD: shnid=97076 by hansokolow using ProTools notes
15047. 08/22/93 Flac 16/48 - 0, 82637 Eugene Autzen Stadium, University Of Oregon flac16/48; Digital FOB DFC Audience FOB Schoeps Mk2 Omni Capsule spaced omnis (10 ft spread) in hat -> Schoeps Active Cables -> Schoeps CMC 3 Mic Body -> Monster M1000 Jumper -> Oade Supply -> Canare Cable -> Panasonic sv255 DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav (16bit, 48kHz) notes
15048. 08/22/93 Flac 16 - 0, 82529 Eugene Autzen Stadium, University Of Oregon flac16; Digital FOB DFC Audience FOB Schoeps Mk2 Omni Capsule spaced omnis (10 ft spread) in hat -> Schoeps Active Cables -> Schoeps CMC 3 Mic Body -> Monster M1000 Jumper -> Oade Supply -> Canare Cable -> Panasonic sv255 DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav (16bit, 48kHz) Minor editing done by Garret Leutbecher (Audition 1.5) & Michael Townshend (Wavelab) notes
15049. 08/22/93 Flac 16 - 0, 97076 Eugene Autzen Stadium, University Of Oregon flac16; AKG C61's>Teac DA-P20 @ 25th Row Center DAT>Digital Reels>DAT Clone Of Reels>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, De-emphasis,Sample Rate Conversion)>CDWAV>FLAC, Recorded By Steve L. Fink, Processed by Keith Litzenberger notes
15050. 08/22/93 Flac 16 - 0, 119062 Eugene Autzen Stadium, University Of Oregon flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
15051. 08/22/93 Flac 16/48 - 0, 140173 Eugene Autzen Stadium, University Of Oregon flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > Cd Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017 notes
15052. 08/22/93 Flac 16/44,1 - 0, 141062 Eugene Autzen Stadium, University Of Oregon flac16/44.1 Source Info: FOB Schoeps CMC 3 MK2(Omni) (Spaced)-> Oade P/S-> Panasonic SV255-> DAT Transfer Info: Dat (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15053. 08/22/93 Flac 16/48 - 0, 150519 Eugene Autzen Stadium, University Of Oregon flac16/48kHz; Recording Info: SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes
15054. 08/25/93 Shn - 0, 11812 Mountain View Shoreline Amphitheatre SBD>??>DAT>CDR; See info file for edit notes and suggestion of a possible MC in the lineage; via Randy Perkins; Seeded to Etree by T. Wiley notes
15055. 08/25/93 Flac 16 Mtx - 0, 106287 Mountain View Shoreline Amphitheatre flac16: Matrix by hansokolow of SBD-shnid=11812 and AUD-shnid=94033 notes
15056. 08/25/93 Flac 16 - 0, 94033 Mountain View Shoreline Amphitheatre flac16; Source: Schoeps MK4's>Rbox>Techinics SV-MD1 From Front Row Center OTS DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
15057. 08/25/93 Flac 16/48 - 0, 140281 Mountain View Shoreline Amphitheatre flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017 notes
15058. 08/25/93 Flac 16/48 - 0, 147626 Mountain View Shoreline Amphitheatre flac16/48kHz; Recording Info: SBD > Dat Master (48k); Transfer Info: Dat Master (Sony PCM-R500) > Tascam SS-CDR200 > Samplitude Pro X4 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes
15059. 08/26/93 Shn - 0, 11499 Mountain View Shoreline Amphitheatre SBD>DAT>CM>DAT>DAT Clone @48k>WAV>SHN; Seeded to etree by Marc Pujol and Tim W notes
15060. 08/26/93 Flac 16 - 0, 94327 Mountain View Shoreline Amphitheatre flac16; Schoeps MK4's>Rbox>Technics SV-MD1 From Front Row Center OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
15061. 08/26/93 Flac 16/48 - 0, 140282 Mountain View Shoreline Amphitheatre flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017 notes
15062. 08/26/93 Flac 16 - 0, 145748 Mountain View Shoreline Amphitheatre flac16; Sony D6 -> MAC > Sony TCM-TE425 (azumth adjed) -> Sound Blaster Audigy 4! > Sound Forge 5.0 > CD Wav -> flac16; Tape flips and dead spots > crossfaded using Sound Forge 5.0; SBEs fixed using TLH; Recorded by Primo Williams xfer Charles Bandrofcheck; Thanks to Mr. Williams for lending me his masters notes
15063. 08/26/93 Flac 16/48 - 0, 147628 Mountain View Shoreline Amphitheatre flac16/48kHz; Recording Info: SBD > Dat Master (48k); Transfer Info: Dat Master (Sony PCM-R500) > Tascam SS-CDR200 > Samplitude Pro X4 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes
15064. 08/27/93 Shn - 0, 9486 Mountain View Shoreline Amphitheatre SBD>CM>CDR; Seeded to Etree by T. Wiley notes
15065. 08/27/93 Flac 16 - 0, 94275 Mountain View Shoreline Amphitheatre flac16; Source: Schoeps MK4's>Rbox>Techinics SV-MD1 From Front Row Center OTS DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
15066. 08/27/93 Flac 16/48 - 0, 140283 Mountain View Shoreline Amphitheatre flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick notes
15067. 08/27/93 Flac 16 - 0, 145798 Mountain View Shoreline Amphitheatre flac16; Sony D6 -> MAC > Sony TCM-TE425 (azumth adjed) -> Sound Blaster Audigy 4! > Sound Forge 5.0 > CD Wav -> flac16; Tape flips and dead spots > crossfaded using Sound Forge 5.0; SBEs fixed using TLH; Recorded by Primo Williams xfer Charles Bandrofcheck notes
15068. 08/27/93 Flac 16/48 - 0, 147630 Mountain View Shoreline Amphitheatre flac16/48kHz; Recording Info: SBD > Dat Master (48k); Transfer Info: Dat Master (Sony PCM-R500) > Tascam SS-CDR200 > Samplitude Pro X4 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes
15069. 09/08/93 Flac - 0, 28780 Richfield Richfield Coliseum flac16; Recording Info: SBD -> Master Dat -> Dat Clone (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Mille notes
15070. 09/08/93 Flac - 0, 91950 Richfield Richfield Coliseum flac16; Recording Equipment: Schoeps Mk4v Capsules (ORTF Cardiod) -> Schoeps KC5 Active Cable -> Schoeps CMC6 Mic Body -> Monster M1000 Jumper -> Apogee AD500e -> Casio DA-R100 DAT Deck. Recording Location: FOB DFC Section 2, Row 16, Seats 7 & 8 Recorded By: Todd Evans Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes
15071. 09/08/93 Shn - 0, 16754 Richfield Richfield Coliseum FOB(AKG491) > DAT > CDR> WAV > SHN via Chris Ladner notes
15072. 09/08/93 Flac - 0, 112788 Richfield Richfield Coliseum flac16; Source: (stand/ORTF/110^/DFC/Section) B&K 4011s > Neumann BS48i-2 > Panasonic SV-255 > DAT(m); Transfer: DAT(m) > Tascam DA-20mkII > SPDIF > Tascam HD-P2 > r8brain (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes
15073. 09/08/93 Flac - 0, 127730 Richfield Richfield Coliseum flac16; Source:Audience Recording(Sony WM-D6C Cassette Deck)>Master Cassette>Nakamichi 300 Mics W/CP4 Shotguns> Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Taper Section, Section 5,Row DD,Seat 1 notes
15074. 09/09/93 Flac - 0, 28781 Richfield Richfield Coliseum flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller notes
15075. 09/09/93 Flac - 0, 91949 Richfield Richfield Coliseum flac16; Recording Equipment: Schoeps Mk4v Capsules (ORTF Cardiod) -> Schoeps KC5 Active Cable -> Schoeps CMC6 Mic Body -> Monster M1000 Jumper Cable -> Apogee AD500e -> Casio DA-R100 DAT Deck. Recording Location: FOB DFC Section 2, Row 18, Seats 7 & 8 Recorded By: Todd Evans Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes
15076. 09/09/93 Shn - 0, 5440 Richfield Richfield Coliseum AUD:AKG 568/Sony D3> CD> SHN; vis Tony Gardner notes
15077. 09/09/93 Flac - 0, 112793 Richfield Richfield Coliseum flac16; Source: (stand/ORTF/110^/DFC/Section) B&K 4011s > Neumann BS48i-2 > Panasonic SV-255 > DAT(m); Transfer: DAT(m) > Tascam DA-20mkII > SPDIF > Tascam HD-P2 > r8brain (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes
15078. 09/09/93 Flac - 0, 128226 Richfield Richfield Coliseum flac16; Source:Sony WMD-D6C Cassette Deck>Nakamichi 300 Mics W/CP4 Shotguns>Master Cassette>Sony TC-D5M Cassette; Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.taped By Dave Boedicker,Official Taper Section,Section 123,Row A,Seat 6 notes
15079. 09/10/93 Flac - 0, 28782 Richfield Richfield Coliseum flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller notes
15080. 09/10/93 Flac 16 - 0, 91948 Richfield Richfield Coliseum flac16; Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255 DAT Deck. Recording Location: FOB DFC Section 2, Row 16, Seats 7 & 8 Recorded By: Todd Evans & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes
15081. 09/10/93 Flac 16 - 0, 94372 Richfield Richfield Coliseum flac16; Schoeps MK4's>Rbox>Technics SV-MD1 From Front Row Center OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
15082. 09/10/93 Shn - 0, 5441 Richfield Richfield Coliseum AUD:AKG 568/Sony D3> CD> SHN; via Tony Gardner notes
15083. 09/10/93 Flac 16 - 0, 112807 Richfield Richfield Coliseum flac16; Source: (stand/ORTF/110^/DFC/Section) B&K 4011s > Neumann BS48i-2 > Panasonic SV-255 > DAT(m); Transfer: DAT(m) > Tascam DA-20mkII > SPDIF > Tascam HD-P2 > r8brain (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes
15084. 09/10/93 Flac 16 - 0, 128507 Richfield Richfield Coliseum flac16; Source: Sony WMD6-C Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper.taped By Dave Boedicker,Taper Section,Section 122,Row A,Seat 8 notes
15085. 09/10/93 Flac 16/48 - 0, 140461 Richfield Richfield Coliseum flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SirMick January 2018 notes
15086. 09/12/93 Flac - 0, 28783 Philadelphia The Spectrum flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller notes
15087. 09/12/93 Shn - 0, 24494 Philadelphia The Spectrum Source: Cousinit's Denon DTR80P DAT Deck w/ Nak 300 Shotguns>MDAT>WAV>SHN MDAT>SHN Conversion by Cousinit Seeded to abgd July 2003 notes
15088. 09/12/93 Shn - 0, 18529 Philadelphia The Spectrum AUD(Sony C-38B?s) > DAT > CDR via Raoul Duke encoded by Matt Vernon notes
15089. 09/12/93 Shn - 0, 18637 Philadelphia The Spectrum nak 100's w/ ck 4 >d6>cM (patched out of dhind's rig)mc>aiwa f-810>tascam da30mkIIq@44.1>zoltrix nightengale6.0 >sf6.0>cdwav>SHN>WAV>Shntool(join)>ADWS>CD Wav>Shntool(check)>SHN(seekable) ; Via cdipietro ; Remaster by T. Wiley 07/25/2003. notes
15090. 09/12/93 Flac - 0, 85663 Philadelphia The Spectrum flac16/48; Schoeps MK4's>Reutelhuber Preamp>Technics SVM-D1 Recorded FOB in Section 102 Row 13 By Keith Litzenberger & Ed K. Transferred By Watson Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC notes
15091. 09/13/93 Flac - 0, 34030 Philadelphia The Spectrum flac16; SBD -> Master Dat (48k) All Transfers and Mastering By Charlie Miller notes
15092. 09/13/93 Shn - 0, 12755 Philadelphia The Spectrum set 2 only; DSBD> DAT> DAT> Sony SDT-9000> VDAT> WAV> mkwACT> SHN V.3; posted by Martman notes
15093. 09/13/93 Shn - 0, 7361 Philadelphia The Spectrum SB> DAT> CM> DAT> CD; via Charlie Miller; Chris Frisco; Steve Barbella notes
15094. 09/13/93 Flac - 0, 85991 Philadelphia The Spectrum flac16/48; Schoeps MK4's>Reutelhuber Preamp>Casio DA-7 from Section 102 Row 14 DAT MASTER>SONY TCD-D10PROII>EDIROL R-4>WL5>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
15095. 09/13/93 Shn - 0, 12096 Philadelphia The Spectrum SBD> DAT> CM> DAT> CDR; Seeded to Etree by T. Wiley notes
15096. 09/13/93 Shn - 0, Philadelphia The Spectrum notes
15097. 09/14/93 Flac - 0, 28786 Philadelphia The Spectrum flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller notes
15098. 09/14/93 Shn - 0, 19237 Philadelphia The Spectrum Source: Cousinit's Denon DTR80P DAT Deck w/ Nak 300 Shotguns>MDAT>WAV>SHN MDAT>SHN Conversion by Cousinit notes
15099. 09/14/93 Shn - 0, 13830 Philadelphia The Spectrum DAUD(Schoeps CMC-341's)>Tascam DAP1>CDR notes
15100. 09/16/93 Flac 16 - 0, 94226 New York Madison Square Garden flac16; Recording Info:Set 1: SBD -> Dat -> Master Cassette -> Dat -> CD; Set 2: SBD -> Dat (48k); All Transfers and Mastering By Charlie Miller notes
15101. 09/16/93 Flac 16 - 0, 131435 New York Madison Square Garden flac16 ; AUD: Schoeps CMC6/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > TDK DA-R DAT, set up end of floor center, directly behind the lighting board. Transfer: MAD > Sony D8 > Optical out > Edirol FA-66 > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. notes
15102. 09/16/93 Shn - 0, 12370 New York Madison Square Garden SBD DAT> C> DAT> WAV> CE> CDWAV> SHN, with FOB aud patches (see info file); via Steve Herman notes
15103. 09/16/93 Shn - 0, 5703 New York Madison Square Garden FOB/DFC Sec. 2 - Row R - Seats 1 & 2 AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod (48k) recorded by Clay Brennecke and Jamie Young DAT > SHN via: Clone of master DAT played through Sony PCM-M1 > active 7 pin cable > Zoltrix Nightingale > recorded/downsampled on PC with Cool Edit 2000 tracked with CDWAV SHN encoding with MKW-ACT (seeking) notes
15104. 09/16/93 Shn - 0, 8375 New York Madison Square Garden DAUD/FOB Schoeps mk21(ORTF); via Eliot Byron; Seeded by Jim Raras to Dankseeds notes
15105. 09/16/93 Flac 16/48 - 0, 140220 New York Madison Square Garden flac16/48kHz; Source: (FOB) Schoeps cmc4 mk4 > dat (48k) - Taped by Jeff Zimmer and Roger J, provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/48 - Transferred by Charlie Miller; Lineage: iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017 notes
15106. 09/16/93 Flac 16/48 - 0, 140486 New York Madison Square Garden flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 notes
15107. 09/16/93 Flac 16 - 0, 140487 New York Madison Square Garden flac16; Recording Info: Set 1: SBD -> Dat -> Master Cassette -> Dat -> CD; Set 2: SBD -> Dat (48k); This is a pitch corrected version of shnid 94226; SIRMick January 2018 notes
15108. 09/17/93 Flac - 0, 94228 New York Madison Square Garden flac16; Recording Info:SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller notes
15109. 09/17/93 Flac - 0, 131466 New York Madison Square Garden flac16; AUD: Schoeps CMC6/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > TDK DA-R DAT, set up end of floor center, directly behind the lighting board. Transfer: MAD > Sony D8 > Optical out > Edirol FA-66 > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. notes
15110. 09/17/93 Shn - 0, 18384 New York Madison Square Garden Set 2 only : SBD>DAT>CDR ; SHN>WAV>Shntool(join)>ADWS>CD WAV>Shntool(check)>SHN(seekable) ; Via Chris Larson ; Remastered by T. Wiley 07/13/2003. notes
15111. 09/17/93 Shn - 0, 5704 New York Madison Square Garden FOB/DFC Sec. 2 - Row R - Seats 1 & 2 AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod (48k) recorded by Clay Brennecke and Jamie Young DAT > SHN via: Clone of master DAT played through Sony PCM-M1 > active 7 pin cable > Zoltrix Nightingale > recorded/downsampled on PC with Cool Edit 2000 tracked with CDWAV SHN encoding with MKW-ACT (seeking); NOTE- User Matt Vernon submitted 'alternate' md5s with these notes... the md5's below differ for d1t1,6,7 d2t3,5 and d3t4,5 from the listed shn set but had the same info file i listened to this show and they are clean including set 2 continuity at the disk 2->3 transition. notes
15112. 09/17/93 Flac - 0, 128545 New York Madison Square Garden flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns> Sony WM-D6C Cassette Deck> Cassette Master>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker,Official Taper Section,Section 10, Row P,Seat 14 notes
15113. 09/18/93 Flac - 0, 94229 New York Madison Square Garden flac16; Recording Info:SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller notes
15114. 09/18/93 Flac - 0, 131467 New York Madison Square Garden flac16; Set 1, AUD: Schoeps CMC6/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > TDK DA-R DAT, set up end of floor center, directly behind the lighting board. Transfer: MAD > Sony D8 > Optical out > Edirol FA-66 > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. notes
15115. 09/18/93 Shn - 0, 12369 New York Madison Square Garden SBD DAT> C> DAT> WAV> CE> CDWAV> SHN w/ aud patches (see info file); via Steve Herman notes
15116. 09/18/93 Flac - 0, 137884 New York Madison Square Garden flac16/48kHz; Source: B&K 4011 > DAT (48 khz) FOB?; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.38(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Eric Vandercar (ericv) #4EV; Transferred and seeded by: Lenny Stubbe notes
15117. 09/18/93 Shn - 0, 5079 New York Madison Square Garden FOB/DFC Sec. 2 - Row R - Seats 1 & 2 2 AMS St-250s on stand both sets > Apogee AD 500 > Nagra digital Reel to Reel > DAT clone > SHN recorded by Clay Brennecke, Jamie Young and Jeff Silberman notes
15118. 09/20/93 Flac 16 - 0, 31623 New York Madison Square Garden flac16; Soundboard->Master DAT->Sonic Solutions->Master CD. Master CD->EAC->FLAC. EAC, Re-track, and FLAC by Joe Samaritano notes
15119. 09/20/93 Flac 16 - 0, 131592 New York Madison Square Garden flac16; AUD: Schoeps CMC6/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > TDK DA-R DAT, set up end of floor center, directly behind the lighting board. Transfer: MAD > Sony D8 > Optical out > Edirol FA-66 > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. notes
15120. 09/20/93 Shn - 0, 8766 New York Madison Square Garden SBD>?>CDR; Seeded to etree by Tim W notes
15121. 09/20/93 Flac 16/48 - 0, 137336 New York Madison Square Garden flac16/48kHz; Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
15122. 09/20/93 Flac 16 - 0, 96889 New York Madison Square Garden flac16; Taper Section Sec 10,Row F,Seat-14 Taper-M. Laurentus AT835B's- AT 8202’s-SONY D 7 D7- Sony POC-DA12- Creative Audigy USB Optical In-Creative Recorder-CD Wave- FLAC notes
15123. 09/20/93 Shn - 0, 4531 New York Madison Square Garden FOB/DFC, Sec. 2, Row S - Seat 5; Schoeps S4 at 90 degrees > Canari Cables > Sonosax SX-M2 > Apogee AD 500 > Sony D-7; taper Jeff Zimmer- see pub comments notes
15124. 09/20/93 Flac 16/48 - 0, 140590 New York Madison Square Garden Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k) Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48 Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648 edited and mastered SIRMick January 2018 notes
15125. 09/21/93 Flac - 0, 28765 New York Madison Square Garden flac16; Recording Info: SBD -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC charliemiller87@earthlink.net notes
15126. 09/21/93 Shn - 0, 28362 New York Madison Square Garden SBD> Dat> Cassette Master> Dat> CD> EAC> SHN; SHN> WAV> Samplitude Professional v8.0> FLAC by Charlie Miller, with thanks to Christopher Laughlin for SBD discs notes
15127. 09/21/93 Shn - 0, 4532 New York Madison Square Garden FOB/DFC Sec. 2 - Row M - Seat 1 AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod recorded by Clay Brennecke and James Young notes
15128. 09/21/93 Shn - 0, 8919 New York Madison Square Garden DAUD/FOB Schoeps mk21(ORTF) > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kH; via Dankseeds notes
15129. 09/21/93 Flac - 0, 109394 New York Madison Square Garden flac16; Master: Nakamichi CM300/cp4's>Sony TC-D5M>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak from the front row of the official taper section; Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
15130. 09/21/93 Flac - 0, 94669 New York Madison Square Garden flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes
15131. 09/22/93 Shn - 0, 77070 New York Madison Square Garden Source: SBD:DAT-> CDR - EAC-> WAV-> SHN: by yubah)yubah@optonline.net -- Retracked and re-shn'd by ret. notes
15132. 09/22/93 Flac 16 Mtx - 0, 125353 New York Madison Square Garden flac16; Matrix using the following three sources: Source 1: SBD (shnid=77070) SBD:DAT-> CDR-> EAC-> WAV-> SHN; Source 2: AUD (shnid=91805) Recording Equipment: Soundfield AMS ST-250 Microphone using Blumlein configuration. Recorded By: James Young & Clay Brennecke and Source 3: AUD (shnid=97122) Schoeps MK4's>Rbox>Panasonic SV-255 FOB>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC; Recorded & Transferred By Keith Litzenberger; Upgrade in circulation; the seeder has requested that this version be removed from circulation notes
15133. 09/22/93 Flac 16 - 0, 131736 New York Madison Square Garden flac16; AUD: Schoeps CMC6/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > TDK DA-R DAT, set up end of floor center, directly behind the lighting board. Transfer: MAD > Sony D8 > Optical out > Edirol FA-66 > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. notes
15134. 09/22/93 Flac 16 - 0, 91805 New York Madison Square Garden flac16; FOB Digital Audience Recording Lineage: DAT Master Recording Equipment: Soundfield AMS ST-250 Microphone using Blumlein configuration. Both sets recorded on stand (at 6’3””) > Panasonic SV 255. Recording Location: FOB DFC … Section 2, Row M, Seat 1 Recorded By: James Young & Clay Brennecke Transfer: DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging notes
15135. 09/22/93 Shn - 0, 565 New York Madison Square Garden DSBD> DAT> CDR> EAC> WAV> SHN; Seeded by an anonymous source with DATs provided by D. Murray, who sat in; EAC/SHN, u/l by Rich (yubah); stemming from Winter Oak tree; see pub comments for flaw note notes
15136. 09/22/93 Flac 16/48 - 0, 137337 New York Madison Square Garden flac16/48kHz; Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller notes
15137. 09/22/93 Flac 16 - 0, 109235 New York Madison Square Garden flac16; Master: OTS Nakamichi CM300/cp4's>Sony TC-D5M>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
15138. 09/22/93 Flac 16 - 0, 97122 New York Madison Square Garden flac16; Schoeps MK4's>Rbox>Panasonic SV-255 FOB>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes
15139. 09/22/93 Shn - 0, 8712 New York Madison Square Garden DAUD/FOB Schoeps mk21(ORTF); **No DAE at all**; via Eliot Byron; Seeded to etree by Jim Raras; Dankseed certified notes
15140. 09/22/93 Shn - 0, 4533 New York Madison Square Garden Recorded FOB/DFC by James Young & Clay Brennecke using: Sec. 2 - Row M - Seat 1 AMS ST-250 run Blumlein on stand both sets at 6"3' > Panasonic SV 255 notes
15141. 09/22/93 Flac 16/48 - 0, 140821 New York Madison Square Garden flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 notes
15142. 09/22/93 Flac 16 - 0, 142983 New York Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid = 137337) Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140821) Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 - matrix mixing by Kevin Tobin notes
15143. 09/22/93 Flac Dts 5.1 - 0, 142984 New York Madison Square Garden DTS-Audio-CD 5.1 Mix; - SBD (shnid = 137337) Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140821) Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 - dts mixing by Kevin Tobin notes
15144. 09/22/93 Flac 16/48 - 0, 142985 New York Madison Square Garden flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 137337) Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140821) Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 - dts mixing by Kevin Tobin notes
15145. 09/22/93 Flac 16 Mtx - 0, 126108 New York Madison Square Garden flac16; Matrix Source 1: SBD (shnid=77070); SBD:DAT-> CDR; EAC-> WAV-> SHN and Source 2: AUD (shnid=91805) Recording Equipment: Soundfield AMS ST-250 Microphone using Blumlein configuration. Both sets recorded on stand (at 6'3") > Panasonic SV 255. Recording Location: FOB DFC Section 2, Row M, Seat 1; Recorded By: James Young & Clay Brennecke; Transfer: DAT Master > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0 notes
15146. 09/24/93 Flac - 0, 107840 Boston Boston Garden flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Master Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional 11.03 -> FLAC; All Transfers and Mastering By Charlie Miller notes
15147. 09/24/93 Shn - 0, 22249 Boston Boston Garden Recording Info: SBD -> Master Dat (48k) Transfer Info: Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN - Transferred By Charlie Miller notes
15148. 09/24/93 Flac - 0, 87734 Boston Boston Garden flac16; Source: Neumann km 82i > Sonosax power supply > Sony TCD D10 PRO II DAT x 1 Recorded by Jim Birkhead Taper Section left of SBD Cloned: Casio DA-7 > Panasonic SV-3700 January 1, 1997 By Bill Koucky Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to 48 khz into Wavelab 5.0 mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by Bill Koucky. Seeded by October 18, 2007 Green Mountain Bros. notes
15149. 09/24/93 Shn - 0, 13308 Boston Boston Garden Source: Schoeps (unknown model/ps) > D7 @48k via Dave Minor. DAT > shn encoding Marc Pujol notes
15150. 09/24/93 Flac - 0, 94662 Boston Boston Garden flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes
15151. 09/24/93 Flac - 0, 109427 Boston Boston Garden flac16; Set 2 Only Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes
15152. 09/24/93 Flac - 0, 110430 Boston Boston Garden flac16; Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes
15153. 09/24/93 Flac - 0, 139967 Boston Boston Garden flac16/48kHz; source: aud dat master; taped by Doug Lamarre; sennheiser 441’s > denon dtr-80; taper section; transferred & seeded - Rob Berger notes
15154. 09/25/93 Flac - 0, 28787 Boston Boston Garden flac16; Recording Info: Set 1: SBD -> Master Dat -> Dat Clone (48k) set 2: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller notes
15155. 09/25/93 Flac 24 - 0, 137557 Boston Boston Garden flac24; Set 1 Recording Info: Nakamichi 300/CP4 > Cassette Master (Sony TC-D5M/TDK MA110); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded and Mastered By Charlie Miller notes
15156. 09/25/93 Flac 16 - 0, 137562 Boston Boston Garden flac16; Set 1 Recording Info: Nakamichi 300/CP4 > Cassette Master (Sony TC-D5M/TDK MA110); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded and Mastered By Charlie Miller, 24bit > 16bit with r8brain notes
15157. 09/25/93 Flac 16/48 - 0, 138302 Boston Boston Garden flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 dvanced > CD Wave > TLH > Flac 16/48; edited and mastered SIRMick May 2017 notes
15158. 09/25/93 Shn - 0, 17356 Boston Boston Garden Set 1 Schoeps (unknown model/ps) via David Minor. Set 2 Schoeps CMC-521?s via Raoul Duke. Transfer and encoding Marc Pujol, Alan Fink and Matt Vernon notes
15159. 09/25/93 Flac 16 - 0, 110431 Boston Boston Garden flac16; Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes
15160. 09/25/93 Flac 16 - 0, 109428 Boston Boston Garden flac16; Set 2 Only Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes
15161. 09/25/93 Flac 16/48 - 0, 139968 Boston Boston Garden flac16/48kHz; source: aud dat master; taped by Doug Lamarre; sennheiser 441’s > denon dtr-80; taper section; transferred & seeded - Rob Berger notes
15162. 09/25/93 Flac 16/48 - 0, 140092 Boston Boston Garden flac16/48kHz; Recording Info: Rich Gastwirt's Master Audience Dat 16/48; Schoeps CMC4/MK4 -> Oade P/S -> Panasonic SV-255; Transfer Info: Dat (Panasonic SV-3800) 16/48 -> Tascam DA-3000 16/48 -> Adobe Audition 3.0 -> TLH flac1648 notes
15163. 09/25/93 Flac 16 - 0, 87744 Boston Boston Garden flac16; Source: Neumann km 82i > Sonosax power supply > Sony TCD D10 PRO II DAT x1 Recorded by Jim Birkhead Taper Section left of SBD Cloned: Casio DA-7 > Panasonic SV-3700 January 1997 By Bill Koucky Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to 48 khz Wavelab 5.0 mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by Bill Koucky Seeded by Green Mountain Bros.October 19, 2007 notes
15164. 09/26/93 Flac - 0, 28788 Boston Boston Garden flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller notes
15165. 09/26/93 Flac - 0, 125885 Boston Boston Garden flac16; 3 Source Matrix from Source 1: SBD (shnid=28788) Recording Info: SBD -> Master Dat (48k); Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC, Source 2: AUD (shnid=112782) Taper: Baker Master Audience: Nakamichi CM300/CP4 Shotguns > Sony D5; Transfer Maxell Metal Capsule's 100,100 > Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz and Source 3: AUD (shnid=87812 / shnid=13990) Source: Neumann km 82i > Sonosax SX-PR power supply > Sony TCD D10 PRO II DAT x1; Recorded by Jim Birkhead / Taper Section, left of SBD Cloned (January 1997): Casio DA-7 > Panasonic SV-3700; Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to 48 khz Wavelab 5.0; Mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level 8) notes
15166. 09/26/93 Flac - 0, 112782 Boston Boston Garden flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper:Baker,Transfer By Keo Tapes Maxell Metal Capsule's 100,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked with Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes
15167. 09/26/93 Flac - 0, 138490 Boston Boston Garden flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k); Recorded by Rick Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/8; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick June 2017 notes
15168. 09/26/93 Shn - 0, 13990 Boston Boston Garden Source: Schoeps (unknown model/ps) > D7 @48k via Dave Minor, DAT > SHN by Marc Pujol notes
15169. 09/26/93 Shn - 0, 11501 Boston Boston Garden AUD(Nak 300?s + CP4)>DAT>CD; via p'bo; Seeded to etree by neo_levo notes
15170. 09/26/93 Flac - 0, 94670 Boston Boston Garden flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes
15171. 09/26/93 Flac - 0, 87812 Boston Boston Garden flac16; Source: Neumann km 82i > Sonosax SX-PR power supply > Sony TCD D10 PRO II DAT x1 Recorded by Jim Birkhead Taper Section left of SBD Cloned: Casio DA-7 > Panasonic SV-3700 January 1997 Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to 48 khz Wavelab 5.0 mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by Bill Koucky Seeded by Green Mountain Bros. October 23, 2007 Patch Source: db.etree # 13900 notes
15172. 09/26/93 Flac - 0, 110432 Boston Boston Garden flac16; Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes
15173. 09/26/93 Flac - 0, 109429 Boston Boston Garden flac16; Set 1 Only Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes
15174. 09/26/93 Flac - 0, 139970 Boston Boston Garden flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger notes
15175. 09/26/93 Flac - 0, 140093 Boston Boston Garden flac16/48kHz; Recording Info: Rich Gastwirt's Master Audience Dat 16/48; Schoeps CMC4/MK4 -> Oade P/S -> Panasonic SV-255; Transfer Info: Dat (Panasonic SV-3800) 16/48 -> Tascam DA-3000 16/48 -> Adobe Audition 3.0 -> TLH flac1648 notes
15176. 09/28/93 Flac 16 - 0, 79058 Boston Boston Garden flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC notes
15177. 09/28/93 Flac 16 Mtx - 0, 125461 Boston Boston Garden flac16; Matrix of Source 1: SBD Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC, Source 2: AUD Source: NeumannShotguns>DAT; Transfer: DAT>ZA2 (S/PIDF)>Samplitude 2496>CD-r (or shn) and Source 3: AUD Source: Schoeps (unknown model/ps) > D7 @48k; Transfer: 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 with anti-alias filter) > CDWav (splits) > mkw > shn (seekable); originally seeded with a track missing (Please do not circulate the incomplete version.); Upgrade in circulation; the seeder has requested that this version be removed from circulation notes
15178. 09/28/93 Shn - 0, 12850 Boston Boston Garden Lineage: Set 1: Schoeps>Dat>Sound Forge>CD (previous aud shn seed via Marc Pujol et. al.) Set 2: SBD>Dat>Cm>Dat>Samplitiude>CD Dat>CD Transfer for sbd portion done by Charlie Miller notes
15179. 09/28/93 Flac 16 Mtx - 0, 125382 Boston Boston Garden flac16; Three-source matrix using the following sources. (1) SBD -> Dat (48k) -> Samplitude Professional v7.02 -> FLAC; All Transfers and Mastering By Charlie Miller. (2) Schoeps (unknown model/ps) > D7 @48k; Transfered by Marc Pujol 9/25/2002 Source DAT from Dave Minor via Matt Vernon. (3) Neumann Shotguns > DAT; Tapes provided by Tom and Roger, Conversion by Chris Larson; Upgrade in circulation; the seeder has requested that this version be removed from circulation notes
15180. 09/28/93 Shn - 0, 28899 Boston Boston Garden Source: A: NeumannShotguns>DAT Transfer: DAT>ZA2 (S/PIDF)>Samplitude 2496>CD-r (or shn) Transfer by Chris Larson notes
15181. 09/28/93 Flac 16/48 - 0, 87780 Boston Boston Garden flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, pointed at stacks, floor OTS aprx 2 or 3 rows behind soundboard. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F. notes
15182. 09/28/93 Flac 16 - 0, 87781 Boston Boston Garden flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, pointed at stacks, floor OTS aprx 2 or 3 rows behind soundboard. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped & transferred by Andrew F notes
15183. 09/28/93 Flac 16 - 0, 128694 Boston Boston Garden flac16; Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using traders Little Helper.Taped By Dave Boedicker,Taper; Section,Section 38,Row CC,Seat 14 notes
15184. 09/28/93 Flac 16 - 0, 87989 Boston Boston Garden flac16; Neumann km 82i > Sonosax SX-PR power supply > Sony TCD D10 PRO II DAT x1 Recorded by Jim Birkhead Taper Section left of SBD Cloned: Casio DA-7 > Panasonic SV-3700 January 1997 Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to 48 khz Wavelab 5.0 mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by Bill Koucky Seeded by Green Mountain Bros. October 26, 2007 notes
15185. 09/28/93 Flac 16/48 - 0, 139981 Boston Boston Garden flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger notes
15186. 09/28/93 Flac 16/48 - 0, 140131 Boston Boston Garden flac16/48kHz; Recording Info: Rich Gastwirt's Master Audience Dat 16/48; Schoeps CMC4/MK4 -> Oade P/S -> Panasonic SV-255; Transfer Info: Dat (Panasonic SV-3800) 16/48 -> Tascam DA-3000 16/48 -> Adobe Audition 3.0 -> TLH flac1648 notes
15187. 09/28/93 Flac 16 Mtx - 0, 126746 Boston Boston Garden flac16; Matrix from Source 1: SBD Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC Source 2: AUD Source: A: NeumannShotguns>DAT; Transfer: DAT>ZA2 (S/PIDF)>Samplitude 2496>CD-r (or shn) and Source 3: AUD Source: Schoeps (unknown model/ps) > D7 @48k; Transfer: 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 with anti-alias filter) > CDWav (splits) > mkw > shn (seekable); Matrix by Roger Eichorn notes
15188. 09/28/93 Shn - 0, 12378 Boston Boston Garden Source: Schoeps (unknown model/ps) > D7 @48k Transfer: 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 with anti-alias filter) > CDWav (splits)> mkw > shn (seekable) SHNtool used verify track boundaries prior to wav>shn Transfered by Marc Pujol 9/25/2002 notes
15189. 09/29/93 Flac 16 - 0, 28800 Boston Boston Garden flac16; Recording Info: Set 1: SBD -> Master Dat -> Dat Clone (48k) Set 2: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller notes
15190. 09/29/93 Flac 16 - 0, 117089 Boston Boston Garden flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper:Mr.Baker,Transfer By Keo; Tapes Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
15191. 09/29/93 Flac 16 - 0, 100235 Boston Boston Garden flac16; Recording Info:Sennheiser 421 -> Cassette Master -> Cassette; Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16;Recorded, Transferred and Mastered By Charlie Miller notes
15192. 09/29/93 Flac 24/96 - 0, 117090 Boston Boston Garden flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper:Mr.Baker,Transfer By Keo; Tapes Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
15193. 09/29/93 Flac 16 - 0, 128697 Boston Boston Garden flac16; Source: Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little helper. Taped By Dave Boedicker, Taper Section, Section BB, Row 34,Seat 1 notes
15194. 09/29/93 Flac 16 - 0, 86808 Boston Boston Garden flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, pointed at stacks, floor taping section, aprx 2 or 3 rows behind soundboard. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped & transferred by Andrew F. notes
15195. 09/29/93 Flac 16 - 0, 88144 Boston Boston Garden flac16; Source: Neumann km 82i > Sonosax SX-PR power supply > Sony TCD D10 PRO II DAT x1 Recorded by Jim Birkhead Taper Section left of SBD Cloned: Casio DA-7 > Panasonic SV-3700 January 1997 Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to 48 khz Wavelab 5.0 mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by Bill Koucky Seeded by Green Mountain Bros. October 31, 2007 notes
15196. 09/29/93 Flac 16/48 - 0, 86807 Boston Boston Garden flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, pointed at stacks, floor taping section, aprx 2 or 3 rows behind soundboard. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F. notes
15197. 09/29/93 Shn - 0, 12436 Boston Boston Garden Schoeps (unknown model/ps) > D7 @48k via Dave Minor. Transfer Marc Pujol notes
15198. 09/29/93 Flac 16/48 - 0, 139995 Boston Boston Garden flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger notes
15199. 09/29/93 Flac 16/48 - 0, 140132 Boston Boston Garden flac16/48kHz; Recording Info: Rich Gastwirt's Master Audience Dat 16/48; Schoeps CMC4/MK4 -> Oade P/S -> Panasonic SV-255; Transfer Info: Dat (Panasonic SV-3800) 16/48 -> Tascam DA-3000 16/48 -> Adobe Audition 3.0 -> TLH flac1648 notes
15200. 09/30/93 Shn - 0, 10064 Boston Boston Garden SBD>DAT>C>DAT>CDR; via Paul; Seeded to etree by neo_levo notes
15201. 09/30/93 Flac - 0, 79116 Boston Boston Garden flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC notes
15202. 09/30/93 Shn - 0, 12380 Boston Boston Garden Schoeps (unknown model/ps) > D7 @48k via Dave Minor. shn encoding Marc Pujol notes
15203. 09/30/93 Flac - 0, 128805 Boston Boston Garden flac16; Source: Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker, Taper Section CC,Row 38,Seat 14 notes
15204. 09/30/93 Flac - 0, 140003 Boston Boston Garden flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger notes
15205. 09/30/93 Flac 16/44 - 0, 152515 Boston Boston Garden flac16/44 Source: A: NeumannShotguns>DAT Transfer: DAT>ZA2 (S/PIDF)>Samplitude 2496>CD-r (or shn) Tapes provided by Tom Conversion by Chris Larson notes
15206. 12/08/93 Flac 16 - 0, 83399 Los Angeles Sports Arena flac16; Recording Info: SBD -> Dat -> CD (Tascam CDRW700) Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
15207. 12/08/93 Shn - 0, 10281 Los Angeles Sports Arena SBD > DAT > CDR; via C. Larson; Seeded to etree by C. Ladner notes
15208. 12/08/93 Flac 16/48 - 0, 141520 Los Angeles Sports Arena flac16/48 Source Info: FOB Schoeps MK 4-> (?)-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel notes
15209. 12/08/93 Flac 16 44,1 - 0, 141521 Los Angeles Sports Arena flac16/44.1 Source Info: TS Schopes CMC 3 Mk 2-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15210. 12/09/93 Flac 16 - 0, 91958 Los Angeles Sports Arena flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes
15211. 12/09/93 Shn - 0, 7312 Los Angeles Sports Arena SBD > ? > DAT > CDR > EAC(secure) > Cool Edit > mkwact > shn; via Ryan Varnum; Matt Vernon notes
15212. 12/09/93 Flac 16 - 0, 94325 Los Angeles Sports Arena flac16; Source: Schoeps MK4's>Rbox>Techinics SV-MD1 From Front Row Center OTS DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
15213. 12/09/93 Flac 16 44,1 - 0, 141524 Los Angeles Sports Arena flac16/44.1 Source Info: TS Schopes CMC 3 Mk 2-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15214. 12/09/93 Flac 16/48 - 0, 150595 Los Angeles Sports Arena flac16/48kHz; Recording Info: SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller notes
15215. 12/10/93 Flac - 0, 83770 Los Angeles Sports Arena flac16; Recording Info: SBD -> Dat Transfer Info: Dat -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
15216. 12/10/93 Shn - 0, 1599 Los Angeles Sports Arena DSBD; via Nick Georges; note info file here reflects correct setlist notes
15217. 12/10/93 Flac - 0, 86407 Los Angeles Sports Arena flac16; DFOB: Schoeps MK-4 Cardiod Capsule in Hat > Panasonic sv255 > DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav > Adobe Audition 2.0 edited > Flac Frontend level 8 notes
15218. 12/10/93 Flac - 0, 85695 Los Angeles Sports Arena flac16; Sennheiser K3U/ME40's > Panasonic sv-255 > (clone) Teac DA-P20 Transfer: Tascam DA-30 -*-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) * via coax S/PDIF By Scott Swayne (altheasboy) in 06/2007 notes
15219. 12/10/93 Flac - 0, 74212 Los Angeles Sports Arena flac16; Fix of shn id 1599 - DSBD>CD notes
15220. 12/10/93 Flac - 0, 85696 Los Angeles Sports Arena flac16/48; Sennheiser K3U/ME40's > Panasonic sv-255 > (clone) Teac DA-P20 Transfer: Tascam DA-30 -*-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) * via coax S/PDIF By Scott Swayne (altheasboy) in 06/2007 notes
15221. 12/12/93 Flac - 0, 91959 San Diego San Diego Sports Arena flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat -> CD Set 2: SBD -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
15222. 12/12/93 Flac - 0, 86697 San Diego San Diego Sports Arena flac16; Recording- Digital FOB Audience Taper: Chip Copeland Schoeps MK-4 Cardiod Capsule in Hat > Panasonic sv255 Transfer- DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing and Mastering in Wavelab 6.0 using UAD1-e PCI-e DSP powered plugins- Cambridge EQ and Precision Limiter Trac'ed Cdwave , Flac TLH level 8 notes
15223. 12/12/93 Flac 24 - 0, 139183 San Diego San Diego Sports Arena flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
15224. 12/12/93 Flac - 0, 1392212 San Diego San Diego Sports Arena flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 139183 24 bit -> 16 bit notes
15225. 12/12/93 Shn - 0, 7318 San Diego San Diego Sports Arena MK4 FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon notes
15226. 12/12/93 Flac - 0, 88150 San Diego San Diego Sports Arena flac16; Schoeps MK4's>Rbox>Technics SVM-D1(Front Row Center of Taper's Section) Dat Master>Sony TCD-D100>Edirol R-4 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred by Keith Litzenberger notes
15227. 12/12/93 Shn - 0, 19317 San Diego San Diego Sports Arena Source: Set 2 SBD > DAT > CDR > EAC > CDWave > mkwACT EAC'd/SHN'd by Doug Nawrocki notes
15228. 12/12/93 Flac 16 - 0, 107116 San Diego San Diego Sports Arena flac16; Source: (handheld/ORTF/110^/FOB/DFC) B&K 4011s > Neumann BA48i-2 > Sony TCD-D3 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC DAT(m) sourced by Alan Schmit Transfer by Terry Watts notes
15229. 12/13/93 Flac - 0, 91349 San Diego San Diego Sports Arena flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC notes
15230. 12/13/93 Flac - 0, 91960 San Diego San Diego Sports Arena flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat -> CD Set 2: SBD -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller notes
15231. 12/13/93 Shn - 0, 11666 San Diego San Diego Sports Arena Set 1: FOB(Schoeps MK4) > DAT(s) > EAC(secure) > mkwact(seekable) > shn. Set 2: SBD > DAT > CDR > WAV > SHNv3; via Ryan>Matt>Willy, Paul B; Seeded to etree by neo_levo notes
15232. 12/13/93 Flac - 0, 85711 San Diego San Diego Sports Arena flac16/48; Sennheiser ME-80's > Teac DA-P20 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007 notes
15233. 12/13/93 Flac - 0, 85710 San Diego San Diego Sports Arena flac16; Sennheiser ME-80's > Teac DA-P20 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007 notes
15234. 12/13/93 Flac 24 - 0, 139184 San Diego San Diego Sports Arena flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller notes
15235. 12/13/93 Flac - 0, 139214 San Diego San Diego Sports Arena flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 139184 24 bit -> 16 bit notes
15236. 12/13/93 Shn - 0, 7360 San Diego San Diego Sports Arena MK4 FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon notes
15237. 12/13/93 Flac - 0, 94671 San Diego San Diego Sports Arena flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger notes
15238. 12/17/93 Flac - 0, 91961 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes
15239. 12/17/93 Shn - 0, 19287 Oakland Oakland-Alameda County Coliseum Primary Source: SBD>DAT>C>DAT>CDR (via Chris Laughlin). Patch Source: shnid=7348. Mastered & seeded by MattMan. notes
15240. 12/17/93 Shn - 0, 7348 Oakland Oakland-Alameda County Coliseum KM140's FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon notes
15241. 12/17/93 Flac - 0, 86014 Oakland Oakland-Alameda County Coliseum flac16/48; Recorded, Transferred & Uploaded by Keith Litzenberger; Source: Schoeps MK4's>Reutelhuber PreAmp>Technics SVM-D1 Transfer: Sony TCD-D10PROII>Edirol R-4>WL5>CDWAV>FLAC **16 BIT/48KHZ Transfer from master** notes
15242. 12/17/93 Flac - 0, 122840 Oakland Oakland-Alameda County Coliseum flac16; Source: * microphones - up front/center > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files; * - see info file regarding microphones notes
15243. 12/18/93 Flac 16 - 0, 91962 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes
15244. 12/18/93 Shn - 0, 20330 Oakland Oakland-Alameda County Coliseum SBD>DAT>Cass.>DAT>CDR>WAV>SHN via Jim Powell encoded by Chris Ladner notes
15245. 12/18/93 Shn - 0, 7277 Oakland Oakland-Alameda County Coliseum Unknown FOB aud (likely Neumann KM-140, see user comments)> DAT(s) > CDR via Ryan Varum; Matt Vernon notes
15246. 12/18/93 Flac 16/48 - 0, 141525 Oakland Oakland-Alameda County Coliseum flac16/48 Source Info: FOB Neumann KM140-> DAT Possibly recorded by Dominic Tringale. Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel notes
15247. 12/18/93 Flac 16/44 - , 168893 Oakland Oakland-Alameda County Coliseum flac1644: FOB; Nyquist Omnis >Sony TCD-D3 DAT 1st DAT Copy Transferred Via Tascam DA 30 >S/PDIF >HHb CDR 800 PRO CD >FLAC (Level 8) + Tags Via xACT 2.53 Recorded By Jack Hunt Transfer, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr notes
15248. 12/19/93 Flac 16 - 0, 91963 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller notes
15249. 12/19/93 Shn - 0, 12573 Oakland Oakland-Alameda County Coliseum Set 1: SBD>DAT> Cassette> DAT> CD> SHN Set 2: SBD>MC>DAT>ZA2>CDR>WAV>SHN; via Charlie Miller, Peter Braverman, neo_levo notes
15250. 12/19/93 Shn - 0, 10112 Oakland Oakland-Alameda County Coliseum Set 1: FOB AUD (unk. mic) > DAT > CDR; Set 2: SBD>MC>DAT>ZA2>CDR; via Willy/Matt and Paul B; Seeded to etree by neo_levo notes
15251. 12/19/93 Shn - 0, 7349 Oakland Oakland-Alameda County Coliseum Unknown FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon notes
15252. 12/19/93 Shn - 0, 28883 Oakland Oakland-Alameda County Coliseum Set 2; Source: A(FOB): Neuman KM 140's>DAT(48kHz) Tansfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r (or shn); Transfer by Chris Larson notes
15253. 02/25/94 Flac 16 - 0, 91250 Oakland Oakland-Alameda County Coliseum flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky notes
15254. 02/25/94 Shn - 0, 15096 Oakland Oakland-Alameda County Coliseum Source: FOB (unknown mics) > DAT > Tascam DA-20 > Harmon Kardon stand alone burner >Tascam CDRW700 > Toast Audio Extractor (overlap) > SHN. THIS IS NOT A RE-EXTRACTION - the original SHNs had sector boundary errors on the last track of each disc, were not seekable (also minor), and the d2>d3 transition was not seamless (minor again). These issues have been resolved and the show tracked on 2 discs instead of 3 (minus the previously included "filler"). notes
15255. 02/25/94 Shn - 0, 1381 Oakland Oakland-Alameda County Coliseum FOB (unknown mics) > DAT; Transfer: Tascam DA-20 > Harmon Kardon stand alone burner >Tascam CDRW700 > Toast Audio Extractor (overlap) > SHN; SHNed and seeded by Jon Seff, from Mark Ramler's CDs; with 3/27/94 filler notes
15256. 02/25/94 Flac 16 44,1 - 0, 141174 Oakland Oakland-Alameda County Coliseum flac16/44.1 Source Info: Schoeps MK 4->Reutelhuber P/S-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15257. 02/25/94 Flac 24/48 - , 156420 Oakland Oakland-Alameda County Coliseum flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 notes
15258. 02/25/94 Flac 16/44 - , 156489 Oakland Oakland-Alameda County Coliseum flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 156420 2448 > 1644.1 notes
15259. 02/26/94 Shn - 0, 18095 Oakland Oakland-Alameda County Coliseum Neumann KM84 -> Dat(48k) via Charlie Miller notes
15260. 02/26/94 Flac 16 44,1 - 0, 141175 Oakland Oakland-Alameda County Coliseum flac16/44.1 Source Info: Schoeps CMC 5 MK 4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15261. 02/26/94 Flac 16/48 - 0, 141611 Oakland Oakland-Alameda County Coliseum flac16/48kHz; FOB recording by Kyle Porter: Neumann KM54 reconditioned tube mics, in hat > Custom PS > Spectra Sonics pre Amp > Apogee AD500 converter > Sony TCD-D7; Transfer by John Ammons: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave notes
15262. 02/26/94 Flac 24/48 - , 156421 Oakland Oakland-Alameda County Coliseum flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
15263. 02/26/94 Flac 16/44 - , 156490 Oakland Oakland-Alameda County Coliseum flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156421 2448 > 1644.1 notes
15264. 02/27/94 Flac 16 - 0, 32577 Oakland Oakland-Alameda County Coliseum flac16; SBD -> Dat (44.1k) All Transfers and Mastering By Charlie Miller notes
15265. 02/27/94 Flac 16 - 0, 92803 Oakland Oakland-Alameda County Coliseum flac16; Fixed version of Matrix (SBD/AUD mixdown) by Bill Tetzeli (shnid 32637). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
15266. 02/27/94 Flac Mtx. - 0, 32637 Oakland Oakland-Alameda County Coliseum Matrix (SBD/AUD mixdown), done in Cool Edit Pro, transition between discs 2 and 3 is seamless by Bill Tetzeli notes
15267. 02/27/94 Shn - 0, 5972 Oakland Oakland-Alameda County Coliseum DSBD> CM(?)> DAT; Tascam DA-20mkII > SBLive! > CDWAV > MKW; DAT > WAV > SHN: Dan Stephens; upload by Scott Thompson; see notes in info file notes
15268. 02/27/94 Flac 16/48 - 0, 85709 Oakland Oakland-Alameda County Coliseum b>flac16/48; Schoeps MK4's>Reutelhuber Preamp>Sony TCD-D10PROII FOB DFC Recorded By Keith Litzenberger, Roger Jones & Corey Clayton Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC notes
15269. 02/27/94 Shn - 0, 12097 Oakland Oakland-Alameda County Coliseum AUD (mics unknown)>DAT>CDR; via H. Wankleswurth; Seeded to etree by candyman notes
15270. 02/27/94 Flac 16 44,1 - 0, 141176 Oakland Oakland-Alameda County Coliseum flac16/44.1 Source Info: Schoeps CMC 5 MK 4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15271. 02/27/94 Flac 16/48 - 0, 141375 Oakland Oakland-Alameda County Coliseum flac16/48kHz; Set 2 FOB recording by Kyle Porter: Neumann KM54 tube mics, in hat > Custom PS > Dennon DAT deck; Transfer by John Ammons; DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave notes
15272. 03/04/94 Shn - 0, 8330 Phoenix Desert Sky Pavilion DSBD --> DAT --> CDR; via Charlie Kidder notes
15273. 03/04/94 Flac 16 - 0, 33697 Phoenix Desert Sky Pavilion flac16; SBD> ?> CDR> EAC> FLAC; via sailor_saint notes
15274. 03/04/94 Flac 16 - 0, 119518 Phoenix Desert Sky Pavilion flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
15275. 03/04/94 Flac 16/48 - 0, 110517 Phoenix Desert Sky Pavilion flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
15276. 03/04/94 Flac 16 - 0, 89172 Phoenix Desert Sky Pavilion flac16; Source:Schoeps MK4's>Rbox>Sony TCD-D10PROII FOB Transfer: DAT Master>Sony TCD-D10PROII>M-Audio Audiophile 192>Wavelab 5(Fades & Sample Rate Conversion to 16/44.1)>CDWAV>FLAC Recorded and Transferred By Keith Litzenberger notes
15277. 03/04/94 Flac 16/44,1 - 0, 152011 Phoenix Desert Sky Pavilion SBD > DAT 44.1 kHz
DATs provided to KXCI's Dead Air program by Dick Latvala for broadcast in April of 1999.
Fresh transfer and mastering by Jim Blackwood
Sony R-500 to Tascam DA-3000 [2020]
notes
15278. 03/05/94 Shn - 0, 8331 Phoenix Desert Sky Pavilion DSBD --> DAT --> CDR; via Charlie Kidder notes
15279. 03/05/94 Flac - 0, 33585 Phoenix Desert Sky Pavilion SBD > ? > CDR (see info file) notes
15280. 03/05/94 Flac 16 - 0, 119533 Phoenix Desert Sky Pavilion flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
15281. 03/05/94 Flac 16/48 - 0, 119532 Phoenix Desert Sky Pavilion flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
15282. 03/05/94 Flac 16 - 0, 113694 Phoenix Desert Sky Pavilion flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
15283. 03/05/94 Flac 16/44,1 - 0, 152012 Phoenix Desert Sky Pavilion SBD > DAT 44.1 kHz
DATs provided to KXCI's Dead Air program by Dick Latvala for broadcast in April of 1999.
Fresh transfer and mastering by Jim Blackwood
Sony R-500 to Tascam DA-3000 [2020]
notes
15284. 03/06/94 Shn - 0, 8332 Phoenix Desert Sky Pavilion DSBD --> DAT --> CDR; via Charlie Kidder notes
15285. 03/06/94 Flac 16 - 0, 33613 Phoenix Desert Sky Pavilion flac16; SBD> ?> CD (see info file for notes); via sailor_saint notes
15286. 03/06/94 Flac 16/48 - 0, 119560 Phoenix Desert Sky Pavilion flac16/48kHz & flac24; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1); Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
15287. 03/06/94 Flac 16 - 0, 119559 Phoenix Desert Sky Pavilion flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1) and Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
15288. 03/06/94 Flac 16 - 0, 89190 Phoenix Desert Sky Pavilion b>flac16; Source:Schoeps MK4's>Rbox>Sony TCD-D10PROII FOB Transfer: DAT Master>Sony TCD-D10PROII>M-Audio Audiophile 192>Wavelab 5(Fades & Sample Rate Conversion to 16/44.1)>CDWAV>FLAC Recorded and Transferred By Keith Litzenberger notes
15289. 03/06/94 Flac 16/44,1 - 0, 152013 Phoenix Desert Sky Pavilion SBD > DAT 44.1 kHz
DATs provided to KXCI's Dead Air program by Dick Latvala for broadcast in April of 1999.
Fresh transfer and mastering by Jim Blackwood
Sony R-500 to Tascam DA-3000 [2020]
notes
15290. 03/16/94 Shn - 0, 7778 Rosemont Rosemont Horizon SBD> Dat> Sonic Solutions> CDR> WAV> SHNv3; This is an upgrade from the previously seeded SHN of this show w/o the digistatic in Scarlet>Fire and also a SBD of the encore. seeded by C. Ladner via candyman with thanks to C. Miller; also to abgd via Charlie Connor; tracked for 2x80 notes
15291. 03/16/94 Shn - 0, 567 Rosemont Rosemont Horizon DSBD->DAT-> DAP-1> Digital in through a Digital Audio Labs Card digital I/O> Computer->CD->SHN; downsampled set one only from 48KHz to 44.1KHz with Cool Edit Pro 1.1; encore patched from AUD; d1t3 ~6-9 min, d1t4 ~4 min, SBD probs; DAT tracking probs ~11 min into set II, smoothed; via 3D; note 11/00, apparently recirculating with different d2 md5s (d2alt, poss reextraction?) notes
15292. 03/16/94 Flac - 0, 130174 Rosemont Rosemont Horizon flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700/44.1k); Transfer Info: Dat Master (Panasonic SV-3800) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes
15293. 03/16/94 Flac - 0, 140065 Rosemont Rosemont Horizon flac16/44 Source Info: FOB Schoeps MK4-> Reutelhuber P/S-> DAT Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Eb notes
15294. 03/17/94 Shn - 0, 8023 Rosemont Rosemont Horizon SBD > DAT > CDR > EAC > SHNv3; DAE (EAC)> boundary checking (SHNTOOL)> SHN (MKWACT) via neo_levo. seeded via candyman, also to abgd via Charlie Connor notes
15295. 03/17/94 Flac - 0, 139336 Rosemont Rosemont Horizon flac16 44.1khz Source: AKG C391 ORTF in first row OTS 8 foot stand > Teac DAP20 @ 16/48. Transfer: DAT Master>Lynx Studio 1>Wavelab 3.0. Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Recorded by Dave Cohen and Justin Lee. Transfer by Dave Cohen 2010. notes
15296. 03/17/94 Flac - 0, 140066 Rosemont Rosemont Horizon flac16/44 Source Info: TS AKG 460->DAT Transfer Info: DAT (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel notes
15297. 03/18/94 Flac - 0, 79117 Rosemont Rosemont Horizon flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC notes
15298. 03/18/94 Shn - 0, 13930 Rosemont Rosemont Horizon Source: Audience (presumably DAT) Lineage: ?> Cassette> CD> SHN; Overall, a rather poor recording, though its the only available source after extensive searching. notes
15299. 03/18/94 Flac - 0, 140067 Rosemont Rosemont Horizon flac16/44 Source Info: FOB AKG 451 -> Koro P/S-> Panasonic SV255-> DAT Transfer Info: DAT (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel notes
15300. 03/20/94 Shn - 0, 10539 Richfield Richfield Coliseum AUD(Nak 300s)>DAT>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo notes
15301. 03/20/94 Shn - 0, 15464 Richfield Richfield Coliseum Source: AUD (SchoepsCMC34>Oade>SV255) > DAT > CDR > WAV > SHN; via M.Ratliff; Seeded to etree by neo_levo notes
15302. 03/20/94 Flac - 0, 110567 Richfield Richfield Coliseum flac16; Set 1 Source: (handheld/ORTF/110^/DFC/FOB/17th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes
15303. 03/20/94 Flac - 0, 111373 Richfield Richfield Coliseum flac16; Set 2 only Master: B&K 4011s > Neumann BS48i-2 > TCD-D3 Mics handheld, ORTF/110^, DFC in the 17th row by Alan Schmit; Conversion: Tascam DA-20>Microtrack 24/96>WAV>Sound Studio 2.2.4>xACT 2.05>FLAC by Dave Mallick notes
15304. 03/20/94 Flac - 0, 130902 Richfield Richfield Coliseum flac16; Source:Audience Recording(Sony Wm D6C Cassette Deck>Nakamichi 300 Mics W/CP4 Shotgun Mics)> Cassette Master>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 kHz)>CD Wav Editor> Traders Littrle Helper>Flac Level 8.Sector Coundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker,Official Taper Section notes
15305. 03/21/94 Shn - 0, 6258 Richfield Richfield Coliseum SBD > DAT > CDR > SHNv3; via johnathan miller, candyman notes
15306. 03/21/94 Flac 16 Mtx - 0, 125739 Richfield Richfield Coliseum flac16; Matrix of Source 1: SBD > DAT > CDR > SHNv3 and Source 2: AUD Source (handheld/ORTF/110^/DFC/FOB/18th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; matrix by Roger Eichorn notes
15307. 03/21/94 Flac 16 - 0, 130919 Richfield Richfield Coliseum flac16; Sony WM-D6C Cassette Deck>Cassette Master>Nakamichi 300 Micsd W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section notes
15308. 03/21/94 Flac 16 - 0, 110568 Richfield Richfield Coliseum flac16; Source: (handheld/ORTF/110^/DFC/FOB/18th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes
15309. 03/21/94 Flac 16 - 0, 140296 Richfield Richfield Coliseum flac16; Set 2 Recording Info: Master Soundboard Dat > Dat; Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 > Adobe Audition 3.0> TLH flac16; Mastered by Scott Clugston notes
15310. 03/21/94 Flac 24/96 - , 158160 Richfield Richfield Coliseum flac2496 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 3.0 > Samplitude Pro X6 Suite > FLAC/24 notes
15311. 03/21/94 Flac 16/44 - , 158173 Richfield Richfield Coliseum flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 3.0 > Samplitude Pro X6 Suite > FLAC/24 - This is 158160 2496 > 1644 notes
15312. 03/23/94 Shn - 0, 13793 Uniondale Nassau Coliseum Set 1: SBD DAT>WAV>CE>CDWAV>SHN Set 2: AUD DAT ( Nakamichi CM300's w/Cp4 shotguns>Denon DTR- 80P)>WAV>CE>CDWAV>SHN submitted by M.Walker via Steve Herman notes
15313. 03/23/94 Flac - 0, 124020 Uniondale Nassau Coliseum flac16; All Set 1 & Partial Set 2 Source: SBD > DAT > CDR > EAC > FLAC; EAC'd/FLAC'd by Doug Nawrocki notes
15314. 03/23/94 Flac - 0, 134816 Uniondale Nassau Coliseum flac16; Source: NAK300 Guns > Shure FP32 > Sony D7; Location: Center Ice Owners Box; Transfer: Fostex D5 > Toslink > Motu Traveler > MacBook Pro > Peak Pro (Tracks/Fades); Recorded & Upped By: Ted Cappelen notes
15315. 03/23/94 Shn - 0, 14257 Uniondale Nassau Coliseum Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP. notes
15316. 03/23/94 Flac - 0, 90740 Uniondale Nassau Coliseum flac16; Recording info: (OTS/Behind SBD/DFC/mics @ 90deg/stand @ 10') AKG 460b/ck61 -> custom pre-amp -> Teac DA-P20 Transfer info: dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (3/11/08) notes
15317. 03/23/94 Shn - 0, 26988 Uniondale Nassau Coliseum AUD fob (in hat) Schoeps mk4> Reutelhuber p/s> Sony tc-d10 proII (modified), Recorded by Ace Cubby; Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > SHN > WAV > CDR; transferred by Chris Larson notes
15318. 03/23/94 Flac - 0, 139365 Uniondale Nassau Coliseum flac16 44.1khz Source Info: Soundboard-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel notes
15319. 03/23/94 Flac - 0, 140153 Uniondale Nassau Coliseum flac16/48kHz; Set 1 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes
15320. 03/24/94 Shn - 0, 14258 Uniondale Nassau Coliseum Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP. notes
15321. 03/24/94 Flac 16/48 - 0, 140154 Uniondale Nassau Coliseum flac16/48kHz; Set 1 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes
15322. 03/25/94 Shn - 0, 14189 Uniondale Nassau Coliseum Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3 via JABUZZ420 encoding by Candyman notes
15323. 03/25/94 Flac 16/48 - 0, 140155 Uniondale Nassau Coliseum flac16/48kHz; Set 1 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes
15324. 03/25/94 Flac 16/48 - , 150672 Uniondale Nassau Coliseum flac16/48kHz; Source: B&K 4010 > Beyer MV-100; Patch Taper Sony D7 @ 16/48: David Flaschner Transfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > xACT(FLAC/TAG) notes
15325. 03/25/94 Flac 16/48 - , 150672 Uniondale Nassau Coliseum flac16/48kHz; Source: B&K 4010 > Beyer MV-100; Patch Taper Sony D7 @ 16/48: David Flaschner Transfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > xACT(FLAC/TAG) notes
15326. 03/27/94 Shn - 0, 20926 Uniondale Nassau Coliseum Recording Info: SBD -> Dat (Vault Master) -> Sonic Solutions -> CD -> Eac -> SHN; Patched and SHN'd By Charlie Miller notes
15327. 03/27/94 Shn - 0, 4851 Uniondale Nassau Coliseum mixed sources: DAUD from bootleg CD "Headin' East", DSBD (see info); via unIDed seeder notes
15328. 03/27/94 Shn - 0, 14260 Uniondale Nassau Coliseum Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP. notes
15329. 03/28/94 Shn - 0, 17263 Uniondale Nassau Coliseum Shntool fixed version of Set 1 unknown DAUD source, Set 2 DSBD, d2t04 (drums) FM>DAT. notes
15330. 03/28/94 Shn - 0, 14261 Uniondale Nassau Coliseum Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP. notes
15331. 03/28/94 Shn - 0, 32569 Uniondale Nassau Coliseum from 7th row tapers secion B&K 4010 w/balls > DAT master > DAT clone > SHN DAT transfer via PCM-M1 > Oade active cable > Edirol UA-5 (hardware resample) > USB > HP Omnibook 500 running CoolEdit2000 > CDWAV > MKW-Act non seekable SHNs due to winXP and Act issues transfer/encoding by nick@nickspicks.com notes
15332. 03/28/94 Shn - 0, 27057 Uniondale Nassau Coliseum AUD fob(in hat) Schoeps mk4> Reutelhuber p/s> Sony tc-d10 proII (modified), Recorded by Ace Cubby; Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > SHN > WAV > CDR; transferred by Chris Larson notes
15333. 03/28/94 Flac - 0, 34561 Uniondale Nassau Coliseum flac16; Digital Master Audience Recording - Dan Lynch Master Series Vol 10 Recorded from 1st Row Taper's Section Sennheiser 441's > Sony D-7 > DAT Master DAT Master > Panasonic SV-3800 > digital coaxial > Audigy 2 ZS Platinum > CD Wave > 16 bit 44.1 wav > Soundforge (set fades, level boost) > CD Wave (tracking) > Flac Frontend (level 7, align sector boundaries) > flac Thanks to Danny Hupert for the patch! notes
15334. 03/28/94 Flac 16/48 - 0, 140156 Uniondale Nassau Coliseum flac16/48kHz; Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT This is your collection notes
15335. 03/28/94 Shn - 0, 137898 Uniondale Nassau Coliseum Set 2 Source: SBD:D>ZA2>CD or SHN notes
15336. 03/30/94 Shn - 0, 14832 Atlanta The Omni Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN Transfered By Charlie Miller. notes
15337. 03/30/94 Shn - 0, 3621 Atlanta The Omni SBD: DAT> ZA2> Samplitude2496> CDR> EAC> SHN; via Tony Gardner with thanks to Chris Larson; encore missing notes
15338. 03/30/94 Shn - 0, 31806 Atlanta The Omni Source: S:D>ZA2>Samplitude2496>CD-R transfer by clarson (BTWind@comcast.net) notes
15339. 03/30/94 Flac 16 - 0, 110956 Atlanta The Omni flac16; Source: (ORTF/110^/DFC/FOB/16th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes
15340. 03/31/94 Shn - 0, 14883 Atlanta The Omni Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN Encore Is Missing (I Fought The Law) Transfered By Charlie Miller. notes
15341. 03/31/94 Shn - 0, 10920 Atlanta The Omni Dsbd>cdr; Seeded to etree by Chaser notes
15342. 03/31/94 Flac 16 - 0, 34841 Atlanta The Omni flac16; Seamless fix of shn id 10930. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
15343. 03/31/94 Flac 16 - 0, 110955 Atlanta The Omni flac16; Source: (ORTF/110^/DFC/FOB/17th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes
15344. 04/01/94 Shn - 0, 14834 Atlanta The Omni Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) ->Prodif Plus ->Samplitude v6.0 ->SHN Transfered By Charlie Miller encore from FOB source. notes
15345. 04/01/94 Flac 16 - 0, 116722 Atlanta The Omni flac16; First Generation Cassttes Unknown Mics/Deck,Unknown Original Transfer Info; Tapes From White,Transfer By Keo; Tapes:Maxell XLII 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes
15346. 04/01/94 Shn - 0, 1210 Atlanta The Omni DSBD> DAT> CD> CD> SHN (Boot CD Rip); Seeded by: Brian Leonard; see misc flaw notes in info file notes
15347. 04/01/94 Flac 24 - 0, 116723 Atlanta The Omni flac24; First Generation Cassttes Unknown Mics/Deck,Unknown Original Transfer Info; Tapes From White,Transfer By Keo; Tapes:Maxell XLII 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
15348. 04/01/94 Flac 16 - 0, 119748 Atlanta The Omni flac16; nak300>cp4>2ch mixer>sony d7 16/44.1; OTS 2nd row dfc 12ft. DIN dat(m)> hhb830 cd>cdwave>tlh flac 8; t&s by c. cage notes
15349. 04/01/94 Flac 16 - 0, 110954 Atlanta The Omni flac16; Set 2 Only; Source: (ORTF/110^/DFC/FOB/17th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes
15350. 04/01/94 Flac 16 - 0, 142364 Atlanta The Omni flac16; Source: SBD > dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/48> iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac16; edited and mastered SIRMick June 2018 notes
15351. 04/04/94 Shn - 0, 11502 Orlando Sports Arena SBD>DAT>Cassette>DAT>CDRx2; New eac of original seed discs; See info file for details; via Mick McGinnis; Seeded to etree by chris L notes
15352. 04/04/94 Flac 16 - 0, 87453 Orlando Sports Arena flac16; AUD: Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-S 90/100, with no Dolby. Mics on 7-foot stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. notes
15353. 04/04/94 Flac 16 - 0, 105813 Orlando Sports Arena flac16; source: [ots] Nakamichi cm300/cp4 -> Sony D8 [16/48]. recorded by: Trew Rickers; transfer: dat [m] -> Tascam DA20 mkII -> R-44 -> CD Wave 1.98 -> Wavelab 5.01a [fades/Resampler 192] -> FLAC [8]. transfer: Chris Davis [02/02/10] notes
15354. 04/04/94 Flac 16 44,1 - 0, 141248 Orlando Sports Arena flac16/44.1 Source Info: OTS Sony CS-38b-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. notes
15355. 04/04/94 Flac 16/48 - 0, 141426 Orlando Sports Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes
15356. 04/04/94 Flac 24/48 - , 156433 Orlando Sports Arena flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
15357. 04/04/94 Flac 16/44 - , 156491 Orlando Sports Arena flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156443 2448 > 1644.1 notes
15358. 04/06/94 Flac 16 - 0, 91391 Miami Miami Arena flac16; Soundcheck: Source 1: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Source 2: SBD -> Dat -> MiniDisc -> Cool Edit Pro -> FLAC -> Samplitude Professional v10.02 > TLH > FLAC Transfer Source 1: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves x-Noise Transfer and Mastering for source 1: Bill Koucky Transfer and Mastering for source 2: Charlie Miller (fix of shn id 91351) notes
15359. 04/06/94 Flac 16 - 0, 28258 Miami Miami Arena flac16; mixed sources, incl soundcheck: Set 1: (FOB) Schoeps MK4> Dat> CD, Set 2: SBD> Dat> CD, Encore: (FOB) Schoeps MK4> Dat> CD, Soundcheck: SBD> Dat> MiniDisc> Cool Edit Pro> CD; Transfer: WAV> Samplitude Professional v8.0> FLAC; Transferred and Edited By Charlie Miller notes
15360. 04/06/94 Shn - 0, 13110 Miami Miami Arena Soundcheck; SBD>Dat>MiniDisc>Behringer UltraMatch SRC2000>Dio2448>Cool Edit Pro>SHN; Seeded to etree by Charlie Miller notes
15361. 04/06/94 Shn - 0, 10311 Miami Miami Arena FOB-AUD(Schoeps MK4>SV250)>DAT>CDR; via Paul; Seeded to etree by Chris L notes
15362. 04/06/94 Flac 16 - 0, 91351 Miami Miami Arena flac16; Soundcheck: Source 1: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Source 2: SBD -> Dat -> MiniDisc -> Cool Edit Pro -> CD Transfer Source 1: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves x-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky; upgrade now in circulation notes
15363. 04/06/94 Flac 16/48 - 0, 141427 Miami Miami Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes
15364. 04/07/94 Shn - 0, 20187 Miami Miami Arena DSBD > CD > EAC > SHN; Liberty supplied by the FOB-AUD(Schoeps MK4>SV250)>DAT>CDR source; EAC/SHN by Darryl Hinko notes
15365. 04/07/94 Shn - 0, 10313 Miami Miami Arena FOB-AUD(Schoeps MK4>SV250)>DAT>CDR; via Paul; Seeded to etree by Chris L notes
15366. 04/07/94 Flac 16/48 - 0, 141428 Miami Miami Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes
15367. 04/07/94 Flac 16/48 - 0, 141695 Miami Miami Arena flac16/48kHz; Taped by aka TW from about the 15th row; FOB/Schoeps Mics and Dat>Clone to me> File cloned in Microtrack using a Tascam Dat deck>Goldwave tracking> TLH8; Fixed version in circulation notes
15368. 04/07/94 Flac 16/48 - 0, 141885 Miami Miami Arena flac16; Taped by aka TW from about the 15th row; FOB/Schoeps Mics and Dat>Clone to me>File cloned in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8; The original upload had speed problems notes
15369. 04/08/94 Shn - 0, 10503 Miami Miami Arena AUD(Schoeps CMC521?s)>DAT>CDR; via Paul; Seeded to etree by Chris L notes
15370. 04/08/94 Flac 16/44,1 - 0, 139358 Miami Miami Arena flac16 44.1khz Set 2 Only. Source: Soundboard->Cassette->DAT Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel notes
15371. 06/08/94 Flac - 0, 117196 Sacramento Cal Expo flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Dolby B; Taper Mr. Baker,Transfer By Keo; Tapes:Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Dolby B Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software notes
15372. 06/08/94 Flac - 0, 85117 Sacramento Cal Expo flac16; Recorded by Keith Litzenberger & Roger Jones aka "Ace Cubby" Schoeps MK4's>Reutelhuber>Sony TCD-D10PROII FOB DFC Transfer done on 5/08/2007 from DAT MASTER: Sony TCD-D10PROII>Edirol R-4>WL5 (Fades and Resampling to 44.1khz)>CDWAV>FLAC notes
15373. 06/08/94 Flac 24 - 0, 117197 Sacramento Cal Expo flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Dolby B; Taper Mr. Baker,Transfer By Keo; Tapes:Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Dolby B Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
15374. 06/08/94 Shn - 0, 100165 Sacramento Cal Expo AUD (KM 140?s)>DAT>CDR; via PB; Seeded to etree by neo_levo notes
15375. 06/09/94 Flac - 0, 119694 Sacramento Cal Expo flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Dolby B On; Taper Mr. Baker,Transfer By Keo; Tapes:Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Dolby B Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
15376. 06/09/94 Flac 24 - 0, 119693 Sacramento Cal Expo flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Dolby B On; Taper Mr. Baker,Transfer By Keo; Tapes:Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Dolby B Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename notes
15377. 06/09/94 Flac - 0, 119146 Sacramento Cal Expo flac16; Source: 2 Sonic Studio DSM-1S/x microphones (up front & center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
15378. 06/09/94 Shn - 0, 10066 Sacramento Cal Expo Schoeps CMC 54's >DAT>CDR; via Paul B; Seeded to etree by neo_levo notes
15379. 06/10/94 Shn - 0, 10067 Sacramento Cal Expo AUD(KM 140?s)>DAT>CDR; via Paul B; Seeded to etree by neo_levo notes
15380. 06/10/94 Flac 16/48 - 0, 141214 Sacramento Cal Expo flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 notes
15381. 06/13/94 Shn - 0, 8239 Seattle Memorial Stadium Schoeps CMC441s FOB > DAT > PC > WAV > SHN; Seeded to etree by Marc Pujol notes
15382. 06/13/94 Flac 16 - 0, 137718 Seattle Memorial Stadium flac16; Partial Set 2 Source: SBD > ? > DAT > CDR; CDR (TaiyoYuden 80m japan) > EAC (secure, 100% quality) > Audacity (edits, fades, levels) > CDWav (tracking) > TLH (FLAC - level 8); Conversion by Chris Mrachek notes
15383. 06/13/94 Flac 16/48 - 0, 141203 Seattle Memorial Stadium flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 notes
15384. 06/13/94 Flac 24 - 0, 145371 Seattle Memorial Stadium flac24; Source - Nakamichi CM300 > DAT; Transfer - TDK DAT master > Tascam DA30 (16/48kHz) > SPDIF > Sound Devices USBPre1.5 > Wavelab6 (32 bit) > CD Wave Editor > FLAC24; master DAT tape from the collection of John Anastas; Patched out of unknown taper and source deck notes
15385. 06/13/94 Flac 16 - 0, 145463 Seattle Memorial Stadium flac16; Source - Nakamichi CM300 > DAT; Transfer - TDK DAT master > Tascam DA30 (16/48kHz) > SPDIF > Sound Devices USBPre1.5 > Wavelab6 (32 bit) > CD Wave Editor > FLAC24; master DAT tape from the collection of John Anastas; Patched out of unknown taper and source deck This file set is 16 bit @ 44.1 notes
15386. 06/13/94 Flac 16/44 - 0, 152516 Seattle Memorial Stadium flac16/44 Source: AKG(fob):D Transfer: Samplitude Project>Cool Edit>CDWAV>EZCD>CD-r Tapes provided by Paul Gibian Transfer by Chris Larson (exploregon@gmail.com) notes
15387. 06/14/94 Shn - 0, 8710 Seattle Memorial Stadium S:D>C>D>CD; Unknown Seeder; Liberty cuts notes
15388. 06/14/94 Shn - 0, 12523 Seattle Memorial Stadium SBD>DAT>CD; Seeded to etree by Chris Larson notes
15389. 06/14/94 Flac 16/48 - 0, 141204 Seattle Memorial Stadium flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 notes
15390. 06/14/94 Flac 24/48 - , 156587 Seattle Memorial Stadium flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 notes
15391. 06/14/94 Flac 16/44 - , 157162 Seattle Memorial Stadium flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 156587 2448 -> 1644 notes
15392. 06/17/94 Shn - 0, 28898 Eugene Autzen Stadium, U. of Oregon Source: A:Nuemann mics (model number unknown)>DAT Transfer: DAT>ZA2>Samplitude 2496>CD-r (or SHN) Transfer by Chris Larson notes
15393. 06/17/94 Shn - 0, 9774 Eugene Autzen Stadium, U. of Oregon AUD (Nak700's)>DAT>CDR; via Paul B; Seeded to etree by neo_levo/candyman notes
15394. 06/17/94 Flac 16/48 - 0, 145696 Eugene Autzen Stadium, U. of Oregon flac16/48kHz; Source - Sennheiser 441 > DAT > patch DAT; Transfer - patch DAT master > Tascam DA30 > Spdif > SD USBPre1.5 > Wavelab6 (16/48kHz) > CD Wave Editor > FLAC notes
15395. 06/18/94 Shn - 0, 12098 Eugene Autzen Stadium, U. Of Oregon SBD>?>DAT>CDR; via Paul; Seeded to etree by C. Ladner notes
15396. 06/18/94 Flac 16 - 0, 109217 Eugene Autzen Stadium, U. Of Oregon flac16; Master Audience Nakamachi CM300/CP4 Shotguns>Sony D-5/Dolby B Tapes:Sony Metal Select 90's Transfer by Keo: Nakamichi MR-1>Dolby B>Korg MR-1000 @ 1 Bit/5.6mHz Tracking/Sample Rate Conversion with AudioGate software to 32 Bit Float/96kHz Dithering with Korg Aqua to 16/44 notes
15397. 06/18/94 Flac 16 - 0, 119174 Eugene Autzen Stadium, U. Of Oregon flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
15398. 06/18/94 Flac 16/48 - 0, 141201 Eugene Autzen Stadium, U. Of Oregon flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 notes
15399. 06/18/94 Flac 24/96 - 0, 109218 Eugene Autzen Stadium, U. Of Oregon flac24; Master Audience Nakamachi CM300/CP4 Shotguns>Sony D-5/Dolby B Tapes:Sony Metal Select 90's Transfer by Keo: Nakamichi MR-1>Dolby B>Korg MR-1000 @ 1 Bit/5.6mHz Tracking/Sample Rate Conversion with AudioGate software to 24 Bit/96kHz no dithering notes
15400. 06/18/94 Flac 16 - 0, 145949 Eugene Autzen Stadium, U. Of Oregon flac16; Sony D6 -> MAC > Sony TCM-TE425 (azumth adjed) -> Sound Blaster Audigy 4! > Sound Forge 5.0 > CD Wav -> flac16; Tape flips and dead spots > crossfaded using Sound Forge 5.0; SBEs fixed using TLH.; Recorded by Primo Williams xfer Charles Bandrofcheck notes
15401. 06/18/94 Flac 16/48 - 0, 149181 Eugene Autzen Stadium, U. Of Oregon flac16/48kHz; Source: SBD; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC; Taper: Unknown; Transferred & Seeded by Bill Graves notes
15402. 06/19/94 Shn - 0, 12524 Eugene Autzen Stadium, U. of Oregon Source: S:DAT>CDR Transfer: Panasonic sv3700>ZA2>Wavelab 3.03>CDWav>shn; Seeded to etree by Chris Larson notes
15403. 06/19/94 Flac - 0, 82053 Eugene Autzen Stadium, U. of Oregon flac16; S:DAT>CDR Transfer: Panasonic sv3700>ZA2>Wavelab 3.03>CDWav>shn>patching/editing>flac notes
15404. 06/19/94 Shn - 0, 8240 Eugene Autzen Stadium, U. of Oregon FOB / Nak 100/CP1 cardioids > DAT > PC > WAV > SHN; Seeded to etree by Marc Pujol notes
15405. 06/24/94 Shn - 0, 13443 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Audience recording by Neil Sturtevant Senn K3U mics w/ ME80 capsules > Master DAT (deck model unknown). DAT > CD transfer by Neil Sturtevant (untracked). Subsequent Extraction (EAC), tracking (CD Wave) and SHN conversion (mkwACT) by Sean Cribbs notes
15406. 06/24/94 Flac - 0, 97302 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48; Source:Scheops CMC5/MK4->Sonosax SX-M2->ApogeeD1000??->Sony D10 Transfer:Tascam DA-20mkII->Edirol R-44->Cd Wave->FlacFrontend Taped by Eliot Byron Transered and uploaded by Frank D'Auria notes
15407. 06/25/94 Shn - 0, 16471 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. complete; SBD> DAT> CDR> EAC> WAV> CE> CDWAV> SHN; with Shoe Fits from previous seed; See info file for details notes
15408. 06/25/94 Flac - 0, 111610 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell XLII-s 100,100; Transfer Info:Nakamichi MR-1>Dolby B>Korg MR-1000 @ 1 Bit/5.6MHz Metadata added with AudioGate software SBE's Checked/Fixed with Trader's Little Helper Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion notes
15409. 06/26/94 Shn - 0, 14943 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Source: SBD > CASSETTE > DAT @48k Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed and seeded by Jon Seff (jon@seff.net). This represents the SHNTOOL FIXED and STRIPPED version of the previous seed which had sector boundary errors on all tracks and noncanonical headers on the first disc. Distributed via candyman FTP. notes
15410. 06/26/94 Flac - 0, 85864 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Encore only, Source: SBD>???>bootleg cassette
Lineage: bootleg cassette>HD>WAV>FLAC
notes
15411. 06/26/94 Flac - 0, 106225 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro ->Tascam DA20 MKII->Edirol R44->SD->PC->Audacity->CD Wave Editor->Flac Frontend notes
15412. 06/26/94 Flac - 0, 138699 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: SBD > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller notes
15413. 07/01/94 Shn - 0, 9369 Mountain View Shoreline Amphitheatre SBD>DAT>CDR; via p'bo; neo_levo/candyman FTP notes
15414. 07/01/94 Flac - 0, 116005 Mountain View Shoreline Amphitheatre flac16; source: 2 Neumann KMF4's > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
15415. 07/02/94 Shn - 0, 3988 Mountain View Shoreline Amphitheatre sbd > dat > cdr > eac > shnv3; via C. Ladner notes
15416. 07/02/94 Shn - 0, 10980 Mountain View Shoreline Amphitheatre DSBD > DAT; DAT > WAV > SHN: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV v1.71 > MKW, by Dan Stephens (dms@well.com) notes
15417. 07/02/94 Flac 16 - 0, 116006 Mountain View Shoreline Amphitheatre flac16; source: 2 Neumann KMF4 microphones -12th row-center > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
15418. 07/03/94 Shn - 0, 11691 Mountain View Shoreline Amphitheatre DSBD > DAT; DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV v1.71 > MKW Audio Compression Tool v0.96f notes
15419. 07/03/94 Shn - 0, 8067 Mountain View Shoreline Amphitheatre DSBD > DAT > CDR > WAV > SHNv3; liberated bootleg, partially repaired (see notes); via neo_levo; tracked for 2x80 notes
15420. 07/03/94 Flac - 0, 86001 Mountain View Shoreline Amphitheatre flac16/48; Sennheiser Me-80s (could be 40s) > Panasonic SV-255 > Teac DA-P20 (clone) > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) notes
15421. 07/03/94 Flac - 0, 86000 Mountain View Shoreline Amphitheatre flac16; Sennheiser Me-80s (could be 40s) > Panasonic SV-255 > Teac DA-P20 (clone) > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) notes
15422. 07/03/94 Flac - 0, 118758 Mountain View Shoreline Amphitheatre flac16; Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files notes
15423. 07/13/94 Shn - 0, 17029 Highgate Franklin County Airport M:D>SHN digital transfer via: Da-p1 > zoltrix Nightengale 48 > 44.1 via CoolEdit2k > tracked with CDWAV via Nick Georges. Note, this version has different md5s than the original but its directly from Nick's server... notes
15424. 07/13/94 Flac 16 - 0, 103630 Highgate Franklin County Airport flac16; Source: Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac (Maxell XLII C90 x 2) Lineage: mac > Nakamichi BX-125E > EMU 0202 > Wavelab 6 > wav 24/96 > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > Cd Wave > TLH > flac 16 taped by John Bleich, OTS just right of the soundboard notes
15425. 07/13/94 Flac 16/48 - 0, 135272 Highgate Franklin County Airport flac16/48kHz; source: FOB daud master taped by Doug Lamarre; Sanken COS-11BP lavalier mics (Dan Liff’s r.i.p.) > Denon DTR-80P 30’ in front of soundboard; transferred & seeded by Rob Berger 2/2016 notes
15426. 07/13/94 Flac 16 - 0, 134271 Highgate Franklin County Airport flac16; source: FOB daud master taped by Doug Lamarre; Sanken COS-11BP lavalier mics (Dan Liff’s r.i.p.) > Denon DTR-80P 30’ in front of soundboard; transferred & seeded by Rob Berger 2/2016 notes
15427. 07/13/94 Flac 16 - 0, 88931 Highgate Franklin County Airport flac16; AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel notes
15428. 07/13/94 Flac 16/48 - 0, 85719 Highgate Franklin County Airport flac16/48; Schoeps MK4's>Reutelhuber>Sony TCD-D10PROII Recorded FOB by Roger,Rich, Seth, Keith & Jim Transferred to WAV By Watson Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC WAV>FLAC Transfer & Upload by Keith Litzenberger notes
15429. 07/13/94 Flac 16 - 0, 34299 Highgate Franklin County Airport flac16; Source: Neumann km-82i Shotguns > Teac DAT behind sbd 20 ft in front of speaker stack 20 ft high Transfer: Panasonic SV-3700 DAT > Audiophile 2496 > WaveLab 5.01 @ 24 bit/44.1 > converted to 16 bit> CD Wave Editor > EAC > Flac Recorded by and transfers by Bill Koucky notes
15430. 07/13/94 Shn - 0, 10384 Highgate Franklin County Airport AKG-460-CKIX>Sony D-7>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo notes
15431. 07/13/94 Flac - 0, 32291 Highgate Franklin County Airport Source: Schoeps CMC 44 cardioids (ORTF) > Oade power supply > modified Panasonic SV-255 > Sony D3 DAT Master (spdif input) Location: taped up front on a 6 foot stand Transfer: DAT Master 60ES > M-Audio Microtrack 2496 (spdif) > WAV > Flac taper & transfer: jbraveman@hotmail.com notes
15432. 07/13/94 Flac 16 - 0, 107916 Highgate Franklin County Airport flac16; Master: OTS Nakamichi CM300/cp4's>Sony TC-D5M>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick notes
15433. 07/13/94 Flac 16 - 0, 147694 Highgate Franklin County Airport flac16; Source Info: FOB Schoeps CMC5 Mk 21-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
15434. 07/16/94 Flac 16 - 0, 97192 Washington Robert F. Kennedy Stadium flac16; Source: aud > Nak 300's with shotgun caps > Sony WM-D6 > mac taped from section 120, row 6, seat 11 Transfer: mac > Nak CR-5A > EMU 1212M > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > CDWave > TLH > flac16 notes
15435. 07/16/94 Flac 16 - 0, 28741 Washington Robert F. Kennedy Stadium flac16; Recorded By Ron Keyser using his AMS ST250 on a Stand FOB, DFC> Modified Sony D10 Pro II. notes
15436. 07/16/94 Shn - 0, 7461 Washington Robert F. Kennedy Stadium FOB AMS ST250 (ambisonic) >Modified Sony D10 pro2 > DAT > Tascam CDR 700; via Tim Wiley notes
15437. 07/16/94 Flac 16 - 0, 95183 Washington Robert F. Kennedy Stadium flac16; Schoeps MK4's>Rbox>Sony TCD-D10PROII FOB Dat Clone>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC Recorded By Keith Litzenberger, Roger Jones, Rich Downey & More notes
15438. 07/16/94 Flac 16 - 0, 147683 Washington Robert F. Kennedy Stadium flac16; Source Info: FOB Schoeps CMC5 Mk 4->Oade P/S->Panasonic SV255->DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
15439. 07/17/94 Shn - 0, 10540 Washington Robert F. Kennedy Stadium S250?s(ambisonic)>Sony D-10 pro 2>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo notes
15440. 07/17/94 Flac 16 - 0, 91363 Washington Robert F. Kennedy Stadium flac16; Schoeps MK4's>Rbox>Sony TCD-D10PROII FOB DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC Recorded By Keith Litzenberger, Ace Cubby, Carrion Crow and Others notes
15441. 07/17/94 Flac 16 - 0, 147684 Washington Robert F. Kennedy Stadium flac16; Source Info: FOB Schoeps CMC5 Mk 4->Oade P/S->Panasonic SV255->DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
15442. 07/17/94 Flac 16 - 0, 97900 Washington Robert F. Kennedy Stadium flac16; Source: Audience recording Lineage: aud > Nakamichi 300 shotguns > Sony WM-D6 > mac > Cr-5a > Emu 1212M > 24/96 wave > Wavelab 5 > UAD Plugs > r8brain pro > ozone izotope > 16/44.1 Wave > cd wave > TLH ( lvl 8 ) > Tag And Rename notes
15443. 07/17/94 Flac 16/44 - 0, 152517 Washington Robert F. Kennedy Stadium flac16/44 Source: A(ts):D Sennheiser Stereo Mic Transfer: DAT(48kHz)>ZA2(S/PDIF)>Wavelab 3.03>wav or shn Tapes provided by Tom and Roger Conversion by Chris Larson (gdvault@gmail.com) 2/1/2002 notes
15444. 07/19/94 Shn - 0, 8476 Noblesville Deer Creek Music Center DSBd>?>CDR; Seeded to etree by Dan Carr notes
15445. 07/19/94 Flac 16 - 0, 92433 Noblesville Deer Creek Music Center flac16; Nak 300's > D6 > MAC > DR-3 > EMU 1212M > 24/96 wave > wavelab 5 > plugins > r8brain > 32/44.1 wave > wavelab 5 (tracked) > L3 > 16/44.1 wave > flac16 (TLH lvl 8) notes
15446. 07/19/94 Flac 16 - 0, 91836 Noblesville Deer Creek Music Center flac16; Taper: Greg Holtz Source: Nakamichi Cm300's with Cp-4 guns/PZM 30D's mix-> D3 DAT Transfer: (By JAZ) DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Mastering Software-> Traders Little Helper flac8 notes
15447. 07/19/94 Shn - 0, 28163 Noblesville Deer Creek Music Center AudioTechnica 815A Shotguns> Panasonic SV250(48kHz); Transfer: DAT> ZA2(S/PDIF)> samplitude2496> CD-r; Transfer by Chris Larson, with thanks to Tom, Roger notes
15448. 07/19/94 Flac 16 - 0, 91140 Noblesville Deer Creek Music Center flac16; Set 2 only, (OTS) AKG 460b/ck61 -> custom pre-amp -> D-7 -> dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (3/31/08) notes
15449. 07/19/94 Flac 16 - 0, 147695 Noblesville Deer Creek Music Center flac16; Source Info: FOB Schoeps NK 4-> Reutelhuber P/S-> DAT; Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel notes
15450. 07/19/94 Flac 16 - 0, 35164 Noblesville Deer Creek Music Center flac16; Fix of shn id 8476 - DSBD>?>CDR>EAC>WAV>SHNv3. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
15451. 07/20/94 Shn - 0, 12596 Noblesville Deer Creek Music Center SBD> DAT> WAV> CDR> WAV> SHN; via darkstar13311 notes
15452. 07/20/94 Flac - 0, 91848 Noblesville Deer Creek Music Center flac16; Taper: Greg Holtz Source: Nakamichi Cm300's with Cp-4 guns/PZM 30D's mix-> D3 DAT Transfer: (By JAZ) DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Mastering Software-> Traders Little Helper flac8 notes
15453. 07/20/94 Flac - 0, 119553 Noblesville Deer Creek Music Center flac16; Source: Audience Recording > Nakamichi 300's with CP-4 caps > Sony WMD-6 > MAC; Transfer: MAC > Sony WMD-6 > Edirol R-09HR > wav 24/48; Lineage: wav 24/48 > Adobe Audtion 1.5 > Wavelab 6 (with iZoptope Ozone 5 Advanced) > iZotope RX 2 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; Taped and transferred by John Bleich notes
15454. 07/20/94 Shn - 0, 31805 Noblesville Deer Creek Music Center Source: A: Audio Technica 815a Shotguns>Panasonic sv250 (48kHz) Transfer: DAT>ZA2(S/PDIF)>Wavelab3.03>CD-r Transfer by Chris Larson notes
15455. 07/20/94 Flac - 0, 89561 Noblesville Deer Creek Music Center flac16; Schoeps MK4's>Rbox>Sony TCD-D10PRO (mod) FOB Transfer: DAT MASTER>Tascam DA-30>Sony TCD-D10PRO (mod) DAT CLONE>Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC Recorded By Roger Jones notes
15456. 07/20/94 Flac - 0, 139713 Noblesville Deer Creek Music Center flac16/44.1 Source Info: TS Beyer CMC 101 (Omni's)-> Casio DA-7-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel notes
15457. 07/20/94 Flac - 0, 140083 Noblesville Deer Creek Music Center flac16/48kHz; taper & equipment unknown: (FOB) AUD > Dat (48k); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes
15458. 07/21/94 Shn - 0, 12322 Noblesville Deer Creek Music Center Shntool fix (by Chris Ladner) of previous Braverman seed; See info file for details; SBD>?>DAT>CD notes
15459. 07/21/94 Flac - 0, 91838 Noblesville Deer Creek Music Center flac16; Taper: Greg Holtz Source: Nakamichi Cm300's with Cp-4 guns/PZM 30D's mix-> D3 DAT Transfer: (BY JAZ) DAT master-> Sony PCM R-300-> COAX-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Mastering Software-> Traders Little Helper flac8 notes
15460. 07/21/94 Shn - 0, 9406 Noblesville Deer Creek Music Center SBD> ?> DAT> CD> Cool Edit> CD> SHN; via Rob Harrison; Seeded to etree by Peter Braverman notes
15461. 07/21/94 Flac - 0, 91155 Noblesville Deer Creek Music Center flac16; (OTS) AKG 460b/ck61 -> custom pre-amp -> D-7 -> dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (4/2/08) notes
15462. 07/21/94 Shn - 0, 76309 Noblesville Deer Creek Music Center Source: Nak 300's/cp4's > D7 Transfer: DA-P1 > Phillips CDR870 > EAC > CDWave > mkwACT notes
15463. 07/21/94 Flac - 0, 112808 Noblesville Deer Creek Music Center flac16; Source: (ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro > DAT(m); Transfer: DAT(m) > Tascam DA-20mkII > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes
15464. 07/21/94 Shn - 0, 31804 Noblesville Deer Creek Music Center Source: A:D(48kHz) no mic info Transfer: D>ZA2>Samplitude2496>CD-r Transfer by Chris Larson notes
15465. 07/21/94 Shn - 0, 12099 Noblesville Deer Creek Music Center AUD (mic unk) >DAT>CD; via Paul; Seeded to etree by candyman notes
15466. 07/21/94 Shn - 0, 18144 Noblesville Deer Creek Music Center Source: FOB Shure BG 4.0's > D7 > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT EAC'd... By Doug Nawrocki notes
15467. 07/21/94 Flac - 0, 139714 Noblesville Deer Creek Music Center flac16/44.1 Source Info: TS Beyer CMC 101 (Omni's)-> Casio DA-7-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel notes
15468. 07/23/94 Flac - 0, 14853 Chicago Soldier Field flac16; SBD Monitor Mix > DAT @ 48k - Transfer: D8 > Dio 2448 > Soundforge 5.0 (48k > 44.1k) > CDWav > FLAC Frontend > .flac; missing Encore patched from FOB [15th Row] Schoeps (Unknown Model) > DAT; Transferred by: Ryan Burns notes
15469. 07/23/94 Shn - 0, 14839 Chicago Soldier Field DSBD>D>CD>SHN Transcription from DAT and Encoding by JR Fishman notes
15470. 07/23/94 Shn - 0, 574 Chicago Soldier Field FOB (15th Row) Schoeps (Unknown Model) > DAT; via Tim Buller notes
15471. 07/23/94 Flac 16/48 - 0, 147691 Chicago Soldier Field flac16/48kHz; Source Info: FOB Schoeps CMC5 Mk 4-> Aerco P/S-> Panasonic SV255-> DAT; Location Sec B, Row 22, seat 30; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes
15472. 07/24/94 Flac 16 - 0, 119591 Chicago Soldier Field flac16; AKG C391 ORTF in hat FOB 18th row Left Center>Teac DAP20 @ 16/48; DAT Master>Lynx Studio 1>Wavelab 3.0; Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Recorded by Dave Cohen and Justin Lee notes
15473. 07/24/94 Shn - 0, 10087 Chicago Soldier Field AUD (mic unk.)>DAT>CDR; via Paul B; Seeded to etree by neo_levo notes
15474. 07/24/94 Flac 16 - 0, 112820 Chicago Soldier Field flac16; Source: (ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro > DAT(m); Transfer: DAT(m) > Tascam DA-20mkII > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes
15475. 07/24/94 Flac 16/48 - 0, 147692 Chicago Soldier Field flac16/48kHz; Source Info: FOB Schoeps CMC5 Mk 4-> Aerco P/S-> Panasonic SV255-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel notes
15476. 07/26/94 Flac 16 - 0, 91255 Maryland Heights Riverport Amphitheatre flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: Waves X-Noise, iZotope Ozone 3 EQ and Nomad LM-662 in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky notes
15477. 07/26/94 Flac 16 - 0, 119446 Maryland Heights Riverport Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
15478. 07/26/94 Flac 16/48 - 0, 119445 Maryland Heights Riverport Amphitheatre flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
15479. 07/26/94 Flac 16 - 0, 120293 Maryland Heights Riverport Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> AKGBP18s>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename; Taper had access to a second pair of AKG 451EBs so he ran 2 master copies notes
15480. 07/26/94 Flac 24/48 - 0, 120292 Maryland Heights Riverport Amphitheatre flac24; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> AKGBP18s>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo; Taper had access to a second pair of AKG 451EBs so he ran 2 master copies notes
15481. 07/26/94 Flac 16 - 0, 124310 Maryland Heights Riverport Amphitheatre flac16; Source: Sony C38B > SV-250; Conversion: DAP-1 > PMD661 > Audactiy (normalize and dither) > CDwave > TLH; Recorded by Stan Roberts notes
15482. 07/26/94 Shn - 0, 10225 Maryland Heights Riverport Amphitheatre Chase Smith recording, Shure BG-40?s>Sony D-7>DAT>CDR; via Paul; seeded to etree by neo_levo notes
15483. 07/26/94 Flac 16/44,1 - 0, 139723 Maryland Heights Riverport Amphitheatre flac16/44.1khz Source Info: TS Beyer CMC 101 (Omni's)-> Casio DA-7-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel notes
15484. 07/26/94 Flac 16 - 0, 139978 Maryland Heights Riverport Amphitheatre flac16; Recording Info: SBD > Dat (Panasonic SV-3700/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes
15485. 07/27/94 Flac 16 - 0, 119474 Maryland Heights Riverport Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
15486. 07/27/94 Flac 16/48 - 0, 119473 Maryland Heights Riverport Amphitheatre flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
15487. 07/27/94 Flac 16 - 0, 120301 Maryland Heights Riverport Amphitheatre flac16; Master Audience Recorded By Mr. Darby (2nd Source); AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> AKGBP18s>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename; Taper had access to a second pair of AKG 451EBs so he ran 2 master copies notes
15488. 07/27/94 Flac 24/48 - 0, 120300 Maryland Heights Riverport Amphitheatre flac24; Master Audience Recorded By Mr. Darby (2nd Source); AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> AKGBP18s>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo; Taper had access to a second pair of AKG 451EBs so he ran 2 master copies notes
15489. 07/27/94 Shn - 0, 8725 Maryland Heights Riverport Amphitheatre Shure BG-40/Sony D-7 recorded by Chase Smith > ? > CDR; via Mike Rodriguez; Seeded to etree by Matt Vernon notes
15490. 07/27/94 Flac 16 - 0, 124311 Maryland Heights Riverport Amphitheatre flac16; Source: Sony C38B > SV-250; Conversion: DAP-1 > PMD661 > Audactiy (normalize and dither) > CDwave > TLH; Recorded by Stan Roberts notes
15491. 07/27/94 Flac 16/44,1 - 0, 139724 Maryland Heights Riverport Amphitheatre flac16/44.1 Source Info: TS Beyer CMC 101 (Omni's)-> Casio DA-7-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel notes
15492. 07/29/94 Flac 16 - 0, 91193 Hebron Buckeye Lake Music Center flac16; Taper: Todd Evans & Adam Gross Equipment: Schoeps Omnis (on stands spaced 10ft apart) -> Schoeps Active Cables -> Schoeps CMC 3 Mic Body -> Monster M1000 Cable -> Oade Supply -> Monster M1000 Jumper -> Panasonic sv255 Transfer: DAT Master> TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 by Todd Evans All editing and mastering by Jamie Waddell on the GEMS Edit Station. Trac'ed Cdwave,Flac'ed Flac Frontend level 8 notes
15493. 07/29/94 Shn - 0, 25582 Hebron Buckeye Lake Music Center Recording Info: (FOB) Beyer M101 (Omni) -> Dat (Casio DA-7) -> CD -> EAC -> SHN via Charlie Miller notes
15494. 07/29/94 Shn - 0, 4078 Hebron Buckeye Lake Music Center Schoeps mk4 (12' spread FOB) > DAT; DAT3@44.1> Tascam DA-30mkII> SBL spdif> SoundForge 4.5> wav> MKW> shn; unknown taper- uploaded by C.DiPietro; note both regular and fixed d1 md5s were submitted to db but no further details were provided notes
15495. 07/29/94 Flac 16 - 0, 110975 Hebron Buckeye Lake Music Center flac16; Source: (ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts notes
15496. 07/31/94 Shn - 0, 2593 Auburn Hills The Palace DSBD> CDR> EAC> SHN; via Chase Runyon to sativa; not seekable? notes
15497. 07/31/94 Flac 16 - 0, 113009 Auburn Hills The Palace flac16; DSBD (unknown DAT) > GoodBear DAT (1999?) > CDR (1999?) > EAC (April 2011) > FLAC notes
15498. 07/31/94 Shn - 0, 2752 Auburn Hills The Palace DSBD> CDR> EAC> SHN; seeded by Chase Runyon, reshn for seeking by Carl Johnson notes
15499. 07/31/94 Flac 16 - 0, 96464 Auburn Hills The Palace flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
15500. 07/31/94 Flac 16 - 0, 91974 Auburn Hills The Palace flac16; Tapers Section Lower level, section 120b, row JJJ, seat 3 Neumann skm 100/AK50's > Unknown deck > Marantz PMD 430 Master Cassettes > SB Audigy > Adobe Audition @24bit/48khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit/44khz. CDwave: Tracking. Trader's little Helper: md5, ffp, flacs Recorded by Chris LaPorte notes
15501. 08/01/94 Shn - 0, 1026 Auburn Hills The Palace set 2; DSBD> CD> EAC; via Nick Georges; md5s listed as d2,d3; shns dated as "94-01-08" notes
15502. 08/01/94 Shn - 0, 12522 Auburn Hills The Palace Neumann TLM 170i's (cardioid) > Modified D10 pro II. Transfer: DA-P1 > Audiophile 2496 > Sound Forge 6 (48 > 44.1 on 4 w/anti alias) > CDWave > mkwACT by Doug Nawrocki notes
15503. 08/01/94 Flac 16 - 0, 96443 Auburn Hills The Palace flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger notes
15504. 08/01/94 Flac 16 44,1 - 0, 141177 Auburn Hills The Palace flac16/44.1 Source Info: Set #1: TS? Schoeps CMC5 Mk4->Oade P/S-> Sony D10 Pro II-> DAT Set #2: FOB Schoeps MK4-> Reutelhuber P/S-> DAT (Ace Cubby) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15505. 08/03/94 Flac 16/48 - 0, 85704 East Rutherford Giants Stadium flac16/48; Schoeps CMC54's>Aerco>Sony TCD-D10PROII, FOB (@15th Row Center) Recorded By Travitz & Keith Litzenberger Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC notes
15506. 08/03/94 Shn - 0, 20291 East Rutherford Giants Stadium Taper: Dan Sisler Source: FOB 25th row/center > Schoeps cmc5/mk4 > Sonosax > Sony d10 > digi out > Sony d7 @44.1 Clone: Master DAT/Master D7 > Sony PCM-R500 by Dan Sisler DAT to SHN: Dan's 1x clone > Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 > CDwave > SHN (seekable) by Marc Pujol notes
15507. 08/03/94 Shn - 0, 8728 East Rutherford Giants Stadium AUD>DAT>CDR; Unknown seeder notes
15508. 08/04/94 Shn - 0, 8729 East Rutherford Giants Stadium DAUD (AKG 460's) >DAT> CDR> EAC (secure)> Cool Edit Pro> CD; Seeded to etree by Tim W notes
15509. 08/04/94 Flac 16 - 0, 147726 East Rutherford Giants Stadium flac16; Source Info: FOB Schoeps CMC5 Mk 21-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
15510. 09/16/94 Shn - 0, 2642 Mountain View Shoreline Amphitheatre AKG C61 Tube mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); via Jon Seff notes
15511. 09/16/94 Flac 16 - 0, 136859 Mountain View Shoreline Amphitheatre flac16; Set 2 Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller notes
15512. 09/16/94 Flac 16/48 - 0, 1416688 Mountain View Shoreline Amphitheatre flac16/48kHz; Set 2 Jeff Silberman Digital Recording; Neumann U89 > StellaDAT > DAT (mics spaced 40', front row, OTS); John Ammons Transfer; DAT clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave notes
15513. 09/17/94 Flac 16 - 0, 119979 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
15514. 09/17/94 Shn - 0, 10068 Mountain View Shoreline Amphitheatre SBD>DAT>C>DAT>CDR; via Paul B; Seeded to etree by neo_levo notes
15515. 09/17/94 Flac 16 - 0, 109983 Mountain View Shoreline Amphitheatre flac16; Source: (OTS) Nakamichi CM-300's/CP-1 > Sony TCD-D10; Lineage: DAT-M > Tascam DA-30 > HHb CDR 800; Recorded/Transferred: Jeff Bowen Extraction [CD>EAC>WAV>CDWav>FLAC]: Brad Foster notes
15516. 09/18/94 Flac 16 - 0, 136849 Mountain View Shoreline Amphitheatre flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat (48k); Set 2: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller notes
15517. 09/18/94 Shn - 0, 10069 Mountain View Shoreline Amphitheatre AUD (Nak 300?s)>Aiwa DAT>CDR; via Paul B; Seeded to etree by neo_levo notes
15518. 09/18/94 Flac 16 - 0, 116926 Mountain View Shoreline Amphitheatre flac16; Source: Nakamichi cm300/cp1's > Sony TCD-D10; Lineage: DAT/M > DA-30 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster notes
15519. 09/18/94 Flac 16 - 0, 147727 Mountain View Shoreline Amphitheatre flac16; Source Info: Unknown Microphones-> DAT; Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel notes
15520. 09/27/94 Flac 16 - 0, 83082 Boston Boston Garden flac16; AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.95.1 > FLAC v1.1.3 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel notes
15521. 09/27/94 Flac 16/48 - 0, 136852 Boston Boston Garden flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller notes
15522. 09/27/94 Shn - 0, 8480 Boston Boston Garden DAUD Nakamichi 300(2) + cp 4> D-7> DAT> CDR; Seeded to etree by Tim Wiley; seekable notes
15523. 09/27/94 Shn - 0, 10182 Boston Boston Garden unknown DAUD source; Seeded to etree by Nick Georges notes
15524. 09/27/94 Shn - 0, 14021 Boston Boston Garden PNB Microphones FOB via Dave Minor, shn conversion Marc Pujol notes
15525. 09/27/94 Flac 16/48 - 0, 140240 Boston Boston Garden flac16/48kHz; Set 2 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes
15526. 09/27/94 Flac 16/48 - 0, 150128 Boston Boston Garden flac16/48kHz; Source: Sennheiser ME 88's > Sony Sony TCD-D7 > Dat Master (48k)- Recorded from OST (mics on pole) by Dan Ragosa; Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48; edited and mastered SIRMick June 2020 notes
15527. 09/28/94 Flac 16 - 0, 83238 Boston Boston Garden flac16; AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.95.1 > FLAC v1.1.3 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel notes
15528. 09/28/94 Flac 16 - 0, 136872 Boston Boston Garden flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Mi notes
15529. 09/28/94 Shn - 0, 10183 Boston Boston Garden unknown DAUD source; Seeded to etree by Nick Georges notes
15530. 09/28/94 Shn - 0, 14945 Boston Boston Garden PMB Microphones FOB via Dave Minor> D7> R300> RMEdigi96/8pad> SF6.0> CDWav> mkw> shn conversion by Marc Pujol notes
15531. 09/28/94 Flac 16/48 - 0, 152489 Boston Boston Garden Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa.
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller.
Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48
edited and mastered SIRMick May 2021
notes
15532. 09/29/94 Shn - 0, 12100 Boston Boston Garden Dsbd>D>C>D>CD; Seeded to etree by Chris Larson notes
15533. 09/29/94 Flac 16 Mtx - 0, 125635 Boston Boston Garden b>flac16; Matrix Source 1: Dsbd>D>C>D>CD, Source 2: (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz); Transfer: Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > .wav and Source 3: Taper Dave Minor; Source: PMB Microphones (German)(1) > Sony D7 @ 48k; Transfer 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 highest setting with anti-alias filter) > CDWav (splits) > mkw > shn (seekable) notes
15534. 09/29/94 Shn - 0, 1815 Boston Boston Garden Updated Lineage notes 12-10-00 M:D> dick latvala's cass> D> cooledit> cdwav> shn; Nick Georges' notes: my bad...my dat came labled as dsbd. some new clues came up suggesting the above lineage. Still, clean as a whistle! notes
15535. 09/29/94 Flac 16/48 - 0, 96403 Boston Boston Garden flac16/48; (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz) Taped by Carrion Crow and Ace Cubby Transferred by Jason Sobel: Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > .wav notes
15536. 09/29/94 Flac 16 - 0, 84947 Boston Boston Garden flac16; (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > r8brain v1.9 (resample to 44.1 kHz) > WaveLab 5.01b (fades) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Carrion Crow and Ace Cubby; Transferred by Jason Sobel notes
15537. 09/29/94 Flac 16 - 0, 83297 Boston Boston Garden flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel notes
15538. 09/29/94 Shn - 0, 10184 Boston Boston Garden unknown DAUD source; Seeded to etree by Nick Georges notes
15539. 09/29/94 Flac 16/48 - 0, 140241 Boston Boston Garden flac16/48kHz; Set 2 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: DAT > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes
15540. 09/29/94 Shn - 0, 15078 Boston Boston Garden PMB Microphones (German)(1) > Sony D7 @48k taped by Dave Minor, encoded by Marc Pujol notes
15541. 09/29/94 Flac 16/48 - 0, 152490 Boston Boston Garden Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa.
Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller.
Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48
edited and mastered SIRMick May 2021
notes
15542. 10/01/94 Flac 16 - 0, 95066 Boston Boston Garden flac16; Matrix by Hunter Seamons using Soundtrack/Final Cut Pro(SHN>AIFF>Soundtrack>Final Cut>WAV>FLAC) notes
15543. 10/01/94 Shn - 0, 31992 Boston Boston Garden Txt-file is exactly the same as for shnid=4671 - but MD5s doesn't match that one, or anything else in the db. notes
15544. 10/01/94 Shn - 0, 1025 Boston Boston Garden SBD> unknown analog? > DAT> CD> EAC; ripped and seeded by Nick Georges; note updated source based on pub comment notes
15545. 10/01/94 Shn - 0, 4671 Boston Boston Garden SBD> Dat> CDR (Pre-Fm GDH Discs) > CDR > EAC (Secure Mode, Test and Copy) > SHN; EAC, SHN extraction and etree seeding done by Gerald Gorinsky; with thanks to Charlie Miller and Lee Umstead notes
15546. 10/01/94 Flac 16 - 0, 132503 Boston Boston Garden flac16; AUD: Nakamichi CM300/CP4 shotguns > Casio DA-7 > TDK DC4 DAT. Mics on 7-foot stand, end of floor, center & straight back by the hockey wall. Transfer: MAD > Sony TC-D8 > Optical out > Edirol FA-66 > Wavelab 1648 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. 02/2015 notes
15547. 10/01/94 Flac 16 - 0, 83671 Boston Boston Garden flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz, patch) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel notes
15548. 10/01/94 Shn - 0, 14869 Boston Boston Garden Bertha Remaster of Master DAT source SBD>DAT>CDA>SHN>DAW(Bertha)>CDA>SHN, via Jay Ashley, seeded to Etree by Hub Spencer notes
15549. 10/01/94 Flac 16/48 - 0, 77224 Boston Boston Garden flac16/48; Digital FOB DFC Audience Recorded by Todd Evans & Adam Gross Floor Section CC; Row 21; Seat 6 FOB Schoeps Mk4 Cardiod Capsule -> Schoeps Active Cables -> Schoeps CMC 6 Mic Body -> Apogee AD500e -> CASIO DA-R100 MAD DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav 48k native resolution source: Patced in Adobe Audtion 1.5 w/ shnid 15079, aud source; remastered in wavleb(see notes) dithered wavlab UV22HR,tracked in wavleb, Flac Level 8 with Flacfrontend notes
15550. 10/01/94 Flac 16 - 0, 77223 Boston Boston Garden flac16; Digital FOB DFC Audience Recorded by Todd Evans & Adam Gross Floor Section CC; Row 21; Seat 6 Patced in Adobe Audtion 1.5 w/ shnid 15079, aud source; remastered in wavlab(see notes), SRC 48 to 44.1 using r8brain pro: min phasing, prevent clipping enabled, normalize peak dBFS not enabled dithered wavlab UV22HR,tracked in wavlab, Flac Level 8 with Flacfrontend notes
15551. 10/01/94 Shn - 0, 15079 Boston Boston Garden PMB Microphones (German)(1) FOB> Sony D7 @48k taped by Dave Minor, encoding by Marc Pujol notes
15552. 10/01/94 Flac 16/48 - 0, 140242 Boston Boston Garden flac16/48kHz; Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes
15553. 10/01/94 Flac 16/48 - 0, 141436 Boston Boston Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes
15554. 10/01/94 Flac 16 - 0, 150116 Boston Boston Garden flac16; Recording Info: SBD > DAT Master > DAT Clone (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller notes
15555. 10/01/94 Flac 16/48 - , 153204 Boston Boston Garden flac16/48 Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 editerd and mastered SIRMick September 2021 notes
15556. 10/02/94 Flac 16 - 0, 132486 Boston Boston Garden flac16; AUD: Nakamichi CM300/CP4 shotguns > Casio DA-7 > TDK DC4 DAT. Mics on 7-foot stand, end of floor, center & straight back by the hockey wall. Transfer: MAD > Sony TC-D8 > Optical out > Edirol FA-66 > Wavelab 1648 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. 02/2015 notes
15557. 10/02/94 Flac 16 - 0, 84028 Boston Boston Garden flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz, patches) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel notes
15558. 10/02/94 Flac 16/48 - 0, 135875 Boston Boston Garden flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48; All Transfers and Mastering By Charlie Miller notes
15559. 10/02/94 Shn - 0, 15111 Boston Boston Garden PMB Microphones FOB> Sony D7 @48k via Dave Minor, encoding Marc Pujol notes
15560. 10/02/94 Shn - 0, 10223 Boston Boston Garden Unknown Schoeps audience recording > DAT > CD; Seeded to etree by Nick Georges notes
15561. 10/02/94 Flac 16/48 - 0, 140243 Boston Boston Garden flac16/48kHz; Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes
15562. 10/02/94 Flac 16/48 - 0, 141437 Boston Boston Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes
15563. 10/02/94 Flac 16/48 - , 154277 Boston Boston Garden flac16/48 Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick Novwmber 2021 notes
15564. 10/03/94 Flac 16 - 0, 132411 Boston Boston Garden flac16; AUD: Nakamichi CM300/CP4 shotguns > Casio DA-7 > TDK DC4 DAT. Mics on 7-foot stand, end of floor, center & straight back by the hockey wall. Transfer: MAD > Sony TC-D8 > Optical out > Edirol FA-66 > Wavelab 1648 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. 02/2015 notes
15565. 10/03/94 Flac 16 - 0, 84388 Boston Boston Garden flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz, patches) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel notes
15566. 10/03/94 Flac 16/48 - 0, 136890 Boston Boston Garden flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48; All Transfers and Mastering By Charlie Miller notes
15567. 10/03/94 Shn - 0, 2520 Boston Boston Garden unknown audience> bootleg cd (The Dead In Bloom)> eac> shn; via Bill Stube or David Doumani?; can be tracked for 2x80 notes
15568. 10/03/94 Shn - 0, 102024 Boston Boston Garden FOB Schoeps mk4>Rutthueber>DAT; Unknown seeder notes
15569. 10/03/94 Shn - 0, 15112 Boston Boston Garden PMB Microphones FOB> Sony D7 @48k via Dave Minor, encoding Marc Pujol notes
15570. 10/03/94 Flac 16/48 - 0, 14ß244 Boston Boston Garden flac16/48kHz; Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT notes
15571. 10/03/94 Flac 16/48 - , 156466 Boston Boston Garden flac1648 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 Edited and mastered SIRMick April 2022 notes
15572. 10/05/94 Shn - 0, 8030 Philadelphia The Spectrum SBD > DAT > CDR; via Tim Wiley notes
15573. 10/05/94 Shn - 0, 6483 Philadelphia The Spectrum SBD> DAT> CDR> Sonic Solutions> CDR notes
15574. 10/05/94 Flac 16 - 0, 79258 Philadelphia The Spectrum flac16; source: aud > WMD-6 with Nak 300 shotguns > mac > wav > flac taped by John Bleich (taper section row 1 seat 19 Section 107) transfer by SIRMick: Sony TC-FX2 > Wavelab > wav 24/48 notes
15575. 10/05/94 Flac 16/48 - 0, 124410 Philadelphia The Spectrum flac16/48kHz; Source: Sony C38B > SV-250; Conversion: DAP1 > PMD661 > Audacity (Normalizing and Dither) > CDWave > TLH >foobar2000 (tagging); Recorded by Stan Roberts notes
15576. 10/05/94 Flac 16/48 - 0, 85225 Philadelphia The Spectrum flac16/48; Schoeps MK4's>Reutelhuber>Sony TCD-D10PROII Recorded From Section 102 Row 13 Seats 11-12 Recorded By Keith Litzenberger & Roger Jones DAT Master played back on Sony TCD-D10PROII>Edirol R-4>WL5 (Fades)>CDWAV>FLAC notes
15577. 10/05/94 Flac 16/44,1 - 0, 151083 Philadelphia The Spectrum flac16/44.1khz Recording Info: SBD > DAT Master (Panasonic SV-3700/44.1k) > DAT (Panasonic SV-3800) Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16 (3 Discs Audio) All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net notes
15578. 10/06/94 Flac 16/48 - 0, 124411 Philadelphia The Spectrum flac16/48kHz; Source: Sony C38B > Pan SV-250; Conversion: DAP-1 > PMD661 > Audacity (normalize and dither) > CDWave > TLH > Foobar2000 (tagging); Recorded By Stan Roberts notes
15579. 10/06/94 Flac 16 - 0, 79554 Philadelphia The Spectrum flac16 source: aud > WMD-6 with Nak 300 shotguns > mac > wav > flac taped by John Bleich (taper section row 1 seat 19 Section 107) transfer by SIRMick: Sony TC-FX2 > Wavelab > wav 24/48 notes
15580. 10/06/94 Shn - 0, 7743 Philadelphia The Spectrum Nakamichi 300> ?> D7; Transfer: Tascam DAP1> Egosys U2A Waveterminal USB> Soundforge4.5xp> CDWave; via mark & julie lonski; ericB notes
15581. 10/06/94 Flac 16 - 0, 95371 Philadelphia The Spectrum flac16; source: (OTS) AKG 460/ck61 -> custom pre-amp -> Teac DAP-20; recorded by: Tom McMinn, dat provided by: Dave Flaschner. transfer: dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6); transfer: Chris Davis (10/18/08) notes
15582. 10/06/94 Flac 16 - 0, 97286 Philadelphia The Spectrum flac16; Source:Schoeps CMC5/MK4->Sonosax SX-M2->Sony D10 F.O.B. D.F.C. taped by Eliot Byron in the hat worn by Bill R. Transfer and upload by Frank D'Auria notes
15583. 10/07/94 Flac 16 - 0, 79019 Philadelphia The Spectrum flac16; source: aud > sony wmd-6 with nak 300 shotguns > mc > wav > cdr > eac > wav > flac taped by John Bleich (row 1 seat 21 Section 107) extraction by Mark Horvath (details not known) notes
15584. 10/07/94 Shn - 0, 7993 Philadelphia The Spectrum DAUD/FOB> Unknown Mics (AKG?) /Deck> DAT@48k> DAT > SF 4.5a> SHN (seekable); Via Aldo Torre; Marc P; Tim W notes
15585. 10/07/94 Flac 16/48 - 0, 124412 Philadelphia The Spectrum flac16/48kHz; Source: Sony C38B's > SV-250; Conversion: DAP-1 > PMD661 > Audacity (Normalize and Dither) > CDwave > TLH; Recorded by Stan Roberts notes
15586. 10/07/94 Flac 16 - 0, 101803 Philadelphia The Spectrum flac16; Schoeps MK4's>Rbox>Sony TCD-D10PROII; Transfer: Sony TCD-D10PROII>Sound Devices 744t>Soundforge 9 (Fades, Sample Rate conversion to 44.1khz)>CDWAV>FLAC; Recorded By Keith Litzenberger & Roger Jones From Section 104 Row 5 notes
15587. 10/07/94 Flac 16 - 0, 97225 Philadelphia The Spectrum flac16; Source: Schoeps CMC5/MK4->Sonosax SX-M2 pre-amp->Sony D10 F.O.B. D.F.C Transfer: Tascam DA-20mkII->HHb CDR850->Flac frontend Taped by Eliot Byron in the hat on Bill R. Transfered and Uploaded by Frank D'Auria notes
15588. 10/09/94 Flac 16 - 0, 32562 Landover USAir Arena flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> ? -> 3rd Gen Cassette Transfer Info: 3rd Gen Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
15589. 10/09/94 Shn - 0, 17357 Landover USAir Arena SBD ?> C4> CD> SHN via Billy Schools encoded by Peter Braverman notes
15590. 10/09/94 Flac 16 - 0, 93876 Landover USAir Arena flac16; Source: Audience Recording Lineage: Lineage: Nak 300's > D6 > MAC > DR-3 > EMU 1212M > 24/96 wave > wavelab 5 > plugins > r8brain pro > 16/44.1 > cd wave > flac16 (TLH lvl 8 notes
15591. 10/09/94 Shn - 0, 2619 Landover USAir Arena AKG 460's w/ck61's (cards) > Teac DA-P20 > D10pro > Panasonic SV3700; Transfer: D8 > Montego II > CDWAVE, by Doug Nawrocki; Source via Pete Delgado notes
15592. 10/09/94 Flac 16 - 0, 132783 Landover USAir Arena flac16; record: Audio Technica AT835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro notes
15593. 10/09/94 - 0, 111984 Landover USAir Arena (OTS) AKG460s/CK8s(PAS)>B-18s>FP-11s>DAP20(16/48) Digital transfer: (TCD-D8>PMD670>CF>HDD) MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6) Recording and transfer by DATBRAD notes
15594. 10/09/94 Flac 16 - 0, 143134 Landover USAir Arena flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette DecK>Sony 90 Minute UX Chrome Tape (1st Set), Maxell XL-II-S 100 Minute Tape (2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor> Audacity (To Normalize Recording Levels)>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker, Taper Section, Section 128 Row DD Seat 7 notes
15595. 10/09/94 Flac 16 - 0, 147586 Landover USAir Arena flac16; Source Info: FOB Schoeps MK4-> Reutelhuber P/S-> DAT (Ace Cubby?); Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
15596. 10/09/94 Flac 24/48 - 0, 151257 Landover USAir Arena flac24/48khz Recording Info: Sennheiser ME88 > Cassette Master (Marantz PMD430) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) notes
15597. 10/09/94 Flac 16/48 - 0, 152158 Landover USAir Arena flac16/48khz Recording Info: Sennheiser ME88 > Cassette Master (Marantz PMD430) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) - 151257 24 -> 16 @ 44.1 notes
15598. 10/10/94 Flac 16 - 0, 34563 Landover USAir Arena flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> ? -> 3rd Gen Cassette Transfer Info: 3rd Gen Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
15599. 10/10/94 Shn - 0, 14198 Landover USAir Arena SBD>DATx2>C>HiFi VHS>?>DAT>Delta Dio2496>SHN(seekable) NO DAE ; Patched Source: Schoeps MK4,AUD>DAT>CDR ; Via Rob Harrison ; Seeded to etree by T. Wiley notes
15600. 10/10/94 Flac 16 - 0, 94091 Landover USAir Arena flac16; Source: Audience Recording Lineage: Nak 300's > D6 > MAC > DR-3 > EMU 1212M > 24/96 wave > wavelab 5 > plugins > r8brain pro > 16/44.1 > cd wave > flac16 (TLH lvl 8) Taped by John Bleich notes
15601. 10/10/94 Shn - 0, 15389 Landover USAir Arena Source: AKG 568's > DAT > CDR > EAC* > CDWave > mkwACT *Test and Copy and used Add-A-Wave to rejoin tracks for retracking EAC'd/Seeded by Doug Nawrocki Source discs kindly provided by Dave DiMartino Thanks for the dedication to the tunes bro! Updated seed. I patched the d/o in Desolation Row 2:32 - 2:35 with circ'ing sbd source. That's the only md5 signature that changed notes
15602. 10/10/94 Shn - 0, 8042 Landover USAir Arena Schoeps MK4; AUD> DAT> CDR; via Paul B., Tim Wiley notes
15603. 10/10/94 Flac 16 - 0, 132785 Landover USAir Arena flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro notes
15604. 10/10/94 Flac 16 - 0, 123681 Landover USAir Arena flac16; Source: OTS/LOC/Audix shotguns > Sony WM-D6; Transfer: Nakamichi BX300 (Analog master) > AudioQuest Sidewinder Cables (attenuated) > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 9.0 (tracking, added fades and normalize) > TLH (flac@8/ffp); Recorded, transferred and seeded by Bob Crupi notes
15605. 10/10/94 Flac - 0, 111985 Landover USAir Arena (OTS) AKG460s/CK8s(PAS)>B-18s>FP-11s>DAP20(16/48)
Digital transfer: (TCD-D8>PMD670>CF>HDD)
MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6)
Recording and transfer by DATBRAD
notes
15606. 10/10/94 Flac 16/48 - 0, 106275 Landover USAir Arena flac16/48kHz; Source: Schoeps MK4's->Schoeps VMS021b->Sony D10 Pro Transfer: Tascam DA-20 MKII->Edirol R44->SD->PC->Cd Wave Editor->Flac Frontend Taped by Eliot Byron and ?, up front in the hat, FOB notes
15607. 10/10/94 Flac 16 - 0, 88861 Landover USAir Arena flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Taped by Tom McMinn; Transferred by Jason Sobel notes
15608. 10/11/94 Flac 16 - 0, 34564 Landover USAir Arena flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> ? -> 3rd Gen Cassette Transfer Info: 3rd Gen Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC notes
15609. 10/11/94 Shn - 0, 17959 Landover USAir Arena Set 2 only; SBD > ?> C4> CD> SHN via Billy Schools encoded by Peter Braverman notes
15610. 10/11/94 Flac 16 - 0, 94370 Landover USAir Arena flac16; Source: Audience recording Lineage: Lineage: Nak 300's > D6 > MAC > DR-3 > EMU 1212M > 24/96 wave > wavelab 5 > plugins > r8brain pro > 16/44.1 > cd wave > flac16 (TLH lvl 8) notes
15611. 10/11/94 Shn - 0, 2620 Landover USAir Arena AKG 460's w/ck61's (cards) > Teac DA-P20 > D10pro > Panasonic SV3700; Transfer: D8 > Montego II > CDWAVE, by Doug Nawrocki; Source via Pete Delgado notes
15612. 10/11/94 Flac 16 - 0, 132786 Landover USAir Arena flac16; record: Audio Technica 835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro notes
15613. 10/11/94 Flac - 0, 111986 Landover USAir Arena (OTS) AKG460s/CK8s(PAS)>B-18s>FP-11s>DAP20(16/48)
Digital transfer: (TCD-D8>PMD670>CF>HDD)
MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6)
Recording and transfer by DATBRAD
notes
15614. 10/11/94 Flac 16/48 - 0, 106276 Landover USAir Arena flac16/48kHz; Source: Schoeps CMC5 Mk4->Reutelhuber P/s->Sony D10 Pro Transfer: Tascam DA-20 MKII->Edirol R44->SD->PC->Cd Wave Editor->Flac Frontend Taped by Eliot Byron and ?, up front in the hat, FOB notes
15615. 10/11/94 Flac 16/48 - 0, 85687 Landover USAir Arena flac16/48; Schoeps MK4's>Reutelhuber>(Either Sony TCD-D10ProII or Casio DAR-100) Recorded FOB in Section 2 (Somewhere between 12-17th Row) by Roger Jones and Jim V. Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC notes
15616. 10/11/94 Flac 16 - 0, 147606 Landover USAir Arena flac16; Source Info: FOB (Sec B, Row 20) Schoeps MK4-> Reutelhuber P/S-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel notes
15617. 10/11/94 Flac 16 - 0, 147756 Landover USAir Arena flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Master Cassette Tapes(1st Set Sony UX 90 Minute Tape; 2nd Set TDK SA-X 100 Minute Tape)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24.44.1 KHZ)>CD Wav Editor> Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Section 128,Row DD Seat 9 Official Taper Section notes
15618. 10/13/94 Shn - 0, 7800 New York Madison Square Garden SBD> DAT> C> DAT> CDR> EAC> Cool Edit> SHN; via Paul B.; Tim Wiley notes
15619. 10/13/94 Flac 16 - 0, 33299 New York Madison Square Garden flac16; SBD -> Dat -> Cassette Master -> Dat -> CD -> EAC -> FLAC Patched By Charlie Miller notes
15620. 10/13/94 Flac 16 - 0, 96364 New York Madison Square Garden flac16; Source: aud > Nak 300 shotguns > WMD-6 > mac Transfer: mac > Nakamichi CR-5A > EMU 1212M > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > 16/44.1 Wave > CD Wave > TLH > flac16; Taped by John Bleich from Section 11 > Row N > Seat 3, Edited by SIRMick notes
15621. 10/13/94 Flac 16/48 - 0, 88356 New York Madison Square Garden flac16/48; AUD: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > TDK DC4. Mics on 7-foot stand, directly behind lighting board in the center. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. notes
15622. 10/13/94 Flac 16 - 0, 88357 New York Madison Square Garden flac16; AUD: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > TDK DC4. Mics on 7-foot stand, directly behind lighting board in the center. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped & transferred by Andrew F. notes
15623. 10/13/94 Flac 16/48 - 0, 141482 New York Madison Square Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes
15624. 10/14/94 Flac 16 Mtx - 0, 119611 New York Madison Square Garden flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) notes
15625. 10/14/94 Flac 16 - 0, 79167 New York Madison Square Garden flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC notes
15626. 10/14/94 Flac 16 - 0, 96383 New York Madison Square Garden flac16; Source: aud > Nak 300 shotguns > WMD-6 > mac Transfer: mac > Nakamichi CR-5A > EMU 1212M > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > 16/44.1 Wave > CD Wave > TLH > flac16 notes
15627. 10/14/94 Shn - 0, 9054 New York Madison Square Garden Sbd>C>Dat>CDR>EAC>CDR>EAC>Shn; Seeded to abgd by Chris Perkins with Thanks to JP Bruynes notes
15628. 10/14/94 Flac 16 - 0, 83822 New York Madison Square Garden flac16; Source: (FOB) Schoeps CMC521> Sonosax SX-M2> Apogee AD-?> Sony D10* (@48kHz) Taper: Unknown Transfer: Tascam DA-40> M-Audio Audiophile 2496> Samplitude 7.0 (resample to 44.1kHz, fades)> CDWav 1.71> FLAC v1.7.1 (Level 8) Transferred & Seeded by: TaylorC notes
15629. 10/14/94 Flac 16/48 - 0, 141483 New York Madison Square Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes
15630. 10/14/94 Shn - 0, 5204 New York Madison Square Garden sbd> dat> c> dat> cdr; EAC> SHN by Tony Gardner, from Paul B. seed discs; Intermittent digistatic, 5:00- 7:00 of Scarlet notes
15631. 10/15/94 Flac - 0, 76894 New York Madison Square Garden SBD -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; Cleaned up copy of SHNid=27249; Clean up by Darryl Hinko notes
15632. 10/15/94 Flac 16 Mtx - 0, 130737 New York Madison Square Garden flac16; SBD/AUD matrix: Source 1: (OTS) AKG460s/CK8s(PAS)>B-18s>FP-11s>DAP20(16/48); DAT>WAV: (TCD-D8>PMD670>CF>HDD); Recording and transfer by DATBRAD and Source 2: SBD (source ID 76894) SBD -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC -> WAV; Converted By Charlie Miller; Matrix: AddaWav(rejoin sbd tracks)>Audacity(60/40 sbd/aud mix)>CDWave(splits)>Flac Frontend(Level 6) notes
15633. 10/15/94 Shn - 0, 16466 New York Madison Square Garden set 1; SBD (FM GDH)> DAT> CD; EAC (secure)> WavLab 4.0> CD WAV> Shntool> SHN (seekable); via Yellow Fin notes
15634. 10/15/94 Flac 16 - 0, 96457 New York Madison Square Garden flac16; Source: aud > Nak 300 shotguns > WMD-6 > mac Transfer: mac > Nakamichi CR-5A > EMU 1212M > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > 16/44.1 Wave > CD Wave > TLH > flac16 notes
15635. 10/15/94 Shn - 0, 8043 New York Madison Square Garden Nak 300 Shotguns> Awia DAT> CDR; via Paul B.; Tim Wiley notes
15636. 10/15/94 Flac 16 - 0, 98063 New York Madison Square Garden flac16; Source:Schoeps CMC5 MK4->Aerco preamp->Sony D10 F.O.B D.F.C. Taped by Eliot Byron Transfer:Sony D8->Sony SBM1->Edirol R44->usb/pc->Cd Wave->Flac Frontend; Transfer and Upload by Frank D'Auria notes
15637. 10/15/94 Flac 16 - 0, 96333 New York Madison Square Garden flac16; Recorded FOB By Eliot Byron, Transferred By Keith Litzenberger Source: Schoeps CMC54's>Sonosax SX-M2>Apogee AD1000>Sony TCD-D10PROII Transfer: My DAT Clone>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC notes
15638. 10/15/94 Flac 16/48 - 0, 139074 New York Madison Square Garden flac16/48kHz; Set 1 B&K 4011 at 110° ORTF front of board. Unknown taper; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Tracked in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT notes
15639. 10/15/94 Flac 16/48 - 0, 139698 New York Madison Square Garden flac16 48khz Source: AKG 414’s > Oade custom preamp > Sony TCD-D10 Pro > Dat (48k). Transfer: DAT > Sony PCM-R500 > Tascam DA-3000> WAV 16/48. Recorded and transferred by Jim Wise. edited and mastered SIRMick. notes
15640. 10/15/94 Flac 16 - 0, 27249 New York Madison Square Garden flac16; SBD> Dat> Sonic Solutions> CD> EAC> FLAC; Converted By Charlie Miller, with thanks to David Gans for the discs notes
15641. 10/17/94 Shn - 0, 14615 New York Madison Square Garden DSBD>DAT>CDR shn encoding by Dan Carr notes
15642. 10/17/94 Shn - 0, 3575 New York Madison Square Garden notes
15643. 10/17/94 Flac 24 - 0, 98176 New York Madison Square Garden flac24; Tapers Section unknown Mics > unknown Deck > sony D5 > PMD430 1st set recorded on a Maxell XLIIs-90, 2nd set recorded on a Maxell MX-110 Master Cassettes > SB Audigy > Adobe Audition @24bit/48Khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator. CDwave: tracking. Trader's little Helper: md5, ffp, flac; Recorded by Chris LaPorte notes
15644. 10/17/94 Flac 16 - 0, 98175 New York Madison Square Garden flac16; Tapers Section unknown Mics > unknown Deck > sony D5 > PMD430 1st set recorded on a Maxell XLIIs-90, 2nd set recorded on a Maxell MX-110 Master Cassettes > SB Audigy > Adobe Audition @24bit/48Khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, dithered/resmapled to 16bit/44.1Khz. CDwave: tracking. Trader's little Helper: md5, ffp, flac; Recorded by Chris LaPorte notes
15645. 10/17/94 Flac 16/48 - 0, 106249 New York Madison Square Garden flac16/48kHz; Schoeps CMC5 MK4's->Sonosax SX-M2->Apogee D100O->Sony D10 Pro ->Tascam DA20 MII->Edirol R44->SD->PC->CD Wave Editor->Flac Frontend notes
15646. 10/17/94 Flac 16/48 - 0, 142979 New York Madison Square Garden flac16/48kHz; George Sterry Recording: Sony ECM-909A > Cassette Master (Sony TC-D3/TDK SA-X100); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > FLAC 24/96 notes
15647. 10/17/94 Flac 16 - 0, 145763 New York Madison Square Garden flac16; George Sterry Recording: Sony ECM-909A > Cassette Master (Sony TC-D3/TDK SA-X100); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > FLAC 24/96. This file set is 16 bit @ 44.1 notes
15648. 10/17/94 Flac 16/44 - 0, 152394 New York Madison Square Garden flac16/44 Roger Eichorn speed/pitch correction of sbd shnid=014615 notes
15649. 10/18/94 Flac 16 - 0, 119523 New York Madison Square Garden flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
15650. 10/18/94 Shn - 0, 8708 New York Madison Square Garden SBD> DAT> C*> CDR; Seeded to etree by Tim Wiley notes
15651. 10/18/94 Flac 24 - 0, 97711 New York Madison Square Garden flac24; Tapers Section unknown Mics > unknown Deck > sony D5 > PMD430 1st set recorded on a Maxell XLIIs-90, 2nd set recorded on a Maxell MX-110 Master Cassettes > SB Audigy > Adobe Audition @24bit/44.1Khz Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator CDwave: tracking Trader's little Helper: md5, ffp, flac; Recorded by Chris LaPorte notes
15652. 10/18/94 Flac 16 - 0, 85384 New York Madison Square Garden flac16; AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel notes
15653. 10/18/94 Shn - 0, 10086 New York Madison Square Garden AUD(Schoeps CMC 521?s)>DAT>CDR; via Paul; Seeded to etree by neo_levo notes
15654. 10/19/94 Flac 16/48 - 0, 137089 New York Madison Square Garden flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller notes
15655. 10/19/94 Flac 16 - 0, 106741 New York Madison Square Garden flac16; Recording Info: Audience - Taper Section Recorded by Ted Morris with equipment supplied by Mike Kutik 2x Sennheiser 441 + 1x Nakamichi 700/CP701 Center (Cardiod Capsule) > Canare Star-Quad/Neutrik > Nakamichi MX100 > Monster RCA and/or Y cables > Sony TCD-D7 notes
15656. 10/19/94 Flac 16 - 0, 85410 New York Madison Square Garden flac16; AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > r8brain v1.9 (resample to 44.1 kHz) > WaveLab 5.01b (fades, patch) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobe notes
15657. 10/19/94 Shn - 0, 7744 New York Madison Square Garden B&K 4011?s; AUD> DAT> CDR; via Paul B.; Tim Wiley notes
15658. 10/19/94 Flac 16 - 0, 91913 New York Madison Square Garden flac16; Tapers Section, floor. Unknown Mics > Unknown Deck > Marantz PMD430. Master Cassettes > SB Audigy > Adobe Audition @24bit/44.1Khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit. CDwave: Tracking. Trader's little Helper: md5, ffp, flac Recorded by Chris LaPorte notes
15659. 11/29/94 Shn - 0, 10541 Denver McNichols Sports Arena AUD(Schoeps MK4)>DAT>CD; via Paul B; Seeded to etree by neo_levo notes
15660. 11/29/94 Flac 16/48 - 0, 138022 Denver McNichols Sports Arena flac16/48kHz; Source: Microtech Gefell UM70S Cards > Teac P-20 > DA-P1; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader’s Little Helper > FLAC; Taper Unknown; Transferred & Seeded by Bill Graves notes
15661. 11/29/94 Flac 16/48 - 0, 141190 Denver McNichols Sports Arena flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 notes
15662. 11/29/94 Flac 16/44 - , 154592 Denver McNichols Sports Arena flac16/44 Source : AIWA CM-30A mic > Sony WM-D6C (Recorded and transferred by Jeff Wilson) (Source 4) Transfer : Marantz Pro PMD-502 > PC > CD Wave Editor (tracking) > Wave > TLH (sbe aligned) Flac 8 Traders Den - Dec.6, 2021 posted by kingrue upload #3368 notes
15663. 11/30/94 Shn - 0, 10542 Denver McNichols Sports Arena AUD(Schoeps MK4)>DAT>CD; via Paul B; Seeded to etree by neo_levo notes
15664. 11/30/94 Flac 16/48 - 0, 138023 Denver McNichols Sports Arena flac16/48kHz; Source: Microtech Gefell UM70S Cards > Teac P-20 > DA-P1; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader’s Little Helper > FLAC; Taper Unknown; Transferred & Seeded by Bill Graves notes
15665. 11/30/94 Flac 16/48 - 0, 141191 Denver McNichols Sports Arena flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 notes
15666. 12/01/94 Shn - 0, 10932 Denver McNichols Sports Arena AUD(mic. and location unk., FOB?)>DAT>CDR; via Paul B; Seeded to etree by neo_levo notes
15667. 12/01/94 Flac 16/48 - 0, 138024 Denver McNichols Sports Arena flac16/48kHz; Source: Microtech Gefell UM70S Cards > Teac P-20 > DA-P1; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader’s Little Helper > FLAC; Taper Unknown; Transferred & Seeded by Bill Graves notes
15668. 12/01/94 Flac 16/48 - 0, 141192 Denver McNichols Sports Arena flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 notes
15669. 12/08/94 Shn - 0, 5611 Oakland Oakland-Alameda County Coliseum KM-140s > DAT; Transfer: DAT Master > Tascam CD-RW700 > CD > TAE (overlap) > WAV > SHN; Ripped, SHNed, and seeded by Jon Seff; tracked for 2x80 notes
15670. 12/08/94 Flac 16/48 - 0, 139122 Oakland Oakland-Alameda County Coliseum flac16/48kHz; John Ammons & Jeff Zimmer Recording: Schoeps MK4s > Bill Reutelhuber Power Supply > Panasonic SV-255 FOB DFC. Mics in hair; John Ammons Transfer: DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & mastered in Audacity by Joe Noel > flac 16/48 notes
15671. 12/09/94 Shn - 0, 12052 Oakland Oakland-Alameda County Coliseum SBD -> Dat -> CD; Seeded by Charlie Miller notes
15672. 12/09/94 Flac 16/48 - 0, 141234 Oakland Oakland-Alameda County Coliseum flac16/48 Source Info: Schoeps MK4->Reutelhuber P/S-> DAT Transfer Info: DAT (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel notes
15673. 12/11/94 Shn - 0, 12525 Oakland Oakland-Alameda County Coliseum SBD>?>DAT>CD; Unknown seeder notes
15674. 12/11/94 Flac 16 - 0, 86104 Oakland Oakland-Alameda County Coliseum flac16; AUD Unknown Mics > DAT > DAT ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) ; Transferred by Scott Swayne (AltheasBoy) in 06-2007 notes
15675. 12/11/94 Flac 16/48 - 0, 141235 Oakland Oakland-Alameda County Coliseum flac16/48 Source Info: Neumann KM 140-> Aerco P/S-> Sony D10 Pro II->DAT Transfer Info: DAT (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel notes
15676. 12/12/94 Shn - 0, 10933 Oakland Oakland-Alameda County Coliseum AUD(Schoeps MK4?s)>DAT>CD; via Raul Duke; Seeded to etree by neo_levo notes
15677. 12/12/94 Flac 16/44,1 - 0, 141236 Oakland Oakland-Alameda County Coliseum flac16/44.1 Source Info: Schoeps MK4->Reutelhuber P/S-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15678. 12/15/94 Shn - 0, 3469 Los Angeles Sports Arena AKG 460B + CK8 > D3 @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed and seeded by Jon Seff notes
15679. 12/15/94 Shn - 0, 14266 Los Angeles Sports Arena shntool fix of Jon Seff's AKG seed notes
15680. 12/15/94 Flac 16 44,1 - 0, 141237 Los Angeles Sports Arena flac16 44.1khz Source Info: FOB Schoeps MK 4-> Reutelhuber P/S-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. notes
15681. 12/15/94 Flac 16/48 - , 153187 Los Angeles Sports Arena flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon notes
15682. 12/15/94 Flac 24/96 - , 156201 Los Angeles Sports Arena flac2496 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 notes
15683. 12/15/94 Flac 16/44,1 - , 156395 Los Angeles Sports Arena flac1644.1: Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 156201 2448 > 1644.1 notes
15684. 12/16/94 Flac 16 - 0, 34551 Los Angeles Sports Arena flac16; Set 2 DSBD > DAT > [?] > CDR > EAC > CEPro > CDWAV > FLAC (level 8) via Andy Lemieux. Encoded by Matt Vernon notes
15685. 12/16/94 Flac 16 Mtx - 0, 100297 Los Angeles Sports Arena flac16; matrix of DSBD: shnid=34551 and DAUD: shnid=10543 by hansokolow using ProTools notes
15686. 12/16/94 Flac 16/48 - 0, 138603 Los Angeles Sports Arena flac16/48kHz; Taper unknown: Schoeps CMC54 > Aerco PS > Marantz DAT; FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT notes
15687. 12/16/94 Shn - 0, 10543 Los Angeles Sports Arena AUD(Nak 300 Shotguns)>Aiwa DAT>CD; via Henry Wankleswurth; Seeded to etree by neo_levo notes
15688. 12/16/94 Flac 16 44,1 - 0, 141245 Los Angeles Sports Arena flac16/44.1 Source Info: FOB Schoeps MK 4-> Reutelhuber P/S-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. notes
15689. 12/16/94 Flac 16/48 - , 153188 Los Angeles Sports Arena flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon notes
15690. 12/18/94 Shn - 0, 3618 Los Angeles Sports Arena AKG 460B + CK8 > D3 @48k; Transfer: DA20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed and seeded by Jon Seff; note level adjustment t1 notes
15691. 12/18/94 Shn - 0, 13530 Los Angeles Sports Arena Shntool fix (by Chris L) of original AKG seed; See info file for details; AKG 460B + CK8 > D3 @48kTransfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed and seeded by Jon Seff (jon@seff.net) notes
15692. 12/18/94 Flac 16/48 - 0, 141246 Los Angeles Sports Arena flac16/48 Source Info: FOB Schoeps CMC 5 MK 4-> DAT. Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48). Transfers by Pete Ebel. notes
15693. 12/18/94 Flac 16 44,1 - 0, 141249 Los Angeles Sports Arena flac16/44.1 Source Info: FOB Neumann KM 140-> Aerco P/S-> Casio DTR 100-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. notes
15694. 12/18/94 Flac 16/48LPCM - 0, 149205 Los Angeles Sports Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - AUD1 (shnid = 141249) Source Info: FOB Neumann KM 140-> Aerco P/S-> Casio DTR 100-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. + AUD2 (shnid = 13530) Shntool fix (by Chris L) of original AKG seed; See info file for details; AKG 460B + CK8 > D3 @48kTransfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed and seeded by Jon Seff.- Note: Missing 1st 3 songs of 1st Set - surround mixing by Kevin Tobin notes
15695. 12/18/94 Flac 16 Dts.5.1 - 0, 149204 Los Angeles Sports Arena DTS-Audio-CD 5.1 Mix; AUD1 (shnid = 141249) Source Info: FOB Neumann KM 140-> Aerco P/S-> Casio DTR 100-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. + AUD2 (shnid = 13530) Shntool fix (by Chris L) of original AKG seed; See info file for details; AKG 460B + CK8 > D3 @48kTransfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed and seeded by Jon Seff.- Note: Missing 1st 3 songs of 1st Set - dts mixing by Kevin Tobin notes
15696. 12/18/94 Flac 16 Mtx - 0, 149203 Los Angeles Sports Arena flac16; Matrix 2 Audience Source Mix - AUD1 (shnid = 141249) Source Info: FOB Neumann KM 140-> Aerco P/S-> Casio DTR 100-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. + AUD2 (shnid = 13530) Shntool fix (by Chris L) of original AKG seed; See info file for details; AKG 460B + CK8 > D3 @48kTransfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed and seeded by Jon Seff.- Note: Missing 1st 3 songs of 1st Set - matrix mixing by Kevin Tobin notes
15697. 12/19/94 Shn - 0, 20712 Los Angeles Sports Arena DATSBD>Cass.>DAT>Cass.>CDR via Andy Lemieux Encoding, patching [Schoeps MK-4 (http://db.etree.org/shn/2521)] , pitching by Matt Vernon notes
15698. 12/19/94 Shn - 0, 2521 Los Angeles Sports Arena Schoeps MK-4 > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed and seeded by Jon Seff; Jon's comment: Levels are a little low throughout, but quite hot during drums, so I couldn't normalize and there may be a bit of clipping at the highest points. notes
15699. 02/19/95 Flac 16 - 0, 95443 Salt Lake City Delta Center flac16; Schoeps CMC441's>koch power supply >Panasonic sv-255>Sony TCD-D10PROII Recorded by Keith Litzenberger via digital patch from Ed Boardman front Row of Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC notes
15700. 02/19/95 Shn - 0, 10544 Salt Lake City Delta Center AUD(Schoeps MK4s)>DAT>CDR; via P.B.; Seeded to etree by Chris L. notes
15701. 02/19/95 Flac 16/44,1 - 0, 141066 Salt Lake City Delta Center flac16/44.1 Source Info: FOB Schoeps MK4V-> Reutelhuber P/S-> Sony D10 Pro II-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15702. 02/19/95 Flac 16/48 - 0, 145490 Salt Lake City Delta Center flac16/48khz Source: AKGC60B+CK8x shotgun in OTS, ~34’ to St.L of C (inline w/hanging PA; aimed at the PA) > Panasonic SV-255 (Paul Tumolo’s rig) Analog or Digi out, possibly via custom patchbay built by Neil Sturtevant (detail not noted) > Sony TCD-D3 DAT @ 48 kHz Recorded and transferred by Jean Lerond Transfer: Fostex D5 DAT (playback of DAT Master record) @ 16-bits, 48 kHz (S/PDIF optical out) > M-Audio Firewire Audiophile external soundcard > Magix Sound Forge Pro Suite 12.1 build 170 x64 notes
15703. 02/20/95 Shn - 0, 1297 Salt Lake City Delta Center SBD > D > CD-R > EAC >SHN (note no cass gen); "buzzing" in the audio was a problem with the venue's/band's sound equipment; via Brian Walker; mastered by Jay Serafin; note the "if any editing" clause in info file is part of Jay's boilerplate for seeds notes
15704. 02/20/95 Flac 16 - 0, 144300 Salt Lake City Delta Center flac16; Master Soundboard Dat > 1st generation cassettes > Dat > HDD (.wav 16/44.1); Transfer Info: HDD (.wav)> Adobe Audition CC 2019 > TLH flac16 notes
15705. 02/20/95 Flac 16/48 - 0, 145491 Salt Lake City Delta Center flac16/48khz Source: AKGC60B+CK8x shotgun in OTS, ~34’ to St.L of C (inline w/hanging PA; aimed at the PA) > Panasonic SV-255 (Paul Tumolo’s rig) Analog or Digi out, possibly via custom patchbay built by Neil Sturtevant (detail not noted) > Sony TCD-D3 DAT @ 48 kHz Recorded and transferred by Jean Lerond Transfer: Fostex D5 DAT (playback of DAT Master record) @ 16-bits, 48 kHz (S/PDIF optical out) > M-Audio Firewire Audiophile external soundcard > Magix Sound Forge Pro Suite 12.1 build 170 x64 notes
15706. 02/21/95 Flac 16 - 0, 114144 Salt Lake City Delta Center flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
15707. 02/21/95 Shn - 0, 8840 Salt Lake City Delta Center DSBD > 1C > DAT; Seeded to etree by Dan Stephens notes
15708. 02/21/95 Shn - 0, 1524 Salt Lake City Delta Center SBD> D> CD-R> EAC> SHN; via Jay Serafin, Brian Walker; see info file and pub comments for notes; possibly "click track" audible on a couple tracks notes
15709. 02/21/95 Flac 16/48 - 0, 140348 Salt Lake City Delta Center flac16/48kHz; Source: unknown aud > dat (48k); Transfer: dat > Sony R500 > Tascam DA-3000 > wav 16/48; Lineage: wav > iZotope RX6 Advanced > Adobe Audition 1.5 > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017 notes
15710. 02/21/95 Flac 16/48 - 0, 145492 Salt Lake City Delta Center flac16/48khz Source: AKGC60B+CK8x shotgun in OTS, ~34’ to St.L of C (inline w/hanging PA; aimed at the PA) > Panasonic SV-255 (Paul Tumolo’s rig) Analog or Digi out, possibly via custom patchbay built by Neil Sturtevant (detail not noted) > Sony TCD-D3 DAT @ 48 kHz Recorded and transferred by Jean Lerond Transfer: Fostex D5 DAT (playback of DAT Master record) @ 16-bits, 48 kHz (S/PDIF optical out) > M-Audio Firewire Audiophile external soundcard > Magix Sound Forge Pro Suite 12.1 build 170 x64 notes
15711. 02/24/95 Flac 16 - 0, 32480 Oakland Oakland-Alameda County Coliseum flac16; FM SBD Monitor > MC > Cx > WAV > FLAC notes
15712. 02/24/95 Shn - 0, 4766 Oakland Oakland-Alameda County Coliseum AT 4071 > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; note fixed-boundary version may also circulate notes
15713. 02/24/95 Flac 16 - 0, 91203 Oakland Oakland-Alameda County Coliseum flac16; (OTS) AKG 460b/ck61 -> custom pre-amp -> D-7 -> dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (4/5/08) notes
15714. 02/24/95 Flac 16/48 - 0, 139126 Oakland Oakland-Alameda County Coliseum flac16/48kHz; John Ammons & Jeff Zimmer Recording: Schoeps MK4s > Bill Reutelhuber Power Supply > Panasonic SV-255 FOB DFC[ Mics in hair; John Ammons Transfer: DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & mastered in Audacity by Joe Noel > flac 16/48 notes
15715. 02/24/95 Flac 16/44,1 - 0, 141024 Oakland Oakland-Alameda County Coliseum flac16/44.1 Source Info: FOB Schoeps CMC4 Mk41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15716. 02/25/95 Shn - 0, 5494 Oakland Oakland-Alameda County Coliseum shntool-fixed version (by Jeff Kempka?) of previous shn set: Unknown Mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff notes
15717. 02/25/95 Flac 16 - 0, 91223 Oakland Oakland-Alameda County Coliseum flac16; (OTS) AKG 460b/ck61 -> custom pre-amp -> D-7 -> dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (4/7/08) notes
15718. 02/25/95 Shn - 0, 4777 Oakland Oakland-Alameda County Coliseum Unknown Mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; note fixed-boundary version may also circulate notes
15719. 02/25/95 Flac 16/44,1 - 0, 141030 Oakland Oakland-Alameda County Coliseum flac16/44.1 Source Info: FOB Schoeps CMC4 Mk41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15720. 02/25/95 Flac 16 - 0, 143162 Oakland Oakland-Alameda County Coliseum flac16; End of Set 2 Recording Info: SBD > Dat (cloned from vault master); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes
15721. 02/26/95 Flac 16 - 0, 109244 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Monitor Mix -> Dat -> Cassette Master -> Cassette Transfer Info: Cassette -> Dat -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC All Transfers and Mastering By Charlie Miller notes
15722. 02/26/95 Shn - 0, 4778 Oakland Oakland-Alameda County Coliseum Unknown Mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; see flaw and tracking notes in info file; note fixed-boundary version may also circulate notes
15723. 02/26/95 Shn - 0, 5495 Oakland Oakland-Alameda County Coliseum shntool-fixed version (by Jeff Kempka?) of previous shn set: Unknown Mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; see flaw and tracking notes in info file notes
15724. 02/26/95 Flac 16 - 0, 91224 Oakland Oakland-Alameda County Coliseum flac16; (OTS) AKG 460b/ck61 -> custom pre-amp -> D-7 -> dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (4/8/08) notes
15725. 02/26/95 Flac 16 44,1khz - 0, 141063 Oakland Oakland-Alameda County Coliseum flac16/44.1 Source Info: FOB Schoeps CMC4 Mk41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15726. 02/26/95 Flac 16 - 0, 143163 Oakland Oakland-Alameda County Coliseum flac16; Recording Info: Monitor Mix > Dat > Cassette Master > Cassette > Dat (Sony PCM-R500); Transfer Info: Dat (Sony PCM-R500) > Adobe Audition v3.0 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes
15727. 02/26/95 Flac 16 - 0, 144290 Oakland Oakland-Alameda County Coliseum flac16; Master Soundboard Dat > 1st generation cassettes > Dat > HDD (.wav 16-bit/44.1kHz); Transfer Info: HDD (.wav) > Adobe Audition CC 2019 > TLH flac16 notes
15728. 03/17/95 Flac 16 - 0, 97658 Philadelphia The Spectrum flac16; Recording Info:SBD -> Dat -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
15729. 03/17/95 Flac - 0, 17951 Philadelphia The Spectrum (soundcheck) Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol notes
15730. 03/17/95 Flac 16 - 0, 91840 Philadelphia The Spectrum flac16; Taper:John Bleich - Lineage: Nak 300's > D6 > Master Cassette > DR-3 > Emu 1212M > 24/96 Wav > Wavelab 5 > Plugings > R8 Brain > 32/44.1 Wave > L3 > 16/44.1 Wave > Flac Lvl 8 (TLH) notes
15731. 03/17/95 Shn - 0, 16057 Philadelphia The Spectrum Sources: Primary - DSBD >?>Bootleg CD>EAC>SHN. Secondary audience source (Schoeps MK4) used for drums > space. This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamlessly spliced in. A droupout in Loose Lucy in the SBD source was removed using soundforge 5. notes
15732. 03/17/95 Shn - 0, 1366 Philadelphia The Spectrum (soundcheck) Unbroken Chain Rehearsal & Sound Check; Phil's FM monitor signal intercepted with portable boom box; FM Analog> DAT> Macromedia Sound > Edit> SHN; 10 tracks of UBC plus banter; 8/00: formerly listed in db as 3/19/95- "may be mislabeled as 3/17/95"!- thanks to Tom Bellanca for correction; update 4/03- md5s added thanks to Matt Vernon- may or may not be originals (none were stored in shncirc originally) notes
15733. 03/17/95 Flac 16 - 0, 92087 Philadelphia The Spectrum flac16; Source: Nakamichi CM-300 CP-4 mics-> PCM-M1 @ 16/48kHz Transfer: Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 mastering software-> R8brain 16/44.1kHz-> Traders Little Helper, flac8 Taper: Greg Holtz notes
15734. 03/17/95 Shn - 0, 13400 Philadelphia The Spectrum AUD (Schoeps MK4)>DAT>CDR>WAV>SHNv3 via Paul B and Candyman notes
15735. 03/17/95 Flac 16 44,1 - 0, 141197 Philadelphia The Spectrum flac16/44.1 Source Info: FOB B&K 4011-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15736. 03/17/95 Flac 16/48 - 0, 141505 Philadelphia The Spectrum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes
15737. 03/17/95 Flac 16 - 0, 142982 Philadelphia The Spectrum flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape,1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section notes
15738. 03/17/95 Shn - 0, 1366 Philadelphia The Spectrum Unbroken Chain Rehearsal & Sound Check; Phil's FM monitor signal intercepted with portable boom box; FM Analog> DAT> Macromedia Sound > Edit> SHN; 10 tracks of UBC plus banter; 8/00: formerly listed in db as 3/19/95- "may be mislabeled as 3/17/95"!- thanks to Tom Bellanca for correction; update 4/03- md5s added thanks to Matt Vernon- may or may not be originals (none were stored in shncirc originally) notes
15739. 03/17/95 Shn - 0, 17951 Philadelphia The Spectrum Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol notes
15740. 03/17/95 Flac 16/48 - 0, 150765 Philadelphia The Spectrum flac16; DSDB>cassette>Dat>clone to me> File cloned in Microtrack>Goldwave Tracking>TLH8 notes
15741. 03/18/95 Flac 16 - 0, 97659 Philadelphia The Spectrum flac16; Recording Info:SBD -> Dat -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
15742. 03/18/95 Flac 16 - 0, 92018 Philadelphia The Spectrum flac16; Nak 300's > D6 > master Cassette > DR-3 > EMU 1212M > 24/96 Wave > Wavelab 5 > plugins > r8brain > 32/44.1 wave > wavelab 5 (tracking) > L3 > 16/44.1 wave > Flac 16 (TLH lvl 8 ) Taped by John Bleich notes
15743. 03/18/95 Flac 16 - 0, 32055 Philadelphia The Spectrum flac16; remastered shn id 1362. SHN > WAV > Addawav > Wavelab 5.0 (see below) > CDWAV 1.9 > FLAC (level 5) see details in the text file. notes
15744. 03/18/95 Shn - 0, 1362 Philadelphia The Spectrum liberated" bootleg sbd cd > EAC > wav > shn; via Chris Ladner; known errors: d1t5 digipop @ 5:25, d1t10: soft digipops notes
15745. 03/18/95 Flac 16 - 0, 95677 Philadelphia The Spectrum flac16; Recordist : unknown Source: Soundboard > ? > DAT[x] Recorded Format: 16 bit, 48 kHz Conversion: DAT[x] > Tascam DA-45HR [digital coaxial output] > Oade ACM Marantz PMD671 [digital coaxial input] > CF card > IBM ThinkPad T41 Editing: Voxengo r8brain free v1.9 [resample at "very high" quality setting]Dither: none Final Format: 16 bit, 44.1 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.2, FLAC Frontend v1.7.0.1, Level 8, Sector Boundaries Aligned DAT transfer and DSP performed by Tim Burke notes
15746. 03/18/95 Flac 16 - 0, 123337 Philadelphia The Spectrum flac16; Source: Audix shotguns > Sony WM-D6 (TDK SA-X type II/NR: on); Transfer: Nak BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables (attenuated) > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi notes
15747. 03/18/95 Flac 16 44,1 - 0, 141182 Philadelphia The Spectrum flac16/44.1 Source Info: FOB Schoeps CMC 5 Mk 4-> Aerco P/S-> Apogee AD1000-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Taped by Adam Gross and Pete Ebel Transfers by Pete Ebel notes
15748. 03/18/95 Flac 16/48 - 0, 141506 Philadelphia The Spectrum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes
15749. 03/18/95 Flac 16 - 0, 142354 Philadelphia The Spectrum flac16; Set 2 Recording Info: SBD > Vault Master Dat > Dat Clone (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller notes
15750. 03/18/95 Flac 16 - 0, 143981 Philadelphia The Spectrum flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape,1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section notes
15751. 03/19/95 Flac 16 - 0, 92062 Philadelphia The Spectrum flac16; Nak 300's > D6 > master Cassette > DR-3 > EMU 1212M > 24/96 Wave > Adobe Audition > Izotope Ozone 3 > MaxxBass > Ozone 3 (Dithering) > wav 16/44 > CDWave > Flac16. Taped by John Bleich. notes
15752. 03/19/95 Flac 16/48 - 0, 136858 Philadelphia The Spectrum flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller notes
15753. 03/19/95 Shn - 0, 7479 Philadelphia The Spectrum SchoepsMK4> ReutelheuberBox> DenonDTR80p> SonyD7 Taping Section; DAT> CDr; via Dan Sisler; Seeded to etree by Tim Wiley notes
15754. 03/19/95 Shn - 0, 15097 Philadelphia The Spectrum FOB Schoeps MK41 > DAT @ 48KHz > ZA2 (48244) > SHN notes
15755. 03/19/95 Flac 16 44,1 - 0, 141181 Philadelphia The Spectrum flac16/44.1 Source Info: FOB Schoeps MK4V-> Reutelhuber P/S-> Sony D10 Pro II-> DAT (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15756. 03/19/95 Flac 16 44,1 - 0, 141180 Philadelphia The Spectrum flac16/44.1 Source Info: FOB Schoeps CMC 5 Mk 4-> Aerco P/S-> Apogee AD1000-> DAT Transfer Info: DAT (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Taped by Adam Gross and Pete Ebel Transfers by Pete Ebel notes
15757. 03/19/95 Flac 16/48 - 0, 141507 Philadelphia The Spectrum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes
15758. 03/19/95 Flac 16 - 0, 143032 Philadelphia The Spectrum flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape, 1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section notes
15759. 03/22/95 Flac 16 - 0, 112627 Charlotte Charlotte Coliseum flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper:Baker,Transfer By Keo Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes
15760. 03/22/95 Flac 24/96 - 0, 112628 Charlotte Charlotte Coliseum flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper:Baker,Transfer By Keo Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96kHz notes
15761. 03/22/95 Shn - 0, 12179 Charlotte Charlotte Coliseum Grateful Dead 3-22-95 Charlotte Coliseum, Charlotte NC AKG C460B bodies with CK-8X short shotgun/hypercardiod capsules / Denon DTR-80P / Taper's Section 7.5' hig adjacent to SB on Phil's side DTR-80P -> (analog) Panasonic SV-250 -> (analog) Panasonic SV-3700 -> Sony DTC-690 notes
15762. 03/22/95 Shn - 0, 11623 Charlotte Charlotte Coliseum AUD(Schoeps MK4s)>DAT>CD; via Henry Wankleswurth; Seeded to etree by neo_levo notes
15763. 03/23/95 Flac - 0, 25373 Charlotte Charlotte Coliseum Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat (44.1k) Set 2: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC notes
15764. 03/23/95 Shn - 0, 1369 Charlotte Charlotte Coliseum SBD> D> cass> D> CD-R> EAC> SHN; mastering by Jay Serafin; to etree via Brian Walker; see info file for listening notes; note the "if any editing" clause in info file is part of Jay's boilerplate for seeds notes
15765. 03/23/95 Flac 16 - 0, 90975 Charlotte Charlotte Coliseum flac16; Unknown Mic > Unknown Deck > Marantz PMD 430 Tapers Section (117, row J, seat 11) Master Cassettes > SB Audigy(line in) > Adobe Audition @24bit/48khz Adobe Audition: Noise Reduction of analog hiss, fade ins/outs, pop/click eliminator, dithered and resampled to 16bit/44khz. CDwave: tracking Trader's little Helper: flacs notes
15766. 03/23/95 Flac 16 44,1 - 0, 141183 Charlotte Charlotte Coliseum flac16/44.1 Source Info: Set #1: FOB Schoeps CMC 5 Mk4-> Aerco P/S-> Casio DTR 100-> DAT (Battery Failed During Days Between) Set #2: FOB Schoeps MK 4 Reutelhuber P/S-> Teac-> DAT (Carrion Crow Solo) Set #1: Sec CTR, Row R, Seat 10 Set #2: Sec CTR, Row Q, Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Taped & Transfers by Pete Ebel notes
15767. 03/23/95 Flac 16 - 0, 142397 Charlotte Charlotte Coliseum flac16; Recording Info: SBD > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Master by Charlie Miller notes
15768. 03/24/95 Flac 16 - 0, 35182 Charlotte Charlotte Coliseum flac16; S: D> C> D> C2> D> CDR> FLAC The last cassette generation was obtained from Andy Lemieux and transferred to DAT by Hiroki Shibata. Converion by Chris Larson notes
15769. 03/24/95 Flac 16 - 0, 83900 Charlotte Charlotte Coliseum flac16; Main source: SBD > D> C> D> C2> D> CDR> FLAC; pitch fix of shnid 35181 by Bill Tetzeli notes
15770. 03/24/95 Flac 24/48 - 0, 98107 Charlotte Charlotte Coliseum flac24; Unknown mics > Unknown deck > Marantz PMD 430 Tapers Section (117, row g, seat 9) Recorded 1st set on Maxell MX-90, 2nd set on Maxell MX-110. Master Cassettes > SB Audigy > Adobe Audition @24bit/48khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator. CDwave: tracking. Trader's little Helper: md5, ffp, flac; Recorded by Chris LaPorte notes
15771. 03/24/95 Shn - 0, 5668 Charlotte Charlotte Coliseum AKG 460s > Technics 260 > DAT > CD > EAC > SHN; via jtjames notes
15772. 03/24/95 Flac 16 44,1 - 0, 141194 Charlotte Charlotte Coliseum flac16/44.1 Source Info: FOB Schoeps CMC 5 Mk4-> Aerco P/S-> Casio DTR 100-> DAT Sec CTR, Row R, Seat 7 Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Taped & Transfers by Pete Ebel notes
15773. 03/26/95 Shn - 0, 34835 Atlanta The Omni Fix of shn id 3909 - SBD > MC > DAT > CDR > EAC > SHN notes
15774. 03/26/95 Flac 16 - 0, 124612 Atlanta The Omni flac16; akg461>b18>d7 ots mics @ 10ft. pas; dat(m)>hhb830 cds in 2003; cd>eac>audacity eq>cdwave splits>tlh flac 8; t&s by c. cage notes
15775. 03/26/95 Flac 16/44,1 - 0, 141195 Atlanta The Omni flac16/44.1khz Source Info: FOB Schoeps MK 4->Reutelhuber P/S-> Teac DA-P20-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15776. 03/26/95 Shn - 0, 3909 Atlanta The Omni SBD > MC > DAT > CDR; seed via cm., DAE (EAC + SHNv3) by c. ladner notes
15777. 03/26/95 Shn - 0, 152479 Atlanta The Omni Audience downloaded from a.b.m.s 07/03; notes
15778. 03/27/95 Shn - 0, 3194 Atlanta The Omni SBD> DAT> CDR> EAC> SHN; Seeded by: Jon Zilles, DAT conversion by fellow etreer; d2 tracked for 80 min; track timings courtesy Charles Weir notes
15779. 03/27/95 Flac 16 - 0, 124616 Atlanta The Omni flac16; akg461>b18>d7 16/44.1; ots mics @ 10 ft. pas; dat(m)>hhb830 cds in 2003; cd>eac>cdwave splits>tlh flac 8; t&s by c. cage notes
15780. 03/27/95 Flac 16 44,1khz - 0, 141196 Atlanta The Omni flac16/44.1khz Source Info: FOB Schoeps MK 4->Reutelhuber P/S-> Teac DA-P20-> DAT (Ace Cubby) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15781. 03/27/95 Shn - 0, 152472 Atlanta The Omni Audience originally downloaded from a.b.m.s 07/03 notes
15782. 03/27/95 Flac 16/44 - 0, 152190 Atlanta The Omni flac16/44 SBD > DAT > Cassette > CDR > EAC > SHN > Audition > FLAC Seeded by Jon Zilles Remastered by PsyKies notes
15783. 03/27/95 Flac 16/44 - , 155199 Atlanta The Omni flac16/44 Source: SBD>DAT>CDR>EAC>SHN>FLAC Seeded by: Jon Zilles(zillejc@auburn.edu) Remastered by Spacebandit 2021/08/18 Removed a few clicks/peaks, glitches. Volume balanced. A lot of Dead Air removed between sets. notes
15784. 03/28/95 Flac 16 - 0, 80018 Atlanta The Omni flac16; FM SBD Monitor -> MC -> Cass (Maxell XLII 90) Transfer: Cassettte playback on Nakamichi MR-1 (no NR) -> gold-plated RCA Apogee cable -> RCA RX-D302B Receiver -> Optical out w/ Apogee Cable -> M-Audio CO2 Coax/Optical Converter -> S/PDIF -> M-Audio 1010-LT -> Recorded in Sound Forge8 (24/48 KHz WAV) Edits: Wavelab > Waves XHum (60Hz tone removed)/DeNoiser /L3 Multimaximizer/IDR (hi res CD settings) -> 16 bit WAV -> CD Wave Editor 1.95 -> FLAC Frontend -> FLAC level 8 notes
15785. 03/29/95 Shn - 0, 18096 Atlanta The Omni 2nd set partial - from Phil's ear monitor via Marc Pujol notes
15786. 03/29/95 Flac 16 - 0, 124627 Atlanta The Omni flac16; akg461>b18>d7 16/44.1; ots mics @ 10 ft. pas; dat(m)>hhb 830 cds in 2003; eac>audacity eq>cdwave splits>tlh flac 8; t&s by c. cage notes
15787. 03/29/95 Flac 16/48 - 0, 136874 Atlanta The Omni flac16/48; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Mi notes
15788. 03/29/95 Shn - 0, 3917 Atlanta The Omni set 2; NAK300's> Teac DAP 20; transfer via DAP-1> Zoltrix> CoolEdit> CDWAV> MKW audio tools; note nearly same info file as previous shn set, now all collected here, but md5s differ and discs are named as d2,d3; originally noted at Mike Lai's stellablue- poss reDAE or reworking of Nick Georges' seed? Note: shn-md5 for fixed sbe's notes
15789. 03/29/95 Shn - 0, 16088 Atlanta The Omni Speed-corrected version of previousAKG 451's source; See info file for details; Seeded to etree by CWier notes
15790. 03/29/95 Shn - 0, 8835 Atlanta The Omni Complete; Taper's source unknown other than A:D and AKG 451's; Seeded to etree by Tyler Jensen notes
15791. 03/29/95 Shn - 0, 30516 Atlanta The Omni set 2; NAK300's> Teac DAP 20; transfer via DAP-1> Zoltrix> CoolEdit> CDWAV> MKW audio tools; seekable SBE-fixed version of SHNid=3917 notes
15792. 03/29/95 Flac 16/44,1 - 0, 141197 Atlanta The Omni flac16/44.1khz Source Info: FOB Schoeps MK 4V-> Reutelhuber P/S-> Sony D-10 Pro II-> DAT (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15793. 03/30/95 Flac 16 - 0, 119786 Atlanta The Omni flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
15794. 03/30/95 Shn - 0, 4161 Atlanta The Omni dsbd (pre-fm)> ?> cdr> eac> shn; via Tony Gardner, with thanks to Chris Larson notes
15795. 03/30/95 Flac 16 - 0, 95823 Atlanta The Omni flac16; Schoeps MK4's>Reutelhuber Preamp>Teac DA-P20 Recorded FOB By Ace Cubby Clone1>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades,De-emphasis, Sample Rate Conversion)>CDWAV>FLAC Transferred By Keith Litzenberger on 11/14/08 notes
15796. 04/01/95 Shn - 0, 5287 Memphis Pyramid Arena Monitor Mix SBD -> DAT -> CDR-> EAC -> SHN; via Rus K. notes
15797. 04/01/95 Shn - 0, 581 Memphis Pyramid Arena SBD-> DAT-> CDR-> SHN; via J. Zei notes
15798. 04/01/95 Flac 16 - 0, 110613 Memphis Pyramid Arena flac16; Taped by: Greg Holtz Field Equipment: 4-mic mix - Nakamichi CM-300 mics with CP-4 shotgun capsules and Neumann KM-184s > Niles audio mixer > Sony D-3 DAT master tapes; Transfer (By Jaz): DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Izotope Ozone 3, Fades, L2 Dither 16/44.1 kHz, Traders Little Helper flac8; Tracking: Luke Olsen notes
15799. 04/01/95 Flac 16 - 0, 84289 Memphis Pyramid Arena flac16; Recording Info: FOB DFC Schoeps Mk4 cardiod capsules > Schoeps kc5 active cables > Schoeps CMC6 mic body > monster m1000 jumper cable > Apogee AD500e A/D converter > Casio DA-R100 DAT Deck (Master DAT) Transfer Info: DAT from the collection of Todd Evans and Adam Gross DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 notes
15800. 04/01/95 Shn - 0, 28852 Memphis Pyramid Arena Source: A(tapers section):NAK CM300 Cardioids CP1 Caps>Sony TCD-D10 Transfer: D(48kHz)>ZA2(S/PDIF)>Samplitude2496>CD- notes
15801. 04/01/95 Flac 16 - 0, 118439 Memphis Pyramid Arena flac16; Source: Shure BG4.0's > Sony D6; Lineage: Cass/M > Nak DR-3 > CD > EAC > CDWav > FLAC; Location: OTS/sec 5; row Q, seat 8; Recorded/transferred: Christian Richart; Extraction/seed: Brad Foster notes
15802. 04/01/95 Flac 16 44,1 - 0, 141254 Memphis Pyramid Arena flac16/44.1 Source Info: FOB Schoeps MK 4-> Reutelhuber P/S-> Teac DA-P20-> DAT (Ace Cubby & Carron Crow) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel notes
15803. 04/01/95 Flac 16 - 0, 143053 Memphis Pyramid Arena flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck (Lead Deck)>Sony WM-D6C Cassette Deck>Master Tape (Maxell XL-II S 90 And 100 Minute Tapes)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Andy T.Transfer By Dave Boedicker.Taped In Official Taper Section notes
15804. 04/02/95 Shn - 0, 11622 Memphis Pyramid Arena SBD>DAT>CD; Seeded to etree by Chris Larson notes
15805. 04/02/95 Flac 16 - 0, 91056 Memphis Pyramid Arena flac16; Taper: Greg Holtz Source: Nakamichi CM300s CP4 Shotguns-> D3 @ 16/48kHz Transfer: (By JAZ) DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Izotope Ozone 3, Fades, L2 Dither 16/44.1 kHz, Traders Little Helper flac8 notes
15806. 04/02/95 Shn - 0, 5226 Memphis Pyramid Arena DSBD?> liberated Bootleg CD> EAC> SHN; via Justin Snyder notes
15807. 04/02/95 Shn - 0, 28853 Memphis Pyramid Arena Source: A(tapers section):NAK CM300 Cardioid CP1 Caps>Sony TCD-D10 Transfer: D(48kHz)>ZA2(S/PDIF)>Samplitude2496>CD-r notes
15808. 04/02/95 Flac 16 - 0, 118440 Memphis Pyramid Arena flac16; Source: Shure BG4.0's > Sony D6; Lineage: Cass/M > Nak DR-3 > CD > EAC > CDWav > FLAC; Location: OTS/sec 120; row A, seat 11; Recorded/transferred: Christian Richart; Extraction/seed: Brad Foste notes
15809. 04/02/95 Shn - 0, 93209 Memphis Pyramid Arena SBD (possible monitor mix) > ? > shn notes
15810. 04/02/95 Flac 16 44,1 - 0, 141253 Memphis Pyramid Arena flac16/44.1 Source Info: Set #1: FOB Schoeps CMC6 MK4-> Apogee A/D500-> Casio-> DAT (Todd Evens & Adam Gross) Set #2: FOB Schoeps MK 4V-> Reutelhuber P/S-> Sony D-10 Pro II-> DAT (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel notes
15811. 04/02/95 Flac 16/48 - 0, 141431 Memphis Pyramid Arena flac16/48kHz; Set 2 Chuck Vasseur FOB Recording: Neumann KM54 modified tube mics, hand held on t-bar > Custom PS > TEAC Deck > DAT; John Ammons Transfer: DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave 16/48 notes
15812. 04/02/95 Flac 16 - 0, 143095 Memphis Pyramid Arena flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Lead Deck)>Sony WM-D6C Cassette Deck> Master Tape(Maxell XL-II S 90 And 100 Minute Tapes)>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Andy T.Transfer By Dave Boedicker.Taped In Official Taper Section notes
15813. 04/02/95 Flac 16 - 0, 93736 Memphis Pyramid Arena flac16; Lineage: SBD -> DAT -> Cassette/? -> CD-R -> Audigy 2 -> Audition 3.0 -> 16/44.1k -> TLH -> Flac16. Clean up and pitch correction by Tim Leavy. This is a fix of shn id 11622 notes
15814. 04/02/95 Flac 16/48 - 0, 149956 Memphis Pyramid Arena flac16/kHz; Set 2 only Neumann KM56s FOB>Grace Custom P/S>SonyD7; recorded by Sean Weber-Small and Jim Oade; DAT>Tascam DA-3000 transfer by Dave Cohen notes
15815. 04/02/95 Flac 16/48 - , 156418 Memphis Pyramid Arena flac1648 Source: SBD : ? > DAT @ 16bit/48kHz; Transfer: TascamDA-20mkII > S/PDIF > MarantzPMD-661pro @ 16bit/48kHz; Mastering: SDHC > WavelabPro9.5 > CDWav > TLH (FLAC level8); FOH Engineer: John Cutler; Recorded by: unknown; Transfer & Mastering by: Chris Mrachek notes
15816. 04/04/95 Flac 16 - 0, 123593 Birmingham Jefferson Civic Center Coliseum flac16; Source: AUD(Schoeps MK4s)>DAT>CDR>WAV>SHNv3>Wav>Cool Edit 2000>Wav>Flac notes
15817. 04/04/95 Shn - 0, 10545 Birmingham Jefferson Civic Center Coliseum AUD(Schoeps MK4s)>DAT>CDR; via Paul B; Seeded to etree by Chris L notes
15818. 04/04/95 Flac 16 44,1 - 0, 141273 Birmingham Jefferson Civic Center Coliseum b/>flac16/44.1 Source Info: FOB Schoeps MK 4-> Reutelhuber P/S-> Teac DA-P20-> DAT (Ace Cubby & Carron Crow). Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel notes
15819. 04/04/95 Flac 16 - 0, 143099 Birmingham Jefferson Civic Center Coliseum flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Master Deck)>Sony WM-D6C Cassette Deck> 1st Generation Cassette Tape(Maxell XL-II S 90 And 100 Minute Tapes)>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Andy T; Transfer By Dave Boedicker; Taped In Official Taper Section notes
15820. 04/05/95 Flac 16 - 0, 35258 Birmingham Jefferson Civic Center Coliseum flac16; Fix of shn id 18097 - pitch-corrected and repatched (SBD > ? > Cassette > CDr with AUD patches). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
15821. 04/05/95 Shn - 0, 18097 Birmingham Jefferson Civic Center Coliseum SBD > ? > Cassette > CDr with AUD patches via Darryl Hinko notes
15822. 04/05/95 Shn - 0, 10385 Birmingham Jefferson Civic Center Coliseum AUD(Schoeps MK4's)>DAT>CDR; via Paul B; Seeded to etree by Chris L notes
15823. 04/05/95 Flac 16/48 - 0, 141432 Birmingham Jefferson Civic Center Coliseum flac16/48kHz; Set 2 Chuck Vasseur FOB Recording: Neumann KM54 modified tube mics, hand held on t-bar > Custom PS > TEAC Deck > DAT; John Ammons Transfer: DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave 16/48 notes
15824. 04/05/95 Flac 16 - 0, 143121 Birmingham Jefferson Civic Center Coliseum flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck (Lead Deck) >Sony WM-D6C Cassette Deck>Master Tape (Maxell XL-II S 90 And TDK MA-X 100 Minute Tapes) >Sony TC-D5M Cassette Deck (Playback) >Edirol R-09 HR (24/44.1 KHZ) >CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Andy T.; Transfer By Dave Boedicker; Taped In Official Taper Section notes
15825. 04/07/95 Flac 16 - 0, 35148 Tampa Tampa Stadium flac16; Source: SBD>Cass>DAT>ZA2>Samlitude2496(WAV)>SHN via Chris Larson. Note: Promised Land is NOT cut on this source. notes
15826. 04/07/95 Flac 16 - 0, 35364 Tampa Tampa Stadium flac16; Seamless fix of shn id 35148 - SBD>Cass>DAT>ZA2>Samlitude2496(WAV)>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
15827. 04/07/95 Shn - 0, 7688 Tampa Tampa Stadium Source unknown - suspect SBD> ?> CDR> EAC> SHN; ? Likely mCass; via JT James notes
15828. 04/07/95 Flac 16 - 0, 137445 Tampa Tampa Stadium flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck>Master Cassette Tape (Maxell XL-II S 90 Minute Tape,1st Set,100 Minute Tape 2nd Set)>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Andy Trate notes
15829. 04/07/95 Flac 16/48 - 0, 132724 Tampa Tampa Stadium flac16/48kHz; Source: AKG 460/CK8's > Stewart BP1 Phantom power supplies> Pansaonic SV250; Conversion: Tascam DAP1 > Marantz PMD-661 > CDWaVE > TLH >foobar2000(tagging); Recorded by Stan Roberts notes
15830. 04/07/95 Flac 16 - 0, 92108 Tampa Tampa Stadium flac16; source: (fob) Scheops cmc6/mk4v (unknown pre-amp/recorder) transfer: dat (clone) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Clete (?). transfer: Chris Davis (6/4/08) notes
15831. 04/07/95 Flac 16 44,1 - 0, 141350 Tampa Tampa Stadium flac16 44.1khz Source Info: FOB Schoeps Mk 4V-> Reutelhuber P/S-> Sony D10 Pro II (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15832. 05/19/95 Shn - 0, 8600 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. AUD>DAT>CDR [AT-835A?s & Nak 300?s]; Seeded to etree by Tony Gardner notes
15833. 05/19/95 Shn - 0, 8874 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Unknown Mics > DAT > CDR; Seeded to etree by Alan Croft notes
15834. 05/19/95 Shn - 0, 18704 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Show recorded by Dan Sisler Tapes provided by Kevin Hoffman Transfer by Chris Larson - nswboogy@easystreet.com. there are end of disc SBE's. notes
15835. 05/19/95 Flac 16 44,1khz - 0, 141345 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16 44.1khz Source Info: FOB Schoeps MK 4-> Reutelhuber P/S-> Teac DA-P20-> DAT (Ace Cubby) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15836. 05/19/95 Flac 16/48 - , 153189 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon notes
15837. 05/20/95 Shn - 0, 18798 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Source: Set 1: Tapers section- A:AKG 460's>DAT Set 2: Audience(FOB directly in front of soundboard):Schoeps MK-4's>Schoeps Pre-amp>Denon80-P>DAT(48kHz) Transfer: DAT>ZA2>Samplitude>CD-r (or shn). Recorded by Dan Sisler, DATs via Kevin Hoffman, Transfer Chris Larson. Note - there is a sector boundary error on the last track of the first disc. notes
15838. 05/20/95 Shn - 0, 8875 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Unknown Mics > DAT > CDR; Seeded to etree by Alan Croft notes
15839. 05/20/95 Shn - 0, 12101 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. AUD(AT-835A?s & Nak 300?s)>DAT>CD; via Henry W; Seeded to etree by neo_levo notes
15840. 05/20/95 Flac 16 44,1khz - 0, 141346 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16 44.1khz Source Info: FOB Schoeps Mk 4V-> Reutelhuber P/S-> Sony D10 Pro II (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15841. 05/20/95 Flac 16/48 - , 153190 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon notes
15842. 05/21/95 Flac 16 - 0, 114329 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info:SBD -> Dat (44.1k); Transfer Info:Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller This is your collection notes
15843. 05/21/95 Shn - 0, 19419 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Primary source: SBD: Dat > Cass > Dat > Cass2 > Dat > CDR > SHN (http://db.etree.org/shninfo_detail.php?shnid=15077). Secondary source: SBD>DAT>DAT>CDR>WAV>SHN from partial second set recording. NOTE: Primary source was slightly fast, suspected on listening initially and confirmed easily by comparing to a DSBD partial source. The pitch issue as well as a few other technical shortcomings are taken care of as well as the upgrade for most of the second set (see info file). notes
15844. 05/21/95 Shn - 0, 8876 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Unknown Mics > DAT > CDR; Seeded to etree by Alan Croft notes
15845. 05/21/95 Shn - 0, 12102 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. AUD(AT-835A?s & Nak 300?s)>DAT>CD; via Henry Wankleswurth; Seeded to etree by neo_levo notes
15846. 05/21/95 Shn - 0, 18799 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. Source: A:FOB-Schoeps MK4's>Schoeps Pre-amp>Denon80-P@48kHz Transfer: DAT>ZA2>Samplitude2496>CD-r (or shn). Taped by Dan Sisler. DATs via Kevin Hoffman. Transfer to SHN via Chris Larson. notes
15847. 05/21/95 Flac 16 44,1khz - 0, 141347 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16 44.1khz Source Info: FOB Schoeps Mk 4V-> Reutelhuber P/S-> Sony D10 Pro II (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15848. 05/21/95 Flac 16/48 - 0, 141526 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48 Source Info: FOB (Unknown Mic Source)-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel notes
15849. 05/21/95 Flac 16/48 - , 152191 Las Vegas Sam Boyd Silver Bowl, U.N.L.V. flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon notes
15850. 05/24/95 Flac 16 - 0, 91237 Seattle Memorial Stadium flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: Nomad LM-662 in WaveLab > CD Wave > TLH > FLAC notes
15851. 05/24/95 Flac 16 - 0, 97610 Seattle Memorial Stadium flac16; Hat mounted Realistic pzm's > Sony WMD6-C, 60ft, dfc MAC>NakCR-3A>HD>Audacity>CDWave>TLH Recorded and transferred by Russ Cansler notes
15852. 05/24/95 Shn - 0, 8377 Seattle Memorial Stadium Neumann KM 140 > ? CDR; Seeded to etree by Matt Vernon notes
15853. 05/24/95 Shn - 0, 18800 Seattle Memorial Stadium Source: Af:Neumann KM140>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>WAV>SHN. Tapes provided by Ross M. Transfer by Chris Larson . notes
15854. 05/24/95 Flac 16 - 0, 35153 Seattle Memorial Stadium flac16; Source: Af:Nueman KM140>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>WAV Tapes provided by Ross M. Transfer by Chris Larson notes
15855. 05/24/95 Flac 16 - 0, 35181 Seattle Memorial Stadium flac16; Partial Set 2 unknown sbd > dat* Transfer: panasonic sv3700 > vxpocket 440 (s/pdif) > Wavelab 5.01b > CDWav > flac 16 Conversion by Chris Larson notes
15856. 05/24/95 Flac 16 44,1 - 0, 141527 Seattle Memorial Stadium flac16/44.1 Source Info: Set #1: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255 Set #2: FOB Schoeps MK4V-> Reutelhuber P/S-> Sony D10 Pro II (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15857. 05/25/95 Flac 16 - 0, 97640 Seattle Memorial Stadium flac16; Hat mounted realistic pzm's w/D6,50ft dfc.MAC>NakCR-3A>HD>Audacity>CDwave>TLH,recorded and transferred by Russ Cansler notes
15858. 05/25/95 Flac 16 - 0, 135613 Seattle Memorial Stadium flac16; Recording Info: Schoeps MK41 -> Dat (48k); Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller notes
15859. 05/25/95 Shn - 0, 8481 Seattle Memorial Stadium Neumann KM 140 > ? > CDR; Seeded to etree by Matt Vernon notes
15860. 05/25/95 Shn - 0, 7600 Seattle Memorial Stadium Recorded and Mastered by Kevin Brockway; Nakamichi 300 mics (CP-4 capsule) > Sony D-7 DAT; see info file for transfer notes; wav > shn conversion mkwACT.97beta by Steve Kennedy-Williams notes
15861. 05/25/95 Flac 16 - 0, 35154 Seattle Memorial Stadium flac16; Source: Af:Nueman KM140>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>CD-r Transfer by Chris Larson notes
15862. 05/25/95 Shn - 0, 18801 Seattle Memorial Stadium Source: Af:Neumann KM140>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>WAV>SHN. Transfer by Chris Larson. notes
15863. 05/25/95 Flac 16 44,1 - 0, 141528 Seattle Memorial Stadium flac16/44.1 Source Info: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255 Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15864. 05/26/95 Shn - 0, 2663 Seattle Memorial Stadium SBD > DAT > Cass/1 > DAT > Montego II S/PDIF > CDWav > SHNv3; d1 tracked for 80 min; DAT Provided by: Paul Gibian; Ripped, Tracked & Encoded By: Evan Saxton notes
15865. 05/26/95 Flac 16 - 0, 35169 Seattle Memorial Stadium flac16; Source: S:D>C>D>ZA2>Wavelab 3.01>FLAC16 Transfer by Chris Larson with tapes from Paul Gibian notes
15866. 05/26/95 Shn - 0, 8371 Seattle Memorial Stadium sbd>??>cdr; via Moss Willow; Seeded to etree by popi n. feeldz notes
15867. 05/26/95 Flac 16 - 0, 97643 Seattle Memorial Stadium flac16; Hat mounted realistic PZM's w/Sony D6-c,50ft dfc,MAC>NakCR 3A>HD>Audacity>CDwave>TLH recorded and transferred by Russ Cansler notes
15868. 05/26/95 Flac 16 - 0, 35199 Seattle Memorial Stadium flac16; Source: Af:D4 Schoeps CMC + MK21>DAT(48kHz) Conversion: DAT(48kHz)>ZA2(S/PIDF)>Wavelab3.03>CD-r by Chris Larson notes
15869. 05/26/95 Flac 16 - 0, 87601 Seattle Memorial Stadium flac16; Location: Taper's section Source: Microtech-Gefell UM70-S cardioids @120 degrees->Teac P20 DAT Taped/Transfered by Mike Albright notes
15870. 05/26/95 Flac 16 44,1 - 0, 141529 Seattle Memorial Stadium flac16/44.1 Source Info: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15871. 05/28/95 Shn - 0, 28457 Portland Portland Meadows Source: Sbd > C (x?) > CD > EAC > SHN notes
15872. 05/28/95 Flac 16 - 0, 92041 Portland Portland Meadows flac16; Hat mounted Realistic PZM's with Sony WMD6-C Sony Metal SR 100 No nr 1st set Maxell MX 100 No nr 2nd set 50 feet away Dead Center Recorded and Transfered by Russjcan Master>D6>HD>Audacity>CDWave>TLH notes
15873. 05/28/95 Shn - 0, 9992 Portland Portland Meadows FOB-AUD(Schoeps CMC + MK21)>DAT>CDR; via Paul B; Seeded to etree by Chris L notes
15874. 05/28/95 Flac 16 - 0, 33569 Portland Portland Meadows flac16; Source: Af:D4 Schoeps CMC + MK21>DAT(48kHz) Conversion: AT(48kHz)>ZA2(S/PIDF)>Wavelab3.03>CD-r> Notes: - This is the same source that this show circulates in currently, however, the show in db.etree is not from the original flacs. I traded this show out which was then burnt on a standalone, then traded away which ended up getting eac'd and added to the db. Conversion by Chris Larson and Reseeded to http://tmnsp.net 3/19/2006 notes
15875. 05/29/95 Flac 16 - 0, 92059 Portland Portland Meadows flac16; Hat Mounted Realistic PZM,s with Sony WMD6-C1st set Sony Metal-SR 100 No nr 2nd set Maxell MX 110 No nr 40 feet away,Dead Center Master>D6>HD>Audacity>CDWave>TLH>Torrent Recorded and Transfered by Russjcan notes
15876. 05/29/95 Shn - 0, 10070 Portland Portland Meadows FOB-AUD(Schoeps CMC + MK21)>DAT>CDR; via Paul B; Seeded to etree by neo_levo notes
15877. 05/29/95 Flac 16/48 - 0, 85419 Portland Portland Meadows flac16/48; FOB DFC Schoeps MK4's>Reutelhuber>Sony TCD-D10PRO notes
15878. 05/29/95 Flac 16 - 0, 34270 Portland Portland Meadows flac16; Source: Audience FOB: Schoeps CMC6 & MK21 > DAT(48kHz) >ZA2 > Samplitude 2496 Converted by Chris Larson 1/23/2001 from my dat - SBE's fixed 2/9/2006 notes
15879. 05/29/95 Flac 16/48 - 0, 140930 Portland Portland Meadows flac16/48kHz; Source Info: Master (FOB) Audience Dat (16/48); Schoeps CMC3/MK41 > Panasonic SV255 (16/48); Transfer Info: Dat (16/48) (Sony PCM-R500) > Sound Devices 744T (16/48) > Adobe Audition 3.0 > TLH flac1648 notes
15880. 06/02/95 Flac 16 - 0, 114337 Mountain View Shoreline Amphitheatre flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
15881. 06/02/95 Flac 16/48 - 0, 85513 Mountain View Shoreline Amphitheatre flac16/48; OTS Sennheiser K3U/ME40's > Panasonic sv-255 > (clone) Teac DA-P20 > Tascam DA-30 -*-> Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) * via coax S/PDIF notes
15882. 06/02/95 Shn - 0, 583 Mountain View Shoreline Amphitheatre SBD > DAT > CD > extracted on a Mac using Toast Audio Extractor (overlap)> SHN (note corrected info); liberated bootleg; via Jon Seff notes
15883. 06/02/95 Flac 16 - 0, 85533 Mountain View Shoreline Amphitheatre flac16; OTS Sennheiser K3U/ME40's > Panasonic sv-255 > (clone) Teac DA-P20 > Tascam DA-30 -*-> Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) * via coax S/PDIF (*44.1k version of shn id 85513*) notes
15884. 06/02/95 Flac 16 - 0, 31105 Mountain View Shoreline Amphitheatre flac16; Taper: Unknown Location: OTS Source: AKG C61 tube mics (circa 1943) spaced omnis->DAT @ 48kHz Transfer: DA-20 MKII>Waveterminal 2496>Wavelab 5 (recording and 48>44.1 resampling)>CD Wave>FLAC Frontend notes
15885. 06/02/95 Flac 16 - 0, 116927 Mountain View Shoreline Amphitheatre flac16; Source: Nakamichi cm300/cp1's > Sony TCD-D7; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster notes
15886. 06/02/95 Flac 16 44,1khz - 0, 141532 Mountain View Shoreline Amphitheatre flac16/44.1khz Source Info: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15887. 06/02/95 Flac 16 - 0, 92520 Mountain View Shoreline Amphitheatre flac16; 1st Gen Soundboard > Tascam Dap1 > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend notes
15888. 06/02/95 Flac 16/48 - , 153192 Mountain View Shoreline Amphitheatre flac16/48 Set 1 only Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon notes
15889. 06/03/95 Flac 16/48 - 0, 85586 Mountain View Shoreline Amphitheatre flac16/48; Schoeps MK41's>reutelhuber Preamp>Casio DAR-100 Recorded FOB in Section 102 Row K Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC DAT>WAV transfer by Watson Recording and WAV>Flac conversion by Keith Litzenberger, Danny Lucian (1st set)& Roger Jones (2nd Set) notes
15890. 06/03/95 Shn - 0, 10153 Mountain View Shoreline Amphitheatre AUD(Nak 300 Shotguns)>Aiwa DAT>CDR; via Paul; Seeded to etree by neo_levo notes
15891. 06/03/95 Flac 16 - 0, 127398 Mountain View Shoreline Amphitheatre flac16; Source: Nakamichi CM-300 CP-1’s > Sony TCD-D7 DAT Master; Transferred: Sony TCD-D8 > S/PDIF > Tascam DR-100mkII (16 bit/48 kHz) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 8) > FLAC; Location: OTS; SEC 202, Row I; Recorded/Transferred By: Jeff Bowen notes
15892. 06/03/95 Flac 16 44,1khz - 0, 138847 Mountain View Shoreline Amphitheatre flac16 44.1khz Neumann KM-140 (ORTF) > EAA PSP-2 > Sony D-8 DAT (16/44.1) (FOBH). Section 102, 10th row, approx. 25' left of center. Taper: Evan notes
15893. 06/03/95 Flac 16 44,1khz - 0, 141533 Mountain View Shoreline Amphitheatre flac16/44.1khz Source Info: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15894. 06/03/95 Flac 16/48 - , 153193 Mountain View Shoreline Amphitheatre flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon notes
15895. 06/04/95 Shn - 0, 13929 Mountain View Shoreline Amphitheatre Source: Sbd>C(x?)>CD via Chris Larson notes
15896. 06/04/95 Flac 16 - 0, 85723 Mountain View Shoreline Amphitheatre flac16; Sennheiser K3U/ME40's > Panasonic sv255 > (clone) Teac DA-P20 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) By Scott Swayne in 06/2007 notes
15897. 06/04/95 Shn - 0, 2538 Mountain View Shoreline Amphitheatre AKG522 > DAT; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV > SHN (no extraction); Transferred, SHNed, and seeded by: Jon Seff; may have different source spliced in from NFA on notes
15898. 06/04/95 Shn - 0, 28897 Mountain View Shoreline Amphitheatre Source: Nak 300's > Awia dat > cd-r Transfer: Panasonic sv3700>ZA2(via S/PDIF)>Wavelab 3.03>CDWav>.wav>cdr or shn. shn with mkw .97 Transfer by Chris Larson notes
15899. 06/04/95 Flac 16 - 0, 127483 Mountain View Shoreline Amphitheatre flac16; Source: Nakamichi CM-300 CP-1’s > Sony TCD-D7; DAT Master Transferred: Sony TCD-D8 > S/PDIF > Tascam DR-100mkII (16/48) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 8) > FLAC; Location: OTS; SEC 202, Row I, Seat #7; Recorded/Transferred By: Jeff Bowen notes
15900. 06/04/95 Flac 16/44,1 - 0, 141554 Mountain View Shoreline Amphitheatre flac16/44.1khz Source Info: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel notes
15901. 06/04/95 Flac 16/48 - 0, 85716 Mountain View Shoreline Amphitheatre flac16/48; Sennheiser K3U/ME40's > Panasonic sv255 > (clone) Teac DA-P20 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) By Scott Swayne in 06/2007 notes
15902. 06/04/95 Flac 16/48 - , 153194 Mountain View Shoreline Amphitheatre flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon notes
15903. 06/15/95 Flac 16 - 0, 35212 Highgate Franklin County Airport flac16; Source S: ?> CDR. Wav> FLAC transfer by Hiroki Shibata using xACT. Note: There are fade-out/fade-in gaps between tracks. notes
15904. 06/15/95 Flac 16/48 - 0, 135288 Highgate Franklin County Airport flac16/48kHz; source: FOB daud master taped by Doug Lamarre; Sanken COS-11BP lavalier mics (Dan Liff’s r.i.p.) > Denon DTR-80P 30’ in front of soundboard; transferred & seeded by Rob Berger 3/2016 notes
15905. 06/15/95 Shn - 0, 7745 Highgate Franklin County Airport FOB - Schoeps MK4V's -> Sonosax mic preamp -> DA - P1 -> DAT (Master) -> DAT -> HHb Cdr-800; via Matt Bertollo; Tim Wiley notes
15906. 06/15/95 Flac 16/48 - 0, 85740 Highgate Franklin County Airport flac16/48; Schoeps MK4's>Reutelhuber>Teac DAP-20 Recorded FOB by Carrion Crow & Crew with my Schoeps Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC DAT>WAV Transfer By Watson WAV>FLAC conversion and Upload by Keith Litzenberger notes
15907. 06/15/95 Flac 24/96 - 0, 143132 Highgate Franklin County Airport flac24; Source: Sony ECM-909A > Sony WM-D3 > Cassette Master (Maxell XL-II90) - Recorded by George Sterry*; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 24/96k - Transferred by Charlie miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24 notes
15908. 06/15/95 Flac 16/48 - 0, 146046 Highgate Franklin County Airport flac16/48kHz; Source: FOB Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k) - Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2019 notes
15909. 06/15/95 Flac 16 - 0, 145838 Highgate Franklin County Airport flac16; Source: Sony ECM-909A > Sony WM-D3 > Cassette Master (Maxell XL-II90) - Recorded by George Sterry*; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 24/96k - Transferred by Charlie miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24. This file set is 16 bit @ 44.1 notes
15910. 06/15/95 Flac 16 - 0, 147120 Highgate Franklin County Airport flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes
15911. 06/15/95 Flac 24 - 0, 147121 Highgate Franklin County Airport flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes
15912. 06/18/95 Flac 16 - 0, 120080 East Rutherford Giants Stadium flac16; Source: Sony D6 Cassette Master(Maxell XL-II-S 90 Minute Tape,1st Set,TDK MA-X 100 Minute Metal Cassette, 2nd Set,Both Sets Dolby "B" ON)> Nakamichi 300 Mics W/CP4 Shotguns>Sony TD-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section,Section 129,Row 29,Seat 26 This is your collection notes
15913. 06/18/95 Shn - 0, 92802 East Rutherford Giants Stadium FOB 30th row, DEAD fuckin center, Nak 300's Hand Held (Arm still sore) into my Sony d7. Dat > Sblive > CDwave > mkw Audio tools > Shn by Wally Stine - this is the update 10-21-2002 Patched using source "Running 2 TEAC decks and using AKG mics." ----- with additional track split by William of Tune tree notes
15914. 06/18/95 Shn - 0, 2543 East Rutherford Giants Stadium DAUD (Unknown Mics )> DAT> CDR; via Jeff M. notes
15915. 06/18/95 Flac 16 - 0, 35213 East Rutherford Giants Stadium flac16; Location: FOB 30th row - Dead Center Mic info: Nak 300's Hand Held (Arm still sore) Deck and linegae: Sony D7 > Dat > Sblive > CDwave > mkw Audio tools > Shn > FLAC 16 Note: This is a slightly modified update of the prior source (see notes for details) notes
15916. 06/18/95 Flac 24/96 - 0, 143092 East Rutherford Giants Stadium flac24; Source: Sony ECM-909A > Sony WM-D3 > Cassette Master (Maxell XL-II90) - Recorded by George Sterry; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 24/96k - Transferred by Charlie miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick September 2018 notes
15917. 06/18/95 Flac 16 - 0, 145846 East Rutherford Giants Stadium flac16; Source: Sony ECM-909A > Sony WM-D3 > Cassette Master (Maxell XL-II90) - Recorded by George Sterry; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 24/96k - Transferred by Charlie miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick September 2018; This file set is 16 bit @ 44.1 notes
15918. 06/18/95 Flac 24 - 0, 147124 East Rutherford Giants Stadium flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes
15919. 06/18/95 Flac 16 - 0, 147123 East Rutherford Giants Stadium flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes
15920. 06/19/95 Shn - 0, 10934 East Rutherford Giants Stadium FOB 25th Row, Dead fuckin center, Nak 300's (hand held, still sore) into my sony D7. Dat > sblive > Cd; Seeded to etree by Wally Stine notes
15921. 06/19/95 Shn - 0, 7994 East Rutherford Giants Stadium DAUD > Unknown Mics /Deck> DAT@48k>DAT CLONE> SOUND FORGE 4.5a> SHN(seekable); Via Aldo Torre; Marc P; Tim W notes
15922. 06/19/95 Flac 16/48 - 0, 85632 East Rutherford Giants Stadium flac16/48; Recorded By Keith Litzenberger & Steve G. FOB 12th Row Center Schoeps MK41's>Reutelhuber Preamp>Sony TCD-D10PROII Transferred By Watson Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC notes
15923. 06/19/95 Flac 24 - 0, 147126 East Rutherford Giants Stadium flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes
15924. 06/19/95 Flac 16 - 0, 147125 East Rutherford Giants Stadium flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes
15925. 06/21/95 Flac 16 - 0, 91352 Albany Knickerbocker Arena flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky notes
15926. 06/21/95 Flac 16 - 0, 7663 Albany Knickerbocker Arena flac16; Source: FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (48-44.1, highest accuracy with anti-alias filter; normalize) > CDWav 1.93 > FLAC Frontend 1.7.1 (no DAE) This is your collection notes
15927. 06/21/95 Flac 16 - 0, 115993 Albany Knickerbocker Arena flac16; First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3> Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper notes
15928. 06/21/95 Flac 24/96 - 0, 115992 Albany Knickerbocker Arena flac24; First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3>Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz notes
15929. 06/21/95 Flac 16 - 0, 35122 Albany Knickerbocker Arena flac16; Source: A:D (no mic info) Transfer: DAT(48kHz)>ZA2(S/PDIF)>Samplitude 2496>CD-r or shn Tapes provided by Tom and Roger, conversion by Chris Larson notes
15930. 06/21/95 Flac 16/48 - 0, 76664 Albany Knickerbocker Arena flac16/48; Source: FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (record only) > CDWav 1.93 > FLAC Frontend 1.7.1 (48kHz) notes
15931. 06/21/95 Shn - 0, 5971 Albany Knickerbocker Arena Nakamichi 300's w/CP-4 caps -> Oade modified Sony TCD-D7; Tascam DA-20mkII > SBLive! (48-44.1) > CDWAV > MKW; DAT > WAV > SHN by Dan Stephens; upload by Scott Thompson notes
15932. 06/21/95 Flac 16 - 0, 120370 Albany Knickerbocker Arena flac16; Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart notes
15933. 06/21/95 Flac 16/48 - 0, 120371 Albany Knickerbocker Arena flac16/48kHz; Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart notes
15934. 06/21/95 Flac 16/48 - 0, 141512 Albany Knickerbocker Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes
15935. 06/21/95 Flac 16/48 - 0, 141999 Albany Knickerbocker Arena flac16/48kHz; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 16/48 (2003); Transfer 2: Sony PCM2600(digital out)>Marantz PMD 570>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 05/19/2018; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes
15936. 06/21/95 Flac 16 - 0, 148797 Albany Knickerbocker Arena flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck (Lead Deck)>Sony Wm-D6C Cassette Deck>2 Casssette Master Tapes (Maxell XL-2-S 90 Minute Cassette Tape For 1st Set, Scotch Black Watch 2020 100 Minute Tape For 2nd Set.); Taped By Andy Trate, Transfer By Dave Boedicker notes
15937. 06/22/95 Flac 16 - 0, 79432 Albany Knickerbocker Arena flac16; Source: FOB, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (48-44.1; normalize) > CDWav 1.93 > Flac Frontend 1.7.1 (no DAE) notes
15938. 06/22/95 Flac 16/48 - 0, 97431 Albany Knickerbocker Arena flac16/48; Source: FOB, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (record only) > CDWav 1.93 > Flac Frontend 1.7.1 (48kHz) notes
15939. 06/22/95 Flac 16 - 0, 100123 Albany Knickerbocker Arena flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-S 90/100, w/no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. 07/2009 notes
15940. 06/22/95 Shn - 0, 8767 Albany Knickerbocker Arena DAUD(no mic info)>DAT>ZA2>SHN>CD; Seeded to etree by Tim W notes
15941. 06/22/95 Shn - 0, 18802 Albany Knickerbocker Arena Source: NAK 300s > DAT > CD > CD(?) > EAC > SHNv3. Seeded by: Scott Agne. notes
15942. 06/22/95 Flac 24 - 0, 100122 Albany Knickerbocker Arena flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-S 90/100, w/no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. 07/2009 notes
15943. 06/22/95 Flac 16/48 - 0, 141513 Albany Knickerbocker Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48 notes
15944. 06/22/95 Flac 16/48 - 0, 142037 Albany Knickerbocker Arena flac16/48kHz; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 16/48 (2003); Transfer 2: Sony PCM2600(digital out)>Marantz PMD 570>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 05/19/2018; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes
15945. 06/22/95 Flac 16 - , 150395 Albany Knickerbocker Arena flac16; Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck (Lead Deck)>Sony Wm-D6C Cassette Deck>2 Casssette Master Tapes (Maxell XL-2-S 90 Minute Cassette Tape For 1st Set, Scotch Black Watch 2020 100 Minute Tape For 2nd Set.); Taped By Andy Trate; Transfer By Dave Boedicker notes
15946. 06/22/95 Flac 16 - , 150395 Albany Knickerbocker Arena flac16; Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck (Lead Deck)>Sony Wm-D6C Cassette Deck>2 Casssette Master Tapes (Maxell XL-2-S 90 Minute Cassette Tape For 1st Set, Scotch Black Watch 2020 100 Minute Tape For 2nd Set.); Taped By Andy Trate; Transfer By Dave Boedicker notes
15947. 06/24/95 Shn - 0, 8760 Washington Robert F. Kennedy Stadium AUD(Schoeps CMC 64's)>DAT>CDR; Seeded to etree by Tim W notes
15948. 06/24/95 Shn - 0, 8819 Washington Robert F. Kennedy Stadium FOB/DAUD>Scoeps MK4's>CMC6 Oade p/s>Panasonic SV-255>DAT>CDR; Seeded to etree by Tim W notes
15949. 06/24/95 Shn - 0, 12271 Washington Robert F. Kennedy Stadium FOB Nak 300's at 6 feet, then up to 8 feet. 40 feet from stage, DFC. Into a sony D-7. Dat > Sblive > cdwave > mkw audio tools >SHN notes
15950. 06/24/95 Flac 16/48 - 0, 85339 Washington Robert F. Kennedy Stadium flac 16 48kHz; Source: FOB AKG 300B/CK91 -> DAT -> DAT: Transfer: Tascam DA-30 -(S/PDIF)-> Diamond XTreme SC -> Cool Edit Pro -> CDWave -> FLAC (Level8); Taper: Unknown:Transfer By: Scott Swayne (altheasboy) in 2007 notes
15951. 06/25/95 Shn - 0, 2236 Washington Robert F. Kennedy Stadium DSBD> DAT> CDR> EAC> shn; EAC>SHN by Bill Bina; etreed by Tony Gardner notes
15952. 06/25/95 Flac 16 - 0, 113092 Washington Robert F. Kennedy Stadium flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper:Baker,Transfer By Keo Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper notes
15953. 06/25/95 Flac 16/48 - 0, 85340 Washington Robert F. Kennedy Stadium flac 16 48kHZ; Source: FOB AKG 300B/CK91 -> DAT ->DAT: Transfer: Tascam DA-30 -(S/PDIF)-> Diamond XTreme SC -> Cool Edit Pro -> CDWave -> FLAC (Level8): Taper: Unknown: Transfer By:Scott Swayne notes
15954. 06/25/95 Flac 16 - 0, 85622 Washington Robert F. Kennedy Stadium flac16; FOB AKG 300B/CK91 -> DAT -> DAT Transfer: Tascam DA-30 -(S/PDIF)-> Diamond XTreme SC -> Cool Edit Pro -> CDWave -> FLAC (Level8) (44.1k down-sampled version of shn id 85340 done by Scott Swayne) notes
15955. 06/25/95 Flac 24/96 - 0, 113093 Washington Robert F. Kennedy Stadium flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper:Baker,Transfer By Keo Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz notes
15956. 06/25/95 Flac 16 - 0, 27450 Washington Robert F. Kennedy Stadium flac16; FOB Schoeps mk-4 >kcy >vms021b >d-10pro2 > DATs; Transfer: DAT 60ES > M-Audio Audiophile USB > CDWAVE > Goldwave (patching, and resampling) > CDWAVE (tracking) > Flac Frontend; Tapers: Tom Cooper and Dave Howard; Transfer: jbraveman notes
15957. 06/25/95 Shn - 0, 10935 Washington Robert F. Kennedy Stadium FOB Nak 300's: at 6ft, then up to 8ft- 40ft from stage, Dead center> Sony D-7; Dat> Sblive> cd; recorded, Seeded to etree by Wally Stine notes
15958. 06/25/95 Flac 16/48 - 0, 121122 Washington Robert F. Kennedy Stadium flac16/48kHz; Source: Nak 300's > A/D > D7; Transfer: D8 > Behringer UCA202 > Audacity (@ 48Hz) > WAV > FLAC; Taped by Robert Dunbar; Transferred by Bill Graves notes
15959. 06/25/95 Flac 16 - 0, 17721 Washington Robert F. Kennedy Stadium flac16; speed- and pitch-corrected version of the (flag encoded & tagged version) of shnid: 2236 (DSBD>DAT>CDR); Speed-correction done with Celemony Capstan by Roger Eichorn; SBE's fixed with Trader's Little Helper; New .md5 and .ffp made with Trader's Little Helper notes
15960. 06/25/95 Flac 16 - 0, 150028 Washington Robert F. Kennedy Stadium b>flac16; SDB>Dat>one gen of cassette>back to Dat>clone>file cloned in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8 notes
15961. 06/27/95 Flac 16 - 0, 92185 Auburn Hills The Palace flac16; Taper: Greg Holtz Source: Nakamichi CM-300 w/CP-4-PZM mix-> D7 @ 16/48kHz Transfer: (By JAZ) DAT Tape-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 Mastering Software-> R8brain 44.1kHz-> Traders Little Helper flac8 notes
15962. 06/27/95 Flac 16/48 - 0, 119107 Auburn Hills The Palace flac16/48kHz; Source: Nak CM300/CP4>Teac DAP20 (48 khz); Location: OTS; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)>Firewire>Macbook> Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.15(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Marcus Thunich; Transferred and seeded by: Lenny Stubbe notes
15963. 06/27/95 Flac 16 - 0, 83248 Auburn Hills The Palace flac16; Source: Nakamichi 701’s -> Reutelhuber -> Casio DA-7 (16/48) Location: FOB, 11th Row Center Transfer: Fostex D5 -> HHb 830 (16/44) -> EAC -> CD Wave -> FLAC notes
15964. 06/27/95 Flac 16 - 0, 35123 Auburn Hills The Palace flac16; Source: FOB>SchoepsMK-4V>D3 Conversion: DAT>Panasonic SV 3700>S/PDIF Apogee Digicable>Paris MEC>WAV>HD(SCSI)>CDWAV Tape provided by Jeff, conversion by Chris Larson notes
15965. 06/27/95 Shn - 0, 10180 Auburn Hills The Palace AUD(Schoeps CMC4)>DAT>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo notes
15966. 06/27/95 Flac 16 - 0, 141916 Auburn Hills The Palace flac16; Source: Audio Technica 8035>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Master cassette>Sony PCM2600(digital out)>Sound Devices 702>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Taper: Pat Walsh; Mastering and upload: Tony Suraci notes
15967. 06/27/95 Flac 16 - 0, 119108 Auburn Hills The Palace flac16; Source: Nak CM300/CP4>Teac DAP20 (48 khz); Location: OTS; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.5 (iZotope Resampler)> xACT 2.15(de-emphasis, encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ) Taped by: Marcus Thunich; Transferred and seeded by: Lenny Stubbe notes
15968. 06/28/95 Flac 16 - 0, 92186 Auburn Hills The Palace flac16; Taper: Greg Holtz Source: Nakamichi CM-300 w/CP-4-PZM mix-> D7 @ 16/48kHz Transfer: (By JAZ) Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 Mastering Software-> R8brain 44.1kHz-> Traders Little Helper flac8 notes
15969. 06/28/95 Flac 16/48 - 0, 119109 Auburn Hills The Palace flac16/48kHz; Source: Nak CM300/CP4>Teac DAP20 (48 khz); Location: OTS; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)>Firewire>Macbook> Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.15(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Marcus Thunich; Transferred and seeded by: Lenny Stubbe notes
15970. 06/28/95 Shn - 0, 10154 Auburn Hills The Palace AUD, Schoeps CMC4>DAT>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo notes
15971. 06/28/95 Flac 16 - 0, 83091 Auburn Hills The Palace flac16; Source: Nakamichi 701’s -> Reutelhuber -> Casio DA-7 (16/48) Location: FOB, 13th Row Center Transfer: Fostex D5 -> HHb 830 (16/44) -> EAC -> CD Wave -> FLAC notes
15972. 06/28/95 Flac 16 - 0, 119110 Auburn Hills The Palace flac16; Source: Nak CM300/CP4>Teac DAP20 (48 khz); Location: OTS; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.5 (iZotope Resampler)> xACT 2.15(de-emphasis, align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Marcus Thunich; Transferred and seeded by: Lenny Stubbe notes
15973. 06/28/95 Flac 16 - 0, 141937 Auburn Hills The Palace flac16; Source: Audio Technica 8035>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 (2003); Transfer 2: Sony PCM2600(digital out)>Sound Devices 702>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Taper: Pat Walsh; Mastering and upload: Tony Suraci notes
15974. 06/30/95 Flac 16 - 0, 83144 Pittsburgh Three Rivers Stadium flac16; Recording Info: Schoeps Mk4 (cardiod) > Schoeps KC5 active Cable > Schoeps CMC 6 mic body > Monster M1000 Jumper cable > Apogee AD1000 A / D Converter (UV16 enabled to use the UV22 process) S/PDIF Out > CASIO DA-R100 S/PDIF IN > DAT Master > TASCAM DA-20 (S/PDIF out) -> M-Audio Firewire Solo Interface -> Soundforge 8.0 Taped by Todd Evans & Adam Gross notes
15975. 06/30/95 Flac 16 - 0, 92491 Pittsburgh Three Rivers Stadium flac16; Taper: Greg Holtz Source: WAY FOB-> Nakamichi CM-300's with Cp-1 caps, in hat-> Sony D-7 48kHz Transfer: (By JAZ) DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 Mastering Software-> r8brain 44.1kHz-> Traders Little Helper flac8 notes
15976. 06/30/95 Flac 16/48 - 0, 95193 Pittsburgh Three Rivers Stadium flac16/48; Schoeps MK4's>Reutelhuber Preamp>Casio DAR-100 DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades)>CDWAV>FLAC Recorded By Roger Jones from Section 106 Row R Transferred By Keith Litzenberg notes
15977. 06/30/95 Flac 16 - 0, 95189 Pittsburgh Three Rivers Stadium flac16; Schoeps MK4's>Reutelhuber Preamp>Casio DAR-100 DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded By Roger Jones from Section 106 Row R Transferred By Keith Litzenberger notes
15978. 06/30/95 Flac 16/48 - 0, 89393 Pittsburgh Three Rivers Stadium flac16/48; Source: Schoeps mk4->DAT @ 48 kHz (FOB) Transfer: Sony DTC-ZE700->Tascam HDP2->CD Wave->Flac Frontend->.flac notes
15979. 06/30/95 Shn - 0, 3376 Pittsburgh Three Rivers Stadium FOB (~26th row) Schoeps CMC6/MK4s> DAT; Transfer: Sony PCM-R500> Tascam CD-RW700> EAC> SHN; Transferred, SHNed, and seeded by: Ryan Burns; hosted by Mike Lai notes
15980. 06/30/95 Flac 16 - 0, 147145 Pittsburgh Three Rivers Stadium flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes
15981. 06/30/95 Flac 24 - 0, 147146 Pittsburgh Three Rivers Stadium flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes
15982. 07/02/95 Flac 16 - 0, 74201 Noblesville Deer Creek Music Center flac16; Monitor mix > unknown cassette gens > ? > WAV > FLAC - contains band chatter about the riot, Jerry's death threat. notes
15983. 07/02/95 Flac 16 - 0, 91256 Noblesville Deer Creek Music Center flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky notes
15984. 07/02/95 Flac 16 - 0, 74417 Noblesville Deer Creek Music Center flac16; Seamless fix of shn id 12578 - SRC: Unknown AUD>??>Bootleg CD>WAV>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details notes
15985. 07/02/95 Flac 16 - 0, 113283 Noblesville Deer Creek Music Center *Brought To You By gotfob* Source: (Marc Nutters Rig, DFC On Lawn) B&K 4006's > Lunatec 316 > Sv 250 > Patchbay > Sony D5 (Master Tapes) Transfer: (4.30.11)Marantz PMD 430 (XL II x 2) > Sd 702 @ 24/48 (+18db gain) > *Wavelab 6.0(edits,dither,resample) > Cd Wave > TLH > 16/44 FLAC notes
15986. 07/02/95 Shn - 0, 19592 Noblesville Deer Creek Music Center Source: Schoeps MK4v's > Reutelheuber Box > Sony D10 pro > CDR > EAC > mkwACT EAC'd/SHN'd by Doug Nawrocki notes
15987. 07/02/95 Flac 16 - 0, 124799 Noblesville Deer Creek Music Center b>flac16; akg461>b-18>d7 16/44.1; ots mics @ 12 ft. pas; dat(m)>hhb 830 cds in 2002; cd>cdwave splits>tlh flac 8; t&s by c. cage notes
15988. 07/02/95 Shn - 0, 12578 Noblesville Deer Creek Music Center Bootleg CD>WAV>SHN notes
15989. 07/02/95 Shn - 0, 587 Noblesville Deer Creek Music Center via B. Ball; fixed 12/8; defective version etreed 12/6 (fixed md5s are listed) notes
15990. 07/02/95 Flac 1644 - 0, 139737 Noblesville Deer Creek Music Center flac16/44.1khz Source Info: TS Schoeps CMC 5 MK4-> Sonosax P/S -> Sony D10 Pro II-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel & Ryan Varnum notes
15991. 07/02/95 Flac 16 - 0, 92522 Noblesville Deer Creek Music Center flac16; Taper: Greg Holtz Source: Nakamichi CM-300 w/CP-4-PZM-> Niles Audio Mixer-> D7 @ 48kHz Transfer: (By JAZ) Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, r8brain 44.1kHz-> Traders Little Helper flac8 notes
15992. 07/02/95 Flac 24 - 0, 147153 Noblesville Deer Creek Music Center flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes
15993. 07/02/95 Flac 16 - 0, 147152 Noblesville Deer Creek Music Center flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes
15994. 07/05/95 Flac 16 - 0, 35170 Maryland Heights Riverport Amphitheatre flac16; Source: S:C>D>FLAC16 Transfer by Chris Larson (encore missing) notes
15995. 07/05/95 Flac 16 - 0, 119402 Maryland Heights Riverport Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:SonyR500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
15996. 07/05/95 Shn - 0, 9370 Maryland Heights Riverport Amphitheatre SBD>DAT>C>DAT; via neo_levo/candyman FTP notes
15997. 07/05/95 Flac 16 - 0, 94628 Maryland Heights Riverport Amphitheatre flac16; Source: Nakamichi CM-300 w/CP-4-PZM-> Niles Audio Mixer-> D7 @ 48kHz; Taper: Greg Holtz Transfer: (By JAZ) Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, r8brain 44.1kHz-> Traders Little Helper flac8 notes
15998. 07/05/95 Flac 16/48 - 0, 119401 Maryland Heights Riverport Amphitheatre flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:SonyR500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
15999. 07/05/95 Shn - 0, 1819 Maryland Heights Riverport Amphitheatre Nak 300+cp4> D7; Conversion: D7> 7 pin digi coax> CDR880 (Master)> EAC > AddaWave > Sound Forge 3.0 (Fadeouts)> CDWave> SHN; Dat Seed from Chase Smith; Conversion by Chuck Rothofsky notes
16000. 07/05/95 Flac 16 - 0, 147118 Maryland Heights Riverport Amphitheatre flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes
16001. 07/05/95 Flac 24 - 0, 147119 Maryland Heights Riverport Amphitheatre flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes
16002. 07/06/95 Flac 16 - 0, 119430 Maryland Heights Riverport Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:SonyR500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename notes
16003. 07/06/95 Shn - 0, 9119 Maryland Heights Riverport Amphitheatre SBD>DAT>C>DAT>CDR; Seeded to etree by Chris L w/ thanks to Braverman notes
16004. 07/06/95 Shn - 0, 30888 Maryland Heights Riverport Amphitheatre Remastered SBD>DAT>C>DAT>CDR>DAT>SHN by Ben Clem notes
16005. 07/06/95 Flac 16 - 0, 94675 Maryland Heights Riverport Amphitheatre flac16; Taper: Greg Holtz Source: Nakamichi CM-300 w/CP-4-PZM-> Niles Audio Mixer-> D7 @ 48kHz Transfer: (By JAZ) Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0-> r8brain 44.1kHz-> Traders Little Helper flac8 notes
16006. 07/06/95 Flac 16 - 0, 35156 Maryland Heights Riverport Amphitheatre flac16; Source: S:C>D>CDR Conversion by Chris Larson. This version does not have the DAE step. notes
16007. 07/06/95 Flac 16/48 - 0, 119429 Maryland Heights Riverport Amphitheatre flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:SonyR500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo notes
16008. 07/06/95 Flac 16 - 0, 91322 Maryland Heights Riverport Amphitheatre flac16; Taper: Greg Holtz: B&K 4006 Omni Cardoids > D6 > Master Cassette > Nak CD-1 > Emu 1212M > 24/96 Wave > wavelab 5 > Plugins > L3 > 16.44.1 Wave > Flac lvl 8 (TLH) notes
16009. 07/06/95 Shn - 0, 5452 Maryland Heights Riverport Amphitheatre Audience (Schoeps MK-4V/ Sony D-10) Master DAT> CDR> MKW> SHN; via Troy Richey from Chuck's seed discs notes
16010. 07/06/95 Flac 16 - 0, 146220 Maryland Heights Riverport Amphitheatre flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 16/48 (2003)* ; Transfer 2: Sony PCM2600(digital out)>Marantz PMD 570>CF card> Adobe Aud 3.0>Cdwav>flac 16 (TLH); Taper: Pat Walsh; Mastering and upload: Tony Suraci notes
16011. 07/08/95 Flac 16 - 0, 114363 Chicago Soldier Field flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Mille notes
16012. 07/08/95 Flac 16 Mtx - 0, 127736 Chicago Soldier Field flac16; 2 source matrix from mix of audience source id 004362 and soundboard source id 114363 notes
16013. 07/08/95 Shn - 0, 10071 Chicago Soldier Field SBD>DAT>C>?>DAT>CDR; d1t07 (Eternity) from AUD source; See info file for details; via Paul B; seeded to etree by neo_levo notes
16014. 07/08/95 Flac 16 - 0, 98576 Chicago Soldier Field flac16; Pitch-adjusted version of shnid 35157; S: C> D> CDR > WAV > FLAC notes
16015. 07/08/95 Flac 16 - 0, 35157 Chicago Soldier Field flac16; Source: S: C> D> CDR Conversion: Chirs Larson. Note: This version does not have a DAE step notes
16016. 07/08/95 Flac 16/48 - 0, 134129 Chicago Soldier Field flac16/48kHz; ecording info: Oade Micro Mics > DAT Master @ 16bit/48kHz - 11th Row; pedigree: DAT Master > DAT > DAT; processing: DAT > Tascam DA45-HR > SD Usbpre2 > Adobe Audition > CDWAV > TLH Flac 8 notes
16017. 07/08/95 Shn - 0, 4362 Chicago Soldier Field FOB B&K 4006 omni's (in hat, 36th row left of center) > Lunatec 316> Panasonic SV-250 by Marc Nutter; Transfer: Sony DTC-A6 > Dio 2448 > SF 4.5 @ 48K, Resample, add fades> CDWAV> SHN by Bill Gardner notes
16018. 07/08/95 Flac 16 - 0, 147113 Chicago Soldier Field flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes
16019. 07/08/95 Flac 24 - 0, 147114 Chicago Soldier Field flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes
16020. 07/09/95 Flac 16 - 0, 114369 Chicago Soldier Field flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller notes
16021. 07/09/95 Flac 16 Mtx - 0, 127735 Chicago Soldier Field flac16; 3 source matrix from mix of audience source id 95445, soundboard source id 114369, and audience source id 86405; the original source had a flaw in d2t06 please do not circulate that source notes
16022. 07/09/95 Shn - 0, 7233 Chicago Soldier Field DSBD (pre FM) (@48kHz); Conversion: D8 > Waveterminal 2496 (@44.1kHz - Real Time Resample) > Soundforge 5.0 > CD Wave > mkwACT (saeeking); see info file for version comparison and editing notes; tracked for 2x80; via Jason Brantley notes
16023. 07/09/95 Shn - 0, 4091 Chicago Soldier Field dsbd (pre-FM)> dat> spdif> cdr> eac> shn; via Tony Gardner from dmac's CD; tracked for 2x80 notes
16024. 07/09/95 Flac 16/48 - 0, 134130 Chicago Soldier Field flac16/48kHz; recording info: Oade Micro Mics > DAT Master @ 16bit/48kHz -23rd Row; pedigree: DAT Master > DAT > DAT; processing: DAT > Tascam DA45-HR > SD Usbpre2 > Adobe Audition > CDWAV > TLH Flac 8 notes
16025. 07/09/95 Flac 16 - 0, 86405 Chicago Soldier Field flac16; Unknown mics>Audience Patch by Mike Mahoney from unknown taper>Sony D6 Cassette Deck Transfer Done with Denon Cassette Deck>Soundforge>CDR notes
16026. 07/09/95 Flac 16 - 0, 27977 Chicago Soldier Field flac16; unknown AUD> ?> Bootleg CD (marked AAD)> EAC> Flac (8); via Chris Larson notes
16027. 07/09/95 Flac 16 - 0, 95445 Chicago Soldier Field flac16; Schoeps MK4's>Rbox>Casio DAR-100 FOB/DFC Transfer: DAT MASTER>Sony TCD-D10PROII>Tascam DA-30MKII, DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded By Ace Cubby Gear and Transfer By Keith Litzenberger notes
16028. 07/09/95 Flac 24 - 0, 147058 Chicago Soldier Field flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/04/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes
16029. 07/09/95 Flac 16 - 0, 147057 Chicago Soldier Field flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/04/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci notes
16030. 07/09/95 Flac 16/48 - 0, 95444 Chicago Soldier Field flac16/48; Schoeps MK4's>Rbox>Casio DAR-100 FOB/DFC Transfer: DAT MASTER>Sony TCD-D10PROII>Tascam DA-30MKII, DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades)>CDWAV>FLAC Recorded By Ace Cubby Gear and Transfer By Keith Litzenberger notes
16031. ??/??/95 Shn - 0, 97111 Unknown Studio - Earthquake Country sessions live/rehearsal recordings (DAT and/or ADAT) > ? > cassette > at least one cassette generation > my cassette; transfer using an AIWA AD-F850 tape deck, played directly into the inputs of a Yamaha DS-XG sound card. I used CoolEdit 2000 v1.1 to do the initial analog > digital sampling, apply mild noise reduction (my source tape is somewhat hissy, not surprising give the number of analog generations) and reduce the length of some of the between-song gaps. I used CD Wav v1.73 to define track boundaries and mkwACT v0.97 to prepare a master SHN disc (track boundaries verified using SHNtool). notes

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