|
Grateful Dead
|
http://www.dead.net
|
| |
Date |
Venue - City, State |
City | Media |
|
| 1. |
11/03/65 |
Shn - 0,
9044 |
San Francisco |
Golden State Studios Autumn Records Demo, The Warlocks; SBD> MR> ??> DAT> CDR; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 2. |
01/08/66 |
Flac 16 - 0,
106505 |
San Francisco |
Fillmore Auditorium flac16; Source(s) MR>?>Hi-Fi Stereo VHS>WAV>Soundforge (Editing)>WAV>CDR>EAC>FLAC
|
notes
|
| 3. |
01/08/66 |
Shn - 0,
5410 |
San Francisco |
Fillmore Auditorium part of Acid Test compilation; via Alan Bershaw, Thomas Wulf; md5s and txt shown both for whole set and for this date
|
notes
|
| 4. |
01/29/66 |
Flac 16 - 0,
99527 |
San Francisco |
Sound City Acid Test flac16; vinyl>7" reel @ 7.5 ips Rob Berger transfer
|
notes
|
| 5. |
02/05/66 |
Flac 16 - 0,
136661 |
Berkeley |
The Questing Beast flac16; Soundboard Master-Reel > DAT (48 kHz)
|
notes
|
| 6. |
02/25/66 |
Shn - 0,
|
Los Angeles |
Ivar Theater
|
notes
|
| 7. |
03/09/66 |
Flac 16 - 0,
125516 |
Los Angeles |
Bear's House flac16; SBD > ?? > wav > cdr > wav via EAC > FLAC
|
notes
|
| 8. |
03/09/66 |
Flac 16 - 0,
136654 |
Los Angeles |
Bear's House flac16; Source: sbd > 7 inch Master Reel @ 7.5ips 1/2 track > dat(48k)
|
notes
|
| 9. |
03/10/66 |
Flac 16 - 0,
136655 |
Los Angeles |
Bear's House flac16; Source: sbd > 7 inch Master Reel @ 7.5ips 1/2 track > dat(48k)
|
notes
|
| 10. |
03/12/66 |
Shn - 0,
20346 |
Los Angeles |
Danish Center MR>DATx>CD SBEs fixed and seeking added 04/26/2003 by terrapinstation
|
notes
|
| 11. |
03/12/66 |
Shn - 0,
1593 |
Los Angeles |
Danish Center MR> DATx> CD; reportedly this date, plus other '66; may also be listed as '??/??/66'- another shn set of t1-8 material circulates as such
|
notes
|
| 12. |
03/19/66 |
Flac 16 - 0,
81951 |
Los Angeles |
Carthay Studios flac16; SBD > Rm > Reel > Dat > CD > EAC > CDWav > Flac EAC and Tracking by Ihor Slabicky Seed provided by Paul Scotton
|
notes
|
| 13. |
03/19/66 |
Shn - 0,
17681 |
Los Angeles |
Carthay Studios ??> CD> EAC> CDWave> SHN; EAC (secure mode, offset corrected), track spliting, and shorten encoding (MKW) by D.Winters, with Thanks to T.Doherty for the seed disc
|
notes
|
| 14. |
03/19/66 |
Flac 16/44 - ,
153760 |
Los Angeles |
Carthay Studios flac16/44 Soundboard - provided by Paul Scotton (MSR > R > D > CDR > EAC > CD Wave > Flac) remastered by SIRMick October 2021
|
notes
|
| 15. |
03/25/66 |
Shn - 0,
38 |
Los Angeles |
Trouper's Hall with 7/3/66; see notes in info file; to abgd, later to etree; listener Daniel Kessler reports several digispots
|
notes
|
| 16. |
03/25/66 |
Flac 16/48 - 0,
139750 |
Los Angeles |
Trouper's Hall flac16/48kHz; Source Info: Master Soundboard 10" Reel @15ips 1/2trk > Dat (16/48); Transfer Info: Sony PCM-R500 (16/48) > Tascam DA-3000 > Adobe Audition > TLH flac1648
|
notes
|
| 17. |
05/19/66 |
Flac 16 - 0,
106683 |
San Francisco |
Avalon Ballroom flac16; Recording Info:SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v11.03 -> FLAC; Original Transfers and Mastering By David Gans; Additional Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 18. |
05/19/66 |
Flac 16 - 0,
82844 |
San Francisco |
Avalon Ballroom flac16; SBD > Reel > DAT > Sonic Solutions > DAT > DAT > CDR > EAC > CD Wave > FLAC
|
notes
|
| 19. |
05/19/66 |
Flac 16 - 0,
106828 |
San Francisco |
Avalon Ballroom flac16; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; Original Transfers and Mastering By David Gans; Additional Transfers and Mastering By Charlie Miller; this source is an upgrade to source ID 106683
|
notes
|
| 20. |
05/19/66 |
Shn - 0,
6516 |
San Francisco |
Avalon Ballroom mr> dat> fm broadcast> cdr> shn; via lestatkatt; Cream Puff War filler
|
notes
|
| 21. |
05/19/66 |
Flac 16 - 0,
136658 |
San Francisco |
Avalon Ballroom flac16; Set 1 Source: sbd > 10 inch Master Reels @ 15 ips 1/2 track > Dat (48k)
|
notes
|
| 22. |
06/??/66 |
Shn - 0,
9513 |
San Francisco |
Scorpio Studio Outtakes Scorpio studio outtakes; SBD> MR> DAT> CDR; Conversion: CDR > EAC (secure) > CDWav (retracking) > mkwact (seekable) by Matt Vernon, with thanks to Raoul Duke; via The Music Never Stopped Project
|
notes
|
| 23. |
07/01/66 |
Shn - 0,
19924 |
San Francisco |
Unknown (perhaps Fillmore Auditorium) MSR>DAT>CDR via Andy Lemieux and Kingbee encoded by Matt Vernon
|
notes
|
| 24. |
07/03/66 |
Shn - 0,
40 |
San Francisco |
Fillmore Auditorium with 3/25/66; see notes in info file; to abgd, later to etree
|
notes
|
| 25. |
07/03/66 |
Flac 16/48 - 0,
139751 |
San Francisco |
Fillmore Auditorium flac16/48kHz; Source Info: Master Soundboard 10" Reel @15ips 1/2trk > Dat (16/48); Transfer Info: Sony PCM-R500 (16/48) > Tascam DA-3000 > Adobe Audition > TLH flac1648
|
notes
|
| 26. |
07/16/66 |
Flac 16 - 0,
89555 |
San Francisco |
Fillmore Auditorium flac16; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> EAC -> SHN -> WAV -> FLAC; Transferred and Edited By Charlie Miller. This is a fix of shn id 21063
|
notes
|
| 27. |
07/16/66 |
Shn - 0,
13958 |
San Francisco |
Fillmore Auditorium Shntool fix of original Jay Serafin seed; Note- This is part of a group effort to 'fix' ALL of Jay Serafin's seeds so that they conform to redbook standards regarding Sector Boundary Errors; Read more about the effort at etree forums ; LINEAGE: SBD > RTR > PCM > SSSB;
|
notes
|
| 28. |
07/16/66 |
Shn - 0,
4459 |
San Francisco |
Fillmore Auditorium SBD > RTR > PCM > SSSB; via Jay Serafin to gdlive
|
notes
|
| 29. |
07/16/66 |
Shn - 0,
21063 |
San Francisco |
Fillmore Auditorium SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAC -> SHN; Converted To SHN By Charlie Miller. Upgrade now in circulation.
|
notes
|
| 30. |
07/17/66 |
Shn - 0,
21064 |
San Francisco |
Fillmore Auditorium SBD -> Reel Master (10 Inch Reels @ 15ips 1/2trk) -> Dat -> Sonic Solutions -> CD -> EAc -> SHN; Converted To SHN By Charlie Miller
|
notes
|
| 31. |
07/17/66 |
Shn - 0,
4458 |
San Francisco |
Fillmore Auditorium SBD > RTR @ 15 I.p.s. > PCM > D > SSSB; via Jay Serafin to gdlive
|
notes
|
| 32. |
07/17/66 |
Shn - 0,
13959 |
San Francisco |
Fillmore Auditorium Shntool fix of original Jay Serafin seed; Note- This is part of a group effort to fix 'all' of Jay Serafin's seeds so that they conform to redbook standards regarding sector boundary errors; Read more about the effort at etree forums LINEAGE: SBD > RTR @ 15 I.p.s. > PCM > D > SSSB
|
notes
|
| 33. |
07/29/66 |
Flac 16 - 0,
94633 |
Vancouver |
P.N.E. Garden Auditorium flac16; SBD>10" 1/2 track 15ips MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac
|
notes
|
| 34. |
07/29/66 |
Shn - 0,
2243 |
Vancouver |
P.N.E. Garden Auditorium probably MR> C> DAT> CDR> EAC> WAV> SHN; from pre-FM David Gans seed; may circulate with or without DSO filler
|
notes
|
| 35. |
07/29/66 |
Shn - 0,
9051 |
Vancouver |
P.N.E. Garden Auditorium SBD> MR> ??> CDR; Some confusion over date, see info file; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 36. |
07/30/66 |
Flac 16 - 0,
94631 |
Vancouver |
P.N.E. Garden Auditorium flac16; SBD>10" 1/2 track 15ips MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac
|
notes
|
| 37. |
07/30/66 |
Shn - 0,
9387 |
Vancouver |
P.N.E. Garden Auditorium SBD> MR> ??> CDR; Some confusion over date, see info file; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 38. |
09/16/66 |
Shn - 0,
11503 |
San Francisco |
Avalon Ballroom Soundboard> Vinyl (Vintage- Historic Dead); Seeded to abgd by Tzuriel
|
notes
|
| 39. |
09/16/66 |
Shn - 0,
25283 |
San Francisco |
Avalon Ballroom Mix from SBD>MR>??>CDR, in order of Vintage Dead and Historic Dead
|
notes
|
| 40. |
09/16/66 |
Shn - 0,
9127 |
San Francisco |
Avalon Ballroom SBD> MR> ??> CDR; via Raoul Duke; Seeded to etree by Matt Vernon; Note- There are two shn sets listed for this show, one 'original' and one 'de-popped'. ONLY 'de-popped' versions circulate for the last two tracks.
|
notes
|
| 41. |
09/16/66 |
Flac 16 - 0,
95970 |
San Francisco |
Avalon Ballroom flac16; Source: SBD>MR>?>LP>WAV>WAV>FLAC Transfer: Lyra Helikon phono cartridge, Linn LP12/Lingo turntable, Linn Ittok tonearm, Audioquest LeoPard tonearm cable, PS Audio PS2 preamplifier, Kimber PBJ interconnect, M-Audio Audiophile USB A/D converter
|
notes
|
| 42. |
09/16/66 |
Flac 24 - 0,
117435 |
San Francisco |
Avalon Ballroom flac24; SBD>MR>?>LP>ZoomH4>WaveLab 5.0>FLAC24 Linn LP12 turntable, SME III tonearm, Benz ACE H2 Cartridge, Rotel RC 1082 preamp Transfer by indidarkstar
|
notes
|
| 43. |
09/16/66 |
Flac 16/48 - 0,
146098 |
San Francisco |
Avalon Ballroom flac16/48khz Vintage Dead (Reel to Reel) 1970, transfered by Matt Smith on 3/28/19 to 9600 Hz Stereo, 24-bit Wave. --tracked and downsampled to 4800 Hz Stereo, 16 bit, adjusted pitch by (-1) semitones on the first 4 tracks, and the last track by (+0.5) semitones. and increased volume of all tracks by 140%. All post work done by Brian Flegel 4/03/19
|
notes
|
| 44. |
10/02/66 |
Flac - 0,
|
San Francisco |
Commons, S.F. State College
|
notes
|
| 45. |
10/07/66 |
Shn - 0,
14102 |
San Francisco |
Winterland Arena sbd 3 songs originally part of the SF Nights compilation noted here separately
|
notes
|
| 46. |
11/19/66 |
Flac 16 - 0,
94106 |
San Francisco |
Fillmore Auditorium flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 47. |
11/19/66 |
Shn - 0,
9730 |
San Francisco |
Fillmore Auditorium It Crawled Out of the Vaults of KSAN; Dead material is d1 of 6-disc misc 1966-68 SF band compilation (see info); other md5s are included here for reference
|
notes
|
| 48. |
11/19/66 |
Shn - 0,
41 |
San Francisco |
Fillmore Auditorium SBD; liberated bootleg source; extraction/SHN by Jon Seff
|
notes
|
| 49. |
11/19/66 |
Flac 16 - 0,
75970 |
San Francisco |
Fillmore Auditorium flac16; Speed corrected version of liberated bootleg sbd: shn id 41
|
notes
|
| 50. |
11/29/66 |
Shn - 0,
20448 |
San Francisco |
The Matrix SBD of unknown lineage. This is the previous seed (shnid=4940) with the missing tracks added.
|
notes
|
| 51. |
11/29/66 |
Flac 16 - 0,
106497 |
San Francisco |
The Matrix flac16; SBD MR>?>Bill Graham Archive>Reel>CDR>CDR>EAC>FLAC
|
notes
|
| 52. |
11/29/66 |
Shn - 0,
4940 |
San Francisco |
The Matrix SBD from bootleg CD> EAC> SHN; via thecore; reportedly distant, thin sound
|
notes
|
| 53. |
12/01/66 |
Shn - 0,
32800 |
San Francisco |
The Matrix Source: SBD>MR>RR>C>DAT Transfer: Tascam DA-20 mkII>SB Audigy>SF 6.0>CD Wave>mkwACT>.shn
|
notes
|
| 54. |
12/01/66 |
Shn - 0,
26968 |
San Francisco |
The Matrix remastered (NR, cleanup) version of previous shn set, by SIRMick; Noise reduction was done with Waves X-Noise plugin using WaveLab as the host
|
notes
|
| 55. |
12/01/66 |
Shn - 0,
8575 |
San Francisco |
The Matrix SBD> Rm> Reel> Dat> CD> wav> shnv3; DAE(EAC)> boundary check (SHNTOOL)> SHN (MKWACT)> FTP via neo_levo; with thanks to Charlie Miller
|
notes
|
| 56. |
12/01/66 |
Flac 16 - 0,
149985 |
San Francisco |
The Matrix flac16; Source: SBD>MR>RR>C>DAT; Transfer: Tascam DA-20 mkII>SB Audigy>SF 6.0>CD Wave>mkwACT>SHN>Sound Forge 11>Flac; Pitch Correction and minor editing/crossfading; Fixed by Michael Lestatkatt
|
notes
|
| 57. |
12/01/66 |
Flac 16 - 0,
150269 |
San Francisco |
The Matrix flac16: SBD > ? > FLAC
|
notes
|
| 58. |
12/05/66 |
Shn - 0,
23064 |
San Francisco |
Studio: 1st album outtakes Source: sbd>mc>cass>cd>eac>shn by Teri Kimbro. This is an sbefix of shnid 21295.
|
notes
|
| 59. |
12/05/66 |
Shn - 0,
21295 |
San Francisco |
Studio: 1st album outtakes 1st Album Outtakes - San Francisco CA Studio Rehearsals Source: sbd>mc>cass>cd>eac>shn via Teri Kimbro; upgrade in circulation
|
notes
|
| 60. |
??/??/66 |
Cdr - 1,
2372 |
Compilation |
Compilation SBD; 1st Gen FM GDH 557; FM>CD transfer: STB Systems, Inc. PCI DesktopTV Tuner Card, Model number DTV3F > Turtle Beach Montego A3D 64 Voice PCI Sound Card > WAV > CD; note this material is tentatively labeled 2/25/66 in a separate shn set
|
notes
|
| 61. |
??/??/66 |
Shn - 0,
18846 |
Unknown |
Viola Lee Blues Rehearsals January 1966 (?) - Viola Lee rehearsals; 47 minutes from unknown generation cassette played back on Nak CR7E; via Uli Teute and Hanno Bunjes
|
notes
|
| 62. |
??/??/66 |
Shn - 0,
19529 |
Compilation |
Compilation SBD:MR> ?> CD; via Jools; venue unknown
|
notes
|
| 63. |
??/??/66 |
Flac 16 - 0,
136642 |
Unknown |
Unknown flac16; Source: sbd > 10 inch Master Reels @1 5ips 1/2 track > dat(48k)
|
notes
|
| 64. |
??/??/66 |
Flac 16 - 0,
136658 |
Various |
Acid Tests flac16; Source: sbd > 10 inch Master Reels @ 15 ips 1/2 track > Dat (48k)
|
notes
|
| 65. |
??/??/66 |
Flac 16 - 0,
81254 |
Various |
Various flac16; SMRs>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>CD Wave Editor>FLAC
|
notes
|
| 66. |
??/??/66 |
Flac 16 - 0,
136657 |
Unknown |
Unknown flac16; Source: sbd > 10 inch Master Reels @1 5ips 1/2 track > dat(48k)
|
notes
|
| 67. |
01/14/67 |
Shn - 0,
9108 |
San Francisco |
Polo Field, Golden Gate Park SBD>MR >?>CDR; The great human be-in; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 68. |
01/27/67 |
Shn - 0,
16744 |
San Francisco |
Avalon Ballroom AUD C/? cleaned up & patched, 67:40 total time, via Hanno Bunjes & Uli Teute
|
notes
|
| 69. |
01/27/67 |
Shn - 0,
6762 |
San Francisco |
Avalon Ballroom Unknown AUD source > ? > shn; upgrade now in circulation
|
notes
|
| 70. |
02/12/67 |
Shn - 0,
18124 |
San Francisco |
Fillmore Auditorium 2 songs most likely from studio (see notes)
|
notes
|
| 71. |
03/18/67 |
Shn - 0,
10282 |
San Francisco |
Winterland Arena SBD > MR > ? > CD; Seeded to etree by A.J. Fink
|
notes
|
| 72. |
03/18/67 |
Shn - 0,
1594 |
San Francisco |
Winterland Arena MSR> R> DATs> CDRs> EAC> SHN; via Darrin Sacks; upgrade now in circulation
|
notes
|
| 73. |
03/18/67 |
Flac 16/48 - 0,
141400 |
San Francisco |
Winterland Arena flac16/48kHz; Source Info: Master Soundboard Reels > Cassette > Reel to Reel > Dat (16-bit/48k); Transfer Info: Dat (16/48)(Sony PCM-R500) > Tascam DA-3000 (.wav 16/48) > Adobe Audition (16/48) > TLH flac1648
|
notes
|
| 74. |
03/18/67 |
Flac 16/48 - ,
156086 |
San Francisco |
Winterland Arena flac1648 Source Info: Master Soundboard Reels > ?? > CD > .wav > flac This came from an anonymous source via CD. Provided and prepared by Brian Flegel.
|
notes
|
| 75. |
04/08/67 |
Shn - 0,
12623 |
San Francisco |
KPIX-TV Studios TV > C/? >CDR; various artists including Dead performance; via Hanno Bunjes, Uli Teute
|
notes
|
| 76. |
04/??/67 |
Shn - 0,
9261 |
San Francisco |
KMPX Radio Show Pre-FM-MR> R> DAT> CDR; Conversion: CDR > EAC(secure) > Cool Edit(remove gaps) > CDWav (retrack) > mkwact(seekable) by Matt Vernon
|
notes
|
| 77. |
05/05/67 |
Shn - 0,
1595 |
San Francisco |
Fillmore Auditorium SBD> unknown analog gens> D; via Ben Yerys
|
notes
|
| 78. |
05/05/67 |
Flac 24 - 0,
126263 |
San Francisco |
Fillmore Auditorium flac24; Don Wolfe's 3.75 ips > Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
|
notes
|
| 79. |
05/05/67 |
Flac 16 - 0,
126250 |
San Francisco |
Fillmore Auditorium flac16; Don Wolfe's 3.75 ips > Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
|
notes
|
| 80. |
06/18/67 |
Flac 16 - 0,
115858 |
Monterey |
Monterey County Fairgrounds flac16; Lineage: SBD Master Reels > DAT (Panasonic 3700) > Delta DiO 2496 > PC hard drive > CDR > CDWAV > Cool Edit > Traders Little Help
|
notes
|
| 81. |
06/18/67 |
Shn - 0,
19586 |
Monterey |
Monterey County Fairgrounds SBD> MR> ? > DAT x 2> Sonic Solutions> cd Note: There seems to be no cassette generation between the MR and DAT, which is present on the previously circulated version of this show. Remastered by ?Mandrake?
|
notes
|
| 82. |
06/18/67 |
Shn - 0,
42 |
Monterey |
Monterey County Fairgrounds SBD: MR> Cass> DAT> ZA2> CD; exception: Alligator -> Caution has no cassette gen, and may not even be from same show; CD seed via D. Hollister; original to abgd, to etree 6/00; upgrade now in circulation
|
notes
|
| 83. |
07/23/67 |
Flac 16 - 0,
125462 |
San Francisco |
Straight Theater flac16; Source Info: track 1 - aud recording > ?? > CD > wav > flac; track 2 - aud recording > ?? > flexi-disc > ?? > cassette x? > wav > flac
|
notes
|
| 84. |
08/04/67 |
Shn - 0,
16752 |
Toronto |
O'Keefe Center SBD MR>?>2R>C>CD; slight upgrade; via Hanno Bunjes and Uli Teute
|
notes
|
| 85. |
08/04/67 |
Shn - 0,
10355 |
Toronto |
O'Keefe Center Includes JA Set; Stereo SBD MR>R>DAT(3)>CDR; via Stu Hanson; Seeded to etree by Greg Hurwitt; upgrade now in circulation
|
notes
|
| 86. |
08/04/67 |
Shn - 0,
9110 |
Toronto |
O'Keefe Center SBD> MR> R> DAT> CDR; via Raoul Duke; Seeded to etree by Matt Vernon; upgrade now in circulation
|
notes
|
| 87. |
08/05/67 |
Shn - 0,
10356 |
Toronto |
O'Keefe Center Includes JA Set; Multiple SBD sources, see info file for details; via Stu Hanson; Seeded to etree by Greg Hurwitt; upgrade now in circulation
|
notes
|
| 88. |
08/05/67 |
Shn - 0,
9111 |
Toronto |
O'Keefe Center SBD>MR>R>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon; upgrade now in circulation
|
notes
|
| 89. |
08/05/67 |
Shn - 0,
16753 |
Toronto |
O'Keefe Center SBD MR>?>2R>C>CD; more complete and slightly better-sounding version; via Hanno Bunjes and Uli Teute
|
notes
|
| 90. |
09/03/67 |
Shn - 0,
17272 |
Rio Nido |
Dance Hall previous shn set with "original mix Midnight Hour" via Terrapin Station
|
notes
|
| 91. |
09/03/67 |
Shn - 0,
43 |
Rio Nido |
Dance Hall RM > C > DAT > CD > EAC > SHN; see flaw notes in info file; seed via Jim Wise; via Tim O'Connell shn vine to BUDD, later to etree (via Jon Miller?); note Midnight Hour from this run is on Phil Zone CD- go buy it; upgrade now in circulation
|
notes
|
| 92. |
09/03/67 |
Shn - 0,
6180 |
Rio Nido |
Dance Hall Not On E-tree ??
|
notes
|
| 93. |
09/04/67 |
Shn - 0,
19529 |
Rio Nido |
Dance Hall SBD:MR> Cass> DAT> CD; via Jools
|
notes
|
| 94. |
09/15/67 |
Shn - 0,
9192 |
Hollywood |
Hollywood Bowl AUD>MC>R>R>NR>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 95. |
10/20/67 |
Flac 16 - 0,
85631 |
North Hollywood |
American Studios flac16; Hunter's MSR > BETA > ??? > cdr > eac(secure mode) wav > flac
|
notes
|
| 96. |
10/22/67 |
Flac 16 - 0,
18101 |
San Francisco |
Winterland Arena flac16; SBD > Master Reels > DAT; Lineage/Recording Info detail/Editing detail: SBD > Master Reels > DAT (Panasonic 3700) > Sound card (Delta DiO 2496) > PC hard drive > CDR > CDWAV (tracking) > Cool Edit/WavePad (editing) > xACT Audio Compression Toolkit 2.13
|
notes
|
| 97. |
10/22/67 |
Flac 16 - 0,
116228 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 98. |
10/22/67 |
Shn - 0,
18101 |
San Francisco |
Winterland Arena SBD -> Rm -> Cass -> Dat via Charlie Miller
|
notes
|
| 99. |
10/22/67 |
Shn - 0,
1525 |
San Francisco |
Winterland Arena SBDmR> Cass> DAT> Sonic Solutions via D. Gans> CDR; via Ben Yerys; upgrade now in circulation
|
notes
|
| 100. |
10/31/67 |
Flac 16 - 0,
33933 |
San Francisco |
Winterland Arena flac16; SBD?->unkown tape generation->HHB CDR830->NEC DVD_RW ND-3520A->EAC->CDWAV-FLAC fake version of this show comprised of material from November 10th and 11th, 1967
|
notes
|
| 101. |
11/10/67 |
Flac 16 - 0,
116171 |
Los Angeles |
Shrine Exposition Hall flac16; Updated Lineage: SBD Reel from WB Vault to reel @ 7.5 IPS to reel@ 7.5 IPS to digital domain. Korg MR 1000 at 1 bit 5.6 mhz to 24-96 via Korg software. Taped by: Dan Healy; Transfer By: Matt Smith & Bob Menke; Mastering By: Derek McCabe
|
notes
|
| 102. |
11/10/67 |
Flac 24/96 - 0,
116368 |
Los Angeles |
Shrine Exposition Hall flac24; Updated Lineage: SBD Reel from WB Vault to reel @ 7.5 IPS to reel@ 7.5 IPS to digital domain. Korg MR 1000 at 1 bit 5.6 mhz to 24-96 via Korg software. Taped by: Dan Healy; Transfer By: Matt Smith & Bob Menke; Mastering By: Derek McCabe
|
notes
|
| 103. |
11/10/67 |
Shn - 0,
1612 |
Los Angeles |
Shrine Exposition Hall MR> R> R> DAT> CD> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; with 7/23/67 Cassady rap filler; note source updated with extra reel gen, based on info from Rob Bertrando
|
notes
|
| 104. |
11/10/67 |
Flac 16 - 0,
141132 |
Los Angeles |
Shrine Exposition Hall flac16; Source: 8 Track Master Reel > 1st Gen Reel (7.5ips) > PCM (Sony Beta ESXHiFi/L-750) - Given to Tim Dalton by Bob Menke; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred By Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018
|
notes
|
| 105. |
11/11/67 |
Flac 16 - 0,
116172 |
Los Angeles |
Shrine Exhibition Hall flac16; Updated Lineage: SBD Reel from WB Vault to reel @ 7.5 IPS to reel@ 7.5 IPS to digital domain. Korg MR 1000 at 1 bit 5.6 mhz to 24-96 via Korg software. Taped by: Dan Healy; Transfer By: Matt Smith & Bob Menke; Mastering By: Derek McCabe
|
notes
|
| 106. |
11/11/67 |
Flac 24/96 - 0,
116369 |
Los Angeles |
Shrine Exhibition Hall flac24; Updated Lineage: SBD Reel from WB Vault to reel @ 7.5 IPS to reel@ 7.5 IPS to digital domain. Korg MR 1000 at 1 bit 5.6 mhz to 24-96 via Korg software. Taped by: Dan Healy; Transfer By: Matt Smith & Bob Menke; Mastering By: Derek McCabe
|
notes
|
| 107. |
11/11/67 |
Shn - 0,
1613 |
Los Angeles |
Shrine Exhibition Hall MSR> R> R> DAT> CDR> EAC > SHN; via Kirby (Chalupa) Bell, Darrin Sacks; note source updated with extra reel gen, based on info from Rob Bertrando
|
notes
|
| 108. |
11/11/67 |
Flac 16 - 0,
141133 |
Los Angeles |
Shrine Exhibition Hall flac16; Source: 8 Track Master Reel > 1st Gen Reel (7.5ips) > PCM (Sony Beta ESXHiFi/L-750) - Given to Tim Dalton by Bob Menke; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred By Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018
|
notes
|
| 109. |
11/14/67 |
Flac - 0,
116173 |
North Hollywood |
American Studios Source: Healy SBD
|
notes
|
| 110. |
11/14/67 |
Flac 24 - 0,
116370 |
North Hollywood |
American Studios flac24; SBD > ? > FLAC The Shrine Reels Taped by: Dan Healy Transfer By: Matt Smith & Bob Menke Mastering By: Derek McCabe
|
notes
|
| 111. |
11/14/67 |
Shn - 0,
17417 |
North Hollywood |
American Studios MSR>C(1)>DAT>WAV>SHN. The circulating versions of these songs are different from the versions on the single and on "What a Long Strange trip It's Been" (which are the same) and therefore are listed separately. The md5's differ from the previous shn set listed.
|
notes
|
| 112. |
11/??/67 |
Flac 16 - 0,
81259 |
Unknown |
Studio Sessions for Anthem of the Sun flac16; Lineage: Track 01 thru 04: SBD > ? > Cx? > Cassette. Track 05: SBD > ? > Bootleg Vinyl LP > Cassette. Transfer: Cassettes > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC
|
notes
|
| 113. |
??/??/67 |
Flac 16 - 0,
125314 |
Unknown |
Unknown Studio flac16; Recording Info: Source #1: SBD -> ?? -> 7th gen cassette (stereo) -> wav -> FLAC; Source #2: SBD -> ?? -> unknown gen cassette (mono) -> CDR -> wav via EAC -> FLAC
|
notes
|
| 114. |
01/17/68 |
Shn - 0,
11795 |
San Francisco |
Carousel Ballroom SBD>MR>C>D>CD; via Raoul Duke; Seeded to etree by Matt Vernon & J. Cotsman
|
notes
|
| 115. |
01/17/68 |
Shn - 0,
7995 |
San Francisco |
Carousel Ballroom MSR> cass> dat> cdrs, eac> wav> cooledit2000> wav> shn; via Jeff "notimetohate"; see info file for listening notes; same as previous shn set through d1t09. d1t10 through d2t04 now circulate with an unexplained 'fix
|
notes
|
| 116. |
01/17/68 |
Shn - 0,
3927 |
San Francisco |
Carousel Ballroom MSR> cass> dat> cdrs, eac> wav> cooledit2000> wav> shn; via Jeff "notimetohate"; see info file for listening notes
|
notes
|
| 117. |
01/20/68 |
Flac 16 - 0,
97340 |
Eureka |
The Eureka Municipal Auditorium flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 118. |
01/20/68 |
Shn - 0,
5181 |
Eureka |
The Eureka Municipal Auditorium via Scott Clugston
|
notes
|
| 119. |
01/20/68 |
Shn - 0,
47 |
Eureka |
The Eureka Municipal Auditorium agment; unconfirmed: SBD > MReel > DAT > CD-R > EAC > SHN; pre-FM GDH?; via R. Ward
|
notes
|
| 120. |
01/20/68 |
Shn - 0,
19470 |
Eureka |
The Eureka Municipal Auditorium via Julian (Jools) Elliott
|
notes
|
| 121. |
01/20/68 |
Shn - 0,
4990 |
Eureka |
The Eureka Municipal Auditorium circulated as half of a single CD with a version of 2/3/68; via Abe
|
notes
|
| 122. |
01/22/68 |
Flac 16 - 0,
97342 |
Seattle |
Eagles Auditorium flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 123. |
01/22/68 |
Shn - 0,
8583 |
Seattle |
Eagles Auditorium SBDMR > DAT > Sonic Solutions > CD > EAC > Soundforge > SHN; plus patches- see notes in info file; patching and cleanup by Noah Weiner; to abgd via Charlie Connor
|
notes
|
| 124. |
01/23/68 |
Flac 16 - 0,
97343 |
Seattle |
Eagles Auditorium flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 125. |
01/23/68 |
Shn - 0,
20347 |
Seattle |
Eagles Auditorium Uploaded 2003/ 02/ 15 by Julian (Jools) Elliott
|
notes
|
| 126. |
01/23/68 |
Shn - 0,
4528 |
Seattle |
Eagles Auditorium Soundboard > MC > R > DAT > CDR; via David Finney, stemming from Merry Prankster tree; 9/20/68 filler
|
notes
|
| 127. |
01/27/68 |
Flac 16 - 0,
97344 |
Seattle |
Eagles Auditorium flac16; Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 128. |
01/27/68 |
Shn - 0,
14736 |
Seattle |
Eagles Auditorium 1 track (all that circ); SBD:MR> DAT> PCM> DAT> CD; EAC > SHN from audio CD by David Hollister; upload by Julian (Jools) Elliott
|
notes
|
| 129. |
02/02/68 |
Flac 16 - 0,
97345 |
Portland |
Crystal Ballroom flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 130. |
02/02/68 |
Shn - 0,
15801 |
Portland |
Crystal Ballroom No source info; Seeded to etree by Jools;
|
notes
|
| 131. |
02/02/68 |
Shn - 0,
20299 |
Portland |
Crystal Ballroom Shntool fix of previous Julian (Jools) Elliott seed
|
notes
|
| 132. |
02/03/68 |
Flac 16 - 0,
97346 |
Portland |
The Crystal Ballroom flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 133. |
02/03/68 |
Shn - 0,
14987 |
Portland |
The Crystal Ballroom SBD:MR>DAT>Sonic Solutions>CD ? shntool fixed and seekable version of set uploaded to tol.etree.org Feb.1/03
|
notes
|
| 134. |
02/03/68 |
Shn - 0,
4989 |
Portland |
The Crystal Ballroom circulated as half of a single CD with a version of 1/20/68; via Abe
|
notes
|
| 135. |
02/14/68 |
Flac 16 - 0,
89676 |
San Francisco |
Carousel Ballroom flac16; Recording Info: SBD -> (8 Track) Master Reel -> Dat -> CD -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC Transferred and Remastered By Charlie Miller (note: this source contains officially released, copyrighted material)
|
notes
|
| 136. |
02/14/68 |
Shn - 0,
15640 |
San Francisco |
Carousel Ballroom Source: SBD>MR>DAT>CD>EAC>SHN + Midnight Hour patched with: FM>Reel>Reel>DAT>CDR
|
notes
|
| 137. |
02/14/68 |
Shn - 0,
12939 |
San Francisco |
Carousel Ballroom SBD 8 track MR>D>CD with some alternate SBD patches; See info file for details; patches by H.B. 12/01 from tapes supplied by Konstantin and Uli
|
notes
|
| 138. |
02/14/68 |
Flac 16 - 0,
89437 |
San Francisco |
Carousel Ballroom flac16; Lineage: SBD>MR>DAT>CD>EAC>SHN>WAV>Cool Edit Pro v2.0>FLAC via D. Winters (note: this source contains officially released, copyrighted material
|
notes
|
| 139. |
02/14/68 |
Shn - 0,
2267 |
San Francisco |
Carousel Ballroom MR> DAT> DAT> CD> EAC> SHN, with portions from another source, probably FM; via Garrett Van Cleef, from Jim Douglas seed; includes supplemental hiss-reduced material (see info files); hosted by gdlive.com
|
notes
|
| 140. |
03/03/68 |
Shn - 0,
5809 |
San Francisco |
Haight Street Deadhead Hour pre-FM; via David Finney
|
notes
|
| 141. |
03/03/68 |
Shn - 0,
19904 |
San Francisco |
Haight Street Unknown Audience Recording; Extracted with EAC and cut with CD Wav by Julian (Jools) Elliott
|
notes
|
| 142. |
03/03/68 |
Shn - 0,
9374 |
San Francisco |
Haight Street AUD: Uher RR>DAT>DALCardDeluxe>WAV>CDR; via Raoul Duke; Seeded to etree by matt vernon
|
notes
|
| 143. |
03/16/68 |
Flac 16 - 0,
109944 |
San Francisco |
Carousel Ballroom flac16; Recording Info: SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 144. |
03/16/68 |
Shn - 0,
9388 |
San Francisco |
Carousel Ballroom SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 145. |
03/16/68 |
Flac 16/44 - ,
156159 |
San Francisco |
Carousel Ballroom flac1644 Recording Info: SBD > (4 Track) Master Reels > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Sound Devices 744T > Adobe Audition > Samplitude Pro X6 Suite > FLAC
|
notes
|
| 146. |
03/29/68 |
Flac 16 - 0,
108993 |
San Francisco |
Carousel Ballroom flac16; Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 147. |
03/29/68 |
Shn - 0,
6029 |
San Francisco |
Carousel Ballroom AUD> MR> D> PCM> D> CD> EAC> SHN; circulates as filler for 5/7/69; via J. Cotsman to vine
|
notes
|
| 148. |
03/29/68 |
Shn - 0,
9473 |
San Francisco |
Carousel Ballroom AUD > ?? > CDR; via Raoul Duke; seeded to etree by Matt Vernon
|
notes
|
| 149. |
03/30/68 |
Flac 16 - 0,
108994 |
San Francisco |
Carousel Ballroom flac16; Recording Info:Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 150. |
03/30/68 |
Shn - 0,
9375 |
San Francisco |
Carousel Ballroom Partial; AUD>MR>D>PCM>D>CD
|
notes
|
| 151. |
03/30/68 |
Shn - 0,
14912 |
San Francisco |
Carousel Ballroom AUD>MR>D>PCM>D>CD>EAC>SHN; the most complete form of this show in circulation; Thanks to Andy Lemieux, edits/encoding JCotsman
|
notes
|
| 152. |
03/31/68 |
Flac 16 - 0,
108995 |
San Francisco |
Carousel Ballroom flac16; Recording Info:SBD -> (4 Track) Master Reels -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 153. |
03/31/68 |
Shn - 0,
14913 |
San Francisco |
Carousel Ballroom AUD>MR>D>PCM>D>CD>EAC>SHN; excerpt (all that circulates); Thanks to Andy Lemieux; edits/encoding JCotsman
|
notes
|
| 154. |
05/18/68 |
Flac 16 - 0,
94491 |
San Jose |
Santa Clara County Fairgrounds flac16; Source: Jorma Kaukonen’s On Stage Mic > Reel to Reel Master > DAT x 1 Transfer: playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard > HD as 24 bit/96 KHz WAV Mastering: WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer by Chris Ladner July 2007, Mastering Bill Koucky September 18, 2008 Green Mountain Bros
|
notes
|
| 155. |
05/18/68 |
Shn - 0,
18216 |
San Jose |
Santa Clara County Fairgrounds Audience Master > ? > SHN
|
notes
|
| 156. |
05/18/68 |
Shn - 0,
11796 |
San Jose |
Santa Clara County Fairgrounds AUD>?>CD>SHN; Unknown seeder
|
notes
|
| 157. |
05/18/68 |
Shn - 0,
50 |
San Jose |
Santa Clara County Fairgrounds AUD?; filler on 11/22/68; via Teddy Good Bear to abgd; view info; view poster
|
notes
|
| 158. |
05/18/68 |
Flac 16 - 0,
82515 |
San Jose |
Santa Clara County Fairgrounds flac 16; Source: Jorma's AUD Master > 3rd Gen Cassette > Soundforge Extraction > Cool Edit > CD Wave Editor, except first few seconds of Alligator, which are AUD Master > Reel > CD > Soundforge Extraction > Cool Edit > CD Wave Editor
|
notes
|
| 159. |
05/??/68 |
Shn - 0,
5427 |
Unknown |
Unknown Vault Reel> DAT> CD> EAC> SHN; via J. Currier to gdlive
|
notes
|
| 160. |
06/14/68 |
Shn - 0,
16532 |
New York |
Fillmore East (Late Show) AUD>MC>R>R>PCM>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman
|
notes
|
| 161. |
06/14/68 |
Shn - 0,
3897 |
New York |
Fillmore East (Late Show) aud> mics?> master cassette> reel> reel> PCM> CDR; via Mike Lai; note info file lists as early show, but Deadlists and elsewhere list as late show
|
notes
|
| 162. |
06/14/68 |
Flac 16 - 0,
140953 |
New York |
Fillmore East (Late Show) flac16; Source: Audience Cassette Master > Reel > pcm (sony HG tape) provided by Tim Dalton; Transfer: ocm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred By Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018
|
notes
|
| 163. |
08/21/68 |
Shn - 0,
17689 |
San Francisco |
Fillmore West MSR> DAT> DAT> WAV> SHN; DAT> SHN conversion by Cousinit; see notes in info file
|
notes
|
| 164. |
08/21/68 |
Shn - 0,
1183 |
San Francisco |
Fillmore West sdb> reel master> cassette> dat> cdr; via Mike Lai
|
notes
|
| 165. |
08/21/68 |
Flac 16 - 0,
139746 |
San Francisco |
Fillmore West flac16; SBD > Master Reels > Dat; Charlie Miller Transfer: Dat (Sony PCM-R500) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/44; Checksum & tags created in xACT
|
notes
|
| 166. |
08/21/68 |
Shn - 0,
17355 |
San Francisco |
Fillmore West SDB>MR>C>D>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by D Litfin
|
notes
|
| 167. |
08/22/68 |
Flac 16 - 0,
92733 |
San Francisco |
Fillmore West flac16; Source: Soundboard Reels > ? > DAT Transfer: Panasonic SV-3700 > Korg MR-1 DSD [1 Bit/2.8 Mhz] Mastering: AudioGate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > AudioGate to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. July 8, 2008
|
notes
|
| 168. |
08/22/68 |
Shn - 0,
14915 |
San Francisco |
Fillmore West SBD>MR>C>D>CD>EAC>SHN; (two cassette sources, one in mono, one in stereo); see info file regarding confusion over this date; Thanks to David(s) Litfin, Sorochty, Gans, et al; edits/encoding JCotsman
|
notes
|
| 169. |
08/22/68 |
Shn - 0,
20083 |
San Francisco |
Fillmore West SBD portion via Jools, see info file for possible lineage.
|
notes
|
| 170. |
08/22/68 |
Flac 16/48 - 0,
143144 |
San Francisco |
Fillmore West flac16/48kHz; Source: Soundboard 2 track master reel> cassette > dat (48k) - provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 >wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick September 2018
|
notes
|
| 171. |
08/23/68 |
Shn - 0,
52 |
Los Angeles |
Shrine Exposition Hall updated lineage: 8 track multitrack Reels> "Sonic Wizardry"> DAT> Cassette> DATs> CDRs> EAC> SHN;? via Darrin Sacks, who reports: "Not a note of this material appears on Two From The Vault.?It turns out that TFTV is composed exclusively of 8.24.68" (go buy that); with unknown (8/29/68?) filler
|
notes
|
| 172. |
08/23/68 |
Flac 16 - 0,
116193 |
Los Angeles |
Shrine Exposition Hall flac16; SBD > Various Transfers / Edits (see original info attached) > .flac
|
notes
|
| 173. |
08/23/68 |
Flac 16 - 0,
143130 |
Los Angeles |
Shrine Exposition Hall Source: SBD > 8 Track Master Reel > PCM > DAT (44.1k) - Provided by Rich Gastwirt Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 >wav 16/44.1 - Transferred by Charlie Miller Lineage: wav 16/44.1 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16
|
notes
|
| 174. |
08/23/68 |
Flac 16 - ,
153116 |
Los Angeles |
Shrine Exposition Hall flac16 Recording Info: Vault Master 8-track Reel > Studio 2-track Mixdown (Dan Healy) > CAS > DAT Mastering Info: Samplitude Pro X5 > Flac16
Source provided by Anon Mastering by Jim Blackwood Speed Correction by Jason Chastain Track, FLAC and Pack by Steve Gravel
|
notes
|
| 175. |
08/28/68 |
Shn - 0,
18104 |
San Francisco |
Avalon Ballroom SBD>??>R>PCM>CD>EAC>SHN; pitch corrected re-shn of previous Vernon seed
|
notes
|
| 176. |
08/28/68 |
Shn - 0,
10162 |
San Francisco |
Avalon Ballroom SBD:?>Latvala's reel>PCM>CDR; via Steve Martin; Seeded to etree by Matt Vernon
|
notes
|
| 177. |
08/28/68 |
Flac 16 - 0,
133762 |
San Francisco |
Avalon Ballroom flac16; AUD UNKNOWN LINEAGE > REEL > EDIROL USB UA-1EX AUDIO INTERFACE > COOL EDIT > CD WAVE EDITOR > TRADERS LITTLE HELPER > FLAC
|
notes
|
| 178. |
08/28/68 |
Flac 16 5.1LPCM - ,
|
San Francisco |
Avalon Ballroom flac16/44kHz; 5.1 LPCM Surround Sound (44k) - SBD (shnid = 10162) SBD:?>Latvala's reel>PCM>CDR; via Steve Martin; Seeded to etree by Matt Vernon + AUD (shnid = 154145) Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - surround mixing by Kevin Tobin
|
notes
|
| 179. |
08/28/68 |
Flac 16 - ,
!%$!$/ |
San Francisco |
Avalon Ballroom DTS-Audio-CD 5.1 Mix; - SBD (shnid = 10162) SBD:?>Latvala's reel>PCM>CDR; via Steve Martin; Seeded to etree by Matt Vernon + AUD (shnid = 154145) Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - dts mixing by Kevin Tobin
|
notes
|
| 180. |
08/28/68 |
Flac 16 Mtx - ,
154146 |
San Francisco |
Avalon Ballroom flac16; Matrix 2 Source Mix - SBD (shnid = 10162) SBD:?>Latvala's reel>PCM>CDR; via Steve Martin; Seeded to etree by Matt Vernon + AUD (shnid = 154145) Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - matrix mixing by Kevin Tobin
|
notes
|
| 181. |
08/28/68 |
Flac 16 - ,
154145 |
San Francisco |
Avalon Ballroom flac16: Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644
|
notes
|
| 182. |
09/02/68 |
Flac 16 - 0,
115592 |
Sultan |
Betty Nelson's Organic Raspberry Farm flac16; Recording Info: SBD -> Master Reel (1/2-inch 4-track reels recorded on Ampex 440) -> Dat (Tascam DA30/44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 183. |
09/02/68 |
Shn - 0,
22095 |
Sultan |
Betty Nelson's Organic Raspberry Farm Recording Info: SBD -> Master Reel (Three half-inch four track reels, recorded on Ampex 440) -> Dat (Tascam DA30/44.1k); Transfer Info: Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (1 Disc Audio / 1 Disc SHN); Transfered and Edited By Charlie Miller 2/5/04
|
notes
|
| 184. |
09/02/68 |
Shn - 0,
1979 |
Sultan |
Betty Nelson's Organic Raspberry Farm SBD> Reel> DAT> WAV via ZA2> CD> EAC> SHN; via Pat Volkerding
|
notes
|
| 185. |
09/12/68 |
Flac 16 - 0,
136643 |
Unknown |
Unknown (possibly Pacific High Recording) flac16; Source: sbd > 7 inch Master Reel @ 7.5ips 1/2 track > dat(48k)
|
notes
|
| 186. |
09/20/68 |
Flac 16 - 0,
115682 |
Berkeley |
Berkeley Community Theater flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC
|
notes
|
| 187. |
09/20/68 |
Shn - 0,
5830 |
Berkeley |
Berkeley Community Theater may circulate as filler on other discs (has been seen with 1/23/68); info file compiled by Matt Vernon
|
notes
|
| 188. |
09/20/68 |
Flac 16 - 0,
32900 |
Berkeley |
Berkeley Community Theater flac16; SBD > Master Reel > Cassette > Dat > CD > Adobe Audition v1.5 > CD Wave > FLAC; Transfer and Mastering by Charlie Miller
|
notes
|
| 189. |
10/10/68 |
Shn - 0,
4513 |
San Francisco |
The Matrix
|
notes
|
| 190. |
10/12/68 |
Flac 16 - 0,
115593 |
San Francisco |
Avalon Ballroom flac16; Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 191. |
10/12/68 |
Flac 16 - 0,
125211 |
San Francisco |
Avalon Ballroom flac16; Recording Info: SBD -> ?? -> cdr -> wav via EAC -> FLAC
|
notes
|
| 192. |
10/12/68 |
Shn - 0,
10909 |
San Francisco |
Avalon Ballroom SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD; via David Gans; de-glitched at the Frisco Refinery, see info file for details; Seeded to etree by eD(efojr)
|
notes
|
| 193. |
10/12/68 |
Shn - 0,
9385 |
San Francisco |
Avalon Ballroom MSR> DAT> Sonic Solutions> CD; via David Gans; Charlie Miller; seeded to etree by Michael Owen
|
notes
|
| 194. |
10/12/68 |
Flac 16 - 0,
139745 |
San Francisco |
Avalon Ballroom flac16; SHNID #115593 > Adobe Audition 3.0 > Flac16
|
notes
|
| 195. |
10/12/68 |
Flac 16 - 0,
86759 |
San Francisco |
Avalon Ballroom flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 196. |
10/13/68 |
Flac 16 - 0,
115606 |
San Francisco |
Avalon Ballroom flac16; Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 197. |
10/13/68 |
Flac 16 - 0,
86761 |
San Francisco |
Avalon Ballroom flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 198. |
10/13/68 |
Shn - 0,
1027 |
San Francisco |
Avalon Ballroom via John Oleynick, Lee Revell; tracked for 1x80 min; Lee comments: "sound's a bit rough... but we're fairly certain that this is the best available source"; see info file for misc flaw notes
|
notes
|
| 199. |
10/13/68 |
Shn - 0,
9386 |
San Francisco |
Avalon Ballroom MSR> DAT> Sonic Solutions> CD; via David Gans; Charlie Miller; seeded to etree by Michael Owen; Note- This shn set is identical to the previous Owen/Miller entry, except for differing md5's on the first and last track.
|
notes
|
| 200. |
10/13/68 |
Shn - 0,
10910 |
San Francisco |
Avalon Ballroom SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD; via David Gans; de-glitched at the Frisco Refinery, see info file for details; Seeded to etree by eD(efojr)
|
notes
|
| 201. |
10/13/68 |
Shn - 0,
7772 |
San Francisco |
Avalon Ballroom SBD: MR> DAT> CD> DC-Art Millennium> CD> SHN; tracked for 1x80; stemming from VTree Round 4, Michael Owen, Charlie Miller; see info file for flaw notes
|
notes
|
| 202. |
10/20/68 |
Shn - 0,
21441 |
Berkeley |
Greek Theatre, U. Of California SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD Charlie Miller charliemiller87@earthlink.net shntool fix -o shn *shn run by tol 03-02-24, and a new md5-file generated.
|
notes
|
| 203. |
10/20/68 |
Shn - 0,
9071 |
Berkeley |
Greek Theatre, U. Of California Complete; SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; via Charlie Miller
|
notes
|
| 204. |
11/01/68 |
Shn - 0,
18100 |
Chico |
Armory Building, Silver Dollar Fairgrounds SBD>MR>C>D>CD>EAC>SHN; patched with "barely listenable portion"; Thanks to J. Powell, S. Martin, D. Litfin; edits/encoding by JCotsman
|
notes
|
| 205. |
11/01/68 |
Shn - 0,
20008 |
Chico |
Armory Building, Silver Dollar Fairgrounds MSR > R > D > CD by Jim Powell EAC > SHN by J.Barnes (heyitsmejess@aol.com) Track 5a edited by Seth Kaplan (alligator69@optonline.net) Uploaded to tol 06/21/2003 by Seth Kaplan
|
notes
|
| 206. |
11/01/68 |
Shn - 0,
9965 |
Chico |
Armory Building, Silver Dollar Fairgrounds MSR>C>D>CD; Seeded to etree by Seth Kaplan
|
notes
|
| 207. |
11/01/68 |
Shn - 0,
17080 |
Chico |
Armory Building, Silver Dollar Fairgrounds MSR > R > D > CD by Jim Powell EAC > SHN by J.Barnes (heyitsmejess@aol.com) EAC log files are included
|
notes
|
| 208. |
11/01/68 |
Flac 16 - 0,
131661 |
Chico |
Armory Building, Silver Dollar Fairgrounds flac16; This is a restoration/rework using shnid 18100 (Cotsman) and 09580 (Axelrod); Diamond Cut Forensics versions 8.5 and Alpha 9 for the editing.
|
notes
|
| 209. |
11/01/68 |
Shn - 0,
9580 |
Chico |
Armory Building, Silver Dollar Fairgrounds 2nd Set; SBD>MSR>C>DAT>CDR; via Raoul Duke and Mike Axelrod; Seeded to etree by Matt Vernon
|
notes
|
| 210. |
11/01/68 |
Flac 16/44,1 - 0,
150968 |
Chico |
Armory Building, Silver Dollar Fairgrounds flac16/44.1khz Recording Info: SBD > (8-track) Master Reel (10in 15ips) > DAT (Panasonic SV-3700) > DAT (Panasonic SV-3700) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC. (1 Disc Audio) Original Transfer and Mastering by Rob Eaton. Additional Mastering by Charlie Miller.
|
notes
|
| 211. |
11/06/68 |
Flac 16 - 0,
82393 |
San Mateo |
Pacific High Recording flac16; Reel> PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell
|
notes
|
| 212. |
11/06/68 |
Shn - 0,
12618 |
San Mateo |
Pacific High Recording Alembic rehearsals, composite of sources; via Tzuriel to abgd; upgrade now in circulation
|
notes
|
| 213. |
11/06/68 |
Flac 24/96 - ,
153017 |
San Mateo |
Pacific High Recording Recording Info: SBD > Master Reel (TC) > Cassette (Gans) Transfer Info: Cassette (Tascam 122mkII) > Focusrite Scarlett (24-bit/96k) Mastering Info: WAV > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 214. |
11/06/68 |
Flac 16/44 - ,
154387 |
San Mateo |
Pacific High Recording flac1644; Recording Info: SBD > Master Reel (TC) > Cassette (Gans) Transfer Info: Cassette (Tascam 122mkII) > Focusrite Scarlett (24-bit/96k) Mastering Info: WAV > Samplitude Pro X6 Suite > FLAC/24 - This is 153017 24 > 1644
|
notes
|
| 215. |
11/22/68 |
Shn - 0,
10088 |
Columbus |
Columbus Veterans Hall AUD>MR>C>C>C>CD; 'Edited' version (speed correction, normalization, etc) of original Goodbear seed; See info file for details; Seeded to etree by J Cotsman
|
notes
|
| 216. |
11/22/68 |
Shn - 0,
21933 |
Columbus |
Columbus Veterans Hall AUD>MR>C>C>C>CD>SHN This is an edited shn set direct from the previously seeded shn set from Teddy Goodbear. The pitch has been corrected with Sound Forge and the recording has been normalized and retracked. shntool fix -o shn *shn run by tol 03-02-24, and a new md5-file generated.
|
notes
|
| 217. |
12/07/68 |
Shn - 0,
16944 |
Louisville |
Bellarmine College SBD> CM> C1> DAT> CDR; see info file for details; seeded to etree via D Litfin; shn encoding by Wilbur Haines
|
notes
|
| 218. |
12/07/68 |
Shn - 0,
20007 |
Louisville |
Bellarmine College SBD>CM>C1>DAT>CDR>CDR via Mike Lai
|
notes
|
| 219. |
12/07/68 |
Flac 16 - 0,
88674 |
Louisville |
Bellarmine College flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 220. |
12/20/68 |
Flac 16 - 0,
98663 |
Los Angeles |
Shrine Exhibition Hall flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 221. |
12/20/68 |
Shn - 0,
9532 |
Los Angeles |
Shrine Exhibition Hall SBD cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN; DAT > CDR conversion via HHb 850; editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio for Macintosh; workup> SHN by Jeff Tiedrich; via G.S. Hamilton to BUDD offer; passes shntool check
|
notes
|
| 222. |
12/21/68 |
Flac 16 - 0,
89718 |
Los Angeles |
Shrine Exhibition Hall flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 223. |
12/21/68 |
Shn - 0,
8533 |
Los Angeles |
Shrine Exhibition Hall SBD cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN; DAT > CDR conversion via HHb 850; editing, normalization and 5% pitch correction by Jeff Tiedrich via Sound Studio for Macintosh; workup> SHN by Jeff Tiedrich; via G.S. Hamilton to BUDD offer; passes shntool check
|
notes
|
| 224. |
12/29/68 |
Flac 16 - 0,
80197 |
Hallandale |
Gulfstream Park Racetrack flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 225. |
12/29/68 |
Shn - 0,
5424 |
Hallandale |
Gulfstream Park Racetrack MSC> D> CD> EAC> SHN; Dropouts d2 7:22, d3 7:17; via Steve Barbella with thanks to Seth Kaplan
|
notes
|
| 226. |
12/29/68 |
Shn - 0,
5425 |
Hallandale |
Gulfstream Park Racetrack SBD> MC> D> CD> EAC> SHN; via J. Cotsman to mail distribution;
|
notes
|
| 227. |
??/??/68 |
Shn - 0,
9426 |
Unknown |
Unknown or Various 7 undated '68 fragments circulating together; 5 Vault reels> 4 CDs- see info file for available details; via Music Never Stopped shn project
|
notes
|
| 228. |
??/??/68 |
Flac 16 - 0,
97671 |
Unknown |
Unknown or Various flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Mille
|
notes
|
| 229. |
01/17/69 |
Flac 16 - 0,
89798 |
Santa Barbara |
Robertson Gym, U.C.S.B. flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 230. |
01/17/69 |
Shn - 0,
3115 |
Santa Barbara |
Robertson Gym, U.C.S.B. Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston
|
notes
|
| 231. |
01/18/69 |
Flac 16 - 0,
33931 |
West Hollywood |
Playboy Club flac16; Source: PCM wav audio from U.K. Mutt's DVD release
|
notes
|
| 232. |
01/24/69 |
Flac 16 - 0,
109640 |
San Francisco |
Avalon Ballroom flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 233. |
01/24/69 |
Shn - 0,
7922 |
San Francisco |
Avalon Ballroom Complete; SBD> MSR> C> DAT> CD> SHN; via Seth Kaplan
|
notes
|
| 234. |
01/24/69 |
Shn - 0,
5650 |
San Francisco |
Avalon Ballroom Master reel > cassette > DAT > CD; filler on 9/21/74 shn set; whole shn set's info and md5s listed here (not sure which specific md5s correspond to 1/24/69); to a tree?
|
notes
|
| 235. |
01/24/69 |
Shn - 0,
2370 |
San Francisco |
Avalon Ballroom MSR> C> DAT> CD; via Seth Kaplan; same as other fixed shn set except a couple of md5s differ; [DSH note- not sure if this is pre-fixed or separately fixed version]; noted at easywind and at gdlive
|
notes
|
| 236. |
01/24/69 |
Flac 16 - 0,
110304 |
San Francisco |
Avalon Ballroom flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller, this is a cleaned up version of source ID 109640
|
notes
|
| 237. |
01/24/69 |
Shn - 0,
2244 |
San Francisco |
Avalon Ballroom MSR> C> DAT> CD; via Seth Kaplan, Darrin Sacks; with fixed track boundaries
|
notes
|
| 238. |
01/25/69 |
Flac - 0,
109641 |
San Francisco |
Avalon Ballroom flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 239. |
01/25/69 |
Shn - 0,
2268 |
San Francisco |
Avalon Ballroom set 2; SBD:MR> Cass> DAT> ZA2> CD; via David Hollister, Jeff Sachs to abgd; 12/00: noted at gdlive.com
|
notes
|
| 240. |
01/25/69 |
Shn - 0,
2245 |
San Francisco |
Avalon Ballroom set 2; MSR> C> DAT> CD; via Seth Kaplan, Darrin Sacks; with fixed track boundaries
|
notes
|
| 241. |
01/25/69 |
Shn - 0,
2592 |
San Francisco |
Avalon Ballroom set 2; MSR> C> DAT> CD; via Seth Kaplan [DSH note- not sure if this is pre-fixed or separately fixed version]; 1/01: noted at gdlive
|
notes
|
| 242. |
01/25/69 |
Shn - 0,
7923 |
San Francisco |
Avalon Ballroom Complete; SBD> MSR> C> DAT> CD> SHN; via Seth Kaplan
|
notes
|
| 243. |
01/26/69 |
Flac 16 - 0,
109642 |
San Francisco |
Avalon Ballroom flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 244. |
01/26/69 |
Shn - 0,
2246 |
San Francisco |
Avalon Ballroom MSR> C> DAT> CD; via Seth Kaplan, Darrin Sacks; with fixed track boundaries; tracked for 1x80; see flaw notes in info file; note material from this date also appeared on Live Dead- go buy it
|
notes
|
| 245. |
01/??/69 |
Shn - 0,
16760 |
San Mateo |
Aoxomoxoa Outtakes Aoxomoxoa Studio Sessions Outtakes 1969; Tracks 1-11: Sandy Troy's TC366 3.75ips Reel> DAT2> CDR; Tracks 12-13: Alan Bershaw's A1040SL 7.5ips Reel> DAT> CDR; Discs kindly provided by Stu Hanson; Cd > eac > cool edit pro > shntool > cdwav > shnv3 by Ernie Dodd
|
notes
|
| 246. |
02/02/69 |
Flac 16 - 0,
123283 |
Minneapolis |
Labor Temple flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 247. |
02/02/69 |
Shn - 0,
9758 |
Minneapolis |
Labor Temple SBD>MR>?>D>CD; via David Litfin; Seeded to etree by J. Cotsman
|
notes
|
| 248. |
02/04/69 |
Flac - 0,
7294 |
Omaha |
The Music Box SBD> CM> C> D> CD; EAC> SHN (seekable) transfer by Steve Barbella
|
notes
|
| 249. |
02/04/69 |
Flac 24 - 0,
137440 |
Omaha |
The Music Box flac24; Partial Show; Source: Audience recording > Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Cassette (TDK D-90) recorded by Leon Komar; Tranafer: Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG Audiogate 4 > flac 24/96; transfered by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick
|
notes
|
| 250. |
02/05/69 |
Shn - 0,
8993 |
Kansas City |
Soldiers & Sailors Memorial Auditorium SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon
|
notes
|
| 251. |
02/06/69 |
Shn - 0,
6284 |
St. Louis |
Kiel Auditorium SBD> MC> D> CD> EAC> SHN; Soundforge used for pitch correction and pop removal; edited, encoded, vined by J. Cotsman; with thanks to Paul Hartman
|
notes
|
| 252. |
02/06/69 |
Flac 16 - 0,
137394 |
St. Louis |
Kiel Auditorium flac16; Source: Soundboard > 7 1/2' Reel Master @ 7.5 ips (Recorded By Bear) > 1st gen cassette (Ampex C-90/no dolby) > Dat (from Rob Eaton); Transfer: DAT play back and transfer on a Sony PCM R-500 > Digital Audio Labs Carddeluxe > WAV 16/48; Lineage: wav 16/48 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > wav 16/44.1 > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered by SIRMick
|
notes
|
| 253. |
02/07/69 |
Shn - 0,
14471 |
Pittsburgh |
Stanley Theater (Early, Late) Late Show ; SBD> MC(Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb>CDR ; Seeded to Etree by T. Wiley
|
notes
|
| 254. |
02/07/69 |
Shn - 0,
14472 |
Pittsburgh |
Stanley Theater (Early, Late) Early Show; SBD> MC (Bear Owsley)> DAT (Rob Eaton)> (Jim Wise) HHb> CDR ; Seeded to Etree by T. Wiley
|
notes
|
| 255. |
02/07/69 |
Flac 16 - 0,
137392 |
Pittsburgh |
Stanley Theater (Early, Late) flac16; Source: Soundboard > master cassette (recorded by Bear (Owsley) on a "Concord" cassette deck model unknown > Ampex 90-minute cassette > Restoration & Preservation by Rob Eaton; Transfer: Playback on a Tascam 122 mk111 (azimuth adjusted) > db 926 a/d converter > db 3000 s sample rate converter (variable speed) > panasonic 3800 DAT @ 44.1 kHz By Rob Eaton > DAT > Sony PCM R-500 > Digital Audio Labs Card Deluxe > Adobe Audition C.C.2014 > wav 16/44.1; Lineage: wav 16/44.1 >Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick
|
notes
|
| 256. |
02/12/69 |
Shn - 0,
9072 |
New York |
Fillmore East (Late Show) SBD> Cassette Master> DAT> CD; More complete version of original Kaplan seed, see info file for details; Seeded to etree by Seth Kaplan
|
notes
|
| 257. |
02/12/69 |
Shn - 0,
6285 |
New York |
Fillmore East (Late Show) late show; SBD> MR> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman; with thanks to Jeff Cook; Missing Dupree's, Mountains
|
notes
|
| 258. |
02/14/69 |
Shn - 0,
6286 |
Philadelphia |
Electric Factory SBD> MC> C> C(?)> D> CD> SHN; edited (see notes in info), shned, vined by J. Cotsman; with thanks to Jim Hale
|
notes
|
| 259. |
02/14/69 |
Flac 16 - 0,
141006 |
Philadelphia |
Electric Factory flac16; Source Info: Master Soundboard Cassette > Reel to Reel > PCM (Sony HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 260. |
02/15/69 |
Shn - 0,
16664 |
Philadelphia |
Electric Factory MSR (7" @ 7.5 ips 1/2 track) > Tascam 122mkIII 1st gen. cassette > Nak Dragon playback > Sony PCM R-700 DAT > ZA2 > wav (Sound Forge) > CD (CD Architect) > unknown CD gens > EAC (test & copy, secure mode, offset corrected) > sector boundary verification (shntool) > seekable .shn (mkwact). DAT conversion and CD mastering by aoxoa, CD > SHN by D. Winters.
|
notes
|
| 261. |
02/15/69 |
Shn - 0,
2175 |
Philadelphia |
Electric Factory SBD MR>C1>DAT; via Teddy Goodbear to abgd
|
notes
|
| 262. |
02/19/69 |
Shn - 0,
4511 |
San Francisco |
Fillmore West SBD> MC> D> CD; start of Lovelight clipped, ragged sound improves later; via thecore@core.com
|
notes
|
| 263. |
02/21/69 |
Flac 16 - 0,
111780 |
Vallejo |
Dream Bowl flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 264. |
02/21/69 |
Shn - 0,
7859 |
Vallejo |
Dream Bowl Speed corrected SBD >MR> ?> DAT> CDR; via The Owen Brothers Vault; See info file for details
|
notes
|
| 265. |
02/22/69 |
Flac 16 - 0,
112691 |
Vallejo |
Dream Bowl flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC
|
notes
|
| 266. |
02/22/69 |
Shn - 0,
7860 |
Vallejo |
Dream Bowl SBD>MR>DAT>CDR; Mastering by The Owen Brothers Vault; see info file for details
|
notes
|
| 267. |
02/22/69 |
Shn - 0,
5206 |
Vallejo |
Dream Bowl SBD > MR > R > R > DAT > CDR; EAC> Cool Edit (see info)> SHN (seeking) by Matt Vernon, from Paul B. seed discs; see flaw notes in info file
|
notes
|
| 268. |
02/27/69 |
Shn - 0,
6315 |
San Francisco |
Fillmore West SBD 16-Track Master Reel > Rough Mix DAT > DATx3 > Digital Sound Card > WAV > SHN > WAV > Cool Edit > CDWAV > SHN; via Aoxoa, R. Keshavan, Seth Kaplan; see info file for notes on patches and edits; d2 tracked for 80 min; note material from this date also appeared on Live Dead- go buy it
|
notes
|
| 269. |
02/27/69 |
Shn - 0,
16248 |
San Francisco |
Fillmore West 16 track RTR (multiple decks) > MCS Master Mixdown D > SSSB; see notes in info file; to gdlive by Jay Serafin
|
notes
|
| 270. |
02/27/69 |
Shn - 0,
58 |
San Francisco |
Fillmore West SBD reels > PCM > DAT > CD-R; via Robbie Dunn, Lee Orf; note material from this date also appeared on Live Dead- go buy it; 11/01: upgrade now in circulation
|
notes
|
| 271. |
02/27/69 |
Flac 16 - 0,
132573 |
San Francisco |
Fillmore West flac16; Ampex MM-1000 16 Track Master Two Inch Wide Tape; Multi Track Mix-down To DAT By Dan Healy @ 44.1KHz) circa 1995?; DAT x ONE by Dick Latvala- DAT x TWO via either Dick or Rob Bertrando; Editing (Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); Jim Wise; This is a 100% Flat transfer from the DAT no signal processing what-so-ever
|
notes
|
| 272. |
02/27/69 |
Flac 16/44 - ,
153342 |
San Francisco |
Fillmore West flac16/44kHz; 5.1 LPCM Surround Sound (44k) - SBD (shnid = 132573) Ampex MM-1000 16 Track Master Two Inch Wide Tape; Multi Track Mix-down To DAT By Dan Healy @ 44.1KHz) circa 1995?; DAT x ONE by Dick Latvala- DAT x TWO via either Dick or Rob Bertrando; Editing (Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); Jim Wise + AUD (shnid = 153331) Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - surround mixing by Kevin Tobin
|
notes
|
| 273. |
02/27/69 |
Dts Audio 5.1 - ,
153341 |
San Francisco |
Fillmore West DTS-Audio-CD 5.1 Mix; - SBD (shnid = 132573) Ampex MM-1000 16 Track Master Two Inch Wide Tape; Multi Track Mix-down To DAT By Dan Healy @ 44.1KHz) circa 1995?; DAT x ONE by Dick Latvala- DAT x TWO via either Dick or Rob Bertrando; Editing (Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); Jim Wise + AUD (shnid = 153331) Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - dts mixing by Kevin Tobin
|
notes
|
| 274. |
02/27/69 |
Flac 16 Mtx - ,
153340 |
San Francisco |
Fillmore West flac16; Matrix 2 Source Mix - SBD (shnid = 132573) Ampex MM-1000 16 Track Master Two Inch Wide Tape; Multi Track Mix-down To DAT By Dan Healy @ 44.1KHz) circa 1995?; DAT x ONE by Dick Latvala- DAT x TWO via either Dick or Rob Bertrando; Editing (Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); Jim Wise + AUD (shnid = 153331) Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - matrix mixing by Kevin Tobin
|
notes
|
| 275. |
02/27/69 |
Flac 16 - ,
153339 |
San Francisco |
Fillmore West flac16; Patched & Pitch Corrected Audience - (original shnid = 153331) Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - pitch correction and patches by Kevin Tobin
|
notes
|
| 276. |
02/27/69 |
Flac 16 - ,
153331 |
San Francisco |
Fillmore West flac16: Source: AUD > Low Gen Reel, kindly provided by Steve Martin. Transfer: Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644
|
notes
|
| 277. |
02/28/69 |
Flac - 0,
3397 |
San Francisco |
Fillmore West 16-Track Master Reel> DAT> CD> EAC> SHN, with various patches (see info file); via Charlie Miller, Aoxoa, Seth Kaplan; upload by Darrin Sacks
|
notes
|
| 278. |
02/28/69 |
Flac 16/48 - 0,
132672 |
San Francisco |
Fillmore West flac16/48kHz; Ampex MM-1000 16 Track Master Reels Two Inch Wide Tape @ 15 ips; Multi Track Mix-down To a Sony PCM 1630 By Dan Healy @ 44.1KHz); Set #1 DAT x ONE by Dick Latvala-DAT x TWO; Set #2 DAT x ? by Rob Bertrando-DAT x; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)-Sample Rate Conversion(r8brain); This is a 100% Flat transfer from the DAT no signal processing what-so-ever. Some pitch correction implemented Jim Wise
|
notes
|
| 279. |
02/28/69 |
Flac 16/48 - 0,
139196 |
San Francisco |
Fillmore West flac16/48kHz; SBD > 2-track Master Reels > Dat; Charlie Miller Transfer: Dat (Sony PCM-R500) > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/48
|
notes
|
| 280. |
03/01/69 |
Shn - 0,
13584 |
San Francisco |
Fillmore West SBD > DUAL RTR DECKS AT 15 I.P.S. > LESH DIGITAL MIXDOWN IN 1998 > MCS D > SSSB (Jay Serafin remaster
|
notes
|
| 281. |
03/01/69 |
Shn - 0,
4030 |
San Francisco |
Fillmore West SBD> 16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion > Cool Edit 2000 > MKW .shn file conversion > shntool > MKW .WAV file conversion > CD; via Aoxoa, Rango Keshavan, Seth Kaplan; d2 tracked for 80 min; see various notes in info file, including about patches for banter and tuning
|
notes
|
| 282. |
03/01/69 |
Shn - 0,
9391 |
San Francisco |
Fillmore West Jay Ashley (Bertha) remaster of previous multi-track source; SBD>>MTMR>>DAT>>CDA>>DAW(Bertha)>>CDA
|
notes
|
| 283. |
03/01/69 |
Flac 16 - 0,
132657 |
San Francisco |
Fillmore West flac16; Ampex MM-1000 16 Track Master Two Inch Wide Tape- Multi Track Mix-down To DAT By Dan Healy @ 44.1KHz); DAT x ONE by Dick Latvala- DAT x TWO(Mine); Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise; This is a 100% Flat transfer from the DAT no signal processing what-so-ever. Some Pitch Correction Implemented
|
notes
|
| 284. |
03/01/69 |
Shn - 0,
60 |
San Francisco |
Fillmore West revised source info: SBD> cass master > 1 cass > DAT> ZA2> Soundforge> SHN; transfer by R. Nayfield; reel flip beginning Lovelight; 5/01 note upgrade now in circulation
|
notes
|
| 285. |
03/01/69 |
Flac 16/48 - 0,
138788 |
San Francisco |
Fillmore West flac16/48kHz; SBD > 2-track Master Reels > Dat; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Joe Noel Edited & Mastered in Audacity: Wave > Flac 16/48; Checksum & tags created in xACT
|
notes
|
| 286. |
03/02/69 |
Shn - 0,
3344 |
San Francisco |
Fillmore West Multi-track reel master > DAT > CD > EAC > SHN; via Seth Kapln, Darrin Sacks; see info file for relation to previous seeds
|
notes
|
| 287. |
03/02/69 |
Shn - 0,
7345 |
San Francisco |
Fillmore West Jay Ashley (Bertha) remaster of previous multi-reel source; SBD>>MTMR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A Show A
|
notes
|
| 288. |
03/02/69 |
Flac 16 - 0,
132581 |
San Francisco |
Fillmore West flac16; Ampex MM-1000 16 Track Master Two Inch Wide Tape-Multi Track Mix-down By Dan Healy @ 44.1KHz); DAT x ONE by Dick Latvala- DAT x TWO; Editing (Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)by Jim Wise; This is a 100% Flat transfer from the DAT no signal processing what-so-ever
|
notes
|
| 289. |
03/15/69 |
Shn - 0,
28798 |
San Francisco |
Hilton Hotel MSC> C> D> CD; This tape is sourced from Bear's cassette master; Pitch correction was performed via Cool Edit 2000; WAV's >.shn by Seth Kaplan
|
notes
|
| 290. |
03/15/69 |
Shn - 0,
4280 |
San Francisco |
Hilton Hotel SBD> ?> boot CD> retrack> SHN; significant hiss, splice in Eleven; via thecore@core.com
|
notes
|
| 291. |
03/15/69 |
Flac 16 - 0,
140931 |
San Francisco |
Hilton Hotel flac16; Source: SBD > Bear's cassette > ??? > Sony ESXHiFi/L-750 beta tape; Transfer: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k); Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018
|
notes
|
| 292. |
03/22/69 |
Shn - 0,
8994 |
Pasadena |
Rose Palace SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Andrew Clarke
|
notes
|
| 293. |
03/28/69 |
Flac 16 - 0,
81543 |
Modesto |
Student Center, Modesto Jr. College flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 294. |
03/28/69 |
Flac 16 - 0,
108057 |
Modesto |
Student Center, Modesto Jr. College flac16; Source: Master Soundboard Cassette Medium Stock Brands: Master Cassette ampex c120 Analog Lineage: SBD >> Unknown Deck >> MSC Analog Sound Preservation: MSC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bear Transfer By: Bob Menke Mastering By: David Minches, Derek McCabe (This source was originally seeded with errors in the tags. Please don't circulate the original fileset.)
|
notes
|
| 295. |
03/28/69 |
Flac 24 - 0,
108240 |
Modesto |
Student Center, Modesto Jr. College flac24; SBD >> Unknown Deck >> MSC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
|
notes
|
| 296. |
03/28/69 |
Flac 16 - 0,
135935 |
Modesto |
Student Center, Modesto Jr. College flac16; Recording Info: SBD > low generation analog > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
|
notes
|
| 297. |
03/28/69 |
Flac 16 - 0,
140994 |
Modesto |
Student Center, Modesto Jr. College
|
notes
|
| 298. |
03/28/69 |
Shn - 0,
3342 |
Modesto |
Student Center, Modesto Jr. College MSR> C> D> CD; via Frank Bove
|
notes
|
| 299. |
03/29/69 |
Flac 16 - 0,
123467 |
Las Vegas |
Ice Palace flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 300. |
03/29/69 |
Shn - 0,
1764 |
Las Vegas |
Ice Palace SBD> ?> BOOT CD> CDR; EAC> WAV> SHN by Dan Vinson, seed via Greg Mohr; End of Lovelight is cut on the boot cd; fits on 1x80
|
notes
|
| 301. |
03/29/69 |
Flac - 0,
135885 |
Las Vegas |
Ice Palace Fix for Charlie Miller source, patched with 4th-gen cassette.
|
notes
|
| 302. |
03/29/69 |
Flac 16/48 - 0,
141435 |
Las Vegas |
Ice Palace flac16/48kHz; Recording Info: Master Soundboard Reel > Cassette > Dat 16/48; Transfer Info: Dat (16/48)(Sony PCM-R500) > Tascam DA-3000 (.wav 16/48) > Adobe Audition (16/48) > TLH flac1648
|
notes
|
| 303. |
04/04/69 |
Flac - 0,
87542 |
San Francisco |
Avalon Ballroom Source: SBD>FM>MR>C1>DAT>CD
|
notes
|
| 304. |
04/05/69 |
Shn - 0,
18701 |
San Francisco |
Avalon Ballroom Recording Info: SBD -> Rm (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat -> Sonic Solutions -> CD -> EAC -> Samplitude -> SHN Conversion By Charlie Miller
|
notes
|
| 305. |
04/05/69 |
Shn - 0,
65 |
San Francisco |
Avalon Ballroom SBD > REEL > REEL > DAT > SP/DIF > HD > SHN; via S. Leonard; see pub comments for flaw notes
|
notes
|
| 306. |
04/05/69 |
Flac 16 - 0,
136650 |
San Francisco |
Avalon Ballroom flac16; Source: Soundboard > Reel Master > Dat (48k)
|
notes
|
| 307. |
04/06/69 |
Shn - 0,
9492 |
San Francisco |
Avalon Ballroom SBD>FM>MR>C>D>CD; via Joe Jupille; Seeded to etree by J. Cotsman
|
notes
|
| 308. |
04/06/69 |
Shn - 0,
9389 |
San Francisco |
Avalon Ballroom SBD : FM > MR > C1 > DAT > CD; via Keith Hunter; seeded to etree by Alan J. Fink
|
notes
|
| 309. |
04/06/69 |
Flac 16 - 0,
135956 |
San Francisco |
Avalon Ballroom flac16; Unknown analog recording > PCM Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Editing and Mastering by Jamie Waddell in Wavelab 7.1; 16bit 44.1kHz Track, FLAC and Pack by John Wenzel
|
notes
|
| 310. |
04/06/69 |
Flac 24/96 - 0,
142125 |
San Francisco |
Avalon Ballroom flac24; Source Info: FM Broadcast (KPFA/KPFB)> Tom Ordon's Master FM Reels > Matt Smith's 1st Generation Reels; Transfer Info: 1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp .wav 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496
|
notes
|
| 311. |
04/06/69 |
Flac 16/48 - 0,
142124 |
San Francisco |
Avalon Ballroom flac16/48kHz; Source Info: FM Broadcast (KPFA/KPFB)> Tom Ordon's Master FM Reels > Matt Smith's 1st Generation Reels; Transfer Info: 1st Generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp .wav 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; This is a 16/48 fileset. 24-bit > 16-bit via dBpoweramp
|
notes
|
| 312. |
04/06/69 |
Flac 16/48 - 0,
142814 |
San Francisco |
Avalon Ballroom flac16/48kHz; Recording Info: SBD > Master Reel > Cassette (Tascam 122mkIII) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k
|
notes
|
| 313. |
04/11/69 |
Shn - 0,
15404 |
Tucson |
University Auditorium, U. of Az. SBD>MC>C>D>CD>EAC>SHN pitch corrected and normalized by J. Cotsman
|
notes
|
| 314. |
04/11/69 |
Shn - 0,
8190 |
Tucson |
University Auditorium, U. of Az. Master Soundboard Cassette > cass > dat > cd; via Steve Barbella; With thanks and praise to Peter Braverman
|
notes
|
| 315. |
04/11/69 |
Flac 16/44 - ,
152766 |
Tucson |
University Auditorium, U. of Az. flac16/44 Recording Info- Bear's SBD cassette > DAT -transferred by Dick Latvala for KXCI's Dead Air program - originally broadcast on Sept 27, 1997 Fresh 2021 DAT transfer by Jim Blackwood - Sony R500 > Tascam DA-3000 Mastered by Jim Blackwood + Jamie Waddell. Pitch correction by Jason Chastain
|
notes
|
| 316. |
04/12/69 |
Shn - 0,
14914 |
Salt Lake City |
Student Union Ballroom, University of Utah SBD>MC>C>D>CD>EAC>SHN; pitch corrected & normalized; edits/encoding by JCotsman
|
notes
|
| 317. |
04/13/69 |
Flac 16 - 0,
87378 |
Boulder |
Ballroom, U. of Co. flac16; SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 318. |
04/13/69 |
Shn - 0,
6287 |
Boulder |
Ballroom, U. of Co. SBD> MR> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman; with thanks to Dan Zymanski; see flaw notes in info file
|
notes
|
| 319. |
04/15/69 |
Flac 16 - 0,
31939 |
Omaha |
The Music Box flac16; Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD patched with SBD>Cm>Cass>Dat>CD. Remastered by Charlie Miller
|
notes
|
| 320. |
04/15/69 |
Flac 16 Mtx - 0,
33952 |
Omaha |
The Music Box flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD); Mixed by dan am-dig; see info file for details
|
notes
|
| 321. |
04/15/69 |
Shn - 0,
9073 |
Omaha |
The Music Box Partial; Owsley's Master Sounboard Cassette > cass > DAT > CD; Seeded to etree by Kevin Gills
|
notes
|
| 322. |
04/15/69 |
Shn - 0,
6288 |
Omaha |
The Music Box SBD> Bear's MC> ?> CD> EAC> SHN; partial, all that circulates; vined by J. Cotsman
|
notes
|
| 323. |
04/15/69 |
Flac 16 - 0,
31523 |
Omaha |
The Music Box flac16; Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD; Flaw in d2t05 fixed on November 15, 2005 Remastered by Charlie Miller
|
notes
|
| 324. |
04/15/69 |
Flac - 0,
31672 |
Omaha |
The Music Box Unedited version without processing or SBD patching as recorded by the taper. AUDMR->Alesis Masterlink 9600->HD->CD; tracking and editing in SoundEdit 16 for Macintosh platform by Bob Bihlmayer (howlin_bob@hotmail.com) 11/5-6/2005: CD->EAC->SoundEdit 16->FLAC Taper: Leon Komar Equipment: portable Aiwa 5" reel-to-reel, stock Aiwa hand-held microphone; "Automatic Volume Control" (compressor/limiter?) switch ON. Tape: Audiotape, Formula 10, 1/2 mil "T" Mylar, 3 3/4 ips, 2-track mono. Real-time transfer, no edits; EQ flat; no boosts/filters applied. source discs and equipment information provided by Iver McLeod. Seeded to etree 11/24/2005 by Seth Kaplan
|
notes
|
| 325. |
04/15/69 |
Flac Dts 5.1 - 0,
34269 |
Omaha |
The Music Box flac16; DTS-Audio-CD 5.1 Mix
|
notes
|
| 326. |
04/15/69 |
Flac - 0,
31435 |
Omaha |
The Music Box flac16; Aiwa hand-held microphone -> Master Reel (Aiwa 5" reel-to-reel) -> Alesis Masterlink 9600 -> Hard Drive -> CD. Recorded by Leon Komar; Remastered by Charlie Miller
|
notes
|
| 327. |
04/17/69 |
Flac 16 - ,
156586 |
St. Louis |
Washington University Recording Info: SBD > Cassette Master (Ampex C-90) Transfer Info: Cassette Master > DAT (44.1k) > FLAC Mastering Info: FLAC > Samplitude Pro X6 Suite > FLAC/16 Recorded by Bear, Cassette Transfer by Dick Latvala, DAT Transfer by Rob Eaton, Mastered by Charlie Miller
|
notes
|
| 328. |
04/18/69 |
Flac 16 - 0,
88867 |
Lafayette |
Memorial Union Ballroom, Purdue U. flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 329. |
04/18/69 |
Shn - 0,
7537 |
Lafayette |
Memorial Union Ballroom, Purdue U. SBD>MC>C>DAT>CD; Tony Gardner EAC of previous source;
|
notes
|
| 330. |
04/20/69 |
Shn - 0,
4992 |
Worcester |
Clark University complete; Cassette Master (Ampex C-90, no Dolby)> DAT(M)@ 44.1K via Panasonic SV3700> DAT(1)> DAT(2)> WAV via Sony SDT9000 DDS drive using VDAT0.6f> Soundforge 4.0 (see edits in info file); Source DAT from Rob Eaton, DAT> SHN by Jamie Lutch
|
notes
|
| 331. |
04/20/69 |
Shn - 0,
1312 |
Worcester |
Clark University partial (all that circulates); MSC> C> DAT> CDR> EAC> SHN; EAC/SHN by Rango Keshavan; Seeded by Darrin Sacks; see listening notes in pub comments
|
notes
|
| 332. |
04/21/69 |
Flac 16 - 0,
88465 |
Boston |
The Ark flac16; SBD -> Master Reel -> Dat -> CD All Transfers and Mastering By Charlie Miller
|
notes
|
| 333. |
04/21/69 |
Flac 16 - 0,
124439 |
Boston |
The Ark flac16; Remastered version of the SBD -> Master Reel -> Dat -> CD -> Samplitude Professional v9.12 -> FLAC source by TomP; see Info File for details
|
notes
|
| 334. |
04/21/69 |
Flac 16 - 0,
107347 |
Boston |
The Ark flac16; Soundboard => Unknown Deck >> MSC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > ? > flac/16
|
notes
|
| 335. |
04/21/69 |
Shn - 0,
19841 |
Boston |
The Ark Bertha Remaster of the Master Reel source; SBD>>MR>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN
|
notes
|
| 336. |
04/21/69 |
Shn - 0,
6182 |
Boston |
The Ark Updated possible gen: MSR> DAT > CDR (had been marked MSR > Cassette > DAT > CDR); intro from alternate SBD; d1t6, d3t2 have cuts from reel; 1/20/68 filler; via Scott Clugston, Lee Revell
|
notes
|
| 337. |
04/22/69 |
Flac 16 - 0,
88466 |
Boston |
The Ark flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 338. |
04/22/69 |
Shn - 0,
68 |
Boston |
The Ark Updated possible gen: SMC>R>D (had been marked MSR > Cassette > DAT x2 > CDR); d1t1,8 have cuts from master;? via Scott Clugston, Lee Revell
|
notes
|
| 339. |
04/23/69 |
Flac 16 - 0,
98968 |
Boston |
The Ark flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade of 98892
|
notes
|
| 340. |
04/23/69 |
Flac 24 - 0,
98793 |
Boston |
The Ark flac24; lineage: gen1 cassette from alternate soundboard source; gen 1 cassette> tascam mkII>Korg MR1000 at 1bit/5.6mHZ>Korg Audio Gate Software>32 bit float/192kHz>Wavelab 6.1 for fades, blank tape removal, and slight channel adjustment>Weiss-Saracon for 24 bit fixed/196kHz Pow-r3 Dither
|
notes
|
| 341. |
04/23/69 |
Flac 16 - 0,
98892 |
Boston |
The Ark flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation
|
notes
|
| 342. |
04/23/69 |
Shn - 0,
70 |
Boston |
The Ark MSR> Cassette> DATs> CDRs> EAC >SHN; via Jim Wise, Rob Bertrando, Darrin Sacks; note this reportedly may be an upgrade compared to previously etreed version; same cuts and splices as in previous version; note d1 tracked for 80 min
|
notes
|
| 343. |
04/23/69 |
Shn - 0,
28297 |
Boston |
The Ark MSR>C>D>CD; fix of shnid=70, by Sean Cribbs
|
notes
|
| 344. |
04/23/69 |
Flac 16 - 0,
98927 |
Boston |
The Ark flac16; Source: processed and edited in Samplitude v7.22 transferred by Monte Barry; New Source is speed corrected, dehissed, and repatched version of source ID 98820
|
notes
|
| 345. |
04/23/69 |
Flac 16 - 0,
88501 |
Boston |
The Ark flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 346. |
04/25/69 |
Flac 16 - 0,
97392 |
Chicago |
Electric Theater flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 347. |
04/25/69 |
Shn - 0,
2596 |
Chicago |
Electric Theater Source: mR> D> Sonic Solutions> CDR
|
notes
|
| 348. |
04/26/69 |
Flac 16 - 0,
97393 |
Chicago |
Electric Theater flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Mille
|
notes
|
| 349. |
04/26/69 |
Flac 16 - 0,
96449 |
Chicago |
Electric Theater flac16; Source: Soundboard Cassette x 1 > DAT Encore Source: 7 inch Master Reels @ 7.5ips 1/2trk > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab Mastering: In WaveLab with Nomad Factory Plugins > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 20, 2008, Green Mountain Bros.
|
notes
|
| 350. |
04/26/69 |
Shn - 0,
71 |
Chicago |
Electric Theater updated source: cassette master> 1 cassette generation> DAT> CDR (see pub comment); via Ben Yerys; (not T. Wulf's "de-noised" version?)
|
notes
|
| 351. |
04/26/69 |
Shn - 0,
13390 |
Chicago |
Electric Theater Soundboard complete show, MCas > Cas > DAT >circulation. Minor tracking differences with first etree shn source but that version is rare if it exists at all.
|
notes
|
| 352. |
04/27/69 |
Shn - 0,
5070 |
Minneapolis |
Labor Temple SBD> MR> D> CD> SHN; EAC/shn encoding/minor Sound Forge edits by J. Cotsman, with thanks to Jeff Krakowka
|
notes
|
| 353. |
05/03/69 |
Shn - 0,
73 |
San Francisco |
Winterland Arena all that circulates; Reel> PCM> Dat> Tascam DA20> Audio Magic Presto> Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/23/69; via Phunk1; reel splice at beginning of Rag; disc may not have accompanying .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match
|
notes
|
| 354. |
05/03/69 |
Flac 16 Mtx - 0,
124068 |
San Francisco |
Winterland Arena flac16; This is a matrix recording using two sources: SBD Reel shnid 124067: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification and Audience shnid 000733: Reel>PCM>Dat>Tascam DA20>Audio Magic Presto>Prodif Plus>Soundforge>cdwav>shn
|
notes
|
| 355. |
05/03/69 |
Flac 16 - 0,
95138 |
San Francisco |
Winterland Arena flac16; Recording Info:SBD -> Master Reel -> ? -> Cassette -> Apogee Ensemble -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 356. |
05/03/69 |
Flac 16 - 0,
124067 |
San Francisco |
Winterland Arena flac16; SBD/PA Reel: TASCAM 22-2 modified for flat transfer. Reel-> Tascam 22-2 -> Tascam MKII DR-07 (24-bit, 96kHz) - DC8Forensics for editing and modification
|
notes
|
| 357. |
05/03/69 |
Flac - 0,
|
Rocklin |
Sierra College
|
notes
|
| 358. |
05/03/69 |
Flac 16 - 0,
139575 |
San Francisco |
Winterland Arena flac16; Recording Info: (Stage) Sony Stereo Mic > Master Reel > PCM; Transfer Info: PCM (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramtch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 359. |
05/03/69 |
Flac 24 - 0,
139576 |
San Francisco |
Winterland Arena
|
notes
|
| 360. |
05/07/69 |
Shn - 0,
6028 |
San Francisco |
Polo Field, Golden Gate Park retracking and edit of previous shn set, by J. Cotsman: SBD> MR> C> D> CD> EAC> SHN; with 3/26/68 filler; via J. Cotsman to vine
|
notes
|
| 361. |
05/07/69 |
Shn - 0,
5179 |
San Francisco |
Polo Field, Golden Gate Park SBD > MR > C > DAT > CD; via Ernie to abgd; note besides d1 seeking shns, Ernie posted wavs for d2 (wav, rar md5s shown); subsequent d2 shn (v3 seek appended, with md5s shown) by DES
|
notes
|
| 362. |
05/10/69 |
Shn - 0,
1336 |
Pasadena |
Rose Palace mC> C> DAT> Sonic Solutions> CDR; via Ben Yerys; stemming from Tzuriel Kastel tree; d1 contains misc pre-filler
|
notes
|
| 363. |
05/10/69 |
Flac 16 - 0,
132812 |
Pasadena |
Rose Palace flac16; Cassette Master (Recorded By Bear on a Concord F-400 Cassette Deck) - Cassette (Ampex C-90) Playback Tascam 122 MK111 Cassette Deck No Dolby - Panasonic SV-3700 DAT @ 44.1KHz (DL)
|
notes
|
| 364. |
05/11/69 |
Shn - 0,
6296 |
San Diego |
Aztec Bowl, San Diego State U. FM SBD> ?> CDR; edited, shned, vined by J. Cotsman; with thanks to Paul Hartman; see notes in info file
|
notes
|
| 365. |
05/16/69 |
Shn - 0,
6316 |
Moraga |
Campolindo High School Master Soundboard Cassette > Cassette > DAT (speed corrected) > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston
|
notes
|
| 366. |
05/16/69 |
Shn - 0,
6297 |
Moraga |
Campolindo High School SBD> MC> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman (see info file); with thanks to Paul Hartman
|
notes
|
| 367. |
05/23/69 |
Flac 16 - 0,
96631 |
Hollywood |
Seminole Indian Village flac16; Source: Soundboard Master Reels > PCM > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky January 1, 2009, Green Mountain Bros.
|
notes
|
| 368. |
05/23/69 |
Shn - 0,
12223 |
Hollywood |
Seminole Indian Village complete show from compilation of reel master and what is believed to be the cassette master; Source 1: SBD> MR> PCM> D> CD> EAC> SHN ; Source 2: SBD> MC> R> C> D> CD> EAC> SHN (?); See info file for details; via Jim Hale; Seeded to etree by Seth Kaplan & JCotsman
|
notes
|
| 369. |
05/23/69 |
Shn - 0,
74 |
Hollywood |
Seminole Indian Village partial Dew>>11//; Reel> PCM> DAT; conversion:Tascam DA-20> Audio Magic Presto> Prodif Plus> Soundforge> cdwav> shn; fits on 1 .shn disc with 5/3/69; via Phunk1; disc may not have accompanying .md5s; md5s shown here were created by A. Fox- note you may have to modify filenames to match
|
notes
|
| 370. |
05/23/69 |
Flac 16 - 0,
141038 |
Hollywood |
Seminole Indian Village flac16; Recording Info: Master Soundboard Reels > 1st generation reels > 2nd generation reels > PCM (Sony HG beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 371. |
05/24/69 |
Shn - 0,
16177 |
Hollywood |
Seminole Indian Village Cass>DAT> DAT> SONIC SOLUTIONS> CD> CD> EAC[secure] >SHN from 2003 KPFA Dead Marathon
|
notes
|
| 372. |
05/24/69 |
Shn - 0,
10737 |
Hollywood |
Seminole Indian Village SB>MR>??> CD; See info file for editing notes; Unknown seeder
|
notes
|
| 373. |
05/29/69 |
Shn - 0,
14018 |
Santa Barbara |
Robertson Gym, U.C.S.B. Source: reported to be SBD>MR>PCM>DAT>CD(>EAC>WAV>SHN)
|
notes
|
| 374. |
05/30/69 |
Flac 16 - 0,
87516 |
Portland |
Springer's Inn flac16; SBD -> Cassette Master (Ampex C-90) -> Dat (48k) All Transfers and Mastering By Charlie Miller
|
notes
|
| 375. |
05/31/69 |
Shn - 0,
76 |
Eugene |
McArthur Court, University of Oregon SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; encore shuffled to fit on 2 discs, but songs can be moved to proper order for 3 discs; see info file for flaw notes
|
notes
|
| 376. |
06/05/69 |
Shn - 0,
15204 |
San Francisco |
Fillmore West SBD>MC>C>D>CD>EAC>SHN; pitch corrected; patch in Cryptical Reprise from alt sbd; edits/encoding by JCotsman
|
notes
|
| 377. |
06/05/69 |
Shn - 0,
6017 |
San Francisco |
Fillmore West complete; MSC> LATVALA C> DAT> CD> EAC> SHN; with Cryptical patch; EAC>SHN by Steve Barbella; d1 tracked for 80 min
|
notes
|
| 378. |
06/05/69 |
Flac 16 - 0,
135483 |
San Francisco |
Fillmore West flac16; Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Samplitude Professional 11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 379. |
06/05/69 |
Flac 16/48 - 0,
135518 |
San Francisco |
Fillmore West flac16/48kHz; Recording Info: SBD -> Master Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Samplitude Professional 11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 380. |
06/06/69 |
Shn - 0,
9494 |
San Francisco |
Fillmore West SBD>MC>C>D>CD; via Joe Jupille; Seeded to etree by J. Cotsman
|
notes
|
| 381. |
06/06/69 |
Shn - 0,
4281 |
San Francisco |
Fillmore West partial; SBD> MC> C> D> CD; static in Lovelight; via thecore@core.com
|
notes
|
| 382. |
06/07/69 |
Shn - 0,
9074 |
San Francisco |
Fillmore West MR > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN > CD > SHN; via A.J. Fink; Seeded to etree by Seth Kaplan
|
notes
|
| 383. |
06/07/69 |
Flac 16 - 0,
132685 |
San Francisco |
Fillmore West flac16; Composite from 3 different source reels; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)-Processing (izotope oZone 6) by Jim Wise
|
notes
|
| 384. |
06/08/69 |
Flac 16 - 0,
12986 |
San Francisco |
Fillmore West flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 385. |
06/08/69 |
Shn - 0,
4512 |
San Francisco |
Fillmore West SBD> MR or MC> C> D> CD> SHN, possible; see info file for flaw notes; via thecore@core.com
|
notes
|
| 386. |
06/08/69 |
Shn - 0,
19285 |
San Francisco |
Fillmore West set 1: SBD> MR> C> D> CD> EAC> SHN; set 2: SBD> MC> C> D> CD> EAC> SHN, pitch corrected via J. Cotsman
|
notes
|
| 387. |
06/13/69 |
Shn - 0,
7775 |
Fresno |
Fresno Convention Center Master Soundboard Cassette > Cass > DAT > ZA2 > SF > CD; via Steve Barbella
|
notes
|
| 388. |
06/14/69 |
Shn - 0,
5182 |
Monterey |
Monterey Performing Arts Center SBD: MCass> Cass> DAT> ZA2> SF> CD; normalized and pitch-shifted; seeded by Jeff Tiedrich, transfer and mastering by David Hollister, SHN by Jim Skinner
|
notes
|
| 389. |
06/14/69 |
Flac 16/48 - 0,
150775 |
Monterey |
Monterey Performing Arts Center flac16/48kHz; Source: SBD > Bear’s master cassette (Ampex C90) > Dick’s cassette (TDK-SA-X100) > DAT 16bit/48kHz; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > WAV 16/48; Transfer by Charlie Miller; Edited & Mastered by Joe Noel
|
notes
|
| 390. |
06/14/69 |
Flac 16/48 - ,
155178 |
Monterey |
Monterey Performing Arts Center Source Info: Bear’s Master Soundboard Cassettes (Ampex C90) > Dick Latvala's 1st generation cassettes (Tascam 122mkIII deck)(TDK SA-X 100) > Joel Pollack's DAT (16/48) Transfer Info: Joel Pollack's DAT (Tascam DA-40)> Tascam DA-3000 > .wav 16/48
|
notes
|
| 391. |
06/21/69 |
Shn - 0,
16334 |
New York |
Fillmore East (Late) late show; BDMC(Bear's) > Dick's C > DAT > CDR; via Frank Bove, stemming from MerryPrankster tree; note d2t2 is labeled as "fixed"
|
notes
|
| 392. |
06/21/69 |
Shn - 0,
16334 |
New York |
Fillmore East (Late) early and late; Early Show: AUD> MR> C> R> R> R> D> CD> EAC> SHN; Late Show: SBD> MC> C> D> CD> EAC> SHN; via Jeff Cook, encoded by Jeff Cotsman
|
notes
|
| 393. |
06/21/69 |
Shn - 0,
8995 |
New York |
Fillmore East (Early) early show; AUD> MR> C> R> R> R> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook
|
notes
|
| 394. |
06/22/69 |
Shn - 0,
17892 |
New York |
Central Park SBD>MC>C>D>CD>EAC>Cool Edit 2000>CD Seeded by Seth Kaplan, only the first 22 minutes of the show
|
notes
|
| 395. |
06/22/69 |
Shn - 0,
8836 |
New York |
Central Park AUD low gen (complete show), plus alternate SBD MC> C> D> CD (only 20 minutes circulate); via Hanno Bunjes (see notes in info file); with thanks to Julian and Uli
|
notes
|
| 396. |
06/22/69 |
Flac 16/44 - ,
164056 |
New York |
Central Park flac1644 Recording Info: SBD > Cassette Master > Cassette > Dat (48k) > SHN > wav Lineage: wav > Izotope RX10 Advanced > Audacity > WAV > TLH > Flac 16 Mastered by Daniel
|
notes
|
| 397. |
06/27/69 |
Shn - 0,
20547 |
Santa Rosa |
Veterans Auditorium SBD> MR> Cassette> DAT> DAT; DAT> ZA2> Soundforge> wav> mkw> SHN; DAT seed provided by Michael P. Weitzman; Transfer and SHN by Joe Samaritano
|
notes
|
| 398. |
06/27/69 |
Shn - 0,
10344 |
Santa Rosa |
Veterans Auditorium SBD: MR>?>Cas>CDR;Slightly modified version of David Finney's prior seed; seeded by cpelz@alaska.net; To abgd via eric
|
notes
|
| 399. |
06/27/69 |
Shn - 0,
78 |
Santa Rosa |
Veterans Auditorium SBD Reel > ? > cassette (Latvala) > CDR, transfer by David Finney; see info file for flaw notes
|
notes
|
| 400. |
06/27/69 |
Flac 16 - ,
166576 |
Santa Rosa |
Veterans Auditorium flac16; Recording info: SBD master reel > DAT > AIFF via Anon; Mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel
|
notes
|
| 401. |
06/28/69 |
Shn - 0,
20548 |
Santa Rosa |
Veterans Auditorium SBD> MR> Cassette> DAT> DAT; DAT> ZA2> Soundforge> wav> mkw> SHN; DAT seed provided by Michael P. Weitzman; Transfer and SHN by Joe Samaritano
|
notes
|
| 402. |
06/28/69 |
Shn - 0,
3300 |
Santa Rosa |
Veterans Auditorium complete; sbd> mr> cass> dat> cd; Conversion: Kenwood TrueX> EAC> shn V3 (seekable); Seed: Brian Cole
|
notes
|
| 403. |
06/28/69 |
Flac 16 - ,
166577 |
Santa Rosa |
Veterans Auditorium flac16; Recording info: SBD master reel > DAT > AIFF via Anon; Mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel
|
notes
|
| 404. |
06/??/69 |
Shn - 0,
10510 |
San Francisco |
Home Recordings misc "Home recordings"; AUD> cheap mic> portable recorder; via Tzuriel to abgd
|
notes
|
| 405. |
07/03/69 |
Flac 16 - 0,
92771 |
Colorado Springs |
Reed's Ranch flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 406. |
07/03/69 |
Flac 16 - 0,
121879 |
Colorado Springs |
Reed's Ranch flac16; Recording Info: SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; (note: this source contains a significant amount of lossy material)
|
notes
|
| 407. |
07/03/69 |
Flac 16 - 0,
132377 |
Colorado Springs |
Reed's Ranch flac16; Recording Info: SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Pro X Suite -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 408. |
07/04/69 |
Shn - 0,
4360 |
Chicago |
Electric Theater SBD> MC> D>CD> Soundforge pitch correction> SHN; see info file for flaw notes; via thecore@core.com
|
notes
|
| 409. |
07/04/69 |
Shn - 0,
29294 |
Chicago |
Electric Theater sbd > mc > d >cd > shn > wav > shn; SHN by SirMick
|
notes
|
| 410. |
07/05/69 |
Shn - 0,
4282 |
Chicago |
Electric Theater SBD>MC>D>CD; see listening notes in info file; via thecore@core.com
|
notes
|
| 411. |
07/07/69 |
Flac 16 - 0,
123468 |
Atlanta |
Piedmont Park flac16; Recording Info: SBD -> Cassette Master (Ampex C-90) -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 412. |
07/07/69 |
Shn - 0,
3116 |
Atlanta |
Piedmont Park Master Soundboard Cassette > Cassette > DAT > CDR; EAc'ed / SHN'ed by Scott Clugston
|
notes
|
| 413. |
07/11/69 |
Flac 16 - 0,
123418 |
Queens |
NY State Pavilion, Flushing Meadows Park flac16; SBD Recording Info: Pat Lee from Dick Latvala MC > C > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith
|
notes
|
| 414. |
07/11/69 |
Flac 16 - 0,
127258 |
Queens |
NY State Pavilion, Flushing Meadows Park flac16; Recording Info: SBD Master Cassette > DAT (Panasonic 3700) > Transfer Info: Delta DiO 2496 sound card > HD > CD-R > Mastering Info: CD WAV > Cool Edit > xACT 2.25 FLAC 8; Mastering by Seth Kaplan March 02, 2014
|
notes
|
| 415. |
07/11/69 |
Flac 24 - 0,
127417 |
Queens |
NY State Pavilion, Flushing Meadows Park flac24; SBD Recording Info: Pat Lee from Dick Latvala 1985 Technics 1506> Yamaha K2000 MSC > C > C > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith
|
notes
|
| 416. |
07/11/69 |
Shn - 0,
4644 |
Queens |
NY State Pavilion, Flushing Meadows Park SBD MC>C>D>CD + patch (Alligator > Drums) from AUD master > low-gen reel > cassette > CD, by Hanno Bunjes; to BUDD offer; Hanno's notes
|
notes
|
| 417. |
07/11/69 |
Flac 16 - 0,
136663 |
Queens |
NY State Pavilion, Flushing Meadows Park flac16; Source: Sbd > Master Casette > DAT (44k)
|
notes
|
| 418. |
07/11/69 |
Flac 16/44 - ,
153553 |
Queens |
NY State Pavilion, Flushing Meadows Park flac1644; Source: Unknown mono AUD from collection of Rich Petrunis. Transfer: TDK Audua-90's (normal bias) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2021
|
notes
|
| 419. |
07/12/69 |
Flac 16 - 0,
123434 |
Queens |
NY State Pavilion, Flushing Meadows Park flac16; Partial SBD Recording Info: Pat Lee from Dick Latvala 1985; Technics 1506> Yamaha K2000 MSC > R > C > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith
|
notes
|
| 420. |
07/12/69 |
Shn - 0,
4645 |
Queens |
NY State Pavilion, Flushing Meadows Park d1: low-gen AUD; d2: SBD MC> C> D> CD; via Hanno Bunjes to BUDD offer; Hanno's notes
|
notes
|
| 421. |
07/12/69 |
Flac 24/96 - 0,
123433 |
Queens |
NY State Pavilion, Flushing Meadows Park flac24; Partial SBD Recording Info: Pat Lee from Dick Latvala 1985; Technics 1506> Yamaha K2000 MSC > R > C > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith
|
notes
|
| 422. |
07/12/69 |
Flac 16 - 0,
136644 |
Queens |
NY State Pavilion, Flushing Meadows Park flac16; Source: Soundboard > Cassette Master > DAT (44k)
|
notes
|
| 423. |
07/12/69 |
Flac 16/44 - ,
153554 |
Queens |
NY State Pavilion, Flushing Meadows Park flac1644; Source: Unknown mono AUD from collection of Rich Petrunis. Transfer: TDK Audua-90's (normal bias) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2021
|
notes
|
| 424. |
08/02/69 |
Flac 16 - 0,
30651 |
San Francisco |
Family Dog at the Great Highway flac16; SBD -> Cassette Master -> Dat Transferred and Edited By Charlie Miller
|
notes
|
| 425. |
08/03/69 |
Flac 16 - 0,
30652 |
San Francisco |
Family Dog at the Great Highway flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Edited By Charlie Miller
|
notes
|
| 426. |
08/03/69 |
Flac 16 - 0,
137368 |
San Francisco |
Family Dog at the Great Highway flac16; Recording Info: SBD > Reel Master (10" 1/2 track 15ips); Transfer Info: Reel Master (Studer A80) > Sonoma Systems DSD > Dobly Stretched Decode > WAV (24-bit/96k); Mastering Info: WAV > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Reel Transfer by Rob Eaton; Mastered By Charlie Miller; 24bit > 16bit with r8brain
|
notes
|
| 427. |
08/03/69 |
Flac 24/96 - 0,
137365 |
San Francisco |
Family Dog at the Great Highway flac24; Recording Info: SBD > Reel Master (10" 1/2 track 15ips); Transfer Info: Reel Master (Studer A80) > Sonoma Systems DSD > Dobly Stretched Decode > WAV (24-bit/96k); Mastering Info: WAV > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Reel Transfer by Rob Eaton; Mastered By Charlie Miller
|
notes
|
| 428. |
08/16/69 |
Flac 16 - 0,
95918 |
Bethel |
Max Yasgur's Farm flac16; Source: 8 Track Master Reels @ 15ips > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with L3 Waves Multimaximizer Rate Conversion with r8brain to [16bit/44.1 khz] > TLH > Flac transfer and mastering by Bill Koucky (This source fixes errors in the previous source)
|
notes
|
| 429. |
08/16/69 |
Shn - 0,
6103 |
Bethel |
Max Yasgur's Farm SBD?; via David Finney; note needs to be split into 2 discs- see pub commen
|
notes
|
| 430. |
08/16/69 |
Shn - 0,
15205 |
Bethel |
Max Yasgur's Farm SBD>MR>D>CD>EAC>SHN; 8trk Master Reels @ 15ips; Thanks to David Litfin; edits/encoding by JCotsman
|
notes
|
| 431. |
08/16/69 |
Flac 24/96 - 0,
95917 |
Bethel |
Max Yasgur's Farm flac24; Source: 8 Track Master Reels @ 15ips > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with L3 Waves Multimaximizer > TLH > Flac ransfer and mastering by Bill Koucky (This source fixes errors in the previous source)
|
notes
|
| 432. |
08/16/69 |
Flac 16 - 0,
139807 |
Bethel |
Max Yasgur's Farm flac16; Source: sbd > 8 Track Master Reels @ 15ips (mixed by Mark Linette via Joe Gastwirt) > Dat (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - Transfered by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick November 2017
|
notes
|
| 433. |
08/21/69 |
Shn - 0,
13850 |
Seattle |
Aqua Theater SBD>MC>C>D>CD>EAC>SHN; complete show; edits/encoding by JCotsman
|
notes
|
| 434. |
08/21/69 |
Shn - 0,
1170 |
Seattle |
Aqua Theater partial; Soundboard -> Bear's Cassette master -> Cassette -> DAT -> CD; CD>EAC>SHN by Glenn Tremblay; via Frank Bove; cuts into China Cat
|
notes
|
| 435. |
08/23/69 |
Shn - 0,
2196 |
St. Helens |
Pelletier Farm SBDMC(Bear's) > Dick's C > DAT > CDR; via Frank Bove, stemming from MerryPrankster tree
|
notes
|
| 436. |
08/23/69 |
Shn - 0,
6639 |
St. Helens |
Pelletier Farm sdb> Master Cassette> Cassette> Dat> CD; via Mike Lai with thanks to Wayne Gucwa; d2 tracked for 80 min
|
notes
|
| 437. |
08/23/69 |
Flac 16/44 - ,
165005 |
St. Helens |
Pelletier Farm flac1644 Recording Info: SBD > Cassette Master > Cassette > Dat (48k) > CDR > SHN > wav Lineage: wav > Izotope RX10 Advanced > Audacity > WAV > TLH > Flac 16 Mastered by Daniel
|
notes
|
| 438. |
08/23/69 |
Flac 16/44 - ,
165504 |
St. Helens |
Pelletier Farm flac1644 Goody's Speed/Pitch-adjusted Remaster
|
notes
|
| 439. |
08/28/69 |
Shn - 0,
4234 |
San Francisco |
Family Dog at the Great Highway SBD > CM > Cass > DAT > CDR > WAV; via EAC/Trade from Morgan Evans > CDR > EAC > CDWAV > seekable SHN; via Rick Lepley
|
notes
|
| 440. |
08/29/69 |
Flac 16 - 0,
123075 |
San Francisco |
Family Dog at the Great Highway flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 441. |
08/29/69 |
Shn - 0,
8996 |
San Francisco |
Family Dog at the Great Highway SBD> MR> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook
|
notes
|
| 442. |
08/29/69 |
Shn - 0,
9179 |
San Francisco |
Family Dog at the Great Highway Sdb> ?> Dat> CD; via Mike Lai with thanks to Wayne Gucwa; tracked for 1x80
|
notes
|
| 443. |
08/29/69 |
Flac 16 - 0,
123101 |
San Francisco |
Family Dog at the Great Highway flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a fixed version of shnid=123075 (Easy Wind fixed)
|
notes
|
| 444. |
08/30/69 |
Flac 16 - 0,
122265 |
San Francisco |
Family Dog at the Great Highway flac16; Matrix 2 Source Mix - SBD (shn id 8594) Master Soundboard Reel > Cass > DAT > CD; via Seth Kaplan; Seeded to etree by Steve Barbella + AUD (shn id 122231) AUD > 4th Gen Cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 - matrix mixing by Kevin Tobin
|
notes
|
| 445. |
08/30/69 |
Flac 16 - 0,
123076 |
San Francisco |
Family Dog at the Great Highway flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 446. |
08/30/69 |
Flac Dts 5.1 - 0,
122268 |
San Francisco |
Family Dog at the Great Highway DTS-Audio-CD 5.1 Mix; SBD (shn id 8594) Master Soundboard Reel > Cass > DAT > CD; via Seth Kaplan; Seeded to etree by Steve Barbella + AUD1 (shn id 122231) AUD > 4th Gen Cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 - - dts mixing by Kevin Tobin
|
notes
|
| 447. |
08/30/69 |
Flac 16 - 0,
122267 |
San Francisco |
Family Dog at the Great Highway flac16; Master Soundboard Reel > Cass > DAT > CD; via Seth Kaplan; Seeded to etree by Steve Barbella - Patched and Tagged by Kevin Tobin
|
notes
|
| 448. |
08/30/69 |
Shn - 0,
8594 |
San Francisco |
Family Dog at the Great Highway Master Soundboard Reel > Cass > DAT > CD; via Seth Kaplan; Seeded to etree by Steve Barbella
|
notes
|
| 449. |
08/30/69 |
Flac 16 - 0,
122266 |
San Francisco |
Family Dog at the Great Highway flac16; Source: AUD > 4th Gen Cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 - patches and speed correction by Kevin Tobin
|
notes
|
| 450. |
08/30/69 |
Flac 16 - 0,
122231 |
San Francisco |
Family Dog at the Great Highway flac16; Source: AUD > 4th Gen Cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. September 2012
|
notes
|
| 451. |
08/30/69 |
Flac 16/44 - ,
153186 |
San Francisco |
Family Dog at the Great Highway flac16/44kHz; 5.1 LPCM Surround Sound (44k) - SBD (shnid = 123076) Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 153150) Source: AUD > 2nd Gen Ampex Reel, kindly provided by Steve Martin. Transfer: Ampex Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - surround mixing by Kevin Tobin
|
notes
|
| 452. |
08/30/69 |
Flac 16 Dts 5.1 - ,
153185 |
San Francisco |
Family Dog at the Great Highway DTS-Audio-CD 5.1 Mix; - SBD (shnid = 123076) Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 153150) Source: AUD > 2nd Gen Ampex Reel, kindly provided by Steve Martin. Transfer: Ampex Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - dts mixing by Kevin Tobin
|
notes
|
| 453. |
08/30/69 |
Flac 16 Mtx - ,
153184 |
San Francisco |
Family Dog at the Great Highway flac16; Matrix 2 Source Mix - SBD (shnid = 123076) Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 153150) Source: AUD > 2nd Gen Ampex Reel, kindly provided by Steve Martin. Transfer: Ampex Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - matrix mixing by Kevin Tobin
|
notes
|
| 454. |
08/30/69 |
Flac 16 - ,
153183 |
San Francisco |
Family Dog at the Great Highway flac16; Patched & Pitch Corrected Audience - (original shnid = 153150) Source: AUD > 2nd Gen Ampex Reel, kindly provided by Steve Martin. Transfer: Ampex Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644 - pitch correction and patches by Kevin Tobin
|
notes
|
| 455. |
08/30/69 |
Flac 16 - ,
153150 |
San Francisco |
Family Dog at the Great Highway flac16: Source: AUD > 2nd Gen Ampex Reel, kindly provided by Steve Martin. Transfer: Ampex Reel > Revox A77 > Sony F2 PCM > CD > EAC > Adobe Auditon > CD-Wave > TLH > FLAC 1644
|
notes
|
| 456. |
09/01/69 |
Shn - 0,
19963 |
Prairieville |
Baton Rouge International Speedway Source: MSC (Ampex C-90 cassette) > DAT > CD-R via Andy Lemieux and Kingbee encoded by Matt Vernon
|
notes
|
| 457. |
09/01/69 |
Shn - 0,
5042 |
Prairieville |
Baton Rouge International Speedway SBD>MC>DAT>CDR>EAC>SHN; via Tony Gardner, Steve Goodrich; first bar of Casey is clipped
|
notes
|
| 458. |
09/01/69 |
Shn - 0,
5216 |
Prairieville |
Baton Rouge International Speedway SBD> Cm> Dat> CD; EAC> SHN by Seth Kaplan; Tape warble on a few spots in Morning Dew. Lovelight cuts @ 9:06
|
notes
|
| 459. |
09/01/69 |
Flac 16 - ,
|
Prairieville |
Baton Rouge International Speedway
|
notes
|
| 460. |
09/06/69 |
Shn - 0,
16608 |
San Francisco |
Family Dog at the Great Highway Ampex C-90 Master Cassette Soundboard (No Dolby)->DAT->CD; CD->EAC->SHN By Joe Samaritano. Includes Airplane Set.
|
notes
|
| 461. |
09/06/69 |
Shn - 0,
1184 |
San Francisco |
Family Dog at the Great Highway sdb> reel master> cassette> dat> cdr; via Mike Lai
|
notes
|
| 462. |
09/06/69 |
Flac 16 - 0,
134413 |
San Francisco |
Family Dog at the Great Highway flac16; Restored version of Grateful Dead portion of source ID 16608; Lineage given in shnid 16608: Ampex C-90 Master Cassette Soundboard (No Dolby)->DAT->CD->EAC->SHN->CD->EAC->SHN; corrected the speed, and restored the crispness of the recording with a multifilter (spectral filter, two virtual valve simulators for harmonics, channel blender set to mono below 125Hz)using Diamond Cut Forensics 8.5.
|
notes
|
| 463. |
09/06/69 |
Flac 16 - 0,
135153 |
San Francisco |
Family Dog at the Great Highway flac16; no lineage known; from "San Franciscan Nights 2"
|
notes
|
| 464. |
09/07/69 |
Shn - 0,
|
San Francisco |
Family Dog at the Great Highway SBD, Deadhead Hour pre-FM (some lineage details in info file); via David Finney
|
notes
|
| 465. |
09/11/69 |
Shn - 0,
12063 |
San Francisco |
The Family Dog at the Great Highway (?) Partial, one song; See info file for details; AUD>?>CD; via Dave Litfin; Seeded to etree by JCotsman
|
notes
|
| 466. |
09/17/69 |
Flac 16 - 0,
136664 |
San Francisco |
Alembic Studios flac16; Source: Soundboard Master Reels @ 3 3/4 IPS > DAT (44.1)
|
notes
|
| 467. |
09/26/69 |
Shn - 0,
14856 |
New York |
Fillmore East AUD C/?, early show, minor upgrade compared to the previous version, from Uli Teute & Hanno Bunjes
|
notes
|
| 468. |
09/26/69 |
Shn - 0,
9376 |
New York |
Fillmore East AUD>?>R>CD; show cuts in and fades out; via JJoops & Jack Warner; Seeded to etree by J. Cotsman
|
notes
|
| 469. |
09/27/69 |
Shn - 0,
14857 |
New York |
Fillmore East (early) AUD C/?, early show, upgrade compared to the previous version, from Uli Teute & Hanno Bunjes
|
notes
|
| 470. |
09/27/69 |
Shn - 0,
12064 |
New York |
Fillmore East (early) early show; A:?>C>CD; via Jack Warner; Seeded to etree by j jupille
|
notes
|
| 471. |
09/29/69 |
Shn - 0,
79 |
New York |
Cafe au Go-Go early show; AUD> ?> Reel> Cass (Maxell UD w/dolby B, playback on Sony TCK-909ES) > DAT (SV-3700 w/Oade +15dB input gain mod) > ZA2 > DiamondCut Noise Reduction > CD; upload by R. Nayfield, stemming from tree run by J. Miller, seeded by D. Hollister; covers
|
notes
|
| 472. |
09/30/69 |
Shn - 0,
80 |
New York |
Cafe au Go-Go early show; AUD> ? > Cass X 2 > XLR into SV-3700 > ZA2 > SoundForge Noise Reduction > CD; upload by R. Nayfield, stemming from tree run by J. Miller, seeded by D. Hollister; covers
|
notes
|
| 473. |
10/24/69 |
Shn - 0,
19527 |
San Francisco |
Winterland Arena Low generation audience > CD via Jools
|
notes
|
| 474. |
10/24/69 |
Flac 16 - 0,
122194 |
San Francisco |
Winterland Arena flac16; Source: AUD > ? > Cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. September 2012
|
notes
|
| 475. |
10/25/69 |
Shn - 0,
81 |
San Francisco |
Winterland Arena SBD> MR> DAT> Sonic Solutions> CDR; reel flip after William Tell , edited by David Gans; via R. Jagla
|
notes
|
| 476. |
10/25/69 |
Flac 16 - 0,
150136 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
notes
|
| 477. |
10/26/69 |
Shn - 0,
9509 |
San Francisco |
Winterland Arena SBD : MR > C1 > DAT > CD; via Douglas Ferguson; Seeded to etree by Alan Fink
|
notes
|
| 478. |
10/31/69 |
Shn - 0,
3377 |
San Jose |
San Jose State University SBD: MC> C1> DAT> CDR; see info file for flaw notes; via Mike Lai
|
notes
|
| 479. |
10/31/69 |
Flac 16 - 0,
131863 |
San Jose |
San Jose State University flac16; This is a Droncit restoration of source ID 3337 using Diamond Cut Forensics 9 Alpha 8
|
notes
|
| 480. |
10/31/69 |
Flac 16 - 0,
141252 |
San Jose |
San Jose State University flac16; Source Info: Unknown Analog Soundboard Master > ? > PCM (Sony Beta HiFi-L750); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 481. |
11/01/69 |
Shn - 0,
6298 |
San Francisco |
Family Dog at the Great Highway SBD>MC>C>D>CD>EAC>SHN; edited, shned, vined by J. Cotsman (see info file); vith thanks to Paul Hartman
|
notes
|
| 482. |
11/02/69 |
Flac - 0,
32350 |
San Francisco |
Family Dog at the Great Highway Fixed version of previous file set. Same source info as 32273, but w/fixed Dark Star.
|
notes
|
| 483. |
11/02/69 |
Flac 16 - 0,
32273 |
San Francisco |
Family Dog at the Great Highway flac16; Recording Info: Disc 1: SBD -> Master Reel -> Cassette -> Dat (44.1k) Disc 2: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC
|
notes
|
| 484. |
11/02/69 |
Shn - 0,
1125 |
San Francisco |
Family Dog at the Great Highway mr> c1> dat> turtle bch "Fiji"> SHN; via Teddy GoodBear, Doug Johnson; to abg, later to etree; note track names by title, have spaces and/or special characters; see pub comments for flaw note
|
notes
|
| 485. |
11/07/69 |
Flac 16 - 0,
119628 |
San Francisco |
Fillmore Auditorium flac16;Recording Info:SBD -> Master Reel -> Dat; Transfer Info:Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 486. |
11/07/69 |
Shn - 0,
21762 |
San Francisco |
Fillmore Auditorium Stated lineage: MR > DAT > CD > EAC > CDWAV > Cool Edit Pro Noise Filter > SHN > CDR (Except for * which is MR > DAT > CD) (Deadlists lists a probable cassette generation) sbe fixed 2004-01-18 with shntool same as http://db.etree.org/shninfo_detail.php?shnid=19783 with sbe fixed.
|
notes
|
| 487. |
11/07/69 |
Shn - 0,
19783 |
San Francisco |
Fillmore Auditorium Stated lineage: MR > DAT > CD > EAC > CDWAV > Cool Edit Pro Noise Filter > SHN > CDR; (Except for * which is MR > DAT > CD) (Deadlists lists a probable cassette generation); via Seth Kaplan
|
notes
|
| 488. |
11/07/69 |
Shn - 0,
6299 |
San Francisco |
Fillmore Auditorium SBD> MR> C> D> CD> EAC> SHN; edited, shned, vined by J. Cotsman; vith thanks to Paul Hartman; see listening notes in info file
|
notes
|
| 489. |
11/08/69 |
Shn - 0,
17433 |
San Francisco |
Fillmore Auditorium This is the same source as the previous one with the "c" md5s. Filenames have been changed to reflect the correct tracking per etree convention. Note complete show is released as Dick's Picks 16- go buy it
|
notes
|
| 490. |
11/08/69 |
Flac 16 - 0,
26331 |
San Francisco |
Fillmore Auditorium flac16; AKG190E> Uher 400L, Recorded by Marty Weinberg; Audience master reel > (possibly one extra reel gen?) > modified Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > CD > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding; EAC > FLAC by Jack Warner
|
notes
|
| 491. |
11/08/69 |
Shn - 0,
82 |
San Francisco |
Fillmore Auditorium MR (Dick Latvala) > DAT > SoundForge (Jim Wise) > CD; extensively cleaned up (see info file); via Primal Dead Latvala Tribute Tree; d2t8 apparently bonus track of tuning (with slide whistle) from 11/7/69; note not the entire show, just the "Picks"; flaws not on master, first copy (a): d1t04 Dropout @ 11:01; d1t06 Dropout @ 00:27; d1t07 Dropout @ 00:09, another bump 1:37; d2t02 Dropout/Slight Hesitation @ 05:34 (sounds similar to a track ID error); flawed source went to abgd as well as etree; flawless source (b) obtained by M. Parrillo, up by 11/30 though not at all sites; caution- new version had some track name/ordering mixups; note a third source (c) may be up too, no dropouts; note this show is now released as Dick's Picks 16- go buy it
|
notes
|
| 492. |
11/15/69 |
Shn - 0,
9535 |
Crockett |
Lanai Theater SBD cassette master > PCM > CDR > iMac > SHN; shntool-fixed version of previous shn set via Nathan Scott, fixed separately by disc; alternate fix (as whole set) also circulates with slight difference
|
notes
|
| 493. |
11/15/69 |
Shn - 0,
9538 |
Crockett |
Lanai Theater SBD cassette master > PCM > CDR > iMac > SHN; shntool-fixed version of previous shn set, fixed as a whole; alternate fix (by disc) also circulates with slight difference
|
notes
|
| 494. |
11/15/69 |
Shn - 0,
9137 |
Crockett |
Lanai Theater SBD cassette master > PCM > CDR > iMac > SHN; editing> SHN by Jeff Tiedrich; to BUDD and etree via G.S. Hamilton; note SBEs- see comments; 2 fixes in circ (a and b)
|
notes
|
| 495. |
11/15/69 |
Flac 16 - 0,
141256 |
Crockett |
Lanai Theater flac16; Source Info: Master Soundboard Cassette > PCM > CDR > iMac > SHN; Transfer Info: SHN's > TLH > flac16 > Samplitude (16/44 .wav)> Adobe Audition 3.0 (16/44 .wav)> TLH flac16
|
notes
|
| 496. |
11/21/69 |
Shn - 0,
6300 |
Sacramento |
Cal Expo, Building A mixed source: SBD> MR> (C in set 1, not set 2)> D> CD> EAC> SHN; vined by J. Cotsman
|
notes
|
| 497. |
11/21/69 |
Flac 16 - 0,
96580 |
Sacramento |
Cal Expo, Building A flac16; Set 2 only; Source: Soundboard Master Reels > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 28, 2008, Green Mountain Bros.
|
notes
|
| 498. |
12/04/69 |
Shn - 0,
9496 |
San Francisco |
Fillmore West SBD>MC>?>CD; via Joe Jupille; Seeded to etree by J. Cotsman
|
notes
|
| 499. |
12/04/69 |
Shn - 0,
23975 |
San Francisco |
Fillmore West Owlsley's Cassette (SBD: MC>DAT>DAT>CD>EAC>DC5>CD) ; Owen Brother Vault. The Wizard 05/08/04
|
notes
|
| 500. |
12/04/69 |
Flac 16 - 0,
141723 |
San Francisco |
Fillmore West flac16; Source: possibly SBD > cassette > ? > DAT > CD; CD > EAC > WAV > mkwACT > SHN - SHN conversion by Julian Fowler, May 2002; Lineage: shn > wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 16; edited and remastered SIRMick
|
notes
|
| 501. |
12/05/69 |
Shn - 0,
11256 |
San Francisco |
Fillmore West Harry Ely Sony F995 > Sony TC-124 > Master Cassette > PCM > DAT > CD; Seeded to etree by Seth Kaplan
|
notes
|
| 502. |
12/05/69 |
Flac 16/48 - 0,
141664 |
San Francisco |
Fillmore West flac16/48kHz; Source: Sony F995 > Sony TC-124 > Cassette Master > DAT (48k) - Recorded by Harry Ely and provided by Tim Dalton; Tansfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac1648; edited and mastered SIRMick April 2018
|
notes
|
| 503. |
12/07/69 |
Shn - 0,
6958 |
San Francisco |
Fillmore West SBD> MC> DAT> CDR> EAC> DCart Millennium> CDR; CD's From Julian Elliott; CD Editing and mastering by The Wizard - Owenbrothersvault; see editing notes in info file
|
notes
|
| 504. |
12/07/69 |
Flac 16 - 0,
141743 |
San Francisco |
Fillmore West flac16; Source: sbd > Bear's cassette master (probably) > dat (Rob Eaton) > dat (44k) - Provided by Tim Dalton; Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave >Flac16; edited and mastered SIRMick
|
notes
|
| 505. |
12/10/69 |
Shn - 0,
10986 |
Los Angeles |
Thelma Theater MSR > D > CD, plus MSR > ? > D > CD; via Deadlists Poject, circulated with 12/11,12/69- see notes and credits in info file
|
notes
|
| 506. |
12/10/69 |
Shn - 0,
8214 |
Los Angeles |
Thelma Theater Master Soundboard Reel > DAT > CDR; via Seth Kaplan; Seeded to etree by Steve Barbella
|
notes
|
| 507. |
12/10/69 |
Shn - 0,
8997 |
Los Angeles |
Thelma Theater (set 1: SBD> MR), (set 2: AUD> MR> R) > D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Andrew Clarke & Jack Warner
|
notes
|
| 508. |
12/11/69 |
Shn - 0,
10987 |
Los Angeles |
Thelma Theater MSR > R > PCM > CD, plus MSR > ? > Beta PCM > D > CD, plus MSR > R > C > D > CD; via Deadlists Poject, circulated with 12/10,12/69- see notes and credits in info file
|
notes
|
| 509. |
12/11/69 |
Flac 16 - 0,
91109 |
Los Angeles |
Thelma Theater flac16; MOTB Release: 0063 16/44.1 Analog Audience Source: FOB Master Cassette (MAC) Medium Stock Brands: MAC = Maxell C-90 Analog Lineage: 1 x Sony Microphone => Sony Portable Cassette Recorder [Monophonic] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rion Brady Transfer By: Aadm Egert Mastering By: Derek McCabe
|
notes
|
| 510. |
12/11/69 |
Flac 16 - 0,
91152 |
Los Angeles |
Thelma Theater flac16; MOTB Release: 0064 16/44.1 Stereo Source, Analog Audience Source: FOB Master Cassette (MAC) Medium Stock Brands: MAC = Maxell C-90 Analog Lineage: 1 x Sony Microphone => Sony Portable Cassette Recorder [Monophonic] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rion Brady Transfer By: Adam Egert Mastering By: Derek McCabe This is a synthesized stereo version of original monaural source
|
notes
|
| 511. |
12/11/69 |
Shn - 0,
8998 |
Los Angeles |
Thelma Theater mixed AUD/SBD (see notes); edits (see notes), encoding, vined by J. Cotsman; with thanks to Paul B. & Jack Warner
|
notes
|
| 512. |
12/11/69 |
Flac 16 - 0,
140676 |
Los Angeles |
Thelma Theater flac16; Partial Set 1 source: aud>mac>wav>flac; fob recording by Rion Brady
|
notes
|
| 513. |
12/12/69 |
Shn - 0,
10988 |
Los Angeles |
Thelma Theater MSR > R > D > CD, plus MSR > R > C > D; via Deadlists Poject, circulated with 12/10,11/69- see notes and credits in info file
|
notes
|
| 514. |
12/12/69 |
Shn - 0,
2247 |
Los Angeles |
Thelma Theater Master Soundboard Reel > Reel to Reel > DAT > CDR; EAC>SHN by Scott Clugston
|
notes
|
| 515. |
12/12/69 |
Flac 16 - 0,
141917 |
Los Angeles |
Thelma Theater flac16; Source Info: Master Soundboard Reels > Dat (16/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (.wav 16/44.1k) > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 516. |
12/13/69 |
Shn - 0,
5583 |
San Bernardino |
Swing Auditorium 7" Master Soundboard Reels > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston
|
notes
|
| 517. |
12/19/69 |
Shn - 0,
5584 |
San Francisco |
Fillmore Auditorium 7" Master Soundboard Reels > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston
|
notes
|
| 518. |
12/19/69 |
Shn - 0,
9183 |
San Francisco |
Fillmore Auditorium previous Clugston seed, with AUD patches added by Hanno Bunjes, with thanks to Uli Teute (see info)
|
notes
|
| 519. |
12/20/69 |
Shn - 0,
6301 |
San Francisco |
Fillmore Auditorium SBD> MR> ?> FM> ?> CD> EAC> SHN; edited, shned, vined by J. Cotsman; with thanks to Paul Hartman; partial- see info file
|
notes
|
| 520. |
12/21/69 |
Shn - 0,
12927 |
San Francisco |
Fillmore Auditorium Source: MR > C > D > CDR(s) via Raoul Duke. Shn conversion Matt Vernon. partial show
|
notes
|
| 521. |
12/26/69 |
Flac 16 - 0,
28448 |
Dallas |
McFarlin Auditorium, Southern Methodist Univ. flac16; Source: Soundboard ; Lineage: MSR> CASS> DAT> CDR> EAC> FLAC; Patched & remastered by Jack Warner; DAE and FLAC encoding by Marc Evans
|
notes
|
| 522. |
12/26/69 |
Shn - 0,
1821 |
Dallas |
McFarlin Auditorium, Southern Methodist Univ. MSR> C> DAT> CD-R; via Bob Murphy
|
notes
|
| 523. |
12/26/69 |
Flac 16/48 - 0,
136636 |
Dallas |
McFarlin Auditorium, Southern Methodist Univ. flac16/48kHz; Set 2 Source: sbd > Master Reel > Cassette > Dat (48k)
|
notes
|
| 524. |
12/28/69 |
Flac 16 - 0,
96578 |
Hollywood |
International Speedway flac16; Source: Soundboard master Reels > Cassette > DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab > CD Wave > TLH > Flac
|
notes
|
| 525. |
12/28/69 |
Shn - 0,
8999 |
Hollywood |
International Speedway mixed source SBD> (MC or MR>C)> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to David Litfin & Jay von Lehe; note d1t1-7 same, later tracks differ from previous Cotsman seed
|
notes
|
| 526. |
12/28/69 |
Shn - 0,
6030 |
Hollywood |
International Speedway SBD> MC> D> CD> EAC> SHN; see info file for quality notes- patching, pitch correction, probable noise reduction; EAC/edits by J. Cotsman, with thanks to David Litfin; via J. Cotsman to vine
|
notes
|
| 527. |
12/29/69 |
Shn - 0,
96413 |
Boston |
Boston Tea Party SBD>MR>C>D>CD>EAC>SHN; Likely reDAE of 6302
|
notes
|
| 528. |
12/29/69 |
Shn - 0,
8044 |
Boston |
Boston Tea Party SBD MR (7" reel @7.5 ips)>DAT>DAT>CDR
|
notes
|
| 529. |
12/29/69 |
Flac 16 - ,
157581 |
Boston |
Boston Tea Party flac16 Source: Previously uncirculated SBD Vault Reel > Cassette > DAT source from Anon Speed/pitch adjusted by Jason Chastain Mastering by Jim Blackwood, Jamie Waddell, and Steve Gravel Track, FLAC, and pack by Steve Gravel
|
notes
|
| 530. |
12/30/69 |
Shn - 0,
28469 |
Boston |
Boston Tea Party Recording Info: SBD -> Cass Master (Ampex C-90 Master Cass/no dolby) -> Cass (Tascam 122mkIII Cass 1st Gen) -> Dat (Technics 3800/44.1k) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN
|
notes
|
| 531. |
12/30/69 |
Shn - 0,
4575 |
Boston |
Boston Tea Party SBD> ?> DAT> CDR
|
notes
|
| 532. |
12/30/69 |
Shn - 0,
14037 |
Boston |
Boston Tea Party SBD> MC> C> D> CD> EAC> SHN via T.S. Cotsman; edits/encoding JCotsman; pitch corrected (see notes)
|
notes
|
| 533. |
12/30/69 |
Shn - 0,
15372 |
Boston |
Boston Tea Party Source: SBD > MC > C > D > CD > SHN
|
notes
|
| 534. |
12/31/69 |
Flac 16 - 0,
95420 |
Boston |
Boston Tea Party flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 535. |
12/31/69 |
Shn - 0,
6704 |
Boston |
Boston Tea Party significantly edited version of previous shn set: >MKWact> DART Pro98> EAC WAV Processor> MKWact, by Bob Clevenger
|
notes
|
| 536. |
12/31/69 |
Shn - 0,
7373 |
Boston |
Boston Tea Party EAC of original shn set; via TOL; sbd> reel master> 2 cassette generations> dat> cdr> shn
|
notes
|
| 537. |
??/??/69 |
Flac 1644 - 0,
136665 |
San Francisco |
Avalon Ballroom flac16; Source: sbd > cassette master > dat(48k)
|
notes
|
| 538. |
01/02/70 |
Shn - 0,
18120 |
New York |
Fillmore East early show complete early/late shows; SBD> MR> C> D> CD> EAC> SHN with aud patch; Thanks to A. Lemiex, Uli & Hanno
|
notes
|
| 539. |
01/02/70 |
Shn - 0,
86 |
New York |
Fillmore East - late show late show, partial; SBD-> MR-> DAT (x)-> CDR (x)-> EAC; via S. Windsor abgd; via D. Sacks to etree 12/15; cut in end of Dark Star/ beginning St. Stephen from reel change
|
notes
|
| 540. |
01/02/70 |
Shn - 0,
12624 |
New York |
Fillmore East early show likely early show, had been marked late show; SBD plus AUD patches; via Hanno Bunjes, Uli Teute
|
notes
|
| 541. |
01/02/70 |
Flac 16 - 0,
137375 |
New York |
Fillmore East - late show flac16; Soundboard > 7 1/2' Reel Master @ 7.5 ips (Recorded By Bear on a Sony 770 Reel Deck) > 1st gen (TDK SAX-100 cassette) from Dick Latvala (Master Reel Playback on a Technics 1506 Reel to Reel > Tascam 122 MK111 Cassette Deck No dolby) > Analog to Digital (Cassettes played back on Nakamichi Dragon > Sony PCM-R700 DAT @ 44.1 by Jim Wise 1998); Edited and mastered SIRMIck
|
notes
|
| 542. |
01/03/70 |
Flac 16 - 0,
97743 |
New York |
Fillmore East (Late Show) flac16; Source: Soundboard Master Reels > DAT Master [44.1] Transfer: Panasonic SV-3700 > UA-5 > USB > WaveLab Mastering in WaveLab with iZotope Ozone 4 > CD Wave > TLH > Flac Transfer and Mastering Bill Koucky March 6, 2009, Green Mountain Bros.
|
notes
|
| 543. |
01/03/70 |
Shn - 0,
19440 |
New York |
Fillmore East (Late Show) improvements on previous seed: Sound improved on d1t02, by Bill Giles; SBE's corrected; seeded by RET
|
notes
|
| 544. |
01/03/70 |
Shn - 0,
6642 |
New York |
Fillmore East (Late Show) early and late; SBD > MR > DAT > C > DAT > CDR; via Mike Lai, with thanks to Wayne Gucwa; info file by Jeff Hannan
|
notes
|
| 545. |
01/03/70 |
Flac 16/48 - 0,
137559 |
New York |
Fillmore East (Early Show) flac16/48kHz; Early & Late Show Recording Info: SBD > Master Reel > Cassette > Dat (48k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 546. |
01/03/70 |
Flac 16/48 - 0,
138811 |
New York |
Fillmore East (Late Show) flac16/48kHz; Source: sbd > 1st gen reel > dat (48k); provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; transferred by Charlie Miller; Lineage: iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick July 2017
|
notes
|
| 547. |
01/10/70 |
Flac 16 - 0,
89862 |
San Diego |
Golden Hall flac16; Recording Info: SBD -> Master Reel -> Reel-> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.0.1 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 548. |
01/10/70 |
Flac 16 - 0,
127228 |
San Diego |
Golden Hall flac16; Recording Info: SBD -> Master Reel -> Reel (Maxell UD 35 @7.5ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-Dac -> Wavelab 5 -> FLAC/16; Mastering Info: FLAC/24 -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller
|
notes
|
| 549. |
01/10/70 |
Flac 24 - 0,
127227 |
San Diego |
Golden Hall flac24; Recording Info: SBD -> Master Reel -> Reel (Maxell UD 35 @7.5ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-Dac -> Wavelab 5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller
|
notes
|
| 550. |
01/10/70 |
Flac 16 - 0,
89281 |
San Diego |
Golden Hall flac16; Recording Info: SBD -> Master Reel -> Reel-> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.0.1 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 551. |
01/10/70 |
Flac 24 - 0,
89614 |
San Diego |
Golden Hall flac24; source: MR > R1 > RX (purported to be 2nd gen) transfer: RX > Technics RS-1506 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > wav [24/96]
|
notes
|
| 552. |
01/10/70 |
Shn - 0,
6663 |
San Diego |
Golden Hall Master Soundboard Reel > Reel to Reel > DAT> CDR; CD Mastering by Scott Clugston; to abgd
|
notes
|
| 553. |
01/10/70 |
Flac 16 - 0,
89157 |
San Diego |
Golden Hall b>flac16; source: MR > R1 >RX (purported 2nd gen) transfer: RX (purported 2nd gen) > Technics RS-1506 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > wav [24/96]
|
notes
|
| 554. |
01/10/70 |
Shn - 0,
17345 |
San Diego |
Golden Hall Lineage: S:MR>DAT>CD ; pitch shifted down 48.4 centones using SoundForge 4.5 and reburned by David Hollister.
|
notes
|
| 555. |
01/16/70 |
Shn - 0,
7111 |
Portland |
Springer's Inn Portland sbd> ??> cdr> eac> shn; a few cuts (see tracklist); eac>shn by popi n. feeldz, with thanks to Moss Willow
|
notes
|
| 556. |
01/16/70 |
Flac 16 - 0,
131910 |
Portland |
Springer's Inn Portland b>flac16; restoration of source ID 7111; see info file for details
|
notes
|
| 557. |
01/16/70 |
Flac 16 - 0,
140967 |
Portland |
Springer's Inn Portland flac16; Source: sbd > reel master > reel > pcm (sony beta tape ESX-HiFi/L-750) - Given to Tim Dalton by the late Harvey Lubar; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) - transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018
|
notes
|
| 558. |
01/17/70 |
Shn - 0,
19283 |
Corvallis |
Gill Coliseum, Oregon State University SBD>MR>D>CD>EAC>SHN; pitch corrected via J. Cotsman
|
notes
|
| 559. |
01/17/70 |
Shn - 0,
2220 |
Corvallis |
Gill Coliseum, Oregon State University Master Soundboard Reel > DAT > CDR; via Scott Clugston
|
notes
|
| 560. |
01/23/70 |
Shn - 0,
18153 |
Honolulu |
Honolulu Civic Auditorium Updated lineage: SBD > MASTER REEL > CASS > DAT > CD; Originally posted to abgd via Teddy Goodbear; seeded to fungus and tol with minor editing by Charlie Connor
|
notes
|
| 561. |
01/23/70 |
Shn - 0,
88 |
Honolulu |
Honolulu Civic Auditorium updated lineage: SBD > MASTER REEL > CASS > DAT > CD > SHN; via Teddy Goodbear to abgd, later to etree
|
notes
|
| 562. |
01/24/70 |
Shn - 0,
7890 |
Honolulu |
Honolulu Civic Auditorium SBD: Master Reel > cassette > DAT > CD > SHN; T06 (Black Peter): subsecond dropout/splice @ 7:44; T07 (Good Lovin'): cuts right before last verse; via Seth Kaplan, upload by G.S. Hamilton
|
notes
|
| 563. |
01/30/70 |
Shn - 0,
10546 |
New Orleans |
The Warehouse SBD>MR>C>DAT>CDR; via Raoul Duke; seeded to etree by Matt Vernon
|
notes
|
| 564. |
01/31/70 |
Shn - 0,
24028 |
New Orleans |
The Warehouse
|
notes
|
| 565. |
01/31/70 |
Shn - 0,
7045 |
New Orleans |
The Warehouse SBD> MR> C> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman
|
notes
|
| 566. |
02/01/70 |
Shn - 0,
9629 |
New Orleans |
The Warehouse SBD>MSR>C>DAT>CD; Seeded to etree by Seth Kaplan
|
notes
|
| 567. |
02/01/70 |
Shn - 0,
18121 |
New Orleans |
The Warehouse Partial, Source: SBD>Bill Gadsen Reels>C>DAT>WAV>SHN C>SHN Conversion by Cousinit
|
notes
|
| 568. |
02/01/70 |
Flac 16 - 0,
126275 |
New Orleans |
The Warehouse flac16; Lineage: Source 1 SBD > MSR > C > DAT (Biodtl thru O1(7:27); Source 2 MR > Revox A77 > tube pre (O1@7:27 thru Lovelight); Transfer info: Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
|
notes
|
| 569. |
02/02/70 |
Flac 16 - 0,
121041 |
St. Louis |
The Fabulous Fox Theatre flac16; SBD -> Master Reel -> Reel (7.5ips/Dolby B) Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k) Mastering Info: Wav (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Transferred By David Gans; Mastered By Charlie Miller
|
notes
|
| 570. |
02/02/70 |
Shn - 0,
33334 |
St. Louis |
The Fabulous Fox Theatre SBD> RR> RR> PCM> DAT; Transfer: Tascam DA-20 mkII> SB Audigy> SF 6.0> CDWave>mkwACT> .shn
|
notes
|
| 571. |
02/02/70 |
Shn - 0,
18122 |
St. Louis |
The Fabulous Fox Theatre Partial, Source: SBD>Bill Gadsen Reels>C>DAT>WAV>SHN C>SHN Conversion by Cousinit
|
notes
|
| 572. |
02/02/70 |
Flac 24/96 - 0,
121042 |
St. Louis |
The Fabulous Fox Theatre flac24; SBD -> Master Reel -> Reel (7.5ips/Dolby B) Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: Wav (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Transferred By David Gans; Mastered By Charlie Miller
|
notes
|
| 573. |
02/02/70 |
Shn - 0,
10374 |
St. Louis |
The Fabulous Fox Theatre SBD>MR>R>R>PCM>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 574. |
02/02/70 |
Shn - 0,
17809 |
St. Louis |
The Fabulous Fox Theatre SBD> MR> R> R> PCM> D> CD> EAC> SHN; pitch corrected; edits/encoding by JCotsman
|
notes
|
| 575. |
02/04/70 |
Shn - 0,
12130 |
San Francisco |
Family Dog at the Great Highway SBD>Rm>Cass>Dat>CD>EAC>SHN; Converted to SHN by Charlie Mille
|
notes
|
| 576. |
02/04/70 |
Shn - 0,
12601 |
San Francisco |
Family Dog at the Great Highway Composite of "crisp" Charlie Miller sbd seed and additional mono tuneage from PBS TV broadcast; via Jeff Cotsman
|
notes
|
| 577. |
02/04/70 |
Shn - 0,
14188 |
San Francisco |
Family Dog at the Great Highway Lineage: MSR>C>D>CD Tracks 2-7 ** - Two added tracks sourced from PBS TV broadcast via Seth Kaplan
|
notes
|
| 578. |
02/05/70 |
Shn - 0,
9184 |
San Francisco |
Fillmore West SBD MR> C> D> CD + AUD low-gen; more material than previous versions, >80 min including bonus track; pitch correction, EQ, CD mastering by Hanno Bunjes, with thanks to Uli Teute
|
notes
|
| 579. |
02/05/70 |
Shn - 0,
3911 |
San Francisco |
Fillmore West SBD> MR> C> D> CD; via Don Bean
|
notes
|
| 580. |
02/06/70 |
Shn - 0,
3913 |
San Francisco |
Fillmore West SBD> MR> C> D> CD; via Don Bean
|
notes
|
| 581. |
02/07/70 |
Shn - 0,
10527 |
San Francisco |
Fillmore West SBD MR>C>D>CD + AUD MC>4C>CD patches; via Uli Teute; Seeded to etree by Hanno Bunjes; Note- This is an eac of the 'same' source discs as the previous Hanno seed; See info file for Hanno's comment
|
notes
|
| 582. |
02/07/70 |
Shn - 0,
3648 |
San Francisco |
Fillmore West SBD> MR> C> D> CD; EAC> SHN by naked_jaybird
|
notes
|
| 583. |
02/07/70 |
Shn - 0,
3912 |
San Francisco |
Fillmore West SBD> MR> C> D> CD; via Don Bean
|
notes
|
| 584. |
02/08/70 |
Shn - 0,
19152 |
San Francisco |
Fillmore West composite: AUD>MC>R>PCM>D>CD>EAC>SHN; SBD>MR>C>D>CD>EAC>SHN; several other sources used as patches; differs from previous seeds as having SBD source for Smokestack & SOTOTW; Thanks to Andy Lemieux
|
notes
|
| 585. |
02/08/70 |
Shn - 0,
17679 |
San Francisco |
Fillmore West MAC> R> PCM> DAT> CD; MSR> C> DAT> CD; MSR> ?> C> DAT> CD (end of Lovelight); Source discs supplied by Andy Lemieux, CD> EAC> WAV> SHN by Sean Cribbs
|
notes
|
| 586. |
02/08/70 |
Shn - 0,
18123 |
San Francisco |
Fillmore West AUD Source: MAC>R>C>DAT>WAV>SHN SBDa Source: MSR>R>Cassettes>DAT>WAV>SHN SBDb Source: MSR>R>C>DAT>WAV>SHN C>SHN Conversions By Cousinit
|
notes
|
| 587. |
02/11/70 |
Flac 16 - 0,
99154 |
New York |
Fillmore East (late show) flac16; SBD MR w/ AUD Patches * > DAT > CD > EAC > WAV > FLAC
|
notes
|
| 588. |
02/11/70 |
Shn - 0,
90 |
New York |
Fillmore East (late show) early and late shows; MSR> DATs> CDRs> EAC> shn; see info file for flaws and notes; shn and u/l by Darrin Sacks; also, Ben Yerys reports UJB encore pops (not sure if from CD or DAT source): 3.23?; 4.35, 5.26??, 5.27??; note d2alt.md5 also shown for a version noted at gdlive 7/01+, having a different d2t3 md5- reason unknown
|
notes
|
| 589. |
02/11/70 |
Flac 16 - 0,
126251 |
New York |
Fillmore East flac16; SBD MR > DAT (disc 1 and first part of Star, last part lovelight via a DAT transfer so is not from circ. source); MAR > ? > R @ 3 @ ips. (aud patch source used in Dark Star and Lovelight); SBD MR > A77 > A77@ 71/2 ips (primary source for disc 2); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
|
notes
|
| 590. |
02/11/70 |
Flac 24/96 - 0,
127482 |
New York |
Fillmore East (late show) flac24; Partial Set 2 Lineage SBD MR - (primary source for disc 2) Technics RS 1506 @7.5 ips > Revox A77(Bob Menke)@7.5 ips > Revox A77 (Pat Lee) @7.5 ips; Transfer info: Akai GX636 direct tape head output > Telefunken Tube tape pre w/a pair of Tesla tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
|
notes
|
| 591. |
02/11/70 |
Flac 16 - 0,
28402 |
New York |
Fillmore East (late show) flac16; late show conclusion; Soundboard (except misc patches as noted): MSR> DAT> CDR> EAC> FLAC; Patched, remastered by Dave Greenberg; DAE> FLAC by Marc Evans; Project coordinated by Jim Powell with a special thanks to DW
|
notes
|
| 592. |
02/11/70 |
Shn - 0,
33335 |
New York |
Fillmore East (late show) SBD> RR> RR> DAT (tapers John Chester and Alan Mande recorded this show in the basement of the Fillmore using a Revox reel-to-reel tape deck with 15" reels.)l Transfer: DAT> HD-P2> Sound Forge 6.0> CD Wave> mkwAct> .shn
|
notes
|
| 593. |
02/11/70 |
Flac 16 - 0,
28292 |
New York |
Fillmore East (late show) flac16; portions of early and late shows; Master soundboard reels > DAT > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); includes Patch for Dark Star: Master audience tape > ? > DAT > CD; EAC> FLAC by Jack Warner, with thanks to anonymous and Bob Murphy for patch material
|
notes
|
| 594. |
02/11/70 |
Flac 16 - 0,
99052 |
New York |
Fillmore East (late show) flac16; Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC > Cool Edit Pro > TLH > FLAC16
|
notes
|
| 595. |
02/11/70 |
Flac - 0,
99152 |
New York |
Fillmore East (late show) MAR > ? > R @ 3 ¾ ips. > DAT > CD > EAC > WAV > FLAC
|
notes
|
| 596. |
02/12/70 |
Shn - 0,
88908 |
New York |
Ungano's Night Club
|
notes
|
| 597. |
02/12/70 |
Shn - 0,
5932 |
New York |
Ungano's Night Club SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB; EAC (High, Secure) > WAV > SHNv3 by Patrick Murphy, from Jay Serafin seed discs; see Jay's extensive notes; note could really be 2/13/70 early show- see discussion in pub comments
|
notes
|
| 598. |
02/13/70 |
Flac 16 - 0,
97639 |
New York |
Fillmore East (Late Show) flac16; Recording Info: SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller (This sources fixes a flaw in d2t08 of source ID 97613)
|
notes
|
| 599. |
02/13/70 |
Flac 16 Mtx - 0,
131678 |
New York |
Fillmore East (Late Show) flac16; 2-source matrix mix of shnid #97639(SBD) and shnid #123814(AUD)
|
notes
|
| 600. |
02/13/70 |
Shn - 0,
9191 |
New York |
Fillmore East reportedly early show, though the shns have been circulated as reported 2/12/70 (see alternate entry); SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D > SSSB , via Jay Serafin, Patrick Murphy
|
notes
|
| 601. |
02/13/70 |
Flac 16 - 0,
31636 |
New York |
Fillmore East (Late Show) flac16; Early Show Source: SBD > 2-track RTR @ 15 i.p.s. > PCM > ? > D >SSSB > EAC (High, secure) > WAV > SHNv3 by Patrick Murphy > ? > .flac
|
notes
|
| 602. |
02/13/70 |
Shn - 0,
2208 |
New York |
Fillmore East early show; Sbd > Master reel >DAT >Sonic Solutions workstation >CDR >EAC >shn; Seeded by David Gans; posted to abgd
|
notes
|
| 603. |
02/13/70 |
Flac 16 - 0,
123814 |
New York |
Fillmore East (Late Show) flac16; Late show. Recorded by Jim Cooper from seat # BB 108 (2nd row Center) Hitachi trq-222, 2 Hitachi mikes; Transferred > sony d5pro2 > dbx 2231 EQ > sony rcd w500c
|
notes
|
| 604. |
02/13/70 |
Flac - 0,
109535 |
New York |
Fillmore East flac16; 5th gen aud casette from unknown source > WAV
|
notes
|
| 605. |
02/13/70 |
Shn - 0,
18114 |
New York |
Fillmore East (Late Show) early and late; mostly from SBD> MR> D> CD> EAC> SHN, with patches from SBD> MR> PCM> D> CD >EAC> SHN and SBD> MR> R> D> CD> EAC> SHN; mastered on 7" reels @ 15ips; encoding by JCotsman, with thanks to Paul Hartman, David Litfin et al
|
notes
|
| 606. |
02/14/70 |
Flac 16 - 0,
97644 |
New York |
Fillmore East flac16; Recording Info:SBD -> Master Reel (7 inch 1/2 Track at 15ips) -> Dat (48k);Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 607. |
02/14/70 |
Shn - 0,
18115 |
New York |
Fillmore East SHNID: 18115 complete early/late shows from: SBD> MR> D> CD> EAC> SHN & SBD> MR> PCM> D> CD> EAC> SHN; TMNSP release, encoding by JCotsman
|
notes
|
| 608. |
02/14/70 |
Flac 16 - 0,
124495 |
New York |
Fillmore East flac16; source: aud cassette master taped by Jim Cooper; hitachi trq-222 deck nak bx-300 > benchmark adc1 > adobe audition cs6 > tlh flac; transferred & seeded by Rob Berger
|
notes
|
| 609. |
02/14/70 |
Flac 16 - 0,
141007 |
New York |
Fillmore East flac16; Late Show Recording Info: Master Soundboard Reels (recorded by the Fillmore crew from under the stage) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 610. |
02/23/70 |
Shn - 0,
10375 |
Austin |
The Auditorium SBD>MR>C>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 611. |
02/27/70 |
Flac 16 - 0,
28833 |
San Francisco |
Family Dog at the Great Highway flac16; Recording Info: SBD -> Master Reel (7.5ips 1/2trk) -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller
|
notes
|
| 612. |
02/27/70 |
Shn - 0,
2191 |
San Francisco |
Family Dog at the Great Highway Master Soundboard Reel > Cassette > DAT > CDR; via Scott Clugston to abgd and etree; note includes Casey and Cumberland
|
notes
|
| 613. |
02/28/70 |
Shn - 0,
9377 |
San Francisco |
Family Dog at the Great Highway SBD>MR>C>D>CD; Missing Casey Jones and Uncle John's Band
|
notes
|
| 614. |
03/01/70 |
Shn - 0,
4641 |
San Francisco |
Family Dog at the Great Highway SBD MR>C>D>CD; patch of circulating SBD with AUD by Hanno Bunjes: 3rd gen cassette > CD > SoundForge (5% speed correction/amplify) > CD; to BUDD offer; Hanno's notes
|
notes
|
| 615. |
03/01/70 |
Flac 16 - 0,
132769 |
San Francisco |
Family Dog at the Great Highway flac16; Recording Info: SBD Master Reels -> Dat (Panasonic 3700); Transfer Info: Delta DiO 2496 sound card > HD > CD-R; Mastering Info: HD > CD WAV > Cool Edit > Trader's Little Helper 2.7 > xACT 2.35 FLAC 8; Mastering by Seth Kaplan (alligator69@optonline.net) March 25, 2015
|
notes
|
| 616. |
03/01/70 |
Flac - 0,
136666 |
San Francisco |
Family Dog at the Great Highway flac16; Source: Soundboard > Mater Reel > Dat (44.1k
|
notes
|
| 617. |
03/01/70 |
Shn - 0,
91 |
San Francisco |
Family Dog at the Great Highway S:MR> C> D> CDR; not complete show, but all that's available of this version; via Dave Goldstein, Ben Yerys; note reel splice @ 5:29 of King Bee
|
notes
|
| 618. |
03/07/70 |
Shn - 0,
6156 |
Santa Monica |
Civic Auditorium low-gen AUD; shn'ed by Hanno Bunjes, with thanks to Uli Teute for the AUD source; Hanno's notes
|
notes
|
| 619. |
03/08/70 |
Flac 16 - 0,
113359 |
Phoenix |
Star Theatre flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 620. |
03/08/70 |
Shn - 0,
9195 |
Phoenix |
Star Theatre SBD MR>C>D>CD; Unknown seeder
|
notes
|
| 621. |
03/08/70 |
Flac 24/48 - 0,
145952 |
Phoenix |
Star Theatre flac24; Source: sbd > ??? >cassette (high gen, from The Knudsen Collection at Lossless Legs); Transfer: cassette > Nakamichi CR-7A > TASCAM DA-3000 > wav 24/48 -Transfer by Tom Markson; Lineage: wav 24/38 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMic
|
notes
|
| 622. |
03/08/70 |
Flac 16/48 - 0,
145951 |
Phoenix |
Star Theatre flac16/48kHz; Source: sbd > ??? > cassette (from The Knudsen Collection at Lossless Legs); Transfer: cassette > Nakamichi CR-7A > TASCAM DA-3000 > wav 24/48 - Transfer by Tom Markson; Lineage: wav 24/48 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/48 >CD Wave > Flac 1648; edited and mastered SIRMick April 2019
|
notes
|
| 623. |
03/20/70 |
Shn - 0,
14287 |
Port Chester |
Capitol Theater mixed source (SBD> MR> PCM, unknown gen AUD, 2nd gen AUD)> ZA2> CD, mastered by David Hollister; EAC> SHN by G.S. Hamilton with thanks to Brian Voelz
|
notes
|
| 624. |
03/20/70 |
Flac 16 - 0,
99182 |
Port Chester |
Capitol Theater flac16; SBD MR > ? > R @ 7.5 ips > CD > EAC > WAV > FLAC
|
notes
|
| 625. |
03/20/70 |
Shn - 0,
1315 |
Port Chester |
Capitol Theater S:mR> ?> DAT> CDR; EAC/SHN by Ben Yerys, from Jared Minkoff seed; see info file for misc flaw notes
|
notes
|
| 626. |
03/21/70 |
Shn - 0,
21779 |
Port Chester |
Capitol Theater (Late) late show; Cassette Master> Soundforge> cd> SHN; see more details in txt; Port Chester Resurrection Project
|
notes
|
| 627. |
03/21/70 |
Shn - 0,
20184 |
Port Chester |
Capitol Theater (Early) early show; Cassette Master> Soundforge> cd> EAC> SHN; Recorded by Ken & Judy Lee on a Sony 124 cassette deck with Sony dynamic mics on a Norelco 120 normal bias tape. Microphones were set up in the balcony with a 20 foot spread; Original tape was baked in "Susie Q", shell replaced and transferred on a Tascam 122mk3 via a Lucid ADA1000 Analog to Digital Converter directly to disc on a Tascam CDRW700 by John Jay Hance.; Cleanup performed by Peter G with Soundforge; EAC performed with correct offsets. SHN conversion with MKWact & retracking done with CD Wave and EAC by Evan Bellaff; Port Chester "Resurrection" Project #2
|
notes
|
| 628. |
03/21/70 |
Shn - 0,
5315 |
Port Chester |
Capitol Theater (Early) early electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes- (although these may not even be true- see user comment); Usher tree shn branch
|
notes
|
| 629. |
03/21/70 |
Shn - 0,
5316 |
Port Chester |
Capitol Theater (Late) late acoustic, electric-2; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes; Usher tree shn branch
|
notes
|
| 630. |
03/21/70 |
Flac 16 - 0,
118670 |
Port Chester |
Capitol Theater (Early) flac16; Late Show Audience Recording Information: unknown mono reel-to-reel equipment -> master reel-to-reel tape -> 1st generation Maxell XLII-90 cassettes, Dolby B on. Playback 2012-01-20: 1st generation Maxell XLII-90 cassettes on Nakamichi BX-300 cassette deck, Dolby B on, azimuth & pitch adjusted, heads cleaned & demagnatized -> Tascam CD-RW900SL pro CD recorder -> CD-RW -> computer, EAC secure -> wavs -> Audacity (as little as possible... some fades &/or glitches, dropouts, minor volume adjustments, no EQ) -> CD Wave (track splits) -> Trader's Little Helper -> flacs.
|
notes
|
| 631. |
03/21/70 |
Flac 16 - 0,
118670 |
Port Chester |
Capitol Theater (Late) flac16; Late Show Audience Recording Information: unknown mono reel-to-reel equipment -> master reel-to-reel tape -> 1st generation Maxell XLII-90 cassettes, Dolby B on. Playback 2012-01-20: 1st generation Maxell XLII-90 cassettes on Nakamichi BX-300 cassette deck, Dolby B on, azimuth & pitch adjusted, heads cleaned & demagnatized -> Tascam CD-RW900SL pro CD recorder -> CD-RW -> computer, EAC secure -> wavs -> Audacity (as little as possible... some fades &/or glitches, dropouts, minor volume adjustments, no EQ) -> CD Wave (track splits) -> Trader's Little Helper -> flacs.
|
notes
|
| 632. |
03/21/70 |
Flac 16 - 0,
124148 |
Port Chester |
Capitol Theater (Late) flac16; source: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob Berger
|
notes
|
| 633. |
03/21/70 |
Flac 16 - 0,
144383 |
Port Chester |
Capitol Theater (Late) flac16; Late Show; Recording Information: unknown mono reel-to-reel recorder & mike -> master 3" reel-to-reel tapes -> unknown digital transfer, except #14-17 from 1st generation 7 1/2 IPS Maxell UD35-90 reel -> wavs; Playback 2018-12-xx: M & M1 wavs -> Audacity (very little work done... some fades, popmute on clapping in a few places for volume control, minor volume adjustments, pitch (speed) OK on master reel transfers but M1 trax #14-17 used +0.8% fix with single pass after frequency analysis & with pitchpipe verification, no EQ or NR applied) -> CD Wave (track splits) -> Trader's Little Helpe
|
notes
|
| 634. |
03/24/70 |
Flac 16 - 0,
32054 |
Dania |
Pirates World flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC
|
notes
|
| 635. |
03/24/70 |
Flac 24/48 - 0,
136667 |
Dania |
Pirates World flac16/48kHz; Source: Soundboard > Master Reel > Cassette > Dat (48k)
|
notes
|
| 636. |
04/03/70 |
Flac 16 - 0,
114616 |
Cincinnati |
Field House, U. of Cincinnati flac16; SBD MR>R>FLAC; Converted to 16 bit via r8brain high > TLH level 6 flac; tranfer Matt Smith 7/2011
|
notes
|
| 637. |
04/03/70 |
Flac 24 - 0,
114569 |
Cincinnati |
Field House, U. of Cincinnati flac24; SBD MR>R>FLAC; Monitor Noise throughout show; tranfer Matt Smith 7/2011
|
notes
|
| 638. |
04/03/70 |
Shn - 0,
4283 |
Cincinnati |
Field House, U. of Cincinnati SBD > ?> bootleg CD> pitch correction and retracking > SHN; see info file for notes; via thecore@core.com
|
notes
|
| 639. |
04/03/70 |
Flac 16 - 0,
119118 |
Cincinnati |
Field House, U. of Cincinnati flac16; MR>R>FLAC (shnid: 114616) Used Diamond Cut/Forensics 8.1 to clean up the monitor noise (sounds like an unshielded cable) and a little of the over saturation (analog recorder clipping) on the source.
|
notes
|
| 640. |
04/03/70 |
Shn - 0,
3862 |
Cincinnati |
Field House, U. of Cincinnati SBD; Monitor Noise throughout show; noted at gdlive 5/01; via Aaron Farnsworth
|
notes
|
| 641. |
04/03/70 |
Flac 24/96 - 0,
141217 |
Cincinnati |
Field House, U. of Cincinnati flac24; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
|
notes
|
| 642. |
04/03/70 |
Flac 16 - 0,
141224 |
Cincinnati |
Field House, U. of Cincinnati flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
|
notes
|
| 643. |
04/03/70 |
Flac 24/96 - 0,
141361 |
Cincinnati |
Field House, U. of Cincinnati flac24; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
|
notes
|
| 644. |
04/03/70 |
Flac 16 - 0,
144890 |
Cincinnati |
Field House, U. of Cincinnati flac16; Source: Soundboard Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
|
notes
|
| 645. |
04/03/70 |
Flac 16/44 - ,
154482 |
Cincinnati |
Field House, U. of Cincinnati flac16/44 Source: Reel Master (7 inch Master Reel @ 7.5ips 1/2trk) > Cassette >Tascam 122mkIII > Panasonic SV-3700 > DAT (44k) > wav 16/44.1 - All Transfers by Rob Eaton Lineage: wav > Adobe Audition 3 > iZotope RX9 Advanced > CD Wave > Flac 16 edited and mastered SIRMick November 2021
|
notes
|
| 646. |
04/09/70 |
Shn - 0,
6157 |
San Francisco |
Fillmore West complete; SBD MR> C> D> CD + AUD MC> 4C> D> CD; AUD taper Harry Ely; sources assembled by Hanno Bunjes, with thanks to Julian for the SBD and Uli for the AUD; Hanno's notes
|
notes
|
| 647. |
04/09/70 |
Flac 16 - 0,
137104 |
San Francisco |
Fillmore West flac16; Source: Unknown Taper+Equipment>MA>Cass(Unk); Conversion: NAK Dragon>Cass>WAV>FLAC; FLAC encoding via TLH
|
notes
|
| 648. |
04/09/70 |
Flac 16 - 0,
145715 |
San Francisco |
Fillmore West flac16; 1) sbd > Dick's Cassette (start through to "UJB") Transfer: Cassette > Nakamichi Dragon > Sony PCM-R700 > wav 16/44.1 - Transferred by Jim Wise; 2) unknown audience recording (through to "Cryptical Envelopment" shnid 137104 seeded by Cousinit) and 3) unknown audience recording ("NFA > Turn On Your Lovelight shnid 6157, seeded by Hanno Bunjes); Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick March 2019
|
notes
|
| 649. |
04/11/70 |
Shn - 0,
12072 |
San Francisco |
Fillmore West Partial; 30 min Lovelight and ~2 mins NFA; See info file for details; SBD>MR>C>D>CD; via Chuck Gannon; Seeded to etree by JCotsman
|
notes
|
| 650. |
04/11/70 |
Flac 16 - 0,
132470 |
San Francisco |
Fillmore West flac16; Partial Set 3; 7 Inch Half Track Reel Master @ 7.5 ips-Recorded by Bear (Reel # 4 Only); 1st Generation Cassettes(TDK SA-X 100's) Transferred By Dick Latvala; (Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No Dolby); Analog to Digital Transfer (Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise); Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing (iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)
|
notes
|
| 651. |
04/11/70 |
Flac 16 - 0,
136668 |
San Francisco |
Fillmore West flac16; Partial Show Source: sbd > Reel Master > Cassette > DAT (44k)
|
notes
|
| 652. |
04/12/70 |
Shn - 0,
3820 |
San Francisco |
Fillmore West combination (SBD Reel master > Sonic Solutions > DAT ) plus (Aud cassette master > PCM > DAT > Sonic Solutions) > CD > EAC > SHN; see info file for notes; seed via Seth Kaplan
|
notes
|
| 653. |
04/12/70 |
Flac 16 - 0,
143493 |
San Francisco |
Fillmore West flac16; One song audience > unk gen > xlII 90 dolby C, tape trade Dec 1984
|
notes
|
| 654. |
04/12/70 |
Flac 16 - 0,
149544 |
San Francisco |
Fillmore West >flac16; FM broadcast of source id 3820 Source: SBD for all except Casey Jones through Deep Elem Blues; Small fixes and audio massage by Jamie Waddell; pitch correction by Jason Chastain [100.25%]
|
notes
|
| 655. |
04/15/70 |
Shn - 0,
14354 |
San Francisco |
Winterland Arena MSR>DAT>CD>EAC>SHN (mkwACT) via Seth Kaplan includes 5 additional songs from a prior seed
|
notes
|
| 656. |
04/15/70 |
Shn - 0,
6644 |
San Francisco |
Winterland Arena sdb> Master Reel> Cassette> Dat> CD; via Mike Lai, with thanks to Wayne Gucwa
|
notes
|
| 657. |
04/15/70 |
Flac 16 - 0,
132743 |
San Francisco |
Winterland Arena flac16; Sony 770 7 Inch Half Track Reel Master @ 7.5 ips-(Bob Mathews); DAT x Zero (DL) > DAT x One (RE) > DAT x Two (JW); play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise (note: A fixed version of this source was seeded on 03/28/2015 to address unspecified errors. Please don't circulate the original fileset.)
|
notes
|
| 658. |
04/24/70 |
Shn - 0,
19531 |
Denver |
Mammoth Gardens AUD master C-120 > reel 3.75ips > DAT > CD ; improvement over all circulating copies, via Hanno Bunjes, Uli Teute, Carsten Baumann, Gerhard Schinzel
|
notes
|
| 659. |
04/24/70 |
Shn - 0,
17685 |
Denver |
Mammoth Gardens MAR> Reel> DAT> Cool Edit Pro> CDR (From Gergard S' first gen reels) via Glen Gillis
|
notes
|
| 660. |
04/24/70 |
Shn - 0,
27205 |
Denver |
Mammoth Gardens sources: aud master C-120 > reel 3.75ips > dat > cd > eac > shn > wav > shn.This is a re-master of shn id 19531;see txt file for details. Seeded by SirMick (thedarkstar@btinternet.com)December 2004
|
notes
|
| 661. |
04/24/70 |
Shn - 0,
9498 |
Denver |
Mammoth Gardens AUD>MC>C>D>CD; via Chuck Gannon; Seeded to etree by J. Cotsman; Note- Original d2 was 'messed up' and scrapped early. Likely it does not circulate
|
notes
|
| 662. |
05/01/70 |
Flac 16 - 0,
95683 |
Alfred |
Alfred College flac16 ; Recording Info: Source 1: SBD -> Master Reel -> CD Source 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD Source 3: SBD -> Master Reel -> Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 663. |
05/01/70 |
Flac 16 - 0,
85332 |
Alfred |
Alfred College flac16; SBD > Rm > Dat > Sonic Solutions > CD > Samplitude > Flac Seeds provided by David Gans, Remastered by Charlie Miller
|
notes
|
| 664. |
05/01/70 |
Shn - 0,
5465 |
Alfred |
Alfred College Master Soundboard Reel > (reel to reel, for part)> DAT > Sonic Solutions > CDR; EAC'ed / SHN'ed by Scott Clugston
|
notes
|
| 665. |
05/02/70 |
Flac 24 - 0,
108673 |
Binghamton |
Harpur College flac24; reel> cass > cass Nak Dr-1 > Lynx Studio Interface at 32 bit float / 96 kHz Weiss Saracon for BRC to 24 bit / 96 kHz by Jamie Waddell
|
notes
|
| 666. |
05/02/70 |
Flac 16 - 0,
108955 |
Binghamton |
Harpur College flac16; Gen 4 SBD Cassettes > SonyTC-W320 > Marantz 510 > CD > EAC > CD Wave Editor > Flac level 8; see info file for details
|
notes
|
| 667. |
05/02/70 |
Flac - 0,
100007 |
Binghamton |
Harpur College flac16; SBD > 3xcass (maxell XLII), transfer: cassette > Yamaha KX-W282 > Monster digital cable > Yamaha RX-530 > Monster digital cable > JVC XL-R5000 > CDR > EAC (offsets set) > CDWav > Flac (level 8), Dick's Picks 8 Outtake
|
notes
|
| 668. |
05/02/70 |
Flac 16 - 0,
120081 |
Binghamton |
Harpur College flac16; reel> cass > cass; Nak Dr-1 > Lynx Studio Interface at 32 bit float / 96 kHz Weiss Saracon for BRC to 24 bit / 96 kHz by Jamie Waddell; Resampled from 96 to 44.1 khz in r8brain Pro > dithered in Izotope Ozone 3 (MBIT+, high noise shaping, 16 bit depth, normal dither, DC offset filter on) > exported to 16 bit in Audacity 2.0.0 > FLAC
|
notes
|
| 669. |
05/02/70 |
Flac 16/48 - 0,
138227 |
Binghamton |
Harpur College flac16/48kHz; Recording Info: SBD > Master Reel (7inch @ 7.5ips 1/2trk) > Dat/48k; Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 670. |
05/03/70 |
Flac 16 - 0,
130667 |
Middletown |
Field House, Wesleyan University flac16; Audience cassette master (not sbd as previously thought) > ? > CDr > EAC > Soundforge - editing > shn > aiff (xACT) > flac
|
notes
|
| 671. |
05/03/70 |
Flac 16 - 0,
130844 |
Middletown |
Field House, Wesleyan University flac16; Recording Information: unknown stereo(?) recording equipment -> master AUD cassette (NOT a SBD as noted in shnid 9770) -> ? -> unknown generation tape used for shnid 9770 -> CDr > EAC > Soundforge (normalize & pitch correction -> shn -> aiff (xACT) -> flacs; flacs -> TLH -> wavs -> Audacity using right channel for mono signal [fades, manual one-at-a-time glitch, bump, pop, click, dropout & dullspot repairs, volume adjustments, NO equalisation] -> CD Wave (track splits) -> flacs (Trader's Little Helper)
|
notes
|
| 672. |
05/03/70 |
Shn - 0,
20852 |
Middletown |
Field House, Wesleyan University AUD>MR>?>CD>EAC>SHN. Digital editing by Jim Goldman, wavs provided by, minor editing and retracking SIRMick (The Sugarmegs Restoration Krewe)
|
notes
|
| 673. |
05/03/70 |
Shn - 0,
9378 |
Middletown |
Field House, Wesleyan University AUD>MC>?>C>D>CD; via Jeff Cook; Seeded to etree by J Cotsman
|
notes
|
| 674. |
05/06/70 |
Flac - 0,
95816 |
Cambridge |
Kresge Plaza, M.I.T. flac16; Source: Master Soundboard Reels 10", 2-sided, 1/2 Track Mono > DAT x 1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with Nomad Factory Plugins Rate Conversion with r8brain to [16bit/44.1 mhz] > TLH > Flac Transfer and Mastering: Bill Koucky, Green Mountain Bros. November 15, 2008 Transfer from Reels to DAT was done in 1994 by Eli Polansky from WMBR MIT Radio Archives for Jim Birkhead, and cloned to Bill Koucky
|
notes
|
| 675. |
05/06/70 |
Shn - 0,
95 |
Cambridge |
Kresge Plaza, M.I.T. Gans version as for other shn set, SHNed by M. Hall (not sure if this copy got into wide circulation)
|
notes
|
| 676. |
05/06/70 |
Shn - 0,
94 |
Cambridge |
Kresge Plaza, M.I.T. MSR (MIT WMBR Reels) 10", 2-sided, 1/2 Track Mono (no extra reel gen)-> Otari MX 55 2 track (playback) -> TC 2000 Studio Effects Processor (using only the A->D converter, no effects) -> Sonic Solutions (at 20 bits resolution) -> mastered to CD using Sony SBM 2 (No DAT generations) -> CD (from Gans) > EAC > SHN; (note updated source details); via E. Polonsky, D. Gans, R. Keshavan, D. Sacks; note reel splice at China/Rider transition (track boundary at splice)
|
notes
|
| 677. |
05/06/70 |
Flac 24 - 0,
95817 |
Cambridge |
Kresge Plaza, M.I.T. flac24; Source: Master Soundboard Reels 10", 2-sided, 1/2 Track Mono > DAT x 1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > analog out > Korg MR-1 DFF @ [1bit/2.8 mhz] Rate Conversion: AudioGate to [24bit/96 khz] Mastering: In WaveLab with Nomad Factory Plugins > TLH > Flac Transfer and Mastering: Bill Koucky
|
notes
|
| 678. |
05/07/70 |
Shn - 0,
5439 |
Cambridge |
Dupont Gymnasium, MIT AudMC > ? > 7" R > DAT > HD > SHN; Taper, mics, and deck unknown; A > D transfer by Noah Weiner; almalgam of different sources; pitch corrected; see info file for mastering and flaw notes; via Audience Devotional Tree
|
notes
|
| 679. |
05/07/70 |
Flac - 0,
32276 |
Cambridge |
Dupont Gymnasium, MIT main source: AudMC > ? > 7" R > DAT > HD > SHN Taper, mics, and deck unknown A > D transfer by Noah Weiner - noahbw@home.com This is a remaster of shnid 5439. See text file for full details
|
notes
|
| 680. |
05/07/70 |
Flac 16 - 0,
141093 |
Cambridge |
Dupont Gymnasium, MIT flac16; Source: Audience Cassette Master > Reel > PCM (Sony HG) - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred By Charlie Miller; New Riders Of The Purple Sage Source: Audience Cassette Master > ? > 7" Reel > DAT; Transfer: DAT > HD > SHN - Transferred by Noah Weiner; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018
|
notes
|
| 681. |
05/08/70 |
Flac 16 - 0,
32056 |
Delhi |
Farrell Hall flac16; Recording Info: (Stage) Unknown Mic -> Cassettte Master Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 682. |
05/09/70 |
Shn - 0,
9770 |
Worcester |
Worcester Polytechnic Institute Acoustic; SBD>MR>?>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman
|
notes
|
| 683. |
05/14/70 |
Shn - 0,
24223 |
Kirkwood |
Meramec Community College SBD>MR>?>D>CD>EAC>SHN (acoustic set) SBD>MR>D>CD>EAC>SHN (electric set) same as http://db.etree.org/shninfo_detail.php?shnid=12439 with sbe's fixed and seektables appended.
|
notes
|
| 684. |
05/14/70 |
Shn - 0,
12439 |
Kirkwood |
Meramec Community College SBD>MR>?>D>CD>EAC>SHN (acoustic set); SBD>MR>D>CD>EAC>SHN (electric set); complete show except for Dire Wolf and Cold Jordan, which are probably not on the masters; Thanks to Dan Capshaw and Walter Schnell; edits/encoding by JCotsman
|
notes
|
| 685. |
05/14/70 |
Flac - 0,
28716 |
Kirkwood |
Meramec Community College flac16; Source: Soundboard Lineage: MSR> DAT> CDR> EAC> FLAC except * = MSR> DAT> CASS> ?> CASS> DAT> CDR> EAC> FLAC
|
notes
|
| 686. |
05/14/70 |
Flac - 0,
97548 |
Kirkwood |
Meramec Community College flac16; MSR > DAT > CDR > EAC > FLAC (with portions from MSR > MP3 > WAV > FLAC)
|
notes
|
| 687. |
05/14/70 |
Shn - 0,
7604 |
Kirkwood |
Meramec Community College Master Soundboard Reel > Cassette > DAT> CDR; via Scott Clugston
|
notes
|
| 688. |
05/14/70 |
Shn - 0,
34165 |
Kirkwood |
Meramec Community College Acoustic Set; Source: Soundboard of unspecified provenence; CD Re-Mastering / Shn'ed by Scott Clugston 2/15/03
|
notes
|
| 689. |
05/14/70 |
Flac - 0,
136645 |
Kirkwood |
Meramec Community College flac16; Set 2 Source: Soundboard > Reel Master > DAT (48k)
|
notes
|
| 690. |
05/15/70 |
Shn - 0,
29473 |
New York |
Fillmore East (Late Show) New Master Reel transfer: SBD:10" 1/2 track Master Reels @ 7.5 ips>Revox A700 playback deck>Alesis Masterlink ML 9600>CD. No PCM generation in GD/NRPS sets. No analog gens in NRPS sets. Upgrade from previously circulating source. Seeded to etree 5/31/2005 by Chuck Reynolds and Seth Kaplan.
|
notes
|
| 691. |
05/15/70 |
Shn - 0,
97 |
New York |
Fillmore East (Late Show) acoustic and electric, early and late, includes NRPS; MR > DAT > ZA2 > CDR, except the NRPS sets which have 2 cass gens; this is apparently the best possible available copy- one fewer cass gen than first etreed version, complete NRPS 2nd set, less hifreq hiss; more details in info file; via D. Hollister, J. Tiedrich, D. Finney. L. Orf; note L. Orf did very minor editing, mostly putting tasteful fades where there were cuts in the original- no NR
|
notes
|
| 692. |
05/15/70 |
Flac 24 - 0,
136574 |
New York |
Fillmore East (Late Show) flac24; source: aud cassette master; taped by Jimmy Cooper; 2 hitachi mics > hitachi trq-222; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
|
notes
|
| 693. |
05/15/70 |
Flac - 0,
136575 |
New York |
Fillmore East (Late Show) flac16; source: aud cassette master; taped by Jimmy Cooper; 2 hitachi mics > hitachi trq-222; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
|
notes
|
| 694. |
05/16/70 |
Shn - 0,
17027 |
Philadelphia |
Temple University AUD>MC>?>C>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; This shn set is derived from the Noah Weiner seed, and following Noah's edits, has been pitch corrected using Sound Forge; edits/encoding by JCotsman
|
notes
|
| 695. |
05/16/70 |
Shn - 0,
14769 |
Philadelphia |
Temple University AUDMC > ? > C > CD/0 > EAC > WAV > SHN via Noah Weiner
|
notes
|
| 696. |
05/24/70 |
Shn - 0,
6481 |
Newcastle |
Newcastle-Under-Lyme SBD MR> C> D> CD + AUD MR> C> D> CD patches; mastered by Hanno Bunjes, with thanks to Uli for the AUD source; Hanno's notes
|
notes
|
| 697. |
05/24/70 |
Flac 16 - 0,
135716 |
Newcastle |
Newcastle-Under-Lyme flac16; MSR > CDR > PC > my edits in Goldwave > CDR > FLAC; patched with unknown MR > cassette > PC and with shnid 6481
|
notes
|
| 698. |
05/24/70 |
Flac 16 - 0,
135803 |
Newcastle |
Newcastle-Under-Lyme flac16; MSR > CDR > PC > my edits in Goldwave > CDR > FLAC; patched with unknown MR > cassette > PC; further patched with shnid 6481
|
notes
|
| 699. |
05/24/70 |
Flac 16 - 0,
136424 |
Newcastle |
Newcastle-Under-Lyme flac16; Unknown Board MR > Maxell XLII-S90 cassette (unknown generation) > Audacity via soundcard > Goldwave (to increase volume) > FLAC
|
notes
|
| 700. |
05/24/70 |
Flac 16/48 - 0,
136669 |
Newcastle |
Newcastle-Under-Lyme flac16/48kHz; Source: sbd > reel master > cassette > dat (48k)
|
notes
|
| 701. |
05/24/70 |
Shn - 0,
6159 |
Newcastle |
Newcastle-Under-Lyme AUD MR> C> D> CD; mastered by Hanno Bunjes; source supplied by Uli Teute; Hanno's notes
|
notes
|
| 702. |
06/04/70 |
Flac 16 - 0,
119921 |
San Francisco |
Fillmore West flac16; sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16
|
notes
|
| 703. |
06/04/70 |
Shn - 0,
12135 |
San Francisco |
Fillmore West Partial; Last three songs; See info file for details; SBD->Rm->Cass->?>Dat>CD; Seeded to etree by Charlie Miller
|
notes
|
| 704. |
06/04/70 |
Flac16 Mtx - 0,
123799 |
San Francisco |
Fillmore West flac16; Matrix of Soundboard (shnid:119921) sbd > ?? > wav > audacity(snaps,crackles,pops) > wavmerge > cdwav > tlh(flaclevel8) > flac16; conversion by: miogi; Soundboard (shnid:12135) SBD->Rm->Cass->?>Dat>CD>EAC>SHN CD>EAC>SHN done by charlie miller; The entire acoustic set has been matrixed. The last three songs of the electric set have been matrixed with (shnid:123798) Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape
|
notes
|
| 705. |
06/04/70 |
Flac 16 - 0,
132790 |
San Francisco |
Fillmore West flac16; Partial SBD Recording; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bear on a Sony 770 Reel Deck)-1st Generation(TDK SAX-100 cassette)Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck No dolby); Analog to Digital(Cassettes on Nakamichi Dragon-Sony PCM-R700 DAT @ 44.1KHz by Jim Wise); DAT X Zero play back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) Jim Wise
|
notes
|
| 706. |
06/04/70 |
Flac 16 - 0,
123798 |
San Francisco |
Fillmore West flac16; Audience Recording by Gerry Olsen. Sony TC-124 single-capstan portable cassette deck equipped with Sony F-99S One Point Stereo Dynamic Microphone IMP LOW (hand-held). 120 minute BASF normal bias tape. Lineage via Dan McDonald (droncit@yahoo.com): Master Audience Cassette->Nakamichi BX-1 (modified for flat transfer)-> Tascam DR-07MK2 (24-bit, 96kHz); DC8Forensics was used to apply the NAB curve for normal bias cassettes. Converted to 16-bit, 44.1kHz using 32-bit interpolation and a triangular high pass dither. After the NAB curve in a multifilter I applied a virtual vale and overtone generator for lost harmonics and used a channel blender to blend below 150 Hz to mono to minimize mic handling noise.
|
notes
|
| 707. |
06/05/70 |
Flac 16 Mtx - 0,
123702 |
San Francisco |
Fillmore West flac16; Matrix from Soundboard (shnid:28653) (except where patched with low gen AUD as noted) Lineage: MSR> CASS> DAT> CDR> EAC> FLAC and Audience (shnid:109847) Lineage: Source #1: Dire Wolf through New Speedway - unknown gen aud cassette; Source #2: Cold Rain through Mama Tried - unknown gen aud cassette; Source #3: Cryptical through Casey - unknown gen aud cassette
|
notes
|
| 708. |
06/05/70 |
Shn - 0,
4361 |
San Francisco |
Fillmore West SBD> MR> C> D> CD> SHN; see info file for flaw notes; via thecore@core.com
|
notes
|
| 709. |
06/05/70 |
Flac 16 - 0,
28653 |
San Francisco |
Fillmore West flac16; Source: Soundboard (except where patched with low gen AUD as noted) Lineage: MSR> CASS> DAT> CDR> EAC> FLAC
|
notes
|
| 710. |
06/05/70 |
Shn - 0,
7589 |
San Francisco |
Fillmore West SBD MR>C>D>CD + AUD patch from low-gen cassette courtesy Uli Teute (see info); via Hanno Bunjes; Hanno's notes
|
notes
|
| 711. |
06/05/70 |
Flac 16 - 0,
109847 |
San Francisco |
Fillmore West flac16; Unknown gen cassettes from unknown aud source > WAV; see info file for details
|
notes
|
| 712. |
06/05/70 |
Flac 16 - 0,
132395 |
San Francisco |
Fillmore West flac16; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)-1st Generation Cassettes Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no Dolby); Analog to Digital Transfer(Cassettes played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa late 1990's); Zero Gen DAT play back on a Sony PCM R-500-Digital Out @ 16/44.1kHz-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) JW:February 2015
|
notes
|
| 713. |
06/06/70 |
Shn - 0,
2172 |
San Francisco |
Fillmore West electric set; SBD Reel master > cassette > DAT > CD > SHN; Seeded by Jay Ashley; see info file for listening notes
|
notes
|
| 714. |
06/06/70 |
Flac 16 - 0,
86951 |
San Francisco |
Fillmore West flac16; Electric Set Only: Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC. All Transfers and Mastering By Charlie Miller.
|
notes
|
| 715. |
06/06/70 |
Flac 16 - 0,
132157 |
San Francisco |
Fillmore West flac16 Acoustic Set Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Mille
|
notes
|
| 716. |
06/07/70 |
Shn - 0,
98 |
San Francisco |
Fillmore West acoustic and electric; S:MR> Cass> DAT> ZA2> SoundForge> CD Architect> CD> EAC> shn; splices in Casey, Man's World, Cumberland; CD seeded by D. Hollister, see his editing notes in info file; via A. Cohen to BUDD tree; etreed by R. Nayfield
|
notes
|
| 717. |
06/07/70 |
Flac 16/48 - 0,
132325 |
San Francisco |
Fillmore West flac16/48kHz; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded In Venue By Bear on a Sony 770 Reel 2 Reel)- 1st Generation Cassettes (TDK SA-X 100's) Taped By Dick Latvala(Technics 1506 Reel 2 Reel-Tascam 122 MK111 Cassette Deck no dolby); Analog to Digital Transfer(Dick's Cassettes played back on Nakamichi Dragon- Sony PCM-R500 DAT @ 44.1KHz by Jim Wise circa 1997); DAT play back on a Sony PCM R-500-Analog out-Sony PCM R-700 Analog in @ 48KHz-Digital Audio Labs Carddeluxe-WAV @ 16/48kHz; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name)
|
notes
|
| 718. |
06/13/70 |
Shn - 0,
9079 |
Oahu |
Red Vest Complete; SBD MR> R> D> CD + AUD low-gen; patched by Hanno Bunjes, with thanks to Paul B. and Uli
|
notes
|
| 719. |
06/21/70 |
Shn - 0,
6160 |
Berkeley |
Pauley Ballroom, U. of California AUD C/3 > CD; extracted/ shortened by Hanno Buunjes, with thanks to Uli for the AUD tape; Hanno's notes
|
notes
|
| 720. |
06/21/70 |
Flac 16/48 - ,
154086 |
Berkeley |
Pauley Ballroom, U. of California flac1648; AUD said to have been recorded by Harry Ely > unknown transfer to WAV-1648 marked 2nd-Gen > Wavelab (small edits & speed adjust) > CD-Wave > TLH > FLAC 1648 tagged.
|
notes
|
| 721. |
06/24/70 |
Shn - 0,
9330 |
Port Chester |
Capitol Theater (Late) Late Show--Electric Set; center lodge, mics mounted on rails->120-min. Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect->EAC->Sound Forge->SHN; via Crazy Jimi; Seeded to etree by Harlan
|
notes
|
| 722. |
06/24/70 |
Flac 16 - 0,
124175 |
Port Chester |
Capitol Theater (Late) flac16; source: AUD Cassette Master taped by Jim Cooper; Hitachi mics > Hitachi trq-222 deck; Nakamichi Dragon > Benchmark ADC1 24/96 > pc > adobe audition 2.0 > cd wave > flac; transfer & mastering by Rob Berger
|
notes
|
| 723. |
06/24/70 |
Flac 16 - 0,
98880 |
Port Chester |
Capitol Theater (Late) flac16; Late Show partial source: aud reel lineage: aud>?>7" reel @ 3.75 ips, dolby b; transferred & seeded by Rob Berger; pitch correction by Moose
|
notes
|
| 724. |
06/24/70 |
Flac 16 - 0,
100223 |
Port Chester |
Capitol Theater (Late) flac16; Audience master > ?? > Reel(Mono, Scotch 7" reel @ 3&3/4ips) > Alesis Masterlink ML-9600 > CDR > EAC(secure, offset corrected) > Cool Edit Pro > TLH > FLAC16 Analog to Digital by Bill Gadsden, April 2009
|
notes
|
| 725. |
06/24/70 |
Shn - 0,
5339 |
Port Chester |
Capitol Theater (Late) late electric; Aud > cassette x 2 > CD, mics balcony center 15' spread; see extensive background notes; Usher tree shn branch
|
notes
|
| 726. |
06/24/70 |
Shn - 0,
32710 |
Port Chester |
Capitol Theater (Late) Audience tape recorded by J.Cooper: Hitachi trq-222 stereo casstte recoder using 2 hitachi mics and a 120 minute tape. Transferred by Coopernicus March 2006: Sony tcd5pro2>dbx223> Sonyrcdw500c MC>EQ>CDR>EAC>FLAC
|
notes
|
| 727. |
06/24/70 |
Shn - 0,
23062 |
Port Chester |
Capitol Theater (Late) early and late shows (see discussion in txt and pub comments); Sony TC124 with unknown Sony dynamic mics
|
notes
|
| 728. |
06/24/70 |
Shn - 0,
7467 |
Port Chester |
Capitol Theater (Late) late show, plus 7/10/70 mislabled as 6/24 early; reportedly AUD; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa
|
notes
|
| 729. |
06/24/70 |
Flac 16 - 0,
145261 |
Port Chester |
Capitol Theater (Late) flac16; Source: Sony F95's > Sony TC124 > Master Cassette - Recorded by Ken and Judy Lee; Transfer: The cassettes were baked, processed and transfered via Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 (CDR) by John Jay Hance; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 > CD Wave . Flac 16; edited and mastered SIRMick February 2019
|
notes
|
| 730. |
07/01/70 |
Shn - 0,
9624 |
Winnipeg |
Winnipeg Fairgrounds SBD>?>VHS>CD; assumed to be a portion taken from the raw video footage shot during the Trans Continental Pop Festival Tour across Canada by train; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman
|
notes
|
| 731. |
07/10/70 |
Shn - 0,
17351 |
New York |
Fillmore East AUD>MR>CD>EAC>SHN recorded by Marty Weinberg on an Uher 5 inch open reel deck encoding/edits by Jeff Cotsman
|
notes
|
| 732. |
07/11/70 |
Shn - 0,
9379 |
New York |
Fillmore East AUD>MC>C>C>D>CD; via Andrew Clarke; Seeded to etree by J. Cotsman
|
notes
|
| 733. |
07/12/70 |
Flac - 0,
108002 |
New York |
Fillmore East flac16; unknown audience recording; edited and mastered by Jamie Waddell; all transfers and work performed in the 24 bit realm Weiss-Saracon for 16 BIT 44.1kHz; SBE Free, Flac Level 8 with TLH, Meta Data with Tag & Rename
|
notes
|
| 734. |
07/12/70 |
Flac - 0,
130938 |
New York |
Fillmore East flac16; Combination of the two audience recordings shnid 9379 and shnid 122707; edits were limited to volume, speed, cross-fades at the beginning and end of patches, and such elimination or reduction of drops, static, clicks, and bumps as I could obtain without losing any music; see info files for details
|
notes
|
| 735. |
07/12/70 |
Shn - 0,
24663 |
New York |
Fillmore East source: aud > ??? > shn > wav > shn via SirMick
|
notes
|
| 736. |
07/12/70 |
Flac - 0,
108156 |
New York |
Fillmore East flac16; Marty Weinberg's 5" 1/4 track Master Audience Reel>HHb CDR-850>CDR>EAC>CDR>EAC>.WAV>TLH>.FLAC
|
notes
|
| 737. |
07/12/70 |
Flac - 0,
122707 |
New York |
Fillmore East flac16; Jim Cooper's Hitachi TRQ-222 Cassette recording > CDR > WAV > FLAC
|
notes
|
| 738. |
07/14/70 |
Shn - 0,
17815 |
San Rafael |
Euphoria Ballroom both sets; SBD> MR> C> D> CD> EAC> SHN; aud patch for Don't Ease; edits/encoding by JCotsman
|
notes
|
| 739. |
07/14/70 |
Shn - 0,
96628 |
San Rafael |
Euphoria Ballroom sbdmr> dat> cd> shn> cd> ?> shn; this source is possibly derived from source id 1030
|
notes
|
| 740. |
07/16/70 |
Shn - 0,
6485 |
San Rafael |
Euphoria Ballroom partial; Master Soundboard Reel > Cassette > Cassette > CDR; CD Mastering by Scott Clugston; to abgd
|
notes
|
| 741. |
07/16/70 |
Flac 16 - 0,
32551 |
San Rafael |
Euphoria Ballroom flac16; Recording Info: SBD -> Master Reel -> Cassette -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller
|
notes
|
| 742. |
07/16/70 |
Shn - 0,
32575 |
San Rafael |
Euphoria Ballroom Set 2; SBD>MR>?>C>CD>SHN
|
notes
|
| 743. |
07/16/70 |
Flac - 0,
140310 |
San Rafael |
Euphoria Ballroom flac16; Source: SBD > Master Reel > Cass > CDR; Lineage: CDR > Eac > wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick December 2017
|
notes
|
| 744. |
07/30/70 |
Shn - 0,
17077 |
San Anselmo |
Lion's Share SBD>??>CD>EAC>SHN via Chuck Gannon edits/encoding by Jeff Cotsman
|
notes
|
| 745. |
07/30/70 |
Flac 16 - 0,
114020 |
San Anselmo |
Lion's Share flac16; MR(Abrams)>R@ 7.5 ips.(Peter Kafer)>R @ 7.5 ips.(Will Boswell) > CD; Transfered and mastered by Matt Smith 5/11; cd > flac dbpoweramp cd ripper
|
notes
|
| 746. |
07/??/70 |
Flac 16 - 0,
106571 |
Unknown |
Festival Express Train flac16; Recording Info: Unknown Mics -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 747. |
08/05/70 |
Shn - 0,
17271 |
San Diego |
Golden Hall Community Concourse MSR > Reel > PCM > DAT > CDR > EAC > SHN via Andy Lemieux, encoding Joe Jupile
|
notes
|
| 748. |
08/05/70 |
Shn - 0,
4941 |
San Diego |
Golden Hall Community Concourse SBD> MR> PCM> D> CD> EAC> SHN; some normalization and editing with Soundforge; via thecore
|
notes
|
| 749. |
08/17/70 |
Shn - 0,
|
San Francisco |
Fillmore West Partial; 2+ songs & date is 'uncertain'; See info file for details; AUD>MC>D>CD; via Chuck Gannon; Seeded to etree by JCotsman
|
notes
|
| 750. |
08/18/70 |
Shn - 0,
1346 |
San Francisco |
Fillmore West AUD mC> Rx2> DAT> CDR; EAC and SHN'd by Ben Yerys from Jared Minkoff's seed; DAT>CD transfer by Miles Garret
|
notes
|
| 751. |
08/18/70 |
Flac 16 - 0,
141071 |
San Francisco |
Fillmore West flac16; AUD mC> Rx2> DAT> CDR; this new version has been pitch adjusted with the following ratios: acoustic set with a 'slight' sliding time scale/pitch shift of +0.123%; 2) electric set with a sliding time scale/pitch shift of +9.678%; (electric [lower volume level] set has also been amplified by +3.9%)
|
notes
|
| 752. |
08/18/70 |
Flac 24 - 0,
142417 |
San Francisco |
Fillmore West flac24; Unknown Audience Cassette > FLAC
|
notes
|
| 753. |
08/18/70 |
Flac 16/48 - 0,
142416 |
San Francisco |
Fillmore West flac16/48kHz; Unknown Audience Cassette > FLAC
|
notes
|
| 754. |
08/19/70 |
Shn - 0,
11797 |
San Francisco |
Fillmore West AUD>MC>R>PCM>D>CD; Missing several songs; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon & JCotsman
|
notes
|
| 755. |
08/19/70 |
Flac - 0,
81775 |
San Francisco |
Fillmore West flac16; Set 1: AUD>MC>D>FLAC>AIFF>FLAC Set 2: AUD>MC>R>PCM>D>CD>EAC>SHN>AIFF>FLAC
|
notes
|
| 756. |
08/19/70 |
Flac - 0,
81605 |
San Francisco |
Fillmore West flac16; Recording by Gene Taback: Master Audience Cassette; Sony TC-124 with Sony Stereo Mic Acoustic Set: Master Electric Set: 1st generation cassette Transfer and FLAC encoding by David Minches: Master/1st generation cassettes played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (96Mhz/24 bit)> HD Editing performed in Adobe Audition; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded
|
notes
|
| 757. |
08/30/70 |
Shn - 0,
12762 |
San Francisco |
KQED Studios Master FM Reel (Taped by Michael Parrish, Sony TC-366 Reel to Reel using "Concert" polyester tape) > 3 CD > HP 9350i extraction using EAC (v0.9 beta 4) > tracking using CD Wave (v1.6) > .shn encoding using mkwACT. Proper sector boundaries verified using .shntool. EAC > SHN by Joe Jupille, with thanks to Andy Lemieux for the source CDs.
|
notes
|
| 758. |
08/30/70 |
Shn - 0,
12750 |
San Francisco |
KQED Studios FM-> 7inch MR-> DAT-> CDR-> EAC-> SHN V.3; via D. Backus
|
notes
|
| 759. |
09/17/70 |
Shn - 0,
27591 |
New York |
Fillmore East remaster of shnid 16090, by SIRMick
|
notes
|
| 760. |
09/17/70 |
Shn - 0,
15090 |
New York |
Fillmore East mixed sources: MAC> R> C> CD recorded by Jack Toner, with a Sony TC-110 with built-in microphone; plus MAC> ?> C> R> CD and MAC> ?> C> R> R> CD, Unknown tapers/equipment; Source tapes from Dwight Holmes, Transfer to digital by David Minches, Patches and SHN encoding by Jack Warner
|
notes
|
| 761. |
09/17/70 |
Shn - 0,
15983 |
New York |
Fillmore East MAC> Reel> Cassette> DAT> CD> EAC> SHN; submitted by user seabass; note slightly different tracking from previous shn set
|
notes
|
| 762. |
09/17/70 |
Shn - 0,
33826 |
New York |
Fillmore East AKG190E>Uher 400L>Master Audience Reel>Reel>DAT>CDR>EAC(Secure Mode)>WAV>Soundforge (Speed Corrected)>FLAC Taped by Marty Weinberg A GEMS production -+-+- www.shnflac.net -+-+- March 2006
|
notes
|
| 763. |
09/17/70 |
Flac 16/44,1 - 0,
146027 |
New York |
Fillmore East flac16/44.1khz Matrix of Dark Star by Sirmick
|
notes
|
| 764. |
09/17/70 |
Flac 24/96 - 0,
145892 |
New York |
Fillmore East flac24; Partial Set 3 Source: AKG190E > Uher 400L >Master Audience Reel > ??? > Reel 3.75 ips (low gen) - Recorded by Marty Weinberg and provided by Don Wolfe; Transfer: Reel > Akai GX636 > Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > wav 24/96; Lineage: wav 24/96 >Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac24; edited and mastered SIRMick March 2019
|
notes
|
| 765. |
09/17/70 |
Flac 16 - 0,
145891 |
New York |
Fillmore East flac16; Partial Set 3 Source: AKG190E > Uher 400L > Master Audience Reel > ??? > Reel 3.75 ips (low gen) - Recorded by Marty Weinberg and provided by Don Wolfe; Transfer: Reel > Akai GX636 > Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > wav 24/96; Lineage: wav 24/96 >Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac16; edited and mastered SIRMick March 2019
|
notes
|
| 766. |
09/18/70 |
Flac - 0,
97525 |
New York |
Fillmore East flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> TLH(flac encoding) -> FLAC Circulated by Chuck Reynolds, February 13, 2009
|
notes
|
| 767. |
09/18/70 |
Shn - 0,
4670 |
New York |
Fillmore East SBD > MR > R > DAT > CDR > EAC (Secure, Test and Copy) > SHN; EAC, SHN extraction and etree seeding done by Gerald Gorinsky, from Paul Botiglio's CD
|
notes
|
| 768. |
09/18/70 |
Shn - 0,
17893 |
New York |
Fillmore East Soundboard (via Andy Lemieux) and Jack Toner audience tape (via Jack Warner) composite edited and encoded by Jeff Cotsman. Include NRPS, Dead Acoustic and Electric sets
|
notes
|
| 769. |
09/18/70 |
Shn - 0,
100 |
New York |
Fillmore East updated source info: ?> bootleg CD> CD; previously marked SBDMR > DAT > CD; partial; filler 2/2/70 Dark Star; brief reel glitch in Dancin' at 5:06; original seed via Morgan Evans (1997)- see his notes; etreed via G. Hamilton
|
notes
|
| 770. |
09/18/70 |
Flac - 0,
30882 |
New York |
Fillmore East flac16; source 1: sbd > mr > r > d > cd > eac > shn > wav > flac; source 2: aud > mc > ? > c > r > cd > eac> shn > wav > flac; remaster of the sources from shnid 17893; via SIRMick
|
notes
|
| 771. |
09/19/70 |
Flac 16 - 0,
31510 |
New York |
Fillmore East flac16; (disc 3 only) Sick Bits 14; matrix: SBD/AUD mix of 2 previously circulating sources (SBD: shnid=5217 & AUDs (composite): shnid=25473) edited, mixed and converted by Chris Chappell
|
notes
|
| 772. |
09/19/70 |
Flac 16 - 0,
97906 |
New York |
Fillmore East flac16; SBD -> Master Reel -> CD -> EAC(secure, offset corrected) -> CoolEdit Pro -> TLH -> FLAC16; Circulated by Chuck Reynolds
|
notes
|
| 773. |
09/19/70 |
Shn - 0,
5217 |
New York |
Fillmore East MSR > DAT > CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD; EAC> SHN by Seth Kaplan; more complete than previously etreed versions
|
notes
|
| 774. |
09/19/70 |
Shn - 0,
102 |
New York |
Fillmore East SBD > Reel(0) > DAT > Mac (via Lucid PCI24) > CD-R; DAT from "3 Decades of Dead" Tree CDR; Conversion by Tim Buller
|
notes
|
| 775. |
09/19/70 |
Shn - 0,
25473 |
New York |
Fillmore East Composite Audience Source (Master audience cassette Taped by Jack Toner, Sony TC-110 with built-in microphone and Master audience reel Taped by Marty Weinberg, AKG190E>Uher 400L) via Dwight Holmes and Dr. Michael Parrish. Patches and EAC > SHN by Jack Warner
|
notes
|
| 776. |
09/19/70 |
Flac 16 - 0,
119722 |
New York |
Fillmore East flac16; source: aud 1st gen reel; Jerry Moore's copy; lineage: aud reel master>reel @ 3.75 ips master taped by Marty Weinberg: akg d190e>Uher 4000L reel; technics rs-1506>hd-p2 24/96 compact flash > pc > cd wave >adobe audition 2.0 > flac; transferred & seeded by Rob Berger
|
notes
|
| 777. |
09/19/70 |
Flac 16/44 - ,
152705 |
New York |
Fillmore East flac1644 ; AUD fragment; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021
|
notes
|
| 778. |
09/20/70 |
Flac 16 - 0,
97364 |
New York |
Fillmore East flac16; MR > R Heavily Edited > R @ 71/2ips > CD * Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16
|
notes
|
| 779. |
09/20/70 |
Shn - 0,
1190 |
New York |
Fillmore East mixed sources (see info file for details, plus additional details in pub comments); seed assembled and distributed by Jim Wise; CD> EAC> SHN by Darrin Sacks; Darrin comments: "Has a fair amount of hiss and analog tape wear, but is the best we're probably ever going to hear, as this show isn't in the Vault."
|
notes
|
| 780. |
09/20/70 |
Shn - 0,
27583 |
New York |
Fillmore East This is a remaster of shn id 1190; hiss has been reduced, a number of clicks and pops have been removed and some other artifacts cleaned up, a number of volume adjustments have been made, final mastering using iZotope Ozone
|
notes
|
| 781. |
09/20/70 |
Flac 16 - 0,
81728 |
New York |
Fillmore East flac16; AUD MR>CD Marty Weinberg master 5" Uher open-reel. via Jack Warner, Hanno Bunjes
|
notes
|
| 782. |
09/20/70 |
Flac 16 - 0,
135798 |
New York |
Fillmore East flac16; This is a restored version of shind: 97364; MR > R (Buddy Miller) HEAVILY EDITED > R @ 71/2ips (Will Boswell) > CD; Transfer info: reel > AKAI GX625 > Apogee Mini Me (24/96) > Apogee Mini Dac (monitoring) > Wavelab 5.0 (dithered to 16/44) > CD > EAC > Wav > Flac16 Restoration completed with Diamond Cut Forensics 10.2.
|
notes
|
| 783. |
09/20/70 |
Flac 16 - 0,
136729 |
New York |
Fillmore East flac16; Set One: Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Set Two: DAT-> PANASONIC SV-3700-> TASCAM DA-30 (Spring 1996)-> DAT-> Panasonic SV-3800-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> Adobe Audition 3.0.1; Wavelab 7.1 mastering by Jamie Waddell; Track, FLAC and Pack by John Wenzel; a project **GEMS**
|
notes
|
| 784. |
09/20/70 |
Flac 16 - 0,
140660 |
New York |
Fillmore East flac16; Source Info: Master Soundboard Reels (borrowed by Peter Kafer) > Will Boswell's reel @ 7 1/2 ips; Transfer Info: Reel (Technics RS1506) > Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
|
notes
|
| 785. |
09/20/70 |
Flac 24 - 0,
140665 |
New York |
Fillmore East flac24; Source Info: Master Soundboard Reels (borrowed by Peter Kafer) > Will Boswell's reel @ 7 1/2 ips; Transfer Info: Reel (Technics RS1506) > Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
|
notes
|
| 786. |
10/04/70 |
Shn - 0,
19985 |
San Francisco |
Winterland Arena SBD> FM> MR> R> R> DAT> WAV> SHN; R>SHN; Conversion By Cousinit, seeded to abgd
|
notes
|
| 787. |
10/04/70 |
Shn - 0,
28363 |
San Francisco |
Winterland Arena KSAN-FM Master Reel> Barry Glassberg's 1st gen Reel (Dolby B Decoded)> PCM> CDR> EAC> CoolEdit2000 (see notes)> SHN; EAC> seekable SHN by D.Winters, with thanks to Harvey Lubar, Tony Cortazzo, Chuckles
|
notes
|
| 788. |
10/04/70 |
Shn - 0,
4942 |
San Francisco |
Winterland Arena SBD FM> MR> R> ?> CD> SHN; via thecore; see info file for flaw notes
|
notes
|
| 789. |
10/04/70 |
Flac 16 - 0,
145828 |
San Francisco |
Winterland Arena flac16; Source: KSAN-FM > Reel Master > Barry Glassberg's 1st Gen 1/4 tr Reel > PCM > CD > Wav - Received from an anonymous benefactor; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick March 2019
|
notes
|
| 790. |
10/10/70 |
Shn - 0,
7590 |
Flushing |
Colden Auditorium - Queens College AUD, from low (< 5th) generation tape; via Hanno Bunjes, with thanks to Ulie Teute; Hanno's notes
|
notes
|
| 791. |
10/10/70 |
Flac 16/48 - 0,
144636 |
Flushing |
Colden Auditorium - Queens College flac16/48kHz; Source: Sony F95's > Sony TC124s > Master Cassette (Ampex 361) > Cassette (Maxell XL2S) > DAT(48k) - Recorded by Ken and Judy Lee; Transfer: DAT > Sony PCM-M1 > Edirol HR09 > Wave > 24/88.2 - Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3 > iZotope RX7 Advanced > wav 16/48 > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick January 2019
|
notes
|
| 792. |
10/11/70 |
Shn - 0,
9500 |
Wayne |
Marion Shea Aud., Paterson State Col. AUD>MC>?>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman
|
notes
|
| 793. |
10/17/70 |
Flac - 0,
119329 |
Cleveland |
Cleveland Music Hall flac16;Recording Info:Unknown Mic -> Cassette Master (Mono); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 794. |
10/23/70 |
Flac - 0,
85071 |
Washington |
McDonough Arena, Georgetown U. flac16; Source: Audience Media: Mallory Duratape C-60 Lineage: AUD > Sony TC-124 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Marantz PMD671 > WAV Taped by: Cary Wolfson Transfer by: D. McCabe Mastering by: D. McCabe
|
notes
|
| 795. |
10/23/70 |
Shn - 0,
15080 |
Washington |
McDonough Arena, Georgetown U. Source: AUD-MCass>DAT>DAT>CDR DAT speed-corrected by David Gans. Various glitches edited out by CW posted to abgd 11/2002. SBE's on all tracks except d2t03
|
notes
|
| 796. |
10/23/70 |
Shn - 0,
12227 |
Washington |
McDonough Arena, Georgetown U. includes NRPS; source (a guess?): AUD Taper: Cary Wolfson, Sony TC124 with a 1 point stereo mic 15 feet back from stage > MC > C > DAT > ??? > CD > EAC > shn; seeded by Sketchy; shn info submitted by user jamballyho
|
notes
|
| 797. |
10/24/70 |
Flac 16 - 0,
31948 |
St. Louis |
Kiel Opera House flac16; SBDMR->R->R->DAT->DAT->ZA2->DartPro32 NR (weight .03/ V.L. smoothing/ Normal frame size /Large freq. carving /V.L. overlay)-> CD "via D. Hollister, J. Ayers" pitch correction using SoundEdit 16 on the Macintosh platform by Bob Bihlmayer (howlin_bob@hotmail.com) 7/16/05: SHN->xACT->AIFF->SoundEdit16->FLAC
|
notes
|
| 798. |
10/24/70 |
Shn - 0,
103 |
St. Louis |
Kiel Opera House S:MReel> Reelx2> DATx2> ZA2> DartPro32 NR (weight .03/ V.L. smoothing/ Normal frame size /Large freq. carving /V.L. overlay)> CD; cut at beginning of NFA (reel flip?); via D. Hollister, J. Ayers; w/ 12/31/70 filler; 12/31/70 filler
|
notes
|
| 799. |
10/24/70 |
Flac 16 - 0,
140923 |
St. Louis |
Kiel Opera House flac16; Recording: SBD > Master Reel > Reel > (7.5ips) > PCM (Sony HG tape); Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
|
notes
|
| 800. |
10/24/70 |
Flac 24/96 - 0,
141429 |
St. Louis |
Kiel Opera House flac24; Source: Unknown mono soundboard (low gen) - provided by Will Boswell; Transfer: low gen Reel > Technics RS-1506 > Apogee Mini Me > Mini DAC > WaveLab 5 > .wav 24-bit/96k; edited and mastered SIRMick
|
notes
|
| 801. |
10/24/70 |
Flac 16 - 0,
144903 |
St. Louis |
Kiel Opera House flac16; Source: Unknown mono soundboard (low gen) - provided by Will Boswell; Transfer: low gen Reel > Technics RS-1506 > Apogee Mini Me > Mini DAC > WaveLab 5 > .wav 24-bit/96k; edited and mastered SIRMick; This file set is 16 bit @ 44.1
|
notes
|
| 802. |
10/30/70 |
Flac 16 - 0,
121126 |
Stony Brook |
Gym, SUNY (Early Show) flac16; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Dat supplied By Dan De Luca; Transferred By Digitalrbb; Mastered By Charlie Miller; the original files had a flaw in s3t01 which was later fixed (2012/09/06)
|
notes
|
| 803. |
10/30/70 |
Flac 16/48 - 0,
121125 |
Stony Brook |
Gym, SUNY (Early Show) flac16/48kHz; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/48k; Dat supplied By Dan De Luca; Transferred By Digitalrbb; Mastered By Charlie Miller; the original files had a flaw in s3t01 which was later fixed (2012/09/06)
|
notes
|
| 804. |
10/30/70 |
Shn - 0,
20044 |
Stony Brook |
Gym, SUNY (Late Show) SBD>MR>PCM>D>CD>EAC>SHN; complete early/late shows via Jeff Cotsman
|
notes
|
| 805. |
10/30/70 |
Shn - 0,
29190 |
Stony Brook |
Gym, SUNY (Late Show) Late Show: MSR>C>DAT>WAV>SHN Circulated via alt.binaries.gdead usenet group in 4/2003 Going through old discs I realized that this was missing an md5. I added the md5 I had for this txt file. Darryl Hinko 3/4/09
|
notes
|
| 806. |
10/30/70 |
Shn - 0,
17359 |
Stony Brook |
Gym, SUNY (Early Show) Early Show: MSR>C>DAT>WAV>SHN via Cousinit (Cassette Source recorded directly from Master Reels)
|
notes
|
| 807. |
10/30/70 |
Shn - 0,
7466 |
Stony Brook |
Gym, SUNY (Early Show) early show; SDB> MR> PCM> CD; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa
|
notes
|
| 808. |
10/30/70 |
Flac 16/44 - ,
152644 |
Stony Brook |
Gym, SUNY (Late Show) flac1644; 1-song only; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021
|
notes
|
| 809. |
10/30/70 |
Flac 24/96 - ,
153005 |
Stony Brook |
Gym, SUNY (Early Show) flac24/96 Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 edited and mastered SIRMick August 2021
|
notes
|
| 810. |
10/30/70 |
Flac 16/44 - ,
153005 |
Stony Brook |
Gym, SUNY (Early Show) flac16/44 Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick August 2021
|
notes
|
| 811. |
10/30/70 |
Flac 24/96 - ,
153006 |
Stony Brook |
Gym, SUNY (Early Show) flac24/96 Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 edited and mastered SIRMick August 2021
|
notes
|
| 812. |
10/30/70 |
Flac 16/44 - ,
153005 |
Stony Brook |
Gym, SUNY (Early Show) flac16/44 Source: SBD > Gordon Healy's Master Reel 1st transfer: Master Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick August 2021
|
notes
|
| 813. |
10/31/70 |
Flac 16 44,1khz - 0,
122043 |
Stony Brook |
Gym, S.U.N.Y. (Early) flac16; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/44.1k; Transferred By Digitalrbb; Mastered By Charlie Miller
|
notes
|
| 814. |
10/31/70 |
Flac 16/48 - 0,
122042 |
Stony Brook |
Gym, S.U.N.Y. (Early) flac16/48kHz; Recording Info: SBD -> Master Reel (7inch @7.5ips 1/2trk) -> Dat (Denon DTR 2000/48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak Pro 7 -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/48k; Transferred By Digitalrbb; Mastered By Charlie Miller
|
notes
|
| 815. |
10/31/70 |
Shn - 0,
16902 |
Stony Brook |
Gym, S.U.N.Y. (Late) Late Show, includes NRPS set; MSR> C> DAT> WAV> SHN; Cassette Source recorded directly from Master Reels; C>SHN Conversion by Cousinit; note parens in filenames
|
notes
|
| 816. |
10/31/70 |
Shn - 0,
29192 |
Stony Brook |
Gym, S.U.N.Y. (Late) Early Show: MSR>C>DAT>WAV>SHN Circulated via alt.binaries.gdead usenet group in 4/2003 Going through old discs I realized that this was missing an md5. I added the md5 I had for this txt file. Darryl Hinko 3/4/09
|
notes
|
| 817. |
10/31/70 |
Shn - 0,
6917 |
Stony Brook |
Gym, S.U.N.Y. (Early) early electric; SBD > Reel > DAT; Transfer: D7 > Coresound > Prodif Plus > Samplitude 5.5 > CDwav > SHN, by Mike Fischer
|
notes
|
| 818. |
10/31/70 |
Flac - 0,
33566 |
Stony Brook |
Gym, S.U.N.Y. (Late) SOURCE INFO: Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180 min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR and/or EQ processes were performed, using between 95% and 100% analog realm outboard equipment, at Serafin Station Studio A or B; released between 03/94 and 12/96 TRANSFER INFO: Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC Note: Appeared on bt.etree.org ~ 4/1/2006
|
notes
|
| 819. |
10/31/70 |
Flac 24/96 - ,
153060 |
Stony Brook |
Gym, S.U.N.Y. (Early) flac24/96 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) > Gordon Healy's Reel 1st transfer: Gordon Healy's Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > flac24 edited and mastered SIRMick August 2021
|
notes
|
| 820. |
10/31/70 |
Flac 16/44 - ,
153059 |
Stony Brook |
Gym, S.U.N.Y. (Early) flac16/44 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) > Gordon Healy's Reel 1st transfer: Gordon Healy's Reel > TEAC A 2300SD > Jimmy Warburton's Reel (1st gen) - transferred by Jimmy Warburton 2nd transfer: 1st Gen Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick August 2021
|
notes
|
| 821. |
10/31/70 |
Flac 24/96 - ,
153146 |
Stony Brook |
Gym, S.U.N.Y. (Late) flac24/96 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) Transfer: Master Reel > Kenny Mance’s Revox 77A > Korg MR1000 > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 Edited and mastered SIRMick August 2021
|
notes
|
| 822. |
10/31/70 |
Flac 16/44 - ,
153145 |
Stony Brook |
Gym, S.U.N.Y. (Late) flac16/44 Source: SBD > WUSB-FM 90.1 Master Reel (1/2 track 10” 7.5 ips) Transfer: Master Reel > Kenny Mance’s Revox 77A > Korg MR1000 > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16
|
notes
|
| 823. |
11/05/70 |
Shn - 0,
30115 |
Port Chester |
Capitol Theater D1T1 through D2T2: MAC>C>D>CD>EAC>SHN>WAV>FLAC D2T3 through D2T5: MAC>?>C>D>CD>EAC>SHN>WAV>FLAC Recorded by Ken Leigh with a Sony TC-110 with built-in microphone, from center loge. This is remaster of shnid 17182 I decided to track it a little differently to the original seed
|
notes
|
| 824. |
11/05/70 |
Shn - 0,
17182 |
Port Chester |
Capitol Theater Mastered and encoded by Jack Warner. Recorded by Ken Leigh with a Sony TC-110 with built-in microphone, from center loge. D1T1 through D2T2: MAC>C>D>CD>EAC>SHN. D2T3 through D2T5: MAC>?>C>D>CD>EAC>SHN
|
notes
|
| 825. |
11/05/70 |
Shn - 0,
9356 |
Port Chester |
Capitol Theater Electric Set; center lodge, mics mounted on rails->Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect; via Crazy Jimi; Seeded to etree by Harlan
|
notes
|
| 826. |
11/06/70 |
Shn - 0,
17183 |
Port Chester |
Capitol Theater Complete with NRPS sets mastered and encoded by Jack Warner. Acoustic set through 1:50 of El Paso, entire electric set is MAC>C>D>CD>EAC>SHN, from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in microphone. *Uncle John's Band and NRPS set is MAC>C>R>D>CD>EAC>SHN, from Ken Leigh's master. *From 1:50 of El Paso through 0:03 of Uncle John's Band is MAC>R>D>CD>EAC>SHN, from Dave Tamarkin's master, recorded from the floor with a Sony Dictaphone
|
notes
|
| 827. |
11/06/70 |
Shn - 0,
19922 |
Port Chester |
Capitol Theater disc 3 of previous seed (17183) patched to include Marty Weinberg's audience recording (MAR > CD), via Hanno Bunjes
|
notes
|
| 828. |
11/06/70 |
Shn - 0,
3338 |
Port Chester |
Capitol Theater see info file; 5/00 to abgd via Teddy Goodbear, Doug Johnson; 3/01 to etree via Morgan Evans, Rick Lepley lepleyr@hotmail.com; note in absence of md5s for 5/00 set, not sure whether there are 2 different shn sets or not; note 3/01 discs labelled as 1,3,4 (d2 reportedly NRPS?)
|
notes
|
| 829. |
11/06/70 |
Flac 16 - 0,
119818 |
Port Chester |
Capitol Theater flac16; partial: aud reel master > reel, Jerry Moore's copy of Marty Weinberg's master; lineage: aud > akg d190e > uher 4000L mar > 7" reel @ 3.75 ips, dolby b; technics rs-1506 > teac an-180/b > hd-p2 24/96 compact flash > pc > cd wave >adobe audition 2.0 > flac; transferred/seeded by Rob Berger
|
notes
|
| 830. |
11/07/70 |
Flac 16 - 0,
98264 |
Port Chester |
Capitol Theater flac16; source: aud 1st gen 7" reel @ 3.75 ips, dolby b mastered on uher reel w/akg d190e mics taped by Marty Weinberg lineage: aud reel master>reel technics rs-1506>sony nr-335>hd-p2 24/48> cd wave>adobe 2.0 16/44>flac tranferred & seeded by Rob Berger
|
notes
|
| 831. |
11/07/70 |
Shn - 0,
10306 |
Port Chester |
Capitol Theater Mixed audience sources; See info file for details; Including NRPS set; via Ken Leigh, Jack Toner, Marty Weinberg; Seeded to etree by Jack Warner
|
notes
|
| 832. |
11/07/70 |
Flac 16 - 0,
134083 |
Port Chester |
Capitol Theater flac16; source: aud reel master; taped by Marty Weinberg; akg d190e > uher 4000L; transferred by Michael Parish; seeded by Rob Berger
|
notes
|
| 833. |
11/07/70 |
Flac 16 - 0,
100330 |
Port Chester |
Capitol Theater flac16; source: aud 1st gen reel master taped by Jack Toner; lineage: mac>7" reel@ 7.5 ips, no nr technics rs-1506>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger
|
notes
|
| 834. |
11/07/70 |
Flac 24 - 0,
98263 |
Port Chester |
Capitol Theater flac24; source: aud 1st gen 7" reel @ 3.75 ips, dolby b mastered on uher reel w/akg d190e mics taped by Marty Weinberg lineage: aud reel master>reel technics rs-1506>sony nr-335>hd-p2 24/48> cd wave>flac tranferred & seeded by Rob Berger
|
notes
|
| 835. |
11/08/70 |
Shn - 0,
26975 |
Port Chester |
Capitol Theater The Port Chester Resurrection Project #7 Taped by Ken and Judy Lee. See txt file for details.
|
notes
|
| 836. |
11/08/70 |
Flac 16 - 0,
94500 |
Port Chester |
Capitol Theater flac16; Partial Electric Set Remaster/repitch of the AudMC > DAT > CD > EAC > SHN source (source ID 28609) using Adobe Audition
|
notes
|
| 837. |
11/08/70 |
Shn - 0,
28609 |
Port Chester |
Capitol Theater AudMC > DAT > CD > EAC > SHN Note: This is a patched fix for the most recent upgrade of this show, put into circulation by The Port Chester Resurrection Project (http://db.etree.org/shninfo_detail.php?shnid=26975). Added to etree by Noah Weiner
|
notes
|
| 838. |
11/08/70 |
Shn - 0,
23474 |
Port Chester |
Capitol Theater THE OWEN BROTHERS VAULT ; (AUD:Various sources ); Editing and Mastering by The Wizard ; Please see txt for details. 04/14/2004
|
notes
|
| 839. |
11/08/70 |
Shn - 0,
18639 |
Port Chester |
Capitol Theater Source: MAR>C>D>WAV>SHN; MAR source seems to be from Marty Weinberg's master, recorded from the floor, AKG 190E mic > Uher 4000 Report-L 5" reel machine; C>SHN Conversion by Cousinit; includes some tracks from the Jack Warner shn set.
|
notes
|
| 840. |
11/08/70 |
Shn - 0,
17184 |
Port Chester |
Capitol Theater Multiple audience sources mastered by Jack Warner (see info file for details) including MAR>C>D>CD>EAC>SHN, from Marty Weinberg's master, recorded from the floor, AKG 190E mic > Uher 4000 Report-L 5" reel machine; MAC>C>D>CD>EAC>SHN, MAC>C>R>D>CD>EAC>SHN and MAC>C2>D>CD>EAC>SHN from Ken Leigh's master, recorded from the center loge with a Sony TC-110 cassette deck with built-in mic; and an unknown third master.
|
notes
|
| 841. |
11/08/70 |
Flac 16 - 0,
125659 |
Port Chester |
Capitol Theater flac16; source: aud reel master taped by Marty Weinberg; akg d190e > uher 4000L; transferred by Michael Parish; the following were used as patch sources: Jerry Moore's 1st gen reel of Marty's mar and Ken Lee's aud cassette master; assembled by Rob Berger
|
notes
|
| 842. |
11/08/70 |
Flac 16 - 0,
119787 |
Port Chester |
Capitol Theater flac16; aud 1st gen reel, Jery Moore's reel copy of Marty Weinberg's reel; lineage: mar > 7" reel @ 3.75 ips, dolby b; master: akg d190e > uher 4000L 5" open reel deck taped by Marty Weinberg technics rs-1506 > teac an-180/b > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 > flac; transferred & seeded by Rob Berger april 2012
|
notes
|
| 843. |
11/08/70 |
Shn - 0,
3339 |
Port Chester |
Capitol Theater mixed sources (see info file); DAT>CD conversion, Miles Garrett; CD> SHN, Morgan Evans; via Rick Lepley lepleyr@hotmail.com; note in absence of md5s for previous listing, not sure if there are 2 different shn sets
|
notes
|
| 844. |
11/08/70 |
Flac 24/96 - ,
154243 |
Port Chester |
Capitol Theater flac24/96 Source: AKG 190E mic > Uher 4000 Report-L > Master Reels - recorded by Marty Weinberg and from the collection of Steve Martin Transfer Master Reels > Akai GX625 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 edited and mastered SIRMick November 2021
|
notes
|
| 845. |
11/09/70 |
Shn - 0,
7591 |
Island Park |
Action House AUD low gen; via Hanno Bunjes, with thanks to Uli Teute; pitch corrected up 3%; Hanno's notes
|
notes
|
| 846. |
11/10/70 |
Shn - 0,
17032 |
Island Park |
Action House AUD>MR>?>CD>EAC>SHN (most of NFA from Weinberg source). AUD>?>C>CD>EAC>SHN (two other aud sources that provide the patch in NFA and all of The Other One); see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman
|
notes
|
| 847. |
11/10/70 |
Shn - 0,
8837 |
Island Park |
Action House partial; AUD; see notes in info file; via Hanno Bunjes; with thanks to Uli and Jack Warner
|
notes
|
| 848. |
11/11/70 |
Shn - 0,
17081 |
Brooklyn |
46th Street Rock Palace AUD>MC>C>C>C>C>D>CD>EAC>SHN; See info file for quality notes; via Chuck Kiefe encoding and edits by Jeff Cotsman
|
notes
|
| 849. |
11/11/70 |
Flac 16 - 0,
31154 |
Brooklyn |
46th Street Rock Palace flac16; aud > mc > cass (4 gens) > d > cd > eac > shn > wav > flac; remaster of shnid 17081; via SIRMick
|
notes
|
| 850. |
11/16/70 |
Shn - 0,
17361 |
New York |
Fillmore East SBD:MR>Revox deck (model unknown): 10" ? track Reel @ 7.5ips > Revox B77 playback deck > Alesis Masterlink ML9600 > CD > EAC > Cool Edit 2000 > SHN. A>D by Bill Gadsden. encoding Dave Winters. (Note: Other shn sets assign this music to 11/23/70).
|
notes
|
| 851. |
11/16/70 |
Flac 16 - 0,
112897 |
New York |
Fillmore East flac16; SBD > RR > ? > ? > Cassette; Transfer Info: Nak MR2 Deck > Cassette > WAV >Soundforge > FLAC
|
notes
|
| 852. |
11/16/70 |
Shn - 0,
4734 |
New York |
Fillmore East SBDMR> DAT> CD-r> EAC> SHN; fits on 1x80; retracked and seeded by Mike Lai; reportedly chopped up, as are previous seeds
|
notes
|
| 853. |
11/16/70 |
Flac 16 - 0,
135717 |
New York |
Fillmore East flac16; Partial; Lineage: aud>?>Rich>nak>nak dolby C> XLII C90, from Rich Petlock; Transfer: Dragon dolby C>UA55>usb> Audacity>TLH>flac16
|
notes
|
| 854. |
11/20/70 |
Shn - 0,
9001 |
Rochester |
The Palestra, U. of Rochester AUD (Marty Wienberg)> MR> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Jeff Cook
|
notes
|
| 855. |
11/21/70 |
Shn - 0,
17033 |
Boston |
Sargent Gym, Boston University SBD>?>C>CD>EAC>SHN; see info file for details; seeded to etree via D Litfin; edits/encoding by JCotsman
|
notes
|
| 856. |
11/21/70 |
Shn - 0,
14858 |
Boston |
Sargent Gym, Boston University Partial; SBD C/?; See info file for detail; From Uli Teute & Hanno Bunjes
|
notes
|
| 857. |
11/29/70 |
Shn - 0,
7592 |
Columbus |
Club Agora AUD low gen; a few cuts; via Hanno Bunjes with thanks to Uli Teute; pitch corrected; Hanno's notes
|
notes
|
| 858. |
11/??/70 |
Flac 16 - 0,
136653 |
New York |
Unknown flac16; Master Reel>CD>FLAC; Taped by Marty Weinberg, Transferred by Michael Parrish
|
notes
|
| 859. |
12/12/70 |
Flac & Shn - 0,
5985 |
Santa Rosa |
Santa Rosa Fairgrounds Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; see info file for deadlist.com notes
|
notes
|
| 860. |
12/12/70 |
Flac 16/44 - 0,
151894 |
Santa Rosa |
Santa Rosa Fairgrounds flac1644; partial; Gene Taback's Master Audience Cassette (Sony TC-124 with Sony Stereo Mic); Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard> HD. Editing performed in Adobe Audition; Flac Encoded
|
notes
|
| 861. |
12/17/70 |
Flac 16 - 0,
87356 |
San Francisco |
Winterland flac16; SBD > Master Reel > Master Cassette? > Cassette > CoolEdit > Flac
|
notes
|
| 862. |
12/23/70 |
Flac 16 - 0,
31608 |
San Francisco |
Winterland Arena flac16; Source: SBD > Master Reel? > Master Cassette > Cassette > CoolEdit > Flac
|
notes
|
| 863. |
12/23/70 |
Shn - 0,
10376 |
San Francisco |
Winterland Arena Partial; SBD>MR>R>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 864. |
12/23/70 |
Flac 16 - 0,
132343 |
San Francisco |
Winterland Arena flac16; Recording Info: (d1t01 - d1t06) SBD -> Master Reel -> CD -> FLAC; (d1t07 - d1t11) SBD -> Master Reel -> Cassette -> Cassette -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 865. |
12/26/70 |
Shn - 0,
22369 |
El Monte |
Legion Stadium Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Patch Info: SBD -> Master Reel -> ? -> Dat -> SHN Edited and Patched By Charlie Miller
|
notes
|
| 866. |
12/26/70 |
Shn - 0,
14124 |
El Monte |
Legion Stadium SBD> ?? (maybe 2 reel gens)> PCM> WAV> CDR> EAC> SHN; Transfer: SPDIF> SEK'D Prodif96Pro, Speed corrected via Samplitude
|
notes
|
| 867. |
12/26/70 |
Shn - 0,
7465 |
El Monte |
Legion Stadium sdb> R> pcm> cd; via Mike Lai to etree and furthur; with thanks to Wayne Gucwa
|
notes
|
| 868. |
12/26/70 |
Flac 16 - 0,
34031 |
El Monte |
Legion Stadium flac16; SBD > MR > CASS > DAT > CDA > WAV(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); remaster of shn id 22369
|
notes
|
| 869. |
12/27/70 |
Shn - 0,
23530 |
El Monte |
Legion Stadium SBD -> Master Reel (7inch Master Reels@7.5ips 1/2trk) -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited By Charlie Miller
|
notes
|
| 870. |
12/27/70 |
Shn - 0,
6016 |
El Monte |
Legion Stadium MSR> C> D> CD; via Steve Barbella with thanks to Seth Kaplan
|
notes
|
| 871. |
12/28/70 |
Shn - 0,
22313 |
El Monte |
Legion Stadium SBD> Master Reel> Cassette> Dat> CD> EAC> Samplitude v7.02 Professional> SHN, Patched with Sony ECM-22> Rm> Dat> CD; All Editing Done By Charlie Mille
|
notes
|
| 872. |
12/28/70 |
Flac 16 Mtx - 0,
87294 |
El Monte |
Legion Stadium flac16; Matrix 2 Source Mix - SBD (shn id 22313) SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN + AUD (shn id 17706) MR > DAT > CD - matrix mixing by Kevin Tobin
|
notes
|
| 873. |
12/28/70 |
Flac Dts 5.1 - 0,
87301 |
El Monte |
Legion Stadium DTS Audio 5.1; SBD (shn id 22313) SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN + AUD (shn id 17706) MR > DAT > CD - dts mixing by Kevin Tobin
|
notes
|
| 874. |
12/28/70 |
Shn - 0,
17706 |
El Monte |
Legion Stadium AUD : MR > DAT > CD via Alan Fink
|
notes
|
| 875. |
12/28/70 |
Flac 16 - 0,
87365 |
El Monte |
Legion Stadium flac16; AUD : MR > Reel > DAT > CD original via Alan Fink - patched and speed correction by Kevin Tobin
|
notes
|
| 876. |
12/31/70 |
Shn - 0,
7283 |
San Francisco |
Winterland Arena Complete; Mixed Sources; FMS (KSAN)> ??> Cass> DAT> CDR; SBD MR> Cass> DAT> CDR (Pre-FM GDH)
|
notes
|
| 877. |
12/31/70 |
Shn - 0,
106 |
San Francisco |
Winterland Arena partial; S:MReel> DAT> Satellite Feed> DAT> ZA2> SoundForge NR (removed hum)> DartPro32 de-hissed (gain 3.0)> CD; filler on 10/24/70
|
notes
|
| 878. |
12/31/70 |
Shn - 0,
6171 |
San Francisco |
Winterland Arena (aftershow) "aftershow" and promos; sbd> ?reel?> dat> cd> EAC > CDWav (split)> shn V3; EAC>SHN by Brian Cole, from Jim Oade seed
|
notes
|
| 879. |
12/31/70 |
Flac 16 - 0,
101530 |
San Francisco |
Winterland Arena flac16; Partial Show, source: sony ecm-22p's>sony tc-770 reel @ 7.5 ips; lineage: aud reel master>7" reel @ 7.5 ips technics rs-1506>hd-p2 24/96>hd>cd wave>adobe 16/44>flac; transferred & seeded by Rob Berger 9/24/09
|
notes
|
| 880. |
12/??/70 |
Shn - 0,
34788 |
Unknown |
Radio Unknown source.
|
notes
|
| 881. |
??/??/70 |
Flac 16 - 0,
91324 |
San Francisco |
Pacific High Recording Studio flac16; studio sessions transfer and mastering by matt smith soundboard > master reel > Kidd Candelario dub > will boswell 7 1/2 ips reel > Apogee 24/96 (dithered to 16/44 via Wavelab 5.0) > CD
|
notes
|
| 882. |
??/??/70 |
Shn - 0,
7319 |
San Francisco |
Pacific High Recording Studio studio MR> ?> C> SF> CDR; includes repeat of some material with EQ, Dolby A
|
notes
|
| 883. |
??/??/70 |
Flac 16 - ,
154490 |
Unknown |
Unknown flac16 Source: Restoration of SHNID 017271 Thanks to Joe Jupille and Andy Lemiuex for the original source Transfer: MSR > Reel > PCM > DAT > CDR > EAC > SHN
|
notes
|
| 884. |
01/21/71 |
Flac 16 - 0,
131517 |
Davis |
Freeborn Hall, University of California flac16; Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller
|
notes
|
| 885. |
01/21/71 |
Flac 24/96 - 0,
131516 |
Davis |
Freeborn Hall, University of California flac24; Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller
|
notes
|
| 886. |
01/21/71 |
Flac 24/96 - ,
153417 |
Davis |
Freeborn Hall, University of California flac24/96 Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 887. |
01/21/71 |
Flac 16/48 - ,
153406 |
Davis |
Freeborn Hall, University of California flac16/48 Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 888. |
01/21/71 |
Flac 16/48 - ,
153472 |
Davis |
Freeborn Hall, University of California flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 153406) Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 + AUD (shnid = 131517) Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller - surround mixing by Kevin Tobin
|
notes
|
| 889. |
01/21/71 |
Dts Audio 5.1 - ,
153471 |
Davis |
Freeborn Hall, University of California DTS-Audio-CD 5.1 Mix; - SBD (shnid = 153406) Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 + AUD (shnid = 131517) Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller - dts mixing by Kevin Tobin
|
notes
|
| 890. |
01/21/71 |
Flac 16 Mtx - ,
153470 |
Davis |
Freeborn Hall, University of California flac16; Matrix 2 Source Mix - SBD (shnid = 153406) Source Info: Master Soundboard 1/2 Track Reels > Steve Martin's cassette Transfer Info: 1st generation cassette (Nakamichi DR-10) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496 + AUD (shnid = 131517) Recording Info: AUD (Unknown Gear) -> ? -> Reel (Maxell UD 35-90 @ 3.75ips); Transfer Info: Reel (Akai GX636) -> Apogee Mini-Me (24bit/96k) -> Apogee Mini-DAC -> Wavelab v5 -> FLAC/24; Mastering Info: FLAC/24 -> Adobe Audition CS5.5 -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller - matrix mixing by Kevin Tobin
|
notes
|
| 891. |
01/22/71 |
Shn - 0,
12592 |
Eugene |
Lane Community College SBD> (unknown analog gens)> C> CD> EAC> SHN; Walter Schnell analog-> CD conversion; shn encoding Jeff Cotsman
|
notes
|
| 892. |
01/24/71 |
Shn - 0,
6347 |
Seattle |
Seattle Center Arena SBD> MR> C> DAT> CDR; Truckin? is missing the opening notes, Good Lovin? reprise cuts at 0:24; via Mike Lai with thanks to Paul B.
|
notes
|
| 893. |
01/24/71 |
Flac 16 - 0,
150274 |
Seattle |
Seattle Center Arena flac16; Recording Info: SBD > Master Reel > Cassette > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitide Pro X5 Suite > FLAC
|
notes
|
| 894. |
02/18/71 |
Flac 16 - 0,
111793 |
Port Chester |
Capitol Theater flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 895. |
02/18/71 |
Flac 16 - 0,
85478 |
Port Chester |
Capitol Theater flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
|
notes
|
| 896. |
02/18/71 |
Flac 16 - 0,
132101 |
Port Chester |
Capitol Theater flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
|
notes
|
| 897. |
02/18/71 |
Shn - 0,
107 |
Port Chester |
Capitol Theater SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
|
notes
|
| 898. |
02/18/71 |
Shn - 0,
6672 |
Port Chester |
Capitol Theater direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
|
notes
|
| 899. |
02/18/71 |
Flac 16 - 0,
132136 |
Port Chester |
Capitol Theater flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
|
notes
|
| 900. |
02/18/71 |
Flac 16 - 0,
123539 |
Port Chester |
Capitol Theater flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
|
notes
|
| 901. |
02/18/71 |
Flac 16 - 0,
123881 |
Port Chester |
Capitol Theater flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
|
notes
|
| 902. |
02/18/71 |
Flac 16/48 - 0,
143183 |
Port Chester |
Capitol Theater flac16/48kHz; SBD Master Reels>Dat>Clone directly to me via snail mail>file cloned into Microtrack using Tascam Dat deck>Goldwave tracking and removal on one glitch (reel change)>TLH8
|
notes
|
| 903. |
02/18/71 |
Flac 24/96 - 0,
148239 |
Port Chester |
Capitol Theater flac24; Source Info: Source A: Master Audience Cassettes; unknown taper, unknown equipment > 1st generation reels; Source B: Master Audience Cassette; unknown taper, unknown equipment > 1st generation reels; Transfer Info (both sources): 1st generation reels (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (.wav 24/96) > Adobe Audition 2019 > TLH flac2496
|
notes
|
| 904. |
02/19/71 |
Flac 16 Mtx - 0,
31210 |
Port Chester |
Capitol Theatre flac 16; Sick Bits Vol. 13 - SBD/AUD matrix of two previosly circulated sources (SBD - shnid=1029 + AUD - shnid=30230), edited and encoded by Chris Chappell
|
notes
|
| 905. |
02/19/71 |
Shn - 0,
1029 |
Port Chester |
Capitol Theatre 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed); mono; slight whine reduced with notch filter (see info file for details and other flaw notes); via WBOTB tree (site includes covers)
|
notes
|
| 906. |
02/19/71 |
Flac 16 - 0,
132102 |
Port Chester |
Capitol Theatre flac16; Partial 1st Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
|
notes
|
| 907. |
02/19/71 |
Flac 16 - 0,
30230 |
Port Chester |
Capitol Theatre flac16; unknown mono audience recording source: 1st gen reel> Teac A-2300SX> RCA out> Audiophile 2496> Wavelab 4.0 lineage: Wavelab 4.0> CD Wave> MKWact> WAV> FLAC recordist unknown transfered and remastered by Clinton Vadnais (cleantone@hotmail.com)
|
notes
|
| 908. |
02/19/71 |
DVD Audio - 0,
91849 |
Port Chester |
Capitol Theatre DVD-VA; (Video-Audio) 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > DAW (Bertha)>>Audio DVD; audio only - no video
|
notes
|
| 909. |
02/19/71 |
Flac 16/44 - 0,
151881 |
Port Chester |
Capitol Theatre flac16/44khz Recording Info: SBD > Master Reel (Sony TC-770/Scotch 7in 1/4 track 7.5ips) Transfer Info: Master Reel (Technics RS-1506) > Sony PCM-R500 (pass through) > Sound Forge > CD Mastering Info: CD > Samplitude Pro X5 Suite > FLAC/16
|
notes
|
| 910. |
02/20/71 |
Flac 16 - 0,
116617 |
Port Chester |
Capitol Theater flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 911. |
02/20/71 |
Flac 16 - 0,
85912 |
Port Chester |
Capitol Theater flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
|
notes
|
| 912. |
02/20/71 |
Shn - 0,
111 |
Port Chester |
Capitol Theater 7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
|
notes
|
| 913. |
02/20/71 |
Shn - 0,
5188 |
Port Chester |
Capitol Theater likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
|
notes
|
| 914. |
02/21/71 |
Flac 16 - 0,
116618 |
Port Chester |
Capitol Theater flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 915. |
02/21/71 |
Flac 16 - 0,
87134 |
Port Chester |
Capitol Theater flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner.
|
notes
|
| 916. |
02/21/71 |
Flac 16 - 0,
98034 |
Port Chester |
Capitol Theater flac16; SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)
|
notes
|
| 917. |
02/21/71 |
Shn - 0,
1980 |
Port Chester |
Capitol Theater SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different
|
notes
|
| 918. |
02/21/71 |
Flac 16 - 0,
123830 |
Port Chester |
Capitol Theater flac16; source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation
|
notes
|
| 919. |
02/21/71 |
Flac 16 - 0,
123885 |
Port Chester |
Capitol Theater flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger feb. 2013
|
notes
|
| 920. |
02/23/71 |
Flac 16 - 0,
110353 |
Port Chester |
Capitol Theater flac116; Recording Info:SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 921. |
02/23/71 |
Flac 16 - 0,
82755 |
Port Chester |
Capitol Theater flac16; Source Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 and Ozone. Dithered L2 type 1 ultra by Jamie Waddell
|
notes
|
| 922. |
02/23/71 |
Flac 16 - 0,
98406 |
Port Chester |
Capitol Theater flac16; Partial Set 2 source: aud 1st gen 7" reel @ 3.75 ips, dolby b mastered on uher reel by Marty Weinberg lineage: aud reel master>reel technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 2.0 16/44>flac
|
notes
|
| 923. |
02/23/71 |
Shn - 0,
113 |
Port Chester |
Capitol Theater SBD> MR> DAT> SFNR>C D-R; via Leigh Orf; WBOTB source> distortion removed digitally (see notes)
|
notes
|
| 924. |
02/23/71 |
Flac 24/96 - 0,
151503 |
Port Chester |
Capitol Theater flac24/96khz Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick January 2021
|
notes
|
| 925. |
02/23/71 |
Flac 16/44,1 - 0,
151502 |
Port Chester |
Capitol Theater flac16/44.1khz Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick January 2021
|
notes
|
| 926. |
02/24/71 |
Flac 16 - 0,
87570 |
Port Chester |
Capitol Theater flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris Ladner.
|
notes
|
| 927. |
02/24/71 |
Flac 16 - 0,
121065 |
Port Chester |
Capitol Theater flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 928. |
02/24/71 |
Shn - 0,
6190 |
Port Chester |
Capitol Theater seekable reshn of other shn set? by Bob Clevenger; may not have gotten into circulation
|
notes
|
| 929. |
02/24/71 |
Shn - 0,
6189 |
Port Chester |
Capitol Theater retracked version of previous shn set, by Bob Clevenger
|
notes
|
| 930. |
02/24/71 |
Flac 16 - 0,
125171 |
Port Chester |
Capitol Theater flac16; akg d190e > Uher 4000 5" open reel; reel master > Marantz CD-RW700; aud reel master, taped by Marty Weinberg, transfer by Michael Parish, seeded by Rob Berger
|
notes
|
| 931. |
02/24/71 |
Flac 16 - 0,
140834 |
Port Chester |
Capitol Theater flac16; Source Info: Betty's 7" two track Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3> TLH flac16
|
notes
|
| 932. |
02/24/71 |
Shn - 0,
114 |
Port Chester |
Capitol Theater via Leigh Orf; WBOTB source > distortion removed digitally (see notes)
|
notes
|
| 933. |
02/??/71 |
Flac - 0,
120486 |
Unknown |
Unknown flac16; unknown low gen Maxell XLII Cassette>Wav via Teac Stand Alone CD Burner > ? > SBE found - fix (TLH) shift backwards > MD5 + FFP made with (TLH)
|
notes
|
| 934. |
03/03/71 |
Shn - 0,
6248 |
San Francisco |
Fillmore West SBD> MR> (cass gen?)> DAT> CDR, plus possible patch; see info file for flaw notes; via Mike Lai, with thanks to Paul B.
|
notes
|
| 935. |
03/03/71 |
Flac 16 - 0,
130986 |
San Francisco |
Fillmore West flac16; Recording Info: SBD > MR > ? > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Upgrade of existing SBD source. First four tracks are stereo, balance of show is 2 track MONO. Transferred, tracked and mastered by Bill Guarneri, August 18, 2014
|
notes
|
| 936. |
03/03/71 |
Flac 16 - 0,
149685 |
San Francisco |
Fillmore West flac16; Master Soundboard Recording, unknown pedigree; Transfer - Nak BX-300 > Sony 75ES > DAT; Mastering by Jamie Waddell and Jason Chastain
|
notes
|
| 937. |
03/03/71 |
Flac 24/96 - 0,
149880 |
San Francisco |
Fillmore West flac24; Source Info: Master Soundboard Reels > Pat Lee's 1st generation reels; Transfer Info: 1st generation reels (Revox A77) > Tascam DA-3000 > dBpoweramp 2496 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 938. |
03/03/71 |
Flac 16/48 - 0,
149879 |
San Francisco |
Fillmore West flac16/48kHz; Source Info: Master Soundboard Reels > Pat Lee's 1st generation reels; Transfer Info: 1st generation reels (Revox A77) > Tascam DA-3000 > dBpoweramp 2496 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 939. |
03/14/71 |
Shn - 0,
6115 |
Madison |
Camp Randall Field House, University of Wisconsin Sbd> MR> Dat> CD; EAC >CDWav (split)> shn V3 by Brian Cole; parent seed courtesy Jim Oade; some editing in d1t6, d2t1
|
notes
|
| 940. |
03/14/71 |
Flac 16 - 0,
130581 |
Madison |
Camp Randall Field House, University of Wisconsin flac16; Recording Info: SBD > MR > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC
|
notes
|
| 941. |
03/14/71 |
Shn - 0,
6249 |
Madison |
Camp Randall Field House, University of Wisconsin SBD> MR> C> DAT> CDR; disc # 1 is 80 minutes, Truckin? fades in at "typical daydream", splice in Hard To Handle; via Mike Lai, with thanks to Paul B.
|
notes
|
| 942. |
03/18/71 |
Shn - 0,
1663 |
St. Louis |
Fox Theatre SBD (7") MR> Cass> DAT> CD; via Ben Yerys, M. Wienke
|
notes
|
| 943. |
03/18/71 |
Flac 16 - 0,
130560 |
St. Louis |
Fox Theatre flac16; Recording Info: SBD > R > C > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC
|
notes
|
| 944. |
03/18/71 |
Flac 16 - 0,
132491 |
St. Louis |
Fox Theatre flac16; Set 2 Only; 7 Inch Half Track Reel Master @ 7.5 ips(Recorded By Bob Mathews)- Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel 2 Reel-Sony PCM-R500 DAT Deck @ 44.1KHz); DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/44.1KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name)
|
notes
|
| 945. |
03/20/71 |
Shn - 0,
5582 |
Iowa City |
University of Iowa SBD > MR > cass > dat > CD > SHN (seekable); DAT>CD transfer by Mandrake; EAC> shn by Steve Barbella
|
notes
|
| 946. |
03/21/71 |
Shn - 0,
12074 |
Milwaukee |
Exposition Center AUD>MC>LP>R>CD; Missing Truckin'; See info file for details; via Chuck Kiefe; Seeded to etree by JCotsman
|
notes
|
| 947. |
03/24/71 |
Flac 16 - 0,
85585 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Sony Stereo Mic -> Cassette Master (Sony TC-124) supplies: The Other One (6:59 - 7:23) and Beat It On Down The Line (0:00 - 0:32)All Transfers and Mastering By Charlie Miller
|
notes
|
| 948. |
03/24/71 |
Flac 16 - 0,
25313 |
San Francisco |
Winterland Arena Recording Info: SBD -> Master Reel (7.5ips 1/4 Track) -> Master Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transfered and Edited By Charlie Miller
|
notes
|
| 949. |
03/24/71 |
Flac 16 - 0,
95869 |
San Francisco |
Winterland Arena flac16; Source: unknown aud > cdr > eac > wav > flac
|
notes
|
| 950. |
03/24/71 |
Shn - 0,
9501 |
San Francisco |
Winterland Arena Partial; SBD>MR>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman
|
notes
|
| 951. |
04/04/71 |
Flac 16 - 0,
110325 |
New York |
Manhattan Center flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 952. |
04/04/71 |
Flac 16 - 0,
35252 |
New York |
Manhattan Center flac16; MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac
|
notes
|
| 953. |
04/04/71 |
Flac 16 - 0,
76807 |
New York |
Manhattan Center flac16; source: MSR > C >DAT3 > Delta DiO 2496 > SoundForge 7.0 > cdwav > flac > wav > flac; this is a partial clean up of shn id 35252. see text file (note: this source was originally seeded with some files out of order)
|
notes
|
| 954. |
04/04/71 |
Shn - 0,
10358 |
New York |
Manhattan Center AUD>?>C>Sound Forge>SHN; via Walter Schnell; Seeded to etree by J. Cotsman
|
notes
|
| 955. |
04/05/71 |
Flac 16 - 0,
110185 |
New York |
Manhattan Center flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; This source is a fix of shnid=110127 (Fixed track mark on d2t04); All Transfers and Mastering By Charlie Miller
|
notes
|
| 956. |
04/05/71 |
Shn - 0,
16606 |
New York |
Manhattan Center 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens
|
notes
|
| 957. |
04/05/71 |
Flac 16 - 0,
96269 |
New York |
Manhattan Center flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 6, 2008, Green Mountain Bros.
|
notes
|
| 958. |
04/05/71 |
Flac 16 - 0,
110127 |
New York |
Manhattan Center flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 959. |
04/05/71 |
Shn - 0,
117 |
New York |
Manhattan Center remastered de-whined version? (see notes) of version circulating 8/99, via Leigh Orf; his other comments: "I also fixed track sector boundaries (urk why can't people get this right the 1st time), cut a couple of annoying micro-dropouts, put smooth fades in/out where the reel stopped/started, and did a seamless crossfade-merge on the reel flip in Lovelight" and retracked d3
|
notes
|
| 960. |
04/05/71 |
Shn - 0,
12367 |
New York |
Manhattan Center shntool fix of Orf seed (?- note doesn't jibe with what is know of prev seed), by Chris Ladner
|
notes
|
| 961. |
04/05/71 |
Flac 16 - 0,
100052 |
New York |
Manhattan Center flac16; Partial show source: aud of unknown origin lineage: mono aud>?>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/7/09
|
notes
|
| 962. |
04/06/71 |
Flac 16 - 0,
96299 |
New York |
Manhattan Center flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips > PCM501ES (beta) PCM501ES analog out > dolby A decoder > analog in PCMF1 > analog out > Fostex D5 Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 8, 2008, Green Mountain Bros.
|
notes
|
| 963. |
04/06/71 |
Flac 24/96 - 0,
109026 |
New York |
Manhattan Center flac24; Unknown lineage soundboard reels > Akai GX636>Apogee Mini Me @24bit/96kHz > Apogee mini DAC(monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC by Matt Smith Edited and Mastered by Jamie Waddell on the GEMS Edit Station Weiss-Saracon for Pow-r3 Dither MetaData with Tag and Rename TLH for FLAC Level 8
|
notes
|
| 964. |
04/06/71 |
Shn - 0,
18735 |
New York |
Manhattan Center 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi) ; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4; Seeded to etree by Dan Stephens
|
notes
|
| 965. |
04/06/71 |
Shn - 0,
118 |
New York |
Manhattan Center SBD; via M. Lai
|
notes
|
| 966. |
04/06/71 |
Flac 16 - 0,
100040 |
New York |
Manhattan Center flac16; source: aud of unknown origin; lineage: mono aud>?>7" reel @ 3.34 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/6/09
|
notes
|
| 967. |
04/06/71 |
Flac 16/44 - ,
152611 |
New York |
Manhattan Center flac16/44 Betty Cantor-Jackson's Master Soundboard Reels (7" 1/2 track @ 7 1/2 ips w/ dolby A) > Steve Whitaker's Sony PCM-501 (PCM/0); Steve Whitaker's PCM/0 (Sony PCM-601; digital out) > Rob Eaton's Panasonic SV-3700 DAT (16/44.1); Rob Eaton's DAT (16/44.1)(Panasonic SV-3700) > Dolby A361 > Rob Eaton's Panasonic SV-3700 (16/44.1) Transfer Info: DAT (16/44.1)(Tascam DA-40) > Tascam DA-3000 (16/44.1) > .wav (16/44.1) > Adobe Audition 2020 > TLH flac16
|
notes
|
| 968. |
04/06/71 |
Flac 16 - ,
154656 |
New York |
Manhattan Center Source: Original transfer Betty Cantor Jackson;s Master Reels ((7" 1/2 track @ 7 1/2 ips w/ dolby A)) > Sony TCD-D10 Pro DAT (Oade Brothers mod) > DAT (44k) Final transfer: DAT > Sony PCM-2600 > Tascam DA-3000 > wav 16/44.1 Lineage: wav 16/44.1 > iZotope RX 9 Advanced > CD Wave > flac 16
|
notes
|
| 969. |
04/07/71 |
Flac 16 - 0,
96225 |
Boston |
Music Hall flac16; Source: Betty Cantor 7" two track reel w@ 7 1/2 ips> PCM501ES @ 44.055 kHz CM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Jace Crouch’s original source WBOTB DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 5, 2008, Green Mountain Bros.
|
notes
|
| 970. |
04/07/71 |
Flac 16 - 0,
83301 |
Boston |
Music Hall flac16; 7" BBD Reel > PCM501ES > Fostex D5 > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 1-12-02 WBOTB Project
|
notes
|
| 971. |
04/07/71 |
Shn - 0,
119 |
Boston |
Music Hall Betty Board, details as outlined in Compendium; via Leigh Orf; corrupt d2t7 replaced 3/17; note Phil low/absent in mix
|
notes
|
| 972. |
04/07/71 |
Flac 16 - 0,
136892 |
Boston |
Music Hall flac16; Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
|
notes
|
| 973. |
04/07/71 |
Flac 16 - 0,
141029 |
Boston |
Music Hall flac16; Source: sbd > master reel > pcm > dolby A decoded dat > pcm (Sony beta HG) - recorded by Betty Cantor and provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1 - transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick February 2018
|
notes
|
| 974. |
04/08/71 |
Flac 16 - 0,
96627 |
Boston |
Music Hall flac16; Source: Betty Cantor 7" two track reel @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky January 1, 2009, Green Mountain Bros.
|
notes
|
| 975. |
04/08/71 |
Flac 16 - 0,
83756 |
Boston |
Music Hall flac16; 7" Betty Board Reel > PCM501ES analog out > Dolby A Decoder > Analog in PCMF1 PCM501ES analog out > Fostex D5 optical S/PDIF out > disk Transferred by Tim Deibert 9-16-02 WBOTB
|
notes
|
| 976. |
04/08/71 |
Shn - 0,
120 |
Boston |
Music Hall SBD; via Mike Lai; updated info file with tracklist and notes provided by Cosmic Chuck
|
notes
|
| 977. |
04/08/71 |
Shn - 0,
14397 |
Boston |
Music Hall SMR>PCM>WAV>Shn; Conversion via SEK'd Prodif96Pro, editing via Samplitude filtered the right channel to reduce 60-cycle hum using narrowband filter reducing it a few db's; uploaded by theotherwayne@yahoo.com
|
notes
|
| 978. |
04/08/71 |
Shn - 0,
23732 |
Boston |
Music Hall sbd; same as http://db.etree.org/shninfo_detail.php?shnid=120 with SBEs fixed and seektables appended with shntool.
|
notes
|
| 979. |
04/08/71 |
Flac 16 - 0,
141099 |
Boston |
Music Hall flac16; Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 980. |
04/10/71 |
Flac !! - 0,
8674 |
Lancaster |
East Hall, Franklin & Marshall College SBD>MR>C>DAT>CD; via Mark Pfortmiller; Seeded to etree by Willy
|
notes
|
| 981. |
04/12/71 |
Flac 16 - 0,
31960 |
Pittsburgh |
Civic Arena flac16; SBD -> Reel Master -> Dat -> Sound Forge -> CD Transferred By Charlie Miller
|
notes
|
| 982. |
04/13/71 |
Flac 16 - 0,
32015 |
Scranton |
Catholic Youth Center flac16; MSR>DAT3x>Delta Dio 2496 soundcard>Soundforge>Flac16
|
notes
|
| 983. |
04/13/71 |
Flac 16 - 0,
32077 |
Scranton |
Catholic Youth Center flac16; SBD > MR > DAT > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 6)
|
notes
|
| 984. |
04/13/71 |
Shn - 0,
9410 |
Scranton |
Catholic Youth Center set 2 partial; Master Soundboard Reel > DAT> CDR
|
notes
|
| 985. |
04/14/71 |
Shn - 0,
6250 |
Lewisburg |
Davis Gymnasium SBD> MR> DAT> CDR; several spots of irreparable reel static; via Mike Lai with thanks to Paul B.; note 4 tracks in d2 had been misnumbered, corrections shown in fixed md5s: 1> 3, 2>4, 3>1, 4>2
|
notes
|
| 986. |
04/14/71 |
Flac 16 - 0,
130916 |
Lewisburg |
Davis Gymnasium flac16; Recording Info: SBD > MR > ? > DAT > CDR; Transfer Info: CDR > WAV > Sound Forge 10 > TLH > Flac; Cleaned up, retracked, remastered version of shnid 6250. Cleaned up, retracked and mastered by Bill Guarneri, August 9, 2014
|
notes
|
| 987. |
04/14/71 |
Flac 16/48 - 0,
132543 |
Lewisburg |
Davis Gymnasium 16/48kHz: 7 Inch 1/4 Track Reel Master @ 7.5 ips (Recorded By Bob Mathews); Transferred By Dick Latvala(Master Reel Playback on a Technics 1506 Reel to Reel-Sony PCM-R500 DAT Deck @ 48KHz); DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/48KHz; Editing (Adobe Audition CC)-Mastering & Processing (iZotope Ozone 6)-FLAC encoding(dBpoweramp)- Tagging(Tag & Re-name)
|
notes
|
| 988. |
04/14/71 |
Flac 16/48 - 0,
132733 |
Lewisburg |
Davis Gymnasium flac16/48kHz; Static reduced, speed corrected, slightly eq'ed & gain normalized version of source ID 132543 (SBD> MR> DAT) by Dan McDonald
|
notes
|
| 989. |
04/15/71 |
Shn - 0,
11652 |
Meadville |
Allegheny College SBD>MR>DAT>CD; missing 5 songs; See info file for details; via Bill O; Seeded to etree by eD(efojr)
|
notes
|
| 990. |
04/17/71 |
Flac 16 - 0,
88760 |
Princeton |
Dillon Gym, Princeton University flac16; source: soundboard lineage: MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav
|
notes
|
| 991. |
04/17/71 |
Flac 16 Mtx - 0,
107384 |
Princeton |
Dillon Gym, Princeton University flac16; Matrix 2 Source Mix - SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + AUD (no shnid) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - matrix mixing by Kevin Tobi
|
notes
|
| 992. |
04/17/71 |
Shn - 0,
121 |
Princeton |
Dillon Gym, Princeton University set1; SBD> Reel> ?> DAT> ZA2 (48>44.1)> CD; via R. Nayfield
|
notes
|
| 993. |
04/17/71 |
Flac 16 - 0,
107075 |
Princeton |
Dillon Gym, Princeton University flac16; Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith
|
notes
|
| 994. |
04/17/71 |
Flac 24/96 - 0,
89031 |
Princeton |
Dillon Gym, Princeton University flac24; source: soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate
|
notes
|
| 995. |
04/17/71 |
Flac Dts 5.1 - 0,
107385 |
Princeton |
Dillon Gym, Princeton University DTS-Audio-CD 5.1 Mix; SBD (shn id 89031) soundboard lineage : MSR> R1? > R2 MAXELL UD35-90 3.75 IPS (Dick Latvala) Technics RS-1506 > R3 TANDBERG TD20A 7.5IPS Transfer : R3 > Technics RS-1506 > TEAC AN-300 DOLBY DECODE > GRACE DESIGN LUNATEC V3 PRE ONLY > KORG MR-1000 > DSD DDF 1BIT 5.644mhZ > AUDIO GATE SW DISEMINATION > 24BIT wav @96khz sample rate + SBD2 (shn id 122) set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield + AUD1 (no shn id) Unknown mic(mono) >> unknown deck >> MAR>> Akai GX 636>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>Lynx One soundcard>wavelab 5.0>DVD/FLAC; Taped By: Will Boswell and Randy Smith - dts mixing by Kevin Tobin
|
notes
|
| 996. |
04/17/71 |
Flac 16/48 - 0,
138033 |
Princeton |
Dillon Gym, Princeton University flac16/48kHz; SBD Master Reel originally recorded with analog equipment on a 7 inch, 7.5 i.p.s half-track master reel; Transferred to 16 48 WAV February 2017
|
notes
|
| 997. |
04/17/71 |
Shn - 0,
122 |
Princeton |
Dillon Gym, Princeton University set 2; SBD>Reel>?> D, with 1.1 sec from a secondary source spliced into d1t4 to patch a d/o; "the best source out there"; no Lovelight flip; via R. Nayfield
|
notes
|
| 998. |
04/18/71 |
Shn - 0,
7112 |
Cortland |
Lusk Field House, S.U.C.N.Y SBD : MR > RR > DAT > CD; Extraction, editing and .shn encoding by Alan J. Fink, from John Valter seed; patch in UJB; see info file for additional notes
|
notes
|
| 999. |
04/18/71 |
Flac 16 - 0,
130710 |
Cortland |
Lusk Field House, S.U.C.N.Y flac16; Recording Info: SBD > MR > C > C > C; Transfer Info: C > Nak DR2 > WAV > Sound Forge 10 > TLH > FLAC; This fresh transfer is a nice upgrade over existing sources which are very degraded with loud tape hiss. Transferred, tracked and mastered by Bill Guarneri, July 22, 2014
|
notes
|
| 1000. |
04/18/71 |
Shn - 0,
6251 |
Cortland |
Lusk Field House, S.U.C.N.Y SBD> MR> ??> DAT> CDR; splice at 4:20 of Casey Jones, missing a couple seconds, UJB cuts at 3:21; via Mike Lai, with thanks to Paul B.
|
notes
|
| 1001. |
04/21/71 |
Shn - 0,
8227 |
Providence |
Rhode Island Auditorium MSR> R> D> CD> DAE> SHN; sector boundary fix of previous shn set, by Seth Kaplan
|
notes
|
| 1002. |
04/21/71 |
Flac - 0,
130598 |
Providence |
Rhode Island Auditorium Recording Info: SBD > R > DAT >CD; Transfer Info: CD >WAV > Sound Forge 10 > TLH > FLAC; Remastered, retracked version of Source ID 8227
|
notes
|
| 1003. |
04/21/71 |
Shn - 0,
2578 |
Providence |
Rhode Island Auditorium sdb> MR> PCM> CD; via Mike Lai
|
notes
|
| 1004. |
04/21/71 |
Flac 16 - 0,
141116 |
Providence |
Rhode Island Auditorium flac16; Source Info: Master Soundboard Reels > 1st generation reels > 2nd generation reels > PCM (Sony HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 1005. |
04/22/71 |
Shn - 0,
2176 |
Bangor |
Bangor Municipal Auditorium Master Soundboard Reel > DAT > CDR; shn encoded/uploaded by Scott Clugston; to abgd, 11/00 to etree
|
notes
|
| 1006. |
04/22/71 |
Flac 16/44 - ,
167465 |
Bangor |
Bangor Municipal Auditorium flac1644; Recording info: Master soundboard reel > first generation reel > PCM > DAT (via Anon); Transfer info: Tascam DA-302 > Sound Devices 722 (digital transfer); DAT transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel
|
notes
|
| 1007. |
04/24/71 |
Flac 16/48 - 0,
143958 |
Durham |
Wallace Wade Stadium, Duke University flac16/48kHz; Source Info: Master 7" 1/2 track Soundboard Reels @ 7.5 ips > Will Boswell's Reels > Matt Smith's 2nd generation Reels; Transfer Info: 2nd (possibly 3rd) Generation Reels (Technics RS-1506) > Apogee Mini Me (24-bit/96k) > Adobe Audition 3.01 (24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 1008. |
04/24/71 |
Flac 24/96 - 0,
143959 |
Durham |
Wallace Wade Stadium, Duke University flac24; Source Info:Master 7" 1/2 track Soundboard Reels @ 7.5 ips > Will Boswell's Reels > Matt Smith's 2nd generation Reels; Transfer Info: 2nd (possibly 3rd) Generation Reels (Technics RS-1506) > Apogee Mini Me (24-bit/96k) > Adobe Audition 3.01 (24-bit/96k)> TLH flac2496
|
notes
|
| 1009. |
04/24/71 |
Shn - 0,
2579 |
Durham |
Wallace Wade Stadium, Duke University sdb> MR> PCM> CD; via Mike Lai; 3/10, Michael Weise provided modified tracking (alt md5s, same checksums) and updated info file
|
notes
|
| 1010. |
04/25/71 |
Flac - 0,
95625 |
New York |
Fillmore East flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1011. |
04/25/71 |
Dvd - 0,
96096 |
New York |
Fillmore East DVD-VA; (Video-Audio) SBD>>MR>>CD>>DAW(Bertha)>>Audio DVD; Bertha Remaster of the Master Reel source (source id 95625) Audio only, no video
|
notes
|
| 1012. |
04/25/71 |
Flac - 0,
113038 |
New York |
Fillmore East flac16; This remaster uses Charlie Miller's gd71-04-25.sbd.miller.95625.sbeok.flac16 as a baseline. Amplitude and Equalization adjustments were made using Cool Edit 2000.
|
notes
|
| 1013. |
04/25/71 |
Flac - 0,
30886 |
New York |
Fillmore East flac16; Source: SBD -> ? -> C -> CDR via Dave Minor, encoding Matt Vernon
|
notes
|
| 1014. |
04/25/71 |
Shn - 0,
8761 |
New York |
Fillmore East Partial set 2; sbd>RM>?>DAT>CD; via Charlie Miller; Seeded to etree by Grote
|
notes
|
| 1015. |
04/26/71 |
Flac 16 - 0,
105814 |
New York |
Fillmore East flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
|
notes
|
| 1016. |
04/26/71 |
Flac 24/96 - 0,
105815 |
New York |
Fillmore East flac24; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/24; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
|
notes
|
| 1017. |
04/26/71 |
Shn - 0,
2214 |
New York |
Fillmore East MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; includes (wrong) NRPS; note 4 CD best-of-run is available from the Dead
|
notes
|
| 1018. |
04/26/71 |
Shn - 0,
4991 |
New York |
Fillmore East GD: MR> CDR> SHN; NRPS material: MR> C> CDRx?> SHN, note NRPS is newly seeded, date-accurate; via Bill Gadsden, Jim Wise, John Oleynick et al; see info file for additional source and flaw details; to BUDD tree, nycheads; d1,3 tracked for 80 min; Tzuriel's covers
|
notes
|
| 1019. |
04/26/71 |
Flac - 0,
114839 |
New York |
Fillmore East Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim>CD Transfered and mastered by Matt Smith 5/11
|
notes
|
| 1020. |
04/26/71 |
Shn - 0,
4330 |
New York |
Fillmore East
|
notes
|
| 1021. |
04/26/71 |
Flac 24/96 - 0,
143159 |
New York |
Fillmore East flac24; Source: Master Soundboard Rell 7.5 ips > Reel - Will Boswell's copy Peter Kafer; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered by SIRMick September 2018
|
notes
|
| 1022. |
04/26/71 |
Flac 16 - 0,
145130 |
New York |
Fillmore East flac16; Source: Master Soundboard Rell 7.5 ips > Reel - Will Boswell's copy Peter Kafer; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered by SIRMick September 2018; This file set is 16 bit @ 44.1
|
notes
|
| 1023. |
04/26/71 |
Flac 16 - 0,
126270 |
New York |
Fillmore East flac16; MR 7.5 ips > R > FLAC Will Boswells from Peter Kafer; Transfer: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; remastered by Matt Smith 2013
|
notes
|
| 1024. |
04/27/71 |
Flac 16 - 0,
114461 |
New York |
Fillmore East flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1025. |
04/27/71 |
Flac 24/96 - 0,
106562 |
New York |
Fillmore East flac24; Recording Info Source One: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) Recording Info Source Two: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips) Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two: Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/24; Reels Baked and Transferred By David Gans All Mastering By Charlie Miller
|
notes
|
| 1026. |
04/27/71 |
Flac 16 - 0,
114094 |
New York |
Fillmore East flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636>Apogee Mini Me @24/96 > Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > Flac; Transfered and mastered by Matt Smith
|
notes
|
| 1027. |
04/27/71 |
Shn - 0,
2221 |
New York |
Fillmore East MSR 7 inch (7.5 ips) Revox A 77 > Alesis Masterlink> CD-R; via Bob Murphy; d1,3 are tracked for 80 min; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead
|
notes
|
| 1028. |
04/27/71 |
Shn - 0,
5165 |
New York |
Fillmore East mixed reel sources (see info file for details and notes); includes complete NRPS; via Bill Gadsden, Jim Wise?, John Oleynick et al; to BUDD tree; d1,4 tracked for 80 min (A SBE fixed flac version was circulated on 2008-07-06.)
|
notes
|
| 1029. |
04/27/71 |
Shn - 0,
2998 |
New York |
Fillmore East SBD> MR> R> D> CD; EAC > SHN & upload to Stonebear.etree.org by Abe Stundel; disks came from the Fillmore Tree run on BUDD by Keith Bode. Bode's source disks came from Justin Hoffman who got *his* copies from the Merry Prankster's Tree. Lineage comes from Merry Prankster info; ; note 4 CD best-of-run is available from the Dead
|
notes
|
| 1030. |
04/27/71 |
Shn - 0,
4331 |
New York |
Fillmore East MR> CDR and MR> R> CDR; includes NRPS and Beach Boys; via vine?
|
notes
|
| 1031. |
04/27/71 |
Flac 16 - 0,
141129 |
New York |
Fillmore East flac16; Source Info: Master Soundboard Reels > PCM (Sony ESX HiFi/L-750 beta tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 1032. |
04/27/71 |
Flac 16 - 0,
106550 |
New York |
Fillmore East flac16; Recording Info Source One:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Recording Info Source Two:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips) -> Reel (Maxell Tape - 1/4 Track - 7 1/2 ips); Transfer Info Source One: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Transfer Info Source Two:Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
|
notes
|
| 1033. |
04/28/71 |
Flac 16 - 0,
106099 |
New York |
Fillmore East flac16; Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k) Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/16; All Mastering By Charlie Miller
|
notes
|
| 1034. |
04/28/71 |
Flac 24/96 - 0,
114088 |
New York |
Fillmore East flac24; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0 > FLAC 24 bit; Transfered and mastered by Matt Smith 6/11
|
notes
|
| 1035. |
04/28/71 |
Flac 24/96 - 0,
106100 |
New York |
Fillmore East flac24; Recording Info: SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info: Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info: WAV -> Samplitude Professional v11.03 -> FLAC/24; All Mastering By Charlie Miller
|
notes
|
| 1036. |
04/28/71 |
Shn - 0,
11257 |
New York |
Fillmore East Complete; Previous splices patched with 'official release' material; See info file for details; Truckin'through Bird Song 02:07.38: MSR>Reel>Alesis Masterlink>CDR; Bird Song 02:08.70 through end of show: MSR 7 inch (7.5 ips) Revox A 77> Alesis Masterlink> CDR (previous splices patched via multi- track sources as noted below); Seeded to etree by Seth D Kaplan and Alan J Fink
|
notes
|
| 1037. |
04/28/71 |
Flac 24/96 - 0,
102869 |
New York |
Fillmore East flac24; SBD MR>R@ 7 1/2 ips. Tape stock:Maxell UD35-7 tape. Transfer info:Akai GX636>Apogee Mini Me @24bit/96kHz > Apogee mini DAC(monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC. Edited on the GEMS Edit Station by Jamie Waddell. Pow-r3 Dither in Weiss-Saracon FLAC Level 8 in Trader's Lil Helper Meta-Data with Tag&ReName
|
notes
|
| 1038. |
04/28/71 |
Shn - 0,
32862 |
New York |
Fillmore East MR>R>CDR and MR>CDR with alt. SBD patches; Refined, patched, re-tracked and SHN'ed by Chris Frisco.
|
notes
|
| 1039. |
04/28/71 |
Shn - 0,
2248 |
New York |
Fillmore East MSR > (Reel post-Bird Song) >Alesis Masterlink> CD-R; via Bob Murphy; see details in info file; see Bill Gadsden's detailed commentary in pub comments for 4/29/71; note 4 CD best-of-run is available from the Dead
|
notes
|
| 1040. |
04/28/71 |
Flac 16 - 0,
114029 |
New York |
Fillmore East flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > CD FLAC; Transfered and mastered by Matt Smith
|
notes
|
| 1041. |
04/28/71 |
Shn - 0,
4332 |
New York |
Fillmore East MR> R> CDR and MR> CDR; includes NRPS; see info file for listening notes; tracked out same as previous shn set (likely same source), but md5s differ; via vine?
|
notes
|
| 1042. |
04/28/71 |
Flac 16 - 0,
126262 |
New York |
Fillmore East flac16; Lineage:MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Truckin thru Bird Song is from a second gen reel. Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Transfered and mastered by Matt Smith
|
notes
|
| 1043. |
04/29/71 |
Flac 16 - 0,
105926 |
New York |
Fillmore East flac16; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
|
notes
|
| 1044. |
04/29/71 |
Flac 16 Mtx - 0,
97660 |
New York |
Fillmore East flac16; matrix of SBD: shnid=33565 and AUD: shnid=26568 by hansokolow using ProTools
|
notes
|
| 1045. |
04/29/71 |
Flac 24/96 - 0,
105925 |
New York |
Fillmore East flac24; Recording Info:SBD -> Shure Line Mixers -> Advent Advocate Dolby B Unit -> Master Reel (Sony Deck - BASF Tapes - 1/4 Track - 7 1/2 ips); Transfer Info:Master Reel (Teac A-6100) -> Advent Advocate Dolby B Unit -> Fostex FR-2LE -> WAV (24bit/96k); Mastering Info:WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/24; Master Reels Baked and Transferred By David Gans; All Mastering By Charlie Miller
|
notes
|
| 1046. |
04/29/71 |
Flac 16 - 0,
114145 |
New York |
Fillmore East flac16; SBD MR@ 7.5 ips>R @ 7.5 ips.(Wilson Boswell). Transfer info:Akai GX636 > Apogee Mini Me @24/96>Mini DAC(monitoring/mastering) > Lynx One soundcard>Wavelab 5.0(dithered to 16/44 via 'UV22HR' Apogee algorithim > FLAC
|
notes
|
| 1047. |
04/29/71 |
Shn - 0,
33565 |
New York |
Fillmore East fake version of the show, seeded by Dan Am-Dig to bt.etree.org, actually a composite including material from 4/27,28 as "patches" or "interleaves" (see notes in 4/6 info)
|
notes
|
| 1048. |
04/29/71 |
Shn - 0,
4333 |
New York |
Fillmore East SBD>MR>CDR; includes NRPS; see info file for listening notes and detailed source info; tracked out and with same background info as previous shn set, but md5s differ; via vine?
|
notes
|
| 1049. |
04/29/71 |
Shn - 0,
19639 |
New York |
Fillmore East SBD > 8 track RTR @ 15 i.p.s. (Vault Master) > 2 track RTR @ 15 i.p.s. (Phil Lesh 1987 mixdown Safety) > 24/96 DAT > SSSB (SHNTOOL used and verified)
|
notes
|
| 1050. |
04/29/71 |
Flac 16 - 0,
114350 |
New York |
Fillmore East flac16; Recording Info: SBD -> 16 Track Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1051. |
04/29/71 |
Shn - 0,
126 |
New York |
Fillmore East MR> R> DAT> CDR; note 4 CD best-of-run is available from the Dead
|
notes
|
| 1052. |
04/29/71 |
Shn - 0,
16782 |
New York |
Fillmore East Lineage: (mostly) SB> MR> CD; Refined by Chris Frisco, 20 glitches painstakingly removed without deleting any of the wav; Bird Song patched; See info file for further details; Circ's w/ NRPS opening set
|
notes
|
| 1053. |
04/29/71 |
Shn - 0,
1858 |
New York |
Fillmore East complete, including NRPS; MSR 7 inch (Revox A-77) @ 7.5 ips > Alesis Masterlink >CD-R; via Bob Murphy, Dan Stephens; stemming from Jim Wise seed of Well vine; note d5 tracked for 80 min; see highly detailed commentary in pub comments; note 4 CD best-of-run is available from the Dead
|
notes
|
| 1054. |
04/29/71 |
Flac 16 - 0,
26568 |
New York |
Fillmore East flac16; Master audience reel (Taped by Marty Weinberg, AKG190E>Uher 400L) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding; A > D by Steven Martin; Tracking and EAC > SHN by Jack Warner
|
notes
|
| 1055. |
05/29/71 |
Flac 16 - 0,
110324 |
San Francisco |
Winterland Arena
|
notes
|
| 1056. |
05/29/71 |
Shn - 0,
19153 |
San Francisco |
Winterland Arena source 1: AUD>M?>C>CD>EAC>SHN; source 2: AUD>M?>C>D>SHN; see caveat for sound quality; Thanks to Jim Powell and others
|
notes
|
| 1057. |
05/30/71 |
Flac 16 - 0,
94119 |
San Francisco |
Winterland Arena flac16; SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1058. |
05/30/71 |
Flac 16 - 0,
31968 |
San Francisco |
Winterland Arena flac16; Unknown Mics -> ? -> Cassette -> Dat (44.1k) Transferred and Edited By Charlie Miller
|
notes
|
| 1059. |
06/21/71 |
Flac 16 - 0,
94356 |
Herouville |
Chateau D'Herouville flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1060. |
06/21/71 |
Shn - 0,
4643 |
Herouville |
Chateau D'Herouville SBD MR> ?> D> CD patched with AM MR> R> C> CD, 5% speed correction, by Hanno Bunjes; see info file for notes; to BUDD offer, later to etree
|
notes
|
| 1061. |
07/02/71 |
Flac 16 - 0,
118485 |
San Francisco |
Fillmore West flac16; Partial Set 2, FM>Reel>CDR>TLH>FLAC and Pre-FM MSR>DAT>CDR>TLH>FLAC
|
notes
|
| 1062. |
07/02/71 |
Shn - 0,
33659 |
San Francisco |
Fillmore West Pre-FM MSR> DAT> CD?; Transfer: EAC> WAV> FLAC by Sean Cribbs, from Connie Veigh source discs
|
notes
|
| 1063. |
07/02/71 |
Shn - 0,
11789 |
San Francisco |
Fillmore West sdb (suspected FM); via Mike Lai; Sector boundaries fixed, files renamed correctly and txt file cleaned up by Dave Backus
|
notes
|
| 1064. |
07/02/71 |
Flac - 0,
18289 |
San Francisco |
Fillmore West Source: Master Reel (Pre-FM) > PCM > DAT Conversion: M-1 > 7-pin optical > Co2 > SB Live > CDwav Record and Index > FLAC (1.1GB)
|
notes
|
| 1065. |
07/02/71 |
Flac 16 - 0,
136638 |
San Francisco |
Fillmore West flac16; Pre Broadcast Recording > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audacity and Wavelab 7.1 mastering by Jamie Waddell; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH
|
notes
|
| 1066. |
07/02/71 |
Shn - 0,
6193 |
San Francisco |
Fillmore West FM; Bob Clevenger's clean-up of Leigh Orf's hosting of Mike Lai's previous shn set; see notes in info file
|
notes
|
| 1067. |
07/31/71 |
Shn - 0,
5678 |
New Haven |
Yale Bowl, Yale University AKG 190E mic > Uher 4000 Report-L 5" Reel deck, Taper: Marty Weinberg; mixed genealogy: I: AudMR > CD > EAC > WAV > SHN, II: AudMR > C > DAT > CD > EAC > WAV >SHN; final digital version assembled by: Noah Weiner; see info file for details and flaw notes; via Audience Devotional Tree
|
notes
|
| 1068. |
07/31/71 |
Flac 16 Mtx - 0,
134686 |
New Haven |
Yale Bowl, Yale University flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:132730)SBD -> Master Reel -> CD,CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; Audience (shnid:101438)Sources:I: AudMR > CD > EAC > WAV > SHN,II: AudMR > C > DAT > CD > EAC > WAV > SHN,single AKG 190E mic > Uher 4000 Report-L 5" Reel deck, 1/2 track tapes on a Revox A-700 (tweaked the head azimuth to match the original recording). Signal fed into DigiDesign Pro Tools on a Macintosh with Audio Media III sound card. The only post processing was normalization.
|
notes
|
| 1069. |
08/04/71 |
Flac 16 - 0,
95308 |
San Pedro |
Terminal Island Correctional Fac. flac16; Recording Info:SBD -> Master Reel -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1070. |
08/05/71 |
Flac 16 - 0,
96540 |
Hollywood |
Hollywood Palladium flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1071. |
08/05/71 |
Flac 16 Mtx - 0,
97014 |
Hollywood |
Hollywood Palladium flac 16; Sick Bits Vol. 29a - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=96540) + AUD (shnid=94260) as well as patch AUD sources (shnid=88859 and shnid=9768). Matrixed by Chris Chappell.
|
notes
|
| 1072. |
08/05/71 |
Flac 16 - 0,
94260 |
Hollywood |
Hollywood Palladium flac16; MR > R > CD > EAC > WAV > FLAC MAR (Harvey Kaslow)* @ 7 1/2 ips. > R @ 7 1/2 ips. (Will Boswell via Rob Bertrando) Maxell UD tape > CD 'loser' was missing on this reel but used Don Wolfe's MAR>R>R @ 3 3/4 ips copy... One of the mics malfunctioned before the second set resulting in a mono recording on set 2 R copied @ 7.5 ips using a Revox A-77>A-77 --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD ** > EAC > WAV (shntool confirms no sbes) > FLAC (TLH)
|
notes
|
| 1073. |
08/05/71 |
Shn - 0,
9768 |
Hollywood |
Hollywood Palladium AUD>MR>R>D>CD; via Jeff Krakowka & Jim Hale; Seeded to etree by J. Cotsman
|
notes
|
| 1074. |
08/05/71 |
Flac 16 - 0,
88859 |
Hollywood |
Hollywood Palladium flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1075. |
08/05/71 |
Flac 16 - 0,
137288 |
Hollywood |
Hollywood Palladium flac16; Recording Info: SBD -> Master Reel -> FLAC/24; Transfer Info: FLAC/24 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; Mastered By Charlie Miller
|
notes
|
| 1076. |
08/05/71 |
Flac 24 - 0,
137274 |
Hollywood |
Hollywood Palladium flac24; Recording Info: SBD -> Master Reel -> FLAC/24; Transfer Info: FLAC/24 -> Samplitude Professional v11.2.1 -> FLAC/24; Mastered By Charlie Miller
|
notes
|
| 1077. |
08/05/71 |
Flac 24/96 - 0,
141678 |
Hollywood |
Hollywood Palladium flac24; Source: (FOB) Sony ECM-22P's > Sony 770 > Master Reel > Reel - Recorded by Harvey Kaslow and Craig Todd, provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick
|
notes
|
| 1078. |
08/05/71 |
Flac 16 - 0,
144915 |
Hollywood |
Hollywood Palladium flac16; Source: (FOB) Sony ECM-22P's > Sony 770 > Master Reel > Reel - Recorded by Harvey Kaslow and Craig Todd, provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; this file set is 16 bit @ 44.1
|
notes
|
| 1079. |
08/05/71 |
Flac 16 - 0,
147720 |
Hollywood |
Hollywood Palladium flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> CD; Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC; converted to .wav files bit rate 14H kbps / 44 khz, retracked, tagged and patched in tracks from the Charlie Miller SBD source and the Boswell / Smith / Sirmick AUD source. Increased the volume on patched SBD tracks by 25%. All post work done by Brian Flegel (using Roxio Sound Editor 2009)
|
notes
|
| 1080. |
08/06/71 |
Flac 16 Mtx - 0,
96668 |
Hollywood |
Hollywood Palladium flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) January 3, 2009
|
notes
|
| 1081. |
08/06/71 |
Flac 16 - 0,
96541 |
Hollywood |
Hollywood Palladium flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1082. |
08/06/71 |
Flac 16 Mtx - 0,
97015 |
Hollywood |
Hollywood Palladium flac 16; Sick Bits Vol. 29b - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=96541) + AUD (shnid=94261) as well as patch AUD source (shnid=88816). Matrixed by Chris Chappell.
|
notes
|
| 1083. |
08/06/71 |
Flac 16 Mtx - 0,
130793 |
Hollywood |
Hollywood Palladium flac16; Matrix 2 Source Mix - SBD (shnid=96541) Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 127690) Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC - matrix mixing by Kevin Tobin
|
notes
|
| 1084. |
08/06/71 |
Flac 24/96 - 0,
127690 |
Hollywood |
Hollywood Palladium flac24; Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
|
notes
|
| 1085. |
08/06/71 |
Flac 24/96 - 0,
109430 |
Hollywood |
Hollywood Palladium flac24; FOB Sony ECM-22P mics New Riders - MAR>R@ 7.5 ips.>DVD; GD - lineage: MAR>R@ 7.5 ips>DVD; Akai GX636 (a rare black model) > Apogee Mini Me @24bit/96kHz > Apogee mini DAC (monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC
|
notes
|
| 1086. |
08/06/71 |
Shn - 0,
129 |
Hollywood |
Hollywood Palladium updated source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando et al; (info file had given AKG 330 etc); D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro; via Ben Kasper, Ben Yerys
|
notes
|
| 1087. |
08/06/71 |
Flac 24/96 - 0,
114390 |
Hollywood |
Hollywood Palladium flac24; Aud.7.5 ips>R(Don Wolfe) Transfer info:Akai GX636 > Apogee Mini Me @24/96; Transfered and mastered by Matt Smith 6/11
|
notes
|
| 1088. |
08/06/71 |
Shn - 0,
30224 |
Hollywood |
Hollywood Palladium source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) Remaster of SHNid=129 by Sir Mick
|
notes
|
| 1089. |
08/06/71 |
Flac - 0,
77457 |
Hollywood |
Hollywood Palladium flac16; fix of the flaws in shn id 30224 source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Harv Kaslow D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) notes: I've been aware for some time that when I originally did the pitch corrction, I didn't get it right on the first 4 tracks. They have now been corrected
|
notes
|
| 1090. |
08/06/71 |
Flac Dts 5.1 - 0,
130794 |
Hollywood |
Hollywood Palladium DTS-Audio-CD 5.1 Mix; SBD (shnid=96541) Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 127690) Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC - dts mixing by Kevin Tobin
|
notes
|
| 1091. |
08/06/71 |
Flac 16 - 0,
94261 |
Hollywood |
Hollywood Palladium flac16; MR > R > CD > EAC > WAV > FLAC MAR (Harvey Kaslow)* @ 7 1/2 ips. > R @ 7 1/2 ips. (Will Boswell via Rob Bertrando) Maxell UD tape > CD --- R copied @ 7.5 ips using a Revox A-77>A-77 --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD ** > EAC > WAV (shntool confirms no sbes) > FLAC (TLH)
|
notes
|
| 1092. |
08/06/71 |
Flac DVDA - 0,
110278 |
Hollywood |
Hollywood Palladium DVD-VA: (Video Audio) SBD>>MR>>CDA>>FLAC>>DAW(Bertha)>>Audio DVD; Bertha Remaster of the Master Reel Source (audio only, no video)
|
notes
|
| 1093. |
08/06/71 |
Flac 16 - 0,
88816 |
Hollywood |
Hollywood Palladium flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> SHN Transfer Info: SHN -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1094. |
08/14/71 |
Shn - 0,
21268 |
Berkeley |
Berkeley Community Theater Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. Original SHNs were nonseekable and were not named according to etree convention. I renamed the files, cleaned up the splice in d1t06, performed a shntool fix to get rid of the resulting sbe, and re-encoded to seekable SHN. - C.Ladner Another installment of TMNSP, 12/03.
|
notes
|
| 1095. |
08/14/71 |
Flac - 0,
130871 |
Berkeley |
Berkeley Community Theater flac16; Recording Info: SBD > MR > C > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Transferred, tracked and mastered by Bill Guarneri, August 5, 2014
|
notes
|
| 1096. |
08/14/71 |
Shn - 0,
1451 |
Berkeley |
Berkeley Community Theater SBD MR->DAT->CD; to abgd; info courtesy Trip, 9/13/00
|
notes
|
| 1097. |
08/15/71 |
Shn - 0,
21780 |
Berkeley |
Berkeley Community Theater Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski. edits by C.Ladner
|
notes
|
| 1098. |
08/15/71 |
Flac - 0,
130890 |
Berkeley |
Berkeley Community Theater flac16; Recording Info: SBD > MR > C > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; Upgrade of existing sources. No shn or CDR in lineage. Transferred, tracked and mastered by Bill Guarneri, August 7, 2014
|
notes
|
| 1099. |
08/15/71 |
Shn - 0,
131 |
Berkeley |
Berkeley Community Theater mSR> cass> DAT> Serafin remaster> CDR; via Andy Gustin; Andy's comments: "not 100% flawless (eg. reel flip in Rider, sporadic anomalies) but they are absolutely worth getting. To my knowledge this is the best that circulates. They do sound amazing."
|
notes
|
| 1100. |
08/21/71 |
Shn - 0,
17179 |
Novato |
Mickey's Barn AUDMC(Sony TC-24 with supplied Sony stereo mic) > Nakamichi Dragon (no Dolby) > Sony D7 DAT > optical digital cable (DTC-700 was the playback unit) through a Zefiro ZA2 soundcard tracked and normalized in Sound Forge. Known as "Mickey's Barn Jam"
|
notes
|
| 1101. |
08/21/71 |
Flac 16 - 0,
83307 |
Novato |
Mickey's Barn flac16; listed as SBD from John Cipollina's reels > 1st generation reel to reel > revox > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac (this is actually an audience recording)
|
notes
|
| 1102. |
08/23/71 |
Flac 16 - 0,
125886 |
Chicago |
Auditorium Theatre flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1103. |
08/23/71 |
Shn - 0,
9759 |
Chicago |
Auditorium Theatre AUD>MR>C>R>D>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman
|
notes
|
| 1104. |
08/26/71 |
Flac 16 - 0,
32303 |
Bronx |
Gaelic Park flac16; SBD -> Master Reel (7in @ 7.5ips 1/2 Track) -> Cassette (Tascam 122mkII) -> Dat (48k) Transferred and Edited By Charlie Miller
|
notes
|
| 1105. |
08/26/71 |
Flac 16 - 0,
35174 |
Bronx |
Gaelic Park flac16; Source 1: set 1 and Casey Jones - unknown aud and Source 2: the rest of set 2 - AKG190E > Uher 400L, taped by Marty Weinberg remastered by SIRMick
|
notes
|
| 1106. |
08/26/71 |
Shn - 0,
32351 |
Bronx |
Gaelic Park Fixed version of previous file set. Source info same as 32303, but with fix for static in one channel during the last second of d1t12.
|
notes
|
| 1107. |
08/26/71 |
Shn - 0,
1559 |
Bronx |
Gaelic Park SDBMR> DAT> WAV> SHN; via Dopey; faded in on reel cut into d2t3; apparently level differences between sets 1 and 2
|
notes
|
| 1108. |
08/26/71 |
Flac 16 - 0,
100292 |
Bronx |
Gaelic Park flac16; taped by Marty Weinberg: akg d190e mic > Uher 4000L; source: aud 1st gen reel lineage: aud 5" reel masters>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger 7/25/09
|
notes
|
| 1109. |
08/26/71 |
Flac 16 - 0,
126297 |
Bronx |
Gaelic Park flac16; source: aud cassette master taped by Jim & Laurie Cooper; 2 unknown mics > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger 2013
|
notes
|
| 1110. |
09/29/71 |
Shn - 0,
16891 |
Santa Venetia |
Studio Rehearsals with Keith Godchaux MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt
|
notes
|
| 1111. |
09/29/71 |
Flac - 0,
16951 |
Santa Venetia |
Studio Rehearsals with Keith Godchaux flac16 Bootleg CDs "Unsurpassed Master Vol 4" And "Unsurpassed Master Vol 6" > EAC > Wav > FLAC
|
notes
|
| 1112. |
09/??/71 |
Shn - 0,
16897 |
Santa Venetia |
Keith rehearsals Studio Rehearsals w/ Keith Godchaux: Compilation of 09/29 & 09/30, and 10/01/71; boot cd (unsurpassed vol 5) -> eac-> wav-> shn; Unknown seeder; note this shn set used to be listed on 10/1/71 but would be better moved here- use this date instead for the comp
|
notes
|
| 1113. |
09/??/71 |
Flac 24/96 - 0,
150976 |
Santa Venetia |
Keith rehearsals
|
notes
|
| 1114. |
09/??/71 |
Flac 16/48 - 0,
151081 |
Santa Venetia |
Keith rehearsals flac16/48khz omplied from multiple sources including analog tapes (from the Jeff Knudsen Archive, curated by Tom Markson, and Blackwood archives) as well as existing shn and bootleg cd sources. Regarding accuracy of dates within the sets of rehearsals: this is as-is as it may not all be 100% correct. Cassette source transfers (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Transfers and Mastering by Jim Blackwood Speed Corrections by Jason Chastain Project assistance from Jamison Waddell
|
notes
|
| 1115. |
10/01/71 |
Shn - 0,
16896 |
Santa Venetia |
Studio MSR> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit; see setlist notes in txt. [An alternate shn set was seeded by Cousinit since original shns were not archived].
|
notes
|
| 1116. |
10/19/71 |
Flac 16 - 0,
114351 |
Minneapolis |
Northrop Auditorium, U. of Minn. flac16; Recording Info: SBD -> Reel Master (7 inch 1/4 track) -> Dat (48k) Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1117. |
10/19/71 |
Shn - 0,
3301 |
Minneapolis |
Northrop Auditorium, U. of Minn. PreFM Soundboard Reels > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston
|
notes
|
| 1118. |
10/21/71 |
Flac - 0,
112086 |
Chicago |
Auditorium Theatre flac16; Recording Info:SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1119. |
10/21/71 |
Shn - 0,
9622 |
Chicago |
Auditorium Theatre Jay Ashley (Bertha) remaster of original MR source; SBD>>MR>>Cass>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA
|
notes
|
| 1120. |
10/21/71 |
Shn - 0,
5071 |
Chicago |
Auditorium Theatre SBD> MR> C> D> CD> EAC>S HN; EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Cook; see listening notes in info file
|
notes
|
| 1121. |
10/21/71 |
Shn - 0,
5067 |
Chicago |
Auditorium Theatre Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston
|
notes
|
| 1122. |
10/22/71 |
Flac 16 - 0,
112821 |
Chicago |
Auditorium Theatre flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1123. |
10/22/71 |
Flac 16 - 0,
86728 |
Chicago |
Auditorium Theatre flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1124. |
10/23/71 |
Flac - 0,
111673 |
Detroit |
Eastown Theater flac16; Recording Info:SBD -> Master Reel (7 Inch - 1/2 Track) -> Sound Devices 744T (24bit/96k) -> FLAC/24; Transfer Info:FLAC/24 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1125. |
10/23/71 |
Shn - 0,
18666 |
Detroit |
Eastown Theater SBD>FM>?>CASS>CD>EAC>DC5>CD Thanks to the Wizard; seedeD
|
notes
|
| 1126. |
10/23/71 |
Shn - 0,
19862 |
Detroit |
Eastown Theater FM C/3; via Uli Teute and Hanno Bunjes
|
notes
|
| 1127. |
10/23/71 |
Shn - 0,
10359 |
Detroit |
Eastown Theater SBD>FM>?>C>Sound Forge>SHN; via Walter Schnell; Seeded to etree by J. Cotsman
|
notes
|
| 1128. |
10/24/71 |
Shn - 0,
3292 |
Detroit |
Eastown Theater Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston
|
notes
|
| 1129. |
10/24/71 |
Flac - 0,
125887 |
Detroit |
Eastown Theater flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1130. |
10/26/71 |
Shn - 0,
9761 |
Rochester |
The Palestra, U. of Rochester Source 1: (all material on discs 1 & 2) SBD>MR>R>C>D>CD(pre FM) Source 2: (all material on disc 3) SBD>MR>?>D>CD; via Matt Vernon, Raoul Duke, and Jeff Cook; Seeded to etree by J. Cotsman
|
notes
|
| 1131. |
10/27/71 |
Flac - 0,
32668 |
Syracuse |
Onondaga County War Memorial flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 1132. |
10/27/71 |
Flac - 0,
32869 |
Syracuse |
Onondaga County War Memorial flac16; SBD > MR > CASS > DAT > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha Remaster of shn id 32668
|
notes
|
| 1133. |
10/27/71 |
Shn - 0,
9503 |
Syracuse |
Onondaga County War Memorial Missing 3 2nd set tracks, see info file for details; SBD>FM>MR>?>CD; via Matt Vernon & Raoul Duke; Seeded to etree by J. Cotsman
|
notes
|
| 1134. |
10/29/71 |
Flac - 0,
24999 |
Cleveland |
Allen Theatre Recording Info: SBD (7inch Master Reels@7.5ips 1/2trk) -> Cass (Tascam 122mkIII) -> Dat (3800/48k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sharp MV10 -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller
|
notes
|
| 1135. |
10/29/71 |
Shn - 0,
10357 |
Cleveland |
Allen Theatre Complete; 1st set: SBD> FM> ?> C> Sound Forge> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; via Walter Schnell, Tony Gardner & Paul B.; Seeded to etree by J. Cotsman
|
notes
|
| 1136. |
10/29/71 |
Shn - 0,
4090 |
Cleveland |
Allen Theatre set 2; SBD> MR> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B. CD
|
notes
|
| 1137. |
10/30/71 |
Shn - 0,
26608 |
Cincinnati |
Taft Auditorium mixed sources; primary: Pre-FM MR (1/2 track, 7.5 ips), Transfer: Revox PR99-MKIII > Panasonic SV3800 (48)/Sony 60ES > M-Audio Audiophile USB > CDWave > Goldwave (resample to 44.1 and edits) > CDwave > mkwACT, Primary source supplied by Josh Braveman; Secondary: FM > Pioneer RT-707 (7" reel @ 19 ips) > CD, Conversion: Kenwood TrueX > EAC > shn v3 (seekable); edited (patching, pitch correction, d/o repair) by Doug Nawrocki et al (see notes)
|
notes
|
| 1138. |
10/30/71 |
Flac - 0,
120823 |
Cincinnati |
Taft Auditorium flac16; Updated Recording Info: Pre FM SBD > MR > RR @ 7 1/2 IPS; Transfer Info: RR > 1978 Teac 3440 > WAV > Sound Forge 10 > TLH > FLAC; Transfered, tracked and mastered by Bill Guarneri, August 1, 2014
|
notes
|
| 1139. |
10/30/71 |
Shn - 0,
2664 |
Cincinnati |
Taft Auditorium FM> Pioneer RT-707 (7" reel @ 19 ips)> CD; Conversion: Kenwood TrueX > EAC > shn v3 (seekable); via Brian Cole
|
notes
|
| 1140. |
10/30/71 |
Flac - 0,
137408 |
Cincinnati |
Taft Auditorium flac16; Recording of the FM Broadcast on WEBN Cincinnati, DAT provided and transferred by Stuccoholmes, Editing and Mastering by Jamie Waddell in Wavelab 7.1, Critical Listening assitance by John Wenzel. Track, FLAC and Pack by Norm
|
notes
|
| 1141. |
10/31/71 |
Flac 16 - 0,
79011 |
Columbus |
Ohio Theatre flac16; Set 1 & Encore: Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC
|
notes
|
| 1142. |
10/31/71 |
Shn - 0,
16781 |
Columbus |
Ohio Theatre partial SBD pre-fm GDH Dick Pick's leftovers
|
notes
|
| 1143. |
10/31/71 |
Flac 16 - 0,
142426 |
Columbus |
Ohio Theatre flac16; Recording Info: SBD > Master Reel (7in @ 7.5ips 1/2trk) > Dat (Panasonic SV-3700/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
notes
|
| 1144. |
11/06/71 |
Shn - 0,
6253 |
San Francisco |
Harding Theater SBD> MR> C> DAT> CDR; note PA problems with the piano throughout show; via Mike Lai, with thanks to Paul B.
|
notes
|
| 1145. |
11/07/71 |
Shn - 0,
9570 |
San Francisco |
Harding Theater SBD : Pre-FM Reel > DAT > CD; via Seth Kaplan
|
notes
|
| 1146. |
11/07/71 |
Flac 16 - 0,
127503 |
San Francisco |
Harding Theater flac16; Lineage: FM MR @ 3/ 3.4 ips(Peter Kafer???)>R @ 3 & 3/4 ips(Will Boswell); Transfer info: Akai GX636 direct tape head output > Telefunken tubes tape pre w/a pair of 1960s era Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
|
notes
|
| 1147. |
11/07/71 |
Flac 24/96 - 0,
127490 |
San Francisco |
Harding Theater flac24; Lineage: FM MR @ 3/ 3.4 ips(Peter Kafer???)>R @ 3 & 3/4 ips(Will Boswell); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of 1960s era Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
|
notes
|
| 1148. |
11/07/71 |
Shn - 0,
2580 |
San Francisco |
Harding Theater updated lineage: sdb> MR> [FM> ?>] D> CD; via Mike Lai
|
notes
|
| 1149. |
11/07/71 |
Flac 16 - 0,
135990 |
San Francisco |
Harding Theater flac16; FM or Pre-FM > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Audacity and Wavelab 7.1 Mastering by Jamie Waddell
|
notes
|
| 1150. |
11/07/71 |
Flac 24/96 - ,
155687 |
San Francisco |
Harding Theater flac24/96 Recording Info: FM > Master Reel (3.75ips) > Reel (3.75ips) Transfer Info: Reel (Akai GX636) Apogee Mini-Me (24-bit/96k) > FLAC Mastering Info: FLAC > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 Remastered version of shnid=127490
|
notes
|
| 1151. |
11/07/71 |
Flac 16/44 - ,
155721 |
San Francisco |
Harding Theater FLAC 1644 Recording Info: FM > Master Reel (3.75ips) > Reel (3.75ips) Transfer Info: Reel (Akai GX636) Apogee Mini-Me (24-bit/96k) > FLAC Mastering Info: FLAC > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 Remastered version of shnid=127490 This is 155687 2496 > 1644
|
notes
|
| 1152. |
11/11/71 |
Shn - 0,
8326 |
Atlanta |
Atlanta Municipal Auditorium Sbd>MR>?>Dat>cd; via Yubah, Ernie Dodd
|
notes
|
| 1153. |
11/11/71 |
Flac 16/44 - ,
155920 |
Atlanta |
Atlanta Municipal Auditorium flac1644 (Bootleg Tape - from FM broadcast) FM-Cassx?>CD>.wav>flac via Brian Flegel
|
notes
|
| 1154. |
11/12/71 |
Shn - 0,
3347 |
San Antonio |
San Antonio Civic Auditorium sdb> master reel> pcm> cdr; via Mike Lai
|
notes
|
| 1155. |
11/12/71 |
Shn - 0,
14916 |
San Antonio |
San Antonio Civic Auditorium 2nd set only; S : MC > C > SONIC SOLUTIONS > CDR > EAC > COOL EDIT PRO >CD (patched with SBD : MR > PCM > CDR source); See info file for details; via Charlie Miller; Seeded to etree by Alan J Fink;
|
notes
|
| 1156. |
11/12/71 |
Shn - 0,
4759 |
San Antonio |
San Antonio Civic Auditorium Master Soundboard Reel > Cassette > DAT > CDR
|
notes
|
| 1157. |
11/12/71 |
Flac 16 - 0,
120716 |
San Antonio |
San Antonio Civic Auditorium flac16; Partial aud 1st gen reel Jerry Moore's copy; lineage: aud > AKG d190e > Marty Weinberg's Uher reel master > JM's 1st gen reel @ 3.75 ips/dolby b > dat; sony tc-765 reel > teac an-180/b > sbm1 > sony d8 reel transferred to dat in 1999 by Rob Berger, seeded June 2012
|
notes
|
| 1158. |
11/12/71 |
Flac 16 - 0,
137396 |
San Antonio |
San Antonio Civic Auditorium flac16; Source: Sbd > master reel (vault) > reel (dick latvala) > dat 48k (rob Eaton); Transfer: Dat > Sony R500 > Sound Devices 744T > wav 16/48; transfer by Charlie Miller; Lineage: wav 16/48 > Adobe Audition 3.0.1 > iZotope Ozone 5 Advanced > iZotope RX4 advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; edited and mastered SIRMick
|
notes
|
| 1159. |
11/12/71 |
Flac 16 - 0,
142439 |
San Antonio |
San Antonio Civic Auditorium flac16; Partial Set 2 Source: Sbd > Master reel (vault) > Dick's dat (44.1) - Provided by Rob Eaton; Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 advanced > iZotope Ozone 5 Advanced >CD Wave >Flac 16; edited and mastered SIRMick June 2018
|
notes
|
| 1160. |
11/14/71 |
Shn - 0,
23568 |
Fort Worth |
Texas Christian University SBD -> Master Reel (10 inch) -> CD -> Sonic Solutions -> CD -> EAC -> SHN; Converted By Charlie Miller
|
notes
|
| 1161. |
11/14/71 |
Shn - 0,
8738 |
Fort Worth |
Texas Christian University Charles Weir fix of original SBD source; including a written txt file
|
notes
|
| 1162. |
11/14/71 |
Shn - 0,
6254 |
Fort Worth |
Texas Christian University SBD> MR> C> (additional analog gens?)> DAT> CDR; minor background noise from 3:21-3:23 of IKYR; via Mike Lai, with thanks to Paul B.
|
notes
|
| 1163. |
11/15/71 |
Flac - 0,
31607 |
Austin |
Austin Municipal Auditorium flac16; MSR>C>DAT2x>Delta Dio 2496>Soundforge>WAV>FLAC This is from a new single source (seeded 11/15/05)
|
notes
|
| 1164. |
11/15/71 |
Shn - 0,
12438 |
Austin |
Austin Municipal Auditorium SBD>MR>C>D>CD>EAC>SHN (patched with slightly degraded SBD, also listed with one cassette generation in the lineage); complete show; Thanks to Michael Dixon & Chuck Kiefe; edits/encoding by JCotsman
|
notes
|
| 1165. |
11/15/71 |
Shn - 0,
7735 |
Austin |
Austin Municipal Auditorium partial: "Big Jam" portion; SBD:MR > Cassette > Sonic Solutions > CDR > EAC > SHN; CD mastering by David Gans. Extraction (EAC), re-tracking (CD Wave and WavMerge), and .shn encoding (mkwACT) by Joe Jupille
|
notes
|
| 1166. |
11/17/71 |
Shn - 0,
10285 |
Albuquerque |
Albuquerque Civic Auditorium SBD>FM>MC>C>D>CD; Patched with SBD>FM>MC>?>C>Sound Forge>SHN (higher gen than primary source); See info file for details; via Jeff Cook & Walter Schnell; Seeded to etree by J. Cotsman
|
notes
|
| 1167. |
11/20/71 |
Flac - 0,
92908 |
Los Angeles |
Pauley Pavilion, UCLA flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1168. |
11/20/71 |
Shn - 0,
8806 |
Los Angeles |
Pauley Pavilion, UCLA SBD>FM>R>DAT>CDR; via Rick Martin; Seeded to etree by Willy
|
notes
|
| 1169. |
12/01/71 |
Flac 16 - 0,
76424 |
Boston |
Music Hall flac16; Set 2 Only; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; All Mastering done By Charlie Miller (This source fixes a flaw in the Big Boss Man on the previous source.)
|
notes
|
| 1170. |
12/01/71 |
Flac 16 - 0,
83164 |
Boston |
Music Hall flac16; Partial Set 2 Matrix. Mix Ratio = +3 db sbd (shnid=76424) / -5.5 db aud (shnid=24765) via Matt Vernon
|
notes
|
| 1171. |
12/01/71 |
Flac 16 - 0,
32304 |
Boston |
Music Hall flac16; Recording Info: SBD -> Reel Master -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; upgrade in circulation
|
notes
|
| 1172. |
12/01/71 |
Shn - 0,
3898 |
Boston |
Music Hall set 2; sbd; via Mike Lai
|
notes
|
| 1173. |
12/01/71 |
Shn - 0,
24765 |
Boston |
Music Hall Source: Unknown aud via David Minor. Likely Lineage: AUDMC > C > C > CDR > EAC > Pitch Correction / editing > SHN Pitch correction and general fixup by David Minches. Minor assistance by Matt Vernon
|
notes
|
| 1174. |
12/02/71 |
Shn - 0,
6255 |
Boston |
Music Hall SBD> MR> R> DAT> CDR; see info file for flaw notes; via Mike Lai, with thanks to Paul B. (SBE fixed version via SIRMick, January, 2006.)
|
notes
|
| 1175. |
12/02/71 |
Flac 16 Fm - 0,
141202 |
Boston |
Music Hall flac16; Source Info: FM Broadcast; Unknown Analog Master > 2 cassette generations > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 1176. |
12/02/71 |
Flac 16 - 0,
141424 |
Boston |
Music Hall flac16; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
|
notes
|
| 1177. |
12/02/71 |
Flac 24/96 - 0,
141425 |
Boston |
Music Hall flac24; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496
|
notes
|
| 1178. |
12/02/71 |
Flac 16/48 - 0,
142970 |
Boston |
Music Hall flac16/48kHz; Set 2 Source Info: Master Soundboard Reels > Cassette > Dat (16/48); Transfer Info: Dat (Sony PCM-R500)(16/48)> Apogee aes/ebu cable > Tascam DA-3000 (16/48)> Adobe Audition 3.0 (16/48) > TLH flac1648
|
notes
|
| 1179. |
12/02/71 |
Flac 16/48 - 0,
142968 |
Boston |
Music Hall flac16/48kHz; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp; pitch corrected version of shnid 141424
|
notes
|
| 1180. |
12/02/71 |
Flac 24/96 - 0,
142969 |
Boston |
Music Hall flac24; Source Info: FM Broadcast (WBCN Boston); Master Reel to Reel > Matt Smith's 1st generation Reels; Transfer Info: 1st generation reels ((Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 24/96 > TLH flac2496; pitch corrected version of shnid 141425
|
notes
|
| 1181. |
12/04/71 |
Flac - 0,
110128 |
New York |
Felt Forum, Madison Square Garden flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 1182. |
12/04/71 |
Shn - 0,
6256 |
New York |
Felt Forum, Madison Square Garden SBD> MR> DAT> C> DAT> CDR; missing JB Goode, Cumberland fades in; via Mike Lai, with thanks to Paul B.; note d2t2,3 had been misnumbered (reversed) intially- md5s for correctly named tracks are now shown here
|
notes
|
| 1183. |
12/04/71 |
Flac - 0,
120948 |
New York |
Felt Forum, Madison Square Garden flac16: aud reel master>reel>dat, taped by Marty Weinberg, Jerry Moore's copy transferred by Rob Berger
|
notes
|
| 1184. |
12/04/71 |
Flac 16 - 0,
110186 |
New York |
Felt Forum, Madison Square Garden flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1185. |
12/05/71 |
Flac - 0,
3391 |
New York |
Felt Forum, Madison Square Garden Updated lineage: FM > MR > DAT > CD; (had been marked pre-FM) stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; notes: no encore, complete Muddy Water, small cut in Casey Jones, chatter edited; see pub comments for md5 notes
|
notes
|
| 1186. |
12/05/71 |
Flac 16 - 0,
131532 |
New York |
Felt Forum, Madison Square Garden flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1187. |
12/05/71 |
Flac 16 - 0,
100316 |
New York |
Felt Forum, Madison Square Garden flac16; FM -> Master Reel -> CD -> EAC -> FLAC. This is a complete show and a real nice upgrade from the so-called Pre-FM.
|
notes
|
| 1188. |
12/05/71 |
Shn - 0,
18665 |
New York |
Felt Forum, Madison Square Garden Updated lineage: FM>MR>DAT>CD>SHN (had been marked as pre-FM)
|
notes
|
| 1189. |
12/05/71 |
Flac 16 - 0,
147715 |
New York |
Felt Forum, Madison Square Garden flac16; SOURCE: Pre-FM>MR>DAT>CD>SHN; converted original files (gd1971-12-05.sbd.unknown.18665.sbeok.shnf) to .wav files bit rate 14H kbps / 44 khz, retracked, tagged and fixed every track transitions; All done with crossfades (minus the tracks that naturally segue into each other) and did numerous volume adjustments and little edits
|
notes
|
| 1190. |
12/05/71 |
lps. - 0,
|
New York |
Felt Forum, Madison Square Garden
|
notes
|
| 1191. |
12/06/71 |
Flac - 0,
108425 |
New York |
Felt Forum, Madison Square Garden flac16; Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat; Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1192. |
12/06/71 |
Shn - 0,
2418 |
New York |
Felt Forum, Madison Square Garden MSR> DAT> CD; via Seth Kaplan
|
notes
|
| 1193. |
12/07/71 |
Shn - 0,
3375 |
New York |
Felt Forum, Madison Square Garden SBD> MR @ 10.5 IPS> DAT> CD; stemming from Merry Prankster tree #6; tree seeded by Charlie Miller; SHN branch by Michael Weise?; note large cut in Casey Jones
|
notes
|
| 1194. |
12/09/71 |
Shn - 0,
3345 |
St. Louis |
Fox Theatre MSR> LATVALA C> DAT> CDR; EAC> SHN by Seth Kaplan; upload by Darrin Sacks
|
notes
|
| 1195. |
12/10/71 |
Flac - 0,
92392 |
St. Louis |
Fox Theatre flac16; Set 1 Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1196. |
12/10/71 |
Shn - 0,
85787 |
St. Louis |
Fox Theatre Source: MSR>C>DAT>CD; with FM patch
|
notes
|
| 1197. |
12/10/71 |
Shn - 0,
1311 |
St. Louis |
Fox Theatre MR> DAT> Latvala's Cassette> D> CDR (slightly updated lineage); EAC/SHN, Ben Yerys; seed via Seth Kaplan, Jared Minkof
|
notes
|
| 1198. |
12/14/71 |
Shn - 0,
23842 |
Ann Arbor |
Hill Auditorium 7" BBD reel> PCM501ES(beta)> PCM501ES analog out> Fostex D5 @ optical out 48KHz> HD; DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert; includes Tuning between songs. Same as http://db.etree.org/shninfo_detail.php?shnid=12763 with SBEs fixed and seektables appended with shntool.
|
notes
|
| 1199. |
12/14/71 |
Shn - 0,
12763 |
Ann Arbor |
Hill Auditorium 7" BBD reel> PCM501ES(beta)> PCM501ES analog out> Fostex D5 @ optical out 48KHz> HD; DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert; includes Tuning between songs
|
notes
|
| 1200. |
12/14/71 |
Shn - 0,
133 |
Ann Arbor |
Hill Auditorium SBD > Master Reel > PCM > DAT x3> CDR > SHN > WAV > Sound Forge Noise Reduction > SHN; 7" two track Betty Cantor Reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz / PCM501ES analog out > Fostex D5 @ 48 kHz; Mastered to CD using a Tascam DA302 > HHB 850; via jeffk; report by L. Orf- NR version lacking fullness relative to orig- more NR discussion
|
notes
|
| 1201. |
12/14/71 |
Flac 16 - 0,
140950 |
Ann Arbor |
Hill Auditorium flac16; Source Info: Betty's 7" 2-track Master Soundboard Reels > PCM > PCM (14 bit)(Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 1202. |
12/15/71 |
Flac 16 - 0,
97718 |
Ann Arbor |
Hill Auditorium flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1203. |
12/15/71 |
Shn - 0,
134 |
Ann Arbor |
Hill Auditorium set 2; SBD> ?> CDR> EAC> SHN; via J. Oleynick, M. Ferguson; see info file for flaws
|
notes
|
| 1204. |
12/15/71 |
Shn - 0,
12615 |
Ann Arbor |
Hill Auditorium both sets, 2 different SBD sources (see notes); via Walter Schnell; encoding and mastering by Jeff Cotsman
|
notes
|
| 1205. |
12/15/71 |
Shn - 0,
16464 |
Ann Arbor |
Hill Auditorium set 1; MR> ?> C> CD, from Hank Harrison cass, presumed lower-gen than previous versions (see notes); via Uli Teute, Hanno Bunjes & Carsten Baumann
|
notes
|
| 1206. |
12/15/71 |
Flac 24 - 0,
149430 |
Ann Arbor |
Hill Auditorium flac24; Recording Info: SBD > Master Reel > Pro Tools > FLAC/24; Mastering Info: FLAC/24 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
|
notes
|
| 1207. |
12/15/71 |
Flac 16 - 0,
149966 |
Ann Arbor |
Hill Auditorium flac16; Recording Info: SBD > Master Reel > Pro Tools > FLAC/24; Mastering Info: FLAC/24 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 1208. |
12/31/71 |
Shn - 0,
135 |
San Francisco |
Winterland Arena FM > Reel > Dat > CDR; via G. Lanum
|
notes
|
| 1209. |
12/31/71 |
Flac 16 Fm - 0,
141329 |
San Francisco |
Winterland Arena flac16; Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFil-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick
|
notes
|
| 1210. |
12/31/71 |
Flac 16 - 0,
142687 |
San Francisco |
Winterland Arena flac16; Source: KSAN > FM Master reel > cassette > pcm ( Sony ESX HiFi l-750) - Provided by Tim Dalton; Transfer: pcm > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > WAV 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2018
|
notes
|
| 1211. |
12/31/71 |
Flac 16/48 - 0,
142681 |
San Francisco |
Winterland Arena flac16/48 Recording Info: SBD > Master Reel > Dat (48k) Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k (3 Discs Audio / 1 DVD FLAC) All Transfers and Mastering by Charlie Miller
|
notes
|
| 1212. |
12/31/71 |
Flac 16/48 - 0,
142742 |
San Francisco |
Winterland Arena flac16/48kHz; Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k; this is a fix of shnid=142681
|
notes
|
| 1213. |
??/??/71 |
Flac 16/44 - 0,
152206 |
Unknown |
Unknown Studio flac16/44 Source: Alan Bershaw's low generation cassette (Maxell UDXL2 with Dolby B) Transfer: Maxell UDXL2 with Dolby B (Nakamichi Dragon playback with Dolby B) > Lexicon Lambda > Logic 1644.1 (tracking only) > wav > xAct (sbe correction) > FLAC
|
notes
|
| 1214. |
01/02/72 |
Shn - 0,
8709 |
San Francisco |
Winterland Arena updated lineage: SBD> Reel Master> Reel> CD> Sonic Solutions Workstation> CD; via Charlie Miller; Seeded to etree by eD
|
notes
|
| 1215. |
01/02/72 |
Flac 16 - ,
161838 |
San Francisco |
Winterland Arena flac16 Recording info: SBD > Master Reel > DAT source from Anon; Mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel
|
notes
|
| 1216. |
03/05/72 |
Flac 16 - 0,
103282 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1217. |
03/05/72 |
Shn - 0,
20704 |
San Francisco |
Winterland Arena AUD -> ? -> Reel (Mono) -> DAT -> WAV -> SHN Taper, mic, and deck unkown. Analog > DAT by Neil Sturtevant. DAT > SHN & final edits by Charlie Miller. Added to etree by Noah Weiner
|
notes
|
| 1218. |
03/05/72 |
Shn - 0,
12152 |
San Francisco |
Winterland Arena Partial 1st set and complete 2nd set; See info file for details and 'cuts'; sbd>cass>cass>cass>dat>cd; Seeded to etree by Jools
|
notes
|
| 1219. |
03/05/72 |
Shn - 0,
20739 |
San Francisco |
Winterland Arena SBD -> ?m -> Cass -> Cass -> Cass -> Cass -> Dat -> SHN Patched w/AUD -> ? -> Reel (Mono) -> Dat -> Samplitude -> SHN via Charlie Miller; upgrade now in circulation
|
notes
|
| 1220. |
03/21/72 |
Flac 16 - 0,
92395 |
New York |
Academy Of Music flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1221. |
03/21/72 |
Flac 16 - 0,
32370 |
New York |
Academy Of Music flac16; Master Soundboard Reel (2 track)->Dat->Dat-> Sonic Solutions->CD EAC, Re-track, and FLAC by Joe Samaritano
|
notes
|
| 1222. |
03/21/72 |
Flac 16 - 0,
136670 |
New York |
Academy Of Music flac16; Source: sbd > cassette master > dat(48k)
|
notes
|
| 1223. |
03/21/72 |
Shn - 0,
15041 |
New York |
Academy Of Music Master Soundboard Reel (2 track)->Dat->Dat-> Sonic Solutions->CD->EAC->SHN CD->EAC->SHN Done By Joe Samaritano; samaritano@adelphia.net, 2/5/03
|
notes
|
| 1224. |
03/21/72 |
Shn - 0,
9331 |
New York |
Academy Of Music Set 2; SBD>MR>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 1225. |
03/22/72 |
Flac - 0,
132726 |
New York |
Academy of Music flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1226. |
03/22/72 |
Flac - 0,
136682 |
New York |
Academy of Music flac16; Source: sbd > master reel > dat (48k)
|
notes
|
| 1227. |
03/22/72 |
Shn - 0,
19142 |
New York |
Academy of Music Partial Audience Recording via David Hollister. Lineage: A:?>Cass>Reel>CD>EAC>SHN
|
notes
|
| 1228. |
03/23/72 |
Flac 16 - 0,
100000 |
New York |
Academy of Music flac16;Recording Info:SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info:Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1229. |
03/23/72 |
Shn - 0,
|
New York |
Academy of Music
|
notes
|
| 1230. |
03/23/72 |
Shn - 0,
137 |
New York |
Academy of Music set II; Gans Betty; Source: ?>Jim Wise BBD (Betty Board)> Gans CD> Goodbear's Gans CD clone> SHN; via Teddy Goodbear to abgd, ~10/16; etreed ~10/29; more info; note slight buzz & a touch of hiss
|
notes
|
| 1231. |
03/23/72 |
Flac 16 - 0,
136683 |
New York |
Academy of Music flac16; Source: sbd > master reel > dat (48k)
|
notes
|
| 1232. |
03/25/72 |
Flac 16/48 - 0,
133593 |
New York |
Academy of Music flac16/48kHz; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1233. |
03/25/72 |
Flac 16 - 0,
133592 |
New York |
Academy of Music flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Mille
|
notes
|
| 1234. |
03/25/72 |
Shn - 0,
8838 |
New York |
Academy of Music AUD composite- see notes in info file; via Hanno Bunjes, with thanks to Uli Teute
|
notes
|
| 1235. |
03/25/72 |
Flac 16 - 0,
136684 |
New York |
Academy of Music flac16; Source: sbd > master reel > dat (48k)
|
notes
|
| 1236. |
03/25/72 |
Flac 16 - 0,
100352 |
New York |
Academy of Music flac16; source: aud reel; lineage: aud>?>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac; transferred & seeded by Rob Berger 7/29/09
|
notes
|
| 1237. |
03/25/72 |
Shn - 0,
22094 |
New York |
Academy of Music Multiple Sources -- see info file, same as shn ID 8838, but SBE's in d1t11, d1t14, and d2t10 fixed with shntool and new md5's generated
|
notes
|
| 1238. |
03/25/72 |
Flac 24 - 0,
137696 |
New York |
Academy of Music flac24; Source: Audience recording > Sony S95 > Sony TC-124S > cassette Maxell UDXLII (1st gen); Recorded by Ken and Judy Lee; Transfer: cassette > Tascam 112MKII (No Dolby) > Korg MR 2000S DFF DSD @ 5.6 MHz > Audiogate > wave @ 24/88.2; Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick
|
notes
|
| 1239. |
03/25/72 |
Flac 16 - 0,
137695 |
New York |
Academy of Music flac16; Source: Audience recording > Sony S95 > Sony TC-124S > cassette Maxell UDXLII (1st gen); Recorded by Ken and Judy Lee; Transfer: cassette > Tascam 112MKII (No Dolby) > Korg MR 2000S DFF DSD @ 5.6 MHz > Audiogate > wave @ 24/88.2; Transferred by John Jay Hance; Lineage: wav 24/88.2 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac16; edited and mastered SIRMick
|
notes
|
| 1240. |
03/26/72 |
Flac 16 - 0,
133303 |
New York |
Academy of Music flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1241. |
03/26/72 |
Shn - 0,
15413 |
New York |
Academy of Music AUD C/3 > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes
|
notes
|
| 1242. |
03/26/72 |
Flac 16/48 - 0,
136689 |
New York |
Academy of Music flac16/48kHz; Source: sbd > master reel > dat (48k)
|
notes
|
| 1243. |
03/27/72 |
Flac 16 - 0,
132366 |
New York |
Academy of Music flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1244. |
03/27/72 |
Shn - 0,
15816 |
New York |
Academy of Music AUD C/? > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes
|
notes
|
| 1245. |
03/27/72 |
Flac 16/48 - 0,
135871 |
New York |
Academy of Music flac16/48kHz; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1246. |
03/28/72 |
Flac - 0,
132729 |
New York |
Academy of Music flac16; Recording Info: SBD -> Master Reel -> Apogee AD500 -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1247. |
03/28/72 |
Shn - 0,
15414 |
New York |
Academy of Music AUD C/5 > SoundForge > CDR, seeded by Uli Teute and Hanno Bunjes
|
notes
|
| 1248. |
03/28/72 |
Shn - 0,
24536 |
New York |
Academy of Music source: aud C/5 > soundforge > cdr > shn > wav > shn You might wonder why I would bother to remaster this show since the sound on it is so bad. Well firstly, I like a challenge, secondly I had the time but most of all, it's a great show. This recording had serious deficiencies as can be seen from the original notes below. It is now listenable for most of the show but problems remain. Purists will probably not like the way that I have re-mastered this but needs must
|
notes
|
| 1249. |
04/07/72 |
Flac 16 - 0,
31329 |
London |
Wembley Empire Pool flac16; source: mac (2 sources) > c > cdr + M? > low-gen reel > cdr > ??? > wav > shn > wav > flac; remaster of shnid 6161 by SIRMick
|
notes
|
| 1250. |
04/07/72 |
Shn - 0,
6161 |
London |
Wembley Empire Pool 2 AUD sources: MR> C> CDR + M?> low-gen reel> CDR (see info file); mastered by Hanno Bunjes from compilation tape by Uli Teute; Hanno's notes
|
notes
|
| 1251. |
04/08/72 |
Flac - 0,
83714 |
London |
Wembley Empire Pool flac16; Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1252. |
04/08/72 |
Shn - 0,
2185 |
London |
Wembley Empire Pool SBD; Discs 1 and 2: MR > DAT > CD > EAC > SHN; Disc 3: MR > DAT > Sonic Solutions > CD > EAC > SHN; Extraction, retracking of discs 1 and 2, and SHN encoding by G.S. Hamilton, from Seth Kaplan's copy; d3 is identical to previously circulated shn; note 1/01: cleaned version of this now in shn
|
notes
|
| 1253. |
04/08/72 |
Flac - 0,
83148 |
London |
Wembley Empire Pool SHNID: 83143
|
notes
|
| 1254. |
04/08/72 |
Shn - 0,
2534 |
London |
Wembley Empire Pool SBD> MR (16 track)> DAT> [Disc 3 only: SS]> Sound Forge 4.5>CDR; remastering by Bill Giles, with disc 3 work by David Gans; EAC> SHN by Jeff M.; see detailed notes in info file
|
notes
|
| 1255. |
04/11/72 |
Flac - 0,
94377 |
Newcastle |
Newcastle City Hall flac16; Source: SBD Lineage: MR(recorded by Rex Jackson)>R(JG)>R(WB)>CD transfer info:Maxell UD XL reel tape @ 3 3/4 ips>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring)>LYNX ONE soundcard>Wavelab 5.0(dithered to 20/44)>CD.
|
notes
|
| 1256. |
04/11/72 |
Shn - 0,
4640 |
Newcastle |
Newcastle City Hall SBD> MC> D> CD> SHN; some Soundforge editing; see info file for flaw notes; via thecore
|
notes
|
| 1257. |
04/11/72 |
Shn - 0,
12186 |
Newcastle |
Newcastle City Hall remastered by Bill Giles - source is SBD MC>D>CD>SoundForge>CD See info file for flaws & Bill's mastering notes
|
notes
|
| 1258. |
04/14/72 |
Flac 16 - 0,
76006 |
Copenhagen |
Tivoli Theater flac16 This is a pitch/speed fixed version of shn id 34552 The lineage is extended as follows: SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC -> Adobe Audition 1.5 -> pitch/speed correction* -> flac -> TraLiHe -> sbe's fixed
|
notes
|
| 1259. |
04/14/72 |
Flac 16 - 0,
34931 |
Copenhagen |
Tivoli Theater flac16; SBD > MR (16 Track) > Dat > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a ReSampler (High Quality) > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 34552
|
notes
|
| 1260. |
04/14/72 |
Shn - 0,
23662 |
Copenhagen |
Tivoli Theater Aud (unknown mics), Unknown via Dave Minor encoded by Matt Vernon
|
notes
|
| 1261. |
04/14/72 |
Shn - 0,
8828 |
Copenhagen |
Tivoli Theater SBD>mR>C>D>CD; See info file for various patches; via Jack Warner; Jim Powell; seeded to etree by Greg Hurwitt
|
notes
|
| 1262. |
04/14/72 |
Flac 16 Mtx - 0,
136980 |
Copenhagen |
Tivoli Theater flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:76006), Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k)Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC; Bert Slany: Speed Correction.flac -> Adobe Audition 1.5 -> pitch/speed correction* -> flac -> TraLiHe -> sbe's fixed; Audience (shnid:23662), Source: Aud (unknown mics) Lineage: Unknown
|
notes
|
| 1263. |
04/14/72 |
Shn - 0,
140 |
Copenhagen |
Tivoli Theater MSR> Cass> DATs> CDRs (not the previously circulating FM version); via D. Sacks; note silence track is presumably to mark set break midway through d2; note info file here updated to reflect reel splice d1t8-9; see flaw notes in public comments
|
notes
|
| 1264. |
04/14/72 |
Flac 16 - 0,
34552 |
Copenhagen |
Tivoli Theater flac16; SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC; Transfers and Mastering By Charlie Miller
|
notes
|
| 1265. |
04/16/72 |
Shn - 0,
18103 |
Aarhus |
Stakladen, Aarhus University Set 1: SBD>Rm>?>Cass>Sound Forge>SHN Set 2: SBD>Rm>Dat>Sonic Solutions>CD>EAC>Samplitude>SHN Set 2 Conversion and Editing By Charlie Miller
|
notes
|
| 1266. |
04/16/72 |
Shn - 0,
19861 |
Aarhus |
Stakladen, Aarhus University set 1 from a slightly better sounding cassette source; via Uli Teute and Hanno Bunjes
|
notes
|
| 1267. |
04/16/72 |
Shn - 0,
10258 |
Aarhus |
Stakladen, Aarhus University Partial set 1 & 2; Mixed SBD sources; SBD>MR>?>C>Sound Forge>SHN; SBD>MR>D>CD>EAC>SHN; See info file for 'caveat'; via Walter Schnell, Mark Sweeney; Seeded to etree by J. Cotsman
|
notes
|
| 1268. |
04/16/72 |
Shn - 0,
9196 |
Aarhus |
Stakladen, Aarhus University Partial set 2; SBD>MR>??>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 1269. |
04/17/72 |
Flac 16 - 0,
33802 |
Copenhagen |
Tivoli Concert Hall flac16; SBD>16 track 2" MR>DAT4x>Delta Dio 2496>Soundforge>WAV>Cd Wave Editor>Flac
|
notes
|
| 1270. |
04/17/72 |
Flac 16 - 0,
34224 |
Copenhagen |
Tivoli Concert Hall flac16; source: sbd > 16 track 2" MR>DAT4x > Delta Dio 2496 > Soundforge > wav > Cd Wave Editor > flac > wav > flac This is a further clean up of shn id 33802, which incorporates those already made on shn id 34302
|
notes
|
| 1271. |
04/17/72 |
Flac 16 - 0,
34032 |
Copenhagen |
Tivoli Concert Hall flac16; SBD > MR (16Track) > DAT > WAV > CDA > Wav > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); remaster of shn id 33802
|
notes
|
| 1272. |
04/17/72 |
Flac 16/48 - 0,
136685 |
Copenhagen |
Tivoli Concert Hall flac16/48kHz; Source: sbd > 14" 16 track Master Reel @15ips > DAT (48k)
|
notes
|
| 1273. |
04/17/72 |
Shn - 0,
9390 |
Copenhagen |
Tivoli Concert Hall SBD>??>French TV Broadcast>C>DAT>CDR; Several missing tracks, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 1274. |
04/17/72 |
Flac 16 - 0,
34038 |
Copenhagen |
Tivoli Concert Hall flac16; sbd > 16 track 2" MR>DAT4x > Delta Dio 2496 > Soundforge > wav > Cd Wave Editor > flac > wav > flac SIRMick fix of shnid 33802. Details of fixes in text file.
|
notes
|
| 1275. |
04/21/72 |
Shn - 0,
9380 |
Bremen |
Beat Club SBD>FM>MR>PCM>DAT>CDR; Including soundcheck, missing 3 songs, see info file for details; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 1276. |
04/21/72 |
Flac 16 - 0,
116404 |
Bremen |
Beat Club Source: SBD -> ? (Remaster of shinid 9380 soundcheck portion). Transfer: CDR>EAC>Adobe Audition 2.0 pitch adjusted +78 cents>CD Wave>FLAC. Seeded by Rob Berger.
|
notes
|
| 1277. |
04/24/72 |
Shn - 0,
6956 |
Düsseldorf |
Rheinhalle mixed SBD + AUD: RM> C> DAT> CD; see info file for notes
|
notes
|
| 1278. |
04/24/72 |
Shn - 0,
16332 |
Düsseldorf |
Rheinhalle SHNID: 16332
|
notes
|
| 1279. |
04/26/72 |
Shn - 0,
12884 |
Frankfurt |
Jahrhundert Halle This is probably the original FM broadcast No generational info given with original shn set. See text file
|
notes
|
| 1280. |
04/26/72 |
Shn - 0,
9197 |
Frankfurt |
Jahrhundert Halle 100 Year Hall Outtakes; SBD>MR>DAT>SS>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 1281. |
04/26/72 |
Shn - 0,
12849 |
Frankfurt |
Jahrhundert Halle Source : SBD > ? > CE2K (minor cleanup) > mkwact > SHN(seekable) This is an upgrade to the previous shn set via Matt Vernon
|
notes
|
| 1282. |
04/26/72 |
Flac 16/48 - 0,
136637 |
Frankfurt |
Jahrhundert Halle flac16/48kHz; Source: Soundboard > Master Reel > Dat (48k)
|
notes
|
| 1283. |
04/29/72 |
Flac 16 Mtx - 0,
98401 |
Hamburg |
Musikhalle flac16; Matrix SBD Source: SBD > MR > ?? > DAT > CDR with Aud Patch Source: MR* > cass > SB Live! > wav > shn > CD-R. shnid 32877 (* believed to be Uher Reel Machine at 4.75 cm/sec) and Aud Source: MR* > 2 reels > cass > SB Live! > wav > shn > CD-R. shnid 5250 (* believed to be Uher Reel Machine at 4.75 cm/sec)
|
notes
|
| 1284. |
04/29/72 |
Flac 16 - 0,
125888 |
Hamburg |
Musikhalle flac16; Recording Info: SBD -> Master Reel (14 inch 16 track Master Reels @ 15ips) -> Dat (44.1k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1285. |
04/29/72 |
Flac 16 Mtx - 0,
126010 |
Hamburg |
Musikhalle flac16; 2 Source Matrix by dusborne; Soundboard (shinid:125888) Recording Info: SBD -> Master Reel (14 inch 16 track Master Reels @ 15ips) -> Dat (44.1k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; and Audience (shinid:5250) Source: MR*> 2 reels> cass>SB Live!>.wav>.shn>CD-R. seed disks provided by eurodead.net; SHN Conversion by mvernon54@home.com
|
notes
|
| 1286. |
04/29/72 |
Shn - 0,
18523 |
Hamburg |
Musikhalle SBD Source: MSR*>R>R>C>DAT>WAV>SHN (* Possibly Monitor Board See Notes Below); AUD Patch Source: MR*>cass>SB Live!>.wav>.shn>CD-R. (* Believed to be Uher Reel Machine at 4.75 cm/sec); AUD seed disks provided by eurodead.net; SBD seed by Cousinit; SBD C>SHN Conversion by Cousinit; AUD SHN Conversion by mvernon54@home.com
|
notes
|
| 1287. |
04/29/72 |
Shn - 0,
17026 |
Hamburg |
Musikhalle SBD>MR>??>DAT>CDR via Raoul Duke. Pitched and patched with etree audience source and shn encoded by Matt Vernon.
|
notes
|
| 1288. |
04/29/72 |
Shn - 0,
5250 |
Hamburg |
Musikhalle AUD MR (poss. Uher Reel Machine at 4.75 cm/sec)> 2 reels> cass> SB Live!> .wav> .shn> CD-R; EAC > SHN (seekable) by Matt Vernon from eurodead.net seed disks
|
notes
|
| 1289. |
04/29/72 |
Shn Mtx - 0,
17025 |
Hamburg |
Musikhalle SBD/AUD Matrix of the Set 2 Jam via Matt Vernon from etree aud and sbd sources
|
notes
|
| 1290. |
04/29/72 |
Flac 16 - 0,
141886 |
Hamburg |
Musikhalle flac16; Source: Unknown mics > Uher 4400 > Master Reel > PCM > DAT (44.1k) - Taped by Wolsander* and provided by Tim Dalton; Tansfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick May 2018
|
notes
|
| 1291. |
04/29/72 |
Flac 16 - 0,
32877 |
Hamburg |
Musikhalle This is a remaster of shnid 17026 by Sir Mick
|
notes
|
| 1292. |
05/03/72 |
Shn - 0,
142 |
Paris |
Olympia Theater SBD > multitrack 2" MR > rough mix by J. Norman/D. Latvala> DAT > CDR > EAC > shn;?? Extraction, shortening, and uploading by Mike Masse; note "honeymoon theft" source: China-Rider, Jed spliced in from E72 album (they were snipped from master reel)
|
notes
|
| 1293. |
05/03/72 |
Shn - 0,
21923 |
Paris |
Olympia Theater Soundboard> Master Reel (multi-track)> DAT x 5. DAT> ZA2> .wav> mkw> SHN. DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano; note: channel problems fixed by Joe in reseed- get that version instead
|
notes
|
| 1294. |
05/03/72 |
Flac 16 - 0,
29082 |
Paris |
Olympia Theater flac16; fixed fly away channel problem on SHNid=21923. Soundboard->Master Reel (multi-track)->DAT x 5. DAT->Audiophile 2496->Samplitude v7.02 Professional->FLAC. Transfer and FLAC by Joe Samaritano
|
notes
|
| 1295. |
05/03/72 |
Shn - 0,
6453 |
Paris |
Olympia Theater possible reDAE/reshn by unIDed person of previous shn set- md5s do not match; same info file with added note; noted at gdlive
|
notes
|
| 1296. |
05/03/72 |
Flac 16 - 0,
139539 |
Paris |
Olympia Theater flac16; Recording Info: SBD -> 16 Track Master Reels (purportedly Healy's rough mix)-> DAT; Transfer Info: DAT(Sony R500)-> Tascam DA-3000-> Adobe Audition 3.0-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 1297. |
05/04/72 |
Flac 16 - 0,
77294 |
Paris |
Olympia Theater flac16; SBD -> (16 Track) Master Reel -> Dat All Transfers and Mastering By Charlie Miller
|
notes
|
| 1298. |
05/04/72 |
Shn - 0,
143 |
Paris |
Olympia Theater SBD > reel > DAT > CDR; via J. Serafin, C. Gannon; extraction, .shn by G.S. Hamilton; note d1t12 1:33-1:43 digi-noise; Casey Jones beginning cut (on master?)
|
notes
|
| 1299. |
05/04/72 |
Shn - 0,
20562 |
Paris |
Olympia Theater *Set 1 Only* Soundboard->Master Reel->PCM->DAT x ?; DAT->ZA2->Soundforge->.wav->mkw->SHN. Includes in between song tuning and banter that other sources have edited out. DAT seed, transfer, and SHN by Joe Samaritano.
|
notes
|
| 1300. |
05/04/72 |
Flac 16 - 0,
141434 |
Paris |
Olympia Theater flac16; Source: sbd cassette master > pcm (Sony L-750ESX-HFB beta tape) - Recorded by Betty Cantor. From the collection Of Tim Dalton and given to him by Harvey Lubar; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav >Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick March 2017
|
notes
|
| 1301. |
05/07/72 |
Flac 16/48 - 0,
133598 |
Wigan |
Bickershaw Festival flac16/48kHz; Set 1 Recording Info: SBD -> Master Reel (10 inch - 1/2 track) -> Dat/48k; Transfer Info: Dat -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1302. |
05/07/72 |
Shn - 0,
9193 |
Wigan |
Bickershaw Festival Discs 1 & 2 are a compilation of multiple Audience sources; Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source; There is a 5th disc which contains the NRPS set; Seeded by Scott Clugston
|
notes
|
| 1303. |
05/07/72 |
Flac 16 - 0,
140896 |
Wigan |
Bickershaw Festival flac16; Partial Set 2 Source Info: Betty's Master Soundboard Reel > PCM > PCM (14-bit)(Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 1304. |
05/07/72 |
Flac 16 - ,
155550 |
Wigan |
Bickershaw Festival flac16 This has been compiled from three different sources but I only know one of the tapers. The two unknown sources have been used for Set I and Simon Phillips' master for the whole of Set II edited and mastered SIRMick February 2022
|
notes
|
| 1305. |
05/10/72 |
Shn - 0,
1582 |
Amsterdam |
Concertgebouw S:MR > Cassette > DAT > CDR > SHN; Extraction and SHN encoding by Seth Kaplan; upload by Greg Hamilton; known flaw: Bertha fades in
|
notes
|
| 1306. |
05/11/72 |
Shn - 0,
9357 |
Rotterdam |
Rotterdam Civic Hall 10" MR@7.5ips->DAT>CDR; Note This seed does not have the splice in IKYR and it includes OMSN. Shn'ed & uploaded to fungus by Joe Samaritano 12/29/01; Seeded to abgd via Charlie Connor 01/02.
|
notes
|
| 1307. |
05/11/72 |
Shn - 0,
3830 |
Rotterdam |
Rotterdam Civic Hall d1,2: SBD> MR> C> DAT> CDR> EAC> SHN; d3,4: SBD> MR> ??> FM> ??> CDR> editing> CDR> EAC> SHN; via Tony Gardner with thanks to Paul B.; Remastered by Bill Giles (see info file for his comments)
|
notes
|
| 1308. |
05/11/72 |
Shn - 0,
7364 |
Rotterdam |
Rotterdam Civic Hall Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>SHN
|
notes
|
| 1309. |
05/13/72 |
Shn - 0,
21725 |
Lille |
Lille Fairgrounds SBD -> Rm -> Dat -> CD -> EAC -> SHN (1 Disc Audio / 1 Disc SHN); Converted To SHN BY Charlie Miller
|
notes
|
| 1310. |
05/13/72 |
Shn - 0,
3457 |
Lille |
Lille Fairgrounds sbd > mr > cass > dat > cda > eac > shn v3; via Chris Ladner to vine and etree; encore missing
|
notes
|
| 1311. |
05/16/72 |
Shn - 0,
10353 |
Luxembourg |
Theatre Hall Shntool fix of previous sbd/reel source; SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN
|
notes
|
| 1312. |
05/16/72 |
Shn - 0,
7089 |
Luxembourg |
Theatre Hall SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN; Initial DAT Transfer via Panasonic 3700 DAT-> Tascam 122mkII (MX-S Cassette)-> Fostex D5-> Sony 59ES DAT-> DAT-Heads Tree Summer '96-> Sony D7-> Audiophile 2496 Soundcard@48kHz. Editing via Cool Edit: Normalized to 99; 44.1kHzSample rate conversion @ 350 quality; pitch correction: 102 ratio stretch. Tracks inserted via CDWave and SHN conversion via mkwACT; d1 tracked for 80 min
|
notes
|
| 1313. |
05/16/72 |
Shn - 0,
23825 |
Luxembourg |
Theatre Hall Source: SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN Apparently, d1t06 is from etree seed 7089 and the rest of the show is from 10353. Seeded to Etree via Tol.
|
notes
|
| 1314. |
05/16/72 |
Flac 16 - 0,
77980 |
Luxembourg |
Theatre Hall flac16; CD "Dead de luxe", Live in Luxembourg "European Bootleg" Source: Soundboard Transfer: CDR>EAC>Wave>Flac Frontend (Level 6)>Flac16 Transfered by: Scott Brown
|
notes
|
| 1315. |
05/16/72 |
Flac 16 - 0,
141754 |
Luxembourg |
Theatre Hall flac16; Set 1 Source Info: Radio Luxembourg FM Broadcast > 1st generation Reel > PCM > Dat (16 bit/44.1 kHz); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 > dBpoweramp > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 1316. |
05/18/72 |
Flac 16 - 0,
79057 |
München |
Kongressaal Deutsches Museum flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC
|
notes
|
| 1317. |
05/18/72 |
Flac 16 - 0,
94581 |
München |
Kongressaal Deutsches Museum flac16; source info: Master Soundboard Reel (Rex Jackson) > Reel (Jerry Garcia)> Reel (Will Boswell) @ 3 3/4 ips) > CD; CDs copied in EAC and Repairs and Adjustments in Wavelab 6.0 on the **GEMS* Edit Station by Jamie Waddell
|
notes
|
| 1318. |
05/18/72 |
Shn - 0,
146 |
München |
Kongressaal Deutsches Museum
|
notes
|
| 1319. |
05/18/72 |
Shn - 0,
2266 |
München |
Kongressaal Deutsches Museum MSR> ?> dat> cdr; Repaired version of previous shn set; See info file for details; via Mike (Unicorn) to abgd; Note- md5's/txt from shn set hosted on tol.etree.org added 4-27-03
|
notes
|
| 1320. |
05/23/72 |
Flac 16 - 0,
97816 |
London |
Lyceum Ballroom flac16; 2 track soundboard recording Transferred by Matt Smith Reels > Apogee Mini ME 24/96 > Apogee Mini DAC(monitoring) > Wavelab 5.0(dithered to 16/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station in Wavelab 6.1 with UA DSP FLAC Level8 in TLH MetaData in Tag and Rename
|
notes
|
| 1321. |
05/23/72 |
Shn - 0,
16750 |
London |
Lyceum Ballroom Lineage (most likely):10" 2-track RM > C > D > C speed corrected, complete 4 disk version via Unicorn
|
notes
|
| 1322. |
05/23/72 |
Shn - 0,
2581 |
London |
Lyceum Ballroom partial; sdb> MR> PCM> CD; via Mike Lai
|
notes
|
| 1323. |
05/23/72 |
Shn - 0,
|
London |
Lyceum Ballroom
|
notes
|
| 1324. |
05/23/72 |
Flac 16 - 0,
32863 |
London |
Lyceum Ballroom flac16; Set 2 partial; MSR>C>DAT>CD; EAC>WAV>FLAC by Sean Cribbs, from Lemieux source
|
notes
|
| 1325. |
05/23/72 |
Shn - 0,
16089 |
London |
Lyceum Ballroom Another shn set claiming this lineage "lineage unknown, but believed to be 10" 2-track reel master>1 cassette generation>DAT> 1 cassette generation > circulation listed at www.resourcesfortraders.com" with different md5's than prior etree seeds with this info file
|
notes
|
| 1326. |
05/24/72 |
Shn - 0,
5920 |
London |
Lyceum Ballroom AUD: mono crappy Pye cassette recorder with hand-held mike > Ampex R2R > CD-R > EAC > CEP > CDWAV > .shn & CD-R; Original recording by Chris Jones. Transferred (untracked) to CDR by Graham Harper; EAC> all subsequent modification by Alasdair Macdonald; see extensive notes in info file; d1 tracked for 80 min
|
notes
|
| 1327. |
05/24/72 |
Flac 16 - 0,
91509 |
London |
Lyceum Ballroom flac16; Partial Set 2, Source: MSR>DAT>CDR>EAC>.WAV>TLH>.FLAC
|
notes
|
| 1328. |
05/24/72 |
Flac 16 - 0,
87027 |
London |
Lyceum Ballroom flac16; source : aud > Pye mono cassette recorder (crappy model) with hand-held mike > mac transfer : mac > ampex R2R > cdr > eac > cep > cdwav > shn taped by Chris Jones transferred (untracked) to CDR by Graham Harper. Remastered by Sir Mick from the raw wav files.
|
notes
|
| 1329. |
05/24/72 |
Shn - 0,
24068 |
London |
Lyceum Ballroom
|
notes
|
| 1330. |
05/25/72 |
Flac 16 - 0,
87682 |
London |
Lyceum Ballroom flac16; Recording Info: SBD -> Master Reel 10 inch reels recorded at 7.5 ips (1/2 track) -> Apogee AD500 -> Dat/0 (48k) Transfer Info: Dat/0 (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1331. |
05/25/72 |
Shn - 0,
147 |
London |
Lyceum Ballroom set 2 partial; MSBDR > 2 casstte gens > DAT > CDR > EAC > SHN; Dick cass leak; u/l via G. Hamilton; note fits on 1 shn disc w/ 6/24/73 disc; update: redundant material in Dark Star, patch of d1t3 circulates
|
notes
|
| 1332. |
05/25/72 |
Shn - 0,
26355 |
London |
Lyceum Ballroom fix of d1t3 Dark Star in previous shn set to remove redundant material, by Sean Cribbs
|
notes
|
| 1333. |
05/26/72 |
Flac - 0,
89641 |
London |
Lyceum Ballroom flac16; SBD Reel > DAT > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 All editing and mastering by Jamie Waddell on the GEMS Edit Station. Trac'ed Cdwave,Flac'ed TLH level 8
|
notes
|
| 1334. |
05/26/72 |
Shn - 0,
12758 |
London |
Lyceum Ballroom S:MR> DATx5> CD, including patches (see info file for specifics; transfer by David Hollister; reported "superior to all circulating copies"
|
notes
|
| 1335. |
05/26/72 |
Flac - 0,
94452 |
London |
Lyceum Ballroom flac16; Source: Soundboard Lineage: MR(film crew feed) at 7 1/2 i.p.s.>R at 7 1/2 i.p.s (Don Wolfe) >CD transfer info:Maxell UD XL reel tape>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring)>LYNX ONE soundcard>Wavelab 5.0(dithered to 20/44)>CD by Matt Smith
|
notes
|
| 1336. |
05/26/72 |
Shn - 0,
5931 |
London |
Lyceum Ballroom Master SBD reel > DAT > CD-R >EAC > CDR; D2T7 some music lost at start; splices in Sugaree, Dew; to etree via Matt Vernon; passes shntool check
|
notes
|
| 1337. |
06/17/72 |
Flac 16 - 0,
116272 |
Hollywood |
Hollywood Bowl flac16; Recording Info: (FOB) Shure Unidyne III -> Cassette Master (Sony TC-40); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC/16; Recorded By Dave and Jim Melton in Box 52; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1338. |
06/17/72 |
Shn - 0,
16470 |
Hollywood |
Hollywood Bowl set 1,2p; AUD C/?; pitch corrected; via Hanno Bunjes, Uli Teute and Carsten Baumann
|
notes
|
| 1339. |
06/17/72 |
Flac 16 - 0,
115839 |
Hollywood |
Hollywood Bowl flac16; Recorded from Box 52 which is just left of center. Recorded with a Sony Cassette recorder with Shure Microphone attached. This recording was transferred directly to digital using Audacity; Taped by: David Melton
|
notes
|
| 1340. |
07/16/72 |
Shn - 0,
11285 |
Hartford |
Dillon Stadium source 1: SBD>MR>C>D>CD>EAC>SHN source 2: AUD>?>SHN the audience recording supplies: --all of disc 1, --on disc 2, the final portion of Me & My Uncle through to the end of Sing Me Back Home; See info file for details; via Glenn Gillis and Paul B; Seeded to etree by Tim O'Connel & J. Cotsman
|
notes
|
| 1341. |
07/18/72 |
Flac - 0,
32878 |
Jersey City |
Roosevelt Stadium flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1342. |
07/18/72 |
Flac - 0,
127703 |
Jersey City |
Roosevelt Stadium flac16; 2 Source Matrix by Dusborne; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v7.02 -> Cool Edit Pro v2.0 -> FLAC; and AUDMC>?>R>D>SHN>CDR
|
notes
|
| 1343. |
07/18/72 |
Shn - 0,
5916 |
Jersey City |
Roosevelt Stadium AUD MC> ?> R> D> SHN> CDR, with change to A:MC> ?> C> D source toward end; A > D transfer by Noah Weiner; via Audience Devotional Tree
|
notes
|
| 1344. |
07/18/72 |
Shn - 0,
9097 |
Jersey City |
Roosevelt Stadium sdb>>master reel>>reel>>pcm>>cdr; Likely a re-eac of the original Lai seed; Unknown seeder
|
notes
|
| 1345. |
07/18/72 |
Shn - 0,
3348 |
Jersey City |
Roosevelt Stadium sdb> master reel> reel> pcm> cdr; via Mike Lai
|
notes
|
| 1346. |
07/18/72 |
Shn - 0,
88658 |
Jersey City |
Roosevelt Stadium Primary: SMR>?>DAT>WAV>CDR>SHN secondary: SMR>reel>PCM>WAV (from Mike Lai source) transfer via SEK'd Prodif96Pro, editing via SEK'd Samplitude Producer
|
notes
|
| 1347. |
07/18/72 |
Shn - 0,
9067 |
Jersey City |
Roosevelt Stadium SBD with Aud Patches (missing OMSN), see info file for details; via David Hollister; Seeded to etree by Sean Cribbs
|
notes
|
| 1348. |
07/21/72 |
Shn - 0,
9246 |
Seattle |
Paramount Northwest Theater SBD> MR> CX3(?)> D> CD> EAC> SHN; edits (pitch corrected, normalized), encoding, vined by J. Cotsman, with thanks to Mark Sweene
|
notes
|
| 1349. |
07/21/72 |
Flac 16/48 - 0,
148725 |
Seattle |
Paramount Northwest Theater flac16/48kHz; Source Info: Bear's Master Soundboard Cassettes > 1st generation Cassettes > 2nd generation Cassettes > Tim Dalton's Dat (16/48); Transfer Info: Dat (Sony PCM-R500) (16/48) > Tascam DA-3000 (16/48)> Adobe Audition CC 2019 > TLH flac1648
|
notes
|
| 1350. |
07/22/72 |
Flac 16 - 0,
94112 |
Seattle |
Paramount Northwest Theater flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1351. |
07/22/72 |
Flac 16 - 0,
86726 |
Seattle |
Paramount Northwest Theater flac16; Sound Board Master Reel>DAT 16/48 > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav
|
notes
|
| 1352. |
07/22/72 |
Shn - 0,
13562 |
Seattle |
Paramount Northwest Theater SBD MR>PCM>D>CD via Hanno
|
notes
|
| 1353. |
07/22/72 |
Flac 16 - 0,
106930 |
Seattle |
Paramount Northwest Theater flac16; Source: Audience Lineage: Master Reels @ full track mono>Tandberg Model 11>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic Taped and Transferred By: JEMS
|
notes
|
| 1354. |
07/22/72 |
Flac 16 - 0,
141112 |
Seattle |
Paramount Northwest Theater b>flac16; Recording Info: Betty's 7" 2-track Master Soundboard Reels > PCM (Sony beta HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 1355. |
07/22/72 |
Flac 16 - 0,
141760 |
Seattle |
Paramount Northwest Theater flac16; Recording Info: Betty's 7" 2-track Master Soundboard Reels > PCM (Sony beta HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this is a fixed version of source ID 141122
|
notes
|
| 1356. |
07/25/72 |
Flac 16 - 0,
124017 |
Portland |
Paramount Theater flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1357. |
07/25/72 |
Shn - 0,
7046 |
Portland |
Paramount Theater SBD> MR> C> D> CD> EAC> SHN; encoding, vined by J. Cotsman; with thanks to Mark Sweeney
|
notes
|
| 1358. |
07/26/72 |
Flac - 0,
87034 |
Portland |
Paramount Theater flac16; Lineage: (from DAT J-Card) MR -> DAT (the DAT is 16-bit; 44.1kHz which could indicate MR->PCM->DAT) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 (spdif out) > Apogee Wide Eye Spdif Digital Cable > Lynx Two Soundcard (spdif in) > Wavelab 6.0 - Transferred January 18, 2007 Mastering By Jamie Waddell on the GEMS Edit Station. Trac'ed cdwave,Flac'ed TLH level 8
|
notes
|
| 1359. |
07/26/72 |
Flac - 0,
34803 |
Portland |
Paramount Theater flac16; MR > PCM > DAT > CD > EAC > SHN with patches from MSR > DAT > ZA2 > CDR x2; Fix of shn id 8957 by Andrew Long
|
notes
|
| 1360. |
07/26/72 |
Shn - 0,
1411 |
Portland |
Paramount Theater nearly complete; updated info: Master Soundboard Reel > PCM> DAT > ZA2 > CDR x2; DAT seed via Jeff Tiedrich, original DAT>CD transfer by David Hollister; subsequent CD remastering and SHN by Scott Clugston; see info file and pub comments for notes
|
notes
|
| 1361. |
07/26/72 |
Shn - 0,
8957 |
Portland |
Paramount Theater Variation of original Kaplan seed; Filler removed, and He's Gone added; See info file for details; MR > PCM > DAT > CD > EAC > SHN; via Popi
|
notes
|
| 1362. |
08/12/72 |
Flac 16 - 0,
105132 |
Sacramento |
Sacramento Memorial Auditorium flac16; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Apogee DAC> Apogee Mini Me > Wavelab 5.0 @ 24 bit 96kHz Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1kHz tracked in CDWAV Tag&Rename for Meta_Data TLH for FLAC Level 8 by Patrick White (wharfratpat@shnflac.net)
|
notes
|
| 1363. |
08/12/72 |
Flac 16 - 0,
127465 |
Sacramento |
Sacramento Memorial Auditorium flac16; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Transferred by Matt Smith March 2014
|
notes
|
| 1364. |
08/12/72 |
Flac 24 - 0,
127433 |
Sacramento |
Sacramento Memorial Auditorium flac24; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Transferred by Matt Smith March 2014; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair 1960s era Telefunken tubes > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
|
notes
|
| 1365. |
08/12/72 |
Shn - 0,
3327 |
Sacramento |
Sacramento Memorial Auditorium SBD Reel master > DAT > CDR > EAC > SHN; seed via Seth Kaplan; Retracked (Cool Edit/CDWav) by G.S. Hamilton; see info file for listening notes
|
notes
|
| 1366. |
08/12/72 |
Flac 24 - 0,
139784 |
Sacramento |
Sacramento Memorial Auditorium flac24; Source Info: 7" Master Soundboard Reels @7.5ips 1/2trk > Garcia's reel @ 3.75 ips > Will Boswell's reel @ 3.75 ips (Maxell UDXL); Transfer Info: Technics RS1506 > Tascam DA-3000 > Adobe Audition > TLH flac2496
|
notes
|
| 1367. |
08/12/72 |
Flac 16 - 0,
139783 |
Sacramento |
Sacramento Memorial Auditorium flac16; Source Info: 7" Master Soundboard Reels @7.5ips 1/2trk > Garcia's reel @ 3.75 ips > Will Boswell's reel @ 3.75 ips (Maxell UDXL); Transfer Info: Technics RS1506 > Tascam DA-3000 > Adobe Audition > TLH flac2496
|
notes
|
| 1368. |
08/12/72 |
Flac 24/96 - 0,
104168 |
Sacramento |
Sacramento Memorial Auditorium flac24; master reel @7.5ips> J.Garcia's reel @ 3.75ips > Will Boswell's reel @ 3.75ips > Apogee DAC> Apogee Mini Me Wavelab 5.0 @ 24 bit 96kHz Transferred by Matt Smith Fall 2009 Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for Pow-r3 Dither MetaData with Tag and Rename TLH for FLAC Level 8
|
notes
|
| 1369. |
08/20/72 |
Flac 16 - 0,
83733 |
San Jose |
San Jose Civic Auditorium flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1370. |
08/20/72 |
Flac 16 - 0,
32789 |
San Jose |
San Jose Civic Auditorium flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1371. |
08/20/72 |
Flac 16 - 0,
82716 |
San Jose |
San Jose Civic Auditorium flac16; Recording by Olaf Schiappacasse (using Gene Taback's equipment): Master Audience Cassette; Sony TC-124 with Sony Stereo Mic (Pacific Stereo Cassettes) Transfer and FLAC encoding by David Minches: Master cassettes played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (96Mhz/24 bit)> HD Editing performed in Adobe Audition; L3 Multimaximizer>Waves Z-Noise; Dithered and downsampled to 44.1 MHz / 16 bit; Flac Encoded
|
notes
|
| 1372. |
08/20/72 |
Shn - 0,
14988 |
San Jose |
San Jose Civic Auditorium Set 1 SBD; source SBD>?>CDR>WAV>CE2k (*Serious* cleanup)>SHN; Missing Bertha; see notes
|
notes
|
| 1373. |
08/20/72 |
Shn - 0,
16335 |
San Jose |
San Jose Civic Auditorium SBD>MC>R>C>C>C>D>CD>EAC>SHN (?) see notes on lineage via Chuck Kiefe edits/encoding by Jeff Cotsman
|
notes
|
| 1374. |
08/21/72 |
Shn - 0,
150 |
Berkeley |
Berkeley Community Theater S:MR > PCM > DAT > CD > EAC > SHN; via D. Hollister, G. Hamilton; see info file for list of minor flaws
|
notes
|
| 1375. |
08/21/72 |
Flac 16 - 0,
139581 |
Berkeley |
Berkeley Community Theater flac16; Source: SBD > Master Reels @ 7.5ips (10 Inch half-track ) > PCM > DAT (44.1k) - Recorded by Betty Cantor-Jackson, provided by Charlie Miller; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017
|
notes
|
| 1376. |
08/22/72 |
Flac - 0,
27780 |
Berkeley |
Berkeley Community Theater mixed sources: Set 1: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> Apogee AD500> Master Dat (Panasonic SV3800/48k); Set 2: SBD> Master Reel (10in Master Reels @ 7.5ips 1/2trk)> PCM> Dat> CD; Transferred and Edited (see cleanup notes) by Charlie Mille
|
notes
|
| 1377. |
08/22/72 |
Shn - 0,
7285 |
Berkeley |
Berkeley Community Theater 2nd Set; S:MR > PCM > DAT > CDR > EAC > SHN via Seth Kaplan; NFA end cuts off; passes shntool check
|
notes
|
| 1378. |
08/22/72 |
Shn - 0,
11672 |
Berkeley |
Berkeley Community Theater SBD>MR>?>CD>EAC>SHN: (low gen); (set 1) SBD>MR>PCM>D>CD>EAC>SHN: (set 2); Missing first 3 1/2 songs; See info file for details; via Mike Dolgushkin & Seth Kaplan; Seeded to etree by J. Cotsman
|
notes
|
| 1379. |
08/24/72 |
Flac - 0,
18093 |
Berkeley |
Berkeley Community Theater SBD>Rm>Dat(48k) with missing songs patched from SBD>Rm>Cass>Cass>Cass>Dat>Samplitude>SHN via Charlie Miller
|
notes
|
| 1380. |
08/24/72 |
Shn - 0,
151 |
Berkeley |
Berkeley Community Theater SBD> ?> DAT> CDR> SHN; d3t5,6 duplic fixed 5/24; note d1t1 only 4 sec
|
notes
|
| 1381. |
08/24/72 |
Flac 16 - ,
156469 |
Berkeley |
Berkeley Community Theater flac16 Source: Master SBD Reel > DAT from ANON Mastered by Jamie Waddell and Jim Blackwood Pitch correction by Jason Chastain Listening assistance, track, FLAC, and pack by Steve Gravel
|
notes
|
| 1382. |
08/25/72 |
Flac 16 - 0,
92840 |
Berkeley |
Berkeley Community Theater flac16; Recording Info:SBD -> Master Reel -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1383. |
08/25/72 |
Flac 16 - 0,
94218 |
Berkeley |
Berkeley Community Theater flac16; Bertha Remaster of the Master Reel Source: SBD>>MR>>DAT>>FLAC>>DAW(Bertha)>>Audio DVD>>FLAC
|
notes
|
| 1384. |
08/25/72 |
Shn - 0,
12751 |
Berkeley |
Berkeley Community Theater SHNID: 12751
|
notes
|
| 1385. |
08/25/72 |
Shn - 0,
8474 |
Berkeley |
Berkeley Community Theater Partial Set 1: SBD> MR> PCM> DAT; Partial Set 2: FMSBD> ???
|
notes
|
| 1386. |
08/25/72 |
Flac - 0,
93888 |
Berkeley |
Berkeley Community Theater DVD-VA; (Video-Audio) SBD>>MR>>DAT>>FLAC>>DAW(Bertha)>>Audio DVD; Bertha Remaster of the Master Reel Source (Audio only - no video)
|
notes
|
| 1387. |
08/27/72 |
Shn - 0,
8045 |
Veneta |
Old Renaissance Faire Grounds SBD > 4-TRACK RTR @ 7.5 i.p.s. > PCM> (PCM) > D > SSSB; via Jay Serafin to gdlive; see info file for extensive notes
|
notes
|
| 1388. |
08/27/72 |
Shn - 0,
3328 |
Veneta |
Old Renaissance Faire Grounds SBD-> two-track MR-> DAT-> Sonic Solutions-> CDR-> EAC-> Sound Forge Edit (analog pop removal using pencil tool)-> Sound Forge Pitch Shift (antialias filter followed by pitch shift of +19 cents); stemming from David Gans seed, via Adam Jerugim to Leigh Orf, who fixed up (see details in info file); d3 trackd for 80 min; note previous shn sets have been Betty Board sourced- this is not
|
notes
|
| 1389. |
08/27/72 |
Shn - 0,
|
Veneta |
Old Renaissance Faire Grounds Bertha Remaster of the Braverman/Dank 16 track source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A (Between songs from the two-track master reels)
|
notes
|
| 1390. |
08/27/72 |
Shn - 0,
2199 |
Veneta |
Old Renaissance Faire Grounds SBD Master Betty reel > PCM > DAT > ZA2 > CD > EAC > SHN; Set 3 has unknown # of PCM gens; via Jeff Tiedrich (DAT seed), David Hollister (transfer> CD), G.S. Hamilton (EAC> SHN); see info file for comments; d3 tracked for 80 min; upgrade relative to previously etreed copy
|
notes
|
| 1391. |
08/27/72 |
Shn - 0,
152 |
Veneta |
Old Renaissance Faire Grounds SBD MR> DAT> CDR> EAC> SHN; via S. Kaplan, G. Hamilton; known flaws: sound system disortion/buzziness at places; d1t7 d/o @ 11:14; d2t6 discontinuity @ 3:36, static @ 5:07; note least-flawed of several versions assayed (no clicks/pops in Dark Star); 12/00 update: an upgrade version is now circulating
|
notes
|
| 1392. |
08/27/72 |
Shn - 0,
16582 |
Veneta |
Old Renaissance Faire Grounds SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; Banter between songs from the two-track master reels: S:MR> DAT> SS> CD> EAC> SHN; dankseed
|
notes
|
| 1393. |
08/27/72 |
Shn - 0,
4682 |
Veneta |
Old Renaissance Faire Grounds SBD> 16 Track Master Reels> DAT@44.1K> DAT> DAT> WAV> SHN; see info file for details, fixes and flaw notes; note most banter edited out; Reel>DAT transfer by Dick Latvala; DAT clone supplied by Rob Eaton; DAT>SHN by Jamie Lutch; QC courtesy dankseeds
|
notes
|
| 1394. |
09/03/72 |
Flac 16 - 0,
101143 |
Boulder |
Folsom Field, U of Colorado flac16; Composite sources: MR>cass, MR>cass>cass and multi generation sources; transfers were TascamMKII >Korg MR1000 at 1bit/5.6mHZ and cass> Apogee Mini Me>apogeeDAC>LynxOne at 24/96 PCM WAV; all edits and mastering by Jamie Waddell on the **GEMS** Edit Station at 32bitfloat/88.2kHz Weiss Saracon for SRC and POW-r3 dither to 16 bit/44.1 kHz
|
notes
|
| 1395. |
09/03/72 |
Shn - 0,
13563 |
Boulder |
Folsom Field, U of Colorado primary source: SBD>MR>C>D>CD>EAC>SHN (provides most of sets 2 and 3); secondary source: AUD>?>C>CD>EAC>SHN (provides all of set 1 plus patches in sets 2 and 3); aud source is pretty weak (see caveat); Thanks to John Steinhaus, Uli Teute, and Hanno Bunjes
|
notes
|
| 1396. |
09/03/72 |
Shn - 0,
20168 |
Boulder |
Folsom Field, U of Colorado Composite aud/sbd - entire show speed corrected, static removed; includes encore. via Carsten Baumann and Hanno Bunjes
|
notes
|
| 1397. |
09/03/72 |
Shn - 0,
92805 |
Boulder |
Folsom Field, U of Colorado Unknown aud composite of shnid's 12627 and 20168
|
notes
|
| 1398. |
09/03/72 |
Shn - 0,
18779 |
Boulder |
Folsom Field, U of Colorado Composite aud/sbd coordinated by Jim Powell. Patches and final mastering: Dave Greenberg Special thanks to Jack Warner, Hugh Barroll and Steve Fukawa, encoded by Matt Vernon
|
notes
|
| 1399. |
09/03/72 |
Flac 24/96 - ,
166362 |
Boulder |
Folsom Field, U of Colorado flac2496; Recording info: SBD > Bear's Master Reels > Cassette; Transfer info: Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz; Recorded by Augustus Owsley Stanley III (aka Bear); 2023 transfer and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel
|
notes
|
| 1400. |
09/03/72 |
Flac 16/48 - ,
166363 |
Boulder |
Folsom Field, U of Colorado flac1648; Recording info: SBD > Bear's Master Reels > Cassette; Transfer info: Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz; Recorded by Augustus Owsley Stanley III (aka Bear); 2023 transfer and mastering by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel
|
notes
|
| 1401. |
09/09/72 |
Flac 16 Mtx - 0,
103311 |
Hollywood |
Hollywood Palladium flac16; Matrix by Hunter Seamons using Final Cut Pro Pitch correction, normalization, and EQ work by Rob Bertrando
|
notes
|
| 1402. |
09/09/72 |
Flac 16 - 0,
105458 |
Hollywood |
Hollywood Palladium flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Cool Edit Pro v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1403. |
09/09/72 |
Flac 24 - 0,
131690 |
Hollywood |
Hollywood Palladium flac24; updated source info: aud 1st gen reel; Rob Bertrando's copy (via Michael Johan); lineage: MAR > R; sony ecm 22p's > sony tc-770; taped by Bruce Harvie; transfer: tdk 1800-sd 7" reel @ 3.75 ips, dolby b: technics rs-1506 > teac an-180 > benchmark adc1 24/96 > tascam hd-p2, adobe audition cs6 > cd wave > flac; transfer & seeded by Rob Berger
|
notes
|
| 1404. |
09/09/72 |
Flac 24 - 0,
133002 |
Hollywood |
Hollywood Palladium flac24; Recording Info: MC (Uher deck) > Will Boswell's reel @3.75 ips reel; Transfer Info: Technics 1506 > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith April, 2015
|
notes
|
| 1405. |
09/09/72 |
Flac 16 - 0,
133001 |
Hollywood |
Hollywood Palladium flac16; Recording Info: MC (Uher deck) > Will Boswell's reel @3.75 ips reel; Transfer Info: Technics 1506 > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith, April 2015
|
notes
|
| 1406. |
09/09/72 |
Flac 16 - 0,
31949 |
Hollywood |
Hollywood Palladium flac16; AUD MR> Cassette (unknown gen) > WAV > FLAC speed-corrected of prior seed ; by Zeb
|
notes
|
| 1407. |
09/09/72 |
Flac 16 - 0,
32036 |
Hollywood |
Hollywood Palladium flac16; Main source: mac > cass (u/k gen) > wav > flac > wav > flac transfer: nak dr3 > audacity > cdwav. Second source: sbd: mr> dat > cdr > shn > wav > flac via SirMick
|
notes
|
| 1408. |
09/09/72 |
Shn - 0,
14086 |
Hollywood |
Hollywood Palladium Sbd: MR>DAT>CDR>SHN Audio discs provided by Dyer O' Connor eac>mkw>shn by popi n. feeldz
|
notes
|
| 1409. |
09/09/72 |
Flac 24/96 - 0,
131474 |
Hollywood |
Hollywood Palladium flac24; lineage: MAR > R > R > R; master taped by Bruce Harvie; sony ecm 22p's > sony tc-770; transfer: maxell ud-35-90 7" reel @ 3.75 ips, dolby b: technics rs-1506 > teac an-180 > benchmark adc1 24/96 > tascam hd-p2, adobe audition cs6 > cd wave > flac; transfer & seeded by Rob Berger 2014
|
notes
|
| 1410. |
09/09/72 |
Flac 16 - 0,
30991 |
Hollywood |
Hollywood Palladium flac16; Lineage: AUD MR> Cassette (unknown gen) > WAV > FLAC Transfer: NAK DR3 > AUDACITY > CDWAV
|
notes
|
| 1411. |
09/09/72 |
Flac 24/96 - 0,
149458 |
Hollywood |
Hollywood Palladium flac24; Source Info: Master Soundboard Cassettes (Uher deck) > Will Boswell's 1st generation reels @3.75 ips; Transfer Info: 1st generation reels (Technics 1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 1412. |
09/09/72 |
Flac 16/48 - 0,
149457 |
Hollywood |
Hollywood Palladium flac16/48kHz; Source Info: Master Soundboard Cassettes (Uher deck) > Will Boswell's 1st generation reels @3.75 ips; Transfer Info: 1st generation reels (Technics 1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 1413. |
09/10/72 |
Shn - 0,
22793 |
Hollywood |
Hollywood Palladium MSR>C>CD patched with MSR>C>D>C>D; Patches & remaster by Dave Greenberg.
|
notes
|
| 1414. |
09/10/72 |
Shn - 0,
5679 |
Hollywood |
Hollywood Palladium sdb; via Mike Lai; note boundary-fixed version of this shn set also circulates
|
notes
|
| 1415. |
09/10/72 |
Shn - 0,
5680 |
Hollywood |
Hollywood Palladium SBD > [MR > C > DAT(s) ??] > CDR(s) > EAC > SHN > SHNTOOL (fix sector boundaries by sets) > mkwact (seekable); via Mike Lai, Matt Vernon; boundary fixed version of previous shn set
|
notes
|
| 1416. |
09/10/72 |
Flac 16 - 0,
136690 |
Hollywood |
Hollywood Palladium flac16; Soundboard Master-Reel > Reel (1st gen) > DAT 2x (44.1 kHz)
|
notes
|
| 1417. |
09/10/72 |
Shn - 0,
17690 |
Hollywood |
Hollywood Palladium SBD> MR> Cassette> DAT> CD> EAC> CoolEdit2000> SHN; EAC, CoolEdit 2000, CDWave, MKW, & shntool by D.Winters; reportedly has flaws fixed realtive to previous versions
|
notes
|
| 1418. |
09/10/72 |
Flac 16 - ,
163863 |
Hollywood |
Hollywood Palladium flac16; Vault master SBD reel source (with assumed DAT generation) provided by Charlie Miller; Mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Track, FLAC, and pack by Steve Gravel
|
notes
|
| 1419. |
09/15/72 |
Shn - 0,
7924 |
Boston |
Music Hall MAC > Reel > Cassette > DAT > CD; Lower quality aud provides many patches, see info file for details; via Noah Weiner; Jack Warner; Seeded to etree by Matt Vernon
|
notes
|
| 1420. |
09/15/72 |
Shn - 0,
8946 |
Boston |
Music Hall partial set 2; SBD: MR > cassette > DAT > CD > SHN; SHNed by Seth Kaplan; via G.S. Hamilton to BUDD
|
notes
|
| 1421. |
09/15/72 |
Flac 16 - 0,
133998 |
Boston |
Music Hall flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1422. |
09/15/72 |
Flac 16 - 0,
31990 |
Boston |
Music Hall flac16; this is a remaster by SirMick of shnid 7924. Source 1: MAC > Reel > Cassette > DAT > CD Recorded by Bill Degen from balcony front row. Source 2: MAC > ? > DAT (supplied by Dave Minor) > CD provides additional patch and missing material
|
notes
|
| 1423. |
09/16/72 |
Shn - 0,
6683 |
Boston |
Music Hall partial; 7" SBDMR > Cass > DAT > CDn > EAC > SHN; via Matt Vernon?
|
notes
|
| 1424. |
09/16/72 |
Flac 16 Mtx - 0,
77442 |
Boston |
Music Hall flac 16; Sick Bits Vol. 20 - SBD/AUD Matrix: SBD (shnid=6683) + AUD (shnid=12932); edited, mixed and converted by Chris Chappell
|
notes
|
| 1425. |
09/16/72 |
Shn - 0,
9247 |
Boston |
Music Hall mixed source (AUD>MC>) and (SBD>MR>) C> D> CD> EAC> SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Mark Sweeney and unIDed patcher
|
notes
|
| 1426. |
09/16/72 |
Shn - 0,
12932 |
Boston |
Music Hall AUDMC > C > DAT > CD > SHN recorded by Bill Degen from orchestra seats mic and deck unknown. A > D & shn conversion by Noah Weiner
|
notes
|
| 1427. |
09/16/72 |
Flac 24/44,1 - 0,
150979 |
Boston |
Music Hall Flac 24/44.1 Vault Master Reel to DAT Provided by ANON WAV > Samplitude Pro X5 > Flac24 Mastered by Jim Blackwood with assistance provided by Jamison Waddell Speed Correction by Jason Chastain
|
notes
|
| 1428. |
09/16/72 |
Flac 24/44 - 0,
150978 |
Boston |
Music Hall Flac 24/44.1 Bear's Reel > Cassette Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Transferred and Mastered by Jim Blackwood with assistance provided by Jamison Waddell Speed Correction by Jason Chastain
|
notes
|
| 1429. |
09/17/72 |
Shn - 0,
154 |
Baltimore |
Baltimore Civic Center SBDMR > Cass > DAT > SonicSolutions > CD > EAC > SHN; Extraction and SHN encoding by G.S. Hamilton, from D. Hollister seed; known flaws: Missing Saturday Night; small digi-snit during UJB; update: show is now DP23- go buy it
|
notes
|
| 1430. |
09/17/72 |
Shn - 0,
28165 |
Baltimore |
Baltimore Civic Center Audience Recording (taper Cary Wolfson) > Cassette > DAT > SHN; Extraction and SHN encoding by David Minches
|
notes
|
| 1431. |
09/19/72 |
Shn - 0,
12075 |
Jersey City |
Roosevelt Stadium AUD>MC>?>D>CD; Many songs are clipped due to taper conservation, though almost all such cuts are minor; See info file for details; via Paul Hartman; Seeded to etree by JCotsman
|
notes
|
| 1432. |
09/19/72 |
Flac 24/48 - 0,
152468 |
Jersey City |
Roosevelt Stadium flac2448; s1-s2p; Source: Unknown mono AUD via the collection of Rich Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2021
|
notes
|
| 1433. |
09/19/72 |
Flac 16/44 - ,
154185 |
Jersey City |
Roosevelt Stadium flac16/44 Source Info: Ed Deal's Master Audience Cassettes (Sony C-90); Unknown equipment Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini-Me (24-bit/96k) > WaveLab (16-bit/44.1k) > Adobe Audition CC 2022 > TLH flac16
|
notes
|
| 1434. |
09/21/72 |
Shn - 0,
7296 |
Philadelphia |
The Spectrum SBD > reel > DAT > CDR > EAC > shn; via Mike Masse; see flaw notes in info file; a clean-up of d1t11 also circulates; see public comments for details
|
notes
|
| 1435. |
09/21/72 |
Flac 16 - 0,
138083 |
Philadelphia |
The Spectrum flac16 SBD > Reel > DAT; DAT(c) @ 44.1kHz > Tascam DA-20 > Tascam DR-680 MKII > Canare Coax > Samplitude Pro X3 Suite (Build 35) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; DAT provided by Dave Flaschner; Transfer & edits by Jeff Mitchell
|
notes
|
| 1436. |
09/21/72 |
Flac 16 - 0,
150281 |
Philadelphia |
The Spectrum flac16; Recording Info: SBD > Master Reel (7-inch 7.5ips 1/2trk) > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller
|
notes
|
| 1437. |
09/21/72 |
Flac 24/96 - 0,
152464 |
Philadelphia |
The Spectrum flac24/96 Source: unknown audience cassette from the collection of Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac24 edited and mastered SIRMick May 2021
|
notes
|
| 1438. |
09/21/72 |
Flac 16/44 - 0,
152453 |
Philadelphia |
The Spectrum flac16/44 Source: uknown audience cassette from the collection pf Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick May 2021
|
notes
|
| 1439. |
09/21/72 |
Flac 24/96 - 0,
152464 fixed |
Philadelphia |
The Spectrum flac24/96 Source: unknown audience cassette from the collection of Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac24 edited and mastered SIRMick May 2021
|
notes
|
| 1440. |
09/21/72 |
Flac 16/44 - 0,
152463 fixed |
Philadelphia |
The Spectrum flac16/44 Source: uknown audience cassette from the collection pf Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick May 2021
|
notes
|
| 1441. |
09/23/72 |
Shn - 0,
2201 |
Waterbury |
Palace Theater SBD> MR> Cass> DAT> CDR> EAC> SHN; via Jeff M.; see listening notes in revised info file
|
notes
|
| 1442. |
09/23/72 |
Flac 16 - 0,
130728 |
Waterbury |
Palace Theater flac16; Recording Info: SBD > MR > C > DAT > CDR > SHN; Transfer Info: SHN > WAV > Sound Forge 10 > TLH > FLAC; Sonically enhanced, remastered, retracked upgrade of shnid 2201; Mastered and tracked by Bill Guarneri, July 25, 2014
|
notes
|
| 1443. |
09/23/72 |
Flac 16 - 0,
135178 |
Waterbury |
Palace Theater flac16; Source: SBD>MR>Cass>DAT>CDR>EAC>SHN; This is a flac encoded & tagged restoration of shnid 2201; Restoration done with Diamond Cut Forensics 10 (beta1 through RC3)
|
notes
|
| 1444. |
09/24/72 |
Shn - 0,
2202 |
Waterbury |
Palace Theater SBD> MR> CASS> DAT> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes
|
notes
|
| 1445. |
09/24/72 |
Shn - 0,
130758 |
Waterbury |
Palace Theater flac16; Recording Info: SBD > MR > ? > C > DAT > SHN; Transfer Info: SHN > TLH > WAV > Sound Forge 10 > TLH > FLAC; Tracked, patched and mastered by Bill Guarneri, July 28, 2014
|
notes
|
| 1446. |
09/24/72 |
Shn - 0,
25282 |
Waterbury |
Palace Theater Source:SBD Lineage: Reel master > ? > cassette > DAT > CDR > EAC > SHN Edits by Sean Cribbs - see info file for details
|
notes
|
| 1447. |
09/24/72 |
Flac - 0,
99860 |
Waterbury |
Palace Theater flac16; source: aud; lineage: aud>?>7" reel @ 3.75 ips, no nr technics rs-1506>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac
|
notes
|
| 1448. |
09/26/72 |
Shn - 0,
16755 |
Jersey City |
Stanley Theatre SBD > MR > DAT(48kHz) > za2 > CD; See user comments for flaw notes
|
notes
|
| 1449. |
09/26/72 |
Shn - 0,
19198 |
Jersey City |
Stanley Theatre Cleaned up disc 3 of previous SBD by Charles Wier; d1 & d2 are unchanged. See text file for details.
|
notes
|
| 1450. |
09/26/72 |
Shn - 0,
156 |
Jersey City |
Stanley Theatre SBD Reel> unknown dat gens> digital noise reduction> 3dat gens> za/2 48-41; for flaws see revised info file; note next night 9/27/72 is available as Dick's Picks 11- go buy it
|
notes
|
| 1451. |
09/26/72 |
Shn - 0,
25281 |
Jersey City |
Stanley Theatre
|
notes
|
| 1452. |
09/26/72 |
Flac 16 44,1khz - 0,
136691 |
Jersey City |
Stanley Theatre flac16; Soundboard Master-Reel > Reel (1st gen) > DAT (44.1 kHz)
|
notes
|
| 1453. |
09/27/72 |
Shn - 0,
18106 |
Jersey City |
Stanley Theatre SBD Reel>Reel>PCM>DAT from "People's Choice tree" via Jeff Blaney, encoded by Matt Vernon
|
notes
|
| 1454. |
09/28/72 |
Flac 16 - 0,
94268 |
Jersey City |
Stanley Theatre flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1455. |
09/28/72 |
Flac 16 - 0,
110020 |
Jersey City |
Stanley Theatre flac16; Bear's Cassette Copies Nakamichi Dr-1 > Lynx Studio Interface at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1 kHz Transfered and Lightly Mastered by Jamie Waddell
|
notes
|
| 1456. |
09/28/72 |
Shn - 0,
157 |
Jersey City |
Stanley Theatre set 2; master reel> pcm> dat> cdr; via M. Lai; note previous night 9/27/72 is available as Dick's Picks 11- go buy it
|
notes
|
| 1457. |
09/28/72 |
Shn - 0,
12657 |
Jersey City |
Stanley Theatre SBD (probably sbd>mr>dat>cdr) Seeded by Bill from Monterey to clone.etree.org 9/02 any setlist help send to nick@burgis.org
|
notes
|
| 1458. |
09/28/72 |
Flac 16 - 0,
136692 |
Jersey City |
Stanley Theatre flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k)
|
notes
|
| 1459. |
09/28/72 |
Flac 16 - 0,
99843 |
Jersey City |
Stanley Theatre flac16; source: aud; lineage: aud>?>7" reel @ 3.75 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac
|
notes
|
| 1460. |
09/28/72 |
Flac 16 - 0,
26933 |
Jersey City |
Stanley Theatre flac16; Primary Source: SBD> MR> DAT> CDR> WAV> SHN; patches and missing track from Unknown audience > C > ? > DAT >WAV > FLAC (level 8); AUD material courtesy Uli Teute via Jim Powell; via Chris Ladner?
|
notes
|
| 1461. |
09/28/72 |
Shn - 0,
27584 |
Jersey City |
Stanley Theatre SBD> MR> DAT> CDA> WAV> SHN> FLAC> DAW (Bertha)> SHN/CDA patched with UNK.AUD> CASS> ???> DAT> WAV> FLAC; Bertha Remaster of shn ID 26933
|
notes
|
| 1462. |
09/28/72 |
Flac - 0,
34162 |
Jersey City |
Stanley Theatre SBD>>MR>>DAT>>CDA>>WAV>>SHN>>FLAC>>DAW(Bertha)>>SHN/CDA - Sound A- UNK.AUD>>CASS>>???>>DAT>>WAV>>FLAC - Sound D Bertha Remaster of the patched master reel source Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com. Completed on December 12, 2004. http://www.deadacated.com/BerthaRemasters.htm
|
notes
|
| 1463. |
09/30/72 |
Shn - 0,
8184 |
Washington |
American University Master 7" Soundboard Reels @ 7 1/2 ips > Cassette > DAT> CDR; CD Mastering by Scott Clugston; EAC'ed / SHN'ed by Scott Clugston to abgd via Wyatt Earp
|
notes
|
| 1464. |
09/30/72 |
Shn - 0,
5681 |
Washington |
American University SB> MR> Cassette> DAT> CD; except OMSN SB> MR>cass(2)> DAT> CD; CD> cleanup> SHN; see info file for fixes and flaw notes; via Matt Vernon
|
notes
|
| 1465. |
10/02/72 |
Flac - 0,
112864 |
Springfield |
Springfield Civic Center flac16; Recording Info:SBD -> Master Reel -> Dat -> Data DVD; Transfer Info: Data DVD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1466. |
10/02/72 |
Shn - 0,
158 |
Springfield |
Springfield Civic Center master reel sdb> cass> dat> cdr; via M. Lai; listeners report hiss level sounds closer to 2 cass gens
|
notes
|
| 1467. |
10/09/72 |
Shn - 0,
5249 |
San Francisco |
Winterland Arena SBD > MR > C > DAT > CDR; EAC > Cool Edit (remove some pops, see info file) > SHN (seekable); SHN Conversion by Matt Vernon from Paul B. seed discs
|
notes
|
| 1468. |
10/09/72 |
Flac 16 - 0,
130494 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD > MR > C > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC
|
notes
|
| 1469. |
10/17/72 |
Shn - 0,
2219 |
St. Louis |
Fox Theatre MSR> C> DATs> CDRs> EAC> SHN; via Darrin Sacks, from Jack Warner's seed; previously uncirculated
|
notes
|
| 1470. |
10/18/72 |
Flac - 0,
7295 |
St. Louis |
Fox Theatre SBD > MR > Cass > DAT > CDR; see flaw notes in info file; Note- d2 fix now circulates via Charles Weir; See info file for details
|
notes
|
| 1471. |
10/18/72 |
Flac 16 - 0,
123571 |
St. Louis |
Fox Theatre flac16; Unknown SBD source (probably shnid 7295) CD > wav > cool edit 2000 > flac
|
notes
|
| 1472. |
10/18/72 |
Shn - 0,
3393 |
St. Louis |
Fox Theatre MR> Cass> DAT> CD; via Mike Lai with thanks to Lu Khachigian II
|
notes
|
| 1473. |
10/18/72 |
Flac 16 - 0,
132378 |
St. Louis |
Fox Theatre flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1474. |
10/18/72 |
Flac 16 - 0,
139725 |
St. Louis |
Fox Theatre flac16; Recording Info: SBD > Master Reel > Dat; Transfer Info: Dat > Samplitude Professional v10.22 > FLAC; All Transfers and Mastering By Charlie Miller; edited and remastered SIRMick November 2017
|
notes
|
| 1475. |
10/19/72 |
Shn - 0,
4506 |
St. Louis |
Fox Theatre SBD > MR > Cass > DAT > CDR; via DES; cuts into Promised
|
notes
|
| 1476. |
10/21/72 |
Flac 16 - 0,
94409 |
Nashville |
Alumni Lawn, Vanderbilt University flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1477. |
10/21/72 |
Flac 16 - 0,
122342 |
Nashville |
Alumni Lawn, Vanderbilt University flac16; SBD -> Master Reel -> Dat -> CD -> DC8; Reworked version of shnID 94453
|
notes
|
| 1478. |
10/21/72 |
Flac 16 - 0,
94453 |
Nashville |
Alumni Lawn, Vanderbilt University flac16; SBD -> Master Reel -> Dat -> CD -> -> Samplitude Professional v10.1 -> FLAC -> Remastering -> FLAC; remastered version of the Charlie Miller seed
|
notes
|
| 1479. |
10/21/72 |
Flac 16 - 0,
91505 |
Nashville |
Alumni Lawn, Vanderbilt University flac16; Partial Set 2 Source: MSR>DAT>CDR>EAC>.WAV>TLH>.FLAC
|
notes
|
| 1480. |
10/21/72 |
Flac 16 - 0,
122383 |
Nashville |
Alumni Lawn, Vanderbilt University flac16; SBD -> Master Reel -> Dat -> CD -> DC8; this version uses noise reduction; see info file for details
|
notes
|
| 1481. |
10/23/72 |
Shn - 0,
18914 |
Milwaukee |
Milwaukee Performing Arts Center AUD>MR>?>D>CD; See info file for 'warning'; via Paul Hartman; seeded to etree by J. Cotsman
|
notes
|
| 1482. |
10/23/72 |
Flac 16 - 0,
98958 |
Milwaukee |
Milwaukee Performing Arts Center flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-124/BASF Normal Bias 120 Min Tapes); Transfer Info: Cassette Master (Nakamichi Dragon) -> Dat -> CD; Mastering Info:CD -> Samplitude Professional v10.2 -> Adobe Audition v1.5 -> FLAC; All Mastering By Charlie Miller
|
notes
|
| 1483. |
10/24/72 |
Flac - 0,
105842 |
Milwaukee |
Milwaukee Performing Arts Center flac16; A Dick Latvala SBD DAT Transfer is Apogee DAT > Tascam DA-20 > s/pdif > Lynx2 Studio Reference Interface > Wavelab 6.01 at 16 BIT 48Khz Weiss-Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz Tracked in CDWAV Tag&Rename for Meta_Data TLH for FLAC Level 8 by Patrick White
|
notes
|
| 1484. |
10/24/72 |
Flac - 0,
106018 |
Milwaukee |
Milwaukee Performing Arts Center flac16; Recording Info: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1485. |
10/24/72 |
Shn - 0,
159 |
Milwaukee |
Milwaukee Performing Arts Center Set 2, Truckin' through Johnny B. Goode; MR > 1 cass. > DAT > CDR 2x; DAE/.shn conversion by G. Hamilton
|
notes
|
| 1486. |
10/24/72 |
Flac - 0,
97614 |
Milwaukee |
Milwaukee Performing Arts Center flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-153/BASF Normal Bias 120 Min Tapes) Transfer Info: Cassette Master (Nakamichi Dragon) -> Dat -> CD Mastering Info: CD -> Samplitude Professional v10.2 -> Adobe Audition v1.5 -> FLAC; All Mastering By Charlie Miller
|
notes
|
| 1487. |
10/26/72 |
Flac - 0,
32717 |
Cincinnati |
Cincinnati Music Hall flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1488. |
10/26/72 |
Shn - 0,
3117 |
Cincinnati |
Cincinnati Music Hall set 2; Master Soundboard Reel > Cassette > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston; reported best circulating copy as of 2/01
|
notes
|
| 1489. |
10/26/72 |
Shn - 0,
15113 |
Cincinnati |
Cincinnati Music Hall SBD -> Rm -> Cass -> Cass -> Dat -> Samplitude -> SHN (1 Disc SHN / 2 Discs Audio); Seeded to etree by Charlie Miller
|
notes
|
| 1490. |
10/27/72 |
Shn - 0,
18849 |
Columbus |
Veterans' Memorial Hall SBD C/? upgrade of first set; via Hanno Bunjes and Uli Teute
|
notes
|
| 1491. |
10/27/72 |
Shn - 0,
19630 |
Columbus |
Veterans' Memorial Hall Sources: SBD(a) Source: MSR>R>C>DAT>WAV>SHN SBD(b) Source: MSR>Many Gens??>C>DAT>WAV>SHN AUD Source: MAR>C>D>CD>EAC>SHN SBD conversions by Cousinit AUD portion from previously circulating shn set from Paul Hartman edited/encoded by J. Cotsman
|
notes
|
| 1492. |
10/27/72 |
Shn - 0,
10286 |
Columbus |
Veterans' Memorial Hall Set 1: SBD>?>C>SHN; Set 2: AUD>MR>C>D>CD; See info file for 'warning'; via Paul Hartman, Chris Masciangelo; Seeded to etree by J. Cotsman
|
notes
|
| 1493. |
10/28/72 |
Shn - 0,
20301 |
Cleveland |
Cleveland Public Hall Complete SBD>MC>D>CD>EAC>SHN Ampex C-90 cassette master via King Bee and Andy Lemieux, encoding etc. by Cotsman
|
notes
|
| 1494. |
10/28/72 |
Shn - 0,
160 |
Cleveland |
Cleveland Public Hall filler on Seastones disc; Dark Star/Philo Stomp; via D. Finney
|
notes
|
| 1495. |
10/28/72 |
Shn - 0,
20405 |
Cleveland |
Cleveland Public Hall Bertha Remaster of the Master Cassette source SBD>>MC>>DAT>>CDA>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B Ampex C-90 cassette master
|
notes
|
| 1496. |
10/28/72 |
Shn - 0,
11653 |
Cleveland |
Cleveland Public Hall Partial; 2 songs; See info file for details; SBD>MR>D>Sonic Solutions>CD
|
notes
|
| 1497. |
10/30/72 |
Shn - 0,
10915 |
Detroit |
Ford Auditorium AUD>MR>C>C>C>D>CD; via John Steinhaus; Seeded to etree by J. Cotsman
|
notes
|
| 1498. |
11/12/72 |
Shn - 0,
9771 |
Kansas City |
Soldiers' and Sailors' Memorial Hall SBD>MC>C>D>CD; This recording has 'mix problems'; See info file for details; via Mark Sweeney; Seeded to etree by J. Cotsman
|
notes
|
| 1499. |
11/13/72 |
Flac 16 - 0,
105812 |
Kansas City |
Soldiers and Sailors Memorial Hall flac16; Dick's copy of Owsley's AUD; Transfer is Apogeee DAT > Tascan DA-20 > s/pdif > Lynx2 Studio Reference Interface > Wavelab 6.01 at 16 BIT 48Khz Weiss-Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz TLH Flac Level 8 Tag & Rename for Meta-Data SBE FREE
|
notes
|
| 1500. |
11/13/72 |
Shn - 0,
17416 |
Kansas City |
Soldiers and Sailors Memorial Hall AUD(unknown mics) > C(x3) > Nak > Fostex D5 A/D @ 44.1 > CD by Kevin Weil, encoded by Matt Vernon. Note this aud will appeal chiefly to completists and audience tape collectors. It is almost complete except for tape flips and includes more between song banter/crowd than the other sources already circulating.
|
notes
|
| 1501. |
11/13/72 |
Shn - 0,
10089 |
Kansas City |
Soldiers and Sailors Memorial Hall master #1: AUD MR>C>D>CD recorded by Bear (//Playing through Casey Jones// is all that circulates from this source) master #2: low generation AUD (supplies the rest of the show); via Uli and Julian; Seeded to etree by Hanno B
|
notes
|
| 1502. |
11/13/72 |
Shn - 0,
7518 |
Kansas City |
Soldiers and Sailors Memorial Hall partial; AUD> MR> C> D> CD> EAC> SHN; via J. Cotsman, with thanks to Jeff Cook; see notes in info file
|
notes
|
| 1503. |
11/14/72 |
Shn - 0,
22024 |
Oklahoma City |
Civic Center Music Hall Recording Info: Source One: SBD -> Master Reel -> Cassette x 3 -> Dat (d1t01 -> d2t09) Source Two: SBD -> Master Reel -> Cassette -> Dat (d2t10 -> d3t07) Transfer Info: Dat (Sony R500) -> M-Audio Dio 2448 -> Samplitude v6.0 -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers By Charlie Miller charliemiller87@earthlink.net 1/30/04 Notes: --I forgot to make shn's off of my Dats which is why I had to use EAC. --This is a new conversion since the last one was missing GSET.
|
notes
|
| 1504. |
11/14/72 |
Shn - 0,
11615 |
Oklahoma City |
Civic Center Music Hall SBD>MC>C>D>CD>EAC>SHN (?); May be a MC; See info file for details and flaw notes; via Jeff Cook, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman
|
notes
|
| 1505. |
11/14/72 |
Shn - 0,
11836 |
Oklahoma City |
Civic Center Music Hall SBD>Rm>Cass>Dat>CD; Seeded to etree by Charlie Miller
|
notes
|
| 1506. |
11/15/72 |
Flac 16 - 0,
110631 |
Oklahoma City |
Civic Center Music Hall flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1507. |
11/15/72 |
Flac 16 - 0,
91760 |
Oklahoma City |
Civic Center Music Hall flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1508. |
11/15/72 |
Shn - 0,
10916 |
Oklahoma City |
Civic Center Music Hall Partial; SBD>MR>C>C>C>D>CD; Pitch corrected; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon & J. Cotsman
|
notes
|
| 1509. |
11/15/72 |
Flac - 0,
112616 |
Oklahoma City |
Civic Center Music Hall DVD Audio; Video Format-Audio Only: Bertha Remaster of the Master Reel source; SBD>>MR>>DAT>>WAV>>FLAC>>DAW(Bertha)>>Audio DVD; audio only - no video
|
notes
|
| 1510. |
11/17/72 |
Shn - 0,
15982 |
Wichita |
Century II Convention Hall Master Soundboard Reel > Cassette > DAT > CR > EAC > WAV > SHN; with patches Master Audience Cassette > ? > Cassette > CD; Upgrade to existing SHN copy
|
notes
|
| 1511. |
11/17/72 |
Shn - 0,
1185 |
Wichita |
Century II Convention Hall sdb> reel master> cassette> dat> cdr; via Mike Lai; note Jeff Tiedrich reports this is more likely MR> C> C> DAT
|
notes
|
| 1512. |
11/18/72 |
Flac - 0,
123077 |
Houston |
Hofheinz Pavilion flac16; Set 2 Recording Info: SBD -> Master Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1513. |
11/18/72 |
Shn - 0,
9182 |
Houston |
Hofheinz Pavilion SHNID: 9182
|
notes
|
| 1514. |
11/18/72 |
Shn - 0,
9002 |
Houston |
Hofheinz Pavilion 2nd set only; SBD> MC> C> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to John Steinhaus
|
notes
|
| 1515. |
11/19/72 |
Shn - 0,
17705 |
Houston |
Hofheinz Pavilion Source: SBD>MR>Reel>Reel>DAT>CD>EAC>WAV>CoolEdit2000>SHN (Note that there is speculation that this source may contain only one reel generation.) Cool Edit 200 was used to correct various flaws from previously circulating versions
|
notes
|
| 1516. |
11/19/72 |
Flac 16 - 0,
122783 |
Houston |
Hofheinz Pavilion flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; Upgrade in circulation
|
notes
|
| 1517. |
11/19/72 |
Flac 16 - 0,
123578 |
Houston |
Hofheinz Pavilion b>flac16; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; This is a cleaned up version of source ID 122783
|
notes
|
| 1518. |
11/19/72 |
Flac 24/96 - 0,
123577 |
Houston |
Hofheinz Pavilion flac24; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; This is a cleaned up version of source ID 122784
|
notes
|
| 1519. |
11/19/72 |
Shn - 0,
3910 |
Houston |
Hofheinz Pavilion SBD; sound adjustments during Bertha, minor digi-noise at the end of Jack Straw; Transferred and seeded to etree by Mike Lai, from Bruce Fried DAT
|
notes
|
| 1520. |
11/19/72 |
Flac 24/96 - 0,
132970 |
Houston |
Hofheinz Pavilion flac24; Recording Info: SBD > Master Reel > Revox A77(Menke) > A77(Pat Lee) > Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
|
notes
|
| 1521. |
11/19/72 |
Flac 16 - 0,
132969 |
Houston |
Hofheinz Pavilion flac16; Recording Info: SBD > Master Reel > Revox A77(Menke) > A77(Pat Lee) > Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
|
notes
|
| 1522. |
11/19/72 |
Flac 16 - 0,
142329 |
Houston |
Hofheinz Pavilion flac16; Source: SBD > Master Reel > 1st Gen Reel > DAT (44.1k) - Provided by Tim Dalton; Lineage: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac16; edited and mastered SIRMick June 2018; the original version of this source was missing s2t13
|
notes
|
| 1523. |
11/19/72 |
Flac 24/96 - 0,
122784 |
Houston |
Hofheinz Pavilion flac24; Recording Info: SBD -> Master Reel -> Reel (7.5ips 2 track/Dolby B); Transfer Info: Reel (Dolby B Decoded) -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Reels supplied and Transferred By David Gans; Mastered By Charlie Miller; Upgrade in circulation
|
notes
|
| 1524. |
11/22/72 |
Flac 16 - 0,
115765 |
Austin |
Austin Municipal Auditorium flac16; Recording Info: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1525. |
11/22/72 |
Flac 16 - 0,
115765 |
Austin |
Austin Municipal Auditorium flac16; Recording Info: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC. fix of shnid 115730
|
notes
|
| 1526. |
11/22/72 |
Shn - 0,
4081 |
Austin |
Austin Municipal Auditorium sdb> master reel> dat> cdr; via Mike Lai from Bruce Fried DAT; missing Promised; d2 tracked for 80 min
|
notes
|
| 1527. |
11/22/72 |
Flac 16 - 0,
141118 |
Austin |
Austin Municipal Auditorium flac16; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels (dolby b decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 1528. |
11/22/72 |
Flac 24/96 - 0,
141189 |
Austin |
Austin Municipal Auditorium flac24; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels (dolby b decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
|
notes
|
| 1529. |
11/24/72 |
Shn - 0,
5288 |
Dallas |
Dallas Memorial Auditorium SBD> MR> DAT> CDR> EAC> SHN; tracked for 2x80; splice in China Cat; seeded by Tony Gardner, from Paul B. discs
|
notes
|
| 1530. |
11/24/72 |
Flac 24/96 - 0,
141267 |
Dallas |
Dallas Memorial Auditorium flac24; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels @ 3.75 ips (dolby decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
|
notes
|
| 1531. |
11/24/72 |
Flac 16 - 0,
141266 |
Dallas |
Dallas Memorial Auditorium flac16; Recording Info: Master Soundboard Reels > Bob Menke's 1st generation reels > Pat Lee's 2nd generation reels @ 3.75 ips (dolby decoded); Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 1532. |
11/26/72 |
Flac 16 - 0,
127478 |
San Antonio |
San Antonio Civic Auditorium flac16; This is a restored version of SHNID 9248 combined with SHNID 123022 to produce the full show. It is not based on any new sources. Modifications by Dan McDonald (droncit@yahoo.com).
|
notes
|
| 1533. |
11/26/72 |
Flac 16 - 0,
123022 |
San Antonio |
San Antonio Civic Auditorium flac16; Unknown SBD version of Dark Star > Bobby McGee; this alternate version has no cut in Dark Star, but is slightly hissier than the previous version
|
notes
|
| 1534. |
11/26/72 |
Shn - 0,
9248 |
San Antonio |
San Antonio Civic Auditorium SBD> MR> (set 1 ?; set 2 C)> D> CD> EAC>SHN; edits (see info), encoding, vined by J. Cotsman, with thanks to Paul B.
|
notes
|
| 1535. |
11/26/72 |
Flac 16/44 - ,
152827 |
San Antonio |
San Antonio Civic Auditorium flac16/44 a remaster of shn #9248 with short patches from shn #123022 by acetboy 2021-07-07
|
notes
|
| 1536. |
12/10/72 |
Shn - 0,
5801 |
San Francisco |
Winterland Arena MSR > Cass x 3 > DAT > CDR > EAC > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Justin Cucci, Mark Perini
|
notes
|
| 1537. |
12/10/72 |
Flac 16 - 0,
132778 |
San Francisco |
Winterland Arena flac16; Restored version of source ID 5801 (MSR > Cass x 3 > DAT > CDR > EAC > SHN) by Droncit; Diamond Cut 8.5 Forensics was used for equalization and virtual valve simulation, an enhancer and some slight noise reduction.
|
notes
|
| 1538. |
12/10/72 |
Flac 16/48 - 0,
141755 |
San Francisco |
Winterland Arena flac16/48kHz; Partial Show Source Info: Master Soundboard Reels > 2 cassette generations > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500) (16-bit/48k)> Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/48k)> Adobe Audition 3.0 > TLH flac1648
|
notes
|
| 1539. |
12/11/72 |
Flac 16 - 0,
107885 |
San Francisco |
Winterland Arena flac16; Lineage: 7" MR @ 7 1/2 ips.>R@ 3 3/4 ips.>R @ 3 3/4 ips>DVD Tape stock: Black Maxell UDII reel tape. Transfer info: Akai GX 636 >> Apogee Mini Me(24/96) >> Apogee Mini Dac(monitoring/mastering) >> LynxOne Soundcard >> Wavelab 5.0 >> DVD at 24 bit 96 kHz; All transfers, edits and mastering done in the 24 bit realm Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDWAV | Tag&Rename for Meta_Data TradersLittleHelper for FLAC Level 8
|
notes
|
| 1540. |
12/11/72 |
Flac 16 Mtx - 0,
121029 |
San Francisco |
Winterland Arena flac16; 2 source matrix: Soundboard (shnid=107885): Lineage: "7 MR @ 7 1/2 ips.>R@ 3 3/4 ips.(Kidd dub for Jerry)>R @ 3 3/4 ips(Will Boswell)>DVD Tape stock: Black Maxell UDII reel tape. Transfer info: Akai GX 636 >> Apogee Mini Me(24/96) >> Apogee Mini Dac(monitoring/mastering)>> LynxOne Soundcard >> Wavelab 5.0 >> DVD at 24 bit 96 kHz Audience (shnid=108946): Analog Audience Source: Taped from balcony Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x TDK c 90's sd Analog Lineage: External Stereo Mic >> Sony TC-124 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Matrix by dusborne using Adobe Audition CS6 and Audacity 2.0
|
notes
|
| 1541. |
12/11/72 |
Shn - 0,
5251 |
San Francisco |
Winterland Arena SBD > MR > ?? > CDR; EAC > Cool Edit (remove some pops, see info file) > CD Wave (split tracks) > SHN (seekable) by Matt Vernon, from Paul B. seed discs; missing some songs; see info file for other flaw notes
|
notes
|
| 1542. |
12/11/72 |
Flac 16 - 0,
100398 |
San Francisco |
Winterland Arena flac16; Source: SBD>MR>R>C>WAV>FLAC Patch Source: Unknown AUD>??>C>WAV>FLAC; C>FLAC Conversion by Cousinit
|
notes
|
| 1543. |
12/11/72 |
Flac 16 - 0,
108946 |
San Francisco |
Winterland Arena flac16; Taped from balcony External Stereo Mic >> Sony TC-124 >> MAC; MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke
|
notes
|
| 1544. |
12/11/72 |
Flac 16/48 - ,
153091 |
San Francisco |
Winterland Arena flac16/48 Primary Source Info: Master 7" Soundboard Reels @ 7 1/2 ips > Reel to Reel @ 3 3/4 ips (Kidd dub for Jerry) > Reel to Reel @ 3 3/4 ips(Will Boswell) Secondary Source Info: Master Soundboard Reels > Taper's Section Stream Transfer Info: 2nd generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 1545. |
12/11/72 |
Flac 24/96 - ,
153092 |
San Francisco |
Winterland Arena flac24/96 Primary Source Info: Master 7" Soundboard Reels @ 7 1/2 ips > Reel to Reel @ 3 3/4 ips (Kidd dub for Jerry) > Reel to Reel @ 3 3/4 ips(Will Boswell) Secondary Source Info: Master Soundboard Reels > Taper's Section Stream Transfer Info: 2nd generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 1546. |
12/12/72 |
Flac - 0,
32041 |
San Francisco |
Winterland Arena SBD (7 inch Master Reel @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC Transfered and Edited By Charlie Miller
|
notes
|
| 1547. |
12/12/72 |
Shn - 0,
5802 |
San Francisco |
Winterland Arena partial; mixed source SBD, AUD: MR > ? > DAT > CDR > EAC > SHN; Aud: Mcass > DAT > ZA2 > CDR > EAC > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Mark Wienke, Mark Perini; to CDead vine
|
notes
|
| 1548. |
12/15/72 |
Shn - 0,
2329 |
Long Beach |
Long Beach Arena SBDmR> C> D> CDR; via Ben Yerys, M. Weinke; reportedly stemming from David Gans; includes possibly extraneous Box of Rain, JGB repeats in d3?
|
notes
|
| 1549. |
12/15/72 |
Shn - 0,
17186 |
Long Beach |
Long Beach Arena Lineage: S:MR>Cass>DAT>PCM>DAT>CD, w/ patches from S:MR>R>R>DAT copy. Remastered, transferred to CD, and encoded to SHN by David Hollister
|
notes
|
| 1550. |
12/15/72 |
Flac 16 - 0,
136651 |
Long Beach |
Long Beach Arena flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT
|
notes
|
| 1551. |
12/31/72 |
Shn - 0,
634ß |
San Francisco |
Winterland Arena cleaned up version of previous shn set, by Charles Weir; tracked in as-played order; sector boundaries corrected with shntool; d1,d3 now tracked for 80 min
|
notes
|
| 1552. |
12/31/72 |
Shn - 0,
26559 |
San Francisco |
Winterland Arena Bertha Remaster of the patched PreFM source, by Jay Ashley
|
notes
|
| 1553. |
12/31/72 |
Shn - 0,
1563 |
San Francisco |
Winterland Arena Pre-FM KSAN Reel > DAT > .SHN; to abgd; note out of order tracking
|
notes
|
| 1554. |
12/31/72 |
Flac 16 - 0,
137465 |
San Francisco |
Winterland Arena flac16; Recording of FM Broadcast on KSAN > ? > DAT provided and transferred by Stuccoholmes; Mastering & Editing by Jason Chastain in Audition CC 2015; Final Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by Norm
|
notes
|
| 1555. |
12/31/72 |
Shn - 0,
20559 |
San Francisco |
Winterland Arena Main Source: Vault pre-FM reels > DAT Patch Source: pre-FM KSAN reel (http://db.etree.org/shninfo_detail.php?shnid=6340) DAT > WAV : Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 by Marc Pujol WAV > SHN editing, encoding & patching by Matt Vernon
|
notes
|
| 1556. |
12/31/72 |
Flac 16/48 - 0,
141135 |
San Francisco |
Winterland Arena flac16/48kHz; Source Info: Vault Master Soundboard Reels > Dat (16/48k); Transfer Info: Dat (Sony PCM-R500) 16/48k > Tascam DA-3000 (16-bit/48k) > Adobe Audition 3.0 (16/48k)> TLH flac1648; the original source had errors in track 6
|
notes
|
| 1557. |
??/??/72 |
Flac 16/44 - 0,
152205 |
San Francisco |
Alembic Studios flac16/44 Source: Alan Bershaw's low generation cassette (Maxell UDXL2 with Dolby B) Transfer: Maxell UDXL2 with Dolby B (Nakamichi Dragon playback with Dolby B) > Lexicon Lambda > Logic 1644.1 (tracking only) > wav > xAct (sbe correction) > FLAC
|
notes
|
| 1558. |
02/09/73 |
Shn - 0,
14939 |
Palo Alto |
Roscoe Maples Pavilion, Stanford University S : MR > R > DAT > SS > CDR > DAW (Bertha) > CDA > SHN > COOL EDIT PRO > SHN; See info file for 'additional edit' notes from seeder Alan Fink.
|
notes
|
| 1559. |
02/09/73 |
Shn - 0,
12571 |
Palo Alto |
Roscoe Maples Pavilion, Stanford University Jay Ashley (Bertha) remaster of previous MR source; SBD>>MR>>REEL>>DAT>>SS>>CDR>>DAW(Bertha)>>CDA
|
notes
|
| 1560. |
02/09/73 |
Shn - 0,
9888 |
Palo Alto |
Roscoe Maples Pavilion, Stanford University SBD> MR> R> DAT> CD; Show SHNed by Bob Allred; md5 / shn renaming and txt file by Patrick Hitt, who notes that "slightly different edit times indicate a different dat source or editor" than previous shn set
|
notes
|
| 1561. |
02/09/73 |
Shn - 0,
10361 |
Palo Alto |
Roscoe Maples Pavilion, Stanford University MR 2 Track Reel > 7.5 IPS 1/4 tack dolby B reel > DAT > Sonic Solutions > CDR; via D Finney; Seeded to etree by Popi; Note- This is another eac of the same original Finney seed discs according to Popi
|
notes
|
| 1562. |
02/09/73 |
Flac 24/96 - 0,
134399 |
Palo Alto |
Roscoe Maples Pavilion, Stanford University flac24; Recording Info: MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith
|
notes
|
| 1563. |
02/09/73 |
Flac 16 - 0,
134398 |
Palo Alto |
Roscoe Maples Pavilion, Stanford University flac16; Recording Info: MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith
|
notes
|
| 1564. |
02/09/73 |
Flac 16 - 0,
141001 |
Palo Alto |
Roscoe Maples Pavilion, Stanford University flac16; SBD>>MR>>REEL>>DAT>>SS>>CDR>>DAW(Bertha)>>CDA>>SHN>>COOL EDIT PRO>>SHN; Speed-corrected using Celemony Capstan done for each track individually; Reencoded to flac (level 8); SBE's fixed using Trader's Little Helper
|
notes
|
| 1565. |
02/09/73 |
Flac 16 - 0,
150166 |
Palo Alto |
Roscoe Maples Pavilion, Stanford University flac16; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (44.1k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller
|
notes
|
| 1566. |
02/15/73 |
Shn - 0,
1580 |
Madison |
Dane County Coliseum MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD; upgrade relative to previous shn copies; includes soundcheck and most of encores; via Mike Hall; tracked for 2x74 + 1x80 (with alternate tracking suggestion)
|
notes
|
| 1567. |
02/15/73 |
Flac 16 Mtx - 0,
124360 |
Madison |
Dane County Coliseum flac16; 2 Source Matrix by dusborne; Soundboard (shnid:1580): MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD and Audience (shnid:124195): two channel mono MAC> ? > normal bias cassettes (see notes) Two 60 minute and one 90 minute mid 70's vintage Memorex cassettes, Cassettes> Harmon Kardon TD 302, Heads aligned to each tape side> Zoom H2 @16/44.1> SD card> PC> edited and tracked with wavpad> flac level 8 and checksums with traders little helper
|
notes
|
| 1568. |
02/15/73 |
Flac 16 - 0,
112812 |
Madison |
Dane County Coliseum flac16; Lineage: sbd>?>?>CDR(s)(borrowed) & aud>?>?>cassette(s)(my tape); Transfer: audience tapes>Sony TD-C690 (heads aligned to each tape segment)> Phillips CDR-765>CDDA-R80 X 3>EAC>flac level 8> flacs & checksums with traderslittlehelper CDR > CDR and Analog > CDR transfer October 1999 by arfarf CDR > flac 2011-04-10 by arfarf
|
notes
|
| 1569. |
02/15/73 |
Flac 24 - 0,
134028 |
Madison |
Dane County Coliseum flac24; Recording Info: SBD MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith
|
notes
|
| 1570. |
02/15/73 |
Flac 16 - 0,
134029 |
Madison |
Dane County Coliseum flac16; Recording Info: SBD MR > R (Bob Menke) > R (Pat Lee); Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith
|
notes
|
| 1571. |
02/15/73 |
Flac 16 - 0,
124195 |
Madison |
Dane County Coliseum flac16; two channel mono MAC> ? > normal bias cassettes> Harmon Kardon TD 302, Heads aligned to each tape side> Zoom H2 @16/44.1> SD card> PC> edited and tracked with wavpad> flac level 8 and checksums with traderslittlehelper
|
notes
|
| 1572. |
02/15/73 |
Flac 16/48 - 0,
150175 |
Madison |
Dane County Coliseum flac16/48kHz; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC
|
notes
|
| 1573. |
02/17/73 |
Flac 16 - 0,
32580 |
St. Paul |
St. Paul Auditorium flac16; SBD -> Master Reel -> PCM -> Dat -> CD All Transfers and Mastering By Charlie Miller
|
notes
|
| 1574. |
02/17/73 |
Flac 16 - 0,
32875 |
St. Paul |
St. Paul Auditorium flac16; SBD > MR > PCM > DAT > CDA > WAV > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 32580
|
notes
|
| 1575. |
02/17/73 |
Shn - 0,
11771 |
St. Paul |
St. Paul Auditorium SBD:MR> PCM> DAT> CD; retracking etc of previous shn set, by Randy Carman
|
notes
|
| 1576. |
02/17/73 |
Flac 16/48 - 0,
150300 |
St. Paul |
St. Paul Auditorium flac16/48kHz; Recording Info: SBD > Reel Master (7.5ips 1/2trk) > Reel/1 (7.5ips/Dolby B) > DAT/0 (Panasonic SV-3800/48k); Transfer Info: DAT/0 (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC
|
notes
|
| 1577. |
02/19/73 |
Flac 16 - 0,
83023 |
Chicago |
International Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Ampex C-90) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1578. |
02/19/73 |
Shn - 0,
15589 |
Chicago |
International Amphitheatre SBD : MC > C > DAT > SS > CDR > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool. Thanks to Paul B. for the seeds. Seeded to etree on 3/2/03
|
notes
|
| 1579. |
02/19/73 |
Shn - 0,
12826 |
Chicago |
International Amphitheatre set 2 partial; SBD> MC> C> DAT> CDR> WAV> SHN; Jeffrey Williams, Jim
|
notes
|
| 1580. |
02/21/73 |
Flac 16 - 0,
111120 |
Urbana |
Assembly Hall, Univ. Of Illinois Urbana-Champaign flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1581. |
02/21/73 |
Shn - 0,
165 |
Urbana |
Assembly Hall, Univ. Of Illinois Urbana-Champaign complete; MR > DAT > 1 cass > DAT > CDR 3x; via G. Hamilton; see info file for misc flaws, esp d1; 4-disc set with 2/22
|
notes
|
| 1582. |
02/22/73 |
Flac 16 - 0,
111189 |
Urbana |
Assembly Hall, Univ. Of Illinois Urbana-Champaign flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1583. |
02/22/73 |
Shn - 0,
12215 |
Urbana |
Assembly Hall, Univ. Of Illinois Urbana-Champaign reworking of previous shn set, by Randy Carman (see notes in info file)
|
notes
|
| 1584. |
02/22/73 |
Shn - 0,
166 |
Urbana |
Assembly Hall, Univ. Of Illinois Urbana-Champaign sets 1p,2; MR > DAT > 1 cass> DAT > CDR 3x; via G. Hamilton; see info file for misc flaws,
|
notes
|
| 1585. |
02/22/73 |
Shn - 0,
10963 |
Urbana |
Assembly Hall, Univ. Of Illinois Urbana-Champaign Partial; According to Deadlists this is missing the 4 songs after Playin' in Set 1, and Around from Set 2; See info file for details; SBD:MR>Cas>DAT>CD; Seeded to etree by Julian Elliot
|
notes
|
| 1586. |
02/24/73 |
Shn - 0,
16051 |
Iowa City |
Field House, University Of Iowa Partial Set I - Last four songs SBD> MR> DAT> CDR by Sly_Wow Thanks to Raoul Duke
|
notes
|
| 1587. |
02/24/73 |
Shn - 0,
11929 |
Iowa City |
Field House, University Of Iowa Single track jam segment; see info file for details; SBD>?>GDH CD; seeded to etree by Jools
|
notes
|
| 1588. |
02/24/73 |
Flac 16 - 0,
142031 |
Iowa City |
Field House, University Of Iowa flac16; partial source: aud cassette master; taped by Mark Owen; sears & robuck deck, floor, 100’ from stage; nakamichi dragon > benchmark adc1 @ 24/96> adobe audition cc > fission > xACT flac 16/44.1; transferred by Rob Berger
|
notes
|
| 1589. |
02/26/73 |
Shn - 0,
1208 |
Lincoln |
Pershing Municipal Auditorium S:MR > cassette > DAT > CDR > EAC > SHN; EAC/SHN by Seth Kaplan; upload by Greg Hamilton; note D3t02 (Eyes): splice @ 3:25
|
notes
|
| 1590. |
02/28/73 |
Shn - 0,
15386 |
Salt Lake City |
Salt Palace Multiple sources SBMR via Noah Weiner and David Gans encoded by Noah Weiner (see info file for details). Upgrade to previous copies with complete EOTW & AWBYGN
|
notes
|
| 1591. |
02/28/73 |
Shn - 0,
9986 |
Salt Lake City |
Salt Palace SBD:MR>?>DAT>CD; Missing several songs at the end of show; See info file for details; Seeded to etree by Jools
|
notes
|
| 1592. |
02/28/73 |
Flac 16/48 - 0,
143133 |
Salt Lake City |
Salt Palace flac16/48kHz; Source: SBD > MR > Cas >Dat (48k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 >wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16
|
notes
|
| 1593. |
03/15/73 |
Shn - 0,
14035 |
Uniondale |
Nassau Veterans Memorial Coliseum composite source 1: AUD>??>CD>EAC>SHN source 2: SBD>MR>C>D>CD>EAC>SHN via JackeySack, Matt Vernon, and Paul Hartman edits/encoding by JCotsman
|
notes
|
| 1594. |
03/15/73 |
Shn - 0,
13468 |
Uniondale |
Nassau Veterans Memorial Coliseum Source (~complete): Unknown AUD > ? cdr via JackeySack, converted by Matt Vernon
|
notes
|
| 1595. |
03/15/73 |
Flac 16 - 0,
136652 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Source: Soundboard > Reel Master > Cassette > DAT (48k)
|
notes
|
| 1596. |
03/15/73 |
Flac 16 - 0,
151902 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette (Circa 1984) Transfer/Flac Conversion 02-27-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac
|
notes
|
| 1597. |
03/16/73 |
Flac 16 - 0,
79186 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat (44.1k) Set 2: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional -> FLAC
|
notes
|
| 1598. |
03/16/73 |
Shn - 0,
19141 |
Uniondale |
Nassau Veterans Memorial Coliseum Fixed composite sbd version (based on shnid = 167) by Sean Cribbs. See info file for details.
|
notes
|
| 1599. |
03/16/73 |
Shn - 0,
167 |
Uniondale |
Nassau Veterans Memorial Coliseum SBD, complete; Set 1: Betty MSR > PCM > DAT > CDR > EAC > SHN; Set 2: MSR > Reel > DAT > CD > EAC > SHN; see info file for misc flaws; via G.S. Hamilton
|
notes
|
| 1600. |
03/16/73 |
Flac 16 - 0,
33556 |
Uniondale |
Nassau Veterans Memorial Coliseum Source: Audience Lineage: ? > C > CDR > EAC > CE Pro > CDWAV > FLAV (level 8) Thanks to Dave Minor for the source. EAC etc by Matt Vernon
|
notes
|
| 1601. |
03/16/73 |
Flac 16/44 - ,
152003 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/44 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette (Circa 1984) Transfer/Flac Conversion 03-01-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac
|
notes
|
| 1602. |
03/19/73 |
Flac 16 - 0,
123987 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD -> Master Reel -> Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2.1 -> Adobe Audition CS6 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1603. |
03/19/73 |
Shn - 0,
9987 |
Uniondale |
Nassau Veterans Memorial Coliseum Playin', plus most of set 2; SBD:MR>Cas>Cas>DAT>CD; Seeded to etree by Jools
|
notes
|
| 1604. |
03/19/73 |
Flac 16 - 0,
97506 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Taper: Dan H. Location: Slightly too close to stage Transfer/editing/flac conversion: Dan McDonald Unknown Mic, Unknown Cassette recorder (mono) ->Master Cassette -> 24bit/96kHz wav -> slight edit (fade-in, out, azimuth adjustment, and slight level changes for crowd noise) -> 16-bit, 44.1 khz wav (triangular noise dither)
|
notes
|
| 1605. |
03/19/73 |
Flac 24/96 - 0,
141298 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24/96 Recording Info: SBD > Master Reels > Dat (16-bit/44.1k) > upsampled to 24-bit/96k; Mastering Info: WAV > Samplitude Pro X3 Suite > FLAC/24; Master Reel Transferred by Rob Eaton; All Mastering By Charlie Miller; the original version of this source had a 2 second dropout in thrack 16 (Playing In The Band)
|
notes
|
| 1606. |
03/19/73 |
Flac 16 - 0,
141309 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD > Master Reels > Dat (16-bit/44.1k) > upsampled to 24-bit/96k; Mastering Info: WAV > Samplitude Pro X3 Suite > FLAC/24; Master Reel Transferred by Rob Eaton; All Mastering By Charlie Miller; the original version of this source had a 2 second dropout in thrack 16 (Playing In The Band)
|
notes
|
| 1607. |
03/19/73 |
Flac 16 - 0,
97417 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Taper Gerry Moskal Sony Stereo ECM x 2 -->SONY TCD126 Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/editing//flac Conversion: Brian Mandel Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac
|
notes
|
| 1608. |
03/21/73 |
Flac - 0,
29263 |
Utica |
Utica Memorial Auditorium Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller Notes:I originally transferred my Dat back in 2000. At that time, I only made Audio discs. Someone asked me to circulate this source since the circulating source has NR applied to it. My source DOES NOT have any NR applied to it. I made these FLAC's off of my Master Audio Discs. Enjoy...cm
|
notes
|
| 1609. |
03/21/73 |
Shn - 0,
5072 |
Utica |
Utica Memorial Auditorium SBD> MR> ?> D> CD> SHN; shn EAC/ shn encoding/ edits by J. Cotsman, with thanks to Jeff Krakowka; see listening notes in info file
|
notes
|
| 1610. |
03/21/73 |
Flac 24/96 - 0,
152104 |
Utica |
Utica Memorial Auditorium flac24/96 Source: Audience Cassette (low gen) - from the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced edited and mastered SIRMick March 2021
|
notes
|
| 1611. |
03/21/73 |
Flac 16/44 - 0,
152103 |
Utica |
Utica Memorial Auditorium flac16/44 Source: Audience Cassette (low gen) - from the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick March 2021
|
notes
|
| 1612. |
03/21/73 |
Flac 16/48 - 0,
152018 |
Utica |
Utica Memorial Auditorium flac16/48 Source Info: Kevin Ryan's Audience source of unknown provenance; low gen Cassette (Maxell UDXL-II) Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 1613. |
03/21/73 |
Flac 24/96 - 0,
152019 |
Utica |
Utica Memorial Auditorium flac24/96 Source Info: Kevin Ryan's Audience source of unknown provenance; low gen Cassette (Maxell UDXL-II) Transfer Info: Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 1614. |
03/22/73 |
Flac 16 - 0,
83397 |
Utica |
Utica Memorial Auditorium flac 16; Source: 10" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's Tape) > disk; Transferred by Tim Deibert 6-10-2002
|
notes
|
| 1615. |
03/22/73 |
Flac 16 44,1khz - 0,
136267 |
Utica |
Utica Memorial Auditorium flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Wavelab 7.1 for Minor Edits by Jamie Waddell 16 bit 44.1kHz
|
notes
|
| 1616. |
03/22/73 |
Shn - 0,
1822 |
Utica |
Utica Memorial Auditorium MSR> DATs> CDRx1> EAC> SHN; via Darrin Sacks
|
notes
|
| 1617. |
03/24/73 |
Shn - 0,
1216 |
Philadelphia |
The Spectrum S:MR > cassette > DAT > CDR; note updated source info- actually only 1 cass gen, not 2; via Mike Bryan, Greg Hamilton; see info file for listening notes
|
notes
|
| 1618. |
03/24/73 |
Shn - 0,
|
Philadelphia |
The Spectrum SBD>>MR>>CASS>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN
|
notes
|
| 1619. |
03/24/73 |
Flac 16 - 0,
83407 |
Philadelphia |
The Spectrum flac16; 10" Betty Board Reel > PCM501ES > Fostex D5 (Jace's tape) optical S/PDIF out > disk Transferred by Tim Deibert 5-18-02
|
notes
|
| 1620. |
03/24/73 |
Flac 16 - 0,
139595 |
Philadelphia |
The Spectrum flac16; Primary Source: Betty's 10" MSR -> PCM -> DAT supplies the 2nd Set; Secondary Sources: MSR -> C -> DAT (gd73-03-24.sbd.hamilton.shnid1216) supplies the majority of the 1st set; Betty's 10" MSR -> PCM -> S/PDIF out -> disk -> digital noise reduction w/Sound Forge 6.0 (shnid83407) supplies from 7:38 of "Here Comes Sunshine" (t15)thru the end of the 1st Set; Transfer Info: DAT -> Sony PCM R500-> Tascam DA-3000-> Adobe Audition 3.0-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 1621. |
03/26/73 |
Flac - 0,
34787 |
Baltimore |
Civic Center flac16; Recording: SBD > Master Reel > Dat (44.1k) Transfer: Dat (Sony R500) > SEK'D Prodif Plus > Samplitude Profesional v8.01 > FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1622. |
03/26/73 |
Shn - 0,
1373 |
Baltimore |
Civic Center SBD> MR> DAT> CDA> CDA> EAC> SHN; via Charlie Miller, Jay Ashley; note info file updated 9/13; see pub comments for flaw notes
|
notes
|
| 1623. |
03/28/73 |
Flac 16 - 0,
86459 |
Springfield |
Springfield Civic Center flac16; SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony 500) -> Samplitude Professional 9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1624. |
03/28/73 |
Flac 16 Mtx - 0,
86833 |
Springfield |
Springfield Civic Center flac16; Matrix 2 Source Mix - SBD (shn id 86459) SBD -> Master Reel -> Dat (44.1k) + AUD (shn id 74682) Beyer Mics -> Cassette Master - matrix mixing by Kevin Tobin
|
notes
|
| 1625. |
03/28/73 |
Flac 16 - 0,
34759 |
Springfield |
Springfield Civic Center flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1626. |
03/28/73 |
Shn - 0,
1073 |
Springfield |
Springfield Civic Center set 2 partial; MSR> DATs> CDRs> EAC> SHN; without steady whine that marred previously-circulating copies; via Jack Warner, Darrin Sacks
|
notes
|
| 1627. |
03/28/73 |
Flac 16 - 0,
74682 |
Springfield |
Springfield Civic Center flac16; Recording Info: Beyer Mics -> Cassette Master Transfer Info: Cassette Master -> Apogee MiniMe -> Samplitude Professional 8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 1628. |
03/28/73 |
Shn - 0,
16886 |
Springfield |
Springfield Civic Center AudMC > R > DAT > WAV > SHN; taper: Andy Nourse - equipment unknown; via Noah Weiner; see background in txt
|
notes
|
| 1629. |
03/28/73 |
Flac Dts 5.1 - 0,
86896 |
Springfield |
Springfield Civic Center DTS Audio 5.1; SBD (shn id 86459) SBD -> Master Reel -> Dat (44.1k) + AUD (shn id 74682) Beyer Mics -> Cassette Master - dts mixing by Kevin Tobin
|
notes
|
| 1630. |
03/28/73 |
Flac 24 - 0,
75138 |
Springfield |
Springfield Civic Center flac24; Recording Info: Beyer Mics -> Cassette Master Transfer Info: Cassette Master -> Apogee MiniMe -> Samplitude Professional 8.01 -> FLAC/24 All Transfers and Mastering By Charlie Miller
|
notes
|
| 1631. |
03/28/73 |
Shn - 0,
11473 |
Springfield |
Springfield Civic Center Discs 1&2; AUD>MC>R>D>CD; Disc 3; SBD>MR>D>CD; Seeded to etree by J Cotsman
|
notes
|
| 1632. |
03/30/73 |
Shn - 0,
11616 |
Rochester |
Rochester Community War Memorial AUD>MR>?>CD (disc 1); SBD>MR>C>D>CD (remainder); See info file for details; via Paul Hartman & Michael Dixon; Seeded to etree by J. Cotsman
|
notes
|
| 1633. |
03/30/73 |
Flac 16/44 - ,
154328 |
Rochester |
Rochester Community War Memorial flac1644; Source: Unknown mono AUD, composite source, see notes below. Transfer Source-1: ID-11616 AUD tracks > SHN > TLH > WAV > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Transfer Source-2: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.
|
notes
|
| 1634. |
03/31/73 |
Shn - 0,
2986 |
Buffalo |
Buffalo Memorial Auditorium SBD Reel master > cassette > DAT > CD > EAC > SHN> retrack> reSHN; retracking of previous shn set, by G.S. Hamilton; see info file for listening notes; to BUDD offer
|
notes
|
| 1635. |
03/31/73 |
Shn - 0,
2237 |
Buffalo |
Buffalo Memorial Auditorium Master Soundboard Reel > Cassette > DAT > CD-R; via Morgan Evans, Ben Yerys; see info file for listening notes; note some offbeat tracking
|
notes
|
| 1636. |
03/31/73 |
Flac 16 - 0,
31604 |
Buffalo |
Buffalo Memorial Auditorium flac16; SBD > MC > CASS > DAT > CDA > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered to from 24-16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2
|
notes
|
| 1637. |
04/02/73 |
Flac - 0,
17346 |
Boston |
Boston Garden SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat. Transfer Info: Dat -> Sonic Solutions -> CD (David Gans' Master Discs) -> EAC (Secure) -> SHN. CD -> SHN Conversion Done By Charlie Miller. Purports to avoid the drop outs present on the previous shn set for this source.
|
notes
|
| 1638. |
04/02/73 |
Shn - 0,
22246 |
Boston |
Boston Garden Bertha remaster of the Master Reel Soundboard source. SBD>>MR>>DAT>>SS>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+
|
notes
|
| 1639. |
04/02/73 |
Shn - 0,
169 |
Boston |
Boston Garden complete, with qualitative change in sound partway through; MSR > Cassette > DAT > CD (unknown gens) > DAE > SHN; mix problems in d1t1, bit of distortion in a few places, esp d1t2; brief dropout at d2t6 2:39; cut d3t1 11:46; via A. Cohen, G. Hamilton
|
notes
|
| 1640. |
04/02/73 |
Shn - 0,
170 |
Boston |
Boston Garden mSR > cassette > DAT > CDR; via B. Yerys
|
notes
|
| 1641. |
04/02/73 |
Shn - 0,
16176 |
Boston |
Boston Garden Master 7.5 ips 2 Track reel> DAT> DAT> SONIC SOLUTIONS> CD> CD > EAC[secure] > SHN
|
notes
|
| 1642. |
05/13/73 |
Flac 16 - 0,
97558 |
Des Moines |
Iowa State Fairgrounds flac16; Lineage-MR>??>TDK C90 cassettes(3)>R>Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs by Jamie Waddell on the GEMS Edit Station>Trac'ed Cdwave Flac'ed level 8 TLH
|
notes
|
| 1643. |
05/13/73 |
Flac 16 - 0,
100302 |
Des Moines |
Iowa State Fairgrounds flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version of source ID 100239
|
notes
|
| 1644. |
05/13/73 |
Flac 16 - 0,
100239 |
Des Moines |
Iowa State Fairgrounds flac16; Recording Info:SBD -> Master Reel -> Dat -> CD -> EAC -> FLAC; EAC -> FLAC conversion By Charlie Miller; fixed version now in circulation
|
notes
|
| 1645. |
05/13/73 |
Shn - 0,
7270 |
Des Moines |
Iowa State Fairgrounds Complete; d1,2,3,5-SBD : MR > R > DAT > CDR via Paul B.; d4-SBD : MR > ? > DAT > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN via David Minches
|
notes
|
| 1646. |
05/20/73 |
Flac 16 - 0,
86905 |
Santa Barbara |
Campus Stadium, UCSB flac16; SBD > Master Reel (7 inch reels @ 7.5ips 1/2trk) > Dat > CD > EAC > Samplitude Professional v9.11 > FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1647. |
05/20/73 |
Flac 16 Mtx - 0,
124567 |
Santa Barbara |
Campus Stadium, UCSB flac16; 2 Source Matrix by dusborne Soundboard (shinid:86905) Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat -> CD; Transfer Info: CD -> EAC -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:5915) MC>R>C>DAT>HD>SHN>CD
|
notes
|
| 1648. |
05/20/73 |
Shn - 0,
5915 |
Santa Barbara |
Campus Stadium, UCSB AUD (Sony Condenser): MC> R> C> DAT> HD> SHN> CD; see notes in info file; via Audience Devotional Tree
|
notes
|
| 1649. |
05/20/73 |
Shn - 0,
19564 |
Santa Barbara |
Campus Stadium, UCSB 7" Master Reels at 7.5ips half-track > Panasonic SV-3700 DAT > Panasonic SV-3800 DAT > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
|
notes
|
| 1650. |
05/20/73 |
Shn - 0,
16531 |
Santa Barbara |
Campus Stadium, UCSB Set 3 only; MSR> C> DAT> CD; edits, Aud patch from prior shn set; edits by Sean Cribbs
|
notes
|
| 1651. |
05/20/73 |
Shn - 0,
16158 |
Santa Barbara |
Campus Stadium, UCSB Set 3 only; SBD> MR> C> DAT >CDR ; by Sly_Wow, with thanks to Raoul Duke
|
notes
|
| 1652. |
05/20/73 |
Shn - 0,
24495 |
Santa Barbara |
Campus Stadium, UCSB Patched Eyes with AUD source. Replaced AUD patch in Eyes with SBD source.
|
notes
|
| 1653. |
05/26/73 |
Flac 16 - 0,
83535 |
San Francisco |
Kezar Stadium flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1654. |
05/26/73 |
Flac 16 - 0,
83438 |
San Francisco |
Kezar Stadium flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES (Beta HiFi) ( @ 44.055 kHz) > PCM501ES analog out > analog in Fostex D5 ( @ 48kHz) > Fostex D5 optical S/PDIF out (Jace's tape) > Sound Forge 5.0 > wav/shn Transferred by Tim Deibert 12-15-01
|
notes
|
| 1655. |
05/26/73 |
Flac 16 - 0,
81854 |
San Francisco |
Kezar Stadium flac16; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>Audio DVD>DVD Audio Extractor 4.1.1>FLAC (44.1Khz/16bit
|
notes
|
| 1656. |
05/26/73 |
Shn - 0,
17076 |
San Francisco |
Kezar Stadium MSR>DAT>CD>EAC>WAV>SHN CD>EAC>WAV>SHN by Sean Cribbs 4/19/2003
|
notes
|
| 1657. |
05/26/73 |
Shn - 0,
7798 |
San Francisco |
Kezar Stadium Re-eac of previous shn set; Betty Board SBD> Reel> PCM> DAT> Digi I/O> wav; via "Datsit, Other1 and Ripple"; note some low levels, brief d/o's; Row Jimmy splice
|
notes
|
| 1658. |
05/26/73 |
Flac 16 - 0,
147312 |
San Francisco |
Kezar Stadium flac16; Recording by Gene Taback: Master Audience Cassette; Sony TC-124 with Sony Stereo Mic; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard> HD; Editing performed in Adobe Audition; Flac Encoded
|
notes
|
| 1659. |
05/26/73 |
Flac 16 - 0,
150710 |
San Francisco |
Kezar Stadium flac16; Source: SBD Reel Master > PCM > PCM; Transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered (Adobe Audition) by Joe Noel; original version had flaws
|
notes
|
| 1660. |
05/26/73 |
Flac 16/44 - ,
154515 |
San Francisco |
Kezar Stadium flac1644; Partial; Sources: Matrix of SBD ID-83438 & AUD ID-154514. Transfer: WAV > Wavelab > CD-Wave > TLH > FLAC 1644 tagged.
|
notes
|
| 1661. |
05/26/73 |
Flac 16/44 - ,
154514 |
San Francisco |
Kezar Stadium flac1644; Partial; Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged.
|
notes
|
| 1662. |
06/09/73 |
Flac 16 - 0,
91236 |
Washington |
Robert F. Kennedy Stadium flac16; Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft, w/arm raised up FOB center infield, between sbd platform and stage platform Lineage: MR cassette > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry; Upgrade in circulation
|
notes
|
| 1663. |
06/09/73 |
Shn - 0,
93677 |
Washington |
Robert F. Kennedy Stadium Original SBD Source (shnid = 172); Monte Barry patched Sugar Magnolia w/his AUD source (shnid = 91236). (This is a pitch corrected version of the previous patched SBD source.)
|
notes
|
| 1664. |
06/09/73 |
Flac 16 Mtx - 0,
130393 |
Washington |
Robert F. Kennedy Stadium flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:000172) S:MR > cassette > DAT > CD > EAC > SHN > TLH > flac; Extraction and SHN encoding by G.S. Hamilton and Audience (shnid:120959) Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform; Lineage: transferred professionally by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag; fixed version in circulation
|
notes
|
| 1665. |
06/09/73 |
Flac 16 Mtx - 0,
131169 |
Washington |
Robert F. Kennedy Stadium flac16; Fix of 2 Source Matrix (130939) by Dusborne; Soundboard (shnid:000172) S:MR > cassette > DAT > CD > EAC > SHN > TLH > flac; Extraction and SHN encoding by G.S. Hamilton and Audience (shnid:120959) Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform; Lineage: transferred professionally by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag
|
notes
|
| 1666. |
06/09/73 |
Shn - 0,
172 |
Washington |
Robert F. Kennedy Stadium SBD MR > cassette> DAT > CD > EAC > SHN, except Promised Land, Half Step, and Sugar Mag are S:MR > PCM > cassette > DAT > CD > EAC > SHN, and Patch in Box of Rain (very small) from 2nd source; via D. Hollister, G. Hamilton; 8/16 note formerly error in info file at this site, and possibly distributed with show- cass gen in main portion of show had been omitted, (although info file at Hamiltons' CDR list has apparently always been correct)- sorry!
|
notes
|
| 1667. |
06/09/73 |
Shn - 0,
22790 |
Washington |
Robert F. Kennedy Stadium AUDMR > DAT > SHN - Recorded by Adam Grow with an Electro-Voice RE-15 super cardioid dynamic microphone > Nagra III Reel to Reel deck at 7.5 ips. Added to etree by Noah Weiner
|
notes
|
| 1668. |
06/09/73 |
Flac 16 - 0,
120958 |
Washington |
Robert F. Kennedy Stadium flac16 Source: taped by Monte Barry, Sony TC 2850SD portable stereo cassette recorder, Sony ECM 99 single-point stereo mic, mic is hand-held on mic-stand shaft, with arm raised up, FOB center infield, between sbd platform and stage platform; Lineage:transferred by Matt Smith, remastered by Monte Barry (some flaws remain) MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > 16/44 > TLH > SBEs fixed > CD Tag
|
notes
|
| 1669. |
06/09/73 |
Flac 24/96 - 0,
120959 |
Washington |
Robert F. Kennedy Stadium flac24; Source: taped by Monte Barry, Sony TC 2850SD portable stereo cassette recorder, Sony ECM 99 single-point stereo mic, mic is hand-held on mic-stand shaft, with arm raised up, FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith, remastered by Monte Barry (some flaws remain) MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro > TLH > CD Tag
|
notes
|
| 1670. |
06/09/73 |
Flac 16 Mtx - 0,
117476 |
Washington |
Robert F. Kennedy Stadium flac16; Matrix Recording From: Audience Lineage (shnid 91236): MR cassette > Nakamichi 550 > Lexicon Alpha > 48 Khz / 24-bit > USB > Samplitude 7.22 > 44.1 Khz /16-bit and SBD Lineage (shnid 172): S:MR > PCM > cassette > DAT > CD > EAC > SHN; pitch-corrected and matrixed by Monte Barry
|
notes
|
| 1671. |
06/10/73 |
Flac 16 - 0,
98730 |
Washington |
Robert F. Kennedy Stadium flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. This is a fixed version of shn id 89640
|
notes
|
| 1672. |
06/10/73 |
Flac 16 - 0,
90979 |
Washington |
Robert F. Kennedy Stadium flac16; Original SBD (shnid = 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC patched and speed corrected
|
notes
|
| 1673. |
06/10/73 |
Flac 16 Mtx - 0,
131065 |
Washington |
Robert F. Kennedy Stadium flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:89730) - Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:121031) - Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder; Sony ECM 99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up; FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
|
notes
|
| 1674. |
06/10/73 |
Shn - 0,
174 |
Washington |
Robert F. Kennedy Stadium SBD MR (10'' reels)> DAT > CD > EAC > SHN; via David Hollister, G.S. Hamilton; known flaws: d2t01 (Bird Song: very brief tape waver @ 2:44, 2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54, d4t06 (GDTRFB): reel flip/splice @ 6:42; not noted on original info file: sounds like loose cord to board: d1t09 (The Race Is On) 1:33, 1:34, 1:36, 1:44; d1t2 BIODTL begining cut; reportedly "best version available"
|
notes
|
| 1675. |
06/10/73 |
Flac 16 - 0,
90351 |
Washington |
Robert F. Kennedy Stadium flac16; Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry
|
notes
|
| 1676. |
06/10/73 |
Flac 16 Mtx - 0,
90771 |
Washington |
Robert F. Kennedy Stadium flac16; Matrix 3 Source Mix - SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin
|
notes
|
| 1677. |
06/10/73 |
Flac 16 - 0,
89681 |
Washington |
Robert F. Kennedy Stadium flac16; partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant
|
notes
|
| 1678. |
06/10/73 |
Flac 24 - 0,
136252 |
Washington |
Robert F. Kennedy Stadium flac24; Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
|
notes
|
| 1679. |
06/10/73 |
Flac 16 - 0,
136263 |
Washington |
Robert F. Kennedy Stadium flac16; Partial Sets 1 & 2; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; Arti’s akg 200 series mics > hitachi trq-222; maxell ud-c90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400IT; transfer & mastering - Rob Berger
|
notes
|
| 1680. |
06/10/73 |
Flac 16 - 0,
89640 |
Washington |
Robert F. Kennedy Stadium flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller. A fixed version now circulates
|
notes
|
| 1681. |
06/10/73 |
Flac Dts 5.1 - 0,
90794 |
Washington |
Robert F. Kennedy Stadium DTS Audio 5.1; SBD (shn id 89730) Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller + AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - matrix mixing by Kevin Tobin
|
notes
|
| 1682. |
06/10/73 |
Flac 16 - 0,
90796 |
Washington |
Robert F. Kennedy Stadium flac16; Composite Audience - AUD1 (shn id 90351) Source: Sony TC 110 cassette deck single-point stereo mic, hand-held on mic-stand shaft FOB center infield, between sbd platform and stage platform Lineage: MR > Nakamichi 550 > Lexicon Alpha > Samplitude > CD-Tag > Flac-16 Taping, transferring, and remastering done by Monte Barry + AUD2 (shnid 89681) partial Set 1 & 2: Recording Info: (FOB) Unknown Mics -> Cassette Master -> Reel (1/4 Track - 7.5 ips) Transfer Info: Reel (Sony TC-366) -> Korg MR-1000 -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller and Neil Sturtevant - mixing\speed correction by Kevin Tobin
|
notes
|
| 1683. |
06/10/73 |
Flac 16 - 0,
121030 |
Washington |
Robert F. Kennedy Stadium flac16; taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder > Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag
|
notes
|
| 1684. |
06/10/73 |
Flac 24/96 - 0,
121031 |
Washington |
Robert F. Kennedy Stadium flac24; Source: taped and remastered by Monte Barry; Sony TC 2850SD portable stereo cassette recorder Sony ECM 99 single-point stereo mic is hand-held on mic-stand shaft, with arm raised up FOB center infield, between sbd platform and stage platform; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
|
notes
|
| 1685. |
06/22/73 |
Flac 16 Mtx - 0,
92375 |
Vancouver |
P.N.E. Coliseum flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 1686. |
06/22/73 |
Flac 16 - 0,
88526 |
Vancouver |
P.N.E. Coliseum flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1687. |
06/22/73 |
Shn - 0,
5850 |
Vancouver |
P.N.E. Coliseum Master Sounbdoard Reel > PCM > DAT > CDR and likely MSR> C> D> CD, plus AUD patches from 2 sources; d4 tracked for 80 min; some crackle; CD Mastering, EAC'ed / SHN'ed by Scott Clugston
|
notes
|
| 1688. |
06/22/73 |
Flac 16 - 0,
88347 |
Vancouver |
P.N.E. Coliseum flac16; Main source MSR>PCM>DAT>CD>EAC>WAV; re-patched and re-tracked version of shn id 17270. See info file for details
|
notes
|
| 1689. |
06/22/73 |
Flac 16 - 0,
140868 Fixed |
Vancouver |
P.N.E. Coliseum flac16; Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; the original source had a dropout in track 22 (Black Peter); Fixed version in circulation
|
notes
|
| 1690. |
06/22/73 |
Shn - 0,
16889 |
Vancouver |
P.N.E. Coliseum AUDMC > Reel > Reel > CD > DAT > WAV > SHN recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-126 master cassette > Amick's Reel recorded at 7-1/2ips > Matt Williams' Reel at 3-3/4ips w/ Dolby(Teac AN-60). A > D by Matt Williams and Noah Weiner, encoded by Noah Weiner
|
notes
|
| 1691. |
06/22/73 |
Shn - 0,
17270 |
Vancouver |
P.N.E. Coliseum composite: MSR> PCM> DAT> CD> EAC> WAV> SHN for Bertha> Other One//; MAC> R> R> CD> DAT> WAV> SHN for patches, JGB (see notes); MSR> C> DAT> CD> EAC> WAV> SHN for //Other One> end of set 2; EAC> CEP2K edits> encoding by Sean Cribbs
|
notes
|
| 1692. |
06/22/73 |
Flac 16 - 0,
85957 |
Vancouver |
P.N.E. Coliseum flac16; partial set 1: Lineage: Master cassette > reel @ 3.75 ips > cassette > HD Encoding: CDWave > flac frontend > flac Taped by: ? Transfered by: Pantagruel; reportedly fixed some flaws in the previous SBD source.
|
notes
|
| 1693. |
06/22/73 |
Flac 16 - 0,
140897 |
Vancouver |
P.N.E. Coliseum flac16; Souree Info: Master Soundboard Reels > PCM > PCM (14-bit) (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; this source fixes the flaws in the three circulating Clugston sources: source ID 140868 and source ID 140892; this version includes a fix in track 11, Jack Straw
|
notes
|
| 1694. |
06/24/73 |
Flac 16 - 0,
99852 |
Portland |
Memorial Coliseum flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1695. |
06/24/73 |
Shn - 0,
176 |
Portland |
Memorial Coliseum set 2 partial; MSBDR > 1 cass > CD > EAC > SHN; u/l via G. Hamilton; note fits on 1 shn disc w/ 5/25/72 disc
|
notes
|
| 1696. |
06/24/73 |
Shn - 0,
12828 |
Portland |
Memorial Coliseum partials of both sets; set 1: SBD> ?>C> CD> EAC> SHN (unknown analog generations); set 2: SBD> MR> C> D> CD> EAC> SHN, edited from previous shn set; the first set is a degraded SBD; Thanks to S. Milewski, G. Hamilton; edits/encoding by JCotsman
|
notes
|
| 1697. |
06/26/73 |
Flac 16 Mtx - 0,
100024 |
Seattle |
Seattle Center Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) July 4, 2009
|
notes
|
| 1698. |
06/26/73 |
Flac 16 - 0,
80602 |
Seattle |
Seattle Center Arena flac 16 Sources: 1 - SBD>MR>C1 (Latvalla?)>GoodBear DAT>5/2000 edit by GoodBear>CD>EAC 11/2006 (slight hiss reduction & remove all remaining Bertha diginoise in CoolEdit Pro)>FLAC 11/2006; 2 - SBD>MR>C1 (Latvalla?)>DAT>CD>"12076">Teddy slight hiss reduction & retracking in 11/2006>FLAC; 3 - AUDMC>Reel>Reel>DAT>WAV>SHN (from "12076")>GoodBear heavy edit>FLAC
|
notes
|
| 1699. |
06/26/73 |
Shn - 0,
5293 |
Seattle |
Seattle Center Arena set 2 partial, labeled as d2; MR > C1 (Latvala cassette?) > DAT; via Mike Lai
|
notes
|
| 1700. |
06/26/73 |
Shn - 0,
12076 |
Seattle |
Seattle Center Arena Complete; SBD>MR>C>D>CD patched with: AUD>MR>C>D>CD; Slight pitch correction; See info file for details; Seeded to etree by Mark Sweeney & Chuck Gannon
|
notes
|
| 1701. |
06/26/73 |
Shn - 0,
14673 |
Seattle |
Seattle Center Arena AUDMC > Reel > Reel > DAT > WAV > SHN. Recorded by Donn Amick, FOB, Sony EMC mics spread out across the row > TC-152 master cassette > Amick's Reel recorded at 7-1/2ips > Reel(w/ Dolby). A > D and shn encoding by Noah Weiner
|
notes
|
| 1702. |
06/26/73 |
Flac 16 - 0,
105840 |
Seattle |
Seattle Center Arena flac16:Taped and Transferred By: JEMS; Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic; Lineage: Master Reels @ full track mono>Tandberg Model 11>>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac. Originally seeded at Dime-A-Dozen ~ 2/4/2010
|
notes
|
| 1703. |
06/26/73 |
Flac 16 - 0,
115571 |
Seattle |
Seattle Center Arena flac16; Recorded by Don Amick; Lineage: MAC(Sony TC-126)>R@7.5 ips.(Don's edited copy)>R@3.3/4 ips(Matt Williams reel)>FLAC
|
notes
|
| 1704. |
06/29/73 |
Shn - 0,
11617 |
Universal City |
Universal Amphitheatre Partial; SBD>MR>R>D>CD; Missing first 11 songs and Around and Casey Jones; via Mark Sweeney; Seeded to etree by JCotsman
|
notes
|
| 1705. |
06/30/73 |
Flac 16 - 0,
29753 |
Universal City |
Universal Amphitheatre flac16; Sick Bits Vol. 9 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 177, and AUD - SHN ID# 6019); edited and transfered by Chris Chappell
|
notes
|
| 1706. |
06/30/73 |
Flac 16 - 0,
128248 |
Universal City |
Universal Amphitheatre flac16; SBD > ? > DAT > CD; CD > Sound Forge 10 > flac; Upgrade to existing source SBD 19903
|
notes
|
| 1707. |
06/30/73 |
Shn - 0,
19903 |
Universal City |
Universal Amphitheatre SBD>?>DAT>CD>EAC>SHN patched with AudMR>R>DAT>WAV>SHN. This is a patched and re-tracked version of the previously circulating soundboard source.
|
notes
|
| 1708. |
06/30/73 |
Flac 16 - 0,
130561 |
Universal City |
Universal Amphitheatre flac16; Audience Source Tape: Reel dubbed in 1979 by Will Boswell (3 3/4ips) from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
|
notes
|
| 1709. |
06/30/73 |
Flac 16 - 0,
100346 |
Universal City |
Universal Amphitheatre flac16; AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96)/Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > downsampled to 16/44 in r8brain (with dithering) > FLAC(level 8)
|
notes
|
| 1710. |
06/30/73 |
Flac 16 - 0,
99703 |
Universal City |
Universal Amphitheatre b>flac16; AudMR(C?) > ? > DAT > WAV > FLAC : Alternate copy originating from same original master recording as source ID 6019. Transferred by Noah Weiner
|
notes
|
| 1711. |
06/30/73 |
Flac 24/96 - 0,
130557 |
Universal City |
Universal Amphitheatre flac24; Audience Source Tape: Reel dubbed in 1979 by Will Boswell (3 3/4ips) from Jerry Garcia's personal collection. Original recording made by the sound crew at the soundboard; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
|
notes
|
| 1712. |
06/30/73 |
Shn - 0,
177 |
Universal City |
Universal Amphitheatre SBD> ?> DAT> CD> EAC> SHN; (note Tiedrich's site lists a circulating? SBD> reel master> 1 reel gen> DAT> 1 cass gen> DAT> circulation); Known Flaws: Some digi-noise beginning d1t1, Reel flip middle d1t6,? Reel flip beginnning d3t2; via A. Jerugim; note "E2 USB" is not listed in databases as an encore- may be filler? (has 2 drummers?)- thanks to J. Grimes for alert
|
notes
|
| 1713. |
06/30/73 |
Shn - 0,
6019 |
Universal City |
Universal Amphitheatre AudMR > R > DAT > WAV > SHN; A > D transfer by Noah Weiner; d1 tracked for 80 min; see info file for notes; via Audience Devotional Tree
|
notes
|
| 1714. |
06/30/73 |
Flac 16 - 0,
85816 |
Universal City |
Universal Amphitheatre flac16; remaster of shn id 6019: AudMR > R > DAT
|
notes
|
| 1715. |
06/30/73 |
Flac 24/96 - 0,
100345 |
Universal City |
Universal Amphitheatre flac24; AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96)/Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > FLAC(level 8)
|
notes
|
| 1716. |
07/01/73 |
Flac 16 Mtx - 0,
89848 |
Universal City |
Universal Amphitheatre flac16; Matrix 2 Source Mix - SBD (shn id 30362) SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA + AUD (shn id 88528) FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg - matrix mixing by Kevin Tobin
|
notes
|
| 1717. |
07/01/73 |
Flac 16 - 0,
127028 |
Universal City |
Universal Amphitheatre flac16; Recording Info: SBD -> Master Reel -> Sound Devices 744T (24bit/96k); Transfer Info: WAV (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1718. |
07/01/73 |
Flac 16 Mtx - 0,
127232 |
Universal City |
Universal Amphitheatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
notes
|
| 1719. |
07/01/73 |
Flac 16 - 0,
88528 |
Universal City |
Universal Amphitheatre flac16 MOTB Release: 0055 16/44.1 Source: FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg Transfer by: A. Egert Mastering by: J. Waddell
|
notes
|
| 1720. |
07/01/73 |
Shn - 0,
178 |
Universal City |
Universal Amphitheatre daud> Sony ec M22P mics >Sony 770 MR> R1> DAT> CDR; via M. Lai; note info file lists as 2 CDs but shn set is tracked for 3 CDs
|
notes
|
| 1721. |
07/01/73 |
Flac 16 - 0,
30362 |
Universal City |
Universal Amphitheatre flac16 Source: SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA
|
notes
|
| 1722. |
07/01/73 |
Flac Dts 5.1 - 0,
89853 |
Universal City |
Universal Amphitheatre DTS Audio 5.1; SBD (shn id 30362) SBD > ? > Ye Olde Cassette Tape Patches: AUD, Sony ECM-22P mics > Sony 700 MR > R1 > DAT > CDR > LAMA + AUD (shn id 88528) FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg - matrix mixing by Kevin Tobin
|
notes
|
| 1723. |
07/01/73 |
Flac 24 - 0,
88608 |
Universal City |
Universal Amphitheatre flac24 MOTB Release: 0055 24/96 Source: FOB Audience Recording Media: MAR = Unknown, R1 = Maxell UD 35-90 Lineage: Sony ECM-22P > Sony TC-770 > MAR > ?? [Dolby Encode] > R1 Transfer: R1 > Technics RS-1506 > TEAC AN-300 [Dolby Decode] > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] Taped by: Harv Kaslow and Craig Todd MAR > R1 Copy by: Rob Bertrando R1 Provided by: Barry Glassberg Transfer by: A. Egert Mastering by: J. Waddell
|
notes
|
| 1724. |
07/27/73 |
Flac 16 Mtx - 0,
100410 |
Watkins Glen |
Grand Prix Racecourse flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>Soundtrack>WAV>FLAC)
|
notes
|
| 1725. |
07/27/73 |
Flac 16 - 0,
27779 |
Watkins Glen |
Grand Prix Racecourse flac16; SBD> Master Reel (but see note)> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
|
notes
|
| 1726. |
07/27/73 |
Flac 16 - 0,
123408 |
Watkins Glen |
Grand Prix Racecourse flac16; Recording Info: Recorded by Kidd at the soundboard - MAR > R > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith
|
notes
|
| 1727. |
07/27/73 |
Flac 16 - 0,
87464 |
Watkins Glen |
Grand Prix Racecourse flac16; source: aud (unknown gen) > ??? > wav > flac; remaster of shn id 28882
|
notes
|
| 1728. |
07/27/73 |
Flac 24 - 0,
135381 |
Watkins Glen |
Grand Prix Racecourse flac24; source: aud cassette master; taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222; nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger 3/2016
|
notes
|
| 1729. |
07/27/73 |
Flac 16 - 0,
135383 |
Watkins Glen |
Grand Prix Racecourse flac16; source: aud cassette master; taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222; nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred and seeded by Rob Berger 3/2016
|
notes
|
| 1730. |
07/27/73 |
Flac 24 - 0,
123407 |
Watkins Glen |
Grand Prix Racecourse flac24; Recording Info: Recorded by Kidd at the soundboard - MAR > R > CD; Transfer Info: Mastered via the Apogee Mini Me(24/96) > Mini Dac > Lynx One soundcard > Wavelab 5.0 > TLH Flac8; Transferred and Edited By Matt Smith
|
notes
|
| 1731. |
07/27/73 |
Shn - 0,
180 |
Watkins Glen |
Grand Prix Racecourse no regular info file (covers only); see 2 "history" posts; reported flaws: d2t3 (jam > wharf rat) has pops at 4:37, 9:22, 23:42; see pub comments for other flaw notes; circulated with 7/28/73
|
notes
|
| 1732. |
07/27/73 |
Shn - 0,
25509 |
Watkins Glen |
Grand Prix Racecourse Soundcheck: Recording by Jeffrey Siniawsky and Joel Smith front row, 15' from stage, mic attached to top of lean-to tent via Noah Weiner Audience Devotional Tree Round 11 - Note: Soundcheck separated from 7/28/73
|
notes
|
| 1733. |
07/27/73 |
Flac 16 - 0,
146057 |
Watkins Glen |
Grand Prix Racecourse flac16; Soundboard Recording Info: SBD -> Master Reel -> Dat (48k) edited and patched with aud cassette master taped by Jim Cooper; sony ecm 22p’s > hitachi trq-222 by cloverman using Roxio Sound Editor 2009
|
notes
|
| 1734. |
07/27/73 |
Shn - 0,
26363 |
Watkins Glen |
Grand Prix Racecourse AudMC stereo> ? > C > DAT > WAV > SHN, unknown taper; A>D by Noah Weiner: Cassette playback on Nakamichi MR-1 > Fostex D5 DAT (A>D only)> Turtle Beach Montego II Digital I/O > Sound Forge(wav edits and track IDs)> SHNTOOL (SBE fix) > MKWAct (shn)
|
notes
|
| 1735. |
07/27/73 |
Flac 16 - 0,
28882 |
Watkins Glen |
Grand Prix Racecourse flac16; Lineage: cassette (unknown gen) > HD Encoding: CDWave > flac frontend > flac Taped by: Unknown Transfered by: Pantagruel
|
notes
|
| 1736. |
07/27/73 |
Flac 24/44 - ,
152005 |
Watkins Glen |
Grand Prix Racecourse flac24/44 Taper Gerry Moskal * Sony Stereo ECM ->SONY TCD126 Location: ** Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/editing//flac Conversion Brian Mandel gdplusmore@aol.com Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24 Circulation: 2-19-12
|
notes
|
| 1737. |
07/28/73 |
Shn - 0,
14196 |
Watkins Glen |
Grand Prix Racecourse Soundboard Master Reel>DAT>CD>SHN, with FM, AUD, and other-source SBD patches. Fits to two .shn discs by placing d1 & d4 .shns on one 80 min. disc, d2 & d3 .shns on another.
|
notes
|
| 1738. |
07/28/73 |
Flac 24 - 0,
135584 |
Watkins Glen |
Grand Prix Racecourse flac24; source: aud cassette master; taped by Jim Cooper; sony ecm22p’s > hitachi trq-232; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
|
notes
|
| 1739. |
07/28/73 |
Flac 16 - 0,
100612 |
Watkins Glen |
Grand Prix Racecourse flac16; taped by Jerry Moore source: aud cassette master, lineage: aud>akg d1000e>sony tc-110, tdk c-120sd cassettes, no nr nak dragon>hd-p2 24/48>hd>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger 8/11/09
|
notes
|
| 1740. |
07/28/73 |
Flac 16 - 0,
106794 |
Watkins Glen |
Grand Prix Racecourse flac16: AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96) Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > downsampled to 16/44 in r8brain (with dithering) > FLAC(level 8)
|
notes
|
| 1741. |
07/28/73 |
Shn - 0,
181 |
Watkins Glen |
Grand Prix Racecourse no regular info file (covers only); see 2 "history" posts; reported flaw: d2t6 (truckin) has pop at 2:15; see pub comments for other flaw notes; circulated with 7/27/73
|
notes
|
| 1742. |
07/28/73 |
Shn - 0,
11474 |
Watkins Glen |
Grand Prix Racecourse Uher mic > Uher 4000 Report L 5" reels > MacIntosh pre-amp > TEAC 1230 7" reel; via Jeffrey Siniawsky and Joel Smith; Seeded to etree by Noah Weiner. [Note: Circulates with 7/27 Soundcheck which has a separate entry]
|
notes
|
| 1743. |
07/28/73 |
Flac 16 - 0,
136693 |
Watkins Glen |
Grand Prix Racecourse flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (48k)
|
notes
|
| 1744. |
07/28/73 |
Flac 24 - 0,
106793 |
Watkins Glen |
Grand Prix Racecourse flac24; AudMR > Reel(3 3/4ips) > DVD(WAV 24/96) > FLAC. Akai GX636 > Apogee Mini Me(24/96) Apogee Mini DAC(monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > DVD > Soundforge 8.0 (track IDs and cross fades) > FLAC(level 8)
|
notes
|
| 1745. |
07/28/73 |
Flac 16 - 0,
135585 |
Watkins Glen |
Grand Prix Racecourse flac16; source: aud cassette master; taped by Jim Cooper; sony ecm22p’s > hitachi trq-232; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred and seeded by Rob Berger
|
notes
|
| 1746. |
07/28/73 |
Flac 16 - 0,
141306 |
Watkins Glen |
Grand Prix Racecourse flac16; Recording Info: SBD > Master Reels > .wav 24-bit/96k (Master Reels transferred by Rob Eaton); Mastering Info: .wav 24-bit/96k > Adobe Audition 3.0 24/96 > TLH > flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 1747. |
07/28/73 |
Flac 24/96 - 0,
141307 |
Watkins Glen |
Grand Prix Racecourse flac24; Recording Info: SBD > Master Reels > .wav 24-bit/96k (Master Reels transferred by Rob Eaton); Mastering Info: .wav 24-bit/96k > Adobe Audition 3.0 24/96 > TLH > flac2496
|
notes
|
| 1748. |
07/28/73 |
Flac 16 - 0,
141310 |
Watkins Glen |
Grand Prix Racecourse flac16; Analog Audience Source: Sony ECM 270 mic > Sony TC 110 deck; Medium Stock Brands: TDK C120SD; Analog Sound Preservation: MAC > Nak DR-1 > Korg MR-2 2.8mhz > AudioGate 2496 WAV; Recorded by: Louis Falanga; Transferred by: Bob Menke; Mastering by: Derek McCabe
|
notes
|
| 1749. |
07/28/73 |
Flac 16 - 0,
150454 |
Watkins Glen |
Grand Prix Racecourse flac16; Composite of 1. Source: SBD > Master Reels > DAT (Master Reels transferred by Rob Eaton); Mastering Info: DAT> Adobe Audition 3.0 24/96 > TLH > flac16; 2. Source: sony ecm22p’s > hitachi trq-232 > MAC; taped by Jim Cooper; transfer: nakamichi dragon > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission 16/44.1 > xACT flac; transferred by Rob Berger; 3. shnid 14196; Soundboard Master Reel > ? > Cassette > DAT > CDR > SHN; see info file for more details
|
notes
|
| 1750. |
07/28/73 |
Flac 24/44 - ,
152004 |
Watkins Glen |
Grand Prix Racecourse flac24/44 Taper Gerry Moskal * Sony Stereo ECM ->SONY TCD126 Location: ** Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Circa (1984) 3-04-21 Transfer/editing//flac Conversion Brian Mandel gdplusmore@aol.com Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24 Circulation: 3-04-21
|
notes
|
| 1751. |
07/28/73 |
Flac 24/44 - ,
152006 |
Watkins Glen |
Grand Prix Racecourse flac24/44 Taper Gerry Moskal * Sony Stereo ECM ->SONY TCD126 Location: ** Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/editing//flac Conversion Brian Mandel Cassette Transfer Nakamichi BX300->Sony PCM-10 24bit 44.1 Wave ->CDWave ->TLH ->flac24
|
notes
|
| 1752. |
07/31/73 |
Flac 24 - 0,
133928 |
Jersey City |
Roosevelt Stadium flac24; source: aud cassette master; taped by Jerry Moore; mastered: AKG 1000e > Sony TC-110 TDK c-120sd’s (re-shelled for transfer); Nakamichi Dragon > Benchmark ADC1 24/96 > Tascam HD-P2, compact flash > Mac > Adobe Audition CC > Flac; transferred and seeded by Rob Berger
|
notes
|
| 1753. |
07/31/73 |
Flac 16 - 0,
133927 |
Jersey City |
Roosevelt Stadium flac16; source: aud cassette master; taped by Jerry Moore; mastered: AKG 1000e > Sony TC-110; TDK c-120sd’s (re-shelled for transfer); Nakamichi Dragon > Benchmark ADC1 24/96 > Tascam HD-P2, compact flash > Mac > Adobe Audition CC > Flac; transferred and seeded by Rob Berger
|
notes
|
| 1754. |
07/31/73 |
Shn - 0,
8909 |
Jersey City |
Roosevelt Stadium FOB>CM>C>DAT>CDR; via Greg Weister; seeded to etree by Willy; Note- This show may circ with PCM in the lineage (instead of CM)
|
notes
|
| 1755. |
07/31/73 |
Shn - 0,
12883 |
Jersey City |
Roosevelt Stadium AudMC > DAT > CD > EAC > SHN Recorded by Jerry Moore with AKG 1000 mic > Sony 110 deck. TDK C-120SD master cassettes EAC & SHN transfer by Noah Weiner
|
notes
|
| 1756. |
07/31/73 |
Flac 16 - 0,
121160 |
Jersey City |
Roosevelt Stadium flac16; taped by Monte Barry, Nakamichi 550 portable stereo cassette recorder, taped with Dolby NR on Maxell UD C90 normal bias cassettes, Sony ECM-99 single-point stereo mic, mic is mounted on a 12-foot pole, FOB. Lineage: transferred by Matt Smith, mastered by Monte Barry. MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag
|
notes
|
| 1757. |
07/31/73 |
Flac 24/96 - 0,
121161 |
Jersey City |
Roosevelt Stadium flac24; taped by Monte Barry, Nakamichi 550 portable stereo cassette recorder, taped with Dolby NR on Maxell UD C90 normal bias cassettes, Sony ECM-99 single-point stereo mic, mic is mounted on a 12-foot pole, FOB. Lineage: transferred by Matt Smith, mastered by Monte Barry. MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
|
notes
|
| 1758. |
08/01/73 |
Flac 16 - 0,
92478 |
Jersey City |
Roosevelt Stadium flac16; This is a remaster of shnid 12222 remastered by SIRMick June 2008
|
notes
|
| 1759. |
08/01/73 |
Flac - 0,
123128 |
Jersey City |
Roosevelt Stadium flac16; matrix of shnid 121129 (source 1) and shnid 92478 (source 2) Monte Barry on Dec 16, 2012
|
notes
|
| 1760. |
08/01/73 |
Shn - 0,
182 |
Jersey City |
Roosevelt Stadium Soundboard > 7.5ips Master Reel > Cassette > 20 bit A/D > CDR; CD Mastering by D. Gans; EAC and encoding by M. Jungeblut
|
notes
|
| 1761. |
08/01/73 |
Shn - 0,
11813 |
Jersey City |
Roosevelt Stadium Complete; Discs One and Two; SBD>MSR>R2>D>CD; Disc Three; SBD>7.5ips Master Reel>Cassette>20 bit A/D>CDR; See info file for info and tracking notes; Seeded to etree by Seth Kaplan
|
notes
|
| 1762. |
08/01/73 |
Shn - 0,
12222 |
Jersey City |
Roosevelt Stadium complete show from most up to date SBD sources with AUD patches; compiled from S. Kaplan and N. Weiner seeds; source 1: SBD>MR>R>R>D>CD>EAC>SHN; source 2: SBD>MR>C>D>CD>EAC>SHN; source 3: AUD>MR>C>C>C>CD>EAC>SHN; See info file for details; Seeded to etree by JCotsman; With thanks to Alan Schlissel & Jeff Cook
|
notes
|
| 1763. |
08/01/73 |
Shn - 0,
9145 |
Jersey City |
Roosevelt Stadium AudMR > C > C > C > CD; Reported upgrade to previous Weiner seed, see info file for details; Seeded to etree by Noah Weiner
|
notes
|
| 1764. |
08/01/73 |
Flac 16 - 0,
119371 |
Jersey City |
Roosevelt Stadium flac16; Complete show AUD: source - ElectroVoice RE-15 mic > Nakamichi 550 cassette recorder w/ Dolby NR > Maxell UD C90 Chromium Tapes. Taped, transferred, and remastered by Monte Barry. lineage - MR cassette > Nakamichi LX-3 > Lexicon Alpha > 24-bit / 48KHz > USB > Samplitude > 16-bit / 44.1KHz WAV > TLH > Flac-16 SBE fixed > CD Tag
|
notes
|
| 1765. |
08/01/73 |
Flac 24 - 0,
135887 |
Jersey City |
Roosevelt Stadium flac24; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger
|
notes
|
| 1766. |
08/01/73 |
Flac 16 - 0,
135886 |
Jersey City |
Roosevelt Stadium flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-c90sd’s; nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transfer & seeded by Rob Berger
|
notes
|
| 1767. |
08/01/73 |
Flac - 0,
112572 |
Jersey City |
Roosevelt Stadium aud cassette master, akg d1000e>sony tc-110, taped by Jerry Moore, transfer by Rob Berger
|
notes
|
| 1768. |
08/01/73 |
Flac 24/96 - 0,
121127 |
Jersey City |
Roosevelt Stadium flac24; Source: taped and remastered by Monte Barry; Nakamichi 550 portable stereo cassette recorder taped with Dolby NR on Maxell UD C90 normal bias cassettes Sony ECM-99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up, FOB; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
|
notes
|
| 1769. |
08/01/73 |
Flac 16 - 0,
121129 |
Jersey City |
Roosevelt Stadium flac16; Source: taped and remastered by Monte Barry; Nakamichi 550 portable stereo cassette recorder; taped with Dolby NR on Maxell UD C90 normal bias cassettes Sony ECM-99 single-point stereo mic; mic is hand-held on mic-stand shaft, with arm raised up, FOB; Lineage: transferred by Matt Smith; MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > 16/44 > TLH > SBEs fixed > CD Tag
|
notes
|
| 1770. |
08/01/73 |
Shn - 0,
8724 |
Jersey City |
Roosevelt Stadium AudMR > R > DAT > WAV > SHN; via ADT; Seeded to etree by Noah Weiner
|
notes
|
| 1771. |
08/??/73 |
Shn - 0,
2522 |
Sausalito |
Record Plant Wake of Flood outtakes; Betty Cantor reels > PCM > DAT > DIO 2448 > SHN; date(s) (including month) uncertain, this is best guess; via Dave F
|
notes
|
| 1772. |
08/??/73 |
Shn - 0,
113751 |
Sausalito |
Record Plant Betty> BCM> DAT> DAT> DIO 2448> SHN
|
notes
|
| 1773. |
08/??/73 |
Flac 16 - 0,
140895 |
Sausalito |
Record Plant flac16; Source: SBD Master Reels > PCM - Recorded by Betty Cantor and provided by Tim Dalton; Transfer: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k) - Transferred by Charlie Miller; Lineage: Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 edited and mastered SIRMick February 2018
|
notes
|
| 1774. |
08/??/73 |
Flac 16 - 0,
148528 |
Sausalito |
Record Plant flac16; Taper: Betty Cantor; Editing: Joe D'Amico; SBD Master Reels > PCM > VHS Tape; Sony Hifi 4 Head Vhs Player > Sony Pcm 501 > Korg Mr-1000 > Audio Gate > Adobe Audition > Traders Little Helper
|
notes
|
| 1775. |
09/07/73 |
Shn - 0,
1126 |
Uniondale |
Nassau Veterans Memorial Coliseum Sbd, Reel M->Cass 1->Dat 0 -> DAT 1(?) -> CD; 7inch Master Reel: 7.5ips 1/2trk->Tascam 122mkIII 1st Gen Cass->DAT 1(?); via Teddy GoodBear to abgd; later to etree; see flaw notes in pub comments
|
notes
|
| 1776. |
09/07/73 |
Shn - 0,
18854 |
Uniondale |
Nassau Veterans Memorial Coliseum AUDMC > DAT > CD > EAC > SHN: Recorded by Jerry Moore, AKG 1000 mic > Sony 110 deck. TASCAM 112MKII cassette deck (MC playback) > Sony PCM-500 DAT deck > HHB800 stand alone burner (CD) > EAC (secure) > mkwact (SHN). Added to etree by Noah Weiner.
|
notes
|
| 1777. |
09/07/73 |
Shn - 0,
19893 |
Uniondale |
Nassau Veterans Memorial Coliseum SBD>MR>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; sourced from previous seeds
|
notes
|
| 1778. |
09/08/73 |
Shn - 0,
183 |
Uniondale |
Nassau Veterans Memorial Coliseum SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf: Tascam DA20> coax> rme digi96 PCI card> centered the waves and edited and smoothed the track boundaries. Only? minor corrections were applied; no crossfading, no hiss or noise reduction; from Honey Vine #14 via T. Wulf, to etree via M. Bolen (who made .md5s)
|
notes
|
| 1779. |
09/08/73 |
Flac 16 - 0,
125071 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wulf:(original shn 183) - pitch correction and patches by Kevin Tobin
|
notes
|
| 1780. |
09/08/73 |
Flac 16 - 0,
78349 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Reel>Cass1>DAT1 (not widely circulated source)>5/1999? edit (no hiss reduction)>CD>hiss edit w/Cool Edit Pro>FLAC
|
notes
|
| 1781. |
09/08/73 |
Flac 16 - 0,
126071 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; (original shnid = 126029) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - pitch correction and patches by Kevin Tobin
|
notes
|
| 1782. |
09/08/73 |
Flac 16 Mtx - 0,
126079 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Matrix 2 Source Mix - SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - matrix mixing by Kevin Tobin
|
notes
|
| 1783. |
09/08/73 |
Flac 16 - 0,
126029 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger
|
notes
|
| 1784. |
09/08/73 |
Flac Dts 5.1 - 0,
126083 |
Uniondale |
Nassau Veterans Memorial Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - DTS mixing by Kevin Tobin
|
notes
|
| 1785. |
09/08/73 |
Flac 24/96 - 0,
126070 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger
|
notes
|
| 1786. |
09/11/73 |
Flac 16 Mtx - 0,
120143 |
Williamsburg |
College Of William & Mary Hall flac16; 2 source matrix: SBD: MR>C1>DAT>Goodbear_Edit>CD (shnid=113051) and Original Audience Source: (shnid=116231) Jimmy Warburton's reel Lineage: AUD>?>7" Reel @ 3.75 ips, No NR Technics RS-1506>hd-p2 24/96>CD Wav>Adobe Audition 2.0>flac Transferred/Seeded by Rob Berger 01.28.2011
|
notes
|
| 1787. |
09/11/73 |
Flac 16 - 0,
113051 |
Williamsburg |
College Of William & Mary Hall flac16; SBD:MR>C1>DAT>Edit (see info file)>CD
|
notes
|
| 1788. |
09/11/73 |
Shn - 0,
184 |
Williamsburg |
College Of William & Mary Hall MSR> one cassette gen> DAT> CDR> shn); via George Lanum; see info file and pub comments for flaw notes
|
notes
|
| 1789. |
09/11/73 |
Flac 16 - 0,
116321 |
Williamsburg |
College Of William & Mary Hall flac16; Original source: AUD Jimmy Warburton's reel; Lineage: AUD>?>7" Reel @ 3.75 ips, No NR Technics RS-1506>hd-p2 24/96>CD Wav>Adobe Audition 2.0>flac Transferred/Seeded by Rob Berger; Patch source 1: Lineage: MAUD>?>R>C>WAV>FLAC Transferred and Encoded by Cousinit; Patch source 2: Lineage: Unknown Provided by Micgram
|
notes
|
| 1790. |
09/11/73 |
Flac 16 - 0,
136694 |
Williamsburg |
College Of William & Mary Hall flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1)
|
notes
|
| 1791. |
09/11/73 |
Flac 16 - 0,
111742 |
Williamsburg |
College Of William & Mary Hall flac16; source: aud; Jimmy Warburton's reel; lineage: aud>?>7" reel @ 3.75 ips, no nr technics rs-1506>hd-p2 24/96>cd wave>adobe audition 2.0>flac; transferred/seeded by Rob Berger
|
notes
|
| 1792. |
09/11/73 |
Flac 16 - 0,
112220 |
Williamsburg |
College Of William & Mary Hall flac16; source: aud; Jimmy Warburton's reel; lineage: aud>?>7" reel @ 3.75 ips, no nr technics rs-1506>hd-p2 24/96>cd wave>adobe audition 2.0>flac; patched/seeded by Rob Berger 2011-03-03
|
notes
|
| 1793. |
09/11/73 |
Flac 16 - 0,
152009 |
Williamsburg |
College Of William & Mary Hall flac16; Source Information: Master Soundboard Reels to DAT 16 bit 44.1kHz from ANON. Also, a Kind LL member shared uncirculated lo-fi audience tapes to patch a few spots. Transfer Information: Mastering by Jamie Waddell and Jim Blackwood Speed corrections by Jason Chastain Listening assistance and track, FLAC and pack by Steve Gravel FLAC Level 8 at 16 bit 44.1kHz
|
notes
|
| 1794. |
09/12/73 |
Shn - 0,
21618 |
Williamsburg |
College Of William & Mary Hall SBD>MR>C>DAT>CD>WAV>SHN encoded by Susan
|
notes
|
| 1795. |
09/12/73 |
Shn - 0,
14010 |
Williamsburg |
College Of William & Mary Hall SBD>MR>C>DAT>CDR most of show (minus Here comes sunshine) by Sly_Wow
|
notes
|
| 1796. |
09/12/73 |
Flac 16 - 0,
152015 |
Williamsburg |
College Of William & Mary Hall flac16; Source Information: Master Soundboard Reels to DAT 16 bit 44.1kHz from ANON. Also, a Kind LL member shared uncirculated lo-fi audience tapes to patch a few spots. Transfer Information: Mastering by Jamie Waddell and Jim Blackwood Speed corrections by Jason Chastain Listening assistance and track, FLAC and pack by Steve Gravel FLAC Level 8 at 16 bit 44.1kHz
|
notes
|
| 1797. |
09/15/73 |
Shn - 0,
1077 |
Providence |
Providence Civic Center set 2; SBD :Master Reel> DAT> Sonic Solutions workstation> CD> (EAC) WAV> SHN; EAC, tracking, shn and upload by Evan Levy
|
notes
|
| 1798. |
09/15/73 |
Shn - 0,
16174 |
Providence |
Providence Civic Center set 1: AUD> M?> C> C> D> SHN; set 2: SBD> MR> D> CD> EAC> SHN; Thanks to Jim Powell, Marc Pujol, and Evan Levy; final edits/encoding by JCotsman
|
notes
|
| 1799. |
09/17/73 |
Flac 16 - 0,
107542 |
Syracuse |
Onondaga County War Memorial flac16; Source:MR>C>DAT>DAT provided by Jeff Tiedrich>Andrew Gustin Conversion: DA-40>U2A>CDWave>MkW with seek tables appended Transferred by Tyler Jensen tylerlundby@yahoo.com
|
notes
|
| 1800. |
09/17/73 |
Shn - 0,
10082 |
Syracuse |
Onondaga County War Memorial Source:MSR>C>DAT>DAT Conversion: DA-40>U2A>CDWave>MkW with seek tables appended
|
notes
|
| 1801. |
09/17/73 |
Shn - 0,
14473 |
Syracuse |
Onondaga County War Memorial SBD>MR>D>CD>EAC>SHN (all but tracks d1t01-->d1t09)); SBD>MR>C>C>D>CD>EAC>SHN (tracks d1t01-->d1t09); Thanks to Peter Braverman; edits/encoding by JCotsman; Note- Fixed d3 now circulates, see public comments for details
|
notes
|
| 1802. |
09/17/73 |
Flac 16 - 0,
150977 |
Syracuse |
Onondaga County War Memorial Recording Info: SBD > Reel Master (7in 7.5ips 1/2trk) > DAT (Panasonic SV-3700/44.1k) > DAT (Panasonic SV-3700/44.1k) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit/44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC
|
notes
|
| 1803. |
09/20/73 |
Shn - 0,
9845 |
Philadelphia |
The Spectrum Partial; Master Soundboard Reel > Reel to Reel > PCM > CDR; CD Re-Mastering, EAC'ed & SHN'ed by Scott Clugston; To fungus and abgd via Charlie Connor
|
notes
|
| 1804. |
09/20/73 |
Shn - 0,
11618 |
Philadelphia |
The Spectrum Complete; Mixed Aud/SBD sources; See info file for details; via Michael Dixon and Scott Clugston; Seeded to etree by JCotsman
|
notes
|
| 1805. |
09/21/73 |
Shn - 0,
17410 |
Philadelphia |
The Spectrum SBD -> Rm -> Reel -> PCM -> Dat Transfer Info: Dat (Sony R500) -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN via Charlie Miller
|
notes
|
| 1806. |
09/21/73 |
Flac 16 - 0,
127554 |
Philadelphia |
The Spectrum flac16; Lineage is most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriends house done by Will Boswell was done back in the Spring of '79; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
|
notes
|
| 1807. |
09/21/73 |
Flac 24 - 0,
127548 |
Philadelphia |
The Spectrum flac24; Lineage is most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriends house done by Will Boswell was done back in the Spring of '79; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring > FLAC
|
notes
|
| 1808. |
09/21/73 |
Shn - 0,
4082 |
Philadelphia |
The Spectrum SBD; via Mike Lai from Bruce Fried DAT; encore missing
|
notes
|
| 1809. |
09/21/73 |
Flac 24/96 - 0,
143101 |
Philadelphia |
The Spectrum flac24; Source: Most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriend's house done by Will Boswell back in the Spring of '79; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 2; edited and mastered SIRMick September 2018
|
notes
|
| 1810. |
09/21/73 |
Flac 16 - 0,
145131 |
Philadelphia |
The Spectrum flac16; Source: Most likely MR > R @3 & 3/4 ips - dub of Jerry's reel left at a girlfriend's house done by Will Boswell back in the Spring of '79; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick September 2018; This file set is 16 bit @ 44.1
|
notes
|
| 1811. |
09/21/73 |
Flac 16 - 0,
33567 |
Philadelphia |
The Spectrum flac16; analog>cd recorder on stereo>pc>goldwave>flac I used goldwave to only take the pop/clicks out. Casey Jones with Joe Ellis on trumpet and Martin Fierro on saxophone, last song of the 2'nd set right before the encore This is missing from all other copies out there. I got it from the tape I bought years ago.
|
notes
|
| 1812. |
09/21/73 |
Flac 16/44 - ,
154301 |
Philadelphia |
The Spectrum flac1644; Partial; Source: Unknown mono Lo-Fi AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021
|
notes
|
| 1813. |
09/24/73 |
Flac 16 Mtx - 0,
96744 |
Pittsburgh |
Civic Arena flac16; Matrix 4 Source Mix - SBD1 (shn id 95740) MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + SBD2 (shn id 5839) Unknown generation soundboard > PCM > DAT > WAV > SHN by Dan Stephens + AUD1 (shn id 95729) MAR>R>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD2\SBD3 (shn id 11620) SBD\AUD compilition by James Cottsman - patches, timing and matrix mixing by Kevin Tobin
|
notes
|
| 1814. |
09/24/73 |
Flac 16 - 0,
95740 |
Pittsburgh |
Civic Arena flac16; Mixed SBD\AUD with new sbd material to make a more complete show MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD; CD's supplied by Matt Smith; audio patches by Kevin Tobin
|
notes
|
| 1815. |
09/24/73 |
Flac - 0,
95815 |
Pittsburgh |
Civic Arena DTS-Audio-CD 5.1 Mix; - SBD1 (shn id 95740) MR>R@7 1/2 ips(JG)>R@ 7 1/2 ips.(WB)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + SBD2 (shn id 5839) Unknown generation soundboard > PCM > DAT > WAV > SHN by Dan Stephens + AUD1 (shn id 95729) MAR>R>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD2\SBD3 (shn id 11620) SBD\AUD compilition by James Cottsman - patches, timing and matrix mixing by Kevin Tobin
|
notes
|
| 1816. |
09/24/73 |
Flac 16 - 0,
128997 |
Pittsburgh |
Civic Arena flac16; Lineage is MAR(w/Harmon Kardon mics @ the board) > R @3 & 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
|
notes
|
| 1817. |
09/24/73 |
Flac 16 - 0,
95729 |
Pittsburgh |
Civic Arena flac16; MAR>R>CD CD's supplied by Matt Smith; Edited and Mastered by Jamie Waddell as a GEMS production; audio patches by Kevin Tobin
|
notes
|
| 1818. |
09/24/73 |
Shn - 0,
5839 |
Pittsburgh |
Civic Arena partial sets 1,2; Unknown gen SBD > PCM > DAT > WAV > SHN DAT > WAV > SHN by Dan Stephens; Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Tool
|
notes
|
| 1819. |
09/24/73 |
Shn Mtx - 0,
11620 |
Pittsburgh |
Civic Arena Mixed AUD/SBD sources; See info file for details; via Michael Dixon, Alan Fink, & Dan Stephens; Seeded to etree by JCotsman
|
notes
|
| 1820. |
09/24/73 |
Flac 24/96 - 0,
128855 |
Pittsburgh |
Civic Arena flac24; Lineage is MAR(w/Harmon Kardon mics @ the board) > R @3 & 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
|
notes
|
| 1821. |
09/24/73 |
Flac 16 - 0,
150275 |
Pittsburgh |
Civic Arena flac16; SBD (shnid=95740) patched with the vault master reel from dead.net taper's section lossy stream; All remastering was done by Charlie Miller
|
notes
|
| 1822. |
09/26/73 |
Flac 16 - 0,
80198 |
Buffalo |
Community War Memorial Auditorium flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Profesional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller. This is a re-patch of the original source (it's a more complete version). On 11/23/2006 a version of this source was circulated without the patches in d1t14 and d2t01.
|
notes
|
| 1823. |
09/26/73 |
Flac 16 Mtx - 0,
82879 |
Buffalo |
Community War Memorial Auditorium flac16; Matrix 2 Source Mix - SBD (shnid 80198) + AUD (shnid 80665) mixed by Kevin Tobin
|
notes
|
| 1824. |
09/26/73 |
Shn - 0,
16155 |
Buffalo |
Community War Memorial Auditorium SBD: Rm > DAT > CD / Patched with unknown AUD > WAV > SHN; DAE(EAC0.9 beta 4)> tracking(cdwav)> SHN (MKWAct.96f)> FTP by Tripp; with thanks to Darryl Hinko, Tommy Brame
|
notes
|
| 1825. |
09/26/73 |
Flac Dts 5.1 - 0,
80710 |
Buffalo |
Community War Memorial Auditorium DTS Audio 5.1; Mix of SBD: SBD -> Master Reel -> Dat (48k) and AUD:Unknown lineage transferred by SIRMick; mixed by kevtobin
|
notes
|
| 1826. |
09/26/73 |
Flac 16 - 0,
80665 |
Buffalo |
Community War Memorial Auditorium flac16; Unknown Audience Lineage provided by Chuck Diliberto transfered by SirMick speed corrected and patched by Kevin Tobin
|
notes
|
| 1827. |
10/19/73 |
Shn - 0,
187 |
Oklahoma City |
Oklahoma City Fairgrounds Arena mR> DAT> CDR; complete; E2 is tracked for d2, but could fit on 80min d3; via JW Norris, R. Nayfield; update 10/23/00: this date is now released as Dick's Picks 19- go buy that
|
notes
|
| 1828. |
10/21/73 |
Shn - 0,
17413 |
Omaha |
Omaha Civic Auditorium SBD -> Rm -> ? -> Dat -> Sound Forge -> CD -> EAC -> SHN Converted By Charlie Miller
|
notes
|
| 1829. |
10/21/73 |
Shn - 0,
8191 |
Omaha |
Omaha Civic Auditorium MSR->C->D->CD; Some static in spots, see info file for details; via Jeff Fishman; Steve Barbella
|
notes
|
| 1830. |
10/23/73 |
Flac - 0,
92792 |
Bloomington |
Metropolitan Sports Center flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1831. |
10/23/73 |
Shn - 0,
18899 |
Bloomington |
Metropolitan Sports Center MSR>D>CD via M. Goetz encoded by Morgan Evans. Note: Has additional OMSN (see info file for discussion) compared to previous etree shn sets.
|
notes
|
| 1832. |
10/23/73 |
Shn - 0,
18227 |
Bloomington |
Metropolitan Sports Center partial of set 1 and set 2; source:MR>Dat>cdr using EAC v0.9 prebeta 11 in secure mode to extract, and mkw ver 0.97 beta1 to create shn's conversion to .shn done by Todd Norman norma023@tc.umn.edu
|
notes
|
| 1833. |
10/25/73 |
Shn - 0,
14451 |
Madison |
Dane County Coliseum SBD Master Reel > ? > DAT > CD-R > EAC (secure) > Cool Edit(minor cleanup) > CDWAV > mkwact(seekable) via wi-jams, cleanup and encoding by Matt Vernon.
|
notes
|
| 1834. |
10/25/73 |
Shn - 0,
188 |
Madison |
Dane County Coliseum SBD MR> DAT> Sound Forge> CDR; set 2; (shn discs have 10/19/73 filler); a few brief volume drops/noises in Let It Grow; via G. Hamilton; see public comments for a few more flaw notes
|
notes
|
| 1835. |
10/25/73 |
Flac 16 - 0,
29668 |
Madison |
Dane County Coliseum flac16; Original source: http://db.etree.org/shninfo_detail.php?shnid=188 MSR>D>CD Disc One patched and re-tracked by Sean Cribbs 7/2003; present source added crossfades at reel splices between Let It Grow and GDTRFB and between OMSN and UJB; removed two spots of static at end of Let It Grow; (note: this source is actually a composite of 2 different shows: material from 10/25/73 patched with material from 11/20/73)
|
notes
|
| 1836. |
10/25/73 |
Shn - 0,
189 |
Madison |
Dane County Coliseum Partial set 2; SBD > Unknown Analog Generation(s) > DAT > Mac (via Lucid PCI25) > CDR; via Tim Buller
|
notes
|
| 1837. |
10/25/73 |
Shn - 0,
9213 |
Madison |
Dane County Coliseum Unsure if this is the "best in circ", but it is the most complete. SBD:MR>DAT>CD
|
notes
|
| 1838. |
10/25/73 |
Flac 16 - 0,
34837 |
Madison |
Dane County Coliseum flac16; MSR > D > CD > EAC > WAV > CD > EAC > WAV > FLAC; DAE(EAC) of shn id 29668 by Sean Cribbs (note: this source is actually a composite of 2 different shows: material from 10/25/73 patched with material from 11/20/73)
|
notes
|
| 1839. |
10/25/73 |
Flac 16 - 0,
136695 |
Madison |
Dane County Coliseum flac16; Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k)
|
notes
|
| 1840. |
10/25/73 |
Flac 16 - 0,
140863 |
Madison |
Dane County Coliseum flac16; Partial Set 2 Source Info: Master 1/2 track Soundboard Reel @ 15ips (Nagra Reel to Reel) > PCM (14-bit)(Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 1841. |
10/27/73 |
Shn - 0,
16583 |
Indianapolis |
Indianapolis State Fair Coliseum ource: MSR > R > C > D > CD patched with MAC > ? > D Conversion: CDR > EAC > CDWave > CoolEditPro > shntool > mkwACT > SHN (seekable) by Charles Wier From the Deadlists vine
|
notes
|
| 1842. |
10/27/73 |
Flac 16 - 0,
107323 |
Indianapolis |
Indianapolis State Fair Coliseum flac16; Unknown Mics >> Unknown Deck >> MAC >> Reel 7.5 ips Revox A77 Reel @ 7.5 ips >> Revox A77 >> Akai GX636>Apogee Mini Me(24/96)>Apogee Mini Dac(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>FLAC Taped By: David Boswell
|
notes
|
| 1843. |
10/27/73 |
Flac 16/48 - 0,
142772 |
Indianapolis |
Indianapolis State Fair Coliseum flac16/48kHz; Source Info: Master Soundboard Reels > 2 cassette generations > Dat (16/48k)> Dat (16/48k); Transfer Info: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (16/48k)> Adobe Audition 3.01 > TLH flac1648
|
notes
|
| 1844. |
10/29/73 |
Flac 16 - 0,
32352 |
St. Louis |
Kiel Auditorium flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC
|
notes
|
| 1845. |
10/29/73 |
Flac 16 - 0,
116118 |
St. Louis |
Kiel Auditorium flac16; Taper: Unknown; Source: Unknown Mics and Deck>??>C>WAV>FLAC; Transferred and Encoded by Cousinit
|
notes
|
| 1846. |
10/29/73 |
Flac 16 Mtx - 0,
131409 |
St. Louis |
Kiel Auditorium flac16; Matrix mix of Shnid 32352(sbd) and Shnid 116118(aud)
|
notes
|
| 1847. |
10/29/73 |
Flac 16 - 0,
131458 |
St. Louis |
Kiel Auditorium flac16; Set 2, Handheld Sony 1 point stereo mic from the 5th and 4th row sometimes standing on chair; Recorderd and transferred by Chaffe McIlhenny; Master cassette>Revox cassette deck to DAT in 1998> to Tascam P2 Flash Card in Oct 2014>Audacity>Traders Little Helper for FLAC Fingerprint creation
|
notes
|
| 1848. |
10/29/73 |
Shn - 0,
1014 |
St. Louis |
Kiel Auditorium MSR> C> DAT> Circulation> EAC> SHN; no El Paso, otherwise complete show; Source disks from Bob Murphy, eac/shn by Darrin Sacks; Analog anomalies between CRS and BIODTL and between Eyes and China Doll digitally removed with Soundforge. Track boundary error between Bertha and GSET automatically corrected by Exact Audio Copy; Bob Murphy reports seed sounds cleaner than corresponding 10/30/73
|
notes
|
| 1849. |
10/29/73 |
Shn - 0,
1070 |
St. Louis |
Kiel Auditorium eel master > 1 cassette gen > DAT > CD > SHN; no El Paso, otherwise complete show; via S. Kaplan, G. Hamilton; see info file and pub comments for flaw notes; note anomalies fixed by Darrin for other shn set seemed to be already lacking here- if they really are still present, please let us know
|
notes
|
| 1850. |
10/29/73 |
Shn - 0,
16817 |
St. Louis |
Kiel Auditorium Source: MSR > C > D > CD patched with AUD Conversion: CD > EAC > WAV > retracking (shntool) > SHN Complete show in SBD w/ AUD patches (including AUD El Paso) via Dave Greenberg and Jim Powell. Retracked from CDA seed of this source circulated 3/2003 (incorporated brief separate crowd tracks into song tracks). Sector boundaries verified w/ shntool.
|
notes
|
| 1851. |
10/30/73 |
Flac 16 - 0,
32367 |
St. Louis |
Kiel Auditorium flac16; Recording Info: SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC
|
notes
|
| 1852. |
10/30/73 |
Shn - 0,
969 |
St. Louis |
Kiel Auditorium Reel master > 1 cassette gen > DAT > CD > EAC > SHN; seed via J. Merdler, DAE>SHN by G.S. Hamilton, retracking of d2 by A. J. Fink; some editing between songs; known flaws: d1t1 split-second cut into beginning, d1t6 cuts at 1:21, d2t1 volume change at 3:39, d3t3 cut/splice at 6:27
|
notes
|
| 1853. |
10/30/73 |
Shn - 0,
16818 |
St. Louis |
Kiel Auditorium Source: MSR > D > PCM > D > CD patched with AUD Conversion: CD > EAC > WAV > retracking (shntool) > SHN Complete show with AUD patches via Dave Greenberg and Jim Powell. Retrack of CDA seed circulated 3/2003 to incorporate separate crowd tracks into song tracks. Different lineage from previous seed. Cut to start Me & My Uncle patched w/ AUD, no cut in Mexicali. Does have anomolies in China Cat & Eyes noted in that seed.
|
notes
|
| 1854. |
10/30/73 |
Shn - 0,
19809 |
St. Louis |
Kiel Auditorium Reel master > 1 cassette gen > DAT > CD > EAC > SHN. Appears to be a re-extraction of John Merdler seed.
|
notes
|
| 1855. |
10/30/73 |
Flac 16/44 - ,
154414 |
St. Louis |
Kiel Auditorium flac1644; 1st Set; Source: Unknown AUD, rescued from ebay with thanks to John Petrunis. Transfer: TDK-SA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021
|
notes
|
| 1856. |
11/01/73 |
Shn - 0,
22795 |
Evanston |
McGaw Memorial Hall, Northwestern University New Version] MSR > C> DAT > PCM > DAT > CD (see notes in info file regarding correctness of genealogy) - Subsequent CD extraction (EAC), editing (Cool Edit Pro 2), and SHN encoding (mkwACT) by Sean Cribbs 12/2003
|
notes
|
| 1857. |
11/01/73 |
Shn - 0,
15759 |
Evanston |
McGaw Memorial Hall, Northwestern University Source: MR > C1 > DAT > CD > Toast Audio Extractor (overlap) > WAV > SHN SHNed and seeded by Jon Seff (jon@seff.net)
|
notes
|
| 1858. |
11/01/73 |
Flac 16 - 0,
80714 |
Evanston |
McGaw Memorial Hall, Northwestern University flac16; MR>C1>DAT>SHN (shnid=2178)>CD>EAC>CoolEdit Pro hiss reduction & minor other edits
|
notes
|
| 1859. |
11/01/73 |
Flac 16 44,1khz - 0,
136696 |
Evanston |
McGaw Memorial Hall, Northwestern University flac16; Set 2 Source: Soundboard > Master-Reel > Reel (1st gen) > DAT (44.1k)
|
notes
|
| 1860. |
11/01/73 |
Shn - 0,
8834 |
Evanston |
McGaw Memorial Hall, Northwestern University 2nd set only; SBDMR> Cass> DAT> CDR> EAC> Soundforge> DePopper> SHN; via Howling Bob; Seeded to etree by Mike Parrillo
|
notes
|
| 1861. |
11/01/73 |
Shn - 0,
2178 |
Evanston |
McGaw Memorial Hall, Northwestern University set 2; MR> C1> DAT; via Teddy Goodbear to abgd
|
notes
|
| 1862. |
11/09/73 |
Shn - 0,
2657 |
San Francisco |
Winterland Arena SBD> MR> C> DAT> CDR; EAC> SHN by Seth Kaplan; Correct sector boundaries verified using .shntool; First few seconds of Here Comes Sunshine are clipped; Small splice at the start of Eyes of the World, some channel dropouts and a little static on a few tunes
|
notes
|
| 1863. |
11/10/73 |
Shn - 0,
3290 |
San Francisco |
Winterland Arena MSR> reel > PCM > DAT > CD; see info file for listening notes
|
notes
|
| 1864. |
11/10/73 |
Flac 16 - 0,
140704 |
San Francisco |
Winterland Arena flac16; Partial Show Source Info: Master Soundboard Reel > PCM; Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 1865. |
11/11/73 |
Flac 16 - 0,
88485 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> Cool Edit Pro v2.01 -> FLAC (Pitch correction of shn id 83318) All Transfers and Mastering By Charlie Miller
|
notes
|
| 1866. |
11/11/73 |
Shn - 0,
14105 |
San Francisco |
Winterland Arena Pitch correction applied by Alan Schlissel to patch in Eyes in previous shn set (which itself was a fix of another previous one).
|
notes
|
| 1867. |
11/11/73 |
Flac 16 - 0,
83318 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 1868. |
11/11/73 |
Shn - 0,
12178 |
San Francisco |
Winterland Arena Shntool fix (by Tony Gardner) of previous Tony Gardner 'patched eyes' seed; See info file for details; Disks 1-2 MSR>Cass>Cass>DATs>CDRs; Disk 3 MSR>Cass>DATs>CDRs; With Eyes patched from MSR>?>DAT>CDR
|
notes
|
| 1869. |
11/11/73 |
Shn - 0,
1016 |
San Francisco |
Winterland Arena Source: Disks 1-2 MSR> Cass> Cass> DATs> CDRs> EAC> SHN; Disk 3 MSR> Cass> DATs> CDRs> EAC> SHN; via Bob Murphy, Darrin Sacks; see pub comment for flaw note; note apparent upgrade with patch now circulating
|
notes
|
| 1870. |
11/11/73 |
Flac 24/96 - ,
166325 |
San Francisco |
Winterland Arena flac2496; Recorded by Charles Conner from dead center 10 rows back with a Sony ECM-22P mic (mono)> Sony TC-55 > BASF C90 master cassettes; Transfer and mastering of re-shelled master cassettes by Jim Blackwood on November 11, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz; Speed/pitch adjusted by Jason Chastain
|
notes
|
| 1871. |
11/11/73 |
Flac 16/48 - ,
166326 |
San Francisco |
Winterland Arena flac1648; Recorded by Charles Conner from dead center 10 rows back with a Sony ECM-22P mic (mono)> Sony TC-55 > BASF C90 master cassettes; Transfer and mastering of re-shelled master cassettes by Jim Blackwood on November 11, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz; Speed/pitch adjusted by Jason Chastain
|
notes
|
| 1872. |
11/14/73 |
Flac 16 - 0,
79049 |
San Diego |
San Diego Sports Arena flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC
|
notes
|
| 1873. |
11/14/73 |
Shn - 0,
5612 |
San Diego |
San Diego Sports Arena Updated lineage: SBD > MR > cass > DAT > CD > EAC (secure) > SHN (seekable); EAC> SHN by Matt Vernon, from Eurodead Vine source discs; see tracking suggestions in info file
|
notes
|
| 1874. |
11/14/73 |
Shn - 0,
14716 |
San Diego |
San Diego Sports Arena Lineage: 7" Master Reel > Cassette > CD Transferred, burned, shn'ed, and all by David Hollister
|
notes
|
| 1875. |
11/14/73 |
Shn - 0,
6197 |
San Diego |
San Diego Sports Arena edit of previous shn set by Bob Clevenger; see info file for notes
|
notes
|
| 1876. |
11/14/73 |
Flac 24/96 - ,
166343 |
San Diego |
San Diego Sports Arena flac2496; Recorded by Charles Conner from center right with a Sony ECM-22P mic (mono)> Sony TC-55 > BASF C90 master cassettes; Transfer of re-shelled master cassettes on November 12, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 13, 2023 by Jim Blackwood; Speed/pitch adjusted by Jason Chastain
|
notes
|
| 1877. |
11/14/73 |
Flac 16/48 - ,
166344 |
San Diego |
San Diego Sports Arena flac1648; Recorded by Charles Conner from center right with a Sony ECM-22P mic (mono)> Sony TC-55 > BASF C90 master cassettes; Transfer of re-shelled master cassettes on November 12, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 13, 2023 by Jim Blackwood; Speed/pitch adjusted by Jason Chastain
|
notes
|
| 1878. |
11/17/73 |
Flac 16 - 0,
79548 |
Los Angeles |
Pauley Pavilion, UCLA flac16; source: unknown sbd > ??? > shn > wav > flac
|
notes
|
| 1879. |
11/17/73 |
Shn - 0,
23731 |
Los Angeles |
Pauley Pavilion, UCLA SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN >>DAW(Bertha)>>CDA/SHN>>shntool shntool used to fix SBE's on 4-12-04, applied separately to first and second set by Tony G (spreaddead@bellsouth.net)
|
notes
|
| 1880. |
11/17/73 |
Shn - 0,
4749 |
Los Angeles |
Pauley Pavilion, UCLA SBD> MR> C> DAT> CDR> EAC> SHN; via Tony Gardner from Paul B.'s discs; Splice between ROR and Playin' (no music affected)
|
notes
|
| 1881. |
11/17/73 |
Shn - 0,
23472 |
Los Angeles |
Pauley Pavilion, UCLA SBD>>MR>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN >>DAW(Bertha)>>CDA/SHN via Jay Ashley
|
notes
|
| 1882. |
11/17/73 |
Flac - 0,
22799 |
Los Angeles |
Pauley Pavilion, UCLA This is a FLAC composite of different sources that all have cassette/reel flip cuts at various points of the show. See text document for further info
|
notes
|
| 1883. |
11/17/73 |
- ,
166357 |
Los Angeles |
Pauley Pavilion, UCLA flac2496; Recorded by Charles Conner from floor level seats on the right side with a Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes; Transfer of re-shelled master cassettes on November 15, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 16, 2023 by Jim Blackwood; Speed/pitch adjusted by Jason Chastain
|
notes
|
| 1884. |
11/17/73 |
- ,
166358 |
Los Angeles |
Pauley Pavilion, UCLA flac1648; Recorded by Charles Conner from floor level seats on the right side with a Sony ECM-22P mic (mono) > Sony TC-55 > BASF C90 master cassettes; Transfer of re-shelled master cassettes on November 15, 2023 using a Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz and mastering on November 16, 2023 by Jim Blackwood; Speed/pitch adjusted by Jason Chastain
|
notes
|
| 1885. |
11/20/73 |
Flac 16 - 0,
83165 |
Denver |
Denver Coliseum flac16; Partial set 2 matrix mix using Cary Wolfson AUD shnid=22879 and sbd shnid=1234 by Matt Vernon
|
notes
|
| 1886. |
11/20/73 |
Shn - 0,
1234 |
Denver |
Denver Coliseum S:MR > DAT > CD > EAC > SHN; via David Hollister, G. S. Hamilton; note UJB may be from different source?; note portions of set 2 on these discs are in "SBD order" vs. "true" order- see public comments for details
|
notes
|
| 1887. |
11/20/73 |
Flac 16 - 0,
76616 |
Denver |
Denver Coliseum flac16; main source: S:MR > DAT > CD > EAC > SHN (shnid 1234) patch source: MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) (shnid 22879)
|
notes
|
| 1888. |
11/20/73 |
Flac 16 Mtx - 0,
133392 |
Denver |
Denver Coliseum flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:1234) MR > DAT > CD > EAC > SHN and Audience (shnid:22879) Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
|
notes
|
| 1889. |
11/20/73 |
Flac 24/96 - 0,
144266 |
Denver |
Denver Coliseum flac24; Master Soundboard Cassettes > Will Boswell's 1st generation Reels @ 3.75 ips; There is speculation that there may be an additional cassette generation before Will Boswell's Reels (Garcia's?). This is part of the Debbie Stash; Transfer Info: 1st (possibly 2nd) Generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 1890. |
11/20/73 |
Flac 16/48 - 0,
144265 |
Denver |
Denver Coliseum flac16/48kHz; Master Soundboard Cassettes > Will Boswell's 1st generation Reels @ 3.75 ips There is speculation that there may be an additional cassette generation before Will Boswell's Reels (Garcia's?); This is part of the Debbie Stash; Transfer Info: 1st (possibly 2nd) Generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 1891. |
11/20/73 |
Flac 16 - 0,
144245 |
Denver |
Denver Coliseum flac16; This is a pitch corrected, patched and re-mastered version of the source ID 1234 sbd.hollister source: Source Info: Master Soundboard Reels > (most likely Dick's cassettes) > Dat > CD > EAC > SHN to flac via TLH) > Adobe Audition CC 2019
|
notes
|
| 1892. |
11/20/73 |
Shn - 0,
22879 |
Denver |
Denver Coliseum MAC (Taped by Cary Wolfson, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) A > D by David Minches EAC > SHN by Jack Warner (jackmw1ATsbcglobalDOTnet)
|
notes
|
| 1893. |
11/21/73 |
Flac 16 - 0,
97468 |
Denver |
Denver Coliseum flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC; All Transfers and Mastering By Charlie Miller (This source fixes swapped channels on source id 88612.)
|
notes
|
| 1894. |
11/21/73 |
Flac 16 - 0,
88612 |
Denver |
Denver Coliseum flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation
|
notes
|
| 1895. |
11/21/73 |
Flac Mtx. - 0,
133522 |
Denver |
Denver Coliseum flac; 2 Source Matrix by Dusborne; Soundboard(shnid:97468) SBD -> Master Reel -> Cassette -> Dat -> CD; CD -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC and Audience(shnid:22096) Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
|
notes
|
| 1896. |
11/21/73 |
Shn - 0,
22096 |
Denver |
Denver Coliseum MAC (Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
|
notes
|
| 1897. |
11/21/73 |
Shn - 0,
192 |
Denver |
Denver Coliseum via D. Barrick (hurtsme2); B. Yerys reports digiprobs at d1t1 ~0:42, d1t4 ~1:10, d2t2 ~10:38
|
notes
|
| 1898. |
11/21/73 |
Shn - 0,
22097 |
Denver |
Denver Coliseum MSR > DAT > CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4) > CDWave v1.71 (tracking) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) Patches: MAC (Taped Taped by Glen Finley, Sony 1-point stereo mic > Sony TC-124) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > Samsung SW-232B extraction (EAC v0.95 prebeta 4)
|
notes
|
| 1899. |
11/23/73 |
Flac 16 - 0,
112801 |
El Paso |
County Coliseum flac16; Recording Info:SBD -> Reel Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1900. |
11/23/73 |
Shn - 0,
6702 |
El Paso |
County Coliseum retracked, edited version of previous shn set, for 90 min CDs (see info), by Bob Clevenger
|
notes
|
| 1901. |
11/23/73 |
Shn - 0,
194 |
El Paso |
County Coliseum
|
notes
|
| 1902. |
11/25/73 |
Flac 16 - 0,
113007 |
Tempe |
Feyline Field flac16; Recording Info:SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1903. |
11/25/73 |
Shn - 0,
2213 |
Tempe |
Feyline Field MSR> Cass.> DATs> CDRs> EAC> SHN; via Darrin Sacks; see info file for known flaws; note md5s for d2t8-10 filler tracks (12/4/71) added here 1/24/01
|
notes
|
| 1904. |
11/25/73 |
Flac 16/44,1 - 0,
150853 |
Tempe |
Feyline Field flac16/44.1khz Recording Info: SBD > Reel Master > Dat (44.1k) Transfer Info: Dat (Tascam DA-40) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC
|
notes
|
| 1905. |
11/25/73 |
Flac 16/44 - 0,
150897 |
Tempe |
Feyline Field flac16/44khz 1Recording Info: SBD > Reel Master > Dat (44.1k) Transfer Info: Dat (Tascam DA-40) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC
|
notes
|
| 1906. |
11/30/73 |
Shn - 0,
8099 |
Boston |
Music Hall sbd > ? > CDR; Some songs from this date are featured on Dick's Picks 14; go buy it
|
notes
|
| 1907. |
11/30/73 |
Flac 16 Mtx - 0,
124131 |
Boston |
Music Hall flac16; 2 source matrix by dusborne; Soundboard (shnid:8099) sbd > ? > CDR > EAC(secure) > mkwact(seekable) and Audience (shnid:17277) Source: AUDMC(unknown mics) > ? > C > DAT; DAT > WAV(48Khz) Marc Pujol Encoding: WAV(48kHz) > Cool Edit > CDWav > mkwact > SHN
|
notes
|
| 1908. |
11/30/73 |
Shn - 0,
17227 |
Boston |
Music Hall unknown audience recording via David Minor encoded by Matt Vernon and Marc Pujol
|
notes
|
| 1909. |
11/30/73 |
Flac 16/44 - ,
155310 |
Boston |
Music Hall flac1644; Partial; Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2022
|
notes
|
| 1910. |
12/01/73 |
Flac 16 - 0,
112205 |
Boston |
Music Hall flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1911. |
12/01/73 |
Flac 16 Mtx - 0,
124132 |
Boston |
Music Hall flac16; 2 source matrix by dusborne Soundboard (shnid:112205) SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional 11.2 -> FLAC and Audience (shnid:110781) FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend. Transfer: Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.
|
notes
|
| 1912. |
12/01/73 |
Shn - 0,
4337 |
Boston |
Music Hall SBD> MR> DAT> Sonic Solutions> CDR; shn by Tony Gardner, from Paul B.'s discs; note more complete than previous shn versions
|
notes
|
| 1913. |
12/01/73 |
Shn - 0,
4972 |
Boston |
Music Hall same info file as previous shn set, but md5s differ; poss reDAE/reshn by unIDed person?
|
notes
|
| 1914. |
12/01/73 |
Shn - 0,
18094 |
Boston |
Music Hall AUDMC(unknown mics) > ? > C > DAT via David Minor, encoded by Marc Pujol and Matt Vernon
|
notes
|
| 1915. |
12/01/73 |
Flac 16 - 0,
98049 |
Boston |
Music Hall flac16; Audience Analog Master>cdr>eac>flac; Joe Maloney Master Recording
|
notes
|
| 1916. |
12/01/73 |
Shn - 0,
6648 |
Boston |
Music Hall Master Soundboard Reels > PCM > DAT> CDR; CD Mastering by Scott Clugston
|
notes
|
| 1917. |
12/01/73 |
Flac 16 - 0,
110781 |
Boston |
Music Hall flac16; FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassettes, kindly provided by Tim Friend. Transfer: Maxell UD90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.
|
notes
|
| 1918. |
12/02/73 |
Shn - 0,
3415 |
Boston |
Music Hall Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston;a few seconds of overlap between d2,3; to abgd
|
notes
|
| 1919. |
12/02/73 |
Flac 16 Mtx - 0,
124133 |
Boston |
Music Hall flac16; 3 source matrix by dusborne Soundboard (shnid:3415) Master Soundboard Reel > Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston; Audience (shnid:17278) Source: MAC > ? > C > DAT > CDR DAT > WAV(48kHz) by Marc Pujol; Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN(seekable) by mvernon54@attbi.com; and Audience (shnid:110782) FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. Transfer: Maxell UD90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.
|
notes
|
| 1920. |
12/02/73 |
Shn - 0,
4733 |
Boston |
Music Hall same info file as previous shn set, but md5s differ; poss reDAE/reshn by unIDed person?; hosted by Mike Lai
|
notes
|
| 1921. |
12/02/73 |
Shn - 0,
17278 |
Boston |
Music Hall unknown audience tape via David Minor encoded by Matt Vernon and Marc Pujol
|
notes
|
| 1922. |
12/02/73 |
Flac 16/44 - 0,
110782 |
Boston |
Music Hall flac16; FOB AUD Source: Unknown equipment > MAC taped by Bill Degen. This transfer is 1st Gen cassette, kindly provided by Tim Friend. Transfer: Maxell UD90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F.
|
notes
|
| 1923. |
12/02/73 |
Flac 16/48 - 0,
150276 |
Boston |
Music Hall flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > DAT (48k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller
|
notes
|
| 1924. |
12/04/73 |
Flac - 0,
86839 |
Cincinnati |
Cincinnati Gardens flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller (note: this source includes the encore missing from shn id 86839).
|
notes
|
| 1925. |
12/04/73 |
Shn - 0,
11800 |
Cincinnati |
Cincinnati Gardens Partial; Half of last song and encore; See info file for details; master soundboard cassette > reel > pcm > dat > cdr; Seeded to etree by Jools
|
notes
|
| 1926. |
12/04/73 |
Flac - 0,
30656 |
Cincinnati |
Cincinnati Gardens flac16; SET ONE ONLY SBD -> Master Reel -> Dat Transferred and Edited By Charlie Miller
|
notes
|
| 1927. |
12/06/73 |
Flac 16 - 0,
105560 |
Cleveland |
Public Hall flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of source ID 4452
|
notes
|
| 1928. |
12/06/73 |
Shn - 0,
4452 |
Cleveland |
Public Hall SBD MR > 1 cass gen > DAT > (AUD patching)> CD > EAC > SHN> slight retrack for d2t3, d3t1, d3t4> shnv2 on those tracks; d3 tracked for 80 min; see notes in info file; seed via David Gans, Jim Powell, Dave Greenberg; shns via Seth Kaplan, Alan Fink, G.S. Hamilton
|
notes
|
| 1929. |
12/06/73 |
Flac 16 - 0,
132261 |
Cleveland |
Public Hall flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1930. |
12/06/73 |
Shn - 0,
195 |
Cleveland |
Public Hall partial; S:MR> Cass> SonicSolutions> DAT> ZA2> CD; via R. Nayfield (from Gans seed?); Reel Splice in Eyes from master
|
notes
|
| 1931. |
12/06/73 |
Shn - 0,
6703 |
Cleveland |
Public Hall retracked, slightly edited version of previous shn set, for 1x90 min CD (see info), by Bob Clevenger
|
notes
|
| 1932. |
12/06/73 |
Flac 16 - 0,
102750 |
Cleveland |
Public Hall flac16; Recording Info: SBD > MR > cassette > DAT > CD; Transfer Info: CD > Wav > Sound Forge 9 for compression, volume and EQ > FLAC; remastered version of source ID 4452
|
notes
|
| 1933. |
12/06/73 |
Flac 16 - 0,
147505 |
Cleveland |
Public Hall flac16; Recording Info: SBD > Master Reel > Dat; Transfer Info: Dat > Samplitude Professional v11.2.1 > FLAC; Remastering Info: FLAC > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/16
|
notes
|
| 1934. |
12/06/73 |
Flac 16/48 - ,
166462 |
Cleveland |
Public Hall flac1648 Recorded by Dave Cubbedge on a Sony portable stereo recorder with a stereo mic. LINEAGE: Master > TDK SA copy > WAV > FLAC
|
notes
|
| 1935. |
12/08/73 |
Flac 16 - 0,
105607 |
Durham |
Cameron Indoor Stadium, Duke University flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 1811
|
notes
|
| 1936. |
12/08/73 |
Shn - 0,
1811 |
Durham |
Cameron Indoor Stadium, Duke University SBD:MR> C> DAT> CD> EAC> SHN; via Kirby (Chalupa) Bell, Andy Gustin; note Beginning of Bertha is clipped, JBG is from an AUD source
|
notes
|
| 1937. |
12/08/73 |
Flac 16 - 0,
106139 |
Durham |
Cameron Indoor Stadium, Duke University flac16; source: aud 1st gen reel* taped by Jerry Moore mastered on sony tc-110 lineage: aud cassette master>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 2496>pc>adobe audition 2.0(levels, dc offset)>cd wave>16/44.1>flac transferred & seeded by Rob Berger
|
notes
|
| 1938. |
12/08/73 |
Flac 24/96 - 0,
106138 |
Durham |
Cameron Indoor Stadium, Duke University flac24; source: aud 1st gen reel* taped by Jerry Moore mastered on sony tc-110 lineage: aud cassette master>7" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 2496>pc>adobe audition 2.0 (levels, dc offset)>cd wave>flac
|
notes
|
| 1939. |
12/08/73 |
Flac 16 - 0,
141376 |
Durham |
Cameron Indoor Stadium, Duke University flac16; Recording Info: Master Soundboard Reel > Dat (16/44.1k)(Dick Latvala); Transfer Info: Dat (Panasonic SV-3800) > Pro Tools (.wav 16/44.1k) > Samplitude Professional v10.22 > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 1940. |
12/08/73 |
Shn - 0,
7586 |
Durham |
Cameron Indoor Stadium, Duke University Stereo Soundboard > Master Reel > ? > CD > SHN; via unknown person; May be a re-eac of previous shn set
|
notes
|
| 1941. |
12/08/73 |
Flac 16 - 0,
105268 |
Durham |
Cameron Indoor Stadium, Duke University
|
notes
|
| 1942. |
12/08/73 |
Flac 24/96 - 0,
152573 |
Durham |
Cameron Indoor Stadium, Duke University flac24/96 Source: Unknown Audience Cassette (high gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac24 edited and mastered SIRMick June 2021
|
notes
|
| 1943. |
12/08/73 |
Flac 16 - 0,
152572 |
Durham |
Cameron Indoor Stadium, Duke University flac16/44 Source: Unknown Audience Cassette (high gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick June 2021
|
notes
|
| 1944. |
12/10/73 |
Shn - 0,
11799 |
Charlotte |
Charlotte Coliseum Partial; Last two songs and encore; See info file for details; master soundboard cassette > reel > pcm > dat > cdr; Seeded to etree by Jools
|
notes
|
| 1945. |
12/12/73 |
Flac 16 - 0,
105561 |
Atlanta |
The Omni flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of source ID 6023; Upgrade in circulation
|
notes
|
| 1946. |
12/12/73 |
Flac 16 - 0,
123585 |
Atlanta |
The Omni flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a re-master of source ID 105561
|
notes
|
| 1947. |
12/12/73 |
Shn - 0,
3410 |
Atlanta |
The Omni souncheck apparently circulates as filler on circulating copy of 11/4/77.
|
notes
|
| 1948. |
12/12/73 |
Shn - 0,
6023 |
Atlanta |
The Omni nearly complete, with soundcheck; MR > C > DAT > CDR; via Trei Hobbs
|
notes
|
| 1949. |
12/12/73 |
Flac 16 - 0,
102910 |
Atlanta |
The Omni flac16; Remaster of SHNID 6023 (Recording Info: Sbd > MR > C > CDR) Transfer Info: CDR > Soundforge 8 for many adjustments > Flac Transfer notes: Soundcheck recording changes: Volume increase, EQ and balance adjustments. Main show recording changes: Pitch of entire show was slowed to match A=440. It's close but not perfect, as pitch varied throughout. Volume was increased to modern standards Tape hiss, while still present, was reduced, without compromising overall fidelity
|
notes
|
| 1950. |
12/18/73 |
Flac 16 - 0,
113498 |
Tampa |
Curtis Hixon Convention Hall flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1951. |
12/18/73 |
Flac 16 Mtx - 0,
126123 |
Tampa |
Curtis Hixon Convention Hall flac16; 3 source matrix: Soundboard (shnid 97511); AdamG's audience recording (new flat transfer); and Dan McDonald's audience recording (new flat transfer)
|
notes
|
| 1952. |
12/18/73 |
Flac 16 Mtx - 0,
123373 |
Tampa |
Curtis Hixon Convention Hall flac16; matrix of shnid 122508 (source 1 AUD) and shnid 116498 (source 2 SBD); matrixed by Monte Barry
|
notes
|
| 1953. |
12/18/73 |
Flac 16 - 0,
97511 |
Tampa |
Curtis Hixon Convention Hall flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 1954. |
12/18/73 |
Shn - 0,
3119 |
Tampa |
Curtis Hixon Convention Hall SBD Reel master > cassette > DAT > CDR (unknown gens); info file circulating with the shn set falsely says this is via G.S. Hamilton- it is not. Please use md5s to ID copies in circulation. This copy has 7 tracks in d2, Greg's real shn set has 9. Reel change in Wharf Rat (d3t04) @ 6:36; reported noise reduction on this copy- see comments
|
notes
|
| 1955. |
12/18/73 |
Shn - 0,
12469 |
Tampa |
Curtis Hixon Convention Hall further retracking and slight editing of previous retracked shn set, by Bob Clevenger
|
notes
|
| 1956. |
12/18/73 |
Shn - 0,
12214 |
Tampa |
Curtis Hixon Convention Hall SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > CDWav retracking> SHN; Extraction, retracking, shortening by G.S. Hamilton (for real). Please use md5s to ID copies in circulation. Note d2 has 9 tracks; alternate shn set in circulation has 7 d2 tracks and is not really via Greg, but is apparently from another CD set. (This has same reel change in Wharf Rat (d3t04) @ 6:36.); note noise reduction notes in pub comments apparently pertain to alternate shn set only, no NR on this entry
|
notes
|
| 1957. |
12/18/73 |
Flac 16 - 0,
122508 |
Tampa |
Curtis Hixon Convention Hall flac16; Audience Cassette->Nakamichi Dragon->Sony PCMR300 Dat (16/44.1)->Sound Forge eq and normalization
|
notes
|
| 1958. |
12/19/73 |
Flac 16 - 0,
113503 |
Tampa |
Curtis Hixon Convention Hall flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1959. |
12/19/73 |
Flac 16 - 0,
126124 |
Tampa |
Curtis Hixon Convention Hall flac16; Matrix from sources: soundboard: 97361; and Dan McDonald's audience tape (new flat transfer)
|
notes
|
| 1960. |
12/19/73 |
Shn - 0,
197 |
Tampa |
Curtis Hixon Convention Hall "DP 1 Leftovers"; via Gans, D. Finney; rest is on Dick's Picks 1- go buy it
|
notes
|
| 1961. |
12/19/73 |
Flac 16 - 0,
97261 |
Tampa |
Curtis Hixon Convention Hall flac16; Recording Info:SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1962. |
12/19/73 |
Shn - 0,
86ß2 |
Tampa |
Curtis Hixon Convention Hall Audience; MAC>PCM>Cassette>CD; Seeded to etree by Scott Clugston; Note- Parts of this show appear on DP1; go buy it
|
notes
|
| 1963. |
12/19/73 |
Flac 16 - 0,
107984 |
Tampa |
Curtis Hixon Convention Hall flac16; soundboard source shnid=97361: (Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC); Patch source: Sony EMC-22 mic-> cheap mono cassette (probably Sony) - TDK SD C90s -> Tascam 112-> M-Audio Audiophile 24/96 at 24 bit, 96 kHz. Converted to 16-bit, 44.1 kHz and edited using Diamond Cut 7.5 Forensics. Also used DC 7.5 to correct for a slight azimuth alignment problem, cross-faded and cut on sector boundaries. Converted to flac with trader's little helper
|
notes
|
| 1964. |
??/??/73 |
Flac 16 - 0,
97924 |
Various |
Studio Rehearsals flac16; Lineage: Unknown Studio Recording -> Sonic Solutions -> CD Transfer: CD -> EAC ->FLAC by Joe Samaritano
|
notes
|
| 1965. |
02/22/74 |
Flac 16 - 0,
114556 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1966. |
02/22/74 |
Shn - 0,
21128 |
San Francisco |
Winterland Arena Lineage: SBD > D > CD > SSSB *12-14-2002* Files were run through shntool to correct sector boundary errors. The date was also corrected as the soundcheck does not circulate from the 24th, because there wasn't one....FLAC encoding and shntool processing done by Mr. Marmar 12/2002 Converted from flac to shn by SIRMick (thedarkstar@btinternet.com)
|
notes
|
| 1967. |
02/22/74 |
Shn - 0,
26763 |
San Francisco |
Winterland Arena mixed SBD sources: Vault MR> DAT 48k, plus MR> Cassette> DAT 44.1k, with small patches from MR> Cassette> DAT> CD; Transfer: DAT> Audiophile 2496> Samplitude v7.02 Professional> SHN; Transfer, editing, and SHN by Joe Samaritano, with thanks to Michael P. Weitzman, David Gans, Charlie Miller
|
notes
|
| 1968. |
02/22/74 |
Shn - 0,
21539 |
San Francisco |
Winterland Arena Sources: 1 - sbd > ? > shn > wav > shn 2 - sbd > cass? > cdr > wav > shn via SIRMick (thedarkstar@btinternet.com)
|
notes
|
| 1969. |
02/22/74 |
Shn - 0,
11654 |
San Francisco |
Winterland Arena SBD > ? > SHN; Missing Sugar Mag's & UJB; Unknown seeder
|
notes
|
| 1970. |
02/22/74 |
Shn - 0,
8623 |
San Francisco |
Winterland Arena soundcheck, reportedly this date although mislabeled as 2/24/74 on shn set; SBD > RTR @ 7.5 i.p.s. > D > SSSB; no PCM- see info file; via Jay Serafin to gdlive
|
notes
|
| 1971. |
02/22/74 |
Flac 16 - 0,
|
San Francisco |
Winterland Arena Fixed version of Shnid = 115446
|
notes
|
| 1972. |
02/23/74 |
Flac 16 - 0,
115607 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1973. |
02/23/74 |
Shn - 0,
26362 |
San Francisco |
Winterland Arena Bertha Remaster of the Master Reel source; SBD> MR> DAT> CDA> SHN> DAW (Bertha)> CDA/SHN, by Jay Ashley
|
notes
|
| 1974. |
02/23/74 |
Shn - 0,
3382 |
San Francisco |
Winterland Arena complete; Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; d3 tracked for 80 min
|
notes
|
| 1975. |
02/23/74 |
Shn - 0,
198 |
San Francisco |
Winterland Arena incomplete; SBD > Reel > PCM > DAT > CD > EAC > SHN; via Jay Serafin, Seth Kaplan, G.S. Hamilton; missing Big River, Ramble On Rose, Me And My Uncle, Casey Jones; note complete copy now in shn
|
notes
|
| 1976. |
02/23/74 |
Flac 16 - 0,
|
San Francisco |
Winterland Arena Fixed version of shni = 115607.
|
notes
|
| 1977. |
02/24/74 |
Flac 16 - 0,
116902 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1978. |
02/24/74 |
Shn - 0,
21370 |
San Francisco |
Winterland Arena SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R->HP 8200i CDRW Drive (EAC)->SHNCD Mastered by Jay Serafin gdtrfb95@flash.net sector boundaries fixed with shntool, new shns and md5s SIRMick(thedarkstar@btinternet.com)
|
notes
|
| 1979. |
02/24/74 |
Shn - 0,
13961 |
San Francisco |
Winterland Arena Shntool fix of original Jay Serafin seed; Note- This is part of a group effort to fix 'all' of Jay Serafin's seeds so that they conform to redbook standards regarding sector boundary errors; Read more about the effort at etree forums; SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R-> HP 8200i CDRW Drive (EAC)->SHNCD
|
notes
|
| 1980. |
02/24/74 |
Shn - 0,
199 |
San Francisco |
Winterland Arena SBD> Master Reel> PCM> DAT> Fostex D5 DAT> Marantz Professional? PMD-320 CD Master> Ricoh MP-6200 series CD-R> HP 8200i CDRW Drive (EAC)> SHNCD; via Jay Serafin, Stephen Windsor; note d4 is 73:52, not 74:06 as stated in accompanying info file, and thus does not require overburning (possibly was EZCD artifact?); no flaws noticed
|
notes
|
| 1981. |
02/24/74 |
Flac 16 - 0,
136276 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 1982. |
02/24/74 |
Flac 16 - 0,
136266 |
San Francisco |
Winterland Arena flac16; Unknown Audience Recording > PCM; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Pitch Corrected By Kevin Tobin In Adobe Audition; Mastering in Wavelab 7.1 by Jamie Waddell; 16bit 44.1kHz Track, FLAC and Pack by John Wenzel
|
notes
|
| 1983. |
02/24/74 |
Flac 16 Mtx - 0,
136140 |
San Francisco |
Winterland Arena flac16; Matrix 2 Source Mix - SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; - matrix mixing by Kevin Tobin
|
notes
|
| 1984. |
02/24/74 |
Flac 16 Dts.5.1 - 0,
136141 |
San Francisco |
Winterland Arena DTS-Audio-CD 5.1 Mix; SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1 - DTS mixing by Kevin Tobin
|
notes
|
| 1985. |
02/24/74 |
Flac 16/48 - 0,
136142 |
San Francisco |
Winterland Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=116902) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1 - mixing by Kevin Tobin
|
notes
|
| 1986. |
02/24/74 |
Flac 16 Mtx - 0,
136641 |
San Francisco |
Winterland Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
notes
|
| 1987. |
02/24/74 |
Shn - 0,
200 |
San Francisco |
Winterland Arena S:MR> PCM> DAT> CD (Jay Serafin); via David Hollister?
|
notes
|
| 1988. |
02/24/74 |
Flac 16/44 - 0,
151723 |
San Francisco |
Winterland Arena flac16/44 Fixed version of Recording Info: SBD > Master Reel > Dat (44.1k) Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Adobe Audition v3 > Samplitude Professional v11.2 > FLAC
|
notes
|
| 1989. |
03/23/74 |
Shn - 0,
1995 |
Daly City |
Cow Palace modification of previously-circulating shn set- d2 retracked by Leigh Orf; update: portions of show are now DP24- go buy it
|
notes
|
| 1990. |
03/23/74 |
Flac 16 Mtx - 0,
82507 |
Daly City |
Cow Palace flac16; Matrix 2 Source Mix - SBD (shnid 1689) + AUD (shnid 78599)
|
notes
|
| 1991. |
03/23/74 |
Shn - 0,
1689 |
Daly City |
Cow Palace Master Soundboard Reel > DAT > CDR, with patches from Master Soundboard Reel > Cassette > DAT source, and Audience source; d2 is 80 min; via Scott Clugston; note upgrade relative to previously circulating shn set; reported sector boundary probs on d2t4, d2t6- see pub comments; update: portions of show are now DP24- go buy it
|
notes
|
| 1992. |
03/23/74 |
Flac 16 - 0,
78599 |
Daly City |
Cow Palace flac16; Master Audience Cassette > Dat (or PCM?) Edits & Tracking in Wavelab 6.0 by **__** : BBE processing, Crystal Sample Rate converter, L3 multimaximizer>dithered44.1k/16>FLACfrontend SBE FREE Patches by Michael Hughey in Adobe Audition
|
notes
|
| 1993. |
03/23/74 |
Shn - 0,
1186 |
Daly City |
Cow Palace incomplete; SBD> reel master> cassette> dat> cdr; via Mike Lai; update: portions of show are now DP24- go buy it
|
notes
|
| 1994. |
03/23/74 |
Flac Dts 5.1 - 0,
82531 |
Daly City |
Cow Palace DTS Audio 5.1; SBD (shnid 1689) Master Soundboard Reel > DAT + AUD shnid 79610 Master Audience Cassette > Dat (or PCM?)
|
notes
|
| 1995. |
03/23/74 |
Shn - 0,
83453 |
Daly City |
Cow Palace Sources: AUD MC>(PCM?)>DAT>DA-20>M-Audio 192 (Shnid=78599) Editing and mastering by The Wizard
|
notes
|
| 1996. |
03/??/74 |
Shn - 0,
12468 |
San Francisco |
Mars Hotel Outtakes Mars Hotel Outtakes; SBD>?>CDR
|
notes
|
| 1997. |
05/12/74 |
Shn - 0,
2224 |
Reno |
University Of Nevada MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks; previously uncirculated; see notes in info file
|
notes
|
| 1998. |
05/12/74 |
Shn - 0,
16749 |
Reno |
University Of Nevada MSR>C>DAT>CD w/ pitch corrected aud patches for disk 3 only of SBD seed via Sean Cribbs
|
notes
|
| 1999. |
05/12/74 |
Shn - 0,
22248 |
Reno |
University Of Nevada Appears to be reshn'd DAE version of SHNID=2224. Extraction and 'fix' performed by Matt.
|
notes
|
| 2000. |
05/12/74 |
Shn - 0,
10529 |
Reno |
University Of Nevada Partial 2nd Set; AUD>?>CD; via Jack Warner; Seeded to etree by Matt Vernon
|
notes
|
| 2001. |
05/12/74 |
Flac 16 Mtx - 0,
90172 |
Reno |
University Of Nevada flac16; Matrix 2 Source Mix - SBD (shn id 2224) MSR> C> DAT> CDRs> EAC> SHN; via Darrin Sacks + AUD (shn id 10529) Partial 2nd Set; AUD>?>CD; via Jack Warner - matrix mixing by Kevin Tobin
|
notes
|
| 2002. |
05/12/74 |
Shn Dts 5.1 - 0,
90179 |
Reno |
University Of Nevada DTS Audio 5.1; SBD (shn id 2224) MSR>C>DAT>CDRs>EAC>SHN + AUD (shn id 10529)AUD>?>CDRs>EAC>SHN Shns supplied by Jack Warner - dts mixing by Kevin Tobin
|
notes
|
| 2003. |
05/12/74 |
Flac 16 - 0,
90176 |
Reno |
University Of Nevada flac16; AUD>?>CDRs>EAC>SHN - original shnid 10529 - audio patches and speed correction by Kevin Tobin
|
notes
|
| 2004. |
05/12/74 |
Flac 16 - 0,
150221 |
Reno |
University Of Nevada flac16; Recording Info: SBD > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC
|
notes
|
| 2005. |
05/14/74 |
Flac - 0,
114462 |
Missoula |
Adams Field House, University Of Montana flac16; Recording Info: Set 1: SBD -> Master Reel -> Cassette -> Dat (48k); Set 2: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professionl v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2006. |
05/14/74 |
Shn - 0,
1823 |
Missoula |
Adams Field House, University Of Montana MSR> cassette> DAT> CD-R> TAE> shn; via Bob Murphy
|
notes
|
| 2007. |
05/17/74 |
Flac 16 - 0,
89972 |
Vancouver |
P.N.E. Coliseum flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 2008. |
05/17/74 |
Shn - 0,
202 |
Vancouver |
P.N.E. Coliseum updated source: Andy Gustin and Jay Ashley report this could be the SBD cass master>1 cass> DAT> 1 cass gen> DAT version noted on Tiedrich's site (had been marked mSR> DAT> CDR> Toast Audio Extraction> SHN); via Andy Gustin; 9/11/73 filler
|
notes
|
| 2009. |
05/17/74 |
Flac 16 - 0,
28041 |
Vancouver |
P.N.E. Coliseum flac16; set 1,2p; hand-held external stereo mic> portable Sony cassette deck> BASF LH C120 MC> [1 cass gen for Promised only] > HD> CDWave > flac frontend > flac; Taped by: Mike Kent, transferred by Pantagruel
|
notes
|
| 2010. |
05/19/74 |
Flac 16 - 0,
116983 |
Portland |
Portland Memorial Coliseum flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2011. |
05/19/74 |
Flac 16 Mtx - 0,
131464 |
Portland |
Portland Memorial Coliseum flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:116983) Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:115876) Source:Sony ECM18N mics>Sony 152SD deck; Recorded by Pat Lee; Lineage: MAC>R>R>C>WAV>FLAC Transferred and Encoded by Cousinit
|
notes
|
| 2012. |
05/19/74 |
Flac 16 - 0,
79781 |
Portland |
Portland Memorial Coliseum flac16; Remastered version of shn id 6957: Master Soundboard Reel > PCM > DAT> CDR with tweaks to the spectrum (Waves REQ 4-band), light compression (Waves R-Comp), slight warmth enhancement to the low-end (BBE2 lo-contour) and digitally maximized with the Waves L3 Multimaximizer.
|
notes
|
| 2013. |
05/19/74 |
Flac 16 - 0,
115876 |
Portland |
Portland Memorial Coliseum flac16; Source: Sony ECM18N mics>Sony 152SD deck; Recorded by Pat Lee; Lineage: MAC>R>R>C>WAV>FLAC; Transferred and Encoded by Cousinit
|
notes
|
| 2014. |
05/19/74 |
Shn - 0,
6957 |
Portland |
Portland Memorial Coliseum complete; Master Soundboard Reel > PCM > DAT> CDR; EAC'ed / SHN'ed by Scott Clugston
|
notes
|
| 2015. |
05/19/74 |
Shn - 0,
203 |
Portland |
Portland Memorial Coliseum SBDMR -> DAT; DAT -> CD -> EAC -> SHN; via A. Jerugim; 5/21: copy retracked on sector boundaries by J. Kempka; see public comments for detailed flaw notes
|
notes
|
| 2016. |
05/19/74 |
Flac 16 - 0,
106716 |
Portland |
Portland Memorial Coliseum flac16; Recording Info: Source 1: SBD -> Master Reel -> Cassette (Maxell XLII-S90/Sony D6/Dolby C); Source 2: SBD -> Master Reel -> Cassette -> Dat -> CD (shnid=6957); Source 3: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Source 1: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Source 2: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Source 3: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 2017. |
05/19/74 |
Flac 16 - 0,
107165 |
Portland |
Portland Memorial Coliseum flac16; Recording Info: Source 1: SBD -> Master Reel -> Cassette (Maxell XLII-S90/Sony D6/Dolby C) Source 2: SBD -> Master Reel -> Cassette -> Dat -> CD (shnid=6957) Source 3: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Source 1: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 2: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 Source 3: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2018. |
05/21/74 |
Flac 16 Mtx - 0,
109887 |
Seattle |
Edmundson Pavilion, University Of Washington flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 2019. |
05/21/74 |
Flac 16 Mtx - 0,
87114 |
Seattle |
Edmundson Pavilion, University Of Washington flac16; Matrix 2 Source Mix - SBD (shn id 2597) MSR>C>Dats>CD>EAC>SHN>.WAV + AUD (shn id 10150) AudMC > WAV > SHN - matrix mixing by Kevin Tobin
|
notes
|
| 2020. |
05/21/74 |
Flac 16 - 0,
98822 |
Seattle |
Edmundson Pavilion, University Of Washington flac16; Recording Info: Sony ECM18N -> Cassette Master (Sony 152SD) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Pat Lee
|
notes
|
| 2021. |
05/21/74 |
Flac 16 - 0,
114321 |
Seattle |
Edmundson Pavilion, University Of Washington flac16; Updated source: Audience recording by Don Amick; Transcription Pathway: Maxell XLII-90 cassettes (unknown generation) ? Nakamichi DRAGON (no Dolby, EQ 120 µsec) ? ADC Sound Shaper Two Mk II stereo frequency equalizer ? Edirol UA-5 T-MOD PLUS (custom-modified by the Oade Brothers) (driven by MME, in advanced mode; set to Red Book Standard for LPCM streaming) ? USB 2.0 ? Audacity 1.2.6 (set to 32-bit float/44.1kHz resolution for recording LPCM stream; set to Red Book Standard and, with snap-to on, to cdda min:sec:frames 75 fps for cutting tracks on sector boundaries and exporting them as .wav’s); Transcribed by George M. Prescott Jr. on October 14, 2010
|
notes
|
| 2022. |
05/21/74 |
Flac 16 - 0,
87143 |
Seattle |
Edmundson Pavilion, University Of Washington flac16; Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony (patched version of shn id 10150 see info file for details)
|
notes
|
| 2023. |
05/21/74 |
Flac Dts 5.1 - 0,
87124 |
Seattle |
Edmundson Pavilion, University Of Washington DTS Audio 5.1; SBD (shn id 2597) MSR>C>Dats>CD>EAC>SHN>.WAV> Samplitude2496 + AUD (shn id 10150) AudMC > WAV > SHN - dts mixing by Kevin Tobin
|
notes
|
| 2024. |
05/21/74 |
Shn - 0,
1347 |
Seattle |
Edmundson Pavilion, University Of Washington S:MR > cassette > DAT > CD > EAC > SHN, except Playing In The Band, which is S:MR > DAT > CD > EAC > SHN, with 26 seconds of aud patched in; DAE/SHN by Seth Kaplan, upload by G.S. Hamilton; see info file for misc notes; previously uncirculated; note offbeat tracking- see pub comment
|
notes
|
| 2025. |
05/21/74 |
Flac 24 - 0,
89901 |
Seattle |
Edmundson Pavilion, University Of Washington flac24; Recording Info: Sony ECM18N -> Cassette Master (Sony 152SD) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T -> Samplitude Professional v10.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Pat Lee
|
notes
|
| 2026. |
05/21/74 |
Shn - 0,
2597 |
Seattle |
Edmundson Pavilion, University Of Washington MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496: retracked, normalized (added +1.8 dB) > SHN; Playin' has no Cassette gen, and is patched w/26 sec of AUD at reel flip; remastered version of previous shn set, courtesy Josh Belkin
|
notes
|
| 2027. |
05/21/74 |
Shn - 0,
22801 |
Seattle |
Edmundson Pavilion, University Of Washington MSR> C> Dats> CD> EAC> SHN> WAV> Samplitude2496 (shn id 2597) patched with AudMC > WAV > SHN (10150) via Charles Wier
|
notes
|
| 2028. |
05/21/74 |
Shn - 0,
10150 |
Seattle |
Edmundson Pavilion, University Of Washington AudMC > WAV > SHN Sony ECM18N mics > Sony 152SD deck recorded by Pat Lee, hand held mics in right balcony; via David Minches; Seeded to etree by Noah Weiner
|
notes
|
| 2029. |
05/21/74 |
Flac 16/48 - 0,
150950 |
Seattle |
Edmundson Pavilion, University Of Washington flac16/48khz Source Info: Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 2030. |
05/21/74 |
Flac 24/96 - 0,
150951 |
Seattle |
Edmundson Pavilion, University Of Washington flac24/96khz Source Info: Pat Lee's Master Audience Cassettes; Sony ECM18N mics (hand held, right balcony) > Sony 152SD Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 2031. |
05/25/74 |
Shn - 0,
205 |
Santa Barbara |
Campus Stadium, UCSB MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn; via Jonathan Miller, Adam Roux; David Hollister reports problems on USB track
|
notes
|
| 2032. |
05/25/74 |
Flac 16 Mtx - 0,
111432 |
Santa Barbara |
Campus Stadium, UCSB flac16; Matrix: 60%sbd/40% aud; Sources: Master Soundboard Reel > Dick Latvala's Cassette > DAT > mastered to CD-R on an HHB CDR-850 > .shn (shnid 2635) Originally seeded to phlash.etree.org by Johnathan Miller. FOB Audience Recording by Jeremy Witt (shnid 111301) Preserved in posterity for 36 years by Jay Abrams (jra-sm) Recording Equipment: Sony TC-152, Sony Mics, BASF 120 minute cassettes, Dolby B Analog to Analog Transfer June 1974: Sony TC-152 -> Teac 1230 - Scotch 150, 7" Reels at 3 3/4 ips Transfer by Jim Blackwood Dec 23 2010 Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion TLH for FLAC8 SBE Free
|
notes
|
| 2033. |
05/25/74 |
Flac 16 - 0,
111301 |
Santa Barbara |
Campus Stadium, UCSB flac16; Recording Info: FOB Audience Recording by Jeremy Witt Preserved in posterity for 36 years by Jay Abrams (jra-sm) Recording Equipment: Sony TC-152, Sony Mics, BASF 120 minute cassettes, Dolby B Analog to Analog Transfer June 1974: Sony TC-152 -> Teac 1230 - Scotch 150, 7" Reels at 3 3/4 ips Transfer by Jim Blackwood Dec 23 2010 Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion TLH for FLAC8 SBE Free
|
notes
|
| 2034. |
05/25/74 |
Shn - 0,
2635 |
Santa Barbara |
Campus Stadium, UCSB MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850> .shn DAE/reSHN of shn id 205 shn set, via Doug Moog. David Hollister reports problems on USB track
|
notes
|
| 2035. |
05/25/74 |
Flac 16 - ,
162440 |
Santa Barbara |
Campus Stadium, UCSB flac16; Soundboard Reel >DAT >CDR >FLAC Trade DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o by OldNeumanntapr
|
notes
|
| 2036. |
06/08/74 |
Flac 16 - 0,
97268 |
Oakland |
Oakland-Alameda County Coliseum b>flac16; Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC; Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; Re-mastered By Charlie Miller
|
notes
|
| 2037. |
06/08/74 |
Flac 16 - 0,
97182 |
Oakland |
Oakland-Alameda County Coliseum flac16; Set 1 & encores MR>R(JG)>R(WB & Pat Lee)@ 3 3/4 ips. Set 2 Lineage: MR>DAT Transfer info: Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs on the GEMS Edit Station>Trac'ed Cdwave Flac'ed level 8 TLH
|
notes
|
| 2038. |
06/08/74 |
Flac 16 Mtx - 0,
135277 |
Oakland |
Oakland-Alameda County Coliseum flac16; 2 source matrix by Dusborne; Soundboard (shnid:97268), Recording Info: Set 1 + Encores: SBD -> Master Reel -> Reel -> Reel -> Wavelab -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Wavelab -> FLAC, Re-Mastering Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC, Re-mastered By Charlie Miller; Audience (shnid:94596), FOB Master Cassettes (MAC), Analog Lineage: 1 x Sony ECM250 => Sony TC-110 >> MAC, Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96],Mastering: WAV 24/96 > Audition 3.0 > Wavelab 5.0 > Izotope Ozone3(dithering) > CDWave > TLH > Flac 2496, Taped By: Louis Falanga, Transfer By: Bob Menke, Mastering By: Paul Gilbert
|
notes
|
| 2039. |
06/08/74 |
Shn - 0,
2365 |
Oakland |
Oakland-Alameda County Coliseum Master Audience Reel > Reel to Reel > PCM > DAT, plus Master Soundboard Reel > DAT (Playin' > Wharf Rat> Playin', plus Eyes); mastered and seeded by Scott Clugston with thanks to Skankweed; d3 tracked for 80 min; Ship cut on master
|
notes
|
| 2040. |
06/08/74 |
Flac 24 - 0,
94596 |
Oakland |
Oakland-Alameda County Coliseum flac24; Analog Lineage: 1 x Sony ECM250 => Sony TC-110 >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> Audition 3.0 >> Wavelab 5.0 >> Izotope Ozone3(dithering) >> CDWave Taped By: Louis Falanga Transfer By: Bob Menke Mastering By: Paul Gilbert Tagged By: Jeff Thomas
|
notes
|
| 2041. |
06/08/74 |
Flac 16 - 0,
94594 |
Oakland |
Oakland-Alameda County Coliseum flac16; Analog Lineage: 1 x Sony ECM250 => Sony TC-110 >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> Audition 3.0 >> Wavelab 5.0 >> Izotope Ozone3(dithering) >> CDWave >> TLH >> Flac 1644 Taped By: Louis Falanga Transfer By: Bob Menke Mastering By: Paul Gilbert Tagged By: Jeff Thomas
|
notes
|
| 2042. |
06/16/74 |
Shn - 0,
26452 |
Des Moines |
Des Moines State Fair Grandstand mixed SBD sources: Set 1: MSR> C> DAT> CD Set 2 & 3: MSC> DAT> CD (except for patch in Wharf Rat which is MSR> ?> DAT> CD), lineage reported by Andy Lemieux; assembled/fixed by Sean Cribbs from Alan Fink's, Steve Windsor's and Andy's source material (see notes in txt)
|
notes
|
| 2043. |
06/16/74 |
Shn - 0,
207 |
Des Moines |
Des Moines State Fair Grandstand SBD (could be MR> C> D); complete version via M. Bryan, G. Hamilton; Bertha- splice @ 4:04- serious mix problems prior to this; Sugaree- MR flip @ 3:59; Playin'- d/o @0:01, d/o @3:16; T.Jed- <1 sec. digi-noise @0:02; W.Rat- MR flip @2:50
|
notes
|
| 2044. |
06/16/74 |
Shn - 0,
17701 |
Des Moines |
Des Moines State Fair Grandstand S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself
|
notes
|
| 2045. |
06/16/74 |
Flac 24/96 - 0,
136659 |
Des Moines |
Des Moines State Fair Grandstand flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger
|
notes
|
| 2046. |
06/16/74 |
Flac 16 - 0,
136660 |
Des Moines |
Des Moines State Fair Grandstand flac16; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger
|
notes
|
| 2047. |
06/16/74 |
Flac 16/48 - 0,
136709 |
Des Moines |
Des Moines State Fair Grandstand flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=17701) S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself + AUD (shnid=136659) flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger - mixing by Kevin Tobin
|
notes
|
| 2048. |
06/16/74 |
Flac Dts 5.1 - 0,
136707 |
Des Moines |
Des Moines State Fair Grandstand DTS-Audio-CD 5.1 Mix; SBD (shnid=17701) S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself + AUD (shnid=136659) flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger - DTS mixing by Kevin Tobin
|
notes
|
| 2049. |
06/16/74 |
Flac 16 Mtx - 0,
136706 |
Des Moines |
Des Moines State Fair Grandstand flac16; Matrix 2 Source Mix - SBD (shnid=17701) S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details; Note- This shn set was submitted by Alan Fink himself + AUD (shnid=136659) flac24; source: aud cassette master; taped by Mark Owen; 100 feet from stage, center, sears & robuck tape recorder w/built in mic(s); nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger - matrix mixing by Kevin Tobin
|
notes
|
| 2050. |
06/16/74 |
Shn - 0,
15781 |
Des Moines |
Des Moines State Fair Grandstand S : MR > DAT > CDR > EAC > SHN; Editing by Alan J Fink; See info file for details
|
notes
|
| 2051. |
06/16/74 |
Flac 16 - 0,
143135 |
Des Moines |
Des Moines State Fair Grandstand flac16; Partial Show Source: SBD > MR > Dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 >wav 16/48 - Transferred by Charlie Miller; Lineage: wav 16/48 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered by SIRMick
|
notes
|
| 2052. |
06/18/74 |
Flac 16 - 0,
89690 |
Louisville |
Freedom Hall flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> SHN -> Cool Edit Pro -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 2053. |
06/18/74 |
Shn - 0,
18150 |
Louisville |
Freedom Hall Bertha Remaster of the digitized Master Reel source. SBD>>MR>>DAT>>ZA2>>SHN>>DAW(Bertha) - Sound A
|
notes
|
| 2054. |
06/18/74 |
Flac 16 - 0,
32528 |
Louisville |
Freedom Hall flac16; Speed Corrected Version of the SBD>MR>1 cass>DAT>ZA2>SHN source Additional lineage for this version: SHN (id=209) > WAV > Cool Edit Pro (see notes) > FLAC(8)
|
notes
|
| 2055. |
06/18/74 |
Shn - 0,
209 |
Louisville |
Freedom Hall SBD> MR>1 cass> DAT> ZA2> SHN; newly circulating crisp version); via D. Sacks, D. Hollister; note d3t2 was bad 11/5, fixed 11/8
|
notes
|
| 2056. |
06/20/74 |
Shn - 0,
2179 |
Atlanta |
The Omni Master 7", 2 track Soundboard Reel > Cassette > DAT > CDR; uploaded by Scott Clugston; via "the usual"; to abgd, later to etree; note d1 tracked for 80 min
|
notes
|
| 2057. |
06/20/74 |
Flac 16 - 0,
105427 |
Atlanta |
The Omni flac16; Recording Info: SBD > MR > Cassette > DAT > CD; Transfer Info: CD > Soundforge 8 to retrack and eliminate dead air-no music was cut! > Flac 16. Sourced from shnid 2179
|
notes
|
| 2058. |
06/20/74 |
Shn - 0,
211 |
Atlanta |
The Omni Set II, E; SBD reel -> ??? -> CD; t4 8:50 small reel blip; via D. Finney; additional source info not forthcoming
|
notes
|
| 2059. |
06/22/74 |
Flac 16 Mtx - 0,
106179 |
Miami |
Jai-Alai Fronton flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 2060. |
06/22/74 |
Flac 16 - 0,
90200 |
Miami |
Jai-Alai Fronton flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 2061. |
06/22/74 |
Flac 24 - 0,
106156 |
Miami |
Jai-Alai Fronton flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC24)
|
notes
|
| 2062. |
06/22/74 |
Shn - 0,
212 |
Miami |
Jai-Alai Fronton MR> C> DAT2> CDR3> EAC> SHN; via Darrin Sacks
|
notes
|
| 2063. |
06/22/74 |
Shn - 0,
30972 |
Miami |
Jai-Alai Fronton SBDMR> CASS> DAT> CD> EAC> SHN> DC6> CD; THE OWEN BROTHERS VAULT; Editing and Mastering by The Wizard
|
notes
|
| 2064. |
06/22/74 |
Shn - 0,
30999 |
Miami |
Jai-Alai Fronton Source: AUD>CASS>DAT>WAV>SHN>DC5>WAV>SHN ; THE OWEN BROTHERS VAULT ; mastering of SHNid=14193; Editing and Mastering by The Wizard
|
notes
|
| 2065. |
06/22/74 |
Shn - 0,
14193 |
Miami |
Jai-Alai Fronton AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen, December 2002 DAT > SHN/CD by Noah Weiner (noahbw@attbi.com) December, 2002 Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach Montego II Digital I/O > Soundforge (wav editing and track ids) > SHNTOOL (SBE fix) > MKW (shn)
|
notes
|
| 2066. |
06/22/74 |
Flac 24/96 - 0,
105825 |
Miami |
Jai-Alai Fronton flac24; akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seed by Rob Berger; lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac
|
notes
|
| 2067. |
06/22/74 |
Flac 16 - 0,
140873 |
Miami |
Jai-Alai Fronton flac16; Soundcheck Recording Info: Soundboard > ?? > PCM (16 bit) (Sony HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 2068. |
06/22/74 |
Flac 16 - 0,
145646 |
Miami |
Jai-Alai Fronton flac16; akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seed by Rob Berger; lineage: aud>akg d1000e's>sony tc-152sd (3)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac; This file set is 16 bit @ 44.1
|
notes
|
| 2069. |
06/22/74 |
Flac 16 - 0,
83488 |
Miami |
Jai-Alai Fronton flac 16; Sick Bits Vol. 21a - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=212) + AUD (shnid=14193). Matrixed by Chris Chappell
|
notes
|
| 2070. |
06/22/74 |
Flac 16 - 0,
148680 |
Miami |
Jai-Alai Fronton flac16; source: aud cassette master; taped by Jerry Moore; new "master" created with the original shn #105825 files; Work done in ProTools LE with final eq tweaks in ocenaudio; see info file for details
|
notes
|
| 2071. |
06/23/74 |
Flac 16 Mtx - 0,
105983 |
Miami |
Jai-Alai Fronton flac16; Matrix By Hunter Seamons Using Final Cut Pro (flac24 & Shn>aiff>final Cut>wav>flac16)
|
notes
|
| 2072. |
06/23/74 |
Flac 16 Mtx - 0,
83489 |
Miami |
Jai-Alai Fronton flac 16; Sick Bits Vol. 21b - SBD/AUD Matrix of 2 previously circulating sources: SBD (shnid=213) + AUD (shnid=14265). Matrixed by Chris Chappell.
|
notes
|
| 2073. |
06/23/74 |
Flac 16 - 0,
116312 |
Miami |
Jai-Alai Fronton flac16; sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith
|
notes
|
| 2074. |
06/23/74 |
Flac 16 - 0,
84615 |
Miami |
Jai-Alai Fronton flac16; source: aud cassette master akg d1000e's>Sony TC-152 taped by Jerry Moore lineage: aud c.m.>dat>cdr>eac>cd wave>flac transfered by Rob Berger '99, tracking by John Tallmadge
|
notes
|
| 2075. |
06/23/74 |
Flac 24 - 0,
105867 |
Miami |
Jai-Alai Fronton flac24:Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & SHN>AIFF>Final Cut>WAV>FLAC24)
|
notes
|
| 2076. |
06/23/74 |
Shn - 0,
96890 |
Miami |
Jai-Alai Fronton AudMC > DAT>CD>DC6>CD Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT, DAT > SHN/CD Editing and Mastering by The Wizard, see info file for details
|
notes
|
| 2077. |
06/23/74 |
Shn - 0,
7894 |
Miami |
Jai-Alai Fronton AUD MR> R> DAT/1> HD> SHN> CD; recorded by Neil Merin - unknown mics > Uhrer 5" master reel; A>D transfer by Noah Weiner; includes SBD-sourced encore
|
notes
|
| 2078. |
06/23/74 |
Flac 16 Mtx - 0,
122270 |
Miami |
Jai-Alai Fronton flac16; Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin
|
notes
|
| 2079. |
06/23/74 |
Flac 24 - 0,
105755 |
Miami |
Jai-Alai Fronton flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010
|
notes
|
| 2080. |
06/23/74 |
Shn - 0,
30846 |
Miami |
Jai-Alai Fronton Remaster of sbd w/ aud patches by Owens Brothers
|
notes
|
| 2081. |
06/23/74 |
Flac Dts 5.1 - 0,
122271 |
Miami |
Jai-Alai Fronton DTS-Audio-CD 5.1 Mix; SBD (shn id 116312) sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD2 (shnid = 105755) aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - dts mixing by Kevin Tobin
|
notes
|
| 2082. |
06/23/74 |
Shn - 0,
213 |
Miami |
Jai-Alai Fronton SBD, with patches (see updated info file for details, including about "blank" tracks); "painstakingly complete" version assembled by J. Belkin; also see additional comments from D. Sacks: contrary to original info file, primary SBD was not subject to NR; report from Skank: only discs 1&2 were posted? to abgd at first, fixed d3 before completing; to etree via A. Stern 2/2; pre-fixed d3 may have been etreed earlier- note fixed d3 has 10 tracks
|
notes
|
| 2083. |
06/23/74 |
Shn - 0,
14265 |
Miami |
Jai-Alai Fronton AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON.
|
notes
|
| 2084. |
06/23/74 |
Flac 24 Mtx - 0,
122269 |
Miami |
Jai-Alai Fronton flac24; Matrix 3 Source Mix - SBD1 (shn id 116312)sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith + SBD2 (shn id 16780) MSR>DAT>CD w/ MAC>DAT patches + AUD1 (shnid 105755) flac24; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010 - matrix mixing by Kevin Tobin
|
notes
|
| 2085. |
06/23/74 |
Flac 16 - 0,
145674 |
Miami |
Jai-Alai Fronton flac16; aud cassette master, akg d1000e's>sony tc-152, taped by Jerry Moore, transfer/seeded by Rob Berger new 24 bit transfer ~ 1/31/2010; 16 bit 44.1 khz version
|
notes
|
| 2086. |
06/23/74 |
Shn - 0,
16780 |
Miami |
Jai-Alai Fronton MSR>DAT>CD w/ MAC>DAT patches
|
notes
|
| 2087. |
06/23/74 |
Flac 16 - 0,
122255 |
Miami |
Jai-Alai Fronton flac16; sbd>?>cd Mastered via the Apogee mini me>Mini DAC>FLAC Transfer and Mastering by: Matt Smith - Patched and speed corrected version of shnid 116312 by Kevin Tobin
|
notes
|
| 2088. |
06/23/74 |
Flac 16 - 0,
148679 |
Miami |
Jai-Alai Fronton flac16; source: aud cassette master; taped by Jerry Moore; new "master" created from the original files from shn #105755; Work done in ProTools LE with final eq tweaks in ocenaudio; see info file for details
|
notes
|
| 2089. |
06/26/74 |
Flac 16 Mtx - 0,
119613 |
Providence |
Providence Civic Center flac16; 2 source matrix: Soundboard (shnid=00214): Source for disc 1: SBD>MR>C>DAT>CDR; Source for discs 2,3: MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2) and Audience (shnid=105919): source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd, (3)maxell ud-120's, dolby b nak dragon>hd-p2 24/96>cd wave>flac
|
notes
|
| 2090. |
06/26/74 |
Shn - 0,
214 |
Providence |
Providence Civic Center MSR > Reel > 4xDAT > CDR (HHB CDR-850) > SHN (EACx2); seeded by J. Oleynick; note original d1 contains some static blemishes from 'River through Row Jimmy; fixed d1 provided by S. Agan, 2/28, with different source info: SBD> MR> C> DAT> CDR; note most of set II is available as Dick's 12- go buy it
|
notes
|
| 2091. |
06/26/74 |
Flac 16 - 0,
136648 |
Providence |
Providence Civic Center flac16; source: aud cassette master; taped by Jimmy Cooper; sony ecm22p’s > hitachi trq-232; nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger
|
notes
|
| 2092. |
06/26/74 |
Flac 24/96 - 0,
136647 |
Providence |
Providence Civic Center flac24; source: aud cassette master; taped by Jimmy Cooper; sony ecm22p’s > hitachi trq-232; nakamichi dragon > benchmark adc1 24/96; transfer & seeded by Rob Berger
|
notes
|
| 2093. |
06/26/74 |
Shn - 0,
16ß37 |
Providence |
Providence Civic Center AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoding by Noah Weiner, gdADT Round 17. Complete with Seastones.
|
notes
|
| 2094. |
06/26/74 |
Flac 16 - 0,
140081 |
Providence |
Providence Civic Center flac16; Recording Info: SBD > Master Reel > Dat (Panasonic SV-3800/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
notes
|
| 2095. |
06/26/74 |
Flac 24 - 0,
105919 |
Providence |
Providence Civic Center flac24; aud cassette master, 24 bit transfer, rec. by Jerry Moore, transfer/seed by Rob Berger
|
notes
|
| 2096. |
06/26/74 |
Flac 16 Mtx - 0,
149947 |
Providence |
Providence Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 140081 & 105919
|
notes
|
| 2097. |
06/26/74 |
Flac 16/44 - 0,
151833 |
Providence |
Providence Civic Center flac16/44 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Brian Mandel gdplusmore@aol.com Master Cassette Nakamichi BX-150 Transfer->Nakamichi BX300 Cassette Maxell XL11-S90 x3 circa 1984 Wave/ Flac Conversion & Editing 2-20-21 Brian Mandel gdplusmore@aol.com Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLH->Flac Edits Tape Flips - Audacity
|
notes
|
| 2098. |
06/28/74 |
Shn - 0,
10984 |
Boston |
Boston Garden et 1; SBD> MR> DAT> Sonic Solutions> CD> ?> EAC> SHN; EAC'ed / SHN'ed by Tom Snider, Jr., with thanks to Jeff Cook; other material from show is featured on Dick's Picks 12 itself, go buy it
|
notes
|
| 2099. |
06/28/74 |
Shn - 0,
16038 |
Boston |
Boston Garden complete; AudMC > WAV > CD > EAC > SHN recorded by Jerry Moore near the rear of the floor, close to center axis with Sony ECM-99 Stereo mic (on metal pole) > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. A > D by David Minches, encoded by Noah Weiner gdADT Round 18
|
notes
|
| 2100. |
06/28/74 |
Flac 24 - 0,
106003 |
Boston |
Boston Garden flac24; source: aud cassette master taped by Jerry Moore lineage: aud>sony ecm99 stereo mic>sony tc-152sd (2)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 2/11/10
|
notes
|
| 2101. |
06/28/74 |
Flac - 0,
139780 |
Boston |
Boston Garden flac16; Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Samplitude Professional v11.1 > FLAC/16; All Transfers and Mastering by Charlie Miller
|
notes
|
| 2102. |
06/28/74 |
Flac 16 Mtx - 0,
149954 |
Boston |
Boston Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 139780 & 106003.
|
notes
|
| 2103. |
06/28/74 |
Flac 16/44 - ,
154913 |
Boston |
Boston Garden flac1644; Partial Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2021
|
notes
|
| 2104. |
06/30/74 |
Flac 16 - 0,
96275 |
Springfield |
Springfield Civic Center flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2105. |
06/30/74 |
Flac 16 Mtx - 0,
97185 |
Springfield |
Springfield Civic Center flac16; SBD + AUD Matrix Mix (65%/SBD + 35%/AUD) from SBD (shnID = 96275) Recording Info: SBD > Master Reel > CD and AUD (shnID = 15537) AudMC > DAT > WAV > SHN
|
notes
|
| 2106. |
06/30/74 |
Shn - 0,
216 |
Springfield |
Springfield Civic Center SBD> MR> cass> DATx2> ZA2> CDRx1> EAC> SHN; via Andy, Tiedrich, Skank, A. Stern; to abgd and etree
|
notes
|
| 2107. |
06/30/74 |
Shn - 0,
17814 |
Springfield |
Springfield Civic Center SBDMR > DATx2 > CD > SHN > WAV > SHN; Soundboard: DAT > CD > SHN transfer by Dan Lynch; Final editing and AUD patching by Noah Weiner
|
notes
|
| 2108. |
06/30/74 |
Flac 16 Mtx - 0,
89998 |
Springfield |
Springfield Civic Center flac16; Set 2 only, Matrix of the following sources: sbd: mr > datx2 > cd > shn > wav > shn (shnid 17814) and aud: mc > dat > wav > shn (shnid 15537). This source fixed a flaw in d2t04 of shn id 82179
|
notes
|
| 2109. |
06/30/74 |
Flac 16 Mtx - 0,
82179 |
Springfield |
Springfield Civic Center flac16; Set II matrix sources: sbd: mr > datx2 > cd > shn > wav > shn (shnid 17814) and aud: mc > dat > wav > shn (shnid 15537)
|
notes
|
| 2110. |
06/30/74 |
Shn - 0,
15537 |
Springfield |
Springfield Civic Center AudMC > DAT > WAV > SHN Recorded by Jerry Moore, 1st level off floor, audience right, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT by Mark Cohen encoding Noah Weiner gdADT Round #16
|
notes
|
| 2111. |
06/30/74 |
Shn Dts 5.1 - 0,
97225 |
Springfield |
Springfield Civic Center DTS Audio 5.1; DTS-Audio-CD 5.1 Mix of SBD (shnID = 96275) Recording Info: SBD > Master Reel > CD and AUD (shnID = 15537) AudMC > DAT > WAV > SHN
|
notes
|
| 2112. |
06/30/74 |
Flac 24/96 - 0,
106027 |
Springfield |
Springfield Civic Center flac24; source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger
|
notes
|
| 2113. |
06/30/74 |
Flac 24/96 - 0,
143331 |
Springfield |
Springfield Civic Center flac24; Source: Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018
|
notes
|
| 2114. |
06/30/74 |
Flac 16 - 0,
145132 |
Springfield |
Springfield Civic Center flac16; source: aud cassette master taped by Jerry Moore; lineage: aud>akg d1000e's>sony tc-152sd (4)maxell ud-120's, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac; transferred & seeded by Rob Berger; This file set is 16 bit @ 44.1
|
notes
|
| 2115. |
06/30/74 |
Flac 16 - 0,
145133 |
Springfield |
Springfield Civic Center flac16; Source: Sony ECM99 > Sony TC 152 SD > Cassette Master > Teac 2300 SD > Reel ( Maxell) - Taped By Jimmy Warburton from 50 feet back left of centre in general admission; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018; This file set is 16 bit @ 44.1
|
notes
|
| 2116. |
06/30/74 |
DvD 5.1 - 0,
97650 |
Springfield |
Springfield Civic Center DVD-Audio 5.1 Surround Sound (MLP Encoded 6ch x 16/44) Soundboard - Aud Matrix by Dan Haugh
|
notes
|
| 2117. |
06/30/74 |
Flac 16/44 - ,
155034 |
Springfield |
Springfield Civic Center flac1644; 1st Set, Source: Unknown mono AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell UD-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2021
|
notes
|
| 2118. |
07/19/74 |
Flac - 0,
32634 |
Fresno |
Selland Arena flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) Transfer Info: Dat -> Sound Forge 4.0 -> SHN (Jamie Lutch June 2001) Mastering Info: SHN -> Samplitude Professional v7.02 -> FLAC Mastering By Charlie Miller Patch Info: AUD>Cm>Cass>Cass>Dat>CD supplies patches in Row Jimmy and Playing In The Band. It also supplies all of Seastones and One More Saturday Night -- This copy does not have the NR that other patched copies have -- Thanks to Rob Eaton for supplying the source Dat
|
notes
|
| 2119. |
07/19/74 |
Flac - 0,
102866 |
Fresno |
Selland Arena flac 16 Source: Recorded by AS and friends with borrowed UC Santa Cruz AV gear; 2 Shure omni mics > Sony portable (152 possibly) cassette recorder; Nakamichi Dragon > Panasonic 3800 DAT > Apple G4 (Peak editing) > Xact; Pitch corrected -72 cents from master playb
|
notes
|
| 2120. |
07/19/74 |
Flac - 0,
102766 |
Fresno |
Selland Arena flac16; 2 Shure omni mics > Sony portable (152?) cassette recorder Nakamichi Dragon > Panasonic 3800 DAT > Apple G4 (Peak editing) > Xact; Recorded by AS and friends with borrowed UC Santa Cruz AV gear; upgrade now in circulation.
|
notes
|
| 2121. |
07/19/74 |
Shn - 0,
217 |
Fresno |
Selland Arena set 2 partial; MR> DAT> CDR; seed via D. Gans, D. Finney; md5s for shns and wavs given (complete show now in circulation (Upgrade now in circulatio
|
notes
|
| 2122. |
07/19/74 |
Flac Mtx. - 0,
103132 |
Fresno |
Selland Arena flac16; Matrix 60% sbd/40% aud (- 4dbs) sbd - shnid 32634 Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic SV3800/44.1k) aud - shnid 102866 Recorded by AS and friends with borrowed UC Santa Cruz AV gear 2 Shure omni mics > Sony portable (152?) cassette recorder Nakamichi Dragon > Panasonic 3800 DAT > Apple G4 (Peak editing) > Xact
|
notes
|
| 2123. |
07/19/74 |
Shn - 0,
12381 |
Fresno |
Selland Arena MSR > D > CD patched with MAC > C > C > D Mastering and patches by Dave Greenberg. SHN conversion by Jay Gerland (EAC/mkwACT). Project instigated and organized by Jim Powell. Additional patching by Tim Symons 7-29-02; Note- This is the previous shn set with the 'additional patching'. (Upgrade now in circulation.)
|
notes
|
| 2124. |
07/19/74 |
Shn - 0,
4596 |
Fresno |
Selland Arena complete; Master Reel> Cassette(1)> DAT@44.1K> DAT> WAV> Soundforge 4.0> CDWAV> SHN w/seek tables appended; DAT> WAV via Sony SDT-9000 DDS Drive using VDat DAT seed from Rob Eaton, DAT>SHN by Jamie Lutch, QC by dankseeds; see info file for flaw and editing notes; see pub comments for d2 md5 notes (Upgrade now in circulation.)
|
notes
|
| 2125. |
07/21/74 |
Flac - 0,
88979 |
Los Angeles |
Hollywood Bowl flac16; MOTB Release: 0056 16/44.1 Analog Audience Source: FOB Cassette (MAC) Analog Copy Instances: Reel 1 (R1) Medium Stock Brands: MAC = Sony C90 [CrO2], R1 = Maxell UD 35-90 Analog Lineage: 2 x Sony ECM-22P => Sony TC-152SD >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [3.75 IPS] >> R1 Analog Medium Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rob Bertrando R1 Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe
|
notes
|
| 2126. |
07/21/74 |
Shn - 0,
8102 |
Los Angeles |
Hollywood Bowl Sony ECM-22p > Sony TC-152 master cassette > reel > DAT > CDR; taper Rob Bertrando; via Andy Gustin, Tony Gardner; end of Scarlet cut
|
notes
|
| 2127. |
07/21/74 |
Shn - 0,
8241 |
Los Angeles |
Hollywood Bowl Rob Bertrando's Sony ECM-22P mics > Sony TC-152 Cassette Master; AudMC >Reel > DAT > CD; Seeded to etree by Noah Weiner
|
notes
|
| 2128. |
07/21/74 |
Flac - 0,
31436 |
Los Angeles |
Hollywood Bowl flac16; (FOB) Sony ECM-22P -> Cassette Master (Sony TC-152) -> Reel -> Dat All transfers and Remastering By Charlie Miller
|
notes
|
| 2129. |
07/21/74 |
Flac - 0,
88553 |
Los Angeles |
Hollywood Bowl flac16; Recording Info: (FOB) Sony ECM-22P -> Cassette Master -> Reel -> Dat; Around & Around through 1:03 of Truckin' supplied by RB's Master: (FOB) Sony ECM-22P -> Cassette Master (Sony TC-152/Sony CRO-90) Dat Transfer Info: Dat -> Samplitude Professional v9.11 -> FLAC Cassette Master Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.11 -> FLAC/16 Recorded By Rob Bertrando All Transfers and Mastering By Charlie Miller
|
notes
|
| 2130. |
07/21/74 |
Flac 24 - 0,
98033 |
Los Angeles |
Hollywood Bowl flac24 MOTB Release: 0056 24/96 Analog Audience Source: FOB Cassette (MAC) Analog Copy Instances: Reel 1 (R1) Medium Stock Brands: MAC = Sony C90 [CrO2], R1 = Maxell UD 35-90 Analog Lineage: 2 x Sony ECM-22P => Sony TC-152SD >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [3.75 IPS] >> R1 Analog Medium Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rob Bertrando R1 Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe
|
notes
|
| 2131. |
07/25/74 |
Shn - 0,
12656 |
Chicago |
International Amphitheater SBD -> Rm -> Dat -> Sonic Solutions -> CD seeded by Charlie Miller
|
notes
|
| 2132. |
07/25/74 |
Shn - 0,
1072 |
Chicago |
International Amphitheater SBD MR > CASS > DAT > CD; original seed via Jim Wise; via Jon Miller, Alan J. Fink, Greg Hamilton; see info file and addendum for notes
|
notes
|
| 2133. |
07/25/74 |
Flac 16 - ,
152924 |
Chicago |
International Amphitheater flac16 Source: SBD -> Vault Master Reel -> Dat -> Sonic Solutions -> CD Remastered by Jim Blackwood Pitch Correction by Jason Chastain
|
notes
|
| 2134. |
07/27/74 |
Flac - 0,
107804 |
Roanoke |
Roanoke Civic Center flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> SHN Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2135. |
07/27/74 |
Flac - 0,
132282 |
Roanoke |
Roanoke Civic Center flac16; Source: Audience Recording > AKG D200e's > Sony TCC152 SD > mac > rr > dat > cdr; Lineage: cdr > eac > wav > Adobe Audition 1.5 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 16
|
notes
|
| 2136. |
07/27/74 |
Flac Mtx. - 0,
136793 |
Roanoke |
Roanoke Civic Center flac16; 2 Source Matrix by Dusborne; Soundboard (Shnid:107804) Recording Info: SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info: SHN-> Adobe Audition v3.0-> Samplitude Professional v11.03-> FLAC; Audience (Shnid:132282) Source: Audience Recording > AKG D200e's > Sony TCC152 SD > mac > rr > dat > cdr,Lineage: cdr > eac > wav > Adobe Audition 1.5 > iZotope RX4 Advanced > iZotope 5 Advanced >CD Wave > TLH > Flac 16
|
notes
|
| 2137. |
07/27/74 |
Flac - 0,
132188 |
Roanoke |
Roanoke Civic Center flac16; unknown gen audience recording > ? > FLAC
|
notes
|
| 2138. |
07/27/74 |
Shn - 0,
2420 |
Roanoke |
Roanoke Civic Center SBD> MR> C> DAT> CDR; via Seth Kaplan
|
notes
|
| 2139. |
07/29/74 |
Flac Mtx - 0,
107756 |
Landover |
Capital Centre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut (2496) > AIFF CD tracking via Audacity [w/dither] > FLAC1644 via xAct)
|
notes
|
| 2140. |
07/29/74 |
Flac - 0,
107756 |
Landover |
Capital Centre flac16; Recording Info:SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2141. |
07/29/74 |
Flac - 0,
29482 |
Landover |
Capital Centre flac16; Sick Bits Vol. 8 - SBD/AUD Matrix of 2 previously circulating sources: (SBD - SHN ID# 2277, and AUD - SHN ID# 17968); edited and transfered by Chris Chappell
|
notes
|
| 2142. |
07/29/74 |
Flac 24 Mtx - 0,
108281 |
Landover |
Capital Centre flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC2496 & FLAC1644 > AIFF > Final Cut [2496] > tracking via Audacity > FLAC2496 via xAct)
|
notes
|
| 2143. |
07/29/74 |
Shn - 0,
2277 |
Landover |
Capital Centre SBD:MR> C1> DAT @ 48kHZ > Sony DAT deck PCM-R300 > coaxial s/pdif > pentium II 350 mHz via Turtle Beach "Fiji" soundcard > CoolEdit Pro > convert to 44.1kHz in CoolEdit Pro > Smart & Friendly CDR SCSI drive > CD; some diginoise was fixed, some smaller diginoise was not; tracked for 2x80 plus encore for filler elsewhere, but can fit on 3x74; via Teddy Good Bear, Doug Johnson to abgd
|
notes
|
| 2144. |
07/29/74 |
Flac 24 - 0,
106066 |
Landover |
Capital Centre flac24; source: aud cassette master taped by Jerry Moore lineage: aud>akg d1000e's>sony tc-152sd (2)tdk c-120sd's**, dolby b cassettes re-shelled nak dragon>hd-p2 24/96>cd wave>flac transferred & seeded by Rob Berger 2/14/10
|
notes
|
| 2145. |
07/29/74 |
Flac - 0,
123816 |
Landover |
Capital Centre flac16; Source: 2nd Set Mono AUD, 3rd Gen tape, kindly provided by Seaweed1010. Transfer: MX-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. Feb 2013
|
notes
|
| 2146. |
07/29/74 |
Shn - 0,
17968 |
Landover |
Capital Centre AudMC > DAT > WAV > SHN. Recorded by Jerry Moore(see notes), 1st level off floor, audience left, roughly center court with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON, Analog > DAT transfer by Mark Cohen, DAT > SHN/CD by Noah Weiner
|
notes
|
| 2147. |
07/31/74 |
Flac - 0,
32353 |
Hartford |
Dillon Stadium flac16; Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC
|
notes
|
| 2148. |
07/31/74 |
Flac Mtx - 0,
121836 |
Hartford |
Dillon Stadium flac16; SBD + AUD Matrix 2 Source Mix(45%-SBD/55%-AUD) SBD (shnid = 32353) Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC and AUD (shnid = 115499) source: aud 1st gen reel; master taped by Jim Anderson; lineage: aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac - matrix mixing by Kevin Tobin
|
notes
|
| 2149. |
07/31/74 |
Shn - 0,
7363 |
Hartford |
Dillon Stadium AudMC > 7" Reel > DAT > WAV > SHN; via Bill Degen; Noah Weiner
|
notes
|
| 2150. |
07/31/74 |
Flac - 0,
112951 |
Hartford |
Dillon Stadium flac16; The baseline used for this release: gd1974-07-31.1019 (SBDMR> DATx> CD> DAT> CD> EAC> SHN) I used Cool Edit 2000 to perform amplitude and EQ adjustments. EQ with Cool Edit 2000 by Phil Matera** philipmatera@optonline.net
|
notes
|
| 2151. |
07/31/74 |
Flac - 0,
115499 |
Hartford |
Dillon Stadium flac16; source: aud 1st gen reel; master taped by Jim Anderson; lineage: aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac
|
notes
|
| 2152. |
07/31/74 |
Flac 24 - 0,
136161 |
Hartford |
Dillon Stadium flac24; source: aud cassette master; taped by Jimmy & Laurie Cooper; sony ecm22p’s > hitachi trq-222; tdk sd-c90, (2)tdk ed-c90’s, 4 starr c-90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > xACT flac; power by furman p-2400; transfer & mastering - Rob Berger
|
notes
|
| 2153. |
07/31/74 |
Flac - 0,
136162 |
Hartford |
Dillon Stadium flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper; sony ecm22p’s > hitachi trq-222; tdk sd-c90, (2)tdk ed-c90’s, 4 starr c-90; nakamichi dragon > benchmark adc1 24/96 > mac > adobe audition cc > fission > 16/44.1 > xACT flac; power by furman p-2400; transfer & mastering - Rob Berger
|
notes
|
| 2154. |
07/31/74 |
Flac Dts 5.1 - 0,
121838 |
Hartford |
Dillon Stadium DTS-Audio-CD 5.1 Mix; SBD (shn id 32353) Recording Info: SBD -> Master Reel (7inch @ 7.5ips 1/2 Track) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.02 -> FLAC + AUD (shn id 115499) source: aud 1st gen reel; master taped by Jim Anderson; lineage: aud>binaural mics*on dumby head>sony tc-152 cassette master>playback on same tc-152>Teac A4010 SL 7" reel to reel @ 7.5 ips>cdr>eac>flac - dts mixing by Kevin Tobin
|
notes
|
| 2155. |
07/31/74 |
Shn - 0,
1019 |
Hartford |
Dillon Stadium SBDMR> DATx> CD> DAT> CD> EAC> SHN; via Ziggy, Jack Warner, Kirby "Chalupa" Bell, Darrin Sacks; see info file for minor anomalies
|
notes
|
| 2156. |
08/04/74 |
Flac Mtx - 0,
100653 |
Philadelphia |
Philadelphia Civic Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC16)
|
notes
|
| 2157. |
08/04/74 |
Shn - 0,
1631 |
Philadelphia |
Philadelphia Civic Arena SBD> MR> DAT> CDR; transfer by Stephen Agan; via Bob Allred to vines, offer; tracked differently from Sacks shn set, but with same AUD patches: in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia; see pub comments for additional notes
|
notes
|
| 2158. |
08/04/74 |
Shn - 0,
1574 |
Philadelphia |
Philadelphia Civic Arena MSR> DATs> CDRs> EAC> SHN; small aud patches in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia; via Bob Fishman, Darrin Sacks
|
notes
|
| 2159. |
08/04/74 |
Shn - 0,
9112 |
Philadelphia |
Philadelphia Civic Arena I: AudMC > DAT > WAV > SHN II: AudMC > R? > Beta Hi-Fi PCM > CASS > WAV > CD > EAC > SHN; Seeded to etree by Noah Weiner
|
notes
|
| 2160. |
08/04/74 |
Shn - 0,
20369 |
Philadelphia |
Philadelphia Civic Arena AUDMC > DAT > WAV > SHN Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Analog > DAT transfer by Mark Cohen DAT > SHN/CD by Noah Weiner
|
notes
|
| 2161. |
08/05/74 |
Shn - 0,
1826 |
Philadelphia |
Philadelphia Civic Arena MSR> C> C> DATs> CDRs> EAC, with AUD patches from Jerry's Moore's MC>D>CD (AKG D1000s>Sony TC-152); via Darrin Sacks
|
notes
|
| 2162. |
08/05/74 |
Flac 16 - 0,
108814 |
Philadelphia |
Philadelphia Civic Arena flac16; Source: MSR>C>C>DAT Conversion : DAT @ 48k - > HT OMega 7.1 Soundcard (Optical Inputs)>WAV (48)> Syntillium Cool Edit Downsample to 44.1 WAV>CD WAV (Track Split)>FLAC
|
notes
|
| 2163. |
08/05/74 |
Flac 16 Mtx - 0,
131660 |
Philadelphia |
Philadelphia Civic Arena flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:108814) MSR>C>C>DAT DAT @ 48k - > HT OMega 7.1 Soundcard (Optical Inputs)>WAV (48)> Syntillium Cool Edit Downsample to 44.1 WAV>CD WAV (Track Split)>FLAC; Audience (shnid:21294)AUDMC > DAT > WAV > SHN; Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck; Maxell UD-120 cassettes, with Dolby B ON
|
notes
|
| 2164. |
08/05/74 |
Shn - 0,
21294 |
Philadelphia |
Philadelphia Civic Arena AUDMC > DAT > WAV > SHN - Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON. Added to etree by Noah Weiner
|
notes
|
| 2165. |
08/05/74 |
Flac 16 - 0,
140873 |
Philadelphia |
Philadelphia Civic Arena flac16; Recording Info: Soundboard > ?? > PCM (16 bit) (Sony HG tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16. Note this originally circulated as a soundcheck for 6/22/1974 but was identified as the jam from 8/5/1974 and has been moved to the correct date.
|
notes
|
| 2166. |
08/05/74 |
Flac 16/44,1 - 0,
151039 |
Philadelphia |
Philadelphia Civic Arena flac16/44.1khz Recording Info: SBD > Reel Master (7in 7.5ips 1/2trk) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamkichi Dragon) > DAT (Panasonic SV-3800/48k) > Avid MBox Pro > Pro Tools 12 > WAV (44.1k)
|
notes
|
| 2167. |
08/06/74 |
Shn - 0,
1463 |
Jersey City |
Roosevelt Stadium ully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy"
|
notes
|
| 2168. |
08/06/74 |
Flac Mtx - 0,
126356 |
Jersey City |
Roosevelt Stadium flac16; 2 Source Matrix by dusborne; Soundboard (shnid:1463) MR > DAT > CD > Sonic Solutions > CD Circulation > Plextor SCSI 40x Reader > EAC and Audience (shnid:5914) MR>R>DAT>HD>Soundforge>SHN>CD; Recorded by Neil Merinu sing an unknown mic (mono) onto a Uhrer 5" reel deck. The end of the show plus other missing parts from Neil's tapes are supplied by Ihor Slabicky's recording (AUDMC>DAT>HD> Soundforge>SHN>CD)
|
notes
|
| 2169. |
08/06/74 |
Flac - 0,
135847 |
Jersey City |
Roosevelt Stadium flac16; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 xACT flac; transfer & seeded by Rob Berger
|
notes
|
| 2170. |
08/06/74 |
Flac 24 - 0,
135848 |
Jersey City |
Roosevelt Stadium flac24; source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger
|
notes
|
| 2171. |
08/06/74 |
Flac LPCM 5.1 - 0,
134934 |
Jersey City |
Roosevelt Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=1463) fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" + AUD (shn id 135848) source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger - mixing by Kevin Tobin
|
notes
|
| 2172. |
08/06/74 |
Flac Dts 5.1 - 0,
135930 |
Jersey City |
Roosevelt Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=1463) fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" + AUD (shn id 135848) source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger - DTS mixing by Kevin Tobin
|
notes
|
| 2173. |
08/06/74 |
Flac Mtx. - 0,
135929 |
Jersey City |
Roosevelt Stadium flac16; Matrix 2 Source Mix - SBD (shnid=1463) fully complete, with Scarlet AUD patch; MR > DAT > CD > Sonic Solutions > Gans CD> EAC> SHN; via the folks at Deadlists et al- a host of volunteers; see info file for credits and notes; "the ultimate copy" + AUD (shn id 135848) source: aud cassette master; taped by Jimmy & Laurie Cooper, & Arti; sony ecm22p’s > hitachi trq-222 > tdk-sd c90’s > nakamichi dragon > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transfer & seeded by Rob Berger - matrix mixing by Kevin Tobin
|
notes
|
| 2174. |
08/06/74 |
Shn - 0,
5914 |
Jersey City |
Roosevelt Stadium AUD (unknown mic) MR> R> DAT> HD> Soundforge> SHN> CD, recorded by Neil Merin; plus patches from Ihor Slabicky's AUD (see info file); A>D by Noah Weiner; via Audience Devotional Tree
|
notes
|
| 2175. |
08/06/74 |
Flac 16/44 - ,
166779 |
Jersey City |
Roosevelt Stadium flac1644; Recording info: Master reel > DAT (via Anon); Transfer info: Tascam DA-302 > Sound Devices 722 (digital transfer); Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel
|
notes
|
| 2176. |
09/09/74 |
Flac - 0,
32642 |
London |
Alexandra Palace Dick's Picks Vol 7 Outtakes by Sir Mick
|
notes
|
| 2177. |
09/09/74 |
Flac 16 - 0,
97013 |
London |
Alexandra Palace flac 16; Source: sbd > mr > dat (x2) > cdr > eac > mkwact > wav > flac
|
notes
|
| 2178. |
09/09/74 |
Shn - 0,
12846 |
London |
Alexandra Palace SBD>MR>DAT(X2)>CDR; Note- Missing 6 of last 8 songs; Seeded to etree by Sly_Wow
|
notes
|
| 2179. |
09/09/74 |
Flac 16 - 0,
|
London |
Alexandra Palace flac16; Partial SBD > ? > flac
|
notes
|
| 2180. |
09/09/74 |
Flac 16 - 0,
135655 |
London |
Alexandra Palace flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2181. |
09/09/74 |
Flac 16/44 - ,
154544 |
London |
Alexandra Palace flac16/44 Unknown audience with unknown lineage via Brian Flegel
|
notes
|
| 2182. |
09/10/74 |
Shn - 0,
18806 |
London |
Alexandra Palace Vault Soundboard Reels->Cassette->DAT->PCM->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano
|
notes
|
| 2183. |
09/10/74 |
Shn - 0,
11601 |
London |
Alexandra Palace SBD>?>CD; May be missing up to three first set songs; See info file for details; Note- Many tracks appear on DP7, Buy it here ; via Craig Reimer; Seeded to etree by Willy
|
notes
|
| 2184. |
09/10/74 |
Flac - 0,
135654 |
London |
Alexandra Palace flac16; Lineage: Vault Soundboard Reels->Cassette-> DAT->PCM->DAT
|
notes
|
| 2185. |
09/10/74 |
Flac - 0,
135699 |
London |
Alexandra Palace flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2186. |
09/11/74 |
Shn - 0,
12183 |
London |
Alexandra Palace Candelario Matrix MSR D CD except first 15:22 of Seastones (on Disc #2): AUD end of Sunshine Daydream and encore: AUD See info file for details; Mastering by Dave Greenberg; via Jed Distler; Seeded to etree by Jim Powell and Jay Gerland; See note in 'public comment' area regarding d3fix md5's
|
notes
|
| 2187. |
09/11/74 |
Flac - 0,
123207 |
London |
Alexandra Palace flac16; Partial SBD > Master Reel > DAT > Sonic Solutions > DAT > CD > FLAC
|
notes
|
| 2188. |
09/11/74 |
Flac - 0,
131901 |
London |
Alexandra Palace flac16; Recorded by unknown taper; Gen 2 Cassettes; Transferred on a NakCr7a
|
notes
|
| 2189. |
09/11/74 |
Shn - 0,
3190 |
London |
Alexandra Palace complete; SBD Reel master > DAT > CDR > EAC > SHN; Extraction and .shn encoding by Seth Kaplan; Slight retracking of discs 2 and 3 (CoolEdit/CDWav) and re-shn (v2) by G.S. Hamilton; to BUDD and etree; note parts of the run are on Dick's Picks 7- go buy it
|
notes
|
| 2190. |
09/11/74 |
Flac - 0,
132458 |
London |
Alexandra Palace flac16; 3 source matrix by Dusborne; Soundboard 1(Shnid:012183) Candelario Matrix MSR > D> CD; Soundboard 2(Shnid:121207) SBD > Master Reel > DAT > Sonic Solutions > DAT > CD > FLAC and Audience (Shnid:131901) unknown taper; Gen 2 Cassettes; Transferred on a NakCr7a
|
notes
|
| 2191. |
09/11/74 |
Shn - 0,
7365 |
London |
Alexandra Palace Jay Ashley (Bertha) remaster of Master Reel source; SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A
|
notes
|
| 2192. |
09/11/74 |
Shn - 0,
4647 |
London |
Alexandra Palace SBD (as previous shn set), with added AUD patches- see info file for details; patching by Hanno Bunjes, some cleanup by Alasdair; to BUDD offer; Hanno's notes; note d3 tracked for 80 min; note parts of the run are on Dick's Picks 7- go buy it
|
notes
|
| 2193. |
09/11/74 |
Flac - 0,
135802 |
London |
Alexandra Palace flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2194. |
09/11/74 |
Flac 16 - 0,
135883 |
London |
Alexandra Palace flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes the flaws in source ID 135802
|
notes
|
| 2195. |
09/14/74 |
Flac - 0,
28353 |
Munich |
Olympiahalle flac16; Set 2, plus Phil/Ned; SBD> Master Reel (7in @ 7.5ips 1/2tr)> Dat (3700/44.1k)> Dat (3800/44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
|
notes
|
| 2196. |
09/14/74 |
Flac - 0,
131395 |
Munich |
Olympiahalle flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:30653) Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; Transferred and Edited By Charlie Miller and Audience (shnid:9890) MAR > CD. This audience tape was mastered by Gerhard Schinzel from mid-floor using a Philips mic and a Telefunken reel deck. The reel masters were transferred to CD by Uli Teute and were re-mastered by Dave Greenberg
|
notes
|
| 2197. |
09/14/74 |
Flac - 0,
28353 |
Munich |
Olympiahalle flac16; Set 2, plus Phil/Ned; SBD> Master Reel (7in @ 7.5ips 1/2tr)> Dat (3700/44.1k)> Dat (3800/44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
|
notes
|
| 2198. |
09/14/74 |
Shn - 0,
9890 |
Munich |
Olympiahalle Philips mic> Telefunken reel deck, taper Gerhard Schinzel; master AUD reel > CD with "safety cass" patch in WRS, transferred to CD by Uli Teute and were re-mastered by Dave Greenberg; SHN conversion by Jay Gerland, with thanks to Jason Chastain; circulated via Deadlists Project; see listening notes in info file
|
notes
|
| 2199. |
09/14/74 |
Shn - 0,
6162 |
Munich |
Olympiahalle AUD MR> D> CD; via Hanno Bunjes; Sugar Magnolia has dropout (seems to be on all copies); Hanno's notes
|
notes
|
| 2200. |
09/14/74 |
Flac - 0,
32641 |
Munich |
Olympiahalle aud remaster by Sir Mick
|
notes
|
| 2201. |
09/18/74 |
Shn - 0,
20732 |
Dijon |
Parc Des Expositions Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN via Charlie Miller ((http://db.etree.org/shn/20675) with one track modified to remove a pop (see notes) by Matt Vernon
|
notes
|
| 2202. |
09/18/74 |
Flac 16 - 0,
32292 |
Dijon |
Parc Des Expositions flac16: **SOUNDCHECK ONLY** Lineage: SBD -> Master Reel -> Dat Transfer Info: Dat -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC Transferred and Mastered By Charlie Miller
|
notes
|
| 2203. |
09/18/74 |
Shn - 0,
20675 |
Dijon |
Parc Des Expositions Lineage: SBD -> Rm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) SHN'd By Charlie Miller from Pre-FM GDH Production Discs charliemiller87@earthlink.net 11/19/03
|
notes
|
| 2204. |
09/18/74 |
Shn - 0,
5807 |
Dijon |
Parc Des Expositions SBD > pre-FM master (reel?) > DAT CD, patched with SBD > master reel > PCM > DAT > CD > SoundForge >CD; pitch modified, plus other editing- see notes in info file; missing USB, Phil and Ned
|
notes
|
| 2205. |
09/18/74 |
Shn - 0,
21925 |
Dijon |
Parc Des Expositions Bertha Remaster of the master reel source. SBD>>MR>>DAT>>SS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B+
|
notes
|
| 2206. |
09/18/74 |
Shn - 0,
3398 |
Dijon |
Parc Des Expositions SBD> MR> ?> DAT> CDR> EAC> SHN; DAE(EAC) and SHN Encoding By Jeff M.; Phil & Ned and Encore are missing
|
notes
|
| 2207. |
09/20/74 |
Flac - 0,
131529 |
Paris |
Palais Des Sports flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2208. |
09/20/74 |
Shn - 0,
5648 |
Paris |
Palais Des Sports SBD > master reel > reel to reel > DAT > CD > SoundForge > CD; stemming from Marcello Gasperini?s and Julian's source material; see info file for various fixes and flaws; to a tree?, runs a bit slow? (see notes in info for companion 9/21/74 shns)
|
notes
|
| 2209. |
09/20/74 |
Flac 16/44 - ,
154273 |
Paris |
Palais Des Sports flac1644; 1st Set; Source: Unknown mono Lo-Fi AUD, rescued from ebay with thanks to John Petrunis. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2021
|
notes
|
| 2210. |
09/21/74 |
Flac - 0,
30654 |
Paris |
Palais Des Sports flac16; SBD -> Master Reel -> Reel -> Dat Transferred and Edited By Charlie Miller
|
notes
|
| 2211. |
09/21/74 |
Flac - 0,
131530 |
Paris |
Palais Des Sports flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2212. |
09/21/74 |
Shn - 0,
5649 |
Paris |
Palais Des Sports sets 2,3; SBD > master reel > reel to reel > DAT > CD > SoundForge > CD, plus patches; see info file for fixes and flaws; d2 tracked for 80 min; to a tree?; reportedly runs a bit fast; includes 1/24/69 filler
|
notes
|
| 2213. |
10/16/74 |
Flac 16 - 0,
90145 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 2214. |
10/16/74 |
Flac 16 Mtx - 0,
131539 |
San Francisco |
Winterland Arena flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:90145) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC and Audience (shnid:107036) Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 2 x Maxell UD C120; Analog Lineage: Sony ECM 250 >> Sony 110 (mono) >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Louis Falenga
|
notes
|
| 2215. |
10/16/74 |
Flac 16 - 0,
88180 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 2216. |
10/16/74 |
Flac 16 - 0,
88251 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 2217. |
10/16/74 |
Shn - 0,
12577 |
San Francisco |
Winterland Arena Source: Reel Master>Cassette>DAT>EAC 0.93b>MKWACT via JR Fishman
|
notes
|
| 2218. |
10/16/74 |
Shn - 0,
222 |
San Francisco |
Winterland Arena SBD: MR> R> C> D> CD> EAC> SHN, with Aud patches: Aud master> Rx2> C> D> CD; via A. Kowalski to BUDD and GDH-Trading; 10/22/67 filler; PITB split into 2 tracks at d/o removal (md5 version d2b); d2a.md5 likely reflects pre-split PITB and may not circulate
|
notes
|
| 2219. |
10/16/74 |
Flac 24/96 - 0,
137664 |
San Francisco |
Winterland Arena flac24; Set 2 Source: Master Audience Reel > Reel; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > CD Wave > TLH > flac24; edited and mastered SIRMick
|
notes
|
| 2220. |
10/16/74 |
Flac 16 - 0,
147663 |
San Francisco |
Winterland Arena flac16; Set 2 Source: Master Audience Reel > Reel; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > iZotope RX5 Advanced > wav 16/44.1 > CD Wave > TLH > flac16; edited and mastered SIRMick
|
notes
|
| 2221. |
10/16/74 |
Flac 16 - 0,
107036 |
San Francisco |
Winterland Arena b>flac16; Sony ECM 250 >> Sony 110 (mono) >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Louis Falenga
|
notes
|
| 2222. |
10/17/74 |
Flac 16 - 0,
99031 |
San Francisco |
Winterland Arena flac16; Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for SRC POWr3 Dither 16bit/44.1 kHz, TradersLilHelper for FLAC 8 SBE Free Tag&Rename for MetaData
|
notes
|
| 2223. |
10/17/74 |
Flac 24/96 - 0,
99032 |
San Francisco |
Winterland Arena flac24; Black Maxell UDII reel tape @ 3 3/4 ips.>Akai GX 636>Apogee Mini Me(24/96)>Apogee mini DAC(monitoring/mastering)>Lynx One soundcard>Wavelab 5.0>DVD, DVD-Audio 2496>DVD-A Explorer>Wavelab 6.1>GEMS Edit Station Weiss Saracon for POWr3 Dither 24bit/96 kHz, TradersLilHelper for FLAC 8 SBE Free Tag&Rename for MetaData
|
notes
|
| 2224. |
10/17/74 |
Shn - 0,
10360 |
San Francisco |
Winterland Arena MSR>DAT>CDR; Seeded to etree by Carl Royer
|
notes
|
| 2225. |
10/17/74 |
Shn - 0,
16189 |
San Francisco |
Winterland Arena MultiTrack Master Reel > DAT > Sonic Solutions > CD; see info file for notes; via Steve Barbella, Rich Danyko, Matt Vernon
|
notes
|
| 2226. |
10/17/74 |
Flac 24/96 - 0,
137630 |
San Francisco |
Winterland Arena flac24; Partial Set 1 & 2 Source: Room mics * > Master Audience Reel > Reel From The Debbie Stash; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > CD Wave > TLH > flac24; edited and mastered SIRMick
|
notes
|
| 2227. |
10/17/74 |
Flac 16/48 - 0,
140588 |
San Francisco |
Winterland Arena flac16/48kHz; Soundboard > 1st gen reel > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/48; Checksum & tags created in xACT
|
notes
|
| 2228. |
10/18/74 |
Flac - 0,
110771 |
San Francisco |
Winterland Arena flac16; Recording Info: Set 1: SBD -> Master Reel -> Reel -> Reel -> PCM -> Dat (44.1k); Set 2: SBD -> Master Reel -> Dat (44.1k); Set 3: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2229. |
10/18/74 |
Flac - 0,
110515 |
San Francisco |
Winterland Arena flac16; Bear's reel [1974] > a cassette made at bears house [1996] > mastering room capture in the analog domain in real time to digital [2010] no eq, limiting or compression or color was applied at any stage; Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell
|
notes
|
| 2230. |
10/18/74 |
Flac 24 - 0,
111459 |
San Francisco |
Winterland Arena flac24; Multi-track SBD reels > ? > reel > ? > FLAC; Presented by Jamie Waddell; A **GEMS** Production January 2011
|
notes
|
| 2231. |
10/18/74 |
Shn - 0,
22796 |
San Francisco |
Winterland Arena Bertha Remaster of the Master Reel and multi-gen Reel source; SBD>>MR>>MDAT(44.1k)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B to A+
|
notes
|
| 2232. |
10/18/74 |
Shn - 0,
21785 |
San Francisco |
Winterland Arena Set I : SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN Set II and III : SBD -> Reel Master -> Dat Master (44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN Transfered and Edited By Charlie Miller
|
notes
|
| 2233. |
10/18/74 |
Flac 24 - 0,
110558 |
San Francisco |
Winterland Arena flac24; Bear's reel [1974] > a cassette made at bears house [1996] > mastering room capture in the analog domain in real time to digital [2010] no eq, limiting or compression or color was applied at any stage; Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell
|
notes
|
| 2234. |
10/18/74 |
Shn - 0,
21213 |
San Francisco |
Winterland Arena SBD -> Reel Master -> Reel -> Reel -> PCM -> CD -> EAC -> SHN. SHN'd By Charlie Miller
|
notes
|
| 2235. |
10/18/74 |
Shn - 0,
225 |
San Francisco |
Winterland Arena set 2 (d1) seeded 3/00, set 3 (d2) seeded 4/00; SBD MR > PCM > DAT > CDR; via A. Fink, R. Nayfield, M. Ferguson; 12/26/69 filler; known flaws: d2 Cut in Promised Land @ 2:29, Filler Black Peter cuts after 2:06; note some material from show appears on album Steal Your Face- go buy it; see public commnets for flaw note on d2t5
|
notes
|
| 2236. |
10/18/74 |
Shn - 0,
5436 |
San Francisco |
Winterland Arena sets 2,3; SBD MR > PCM > DAT 44.1kHz > CD > shn; via Jack Romanski to gdlive
|
notes
|
| 2237. |
10/18/74 |
Shn - 0,
34950 |
San Francisco |
Winterland Arena Recording Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude -> CD -> EAC -> SHN All Transfers Done By Charlie Miller
|
notes
|
| 2238. |
10/19/74 |
Shn - 0,
221927 |
San Francisco |
Winterland Arena Recording Info: SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k) Transfer Info: Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) Patch Info: SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN Transfered and Edited By Charlie Miller charliemiller87@earthlink.net 1/14/04
|
notes
|
| 2239. |
10/19/74 |
Flac 24 - 0,
116341 |
San Francisco |
Winterland Arena flac24; Lineage:16 track "truck monitor mix">2 track mixdown reel(Garcia's)>R @ 3 3/4 ips.>FLAC Transferred by: Matt Smith
|
notes
|
| 2240. |
10/19/74 |
Flac 24 - 0,
112531 |
San Francisco |
Winterland Arena flac24; 24 bit 88.2kHz SBD Reel > cass Recorded by the Immortal Owsley Stanley;
|
notes
|
| 2241. |
10/19/74 |
Flac 24 - 0,
131694 |
San Francisco |
Winterland Arena flac24; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel > R @ 3 3/4 ips. > FLAC; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered October 2014 by Matt Smith
|
notes
|
| 2242. |
10/19/74 |
Flac 16 - 0,
131704 |
San Francisco |
Winterland Arena flac16; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel > R @ 3 3/4 ips > FLAC; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered October 2014 by Matt Smith
|
notes
|
| 2243. |
10/19/74 |
Flac 16 - 0,
112791 |
San Francisco |
Winterland Arena flac16; reel > cass recorded by Owsley Stanley cass > 24bit/88.2kHz by Blackwood/Waddell dithered/tracked by SteveSw
|
notes
|
| 2244. |
10/19/74 |
Flac 24 - 0,
116170 |
San Francisco |
Winterland Arena flac24; SBD Reel > cass Recorded by the Immortal Owsley Stanley; cass > 24bit/88.2kHz WAV by Blackwood/Waddell; WAV (shnid 112531) > CD Wave (remove "dead air" and split tracks) > FLAC (24/88) by Tim Keeler
|
notes
|
| 2245. |
10/19/74 |
Shn - 0,
227 |
San Francisco |
Winterland Arena SBD multitrack > DAT > CD; via A. Fink, M. Ferguson; known flaw: d3 Beginning of Sugar Magnolia is cut; note some material from show appears on album Steal Your Face- go buy it
|
notes
|
| 2246. |
10/19/74 |
Shn - 0,
228 |
San Francisco |
Winterland Arena SBD; via D. Finney, stemming from Frank's Picks tree- more info; note some material from show appears on album Steal Your Face- go buy it; see public comments for flaw notes
|
notes
|
| 2247. |
10/19/74 |
Flac 16 - 0,
139578 |
San Francisco |
Winterland Arena flac16; Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick
|
notes
|
| 2248. |
10/19/74 |
Flac 16 - 0,
140626 |
San Francisco |
Winterland Arena flac16; Source: sbd > 2nd gen cassette > dat (44.1k) - provided by Rich Gastwirt; Transfer: Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > Adobe Audion 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; This is a fixed version of source ID 139578
|
notes
|
| 2249. |
10/19/74 |
Flac 16/44 - 0,
152593 |
San Francisco |
Winterland Arena flac1644; Source: Unknown AUD from the collection of Rich Petrunis. Transfer: TDK Audua-90's (normal bias) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2021
|
notes
|
| 2250. |
10/20/74 |
Flac - 0,
84851 |
San Francisco |
Winterland Arena flac16; SBD>7" 1/2 track 7 1/2 IPS MR>DAT>3x>Delta DiO 2496>Soundforge 7.0>WAV>cdwave>Flac
|
notes
|
| 2251. |
10/20/74 |
Flac - 0,
97193 |
San Francisco |
Winterland Arena flac16; Lineage: Multitrack MR>2 track mixdown>?R>R>CD Transfer info: Apogee Mini ME 24/96>Apogee Mini DAC(monitoring)>Wavelab 5.0(dithered to 16/44)>CD>EAC>Minor Repairs>Trac'ed Cdwave Flac'ed level 8 TLH
|
notes
|
| 2252. |
10/20/74 |
Flac - 0,
132113 |
San Francisco |
Winterland Arena flac16; Lineage: 16 track "truck monitor mix" > 2 track mixdown reel(Garcia's) > R @ 3 3/4 ips; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered December 2014 by Matt Smith
|
notes
|
| 2253. |
01/??/75 |
Flac - 0,
137598 |
Mill Valley |
Ace's flac16; Source: Studio Reel - Bob Gurman's TDK LX 35/90B @7.5ips; Lineage: Studio Master Reel -> ?-> Reel @7.5ips (TEAC A-4010 SL playback)-> Lexicon Lambda-> Logic 24/96 AIFF -> wav conversion to 16bit-44.1k-> xAct -> flac
|
notes
|
| 2254. |
02/28/75 |
Flac 16 - 0,
93779 |
Mill Valley |
Bob Weir's Studio flac16; SBD MR > R > R > CD * > EAC > WAV > FLAC
|
notes
|
| 2255. |
03/17/75 |
Flac & Shn - 0,
10111 |
Mill Valley |
Ace's SBD>MR>DAT>CDR; David Crosby and the Dead from weir's Studio; via Raoul Duke; seeded to etree by Matt Vernon
|
notes
|
| 2256. |
03/17/75 |
Flac 16 - 0,
145773 |
Mill Valley |
Ace's flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
|
notes
|
| 2257. |
03/21/75 |
Shn - 0,
14288 |
Mill Valley |
Ace's studio SNACK rehearsals, poss compilation of dates; ??> cass> cooledit> mkw> shn; Tracking/ re-shn (v3) from original single shn file, by terrapinstation
|
notes
|
| 2258. |
03/23/75 |
Flac 16 - 0,
110126 |
San Francisco |
Kezar Stadium flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2259. |
03/23/75 |
Flac 24/96 - 0,
126296 |
San Francisco |
Kezar Stadium flac24; FMMR (Peter Kafer) @ 7 1/2 ips > R @ 7 1/2 ips (Will Boswell); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
|
notes
|
| 2260. |
03/23/75 |
Flac 16 - 0,
94026 |
San Francisco |
Kezar Stadium flac16; FMMR (Peter Kafer) @ 7 1/2 ips > R @ 7 1/2 ips (Pat Lee)* > CD. Reel to reel transfer by Taper Pat - (R copied @ 7.5 ips using a Revox A-77>A-77) --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD > EAC > WAV (shntool confirms no sbes) > FLAC (TLH)
|
notes
|
| 2261. |
03/23/75 |
Shn - 0,
32539 |
San Francisco |
Kezar Stadium SBD>Pre-FM SBD MR>DAT>Digi-Remaster>CD>CD>EAC>MKW>SHN
|
notes
|
| 2262. |
03/23/75 |
Shn - 0,
13585 |
San Francisco |
Kezar Stadium SBD>FM>?>DAT>CDR Only flaw listed: One small d/o in the 1st Blues for Allah (Track 2) @ 4:36
|
notes
|
| 2263. |
03/23/75 |
Shn - 0,
32299 |
San Francisco |
Kezar Stadium Source: FM > ??? > WAV > SHN "Originally part of gd1991-03-31 on gdlive.com."
|
notes
|
| 2264. |
03/23/75 |
Flac - 0,
18525 |
San Francisco |
Kezar Stadium Unknown SBD Note: This is disc 1 of a 5 disc set containing all of the sets from the 3/23/1975 SNACK Benefit. Other artists were Tower of Power, Santana, Doobie Brothers, Jefferson Starship, Joan Baez and, finally, Neil Young, Bob Dylan & The Band.
|
notes
|
| 2265. |
03/26/75 |
Shn - 0,
14289 |
Mill Valley |
Ace's Studio rehearsals; sbd> ?> PCM> SEK'D Prodif96Pro> wav> SHN; 1-disc portion of 6 discs seeded to abgd, with seeking reshn on t1,2 by terrapinstation
|
notes
|
| 2266. |
03/26/75 |
Flac 16 - 0,
145774 |
Mill Valley |
Ace's Studio flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
|
notes
|
| 2267. |
03/??/75 |
Shn - 0,
4231 |
Unknown |
Studio (Blues for Allah Outtakes) iberated bootleg CD-> EAC-> WAV-> SHN; via Dave Backus
|
notes
|
| 2268. |
03/??/75 |
Flac 16 - 0,
145786 |
Mill Valley |
Bob Weir's Studio flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
|
notes
|
| 2269. |
04/02/75 |
Shn - 0,
14290 |
Mill Valley |
Ace's Studio ehearsals; 1st Gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; There's some question as to the accuracy of this date; via terrapinstation to etree
|
notes
|
| 2270. |
04/02/75 |
Flac 16 - 0,
145775 |
Mill Valley |
Ace's Studio flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
|
notes
|
| 2271. |
04/17/75 |
Shn - 0,
14291 |
Mill Valley |
Ace's Studio rehearsals; sbd> ? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; SBEs fixed with shntool, renamed to fit Etree standards and re-shn'ed by terrapinstation
|
notes
|
| 2272. |
04/17/75 |
Flac 16 - 0,
122863 |
Mill Valley |
Ace's Studio flac16; Straight from my reel to reel masters
|
notes
|
| 2273. |
06/03/75 |
Flac 16 - 0,
145776 |
Mill Valley |
Ace's Studio flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
|
notes
|
| 2274. |
06/04/75 |
Flac 16 - 0,
145777 |
Mill Valley |
Ace's Studio flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
|
notes
|
| 2275. |
06/05/75 |
Shn - 0,
14292 |
San Rafael |
Club Front rehearsals; SBD: 2nd gen cass> PCM>SEK'D Prodif96Pro> wav> SHN; SBEs fixed (with shntool), files renamed, re-shn'ed, text file created by terrapinstation
|
notes
|
| 2276. |
06/05/75 |
Shn - 0,
21936 |
San Rafael |
Club Front rehearsal sessions from June 3, 4 & 5, 1975 from low-generation cassette. via Hanno Bunjes, Uli Teute
|
notes
|
| 2277. |
06/05/75 |
Flac 16 - 0,
145778 |
San Rafael |
Club Front flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
|
notes
|
| 2278. |
06/07/75 |
Flac 16 - 0,
94427 |
Mill Valley |
Bob Weir's Studio flac16; "Blues Ruffs" : SBD MR > R > Rs > CD * > EAC > WAV > FLAC via Matt Smit
|
notes
|
| 2279. |
06/17/75 |
Flac 16 - 0,
97077 |
San Francisco |
Winterland Arena flac16; 1 x ECM 250, 1 x ECM 270 => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped by Bob Menke & Louis Falanga; Edited By Derek McCabe; MOTB 0033
|
notes
|
| 2280. |
06/17/75 |
Flac 16 Mtx - 0,
29465 |
San Francisco |
Winterland Arena flac16; AUD/SBD Matrix of 2 previously circulating sources: AUD - (shn ID #233) and SBD - (shn ID #20084). Edited and converted by Chris Chappell.
|
notes
|
| 2281. |
06/17/75 |
Flac 16 - 0,
96125 |
San Francisco |
Winterland Arena flac16; SBD Source: MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station
|
notes
|
| 2282. |
06/17/75 |
Flac 24/96 - 0,
97078 |
San Francisco |
Winterland Arena flac24; 1 x ECM 250, 1 x ECM 270 => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped by Bob Menke & Louis Falanga; Edited By Derek McCabe; MOTB 0033
|
notes
|
| 2283. |
06/17/75 |
Flac 16 Mtx - 0,
96148 |
San Francisco |
Winterland Arena flac16; Matrix 2 Source Mix - SBD (shn id 96125) MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD (shn id 233) AUD CM>DAT>CD>EAC>SHN Recorded by Rob Bertrando - patches, timing and matrix mixing by Kevin Tobin
|
notes
|
| 2284. |
06/17/75 |
Flac 16 - 0,
97079 |
San Francisco |
Winterland Arena flac16; MTX 1 x ECM 250, 1 x ECM 270 => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped by Bob Menke & Louis Falanga; Edited By Derek McCabe; MOTB 0033 and flac16; SBD Source: MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD Edited and Mastered by Jamie Waddell on the GEMS Edit Station
|
notes
|
| 2285. |
06/17/75 |
Shn - 0,
20084 |
San Francisco |
Winterland Arena sbd>? gen cass>PCM>SEK'D Prodif96Pro>wav>SHN via David Backus
|
notes
|
| 2286. |
06/17/75 |
Shn Dts 5.1 - 0,
96162 |
San Francisco |
Winterland Arena DTS-Audio-CD 5.1 Mix; - SBD (shn id 96125) MSR@ 7 1/2 ips > Maxell UDXL II reel @3 3/4 ips.(Will Boswell)>Akai GX 625>Apogee Mini Me(24/96)>Apogee Mini DAC(monitoring/mastering)>wavelab 5.0(dithered to 20/44)>CD CD's supplied by Matt Smith and edited by Jamie Waddell + AUD (shn id 233) AUD CM>DAT>CD>EAC>SHN Recorded by Rob Bertrando - patches, timing and dts encoding by Kevin Tobin
|
notes
|
| 2287. |
06/17/75 |
Shn - 0,
233 |
San Francisco |
Winterland Arena AUD CM>DAT>CD> EAC> SHN; Recorded by Rob Bertrando: Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the? left of dead center; via Alan Fink, Mark Ferguson
|
notes
|
| 2288. |
06/17/75 |
Flac 16 - 0,
143102 |
San Francisco |
Winterland Arena flac16; Source: Sony ECM-280's > Sony TC-152SD > Cass master > reel > dat (44.1) - Recorded by Rob Bertrando from the floor, about 30-35' back, just to the left of dead center Provided by Tim Dalton; Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 advanced > iZotope Ozone 5 Advanced >CD Wave >Flac 16; fixed version of source ID 143100
|
notes
|
| 2289. |
06/17/75 |
Flac 16 - 0,
145779 |
San Francisco |
Winterland Arena flac16; Partial Set 1 Source: Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
|
notes
|
| 2290. |
06/17/75 |
Flac 16 - 0,
87560 |
San Francisco |
Winterland Arena flac16; Sony ECM-280's > Sony TC-152SD playback on Nak Dragon > Sony PCM 601ES > Beta Beta > Sony R500 DAT >HHb-850 CDR Pitch correction and slight EQ in Audacity
|
notes
|
| 2291. |
07/07/75 |
Shn - 0,
14293 |
Mill Valley |
Ace's Studio sbd>? gen cass> PCM> SEK'D Prodif96Pro> wav> SHN; via terrapinstation to etree
|
notes
|
| 2292. |
07/07/75 |
Flac 16 - 0,
145780 |
Mill Valley |
Ace's Studio flac16; Soundboard -> ? -> PCM; Transfer: PCM Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k)
|
notes
|
| 2293. |
07/23/75 |
Flac 16 - 0,
140800 |
San Rafael |
Club Front Studio flac16; source/lineage: studio reel-> ?-> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda-> Logic Pro-> wav -> xAct -> flac
|
notes
|
| 2294. |
07/24/75 |
Flac 16 - 0,
140801 |
San Rafael |
Club Front Studio flac16; source/lineage: studio reel-> ?-> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda-> Logic Pro-> wav -> xAct -> flac
|
notes
|
| 2295. |
08/13/75 |
Shn - 0,
23661 |
San Francisco |
Great American Music Hall Pitch corrected version of FM broadcast originally seeded by CousinIt by Matt Vernon
|
notes
|
| 2296. |
08/13/75 |
Shn - 0,
18512 |
San Francisco |
Great American Music Hall FM Source: SBD>FM>MC>DAT>WAV>SHN SBD Source: MSR>R(2)>C>DAT>WAV>SHN With full intro and tunings- these are missing from the OFTV release.
|
notes
|
| 2297. |
08/13/75 |
Flac 16/44 - ,
155570 |
San Francisco |
Great American Music Hall flac16/44 (Bootleg Tape - from FM broadcast - 9/1/75) via Brian Flegel
|
notes
|
| 2298. |
09/01/75 |
Flac 16 - 0,
140813 |
San Rafael |
Club Front Studio flac16; source/lineage: studio reel-> ?-> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda-> Logic Pro-> wav -> xAct -> flac
|
notes
|
| 2299. |
09/16/75 |
Flac 16 - 0,
140795 |
San Rafael |
Club Front Studio flac16; source/lineage: studio reel-> ?-> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda-> Logic Pro-> wav -> xAct -> flac
|
notes
|
| 2300. |
09/28/75 |
Flac 16 Mtx - 0,
102155 |
San Francisco |
Lindley Meadows, Golden Gate Park flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC16)
|
notes
|
| 2301. |
09/28/75 |
Shn - 0,
236 |
San Francisco |
Lindley Meadows, Golden Gate Park Source: ?? > Turtle Tree > CD > SHN; via B. Beggs; note some confusion on this etreed material, needs sorting out
|
notes
|
| 2302. |
09/28/75 |
Shn - 0,
22257 |
San Francisco |
Lindley Meadows, Golden Gate Park Bertha Remaster of the master reel source; SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A
|
notes
|
| 2303. |
09/28/75 |
Shn - 0,
9392 |
San Francisco |
Lindley Meadows, Golden Gate Park SBD : MR > DAT > CDR (HHb850); DAT > CDR transfer by Dan Sisler; Seeded to etree by Alan J. Fink
|
notes
|
| 2304. |
09/28/75 |
Flac 24/96 - 0,
91770 |
San Francisco |
Lindley Meadows, Golden Gate Park flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UD 120 Analog Lineage: 2 x Sony ECM-270 => Sony TC-152 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke and Louis Falanga
|
notes
|
| 2305. |
09/28/75 |
Shn - 0,
2562 |
San Francisco |
Lindley Meadows, Golden Gate Park sbd> reel (mic mix)> DAT> CD; via Mike Lai; modified info file courtesy Dave Laesser; note TLEO not included
|
notes
|
| 2306. |
09/28/75 |
Flac 16 - 0,
86250 |
San Francisco |
Lindley Meadows, Golden Gate Park flac16; Source: On Stage Mic's (BY Band) > ? > Dat @ 44.1 Transfer: Fostex D5 > Zoltrix > Sf 6.0 (fades,normalized,patches) > Cd Wave > Flac 16/44.1
|
notes
|
| 2307. |
09/28/75 |
Flac 16 - 0,
91769 |
San Francisco |
Lindley Meadows, Golden Gate Park flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UD 120 Analog Lineage: 2 x Sony ECM-270 => Sony TC-152 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke and Louis Falanga Transfer By: Bob Menke Mastering By: Derek McCabe
|
notes
|
| 2308. |
??/??/75 |
Flac 16 - 0,
151654 |
Mill Valley |
Ace's Studio flac16 Studio Recording-> ?-> Cassette Maxell UDXL2 C90 with Dolby B (playback on Nakamichi Dragon with Dolby B)-> Lexicon Lambda-> Logic-> wav 16/44.1 -> flac
|
notes
|
| 2309. |
??/??/75 |
- ,
163701 |
Mill Valley |
Ace's Studio flac1648 Soundboard > Cassette > DVD > WAV > FLAC. This is a sampler from cassettes made by Steve Brown for Jerry Garcia to listen to after the sessions. Tape courtesy of JGMF.
|
notes
|
| 2310. |
04/20/76 |
Flac 16 - 0,
141357 |
Novato |
Mickey's Barn flac16; Source Info: Soundboard > ? > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 2311. |
05/28/76 |
Flac - 0,
82947 |
San Francisco |
Orpheum Theatre flac16; Lineage R2 > D Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell (compilation of material recorded on 5-28,29,30-76; See info file for details)
|
notes
|
| 2312. |
05/28/76 |
Shn - 0,
9769 |
San Francisco |
Orpheum Theatre Studio Rehersal Tapes; SBD>?>CD; Actually a compilation of material recorded on 5-28,29,30-76; See info file for details; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 2313. |
06/03/76 |
Flac Mtx. - 0,
91912 |
Portland |
Paramount Theatre MATRIX MIX: SBD/AUD (About 60%/40%): SBD: Bertha Remaster of the Master Reel Source and AUD: MC > DAT > WAV > SHN Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 18, 2008
|
notes
|
| 2314. |
06/03/76 |
Flac 16 - 0,
123507 |
Portland |
Paramount Theatre flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2315. |
06/03/76 |
Flac 16 Mtx - 0,
123898 |
Portland |
Paramount Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 and FLAC16 > AIFF > Final Cut w/EQ > Soundtrack Pro for some click removal in AUD > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging)
|
notes
|
| 2316. |
06/03/76 |
Shn - 0,
17266 |
Portland |
Paramount Theatre Bertha Remaster of the Master Reel/Reel source. SBD>>MR>>REEL>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA - Sound A+ ; upgrade in circulation
|
notes
|
| 2317. |
06/03/76 |
Shn - 0,
20004 |
Portland |
Paramount Theatre SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN (*)Encores included.
|
notes
|
| 2318. |
06/03/76 |
Shn - 0,
7825 |
Portland |
Paramount Theatre Complete; unknown aud > ? > DAT >; via Dale Shepherd; Matt Vernon. [Dolby decoded version added 7/2003]
|
notes
|
| 2319. |
06/03/76 |
Shn - 0,
86745 |
Portland |
Paramount Theatre SBD>>MR>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN Pitch correction of shn id 20004 by Hunter Seamons using Final Cut Pro (8/10/07)
|
notes
|
| 2320. |
06/03/76 |
Shn - 0,
7719 |
Portland |
Paramount Theatre SBD > RTR > PCM > ? > Illegal Bootleg CD > D> Jay Serafin mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; last 2 songs missing; see info file for additional flaw notes; reseed with encores also circulates; upgrade in circulation
|
notes
|
| 2321. |
06/03/76 |
Flac 16 - 0,
123464 |
Portland |
Paramount Theatre flac16; Updated Recording Info: Sony ECM-280 -> Cassette Master -> FLAC; Mastering Info: FLAC -> Adobe Audition CS6 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Reinhardt Holwein; All Mastering By Charlie Miller
|
notes
|
| 2322. |
06/03/76 |
Shn - 0,
7555 |
Portland |
Paramount Theatre last 2 songs missing; MR > Reel > PCM > DAT > DAT Clone > WAV > SHN > CDR; noted at gdlive
|
notes
|
| 2323. |
06/03/76 |
Flac 16 - 0,
99910 |
Portland |
Paramount Theatre flac16; aud 1st gen reel; unknown equipment/taper; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac
|
notes
|
| 2324. |
06/03/76 |
Flac 16 - 0,
138643 |
Portland |
Paramount Theatre flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Wav(16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; the original source had the channels swapped in "Samson & Delilah" thru "It Must Have Been the Roses", as well as "The Wheel"
|
notes
|
| 2325. |
06/03/76 |
Flac 24/96 - 0,
123608 |
Portland |
Paramount Theatre flac24; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> WAV (24bit/96k); Transfer Info: WAV -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2326. |
06/03/76 |
Shn - 0,
14263 |
Portland |
Paramount Theatre AUDMC > DAT > WAV > SHN Recorded by Pat Lee, 15th row FOB, hand held Sony ECM18N microphones onto a 152SD cassette deck, Maxell UD-C120 tapes with Dolby B on
|
notes
|
| 2327. |
06/03/76 |
Flac 24/96 - 0,
148568 |
Portland |
Paramount Theatre flac24; Source Info: Pat Lee's Master (FOB) Audience Cassettes ; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120); Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 2328. |
06/03/76 |
Flac 16/48 - 0,
148567 |
Portland |
Paramount Theatre flac16/48kHz; Source Info: Pat Lee's Master (FOB) Audience Cassettes; Sony ECM18N mics (10-20 rows back from stage, hand-held) > Sony TC-152 (2 x Maxell UD 120); Transfer Info: Master Cassettes (Sony K677ES) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 2329. |
06/04/76 |
Shn - 0,
9797 |
Portland |
Paramount Theatre SBD>MR>?>D>CD; With aud patches for several songs; See info file for details; via Jeff Cook, Jon Miller, Matt Vernon, & Raoul Duke; Seeded to etree by J. Cotsman
|
notes
|
| 2330. |
06/04/76 |
Shn - 0,
8034 |
Portland |
Paramount Theatre unknown aud > ? > DAT; via Dale Shepherd; Seeded to etree by Matt Vernon
|
notes
|
| 2331. |
06/04/76 |
Flac 16 - 0,
99872 |
Portland |
Paramount Theatre flac16; unknown equipment/taper; source: aud 1st gen reel; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>hd>cd wave>adobe 2.0 16/44>flac
|
notes
|
| 2332. |
06/04/76 |
Flac 16 - 0,
143136 |
Portland |
Paramount Theatre flac16; Partial Show Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller this files is 16 bit @ 44.1
|
notes
|
| 2333. |
06/04/76 |
Flac 24 - 0,
143064 |
Portland |
Paramount Theatre flac24; Partial Show Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 2334. |
06/04/76 |
Flac 16/48 - ,
153709 |
Portland |
Paramount Theatre flac16/48 Source Info: Mickey Hart's Master Soundboard Cassettes w/dolby B (Sony TC-152SD) > Steve Martin's 1st generation reels @ 3 3/4 ips Transfer Info: Master Cassettes (Sony TC-D5M) > 1st generation reels (Pioneer RT707 @ 3 3/4 ips); 1st generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 2335. |
06/04/76 |
Flac 24/96 - ,
153710 |
Portland |
Paramount Theatre flac24/96 Source Info: Mickey Hart's Master Soundboard Cassettes w/dolby B (Sony TC-152SD) > Steve Martin's 1st generation reels @ 3 3/4 ips Transfer Info: Master Cassettes (Sony TC-D5M) > 1st generation reels (Pioneer RT707 @ 3 3/4 ips); 1st generation reels (Revox A77) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 2336. |
06/09/76 |
Flac 16 - 0,
95399 |
Boston |
Boston Music Hall flac16; Recording Info: Set 1: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2337. |
06/09/76 |
Flac 16 Mtx - 0,
29323 |
Boston |
Boston Music Hall flac16; SBD/AUD Matrix of 3 previously circulated seeds (SBD I - SHN ID# 12382, SBD II - SHN ID# 5426, AUD - SHN ID #5982); prepared by Chris Chappell
|
notes
|
| 2338. |
06/09/76 |
Shn - 0,
5982 |
Boston |
Boston Music Hall FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes.
|
notes
|
| 2339. |
06/09/76 |
Shn - 0,
5426 |
Boston |
Boston Music Hall set 2; SBD> MR> DAT> SS> CDR> EAC> SHN; via Tony Gardner, from Paul B. seed discs
|
notes
|
| 2340. |
06/09/76 |
Shn - 0,
12382 |
Boston |
Boston Music Hall set 1 SBD>MR>R>D>CD>EAC>SHN with patches from AUD>MC>D>CD>EAC>SHN by J. Cotsman
|
notes
|
| 2341. |
06/09/76 |
Flac 16 - 0,
99064 |
Boston |
Boston Music Hall flac16; source: aud 1st gen reel lineage: mac>reels @ 7.5 ips, dolby b set I on maxell 7" reel, set II on ampex 10.5" (baked), technics rs-1506>teac an-180>hd-p2 24/48>cd wave>flac; master taped by Steve Maizner; transferred & seeded by Rob Berger
|
notes
|
| 2342. |
06/09/76 |
Flac 24/48 - 0,
99063 |
Boston |
Boston Music Hall flac24; source: aud 1st gen reel lineage: mac>reels @ 7.5 ips, dolby b set I on maxell 7" reel, set II on ampex 10.5" (baked), technics rs-1506>teac an-180>hd-p2 24/48>cd wave>flac; master taped by Steve Maizner; transferred & seeded by Rob Berger
|
notes
|
| 2343. |
06/09/76 |
Shn - 0,
12207 |
Boston |
Boston Music Hall set 2; SBD> RM> DAT> sonic solutions> CDR, with Beginning of "St. Stephen" spliced in from unknown audience source; Extracted with Toast Audio Extractor & Plexwriter 4/12 and converted to SHN; via Art Cohen
|
notes
|
| 2344. |
06/09/76 |
Flac 24/48 - 0,
152189 |
Boston |
Boston Music Hall flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK SD C90 & C120 (normal bias). Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021
|
notes
|
| 2345. |
06/09/76 |
Flac 16 Mtx - ,
156991 |
Boston |
Boston Music Hall flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 95399 & 99064.
|
notes
|
| 2346. |
06/10/76 |
Shn - 0,
14264 |
Boston |
Boston Music Hall SBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN vai Charlie Miller
|
notes
|
| 2347. |
06/10/76 |
Flac 16 - 0,
82921 |
Boston |
Boston Music Hall flac16; Source Info: SBD Master Reel -> PCM -> Dat (44.1k) Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 and Ozone. Dithered L2 Type-1 Ultra by Jamie Waddell
|
notes
|
| 2348. |
06/10/76 |
Flac 16 Mtx - 0,
84985 |
Boston |
Boston Music Hall flac16; Matrix 2 Source Mix - SBD (shnid 82891) + AUD (shnid 18425) by Kevin Tobin
|
notes
|
| 2349. |
06/10/76 |
Shn - 0,
23370 |
Boston |
Boston Music Hall Bertha Remaster of the Master Reel source. SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>WAV/SHN
|
notes
|
| 2350. |
06/10/76 |
Shn - 0,
18426 |
Boston |
Boston Music Hall Recorded by Jimmy Warburton AKG 1000Es> Sony TC-152. Reel -> DAT conversion by Mark Cohen. DAT -> SHN conversion by David Minches.
|
notes
|
| 2351. |
06/10/76 |
Shn - 0,
18425 |
Boston |
Boston Music Hall Recorded by Jerry Moore; AKG 200Es> Sony TC-153, close to stage in orchestra mics hand held. AUDMC > DAT by Mark Cohen. DAT > SHN by David Minches.
|
notes
|
| 2352. |
06/10/76 |
Shn - 0,
5918 |
Boston |
Boston Music Hall FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min.
|
notes
|
| 2353. |
06/10/76 |
Flac Dts 5.1 - 0,
85004 |
Boston |
Boston Music Hall DTS Audio 5.1; SBD (shnid 82891) SBD Master Reel -> PCM -> Dat (44.1k) + AUD shnid 18425 Recorded by Jerry Moore; AKG 200Es> Sony TC-153 - dts mixing by Kevin Tobin
|
notes
|
| 2354. |
06/10/76 |
Flac 16 - 0,
141690 |
Boston |
Boston Music Hall flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
notes
|
| 2355. |
06/10/76 |
Flac 24/96 - 0,
143ßß3 |
Boston |
Boston Music Hall flac24; Source: AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of log; Transfer: MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick August 2018
|
notes
|
| 2356. |
06/10/76 |
Shn - 0,
237 |
Boston |
Boston Music Hall ??? > CD > EAC > SHN; via S. Dunahee, W. Stube; known flaws: clicks removed with SF: d1 2:41.707, d2 43:50.421; cut 10 seconds of silence/weird static in d1t01 starting 7:36; d/o's d1t03 2:13-2:24, d1t07 9:38-9:46, d/o into staticky fade in d2t04 5:06-5:10; upgrade in circulation
|
notes
|
| 2357. |
06/10/76 |
Flac 16 - 0,
145134 |
Boston |
Boston Music Hall flac16; Source: AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of log; Transfer: MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick August 2018; This file set is 16 bit @ 44.1
|
notes
|
| 2358. |
06/11/76 |
Flac 16 Mtx - 0,
118256 |
Boston |
Boston Music Hall flac16; Matrix of SBD (shnid=22803) and AUD (shnid=18387) by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
notes
|
| 2359. |
06/11/76 |
Shn - 0,
22803 |
Boston |
Boston Music Hall SBD of unknown lineage, claims to be an A+ improvement over previous SBDs in circulation. Available at www.gdlive.com
|
notes
|
| 2360. |
06/11/76 |
Shn - 0,
18387 |
Boston |
Boston Music Hall Recorded by Jerry Moore; AKG 200Es> Sony TC-153, mics split along front of loge. AUDMC > DAT conversion by Mark Cohen, DAT > SHN conversion by David Minches
|
notes
|
| 2361. |
06/11/76 |
Shn - 0,
5919 |
Boston |
Boston Music Hall FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades/sbd splice with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min.
|
notes
|
| 2362. |
06/11/76 |
Shn - 0,
238 |
Boston |
Boston Music Hall SBD> ?> liberated bootleg; via Alan McCarty
|
notes
|
| 2363. |
06/11/76 |
Shn - 0,
7824 |
Boston |
Boston Music Hall MR>DAT>DAT Clone @ 44.1 kHz (Tascam DA20)>SBLive Platinum SPDIF In>WAV Edit (Sound Forge)>SHN (mkw audio compression tool)>CDR (HP 8200); via GDLive [Note: An sbe-fixed-by-set version also circulates]
|
notes
|
| 2364. |
06/11/76 |
Flac 16 - 0,
141709 |
Boston |
Boston Music Hall flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; Fixed numerous flaws from previous source
|
notes
|
| 2365. |
06/12/76 |
Flac - 0,
100328 |
Boston |
Boston Music Hall flac16; Source: FM Reel Master taped by Jerry Moore Sony TC-755 reel/Teac AN-180 dolby unit Maxell UD 35-180 tape; lineage: WBCN simulcast>10.5" reels @ 7.5 ips, dolby b Technics RS1506>Teac AN-180>HD-P2 24/96>hd>cd wave 16/44>flac transferred & seeded by Rob Berger 7/27/09
|
notes
|
| 2366. |
06/12/76 |
Shn - 0,
5556 |
Boston |
Boston Music Hall SBD> FM(WBCN)> MR(7.5ips); Conversion: Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN; Taped by Peter Wrenn, Seeded by Stephen Wrenn; to etree via Doug Moog; Wheel from unknown AUD; see notes in info file
|
notes
|
| 2367. |
06/12/76 |
Flac - 0,
110456 |
Boston |
Boston Music Hall flac16; aud 1st gen reel, akg d1000e's>sony tc-152, taped by Jimmy Warburton, transfer by Rob Berger
|
notes
|
| 2368. |
06/12/76 |
Flac - 0,
132933 |
Boston |
Boston Music Hall flac16; Matrix Mix of Shnid 100328 (FM) and Shnid 110456 (AUD)
|
notes
|
| 2369. |
06/12/76 |
Shn - 0,
5983 |
Boston |
Boston Music Hall FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d3 tracked for 80 min.
|
notes
|
| 2370. |
06/12/76 |
Flac - 0,
111783 |
Boston |
Boston Music Hall flac16; Recording Info: Stereo Microphone -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
|
notes
|
| 2371. |
06/14/76 |
Flac - 0,
82308 |
New York |
Beacon Theatre flac16; Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell
|
notes
|
| 2372. |
06/14/76 |
Flac Mtx - 0,
128772 |
New York |
Beacon Theatre flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:82308) Betty Board MR > PCM > DAT; Transfer: SBD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect and Audience (shnid:10917) Source: Sony TC 153 Sony SCM 99A Mikes > Cassette x 2 > DAT > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw
|
notes
|
| 2373. |
06/14/76 |
Shn - 0,
240 |
New York |
Beacon Theatre SBD Reels> D> CD-R ; via Leigh Orf; caution: d2 t2,4 may be switched?; note md5s here were submitted 7/2001, not sure if originals- see pub comments; upgrade in circulation
|
notes
|
| 2374. |
06/14/76 |
Shn - 0,
10917 |
New York |
Beacon Theatre Sony TC 153 Sony SCM 99A Mikes > Cassette x 2; See info file for transfer notes; via Dave Minor and Dale Shepherd; Seeded to etree by Matt Vernon
|
notes
|
| 2375. |
06/14/76 |
Shn - 0,
22804 |
New York |
Beacon Theatre S:MR>PCM>DAT>CD>EAC>SHN Note: This shn set was modified by replacing the incomplete encore at end of disk 3 with the complete encore (previously on end of disk 2) and removing it from end disk 2
|
notes
|
| 2376. |
06/14/76 |
Flac - 0,
78443 |
New York |
Beacon Theatre flac16; Set 2 only - source: betty > pcm x 2 > dat conversion: - M-1 > 7-pin optical > Co2 > SB Live - CDwav Record and Index - FLAC - ShnTool
|
notes
|
| 2377. |
06/14/76 |
Flac 16 - 0,
143026 |
New York |
Beacon Theatre flac16; Source Info: Primary Source: Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM > Dat (16-bit/44.1k); Secondary Source: Betty's 7" two track Master Soundboard Reel @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: Primary Source: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k) > Adobe Audition 3.01 > TLH flac16; Secondary Source: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16
|
notes
|
| 2378. |
06/15/76 |
Flac 16 - 0,
96088 |
New York |
Beacon Theatre flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz; Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac; Transfer and mastering by Bill Koucky
|
notes
|
| 2379. |
06/15/76 |
Flac 16 - 0,
110148 |
New York |
Beacon Theatre flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2380. |
06/15/76 |
Flac 16 Mtx - 0,
130335 |
New York |
Beacon Theatre flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:110148) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC and Audience (shnid:10307) Source: Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; DAT clone > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw
|
notes
|
| 2381. |
06/15/76 |
Flac 16 - 0,
96088 |
New York |
Beacon Theatre flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz; Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac; Transfer and mastering by Bill Koucky
|
notes
|
| 2382. |
06/15/76 |
Shn - 0,
10307 |
New York |
Beacon Theatre Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT; See info file for transfer details; via Dale Shepherd, Dave Minor; Seeded to etree by Matt Vernon
|
notes
|
| 2383. |
06/15/76 |
Shn - 0,
241 |
New York |
Beacon Theatre SBD > Master Reel > PCM > DAT; Transfer:? DAT > WAV (via TB Fiji S/PDIF) > SHN; via Andy Gustin, Jeff Kempka; see info file and pub comments for flaw notes
|
notes
|
| 2384. |
06/15/76 |
Shn - 0,
8323 |
New York |
Beacon Theatre SBD>DAT(s)>Tascam DA-20MKII>WaveTerminal 2596> CDWave>SHN; See txt file for details on splices; to abgd via BUG
|
notes
|
| 2385. |
06/15/76 |
Shn - 0,
8732 |
New York |
Beacon Theatre Jay Ashley (Bertha) remaster of original reel source; SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CD
|
notes
|
| 2386. |
06/15/76 |
Flac 16 - 0,
143119 |
New York |
Beacon Theatre flac16; Betty's 7" two track Master Soundboard Reels @ 7 1/2 ips > PCM (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16
|
notes
|
| 2387. |
06/17/76 |
Flac Mtx - 0,
91861 |
Passaic |
Capitol Theater MATRIX MIX: SBD/AUD (About 60%/40%) by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>SHN)
|
notes
|
| 2388. |
06/17/76 |
Flac Mtx - 0,
123027 |
Passaic |
Capitol Theater flac16; Partial 3 song Matrix by Hunter Seamons; Soundboard recording by Betty Cantor-Jackson; Audience recording transferred by Dale Shepherd; note: The seeder's comments indicate that this is a different transfer than his previous matrix source
|
notes
|
| 2389. |
06/17/76 |
Flac - 0,
80739 |
Passaic |
Capitol Theater flac16; Recording Info: SBD -> Master Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 2390. |
06/17/76 |
Shn - 0,
10178 |
Passaic |
Capitol Theater Sony TC 153 Sony ECM 99A Mikes Master Cassette > Reel > DAT; via Dave Minor, Raoul Duke; Transfer by Dale Shepherd; Seeded to etree by Matt Vernon
|
notes
|
| 2391. |
06/18/76 |
Shn - 0,
13052 |
Passaic |
Capitol Theater Aud3> CDR> EAC> Pristine Sounds NR> SHN; SHN'd and seeded by Seth Jackson to abgd
|
notes
|
| 2392. |
06/18/76 |
Shn - 0,
14449 |
Passaic |
Capitol Theater Sony ECM 99's > Sony TC-152 MC > Teac 2300 @ 3.75 ips Reel > Reel played back on Akai GX-4000D > Teac AN-80 Dolby B Noise Reduction Unit > ART DI/O A/D Convertor > Hard Drive > CD. Taper: Jimmy Warburton,30-35 rows right center. A/D Transfer, editing and tracking by David Minches, shn encoding Matt Vernon
|
notes
|
| 2393. |
06/18/76 |
Shn - 0,
9796 |
Passaic |
Capitol Theater AUDCM>C>DAT>CDR; via Raoul Duke and Dave Minor; Seeded to etree by Matt Vernon; upgrade in circulation
|
notes
|
| 2394. |
06/18/76 |
Flac 16 - 0,
92266 |
Passaic |
Capitol Theater flac16; Recording Info: SBD -> Master Reel Transfer Info: Apogee AD500 -> DAT -> Samplitude -> CD -> FLAC; All Transfers and Mastering By Charlie Miller (Download Series outtakes)
|
notes
|
| 2395. |
06/18/76 |
Flac 24/96 - ,
155902 |
Passaic |
Capitol Theater flac2496 Recording Info: (FOB) Sony ECM-99 > Cassette Master (Sony TC-152) > Cassette (Maxell UDXLI-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 2396. |
06/19/76 |
Flac - 0,
10186 |
Passaic |
Capitol Theater PRE-FM SBD master reel > DAT > CD (x2) > EAC (secure) > SHN (non seekable)
|
notes
|
| 2397. |
06/19/76 |
Flac 16 - 0,
111852 |
Passaic |
Capitol Theater flac16; Recording Info:SBD -> Master Cassette (Nakamichi 550); Transfer Info:Master Cassette (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info:AIFF -> Samplitude Professional v10.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
|
notes
|
| 2398. |
06/19/76 |
Flac 16 Mtx - 0,
121140 |
Passaic |
Capitol Theater flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
notes
|
| 2399. |
06/19/76 |
Shn - 0,
23024 |
Passaic |
Capitol Theater Source: FM>MC>DAT>WAV>SHN via Cousinit
|
notes
|
| 2400. |
06/19/76 |
Flac 16 - 0,
111875 |
Passaic |
Capitol Theater flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
|
notes
|
| 2401. |
06/19/76 |
Shn - 0,
12077 |
Passaic |
Capitol Theater PRE-FM; SBD master reel > DAT > CD (x2); Unknown seeder
|
notes
|
| 2402. |
06/19/76 |
Flac 16 - 0,
143174 |
Passaic |
Capitol Theater flac16; Source: Pre-FM Master Reel (WNEW) > PCM > DAT (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave >Flac 16; edited and mastered SIRMick September 2018
|
notes
|
| 2403. |
06/19/76 |
Flac 24/96 - 0,
143275 |
Passaic |
Capitol Theater flac24; Source: WNEW FM > Teac A3300 7.5 ips Dolby > Master Reel (Scotch Classic 3600 10,5) > Teac A3300 > Reel 1 @3.75 ips (Maxell UD35-90) - Recorded by Barry Glassberg, Jimmy Warburton's copy; Transfer. Reel 1 > Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018
|
notes
|
| 2404. |
06/19/76 |
Flac 16 - 0,
145155 |
Passaic |
Capitol Theater flac16; Source: WNEW FM > Teac A3300 7.5 ips Dolby > Master Reel (Scotch Classic 3600 10,5) > Teac A3300 > Reel 1 @3.75 ips (Maxell UD35-90) - Recorded by Barry Glassberg, Jimmy Warburton's copy; Transfer. Reel 1 > Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick October 2018; This file set is 16 bit @ 44.
|
notes
|
| 2405. |
06/21/76 |
Flac 16 - 0,
112191 |
Upper Darby |
The Tower Theatre flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation
|
notes
|
| 2406. |
06/21/76 |
Flac16 Mtx - 0,
121045 |
Upper Darby |
The Tower Theatre flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
notes
|
| 2407. |
06/21/76 |
Flac 16 - 0,
124828 |
Upper Darby |
The Tower Theatre flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; This is a cleaned up version of source ID 112191
|
notes
|
| 2408. |
06/21/76 |
Shn - 0,
6679 |
Upper Darby |
The Tower Theatre Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson
|
notes
|
| 2409. |
06/21/76 |
Flac 16 - 0,
112171 |
Upper Darby |
The Tower Theatre flac16; Recording Info: SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.1 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation
|
notes
|
| 2410. |
06/21/76 |
Flac 16 - 0,
112162 |
Upper Darby |
The Tower Theatre flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
|
notes
|
| 2411. |
06/22/76 |
Flac 16 - 0,
112218 |
Upper Darby |
The Tower Theatre flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2412. |
06/22/76 |
Flac 16 Mtx - 0,
112900 |
Upper Darby |
The Tower Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Soundtrack > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 2413. |
06/22/76 |
Flac 16 - 0,
99093 |
Upper Darby |
The Tower Theatre flac16; Source: audience 1st generation reel; AKG D1000es>sony tc-152sd cassette Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips) Transfer by Rob Berger 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 Editing, downsampling and FLAC encoding by David Minches
|
notes
|
| 2414. |
06/22/76 |
Flac 16 - 0,
112789 |
Upper Darby |
The Tower Theatre flac16; Recording Info: Unknown Mics -> Master Cassette (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
|
notes
|
| 2415. |
06/22/76 |
Shn - 0,
6680 |
Upper Darby |
The Tower Theatre Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson
|
notes
|
| 2416. |
06/23/76 |
Flac - 0,
95321 |
Upper Darby |
The Tower Theatre flac16; Recording Info: Unknown Mics -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2417. |
06/23/76 |
Shn - 0,
15534 |
Upper Darby |
The Tower Theatre AudMC > HD > WAV > SHN Recorded by Jerry Moore from 1st row loge, w/ a pretty good spread on mikes with 2 hand held Sony ECM-33Ps > Sony TC-152 deck with Dolby B ON. Analog > Digital transfer David Minches, encoded by Matt Vernon
|
notes
|
| 2418. |
06/23/76 |
Shn - 0,
6681 |
Upper Darby |
The Tower Theatre Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min
|
notes
|
| 2419. |
06/24/76 |
Flac Mtx - 0,
87163 |
Upper Darby |
The Tower Theatre flac16; Matrix 3 Source Mix - SBD Set 1 (shn id 25478) WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN + SBD Set 2 (shn id 14498) SBD>MR>DAT>CDR>EAC + AUD (shn id 6682) [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC - matrix mixing by Kevin Tobin
|
notes
|
| 2420. |
06/24/76 |
Shn - 0,
25478 |
Upper Darby |
The Tower Theatre Note: This is a remastered version of the 2 prior seeds by Dave Bachkus and Tim Wiley. Source one (Set 1 only) : WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN ; Source two (Set 2 only) : SBD>MR>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) ; Remastering : SHN>WAV>Steinberg Mastering Edition Enhanced>Nuendo2>SHN ; seeded by dudeman 08/25/2004
|
notes
|
| 2421. |
06/24/76 |
Shn - 0,
26290 |
Upper Darby |
The Tower Theatre flac16; Pitch corrected version of shn id 6682 - Shure mics> Sony TC-152 master cassette > dat's > cdr's; fixed by ktobin
|
notes
|
| 2422. |
06/24/76 |
Shn - 0,
6682 |
Upper Darby |
The Tower Theatre Shure mics> Sony TC-152 master cassette > dat's > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); see editing and flaw notes in info file; via Matt Vernon, with thanks to Doug Ferguson; d1 tracked for 80 min
|
notes
|
| 2423. |
06/24/76 |
Flac - 0,
135606 |
Upper Darby |
The Tower Theatre flac16; 3 source matrix by Dusborne; Soundboard 1(Shnid:011937) set 1, WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN; Soundboard 2(Shnid:14498) set 2, Source: SBD>MR>DAT>CDR, Conversion/Edit/Seeded to Etree by T. Wiley 01/14/2003; Audience (Shnid:76290), Source: [Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact,eac, Cool Edit's, shns done by mvernon54@attbi.com,- Mixed by kevtobin@yahoo.com
|
notes
|
| 2424. |
06/24/76 |
Shn - 0,
14498 |
Upper Darby |
The Tower Theatre Set 2 only ; SBD>MR>DAT>CDR ; Via PT. ; Seeded to etree by T. Wiley
|
notes
|
| 2425. |
06/24/76 |
Flac Dts 5.1 - 0,
76286 |
Upper Darby |
The Tower Theatre DTS Audio 5.1 Mix; SBD:(Set 1)WMMR FM Broadcast > RTR > DAT > CD-R & (Set 2)SBD>MR>DAT>CDR; AUD:Shure mics> Sony TC-152 master cassette > dat's > cdr's ; mixed by ktobin
|
notes
|
| 2426. |
06/24/76 |
Shn - 0,
11937 |
Upper Darby |
The Tower Theatre WMMR FM Broadcast > RTR > DAT > CD-R; via Jonathan Miller; Seeded to etree by Dave Backus
|
notes
|
| 2427. |
06/24/76 |
Flac - 0,
112290 |
Upper Darby |
The Tower Theatre flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; All Mastering By Charlie Miller
|
notes
|
| 2428. |
06/24/76 |
Flac - 0,
140031 |
Upper Darby |
The Tower Theatre flac16; Source: Soundboard > Nakamichi 350 > Cassette Master > Dat (44k); Transfer: Master Cassette > Nakamichi CR-7A > Apogee Ensemble > Peak > AIFF - Transferred By Digitalrbb; Lineage : AIFF > Samplitude Professional v10.1 > FLAC > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017
|
notes
|
| 2429. |
06/26/76 |
Flac 16 - 0,
95306 |
Chicago |
Auditorium Theatre flac16; Recording Info:SBD -> Master Cassette -> Apogee Ensemble -> Peak -> AIFF; Transfer Info:AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2430. |
06/26/76 |
Shn - 0,
7340 |
Chicago |
Auditorium Theatre Aud > ??? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon
|
notes
|
| 2431. |
06/26/76 |
Flac 16 - 0,
112790 |
Chicago |
Auditorium Theatre flac16; Set 2, Recording Info: Unknown Mics -> Master Cassette (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
|
notes
|
| 2432. |
06/26/76 |
Flac 16 - 0,
147302 |
Chicago |
Auditorium Theatre flac16; 2nd set; Source: Lo-fi mono AUD of unknown lineage > ? > cassette. Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644
|
notes
|
| 2433. |
06/26/76 |
Flac 24/48 - ,
156062 |
Chicago |
Auditorium Theatre flac2448 Recording Info: AKG D200E > Cassette Master (Sony TC-153SD) > Cassette (TDK SA-C90/Dolby B) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24
|
notes
|
| 2434. |
06/27/76 |
Flac - 0,
112295 |
Chicago |
Auditorium Theatre flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Mastering By Charlie Miller
|
notes
|
| 2435. |
06/27/76 |
Flac Mtx - 0,
123462 |
Chicago |
Auditorium Theatre flac16; 2 source matrix: Soundboard (shnid:112295) Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC and Audience (shnid:98796) Source: audience 1st generation reel (Jerry Moore's reel) Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips); 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48
|
notes
|
| 2436. |
06/27/76 |
Shn - 0,
7341 |
Chicago |
Auditorium Theatre aud > ?? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable); via Matt Vernon
|
notes
|
| 2437. |
06/27/76 |
Flac - 0,
98796 |
Chicago |
Auditorium Theatre flac16; Source: audience 1st generation reel (Jerry Moore's reel) Lineage: Master cassette audience> sony tc-755 reel w/teac an-180 dolby b (10.5" @ 7.5 ips) Transfer by Rob Berger 1st generation reel play back on Technics RS-1506>Sony NR-335>Tascam HD-P2 24/48 Editing, downsampling and FLAC encoding by David Minches Thanks to Joe B. Jones for pitch correction
|
notes
|
| 2438. |
06/28/76 |
Flac 16 Mtx - 0,
112676 |
Chicago |
Auditorium Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 2439. |
06/28/76 |
Flac 16 - 0,
112296 |
Chicago |
Auditorium Theatre flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Mastering By Charlie Miller
|
notes
|
| 2440. |
06/28/76 |
Flac 16 - 0,
112417 |
Chicago |
Auditorium Theatre flac16;Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; All Mastering By Charlie Miller
|
notes
|
| 2441. |
06/28/76 |
Shn - 0,
18388 |
Chicago |
Auditorium Theatre Recorded with Shure 545s> Nak 550 via Bob Wagner. Lineage: AUDMC > Reel > WAV > SHN conversion by David Minches.
|
notes
|
| 2442. |
06/28/76 |
Shn - 0,
9776 |
Chicago |
Auditorium Theatre AUDMR > ? > DAT > SHN with patches from the Weiner seed; See info file for details; via Dale Shepherd; Seeded to etree by Matt Vernon
|
notes
|
| 2443. |
06/29/76 |
Flac 16 - 0,
113556 |
Chicago |
Auditorium Theatre flac16; Set 2 Recording Info: SBD -> Cassette Master (Nakamichi 350); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
|
notes
|
| 2444. |
06/29/76 |
Flac 16 Mtx - 0,
112458 |
Chicago |
Auditorium Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 2445. |
06/29/76 |
Shn - 0,
2594 |
Chicago |
Auditorium Theatre CD (Left In The Vaults Vol. 1) -> EAC-> SHN; liberated bootleg?; note all tracks are labelled as 10/29/77, but this date is 6/29/76, as marked within info file; noted 1/01 at gdlive
|
notes
|
| 2446. |
06/29/76 |
Flac 16 - 0,
31144 |
Chicago |
Auditorium Theatre flac16; SBD>>MR > PCM(Analog) > DAT > CDA > SHN > DAW(Bertha) > Audio DVD files > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > wav > downsampled to 44.1 wav with Wave Lab v.5.00a > SBEs fixed with shntool v.2.0.3 > files rennamed with File Renamer v.1.0.0 > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2
|
notes
|
| 2447. |
06/29/76 |
Flac 16 - 0,
112407 |
Chicago |
Auditorium Theatre flac16; Recording Info: Stereo Microphone (Possibly Sony Microphone) -> Cassette Master (Nakamichi 550); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble -> AIFF -> Samplitude Professional v11.2 -> FLAC; All Mastering By Charlie Miller
|
notes
|
| 2448. |
06/29/76 |
Shn - 0,
1812 |
Chicago |
Auditorium Theatre 7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN; via Jeff Tiedrich, David Hollister, Mike (Dank Star) Parrillo, Andy Gustin; with interleaved reel splices for completeness
|
notes
|
| 2449. |
06/29/76 |
Flac 16 - 0,
139633 |
Chicago |
Auditorium Theatre flac16; Source Info: 7" two track Betty reels @ 7 1/2 ips > PCM > DAT; Transfer Info: DAT(Sony PCM-R500)-> Tascam DA-3000-> Adobe Audition-> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 2450. |
06/29/76 |
Flac 16 - 0,
149860 |
Chicago |
Auditorium Theatre flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
|
notes
|
| 2451. |
07/12/76 |
Shn - 0,
10362 |
San Francisco |
Orpheum Theatre ncludes Soundcheck; Soundcheck, SBD>VHS Master>DAT>CDR; Disc 1 SBD>MR>R>R>R>DAT>CDR; Disc 2 SBD>MR>DAT>Sonic Solutions>CDR; Disc 3 SBD>MR>DAT>Sonic Solutions>CDR;
|
notes
|
| 2452. |
07/12/76 |
Flac 16 - 0,
123474 |
San Francisco |
Orpheum Theatre flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2453. |
07/12/76 |
Shn - 0,
18508 |
San Francisco |
Orpheum Theatre Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches.
|
notes
|
| 2454. |
07/12/76 |
Flac 16 - 0,
113813 |
San Francisco |
Orpheum Theatre flac16; Sony ECM 270's => Sony TC-152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
|
notes
|
| 2455. |
07/12/76 |
Shn - 0,
7771 |
San Francisco |
Orpheum Theatre Soundcheck - SBD-> Master VHS-> DAT-> CD; Set One - SBD-> RM-> Reel-> Reel-> Reel-> DAT-> CD; Set Two - SBD-> RM-> DAT-> Sonic Solutions-> CD; Tennessee Jed from Set One patched from Bob Menke's Aud Recording AUD->RM->DAT->CDCD->EAC (in secure mode)-> SHN conversion by AJ; with thanks to Charlie Miller, David Gans; shn branch of KPFA tree
|
notes
|
| 2456. |
07/12/76 |
Flac 16 - 0,
150658 |
San Francisco |
Orpheum Theatre flac16; Recording Info: SBD > Cassette Master > Cassette (Maxell XLII/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC (24-bit/48k); except Soundcheck: SBD > VHS > DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC, This file set is 16 bit @ 44.1
|
notes
|
| 2457. |
07/13/76 |
Shn - 0,
18480 |
San Francisco |
Orpheum Theatre MSR>?(1st or 2nd gen.Cass.)> CDR with AUD Patch source: MAC w/ Sony ECM 270s>Reel>DAT>CDR via Andy Lemieux, encoded by Matt Vernon
|
notes
|
| 2458. |
07/13/76 |
Shn - 0,
9978 |
San Francisco |
Orpheum Theatre ay Ashley (Bertha) Remaster of Multi-Gen Reel source; SBD>>MR>>Reel>>Reel>>Reel>>Dat>>CDA>>DAW(Bertha)>>CDA
|
notes
|
| 2459. |
07/13/76 |
Flac 16 - 0,
123475 |
San Francisco |
Orpheum Theatre flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2460. |
07/13/76 |
Shn - 0,
18427 |
San Francisco |
Orpheum Theatre Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN. DAT > SHN conversion by David Minches.
|
notes
|
| 2461. |
07/13/76 |
Flac 16 - 0,
150754 |
San Francisco |
Orpheum Theatre flac16; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k), This file set is 16 bit @ 44.1; the original version has a dropout in s1t05
|
notes
|
| 2462. |
07/13/76 |
Flac 24/96 - 0,
150753 |
San Francisco |
Orpheum Theatre flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; the original version has a dropout in s1t05
|
notes
|
| 2463. |
07/13/76 |
Flac 24/96 - 0,
150847 |
San Francisco |
Orpheum Theatre flac24; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; All Transfers and Mastering by Charlie Miller; This is from a different source tape than source ID 150753
|
notes
|
| 2464. |
07/13/76 |
Flac 16/44 - 0,
152157 |
San Francisco |
Orpheum Theatre flac16/44 ; Recording Info: SBD > Cassette Master > Cassette (Maxell UD/Dolby B); Transfer Info: Cassette (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 - 150867 24 -> 16 @ 44.1
|
notes
|
| 2465. |
07/13/76 |
Flac 16/44 - 0,
152150 |
San Francisco |
Orpheum Theatre flac16/44 ; Recording Info: SBD > Cassette Master > Cassette (Maxell UD); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24; All Transfers and Mastering by Charlie Miller - 150847 24 -> 16 @ 44.1
|
notes
|
| 2466. |
07/14/76 |
Shn - 0,
18594 |
San Francisco |
Orpheum Theatre SBD>MR>C>DAT>CDR patched with the Bob Menke audience recording via Raoul Duke encoding/patching by Matt Vernon
|
notes
|
| 2467. |
07/14/76 |
Shn - 0,
18159 |
San Francisco |
Orpheum Theatre MAR > Reels > DAT > CD recorded by Bob Menke with Sony ECM-280 mics into a Sony TC-152. Patch Source: SBD>MR>C>DAT>CDR. Thanks to David Minches for the disks and Jeff Cotsman for the pitch corrections. Encoding and patching by Matt Vernon.
|
notes
|
| 2468. |
07/14/76 |
Flac 16 - 0,
123476 |
San Francisco |
Orpheum Theatre flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2469. |
07/14/76 |
Shn - 0,
11938 |
San Francisco |
Orpheum Theatre SBD MR > ??? > CD-R; via Jonathan Miller; Seeded to etree by Dave Backus; upgrade in circulation
|
notes
|
| 2470. |
07/14/76 |
Flac 24/96 - ,
153042 |
San Francisco |
Orpheum Theatre SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24
|
notes
|
| 2471. |
07/14/76 |
Flac 16/44 - ,
154388 |
San Francisco |
Orpheum Theatre flac1644; SBD > Cassette Master > Cassette (Maxell UD/Dolby B) Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 - This is 153042 2448 > 1644
|
notes
|
| 2472. |
07/16/76 |
Flac 16 Mtx - 0,
28042 |
San Francisco |
Orpheum Theatre flac16; SBD + AUD Matrix Mix (50% SBD/50% AUD), seeded by Dan
|
notes
|
| 2473. |
07/16/76 |
Shn - 0,
27488 |
San Francisco |
Orpheum Theatre Bertha remaster of Set 2 of Charlie Miller's seed; SBD> MR> DAT> SHN> DAW(Bertha)> CDA/SHN; note parens in filenames
|
notes
|
| 2474. |
07/16/76 |
Flac Dts 5.1 - 0,
30698 |
San Francisco |
Orpheum Theatre Set 2 DTS-Audio-CD 5.1 Mix via Dan
|
notes
|
| 2475. |
07/16/76 |
Shn - 0,
23569 |
San Francisco |
Orpheum Theatre Set 1 Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152) -> Dat -> CD -> EAC -> SHN (Recorded by Bob Menke)Same md5's as prior seed; Set 2 Recording Info: SBD -> Master Reel -> Master Dat (44.1k)Transfer Info: Master Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Transferred and Patched By Charlie Miller; See txt file for patch detail
|
notes
|
| 2476. |
07/16/76 |
Flac 16 - 0,
123477 |
San Francisco |
Orpheum Theatre flac16; Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat; Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; Recorded By Bob Menke; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2477. |
07/16/76 |
Shn - 0,
16943 |
San Francisco |
Orpheum Theatre Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony; MAC > DAT > CD, except U.S. Blues encore, which is MAC > R > DAT > CD (Menke could not locate his master recording of the encore when this new transfer was done). EAC> WAV> SHN by Sean Cribbs
|
notes
|
| 2478. |
07/16/76 |
Shn - 0,
8666 |
San Francisco |
Orpheum Theatre AUD : MC (FOBalcony SonyECM-180 > SonyTC-152 -update: taped by Bob Menke using Rob Bertrando's mics) > R > DAT > DAW (Bertha by Jay Ashley) > CD
|
notes
|
| 2479. |
07/16/76 |
Shn - 0,
10377 |
San Francisco |
Orpheum Theatre Sony ECM 280 Sony TC-152 Cm (update: taped by Bob Menke using Dr. Rob Bertrando's mics - Front of Balcony) > R > C > DAT; via Dave Minor, Dale Shepherd; Seeded to etree by Matt Vernon
|
notes
|
| 2480. |
07/17/76 |
Flac 16 Mtx - 0,
95734 |
San Francisco |
Orpheum Theatre flac16; Sick Bits Vol. 25 - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=34708) + AUD (shnid=18389). Matrixed by Chris Chappell.
|
notes
|
| 2481. |
07/17/76 |
Flac 16 Mtx - 0,
91827 |
San Francisco |
Orpheum Theatre flac16; Matrix: SBD Source: shnid=34708; AUD Source: shnid=18389 : Matrix created by Chris Chappell. Final matrix seed discs provided by Rob Betrando. EAC > FLAC by Noah Weiner (May 2008)
|
notes
|
| 2482. |
07/17/76 |
Shn - 0,
18389 |
San Francisco |
Orpheum Theatre Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony. Lineage: MAC>R>D>WAV>SHN via David Minches
|
notes
|
| 2483. |
07/17/76 |
Shn - 0,
243 |
San Francisco |
Orpheum Theatre SBD: Master Reel > DAT > CD (possible "new leak"?); Eyes has a 45-second AUD splice, and 2 sec repeat at 3:30 (is that the splice point?); via J. Fricker
|
notes
|
| 2484. |
07/17/76 |
Shn - 0,
34708 |
San Francisco |
Orpheum Theatre Fix of shn id 243 - patch in Eyes of the World smoothed out (MSR>DAT>CD>EAC>SHN)
|
notes
|
| 2485. |
07/17/76 |
Flac - 0,
141966 |
San Francisco |
Orpheum Theatre flac Recording Info: (Front Row Balcony) Sony ECM-270 -> Cassette Master (Sony TC-152SD) -> Dat Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC (3 Discs Audio / 1 DVD FLAC) Recorded By Bob Menke All Transfers and Mastering By Charlie Miller
|
notes
|
| 2486. |
07/18/76 |
Flac 16 - 0,
107823 |
San Francisco |
Orpheum Theatre flac16; source: Pre FM 7" 1/2 track reel @ 7.5 ips, no nr Michael Schuncke's DIR broadcast reels, transfer by Rob Berger
|
notes
|
| 2487. |
07/18/76 |
Shn - 0,
14838 |
San Francisco |
Orpheum Theatre S : PreFM > MR > PCM > DAT > CDA > DAW (Bertha) > CDA - d1t01 and d3 S : FM > R > DAT > CDA > DAW (Bertha) > CDA - d1t02-d2t07 Bertha Remaster by jashley@deadacated.com Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool.
|
notes
|
| 2488. |
07/18/76 |
Flac 24 - 0,
107833 |
San Francisco |
Orpheum Theatre flac24; source: Pre FM 7" 1/2 track reel @ 7.5 ips, no nr Michael Schuncke's DIR broadcast reels, transfer by Rob Berger
|
notes
|
| 2489. |
07/18/76 |
Shn - 0,
244 |
San Francisco |
Orpheum Theatre SBD > ??? > CDR > CDR > SHN (via EAC and mkwACT); via M. Ferguson; no digiflaws, some amplifier hum, "dead air" spaces cut
|
notes
|
| 2490. |
07/18/76 |
Flac 16 - 0,
150187 |
San Francisco |
Orpheum Theatre flac16; Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
notes
|
| 2491. |
07/18/76 |
Flac 16 - 0,
150770 |
San Francisco |
Orpheum Theatre flac16; Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; This is a remastered version of source ID 150187 (fixes previous issues)
|
notes
|
| 2492. |
07/18/76 |
Flac 16/44,1 - 0,
150982 |
San Francisco |
Orpheum Theatre flac16/44.1khz --This is a Flying -M- remaster reducing the buzz and hum with iZotope RX8 advanced (Oct. 29, 2020) Recording Info: (KSAN) Pre-FM > Reel Master > DAT (44.1k) Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16 (3 Discs Audio / 1 DVD FLAC)
|
notes
|
| 2493. |
08/02/76 |
Flac 16 - 0,
132697 |
Hartford |
Colt Park flac16; Cassette Audience Master recorded By Keith Gatto; Shure SM 94 microphones-Sony TC 152sd Cassette Recorder; Analog to Digital:Cassette Masters played back on Sony TC 152sd-DAT; Transfer by Keith Gatto; DAT-CD JW; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6); CD-WAV-FLAC(dBpoweramp music converter)-Tagging(Tag & Re-name) by Jim Wise
|
notes
|
| 2494. |
08/02/76 |
Shn - 0,
245 |
Hartford |
Colt Park K. Gatto's AUD (Sony tc-152 cassette> DAT> CD); seed via J. Wise, T. OConnell et al; EAC, shn, upload by A. Jerugim
|
notes
|
| 2495. |
08/02/76 |
Flac 24/96 - 0,
81971 |
Hartford |
Colt Park flac24/96; Taper: E. Singer Source: FOB (mics ??? either Senn441s or AKG ???) Uher CR-134 > Maxell UD-XL1 C90min. Lineage: Transfer: MAC > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak (24/96 WAV) by D.McCabe. Mastering: SIRMick
|
notes
|
| 2496. |
08/02/76 |
Flac 16 - 0,
81456 |
Hartford |
Colt Park flac16; Source: Audience FOB Recording Media: Maxell UD-XL1 C90 Master Tapes Lineage: MAC? (we can't for sure indicate that this is a master cassette, this might be a 1st gen copy) > Nak DR-1 > Apogee Rosetta 200 > Firewire > Apple G5 > Bias Peak 24/96 wav > FLAC > WAV > See Editing notes Taped by: E. Singer Transfer by: Derek McCabe Mastered by: SIRMick
|
notes
|
| 2497. |
08/02/76 |
Flac 24/96 - 0,
141900 |
Hartford |
Colt Park flac24; Source: Sony ECM 99A > Sony TC 152 > Cassette Master > reel - Recorded by Jimmy Warburton and provided by Pat Lee; Transfer: reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick
|
notes
|
| 2498. |
08/02/76 |
Flac - 0,
141900 |
Hartford |
Colt Park flac24; Source: Sony ECM 99A > Sony TC 152 > Cassette Master > reel - Recorded by Jimmy Warburton and provided by Pat Lee; Transfer: Baked reel > Technics 1506 > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; the original files were 16 bit/ 96kHz; please don't circulate those files
|
notes
|
| 2499. |
08/02/76 |
Flac 16 - 0,
145157 |
Hartford |
Colt Park b>flac16; Source: Sony ECM 99A > Sony TC 152 > Cassette Master > reel - Recorded by Jimmy Warburton and provided by Pat Lee; Transfer: Baked reel > Technics 1506 > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; 24 > 16 by Norm
|
notes
|
| 2500. |
08/02/76 |
Flac 24/48 - 0,
152092 |
Hartford |
Colt Park flac2448 ; Source: Mono Sony hand-held recorder (model unknown) > Memorex MRX-2 C90's (normal bias). Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2021
|
notes
|
| 2501. |
08/04/76 |
Flac 16 Mtx - 0,
120684 |
Jersey City |
Roosevelt Stadium flac16; 2 source matrix: Soundboard (shnid=99697) lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe>flac transferred & seeded by Rob Berger 6/22/09 and Audience (shnid=12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore Transfer: CDR > EAC (secure) > Cool Edit (minor fixup) > mkwact(seekable) Patch Source (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN (Tape Flips Patched w/(FOB) Shure Mics>Cm>Dat>CD) (parts of set 1 patched from video soundtrack) from Charlie Miller via Patrick Clifford Matrix by dusborne using Sound Forge Pro 10.0 and Audacity 2.0 06-11-2012
|
notes
|
| 2502. |
08/04/76 |
Flac 16 Mtx - 0,
127240 |
Jersey City |
Roosevelt Stadium flac16; Matrix 3 Source Mix - SBD (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - matrix mixing by Kevin Tobin
|
notes
|
| 2503. |
08/04/76 |
Flac 16 - 0,
127249 |
Jersey City |
Roosevelt Stadium flac16; (original shn 35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford - pitch correction and patches by Kevin Tobin
|
notes
|
| 2504. |
08/04/76 |
Flac 16 - 0,
35171 |
Jersey City |
Roosevelt Stadium flac16; SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin
|
notes
|
| 2505. |
08/04/76 |
Flac 16 - 0,
99698 |
Jersey City |
Roosevelt Stadium flac16; source: sbd 2nd gen reel; lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe 16/44>flac
|
notes
|
| 2506. |
08/04/76 |
Shn - 0,
12078 |
Jersey City |
Roosevelt Stadium Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon
|
notes
|
| 2507. |
08/04/76 |
Shn - 0,
12830 |
Jersey City |
Roosevelt Stadium SBD> MR> C> D> CD> EAC> SHN; with patches from AUD> MC> D> CD> EAC> SHN; see info file for details; Thanks to Chuck Gannon, Matt Vernon, and David Backus; edits/encoding by JCotsman
|
notes
|
| 2508. |
08/04/76 |
Flac Dts 5.1 - 0,
127254 |
Jersey City |
Roosevelt Stadium DTS-Audio-CD 5.1 Mix; Matrix 3 Source Mix - SBD (shnid=35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - matrix mixing by Kevin Tobin
|
notes
|
| 2509. |
08/04/76 |
Flac 24/96 - 0,
99697 |
Jersey City |
Roosevelt Stadium flac24; source: sbd 2nd gen reel; lineage: sbd reel master>reel>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96>cd wave>adobe>flac
|
notes
|
| 2510. |
08/04/76 |
Shn - 0,
6677 |
Jersey City |
Roosevelt Stadium MSR-> C-> DAT-> CDR-> EAC-> SHN V.3; via Dave of Terrapin Station FTP; see info file for flaw notes; upgrade in circulation
|
notes
|
| 2511. |
08/04/76 |
Flac 16 - 0,
127248 |
Jersey City |
Roosevelt Stadium flac16; (original shnid = 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon - pitch correction and patches by Kevin Tobin
|
notes
|
| 2512. |
08/04/76 |
Flac 16/48 - 0,
145268 |
Jersey City |
Roosevelt Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 35171) SBD>Cm>Reel>Lucid AD2496>CD>EAC>SHN; with patches from Shure Mics>Cm>Dat>CD; see info file for details; Thanks to Bob Wagner, Charlie Miller, and Patrick Clifford; edits/encoding by kevtobin + AUD1 (shn id 12078) Source 1: MAC > D > CD *Recorded by Scott Jones, Shure micsSony TC-158 Source 2: unknown aud supplies end of Sugar Magnolia and Encore; via Jackey Shack; Seeded to etree by Matt Vernon + VID (no shn id) used for patching and timing reference - surround mixing by Kevin Tobin
|
notes
|
| 2513. |
08/04/76 |
Flac 24/48 - 0,
152165 |
Jersey City |
Roosevelt Stadium flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK-SD (normal bias) back-up tapes. Concert recording by Rich Petrunis. Transfer: 1st-gen > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2021
|
notes
|
| 2514. |
08/26/76 |
Flac 16 - 0,
140993 |
San Rafael |
Club Front Studio flac16; source/lineage: studio reel -> ? -> Maxell MX-S 100 cassette with Dolby B; Transfer: Nakamichi Dragon (playback with Dolby B) -> Lexicon Lambda -> Logic Pro -> wav -> xAct -> flac
|
notes
|
| 2515. |
09/23/76 |
Shn - 0,
14687 |
Durham |
Cameron Indoor Stadium, Duke University Primary source - SBD: Cm-> C-> Cx2-> DAT-> CDR->EAC->SHN Aud patch sources: AUD: Cm->?-> C-> DAT-> CDR. DAE and shn encoding done by D.Backus
|
notes
|
| 2516. |
09/23/76 |
Flac - 0,
117651 |
Durham |
Cameron Indoor Stadium, Duke University flac16; This is a restored version of shnid=14687. It did not involve an upgrade in the source material. A short portion contains a transfer from an open reel tape I received in trade in 1977 (unknown generations).
|
notes
|
| 2517. |
09/24/76 |
Shn - 0,
16901 |
Williamsburg |
College Of William & Mary Hall AUD Reel > 48kDATs > midiman delta dio 2496 > cooledit2000 > wav >shn
|
notes
|
| 2518. |
09/25/76 |
Shn - 0,
246 |
Landover |
Capital Centre SBDMR> CASS/1> DAT> CD> EAC> SHN; via A. Jerugim; known flaws: 1 sec distortion d3t3 6:22; Sunshine Daydream cuts @0:27; 4/26 update- error in d1- reseeded ~4/27; this date later released as part of Dick's Picks 20
|
notes
|
| 2519. |
09/25/76 |
Shn - 0,
10511 |
Landover |
Capital Centre Dick's Picks 20 leftovers: 9/25/76 Its All Over Now, plus 9/28/76 Bertha; SBD > MR > ? > CDR> EAC (secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable); via Matt Vernon with thanks to Raoul Duke
|
notes
|
| 2520. |
09/25/76 |
Flac 16 - 0,
147662 |
Landover |
Capital Centre flac16; AUD; Presumed source: Shure SM-57's > Sony TC-158SD, concert recording by Scott Jones, MAC > C > C (2nd Gen, c.1978) cassettes via Lee Maddex. Transfering: 2007; Maxell XLII-90's > JVC TD-W309 > Tascam CDRW-700 > CDR. 2019: CDR > EAC > Wavelab > CD-Wave > FLAC 1644 tagged.
|
notes
|
| 2521. |
09/25/76 |
Flac 24/96 - 0,
148827 |
Landover |
Capital Centre flac24; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 2522. |
09/25/76 |
Flac 16/48 - 0,
148826 |
Landover |
Capital Centre flac16/48kHz; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 2523. |
09/27/76 |
Flac - 0,
87664 |
Rochester |
Community War Memorial Auditorium flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Behringer Ultramatch SRC2000 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 2524. |
09/27/76 |
Flac Dts - 0,
87665 |
Rochester |
Community War Memorial Auditorium flac16; DTS-Audio-CD 5.1 Mix of SBD -> Master Reel -> Dat (48k) (shn id 87664 + AUD Sony ECM-33Ps>Sony TC-152 (Cass. master)>DAT>CDR>EAC>Sound Forge (no sound processing)>SHN (shn id 3821) - Mixed by Kevin Tobin
|
notes
|
| 2525. |
09/27/76 |
Shn - 0,
3821 |
Rochester |
Community War Memorial Auditorium Sony ECM-33Ps> Sony TC-152 (Cass. master)> DAT> CDR> EAC> Sound Forge (no sound processing)> SHN; via Mike "dankstar" Parrillo; to etree and abgd; update- not taped by Jerry Moore
|
notes
|
| 2526. |
09/27/76 |
Flac Mtx. - 0,
87661 |
Rochester |
Community War Memorial Auditorium flac16; Matrix 2 source mix - SBD (shn id 87664): SBD -> Master Reel -> Dat (48k) + AUD: (shn id 3821): Sony ECM-33Ps>Sony TC-152 (Cass. master)>DAT>CDR>EAC>Sound Forge (no sound processing)>SHN - matrix mixing by Kevin Tobin
|
notes
|
| 2527. |
09/28/76 |
Shn - 0,
14355 |
Syracuse |
Onongada County War Memorial Source: SBD > ? > SHN > Cool Edit(see notes) > CDWAV > mkwact(seekable). shn encoding and patching (unkown FOB aud)by Matt Vernon
|
notes
|
| 2528. |
09/28/76 |
Shn - 0,
14356 |
Syracuse |
Onongada County War Memorial Source: Unknown aud (FOB) via Dave Minor patched with SBD. DAT > SHN transfer by Dale Shepherd, shn encoding, pitch correction and patching by Matt vernon
|
notes
|
| 2529. |
09/28/76 |
Flac 16 - 0,
100071 |
Syracuse |
Onongada County War Memorial flac16; Set 2 only Source: AUD of unknown lineage, Transfer: TDK SA-90 (c1979) > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644. Transfer by Andrew
|
notes
|
| 2530. |
09/28/76 |
Shn - 0,
10512 |
Syracuse |
Onongada County War Memorial Dick's Picks 20 leftovers: 9/25/76 Its All Over Now, plus 9/28/76 Bertha; SBD > MR > ? > CDR> EAC (secure) > Cool Edit (minor fixes) > CDWav(retracking) > mkwact(seekable); via Matt Vernon with thanks to Raoul Duke
|
notes
|
| 2531. |
09/30/76 |
Shn - 0,
18107 |
Columbus |
Mershon Auditorium, Ohio State University Partial Set 1,2 SBD>Rm>Dat>Sonic Solutions>CD>EAC>SHN via Charlie Miller
|
notes
|
| 2532. |
09/30/76 |
Shn - 0,
30225 |
Columbus |
Mershon Auditorium, Ohio State University SBD>MR>DAT>CD; Disc 1&3; Disc 2 = SHNid=18107
|
notes
|
| 2533. |
09/30/76 |
Shn - 0,
11939 |
Columbus |
Mershon Auditorium, Ohio State University FOB - AUD master cass > Cass > DAT > CD; Scarlet from: SBD master reel > PCM > cass > CD; See info file for details; via Jonathan Miller; Seeded to etree by Dave Backus
|
notes
|
| 2534. |
09/30/76 |
Flac Mtx. - 0,
137537 |
Columbus |
Mershon Auditorium, Ohio State University flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:030225+018107), Disc 1 & 3 lineage: (30225) SBD > MR > DAT > CD > EAC > SHN, Disc 2 Lineage:(18107) SBD > Rm > Dat > Sonic Solutions>CD > EAC > SHN; Audience (shnid:11939) FOB - AUD master cass > Cass > DAT > CD > EAC > SHN
|
notes
|
| 2535. |
10/01/76 |
Flac 16 - 0,
111819 |
Indianapolis |
Market Square Arena flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; Transferred and Mastered by David Gans; Re-tracked and converted to FLAC By Charlie Miller
|
notes
|
| 2536. |
10/01/76 |
Flac 16 - 0,
112800 |
Indianapolis |
Market Square Arena flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2537. |
10/01/76 |
Flac 16 - 0,
84358 |
Indianapolis |
Market Square Arena flac16; Source: aud cassette master, Sony ecm-33p's>Sony 153, Maxell UD120's w/dolby b, mics on stand, fob taped by Jerry Moore Lineage: aud c.m.>sbm1>dat>cdr>eac>cd wave>flac Transfer by Rob Berger '99, tracking by John Tallmadge
|
notes
|
| 2538. |
10/01/76 |
Flac 16 - 0,
118468 |
Indianapolis |
Market Square Arena flac16; SRC: Unknown AUD (likely FOB) > C; Lineage: Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > minor editing (see below) > downsampling in r8brain Pro to 44.1 khz > dithered using Ozone 3 plugin (MBIT+) > exported to 16 bit in Samplitude 11 Producer > FLAC
|
notes
|
| 2539. |
10/01/76 |
Flac 24/96 - 0,
118467 |
Indianapolis |
Market Square Arena flac24; SRC: Unknown AUD (likely FOB); Lineage: Nakamichi DR-1 > Tascam HD-P2 > 24 bit/96 khz WAV > FLAC
|
notes
|
| 2540. |
10/01/76 |
Flac 16 Mtx - 0,
137657 |
Indianapolis |
Market Square Arena flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:112800), Recording Info: SBD -> Master Reel -> Dat -> CD,Transfer Info:CD -> Samplitude Professional v11.2 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience (shnid:118467), SRC: Unknown AUD (likely FOB),Lineage: Nakamichi DR-1 >Tascam HD-P2 > 24 bit/96 khz WAV > FLAC
|
notes
|
| 2541. |
10/01/76 |
Shn - 0,
14558 |
Indianapolis |
Market Square Arena AudMC > DAT > WAV > SHN -- Recorded by Jerry Moore about 20 rows from the stage on center axis with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON.
|
notes
|
| 2542. |
10/01/76 |
Shn - 0,
10151 |
Indianapolis |
Market Square Arena sony tc152 w/ 2 AKGD200e mics > 3C > DAT > CDWav; via Raoul Duke, Dave Minor; DAT Transfer by Marc Pujol; Seeded to etree by Matt Vernon
|
notes
|
| 2543. |
10/01/76 |
Flac 16/44 - ,
170205 |
Indianapolis |
Market Square Arena flac1644; Recording info: Vault master reel sourced files (via anon); Mastered by Jim Blackwood; Pitch adjustment by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel
|
notes
|
| 2544. |
10/02/76 |
Shn - 0,
14560 |
Cincinnati |
Riverfront Coliseum AudMC > DAT > WAV > SHN taped by Jerry Moore with 2 hand held Sony ECM-33Ps > Sony TC-153 deck, Maxell UD-120 cassettes, with Dolby B ON. A>D and shn encoding by Noah Weiner.
|
notes
|
| 2545. |
10/02/76 |
Flac 16 - 0,
134416 |
Cincinnati |
Riverfront Coliseum flac16; restored version of source ID 14560: AudMC > DAT > WAV > SHN; Recorded by Jerry Moore on the left side, maybe a third of the way out from the stage and two thirds in front of center court, about 20 rows off the floor with 2 hand held Sony ECM-33Ps > Sony TC-153 deck. Maxell UD-120 cassettes, with Dolby B ON;multi-filter with a paragraphic equalizer, three virtual valve amplifers, one dynamic noise filter in enhancer mode and a spectral filter for final equalization; see info file for details
|
notes
|
| 2546. |
10/02/76 |
Shn - 0,
10152 |
Cincinnati |
Riverfront Coliseum ACM>??>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 2547. |
10/03/76 |
Flac 16 - 0,
121945 |
Detroit |
Cobo Arena flac16; Set 2 Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascm SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2548. |
10/03/76 |
Shn - 0,
248 |
Detroit |
Cobo Arena set 2 partial; FMSBD -> SBDCM -> DAT -> CD> EAC > SHN; via A. Jerugim; no known flaws; upgrade in circulation
|
notes
|
| 2549. |
10/03/76 |
Shn - 0,
19415 |
Detroit |
Cobo Arena SET ONE: AUD > ? > CD > EAC > SHN edits/encoding by JCotsman. Taken from this version. SET TWO: AUD > ? > CASS > DAT > WAV > SHN A > D by Noah Weiner - August, 2003. Added to etree by Noah Weiner.
|
notes
|
| 2550. |
10/03/76 |
Shn - 0,
12832 |
Detroit |
Cobo Arena complete; 1st set: AUD> ?> CD> EAC> SHN; 2nd set: SBD> MR> D> CD> EAC> SHN; with patches in second set from the audience recording as well as an FM SBD; Thanks to Jeff Cook, Doug Moog; edits/encoding by JCotsman
|
notes
|
| 2551. |
10/03/76 |
Shn - 0,
12829 |
Detroit |
Cobo Arena set2; SBD> MR> C> DAT> CDR> WAV> SHN; EAC/SHN by jim; upgrade in circulation
|
notes
|
| 2552. |
10/09/76 |
Shn - 0,
12519 |
Oakland |
Oakland-Alameda County Coliseum Set 2; SBD>Rm>Dat>Sonic Solutions>CD; Seeded to etree by Charlie Miller
|
notes
|
| 2553. |
10/09/76 |
Flac 16 Mtx - 0,
89544 |
Oakland |
Oakland-Alameda County Coliseum flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD): SBD > RM > Dat>Sonic Solutions > CD > EAC > SHN (shn id 12519) and Unknown aud > ? > DAT Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit(rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn (shn id 10179)
|
notes
|
| 2554. |
10/09/76 |
Flac Dts - 0,
86437 |
Oakland |
Oakland-Alameda County Coliseum DTS Audio 5.1; Set 2 only: SBD: SBD > RM > Dat>Sonic Solutions > CD > EAC > SHN Converted to SHN By Charlie Miller (shn id 12519) and AUD: Unknown aud > ? > DAT Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit (rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn SHNtool used verify track boundaries prior to wav>shn Transfer by Marc Pujol (shn id 10179)
|
notes
|
| 2555. |
10/09/76 |
Shn - 0,
249 |
Oakland |
Oakland-Alameda County Coliseum partial; S:GDH PreFM DAT> ZA2> DartPro32 de-hiss w/ 2.7 gain> CD> EAC> SHN; No noise reduction on disc 2; via D. Hollister, J. Ayers; w/ 5/1/70 filler; etreed 3/24/00; 5/1/70 filler
|
notes
|
| 2556. |
10/09/76 |
Flac 16 - 0,
83819 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: Unknown aud > ? > DAT; Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit(rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn Fix of shnid 10179 - tracks put back in phase and stretched to 103% by Bill Tetzeli
|
notes
|
| 2557. |
10/09/76 |
Flac 16 - 0,
99003 |
Oakland |
Oakland-Alameda County Coliseum flac16; master taped by Louis Falanga on a sony tc-152sd lineage: MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 16/44>flac agfa reel baked/transferred/seeded by Rob Berger
|
notes
|
| 2558. |
10/09/76 |
Flac 24/48 - 0,
99002 |
Oakland |
Oakland-Alameda County Coliseum flac24; master taped by Louis Falanga on a sony tc-152sd lineage: MAC>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac agfa reel baked/transferred/seeded by Rob Berger
|
notes
|
| 2559. |
10/09/76 |
Shn - 0,
10179 |
Oakland |
Oakland-Alameda County Coliseum Unknown aud > ? > DAT; via Dave Minor; Transfer by Marc Pujol; Seeded to etree by Matt Vernon
|
notes
|
| 2560. |
10/10/76 |
Shn - 0,
3381 |
Oakland |
Oakland-Alameda County Coliseum Master Soundboard Reel > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; tracked for 2x80
|
notes
|
| 2561. |
10/10/76 |
Shn - 0,
11670 |
Oakland |
Oakland-Alameda County Coliseum Reinhardt Hollwein Sony ECM-220 + Sony ECM-280>Sony TC-15; via JackySack; Seeded to etree by Matt Vernon
|
notes
|
| 2562. |
10/10/76 |
Flac 16 - ,
155765 |
Oakland |
Oakland-Alameda County Coliseum Recording Info: (FOB) Unknown Mics > Cassette Master (Uher Deck) Mastering Info: WAV (16-bit/44.1k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/16
|
notes
|
| 2563. |
10/10/76 |
Flac 16/44 - ,
155807 |
Oakland |
Oakland-Alameda County Coliseum flac16/44 Source: Sony ECM-220 + Sony ECM-280 > Sony TC-15 > Master Audio Casstte - Recorded by Reinhardt Hollwein Lineage: Master Audio Casstte > DAT > CD > EAC (secure) > Cool Edit (minor fixes) > mkwact (seekable) > shn Additional Lineage: Decoded SHN > Wav > Adobe Audition 3 > iZotope RX 9 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 16 edited and remastered SIRMick February 2022
|
notes
|
| 2564. |
10/14/76 |
Shn - 0,
12614 |
Los Angeles |
Shrine Auditorium composite and patched: AUD> MC> R> D> ?> D> CD> EAC> SHN (Bertrando recording) plus SBD> MR> D> CD> EAC> SHN; see notes; via Jeff Cotsman
|
notes
|
| 2565. |
10/14/76 |
Shn - 0,
12079 |
Los Angeles |
Shrine Auditorium Source: MAC>R>D > ? > D, Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152; via Dave Minor; Dat transfer by Marc Pujol; Seeded to etree by Matt Vernon
|
notes
|
| 2566. |
10/14/76 |
Shn - 0,
143276 |
Los Angeles |
Shrine Auditorium SBD MR > C1 > DAT
|
notes
|
| 2567. |
10/15/76 |
Flac 16 - 0,
84260 |
Los Angeles |
Shrine Auditorium flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 2568. |
10/15/76 |
Flac 16 - 0,
105824 |
Los Angeles |
Shrine Auditorium flac16; Sony ECM 270's >> Sony TC 152SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
|
notes
|
| 2569. |
10/15/76 |
Shn - 0,
32060 |
Los Angeles |
Shrine Auditorium MSR>DATs>CDRs>EAC>SHN Fixed SBE of shnid=251
|
notes
|
| 2570. |
10/15/76 |
Shn - 0,
251 |
Los Angeles |
Shrine Auditorium MSR> DATs> CDRs> EAC> SHN; via D. Sacks; Flaws: Slight digi-static at beginning of Might as well; Mama Tried Cut at beginning; reel flip at @ 2:18 in Lazy Lightning; Splice @ 2:00 in Samson
|
notes
|
| 2571. |
10/15/76 |
Shn - 0,
11655 |
Los Angeles |
Shrine Auditorium Source: Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152 Lineage: MAC>D>CD; via JackySack; Seeded to etree by Matt Vernon
|
notes
|
| 2572. |
12/31/76 |
Shn - 0,
20760 |
Daly City |
Cow Palace Lineage: PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) - Fixed (pops removed) version of disk 3 of Jack Warner's "prefm" shn via Dave Winters Check the .md5s for d3t03 to see whether you have this seed or #18524. May circulate as either disc 3 solo with a short "Note added 9/1/2003", or as three discs, which is a combination of Source # 18524 and d3 from this source
|
notes
|
| 2573. |
12/31/76 |
Shn - 0,
18524 |
Daly City |
Cow Palace PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) 2nd encores from MAR (unknown equipment) > Reel > Beta HiFi > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) [Note: A de-popped version created by Dave Winters for disk 3 also circulates. Check the .md5 for d3t03 to determine which version you have.]
|
notes
|
| 2574. |
12/31/76 |
Shn - 0,
3863 |
Daly City |
Cow Palace FM-SB (KSAN-FM)> ? > CDA; 2 encores missing; via Aaron Farnsworth; noted at gdlive 5/01
|
notes
|
| 2575. |
12/31/76 |
Shn - 0,
15114 |
Daly City |
Cow Palace Lineage: FM MR>SBM-1>CD>Cool Edit Pro>CD Circulating on Furthur in Feb. 2003; upgrade in circulation
|
notes
|
| 2576. |
12/31/76 |
Flac 24/48 - 0,
152247 |
Daly City |
Cow Palace flac2448; Source: Mono Sony hand-held recorder (model unknown) > 3x TDK SD C90's (normal bias). Concert recording by Rich Petrunis, standing center floor about 30 feet out from the stage. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021
|
notes
|
| 2577. |
02/17/77 |
Shn - 0,
16745 |
Van Nuys |
Sound City Source:SBD>Master Reel>DAT>CDR>SHN; Terrapin Station and Mars Hotel studio outtakes; DAE(EAC0.9 beta 4)>tracking(CDWAV)>SHN(MKWAct.96f)>FTP via Tripp
|
notes
|
| 2578. |
02/17/77 |
Flac 16 - 0,
145156 |
Van Nuys |
Sound City flac16; Derived from the tagged version of source ID 16745; Source:SBD> Master Reel> DAT> CDR> SHN; DAE (EAC0.9 beta 4)> tracking(CDWAV)> SHN (MKWAct.96f)> FTP via Tripp; flac files from internet > xACT > WAV > Pro Tools LE > xACT > flac
|
notes
|
| 2579. |
02/17/77 |
Flac 16/44 - 0,
145591 |
Van Nuys |
Sound City flac16/44.1khz Goody pitch fix of 145156. dBpoweramp (WAV) > Audition (Pitch Bender, various amounts; edits to smooth transitions) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags)
|
notes
|
| 2580. |
02/20/77 |
Shn - 0,
9470 |
Van Nuys |
Sound City Terrapin Station Outtakes; sbd>?>cdr; Seeded to etree by Paul Moreno
|
notes
|
| 2581. |
02/26/77 |
Flac 16 Mtx - 0,
110037 |
San Bernardino |
Swing Auditorium flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 2582. |
02/26/77 |
Shn - 0,
9752 |
San Bernardino |
Swing Auditorium SBD > Master Reel > PCM > DAT > CD-R; via DaveTree; Seeded to etree by AlphaDog
|
notes
|
| 2583. |
02/26/77 |
Flac 16 - 0,
83283 |
San Bernardino |
Swing Auditorium flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk (Tim Deibert) WBOTB
|
notes
|
| 2584. |
02/26/77 |
Shn - 0,
23808 |
San Bernardino |
Swing Auditorium From the Owen Brothers Vault. Main source: SBD>MR>DATs>CDR>EAC>CDR>EAC>CDWAV>SHN. With AUD patches from: Sony ECM-280>Sony TC-153SD>MC>RR>DAT>CDR and between song tuning patches from: SBD>MR>C>C>CD.
|
notes
|
| 2585. |
02/26/77 |
Shn - 0,
32009 |
San Bernardino |
Swing Auditorium SBD>MR>DAT>CD; Editing and mastering by The Wizard
|
notes
|
| 2586. |
02/26/77 |
Flac 16 - 0,
110231 |
San Bernardino |
Swing Auditorium Sony ECM-22P's > 153SD cassette (Maxell UDXLII Dolby) > Technics 1506 reel 3.75 ips Dolby > Tascam CDR > dbPoweramp > wav > FLAC. Recording and transfer by Rob Bertrando. Pitch adjustments, tracking and FLACing by Hunter Seamons.
|
notes
|
| 2587. |
02/26/77 |
Shn - 0,
2519 |
San Bernardino |
Swing Auditorium EAC> seeking SHN by anonymous of previous set, with "alternate" tracking, but also with additional error- this shn set has been circulated with d1t2,t3 switched- correctly listed in info file, but with incorrect tracknames as in d1error.md5 here; d1ok.md5 here shows correct track ordering; Dropouts noted: Samson and Delilah @ 1:54; Music Never Stopped @ 2:04; upgrade in circulation
|
notes
|
| 2588. |
02/26/77 |
Shn - 0,
253 |
San Bernardino |
Swing Auditorium Betty Board; d1 overtime- see G. Hamilton's alternate tracking suggestions; no md5s originally- checksums here are generated from the alt tracking; a few dropouts and reel changes; via Datsit, Other1, Steve; listener Jason Palmer asserts that there may be NR applied to this version?; Dropouts noted: Samson and Delilah @ 1:54; Music Never Stopped @ 2:04; note d1 tracks are in correct order unlike later reshn of this version; upgrade in circulation
|
notes
|
| 2589. |
02/26/77 |
Flac 16 - 0,
152023 |
San Bernardino |
Swing Auditorium Fix Of i.d. 151834. Channels reversed on 151834. This is a remaster & partial upgrade to shnid 83283. Source #1: 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 2-17-2002. Remastered by Joe Noel February 17, 2020 Source #2: Betty Board > Reel Master > PCM (original) > pcm clone > sony 601esd > spdif digital clone to dat > vx pocket > laptop Playback & dbx decode; laptop > vx pocket spdif out > mytek stereo 96 dac > balanced analog out > dbx150X type I dbx decoder > balanced analog out to mr2000 balanced in, 1 bit recorded > Audiogate WAV 24-48 DAT transferred & provided by anonymous. Edited & Mastered using Adobe Audition by Joe Noel. February 16, 2020.
|
notes
|
| 2590. |
02/26/77 |
Flac 16 - 0,
151834 |
San Bernardino |
Swing Auditorium flac16 This is a remaster & partial upgrade to shnid 83283 - Source #1: 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > DBX Type 1 decoder > PCM501ES analog out > Fostex D5 @ 48kHz > Fostex D5 optical S/PDIF out (Jace's tape) > disk Transferred by Tim Deibert 2-17-2002. Remastered by Joe Noel February 17, 2020 - Source #2: Betty Board > Reel Master > PCM (original) > pcm clone > sony 601esd > spdif digital clone to dat > vx pocket > laptop Playback & dbx decode; laptop > vx pocket spdif out > mytek stereo 96 dac > balanced analog out > dbx150X type I dbx decoder > balanced analog out to mr2000 balanced in, 1 bit recorded > Audiogate WAV 24/48 DAT transferred & provided by anonymous Edited & Mastered using Adobe Audition by Joe Noel February 16, 2020
|
notes
|
| 2591. |
02/27/77 |
Shn - 0,
10378 |
Santa Barbara |
Robertson Gym, U.C.S.B. Sony ECM-280> Sony TC-153SD ACM> R>DAT> CDR taped by Dr. Rob Bertrando; via Raoul Duke; Seeded to etree by Matt Vernon; Note- d2t06 does not exist, this was merely a naming error and the show is complete as is.
|
notes
|
| 2592. |
02/27/77 |
Flac 16 - 0,
143885 |
Santa Barbara |
Robertson Gym, U.C.S.B. flac16; Source: Sony ECM-280s > Sony TC-153SD > Cassette Master > Reel > Reel - Taped by Dr. Rob Bertrando, Jimmy Warburton's copy; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac 16; edited and mastered SIRMick November 2018
|
notes
|
| 2593. |
02/27/77 |
Flac 24/96 - 0,
143884 |
Santa Barbara |
Robertson Gym, U.C.S.B. flac24; Source: Sony ECM-280s > Sony TC-153SD > Cassette Master > Reel > Reel - Taped by Dr. Rob Bertrando, Jimmy Warburton's copy; Transfer: Reel >Akai GX636 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > Adobe audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick
|
notes
|
| 2594. |
02/27/77 |
Flac 16 - 0,
144912 |
Santa Barbara |
Robertson Gym, U.C.S.B. flac16; Partial Set 2 Pitch Corrected Version Recording Info: SBD > Master Reel (7.5ips 1/2trk) > FLAC; Mastering Info: FLAC > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; Transferred by Rob Eaton; Mastered by Charlie Miller
|
notes
|
| 2595. |
02/27/77 |
Flac 16 - 0,
144911 |
Santa Barbara |
Robertson Gym, U.C.S.B. flac16; Partial Set 2 Recording Info: SBD > Master Reel (7.5ips 1/2trk) > FLAC; Mastering Info: FLAC > Samplitude Pro X3 Suite > FLAC/16; Transferred by Rob Eaton; Mastered by Charlie Miller
|
notes
|
| 2596. |
02/27/77 |
Flac 24/96 - 0,
145196 |
Santa Barbara |
Robertson Gym, U.C.S.B. flac24; Rob Bertrando's Master Audience Cassettes; Sony ECM-280 mics > Sony TC-153SD > Rob Bertrando's 1st generation reels @ 3.75 ips; Transfer Info: 1st generation reels (Akai GX636)> Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 2597. |
02/27/77 |
Flac 16/48 - 0,
145195 |
Santa Barbara |
Robertson Gym, U.C.S.B. flac16/48kHz; Rob Bertrando's Master Audience Cassettes; Sony ECM-280 mics > Sony TC-153SD > Rob Bertrando's 1st generation reels @ 3.75 ips; Transfer Info: 1st generation reels (Akai GX636)> Tascam DA3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 2598. |
03/18/77 |
Shn - 0,
254 |
San Francisco |
Winterland Arena SBDMR @ 7.5 ips> DAT> CD> EAC> SHN, with AUD patches; AUD portions: Master (R. Bertrando Sony ECM-270/TC-152SD) Cassette> DAT> CD> EAC> SHN; note skip or maybe reel flip d2t2 5:38; d3t3>4 track marker off by ~1:45; d3t5, 'NFA', has an undocumented AUD splice from 14:20 to 15:06
|
notes
|
| 2599. |
03/18/77 |
Flac 16 - 0,
123285 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Mastering Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2600. |
03/18/77 |
Shn - 0,
79098 |
San Francisco |
Winterland Arena
|
notes
|
| 2601. |
03/18/77 |
Flac 24/96 - 0,
140916 |
San Francisco |
Winterland Arena flac24; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick February 2018; fixed version in circulation
|
notes
|
| 2602. |
03/18/77 |
Flac 16 - 0,
140942 |
San Francisco |
Winterland Arena flac16; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; fixed version of source ID 140916
|
notes
|
| 2603. |
03/18/77 |
Flac 16 Mtx - 0,
141388 |
San Francisco |
Winterland Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 123285 & 140918.
|
notes
|
| 2604. |
03/18/77 |
Flac 16 - 0,
145158 |
San Francisco |
Winterland Arena flac16; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; 141163 24 > 16
|
notes
|
| 2605. |
03/18/77 |
Flac 16 - 0,
145509 |
San Francisco |
Winterland Arena flac16; Analog Audience Source: Sony ECM 270 Microphones > Sony TC 152SD; front row balcony right side; Medium Stock Brands: Maxell UD C90's Cassettes; Analog Sound Preservation: MAC > CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg at 5.6 mhz; Soundboard Source: Source: Recording Info: SBD -> Master Reel -> Dat -> CD; Mastering Info:CD -> Samplitude Professional v11.2.1 -> FLAC; Mastering & Matrix: Derek McCabe
|
notes
|
| 2606. |
03/18/77 |
Flac 24/96 - 0,
140918 |
San Francisco |
Winterland Arena flac24; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; fixed version of source ID 140916
|
notes
|
| 2607. |
03/18/77 |
Flac 24/96 - 0,
141163 |
San Francisco |
Winterland Arena flac24; Source: Sony ECM 270's > Sony TC 152SD > Master Cassettes (Maxell UD C90) - Recorded from front row balcony right side by Bob Menke; Transfer: MAC > Nakamichi CR-7A > Audio Technica AM 400 Line Amp/mixer > Korg at 5.6 mhz > Audiogate > wav 24/96 - Transfer by Bob Menke; Lineage: Wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; pitch corrected version of the two previous fixes
|
notes
|
| 2608. |
03/19/77 |
Shn - 3,
255 |
San Francisco |
Winterland Arena SBD>MR>DAT>DAT>Sonic Solutions>CDR; original tree and covers; note circ at one site 10/99 w/ problem in d3t5?; note Terrapin has fluttery flaws from master reel
|
notes
|
| 2609. |
03/19/77 |
Flac 16 - 0,
123190 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; Mastered By Charlie Miller
|
notes
|
| 2610. |
03/19/77 |
Flac 16 Mtx - 0,
96856 |
San Francisco |
Winterland Arena flac16; matrix of SBD: shnid=255 and an uncirculated AUD: shnid=xxxxx by hansokolow using ProTools
|
notes
|
| 2611. |
03/19/77 |
Flac 16/44,1 - 0,
139354 |
San Francisco |
Winterland Arena flac16 44.1khz Sony ECM 280 ->Cassette ->DAT. Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel.
|
notes
|
| 2612. |
03/19/77 |
Flac 16 Mtx - 0,
140347 |
San Francisco |
Winterland Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 123190 & 139354
|
notes
|
| 2613. |
03/19/77 |
Flac 16 - 0,
145510 |
San Francisco |
Winterland Arena flac16; Analog Audience Source: Sony ECM 270 Microphones > Sony TC 152SD; front row balcony right side; Medium Stock Brands: Maxell UD C90's Cassettes; Analog Sound Preservation: MAC > CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg at 5.6 mhz; Soundboard Source: Source: Recording Info: SBD -> Master Reel -> Dat -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; Mastering & Matrix: Derek McCabe
|
notes
|
| 2614. |
03/19/77 |
Flac 24/96 - ,
152613 |
San Francisco |
Winterland Arena Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 2615. |
03/19/77 |
Flac 16/44 - ,
152612 |
San Francisco |
Winterland Arena flac16/44 Recording Info: SBD > Reel Master > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC
|
notes
|
| 2616. |
03/19/77 |
Flac 16/44 - ,
154389 |
San Francisco |
Winterland Arena flac1644; Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 152613 2496 > 1644
|
notes
|
| 2617. |
03/20/77 |
Shn - 0,
25610 |
San Francisco |
Winterland Arena Recording Info: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Tracked and SHN'd By Charlie Miller
|
notes
|
| 2618. |
03/20/77 |
Shn - 0,
257 |
San Francisco |
Winterland Arena SBD > Reel(1) > ?? > DAT > WAV > SHN; Transfer via TB Fiji (S/PDIF) by J. Kempka; DAT seeded by T. Buller; no Terrapin encore on this source; some hiss. [Note: A version circulates with the sbe's fixed on set 1]; upgrade in circulation
|
notes
|
| 2619. |
03/20/77 |
Flac 16 - 0,
100022 |
San Francisco |
Winterland Arena flac16; Partial Second Set Audience Tape Unknown Gen TDK Cassette-> SB Audigy-> Audacity-> CD Wav-> Flac
|
notes
|
| 2620. |
03/20/77 |
Flac 16 - 0,
132365 |
San Francisco |
Winterland Arena flac16; Partial Recording by Gene Taback center-right balcony toward the front, deck and mics unlabeled and forgotten
|
notes
|
| 2621. |
03/20/77 |
Flac 16 - 0,
141691 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD > Master Reel (7in 7.5ips 1/2trk dbx) > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
notes
|
| 2622. |
03/20/77 |
Flac 16 - 0,
141710 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD > Master Reel (7in 7.5ips 1/2trk dbx) > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller; Numerous flaws cleaned up
|
notes
|
| 2623. |
03/20/77 |
Flac 16 - 0,
145511 |
San Francisco |
Winterland Arena flac16; Analog Audience Source: Sony ECM 270 Microphones > Sony TC 152SD; front row balcony right side; Medium Stock Brands: Maxell UD C90's Cassettes; Analog Sound Preservation: MAC > CR7A -> Audio Technica AM 400 Line Amp/mixer -> Korg at 5.6 mhz; Soundboard Source: SBD -> Master Reel -> Dat x 2 -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN; Mastering & Matrix: Derek McCabe
|
notes
|
| 2624. |
04/22/77 |
Flac - 0,
27747 |
Philadelphia |
The Spectrum flac16; SBD (7 inch Master Reels @ 7.5ips 1/2trk)> Dat> Dat (44.1k), plus patches from FOB Sony ECM99A> Cassette; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
|
notes
|
| 2625. |
04/22/77 |
Shn - 0,
10148 |
Philadelphia |
The Spectrum Multiple sources; AUD>MC>D>CD; SBD>MR>D>CD; SBD>MR>?>CD; See info file for details; via Matt Vernon, Raoul Duke, & Jools; Seeded to etree by J. Cotsman
|
notes
|
| 2626. |
04/22/77 |
Shn - 0,
8673 |
Philadelphia |
The Spectrum FOB Sony ECM99A mics > Sony TC152 > Cass > DAT > CDR; Samson is missing due to a tape flip; Seeded to etree by Dave Luzenske
|
notes
|
| 2627. |
04/22/77 |
Flac 16/44 - 0,
152296 |
Philadelphia |
The Spectrum flac1644; Source: Mono Sony hand-held recorder (model unknown) > Maxell-UD Set 1 & TDK-SD Set 2 (normal bias). Recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2021
|
notes
|
| 2628. |
04/23/77 |
Flac 16 Mtx - 0,
97596 |
Springfield |
Springfield Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 2629. |
04/23/77 |
Flac 16 - 0,
88401 |
Springfield |
Springfield Civic Center flac16; SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 2630. |
04/23/77 |
Shn - 0,
17178 |
Springfield |
Springfield Civic Center AUDMC(Sony ECM99A > Sony152TC) > DAT > CD taped by Steve Hopkins via David Minor encoded by Matt Vernon; upgrade in circulation
|
notes
|
| 2631. |
04/23/77 |
Shn - 0,
1827 |
Springfield |
Springfield Civic Center SBD> MR> DAT> CD, with AUD patch on reel splice (FOB Sony ECM99A mics> Sony TC152> DAT> CD via Darrin Sacks); via Adam Jerugim; upgrade in circulation
|
notes
|
| 2632. |
04/23/77 |
Shn - 0,
27421 |
Springfield |
Springfield Civic Center unknown provenance, but with same digisnit in Sugaree and patch in Franklin's as a previous set; however, note fewer tracks and nonstandard naming- poss reDAE/reshn of some kind?; upgrade in circulation
|
notes
|
| 2633. |
04/23/77 |
Flac 16 - 0,
83685 |
Springfield |
Springfield Civic Center flac16; Recorded by Steve Hopkins Master Audience Cassette; Sony ECM-99a > Sony TC-152sd with dolby b encoding (see info file for details) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> Adobe Audition > Downsample/Dither> flac encoding > FLAC * Patch source; Recorded by Jerry Moore; Sony ECM-33Ps> Sony TC-152
|
notes
|
| 2634. |
04/23/77 |
Shn - 0,
18438 |
Springfield |
Springfield Civic Center Recorded by Jerry Moore; Sony ECM-33Ps> Sony 153 pole mounted from floor back of center line. AUDMC > SHN by David Minches.
|
notes
|
| 2635. |
04/23/77 |
Flac 16/48 - 0,
139535 |
Springfield |
Springfield Civic Center flac16/48kHz; Recording Info: Steve Hopkins Master FOB Audience Cassette; Sony ECM-99a > Sony TC-152sd > DAT; Transfer Info: Sony PCM-500 16/48-> Tascam DA-3000 16/48 -> Adobe Audition 3.0 > TLH Flac16/48; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 2636. |
04/23/77 |
Flac 16 - 0,
143265 |
Springfield |
Springfield Civic Center flac16; Recording Info: (FOB) AKG D200E > Cassette Master (Sony TC-153SD/Maxell UD-C90) > CD Master (Tascam CD-RW700); Transfer Info: CD Master (Tascam SS-CDR200/Pitch +.8%) > Tascam DA-3000 (16-bit/44.1k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; Recorded by Dave Weidner; fixed version of source ID 143220
|
notes
|
| 2637. |
04/23/77 |
Flac 16 - 0,
143220 |
Springfield |
Springfield Civic Center flac16; Recording Info: (FOB) AKG D200E > Cassette Master (Sony TC-153SD/Maxell UD-C90) > CD Master (Tascam CD-RW700); Transfer Info: CD Master (Tascam SS-CDR200/Pitch +.8%) > Tascam DA-3000 (16-bit/44.1k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16; Recorded by Dave Weidner; fixed version in circulation
This is your collection
|
notes
|
| 2638. |
04/23/77 |
Shn - 0,
4334 |
Springfield |
Springfield Civic Center retrack> SHNv3 of previous SBD/AUD patch shn set, by Tony Gardner; upgrade in circulation
|
notes
|
| 2639. |
04/23/77 |
Flac 16/44 - ,
152692 |
Springfield |
Springfield Civic Center flac16/44 Source: Sony ECM-99a > Sony TC-152 > Master Cassettes - taped by Jimmy Warburton. The microphone was taped to a walking stick and held about 3 feet above my head. 1st transfer: Master Cassettes > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick July 2021
|
notes
|
| 2640. |
04/23/77 |
Flac 24/96 - ,
152639 |
Springfield |
Springfield Civic Center flac24/96 Source: Sony ECM-99a > Sony TC-152 > Master Cassettes - taped by Jimmy Warburton. The microphone was taped to a walking stick and held about 3 feet above my head. 1st transfer: Master Cassettes > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506 > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > flac24 edited and mastered SIRMick Jun 2021
|
notes
|
| 2641. |
04/25/77 |
Flac - 0,
15879 |
Passaic |
Capitol Theater SBD:MR>?>DAT>CDR; Pitch corrected and de-clicked by Tim Symons; See info file for details
|
notes
|
| 2642. |
04/25/77 |
Flac 16 - 0,
130529 |
Passaic |
Capitol Theater flac16; Recording Info: SBD > R > C> C > C; Transfer Info: C > Nak DR2 > WAV > Sound Forge 10 > TLH > FLAC
|
notes
|
| 2643. |
04/25/77 |
Shn - 0,
259 |
Passaic |
Capitol Theater AUD, via Teddy Good Bear's tree #1; note reported "unlistenable"
|
notes
|
| 2644. |
04/25/77 |
Flac 24 - 0,
141715 |
Passaic |
Capitol Theater flac24; Set 1 Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 2645. |
04/25/77 |
Flac 16 - 0,
141903 |
Passaic |
Capitol Theater flac16; Set 1 Recording Info: SBD > Cassette Master (Sony TC-152SD/Maxell UD); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 2646. |
04/26/77 |
Shn - 0,
260 |
Passaic |
Capitol Theater AUD, via Teddy Good Bear's tree #1; note quality reported on a par with 4/25 from same source
|
notes
|
| 2647. |
04/27/77 |
Flac - 0,
98430 |
Passaic |
Capitol Theater flac16; source: FM reel master taped by Jerry Moore lineage: wnew simulcast>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>adobe 2.0 16/44>flac transferred & seeded by Rob Berger
|
notes
|
| 2648. |
04/27/77 |
Flac - 0,
91889 |
Passaic |
Capitol Theater flac16; Lineage: FM Cast WNEW FM ->Reel Tapes -> Many Years of Playback ->Sound Forge 6.0-> +4.0DB/2.5 octave bell spread centered at 5Khz-> FLAC via Flac Frontend, level 6, sectors aligned and verified
|
notes
|
| 2649. |
04/27/77 |
Flac 24/48 - 0,
98429 |
Passaic |
Capitol Theater flac24; source: FM reel master taped by Jerry Moore lineage: wnew simulcast>10.5" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac transferred & seeded By Rob Berger
|
notes
|
| 2650. |
04/27/77 |
Shn - 0,
|
Passaic |
Capitol Theater
|
notes
|
| 2651. |
04/27/77 |
Shn - 0,
7799 |
Passaic |
Capitol Theater
|
notes
|
| 2652. |
04/29/77 |
Shn - 0,
7113 |
New York |
The Palladium AUD MC> D> CDR> SHN; Jerry Moore recording Sony ECM-33P/Sony TC-158; via CDead
|
notes
|
| 2653. |
04/30/77 |
Shn - 0,
17952 |
New York |
The Palladium Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon
|
notes
|
| 2654. |
04/30/77 |
Shn - 0,
4949 |
New York |
The Palladium Sony ECM-33p mics> Sony TC-152 deck, taper Jerry Moore; Conversion: MC> DAT/1> CD> EAC> SHN (mkw with seek tables appended); SHN and upload by Matt Vernon; CDRs supplied by Noah Weiner; see info file for listening notes; upgrade in circulation
|
notes
|
| 2655. |
05/01/77 |
Flac 16 - 0,
81739 |
New York |
The Palladium flac16; Set 2 Only, Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 2656. |
05/01/77 |
Flac 16 Mtx - 0,
87285 |
New York |
The Palladium flac16; A Mick Bit Matrix, Set 2 sources: 1) Recording Info: SBD > Master Reel > Dat > CD Transfer Info: CD > Samplitude Professional v7.02 > FLAC All Transfers and Mastering By Charlie Miller (shn id 81739) and 2) Source: Sony ECM-33Ps >Sony TC-152 taped by Jerry Moore from first row loge A > D Conversion: Master played back on Nak Dragon > ART D I/O > HD > Cool Edit 2000 > Feurio by David Minches (shn id 17953)
|
notes
|
| 2657. |
05/01/77 |
Shn - 0,
11941 |
New York |
The Palladium Aud Cass master > Reel > PCM > DAT > CD-R > EAC > .SHN: (Loge 1st row AUD center>Cm>Blake Reel (maxell ??? @ 3.75ips) > PCM R500 w/SBM > DAT @ 48 kHz > computer > DAT @ 44.1 kHz or CDRs. Originally taped by Barry Glassberg w/sony ecm 99p's > tc 152 sd deck.); Ending of Samson, 25:47 filler on CD2 & 20:10 filler on CD3 supplied by "Good Bear Source": Panasonic AM/FM Stereo 'boom box like' w/condenser mics) -> cass master -> computer -> CD > EAC > .SHN; See info file for extensive 'mastering' notes; Note- This shn set may circ with the abgd sbd of set 2; via Teddy "Good Bear", Jonathan Miller; Seeded to etree by Dave Backus
|
notes
|
| 2658. |
05/01/77 |
Shn - 0,
17953 |
New York |
The Palladium Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge. A>D conversion by David Minches, EAC by Rango Keeshevan, shn encoding Matt Vernon
|
notes
|
| 2659. |
05/01/77 |
Shn - 0,
4763 |
New York |
The Palladium Set 2; MSR> DAT> CDR> EAC> SHN; via PJ to abgd
|
notes
|
| 2660. |
05/01/77 |
Flac 16 - 0,
141830 |
New York |
The Palladium flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 2661. |
05/01/77 |
Flac 24/96 - 0,
151749 |
New York |
The Palladium flac24/96 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 2662. |
05/01/77 |
Flac 16/48 - 0,
151748 |
New York |
The Palladium flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 2663. |
05/03/77 |
Flac 16 - 0,
86241 |
New York |
The Palladium flac16; Source: Audience 1st Row Loge Media: TDK-SA 90 min. Lineage: Sony ECM XXX > Sony TCD5 X> MAC Mics spaced 30ft. Transfer: MAC > Nakamichi DR-1 (deck Guitar Tuned) > Grace Design Lunatec V3 > s/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: Derek McCabe
|
notes
|
| 2664. |
05/03/77 |
Shn - 0,
6710 |
New York |
The Palladium AUD> MR> DAT> CDR > EAC (secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky, with thanks to Ron Speer; d1 tracked for 80 min
|
notes
|
| 2665. |
05/03/77 |
Shn - 0,
17954 |
New York |
The Palladium Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge or orchestra row 6 or 8. A>D by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon
|
notes
|
| 2666. |
05/03/77 |
Flac 16 - 0,
141831 |
New York |
The Palladium flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 2667. |
05/03/77 |
Shn - 0,
21646 |
New York |
The Palladium SBD -> Cm -> ? -> CD -> EAC -> Samplitude v7.02 Professional -> SHN Edited And SHN'd By Charlie Miller
|
notes
|
| 2668. |
05/04/77 |
Flac 16 - 0,
91970 |
New York |
The Palladium flac16; Recording Info:Set 1: SBD -> Master Cassette -> Cassette -> ART DIO -> Cool Edit 2000 -> FLAC; Set 2: SBD -> Master Reel -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: FLAC -> Sampltiude Professional v9.02 -> FLAC Set 2: CD -> EAC -> FLAC. All Transfers and Mastering By Charlie Miller
|
notes
|
| 2669. |
05/04/77 |
Flac 16 Mtx - 0,
99106 |
New York |
The Palladium flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 2670. |
05/04/77 |
Shn - 0,
|
New York |
The Palladium
|
notes
|
| 2671. |
05/04/77 |
Flac 16 Mtx - 0,
92159 |
New York |
The Palladium flac16; Set 2, Matrix About 55% SBD/45% AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 2672. |
05/04/77 |
Shn - 0,
17967 |
New York |
The Palladium Set 1 SBD S: MC > C > CDR patched with Jerry Moore audience tape. A>D Conversion and aud patches by David Minches, EAC Rango Keeshevan, shn encoding Matt Vernon
|
notes
|
| 2673. |
05/04/77 |
Shn - 0,
17686 |
New York |
The Palladium Sony ECM-33Ps> Sony TC-152 taped by Jerry Moore from orchestra row 6 or 8. A>D conversion by David Minches, EAC by Rango Keeshevan, final shn encoding by Matt Vernon
|
notes
|
| 2674. |
05/04/77 |
Flac 24/96 - 0,
141751 |
New York |
The Palladium flac24/96 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 2675. |
05/04/77 |
Flac 16/48 - 0,
151750 |
New York |
The Palladium flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 2676. |
05/05/77 |
Flac 16 - 0,
123485 |
New Haven |
Veterans Memorial Coliseum flac16; Recording Info: SBD -> Master Reel (DBX-1 Encoded) -> PCM (Sony PCM501ES/44.055k); Transfer Info: PCM (Sony PCM501ES/Analog Out) -> Dat (Panasonic SV-3700/48k) -> Db 924 (96k/24bit) D/A -> Dolby 361 Module w/ DBX K9-22 Cards(DBX Decoded) -> Db 1225 (96k/24bit) A/D -> Db 3000s Noise Shaper (SBM) -> Dat (48k) -> Sound Forge -> CD Wave -> SHN; Mastering Info: SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC; Original Transfer and Mastering By Rob Eaton and Dan Stephens; Remastered By Charlie Miller
|
notes
|
| 2677. |
05/05/77 |
Shn - 0,
8832 |
New Haven |
Veterans Memorial Coliseum Betty Board reel source transferred to DAT by Rob Eaton, then transferred to CD by Dan Stephens; see info file for details
|
notes
|
| 2678. |
05/05/77 |
Shn - 0,
7725 |
New Haven |
Veterans Memorial Coliseum
|
notes
|
| 2679. |
05/05/77 |
Shn - 0,
261 |
New Haven |
Veterans Memorial Coliseum Betty Board; reported flaws: d1: Small digi-snit during Sugaree at 8:53, Drop at 8:19 in T. Jed, Drop at 6:48 in Deal; d2: Snit during Bertha @ 5:29; listener Jason Palmer asserts that there may be NR applied to this version?; upgrade in circulation
|
notes
|
| 2680. |
05/05/77 |
Flac 16/44,1 - 0,
139355 |
New Haven |
Veterans Memorial Coliseum flac16 44.1khz Source: Audience (Mic's ?) ->Cassette ->DAT Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel
|
notes
|
| 2681. |
05/05/77 |
Flac 24/48 - 0,
148735 |
New Haven |
Veterans Memorial Coliseum flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel
|
notes
|
| 2682. |
05/05/77 |
Flac 24/96 - 0,
152102 |
New Haven |
Veterans Memorial Coliseum flac24/96 Source Info: Audience source of unknown provenance; Doug Lamarre's 2nd gen cassettes Transfer Info: 2nd generation cassettes(Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 2683. |
05/05/77 |
Flac 16/48 - 0,
152101 |
New Haven |
Veterans Memorial Coliseum flac16/48 Source Info: Audience source of unknown provenance; Doug Lamarre's 2nd gen cassettes Transfer Info: 2nd generation cassettes(Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 2684. |
05/05/77 |
Flac 16/44 - 0,
152100 |
New Haven |
Veterans Memorial Coliseum flac16/44 Patched, pitch corrected and remastered version of Pete Ebel's shnid 139355
|
notes
|
| 2685. |
05/07/77 |
Flac 16 - 0,
88525 |
Boston |
Boston Garden flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 2686. |
05/07/77 |
Flac 16 Mtx - 0,
124619 |
Boston |
Boston Garden flac16; 2 Source Matrix by dusborne; Soundboard (shinid:088525) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller and Audience (shnid:6021) audMC > DAT > Soundforge > CDWAV > SHN Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck A > D transfer by Noah Weiner
|
notes
|
| 2687. |
05/07/77 |
Shn - 0,
26085 |
Boston |
Boston Garden SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard.
|
notes
|
| 2688. |
05/07/77 |
Shn - 0,
6021 |
Boston |
Boston Garden Sony ECM 33P mic > TC-152 deck, Taper: Steve Rolfe; AudMC > DAT > Soundforge > CDWAV > SHN; A > D transfer by Noah Weiner: AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only); Soundforge was used for normalizing and editing
|
notes
|
| 2689. |
05/07/77 |
Shn - 0,
|
Boston |
Boston Garden
|
notes
|
| 2690. |
05/07/77 |
Shn - 0,
262 |
Boston |
Boston Garden SBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN; USB missing, Around has a couple of uncorrectable blems; (note missing USB- one might infer this stemmed from the WBOTB source distribution- their USB was intended to become filler on a 4/78 show which did not end up getting around)
|
notes
|
| 2691. |
05/07/77 |
Flac 24/48 - 0,
148736 |
Boston |
Boston Garden flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel
|
notes
|
| 2692. |
05/07/77 |
Flac 24/96 - 0,
148755 |
Boston |
Boston Garden flac24; Source: Betty Cantor's SBD Reel Master > PCM > Beta PCM clone > cloned to wav file on computer by Sony SLHF300 Betamax and modified Sony PCM601esd via spdif output > VX pocket SPDIF input > emphasis decoded in software and played out of computer via SPDIF out into Myteck Stereo DAC96 (balanced analog out with Superclock on) > DBX150X Type I dbx decode (balanced analog in and out) > Korg MR2000 (1 bit) > rendered to 24 48 in Audiogate; Source & Transfer by Anonymous; Edited & Mastered using Adobe Audition by Joe Noel; fix of source ID 148736
|
notes
|
| 2693. |
05/08/77 |
Flac 16 - 0,
97274 |
Ithaca |
Barton Hall, Cornell University flac16; SBD (shnid=4982) and AUD (shnid=29303 Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); Fixed version in circulation
|
notes
|
| 2694. |
05/08/77 |
Flac - 0,
29511 |
Ithaca |
Barton Hall, Cornell University Source Info: "3 Source Matrix Mix, SBD + AUD1 + AUD2"
|
notes
|
| 2695. |
05/08/77 |
Shn - 0,
4982 |
Ithaca |
Barton Hall, Cornell University freshly remastered Betty Board with AUD splices, by Rob Eaton; see info file for extensive notes and credits; etreed by Darrin
|
notes
|
| 2696. |
05/08/77 |
Shn - 0,
266 |
Ithaca |
Barton Hall, Cornell University w/AUD splices? to patch reel flips: Betty Board Soundboard sections (all but 47 seconds of the show): 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz.; Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES;? PCM501ES analog out > Fostex D5 @ 48 kHz >ZA2>CD; Audience Splices -- Panasonic AM/FM Stereo 'boom box' (w/condenser mics) >? CM (Cassette Masters) > various equalizers & editors > CD (teddy goodbear); EAC extracted and encoded by Darrin Sacks; note number of tracks on discs: 10-7-8; note SBD portion is clear, AUD portion is muddy; reportedly digital error-free; 5/01 note: fixed shn set now in circulation; upgrade in circulation
|
notes
|
| 2697. |
05/08/77 |
Flac 16 - 0,
117026 |
Ithaca |
Barton Hall, Cornell University flac16; source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above) 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac; encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller
|
notes
|
| 2698. |
05/08/77 |
Flac 24/96 Mtx - 0,
35086 |
Ithaca |
Barton Hall, Cornell University flac24/96; SBD+AUD1+AUD2 Matrix Mix (60%-SBD/20%-AUD1/20%-AUD2)
|
notes
|
| 2699. |
05/08/77 |
Flac 16 Dts.5.1 - 0,
30756 |
Ithaca |
Barton Hall, Cornell University flac16, DTS; complete show; combination of SBD with 2 AUD sources (see notes in txt)
|
notes
|
| 2700. |
05/08/77 |
Flac 24/96 - 0,
134093 |
Ithaca |
Barton Hall, Cornell University flac24; source: aud cassette master; taped by Jim Cooper; sony ecm22p > hitachi trq232; nakamichi dragon > benchmark ADC1 24/96 > tascam hd-p2, compact flash > mac > adobe audition CC > xACT flac; transferred and seeded by Rob Berger
|
notes
|
| 2701. |
05/08/77 |
Shn - 0,
5002 |
Ithaca |
Barton Hall, Cornell University Lineage: -- Steve Maizner's Sony ECM-990>Sony TC-152 aud master>First Gen Reel>played directly to hard drive by Karen Hicks
|
notes
|
| 2702. |
05/08/77 |
Flac 16 - 0,
28354 |
Ithaca |
Barton Hall, Cornell University b>flac16; MAC> R> CD Audience Recording by Jerry Moore; seeded by clarson; possibly different source CDR> DAE compared to similar-looking shn set; upgrade in circulation
|
notes
|
| 2703. |
05/08/77 |
Shn Mtx. - 0,
28857 |
Ithaca |
Barton Hall, Cornell University Matrix based on these sources: Source Info SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT>DAT>Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN
|
notes
|
| 2704. |
05/08/77 |
Flac 24/96 - 0,
117027 |
Ithaca |
Barton Hall, Cornell University flac24; source: aud taped by Jerry Moore; 1)cassette master>10.5" reel @ 7.5 ips, dolby b provides a majority of the show, 2)Scarlet>Fire provided by cassette master patched from same rig>JM's cassette>reel (as above); 3)The One More Sat Nite encore is from the newly discovered original cassette master; lineage for source 1 (with exceptions noted above): aud cassette master: sony ecm 33p's>sony tc-153, maxell udxLII90's/dolby b>aud 1st gen: made on Sony TC-755 w/Teac an-180 dolby unit, Scotch Classic 10.5" reels; transfer: technics rs-1506 open reel>teac an-180 dolby b unit>tascam hd-p2 24/96>flac encore: nak dragon>tascam hd-p2 24/96>pc>flac; new transfers by Rob Berger spring 2011; mastering, pitch correction, and seeded by Charlie Miller
|
notes
|
| 2705. |
05/08/77 |
Shn - 0,
28301 |
Ithaca |
Barton Hall, Cornell University MAC> R> CD; recorded by Jerry Moore: Sony 153 master, w/ ECM 33P's, on Maxell UDXL-II's, Dolby B, copied via Teac AN-180 Dolby box onto Sony TC 755, Scotch Classic 10.5 inch reel, 7.5 ips, Dolby B ; Transfer by Rob Berger: Sony TC 850> Teac AN-180> Sony SBM1 super bit mapper> Tascam CD-Rw4U (see additional source notes in txt); EAC> WAV> SHN by Sean Cribbs
|
notes
|
| 2706. |
05/08/77 |
Flac 16 - 0,
87486 |
Ithaca |
Barton Hall, Cornell University flac16; Set 1 only; partial SBD (1st part of Set 1 Only) Lineage unknown, possibly RR > CD (unknown transfer) > EAC > SHN Originally posted as shn files to abgd-hs by ArtCube 2007-09-26 (The patch in Minglewood is from material performed on 5-7 and Lazy Lightning from 5-25.) Converted to flac by terrapinstation
|
notes
|
| 2707. |
05/08/77 |
Flac 24/96 Mtx - 0,
137569 |
Ithaca |
Barton Hall, Cornell University
|
notes
|
| 2708. |
05/08/77 |
Flac 16 Mtx - 0,
137570 |
Ithaca |
Barton Hall, Cornell University
|
notes
|
| 2709. |
05/08/77 |
Flac 24/96 Mtx - 0,
137571 |
Ithaca |
Barton Hall, Cornell University
|
notes
|
| 2710. |
05/08/77 |
Flac 16 Mtx - 0,
137572 |
Ithaca |
Barton Hall, Cornell University
|
notes
|
| 2711. |
05/08/77 |
Flac 16 - 0,
29303 |
Ithaca |
Barton Hall, Cornell University flac16; Handheld Shure 57's,10 Feet From Stage,DFC>TC152>MC MC>CDR>EAC>WAV>FLAC Recording And Transfer:Jeff Stevenson
|
notes
|
| 2712. |
05/08/77 |
Shn Dts. - 0,
26856 |
Ithaca |
Barton Hall, Cornell University DTS Audio 5.1: SBD (Betty Board) > Master 7" Nagra reels 1/2 track @ 7.5ips > Sony PCM501. Playback on Sony PCM 701>DAT (Digital Transfer) -- Rob Eaton DBX Decoding (Spring '99) Playback on Panasonic 4100 DAT > DB 924 D/A > Dolby 361's w/dbx K9-22 Cards > DB 124 A/D > Neve Capricorn (Digital mixing console) > DB 300S > Panasonic 4100 DAT> DAT> Digi Coax Cable > Tascam CD-RW700 > CDR (x1) > SHN (Rob Eaton remaster) AUD (Steve Maizner) > Sony ECM-990 > Sony TC-152 aud master > First Gen Reel > Played directly to hard drive > CDR > SHN; see pub comments re additional reflac version
|
notes
|
| 2713. |
05/08/77 |
Flac 16 Mtx - 0,
111493 |
Ithaca |
Barton Hall, Cornell University flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC); this source fixes a flaw in d1t08 from source ID 97274
|
notes
|
| 2714. |
05/08/77 |
Flac 24/48 - 0,
148737 |
Ithaca |
Barton Hall, Cornell University flac24; Source: Betty Cantor's SBD Reel Master > PCM (undecoded) > DAT via spdif/Sony PCM601esd > wav file via spdif/RME multiface > Wave 24/48 (decoded) > Myteck Stereo DAC96 > DBX150X > Korg MR2000 > WAV 24/48; Edited & Mastered by Joe Noel; WAV > Abobe Audition > Flac 24/48
|
notes
|
| 2715. |
05/08/77 |
Flac 24/48 - 0,
152379 |
Ithaca |
Barton Hall, Cornell University flac2448; Source: Mono Sony hand-held recorder (model unknown) > Maxell-LN Set 1 & Maxell-UD Set 2 (normal bias). Recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2021
|
notes
|
| 2716. |
05/09/77 |
Flac - 0,
98168 |
Buffalo |
Buffalo Memorial Auditorium flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC
|
notes
|
| 2717. |
05/09/77 |
Flac - 0,
123480 |
Buffalo |
Buffalo Memorial Auditorium flac16; Recording Info: SBD -> Master Reel (DBX-1 Encoded) -> Sony PCM501ES (44.055k); Transfer Info: Sony PCM501ES (Analog Out) -> DBX-1 Decoder> Sony PCM501ES (Analog In) -> Dat (48k/Analog In) -> Sound Forge -> SHN; Mastering Info: SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC; Original Mastering By Charlie Connor; Remastered By Charlie Miller
|
notes
|
| 2718. |
05/09/77 |
Shn - 0,
8304 |
Buffalo |
Buffalo Memorial Auditorium Sources: Soundboard Source:Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out> Dat @ 48 kHz>Soundforge>Shn: Audience Source:Master Audience Cassette> Sony ecm-33pmics>nak550>reel to reel>cd The audience source supplies patches for the master reel splices at D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10 Seeded via Fungus and abgd by Charlie Connor 3/21/02, with thanks to Joe Samaritano and Scott Clugston
|
notes
|
| 2719. |
05/09/77 |
Shn - 0,
77462 |
Buffalo |
Buffalo Memorial Auditorium SBD>REEL>PCM>DAT>CDR>EAC>SHN>Sound Forge>SHN (Seekable)
|
notes
|
| 2720. |
05/09/77 |
Shn - 0,
8036 |
Buffalo |
Buffalo Memorial Auditorium Sony ECM-33Ps > Nak 550>MAC>R>D>CD; Taped by Steve Maizner; via Jack Warner; Seeded to etree by Matt Vernon
|
notes
|
| 2721. |
05/09/77 |
- 0,
135189 |
Buffalo |
Buffalo Memorial Auditorium flac16; 2 Source Matrix by Dusborne;Soundboard(shnid:123480)SBD -> Master Reel (DBX-1 Encoded) -> Sony PCM501ES (44.055k),Transfer Info: Sony PCM501ES (Analog Out) -> DBX-1 Decoder> Sony PCM501ES (Analog In) -> Dat (48k/Analog In) -> Sound Forge -> SHN,Mastering Info:SHN -> FLAC -> Samplitude Professional v11.2.1 -> FLAC,Original Mastering By Charlie Connor Remastered By Charlie Miller;Audience (shnid:008036)Recorded by Steve Maizner Sony ECM-33Ps > Nak 550 Lineage: MAC>R>D>CD source cdr mastering by Jack Warner
|
notes
|
| 2722. |
05/09/77 |
Shn - 0,
2268 |
Buffalo |
Buffalo Memorial Auditorium S:bReel>P>D>CD; tunings and splice (in Music) edited; via Trick and Jason; note Music d1t10 is missing from one circulating version of the shn set (md5s listed here as d1p); complete md5 with d1t10 is listed here as d1tot; thanks to Patrick Murphy for assistance; upgrade in circulation
|
notes
|
| 2723. |
05/11/77 |
Flac 16 - 3,
83196 |
St. Paul |
St. Paul Civic Center flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC Transferred and Edited By Charlie Miller
|
notes
|
| 2724. |
05/11/77 |
Flac 16 - 0,
32305 |
St. Paul |
St. Paul Civic Center flac16; FIXED SBD -> Master Reel -> Dat (44.1k) Transferred and Edited By Charlie Miller ; upgrade in circulation
|
notes
|
| 2725. |
05/11/77 |
Shn - 0,
8374 |
St. Paul |
St. Paul Civic Center SBD> Rm> Dat> Sonic Solutions> CD, Patched w/SBD> Rm> Dat> Cass> Dat> CD; via Charlie Miller; Seeded to etree by Steve Barbella; upgrade in circulation
|
notes
|
| 2726. |
05/11/77 |
Shn - 0,
6952 |
St. Paul |
St. Paul Civic Center master soundboard reel @ 7.5 IPS (baked) > DAT > Cassette > DAT > CD; via yubah, with thanks to Jools; to abgd; upgrade in circulation
|
notes
|
| 2727. |
05/11/77 |
Flac 24/96 - 0,
151619 |
St. Paul |
St. Paul Civic Center flac24/96 Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre (given to him by Dan Liff dec'd Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res ditor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick January 2021
|
notes
|
| 2728. |
05/11/77 |
Flac 16/44 - 0,
151618 |
St. Paul |
St. Paul Civic Center flac16/44 Source: Unknown aud (3rd gen cassette) - From the collection of Doug Lamarre (given to him by Dan Liff dec'd Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick January 2021
|
notes
|
| 2729. |
05/12/77 |
Shn - 0,
6484 |
Chicago |
Auditorium Theatre Updated lineage: Master Audience Cassette > unknown mics/deck> DAT > CDR; fresh transcription of a previously circulating copy (see notes in txt); Re-Mastering by Scott Clugston; missing Cassidy, splice in NFA; d1 tracked for 80 min
|
notes
|
| 2730. |
05/12/77 |
Flac 16 - 0,
110253 |
Chicago |
Auditorium Theatre flac16; Source: Master Audience cassette> DAT> CDR; Recorded by Keith Gatto; Shure 96s> Sony TC-152; Transfer information unknown
|
notes
|
| 2731. |
05/13/77 |
Shn - 0,
9393 |
Chicago |
Auditorium Theatre SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD; (Post Drums - Fp -> Dat -> CD); Seeded to etree by Charlie Mille
|
notes
|
| 2732. |
05/13/77 |
Shn - 0,
14942 |
Chicago |
Auditorium Theatre Bertha Remaster of the Master Reel source. SBD>>MR>>Dat>>CDA>>SS>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A+ Post Drums(Disc 3): PreFM>>???>>Dat>>CDA - Sound B-
|
notes
|
| 2733. |
05/13/77 |
Shn - 0,
6690 |
Chicago |
Auditorium Theatre Pre-FM > Master Reel > DAT > CD; upgrade in circulation
|
notes
|
| 2734. |
05/15/77 |
Flac 16 - 0,
28916 |
St. Louis |
The Arena flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller charliemiller87@earthlink.net
|
notes
|
| 2735. |
05/15/77 |
Flac 16 Mtx - 0,
91911 |
St. Louis |
The Arena flac16; Matrix, Sources: 1) Bertha Remaster of the Master Reel source sbd > mr > dat > wav > flac > daw(Bertha) > wav (24/48) > audio dvd > dvd audio ripper > wav > adobe audtion > flac, and 2) Master audience cassette> cassette Recording by Steve Maizner: Sony mic> Sony TC-153; Master played back on Sony TC-153> Awia 760? Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding Matrixed by SIRMick May 2008
|
notes
|
| 2736. |
05/15/77 |
Flac 24/48 - 0,
31605 |
St. Louis |
The Arena flac24/48; Bertha Remaster of the Master Reel source source: sbd > mr > dat > wav > flac > daw(Bertha) > wav > audio dvd > dvd audio ripper > wav > adobe audtion > flac Notes: This is a straight rip from the DVD. The flac files have been encoded at 24 bit/48,000 KHz and CANNOT be burned as an audio cd Original Notes with DVD: Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com. Completed on April 16, 2005. Although the sound of the original source is very good, the mix is a bit of a kick mix and the low bass was not able to be brought up without having an obtrusively thumping kick. Some compenstation was made in the mid bass frequencies which resulted in a nice balance between the bass and the kick. From the original text file, prior to Bertha Remastering: Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller 4/11/05 Thanks to RjHythloday for making the DVD available. SIRMICK November 2005
|
notes
|
| 2737. |
05/15/77 |
Flac 16 - 0,
99099 |
St. Louis |
The Arena flac16; source: aud 1st gen reel taped by Steve Maizner on a sony tc-153 lineage: mac>10.5" reels @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/48>cd wave>adobe 16/44>flac
|
notes
|
| 2738. |
05/15/77 |
Shn - 0,
7008 |
St. Louis |
The Arena Sbd MR > ? > CDR > EAC (calibrated, secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G. Gorinsky; with thanks to Kevin Gills; Lazy lightning beginning cut; upgrade in circulation
|
notes
|
| 2739. |
05/15/77 |
Shn - 0,
18333 |
St. Louis |
The Arena SBD MR>??>CDR; different text file and md5s than the other circulating SBD MR>??>CDR; upgrade in circulation
|
notes
|
| 2740. |
05/15/77 |
Flac 24/48 - 0,
99098 |
St. Louis |
The Arena flac24; source: aud 1st gen reel taped by Steve Maizner on a sony tc-153 lineage: mac>10.5" reels @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/48>cd wave>flac
|
notes
|
| 2741. |
05/15/77 |
Flac 16 - 0,
84714 |
St. Louis |
The Arena flac16; Master audience cassette> cassette Recording by Steve Maizner: Sony mic> Sony TC-153; Master played back on Sony TC-153> Awia 760? Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding
|
notes
|
| 2742. |
05/17/77 |
Shn - 0,
18554 |
Tuscaloosa |
Memorial Coliseum, University Of Alabama flac16; 2 source matrix: Soundboard (shnid=18554): SBDMR > DAT > CD > EAC > SHN and Aud (shnid=88771): Recording by Steve Maizner: Sony ECM-990s>Sony TC153; Transfer of 1st Generation Cassette (Thanks Alan Z.) Transfer and FLAC encoding by David Minches: 1st Generation Cassette played back on Nakamichi Dragon > Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> HD Editing and downsampling performed in Adobe Audition; Flac Encoded
|
notes
|
| 2743. |
05/17/77 |
Shn - 0,
18554 |
Tuscaloosa |
Memorial Coliseum, University Of Alabama SBDMR > DAT > CD > EAC > SHN note: Sugar Magnolia encore supplied by AUD source. Added to etree by Noah Weiner
|
notes
|
| 2744. |
05/17/77 |
Shn - 0,
1107 |
Tuscaloosa |
Memorial Coliseum, University Of Alabama SBD>MR 7" (Baked)> DAT> Cass> DAT> CD; via Chuck Kiefe, Andy Singer, Brian Leonard; note tuning pauses have been shortened in some cases, very slight hiss, encore missing; upgrade in circulation
|
notes
|
| 2745. |
05/17/77 |
Flac - 0,
88771 |
Tuscaloosa |
Memorial Coliseum, University Of Alabama flac16; Recording by Steve Maizner: Sony ECM-990s>Sony TC153 Transfer of 1st Generation Cassette Transfer and FLAC encoding by David Minches: 1st Generation Cassette played back on Nakamichi Dragon > Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe soundcard> HD Editing and downsampling performed in Adobe Audition; Flac Encoded
|
notes
|
| 2746. |
05/17/77 |
Shn - 0,
5420 |
Tuscaloosa |
Memorial Coliseum, University Of Alabama S:Rm (7" - baked), D, C, D - 1x90Meter (and Potentially 2x60Meter?); CDR>EAC>Shn; missing encore; stemming from 10/00 BUDD tree, via Stretch N to etree; upgrade in circulation
|
notes
|
| 2747. |
05/18/77 |
Flac - 0,
79012 |
Atlanta |
Fox Theatre flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC
|
notes
|
| 2748. |
05/18/77 |
Shn - 0,
4618 |
Atlanta |
Fox Theatre SBD > MR > DAT > CDR > WAV > SHNv3; DAE: EAC (high n' secure, offset corrected) > shntool (boundaries confirmed) > mkwact > ftp via neo_levo from bear g.'s seed; upgrade in circulation
|
notes
|
| 2749. |
05/18/77 |
Shn - 0,
5596 |
Atlanta |
Fox Theatre SBD > DAT > CDRs > EAC > WAV > SHNv3; EAC and SHNv3 encoding by Patrick Murphy, from Alan Topal seed discs; see info file for flaw notes; upgrade in circulation
|
notes
|
| 2750. |
05/19/77 |
Shn - 0,
2461 |
Atlanta |
Fox Theatre Master Soundboard Reel > Reel to Reel > DAT > CDR; includes patches from 2 alternate SBD sources (see info file for details); mastered by Scott Clugston; to abgd; note info file here is the updated copy; upgrade relative to previous shn set
|
notes
|
| 2751. |
05/19/77 |
Shn - 0,
3120 |
Atlanta |
Fox Theatre Master Reel (7-inch @ 7.5 ips) > CD > EAC > SHN; seed supplied by Jim Wise, DAE and re-tracking by DireWolf
|
notes
|
| 2752. |
05/19/77 |
Shn - 0,
9394 |
Atlanta |
Fox Theatre Jay Ashley (Bertha) Remaster of the Jim Wise Master Reel Source. SBD>>MR>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA
|
notes
|
| 2753. |
05/19/77 |
Flac - 0,
139377 |
Atlanta |
Fox Theatre flac16/48kHz; Source: sbd > master reel > dat (48k); from Dick Latvala; Transfer: dat > Sony pcm-r500 > Tascam da-3000 > wav 16/48; transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick September 2017
|
notes
|
| 2754. |
05/21/77 |
Shn - 0,
271 |
Lakeland |
Lakeland Civic Center SBD>reel>DAT>CD-R; TFBT Tree #5; via D. Boyles; (reportedly there may be 2 different .shn versions of this in circulation, 12/99?
|
notes
|
| 2755. |
05/21/77 |
Flac - 0,
139573 |
Lakeland |
Lakeland Civic Center flac16; Source: sbd > master reel > dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017
|
notes
|
| 2756. |
05/22/77 |
Shn - 0,
31789 |
Pembroke Pines |
The Sportatorium WBAI 99.5fm > Akai Pro Glass Head Cassette Deck(no dolby nr) > CDR Via Rosoft Audio Tools/Track Spliter at 44,100/16 Bit Stereo
|
notes
|
| 2757. |
05/22/77 |
Shn - 0,
18803 |
Pembroke Pines |
The Sportatorium SBD>MR>C>D>CD>Toast>SHN
|
notes
|
| 2758. |
05/22/77 |
Flac 24 - 0,
140278 |
Pembroke Pines |
The Sportatorium flac24; Recording Info: SBD > Master Reel > Cassette; Transfer Info: Cassette (Nakamichi BX-300) > Apogee MiniMe > Lynx One > Wavelab 8 > FLAC/24; Maastering Info: FLAC/24 > Samplitude Pro X3 Suite > FLAC/24; Transferred by Matt Smith; Mastered By Charlie Miller
|
notes
|
| 2759. |
05/22/77 |
Flac - 0,
140332 |
Pembroke Pines |
The Sportatorium flac16; Recording Info: SBD > Master Reel > Cassette; Transfer Info: Cassette (Nakamichi BX-300) > Apogee MiniMe > Lynx One > Wavelab 8 > FLAC/24; Maastering Info: FLAC/24 > Samplitude Pro X3 Suite > FLAC/24; Transferred by Matt Smith; Mastered By Charlie Miller
|
notes
|
| 2760. |
05/22/77 |
Flac 16 Mtx - 0,
152392 |
Pembroke Pines |
The Sportatorium flac16/44 Matrix created in Adobe Audition by Joe Noel
|
notes
|
| 2761. |
05/22/77 |
Flac 24/96 - 0,
152260 |
Pembroke Pines |
The Sportatorium flac24/96 Source: uknown audience cassette from the collection of Doug Lamarre Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flack24 Edited and mastered SIRMick
|
notes
|
| 2762. |
05/22/77 |
Flac 16/48 - 0,
152259 |
Pembroke Pines |
The Sportatorium flac16/48 Source: uknown audience cassette from the collection of Doug Lamarre Transfer: cassette > Nakamichi CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick April 2021
|
notes
|
| 2763. |
05/25/77 |
Flac 16 - 0,
87539 |
Richmond |
The Mosque flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation
|
notes
|
| 2764. |
05/25/77 |
Flac 16 - 0,
89591 |
Richmond |
The Mosque flac16; Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed dropout in d3t02 Wharf Rat of source ID 87539
|
notes
|
| 2765. |
05/25/77 |
Shn - 0,
1071 |
Richmond |
The Mosque SBD MR > DAT > CDR > SHN; via Seth Kaplan, Greg Hamilton; upgrade compared to previously etreed version; note two-beat elision at d2t5-6 track break (see George Shannon's pub comment); upgrade in circulation
|
notes
|
| 2766. |
05/25/77 |
Flac 16 Mtx - 0,
123381 |
Richmond |
The Mosque flac16; Matrix 2 Source Mix - SBD1 (shn id 87591)Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid 107757) Recorded with Nakamichi CM-300s> Nakamichi 550 (except for Cassidy through Promised Land; recorded with Sony ECM-99> Sony 158) Transfer and FLAC encoding by David Minches: 3rd generation reel played back on Otari MX-5050BII> Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/Pitch Correction by Joe B. Jones. Patching using source SHNID 87591. Thanks to Pat Lee for providing the reel. - matrix mixing by Kevin Tobin
|
notes
|
| 2767. |
05/25/77 |
Flac 16 - 0,
82048 |
Richmond |
The Mosque flac16; Genealogy: MR > DAT > CDR > SHN > CDR > SHN > shntool > FLAC; SBE fix of shn id 13399; upgrade in circulation
|
notes
|
| 2768. |
05/25/77 |
Shn - 0,
13399 |
Richmond |
The Mosque Source: SBD Genealogy: MR > DAT > CDR > SHN > CDR > SHN ; upgrade in circulation George Shannon added 0.80 seconds of material to disk 2 track 3 at 0:05 to fill the gap in the version downloaded from etree. The material used was received in trade and was from the same show but a different source. The tracks were also re-sequenced so they now appear in original show order with the encore at the end. EAC and Soundforge were the tools used.
|
notes
|
| 2769. |
05/25/77 |
Flac Dts 5.1 - 0,
123385 |
Richmond |
The Mosque flac16; DTS 5.1 Mix; SBD1 (shn id 87591)Recording Info: SBD -> Master Reel -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid 107757) Recorded with Nakamichi CM-300s> Nakamichi 550 (except for Cassidy through Promised Land; recorded with Sony ECM-99> Sony 158) Transfer and FLAC encoding by David Minches: 3rd generation reel played back on Otari MX-5050BII> Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/Pitch Correction by Joe B. Jones. Patching using source SHNID 87591. Thanks to Pat Lee for providing the reel. - dts mixing by Kevin Tobin
|
notes
|
| 2770. |
05/25/77 |
Flac 16 - 0,
123382 |
Richmond |
The Mosque flac16; Recorded with Nakamichi CM-300s> Nakamichi 550 (except for Cassidy through Promised Land; recorded with Sony ECM-99> Sony 158) Transfer and FLAC encoding by David Minches: 3rd generation reel played back on Otari MX-5050BII> Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC - patched version of shnid 107757 by Kevin Tobin
|
notes
|
| 2771. |
05/25/77 |
Flac 16 - 0,
107757 |
Richmond |
The Mosque flac16; Recorded with Nakamichi CM-300s> Nakamichi 550 (except for Cassidy through Promised Land; recorded with Sony ECM-99> Sony 158) Transfer and FLAC encoding by David Minches: 3rd generation reel played back on Otari MX-5050BII> Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/Pitch Correction by Joe B. Jones. Patching using source SHNID 87591. Thanks to Pat Lee for providing the reel. This is the 16/44.1 version
|
notes
|
| 2772. |
05/25/77 |
Flac 24/96 - 0,
147786 |
Richmond |
The Mosque flac24; Recording Info:Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 2773. |
05/25/77 |
Flac 16/48 - 0,
147785 |
Richmond |
The Mosque flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 2774. |
05/26/77 |
Flac - 0,
97016 |
Baltimore |
Baltimore Civic Center flac 16; Sick Bits Vol. 30a - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=11614) + AUD (shnid=32092) as well as a patch SBD source (shnid=3224). Matrixed by Chris Chappell.
|
notes
|
| 2775. |
05/26/77 |
Shn - 0,
11614 |
Baltimore |
Baltimore Civic Center SBD > 7" RTR half-track recording @ 7.5 i.p.s. 1/2 track > Marin County Mixdown ADAT > SSSB; Seeded to etree by Jay Serafin
|
notes
|
| 2776. |
05/26/77 |
Shn - 0,
32302 |
Baltimore |
Baltimore Civic Center SBD>MSR>DAT>SS>CD>EAC>WAV>DC6>SHN Source: Bettyboard 7 inch master reel @ 7 ? ips > DAT>SS>CD Patch Source: AUD>MC>DAT>CDR (contrary to popular belief, Jerry Moore did not record this show) Editing and Mastering by The Wizard
|
notes
|
| 2777. |
05/26/77 |
Shn - 0,
31291 |
Baltimore |
Baltimore Civic Center SBD>>MR>>DAT>>SHN>>DAW(Bertha)>>CDA/SHN; Bertha remaster of shn id 11614
|
notes
|
| 2778. |
05/26/77 |
Shn - 0,
18746 |
Baltimore |
Baltimore Civic Center AUD>MC>DAT>CDR via Raoul Duke encoded by Matt Vernon
|
notes
|
| 2779. |
05/26/77 |
Shn - 0,
3224 |
Baltimore |
Baltimore Civic Center Soundboard > 7 inch Master Reels @7.5ips 1/2 track -> DAT(s) -> ZA2 -> CDR (x1)-> EAC -> SHN; with AUD patches (and other fixes) by Scott Clugston, using Master Audience Cassette: Sony ECM-33p mics > Sony TC-158 > D source, taped by Jerry Moore; to etree via Darrin Sacks; see info file for details, other comments and credits
|
notes
|
| 2780. |
05/26/77 |
Shn - 0,
32092 |
Baltimore |
Baltimore Civic Center AUD>MC>DAT>CDR>EAC>WAV>DC6>WAV Unknown microphones Patch Source: SBD>MSR>DAT>SS>CD>EAC>WAV>DC6>SHN
|
notes
|
| 2781. |
05/28/77 |
Shn - 0,
12827 |
Hartford |
Hartford Civic Center SBD> DAT> CDA> WAV> DAW (Bertha)> CDA; Seeded by Jay Ashley; despite notes in info file, this is apparently not directly from Seth's shn set- Jay comments, "I extracted the wavs from CDs I received from Charlie Miller, and reassembled them prior to processing." (A flac version of this source was also distributed via bt.etree on 10/18/05 with the following lineage: SBD>MSR>DAT>CD>>SHN>>DAW(Bertha)>>CDA > SHN(non-seekable) > WAV(mkwACT v0.97 beta 1) > FLAC(frontend v1.7.1 at Level 8 with Align on sector boundaries enabled). flac done by Thomas Festa
|
notes
|
| 2782. |
05/28/77 |
Shn - 0,
4983 |
Hartford |
Hartford Civic Center Bettyboard 7 inch master reel @ 7 ? ips > DAT (zero gen)> CDR (zero gen) (via sony pcm r-700 dat playback > hhb cdr-800) > CDR (first gen) > EAC > .Shn; with AUD patches from Steve Rolfe's FOB; see info file for details; via Seth Kaplan, Jack Warner, Darrin Sacks, Bob Fishman; d3 tracked for 80 min, can shift encore for 74
|
notes
|
| 2783. |
05/28/77 |
Shn - 0,
|
Hartford |
Hartford Civic Center SBD>MSR>DAT>CD>EAC>SHN>DC6>SHN
|
notes
|
| 2784. |
05/28/77 |
Flac 16 Mtx - 0,
97017 |
Hartford |
Hartford Civic Center flac 16; Sick Bits Vol. 30b - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=4983) + AUD (shnid=18439). Matrixed by Chris Chappell
|
notes
|
| 2785. |
05/28/77 |
Flac 16 - 0,
77267 |
Hartford |
Hartford Civic Center flac16; For all of Set 1 & from "NFA" to the end of Set 2: Jim Wise used: 2 Sony 54P mics w/ Sennheiser 441 blend mic > Nakamichi 550 cassette deck FOB > reel @ 3 3/4 ips > DAT @ 48kHz > my computer > DAT @ 44.1kHz or CD. For Set 2, "Samson" through "Drums": (Panasonic AM/FM Stereo 'boom box like' w/condenser mics) -> CM (Cassette Masters) -> my computer* -> CD or DAT @ 44.1kHz 1) Sony 3-head cassette deck (TC-K615S) > 10 band equalizer > My computer using "CoolEdit96" see info file for details (note: The originally seeded shn files were seeded c. 1999; those checksums added to this listing June, 2007.)
|
notes
|
| 2786. |
05/28/77 |
Shn - 0,
18439 |
Hartford |
Hartford Civic Center Recorded by Jerry Moore; Sony ECM-33Ps>Sony TC-153 mounted on pole 1st tier of seats off floor. AUDMC > SHN by David Minches.
|
notes
|
| 2787. |
05/28/77 |
Flac 16 - 0,
141832 |
Hartford |
Hartford Civic Center flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 2788. |
05/28/77 |
Flac 24/96 - 0,
152477 |
Hartford |
Hartford Civic Center flac24/96 Source: Sony ECM 99A > Sony TC 152 > Master Cassette - recorded by Jimmy Warburton fron about 70" centre. 1st transfer: Master cassette > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > flac24 edited and mastered SIRMick May 2021
|
notes
|
| 2789. |
05/28/77 |
Flac 16/44 - 0,
152476 |
Hartford |
Hartford Civic Center flac16/44 Source: Sony ECM 99A > Sony TC 152 > Master Cassette - recorded by Jimmy Warburton from about 70" centre. 1st transfer: Master cassette > Sony TC 152 > Teac a2300sd > Reel - transferred by Jimmy Warburton 2nd transfer: Reel > Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > wav 24/96 - transferred by Matt Smith Lineage: Wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > flac16 edited and mastered SIRMick May 2021
|
notes
|
| 2790. |
05/28/77 |
Flac 24/48 - 0,
152419 |
Hartford |
Hartford Civic Center flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK-SD/AD (normal bias) back-up tapes. Concert recording by Rich Petrunis. Transfer: 1st-gen > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2021
|
notes
|
| 2791. |
06/04/77 |
Flac - 0,
97183 |
Inglewood |
The Forum flac16; 2 x AKG 224E => Sony TC-158SD >> MAC >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB.0096
|
notes
|
| 2792. |
06/04/77 |
Shn - 0,
3417 |
Inglewood |
The Forum Rob Bertrando - FOB akg D224Es > Sony TC-153 cassette > CDR? > Rich Plumb DAT > Teddy GoodBear Computer (no edit) > SHN; to abgd; note track names with punctuated song titles may cause probs for some
|
notes
|
| 2793. |
06/04/77 |
Flac 24 - 0,
97140 |
Inglewood |
The Forum flac24; 2 x AKG 224E => Sony TC-15XSD >> MAC >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB.0096
|
notes
|
| 2794. |
06/07/77 |
Flac - 0,
99001 |
San Francisco |
Winterland Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 2795. |
06/07/77 |
Shn - 0,
1861 |
San Francisco |
Winterland Arena Soundboard -> Vault Reels ->DAT -> David Gans' Sonic Solutions Digital Editing -> CDR -> EAC -> CDR -> EAC -> SHN> unknown steps > shn; note the txt file lists Darrin Sacks as seeder, but md5s do not match his already-circulating shn set; the provenance of this set is therefore unconfirmed- info file and lineage shown here may or may not be correct; upgrade in circulation
|
notes
|
| 2796. |
06/07/77 |
Shn - 0,
24291 |
San Francisco |
Winterland Arena SBD> MR> DAT, plus AUD patches (AKG D220 mics> Tandberg 10X MR taped by Bob Menke and Reinhardt Hollwein> Rob Bertrando's first-gen reel> DAT); DAT> CD transfer, patching by David Hollister; EAC> volume editing> SHN by Keith Bode
|
notes
|
| 2797. |
06/07/77 |
Flac - 0,
31951 |
San Francisco |
Winterland Arena flac16; AUD, Likely: MAR > Reel > DAT > CDs (See note below)
|
notes
|
| 2798. |
06/07/77 |
Flac 24/96 - 0,
141358 |
San Francisco |
Winterland Arena flac24; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
|
notes
|
| 2799. |
06/07/77 |
Flac 16 - 0,
144910 |
San Francisco |
Winterland Arena flac16; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018; This file set is 16 bit @ 44.1
|
notes
|
| 2800. |
06/08/77 |
Flac 16 Mtx - 0,
95361 |
San Francisco |
Winterland Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 2801. |
06/08/77 |
Shn - 0,
25621 |
San Francisco |
Winterland Arena Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Profesional -> SHN Transferred and Edited By Charlie Miller
|
notes
|
| 2802. |
06/08/77 |
Shn - 0,
26342 |
San Francisco |
Winterland Arena AUD> MR> Reel> DAT> CD(s)> EAC> SHN; Recorded by Bob Menke/Reinhardt Hollwein with AKG D224s> Tandberg 10XD; DAT transfer info unknown; EAC (secure, offset corrected)> SHN by D. Winters
|
notes
|
| 2803. |
06/08/77 |
Shn - 0,
4184 |
San Francisco |
Winterland Arena SBDMR > PCM > DAT > CDR > EAC > SHN> wav> retrack> seeking shn; initial EAC > SHN by Jason Parmer; retracking> seekable shn by Tony Gardner; upgrade in circulation
|
notes
|
| 2804. |
06/08/77 |
Flac 24/96 - 0,
141359 |
San Francisco |
Winterland Arena flac24; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick 2018
|
notes
|
| 2805. |
06/08/77 |
Shn - 0,
15421 |
San Francisco |
Winterland Arena Master Soundboard Reel > Reel to Reel > PCM> DAT > CDR; Master Audience Cassette > Reel to Reel source supplies various patches see info file for details; Patching/CD Mastering and shn'ed by Scott Clugston; to abgd via Charlie Connor; upgrade in circulation
|
notes
|
| 2806. |
06/08/77 |
Flac 16 - 0,
144923 |
San Francisco |
Winterland Arena flac16; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick 2018; This file set is 16 bit @ 44.1
|
notes
|
| 2807. |
06/09/77 |
Flac 16 Mtx - 0,
98801 |
San Francisco |
Winterland Arena flac16; flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 2808. |
06/09/77 |
Flac 16 - 0,
125857 |
San Francisco |
Winterland Arena flac16; Recording Info: Sbd -> Master Reel -> Dat -> Cd; Patch Source: AKG D224 -> Master Reel -> Reel -> DAT -> CD (shnid 26450); Transfer Info - Most Tracks: CD -> EAC -> Samplitude Profesional -> FLAC (shnid 28614); Transfer Info - d2t05: CD -> EAC -> Samplitude Profesional -> FLAC -> WAV -> Peak Dv4 -> WAV -> FLAC; Transfer Info - d3t02 and d3t07: CD -> EAC -> Samplitude Profesional -> FLAC -> WAV -> ProTools LE -> WAV -> FLAC; This is a partial upgrade to shnid 28614 (Charlie Miller's 2005 remaster) with three tracks repaired by Duane Day
|
notes
|
| 2809. |
06/09/77 |
Flac 16 - 0,
28614 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Profesional v8.0 -> FLAC Transferred and Edited By Charlie Miller Patch Info: AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD
|
notes
|
| 2810. |
06/09/77 |
Shn - 0,
26450 |
San Francisco |
Winterland Arena AUD> MR> Reel> DAT> CD(s)> EAC> SHN; Recorded by Dr. Rob Bertrando with AKG D220s>Tandberg 10XD; DAT transfer info unknown; EAC> SHN by D. Winters
|
notes
|
| 2811. |
06/09/77 |
Shn - 0,
3869 |
San Francisco |
Winterland Arena SBD> Reel> PCM> DAT> DAT> CD; transfer: Fostex D10> hhb 800 professional stand-alone player; no editing; via Jeff Fishman; reportedly fuller-sounding than previously etreed copies; see flaw notes in info file; no Sunrise; upgrade in circulation
|
notes
|
| 2812. |
06/09/77 |
Shn - 0,
5597 |
San Francisco |
Winterland Arena SBD hybrid source, including encore: retracking of previous shn set with encore patched in from another previous shn set; Patching, retracking, and SHNv3 conversion by Patrick Murphy; see info file for details and flaw notes; upgrade in circulation
|
notes
|
| 2813. |
06/09/77 |
Shn - 0,
1409 |
San Francisco |
Winterland Arena Master Reels> PCM> DAT> Delta DiO 2496> Sound Forge 4.5> CDWAV> SHN; transfer/shn by John D'Auria; phasing problems from transfer DAT; ; upgrade in circulation
|
notes
|
| 2814. |
06/09/77 |
Flac 24/96 - 0,
141360 |
San Francisco |
Winterland Arena flac24; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
|
notes
|
| 2815. |
06/09/77 |
Flac 16 - 0,
144956 |
San Francisco |
Winterland Arena flac16; Source: AKG D224s > Tandberg 10X > 10 in Master Reel @ 7.5 ips - Taped by Sandy Troy and provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - Transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018; This file set is 16 bit @ 44.1
|
notes
|
| 2816. |
06/09/77 |
Shn - 0,
3372 |
San Francisco |
Winterland Arena aster Reels> PCM> DAT> Delta DiO 2496> Sound Forge 4.5> CDWAV> SHN; no phasing probs; via John D'Auria; upgrade in circulation
|
notes
|
| 2817. |
09/03/77 |
Flac - 0,
276 |
Englishtown |
Raceway Park Two-track Pre-FM reel > DAT > CD-R, except for encore, which is unknown AUD; note d1t1,2 (intro and Promised) are apparently really from 4/27/77!; this show is now released as Dick's Picks 15- go buy it [Note: An sbe-fixed version circulates.]
|
notes
|
| 2818. |
09/03/77 |
Flac 16 Mtx - 0,
131317 |
Englishtown |
Raceway Park flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:000276) Source: Two-track Pre-FM reel > DAT > CD-R, except for (terrapin), which is unknown AUD and Audience (shnid:91650) 2 Sony ECM 270s> Sony TC-158; Transfer and FLAC encoding by David Minches: Master audience cassette played back on Nak Dragon > Grace Lunatec V3 (24/96) > Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding
|
notes
|
| 2819. |
09/03/77 |
Flac 16 - 0,
102410 |
Englishtown |
Raceway Park flac16; aud cassette master, tc-153, taped by Ken Flemming, lineage: tc-153 master, maxell ud-c90's, dolby b nak dragon>hd-p2 24/96>hd>adobe auditon 2.0(levels/resample 16/44.1)>cd wave(tracking)>flactransferred by Rob Berger
|
notes
|
| 2820. |
09/03/77 |
Flac 16 - 0,
91230 |
Englishtown |
Raceway Park flac16; AUD: Unknown mics > JVC KD-1636 portable cassette deck > Maxell UD-90's. Recording Location: "I was right in front of a delay stack in center field." Transfer: MAC > unknown playback > Soundforge > CD-Wave > CDR. Concert recording and transfer to CDR by Tim "Sounddawg" Stiegler. CDR > EAC > TLH > FLAC by Andrew F.
|
notes
|
| 2821. |
09/03/77 |
Flac 16 - 0,
91650 |
Englishtown |
Raceway Park flac16; Recording by Bob Wagner: 2 Sony ECM 270s> Sony TC-158 Transfer and FLAC encoding by David Minches: Master audience cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding Patch source used: SHNID 91230 AUD: Unknown mics > JVC KD-1636 portable cassette deck > Maxell UD-90's
|
notes
|
| 2822. |
09/03/77 |
Flac 24/96 - 0,
102409 |
Englishtown |
Raceway Park flac24; aud cassette master, tc-153 taped by Ken Flemming, lineage: tc-153 master, maxell ud-c90's, dolby b nak dragon>hd-p2 24/96>hd>adobe auditon 2.0(levels)>cd wave (tracking)>flactransfer by Rob Berger
|
notes
|
| 2823. |
09/28/77 |
Shn - 0,
10482 |
Seattle |
Paramount Theatre Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out>Dat @ 48 kHz>Tascam DA-20MKII (playback only)>RME Digi96/8>Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT) Source DAT via Joe Samaritano DAT>Shn conversion, ditital editing via Charlie Connor;Seeded to fungus and abgd by Charlie Connor
|
notes
|
| 2824. |
09/28/77 |
Flac 16 - 0,
95952 |
Seattle |
Paramount Theatre flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48] Mastering: In WaveLab with Nomad Blue Tube Plugins Rate Conversion with r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky
|
notes
|
| 2825. |
09/29/77 |
Flac 16 - 0,
96027 |
Seattle |
Paramount Theatre flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz First Reel has no DBX hence MR > P1 > D1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky November 24, 2008
|
notes
|
| 2826. |
09/29/77 |
Shn - 0,
7289 |
Seattle |
Paramount Theatre Betty's Master Soundboard Reels > PCM x2> DAT > CDR; numerous blips, ticks, crackles, glitches believed to be on the master reels; via Scott Clugston
|
notes
|
| 2827. |
09/29/77 |
Shn - 0,
9003 |
Seattle |
Paramount Theatre SBD> MR> PCM> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon. [Note: an alternate md5 file for d3 circulates.]
|
notes
|
| 2828. |
09/29/77 |
Flac 24/96 - 0,
142839 |
Seattle |
Paramount Theatre flac24; Source Info: Master Audience Cassettes; AKG D224E mics > Will Boswell's 1st generation reels @ 3 3/4 ips; Transfer Info: 1st generation reels ((Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496
|
notes
|
| 2829. |
09/29/77 |
Flac 16/48 - 0,
142840 |
Seattle |
Paramount Theatre flac16/48kHz; Source Info: Master Audience Cassettes; AKG D224E mics > Will Boswell's 1st generation reels @ 3 3/4 ips; Transfer Info: 1st generation reels ((Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 2830. |
10/01/77 |
Flac 16 - 0,
86234 |
Portland |
Paramount Theatre flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0
|
notes
|
| 2831. |
10/01/77 |
Flac 16 - 0,
123090 |
Portland |
Paramount Theatre flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 2832. |
10/01/77 |
Flac 16 - 0,
123211 |
Portland |
Paramount Theatre b>flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2833. |
10/01/77 |
Shn - 0,
277 |
Portland |
Paramount Theatre Complete show; source tape: MR>P2>D1; 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES , PCM501ES analog out > Fostex D5 @ 48 kHz; Promised Land cut on either end; TLEO cuts in; Estimated has some mic distortion for ~1.5 min. Note that this distortion sounds remarkably like a poor DAE. That is not the problem here; note txt and md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 5/99 shn set; upgrade in circulation
|
notes
|
| 2834. |
10/01/77 |
Shn - 0,
|
Portland |
Paramount Theatre
|
notes
|
| 2835. |
10/01/77 |
Flac 16 - 0,
140578 |
Portland |
Paramount Theatre flac16; Source Info: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1); Transfer Info: Primary Source: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9; Mastered by Scott Clugston
|
notes
|
| 2836. |
10/01/77 |
Flac 16 - 0,
140589 |
Portland |
Paramount Theatre flac16; Sources: 1st Set: Master Audience Cassette (unknown cassette deck); AKG D224E mics; 2nd Set: Master Audience 10" Reels (Sony TC-755)no dolby; AKG D224E mics; Transfer Info: Transfer info is not available
|
notes
|
| 2837. |
10/02/77 |
Flac 16 - 0,
123102 |
Portland |
Paramount Theatre flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2838. |
10/02/77 |
Flac 16 - 0,
96354 |
Portland |
Paramount Theatre flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2).
|
notes
|
| 2839. |
10/02/77 |
Shn - 0,
278 |
Portland |
Paramount Theatre WBOTB tree; Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder > analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones, brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog tape damage leading to a cut during the song. There is an illegal bootleg available that apparently has no cut in Wharf Rat, but the cut has been edited out and the song is about 30 sec shorter than on the Betty reel. No EQ has been performed. You hear what is on the Betty reels.; note md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set; upgrade in circulation
|
notes
|
| 2840. |
10/02/77 |
Flac 24/96 - 0,
142120 |
Portland |
Paramount Theatre flac24; Recording Info: Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics; Transfer Info: Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496
|
notes
|
| 2841. |
10/02/77 |
Flac 16/48 - 0,
142121 |
Portland |
Paramount Theatre flac16/48kHz; Recording Info: Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics; Transfer Info: Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496; This is a 16/48 fileset. 24-bit > 16-bit via dBpoweramp
|
notes
|
| 2842. |
10/02/77 |
Flac 16/44,1 - 0,
142122 |
Portland |
Paramount Theatre flac16/44.1khz Patched soundboard. Recording Info: SBD > Master Reel > PCM > Dat. Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Samplitude Professional v11.2.1 > FLAC. Patch source Sandy Troy AKG D224E.
|
notes
|
| 2843. |
10/06/77 |
Flac 16 - 0,
77476 |
Tempe |
Activity Center, Arizona State University flac16; FM > C(x2) > Marantz CDR-510 (rec at -0db) > CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, checksums, and FLAC compression) > FLAC
|
notes
|
| 2844. |
10/06/77 |
Flac 16 - 0,
113808 |
Tempe |
Activity Center, Arizona State University flac16; King Biscuit Flower Hour > WNEW-FM Broadcast > Off The Air Reel Master > M-Audio Transit > Cool Edit @ 24/96 > CD Wave Editor > Cool Edit Dithered To 16/44 > Traders Little Helper > Flac
|
notes
|
| 2845. |
10/06/77 |
Flac 24/96 - 0,
113809 |
Tempe |
Activity Center, Arizona State University flac24; King Biscuit Flower Hour > WNEW-FM Broadcast > Off The Air Reel Master > M-Audio Transit > Cool Edit @ 24/96 > CD Wave Editor > Traders Little Helper > Flac
|
notes
|
| 2846. |
10/06/77 |
Flac 16 - 0,
150656 |
Tempe |
Activity Center, Arizona State University flac16; lineage: King Biscuit Flower Hour FM broadcast > Sansui 8 receiver > unknown reel recorder @ 3.3/4 ips > Maxell UD 35-90 7" reel > Teax X-700R > soundforge (16 bit 44.1 khz wav) > flac (sb's aligned)
|
notes
|
| 2847. |
10/06/77 |
Flac 16 - ,
164815 |
Tempe |
Activity Center, Arizona State University Recording Info: SBD > Cassette Master > DAT (48k) > WAV Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/16 Patch Info: FM (KBFH) > Reel Master > FLAC (shnid=113809) supplies: Promised Land (0:00 - 0:13) AUD > ? > Cassette supplies: They Love Each Other (3:35 - 4:38) Eyes Of The World (9:36 - 10:35) Uncle John's Band (0:00 - 1:26) (7:46 - end of track) All Mastering by Charlie Miller. charliemiller87@earthlink.net. July 27, 2018 (original mastering) April 10, 2023 (dozens of clicks cleaned up) May 22, 2023 (patched tape flips)
|
notes
|
| 2848. |
10/07/77 |
Flac - 0,
80753 |
Albuquerque |
University Arena, University Of New Mexico flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 2849. |
10/07/77 |
Flac - 0,
79020 |
Albuquerque |
University Arena, University Of New Mexico flac16; Set 2 only: Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC; upgrade in circulati
|
notes
|
| 2850. |
10/07/77 |
Shn - 0,
1191 |
Albuquerque |
University Arena, University Of New Mexico partial set 2 (all that circ); SBD-> Master Reels-> DAT-> DAT-> Sonic Solutions-> CD-> CD-> SHN; CD seed via David Gans; via Chuck Kiefe and Chuck Fiske to GDH-T offer; hosted at gdlive.com [Note: A sbe-fixed version also circulates]; upgrade in circulation
|
notes
|
| 2851. |
10/09/77 |
Flac 16 - 0,
88961 |
Denver |
McNichols Sports Arena flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 2852. |
10/09/77 |
Flac 16 - 0,
109972 |
Denver |
McNichols Sports Arena flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2853. |
10/09/77 |
Shn - 0,
6954 |
Denver |
McNichols Sports Arena Master Soundboard Reel > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; see flaw notes in info file; upgrade in circulation
|
notes
|
| 2854. |
10/09/77 |
Shn - 0,
3918 |
Denver |
McNichols Sports Arena SBD> ?> CDR> EAC> SHN; via Doug Moog?; missing Casey Jones; upgrade in circulation
|
notes
|
| 2855. |
10/09/77 |
Flac 16/48 - 0,
144480 |
Denver |
McNichols Sports Arena flac16/48kHz; Source Info: Sandy Troy's 7" Soundboard Reels @ 3.75 ips (reels were not labeled, except to denote the date & dolby b) Transfer Info: Soundboard Reels (Akai GX-636)> Lamb Labs dolby decoder > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 2856. |
10/09/77 |
Flac 24/96 - 0,
144481 |
Denver |
McNichols Sports Arena flac24; Source Info: Sandy Troy's 7" Soundboard Reels @ 3.75 ips (reels were not labeled, except to denote the date & dolby b) Transfer Info: Soundboard Reels (Akai GX-636)> Lamb Labs dolby decoder > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 2857. |
10/11/77 |
Flac 16 - 0,
87514 |
Norman |
Lloyd Noble Center, University Of Oklahoma flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 2858. |
10/11/77 |
Shn - 0,
32796 |
Norman |
Lloyd Noble Center, University Of Oklahoma Source: SBD>MR>DAT>WAV>.shn transfer by: Jake Clemens; upgrade in circulation
|
notes
|
| 2859. |
10/11/77 |
Shn - 0,
279 |
Norman |
Lloyd Noble Center, University Of Oklahoma SBD; poss genealogy: Betty MR> D> C1> D> CD> SHN; some hiss or static, poss partly from MR (though note MR>D copies do circ); Dat > wav > shn> orig upload by S. Anderson; post-processing (minor cuts/fades) by L. Orf ; diginoise in NFA; upgrade in circul
|
notes
|
| 2860. |
10/11/77 |
Shn - 0,
19290 |
Norman |
Lloyd Noble Center, University Of Oklahoma SBD>MR>D>C>D>CD>EAC>SHN; with aud patches; via J. Cotsman see info file for flaw notes; Thanks to S. Milewski for updated aud patch; upgrade in circulation
|
notes
|
| 2861. |
10/11/77 |
Shn - 0,
19239 |
Norman |
Lloyd Noble Center, University Of Oklahoma Soundboard Betty MR> D> C> D> CD> SHN DAE[EAC secure mode], SHN encoding[mkw], and upload by Brian Heath; upgrade in circulation
|
notes
|
| 2862. |
10/11/77 |
Flac 24/96 - ,
152639 |
Norman |
Lloyd Noble Center, University Of Oklahoma flac24/96 Source: Unknown udience cassettes from the collection of Doug Lamarre. Each set is from a difference source. Transfer: Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac24 edited and mastered SIRMick June 2021
|
notes
|
| 2863. |
10/11/77 |
Flac 16/44 - ,
152638 |
Norman |
Lloyd Noble Center, University Of Oklahoma flac16/44 Source: Unknown audience cassettes from the collection of by Doug Lamarre. Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick June 2021
|
notes
|
| 2864. |
10/11/77 |
Flac 16/44 - ,
152829 |
Norman |
Lloyd Noble Center, University Of Oklahoma flac16/44 Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net October 1, 2007
|
notes
|
| 2865. |
10/12/77 |
Shn - 0,
19291 |
Austin |
Manor Downs SBD>MR>C>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN via J. Cotsman; Thanks to S. Milewski for aud patches
|
notes
|
| 2866. |
10/12/77 |
Shn - 0,
3919 |
Austin |
Manor Downs no source listed; "Compendium Crew release"; d2 tracked for 80 min; via Teddy Goodbear to abgd, 5/01 to etree; upgrade in circulation
|
notes
|
| 2867. |
10/12/77 |
Flac - 0,
121616 |
Austin |
Manor Downs flac16/48kHz; Recording Info: Unknown Mics -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/48kHz; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2868. |
10/12/77 |
Flac - 0,
121618 |
Austin |
Manor Downs flac16; Recording Info: Unknown Mics -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/44.1K; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2869. |
10/14/77 |
Flac - 0,
110419 |
Houston |
Hofheinz Pavilion flac16; Recording Info:SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Fix of shnid 110400
|
notes
|
| 2870. |
10/14/77 |
Shn - 0,
34260 |
Houston |
Hofheinz Pavilion Fix of shnid 6693 (sbd) by Bill Tetzeli - see info file for details
|
notes
|
| 2871. |
10/14/77 |
Flac - 0,
110400 |
Houston |
Hofheinz Pavilion flac16; Recording Info: SBD -> Master Reel -> Dat; Transfer Info: Dat -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 2872. |
10/14/77 |
Shn - 0,
6693 |
Houston |
Hofheinz Pavilion SBD>MC>R>DAT>CDR > EAC (secure mode, test and copy) > SHN; EAC, SHN extraction and etree seeding done by G.Gorinsky; woth thanks to Bill Golden
|
notes
|
| 2873. |
10/15/77 |
Shn & Flac - 0,
19154 |
Dallas |
Moody Coliseum, S.M.U SBD>MC>R>D>CD>EAC>SHN; declicked and pitch corrected
|
notes
|
| 2874. |
10/15/77 |
Flac 16 - 0,
129898 |
Dallas |
Moody Coliseum, S.M.U flac16; Recording Info: SBD > mc > r > d > CD; Transfer Info: CD > wav > Sound Forge 10 > TLH > flac
|
notes
|
| 2875. |
10/15/77 |
Shn - 0,
6664 |
Dallas |
Moody Coliseum, S.M.U SBD : MC > R > DAT > CD; via Steve Tobani, Alan J. Fink; upgrade in circulation
|
notes
|
| 2876. |
10/15/77 |
Flac 16 - 0,
125642 |
Dallas |
Moody Coliseum, S.M.U flac16; Master AUD -> 1st gen Hi-Fi VHS -> wav ->flac
|
notes
|
| 2877. |
10/15/77 |
Flac 16 Mtx - 0,
137270 |
Dallas |
Moody Coliseum, S.M.U flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:19154), SBD>MC>R>D>CD>EAC>SHN and Audience (shnid:125642),Master AUD -> 1st gen Hi-Fi VHS -> wav -> flac
|
notes
|
| 2878. |
10/15/77 |
Flac 24/48 - 0,
144158 |
Dallas |
Moody Coliseum, S.M.U flac24; 2nd Set, Source: AUD of unknown lineage > ? > Cassette, via Richie & Rip; Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 12/2018
|
notes
|
| 2879. |
10/15/77 |
Flac 16 - 0,
145159 |
Dallas |
Moody Coliseum, S.M.U flac16; 2nd Set, Source: AUD of unknown lineage > ? > Cassette, via Richie & Rip; Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F.; This file set is 16 bit @ 44.1
|
notes
|
| 2880. |
10/16/77 |
Shn - 0,
3350 |
Baton Rouge |
Assembly Center, Louisiana State University sdb> MR> C> D> CD; via Mike Lai
|
notes
|
| 2881. |
10/16/77 |
Flac 16 - 0,
86712 |
Baton Rouge |
Assembly Center, Louisiana State University flac16; partial Set 1: Sony CR-O2 C-90 Cassette tape MASTER > JVC TD-W209 cassette playback deck >JVC XL-R5010 stand-alone>cdr (0)>your cdr
|
notes
|
| 2882. |
10/16/77 |
Flac 24/48 - 0,
151786 |
Baton Rouge |
Assembly Center, Louisiana State University Flac 24 Source Info: Analog Audience source (unknown equipment) > Reel to Reel @ 3ips > John Brennan's Cassettes Transfer Info: John Brennan's Cassettes (most likely 2nd generation)(Nakamichi Dragon) > Tascam DA-3000 (DSF 1-bit/5.6MHz)> Sound Forge (.wav 24-bit/48k) > Adobe Audition 2021 > TLH flac24/48
|
notes
|
| 2883. |
10/16/77 |
Flac 16 - 0,
151787 |
Baton Rouge |
Assembly Center, Louisiana State University Master Soundboard Reels > Cassette > DAT > CDR Patched version of SHNID 3350
|
notes
|
| 2884. |
10/16/77 |
Flac 16/48 - 0,
151785 |
Baton Rouge |
Assembly Center, Louisiana State University Flac 1648 Source Info: Analog Audience source (unknown equipment) > Reel to Reel @ 3ips > John Brennan's Cassettes Transfer Info: John Brennan's Cassettes (most likely 2nd generation)(Nakamichi Dragon) > Tascam DA-3000 (DSF 1-bit/5.6MHz)> Sound Forge (.wav 24-bit/48k) > Adobe Audition 2021 > TLH flac24/48
|
notes
|
| 2885. |
10/28/77 |
Flac - 0,
96159 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2886. |
10/28/77 |
Flac - 0,
101196 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; Matrix 2 Source Mix - SBD (shn id 96159) SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 96569) Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding - matrix mixing by Kevin Tobin
|
notes
|
| 2887. |
10/28/77 |
Shn - 0,
8520 |
Kansas City |
Soldiers & Sailors Memorial Hall Betty Board>MR>?>CD; via Jens Tilsner; Seeded to etree by Willy
|
notes
|
| 2888. |
10/28/77 |
Flac Dts 5.1 - 0,
101243 |
Kansas City |
Soldiers & Sailors Memorial Hall DTS-Audio-CD 5.1 Mix; SBD (shn id 96159) SBD -> Master Reel -> PCM -> Dat; Transfer Info:Dat (Sony R500) -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 96569) Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding - dts mixing by Kevin Tobin
|
notes
|
| 2889. |
10/28/77 |
Flac - 0,
96569 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; Recording Info: Sony ECM-990 -> Cassette Master -> Reel -> FLAC Transfer and FLAC encoding by David Minches: Reel played back on Akai GX-4000D> ART DI/O> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (speed correction/dither/downsample)> FLAC encoding
|
notes
|
| 2890. |
10/28/77 |
Flac 16 - 0,
148907 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; Source: Betty SBD > Reel Master > PCM > pcm clone; Transfer: PCM clone > Sony PCM601esd > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44
|
notes
|
| 2891. |
10/29/77 |
Flac - 0,
98032 |
DeKalb |
Evans Field House, Northern Illinois University flac16; matrix of SBD: shnid=92085 and AUD: shnid=8035 by hansokolow using ProTools
|
notes
|
| 2892. |
10/29/77 |
Flac - 0,
92085 |
DeKalb |
Evans Field House, Northern Illinois University flac16 Recording Info:SBD -> Master Reel -> PCM -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2893. |
10/29/77 |
Shn - 0,
8035 |
DeKalb |
Evans Field House, Northern Illinois University Sony ECM-990s>Sony TC-158>MAC>R>D>CD; Taped by Steve Maizner; via Jack Warner; Seeded to etree by Matt Vernon
|
notes
|
| 2894. |
10/29/77 |
Flac - 0,
108010 |
DeKalb |
Evans Field House, Northern Illinois University flac16; Recording Info: Sony ECM-990 -> Cassette Master (Sony TC-158) -> AIFF; Transfer Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; Recorded By Steve Maizner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2895. |
10/29/77 |
Flac - 0,
28613 |
DeKalb |
Evans Field House, Northern Illinois University flac16; MSR>PCM>DAT>CDx?>EAC>WAV>FLAC; patch source: shnid=8035; EAC extraction, editing, and FLAC encoding by Sean Cribbs 3/11/05
|
notes
|
| 2896. |
10/29/77 |
Shn - 0,
280 |
DeKalb |
Evans Field House, Northern Illinois University SBD > Reel > DAT > WAV (via TB Fiji S/PDIF) > SHN; via Jeff Kempka
|
notes
|
| 2897. |
10/29/77 |
Flac Mtx. - 0,
137373 |
DeKalb |
Evans Field House, Northern Illinois University flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:92085) Recording Info: SBD -> Master Reel -> PCM -> Dat -> CDTransfer Info:CD -> Samplitude Professional v10.02 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience (shnid:108010), Recorded By Steve Maizner, Recording Info: Sony ECM-990 -> Cassette Master (Sony TC-158) -> AIFF, Transfer Info: AIFF -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2898. |
10/29/77 |
Flac 16 - 0,
148908 |
DeKalb |
Evans Field House, Northern Illinois University flac16; Source: Betty SBD > Reel Master > PCM > pcm clone; Transfer: PCM clone > Sony PCM601esd > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; the original source had a "nearly undetectable" flaw in d2t06 which had to be fixed for nearly undetectable reasons
|
notes
|
| 2899. |
10/30/77 |
Flac - 0,
99838 |
Bloomington |
Assembly Hall flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version of source ID 99765
|
notes
|
| 2900. |
10/30/77 |
Shn - 0,
7564 |
Bloomington |
Assembly Hall sbd> mr> pcm> dat> cdr> eac >shn via mkwAct 0.97 beta 1; via Bob Allred GDH-Trading tree; see flaw notes in info file; upgrade in circulation
|
notes
|
| 2901. |
10/30/77 |
Flac - 0,
99765 |
Bloomington |
Assembly Hall flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version now in circulation
|
notes
|
| 2902. |
10/30/77 |
Shn - 0,
14946 |
Bloomington |
Assembly Hall Source: SBD > MR > PCM > DAT > CDR > EAC > mkwACT EAC'd/SHN'd by Doug Nawrocki
|
notes
|
| 2903. |
10/30/77 |
Flac - 0,
99939 |
Bloomington |
Assembly Hall flac16; source: aud 1st gen reel taped by Steve Maizner sony ecm 990s>sony tc-158sd; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac
|
notes
|
| 2904. |
10/30/77 |
Flac - 0,
100165 |
Bloomington |
Assembly Hall flac16; Recorded by Steve Maizner Sony ECM-990> Master Cassette; Master cassette> reel> FLAC 1st generation reel played back on Akai Gx-4000D> ART DI/O > Digital Audio Labs Card Deluxe soundcard > Adobe Audition> flac encoding > FLAC Transfer and FLAC encoding by David Minches Pitch correction by Joe B. Jones
|
notes
|
| 2905. |
10/30/77 |
Flac Mtx. - 0,
137374 |
Bloomington |
Assembly Hall flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:99838), Recording Info: SBD -> Master Reel -> PCM -> Dat,Transfer Info:Dat -> Samplitude Professional v10.21 -> FLAC, All Transfers and Mastering By Charlie Miller,Audience (shnid:100165), Recorded by Steve Maizner,Sony ECM-990> Master Cassette; Transfer and FLAC encoding by David Minches:Master cassette> reel> FLAC; 1st generation reel played back on Akai Gx-4000D> ART DI/O > Digital Audio Labs Card Deluxe soundcard > Adobe Audition> flac encoding > FLAC
|
notes
|
| 2906. |
11/01/77 |
Flac - 0,
82574 |
Detroit |
Cobo Arena flac16; Recording Info: SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 2907. |
11/01/77 |
Shn - 0,
2485 |
Detroit |
Cobo Arena SBD> Master (Betty Board) Reels> PCM> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.; includes US Blues encore; d1t05 cuts into friend of the devil (about 1st 20 seconds missing); upgrade in circulation
|
notes
|
| 2908. |
11/02/77 |
Flac - 0,
86233 |
Toronto |
Field House, Seneca College flac 16; Sick Bits Vol. 23 - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=14743) + AUD (shnid=81012). Matrixed by Chris Chappell.
|
notes
|
| 2909. |
11/02/77 |
Shn - 0,
86546 |
Toronto |
Field House, Seneca College flac16; SBD/AUD Matrix by SIRMick; Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN (shn id 14743) and Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Recorded by Alan Zimmerman (shn id 81012)
|
notes
|
| 2910. |
11/02/77 |
Shn - 0,
14743 |
Toronto |
Field House, Seneca College Soundboard Reel> CD> TC2000 EQ> Sonic Solutions (David Gans)> CD> EAC> SHN TC2000; Equalizer Used To Brighten Up The Rather Dull Sound; CD> EAC> SHN By Joe Samaritano; also to abgd via Charlie Connor; note upgrade to previous copy
|
notes
|
| 2911. |
11/02/77 |
Flac - 0,
81012 |
Toronto |
Field House, Seneca College flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC
|
notes
|
| 2912. |
11/04/77 |
Flac - 0,
29091 |
Hamilton |
Cotterell Gym, Colgate University flac 16; SBD/AUD Matrix of 2 previously circulated seeds (SBD - shn ID #2595 & AUD - shn ID #15208); prepared by Chris Chappell
|
notes
|
| 2913. |
11/04/77 |
Shn - 0,
3739 |
Hamilton |
Cotterell Gym, Colgate University SBD:MR > DAT > CD-R; material from previous shn set, plus patched intro from AUD (see notes in info file); seeded by Peter Braverman
|
notes
|
| 2914. |
11/04/77 |
Shn - 0,
15208 |
Hamilton |
Cotterell Gym, Colgate University MAC (Taped by Jerry Moore, Sony ECM 33Ps* [directly behind the soundboard] > Sony TC-158** [Dolby B, Maxell UDXLIIC90s]) > Tascam 112 MK-II playback > HHB 800 master CD > HP 9350i extraction (EAC v0.9 beta 4) > editing using Sound Forge Studio 6.0 > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by John Steinthal, CD > SHN by Joe Jupille and Noah Weiner.
|
notes
|
| 2915. |
11/04/77 |
Flac 16 - 0,
130927 |
Hamilton |
Cotterell Gym, Colgate University flac16; Source ID 3739 Adjusted amplitudes and equalization with Cool Edit 2000; shn > wav > flac
|
notes
|
| 2916. |
11/04/77 |
Shn - 0,
2595 |
Hamilton |
Cotterell Gym, Colgate University SBD:MR > DAT > CD-R; noted at gdlive (also to abgd?); upgrade in circulation
|
notes
|
| 2917. |
11/04/77 |
Flac 16 - 0,
81110 |
Hamilton |
Cotterell Gym, Colgate University flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC
|
notes
|
| 2918. |
11/04/77 |
Flac 16 - 0,
141005 |
Hamilton |
Cotterell Gym, Colgate University flac16; Source: Audience Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick February 2018
|
notes
|
| 2919. |
11/04/77 |
Flac 24/96 - 0,
141004 |
Hamilton |
Cotterell Gym, Colgate University flac24; Source: Audience Master Reel > Reel - Provided by Will Boswell; Transfer: Reel > Technics RS1506 > Tascam DA3000 (1 bit DSD) > dB poweramp > wav 24/96 - Transferred by Matt Smith; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick February 2018
|
notes
|
| 2920. |
11/04/77 |
Flac 16 - 0,
141833 |
Hamilton |
Cotterell Gym, Colgate University flac16; Recording Info: Jerry Moore's Master Audience Cassettes; Sony ECM-33P mics > Sony TC-158SD (Maxell UD-XLII with dolby B) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 2921. |
11/04/77 |
Flac 16 - 0,
139656 |
Hamilton |
Cotterell Gym, Colgate University flac16; This source is a DAE of the GDLive material listed as source ID 2595; Source/Lineage: SBD Master > DAT > dl gd server > CD-R (15+ yrs) > xACT 2.41 (ffp’s, sector boundaries) > Flac 6
|
notes
|
| 2922. |
11/05/77 |
Shn - 0,
6934 |
Rochester |
Community War Memorial Auditorium Master Soundboard Cassette > 1 Reel to Reel gen > DAT, with AUD patches (see info file); Patching, CD Mastering, EAC'ed, SHN'ed by Scott Clugston; to abgd
|
notes
|
| 2923. |
11/05/77 |
Shn - 0,
16757 |
Rochester |
Community War Memorial Auditorium A:C:D:Cool Edit:CD recorded by Jerry Moore; Sony ECM-33Ps> Sony 158 via David Minches encoded by Sean Cribbs
|
notes
|
| 2924. |
11/05/77 |
Flac 16 - 0,
81180 |
Rochester |
Community War Memorial Auditorium flac16; Recorded by Alan Zimmerman Master Audience Cassette; Sony Stereo Mic> Sony TC-158 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC
|
notes
|
| 2925. |
11/05/77 |
Shn - 0,
3293 |
Rochester |
Community War Memorial Auditorium Master Audience Cassette > possible analog gen> DAT > CDR; Mastered to disc> EAC> SHN by Scott Clugston. [Note: An alternate shn set differeing only in disks 2 and 3 also circulates. This might have an additional EAC generation.]
|
notes
|
| 2926. |
11/05/77 |
Flac 16/48 - 0,
152193 |
Rochester |
Community War Memorial Auditorium flac16/48 Source Info: Jimmy Warburton's Master Audience Cassettes; most likely AKG d1000e mics > unknown deck (dolby on); master cassettes (Nakamichi 550, dolby off) > 1st generation reel (Teac 3300, dolby off) @ 3.75 ips Transfer Info: 1st generation reels (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 2927. |
11/05/77 |
Flac 24/96 - 0,
152194 |
Rochester |
Community War Memorial Auditorium flac24/96 Source Info: Jimmy Warburton's Master Audience Cassettes; most likely AKG d1000e mics > unknown deck (dolby on); master cassettes (Nakamichi 550, dolby off) > 1st generation reel (Teac 3300, dolby off) @ 3.75 ips Transfer Info: 1st generation reels (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 2928. |
11/06/77 |
Flac 16 Mtx - 0,
92273 |
Binghamton |
Broome County Arena flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC) June 13, 2008
|
notes
|
| 2929. |
11/06/77 |
Flac 16 - 0,
122296 |
Binghamton |
Broome County Arena flac16; MR>PCM>DAT>HD>CDR>EAC>Flac level 8 via TLH
|
notes
|
| 2930. |
11/06/77 |
Shn - 0,
283 |
Binghamton |
Broome County Arena Reel -> DAT -> CDR; Transfer: EAC -> SHN by D. Nawrocki
|
notes
|
| 2931. |
11/06/77 |
Shn - 0,
16758 |
Binghamton |
Broome County Arena A:C:D:Cool Edit:CD recorded by Jerry Moore; Sony ECM-33Ps> Sony 158 via David Minches encoded by Sean Cribbs
|
notes
|
| 2932. |
11/06/77 |
Flac 16 - 0,
139055 |
Binghamton |
Broome County Arena b>flac16; Soundboard Master Reels > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44
|
notes
|
| 2933. |
11/06/77 |
Flac 24/96 - 0,
148412 |
Binghamton |
Broome County Arena flac24; 1st Set Recording Info:Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 2934. |
11/06/77 |
Flac 16/48 - 0,
148411 |
Binghamton |
Broome County Arena flac1648 1st Set Recording Info:Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 2935. |
12/27/77 |
Shn - 0,
24069 |
San Francisco |
Winterland Arena Bertha Remaster of the Master Reel source. SBD>>MR>>SS>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN
|
notes
|
| 2936. |
12/27/77 |
Shn - 0,
19288 |
San Francisco |
Winterland Arena SBD>MR>D>CD>EAC>SHN; patched with AUD>??>C>CD>EAC>SHN (multigen); originally circulated by David Gans w/ thanks to S. Milewski for the patches
|
notes
|
| 2937. |
12/27/77 |
- 0,
|
San Francisco |
Winterland Arena
|
notes
|
| 2938. |
12/27/77 |
Flac - 0,
137166 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD > Master Reel > Dat (44.1k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2939. |
12/29/77 |
Shn - 0,
20370 |
San Francisco |
Winterland Arena Set I & Encore MSR>R>R>R>C>DAT>WAV>SHN Set II MSR>R>C>DAT>WAV>SHN C>SHN Conversions by Cousinit
|
notes
|
| 2940. |
12/29/77 |
Shn - 0,
18675 |
San Francisco |
Winterland Arena Dick's Picks 10 outtakes SBD>?>SHN via Terrapin Station
|
notes
|
| 2941. |
12/29/77 |
Flac 24/96 - 0,
133041 |
San Francisco |
Winterland Arena flac24; Recording Info: master recorded from the balcony on a Tandberg 10X reel to reel @ 7.5 ips. The reel is from Sandy Troy's collection; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith
|
notes
|
| 2942. |
12/29/77 |
Flac 16 - 0,
133042 |
San Francisco |
Winterland Arena flac16; Recording Info: master recorded from the balcony on a Tandberg 10X reel to reel @ 7.5 ips. The reel is from Sandy Troy's collection; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith
|
notes
|
| 2943. |
12/29/77 |
Flac 16 - 0,
92374 |
San Francisco |
Winterland Arena flac16; Partial set 2 only, unknown generation maxell cassette-> sb audigy-> audacity-> cd wav-> flac
|
notes
|
| 2944. |
12/29/77 |
Flac 16 - 0,
108432 |
San Francisco |
Winterland Arena flac16; Reinhardt Holwein Audience Reel > ???? > DAT > CDR > EAC Secure Mode > WAV > FLAC
|
notes
|
| 2945. |
12/29/77 |
Flac 16/48 - 0,
137198 |
San Francisco |
Winterland Arena flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > Dat (48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2946. |
12/29/77 |
Flac 16 - 0,
137650 |
San Francisco |
Winterland Arena flac16; Source: Audience recording (Sennheiser 421s) > ??? > cdr > eac > wav 16/44.1; Lineage: wav 16/44.1 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wav TLH > Flac16; edited and mastered SIRMick
|
notes
|
| 2947. |
12/29/77 |
Flac 16 - 0,
141740 |
San Francisco |
Winterland Arena flac16; Source Info: Analog Soundboard > Cassette > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 2948. |
12/30/77 |
Shn - 0,
20009 |
San Francisco |
Winterland Arena SBDMR>DAT>Sonic Solutions>CD>EAC>SHN
|
notes
|
| 2949. |
12/30/77 |
Flac 16 - 0,
132379 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Dat -> FLAC; Transfer Info: FLAC -> Samplitude Pro X2 Suite -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 2950. |
12/30/77 |
Flac 16 - 0,
112745 |
San Francisco |
Winterland Arena flac16; Audience Recording by Gene Taback; One Casette Master Transferred by Jim Blackwood at 24bit 96 kHz Edited and Mastered by Jamie Waddell Weiss-Saracon for 16 bit 44.1 kHz TLH for FLAC8 Tag&Rename for MetaData
|
notes
|
| 2951. |
12/30/77 |
Shn - 0,
20009 |
San Francisco |
Winterland Arena partial; SBD> MR> DAT> CD; via Candyman
|
notes
|
| 2952. |
12/30/77 |
Flac 16 - 0,
139536 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller; This is a patched version of shnid=132379
|
notes
|
| 2953. |
12/30/77 |
Flac 24/96 - 0,
139533 |
San Francisco |
Winterland Arena flac24; Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017
|
notes
|
| 2954. |
12/30/77 |
Flac 16/48 - 0,
142698 |
San Francisco |
Winterland Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - surround mixing by Kevin Tobin
|
notes
|
| 2955. |
12/30/77 |
Flac Dts 5.1 - 0,
142697 |
San Francisco |
Winterland Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - dts mixing by Kevin Tobin
|
notes
|
| 2956. |
12/30/77 |
Flac 16 Mtx - 0,
142696 |
San Francisco |
Winterland Arena flac16; Matrix 2 Source Mix - SBD (shnid = 139536) Recording Info: SBD > Master Reel > Dat > FLAC; Transfer Info: FLAC > Samplitude Professional Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139533) Source: Tandberg 10X reel to reel @ 7.5 ips Master. The reel is from Sandy Troy's collection and was provided by Charlie Miller; Transfer: Master reel > Technics 1506 w/Lamb Labs Dolby decoder > Apogee Mini Me > wav 24/96 - transferred by Matt Smith; Lineage: Wav > Adobe Audition 1.5 > iZotope RX6 Advanced >iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick October 2017 - matrix mixing by Kevin Tobin
|
notes
|
| 2957. |
12/31/77 |
Shn - 0,
35291 |
San Francisco |
Winterland Arena Seamless fix of shn id 286 - SBD > Master Reel > DAT > CDR > EAC > SHN
|
notes
|
| 2958. |
12/31/77 |
Flac - 0,
20596 |
San Francisco |
Winterland Arena Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy (dkonrad99@hotmail.com)
|
notes
|
| 2959. |
12/31/77 |
Shn - 0,
286 |
San Francisco |
Winterland Arena SBD> MR> DAT> standalone burner> CDR> EAC> SHN; EAC> SHN by B. Purvis; via offer to PCP; etreed 5/9/00 via A. Jerugim
|
notes
|
| 2960. |
12/31/77 |
Flac 24/96 - 0,
140952 |
San Francisco |
Winterland Arena flac24; Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496
|
notes
|
| 2961. |
12/31/77 |
Flac 16 - 0,
140951 |
San Francisco |
Winterland Arena flac16; Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24 bit > 16 bit via dBpoweramp
|
notes
|
| 2962. |
12/31/77 |
Flac 16/48 - 0,
141127 |
San Francisco |
Winterland Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy + AUD (shnid = 140952) Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 - mixing by Kevin Tobin
|
notes
|
| 2963. |
12/31/77 |
Flac Dts 5.1 - 0,
141126 |
San Francisco |
Winterland Arena
|
notes
|
| 2964. |
12/31/77 |
Flac 16 Mtx - 0,
141125 |
San Francisco |
Winterland Arena flac16; Matrix 2 Source Mix - SBD (shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy + AUD (shnid = 140952) Source Info: Master Audience Reels; AKG D224E mics > Sandy Troy's 1st generation 10" Reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS 1506) > Apogee Mini Me > Mini DAC > WaveLab 8(flac 24/96)> Adobe Audition 3.0 (24/96)> TLH flac2496 - matrix mixing by Kevin Tobin
|
notes
|
| 2965. |
12/31/77 |
Flac 16 - 0,
141124 |
San Francisco |
Winterland Arena flac16; Patched/Pitch Corrected Soundboard (original shnid = 20596) Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy (dkonrad99@hotmail.com) - pitch correction and patches by Kevin Tobin
|
notes
|
| 2966. |
12/31/77 |
Flac 16 - 0,
141799 |
San Francisco |
Winterland Arena flac16; Source: SBD > Umatic videotape masters (noted as "remote") - From Bob Gurman; Transfer: Umatic masters > Sony VO-2600 > Tascam CDRW-700 > CDR - Transfered by Alan Bershaw November 26, 2002; Lineage: CDR > wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and master SIRMick April 2018
|
notes
|
| 2967. |
12/31/77 |
Shn - 0,
20596 |
San Francisco |
Winterland Arena Source: SBD > Master Reel > PCM > DAT > CD original discs EAC'd and retracked using CDWave by Brian Heath, shn entry submitted by okcomputerboy (dkonrad99@hotmail.com)
|
notes
|
| 2968. |
12/31/77 |
Flac 24/96 - 0,
151333 |
San Francisco |
Winterland Arena flac2496 Recording Info: Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones). Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596 This updated "version three" was created on January 1, 2021. ...and you may ask yourself, how did we get here? Uncharacteristically, we did a couple fixes to make this show right. The original seed had one of the two tapes channels reversed by accident, so we fixed that. Upon listening, scholars let us know that while Keith was on the left side of the stage physically, the mix was done to put him in the right channel, therefore our second fix had the mix flipped channels wise. Though it represented the stage position of Keith, it had the drummers and band in the wrong locations. Thanks for understanding the process and our desire to present the most accurate possible version. This version three also includes a tiny adjustment to the speed. If you have the previous two versions (151251 + 151298), please don't continue to share them elsewhere. 24 Bit 96 kHz FLAC Level 8
|
notes
|
| 2969. |
12/31/77 |
Flac 16/48 - 0,
151332 |
San Francisco |
Winterland Arena flac1648 Recording Info: Bear's Master Reel > Cassette (Music Never Stopped through Truckin') + Bear's Master Cassette (Wharf Rat through Casey Jones). Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Patched where needed (mostly between song tunings) using shnid=141799 + 20596. This updated "version three" was created on January 1, 2021. ...and you may ask yourself, how did we get here? Uncharacteristically, we did a couple fixes to make this show right. The original seed had one of the two tapes channels reversed by accident, so we fixed that. Upon listening, scholars let us know that while Keith was on the left side of the stage physically, the mix was done to put him in the right channel, therefore our second fix had the mix flipped channels wise. Though it represented the stage position of Keith, it had the drummers and band in the wrong locations. Thanks for understanding the process and our desire to present the most accurate possible version. This version three also includes a tiny adjustment to the speed. If you have the previous two versions (151250 + 151297), please don't continue to share them elsewhere. 16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither
|
notes
|
| 2970. |
01/06/78 |
Shn - 0,
6953 |
San Bernardino |
Swing Auditorium Master Soundboard Cassette > Cassette > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; upgrade in circulation
|
notes
|
| 2971. |
01/06/78 |
Shn - 0,
24629 |
San Bernardino |
Swing Auditorium SBD: MC>RR>DAT>CD>EAC>DC5>CD Discs From Jools Elliott AUD patches from Noah Weiner AUD: MC>RR>DAT>CD Taper=Bob Menke - Sony ECM280s>Sony TC-158 CD Editing and Mastering by The Wizard - Owenbrothersvault@hotmail.com.
|
notes
|
| 2972. |
01/06/78 |
Flac 24/96 - ,
152855 |
San Bernardino |
Swing Auditorium flac24/96 Source: unknown audio cassette (low gen) - from the collection of Doug Lamarre. Transfer: Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > iZotope RX8 Advanced > CD Wave > Flac24 edited and mastered SIRMick July 2021
|
notes
|
| 2973. |
01/06/78 |
Flac 16/44 - ,
152854 |
San Bernardino |
Swing Auditorium flac16/44 Source: unknown audio cassette (low gen) - from the collection of Doug Lamarre. Transfer: Transfer: cassettes > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - Transferred by Matt Vernon Lineage: wav 24/96 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac16 edited and mastered SIRMick July 2021
|
notes
|
| 2974. |
01/06/78 |
Flac 16/44 - ,
153175 |
San Bernardino |
Swing Auditorium flac16/44 Source: Sbd > Cassette Master > Cassette (1st gen) Transfer: Cassette (1st gen) > Nakamichi CR7A > PCM > wav 16/44.1 via: Bob Menke Lineage: wav > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > Cd Wave > Flac16 edited and mastered SIRMick August 2021
|
notes
|
| 2975. |
01/07/78 |
Shn - 0,
7204 |
San Diego |
Golden Hall, Community Concourse Master Soundboard Cassette > Reel to Reel > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; beginning and end cuts; low volume digiwhiz in mingle @ ~2:10; upgrade in circulation
|
notes
|
| 2976. |
01/07/78 |
Flac 16 Mtx - 0,
127345 |
San Diego |
Golden Hall, Community Concourse flac16; 2 Source Matrix by dusborne; Soundboard (shnid:17806) SBD>MC>R>D>CD>EAC>SHN patched with: AUD>?>CD>EAC>SHN final edits/encoding by JCotsman and Audience (shnid:89474) Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac; Transfer by: Pantagruel
|
notes
|
| 2977. |
01/07/78 |
Shn - 0,
17806 |
San Diego |
Golden Hall, Community Concourse SBD> MC> R> D> CD> EAC> SHN from previous Scot Clugston seed, patched with AUD> ??> CD> EAC> SHN; final edits/encoding by JCotsman
|
notes
|
| 2978. |
01/07/78 |
Flac 16 - 0,
89474 |
San Diego |
Golden Hall, Community Concourse flac16; Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac
|
notes
|
| 2979. |
01/07/78 |
Flac - ,
152609 |
San Diego |
Golden Hall, Community Concourse Recording Info: SBD > Cassette Master > DAT > CD Transfer Info: CD > Samplitude Professional v10.1 > Adobe Audition v1.5 > FLAC
|
notes
|
| 2980. |
01/08/78 |
Shn - 0,
7201 |
San Diego |
Golden Hall, Community Concourse Master Soundboard Cassette > Cassette > DAT> CDR, with AUD patch in Other One; CD Mastering / Patching, EAC'ed / SHN'ed by Scott Clugston; with thanks to Lawrence Peryer, Charlie Connor; d1 tracked for 80 min; upgrade in circulation
|
notes
|
| 2981. |
01/08/78 |
Shn - 0,
14670 |
San Diego |
Golden Hall, Community Concourse SBDMR > R > PCM > DAT > CD > EAC > SHN note: Jerry had laryngitis on this night and therefore he did not sing. d1t7 - cut in SBD cross faded with AUD/3 from 03:29 to 03:54 d2t5 - cut in SBD cross faded with AUD/3 from 01:00 to 07:12 EAC, SHN and cross fades by Noah Weiner - November, 2002
|
notes
|
| 2982. |
01/08/78 |
Flac 16 - 0,
102500 |
San Diego |
Golden Hall, Community Concourse flac16; Analog Audience Source: Master Audience Cassettes (MAC); Medium Stock Brands: MAC = 3 x Maxell UDXL II; Analog Lineage: 2 x AKG D224E's => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein; Transfer By: Bob Menke; Mastering By: Derek McCabe; MOTB Release: 0109
|
notes
|
| 2983. |
01/08/78 |
Flac 24/96 - 0,
102349 |
San Diego |
Golden Hall, Community Concourse flac24; Analog Audience Source: Master Audience Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0109 24/96 (The original release of this source from 2009-11-03 had errors in the tags.)
|
notes
|
| 2984. |
01/08/78 |
Shn - 0,
34854 |
San Diego |
Golden Hall, Community Concourse Aud>C>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Digitally Mastered by Charlie Connor; with Thanks to Lawrence Peryer
|
notes
|
| 2985. |
01/08/78 |
Flac 16/44 - ,
153085 |
San Diego |
Golden Hall, Community Concourse flac16/44 Recording Info: SBD -> Cassette Master -> AIFF Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC
|
notes
|
| 2986. |
01/10/78 |
Shn - 0,
14523 |
Los Angeles |
Shrine Auditorium SBD>MC>?>CD>EAC>SHN; (see lineage info); Thanks to Raoul Duke & Hanno Bunjes; edits/encoding by JCotsman
|
notes
|
| 2987. |
01/10/78 |
Flac 16 Mtx - 0,
95134 |
Los Angeles |
Shrine Auditorium flac16 Matrix: MAC = 3 x Maxell UDXL II A2 x AKG D224E's => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96] and SBD>MC>?>CD>EAC>SHN (Source ID 14523)
|
notes
|
| 2988. |
01/10/78 |
Flac 16 - 0,
95068 |
Los Angeles |
Shrine Auditorium flac16; Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II 2 x AKG D224E's => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]
|
notes
|
| 2989. |
01/10/78 |
Flac 16 - 0,
133618 |
Los Angeles |
Shrine Auditorium flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> FLAC (24bit/44.1k); Transfer Info: FLAC -> Samplitude Professional v11.1.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; the original files had a flaw in Wharf Rat (d3t02)
|
notes
|
| 2990. |
01/10/78 |
Flac 24 - 0,
133619 |
Los Angeles |
Shrine Auditorium flac24; Recording Info: SBD -> Cassette Master (Dolby B) -> FLAC (24bit/44.1k); Transfer Info: FLAC -> Samplitude Professional v11.1.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had a flaw in Wharf Rat (d3t02)
|
notes
|
| 2991. |
01/10/78 |
Flac 24 - 0,
95069 |
Los Angeles |
Shrine Auditorium flac24; MAC = 3 x Maxell UDXL II 2 x AKG D224E's => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]
|
notes
|
| 2992. |
01/11/78 |
Flac Mtx - 0,
110959 |
Los Angeles |
Shrine Auditorium flac16; Matrix: Analog Aud: 2 x AKG D224E >> Sony TC-158SD >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] and Analog SBD: SBD >> MSC (dolby C) >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16
|
notes
|
| 2993. |
01/11/78 |
Shn - 0,
13190 |
Los Angeles |
Shrine Auditorium SBD>MC>R>PCM>D>CD>EAC>SHN (??); see comments on lineage; Thanks to Raoul Duke edits/encoding by Matt Vernon & JCotsman
|
notes
|
| 2994. |
01/11/78 |
Flac - 0,
92086 |
Los Angeles |
Shrine Auditorium flac16; Matrix, Sources used: 1) SBD > MC > R > PCM > D > CD > EAC > SHN and 2) audience recording on a Marantz pro cassette deck, don't recall the model & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac Matrixed by SIRMick
|
notes
|
| 2995. |
01/11/78 |
Shn - 0,
12894 |
Los Angeles |
Shrine Auditorium SBD master reel > Cass > DAT > CD-R > EAC > .SHN ; upgrade in circulation
|
notes
|
| 2996. |
01/11/78 |
Flac - 0,
135498 |
Los Angeles |
Shrine Auditorium flac16; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller; the original version had errors in the tracking; [lease don't circulate the original (19 track) version
|
notes
|
| 2997. |
01/11/78 |
Flac 24 - 0,
135499 |
Los Angeles |
Shrine Auditorium flac24; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller
|
notes
|
| 2998. |
01/11/78 |
Flac - 0,
89475 |
Los Angeles |
Shrine Auditorium flac16; Source: audience recording on a Marantz pro cassette deck, don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac
|
notes
|
| 2999. |
01/13/78 |
Shn - 0,
4629 |
Santa Barbara |
Arlington Theater Master Soundboard Cassette> Cassette> DAT> CDR> EAC> SHN
|
notes
|
| 3000. |
01/13/78 |
Flac 24 - 0,
135501 |
Santa Barbara |
Arlington Theater flac24; Recording Info: SBD -> Cassette Master -> AIFF (24bit/88.2k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller
|
notes
|
| 3001. |
01/13/78 |
Flac - 0,
135500 |
Santa Barbara |
Arlington Theater flac16; Recording Info: SBD -> Cassette Master -> AIFF (24bit/88.2k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller
|
notes
|
| 3002. |
01/13/78 |
Flac - 0,
105208 |
Santa Barbara |
Arlington Theater flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe
|
notes
|
| 3003. |
01/14/78 |
Flac Mtx - 0,
105811 |
Bakersfield |
Bakersfield Memorial Auditorium flac16; MTX 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Soundboard Source: gd78-01-14.sbd.vernon.16114.sbeok.shnf
|
notes
|
| 3004. |
01/14/78 |
Flac - 0,
105758 |
Bakersfield |
Bakersfield Memorial Auditorium flac16; 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
|
notes
|
| 3005. |
01/14/78 |
Shn - 0,
16114 |
Bakersfield |
Bakersfield Memorial Auditorium SBD> [MR>C ?] >DAT>CDR via Raoul Duke encoded by Matt Vernon
|
notes
|
| 3006. |
01/14/78 |
Flac - 0,
88091 |
Bakersfield |
Bakersfield Memorial Auditorium flac16; source: aud > ??? > cdr > eac > wav > flac
|
notes
|
| 3007. |
01/14/78 |
Flac - 0,
135521 |
Bakersfield |
Bakersfield Memorial Auditorium flac16; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; All Mastering By Charlie Miller
|
notes
|
| 3008. |
01/14/78 |
Flac 24 - 0,
135522 |
Bakersfield |
Bakersfield Memorial Auditorium flac24; Recording Info: SBD -> Cassette Master -> AIFF (24bit/96k); Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; All Mastering By Charlie Miller
|
notes
|
| 3009. |
01/14/78 |
Flac - 0,
99092 |
Bakersfield |
Bakersfield Memorial Auditorium flac16; Source: Unknown Audience recording, believed to be a 3rd gen cass Transfer: cass > Nakamichi DR-1 > Tascam HD-P2 > wav 24/96 > Adobe Audition > Wavelab(with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Flac16
|
notes
|
| 3010. |
01/15/78 |
Shn - 0,
13252 |
Fresno |
Selland Arena mixed source: set 1: SBD> ?> C> SHN (low number of analog gens); set 2: AUD> MC> C> D> CD> EAC> SHN; Thanks to Hanno Bunjes, Chuck Kiefe; final edits/encoding by JCotsman. Additional material from the audience recording used for this source can be found here.
|
notes
|
| 3011. |
01/15/78 |
Flac - 0,
106182 |
Fresno |
Selland Arena flac16; 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein
|
notes
|
| 3012. |
01/15/78 |
Flac - 0,
80954 |
Fresno |
Selland Arena flac16; AUD>MC>C>D>CD>EAC>SHN>?>FLAC; These are from the same source as the audience portion of shn id 13252. This completes what circulates from that aud.
|
notes
|
| 3013. |
01/17/78 |
Shn - 0,
14555 |
Sacramento |
Sacramento Memorial Auditorium SBD>MR>C>D>CD>SHN; missing Around & US Blues; Thanks to Raoul Duke; edits/encoding by Matt Vernon & JCotsman
|
notes
|
| 3014. |
01/17/78 |
Flac 24/96 - 0,
141145 |
Sacramento |
Sacramento Memorial Auditorium flac24; Source Info: Bob Menke's Master Audience Cassettes; AKG D224E mics > Sony TC-158SD; Sandy Troy's 1st generation 10" reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
|
notes
|
| 3015. |
01/17/78 |
Flac 16 - 0,
141144 |
Sacramento |
Sacramento Memorial Auditorium flac16; Source Info: Bob Menke's Master Audience Cassettes; AKG D224E mics > Sony TC-158SD; Sandy Troy's 1st generation 10" reels @ 7 1/2 ips; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; 24-bit to 16-bit via dBpoweramp
|
notes
|
| 3016. |
01/17/78 |
Flac 16 - 0,
141146 |
Sacramento |
Sacramento Memorial Auditorium flac16; Source Info: Master Soundboard Reels > Cassette > Dat > CD > EAC > SHN (shnid 14555); This is a patched and re-mastered version of the shnid14555 soundboard source from Matt Vernon & JCotsman
|
notes
|
| 3017. |
01/18/78 |
Shn - 0,
13101 |
Stockton |
Stockton Civic Auditorium SBD> MR> ?> D> CD> EAC> SHN; patched with AUD> MC> C> D> CD> EAC> SHN; technical problems with SBD (see caveat); Thanks to Mike Tausig and Jack Warner; edits/encoding by JCotsman
|
notes
|
| 3018. |
01/18/78 |
Shn - 0,
18656 |
Stockton |
Stockton Civic Auditorium Set Two AUD>MC>??>DAT>CDR via Raoul Duke encoded by Matt Vernon
|
notes
|
| 3019. |
01/22/78 |
Flac 16 - 0,
110632 |
Eugene |
McArthur Court, University Of Oregon flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> FLAC; Set 2: (1st 4 songs) (FOB) AKG D224E -> Cassette Master -> FLAC (shnid=101436); Set 2: (Terrapin through Saint Stephen) SBD -> Cassette Master > FLAC; Set 2: (Not Fade Away through U.S. Blues) SBD -> Reel Master > FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3020. |
01/22/78 |
Flac 16 - 0,
28846 |
Eugene |
McArthur Court, University Of Oregon flac 16; Please note Info file and md5 changed. SBD/AUD Matrix of 2 previously circulated seeds (SBD - ID #4974 & AUD - ID #2014); prepared by Chris Chappell
|
notes
|
| 3021. |
01/22/78 |
Shn - 0,
4974 |
Eugene |
McArthur Court, University Of Oregon d1,d3: sbd> ??> cd> eac> shn, d2 from previous shn set (see notes in info file); to gdlive, via popi
|
notes
|
| 3022. |
01/22/78 |
Flac 16 - 0,
31940 |
Eugene |
McArthur Court, University Of Oregon flac16; SBD, 1st 4 songs in 2nd set AUD
|
notes
|
| 3023. |
01/22/78 |
Shn - 0,
2014 |
Eugene |
McArthur Court, University Of Oregon Source: Audience FOB Sony TC-640 reel to reel > TCD-D8 Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 see additional notes in info file via John D'Auria
|
notes
|
| 3024. |
01/22/78 |
Flac 16 - 0,
101436 |
Eugene |
McArthur Court, University Of Oregon flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert
|
notes
|
| 3025. |
01/22/78 |
Shn - 0,
287 |
Eugene |
McArthur Court, University Of Oregon Source: DNC Close Encounters Tree; SBD> M?> C> PCM> Sound Forge> CD-R> SHN; show is missing some tracks in the middle, but it's the only part of the show that circulates in a clean SBD
|
notes
|
| 3026. |
01/22/78 |
Flac 24 - 0,
101437 |
Eugene |
McArthur Court, University Of Oregon flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG D224E's => Sony TC 158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg AudioGate >> WAV [24/96]; Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Adam Egert
|
notes
|
| 3027. |
01/30/78 |
Flac 16 - 0,
32255 |
Chicago |
Uptown Theatre flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller
|
notes
|
| 3028. |
01/30/78 |
Shn - 0,
12437 |
Chicago |
Uptown Theatre Tim Powell recording (Sony ECM-99/Sony TC-152) AUD>MC>R>DAT>CDR via Raoul Duke
|
notes
|
| 3029. |
01/30/78 |
Flac 16 - 0,
148564 |
Chicago |
Uptown Theatre flac16; Source Info: Master Soundboard Reel > Dick Latvala's Dat (16/44.1); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> 16/44.1 .wav > Adobe Audition CC 2019 > TLH flac16
|
notes
|
| 3030. |
01/31/78 |
Flac - 0,
32256 |
Chicago |
Uptown Theater flac16; SBD -> Master Reel -> Dat -> CD -> FLAC Audio discs provided by Jim Wise Converted to FLAC By Charlie Miller
|
notes
|
| 3031. |
01/31/78 |
Flac - 0,
123059 |
Chicago |
Uptown Theater flac16; Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Mastering By Charlie Miller
|
notes
|
| 3032. |
01/31/78 |
Flac - 0,
101556 |
Chicago |
Uptown Theater flac16; Matrix: 60 sbd/40 aud. In addition the gain on the sbd was increased by 1 decibel and for the aud reduced by the same amount sbd: SBD > Master Reel > Dat > CD > FLAC (shnid 32256) and aud: AUD > MC > R > CD > EAC > SHN (shnid 17807)
|
notes
|
| 3033. |
01/31/78 |
Shn - 0,
1807 |
Chicago |
Uptown Theater set 2; SBDMR> Cass> DAT> CDR> EAC> SHN; via Mike (Dank Star) Parrillo; upgrade in circulation
|
notes
|
| 3034. |
01/31/78 |
Shn - 0,
17074 |
Chicago |
Uptown Theater set 1 mostly AUD>MC>R>CD>EAC>SHN, set 2 SBD>MR>C>D>CD>EAC>SHN with aud patches via Jack Warner and Mike Parrillo encoded/edits by Jeff Cotsman and Matt Vernon; upgrade in circulation
|
notes
|
| 3035. |
01/31/78 |
Shn - 0,
17807 |
Chicago |
Uptown Theater AUD> MC> R> CD> EAC> SHN; patched with SBD> MR> C> D> CD> EAC> SHN; Thanks to Jack Warner; edits/encoding by Matt Vernon & JCotsman; note d1t1-7 md5s same as in previous seed, others differ
|
notes
|
| 3036. |
02/01/78 |
Shn - 0,
1017 |
Chicago |
Uptown Theater MSR> C> DATs> CDRs> EAC> SHN; EAC/SHN by Mike (Dank Star) Parrillo; u/l via Darrin Sacks
|
notes
|
| 3037. |
02/01/78 |
Flac 16 - 0,
97744 |
Chicago |
Uptown Theater flac16; MAC>R>C>WAV>FLAC
|
notes
|
| 3038. |
02/01/78 |
Flac 16 - 0,
138451 |
Chicago |
Uptown Theater flac16; SBD Master Reel > Cassette > DAT; 16 bit 44.1kHz FLAC Level8 SBE Free; Speed Correction and Patching by Jason Chastain in Audition CC; Mastering by Jamie Waddell in Wavelab 7.2.1
|
notes
|
| 3039. |
02/03/78 |
Shn - 0,
19464 |
Madison |
Dane County Coliseum Set 2 Only: Soundboard->Master Reel->DAT->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano.
|
notes
|
| 3040. |
02/03/78 |
Flac 16 - 0,
132731 |
Madison |
Dane County Coliseum flac16; Set 2 Only; 7 Inch Half Track Nagra Reel Master @ 7.5 IPS Recorded By Betty; Analog to Digital:By Dick Latvala(Technics 1506 Reel 2 Reel-Sony PCM R-500 DAT @ 44.1KHz; DAT Zero-(DL) > DAT#1 > DAT#2; 100% flat transfer-DAT#2(JW) play back on Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16bit 44.1 KHz; Editing(Adobe Audition CC)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise
|
notes
|
| 3041. |
02/03/78 |
Shn - 0,
19465 |
Madison |
Dane County Coliseum Master audience cassette (unknown equipment) > PCM > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
|
notes
|
| 3042. |
02/03/78 |
Flac 16 - 0,
139370 |
Madison |
Dane County Coliseum flac16; Recording Info: SBD > Master Reel > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller; Six songs from Set 1 are .mp3 sourced
|
notes
|
| 3043. |
02/04/78 |
Flac 16 Mtx - 0,
123949 |
Milwaukee |
Milwaukee Auditorium flac16; Partial 1 song Matrix by Hunter Seamons; Soundboard recording by Dan Healy; Audience recording transferred by Raoul Duke
|
notes
|
| 3044. |
02/04/78 |
Flac - 0,
132719 |
Milwaukee |
Milwaukee Auditorium flac16; Set 2 Only; 7 Inch Half Track Nagra Reel Master @ 7.5 IPS; Recorded By Betty; Analog to Digital:By Dick Latvala(Technics 1506 Reel 2 Reel-Sony PCM R-500 DAT @ 44.1KHZ; DAT Zero-DAT#1 (Rob Bertrando); 100% flat transfer-DAT#2(JW) play back on Sony PCM R-500-Digital Audio Labs Carddeluxe-WAV @ 16bit 44.1 KHz; Editing(Adobe Audition CC)-FLAC Encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise
|
notes
|
| 3045. |
02/04/78 |
Shn - 0,
12199 |
Milwaukee |
Milwaukee Auditorium AUD> MC> R> C> DAT> CDR> EAC> CD; Re-mastered via the Owens?s Brothers Vault. ; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 3046. |
02/05/78 |
Flac 16 Mtx - 0,
123360 |
Cedar Falls |
Uni Dome, University Of Northern Iowa flac16; Set 2 only; Two source matrix: Soundboard (shnid:19471) Soundboard->Master Reel->DAT->DAT->ZA2->Soundforge->.wav->mkw->SHN and Audience (shnid:19466) Master audience cassette (unknown equipment) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
|
notes
|
| 3047. |
02/05/78 |
Shn - 0,
19471 |
Cedar Falls |
Uni Dome, University Of Northern Iowa Set 2 Only: Soundboard->Master Reel->DAT->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. Dat seed provided by Michael P. Weitzman. Transfer and SHN by Joe Samaritano.
|
notes
|
| 3048. |
02/05/78 |
Shn - 0,
19466 |
Cedar Falls |
Uni Dome, University Of Northern Iowa Set Two only Master audience cassette (unknown equipment) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
|
notes
|
| 3049. |
02/05/78 |
Flac 16 - 0,
138311 |
Cedar Falls |
Uni Dome, University Of Northern Iowa flac16; SBD Master Reel > Cassette > DAT; 16 bit 44.1kHz FLAC Level8 SBE Free; Speed Correction and Patching by Jason Chastain in Audition CC; Mastering by Jamie Waddell in Wavelab 7.2.1
|
notes
|
| 3050. |
02/05/78 |
Flac 16 - 0,
138384 |
Cedar Falls |
Uni Dome, University Of Northern Iowa flac16; Set 2; Source: Unknown FOB AUD (mono) from Brian Schley tape collection; Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2017
|
notes
|
| 3051. |
02/05/78 |
Flac 24/96 - 0,
151838 |
Cedar Falls |
Uni Dome, University Of Northern Iowa flac24/96 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick February 2021
|
notes
|
| 3052. |
02/05/78 |
Flac 16/44 - 0,
151837 |
Cedar Falls |
Uni Dome, University Of Northern Iowa flac16/44 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2021
|
notes
|
| 3053. |
02/05/78 |
Flac 24/96 - 0,
151622 |
Cedar Falls |
Uni Dome, University Of Northern Iowa flac24/96 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick
|
notes
|
| 3054. |
02/05/78 |
Flac 16 - 0,
151821 |
Cedar Falls |
Uni Dome, University Of Northern Iowa flac16 Source: Unknown aud (low gen cassette) - From the collection of Doug Lamarre Transfer: Cassette > Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) - Transferred by Matt Vernon Lienage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 16 edited and mastered SIRMick February 2021
|
notes
|
| 3055. |
02/05/78 |
Flac 16/44 - 0,
151646 |
Cedar Falls |
Uni Dome, University Of Northern Iowa flac16/44khz; Sick Bits Vol. 34 Matrix: SBD (Shnid=19471) + AUD1 (Shnid=19466) - primary and AUD2 (Shnid=138384) - patches Matrixed (edited, mixed and converted) by Chris Chappell
|
notes
|
| 3056. |
04/06/78 |
Flac 16 - 0,
81307 |
Tampa |
Curtis Hixon Convention Hall flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 3057. |
04/06/78 |
Shn - 0,
290 |
Tampa |
Curtis Hixon Convention Hall mSR -> PCM -> DAT 48k -> Turtle Beach Fiji Digi I/O -> AFResamp -> wav2cdr -> CDR; upgrade in circulation
|
notes
|
| 3058. |
04/06/78 |
Flac 16 Mtx - 0,
81508 |
Tampa |
Curtis Hixon Convention Hall flac16; SBD + AUD Matrix 2 Source Mix (65%-SBD/35%-AUD) Mix consisting of SBD - shn id 81307, AUD - shn id 81494
|
notes
|
| 3059. |
04/06/78 |
Shn - 0,
18510 |
Tampa |
Curtis Hixon Convention Hall Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches; upgrade in circulation
|
notes
|
| 3060. |
04/06/78 |
Flac 16 - 0,
81494 |
Tampa |
Curtis Hixon Convention Hall flac16; Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches; patches and speed correction by Kevin Tobin
|
notes
|
| 3061. |
04/06/78 |
Flac Dts 5.1 - 0,
81767 |
Tampa |
Curtis Hixon Convention Hall DTS Audio 5.1; Mix of SBD: SBD -> Master Reel -> PCM -> Dat and AUD:Recorded by Bob Wagner; Sony 54Ps> Sony TC-158; mixed by Kevin Tobin
|
notes
|
| 3062. |
04/06/78 |
Flac 16 - 0,
140694 |
Tampa |
Curtis Hixon Convention Hall flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick January 2018
|
notes
|
| 3063. |
04/06/78 |
Flac 16 - 0,
147759 |
Tampa |
Curtis Hixon Convention Hall flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2019
|
notes
|
| 3064. |
04/06/78 |
Flac 24/96 - 0,
148069 |
Tampa |
Curtis Hixon Convention Hall flac24; Source Info: Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
|
notes
|
| 3065. |
04/06/78 |
Flac 16/48 - 0,
148068 |
Tampa |
Curtis Hixon Convention Hall flac16/48kHz; Source Info: Bob Wagner's Master Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3066. |
04/07/78 |
Flac 16 - 0,
83715 |
Pembroke Pines |
The Sportatorium flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 3067. |
04/07/78 |
Shn - 0,
10208 |
Pembroke Pines |
The Sportatorium 7" Two Track Reel@ 7 1/2 ips>PCM501ES @44.055kHz>PCM analog out>DAT@48kHZ>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT; Source DAT via Joe Samaritano; upgrade in circulation DAT>Shn conversion, ditital editing via Charlie Connor;Seeded to fungus and abgd by Charlie Connor
|
notes
|
| 3068. |
04/07/78 |
Flac 16 - 0,
140736 |
Pembroke Pines |
The Sportatorium flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick January 2018
|
notes
|
| 3069. |
04/08/78 |
Shn - 0,
4088 |
Jacksonville |
Veterans Memorial Coliseum SBD> Bettyboard 7" reels @ 7.5ips> PCM> DAT> CDR> SHN; seeded by Katy Miller; upgrade in circulation
|
notes
|
| 3070. |
04/08/78 |
Flac 16 - 0,
83716 |
Jacksonville |
Veterans Memorial Coliseum flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 3071. |
04/08/78 |
Flac 16 - 0,
834404 |
Jacksonville |
Veterans Memorial Coliseum flac16; 7" Betty Board Reel @ 7 1/2 ips > PCM501ES > Fostex D5 > optical S/PDIF out (Jace's tape) > disk WBOTB Transferred by Tim Deibert 3-10-02
|
notes
|
| 3072. |
04/08/78 |
Shn - 0,
4144 |
Jacksonville |
Veterans Memorial Coliseum SBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; upgrade in circulation
|
notes
|
| 3073. |
04/08/78 |
Flac 24 - 0,
140789 |
Jacksonville |
Veterans Memorial Coliseum flac24; Source: SBD > Master Rreel > Beta Hifi > Beta Hifi; Transfer: Beta Hifi > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > wav 24/96; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick
|
notes
|
| 3074. |
04/08/78 |
Flac 16 - 0,
140922 |
Jacksonville |
Veterans Memorial Coliseum flac16; Source: SBD > Master Rreel > Beta Hifi > Beta Hifi; Transfer: Beta Hifi > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > wav 24/96; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick
|
notes
|
| 3075. |
04/08/78 |
Flac 24/96 - 0,
147788 |
Jacksonville |
Veterans Memorial Coliseum flac24; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3076. |
04/08/78 |
Flac 16/48 - 0,
147787 |
Jacksonville |
Veterans Memorial Coliseum flac16/48kHz; Recording Info:Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3077. |
04/08/78 |
Flac 16 - 0,
148006 |
Jacksonville |
Veterans Memorial Coliseum flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick November 2019
|
notes
|
| 3078. |
04/08/78 |
Flac 16 Mtx - 0,
148615 |
Jacksonville |
Veterans Memorial Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) of shnid's 148006 & 147787.
|
notes
|
| 3079. |
04/10/78 |
Flac 16 - 0,
108665 |
Atlanta |
Fox Theater flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T-> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3080. |
04/10/78 |
Shn - 0,
15782 |
Atlanta |
Fox Theater Betty Board>?>CD; Unknown seeder; upgrade in circulation
|
notes
|
| 3081. |
04/10/78 |
Shn - 0,
5259 |
Atlanta |
Fox Theater Sbd > MR > PCM >Dat > cdr > Eac > wav > shn; Eac > Shnv3 by Ernie Dodd, from Paul B seed discs; see info file for flaw notes; upgrade in circulation
|
notes
|
| 3082. |
04/10/78 |
Shn - 0,
18098 |
Atlanta |
Fox Theater SBD -> Rm -> PCM -> Dat via Charlie Miller
|
notes
|
| 3083. |
04/10/78 |
Flac 16 - 0,
81262 |
Atlanta |
Fox Theater flac16; Recorded by Alan Zimmerman Master Audience Cassette; 2 Sennheiser 421s (or 441s) + Sony 54P> passed through Nakamichi 550> Teac PC-10 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC * Patches supplied by SB>MR>PCM>DAT>CD (Note: On 12/28/2006 David Minches circulated a fixed version of d3t04 through d3t07)
|
notes
|
| 3084. |
04/10/78 |
Flac 16 - 0,
140836 |
Atlanta |
Fox Theater flac16; Source: sbd > master reel > pcm; Transfer: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1; Lineage: wav > Adobe Audition 1.5 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMickJanuary 2018
|
notes
|
| 3085. |
04/10/78 |
Flac 16 - 0,
148538 |
Atlanta |
Fox Theater flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k); Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick December 2019
|
notes
|
| 3086. |
04/10/78 |
Flac 16 - 0,
150608 |
Atlanta |
Fox Theater flac16; Source: Betty Cantor's Master SBD Reel > PCM > DAT; Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44; Edited & Mastered by Joe Noel May 16, 2020
|
notes
|
| 3087. |
04/11/78 |
Flac - 0,
108666 |
Atlanta |
Fox Theater flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T-> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3088. |
04/11/78 |
Shn - 0,
291 |
Atlanta |
Fox Theater SBD> Reel > PCM> DAT> CDR> SHN; note missing last 2 songs- Sugar Magnolia, encore JGB; known flaws: noticable clicking on d1t8, possibly from bad DAE; reel Glitch d/o d2t3 10:56 - 11:00; via M. Lai, C. Vinci; upgrade in circulation
|
notes
|
| 3089. |
04/11/78 |
Shn - 0,
18099 |
Atlanta |
Fox Theater SBD -> Rm -> PCM -> Dat via Charlie Miller; upgrade in circulation
|
notes
|
| 3090. |
04/11/78 |
Flac - 0,
81257 |
Atlanta |
Fox Theater flac16; SBD -> Rm -> PCM -> Dat - Seamless fix of shn id 18099 via Bill Tetzeli
|
notes
|
| 3091. |
04/11/78 |
Flac 16 - 0,
141775 |
Atlanta |
Fox Theater flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav >Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2018
|
notes
|
| 3092. |
04/11/78 |
Flac 16 - 0,
150607 |
Atlanta |
Fox Theater flac16; Source: Betty Cantor's Master SBD Reel > PCM > DAT; Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44; Edited & Mastered by Joe Noel May 17, 2020
|
notes
|
| 3093. |
04/12/78 |
Flac 16 - 0,
106985 |
Durham |
Cameron Indoor Stadium, Duke University flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 3094. |
04/12/78 |
Flac 16 - 0,
107156 |
Durham |
Cameron Indoor Stadium, Duke University flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; fix of shind 106985
|
notes
|
| 3095. |
04/12/78 |
Flac Dts 5.1 - 0,
134567 |
Durham |
Cameron Indoor Stadium, Duke University DTS-Audio-CD 5.1 Mix; SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin
|
notes
|
| 3096. |
04/12/78 |
Flac 16 Mtx - 0,
134566 |
Durham |
Cameron Indoor Stadium, Duke University flac16; Matrix 2 Source Mix - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
|
notes
|
| 3097. |
04/12/78 |
Shn - 0,
11476 |
Durham |
Cameron Indoor Stadium, Duke University SBD>MR>PCM>D>CD; via Jeff Cotsman; Seeded to etree by J. Henry
|
notes
|
| 3098. |
04/12/78 |
Shn - 0,
95673 |
Durham |
Cameron Indoor Stadium, Duke University SBD>MR>PCM>D>CD>Toast Audio Extractor>Peak>SHN
|
notes
|
| 3099. |
04/12/78 |
Flac 16 - 0,
105875 |
Durham |
Cameron Indoor Stadium, Duke University flac16; Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3100. |
04/12/78 |
Shn - 0,
18805 |
Durham |
Cameron Indoor Stadium, Duke University SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. > MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified)
|
notes
|
| 3101. |
04/12/78 |
Flac 16/48 - 0,
134820 |
Durham |
Cameron Indoor Stadium, Duke University flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - mixing by Kevin Tobin
|
notes
|
| 3102. |
04/12/78 |
Flac 16 - 0,
141776 |
Durham |
Cameron Indoor Stadium, Duke University flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz - Provided by Tim Dalton; Transfer: PCM > Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2018
|
notes
|
| 3103. |
04/12/78 |
Shn - 0,
14085 |
Durham |
Cameron Indoor Stadium, Duke University Bertha Remaster of Master Reel source. SBD>>MR>>PCM>>DAT>>CDA(Toast)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+
|
notes
|
| 3104. |
04/12/78 |
Flac 16/48 - 0,
148070 |
Durham |
Cameron Indoor Stadium, Duke University flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3105. |
04/12/78 |
Flac 24/96 - 0,
148071 |
Durham |
Cameron Indoor Stadium, Duke University flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Sony 54P mics > Sony TC-158 (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
|
notes
|
| 3106. |
04/12/78 |
Flac 16 - 0,
149531 |
Durham |
Cameron Indoor Stadium, Duke University flac16; Source: Betty Cantor’s Master SBD Reel > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; this is a corrected version of source ID 149339
|
notes
|
| 3107. |
04/12/78 |
Flac 16/48 - ,
155360 |
Durham |
Cameron Indoor Stadium, Duke University flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=107256) Recording Info:SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid=105875) Recording Info:(FOB) Sony 54P -> Cassette Master (Sony TC-158); Transfer Info:Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Robert Wagner; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
|
notes
|
| 3108. |
04/14/78 |
Flac 16 - 0,
83717 |
Blacksburg |
Cassell Coliseum, Virginia Polytechnic flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat -> CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 3109. |
04/14/78 |
Shn - 0,
7251 |
Blacksburg |
Cassell Coliseum, Virginia Polytechnic Betty's 7 inch, 2 track, Master Soundboard Reels> PCM x2> DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; drop out followed by a short digi-snit in JBG ~ 0:28
|
notes
|
| 3110. |
04/14/78 |
Flac 24/96 - 0,
147790 |
Blacksburg |
Cassell Coliseum, Virginia Polytechnic flac24; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3111. |
04/14/78 |
Flac 16/48 - 0,
147789 |
Blacksburg |
Cassell Coliseum, Virginia Polytechnic flac16/48kHz; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3112. |
04/14/78 |
Flac 16 - 0,
148291 |
Blacksburg |
Cassell Coliseum, Virginia Polytechnic flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2019
|
notes
|
| 3113. |
04/14/78 |
Flac 16 - 0,
149542 |
Blacksburg |
Cassell Coliseum, Virginia Polytechnic flac16; Source: Betty Cantor’s SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel
|
notes
|
| 3114. |
04/15/78 |
Flac 16 Mtx - 0,
86412 |
Williamsburg |
William & Mary Hall flac 16; Sick Bits Vol. 24 - SBD/AUD mix of 2 previously circulating sources: SBD (shnid=33683) + AUD (shnid=18556). Matrixed by Chris Chappell.
|
notes
|
| 3115. |
04/15/78 |
Flac 16 - 0,
33683 |
Williamsburg |
William & Mary Hall flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> Samplitude Professional v7.02 -> FLAC
|
notes
|
| 3116. |
04/15/78 |
Flac 16 - 0,
116981 |
Williamsburg |
William & Mary Hall flac16 Source: (single) Nakamichi CM300 with CP1 cardioid capsule front of board> Nakamichi 550 deck with dolby B on; Transfer: (original) Nak 550 Dolby B on> Apogee Mini-Me @ 16/44> wav; Assembly: AA3 for fades and edits, CDWav for tracks, TLH for Flac7, Foobar for tags; Recorded by Mark Olkon; Transferred and Assembled by Mike Schuncke
|
notes
|
| 3117. |
04/15/78 |
Flac 16 - 0,
34932 |
Williamsburg |
William & Mary Hall flac16; SBD > MR > PCM > DAT > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a ReSampler (High Quality) > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 33638
|
notes
|
| 3118. |
04/15/78 |
Shn - 0,
7047 |
Williamsburg |
William & Mary Hall SBD> MR> PCM> D> CD> EAC> SHN; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman; missing encore, splice in NFA; upgrade in circulation
|
notes
|
| 3119. |
04/15/78 |
Shn - 0,
18556 |
Williamsburg |
William & Mary Hall Recorded by Bob Wagner; Sony 54Ps> Sony TC-158, transferred and encoded by David Minches
|
notes
|
| 3120. |
04/15/78 |
Flac 16 - 0,
137403 |
Williamsburg |
William & Mary Hall flac16; Set 2 Source: sbd; Master tapes [were synced] - on a Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] NO Dolby; Tape Transfer: Sharp RT100 Deck [Master Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor to Split Tracks & covert to Flac16 [Level 6]; TLH to fix SBE
|
notes
|
| 3121. |
04/15/78 |
Flac 24/96 - 0,
137402 |
Williamsburg |
William & Mary Hall flac24; Set 2 Source: sbd; All Master tapes [were synced] - on a Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] NO Dolby; Tape Transfer: Sharp RT100 Deck [Master Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; CD Wave Editor to Split Tracks & covert to Flac24 [Level 6]
|
notes
|
| 3122. |
04/15/78 |
Flac 24/96 - 0,
147792 |
Williamsburg |
William & Mary Hall flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3123. |
04/15/78 |
Flac 16/48 - 0,
147791 |
Williamsburg |
William & Mary Hall flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3124. |
04/15/78 |
Flac 16 - 0,
148422 |
Williamsburg |
William & Mary Hall flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick December 2019
|
notes
|
| 3125. |
04/15/78 |
Flac 24/96 - 0,
148572 |
Williamsburg |
William & Mary Hall flac24; Recording Info: Bob Wagner's Master Audience Cassettes; Sony 54p mics > Sony TC-158; Transfer Info: Cassette Master (Nakamichi CR7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3126. |
04/15/78 |
Flac 16/48 - 0,
148571 |
Williamsburg |
William & Mary Hall flac16/48kHz; Recording Info: Bob Wagner's Master Audience Cassettes; Sony 54p mics > Sony TC-158; Transfer Info: Cassette Master (Nakamichi CR7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3127. |
04/15/78 |
Flac 16 - 0,
149543 |
Williamsburg |
William & Mary Hall flac16; Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel
|
notes
|
| 3128. |
04/15/78 |
Flac 24/48 - ,
152890 |
Williamsburg |
William & Mary Hall flac2448; Partial AUD; Source: Mono Sony hand-held recorder (model unknown) > Maxell-UD (normal bias) cassette. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021
|
notes
|
| 3129. |
04/16/78 |
Flac 16 Mtx - 0,
98535 |
Huntington |
Huntington Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 3130. |
04/16/78 |
Flac 16 - 0,
822273 |
Huntington |
Huntington Civic Center flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC by Charlie Miller
|
notes
|
| 3131. |
04/16/78 |
Flac 16 - 0,
81457 |
Huntington |
Huntington Civic Center flac16; Source: Betty Soundboard Media: master reels Lineage: SBD > Nagra IV (7.5ips) > R1 Nagra IVs > SR1 > Phillips SuperCD 24/28 > Presonus DigiMax 96 > SB Audigy II Pro > HD WAV > Adobe Audition 1.5 > Izotope Ozone 1.5 > Izotope Ozone 3.5 > WAV16 > flac Taped by: Betty Cantor Transfer by: Jim Goldman Mastered by: Jim Goldman
|
notes
|
| 3132. |
04/16/78 |
Shn - 0,
292 |
Huntington |
Huntington Civic Center SBD> Reel > PCM> DAT> CDR> SHN; via Mike Lai, Chris Vinci to etree, via breaker to abgd.hs; note copy a seeded to etree 2/00, copy b seeded to abgd 2/01- these differ by only 1 checksum, d1t12; static for a few seconds at the beginning of Sunshine Daydream; upgrade in circulation
|
notes
|
| 3133. |
04/16/78 |
Shn - 0,
34971 |
Huntington |
Huntington Civic Center Source: SBD>R2R>PCM>DAT>CDR>SHN ; Fix of shn id 292: SBE fixed on D1t12. Processed by xACT 1.55 to make WAVE headers canonical (44 bytes) on all SHN files.; upgrade in circulation
|
notes
|
| 3134. |
04/16/78 |
Shn - 0,
20085 |
Huntington |
Huntington Civic Center Possible lineage Master reel> PCM>??> DAT> Sonic Solutions>CD via David Gans, encoded by Brooke Hessel for GDH-Trading Tree; upgrade in circulation
|
notes
|
| 3135. |
04/16/78 |
Shn - 0,
16619 |
Huntington |
Huntington Civic Center another version of previous shn set(s) with unknown relationship to either (parent, reshn, fix?); md5s differ from previous; upgrade in circulation
|
notes
|
| 3136. |
04/16/78 |
Flac 16 - 0,
98510 |
Huntington |
Huntington Civic Center flac16; source: aud 1st gen reel mastered: (3)sony ecm54p's>nak 550>patch>sony tc-158sd lineage: mac>7" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave> adobe 2.0 16/44>flac transferred & seeded by Rob Berger
|
notes
|
| 3137. |
04/16/78 |
Flac 16 - 0,
98791 |
Huntington |
Huntington Civic Center flac16; Recording by Bob Wagner: 3 Sony ECM-54 Ps> Sony 158 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding 16 bit/ 44.1 kHz version
|
notes
|
| 3138. |
04/16/78 |
Flac 24 - 0,
89509 |
Huntington |
Huntington Civic Center flac24; source: aud 1st gen reel mastered: (3)sony ecm54p's>nak 550>patch>sony tc-158sd lineage: mac>7" reel @ 7.5 ips, dolby b technics rs-1506>sony nr-335>hd-p2 24/48>cd wave>flac transferred & seeded by Rob Berger
|
notes
|
| 3139. |
04/16/78 |
Flac 16 44,1khz - 0,
139240 |
Huntington |
Huntington Civic Center flac16 44.1khz Commercial bootleg release; "For The Faithful" Soundboard; Kiss The Stone records KTS 528/529 released 1996 EAC (secure) > Flacfrontend (level 8) 2/2008 by deadtrader
|
notes
|
| 3140. |
04/16/78 |
Flac 24/96 - 0,
147802 |
Huntington |
Huntington Civic Center flac24; 1st Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3141. |
04/16/78 |
Flac 16/48 - 0,
147801 |
Huntington |
Huntington Civic Center flac16/48kHz; 1st Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3142. |
04/16/78 |
Flac 16 - 0,
148386 |
Huntington |
Huntington Civic Center flac16; Source: SBD Master Reel (7" two track @ 7 1/2 ips - recorded by Betty Cantor) > PCM501ES @ 44.055 kHz > DAT (44k) - From the Tim Dalton collection; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16-bit/44.1k - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick November 2019
|
notes
|
| 3143. |
04/16/78 |
Flac 24/96 - 0,
148566 |
Huntington |
Huntington Civic Center flac24; Source Info: Bob Wagner's Master Audience Cassettes; 3 x Sony ECM-54P mics > Sony 158; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3144. |
04/16/78 |
Flac 16/48 - 0,
148565 |
Huntington |
Huntington Civic Center flac16/48kHz; Source Info: Bob Wagner's Master Audience Cassettes; 3 x Sony ECM-54P mics > Sony 158; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3145. |
04/16/78 |
Flac 16 - 0,
149552 |
Huntington |
Huntington Civic Center flac16; Source: Betty Cantor's SBD Reel Master > Beta tape > Beta VCR > PCM; Transfer: PCM > Sony PCM601esd spdif out > VX Pocket/Laptop > Nuendo > Waves q10 > WAV 16/44; Edited & Mastered using Adobe Audition by Joe Noel
|
notes
|
| 3146. |
04/18/78 |
Shn - 0,
14036 |
Pittsburgh |
Civic Arena SBD>MC(?)>?>C>CD>EAC>SHN (several analog generations) patched with aud via Joey Browning, Matt Vernon, & Raoul Duke mastered by Jeff Cotsman
|
notes
|
| 3147. |
04/18/78 |
Shn - 0,
12383 |
Pittsburgh |
Civic Arena Source: Shure SM57s>Sony TC-158 > MAC > DAT > CDR via Rauol Duke. shn encoding Matt Vernon
|
notes
|
| 3148. |
04/18/78 |
Flac 16 - 0,
132410 |
Pittsburgh |
Civic Arena flac16; Set 2 Source: MAC>XL-IIS>XL-IIS (FOB,2); Transfer: Maxell XL-IIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged
|
notes
|
| 3149. |
04/18/78 |
Flac 16 - 0,
81315 |
Pittsburgh |
Civic Arena flac16; Recorded by Alan Zimmerman Master Audience Cassette; 2 Sennheiser 421s (Alan thinks)> Teac PC-10 (Maxell UD XLII-90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Patches supplied by A:C:D:CD recorded with Shure SM57s> Sony TC-158
|
notes
|
| 3150. |
04/19/78 |
Flac 16 Mtx - 0,
94522 |
Columbus |
Veterans Memorial Hall flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 3151. |
04/19/78 |
Shn - 0,
9121 |
Columbus |
Veterans Memorial Hall SBD>Rm>CD>David Gans Sonic Solutions>CD; via Charlie Miller; Seeded to etree by Sean Cheadle
|
notes
|
| 3152. |
04/19/78 |
Shn - 0,
7286 |
Columbus |
Veterans Memorial Hall SBD > Master Reel > CD > Sonic Solutions > CD mastered by David Gans; Source shns from Bob Murphy; partial retrack by Darrin Sacks
|
notes
|
| 3153. |
04/19/78 |
Flac 16 - 0,
94494 |
Columbus |
Veterans Memorial Hall flac16; Recording Info: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3154. |
04/21/78 |
Flac 16 - 0,
97501 |
Lexington |
Rupp Arena, University Of Kentucky flac16; Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3155. |
04/21/78 |
Flac 16 - 0,
123212 |
Lexington |
Rupp Arena, University Of Kentucky flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3156. |
04/21/78 |
Shn - 0,
10149 |
Lexington |
Rupp Arena, University Of Kentucky SBD>MR>C>D>CD; Patched with AUD>MC>R>D>CD; Missing US Blues & most of Dire Wolf; See info file for details; via Jim Ballinger & Jeff Cook; Seeded to etree by J. Cotsman
|
notes
|
| 3157. |
04/21/78 |
Flac 16/48 - 0,
151823 |
Lexington |
Rupp Arena, University Of Kentucky flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3158. |
04/21/78 |
Flac 24/96 - 0,
151924 |
Lexington |
Rupp Arena, University Of Kentucky flac24/96 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3159. |
04/22/78 |
Flac 16 - 0,
97508 |
Nashville |
Nashville Municipal Auditorium flac16; Set 1 Recording Info:SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3160. |
04/22/78 |
Flac 16 - 0,
92808 |
Nashville |
Nashville Municipal Auditorium flac16; Recording Info:Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90);Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3161. |
04/22/78 |
Flac 16 - 0,
133792 |
Nashville |
Nashville Municipal Auditorium flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3162. |
04/22/78 |
Flac 16 - 0,
133786 |
Nashville |
Nashville Municipal Auditorium flac16; Recording Info: Set 1: SBD -> Master Cassette -> Dat (44.1k); Set 2: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Set 1: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; Set 2: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 3163. |
04/22/78 |
Shn - 0,
12384 |
Nashville |
Nashville Municipal Auditorium Source: Sony 54P's>Nak 550--10th Row; FOB MAC>Cass>DAT>CDR. via Willy shn encoding Matt Vernon
|
notes
|
| 3164. |
04/24/78 |
Flac 16 - 0,
97543 |
Normal |
Horton Field House, Illinois State University flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3165. |
04/24/78 |
Shn - 0,
20598 |
Normal |
Horton Field House, Illinois State University sbd attributed to Alan Thompson submitted by okcomputerboy (dkonrad99@hotmail.com); upgrade in circulation
|
notes
|
| 3166. |
04/24/78 |
Flac 16 - 0,
32899 |
Normal |
Horton Field House, Illinois State University flac16; SBD > Cassette Master > Dat > Cassette > Dat > CD > Samplitude Professional v7.02 > FLAC; Transfer and Mastering by Charlie Miller
|
notes
|
| 3167. |
04/24/78 |
Shn - 0,
3296 |
Normal |
Horton Field House, Illinois State University MR> ?> R> D> Digi96> Soundforge> CDWAV> SHN; Mike McCaw; see info file for lineage notes; upgrade in circulation
|
notes
|
| 3168. |
04/24/78 |
Shn - 0,
20605 |
Normal |
Horton Field House, Illinois State University SBD Master Cass>DAT>Cass>DAT>CD>EAC>SHN. Remastered by Mattman from source discs supplied by David Hollister. ; upgrade in circulation
|
notes
|
| 3169. |
04/24/78 |
Flac 16 - 0,
109177 |
Normal |
Horton Field House, Illinois State University flac16; Recorded on a small mono cassette recorder with built-in Wollensak 402 mic; First Generation Cassette>Tascam130>Pro Tools LE>wav>flac
|
notes
|
| 3170. |
05/05/78 |
Flac 16 - 0,
114348 |
Hanover |
Thompson Arena, Dartmouth College flac16; Recording Info: SBD -> Reel Master -> Dat -> Data DVD; Transfer Info: Data DVD -> Samplitude Professional v11.2 -> FLAC; This is a remaster of shnid=112180; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3171. |
05/05/78 |
Flac 16 - 0,
112180 |
Hanover |
Thompson Arena, Dartmouth College flac16; Recording Info: SBD -> Reel Master -> Dat -> Data DVD; Transfer Info: Data DVD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3172. |
05/05/78 |
Shn - 0,
6149 |
Hanover |
Thompson Arena, Dartmouth College Sony ECM-99A's>Sony TC-152 > Master Audience Cass > DAT's; Taper: Steve Rolfe; dat> sek'd prodif+ card> hard drive> cdwav > shntool (pad zeros @ end of sets to have complete sectors) >mkw (seekable); dat>shn transfer by dale shepherd, from Matt Vernon DAT; see info file for flaw notes
|
notes
|
| 3173. |
05/05/78 |
Shn - 0,
18655 |
Hanover |
Thompson Arena, Dartmouth College Source: Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon via Mark Cohen; upgrade in circulation
|
notes
|
| 3174. |
05/05/78 |
Flac 16 - 0,
82962 |
Hanover |
Thompson Arena, Dartmouth College flac16; Source: FOB Audience Recording (30 Rows Back) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe
|
notes
|
| 3175. |
05/06/78 |
Flac 16 - 0,
92356 |
Burlington |
Patrick Gymnasium, University Of Vermont flac16; set two partial, Undocumented audience cassette of unknown generations transfered at 24/96 on a tascam112 MKII deck>apogee minime>aes-ebu xlr>Lynx2>wavelab6.0 Mastered on the GEMS Edit Station In Wavelab 6.0 Weiss Saracon Dither to 16/44.1 by Jamie Waddell Trac'ed cdwave,flac'ed flac frontend level 8 Tagged in tag and rename
|
notes
|
| 3176. |
05/06/78 |
Shn - 0,
13726 |
Burlington |
Patrick Gymnasium, University Of Vermont 1st set: SBD>MC>?>CD>EAC>SHN; 2nd set: AUD>MC>D>SHN; probably not more than one analog gen for the sbd portion; Thanks to Alex MacDonald, Dale Shepherd, and Matt Vernon; edits/encoding by JCotsman
|
notes
|
| 3177. |
05/06/78 |
Flac 16 - 0,
96896 |
Burlington |
Patrick Gymnasium, University Of Vermont flac16; source: aud cassette master taped by Jerry Moore 3 mics blended through nak 550>sony tc-153sd maxell xlII90 tapes, dolby b lineage: nak dragon>hd-p2 24/48>cd wave>adobe 16/44>flac
|
notes
|
| 3178. |
05/06/78 |
Shn - 0,
18657 |
Burlington |
Patrick Gymnasium, University Of Vermont Source: Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon via Mark Cohen; upgrade in circulation
|
notes
|
| 3179. |
05/06/78 |
Flac 16 - 0,
97070 |
Burlington |
Patrick Gymnasium, University Of Vermont flac16; partial; Source: fm > tandberg (probably TCD 310 MkII) with dolby > tdk sa C90; Transfer: same cassette > pioneer ct-f1000 with dolby > sony pcm r700 sbm-1 at 44.1k > delta dio 2496 > cooledit > wav > flac
|
notes
|
| 3180. |
05/06/78 |
Flac 24/48 - 0,
86897 |
Burlington |
Patrick Gymnasium, University Of Vermont flac24; source: aud cassette master taped by Jerry Moore 3 mics blended through nak 550>sony tc-153sd maxell xlII90 tapes, dolby b lineage: nak dragon>hd-p2 24/48>cd wave>flac
|
notes
|
| 3181. |
05/06/78 |
Flac 16 - 0,
97071 |
Burlington |
Patrick Gymnasium, University Of Vermont flac16; Source: aud > unknown gens cassettes playback > pioneer ct-f1000 with dolby > maxell xlII c90; Transfer: same cassette > pioneer ct-f1000 with dolby > sony pcm r700 sbm-1 at 44.1k > delta dio 2496 > cooledit > wav > flac (updated source info; had been marked as sbd
|
notes
|
| 3182. |
05/06/78 |
Shn - 0,
6711 |
Burlington |
Patrick Gymnasium, University Of Vermont Sony ECM-99A's> Sony TC-152 > Master Audience Cass > DAT's; Dat Tascam DA-P1 > Sek'd Prodif+ card > Sek'd Red Roaster (edits, fades- see txt) > Cdwav (splits) > mkw; Boundaries verified with Shntool; No dae, no eq, no signal processing; Recorded by Steve Rolfe; Dat > shn transfer by Dale Shepherd; Source Dats from Matt Vernon
|
notes
|
| 3183. |
05/06/78 |
Flac 16 - 0,
82963 |
Burlington |
Patrick Gymnasium, University Of Vermont flac16; Source: FOB Audience Recording (25th Row DFC) Media: Maxell UD-XLII C90 min / C60 min Lineage: Nakamichi CM300's > Sony 1535D (Dolby B on) > MAC Transfer: MAC > Nakamichi DR-1 (Dolby B off) > Benchmark ADC-1 > AES > Sound Devices 722 (24/96 WAV) Taper: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe
|
notes
|
| 3184. |
05/07/78 |
Shn - 0,
80126 |
Troy |
Field House, Rensselaer Polytechnic Institute SBDMC>PCM>DAT>CD w/Aud MC>DAT>CD (shn id 8327) patched with MAC (1 Sony ECM-33P + 1 AKG D1000e>Teac PC-10)>DAT (shn id 8763)
|
notes
|
| 3185. |
05/07/78 |
Flac 16 Mtx - 0,
130513 |
Troy |
Field House, Rensselaer Polytechnic Institute flac16; Fresh Legs Matrix using shnid=80126 and shnid=91347
|
notes
|
| 3186. |
05/07/78 |
Shn - 0,
8763 |
Troy |
Field House, Rensselaer Polytechnic Institute MAC(1 Sony ECM-33P + 1 AKG D1000e>Teac PC-10)>DAT; with SBD patches; via Dale Shepherd; seeded to etree by Matt Vernon
|
notes
|
| 3187. |
05/07/78 |
Shn - 0,
18672 |
Troy |
Field House, Rensselaer Polytechnic Institute Recorded NAK CM700, Sony 158SD by Barry Glassberg Lineage: AUDMC> TASCAM 112MKII > Sony PCM-500 > HHB800 by John Steinthal via Mark Cohen SHN Encoding: EAC(secure) > mkwact > SHN(seekable) by Matt Vernon; upgrade in circulation
|
notes
|
| 3188. |
05/07/78 |
Flac 16 - 0,
83498 |
Troy |
Field House, Rensselaer Polytechnic Institute flac16; Source: Audience FOB Recording Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe
|
notes
|
| 3189. |
05/07/78 |
Shn - 0,
8327 |
Troy |
Field House, Rensselaer Polytechnic Institute SBDMC>PCM>DAT>CD w/Aud MC>DAT>CD; via Jeff Cook; Seeded to etree by Matt Vernon
|
notes
|
| 3190. |
05/07/78 |
Flac 16/44 - 0,
152545 |
Troy |
Field House, Rensselaer Polytechnic Institute flac1644; Source: Stereo mic & recorder (models unknown) > TDK AD-90's (normal bias) cassettes. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2021
|
notes
|
| 3191. |
05/09/78 |
Flac 16/48 - 0,
132774 |
Syracuse |
Onongada County War Memorial flac16/48kHz; Cassette Audience Master recorded By Eddie Claridge; Sony ECM 280 Cardioid Condenser Microphones-Stand Mounted-Sony TC 158 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded Cassette Masters played back on Nakamichi Dragon-Sony PCM R-700 DAT (original A-D by J.W.); DAT Master played back on a Sony PCM R-500-Digital Audio Labs Card deluxe-16 bit 48KHz WAV; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise
|
notes
|
| 3192. |
05/09/78 |
Shn - 0,
12184 |
Syracuse |
Onongada County War Memorial AUD (Sony 54P's) > MC > DAT > CDR or AUD (Sony 54P's) > MC > C > DAT > CDR; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 3193. |
05/09/78 |
Flac 16/48 - 0,
147971 |
Syracuse |
Onongada County War Memorial flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3194. |
05/09/78 |
Flac 24/96 - 0,
147972 |
Syracuse |
Onongada County War Memorial flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3195. |
05/10/78 |
Shn - 0,
3899 |
New Haven |
Veterans Memorial Coliseum SBD; via Mike Lai
|
notes
|
| 3196. |
05/10/78 |
Flac 16 Mtx - 0,
127408 |
New Haven |
Veterans Memorial Coliseum flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:03899) seeded by Mike Lai and Audience (shnid:18753) Set 1: Sony 54-Ps>Sony TCD158>CM>C>D>CD>EAC .093B>WAV>SHN; Set 2: Sony 54-Ps>Sony TCD158>CM>D>CD>EAC .093B>WAV>SHN; Transcribed by JR Fishman
|
notes
|
| 3197. |
05/10/78 |
Shn - 0,
18753 |
New Haven |
Veterans Memorial Coliseum Aud, Set 1: Sony 54-Ps>Sony TCD158>CM>C>D>CD>EAC .093B>WAV>SHN Set 2: Sony 54-Ps>Sony TCD158>CM>D>CD>EAC .093B>WAV>SHN Via JR Fishman
|
notes
|
| 3198. |
05/10/78 |
Flac 16 - 0,
127486 |
New Haven |
Veterans Memorial Coliseum flac16; source: aud cassette master taped by Jerry Moore; mics uncertain > sony tc-153sd, maxell udxlII's, dolby b; nak dragon/b > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transferred & seeded by Rob Berger
|
notes
|
| 3199. |
05/10/78 |
Flac 24 - 0,
127485 |
New Haven |
Veterans Memorial Coliseum flac24; source: aud cassette master taped by Jerry Moore; mics uncertain > sony tc-153sd, maxell udxlII's, dolby b; nak dragon/b > benchmark adc1 24/96 > adobe audition cs6 > flac; transferred & seeded by Rob Berger
|
notes
|
| 3200. |
05/11/78 |
Shn - 0,
16333 |
Springfield |
Springfield Civic Center SBD -> Rm -> Cass -> Dat -> CD -> Sonic Solutions -> CD via Charlie Miller
|
notes
|
| 3201. |
05/11/78 |
Flac 16 Mtx - 0,
127386 |
Springfield |
Springfield Civic Center flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:16333) SBD -> Rm -> Cass -> Dat -> CD -> Sonic Solutions -> CD; Audience (shnid:06317) fob audience recording with a sbd patch nak mics > sony d5 > master audience cass > dat's; dat@48>sek'd prodif+ card (resampled to 44.1)>cd wave>mkw; and Audience (shnid:18658) **This source was used for Drums -> Space only Source: Recorded by Moore, Maisner, and Spitalny; Nak 700s> Nak 550> Sony TC-152 from the floor just to the right of the center Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT
|
notes
|
| 3202. |
05/11/78 |
Shn - 0,
18658 |
Springfield |
Springfield Civic Center Recorded by Moore, Maisner, and Spitalny; Nak 700s> Nak 550> Sony TC-152 from the floor just to the right of the center Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT by David Minches
|
notes
|
| 3203. |
05/11/78 |
Shn - 0,
1187 |
Springfield |
Springfield Civic Center sdb> reel master> cassette> dat> cdr; via Mike Lai; upgrade in circulation
|
notes
|
| 3204. |
05/11/78 |
Shn - 0,
6317 |
Springfield |
Springfield Civic Center FOB Nak mics > sony d5 > master audience cass > dat's; patches added (see info); dat@48> sek'd prodif+ card (resampled to 44.1)> cd wave> mkw; d1 tracked for 80 min; dat>shn transfer by Dale Shepherd, from Matt Vernon source DATs
|
notes
|
| 3205. |
05/11/78 |
Flac 24/96 - 0,
147804 |
Springfield |
Springfield Civic Center flac24; 2nd Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158 > Cassette; Transfer Info:1st generation cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3206. |
05/11/78 |
Flac 16/48 - 0,
147803 |
Springfield |
Springfield Civic Center flac16/48kHz 2nd Set Only Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158 > Cassette; Transfer Info:1st generation cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3207. |
05/13/78 |
Flac 16 - 0,
116978 |
Philadelphia |
The Spectrum flac16; Set 2 only, Recording Info: SBD -> Master Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3208. |
05/13/78 |
Shn - 0,
17406 |
Philadelphia |
The Spectrum AudMC > DAT > WAV > SHN. Recorded by Steve Rolfe with two Sony ECM-33P's > Teac PC-10 deck left of center, about the 20th row. A > D and encoding by Noah Weiner.
|
notes
|
| 3209. |
05/13/78 |
Shn - 0,
7207 |
Philadelphia |
The Spectrum Sony ECM33P7 + AKGD1000E > Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits) > Cdwav > Mkw; Source tapes from Matt Vernon; Dat > shn transfer by Dale Shepherd; see info file for editing and flaw notes; d1 tracked for 80 min; upgrade in circulation
|
notes
|
| 3210. |
05/13/78 |
Flac 24/48 - ,
152885 |
Philadelphia |
The Spectrum flac2448; Partial AUD; Source: Mono Sony hand-held recorder (model unknown) > TDK-Audua (normal bias) cassette. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021
|
notes
|
| 3211. |
05/14/78 |
Flac 16 - 0,
108996 |
Providence |
Providence Civic Center flac16; Recording Info:SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3212. |
05/14/78 |
Flac 16 Mtx - 0,
124932 |
Providence |
Providence Civic Center flac16; 2 source matrix by dusborne; Soundboard (shinid:108996) SBD -> Cassette Master -> Dat -> CD; CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller and Audience (shnid:7639) Sony ECM33P7 + AKGD1000e> Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits*) > Cdwav > Mkw; Boundaries verified with Shntool; No dae, no normalizing, no eq or processing of any kind; Source tapes from Matt Vernon; Dat > shn transfer by Dale Shepherd
|
notes
|
| 3213. |
05/14/78 |
Shn - 0,
7639 |
Providence |
Providence Civic Center Sony ECM33P7 + AKGD1000e> Teac PC-10 > Master Audience Cass > DAT's; Tascam DA-P1 dat @48 > Sek'd Prodif+ Card (resampled to 44.1) > Sek'd Red Roaster (edits*) > Cdwav; via Matt Vernon; Dale Shepherd
|
notes
|
| 3214. |
05/14/78 |
Flac 16 - 0,
108840 |
Providence |
Providence Civic Center flac16;AUD: 1x AKG D200E (mono recording) > Sony TC-153SD > Maxell UD-XLII 90's. Recorded from lower arena riser, first section to left of stage, Section 110 Row G. Taped by Tim Friend. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 07/2010
|
notes
|
| 3215. |
05/14/78 |
Flac 24/48 - 0,
152506 |
Providence |
Providence Civic Center flac2448; Source: Mono Sony hand-held recorder (model unknown) > TDK-AD (normal bias) cassettes. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2021
|
notes
|
| 3216. |
05/16/78 |
Flac 16 - 0,
128280 |
Chicago |
Uptown Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 3217. |
05/16/78 |
Flac 16 - 0,
117206 |
Chicago |
Uptown Theater flac16; Partial Set 2 Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3218. |
05/16/78 |
Shn - 0,
8333 |
Chicago |
Uptown Theater AKG D202E mics > Sony TC-152; AUDMC > R > DAT > CDWAV; via Noah Weiner
|
notes
|
| 3219. |
05/16/78 |
Flac 16 - 0,
106548 |
Chicago |
Uptown Theater flac16; Recorded by Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 3.0> Ozone 4.0> FLAC encoding Pitch Correction by Joe B. Jones
|
notes
|
| 3220. |
05/17/78 |
Flac 16 Mtx - 0,
109101 |
Chicago |
Uptown Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 3221. |
05/17/78 |
Flac 16 - 0,
109000 |
Chicago |
Uptown Theater flac16; Recording Info:SBD -> Cassette Master -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3222. |
05/17/78 |
Flac 16 - 0,
128393 |
Chicago |
Uptown Theater flac16; Both Sets Partial; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 3223. |
05/17/78 |
Flac 16 - 0,
131740 |
Chicago |
Uptown Theater flac16; Complete Set 2 Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi 300 microphones
|
notes
|
| 3224. |
05/17/78 |
Shn - 0,
8334 |
Chicago |
Uptown Theater AKG D202E mics > Sony TC-152; AUDMC > R > DAT > CDWAV; via Noah Weiner
|
notes
|
| 3225. |
05/17/78 |
Flac 16 - 0,
107950 |
Chicago |
Uptown Theater flac16; Recorded by Phil Jaret; JVC M-201 Stereo Microphone> Teac PC-10 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/pitch Correction by Joe B. Jones. The beginning of many songs were clipped and patched with SHNID 8334.
|
notes
|
| 3226. |
06/04/78 |
Shn - 2,
10530 |
Goleta |
Campus Stadium, UC Santa Barbara SBD>MC>C>D>CD; patched with AUD>MC>R>D>CD; See info file for details; via Raoul Duke and Mike Tausig; Seeded to etree by Matt Vernon & J. Cotsman
|
notes
|
| 3227. |
06/04/78 |
Flac 16 - 0,
94407 |
Goleta |
Campus Stadium, UC Santa Barbara flac16; Recording Info: SBD (Betty's Recording Mix) -> Master Cassette (Maxell UD C-90) -> Dat (44.1k);Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3228. |
06/04/78 |
Flac 16 - 0,
87090 |
Goleta |
Campus Stadium, UC Santa Barbara flac16; Master audience cassettes> Open Reel (Sony 153>Tandberg 9141) > DAT (Tandberg 9141>Tascam DA-20 @ 44.1kHz)
|
notes
|
| 3229. |
06/04/78 |
Flac 16 - 0,
137295 |
Goleta |
Campus Stadium, UC Santa Barbara flac16; Set One & Set Two Partial; Source: FOB AUD unknown lineage, from Brian Schley tape collection. Transfer: Maxell XLII-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (insert patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016
|
notes
|
| 3230. |
06/04/78 |
Flac 16/44 - ,
156757 |
Goleta |
Campus Stadium, UC Santa Barbara flac1644; Source: Lo-Fi mono AUD from the tape collection of Rich Petrunis. Transfer: Old TDK's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2022
|
notes
|
| 3231. |
06/25/78 |
Shn - 0,
7048 |
Eugene |
Autzen Stadium, University Of Oregon SBD> MC> ?> D> CD> EAC> SHN; ; edits, encoding, vined by J. Cotsman; with thanks to Paul Hartman; see notes in info file; d2 tracked for 80 min
|
notes
|
| 3232. |
06/25/78 |
Flac 16 - 0,
130649 |
Eugene |
Autzen Stadium, University Of Oregon flac16; Recording Info: SBD > MC? > ? > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC; Remastered, retracked upgrade of shnid 7048.
|
notes
|
| 3233. |
06/25/78 |
Flac 24/96 - 0,
145144 |
Eugene |
Autzen Stadium, University Of Oregon flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3234. |
06/25/78 |
Flac 16/48 - 0,
145143 |
Eugene |
Autzen Stadium, University Of Oregon flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3235. |
06/25/78 |
Flac 16/48 - ,
152977 |
Eugene |
Autzen Stadium, University Of Oregon flac1648 Recording Info: Bear's Master Cassette (Set 1) + Bear's Master Reel > Cassette (Set 2) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 > RX8 > Flac16 Recorded by Augustus Owsley Stanley III (aka Bear) Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain
|
notes
|
| 3236. |
06/25/78 |
Flac 24/96 - ,
152976 |
Eugene |
Autzen Stadium, University Of Oregon flac2496 Recording Info: Bear's Master Cassette (Set 1) + Bear's Master Reel > Cassette (Set 2) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac24 Recorded by Augustus Owsley Stanley III (aka Bear) Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain
|
notes
|
| 3237. |
07/01/78 |
Flac 16 - 0,
97424 |
Kansas City |
Arrowhead Stadium flac16; Recording by Bob Wagner: Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 3238. |
07/01/78 |
Shn - 0,
7355 |
Kansas City |
Arrowhead Stadium Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Da>Cdr
|
notes
|
| 3239. |
07/03/78 |
Flac 16 - 0,
120130 |
St. Paul |
St. Paul Civic Center flac16; Low-gen Audience Cassette (Set 1: TDK SA-90; Set 2: Maxell UDXL-II C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (DFF 1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9 (pitch, edit) > CD Wave Editor (track) > Trader's Little Helper (wav > flac) > Flac16; Transfer, edit/patch, pitch correction by Bob Morris, May 2012
|
notes
|
| 3240. |
07/03/78 |
Flac 16 - 0,
97601 |
St. Paul |
St. Paul Civic Center flac16; Recording by Bob Wagner: Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 3241. |
07/03/78 |
Shn - 0,
7356 |
St. Paul |
St. Paul Civic Center Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Da>Cdr
|
notes
|
| 3242. |
07/05/78 |
Flac 16 - 0,
91785 |
Omaha |
Omaha Civic Auditorium flac16; MOTB Release: 0070 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight Transfer By: Adam Egert Mastering By: Derek McCabe
|
notes
|
| 3243. |
07/05/78 |
Shn - 0,
11481 |
Omaha |
Omaha Civic Auditorium AUD(Sony 54P?s>Sony TC-158)>MC>C>DAT>CD; via Paul B; Seeded to Etree by T. Wiley
|
notes
|
| 3244. |
07/05/78 |
Flac 16 - 0,
97229 |
Omaha |
Omaha Civic Auditorium flac16; Recorded by Bob Wagner Master Recording: 2 Sony ECM-54 Ps >Sony 158 1st Generation: Master played back on Sony 158> Nak 550 Transfer and FLAC encoding by David Minches: 1st Generation cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 3245. |
07/05/78 |
Flac 24/96 - 0,
91786 |
Omaha |
Omaha Civic Auditorium flac24; MOTB Release: 0070 24/96 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight Transfer By: Adam Egert Mastering By: Derek McCabe
|
notes
|
| 3246. |
07/07/78 |
Flac 16 Mtx - 0,
98817 |
Morrison |
Red Rocks Amphitheatre flac16; 3-Source SBD/AUD Matrix Mix by OctopusRider
|
notes
|
| 3247. |
07/07/78 |
Flac 16 - 0,
91793 |
Morrison |
Red Rocks Amphitheatre flac16; MOTB Release: 0071 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Sony Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight Transfer By: Adam Egert Mastering By: Derek McCabe
|
notes
|
| 3248. |
07/07/78 |
Shn - 0,
33817 |
Morrison |
Red Rocks Amphitheatre Fix of shnid 293 - SBD> MR> PCM > DAT; DAT> CD> EAC> SHN by Bill Tetzeli
|
notes
|
| 3249. |
07/07/78 |
Shn - 0,
293 |
Morrison |
Red Rocks Amphitheatre SBD> MR> PCM> DAT, from Betty Board; DAT> CD> EAC> SHN conversion & upload by Adam Jerugim; known flaw: d3t02 d/o @ 10:14; note summary of Jason Palmer's and AJ's reports: This is not in stereo: the same channel is spread over both using a splitter technique. The channel that should contain Keith, half of Jerry, Billy, and possibly some of Phil, is missing; Keith is minimally audible. This the only SBD source available. If you have a superior source, please contact AJ. [Note: A shntool-fixed-by-set version also circulates]. ; upgrade in circulation
|
notes
|
| 3250. |
07/07/78 |
Shn - 0,
18700 |
Morrison |
Red Rocks Amphitheatre Source: FOB-MAR>C>C>DAT>WAV>SHN SBD Patch MSR>R>C>C>DAT>WAV>SHN Source C>SHN Conversion By Cousinit SBD Patch C>SHN Conversion By Cousinit
|
notes
|
| 3251. |
07/07/78 |
Flac 16 - 0,
134374 |
Morrison |
Red Rocks Amphitheatre flac16; Mono Soundboard; lineage from shnid 293 listed as SBD> MR> PCM> DAT, from Betty Board; DAT> CD> EAC> SHN; This is a flac encoded & tagged version of reworked shnid 33817
|
notes
|
| 3252. |
07/07/78 |
Flac 16 - 0,
82931 |
Morrison |
Red Rocks Amphitheatre flac16; AUD Source: Recording by Bob Wagner. Sony ECM-54P's > Sony TC-158. Transfer: MAC > Teac AN-180 outboard Dolby unit > Sony TC 755 open reel deck > Scotch Classic reels at 7.5 IPS, Dolby-B, by Jerry Moore. Reels > Sony TC 850 open reel deck > Teac AN-180 Dolby unit > Sony SBM-1 (super bit mapper) > Tascam CD-Rw4U stand alone burner, by Rob Berger. CDR > EAC > WavMerge > CD-Wave (new track ID's) > TLH (SBE-OK, lossless compression, and checksums) > FLAC, Feb 2007
|
notes
|
| 3253. |
07/08/78 |
Flac 16 - 0,
106070 |
Morrison |
Red Rocks Amphitheatre flac16; Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3254. |
07/08/78 |
Flac 16 Mtx - 0,
125797 |
Morrison |
Red Rocks Amphitheatre flac16; Matrix from Source 1: SBD (shnid=106070) Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC and Source 2: AUD (shnid=91766) Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight; matrix by Roger Eichorn; Upgrade in circulation; the seeder has requested that this version be removed from circulation
|
notes
|
| 3255. |
07/08/78 |
Flac 16 Mtx - 0,
126239 |
Morrison |
Red Rocks Amphitheatre flac16; 2 Source Matrix from Source 1: SBD (shnid=106070) Recording Info: SBD -> Master Reel -> PCM -> Roland SRC-2 -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC and Source 2: AUD (shnid=91766) Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 3 x Maxell UD XL II C90; Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Timothy Knight
|
notes
|
| 3256. |
07/08/78 |
Shn - 0,
294 |
Morrison |
Red Rocks Amphitheatre SBD> [?]> DAT> CDR; via Jeff Hoelter; see pub comments for additional notes. [Note: A shntool-fixed-be-sets version of this source is available]; upgrade in circulation
|
notes
|
| 3257. |
07/08/78 |
Flac 16 Mtx - 0,
91777 |
Morrison |
Red Rocks Amphitheatre flac16; Matrix 2 Source Mix - SBD (shn id 294) SBD> [?]> DAT> CDR; via Jeff Hoelter + AUD (shn id 91766) Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight - matrix mixing by Kevin Tobin
|
notes
|
| 3258. |
07/08/78 |
Flac 16 - 0,
88551 |
Morrison |
Red Rocks Amphitheatre flac16; Source: SBD -> ? -> Bootleg CD "The Great Red Rocks" Transfer: EAC (in secure mode w/proper offsets) -> FLAC Seeded by Matt Carney on 11-17-07 ; upgrade in circulation
|
notes
|
| 3259. |
07/08/78 |
Flac 16 - 0,
91766 |
Morrison |
Red Rocks Amphitheatre flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight
|
notes
|
| 3260. |
07/08/78 |
Flac 16 - 0,
91871 |
Morrison |
Red Rocks Amphitheatre flac16; SBD> [?]> DAT> CDR; via Jeff Hoelter - patched and pitch correction by Kevin Tobin
|
notes
|
| 3261. |
07/08/78 |
Shn - 0,
33818 |
Morrison |
Red Rocks Amphitheatre Seamless fix of shn id 294 - SBD> [?]> DAT>CDR by Bill Tetzeli
|
notes
|
| 3262. |
07/08/78 |
Flac Dts 5.1 - 0,
91875 |
Morrison |
Red Rocks Amphitheatre DTS-Audio-CD 5.1 Mix; SBD (shn id 294) SBD> [?]> DAT> CDR; via Jeff Hoelter + AUD (shn id 91766) Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UD XL II C90 Analog Lineage: Unknown Mircophones => Unknown Tape Deck [Patch] => Nakamichi 550 [Dolby Encode] >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Timothy Knight - dts mixing by Kevin Tobin
|
notes
|
| 3263. |
07/08/78 |
Flac 16 - 0,
88656 |
Morrison |
Red Rocks Amphitheatre flac16; Source: SBD -> ? -> Bootleg CD "The Great Red Rocks". Transfer: EAC (in secure mode w/proper offsets) -> FLAC. Seeded by Matt Carney on 11-17-07. Fixed version of shn id 88551.
|
notes
|
| 3264. |
08/18/78 |
Shn - 0,
11692 |
San Rafael |
Club Front SBD> MR> ??> DAT> CDR> EAC (secure)> CD WAV> SHN (seekable); EAC> etree by Tim Wiley; with thanks to Paul B. for source discs
|
notes
|
| 3265. |
08/18/78 |
Shn - 0,
11504 |
San Rafael |
Club Front Shakedown Street sessions with Lowell George (Sbd>??>Cdr); Seeded to etree by Tzuriel
|
notes
|
| 3266. |
08/30/78 |
Flac 16 - 0,
110151 |
Morrison |
Red Rocks Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell UDXLI) -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3267. |
08/30/78 |
Shn - 0,
11479 |
Morrison |
Red Rocks Amphitheatre AUD>MC>DAT>CD; Seeded to Etree by T. Wiley
|
notes
|
| 3268. |
08/30/78 |
Shn - 0,
8038 |
Morrison |
Red Rocks Amphitheatre set 2; SBD> MC> DAT> CDR; via Charlie Miller; Cozmcchuck; Steve Barbella
|
notes
|
| 3269. |
08/30/78 |
Flac 24/96 - 0,
145136 |
Morrison |
Red Rocks Amphitheatre flac24 1st Set: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 20, seats 73-75)> Sony TC-158SD (Maxell UDXLII); 2nd Set: Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 73-75)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3270. |
08/30/78 |
Flac 16/48 - 0,
145135 |
Morrison |
Red Rocks Amphitheatre flac16/48kHz; 1st Set: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 20, seats 73-75)> Sony TC-158SD (Maxell UDXLII); 2nd Set: Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 73-75)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
This is your collection
|
notes
|
| 3271. |
08/31/78 |
Shn - 0,
20726 |
Morrison |
Red Rocks Amphitheatre Lineage: Source 1: AUD>Cm>Dat>CD>EAC>Samplitude v7.02>SHN Source 2: SBD>Rm>PCM>Dat>Samplitude v7.02>SHN All edits and conversions done by Charlie Miller charliemiller87@earthlink.net 11/12/03
|
notes
|
| 3272. |
08/31/78 |
Flac 16 - 0,
125882 |
Morrison |
Red Rocks Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell UDXLI-C90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3273. |
08/31/78 |
Shn - 0,
11477 |
Morrison |
Red Rocks Amphitheatre Partial 2nd set; See info file for details; SBD>MR>DAT>CDR; Seeded to Etree by T. Wiley ; upgrade in circulation
|
notes
|
| 3274. |
08/31/78 |
Shn - 0,
11480 |
Morrison |
Red Rocks Amphitheatre AUD>MC>DAT>CD; via Paul B; Seeded to Etree by T. Wiley
|
notes
|
| 3275. |
08/31/78 |
Flac 24/96 - 0,
145138 |
Morrison |
Red Rocks Amphitheatre flac24; Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 77-80)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3276. |
08/31/78 |
Flac 16/48 - 0,
145137 |
Morrison |
Red Rocks Amphitheatre flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 301 mics (row 20, seats 77-80)(patched out of Barry Glassberg) > Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3277. |
09/02/78 |
Flac 16 - 0,
106818 |
East Rutherford |
Giants Stadium flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3278. |
09/02/78 |
Flac 16 - 0,
124588 |
East Rutherford |
Giants Stadium flac16; Set 2 Recording Info: (FOB) Sony 54P -> Cassette Master (Sony TC-158SD); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by: Bob Wagner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3279. |
09/02/78 |
Flac 16 Mtx - 0,
131868 |
East Rutherford |
Giants Stadium flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:106818) Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC and Audience (shnid:015822) AUDMC > DAT > WAV > SHN; Recorded by Steve Rolfe with two Sony EMC-33P mics > Sony TC-152 deck 50-60 feet left center from the stage
|
notes
|
| 3280. |
09/02/78 |
Shn - 0,
5986 |
East Rutherford |
Giants Stadium mixed source: set 1 et al: Master Audience Cassette; Shure SM-57 mics> Sony TC-158; bulk of set 2: Master Soundboard Cassette > Cassette > DAT; CD Mastering, EAC'ed / SHN'ed by Scott Clugston
|
notes
|
| 3281. |
09/02/78 |
Shn - 0,
7925 |
East Rutherford |
Giants Stadium 1st Set unknown gen reel>CD with some aud patches, see info file for details; 2nd Set SBD:MC>Cas>DAT>CD; via Yubah with thanks to Jools
|
notes
|
| 3282. |
09/02/78 |
Shn - 0,
15822 |
East Rutherford |
Giants Stadium AUDMC > DAT > WAV > SHN recorded by Steve Rolfe with two Sony EMC-33P mics > Sony TC-152 deck 50-60 feet left center from the stage, converted and encoded by Noah Weiner
|
notes
|
| 3283. |
09/02/78 |
Flac 24/96 - 0,
139367 |
East Rutherford |
Giants Stadium flac24; Set 2 Source: (FOB) Sony 54P > Sony TC-158SD > Cassette Master; taped by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick September 2017
|
notes
|
| 3284. |
09/02/78 |
Flac 16 - 0,
140476 |
East Rutherford |
Giants Stadium flac16; Set 2 Source: (FOB) Sony 54P > Sony TC-158SD > Cassette Master; taped by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick September 2017
|
notes
|
| 3285. |
09/02/78 |
Flac 16/48 - 0,
142988 |
East Rutherford |
Giants Stadium flac16/48kHz; Set 2 Recording Info: Master Soundboard Cassette (Maxell UDXLII)> Cassette (TDK) > Dat 16/48(Panasonic SV-3700)> Dat x3; Transfer Info: Dat (Sony PCM-R500 16/48) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16/48) > Adobe Audition 3.01 > TLH flac1648
|
notes
|
| 3286. |
09/13/78 |
Shn - 0,
11482 |
Cairo |
Gizah Sound and Light Theater Soundcheck from night before the shows; SBD>MR>??>CDR; Seeded to Etree by T. Wiley
|
notes
|
| 3287. |
09/13/78 |
Flac 16 - 0,
87779 |
Cairo |
Gizah Sound and Light Theater flac16; Soundcheck - Recording Info: Unknown Mics -> Cassette Master -> ? -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 3288. |
09/13/78 |
Shn - 0,
10155 |
Cairo |
Gizah Sound and Light Theater soundcheck; Aud Cassette Master -> ?? -> CD; via Jim Bennett
|
notes
|
| 3289. |
09/13/78 |
Flac 16 - 0,
136808 |
Cairo |
Gizah Sound and Light Theater flac16; Source: Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; shn CD import > xACT for flac fingerprints and md5 verification > FLAC by Dave Schall
|
notes
|
| 3290. |
09/14/78 |
Flac 16 - 0,
88171 |
Cairo |
Gizah Sound and Light Theater flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC Transfered By Charlie Miller
|
notes
|
| 3291. |
09/14/78 |
Flac 16 - 0,
103625 |
Cairo |
Gizah Sound and Light Theater flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x ECM280 >> Sony TC-158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Eldon Porray Transfer By: Bob Menke Mastering By: Brion Green
|
notes
|
| 3292. |
09/14/78 |
Flac 16 - 0,
94536 |
Cairo |
Gizah Sound and Light Theater flac16; 2 Nakamichi 700 cardioid mic's, Sony TCM 158 stereo cassette recorder ,1st gen Maxell UDXL 2 cass Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > plugins > flac lvl 8 (tlh)
|
notes
|
| 3293. |
09/14/78 |
Shn - 0,
22169 |
Cairo |
Gizah Sound and Light Theater Recording Info: SBD -> Master Reel (2 track) -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN)Transfered By Charlie Miller; upgrade in circulation
|
notes
|
| 3294. |
09/14/78 |
Shn - 0,
2054 |
Cairo |
Gizah Sound and Light Theater Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder > Sony TC-640 reel to reel; Transfer: TC-640 > Apogee AD1000 > Soundforge 4.5 @48Khz > resampled to 44.1> CDWAV > SHNv3 via John D'Auria; note upgrade now in circulation
|
notes
|
| 3295. |
09/14/78 |
Flac 24/96 - 0,
103626 |
Cairo |
Gizah Sound and Light Theater flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x ECM280 >> Sony TC-158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Eldon Porray Transfer By: Bob Menke Mastering By: Brion Green
|
notes
|
| 3296. |
09/14/78 |
Shn - 0,
6032 |
Cairo |
Gizah Sound and Light Theater Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; via John D'Auria; note one less reel gen than previous version
|
notes
|
| 3297. |
09/15/78 |
Flac 16 - 0,
87782 |
Cairo |
Gizah Sound and Light Theater flac16; Recording Info: Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 3298. |
09/15/78 |
Flac 16 Mtx - 0,
88923 |
Cairo |
Gizah Sound and Light Theater flac16; Matrix 2 Source Mix - SBD (shn id 87782) Recording Info: Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC + AUD (shn id 4160) Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 - matrix mixing by Kevin Tobin
|
notes
|
| 3299. |
09/15/78 |
Shn - 0,
295 |
Cairo |
Gizah Sound and Light Theater set 2; Source: Probably the SBD 90/2nd listed in the Deadlists project which would be - Master 10" reel @ 15ips 1/2trk-> PCM x1-> DAT -> CD-R -> WAV via EAC ->SHN; tracked for 2x74, will fit 1x80; via M. Lai, B. Walker; Known flaws: Jack Straw 0:00 - 1:39 very low vocals, 1:39 - levels being adjusted and left channel boosted, 2:26 - vocals are boosted, 5:26 - vocals drop temporarily;Occasional low level "crackling" throughout; upgrade in circulation
|
notes
|
| 3300. |
09/15/78 |
Shn - 0,
5933 |
Cairo |
Gizah Sound and Light Theater et 2; SBD > 10" RTR @ 15 I.P.S. 2-track > Sony 601 PCM > Panasonic 3700 DAT > Neve "Capricorn" digital console > DB3000s sample-rate converter & noise shaper > Panasonic 4100 DAT > Panasonic 3700 DAT > SSSB; EAC (High, Secure) > WAV > SHNv3 by Patrick Murphy, from Jay Serafin seed; upgrade in circulation
|
notes
|
| 3301. |
09/15/78 |
Flac 16 - 0,
94537 |
Cairo |
Gizah Sound and Light Theater flac16; Source: Audience Recording Lineage: 2 Nakamichi 700 cardioid mic's, Sony TCM 158 stereo cassette recorder ,1st gen Maxell UDXL 2 cass > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave >Edited in Adobe Audition, mastered with iZotope Ozone, noise reduction with iZotope RX Advanced, tracked with CD Wave and flac'd with TLH
|
notes
|
| 3302. |
09/15/78 |
Flac 16 - 0,
107304 |
Cairo |
Gizah Sound and Light Theater flac16; 2 x Sony ecm 280 mics >> Sony 153sd >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16; Taped By: Eldon Porray
|
notes
|
| 3303. |
09/15/78 |
Flac Dts 5.1 - 0,
88924 |
Cairo |
Gizah Sound and Light Theater DTS Audio 5.1; SBD (shn id 87782) Set One: SBD -> Master Reel -> Cassette -> Dat (48k) Set Two: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC + AUD (shn id 4160) Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3 - dts mixing by Kevin Tobin
|
notes
|
| 3304. |
09/15/78 |
Shn - 0,
4160 |
Cairo |
Gizah Sound and Light Theater Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; Transferred and seeded by John D'Auria; d2 tracked for 80 min;see info file for flaw notes
|
notes
|
| 3305. |
09/15/78 |
Shn - 0,
21781 |
Cairo |
Gizah Sound and Light Theater Recording Info: Set One: SBD -> Reel Master (2 track) -> Cass -> Dat -> CD -> EAC -> SHN Set Two: SBD -> Reel Master (10" @ 15 I.P.S. 1/2-track) -> Dat -> CD -> EAC -> SHN Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN All transfers By Charlie Miller; upgrade in circulation
|
notes
|
| 3306. |
09/16/78 |
Flac 16 - 0,
88314 |
Cairo |
Gizah Sound and Light Theater flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 3307. |
09/16/78 |
Flac 16 Mtx - 0,
95316 |
Cairo |
Gizah Sound and Light Theater flac16; Matrix 3 Source Mix - SBD: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (shnid 88314) AUD1: Lineage: 2 Nakamichi 700 cardioid mic's > Sony TCM 158 stereo cassette recorder > MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > flac lvl 8 (tlh) (shnid 94548) AUD2: Unknown Mics -> Cassette Master -> ? -> Cassette > CR-5A > HD-p2 > 24/96 wave (no shnid) - matrix mixing by Kevin Tobin
|
notes
|
| 3308. |
09/16/78 |
Flac 16 - 0,
107305 |
Cairo |
Gizah Sound and Light Theater flac16; 2 x Sony ecm 280 mics >> Sony 153sd >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > flac16; Taped By: Eldon Porray
|
notes
|
| 3309. |
09/16/78 |
Flac 16 - 0,
94548 |
Cairo |
Gizah Sound and Light Theater flac16; Lineage: 2 Nakamichi 700 cardioid mic's > Sony TCM 158 stereo cassette recorder > MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > flac lvl 8 (tlh)
|
notes
|
| 3310. |
09/16/78 |
Flac 16 - 0,
95292 |
Cairo |
Gizah Sound and Light Theater flac16; Original Lineage: 2 Nakamichi 700 cardioid mic's > Sony TCM 158 stereo cassette recorder > MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > flac lvl 8 (tlh) (source id 94548) - Patched and Speed Corrected by Kevin Tobin
|
notes
|
| 3311. |
09/16/78 |
Flac 24 - 0,
108845 |
Cairo |
Gizah Sound and Light Theater flac24;Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON, 23∫ " - Bear, "Maxell UDXLII from Nagra Dolby CRo2 NI-356", Transfer and Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell
|
notes
|
| 3312. |
09/16/78 |
Flac 16 - 0,
136809 |
Cairo |
Gizah Sound and Light Theater flac16; Source: Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder; Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3; shn CD import > xACT for flac fingerprints and md5 verification > FLAC by Dave Schall
|
notes
|
| 3313. |
09/16/78 |
Flac Dts 5.1 - 0,
95327 |
Cairo |
Gizah Sound and Light Theater DTS-Audio-CD 5.1 Mix; SBD: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (shnid 88314) AUD1: Lineage: 2 Nakamichi 700 cardioid mic's > Sony TCM 158 stereo cassette recorder > MAC (Maxell UDXL 2) > Sony TC-KE5000S Cassette player > 16/44.1 wave > Tascam CD-RW 750 > EAC > 16/44.1 Wave > wavelab 5 > flac lvl 8 (tlh) (shnid 94548) AUD2: Unknown Mics -> Cassette Master -> ? -> Cassette > CR-5A > HD-p2 > 24/96 wave (no shnid) - matrix mixing by Kevin Tobin
|
notes
|
| 3314. |
09/16/78 |
Flac 24 - 0,
140932 |
Cairo |
Gizah Sound and Light Theater flac24; Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON, 23∫ " - Bear, "Maxell UDXLII from Nagra Dolby CRo2 NI-356", Transfer and; Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell; This is 108845 with channels inverted; fixed version of source ID 108845
|
notes
|
| 3315. |
09/16/78 |
Flac 16 - 0,
140935 |
Cairo |
Gizah Sound and Light Theater flac16; Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON; Maxell UDXLII from Nagra Dolby CRo2 NI-356; Transfer and Masterig By Jim Blackwood; fixed version of source ID 140477
|
notes
|
| 3316. |
09/16/78 |
Flac 16 Mtx - 0,
143122 |
Cairo |
Gizah Sound and Light Theater flac16; Matrix 3 Source Mix - SBD (shnid = 88314) Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140932) Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON, 23∫ " - Bear, "Maxell UDXLII from Nagra Dolby CRo2 NI-356", Transfer and; Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell; This is 108845 with channels inverted - matrix mixing by Kevin Tobin
|
notes
|
| 3317. |
09/16/78 |
Flac 16 Dts 5.1 - 0,
143123 |
Cairo |
Gizah Sound and Light Theater DTS-Audio-CD 5.1 Mix; - SBD (shnid = 88314) Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 140932) Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON, 23∫ " - Bear, "Maxell UDXLII from Nagra Dolby CRo2 NI-356", Transfer and; Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell; This is 108845 with channels inverted - dts mixing by Kevin Tobin
|
notes
|
| 3318. |
09/16/78 |
Flac16/48 LPCM - 0,
143124 |
Cairo |
Gizah Sound and Light Theater flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 88314) Recording Info: SBD -> Master Reel -> PCM -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 140932) Recorded in "KHAFRE'S TEMPLE NEAR SPHINX, TOTAL ECLIPSE OF THE MOON, 23∫ " - Bear, "Maxell UDXLII from Nagra Dolby CRo2 NI-356", Transfer and; Mastering By Jim Blackwood, with listening assistance and track/flac by Jamie Waddell; This is 108845 with channels inverted - surround mixing by Kevin Tobin
|
notes
|
| 3319. |
09/16/78 |
Shn - 0,
2319 |
Cairo |
Gizah Sound and Light Theater SBD Reel > DAT > Montego II Plus > CDRWAV > CD-R > SHN; no Sunrise; via Leigh Orf- reextraction from CDR copy; upgrade in circulation
|
notes
|
| 3320. |
10/17/78 |
Flac 16 - 0,
89257 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 3321. |
10/17/78 |
Shn - 0,
21243 |
San Francisco |
Winterland Arena Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step; upgrade in circulation
|
notes
|
| 3322. |
10/17/78 |
Shn - 0,
1078 |
San Francisco |
Winterland Arena SBD: Master Reel> PCM> DAT> CD> (EAC) WAV> SHN; EAC, tracking, shn and upload by Evan Levy; notes: one splice in Eyes, U.S. Blues cuts off missing ~45 seconds; see pub comments for additional notes; upgrade in circulation
|
notes
|
| 3323. |
10/17/78 |
Flac 16 Mtx - 0,
100699 |
San Francisco |
Winterland Arena flac16; Matrix: Aud 55% Sbd 45%; see info file for details
|
notes
|
| 3324. |
10/17/78 |
Flac - 0,
32906 |
San Francisco |
Winterland Arena SBD>Master Reel>Cassette>DAT>WAV>FLAC>WAV>SHN; upgrade in circulation
|
notes
|
| 3325. |
10/17/78 |
Flac 16 Mtx - 0,
135503 |
San Francisco |
Winterland Arena flac16; 2 source matrix by Dusborne;Soundboard (Shnid:89257), Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k)Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC,All Transfers and Mastering By Charlie Miller;Audience (shnid:100692),Analog Audience Source: AUD Master Cassettes, Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]Taped By: Reinhart Holwein,Transfer By: Bob Menke, Mastering By: Derek McCabe
|
notes
|
| 3326. |
10/17/78 |
Flac 16 - 0,
100687 |
San Francisco |
Winterland Arena flac16; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000>> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe
|
notes
|
| 3327. |
10/17/78 |
Flac 24/96 - 0,
100692 |
San Francisco |
Winterland Arena flac24; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe
|
notes
|
| 3328. |
10/17/78 |
Flac 24 Mtx - 0,
100703 |
San Francisco |
Winterland Arena flac24; Matrix: Aud 55% Sbd 45%; see info file for details
|
notes
|
| 3329. |
10/17/78 |
Flac 16 - 0,
138919 |
San Francisco |
Winterland Arena flac16; Source: Soundboard > Master Reel > PCM > Dat (44k); Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1; Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017
|
notes
|
| 3330. |
10/18/78 |
Flac 16 - 0,
89335 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 3331. |
10/18/78 |
Flac 24/96 - 0,
100701 |
San Francisco |
Winterland Arena flac24; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Adam Egert
|
notes
|
| 3332. |
10/18/78 |
Shn - 0,
298 |
San Francisco |
Winterland Arena SBD > Master Reel > PCM-1 > DAT > CD> EAC > SHN; via shakedown@canada.com; known flaws (from MR): Sugaree, Miracle cut; PITB, WR spliced; upgrade in circulation
|
notes
|
| 3333. |
10/18/78 |
Shn - 0,
21244 |
San Francisco |
Winterland Arena Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step; upgrade in circulation
|
notes
|
| 3334. |
10/18/78 |
Flac 16 Mtx - 0,
135504 |
San Francisco |
Winterland Arena flac16; 2 source matrix by Dusborne;Soundboard (Shnid:89335)Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.01 -> FLAC,All Transfers and Mastering By Charlie Miller;Audience (shnid:100701)Analog Audience Source: AUD Master Cassettes (MAC)Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg AudioGate >> WAV [24/96],Taped By: Reinhart Holwein,Transfer By: Bob Menke Mastering By: Adam Egert
|
notes
|
| 3335. |
10/18/78 |
Flac 16 - 0,
100702 |
San Francisco |
Winterland Arena flac16; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000>> DSF >> Korg MR-1000 => Korg AudioGate >> WAV [16/44.1] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Adam Egert
|
notes
|
| 3336. |
10/20/78 |
Flac 16 - 0,
92542 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3337. |
10/20/78 |
Flac 24/96 - 0,
100700 |
San Francisco |
Winterland Arena flac24; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe
|
notes
|
| 3338. |
10/20/78 |
Flac - 0,
21245 |
San Francisco |
Winterland Arena Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step
|
notes
|
| 3339. |
10/20/78 |
Shn - 0,
4159 |
San Francisco |
Winterland Arena SBD; transferred and seeded to etree by Mike Lai, from Bruce Fried DAT
|
notes
|
| 3340. |
10/20/78 |
Flac 24/44,1 - 0,
102073 |
San Francisco |
Winterland Arena flac24; Recorded by: Mike Martin and Mark Bunton with Chuck helping out. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave
|
notes
|
| 3341. |
10/20/78 |
Flac 16 Mtx - 0,
135505 |
San Francisco |
Winterland Arena flac16; 2 source matrix by Dusborne;Soundboard (Shnid:92542)Recording Info: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFFTransfer Info:AIFF -> Samplitude Professional v10.1 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience(shnid:100700) Analog Audience Source: AUD Master Cassettes,Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC,Analog Sound Preservation: MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein,Transfer By: Bob Menke,Mastering By: Derek McCabe
|
notes
|
| 3342. |
10/20/78 |
Flac 16 - 0,
100698 |
San Francisco |
Winterland Arena flac16; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [16/44.1] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe
|
notes
|
| 3343. |
10/20/78 |
Flac 16 - 0,
102072 |
San Francisco |
Winterland Arena flac16; Recorded by: Mike Martin and Mark Bunton with Chuck helping out. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8)
|
notes
|
| 3344. |
10/20/78 |
Flac 24/96 - 0,
148357 |
San Francisco |
Winterland Arena flac24; Source Info: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes; Transfer Info: 1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3345. |
10/20/78 |
Flac 16/48 - 0,
148356 |
San Francisco |
Winterland Arena flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes; Transfer Info: 1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3346. |
10/20/78 |
Flac 24/96 - 0,
150752 |
San Francisco |
Winterland Arena flac24; Set 1 & partial Set 2 Recording Info: AKG C12A > Cassette Master (Nakamichi 550) > Cassette (Nakamichi 1000/Maxell UDXLI); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 3347. |
10/20/78 |
Flac 16 - 0,
150755 |
San Francisco |
Winterland Arena
|
notes
|
| 3348. |
10/21/78 |
Flac 16 Mtx - 0,
94852 |
San Francisco |
Winterland Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 3349. |
10/21/78 |
Flac 16 - 0,
89721 |
San Francisco |
Winterland Arena flac16; Recording Info: SBD -> Master Reel -> Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 3350. |
10/21/78 |
Flac - 0,
21248 |
San Francisco |
Winterland Arena flac16; SBD> Master Reel> Cassette> DAT> WAV> FLAC; Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step; upgrade in circulation
|
notes
|
| 3351. |
10/21/78 |
Flac 16 - 0,
94599 |
San Francisco |
Winterland Arena flac16; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5
|
notes
|
| 3352. |
10/21/78 |
Shn - 0,
6100 |
San Francisco |
Winterland Arena sbd> mr> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT seed; see info file for flaw and patch notes; upgrade in circulation
|
notes
|
| 3353. |
10/21/78 |
Flac 24 - 0,
102075 |
San Francisco |
Winterland Arena flac24; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8)
|
notes
|
| 3354. |
10/21/78 |
Flac 16 - 0,
102074 |
San Francisco |
Winterland Arena flac16; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8)
|
notes
|
| 3355. |
10/21/78 |
Flac 24/96 - 0,
94600 |
San Francisco |
Winterland Arena flac24; MOTB.0015 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHzStereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5
|
notes
|
| 3356. |
10/21/78 |
Flac 24/96 - 0,
148355 |
San Francisco |
Winterland Arena flac24; Source Info: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes; Transfer Info: 1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3357. |
10/21/78 |
Flac 16/48 - 0,
148354 |
San Francisco |
Winterland Arena flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Sony ECM-270 mics > Sony TC-158SD > 1st generation cassettes; Transfer Info: 1st generation cassettes (Nakamichi CR7-A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3358. |
10/22/78 |
Flac 16 - 0,
92567 |
San Francisco |
Winterland Arena flac16;Recording Info:SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3359. |
10/22/78 |
Flac16 Mtx - 0,
99496 |
San Francisco |
Winterland Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 3360. |
10/22/78 |
Flac 16 - 0,
94605 |
San Francisco |
Winterland Arena flac16; MOTB0018 Analog Lineage: 2 x AKG d224e => Sony TC 158 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastered By: Derek McCabe Tagged By: Jeff Thomas
|
notes
|
| 3361. |
10/22/78 |
Flac 24/44 - 0,
102077 |
San Francisco |
Winterland Arena flac24; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Flac (level 8).
|
notes
|
| 3362. |
10/22/78 |
Flac - 0,
96700 |
San Francisco |
Winterland Arena Source: audience recording on a Marantz pro cassette deck (don't recall the model) & Sennheiser MKH404 mics Lineage: master cassette > reel @ 3.75 ips > reel @ 3.75 ips > HD > wav Encoding: CDWave > flac frontend > flac Recorded by: a friend of a friend Transfer by: Pantagruel
|
notes
|
| 3363. |
10/22/78 |
Shn - 0,
299 |
San Francisco |
Winterland Arena Sbd: Reel: PCM: Dat; D> CD: Tascam DA30MKII> Opcode Datport> HD (Cool Edit 2000)> Cdwav> SHN; Notes: SRC done by CE2K, and normalization also done by CE2K; via N. "NateDawg" Hifko, tracked for 3 discs by Yubah; etreed 5/10; Jeff K. hosted 5/15 with alternate tracking (q.v.) for d2,3
|
notes
|
| 3364. |
10/22/78 |
Flac 16 - 0,
102076 |
San Francisco |
Winterland Arena flac16; Recorded by: Mike Martin and Mark Bunton. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8).
|
notes
|
| 3365. |
10/22/78 |
Flac 24/96 - 0,
94604 |
San Francisco |
Winterland Arena flac24; MOTB0018 Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL II Analog Lineage: 2 x AKG s224e => Sony TC 158 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Hohlwein Transfer By: Bob Menke Mastering By: Derek McCabe Tagged by: Jeff Thomas Special: Rhinotrocity #5
|
notes
|
| 3366. |
10/22/78 |
Flac - 0,
21247 |
San Francisco |
Winterland Arena Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step
|
notes
|
| 3367. |
11/13/78 |
Shn - 0,
11483 |
Boston |
Music Hall AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley
|
notes
|
| 3368. |
11/13/78 |
Flac - 0,
119996 |
Boston |
Music Hall flac16; Low-generation Audience Cassette (C2?) (Maxell UDXL-II C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > Trader's Little Helper > Flac16; Transfer & edits (patched via Soundforge 9.0) by Bob Morris, April 2012.
|
notes
|
| 3369. |
11/14/78 |
Flac - 0,
100205 |
Boston |
Music Hall flac16; Recording Info: Nakamichi 300/CP1 -> Cassette Master (Maxell UDXLI/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; Taped By Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3370. |
11/14/78 |
Shn - 0,
11485 |
Boston |
Music Hall AUD(Sony ECM-280?s)>MC>DAT>CDR; Seeded to etree by T. Wiley
|
notes
|
| 3371. |
11/16/78 |
Shn - 0,
11486 |
Chicago |
Uptown Theater Partial; See info file for details; SBD>MC>C>DAT>CDR; Seeded to etree by T. Wiley
|
notes
|
| 3372. |
11/16/78 |
Flac 16 - 0,
128612 |
Chicago |
Uptown Theater flac16; Both Sets Partial; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 3373. |
11/16/78 |
Shn - 0,
11487 |
Chicago |
Uptown Theater AUD(Nak CM-300's>Sony TC-158)>MC>R>CoolEdit>CDR; Seeded to etree by T. Wiley
|
notes
|
| 3374. |
11/16/78 |
Flac 16 - 0,
136718 |
Chicago |
Uptown Theater flac16; Source: SBD > ? > Cassette, from the Brian Schley tape collection. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2016
|
notes
|
| 3375. |
11/16/78 |
Flac 16 - 0,
150409 |
Chicago |
Uptown Theater flac16; Partial 2nd Set; Source: SBD (mono) unknown lineage > Cassette rescued from ebay. Transfer: XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 07/2020
|
notes
|
| 3376. |
11/17/78 |
Flac 16 - 0,
90110 |
Chicago |
Rambler Room, Loyola College flac16; sbd > ?? > shn > Wav > remaster > Flac; All editing done on Cool Edit Pro 2.1 by Audiohead22
|
notes
|
| 3377. |
11/17/78 |
Flac - 0,
32879 |
Chicago |
Rambler Room, Loyola College Lineage: Soundboard->Master Cassette->DAT->Sonic Solutions->CD Transfer: CD->EAC->FLAC EAC, Re-track, and FLAC by Joe Samaritano
|
notes
|
| 3378. |
11/17/78 |
Shn - 0,
7687 |
Chicago |
Rambler Room, Loyola College sbd > ?? > shn; via Ernie Dodd; upgrade in circulation
|
notes
|
| 3379. |
11/17/78 |
Flac 16/44 - 0,
135718 |
Chicago |
Uptown Theater flac16; Partial Source: SBD > ? > Cassette, from the Brian Schley tape collection; Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F.
|
notes
|
| 3380. |
11/17/78 |
Shn - 0,
11488 |
Chicago |
Uptown Theater 2nd set plus Shakedown opener; See info file for details; AUD>MC>??>DAT>CDR; Seeded to etree by T. Wiley
|
notes
|
| 3381. |
11/18/78 |
Flac 16 - 0,
81131 |
Chicago |
Uptown Theater flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 3382. |
11/18/78 |
Shn - 0,
12080 |
Chicago |
Uptown Theater SBD>MC>C>D>CD>EAC>SHN patched with AUD>MC>R>CD>EAC>SHN; Normalized and pitch corrected; See info file for details; via Mike Tausig and Tim Wiley; Seeded to etree by JCotsman; upgrade in circulation
|
notes
|
| 3383. |
11/18/78 |
Shn - 0,
11490 |
Chicago |
Uptown Theater AUD(Sony ECM-900's>Nak 550)>MC>R>Cool Edit>CDR; Seeded to etree by T. Wiley
|
notes
|
| 3384. |
11/18/78 |
Shn - 0,
11489 |
Chicago |
Uptown Theater SBD>MC>C>DAT>CDR; Seeded to etree by T. Wiley; upgrade in circulation
|
notes
|
| 3385. |
11/20/78 |
Flac 16 - 0,
95660 |
Cleveland |
Cleveland Music Hall flac16; Recording Info: Source 1: SBD -> ? -> Cassette -> Sound Devices 744T -> Samplitude Source 2: SBD -> Master Cassette -> Dat -> CD Source 3: Nakamichi 300 -> Reels? -> Dat -> CD Source 4: SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This is an upgrade to source id 95244)
|
notes
|
| 3386. |
11/20/78 |
Flac 16 Mtx - 0,
32489 |
Cleveland |
Cleveland Music Hall flac 16; Sick Bits Vol. 16a - matrix: SBD/AUD mix from 2 previously circulating sources; SBD: (shnid=12947)+ AUD: (shnid=302); edited, mixed and transfered by Chris Chappell
|
notes
|
| 3387. |
11/20/78 |
Shn - 0,
12947 |
Cleveland |
Cleveland Music Hall complete set 2; Master SBD Cassette > Cassette > DAT > CD-R > EAC > SHN, with plenty of AUD patches; via Art Cohen?; upgrade in circulation
|
notes
|
| 3388. |
11/20/78 |
Shn - 0,
301 |
Cleveland |
Cleveland Music Hall partial sets 1,2; revised source: MR> Cass Master> Lynxone 24 bit A/D converter> CD; seed via M. Mcleod; abupt cut in the end of Peggy-o; via P. Lucente to BUDD offer; upgrade in circulation
|
notes
|
| 3389. |
11/20/78 |
Flac 16 - 0,
95244 |
Cleveland |
Cleveland Music Hall flac16; Recording Info: Source 1: SBD -> ? -> Cassette -> CD; Source 2: SBD -> Master Cassette -> Dat -> CD; Source 3: Nakamichi 300 -> Reels? -> Dat -> CD; Source 4: SBD -> Master Reel -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller (Upgrade now in circulation
|
notes
|
| 3390. |
11/20/78 |
Shn - 0,
21727 |
Cleveland |
Cleveland Music Hall Complete show. Set1: SBD> ??> CAS> CD> EAC> WAV; Set2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV; Set2 patches: MSC> CAS> DAT> CD-R> EAC> SHN> WAV; and MAC> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. Set 2 derives from all three previous seeds. See info file for edits and flaws
|
notes
|
| 3391. |
11/20/78 |
Flac 16 - 0,
117661 |
Cleveland |
Cleveland Music Hall flac16; Source: Unknown AUD (marked 4th gen) kindly provided by Seaweed1010. Transfer: XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011
|
notes
|
| 3392. |
11/20/78 |
Shn - 0,
302 |
Cleveland |
Cleveland Music Hall complete set 2; AUD, precise source is unknown? (but thought to be Nak 300s), lineage? MAC> Reel> Reel (>Possible 3rd Reel Generation>) DATs> CDRs> EAC> SHN; via Rob Bertrando, Darrin Sacks
|
notes
|
| 3393. |
11/20/78 |
Flac 16/48 - 0,
148951 |
Cleveland |
Cleveland Music Hall flac16/48kHz; Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3394. |
11/20/78 |
Flac 24/96 - 0,
148952 |
Cleveland |
Cleveland Music Hall flac24; 2nd Set Source Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (2496) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 3395. |
11/21/78 |
Flac - 0,
87023 |
Rochester |
Community War Memorial Auditorium flac16; Lineage: SBD > ? > Cassettes Transfer: Maxell XL-II's > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC
|
notes
|
| 3396. |
11/21/78 |
Shn - 0,
11667 |
Rochester |
Community War Memorial Auditorium AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley
|
notes
|
| 3397. |
11/21/78 |
Flac - 0,
30116 |
Rochester |
Community War Memorial Auditorium flac16; Partial SBD > ? > Cassette Transfer: Cassette > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC. Soundforge for fades & edits, CD-Wave for tracking, Trader's Little Helper for SBE-OK and checksums, FLAC Frontend for lossless compression.; upgrade in circulation
|
notes
|
| 3398. |
11/21/78 |
Flac - 0,
119997 |
Rochester |
Community War Memorial Auditorium flac16; Partial Set 2 Source: Low-generation (C2?) Audience Cassette (Maxell UDXL-I C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9.0 > CD Wave Editor > Trader's Little Helper > Flac16; Transfer & edits by Bob Morris, April 2012
|
notes
|
| 3399. |
11/23/78 |
Shn - 0,
9846 |
Landover |
Capital Centre Master Soundboard Reel > Reel to Reel > Cassette > DAT> CDR; Aud patch for 4 songs; Missing 4 songs; See info file for details; Seeded to etree by Jools; upgrade in circulation
|
notes
|
| 3400. |
11/23/78 |
Flac 16 - 0,
96031 |
Landover |
Capital Centre flac16; Recording Info: (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3401. |
11/23/78 |
Shn - 0,
19155 |
Landover |
Capital Centre SBD>MR>R>C>D>CD>EAC>SHN; patched with: AUD>MC>D>CD>EAC>SHN; composite compiled from previous SBD & AUD sources
|
notes
|
| 3402. |
11/23/78 |
Shn - 0,
11668 |
Landover |
Capital Centre AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley
|
notes
|
| 3403. |
11/23/78 |
Flac 16 - 0,
151841 |
Landover |
Capital Centre flac16 Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: TBD Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette (circa 1984) Transfer/Flac Conversion Brian Mandel gdplusmore@aol.com 02-23-21 Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLP->Flac
|
notes
|
| 3404. |
11/24/78 |
Flac 16 - 0,
87643 |
Passaic |
Capitol Theatre flac16; Recording Info: WBCN Pre-FM -> Studer Console -> Master Reel -> Dat/0 (Sony ES/48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 3405. |
11/24/78 |
Flac 16 - 0,
32876 |
Passaic |
Capitol Theatre flac16; SBD(PreFM) > MR>DAT > CDA > Wav(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 13948
|
notes
|
| 3406. |
11/24/78 |
Flac 24 - 0,
101694 |
Passaic |
Capitol Theatre flac24; Source: Pre-fm master reel (The Best Of The Biscuit) Lineage: Reel > Teac-X2000R > Korg MR1 1bit/2.8mhz > AudioGate > wav 24/96 > flac 24
|
notes
|
| 3407. |
11/24/78 |
Flac 16 - 0,
77177 |
Passaic |
Capitol Theatre flac16; Source: PreFM SBD MR > DAT (48Khz) > DAT > WAV > FLAC. DAT > WAV transfer: Playback on Sony PCM-R500 > Neutrik input on Presonus Firebox preamp/A:D > firewire/XP Pro PC > Wavelab 5, recorded as 24 bit/96 KHz WAV > Waves L3 Multimaximizer (mastered to 16 bit/44.1 KHz WAV using hi res CD dither settings) > CDWAV 1.9 (tracking and FLAC encoding) > FLAC (level 8).
|
notes
|
| 3408. |
11/24/78 |
Shn - 0,
8364 |
Passaic |
Capitol Theatre FM> Reel> CD; via Fred Dalrymple; Seeded to etree by Peter Braverman. [Note: A shntool-fixed-by-set version circulates.]; upgrade in circulation
|
notes
|
| 3409. |
11/24/78 |
Shn - 0,
304 |
Passaic |
Capitol Theatre SBD (2- or more?- songs from FM source)> MR> DAT> CDA; reportedly has been in abgd, 5/21 to etree; upgrade in circulation
|
notes
|
| 3410. |
11/24/78 |
Shn - 0,
13948 |
Passaic |
Capitol Theatre Pre-FM MR > DAT > CD > EAC > WAV > SHN ; upgrade in circulation
|
notes
|
| 3411. |
11/24/78 |
Shn - 0,
303 |
Passaic |
Capitol Theatre SBD-> FM-> ?; via Doug Horning; Note- md5s and updated txt submitted by user Chris Jones 12/02/02; upgrade in circulation
|
notes
|
| 3412. |
11/24/78 |
Flac Dts 5.1 - 0,
127332 |
Passaic |
Capitol Theatre DTS-Audio-CD 5.1 Mix; SBD1 (shnid=87642) Recording Info: WBCN Pre-FM -> Studer Console -> Master Reel -> Dat/0 (Sony ES/48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + SBD2 (shn id 32876) SBD(PreFM) > MR>DAT > CDA > Wav(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 13948 + VID (no shn id) low generation video supplied in dvd format for video project - dts mixing by Kevin Tobin
|
notes
|
| 3413. |
11/24/78 |
Flac 24 - 0,
137389 |
Passaic |
Capitol Theatre flac24; LINEAGE FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240; WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 24/48> TLH FLAC (LEVEL 8)
|
notes
|
| 3414. |
11/24/78 |
Flac 24 - 0,
137387 |
Passaic |
Capitol Theatre flac24; Partial Sets 1 & 2; LINEAGE FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240; WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 24/48> TLH FLAC (LEVEL 8)
|
notes
|
| 3415. |
11/24/78 |
Flac 16 - 0,
137390 |
Passaic |
Capitol Theatre flac16; LINEAGE FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240; WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 16/44.1> TLH FLAC (LEVEL 8)
|
notes
|
| 3416. |
11/24/78 |
Flac 16 - 0,
137575 |
Passaic |
Capitol Theatre flac16:; Live FM broadcast > Sony receiver > Sony cassette deck > Maxell 110 XLII, FM Master cassette > CDR's > EAC > wav > Wavelab > CD-Wave > TLH > FLAC 1644, Recorded by Joey Browning.
|
notes
|
| 3417. |
11/24/78 |
Flac 16 - 0,
140483 |
Passaic |
Capitol Theatre flac16; Source: Pre-fm master reel (The Best Of The Biscuit) Lineage: Reel > Teac-X2000R > Korg MR1 1bit/2.8mhz > AudioGate > wav 24/96 > flac 24
|
notes
|
| 3418. |
11/24/78 |
Flac 16 - 0,
137388 |
Passaic |
Capitol Theatre flac16; Partial Sets 1 & 2; LINEAGE FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240; WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 16/44.1> TLH FLAC (LEVEL 8)
|
notes
|
| 3419. |
11/24/78 |
Flac 24/96 - 0,
150970 |
Passaic |
Capitol Theatre Recording Info: PRE FM > WBUF Reel Master engineered by David LaRussa Fresh master reel transfer and mastering for broadcast by Jim Blackwood Studer A807 playback of Pre-FM Master Reel (10in 7.5ips) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Speed Correction by Jason Chastain Track, FLAC and Pack by Jamie Waddell
|
notes
|
| 3420. |
11/24/78 |
Flac 16/44 - 0,
151616 |
Passaic |
Capitol Theatre flac16/44khz , Recording Info: PRE FM > WBUF Reel Master engineered by David LaRussa Fresh master reel transfer and mastering for broadcast by Jim Blackwood Studer A807 playback of Pre-FM Master Reel (10in 7.5ips) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Speed Correction by Jason Chastain Track, FLAC and Pack by Jamie Waddell - 150970 24 -> 16 @ 48
|
notes
|
| 3421. |
11/24/78 |
Flac 16/48 - ,
154194 |
Passaic |
Capitol Theatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD1 (shnid=87642) Recording Info: WBCN Pre-FM -> Studer Console -> Master Reel -> Dat/0 (Sony ES/48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + SBD2 (shn id 32876) SBD(PreFM) > MR>DAT > CDA > Wav(EAC) > SHN > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 13948 + VID (no shn id) low generation video supplied in dvd format for video project - surround mixing by Kevin Tobin
|
notes
|
| 3422. |
11/25/78 |
Flac 16 - 0,
85058 |
New Haven |
Veterans Memorial Coliseum flac16; source: aud 1st gen cassette (mastered: akg d200e's> Sony TC-158) taped by Jim Anderson lineage: aud c.m.>cassette>cdr>eac>flac transfer by Rob Berger
|
notes
|
| 3423. |
12/12/78 |
Flac 16 - 0,
123741 |
Miami |
Jai-Alai Fronton flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3424. |
12/12/78 |
Shn - 0,
19895 |
Miami |
Jai-Alai Fronton SBD>MR>C>D>CD>EAC>SHN; patched with AUD>MC>SHN; pitch corrected
|
notes
|
| 3425. |
12/12/78 |
Shn - 0,
18511 |
Miami |
Jai-Alai Fronton Recorded by Bob Wagner; Sony 54Ps> Sony TC-158. AUDMC > SHN conversion by David Minches
|
notes
|
| 3426. |
12/12/78 |
Shn - 0,
4859 |
Miami |
Jai-Alai Fronton Master Soundboard Reel> Cassette> DAT> CDR> EAC> SHN; d1 tracked for 80 min; Mastered, EAC'ed / SHN'ed by Scott Clugston; to abgd ; upgrade in circulation
|
notes
|
| 3427. |
12/13/78 |
Shn - 0,
25717 |
Tampa |
Curtis Hixon Convention Hall Source: SBD -> Cassette Master > Cassette > Reel > Dat > CD -> EAC -> WAV Transfer Info:WAV -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller
|
notes
|
| 3428. |
12/13/78 |
Shn - 0,
22145 |
Tampa |
Curtis Hixon Convention Hall SBD > MC > C > Reel > DAT > CD > EAC > SHN; Patched with: AUD>MC>DAT>CDR; Hiss Reduction applied; EAC/SHN by Darryl Hinko; upgrade in circulation
|
notes
|
| 3429. |
12/13/78 |
Shn - 0,
9478 |
Tampa |
Curtis Hixon Convention Hall AUD>MC>DAT>CDR; Seeded to Etree by T. Wiley
|
notes
|
| 3430. |
12/15/78 |
Shn - 0,
9479 |
Birmingham |
Boutwell Auditorium AUD(Sony 54P?s)>MC>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 3431. |
12/15/78 |
Flac 16 - 0,
143923 |
Birmingham |
Boutwell Auditorium flac16; Source: unknown aud Master Cassette > 10” Reels > PCM; Transfer: PCM > Sony SL-HF360 >Modified Sony 601 > Marantz PMD 661 > wav 16/44.1 - Transferred by the late Kris Westcott; Lineage: wav 16/44.1 > iZotope RX7 Advanced > iZotope Ozone 5 > CD Wave > Flac 16; edited and mastered SIRMick November 2018
|
notes
|
| 3432. |
12/16/78 |
Flac - 0,
82212 |
Nashville |
Nashville Municipal Auditorium flac16; Recording Info: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source)
|
notes
|
| 3433. |
12/16/78 |
Shn - 0,
8841 |
Nashville |
Nashville Municipal Auditorium Source: AUD, unknown mics: CM > 1C > DAT; Seeded to etree by Dan Stephens
|
notes
|
| 3434. |
12/16/78 |
Flac - 0,
82211 |
Nashville |
Nashville Municipal Auditorium flac16; Recording Info: (FOB) Sony ECM250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source)
|
notes
|
| 3435. |
12/16/78 |
Shn - 0,
9482 |
Nashville |
Nashville Municipal Auditorium Robert Wagner Nak 300?s>Sony TC-158>MC>DAT>CDR; Seeded to Etree by Tim W
|
notes
|
| 3436. |
12/17/78 |
Shn - 0,
13408 |
Atlanta |
Fox Theater SBD>MR>R>C>D>CD>EAC>SHN; patched with AUD>MC>D>CD>EAC>SHN; the SBD is slightly degraded; Thanks to Mike Tausig & Chuck Kiefe; edits/encoding by JCotsman
|
notes
|
| 3437. |
12/17/78 |
Flac 16 - 0,
92528 |
Atlanta |
Fox Theater flac16; Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3438. |
12/17/78 |
Shn - 0,
9483 |
Atlanta |
Fox Theater ACM(Sony 54P's)>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 3439. |
12/17/78 |
Flac 16 - ,
156927 |
Atlanta |
Fox Theater
|
notes
|
| 3440. |
12/19/78 |
Flac 16 - 0,
102429 |
Jackson |
Memorial Coliseum, Mississippi State Fairgrounds flac16; Set 1 Only, Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5) Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; All Mastering By Charlie Miller
|
notes
|
| 3441. |
12/19/78 |
Flac 16 - 0,
121941 |
Jackson |
Memorial Coliseum, Mississippi State Fairgrounds flac16; Recording Info: (FOB) Sony 54P -> Cassette Master (Sony TC-158SD); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner
|
notes
|
| 3442. |
12/19/78 |
Flac 16 - 0,
19507 |
Jackson |
Memorial Coliseum, Mississippi State Fairgrounds flac16; Sony 54-P/Sony TC-158; Master AUD Cass> DAT> CD> DAE> FLAC; taped by Bob Wagner; reported retransfer of the same original source as previous seed, with different flaws- see pub comments
|
notes
|
| 3443. |
12/19/78 |
Shn - 0,
305 |
Jackson |
Memorial Coliseum, Mississippi State Fairgrounds FOB AUD Sony 540> Sony TC158> DAT> SoundForge> CD-R> EAC> SHN; via D. Barrick
|
notes
|
| 3444. |
12/19/78 |
Flac 16 - 0,
121963 |
Jackson |
Memorial Coliseum, Mississippi State Fairgrounds flac16; Rob Bertrando remaster of source ID 121941 (Bob Wagner's Sony 54P -> Cassette Master
|
notes
|
| 3445. |
12/19/78 |
Flac 24 - 0,
121940 |
Jackson |
Memorial Coliseum, Mississippi State Fairgrounds flac24; Recording Info: (FOB) Sony 54P -> Cassette Master (Sony TC-158SD); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner
|
notes
|
| 3446. |
12/19/78 |
Flac 24/96 - ,
156949 |
Jackson |
Memorial Coliseum, Mississippi State Fairgrounds flac2496 Recording Info: (FOB) Sony 54P > Cassette Master (Sony TC-158SD/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2021 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 3447. |
12/19/78 |
Flac 16/44 - ,
157160 |
Jackson |
Memorial Coliseum, Mississippi State Fairgrounds flac1644 Recording Info: (FOB) Sony 54P > Cassette Master (Sony TC-158SD/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2021 > Samplitude Pro X6 Suite > FLAC/24 This is 156949 2496 -> 1644
|
notes
|
| 3448. |
12/21/78 |
Shn - 0,
15209 |
Houston |
The Summit AUD>MC>?>D>CD>EAC>SHN; pitch corrected, normalized; Thanks to Chuck Kiefe; edits/encoding by JCotsman
|
notes
|
| 3449. |
12/21/78 |
Flac 24/96 - ,
152900 |
Houston |
The Summit flac24/96 Source: unknown sbd cassette (low gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > CD Wave > Flac 24 edited and mastered SIRMick July 2021
|
notes
|
| 3450. |
12/21/78 |
Flac 16/44 - ,
152899 |
Houston |
The Summit flac16/44 Source: unknown sbd cassette (low gen) - from the collection of Doug Lamarre. Transfer: cassette > Nak CR-7A > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor >wav 24/96 - transferred by Matt Vernon Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > iZotope Neutron 2 Advanced > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick July 2021
|
notes
|
| 3451. |
12/22/78 |
Shn - 0,
14562 |
Dallas |
Dallas County Convention Center Arena AUD>MC>?>D>CD>EAC>SHN most set 1 & 2 via Chuck Kiefe, encoding Jeff Cotsman
|
notes
|
| 3452. |
12/27/78 |
Shn - 0,
9480 |
San Diego |
Golden Hall, Community Concourse Mixed sources; SBD>MR>??>DAT>CDR; AUD(Unknown)>?>CDR; Post Drums missing; See info file for details; Seeded to etree by Tim W
|
notes
|
| 3453. |
12/27/78 |
Flac 16 - 0,
13605 |
San Diego |
Golden Hall, Community Concourse flac16; Source 1: speed corrected version of shnid 9480: SBD>MR>??>DAT>CDR; Source 2: AUD MR Taped by Greg Schug, 2 Neumann SM69 mics (shnid 21480); Source 3: AUD(Unknown)>?>CDR (shnid 9480)
|
notes
|
| 3454. |
12/27/78 |
Shn - 0,
21480 |
San Diego |
Golden Hall, Community Concourse MAR (Taped by Greg Schug, 2 Neumann SM69 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
|
notes
|
| 3455. |
12/27/78 |
Flac 24/96 - 0,
145347 |
San Diego |
Golden Hall, Community Concourse flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (section 404, row 8, seats 12-14) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3456. |
12/27/78 |
Flac 16/48 - 0,
145346 |
San Diego |
Golden Hall, Community Concourse flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (section 404, row 8, seats 12-14) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3457. |
12/28/78 |
Shn - 0,
7487 |
San Diego |
Golden Hall, Community Concourse Master Soundboard Reel > Cassette > CDR; via Dave Cohen; Scott Clugston
|
notes
|
| 3458. |
12/28/78 |
Flac 16 - 0,
35159 |
San Diego |
Golden Hall, Community Concourse flac16; Fix of shn id 7487 - Cassette to CDR transfer by Dave Cohen via a LynxOne 24 bit A/D card > Wave Lab3 via Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 3459. |
12/28/78 |
Shn - 0,
19506 |
San Diego |
Golden Hall, Community Concourse MAR (Taped by Greg Schug, 2 Neumann SM69 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1
|
notes
|
| 3460. |
12/28/78 |
Flac 16/44,1 - 0,
142807 |
San Diego |
Golden Hall, Community Concourse flac16/44.1kHz & 48kHz; Source Info: 1st Set: Master Soundboard Cassettes > Cassette > Dat (16-bit/44.1k); 2nd Set: Master Soundboard Cassettes > Dat (16-bit/48k); Transfer Info: 1st Set: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16; 2nd Set: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/48k)> Adobe Audition 3.01 > TLH flac1648
|
notes
|
| 3461. |
12/28/78 |
Flac 24/96 - 0,
145349 |
San Diego |
Golden Hall, Community Concourse flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (section 404, row 8, seats 12-14) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3462. |
12/28/78 |
Flac 16/48 - 0,
145348 |
San Diego |
Golden Hall, Community Concourse flac16/48kHz Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (section 404, row 8, seats 12-14) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3463. |
12/30/78 |
Shn - 0,
18092 |
Los Angeles |
Pauley Pavilion, UCLA SBD>Rm>Reel>Cass>Dat with aud patches via Charlie Miller
|
notes
|
| 3464. |
12/30/78 |
Flac 16 - 0,
123103 |
Los Angeles |
Pauley Pavilion, UCLA flac16; Recording Info: SBD -> Master Reel -> Reel -> Cassette -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3465. |
12/30/78 |
Flac 16 Mtx - 0,
123100 |
Los Angeles |
Pauley Pavilion, UCLA flac16; Matrix from: Soundboard (shnid:34261) Recording Info: SBD>Rm>Reel>Cass>Dat; Transfer Info: Dat(Sony R500)>Prodif Plus>Samplitude v6.0>SHN and Audience (shnid:19417) MAR (Taped by Greg Schug, 2 Neumann KM84 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
|
notes
|
| 3466. |
12/30/78 |
Shn - 0,
8826 |
Los Angeles |
Pauley Pavilion, UCLA SBD> MR> PCM> DAT> CDR; Seeded to etree by Tony G; upgrade in circulation
|
notes
|
| 3467. |
12/30/78 |
Shn - 0,
19417 |
Los Angeles |
Pauley Pavilion, UCLA MAR (Taped by Greg Schug, 2 Neumann KM84 mics > Nagra 45 half track, on Maxell UD at 7.5 ips) > Technics 1506 playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
|
notes
|
| 3468. |
12/30/78 |
Flac 16 - 0,
34216 |
Los Angeles |
Pauley Pavilion, UCLA flac16; SBD>Rm>Reel>Cass>Dat - Fix of shn id 18092 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 3469. |
12/30/78 |
Flac 24/96 - 0,
137675 |
Los Angeles |
Pauley Pavilion, UCLA flac24; Source: Audience recording > Neumann KM 88's > Nagra > reel master; taped by Sandy Troy; Transfer: reel master > Technics RS1506 > Apogee Mini Me > Apogee Mini Dac> wav 24/96); transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3.0.01 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick
|
notes
|
| 3470. |
12/30/78 |
Flac 16 - 0,
137674 |
Los Angeles |
Pauley Pavilion, UCLA flac16; Source: Audience recording > Neumann KM 88's > Nagra > reel master; taped by Sandy Troy; Transfer: reel master > Technics RS1506 > Apogee Mini Me > Apogee Mini Dac> wav 24/96); transferred by Matt Smith; Lineage: wav 24/96 > Adobe Audition 3.0.01 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac16; edited and mastered SIRMick
|
notes
|
| 3471. |
12/30/78 |
Flac 16 - 0,
142711 |
Los Angeles |
Pauley Pavilion, UCLA flac16; Set 1 Source Info: Master Soundboard Cassette (dbx) > Dat (Panasonic SV-3700) (16-bit/48k) > Dat (Panasonic SV-3800) (16-bit/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 3472. |
12/30/78 |
Flac 24/96 - 0,
145351 |
Los Angeles |
Pauley Pavilion, UCLA flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (left side, first row of seats above bleachers next to railing, even with the soundboard) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3473. |
12/30/78 |
Flac 16/48 - 0,
145350 |
Los Angeles |
Pauley Pavilion, UCLA flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (left side, first row of seats above bleachers next to railing, even with the soundboard) > Sony TC-158SD (TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3474. |
12/31/78 |
Flac 16 Mtx - 0,
106374 |
San Francisco |
Winterland Arena b>flac16; SBD + AUD Matrix 2 Source Mix(45%-SBD/55%-AUD) 2 x AKG D224E >> Sony TC-158SD >> MAC>> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] and SBD>>MR>>PCM>>DAT>>CDA; First Three Tracks and Patches Are: FMMR(TANDBERG-TD20ASE)>>SONY(SBM-1)>>CDA(TASCAM-CDRW700) Note: This source was originally seeded with errors, a fixed version now circulates.
|
notes
|
| 3475. |
12/31/78 |
Flac 16 - 0,
106102 |
San Francisco |
Winterland Arena flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein
|
notes
|
| 3476. |
12/31/78 |
Shn - 0,
1791 |
San Francisco |
Winterland Arena via Jay Ashley; third and final EAC/SHN (this one 4x-verified bit-identical) of same seed CDs as other 2 previous shn sets
|
notes
|
| 3477. |
12/31/78 |
Flac 24/96 - 0,
133281 |
San Francisco |
Winterland Arena flac24; Recording Info: First set: FMMR> R @3.75 ips Pat Lee reel; Second set on: FMMR> R @7.5 ips Sandy Troy 10" reel; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith
|
notes
|
| 3478. |
12/31/78 |
Flac 16 - 0,
133282 |
San Francisco |
Winterland Arena flac16; Recording Info: First set: FMMR> R @3.75 ips Pat Lee reel; Second set on: FMMR> R @7.5 ips Sandy Troy 10" reel; Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Mastered By Matt Smith
|
notes
|
| 3479. |
12/31/78 |
Shn - 0,
1667 |
San Francisco |
Winterland Arena SBD> MR> PCM> DAT> CDA, except first 3 tracks plus patches FMMR (Tandberg TD20ASE)> Sony (SBM-1)> CDA (Tascam CDRW700); via Jay Ashley; upgrade in circulation
|
notes
|
| 3480. |
12/31/78 |
Flac Dts 5.1 - 0,
106419 |
San Francisco |
Winterland Arena DTS-Audio-CD 5.1 Mix; SBD (shn id 1791) SBD> MR> PCM> DAT> CDA via Jay Ashley + AUD1 (shn id 106102) Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein - dts mixing by Kevin Tobin
|
notes
|
| 3481. |
12/31/78 |
Flac 16 - 0,
139554 |
San Francisco |
Winterland Arena flac16; Source: sbd > master reel (15ips half track) > pcm > dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000; wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 edited and mastered SIRMick
|
notes
|
| 3482. |
12/31/78 |
Flac 24/96 - 0,
145356 |
San Francisco |
Winterland Arena flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (mounted on railing, right balcony, even with the soundboard)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3483. |
12/31/78 |
Flac 16/48 - 0,
145355 |
San Francisco |
Winterland Arena flac16/48kHz; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (mounted on railing, right balcony, even with the soundboard)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3484. |
12/31/78 |
Flac 16 - 0,
151330 |
San Francisco |
Winterland Arena flac16/44.1khz Source: SBD Reel Master > Beta tape > Beta VCR > PCM. Transfer: PCM > Sony PCM601esd (spdif out) > Digigram VX Pocket Sound Card > laptop (spdif in) > Steinberg Nuendo > Waves q10 > WAV 1644. Recording by Betty Cantor Jackson. PCM source & transfer by anonymous. Edited & Mastered (Adobe Audition) by Joe Noel. November 02, 2020.
|
notes
|
| 3485. |
12/31/78 |
Flac 24/96 - ,
154899 |
San Francisco |
Winterland Arena flac24/96 Recording Info: AKG 414 (Omni) > Cassette Master (Nakamichi 550/Maxell UDXLI) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 > Adobe Audition 2020 > Samplitude Pro X5 Suite > DDi Codec > FLAC/24
|
notes
|
| 3486. |
12/31/78 |
Flac 16/44 - ,
154898 |
San Francisco |
Winterland Arena flac16/44 Recording Info: AKG 414 (Omni) > Cassette Master (Nakamichi 550/Maxell UDXLI) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 > Adobe Audition 2020 > Samplitude Pro X5 Suite > DDi Codec > FLAC/24
|
notes
|
| 3487. |
12/31/78 |
Flac 16/44 - ,
155425 |
San Francisco |
Winterland Arena flac16/44 Recording Info: AKG 414 (Omni) > Cassette Master (Nakamichi 550/Maxell UDXLI) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 > Adobe Audition 2020 > Samplitude Pro X5 Suite > DDi Codec > FLAC/24 - This is 154899 2496 > 1644
|
notes
|
| 3488. |
??/??/78 |
Flac 16 - 0,
151653 |
unknown |
unknown flac16 Studio Recording-> ?-> Cassette Maxell UDXL1 C-60 with Dolby B (playback on Nakamichi )-> Lexicon Lambda-> Logic-> wav 16/44.1 -> flac
|
notes
|
| 3489. |
01/05/79 |
Shn - 0,
17342 |
Philadelphia |
The Spectrum Taper Unknown: Nakamichi 300/CP1 -> Cm -> Cass -> Dat(48k)Dat (Sony R500) -> Prodif plus -> Samplitude v6.0 -> SHN ; SHN>WAV>Shntool(join)>ADWS>CD WAV>Shntool(Check/fix)>SHN(seekable)-NO DAE ; Via Charlie Miller ; remastered and seeded by T. Wiley
|
notes
|
| 3490. |
01/05/79 |
Flac 24/96 - ,
156053 |
Philadelphia |
The Spectrum flac2406 Recording Info: (FOB) Sony 54P > Cassette Master (Sony TC-158SD/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 3491. |
01/07/79 |
Flac 16 - 0,
87739 |
New York |
Madison Square Garden flac16; Recording by Bob Wagner: Nakamichi 300/CP1 -> Cassette Master (Maxell UDXL-II/Sony TC-158) (Set 2 has a Sennheiser 441 mixed in) All Transfers and Mastering By Charlie Miller
|
notes
|
| 3492. |
01/07/79 |
Shn - 0,
16467 |
New York |
Madison Square Garden AUD> MC> DAT> CDR; via Raoul Duke, encoded by Matt Vernon
|
notes
|
| 3493. |
01/08/79 |
Flac 16 - 0,
87657 |
New York |
Madison Square Garden flac16; Recording by Robert Wagner: Nakamichi 300/CP1 -> Cassette Master (Maxell UDXL-II/Sony TC-158) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 3494. |
01/08/79 |
Shn - 0,
10283 |
New York |
Madison Square Garden Recording by Keith Gatto: Nak 300's>MC>DAT>CD; via Paul; Seeded to etree by Glyde (updated lineage; had been marked Shure SM57's)
|
notes
|
| 3495. |
01/10/79 |
Flac 16/48 - 0,
132263 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/48kHz; Cassette Audience Master Recorded By Dr Keith J. Gatto; Nakamichi CM-300 Electret Condenser Microphones -Sony TCD 158 Cassette Recorder; Location @ FOB; Analog to Digital Transfer by Keith Gatto: Cassette Master played back on Sony TC-158 SD to a "Unknown Model" DAT deck @ 48KHz; Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-32 bit float 48KHz WAV; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); Digital Transfer,Editing & Processing performed in the 32 bit float digital domain By JW; This is a dithered 16 bit 48KHz file set
|
notes
|
| 3496. |
01/10/79 |
Flac 16 - 0,
113114 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16;Recording Info:(FOB) Sony 54P + (1) Sennheiser 441 -> Namakichi 550 -> Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded By Bob Wagner. upgrade of shnid# 77328
|
notes
|
| 3497. |
01/10/79 |
Flac 16 - 0,
125490 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby bset I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 > 16/44.1 > flac; transferred & seeded by Rob Berger 2013
|
notes
|
| 3498. |
01/10/79 |
Shn - 0,
35023 |
Uniondale |
Nassau Veterans Memorial Coliseum Recording by Bob Wagner: Master Audience Cassette; 2 Sony ECM-4 Ps w/ Senn 421 blend> Sony 158 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Egosys Waveterminal 2496>Art DI/O>Cool Edit 2000> SHN encoding > SHN Note: d3t02 is will not play or decompress to .wav; d3t03 is missing. upgrade now in circulation
|
notes
|
| 3499. |
01/10/79 |
Flac 16 - 0,
77328 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Recording by Bob Wagner: Master Audience Cassette; 2 Sony ECM-4 Ps w/ Senn 421 blend> Sony 158 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Egosys Waveterminal 2496>Art DI/O>Cool Edit 2000> SHN encoding > SHN > FLAC
|
notes
|
| 3500. |
01/10/79 |
Flac 24/44,1 - 0,
113446 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24;Recording Info:(FOB) Sony 54P + (1) Sennheiser 441 -> Namakichi 550 -> Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded By Bob Wagner
|
notes
|
| 3501. |
01/10/79 |
Shn - 0,
307 |
Uniondale |
Nassau Veterans Memorial Coliseum Recording by Keith Gatto: FOB made with Nak 300's and Sony TC-158 > DAT > Soundforge > CDR > Cdparanoia > SHN; Master Cassette was played back on a Nak Dragon > Sony PCM R-700 for the A > D; via R. Donnelly, J. Kempka.
|
notes
|
| 3502. |
01/10/79 |
Flac 24/96 - 0,
125491 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby b; set I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 > flac; transferred & seeded by Rob Berger 2013
|
notes
|
| 3503. |
01/10/79 |
Flac 16/44 - ,
157175 |
Uniondale |
Nassau Veterans Memorial Coliseum flac1644; Recording Info: (FOB) (2)Sony 54P + (1)Sennheiser 441 > Namakichi 550 > Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 157156 2496 -> 1644.1
|
notes
|
| 3504. |
01/10/79 |
Flac 24/96 - ,
157156 |
Uniondale |
Nassau Veterans Memorial Coliseum flac2496 Recording Info: (FOB) (2)Sony 54P + (1)Sennheiser 441 > Namakichi 550 > Cassette Master (Sony TC-158SD/Maxell UDXLII-S90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 3505. |
01/11/79 |
Flac 16 - 0,
102446 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; This version has a fixed He's Gone; All Mastering By Charlie Miller
|
notes
|
| 3506. |
01/11/79 |
Flac 16/48 - 0,
132250 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/48kHz; Cassette Audience Master Recorded By Dr Keith J. Gatto; Nakamichi CM-300 Electret Condenser Microphones -Sony TCD 158 Cassette Recorder Location @ FOB; Analog to Digital Transfer by Keith Gatto: Cassette Master played back on Sony TC-158 SD to a "Unknown Model" DAT deck @ 48KHz (circa 1991); Original zero gen DAT played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-32 bit float 48KHz WAV; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); Digital Transfer,Editing & Processing performed in the 32 bit float digital domain By JW
|
notes
|
| 3507. |
01/11/79 |
Shn - 0,
308 |
Uniondale |
Nassau Veterans Memorial Coliseum Recording by Keith Gatto: FOB (Nak 300's > Sony TC-158 )Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Master Cassette was played back on a Nak Dragon > Sony PCM R-700 for the A > D; via R. Donnelly for, J. Kempka
|
notes
|
| 3508. |
01/11/79 |
Flac 16 - 0,
102430 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; upgrade in circulation
|
notes
|
| 3509. |
01/11/79 |
Flac 16 - 0,
125492 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby b; set I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 16/44.1 > flac; transferred & seeded by Rob Berger 2013
|
notes
|
| 3510. |
01/11/79 |
Flac 24/96 - 0,
125493 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; source: aud cassette master taped by Jim Cooper; sony ecm22p's > sony tc-158sd, dolby b; set I, end of II: TDK SA-C90's, set II: Maxell UDXLII-C90; nak dragon/b > benchmark adc1 24/96 > hd-p2 > adobe audition cs6 > flac; transferred & seeded by Rob Berger 2013
|
notes
|
| 3511. |
01/12/79 |
Flac 16/48 - 0,
132217 |
Philadelphia |
The Spectrum flac16; Cassette Audience Master Recorded 12'th Row FOB Dead Center by Eddie Claridge & Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Stand Mounted-Sony TC 158 Cassette Recorder; Analog-Digital Transfer: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Sony PCM R-700 DAT @ 48 kHz (original A-D by J.W. circa 1991); DAT Master played back on a Sony PCM R-500-Digital Audio Labs Carddeluxe-16 bit 48KHz WAV; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-tagging(Tag & Re-name)By J.W. :November 2014
|
notes
|
| 3512. |
01/12/79 |
Shn - 0,
309 |
Philadelphia |
The Spectrum Recording by E. Claridge: Split 30' on the balcony with Sony ECM-280 mics > Sony TC158: Transfer: FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Digital Remaster by J. Wise; via R. Donnelly, J. Kempka
|
notes
|
| 3513. |
01/12/79 |
Shn - 0,
152537 |
Philadelphia |
The Spectrum Unknown audience recording - set 2 only; downloaded from a.b.gd 01/03;
|
notes
|
| 3514. |
01/14/79 |
Shn - 0,
18460 |
Utica |
Utica Memorial Coliseum Taper unknown: (FOB) Nakamichi 300/CP1 -> Cm -> Cass -> Cass -> Cass -> Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN > WAV>Shntool(join)>ADWS>CD WAV>Shntool(check)>SHN(seekable) ; Via Charlie Miller ; Remastered by T. Wiley 07/16/2003.
|
notes
|
| 3515. |
01/15/79 |
Flac 16 - 0,
102389 |
Springfield |
Springfield Civic Center flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; All Mastering By Charlie Miller
|
notes
|
| 3516. |
01/15/79 |
Flac 16 Mtx - 0,
111582 |
Springfield |
Springfield Civic Center flac16; Sick Bits Vol. 32 - matrix by Chris Chappell; Source: SBD: (shnid 102389) via Charlie Miller; AUD: (shnid 90095) recorded by Steve Rolfe via Charlie Miller
|
notes
|
| 3517. |
01/15/79 |
Flac 16 - 0,
127556 |
Springfield |
Springfield Civic Center flac16; Recorded by Steve Rolfe: Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B); Section 61 Row S Seat 7; Transfer and masteringg by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 6.0> FLAC encoding
|
notes
|
| 3518. |
01/15/79 |
Shn - 0,
4669 |
Springfield |
Springfield Civic Center Recording by Steve Rolfe: Nakamichi 300's w/Cardoid Capsules > Master Audience Cassette > Sony TC158; Played back on a Nak DR1 > Sony PCMR500 DAT with SBM ON @ 48KHz > (done by Rango Keshavan); Soundforge (noise reduction, bass boost) > CDR (done by Jim Wise) > EAC > SHN; see info file for additional details;; upgrade now in circulation.
|
notes
|
| 3519. |
01/15/79 |
Flac 24/96 - 0,
90100 |
Springfield |
Springfield Civic Center flac24; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC/24 All Transfers and Mastering By Charlie Miller
|
notes
|
| 3520. |
01/15/79 |
Shn - 0,
310 |
Springfield |
Springfield Civic Center Recording by Steve Rolfe: Nakamichi 300's w/Cardoid Capsules (one mic was pointed at the PA (left or right) and the other at the drums)> Master Audience Cassette > Sony TC158 > DAT > (J. Wise's 10dB noise reduction, bass boost @ 125Hz)> Tascam DA302 > HHB 850> Soundforge > CDR> 1 CD> Mac Plextor/ Toast> SHN; via A. Cohen; ; upgrade now in circulation.
|
notes
|
| 3521. |
01/15/79 |
Flac 16 - 0,
90095 |
Springfield |
Springfield Civic Center flac16; Recording by Steve Rolfe :(FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 3522. |
01/15/79 |
Flac 24/96 - 0,
147806 |
Springfield |
Springfield Civic Center b>flac24; 1st Set, 2nd Set partial Recording Info: Kathy Sublette's Master (FOB)Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3523. |
01/15/79 |
Flac 16/48 - 0,
147805 |
Springfield |
Springfield Civic Center flac16/48kHz; 1st Set, 2nd Set partial Recording Info: Kathy Sublette's Master (FOB)Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3524. |
01/15/79 |
Flac 24/96 - 0,
127570 |
Springfield |
Springfield Civic Center flac24; Recorded by Steve Rolfe: Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B); Section 61 Row S Seat 7; Transfer and masteringg by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 6.0> FLAC encoding
|
notes
|
| 3525. |
01/17/79 |
Flac 16 - 0,
102443 |
New Haven |
Veterans Memorial Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller
|
notes
|
| 3526. |
01/17/79 |
Flac 16 Mtx - 0,
91783 |
New Haven |
Veterans Memorial Coliseum flac16; Matrix mix of new SBD Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > WAV and AUD Source Recording by Barry Glassberg FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav (Source ID 85101) Mastered by: D. McCabe Mastering Tools: Matrix created in Adobe Audition 3.0. Plugins included Nomad Factory and Izotope. Matrix is set at 50/50 blend
|
notes
|
| 3527. |
01/17/79 |
Flac 24 - 0,
91784 |
New Haven |
Veterans Memorial Coliseum flac24; Matrix mix of new SBD Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > WAV and AUD Source Recording by Barry Glassberg FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav (Source ID 85101) Mastered by: D. McCabe Mastering Tools: Matrix created in Adobe Audition 3.0. Plugins included Nomad Factory and Izotope. Matrix is set at 50/50 blend
|
notes
|
| 3528. |
01/17/79 |
Flac 24 - 0,
91788 |
New Haven |
Veterans Memorial Coliseum flac24; Lineage: SBD Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > 24/96 WAV > FLAC Transfer & Mastering by: D. McCabe Mastering Tools: Plugins included Nomad Factory and Izotope
|
notes
|
| 3529. |
01/17/79 |
Shn - 0,
12200 |
New Haven |
Veterans Memorial Coliseum Updated lineage: Recording by Steve Rolfe:TEAC PC-10 with nak 300 mic's pole-mounted fob; via Dave Minor; seeded to etree by Marc Pujol & Matt Vernon (had been marked as Nak 700 mics); upgrade now in circulation.
|
notes
|
| 3530. |
01/17/79 |
Flac 16 - 0,
77208 |
New Haven |
Veterans Memorial Coliseum flac16; SBD: MC > EQ > CDR > EAC > SHN > > FLAC patched w/ shn id 1220;; upgrade now in circulation.
|
notes
|
| 3531. |
01/17/79 |
Flac 16 - 0,
99009 |
New Haven |
Veterans Memorial Coliseum flac16; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-158/Maxell UDXL-I90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Steve Rolfe (Left Center 17th Row); All Transfers and Mastering By Charlie Miller
|
notes
|
| 3532. |
01/17/79 |
Flac 16 - 0,
83831 |
New Haven |
Veterans Memorial Coliseum flac16; Recording by Barry Glassberg: Source: Audience FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick
|
notes
|
| 3533. |
01/17/79 |
Flac 16 - 0,
91787 |
New Haven |
Veterans Memorial Coliseum flac16; Lineage: SBD Cassette > Nakamichi DR-1 > Lunatec V2 > Korg MR-1000 > DSD > AudioGate > WAV > FLAC Transfer & Mastering by: D. McCabe Mastering Tools: Plugins included Nomad Factory and Izotope
|
notes
|
| 3534. |
01/17/79 |
Flac 24 - 0,
85101 |
New Haven |
Veterans Memorial Coliseum flac24; Recording by Barry Glassberg: Source: Audience FOB Recording, Sec 9f Seat 4 Orchestra - 9ft pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM300's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/spdif > Tascam HD-P2 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick
|
notes
|
| 3535. |
01/18/79 |
Flac 16 - 0,
102444 |
Providence |
Providence Civic Center flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller
|
notes
|
| 3536. |
01/18/79 |
Flac 16 - 0,
103186 |
Providence |
Providence Civic Center flac16; SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; This is an upgrade/fix to source ID 102444
|
notes
|
| 3537. |
01/18/79 |
Shn - 0,
17175 |
Providence |
Providence Civic Center Updated lineage: Recording by Steve Rolfe: TEAC PC-10 with nak 300 mic's fob encoded by Matt Vernon (had been marked nak 700 mics)
|
notes
|
| 3538. |
01/18/79 |
Flac 16 - 0,
100209 |
Providence |
Providence Civic Center flac16; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Maxell UDXLI/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Steve Rolfe
|
notes
|
| 3539. |
01/18/79 |
Flac 24/96 - 0,
106899 |
Providence |
Providence Civic Center flac24; FOB AUD: AKG D200E (left mic) plus Shure Dynamic (right mic) > Sony TC-153SD > Maxell UD-XLII 90's. Mics on stand, set up FOB floor "dead center" Sec 5 Row H, taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > TLH > FLAC 2496 Tagged. Transfer by Andrew F. 03/2010
|
notes
|
| 3540. |
01/18/79 |
Shn - 0,
13058 |
Providence |
Providence Civic Center Source: FOB AUD Master Cassette > DAT >CD-R > SHN. Mikes are allegedly Sennheiser 441's via Fishman
|
notes
|
| 3541. |
01/18/79 |
Flac 24 - 0,
202210 |
Providence |
Providence Civic Center flac24; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Maxell UDXLI/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Steve Rolfe
|
notes
|
| 3542. |
01/18/79 |
Flac 16/44 - 0,
106900 |
Providence |
Providence Civic Center flac16; FOB AUD: AKG D200E (left mic) plus Shure Dynamic (right mic) > Sony TC-153SD > Maxell UD-XLII 90's. Mics on stand, set up FOB floor "dead center" Sec 5 Row H, taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 03/2010
|
notes
|
| 3543. |
01/20/79 |
Flac 16 - 0,
99385 |
Buffalo |
Shea's Buffalo Theater flac16; Recording Info: (FOB/6th Row) Nakamichi 700 (Sony D5/Dolby B) -> Cassette Master -> Dat -> CD -> FLAC Transfer Info: FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; Recorded By Jerry Moore; All Transfers and Mastering By Charlie Miller; This is a remaster of source ID 86374
|
notes
|
| 3544. |
01/20/79 |
Flac 24 - 0,
110977 |
Buffalo |
Shea's Buffalo Theater flac24; source: aud cassette master taped by Jerry Moore from 6th row center; lineage: aud>nak 700's>sony d5 or tc-153; tdk sa-90's, dolby b; transfer: nak dragon/b>hd-p2 24/96>hard drive> adobe audition 2.0 (levels, edits)>cd wave>tlh flac level 8; transferred & seeded by Rob Berger
|
notes
|
| 3545. |
01/20/79 |
Shn - 0,
12575 |
Buffalo |
Shea's Buffalo Theater AUDMC > DAT > CD Recorded by Jerry Moore, NAK 700's > Sony TC-D5M from the 6th row center, mics very high up on pole. A > D by Mark Cohen - EAC > SHN by Noah Weiner. A previous digitization of this show was found to have digital errors (clicks and ticks), thus the redo;; upgrade now in circulation.
|
notes
|
| 3546. |
01/20/79 |
Flac 16 - 0,
124861 |
Buffalo |
Shea's Buffalo Theater flac16; Source: FOB Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; Recorded by Eddie Claridge. Split 30' on the balcony with Sony ECM-280 mics > Sony tc158; EQ'd and turned up the volume with hard limiting, balancing the channels; noise reduction using the hiss from the beginning of disc 1 as a sample; numerous cuts between songs crossfaded to smooth out the flow
|
notes
|
| 3547. |
01/20/79 |
Flac 16 - 0,
100025 |
Buffalo |
Shea's Buffalo Theater flac16; AUD>>MC>>DAT>>CDA>>FLAC>>DAW(Bertha)>>FLAC; Bertha Remaster of Jerry Moore's Master Cassette source (shn ID 99385)
|
notes
|
| 3548. |
01/20/79 |
Shn - 0,
312 |
Buffalo |
Shea's Buffalo Theater Recording by Eddie Claridge: FOB (Split 30' on the balcony with Sony ECM-280 mics > Sony tc158) Cass. Master > DAT > Soundforge > CDR > Cdparanoia > SHN; ; Digital Remaster by Jim Wise; via Robert Donnelly, Jeff Kempka
|
notes
|
| 3549. |
01/20/79 |
Flac 16 - 0,
86374 |
Buffalo |
Shea's Buffalo Theater flac16; source: aud cassette master Nak 700's>Sony d5 w/dolby, 6th row center taped by Jerry Moore lineage: c.m.>dat>cdr>eac>cd wave>flac (c.m. played back w/correct eq setting...) transfered '99/encoded by Rob Berger tracked by Johnny(rider) Tallmadge
|
notes
|
| 3550. |
01/20/79 |
Shn - 0,
19413 |
Buffalo |
Shea's Buffalo Theater pdated source info: AUDMC > DAT > CD Recorded by Jerry Moore, NAK 700's > Sony TC-D5M from the 6th row center, mics very high up on pole>PCM>Dat>Samplitude>Cool Edit Pro>CD Transfer Info: Sony R500>Prodif Plus>Samplitude 2496 v6.0>Cool Edit Pro v2.0>SHN via Charlie Miller : upgrade now in circulation .
|
notes
|
| 3551. |
01/21/79 |
Shn - 0,
19083 |
Detroit |
Masonic Temple Source: Unknown AUD>?>SHN. Editing: SHN>WAV>CE2K>CDWAVE>shntool>mkwACT. Edited & seeded to etree by MattMan.
|
notes
|
| 3552. |
02/03/79 |
Flac 16 - 0,
102445 |
Indianapolis |
Market Square Arena flac16; Set 1 only, Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; upgrade in circulation
|
notes
|
| 3553. |
02/03/79 |
Flac 16 - 0,
102976 |
Indianapolis |
Market Square Arena flac16; **set 1 Only** Recording Info:SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Mastering By Charlie Miller; This is an upgrade/fix to source ID 102851
|
notes
|
| 3554. |
02/03/79 |
Shn - 0,
7116 |
Indianapolis |
Market Square Arena set 2; Master FOB Audience Cassette; Nakamichi CM700 mics > Nakamichi 550 cassette deck> DAT > CDR; CD Mastering, EAC\'ed / SHN\'ed by Scott Clugston
|
notes
|
| 3555. |
02/03/79 |
Shn - 0,
19414 |
Indianapolis |
Market Square Arena Set One only MAC (Unknown equipment) > Unknown analog generations > Cassette > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
|
notes
|
| 3556. |
02/03/79 |
Flac 16 - ,
154522 |
Indianapolis |
Market Square Arena Source: Master Audience Cassettes; Unknown Equipment > 1st generation cassettes > .wav 1644 Transfer Info: Unknown
|
notes
|
| 3557. |
02/04/79 |
Shn - 0,
18888 |
Madison |
Dane County Coliseum Set 2 Nak 700's>MC>DAT>CDR>EAC>SHN
|
notes
|
| 3558. |
02/04/79 |
Flac 16 - 0,
32016 |
Madison |
Dane County Coliseum flac16; Set 1 only: Recording Info: (FOB) Nakamichi 700 -> Cassette Master -> 4th Gen Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC
|
notes
|
| 3559. |
02/04/79 |
Flac 24/96 - ,
154717 |
Madison |
Dane County Coliseum flac24/96 Source Info: Master Audience Cassettes; Unknown Equipment > 1st generation cassettes > .wav 2496 Transfer Info: Unknown
|
notes
|
| 3560. |
02/04/79 |
Flac 16/48 - ,
154716 |
Madison |
Dane County Coliseum flac16/48 Source Info: Master Audience Cassettes; Unknown Equipment > 1st generation cassettes > .wav 2496 Transfer Info: Unknown
|
notes
|
| 3561. |
02/07/79 |
Shn - 0,
13879 |
Carbondale |
SIU Arena, Southern Illinois University SBD>??>C>CD>EAC>SHN (low gen); incomplete; portions of both sets; Thanks to Joey Browning; edits/encoding by JCotsman
|
notes
|
| 3562. |
02/07/79 |
Flac 16 - 0,
86941 |
Carbondale |
SIU Arena, Southern Illinois University flac16; Set 1 only, Lineage: SBD > ? > Cassette Transfer: Maxell XL-II > Nakamichi BX-125 > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Aug 2007, by Andrew F.
|
notes
|
| 3563. |
02/09/79 |
Shn - 0,
13848 |
Kansas City |
Soldiers & Sailors Memorial Hall 3 Nak CM-300's>Nak 550>MC>R>CDR>EAC>SHN; Seeded to etree by Glyde
|
notes
|
| 3564. |
02/09/79 |
Flac 16/48 - 0,
144050 |
Kansas City |
Soldiers & Sailors Memorial Hall b>flac16/48kHz; Source Info: Audience Master (unknown equipment)> ?? > 7" reel @ 3.75ips (Maxell XL135-90B); Transfer Info: 7" reel @ 3.75 ips (Akai GX-636) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3565. |
02/09/79 |
Flac 24/96 - 0,
144051 |
Kansas City |
Soldiers & Sailors Memorial Hall flac24; Source Info: Audience Master (unknown equipment)> ?? > 7" reel @ 3.75ips (Maxell XL135-90B); Transfer Info: 7" reel @ 3.75 ips (Akai GX-636) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496
|
notes
|
| 3566. |
02/10/79 |
Flac - 0,
97362 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; **Set 2 Only-Soundboard** Recording Info:SBD -> Master Reel -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3567. |
02/10/79 |
Flac - 0,
97354 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; Recording Info: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> Adobe Audition v1.5 -> FLAC/16; Recording by Joani Walker; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3568. |
02/10/79 |
Shn - 0,
13849 |
Kansas City |
Soldiers & Sailors Memorial Hall AUD>MC>DAT>CDR>EAC>SHN; Seeded to etree by Glyde
|
notes
|
| 3569. |
02/10/79 |
Flac - 0,
82238 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: Dolby was used in the transfer of this source)
|
notes
|
| 3570. |
02/10/79 |
- 0,
82239 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; Recording by Joani Walker: (FOB) Sony ECM 250 -> Cassette Master (Maxell UD-XLII/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller (note: no Dolby was used in the transfer of this source
|
notes
|
| 3571. |
02/11/79 |
Shn - 0,
16468 |
St. Louis |
Kiel Auditorium AUD (3 Nak CM-300?s >Nak 550) > MC > R > CDR; via Raoul Duke, encoded by Matt Vernon
|
notes
|
| 3572. |
02/11/79 |
Flac 16/44 - ,
155704 |
St. Louis |
Kiel Auditorium flac16/44 remaster was created from the shn #16468 by acetboy
|
notes
|
| 3573. |
02/17/79 |
Flac 16 - 0,
88123 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 3574. |
02/17/79 |
Flac 16 - 0,
105606 |
Oakland |
Oakland-Alameda County Coliseum flac16; SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC - pitch correction and patches by Kevin Tobin (update of source ID 88123)
|
notes
|
| 3575. |
02/17/79 |
Shn - 0,
313 |
Oakland |
Oakland-Alameda County Coliseum SBD > Reel > DAT > TB Fiji (S/PDIF) > WAV > SHN; Source DAT via T. Buller from Family Tree Batch #6; transfer by J. Kempka; some splices from source DAT cleaned up : upgrade now in circulation.
|
notes
|
| 3576. |
02/17/79 |
Flac 16 Mtx - 0,
105619 |
Oakland |
Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shn id 88123) SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 105241) flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - matrix mixing by Kevin Tobin
|
notes
|
| 3577. |
02/17/79 |
Flac 16 Dts.5.1 - 0,
105608 |
Oakland |
Oakland-Alameda County Coliseum flac16; DTS-Audio-CD 5.1 Mix; SBD (shn id 88123) SBD -> Master Reel -> ? -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 105241) flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - dts mixing by Kevin Tobin
|
notes
|
| 3578. |
02/17/79 |
Flac 16 - 0,
105240 |
Oakland |
Oakland-Alameda County Coliseum flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
|
notes
|
| 3579. |
02/17/79 |
Flac 24/96 - 0,
145263 |
Oakland |
Oakland-Alameda County Coliseum flac24; Master Soundboard Cassettes > 1st generation reels > Sandy Troy's 2nd generation reels @ 3.75 ips; Transfer Info: 2nd generation reels > Technics RS-1506 > Apogee Mini Me (.wav 2496)> Mini DAC > Adobe Audition CC 2109 > TLH flac2496
|
notes
|
| 3580. |
02/17/79 |
Flac 16/48 - 0,
145262 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Master Soundboard Cassettes > 1st generation reels > Sandy Troy's 2nd generation reels @ 3.75 ips; Transfer Info: 2nd generation reels > Technics RS-1506 > Apogee Mini Me (.wav 2496)> Mini DAC > Adobe Audition CC 2109 > TLH flac2496; 24-bit > 16-bit via dBpweramp
|
notes
|
| 3581. |
02/17/79 |
Flac 16 Mtx - 0,
150800 |
Oakland |
Oakland-Alameda County Coliseum flac16; 2 Source Matrix of Soundboard shnid: 88123 Recording Info: SBD -> Master Reel -> ? -> Dat -> CD and Audience shnid:105240 FOB Master Cassettes (MAC); Lineage: 2 x AKG D224E >> Sony TC-158SD >> MAC; Matrix by dusborne
|
notes
|
| 3582. |
04/16/79 |
Shn - 0,
4163 |
San Rafael |
Studio Rehersal, Club Front sbd> mr> dat> cd; DAE (EAC) by Chris Ladner, from Bear Greider seed; hosted by tol
|
notes
|
| 3583. |
04/16/79 |
Shn - 0,
3121 |
San Rafael |
Studio Rehersal, Club Front Master Soundboard Cassette > ?Cassette? > DAT > CDR; see info file for source speculation and listening notes; cuts smoothed; CD Mastering, EAC> SHN by Scott Clugston
|
notes
|
| 3584. |
04/16/79 |
Flac 16/48 - ,
157228 |
San Rafael |
Studio Rehersal, Club Front flac1648 Source: Master Cassette > DAT at 16/48 (with possible extra cassette generation) Speed Correction by Jason Chastain 2022 DAT Transfer and Mastering by Jim Blackwood Track, FLAC, and Pack by Steve Gravel
|
notes
|
| 3585. |
04/22/79 |
Shn - 0,
12001 |
San Jose |
Spartan Stadium, San Jose State University Complete; Mixed sbd sources; Set 1 Source: SBD>?>C>C>WAV>SHN Set 2 Source: SBD MC>C>DAT>CDR>WAV>SHN; See info file for details; via Dave Morris, Jeffrey Smith; Seeded to etree by Jim Bennett
|
notes
|
| 3586. |
04/22/79 |
Shn - 0,
12895 |
San Jose |
Spartan Stadium, San Jose State University Partial Set 2; WBOTB-CD Source: master reel > PCM-1 > DAT-1 > SHN; See info file for further details; Seeded to etree by Tim Deibert
|
notes
|
| 3587. |
04/22/79 |
Flac 16 - 0,
134401 |
San Jose |
Spartan Stadium, San Jose State University flac16; 1st Set, Source: SBD > ? > Cassette, from the Brian Schley tape collection. Transfer: XLII (c.1981) > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. 09/2015
|
notes
|
| 3588. |
04/22/79 |
Flac 16 - 0,
105309 |
San Jose |
Spartan Stadium, San Jose State University flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG d2243 >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rhineheart Holwein
|
notes
|
| 3589. |
04/22/79 |
Flac 16 - 0,
91346 |
San Jose |
Spartan Stadium, San Jose State University flac16; Recorded by Mark Severson; 2 Sony ECM-270s> Sony TC-D5 (2 Maxell UD XL-IIs + 1 TDK SA-90) Mics mounted on 2 poles, 3'-5' apart; 20' in front of sound board Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 3590. |
04/22/79 |
Shn - 0,
9424 |
San Jose |
Spartan Stadium, San Jose State University 2nd set; SBD>MR>??>DAT>CDR; via Paul B; Seeded to etree by Willy
|
notes
|
| 3591. |
04/22/79 |
Flac 16 Mtx - 0,
137822 |
San Jose |
Spartan Stadium, San Jose State University flac16; 4 source matrix by dusborne; Soundboard Set 1 (shnid:134401) Source: SBD > ? > Cassette,Transfer: XLII (c.1981) > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644; Soundboard Set 2 (shnid:12001) SBD MC> C> DAT> CDR> WAV> SHN; Audience 1 (shnid:91346), Recorded by Mark Severson; 2 Sony ECM-270s> Sony TC-D5 (2 Maxell UD XL-IIs + 1 TDK SA-90)Mics mounted on 2 poles, 3'-5' apart; 20' in front of sound board, Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0>(dither/downsample)> FLAC; Audience 2 (shnid:105309),Taped By: Rhineheart Holwein, Transfer By: Bob Menke; Mastering By: Derek McCabe,Analog Lineage: 2 x AKG d2243 >> Sony TC-D5 >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
|
notes
|
| 3592. |
04/22/79 |
Flac 24/96 - 0,
145140 |
San Jose |
Spartan Stadium, San Jose State University flac24; Mark Severson's Master (FOB)Audience Cassette ; Sony ECM-270 mics (DFC, split, mounted on poles 5' apart, 20' in front of soundboard) > Sony TC-158SD (2 x Maxell UDXLII, 1 x TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3593. |
04/22/79 |
Flac 16/48 - 0,
145139 |
San Jose |
Spartan Stadium, San Jose State University flac16/48kHz; Mark Severson's Master (FOB)Audience Cassette ; Sony ECM-270 mics (DFC, split, mounted on poles 5' apart, 20' in front of soundboard) > Sony TC-158SD (2 x Maxell UDXLII, 1 x TDK SA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3594. |
04/22/79 |
Flac 16 - 0,
148708 |
San Jose |
Spartan Stadium, San Jose State University flac16; Source Info: Betty's 7" Master Soundboard Ree1s > PCM > PCM; Transfer Info: Tim Dalton's PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe CC 2019 > TLH flac16
|
notes
|
| 3595. |
05/03/79 |
Flac - 0,
83674 |
Charlotte |
Charlotte Coliseum flac16; Recording by Barry Glassberg: MOTB 0024:Source: Audience FOB Recording, 60 Feet back, DFC, 9 foot pole Media: Maxell UDXL II 90 Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky
|
notes
|
| 3596. |
05/03/79 |
Shn - 0,
18870 |
Charlotte |
Charlotte Coliseum Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon; upgrade now in circulation.
|
notes
|
| 3597. |
05/03/79 |
Flac - 0,
88851 |
Charlotte |
Charlotte Coliseum flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 3598. |
05/04/79 |
Flac 16 - 0,
84825 |
Hampton |
Hampton Coliseum flac16; Recording by Barry Glassberg: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick
|
notes
|
| 3599. |
05/04/79 |
Shn - 0,
18878 |
Hampton |
Hampton Coliseum Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon; upgrade now in circulation.
|
notes
|
| 3600. |
05/04/79 |
Shn - 0,
3824 |
Hampton |
Hampton Coliseum Recording by Barry Glassberg: FOB Nakamichi 700's> Sony D5> Master Cassette> DAT> CDR> EAC> SHN; DAE(EAC) and SHN Encoding by Jeff M.: upgrade now in circulation.
|
notes
|
| 3601. |
05/04/79 |
Flac 16 - 0,
89120 |
Hampton |
Hampton Coliseum flac16; Recording by Joani Walker: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 3602. |
05/04/79 |
Flac 24 - 0,
86389 |
Hampton |
Hampton Coliseum flac24; Recording by Barry Glassberg: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony 158SD > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > Tascam HD-P2 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick
|
notes
|
| 3603. |
05/04/79 |
Flac 16/44 - 0,
147822 |
Hampton |
Hampton Coliseum flac16; Source: AKG-222E x2 > Nakamichi 550, FOB recording by Richie Stankiewicz. Transfer: Back-up tapes (1st or 2nd gen) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2019
|
notes
|
| 3604. |
05/05/79 |
Flac 16 Mtx - 0,
123001 |
Baltimore |
Baltimore Civic Center flac16; Matrix with Soundboard (shnid:78748): Original Miller FLACs>WAV>Cool Edit 2k (using Pitch->Stretch functions correcting speed by 3%. Used Glassberg audience as baseline)>FLAC and Audience (shnid:89056): Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16
|
notes
|
| 3605. |
05/05/79 |
Flac 16 - 0,
34557 |
Baltimore |
Baltimore Civic Center flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC: upgrade now in circulation.
|
notes
|
| 3606. |
05/05/79 |
Flac 16 Mtx - 0,
123001 |
Baltimore |
Baltimore Civic Center flac16; Matrix with Soundboard (shnid:78748): Original Miller FLACs>WAV>Cool Edit 2k (using Pitch->Stretch functions correcting speed by 3%. Used Glassberg audience as baseline)>FLAC and Audience (shnid:89056): Recording Info: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16
|
notes
|
| 3607. |
05/05/79 |
Shn - 0,
18871 |
Baltimore |
Baltimore Civic Center Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon
|
notes
|
| 3608. |
05/05/79 |
Flac 16 - 0,
78748 |
Baltimore |
Baltimore Civic Center flac16; Pitch and tempo adjusted version of soundboard shn id 34577 by fishmanj using Cool Edit 2000 and Adobe Audition correcting speed by 3%
|
notes
|
| 3609. |
05/05/79 |
Shn - 0,
12377 |
Baltimore |
Baltimore Civic Center presumed to be:SBD:MC>Cas>DAT>CD via Jools from GANS GDH Disc : upgrade now in circulation.
|
notes
|
| 3610. |
05/05/79 |
Flac 16 - 0,
89056 |
Baltimore |
Baltimore Civic Center flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 3611. |
05/07/79 |
Shn - 0,
8216 |
Easton |
Allan Kirby Field House, Lafayette College Recording by Barry Glassberg: Master Audience Cassette; Nakamichi CM700 mics>Sony TC-158> DAT> CDR; Seeded to etree by Scott Clugston : upgrade now in circulation.
|
notes
|
| 3612. |
05/07/79 |
Shn - 0,
3900 |
Easton |
Allan Kirby Field House, Lafayette College set 1; aud> mics?> master cassette> dat> cdr; via Mike Lai
|
notes
|
| 3613. |
05/07/79 |
Shn - 0,
18877 |
Easton |
Allan Kirby Field House, Lafayette College Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon
|
notes
|
| 3614. |
05/07/79 |
Flac - 0,
139635 |
Easton |
Allan Kirby Field House, Lafayette College flac16; AUD: Unknown taper & gear > Low-gen tapes, kindly provided from the collection of Craig L. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2017
|
notes
|
| 3615. |
05/07/79 |
Flac - 0,
139631 |
Easton |
Allan Kirby Field House, Lafayette College flac16/48kHz; Recording Info: SBD > Cassette Master > Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller
|
notes
|
| 3616. |
05/08/79 |
Flac 16 - 0,
97517 |
State College |
Recreation Hall, Penn State University flac16 Recording by Barry Glassberg: MOTB Release: 0028 16/44.1 Source: Audience FOB Recording, Right Center Soundboard Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: J. Waddell
|
notes
|
| 3617. |
05/08/79 |
Shn - 0,
11552 |
State College |
Recreation Hall, Penn State University Recording by Barry Glassberg: Nak 700's>Sony D5>MC>DAT>CDR; Seeded to etree by Willy: upgrade now in circulation.
|
notes
|
| 3618. |
05/08/79 |
Shn - 0,
18876 |
State College |
Recreation Hall, Penn State University Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon: upgrade now in circulation.
|
notes
|
| 3619. |
05/08/79 |
Flac 24/96 - 0,
87806 |
State College |
Recreation Hall, Penn State University flac24; Recording by Barry Glassberg: MOTB Release: 0028 24/96 Source: Audience FOB Recording, Right Center Soundboard Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: J. Waddell
|
notes
|
| 3620. |
05/08/79 |
Flac 24/96 - 0,
147828 |
State College |
Recreation Hall, Penn State University flac24; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3621. |
05/08/79 |
Flac 16/48 - 0,
147827 |
State College |
Recreation Hall, Penn State University flac16/48kHz; Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3622. |
05/08/79 |
Flac 16/48 - 0,
152209 |
State College |
Recreation Hall, Penn State University flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 3623. |
05/08/79 |
Flac 24/96 - 0,
152210 |
State College |
Recreation Hall, Penn State University flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 3624. |
05/09/79 |
Flac 16 - 0,
85421 |
Binghamton |
Broome County Arena flac16; Recording by Barry Glassberg: Source: Audience FOB Recording, 50ft. DFC, Hand-Held Nak CM700's Media: Maxell UD-XLII 90 min. Lineage 1: Nakamichi CM700's > Sony 158SD > MAC > Sony 158SD > C1 Lineage 2: Nakamichi CM700's > Sony 158SD > MAC Transfer 1: C1 > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Transfer 2: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky
|
notes
|
| 3625. |
05/09/79 |
Flac 16 - 0,
99027 |
Binghamton |
Broome County Arena flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3626. |
05/09/79 |
Shn - 0,
4881 |
Binghamton |
Broome County Arena FOB Naks > Teac PC-10 (cassette master) > DAT x2; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (tracking, downsampling [Set II only]) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; flips after Minglewood and Drums [Note: A sbe fixed version also circulates
|
notes
|
| 3627. |
05/09/79 |
Shn - 0,
18875 |
Binghamton |
Broome County Arena Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon: upgrade now in circulation.
|
notes
|
| 3628. |
05/09/79 |
Flac 24/96 - 0,
147830 |
Binghamton |
Broome County Arena flac24; 2nd Set Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3629. |
05/09/79 |
Flac 16/48 - 0,
147829 |
Binghamton |
Broome County Arena flac16/48kHz; 2nd Set Recording Info: Kathy Sublette's Master (FOB) Audience Cassette; Shure SM57 mics > Sony-TC158; Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3630. |
05/09/79 |
Flac 16/48 - ,
155839 |
Binghamton |
Broome County Arena flac1648 Source Info: FOB NAK 700-> Cassette-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48)
|
notes
|
| 3631. |
05/11/79 |
Shn - 0,
19268 |
Billerica |
Billerica Forum Recording by Keith Gatto via Mark Cohen encoded by Matt Vernon
|
notes
|
| 3632. |
05/11/79 |
Shn - 0,
314 |
Billerica |
Billerica Forum FOB Sony ECM 280's > cassette master > 48k DAT; Transfer: DA20 mkII > Audiowerk2 > Waveburner > Peak > Jam > Plex 8/2/20 (on-the-fly card resampling); via A. Gustin
|
notes
|
| 3633. |
05/11/79 |
Flac - 0,
99029 |
Billerica |
Billerica Forum flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3634. |
05/12/79 |
Flac 24 - 0,
106433 |
Amherst |
Alumni Stadium, University Of Massachusetts flac24; Set 2, FOB AUD: 3x Nakamichi CM-300's > Nakamichi 550 (lead deck) > Sony TC-153SD (Tim's deck) > Maxell UD-XLII's. Set up FOB center aprx sixty feet from stage. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > TLH > FLAC 2496 Tagged. Transfer by Andrew F. 03/2010
|
notes
|
| 3635. |
05/12/79 |
Flac - 0,
106434 |
Amherst |
Alumni Stadium, University Of Massachusetts flac16; Set 2, FOB AUD: 3x Nakamichi CM-300's > Nakamichi 550 (lead deck) > Sony TC-153SD (Tim's deck) > Maxell UD-XLII's. Set up FOB center aprx sixty feet from stage. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 03/2010
|
notes
|
| 3636. |
05/12/79 |
Flac - 0,
85220 |
Amherst |
Alumni Stadium, University Of Massachusetts flac16; Recording by Barry Glassberg: MOTB 0034: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM300's > Sony 158SD > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick
|
notes
|
| 3637. |
05/12/79 |
Shn - 0,
10345 |
Amherst |
Alumni Stadium, University Of Massachusetts Recording by Barry Glassberg: Nak CM700s> MC>DAT>CD; via Paul B; Seeded to etree by Willy: upgrade now in circulation.
|
notes
|
| 3638. |
05/12/79 |
Shn - 0,
18874 |
Amherst |
Alumni Stadium, University Of Massachusetts Recording by Barry Glassberg: Nak CM700, Sony 158SD . A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon: upgrade now in circulation.
|
notes
|
| 3639. |
05/12/79 |
Flac 16/44,1 - ,
151040 |
Amherst |
Alumni Stadium, University Of Massachusetts flac16/44.1khz Source: Audience FOB Recording Lineage: Nakamichi CM300's > Sony 158SD Hand-Held Transfer: MAC > Dat@44.1( K. Goto) Taped by: K. Gotto Transfer: MAC > Dat@44.1( K. Gotto) rebuilt Dat(taken Apart to Slice) Transfer Sony M1 analogue out > Edirol R09hr@24/88.2 > Wavelab6 > OzoneRx7A > Ozone6A > R8brain > CDWave
|
notes
|
| 3640. |
05/13/79 |
Shn - 0,
18873 |
Portland |
Cumberland County Civic Center Recording by Barry Glassberg: Nak CM700, Sony 158SD. A:D conversion by John Steinthal via Mark Cohen, encoded by Matt Vernon : upgrade now in circulation.
|
notes
|
| 3641. |
05/13/79 |
Flac 24 - 0,
127354 |
Portland |
Cumberland County Civic Center flac24; First Set Nakamichi 550>AKG 222e; Second set Nakamichi 550>Sen 441; First Set MAC>Nakamichi 1000II>Sound Device USBPre2; Second set 1st Gen>Nakamichi 1000II>Sound Devices USBPre2; Various patches made with Barry Glassbergs recording; First set Recorded by Richie Stankiewicz; Second set Recorded By Dave Wienman; All transfered by Richie Stankiewicz
|
notes
|
| 3642. |
05/13/79 |
Flac 16 - 0,
87854 |
Portland |
Cumberland County Civic Center flac16; Recording by Barry Glassberg: MotB Release: 0036 16/44.1 Source: Audience FOB Recording Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: Andy Foust
|
notes
|
| 3643. |
05/13/79 |
Flac 24/96 - 0,
88261 |
Portland |
Cumberland County Civic Center flac24 Recording by Barry Glassberg: MOTB Release: 0036 24/96 Source: Audience FOB Recording Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: Andy Foust
|
notes
|
| 3644. |
05/13/79 |
Shn - 0,
8037 |
Portland |
Cumberland County Civic Center Recording by Barry Glassberg: Nak CM 700 > Sony TCD-D5 > DAT > CD; via JR Fishman : upgrade now in circulation (note: this source also circulates without the filler tracks)
|
notes
|
| 3645. |
06/28/79 |
Shn - 0,
19514 |
Sacramento |
Sacramento Memorial Auditorium Set 2; SBD:MR> Cassettes x?> Pioneer 509 >CD; via Jools
|
notes
|
| 3646. |
06/28/79 |
Shn - 0,
11159 |
Sacramento |
Sacramento Memorial Auditorium Recording by Reinhardt Hollwein: Sony ECM>Sony-158>Cass>Reel>CD; 'Minor' static/distortion in spots; All Over Now, Fire, Samson, Ship, NFA, Peter; via David Minches & Paul B; Seeded to etree by Willy
|
notes
|
| 3647. |
06/30/79 |
Shn - 0,
10346 |
Portland |
Portland International Speedway Senn. 441's>MC>DAT>CD; via Paul B; Seeded to etree by Willy
|
notes
|
| 3648. |
06/30/79 |
Flac 16 - 0,
105563 |
Portland |
Portland International Speedway flac16; 2 x AKG D224e's >> Sony TC-D5 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Rheinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe
|
notes
|
| 3649. |
06/30/79 |
Flac 16 - 0,
94386 |
Portland |
Portland International Speedway flac16; Recording Info: (2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k); Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; Taped By Rob Eaton; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3650. |
06/30/79 |
Flac 16 - 0,
90694 |
Portland |
Portland International Speedway flac16; Recorded by Mark Severson; 2 Sony ECM-270s on pole 40' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 3651. |
06/30/79 |
Flac 24/96 - 0,
145142 |
Portland |
Portland International Speedway flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly right of center, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3652. |
06/30/79 |
Flac 16 - 0,
145141 |
Portland |
Portland International Speedway flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly right of center, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpowweramp
|
notes
|
| 3653. |
06/30/79 |
Flac 16/48 - 0,
152215 |
Portland |
Portland International Speedway flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 3654. |
06/30/79 |
Flac 24/96 - 0,
152216 |
Portland |
Portland International Speedway flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 3655. |
07/01/79 |
Flac 16 Mtx - 0,
95742 |
Seattle |
Seattle Center Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 3656. |
07/01/79 |
Flac 16 - 0,
93433 |
Seattle |
Seattle Center Coliseum flac16; Recording Info:SBD -> Cassette Master -> Cassette -> PCM -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3657. |
07/01/79 |
Flac 16 - 0,
105210 |
Seattle |
Seattle Center Coliseum flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nak CM 700's >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
|
notes
|
| 3658. |
07/01/79 |
Shn - 0,
315 |
Seattle |
Seattle Center Coliseum no source info; via D. Barrick; d3 now tracked out; update 7/00: listener Joe Doss reports that this sounds like a SBD, and Rob Bertrando points out that a SMC> VHS HiFi> R> D version circulates- one might infer that this is that version; see flaw notes in public comment section;; upgrade now in circulation
|
notes
|
| 3659. |
07/01/79 |
Flac 16 - 0,
90696 |
Seattle |
Seattle Center Coliseum flac16; Recorded by Mark Severson; 2 Sony ECM-270s on pole 35' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 3660. |
07/01/79 |
Flac 16 - 0,
141412 |
Seattle |
Seattle Center Coliseum flac16; Recording Info: Reinhart Holhwein's Master Audience Cassettes; AKG D224E mics > Sony TC-158 > Pat Lee's 1st generation Reels; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3661. |
07/01/79 |
Flac 16 - 0,
141414 |
Seattle |
Seattle Center Coliseum flac16; Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3662. |
07/01/79 |
Flac 24/96 - 0,
141415 |
Seattle |
Seattle Center Coliseum flac24; Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
|
notes
|
| 3663. |
07/01/79 |
Flac 24/96 - 0,
141413 |
Seattle |
Seattle Center Coliseum flac24; Recording Info: Reinhart Holhwein's Master Audience Cassettes; AKG D224E mics > Sony TC-158 > Pat Lee's 1st generation Reels; Transfer Info: 1st generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496
|
notes
|
| 3664. |
07/01/79 |
Flac 24/96 - 0,
145358 |
Seattle |
Seattle Center Coliseum flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3665. |
07/01/79 |
Flac 16/48 - 0,
145357 |
Seattle |
Seattle Center Coliseum flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3666. |
07/01/79 |
Flac 24/96 Mtx. - ,
156176 |
Seattle |
Seattle Center Coliseum flac24; Matrix 2 Source Mix - SBD (shn id 141415) Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 + AUD (shn id 145358) Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 - matrix mixing by Kevin Tobin
|
notes
|
| 3667. |
07/01/79 |
Flac 16 - ,
156177 |
Seattle |
Seattle Center Coliseum flac16; Matrix 2 Source Mix - SBD (shn id 141415) Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 + AUD (shn id 145358) Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 - matrix mixing by Kevin Tobin
|
notes
|
| 3668. |
07/01/79 |
Flac 16 Dts 5.1 - ,
156179 |
Seattle |
Seattle Center Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shn id 141415) Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 + AUD (shn id 145358) Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 - dts mixing by Kevin Tobin
|
notes
|
| 3669. |
07/01/79 |
Flac 16/48 LPCM - ,
156180 |
Seattle |
Seattle Center Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shn id 141415) Recording Info: Master Soundboard Cassette > Reel to Reel > Sandy Troy's 2nd generation Reels; Transfer Info: 2nd generation Reels (Technics RS-1506) > Apogee Mini Me > Mini DAC > WaveLab 5(.wav 24-bit/96k)> Adobe Audition 3.0 (24/96)> TLH flac2496 + AUD (shn id 145358) Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, slightly left of center, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496 - surround mixing by Kevin Tobin
|
notes
|
| 3670. |
07/11/79 |
Flac 24/96 - ,
153602 |
San Rafael |
Studio Rehersal, Club Front flac24/96 From the collection of John Musgrave A bit hissy but the Dolby decoding muffled this something awful so no Dolby on playback. Source: Studio > ? > Akai GX650DB @ 3 3/4 ips using Dolby B (most likely?) Transfer: Revox B77 > Korg MR2000-s @ 1 bit 5.6 MHz DSD (November 2020) AudioGate (24-96) > iZotope RX8 advanced > Goody * > TLH Goody Lineage: Speed/Pitch-adjustments using Adobe Audition -M-
|
notes
|
| 3671. |
07/11/79 |
Flac 16/48 - ,
153601 |
San Rafael |
Studio Rehersal, Club Front flac16/44 From the collection of John Musgrave Source: Studio > ? > Akai GX650DB @ 3 3/4 ips using Dolby B (most likely?) Transfer: Revox B77 > Korg MR2000-s @ 1 bit 5.6 MHz DSD (November 2020) AudioGate (24-96) > iZotope RX8 advanced > Goody * > Korg Aqua (16-44) > TLH Goody Lineage: Speed/Pitch-adjustments using Adobe Audition -M-
|
notes
|
| 3672. |
08/04/79 |
Shn - 0,
34259 |
Oakland |
Oakland Auditorium Arena Fix of soundboard shn id 9578 (sbd) by Bill Tetzeli - see info file for details
|
notes
|
| 3673. |
08/04/79 |
Shn - 0,
9578 |
Oakland |
Oakland Auditorium Arena SBD>MC>C>DAT>CDR; Missing Jack Straw; via Paul B; Seeded to etree by Willy;; upgrade now in circulation
|
notes
|
| 3674. |
08/04/79 |
Flac 16 - 0,
90699 |
Oakland |
Oakland Auditorium Arena flac16; Recorded by Mark Severson; 2 Sony ECM-270s on pole 40' from stage> Sony TC-158SD (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 3675. |
08/04/79 |
Flac 16/44,1 - 0,
144160 |
Oakland |
Oakland Auditorium Arena flac16/44.1khz Source Info: Master Soundboard Cassettes > Cassette > PCM > Dat (16-bit/44.1k) Transfer Info: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16
|
notes
|
| 3676. |
08/04/79 |
Flac 24/96 - 0,
148941 |
Oakland |
Oakland Auditorium Arena flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, right center, held shoulder high, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3677. |
08/04/79 |
Flac 16/48 - 0,
148940 |
Oakland |
Oakland Auditorium Arena flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, right center, held shoulder high, 40' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3678. |
08/05/79 |
Flac 16 Mtx - 0,
98716 |
Oakland |
Oakland Auditorium Arena flac16; Matrix Analog Audience Source: Aud Master Cassettes (MAC) Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe and Soundboard Source: gd79-08-05.sbd.munder.9579.sbeok.shnf
|
notes
|
| 3679. |
08/05/79 |
Shn - 0,
9579 |
Oakland |
Oakland Auditorium Arena SBD>MC>C>DAT>CDR; Some cuts, see info file for details; via Paul B; Seeded to etree by Willy; Note- Fixed versions of d1t09 & d1t10 now circ, courtesy of PainoMan. The 'splice' in Althea was found to be a skip and was fixed, and shntool fixed the resulting sbe for the remaining tracks on d1; 'original' and 'fixed' md5's are listed here
|
notes
|
| 3680. |
08/05/79 |
Flac 24 Mtx. - 0,
98717 |
Oakland |
Oakland Auditorium Arena flac24; Matrix Analog Audience Source: Aud Master Cassettes (MAC) Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe and Soundboard Source: gd79-08-05.sbd.munder.9579.sbeok.shnf
|
notes
|
| 3681. |
08/05/79 |
Flac 24/96 - 0,
98715 |
Oakland |
Oakland Auditorium Arena flac24; Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXLII 90 Analog Lineage: Nak CM 700s => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
|
notes
|
| 3682. |
08/05/79 |
Flac 16 - 0,
98714 |
Oakland |
Oakland Auditorium Arena flac16; Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXLII 90 Analog Lineage: Nak CM 700s => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
|
notes
|
| 3683. |
08/05/79 |
Flac 24/96 - 0,
148943 |
Oakland |
Oakland Auditorium Arena flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, held shoulder high, DFC, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3684. |
08/05/79 |
Flac 16/48 - 0,
148942 |
Oakland |
Oakland Auditorium Arena flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (mounted on pole, held shoulder high, DFC, 35' from stage)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3685. |
08/05/79 |
Flac 16/48 - ,
158645 |
Oakland |
Oakland Auditorium Arena flac1648; Source and transfer info: Set 1 and Scarlet Begonias: Bear-sourced cassette. Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz. Set 2 starting at Fire on the Mountain: Anon sourced file (same mix as Bear tape) upsampled to 96kHz to match Bear source Recorded by Augustus Owsley Stanley III (aka Bear) Transferred (July 2022) and mastered by Jim Blackwood Speed/pitch adjusted by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel
|
notes
|
| 3686. |
08/05/79 |
Flac 24/96 - ,
158644 |
Oakland |
Oakland Auditorium Arena flac24; Source and transfer info: Set 1 and Scarlet Begonias: Bear-sourced cassette. Nakamichi CR-7A > Tascam DA-3000 @ 24 bit 96 kHz. Set 2 starting at Fire on the Mountain: Anon sourced file (same mix as Bear tape) upsampled to 96kHz to match Bear source Recorded by Augustus Owsley Stanley III (aka Bear) Transferred (July 2022) and mastered by Jim Blackwood Speed/pitch adjusted by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel
|
notes
|
| 3687. |
08/12/79 |
Flac 16 - 0,
35038 |
Morrison |
Red Rocks Amphitheatre flac16; Seamless fix of soundboard shn id 9288 - MSC>R>PCM>CD>EAC>SHN>WAV>FLAC by Bil Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 3688. |
08/12/79 |
Flac 16 - 0,
97683 |
Morrison |
Red Rocks Amphitheatre flac16; Master AUD>C>C>WAV>FLAC
|
notes
|
| 3689. |
08/12/79 |
Flac 16 - 0,
130347 |
Morrison |
Red Rocks Amphitheatre flac16; Recording Info: SBD > MC > R > PCM > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC
|
notes
|
| 3690. |
08/12/79 |
Shn - 0,
9288 |
Morrison |
Red Rocks Amphitheatre Master Soundboard Cassette > Reel to Reel > PCM > CDR; CD Mastering, Eac'ed & Shn'ed by Scott Clugston; to fungus & abgd via Charlie Connor;; upgrade now in circulation
|
notes
|
| 3691. |
08/12/79 |
Flac 16 - 0,
107166 |
Morrison |
Red Rocks Amphitheatre flac16; Analog Audience Source: Aud Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell UDXLII 90 Analog Lineage: Nak CM 700s => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke
|
notes
|
| 3692. |
08/12/79 |
Flac 24/96 - 0,
145472 |
Morrison |
Red Rocks Amphitheatre flac24; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 13, seats 68 & 69 - 1st set held head high, 2nd set mounted on pole)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3693. |
08/12/79 |
Flac 16/48 - 0,
145471 |
Morrison |
Red Rocks Amphitheatre flac16/kHz48; Mark Severson's Master Audience Cassettes; Sony ECM-270 mics (row 13, seats 68 & 69 - 1st set held head high, 2nd set mounted on pole)> Sony TC-158SD (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 126-bit via dBpoweramp
|
notes
|
| 3694. |
08/13/79 |
Flac - 0,
119999 |
Denver |
McNichols Sports Arena flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat (48k); Set 2: SBD -> Reel Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3695. |
08/13/79 |
Flac - 0,
123208 |
Denver |
McNichols Sports Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
notes
|
| 3696. |
08/13/79 |
Shn - 0,
9289 |
Denver |
McNichols Sports Arena Sources: Primary: Master Soundboard Cassette > Reel to Reel > PCM > CDR; Sedondary Source: Master Audience Cassette; Nakamichi CM700 mics > 1 Reel to Reel gen > DAT > CDR Aud source supplies portions of "Friend of the Devil", "MInglewood Blues" , "Tuning / Announcements" , and "I Need A Miracle" ;Patching / CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston; to fungus and abgd via Charlie Connor
|
notes
|
| 3697. |
08/13/79 |
Flac - 0,
33583 |
Denver |
McNichols Sports Arena Master Audience Cassette; Nakamichi CM700 mics > Sony TC-158 cassette deck > Revox Reel to Reel (DBX encoded) > DBX decoded > DAT > CDR > Flac (unknown taper at this time); "Phil's Big Night!"; converted 01 April 2006 by winterland121072@yahoo.com
|
notes
|
| 3698. |
08/13/79 |
Flac - 0,
87271 |
Denver |
McNichols Sports Arena flac16; Set 1 only: SBD -> Cassette Master -> Dat/0 (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 3699. |
08/13/79 |
Flac 24/96 - ,
154845 |
Denver |
McNichols Sports Arena FLAC 2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 3700. |
08/13/79 |
Flac 16/48 - ,
154846 |
Denver |
McNichols Sports Arena FLAC 1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 3701. |
08/14/79 |
Flac 16 - 0,
32500 |
Denver |
McNichols Sports Arena flac16; Partial Set 2 Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3702. |
08/14/79 |
Flac 16 - 0,
32500 |
Denver |
McNichols Sports Arena flac16; SBD -> Cassette Master -> Cassette Transferred and Edited By Charlie Miller
|
notes
|
| 3703. |
08/14/79 |
Shn - 0,
9563 |
Denver |
McNichols Sports Arena FOB-AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
|
notes
|
| 3704. |
08/14/79 |
Flac 16 - 0,
93047 |
Denver |
McNichols Sports Arena flac16;Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k) Recorded by Rob Eaton; Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3705. |
08/14/79 |
Flac 16/48 - 0,
125251 |
Denver |
McNichols Sports Arena flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 3706. |
08/14/79 |
Flac 24/96 - 0,
152252 |
Denver |
McNichols Sports Arena flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (L + R) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 3707. |
08/31/79 |
Flac - 0,
92924 |
Glens Falls |
Glens Falls Civic Center flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3708. |
08/31/79 |
Flac - 0,
129030 |
Glens Falls |
Glens Falls Civic Center flac16; AUD: Set One, AKG D222E's > Nakamichi 550; Set Two, Nak 300's > Nakamichi 550. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014.
|
notes
|
| 3709. |
08/31/79 |
Shn - 0,
9973 |
Glens Falls |
Glens Falls Civic Center AUD(Nak 300's)>MC>DAT>CDR; via Paul; Seeded to etree by Glyde
|
notes
|
| 3710. |
08/31/79 |
Flac - 0,
135775 |
Glens Falls |
Glens Falls Civic Center flac16; 2 source matrix by dusborne; Soundboard (shnid:92924), Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k),Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 ->Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; Audience (shnid:9973)AUD(Nak 300?s)>MC>DAT>CDR>EAC>SHN
|
notes
|
| 3711. |
09/01/79 |
Shn - 0,
18898 |
Rochester |
Holleder Memorial Stadium master SBD cassette (Dolby B) > cassette (Dolby C) > TC 2000 @ 24 bits > HHb 830 Patched wtih AUD>MC>DAT>CDR. Encoding and patching Ernie Dodd. SBD source from David Gans via Zeb Weber.
|
notes
|
| 3712. |
09/01/79 |
Flac 16 - 0,
119965 |
Rochester |
Holleder Memorial Stadium flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5M/Maxell UDXLII); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner
|
notes
|
| 3713. |
09/01/79 |
Flac 16 - 0,
123742 |
Rochester |
Holleder Memorial Stadium flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> Cassette (Dolby C) -> TC2000 EQ (24bit) -> Sonic Solutions -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3714. |
09/01/79 |
Flac 16 - 0,
125464 |
Rochester |
Holleder Memorial Stadium flac16; AUD: 2x AKG D222E > Nakamichi 550, FOB center aprx 20 feet from the stage. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. August 2013.
|
notes
|
| 3715. |
09/01/79 |
Shn - 0,
10363 |
Rochester |
Holleder Memorial Stadium AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
|
notes
|
| 3716. |
09/01/79 |
Flac 24/96 - 0,
119964 |
Rochester |
Holleder Memorial Stadium flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5M/Maxell UDXLII); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner
|
notes
|
| 3717. |
09/01/79 |
Flac 24/96 - 0,
125463 |
Rochester |
Holleder Memorial Stadium flac24; AUD: 2x AKG D222E > Nakamichi 550, FOB center aprx 20 feet from the stage. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. August 2013
|
notes
|
| 3718. |
09/01/79 |
Flac 24/96 - 0,
139488 |
Rochester |
Holleder Memorial Stadium flac24; Source: (FOB) Nakamichi 700 > Sony D5M Cassette Master (Maxell UDXLII) - taped by Bob Wagner; Transfer: Cassette > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24 edited and mastered SIRMick 2017
|
notes
|
| 3719. |
09/01/79 |
Flac 16 - 0,
145174 |
Rochester |
Holleder Memorial Stadium flac16; Source: (FOB) Nakamichi 700 > Sony D5M Cassette Master (Maxell UDXLII) - taped by Bob Wagner; Transfer: Cassette > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz; Conversion by Charlie Miller : DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24 edited and mastered SIRMick 2017; This file set is 16 bit @ 44.1
|
notes
|
| 3720. |
09/02/79 |
Flac 16 - 0,
93011 |
Augusta |
Augusta Civic Center flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k);Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3721. |
09/02/79 |
Flac 24 - 0,
127920 |
Augusta |
Augusta Civic Center flac24; Set 2 Source AKG D-222e> Nakamichi 550; Recorded and transfered By Richie stankiewicz; Recorded 18th row left ctr; Transfer MAC>Nakamichi 1000II> USBPre2
|
notes
|
| 3722. |
09/02/79 |
Shn - 0,
10364 |
Augusta |
Augusta Civic Center Recording by Steve Rolfe: Nak700's > D5: MC>DAT>CDR; via Paul B; Seeded to etree by Willy
|
notes
|
| 3723. |
09/02/79 |
Flac 16 - 0,
121942 |
Augusta |
Augusta Civic Center flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner
|
notes
|
| 3724. |
09/02/79 |
Flac 16 - 0,
130738 |
Augusta |
Augusta Civic Center flac16; Source: (FOB) Nakamichi 700 > Sony TC-D5M > Cassette Master (Maxell UDXL-II) - Recorded by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz - Conversion by Charlie Miller: DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017
|
notes
|
| 3725. |
09/02/79 |
Flac 16 - 0,
145183 |
Augusta |
Augusta Civic Center flac16; Source: (FOB) Nakamichi 700 > Sony TC-D5M > Cassette Master (Maxell UDXL-II) - Recorded by Bob Wagner; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 >DSF 1-bit/5.8 MHz - Conversion by Charlie Miller: DSF > KORG AudioGate 4 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0 > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017; This file set is 16 bit 44.1
|
notes
|
| 3726. |
09/02/79 |
Flac 16 Mtx - 0,
147685 |
Augusta |
Augusta Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
notes
|
| 3727. |
09/02/79 |
Flac 24/96 - 0,
147837 |
Augusta |
Augusta Civic Center flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3728. |
09/02/79 |
Flac 16/48 - 0,
147836 |
Augusta |
Augusta Civic Center flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3729. |
09/02/79 |
Flac 16 - 0,
149508 |
Augusta |
Augusta Civic Center flac16; Source: Nakamichi 300 cardioids > Sony D5 > ? > FLAC; Location: FOB
|
notes
|
| 3730. |
09/02/79 |
Flac 16/44,1 - ,
151041 |
Augusta |
Augusta Civic Center flac16/44.1khz Recorded by Keith Gatto Nak 300s> Sony TC-158 location: FOB Keith transferred his cassettes to Dat 16/44.1 *Dat clone playback Sony M-1(analogue out) > Edirol R09HR @ 24/88.2 Wav WaveLab 6 > Ozone RX4A > Ozone6A > R8brainPro
|
notes
|
| 3731. |
09/02/79 |
Flac 16 - ,
153100 |
Augusta |
Augusta Civic Center Source: Nakamichi 300 cardioids > Sony D5 Location: FOB speed-pitch correction : original flacs > Wav > Magix Music Studio > TLH > Flac 8 sidewindersf 2021
|
notes
|
| 3732. |
09/04/79 |
Flac 16 - 0,
79747 |
New York |
Madison Square Garden flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 3733. |
09/04/79 |
Flac 24 - 0,
127491 |
New York |
Madison Square Garden flac24; Set 1 Recorded 6th row right center; Nakamichi 550 AKG D-222e; Transfer Nakamichi 1000II>Sound Devices USBPre2; Recorded and transfered by Richie Stankiewicz
|
notes
|
| 3734. |
09/04/79 |
Shn - 0,
9452 |
New York |
Madison Square Garden Sources: Primary Source: Master Soundboard Cassette > Reel to Reel > PCM > CDR: Secondary Source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700 mics; Secondary source supplies portions of "Jack Straw", "Minglewood Blues", "China Cat Sunflower", "Looks Like Rain" in its entirety, as well as a patch in "Wharf Rat" ; Patching / CD Mastering by Scott Clugston; also to abgd via Charlie Connor : upgrade now in circulation.
|
notes
|
| 3735. |
09/04/79 |
Flac 16 - 0,
1117776 |
New York |
Madison Square Garden flac16; Nakamichi 700s > Sony TC-158, 14th row recording by Barry Glassberg. Transferred MAC > CDR by Jim Wise (c2000) CDR > EAC > TLH > FLAC 1644 tagged (Dec 2011
|
notes
|
| 3736. |
09/04/79 |
Shn - 0,
8379 |
New York |
Madison Square Garden Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org
|
notes
|
| 3737. |
09/04/79 |
Flac 24/96 - 0,
151656 |
New York |
Madison Square Garden flac24/96khz Recording Info: (FOB/14th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 3738. |
09/04/79 |
Flac 16/44,1 - 0,
151988 |
New York |
Madison Square Garden flac16/44.1khz Recording Info: (FOB/14th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151636 24 > 16 @ 44.1
|
notes
|
| 3739. |
09/04/79 |
Flac 16/48 - ,
156348 |
New York |
Madison Square Garden flac1648 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
|
notes
|
| 3740. |
09/04/79 |
Flac 24/96 - ,
156349 |
New York |
Madison Square Garden flac2496 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
|
notes
|
| 3741. |
09/05/79 |
Flac 16 Mtx - 0,
110829 |
New York |
Madison Square Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16)
|
notes
|
| 3742. |
09/05/79 |
Flac 16 - 0,
79748 |
New York |
Madison Square Garden flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 3743. |
09/05/79 |
Flac 16 Mtx - 0,
102476 |
New York |
Madison Square Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 3744. |
09/05/79 |
Shn - 0,
2484 |
New York |
Madison Square Garden Recording by Barry Glassberg: Nak 700's> Sony TC-158> DAT> ZA-2> CDR> EAC> SHN; A>D Transfer by Jim Wise from Barry Glassberg Master; EAC> SHN> upload by Mike 'Dank Star' Parrillo
|
notes
|
| 3745. |
09/05/79 |
Shn - 0,
8457 |
New York |
Madison Square Garden Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org
|
notes
|
| 3746. |
09/05/79 |
Shn - 0,
9453 |
New York |
Madison Square Garden Sources: Primary Source;Master Soundboard Cassette > Reel to Reel > PCM > CDR; Secondary source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700's; Secondary source supplies "Loser", "Promised Land", patches in "Scarlet Begonias", "Estimated Prophet", "Eyes of theWorld", "Black Peter", "Bertha". Both the Soundboard and Audience sources are missing the begining of "Mississippi Half-step"; Patching/CD Mastering by Scott Clugston; also to abgd via Charlie Connor : upgrade now in circulation.
|
notes
|
| 3747. |
09/05/79 |
Flac 24/96 - 0,
151831 |
New York |
Madison Square Garden flac24/96 Recording Info: (FOB/11th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 3748. |
09/05/79 |
Flac 16/44,1 - 0,
151987 |
New York |
Madison Square Garden flac16/44.1khz Recording Info: (FOB/11th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - 151831 24 > 16 @ 44.1
|
notes
|
| 3749. |
09/05/79 |
Flac 16/48 - ,
156350 |
New York |
Madison Square Garden flac1648 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
|
notes
|
| 3750. |
09/05/79 |
Flac 24/96 - ,
156351 |
New York |
Madison Square Garden flac2496 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
|
notes
|
| 3751. |
09/06/79 |
Flac 16 - 0,
79749 |
New York |
Madison Square Garden flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat -> PCM -> CD Transfer Info: CD -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 3752. |
09/06/79 |
Shn - 0,
9454 |
New York |
Madison Square Garden Sources: Primary Source; Master Soundboard Cassette > Reel to Reel > PCM > CDR; Secondary Source: Barry Glassberg's Master Audience Cassette; Nakamichi CM700's; Secondary source supplies a patch in "Easy to Love You" (d2t03) from 1:14 thru 1:41; Patching/CD Mastering by Scott Clugston; Also to abgd via Charlie Connor : upgrade now in circulation.
|
notes
|
| 3753. |
09/06/79 |
Shn - 0,
8458 |
New York |
Madison Square Garden Recording by Barry Glassberg: FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR; Hosted by Candyman.etree.org
|
notes
|
| 3754. |
09/06/79 |
Flac 16 - 0,
35218 |
New York |
Madison Square Garden flac16; Seamless fix of shn id 9454 - Master Soundboard Cassette > Reel to Reel > PCM > CDR > EAC > SHN > WAV > FLAC : upgrade now in circulation.
|
notes
|
| 3755. |
09/06/79 |
Flac 24/96 - 0,
151832 |
New York |
Madison Square Garden flac24/96 Recording Info: (FOB/14th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 3756. |
09/06/79 |
Flac 16/44 - 0,
151985 |
New York |
Madison Square Garden flac16/44 Recording Info: (FOB/14th Row) Nakamichi CM700 > Cassette Master (Sony TC-158SD/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151832 24 > 16 @ 44.1
|
notes
|
| 3757. |
09/06/79 |
Flac 16 - 0,
151783 |
New York |
Madison Square Garden flac16 Source: Sony Stereo ECM -->SONY TCD126 Location: PA behind Stage Transfer: Master Cassette Transfer->RR ->Cassette Transfer/Flac Conversion by Brian Mandel - Cassette Transfer Maxell XL11-S90 Nakamichi BX300->SONY PCM-M10 16bit 44 Wave CD Wave Editor -> TLP->Flac Taper: Gerry Moskal
|
notes
|
| 3758. |
09/06/79 |
Flac 24/48 - ,
152718 |
New York |
Madison Square Garden flac2448; Partial AUD; Source: Mono Sony hand-held recorder (model unknown) > TDK-AD (normal bias) cassettes. Concert recording by Rich Petrunis. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 06/2021
|
notes
|
| 3759. |
10/24/79 |
Flac 16 - 0,
97440 |
Springfield |
Springfield Civic Center flac16; Set 2 only, Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 3760. |
10/24/79 |
Shn - 0,
19589 |
Springfield |
Springfield Civic Center Recording by Steve Rolfe: Sony D5 w/ nak 700's Lineage: AUDMC > DAT > WAV(48K) > SHN AUDMC > DAT by David Minor. DAT > WAV transfer by Marc Pujol. SHN encoding by Matt Vernon
|
notes
|
| 3761. |
10/24/79 |
Flac 16 - 0,
93142 |
Springfield |
Springfield Civic Center flac16; Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k)-Recorded by Rob Eaton;Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3762. |
10/24/79 |
Flac 24/96 - 0,
145373 |
Springfield |
Springfield Civic Center flac24; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3763. |
10/24/79 |
Flac 16/48 - 0,
145372 |
Springfield |
Springfield Civic Center flac16/48kHz; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3764. |
10/24/79 |
Flac 16 - 0,
148162 |
Springfield |
Springfield Civic Center flac16; Set 1 lineage: SBD > ? > FLAC
|
notes
|
| 3765. |
10/24/79 |
Flac 16 - 0,
151424 |
Springfield |
Springfield Civic Center flac16; Recording Info: Master Soundboard Cassettes > DAT Transfer Info: Speed Corrections by Jason Chastain Mastering by Jamie Waddell with assistance from Jim Blackwood Track, FLAC and Pack by Steve Gravel 16bit 44.1kHz FLAC Level 8
|
notes
|
| 3766. |
10/24/79 |
Flac 16/48 - 0,
152428 |
Springfield |
Springfield Civic Center flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496
|
notes
|
| 3767. |
10/24/79 |
Flac 24/96 - 0,
152429 |
Springfield |
Springfield Civic Center flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496
|
notes
|
| 3768. |
10/25/79 |
Shn - 0,
22792 |
New Haven |
Veterans Memorial Coliseum Upgrade to previous shn set by Charlie Miller - "Steve Rolfe sent me CDs of the show which sounded better than what I originally used, so on 2/20/04, I re-patched the sbd"
|
notes
|
| 3769. |
10/25/79 |
Shn - 0,
4627 |
New Haven |
Veterans Memorial Coliseum Set 2 SBD > Cass (Dolby S) > Nak DR-3 (playback) > RME 96/8 PST > SHN
|
notes
|
| 3770. |
10/25/79 |
Flac 16 - 0,
90098 |
New Haven |
Veterans Memorial Coliseum flac16; Set 2 Recording by Steve Rolfe: Nakamichi 700 -> Cassette Master -> Dat -> CD. Transfer: CD -> EAC -> CEP -> Flac(level 8) by Matt Vernon. Set 1 already circulates.
|
notes
|
| 3771. |
10/25/79 |
Flac 16 - 0,
93143 |
New Haven |
Veterans Memorial Coliseum flac16; Recording Info:(2)Sennheiser 441 + (1)Sennheiser 421 -> Cassette Master(Nakamichi 550) -> Dat(48k)-Recorded by Rob Eaton;Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3772. |
10/25/79 |
Shn - 0,
21271 |
New Haven |
Veterans Memorial Coliseum Set 2 : SBD>Cassette Master>Cassette>DAT>CD (HHB 800 Pro Deck)>EAC .93b>SHN Transferred from DAT to CD-r (1998). Transcribed to SHN 11/28/2003 . JR Fishman : upgrade now in circulation.
|
notes
|
| 3773. |
10/25/79 |
Shn - 0,
22311 |
New Haven |
Veterans Memorial Coliseum Recording Info: Set 1: Nakamichi 700 -> Cassette Master -> Dat (Recorded By Steve Rolfe) Set 2: SBD -> Master Cassette (Sony TCD5M/Maxell UDXL II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Set 1: Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> Samplitude v7.02 Professional -> SHN Set 2: Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) : upgrade now in circulation.
|
notes
|
| 3774. |
10/25/79 |
Shn - 0,
19599 |
New Haven |
Veterans Memorial Coliseum Aud:M?>?>CD (It may be either Aud:MC>Cas>DAT>CD or Aud:MC>DAT>CD) via Jools
|
notes
|
| 3775. |
10/25/79 |
Flac 24/96 - 0,
145460 |
New Haven |
Veterans Memorial Coliseum flac24; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3776. |
10/25/79 |
Flac 16/48 - 0,
145459 |
New Haven |
Veterans Memorial Coliseum flac16/48kHz; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3777. |
10/25/79 |
Flac 16/48 - 0,
152435 |
New Haven |
Veterans Memorial Coliseum flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496
|
notes
|
| 3778. |
10/25/79 |
Flac 24/96 - 0,
152436 |
New Haven |
Veterans Memorial Coliseum flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496
|
notes
|
| 3779. |
10/27/79 |
Flac 16 - 0,
98561 |
South Yarmouth |
Cape Cod Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC;All Transfers and Mastering By Charlie Miller; ( upgrade now in circulation).
|
notes
|
| 3780. |
10/27/79 |
Flac16 Mtx - 0,
105234 |
South Yarmouth |
Cape Cod Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 3781. |
10/27/79 |
Flac 24 - 0,
127550 |
South Yarmouth |
Cape Cod Coliseum flac24; Recorded 14th row left center; Nakamichi 550>AKG D222e; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded and transfered by Richie Stankiewicz
|
notes
|
| 3782. |
10/27/79 |
Flac 16 - 0,
98950 |
South Yarmouth |
Cape Cod Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This is a fix of shnid=29411, 29490 and 98561.)
|
notes
|
| 3783. |
10/27/79 |
Flac 16 - 0,
29411 |
South Yarmouth |
Cape Cod Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller ( upgrade now in circulation).
|
notes
|
| 3784. |
10/27/79 |
Shn - 0,
28832 |
South Yarmouth |
Cape Cod Coliseum Set 2 Only: zero gen source upgrade. Lineage: Master SBD Cassette > Master DAT > CDR > EAC > SHN. Seeded to etree by Seth Kaplan : upgrade now in circulation.
|
notes
|
| 3785. |
10/27/79 |
Shn - 0,
13980 |
South Yarmouth |
Cape Cod Coliseum Master Soundboard Cassette > Cass > DAT > CD; Patches made with Audience recording mastered by Steve Rolfe (Nak CM300 > Sony TC-158); See info file for details; via Scott Clugston; Seeded to etree by Steve Barbella : upgrade now in circulation.
|
notes
|
| 3786. |
10/27/79 |
Flac 16 - 0,
92049 |
South Yarmouth |
Cape Cod Coliseum flac16; SBD and Audience Matrix Mix of about a 60% SBD to 40% Audience.
|
notes
|
| 3787. |
10/27/79 |
Shn - 0,
317 |
South Yarmouth |
Cape Cod Coliseum SBD> [?]> DAT (D. DiProsa)> TB Montego Digi i/o (44.1)> .wav> .shn; transfer by A. Walton; see pub comments for listening notes : upgrade now in circulation.
|
notes
|
| 3788. |
10/27/79 |
Flac 16 - 0,
120367 |
South Yarmouth |
Cape Cod Coliseum flac16; Sennheiser 441's > Nakamichi 550 > CM > C1 > C2 (TDK SA-C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9 > CD Wave Editor > Trader's Little Helper > Flac16; Transfer, edit/patch, and pitch correction by Bob Morris, May 2012.
|
notes
|
| 3789. |
10/27/79 |
Shn - 0,
19416 |
South Yarmouth |
Cape Cod Coliseum Recording by Steve Rolfe: MAC(Nakamichi CM-700 mics > Sony TC-158) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
|
notes
|
| 3790. |
10/27/79 |
Shn - 0,
29002 |
South Yarmouth |
Cape Cod Coliseum Repatch of SHNid=28832; Lineage: Master SBD Cassette > Master DAT > CDR > EAC > SHN Source: Master SBD Cassette (Sony TC D5 on Maxell UD XL-II cassette tape) Source Playback: Sony D5 DAT Transfer: Panasonic SV3800 (48 KHZ sampling rate) DAT Playback: Sony PCM R-700 Disc Transfer: HHB CDR-800; This is a repatch of disc 2 done by charlie miller on 3/31/05 using samplitude : upgrade now in circulation.
|
notes
|
| 3791. |
10/27/79 |
Flac 16 - 0,
29490 |
South Yarmouth |
Cape Cod Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller ( upgrade now in circulation).
|
notes
|
| 3792. |
10/27/79 |
Flac 16/44 - 0,
109777 |
South Yarmouth |
Cape Cod Coliseum flac16; AUD: 3x Nakamichi CM-300's > Nakamichi 550 (lead deck) > Sony TC-153SD (Tim's deck) > Maxell UD-XLII 90's. Set up behind the soundboard. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 09/2010
|
notes
|
| 3793. |
10/27/79 |
Flac 24/96 - 0,
145462 |
South Yarmouth |
Cape Cod Coliseum flac24; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3794. |
10/27/79 |
Flac 16/48 - 0,
145461 |
South Yarmouth |
Cape Cod Coliseum flac16/48kHz; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3795. |
10/27/79 |
Flac 16 - 0,
145664 |
South Yarmouth |
Cape Cod Coliseum flac16; Recorded 14th row left center; Nakamichi 550>AKG D222e; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded and transfered by Richie Stankiewicz; 16bit, 44.1khz file set
|
notes
|
| 3796. |
10/28/79 |
Flac 16 Mtx - 0,
105530 |
South Yarmouth |
Cape Cod Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 3797. |
10/28/79 |
Flac 16 - 0,
105434 |
South Yarmouth |
Cape Cod Coliseum flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional 10.22 -> Adobe Audition v1.5 -> FLAC; Transferred and Edited By Charlie Miller; This is a re-master of source ID 30655
|
notes
|
| 3798. |
10/28/79 |
Flac 16 - 0,
134396 |
South Yarmouth |
Cape Cod Coliseum flac16; Recording Info: SBD -> Master Cassette -> Dat; Transfer Info: Dat -> Adobe Audition v3.0 -> Samplitude Professional 11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3799. |
10/28/79 |
Shn - 0,
19590 |
South Yarmouth |
Cape Cod Coliseum Recording by Steve Rolfe: Sony D5 w/ nak 700's Lineage: AUDMC > DAT > WAV(48K) > SHN AUDMC > DAT by David Minor. DAT > WAV transfer by Marc Pujol. SHN encoding by Matt Vernon
|
notes
|
| 3800. |
10/28/79 |
Flac 16 - 0,
113748 |
South Yarmouth |
Cape Cod Coliseum flac16; AUD: 3x Nakamichi CM300/CP1's > patched thru Nakamichi 550 > Sony TC-153SD > Maxell UDXLII's, set up directly behind the soundboard, taped by Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2011
|
notes
|
| 3801. |
10/28/79 |
Flac 24/48 - 0,
113747 |
South Yarmouth |
Cape Cod Coliseum flac24; AUD: 3x Nakamichi CM300/CP1's > patched thru Nakamichi 550 > Sony TC-153SD > Maxell UDXLII's, set up directly behind the soundboard, taped by Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F.
|
notes
|
| 3802. |
10/28/79 |
Shn - 0,
7602 |
South Yarmouth |
Cape Cod Coliseum SBD : MC > R > DAT > CDR Beginning through Ship of Fools courtesy of Jim Wise AUD : MC ( NAK 700's > TC-158 by Steve Rolfe) > DAT > CDR Playin' through end of show From Peter Teitelbaum; via Peter Braverman : upgrade now in circulation.
|
notes
|
| 3803. |
10/28/79 |
Flac 24/96 - 0,
145465 |
South Yarmouth |
Cape Cod Coliseum flac24; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3804. |
10/28/79 |
Flac 16/48 - 0,
145464 |
South Yarmouth |
Cape Cod Coliseum flac16/48kHz; Steve Rolfe's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3805. |
10/28/79 |
Flac 16 - 0,
30655 |
South Yarmouth |
Cape Cod Coliseum flac16; SBD -> Master Cassette -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation
|
notes
|
| 3806. |
10/31/79 |
Flac - 0,
29410 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD Set 2: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller
|
notes
|
| 3807. |
10/31/79 |
Flac - 0,
86239 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Recording by Barry Glassberg: MOTB 0039: Source: Audience At SBD Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TCD5 > MAC 50ft. DFC Hand-Held Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick
|
notes
|
| 3808. |
10/31/79 |
Shn - 0,
17360 |
Uniondale |
Nassau Veterans Memorial Coliseum Set1: SBD>>MC>>REEL>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Set2: SBD>>MC>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Last 20 minutes of show: MAC(Nak 700's)>>SonyTC-158>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B
|
notes
|
| 3809. |
10/31/79 |
Shn - 0,
7921 |
Uniondale |
Nassau Veterans Memorial Coliseum Partial 2nd Set; SB> MR> Dick Latvala's cass> DAT> CD> EAC> CDWAV> .shn & CD-R; via Alasdair Macdonald : upgrade now in circulation.
|
notes
|
| 3810. |
10/31/79 |
Flac - 0,
91040 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; SBD and Audience Matrix Mix
|
notes
|
| 3811. |
10/31/79 |
Flac - 0,
96606 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: unknown Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/flac Conversion Brian Mandel Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac
|
notes
|
| 3812. |
10/31/79 |
Shn - 0,
0372 |
Uniondale |
Nassau Veterans Memorial Coliseum D1 (set 1) SBD> MR> C> DAT> CD; D2 (set 2a) SBD> MR> Dick Latvala's Cass> DAT> CD; D3 (set 2b) AUDMC (Nak 700's> Sony TC158)> DAT> CD; Seeded to etree by Dave Shepard, w/ thanks to Chuck Reynolds; also to abgd : upgrade now in circulation.
|
notes
|
| 3813. |
10/31/79 |
Flac 24/96 - 0,
87523 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; Recording by Barry Glassberg: MOTB Release: 0039 24/96 Source: Audience At SBD Recording Media: MAC = Maxell UD XL II C90 Lineage: Nakamichi CM-700's > Sony TC-158SD > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: SIRMick
|
notes
|
| 3814. |
10/31/79 |
Flac 16/44 - 0,
151982 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/44 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) Additional Mastering Info: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151882 24 > 16 @ 44.1
|
notes
|
| 3815. |
10/31/79 |
Flac 24/96 - 0,
151882 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24/96 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) Additional Mastering Info: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 3816. |
11/01/79 |
Flac 16 - 0,
113354 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Recording Info:SBD -> Master Cassette (Sony TC-D5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info:Dat (Sony R500) -> Tascasm SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3817. |
11/01/79 |
Flac 16 Mtx - 0,
128311 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
notes
|
| 3818. |
11/01/79 |
Flac 16 - 0,
91762 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; SBD and Audience Matrix Mix from SBD: shnid 23445 SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller and Audience: shnid 22316 Recording by Pete Jaeger: Master Audience Cassette; 2 Nakamichi 300s> Nakamichi 550
|
notes
|
| 3819. |
11/01/79 |
Shn - 0,
2412 |
Uniondale |
Nassau Veterans Memorial Coliseum Master Soundboard Cassette > Cassette > Hi-Fi VHS > DAT > CDR, with nearly complete patches from AUD Nak CM300 (see info file for details); mastered by Scott Clugston; d2 tracked for 80 min; 9/01 update: upgrade now in circulation
|
notes
|
| 3820. |
11/01/79 |
Shn - 0,
5586 |
Uniondale |
Nassau Veterans Memorial Coliseum Master Soundboard Cassette, played back via Nakamichi DR-3> RME 96/8 PST > Harddrive > SHN; with patches from Master Soundboard Cassette > Cassette > Hi-Fi VHS> CDR, and Master Audience Cassette; Nakamichi CM300 mics > Nakamichi 550 > CDR sources (see info file); Patching / CD Mastering, SHN'ed by Scott Clugston, with thanks to Don Goodwin for new source; d1 tracked for 80 min : upgrade now in circulation
|
notes
|
| 3821. |
11/01/79 |
Flac 16 - 0,
78301 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC; This is a repatch of shn id 23445 & shn id 77363
|
notes
|
| 3822. |
11/01/79 |
Flac 16 - 0,
77363 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller -- This is a repatch of shn id 23445: upgrade now in circulation
|
notes
|
| 3823. |
11/01/79 |
Flac 16 - 0,
77329 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Recording by Pete Jaeger: Master Audience Cassette; 2 Nakamichi 300s> Nakamichi 550 via David Minches
|
notes
|
| 3824. |
11/01/79 |
Shn - 0,
23445 |
Uniondale |
Nassau Veterans Memorial Coliseum SBD -> Master Cassette (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info:Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN; Transferred and Edited By charliemiller87@earthlink.net Charlie Miller; Note: had originally circulated only as set 2; upgrade now in circulation
|
notes
|
| 3825. |
11/01/79 |
Flac 16 - 0,
|
Uniondale |
Nassau Veterans Memorial Coliseum
|
notes
|
| 3826. |
11/01/79 |
Flac 16 - 0,
151772 |
Uniondale |
Nassau Veterans Memorial Coliseum Source: 2 Nakamichi 300s > Nakamichi 550 > Master Audience Cassettes Recording by Pete Jaeger. Edited & Remastered (Adobe Audition) by Joe Noel. January 30, 2021. Remaster of SHIND 77329
|
notes
|
| 3827. |
11/02/79 |
Flac16 Mtx - 0,
124392 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
notes
|
| 3828. |
11/02/79 |
Shn - 0,
7920 |
Uniondale |
Nassau Veterans Memorial Coliseum SBD> MR> Dick's cassette> DAT> CD; via Alasdair Macdonald
|
notes
|
| 3829. |
11/02/79 |
Flac 16 - 0,
94220 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; 2 x Nakamichi CM-700's => Sony TCD5 >> 37th Row Center on the Pole >> MAC >> Nakamichi DR-1 >> Benchmark ADC-1 >> AES >> Sound Devices 722 >> 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Green
|
notes
|
| 3830. |
11/02/79 |
Shn - 0,
4672 |
Uniondale |
Nassau Veterans Memorial Coliseum SBD > Cass (Dolby S) > Nak DR-3 (playback) > RME 96/8 PST > SHN; First 30-60 seconds of Miss 1/2 Step is missing; to abgd; note spaces in filenames- may need rename : upgrade now in circulation
|
notes
|
| 3831. |
11/02/79 |
Flac 16 - 0,
86553 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Location: Behind Stage Right 30' 300 Section elevation Transfer: Gerry Moskal Master Cassette Transfer->RR ->Cassette Transfer/flac Conversion: Brian Mandel Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac
|
notes
|
| 3832. |
11/02/79 |
Shn - 0,
12761 |
Uniondale |
Nassau Veterans Memorial Coliseum AUD> MC> DAT> CDR; via Paul B, Alan Schlissel
|
notes
|
| 3833. |
11/02/79 |
Flac 16/48 - 0,
142393 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/48kHz; Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II) > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k
|
notes
|
| 3834. |
11/02/79 |
Flac 24/96 - 0,
94221 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; 2 x Nakamichi CM-700's => Sony TCD5 >> 37th Row Center on the Pole >> MAC >> Nakamichi DR-1 >> Benchmark ADC-1 >> AES >> Sound Devices 722 >> 24/96 WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Green
|
notes
|
| 3835. |
11/02/79 |
Flac 24/96 - ,
154424 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24/96 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools > WAV (24-bit/96k) Additional Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 Recorded, Transferred and Mastered by Rob Eaton Additional Editing by Charlie Miller
|
notes
|
| 3836. |
11/02/79 |
Flac 16/44 - ,
154496 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/44 Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools > WAV (24-bit/96k) Additional Mastering Info: WAV (24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 Recorded, Transferred and Mastered by Rob Eaton Additional Editing by Charlie Miller - This is 154424 2496 > 1644
|
notes
|
| 3837. |
11/04/79 |
Shn - 0,
7919 |
Providence |
Providence Civic Center SB>MR>Dick Latvala's cass>DAT>CD>EAC>minor editing>.shn & CD-R; Reported upgrade to previous shn set; see info file for details; Timings are the same; via Alasdair Macdonald
|
notes
|
| 3838. |
11/04/79 |
Flac 16 - 0,
128814 |
Providence |
Providence Civic Center flac16; Recording Info: SBD > MC > C > DAT > CDR. Transfer Info: CDR > wav > Sound Forge 10 >TLH > flac
|
notes
|
| 3839. |
11/04/79 |
Shn - 0,
6947 |
Providence |
Providence Civic Center Master Soundboard Cassette > Cassette > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; misc cuts, missing USB
|
notes
|
| 3840. |
11/04/79 |
Flac 16 - 0,
101486 |
Providence |
Providence Civic Center flac16; AUD: AKG D200's > Technics RS-646DS (lead deck) > Sony TC-153SD (Tim's deck) > Maxell XL-II 90's. Mics on stand, set up behind the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain TLH > FLAC 1644. Transfer by Andrew F. 09/2009
|
notes
|
| 3841. |
11/04/79 |
Flac 16 - 0,
84210 |
Providence |
Providence Civic Center flac16; Unknown Taper: Master recorded with 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Master played back on unknown deck to unknown deck to record 1st Generation Cassette 1st Generation Cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding Transfer and FLAC encoding by David Minches
|
notes
|
| 3842. |
11/04/79 |
Flac 16/48 - 0,
142917 |
Providence |
Providence Civic Center flac16/48kHz; Recording Info: SBD > Cassette Master (Sony TC-D5/Maxell UDXL-II) > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k
|
notes
|
| 3843. |
11/04/79 |
Flac 24/96 - 0,
101485 |
Providence |
Providence Civic Center flac24; AUD: AKG D200's > Technics RS-646DS (lead deck) > Sony TC-153SD (Tim's deck) > Maxell XL-II 90's. Mics on stand, set up behind the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. 09/2009
|
notes
|
| 3844. |
11/05/79 |
Flac - 0,
28932 |
Philadelphia |
The Spectrum Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Master Dat (Panasonic SV3800/48k) Transfer Info: Master Dat (Sony R700) -> CD (HHB CDR800) Dat > CD Transfer By Jim Wise Patched By Charlie Miller charliemiller87@earthlink.net Patch Info: Estimated Prophet has a tape flip which I pacthed with SBD>Cm>Cass>Dat>CD. End of Lost Sailor through the end of the show patched with Nakamichi 300 -> Cassette Master > C2 > CD
|
notes
|
| 3845. |
11/05/79 |
Shn - 0,
2410 |
Philadelphia |
The Spectrum Master Soundboard Cassette > Cassette > DAT > CDR; pitch corrected and with AUD Nak CM300 patches (see info file for details); mastered by Scott Clugston : upgrade now in circulation
|
notes
|
| 3846. |
11/05/79 |
Shn - 0,
12177 |
Philadelphia |
The Spectrum Third in the series :O); This is the previous shn set with a shntool fix and silence removed from d2 (by Charles Weir); See info file for details; Master Soundboard Cassette > Cassette > DAT > CDR. : upgrade now in circulation
|
notes
|
| 3847. |
11/05/79 |
Flac 16 - 0,
83710 |
Philadelphia |
The Spectrum flac16; Recording by Joel Barnehama: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 3848. |
11/05/79 |
Flac 16 - 0,
89053 |
Philadelphia |
The Spectrum flac16; Unknown Taper; Recorded with 3 Nak 300s> Nak 550 2nd Generation Audience Cassette provided by Gordon Sharpless Transfer and FLAC encoding by David Minches: 2nd Generation Cassette played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 3849. |
11/06/79 |
Flac 16 - 0,
29735 |
Philadelphia |
The Spectrum flac16; SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat/0 (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller
|
notes
|
| 3850. |
11/06/79 |
Flac 16 - 0,
125857 |
Philadelphia |
The Spectrum flac16; Source: SBD > Nakamichi 550 > Cassette > Cassette. Transfer: Cassette > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.
|
notes
|
| 3851. |
11/06/79 |
Flac 24/96 - 0,
125956 |
Philadelphia |
The Spectrum flac24; Source: SBD > Nakamichi 550 > Cassette > Cassette. Transfer: Cassette > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged.
|
notes
|
| 3852. |
11/06/79 |
Shn - 0,
2417 |
Philadelphia |
The Spectrum Master Soundboard Cassette > Cassette > DAT > CDR; mastered by Scott Clugston: upgrade now in circulation
|
notes
|
| 3853. |
11/06/79 |
Flac 16 - 0,
137296 |
Philadelphia |
The Spectrum flac16; Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering & Editing by Jason Chastain in Audition CC 2015; Final Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by Norm
|
notes
|
| 3854. |
11/06/79 |
Flac 16 - 0,
85575 |
Philadelphia |
The Spectrum flac 16; set 2 only; Recording by Joel Barnehama: Source: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding;Transfer and FLAC encoding by David Minches:
|
notes
|
| 3855. |
11/06/79 |
Flac 24/96 - 0,
150953 |
Philadelphia |
The Spectrum flac24/96khz Recording Info: SBD > Cassette Master (Nakamichi 550/TDK-SA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 3856. |
11/06/79 |
Flac 24/96 - 0,
150952 |
Philadelphia |
The Spectrum flac24/96khz Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k)
|
notes
|
| 3857. |
11/06/79 |
Flac 16/44 - 0,
151466 |
Philadelphia |
The Spectrum flac16/44khz Recording Info: (FOB) Nakamichi CM100/CP1 > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) 150952 24 -> 16 @ 44.1
|
notes
|
| 3858. |
11/06/79 |
Flac 16/44 - 0,
151467 |
Philadelphia |
The Spectrum flac16/44khz Recording Info: SBD > Cassette Master (Nakamichi 550/TDK-SA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 150953 24 -> 16 @ 44.1
|
notes
|
| 3859. |
11/08/79 |
Flac 16 - 0,
29503 |
Landover |
Capital Centre flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC
|
notes
|
| 3860. |
11/08/79 |
Shn - 0,
18126 |
Landover |
Capital Centre This shn set combines into a single seed the set 1 and set 2 shn sets previously seeded to etree as singles; see info file for details; seeded to etree via D Litfin; edits/encoding by D Litfin; updated source: both sets SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction) [Had been marked SDB> MR> D> CDR] : upgrade now in circulation
|
notes
|
| 3861. |
11/08/79 |
Shn - 0,
8546 |
Landover |
Capital Centre retracked version of previous set 2 shn set, for 1x80; md5s do not change, redundant tracks omitted; via Dan MacNeill; updated source: SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction) [Had been marked sdb> master reel> dat> cdr] : upgrade now in circulation
|
notes
|
| 3862. |
11/08/79 |
Flac 16 - 0,
132330 |
Landover |
Capital Centre flac16; AUD of unknown lineage; TDK D90's (c1979) > Nakamichi CR-5A > Edirol FA-66 Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F 01/2015
|
notes
|
| 3863. |
11/08/79 |
Flac 16 - 0,
132455 |
Landover |
Capital Centre flac16; mac > hd or maybe the label was swapped and this is a first gen; unk equip. could be 2xshure sm58>sony 152
|
notes
|
| 3864. |
11/08/79 |
Shn - 0,
8409 |
Landover |
Capital Centre set 1; updated source: SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction) [Had been marked sdb> master reel> dat> cdr] via Mike Lai, with thanks to Scott Kolber; meant to accompany previous set 2 shn set (with inclusive txt file), but circulates separately : upgrade now in circulation
|
notes
|
| 3865. |
11/08/79 |
Shn - 0,
3901 |
Landover |
Capital Centre set 2; updated source: SBD> Cm> Cass> Dat> Sound Forge> CD (including digital noise reduction); [had been marked sdb> master reel> dat> cdr]; via Mike Lai; note this set 2 material, labelled as d2-d3, has redundant tracks (d3t1-t5 simply repeat d2t3-t7 and can be omitted); 3/02 note: set 1 now circulates separately : upgrade now in circulation
|
notes
|
| 3866. |
11/08/79 |
Flac 16 - 0,
150270 |
Landover |
Capital Centre flac16; Set 2 Only; SBD > ? > FLAC
|
notes
|
| 3867. |
11/09/79 |
Flac - 0,
34936 |
Buffalo |
Community War Memorial Auditorium flac16; SBD> Cm> Cass> Dat> Sound Forge> CD > WAV > SHN > WAV > FLAC - Fix of shn id 318. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 3868. |
11/09/79 |
Flac 16 - 0,
76499 |
Buffalo |
Community War Memorial Auditorium flac16; 2 Songs from AUD of unknown lineage via Andrew F and Dennis C (Seeded as filler on 12/10/79 aud from same seeders)
|
notes
|
| 3869. |
11/09/79 |
Shn - 0,
318 |
Buffalo |
Community War Memorial Auditorium Updated source: SBD> Cm> Cass> Dat> Sound Forge> CD; 6ote d1t1 is JBG from 11/8/79 encore; to abgd previously; via A. Stern; note variable right-channel static throughout. : upgrade now in circulation
|
notes
|
| 3870. |
11/09/79 |
Flac - 0,
79702 |
Buffalo |
Community War Memorial Auditorium flac16; Audience tape of unknown lineage Transfer: C > Sony TC-D5M > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC, by Andrew F. November 2006
|
notes
|
| 3871. |
11/09/79 |
Flac 16 - 0,
150448 |
Buffalo |
Community War Memorial Auditorium flac16; Soundboard Cassette Master > ? > flac; Speed Corrections by Jason Chastain; Audio Mastering by Jamie Waddell
|
notes
|
| 3872. |
11/10/79 |
Shn - 0,
13108 |
Ann Arbor |
Crisler Arena Master Soundboard Cassette > Reel to Reel > DAT> CDR, with AUD patches (see notes); via Scott Clugston; to abgd
|
notes
|
| 3873. |
11/10/79 |
Shn - 0,
10457 |
Ann Arbor |
Crisler Arena SBD>MR>DAT>CDR; Missing first three 1/2 songs of first set; via Paul B; Seeded to etree by Willy : upgrade now in circulation
|
notes
|
| 3874. |
11/10/79 |
Flac 16 - ,
152823 |
Ann Arbor |
Crisler Arena Source Info: Master Soundboard Cassettes > 1st generation cassettes > Tim Dalton's Beta PCM Transfer Info: Tim Dalton's Beta PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > wav 16/44.1 > Adobe Audition 2020 > TLH flac16
|
notes
|
| 3875. |
11/23/79 |
Shn - 0,
7861 |
San Diego |
Golden Hall, Community Concourse SBD:MC>Cas>DAT>CD, patches from 3rd generation reel source
|
notes
|
| 3876. |
11/23/79 |
Flac - 0,
107405 |
San Diego |
Golden Hall, Community Concourse flac16; 2 x Nak cm700's >> Sony TC-D5 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
|
notes
|
| 3877. |
11/23/79 |
Flac - 0,
77330 |
San Diego |
Golden Hall, Community Concourse flac16; Recording by Bob Wagner: A:C:R:D Nak 700s>Sony TC-158 via David Minches
|
notes
|
| 3878. |
11/23/79 |
Flac - 0,
136697 |
San Diego |
Golden Hall, Community Concourse flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Mastering Info: Audition CC 2015 -> Samplitude Pro 11.2.1 -> FLAC; All Mastering By Charlie Miller
|
notes
|
| 3879. |
11/24/79 |
Flac 16 Mtx - 0,
113741 |
San Diego |
Golden Hall, Community Concourse flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 3880. |
11/24/79 |
Flac 16 - 0,
113499 |
San Diego |
Golden Hall, Community Concourse flac16; Recording Info: SBD -> Cassette Master; Transfer Info: Cassette Master (Tascam 122MKII) -> Sound Devices 744T -> WAV (24bit/96k); Mastering Info: WAV (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Mastering By Charlie Miller
|
notes
|
| 3881. |
11/24/79 |
Flac 24/96 - 0,
145590 |
San Diego |
Golden Hall, Community Concourse flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, section 401, row 8 seats 7 & 8)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3882. |
11/24/79 |
Flac 16/48 - 0,
145589 |
San Diego |
Golden Hall, Community Concourse flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, section 401, row 8 seats 7 & 8)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3883. |
11/24/79 |
Shn - 0,
10022 |
San Diego |
Golden Hall, Community Concourse Sources:Primary Source:MSC>??>DAT>CDR>EAC>Shn;Alternate Soundboard Source MSC>C>CDR supplies patches in Lost Sailor, Sugar Mag, OMSN,. 2nd Alt Source; Master Aud Cassette>NakCM700>Sony TC-158>Reel>DAT>CDR source supplies patches in China Cat Sunflower , Playin, and Sugar Mag. This source is missing the material needed to patch "Althea" (d1t08). Primary Source Shs via Eric Salmassy; Cd remastered; patched and reshn'ed by Scott Clugston; to Fungus and abgd via Charlie Connor (Note: A sbe-fixed version is circulating as of 4/2008.)
|
notes
|
| 3884. |
11/24/79 |
Flac 16 - 0,
106307 |
San Diego |
Golden Hall, Community Concourse flac16; 2 x Nak cm700's >> Sony TC-D5 >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
|
notes
|
| 3885. |
11/25/79 |
Flac 16 - 0,
84489 |
Los Angeles |
Pauley Pavilion, UCLA flac16; Recording Info: SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Patch Info: Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen); repatched version of shn id 25609 (this has a new patch in Bertha)
|
notes
|
| 3886. |
11/25/79 |
Flac 16 Mtx - 0,
90846 |
Los Angeles |
Pauley Pavilion, UCLA flac16; Matrix 2 Source Mix - SBD (shn id 25069) SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN + AUD (shn id 90636) Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - matrix mixing by Kevin Tobin
|
notes
|
| 3887. |
11/25/79 |
Flac 16 - 0,
90636 |
Los Angeles |
Pauley Pavilion, UCLA flac16; Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
|
notes
|
| 3888. |
11/25/79 |
Shn - 0,
7192 |
Los Angeles |
Pauley Pavilion, UCLA SBD Cassmaster-> PCM-> DAT-> CDRs-> EAC-> SHN (Unconfirmed); Small splices in The Other One and Bertha, some digipops; via Cozmichuck and Dan : upgrade now in circulation
|
notes
|
| 3889. |
11/25/79 |
Shn - 0,
25609 |
Los Angeles |
Pauley Pavilion, UCLA Recording Info: SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 700 -> Master Cassette -> Reel -> CD (Possibly One More Reel Gen) via Charlie Miller : upgrade now in circulation
|
notes
|
| 3890. |
11/25/79 |
Flac 16 - 0,
90720 |
Los Angeles |
Pauley Pavilion, UCLA flac16; Recorded by Mark Severson; 2 Sony ECM-270s on stand 40' from stage> Sony TC-D5 (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 3891. |
11/25/79 |
Flac Dts 5.1 - 0,
90872 |
Los Angeles |
Pauley Pavilion, UCLA DTS Audio 5.1; SBD (shn id 25069) SBD -> Master Cassette -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN + AUD (shn id 90636) Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe - dts mixing by Kevin Tobin
|
notes
|
| 3892. |
11/25/79 |
Flac 24/96 - 0,
90638 |
Los Angeles |
Pauley Pavilion, UCLA flac24; Analog Audience Source: Master Cassettes [FOB, 60' from stage] (MAC) Medium Stock Brands: MAC = Maxell UD XL II Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-8 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe
|
notes
|
| 3893. |
11/25/79 |
Flac 24/96 - 0,
145602 |
Los Angeles |
Pauley Pavilion, UCLA flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, 40' from stage)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3894. |
11/25/79 |
Flac 16/48 - 0,
145601 |
Los Angeles |
Pauley Pavilion, UCLA flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (DFC, 40' from stage)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3895. |
11/29/79 |
Flac 16 - 0,
95831 |
Cleveland |
Cleveland Public Hall flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 29421
|
notes
|
| 3896. |
11/29/79 |
Shn - 0,
11630 |
Cleveland |
Cleveland Public Hall 2nd Set Only; SBD>?>CDR; via Dr. Sketchy, Stillman; Seeded to etree by jim@juddcreek : upgrade now in circulation
|
notes
|
| 3897. |
11/29/79 |
Shn - 0,
12376 |
Cleveland |
Cleveland Public Hall Master Soundboard Cassette > Cassette > DAT> Cassette > DAT > CDR complete via Scott Clugston : upgrade now in circulation
|
notes
|
| 3898. |
11/29/79 |
Flac 16 - 0,
29421 |
Cleveland |
Cleveland Public Hall flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller; upgrade now in circulation
|
notes
|
| 3899. |
11/29/79 |
Flac 24/96 - 0,
|
Cleveland |
Cleveland Public Hall flac24/96 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 3900. |
11/29/79 |
Flac 16/48 - 0,
151720 |
Cleveland |
Cleveland Public Hall flac16/48 Recording Info: Kathy Sublette's Master Audience Cassettes; Shure SM57 mics > Sony-TC158 Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 3901. |
11/30/79 |
Flac 16 - 0,
95832 |
Pittsburgh |
Stanley Theatre flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio DIO2448 -> Samplitude Professional v8.0 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid 29424
|
notes
|
| 3902. |
11/30/79 |
Flac 16 Mtx - 0,
126893 |
Pittsburgh |
Stanley Theatre flac16; 2 Source matrix by Dave Usborne;Soundboard (shnid:95832); All Transfers and Mastering By Charlie Miller;Recording Info:SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k);Transfer Info:Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 ->Adobe Audition v1.5 -> FLAC; Audience (shnid:76348);Taped and Transferred by Charlie Connor; Source: (FOB, 10th Row Center Stage)>Sony ECM 990>JVC 1636mkII(CM);Transfer:Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)>SHNv3 (MKW ACT)
|
notes
|
| 3903. |
11/30/79 |
Shn - 0,
76348 |
Pittsburgh |
Stanley Theatre Recording by Charlie Connor: (FOB, 10th Row Center Stage)>Sony ECM 990>JVC 1636mkII(CM)Transfer:Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)>SHNv3 (MKW ACT)Taped and Transferred by Charlie Connor
|
notes
|
| 3904. |
11/30/79 |
Shn - 0,
24226 |
Pittsburgh |
Stanley Theatre SBD > DAT > CDREAC'ed / SHN'ed by Bob Delaney. Circulated 04/19/2004 via Tom Donaldson : upgrade now in circulation
|
notes
|
| 3905. |
11/30/79 |
Shn - 0,
3118 |
Pittsburgh |
Stanley Theatre Master Soundboard Cassette > Cassette > DAT > CDR, with patches from AUD Nakamichi CM700 source (see info file for details); patching, CD mastering, EAC> SHN by Scott Clugston; d3 tracked for 80 min : upgrade now in circulation
|
notes
|
| 3906. |
11/30/79 |
Shn - 0,
33215 |
Pittsburgh |
Stanley Theatre Soundboard > Master Soundboard Cassette > Cassette > DAT > CDR, with patches from AUD Nakamichi CM700 source. Note: This is the Clugston source with minor fixes by Charlie Miller. Charlie has circulated a more recent soundboard recording since this fix. : upgrade now in circulation
|
notes
|
| 3907. |
11/30/79 |
Shn - 0,
21784 |
Pittsburgh |
Stanley Theatre Fixed version of http://db.etree.org/shn/3118 via cm : upgrade now in circulation
|
notes
|
| 3908. |
11/30/79 |
Flac 16 - 0,
29424 |
Pittsburgh |
Stanley Theatre flac16; SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transferred and Edited By Charlie Miller; Note: since no one had the previous seed I am just updating this source
|
notes
|
| 3909. |
11/30/79 |
Flac 24/96 - 0,
148526 |
Pittsburgh |
Stanley Theatre flac24; Source Info: 1st Set: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 300 mics > Sony TC-158 (in the pit); 2nd Set: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-158 (in the pit); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3910. |
11/30/79 |
Flac 16/48 - 0,
148525 |
Pittsburgh |
Stanley Theatre flac16/48kHz; Source Info: 1st Set: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 300 mics > Sony TC-158 (in the pit); 2nd Set: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-158 (in the pit); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3911. |
12/01/79 |
Flac 16 - 0,
96408 |
Pittsburgh |
Stanley Theatre flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC All Transfers and Mastering By Charlie Miller; this is a re-master of source id 29429
|
notes
|
| 3912. |
12/01/79 |
Flac 16 Mtx - 0,
31946 |
Pittsburgh |
Stanley Theatre flac16; Sick Bits Vol. 15: SBD/AUD Matrix[SBD: (shnid=29429) AUD: (shnid=31330)] via Chris Chappell
|
notes
|
| 3913. |
12/01/79 |
Flac 16 - 0,
29429 |
Pittsburgh |
Stanley Theatre flac16; Recording Info: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Transfer Info: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller; upgrade now in circulation
|
notes
|
| 3914. |
12/01/79 |
Shn - 0,
6022 |
Pittsburgh |
Stanley Theatre mixed source: set 1: SBD> Rm> Cass> Dat> CD> EAC> SHN, Set 2: SBD> Rm> Dat> CD> EAC> SHN; via Skip Jenkins vine, from Charlie Miller seed; EAC>SHN by Steve Barbella; missing Easy to Love You, Splice in LLR, otherwise complete : upgrade now in circulation
|
notes
|
| 3915. |
12/01/79 |
Flac 16 - 0,
120453 |
Pittsburgh |
Stanley Theatre flac16; Low-gen Audience Cassette (Maxell UDXLII-C90); Cassette (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > Soundforge 9 > CD Wave Editor > Trader's Little Helper > Flac16 Transfer, edit, pitch correction by Bob Morris, May 2012
|
notes
|
| 3916. |
12/01/79 |
Flac Dts 5.1 - 0,
34294 |
Pittsburgh |
Stanley Theatre flac16; Source: DTS-Audio-CD 5.1 Mix of SBD: shn id 29429 and AUD: shn id 31330 Multichannel Mix by Dan dan@am-dig.com
|
notes
|
| 3917. |
12/01/79 |
Shn - 0,
319 |
Pittsburgh |
Stanley Theatre set 2; MSR > Cassette > DAT > CDR; via S. Clugston, L. Revell; note reportedly no 10s dropout in LLR : upgrade now in circulation
|
notes
|
| 3918. |
12/01/79 |
Flac 16 - 0,
31330 |
Pittsburgh |
Stanley Theatre flac16; AUD (unknown equipment and lineage, speculated to have been taped by Scott Jones with Shure > Sony TC-158) via Andrew F
|
notes
|
| 3919. |
12/01/79 |
Flac 16 - 0,
82489 |
Pittsburgh |
Stanley Theatre flac16; Recording by Joel Barnehama: Master Audience Cassette; 2 Sennheiser 421s> Nakamichi 550 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Digital Audio Labs Card Deluxe (24/96)>Adobe Audition> (dither/downsample)> FLAC encoding
|
notes
|
| 3920. |
12/01/79 |
Flac 24/96 - 0,
148532 |
Pittsburgh |
Stanley Theatre flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on railing in front of the soundboard)> Sony TC-158 (see notes); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3921. |
12/01/79 |
Flac 16/48 - 0,
148531 |
Pittsburgh |
Stanley Theatre flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on railing in front of the soundboard)> Sony TC-158 (see notes); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3922. |
12/01/79 |
Flac 24/96 - 0,
150983 |
Pittsburgh |
Stanley Theatre flac24/96 Recording Info: Set 1: AUD (Unknown Mics) > Cassette Master (Nakamichi 350) Set 2: SBD > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k)
|
notes
|
| 3923. |
12/01/79 |
Flac 16/44 - 0,
151468 |
Pittsburgh |
Stanley Theatre flac16/44khz Recording Info: Set 1: AUD (Unknown Mics) > Cassette Master (Nakamichi 350) Set 2: SBD > Cassette Master (Nakamichi 350) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) 150983 24 -> 16 @ 44.1
|
notes
|
| 3924. |
12/01/79 |
Flac 16 Mtx - ,
161627 |
Pittsburgh |
Stanley Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 96408 & 148531.
|
notes
|
| 3925. |
12/03/79 |
Flac 16 - 0,
29434 |
Chicago |
Uptown Theater flac16; Set 1: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k) Set 2: SBD -> Cassette Master -> Cassette -> Dat -> CD Transferred and Edited By Charlie Miller
|
notes
|
| 3926. |
12/03/79 |
Shn - 0,
320 |
Chicago |
Uptown Theater SBD > Cassette Master > C0 > DAT > SHN (Latvala vault leak); via L. Orf; known flaws: from master, first few seconds of some songs clipped (Orf smoothed with fades), levels low from DAT- left alone (note encore louder) : upgrade now in circulation
|
notes
|
| 3927. |
12/03/79 |
Flac 16 Mtx - 0,
135897 |
Chicago |
Uptown Theater flac16; 2 source matrix by dusborne; Soundboard (shnid:29434), Recording Info: Set 1: SBD -> Cassette Master (Sony TCD5M/UDXL-II) -> Dat (Panasonic SV3800/48k); Set 2: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: Set 1: Dat (Sony D8) -> M-Audio Dio2448 -> Samplitude Professional v8.0 -> FLAC; Set 2: CD -> EAC -> Samplitude Professional v8.0 -> FLAC, Transferred and Edited By Charlie Miller and Audience (shnid:83611),Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC * from 1st generation cassette from same master; master played back on Nak 550> Nak 250
|
notes
|
| 3928. |
12/03/79 |
Shn - 0,
1241 |
Chicago |
Uptown Theater "analog> PCMWAVs very close to the master reels"; see notes and flaws discussed in info files; via BongRipper to abgd; later via tol to etree
|
notes
|
| 3929. |
12/03/79 |
Flac 16 - 0,
83611 |
Chicago |
Uptown Theater flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding * from 1st generation cassette from same master; master played back on Nak 550> Nak 250
|
notes
|
| 3930. |
12/04/79 |
Flac - 0,
34937 |
Chicago |
Uptown Theatre flac16; lineage: Master Soundboard Cassette -> Cassette -> DAT transfer: DAT -> CD -> EAC -> SHN - Fix of shn id 2535. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 3931. |
12/04/79 |
Flac - 0,
130387 |
Chicago |
Uptown Theatre flac16; Recording Info: SBD > MC > C > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC
|
notes
|
| 3932. |
12/04/79 |
Flac - 0,
83593 |
Chicago |
Uptown Theatre flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding
|
notes
|
| 3933. |
12/04/79 |
Shn - 0,
2535 |
Chicago |
Uptown Theatre Master Soundboard Cassette -> Cassette -> DAT; DAT -> CD -> EAC -> SHN conversion by Scott Clugston; to etree via Adam Jerugim; static from MR in d1t3,6 : seamless version upgrade now in circulation
|
notes
|
| 3934. |
12/04/79 |
Flac - 0,
135898 |
Chicago |
Uptown Theatre flac16; 2 source matrix by dusborne;Soundboard (shnid:34937), Master Soundboard Cassette -> Cassette -> DAT -> CD -> EAC -> SHN; Audience (shnid:83593), Recording by Ira Frisch:Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550Transfer and FLAC encoding by David Minches:Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding
|
notes
|
| 3935. |
12/05/79 |
Flac 16 Mtx - 0,
112235 |
Chicago |
Uptown Theater flac16:Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/couple areas of EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 3936. |
12/05/79 |
Flac 16 - 0,
112163 |
Chicago |
Uptown Theater flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) -> Data DVD; Transfer Info: Data DVD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3937. |
12/05/79 |
Flac 16 - 0,
128622 |
Chicago |
Uptown Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 3938. |
12/05/79 |
Shn - 0,
9359 |
Chicago |
Uptown Theater 2nd set minus ship of fools and don't ease; See info file for details; SBD>MC>DAT>CDR; via neo_levo/candyman FTP: upgrade now in circulation
|
notes
|
| 3939. |
12/05/79 |
Shn - 0,
19418 |
Chicago |
Uptown Theater MAC (Unknown equipment) > Unknown analog generations > Nakamichi RX-505 cassette > 20-bit conversion with Burr-Brown ADC, dithered to 16-bit for output > HHB CDR8930 > EAC > CoolEdit > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
|
notes
|
| 3940. |
12/05/79 |
Flac 16 - 0,
34874 |
Chicago |
Uptown Theater flac16; composite of shn id 19418 (set1 aud) + shn id 31959 (set2 sbd) with minor edit to smooth transition by Andrew Long
|
notes
|
| 3941. |
12/05/79 |
Flac 16 - 0,
31959 |
Chicago |
Uptown Theater flac16; SBD (set 2 only) -> Cassette Master -> Dat (44.1k) Transferred and Remastered By Charlie Miller
|
notes
|
| 3942. |
12/05/79 |
Flac 16 - 0,
83532 |
Chicago |
Uptown Theater flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and SHN encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition> (dither/downsample)> FLAC encoding
|
notes
|
| 3943. |
12/07/79 |
Flac 16 - 0,
108853 |
Indianapolis |
Indiana Convention Center flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid=23682
|
notes
|
| 3944. |
12/07/79 |
Shn - 0,
23682 |
Indianapolis |
Indiana Convention Center Updated source info: SBD ->Cass Master > Reel > Dat (48k) Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Dat Supplied By Rob Eaton; Transferred By Charlie Miller (had been marked: BD -> Master Cassette -> Cassette -> Dat (48k))
|
notes
|
| 3945. |
12/07/79 |
Shn - 0,
9114 |
Indianapolis |
Indiana Convention Center MAC (3 Nak CM-300s-> Sony TC-158)>R>D>CD); via Jack Warner; Don Chase; Seeded to etree by Matt Vernon;upgrade now in circulation
|
notes
|
| 3946. |
12/07/79 |
Shn - 0,
14842 |
Indianapolis |
Indiana Convention Center (3) Nak 300>Cm>Reel>CD shn'd by Charlie Miller : same source as shnid 9114
|
notes
|
| 3947. |
12/09/79 |
Flac 16 - 0,
108854 |
St. Louis |
Kiel Auditorium flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (Panasonic SV3800/48k); Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller; remaster of shnid=27751
|
notes
|
| 3948. |
12/09/79 |
Flac 16 - 0,
128713 |
St. Louis |
Kiel Auditorium flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones. Transferred on a Nak CR 7A
|
notes
|
| 3949. |
12/09/79 |
Flac 16 - 0,
27751 |
St. Louis |
Kiel Auditorium flac16; SBD> Cassette Master> Reel (Technics)> Dat (3800/48k), plus patch from Nak 700> Cass> Reel source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; transferred and edited by Charlie Miller
|
notes
|
| 3950. |
12/09/79 |
Shn - 0,
8833 |
St. Louis |
Kiel Auditorium MAC(Nak CM-700s-> Sony TC-158)>R>D>CD; via Jack Warner; Don Chase
|
notes
|
| 3951. |
12/10/79 |
Flac 16 - 0,
34938 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; Set 1 SBD>Cm>Reel>Dat>CD>EAC>SHN, Set 2 SBD>Cm>?>Dat>CD>EAC>SHN - Fix of shn id 3371 via Bill Tetzeli
|
notes
|
| 3952. |
12/10/79 |
Flac 16 - 0,
128746 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on a Nak Cr7A
|
notes
|
| 3953. |
12/10/79 |
Flac 16 Mtx - 0,
126986 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; 2 Source Matrix by dusborne; Soundboard (shnid:34938) Set 1 SBD>Cm>Reel>Dat>CD>EAC>SHN; Set 2 SBD>Cm>?>Dat>CD>EAC>SHN; Fix of shnid 3371 and Audience (shnid:89136) Recording Info: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/TDK SA-C90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3954. |
12/10/79 |
Shn - 0,
3371 |
Kansas City |
Soldiers & Sailors Memorial Hall SBD> Cm> (set 1 = Reel, set 2 = ?)> Dat> CD> EAC> SHN; with AUD patch; see info file for notes; via Steve;upgrade now in circulation
|
notes
|
| 3955. |
12/10/79 |
Flac 16 - 0,
76498 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; AUD of unknown lineage Transfer: Cassette > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-fix, FLAC compression, and checksums) > FLAC via Andrew F
|
notes
|
| 3956. |
12/10/79 |
Flac 16 - 0,
77331 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; Source: A:C:R:D Recorded with Nak 700s>Sony TC-D5 Played back on Akai GX-4000D R2R; Edited and normalized with Cool Edit Transfer and Flac encoding by David Minches
|
notes
|
| 3957. |
12/10/79 |
Flac 16 - 0,
89136 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; Recording by Joani Walker: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 3958. |
12/10/79 |
Flac 16/44 - ,
165876 |
Kansas City |
Soldiers & Sailors Memorial Hall flac1644; Recording info: SBD Cassette Master > DAT > AIF via Anon; Mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Minor repairs, track, FLAC, and pack by Steve Gravel; Replaces Source IDs 165179 and 165429
|
notes
|
| 3959. |
12/10/79 |
Flac 16 Mtx - ,
165854 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 165179 & 34938 (SBD's), and 128746.
|
notes
|
| 3960. |
12/11/79 |
Flac 16 - 0,
103092 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550) -> Cassette (Sony D5); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Remaster of shnid 89165
|
notes
|
| 3961. |
12/11/79 |
Flac 16 - 0,
32058 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; SBD -> Cassette Master -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller : upgrade now in circulation
|
notes
|
| 3962. |
12/11/79 |
Flac 16 - 0,
128800 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on a Nak CR 7A; a complete version now in circulation
|
notes
|
| 3963. |
12/11/79 |
Flac 16 - 0,
131731 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on a Nak CR 7A
|
notes
|
| 3964. |
12/11/79 |
Flac 16 - 0,
89165 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; Recording Info: SBD -> Cassette Master (Nak 550) -> Cassette (Sony D5) Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 3965. |
12/11/79 |
Flac16 Mtx - 0,
92439 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; SBD + AUD Matrix (60%-SBD/40%-AUD) Mixed by Dan Haugh
|
notes
|
| 3966. |
12/11/79 |
Flac 2448 - 0,
92287 |
Kansas City |
Soldiers & Sailors Memorial Hall flac24; DVD-AUDIO 24/48 SBD+AUD Matrix Mix (60%-SBD/40%-AUD); see info files for sources used
|
notes
|
| 3967. |
12/11/79 |
Shn - 0,
5981 |
Kansas City |
Soldiers & Sailors Memorial Hall SBD> Cm> Cass> Dat> CD (Tascam CDRW700)> EAC> CD; Tracked with CDWav; via Charlie Miller, Ron Speer, Jim Parzych, Steve Barbella (see notes);upgrade now in circulation
|
notes
|
| 3968. |
12/11/79 |
Shn - 0,
9799 |
Kansas City |
Soldiers & Sailors Memorial Hall Nak CM-700s-> Sony TC-D5; MAC>R>D>CD; via Jack Warner; Seeded to etree by Don Chase
|
notes
|
| 3969. |
12/11/79 |
Flac 16 - 0,
89166 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; Recording by Joani Walker: (FOB) Sony ECM-250 -> Cassette Master (Sony TC-158/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 3970. |
12/11/79 |
Flac 16 - 0,
28890 |
Kansas City |
Soldiers & Sailors Memorial Hall flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (44.1k). Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif plus -> Samplitude v7.02 Professional -> FLAC. Transferred and Edited By Charlie Miller charliemiller87@earthlink.net : upgrade now in circulation
|
notes
|
| 3971. |
12/26/79 |
Flac 16 - 0,
81323 |
Oakland |
Oakland Auditorium Arena flac16; Lineage: SBD Transfer: SBD -> ? -> DAT; DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing:- All editing and mastering by Jamie Waddell Wavelab 6.0- BBE, L3(type 1 dither)>16/44.1 SBE FREE
|
notes
|
| 3972. |
12/26/79 |
Flac 16 - 0,
128505 |
Oakland |
Oakland Auditorium Arena flac16; Set 2 Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; first generation "safety tape" transferred on a Nakamichi CR-7A
|
notes
|
| 3973. |
12/26/79 |
Flac 16 - 0,
89187 |
Oakland |
Oakland Auditorium Arena flac16; Recording by Joani Walker (Soundcheck by David Gans): Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 3974. |
12/26/79 |
Shn - 0,
17418 |
Oakland |
Oakland Auditorium Arena AUD>Cm>?>Cass>MiniDisc>Samplitude>SHN Soundcheck via Charlie Miller : upgrade now in circulation
|
notes
|
| 3975. |
12/26/79 |
Shn - 0,
16092 |
Oakland |
Oakland Auditorium Arena Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor encoded by Matt Vernon with Soundcheck.
|
notes
|
| 3976. |
12/26/79 |
Flac 24/96 - 0,
144774 |
Oakland |
Oakland Auditorium Arena flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3977. |
12/26/79 |
Flac 16/48 - 0,
144773 |
Oakland |
Oakland Auditorium Arena flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3978. |
12/26/79 |
Flac 16/48 - 0,
150235 |
Oakland |
Oakland Auditorium Arena flac16/48kHz; Set 2 Recording Info: SBD > Master Reel > DAT (48k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC; All Transfers and Mastering by Charlie Miller
|
notes
|
| 3979. |
12/26/79 |
Flac 16 Mtx - ,
154873 |
Oakland |
Oakland Auditorium Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 150235 & 128505.
|
notes
|
| 3980. |
12/27/79 |
Flac 16 - 0,
81601 |
Oakland |
Oakland Auditorium Arena flac16; 1st Set Only, Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 3981. |
12/27/79 |
Flac 16 - 0,
128618 |
Oakland |
Oakland Auditorium Arena flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 3982. |
12/27/79 |
Shn - 0,
5593 |
Oakland |
Oakland Auditorium Arena Recording by Steve Rolfe: Master Audience Cassette; Nakamichi CM700 mics > Sony TC-158 cassette deck > DBX encoded Reel to Reel > DBX decoded > Panasonic SV3700 DAT > CDR; EAC'ed / SHN'ed by Scott Clugston : upgrade now in circulation
|
notes
|
| 3983. |
12/27/79 |
Flac 16 - 0,
83944 |
Oakland |
Oakland Auditorium Arena flac16; Recording by Ira Frisch: Master Audience Cassette; 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 3984. |
12/27/79 |
Flac 16 - 0,
89199 |
Oakland |
Oakland Auditorium Arena flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 3985. |
12/27/79 |
Shn - 0,
15081 |
Oakland |
Oakland Auditorium Arena Recording by Steve Rolfe: nak 700's > d5 > DAT > cdr via Dave Minor, encoding Matt Vernon
|
notes
|
| 3986. |
12/27/79 |
Flac 16/48 - 0,
144775 |
Oakland |
Oakland Auditorium Arena flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 3987. |
12/27/79 |
Flac 24/96 - 0,
144776 |
Oakland |
Oakland Auditorium Arena flac24; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 3988. |
12/27/79 |
Flac 24/96 - ,
154876 |
Oakland |
Oakland Auditorium Arena flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (1st Set + Encore -Maxell UDXLII 90, 2nd set Scotch Chrome Type II 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 3989. |
12/27/79 |
Flac 16/48 - ,
154875 |
Oakland |
Oakland Auditorium Arena flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (1st Set + Encore -Maxell UDXLII 90, 2nd set Scotch Chrome Type II 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 3990. |
12/28/79 |
Flac 16 Mtx - 0,
94267 |
Oakland |
Oakland Auditorium Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC
|
notes
|
| 3991. |
12/28/79 |
Flac 16 - 0,
87384 |
Oakland |
Oakland Auditorium Arena flac16; SBD > MR > PCM > DAT > WAV > FLAC. Seeded by the Green Mountain Bros.
|
notes
|
| 3992. |
12/28/79 |
Shn - 0,
4145 |
Oakland |
Oakland Auditorium Arena SBD; transferred and seeded by Mike Lai, from Bruce Fried DAT; 7/26/01 update: d2t1 md5 had been missing here, complete md5s now shown : upgrade now in circulation
|
notes
|
| 3993. |
12/28/79 |
Flac 16 - 0,
128624 |
Oakland |
Oakland Auditorium Arena flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 3994. |
12/28/79 |
Flac 16 - 0,
134499 |
Oakland |
Oakland Auditorium Arena flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 3995. |
12/28/79 |
Shn - 0,
19918 |
Oakland |
Oakland Auditorium Arena sector boundary errors fixed with shntool and new md5 generated of previous sbd source : upgrade now in circulation
|
notes
|
| 3996. |
12/28/79 |
Flac 16 - 0,
103117 |
Oakland |
Oakland Auditorium Arena flac16;Recording Info:Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> Adobe Audition v1.5 -> FLAC/16; Recorded By Joani Walker; All Transfers and Mastering By Charlie Miller; Remaster of shnid 89273
|
notes
|
| 3997. |
12/28/79 |
Shn - 0,
16117 |
Oakland |
Oakland Auditorium Arena Recording by Steve Rolfe: nak 700's > d5 > DAT > cdr taped via Dave Minor encoded by Matt Vernon
|
notes
|
| 3998. |
12/28/79 |
Flac 16 - 0,
89273 |
Oakland |
Oakland Auditorium Arena flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 3999. |
12/28/79 |
Flac 16 - 0,
140817 |
Oakland |
Oakland Auditorium Arena flac16; Recording Info: Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000(wav 16-bit/44.1k) > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 4000. |
12/28/79 |
Flac 16 - 0,
140833 |
Oakland |
Oakland Auditorium Arena flac16; Recording Info: Master Soundboard Reels > PCM; Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000(wav 16-bit/44.1k) > Adobe Audition 3.0 > TLH flac16; this sources fixes two 2 dropouts in the previous source
|
notes
|
| 4001. |
12/28/79 |
Flac 16/48 - 0,
144777 |
Oakland |
Oakland Auditorium Arena flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4002. |
12/28/79 |
Flac 24/96 - 0,
144778 |
Oakland |
Oakland Auditorium Arena flac24; Mark Severson's Master (FOB) Audience Cassettes; AKG D1000E mics (pole mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4003. |
12/28/79 |
Flac 24/96 - ,
154878 |
Oakland |
Oakland Auditorium Arena flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK KR 90 except Casey Jones and One More Saturday Night - Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 4004. |
12/28/79 |
Flac 16/48 - ,
154877 |
Oakland |
Oakland Auditorium Arena flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK KR 90 except Casey Jones and One More Saturday Night - Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 4005. |
12/30/79 |
Shn - 0,
4797 |
Oakland |
Oakland Auditorium Arena SBD> MC> DAT> CD (except for Truckin' which is from an unknown AUD source); seeds via Charlie Miller; DAE and hosting by neo_levo;upgrade now in circulation
|
notes
|
| 4006. |
12/30/79 |
Flac 16 - 0,
35219 |
Oakland |
Oakland Auditorium Arena flac16; SBD>MC>DAT>CD - Seamless fix of shn id 4797. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 4007. |
12/30/79 |
Shn - 0,
18221 |
Oakland |
Oakland Auditorium Arena Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor, encoding Matt Vernon
|
notes
|
| 4008. |
12/30/79 |
Flac 16 - 0,
89259 |
Oakland |
Oakland Auditorium Arena flac16; Recording by Joani Walker: Sennheiser 421 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 4009. |
12/30/79 |
Flac 16 - 0,
90677 |
Oakland |
Oakland Auditorium Arena flac16; Recorded by Mark Severson; 2 Sony ECM-270s on stand 35' from stage> Sony TC-D5 (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 4010. |
12/30/79 |
Flac 24/96 - 0,
144786 |
Oakland |
Oakland Auditorium Arena flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4011. |
12/30/79 |
Flac 16/48 - 0,
144785 |
Oakland |
Oakland Auditorium Arena flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, DFC, 35' from stage at the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4012. |
12/30/79 |
Flac 24/96 - ,
154880 |
Oakland |
Oakland Auditorium Arena flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 4013. |
12/30/79 |
Flac 16/48 - ,
154879 |
Oakland |
Oakland Auditorium Arena flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 4014. |
12/31/79 |
Shn - 0,
17281 |
Oakland |
Oakland Auditorium Arena SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko
|
notes
|
| 4015. |
12/31/79 |
Flac 16 - 0,
126183 |
Oakland |
Oakland Auditorium Arena flac16; SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko (original shn 17281) - patches and pitch correction by Kevin Tobin
|
notes
|
| 4016. |
12/31/79 |
Flac 16 Mtx - 0,
126184 |
Oakland |
Oakland Auditorium Arena flac16; Matrix 3 Source Mix - SBD1 (shnid=17281) SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko + AUD1 (shn id 88768) Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 + SBD2 (no shn id) low generation video - matrix mixing by Kevin Tobin
|
notes
|
| 4017. |
12/31/79 |
Shn - 0,
5477 |
Oakland |
Oakland Auditorium Arena Recording by Steve Rolfe: Master Audience Cassette: Nakamichi CM700 mics > Sony TC-158 cassette deck > DAT > CDR; CD Remastering, EAC'ed / SHN'ed by Scott Clugston; d3 tracked for 80 min : upgrade now in circulation
|
notes
|
| 4018. |
12/31/79 |
Shn - 0,
18589 |
Oakland |
Oakland Auditorium Arena Recording by Steve Rolfe: Nak 700's > d5 > DAT > cdr via Dave Minor encoded and patched by Matt Vernon
|
notes
|
| 4019. |
12/31/79 |
Shn - 0,
6031 |
Oakland |
Oakland Auditorium Arena Recording by Steve Rolfe: AUD > NAK 700s >Sony TC-158 > MC > DAT > CDR > EAC > SHN; EAC> SHN> etree by G. Gorinsky, with thanks to Glenn Gillis; cut in NFA : upgrade now in circulation
|
notes
|
| 4020. |
12/31/79 |
Flac 16 - 0,
88768 |
Oakland |
Oakland Auditorium Arena flac16;Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16
|
notes
|
| 4021. |
12/31/79 |
Flac 16/48 - 0,
144795 |
Oakland |
Oakland Auditorium Arena flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, 35' from stage, several feet left of the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4022. |
12/31/79 |
Flac 24/96 - 0,
144796 |
Oakland |
Oakland Auditorium Arena flac24; Mark Severson's Master (FOB) Audience Cassettes; Sony ECM-270 mics (stand mounted, 35' from stage, several feet left of the free throw circle)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4023. |
12/31/79 |
Flac 24/96 - ,
154882 |
Oakland |
Oakland Auditorium Arena flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 4024. |
12/31/79 |
Flac 16/48 - ,
154881 |
Oakland |
Oakland Auditorium Arena flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 4025. |
12/31/79 |
Flac 16/48 - ,
156628 |
Oakland |
Oakland Auditorium Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 126183) SBD > ?? > Cassette > CD with AUD patches via Darryl Hinko (original shn 17281) - patches and pitch correction by Kevin Tobin + AUD (shnid = 155895) (original shnid = 88768) Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 - surround mixing by Kevin Tobin
|
notes
|
| 4026. |
??/??/79 |
Flac 16 - 0,
97925 |
Unknown |
Go To Heaven Outtakes flac16; Lineage: Unknown Studio Recording -> Sonic Solutions -> CD Transfer: CD -> EAC -> FLAC by Joe Samaritano
|
notes
|
| 4027. |
??/??/79 |
Flac 24 - 0,
137649 |
Unknown |
Go To Heaven Outtakes flac24; Recording Info: SBD > Master Reels (24-track) > Betty's Cassette (Maxell UD-XLII); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4028. |
??/??/79 |
Flac 16 - 0,
137673 |
Unknown |
Go To Heaven Outtakes flac16; Recording Info: SBD > Master Reels (24-track) > Betty's Cassette (Maxell UD-XLII); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, Thiss is 137649 24 bit > 16 bit with r8brain
|
notes
|
| 4029. |
01/13/80 |
Flac 16 - 0,
106517 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4030. |
01/13/80 |
Flac 16 - 0,
110680 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recorded by BEAR. Transferred by Jim Blackwood at 32 bit 88.2 kHz Edited and Mastered by Jamie Waddell Weiss Saracon for 16 bit 44.1 kHz conversion
|
notes
|
| 4031. |
01/13/80 |
Shn - 0,
6145 |
Oakland |
Oakland-Alameda County Coliseum sbd> mr> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT
|
notes
|
| 4032. |
01/13/80 |
Flac 24/96 - ,
158145 |
Oakland |
Oakland-Alameda County Coliseum flac2496 Recording info: Maxell MX90 cassette from Bear via Jamie Waddell Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > FLAC24
Recorded by Augustus Owsley Stanley III (aka Bear) Transferred (Nov 2021) and mastered by Jim Blackwood Speed/pitch adjusted by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel
|
notes
|
| 4033. |
01/13/80 |
Flac 16/48 - ,
158146 |
Oakland |
Oakland-Alameda County Coliseum flac1648 Recording info: Maxell MX90 cassette from Bear via Jamie Waddell Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > FLAC24
Recorded by Augustus Owsley Stanley III (aka Bear) Transferred (Nov 2021) and mastered by Jim Blackwood Speed/pitch adjusted by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel
|
notes
|
| 4034. |
03/30/80 |
Flac 16 - 0,
27752 |
Passaic |
Capitol Theater flac16; SBD> Cassette Master> Dat, plus patch from FOB Nak 700> Cass; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
|
notes
|
| 4035. |
03/30/80 |
Flac 16 - 0,
96014 |
Passaic |
Capitol Theater flac16; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0082
|
notes
|
| 4036. |
03/30/80 |
Flac 16 - 0,
92666 |
Passaic |
Capitol Theater flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 & v10.1 -> Adobe Audition v1.5 -> FLAC
|
notes
|
| 4037. |
03/30/80 |
Flac 16 - 0,
96455 |
Passaic |
Capitol Theater flac16; MTX; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe Sbd Source: 27752 flac16; SBD> Cassette Master> Dat, plus patch from FOB Nak 700> Cass; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
|
notes
|
| 4038. |
03/30/80 |
Shn - 0,
4740 |
Passaic |
Capitol Theater Recording by Barry Glassberg: nak 700 > sony tc d5m fob tascam 112 > sony pcm r-500 > hhb cdr-850, taper Barry G.; nonseeking shns via Steve Barbella to CDead
|
notes
|
| 4039. |
03/30/80 |
Flac 24 - 0,
96015 |
Passaic |
Capitol Theater flac24; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0082
|
notes
|
| 4040. |
03/31/80 |
Shn - 0,
4741 |
Passaic |
Capitol Theater Recording by Rob Eaton: sennnheiser 421 > nak 550 fob analog mastering AND analog to digital by rob eaton; dat > cd was sony pcm r-700 > hhb cdr-800; nonseeking shns via Steve Barbella to CDead; some cuts and missing songs (see info file)
|
notes
|
| 4041. |
03/31/80 |
Flac 24/96 - 0,
151345 |
Passaic |
Capitol Theater flac24/96khz Recording Info: (FOB) Sennheiser 421 > Cassette Master (Nakamichi 550) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k)
|
notes
|
| 4042. |
03/31/80 |
Flac 16/44,1 - 0,
151425 |
Passaic |
Capitol Theater flac16/44.1khz Recording Info: (FOB) Sennheiser 421 > Cassette Master (Nakamichi 550) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools (24-bit/96k) -- 151345 24 -> 16 @ 44.1
|
notes
|
| 4043. |
04/01/80 |
Flac - 0,
12386 |
Passaic |
Capitol Theater mixed sources: SBD> Rm> Dat> Sonic Solutions> CD> EAC> SHN, SBD> Rm> Cass> Dat> CD> Cool Edit Pro> CD> EAC> SHN, and AUD> Cm> Dat> CD> EAC> SHN; edited, converted, seeded by Charlie Miller
|
notes
|
| 4044. |
04/01/80 |
Flac 24/96 - 0,
96453 |
Passaic |
Capitol Theater flac24; MOTB.0076; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe
|
notes
|
| 4045. |
04/01/80 |
Flac 16 - 0,
96452 |
Passaic |
Capitol Theater flac16; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 x x Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >>MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe
|
notes
|
| 4046. |
04/01/80 |
Flac 16 Mtx - 0,
96454 |
Passaic |
Capitol Theater flac16; MTX; FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe SBD Source: Miller's - 12386
|
notes
|
| 4047. |
04/01/80 |
Shn - 0,
26178 |
Passaic |
Capitol Theater Bertha remaster of Charlie Miller's previous seed, by Jay Ashley
|
notes
|
| 4048. |
04/01/80 |
Shn - 0,
4742 |
Passaic |
Capitol Theater Recording by Barry Glassberg: nak 700 > sony tc d5m fob tascam 112 > sony pcm r-500 > hhb cdr-850, taper Barry G.; nonseeking shns via Steve Barbella to CDead
|
notes
|
| 4049. |
04/01/80 |
Shn - 0,
9670 |
Passaic |
Capitol Theater SBD>MC>??>CDR; 35 seconds of He's Gone and the Other One, as well as the Shakedown encore are provided by an audience source; See info file for details; via Paul B; Seeded to etree by Willy
|
notes
|
| 4050. |
04/01/80 |
Flac 16/44,1 - ,
152610 |
Passaic |
Capitol Theater flac16/44.1khz Recording Info: SBD > Cassette Master > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/16
|
notes
|
| 4051. |
04/28/80 |
Flac 16 - 0,
128382 |
Birmingham |
Boutwell Auditorium flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 4052. |
04/28/80 |
Flac 16 - 0,
88858 |
Birmingham |
Boutwell Auditorium flac16 Recording by Barry Glassberg: MOTB Release: 0040 16/44.1 Source: Master Audience Recording [1st Row Loge, DFC] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe
|
notes
|
| 4053. |
04/28/80 |
Flac 24/96 - 0,
88906 |
Birmingham |
Boutwell Auditorium flac24 Recording by Barry Glassberg: MOTB Release: 0040 24/96 Source: Master Audience Recording [1st Row Loge, DFC] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: D. McCabe
|
notes
|
| 4054. |
04/28/80 |
Shn - 0,
3402 |
Birmingham |
Boutwell Auditorium Recording by Barry Glassberg: non-dank version, with differing md5s; FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)> Sony R500 @44.1; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII CD>SHN: EAC (see info file)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch> additional step(s) (reDAE, reSHN?) by unIDed person; to abgd and etree; upgrade in circulation
|
notes
|
| 4055. |
04/28/80 |
Shn - 0,
4993 |
Birmingham |
Boutwell Auditorium Recording by Barry Glassberg: QC courtesy dankseeds, of Jamie's shns as listed in info file; FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)> Sony R500 @44.1; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII CD>SHN: EAC (see info file)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; non-dank version may also circulate, but with different md5s; upgrade in circulation
|
notes
|
| 4056. |
04/28/80 |
Flac 16 - 0,
99886 |
Birmingham |
Boutwell Auditorium flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009
|
notes
|
| 4057. |
04/29/80 |
Flac 16 - 0,
128627 |
Atlanta |
Fox Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 4058. |
04/29/80 |
Flac 16 - 0,
88772 |
Atlanta |
Fox Theater flac16 Recording by Barry Glassberg; MOTB Release: 0041 16/44.1 Source: Master Audience Recording [Loge, Row AA, Seat 101] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky
|
notes
|
| 4059. |
04/29/80 |
Shn - 0,
5455 |
Atlanta |
Fox Theater Recording by Barry Glassberg: QC courtesy dankseeds, of Jamie's original version, note d1 md5s: FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; alternate version may also be in circ; note dankseeds certified as of 1/8/02 ; upgrade in circulation
|
notes
|
| 4060. |
04/29/80 |
Shn - 0,
3403 |
Atlanta |
Fox Theater Recording by Barry Glassberg; possible reshn or reDAE (in d1) by unIDed person, of Jamie's version: FOB (Nakamichi 700)> Master Cassette(Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; upgrade in circulation
|
notes
|
| 4061. |
04/29/80 |
Flac 24/96 - 0,
88864 |
Atlanta |
Fox Theater flac24 Recording by Barry Glassberg; MOTB Release: 0041 24/96 Source: Master Audience Recording [Loge, Row AA, Seat 101] Media: MAC = Maxell UD XL II C90 Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > WAV [24/96] Taped by: B. Glassberg Transfer by: A. Egert Mastering by: B. Koucky
|
notes
|
| 4062. |
04/29/80 |
Flac 16 - 0,
99887 |
Atlanta |
Fox Theater flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009
|
notes
|
| 4063. |
04/29/80 |
Flac 16 - 0,
88872 |
Atlanta |
Fox Theater flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 4064. |
05/01/80 |
Flac 16 - 0,
128684 |
Greensboro |
Greensboro Coliseum flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 4065. |
05/01/80 |
Flac 16 - 0,
96313 |
Greensboro |
Greensboro Coliseum flac16; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
|
notes
|
| 4066. |
05/01/80 |
Flac 24/96 - 0,
106612 |
Greensboro |
Greensboro Coliseum flac24; 1st Set: Shure mics; 2nd Set: Beyer mics (unknown models) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded from the floor by Bob Morris
|
notes
|
| 4067. |
05/01/80 |
Shn - 0,
3418 |
Greensboro |
Greensboro Coliseum Recording by Barry Glassberg: possible reshn or reDAE by unIDed person, of Jamie's version: FOB (Nakamichi 700)> Master Cassette (Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; d2 tracked for 80 min; to abgd; upgrade in circulation
|
notes
|
| 4068. |
05/01/80 |
Flac 24/96 - 0,
96316 |
Greensboro |
Greensboro Coliseum flac24; MAC = 2 x Maxell XLII C90, Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DFF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] MOTB0084
|
notes
|
| 4069. |
05/01/80 |
Flac 16 - 0,
99951 |
Greensboro |
Greensboro Coliseum flac16; 1st Set: Shure mics; 2nd Set: Beyer mics (unknown models) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009
|
notes
|
| 4070. |
05/01/80 |
Shn - 0,
5917 |
Greensboro |
Greensboro Coliseum Recording by Barry Glassberg; FOB (Nakamichi 700)> Master Cassette (Sony TC-D5); A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1>; D>CD: DAT> MASTER CDR on HHB CDR 850> Duped to CD(1) on Tascam CD-D4000MKII; CD>SHN: EAC (see info)> Soundforge> CD WAV> SHNv3 w/seek tables appended; taped by Barry G., A>D>CD Conversion by Jim Wise, CD>SHN by Jamie Lutch; d2 tracked for 80 min; QC courtesy dankseeds; see info file for listening notes etc
|
notes
|
| 4071. |
05/01/80 |
Flac 24/48 - ,
155931 |
Greensboro |
Greensboro Coliseum flac2448; Source: AKG-414's (mid-side configuration) > Sony TC-D5 > Maxell UDXLII's, set up at the soundboard, recording by the GD crew. Transfer: MAC > Nakamichi CR-5A (Dolby-B) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2022
|
notes
|
| 4072. |
05/02/80 |
Flac 24 - 0,
128515 |
Hampton |
Hampton Coliseum flac24; Beyer M-160>Nakamichi 550; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded in the "Sweet Spot"; Recorded and transfered By Richie Stankiewicz
|
notes
|
| 4073. |
05/02/80 |
Flac 16 - 0,
128686 |
Hampton |
Hampton Coliseum flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 4074. |
05/02/80 |
Flac 16 - 0,
88873 |
Hampton |
Hampton Coliseum flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 4075. |
05/02/80 |
Shn - 0,
3202 |
Hampton |
Hampton Coliseum Recordings by John Hance and Jim Wise: Mixed Source AUD: FOB (NAK 700 (set 1, John Hance) & AKG 1000E (set 2, Jim Wise))> Master Cassette (Sony TC-D5); Master Cassette (Nakamichi Dragon)> A/D Conversion via Sony R700> COAX to ZA2> Soundforge> MASTER CDR> EAC in Secure Mode> Soundforge> CD WAV> SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD> SHN by Jamie Lutch; via Tim L. to etrade offer; QC courtesy dankseeds; see info file for listening notes etc
|
notes
|
| 4076. |
05/02/80 |
Flac 24/96 - 0,
106613 |
Hampton |
Hampton Coliseum flac24; (FOB) Beyer mics (unknown model) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 Recorded FOB from the floor by Bob Morris; Upgrade in circulation
|
notes
|
| 4077. |
05/02/80 |
Flac 24/96 - 0,
111142 |
Hampton |
Hampton Coliseum flac24; (FOB) Beyer mics (unknown model) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0; Recorded FOB from the floor by Bob Morris
|
notes
|
| 4078. |
05/02/80 |
Flac 16 - 0,
96450 |
Hampton |
Hampton Coliseum flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0085
|
notes
|
| 4079. |
05/02/80 |
Flac 24/96 - 0,
96451 |
Hampton |
Hampton Coliseum flac24; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0085
|
notes
|
| 4080. |
05/02/80 |
Flac 16 - 0,
99952 |
Hampton |
Hampton Coliseum flac16; (FOB) Beyer mics (unknown model) > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009
|
notes
|
| 4081. |
05/04/80 |
Flac 16 - 0,
96910 |
Baltimore |
Baltimore Civic Center b>flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037 (This source fixes the flaws in the previous MOTB seed.)
|
notes
|
| 4082. |
05/04/80 |
Flac 16 - 0,
128688 |
Baltimore |
Baltimore Civic Center flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 4083. |
05/04/80 |
Flac 16 - 0,
99953 |
Baltimore |
Baltimore Civic Center flac16; Recorded by Bob Morris Nakamichi shotguns>Marantz Superscope CD320>Maxell XLII Nak Transfer: DR-1>Korg MR-1000>Audiogate>16/44>cdwav by Bob Morris, June, 2009
|
notes
|
| 4084. |
05/04/80 |
Flac 24/96 - 0,
96585 |
Baltimore |
Baltimore Civic Center flac24; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037. A fixed version now circulates.
|
notes
|
| 4085. |
05/04/80 |
Flac 16 - 0,
96584 |
Baltimore |
Baltimore Civic Center flac16; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037. A fixed version now circulates
|
notes
|
| 4086. |
05/04/80 |
Shn - 0,
11768 |
Baltimore |
Baltimore Civic Center Nak 300's>MC>DAT>CD; via Paul B; Seeded to etree by Willy
|
notes
|
| 4087. |
05/04/80 |
Flac 16 - 0,
106081 |
Baltimore |
Baltimore Civic Center flac16; Nakamichi shotgun x2 (CM-300?) > Cassette Master (Marantz Superscope CD320>Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Patched w/ shnid 11768 Nak 300's using Soundforge 9.0; Recorded by Bob Morris
|
notes
|
| 4088. |
05/04/80 |
Flac 24/96 - 0,
106622 |
Baltimore |
Baltimore Civic Center flac24; Nakamichi shotgun x2 (CM-300?) > Cassette Master (Marantz Superscope CD320>Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96kHz) > Soundforge 9.0 Encore recorded with Charlie Connor's Sony ECM-990 stereo mic. Recorded by Bob Morris
|
notes
|
| 4089. |
05/04/80 |
Flac 24/96 - 0,
96925 |
Baltimore |
Baltimore Civic Center flac24; MAC = 2 x Maxell XLII C90; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Derek McCabe MOTB0037 (This source fixes the flaws in the previous MOTB seed.)
|
notes
|
| 4090. |
05/04/80 |
Flac 24/96 - 0,
119812 |
Baltimore |
Baltimore Civic Center flac24; 2 AKG-1000E> Sony D-5; Recorded by Jim Wise; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
|
notes
|
| 4091. |
05/06/80 |
Flac 16 - 0,
99954 |
State College |
Recreation Hall, Pennsylvania State University flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded by Bob Morris; transferred & mastered by Bob Morris, June, 2009; Patched upgrade in circulation
|
notes
|
| 4092. |
05/06/80 |
Flac 16 - 0,
128608 |
State College |
Recreation Hall, Pennsylvania State University flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 4093. |
05/06/80 |
Shn - 0,
5075 |
State College |
Recreation Hall, Pennsylvania State University Unknown Audience Recording: ??> cassette> wav> shn; playback: Sony es> soundblasterlive platinum> cooledit> cdwave editor> MKWact; A>D conversion, shn, seeded By Popi n. Feeldz; missing encore
|
notes
|
| 4094. |
05/06/80 |
Shn - 0,
6691 |
State College |
Recreation Hall, Pennsylvania State University Recording by Rob Eaton: Sennnheiser 421 > Nak 550 fob analog; mastering and analog to digital by Rob Eaton; dat > cd: sony pcm r-700 > hhb cdr-800; via Seth Kaplan, Steve Barbella
|
notes
|
| 4095. |
05/06/80 |
Flac 16 - 0,
111027 |
State College |
Recreation Hall, Pennsylvania State University flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor; Recorded by Bob Morris. Transfer (6/09) & edit / patch (9/10) by Bob Morris
|
notes
|
| 4096. |
05/07/80 |
Shn - 0,
26349 |
Ithaca |
Barton Hall, Cornell University SBD> Cassette Master> Reel> Dat> CD> EAC> SHN; Converted By Charlie Miller
|
notes
|
| 4097. |
05/07/80 |
Flac 16 - 0,
128832 |
Ithaca |
Barton Hall, Cornell University flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 4098. |
05/07/80 |
Shn - 0,
3294 |
Ithaca |
Barton Hall, Cornell University Master Audience Cassette; Nakamichi CM700 + Nakamichi CM300 blend> Sony TC-D5M > DAT > CDR; CD Mastering> EAC> SHN by Scott Clugston
|
notes
|
| 4099. |
05/07/80 |
Flac 24/96 - ,
152802 |
Ithaca |
Barton Hall, Cornell University flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4100. |
05/07/80 |
Flac 16/48 - ,
152801 |
Ithaca |
Barton Hall, Cornell University flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4101. |
05/08/80 |
Shn - 0,
15034 |
Glens Falls |
Glens Falls Civic Center Master Soundboard Cassette > Cassette > DAT> CDR (Primary Source) patched with the Jim Wise audience source: Recorded by Jim Wise (via Jeff Hellman), 2 Nak 700s + Nak 300 blend>Sony TC-D5: AUD>MC>DAT>CDR>EAC>mkwACT>SHN; Patched by R.Carman
|
notes
|
| 4102. |
05/08/80 |
Shn - 0,
7538 |
Glens Falls |
Glens Falls Civic Center Master Soundboard Cassette > Cassette > DAT> CDR; via Scott Clugston; patched upgrade in circulation
|
notes
|
| 4103. |
05/08/80 |
Flac 16 - 0,
82434 |
Glens Falls |
Glens Falls Civic Center flac16; Master SDB Cassette > Cassette > DAT > CDR. Playback: CDR > Classic Portable CD Player > Panasonic EQ > Tascam CDRW 5000 Stand Alone CD Burner > CDR > increased the volume to acceptable levels and did some other tweaking > Flac frontend > flac; unknown relation to prior patched sbd in circulation
|
notes
|
| 4104. |
05/08/80 |
Flac 24/96 - 0,
119061 |
Glens Falls |
Glens Falls Civic Center flac24; Recorded by Jim Wise; 2 Nakamichi CM-700s with shotguns> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
|
notes
|
| 4105. |
05/08/80 |
Shn - 0,
13189 |
Glens Falls |
Glens Falls Civic Center Updated lineage: Recording by Jim Wise: 3 nak 700's with cpu capsules at the sbd >Nak 550 taped by Jim Wise via Raoul Duke and the Miami SHN Machine
|
notes
|
| 4106. |
05/08/80 |
Flac 16 - 0,
120093 |
Glens Falls |
Glens Falls Civic Center flac16; 3-Nak 700 Shotguns > Superscope CD-320 > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche
|
notes
|
| 4107. |
05/08/80 |
Flac 16 - 0,
100401 |
Glens Falls |
Glens Falls Civic Center flac16; Recording Info: (3) Nakamichi CM700 Shotguns -> Namakmichi 550 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4108. |
05/08/80 |
Flac 16 - 0,
100243 |
Glens Falls |
Glens Falls Civic Center flac16; Source: (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320 Maxell UDXLI);Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit 5.6MHz) >Audiogate 1-bit 5.6MHz > 16-bit 44.1KHz) > cdwav (edits); Recorded from Section 103, Row P, Seat 14 by Bob Morris with thanks to Sam R and Charlie Connor
|
notes
|
| 4109. |
05/08/80 |
Flac 24/96 - ,
152804 |
Glens Falls |
Glens Falls Civic Center flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4110. |
05/08/80 |
Flac 16/48 - ,
152803 |
Glens Falls |
Glens Falls Civic Center flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4111. |
05/10/80 |
Flac 16 - 0,
91938 |
Hartford |
Hartford Civic Center flac16; Set 2 only, Recording Info: SBD -> Cassette Master -> Dat -> Sound Forge -> WAV; Transfer Info: WAV -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC
|
notes
|
| 4112. |
05/10/80 |
Flac 16 - 0,
110830 |
Hartford |
Hartford Civic Center flac16; 2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg
|
notes
|
| 4113. |
05/10/80 |
Flac 16/48 - 0,
132518 |
Hartford |
Hartford Civic Center flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of Jeff Hellman); Nakamichi CM-700 Electret Condenser Microphones w/ CP-4 Shotgun Capsules-Sony TC D-5 Cassette Recorder; Location @ Sound Board; Analog to Digital: Dolby B Decoded Maxell UD-XL11 C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)Tagging(Tag & Re-name)Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
|
notes
|
| 4114. |
05/10/80 |
Flac 24/96 - 0,
132517 |
Hartford |
Hartford Civic Center flac24; Cassette Audience Master recorded By Jim Wise (patched out of Jeff Hellman); Nakamichi CM-700 Electret Condenser Microphones w/ CP-4 Shotgun Capsules-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded Maxell UD-XL11 C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
|
notes
|
| 4115. |
05/10/80 |
Flac 16 - 0,
98724 |
Hartford |
Hartford Civic Center flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Recorded right beside the soundboard on the left side Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 4116. |
05/10/80 |
Flac 16 - 0,
100402 |
Hartford |
Hartford Civic Center flac16; Recording Info: (3) Nakamichi CM700 Shotguns -> Namakmichi 550 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4117. |
05/10/80 |
Shn - 0,
18158 |
Hartford |
Hartford Civic Center Recording by Steve Rolfe: Nak 700's > Sony D5 Master Cassette recorded by Steve Rolfe from "right beside the soundboard on the left side" AUDMC > DAT > wav(48K) > Cool Edit > CDWAV > mkwact > SHN(seekable) via Dave Minor, converted and shn'd by Marc Pujol and Matt Vernon
|
notes
|
| 4118. |
05/10/80 |
Flac 16 - 0,
100248 |
Hartford |
Hartford Civic Center flac16; Source:(FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Section B, Row R, Seat 12 by Bob Morris with thanks to Sam R and Charlie Connor
|
notes
|
| 4119. |
05/10/80 |
Flac 16 - 0,
83063 |
Hartford |
Hartford Civic Center flac16; Recording by Jim Wise: AUD Source: Three Nakamichi CM-300\'s > patched thru Nakamichi 550 > Sony TC-D5. Mics on a stand, next to the soundboard. Taped and transferred (MAC > CDR) by Jim Wise. Transfer: MAC > CD (likely equipment: Nakamichi Dragon > HHB CDR burner). CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC, by Andrew F
|
notes
|
| 4120. |
05/10/80 |
Flac 16 - 0,
107544 |
Hartford |
Hartford Civic Center flac16; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2010
|
notes
|
| 4121. |
05/10/80 |
Flac 2448 - 0,
107543 |
Hartford |
Hartford Civic Center flac24; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 05/2010
|
notes
|
| 4122. |
05/10/80 |
Shn - 0,
7559 |
Hartford |
Hartford Civic Center Recording by Steve Rolfe: Nak 700's (was listed as Nak 300's) > Sony D5; Seeded to etree by Willy; upgrade in circulation
|
notes
|
| 4123. |
05/10/80 |
Flac 24/96 - 0,
110832 |
Hartford |
Hartford Civic Center flac24; 2 X Nak CM700 with eq > Sony TC-D5M with Dolby > MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Barry Glassberg
|
notes
|
| 4124. |
05/10/80 |
Flac 24/96 - ,
152806 |
Hartford |
Hartford Civic Center flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4125. |
05/10/80 |
Flac 16/48 - ,
152805 |
Hartford |
Hartford Civic Center flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2)Sennheiser 441 mics (Left + Right) + (1) Sennheiser 421 mic (Center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4126. |
05/11/80 |
Flac 16 - 0,
89577 |
Portland |
Cumberland County Civic Center flac16; SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller. This is a repatch and remaster of shn id 13087
|
notes
|
| 4127. |
05/11/80 |
Flac 16 Mtx - 0,
126880 |
Portland |
Cumberland County Civic Center flac16; 2 Source Matrix By Dave Usborne;soundboard (shnid:89577); Transfers and Mastering By Charlie Miller;Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; Audience (shnid:98929);Recorded by Steve Rolfe;2 Nak 700s> Sony TC-D5;Transfer and FLAC encoding by David Minches:Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 4128. |
05/11/80 |
Shn - 0,
33501 |
Portland |
Cumberland County Civic Center SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR> EAC> SHN V.3 - Patched version of the earlier soundboard version by Bill Tetzeli (upgrade in circulation). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 4129. |
05/11/80 |
Shn - 0,
12259 |
Portland |
Cumberland County Civic Center SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR> EAC> SHN V.3 except for Brokedown, which is from an unknown AUD source; EAC and SHN'ed by terrapinstation ; patched upgrade in circulation
|
notes
|
| 4130. |
05/11/80 |
Flac 24/96 - 0,
106615 |
Portland |
Cumberland County Civic Center flac24; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLI Disc 1 & 2; UDXLII Disc 3) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Tape flip in Space patched (0:17-0:40) w/ ID 97523 Nak 700s. Recorded FOB from floor by Bob Morris.
|
notes
|
| 4131. |
05/11/80 |
Shn - 0,
7539 |
Portland |
Cumberland County Civic Center Nak 300's>Sony D5>master cassette>DAT(3); Transfer by Frank Venezia; via JD Foltz; Seeded to etree by Willy; Note- d2t09 does not exist, this was a mistake in naming the files, the show is complete as is.
|
notes
|
| 4132. |
05/11/80 |
Shn - 0,
19266 |
Portland |
Cumberland County Civic Center Recording by Steve Rolfe: Nak 700's > Sony D5 recorded by Steve Rolfe from FOB left center about 40 feet from stage via David Minor, conversion and encoding by Marc Pujol and Matt Vernon
|
notes
|
| 4133. |
05/11/80 |
Flac 16 - 0,
98929 |
Portland |
Cumberland County Civic Center flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5; Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding; Thanks to Joe B. Jones for pitch correction
|
notes
|
| 4134. |
05/11/80 |
Flac 16 - 0,
97522 |
Portland |
Cumberland County Civic Center flac16; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC>> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Audience Source: FOB Master Cassettes (MAC) Taped By: Barry Glassberg
|
notes
|
| 4135. |
05/11/80 |
Flac 24/96 - 0,
97523 |
Portland |
Cumberland County Civic Center flac24; 2 x Nakamichi CM700 => Sony TC-D5 >> MAC>> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Audience Source: FOB Master Cassettes (MAC) Taped By: Barry Glassberg
|
notes
|
| 4136. |
05/11/80 |
Flac 2448 - 0,
107226 |
Portland |
Cumberland County Civic Center flac24; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand "next to the soundboard". Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 04/2010
|
notes
|
| 4137. |
05/11/80 |
Flac 16 - 0,
100250 |
Portland |
Cumberland County Civic Center flac16; Source: (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLI Disc 1 & 2; UDXLII Disc 3); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor
|
notes
|
| 4138. |
05/11/80 |
Flac 16 - 0,
107227 |
Portland |
Cumberland County Civic Center flac16; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand "next to the soundboard". Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 04/2010
|
notes
|
| 4139. |
05/11/80 |
Shn - 0,
13087 |
Portland |
Cumberland County Civic Center riginal SBD> C (Dick's master)> C (Dick copied for Patrick)> DAT> CDR with patches from the etree Nak 300's> Sony D5>master cassette>DAT(3) source; see info file for details; patching done by Doug Nawrocki; upgrade in circulation
|
notes
|
| 4140. |
05/11/80 |
Flac 24/48 - 0,
152441 |
Portland |
Cumberland County Civic Center flac24/48 Recording Information: Microphones: Beyer M201c worn in hat Recorder: Sony TC-D5 Maxell UDXLII no nr This Copy: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
|
notes
|
| 4141. |
05/11/80 |
Flac 16/44 - 0,
152440 |
Portland |
Cumberland County Civic Center flac16/44 Microphones: Beyer M201c (worn in hat??) Recorder: Sony TC-D5 Maxell UDXLII no nr This Copy: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
|
notes
|
| 4142. |
05/11/80 |
Flac 16/44 - ,
156568 |
Portland |
Cumberland County Civic Center flac1644 Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5/Maxell UDXLII-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156013 2496 > 1644.1
|
notes
|
| 4143. |
05/12/80 |
Flac 16 - 0,
92239 |
Boston |
Boston Garden flac16 Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; this source has a patch in a cut in d2t09 of the previous Miller source (source ID 91931)
|
notes
|
| 4144. |
05/12/80 |
Flac 16 Mtx - 0,
127287 |
Boston |
Boston Garden flac16; Matrix 70% sbd/30% aud; Soundboard source: SBD > Cassette Master > Reel > Dat (48k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Professional v10.02 > Cool Edit Pro v2.0 > FLAC; All Transfers and Mastering By Charlie Miller and Audience source: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand, set up in center of upper balcony behind the stage, mics pointed at rear-facing P.A. Taped by Tim Friend. Transfer: MAC > Re-shelled > Nakamichi DR-8 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 16; Transfer by Andrew F.
|
notes
|
| 4145. |
05/12/80 |
Flac 16 - 0,
91931 |
Boston |
Boston Garden flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation
|
notes
|
| 4146. |
05/12/80 |
Shn - 0,
5922 |
Boston |
Boston Garden Recording by Steve Rolfe: Nak 700's > Sony TC158 Master Cassette, recorded by Steve Rolfe, front row balcony; A>D by Noah Weiner: AudMC > DAT > Soundforge normalizing and editing > CDWAV > SHN; via Audience Devotional Tree; tracked for 2x80
|
notes
|
| 4147. |
05/12/80 |
Flac 16 - 0,
100251 |
Boston |
Boston Garden flac16; Source: Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor
|
notes
|
| 4148. |
05/12/80 |
Flac 2448 - 0,
107021 |
Boston |
Boston Garden flac24; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand, set up in center of upper balcony behind the stage, mics pointed at rear-facing P.A. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Re-shelled > Nakamichi DR-8 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 04/2010
|
notes
|
| 4149. |
05/12/80 |
Flac 16 - 0,
107022 |
Boston |
Boston Garden flac16; AUD: 2x Nakamichi CM300/CP1's > Sony TC-153SD > Maxell XLII's. Mics on stand, set up in center of upper balcony behind the stage, mics pointed at rear-facing P.A. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Re-shelled > Nakamichi DR-8 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 04/2010
|
notes
|
| 4150. |
05/14/80 |
Shn - 0,
3295 |
Uniondale |
Nassau Veterans Memorial Coliseum Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering> EAC> SHN by Scott Clugston
|
notes
|
| 4151. |
05/14/80 |
Flac 16 - 0,
111136 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Analog Audience Source: FOB Master Cassettes (MAC); Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5 >> MAC; Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] > ? > flac/16; Taped By: Barry Glassberg
|
notes
|
| 4152. |
05/14/80 |
Flac 16 Mtx - 0,
126608 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; 2 source matrix by dusborne; Soundboard (shnid:3295) Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering by Scott Clugston and Audience (shnid:125962) Recording by Jim Wise: Master Audience Cassette 2 Nakamichi 700's with 1 Nakamichi 300 Blend> Nak 550> Sony D-5 at the SBD; Transfer and FLAC encoding by David Minches
|
notes
|
| 4153. |
05/14/80 |
Flac 24/96 - 0,
125962 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; Recording by Jim Wise: Master Audience Cassette; 2 Nakamichi 700's with 1 Nakamichi 300 Blend> Nak 550> Sony D-5 at the SBD; Transfer and FLAC encoding by David Minches: October 25 2013; Master played back on: Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding
|
notes
|
| 4154. |
05/14/80 |
Flac 16 - 0,
111028 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor; Recorded by Bob Morris (from a not-so-good location -- sorry)
|
notes
|
| 4155. |
05/14/80 |
Flac 16 - 0,
141890 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Source Info: Master Soundboard Cassettes > Reel to Reel > Dat > HHB-CDR 850 > EAC > Cool Edit Pro; This is a remaster of shnid 3295 from 2001
|
notes
|
| 4156. |
05/15/80 |
Flac 16 - 0,
93426 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Recording Info:SBD -> Cassette Master -> Dat (48k); Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4157. |
05/15/80 |
Flac16 Mtx - 0,
126892 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; 2 Source Matrix by dusborne; Soundboard (shnid:93426) Recording Info: SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> FLAC and Audience (shnid:126082) Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
|
notes
|
| 4158. |
05/15/80 |
Shn - 0,
12790 |
Uniondale |
Nassau Veterans Memorial Coliseum AUD> MC> DAT> CDR; via Alan Schlissel, with thanks to Paul B
|
notes
|
| 4159. |
05/15/80 |
Flac 16 - 0,
34721 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; AUD Source: AUD MC > DAT > CDR > EAC > Cool Edit 2K > CDWave > SHN FM Patches: FM > CASS > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH > FLAC Edit: SHN > WAV > WaveMerge > Sound Forge > CDWave > FLAC (level 8)
|
notes
|
| 4160. |
05/15/80 |
Flac 16 - 0,
103182 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16;Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> 16/44.1
|
notes
|
| 4161. |
05/15/80 |
Flac 24/96 - 0,
103183 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24;Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Barry Glassberg Transfer By: Adam Egert Mastering By: Adam Egert
|
notes
|
| 4162. |
05/15/80 |
Flac 24/96 - 0,
126082 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s> Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
|
notes
|
| 4163. |
05/16/80 |
Shn - 0,
7472 |
Uniondale |
Nassau Veterans Memorial Coliseum Master Soundboard Cassette > Cassette > DAT> CDR; via Scott Clugston
|
notes
|
| 4164. |
05/16/80 |
Flac 16 - 0,
111170 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Source: FOB Audience Recording Media: MAC = Maxell UDXLII; Lineage: 2 x Nakamichi CM700 w/ EQ 26th Row Center> Sony TC-D5 (dolby encode) Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 [Pre-Only] > Korg MR-1000 > DSF [1-bit 5.6448 MHz Stereo] > Korg AudioGate > WAV [24/96] > ? > flac16; Taped by: Barry Glassberg
|
notes
|
| 4165. |
05/16/80 |
Flac 16 Mtx - 0,
126718 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; 2 source matrix by Dusborne; Soundboard (shnid:89473) Source 1: Master Soundboard Cassette > Cassette > DAT> CDR (s101-s211) Source 2: Unknown nth generation audience cassette > Sony TC-KE500S > The Card > CoolEdit > shntool > FLAC (s211-s212) Source 3: FM broadcast > cassette (TDK SA-90). Transfer: Cassette > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, checksums and FLAC compression) > FLAC (s213) and Audience (shnid:126104) Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s > Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo])Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding
|
notes
|
| 4166. |
05/16/80 |
Flac 16 - 0,
89473 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Source 1: Master Soundboard Cassette > Cassette > DAT> CDR (shnid 7472) Supplies whole show up to half way through D3T5 Source 2: Recording: FM broadcast > cassette (TDK SA-90). Transfer: Cassette > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH > FLAC (shnid 34685) Supplies d3t7 Source 3: Unknown nth generation audience cassette > Sony TC-KE500S > TheCard > CoolEdit > shntool > FLAC Supplies end of D3T5 and all of D3T6 Seeded by Thomas Hempel 10-Jan-2008
|
notes
|
| 4167. |
05/16/80 |
Flac 16 - 0,
107187 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Taper: Gerry Moskal Sony Stereo ECM -->SONY TCD126 Transfer: Master Cassette Transfer->RR ->Cassette Cassette Transfer Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->flac
|
notes
|
| 4168. |
05/16/80 |
Flac 16 - 0,
100160 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Source: 3 Nak 300's > NAK550 Lineage: MAUD>C>WAV>FLAC
|
notes
|
| 4169. |
05/16/80 |
Flac 24/96 - 0,
126104 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sony ECM-280s > Sony D-5; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo])Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding
|
notes
|
| 4170. |
05/29/80 |
Shn - 0,
14836 |
Des Moines |
Des Moines Civic Center Source: A:C:C:D > CDR via David Minches, shn encoding Matt Vernon
|
notes
|
| 4171. |
05/29/80 |
Shn - 0,
25993 |
Des Moines |
Des Moines Civic Center sets 1p,2; Nak 300, FOB right center of stage> Nak 550 > DAT, taper unknown; Transfer: DATs (48) > Sony 60ES > M-Audio Audiophile USB > CDWAV > Golwave minor edits and resampling > CDWAV tracking > mkwACT SHN; transfer by Joshua Braveman
|
notes
|
| 4172. |
05/29/80 |
Flac 24/96 - 0,
152534 |
Des Moines |
Des Moines Civic Center FLAC2496 Source Info: Roughly 10th row FOB master audience tapes from an Anonymous Benefactor, actual gear lost to the fog of memory Transfer Info: Transferred at 24 bit 96 kHz. Speed Correction by Jason Chastain Critical Listening and Track FLAC, Pack by Steven Gravel Mastering by Jamie Waddell FLAC Level 8 at 24 bit 96kHz
|
notes
|
| 4173. |
05/29/80 |
Flac 16/48 - 0,
152539 |
Des Moines |
Des Moines Civic Center FLAC1648 Source Info: Roughly 10th row FOB master audience tapes from an Anonymous Benefactor, actual gear lost to the fog of memory Transfer Info: Transferred at 24 bit 96 kHz. Speed Correction by Jason Chastain Critical Listening and Track FLAC, Pack by Steven Gravel Mastering by Jamie Waddell 16 Bit 48 kHz FLAC Level 8 from 24 Bit 96 kHz source via Izotope RX8 with MBIT+ dither
|
notes
|
| 4174. |
05/29/80 |
Flac 16/44 - 0,
152540 |
Des Moines |
Des Moines Civic Center FLAC1644 Source Info: Taper's Section Set Two SBD MP3 patched with GEMS AUD Source ID 152534 Transfer Info: Transferred at 16 bit 44.1 kHz Mastering by Jamie Waddell FLAC Level 8
|
notes
|
| 4175. |
05/30/80 |
Flac 16 - 0,
92217 |
Milwaukee |
Milwaukee Auditorium flac16 Recording Info:Set 1: SBD -> ? -> 5th Gen Cassette Set 2: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info:Set 1: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) ->Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; Set 2: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC/16; Set 1 Transferred By Charlie Miller; Set 2 Transferred By Rob Eaton; All Mastering By Charlie Miller
|
notes
|
| 4176. |
05/30/80 |
Flac 16 - 0,
128381 |
Milwaukee |
Milwaukee Auditorium flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 4177. |
05/30/80 |
Flac 16 - 0,
91932 |
Milwaukee |
Milwaukee Auditorium flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4178. |
05/30/80 |
Shn - 0,
14837 |
Milwaukee |
Milwaukee Auditorium Source: A:C:C:D > CDR via David Minches shn encoding Matt Vernon
|
notes
|
| 4179. |
05/31/80 |
Flac 16 - 0,
91763 |
Bloomington |
Metropolitan Sports Center flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 4180. |
05/31/80 |
Shn - 0,
11927 |
Bloomington |
Metropolitan Sports Center AUD>MC>DAT>CD; via Paul B; Seeded to etree by Willy
|
notes
|
| 4181. |
05/??/80 |
Flac 16 - 0,
34685 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; FM broadcast > cassette (TDK SA-90) > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, checksums and FLAC compression) > FLAC
|
notes
|
| 4182. |
05/??/80 |
Flac 24/96 - 0,
144275 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; FM Broadcast (King Biscuit Flower Hour); 7" Reel @ 3.75 ips; Transfer Info: 7" 3.75 ips reel (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4183. |
05/??/80 |
Flac 16/48 - 0,
144274 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/48kHz; FM Broadcast (King Biscuit Flower Hour); 7" Reel @ 3.75 ips; Transfer Info: 7" 3.75 ips reel (Akai GX-636)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496> Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4184. |
06/05/80 |
Flac 16 - 0,
100252 |
Tempe |
Compton Terrace Amphitheatre flac16; Source: (FOB) Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLI); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor
|
notes
|
| 4185. |
06/05/80 |
Flac 24/96 - 0,
106616 |
Tempe |
Compton Terrace Amphitheatre flac24; (FOB) Sony ECM-990 stereo microphone > Cassette Master (Marantz Superscope CD320/Maxell UDXLI) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded FOB by Bob Morris. Transfer (Jul 09) and 24/96 edit/patch (Dec 09) by Bob Morris.
|
notes
|
| 4186. |
06/05/80 |
Shn - 0,
4663 |
Tempe |
Compton Terrace Amphitheatre FOB (Sennheiser 421's)> Master Cassette> DAT> CDR> EAC> SHN; Processed with DCArt Millenium software; DAE (EAC) and SHN Encoding by Jeff M.; tracked for 2x80; missing encore
|
notes
|
| 4187. |
06/05/80 |
Flac 24 - 0,
141714 |
Tempe |
Compton Terrace Amphitheatre flac24; Set 2 Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 4188. |
06/05/80 |
Flac 16 - 0,
141902 |
Tempe |
Compton Terrace Amphitheatre flac16; Set 2 Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 4189. |
06/07/80 |
Flac 16 - 0,
128414 |
Boulder |
Folsom Field, University Of Colorado flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 4190. |
06/07/80 |
Flac 16 - 0,
88451 |
Boulder |
Folsom Field, University Of Colorado flac16;Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXLII-C90) All Transfers and Mastering By Charlie Miller
|
notes
|
| 4191. |
06/07/80 |
Shn - 0,
11533 |
Boulder |
Folsom Field, University Of Colorado Aud>?>CD; Distortion throughout post drums segment; via Tom G; Seeded to etree by Willy
|
notes
|
| 4192. |
06/07/80 |
Flac 16 - 0,
96567 |
Boulder |
Folsom Field, University Of Colorado flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole at soundboard> Sony TC-D5 (2 Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 4193. |
06/07/80 |
Flac 16 - 0,
100253 |
Boulder |
Folsom Field, University Of Colorado flac16; Source: Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII except d3t01-d3t12: UDXLI); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris with thanks to Sam R and Charlie Connor
|
notes
|
| 4194. |
06/07/80 |
Flac 16 - 0,
31348 |
Boulder |
Folsom Field, University Of Colorado flac16; mac > 1st gen cass > cdr > eac > flac; tapes provided by Jeff "Mr Tapes" Maas (1980); transfer by Paul "ESPN" Epstein (2005); via SIRMick
|
notes
|
| 4195. |
06/07/80 |
Flac 24/96 - 0,
142841 |
Boulder |
Folsom Field, University Of Colorado flac24; Set 1 Recording Info: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII-90); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496
|
notes
|
| 4196. |
06/07/80 |
Flac 16/48 - 0,
142842 |
Boulder |
Folsom Field, University Of Colorado flac16/48kHz; Set 1 Recording Info: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII-90); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4197. |
06/07/80 |
Flac 24/96 - 0,
144748 |
Boulder |
Folsom Field, University Of Colorado flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (pole mounted at the soundboard)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4198. |
06/07/80 |
Flac 16/48 - 0,
144747 |
Boulder |
Folsom Field, University Of Colorado flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (pole mounted at the soundboard)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4199. |
06/07/80 |
Flac 16/48 - ,
155700 |
Boulder |
Folsom Field, University Of Colorado flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 4200. |
06/07/80 |
Flac 24/96 - ,
155701 |
Boulder |
Folsom Field, University Of Colorado flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 4201. |
06/08/80 |
Flac 16 - 0,
128415 |
Boulder |
Folsom Field, University Of Colorado flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 4202. |
06/08/80 |
Flac 16 - 0,
88452 |
Boulder |
Folsom Field, University Of Colorado flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXLII-C90) All Transfers and Mastering By Charlie Miller
|
notes
|
| 4203. |
06/08/80 |
Shn - 0,
7563 |
Boulder |
Folsom Field, University Of Colorado Master Audience Cassette; Sennheiser 421 mics > Sony D5> DAT> CDR, CD Mastering by Scott Clugston, EAC'ed / SHN'ed by Scott Clugston, Posted to abgd via Charlie Connor
|
notes
|
| 4204. |
06/08/80 |
Flac 16 - 0,
100260 |
Boulder |
Folsom Field, University Of Colorado flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 4205. |
06/08/80 |
Shn - 0,
7193 |
Boulder |
Folsom Field, University Of Colorado Recording by Rob Eaton: FOB Senn 421's> Nak 550 Cm> DAT> CD> EAC> Soundforge4> SHN; Recorded By Rob Eaton; includes alternate AUD patches (see info for notes and flaws); stemming from DNC tree Round 9 (1/01); via Tome
|
notes
|
| 4206. |
06/08/80 |
Flac 24/96 - 0,
142843 |
Boulder |
Folsom Field, University Of Colorado flac24; Set 2 Recording Info: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII-90); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496
|
notes
|
| 4207. |
06/08/80 |
Flac 16/48 - 0,
142844 |
Boulder |
Folsom Field, University Of Colorado flac16/48kHz; Set 2 Recording Info: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII-90); Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4(.wav 24-bit/96k)> Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4208. |
06/08/80 |
Flac 24/96 - 0,
144750 |
Boulder |
Folsom Field, University Of Colorado flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (pole mounted at the soundboard)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4209. |
06/08/80 |
Flac 16/48 - 0,
144749 |
Boulder |
Folsom Field, University Of Colorado flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (pole mounted at the soundboard)> Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4210. |
06/08/80 |
Flac 16/48 - ,
152600 |
Boulder |
Folsom Field, University Of Colorado flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496
|
notes
|
| 4211. |
06/08/80 |
Flac 24/96 - ,
152601 |
Boulder |
Folsom Field, University Of Colorado flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2020 > TLH2496
|
notes
|
| 4212. |
06/08/80 |
Flac 16/48 - ,
155742 |
Boulder |
Folsom Field, University Of Colorado FLAC 1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXL-II 90, except for Feel Like A Stranger and Ship Of Fools TDK SA 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 4213. |
06/08/80 |
Flac 24/96 - ,
155741 |
Boulder |
Folsom Field, University Of Colorado FLAC 2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXL-II 90, except for Feel Like A Stranger and Ship Of Fools TDK SA 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 4214. |
06/12/80 |
Flac 16 - 0,
104967 |
Portland |
Portland Memorial Coliseum flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nakamichi cm700 >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] >> WAV [16/44.1] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0108 16/44.1
|
notes
|
| 4215. |
06/12/80 |
Shn - 0,
11361 |
Portland |
Portland Memorial Coliseum AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
|
notes
|
| 4216. |
06/12/80 |
Shn - 0,
7007 |
Portland |
Portland Memorial Coliseum set 2; Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; Shn'ed by Scott Clugston
|
notes
|
| 4217. |
06/12/80 |
Flac 16 - 0,
100261 |
Portland |
Portland Memorial Coliseum flac16; Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from the left-side riser by Bob Morris
|
notes
|
| 4218. |
06/12/80 |
Flac 16 - 0,
141805 |
Portland |
Portland Memorial Coliseum flac16; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4219. |
06/12/80 |
Flac 24 - 0,
141798 |
Portland |
Portland Memorial Coliseum flac24; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 4220. |
06/12/80 |
Flac 24 - 0,
150005 |
Portland |
Portland Memorial Coliseum flac24; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This fixes the out of phase left channel on source ID 141798
|
notes
|
| 4221. |
06/12/80 |
Flac 16 - 0,
150233 |
Portland |
Portland Memorial Coliseum flac16; Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This fixes the out of phase left channel on source ID 141798, this file set is 16 bit @ 44.1
|
notes
|
| 4222. |
06/13/80 |
Flac 16 - 0,
100259 |
Seattle |
Seattle Center Arena flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII except: d3t03-d3t08 UDXLI) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded "extreme fob" at the stage barricade, center, by Bob Morris
|
notes
|
| 4223. |
06/13/80 |
Flac 16 - 0,
91220 |
Seattle |
Seattle Center Arena flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 45' from stage Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 4224. |
06/13/80 |
Shn - 0,
7196 |
Seattle |
Seattle Center Arena Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; CD Mastering, Shn'ed by Scott Clugston
|
notes
|
| 4225. |
06/13/80 |
Flac 24/96 - 0,
144768 |
Seattle |
Seattle Center Arena flac24; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (DFC, mounted on pole 35' from stage) > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4226. |
06/13/80 |
Flac 16/48 - 0,
144767 |
Seattle |
Seattle Center Arena flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (DFC, mounted on pole 35' from stage) > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4227. |
06/13/80 |
Flac 16/48 - ,
155743 |
Seattle |
Seattle Center Arena flac16/48 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90, except Sugar Magnolia and Alabama Getaway-Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 4228. |
06/13/80 |
Flac 24/96 - ,
155744 |
Seattle |
Seattle Center Arena flac24/96 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA 90, except Sugar Magnolia and Alabama Getaway-Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 4229. |
06/14/80 |
Flac 16 - 0,
91362 |
Spokane |
Spokane Coliseum flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 50' from stage center Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 4230. |
06/14/80 |
Flac 16 - 0,
100258 |
Spokane |
Spokane Coliseum flac16; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 4231. |
06/14/80 |
Flac 24/96 - 0,
106617 |
Spokane |
Spokane Coliseum flac24; (FOB) Sony ECM-990 stereo mic > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded by Bob Morris. Transfer (Jul 09) and edit/patch (Dec 09) by Bob Morris
|
notes
|
| 4232. |
06/14/80 |
Shn - 0,
7198 |
Spokane |
Spokane Coliseum Master Audience Cassette; AKG SE-5 mics w/CE-1 cardioid capsules> Sony TC-D5> DAT> CDR; CD Mastering, Shn'ed by Scott Clugston
|
notes
|
| 4233. |
06/14/80 |
Flac 16 - 0,
105537 |
Spokane |
Spokane Coliseum flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x Nakamichi cm700 >> Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Menke Transfer By: Bob Menke Mastering By: Derek McCabe MOTB Release: 0030 16/44.1
|
notes
|
| 4234. |
06/14/80 |
Flac 24/96 - 0,
144772 |
Spokane |
Spokane Coliseum flac24; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (DFC, mounted on pole 50' from stage) > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4235. |
06/14/80 |
Flac 16/48 - 0,
144771 |
Spokane |
Spokane Coliseum flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (DFC, mounted on pole 50' from stage) > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4236. |
06/14/80 |
Flac 16/48 - ,
155813 |
Spokane |
Spokane Coliseum flac16/48 Set 2 only. Source Info: Scott Wiseman's Master Audience Cassette; AKG SE-5E mics with CE-1 cardioid capsules (center, behind soundboard, 11' stand) > Sony TC-D5 (TDK SA 90, except One More Saturday Night encore - Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 4237. |
06/14/80 |
Flac 24/96 - ,
155814 |
Spokane |
Spokane Coliseum flac24/96 Set 2 only. Source Info: Scott Wiseman's Master Audience Cassette; AKG SE-5E mics with CE-1 cardioid capsules (center, behind soundboard, 11' stand) > Sony TC-D5 (TDK SA 90, except One More Saturday Night encore - Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 4238. |
06/19/80 |
Flac 16 - 0,
80631 |
Anchorage |
West High Auditorium flac 16; Source: SBD -> Cassette Master; Transfer Info: Cassette Master -> Sonic Solutions -> SBM2 -> CD; Mastering Info: CD -> Samplitude Professional v8.01 -> FLAC; Cassette Masters supplied by Richard Hale; Transferred By David Gans; Patch Source Recorded By Mark Severson; Additional Mastering By Charlie Miller
|
notes
|
| 4239. |
06/19/80 |
Flac 16 - 0,
113300 |
Anchorage |
West High Auditorium flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller
|
notes
|
| 4240. |
06/19/80 |
Flac 16 - 0,
89125 |
Anchorage |
West High Auditorium flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs + 1 Maxell UD XL-I) Recorded from Row M, Seat 12, Left Side Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 4241. |
06/19/80 |
Shn - 0,
10056 |
Anchorage |
West High Auditorium SBD>MC>??>DAT>CDR; via paul B; Seeded to etree by Willy; upgrade in circulation
|
notes
|
| 4242. |
06/19/80 |
Flac 24/96 - 0,
144905 |
Anchorage |
West High Auditorium flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (mounted on pole, Row M, Seat 12, left side) > Sony TC-D5(2 Maxell XLII's, 1 Maxell UDXLI); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4243. |
06/19/80 |
Flac 16/48 - 0,
144904 |
Anchorage |
West High Auditorium flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (mounted on pole, Row M, Seat 12, left side) > Sony TC-D5(2 Maxell XLII's, 1 Maxell UDXLI); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4244. |
06/19/80 |
Flac 16 Mtx - ,
153162 |
Anchorage |
West High Auditorium flac16/44 flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 113300 & 144904.
|
notes
|
| 4245. |
06/20/80 |
Flac 16 Mtx - 0,
92783 |
Anchorage |
West High Auditorium flac16; SBD/AUD Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 4246. |
06/20/80 |
Flac 16 - 0,
113301 |
Anchorage |
West High Auditorium flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller
|
notes
|
| 4247. |
06/20/80 |
Shn - 0,
13532 |
Anchorage |
West High Auditorium both sets; SBD> MC> 1C> WAV (via SBLive)> CDR; Conversion/Editing: SBLive!> COOLEDIT2000 (Noise reduction, tracking at sector boundaries and bass boost)> mkwACT> SHN; via Brian Donohue; see editing notes in info file; upgrade in circulation
|
notes
|
| 4248. |
06/20/80 |
Shn - 0,
25469 |
Anchorage |
West High Auditorium Recording Info: SBD -> Cassette Master -> Sonic Solutions (20bit) -> SBM2 (Dithered To 16bit) -> CD (Master Production Discs) -> EAC -> SHN (3 Discs Audio / 2 Discs SHN)Patch Info: Patches in Let It Grow and Drums supplied By AKG 414 -> Cm -> Dat -> CD -> EAC -> SHN via Charlie Miller
|
notes
|
| 4249. |
06/20/80 |
Flac 16 - 0,
89188 |
Anchorage |
West High Auditorium flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded from Row J, Seat 2, Right Side; 25' from stage Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 4250. |
06/20/80 |
Shn - 0,
20205 |
Anchorage |
West High Auditorium Recording by Eddie Claridge at the soundboard patched from Dan Healy. AKG 414 stereo mic -> Sony TC-158 deck via John Gaetzi encoded by Matt Vernon
|
notes
|
| 4251. |
06/20/80 |
Flac 16 - 0,
73846 |
Anchorage |
West High Auditorium flac16; SBD > MC > SS > SBM2 > CDA> WAV(EAC) > SHN > DAW(Bertha) > CDA/SHN > CE2k > FLAC [pitch corrected version of shn id 25468 by Bill Tetzeli]. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 4252. |
06/20/80 |
Shn - 0,
25468 |
Anchorage |
West High Auditorium SBD>>MC>>SS>SBM2>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN via Jay Ashley
|
notes
|
| 4253. |
06/20/80 |
Shn - 0,
1474 |
Anchorage |
West High Auditorium set 1; analog SBD -> Processed in Sound Forge 4.0 -> CDR; Generation Unknown; had been around for a while as data wavs in abgd circles, now shned by James Hicks; note most tracks have more than 1 song; upgrade in circulation
|
notes
|
| 4254. |
06/20/80 |
Shn - 0,
17268 |
Anchorage |
West High Auditorium SBE-fixed version of previous source: Source: SBD>MC>1C>CD-R CONVERSION: SBLIVE>COOLEDIT2000>mkwACT>SHN Mastered, edited, and shn'd from first gen cassette by Brian Donohue, Kodiak, Alaska. ; upgrade in circulation
|
notes
|
| 4255. |
06/20/80 |
Flac 24/96 - 0,
144907 |
Anchorage |
West High Auditorium flac24; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on pole 25' from stage, right side, Row J Seat 2) > Sony TC-D5 (Maxell XLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4256. |
06/20/80 |
Flac 16/48 - 0,
144906 |
Anchorage |
West High Auditorium flac16/48kHz; Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted on pole 25' from stage, right side, Row J Seat 2) > Sony TC-D5 (Maxell XLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4257. |
06/21/80 |
Flac 16 Mtx - 0,
112150 |
Anchorage |
West High Auditorium flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 4258. |
06/21/80 |
Flac 16 - 0,
113302 |
Anchorage |
West High Auditorium flac16;Recording Info:SBD -> Cassette Master -> Sonic Solutions -> SBM-2 -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; Cassette Masters Supplied by Richard Hale; Transferred to CD By David Gans; Additional Mastering By Charlie Miller
|
notes
|
| 4259. |
06/21/80 |
Shn - 0,
27590 |
Anchorage |
West High Auditorium Bertha Remaster of Master Soundboard Cassette Source
|
notes
|
| 4260. |
06/21/80 |
Flac 16 Mtx - 0,
28470 |
Anchorage |
West High Auditorium flac16; SBD/AUD Matrix Mix (60%-SBD/40%-AUD) SBD source: Soundboard > Cassette Master > Sonic Solutions (20bit) > Sony SBM2 > Master CD > EAC > FLAC (shn id 27448); AUD source: Source: AKG 414 stereo mic -> Sony TC-158 deck, Taper: Eddie Claridge (shn id 23531). SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 60% SBD, 40% AUD mix. Mixed by dan@am-dig.com. note: info file now reflects tracking for 80 minutes CDs
|
notes
|
| 4261. |
06/21/80 |
Shn - 0,
23531 |
Anchorage |
West High Auditorium Source: Recorded by Eddie Claridge at the soundboard patched from Dan Healy. AKG 414 stereo mic -> Sony TC-158 deck Lineage: MAC > [DAT?] > CDR (no intermediate cassette generations) Encoding: EAC(secure) > Cool Edit Pro > CDWAV > shntool > mkwact > SHN(seekable) by Matt Vernon via John Gaetzi
|
notes
|
| 4262. |
06/21/80 |
Flac 24/44 - 0,
28475 |
Anchorage |
West High Auditorium flac24; DVD-A 24/44 SBD+AUD Matrix Mix - 24 bit version of other Matrix source by Dan.
|
notes
|
| 4263. |
06/21/80 |
Flac 16 - 0,
27448 |
Anchorage |
West High Auditorium flac 16; Soundboard> Cassette Master> Sonic Solutions (20bit)> SBM2> Master CD> EAC> FLAC. Cassette Masters provided by Richard Hale, Transfer and patch by David Gans, FLAC and upload by Joe Samaritano
|
notes
|
| 4264. |
06/21/80 |
Shn - 0,
8639 |
Anchorage |
West High Auditorium Sources:Primary Source:Master Soundboard Cassette > Reel To Reel > DAT> CDR; Secondary Source:Master Audience Cassette; AKG 414 mics source supplies the "Announcements/Intro", portions of "Sugaree", "Loser", "Big Railroad Blues" "Drums". Patching/CD Mastering & shn'ed by Scott Clugston; To fungus and abgd via Charlie Connor ; upgrade in circulation
|
notes
|
| 4265. |
06/21/80 |
Flac16 Dts 5.1 - 0,
32228 |
Anchorage |
West High Auditorium flac16; DTS-Audio-CD 5.1 Mix of SBD Cassette Master> Sonic Solutions (20bit) (shn id 27448) and AUD AKG 414 stereo mic -> Sony TC-158 deck (shn id 23531) note: info file now reflects tracking for 80 minutes CDs
|
notes
|
| 4266. |
06/21/80 |
Flac 16 - 0,
89214 |
Anchorage |
West High Auditorium flac16; Recorded by Mark Severson; 2 Nak 700s with bass eq mounted on pole> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded from Row M, Seat 2, Right Center Floor Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 4267. |
06/21/80 |
Flac 16 - 0,
74407 |
Anchorage |
West High Auditorium flac16; Repatched fix of shn id 8369 - Master Soundboard Cassette > Reel To Reel > DAT> CDR by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 4268. |
06/21/80 |
Shn - 0,
321 |
Anchorage |
West High Auditorium SBD -> ?? -> DAT(2) -> CDR; transfer: Sony PCM-M1 -> coaxial SRC -> Marantz CDR630 ->? Astarte CD-Copy 2.0.3 -> AIFF -> SoundApp (WAVE) -> SHN; seed via J. Wise et al; transfer by Dan M.; d1t1, Random digi-noise/distortion for first 45 seconds; d1t6,? Major Splice is on Master; d2t3, 1st Verse is missing; see additional flaw note about d2t7 in pub comments; upgrade in circulation
|
notes
|
| 4269. |
06/21/80 |
Flac 24/96 - 0,
144909 |
Anchorage |
West High Auditorium flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (mounted on pole, right center, Row M Seat 2) > Sony TC-D5 (Maxell XLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4270. |
06/21/80 |
Flac 16/48 - 0,
144908 |
Anchorage |
West High Auditorium flac1648 Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (mounted on pole, right center, Row M Seat 2) > Sony TC-D5 (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4271. |
06/29/80 |
Shn - 0,
10057 |
Los Angeles |
Pauley Pavilion, UCLA 2nd set; SBD>MC>??>DAT>CDR; Missing Sunshine Daydream & US Blues; via Paul B; Seeded to etree by Willy
|
notes
|
| 4272. |
06/29/80 |
Shn - 0,
16438 |
Los Angeles |
Pauley Pavilion, UCLA set 1; SBD > ? > C > CDR; via Joey Browning, encoded by Matt Vernon
|
notes
|
| 4273. |
06/29/80 |
Flac 16 - 0,
128523 |
Los Angeles |
Pauley Pavilion, UCLA flac16; Recorded by Mason Taylor; set one master tape; set two first generation safety copy
|
notes
|
| 4274. |
06/29/80 |
Flac 16 - 0,
88976 |
Los Angeles |
Pauley Pavilion, UCLA flac16; Set 2 Only Ambient master recording by Mase Senn MD421 n.c. -> Sony TC-D5 w/ Maxell XLII 90 Master Maxell XLII cassette - TC-D5 -> Teac A100 casette deck 1st gen copy w/ TC-D5M no n.r. line-out -> Sound Devices 722 @ 24bit 48khz by mfrench track split by Sound Studios 2.2.4, with some "dead-air" removed at tape flip points, with no other edits dither to 44.1 kHz
|
notes
|
| 4275. |
06/29/80 |
Flac 16 - 0,
29917 |
Los Angeles |
Pauley Pavilion, UCLA flac16; Unknown Mikes> Sony D5 (Maxel XL2s) (master cassette)> Denon DRW-840G (Maxel XL2s) (1st gen cassette)> sony PCM-R300 (via sony 750es & monster interlink cables) (1st DAT gen) > HD (via CTD8000H-S SGI/Seagate Audio Capable DDS-2 DAT running dat2wav) > cdwav 1.54> converted to .flac w/ dbpowerAMP 11 using FLAC codec 1.1.2)
|
notes
|
| 4276. |
06/29/80 |
Flac 24/48 - 0,
88977 |
Los Angeles |
Pauley Pavilion, UCLA flac24; Set 2 Only Ambient master recording by Mase Senn MD421 n.c. -> Sony TC-D5 w/ Maxell XLII 90 Master Maxell XLII cassette - TC-D5 -> Teac A100 casette deck 1st gen copy w/ TC-D5M no n.r. line-out -> Sound Devices 722 @ 24bit 48khz by mfrench track split by Sound Studios 2.2.4, with some "dead-air" removed at tape flip points, with no other edits
|
notes
|
| 4277. |
07/01/80 |
Flac 16 - 0,
125844 |
San Diego |
San Diego Sports Arena flac16; Source: SBD > ? > DAT, however there are clearly multiple sources patched together; Conversion: My DAT > Tascam DA-20 S/PDIF > M-Audio Audiophile S/PDIF > Total Recorder (PC) (44.1/16-bit) > WAV > Split with CDWave > Encode to FLAC (Traders Little Helper); Conversion: Justin Mason
|
notes
|
| 4278. |
07/01/80 |
Shn - 0,
9361 |
San Diego |
San Diego Sports Arena sbd>?>dat; there are splices from an unknown source at Althea and also for the encore; Seeded to etree by Brian Cole
|
notes
|
| 4279. |
07/01/80 |
Flac 16 - 0,
136754 |
San Diego |
San Diego Sports Arena flac16; Source: Unknown AUD, from the collection of Brian Schley. Transfer: Old TDK SA90s > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.
|
notes
|
| 4280. |
07/01/80 |
Flac 16 - 0,
139308 |
San Diego |
San Diego Sports Arena flac16; source: sbd; Jerry Moore’s 2nd gen cassettes; maxell udxlII90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transfer & seeded by Rob Berger
|
notes
|
| 4281. |
07/01/80 |
Flac 24/96 - 0,
139309 |
San Diego |
San Diego Sports Arena flac24; source: sbd; Jerry Moore’s 2nd gen cassettes; maxell udxlII90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transfer & seeded by Rob Berger
|
notes
|
| 4282. |
07/01/80 |
Flac 16 - 0,
141396 |
San Diego |
San Diego Sports Arena flac16; Source Info: Master Soundboard Cassettes > ?? > Reel to Reel > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 4283. |
07/01/80 |
Flac 16 - 0,
137885 |
San Diego |
San Diego Sports Arena flac16: unknown audience recording from collection of CC Transfer: first gen cassette > VHS HiFi > HK CDR2 > FLAC
|
notes
|
| 4284. |
08/16/80 |
Flac 16 - 0,
88959 |
Edwardsville |
Southern Illinois University flac16; Recording by Joani Walker: Sony ECM-250 -> Cassette Master (Sony TC-158/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 4285. |
08/16/80 |
Flac 16 - 0,
128616 |
Edwardsville |
Southern Illinois University flac16; Set 1 & Partial Set 2 Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; the original version had sector boundary errors; don't circulate the original versio
|
notes
|
| 4286. |
08/16/80 |
Shn - 0,
14044 |
Edwardsville |
Southern Illinois University Source: MAC>DAT>CDR & MAC>Cass. x ?>DAT>CDR via Andy Lemieux shn encoding by Matt Vernon
|
notes
|
| 4287. |
08/16/80 |
Shn - 0,
20137 |
Edwardsville |
Southern Illinois University Recording by Joani Walker: FOB MAC w/ Sony ECM-250s>Sony TC-158>CDR via Paul Scotton, tracking & tweaking by Scott Clugston, SHN encoding by Andy Lemieux ; upgrade in circulation
|
notes
|
| 4288. |
08/17/80 |
Flac 16 - 0,
93037 |
Kansas City |
Kansas City Municipal Auditorium flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> VXPocket v2 -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4289. |
08/17/80 |
Shn - 0,
12107 |
Kansas City |
Kansas City Municipal Auditorium AUD>?>CD; via Paul B; Seeded to etree by Willy
|
notes
|
| 4290. |
08/19/80 |
Flac 16 - 0,
88172 |
Chicago |
Uptown Theater flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> ? -> Dat (48k) Transfer Info: Set 1: Cassette -> Apogee MiniMe -> Samplitude Professional v9.11 -> FLAC Set 2: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 4291. |
08/19/80 |
Shn - 0,
28043 |
Chicago |
Uptown Theater et 2p; SBD > Cass(m) > Cass > reel > DAT; conversion: fostex d-5 > zoltrix nightingale > cdwave (resample to 44.1khz, tracking) > shn; upgrade in circulation
|
notes
|
| 4292. |
08/19/80 |
Flac 24 - 0,
127497 |
Chicago |
Uptown Theater flac24; Set 1 Recorded 1st row balcony Sennheiser 421>Sony TCD-5M>Nak 550; Patched into Neil (aka froggy RIP); transfered by Richie Stankiewicz; 1st Gen>DAT Cakewalk UA-1G
|
notes
|
| 4293. |
08/19/80 |
Flac 16 - 0,
131445 |
Chicago |
Uptown Theater flac16; Partial; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 4294. |
08/19/80 |
Shn - 0,
8739 |
Chicago |
Uptown Theater Recording by Dougal Donaldson: FOBalcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD; via Mark Lindenbaum; Seeded to etree by Willy
|
notes
|
| 4295. |
08/19/80 |
Flac 16/48 - 0,
140366 |
Chicago |
Uptown Theater flac16/48kHz; Set 2 Audience Cassette of unknown lineage > PC > Soundforge
|
notes
|
| 4296. |
08/19/80 |
Flac 16 - 0,
150336 |
Chicago |
Uptown Theater flac16; Remaster of source ID 8739: FOB Balcony Nak 700's w/shotgun caps > Master Cassette (Sony TC-158) > DAT > CD; Edited & Remastered using Adobe Audition by Joe Noel; see info file for details
|
notes
|
| 4297. |
08/19/80 |
Flac 16/44 - 0,
151796 |
Chicago |
Uptown Theater Flac1644 Source: Sennheiser MD-421's (1st row balcony) > TC-D5 > MAC > Low-Gen (1st or 2nd) tapes from the collection of Brian Schley. Transfer: TDK-SA (Set1) & Maxell-XLII (Set2) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F.
|
notes
|
| 4298. |
08/20/80 |
Flac 16 - 0,
128619 |
Chicago |
Uptown Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 4299. |
08/20/80 |
Shn - 0,
8740 |
Chicago |
Uptown Theater Recording by Dougal Donaldson: FOBalcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD; via Mark Lindenbaum; Seeded to etree by Willy
|
notes
|
| 4300. |
08/20/80 |
Flac 16 - 0,
140367 |
Chicago |
Uptown Theater flac16; Partial Set 2 Audience Cassette of unknown lineage with fills from Archives .wav files > PC > Soundforge
|
notes
|
| 4301. |
08/20/80 |
Flac 16 - 0,
147370 |
Chicago |
Uptown Theater b>flac16; Set 1 Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This fileset is 16 bit at 44.1
|
notes
|
| 4302. |
08/20/80 |
Flac 24 - 0,
147366 |
Chicago |
Uptown Theater flac24; Set 1 Recording Info: SBD > Cassette Master (Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 4303. |
08/20/80 |
Flac 24/48 - 0,
149293 |
Chicago |
Uptown Theater flac24; Source: AUD of unknown lineage > ? > lo-gen cassette via Richie & Rip. Transfer: TDK SA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2020
|
notes
|
| 4304. |
08/20/80 |
Flac 16 - ,
151836 |
Chicago |
Uptown Theater FLAC 16 ; Source: AUD of unknown lineage > ? > lo-gen cassette via Richie & Rip. Transfer: TDK SA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2020 24/48 -> 16/48 of shnid 149293 via Saracon
|
notes
|
| 4305. |
08/21/80 |
Flac 16 - 0,
99034 |
Chicago |
Uptown Theater flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4306. |
08/21/80 |
Flac 16 - 0,
128623 |
Chicago |
Uptown Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 4307. |
08/21/80 |
Shn - 0,
7913 |
Chicago |
Uptown Theater SBD>MC>C>DAT>CD; via Scott Shindell; Seeded to etree by Willy
|
notes
|
| 4308. |
08/21/80 |
Flac 16 - 0,
126369 |
Chicago |
Uptown Theater flac16; AUD: 2 AKG D222E + 1 Beyer M160 > Nakamichi 550, Orch 20th row right center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 12/2013
|
notes
|
| 4309. |
08/21/80 |
Flac 24/96 - 0,
126368 |
Chicago |
Uptown Theater flac24; AUD: 2 AKG D222E + 1 Beyer M160 > Nakamichi 550, Orch 20th row right center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 12/2013
|
notes
|
| 4310. |
08/23/80 |
Flac 16 - 0,
89130 |
East Troy |
Alpine Valley Music Theatre flac16; Recording Info: Unknown Mics -> Cassette Master -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 4311. |
08/23/80 |
Shn - 0,
11928 |
East Troy |
Alpine Valley Music Theatre Unknown audience equipment>Cass>CDR; Seeded to etree by Glenn Gillis
|
notes
|
| 4312. |
08/24/80 |
Flac 16 - 0,
128391 |
Grand Rapids |
Grand Center flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 4313. |
08/24/80 |
Shn - 0,
10531 |
Grand Rapids |
Grand Center Recording by Rob Eaton: FOB Nakamichi 300> Sony TC-D5> DAT> CDs(3X?); via Dr. Sketchy; Seeded to etree by jim@juddcreek
|
notes
|
| 4314. |
08/26/80 |
Shn - 0,
13815 |
Cleveland |
Cleveland Public Hall sbd-> cassette-> unknown digital xfer(s)-> Sonic-> CD-> CD-> EAC-> SHN Note: Beginning gap in Don't Ease Me In patched by David Gans using a piece of the chorus in. This is not a "new" source
|
notes
|
| 4315. |
08/26/80 |
Flac 16 - 0,
128614 |
Cleveland |
Cleveland Public Hall flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 4316. |
08/26/80 |
Shn - 0,
9632 |
Cleveland |
Cleveland Public Hall SBD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
|
notes
|
| 4317. |
08/26/80 |
Flac 16 - 0,
106342 |
Cleveland |
Cleveland Public Hall flac16:source: master cassette recorded by Nick Millner Nak 300 mics -> Sony D5 patched out of "Gus from Arkansas" 1st gen cassette: Sony D5 -> unknown cassette recorder this recording: 1st gen cassette p/b in Sony D-5 -> sound card -> CDWav editor -> Wav -> FLAC. Seeded at Dime-A-Dozen ~ 2/26/2010
|
notes
|
| 4318. |
08/26/80 |
Flac 16 - 0,
82166 |
Cleveland |
Cleveland Public Hall flac16; Recorded by Joel Barnhama Master Audience Cassette; 2 Sennheiser 421s + center mike> Nakamichi 550 (Fuji FX-1) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Digital Audio Labs Card Deluxe soundcard (24/96)> Adobe Audition > Downsample/Dither> flac encoding > FLAC
|
notes
|
| 4319. |
08/27/80 |
Flac 16 - 0,
92385 |
Clarkston |
Pine Knob Music Theater flac16; Recording Info:SBD -> Master Cassette -> Cassete -> Dat (48k) -> Pro Tools -> AIFF; Transfer Info:AIFF -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4320. |
08/27/80 |
Flac 16 - 0,
123988 |
Clarkston |
Pine Knob Music Theater flac16; Recording Info: SBD -> Master Cassette -> Dat; Transfer Info: Dat -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4321. |
08/27/80 |
Shn - 0,
12160 |
Clarkston |
Pine Knob Music Theater AUD>MC>??>DAT>CDR; Multiple analog gens suspected; via Paul B; Seeded to etree by Willy
|
notes
|
| 4322. |
08/29/80 |
Flac 16 - 0,
91694 |
Philadelphia |
The Spectrum flac16; Recording Info: SBD -> Master Cassette -> Cassete -> Dat (48k); Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4323. |
08/29/80 |
Flac 16 - 0,
102013 |
Philadelphia |
The Spectrum flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 4324. |
08/29/80 |
Flac 16 - 0,
100390 |
Philadelphia |
The Spectrum flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4325. |
08/29/80 |
Flac 16 - 0,
123588 |
Philadelphia |
The Spectrum flac16; Set 2 only, AUD, unknown equipment & lineage. Pitch adjusted. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > TLH > FLAC 1644, January 2013.
|
notes
|
| 4326. |
08/29/80 |
Shn - 0,
10033 |
Philadelphia |
The Spectrum 1st Set; Senn 421's>MC>DAT>CDR 2nd Set; SBD>MC>C>DAT>CDR, with ~1 min of aud patches during Other One & Drums, see info file for details; via Paul B; Seeded to etree by Willy
|
notes
|
| 4327. |
08/30/80 |
Flac 16 - 0,
110152 |
Philadelphia |
The Spectrum flac16; Recording Info:Set 1: SBD -> Cassette Master -> ? -> CD; Set 2: SBD -> Cassette Master -> Dat -> Sonic Solutions -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4328. |
08/30/80 |
Flac 16 - 0,
127431 |
Philadelphia |
The Spectrum flac16; First Set only. Source: SBD > 3rd Gen cassette (Dolby C) with thanks to Jon Pasternak. Transfer: XLII (Dolby C) > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged.
|
notes
|
| 4329. |
08/30/80 |
Flac 16 - 0,
107394 |
Philadelphia |
The Spectrum flac16; Set 1 SBD>?>CD Set 2 SBD>MR>DAT>DAT Clone>CDR>FLAC>WAV>Cool Edit Repitch>FLAC (see text file for caveats) (note: This fixed source was originally seeded with a flawed d2t01
|
notes
|
| 4330. |
08/30/80 |
Flac 16 - 0,
100392 |
Philadelphia |
The Spectrum flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4331. |
08/30/80 |
Shn - 0,
15408 |
Philadelphia |
The Spectrum 1st Set Only; SBD>?>CD; Entire set pitch corrected; via Joey Browning; Seeded to etree by Willy
|
notes
|
| 4332. |
08/30/80 |
Flac 16 - 0,
102015 |
Philadelphia |
The Spectrum flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 4333. |
08/30/80 |
Shn - 0,
16039 |
Philadelphia |
The Spectrum Recording by Jim Wise: complete; AUD @ Soundboard w/Senn 421's mounted on a pole> Sony TC-D5> CM > Nak Dragon > Sony PCM R-700 > D > HD > SndFge > CDR via Mike McCarthy, encoded by Matt Vernon
|
notes
|
| 4334. |
08/30/80 |
Flac 16 - 0,
34939 |
Philadelphia |
The Spectrum flac16; Soundboard shn id 15408 and fixed version of shn id 8875 via Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 4335. |
08/30/80 |
Shn - 0,
8775 |
Philadelphia |
The Spectrum 2nd set only; SBD>MC>DAT>DAT Clone>CDR; via Rich Graboyes; Seeded to etree by Willy (update source info)
|
notes
|
| 4336. |
08/31/80 |
Flac 16 - 0,
128509 |
Landover |
Capital Centre flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 4337. |
08/31/80 |
Shn - 0,
26353 |
Landover |
Capital Centre AUD, SBD combo: Set 1: Sennheiser 421> Cassette Master> Dat> Sound Forge> CD> EAC> SHN; Set 2: SBD> Cassette Master> Cassette> Dat> CD> EAC> SHN; Converted To SHN By Charlie Miller
|
notes
|
| 4338. |
08/31/80 |
Shn - 0,
8824 |
Landover |
Capital Centre Audience (unknown equipment -- may be Jim Wise's master); Seeded to etree by Peter Braverman
|
notes
|
| 4339. |
08/31/80 |
Shn - 0,
7456 |
Landover |
Capital Centre Recording by Jim Wise: Master Audience Cassette > DAT > Hard disk (Sound Forge) > CD; , at the soundboard with Sennheiser 421's; via Popi
|
notes
|
| 4340. |
08/31/80 |
Flac 16 - 0,
34418 |
Landover |
Capital Centre flac16; Recording by Mark Cohen: Master cassette audience>DAT>CD ; Nak 700s> Sony TC-D5
|
notes
|
| 4341. |
08/31/80 |
Flac 16 - 0,
101718 |
Landover |
Capital Centre flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 4342. |
08/31/80 |
Flac 16 - 0,
139642 |
Landover |
Capital Centre flac16; Recording Info: Set 1: Sennheiser 421 > Cassette Master > SHN (shnid=7456); Set 2: SBD > Cassette Master > Cassette > CD (shnid=26353); Transfer Info: CD > Adobe Audition CC 2015 > Samplitude Professional v11.2.1 > FLAC; All Mastering By Charlie Miller
|
notes
|
| 4343. |
08/31/80 |
Flac 16/48 - 0,
142993 |
Landover |
Capital Centre flac16/48kHz; Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony TC158SD (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4344. |
08/31/80 |
Flac 24/96 - 0,
142992 |
Landover |
Capital Centre flac24; Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony TC158SD (Maxell UDXLII-C90); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496
|
notes
|
| 4345. |
08/31/80 |
Flac 24/96 - 0,
144289 |
Landover |
Capital Centre b>flac24; Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4346. |
08/31/80 |
Flac 16/48 - 0,
144288 |
Landover |
Capital Centre flac16/48kHz; Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4347. |
08/31/80 |
Flac 24/96 - ,
154698 |
Landover |
Capital Centre flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2021 > TLH2496
|
notes
|
| 4348. |
08/31/80 |
Flac 16/48 - ,
154697 |
Landover |
Capital Centre flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (2) Sennheiser 441 (left + right) + (1) Sennheiser 421 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2021 > TLH2496
|
notes
|
| 4349. |
09/02/80 |
Flac 16 - 0,
28299 |
Rochester |
Community War Memorial Auditorium flac16; mixed sources: d1,2: SBD> Cassette Master> (~4 cass gens?)> Cool Edit Pro> FLAC; d3: SBD> Cassette Master> Dat> Sonic Solutions> CD; Encore: FOB Nakamichi 300/CP1> Cassette Master> Dat> CD; Transferred and Edited By Charlie Miller
|
notes
|
| 4350. |
09/02/80 |
Flac 16 - 0,
128438 |
Rochester |
Community War Memorial Auditorium flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 4351. |
09/02/80 |
Flac 16 - 0,
127274 |
Rochester |
Community War Memorial Auditorium flac16 Set 2 AUD: 2x Beyers M160's > Nakamichi 550, FOB center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 03/2014
|
notes
|
| 4352. |
09/02/80 |
Flac 16 - 0,
34940 |
Rochester |
Community War Memorial Auditorium flac16; Patched version of soundboard shn id 28299 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 4353. |
09/02/80 |
Flac 16 Mtx - 0,
110895 |
Rochester |
Community War Memorial Auditorium flac16; Matrix: 60% sbd/40% aud Recording Info: Discs 1 & 2: SBD -> Cassette Master -> ? -> Cool Edit Pro -> FLAC Disc 3: SBD -> Cassette Master -> Dat -> Sonic Solutions -> CD Encore: (FOB) Nakamichi 300/CP1 -> Cassette Master -> Dat -> CD Transfer Info: WAV -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller and FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand FOB, taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F.
|
notes
|
| 4354. |
09/02/80 |
Shn - 0,
26094 |
Rochester |
Community War Memorial Auditorium Audience Recording: MC? > Reel/Cass > DAT; Transfer: Sony PCM-R500 DAT > HHB CDR-850> SoundStream WAV> mkACT SHN
|
notes
|
| 4355. |
09/02/80 |
Shn - 0,
26458 |
Rochester |
Community War Memorial Auditorium AUD (FOB, unknown mics)> MC> DAT> CDR> EAC> SHN; complete version of SHN ID 4954, ; reEAC> SHN from the original source audio CDs; CD Mastering, EAC> SHN> seeding to abgd by Skankweed
|
notes
|
| 4356. |
09/02/80 |
Flac 16 - 0,
102776 |
Rochester |
Community War Memorial Auditorium flac16; FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand FOB, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 11/2009
|
notes
|
| 4357. |
09/02/80 |
Flac 24/96 - 0,
127723 |
Rochester |
Community War Memorial Auditorium flac24; Set 2 AUD: 2x Beyers M160's > Nakamichi 550, FOB center. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 03/2014
|
notes
|
| 4358. |
09/02/80 |
Flac 2448 - 0,
102775 |
Rochester |
Community War Memorial Auditorium flac24; FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand FOB, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 11/2009
|
notes
|
| 4359. |
09/02/80 |
Flac 16/44 - 0,
148953 |
Rochester |
Community War Memorial Auditorium flac16/44.1kHz; 2nd Set Source Info: Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M > Rich Gastwirt's Dat (16/44.1); Transfer Info: Dat (Sony PCM-R500)(16/44.1) > Tascam DA-3000 > .wav (16/44.1) > Adobe Audition 2020 > TLH flac16
|
notes
|
| 4360. |
09/03/80 |
Flac 24/96 - 0,
106618 |
Springfield |
Springfield Civic Center flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Tape flip in drums at 5:35 spliced using Soundforge 9.0. Recorded FOB from Section 63, Row J, Seat 12 by Bob Morris
|
notes
|
| 4361. |
09/03/80 |
Flac 16 - 0,
102016 |
Springfield |
Springfield Civic Center flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded FOB from Section 63, Row J, Seat 12 by Bob Morris
|
notes
|
| 4362. |
09/03/80 |
Shn - 0,
16925 |
Springfield |
Springfield Civic Center MAC > ? > CD > EAC > SHNv3; EAC(secure mode) and encoded to shnv3(seek enabled) by Charles Bass
|
notes
|
| 4363. |
09/03/80 |
Shn - 0,
12576 |
Springfield |
Springfield Civic Center Fixed reseed; FOB by Jim Wise and Eddie Claridge (Sony ECM-280 mics > Sony TC-D5) > Master Audience Cassette > CD-R; Seeded to etree by Sean Cribbs Note- Apparently the first shn set to circulate was corrupt. See the public comments for the original seed for more info
|
notes
|
| 4364. |
09/03/80 |
Flac 16 - 0,
103169 |
Springfield |
Springfield Civic Center flac16:FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up in the arena riser center, end of floor facing the stage. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 12/2009
|
notes
|
| 4365. |
09/03/80 |
Flac 24/48 - 0,
103168 |
Springfield |
Springfield Civic Center flac24;FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up in the arena riser center, end of floor facing the stage. Taped by Tim Friend. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 12/2009
|
notes
|
| 4366. |
09/03/80 |
Flac 24/96 - 0,
126722 |
Springfield |
Springfield Civic Center flac24; Recording by Jim Wise & Eddie Claridge; Master Audience Cassette; Sony ecm 280's > Sony D-5 FOB; Transfer and FLAC encoding by David Minches: 1-10-14; Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
|
notes
|
| 4367. |
09/03/80 |
Flac 16/48 - 0,
143031 |
Springfield |
Springfield Civic Center flac16/48kHz; Source Info: Primary: George Sterry's Master Audience Cassettes; Unknown mics > Sony TC-158SD > 1st generation cassette (TDK D90); Secondary: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII C90); Transfer Info: Primary: 1st generation cassettes(Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; Secondary: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4368. |
09/03/80 |
Flac 24/96 - 0,
143030 |
Springfield |
Springfield Civic Center flac24; Source Info: Primary: George Sterry's Master Audience Cassettes; Unknown mics > Sony TC-158SD > 1st generation cassette (TDK D90); Secondary: George Sterry's Master Audience Cassette; Unknown mics > Sony TC-158SD (Maxell UDXLII C90); Transfer Info: Primary: 1st generation cassettes(Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; Secondary: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496
|
notes
|
| 4369. |
09/04/80 |
Flac 16 Mtx - 0,
95601 |
Providence |
Providence Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 4370. |
09/04/80 |
Flac 16 - 0,
95497 |
Providence |
Providence Civic Center flac16; Recording Info:Set 1: SBD -> Master Cassette -> ? -> Dat -> CD; Set 2: SBD -> Master Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4371. |
09/04/80 |
Flac 2448 - 0,
104936 |
Providence |
Providence Civic Center flac24; FOB AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up FOB aprx 20th row, center right. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 12/2009
|
notes
|
| 4372. |
09/04/80 |
Flac 16 - 0,
104937 |
Providence |
Providence Civic Center flac16; FOB AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell XLII 90's, mics on stand, set up FOB aprx 20th row, center right. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 12/2009
|
notes
|
| 4373. |
09/04/80 |
Shn - 0,
20014 |
Providence |
Providence Civic Center Set 2 Soundboard Cassette Master > Reel > Dat > CDR via Andy Lemieux and Kingbee Patch Source: AUD>MC>DAT>SF>CD; encoding by Matt Vernon
|
notes
|
| 4374. |
09/04/80 |
Shn - 0,
17432 |
Providence |
Providence Civic Center Set 1 SBD>?>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN(Seekable)
|
notes
|
| 4375. |
09/04/80 |
Flac 24/96 - 0,
106619 |
Providence |
Providence Civic Center flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded from floor Section 8, Row V, Seat 12 by Bob Morris
|
notes
|
| 4376. |
09/04/80 |
Shn - 0,
12270 |
Providence |
Providence Civic Center AUD>MC>DAT>SF>CD; Transferred with Nakamichi Dragon to Sony PCM R-700; via Paul B; Seeded to etree by Willy
|
notes
|
| 4377. |
09/04/80 |
Shn - 0,
24829 |
Providence |
Providence Civic Center Recording by Jim Wise: FOB Sony ECM-280s mounted on a stand > Sony TC-D5 > MAC > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV > CD (untracked) > EAC > WAV > CD Wave tracking > SHN or CD. Original recording, transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs
|
notes
|
| 4378. |
09/04/80 |
Flac 16 - 0,
93725 |
Providence |
Providence Civic Center flac16; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4379. |
09/04/80 |
Flac 16 - 0,
101719 |
Providence |
Providence Civic Center flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from floor Section 8, Row V, Seat 12 by Bob Morr
|
notes
|
| 4380. |
09/04/80 |
Flac 24/96 - 0,
126719 |
Providence |
Providence Civic Center flac24; Recording by Jim Wise & Eddie Claridge; Master Audience Cassette; Sony ecm 280's > Sony D-5 FOB; Transfer and FLAC encoding by David Minches: 1-10-14; Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
|
notes
|
| 4381. |
09/06/80 |
Flac 16 - 0,
93782 |
Lewiston |
State Fairgrounds flac16; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-II); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4382. |
09/06/80 |
Flac 16 - 0,
126441 |
Lewiston |
State Fairgrounds flac16; source: aud cassette master; taped by The Commander; audio-technica condensor mics > sony tc-152, tdk sa-c90's, no nr; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer/seed by Rob Berger & Taperchuck
|
notes
|
| 4383. |
09/06/80 |
Shn - 0,
25471 |
Lewiston |
State Fairgrounds Recording by Jim Wise: FOB Nak 700s > Sony TC-D5 (Steve Rolfe?s) > Sony TC-D5 (Jim Wise?s) > MAC (Maxell XII; Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV > CD (untracked) > EAC > WAV > CD Wave tracking > SHN or CD. Original recording, transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs.
|
notes
|
| 4384. |
09/06/80 |
Shn - 0,
25560 |
Lewiston |
State Fairgrounds Recording Info (Source 1): SBD -> Master Cassette -> ? -> Cass -> Fostex D5 (pass-through only) -> ZA2 -> Samplitude v7.02 Professional -> SHN Supplies d1t01 through d2t03 (Provided By Joe Samaritano) Recording Info (Source 2): (FOB) Nakamichi 700 -> Master Cassette (Sony D5) -> Dat -> CD Supplies patch at end of d1t06 and also provides d2t04 through of the show. (Taped By Jim Wise). Remastering by Charlie Miller
|
notes
|
| 4385. |
09/06/80 |
Flac 16 - 0,
101685 |
Lewiston |
State Fairgrounds flac16; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XL-II 90's. Mics on stand FOB, near the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. 09/20
|
notes
|
| 4386. |
09/06/80 |
Flac 24/96 - 0,
101684 |
Lewiston |
State Fairgrounds flac24; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XL-II 90's. Mics on stand FOB, near the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. 09/2009
|
notes
|
| 4387. |
09/06/80 |
Flac 16 - 0,
119726 |
Lewiston |
State Fairgrounds flac16; FOB 3 mic blend taped by John Hance; FOB>AMC>DAT>CD>EAC>TLH>FLAC; extracted and flac encoded by Michale Turi
|
notes
|
| 4388. |
09/06/80 |
Flac 16 - 0,
102017 |
Lewiston |
State Fairgrounds flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded FOB by Bob Morris (note: this source was originally seeded with a corrupt d1t02. A fixed version was seeded on 10/14/2009.)
|
notes
|
| 4389. |
09/06/80 |
Shn - 0,
322 |
Lewiston |
State Fairgrounds Nak Dragon > Sony PCM r-500 DAT > CDR
|
notes
|
| 4390. |
09/06/80 |
Shn - 0,
16926 |
Lewiston |
State Fairgrounds MAC > ? > CD > EAC > SHNv3; EAC (secure mode) and encoded to shnv3 (seek enabled) by Charles Bass; missing encores
|
notes
|
| 4391. |
09/06/80 |
Flac 24/96 - 0,
106620 |
Lewiston |
State Fairgrounds flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Recorded FOB by Bob Morris
|
notes
|
| 4392. |
09/06/80 |
Flac 24/88.2k - 0,
93783 |
Lewiston |
State Fairgrounds flac24; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-II); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4393. |
09/06/80 |
Shn - 0,
23371 |
Lewiston |
State Fairgrounds Set 1 Only* Soundboard->Unknown->Cassette. Cassette->Fostex D5 (pass-through only)-> ZA2->Samplitude v7.02 Professional-> .wav->mkw->SHN. Cassette seed provided by Joey Browning. Transfer, editing, and SHN by Joe Samaritano
|
notes
|
| 4394. |
09/06/80 |
Flac 16/48 - 0,
142972 |
Lewiston |
State Fairgrounds flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII-C90)(patched out of Steve Rolfe); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4395. |
09/06/80 |
Flac 24/96 - 0,
142971 |
Lewiston |
State Fairgrounds flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII-C90)(patched out of Steve Rolfe); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
|
notes
|
| 4396. |
09/06/80 |
Flac 16 - 0,
136807 |
Lewiston |
State Fairgrounds flac16; Recording by Steve Rolfe & Jim Wise: Master Audience Cassette; 2 NaKamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches; Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
|
notes
|
| 4397. |
09/06/80 |
Flac 24/96 - 0,
126539 |
Lewiston |
State Fairgrounds flac24; source: aud cassette master taped by The Commander; audio-technica condensor mics > sony tc-152, tdk sa-c90's, no nr; nak dragon > benchmark adc1 24/96 > adobe audition cs6 > flac; transfer/seed by Rob Berger & Taperchuck
|
notes
|
| 4398. |
09/06/80 |
Flac 24/96 - 0,
147839 |
Lewiston |
State Fairgrounds flac16/48kHz; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4399. |
09/06/80 |
Flac 24/96 - 0,
147840 |
Lewiston |
State Fairgrounds flac24; Recording Info: Kathy Sublette's Master (FOB) Audience Cassettes; Shure SM57 mics > Sony-TC158; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4400. |
09/06/80 |
Flac 24/96 - 0,
127165 |
Lewiston |
State Fairgrounds flac24; Recording by Steve Rolfe & Jim Wise: Master Audience Cassette; 2 NaKamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: February 20 , 2014; Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
|
notes
|
| 4401. |
09/06/80 |
Flac 24/96 - 0,
150981 |
Lewiston |
State Fairgrounds flac24/96 1st gen AUD Cassette (unknown source/taper) 1st gen CAS (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Listening Assistance and Track FLAC Pack by Steve Gravel
|
notes
|
| 4402. |
09/06/80 |
Flac 16/48 - 0,
150980 |
Lewiston |
State Fairgrounds flac16/48khz 1st gen AUD Cassette (unknown source/taper) 1st gen CAS (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496 Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Listening Assistance and Track FLAC Pack by Steve Gravel
|
notes
|
| 4403. |
09/25/80 |
Shn - 0,
18740 |
San Francisco |
Warfield Theater Acoustic Set only; SBD > MR > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
|
notes
|
| 4404. |
09/25/80 |
Shn - 0,
7303 |
San Francisco |
Warfield Theater Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5; via Douglas Ferguson, Matt Vernon
|
notes
|
| 4405. |
09/25/80 |
Flac 24/96 - 0,
144697 |
San Francisco |
Warfield Theater flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4406. |
09/25/80 |
Flac 16/48 - 0,
144696 |
San Francisco |
Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4407. |
09/26/80 |
Flac 16 - 0,
118444 |
San Francisco |
Warfield Theater flac16; Recording Info: SBD -> ? -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4408. |
09/26/80 |
Shn - 0,
18741 |
San Francisco |
Warfield Theater Acoustic Set only; SBD > MR > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
|
notes
|
| 4409. |
09/26/80 |
Flac 16 - 0,
89536 |
San Francisco |
Warfield Theater flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008.
|
notes
|
| 4410. |
09/26/80 |
Shn - 0,
7304 |
San Francisco |
Warfield Theater Recording (attributed to ) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5; via Douglas Ferguson, Matt Vernon
|
notes
|
| 4411. |
09/26/80 |
Flac 24/96 - 0,
144651 |
San Francisco |
Warfield Theater flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4412. |
09/26/80 |
Flac 16/48 - 0,
144650 |
San Francisco |
Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4413. |
09/26/80 |
Flac 24/96 - ,
155411 |
San Francisco |
Warfield Theater Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 4414. |
09/26/80 |
Flac 16/44 - ,
155426 |
San Francisco |
Warfield Theater flac16/44 Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 155411 2496 > 1644
|
notes
|
| 4415. |
09/27/80 |
Flac 16 - 0,
96271 |
San Francisco |
Warfield Theater flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder> analog in PCM501ES analog out > Dat @ 48 kHz Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48] Mastering: In WaveLab with Nomad Blue Tube Plugins Rate Conversion with r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 6, 2008, Green Mountain Bros.
|
notes
|
| 4416. |
09/27/80 |
Shn - 0,
11590 |
San Francisco |
Warfield Theater Acoustic set: Master Soundboard Reel > PCM > DAT > CDR;Electric Sets: Master Audience Cassette:(3) Nakamichi CM700 mics> Mixer>Sony D5>1 cassette gen> DAT> CDR;The Audience source supplies "The Race Is On" (d1t01), the first 1:15 of "Jackaroe"(d1t02), from 0:04 - 0:42 and from 5:09 - 6:42 of "Bird Song" (d1t06), as well as from 2:58 thru the end of "Ripple" (d1t09). The Audience source was missing the beginning of "The Race Is On";The multiple patches in "Bird Song" were necessary due to problems on the Master Reels; Acoustic SBD DAT source from Joe Samaritano; Patching/CD Re-Mastering & Shn'ed by Scott Clugston; Uploaded to fungus and posted to abgd via Charlie Connor; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments)
|
notes
|
| 4417. |
09/27/80 |
Flac 16 - 0,
89006 |
San Francisco |
Warfield Theater flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 4418. |
09/27/80 |
Shn - 0,
7998 |
San Francisco |
Warfield Theater acoustic and electric; AUD> NAK CM700 mics X 3> Mixer>Sony D5> Master Cassette> Cassette; Playback: JVC TD-W309 (Pitch Correction)> Tascam DA-20mkII (A/D)> Tascam CD-RW700> CD; seeded by Jeff M.
|
notes
|
| 4419. |
09/27/80 |
Shn - 0,
7305 |
San Francisco |
Warfield Theater Recording (attributed to Bob Menke): Nakamichi CM700 Mics (3)>Mixer>Sony D-5; via Douglas Ferguson, Matt Vernon
|
notes
|
| 4420. |
09/27/80 |
Flac 24/48 - 0,
144228 |
San Francisco |
Warfield Theater flac24; Set 1; Source: Mono AUD unknown lineage > ? > Cassette, via Richie & Rip. Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 12/2018
|
notes
|
| 4421. |
09/27/80 |
Flac 24/96 - 0,
144699 |
San Francisco |
Warfield Theater flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4422. |
09/27/80 |
Flac 16/48 - 0,
144698 |
San Francisco |
Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4423. |
09/27/80 |
Flac 16 - 0,
145209 |
San Francisco |
Warfield Theater flac16; Set 1; Source: Mono AUD unknown lineage > ? > Cassette, via Richie & Rip. Transfer: SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 12/2018; This file set is 16 bit @ 44.1
|
notes
|
| 4424. |
09/27/80 |
Flac 24/96 - ,
155740 |
San Francisco |
Warfield Theater Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 4425. |
09/27/80 |
Flac 24/96 - ,
155901 |
San Francisco |
Warfield Theater flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA-90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 4426. |
09/27/80 |
Flac 16/48 - ,
155900 |
San Francisco |
Warfield Theater flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (TDK SA-90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 4427. |
09/27/80 |
Flac 16/44 - ,
156572 |
San Francisco |
Warfield Theater flac1644 Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24 - This is 155740 2496 > 1644.1
|
notes
|
| 4428. |
09/29/80 |
Shn - 0,
21926 |
San Francisco |
Warfield Theater SBD > MC > C > DAT > CD > EAC > SHN; To Lay Me Down patched with current AUD source; EAC/SHN by Darryl Hinko
|
notes
|
| 4429. |
09/29/80 |
Flac 16 - 0,
89075 |
San Francisco |
Warfield Theater flac16; Recording by Ron Elner: Source: Master Cassette >Teac Reel > CD Nakamichi 700’s > Sony TC D-5 Location: FOB either on the floor or 1st row balcony Recorded and archived by Ron Elner, the master cassettes were stolen. CD Extraction with EAC > TLH > FLAC level 8 CD Extraction and seeded by B. Koucky Green Mountain Bros. December 2007
|
notes
|
| 4430. |
09/29/80 |
Flac 16 - 0,
106783 |
San Francisco |
Warfield Theater flac16; Recording Info: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4431. |
09/29/80 |
Shn - 0,
12886 |
San Francisco |
Warfield Theater Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 from center balcony Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson SHN Conversion: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable) by Matt Vernon
|
notes
|
| 4432. |
09/29/80 |
Flac 24/96 - 0,
144655 |
San Francisco |
Warfield Theater flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info:Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4433. |
09/29/80 |
Flac 16/48 - 0,
144654 |
San Francisco |
Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info:Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4434. |
09/30/80 |
Flac 16 - 0,
96066 |
San Francisco |
Warfield Theater flac16; Acoustic Set Recording Info:SBD -> 24 Track Master Reel -> Cassette -> Cassette; Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4435. |
09/30/80 |
Flac 16 - 0,
132375 |
San Francisco |
Warfield Theater flac16; Recording Info: SBD -> Cassette Master -> FLAC; Transfer Info: FLAC -> Adobe Audition v5.5 -> Samplitude Pro X2 Suite -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4436. |
09/30/80 |
Flac 16 Mtx - 0,
132779 |
San Francisco |
Warfield Theater flac16; 2 source matrix by Dusborne; Soundboard(shinid:132375) SBD -> Cassette Master -> FLAC, FLAC -> Adobe Audition v5.5 -> Samplitude Pro X2 Suite -> FLAC and Audience(shinid:089554) Master Cassette > Nakamichi 700s > Sony TC D-5, Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction with EAC > TLH > FLAC level 8
|
notes
|
| 4437. |
09/30/80 |
Flac 16 - 0,
89554 |
San Francisco |
Warfield Theater flac16; Recording by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008
|
notes
|
| 4438. |
09/30/80 |
Shn - 0,
12882 |
San Francisco |
Warfield Theater Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 from balcony center taped by Bob Menke Remaster by Douglas Ferguson: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 SHN Conversion by Matt Vernon: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable)
|
notes
|
| 4439. |
09/30/80 |
Flac 24/96 - 0,
144728 |
San Francisco |
Warfield Theater flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4440. |
09/30/80 |
Flac 16/48 - 0,
144727 |
San Francisco |
Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - handheld shoulder high)> Custom mixer by Jamie Poris > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4441. |
10/02/80 |
Flac 16 - 0,
114364 |
San Francisco |
Warfield Theater flac16; Recording Info: Set 1: SBD -> Reel Master -> Cassette -> Dat -> CD (shnid=8039); Set 2: Nakamichi 700 -> Cassette Master -> Reel -> Dat -> CD (shnid=89111); Set 3: SBD -> Cassette Master -> Dat -> CD (shnid=2204); Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v3 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4442. |
10/02/80 |
Flac 16 - 0,
89111 |
San Francisco |
Warfield Theater flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700’s > Sony TC D-5 > Teac Reel > Transfer to PC tracked & burned to CD Location: FOB either on the floor or 1st row balcony CD Extraction with EAC > TLH > FLAC level 8 Recorded and archived by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Peter Mandell CD Extraction and seeded by Bill Koucky Green Mountain Bros. December 2007
|
notes
|
| 4443. |
10/02/80 |
Flac 16 - 0,
96067 |
San Francisco |
Warfield Theater flac16; Acoustic Set Recording Info:SBD -> 24 Track Master Reel -> Cassette -> Cassette; Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4444. |
10/02/80 |
Shn - 0,
2204 |
San Francisco |
Warfield Theater set 3; SBD-> Master Cassette-> DAT-> Sonic Solutions-> CD; CD-> EAC-> SHN conversion and upload by Adam Jerugim; seed via David Gans, Chris Meyer, Charlie Miller
|
notes
|
| 4445. |
10/02/80 |
Flac 16 - 0,
92204 |
San Francisco |
Warfield Theater flac16; Acoustic Set, Matrix sources: a) (shnid 8039) sbd > mr > cass > dat > cdr > eac > shn and b) (shnid 89111) Master Cassette > Nakamichi 700s > Sony TC D-5 > Teac Reel > Transfer to PC tracked & burned to CD Location: FOB either on the floor or 1st row balcony CD Extraction with EAC > TLH > FLAC level 8 Matrix by SIRMick June 2008
|
notes
|
| 4446. |
10/02/80 |
Shn - 0,
8039 |
San Francisco |
Warfield Theater Acoustic set; SBD> MR> CASSETTE> DAT> CDR; via Paul B.; Tim Wiley
|
notes
|
| 4447. |
10/02/80 |
Shn - 0,
16154 |
San Francisco |
Warfield Theater acoustic and electric sets; Nak300 > Sony TC-152; via Charles Gannon, encoded by Matt Vernon
|
notes
|
| 4448. |
10/02/80 |
Flac 16 - 0,
138019 |
San Francisco |
Warfield Theater flac16; SBD > ? > cassette > CD > WAV > FLAC
|
notes
|
| 4449. |
10/02/80 |
Flac 16 - 0,
141014 |
San Francisco |
Warfield Theater flac16; Partial Show Recording Info: AKG Mics (m/s) > Cassette Master (Sony TC-D5M/Maxell UD-XLII/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4450. |
10/02/80 |
Flac 16 - 0,
141014 |
San Francisco |
Warfield Theater flac16; Partial Show Recording Info: AKG Mics (m/s) > Cassette Master (Sony TC-D5M/Maxell UD-XLII/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4451. |
10/03/80 |
Flac 16 Mtx - 0,
94131 |
San Francisco |
Warfield Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 4452. |
10/03/80 |
Shn - 0,
2200 |
San Francisco |
Warfield Theater acoustic; SBD-> Master Cassette-> DAT-> Sonic Solutions-> CD; CD-> EAC-> SHN conversion and upload by Adam Jerugim; seed via David Gans, Chris Meyer, Charlie Miller
|
notes
|
| 4453. |
10/03/80 |
Flac 16 - 0,
89128 |
San Francisco |
Warfield Theater flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700’s > Sony TC D-5. Location: FOB either on the floor or 1st row balcony 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction: EAC > TLH > FLAC level 8. Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction and seeded by Bill Koucky. Green Mountain Bros. December 2007.
|
notes
|
| 4454. |
10/03/80 |
Shn - 0,
16208 |
San Francisco |
Warfield Theater Nak300 > Sony TC-152 > AMC > CoolEdit Pro > CD; via Charles Gannon; encoded by Matt Vernon
|
notes
|
| 4455. |
10/03/80 |
Flac 16 Mtx - 0,
146232 |
San Francisco |
Warfield Theater flac16 Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) of shnid's 2200 and 89128
|
notes
|
| 4456. |
10/04/80 |
Shn - 0,
14989 |
San Francisco |
Warfield Theater complete SBD>?>CDR>EAC>Cool Edit(minor cleanup, normalization)>CDWAV(tracking)>mkwact(seekable) via Joey Browning, Steve Blanchard
|
notes
|
| 4457. |
10/04/80 |
Shn - 0,
19147 |
San Francisco |
Warfield Theater SBD>>MR>>PCM>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN
|
notes
|
| 4458. |
10/04/80 |
Shn - 0,
8778 |
San Francisco |
Warfield Theater Acoustic and partial set 2; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy
|
notes
|
| 4459. |
10/04/80 |
Flac 16 - 0,
141334 |
San Francisco |
Warfield Theater flac16; Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 4460. |
10/04/80 |
Flac 24/96 - 0,
151265 |
San Francisco |
Warfield Theater flac24/96khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24
|
notes
|
| 4461. |
10/04/80 |
Flac 16/44,1 - 0,
151266 |
San Francisco |
Warfield Theater flac16/44.1khz Source: Master SBD Reel > PCM > DAT Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44
|
notes
|
| 4462. |
10/06/80 |
Flac 16 - 0,
89169 |
San Francisco |
Warfield Theater flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5. Location: FOB either on the floor or 1st row balcony. 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction with EAC > TLH > FLAC level 8. Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction and seeded by Bill Koucky; Green Mountain Bros. December 2007.
|
notes
|
| 4463. |
10/06/80 |
Shn - 0,
8779 |
San Francisco |
Warfield Theater Acoustic set only; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy
|
notes
|
| 4464. |
10/06/80 |
Shn - 0,
13062 |
San Francisco |
Warfield Theater Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 tfrom Balcony, Center. Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson. shn conversion by Matt Vernon via Raoul Duke
|
notes
|
| 4465. |
10/06/80 |
Flac 16 - 0,
141335 |
San Francisco |
Warfield Theater flac16; Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 4466. |
10/06/80 |
Flac 24/96 - 0,
144726 |
San Francisco |
Warfield Theater flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4467. |
10/06/80 |
Flac 16/48 - 0,
144725 |
San Francisco |
Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4468. |
10/06/80 |
Flac 16/44,1 - 0,
151267 |
San Francisco |
Warfield Theater flac16/44.1khz Source: Master SBD Reel > PCM > DAT Transfer: DAT > Sony PCMR500 (SPDIF out) > VX Pocket > Nuendo (SPDIF in) > Soundforge 5 > WAV 16/44
|
notes
|
| 4469. |
10/06/80 |
Flac 24/96 - ,
155950 |
San Francisco |
Warfield Theater flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 4470. |
10/06/80 |
Flac 16/48 - ,
155949 |
San Francisco |
Warfield Theater flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 4471. |
10/07/80 |
Shn - 0,
24664 |
San Francisco |
Warfield Theater Source: Acoustic and partial set 1 electric: MSR>C>DAT>WAV>SHN C>SHN Encoding by Cousinit Seeded to abgd
|
notes
|
| 4472. |
10/07/80 |
Flac - 0,
198882 |
San Francisco |
Warfield Theater SBD > Reel > Sony TCD5 > Cassette Master (Betty's) TDK SA-X 60 > DAT > Mastering (Custom Analog & Digital 06-10 ) > WAV. Reel to cassette transfer on 1981-02-06. Lineage: WAV > FLAC [7]. Recording Engineer: possibly Bear (Tape noted: Bear's Monitor At Gig). Original Cassette Master > DAT Transfer: Jim Blackwood. Mastering: Jim Blackwood, Mastering assistance: Jamie Waddell
|
notes
|
| 4473. |
10/07/80 |
Shn - 0,
14046 |
San Francisco |
Warfield Theater Recording (attributed to) Bob Menke: Balcony, Center Nakamichi CM700 Mics (3)>Mixer>Sony D-5. Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson shn encoding by Matt Vernon via Raoul Duke
|
notes
|
| 4474. |
10/07/80 |
Flac 16 - 0,
89189 |
San Francisco |
Warfield Theater flac16; Recording by Ron Ellner: Source: Master Cassette > Nakamichi 700s > Sony TC D-5M. Location: FOB either on the floor or 1st row balcony. 1st Generation copy to Teac Reel to Reel. Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD. CD Extraction with EAC > TLH > FLAC level 8. Masters Recorded by Ron Ellner and archived to Reels by Peter Mandell, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino. CD Extraction by Bill Koucky. Green Mountain Bros. December 2007.
|
notes
|
| 4475. |
10/07/80 |
Flac 24/96 - 0,
144739 |
San Francisco |
Warfield Theater flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4476. |
10/07/80 |
Flac 16/48 - 0,
144738 |
San Francisco |
Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4477. |
10/07/80 |
Flac 24/96 - 0,
151264 |
San Francisco |
Warfield Theater flac24/96khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24
|
notes
|
| 4478. |
10/07/80 |
Flac 16/44,1 - 0,
151440 |
San Francisco |
Warfield Theater flac16/44.1khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24 -- 151264 24 -> 16 @ 44.1
|
notes
|
| 4479. |
10/09/80 |
Shn - 0,
11042 |
San Francisco |
Warfield Theater labelled as SBD> R> DAT> CD, but see info file notes; note same txt file as other shn set, but md5s differ
|
notes
|
| 4480. |
10/09/80 |
Shn - 0,
32402 |
San Francisco |
Warfield Theater Source: 7" 2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > 3 DAT Generations DAT > WAV > SHN: Dan Stephens (dms@well.com) Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE)
|
notes
|
| 4481. |
10/09/80 |
Flac 16 - 0,
140924 |
San Francisco |
Warfield Theater flac16; Partial 1st Electric Set Source Info: Betty's 7" 2-track Master Soundboard Reel @ 7.5 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 4482. |
10/09/80 |
Flac 16 - 0,
141349 |
San Francisco |
Warfield Theater flac16; Source Info: Betty's 7" two track reels @ 7 1/2 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 4483. |
10/09/80 |
Flac 24/96 - 0,
144735 |
San Francisco |
Warfield Theater flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4484. |
10/09/80 |
Flac 16/48 - 0,
144734 |
San Francisco |
Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5 (Maxell UDXLII); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit viadBpweramp
|
notes
|
| 4485. |
10/09/80 |
Flac 16/44,1 - 0,
151441 |
San Francisco |
Warfield Theater flac16/44.1khz Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite (24-bit/96k) > FLAC/24, 151344 24 -> 16 @ 44.1
|
notes
|
| 4486. |
10/10/80 |
Flac 16 - 0,
28740 |
San Francisco |
Warfield Theater flac16; SBD/AUD Matrix of 3 previously circulated seeds; prepared by Chris Chappell
|
notes
|
| 4487. |
10/10/80 |
Shn - 0,
24710 |
San Francisco |
Warfield Theater MSR>C>C>DAT>WAV>SHN; C>DAT Conversion by Cousinit Patch Source: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700
|
notes
|
| 4488. |
10/10/80 |
Shn - 0,
8780 |
San Francisco |
Warfield Theater Acoustic set only; SBD>?>CDR; See info file for flaws; via Bart Hutchinson; seeded to etree by Willy
|
notes
|
| 4489. |
10/10/80 |
Shn - 0,
14386 |
San Francisco |
Warfield Theater Acoustic set only; SBD>MR>PCM>DAT>CDR>EAC>SHN This new seed does not have the problems in Dark Hollow like the previous seed.
|
notes
|
| 4490. |
10/10/80 |
Flac 16 - 0,
73820 |
San Francisco |
Warfield Theater flac16; Acoustic Set - sbd reel master > dats @ 44.1 kHz wavelab > cd wave/flac
|
notes
|
| 4491. |
10/10/80 |
Flac 16 - 0,
89560 |
San Francisco |
Warfield Theater flac16; Recording by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008.
|
notes
|
| 4492. |
10/10/80 |
Shn - 0,
13989 |
San Francisco |
Warfield Theater Source: Recording (attributed to) Bob Menke: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 from Balcony, Center Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 by Douglas Ferguson, via Roual Duke, SHN Conversion by Matt Vernon
|
notes
|
| 4493. |
10/10/80 |
Flac 24/96 - 0,
144766 |
San Francisco |
Warfield Theater flac24; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5(Maxell UDXLI); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4494. |
10/10/80 |
Flac 16/48 - 0,
144765 |
San Francisco |
Warfield Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5(Maxell UDXLI); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4495. |
10/10/80 |
Flac 24/96 - ,
156341 |
San Francisco |
Warfield Theater flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 4496. |
10/10/80 |
Flac 16/48 - ,
156340 |
San Francisco |
Warfield Theater flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 4497. |
10/11/80 |
Shn - 0,
16336 |
San Francisco |
Warfield Theater SBD:MC >? >CDR >EAC >cool edit 2000 (minor clean up,normalization) >CDWAV (tracking) >mkwact(seekable) w/expanded drums this becomes a 3 disc show.
|
notes
|
| 4498. |
10/11/80 |
Flac 16 - 0,
73821 |
San Francisco |
Warfield Theater flac16; Acoustic Set - sbd reel master > dats @ 44.1 kHz wavelab > cd wave/flac
|
notes
|
| 4499. |
10/11/80 |
Shn - 0,
323 |
San Francisco |
Warfield Theater acoustic set; SBD> Reel> PCM> DAT> CDR> Plexwriter CD-R (EAC)> HP 8200i CDRW Drive (EAC); via Andy "Bear" Greider, Stephen Windsor, Darrin Sacks
|
notes
|
| 4500. |
10/11/80 |
Flac 16 - 0,
89615 |
San Francisco |
Warfield Theater flac16; Recorded by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and seeded by Bill Koucky; Green Mountain Bros. January 2008
|
notes
|
| 4501. |
10/11/80 |
Shn - 0,
6198 |
San Francisco |
Warfield Theater shn set from Bob Clevenger; edit of previously circulating sh set - see info for details
|
notes
|
| 4502. |
10/11/80 |
Flac 24/96 - 0,
142012 |
San Francisco |
Warfield Theater flac24; Source Info: Master Soundboard Cassettes > 1st generation cassettes > Matt Smith's 2nd generation cassettes; Transfer Info: 2nd generation cassettes (Nakamichi BX-300)> Apogee Mini Me > Apogee Mini DAC > WaveLab 5.0 (.wav 24-bit/96k) > Adobe Audition 3.0 > TLH flac2496
|
notes
|
| 4503. |
10/11/80 |
Flac 16/48 - 0,
142010 |
San Francisco |
Warfield Theater flac16/48kHz; Master Soundboard Cassettes > 1st generation cassettes > Matt Smith's 2nd generation cassettes (Nakamichi BX-300)> Apogee Mini Me > Apogee Mini DAC > WaveLab 5.0 (.wav 24-bit/96k) > Adobe Audition 3.0 > TLH flac 24/96; This is a 16/48 fileset. 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4504. |
10/11/80 |
Flac 24/96 - ,
155315 |
San Francisco |
Warfield Theater Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 4505. |
10/11/80 |
Flac 16/44 - ,
155431 |
San Francisco |
Warfield Theater flac16/44: Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 155315 2496 > 1644
|
notes
|
| 4506. |
10/11/80 |
Flac 24/96 - ,
156343 |
San Francisco |
Warfield Theater flac2496 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496
|
notes
|
| 4507. |
10/11/80 |
Flac 16/48 - ,
156342 |
San Francisco |
Warfield Theater flac1648 Source Info: Scott Wiseman's Master Audience Cassettes; AKG SE-5E mics with CE-1 cardioid capsules > Sony TC-D5 (Maxell UDXLII 90) Transfer Info: Master Cassette (Nakamichi LX-5) > MOTU M4 > Macbook Pro > Audacity (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496
|
notes
|
| 4508. |
10/13/80 |
Shn - 0,
25559 |
San Francisco |
Warfield Theater Recording Info: Set 1: SBD -> Master Reel -> PCM -> Dat -> CD -> EAC -> SHN Set 3: SBD -> 3rd Gen Pro Shot Video Transfer Info: 3rd Gen Pro Shot Video -> Dat (Sony R500/48k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
|
notes
|
| 4509. |
10/13/80 |
Shn - 0,
13064 |
San Francisco |
Warfield Theater Acoustic set only; SBD>MR>PCM>DAT>CDR; via Paul B; Seeded to etree by Willy
|
notes
|
| 4510. |
10/13/80 |
Flac 16 - 0,
137256 |
San Francisco |
Warfield Theater flac16; Recording Info: 1st Electric Set & 2nd Electric Set partial (thru The Other One) SBD > many cassette generations > Cass; Transfer Info: Cassette played back on Nakamichi Dragon > Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) > Korg AudioGate > WAV [24/96] > Adobe Audition 6.0> FLAC encoding
|
notes
|
| 4511. |
10/13/80 |
Flac 16 - 0,
137297 |
San Francisco |
Warfield Theater flac16; sbd composite upgrade by Alan Bershaw; see info file for details
|
notes
|
| 4512. |
10/13/80 |
Flac 16 - 0,
114417 |
San Francisco |
Warfield Theater flac16; source: unknown audience recording > cassette x2 > CDR (using Nakamichi BX300 playback > H/K CDR2 (stand alone CD recorder); transfer: CDR > MacBook using Xact to create flac files, no other work has been done on this recording
|
notes
|
| 4513. |
10/14/80 |
Flac - 0,
108883 |
San Francisco |
Warfield Theater SBD > Reel > Sony TCD5 > Cassette Master (Betty's) TDK SA-X 60 > DAT > Mastering (Custom Analog & Digital 06-10 ) > WAV. Reel to cassette transfer on 1981-02-06. Lineage: WAV > FLAC [7]. Recording Engineer: possibly Bear (Tape noted: Bear's Monitor At Gig). Original Cassette Master > DAT Transfer: Jim Blackwood. Mastering: Jim Blackwood. Mastering assistance: Jamie Waddell
|
notes
|
| 4514. |
10/14/80 |
Shn - 0,
3576 |
San Francisco |
Warfield Theater SBD> MR> DAT> CDR> EAC> SHN; note Acoustic first set and encore missing; via Tony Gardner; note upgrade in circulation
|
notes
|
| 4515. |
10/14/80 |
Shn - 0,
3828 |
San Francisco |
Warfield Theater Set 1 and encores: unknown audience> ?> CDR> EAC> SHN; Sets 2,3: SBD> MR> DAT> CDR> EAC> SHN; via Tony Gardner, with thanks to Paul B., Mario Mancilla; update to Tony's previous shn set, his comments: "I found another source for the acoustic set and called it disc 0. encores are added on disc 3. I cut about two minutes of silence from the end of disc 1 and 2, no other changes"; see info file for more comments
|
notes
|
| 4516. |
10/14/80 |
Flac 16 - 0,
89632 |
San Francisco |
Warfield Theater flac16; Recorded by Ron Ellner. Source: Master Cassette > Nakamichi 700s > Sony TC D-5M; Location: FOB either on the floor or 1st row balcony; 1st Generation copy to Teac Reel to Reel; Transfer: Pioneer RT-701 Reel to Reel > Soundblaster Soundcard > Soundforge > CD; CD Extraction: EAC > WaveLab (edits) > TLH > FLAC level 8; Recorded and archived to Reels by Ron Ellner, the master cassettes were stolen. Transfer: Reels to PC by Mike Marino; CD Extraction and edits by Bill Koucky. Green Mountain Bros. January 2008
|
notes
|
| 4517. |
10/14/80 |
Flac 16 - 0,
119320 |
San Francisco |
Warfield Theater flac16; Sets 2 and 3; 2 source matrix-electric sets: Soundboard (shnid=3828): SBD> MR> DAT> CDR> EAC> SHN >TLH >flac and Audience (shnid=89632): FOB either on the floor or 1st row balcony Master Cassette > Nakamichi 700s > Sony TC D-5M
|
notes
|
| 4518. |
10/14/80 |
Flac 16/48 - 0,
137560 |
San Francisco |
Warfield Theater flac16/48Khz; Set 2 & 3 Recording Info: SBD -> Master Reel (10in 15ips 1/2 trk) > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4519. |
10/14/80 |
Flac 16/44 - ,
155439 |
San Francisco |
Warfield Theater flac16/44 Recording Info: SBD > Cassette Master (Nakamichi 550) > Cassette (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 155412 2496 > 1644
|
notes
|
| 4520. |
10/18/80 |
Flac 16 - 0,
133594 |
New Orleans |
Saenger Performing Arts Center flac16; Recording Info: SBD -> Cassette Master -> Dat -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4521. |
10/18/80 |
Flac 16 - 0,
135529 |
New Orleans |
Saenger Performing Arts Center flac16; Recording Info: SBD -> Cassette Master -> Dat -> AIFF; Transfer Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4522. |
10/18/80 |
Shn - 0,
13596 |
New Orleans |
Saenger Performing Arts Center FOB Neumann km84> Cm> Dat> CD via Mike McCarthy and Raoul Duke, encoding subcontracted to Matt Vernon by The Miami SHN Machine
|
notes
|
| 4523. |
10/19/80 |
Flac 16 - 0,
125633 |
New Orleans |
Saenger Performing Arts Center flac16; AUD: 2x Beyer M160's > Sony TC-D5, 20-foot spread, front edge of balcony. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013.
|
notes
|
| 4524. |
10/19/80 |
Flac 16/48 - 0,
134368 |
New Orleans |
Saenger Performing Arts Center flac16/48kHz; s1 described as aud, s2 and s3 described as fob aud cas> R2; see info file for details; Transfer: trade dats at 48k > m-audio audiophile 2496 > cooledit2000 > 48k wav > flac
|
notes
|
| 4525. |
10/19/80 |
Flac 16 - 0,
125234 |
New Orleans |
Saenger Performing Arts Center flac16; Set 3 Source: Unknown AUD, lo-gen tape kindly provided by Seaweed1010. Transfer: XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 07/2013
|
notes
|
| 4526. |
10/19/80 |
Flac 24/96 - 0,
125632 |
New Orleans |
Saenger Performing Arts Center flac24; AUD: 2x Beyer M160's > Sony TC-D5, 20-foot spread, front edge of balcony. Transfer: MAC > Nakamichi 1000-II > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013.
|
notes
|
| 4527. |
10/19/80 |
Shn - 0,
16908 |
New Orleans |
Saenger Performing Arts Center AUDMC(unknown mics) > C > C > WAV; set 1 acoustic only (other sets already circulate); via Hanno Bunjes, encoded by Matt Vernon
|
notes
|
| 4528. |
10/19/80 |
Shn - 0,
13469 |
New Orleans |
Saenger Performing Arts Center unknown FOB aud source electric sets 2-3 via Raoul Duke and Mike McCarthy, encoding by Matt Vernon
|
notes
|
| 4529. |
10/22/80 |
Flac 16 - 0,
101778 |
New York |
Radio City Music Hall flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII-C90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Row SS, Seat 109 by Bob Morris
|
notes
|
| 4530. |
10/22/80 |
Flac 16 - 0,
100416 |
New York |
Radio City Music Hall flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4531. |
10/22/80 |
Shn - 0,
8479 |
New York |
Radio City Music Hall AUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley
|
notes
|
| 4532. |
10/22/80 |
Flac 16 - 0,
120053 |
New York |
Radio City Music Hall flac16; Lodge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 Tracked in Audacity 2.0 by dusborne
|
notes
|
| 4533. |
10/23/80 |
Flac 16 - 0,
101256 |
New York |
Radio City Music Hall flac16; Recording Info:(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4534. |
10/23/80 |
Flac 24/96 - 0,
111029 |
New York |
Radio City Music Hall flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded from Orchestra Row A, Seat 310, by Bob Morris; This is an upgrade to shn 108016: deleted extraneous bad tracks; renamed files; Patched with ID 101256
|
notes
|
| 4535. |
10/23/80 |
Flac 16 - 0,
102026 |
New York |
Radio City Music Hall flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Orchestra Row A, Seat 310, by Bob Morris
|
notes
|
| 4536. |
10/23/80 |
Flac 24/96 - 0,
108016 |
New York |
Radio City Music Hall flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA-C90 except Set 3: Maxell UDXLII-C90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded from Orchestra Row A, Seat 310, by Bob Morris; Upgrade in circulation
|
notes
|
| 4537. |
10/23/80 |
Flac 16 - 0,
120072 |
New York |
Radio City Music Hall flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0 ; Tracked in Audacity 2.0 by dusborne
|
notes
|
| 4538. |
10/23/80 |
Shn - 0,
8700 |
New York |
Radio City Music Hall AUD(Sony ECM-280's)>MC>DAT>CDR; Seeded to etree by Tim Wiley
|
notes
|
| 4539. |
10/23/80 |
Shn - 0,
13140 |
New York |
Radio City Music Hall Recording by Mark Cohen: AUD from orchestra seats with Nak 700s > Sony D5; Lineage: AUDMC > Cass > DAT > CDR via Jay Jurina, conversion Matt Vernon
|
notes
|
| 4540. |
10/23/80 |
Flac 24/96 - 0,
143352 |
New York |
Radio City Music Hall flac24; Source Info: Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony D5 (located in the orchestra seats); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
|
notes
|
| 4541. |
10/23/80 |
Flac 16/48 - 0,
143351 |
New York |
Radio City Music Hall flac16/48kHz; Source Info:Mark Cohen's (FOB) Master Audience Cassettes; Nakamichi 700 mics > Sony D5 (located in the orchestra seats); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4542. |
10/25/80 |
Flac 16 - 0,
116769 |
New York |
Radio City Music Hall flac16; AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 10/2011
|
notes
|
| 4543. |
10/25/80 |
Flac 16 - 0,
120163 |
New York |
Radio City Music Hall flac16; Nak 700's > Sony D-5 > AMC; Recorded Dead front center loge by Keith Gatto & Pete Jaeger; AMC > DAT > CDR > EAC > FLac (EAC > Flac by Michael Turi); Equalization: Used a multifilter with the following order: 20-band EQ with linear increases from 0-500 Hz. One subharmonic synthesizer set at 125 Hz. Two expanders (dynamic noise in expander mode) to increase the dynamic range. May, 2012-Dan McDonald
|
notes
|
| 4544. |
10/25/80 |
Flac 16 - 0,
102405 |
New York |
Radio City Music Hall flac16; Recording Info:(FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4545. |
10/25/80 |
Flac 24/48 - 0,
116768 |
New York |
Radio City Music Hall flac24; AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. 10/2011
|
notes
|
| 4546. |
10/25/80 |
Flac 16 - 0,
93804 |
New York |
Radio City Music Hall flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4547. |
10/25/80 |
Shn - 0,
8726 |
New York |
Radio City Music Hall AUD>MC>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 4548. |
10/26/80 |
Flac16 Mtx - 0,
101967 |
New York |
Radio City Music Hall flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 4549. |
10/26/80 |
Shn - 0,
18896 |
New York |
Radio City Music Hall PLEASE NOTE: This is a Remaster of the original SBD SHN Seed released by Darryl Hinko. Main Source: SBD>MR>DAT>CD>EAC>SHN ; Patch Source: AUD(Wise Sony ECM 280?s)>Sony D-5>MC Playback on Nak Dragon>Sony PCM-R700>Hard Drive via ZA2>CDR>EAC(secure)>Cool Edit Pro>CD WAV>SHN(seekable) ; Remaster Conversion: SHN>WAV>ADWS>SHN(Seekable); Via Hinks ; Seeded by T. Wiley 08/15/2003.
|
notes
|
| 4550. |
10/26/80 |
Shn - 0,
18862 |
New York |
Radio City Music Hall Updated Source; SBD > MR > C (no dolby) > DAT > CD > EAC > SHN; was marked: SBD > MR > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
|
notes
|
| 4551. |
10/26/80 |
Shn - 0,
8765 |
New York |
Radio City Music Hall Updated lineage: Recording by Jim Wise: Nak 700s>Sony D-5>MC>PCM>ZA2>CDR; Seeded to etree by Tim W
|
notes
|
| 4552. |
10/26/80 |
Flac 16 - 0,
120169 |
New York |
Radio City Music Hall flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 05-17-2012
|
notes
|
| 4553. |
10/26/80 |
Shn - 0,
11837 |
New York |
Radio City Music Hall Source: CAUD >D>CD>EAC>WAV>SHN Location: 1st row, Lowest Balcony, Center Seats Source Recording: Sony ECM 270 Condensors > Cassette With 10/18/88 (Matrix) filler; See info file for details; Seeded to etree by JR Fishman
|
notes
|
| 4554. |
10/26/80 |
Flac 16 - 0,
116426 |
New York |
Radio City Music Hall flac16; AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine few rows back, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 10/2011
|
notes
|
| 4555. |
10/26/80 |
Flac 16 - 0,
94269 |
New York |
Radio City Music Hall flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4556. |
10/27/80 |
Flac 16 - 0,
101293 |
New York |
Radio City Music Hall flac16; Recording Info: Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4557. |
10/27/80 |
Shn - 0,
324 |
New York |
Radio City Music Hall Recording by Jim Wise: senn. 441 > d-5 center lower balcony several rows back; playback on nak dragon & ran the signal right through sony pcm r-700 directly to hard disc via za2; no other processing apart form minor editing and normalization; recording, transfer by J. Wise; EAC> SHN by R. Donnelly> CD > SHN by M. Lai; known flaw: some sporadic wow & flutter (mainly on elec#1); Donnelly's 4/00 original shns may not have gotten mirrored from stellablue before a loss- 5/00 reextraction (md5s shown) by M. Lai
|
notes
|
| 4558. |
10/27/80 |
Flac 24/48 - 0,
116195 |
New York |
Radio City Music Hall flac2448: AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine front row, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011
|
notes
|
| 4559. |
10/27/80 |
Flac 16 - 0,
116196 |
New York |
Radio City Music Hall flac16: AUD: 2x Nakamichi CM300/CP1 cardioids > Nakamichi 550 > Maxell UDXLII. Set up in second mezzanine front row, mics hand-held by Tim Friend, recording by Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 09/2011
|
notes
|
| 4560. |
10/27/80 |
Shn - 0,
7290 |
New York |
Radio City Music Hall Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd
|
notes
|
| 4561. |
10/29/80 |
Flac 16 - 0,
122003 |
New York |
Radio City Music Hall flac16; Partial Soundboard, Set 1: SBD>?>?cassette in Dolby B>Harmon Kadon TD 302, Dolb B on>Zoom H2>PC>edited and tracked with wavepad>flac and checksums with traderslittlehelper, sept.14, 2012 by John Wenzel
|
notes
|
| 4562. |
10/29/80 |
Shn - 0,
1953 |
New York |
Radio City Music Hall Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd
|
notes
|
| 4563. |
10/29/80 |
Flac 16 - 0,
101306 |
New York |
Radio City Music Hall flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Taped By Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4564. |
10/29/80 |
Flac 16 - 0,
120307 |
New York |
Radio City Music Hall flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 05-22-2012
|
notes
|
| 4565. |
10/29/80 |
Flac 16 - 0,
126919 |
New York |
Radio City Music Hall flac16; AUD: 2x Beyer M160's > Sony TC-D5, Fifth row center orchestra. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 02/2014
|
notes
|
| 4566. |
10/29/80 |
Flac 16 - 0,
35029 |
New York |
Radio City Music Hall flac16; Seamless fix/combination of shn id 1953 and shn id 32538 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 4567. |
10/29/80 |
Flac 16 - 0,
32538 |
New York |
Radio City Music Hall **Partial SBD** Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller -- Thanks to Paul Scotton and Joani walker for the cassette
|
notes
|
| 4568. |
10/29/80 |
Flac 24 - 0,
140302 |
New York |
Radio City Music Hall flac24; partial set 1 source: sbd 2nd gen cassette; Jerry Moore’s copy; nakamichi dragon/c > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger
|
notes
|
| 4569. |
10/29/80 |
Flac 16 - 0,
140301 |
New York |
Radio City Music Hall flac16; Partial Sets 2 & 3 Recording Info: SBD > Cassette Master > Cassette; Transfer Info: Cassette (Sony TC-WE475) > Sony R500 (Pass Through) > SEK'D Prodif Plus > Samplitude Professional v8.01 > Flac; Transferred and Edited By Charlie Miller; This is a pitch corrected version of source ID 32538; edited by SIRMick
|
notes
|
| 4570. |
10/29/80 |
Flac 16 - 0,
140496 |
New York |
Radio City Music Hall flac16; partial set 1 source: sbd 2nd gen cassette; Jerry Moore’s copy; nakamichi dragon/c > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger
|
notes
|
| 4571. |
10/29/80 |
Flac 16 - 0,
140899 |
New York |
Radio City Music Hall flac16; SBD DAT-> Panasonic SV-3700-> SP; DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Mastering, Patching & Editing by Jason Chastain in Audition CC 2015; Final Mastering by Jamie Waddell in Wavelab 7.1
|
notes
|
| 4572. |
10/30/80 |
Flac 16 - 0,
101427 |
New York |
Radio City Music Hall flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded by Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4573. |
10/30/80 |
Shn - 0,
1954 |
New York |
Radio City Music Hall Recording by Jim Wise. Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd
|
notes
|
| 4574. |
10/30/80 |
Flac 16 - 0,
120537 |
New York |
Radio City Music Hall flac16; Loge Dead front center; Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 06-06-2012
|
notes
|
| 4575. |
10/30/80 |
Flac 16 - 0,
139599 |
New York |
Radio City Music Hall flac16; Source: 10Ó 1/4 track SBD Feed Master Reels @ 7.5ips; Lineage: 10Ó 1/4 track Reels (Revox A-77 playback) -> Lexicon Lambda (24/96) -> Logic (mastering: speed correction, track indexing, dithering to 16/44.1) -> AIFF -> Xact (sbe correction) -> wav -> flac; Transfer (November 2009) and mastering (October 2017) by Alan Bershaw
|
notes
|
| 4576. |
10/31/80 |
Flac 16 Mtx - 0,
122543 |
New York |
Radio City Music Hall flac16; 3 Source Matrix: Soundboard (shnid=83158): Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN; Electric: MSR>R>C>DAT>WAV>SHN; Audience (shnid=94270): Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Audience (shnid=120839): Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger
|
notes
|
| 4577. |
10/31/80 |
Flac 24 - 0,
131907 |
New York |
Radio City Music Hall flac24; Partial Show; Beyer M-88>Sony TCD-5M 4th row right center; Transfer MAC>Nakamichi 1000II>USBPre2; Recorded and transfered By Richie stankiewicz
|
notes
|
| 4578. |
10/31/80 |
Flac 16/48 - 0,
132277 |
New York |
Radio City Music Hall flac16/48kHz; Cassette Audience Master recorded By Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Sony TC D-5 Cassette Recorder; Location:Mics placed Overhanging Rail Ledge Dead Center 1st Lodge; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-tagging(Tag & Re-name)-Sample Rate Conversions(r8atebrain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
|
notes
|
| 4579. |
10/31/80 |
Flac 24/96 - 0,
132278 |
New York |
Radio City Music Hall flac24; Cassette Audience Master recorded By Jim Wise; Sony ECM 280 Cardioid Condenser Microphones-Sony TC D-5 Cassette Recorder; Location:Mics placed Overhanging Rail Ledge Dead Center 1st Lodge; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition 3.0)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name)-Sample Rate Conversions(r8atebrain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
|
notes
|
| 4580. |
10/31/80 |
Shn - 0,
20377 |
New York |
Radio City Music Hall Source: Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN Electric: MSR>R>C>DAT>WAV>SHN C>SHN Conversion by Cousinit Seeded to abgd 10/03
|
notes
|
| 4581. |
10/31/80 |
Flac 16 - 0,
120839 |
New York |
Radio City Music Hall flac16; Loge Dead front center Nak 700 > sony D-5> AMC> DAT> CDR> EAC> TLH> Flac; Recorded by Keith Gatto & Pete Jaeger; Extracted & flac encoded by Michael Turi; Patched and Edited in Sound Forge Pro. 10.0; Tracked in Audacity 2.0 by dusborne 06-20-2012
|
notes
|
| 4582. |
10/31/80 |
Flac 16 - 0,
101428 |
New York |
Radio City Music Hall flac16; Recording Info: (FOB) Sony ECM-280 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded by Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4583. |
10/31/80 |
Flac 24/88 - 0,
94270 |
New York |
Radio City Music Hall flac16; Recording Info: Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXL-I & UDXL-II/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4584. |
10/31/80 |
Flac 16 - 0,
137839 |
New York |
Radio City Music Hall flac16; Source: Soundboard (monitor mix) > Sony TC-D5 > cassette (2nd gen); Taped by Happy Jack and friend; Transfer: Cassette > Nakamichi CD1 > Sony PCM-M10 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; transferred, edited and mastered SIRMick
|
notes
|
| 4585. |
10/31/80 |
Flac 24/96 - 0,
137840 |
New York |
Radio City Music Hall flac24; Source: Soundboard (monitor mix) > Sony TC-D5 > cassette (2nd gen); Taped by Happy Jack and friend; Transfer: Cassette > Nakamichi CD1 > Sony PCM-M10 > wav 24/96; Lineage: wav 24/96 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; transferred, edited and mastered SIRMick
|
notes
|
| 4586. |
10/31/80 |
Flac 16 - 0,
140416 |
New York |
Radio City Music Hall flac16; Source: 10” 1/4 track SBD Feed Master Reels @ 7.5ips; Lineage: 10” 1/4 track Reels (Revox A-77 playback) -> Lexicon Lambda (24/96) -> Logic (mastering: speed correction, track indexing, dithering to 16/44.1) -> AIFF -> Xact (sbe correction) -> wav -> flac; Transfer (October 2009) and mastering (December 2017) by Alan Bershaw
|
notes
|
| 4587. |
10/31/80 |
Flac 16 - 0,
141354 |
New York |
Radio City Music Hall flac16; Source Info: Satellite Feed > (McIntosh) 10" Master Reels @ 7.5 ips > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 4588. |
10/31/80 |
Shn - 0,
1955 |
New York |
Radio City Music Hall Recording by Jim Wise: Master AUD (Sony EMC-280/D-5) Cass> PCM> ZA2> CD; via Chris Larson to abgd
|
notes
|
| 4589. |
10/31/80 |
Flac 16 - 0,
83158 |
New York |
Radio City Music Hall flac16; Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN; Electric: MSR>R>C>DAT>WAV>SHN; Edits: SHNs > WAV > Cool Edit 2000/Cool Edit Pro > shntool > FLAC Edited and seeded by Bill Tetzeli
|
notes
|
| 4590. |
10/31/80 |
Flac 24/96 - 0,
137448 |
New York |
Radio City Music Hall flac24; Updated source Info: Source: SBD Recording [This is A 2nd Generation]; Lineage: mixingboard [Line out Left/Right] > TC-d5 [Line In recording level 3.5. No Dolbly] > Master Cassettes [Sony UCX90]; tapes was dubbed on a Aiwa CX-NA555; Tape Transfer: Sharp RT100 Deck [Sony UCX90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, removing some cable connection pops. Pitch correction & speed correction. No music was Lost, Altered and/or Touched. Still some tape warble; CD Wave Editor To Split Tracks & converted to Flac24 [Level 6]; the original seed of this source was marked as an AUD
|
notes
|
| 4591. |
10/31/80 |
Flac 16 - 0,
137449 |
New York |
Radio City Music Hall flac16; Updated source Info: SBD Recording [This is A 2nd Generation]; Lineage: mixingboard [Line out Left/Right] > TC-d5 [Line In recording level 3.5. No Dolbly] > Master Cassettes [Sony UCX90]; tapes was dubbed on a Aiwa CX-NA555; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 12/27/2016; Settings: Sharp RT100 Deck: Dolby NR - OFF & CrO2 - OFF; Settings: Sony PCM-M10 manual record level at 6; Recording Mode: LPCM [wav] 96.00kHz/24bit; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, removing some cable connection pops. Pitch correction & speed correction. No music was Lost, Altered and/or Touched. Still some tape warble; Converting Sample Rate: Adobe Audition 3.0 was also used to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor To Split Tracks & converted to Flac16 [Level 6]; TLH to fix SBE; the original seed of this source was marked as an AUD
|
notes
|
| 4592. |
11/26/80 |
Shn - 0,
3380 |
Pembroke Pines |
The Sportatorium Master Soundboard Cassette > Cassette > DAT > CDR; CD Mastering, EAC> SHN by Scott Clugston; 6/01 note: new d2.md5 from abgd submitted here with unspecified fixes on d2t3,4- not given how, or by whom
|
notes
|
| 4593. |
11/26/80 |
Flac 24/96 - 0,
132222 |
Pembroke Pines |
The Sportatorium flac24; Cassette Audience Master recorded By Jim Wise (patched out of Richie Stankiewicz); Beyerdynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; This is the 24 bit 96KHz file set; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
|
notes
|
| 4594. |
11/26/80 |
Flac 16 Mtx - 0,
132344 |
Pembroke Pines |
The Sportatorium flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:03380) Source: Master Soundboard Cassette > Cassette > DAT > CDRCD and Audience (shnid:101699) Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B)by Jim Wise Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16
|
notes
|
| 4595. |
11/26/80 |
Shn - 0,
82278 |
Pembroke Pines |
The Sportatorium Main source: Master Soundboard Cassette > Cassette > DAT > CDR Patch source: Beyer M-160?s>Sony TC-D5>MC>DAT>CDRCD by Bill Tetzeli
|
notes
|
| 4596. |
11/26/80 |
Flac 16 - 0,
134094 |
Pembroke Pines |
The Sportatorium flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4597. |
11/26/80 |
Flac 16 - 0,
135530 |
Pembroke Pines |
The Sportatorium flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4598. |
11/26/80 |
Flac 16 - 0,
101699 |
Pembroke Pines |
The Sportatorium flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4599. |
11/26/80 |
Shn - 0,
13065 |
Pembroke Pines |
The Sportatorium Recording by Jim Wise: Beyer M-160?s>Sony TC-D5>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
|
notes
|
| 4600. |
11/26/80 |
Flac 16 - 0,
132221 |
Pembroke Pines |
The Sportatorium flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of Richie Stankiewicz); Beyerdynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Cassette Masters (TDK SA-90) played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; This is the properly dithered 16 bit 48 KHz file set; Editing(Adobe Audition 3.0)-Mastering(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
|
notes
|
| 4601. |
11/26/80 |
Flac 16 Mtx - 0,
150965 |
Pembroke Pines |
The Sportatorium Sick Bits Vol. 33a Source: Matrix (SBD-AUD mix) ratio ~ Phi (the Golden Ratio) - 1.618-1 or 62%-38% SBD: (shnid=3380) Source: Master Soundboard Cassette > Cassette > DAT > CDR. via Scott Clugston (EAC-SHN) AUD: (shnid=13065) Jim Wise Beyer M-160’s > Sony TC-D5 > MC > DAT > CDR. via Paul B (CDRs). via Willy (EAC-SHN) Matrixed by Chris Chappell. (SHN > Vegas 5 > CD Wave > Flac16) March 17, 2007
|
notes
|
| 4602. |
11/28/80 |
Flac 16 - 0,
127546 |
Lakeland |
Lakeland Civic Center flac16; Recording by Bob Wagner/Jim Wise: Master Audience Cassette; FOB 2 Nakamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
|
notes
|
| 4603. |
11/28/80 |
Flac 16 - 0,
90013 |
Lakeland |
Lakeland Civic Center flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 4604. |
11/28/80 |
Flac 16 - 0,
90062 |
Lakeland |
Lakeland Civic Center flac16; Source: (original shnid 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR via Scott Clugston Encoding/patching by Matt Vernon - speed correction and additional patching by Kevin Tobin
|
notes
|
| 4605. |
11/28/80 |
Flac 16 Mtx - 0,
90057 |
Lakeland |
Lakeland Civic Center flac16; Matrix 2 Source Mix - SBD (shn id 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding/patching by Matt Vernon + AUD (shn id 89932) Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky - matrix mixing by Kevin Tobin
|
notes
|
| 4606. |
11/28/80 |
Shn - 0,
20049 |
Lakeland |
Lakeland Civic Center Source: Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Patch Source: Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR via Scott Clugston Encoding/patching by Matt Vernon
|
notes
|
| 4607. |
11/28/80 |
Flac 24/96 - 0,
127547 |
Lakeland |
Lakeland Civic Center flac24; Recording by Bob Wagner/Jim Wise: Master Audience Cassette; FOB 2 Nakamichi 700s> Sony D-5; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
|
notes
|
| 4608. |
11/28/80 |
Flac 16 - 0,
89932 |
Lakeland |
Lakeland Civic Center flac16; Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky February 7, 2008
|
notes
|
| 4609. |
11/28/80 |
Shn - 0,
2222 |
Lakeland |
Lakeland Civic Center Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT > CDR; via Scott Clugston
|
notes
|
| 4610. |
11/28/80 |
Flac 16 - 0,
76519 |
Lakeland |
Lakeland Civic Center flac16; Source Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT Transfer: Casio DA-7 > Tascam CD-RW 700 (pass through -2 db) > Audiophile 2496 > @ 24 Bit to WaveLab > 16 Bit > CD Wave > EAC > Flac ; upgrade in circulation
|
notes
|
| 4611. |
11/28/80 |
Flac Dts 5.1 - 0,
90062 |
Lakeland |
Lakeland Civic Center DTS Audio 5.1; SBD (shn id 20049) Soundboard Cassette Master > Reel > DAT > CDR via Andy Lemieux and Kingbee Encoding/patching by Matt Vernon + AUD (shn id 89932) Source FOB Nakamichi CM 700 > Sony D-5 Cassette Master > DAT Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain to [16/44.1] > TLH > FLAC Transferred and Mastered by Bill Koucky - dts mixing by Kevin Tobin
|
notes
|
| 4612. |
11/29/80 |
Flac 24 - 0,
127229 |
Gainesville |
Alligator Alley Gymnasium, University Of Florida flac24; Recorded Sony TCD-5m>Beyer M-88 in the "sweet spot"; Transfer MAC>Nakamichi 1000II>USBPre 2; Recorded and transfered by Richie Stankiewicz
|
notes
|
| 4613. |
11/29/80 |
Flac 16/48 - 0,
132456 |
Gainesville |
Alligator Alley Gymnasium, University Of Florida flac16/48kHz; Cassette Audience Master recorded By Jim Wise (patched out of MadRiverRich); Beyer dynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded TDK SA-C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
|
notes
|
| 4614. |
11/29/80 |
Flac 24/96 - 0,
132457 |
Gainesville |
Alligator Alley Gymnasium, University Of Florida flac24; Cassette Audience Master recorded By Jim Wise (patched out of MadRiverRich); Beyer dynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Sound board; Analog to Digital: Dolby B Decoded TDK SA-C90 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg Audio Gate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversions(r8brain); All Editing & Processing performed in the 24 bit digital domain By Jim Wise
|
notes
|
| 4615. |
11/29/80 |
Flac 16 - 0,
90104 |
Gainesville |
Alligator Alley Gymnasium, University Of Florida flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 4616. |
11/29/80 |
Flac 24/48 - 0,
134703 |
Gainesville |
Alligator Alley Gymnasium, University Of Florida flac24; AUD: Unknown mics > unknown lead deck > Sony TC-D5 > TDK-SA (1st Set) and Maxell XLII (2nd Set), recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2015
|
notes
|
| 4617. |
11/29/80 |
Flac 16 - 0,
134704 |
Gainesville |
Alligator Alley Gymnasium, University Of Florida flac16; AUD: Unknown mics > unknown lead deck > Sony TC-D5 > TDK-SA (1st Set) and Maxell XLII (2nd Set), recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015
|
notes
|
| 4618. |
11/29/80 |
Shn - 0,
325 |
Gainesville |
Alligator Alley Gymnasium, University Of Florida no source info; via D. Barrick
|
notes
|
| 4619. |
11/29/80 |
Shn - 0,
2409 |
Gainesville |
Alligator Alley Gymnasium, University Of Florida Recording by Jim Wise: FOB - Beyer M-160's> Sony TC-D5> CDR via Alesis Masterlink; Mics were on a 15'? pole at the SBD; Taped by Jim Wise; via Darrin Sacks, Rango Keshavan and Dankstar; note upgrade relative to previous shn set
|
notes
|
| 4620. |
11/29/80 |
Flac - 0,
139321 |
Gainesville |
Alligator Alley Gymnasium, University Of Florida flac24; Set 2 Recording Info: SBD > Multi-Gen Cassette (Maxell XLII 90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4621. |
11/29/80 |
Flac 16 - 0,
139322 |
Gainesville |
Alligator Alley Gymnasium, University Of Florida flac16; Set 2 Recording Info: SBD > Multi-Gen Cassette (Maxell XLII 90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139321 24 bit -> 16 bit
|
notes
|
| 4622. |
11/29/80 |
Flac 16 - 0,
89938 |
Gainesville |
Alligator Alley Gymnasium, University Of Florida flac16; Recording by Jim Wise. Source: Beyer M-160's > Sony TC-D5 > CDR > DAT Recording by Jim Wise Mics were on a 15' pole at the SBD Transfer: Casio DA-7 > RCA Analog Outs > Edirol UA-5 > USB > WaveLab at [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 7, 2008
|
notes
|
| 4623. |
11/29/80 |
Flac 16 - 0,
145665 |
Gainesville |
Alligator Alley Gymnasium, University Of Florida flac16; Recorded Sony TCD-5m>Beyer M-88 in the "sweet spot"; Transfer MAC>Nakamichi 1000II>USBPre 2; Recorded and transfered by Richie Stankiewicz; 16bit, 44.1khz file set
|
notes
|
| 4624. |
11/29/80 |
Flac 16 - 0,
101722 |
Gainesville |
Alligator Alley Gymnasium, University Of Florida flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Recorded By Jim Wise (mics were set up at soundboard); All Transfers and Mastering By Charlie Miller
|
notes
|
| 4625. |
11/30/80 |
Flac 16 Mtx - 0,
110936 |
Atlanta |
Fox Theater flac16; Source: Matrix (SBD/AUD mix) Ratio ~ Phi SBD: (shnid=2416): Source: MSC>Reel>DATs>CDRs>EAC>SHN (Through Scarlet>Fire only), AUD1: 24 bit (set 1 only) Recording Info: Taped by Dr. Bob Wagner Nakamichi 700s (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B), and AUD2: 24 bit (shnid=90530) (Scarlet>Fire only) AUD3: 16 bit (shnid=90497) (rest of the show - no matrix) Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Matrixed by Chris Chappell
|
notes
|
| 4626. |
11/30/80 |
Flac 24/96 - 0,
127319 |
Atlanta |
Fox Theater flac24; Set 1 - Recording by Jim Oade & Jim Wise: Master Audience Cassette: 2 Teac ME-120s> Sony D-5; location: SBD and Partial Set 2 - Recording by Richie Stankiewicz & Jim Wise: Master Audience Cassette: 2 Beyer M160s> Sony D-5 location SBD; Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo])Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
|
notes
|
| 4627. |
11/30/80 |
Flac 16 - 0,
128440 |
Atlanta |
Fox Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 4628. |
11/30/80 |
Flac 16 - 0,
90497 |
Atlanta |
Fox Theater flac16; Set 2 only, Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 4629. |
11/30/80 |
Flac 24/96 - 0,
123306 |
Atlanta |
Fox Theater flac24; Partial source: aud cassette master taped by Jerry Moore or ???*; sennheiser 421's > sony d5m, fofb; maxell mx-90/dolby b; nak dragon/b > tascam hd-p2 24/96 > pc > adobe audition 2.0 > cd wave > flac; transferred & seeded by Rob Berger
|
notes
|
| 4630. |
11/30/80 |
Flac 16 - 0,
110921 |
Atlanta |
Fox Theater flac16; Set 1 Only, Recording Info: Taped by Dr. Bob Wagner Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Apogee Ensemble (24bit/44.1kHz) -> Peak Pro -> AIFF -> Vegas 10 > CD WAV -> FLAC/16 All Transfers and Mastering By Chris Chappell
|
notes
|
| 4631. |
11/30/80 |
Shn - 0,
2416 |
Atlanta |
Fox Theater complete; MSC> Reel> DATs> CDRs> EAC> SHN (set I and Scarlet>Fire from Set II); remainder Jim Wise's Sony ECM280s> D5> DATs> CDRs> EAC> SHN, also with patches from other AUDs (see info file); via Scott Clugston, Dankstar, Darrin Sacks; upgrade relative to previous shn set; note copy a noted at shakedown- has fixed track boundaries, copy b noted at gdlive does not (d3 is same for both)- see pub comments
|
notes
|
| 4632. |
11/30/80 |
Flac 24/96 - 0,
90530 |
Atlanta |
Fox Theater flac24; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/24 All Transfers and Mastering By Charlie Miller
|
notes
|
| 4633. |
12/06/80 |
Shn - 0,
5478 |
Mill Valley |
Mill Valley Recreation Center Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR; EAC'ed / SHN'ed by Scott Clugston
|
notes
|
| 4634. |
12/12/80 |
Flac 16 - 0,
31509 |
San Bernardino |
Swing Auditorium flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Nak CR7A) -> Dat (Sony R500/SBM On) Transferred By Neil Sturtevant Dat (Sony D8) -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC; Transferred and Remastered Charlie Miller
|
notes
|
| 4635. |
12/12/80 |
Flac 16 - 0,
89134 |
San Bernardino |
Swing Auditorium flac16; Recorded by Ron Ellner: MOTB Release: 0059 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x TDK SA-X 90 Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5M >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Ron Ellner MAC Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: SIRMick
|
notes
|
| 4636. |
12/12/80 |
Flac 16 - 0,
124542 |
San Bernardino |
Swing Auditorium flac16; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave
|
notes
|
| 4637. |
12/12/80 |
Shn - 0,
13912 |
San Bernardino |
Swing Auditorium 2nd set only; AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
|
notes
|
| 4638. |
12/12/80 |
Shn - 0,
16906 |
San Bernardino |
Swing Auditorium set 1; aud (unknown mics); via Brad Kelsey; encoded by Matt Vernon.
|
notes
|
| 4639. |
12/12/80 |
Flac 24/96 - 0,
89247 |
San Bernardino |
Swing Auditorium flac24: Recorded by Ron Ellner: MOTB Release: 0059 24/96 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x TDK SA-X 90 Analog Lineage: 2 x Nakamichi CM-700 => Nakamichi 550 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Ron Ellner MAC Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: SIRMick
|
notes
|
| 4640. |
12/12/80 |
Flac 16 Mtx - 0,
136722 |
San Bernardino |
Swing Auditorium flac16; 3 source matrix by Dusborne; Soundboard(Shnid:31509) Recording Info: SBD -> Cassette Master -> ? -> Cassette; Transfer Info: Cassette (Nak CR7A) -> Dat (Sony R500/SBM On); Dat (Sony D8) -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC; Audience 1(Shnid:89134) Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5M >> MAC,Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] =>Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Ron Ellner; Audience 2(Shnid:124542) Recorded by: Ron Goldshine and John Musgrave 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes)My Copy of masters:Sony D5M (w/ Dolby, Bias @ 70us) > AkaiiGX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor
|
notes
|
| 4641. |
12/13/80 |
Flac 16 - 0,
91939 |
Long Beach |
Long Beach Arena flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4642. |
12/13/80 |
Flac 16 - 0,
128617 |
Long Beach |
Long Beach Arena flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 4643. |
12/13/80 |
Flac 16 - 0,
88964 |
Long Beach |
Long Beach Arena flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 4644. |
12/13/80 |
Flac 16 - 0,
124551 |
Long Beach |
Long Beach Arena flac16; Recorded from the 15th row dead center on the floor with the microphones about 10 feet apart; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes) Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave
|
notes
|
| 4645. |
12/13/80 |
Shn - 0,
13412 |
Long Beach |
Long Beach Arena Complete; (FOB) Nak 700 -> Cm -> Reel -> Dat shn encoding Charlie Miller
|
notes
|
| 4646. |
12/13/80 |
Shn - 0,
1633 |
Long Beach |
Long Beach Arena set 2; Master Audience Cassette; Sony ECM-280 mics > Sony D5> DAT > CDR; via Scott Clugston, Lee Revell
|
notes
|
| 4647. |
12/13/80 |
Flac 16 Mtx - 0,
136725 |
Long Beach |
Long Beach Arena flac16; 3 source matrix by Dusborne;Soundboard (Shnid:91939) Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 ->Cool Edit Pro v2.0 -> FLAC; Audience 1 (Shnid:88964) Recording Info: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->Samplitude Professional v9.12 -> FLAC/16; and Audience 2 (Shnid:124551) Recorded by: Ron Goldshine and John Musgrave; 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes)My Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes)) Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) >NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor
|
notes
|
| 4648. |
12/14/80 |
Flac 16 - 0,
108813 |
Long Beach |
Long Beach Arena flac16; MSC>C (originally listed as nnknown generation cassette from sound board master) Transfer and FLAC encoding by David Minches: Cassette played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC encoding Speed/pitch Correction by Joe B. Jones. Missing sections were patched with SHNID 89058. Patch Info: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Thanks to Michael Parrish for the sound board recording.
|
notes
|
| 4649. |
12/14/80 |
Flac 16 - 0,
128626 |
Long Beach |
Long Beach Arena flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 4650. |
12/14/80 |
Flac 16 - 0,
124583 |
Long Beach |
Long Beach Arena flac16; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes); Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave
|
notes
|
| 4651. |
12/14/80 |
Shn - 0,
13193 |
Long Beach |
Long Beach Arena AUD(Nak 700?s)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy; upgrade in circulation
|
notes
|
| 4652. |
12/14/80 |
Flac 16 - 0,
89058 |
Long Beach |
Long Beach Arena flac16; Recording by Joani Walker: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 4653. |
12/14/80 |
Flac 16 - 0,
89003 |
Long Beach |
Long Beach Arena flac16; Recording Info: Nakamichi 700 -> Cassette Master (Sony D5M) -> Dat Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude Professional v6.0 -> SHN -> FLAC All Transfers And Mastering By Charlie Miller
|
notes
|
| 4654. |
12/14/80 |
Flac 16 Mtx - 0,
136726 |
Long Beach |
Long Beach Arena flac16; 3 source matrix by Dusborne; Soundboard (Shnid:108813) MSC > C; Cassette played back on Nakamichi Dragon> Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> Ozone 4.0> FLAC; Audience 1 (Shnid:89058) Recording Info: Nakamichi 300 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16; Audience 2 (Shnid:124583) Recorded by: Ron Goldshine and John Musgrave; 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes) Copy of masters: Sony D5M (w/ Dolby, Bias @ 70us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes) Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor
|
notes
|
| 4655. |
12/26/80 |
Flac 16 Mtx - 0,
121533 |
Oakland |
Oakland Auditorium Arena flac16; Matrix 3 Source Mix - SBD1 (shn id 17279) MSR>C>DAT>WAV>SHN w/ Aud Patch - NAK 700's FOB>MAC>C>DAT>WAV>SHN. C>SHN Conversion by Cousinit + SBD2 Mono from Video soundtrack used to patch Sbd 1 + AUD1 (shn id 89260) Recording by Joani Walker: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
|
notes
|
| 4656. |
12/26/80 |
Flac 24 - 0,
127564 |
Oakland |
Oakland Auditorium Arena flac24; Recorded with Sony TCD-5M>Beyer M-160; Recording made in the "Sweet Spot"; Transfer MAC>Sony TCDKA-3ES>USBPre2; Recorded and transfered by Richie Stankiewicz
|
notes
|
| 4657. |
12/26/80 |
Shn - 0,
17279 |
Oakland |
Oakland Auditorium Arena MSR>C>DAT>WAV>SHN w/ Aud Patch - NAK 700's FOB>MAC>C>DAT>WAV>SHN. C>SHN Conversion by Cousinit
|
notes
|
| 4658. |
12/26/80 |
Flac 16 - 0,
123631 |
Oakland |
Oakland Auditorium Arena flac16; MSR>C>DAT>WAV>SHN w/mono audio patch from video and timing correction. Originally converted by Cousinit (Shnid=17279)
|
notes
|
| 4659. |
12/26/80 |
Flac 16 - 0,
89260 |
Oakland |
Oakland Auditorium Arena flac16; Recording by Joani Walker: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 4660. |
12/26/80 |
Flac Dts 5.1 - 0,
121572 |
Oakland |
Oakland Auditorium Arena DTS-Audio-CD 5.1 Mix; SBD1 (shn id 17279) MSR>C>DAT>WAV>SHN w/ Aud Patch - NAK 700's FOB>MAC>C>DAT>WAV>SHN. C>SHN Conversion by Cousinit + SBD2 Mono from Video soundtrack used to patch Sbd 1 + AUD1 (shn id 89260) Recording by Joani Walker: Nakamichi 300/CP1 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.0.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin
|
notes
|
| 4661. |
12/26/80 |
Shn - 0,
15880 |
Oakland |
Oakland Auditorium Arena Recording by Joani Walker: Nak 300's > D5 > ACM recorded by Joani Walker(1), ACM > CDR by Paul Scotton, encoding Matt Vernon ; upgrade in circulation
|
notes
|
| 4662. |
12/26/80 |
Flac 16 - 0,
34400 |
Oakland |
Oakland Auditorium Arena flac16; Recording by Joan Walker: Source: Nak 300's > D5 > ACM recorded by Joani Walker(1) Lineage: ACM > CDR > EAC > Cool Edit > CDWAV > SHN; Fix: SHN > WAV > SoundForge > CDWave > SHNTOOOL > FLAC. Fix of shnid 15880 ; upgrade in circulation
|
notes
|
| 4663. |
12/27/80 |
Flac 24 - 0,
127152 |
Oakland |
Oakland Auditorium Arena flac24; Sony TCD-5M two Beyer M-88; Recorded in the "Sweet Spot"; Recorded and tansfered by Richie Stankiewicz
|
notes
|
| 4664. |
12/27/80 |
Shn - 0,
327 |
Oakland |
Oakland Auditorium Arena SBD; via Stewart McCloskey (his transfer setup: PCM R500> AES/EBU monstercable> ZA2> Cooledit)? to ShortSnail/ shntraders list; d2 reportedly needs breaking up as desired (see addendum); info and md5s here courtesy Bill Borsodi, John Primozic
|
notes
|
| 4665. |
12/27/80 |
Shn - 0,
18736 |
Oakland |
Oakland Auditorium Arena MSR>C>DAT>WAV>SHN; Conversion by Cousinit
|
notes
|
| 4666. |
12/27/80 |
Flac 16 - 0,
107791 |
Oakland |
Oakland Auditorium Arena flac16; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4667. |
12/27/80 |
Flac 16 - 0,
136139 |
Oakland |
Oakland Auditorium Arena flac16; Fix of shnid.135987 - Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums with TLH-> tagged with Mp3tag; Editing and Mastering by Jamie Waddell in Wavelab 7.1; shnid.135987 had the channels reversed in Set 1, this fixes that issue
|
notes
|
| 4668. |
12/27/80 |
Flac 16 - 0,
89269 |
Oakland |
Oakland Auditorium Arena flac16; Recording by Joani Walker: Nakamichi 300/CP4 -> Cassette Master (Sony D5M/Maxell UDXL-II90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 4669. |
12/27/80 |
Flac 16 - 0,
141648 |
Oakland |
Oakland Auditorium Arena flac16; Source Info: Jeff Hellman's Master Soundboard Cassettes (dolby B) > Dan DeLuca's 1st generation reels > Tim Dalton's PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 4670. |
12/28/80 |
Flac 16 - 0,
35036 |
Oakland |
Oakland Auditorium Arena flac16; Seamless fix of shn id 17421 - Main SRC: MSR>C>DAT>WAV>SHN with patches Patch source: shn id 13299 AUD (Nak 300's)>MC>DAT>CD>SHN from LlaMA by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 4671. |
12/28/80 |
Flac 16 - 0,
34368 |
Oakland |
Oakland Auditorium Arena flac16; MSR>C>DAT>WAV>SHN; Patches from AUD (Nak 300's)>MC>DAT>CD; (Fix) SHN>WAV>Sound Forge>CDWAVE>SHNTOOL>FLAC; Patched, re-tracked and encoded by aolong.
|
notes
|
| 4672. |
12/28/80 |
Flac 16 Mtx - 0,
122408 |
Oakland |
Oakland Auditorium Arena flac16; Matrix: sbd 70%/aud 30%; sbd: Source: MSR>C>DAT>WAV>SHN; Edit: SHN>WAV>Sound Forge>CDWAVE>SHNTOOL>FLAC & aud: Recording Info: Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Bob Wagner; editing and matrix: SIRMick
|
notes
|
| 4673. |
12/28/80 |
Flac 16 - 0,
107792 |
Oakland |
Oakland Auditorium Arena flac16; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4674. |
12/28/80 |
Flac 16 - 0,
135991 |
Oakland |
Oakland Auditorium Arena flac16; Soundboard, unknown lineage; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8 and checksums and tagged with xACT; Editing and Mastering by Jamie Waddell in Wavelab 7.1
|
notes
|
| 4675. |
12/28/80 |
Shn - 0,
13299 |
Oakland |
Oakland Auditorium Arena AUD (Nak 300's)>MC>DAT>CD; via Paul B; Seeded to etree by Willy
|
notes
|
| 4676. |
12/28/80 |
Shn - 0,
17421 |
Oakland |
Oakland Auditorium Arena MSR>C>DAT>WAV>SHN via Cousin-It
|
notes
|
| 4677. |
12/28/80 |
Flac 16 - 0,
141649 |
Oakland |
Oakland Auditorium Arena flac16; Source Info: Jeff Hellman's Master Soundboard Cassettes (dolby B) > Dan DeLuca's 1st generation reels > Tim Dalton's PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 4678. |
12/28/80 |
Shn - 0,
8862 |
Oakland |
Oakland Auditorium Arena SB:>?>DAT>Tascam DA-20>EgoSys WaveTermanial 2496>CD-Wave > SHN; via Peter Gallagher; Seeded to etree by Willy
|
notes
|
| 4679. |
12/30/80 |
Flac 16 Mtx - 0,
121396 |
Oakland |
Oakland Auditorium Arena flac16; Source: Matrix (50/50) using mono sbd from video mixed with (shnid = 13300): AUD (nak 300's); Mixed by kevtobin@yahoo.com; FLAC conversion 17-JUL-2012
|
notes
|
| 4680. |
12/30/80 |
Flac 16 - 0,
90468 |
Oakland |
Oakland Auditorium Arena flac16; Soundcheck Recording Info: Sennheiser 421 -> Cassette Master -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 4681. |
12/30/80 |
Shn - 0,
13300 |
Oakland |
Oakland Auditorium Arena Recording by Steve Rolfe: AUD (nak 300's)>MC>DAT>CD; via Paul B; Seeded to etree by Willy
|
notes
|
| 4682. |
12/30/80 |
Flac 24/48 - 0,
146611 |
Oakland |
Oakland Auditorium Arena flac24; Source: AUD of unknown lineage > Lo-gen cassette via Richie & Rip. Transfer: SA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged, Andrew F. 05/2019
|
notes
|
| 4683. |
12/31/80 |
Flac 16 - 0,
108290 |
Oakland |
Oakland Auditorium Arena flac16; SBD master cassette > cassette; Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz
|
notes
|
| 4684. |
12/31/80 |
Flac 16 Mtx - 0,
105029 |
Oakland |
Oakland Auditorium Arena flac16; Matrix 3 Source Mix - SBD (shn id 17693) MSR>C>DAT>WAV>SHN, C>SHN Conversion by Cousinit + AUD1 (shn id 104971) Analog Audience Source:FOB Master Cassettes (MAC) Medium Stock Brands:3 x Maxell UDXL II 90 Analog Lineage:2 x Nakamichi CM 300 >> Sony TC D5 >> MAC Analog Sound Preservation:: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Anonymous Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0106 24/96 + AUD2 (shn id 16911) Recording by Steve Rolfe: Nak 300 Shotguns > D5 > MAC > DAT > CDR; taped by Steve Rolfe via Dave Minor; encoded by Matt Vernon - matrix mixing by Kevin Tobin
|
notes
|
| 4685. |
12/31/80 |
Flac 16 - 0,
105027 |
Oakland |
Oakland Auditorium Arena flac16; MSR>C>DAT>WAV>SHN - pitch correction and patches by Kevin Tobin (update of source ID 17693)
|
notes
|
| 4686. |
12/31/80 |
Shn - 0,
17693 |
Oakland |
Oakland Auditorium Arena MSR> C> DAT> WAV> SHN, plus Aud Patch - NAK 700's FOB> MAC> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit
|
notes
|
| 4687. |
12/31/80 |
Flac 16 - 0,
123336 |
Oakland |
Oakland Auditorium Arena flac16; set 3 only: aud cassette master, sennheiser 421's>d5m maxell mx-90's, dolby b; nak dragon/b > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 > flac; unknown taper, transfer Rob Berger
|
notes
|
| 4688. |
12/31/80 |
Flac 16 - 0,
35083 |
Oakland |
Oakland Auditorium Arena flac16; - SBD > Rm > Cass > Dat > Samplitude > CDR > EAC > SHN - Seamless fix and patch of shn id 6391 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 4689. |
12/31/80 |
Shn - 0,
6391 |
Oakland |
Oakland Auditorium Arena SBD > Rm > Cass > Dat > Samplitude > CDR > EAC> SHN; plus AUD patches (see info file for notes and flaws); EAC, SHN, etreed by G.Gorinsky; with thanks to Bill Golden
|
notes
|
| 4690. |
12/31/80 |
Shn - 0,
16911 |
Oakland |
Oakland Auditorium Arena Recording by Steve Rolfe: Nak 300 Shotguns > D5 > MAC > DAT > CDR; taped by Steve Rolfe via Dave Minor; encoded by Matt Vernon
|
notes
|
| 4691. |
12/31/80 |
Flac 16 - 0,
104968 |
Oakland |
Oakland Auditorium Arena flac16; Analog Audience Source:FOB Master Cassettes (MAC) Medium Stock Brands:3 x Maxell UDXL II 90 Analog Lineage:2 x Nakamichi CM 300 >> Sony TC D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Anonymous Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0106 16/44.1
|
notes
|
| 4692. |
12/31/80 |
Flac 16 - 0,
107822 |
Oakland |
Oakland Auditorium Arena flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4693. |
12/31/80 |
Flac 16 Dts.5.1 - 0,
105031 |
Oakland |
Oakland Auditorium Arena DTS-Audio-CD 5.1 Mix; SBD (shn id 17693) MSR> C> DAT> WAV> SHN, plus Aud Patch - NAK 700's FOB> MAC> C> DAT> WAV> SHN; C>SHN Conversion by Cousinit + AUD1 (shn id 104971) Analog Audience Source:FOB Master Cassettes (MAC) Medium Stock Brands:3 x Maxell UDXL II 90 Analog Lineage:2 x Nakamichi CM 300 >> Sony TC D5 >> MAC Analog Sound Preservation:: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Anonymous Transfer By: Bob Menke Mastering By: Derek McCabe; MOTB Release: 0106 24/96 + AUD2 (shn id 16911) Recording by Steve Rolfe: Nak 300 Shotguns > D5 > MAC > DAT > CDR; taped by Steve Rolfe via Dave Minor; encoded by Matt Vernon - dts mixing by Kevin Tobin
|
notes
|
| 4694. |
12/31/80 |
Flac 16 - ,
155390 |
Oakland |
Oakland Auditorium Arena flac16; Patched & Pitch Corrected Soundboard: - (original shnid = 108290) SBD master cassette > cassette; Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz - pitch correction and patches by Kevin Tobin
|
notes
|
| 4695. |
12/31/80 |
Flac 16/48 LPCM - ,
155424 |
Oakland |
Oakland Auditorium Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 155390) Patched & Pitch Corrected Soundboard: - (original shnid = 108290) SBD master cassette > cassette; Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz - pitch correction and patches by Kevin Tobin + AUD (shnid = 107822) Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5M/TDK SA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller - surround mixing by Kevin Tobin
|
notes
|
| 4696. |
12/31/80 |
Flac 16/48 - ,
163455 |
Oakland |
Oakland Auditorium Arena flac1648; Source info: Two Maxell MX90s from Bear via Jamie Waddell, Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > 24 Bit 96 kHz FLAC, Recorded by Augustus Owsley Stanley III (aka Bear), Transferred and mastered by Jim Blackwood, Speed/pitch adjusted by Jason Chastain, Minor repairs, track, FLAC, and pack by Steve Gravel
|
notes
|
| 4697. |
12/31/80 |
Flac 24/96 - ,
163454 |
Oakland |
Oakland Auditorium Arena flac2496; Source info: Two Maxell MX90s from Bear via Jamie Waddell, Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > 24 Bit 96 kHz FLAC, Recorded by Augustus Owsley Stanley III (aka Bear), Transferred and mastered by Jim Blackwood, Speed/pitch adjusted by Jason Chastain, Minor repairs, track, FLAC, and pack by Steve Gravel
|
notes
|
| 4698. |
??/??/80 |
Flac 1644 - 0,
142330 |
San Rafael |
Club Front flac24; Lineage: The tape was labelled "2nd generation off master", taken to mean MSR or MSC > Cass1 > Cass2; Transfer: Maxell UD-XLI > Nakamichi DR-8 (Dobly Off) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC1644
|
notes
|
| 4699. |
02/17/81 |
Flac 24 - 0,
142325 |
San Rafael |
Club Front flac24; Recording Info: Rough Mixes > Cassette (TDK SA-X90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4700. |
02/17/81 |
Flac 16 - 0,
142487 |
San Rafael |
Club Front flac16; Recording Info: Rough Mixes > Cassette (TDK SA-X90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4701. |
02/26/81 |
Flac 16 Mtx - 0,
28383 |
Chicago |
Uptown Theater flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell
|
notes
|
| 4702. |
02/26/81 |
Shn - 0,
4597 |
Chicago |
Uptown Theater SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes
|
notes
|
| 4703. |
02/26/81 |
Flac 16 - 0,
128750 |
Chicago |
Uptown Theater flac16; Recorded By Mason Taylor on a Sony D5 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on a Nak Cr7A
|
notes
|
| 4704. |
02/26/81 |
Shn - 0,
20342 |
Chicago |
Uptown Theater Taped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon
|
notes
|
| 4705. |
02/26/81 |
Flac 16 - 0,
140360 |
Chicago |
Uptown Theater flac16; Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/44; Transfer Info: Sony PCM-R500 > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 4706. |
02/26/81 |
Flac 24/48 - 0,
149226 |
Chicago |
Uptown Theater flac24; Source: Sennheiser MD-421's > MAC > 1st-Gen cassettes via Richie & Rip. Transfer: TDK SA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2020
|
notes
|
| 4707. |
02/27/81 |
Flac 16 Mtx - 0,
28384 |
Chicago |
Uptown Theater flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell
|
notes
|
| 4708. |
02/27/81 |
Flac 24 - 0,
127511 |
Chicago |
Uptown Theater flac24; Recorded 1st row balcony Sony TCD-5M> Beyer M-160; MAC>Sony TCKA3ES>USBPre-2
|
notes
|
| 4709. |
02/27/81 |
Flac 16 - 0,
128712 |
Chicago |
Uptown Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones
|
notes
|
| 4710. |
02/27/81 |
Flac 16 Mtx - 0,
120386 |
Chicago |
Uptown Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ work > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
notes
|
| 4711. |
02/27/81 |
Shn - 0,
4598 |
Chicago |
Uptown Theater SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; note encore missing
|
notes
|
| 4712. |
02/27/81 |
Shn - 0,
20344 |
Chicago |
Uptown Theater Taped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon
|
notes
|
| 4713. |
02/27/81 |
Flac 24 - 0,
139732 |
Chicago |
Uptown Theater flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 (patched out of Rip Thompkins)> Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 4714. |
02/27/81 |
Flac 16 - 0,
139731 |
Chicago |
Uptown Theater flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 (patched out of Rip Thompkins)> Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 4715. |
02/28/81 |
Flac 16 Mtx - 0,
28398 |
Chicago |
Uptown Theater flac16; SBD/AUD Matrix of 2 previously circulated seeds; prepared by Chris Chappell
|
notes
|
| 4716. |
02/28/81 |
Shn - 0,
4668 |
Chicago |
Uptown Theater SBD > Cassette Master > DAT(0) (Reel> DAT transfer by Dick); DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > CDR Master (by Jim Wise); CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch); see info file for flaw notes; d1 tracked for 80 min
|
notes
|
| 4717. |
02/28/81 |
Flac 16 - 0,
128747 |
Chicago |
Uptown Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550 properly
|
notes
|
| 4718. |
02/28/81 |
Shn - 0,
20345 |
Chicago |
Uptown Theater Taped by Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B. Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) > Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal via Mark Cohen. Encoded by Matt Vernon
|
notes
|
| 4719. |
02/28/81 |
Flac 16 - 0,
141412 |
Chicago |
Uptown Theater flac16; Recording Info: Master Soundboard Cassette > Dat (Panasonic SV-3700 16/48k) > CDR > Dat (Sony PCM R-700 16/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 4720. |
02/28/81 |
Flac 24/96 - 0,
143845 |
Chicago |
Uptown Theater flac24; 2nd Set: Source Info: Frank Streeter's Master Audience Cassette; Beyer M-160 mics > Sony D5 Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
|
notes
|
| 4721. |
02/28/81 |
Flac 16/48 - 0,
143844 |
Chicago |
Uptown Theater flac16/48kHz; 2nd Set: Source Info: Frank Streeter's Master Audience Cassette; Beyer M-160 mics > Sony D5 Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4722. |
02/28/81 |
Flac 16/44 - 0,
151913 |
Chicago |
Uptown Theater flac16/44 This is an updated version of shnid142412 using an alternate soundboard source for patching rather than an audience source Recording Info: Master Soundboard Cassette > Dat (Panasonic SV-3700 16/48k) > CDR > Dat (Sony PCM R-700 16/44.1k) Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 2020 > TLH flac16
|
notes
|
| 4723. |
02/28/81 |
Flac 16/44 - 0,
151914 |
Chicago |
Uptown Theater flac16/44 Source Info: Master Soundboard Cassette > ? > DAT (16/44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 (16/44.1k) > Adobe Audition 2020 > TLH flac16
|
notes
|
| 4724. |
02/28/81 |
Flac 16 Mtx - ,
154897 |
Chicago |
Uptown Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 151913, 20345 (set 1) & 143844 (set 2).
|
notes
|
| 4725. |
03/02/81 |
Flac 16 - 0,
112768 |
Cleveland |
Cleveland Music Hall flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v1.5 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller
|
notes
|
| 4726. |
03/02/81 |
Flac 16 - 0,
83826 |
Cleveland |
Cleveland Music Hall flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither
|
notes
|
| 4727. |
03/02/81 |
Flac 16 - 0,
89119 |
Cleveland |
Cleveland Music Hall flac16; Recording by Bob Wagner: MOTB Release: 0058 16/44.1 Analog Audience Source: Master Cassettes [FOB, 15th Row] (MAC) Analog Copy Instances: Reel Set 1 (R1) Medium Stock Brands: MAC = Maxell XLIIS-90, R1 = 2 x Maxell UD 35-90 Analog Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] => Sony TC-D5M >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [7.5 IPS] >> R1 Analog Sound Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner R1 Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: D. McCabe
|
notes
|
| 4728. |
03/02/81 |
Flac 16 - 0,
90165 |
Cleveland |
Cleveland Music Hall flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 4729. |
03/02/81 |
Flac 24/96 - 0,
89129 |
Cleveland |
Cleveland Music Hall flac24; Recording by Bob Wagner: Analog Audience Source: Master Cassettes [FOB, 15th Row] (MAC) Analog Copy Instances: Reel Set 1 (R1) Medium Stock Brands: MAC = Maxell XLIIS-90, R1 = 2 x Maxell UD 35-90 Analog Lineage: 2 x Nakamichi CM-700 [15 dB Attenuation Pad] => Sony TC-D5M >> MAC >> Sony TC-D5M => TEAC AN-300 [Dolby Encode] => Technics RS-1506US [7.5 IPS] >> R1 Analog Sound Preservation: R1 >> Technics RS-1506 => TEAC AN-300 [Dolby Decode] => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner R1 Supplied By: B. Glassberg Transfer By: A. Egert Mastering By: D. McCabe
|
notes
|
| 4730. |
03/02/81 |
Shn - 0,
9511 |
Cleveland |
Cleveland Music Hall Recording by Bob Wagner: Nak 700's> TC-D5> MC> DAT> CDR; via Paul B; Seeded to etree by Willy; upgrade in circulation
|
notes
|
| 4731. |
03/02/81 |
Flac 24/96 - 0,
139734 |
Cleveland |
Cleveland Music Hall flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM-700 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 4732. |
03/02/81 |
Flac 16 - 0,
139733 |
Cleveland |
Cleveland Music Hall flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM-700 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 4733. |
03/02/81 |
Flac 24/96 - 0,
90450 |
Cleveland |
Cleveland Music Hall flac24/96; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/24 All Transfers and Mastering By Charlie Miller
|
notes
|
| 4734. |
03/03/81 |
Flac 16 - 0,
112777 |
Cleveland |
Cleveland Music Hall flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; Transferred By Digitalrbb; Mastered By Charlie Miller; Upgrade in circulation
|
notes
|
| 4735. |
03/03/81 |
Flac 16 - 0,
83828 |
Cleveland |
Cleveland Music Hall flac16; Recording by Mason Taylor and Mark Radnor: NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither
|
notes
|
| 4736. |
03/03/81 |
Flac 16 - 0,
90473 |
Cleveland |
Cleveland Music Hall flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 4737. |
03/03/81 |
Flac 16 - 0,
123978 |
Cleveland |
Cleveland Music Hall flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> AIFF -> Adobe Audition v3 -> Samplitude Professional v11.2 -> FLAC; Dats Supplied By Rob Eaton; Transferred By Digitalrbb; Mastered By Charlie Miller
|
notes
|
| 4738. |
03/03/81 |
Shn - 0,
9113 |
Cleveland |
Cleveland Music Hall Recording by Mark Horvath: fob> Sennheiser 421s> master cassette> cdr; via Mark Horvath; Seeded to etree by Sean Cheadle; Note- New d2t05 now circ's; See 'user comments' for details
|
notes
|
| 4739. |
03/03/81 |
Shn - 0,
3902 |
Cleveland |
Cleveland Music Hall aud> mics?> cassette master> dat> cdr; via Mike Lai
|
notes
|
| 4740. |
03/03/81 |
Shn - 0,
18579 |
Cleveland |
Cleveland Music Hall Recording by Bob Wagner; Nak 700s>Sony TC-D5. AUDMC > SHN conversion by David Minches
|
notes
|
| 4741. |
03/03/81 |
Flac 24/96 - 0,
139736 |
Cleveland |
Cleveland Music Hall flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M88 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 4742. |
03/03/81 |
Flac 16 - 0,
139735 |
Cleveland |
Cleveland Music Hall flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M88 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 4743. |
03/04/81 |
Flac 24 - 0,
142326 |
San Rafael |
Club Front flac24; Recording Info: Master Production Disc > Cassette Master (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4744. |
03/04/81 |
Flac 16 - 0,
142485 |
San Rafael |
Club Front flac16; Recording Info: Master Production Disc > Cassette Master (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4745. |
03/05/81 |
Shn - 0,
14024 |
Pittsburgh |
Stanley Theater Set 2 soundboard, minus encore, last song cut; See info file for details; S : MC > C > D > CD > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool.
|
notes
|
| 4746. |
03/05/81 |
Flac 24/96 - 0,
128300 |
Pittsburgh |
Stanley Theater flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s > Sony D-5 Center Loge; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding
|
notes
|
| 4747. |
03/05/81 |
Flac 16 - 0,
129756 |
Pittsburgh |
Stanley Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550
|
notes
|
| 4748. |
03/05/81 |
Flac 16 - 0,
128378 |
Pittsburgh |
Stanley Theater flac16; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s > Sony D-5 Center Loge; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0 > FLAC encoding 16/44.1 version
|
notes
|
| 4749. |
03/05/81 |
Flac 16 - 0,
83494 |
Pittsburgh |
Stanley Theater flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Location: 1st Row of lower balcony Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer by: Adam Gross - Cassette Master > HHB Porta-a-DAT DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 (note: this was originally seeded with the files named incorrectly. The info file below reflects the corrected file names and a renamed md5 file has been included.)
|
notes
|
| 4750. |
03/05/81 |
Shn - 0,
3920 |
Pittsburgh |
Stanley Theater Audience recording by Jim Wise (Sennheiser 421>D5) set up loge center; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD>SHN by Jamie Lutch; QC courtesy dankseeds
|
notes
|
| 4751. |
03/05/81 |
Flac 16 - 0,
139506 |
Pittsburgh |
Stanley Theater flac16; AUD: Unknown taper & gear > Low-gen tapes, kindly provided from the collection of Craig L. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2017
|
notes
|
| 4752. |
03/05/81 |
Flac 24/96 - 0,
139740 |
Pittsburgh |
Stanley Theater flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 4753. |
03/05/81 |
Flac 16 - 0,
139739 |
Pittsburgh |
Stanley Theater flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 4754. |
03/05/81 |
Flac 16/48 - 0,
152596 |
Pittsburgh |
Stanley Theater flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4755. |
03/05/81 |
Flac 24/96 - 0,
152597 |
Pittsburgh |
Stanley Theater flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4756. |
03/06/81 |
Shn - 0,
14019 |
Pittsburgh |
Stanley Theater Set 2 soundboard, minus encore; S : MC > C > D > CDR > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool.
|
notes
|
| 4757. |
03/06/81 |
Flac 16 - 0,
129552 |
Pittsburgh |
Stanley Theater flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on crome tapes, with Nakamichi microphones; mics spread 15' on lip of lower balcony onto Maxell Metal tapes
|
notes
|
| 4758. |
03/06/81 |
Flac 16 - 0,
83827 |
Pittsburgh |
Stanley Theater flac16; Recording by Mason Taylor and Mark Radnor: : NAK 700 (shotgun capsules) > Nak 550 Cassette Recorder > Maxell Metal Location: 1st Row of lower balcony Recorded by: Mason Taylor and Mark Radnor (Radish) MAC Transfer: Cassette Master > HHB Porta-a-DAT DAT Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing Info- Wavelab 6.0 using Ozone and L2 for dither
|
notes
|
| 4759. |
03/06/81 |
Flac 16 - 0,
128579 |
Pittsburgh |
Stanley Theater flac16; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5 Center Loge; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
|
notes
|
| 4760. |
03/06/81 |
Flac 24 - 0,
128664 |
Pittsburgh |
Stanley Theater flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5 Center Loge; Transfer and FLAC encoding by David Minches: April 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]); Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding (24/96 version)
|
notes
|
| 4761. |
03/06/81 |
- 0,
|
Pittsburgh |
Stanley Theater flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 4762. |
03/06/81 |
Flac 16 - 0,
139741 |
Pittsburgh |
Stanley Theater flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 4763. |
03/06/81 |
Shn - 0,
3921 |
Pittsburgh |
Stanley Theater Audience recording by Jim Wise (Sennheiser 421>D5) set up loge center; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended; A> D> CD Conversion by Jim Wise; CD>SHN by Jamie Lutch; QC courtesy dankseeds
|
notes
|
| 4764. |
03/07/81 |
Flac 16 - 0,
82370 |
College Park |
Cole Field House, University Of Maryland flac16; Recording by Barry Glassberg; MOTB-0008 Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner
|
notes
|
| 4765. |
03/07/81 |
Flac 16 - 0,
128755 |
College Park |
Cole Field House, University Of Maryland flac16; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5; Location: set up at the SBD; Transfer and FLAC encoding by David Minches; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
|
notes
|
| 4766. |
03/07/81 |
Shn - 0,
22933 |
College Park |
Cole Field House, University Of Maryland Recording by Jim Wise: Senn 421 mics, > SonyD5> MC> CD> ?> EAC> SHN
|
notes
|
| 4767. |
03/07/81 |
Shn - 0,
6961 |
College Park |
Cole Field House, University Of Maryland FOB> Nak 700 mics> Sony TCD5M> MC> Sony D8> DAT@48k> ZA2> @44.1khz> SF & CD Architect4.5> CD; EAC/SHN by Willy, from Scott Shindell seed discs; missing Passenger, cut in LLR; tracked for 2x80
|
notes
|
| 4768. |
03/07/81 |
Flac 24/96 - 0,
82371 |
College Park |
Cole Field House, University Of Maryland flac24/96; Recording by Barry Glassberg: MOTB-0008: Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner
|
notes
|
| 4769. |
03/07/81 |
Flac 24/96 - 0,
128812 |
College Park |
Cole Field House, University Of Maryland flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5; Transfer and FLAC encoding by David Minches: May 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding 24/96 source
|
notes
|
| 4770. |
03/09/81 |
Flac 16 Mtx - 0,
101168 |
New York |
Madison Square Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC16)
|
notes
|
| 4771. |
03/09/81 |
Flac 16 - 0,
74220 |
New York |
Madison Square Garden flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 4772. |
03/09/81 |
Flac 24/96 - 0,
95179 |
New York |
Madison Square Garden flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4773. |
03/09/81 |
Flac 16 - 0,
95060 |
New York |
Madison Square Garden flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4774. |
03/09/81 |
Shn - 0,
4953 |
New York |
Madison Square Garden Sources: Master Soundboard Cassette > Cassette > DAT > CDR; Jim Wise's Master Audience Cassette; Nakamichi CM700 mics >Sony TC-D5 supplies the tuning and first few notes of "Deep Elem Blues" (d1t06), approximately 0:38. ; upgrade in circulation
|
notes
|
| 4775. |
03/09/81 |
Flac 16 - 0,
130233 |
New York |
Madison Square Garden flac16; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5 Location @ Soundboard; Transfer and FLAC encoding by David Minches: June 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]); Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
|
notes
|
| 4776. |
03/09/81 |
Flac 24 Mtx - 0,
101159 |
New York |
Madison Square Garden flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 & FLAC16>AIFF>Final Cut>WAV>FLAC24)
|
notes
|
| 4777. |
03/09/81 |
Shn - 0,
328 |
New York |
Madison Square Garden Recording by Barry Glassberg: FOB Nak700> SonyTCD5M> Sony TCD-D8> HHB800> "Sonic Super Charge" (Jim Wise)> CDRs (Mastered by Jim Wise)> EAC> SHN; via DNC Permatree, D. Sacks; upgrade in circulation
|
notes
|
| 4778. |
03/09/81 |
Shn - 0,
7473 |
New York |
Madison Square Garden Recording by Barry Glassberg: Improved 'transfer' of original fob source; via Barry glassberg; Jim Wise; upgrade in circulation
|
notes
|
| 4779. |
03/09/81 |
Flac 24 - 0,
82373 |
New York |
Madison Square Garden flac24/96; Recording by Barry Glassberg: MOTB-0009 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner
|
notes
|
| 4780. |
03/09/81 |
Flac 16 - 0,
82372 |
New York |
Madison Square Garden flac16; Recording by Barry Glassberg: MOTB-0009 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner
|
notes
|
| 4781. |
03/10/81 |
Flac 16 - 0,
115598 |
New York |
Madison Square Garden flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4782. |
03/10/81 |
Flac 24/96 - 0,
131564 |
New York |
Madison Square Garden flac24; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5; Transfer and FLAC encoding by David Minches: September 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
|
notes
|
| 4783. |
03/10/81 |
Flac 16 - 0,
131563 |
New York |
Madison Square Garden flac16; Recording by Jim Wise: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5; Transfer and FLAC encoding by David Minches: September 2014; Dolby B decoded Master played back on Nakamichi Dragon > Korg MR-1000(DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate > WAV [24/96] > Adobe Audition 3.0> FLAC encoding
|
notes
|
| 4784. |
03/10/81 |
Flac 16 Mtx - 0,
131701 |
New York |
Madison Square Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
notes
|
| 4785. |
03/10/81 |
Flac 16 - 0,
95275 |
New York |
Madison Square Garden flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4786. |
03/10/81 |
Flac 16 - 0,
82374 |
New York |
Madison Square Garden flac16; Recording by Barry Glassberg: MOTB-0010 Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner
|
notes
|
| 4787. |
03/10/81 |
Shn - 0,
7630 |
New York |
Madison Square Garden Recording by Barry Glassberg: Improved 'transfer' of original fob source; via Barry glassberg; Jim Wise; ; upgrade in circulation
|
notes
|
| 4788. |
03/10/81 |
Flac 24/96 - 0,
82375 |
New York |
Madison Square Garden flac24/96; Recording by Barry Glassberg: MOTB-0010: Source: Audience FOB Recording, 12th row center Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > wav Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner
|
notes
|
| 4789. |
03/10/81 |
Flac 24/96 - 0,
95276 |
New York |
Madison Square Garden flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4790. |
03/10/81 |
Flac 16 - 0,
91764 |
New York |
Madison Square Garden flac16; Set 2 only, Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 4791. |
03/10/81 |
Flac 16/48 - ,
162636 |
New York |
Madison Square Garden flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4792. |
03/10/81 |
Flac 24/96 - ,
152637 |
New York |
Madison Square Garden flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4793. |
03/12/81 |
Flac 16 - 0,
95243 |
Boston |
Boston Garden flac16; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4794. |
03/12/81 |
Shn - 0,
7584 |
Boston |
Boston Garden Recording by Steve Rolfe: Nak 700's > Sony D5 Master Cassette; 16th Row ; A>D by Noah Weiner; d1 tracked for 80 min; passes shntool check
|
notes
|
| 4795. |
03/12/81 |
Flac 16 - 0,
102025 |
Boston |
Boston Garden flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/TDK SA except d3t1-t6: Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Floor Section BB, Row 45, Seat 2 by Bob Morris
|
notes
|
| 4796. |
03/12/81 |
Shn - 0,
3307 |
Boston |
Boston Garden taped in "upper left", Sony ECM 280 > Sony TC-D5 > CD > EAC (see info) > SHN v3; via Mike Murray, Chris L
|
notes
|
| 4797. |
03/12/81 |
Flac 16 - 0,
109872 |
Boston |
Boston Garden flac16; AUD: 3x Nakamichi CM300/CP4's shotguns > Nakamichi 550 > Maxell XLII-S 90's, set up center balcony facing stage, section 102. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 09/2010
|
notes
|
| 4798. |
03/12/81 |
Flac 24/96 - 0,
139831 |
Boston |
Boston Garden flac24; Source: (FOB) AKG D330BT's >Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer : Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > TLH > flac 2496 - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick November 2017
|
notes
|
| 4799. |
03/12/81 |
Flac 24/96 - 0,
95259 |
Boston |
Boston Garden flac24; Recording Info:(FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4800. |
03/12/81 |
Flac 16 - 0,
145210 |
Boston |
Boston Garden flac16; Source: (FOB) AKG D330BT's >Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer : Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > TLH > flac 2496 - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick November 2017; This file set is 16 bit @ 44.1
|
notes
|
| 4801. |
03/12/81 |
Flac 24/48 - 0,
152443 |
Boston |
Boston Garden flac2448 Recording Information: Microphones:Beyer M201's in hat Recorder: Sony TCD5 Maxell UDXLII 90's Location: lower balcony behind drums This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
|
notes
|
| 4802. |
03/12/81 |
Flac 16/44 - 0,
152442 |
Boston |
Boston Garden flac1644 Recording Information: Microphones:Beyer M201's in hat Recorder: Sony TCD5 Maxell UDXLII 90's Location: lower balcony behind drums This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
|
notes
|
| 4803. |
03/13/81 |
Flac 16 - 0,
112659 |
Utica |
Utica Memorial Auditorium flac16; Partial Set 1, Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller; Upgrade in circulation
|
notes
|
| 4804. |
03/13/81 |
Flac 16/48 - 0,
132620 |
Utica |
Utica Memorial Auditorium flac16/48kHz; Cassette Audience Master recorded by Jim Wise; Sennheiser MD 421 mic's mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Maxell XL-11 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name)-Sample Rate Conversion(r8brain) by Jim Wise
|
notes
|
| 4805. |
03/13/81 |
Flac 24 - 0,
132621 |
Utica |
Utica Memorial Auditorium flac24; Cassette Audience Master recorded by Jim Wise; Sennheiser MD 421 mic's mounted on a stand- Sony TC D-5 Cassette Recorder; Location @ Soundboard; Analog to Digital: Dolby B Decoded Maxell XL-11 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name) Jim Wise
|
notes
|
| 4806. |
03/13/81 |
Flac 16 - 0,
33336 |
Utica |
Utica Memorial Auditorium flac16; Second Set Only; Source: Mono Soundboard of unknown lineage Transfer: Cassette > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-fix, checksums, and FLAC compression)
|
notes
|
| 4807. |
03/13/81 |
Shn - 0,
4167 |
Utica |
Utica Memorial Auditorium Recording by Jim Wise: Sennheiser 421>D5 , set up at SBD; Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam CD-D4000mkII > EAC> Soundforge > CD WAV > SHNv3 w/seek; A>D>CD Conversion by Jim Wise; CD>SHN by Jamie Lutch, 5/2001; QC courtesy dankseeds; see info file for flaws etc
|
notes
|
| 4808. |
03/13/81 |
Flac 16 - 0,
99104 |
Utica |
Utica Memorial Auditorium flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 4809. |
03/13/81 |
Flac 16 - 0,
81392 |
Utica |
Utica Memorial Auditorium flac16; Recorded by Alan Zimmerman Master Audience Cassette; 2 Sennheiser 421s (Alan thinks)> Sony TC-158 (Fuji FX-I 90s) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC
|
notes
|
| 4810. |
03/13/81 |
Flac 16 - 0,
90455 |
Utica |
Utica Memorial Auditorium flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 4811. |
03/13/81 |
Flac 24/96 - 0,
140010 |
Utica |
Utica Memorial Auditorium flac24; Source: AKG D330BT's >Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer : Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > TLH > flac 2496 - Transferred by Charlie Miller; Lineage: Wav > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; edited and mastered SIRMick November 2017
|
notes
|
| 4812. |
03/13/81 |
Flac 16 - 0,
113101 |
Utica |
Utica Memorial Auditorium flac16; Partial Set 1, Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller; Upgrade of Shn ID 112659
|
notes
|
| 4813. |
03/13/81 |
Flac 24/96 - 0,
147852 |
Utica |
Utica Memorial Auditorium flac24; Recording Info:Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (with bass EQ)> Sony D5M (dolby B)(Maxell XLIIS); Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4814. |
03/13/81 |
Flac 16/48 - 0,
147851 |
Utica |
Utica Memorial Auditorium flac16/48kHz; Recording Info:Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (with bass EQ)> Sony D5M (dolby B)(Maxell XLIIS); Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4815. |
03/14/81 |
Flac 16 - 0,
112720 |
Hartford |
Hartford Civic Center flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:at (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller
|
notes
|
| 4816. |
03/14/81 |
Flac 16 - 0,
84826 |
Hartford |
Hartford Civic Center flac16; Recording by Barry Glassberg: MOTB-0029 Source: Audience FOB Recording Media: Maxell UD-XLII 90 min. Lineage: Nakamichi CM700's > Sony TC-D5M > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > S/pdif > WaveLAB 5.0 > WAV Taped by: B. Glassberg Transfer by: A. Egert Mastering by: C. Ladner
|
notes
|
| 4817. |
03/14/81 |
Flac 16 - 0,
95287 |
Hartford |
Hartford Civic Center flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4818. |
03/14/81 |
Flac 16 - 0,
109989 |
Hartford |
Hartford Civic Center flac16; AUD: 3x Nakamichi CM300/CP4's shotguns > Nakamichi 550 > Maxell XLII-S 90's, set up in arena riser "all the way back" center, facing the stage. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 09/2010
|
notes
|
| 4819. |
03/14/81 |
Flac 16 - 0,
81340 |
Hartford |
Hartford Civic Center flac16; Recorded by Bob Wagner Master Audience Cassette; 2 Nak 700s> Sony D5M (Maxell UD XL-IIs) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Patches supplied by A:C:D:CD recorded with Sennheiser 421s
|
notes
|
| 4820. |
03/14/81 |
Shn - 0,
7217 |
Hartford |
Hartford Civic Center Aud (?)-> CD-> EAC-> SHN; via Andy Hayum;Admin note:This is the Glassberg recording as noted in comments by C. Ladner. upgrade now in circulation.
|
notes
|
| 4821. |
03/14/81 |
Flac 24/96 - 0,
95288 |
Hartford |
Hartford Civic Center flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony D5/Maxell UDXL-IIS); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4822. |
03/14/81 |
Flac 24/96 - 0,
139797 |
Hartford |
Hartford Civic Center flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 4823. |
03/14/81 |
Flac 16 - 0,
139796 |
Hartford |
Hartford Civic Center flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 4824. |
03/14/81 |
Flac 24/96 - 0,
132757 |
Hartford |
Hartford Civic Center flac24; Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder-Location:Soundboard; Analog to Digital:Dolby B Decoded Maxell XL-11 High-Bias(CrO2)Cassette Masters played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]Transfer: David Minches:Oct 2014; Editing(Adobe Audition CC)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise
|
notes
|
| 4825. |
03/14/81 |
Flac 24/48 - 0,
152445 |
Hartford |
Hartford Civic Center flac24/48 Recording Information: Microphones: Beyer M201's in hat Recorder: Sony TCD5 Maxell UDXLII 90 no nr Location: behind drums > This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
|
notes
|
| 4826. |
03/14/81 |
Flac 16/44 - 0,
152444 |
Hartford |
Hartford Civic Center flac16/44 Recording Information: Microphones: Beyer M201's in hat Recorder: Sony TCD5 Maxell UDXLII 90 no nr Location: behind drums > This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
|
notes
|
| 4827. |
03/14/81 |
Flac 16/48 - ,
152901 |
Hartford |
Hartford Civic Center flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4828. |
03/14/81 |
Flac 24/96 - ,
152902 |
Hartford |
Hartford Civic Center flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4829. |
03/20/81 |
Flac 16 - 0,
104928 |
London |
Rainbow Theatre flac16; master soundboard cassettes > Nak Dr-1 > Lynx2 Studio Interface 24 bit 48kHz. Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz MetaData with Tag and Rename TLH for FLAC Level 8 SBE FREE Seeded on The Winter Solstice 2009 (Note: The original 12-21-2009 version of this source had flaws and should not be circulated.)
|
notes
|
| 4830. |
03/20/81 |
Flac 24/48 - 0,
104938 |
London |
Rainbow Theatre flac24; soundboard master cassettes > Nak Dr-1 > Lynx2 Studio Interface 24 bit 48kHz. Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station MetaData with Tag and Rename TLH for FLAC Level 8
|
notes
|
| 4831. |
03/20/81 |
Flac 16 - 0,
113433 |
London |
Rainbow Theatre flac16: Soundcheck Source: AUD cassette (Unknown equipment & lineage). Tape kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged, May 2011
|
notes
|
| 4832. |
03/20/81 |
Shn - 0,
9198 |
London |
Rainbow Theatre MAC > C > C > D > CD; via Jack Warner; seeded to etree by Matt Vernon
|
notes
|
| 4833. |
03/20/81 |
Shn - 0,
32142 |
London |
Rainbow Theatre AUD > MC > C > SB!Live > CD > EAC > WaveLab > CDWave > shn MC: Sony TC D5M, dolby B, TDK MA C90, Sennheiser 406T C/1: TDK SA-C90, dolby B, Nakamishi DR1 Different mics position in set 2. via Bernd Weiskircher
|
notes
|
| 4834. |
03/20/81 |
Flac 24/96 - 0,
139744 |
London |
Rainbow Theatre flac24; Source Info: 1st Set: Frank Streeter's Master FOB Audience assette; Sennheiser 421 > Sony TC-D5M (TDK MA90); 2nd Set: Master FOB Audience Cassette; AKG 224> Sony TC-D5M > 1 cassette gen (Maxell UDXLII); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 4835. |
03/20/81 |
Flac 16 - 0,
139743 |
London |
Rainbow Theatre flac16; Source Info: 1st Set: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 > Sony TC-D5M (TDK MA90); 2nd Set: Master FOB Audience Cassette; AKG 224> Sony TC-D5M > 1 cassette gen (Maxell UDXLII); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 4836. |
03/20/81 |
Flac 24/96 - ,
154684 |
London |
Rainbow Theatre FLAC2496 Recording Info: UDXL1 SBD cassettes from Bear via Jamie Waddell Transfer Info: Nakamichi CR-7A (March 2021 transfer) > Tascam DA-3000 > Samplitude Pro X5 > Flac24
Recorded by Augustus Owsley Stanley III (aka Bear) Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Track, FLAC, and pack by Steve Gravel
|
notes
|
| 4837. |
03/20/81 |
Flac 16/48 - ,
154685 |
London |
Rainbow Theatre FLAC1648 Recording Info: UDXL1 SBD cassettes from Bear via Jamie Waddell Transfer Info: Nakamichi CR-7A (March 2021 transfer) > Tascam DA-3000 > Samplitude Pro X5 > Flac24
Recorded by Augustus Owsley Stanley III (aka Bear) Transferred and Mastered by Jim Blackwood Speed Correction by Jason Chastain Track, FLAC, and pack by Steve Gravel
|
notes
|
| 4838. |
03/21/81 |
Flac 16 Mtx - 0,
114710 |
London |
Rainbow Theatre flac16; SBD/AUD - Matrix SBD:MC > C > CD (speed corrected) & AUD:MC > C/1 > SB!Live > WaveLab > shn MC: Sony TC D5M, dolby B, TDK MA C90, Sennheiser 406T C/1: TDK SA-C90, Maxell XL II, dolby B, Nakamishi DR1 minor denoising and equalising (WaveLab) Frank Streeter's Sennheiser 421 mic > Sony D5 Audience source supplies the Intro as well as a patch in Drums
|
notes
|
| 4839. |
03/21/81 |
Flac 16 - 0,
106778 |
London |
Rainbow Theatre flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4840. |
03/21/81 |
Shn - 0,
6684 |
London |
Rainbow Theatre SBD:MC> Cass> CD, with AUD Senn 421 patches (see info file); tracked for 2x80
|
notes
|
| 4841. |
03/21/81 |
Shn - 0,
6666 |
London |
Rainbow Theatre Master Soundboard Cassette > Cassette > CDR, with AUD Senn 421 patches (see info file); CD Mastering, Patching, EAC, SHN by Scott Clugston; tracked for 2x80; to abgd
|
notes
|
| 4842. |
03/21/81 |
Shn - 0,
3594 |
London |
Rainbow Theatre Senn 421's> Sony TC-D5 positioned at SBD> MC> DAT> CDR> EAC> CDWAV (retrack)> SHN (W/seek tables appended); Frank Streeter recording; A>D by Rich Gastwirt; D>CD Sony R-700> HHB CDR 800 by Jim Wise; EAC/SHN by Charles Hogan; d2 tracked for 80 min
|
notes
|
| 4843. |
03/21/81 |
Shn - 0,
32143 |
London |
Rainbow Theatre AUD > MC > C > Nakamishi DR1 > SB!Live > WaveLab > CDWave > SHN MC: Sony TC D5M, dolby B, metal-cassettes, Sennheiser 406T C/1: TDK SA-C90, Maxell XL II, dolby B via Bernd Weiskircher
|
notes
|
| 4844. |
03/21/81 |
Flac 24/96 - 0,
139799 |
London |
Rainbow Theatre flac24; Source Info: Frank Streeter's Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 4845. |
03/21/81 |
Flac 16 - 0,
139798 |
London |
Rainbow Theatre flac16; Source Info: Frank Streeter's Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 4846. |
03/23/81 |
Shn - 0,
6685 |
London |
Rainbow Theatre AUD> MC> DAT> CD
|
notes
|
| 4847. |
03/23/81 |
Shn - 0,
32145 |
London |
Rainbow Theatre AUD > MC > C > Nakamishi DR1 > SB!Live > WaveLab > CDWave > shn MC: Sony TC D5M, dolby B, TDK MA C90, Sennheiser 406T C/1: TDK SA-C90, dolby B via Bernd Weiskircher
|
notes
|
| 4848. |
03/23/81 |
Flac 16 - 0,
81275 |
London |
Rainbow Theatre flac16; Recording by B.Koucky. Source: Condenser mics, portable JVC Boombox, 20 ft from stage left, hand held on a riser 6ft off floor > Maxell UDXL-Is Transfer: MAC playback on Nakamichi DR-2, no NR > Presonus Firebox > firewire > PC, XP-Pro > recorded as 24 bit/96 KHz PCM WAV, Wavelab 5 > Waves X-Noise and L3 Multimaximizer @ 24 bit > UVHR-22 (dither to 16/44.1) > CDWAV 1.9 > WAV > FLAC
|
notes
|
| 4849. |
03/23/81 |
Flac 24/96 - 0,
139843 |
London |
Rainbow Theatre flac24; Source Info: Frank Streeter's Master Audience Cassette(at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 4850. |
03/23/81 |
Flac 16 - 0,
139842 |
London |
Rainbow Theatre flac16; Source Info: Frank Streeter's Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 4851. |
03/24/81 |
Shn - 0,
10532 |
London |
Rainbow Theatre Recording by Frank Streeter: Senn 421's> TC-D5> MC> DAT> CDR; via Paul B; Seeded to etree by Alan Schlissel
|
notes
|
| 4852. |
03/24/81 |
Shn - 0,
10308 |
London |
Rainbow Theatre AUD > MC > C > SB!Live > CD > EAC > WaveLab > shn MC: Sony TC D5M, dolby B, metal-cassettes, Sennheiser 406T C/1: Maxell XL II C90, dolby B, Nakamishi DR1; Seeded to etree by Bernd Weiskircher
|
notes
|
| 4853. |
03/24/81 |
Flac 24 - 0,
139845 |
London |
Rainbow Theatre flac24; Source Info: 1st Set: Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M > 1 cassette gen (Maxell UDXLII); 2nd Set: Frank Streeter's Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: 1st Set: 1st generation cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; 2nd Set: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 4854. |
03/24/81 |
Flac 16 - 0,
139844 |
London |
Rainbow Theatre flac16; Source Info: 1st Set: Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M > 1 cassette gen (Maxell UDXLII); 2nd Set: Frank Streeter's Master Audience Cassette (at the soundboard); Sennheiser 421 > Sony TC-D5M (TDK MA90); Transfer Info: 1st Set: 1st generation cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; 2nd Set: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 4855. |
03/28/81 |
Shn - 0,
3306 |
Essen |
Grugahalle stereo FM -> reel master -> DAT -> CDWAV -> SoundForge -> CDR, with other FM patches; via Hanno Bunjes et al; see info file for detailed notes; Hanno's notes
|
notes
|
| 4856. |
03/28/81 |
Flac 16 - 0,
22802 |
Essen |
Grugahalle flac16; SBE fixed and FLAC'd version of Stereo Soundboard Reel Master by deep_elem@despammed.com.
|
notes
|
| 4857. |
03/28/81 |
Shn - 0,
1343 |
Essen |
Grugahalle updated lineage: copy of bootleg CD "Trippin Around", not SBRD> Pre-FM> DAT> CD-R> EAC> SHN ("unconfirmed"); to abgd by Jeremy Duncan; 3/01 note- upgrade now in circulation
|
notes
|
| 4858. |
03/28/81 |
Flac 16 - 0,
85958 |
Essen |
Grugahalle flac16; FM (live broadcast) > Revox A76 Tuner > Revox A77 (1/2 track, 3 1/2 ips, TDK LX 35) March 2007: TDK LX 35 > Revox A77 > Audiophile 2496 > WaveLab > CDWave > Flac frontend
|
notes
|
| 4859. |
03/28/81 |
Shn - 0,
16434 |
Essen |
Grugahalle partial set 2 (post Drums); Master time-coded pre-broadcast tapes> first-gen Hi-Fi VHS> WAV> SHN; via Sean Cribbs
|
notes
|
| 4860. |
03/28/81 |
Flac 24/88 Fm - 0,
136977 |
Essen |
Grugahalle flac24; Recording Lineage: FM broadcast -> Master Reel on Revox B77; Playback Lineage: Master Reel on same Revox B77 -> Alesis Masterlink ML9600 @ 24/88 -> AIFF -> Foobar2000 to FLAC
|
notes
|
| 4861. |
03/28/81 |
Flac 16/48 - 0,
140323 |
Essen |
Grugahalle flac16/48kHz; Recording Info: Master FM Cassette > Dat 16/48; Transfer Info: Sony PCM-R500 16/48 > Tascam DA-3000 16/48 > Adobe Audition 3.0> TLH flac1648
|
notes
|
| 4862. |
04/25/81 |
Flac - 0,
|
Berkeley |
Berkeley Community Theater
|
notes
|
| 4863. |
04/25/81 |
Flac 24/96 - ,
157603 |
Berkeley |
Berkeley Community Theater flac2496 Recording Info: TDK MA90 cassette from Bear via Jamie Waddell Transfer Info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X5 > Flac24
Recorded by Augustus Owsley Stanley III (aka Bear) Transferred and mastered by Jim Blackwood Speed/pitch adjustment by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel
|
notes
|
| 4864. |
04/25/81 |
Flac 16/48 - ,
157604 |
Berkeley |
Berkeley Community Theater flac1648 Recording Info: TDK MA90 cassette from Bear via Jamie Waddell Transfer Info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X5 > Flac24
Recorded by Augustus Owsley Stanley III (aka Bear) Transferred and mastered by Jim Blackwood Speed/pitch adjustment by Jason Chastain Minor repairs, track, FLAC, and pack by Steve Gravel
|
notes
|
| 4865. |
04/30/81 |
Flac 16 - 0,
91728 |
Greensboro |
Greensboro Coliseum flac16; Recording Info:SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info:Dat -> Pro Tools -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4866. |
04/30/81 |
Flac 24/96 - 0,
134544 |
Greensboro |
Greensboro Coliseum flac24; Cassette Audience Master recorded By Jim Wise; Set 1 Beyerdynamic M160 Double Ribbon Hypercardiod microphones mounted on a stand-Sony TC D-5 Cassette Recorder; Location @ Soundboard; Set 2 Nakamichi 700's -Sony TC D-5; Location @ 12 row center stage; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 (DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing (Adobe Audition CC)-Mastering (iZotope Ozone 6)-FLAC ; encoding (dBpoweramp)-Tagging (Tag & Re-name); All Editing & Processing Jim Wise
|
notes
|
| 4867. |
04/30/81 |
Shn - 0,
5057 |
Greensboro |
Greensboro Coliseum Recording by Jim Wise: mixed-source AUD: set 1, Beyer M160's > Sony D5 @ SBD; set 2: NAK 700's > Sony D5 12th row center; Master cass> DAT> CD> EAC> (Tracked in)CoolWave> SHN> CD; EAC> tracking> shn by Seth Kaplan; etreed by Steve Bertoni; see info file for flaw notes
|
notes
|
| 4868. |
04/30/81 |
Flac 16 - 0,
139758 |
Greensboro |
Greensboro Coliseum flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 4869. |
04/30/81 |
Flac 24 - 0,
139759 |
Greensboro |
Greensboro Coliseum flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 4870. |
04/30/81 |
Flac 24/96 - 0,
147854 |
Greensboro |
Greensboro Coliseum flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (12th row)> Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4871. |
04/30/81 |
Flac 16/48 - 0,
147853 |
Greensboro |
Greensboro Coliseum flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics (12th row)> Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4872. |
05/01/81 |
Flac 16 Mtx - 0,
107749 |
Hampton |
Hampton Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 4873. |
05/01/81 |
Flac 16 - 0,
92415 |
Hampton |
Hampton Coliseum flac16; CM-700 => Sony TCD5-M >> Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taper Bob Wagner, Transfer: aegert, Edit: dmccabe MOTB.0074
|
notes
|
| 4874. |
05/01/81 |
Flac 16 - 0,
29087 |
Hampton |
Hampton Coliseum flac16; SBD > MC > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
|
notes
|
| 4875. |
05/01/81 |
Flac 16 - 0,
107437 |
Hampton |
Hampton Coliseum flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of shnid 29087
|
notes
|
| 4876. |
05/01/81 |
Flac 24/96 - 0,
92416 |
Hampton |
Hampton Coliseum flac24; 2 x Nakamichi CM-700 => Sony TCD5-M >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner Transfer By: Adam Egert Mastering By: Derek McCabe MOTB 0074 24bit
|
notes
|
| 4877. |
05/01/81 |
Flac 24 - 0,
135069 |
Hampton |
Hampton Coliseum flac24; Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: FOB DFC; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches
|
notes
|
| 4878. |
05/01/81 |
Flac 16 - 0,
136387 |
Hampton |
Hampton Coliseum flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII-S 90's, Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 07/2016
|
notes
|
| 4879. |
05/01/81 |
Flac 24/48 - 0,
136386 |
Hampton |
Hampton Coliseum flac24; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII-S 90's, Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2016
|
notes
|
| 4880. |
05/01/81 |
Flac 16 - 0,
99233 |
Hampton |
Hampton Coliseum flac16; Recording Info: (FOB) Sennheiser 421 -> Sony TC D-5 Transfer Info: Cassette Master(Dolby B) Maxell XL Type 2 -> Playback On Nackamichi Dragon -> Sony PCM R700 DAT -> Hard Drive (via Zefiro ZA-2 & Sound Forge 4.0) -> CD (via HHB CDR-800 PRO) ->FLAC recorded by Jim Wise; upgrade to the previous Jim Wise source
|
notes
|
| 4881. |
05/01/81 |
Shn - 0,
2218 |
Hampton |
Hampton Coliseum Recording by Jim Wise: Master FOB Audience Cassette > Sennheiser 421 mics> Sony D5 cassette deck > DAT > CDR; via Scott Clugston; upgrade in circulation
|
notes
|
| 4882. |
05/01/81 |
Flac 16 - 0,
139774 |
Hampton |
Hampton Coliseum flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 4883. |
05/01/81 |
Flac 24/96 - 0,
139775 |
Hampton |
Hampton Coliseum flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Beyer M160 > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 4884. |
05/01/81 |
Flac 24/96 - 0,
142845 |
Hampton |
Hampton Coliseum flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
|
notes
|
| 4885. |
05/01/81 |
Flac 16/48 - 0,
142846 |
Hampton |
Hampton Coliseum flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4886. |
05/01/81 |
Flac 24/96 - 0,
147856 |
Hampton |
Hampton Coliseum flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4887. |
05/01/81 |
Flac 16/48 - 0,
147855 |
Hampton |
Hampton Coliseum flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4888. |
05/01/81 |
Flac 16/48 - ,
152903 |
Hampton |
Hampton Coliseum flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4889. |
05/01/81 |
Flac 24/96 - ,
152904 |
Hampton |
Hampton Coliseum flac24/96 Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4890. |
05/02/81 |
Flac 16 - 0,
30152 |
Philadelphia |
The Spectrum flac16; SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat Transferred By Joe Samaritano Patched and Edited By Charlie Miller
|
notes
|
| 4891. |
05/02/81 |
Shn - 0,
22310 |
Philadelphia |
The Spectrum Main Lineage: Soundboard -> Cassette Master -> 1/2 track 7.5 Reel -> DAT. DAT -> ZA2 -> SoundForge -> .wav -> mkw -> SHN. Patch Lineage: (Jim Wise FOB) Sennheiser 421 -> Cassette Master (Sony TCD5M) -> Dat -> CD -> EAC -> SHN. Patch and patchwork provided by Charlie Miller. Soundboard seed and transfer by Joe Samaritano
|
notes
|
| 4892. |
05/02/81 |
Flac 24 - 0,
134759 |
Philadelphia |
The Spectrum b>flac24; Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 (DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing (Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging (Tag & Re-name); All Editing & Processing by Jim Wise
|
notes
|
| 4893. |
05/02/81 |
Flac 16 Mtx - 0,
135559 |
Philadelphia |
The Spectrum flac16; 2 source matrix by Dusborne; Soundboard (shnid:30152) Recording Info: SBD -> Cassette Master (Sony TCD5M) -> Reel (Technics 1/2 Track 7.5 Inch) -> Dat; Transfer Info: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude v7.02 Professional -> FLAC,Transferred By Joe Samaritano,Patched and Edited By Charlie Miller; Audience (shnid:134759)Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder, Location: Soundboard,Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo])Korg AudioGate-WAV[24/96],Recording,Editing & Processing by Jim Wise,Transfer by David Minches
|
notes
|
| 4894. |
05/02/81 |
Shn - 0,
15981 |
Philadelphia |
The Spectrum AUD : MC (FOB Senn 421s > Sony TC-D5M by Jim Wise) > DAT > CD > EAC > SHN Extraction, Retracking and SHN encoding by Alan J Fink (aj.fink@verizon.net); Thanks to Charlie Miller for the seeds
|
notes
|
| 4895. |
05/02/81 |
Shn - 0,
7463 |
Philadelphia |
The Spectrum Recording by Jim Wise. (FOB) Senn 421> Cm> Dat> CD; via Craig Reimer; Seeded to etree by Willy ; upgrade in circulation
|
notes
|
| 4896. |
05/02/81 |
Flac 16 - 0,
28304 |
Philadelphia |
The Spectrum flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape. (Jeff Silberman's guns on Howard Shame's bodies); Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; Transferred: CD> FLAC by Alex Ford
|
notes
|
| 4897. |
05/02/81 |
Flac 24/96 - 0,
142847 |
Philadelphia |
The Spectrum flac24; Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
|
notes
|
| 4898. |
05/02/81 |
Flac 16/48 - 0,
142848 |
Philadelphia |
The Spectrum flac16/48kHz; Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4899. |
05/04/81 |
Shn - 0,
2250 |
Philadelphia |
The Spectrum Master Soundboard Cassette > Cassette > DAT > CDR, with patches from AUD Nakamichi CM300 mics > Sony D5 source; via Scott Clugston; see info file for notes
|
notes
|
| 4900. |
05/04/81 |
Flac 16 - 0,
90454 |
Philadelphia |
The Spectrum flac16; 1st Gen (FOB) 2 x Nakamichi 700 [on a stand] > Sony D5 > MAC > TDK MA90 (Set I) and Maxell XLII 90 (Set II). Taper: Nick Milner. 1st gen audience cassettes graciously provided by Mark McCue. Transferred and mastered by Alex Ford February 2008.
|
notes
|
| 4901. |
05/04/81 |
Flac 24/96 - 0,
134792 |
Philadelphia |
The Spectrum flac24; Cassette Audience Master recorded By Jim Wise Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing(Adobe Audition CC)-Mastering(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name
|
notes
|
| 4902. |
05/04/81 |
Flac 16 Mtx - 0,
135560 |
Philadelphia |
The Spectrum flac16; 2 source matrix by Dusborne; Soundboard (shnid:2250), Master Soundboard Cassette > Cassette > DAT > CDR, CD Mastering by Scott Clugston; Audience (shnid:134792),Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder,Location:Soundboard,Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Recording,Editing and Mastering by Jim Wise, Transfer by David Minches
|
notes
|
| 4903. |
05/04/81 |
Shn - 0,
30112 |
Philadelphia |
The Spectrum Recording by Ohr Weinberg. Master Audience Cassette : 2 Sony ECM-23F microphones > Nakamichi 550 Cassette Deck (Maxell XLII-S 90 Cassettes), Dolby B. Transfer: Master Cassette > Nakamichi Dragon > HHB CDR-830 Plus (by Ohr)> EAC > Sound Forge 5.0 (spliced tape flip during drums, fades, and cleanup) > CD Wave 1.71 > WAV > SHN (by Anne Cohen) 5/2005
|
notes
|
| 4904. |
05/04/81 |
Flac 16 - 0,
141484 |
Philadelphia |
The Spectrum flac16; Source Info: Master Soundboard Cassette > Cassette (Latvala)> Dat 16/44.1(Latvala); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000(.wav 16/44.1) > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 4905. |
05/04/81 |
Flac 16/48 - 0,
142850 |
Philadelphia |
The Spectrum flac16/48kHz; Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4906. |
05/04/81 |
Flac 24/96 - 0,
142849 |
Philadelphia |
The Spectrum flac24; Source Info: Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
|
notes
|
| 4907. |
05/04/81 |
Flac 16/48 - 0,
151458 |
Philadelphia |
The Spectrum flac16/48khz Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4908. |
05/04/81 |
Flac 24/96 - 0,
151459 |
Philadelphia |
The Spectrum flac24/96khz Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4909. |
05/04/81 |
Flac 16/48 - 0,
152195 |
Philadelphia |
The Spectrum flac16/48 Source Info: Jim Vita's Master (FOB) Audience Cassettes (12th row, center); Nakamichi DM500 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4910. |
05/04/81 |
Flac 24/96 - 0,
152196 |
Philadelphia |
The Spectrum flac24/96 Source Info: Jim Vita's Master (FOB) Audience Cassettes (12th row, center); Nakamichi DM500 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4911. |
05/05/81 |
Flac 16 - 0,
135255 |
Glens Falls |
Glens Falls Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
|
notes
|
| 4912. |
05/05/81 |
Flac 24/96 - 0,
135254 |
Glens Falls |
Glens Falls Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony D5, maxell ud-xlII90’s, dolby b; floor, near sound board; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
|
notes
|
| 4913. |
05/05/81 |
Flac 24/96 - 0,
134951 |
Glens Falls |
Glens Falls Civic Center flac24; Cassette Audience Master recorded By Jim Wise; Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorder; Location: Soundboard; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]); Korg AudioGate-WAV[24/96]; Transfer by David Minches; Editing (Adobe Audition CC)-Mastering (iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name); All Editing & Processing by Jim Wise
|
notes
|
| 4914. |
05/05/81 |
Flac 16 - 0,
125867 |
Glens Falls |
Glens Falls Civic Center flac16; Set 2 Source: Unknown AUD, lo-gen tape kindly provided by Ted Gidley. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. 10/2013
|
notes
|
| 4915. |
05/05/81 |
Shn - 0,
8595 |
Glens Falls |
Glens Falls Civic Center Recording by Jim Wise. Master Audience Cassette: Sennheiser 421 mics > Sony TC-D5 > DAT> CDR; Seeded to etree by Scott Clugston
|
notes
|
| 4916. |
05/05/81 |
Flac 16 - 0,
102023 |
Glens Falls |
Glens Falls Civic Center flac16; (FOB) Nakamichi CM-300 Shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded FOB from floor Section 105, Row H, Seat 10 by Bob Morris
|
notes
|
| 4917. |
05/05/81 |
Flac 16 - 0,
28356 |
Glens Falls |
Glens Falls Civic Center flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Mic Config: "primitive DIN" pointing the mics directly at the stacks forming a "Y"; Mic Location: first row behind the soundboard cage; Sony D5 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; taped and transferred by Doug Mow; CDR> flac by Alex Ford
|
notes
|
| 4918. |
05/05/81 |
Flac 16/48 - 0,
143044 |
Glens Falls |
Glens Falls Civic Center flac16/48kHz; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4919. |
05/05/81 |
Flac 24/96 - 0,
143043 |
Glens Falls |
Glens Falls Civic Center flac24; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
|
notes
|
| 4920. |
05/05/81 |
Flac 16 - 0,
150659 |
Glens Falls |
Glens Falls Civic Center flac16; Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell UDXLII-S/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; Recorded by Bob Wagner, This file set is 16 bit @ 44.1
|
notes
|
| 4921. |
05/05/81 |
Flac 24/48 - 0,
152447 |
Glens Falls |
Glens Falls Civic Center flac24/48 Recording Information: Microphones: Beyer m201c Recorder: Sony TCD5 Maxell UDXLII 90's Location: tape says: 'Mics in hat 2nd row reserved even with sbd' Meaning about 75 feet from stacks 5-7 feet off of the floor This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90 no nr Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity (reduced speed 3.47%)| cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
|
notes
|
| 4922. |
05/05/81 |
Flac 16/44 - 0,
152446 |
Glens Falls |
Glens Falls Civic Center flac16/44 Recording Information: Microphones: Beyer m201c Recorder: Sony TCD5 Maxell UDXLII 90's Location: tape says: 'Mics in hat 2nd row reserved even with sbd' Meaning about 75 feet from stacks 5-7 feet off of the floor This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90 no nr Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity (reduced speed 3.47%)| cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
|
notes
|
| 4923. |
05/06/81 |
Flac 16 - 0,
82368 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Recording by Jim Wise. Sennheiser 421's > Sony TC-D5, set up near the soundboard. Taped and transferred (MAC > CD) by Jim Wise. Transfer: MAC > CD (likely equipment: Nakamichi Dragon > HHB CDR burner). CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC, by Andrew F
|
notes
|
| 4924. |
05/06/81 |
Shn - 0,
10379 |
Uniondale |
Nassau Veterans Memorial Coliseum Recording by Barry Glassberg. Nak 700's > Sony TC-D5M > MC > DAT > CD; via Jay Jurina; Seeded to etree by Matt Vernon; Note- This show is available as Dick's Picks 13 ; upgrade in circulation
|
notes
|
| 4925. |
05/06/81 |
Shn - 0,
17697 |
Uniondale |
Nassau Veterans Memorial Coliseum NAK-700's > SONY TC-D5M Dolby On taped by Barry Glassberg FOB via Mark Cohen, John Steinthal encoded by Matt Vernon; Note- - this version supercedes a previous shn set from this same source
|
notes
|
| 4926. |
05/06/81 |
Flac 24/96 - 0,
136735 |
Uniondale |
Nassau Veterans Memorial Coliseum b>flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
|
notes
|
| 4927. |
05/06/81 |
Flac 16 - 0,
136736 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
|
notes
|
| 4928. |
05/06/81 |
Flac 24/96 - 0,
139786 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; Set 2 Source Info: Frank Streeter's Master FOB Audience Cassette; Unknown mics (?? Sennheiser 421's ??) > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 4929. |
05/06/81 |
Flac 16 - 0,
139785 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Set 2 Source Info: Frank Streeter's Master FOB Audience Cassette; Unknown mics (?? Sennheiser 421's ??) > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 4930. |
05/06/81 |
Flac 24/96 - 0,
140903 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; Source Info: Jim Wise's Master Audience Cassette w/ dolby B; Sennheiser 421's > Sony TC-D5; Transfer Info: Cassette Master (Nakamichi Dragon) w/ dolby B > KORG MR1000 (.wav 24 bit-96k) > Samplitude > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 4931. |
05/06/81 |
Flac 16 - 0,
140902 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Source Info: Jim Wise's Master Audience Cassette w/ dolby B; Sennheiser 421's > Sony TC-D5; Transfer Info: Cassette Master (Nakamichi Dragon) w/ dolby B > KORG MR1000 (.wav 24 bit-96k) > Samplitude > Adobe Audition 3.0> TLH flac2496; 24 bit > 16 bit via dBpoweramp
|
notes
|
| 4932. |
05/06/81 |
Flac 24/96 - 0,
144701 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - on a handheld pole 30' from stage in the penalty box)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4933. |
05/06/81 |
Flac 16/48 - 0,
144700 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - on a handheld pole 30' from stage in the penalty box)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4934. |
05/06/81 |
Flac 24/48 - 0,
150430 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; AUD: Unknown mics & lead deck > Sony TC-D5 > Maxell XLII-S 90's. Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2020
|
notes
|
| 4935. |
05/06/81 |
Flac 16/48 - ,
152949 |
Uniondale |
Nassau Veterans Memorial Coliseum
|
notes
|
| 4936. |
05/06/81 |
Flac 24/96 - ,
152950 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4937. |
05/07/81 |
Flac 16/44,1 - 0,
147903 |
New York |
Tommorow With Tom Snyder, NBC Studios flac16/44.1khz Source: Cable Broadcast > VHS(M) > standalone DVD recorder > DVD(0) Lineage: DVD(0) > TMPGEnc [demux] > DVD Architect [chapters/author] > DVD Audio Specs: PCM 1.54Mbps Audio only, ffmpeg extraction from DVD (gd1981-05-07.tomsnyder.dvdf) down-sampled from 16-48 to 16-44.1 using ffmpeg sector boundary errors fixed using shntool
|
notes
|
| 4938. |
05/08/81 |
Flac 16 Mtx - 0,
92002 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; MATRIX MIX: SBD/2 AUD (About 60%/40%)
|
notes
|
| 4939. |
05/08/81 |
Flac 16 - 0,
95764 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD -> Master Cassette -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4940. |
05/08/81 |
Shn - 0,
28300 |
Uniondale |
Nassau Veterans Memorial Coliseum SBD> Master Cassette> Dat (44.1k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Barry Glassberg's FOB Nakamichi 700 source; Transferred and Patched By Charlie Miller
|
notes
|
| 4941. |
05/08/81 |
Flac 24 - 0,
136537 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; Cassette Audience Master: Recorded By Jeff Hellman (lead deck) > Eddie Claridge (2nd deck) > Jim Wise (3rd deck); Sennheiser MD421 Dynamic Cardioid Microphones-TC D5 Cassette Recorders; Location: Soundboard Stand permitted by Dan Healy; Analog to Digital: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000(DSF[1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96] Transfer by David Minches; Editing (Adobe Audition CC)-FLAC encoding (dBpoweramp); Tagging (Tag & Re-name)
|
notes
|
| 4942. |
05/08/81 |
Shn - 0,
9712 |
Uniondale |
Nassau Veterans Memorial Coliseum Recording by Jim Wise: FOB Senn 421's> Sony D5> MC> DAT> CDR; via Mark Linden; Seeded to etree by Willy
|
notes
|
| 4943. |
05/08/81 |
Shn - 0,
17698 |
Uniondale |
Nassau Veterans Memorial Coliseum Recording by Barry Glassberg. FOB NAK-700's > SONY TC-D5M Dolby On via Mark Cohen, John Steinthal encoded by Matt Vernon
|
notes
|
| 4944. |
05/08/81 |
Flac 16 - 0,
136760 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
|
notes
|
| 4945. |
05/08/81 |
Flac 24 - 0,
139788 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Unknown mics (?? Sennheiser 421's ??) > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 4946. |
05/08/81 |
Flac 16 - 0,
139787 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Unknown mics (?? Sennheiser 421's ??) > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 4947. |
05/08/81 |
Flac 24/96 - 0,
136739 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; floor, right of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
|
notes
|
| 4948. |
05/08/81 |
Flac 16 - 0,
139412 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Set 2 AUD: Unknown mics & lead decks > Sony TC-D5 > Maxell XLIIS-90, FOB recording by Brian Schley; Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged; Transferred by Andrew F. 09/2017
|
notes
|
| 4949. |
05/08/81 |
Flac 24/48 - 0,
139413 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; Set 2 AUD: Unknown mics & lead decks > Sony TC-D5 > Maxell XLIIS-90, FOB recording by Brian Schley; Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged; Transferred by Andrew F. 09/2017
|
notes
|
| 4950. |
05/08/81 |
Flac 24/96 - 0,
148945 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - standing on a chair 35' from stage)> custom mixer by Jamie Poris > Sony TC-D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4951. |
05/08/81 |
Flac 16/48 - 0,
148944 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center - standing on a chair 35' from stage)> custom mixer by Jamie Poris > Sony TC-D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4952. |
05/08/81 |
Flac 16/48 - ,
152971 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4953. |
05/08/81 |
- ,
152971 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4954. |
05/09/81 |
Flac 16 Mtx - 0,
92246 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; MATRIX MIX: 1 SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) June 10, 2008
|
notes
|
| 4955. |
05/09/81 |
Shn - 0,
10031 |
Uniondale |
Nassau Veterans Memorial Coliseum Recording by Jim Wise. AUD> MC> DAT> CD; Missing encore; via Paul B; Seeded to etree by Willy
|
notes
|
| 4956. |
05/09/81 |
Shn - 0,
17699 |
Uniondale |
Nassau Veterans Memorial Coliseum Recording by Barry Glassberg. FOB NAK-700's > SONY TC-D5M Dolby On via Mark Cohen, John Steinthal encoded by Matt Vernon
|
notes
|
| 4957. |
05/09/81 |
Flac 16 - 0,
137370 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Sennheiser MD421 Dynamic Cardioid Microphones > TC D5 Cassette Recorders> Jim Wise's Cassette Audience Master; Location: Soundboard Stand permittted by Dan Healy; Transfer: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 > DSF 1-bit 5.6448 MHz Stereo > Korg AudioGate > WAV 24/96; Lineage: Wav 24/96 > Adobe Audition 3.0.1 > > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > WAv 16/44.1 > CD Wave > TLH > Flac16; Transferred by David Minches; Edited and mastered SIRMick
|
notes
|
| 4958. |
05/09/81 |
Flac 24/96 - 0,
137366 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; Sennheiser MD421 Dynamic Cardioid Microphones > TC D5 Cassette Recorders> Jim Wise's Cassette Audience Master; Location: Soundboard Stand permitted by Dan Healy; Transfer: Dolby B Decoded Cassette Master played back on Nakamichi Dragon-Korg MR-1000 > DSF 1-bit 5.6448 MHz Stereo > Korg AudioGate > WAV 24/96; Lineage: Wav 24/96 > Adobe Audition 3.0.1 > > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac24; Transferred by David Minches; Edited and mastered SIRMick
|
notes
|
| 4959. |
05/09/81 |
Flac 16 - 0,
139664 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger 10/2017
|
notes
|
| 4960. |
05/09/81 |
Flac 24/96 - 0,
139665 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger 10/2017
|
notes
|
| 4961. |
05/09/81 |
Flac 16 - 0,
32883 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16;Recording By Rob Eaton. Recording Info: (FOB) Sennheiser 421 + PZM -> Cassette Master (Nak 500) -> Dat (48k). Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC. All Transfers and Mastering By Charlie Miller
|
notes
|
| 4962. |
05/09/81 |
Flac 16 - 0,
44930 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; SBD -> Cassette Master -> Dat All Transfers and Mastering By Charlie Miller
|
notes
|
| 4963. |
05/09/81 |
Flac 16 Mtx - 0,
118878 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Matrix of SBD (shnid=33930) and AUDs (shnid=17699 & 32883) by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging). This is a pitch corrected version of shnid=92246.
|
notes
|
| 4964. |
05/09/81 |
Flac 24/96 - 0,
148948 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell MX); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 4965. |
05/09/81 |
Flac 16/48 - 0,
148947 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony TC-D5M (Maxell MX); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4966. |
05/09/81 |
Flac 16/48 - ,
153007 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4967. |
05/09/81 |
Flac 24/96 - ,
153008 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4968. |
05/11/81 |
Flac 16 Mtx - 0,
107252 |
New Haven |
Veterans Memorial Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 4969. |
05/11/81 |
Flac 16 - 0,
30646 |
New Haven |
Veterans Memorial Coliseum flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller
|
notes
|
| 4970. |
05/11/81 |
Flac 16 - 0,
102086 |
New Haven |
Veterans Memorial Coliseum flac16; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side (stage right) first-level riser, about half way back. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 10/09
|
notes
|
| 4971. |
05/11/81 |
Flac 16 - 0,
118959 |
New Haven |
Veterans Memorial Coliseum flac16; source: (2) nakamichi 300> d-5; conversion: sony tc we435> soundcard> cdwave 48000/stereo/16 bit 44.1kHz> traders little helper encoding option 8; conversion rate: 48000/stereo/16 bit 44.1kHz; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 4972. |
05/11/81 |
Shn - 0,
4142 |
New Haven |
Veterans Memorial Coliseum
|
notes
|
| 4973. |
05/11/81 |
Flac 16 - 0,
28355 |
New Haven |
Veterans Memorial Coliseum flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape (Jeff Silberman's guns on Howard Shame's bodies); Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; Taped and transferred by Doug Mow; CDR> FLAC by Alex Ford
|
notes
|
| 4974. |
05/11/81 |
Flac 24/96 - 0,
136746 |
New Haven |
Veterans Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; behind the stage speakers; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
|
notes
|
| 4975. |
05/11/81 |
Flac 16 - 0,
136747 |
New Haven |
Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; behind the stage speakers; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
|
notes
|
| 4976. |
05/11/81 |
Flac 24/96 - 0,
139882 |
New Haven |
Veterans Memorial Coliseum flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 4977. |
05/11/81 |
Flac 16 - 0,
139881 |
New Haven |
Veterans Memorial Coliseum flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 4978. |
05/11/81 |
Flac 24/48 - 0,
102085 |
New Haven |
Veterans Memorial Coliseum flac24; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side stage right) first-level riser, about half way back. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 10/09
|
notes
|
| 4979. |
05/11/81 |
Flac 24/96 - 0,
149197 |
New Haven |
Veterans Memorial Coliseum flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4980. |
05/11/81 |
Flac 16/48 - 0,
149196 |
New Haven |
Veterans Memorial Coliseum flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4981. |
05/12/81 |
Flac 16 Mtx - 0,
99045 |
New Haven |
Veterans Memorial Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 4982. |
05/12/81 |
Flac 16 - 0,
123259 |
New Haven |
Veterans Memorial Coliseum flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 4983. |
05/12/81 |
Flac 16 - 0,
99007 |
New Haven |
Veterans Memorial Coliseum flac16; Set 1 Source: Senn 421>?>Cassette, Set 2 Source: Senn 421>Cassette Master Lineage: AUD>MC>DAT>CD>EAC>WAV>FLAC Encoding Post DAE Editing: 1st Set was somewhat too speedy and needed to be reprocessed. 1st set was speed corrected by 2.2 percent with Audacity.
|
notes
|
| 4984. |
05/12/81 |
Shn - 0,
1664 |
New Haven |
Veterans Memorial Coliseum SBD> Master Cassette> Cassette > DAT> CDR; via Jeff M.
|
notes
|
| 4985. |
05/12/81 |
Shn - 0,
5241 |
New Haven |
Veterans Memorial Coliseum essentially same as previous shn set, but with redundant, split China-Rider tacked onto d1; 9/01: noted at gdlive with incorrect info file and- d1.md5; see pub comments. ; upgrade in circulation
|
notes
|
| 4986. |
05/12/81 |
Flac 16 - 0,
101925 |
New Haven |
Veterans Memorial Coliseum flac16; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side (stage right) first-level riser, about half way back. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. 10/2009
|
notes
|
| 4987. |
05/12/81 |
Flac 24/48 - 0,
101924 |
New Haven |
Veterans Memorial Coliseum flac24; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550 > Maxell XL-II 90's. Mics handheld, recorded from left side (stage right) first-level riser, about half way back. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448. Transfer by Andrew F. 10/2009
|
notes
|
| 4988. |
05/12/81 |
Flac 16 - 0,
118987 |
New Haven |
Veterans Memorial Coliseum flac16; Updated Source Info: Copy of source ID 1664: SBD> Master Cassette> Cassette > DAT> CDR (Had been marked: sbd> d-5sony> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8); Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 4989. |
05/12/81 |
Flac 24/96 - 0,
139675 |
New Haven |
Veterans Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; behind stage; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
|
notes
|
| 4990. |
05/12/81 |
Flac 16 - 0,
139674 |
New Haven |
Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; behind stage; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
|
notes
|
| 4991. |
05/12/81 |
Flac 16 - 0,
139953 |
New Haven |
Veterans Memorial Coliseum flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 4992. |
05/12/81 |
Flac 24/96 - 0,
139954 |
New Haven |
Veterans Memorial Coliseum flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 4993. |
05/12/81 |
Flac 24/96 - 0,
149199 |
New Haven |
Veterans Memorial Coliseum flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4994. |
05/12/81 |
Flac 16/48 - 0,
149198 |
New Haven |
Veterans Memorial Coliseum flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 4995. |
05/12/81 |
Flac 16/48 - ,
153021 |
New Haven |
Veterans Memorial Coliseum flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4996. |
05/12/81 |
Flac 24/96 - ,
153022 |
New Haven |
Veterans Memorial Coliseum flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi DM-500 mics > Sony D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 4997. |
05/13/81 |
Flac 16 - 0,
86780 |
Providence |
Providence Civic Center flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 4998. |
05/13/81 |
Flac 16 Mtx - 0,
87917 |
Providence |
Providence Civic Center flac16; Matrix 3 Source Mix - SBD (shn id 86780) SBD -> Master Cassette -> Reel -> Dat (48k) + AUD1 (shn id 8918) Nak 300's>MC>DAT>CDR + AUD2 Master VHS -> David Minor friend's 1st GEN VHS-> standalone dvd recorder - matrix mixing by Kevin Tobin
|
notes
|
| 4999. |
05/13/81 |
Shn - 0,
86947 |
Providence |
Providence Civic Center DTS Audio 5.1 - SBD (shn id 86780) SBD -> Master Cassette -> Reel -> Dat (48k) + AUD1 (shn id 8918) Nak 300's>MC>DAT>CDR + AUD2 Master VHS -> David Minor friend's 1st GEN VHS-> standalone dvd recorder - dts mixing by Kevin Tobin
|
notes
|
| 5000. |
05/13/81 |
Flac 2448 - 0,
102180 |
Providence |
Providence Civic Center flac24; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550. Mics on stand, 25th row right center. Taped by Tim Friend & Joe Morrone. MAC copied to 1st Gen Maxell XL-II 90's on Nakamichi 680ZX. Transfer: 1st Gen cassettes > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 10/09
|
notes
|
| 5001. |
05/13/81 |
Flac 16 - 0,
119041 |
Providence |
Providence Civic Center flac16; lineage: nak 300 (fob)> d-5> mc tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8 Appears to be a copy of SHN # 8918. Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 5002. |
05/13/81 |
Shn - 0,
8918 |
Providence |
Providence Civic Center Nak 300's>MC>DAT>CDR; Missing Mama Tried>Mexicali; via Paul B; Seeded to etree by Willy
|
notes
|
| 5003. |
05/13/81 |
Flac 24/96 - 0,
136723 |
Providence |
Providence Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; recorded from the floor; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
|
notes
|
| 5004. |
05/13/81 |
Flac 16 - 0,
136724 |
Providence |
Providence Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; recorded from the floor; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
|
notes
|
| 5005. |
05/13/81 |
Flac 24/96 - 0,
136723 |
Providence |
Providence Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; recorded from the floor; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
|
notes
|
| 5006. |
05/13/81 |
Flac 16 - 0,
136724 |
Providence |
Providence Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; recorded from the floor; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
|
notes
|
| 5007. |
05/13/81 |
Flac 16 - 0,
139955 |
Providence |
Providence Civic Center flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 5008. |
05/13/81 |
Flac 24/96 - 0,
139957 |
Providence |
Providence Civic Center flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 5009. |
05/13/81 |
Flac 16 - 0,
102181 |
Providence |
Providence Civic Center flac16; AUD: 3x Nakamichi CM-300 w/CP-1 cardioids > Nakamichi 550. Mics on stand, 25th row right center. Taped by Tim Friend & Joe Morrone. MAC copied to 1st Gen Maxell XL-II 90's on Nakamichi 680ZX. Transfer: 1st Gen cassettes > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 10/09
|
notes
|
| 5010. |
05/13/81 |
Flac 16 Mtx - 0,
152426 |
Providence |
Providence Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 86780 & 136724.
|
notes
|
| 5011. |
05/15/81 |
Flac 16 - 0,
95751 |
Piscataway |
Athletic Center, Rutgers University flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5012. |
05/15/81 |
Shn - 0,
30113 |
Piscataway |
Athletic Center, Rutgers University MAC>DAT>CD. Recording by Kenny Mance. AKG CE-1 microphones > Uher CR-240 cassette deck, no dolby, TDK SA C90 cassettes. audience cassette master recorded by Kenny Mance. Transfer: MAC > Uher CR-240 > Sony PCM-M1(2/05). Sony PCM-R500 > HHB CDR830plus > EAC > Sound Forge 5.0 > CD Wave 1.71 > cd. *1/2 step patch source: (downloaded 4/2005 from tol- gd1981-05-15.senn.munder.9008) fob Senn 421>Cm>Dat>CD (0 to 6:48). a-d transfer 2/05, editing, tracking and shn conversion by Anne Cohen 4/05.
|
notes
|
| 5013. |
05/15/81 |
Shn - 0,
9008 |
Piscataway |
Athletic Center, Rutgers University (FOB) Senn 421> Cm> Dat> CD; via Charlie Miller; Seeded to etree by Willy
|
notes
|
| 5014. |
05/15/81 |
Flac 16 Mtx - 0,
137907 |
Piscataway |
Athletic Center, Rutgers University flac16; 2 source matrix by Dusborne; Soundboard (Shnid:95751), Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k),Transfer Info:Dat (Sony D8) -> Samplitude Professional v9.11 -> Adobe Audition v1.5 -> FLAC; and Audience (shnid:30113), MAC>DAT>CD,AKG CE-1 microphones > Uher CR-240 cassette deck, no dolby, TDK SA C90 cassettes.audience cassette master recorded by Kenny Mance; Transfer: MAC > Uher CR-240 > Sony PCM-M1(2/05). Sony PCM-R500 > HHB CDR830plus > EAC > Sound Forge 5.0 > CD Wave 1.71 > cd
|
notes
|
| 5015. |
05/15/81 |
Flac 16 - 0,
86783 |
Piscataway |
Athletic Center, Rutgers University flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 5016. |
05/15/81 |
Flac 16/48 - 0,
142953 |
Piscataway |
Athletic Center, Rutgers University flac16/48 Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard) Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496. Mastered by Scott Clugston.
|
notes
|
| 5017. |
05/15/81 |
Flac 24/96 - 0,
142954 |
Piscataway |
Athletic Center, Rutgers University flac24/96 Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard) Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496. Mastering by Scott Clugston.
|
notes
|
| 5018. |
05/15/81 |
Flac 16 Mtx - 0,
152448 |
Piscataway |
Athletic Center, Rutgers University flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 95751 & 142953.
|
notes
|
| 5019. |
05/16/81 |
Flac 16 Mtx - 0,
107484 |
Ithaca |
Barton Hall, Cornell University flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Soundtrack > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 5020. |
05/16/81 |
Flac 16 - 0,
30647 |
Ithaca |
Barton Hall, Cornell University flac16; Set 1: SBD -> Master Cassette -> Reel -> Dat Set 2: SBD -> Master Cassette -> Dat Transferred and Edited By Charlie Miller
|
notes
|
| 5021. |
05/16/81 |
Flac 16 - 0,
28007 |
Ithaca |
Barton Hall, Cornell University flac16; Recording by Doug Mow. 2 Nak 300 shotguns > Sony TC-D5M > Maxell XLIIS tape; Transferred Nak ZX7> CDR by Doug Mow; CDR> FLAC16, minor editing by Alex Ford
|
notes
|
| 5022. |
05/16/81 |
Shn - 0,
2212 |
Ithaca |
Barton Hall, Cornell University Recording by Jim Wise. FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise); etreed by Darrin Sacks; some clicking and analog dropouts- see flaw notes in info file; upgrade in circulation
|
notes
|
| 5023. |
05/16/81 |
Shn - 0,
14714 |
Ithaca |
Barton Hall, Cornell University Recording by Jim Wise. Main Source:FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise).(Previous SHN release); Patch Source: Eddie Claridge's 421 mics(set up on the SBD)>(Eddie's)D-5>(Jim Wise's)D-5>D-5>D-5>CDR ; Please see text file for further details on sources ; Via Torbjorn & Tommy Dunscuk ; Seeded to Etree by T. Wiley
|
notes
|
| 5024. |
05/16/81 |
Shn - 0,
2203 |
Ithaca |
Barton Hall, Cornell University Recording by Jim Wise. Senn 421 > Sony TC-D5 (way up high on a mic boom stand right at the Soundboard). Maxell XL-II, Dolby B master > Nak Dragon > hard disk (a > d using a Sony PCM R-700) > CDR; via Mike "Dank Star" Parrillo; upgrade in circulation
|
notes
|
| 5025. |
05/16/81 |
Flac 24/96 - 0,
139959 |
Ithaca |
Barton Hall, Cornell University flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; (3) Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 5026. |
05/16/81 |
Flac 16 - 0,
139958 |
Ithaca |
Barton Hall, Cornell University flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; (3) Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 5027. |
05/16/81 |
Flac 16/48 - 0,
142974 |
Ithaca |
Barton Hall, Cornell University flac16/48kHz; Set 2 Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony D3 (TDK-SA90); Transfer Info: Cassette Masters (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; ; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5028. |
05/16/81 |
Flac 24/96 - 0,
142973 |
Ithaca |
Barton Hall, Cornell University flac24; Set 2 Source Info: George Sterry's Master Audience Cassettes; Unknown mics > Sony D3 (TDK-SA90); Transfer Info: Cassette Masters (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496
|
notes
|
| 5029. |
05/16/81 |
Flac 24/48 - 0,
152450 |
Ithaca |
Barton Hall, Cornell University flac24/48 Recording Information: Microphones: Beyer m201c Recorder: Sony TC-D5 Dolby Location: worn in cowboy hat about 60-75' from stacks in Balcony This Source: 1GenAUDCA 1st Analog Transfer: Sony TC-D5 > Denon DR330 On Maxell UDXLII 90's Dolby B on Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC; speed corrected -.65% Recorded by: David Prescott Transfer by: Kyle Holbrook
|
notes
|
| 5030. |
05/16/81 |
Flac 16/44 - 0,
152449 |
Ithaca |
Barton Hall, Cornell University flac16/44 Recording Information: Microphones: Beyer m201c Recorder: Sony TC-D5 Dolby Location: worn in cowboy hat about 60-75' from stacks in Balcony This Source: 1GenAUDCA 1st Analog Transfer: Sony TC-D5 > Denon DR330 On Maxell UDXLII 90's Dolby B on Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC; speed corrected -.65% Recorded by: David Prescott Transfer by: Kyle Holbrook
|
notes
|
| 5031. |
05/17/81 |
Flac 16 - 0,
112865 |
Syracuse |
Onondaga County War Memorial flac16;set2: Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC; Mastered By Charlie Miller
|
notes
|
| 5032. |
05/17/81 |
Flac 16 - 0,
27974 |
Syracuse |
Onondaga County War Memorial flac16; Recording by Doug Mow. 2 Nak CM300 (DIN, TS) > Sony TC-D5M > Maxell MX tape; Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC16; Minor editing and EAC> FLAC16 by Alex Ford
|
notes
|
| 5033. |
05/17/81 |
Shn - 0,
9000 |
Syracuse |
Onondaga County War Memorial Possible Jim Wise Recording: AUD>MC>SF>CDR; via Paul B; Seeded to etree by Willy
|
notes
|
| 5034. |
05/17/81 |
Flac 24/96 - 0,
139961 |
Syracuse |
Onondaga County War Memorial flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 5035. |
05/17/81 |
Flac 16 - 0,
139960 |
Syracuse |
Onondaga County War Memorial flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 5036. |
05/17/81 |
Flac 16/48 - 0,
143036 |
Syracuse |
Onondaga County War Memorial flac16/48kHz; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5037. |
05/17/81 |
Flac 24/96 - 0,
143035 |
Syracuse |
Onondaga County War Memorial flac24; Jim Wise's Master Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UDXLII-C90)(located at the soundboard); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
|
notes
|
| 5038. |
05/17/81 |
Flac 24/48 - 0,
152452 |
Syracuse |
Onondaga County War Memorial flac24/48 Recording Information: Microphones: Beyer M 300n Recorder: Nakamichi 550 Location: unknown This Source: 2Gen AUDCA 1st Analog Transfer: Nakamichi 550 >Sony TC-D5 2nd Analog Transfer: Sony TC-D5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
|
notes
|
| 5039. |
05/17/81 |
Flac 16/44 - 0,
152451 |
Syracuse |
Onondaga County War Memorial flac16/44 Recording Information: Microphones: Beyer M 300n Recorder: Nakamichi 550 Source: 1st Analog Transfer: Nakamichi 550 >Sony TC-D5 2nd Analog Transfer: Sony TC-D5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
|
notes
|
| 5040. |
07/02/81 |
Flac 16 - 0,
134520 |
Houston |
The Summit flac16; Source: 1st Set AUD tape kindly provided by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015
|
notes
|
| 5041. |
07/02/81 |
Flac 16 - 0,
134521 |
Houston |
The Summit flac16; 2nd Set AUD: Unknown Mics > lead deck > Sony TC-D5 > Hitachi ME Metal tape, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015
|
notes
|
| 5042. |
07/02/81 |
Flac 24/48 - 0,
134522 |
Houston |
The Summit flac24; 2nd Set AUD: Unknown Mics > lead deck > Sony TC-D5 > Hitachi ME Metal tape, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015
|
notes
|
| 5043. |
07/02/81 |
Shn - 0,
9828 |
Houston |
The Summit Senn 421's>MC>DAT>CD; Missing US Blues Encore; via Paul B; Seeded to etree by Willy
|
notes
|
| 5044. |
07/02/81 |
Flac 16/48 - ,
152646 |
Houston |
The Summit flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony TC-D5M (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5045. |
07/02/81 |
Flac 24/96 - ,
152547 |
Houston |
The Summit flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony TC-D5M (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5046. |
07/04/81 |
Flac 16 - 0,
110199 |
Austin |
Manor Downs flac16; Recording Info:SBD -> Cassette Master -> Dat (48k); Transfer Info: Dat -> Samplitude Professional 11.1 -> Adobe Audition v3.0 -> FLAC; Transferred By Joe Samaritano; Mastered By Charlie Miller
|
notes
|
| 5047. |
07/04/81 |
Flac 24/48 - 0,
134381 |
Austin |
Manor Downs flac24; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLIIS-90's, FOB recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015
|
notes
|
| 5048. |
07/04/81 |
Flac 16 - 0,
134382 |
Austin |
Manor Downs flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLIIS-90's, FOB recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015
|
notes
|
| 5049. |
07/04/81 |
Flac 16 - 0,
102022 |
Austin |
Manor Downs flac16; Nakamichi CM-300 Shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 5050. |
07/04/81 |
Shn - 0,
21802 |
Austin |
Manor Downs Recording Info:SBD -> Cassette Master -> Dat -> ZA2 -> SHN (Transfered By Joe Samaritano). Patch Notes: (FOB) Nakamichi 700 -> Cassette Master -> Cassette -> Dat (Sony D8) -> CD (Tascam CDRW700) -> EAC -> SHN (Transfered By Charlie Miller). Patched and Edited By Charlie Miller ; upgrade in circulation
|
notes
|
| 5051. |
07/04/81 |
Shn - 0,
2216 |
Austin |
Manor Downs Master FOB Audience Cassette: Nakamichi CM700 mics > Sony D5 > DAT > CDR; via Scott Clugston
|
notes
|
| 5052. |
07/04/81 |
Flac 16/48 - 0,
140286 |
Austin |
Manor Downs flac16/48kHz; Source Info: Jim Vita's Master (FOB) Audience Cassette; Nakamichi CM300 mics > Sony TC-D5 > Dat 16/48; Transfer Info: Dat 16/48 (Sony PCM-R500) > Tascam DA-3000 16/48 > Adobe Audition 3.0 > TLH flac16/48
|
notes
|
| 5053. |
07/04/81 |
Flac 16 - 0,
30151 |
Austin |
Manor Downs flac16; SBD -> Cassette Master -> Dat (48k) Transferred By Joe Samaritano Patched and Edited By Charlie Miller
|
notes
|
| 5054. |
07/04/81 |
Flac 16/48 - ,
152649 |
Austin |
Manor Downs flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony TC-D5M (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5055. |
07/04/81 |
Flac 24/96 - ,
152650 |
Austin |
Manor Downs flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics > Sony TC-D5M (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5056. |
07/04/81 |
Flac 16/44 - ,
155432 |
Austin |
Manor Downs flac16/44 Master Cassettes recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Sony TC-D5M Cassette Deck (Maxell XLII-S 90 Cassettes with Dolby B) Transfer: Anne Cohen: AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR-800 > CD Ohr: CD > EAC > WAV > FLAC
|
notes
|
| 5057. |
07/05/81 |
Flac 16 - 0,
109639 |
Oklahoma City |
Zoo Amphitheater flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a remaster of shnid=30648
|
notes
|
| 5058. |
07/05/81 |
Flac 16/48 - 0,
132362 |
Oklahoma City |
Zoo Amphitheater flac16/48kHz; Set 2 Cassette Audience Master recorded by Ohr Weinberg FOB DFC; Sony ECM23-F Electret Condenser Microphones-Nakamichi 550 Cassette Recorder; Analog to Digital Transfer-Dolby B Decoded Master played back on Nakamichi Dragon-Sony PCM-R500 DAT @ 48KHz; DAT Master played back on a Sony PCM R-500- Digital Audio Labs Carddeluxe-WAV 16/48; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encodeing(dBpoweramp)-Tagging(Tag & Re-name)
|
notes
|
| 5059. |
07/05/81 |
Flac 24/48 - 0,
135205 |
Oklahoma City |
Zoo Amphitheater flac24; 2nd Set Aud: Nakamichi Cm300/cp4 Shotguns > Unknown Lead Deck > Sony Tc-d5m > Hitachi Me-metal, Fob Recording By Brian Schley. Transfer: Mac > Nakamichi Cr-5a > Edirol Fa-66 > Wavelab 2448 > Cd-wave (24bit Output) > Tlh > Flac 2448 Tagged. Transferred By Andrew F. 02/2016
|
notes
|
| 5060. |
07/05/81 |
Flac 16 - 0,
135206 |
Oklahoma City |
Zoo Amphitheater flac16; 2nd Set AUD: Nakamichi CM300/CP4 shotguns > unknown lead deck > Sony TC-D5M > Hitachi ME-Metal, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2016
|
notes
|
| 5061. |
07/05/81 |
Flac 16 - 0,
30648 |
Oklahoma City |
Zoo Amphitheater flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller
|
notes
|
| 5062. |
07/05/81 |
Shn - 0,
9126 |
Oklahoma City |
Zoo Amphitheater Nak CM700?s> Sony D-5> MC> DAT> CD; via Paul B; Seeded to etree by Willy
|
notes
|
| 5063. |
07/05/81 |
Flac 16 - 0,
109861 |
Oklahoma City |
Zoo Amphitheater flac16; Set 2 only, audience tape trade cdrs -> flac
|
notes
|
| 5064. |
07/05/81 |
Flac 24/96 - ,
152669 |
Oklahoma City |
Zoo Amphitheater flac24/96 Source Info: Jim Vita's Master Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5065. |
07/05/81 |
Flac 16/48 - ,
152668 |
Oklahoma City |
Zoo Amphitheater flac16/48 Source Info: Jim Vita's Master Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5066. |
07/07/81 |
Flac 16 - 0,
109850 |
Kansas City |
Kansas City Municipal Auditorium Arena flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat; Transfer Info: Dat (sony R500) -> Samplitude Professional V11.1 -> Adobe Audition V3.0 -> Flac; All Transfers And Mastering By Charlie Miller; This Is A Remaster Of Shnid=30649
|
notes
|
| 5067. |
07/07/81 |
Flac 16 Mtx - 0,
110637 |
Kansas City |
Kansas City Municipal Auditorium Arena flac16; Matrix 60% sbd/40% aud SBD -> Cassette Master -> Reel -> Dat (shnid 109850) and Aud (Neumann KMi84's)>MC>DAT>CD (shnid 13962)
|
notes
|
| 5068. |
07/07/81 |
Flac 16 - 0,
30649 |
Kansas City |
Kansas City Municipal Auditorium Arena flac16; SBD -> Master Cassette -> Reel -> Dat Transferred and Edited By Charlie Miller
|
notes
|
| 5069. |
07/07/81 |
Flac 24/48 - 0,
134089 |
Kansas City |
Kansas City Municipal Auditorium Arena flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2015
|
notes
|
| 5070. |
07/07/81 |
Flac 16 - 0,
134090 |
Kansas City |
Kansas City Municipal Auditorium Arena flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015
|
notes
|
| 5071. |
07/07/81 |
Shn - 0,
7292 |
Kansas City |
Kansas City Municipal Auditorium Arena 1st Set Only; SBD> Cm> Reel> Dat> CD via Charlie Miller; Seeded to etree by Willy ; upgrade in circulation
|
notes
|
| 5072. |
07/07/81 |
Shn - 0,
13962 |
Kansas City |
Kansas City Municipal Auditorium Arena Complete; Aud (Neumann KMi84's)>MC>DAT>CD; via Tommy Danscuk; Seeded to etree by Willy
|
notes
|
| 5073. |
07/08/81 |
Flac 24/48 - 0,
134091 |
St. Louis |
Kiel Auditorium flac24; AUD: Nakamichi CM300's > lead deck > Sony TC-D5 > Maxell XLII's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2015
|
notes
|
| 5074. |
07/08/81 |
Flac 16 - 0,
134092 |
St. Louis |
Kiel Auditorium flac16; AUD: Nakamichi CM300's > lead deck > Sony TC-D5 > Maxell XLII's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015
|
notes
|
| 5075. |
07/08/81 |
Shn - 0,
13301 |
St. Louis |
Kiel Auditorium (FOB) Neumann KM84>Cm>Dat>Cool Edit Pro>CD; via Charlie Miller; Seeded to etree by Willy
|
notes
|
| 5076. |
07/08/81 |
Flac 24/96 - 0,
139980 |
St. Louis |
Kiel Auditorium flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 5077. |
07/08/81 |
Flac 16 - 0,
139979 |
St. Louis |
Kiel Auditorium flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 5078. |
07/10/81 |
Shn - 0,
7314 |
St. Paul |
St. Paul Civic Center Originally mislabeled as "Behind (Stage) Nak 300/cp1>Cm>Cass>Dat>CD; via Charlie Miller; Seeded to etree by Willy", actually (FOB) Sennheiser 421; upgrade in circulation
|
notes
|
| 5079. |
07/10/81 |
Flac 16 - 0,
135490 |
St. Paul |
St. Paul Civic Center flac16; AUD: Unknown mics & lead deck > Sony TC-D5 > Maxell XLII-S 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016
|
notes
|
| 5080. |
07/10/81 |
Shn - 0,
14195 |
St. Paul |
St. Paul Civic Center Recording by Ohr Weinberg. MAC w/ Sony ECM F's BOS>Sony TC-D5M>DAT>CDR>EAC>SHN
|
notes
|
| 5081. |
07/10/81 |
Flac 16 - 0,
32880 |
St. Paul |
St. Paul Civic Center flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 5082. |
07/10/81 |
Flac 24/48 - 0,
137693 |
St. Paul |
St. Paul Civic Center flac24; 2nd Set AUD: Nakamichi CM-700's > lead deck > Sony TC-D5 > TDK MA-Metal, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017
|
notes
|
| 5083. |
07/10/81 |
Flac 16 - 0,
137694 |
St. Paul |
St. Paul Civic Center flac16; 2nd Set AUD: Nakamichi CM-700's > lead deck > Sony TC-D5 > TDK MA-Metal, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017
|
notes
|
| 5084. |
07/10/81 |
Flac 16/48 - 0,
141430 |
St. Paul |
St. Paul Civic Center flac16/48kHz; Unknown audience > DAT @ 16/48; Editing, volume adjustments, fades and tracking with Audacity; Tagged with mp3tag; flac level 8 and checksums with traderslittlehelper
|
notes
|
| 5085. |
07/10/81 |
Flac 16/48 - ,
152767 |
St. Paul |
St. Paul Civic Center flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics (behind the stage, patched out of John Steinthal)> Sony TC-D5M (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5086. |
07/10/81 |
Flac 24/96 - ,
152768 |
St. Paul |
St. Paul Civic Center flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics (behind the stage, patched out of John Steinthal)> Sony TC-D5M (Maxell XLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5087. |
07/11/81 |
Shn - 0,
14020 |
East Troy |
Alpine Valley Music Theatre Set 2; S : MC > C > D > CDR > EAC > SHN Extraction, tracking and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper extraction and sector boundaries verified via EAC and shntool.
|
notes
|
| 5088. |
07/11/81 |
Flac 16 - 0,
122830 |
East Troy |
Alpine Valley Music Theatre flac16; Partial 2 song Matrix by Hunter Seamons; Soundboard recording by Dan Healy; Audience recording transferred by Rick Martin
|
notes
|
| 5089. |
07/11/81 |
Shn - 0,
7370 |
East Troy |
Alpine Valley Music Theatre Senn 421>CM>DAT>CD; via Rick Martin; Seeded to etree by Willy
|
notes
|
| 5090. |
07/13/81 |
Shn - 0,
3903 |
Denver |
McNichols Sports Arena SBD; via Mike Lai
|
notes
|
| 5091. |
07/13/81 |
Flac 16 - 0,
128714 |
Denver |
McNichols Sports Arena flac16; Recording and transfer info: SBD > MC? > C? > C? > C > CD; CD > wav > Sound Forge 10 > TLH > fla
|
notes
|
| 5092. |
07/13/81 |
Flac 16 - 0,
130172 |
Denver |
McNichols Sports Arena flac16; Set 2 Lineage: from Sandy Troy's reel through the kindness of Charlie Miller - SBD MC > R?? Maybe one more gen in there; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
|
notes
|
| 5093. |
07/13/81 |
Flac 24 - 0,
135739 |
Denver |
McNichols Sports Arena flac24; AUD: Nakamichi CM300/CP4 shotguns > unknown lead deck > Sony TC-D5M > Maxell XLII's, FOB(?) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2016
|
notes
|
| 5094. |
07/13/81 |
Flac 16 - 0,
135740 |
Denver |
McNichols Sports Arena flac16; AUD: Nakamichi CM300/CP4 shotguns > unknown lead deck > Sony TC-D5M > Maxell XLII's, FOB(?) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2016
|
notes
|
| 5095. |
07/13/81 |
Flac 24/96 - 0,
130034 |
Denver |
McNichols Sports Arena flac24; Set 2 Lineage: from Sandy Troy's reel - SBD MC > R?? Maybe one more gen; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC (originally seeded with files mislabeled "gd1981-07-31")
|
notes
|
| 5096. |
07/13/81 |
Flac 16 - 0,
138742 |
Denver |
McNichols Sports Arena flac16; source: SBD; Jerry Moore’s 2nd gen cassette; maxell mx90’s/dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac16; transfer & mastering - Rob Berger 7/2017
|
notes
|
| 5097. |
07/13/81 |
Flac 24/96 - 0,
138741 |
Denver |
McNichols Sports Arena flac24; source: SBD; Jerry Moore’s 2nd gen cassette; maxell mx90’s/dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac24; transfer & mastering - Rob Berger 7/2017
|
notes
|
| 5098. |
07/13/81 |
Flac 16 - 0,
141402 |
Denver |
McNichols Sports Arena flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90) > Frank Streeter's Reel to Reel @ 3.75 ips (Sony TC770/Maxell UD35-90B) > Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 5099. |
07/13/81 |
Flac 16 - ,
155435 |
Denver |
McNichols Sports Arena flac16/44 Master Cassettes recorded by Ohr Weinberg: 2 Nakamichi CM-100 microphones w/ CP-4 Shotgun Capsules > Sony TC-D5M Cassette Deck (1st Set: Maxell XLII-S 90 Cassette, 2nd Set: TDK MA-C90 Cassette), Dolby B Transfer: Anne Cohen: AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR-800 > CD Ohr: CD > EAC > WAV > FLAC
|
notes
|
| 5100. |
07/14/81 |
Flac 24/48 - 0,
135808 |
Denver |
McNichols Sports Arena flac24; AUD: Nakamichi CM100/CP4 shotguns > unknown lead deck > Sony TC-D5M > TDK MA-Metal, FOB(?) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2016
|
notes
|
| 5101. |
07/14/81 |
Flac 16 - 0,
135809 |
Denver |
McNichols Sports Arena flac16; AUD: Nakamichi CM100/CP4 shotguns > unknown lead deck > Sony TC-D5M > TDK MA-Metal, FOB(?) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2016
|
notes
|
| 5102. |
07/14/81 |
Shn - 0,
9794 |
Denver |
McNichols Sports Arena AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
|
notes
|
| 5103. |
07/14/81 |
Flac 16/48 - ,
152844 |
Denver |
McNichols Sports Arena flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5104. |
07/14/81 |
Flac 24/96 - ,
152845 |
Denver |
McNichols Sports Arena flac24/96 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLII) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5105. |
08/12/81 |
Shn - 0,
10548 |
Salt Lake City |
Salt Palace SBD>MC>R>DAT>CDR (with unknown aud patches); See info file for details; via paul B; Seeded to etree by Willy
|
notes
|
| 5106. |
08/12/81 |
Flac 16 - 0,
130235 |
Salt Lake City |
Salt Palace flac16; Recording Info: SBD > MC > R > DAT > CD; Transfer Info: CD > WAV > Sound Forge 10 > TLH > FLAC
|
notes
|
| 5107. |
08/12/81 |
Flac 16 - 0,
95346 |
Salt Lake City |
Salt Palace flac16; Source: aud > ??? > cass (unknown gens) Transfer: cass > Nakamichi BE-125E > EMU 0202 > Wavelab > wav (24/96) > flac
|
notes
|
| 5108. |
08/12/81 |
Flac 16/48 - 0,
139593 |
Salt Lake City |
Salt Palace flac16/48kHz; Recording Info: SBD > Cassette Master (Sony TC-D5M) > Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller
|
notes
|
| 5109. |
08/12/81 |
Flac 24/96 - 0,
139592 |
Salt Lake City |
Salt Palace flac24; Partial Show; Monitor Mix sbd [Jerry's side]; Source: sbd > > Sony TC-D5 > Master Cassettes; Transfer: Clone [Maxell MX90 Cassette] > Nakamichi CR-3A > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Recording Mode: LPCM [wav] 96.00kHz/24bit; Lineage: 96.00kHz/24bit wav > Adobe Audition 3.0. > WaveLab6 > iZotope Ozone 3 > CD Wave > TLH > Flac 24
|
notes
|
| 5110. |
08/12/81 |
Flac 24/96 - 0,
142956 |
Salt Lake City |
Salt Palace flac24/96 Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) Transfer Info: 1st generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496. Mastered by Scott Cluston.
|
notes
|
| 5111. |
08/12/81 |
Flac 16/48 - 0,
142955 |
Salt Lake City |
Salt Palace flac16/48 Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) Transfer Info: 1st generation Reels (Technics RS-1506)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496. Mastered by Scott Clugston.
|
notes
|
| 5112. |
08/12/81 |
Flac 24/96 - ,
153257 |
Salt Lake City |
Salt Palace flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sony Stereo mic > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5113. |
08/12/81 |
Flac 16/48 - ,
153256 |
Salt Lake City |
Salt Palace flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sony Stereo mic > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5114. |
08/14/81 |
Flac 16 - 0,
134817 |
Seattle |
Seattle Center Coliseum flac16; Set 2 AUD: Unknown mics > unknown lead deck > Sony TC-D5 > Maxell MX, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2015
|
notes
|
| 5115. |
08/14/81 |
Flac 16 - 0,
91768 |
Seattle |
Seattle Center Coliseum flac16; Recorded by Mark Severson; 3 Nak 700s with 2 carcoid, center omni head> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 45' from stage center Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 5116. |
08/14/81 |
Shn - 0,
8213 |
Seattle |
Seattle Center Coliseum NAK 700's>Sony TC-D5M>MC>R>DAT>CDR; Seeded to etree by Tony Gardner
|
notes
|
| 5117. |
08/14/81 |
Flac 16/48 - 0,
152262 |
Seattle |
Seattle Center Coliseum flac16/48 Source Info: Mark Severson's Master (FOB) Audience Cassettes (45' from stage, center); (2) Nakamichi 700 cardioid mics (L/R) + (1) Nakamichi 700 omni (center) blend, mounted on a hand held pole > unknown equalizer > Sony D5M (Maxell MX-90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5118. |
08/14/81 |
Flac 24/96 - 0,
152263 |
Seattle |
Seattle Center Coliseum flac24/96 Source Info: Mark Severson's Master (FOB) Audience Cassettes (45' from stage, center); (2) Nakamichi 700 cardioid mics (L/R) + (1) Nakamichi 700 omni (center) blend, mounted on a hand held pole > unknown equalizer > Sony D5M (Maxell MX-90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5119. |
08/15/81 |
Flac 16 - 0,
91771 |
Portland |
Portland Memorial Coliseum flac16; Recorded by Mark Severson; 3 Nak 700s with 2 carcoid, center omni head> Sony TC-D5 (2 Maxell UD XL-IIs) Recorded 35' from stage, left side Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 5120. |
08/15/81 |
Shn - 0,
11022 |
Portland |
Portland Memorial Coliseum Recording by Mark Severson. 3 Nak 700s>Sony D5M>MC>Reel>CDR; Distortion throughout first three songs; See info file for details; via David Minches & Paul B; Seeded to etree by Willy
|
notes
|
| 5121. |
08/16/81 |
Flac 16 - 0,
32019 |
Eugene |
McArthur Court, University Of Oregon flac16; SBD > ? > (Cx?) > CDR > EAC > WAV > WavMerge > Soundforge > CD-Wave > TLH (for checksums and SBE-OK) > FLAC Frontend
|
notes
|
| 5122. |
08/16/81 |
Flac 24/48 - 0,
135516 |
Eugene |
McArthur Court, University Of Oregon flac24; AUD: Nakamichi CM300/CP4 shotguns > lead Sony D5 > Sony TC-D5M > Maxell MX-90's, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2016
|
notes
|
| 5123. |
08/16/81 |
Flac 16 - 0,
135517 |
Eugene |
McArthur Court, University Of Oregon flac16; AUD: Nakamichi CM300/CP4 shotguns > lead Sony D5 > Sony TC-D5M > Maxell MX-90's, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016
|
notes
|
| 5124. |
08/16/81 |
Flac 16 - 0,
94900 |
Eugene |
McArthur Court, University Of Oregon flac16; Recording Info:Nakamichi 300 -> Master Cassette -> Dat -> CD -> SHN; Transfer Info:SHN -> Adobe Audition v1.5 -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5125. |
08/16/81 |
Shn - 0,
9381 |
Eugene |
McArthur Court, University Of Oregon Recording by Jim Vita. Nakamichi CM300 mics with shotgun capsules >Sony TC-D5m cassette > HHb 800 master CD > SV-3800 DAT > CD (originally noted as Nak 300's>MC>DAT>CDR)
|
notes
|
| 5126. |
08/16/81 |
Flac 16 - 0,
148439 |
Eugene |
McArthur Court, University Of Oregon flac16; This is a remaster of the source ID 32019 soundboard source: Sbd > ? > CDR > EAC; see info file for details
|
notes
|
| 5127. |
08/16/81 |
Flac 16/48 - ,
153276 |
Eugene |
McArthur Court, University Of Oregon flac16/48 Source Info: Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLII-S) Transfer Info: Master cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5128. |
08/16/81 |
Flac 24/96 - ,
153277 |
Eugene |
McArthur Court, University Of Oregon flac24/96 Source Info: Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLII-S) Transfer Info: Master cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5129. |
08/27/81 |
Shn - 0,
4977 |
Long Beach |
Long Beach Arena FOB (unknown mics)> Master Cassette> DAT> CDR; processed with DC ART Millenium software; DAE(EAC) and SHN Encoding by Jeff M.
|
notes
|
| 5130. |
08/27/81 |
Flac 24/96 - 0,
139525 |
Long Beach |
Long Beach Arena flac24; Frank Streeter FOB Recording: Sennheiser 421 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 5131. |
08/27/81 |
Flac 16 - 0,
141134 |
Long Beach |
Long Beach Arena flac16; Frank Streeter FOB Recording: Sennheiser 421 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 5132. |
08/27/81 |
Flac 24/96 - 0,
149184 |
Long Beach |
Long Beach Arena flac24; Recording: (FOB) Sennheiser 421 > Cassette Master (Sony TC-D5M); Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Master Cassette Recording by Frank Streeter
|
notes
|
| 5133. |
08/27/81 |
Flac 16/48 - ,
153334 |
Long Beach |
Long Beach Arena flac16/48 Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLII-S) Transfer Info: Master cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5134. |
08/27/81 |
Flac 24/96 - ,
153335 |
Long Beach |
Long Beach Arena flac24/96 Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLII-S) Transfer Info: Master cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5135. |
08/28/81 |
Flac 16 - 0,
113680 |
Long Beach |
Long Beach Arena flac16; Recording Info: SBD -> Cassette Master -> ? -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional 11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5136. |
08/28/81 |
Flac 16 Mtx - 0,
92893 |
Long Beach |
Long Beach Arena flac16; Matrix Mix - SBD Source: SBD>?>CD>WAV (100%) and AUD Source: MAC>DAT>CD>WAV (50%) 2008 Update: Encore Source: Barry Glassberg's master audience recording. Matrix by PainoMan
|
notes
|
| 5137. |
08/28/81 |
Shn - 0,
8670 |
Long Beach |
Long Beach Arena SBD>?>CD>EAC 0.9b3 (Secure Mode)>Sound Forge 4.5>CDWave 1.7>MKWact 0.97b1 (Seeking SHN); Seeded to etree by PainoMan ; upgrade in circulation
|
notes
|
| 5138. |
08/28/81 |
Flac 16 - 0,
91231 |
Long Beach |
Long Beach Arena flac16 MOTB Release:0065 - 16/44.1 Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 3 x Maxell XLIIS 90 Analog Lineage: 2 x Nakamichi CM-700 => Sony TC-D5 >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [Pre-Only] => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Ron Ellner MAC Supplied By: Barry Glassberg Transfer By: Adam Egert Mastering By: Adam Egert (EQU) Mastering By: Bill Koucky (Edits/Tracking)
|
notes
|
| 5139. |
08/28/81 |
Shn - 0,
9572 |
Long Beach |
Long Beach Arena SBD>?>CD; w/ patches from AUD>MC>DAT>CD; upgrade to previous Paino seed; via Willy; Chris Cantergiani; Seeded to etree by PainoMan
|
notes
|
| 5140. |
08/28/81 |
Flac 24/96 - 0,
139526 |
Long Beach |
Long Beach Arena flac24; Frank Streeter FOB Recording: Sennheiser 421 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 5141. |
08/28/81 |
Flac 16 - 0,
141136 |
Long Beach |
Long Beach Arena flac16; Frank Streeter FOB Recording: Sennheiser 421 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 5142. |
08/28/81 |
Flac 24/96 - 0,
149185 |
Long Beach |
Long Beach Arena flac24; Recording: (FOB) Sennheiser 421 > Cassette Master (Sony TC-D5M); Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Master Cassette Recording by Frank Streeter
|
notes
|
| 5143. |
08/28/81 |
Flac 16/48 - ,
153336 |
Long Beach |
Long Beach Arena flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 304 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5144. |
08/28/81 |
Flac 24/96 - ,
153337 |
Long Beach |
Long Beach Arena flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 304 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5145. |
08/30/81 |
Flac 16 - 0,
105216 |
Tempe |
Compton Terrace Amphitheatre flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD; Transfer Info:CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; Remaster of shnid 30118
|
notes
|
| 5146. |
08/30/81 |
Flac 16 - 0,
30118 |
Tempe |
Compton Terrace Amphitheatre flac16; SBD -> Cassette Master -> Cassette -> Cassette -> Dat -> CD Transferred and Edited By Charlie Miller
|
notes
|
| 5147. |
08/30/81 |
Flac 16 - 0,
104973 |
Tempe |
Compton Terrace Amphitheatre flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5148. |
08/30/81 |
Flac 24/96 - 0,
136727 |
Tempe |
Compton Terrace Amphitheatre flac24; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; set up left of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
|
notes
|
| 5149. |
08/30/81 |
Flac 16 - 0,
136728 |
Tempe |
Compton Terrace Amphitheatre flac16; source: aud cassette master; taped by Doug Lamarre; arista mics > sony d5; maxell xl-II90’s, dolby b; set up left of soundboard; nakamichi dragon/b > benchmark adc1 24/96; transferred & seeded by Rob Berger
|
notes
|
| 5150. |
08/30/81 |
Shn - 0,
9707 |
Tempe |
Compton Terrace Amphitheatre FOB Senn 441's>SonyTC-150>CM>DAT>CD; via Mike Rogers; Seeded to etree by Willy
|
notes
|
| 5151. |
08/30/81 |
Flac 24/96 - 0,
104976 |
Tempe |
Compton Terrace Amphitheatre flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/24; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5152. |
08/30/81 |
Flac 24/96 - 0,
139997 |
Tempe |
Compton Terrace Amphitheatre flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 5153. |
08/30/81 |
Flac 16 - 0,
139996 |
Tempe |
Compton Terrace Amphitheatre flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 5154. |
08/30/81 |
Flac 24/96 - 0,
144668 |
Tempe |
Compton Terrace Amphitheatre flac24; Source Info: Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 5155. |
08/30/81 |
Flac 16/48 - 0,
144667 |
Tempe |
Compton Terrace Amphitheatre flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5156. |
08/30/81 |
Flac 16 - 0,
78602 |
Tempe |
Compton Terrace Amphitheatre flac16; Pitch and tempo adjusted version of shn id 30118 by JR Fishman to 96.92% using audience recording
|
notes
|
| 5157. |
08/30/81 |
Flac 24/96 - ,
152724 |
Tempe |
Compton Terrace Amphitheatre flac24/96 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5158. |
08/30/81 |
Flac 16/48 - ,
152723 |
Tempe |
Compton Terrace Amphitheatre flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5159. |
08/31/81 |
Flac 16 - 0,
110200 |
Las Vegas |
Aladdin Theater flac16; Recording Info:SBD -> Cassette Master -> ? -> Cassette -> CD; Transfer Info:CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5160. |
08/31/81 |
Flac 16 Mtx - 0,
122085 |
Las Vegas |
Aladdin Theater flac16; 2 source matrix: Soundboard (shnid=110200) SBD -> Cassette Master -> ? -> Cassette -> CD -> Adobe Audition v3.0 -> Samplitude Professional and Audience (shnid=91893) from 1st gen cassette, unknown mics, unknown recorder; unknown taper
|
notes
|
| 5161. |
08/31/81 |
Flac 16 - 0,
91893 |
Las Vegas |
Aladdin Theater flac16; Audience from 1st gen cassette unknown mics unknown recorder unknown taper unknown transfer
|
notes
|
| 5162. |
08/31/81 |
Shn - 0,
9619 |
Las Vegas |
Aladdin Theater AUD>MC>DAT>CDR; Certified Owens Brothers Vault Release, processed with DC Art Millenium Software on a Dell Optiplex GX300 Workstation; via Paul B; Seeded to etree by Willy
|
notes
|
| 5163. |
08/31/81 |
Flac 24/96 - 0,
140007 |
Las Vegas |
Aladdin Theater flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 5164. |
08/31/81 |
Flac 16 - 0,
140006 |
Las Vegas |
Aladdin Theater flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 5165. |
08/31/81 |
Flac 16 - 0,
30070 |
Las Vegas |
Aladdin Theater flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller Patch Info: The beginning of Stranger and the middle Of Dew through the end of the show are patched with AUD>Cm>DAT>CD (shnid=9619).
|
notes
|
| 5166. |
08/31/81 |
Flac 24/96 - 0,
144666 |
Las Vegas |
Aladdin Theater flac24; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90); Transfer Info:Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 5167. |
08/31/81 |
Flac 16/48 - 0,
144665 |
Las Vegas |
Aladdin Theater flac16/48kHz; Mark Severson's Master Audience Cassettes; (3) x Nakamichi 700 mics (left/right cardioids, omni center)> Custom mixer by Jamie Poris > Sony TC-D5M (Maxell MX90); Transfer Info:Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5168. |
08/31/81 |
Flac 16/48 - ,
153343 |
Las Vegas |
Aladdin Theater flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5169. |
08/31/81 |
Flac 24/96 - ,
153344 |
Las Vegas |
Aladdin Theater flac24/96 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 capsules > Sony TC-D5M (Maxell UDXLIIS) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5170. |
09/11/81 |
Flac 16 - 0,
95290 |
Berkeley |
Greek Theatre, University Of California flac16; Source: Audience Recording Lineage: 3 Nakamich 700's (left and right Cardiod at 100 Deg, center omni 45 deg up) 45 feet from stage, dead center > Hand made 3 mic mixer > Sony D5 > MAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > WL 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH)
|
notes
|
| 5171. |
09/11/81 |
Flac 16 - 0,
95743 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info: (FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-D5M/Maxell UDXLII); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded by Joani Walker; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5172. |
09/11/81 |
Shn - 0,
7090 |
Berkeley |
Greek Theatre, University Of California Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5,(see Jim Wise notes in info file); d3 tracked for 80 min; via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy
|
notes
|
| 5173. |
09/11/81 |
Flac 16 - 0,
31791 |
Berkeley |
Greek Theatre, University Of California flac16; 2 nak 300 mics>Sony TC-5m(Dolby B)>Nak Dragon(dolby decoded)>Panasonic 3800 DAT (A-D)>Soundforge-CD Architect>cdr>roxio toast>Apple G4(Xact); Recorded by Ned Hoey
|
notes
|
| 5174. |
09/11/81 |
Flac 24 - 0,
123665 |
Berkeley |
Greek Theatre, University Of California flac24; Recorded, Transferred and Mastered by N. Hoey (tagged version) 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK SA-X C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging)
|
notes
|
| 5175. |
09/11/81 |
Flac 16 - 0,
125676 |
Berkeley |
Greek Theatre, University Of California flac16; Recorded, Transferred and Mastered by N. Hoey (tagged version)(flac16); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(TDK SA-X C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing, sample rate conversion, dithering) > xACT (flac-tagging)
|
notes
|
| 5176. |
09/11/81 |
Flac 24/96 - 0,
148624 |
Berkeley |
Greek Theatre, University Of California flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right, omni center, 45' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 5177. |
09/11/81 |
Flac 16/48 - 0,
148623 |
Berkeley |
Greek Theatre, University Of California flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 80 degree angle; 6db bass EQ, omni center pointed straight at stage, 45' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5178. |
09/12/81 |
Flac 16 - 0,
125697 |
Berkeley |
Greek Theatre, University Of California flac16;Recorded, Transferred and Mastered by N. Hoey (shnid 123788)(tagged version) 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(tracks 01-13, 22 TDK SA-X C 90 ~ tracks 14-21, 23,24 Maxell UDXL II C 90)(FOB center) Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing, sample rate conversion, dithering) > xACT (flac-tagging)
|
notes
|
| 5179. |
09/12/81 |
Flac 16 - 0,
95391 |
Berkeley |
Greek Theatre, University Of California flac16; Source: Audience Recording Lineage: 3 Nakamichi 700's (l & R-Cross Cardiod, 6db Bass EQ, 75 Deg angle, center-omni straight at stage, 40 deg up) 40 feet from stage, dead center > 3 mic mixer(made by Jamie Poris) > Sony D5 > MAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH)
|
notes
|
| 5180. |
09/12/81 |
Flac 16 - 0,
105584 |
Berkeley |
Greek Theatre, University Of California flac16;Recording Info:Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5181. |
09/12/81 |
Flac 16 - 0,
95671 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info:(FOB) Nakamichi 300/CP1 -> Cassette Master (Sony TC-D5M/Maxell UDXLII); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recoded by Joani Walker; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5182. |
09/12/81 |
Shn - 0,
7091 |
Berkeley |
Greek Theatre, University Of California Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5, (see Jim Wise's notes in info file); d3 tracked for 80 min; via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy
|
notes
|
| 5183. |
09/12/81 |
Shn - 0,
23658 |
Berkeley |
Greek Theatre, University Of California This is the same as shnid 7091 with Good Lovin' added (from an alternate aud source) so that the show is now complete via SIRMick(thedarkstar@btinternet.com)
|
notes
|
| 5184. |
09/12/81 |
Flac 16 - 0,
23729 |
Berkeley |
Greek Theatre, University Of California flac16; Recording by Steven Martin. Master audience cassette (modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding
|
notes
|
| 5185. |
09/12/81 |
Shn - 0,
25317 |
Berkeley |
Greek Theatre, University Of California Recording by Jim Wise. FOB Senn 421s > Sony TC-D5 > MAC (Maxell XL II 90, Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV (no processing!) > CD > EAC > WAV > SHN. Transfer and CD mastering by Jim Wise. Subsequent tracking and SHN encoding by Sean Cribbs
|
notes
|
| 5186. |
09/12/81 |
Flac 16 - 0,
101497 |
Berkeley |
Greek Theatre, University Of California flac16; Recording info: 2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(TDK SA-X 90, Maxell UDXL-II 90 'Estimated thru Baby Bloe') Playback, Editing, Preparation info: Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact
|
notes
|
| 5187. |
09/12/81 |
Flac 24 - 0,
123788 |
Berkeley |
Greek Theatre, University Of California flac24; Recorded, Transferred and Mastered by N. Hoey (shnid 123665)(tagged version); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(tracks 01-13, 22 TDK SA-X C 90 ~ tracks 14-21, 23,24 Maxell UDXL II C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging)
|
notes
|
| 5188. |
09/12/81 |
Flac 24/96 - 0,
142835 |
Berkeley |
Greek Theatre, University Of California flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
|
notes
|
| 5189. |
09/12/81 |
Flac 16/48 - 0,
142836 |
Berkeley |
Greek Theatre, University Of California flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell UD-XLII); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5190. |
09/12/81 |
Flac 24/96 - 0,
148626 |
Berkeley |
Greek Theatre, University Of California flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 75 degree angle; 6db bass EQ, omni center pointed straight at stage, 40' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 5191. |
09/12/81 |
Flac 16/48 - 0,
148625 |
Berkeley |
Greek Theatre, University Of California flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 75 degree angle; 6db bass EQ, omni center pointed straight at stage, 40' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5192. |
09/13/81 |
Flac 16 - 0,
32576 |
Berkeley |
Greek Theatre, University Of California flac16; Set 1: SBD -> Cassette Master -> ? -> Cassette -> Sound Forge -> CD Set 2: SBD -> Cassette Master -> Cassette All Transfers and Mastering By Charlie Miller
|
notes
|
| 5193. |
09/13/81 |
Flac 16 - 0,
95425 |
Berkeley |
Greek Theatre, University Of California flac16; Source: Audience Recording Lineage: 3 Nakamichi 700's (l & R-Cross Cardiod, 6db Bass EQ, 80 Deg angle, center-omni straight at stage) 45 feet from stage, dead center > 3 mic mixer(made by Jamie Poris) > Sony D5 > MAC (dolby B) > Nakamichi CR-5A (Dolby B) > Tascam HD-P2 > 24/96 Wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > CD wave > flac lvl 8 (TLH)
|
notes
|
| 5194. |
09/13/81 |
Flac 24 - 0,
125670 |
Berkeley |
Greek Theatre, University Of California flac24; Recorded, Transferred and Mastered by N. Hoey (tagged version); 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B) (tracks 01-11 TDK SA-X C 90 ~ tracks 14-26 Maxell UDXL IIS C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(96/24) > (Peak 7 OS X editing) > xACT (flac-tagging)
|
notes
|
| 5195. |
09/13/81 |
Flac 16 - 0,
105585 |
Berkeley |
Greek Theatre, University Of California flac16;Recording Info:Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Bob Wagner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5196. |
09/13/81 |
Flac 16 - 0,
103437 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info:Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5197. |
09/13/81 |
Shn - 0,
32132 |
Berkeley |
Greek Theatre, University Of California Set 1 Soundboard of unknown lineage. Transfer: Cassette > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH (SBE-OK, FLAC compression, checksums) > bt.etree 01/06. ; upgrade in circulation
|
notes
|
| 5198. |
09/13/81 |
Shn - 0,
7092 |
Berkeley |
Greek Theatre, University Of California Recording by Jim Wise. Sennheiser 421 mics > Sony TC D-5, (see Jim Wise's notes in info file); via Nic Brokenleg, Kevin Gills; EAC/SHN by Willy
|
notes
|
| 5199. |
09/13/81 |
Flac 24/96 - 0,
140011 |
Berkeley |
Greek Theatre, University Of California flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 5200. |
09/13/81 |
Flac 24/96 - 0,
140012 |
Berkeley |
Greek Theatre, University Of California flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 5201. |
09/13/81 |
Flac 16/48 - 0,
148627 |
Berkeley |
Greek Theatre, University Of California flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 80 degree angle; 6db bass EQ, omni center pointed straight at stage, 45' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5202. |
09/13/81 |
Flac 24/96 - 0,
148628 |
Berkeley |
Greek Theatre, University Of California flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (cardioid left & right - X pattern; 80 degree angle; 6db bass EQ, omni center pointed straight at stage, 45' from stage, DFC) > Jamie Poris' custom made mixer > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 5203. |
09/13/81 |
Flac 24/96 - 0,
148724 |
Berkeley |
Greek Theatre, University Of California flac24; Source Info: Master Soundboard Cassette > Cassette; Transfer Info: 1st generation cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 5204. |
09/13/81 |
Flac 16/48 - 0,
148723 |
Berkeley |
Greek Theatre, University Of California flac16/48kHz; Source Info: Master Soundboard Cassette > Cassette; Transfer Info: 1st generation cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5205. |
09/25/81 |
Flac 16 - 0,
88822 |
Bethlehem |
Stabler Arena, Lehigh University flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 5206. |
09/25/81 |
Shn - 0,
2215 |
Bethlehem |
Stabler Arena, Lehigh University Master Soundboard Cassette > Cassette > CDR, with AUD patches from Sennheiser 441 and Nakamichi CM300's + CP4's; via Scott Clugston; see extensive notes in info file ; upgrade in circulation
|
notes
|
| 5207. |
09/25/81 |
Shn - 0,
13725 |
Bethlehem |
Stabler Arena, Lehigh University Source: MAC>DAT>CDR (x2)>EAC>CoolEdit 2000>WAV>SHN (seekable); Note- TMNSP may be from another (unknown) source; See info file for detail
|
notes
|
| 5208. |
09/25/81 |
Shn - 0,
23626 |
Bethlehem |
Stabler Arena, Lehigh University Recording by Steve Rolfe. AUDMC > DAT > WAV > SHN from 1st row off the floor, center stage with two Nak 700 mics into a Sony D-5 deck. Added to etree by Noah Weiner
|
notes
|
| 5209. |
09/25/81 |
Flac 24/96 - 0,
140018 |
Bethlehem |
Stabler Arena, Lehigh University flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 5210. |
09/25/81 |
Flac 16 - 0,
140017 |
Bethlehem |
Stabler Arena, Lehigh University flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 5211. |
09/25/81 |
Flac 16 - 0,
139467 |
Bethlehem |
Stabler Arena, Lehigh University flac16; Source info: Master FOB Audience Cassette; Nakamichi CM300's + CP4's > DAT > CDR; Transfer info: Master cassette played back via Nak BX300 > Panasonic SV-3500 > HHB 850 > EAC > Cool Edit Pro; Transfer by Scott Clugston; Mastered by Scott Clugston
|
notes
|
| 5212. |
09/25/81 |
Flac 16 - 0,
148686 |
Bethlehem |
Stabler Arena, Lehigh University flac16; Sources Info: Master Soundboard Cassettes > Dick Latvala's Cassettes; Transfer Info: Dick Latvala's Cassettes (Nakamichi BX-300) > HHb CDR850 > CDR > EAC > Adobe Audition CC2019 > TLH flac16
|
notes
|
| 5213. |
09/25/81 |
Flac 24/96 - ,
153965 |
Bethlehem |
Stabler Arena, Lehigh University flac24/96 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 microphones > Sony TC-D5M (TDK MA-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5214. |
09/25/81 |
Flac 16/48 - ,
153964 |
Bethlehem |
Stabler Arena, Lehigh University flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 microphones > Sony TC-D5M (TDK MA-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5215. |
09/26/81 |
Flac - 0,
18110 |
Buffalo |
Community War Memorial Auditorium SBD>Cm>Cass>Dat>CD with aud patches via Charlie Miller
|
notes
|
| 5216. |
09/26/81 |
Flac 16 Mtx - 0,
30117 |
Buffalo |
Community War Memorial Auditorium flac16; Sick Bits Vol. 10 - SBD/AUD matrix of 2 previously circulated sources: (SBD - SHN ID# 18110, and AUD - SHN ID# 12554); edited and transfered by Chris Chappell
|
notes
|
| 5217. |
09/26/81 |
Flac 16 - 0,
112234 |
Buffalo |
Community War Memorial Auditorium flac16: AUD: 2x Sennheiser mics > Sony TC-D5. Transfer: Maxell XLIIS > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged.
|
notes
|
| 5218. |
09/26/81 |
Shn - 0,
12554 |
Buffalo |
Community War Memorial Auditorium Recording by Dan Healy. Set 1: Nak 100's w/cardioid capsules>Uher CR-240>DAT>CDR Set 2: AKG 414's>Revox cassette deck (Cass. Master)>DAT>CDR (Recorded by Dan Healy at the sbd); Thanks to John Tallmadge for the discs; eac>shn popi n. feeldz
|
notes
|
| 5219. |
09/26/81 |
Shn - 0,
9418 |
Buffalo |
Community War Memorial Auditorium AUD>MC>?>CD; via Scott Shindell; Seeded to etree by Willy
|
notes
|
| 5220. |
09/26/81 |
Flac 16 - 0,
140027 |
Buffalo |
Community War Memorial Auditorium flac16; Set 2 Recording Info: Dan Healy's Master Soundboard Cassette (Sony TC-D5)> Cassette (Sony TC-D5 > Maxell UDXL-II); Transfer Info: 1st generation cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; the original source had the channels reversed; please don't circulate that source
|
notes
|
| 5221. |
09/26/81 |
Flac 24 - 0,
140028 |
Buffalo |
Community War Memorial Auditorium flac24; Set 2 Recording Info: Dan Healy's Master Soundboard Cassette (Sony TC-D5)> Cassette (Sony TC-D5 > Maxell UDXL-II); Transfer Info: 1st generation cassette Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496; the original source had the channels reversed; please don't circulate that source
|
notes
|
| 5222. |
09/26/81 |
Flac 24/48 - 0,
152508 |
Buffalo |
Community War Memorial Auditorium flac24/48 Microphones: Beyer M201c (worn in hat??) Recorder: Sony TC-D5 Maxell UDXLII no nr Location: Balcony behind and above drums This Copy: 1st Gen AUDCA s1: Maxell UDXLIIc90 s2: Scotch AVM 90 Studio Master Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90/Scotch AVM 90 no nr Digital Transfer: Nakamichi LX5 > Tascam DR-680 @24/48|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
|
notes
|
| 5223. |
09/26/81 |
Flac 16/44 - 0,
152507 |
Buffalo |
Community War Memorial Auditorium flac16/44 Microphones: Beyer M201c (worn in hat??) Recorder: Sony TC-D5 Maxell UDXLII no nr Location: Balcony behind and above drums This Copy: 1st Gen AUDCA s1: Maxell UDXLIIc90 s2: Scotch AVM 90 Studio Master Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLIIc90/Scotch AVM 90 no nr Digital Transfer: Nakamichi LX5 > Tascam DR-680 @24/48|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
|
notes
|
| 5224. |
09/27/81 |
Shn - 0,
8910 |
Landover |
Capital Centre SBD>Cm>PCM>Dat>CD; via Charlie Miller; Seeded to etree by Willy; Upgrade in circulation
|
notes
|
| 5225. |
09/27/81 |
Flac 16 - 0,
122188 |
Landover |
Capital Centre flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5226. |
09/27/81 |
Flac 16 - 0,
110054 |
Landover |
Capital Centre flac16; Set 2 Source: Unknown AUD (cassette circa 1982) Transfer: Maxell UD90 > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC Tagged
|
notes
|
| 5227. |
09/27/81 |
Flac 1644 - 0,
110722 |
Landover |
Capital Centre 2 Nakamichi 300's (taped to railing split approx 10 ft. behind stage) > Sony D5 > MAC (dolby B) Lineage: 1st Gen. cassette (dolby B) > Nakamichi CR-2A (Dolby B) > Tascam HD-P2 > 24/88.2 Wave > Wavelab 5 (UV22HR) > 16/44.1 wave > CD wave > FLAC Taped by: Unknown Transferred by: Dean Grabski
|
notes
|
| 5228. |
09/27/81 |
Flac 16 - 0,
112343 |
Landover |
Capital Centre flac16; Set 1 Source: AUD (unknown equipment) MAC > 2nd Gen cassette. Transfer: Maxell UDXLII > Nakamichi CR5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged.
|
notes
|
| 5229. |
09/30/81 |
Flac 24 - 0,
123231 |
Edinburgh |
Playhouse Theatre b>flac24; sbd 2nd gen cassette, Jerry Moore's copy; lineage: sbd > master > cassette > cassette source copies made 10/86: Nak BX2 > Sony D5m, Maxell MX-90's, dolby b; nak dragon/b > tascam hd-p2 24/96 compact flash > pc > adobe audition 2.0 ( levels, edits ) > cd wave > flac; transferred & seeded by Rob Berger
|
notes
|
| 5230. |
09/30/81 |
Shn - 0,
12229 |
Edinburgh |
Playhouse Theatre SBD> ?> C > C> WAV> noise reduction applied in Cool Edit Pro> SHN; EAC/SHN by jim; see info file for flaw notes ; upgrade in circulation
|
notes
|
| 5231. |
09/30/81 |
Flac 24/96 - 0,
151110 |
Edinburgh |
Playhouse Theatre Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > Flac 24 edited and mastered SIRMick December 2020
|
notes
|
| 5232. |
09/30/81 |
Flac 16 - 0,
151109 |
Edinburgh |
Playhouse Theatre Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16
|
notes
|
| 5233. |
10/02/81 |
Flac 16 - 0,
128794 |
London |
Rainbow Theatre flac16; Recording and transfer info: SBD > MC? > C > C; C > wav > Sound Forge 10 > TLH > flac
|
notes
|
| 5234. |
10/02/81 |
Shn - 0,
6147 |
London |
Rainbow Theatre sbd> reel> ?> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT; missing Mama Tried, Mexicali
|
notes
|
| 5235. |
10/02/81 |
Flac 16 - 0,
80289 |
London |
Rainbow Theatre flac16; source: aud > low gen cass > Wavelab > wav > flac transfer: Sony TC-FX2 > Creative Extigy > wav via Simon Phillips and SirMick
|
notes
|
| 5236. |
10/02/81 |
Flac 16 - 0,
120454 |
London |
Rainbow Theatre flac16; Set 2, Beyer M-160 (x2) > Sony TCD5M / CM > C1 > C2 (Maxell UDXLII-C90); Cassette 2 (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > Soundforge 9 (patch) > Trader's Little Helper > Flac16 Transfer, edit, & patch by Bob Morris, May 2012
|
notes
|
| 5237. |
10/02/81 |
Flac 16 - 0,
138170 |
London |
Rainbow Theatre flac16/96kHz; Source: Audience recording > Sony ECM-99 > JVC CD-1635 > Master Cassettes (C90 Maxell UD XLII x 2); Taped by Peter Williams from the balcony, about halfway between centre and right wall; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkIII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX4 Advanced > iZotope 5 Advanced > iZotope RX4 Advanced > wav 24/96 > CD Wave > TLH > Flac 24; edited and mastered SIRMick
|
notes
|
| 5238. |
10/02/81 |
Flac 16 - 0,
138169 |
London |
Rainbow Theatre flac16; Source: Audience recording > Sony ECM-99 > JVC CD-1635 > Master Cassettes (C90 Maxell UD XLII x 2); Taped by Peter Williams from the balcony, about halfway between centre and right wall; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkIII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX4 Advanced > iZotope 5 Advanced > iZotope RX4 Advanced > wav 16/44.1 > > CD Wave > TLH > Flac 16; edited and mastered SIRMick
|
notes
|
| 5239. |
10/02/81 |
Flac 24/176,4 - 0,
138171 |
London |
Rainbow Theatre flac24/176.4kHz; Source: Audience recording > Sony ECM-99 > JVC CD-1635 > Master Cassettes (C90 Maxell UD XLII x 2); Taped by Peter Williams from the balcony, about halfway between centre and right wall; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkIII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX4 Advanced > iZotope 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick
|
notes
|
| 5240. |
10/02/81 |
Flac 16/48 - 0,
151207 |
London |
Rainbow Theatre flac16/48khz Recording Info: SBD > Cassette Master > Cassette (Tascam 122mkIII) Transfer Info: Cassette (Nakamichi Dragon) > DAT (Panasonic SV-3800/48k) > Avid MBox Pro > Pro Tools 12 > WAV
|
notes
|
| 5241. |
10/02/81 |
Flac 24 - 0,
151194 |
London |
Rainbow Theatre Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > Flac 24 edited and mastered SIRMick
|
notes
|
| 5242. |
10/02/81 |
Flac 16 - 0,
151193 |
London |
Rainbow Theatre Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick December 2020
|
notes
|
| 5243. |
10/02/81 |
Flac 16 - 0,
151770 |
London |
Rainbow Theatre FLAC 16 Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2021
|
notes
|
| 5244. |
10/03/81 |
Flac 16 - 0,
103480 |
London |
Rainbow Theatre flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Cool Edit Pro v2.0 -> FLAC ; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5245. |
10/03/81 |
Shn - 0,
2369 |
London |
Rainbow Theatre complete; SBD> MC> DAT> CDR; EAC> SHN by Jeff M.
|
notes
|
| 5246. |
10/03/81 |
Flac 16/48 - 0,
143078 |
London |
Rainbow Theatre flac16/48kHz; Master Soundboard Cassettes > 1st generation reels (Technics)> Dat(Panasonic SV-3800)(16-bit/48k)> Tim Dalton's Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)(16-bit/48k)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/48k) > Adobe Audition 3.01 > TLH flac1648
|
notes
|
| 5247. |
10/03/81 |
Flac 24/48 - 0,
145249 |
London |
Rainbow Theatre flac24; 2nd set, Source: BeyerDynamic M160's > Sony TC-D5M > MAC > 1st-Gen tape. Concert recording by Richie Stankiewicz, copy via Rip Tompkins. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019
|
notes
|
| 5248. |
10/03/81 |
Flac 16 - 0,
145359 |
London |
Rainbow Theatre flac16; 2nd set, Source: BeyerDynamic M160's > Sony TC-D5M > MAC > 1st-Gen tape. Concert recording by Richie Stankiewicz, copy via Rip Tompkins. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019; This file set is 16 bit @ 44.1
|
notes
|
| 5249. |
10/04/81 |
Flac 16 - 0,
118248 |
London |
Rainbow Theatre flac16; Source: SBD > ? > Cassette, kindly provided by Seaweed1010 & Bernie Brown. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. Januray 2012
|
notes
|
| 5250. |
10/04/81 |
Flac 24 - 0,
127286 |
London |
Rainbow Theatre flac24; Partial Audience Recording TCD-5M> beyer M-88 Right side; Transfered 1st gen cassette>Sony TCKA-3Es>USBPre 2
|
notes
|
| 5251. |
10/04/81 |
Flac 16 - 0,
128620 |
London |
Rainbow Theatre flac16; Sbd > CM? > C > C; C > Pioneer deck > wav > Sound Forge 10 > TLH > Flac; Could be CM > C. This is one gen (or more) upgrade of shnid 12887
|
notes
|
| 5252. |
10/04/81 |
Shn - 0,
12887 |
London |
Rainbow Theatre Source 1: SBD>?>C>C>WAV>SHN; Source 2: SBD>?>C>C>WAV>SHN; See info file for detail; Seeded to etree by jim@juddcreek
|
notes
|
| 5253. |
10/04/81 |
Flac 24/96 - 0,
151455 |
London |
Rainbow Theatre flac24/96khz Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > Flac 24 edited and mastered SIRMick January 2021
|
notes
|
| 5254. |
10/04/81 |
Flac 16/44,1 - 0,
151454 |
London |
Rainbow Theatre flac16/44.1hz Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick January 2021
|
notes
|
| 5255. |
10/06/81 |
Flac 16 - 0,
103627 |
London |
Rainbow Theatre flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Cool Edit Pro v2.0 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5256. |
10/06/81 |
Flac 16 - 0,
120405 |
London |
Rainbow Theatre flac16; Recording Info: SBD > MC > C > C; Transfer Info: C > Nak DR2 > WAV > Sound Forge 10 > TLH > FLAC
|
notes
|
| 5257. |
10/06/81 |
Flac 16 - 0,
126527 |
London |
Rainbow Theatre flac16; AUD 2nd Set Only: 2x Beyer M-88 > Sony TC-D5, taped from the orchestra (stalls) section. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 01/2014.
|
notes
|
| 5258. |
10/06/81 |
Shn - 0,
3303 |
London |
Rainbow Theatre Master Soundboard Cassette > Cassette > CDR ; EAC > SHN by Brian Polgar; to abgd; cuts are master tape flips or ends. The first few words of Sunshine Daydream are also clipped
|
notes
|
| 5259. |
10/06/81 |
Flac 16 - 0,
137268 |
London |
Rainbow Theatre flac16; Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by John Wenzel
|
notes
|
| 5260. |
10/06/81 |
Flac 24/96 - 0,
139198 |
London |
Rainbow Theatre flac24; Audience recording > Sony ECM-99 > JVC CD-1635 > Master Cassettes (C90 Maxell UD XLII x 3); Taped by Peter Williams from middle of stalls, just right of centre and about 1/3 back from front of stage; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX5 Advanced > iZotope Ozone 5 Advanced > iZotope RX5 Advanced wav 24/96 > CD Wave >TLH > Flac 24; transferred, edited and mastered SIRMick April 2017
|
notes
|
| 5261. |
10/06/81 |
Flac 16 - 0,
139197 |
London |
Rainbow Theatre flac16; Audience recording > Sony ECM-99 > JVC CD-1635 > Master Cassettes (C90 Maxell UD XLII x 3); Taped by Peter Williams from middle of stalls, just right of centre and about 1/3 back from front of stage; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX5 Advanced > iZotope Ozone 5 Advanced > iZotope RX5 Advanced wav 16.44.1 > CD Wave >TLH > Flac 24; transferred, edited and mastered SIRMick April 2017
|
notes
|
| 5262. |
10/06/81 |
Flac 24 - 0,
138249 |
London |
Rainbow Theatre flac/176.4kHz; Source: Audience recording > Sony ECM-99 > JVC CD-1635 > aster Cassettes (C90 Maxell UD XLII x 3); Taped by Peter Williams from middle of stalls about 1/3 back from front of stage; Transfer: Cassette > Nakamichi CD1 > Tascam DR-100mkII > wav 24/176.4; Lineage: wav 24/176.4 > Adobe Audition CC > iZotope RX5 Advanced > iZotope Ozone 5 Advanced > CD Wave >TLH > Flac 24
|
notes
|
| 5263. |
10/06/81 |
Flac 24/96 - 0,
126571 |
London |
Rainbow Theatre flac24; AUD 2nd Set Only: 2x Beyer M-88 > Sony TC-D5, taped from the orchestra (stalls) section. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 01/2014.
|
notes
|
| 5264. |
10/08/81 |
Shn - 0,
7918 |
Copenhagen |
Forum Theater SBD: CM > CASS > DAT > Pro CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon
|
notes
|
| 5265. |
10/08/81 |
Flac 16 - 0,
128681 |
Copenhagen |
Forum Theater flac16; Recording and transfer info SBD > CM > C; C > Pioneer deck > wav > Sound Forge 10 > TLH > flac
|
notes
|
| 5266. |
10/08/81 |
Flac 16 - 0,
126105 |
Copenhagen |
Forum Theater flac16; Partial, AUD: 2x Beyer M-88 > Sony TC-D5, center floor area, MAC. Transfer: 1st-gen tape > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 11/2013
|
notes
|
| 5267. |
10/08/81 |
Flac 24/96 - 0,
151700 |
Copenhagen |
Forum Theater flac24/96khz Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > Flac 24 edited and mastered SIRMick February 2021
|
notes
|
| 5268. |
10/08/81 |
Flac 16/44,1 - 0,
151699 |
Copenhagen |
Forum Theater flac16/44.1khz Source: Soundboard Cassette (1st gen) Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2021
|
notes
|
| 5269. |
10/08/81 |
Flac 16/44 - 0,
152229 |
Copenhagen |
Forum Theater flac16/44 Source: Sony ECM-150 -> Sony TCD-D5 Transfer: Master Casette -> B&O Beocord 9000 -> Sony pcm-a1 (96/24) -> audition -> cdwav -> flac Taper: G. [2021-03-31 transfer by W.- No EQ - Only downsampled to 44,1/16]
|
notes
|
| 5270. |
10/10/81 |
Flac 24 - 0,
127498 |
Bremen |
Stadthalle flac24; Recording Sony TCD-5M>Beyer M-88(ribbon); Recorded in back of Board GA concert 1/2 empty; Transfer MAC>DAT>Cakewalk UA-1G; Recording and transfer by Richie Stankiewicz
|
notes
|
| 5271. |
10/10/81 |
Shn - 0,
12998 |
Bremen |
Stadthalle SBD>?>C>C>WAV>SHN; Seeded to etree by jim@juddcreek
|
notes
|
| 5272. |
10/10/81 |
Shn - 0,
7481 |
Bremen |
Stadthalle Recording by Bernd Weiskircher. Sennheiser MD441 > Sony TCD 5M > Maxell MX C90 tape (Dolby B) 15-20 m in front of stage; MC via Nakamichi DR-1 > HD > remaster (see notes) > CD by Bernd Weiskircher; Eurodead 10/81 Tree disks supplied by Nigel Mouncey; Seeded to etree by Matt Vernon
|
notes
|
| 5273. |
10/10/81 |
Flac 16 - 0,
151745 |
Bremen |
Stadthalle flac16/44 Source: Soundboard Cassette Master Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > wav 16/44.1 > CD Wave > Flac 16 edited and mastered SIRMick February 2021
|
notes
|
| 5274. |
10/10/81 |
Flac 24/96 - 0,
151746 |
Bremen |
Stadthalle flac24/96 Source: Soundboard Cassette Master Transfer Cassette > Tascam 122 MK3 > DBX 224 (decode) > Korg MR2000S > DFF @5.6 MHz > Audiogate > wav 24/96. Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX8 Advanced > CD Wave > Flac 24 edited and mastered SIRMick February 2021
|
notes
|
| 5275. |
10/12/81 |
Shn - 0,
7916 |
Munich |
Olympia Halle SBD: MC > CASS > DAT > CDR; via Jens Tilsner; Alasdair Macdonald; Seeded to etree by Matt Vernon
|
notes
|
| 5276. |
10/12/81 |
Flac 16 - 0,
128591 |
Munich |
Olympia Halle flac16; Recording and transfer details: SBD > MC > C(Maxell XL II) C > Pioneer deck > wav > Sound Forge 10 > TLH > flac
|
notes
|
| 5277. |
10/12/81 |
Shn - 0,
3196 |
Munich |
Olympia Halle sbd > mc > dat > cd > eac > wav > shn; missing encore; via anon benefactor to vine, now etreed. ; upgrade in circulation
|
notes
|
| 5278. |
10/12/81 |
Shn - 0,
32146 |
Munich |
Olympia Halle Recording by Uwe Dehnel. AUD > MC > CD > EAC > SHN Sony TC D5, one point stereo mic, handhold Mastering: MC > CD by Uwe Dehnel via Bernd Weiskircher
|
notes
|
| 5279. |
10/12/81 |
Flac 16 - 0,
130555 |
Munich |
Olympia Halle flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> Dat -> CD (shnid=7916); Set 2: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90); Transfer Info: Set 1: CD -> Samplitude Professional v11.1 -> FLAC; Set 2: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5280. |
10/12/81 |
Flac 16/48 - 0,
143063 |
Munich |
Olympia Halle flac16/48kHz; Master Soundboard Cassettes > Dick Latvala's 1st generation cassettes (Tascam 122mkIII)> Rob Eaton's 2nd generation cassettes (Nakamichi Dragon) > Rob Eaton's Dat (Panasonic SV-3800)(16-bit/48k) > Tim Dalton's Dat (16-bit/48k) Transfer Info: Dat (Sony PCM-R500)(16-bit/48k)> Apogee aes/ebu cable > Tascam DA-3000 (.wav 16-bit/48k) > Adobe Audition 3.01 > TLH flac1648
|
notes
|
| 5281. |
10/13/81 |
Shn - 0,
13143 |
Russelsheim |
Walter Koebel Halle SBD> ?> C> C> WAV> SHN; via Jim; caution- d1 does not fit on 80 min, see pub comments
|
notes
|
| 5282. |
10/13/81 |
Flac 16 - 0,
128542 |
Russelsheim |
Walter Koebel Halle flac16; Recording and transfer info: SBD > MC > C > C (Maxell XL II) C > Pioneer deck > wav > Sound Forge 10 > TLH > flac
|
notes
|
| 5283. |
10/13/81 |
Shn - 0,
7496 |
Russelsheim |
Walter Koebel Halle AUD > MR > DAT > CD no mic info; via Bernd Weiskircher; Matt Vernon
|
notes
|
| 5284. |
10/13/81 |
Flac 16 - 0,
139556 |
Russelsheim |
Walter Koebel Halle flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Dat -> CD (shnid=13143); Set 2: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90); Transfer Info: Set 1: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC; Set 2: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5285. |
10/15/81 |
Flac 16 - 0,
126148 |
Amsterdam |
Club Melk Weg flac16; AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 11/2013.
|
notes
|
| 5286. |
10/15/81 |
Flac 16 - 0,
120382 |
Amsterdam |
Club Melk Weg flac16; Beyer M-160 (x2) > Sony TCD5M / CM > C1 > C2 (Maxell XLII C90); Cassette 2 (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > Soundforge 9.0 (patch, pitch) > Trader's Little Helper > Flac16; Recorded by Rich S., transfer/edit (Mar 2010), patch/pitch (May 2012) by Bob Morris.
|
notes
|
| 5287. |
10/15/81 |
Shn - 0,
25829 |
Amsterdam |
Club Melk Weg Source:Senheiser-pro-direction.>New Marantz cass.rec.(looking like SonyTC-D5>TDK-SA-C90(master tape) Master cass.>SonyTC-D5M>CDwave>Mkw>Shn; upgrade in circulation
|
notes
|
| 5288. |
10/15/81 |
Shn - 0,
1406 |
Amsterdam |
Club Melk Weg AUD (FOB by unknown Belgian taper with unknown equipment)> CM> C> DAT> CDRx1> EAC> SHN; via Stephen Agan to abgd
|
notes
|
| 5289. |
10/15/81 |
Flac 16 - 0,
79933 |
Amsterdam |
Club Melk Weg flac16; Aud master tapes > CDwave > Flac - One Shure and one Senheiser attached together in "V" on a round battery and held by hand (heavy !). The recorder was a brand new Marrantz (superscope) lookalike Sony TC-D5. The cassette tapes were TDK-SA90.
|
notes
|
| 5290. |
10/15/81 |
Flac 24/96 - 0,
126147 |
Amsterdam |
Club Melk Weg flac24; AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 11/2013.
|
notes
|
| 5291. |
10/16/81 |
Flac16 Mtx - 0,
110497 |
Amsterdam |
Club Melk Weg flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 5292. |
10/16/81 |
Flac 16 - 0,
110351 |
Amsterdam |
Club Melk Weg flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5293. |
10/16/81 |
Flac16 Mtx - 0,
95431 |
Amsterdam |
Club Melk Weg flac16; Sick Bits Vol. 27 - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=1217) + AUD (shnid=80060). Matrixed by Chris Chappell.
|
notes
|
| 5294. |
10/16/81 |
Flac 24/96 - 0,
125733 |
Amsterdam |
Club Melk Weg flac24; AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013
|
notes
|
| 5295. |
10/16/81 |
Shn - 0,
25938 |
Amsterdam |
Club Melk Weg Source:Senheiser-pro-direction.>New Marantz cass.rec.(looking like SonyTC-D5>TDK-SA-C90(master tape) Master cass.>SonyTC-D5M>CDwave>Mkw>Shn. ; upgrade in circulation
|
notes
|
| 5296. |
10/16/81 |
Shn - 0,
1217 |
Amsterdam |
Club Melk Weg SBD:MCASS> CASS> DAT> CDR, with aud patches: FOB:MCASS> CASS> DAT> CDR; EAC> SHN by Dan Vinson; patched in Playin' and Sugar Mag- see info file for notes
|
notes
|
| 5297. |
10/16/81 |
Flac 16 - 0,
125774 |
Amsterdam |
Club Melk Weg flac16; AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013.
|
notes
|
| 5298. |
10/16/81 |
Flac 16 - 0,
80060 |
Amsterdam |
Club Melk Weg flac16; Aud master tapes > CDwave > Flac - One Shure and one Senheiser attached together in "V" on a round battery and held by hand (heavy !). The recorder was a brand new Marrantz (superscope) lookalike Sony TC-D5. The cassette tapes were TDK-SA90.
|
notes
|
| 5299. |
10/16/81 |
Flac 16 - 0,
120383 |
Amsterdam |
Club Melk Weg flac16; Beyer M-160 (x2) > Sony TCD5M / CM > C1 > C2 (Maxell XLII C90); Cassette 2 (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > Soundforge 9 (patch, pitch) > Trader's Little Helper > Flac16; Recorded by Rich S., transfer/edit (Mar 2010) & patch/pitch (May 2012) by Bob Morris
|
notes
|
| 5300. |
10/16/81 |
Flac 16/48 - 0,
147843 |
Amsterdam |
Club Melk Weg flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 110351) Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125774) AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. - surround mixing by Kevin Tobin
|
notes
|
| 5301. |
10/16/81 |
Flac 16 Dts.5.1 - 0,
147842 |
Amsterdam |
Club Melk Weg DTS-Audio-CD 5.1 Mix; - SBD (shnid = 110351) Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125774) AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. - dts mixing by Kevin Tobin
|
notes
|
| 5302. |
10/16/81 |
Flac 16 Mtx - 0,
147841 |
Amsterdam |
Club Melk Weg flac16; Matrix 2 Source Mix - SBD (shnid = 110351) Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125774) AUD: 2x Beyer M-88 > Sony TC-D5, set up on rail of the mezzanine. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 09/2013. - matrix mixing by Kevin Tobin
|
notes
|
| 5303. |
10/17/81 |
Flac 16 - 0,
116993 |
Paris |
The Hippodrome flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5304. |
10/17/81 |
Shn - 0,
7915 |
Paris |
The Hippodrome SBD: MC > DAT > CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon
|
notes
|
| 5305. |
10/17/81 |
Flac 16 - 0,
86854 |
Paris |
The Hippodrome flac16; SBD: MC > DAT > CDR; seamless fix of shn id 7915 by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 5306. |
10/17/81 |
Shn - 0,
32147 |
Paris |
The Hippodrome AUD > MC > CD > EAC > SHN Sony TCD 5M, Sennheiser MK 2002, Dolby B Mastering: MC via Nakamichi DR-1 > HD > CD by Bernd Weiskircher
|
notes
|
| 5307. |
10/17/81 |
Flac 24/48 - 0,
145260 |
Paris |
The Hippodrome flac24; 2nd set, Source: BeyerDynamic M160's > Sony TC-D5M > MAC > 1st-Gen tape. Concert recording by Richie Stankiewicz, copy via Rip Tompkins. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019
|
notes
|
| 5308. |
10/17/81 |
Flac 16 - 0,
145360 |
Paris |
The Hippodrome flac16; 2nd set, Source: BeyerDynamic M160's > Sony TC-D5M > MAC > 1st-Gen tape. Concert recording by Richie Stankiewicz, copy via Rip Tompkins. Transfer: XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019; This file set is 16 bit @ 44.1
|
notes
|
| 5309. |
10/19/81 |
Flac - 0,
95791 |
Barcelona |
Sports Palace flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info:SHN -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5310. |
10/19/81 |
Flac 24 - 0,
131465 |
Barcelona |
Sports Palace flac24; Beyer M-160>Sony TC-D5m; Transfer 1st set MAC>Sony TC-K3es>USBPre2; Transfer 2nd set 1st Gen>Sony TC-K3es>USBPre2; Recorded center directly in back of soundboard; Recorded and transfered By Richie stankiewic
|
notes
|
| 5311. |
10/19/81 |
Flac - 0,
131522 |
Barcelona |
Sports Palace flac16; Source: Beyer M-160>Sony TC-D5M. Transfer 1st set: MAC > Sony TC-K3es > USBPre2. Transfer 2nd set: 1st Gen > Sony TC-K3es > USBPre2. Recorded center directly in back of soundboard. Recorded and transferred to 24bit/96kHz by Richie Stankiewicz. 16bit: ID-131465 > TLH > R8Brain > Wavelab > CD-Wave > TLH > FLAC 1644 tagged
|
notes
|
| 5312. |
10/19/81 |
Flac - 0,
131801 |
Barcelona |
Sports Palace flac16; 2 source matrix by Dusborne; Soundboard (shnid:095781) Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD -> EAC -> SHN; Transfer Info: SHN -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; and Audience (shnid:131465) Beyer M-160>Sony TC-D5m; Transfer 1st set MAC>Sony TC-K3es>USBPre2; Transfer 2nd set 1st Gen>Sony TC-K3es>USBPre2; Recorded center directly in back of soundboard; Recorded and transferred By Richie stankiewicz
|
notes
|
| 5313. |
10/19/81 |
Shn - 0,
7914 |
Barcelona |
Sports Palace SBD: CM > CASS > DAT > Pro CDR; via Neil Sturvetant; John Martin; Alasdair Macdonald; Seeded to etree by Matt Vernon
|
notes
|
| 5314. |
10/19/81 |
Flac - 0,
119976 |
Barcelona |
Sports Palace flac16: recording: aud master recording lineage: master analog tape SONY low noise 90 x 2 > aiwa wx 220 > audacity> cd wave ed.>TLH> flac equipment: unknown recorded : by Zappa edited by carbobueno
|
notes
|
| 5315. |
11/29/81 |
Flac 16 - 0,
108844 |
Pittsburgh |
Civic Arena flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC. All Transfers and Mastering By Charlie Miller
|
notes
|
| 5316. |
11/29/81 |
Flac 24 - 0,
134752 |
Pittsburgh |
Civic Arena flac24; Cassette Audience Master recorded By Jim Vita; Sennheiser MD421 Dynamic Cardioid Microphone TC D-5 Cassette Recorder; Location: FOB; Analog to Digital: Dolby B Decoded High-Bias(CrO2) Cassette Masters played back on Tascam MK11-Korg MR-1000 (DSF [1-bit 5.6448 MHz Stereo]) Korg AudioGate-WAV[24/96]; Transfer by John Steinthal
|
notes
|
| 5317. |
11/29/81 |
Shn - 0,
9610 |
Pittsburgh |
Civic Arena Senn 421's>MC>DAT>CDR; via Paul B; seeded to etree by Willy
|
notes
|
| 5318. |
11/29/81 |
Flac 24 - 0,
140035 |
Pittsburgh |
Civic Arena flac24; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 5319. |
11/29/81 |
Flac 16 - 0,
140034 |
Pittsburgh |
Civic Arena flac16; Source Info: Frank Streeter's Master FOB Audience Cassette; Sennheiser 421 mics > Sony TC-D5M (TDK MA90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0> TLH flac2496
|
notes
|
| 5320. |
11/29/81 |
Flac 16/48 - ,
153700 |
Pittsburgh |
Civic Arena flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300mics + CP4 caps > Sony TC-D5M (Maxell XLII-S 90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition 2021 > TLH flac2496
|
notes
|
| 5321. |
11/29/81 |
Flac 24/96 - ,
153701 |
Pittsburgh |
Civic Arena flac24/96 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300mics + CP4 caps > Sony TC-D5M (Maxell XLII-S 90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition 2021> TLH flac2496
|
notes
|
| 5322. |
11/30/81 |
Flac 16 - 0,
108843 |
Dayton |
Hara Arena flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC. All Transfers and Mastering By Charlie Miller
|
notes
|
| 5323. |
11/30/81 |
Flac 16 - 0,
133562 |
Dayton |
Hara Arena flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5324. |
11/30/81 |
Shn - 0,
9591 |
Dayton |
Hara Arena Nak 300?s>Sony D-5>MC>DAT>CD; via Paul B; Seeded to etree by Willy
|
notes
|
| 5325. |
11/30/81 |
Flac 16 - 0,
124605 |
Dayton |
Hara Arena flac16; Source: AUD 2nd-Gen (MAC > C > C), unknown equipment. Transfer: XLII > Nakamichi CR5A > Edirol FA66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 & tagged. May 2013
|
notes
|
| 5326. |
11/30/81 |
Flac 16/48 - 0,
143852 |
Dayton |
Hara Arena flac16/48kHz; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5327. |
11/30/81 |
Flac 24/96 - 0,
143853 |
Dayton |
Hara Arena flac24; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
|
notes
|
| 5328. |
11/30/81 |
Flac 16/48 - ,
153766 |
Dayton |
Hara Arena flac16/48 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 caps > Sony TC-D5M (Maxell XLII-S 90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition 2021> TLH flac2496
|
notes
|
| 5329. |
11/30/81 |
Flac 24/96 - ,
153767 |
Dayton |
Hara Arena flac24/96 Source Info: Jim Vita's Master Audience Cassette; Nakamichi 300 mics + CP4 caps > Sony TC-D5M (Maxell XLII-S 90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition 2021> TLH flac2496
|
notes
|
| 5330. |
11/30/81 |
Flac 16 Mtx - ,
158800 |
Dayton |
Hara Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 133562 & 153766.
|
notes
|
| 5331. |
12/02/81 |
Flac 16 - 0,
108842 |
Champaign |
Assembly Hall, University Of Illinois flac16;Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC. All Transfers and Mastering By Charlie Miller
|
notes
|
| 5332. |
12/02/81 |
Shn - 0,
9595 |
Champaign |
Assembly Hall, University Of Illinois (FOB) Senn 421>Cm>Dat>CD; Missing Drums & Don't Ease encore; via Charlie Miller; Seeded to etree by Willy
|
notes
|
| 5333. |
12/02/81 |
Flac 16/48 - 0,
144276 |
Champaign |
Assembly Hall, University Of Illinois flac1648; Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5334. |
12/02/81 |
Flac 24/96 - 0,
144277 |
Champaign |
Assembly Hall, University Of Illinois flac24; Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 5335. |
12/02/81 |
Flac 24 - 0,
145543 |
Champaign |
Assembly Hall, University Of Illinois flac24; Set 1 Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 5336. |
12/02/81 |
Flac 16 - 0,
145662 |
Champaign |
Assembly Hall, University Of Illinois flac16; Set 1 Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This file set is 16 bit @ 44.1
|
notes
|
| 5337. |
12/02/81 |
Flac 16 Mtx - ,
158823 |
Champaign |
Assembly Hall, University Of Illinois flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 145662, 108842 & 144276.
|
notes
|
| 5338. |
12/03/81 |
Flac 16 - 0,
108335 |
Madison |
Dane County Coliseum flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5339. |
12/03/81 |
Flac 16 - 0,
118889 |
Madison |
Dane County Coliseum flac16; Set 2 Only, Recorded by the late George "Fingers" Bethke FOB in the sweet spot as always; Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M>1st gen backup copy from Justin Lee No Dolby on master cassettes. first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz) 24/96 with Korg Audiogate 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011
|
notes
|
| 5340. |
12/03/81 |
Shn - 0,
6143 |
Madison |
Dane County Coliseum Nak 300's > Sony D5; via Peter Gallagher, Willy
|
notes
|
| 5341. |
12/03/81 |
Flac 16 - 0,
28901 |
Madison |
Dane County Coliseum flac16; Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford
|
notes
|
| 5342. |
12/03/81 |
Flac 16/48 - 0,
141698 |
Madison |
Dane County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 108335) Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 28901) Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford. - surround mixing by Kevin Tobin
|
notes
|
| 5343. |
12/03/81 |
Flac 16 Dts - 0,
141697 |
Madison |
Dane County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid = 108335) Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 28901) Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford. - dts mixing by Kevin Tobin
|
notes
|
| 5344. |
12/03/81 |
Flac 16 Mtx - 0,
141696 |
Madison |
Dane County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 108335) Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 28901) Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford. - matrix mixing by Kevin Tobin
|
notes
|
| 5345. |
12/03/81 |
Flac 16/48 - 0,
142018 |
Madison |
Dane County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 108335) Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 28901) Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. A true gem. Seeded to bt.etree.org on 04/08/05 by Alex Ford. - surround mixing by Kevin Tobin
|
notes
|
| 5346. |
12/03/81 |
Flac 16/48 - ,
153800 |
Madison |
Dane County Coliseum flac16/48 Source Info: Jim Vita's Master Audience Cassettes ; Nakamichi 300 mics + CP4 capsules > Sony D5M (TDK SA-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5347. |
12/03/81 |
Flac 24/96 - ,
153801 |
Madison |
Dane County Coliseum flac24/96 Source Info: Jim Vita's Master Audience Cassettes ; Nakamichi 300 mics + CP4 capsules > Sony D5M (TDK SA-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5348. |
12/03/81 |
Flac 16 Mtx - ,
158830 |
Madison |
Dane County Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 108335 & 153800.
|
notes
|
| 5349. |
12/05/81 |
Flac 16 - 0,
109393 |
Indianapolis |
Market Square Arena flac16; Updated Info: NAK 300>CM>DAT (Up Front Audience)>DAT @ 44.1k -> HT OMega 7.1 Soundcard (Optical Inputs)>WAV (44.1> >CD WAV (Track Split)>FLAC
|
notes
|
| 5350. |
12/05/81 |
Shn - 0,
5488 |
Indianapolis |
Market Square Arena Master Soundboard Cassette > Reel to Reel > DAT > CDR, with Audience source for Ramble on Rose d1t7; CD Re-mastering, EAC'ed / SHN'ed by Scott Clugston
|
notes
|
| 5351. |
12/05/81 |
Flac 16 - 0,
80290 |
Indianapolis |
Market Square Arena flac16; Recording Info: Unknown Audience Recording From Jim Wise -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 5352. |
12/05/81 |
Flac 16 - 0,
31945 |
Indianapolis |
Market Square Arena flac16; Recording by Doug Mow. Nak 700 shotguns (mics pointed at stacks) > Sony TC D5M > Maxell XLIIS Transfer: D5 > Edirol UA5 custom Oade mod > USB > IBM R40 > Soundforge > WAV > CDR > EAC > WinXP Pro > Flac Frontend > FLAC16. Transferred By Doug Mow EAC, conversion & upload to bt.etree.org by Alex Ford 12/23/05
|
notes
|
| 5353. |
12/05/81 |
Flac 24/48 - 0,
139173 |
Indianapolis |
Market Square Arena flac24; AUD: Beyers mics > lead deck (Richie Stankiewicz) > Sony TC-D5 > Hitachi UD-90's, FOB recording by Craig L (patched out). Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 08/2017
|
notes
|
| 5354. |
12/05/81 |
Flac 16 - 0,
139180 |
Indianapolis |
Market Square Arena flac16; AUD: Beyers mics > lead deck (Richie Stankiewicz) > Sony TC-D5 > Hitachi UD-90's, FOB recording by Craig L (patched out). Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 08/2017
|
notes
|
| 5355. |
12/05/81 |
Flac 16/48 - 0,
144086 |
Indianapolis |
Market Square Arena flac16/48kHz; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5356. |
12/05/81 |
Flac 24/96 - 0,
144087 |
Indianapolis |
Market Square Arena flac24; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496
|
notes
|
| 5357. |
12/05/81 |
Flac 16 - 0,
111784 |
Indianapolis |
Market Square Arena flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5358. |
12/05/81 |
Flac 16/48 - ,
153869 |
Indianapolis |
Market Square Arena flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M (TDK-MA C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5359. |
12/05/81 |
Flac 24/96 - ,
153870 |
Indianapolis |
Market Square Arena flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5M (TDK-MA C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5360. |
12/05/81 |
Flac 16 Mtx - ,
158836 |
Indianapolis |
Market Square Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 111784 & 139180.
|
notes
|
| 5361. |
12/06/81 |
Flac 16 - 0,
108841 |
Rosemont |
Rosemont Horizon flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k). Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC. All Transfers and Mastering By Charlie Miller
|
notes
|
| 5362. |
12/06/81 |
Flac 16 - 0,
133563 |
Rosemont |
Rosemont Horizon flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5363. |
12/06/81 |
Flac 16 - 0,
119584 |
Rosemont |
Rosemont Horizon flac16; Recorded by the late George "Fingers" Bethke; FOB, Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011
|
notes
|
| 5364. |
12/06/81 |
Shn - 0,
8200 |
Rosemont |
Rosemont Horizon Unknown Aud>DAT>CDR; via Glenn Gillis; Seeded to etree by Peter Braverman
|
notes
|
| 5365. |
12/06/81 |
Flac 16 - 0,
32317 |
Rosemont |
Rosemont Horizon flac16;Recording by Doug Mow. 2 Nak 700 shotguns > Sony TC-D5M > Maxell MX 90 transferred by Doug Mow Conversion and seeding to bt.etree.org by Alex Ford
|
notes
|
| 5366. |
12/06/81 |
Flac 16 - 0,
78646 |
Rosemont |
Rosemont Horizon flac16; AUD Master Cass>DAT>HD-P2>Soundforge 6.0>CD Wave>FLAC Frontend>.flac
|
notes
|
| 5367. |
12/06/81 |
Flac 2448 - 0,
139344 |
Rosemont |
Rosemont Horizon flac24; AUD: First Set; Richie Stankiewicz's Beyer M160's FOB. Second Set; Nakamichi CM300's w/CP4 shotguns from the floor area. Both Sets; Lead decks(s) > Sony TC-D5 > Hitachi UD-90's. Recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2017
|
notes
|
| 5368. |
12/06/81 |
Flac 16 - 0,
139345 |
Rosemont |
Rosemont Horizon flac16; AUD: First Set; Richie Stankiewicz's Beyer M160's FOB. Second Set; Nakamichi CM300's w/CP4 shotguns from the floor area. Both Sets; Lead decks(s) > Sony TC-D5 > Hitachi UD-90's. Recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. 09/2017
|
notes
|
| 5369. |
12/06/81 |
Flac 24/96 - 0,
148950 |
Rosemont |
Rosemont Horizon flac24; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496
|
notes
|
| 5370. |
12/06/81 |
Flac 16/48 - 0,
148949 |
Rosemont |
Rosemont Horizon flac16/48kHz; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5371. |
12/06/81 |
Flac 16/48 - ,
153910 |
Rosemont |
Rosemont Horizon flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421's + Nakamichi 300 + CP4 capsule blend > Sony D5M (Maxell XLIIS 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5372. |
12/06/81 |
Flac 24/96 - ,
163911 |
Rosemont |
Rosemont Horizon flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421's + Nakamichi 300 + CP4 capsule blend > Sony D5M (Maxell XLIIS 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5373. |
12/06/81 |
Flac 16 Mtx - ,
158845 |
Rosemont |
Rosemont Horizon flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 133563 & 139345.
|
notes
|
| 5374. |
12/07/81 |
Flac - 0,
12970 |
Des Moines |
Des Moines Civic Center 2nd set only; SBD> MC> C> DAT> CD; seeded by Charlie Miller
|
notes
|
| 5375. |
12/07/81 |
Flac 16 - 0,
79857 |
Des Moines |
Des Moines Civic Center flac16; pitch corrected version of shn id 8448: Unknown Audience Source via SirMick.
|
notes
|
| 5376. |
12/07/81 |
Shn - 0,
8448 |
Des Moines |
Des Moines Civic Center Unknown Audience Source; via Scot Mellor; Seeded to etree by Willy; upgrade in circulation
|
notes
|
| 5377. |
12/07/81 |
Flac 24 - 0,
141707 |
Des Moines |
Des Moines Civic Center flac24; SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 5378. |
12/07/81 |
Flac 16 - 0,
141898 |
Des Moines |
Des Moines Civic Center b>flac16; SBD > Cassette Master (Sony TC-D5M/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 5379. |
12/07/81 |
Flac 16/48 - 0,
143938 |
Des Moines |
Des Moines Civic Center flac16/48kHz; Set 2 Source Info: Frank Streeter's Master Audience Cassette; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassette (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5380. |
12/07/81 |
Flac 24/96 - 0,
143939 |
Des Moines |
Des Moines Civic Center flac24; Set 2 Source Info: Frank Streeter's Master Audience Cassette; Sennheiser 421 mics > Sony D5M (TDK MA-C90); Transfer Info: Master Cassette (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2014 > TLH flac2496
|
notes
|
| 5381. |
12/07/81 |
Flac 16 Mtx - ,
158878 |
Des Moines |
Des Moines Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 141898 & 8448.
|
notes
|
| 5382. |
12/09/81 |
Shn - 0,
13061 |
Boulder |
Events Center, University Of Colorado Master Soundboard Cassette > Reel to Reel > DAT> CDR Sennheiser 421 Audience source supplies "Mama Tried" (d1t06), the first 1:38 of "Mexicali Blues" (d1t07), as well as from 4:54 of "Space" (d3t01) thru 4:13 of "The Other One" (d3t02) Patching / CD Mastering by Scott Clugston EAC'ed / Shn'ed by Scott Clugston 10/02/02 ; upgrade in circulation
|
notes
|
| 5383. |
12/09/81 |
Shn - 0,
11626 |
Boulder |
Events Center, University Of Colorado SBD>Rm>Dat>CD, with 'unknown aud' patches; See info file for details; via Zephyr; Seeded to etree by MOTU ; upgrade in circulation
|
notes
|
| 5384. |
12/09/81 |
Shn - 0,
7827 |
Boulder |
Events Center, University Of Colorado SBD Unknown Analog Master> Cassette> Cassette> DAT> via 20bit SBM> DATPort> Cool Edit (NR@ 5% to reduce tape hiss)> CDWAV (split tracks)> CDR; Missing Satisfaction (2nd encore); via John Spaventa; Seeded to etree by Willy; upgrade in circulation
|
notes
|
| 5385. |
12/09/81 |
Flac 16 - 0,
87349 |
Boulder |
Events Center, University Of Colorado flac16; SBD -> Master Reel (7 inch Reel @ 7.5ips 1/2trk) -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 5386. |
12/09/81 |
Flac 16 - 0,
82199 |
Boulder |
Events Center, University Of Colorado flac16; Recording by Jim Wise. AUD Source: Sennheiser 421's > Sony TC-D5, set up near the sbd. transferred (MAC > CD) by Jim Wise. Transfer: MAC > CD likely Nakamichi Dragon > HHB CDR burner. CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC
|
notes
|
| 5387. |
12/09/81 |
Flac 24/48 - 0,
147222 |
Boulder |
Events Center, University Of Colorado flac24; Source: BeyerDynamic M88's > Sony TC-D5M > TDK MA (1st Set and Satisfaction) and Maxell XLIIS (2nd Set thru USBlues). Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2019
|
notes
|
| 5388. |
12/09/81 |
Flac 16 Mtx - ,
158935 |
Boulder |
Events Center, University Of Colorado flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 87349 & 82199.
|
notes
|
| 5389. |
12/12/81 |
Flac 16 - 0,
83462 |
San Mateo |
Fiesta Hall, San Mateo County Fairgrounds flac16; Recording Details: Soundboard -> Master Reel -> DAT(4); Transfer Details: DAT(4) > Panasonic sv-3700 (spdif out)->Lynx L22 AES/EBU (spdif in)-> Soundforge 8.0 16bit/48kHz wav
|
notes
|
| 5390. |
12/12/81 |
Shn - 0,
14011 |
San Mateo |
Fiesta Hall, San Mateo County Fairgrounds MAC w/ Nak 300's>Sony TC-D5M (w/ Dolby B)>DAT>CDR via Andy Lemieux encoded by Matt Vernon
|
notes
|
| 5391. |
12/12/81 |
Flac 16/48 - 0,
142976 |
San Mateo |
Fiesta Hall, San Mateo County Fairgrounds flac16/48kHz; Source Info: Master Audience Cassettes; Nakamichi CM300 mics with CP4 capsules > Sony TC-D5M (dbx)> Frank Streeter's 1st generation (dbx decoded) cassettes (Sony TC-D5M)(Maxell UDXLII-C90); Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5392. |
12/12/81 |
Flac 24/96 - 0,
142975 |
San Mateo |
Fiesta Hall, San Mateo County Fairgrounds flac24; Source Info: Master Audience Cassettes; Nakamichi CM300 mics with CP4 capsules > Sony TC-D5M (dbx)> Frank Streeter's 1st generation (dbx decoded) cassettes (Sony TC-D5M)(Maxell UDXLII-C90); Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k) > TLH flac2496
|
notes
|
| 5393. |
12/26/81 |
Flac 16 - 0,
84265 |
Oakland |
Oakland Auditorium Arena flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette -> LynxOne -> CD Set 2: SBD -> Cassette Master (Maxell UDXLII-90) Set 1 Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC Set 2 Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; note: this version has the 2 drop outs in shn id 83996 d3t02 fixed
|
notes
|
| 5394. |
12/26/81 |
Shn - 0,
10533 |
Oakland |
Oakland Auditorium Arena Recording by Bob Menke. AUD> MC> R> DAT> CDR> EAC> SHN; Senn 421s>Sony TC-D5; via Paul; Seeded to etree by Glyde
|
notes
|
| 5395. |
12/26/81 |
Flac 16 - 0,
23897 |
Oakland |
Oakland Auditorium Arena flac16; Recording by Steven Martin. Master audience cassette (2 modified Nakamichi CM-700 mics with boost + 1 Shure mic without boost > Sony TC-D5M on Maxell metal tape, about 20' in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding
|
notes
|
| 5396. |
12/26/81 |
Flac 16 - 0,
136898 |
Oakland |
Oakland Auditorium Arena flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XL-II (S1 + Encore) and Sony UCX-S (S2), FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2016
|
notes
|
| 5397. |
12/26/81 |
Flac 16 - 0,
120368 |
Oakland |
Oakland Auditorium Arena flac16; Audience Cassette Master, Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(Set 1-encore Maxell UDXL-IIS 90)(Set II TDK MA C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(transferred @ 44.1/24[soft limit] dithered to 44.1/16 bit) > (Peak 7 OS X editing-dithering) > xACT
|
notes
|
| 5398. |
12/26/81 |
Flac 16/48 - 0,
143444 |
Oakland |
Oakland Auditorium Arena flac16/48kHz; Set 2 Source Info: Joani Walker's Master Soundboard Cassettes; Nakamichi 550(Maxell UDXLII-90) Transfer Info:Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5399. |
12/26/81 |
Flac 24/96 - 0,
143445 |
Oakland |
Oakland Auditorium Arena flac24; Set 2 Source Info: Joani Walker's Master Soundboard Cassettes; Nakamichi 550(Maxell UDXLII-90) Transfer Info:vMaster Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
|
notes
|
| 5400. |
12/26/81 |
Flac 16/48 - 0,
143446 |
Oakland |
Oakland Auditorium Arena flac16/48kHz; Source Info: 1st Set: Joani Walker's Master Audience Cassettes; Sennheiser 421 mics > Nakamichi 550(Maxell UDXLII-90)(patched out of Jim Voss, located at the soundboard) 2nd Set: Joani Walker's 1st generation Audience Cassettes; Sennheiser 421 mics > Nakamichi 550 (Maxell UDXLII-90) (copy of Jim Voss's Sennheiser 421 master, located at the soundboard); 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5401. |
12/26/81 |
Flac 24/96 - 0,
143447 |
Oakland |
Oakland Auditorium Arena flac24; Source Info: 1st Set: Joani Walker's Master Audience Cassettes; Sennheiser 421 mics > Nakamichi 550(Maxell UDXLII-90) (patched out of Jim Voss, located at the soundboard); 2nd Set: Joani Walker's 1st generation Audience Cassettes; Sennheiser 421 mics > Nakamichi 550 (Maxell UDXLII-90)(copy of Jim Voss's Sennheiser 421 master, located at the soundboard); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
|
notes
|
| 5402. |
12/27/81 |
Flac 16 - 0,
33568 |
Oakland |
Oakland Auditorium Arena flac16; Recording Info: SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Dolby B) -> Sonic 24bit -> SBM2 -> CD -> EAC -> FLAC Transferred and Mastered By David Gans Converted To FLAC By Charlie Miller Thanks to Joani Walker and Paul Scotton for the tapes
|
notes
|
| 5403. |
12/27/81 |
Flac 16 - 0,
120133 |
Oakland |
Oakland Auditorium Arena flac16; Audience Cassette Master, Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300's > Sony TC D-5m (Dolby B)(Set 1-encore Maxell UDXL-IIS 90)(Set II TDK MA C 90)(FOB center); Nakamichi Dragon (Dolby B decoded) > A/D Apogee Mini Me (firewire)(transferred @ 44.1/24[soft limit] dithered to 44.1/16 bit) > (Peak 7 OS X editing-dithering) > Xact
|
notes
|
| 5404. |
12/27/81 |
Shn - 0,
8201 |
Oakland |
Oakland Auditorium Arena SBD>MC>DAT>CD; Missing Baby Blue encore; via Mark Perini; Seeded to etree by Willy; upgrade in circulation
|
notes
|
| 5405. |
12/27/81 |
Flac 16 - 0,
96562 |
Oakland |
Oakland Auditorium Arena flac16; Source: Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Wavelab 5 > Plugins > r8brain Pro > 16/44.1 Wave > CD Wave > flac16
|
notes
|
| 5406. |
12/27/81 |
Shn - 0,
9733 |
Oakland |
Oakland Auditorium Arena Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; To abgd via Charlie Connor. ; upgrade in circulation
|
notes
|
| 5407. |
12/27/81 |
Flac 16 - 0,
140329 |
Oakland |
Oakland Auditorium Arena flac16; Recording Info: Vault Master Soundboard Cassette -> PCM; Transfer Info: PCM (Sony SL-10) > Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 5408. |
12/27/81 |
Flac 16 - 0,
143468 |
Oakland |
Oakland Auditorium Arena flac16; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5409. |
12/27/81 |
Flac 24/96 - 0,
143469 |
Oakland |
Oakland Auditorium Arena flac24; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
|
notes
|
| 5410. |
12/27/81 |
Flac 24/96 - 0,
143630 |
Oakland |
Oakland Auditorium Arena flac24; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
|
notes
|
| 5411. |
12/27/81 |
Flac 16 - 0,
143629 |
Oakland |
Oakland Auditorium Arena flac16; Source Info: Frank Streeter's Master (FOB) Audience Cassettes; Beyer M-160 mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5412. |
12/28/81 |
Flac 16 - 0,
96304 |
Oakland |
Oakland Auditorium Arena flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5413. |
12/28/81 |
Shn - 0,
21036 |
Oakland |
Oakland Auditorium Arena SBD > MC > C > DAT > CD > EAC > SHN; Hiss reduction applied; EAC/SHN by Darryl Hinko
|
notes
|
| 5414. |
12/28/81 |
Flac 16 - 0,
96571 |
Oakland |
Oakland Auditorium Arena flac16; Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Wavelab 5.0 > Waves L3 UltraMaximizer > 16/44.1 Wave > CD Wave > TLH > flac16. Taped by Mark Severson, he who wishes to remain anonymous, and Jamie Poris. Transferred & Edited by Bgreen. Edited and Mastered by Alex Ford.
|
notes
|
| 5415. |
12/28/81 |
Shn - 0,
10534 |
Oakland |
Oakland Auditorium Arena AUD (Senn. 421?s)> MC> DAT> CD; via Paul; Seeded to etree by Glyde
|
notes
|
| 5416. |
12/28/81 |
Flac 24 - 0,
123597 |
Oakland |
Oakland Auditorium Arena
|
notes
|
| 5417. |
12/28/81 |
Flac 16 - 0,
143470 |
Oakland |
Oakland Auditorium Arena flac16; Source Info: Joani Walker's Master Audience Cassettes; Dan Healy's AKG 414 mics > Nakamichi 550 (Maxell UDXLII C90); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5418. |
12/28/81 |
Flac 24/96 - 0,
143471 |
Oakland |
Oakland Auditorium Arena flac24; Source Info: Joani Walker's Master Audience Cassettes; Dan Healy's AKG 414 mics > Nakamichi 550(Maxell UDXLII C90); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
|
notes
|
| 5419. |
12/28/81 |
Flac 24/96 - 0,
145475 |
Oakland |
Oakland Auditorium Arena flac24; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
|
notes
|
| 5420. |
12/28/81 |
Flac 16/48 - 0,
143474 |
Oakland |
Oakland Auditorium Arena flac16; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info:Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5421. |
12/28/81 |
Flac 24/96 - 0,
143473 |
Oakland |
Oakland Auditorium Arena flac24; Set 2 only. Source Info: Master Soundboard Cassette; Sony D5 (Maxell UDXLIIS-90) Transfer Info: Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
|
notes
|
| 5422. |
12/28/81 |
Flac 16 - 0,
143472 |
Oakland |
Oakland Auditorium Arena flac16; Set 2 Source Info: Master Soundboard Cassette; Sony D5 (Maxell UDXLIIS-90); Transfer Info:Master Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5423. |
12/30/81 |
Flac 16 - 0,
117246 |
Oakland |
Oakland Auditorium Arena flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat -> CD; Set 2 Pre Drums: SBD -> Cassette Master -> PCM -> Dat -> CD; Set 2 Post Drums: SBD -> Cassette Master -> Reel -> Cassette -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5424. |
12/30/81 |
Flac 16 - 0,
96582 |
Oakland |
Oakland Auditorium Arena flac16; Source: Audience Recording Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > 16/44.1 Wave > CD Wave > TLH > flac16.
|
notes
|
| 5425. |
12/30/81 |
Flac 16 - 0,
90866 |
Oakland |
Oakland Auditorium Arena flac16; SBD>MC>DAT>CD>SHN>TLH>FLAC patched with: D2T01 Unknown Aud>MC>?>C>Sony TC-KE500S>TheCard>CoolEdit>TLH>FLAC and D2T02-3 SBD>Cm>C>C>C>C>Sony TC-KE500S>TheCard>CoolEdit>TLH>FLAC
|
notes
|
| 5426. |
12/30/81 |
Shn - 0,
8211 |
Oakland |
Oakland Auditorium Arena 1st Set SBD> MC> DAT> CD; 2nd Set Pre Drums SBD> Cm> PCM> Dat> CD>Cool Edit Pro> CD; 2nd Set Post Drums SBD> Cm> Reel> Cass> CD; via Charlie Miller; Seeded to etree by Willy
|
notes
|
| 5427. |
12/30/81 |
Flac 16 - 0,
139771 |
Oakland |
Oakland Auditorium Arena flac16; Set 1 + Set 2 Partial; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > TDK MA-90. Recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2017
|
notes
|
| 5428. |
12/30/81 |
Flac 24/96 - 0,
143560 |
Oakland |
Oakland Auditorium Arena flac24 Source Info:Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B)(TDK MA-R C90) Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
|
notes
|
| 5429. |
12/30/81 |
Flac 16 - 0,
143559 |
Oakland |
Oakland Auditorium Arena flac16 Source Info:Joani Walker's Master Audience Cassettes; Dan Healy's AKG 414 mics > Nakamichi 550(Maxell UDXLII C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
|
notes
|
| 5430. |
12/30/81 |
Flac 24/48 - 0,
147937 |
Oakland |
Oakland Auditorium Arena
|
notes
|
| 5431. |
12/31/81 |
Flac 16 - 0,
96106 |
Oakland |
Oakland Auditorium Arena flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.)
|
notes
|
| 5432. |
12/31/81 |
Flac 16 Mtx - 0,
126611 |
Oakland |
Oakland Auditorium Arena flac16; Matrix 3 Source Mix - SBD (shnid=96107) flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 96611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. + VID (no shn id) low generation video found on the internet for a video project - matrix mixing by Kevin Tobin
|
notes
|
| 5433. |
12/31/81 |
Flac 16 - 0,
33660 |
Oakland |
Oakland Auditorium Arena flac16; SBD> Cassette Master (Dolby B)> Sonic 24bit> SBM2> CD> EAC> FLAC; Transferred and Mastered By David Gans; FLAC By Charlie Miller
|
notes
|
| 5434. |
12/31/81 |
Shn - 0,
12784 |
Oakland |
Oakland Auditorium Arena Jay Ashley (Bertha) remaster of Jay Serafin's 4 TRACK RTR source; SBD> MR> PCM> DAT> CDR> SHN> DAW(Bertha)> CDA; Note- Joan Baez set missing
|
notes
|
| 5435. |
12/31/81 |
Shn - 0,
7041 |
Oakland |
Oakland Auditorium Arena electric sets; Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB; via Jay Serafin to gdlive; see extensive notes in txt files
|
notes
|
| 5436. |
12/31/81 |
Shn - 0,
14040 |
Oakland |
Oakland Auditorium Arena Acoustic set only (w/ Joan Baez); SBD > MR > CASS > DAT > CDR > EAC > SHN via Chris Warren; upgrade in circulation
|
notes
|
| 5437. |
12/31/81 |
Flac 16 - 0,
96611 |
Oakland |
Oakland Auditorium Arena flac16; Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither
|
notes
|
| 5438. |
12/31/81 |
Flac 24/96 - 0,
96107 |
Oakland |
Oakland Auditorium Arena flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller (This has fixed levels on d3t02, d3t03 and d3t04 of the previous source.)
|
notes
|
| 5439. |
12/31/81 |
Shn - 0,
14686 |
Oakland |
Oakland Auditorium Arena Master reels->cass->DAT->CD-R->EAC(x2 w/wav compare)->shn. ; upgrade in circulation
|
notes
|
| 5440. |
12/31/81 |
Shn - 0,
331 |
Oakland |
Oakland Auditorium Arena Reels > Cass > Dat > CDR; via G. Lanum; 8/00: note tracklist now apparently corrected here from what had been listed originally; see pub comments for flaw notes.; upgrade in circulation
|
notes
|
| 5441. |
12/31/81 |
Flac 16 - 0,
96082 |
Oakland |
Oakland Auditorium Arena flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 5442. |
12/31/81 |
Flac 16 - 0,
85628 |
Oakland |
Oakland Auditorium Arena flac16; Recording by Matt Field. Source: FOB Nak 100's > D-5 > D-5 > Maxell UDXL I cassettes. Transfer and Mastering: Cassette (1st Gen) playback on Nakamichi CR-7A, azimuth adjusted, no Dolby > Grace Lunatec V3, sample rate at 96 KHz > AES digital connection > LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transfer and mastering by Chris L.
|
notes
|
| 5443. |
12/31/81 |
Flac 24/96 - 0,
96090 |
Oakland |
Oakland Auditorium Arena flac24; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell UDXLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 5444. |
12/31/81 |
Flac 24/96 - 0,
143571 |
Oakland |
Oakland Auditorium Arena flac24; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496
|
notes
|
| 5445. |
12/31/81 |
Flac 16/48 - 0,
143570 |
Oakland |
Oakland Auditorium Arena flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B) (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5446. |
12/31/81 |
Flac 16/48 - 0,
143777 |
Oakland |
Oakland Auditorium Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 143571) Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 + AUD (shnid = 096611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - surround mixing by Kevin Tobin
|
notes
|
| 5447. |
12/31/81 |
Flac 16 - 0,
143773 |
Oakland |
Oakland Auditorium Arena flac16; Patched & Pitch Corrected Audience - AUD (original shnid = 96611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - pitch correction and patches by Kevin Tobin
|
notes
|
| 5448. |
12/31/81 |
Flac Dts 5.1 - 0,
143775 |
Oakland |
Oakland Auditorium Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 143571) Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 + AUD (shnid = 096611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - dts mixing by Kevin Tobin
|
notes
|
| 5449. |
12/31/81 |
Flac 16 Mtx - 0,
143774 |
Oakland |
Oakland Auditorium Arena flac16; Matrix 2 Source Mix - SBD (shnid = 143571) Source Info: Dan Healy's Master Soundboard Cassettes > Sony D5M (Dolby B) (TDK MA-R C90); Transfer Info: Master Cassettes (Dolby B)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition 3.01 > TLH flac2496 + AUD (shnid = 096611) Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither. - matrix mixing by Kevin Tobin
|
notes
|
| 5450. |
12/31/81 |
Flac 24/96 - ,
156059 |
Oakland |
Oakland Auditorium Arena flac2496 Source Info: Jim Voss's Master FOB Audience Cassettes: Sennheiser 421 mics (14th row)> Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5451. |
12/31/81 |
Flac 16/48 - ,
156058 |
Oakland |
Oakland Auditorium Arena flac1648 Source Info: Jim Voss's Master FOB Audience Cassettes: Sennheiser 421 mics (14th row)> Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5452. |
01/01/82 |
Shn - 0,
19808 |
Novato |
Mickey's ranch studio studio recording by Mickey Hart, Barry Melton, Bill Graham and others - 'The Bugs' - unreleased radio play. from 3rd gen cassette via Hanno Bunjes, Uli Teute
|
notes
|
| 5453. |
02/16/82 |
Shn - 0,
19502 |
San Francisco |
Warfield Theater MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape, about 20 feet in front of the soundboard) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1
|
notes
|
| 5454. |
02/16/82 |
Flac 16 - 0,
111364 |
San Francisco |
Warfield Theater flac16: Recorded, Transferred and Mastered by N. Hoey 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(Maxell UDXL-IIS 90) (lower loge) Nakamichi Dragon (Dolby B decoded) > RME PAD 96(A/D conversion) > Apple G4 (Peak editing) > Xact (SBE Fixed version seeded 01/08/2011.)
|
notes
|
| 5455. |
02/16/82 |
Shn - 0,
19267 |
San Francisco |
Warfield Theater Set 1 and Encore Audience (unknown mics) via Barry Bryson. C > WAV conversion by Peter Braverman, encoded by Matt Vernon
|
notes
|
| 5456. |
02/16/82 |
Flac 24/48 - 0,
149928 |
San Francisco |
Warfield Theater flac24; Set One & Encore: AUD: Unknown mics > Sony TC-D5 > Maxell MX-90, FOB recording by Brian Schley; Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged; Transferred by Andrew F. 05/2020
|
notes
|
| 5457. |
02/16/82 |
Flac 16 - 0,
149912 |
San Francisco |
Warfield Theater flac16; Source: Unknown mics > Sony TC-D5 > Maxell XLIIS 90's; Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz; Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged; Transferred by Andrew F. 05/2020
|
notes
|
| 5458. |
02/17/82 |
Flac 16 - 0,
112408 |
San Francisco |
Warfield Theater flac16;Recording Info:Set 1: SBD -> Cassette Master (TDK MA-R90); Set 2: SBD -> Cassette Master -> Cassette (Dolby C); Transfer Info:Set 1: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> FLAC/16; Set 2: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5459. |
02/17/82 |
Shn - 0,
23221 |
San Francisco |
Warfield Theater Main source: MSC>DAT>CD (http://db.etree.org/shn_downloadtxt.php?shnid=15033) Patch source: Steven Martin's MAC>DAT>CD (http://db.etree.org/shninfo_detail.php?shnid=21916) via Sean Cribbs
|
notes
|
| 5460. |
02/17/82 |
Shn - 0,
15033 |
San Francisco |
Warfield Theater Source: SBD Lineage: Master Cassette> DAT> CD> SHN; Seeded by Peter Braverman
|
notes
|
| 5461. |
02/17/82 |
Flac 16 - 0,
111448 |
San Francisco |
Warfield Theater flac16; Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(Maxell UDXL-IIS 90) (Lower Loge Section 3 Row AA Seats 3-7) Nakamichi Dragon (Dolby B decoded) > TC Electronics Konnekt8 (A/D conversion)(transferred @ 88.2/24-resampled to 44.1k/dithered to 16 bit) > Apple OS X 10.5.8 (Peak 6 editing-resampling-dithering) > Xact (SBE Fixed version seeded 01/10/2011.)
|
notes
|
| 5462. |
02/17/82 |
Flac - 0,
21916 |
San Francisco |
Warfield Theater MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding (flac 1.1.0, compression level 8)
|
notes
|
| 5463. |
02/17/82 |
Flac 16 Mtx - 0,
138012 |
San Francisco |
Warfield Theater flac16; Matrix of SBD (shnid=112408) and AUD (shnid=21916) by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
notes
|
| 5464. |
02/17/82 |
Flac 16/48 - 0,
144621 |
San Francisco |
Warfield Theater flac16/48kHz; Frank Streeter's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M (TDK SA-90); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5465. |
02/17/82 |
Flac 24/96 - 0,
144622 |
San Francisco |
Warfield Theater flac24; Frank Streeter's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M (TDK SA-90); Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 5466. |
02/19/82 |
Flac 16 - 0,
94395 |
San Diego |
Golden Hall, Community Concourse flac16; Recording Info: (FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5467. |
02/19/82 |
Flac 16 - 0,
136426 |
San Diego |
Golden Hall, Community Concourse flac 16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal. FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015
|
notes
|
| 5468. |
02/19/82 |
Shn - 0,
13570 |
San Diego |
Golden Hall, Community Concourse Sony ECM200T>SonyTCD5>C>NakDR1>PCM> PC>CoolEditBass Boost>DAT>CDR via Rick Martin, encoding by Willy, The Miami SHn Machine
|
notes
|
| 5469. |
02/19/82 |
Flac 16 - 0,
28382 |
San Diego |
Golden Hall, Community Concourse flac16; MAC (Recorded by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Plextor PX-708A extraction (EAC v0.95 prebeta 5) > tracking (CD Wave) > sector boundary verification (shntool v2.0.3) > .flac encoding (flac v1.1.0); A > D by Steven Martin, EAC> FLAC by Jack Warner
|
notes
|
| 5470. |
02/19/82 |
Shn - 0,
28732 |
San Diego |
Golden Hall, Community Concourse Recorded by Rango Keshavan 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On Playback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable > Turtle Beach Montego II Digital I/O card > PC (CDWav used to record and break up tracks)
|
notes
|
| 5471. |
02/19/82 |
Flac 24/96 - 0,
149020 |
San Diego |
Golden Hall, Community Concourse flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (55' from stage, 10' right of center, section 201, row 10, seat 4); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5472. |
02/19/82 |
Flac 16/48 - 0,
149019 |
San Diego |
Golden Hall, Community Concourse flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (55' from stage, 10' right of center, section 201, row 10, seat 4); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5473. |
02/19/82 |
Flac 24/96 - ,
151132 |
San Diego |
Golden Hall, Community Concourse flac24/96khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 5474. |
02/19/82 |
Flac 16/48 - ,
151131 |
San Diego |
Golden Hall, Community Concourse flac16/48khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 5475. |
02/19/82 |
Flac 24/48 - ,
156326 |
San Diego |
Golden Hall, Community Concourse flac2448; Source: BeyerDynamic mics > Sony TC-D5M > Maxell-MX. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022
|
notes
|
| 5476. |
02/20/82 |
Flac - 0,
94410 |
San Diego |
Golden Hall, Community Concourse flac16; Recording Info: (FOB/6th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji FeCr Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5477. |
02/20/82 |
Shn - 0,
13613 |
San Diego |
Golden Hall, Community Concourse AUD>MC>DAT>CD; via Scott Shindell; seeded to etree by Willy
|
notes
|
| 5478. |
02/20/82 |
Shn - 0,
23823 |
San Diego |
Golden Hall, Community Concourse Recording by Rango Keshevan: Nakamichi 300/CP4 -> Cassette Master (Sony TCD5M / Hitachi ME C90 Metal Tape). Transfer Info: Cassette Master (Nakamichi Deck/Azmituth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) -> Samplitude v7.02 Professional -> SHN Transfered By Bill Reutelhuber Tracked and Edited By Charlie Miller
|
notes
|
| 5479. |
02/20/82 |
Flac 24 - 0,
137590 |
San Diego |
Golden Hall, Community Concourse flac24; Set 1 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017
|
notes
|
| 5480. |
02/20/82 |
Flac - 0,
137591 |
San Diego |
Golden Hall, Community Concourse flac16; Set 1 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME-Metal, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017
|
notes
|
| 5481. |
02/20/82 |
Shn - 0,
28778 |
San Diego |
Golden Hall, Community Concourse Recorded by Rango Keshavan 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On Playback by Rango Keshavan Nak DR1 EQ Type II, Dolby B On > Sony PCMR500 DAT deck SBM On > Monster Digital Coax Cable > Turtle Beach Montego II Digital I/O card > PC (CDWav used to record and break up tracks)
|
notes
|
| 5482. |
02/20/82 |
Flac 24/96 - 0,
149022 |
San Diego |
Golden Hall, Community Concourse flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (50' from stage, 5' right of center, section 201, row 11, seat 5); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5483. |
02/20/82 |
Flac 16/48 - 0,
149021 |
San Diego |
Golden Hall, Community Concourse flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (50' from stage, 5' right of center, section 201, row 11, seat 5); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5484. |
02/20/82 |
Flac 24/96 - ,
151134 |
San Diego |
Golden Hall, Community Concourse flac24/96khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 5485. |
02/20/82 |
Flac 16/48 - ,
151133 |
San Diego |
Golden Hall, Community Concourse flac16/48khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 5486. |
02/21/82 |
Shn - 0,
16247 |
Los Angeles |
Pauley Pavilion, UCLA Sbd> cassette > dat> cdr> Eac > cool edit pro > shntool > cdwav > shnv3; eac > shnv3 (secure with proper offsets) by Ernie Dodd; Discs kindly provided by Mark Horvath
|
notes
|
| 5487. |
02/21/82 |
Flac 24/48 - 0,
144729 |
Los Angeles |
Pauley Pavilion, UCLA flac24; 2nd set only; Source: BeyerDynamic M88's > Sony TC-D5M > Maxell XLIIS. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2019
|
notes
|
| 5488. |
02/21/82 |
Flac 16 - 0,
148007 |
Los Angeles |
Pauley Pavilion, UCLA flac16; Source Info: Master Soundboard Cassette > Cassette > Dat (16/44.1); Transfer Info: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Sound Devices 744T (wav 16/44)> Adobe Audition CC 2019 > TLH flac16
|
notes
|
| 5489. |
02/21/82 |
Flac 24/96 - 0,
149024 |
Los Angeles |
Pauley Pavilion, UCLA flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (20' left of center, 35-40' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5490. |
02/21/82 |
Flac 16/48 - 0,
149023 |
Los Angeles |
Pauley Pavilion, UCLA flac16/48; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center mic 6db EQ), X/Y 85 degrees > Sony D5 (20' left of center, 35-40' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5491. |
02/21/82 |
Flac 24/96 - ,
151136 |
Los Angeles |
Pauley Pavilion, UCLA flac24/96khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 5492. |
02/21/82 |
Flac 16/48 - ,
151135 |
Los Angeles |
Pauley Pavilion, UCLA flac16/48khz Source : Nak CM700 > TC-D5 > MAC > This copy Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: This copy > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 5493. |
02/21/82 |
Flac 16/48 - ,
154098 |
Los Angeles |
Pauley Pavilion, UCLA flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5 (Maxell XLII-S 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5494. |
02/21/82 |
Flac 24/96 - ,
154099 |
Los Angeles |
Pauley Pavilion, UCLA flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Nakamichi 300 mics + CP4 capsules > Sony D5 (Maxell XLII-S 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5495. |
02/21/82 |
Flac 16 - ,
155433 |
Los Angeles |
Pauley Pavilion, UCLA flac16/44 Master Cassettes recorded by Ohr Weinberg: 2 unknown microphones (don't remember) -> Sony TC-D5M (Maxell MX-90 Cassettes with Dolby B) Transfer: Anne Cohen: AD Transfer - Master cassettes played on Nakamichi Dragon -> HHB CDR-800 -> EAC -> CD Ohr: CD > EAC >WAV > FLAC
|
notes
|
| 5496. |
03/13/82 |
Flac 16 - 0,
112858 |
Reno |
Reno Centennial Coliseum flac16 set2; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Apogee Ensemble -> Peak -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2 -> FLAC
|
notes
|
| 5497. |
03/13/82 |
Flac 24/48 - 0,
134012 |
Reno |
Reno Centennial Coliseum flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2015
|
notes
|
| 5498. |
03/13/82 |
Flac 16 - 0,
134013 |
Reno |
Reno Centennial Coliseum flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015
|
notes
|
| 5499. |
03/13/82 |
Shn - 0,
18983 |
Reno |
Reno Centennial Coliseum Set 2 Neumann M-25?s via Raoul Duke encoded by Matt Vernon
|
notes
|
| 5500. |
03/13/82 |
Shn - 0,
21918 |
Reno |
Reno Centennial Coliseum MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M on Maxell metal tape) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .flac encoding (flac 1.1.0, compression level 8) via Jack Warner
|
notes
|
| 5501. |
03/13/82 |
Flac 24/96 - 0,
149033 |
Reno |
Reno Centennial Coliseum flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (+3db bass boost) > Mixer > Sony D5 (60' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5502. |
03/13/82 |
Flac 16/48 - 0,
149032 |
Reno |
Reno Centennial Coliseum flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (+3db bass boost) > Mixer > Sony D5 (60' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5503. |
03/13/82 |
Flac 24/96 - ,
154366 |
Reno |
Reno Centennial Coliseum flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5 (Maxell XLII C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5504. |
03/13/82 |
Flac 16/48 - ,
154365 |
Reno |
Reno Centennial Coliseum flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5 (Maxell XLII C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5505. |
03/14/82 |
Shn - 0,
24457 |
Davis |
Recreation Hall, UC Davis Source: Master Soundboard Cassette > Reel to Reel > DAT > CDR; same as 7220 with sector boundary errors fixed.
|
notes
|
| 5506. |
03/14/82 |
Flac 24/48 - 0,
133984 |
Davis |
Recreation Hall, UC Davis flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLIIS (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2015
|
notes
|
| 5507. |
03/14/82 |
Flac 16 - 0,
133985 |
Davis |
Recreation Hall, UC Davis flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLIIS (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015
|
notes
|
| 5508. |
03/14/82 |
Shn - 0,
7220 |
Davis |
Recreation Hall, UC Davis Master Soundboard Cassette > Reel to Reel > DAT > CDR; CD Mastering, SHN'ed by Scott Clugston; d1 tracked for 80 min
|
notes
|
| 5509. |
03/14/82 |
Flac 24/48 - 0,
147055 |
Davis |
Recreation Hall, UC Davis flac24; Source: FOB Beyers M88's > Sony TC-D5M > Maxell XLIIS. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2019
|
notes
|
| 5510. |
03/14/82 |
Flac 16 - 0,
139382 |
Davis |
Recreation Hall, UC Davis flac16; Recording Info: SBD > Reel Master > Cassette > Dat 44.1k; Transfer Info: Dat Sony PCM-R500 > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/44.1k; Transfer By Charlie Miller; Speed correction by Jason Chastain in Adobe CC; Mastering by Jamie Waddell in Wavelab 7.2.1; FLAC8 16 bit 44.1 kHz SBE Free
|
notes
|
| 5511. |
03/14/82 |
Flac 24/96 - 0,
149035 |
Davis |
Recreation Hall, UC Davis flac24; Source Info: 1st Set: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center -3db) L/R 95 degrees, center down 20 degrees > Mixer (equal balance) > Sony D5M (30' from stage, row L, seat 8); 2nd Set: Mark Severson's Master (FOB) Audience Cassettes; 2 x Nakamichi 700 cardioids (left/right), 1 x Nakamichi 700 omni (center, -6db), L/R 80 degrees, center up 10 degrees > Mixer (equal balance) Sony D5M (30' from stage, row L, seat 8); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5512. |
03/14/82 |
Flac 16/48 - 0,
149034 |
Davis |
Recreation Hall, UC Davis flac16/48kHz; Source Info: 1st Set: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 cardioids (center -3db) L/R 95 degrees, center down 20 degrees > Mixer (equal balance) > Sony D5M (30' from stage, row L, seat 8); 2nd Set: Mark Severson's Master (FOB) Audience Cassettes; 2 x Nakamichi 700 cardioids (left/right), 1 x Nakamichi 700 omni (center, -6db), L/R 80 degrees, center up 10 degrees > Mixer (equal balance) Sony D5M (30' from stage, row L, seat 8); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5513. |
03/14/82 |
Flac 16/48 - ,
156432 |
Davis |
Recreation Hall, UC Davis flac1648 Source Info: Master Soundboard Cassettes (Sony D6) Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
|
notes
|
| 5514. |
03/14/82 |
Flac 24/96 - ,
156433 |
Davis |
Recreation Hall, UC Davis flac2496 Source Info: Master Soundboard Cassettes (Sony D6) Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
|
notes
|
| 5515. |
04/02/82 |
Shn - 0,
34846 |
Durham |
Cameron Indoor Stadium, Duke University MSC>C>DAT>CD>EAC>SHN - Seamless fix of shn id 7221 via Bill Tetzeli
|
notes
|
| 5516. |
04/02/82 |
Flac - 0,
129029 |
Durham |
Cameron Indoor Stadium, Duke University flac16; Recording Info: SBD > MC > C > ? > ? > DAT > CDR; Transfer Info: CDR > WAV > Sound Forge 10 > TLH > FLAC
|
notes
|
| 5517. |
04/02/82 |
Flac - 0,
132918 |
Durham |
Cameron Indoor Stadium, Duke University flac16; AUD Source: Low-gen, unknown taper & gear, kindly provided by Tom P. aka "Laser Beam" and poordevil. Transfer: Maxell XLII > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged; Tape transfer & editing by Andrew F. April 2015
|
notes
|
| 5518. |
04/02/82 |
Flac 24 - 0,
135561 |
Durham |
Cameron Indoor Stadium, Duke University flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Hitachi ME Metal C-90s, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2016
|
notes
|
| 5519. |
04/02/82 |
Flac - 0,
135562 |
Durham |
Cameron Indoor Stadium, Duke University flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Hitachi ME Metal C-90s, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016
|
notes
|
| 5520. |
04/02/82 |
Flac - 0,
110597 |
Durham |
Cameron Indoor Stadium, Duke University flac16; AUD Source: Nakamichi CM-700's > Sony TC-D5. Low Gen (1st or 2nd) copy, provided by Tim Friend. Transfer: Maxell XLIIs > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2010
|
notes
|
| 5521. |
04/02/82 |
Flac - 0,
132146 |
Durham |
Cameron Indoor Stadium, Duke University flac16; NAK deck > 2 90 minute UDXL II cassette masters, REC from centered seats behind the stage. Tascam 322 > Marantz CDR 510 > CDR > EAC > WAV > CD WAV Editor > Flac 8; Upgrade in circulation
|
notes
|
| 5522. |
04/02/82 |
Flac - 0,
122822 |
Durham |
Cameron Indoor Stadium, Duke University flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony TC-D5M/Maxell XLIIS/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5523. |
04/02/82 |
Shn - 0,
7221 |
Durham |
Cameron Indoor Stadium, Duke University Master Soundboard Cassette > Cassette > DAT> CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; upgrade in circulation
|
notes
|
| 5524. |
04/02/82 |
Flac 16/48 - ,
154425 |
Durham |
Cameron Indoor Stadium, Duke University flac16/48 Source Info: Master Audience Cassettes; (2) Beyer M160 + (1) Beyer M88 blend > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5525. |
04/02/82 |
Flac 24/96 - ,
154426 |
Durham |
Cameron Indoor Stadium, Duke University flac24/96 Source Info: Master Audience Cassettes; (2) Beyer M160 + (1) Beyer M88 blend > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5526. |
04/03/82 |
Flac 16 - 0,
96069 |
Norfolk |
The Scope flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5527. |
04/03/82 |
Flac 16 - 0,
119009 |
Norfolk |
The Scope flac16; Source: SBD > ? > Lo-gen Cassette, kindly provided by Seaweed1010. Transfer: Maxell MX90 > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2012
|
notes
|
| 5528. |
04/03/82 |
Flac 16 - 0,
112827 |
Norfolk |
The Scope flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony TC-D5M/Maxell XLIIS/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Bob Wagner
|
notes
|
| 5529. |
04/03/82 |
Flac 16 - 0,
82757 |
Norfolk |
The Scope flac16; Recording by Bob Wager, Nak 700s>Sony TC-D5M Transfer : A:C:D:CD. Seeded to etree by David Minches
|
notes
|
| 5530. |
04/03/82 |
Shn - 0,
23824 |
Norfolk |
The Scope Up Front Audience, Sennheiser 441 Microphones > Cassette Master > DAT (via Fostex D-10 Playback) > CD-R (hhb 800 Standalone) > EAC 0.9 > WAV > CDRWAV (for track recutting)>SHN (via MKWACT) via Fishman
|
notes
|
| 5531. |
04/03/82 |
Shn - 0,
5314 |
Norfolk |
The Scope AUD?> Bootleg CD> EAC> SHN; "liberated" by Justin Snyder
|
notes
|
| 5532. |
04/03/82 |
Flac 16 - 0,
140074 |
Norfolk |
The Scope flac16; AUD: Nakamichi CM300/CP4 shotguns > lead deck (?) > Sony TC-D5 > Maxell XLII 90's, recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017
|
notes
|
| 5533. |
04/03/82 |
Flac 16 - 0,
142851 |
Norfolk |
The Scope flac16; Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; this is 142815 24 -> 16 at 44.1
|
notes
|
| 5534. |
04/03/82 |
Flac 24 - 0,
142815 |
Norfolk |
The Scope flac24; Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 5535. |
04/03/82 |
Flac 24/48 - 0,
150384 |
Norfolk |
The Scope flac24; Source: FOB Beyers mics > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2020
|
notes
|
| 5536. |
04/03/82 |
Flac 16 Mtx - ,
163574 |
Norfolk |
The Scope flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 142851 & 140074.
|
notes
|
| 5537. |
04/05/82 |
Flac 16 - 0,
90496 |
Philadelphia |
The Spectrum flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 5538. |
04/05/82 |
Shn - 0,
113612 |
Philadelphia |
The Spectrum (FOB, 4th Row) Senn 441>Cm>Dat>CD; via Charlie Miller; Seeded to etree by Willy
|
notes
|
| 5539. |
04/05/82 |
Flac 24/48 - 0,
147439 |
Philadelphia |
The Spectrum flac24; Source: AUD (unknown gear) > MAC > 1st-Gen cassette via Richie & Rip. Transfer: Maxell XLII-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2019
|
notes
|
| 5540. |
04/05/82 |
- ,
164911 |
Philadelphia |
The Spectrum flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5541. |
04/05/82 |
- ,
154912 |
Philadelphia |
The Spectrum flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII C90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5542. |
04/06/82 |
Flac 16 - 0,
105237 |
Philadelphia |
The Spectrum flac16;Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5543. |
04/06/82 |
Flac 16 - 0,
90469 |
Philadelphia |
The Spectrum flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony D5M/Maxell XLIIS/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 5544. |
04/06/82 |
Shn - 0,
16768 |
Philadelphia |
The Spectrum AUD/fob cm>dat>cdr>eac>shn extraction and conversion by cdipietro
|
notes
|
| 5545. |
04/06/82 |
Shn - 0,
16785 |
Philadelphia |
The Spectrum Main Source: SBD(unknown lineage)>SHN(Mike Lai Seed) ; Patch Source: AUD/FOB>CM>DAT>CDR>EAC>SHN ; Remastering/Seeded by T. Wiley 4/23/03
|
notes
|
| 5546. |
04/06/82 |
Flac 24/96 - 0,
143051 |
Philadelphia |
The Spectrum flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Bob Wagner's Sony TC-D5M > Jim's Sony TC-D5M (Maxell UDXLII-C90) Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
|
notes
|
| 5547. |
04/06/82 |
Flac 16 - 0,
143370 |
Philadelphia |
The Spectrum flac16; Matrix: SBD -> Cassette Master -> Dat +2db added to SBD source and Jim Wise's Master (FOB) Audience Cassettes
|
notes
|
| 5548. |
04/06/82 |
Flac 16/48 - 0,
143050 |
Philadelphia |
The Spectrum flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Bob Wagner's Sony TC-D5M > Jim's Sony TC-D5M (Maxell UDXLII-C90)Transfer Info:Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5549. |
04/08/82 |
Flac 16 - 0,
109567 |
Syracuse |
Onongada County War Memorial flac16; Set 2 Only Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5550. |
04/08/82 |
Flac 16 - 0,
102213 |
Syracuse |
Onongada County War Memorial flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog Lineage: Sennheiser 421 > Sony TC-D5M > MAC Analog Sound Preservation: MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Jim Vita Transfer By: John Steinthal Mastering By: Bill Koucky
|
notes
|
| 5551. |
04/08/82 |
Flac 24 - 0,
136854 |
Syracuse |
Onongada County War Memorial flac24; Recording Info: (2) Beyer M160's + (1) Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); Recorded By Frank Streeter; Transferred and Mastered By Charlie Miller
|
notes
|
| 5552. |
04/08/82 |
Shn - 0,
8475 |
Syracuse |
Onongada County War Memorial Jim Wise sennheiser 421 mics; via DNC Feb 2002 Vine; seeded to etree by Matt Vernon
|
notes
|
| 5553. |
04/08/82 |
Flac 16 - 0,
103280 |
Syracuse |
Onongada County War Memorial flac16; Nak 700's > Bass Box > TCD-5M Digitized 24/48 > Sound Forge 7.0 > CD wave > Flac.16
|
notes
|
| 5554. |
04/08/82 |
Shn - 0,
14543 |
Syracuse |
Onongada County War Memorial FOB) Senn 421 -> Cm (sony D5/Dolby B)-> Dat -> Behringer UltraMatch SRC 2000 -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD; Dat -> CD Transfer done by Charlie Miller
|
notes
|
| 5555. |
04/08/82 |
Flac 16 - 0,
137071 |
Syracuse |
Onongada County War Memorial flac16; Recording Info: (2) Beyer M160's + (1) Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); Recorded By Frank Streeter; Transferred and Mastered By Charlie Miller
|
notes
|
| 5556. |
04/08/82 |
Flac 24/96 - 0,
102214 |
Syracuse |
Onongada County War Memorial flac24; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog Lineage: Sennheiser 421 > Sony TC-D5M > MAC Analog Sound Preservation: MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Jim Vita Transfer By: John Steinthal Mastering By: Bill Koucky
|
notes
|
| 5557. |
04/08/82 |
Flac 24/96 - 0,
140785 |
Syracuse |
Onongada County War Memorial flac24; source: nak 300 (3 rows fob,lc, 7’) > tcd5m > udxlii +dolby > master > tascam 122 mkii -dolby > rosetta200 > audacity (levels, normalize, tracks, fades) > flac24/96 > xact (tags, checksums); recorded: david barfield + david lane; transferred/seeded: barfield
|
notes
|
| 5558. |
04/08/82 |
Flac 24/48 - 0,
152456 |
Syracuse |
Onongada County War Memorial flac24/48 Microphones: Nakamichi 300 shotguns Recorder:Sony TC-D5M 2nd deck in line Location:10 feet behind SBD, LOC (left side of the audience/stage right) This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott & Chuck Sussman Transfer by: Kyle Holbrook
|
notes
|
| 5559. |
04/08/82 |
Flac 16/44 - 0,
152455 |
Syracuse |
Onongada County War Memorial flac16/44 Source: 1st Gen AUDCA:Nakamichi 300 shotguns > Sony TC-D5M 2nd deck in line Maxell UDXLII 90's Location:10 feet behind SBD, LOC (left side of the audience/stage right) Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott & Chuck Sussman Transfer by: Kyle Holbrook
|
notes
|
| 5560. |
04/09/82 |
Flac 16 - 0,
107054 |
Rochester |
Community War Memorial Auditorium flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5561. |
04/09/82 |
Flac 16 - 0,
105524 |
Rochester |
Community War Memorial Auditorium flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = Maxell UDXLII-S Analog Lineage: Sennheiser 421 > Sony TC-D5M > MAC Analog Sound Preservation: MAC >> Nakamichi DRAGON => Korg MR-1000 >> DSF [1-bit / 5.8 MHz Stereo] >> Korg AudioGate >> WAV [24/96] Taped By: Jim Vita Transfer By: John Steinthal Mastering By: Bill Koucky; MOTB Release: 0098 16/44.1
|
notes
|
| 5562. |
04/09/82 |
Flac 16 - 0,
32716 |
Rochester |
Community War Memorial Auditorium flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 5563. |
04/09/82 |
Shn - 0,
28204 |
Rochester |
Community War Memorial Auditorium FOB Rob Eaton Recording Senn 441's>Nak 550>DAT>CDRs>EAC>SHN (seekable). This is the same as shn id 10918 with undocumented changes to d3t05.
|
notes
|
| 5564. |
04/09/82 |
Flac 24/96 - 0,
136855 |
Rochester |
Community War Memorial Auditorium flac24; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); Recorded By Frank Streeter; Transferred and Mastered By Charlie Miller
|
notes
|
| 5565. |
04/09/82 |
Flac 16 - 0,
103245 |
Rochester |
Community War Memorial Auditorium flac16;Nak 700's > Bass Box> Digitized 24/48 > Sound Forge 7 > CD Wave > Flac 16 Recorded and seeded by David Dyche
|
notes
|
| 5566. |
04/09/82 |
Shn - 0,
10918 |
Rochester |
Community War Memorial Auditorium Rob Eaton FOB Senn 441's>Nak 550>DAT>CDR; via Mike McCarthy; seeded to etree by Darrin Sacks
|
notes
|
| 5567. |
04/09/82 |
Flac 16 - 0,
137074 |
Rochester |
Community War Memorial Auditorium flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); Recorded By Frank Streeter; Transferred and Mastered By Charlie Miller
|
notes
|
| 5568. |
04/09/82 |
Flac 24 - 0,
137581 |
Rochester |
Community War Memorial Auditorium flac24; AUD: Nakamichi CM300/CP4 shotguns > lead deck (?) > Sony TC-D5 > Maxell XLII 90's, recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017
|
notes
|
| 5569. |
04/09/82 |
Flac - 0,
137582 |
Rochester |
Community War Memorial Auditorium flac16; AUD: Nakamichi CM300/CP4 shotguns > lead deck (?) > Sony TC-D5 > Maxell XLII 90's, recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017
|
notes
|
| 5570. |
04/09/82 |
Flac 24/96 - 0,
144606 |
Rochester |
Community War Memorial Auditorium flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger 2019
|
notes
|
| 5571. |
04/09/82 |
Flac 16 - 0,
144605 |
Rochester |
Community War Memorial Auditorium flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger 2019; fixed version circulated 01/17/2019
|
notes
|
| 5572. |
04/09/82 |
Flac 24/48 - 0,
152458 |
Rochester |
Community War Memorial Auditorium flac24/48 Microphones: Beyer m201's in hat Recorder: Sony TCD5 no dolby Location: 40' from stacks in 100's reserved RT of SBD (about 12 feet above floor.) This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
|
notes
|
| 5573. |
04/09/82 |
Flac 16/44 - 0,
152457 |
Rochester |
Community War Memorial Auditorium flac16/44 Microphones: Beyer m201's in hat Recorder: Sony TCD5 no dolby Location: 40' from stacks in 100's reserved RT of SBD (about 12 feet above floor.) This Source: 1st Gen AUDCA Analog Transfer: Sony TCD5 > Denon DR330|Maxell UDXLII90 Dolby B on Digital Transfer: Nakamichi LX-5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: David Prescott Transfer by: Kyle Holbrook
|
notes
|
| 5574. |
04/09/82 |
Flac 24/96 - ,
155211 |
Rochester |
Community War Memorial Auditorium flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLIIS 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5575. |
04/09/82 |
Flac 16/48 - ,
155210 |
Rochester |
Community War Memorial Auditorium flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLIIS 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5576. |
04/11/82 |
Flac 16 - 0,
108852 |
Uniondale |
Nassau Coliseum flac16;Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5577. |
04/11/82 |
Flac 16 - 0,
114002 |
Uniondale |
Nassau Coliseum flac16; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 06/2011
|
notes
|
| 5578. |
04/11/82 |
Shn - 0,
6959 |
Uniondale |
Nassau Coliseum Jim Wise - (9th row - center) Senn 421's > Sony TC D5 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) >EAC >SHN (tracking with CDWAV); encore sourced from a beyer m160 > d5 master made at the sbd; d1 tracked for 80 min; via Darrin Sacks
|
notes
|
| 5579. |
04/11/82 |
Flac 16 - 0,
102037 |
Uniondale |
Nassau Coliseum flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 5580. |
04/11/82 |
Flac 16 Mtx - 0,
137976 |
Uniondale |
Nassau Coliseum flac16; 2 source matrix by Dusborne; Soundboard (shnid:108852), SBD -> Cassette Master -> Reel -> Dat (48k),Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.1 -> FLAC and Audience (shnid:114002), AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged
|
notes
|
| 5581. |
04/11/82 |
Flac 16 - 0,
144611 |
Uniondale |
Nassau Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger; fixed version circulated 01/17/2019
|
notes
|
| 5582. |
04/11/82 |
Flac 16/48 - ,
155626 |
Uniondale |
Nassau Coliseum flac16/48 Source Info: Master Audience Cassettes; Beyer M88 mics > unknown deck; Jim Vita's 1st generation cassette (Maxell XLIIS 90) Transfer Info: 1st generation cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5583. |
04/11/82 |
Flac 24/96 - ,
155627 |
Uniondale |
Nassau Coliseum flac24/96 Source Info: Master Audience Cassettes; Beyer M88 mics > unknown deck; Jim Vita's 1st generation cassette (Maxell XLIIS 90) Transfer Info: 1st generation cassette (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5584. |
04/12/82 |
Flac 16 - 0,
32014 |
Uniondale |
Nassau Coliseum flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 5585. |
04/12/82 |
Flac 16 - 0,
95638 |
Uniondale |
Nassau Coliseum flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; pitch corrected version of of shn id 32014
|
notes
|
| 5586. |
04/12/82 |
Flac 16 - 0,
35160 |
Uniondale |
Nassau Coliseum flac16; Fix of shn id 32014 - SBD -> Cassette Master -> Reel -> Dat (48k). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 5587. |
04/12/82 |
Flac 16 - 0,
113826 |
Uniondale |
Nassau Coliseum flac16; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 05/2011
|
notes
|
| 5588. |
04/12/82 |
Shn - 0,
9580 |
Uniondale |
Nassau Coliseum AUD>MC>DAT>CDR; via Paul; Seeded to etree by Glyde
|
notes
|
| 5589. |
04/12/82 |
Flac 24/48 - 0,
137410 |
Uniondale |
Nassau Coliseum flac24; AUD: Unknown mics (likely Beyers) > lead deck > Sony TC-D5M > Maxell XLII's, FOB recording by Brian Schley. Transfer: Set 1 (1982 1st-gen) and Set 2 (MAC) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2016
|
notes
|
| 5590. |
04/12/82 |
Flac 16 - 0,
137411 |
Uniondale |
Nassau Coliseum flac16; AUD: Unknown mics (likely Beyers) > lead deck > Sony TC-D5M > Maxell XLII's, FOB recording by Brian Schley. Transfer: Set 1 (1982 1st-gen) and Set 2 (MAC) > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2016
|
notes
|
| 5591. |
04/12/82 |
Flac 24/48 - 0,
113824 |
Uniondale |
Nassau Coliseum flac24; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 05/2011
|
notes
|
| 5592. |
04/12/82 |
Flac 16 Mtx - 0,
138011 |
Uniondale |
Nassau Coliseum flac16; 2 source matrix by Dusborne;Soundboard (shnid:95638), Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k),Transfer Info:Dat (Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 ->FLAC -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; amd Audience (shnid:113826), AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Joe Morrone; Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644
|
notes
|
| 5593. |
04/12/82 |
Flac 16 - 0,
141257 |
Uniondale |
Nassau Coliseum flac16; Source Info: Frank Streeter's Master FOB Audience Cassettes; Beyer M160 mics > Sony D5; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24/96)> Adobe Audition 3.0 (.wav 24/96) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5594. |
04/12/82 |
Flac 24/96 - 0,
141258 |
Uniondale |
Nassau Coliseum flac24; Source Info: Frank Streeter's Master FOB Audience Cassettes; Beyer M160 mics > Sony D5; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24/96)> Adobe Audition 3.0 (.wav 24/96) > TLH flac2496
|
notes
|
| 5595. |
04/12/82 |
Flac 16 - 0,
144613 |
Uniondale |
Nassau Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 5596. |
04/12/82 |
Flac 24/96 - 0,
144614 |
Uniondale |
Nassau Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 5597. |
04/14/82 |
Shn - 0,
7629 |
Glens Falls |
Glens Falls Civic Center SBD MC>Cass>DAT>CDR; via Peter Braverman
|
notes
|
| 5598. |
04/14/82 |
Flac 16 Mtx - 0,
30206 |
Glens Falls |
Glens Falls Civic Center flac16; Matrix of Soundboard and audience recording by Ohr Weinberg via PLS.
|
notes
|
| 5599. |
04/14/82 |
Flac Dts 5.1 - 0,
76504 |
Glens Falls |
Glens Falls Civic Center DTS Audio 5.1; dts version: SBD - MC > Cass > DAT > CDR and AUD - MAC > CD > WAV > SHN - dts mixed by pls
|
notes
|
| 5600. |
04/14/82 |
Shn - 0,
26234 |
Glens Falls |
Glens Falls Civic Center Recording by Ohr Weinberg: 2 Sennheiser MD421's > Sony TC-D5M 10th row (sec 102 row J seat 3) 7-8' stand, Maxell MX90 cassettes with Dolby B; A>D transfer by Anne Cohen: Master Cassette > Nakamichi Dragon (Modified by Stephen Sank) with Dolby B > HHB CDR 830plus > EAC > Sound Forge 5.0 (tape flip splice) > CD Wave Editor 1.71 > WAV > SHN, or > FLAC
|
notes
|
| 5601. |
04/14/82 |
Flac 24 - 0,
137550 |
Glens Falls |
Glens Falls Civic Center flac24; Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded By Frank Streeter
|
notes
|
| 5602. |
04/14/82 |
Flac 16 - 0,
137552 |
Glens Falls |
Glens Falls Civic Center flac16; Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded By Frank Streeter, 24bit > 16bit with r8brain
|
notes
|
| 5603. |
04/14/82 |
Flac 24/96 - 0,
144618 |
Glens Falls |
Glens Falls Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 5604. |
04/14/82 |
Flac 16 - 0,
144617 |
Glens Falls |
Glens Falls Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 5605. |
04/14/82 |
Flac 16/48 - ,
155628 |
Glens Falls |
Glens Falls Civic Center flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5606. |
04/14/82 |
Flac 24/96 - ,
155629 |
Glens Falls |
Glens Falls Civic Center flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5607. |
04/15/82 |
Flac 16 - 0,
106527 |
Providence |
Providence Civic Center flac16; AUD: 3x Nakamichi CM300/CP1's > Nakamichi 550 > Maxell XLII-S. Mics on stand, FOB floor, right center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > R8Brain > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 03/2010
|
notes
|
| 5608. |
04/15/82 |
Flac 24/96 - 0,
95435 |
Providence |
Providence Civic Center flac24; **SET 2 ONLY** Recording Info:(FOB/13th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Sony FeCr90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/24; Taped By Michael Kirschner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5609. |
04/15/82 |
Flac 16 - 0,
96434 |
Providence |
Providence Civic Center flac16; **SET 2 ONLY** Recording Info:(FOB/13th Row) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Sony FeCr90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; Taped By Michael Kirschner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5610. |
04/15/82 |
Shn - 0,
11930 |
Providence |
Providence Civic Center AUD(NAK 700's)>MC>DAT>CD; via Paul; Seeded to etree by Glyde
|
notes
|
| 5611. |
04/15/82 |
Flac 24/48 - 0,
106526 |
Providence |
Providence Civic Center flac24; AUD: 3x Nakamichi CM300/CP1's > Nakamichi 550 > Maxell XLII-S. Mics on stand, FOB floor, right center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 03/2010
|
notes
|
| 5612. |
04/15/82 |
Flac 16 - 0,
144634 |
Providence |
Providence Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger 2019
|
notes
|
| 5613. |
04/15/82 |
Flac 24/96 - 0,
144633 |
Providence |
Providence Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger 2019
|
notes
|
| 5614. |
04/15/82 |
Flac 16 - 0,
|
Providence |
Providence Civic Center
|
notes
|
| 5615. |
04/15/82 |
Flac 24/96 - ,
155569 |
Providence |
Providence Civic Center flac24/96 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S) Transfer Info: Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5616. |
04/15/82 |
Flac 16/48 - ,
155618 |
Providence |
Providence Civic Center flac16/48 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5617. |
04/17/82 |
Shn - 0,
23933 |
Hartford |
Hartford Civic Center Bertha Remaster of unknown Soundboard source (*)SBD>>???>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN
|
notes
|
| 5618. |
04/17/82 |
Shn - 0,
332 |
Hartford |
Hartford Civic Center set II; SBD> PCM> C> DAT> ZA2 downsampling> CDR; conversion: second half of the set was normalized because the levels were lower; known flaws: some mic crackle in shakedown, and a few clicks and pops- but does not have the bad diginoise in Sailor et al that's present on another widely circ copy; room for filler on each disc; via R. Nayfield
|
notes
|
| 5619. |
04/17/82 |
Flac 16 - 0,
115651 |
Hartford |
Hartford Civic Center flac16; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 08/2011
|
notes
|
| 5620. |
04/17/82 |
Flac 16 - 0,
76142 |
Hartford |
Hartford Civic Center flac16; AUD: Unknown mics (possibly Shure) > Nakamichi 550 (likely) tape deck > Maxell UDXL-II 90's, with Dolby off. Set up in Section 114, Row R, Seat 9 (Brent's side). Taped by Dennis C. (See note below.) Transfer: MAC > Sony TC-D5M (Dolby off) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-Fix, Checksums, FLAC compression) > FLAC by Andrew F.
|
notes
|
| 5621. |
04/17/82 |
Flac 16 - 0,
78747 |
Hartford |
Hartford Civic Center flac16; Recording by Barry Glassberg:FOB-Nak 700's > Sony D5 Transfer:Aud > mastercassette > DAT > CDR > EAC > Flac-level 8
|
notes
|
| 5622. |
04/17/82 |
Flac 16 - 0,
137574 |
Hartford |
Hartford Civic Center flac16; Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded By Frank Streeter; Source ID 137573 24bit > 16bit with r8brain
|
notes
|
| 5623. |
04/17/82 |
Flac 24 - 0,
137573 |
Hartford |
Hartford Civic Center flac24; Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded By Frank Streeter
|
notes
|
| 5624. |
04/17/82 |
Flac 16 - 0,
141100 |
Hartford |
Hartford Civic Center flac16; Set 2 Source Info: Vault Master Soundboard PCM > PCM (Sony L-750ESX-HFB tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 5625. |
04/17/82 |
Flac 16 - 0,
144638 |
Hartford |
Hartford Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 5626. |
04/17/82 |
Flac 24/96 - 0,
144637 |
Hartford |
Hartford Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 5627. |
04/17/82 |
Flac 16 - 0,
146324 |
Hartford |
Hartford Civic Center flac16; Recording Info: SBD > PCM Master (Sony PCM-F1/Maxell HG-T120 VHS); Transfer Info: PCM Master (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
notes
|
| 5628. |
04/17/82 |
Flac 16 Mtx - 0,
151688 |
Hartford |
Hartford Civic Center flac16; 2 Source Matrix by Dusborne; Soundboard(shnid:146324)Recording Info: SBD > PCM Master (Sony PCM-F1/Maxell HG-T120 VHS),Transfer Info:PCM Master (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro >Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X4 Suite > FLAC/16,All Transfers and Mastering by Charlie Miller;Audience(shnid:137573)Recording Info:(FOB) Beyer M160 > Cassette Master (Sony TC-D5M/TDK MA-C90)Transfer Info:Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) >KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 All Transfers and Mastering By Charlie Miller
|
notes
|
| 5629. |
04/18/82 |
Flac 16 Mtx - 0,
107090 |
Hartford |
Hartford Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 5630. |
04/18/82 |
Flac - 0,
18116 |
Hartford |
Hartford Civic Center SBD -> Cm -> PCM -> Dat(48k) via Charlie Miller
|
notes
|
| 5631. |
04/18/82 |
Flac 16 - 0,
118275 |
Hartford |
Hartford Civic Center flac16; AUD: 2x Nakamichi CM300's > Sony TC-D5M > TDK MA-90's. Set up behind the stage, recorded from the rear-facing P.A. system. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 01/2012
|
notes
|
| 5632. |
04/18/82 |
Flac 16 - 0,
82487 |
Hartford |
Hartford Civic Center flac16; AUD Source: Beyers M160's > Sony TC-D5, near the Sbd. Transfer: MAC > CDR from Jim Wise. CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC
|
notes
|
| 5633. |
04/18/82 |
Flac 16 - 0,
102038 |
Hartford |
Hartford Civic Center flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 5634. |
04/18/82 |
Flac 16 - 0,
78984 |
Hartford |
Hartford Civic Center flac16; Recording by Barry Glassberg FOB-Nak 700's > Sony D5. Transfer:Aud > mastercassette > DAT > CDR > EAC > Flac-level8
|
notes
|
| 5635. |
04/18/82 |
Shn - 0,
14487 |
Hartford |
Hartford Civic Center FOB Nak 700's taped by Mark Cohen, MAC to CDR transfer by Jim Wise using Nak Dragon > HHB cdr 800 > cdr, EAC > wav > shn by Don Chase
|
notes
|
| 5636. |
04/18/82 |
Flac 24/96 - 0,
144652 |
Hartford |
Hartford Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 5637. |
04/18/82 |
Flac 16 - 0,
144653 |
Hartford |
Hartford Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 5638. |
04/18/82 |
Flac 16/48 - ,
155702 |
Hartford |
Hartford Civic Center flac16/48 Source Info: Jim Vita's Master Audience Cassettes ; Sennheiser 421 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5639. |
04/18/82 |
Flac 24/96 - ,
155703 |
Hartford |
Hartford Civic Center flac24/96 Source Info: Jim Vita's Master Audience Cassettes ; Sennheiser 421 mics > Sony TC-D5M (Maxell XLII-S) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k)> Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5640. |
04/19/82 |
Flac 16 Mtx - 0,
89314 |
Baltimore |
Baltimore Civic Center flac16; Matrix 2 Source Mix - SBD (shn id 89313) MAC > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV + AUD (shn id 19420) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD - matrix mixing by Kevin Tobin
|
notes
|
| 5641. |
04/19/82 |
Flac 16 - 0,
89313 |
Baltimore |
Baltimore Civic Center flac16;SBD Master Cassette > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV
|
notes
|
| 5642. |
04/19/82 |
Flac 24/96 - 0,
89384 |
Baltimore |
Baltimore Civic Center flac24; SBD Master Cassette > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV
|
notes
|
| 5643. |
04/19/82 |
Flac 16 Dts 5.1 - 0,
89354 |
Baltimore |
Baltimore Civic Center flac16; DTS Audio 5.1; SBD (shn id 89313) MAC > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV + AUD (shn id 19420) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD - matrix mixing by Kevin Tobin
|
notes
|
| 5644. |
04/19/82 |
Shn - 0,
2316 |
Baltimore |
Baltimore Civic Center Master Soundboard Cassette > Cassette > DAT > CDR; EAC'ed/SHN'ed by Scott Clugston; via David Warren to abgd
|
notes
|
| 5645. |
04/19/82 |
Shn - 0,
28291 |
Baltimore |
Baltimore Civic Center same as shn id 2316 with an undocumented change to d2t05; Master Soundboard Cassette > Cassette > DAT > CDR EAC'ed/SHN'ed by Scott Clugston
|
notes
|
| 5646. |
04/19/82 |
Shn - 0,
19420 |
Baltimore |
Baltimore Civic Center MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) ; upgrade in circulation
|
notes
|
| 5647. |
04/19/82 |
Flac 16 - 0,
89371 |
Baltimore |
Baltimore Civic Center flac16; MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1) - original shnid 19420 - audio patches by Kevin Tobin
|
notes
|
| 5648. |
04/19/82 |
Flac 24/96 Mtx - 0,
89389 |
Baltimore |
Baltimore Civic Center flac24; Matrix 2 Source Mix - SBD (shn id 89313) MAC > R1 7.5ips 1/4 track > Technics RS-1506 > Grace designs Lunatec V3 (pre only) > Korg MR-1000 > DSD-DFF 1bit 5.64 Mhz > Audio Gate SW > 24/96 WAV + AUD (shn id 19420) MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD - matrix mixing by Kevin Tobin
|
notes
|
| 5649. |
04/19/82 |
Flac 24/96 - 0,
144568 |
Baltimore |
Baltimore Civic Center flac24; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 5650. |
04/19/82 |
Flac 16/48 - 0,
144567 |
Baltimore |
Baltimore Civic Center flac16/48kHz; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5651. |
04/19/82 |
Flac 16 - ,
155354 |
Baltimore |
Baltimore Civic Center Master Audience Cassettes - recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Sony TC-D5M Cassette Deck (1st & 2nd Sets: Maxell XLII-S 90 Cassettes), Dolby B Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR830Plus > CD Ohr : CD > EAC > WAV > FLAC
|
notes
|
| 5652. |
05/21/82 |
Shn - 0,
5041 |
Berkeley |
Greek Theatre, University Of California sbd master cassette > DAT > CDR > EAC > SHN; via Gerald Gorinsky with thanks to Kevin Gills, Mark Perini; see info file for flaw notes
|
notes
|
| 5653. |
05/21/82 |
Flac 16 - 0,
86330 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Pro fessional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes a flaw in the previous source.
|
notes
|
| 5654. |
05/21/82 |
Flac 16 Mtx - 0,
132100 |
Berkeley |
Greek Theatre, University Of California flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:96330) SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; CD -> Samplitude Professional v10.1 -> FLAC and Audience (shnid:109334) (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90); Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16
|
notes
|
| 5655. |
05/21/82 |
Flac 16 - 0,
96310 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade in circulation.
|
notes
|
| 5656. |
05/21/82 |
Flac 16 - 0,
109334 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16; Recorded By Bob Wagner ; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5657. |
05/21/82 |
Flac 24/96 - 0,
122438 |
Berkeley |
Greek Theatre, University Of California flac24; Recorded. transferred and edited by N. Hoey; 2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(TDK MA C-90); Nakamichi Dragon (Dolby B decoded) > Apogee Mini Me (A/D 96/24 [soft limiting OFF] ) > OSX Peak 7 (editing) > xACT 1st 3 songs not recorded and are missing on this source
|
notes
|
| 5658. |
05/21/82 |
Flac 16/48 - 0,
149236 |
Berkeley |
Greek Theatre, University Of California flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M (50' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5659. |
05/21/82 |
Flac 24/96 - 0,
149237 |
Berkeley |
Greek Theatre, University Of California flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M (50' from stage); Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5660. |
05/21/82 |
Flac 24/48 - ,
156363 |
Berkeley |
Greek Theatre, University Of California flac2448; 1st Set; Source: Sennheiser MD-421's > Sony TC-D5M > Maxell-MX. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022
|
notes
|
| 5661. |
05/22/82 |
Flac 16 Mtx - 0,
101450 |
Berkeley |
Greek Theatre, University Of California flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 5662. |
05/22/82 |
Flac 16 - 0,
96331 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5663. |
05/22/82 |
Flac 16 - 0,
82532 |
Berkeley |
Greek Theatre, University Of California flac16; Set 2 only - SBD -> MSC -> PCM -> DAT(x2) Transfer: Panasonic SV-3800 -> Optical out -> FW 410. Recorded in Samplitude v.8.01 (24/48) Re-Mastered: Wavelab v.5. -> CD Wave -> FlacFrontend Level 8 -> check sums via. TLH via M.Townshend/GEMS
|
notes
|
| 5664. |
05/22/82 |
Flac 16 - 0,
101328 |
Berkeley |
Greek Theatre, University Of California flac16; 2 Nakamichi 300 mics > Sony TC D-5m (Dolby B)(FOB on stand)(Maxell UDXL-IIS 90) Playback, Editing, Preparation info: Nakamichi Dragon (Dolby B decoded) > Panasonic SV 3700 DAT (A/D conversion 44.1)(HP data cartridge) > Apple G4 (RME interface)(Peak 5 editing) > Xact. Recorded, transferred and mastering by N. Hoey
|
notes
|
| 5665. |
05/22/82 |
Flac 16 - 0,
109335 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5666. |
05/22/82 |
Shn - 0,
5215 |
Berkeley |
Greek Theatre, University Of California soundboard -> master cassette > DAT > CDR > CDR > EAC > SHN; EAC, SHN, etreed by Gerald Gorinsky, with thanks to Kevin Gills and Mark Perini
|
notes
|
| 5667. |
05/22/82 |
Flac 24 - 0,
109336 |
Berkeley |
Greek Theatre, University Of California flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> -> Samplitude Professional v11.1 -> FLAC/24; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5668. |
05/22/82 |
Flac 16 - 0,
81059 |
Berkeley |
Greek Theatre, University Of California flac16; Unknown FOB Audience source > ? > CD > EAC > FLAC
|
notes
|
| 5669. |
05/22/82 |
Flac 16/44 - ,
155392 |
Berkeley |
Greek Theatre, University Of California flac16/44 Master Cassettes recorded by Ohr Weinberg: 2 PML (Pearl Mikrofon Laboratorium) VM-41 Microphones > PML 7320-S 48V Power Supply > Sony TC-D5M (Maxell MX-90 Cassettes with Dolby B). Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR830Plus > CD Ohr : CD > EAC > WAV > FLAC
|
notes
|
| 5670. |
05/22/82 |
Flac 16/48 - ,
156108 |
Berkeley |
Greek Theatre, University Of California flac1648 Set 2 only. Source Info: Master Audience Cassettes; Beyer M160 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5671. |
05/22/82 |
Flac 24/96 - ,
156109 |
Berkeley |
Greek Theatre, University Of California flac2496 Set 2 only. Source Info: Master Audience Cassettes; Beyer M160 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5672. |
05/23/82 |
Flac 16 Mtx - 0,
102124 |
Berkeley |
Greek Theatre, University Of California flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 5673. |
05/23/82 |
Flac 16 - 0,
96332 |
Berkeley |
Greek Theatre, University Of California flac16;Recording Info: SBD -> Cassette Master (Sony TC-D5M) -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5674. |
05/23/82 |
Shn - 0,
5058 |
Berkeley |
Greek Theatre, University Of California sbd -> Master cassette > DAT > CDR> CDR > EAC (secure mode) > SHN; EAC, SHN , upload by Gerald Gorinsky, with thanks to Kevin Gills, Mark Perini
|
notes
|
| 5675. |
05/23/82 |
Flac 16 - 0,
135249 |
Berkeley |
Greek Theatre, University Of California flac16; AUD: Unknown mics (possibly handheld Naks) > unknown lead deck > Sony TC-D5M > Maxell MX-90's, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2016
|
notes
|
| 5676. |
05/23/82 |
Flac 16 - 0,
101955 |
Berkeley |
Greek Theatre, University Of California flac16; 2 Nakamichi CM 300 mics > SONY TC D-5m(Dolby B)(TDK AD-X 90 set 1)(Maxell UDXLII-S, MX 90 set 2) Plybck: Nakamichi Dragon (Dolby B decoded) > Apple G4(RME DIGI PAD 96 A/D conversion 44.1k)(PEAK editing) > Xact
|
notes
|
| 5677. |
05/23/82 |
Flac 16 - 0,
109969 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Dolby B/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5678. |
05/23/82 |
Flac 16/48 - ,
156110 |
Berkeley |
Greek Theatre, University Of California
|
notes
|
| 5679. |
05/23/82 |
Flac 16/48 - ,
156110 |
Berkeley |
Greek Theatre, University Of California flac1648 Source Info: Master Audience Cassettes; Sennheiser 421 mics > Sony D5 > Jim Vita's 1st generation cassettes (Maxell UDXL-IIS 90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5680. |
05/23/82 |
Flac 24/96 - ,
156111 |
Berkeley |
Greek Theatre, University Of California
|
notes
|
| 5681. |
05/28/82 |
Flac 16 Mtx - 0,
120201 |
San Francisco |
Moscone Convention Center flac16; Matrix 4 Source Mix - SBD (shnid=11362) Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner + AUD1 (shn id 87547) 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8) + AUD2 (shnid=10974) Partial Set 1, complete Set 2; Source: 1st gen analog Nakamichi 300 shotguns > Sony D-5 Transfer: Nakamichi DR-3 > Apogee AD-1000 > EGO-SYS WT2496 (soundcard) > Soundforge 4.5 > CDWAVE > Mkwact; Seeded to etree by dgrabski@efn.org + VID (no shn id) video used for patching and time correction - matrix mixing by Kevin Tobin
|
notes
|
| 5682. |
05/28/82 |
Flac 16 - 0,
130199 |
San Francisco |
Moscone Convention Center flac16; (original shnid = 11362) SBD:Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner - pitch correction and patches by Kevin Tobin
|
notes
|
| 5683. |
05/28/82 |
Flac 16 - 0,
87547 |
San Francisco |
Moscone Convention Center flac16; 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8).
|
notes
|
| 5684. |
05/28/82 |
Flac Dts 5.1 - 0,
130202 |
San Francisco |
Moscone Convention Center DTS-Audio-CD 5.1 Mix; SBD (shnid=11362) Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner + AUD1 (shn id 87547) 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8) + AUD2 (shnid=10974) Partial Set 1, complete Set 2; Source: 1st gen analog Nakamichi 300 shotguns > Sony D-5 Transfer: Nakamichi DR-3 > Apogee AD-1000 > EGO-SYS WT2496 (soundcard) > Soundforge 4.5 > CDWAVE > Mkwact; Seeded to etree by dgrabski@efn.org + VID (no shn id) video used for patching and time correction - dts mixing by Kevin Tobin
|
notes
|
| 5685. |
05/28/82 |
Shn - 0,
11362 |
San Francisco |
Moscone Convention Center SBD:Unknown Gen Cassette>CD; Benefit for Vietnam Veterans with guests; See info file for details; Seeded to etree by Jim Skinner
|
notes
|
| 5686. |
05/28/82 |
Flac 16 - 0,
130200 |
San Francisco |
Moscone Convention Center flac16; (original shnid = 87547) 2nd Gen Cassette; Sennheiser 441s > Sony D5 Taper: unknown Transfer: Cassette > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 2496 > Wave L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC(8) - pitch correction and patches by Kevin Tobin
|
notes
|
| 5687. |
05/28/82 |
Shn - 0,
10947 |
San Francisco |
Moscone Convention Center Partial Set 1, complete Set 2; Source: 1st gen analog Nakamichi 300 shotguns > Sony D-5 Transfer: Nakamichi DR-3 > Apogee AD-1000 > EGO-SYS WT2496 (soundcard) > Soundforge 4.5 > CDWAVE > Mkwact; Seeded to etree by dgrabski@efn.org
|
notes
|
| 5688. |
05/28/82 |
Flac 2448 - 0,
136997 |
San Francisco |
Moscone Convention Center flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2016
|
notes
|
| 5689. |
05/28/82 |
Flac 16 - 0,
136998 |
San Francisco |
Moscone Convention Center flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2016
|
notes
|
| 5690. |
05/28/82 |
Flac 16 - 0,
131808 |
San Francisco |
Moscone Convention Center flac16; SBD: It's from a Pat Lee reel, Dick Latvala gave it to him. Maybe MC>R @3 3/4ips?? Maybe one more gen; Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered June 2014 by Matt Smith
|
notes
|
| 5691. |
05/28/82 |
Flac 24/96 - 0,
131809 |
San Francisco |
Moscone Convention Center flac24; SBD: It's from a Pat Lee reel, Dick Latvala gave it to him. Maybe MC>R @3 3/4ips?? Maybe one more gen. Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre w/ a pair of Telefunken tubes circa 1960 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC; Tranfered June 2014 by Matt Smith
|
notes
|
| 5692. |
07/17/82 |
Flac 16 - 0,
102494 |
Ventura |
Ventura County Fairgrounds flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5693. |
07/17/82 |
Flac 16 - 0,
98609 |
Ventura |
Ventura County Fairgrounds flac16; 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B ) > Nak DR-1 > HD-P2 > 24/96 Wave > Wavelab 5 > UAD Plugs > r8brain Pro > izotope ozone mbit + > 16/44.1 Wave > Wavelab (tracking) > TLH (flac lvl8 )
|
notes
|
| 5694. |
07/17/82 |
Flac 16 - 0,
136979 |
Ventura |
Ventura County Fairgrounds flac16; Set 2 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patch) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2016
|
notes
|
| 5695. |
07/17/82 |
Flac 16 - 0,
102172 |
Ventura |
Ventura County Fairgrounds flac16; Source: (FOB) Nakamichi CM-300s w/CP-4 Shotguns -> Sony WM-D6 -> WM-D6(M-Cass) Lineage: Cass/1 -> HHb CDR 800 PRO via analog i/o Taped by: Jim Ho Transferred by: Jeff Bowen CDR>EAC>TLH(6)>FLAC: Brad Foster (10/25/09)
|
notes
|
| 5696. |
07/17/82 |
Shn - 0,
8483 |
Ventura |
Ventura County Fairgrounds Senn 421's>MC>DAT>CDR; Believed to be Jim Wise's recording; Seeded to etree by Willy
|
notes
|
| 5697. |
07/17/82 |
Flac 16/48 - 0,
139532 |
Ventura |
Ventura County Fairgrounds flac16/48kHz; Jim Wise FOB recording: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) > DAT; Charlie Miller transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/48; Checksum & tags created in xACT
|
notes
|
| 5698. |
07/17/82 |
Flac 24/48 - ,
152880 |
Ventura |
Ventura County Fairgrounds flac2448; Source: FOB Beyers mics > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021
|
notes
|
| 5699. |
07/17/82 |
Flac 24/96 - ,
156183 |
Ventura |
Ventura County Fairgrounds flac2496 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5700. |
07/17/82 |
Flac 16/48 - ,
156182 |
Ventura |
Ventura County Fairgrounds flac1648 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5701. |
07/18/82 |
Flac 16 - 0,
102501 |
Ventura |
Ventura County Fairgrounds flac16; Recording Info: (FOB) (2) Sennheiser 421 + (1) Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5702. |
07/18/82 |
Flac 16 - 0,
98604 |
Ventura |
Ventura County Fairgrounds flac16; Source: aud > Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) > -15 db pads > 3 mic mixer Preamp > Patchbay > Sony D5 > MAC (Dolby B) taping position: 25 foot back, Dead Center Lineage: mac > Nak DR-1 > HD-P2 > 24/96 Wave > Adobe Audition > Wavelab (with Izotope Ozone 4 and Algorithmix Pro) > iZotope RX Advanced > 16/44.1 wave > CD Wave > TLH > flac16
|
notes
|
| 5703. |
07/18/82 |
Shn - 0,
8484 |
Ventura |
Ventura County Fairgrounds Senn 421's>MC>DAT>CDR; Believed to be Jim Wise recordings; Seeded to etree by Willy
|
notes
|
| 5704. |
07/18/82 |
Shn - 0,
17030 |
Ventura |
Ventura County Fairgrounds Recording by Ohr Weinberg, FOB w/ two Sennheiser MD-441's (8 1/2' Stand) > Sony TC-D5M (Maxell MX-90 Cassettes w/ Dolby B). A->D (Ohr): Master Cassette > Nakamichi Dragon > HHB CDR 830 Plus > EAC -> CD Wave > Drums Tape Flip Spliced w/ Soundforge 5.0 > MKW ACT > SHN
|
notes
|
| 5705. |
07/18/82 |
Flac 16 - 0,
100203 |
Ventura |
Ventura County Fairgrounds flac16; Recording and transfer info: FOB audience recording, taper and equipment unknown - may have been Dan Healy Master cassette -> metal cassette x 2 -> CD-R (Sony K717ES -> Marantz CDR500) -> Audacity -> FLAC; Pitch adjusted - 1% to match patch source. Transferred and mastered by Tom Van Sant, July 2009; fixed version now in circulation
|
notes
|
| 5706. |
07/18/82 |
Flac 16 - 0,
100727 |
Ventura |
Ventura County Fairgrounds flac16; Recording and transfer info: FOB audience recording, taper and equipment unknown Master cassette -> metal cassette x 2 -> CD-R (Sony TC-K717ES -> Marantz CDR500) -> Audacity -> AIFF -> FLAC Pitch adjusted - 1% to match patch source Transferred and mastered by Tom Van Sant; this is a fixed version of source ID 100203
|
notes
|
| 5707. |
07/18/82 |
Flac 16 - 0,
102176 |
Ventura |
Ventura County Fairgrounds flac16; Source: (FOB) Nakamichi CM-300s w/CP-4 Shotguns -> Sony WM-D6 -> WM-D6(M-Cass) Lineage: Cass/1 -> HHb CDR 800 PRO via analog i/o Taped by: Jim Ho
|
notes
|
| 5708. |
07/18/82 |
Flac 16 - 0,
146889 |
Ventura |
Ventura County Fairgrounds flac16; 3 Nakamichi 700s (DBX II) > Master Cassette > PCM (2); Bill Reutelhuber transfer: PCM > Sony PCM601esd (spdif out) > VX Pocket/Laptop > Nuendo > Wav 16/44; Edited & Mastered by Joe Noel: Wav > Audacity > Flac 16/44
|
notes
|
| 5709. |
07/18/82 |
Flac 24/96 - ,
156185 |
Ventura |
Ventura County Fairgrounds flac2496 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5710. |
07/18/82 |
Flac 16/48 - ,
156184 |
Ventura |
Ventura County Fairgrounds flac1648 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5711. |
07/25/82 |
Flac 16 - 0,
102502 |
Tempe |
Compton Terrace Amphitheatre flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5712. |
07/25/82 |
Shn - 0,
18481 |
Tempe |
Compton Terrace Amphitheatre Lineage: AUD>?>DAT>CD>EAC>SHN>WAV>CE2K>CDWAVE>SHNTOOL>mkwACT. Source possibly Jim Wise FOB. Editing/Tracking/Seeding by JBGoode & MattMan
|
notes
|
| 5713. |
07/25/82 |
Flac 16 - 0,
80279 |
Tempe |
Compton Terrace Amphitheatre flac16; Recording by Jim Vita: 2 Sennheiser 421s> Sony D-5 (TDK MA-R) Transfer: Master cassette played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC Transfer and FLAC encoding by David Minches
|
notes
|
| 5714. |
07/25/82 |
Flac 2448 - 0,
137191 |
Tempe |
Compton Terrace Amphitheatre flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > TDK-MA (Set 1), Maxell-MX (Set 2), FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2016
|
notes
|
| 5715. |
07/25/82 |
Flac 2448 - 0,
138609 |
Tempe |
Compton Terrace Amphitheatre flac24 48khz Source: Master Audience Recording: Beyer M 201c Location: 150 feet from stage|40 ft LOC (on axis with LT stack) Lineage - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Transfer: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-7k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
|
notes
|
| 5716. |
07/25/82 |
Flac 16/44 - 0,
138608 |
Tempe |
Compton Terrace Amphitheatre flac16 44 khz Source: Master Audience Recording: Beyer M 201c Location: 150 feet from stage|40 ft LOC (on axis with LT stack) Lineage - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Transfer: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-7k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
|
notes
|
| 5717. |
07/25/82 |
Flac 16 - 0,
142278 |
Tempe |
Compton Terrace Amphitheatre flac16; Marc Severson & Anonymous Recording (FOB): Nakamichi 700s (DBX II) > Master Cassette > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Wav 16/44
|
notes
|
| 5718. |
07/25/82 |
Flac 16 - 0,
137192 |
Tempe |
Compton Terrace Amphitheatre flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > TDK-MA (Set 1), Maxell-MX (Set 2), FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016
|
notes
|
| 5719. |
07/25/82 |
Flac 24/96 - ,
156345 |
Tempe |
Compton Terrace Amphitheatre flac2496 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5720. |
07/25/82 |
Flac 16/48 - ,
156344 |
Tempe |
Compton Terrace Amphitheatre flac1648 Source Info: Jim Vita's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M (TDK MA-R 90) Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 5721. |
07/25/82 |
Flac 16 - ,
156388 |
Tempe |
Compton Terrace Amphitheatre flac16; Nakamichi CM304>Sony TCD-5M (Maxell XLllS) > FOB, Stand at 6 feet Taper: >Michael Gardner, edited and uploaded by Tony Suraci
This is your collection
|
notes
|
| 5722. |
07/25/82 |
Flac 24/48 - ,
156387 |
Tempe |
Compton Terrace Amphitheatre flac2448; Nakamichi CM304>Sony TCD-5M (Maxell XLllS) > FOB, Stand at 6 feet Taper: >Michael Gardner, edited and uploaded by Tony Suraci
|
notes
|
| 5723. |
07/25/82 |
Flac 24/48 - ,
156497 |
Tempe |
Compton Terrace Amphitheatre flac2448; 2nd set; Source: BeyerDynamic mics > Sony TC-D5M > TDK MA-90. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022
|
notes
|
| 5724. |
07/27/82 |
Flac 16 Mtx - 0,
109780 |
Morrison |
Red Rocks Amphitheatre flac16; Matrix 60% soundboard/40% audience; sources: 1 - SBD>Cass/1>DAT>HD-P2>Soundforge 6.0>Flac Frontend>FLAC (shnid 78746) Tranfer by Jake Clemens 2 - (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) (shnid 102570) Transfers and Mastering By Charlie Miller
|
notes
|
| 5725. |
07/27/82 |
Flac 16 - 0,
129411 |
Morrison |
Red Rocks Amphitheatre flac16 ; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes; Senn 441's>Sony D5>Mason's Nak 550: Transferred on Mason's restored Nak550 properly
|
notes
|
| 5726. |
07/27/82 |
Flac 16 - 0,
78746 |
Morrison |
Red Rocks Amphitheatre flac16; Source: SBD>Cass/1>DAT>HD-P2>Soundforge 6.0>Flac Frontend>FLAC Tranfer by: Jake Clemens
|
notes
|
| 5727. |
07/27/82 |
Flac 24/96 - 0,
143384 |
Morrison |
Red Rocks Amphitheatre flac24; Recording Info: (FOB) (2)Beyer M160 + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller
|
notes
|
| 5728. |
07/27/82 |
Flac 16 - 0,
134383 |
Morrison |
Red Rocks Amphitheatre flac16; Recording Info: (FOB) (2)Beyer M160 + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller
|
notes
|
| 5729. |
07/27/82 |
Flac 16 - 0,
135510 |
Morrison |
Red Rocks Amphitheatre flac16; nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> 16/44.1 > xACT flac; taped by Doug Lamarre; transferred and seeded by Rob Berger
|
notes
|
| 5730. |
07/27/82 |
Flac 24/96 - 0,
135509 |
Morrison |
Red Rocks Amphitheatre flac24; nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; taped by Doug Lamarre; transferred and seeded by Rob Berger
|
notes
|
| 5731. |
07/27/82 |
Flac 16 - 0,
102570 |
Morrison |
Red Rocks Amphitheatre flac16;Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5732. |
07/27/82 |
Shn - 0,
4705 |
Morrison |
Red Rocks Amphitheatre Recording by Jim Wise FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression and Upload by Mike "dankstar" Parrillo; note crossfade applied on Drumz tape flip
|
notes
|
| 5733. |
07/27/82 |
Flac 24/96 - 0,
138611 |
Morrison |
Red Rocks Amphitheatre flac24 48khz Source Audience Recording: Beyer M 201c Location: 75 feet from stage|30' LOC Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
|
notes
|
| 5734. |
07/27/82 |
Flac 16 44,1 - 0,
138610 |
Morrison |
Red Rocks Amphitheatre flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 75 feet from stage|30' LOC Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
|
notes
|
| 5735. |
07/27/82 |
Flac 16 - 0,
141510 |
Morrison |
Red Rocks Amphitheatre flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 5736. |
07/27/82 |
Flac 16 - 0,
142566 |
Morrison |
Red Rocks Amphitheatre flac16; Marc Severson & Anonymous Recording (FOB): Nakamichi 700s > DBX box II > Master Cassette > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Wav 16/44
|
notes
|
| 5737. |
07/27/82 |
Flac 16/48 - ,
156434 |
Morrison |
Red Rocks Amphitheatre flac1648 Source Info: Master Audience Cassettes; Beyer M88 mics > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX-90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
|
notes
|
| 5738. |
07/27/82 |
Flac 24/96 - ,
156435 |
Morrison |
Red Rocks Amphitheatre flac2496 Source Info: Master Audience Cassettes; Beyer M88 mics > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX-90) Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
|
notes
|
| 5739. |
07/28/82 |
Flac 16 - 0,
129707 |
Morrison |
Red Rocks Amphitheatre flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on crome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak55
|
notes
|
| 5740. |
07/28/82 |
Flac 24/96 - 0,
134511 |
Morrison |
Red Rocks Amphitheatre flac24; Recording Info: (FOB) (3)Nakamichi 700 -> dbx 222 -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) -> dbx 224 -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller
|
notes
|
| 5741. |
07/28/82 |
Flac 16 - 0,
134510 |
Morrison |
Red Rocks Amphitheatre flac16; Recording Info: (FOB) (3)Nakamichi 700 -> dbx 222 -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) -> dbx 224 -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller
|
notes
|
| 5742. |
07/28/82 |
Flac 24 - 0,
135515 |
Morrison |
Red Rocks Amphitheatre flac24; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
|
notes
|
| 5743. |
07/28/82 |
Flac 16 - 0,
135514 |
Morrison |
Red Rocks Amphitheatre flac16; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2,compact flash > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger
|
notes
|
| 5744. |
07/28/82 |
Flac 16 - 0,
102571 |
Morrison |
Red Rocks Amphitheatre flac16;Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5745. |
07/28/82 |
Shn - 0,
4980 |
Morrison |
Red Rocks Amphitheatre FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression & Upload by Mike "dankstar" Parrillo; note another version circulates with some different md5s
|
notes
|
| 5746. |
07/28/82 |
Flac 24/48 - 0,
138613 |
Morrison |
Red Rocks Amphitheatre flac24 48khz Source Audience Recording: Beyer M 201c Location: 50 feet from stage|DFC Lineage FOB - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II 90, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
|
notes
|
| 5747. |
07/28/82 |
Flac 16 - 0,
142567 |
Morrison |
Red Rocks Amphitheatre flac16; Marc Severson & Anonymous Recording (FOB): Nakamichi 700s > DBX box II > Master Cassette > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Wav 16/44
|
notes
|
| 5748. |
07/28/82 |
Flac 16/44,1 - 0,
138612 |
Morrison |
Red Rocks Amphitheatre flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 50 feet from stage|DFC Lineage FOB - Beyer M201's (hyper cardiod)in in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II 90, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 2 dB overall bass boost below 400Hz & 1.5dB 500-1k mid boost. set 2 equalized with less bass boost. Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
|
notes
|
| 5749. |
07/28/82 |
Flac 16 - 0,
32707 |
Morrison |
Red Rocks Amphitheatre flac16; Source: Soundboard of unknown lineage > ? > Cassette. Transfer: Cassettes > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-Fix, Checksums, and FLAC Compression) > FLAC
|
notes
|
| 5750. |
07/29/82 |
Flac 16 - 0,
129722 |
Morrison |
Red Rocks Amphitheatre flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550
|
notes
|
| 5751. |
07/29/82 |
Flac 16 - 0,
102569 |
Morrison |
Red Rocks Amphitheatre flac16; Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5752. |
07/29/82 |
Flac 24 - 0,
135525 |
Morrison |
Red Rocks Amphitheatre flac24; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell udxl-II90, mx90, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
|
notes
|
| 5753. |
07/29/82 |
Flac 16 - 0,
135524 |
Morrison |
Red Rocks Amphitheatre flac16; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell udxl-II90, mx90, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> 16/44.1 > xACT flac; transferred and seeded by Rob Berger
|
notes
|
| 5754. |
07/29/82 |
Flac 24 - 0,
135532 |
Morrison |
Red Rocks Amphitheatre flac24; Recording Info: (FOB) (2)Beyer M160's + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller
|
notes
|
| 5755. |
07/29/82 |
Flac 16 - 0,
135533 |
Morrison |
Red Rocks Amphitheatre flac16; Recording Info: (FOB) (2)Beyer M160's + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller
|
notes
|
| 5756. |
07/29/82 |
Shn - 0,
4722 |
Morrison |
Red Rocks Amphitheatre nearly same info as previous shn set, but checksums differ for d1t1,8, d2t1, d3t1; unspecified editing or reDAE?; via Mike Lai; upgrade in circulation
|
notes
|
| 5757. |
07/29/82 |
Flac 16 - 0,
102039 |
Morrison |
Red Rocks Amphitheatre flac16; Nakamichi CM-300 shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 5758. |
07/29/82 |
Shn - 0,
4981 |
Morrison |
Red Rocks Amphitheatre FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression & Upload by Mike "dankstar" Parrillo; ; note another version circulates with some different md5s
|
notes
|
| 5759. |
07/29/82 |
Flac 2448 - 0,
138615 |
Morrison |
Red Rocks Amphitheatre flac24 48khz Source Audience Recording: Beyer M 201c Location: 110 feet from stage|DFC (1st row behind soundboard) Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 All but Minglewood: equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost. set 2 equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
|
notes
|
| 5760. |
07/29/82 |
Flac 16 - 0,
142568 |
Morrison |
Red Rocks Amphitheatre flac16; Marc Severson & Anonymous Recording (FOB): Nakamichi 700s > DBX box II > Master Cassette > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44
|
notes
|
| 5761. |
07/29/82 |
Flac 16/44,1 - 0,
138614 |
Morrison |
Red Rocks Amphitheatre flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 110 feet from stage|DFC (1st row behind soundboard) Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 All but Minglewood: equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost. set 2 equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
|
notes
|
| 5762. |
07/29/82 |
Flac 24/48 - ,
156430 |
Morrison |
Red Rocks Amphitheatre flac2448; Source: BeyerDynamic mics > Sony TC-D5M > TDK MA-90s. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022
|
notes
|
| 5763. |
07/31/82 |
Flac 16 Mtx - 0,
30625 |
Austin |
Manor Downs flac16; SBD/AUD matrix - Sick Bits Vol. 11 (edited/mixed from 2 previously circulating sources: SBD - shnID=3415, AUD - shnID=19017) - prepared by Chris Chappell
|
notes
|
| 5764. |
07/31/82 |
Flac 16 - 0,
112575 |
Austin |
Manor Downs fkac16: Exact "as is" untouched DAT transfers from Dick Latvala Transfered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz
|
notes
|
| 5765. |
07/31/82 |
Shn - 0,
13310 |
Austin |
Manor Downs Lineage: Soundboard>Master Cassette>Cassette>Dat>CDR>EAC>SHN; Cleanup of previous Jeff M seed (by Chris Perkins); See info file for details; upgrade in circulation
|
notes
|
| 5766. |
07/31/82 |
Flac 16 - 0,
31002 |
Austin |
Manor Downs flac16; SBD -> Cassette Master -> Dat (44.1k) Transferred and Edited By Charlie Mille
|
notes
|
| 5767. |
07/31/82 |
Shn - 0,
3419 |
Austin |
Manor Downs Soundboard> Master Cassette> Cassette> Dat> CDR> EAC> SHN; DAE (EAC) + SHN Encoding by Jeff M.; upgrade in circulation
|
notes
|
| 5768. |
07/31/82 |
Shn - 0,
19017 |
Austin |
Manor Downs MAC (Taped by Steven Martin, modified Nakamichi CM-700 mics > Sony TC-D5M) > Nak Dragon playback > Cardas audiophile cables > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
|
notes
|
| 5769. |
07/31/82 |
Flac 24/48 - 0,
138617 |
Austin |
Manor Downs flac24 48khz Source Audience Recording: Beyer M 201c Location: 85 feet from stage|DFC (15 feet in front of soundboard) Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
|
notes
|
| 5770. |
07/31/82 |
Flac 16 44,1 - 0,
138616 |
Austin |
Manor Downs flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 85 feet from stage|DFC (15 feet in front of soundboard) Lineage FOB - Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
|
notes
|
| 5771. |
07/31/82 |
Flac 16 - 0,
141511 |
Austin |
Manor Downs flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 5772. |
08/01/82 |
Shn - 0,
10226 |
Oklahoma City |
Zoo Amphitheater SBD>MC>DAT>CD; Missing JBG & US Blues; via Steve Wigley; Seeded to etree by Willy
|
notes
|
| 5773. |
08/01/82 |
Flac 16 Mtx - 0,
124193 |
Oklahoma City |
Zoo Amphitheater flac16; 2 Source Matrix by dusborne; Soundboard (shnid:10226) SBD>MC>DAT>CD EAC/SHN by Willy and Audience (shnid:82883) Source: (FOB) Nakamichi CM-700s > Sony TC-D5M > MC > Cassette x2 Location: FOB, 12th Row, LOC Taper: David Seligman Transfer: 2nd GEN Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR >Lunatec V3 (@24 bit 96 kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer(dither) > 16 bit WAV > CD Wave Editor > TLH > FLAC16. Transfer, edits and conversion by Alex Ford
|
notes
|
| 5774. |
08/01/82 |
Flac 24 - 0,
124646 |
Oklahoma City |
Zoo Amphitheater flac24; Akg CE1 > Uher Cr240 > Tandberg Tcd-420A >1st Gen TDK SA-X 90 Tapes > Nak Dragon Tape Deck > Korg Mr1000 > Adobe Audition CS6 > Traders Little Helper
|
notes
|
| 5775. |
08/01/82 |
Flac 16 - 0,
82883 |
Oklahoma City |
Zoo Amphitheater flac16; (FOB) Nakamichi CM-700s > Sony TC-D5M > MC > Cassette x2 Taper: David Seligman Transfer: 2nd GEN Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3 (@24 bit 96 kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer(dither) > 16 bit WAV > CD Wave Editor > TLH > FLAC16. 2nd GEN cassettes provided by Jake Feinberg. Transfer, edits and conversion by Alex Ford 02/26/07.
|
notes
|
| 5776. |
08/01/82 |
Flac 16 - 0,
124647 |
Oklahoma City |
Zoo Amphitheater flac16; Akg CE1 > Uher Cr240 > Tandberg Tcd-420A >1st Gen TDK SA-X 90 Tapes > Nak Dragon Tape Deck > Korg Mr1000 > Adobe Audition CS6 > Traders Little Helper
|
notes
|
| 5777. |
08/01/82 |
Flac 16/44,1 - 0,
138679 |
Oklahoma City |
Zoo Amphitheater flac16 44.1khz Master: Nakamichi 300 guns 120 feet from stage|12 feet up|DFC >>Nakamichi 550 >>Sony TCD5M; Maxell XLII 90, Dolby B on Transfer: Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
|
notes
|
| 5778. |
08/01/82 |
Flac 24/48 - 0,
138680 |
Oklahoma City |
Zoo Amphitheater flac24 48khz Master: Nakamichi 300 guns 120 feet from stage|12 feet up|DFC >>Nakamichi 550 >>Sony TCD5M; Maxell XLII 90, Dolby B on Transfer: Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
|
notes
|
| 5779. |
08/01/82 |
Flac 16 - 0,
141594 |
Oklahoma City |
Zoo Amphitheater flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 5780. |
08/01/82 |
Flac 16/44 - 0,
152430 |
Oklahoma City |
Zoo Amphitheater flac16/44 2 Beyerm160>Sony TCD5M Master Tape > SHN > CD > EAC > FLAC
|
notes
|
| 5781. |
08/01/82 |
Flac 16/44 - ,
155757 |
Oklahoma City |
Zoo Amphitheater flac16/44 Master Audience Cassettes - recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Sony TC-D5M Cassette Deck (1st & 2nd Sets: Maxell MX 90 Cassettes), Dolby B Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR800 > CD Ohr : CD > EAC > WAV > FLAC
|
notes
|
| 5782. |
08/03/82 |
Flac 16 - 0,
77196 |
Kansas City |
Starlight Theater flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 5783. |
08/03/82 |
Flac 16 - 0,
30705 |
Kansas City |
Starlight Theater flac16; Sick Bits Vol. 12, SBD/AUD matrix of two previously circulating sources; SBD: shnid=19228, AUD: shnid=5984; edited and mixed by Chris Chappell.
|
notes
|
| 5784. |
08/03/82 |
Shn - 0,
19228 |
Kansas City |
Starlight Theater Lineage:SBD>MC>PCM>DAT>CDR Missippi Half-Step cuts in at 12 seconds, Cassidy has several cuts throughout , Let It Grow cuts at tailend as they play out to drums * Aud patch assumed from widely circulated audience source ; upgrade in circulation
|
notes
|
| 5785. |
08/03/82 |
Flac 16 - 0,
136587 |
Kansas City |
Starlight Theater flac16; AUD: FOB, Sennheiser 441's > Sony TC-D5 > MAC > (likely) 1st Gen, from the Brian Schley tape collection; Transfer: TDK-MA > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F.
|
notes
|
| 5786. |
08/03/82 |
Shn - 0,
5984 |
Kansas City |
Starlight Theater Recording by Paul Hogan. MC (FOB, 27th Row, , Senn 441's > Sony TC-D5) > DAT > CD; includes SBD: ? > C patches in d1t5,6 by Alan Fink; orig CD seed from Paul B.; note md5s for unpatched d1t5,6 are also included for reference
|
notes
|
| 5787. |
08/03/82 |
Flac 16 - 0,
121407 |
Kansas City |
Starlight Theater flac16; Set 2 Source (unconfirmed): AKG CE-1 > UHER CR-40 (cassette master audience); Transfer: unknown cassette > ? > CD; CD > FLAC
|
notes
|
| 5788. |
08/03/82 |
Flac 24/96 - 0,
131973 |
Kansas City |
Starlight Theater flac24; Aud -> AKG CE1s -> Uher CR240 cassette -> Uher Royal Deluxe 7.5 ips -> Korg MR1000 @24/96 -> AudioGate -> flac level 8; Recorded by Jimi, transferred to digital by CR. AudioGate was used for tracking only
|
notes
|
| 5789. |
08/03/82 |
Flac 16 - 0,
33614 |
Kansas City |
Starlight Theater flac16; Patch fix of shnid 19228 by Bill Tetzeli; Main source: SBD> MC> PCM> DAT> CDR> EAC> SHN; Patch source: MAC> DAT> CD> EAC> SHN; upgrade in circulation. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 5790. |
08/03/82 |
Flac 24/48 - 0,
138619 |
Kansas City |
Starlight Theater flac24 48khz Master: Nakamichi cm300|cp4 shotgun capsules >> Nakamichi 550 >>Sony TCD5M 2nd in line; Maxell XLII 90, Dolby B on Location: set1] 100 feet from stage| 8 feet up|25 ft LOC set2] 85 feet from stage|10 feet up|5 ft LOC Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48|SD Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 20-400 Hz cut ~2.5dB down. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
|
notes
|
| 5791. |
08/03/82 |
Flac 16.44,1 - 0,
138618 |
Kansas City |
Starlight Theater flac16 44.1khz Master: Nakamichi cm300|cp4 shotgun capsules >> Nakamichi 550 >>Sony TCD5M 2nd in line; Maxell XLII 90, Dolby B on Location: set1] 100 feet from stage| 8 feet up|25 ft LOC set2] 85 feet from stage|10 feet up|5 ft LOC Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48|SD Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with 20-400 Hz cut ~2.5dB down. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
|
notes
|
| 5792. |
08/03/82 |
Flac 24/96 - 0,
140037 |
Kansas City |
Starlight Theater flac24; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017
|
notes
|
| 5793. |
08/03/82 |
Flac 16 - 0,
145217 |
Kansas City |
Starlight Theater flac16; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017; This file set is 16 bit @ 44.1
|
notes
|
| 5794. |
08/04/82 |
Flac 16 - 0,
93839 |
St. Louis |
Kiel Auditorium flac16; Source: Soundboard Lineage: SBD > ? > PCM > played through HHb CDR800 for digital signal lock > DAT (probably Panasonic SV3500 or SV3700). DAT > PCM-M1 > S/Pdif > Protools 4.1.1 > Audiomedia III PCI card > Powermac G3/266 > Protools 4.1.1 > AIFF > Powermac G4 MDD/ Dual 1.42 > Audacity 1.2.6 (tracking in 1/75 second increments) > AIFF\'s > xACT 1.64 > FLAC via morst
|
notes
|
| 5795. |
08/04/82 |
Shn - 0,
7388 |
St. Louis |
Kiel Auditorium SBD>MasterCass>DAT>CD; via Scott Whitford; Seeded to etree by Willy
|
notes
|
| 5796. |
08/04/82 |
Flac 16 - 0,
136573 |
St. Louis |
Kiel Auditorium flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell UDXLII 90s. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. July 2016
|
notes
|
| 5797. |
08/04/82 |
Flac 24/48 - 0,
138621 |
St. Louis |
Kiel Auditorium flac24 48khz Source Audience Master Recording: Beyer M 201c Location: 25 feet from RT stacks (on axis with RT stack)|side section about 15 rows off floor Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II Dolby B ON Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with overall bass boost below 400Hz, & some mid cut. set 2 equalized with less bass boost. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
|
notes
|
| 5798. |
08/04/82 |
Flac 16 44,1khz - 0,
138620 |
St. Louis |
Kiel Auditorium flac16 44.1khz Source Audience Master Recording: Beyer M 201c Location: 25 feet from RT stacks (on axis with RT stack)|side section about 15 rows off floor Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5 w Maxell XL-II Dolby B ON Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 equalized with overall bass boost below 400Hz, & some mid cut. set 2 equalized with less bass boost. Taped by: Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
|
notes
|
| 5799. |
08/04/82 |
Flac 16 - 0,
141652 |
St. Louis |
Kiel Auditorium flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 5800. |
08/04/82 |
Flac 24/48 - ,
153018 |
St. Louis |
Kiel Auditorium flac2448; Source: FOB Beyers mics > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2021
|
notes
|
| 5801. |
08/06/82 |
Flac 16 Mtx - 0,
101618 |
St. Paul |
St. Paul Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 5802. |
08/06/82 |
Flac 16 - 0,
118462 |
St. Paul |
St. Paul Civic Center flac16; Recording Info: SBD -> Cassette Master -> Cassette (Sony TC-D5M/Dolby B/TDK MA-C90); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5803. |
08/06/82 |
Flac 16 Mtx - 0,
125889 |
St. Paul |
St. Paul Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging and embedded cover art)
|
notes
|
| 5804. |
08/06/82 |
Shn - 0,
16043 |
St. Paul |
St. Paul Civic Center S : MC > C1 > DAT > CDR > SHN Steve Apria's soundboard master cassette->Mark Cohen's cassette->DAT->CDR->.WAV->SHN (Steve Apria lost the master cassette years ago); Identical to previous sbd seed, except for d1t's 6&7; Aud patch in El Paso and silence removed from Bird Song by Darryl Hinko; See info file for details
|
notes
|
| 5805. |
08/06/82 |
Shn - 0,
15028 |
St. Paul |
St. Paul Civic Center S : MC > C1 > DAT > CDR > SHN Steve Apria's soundboard master cassette->Mark Cohen's cassette->DAT->CDR->.WAV->SHN (Steve Apria lost the master cassette years ago); Thanks to John Horzepa for seeding this!; Seeded to Etree by Alan J Fink; upgrade in circulation
|
notes
|
| 5806. |
08/06/82 |
Shn - 0,
7288 |
St. Paul |
St. Paul Civic Center Recording by Ohr Weinberg from behind the stage: Sony ECM 23-F's >Aud Master; A>D transfer by Jim Wise; via Todd Norman; Note- May circ with Goin Down the Road mislabeled as Good Lovin
|
notes
|
| 5807. |
08/06/82 |
Flac 24/48 - 0,
144702 |
St. Paul |
St. Paul Civic Center flac24; Source: BeyerDynamic M88's > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2019
|
notes
|
| 5808. |
08/07/82 |
Shn - 0,
6148 |
East Troy |
Alpine Valley Music Theatre sbd> mc> pcm> dats> wave> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT
|
notes
|
| 5809. |
08/07/82 |
Shn - 0,
7720 |
East Troy |
Alpine Valley Music Theatre SBD > PCM > ? > D > Serafin Station mastering> CD; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes
|
notes
|
| 5810. |
08/07/82 |
Shn - 0,
7689 |
East Troy |
Alpine Valley Music Theatre SBD : MC > MR > DAT > CDR Transfer done by Jim Wise
|
notes
|
| 5811. |
08/07/82 |
Flac 16 - 0,
92183 |
East Troy |
Alpine Valley Music Theatre flac16; Set 2 - Master Cassette recorded by Ohr Weinberg: (20th row, center, 8ft stand)2 Sony ECM-23F microphones (90 degrees, coincident)-> Sony TC-D5M -> 2 Maxell XLII-S 90 Cassettes w/ Dolby B. Transfer by Ohr Weinberg: Master Cassette -> Nakamichi Dragon -> HHB CDR830 Plus -> EAC -> CDWave -> FLAC
|
notes
|
| 5812. |
08/07/82 |
Flac 16 - 0,
83513 |
East Troy |
Alpine Valley Music Theatre flac16; Source: *Mics>Sony D5M>Master Cass.>1st Gen Location: FOB, exact location and stand height unknown Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: *Unknown Transfer and upload by Tony Suraci
|
notes
|
| 5813. |
08/07/82 |
Flac 16 - 0,
137625 |
East Troy |
Alpine Valley Music Theatre flac16; Recording Info: SBD > Cassette Master > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5814. |
08/07/82 |
Flac 24/48 - 0,
138632 |
East Troy |
Alpine Valley Music Theatre flac24 48khz Set 2 only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard) Lineage: Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook
|
notes
|
| 5815. |
08/07/82 |
Flac 16/44,1 - 0,
138622 |
East Troy |
Alpine Valley Music Theatre flac16 44.1khz Set two only. Source Audience Recording: Beyer M 201c Location: 80 feet from stage|DFC (five rows in front of soundboard) Lineage: Beyer M201's X-Y (hyper cardiod) duct taped to stand>> Sony TCD5 w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook
|
notes
|
| 5816. |
08/07/82 |
Flac 16 - 0,
141795 |
East Troy |
Alpine Valley Music Theatre flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 5817. |
08/07/82 |
Flac 24/48 - ,
156451 |
East Troy |
Alpine Valley Music Theatre flac2448; 1st Set; Source: BeyerDynamic mics > Sony TC-D5M > TDK MA-90. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2022
|
notes
|
| 5818. |
08/07/82 |
Flac 16 Mtx - ,
165372 |
East Troy |
Alpine Valley Music Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 137625 & 83513.
|
notes
|
| 5819. |
08/08/82 |
Shn - 0,
333 |
East Troy |
Alpine Valley Music Theatre no source info; via D. Barrick; no d3 .md5 available originally- one shown here supplied by J. Primozic from his copy
|
notes
|
| 5820. |
08/08/82 |
Shn - 0,
7690 |
East Troy |
Alpine Valley Music Theatre SBD : MC > MR > DAT > CDR Transfer done by Jim Wise
|
notes
|
| 5821. |
08/08/82 |
Shn - 0,
15580 |
East Troy |
Alpine Valley Music Theatre Soundboard cassette-> Reel-> DAT-> CDR-> .WAV-> SHN-> WAV-> SF 5.0 (retrack, d/o fixes)-> CD WAVE-> SHN, by Skankweed; Retrack/fix of previously circulating version of Merry Pranksters tree which is NOT listed here at db.etree.org
|
notes
|
| 5822. |
08/08/82 |
Flac 24 - 0,
138625 |
East Troy |
Alpine Valley Music Theatre flac24 48khz Master: Nakamichi 300 guns with NAK 300 center "blend" mic -> Nak MX 100 3 channel mixer 100 feet from stage|5 feet up|15 feet ROC-Right front Corner SBD >>Nakamichi 550 >>Sony TCD5 2nd in line; Maxell XLII 90, Dolby B on Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook
|
notes
|
| 5823. |
08/08/82 |
Flac 16 44,1khz - 0,
138624 |
East Troy |
Alpine Valley Music Theatre flac16 44.1khz Master: Nakamichi 300 guns with NAK 300 center "blend" mic -> Nak MX 100 3 channel mixer 100 feet from stage|5 feet up|15 feet ROC-Right front Corner SBD >>Nakamichi 550 >>Sony TCD5 2nd in line; Maxell XLII 90, Dolby B on Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew Kyle Holbrook & Phil Schuman Transferred by Kyle Holbrook
|
notes
|
| 5824. |
08/08/82 |
Flac 24 - 0,
140124 |
East Troy |
Alpine Valley Music Theatre flac24; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
|
notes
|
| 5825. |
08/08/82 |
Flac 16 - 0,
140500 |
East Troy |
Alpine Valley Music Theatre flac16; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 3 > Celemony Capstan > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24
|
notes
|
| 5826. |
08/08/82 |
Flac 16 - 0,
141498 |
East Troy |
Alpine Valley Music Theatre flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B)(Harvey Lubar transfer)> Tim Dalton's PCM (Sony SLHF400/Sony HG betamax tape); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 5827. |
08/08/82 |
Flac 24/96 - 0,
144731 |
East Troy |
Alpine Valley Music Theatre flac24; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF-1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 5828. |
08/08/82 |
Flac 16/48 - 0,
144730 |
East Troy |
Alpine Valley Music Theatre flac16/48kHz; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-625)> Tascam DA-3000 (DSF-1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5829. |
08/10/82 |
Flac 16 - 0,
102577 |
Iowa City |
University Of Iowa Fieldhouse flac16; Recording Info: SBD -> Cassette Master -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5830. |
08/10/82 |
Flac 16 Mtx - 0,
102902 |
Iowa City |
University Of Iowa Fieldhouse flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 5831. |
08/10/82 |
Flac 16 Mtx - 0,
92073 |
Iowa City |
University Of Iowa Fieldhouse flac16; MATRIX MIX: About 50%AUD/50%SBD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 7/25/07 Remastered 06/01/08; remastered version of shn id 86585
|
notes
|
| 5832. |
08/10/82 |
Flac 16 Mtx - 0,
86585 |
Iowa City |
University Of Iowa Fieldhouse MATRIX MIX: 50% AUD/50% SBD using AKG CE-1 (4th row) > UHER CR-240 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x2) > EAC > FLAC (tracking with CDWAV) Taped by Kenny Mance (shn id 82875) and SBD -> Cm -> Dat -> Samplitude 2496 v6.0 -> CD -> EAC -> SHN (shn id 12453) Note: a SBE fixed version was also circulated.
|
notes
|
| 5833. |
08/10/82 |
Shn - 0,
334 |
Iowa City |
University Of Iowa Fieldhouse SBD > Master Cassette > DAT > Digidesign/Audio Media > DAT; Transfer: DAT > WAV (via TB Fiji S/PDIF) > SHN; via A. Gustin, J. Kempka; 4/19/82 filler; upgrade in circulation
|
notes
|
| 5834. |
08/10/82 |
Flac 16 - 0,
82875 |
Iowa City |
University Of Iowa Fieldhouse flac16; AKG CE-1 (4th row) > UHER CR-240 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x2) > EAC > FLAC (tracking with CDWAV) Taped by Kenny Mance. EAC to FLAC by cbass 2/25/07
|
notes
|
| 5835. |
08/10/82 |
Shn - 0,
12453 |
Iowa City |
University Of Iowa Fieldhouse SBD -> Cm -> Dat -> Samplitude 2496 v6.0 -> CD -> EAC -> SHN; via Charlie Miller
|
notes
|
| 5836. |
08/10/82 |
Flac 16 - 0,
137640 |
Iowa City |
University Of Iowa Fieldhouse flac16; Source: Audience Recording > AKG CE-1 mics > Uher Cr-240 > master cassette; Taped by Jim Mance; Transfer: master cassette > Nakamichi Dragon > Sony R700 DAT > Sony PCM p-700 DAT @ 44.1k > Digital Audio Labs Card Deluxe > wav 16/44.1 by Jim Wise; Lineage: wav 16/44.1 > Adobe Audition 3.0.1 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited by SIRMick
|
notes
|
| 5837. |
08/10/82 |
Flac 24 - 0,
139779 |
Iowa City |
University Of Iowa Fieldhouse flac24; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90); Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017
|
notes
|
| 5838. |
08/10/82 |
Flac 24/96 - 0,
140989 |
Iowa City |
University Of Iowa Fieldhouse flac24; Source Info: Dan Healy's Master Soundboard Cassette (Sony D5)> Frank Streeter's 1st generation Reel to Reel (Sony TC-770, Maxell UD); Transfer Info: 1st generation Reels (Technics RS 1506)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
|
notes
|
| 5839. |
08/10/82 |
Flac 16 - 0,
140988 |
Iowa City |
University Of Iowa Fieldhouse flac16; Source Info: Dan Healy's Master Soundboard Cassette (Sony D5)> Frank Streeter's 1st generation Reel to Reel (Sony TC-770, Maxell UD); Transfer Info: 1st generation Reels (Technics RS 1506)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp
|
notes
|
| 5840. |
08/10/82 |
Flac 16 - 0,
145223 |
Iowa City |
University Of Iowa Fieldhouse flac16; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90); Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick November 2017; This file set is 16 bit @44.1
|
notes
|
| 5841. |
08/10/82 |
Flac 24/44 - ,
152133 |
Iowa City |
University Of Iowa Fieldhouse flac24/44 AKG CE-1 (4th row, Dead Center) > UHER CR-240 > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x2) > EAC > FLAC (tracking with CDWAV) Taped by Craig Rogers Transferred, tracked, and patched by Jim Wise patch s2t13 from 1:44 to 2:50 unknown source EAC to FLAC by cbass 2/25/07 Mastered by Craig Rogers 11/30/18 This is a mastered version of the raw transfer, shnid: 82875 It required quite significant EQ and became a much bigger file so it is now 24 bit. This recording has been erroneously credited to one or the other of the Mance brothers. Endless thanks to Jerry Garcia for his permission and providing the tickets. This is an Uher Archive production. uherarchive@live.com
|
notes
|
| 5842. |
08/10/82 |
Flac 16/44 - ,
155680 |
Iowa City |
University Of Iowa Fieldhouse flac16/44 Master Audience Cassettes - recorded by Ohr Weinberg: 2 Sony ECM-23F microphones > Sony TC-D5M Cassette Deck (1st & 2nd Sets: Maxell XLII-S 90 Cassettes), Dolby B Transfer: Anne Cohen : AD Transfer - Master Cassettes played on Nakamichi Dragon > HHB CDR830Plus > CD Ohr : CD > EAC > WAV > FLAC
|
notes
|
| 5843. |
08/28/82 |
Flac 16 - 0,
106166 |
Veneta |
Oregon Country Fair flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5844. |
08/28/82 |
Shn - 0,
2333 |
Veneta |
Oregon Country Fair sdb> cassette master> cassette> cdr; transfer by Mike Lai from Bruce Fried's seed; reportedly stemming from Rock Scully
|
notes
|
| 5845. |
08/28/82 |
Flac 16 - 0,
34933 |
Veneta |
Oregon Country Fair flac16; sbd>>cassette master>>cassette>>cdr>>WAV>>shn>>wav>>flac - fix of shn id 2333. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 5846. |
08/28/82 |
Flac 16 - 0,
106749 |
Veneta |
Oregon Country Fair flac16;Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; fix of shnid 106166; Upgrade in circulation
|
notes
|
| 5847. |
08/28/82 |
Flac 16 - 0,
112828 |
Veneta |
Oregon Country Fair flac16;Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; This is a re-patch of source ID 106749
|
notes
|
| 5848. |
08/28/82 |
Flac 16 - 0,
112955 |
Veneta |
Oregon Country Fair flac16; Recording Info: (FOB) Nakamichi 700 (With Bass EQ) -> Cassette Master (Sony TC-D5M/Maxell XLIIS/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5849. |
08/28/82 |
Flac 16 - 0,
141624 |
Veneta |
Oregon Country Fair flac16; Source Info: Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (dolby B)(taper unknown) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 5850. |
08/28/82 |
Flac 16 - 0,
79350 |
Veneta |
Oregon Country Fair flac16; Set 2 only - 1st Gen: (FOB) Nakamichi CM 300s w/ CP4 shotgun capsules > ?? > master audience cassette Master audience cassette > cassette (Maxell XLII-S 90) Taper: David Fleishner 1st Gen cassette provided by Jake Feinberg. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford 10/20/2006.
|
notes
|
| 5851. |
08/29/82 |
Shn - 0,
17957 |
Seattle |
Seattle Center Coliseum (FOB) Nak 300/CP4 > Cm > Dat > Sound Forge > CD > EAC > SHN encoded by Charlie Miller
|
notes
|
| 5852. |
08/29/82 |
Flac 24 - 0,
140735 |
Seattle |
Seattle Center Coliseum flac24; partial source: sbd unknown gen cassette; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
|
notes
|
| 5853. |
08/29/82 |
Flac 16 - 0,
140984 |
Seattle |
Seattle Center Coliseum flac16; partial source: sbd unknown gen cassette; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
|
notes
|
| 5854. |
08/29/82 |
Flac 16 - 0,
142688 |
Seattle |
Seattle Center Coliseum flac16; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 5855. |
08/29/82 |
Flac 24/96 - 0,
148748 |
Seattle |
Seattle Center Coliseum flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 5856. |
08/29/82 |
Flac 16/48 - 0,
148747 |
Seattle |
Seattle Center Coliseum flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5857. |
08/29/82 |
Flac 16/48 LPCM - ,
156590 |
Seattle |
Seattle Center Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid 142688) Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 + AUD (shn id 148747) Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp - surround mixing by Kevin Tobin
|
notes
|
| 5858. |
08/29/82 |
Dts Audio 5.1 - ,
156589 |
Seattle |
Seattle Center Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid 142688) Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 + AUD (shn id 148747) Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp - dts mixing by Kevin Tobin
|
notes
|
| 5859. |
08/29/82 |
Flac 16 Mtx - ,
156588 |
Seattle |
Seattle Center Coliseum flac16; Matrix 2 Source Mix - SBD (shnid 142688) Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > PCM > Dat (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16 + AUD (shn id 148747) Source Info: Mark Severson's Master (FOB) Audience Cassettes; 3 x Nakamichi 700 mics (left and right cardioid - 80 degrees, center omni, -4db, pointed straight at stage) > Jamie Pouris' custom mixer/NX40 dbx encoder > Sony D5M > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp - matrix mixing by Kevin Tobin
|
notes
|
| 5860. |
09/05/82 |
Flac 16 - 0,
113726 |
Devore |
US Festival, Glen Helen Regional Park flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD -> SHN; Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 5861. |
09/05/82 |
Flac 16 - 0,
106681 |
Devore |
US Festival, Glen Helen Regional Park flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5862. |
09/05/82 |
Shn - 0,
5490 |
Devore |
US Festival, Glen Helen Regional Park SBD: MC > DAT > CDR; From Jack Warner; with AUD patches in d1t1,2 by Alan J. Fink; cuts in d1t7 and between d1t5>6
|
notes
|
| 5863. |
09/05/82 |
Flac 16 - 0,
87210 |
Devore |
US Festival, Glen Helen Regional Park flac16; source : Nakamichi CM300 shotguns > Technics 686 > Maxell UD XL II transfer : mac > Nakamichi 680ZX > Tascam CD RW5000 > Bias Peak 3.21 on G4 Powerbook > wav > flac (on 9/13/2007 a fixed version of this source was circulated; the info file for the fixed version is below. Please do not circulate the original source.)
|
notes
|
| 5864. |
09/05/82 |
Flac 16/48 - 0,
|
Devore |
US Festival, Glen Helen Regional Park
|
notes
|
| 5865. |
09/05/82 |
Flac 16/48 - 0,
142714 |
Devore |
US Festival, Glen Helen Regional Park flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (wav 16-bit/48k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 5866. |
09/05/82 |
Flac 24/96 - 0,
149978 |
Devore |
US Festival, Glen Helen Regional Park b>flac24; Ben Lukosky's Master Audience Cassettes; FOB Sennheiser 421 mics > Sony D5 (Maxell MX-90) Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496; Transferred and Mastered by gsarchivist; Speed Correction by Jason Chastain
|
notes
|
| 5867. |
09/09/82 |
Shn - 0,
11735 |
New Orleans |
Saenger Performing Arts Center SBD> MC> PCM> DAT> CD; With aud patches; See info file for details; Missing both encores; via Kevin Gills; Seeded to etree by Willy; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments)
|
notes
|
| 5868. |
09/09/82 |
Flac 16 - 0,
123191 |
New Orleans |
Saenger Performing Arts Center flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/TDK MA-C90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5869. |
09/09/82 |
Flac 16 - 0,
134287 |
New Orleans |
Saenger Performing Arts Center flac16; SBD>MC>PCM>DAT>CD; source ID 11735 with pre-emphasis removed, FLAC, tags using xAct 2.36
|
notes
|
| 5870. |
09/09/82 |
Flac 24/96 - 0,
140051 |
New Orleans |
Saenger Performing Arts Center flac24; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick
|
notes
|
| 5871. |
09/09/82 |
Flac 16/48 - 0,
142762 |
New Orleans |
Saenger Performing Arts Center flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (wav 16-bit/48k)> Adobe Audition 3.0 > TLH flac1648; the original version had a duplicate "Space" ("Drums > Space" were 1 track, followed by "Space" again)
|
notes
|
| 5872. |
09/09/82 |
Flac 16 - 0,
145246 |
New Orleans |
Saenger Performing Arts Center flac16; Source: (FOB) Beyer M160's > Sony TC-D5M > Cassette Master (TDK MA90) - Taped by Frank Streeter; Transfer: Cassette Master >Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 2496 - Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick; This file set is 16 bit @ 44.1
|
notes
|
| 5873. |
09/09/82 |
Flac 24/48 - 0,
149747 |
New Orleans |
Saenger Performing Arts Center flac24; Source: Set One & Encore, Unknown AUD > MAC > 1st Gen copy (see note) and; Set Two, Beyers-Dynamic M160's > Sony TC-D5 > MAC. Recording by Rip Tompkins & with thanks to Richie Stankiewicz! Transfer: TDK MA-90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 04/2020
|
notes
|
| 5874. |
09/11/82 |
Shn - 0,
2192 |
West Palm Beach |
West Palm Beach Civic Center Master Soundboard Cassette > Reel to Reel > DAT> CDR; with patches from FOB Nak CM300 (see info file); via Scott Clugston to abgd and etree
|
notes
|
| 5875. |
09/11/82 |
Flac 16 - 0,
122155 |
West Palm Beach |
West Palm Beach Civic Center flac16; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell MX-90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter
|
notes
|
| 5876. |
09/11/82 |
Flac 16 - 0,
85854 |
West Palm Beach |
West Palm Beach Civic Center flac16; Source: Two AUD cassette sources of unknown lineage. Transfer: Cassettes > Sony TC-D5M > Audiophile 2496 Analog RCA Input > Soundforge > CD-Wave > TLH > FLAC, June 2007.
|
notes
|
| 5877. |
09/11/82 |
Flac 16 Mtx - 0,
122988 |
West Palm Beach |
West Palm Beach Civic Center flac16; 2 source Matrix using SDB (shnid=2192) and AUD (shnid=122155)
|
notes
|
| 5878. |
09/11/82 |
Flac 24 - 0,
122154 |
West Palm Beach |
West Palm Beach Civic Center flac24; Recording Info: Beyer M160 -> Cassette Master (Sony TC-D5M/Maxell MX-90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter
|
notes
|
| 5879. |
09/11/82 |
Flac 16 - 0,
137379 |
West Palm Beach |
West Palm Beach Civic Center flac16; 10th Row Center; Nakamichi CM-300 > Sony TC-D5 > MC > DAT; DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell
|
notes
|
| 5880. |
09/11/82 |
Flac 16 Mtx - 0,
146916 |
West Palm Beach |
West Palm Beach Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) of shnid's 2192 and 122155
|
notes
|
| 5881. |
09/11/82 |
Flac 16/44 - ,
155686 |
West Palm Beach |
West Palm Beach Civic Center flac16/44 Recording Info: SBD > Cassette Master > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition > Samplitude Pro X6 Suite > FLAC
|
notes
|
| 5882. |
09/12/82 |
Flac 16 - 0,
114138 |
Lakeland |
Lakeland Civic Center flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2 -> Adobe Audition v1.5 -> FLAC; This is a re-master of Source ID 7826; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5883. |
09/12/82 |
Flac 16 - 0,
135162 |
Lakeland |
Lakeland Civic Center flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell MX-90. FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2016
|
notes
|
| 5884. |
09/12/82 |
Flac 24/48 - 0,
135161 |
Lakeland |
Lakeland Civic Center SHNID: 135161
|
notes
|
| 5885. |
09/12/82 |
Flac 16 - 0,
122168 |
Lakeland |
Lakeland Civic Center flac16; Recording Info: Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5886. |
09/12/82 |
Flac 24 - 0,
122169 |
Lakeland |
Lakeland Civic Center flac24; Recording Info: Sennheiser 441 -> Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded By Frank Streeter; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5887. |
09/12/82 |
Flac 24/96 - 0,
144362 |
Lakeland |
Lakeland Civic Center b>flac24; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 5888. |
09/12/82 |
Flac 16/48 - 0,
144361 |
Lakeland |
Lakeland Civic Center flac16/48kHz; Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B); Transfer Info: 1st generation Reels (Akai GX-636)> Tascam DA-3000 (DSF 1bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5889. |
09/12/82 |
Shn - 0,
7826 |
Lakeland |
Lakeland Civic Center SBD>Cm>Reel>Dat>CD. via Paul B.; Chris Ladner; Upgrade in circulation
|
notes
|
| 5890. |
09/12/82 |
Flac 24/48 - ,
152842 |
Lakeland |
Lakeland Civic Center flac2448; Source: Beyers mics > Sony TC-D5M > Maxell XLII-S 90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B out) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2021
|
notes
|
| 5891. |
09/14/82 |
Shn - 0,
20906 |
Charlottesville |
University Hall, University Of Virginia Recording Info: 1st Set: Beyer M160 -> Cassette Master (Sony D5) -> Dat -> CD -> EAC -> SHN 2nd Set: SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller
|
notes
|
| 5892. |
09/14/82 |
Flac 16 - 0,
121944 |
Charlottesville |
University Hall, University Of Virginia flac16; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Maxell XLII-S/TDK MA-R); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter
|
notes
|
| 5893. |
09/14/82 |
Shn - 0,
7547 |
Charlottesville |
University Hall, University Of Virginia Master Soundboard Cassette > Reel to Reel > DAT > CDR, CD Re-Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston 1/3/02, posted to abgd via Charlie Connor
|
notes
|
| 5894. |
09/14/82 |
Flac 24 - 0,
121943 |
Charlottesville |
University Hall, University Of Virginia flac24; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Maxell XLII-S/TDK MA-R); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter
|
notes
|
| 5895. |
09/14/82 |
Flac 24/48 - 0,
146663 |
Charlottesville |
University Hall, University Of Virginia flac24; Source: FOB Beyers M88's > Sony TC-D5M > Maxell XLIIS-90 (1st Set, He's Gone, and JBGoode) and TDK MA-90 (2nd Set). Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 06/2019
|
notes
|
| 5896. |
09/14/82 |
Flac 16/44 - ,
155665 |
Charlottesville |
University Hall, University Of Virginia flac16/44 Recording Info: SBD > Cassette Master > Cassette > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition > Samplitude Pro X6 Suite > FLAC/16 (2 Discs Audio / 1 DVD FLAC)
|
notes
|
| 5897. |
09/15/82 |
Flac - 0,
118440 |
Landover |
Capital Centre flac16; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5898. |
09/15/82 |
Shn - 0,
11881 |
Landover |
Capital Centre Master Sondboard Cassette > PCM > CDR; With Audience Patches; Patching/CD Mastering by Scott Clugston; SHN'ed and Seeded to fungus by Scott Clugston; also to abgd via Charlie Connor
|
notes
|
| 5899. |
09/15/82 |
Flac - 0,
118451 |
Landover |
Capital Centre flac24; Recording Info: AKG 414 -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/24; Recorded by Frank Streeter; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5900. |
09/15/82 |
Flac 24 - 0,
134869 |
Landover |
Capital Centre flac24; AUD: Nakamichi CM300/CP-4 shotguns > Sony TC-D5 > Maxell XLII. Set up inside SBD perimeter area for 1st Set, mics moved onto SBD platform for 2nd Set, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2015
|
notes
|
| 5901. |
09/15/82 |
Flac - 0,
134870 |
Landover |
Capital Centre flac16; AUD: Nakamichi CM300/CP-4 shotguns > Sony TC-D5 > Maxell XLII. Set up inside SBD perimeter area for 1st Set, mics moved onto SBD platform for 2nd Set, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2015
|
notes
|
| 5902. |
09/15/82 |
Flac - 0,
81690 |
Landover |
Capital Centre flac16; Recording by Tiger Rose - FOB Nak shotgun mics > Sony TC-D5. MAC > CD Analog to Digital transfer by David Howard." Transfer: CDR > EAC > WavMerge > Soundforge (on d2t12) > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC
|
notes
|
| 5903. |
09/15/82 |
Shn - 0,
8550 |
Landover |
Capital Centre combination SBD (Jim Wise) and FOB Nak shotguns (Tiger Rose, David Howard) - see notes in info file; Patching, tracking and Shn encoding by Sean Cribbs; Upgrade in circulation
|
notes
|
| 5904. |
09/15/82 |
Flac 16 - 0,
124586 |
Landover |
Capital Centre flac16; Recording Info: SBD -> Master Cassette -> Reel -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a remaster of source ID 8550
|
notes
|
| 5905. |
09/15/82 |
Flac 16/48 - 0,
152347 |
Landover |
Capital Centre flac16/48 Source Info: Rob Eaton's Master Audience Cassettes; (3)Beyer M160 mics > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5906. |
09/15/82 |
Flac 24/96 - 0,
152348 |
Landover |
Capital Centre flac24/96 Source Info: Rob Eaton's Master Audience Cassettes; (3)Beyer M160 mics > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon)> Pro Tools 12 > .wav 2496 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 5907. |
09/17/82 |
Flac Mtx - 0,
82208 |
Portland |
Cumberland County Civic Center flac16; SBD + AUD Matrix - 4 Source Mix consisting of SBD Set 1 Recording: SBD > Dolby B metal cassette master, SBD Set 2 Recording: SBD > ? (likely cassette master), AUD1 FOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen, AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5, AUD3 Unknown AUD
|
notes
|
| 5908. |
09/17/82 |
Flac - 0,
80770 |
Portland |
Cumberland County Civic Center flac16; Recording/Transfer Info: Set 1 - Recording: SBD > Dolby B metal cassette master Playback: Dolby B metal cassette master > 20-bit SBM2 > CDR (David Gans master) > EAC > SoundForge (create tracks) > CDR (Gen 1) > EAC > Flac Set 2 - Recording: SBD > ? (likely cassette master) Playback: ? > DAT (x N) > Delta Dio 24/96 > Cool Edit 2000 > CD Wave Editor > Flac All Transfers By Rob Harrison
|
notes
|
| 5909. |
09/17/82 |
Flac Dts 5.1 - 0,
82184 |
Portland |
Cumberland County Civic Center DTS Audio 5.1; 4 Source Mix: SBD Set 1. Recording: SBD > Dolby B metal cassette master, SBD Set 2. Recording: SBD > ? (likely cassette master), AUD1 FOB: Nak 700s > Sony D5 Cassette master recorded by Mark Cohen, AUD2 Master FOB Audience Cassette > Nak CM300 mics > Sony D5, and AUD3 Unknown AUD
|
notes
|
| 5910. |
09/17/82 |
Shn - 0,
18105 |
Portland |
Cumberland County Civic Center partial set 2 SBD>C or C1>D>CD>EAC>WAV>SHN via Fishman; upgrade in circulation
|
notes
|
| 5911. |
09/17/82 |
Flac - 0,
99888 |
Portland |
Cumberland County Civic Center flac16; (FOB) Nakamichi CM-300's (CP-1) > Cassette Master (Sony TCD5M/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Transfer & master by Bob Morris, June, 2009
|
notes
|
| 5912. |
09/17/82 |
Flac - 0,
99679 |
Portland |
Cumberland County Civic Center flac16; AUD: 3x Nakamichi CM300's > Nakamichi 550 > Maxell XLII-S. Set up in the row of tapers directly behind the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 2496. Transfer by Andrew F. 06/2009
|
notes
|
| 5913. |
09/17/82 |
Flac 24 - 0,
135445 |
Portland |
Cumberland County Civic Center flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, mics set-up on the SBD platform, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2016
|
notes
|
| 5914. |
09/17/82 |
Flac - 0,
135446 |
Portland |
Cumberland County Civic Center flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, mics set-up on the SBD platform, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016
|
notes
|
| 5915. |
09/17/82 |
Flac 24 - 0,
111030 |
Portland |
Cumberland County Civic Center flac24; (FOB) Nakamichi CM-300's (CP-1) > Cassette Master (Sony TCD5M/Maxell UDXLII); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded on the floor FOB by Bob Morris
|
notes
|
| 5916. |
09/17/82 |
Flac - 0,
119075 |
Portland |
Cumberland County Civic Center flac16; lineage: nakamichi 300 fob> d-5sony> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 5917. |
09/17/82 |
Shn - 0,
18985 |
Portland |
Cumberland County Civic Center Recording by Mark Cohen Nak 700s> Sony D5, A:D by Mark Cohen, D>SHN by David Minches
|
notes
|
| 5918. |
09/17/82 |
Shn - 0,
2577 |
Portland |
Cumberland County Civic Center complete; marked sbd (see user comments concerning audience or matrix) ; via Mike Lai from Bruce Fried seed; d1 md5s identical to previous shn set; tracked for 2x80
|
notes
|
| 5919. |
09/17/82 |
Flac - 0,
91483 |
Portland |
Cumberland County Civic Center flac16; AUD: FOB, Sennheiser MD-421's > Sony TC-D5. Concert recording and transfer to CDR by Jim Wise. CDR > EAC > WavMerge > CD-Wave > Soundforge > TLH > FLAC
|
notes
|
| 5920. |
09/17/82 |
Flac 24 - 0,
139320 |
Portland |
Cumberland County Civic Center flac24 48khz Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on. Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48. Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac). Taped by: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager. Transferred by: Kyle Holbrook
|
notes
|
| 5921. |
09/17/82 |
Flac - 0,
139319 |
Portland |
Cumberland County Civic Center flac16 44.1khz Master: JVC HM 200E Binaural headpone microphones worn on head 60 feet from stage DFC >>Sony TCD5M; Maxell XLII 90, Dolby B on. Transfer: Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48. Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac). Taped by: Executive Crew Kyle Holbrook,Mike Yacavone, Karen Eager. Transferred by: Kyle Holbrook.
|
notes
|
| 5922. |
09/17/82 |
Flac 24/96 - 0,
142824 |
Portland |
Cumberland County Civic Center flac24; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
|
notes
|
| 5923. |
09/17/82 |
Flac 16/48 - 0,
142823 |
Portland |
Cumberland County Civic Center flac16/48kHz; Source Info: Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5 (Maxell XLII-S); Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 5924. |
09/17/82 |
Flac 24/96 - 0,
99678 |
Portland |
Cumberland County Civic Center flac24; AUD: 3x Nakamichi CM300's > Nakamichi 550 > Maxell XLII-S. Set up in the row of tapers directly behind the soundboard. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-8 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F.
|
notes
|
| 5925. |
09/17/82 |
Shn - 0,
335 |
Portland |
Cumberland County Civic Center Master FOB Audience Cassette > Nak CM300 mics > Sony D5: master cassette played back via a Nakamichi DR-1 > HHB 850 > EAC for DAE to Harddrive > CEP > CDWave > CDRWin > Yamaha CR8424 CDR; via S. Clugston, L. Revell
|
notes
|
| 5926. |
09/17/82 |
Flac 24/96 - 0,
144657 |
Portland |
Cumberland County Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 5927. |
09/17/82 |
Flac 16 - 0,
144658 |
Portland |
Cumberland County Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 5928. |
09/17/82 |
Flac 16 Mtx - ,
152910 |
Portland |
Cumberland County Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 80770 & 91483, plus 135446 for two songs.
|
notes
|
| 5929. |
09/18/82 |
Flac 16 - 0,
107429 |
Boston |
Boston Garden flac16; SBD->Cassette Master(Dolby)>Cassette>CD>EAC>SHN>WAV>CE Processing>FLAC
|
notes
|
| 5930. |
09/18/82 |
Flac 16 - 0,
123061 |
Boston |
Boston Garden flac16; Recording Info: SBD -> Cassette Master -> Cassette (Dolby B) -> FLAC; Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5931. |
09/18/82 |
Flac 16 - 0,
97590 |
Boston |
Boston Garden flac16; AUD: 2x Nakamichi CM300's with CP4 shotguns (L+R), plus 1x Nakamichi CM300 with CP1 cardioid (blend mic) > Nakamichi 550 > Maxell XLII-S 90's. Mics on stand, set up in center right section riser, just off the floor. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-8 (w/no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644. Andrew F. 02/2009.
|
notes
|
| 5932. |
09/18/82 |
Shn - 0,
2335 |
Boston |
Boston Garden sdb> cassette master> cassette> cdr; transfer by Mike Lai from Bruce Fried seed; note a subsequent copy (b) at Mike's site 1/18 has all different md5s; upgrade in circulation
|
notes
|
| 5933. |
09/18/82 |
Flac 16 - 0,
98059 |
Boston |
Boston Garden flac16; Recording Info: (FOB) Nakamichi 300/CP4 -> Cassette Master (Sony TC-D5M/Maxell UDXLII); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v8.0 -> FLAC/16; Recorded By Bob Morris; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5934. |
09/18/82 |
Flac 16 - 0,
119221 |
Boston |
Boston Garden flac16; Updated Source Info: This source is derived from source ID 3153 (Had been marked: sbd> d-5sony> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8); Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 5935. |
09/18/82 |
Flac 24/96 - 0,
98061 |
Boston |
Boston Garden flac24;Recording Info: (FOB) Nakamichi 300/CP4 -> Cassette Master (Sony TC-D5M/Maxell UDXLII); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v8.0 -> FLAC/24; Recorded BY Bob Morris; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5936. |
09/18/82 |
Flac 24/96 - 0,
144662 |
Boston |
Boston Garden flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 5937. |
09/18/82 |
Flac 16 - 0,
144663 |
Boston |
Boston Garden flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 5938. |
09/18/82 |
Shn - 0,
3153 |
Boston |
Boston Garden SBD> CAS/1 (Dolby)> CD; via Michael K. Weise; reported upgrade relative to previously circulating shn set
|
notes
|
| 5939. |
09/18/82 |
Flac 16 - 0,
150660 |
Boston |
Boston Garden flac16; Recording Info: AUD > Cassette Master; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 5940. |
09/18/82 |
Flac 16 Mtx - 0,
150788 |
Boston |
Boston Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 123051 & 98059.
|
notes
|
| 5941. |
09/20/82 |
Flac 16 Mtx - 0,
97897 |
New York |
Madison Square Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 5942. |
09/20/82 |
Flac 16 - 0,
88857 |
New York |
Madison Square Garden flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v.20 -> FLAC All Transfers and Mastering By Charlie Miller (Pitch correction of shn id 77482.)
|
notes
|
| 5943. |
09/20/82 |
Shn - 0,
15806 |
New York |
Madison Square Garden 1st set only; SBD>Cm>Cass>CD; Seeded to etree by charlie miller and neil sturtevant; upgrade in circulation
|
notes
|
| 5944. |
09/20/82 |
Shn - 0,
18113 |
New York |
Madison Square Garden Set 2 SBD>Cm>Cass>CD via Charlie Miller; upgrade in circulation
|
notes
|
| 5945. |
09/20/82 |
Flac 16 - 0,
122089 |
New York |
Madison Square Garden flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Frank Streeter
|
notes
|
| 5946. |
09/20/82 |
Shn - 0,
19145 |
New York |
Madison Square Garden Recording by Mark Cohen Nak 700s> Sony D5 , A>D by Mark Coehn, D>SHN by David Minches
|
notes
|
| 5947. |
09/20/82 |
Flac 16 - 0,
119120 |
New York |
Madison Square Garden flac16; Updated Source Info: Recording by Jim Wise Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > ? > FLAC (Had been marked: lineage: nakamichi 300 (fob)> d-5> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8); Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 5948. |
09/20/82 |
Shn - 0,
3151 |
New York |
Madison Square Garden Recording by Jim Wise Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) > EAC(tracked with Addawav & CDWav) >SHN; transferred by Jim Wise; upload by Darrin Sacks
|
notes
|
| 5949. |
09/20/82 |
Flac 1644 - 0,
118799 |
New York |
Madison Square Garden flac16; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, from the end of floor riser, fifteen rows up, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. February 2012
|
notes
|
| 5950. |
09/20/82 |
Flac 24 - 0,
122088 |
New York |
Madison Square Garden flac24; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Recoded by Frank Streeter
|
notes
|
| 5951. |
09/20/82 |
Flac 24/48 - 0,
118798 |
New York |
Madison Square Garden flac24; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, from the end of floor riser, fifteen rows up, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. February 2012
|
notes
|
| 5952. |
09/20/82 |
Flac 16 - 0,
77482 |
New York |
Madison Square Garden flac16; Recording Info: SBD -> Cassette Master -> Cassette -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC ; upgrade in circulation
|
notes
|
| 5953. |
09/21/82 |
Flac 16 Mtx - 0,
97705 |
New York |
Madison Square Garden flac 16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 5954. |
09/21/82 |
Flac 16 - 0,
109209 |
New York |
Madison Square Garden flac16; Recording Info: SBD -> Cassette Master -> Dat Transfer Info: Dat -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 5955. |
09/21/82 |
Flac 16 - 0,
34723 |
New York |
Madison Square Garden flac16; Seamless fix of shn id 13306 - msc>dat>cd>wav>shn>wav>flac by Bill Tetzeli
|
notes
|
| 5956. |
09/21/82 |
Shn - 0,
13306 |
New York |
Madison Square Garden csbd>dat>cd (unconfirmed); Seeded to etree by C. Perkins ; upgrade in circulation
|
notes
|
| 5957. |
09/21/82 |
Flac 16 - 0,
33684 |
New York |
Madison Square Garden flac16; SBD -> Cassette Master -> Dat All Transfers and Mastering By Charlie Miller
|
notes
|
| 5958. |
09/21/82 |
Flac 16 - 0,
34754 |
New York |
Madison Square Garden flac16; Pitch corrected version of shn id 33684: SBD -> Cassette Master -> Dat by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 5959. |
09/21/82 |
Flac 16 - 0,
105339 |
New York |
Madison Square Garden flac16; Nak 300 shotguns > Sony TCD-5M> Digitized 24-48 Sound Forge 7.0 > CD wave > Flac.16 Recorded by DDyche
|
notes
|
| 5960. |
09/21/82 |
Flac 16 - 0,
119147 |
New York |
Madison Square Garden flac16; Updated Source Info: Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > ? > FLAC (Hade been Marked: lineage: nak 300 (fob)> d-5sony> mc> tc we435> soundcard> cdwave 44100/stereo/16 bit> traders little helper encoding option 8); Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 5961. |
09/21/82 |
Shn - 0,
3152 |
New York |
Madison Square Garden Sennheiser 421's (18th row - Center) > Sony TC-D5 > Master Cassette > Playback on Nak Dragon > Sony R700 DAT deck (sbm-on) - used only as A>D converter (44.1khz) > ZA2 > CDR (x1) > EAC(tracked with Addawav & CDWav) >SHN; taped and transferred by Jim Wise; upload by Darin Sacks
|
notes
|
| 5962. |
09/21/82 |
Flac 16/48 - 0,
142918 |
New York |
Madison Square Garden flac16/48kHz; Source Info: Dan Healy's Master Soundboard Cassettes (Sony TC-D5M/TDK MA-R90/Dolby B)> Frank Streeter's 1st generation 1/4 track Reels @ 3.75 ips (Sony TC770/Maxell UD35-90B) > Dat (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Apogee aes/ebu cable > Tascam DA-3000 (wav 16-bit/48k)> Adobe Audition 3.01 > TLH flac1648
|
notes
|
| 5963. |
09/21/82 |
Flac 24/48 - 0,
149659 |
New York |
Madison Square Garden flac24; Source: FOB Beyers M88's > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2020
|
notes
|
| 5964. |
09/21/82 |
Flac 24/96 - ,
152737 |
New York |
Madison Square Garden flac24/96 Recording Info: (FOB) AUD > Unknown Gen Cassette (Maxell UDXLII) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24
|
notes
|
| 5965. |
09/21/82 |
Flac 24/96 - ,
152737 |
New York |
Madison Square Garden flac24/96 Recording Info: (FOB) AUD > Unknown Gen Cassette (Maxell UDXLII) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24
|
notes
|
| 5966. |
09/21/82 |
Flac 16/44 - ,
154391 |
New York |
Madison Square Garden
|
notes
|
| 5967. |
09/23/82 |
Flac 16 - 0,
108973 |
New Haven |
New Haven Veterans Memorial Coliseum flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5968. |
09/23/82 |
Flac 16 - 0,
100254 |
New Haven |
New Haven Veterans Memorial Coliseum flac16; Source: Sennheiser 421 x2 > Cassette Master (Sony TCD5M/Maxell UDXLII except Disc Two: UDXLII-S); Transfer: Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded on floor behind soundboard by Bob Morris with thanks to Sam
|
notes
|
| 5969. |
09/23/82 |
Flac 24/96 - 0,
111031 |
New Haven |
New Haven Veterans Memorial Coliseum flac24; Sennheiser 421 x2 > Cassette Master (Sony TCD5M/Maxell UDXLII except s2t01-t05: UDXLII-S); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edit/patch); Recorded on the floor behind the soundboard by Bob Morris
|
notes
|
| 5970. |
09/23/82 |
Shn - 0,
12520 |
New Haven |
New Haven Veterans Memorial Coliseum (FOB) Senn 421>Cm>Dat>CD; Seeded to etree by Charlie Miller
|
notes
|
| 5971. |
09/23/82 |
Flac 16 - 0,
117590 |
New Haven |
New Haven Veterans Memorial Coliseum flac16; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX 90s, set up in bottom of center riser facing stage, back of floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. December 2011
|
notes
|
| 5972. |
09/23/82 |
Flac 24/48 - 0,
117589 |
New Haven |
New Haven Veterans Memorial Coliseum b>flac24; AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX 90s, set up in bottom of center riser facing stage, back of floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. December 2011
|
notes
|
| 5973. |
09/23/82 |
Flac 24/96 - 0,
144676 |
New Haven |
New Haven Veterans Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 5974. |
09/23/82 |
Flac 16 - 0,
144677 |
New Haven |
New Haven Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 5975. |
09/23/82 |
Flac 24/48 - ,
153117 |
New Haven |
New Haven Veterans Memorial Coliseum flac2448; Source: FOB Beyers mics > Sony TC-D5M > Maxell MX-90 for 1st Set & Encore, and TDK MA-90 for 2nd Set. Concert recording by Rip Tompkins, and with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2021
|
notes
|
| 5976. |
09/24/82 |
Shn - 0,
4994 |
Syracuse |
Carrier Dome, Syracuse University SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN w/ seek tables appended; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f, wavs compared for errors using EAC; DAT seed from Rob Eaton, DAT> SHN by Jamie Lutch; QC courtesy dankseeds; see info file for flaws etc
|
notes
|
| 5977. |
09/24/82 |
Flac 16 Mtx - 0,
134685 |
Syracuse |
Carrier Dome, Syracuse University flac16; 3 Source Matrix by Dusborne;Soundboard (shnid:04994)SBD>Master Cassette>1Reel>DAT>DAT>WAV> Soundforge 4.0>CDWAV 1.53>MKW 0.97b>SHN w/ seek tables appended DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f;Audience (shnid:18987)AUD>MC>DAT>CDR;Audience (shnid:103388)Nakamichi CM300/CP4->Sony D-5M(Dolby B encoded)->Maxell XLII,MAC->Sony D-5M(Dolby B decoded)->Korg MR-1000 (1Bit/5.6Mhz)->Korg Audiogate->wav.(16/44.1)>Soundforge 8.0->Flac
|
notes
|
| 5978. |
09/24/82 |
Shn - 0,
18987 |
Syracuse |
Carrier Dome, Syracuse University AUD (Beyer 88?s) > MC > DAT > CDR via Raoul Duke encoded by Matt Vernon
|
notes
|
| 5979. |
09/24/82 |
Flac 16 - 0,
103388 |
Syracuse |
Carrier Dome, Syracuse University flac16; Source: Nakamichi CM300/CP4->Sony D-5M(Dolby B encoded)->Maxell XLII Lineage: MAC->Sony D-5M(Dolby B decoded)->Korg MR-1000 (1Bit/5.6Mhz)->Korg Audiogate->wav.(16/44.1)->Soundforge 8.0->Flac Taped by: D. Barfield and /or D. Lane; Transferred and Seeded By M. Watson
|
notes
|
| 5980. |
09/24/82 |
Flac 24/48 - 0,
139440 |
Syracuse |
Carrier Dome, Syracuse University flac24 48khz Source 1: First Gen of Audience Master Recording: Beyer M 201c Location: 120 feet from stage 12 Feet ROC directly even with SBD Lineage: Beyer M201's (hyper cardiod)handheld at shoulder height >> Sony TCD5M w TDK MA-C90 XL, Dolby B ON; First gen tape- Maxell UDXL-IIS Source 2: Sennheiser 421's Location: 60 feet from stage DFC Lineage: Sennheiser 421's >> Sony TCD5M Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48 Processing:SD|WIN7|Audacity |cdwave editor|TLH flac 8 Recorded by: Executive Crew Kyle Holbrook, Mike Yacavone, olvy Johnson Transferred by: Kyle Holbrook
|
notes
|
| 5981. |
09/24/82 |
Flac 16 44,1 - 0,
139439 |
Syracuse |
Carrier Dome, Syracuse University flac16 44.1khz Source 1: First Gen of Audience Master Recording: Beyer M 201c Location: 120 feet from stage 12 Feet ROC directly even with SBD Lineage: Beyer M201's (hyper cardiod)handheld at shoulder height >> Sony TCD5M w TDK MA-C90 XL, Dolby B ON; First gen tape- Maxell UDXL-IIS. Source 2: Sennheiser 421's. Location: 60 feet from stage DFC. Lineage: Sennheiser 421's >> Sony TCD5M. Playback: Nakamichi LX-5 -> Tascam DR680 @ 24/48. Processing:SD|WIN7|Audacity |cdwave editor|TLH flac 8 Recorded by: Executive Crew Kyle Holbrook, Mike Yacavone, olvy Johnson. Transferred by: Kyle Holbrook
|
notes
|
| 5982. |
09/24/82 |
Flac 24/96 - 0,
140705 |
Syracuse |
Carrier Dome, Syracuse University flac24; source: nak 300 (vfh*, 50 yard line) > tcd5m > idxlii +dolby > master > tascam mk122mkii -dolby > apogee rosetta 200 (24/96) > audacity (levels, normalize, fades, tracks) > flac2496 > xact (tags, checksums); recorded: david lane + david Barfield; transferred seeded: david barfield
|
notes
|
| 5983. |
09/24/82 |
Flac 24/48 - 0,
144884 |
Syracuse |
Carrier Dome, Syracuse University flac24; Source: BeyerDynamic M88's > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019
|
notes
|
| 5984. |
09/24/82 |
Flac 16 - 0,
145961 |
Syracuse |
Carrier Dome, Syracuse University flac16; Source: BeyerDynamic M88's > Sony TC-D5M > TDK MA-90's. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2019. This file set is 16 bit @ 44.1
|
notes
|
| 5985. |
09/24/82 |
Flac 16 - 0,
145955 |
Syracuse |
Carrier Dome, Syracuse University flac16; source: nak 300 (vfh*, 50 yard line) > tcd5m > idxlii +dolby > master > tascam mk122mkii -dolby > apogee rosetta 200 (24/96) > audacity (levels, normalize, fades, tracks) > flac2496 > xact (tags, checksums); recorded: david lane + david Barfield; transferred seeded: david barfield. This file set is 16 bit @ 44.1
|
notes
|
| 5986. |
10/09/82 |
Flac 16 - 0,
110621 |
Palo Alto |
Frost Amphitheatre flac16; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5987. |
10/09/82 |
Flac 16 Mtx - 0,
93811 |
Palo Alto |
Frost Amphitheatre flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) August 3, 2008
|
notes
|
| 5988. |
10/09/82 |
Flac 16 - 0,
111040 |
Palo Alto |
Frost Amphitheatre flac16; Recorded, Transferred and Mastered by N. Hoey 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(TDK MA-90)(FOB) Nakamichi Dragon (Dolby B decoded) > Panasonic 3800 DAT (internal A/D conversion) > Soundforge (editing) > CD Architect > Mitsui disc > Toast 9 > Xact
|
notes
|
| 5989. |
10/09/82 |
Shn - 0,
23730 |
Palo Alto |
Frost Amphitheatre Soundboard->Cassette Master(MA-R90/Dolby B)-> 1st Generation Cassette(XLII-S90/Dolby C). 1st Generation Cassette->Fostex D5 (pass-through only)->ZA2->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano
|
notes
|
| 5990. |
10/09/82 |
Flac 16 - 0,
95656 |
Palo Alto |
Frost Amphitheatre flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > wavelab 5 > plugins > r8brain Pro > 16/44.1 wave > cd wave > THL (lvl 8)
|
notes
|
| 5991. |
10/09/82 |
Flac 24/88.2 - 0,
93825 |
Palo Alto |
Frost Amphitheatre flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d1t09 of the previous Charlie Miller source.)
|
notes
|
| 5992. |
10/09/82 |
Flac 16 - 0,
93682 |
Palo Alto |
Frost Amphitheatre flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5993. |
10/09/82 |
Shn - 0,
15800 |
Palo Alto |
Frost Amphitheatre Main Source A : SBD>MR>PCM>DAT>CD-R ; Patch Source B : Rango Keshavan's FOB Master Audience Cassette, Sony ECM-220T mics > Sony TC-D5M > DAT > CDR ; Seeded by T. Wiley ; upgrade in circulation
|
notes
|
| 5994. |
10/09/82 |
Flac 16 - 0,
93827 |
Palo Alto |
Frost Amphitheatre flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d1t09 of the previous Charlie Miller source.)
|
notes
|
| 5995. |
10/09/82 |
Flac 24 - 0,
93683 |
Palo Alto |
Frost Amphitheatre flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
notes
|
| 5996. |
10/09/82 |
Shn - 0,
5183 |
Palo Alto |
Frost Amphitheatre ango Keshavan's FOB Master Audience Cassette; Sony ECM-220T mics > Sony TC-D5M > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; to abgd
|
notes
|
| 5997. |
10/09/82 |
Shn - 0,
337 |
Palo Alto |
Frost Amphitheatre source update: SBDMR> PCM> DAT> CD-R; via Dave Barrick; upgrade in circulation
|
notes
|
| 5998. |
10/09/82 |
Flac 24/48 - 0,
147105 |
Palo Alto |
Frost Amphitheatre flac24; Source: FOB Beyers M160's > Sony TC-D5M > Maxell MX. Concert recording by Rip Tompkins, & with thanks to Richie Stankiewicz! Transfer: MAC > Nakamichi CR-5A (Dolby-B in) > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 07/2019
|
notes
|
| 5999. |
10/10/82 |
Flac 16 Mtx - 0,
110970 |
Palo Alto |
Frost Amphitheatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF CD tracking via Audacity (w/dither) > FLAC16 via xACT)
|
notes
|
| 6000. |
10/10/82 |
Flac 16 - 0,
110626 |
Palo Alto |
Frost Amphitheatre flac16; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 6001. |
10/10/82 |
Flac 16 - 0,
128808 |
Palo Alto |
Frost Amphitheatre flac16; AUD: 2x Beyers M160's > Sony TC-D5, in the sweet spot. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014.
|
notes
|
| 6002. |
10/10/82 |
Flac 24/48 - 0,
110628 |
Palo Alto |
Frost Amphitheatre flac24; Recording Info:SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info:Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 6003. |
10/10/82 |
Flac 16 - 0,
79903 |
Palo Alto |
Frost Amphitheatre flac16; Patched fix of shnid 338 - MC>DAT>ZA2>CD>EAC>SHN (shn id 338) patched with Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC>FLAC (shn id 29315)
|
notes
|
| 6004. |
10/10/82 |
Shn Mtx - 0,
86784 |
Palo Alto |
Frost Amphitheatre Matrix mix: SBD/AUD (About 60%/40%) AUD: Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC Recorded by Rango Keshavan and SBD: MC>DAT>ZA2>CD>EAC>SHN
|
notes
|
| 6005. |
10/10/82 |
Flac 16 - 0,
123624 |
Palo Alto |
Frost Amphitheatre flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by David Gans; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6006. |
10/10/82 |
Flac 16 - 0,
95682 |
Palo Alto |
Frost Amphitheatre flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter) 25 foot back, Dead Center > -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D5 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > wavelab 5 > plugins > r8brain Pro > 16/44.1 wave > cd wave > THL (lvl 8)
|
notes
|
| 6007. |
10/10/82 |
Flac 16 - 0,
93732 |
Palo Alto |
Frost Amphitheatre flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/16; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6008. |
10/10/82 |
Flac 24/48 - 0,
110783 |
Palo Alto |
Frost Amphitheatre flac24; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; This source has the encores fixed
|
notes
|
| 6009. |
10/10/82 |
Flac 16 - 0,
29315 |
Palo Alto |
Frost Amphitheatre flac16; Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC Recorded by Rango Keshavan Flacs and covers by Tzuriel 5/2005
|
notes
|
| 6010. |
10/10/82 |
Flac 24 Mtx - 0,
110744 |
Palo Alto |
Frost Amphitheatre flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC24 > AIFF > Final Cut > AIFF tracking via Audacity > FLAC24 via xACT)
|
notes
|
| 6011. |
10/10/82 |
Flac 24/96 - 0,
128807 |
Palo Alto |
Frost Amphitheatre flac24; AUD: 2x Beyers M160's > Sony TC-D5, in the sweet spot. Transfer: MAC > Sony TC-KA3ES > Sound Devices USB Pre-2 > WAV 2496. Edits: WAV 2496 > Wavelab > CD-Wave (24bit output) > TLH > FLAC 2496 tagged. Concert recording & transfer by Richie Stankiewicz, edits by Andrew F. 05/2014.
|
notes
|
| 6012. |
10/10/82 |
Shn - 0,
338 |
Palo Alto |
Frost Amphitheatre SBD:MCass>(?)DAT>CD>EAC>SHN; transfer by David Hollister; via Josh Ayers; known flaws: small cut in Crazy Fingers, momentary "blip" during Saint, cut in Drums (tape flip), momentary dropout during The Wheel, the very end of Sunshine Daydream is cut; note problem with d3 on etree, fixed version up by 12/3 via Darrin Sacks (old md5s shown here?); upgrade in circulation
|
notes
|
| 6013. |
10/10/82 |
Flac 24 - 0,
93733 |
Palo Alto |
Frost Amphitheatre flac24; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.1 -> FLAC/24; Taped by Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6014. |
10/10/82 |
Flac 24/48 - 0,
124623 |
Palo Alto |
Frost Amphitheatre flac24; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded by David Gans; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6015. |
10/10/82 |
Flac 16 - 0,
111039 |
Palo Alto |
Frost Amphitheatre flac16; Recorded, Transferred and Mastered by N. Hoey; 2 Nakamichi CM 300 > Sony TC D-5m (Dolby B)(TDK MA-90)(FOB) Nakamichi Dragon (Dolby B decoded) > Panasonic 3800 DAT (internal A/D conversion) > Soundforge (editing) > CD Architect > Mitsui disc > Toast 9 > Xact
|
notes
|
| 6016. |
10/10/82 |
Flac 16 - 0,
109822 |
Palo Alto |
Frost Amphitheatre flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6017. |
10/10/82 |
Flac 24/48 - 0,
109823 |
Palo Alto |
Frost Amphitheatre flac24; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6018. |
10/10/82 |
Flac 16 - 0,
|
Palo Alto |
Frost Amphitheatre flac16; AUD>>CASS>>DAT>>CDA>>WAV(EAC)>>FLAC>>DAW(Bertha)>>FLAC; Bertha remaster of shn id 29315
|
notes
|
| 6019. |
10/10/82 |
Flac 16 - 0,
110784 |
Palo Alto |
Frost Amphitheatre flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) -> Cassette (JVC KD-V6/XLII-S90/Dolby C); Transfer Info: Cassette (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; This source has the encores fixed
|
notes
|
| 6020. |
10/10/82 |
Flac 16 - 0,
141523 |
Palo Alto |
Frost Amphitheatre flac16; Source Info: Master Soundboard Cassettes (TDK MA-R90/Dolby B > Tim Dalton's PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 6021. |
10/10/82 |
Flac 24/96 - 0,
143391 |
Palo Alto |
Frost Amphitheatre flac24; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (TDK SA-90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k)
|
notes
|
| 6022. |
10/10/82 |
Flac 16 - 0,
145248 |
Palo Alto |
Frost Amphitheatre flac16; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (TDK SA-90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k); This file set is 16 bit @ 44.1
|
notes
|
| 6023. |
10/10/82 |
Flac 16 Mtx - 0,
92058 |
Palo Alto |
Frost Amphitheatre flac16; MATRIX MIX: SBD/AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) 08/13/07 Remastered: 05/30/08 (A re-synchronized version of d2t06 was circulated in April, 2009. No other changes were made to the file set.)
|
notes
|
| 6024. |
10/17/82 |
Shn - 0,
18108 |
Santa Fe |
Santa Fe Downs (FOB) AUD>Cm>Reel>Dat via Charlie Miller
|
notes
|
| 6025. |
10/17/82 |
Flac 24 - 0,
150574 |
Santa Fe |
Santa Fe Downs flac24; Recording Info: (FOB) AUD > Cassette Master > Reel; Transfer Info: Reel (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC (24-bit/48k)
|
notes
|
| 6026. |
10/17/82 |
Flac 16 - 0,
150661 |
Santa Fe |
Santa Fe Downs flac16; Recording Info: (FOB) AUD > Cassette Master > Reel; Transfer Info: Reel (Technics RS-1506) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC (24-bit/48k), This file set is 16 bit @ 44.1
|
notes
|
| 6027. |
11/25/82 |
Flac - 0,
112816 |
Montego Bay |
Bob Marley Performing Arts Center flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6028. |
11/25/82 |
Flac 24 - 0,
134118 |
Montego Bay |
Bob Marley Performing Arts Center flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX Metal. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 08/2015
|
notes
|
| 6029. |
11/25/82 |
Flac - 0,
134119 |
Montego Bay |
Bob Marley Performing Arts Center flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX Metal. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 08/2015
|
notes
|
| 6030. |
11/25/82 |
Shn - 0,
34204 |
Montego Bay |
Bob Marley Performing Arts Center Source: SBD->CM->DAT Transfer: Tascam DA-20 mkII->Tascam HD-P2->Soundforge 6.0->CD Wave->mkwAct->.shn by Jake C
|
notes
|
| 6031. |
11/25/82 |
Shn - 0,
5647 |
Montego Bay |
Bob Marley Performing Arts Center poss Master Soundboard Cassette > Reel to Reel > DAT> CDR; fix of previous version, by Scott Clugston: tick removed, channel patching, speed correction (see info file); upgrade in circulation
|
notes
|
| 6032. |
11/25/82 |
Flac 24 - 0,
121817 |
Montego Bay |
Bob Marley Performing Arts Center flac24; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6033. |
11/25/82 |
Shn - 0,
21065 |
Montego Bay |
Bob Marley Performing Arts Center lineage: MSC(Sony TCD-5M) > WAV > SHN recording: MSC - master soundboard cassette w/ Dolby B by Frank Streeter digital transfer: Nakamichi CD 2 cassette deck > HHB 850 Pro stand-alone CD burner (16 bit @ 44.1khz) by Frank Streeter and Henry Fisher tracking and editing: AIF (Toast 5.2) > WAV (Peak 3.21) > SHN (shntool 1.2.2) WAV sector boundaries verified with shntool by Ted Erhard
|
notes
|
| 6034. |
11/25/82 |
Flac - 0,
126243 |
Montego Bay |
Bob Marley Performing Arts Center flac16; SDB>>MR>>PCM>>DAT>>CDR>>SHN>>TLH>>FLAC8; tech notes: shorten files recoded to flac8 w/traders little helper v2.7.0 the source(B. Fried's) ran about 4 cents too fast. speed, pitch & tempo corrected -4.200% with Audacity(dc offsets, normalized, high qual shaped dithering) & exported as flac 8. tagged with foobar v1.2.9 & the tradersfriend/etree live show tagger
|
notes
|
| 6035. |
11/25/82 |
Shn - 0,
1419 |
Montego Bay |
Bob Marley Performing Arts Center possible updated lineage: SBD MCass> Reel> PCM> DAT @44.1K> CDR (had been marked SBD> MR> PCM> DAT> CDR, with possible cass gen somewhere)- see pub comment; via Mike Lai, from Bruce Fried DAT seed; note had date typo at first as 11/25/82, now corrected; upgrade in circulation
|
notes
|
| 6036. |
12/26/82 |
Flac 16 - 0,
81602 |
Oakland |
Oakland Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 6037. |
12/26/82 |
Shn - 0,
6665 |
Oakland |
Oakland Auditorium Master Soundboard Cassette > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston; d2 tracked for 80 min; to abgd; upgrade in circulation
|
notes
|
| 6038. |
12/26/82 |
Flac 16 - 0,
95953 |
Oakland |
Oakland Auditorium flac16; Set 2 only Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6039. |
12/26/82 |
Shn - 0,
1420 |
Oakland |
Oakland Auditorium SDB> MR> PCM> DAT> CDR, with possible cass gen somewhere; via Mike Lai, from Bruce Fried DAT seed; upgrade in circulation
|
notes
|
| 6040. |
12/26/82 |
Flac 16/44 - ,
154593 |
Oakland |
Oakland Auditorium flac16/44 Source: (FOB) Senn MD441-U > Sony TC-D5 > Cassette Master (Maxell UDXLII C90 Dolby On) > Nakamichi 581 > Cassette (1st gen) Transfer: 1st gen Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF 24/96 PCM) > Audacity (Trim, both tracks both sides amplified by +4db) Lineage: wav 24/96 > iZotope RX 9 Advanced > wav 16/44.1 > CD Wave > flac 16 edited and mastered SIRMick December 2021
|
notes
|
| 6041. |
12/26/82 |
Flac 24/96 - ,
154594 |
Oakland |
Oakland Auditorium flac24/96 Source: (FOB) Senn MD441-U > Sony TC-D5 > Cassette Master (Maxell UDXLII C90 Dolby On) > Nakamichi 581 > Cassette (1st gen) Transfer: 1st gen Nak CR-7A #1 (azimuth adjusted, Dolby B) > Tascam DA-3000 #2 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF 24/96 PCM) > Audacity (Trim, both tracks both sides amplified by +4db) Lineage: wav 24/96 > iZotope RX 9 Advanced > CD Wave > flac 24 edited and mastered SIRMick December 2021
|
notes
|
| 6042. |
12/27/82 |
Flac 16 - 0,
95954 |
Oakland |
Oakland Auditorium flac16; Set 2 only Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6043. |
12/27/82 |
Flac 16 Mtx - 0,
34705 |
Oakland |
Oakland Auditorium flac16; Sick Bits Vol. 18a - SBD/AUD Matrix of 3 sources (1 previously circulated SBD for set 1 - shnid=32134 and 2 uncirculated sources) - edited, mixed and encoded by Chris Chappell
|
notes
|
| 6044. |
12/27/82 |
Flac 16 - 0,
32134 |
Oakland |
Oakland Auditorium flac16; Source: SBD > MC(?) > Cx > DAT > DAT from Dr. Bruce Fried, 4/96 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV/FLAC > WAV (depopping/retracking, see below)> FLAC (level 5). Original digital transfer and FLAC seeded by billk@neci.edu, January 2006 via planetflac. Remastering and retracking by C.Ladner.
|
notes
|
| 6045. |
12/27/82 |
Flac 16 - 0,
81515 |
Oakland |
Oakland Auditorium flac16; Set 2 only, Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
|
notes
|
| 6046. |
12/27/82 |
Flac 16 - 0,
77463 |
Oakland |
Oakland Auditorium flac16; Recording by Bill Koucky: FOB Sennheiser 441s > Sony D5 > Sony D5 (first gen CM). Transfer: Playback on Nakamich BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > WAV > FLAC. Recording, transfer, and original encoding by Bill K. Remastering: FLAC > WAV > Wavelab 5 (smoothed pauses/flips with crossfades > Waves L3 Multimaximizer (-2 dB threshold/-0.1 dB ceiling/type I dither/ultra shaping) > WAV > CDWAV1.9 (tracking and level 5 FLAC encoding) > FLAC by Chris L.
|
notes
|
| 6047. |
12/27/82 |
Flac 24/96 - 0,
147920 |
Oakland |
Oakland Auditorium flac24; Source Info: Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6048. |
12/27/82 |
Flac 16/48 - 0,
147919 |
Oakland |
Oakland Auditorium flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6049. |
12/28/82 |
Flac 16 - 0,
31967 |
Oakland |
Oakland Auditorium flac16; SBD -> Master PCM -> Dat/0 Transferred and Edited By Charlie Miller
|
notes
|
| 6050. |
12/28/82 |
Flac 16 Mtx - 0,
34715 |
Oakland |
Oakland Auditorium flac16; Sick Bits Vol. 18b - SBD/AUD Matrix of 1 previously circulated SBD source (shnid=31967) and 1 uncirculated AUD source. Edited, mixed and encoded by Chris Chappell
|
notes
|
| 6051. |
12/28/82 |
Shn - 0,
18980 |
Oakland |
Oakland Auditorium SBD > MC > DAT > CD > EAC > SHN; upgrade in circulation
|
notes
|
| 6052. |
12/28/82 |
Flac 24/48 - 0,
134117 |
Oakland |
Oakland Auditorium flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2) Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015
|
notes
|
| 6053. |
12/28/82 |
Flac 16 - 0,
134178 |
Oakland |
Oakland Auditorium flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015
|
notes
|
| 6054. |
12/28/82 |
Flac 16 - 0,
126612 |
Oakland |
Oakland Auditorium flac16; Recording Info: Nak300 (hand-held) -> Sony D-5; Transfer Info: Sony D-5 -> Turtle Beach -> Goldwave -> WAV -> CD -> EAC -> FLAC; Recorded, transferred and edited by Mark Fulton
|
notes
|
| 6055. |
12/28/82 |
Flac 16/48 - 0,
147921 |
Oakland |
Oakland Auditorium flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6056. |
12/28/82 |
Flac 24/96 - 0,
147922 |
Oakland |
Oakland Auditorium flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6057. |
12/30/82 |
Flac 16 - 0,
105819 |
Oakland |
Oakland Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6058. |
12/30/82 |
Flac 16 - 0,
95955 |
Oakland |
Oakland Auditorium flac16; Set 2 only Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6059. |
12/30/82 |
Flac 16 - 0,
77300 |
Oakland |
Oakland Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 6060. |
12/30/82 |
Shn - 0,
8764 |
Oakland |
Oakland Auditorium SBD>MC>PCM>DAT>CDR (likely cass gen); Seeded to etree by Tony G; upgrade in circulation
|
notes
|
| 6061. |
12/30/82 |
Flac 24/48 - 0,
134321 |
Oakland |
Oakland Auditorium flac24; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLIIS 90s. Set up FOB near the SBD area, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015
|
notes
|
| 6062. |
12/30/82 |
Flac 24/48 - 0,
134319 |
Oakland |
Oakland Auditorium flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015
|
notes
|
| 6063. |
12/30/82 |
Flac 16 - 0,
134322 |
Oakland |
Oakland Auditorium flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLIIS 90s. Set up FOB near the SBD area, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015
|
notes
|
| 6064. |
12/30/82 |
Flac 16 - 0,
134320 |
Oakland |
Oakland Auditorium flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Maxell MX-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015
|
notes
|
| 6065. |
12/30/82 |
Flac 24/96 - 0,
147924 |
Oakland |
Oakland Auditorium flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6066. |
12/30/82 |
Flac 16/48 - 0,
147923 |
Oakland |
Oakland Auditorium flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6067. |
12/30/82 |
Flac 16/44 - 0,
151469 |
Oakland |
Oakland Auditorium flac16/44khz ; Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; Recorded by Bob Wagner 150778 24 -> 16 @ 44.1
|
notes
|
| 6068. |
12/31/82 |
Flac 16 - 0,
105820 |
Oakland |
Oakland Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6069. |
12/31/82 |
Shn - 0,
5958 |
Oakland |
Oakland Auditorium SBD> MR> DAT> CD> EAC> SHN; Show and lineage information from Charlie Miller; DAE, SHN conversion, by Keith Bode; upgrade in circulation
|
notes
|
| 6070. |
12/31/82 |
Flac 16 - 0,
77301 |
Oakland |
Oakland Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 6071. |
12/31/82 |
Flac 16 - 0,
118487 |
Oakland |
Oakland Auditorium flac16; Set 3 Only, source: sbd> d-5; conversion: sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8; conversion rate: 48000/stereo/16 bit; lineage: sbd> d-5> sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 6072. |
12/31/82 |
Flac 24/48 - 0,
134485 |
Oakland |
Oakland Auditorium flac24; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015
|
notes
|
| 6073. |
12/31/82 |
Flac 16 - 0,
134488 |
Oakland |
Oakland Auditorium flac16; 3rd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME Metal tape. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015
|
notes
|
| 6074. |
12/31/82 |
Flac 24/48 - 0,
134487 |
Oakland |
Oakland Auditorium flac24; 3rd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Hitachi ME Metal tape. Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015
|
notes
|
| 6075. |
12/31/82 |
Flac 16 - 0,
134486 |
Oakland |
Oakland Auditorium flac16; AUD: Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015
|
notes
|
| 6076. |
12/31/82 |
Flac 16 - 0,
113090 |
Oakland |
Oakland Auditorium flac16; FM Radio Broadcast > Cassete > Wave > Flac
|
notes
|
| 6077. |
12/31/82 |
Flac 16/48 - 0,
148507 |
Oakland |
Oakland Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) SBD (shnid = 105820) SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015. - surround mixing by Kevin Tobin
|
notes
|
| 6078. |
12/31/82 |
Flac 16 Dts.5.1 - 0,
148506 |
Oakland |
Oakland Auditorium DTS-Audio-CD 5.1 Mix; SBD (shnid = 105820) SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015. - dts mixing by Kevin Tobin
|
notes
|
| 6079. |
12/31/82 |
Flac 16 Mtx - 0,
148505 |
Oakland |
Oakland Auditorium flac16; Matrix 2 Source Mix<.i> SBD (shnid = 105820) SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015. - matrix mixing by Kevin Tobin
|
notes
|
| 6080. |
12/31/82 |
Flac 16 - 0,
148498 |
Oakland |
Oakland Auditorium flac16; Patched & Pitch Corrected Audience AUD (original shnid = 134486) Unknown mics > lead deck > Sony TC-D5 > Maxell XLII for 1st & 3rd sets, and Maxell XLIIS for 2nd set. Set up FOB near the SBD, recording by Mark Fulton. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015 - pitch correction and patches by Kevin Tobin
|
notes
|
| 6081. |
01/24/83 |
Shn - 0,
21264 |
Novato |
Stone House Studio Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03
|
notes
|
| 6082. |
01/31/83 |
Shn - 0,
21265 |
Novato |
Stone House Studio Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03
|
notes
|
| 6083. |
02/01/83 |
Shn - 0,
21266 |
Novato |
Stone House Studio Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03
|
notes
|
| 6084. |
02/06/83 |
Shn - 0,
21270 |
Novato |
Stone House Studio Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03
|
notes
|
| 6085. |
03/14/83 |
Shn - 0,
21269 |
San Rafael |
Club Front - Rehearsals Studio Rehearsals Recording Info: SBD -> Reel Master -> Cass -> Dat -> CD -> EAC -> SHN Converted By Charlie Miller charliemiller87@earthlink.net 12/5/03
|
notes
|
| 6086. |
03/25/83 |
Shn - 0,
23572 |
Tempe |
Compton Terrace Amphitheatre SBD -> Cassette Master -> Reel -> Cass -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN;Patched with 3 Sennheiser 421's -> Cassette Master -> Dat -> CD -> EAC -> SHN; Patched and Edited By Charlie Miller
|
notes
|
| 6087. |
03/25/83 |
Flac 24/48 - 0,
134370 |
Tempe |
Compton Terrace Amphitheatre flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2015
|
notes
|
| 6088. |
03/25/83 |
Flac 16 - 0,
134371 |
Tempe |
Compton Terrace Amphitheatre flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2015
|
notes
|
| 6089. |
03/25/83 |
Shn - 0,
7350 |
Tempe |
Compton Terrace Amphitheatre FOB>3 Senn. 421's>MC>DAT>CD; via Tom Eliason; Seeded to etree by Willy
|
notes
|
| 6090. |
03/25/83 |
Flac 16 - 0,
139596 |
Tempe |
Compton Terrace Amphitheatre flac16; Source Info: Master FOB Audience PCM; (3)Sennheiser 421 mics; Transfer Info: PCM (Sony SL-HF66)> Sony PCM-601ESD> Behringer Ultramatch Pro> Tascam DA-3000> Adobe Audition 3.0> TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 6091. |
03/25/83 |
Flac 24/48 - 0,
141356 |
Tempe |
Compton Terrace Amphitheatre flac24/48 Recording Information Master AUD Cassette: Nakamichi 300's >Sony TCD5> 3rd in line Sony TCD5M|TDK MA-C90 Location: 75 ft from stacks DFC Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded by: Kyle Holbrook Transferred: Kyle Holbrook
|
notes
|
| 6092. |
03/25/83 |
Flac 16/44,1 - 0,
141355 |
Tempe |
Compton Terrace Amphitheatre flac16/44.1 Recording Information Master AUD Cassette: Nakamichi 300's >Sony TCD5> 3rd in line Sony TCD5M|TDK MA-C90 Location: 75 ft from stacks DFC Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded by: Kyle Holbrook Transferred: Kyle Holbrook
|
notes
|
| 6093. |
03/25/83 |
Flac 16 - 0,
148801 |
Tempe |
Compton Terrace Amphitheatre flac16; Source Info: Master Soundboard Cassette > Cassette > PCM; Transfer Info: PCM (unknown equipment) > .wav (16/44.1) > Adobe Audition 2019 > TLH flac16
|
notes
|
| 6094. |
03/26/83 |
Flac 16 - 0,
79605 |
Las Vegas |
Aladdin Theater flac16; Set2: Sennheiser 421 > Sony TC-770 Reel to Reel at 3 3/4 ips > Sony DTC-2000ES > DAT > M-Audio Delta 410 > wav > *Adobe AUdition 1.5 > shntool > FLAC lvl8
|
notes
|
| 6095. |
03/26/83 |
Flac 16/48 - 0,
79606 |
Las Vegas |
Aladdin Theater flac16/48; Set2: Sennheiser 421 > Sony TC-770 Reel to Reel at 3 3/4 ips > Sony DTC-2000ES > DAT > M-Audio Delta 410 > wav > Adobe Audition 1.5 > shntool > FLAC lvl8
|
notes
|
| 6096. |
03/26/83 |
Flac 16 - 0,
81092 |
Las Vegas |
Aladdin Theater flac16; Recording Info: (FOB) Neumann KM54 -> Cassette Master -> Dat Transfer Info: Dat -> CD (Tascam CDRW700) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 6097. |
03/26/83 |
Shn - 0,
11260 |
Las Vegas |
Aladdin Theater AUD>MC>DAT>CDR KM 54?s; via the Retired General; Seeded to etree by Ernie Dodd
|
notes
|
| 6098. |
03/26/83 |
Flac 16 - 0,
137371 |
Las Vegas |
Aladdin Theater flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLIIS, mics clamped to balcony rail center, recording by Craig L. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (insert patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2016
|
notes
|
| 6099. |
03/26/83 |
Flac 16/48 - 0,
140315 |
Las Vegas |
Aladdin Theater flac16/48kHz; Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
|
notes
|
| 6100. |
03/26/83 |
Flac 24/48 - 0,
141353 |
Las Vegas |
Aladdin Theater flac24/48 Recording Info: First set: Unknown mics-> Sony PCMF1->Analog out-> Sony TCD5M (4th in line) Maxell XLII90 Dolby B on; 18th row DFC Second Set: JVC HM 200E Binaural headphone microphones worn on head >>Sony TCD5M; Maxell XLII 90, Dolby B on; 100 feet from stage DFC Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Kyle Holbrook Transferred & Processed: Kyle Holbrook
|
notes
|
| 6101. |
03/26/83 |
Flac 16 44,1 - 0,
141352 |
Las Vegas |
Aladdin Theater flac16/44.1 Recording Info: First set: Unknown mics-> Sony PCMF1->Analog out-> Sony TCD5M (4th in line) Maxell XLII90 Dolby B on; 18th row DFC Second Set: JVC HM 200E Binaural headphone microphones worn on head >>Sony TCD5M; Maxell XLII 90, Dolby B on; 100 feet from stage DFC Transfer: Nakimichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Kyle Holbrook Transferred & Processed: Kyle Holbrook
|
notes
|
| 6102. |
03/27/83 |
Shn - 0,
11261 |
Irvine |
Irvine Meadows AUD> MC> DAT> CDR Senn 421s; via Paul; Seeded to etree by Ernie Dodd
|
notes
|
| 6103. |
03/27/83 |
Flac 16/48 - 0,
140316 |
Irvine |
Irvine Meadows flac16/48kHz; Set 2 Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
|
notes
|
| 6104. |
03/27/83 |
Flac 16 - 0,
142769 |
Irvine |
Irvine Meadows flac16; Source Info: Master Audience Cassettes; Sennheiser 421 mics > unknown deck > Dat > CDR, Eac > Cool Edit > shntool > cdwav >shnv3 EAC >shn; Re-Mastered by Scott Clugston; This is a pitch corrected and re-mastered version of shnid 11261
|
notes
|
| 6105. |
03/27/83 |
Flac 16 - 0,
142769 |
Irvine |
Irvine Meadows flac16; Source Info: Master Audience Cassettes; Sennheiser 421 mics > unknown deck > Dat > CDR, Eac > Cool Edit > shntool > cdwav >shnv3 EAC >shn; Re-Mastered by Scott Clugston; This is a pitch corrected and re-mastered version of shnid 11261
|
notes
|
| 6106. |
03/27/83 |
Flac 16/48 - 0,
142767 |
Irvine |
Irvine Meadows flac16/48kHz; Set 2 Recording Info: Master Soundboard Cassettes > Technics Reel to Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Dat (Sony PCM-R500 16/48) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16/48) > Adobe Audition 3.0 > TLH flac1648; This is a patched and pitch corrected version of shnid 140316
|
notes
|
| 6107. |
03/27/83 |
Flac 16/48 - 0,
142768 |
Irvine |
Irvine Meadows flac16/48kHz; Recording Info: Master Soundboard Cassettes > Cassette > Dat 16/48; Transfer Info: Dat (Sony PCM-R500 16/48) > Apogee aes/ebu cable > Tascam DA-3000 (.wav 16/48) > Adobe Audition 3.0 > TLH flac1648
|
notes
|
| 6108. |
03/29/83 |
Shn - 0,
11262 |
San Francisco |
Warfield Theater AUD>MC>CDR Paul Hogan, 1st row behind SBD, Senn 441?s>Sony D-6; via Paul B; Seeded to etree by Ernie Dodd
|
notes
|
| 6109. |
03/29/83 |
Flac - 0,
137269 |
San Francisco |
Warfield Theater flac16; Source: AUD from the Brian Schley tape collection (see note). Transfer: Maxell XLII 90's > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (insert patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016
|
notes
|
| 6110. |
03/30/83 |
Flac - 0,
77081 |
San Francisco |
Warfield Theater flac16; SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6111. |
03/30/83 |
Shn - 0,
10919 |
San Francisco |
Warfield Theater SBD>CM>Cassette x1>DAT>CDRx2; Seeded to etree by Jim Bennett ; upgrade in circulation
|
notes
|
| 6112. |
03/30/83 |
Flac - 0,
137243 |
San Francisco |
Warfield Theater flac16; Set 1 AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII-90, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2016
|
notes
|
| 6113. |
03/30/83 |
Flac - 0,
139681 |
San Francisco |
Warfield Theater flac16 44.1khz Source Info: Sennheiser 441-> Cassette-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel.
|
notes
|
| 6114. |
03/31/83 |
Flac - 0,
94016 |
San Francisco |
Warfield Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 6115. |
03/31/83 |
Flac - 0,
77086 |
San Francisco |
Warfield Theater flac16; SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 6116. |
03/31/83 |
Flac - 0,
32306 |
San Francisco |
Warfield Theater flac16; SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller ; upgrade in circulation
|
notes
|
| 6117. |
03/31/83 |
Flac - 0,
32296 |
San Francisco |
Warfield Theater SBD > C(x5) > Sony TC-D5M > Soundblaster > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (SBE-OK, checksums, Flac compression) > bt.etree 01/06. ; upgrade in circulation
|
notes
|
| 6118. |
03/31/83 |
Shn - 0,
18112 |
San Francisco |
Warfield Theater (FOB) Sennheiser 421 -> Cm (Sony D5) -> Dat via Charlie Miller
|
notes
|
| 6119. |
04/09/83 |
Flac 16 Mtx - 0,
97109 |
Hampton |
Hampton Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 6120. |
04/09/83 |
Flac 16 - 0,
93145 |
Hampton |
Hampton Coliseum flac16; Recording Info: SBD -> Master Cassette -> Reel -> Dat (48k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN -> WAV -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 6121. |
04/09/83 |
Flac 16 - 0,
135190 |
Hampton |
Hampton Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6122. |
04/09/83 |
Flac 24/96 - 0,
135191 |
Hampton |
Hampton Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6123. |
04/09/83 |
Shn - 0,
27703 |
Hampton |
Hampton Coliseum SBD> Master Cassette> Reel> Dat (48k); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; plus patches from Rob Eaton's FOB Senn 441 source; Transferred, Edited and Patched By Charlie Miller
|
notes
|
| 6124. |
04/09/83 |
Flac 24/48 - 0,
137037 |
Hampton |
Hampton Coliseum flac24; Set Two AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2016
|
notes
|
| 6125. |
04/09/83 |
Flac 16 - 0,
137038 |
Hampton |
Hampton Coliseum flac16; Set Two AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2016
|
notes
|
| 6126. |
04/09/83 |
Shn - 0,
14190 |
Hampton |
Hampton Coliseum Audience Recording: Sennheiser 441-->Sony D6 Note: Track 1 is incomplete; posted to abgd
|
notes
|
| 6127. |
04/09/83 |
Shn - 0,
9199 |
Hampton |
Hampton Coliseum Senn 421 mics > Sony TC-D5 > MAC > DAT > CD; via Tiger-Rose; Seeded to etree by Sean Cribbs
|
notes
|
| 6128. |
04/09/83 |
Flac 24/48 - 0,
141615 |
Hampton |
Hampton Coliseum flac24/48 Source Audience Recording: JVC200E Binaural headphone microphones Location: 60 feet from stage|DFC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook
|
notes
|
| 6129. |
04/09/83 |
Flac 24/48 - 0,
141613 |
Hampton |
Hampton Coliseum flac24/48 Source Audience Recording: Beyer M 201c Location: 60 feet from stage|DFC Lineage: MA CA FOB - Beyer M201's (hyper cardiod)XY 6ft>> Sony TCD5M w Maxell XL-II, No Dolby Playback: Nakamichi CR-5A ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by Kyle Holbrook
|
notes
|
| 6130. |
04/09/83 |
Flac 16 44,1 - 0,
141614 |
Hampton |
Hampton Coliseum flac16/44.1 Source Audience Recording: JVC200E Binaural headphone microphones Location: 60 feet from stage|DFC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook
|
notes
|
| 6131. |
04/09/83 |
Flac 16 44,1 - 0,
141612 |
Hampton |
Hampton Coliseum flac16/44.1 Source Audience Recording: Beyer M 201c Location: 60 feet from stage|DFC Lineage: MA CA FOB - Beyer M201's (hyper cardiod)XY 6ft>> Sony TCD5M w Maxell XL-II, No Dolby Playback: Nakamichi CR-5A ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by: Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by Kyle Holbrook
|
notes
|
| 6132. |
04/09/83 |
Flac 24/96 - 0,
145467 |
Hampton |
Hampton Coliseum flac24; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6133. |
04/09/83 |
Flac 16/48 - 0,
145466 |
Hampton |
Hampton Coliseum flac16/48kHz; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6134. |
04/10/83 |
Shn - 0,
16579 |
Morgantown |
West Virginia University Coliseum Set 1 SBD > PCM > Dat x 2 > CDR > SHN; Set 2 SBD > Cassette Master > Dat x 2 > CDR > SHN; via Bob Harrell; drgseeds
|
notes
|
| 6135. |
04/10/83 |
Flac 24/96 - 0,
130279 |
Morgantown |
West Virginia University Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6136. |
04/10/83 |
Flac 16 - 0,
130282 |
Morgantown |
West Virginia University Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6137. |
04/10/83 |
Shn - 0,
9993 |
Morgantown |
West Virginia University Coliseum KG 581?s>Sony D-5>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd
|
notes
|
| 6138. |
04/10/83 |
Shn - 0,
14191 |
Morgantown |
West Virginia University Coliseum Audience Recording: Sennheiser 441-->Sony D6; posted to abgd
|
notes
|
| 6139. |
04/10/83 |
Flac 24/48 - 0,
137676 |
Morgantown |
West Virginia University Coliseum flac24; 2nd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2017
|
notes
|
| 6140. |
04/10/83 |
Flac 16 - 0,
137677 |
Morgantown |
West Virginia University Coliseum flac16; 2nd Set AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90, FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2017
|
notes
|
| 6141. |
04/10/83 |
Flac 24 - 0,
140084 |
Morgantown |
West Virginia University Coliseum flac24; aud cassette master, nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
|
notes
|
| 6142. |
04/10/83 |
Flac 16 - 0,
140085 |
Morgantown |
West Virginia University Coliseum flac16; aud cassette master, nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
|
notes
|
| 6143. |
04/10/83 |
Flac 24/48 - 0,
141631 |
Morgantown |
West Virginia University Coliseum flac24/48 Source Audience Recording: JVC200E Binaural headphone microphones Location: 80 feet from stage|Right corner of SBD ~ 20' ROC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook
|
notes
|
| 6144. |
04/10/83 |
Flac 16 44,1 - 0,
141630 |
Morgantown |
West Virginia University Coliseum flac16/44.1 Source Audience Recording: JVC200E Binaural headphone microphones Location: 80 feet from stage|Right corner of SBD ~ 20' ROC Lineage: MA CA FOB - JVC200E worn on head >> Sony TCD5M w TDK MAC-90 No Dolby Playback: Nakamichi LX-5 ->Tascam DR-680|SD card 24/48 Processing: SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) Taped by; Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone Transferred by Kyle Holbrook
|
notes
|
| 6145. |
04/12/83 |
Flac 16 - 0,
30808 |
Binghamton |
Broome County Arena flac16; Recording Info: SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.0 -> FLAC
|
notes
|
| 6146. |
04/12/83 |
Flac 16 Mtx - 0,
124253 |
Binghamton |
Broome County Arena flac16; 3 Source Matrix by Dusborne: Soundboard (shnid:17264) Set 1 SBD > Cassette master > Dats > CDR > SHN by drgseeds, Soundboard (shnid:30808) Set 2 Recording Info: SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.0 -> FLAC; Transferred and Edited By Charlie Miller and Audience (shnid:93961) Source: MAC; (FOB) 2 x Sennheiser 421 > Sony D5 > 2 x Maxell UDXL II C90 Location: 20th Row center. Recorded by Rick "Coyote" Colyard. Transfer and mastering by Alex Ford.
|
notes
|
| 6147. |
04/12/83 |
Shn - 0,
10075 |
Binghamton |
Broome County Arena SBD>PCM>DAT>CDR; with aud patches; See info file for details; via Rick Martin, Willy, and Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation
|
notes
|
| 6148. |
04/12/83 |
Flac 16 - 0,
134998 |
Binghamton |
Broome County Arena flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Fuji Metal (S1) and TDK MA-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2016
|
notes
|
| 6149. |
04/12/83 |
Flac 16 - 0,
93961 |
Binghamton |
Broome County Arena flac16; MAC; (FOB) 2 x Sennheiser 421 > Sony D5 > 2 x Maxell UDXL II C90 Taper: Rick "Coyote" Colyard. Transferred and mastered by Alex Ford
|
notes
|
| 6150. |
04/12/83 |
Shn - 0,
9947 |
Binghamton |
Broome County Arena Jim Wise recording, FOB Sennheuser 421s>Sony D5>DAT>CDR; Seeded to etree by Darrin Sacks
|
notes
|
| 6151. |
04/12/83 |
Shn - 0,
17264 |
Binghamton |
Broome County Arena Primary source: SBD > Cassette master > Dats > CDR > SHN. Patch source: FOB Sennheuser 421s > Sony D5 > DAT > CDR. via drgseeds; upgrade in circulation
|
notes
|
| 6152. |
04/12/83 |
Flac 24/96 - 0,
103166 |
Binghamton |
Broome County Arena flac24; nakamichi 300 > tcd5m (udxl IIs, dolby on, @ soundboard) > master cassette/tcd5m (original recorder, +dolby) > minime (24/96) > sd744t > audacity > xact (flac24)
|
notes
|
| 6153. |
04/12/83 |
Shn - 0,
9746 |
Binghamton |
Broome County Arena 2nd set only; AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd
|
notes
|
| 6154. |
04/12/83 |
Flac 16 - 0,
137356 |
Binghamton |
Broome County Arena flac16; nakamichi 300 > tcd5m (udxl IIs, dolby on, @ soundboard) > master cassette/tcd5m (original recorder, +dolby) > minime (24/96) > sd744t > audacity > xact (flac24), 24bits > 16bits with r8brain
|
notes
|
| 6155. |
04/12/83 |
Flac 16/48 - 0,
138560 |
Binghamton |
Broome County Arena flac16/48kHz; Unknown Taper (FOB): Sennheiser 421 > cassette master* > dat; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, Patch & Pack : Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 6156. |
04/12/83 |
Flac 16 - 0,
140047 |
Binghamton |
Broome County Arena flac16; Set 2 Recording Info: Master Soundboard PCM > PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM 601ESD> Behringer Ultramatch Pro> Tascam DA-3000 (16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; Mastered by Scott Clugston
|
notes
|
| 6157. |
04/12/83 |
Flac 24 - 0,
140087 |
Binghamton |
Broome County Arena flac24; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
|
notes
|
| 6158. |
04/12/83 |
Flac 16 - 0,
140086 |
Binghamton |
Broome County Arena flac16; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
|
notes
|
| 6159. |
04/12/83 |
Flac 24/48 - 0,
141633 |
Binghamton |
Broome County Arena flac24/48 Location: 80ft from Stacks Dead center First Gen AUD: Master was:Sennheiser MD421's-> Sony TCD5M (2nd in line)|TDK MA (TP,OJ,MY,KH) Marked as patched out of Jim Wise. Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded by Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by: Kyle Holbrook
|
notes
|
| 6160. |
04/12/83 |
Flac 16 44,1 - 0,
141632 |
Binghamton |
Broome County Arena flac16/44.1 Location: 80ft from Stacks Dead center First Gen AUD: Master was:Sennheiser MD421's-> Sony TCD5M (2nd in line)|TDK MA (TP,OJ,MY,KH) Marked as patched out of Jim Wise. Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded by Executive Crew: Kyle Holbrook, Olvy Johnson, Mike Yacavone, Tom Pinney Transferred by: Kyle Holbrook
|
notes
|
| 6161. |
04/13/83 |
Flac 16 Mtx - 0,
113852 |
Burlington |
Patrick Gymnasium, U of Vermont flac16; Matrix by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 6162. |
04/13/83 |
Shn - 0,
23849 |
Burlington |
Patrick Gymnasium, U of Vermont SDB>>CM>>C>>DAT>>CDR via Mike Lai
|
notes
|
| 6163. |
04/13/83 |
Shn - 0,
1614 |
Burlington |
Patrick Gymnasium, U of Vermont MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN; via Jim Wise, Darrin Sacks
|
notes
|
| 6164. |
04/13/83 |
Flac 24/96 - 0,
119845 |
Burlington |
Patrick Gymnasium, U of Vermont flac24; Updated Source Info: (2) sennheiser 421 fob>d-5; conversion: sony tc we435>sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/stereo/24 bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
|
notes
|
| 6165. |
04/13/83 |
Flac 16 - 0,
102860 |
Burlington |
Patrick Gymnasium, U of Vermont flac 16 Source: 3 Microphone Setup>unknown Deck>cassette Master->my Cassette
|
notes
|
| 6166. |
04/13/83 |
Flac 16 - 0,
82876 |
Burlington |
Patrick Gymnasium, U of Vermont flac16; AUD Source: Nakamichi CM-300's (no shotguns) > patched thru one Sony D5 > Marantz PMD-340 > TDK SA-90's. Mics on stand aprx six feet high, set up second or third row up in the bleachers directly behind the soundboard. Transfer: MAC > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC. Taped and transferred by Andrew F
|
notes
|
| 6167. |
04/13/83 |
Flac 16/48 - 0,
138339 |
Burlington |
Patrick Gymnasium, U of Vermont b>flac16/48kHz; Set 2 1st gen dbx cassette SBD > Cassette Master > Cassette (dbx) > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48
|
notes
|
| 6168. |
04/13/83 |
Flac 16 - 0,
119554 |
Burlington |
Patrick Gymnasium, U of Vermont flac16; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012
|
notes
|
| 6169. |
04/13/83 |
Flac 24/48 - 0,
119531 |
Burlington |
Patrick Gymnasium, U of Vermont flac24; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F.
|
notes
|
| 6170. |
04/13/83 |
Flac 24 - 0,
140090 |
Burlington |
Patrick Gymnasium, U of Vermont flac24; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
|
notes
|
| 6171. |
04/13/83 |
Flac 16 - 0,
140089 |
Burlington |
Patrick Gymnasium, U of Vermont flac16; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
|
notes
|
| 6172. |
04/13/83 |
Shn - 0,
21921 |
Burlington |
Patrick Gymnasium, U of Vermont Source: MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN. Taper: M.Horvath
|
notes
|
| 6173. |
04/13/83 |
Flac 16/44,1 - 0,
141636 |
Burlington |
Patrick Gymnasium, U of Vermont flac16/44.1 Location: 50ft from Right Stack about row 17 aisle seats First Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH) Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney & Kyle Holbrook Transferred by: Kyle Holbrook
|
notes
|
| 6174. |
04/13/83 |
Flac 24/48 - 0,
141637 |
Burlington |
Patrick Gymnasium, U of Vermont flac24/48 Location: 50ft from Right Stack about row 17 aisle seats First Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH) Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney & Kyle Holbrook Transferred by: Kyle Holbrook
|
notes
|
| 6175. |
04/15/83 |
Flac - 0,
32780 |
Rochester |
Community War Memorial Auditorium Recording Info: Set 1: SBD -> Cassette Master -> Reel -> Dat (48k) Set 2: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 6176. |
04/15/83 |
Flac 16 - 0,
94282 |
Rochester |
Community War Memorial Auditorium flac16;Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B); Transfer Info:Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded and Transfered By Charlie Miller (Previous transfers were not dolby decoded, this one is.)
|
notes
|
| 6177. |
04/15/83 |
Flac 16 - 0,
135460 |
Rochester |
Community War Memorial Auditorium flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII (Set 1 + JBG & Baby Blue), Hitachi ME-Metal (Set 2 thru A&A), FOB recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2016
|
notes
|
| 6178. |
04/15/83 |
Flac 16 - 0,
87725 |
Rochester |
Community War Memorial Auditorium flac16; Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II) Transfer Info: Cassette Master (Namamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 Recorded and Transfered By Charlie Miller
|
notes
|
| 6179. |
04/15/83 |
Shn - 0,
9975 |
Rochester |
Community War Memorial Auditorium 2nd set; SBD>PCM>DAT>Sonic Solutions>CDR; via Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation
|
notes
|
| 6180. |
04/15/83 |
Flac 24/96 - 0,
94283 |
Rochester |
Community War Memorial Auditorium flac24; Recording Info:(FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded and Transfered By Charlie Miller (Previous transfers were not dolby decoded, this one is.)
|
notes
|
| 6181. |
04/15/83 |
Flac 24/48 - 0,
|
Rochester |
Community War Memorial Auditorium flac24; Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II) Transfer Info: Cassette Master (Namamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/24 Recorded and Transfered By Charlie Miller
|
notes
|
| 6182. |
04/15/83 |
Shn - 0,
9974 |
Rochester |
Community War Memorial Auditorium Senn. 421?s > MC>DAT>CD; via Paul B; Seeded to etree by Ernie Dodd
|
notes
|
| 6183. |
04/15/83 |
Flac 16 - 0,
88659 |
Rochester |
Community War Memorial Auditorium flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-11th row DFC @6 ft high on stand(head high) Taper: Rick "Coyotte" Colyard 2 maxell UD-XL2-S-Cassette MASTERS Transfer: Cassette Masters> Sony TC-W21>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Tapeflips joined with Media Join 2.0 Transfered and edited and seeded freely by Muletaper 11-18-2007
|
notes
|
| 6184. |
04/15/83 |
Shn - 0,
23850 |
Rochester |
Community War Memorial Auditorium (FOB) Audio Technica Mics -> Sony D5 (Lead Deck) -> Cassette Master (Patched Off Of Lead Deck With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller; upgrade in circulation
|
notes
|
| 6185. |
04/15/83 |
Flac 16 Mtx - 0,
138067 |
Rochester |
Community War Memorial Auditorium flac16; 2 source matrix by Dusborne; Soundboard (shnid:32780), Recording Info: set 1: SBD -> Cassette Master -> Reel -> Dat (48k)Set 2: SBD -> PCM -> Dat (44.1k)Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC and Audience (shnid:94282), Recording Info: (FOB) Audio Technica Mics -> Cassette Master (Sony D6/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Namamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) ->Samplitude Professional v10.1 -> FLAC/16, Recorded and Transfered By Charlie Miller
|
notes
|
| 6186. |
04/15/83 |
Flac 16 - 0,
140059 |
Rochester |
Community War Memorial Auditorium flac16; Set 2 Recording Info: Master Soundboard PCM > PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM 601ESD> Behringer Ultramatch Pro> Sound Devices 744T (16-bit/44.1k)> Adobe Audition 3.0> TLH flac16; Mastered by Scott Clugston
|
notes
|
| 6187. |
04/15/83 |
Flac 24 - 0,
140095 |
Rochester |
Community War Memorial Auditorium flac24; aud cassette master, nak 300 guns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
|
notes
|
| 6188. |
04/15/83 |
Flac 16 - 0,
140094 |
Rochester |
Community War Memorial Auditorium flac16; aud cassette master; nak 300 guns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
|
notes
|
| 6189. |
04/15/83 |
Flac 24 - 0,
143055 |
Rochester |
Community War Memorial Auditorium flac24; Recording Info: (FOB) Audio Technica ATM11 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded, Transferred and Mastered by Charlie Miller
|
notes
|
| 6190. |
04/15/83 |
Flac 24/96 - 0,
140687 |
Rochester |
Community War Memorial Auditorium flac24; source: nak-300 (12’ near sbd) > tcd5m > udxliis +dolby > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, fades, tracks) > flac2496 > xact (tags, checksums); recorded: david barfield + david lane; transferred seeded: barfield
|
notes
|
| 6191. |
04/15/83 |
Flac 16 - 0,
143504 |
Rochester |
Community War Memorial Auditorium flac16; Recording Info: (FOB) Audio Technica ATM11 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded, Transferred and Mastered by Charlie Miller; This file set is 16 bit @ 44.1
|
notes
|
| 6192. |
04/15/83 |
Flac 16/44,1 - 0,
141638 |
Rochester |
Community War Memorial Auditorium flac16/44.1 Recording Information Master AUD: Beyer M201 hypercardiod XY 65ft from stacks ->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Executive Crew- KAH, MY, OJ, assist to TP
|
notes
|
| 6193. |
04/15/83 |
Flac 24/48 - 0,
141639 |
Rochester |
Community War Memorial Auditorium flac24/48 Recording Information Master AUD: Beyer M201 hypercardiod XY 65ft from stacks ->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Executive Crew- KAH, MY, OJ, assist to TP
|
notes
|
| 6194. |
04/15/83 |
Flac 16/44,1 - 0,
141640 |
Rochester |
Community War Memorial Auditorium flac16/44.1 Recording Information First Gen AUD: Master was: Sennheiser MD421's XY 60ft from stacks ->Marantz Superscope PMD430 (3rd in line)|TDK MA no Dolby (TP) Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded BY: Tom Pinney assist to Executive Crew Transferred by: Kyle Holbrook
|
notes
|
| 6195. |
04/15/83 |
Flac 24/48 - 0,
141641 |
Rochester |
Community War Memorial Auditorium flac24/48 Recording Information First Gen AUD: Master was: Sennheiser MD421's XY 60ft from stacks ->Marantz Superscope PMD430 (3rd in line)|TDK MA no Dolby (TP) Lineage: JVC -> Sony TCD5M Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded BY: Tom Pinney assist to Executive Crew Transferred by: Kyle Holbrook
|
notes
|
| 6196. |
04/16/83 |
Flac 16 - 0,
28294 |
East Rutherford |
Meadowlands Arena flac16; mixed sources: SBD> Cassette Master> Reel> Dat> CD> EAC> WAV> FLAC; Set 2: SBD> PCM> Dat> Cool Edit Pro> WAV; WAV> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
|
notes
|
| 6197. |
04/16/83 |
Flac 16 - 0,
125924 |
East Rutherford |
Meadowlands Arena flac16; (FOB) Sennheiser 421s > Sony D5 > MAC (from lead deck) > 1st Gen Cassettes (via Mark McCue); Location: (FOB) 8th or 10th row center, chest to head level; Transfer/Lineage: 1st Gen Cassette> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16e> WaveLab 7.2.1(UAD-2)> .wav @24/88.2> Apogee UV22HR> .wav @16/44.1> xAct> flac16; Taped by Tom G. Transferred, edited and mastered by Alex Ford
|
notes
|
| 6198. |
04/16/83 |
Flac 16 - 0,
132874 |
East Rutherford |
Meadowlands Arena flac16; Soundboard Master Cassettes > (Unk) Reel To Reel > Low Gen PCM Early 90's > Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD > SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Track Renamed With AudioGate Software V.3.0.2 @ 16/44 Wave; Tracked/Flacked With AudioGate V.3.0.2; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6199. |
04/16/83 |
Shn - 0,
14940 |
East Rutherford |
Meadowlands Arena S : MC > DAT > CDR > EAC > SHN Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper sector boundaries verified via shntool. Seeded to Etree by Alan J Fink 02/02/2003. Thanks to Jeff Williams for the disks!; upgrade in circulation
|
notes
|
| 6200. |
04/16/83 |
Flac 16 44,1 - 0,
32618 |
East Rutherford |
Meadowlands Arena Set 2 Only: Source: Sennheiser 421's > Sony TCD5M > Sony D-6 Master Maxell XLIIS Tape Transfer: Nakamichi CR-2A > Apogee MiniMe (16/44.1) > EGOSYS WT2496 > Soundforge 7 Location: 4-5 rows up from the back of the floor dead center
|
notes
|
| 6201. |
04/16/83 |
Shn - 0,
23851 |
East Rutherford |
Meadowlands Arena (FOB) Beyer M160 -> Sony D5 (Lead Deck) -> Cassette Master (Patched With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller
|
notes
|
| 6202. |
04/16/83 |
Shn - 0,
7316 |
East Rutherford |
Meadowlands Arena AudMC > DAT > CDWAV > SHN; Taped by Steve Rolfe; via Noah Weiner; tracked for 2x80; passes shntool check
|
notes
|
| 6203. |
04/16/83 |
Flac 24/96 - 0,
119967 |
East Rutherford |
Meadowlands Arena flac24; Updated Lineage: Set 2 Only: (2) nakamichi 300 fob> d-5> sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
|
notes
|
| 6204. |
04/16/83 |
Flac 16 - 0,
117477 |
East Rutherford |
Meadowlands Arena flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6205. |
04/16/83 |
Flac 16 - 0,
137376 |
East Rutherford |
Meadowlands Arena flac16; Set 2 Recording Info: (FOB) Beyer M160 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller, 24bits > 16bits with r8brain
|
notes
|
| 6206. |
04/16/83 |
Flac 24 - 0,
137372 |
East Rutherford |
Meadowlands Arena flac24; Set 2 Recording Info: (FOB) Beyer M160 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller
|
notes
|
| 6207. |
04/16/83 |
Flac 16 Mtx - 0,
138225 |
East Rutherford |
Meadowlands Arena flac16; 2 source matrix by Dusborne; Soundboard (shnid:28294),Recording Info: Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> WAV -> FLAC; Set 2: SBD -> PCM -> Dat -> Cool Edit Pro -> FLAC -> WAV, Transfer Info: WAV -> Samplitude v7.02 Professional -> FLAC; Audience (shnid:117477), Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott, Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes, Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6208. |
04/16/83 |
Flac 24/96 - 0,
140308 |
East Rutherford |
Meadowlands Arena flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlIIs90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
|
notes
|
| 6209. |
04/16/83 |
Flac 16 - 0,
140307 |
East Rutherford |
Meadowlands Arena flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlIIs90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
|
notes
|
| 6210. |
04/16/83 |
Flac 16 - 0,
140359 |
East Rutherford |
Meadowlands Arena flac16; Partial Set 1, All of Set 2 Recording Info: Master Soundboard Vault PCM > PCM Clone by Gans; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T (16-bit/44.1k); Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T (16-bit/44.1k)
|
notes
|
| 6211. |
04/16/83 |
Flac 16/48 - 0,
140358 |
East Rutherford |
Meadowlands Arena flac1648; Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 > Tascam DA-3000 16/48 > Adobe Audition 3.0 > TLH flac1648
|
notes
|
| 6212. |
04/16/83 |
Flac 24/48 - 0,
141684 |
East Rutherford |
Meadowlands Arena flac24/48 First Gen AUD Cassette: Maxell UDXLI90 set1; Maxell XLII90 set2 Master was: Beyer M201 hypercardiod XY 120ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney Transferred By: Kyle Holbrook
|
notes
|
| 6213. |
04/16/83 |
Flac 16 44,1 - 0,
141681 |
East Rutherford |
Meadowlands Arena flac16/44.1 First Gen AUD Cassette: Maxell UDXLI90 set1; Maxell XLII90 set2 Master was: Beyer M201 hypercardiod XY 120ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney Transferred By: Kyle Holbrook
|
notes
|
| 6214. |
04/16/83 |
Flac 24 - 0,
143070 |
East Rutherford |
Meadowlands Arena flac24; Set 2 Recording Info: (FOB) Beyer M160 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded, Transferred and Mastered by Charlie Miller
|
notes
|
| 6215. |
04/16/83 |
Flac 16 - 0,
143237 |
East Rutherford |
Meadowlands Arena flac16; Set 2 Recording Info: (FOB) Beyer M160 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded, Transferred and Mastered by Charlie Miller; This file set is 16 bit @ 44.1
|
notes
|
| 6216. |
04/16/83 |
Flac 24/96 - ,
153497 |
East Rutherford |
Meadowlands Arena flac24/96 Recording Info: (FOB) Beyer M160 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 6217. |
04/16/83 |
Flac 16/44 - ,
154392 |
East Rutherford |
Meadowlands Arena flac1644; Recording Info: (FOB) Beyer M160 > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153497 2496 > 1644
|
notes
|
| 6218. |
04/17/83 |
Shn - 0,
14941 |
East Rutherford |
Meadowlands Arena SBD : MC > C > DAT > CDR Extraction and .shn encoding by Alan J Fink (aj.fink@verizon.net) via EAC and MKW. Proper sector boundaries verified via shntool. Seeded to Etree by Alan J Fink 02/02/2003. Thanks to Jeff Williams for the disks!
|
notes
|
| 6219. |
04/17/83 |
Flac 16 - 0,
132876 |
East Rutherford |
Meadowlands Arena flac16; Soundboard Master Cassettes > Unk > Low Gen PCM Early 90's > Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD > SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Track Renamed With AudioGate Software V.3.0.2 @ 16/44 Wave; Tracked/Flacked With AudiGate V.3.0.2; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6220. |
04/17/83 |
Flac 16 - 0,
127256 |
East Rutherford |
Meadowlands Arena flac16; Updated source info: (FOB) Recoton mm180 mics > Sony D5 > master cassette > Aiwa home deck > 1st gen cassette(McCue); Location: FOB; center floor, approx. 35 ft. from stage. Lineage: MAC> Sony D5> Aiwa home deck> 1st gen cassettes (1983)> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16e> WaveLab 7.2.1(UAD-2)> .wav @24/88.2> Apogee UV22HR> .wav @16/44.1> xAct> flac16(tags). Taper: Tom Gagen; Master cassette transfer by Mark McCue (April 1983); 1st Gen cassette transfer, editing, mastering: Alex Ford
|
notes
|
| 6221. |
04/17/83 |
Flac 24 - 0,
120026 |
East Rutherford |
Meadowlands Arena flac24; Updated Lineage: (2) beyers m88 fob> d-5> mc> sony tc we435> sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
|
notes
|
| 6222. |
04/17/83 |
Shn - 0,
7317 |
East Rutherford |
Meadowlands Arena AudMC > DAT > CDWAV > SHN; Taped by Steve Rolfe; via Noah Weiner; d1 tracked for 80 min; passes shntool check
|
notes
|
| 6223. |
04/17/83 |
Shn - 0,
23852 |
East Rutherford |
Meadowlands Arena (FOB/3 mic Mix) Three Beyer M160's -> Sony D5 (Lead Deck) -> Cassette Master (Patched With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN. Recorded and Transfered By Charlie Miller
|
notes
|
| 6224. |
04/17/83 |
Flac 16 - 0,
117500 |
East Rutherford |
Meadowlands Arena flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6225. |
04/17/83 |
Flac 16 - 0,
137378 |
East Rutherford |
Meadowlands Arena flac16; Set 1 Recording Info: (FOB) 3 Beyer M160's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller, 24bits > 16bits with r8brain
|
notes
|
| 6226. |
04/17/83 |
Flac 24 - 0,
137377 |
East Rutherford |
Meadowlands Arena flac24; Set 1 Recording Info: (FOB) 3 Beyer M160's > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller
|
notes
|
| 6227. |
04/17/83 |
Flac 24 - 0,
137398 |
East Rutherford |
Meadowlands Arena flac24; Partial Show Source: sbd; Lineage: mixingboard > d5 [recording level 4.5. No Dolbly] > MASTER Cassettes [Maxell XLII90]; Master Cassette copied on an Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] no Dolby; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Laptop HD by way of USB > 96.00kHz/24bit wav; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; CD Wave Editor to Split Tracks & covert to Flac24 [Level 6]
|
notes
|
| 6228. |
04/17/83 |
Flac 16 - 0,
137399 |
East Rutherford |
Meadowlands Arena flac16; Partial Show Source: sbd; Lineage: mixingboard > d5 [recording level 4.5. No Dolbly] > MASTER Cassettes [Maxell XLII90]; Master Cassette copied on an Aiwa CX-NA555 [using Maxell XLll 90 Type ll with High (CrO2 Tape OFF] no Dolby; Tape Transfer: Sharp RT100 Deck > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10]; Laptop HD by way of USB > 96.00kHz/24bit wav; Mastering & Editing: 96.00kHz/24bit wav > AA3 was used for +/- db gains, fade ins & outs; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping; CD Wave Editor To Split Tracks & converted to Flac16 [Level 6]; TLH to fix SBE
|
notes
|
| 6229. |
04/17/83 |
Flac 16 Mtx - 0,
138277 |
East Rutherford |
Meadowlands Arena flac16; 2 source matrix by Dusborne;Soundboard (shnid:132876), Soundboard Master Cassettes > Unk > Low Gen PCM Early 90's >Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD >SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave; Audience (shnid:117500) Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott, Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes, Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6230. |
04/17/83 |
Flac 16 - 0,
138602 |
East Rutherford |
Meadowlands Arena b>flac16; SBD > Cassette Master* > Dat; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac, Pack & Patch: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT
|
notes
|
| 6231. |
04/17/83 |
Flac 16/48 - 0,
140357 |
East Rutherford |
Meadowlands Arena flac1648; Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 > Tascam DA-3000 16/48 > Adobe Audition 3.0 > TLH flac1648
|
notes
|
| 6232. |
04/17/83 |
Flac 24/48 - 0,
141683 |
East Rutherford |
Meadowlands Arena flac24/48 First Gen AUD Cassette: Maxell UDXLI90 set1; Maxell XLII90 set2 Master was: Beyer M201 hypercardiod XY 120ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney Transferred By: Kyle Holbrook
|
notes
|
| 6233. |
04/17/83 |
Flac 16/44 - 0,
141682 |
East Rutherford |
Meadowlands Arena flac16/44.1khz First Gen AUD Cassette: Maxell XLII90 x 2 Master was: Beyer M201 hypercardiod XY 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney Transferred by: Kyle Holbrook
|
notes
|
| 6234. |
04/17/83 |
Flac 24/96 - ,
153580 |
East Rutherford |
Meadowlands Arena flac24/96 Recording Info: (FOB) 3-Beyer M160's > Yamaha Mixer > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 6235. |
04/17/83 |
Flac 16/44 - ,
154393 |
East Rutherford |
Meadowlands Arena flac1644; Recording Info: (FOB) 3-Beyer M160's > Yamaha Mixer > Cassette Master (Sony WM-D6C/Maxell UDXL-II/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153580 2496 > 1644
|
notes
|
| 6236. |
04/19/83 |
Flac - 0,
123052 |
Orono |
Alfond Arena, University Of Maine flac16; Set 1 Recording Info: SBD -> Cassette Master -> Cassette -> FLAC (shnid=123036); Transfer Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Mastering By Charlie Miller
|
notes
|
| 6237. |
04/19/83 |
Flac - 0,
123036 |
Orono |
Alfond Arena, University Of Maine flac16 Set 1 sbd, unknown gen, Jerry Moore's copy, Rob Berger transfer/seed; lineage: sbd > ? > cassette nak dragon > tascam hd-p2 24/96 > pc > adobe audition 2.0 > cd wave > flac
|
notes
|
| 6238. |
04/19/83 |
Shn - 0,
3856 |
Orono |
Alfond Arena, University Of Maine set 1; sdb> ?> cassette> cdr; transferred and edited by Mike Lai, from Bruce Fried seed
|
notes
|
| 6239. |
04/19/83 |
Flac - 0,
118073 |
Orono |
Alfond Arena, University Of Maine flac16; AUD: 2x Nakamichi CM300 w/CP1 cardioids > Sony TC-D5M > Maxell MX-90s, floor, left of the soundboard (stage right), taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644 tagged. Transfer by Andrew F. January 2012
|
notes
|
| 6240. |
04/19/83 |
Flac - 0,
83761 |
Orono |
Alfond Arena, University Of Maine flac16; Main Source: Rumored to be a Steve Rolfe Recording (FOB Nak700's > d5 ?) Lineage: cm>dat>cd>eac>Cool Edit Pro > cdwav flac16 (lev 8) via Dave Minor encoding etc. Matt Vernon
|
notes
|
| 6241. |
04/19/83 |
Shn - 0,
21922 |
Orono |
Alfond Arena, University Of Maine Recording Info: (FOB/Center) 3 Sennheiser 421 -> Mixer -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Nakamichi Dragon) -> Sony R700 (As A>D Converter) -> ZA2 -> Sound Forge -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) 12/9/03 Recorded and Transfered By Jim Wise Converted To SHN BY Charlie Miller
|
notes
|
| 6242. |
04/19/83 |
Flac 24 - 0,
123037 |
Orono |
Alfond Arena, University Of Maine flac24; Set 1 sbd, unknown gen, Jerry Moore's copy, Rob Berger transfer/seed; lineage: sbd > ? > cassette nak dragon > tascam hd-p2 24/96 > pc > adobe audition 2.0 > cd wave > flac
|
notes
|
| 6243. |
04/19/83 |
Flac 24 - 0,
118072 |
Orono |
Alfond Arena, University Of Maine flac24; AUD: 2x Nakamichi CM300 w/CP1 cardioids > Sony TC-D5M > Maxell MX-90s, floor, left of the soundboard (stage right), taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Transfer by Andrew F. January 2012
|
notes
|
| 6244. |
04/19/83 |
Flac 24 - 0,
140304 |
Orono |
Alfond Arena, University Of Maine flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlIIs90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
|
notes
|
| 6245. |
04/19/83 |
Flac - 0,
140303 |
Orono |
Alfond Arena, University Of Maine flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlIIs90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
|
notes
|
| 6246. |
04/20/83 |
Flac 16 - 0,
27860 |
Providence |
Providence Civic Center flac16; SBD> Master Cassette> Reel> Dat (SV3800/48k), plus patch from FOB Sennheiser 421> Master Cassette; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
|
notes
|
| 6247. |
04/20/83 |
Flac 16 - 0,
92322 |
Providence |
Providence Civic Center flac16; AUD: Sennheiser MD-421's > Sony TC-D5, recorded from "upper level". Concert recording and transfer to CDR by Jim Wise. CDR > EAC > WavMerge > CD-Wave > Soundforge > TLH > FLAC
|
notes
|
| 6248. |
04/20/83 |
Flac 16 - 0,
102040 |
Providence |
Providence Civic Center flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 6249. |
04/20/83 |
Shn - 0,
10090 |
Providence |
Providence Civic Center FOB-Senn. 421?s>Sony D-5>CM>DAT>CDR; via Charlie Miller, Paul B; seeded to etree by Ernie Dodd
|
notes
|
| 6250. |
04/20/83 |
Flac 16 - 0,
120098 |
Providence |
Providence Civic Center flac16; Beyer M160's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche
|
notes
|
| 6251. |
04/20/83 |
Flac 16/48 - 0,
139219 |
Providence |
Providence Civic Center flac16/48kHz; Unknown taper: (FOB) Sennheiser 441 > Master Cassette > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/48; Checksum & tags created in xACT
|
notes
|
| 6252. |
04/20/83 |
Flac 24 - 0,
139213 |
Providence |
Providence Civic Center flac24; Set 1 Recording Info: (FOB) Beyer M160 > Sony TC-D5M > Cassette Master (Sony WM-D6C/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller
|
notes
|
| 6253. |
04/20/83 |
Flac 24 - 0,
120287 |
Providence |
Providence Civic Center flac24; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, floor center section 23rd row, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 05/2012
|
notes
|
| 6254. |
04/20/83 |
Flac 16 - 0,
120288 |
Providence |
Providence Civic Center flac16; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, floor center section 23rd row, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 05/2012
|
notes
|
| 6255. |
04/20/83 |
Flac 16 - 0,
139277 |
Providence |
Providence Civic Center flac16; Set 1 Recording Info: (FOB) Beyer M160 > Sony TC-D5M > Cassette Master (Sony WM-D6C/Maxell UDXL-II); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Charlie Miller, This is 139213 24 bit -> 16 bit
|
notes
|
| 6256. |
04/20/83 |
Flac 24 - 0,
140669 |
Providence |
Providence Civic Center flac24; source: nak 300 > tcd5m (udxliis +dolby) > master > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (fades, normalize, tracks) > flac2496 > xact; recorded: david barfield; transferred/seeded: barfield
|
notes
|
| 6257. |
04/20/83 |
Flac 24/96 - 0,
144679 |
Providence |
Providence Civic Center flac24; Set 2 source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5; maxell xlIIS90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred by Rob Berger
|
notes
|
| 6258. |
04/20/83 |
Flac 16 - 0,
144678 |
Providence |
Providence Civic Center flac16; Set 2 source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5; maxell xlIIS90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred by Rob Berger
|
notes
|
| 6259. |
04/22/83 |
Flac 16 - 0,
119987 |
New Haven |
Veterans' Memorial Coliseum flac16; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2012
|
notes
|
| 6260. |
04/22/83 |
Shn - 0,
1863 |
New Haven |
Veterans' Memorial Coliseum FOB-Sennheiser 421> Master Cass(Sony D5)> Dat> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes
|
notes
|
| 6261. |
04/22/83 |
Shn - 0,
21442 |
New Haven |
Veterans' Memorial Coliseum Barry Glassberg FOB AUDMC w/Nak 700s > Sony TC-D5 > DAT > CDR
|
notes
|
| 6262. |
04/22/83 |
Flac 16 - 0,
88088 |
New Haven |
Veterans' Memorial Coliseum flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-14th row DFC @6 ft high on stand Taper: Rick "Coyotte" Colyard 2 maxell xl2's-cassette MASTERS Transfer: Sony ES-950>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)> FlacFrontend (level-8)>flac-16 Transfered and edited by muletaper 10/07
|
notes
|
| 6263. |
04/22/83 |
Flac 24/96 - 0,
119995 |
New Haven |
Veterans' Memorial Coliseum b>flac24; Updated Lineage: (2) sennheiser 441 fob>d-5> mc> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
|
notes
|
| 6264. |
04/22/83 |
Flac 16 - 0,
102045 |
New Haven |
Veterans' Memorial Coliseum flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 6265. |
04/22/83 |
Flac 16 - 0,
124522 |
New Haven |
Veterans' Memorial Coliseum flac16; 1st Gen AUD Unknown Mics > DAT > CD > EAC > FLAC > TLH
|
notes
|
| 6266. |
04/22/83 |
Flac 24/48 - 0,
119986 |
New Haven |
Veterans' Memorial Coliseum flac24; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2012
|
notes
|
| 6267. |
04/22/83 |
Flac 16 - 0,
140318 |
New Haven |
Veterans' Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
|
notes
|
| 6268. |
04/22/83 |
Flac 24/96 - 0,
140319 |
New Haven |
Veterans' Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
|
notes
|
| 6269. |
04/22/83 |
Flac 24/48 - 0,
141734 |
New Haven |
Veterans' Memorial Coliseum flac24/48 First Gen AUD Cassette: Maxell XLII90 x 2 no NR Master was: Nakamichi 700 wcp1 caps 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby (arrived late and patched) Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney assist to Executive Crew Transferred by: Kyle Holbrook
|
notes
|
| 6270. |
04/22/83 |
Flac 16/44,1 - 0,
141733 |
New Haven |
Veterans' Memorial Coliseum flac16/44.1 First Gen AUD Cassette: Maxell XLII90 x 2 no NR Master was: Nakamichi 700 wcp1 caps 70ft from stacks DFC->Sony TCD5M|TDK MA 90 No Dolby (arrived late and patched) Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Tom Pinney assist to Executive Crew Transferred by: Kyle Holbrook
|
notes
|
| 6271. |
04/22/83 |
Flac 16/48 - 0,
143128 |
New Haven |
Veterans' Memorial Coliseum flac16/48kHz; Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6272. |
04/22/83 |
Flac 24/96 - 0,
143129 |
New Haven |
Veterans' Memorial Coliseum flac24; Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
|
notes
|
| 6273. |
04/23/83 |
Flac 16 - 0,
29469 |
New Haven |
Veterans' Memorial Coliseum flac16; SBD -> Cassette Master -> Reel -> Dat -> CD Transferred and Edited By Charlie Miller; Scarlet -> Fire patched from Charlie Miller's Aud: (FOB) Senn 421 -> Cassette Master -> Sound Forge -> CD
|
notes
|
| 6274. |
04/23/83 |
Flac 16 - 0,
119742 |
New Haven |
Veterans' Memorial Coliseum flac16; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, first row in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2012
|
notes
|
| 6275. |
04/23/83 |
Flac 16 - 0,
119873 |
New Haven |
Veterans' Memorial Coliseum flac16; Set 2 Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded, Transferred and Mastered By Charlie Miller
|
notes
|
| 6276. |
04/23/83 |
Flac 16 - 0,
96150 |
New Haven |
Veterans' Memorial Coliseum flac16; Source:FOB-Sennheiser 421 > Master Cass (Sony D5) > Dat > CDR > EAC > SHN > Wav > flac; edited with Adobe Audition and remastered with iZotope Ozone by SIRMick, December 2008
|
notes
|
| 6277. |
04/23/83 |
Flac 24 - 0,
120025 |
New Haven |
Veterans' Memorial Coliseum flac24; Updated Lineage: (2) nakamichi 300 fob> d-5> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96kHz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
|
notes
|
| 6278. |
04/23/83 |
Flac 16 - 0,
117598 |
New Haven |
Veterans' Memorial Coliseum flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6279. |
04/23/83 |
Shn - 0,
1864 |
New Haven |
Veterans' Memorial Coliseum FOB-Sennheiser 421> Master Cass(Sony D5)> Dat> CDR> EAC> SHN; via Jeff M.; see info file for flaw notes
|
notes
|
| 6280. |
04/23/83 |
Flac 16 - 0,
88482 |
New Haven |
Veterans' Memorial Coliseum flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-11th row DFC @6 ft high on stand. Transfer: Sony ES-950>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Transfered and edited by muletaper 10/31/07
|
notes
|
| 6281. |
04/23/83 |
Flac 16 - 0,
102044 |
New Haven |
Veterans' Memorial Coliseum flac16; Nakamichi shotgun x2 (CM-300?) > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded behind the board by Bob Morris
|
notes
|
| 6282. |
04/23/83 |
Flac 16 - 0,
124568 |
New Haven |
Veterans' Memorial Coliseum flac16; Set 2 only compilation of Soundboard and Audience sources: 1st Gen AUD Unknown Mics > DAT > CD > EAC > FLAC > TLH and sbd from Dick Latvala > ? > FLAC
|
notes
|
| 6283. |
04/23/83 |
Flac 24 - 0,
119741 |
New Haven |
Veterans' Memorial Coliseum flac24; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, first row in the riser, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2012
|
notes
|
| 6284. |
04/23/83 |
Flac 24 - 0,
119875 |
New Haven |
Veterans' Memorial Coliseum flac24; Set 2 Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; Recorded, Transferred and Mastered By Charlie Miller
|
notes
|
| 6285. |
04/23/83 |
Flac 24 - 0,
140325 |
New Haven |
Veterans' Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
|
notes
|
| 6286. |
04/23/83 |
Flac 16 - 0,
140324 |
New Haven |
Veterans' Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300/cp4 shotguns > sony d5; maxell xlII90, xlIIs90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded - Rob Berger
|
notes
|
| 6287. |
04/23/83 |
Flac 24/48 - 0,
141736 |
New Haven |
Veterans' Memorial Coliseum flac24/48 First Gen AUD Cassette: TDK MA 90 x 2 no NR Master was: Beyer M201's hypercardiod XY 120 ft from stage DFC (1st row behind SBD)->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Executive Crew- Tom Pinney & Kyle Holbrook Transferred by: Kyle Holbrook
|
notes
|
| 6288. |
04/23/83 |
Flac 16/44 - 0,
141735 |
New Haven |
Veterans' Memorial Coliseum flac16/44.1 First Gen AUD Cassette: TDK MA 90 x 2 no NR Master was: Beyer M201's hypercardiod XY 120 ft from stage DFC (1st row behind SBD)->Sony TCD5M|TDK MA 90 No Dolby Transfer: Nakamichi LX-5->Dogstar cables-> Tascam DR-680|SD Recorded By: Executive Crew- Tom Pinney & Kyle Holbrook Transferred by: Kyle Holbrook
|
notes
|
| 6289. |
04/23/83 |
Flac 16/48 - 0,
143126 |
New Haven |
Veterans' Memorial Coliseum flac16/48kHz; Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6290. |
04/23/83 |
Flac 24/96 - 0,
143127 |
New Haven |
Veterans' Memorial Coliseum flac24; Jim Wise's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony TC-D5M (Maxell UDXLII C90)Transfer Info: Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
|
notes
|
| 6291. |
04/25/83 |
Flac 2448 - 0,
134417 |
Philadelphia |
The Spectrum flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 10/2015
|
notes
|
| 6292. |
04/25/83 |
Flac 16 - 0,
134418 |
Philadelphia |
The Spectrum flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5 > Maxell XLII (S1) and Hitachi ME-Metal (S2). Set up FOB, recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 10/2015
|
notes
|
| 6293. |
04/25/83 |
Flac 16 - 0,
88164 |
Philadelphia |
The Spectrum flac16; Source:2-Nak 700's>Sony D5 Location: FOB-7th row DFC @6 ft high on stand(head high) Taper: Rick "Coyotte" Colyard 2 maxell UDXL2-Cassette MASTERS Transfer: Sony TCW-21(analog out)>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>Media Join(join tape flips)>FlacFrontend (level-8)>flac-16
|
notes
|
| 6294. |
04/25/83 |
Flac 24/96 - 0,
136748 |
Philadelphia |
The Spectrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6295. |
04/25/83 |
Flac 16 - 0,
136749 |
Philadelphia |
The Spectrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6296. |
04/25/83 |
Flac 16 - 0,
119642 |
Philadelphia |
The Spectrum flac16; Set 1 Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded, Transferred and Mastered By Charlie Miller
|
notes
|
| 6297. |
04/25/83 |
Shn - 0,
9763 |
Philadelphia |
The Spectrum Source: Senn 421's > MC > Dat > Cdr; via Paul B; Seeded to etree by Ernie Dodd
|
notes
|
| 6298. |
04/25/83 |
Flac 16 - 0,
112559 |
Philadelphia |
The Spectrum flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes
|
notes
|
| 6299. |
04/25/83 |
Flac 24/96 - 0,
119643 |
Philadelphia |
The Spectrum b>flac24; Set 1 Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony D6/Maxell UDXL-II90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; Recorded, Transferred and Mastered By Charlie Miller
|
notes
|
| 6300. |
04/26/83 |
Flac 16 - 0,
97544 |
Philadelphia |
The Spectrum flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6301. |
04/26/83 |
Flac 16 Mtx - 0,
132607 |
Philadelphia |
The Spectrum flac16; 2 Source Matrix by Dusborne; Soundboard(shinid:97544) SBD -> Cassette Master -> Cassette -> Dat (48k); Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 -> Samplitude Professional v10.2 -> FLAC; and Audience(shinid:28360) Unknown mics > MC > C > C > Hardrive via souncard > Cool Edit to split tracks > flac
|
notes
|
| 6302. |
04/26/83 |
Flac 16/48 - 0,
132784 |
Philadelphia |
The Spectrum flac16/48kHz; Master Soundboard Cassette (Dan Healy)-1st Generation 7 Inch Reel @ 7.5 ips 1/4 Track(Dick L)-Tascam 122MK111 Cassette Deck-Technics 1506 Reel 2 Reel); Analog To Digital-Reel Playback on Otari MX5050-JVC SV-3700 DAT Deck @48KHz; DAT x Zero-DAT x One JVC 3700-JVC 3700 via AES cable; DAT x ONE play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV @ 16/48KHz; Editing(Adobe Audition CC)-Mastering & Processing(iZotope Ozone 6)-FLAC encoding(dBpoweramp)-Tagging(Tag & Re-name) by Jim Wise
|
notes
|
| 6303. |
04/26/83 |
Flac 24/88 .2 - 0,
133385 |
Philadelphia |
The Spectrum flac24; MAC; (FOB) Recoton mm180s > Sony TCM-D5; Location: 14th row center; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon>Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> .wav @ 24/88.2>UAD-2> .wav@24/88.2> xAct> flac24; Tapers: Rick "Coyote" Colyard and Tom Gagen; Transfer, edits and mastering: Alex Ford
|
notes
|
| 6304. |
04/26/83 |
Flac 16 - 0,
133384 |
Philadelphia |
The Spectrum flac16; MAC; (FOB) Recoton mm180s > Sony TCM-D5; Location: 14th row center; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon>Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> .wav @ 24/88.2>UAD-2> UVHR22/Crystal Resampler> .wav@16/44.1> xAct> flac16. Tapers: Rick "Coyote" Colyard and Tom Gagen; Transfer, edits and mastering: Alex Ford
|
notes
|
| 6305. |
04/26/83 |
Flac 16 - 0,
34395 |
Philadelphia |
The Spectrum flac16; Seamless fix of shn id 2606 - SBDMC>Cass>DAT>CDR>EAC>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 6306. |
04/26/83 |
Shn - 0,
28161 |
Philadelphia |
The Spectrum set2; Sennheiser shotguns > Sony D-5 onto Maxell XLIIS-90, No dolby used; recorded by David Hanscom, center, about 2/3rds back on floor (FOB); Transfer: MC > CDR: NAK BX-300 > Philips CDR-820 standalone recorder, as long, multi-song files; EAC> CDWAV> shn by Bzl
|
notes
|
| 6307. |
04/26/83 |
Shn - 0,
2606 |
Philadelphia |
The Spectrum SBDMC> Cass> DAT> CDR> EAC> SHN; via Mike 'Dank Star' Parrillo
|
notes
|
| 6308. |
04/26/83 |
Flac 16 - 0,
28360 |
Philadelphia |
The Spectrum flac16; Unknown mics > MAC > C > C > Hardrive via souncard > Cool Edit to split tracks > flac; transfer by David Dillon
|
notes
|
| 6309. |
04/26/83 |
Flac 16 - 0,
136745 |
Philadelphia |
The Spectrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6310. |
04/26/83 |
Flac 24/96 - 0,
136744 |
Philadelphia |
The Spectrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6311. |
04/26/83 |
Flac 16 - 0,
112583 |
Philadelphia |
The Spectrum flac16; Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6312. |
04/26/83 |
Flac 24/48 - 0,
141738 |
Philadelphia |
The Spectrum flac24/48 Master AUD: Beyer M201 hypercardiod XY->Sony TCD5M|TDK MA90 No Dolby Location: set1 20ft from stacks RT side lower section set2 behind stage 20 feet from stacks 5 ' ROC Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Olvy Johnson Transferred by: Kyle Holbrook
|
notes
|
| 6313. |
04/26/83 |
Flac 16/44,1 - 0,
141737 |
Philadelphia |
The Spectrum flac16/44.1 Master AUD: Beyer M201 hypercardiod XY->Sony TCD5M|TDK MA90 No Dolby Location: set1 20ft from stacks RT side lower section set2 behind stage 20 feet from stacks 5 ' ROC Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD Recorded By: Olvy Johnson Transferred by: Kyle Holbrook
|
notes
|
| 6314. |
05/13/83 |
Flac 16 - 0,
95059 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info: SBD -> Master Cassette -> PCM -> Apogee Ensemble -> AIFF; Transfer Info: AIFF -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6315. |
05/13/83 |
Flac 16 - 0,
94514 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller; pitch corrected source of 94393
|
notes
|
| 6316. |
05/13/83 |
Flac 16 - 0,
94393 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6317. |
05/13/83 |
Flac 16 - 0,
96817 |
Berkeley |
Greek Theatre, University Of California flac16; Audience Recording Lineage: 3 Nak 700's (L & R Cardioids, Center Omni - 3 DB Low Pass filter)> -15 db pads> 3 mic mixer Preamp> Patchbay> Sony D6> MAC (Dolby B )> CR-5A> HD-P2> 24/96 .wav> WaveLab 5.0> Waves L3 UltraMaximizer> 16/44.1 .wav> CD Wave Editor> TLH> flac16. Taped by the anonymous taper, Mark Severson and Jamie Poris.
|
notes
|
| 6318. |
05/13/83 |
Shn - 0,
18224 |
Berkeley |
Greek Theatre, University Of California FOB Sony ECM-220T>TC-D5>DAT>CDR>EAC(secure)>SHN FOB Sony ECM-220T>TC-D5 by Rango Keshavan see notes for patch information Jim Powell provided the seed discs EAC>SHN by J.Barnes (heyitsmejess@aol.com)
|
notes
|
| 6319. |
05/13/83 |
Shn - 0,
341 |
Berkeley |
Greek Theatre, University Of California FOB Sony Mics > D5 > DAT; Transfer:? D8 > ZA2 (S/PDIF) > SHN; Good Lovin' ends rather abruptly and may be cut; a dropout or two, but could be tape flips from cass master; DAT seed via Jon Boltz; transfer by Jeff Kempka
|
notes
|
| 6320. |
05/13/83 |
Flac 24/96 - 0,
147897 |
Berkeley |
Greek Theatre, University Of California flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6321. |
05/13/83 |
Flac 16/48 - 0,
147896 |
Berkeley |
Greek Theatre, University Of California flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpweramp
|
notes
|
| 6322. |
05/13/83 |
Flac 16 - 0,
32809 |
Berkeley |
Greek Theatre, University Of California flac16; 2 Nak 700's > Bass Box EQ > Sony D5 > Sony D5 > Maxell MX 90's Taper: unknown Mark McCue Master Transfer by Mark McCue
|
notes
|
| 6323. |
05/14/83 |
Flac 16 - 0,
91136 |
Berkeley |
Greek Theatre, University Of California flac16; Set 1 only, Soundboard->Cassette Master->1st Generation Cassette repatched by Bill Tetzeli
|
notes
|
| 6324. |
05/14/83 |
Shn - 0,
25407 |
Berkeley |
Greek Theatre, University Of California *Set 1 Only* Soundboard->Cassette Master->1st Generation Cassette. 1st Generation Cassette->Audiophile 2496->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano
|
notes
|
| 6325. |
05/14/83 |
Flac 16 - 0,
96570 |
Berkeley |
Greek Theatre, University Of California flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter)> -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D6 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone and Waves RBass > iZotope RX Advanced > 16/44.1 wave > CD Wave > TLH > flac16; Taped by the anonymous taper, Jamie Poris, and the many others
|
notes
|
| 6326. |
05/14/83 |
Flac 16 - 0,
94396 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info:(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6327. |
05/14/83 |
Flac 16 - 0,
94515 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller; pitch corrected source of 94396
|
notes
|
| 6328. |
05/14/83 |
Flac 16/48 - 0,
33502 |
Berkeley |
Greek Theatre, University Of California flac16; Master: Beyer M201's X-Y > Sony TCD5M (Maxell MX 90, no dolby) Location: 85 feet from stage, DFC Transfer: Sony TC-RX 370 > Echo Gina 24@16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7573 (internal) > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed. Mastered by the Executive Crew (T.P, K.H.) Transferred by Kyle Holbrook
|
notes
|
| 6329. |
05/14/83 |
Shn - 0,
18225 |
Berkeley |
Greek Theatre, University Of California FOB Sennheiser 421s>Sony PCM F-1>DAT>CDR>EAC(secure)>SHN seed provided by jim powell. EAC>SHN by j.barnes (heyitsmejess@aol.com) see notes for patch information
|
notes
|
| 6330. |
05/14/83 |
Shn - 0,
15387 |
Berkeley |
Greek Theatre, University Of California FOB: Sennheiser 421's > Sony PCM-F1 (Jeff Silberman's PCM Master) encoded by Jeff Fishman
|
notes
|
| 6331. |
05/14/83 |
Shn - 0,
342 |
Berkeley |
Greek Theatre, University Of California FOB: 3 Sennheiser 421's > Sony PCM-F1, M. Field, D. Cramer; Conversion: 3800-> Montego II Plus @44k > HD via Soundforge> CDWav, A. Gustin; known flaw: very end of Bertha is cut
|
notes
|
| 6332. |
05/14/83 |
Flac 16 - 0,
138938 |
Berkeley |
Greek Theatre, University Of California Source: Audience recording > Schoeps > pcm > dat (44k) recorded FOB, taper unknown. Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16 edited and mastered SIRMick August 2017
|
notes
|
| 6333. |
05/14/83 |
Flac 16/48 - 0,
140368 |
Berkeley |
Greek Theatre, University Of California flac16/48kHz; Recording Info: 1st Set: Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; 2nd Set: Unknown Audience Master; possibly recorded at the soundboard by a crew member, presumably, this is what is in the vault for this date; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
|
notes
|
| 6334. |
05/14/83 |
Flac 24/48 - 0,
141945 |
Berkeley |
Greek Theatre, University Of California b/>flac24/48 Master: AUD MC Beyer M201's X-Y > Sony TCD5M no dolby TDK MA90 s1|Maxell MX90 s2 Location: 85 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Tom Pinney Kyle Holbrook John Hance Transferred by Kyle Holbrook
|
notes
|
| 6335. |
05/14/83 |
Flac 16/44,1 - 0,
141946 |
Berkeley |
Greek Theatre, University Of California flac16/44.1 Master: AUD MC Beyer M201's X-Y > Sony TCD5M no dolby TDK MA90 s1|Maxell MX90 s2 Location: 85 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Tom Pinney Kyle Holbrook John Hance Transferred by Kyle Holbrook
|
notes
|
| 6336. |
05/15/83 |
Flac 16 - 0,
94516 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller; pitch corrected source of 94397
|
notes
|
| 6337. |
05/15/83 |
Flac 16 - 0,
96565 |
Berkeley |
Greek Theatre, University Of California flac16; Source: Audience Recording Lineage: 3 Nak 700's (L & R Cardiods, Center Omni - 3 DB Low Pass filter)> -15 db pads > 3 mic mixer Preamp> Patchbay > Sony D6 > MAC (Dolby B ) > CR-5A > HD-P2 > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone and Waves RBass > iZotope RX Advanced > 16/44.1 wave > CD Wave > TLH > flac16
|
notes
|
| 6338. |
05/15/83 |
Shn - 0,
2217 |
Berkeley |
Greek Theatre, University Of California FOB Aud Sony ECM 220T > Sony D5 using Fuji Metals no dolby> Played back on a Nak DR1 with Azimuth adjustment > Sony PCMR500 DAT 48KHz SBM ON > PC transfer via Turtle Beach Montego II Digital I/O > SHN; via Rango Keshavan
|
notes
|
| 6339. |
05/15/83 |
Flac 16 - 0,
34167 |
Berkeley |
Greek Theatre, University Of California flac16; Set 2 ONLY; Source: 2 Nak 700's > Bass Box EQ > Sony D5 > Sony D5 > Maxell MX 90's Taper: unknown Mark McCue Master #05 Transfer by Mark McCue. EAC, patch, conversion, and seeding to bt.etree.org by Alex Ford
|
notes
|
| 6340. |
05/15/83 |
Flac 16 - 0,
94397 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6341. |
05/15/83 |
Flac 24/96 - 0,
147899 |
Berkeley |
Greek Theatre, University Of California flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6342. |
05/15/83 |
Flac 16/48 - 0,
147898 |
Berkeley |
Greek Theatre, University Of California flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6343. |
06/18/83 |
Flac 24/96 - 0,
124569 |
Saratoga Springs |
Saratoga Performing Arts Center flac24; Set 2 Only; Original Recording By Jeff Silberman; Sennheiser 441 (Front Row Balcony) > PCM > Dat >?; DAT Transfer Info: Friend's Dat (2 Hour) > (Possibaly 1 PCM) > (Unknown Cassette Deck) > Tape TDK MA 110; Transfer Information: Nakamichi MR-1 > Korg MR-1000 @ 1Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz
|
notes
|
| 6344. |
06/18/83 |
Flac 16 - 0,
105236 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Recording Info: (2) Beyer M160 + (1) Beyer M88 -> Cassette Master (Nakamichi 550/TDK SA90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded By Rudy Huston
|
notes
|
| 6345. |
06/18/83 |
Shn - 0,
14411 |
Saratoga Springs |
Saratoga Performing Arts Center Source: Senn 421's > Sony D-5 > CDR taped by Jim Wise *these are not the originally seeded shns (well mostly) see below for details * I rejoined the Morning Dew and Crowd tracks that were separated with a disc break and a fade out from the Dew into one track with Cool Edit Pro. The original md5's are the same except for the Morning Dew and the track names have changed on Space and all the tunes after that. - Doug Nawrocki
|
notes
|
| 6346. |
06/18/83 |
Flac 16 - 0,
103285 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6347. |
06/18/83 |
Flac 16 - 0,
103293 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Set 2 only, Recording Info: (Front Row Balcony) Sennheiser 441 -> PCM -> Dat -> CD -> Dat Transfer Info: Dat (Sony D8) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) -> Samplitude Professional v10.22 -> FLAC; Recorded by Jeff Silberman; This is a re-master of source ID 21741; All Transfers and Mastering By Charlie miller
|
notes
|
| 6348. |
06/18/83 |
Flac 16 - 0,
119438 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, recorded from inside the pavilion, directly behind the soundboard area, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012
|
notes
|
| 6349. |
06/18/83 |
Shn - 0,
21741 |
Saratoga Springs |
Saratoga Performing Arts Center (Front Row Balcony) Sennheiser 441 -> PCM -> CD -> Dat
|
notes
|
| 6350. |
06/18/83 |
Shn - 0,
4605 |
Saratoga Springs |
Saratoga Performing Arts Center Sennheiser 421's> Sony D-5 taped by Jim Wise; cass master> CDR; via Tony Gardner with thanks to Paul B.; Note-May circ with mislabelled tracks, they would read 6-13-83
|
notes
|
| 6351. |
06/18/83 |
Flac 16 - 0,
124473 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Set 2 Only; Original Recording By Jeff Silberman; Sennheiser 441 (Front Row Balcony) > PCM > Dat >?; DAT Transfer Info: Friend's Dat (2 Hour) > (Possibaly 1 PCM) > (Unknown Cassette Deck) > Tape TDK MA 110; Transfer Information: Nakamichi MR-1 > Korg MR-1000 @ 1Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6352. |
06/18/83 |
Flac 16 - 0,
138859 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns* > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
|
notes
|
| 6353. |
06/18/83 |
Flac 24/96 - 0,
138860 |
Saratoga Springs |
Saratoga Performing Arts Center flac24; source: aud cassette master; taped by Doug Lamarre; nakamichi 300 shotguns* > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
|
notes
|
| 6354. |
06/18/83 |
Flac 2448 - 0,
119437 |
Saratoga Springs |
Saratoga Performing Arts Center flac24; AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, recorded from inside the pavilion, directly behind the soundboard area, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2012
|
notes
|
| 6355. |
06/18/83 |
Flac 24/48 - 0,
142271 |
Saratoga Springs |
Saratoga Performing Arts Center flac24/48 Master: AUD MC Beyer M201's X-Y 8'up > Sony TCD5M no dolby Maxell MX90 x 2. First Gen patch: [Same mics]Sony TCD5M no dolby Maxell UDXLII 90 Cassette copy: Sony TCD5M> Denon DR330 Location: ~150 feet from stage, 40 feet from lawn rail on lawn DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8. Mastered: Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor Transferred: Kyle Holbrook
This is your collection
|
notes
|
| 6356. |
06/18/83 |
Flac 16/44,1 - 0,
142270 |
Saratoga Springs |
Saratoga Performing Arts Center flac16 44.1khz Master: AUD MC Beyer M201's X-Y 8'up > Sony TCD5M no dolby. Maxell MX90 x 2. First Gen patch: [Same mics]Sony TCD5M no dolby Maxell UDXLII 90. Cassette copy: Sony TCD5M> Denon DR330 Location: ~150 feet from stage, 40 feet from lawn rail on lawn DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Fran Walsh Kyle Holbrook Mike Yacavone Olvy Johnson Rick Cantor Transferred: Kyle Holbrook
|
notes
|
| 6357. |
06/18/83 |
Flac 16 - 0,
143267 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Lineage: Aud Pcm Master# 16-441 Recorded Front Row Balcony>Dat>cool edit Pro 16-441; Unknown Pcm Recorder Most Likely 2 Or 3 Sennheiser 441 Mics; Remasterd Beerengineer On 10-05 18
|
notes
|
| 6358. |
06/18/83 |
Flac 16/48 - 0,
148043 |
Saratoga Springs |
Saratoga Performing Arts Center flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6359. |
06/18/83 |
Flac 24/96 - 0,
148044 |
Saratoga Springs |
Saratoga Performing Arts Center flac24; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6360. |
06/18/83 |
Flac 16 - ,
154660 |
Saratoga Springs |
Saratoga Performing Arts Center flac16 Source: Sennheiser 441 > Technics 14 Bit Pcm > Dat Location: Front Row Balcony Transfer Info: Pcm Vhs Master > Sony Pcm 2500 Dat Recorder @khz (by Jeff); Tascam Da20 Mark Ii Dat > Roland Src-2 Sample Rate Format Converter (from Spdif To Optical) > Mac Mini > Audacity@k > Wave (by John) Recorded By Jeff Silberman Pcm To Dat Transfer By Jeff Silberman Dat Transfer By John Ammons Edited & Mastered (adobe Audition) By Joe Noel November 05, 2021
|
notes
|
| 6361. |
06/20/83 |
Flac 16 - 0,
32795 |
Columbia |
Merriweather Post Pavilion flac16; Source: Nakamichi 300's > Sony TCD5M > Sony D-6 Maxell XLIIS Master (outside in the insane weather and thick sound!) Thanks to Ted (?) for the patch Transfer: Maxell XLIIS Master > Nakamichi DR-3 > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1
|
notes
|
| 6362. |
06/20/83 |
Shn - 0,
3926 |
Columbia |
Merriweather Post Pavilion set 2; Sen. 441 -> D5 -> Dat Recorded by J. Silberman; Mastering: Pan SV3700 -> Za2 -> .shn by SWS
|
notes
|
| 6363. |
06/20/83 |
Flac 24 - 0,
119816 |
Columbia |
Merriweather Post Pavilion flac24; source: (3) audio technica atm11> d-5; conversion: sony tc we435> soundcard> cdwave 44100/stereo/24 bit> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 6364. |
06/20/83 |
Flac 16 - 0,
102042 |
Columbia |
Merriweather Post Pavilion flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Section Right Loge, Row J, Seat 208 by Bob Morris
|
notes
|
| 6365. |
06/20/83 |
Flac 16 - 0,
83762 |
Columbia |
Merriweather Post Pavilion flac16; Source: fob about the 12th row ctr. or so with a sony 939lt stereo - single point mic > d6 taped and transferred by David Minor Lineage: MAC > CD > EAC > Cool Edit Pro > CDWAV > flac16 level 8 encoding etc. by Matt Vernon
|
notes
|
| 6366. |
06/20/83 |
Flac 16 - 0,
117531 |
Columbia |
Merriweather Post Pavilion flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6367. |
06/20/83 |
Shn - 0,
11931 |
Columbia |
Merriweather Post Pavilion Set 1 and Set 2 up to Drums is: FOB-Sennheiser 421>MasterCass>Dat>CD; Set 2 From Space to Sugar Mags is FOB-Sennheiser 441>PCM>Dat>CD; Seeded to etree by SWS
|
notes
|
| 6368. |
06/20/83 |
Flac 24/96 - 0,
140672 |
Columbia |
Merriweather Post Pavilion flac24; source: nak 300 (location ?) > tcd5m MX90 +dolby > master > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, tracks, fades) > flac2496 > act (tags, checksums); recorded: david lane + david barfield; transferred/seeded: barfield
|
notes
|
| 6369. |
06/20/83 |
Flac 16 - 0,
32643 |
Columbia |
Merriweather Post Pavilion flac16; Source:FOB-35FT off Stage@10ft 2 Sennheiser Md421's>Sony TCD5>Maxell XL2 Cassettes Recorded by Rick Colyard Transfer.Sony TCD21>Soundforge 8.0(record,resample,fades,anti-alias filter in highest setting)>CDWav(tracks)>Flacfrontend(flac16bit) Trandsfer and editing by: MULETAPER
|
notes
|
| 6370. |
06/20/83 |
Flac 24/96 - 0,
148016 |
Columbia |
Merriweather Post Pavilion flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6371. |
06/20/83 |
Flac 16/48 - 0,
148015 |
Columbia |
Merriweather Post Pavilion flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6372. |
06/21/83 |
Flac 16 - 0,
102041 |
Columbia |
Merriweather Post Pavilion flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Section Right Loge, Row H, Seat 212 by Bob Morris
|
notes
|
| 6373. |
06/21/83 |
Flac 16 - 0,
117317 |
Columbia |
Merriweather Post Pavilion flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6374. |
06/21/83 |
Flac 16 - 0,
83763 |
Columbia |
Merriweather Post Pavilion flac16; Source: fob about the 12th row ctr. or so with a sony 939lt stereo - single point mic > d6 by David Minor Lineage: MAC > CD > EAC > Cool Edit Pro > CDWAV > flac16 level 8 encoding etc. by Matt Vernon
|
notes
|
| 6375. |
06/21/83 |
Shn - 0,
11491 |
Columbia |
Merriweather Post Pavilion AUD>MC>DAT>CDRSony ECM-939?s; via Paul; seeded to etree by Ernie Dodd
|
notes
|
| 6376. |
06/21/83 |
Flac - 0,
32881 |
Columbia |
Merriweather Post Pavilion Source: Nakamichi 300's w/CP-4 capsules > Sony TCD5M > Sony D-6 Maxell XLIIS & MX Master Transfer: Maxell XLIIS & MX Master > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Recorded and transferred by Dean Grabski
|
notes
|
| 6377. |
06/21/83 |
Flac 24/96 - 0,
140698 |
Columbia |
Merriweather Post Pavilion flac24; Set 1 source: nak 300 (7’ right front corner of sbd w/+nod from healy) > tcd5m > mx90 +dolby > master > tascam 122mkii -dolby > apogee rosetta 200 (24/96) > audacity (fix levels, normalize, fades, tracks) > flac2496 > act (tags,checksums); recorded: david barfield; transferred/seeded: barfield
|
notes
|
| 6378. |
06/21/83 |
Flac 24/96 - 0,
147953 |
Columbia |
Merriweather Post Pavilion flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6379. |
06/21/83 |
Flac 16/48 - 0,
147952 |
Columbia |
Merriweather Post Pavilion flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6380. |
06/22/83 |
Flac 16 - 0,
88881 |
Harrisburg |
City Island flac16; source: Nakamichi CM300/CP4 > Sony TCD5M > Sony D-6 > Maxell XL-IIS masters transfer: Master cassettes > Nakamichi CR-2A > Tascam HD-P2 (88.2/24) > firewire > DAW WAVELAB (UV22HR) > CDWAVE > FLAC
|
notes
|
| 6381. |
06/22/83 |
Flac 16 - 0,
92208 |
Harrisburg |
City Island flac16; AUD: FOB, Sennheiser ME-88 shotguns > patched thru 1 or 2 decks > Marantz PMD-340 cassette deck > TDK SA-90's, Dolby on. Transfer: MAC > Nakamichi DR-8 (Dolby on) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F.
|
notes
|
| 6382. |
06/22/83 |
Flac 24/96 - 0,
136719 |
Harrisburg |
City Island flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6383. |
06/22/83 |
Flac 16 - 0,
136720 |
Harrisburg |
City Island flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6384. |
06/22/83 |
Flac 24/96 - 0,
119806 |
Harrisburg |
City Island flac24; Updated Lineage: (3) audio technica atm11 (fob)> d-5 mc> sony tc we435> pcm-m10> cdwave> traders little helper encoding option 8; conversion rate: 96/24 bit Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
|
notes
|
| 6385. |
06/22/83 |
Flac 16 - 0,
102068 |
Harrisburg |
City Island flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : (3) audio technica atm fob> tcm d-5> cm> cd Recording Location: fob Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8
|
notes
|
| 6386. |
06/22/83 |
Flac 24/96 - 0,
81511 |
Harrisburg |
City Island flac24/96; Recordist: Kyle Holbrook Location: ~10' Left Of Center, ~100' from stage lip Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > TDK MA-R90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: TDK MA-R90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8
|
notes
|
| 6387. |
06/22/83 |
Shn - 0,
7222 |
Harrisburg |
City Island Recorded on Sony D5M using (2) Sennheiser ME-80 and (2) AKG D-1000 mikes run through mixer, 30 feet from stage dead center. Recorded by Tommy McKeown; Master > Peak encoded AIFF using Audiophile 2496 A/D converter > SHN; note spaces in tracknames; note user DES reports this show circulates with a shntool fix of d2. Those md5's are listed here along with the originals.; upgrade in circulation
|
notes
|
| 6388. |
06/22/83 |
Shn - 0,
14908 |
Harrisburg |
City Island 2 Sennheiser ME-80 and 2 AKG D-1000 mikes run through mixer>Sony D5M (30 feet from stage dead center. Recorded by Tommy McKeown) Note- This is the same source as the previous etree seed (shnid #7222), though I believe the previous seed has been normalized. The previous seed was also missing the last 4 minutes of Deal, and had small (DAO) silent spots between all the tracks; via Eric Ray; Seeded to etree by Willy
|
notes
|
| 6389. |
06/22/83 |
Flac 16 - 0,
81274 |
Harrisburg |
City Island flac16; Recordist: Kyle Holbrook Location : ~10' Left Of Center, ~100' from stage lip Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > TDK MA-R90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: TDK MA-R90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
|
notes
|
| 6390. |
06/22/83 |
Flac 24 - 0,
140681 |
Harrisburg |
City Island flac24; source: nak 300 (12’ only patch of grass near soundboard) > tcd5m > udxliis -1st fuji fr-metal90 2nd +dolby > tascam 122mkii -dolby > apogee rosetta 200 (24/96) > audacity > (fades, tracks, normalize) > xact (tags, checksums); recorded: david barfield + david lane; transferred/seeded: david barfield
|
notes
|
| 6391. |
06/22/83 |
Flac 16/48 - 0,
148029 |
Harrisburg |
City Island flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6392. |
06/22/83 |
Flac 24/96 - 0,
148030 |
Harrisburg |
City Island flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6393. |
06/22/83 |
Flac 16 - 0,
150102 |
Harrisburg |
City Island flac16; Source: Sennheiser 422's > Sony D5; Location: FOB; No other source or transfer information
|
notes
|
| 6394. |
06/22/83 |
Flac 16/48 - 0,
|
Harrisburg |
City Island flac16/48khz Source Info: Master Audience Cassettes (possibly 1st generation); Unknown equipment Transfer Info: Cassette Master (possibly 1st generation)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 6395. |
06/22/83 |
Flac 24/96 - 0,
151457 |
Harrisburg |
City Island flac24/96khz Source Info: Master Audience Cassettes (possibly 1st generation); Unknown equipment Transfer Info: Cassette Master (possibly 1st generation)(Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 6396. |
06/22/83 |
Flac 24/96 - ,
155966 |
Harrisburg |
City Island flac24/96 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
|
notes
|
| 6397. |
06/22/83 |
Flac 16/48 - ,
155965 |
Harrisburg |
City Island flac1648 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
|
notes
|
| 6398. |
06/24/83 |
Flac 16 - 0,
135375 |
Madison |
Dane County Coliseum flac16; Audience recording, taper, gear and generation unknown; 16 bit version; Trade cassettes > Teac W890R, heads aligned to tape > m-audio 2496 audiophile sound card @ 24/48 > editing, volume adjustments and tracked with Audacity; 24/48 resampled and dithered to 16/44.1 with dBpoweramp; flac level 8 and checksums with traderslittlehelper; Tagged with winamp; Transfer and all other mastering by arfarf, March 13, 2016
|
notes
|
| 6399. |
06/24/83 |
Flac 24/96 - 0,
135481 |
Madison |
Dane County Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6400. |
06/24/83 |
Flac 16 - 0,
135482 |
Madison |
Dane County Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6401. |
06/24/83 |
Flac 16 - 0,
118888 |
Madison |
Dane County Coliseum flac16; Recorded by the late George "Fingers" Bethke FOB in the sweet spot as always Sennheisser 421s>Sony TCD5M>Sony TCD5M (1st gen backup copy from Justin Lee) No Dolby on master cassettes. The first gen. cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011; additional lineage: files tagged with Tag&Rename, checksums created with traderslittlehelper, Tagging, checksums and text February 12,2012 - John Wenzel
|
notes
|
| 6402. |
06/24/83 |
Shn - 0,
7291 |
Madison |
Dane County Coliseum D5>Nakamichi 300 Shotguns in front of the stage 10th row; via Clark Ohnesorge; Seeded to etree by Willy
|
notes
|
| 6403. |
06/24/83 |
Flac 24/48 - 0,
135376 |
Madison |
Dane County Coliseum flac24; Audience recording, taper, gear and generation unknown; 24 bit version; Trade cassettes > Teac W890R, heads aligned to tape > m-audio 2496 audiophile sound card @ 24/48 > editing, volume adjustments and tracked with Audacity; flac level 8 and checksums with traderslittlehelper; tagged with winamp; Transfer and all other mastering by arfarf, March 13, 2016
|
notes
|
| 6404. |
06/24/83 |
Flac 24 - 0,
140520 |
Madison |
Dane County Coliseum flac24; Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 6405. |
06/24/83 |
Flac 16 - 0,
141159 |
Madison |
Dane County Coliseum flac16; Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 6406. |
06/24/83 |
Flac 24 - 0,
146150 |
Madison |
Dane County Coliseum flac24 Source: Nakamichi CM300 (with CP4 caps)>Sony TCD-5M Location: FOB, Stand at 7.5 feet Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24 Taper: Michael Gardner Transfer and editing: Tony Suraci. Note - This version has the fixed track for Brown Eyed Women
|
notes
|
| 6407. |
06/24/83 |
Flac 16/44,1 - 0,
146149 |
Madison |
Dane County Coliseum flac16/44.1khz Source: Nakamichi CM300 (with CP4 caps)>Sony TCD-5M Location: FOB, Stand at 7.5 feet Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16 Taper: Michael Gardner Transfer and editing: Tony Suraci. Note - This version has the fixed track for Brown Eyed Women
|
notes
|
| 6408. |
06/24/83 |
Flac 24/96 - 0,
147991 |
Madison |
Dane County Coliseum flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6409. |
06/24/83 |
Flac 16/48 - 0,
147990 |
Madison |
Dane County Coliseum flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6410. |
06/25/83 |
Flac 16 - 0,
118005 |
St. Paul |
St. Paul Civic Center flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Center Of Horseshoe 1/2 Way Up)> Sony WM-D6 (Maxell UD-XLII); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 6411. |
06/25/83 |
Flac 16 - 0,
135474 |
St. Paul |
St. Paul Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6412. |
06/25/83 |
Flac 24/96 - 0,
135473 |
St. Paul |
St. Paul Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6413. |
06/25/83 |
Flac 24/48 - 0,
118004 |
St. Paul |
St. Paul Civic Center flac24; Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Center Of Horseshoe 1/2 Way Up)> Sony WM-D6 (Maxell UD-XLII); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 6414. |
06/25/83 |
Shn - 0,
11802 |
St. Paul |
St. Paul Civic Center ACM>C>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd
|
notes
|
| 6415. |
06/25/83 |
Flac 24 - 0,
140521 |
St. Paul |
St. Paul Civic Center flac24; Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 6416. |
06/25/83 |
Flac 16 - 0,
141160 |
St. Paul |
St. Paul Civic Center flac16; Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 6417. |
06/25/83 |
Flac 16 - 0,
118900 |
St. Paul |
St. Paul Civic Center flac16; Sennheisser 421s>Sony TCD5M>cassette>cassette, Recorded by the late George "Fingers" Bethke FOB in the sweet spot as always; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz) 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen
|
notes
|
| 6418. |
06/25/83 |
Flac 24/48 - 0,
142363 |
St. Paul |
St. Paul Civic Center flac24/48 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 ++ First Gen patch: [Same mics]Marantz Superscope PMD420| Maxell UDXLII 90 Cassette copy: Sony TCD5M> Denon DR330 Location: ~40 feet from stage, 25 feet LOC (in front of Phil) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6419. |
06/25/83 |
Flac 16/44,1 - 0,
142362 |
St. Paul |
St. Paul Civic Center flac16 44.1khz Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 ++ First Gen patch: [Same mics]Marantz Superscope PMD420| Maxell UDXLII 90 Cassette copy: Sony TCD5M> Denon DR330 Location: ~40 feet from stage, 25 feet LOC (in front of Phil) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6420. |
06/25/83 |
Flac 16/48 - 0,
148002 |
St. Paul |
St. Paul Civic Center flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6421. |
06/25/83 |
Flac 24/96 - 0,
148003 |
St. Paul |
St. Paul Civic Center flac24; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6422. |
06/27/83 |
Flac 24/96 - 0,
135377 |
Hoffman Estates |
Poplar Creek Music Theatre flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6423. |
06/27/83 |
Flac 16 - 0,
135378 |
Hoffman Estates |
Poplar Creek Music Theatre flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII C90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6424. |
06/27/83 |
Flac 16 - 0,
119577 |
Hoffman Estates |
Poplar Creek Music Theatre b>flac16; Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; FOB Recorded by the late George "Fingers" Bethke; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011
|
notes
|
| 6425. |
06/27/83 |
Flac 16 - 0,
89790 |
Hoffman Estates |
Poplar Creek Music Theatre b>flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat -> CD Transfer Info #1: Dat (Sony D8) -> CD (Tascam CD-RW700) Transfer Info #2: CD -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 6426. |
06/27/83 |
Shn - 0,
9994 |
Hoffman Estates |
Poplar Creek Music Theatre Aud>Cass Master>C>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd
|
notes
|
| 6427. |
06/27/83 |
Flac 24 - 0,
140552 |
Hoffman Estates |
Poplar Creek Music Theatre flac24; Robert Bryant recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 6428. |
06/27/83 |
Flac 16 - 0,
141161 |
Hoffman Estates |
Poplar Creek Music Theatre flac16; Robert Bryant recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 6429. |
06/27/83 |
Flac 16 - 0,
141770 |
Hoffman Estates |
Poplar Creek Music Theatre flac16; Updated Recording Info: FOB Sennheiser 441 mics > Canare Cable > Technics SV100 PCM > Panasonic VHS; Taper: Timon Malloy; Master FOB PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 6430. |
06/27/83 |
Flac 24/48 - 0,
142390 |
Hoffman Estates |
Poplar Creek Music Theatre flac24/48 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~100 feet from stage, 15 feet LOC (just left of SBD cage) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6431. |
06/27/83 |
Flac 16/44,1 - 0,
142389 |
Hoffman Estates |
Poplar Creek Music Theatre flac16/44.1 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~100 feet from stage, 15 feet LOC (just left of SBD cage) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6432. |
06/27/83 |
Flac 24/96 - 0,
148046 |
Hoffman Estates |
Poplar Creek Music Theatre flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6433. |
06/27/83 |
Flac 16/48 - 0,
148045 |
Hoffman Estates |
Poplar Creek Music Theatre flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6434. |
06/28/83 |
Flac 16 - 0,
135356 |
Hoffman Estates |
Poplar Creek Music Theatre flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6435. |
06/28/83 |
Flac 24/96 - 0,
135355 |
Hoffman Estates |
Poplar Creek Music Theatre flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6436. |
06/28/83 |
Flac 16 - 0,
119579 |
Hoffman Estates |
Poplar Creek Music Theatre flac16; Recorded by the late George "Fingers" Bethke; FOB, Sennheisser 421s>Sony TCD5M>cassette>Sony TCD5M; first gen. cassettes>Nakamichi CD1, azimuth adjusted>Korg MR1000 (1 bit 5.6MHz); 24/96 with Korg Audiogate; 16/44.1 by Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions)
|
notes
|
| 6437. |
06/28/83 |
Shn - 0,
3593 |
Hoffman Estates |
Poplar Creek Music Theatre FOB Senn 421's> Sony TCD5M w/ Maxell XLII dolby B encoded MC> DAT> CDR> EAC> SHN (w/seek tables appended); Jim Vita recording, 17th Row center; Analog> digital> cdr: tascam 112mk11> Sony PCM R500 @44.1khz> HHB CDR-850 transfer by Jim Wise; Eac/SHN by Chuck Hogan with thanks to John Tallmadge
|
notes
|
| 6438. |
06/28/83 |
Flac 16 - 0,
28361 |
Hoffman Estates |
Poplar Creek Music Theatre flac16; FOB Sennheiser 441> PCM> Dat> CD; Transfer: CD> EAC> Samplitude Professional v8.0> FLAC; plus patch from FOB Sennheiser 421 source; Transferred and Edited By Charlie Miller
|
notes
|
| 6439. |
06/28/83 |
Flac 24 - 0,
140523 |
Hoffman Estates |
Poplar Creek Music Theatre flac24; Robert Bryant recording: unknown mics > cassette master (sony wm-d6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 6440. |
06/28/83 |
Flac 16 - 0,
141162 |
Hoffman Estates |
Poplar Creek Music Theatre flac16; Robert Bryant recording: unknown mics > cassette master (sony wm-d6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 6441. |
06/28/83 |
Flac 24/48 - 0,
142395 |
Hoffman Estates |
Poplar Creek Music Theatre flac24/48 First GEN AUD: Beyer M201's X-Y 7'up > Marantz Superscope PMD420 Maxell UDXLII 90 > Cassette copy: (Superscope to Denon Dr330) [1983] > Maxell UDXLII 90 Master was: MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~80 feet from stage, 20 feet ROC (just in front and right of SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6442. |
06/28/83 |
Flac 16/44,1 - 0,
142394 |
Hoffman Estates |
Poplar Creek Music Theatre flac16/44.1 First GEN AUD: Beyer M201's X-Y 7'up > Marantz Superscope PMD420 Maxell UDXLII 90 > Cassette copy: (Superscope to Denon Dr330) [1983] > Maxell UDXLII 90 Master was: MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~80 feet from stage, 20 feet ROC (just in front and right of SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6443. |
06/28/83 |
Flac 24 - 0,
146188 |
Hoffman Estates |
Poplar Creek Music Theatre flac24; Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24; Taper: Michael Gardner; Transfer and editing: Tony Suraci
|
notes
|
| 6444. |
06/28/83 |
Flac 16 - 0,
146187 |
Hoffman Estates |
Poplar Creek Music Theatre flac16; Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16; Taper: Michael Gardner; Transfer and editing: Tony Suraci
|
notes
|
| 6445. |
06/28/83 |
Flac 24/192 - 0,
149921 |
Hoffman Estates |
Poplar Creek Music Theatre flac24/192kHz; Mics: Mics: AKG 460B with the CK1 capsules; Recorder: 1981 TCD-5M Sony Cassette Pro Portable; Location: Sec 100 Row C Seat 107; Cassettes: Fuji Metal Bias C90: Dolby on but left off for this playback; Playback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment; Chord Company Interconnect Cable (Naim Co.); Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz; Sound Forge just to track
|
notes
|
| 6446. |
06/28/83 |
Flac 16 - 0,
149944 |
Hoffman Estates |
Poplar Creek Music Theatre flac16; Mics: AKG 460B with the CK1 capsules; Recorder: 1981 TCD-5M Sony Cassette Pro Portable; Location: Sec 100 Row C Seat 107; Cassettes: Fuji Metal Bias C90: Dolby on but left off for this playback; Playback: Sony TCD-5M unit calibrated to this era (not same identical unit). Tape speed and head alignment; Chord Company Interconnect Cable (Naim Co.); Run through the Naim Audio NAC-52 preamp to the Sound Devices-722 @ 24b/192kHz; Sound Forge just to track 24/192 > 16/44.1
|
notes
|
| 6447. |
07/30/83 |
Flac 16 - 0,
96401 |
Ventura |
Ventura County Fairgrounds flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2 -> r8brain PRO v1.5 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6448. |
07/30/83 |
Shn - 0,
11932 |
Ventura |
Ventura County Fairgrounds ACM>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd
|
notes
|
| 6449. |
07/30/83 |
Flac 16/48 - 0,
140317 |
Ventura |
Ventura County Fairgrounds flac16/48kHz; Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
|
notes
|
| 6450. |
07/30/83 |
Flac 16/48 - 0,
150939 |
Ventura |
Ventura County Fairgrounds flac16/48 Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 6451. |
07/30/83 |
Flac 24/96 - 0,
150940 |
Ventura |
Ventura County Fairgrounds flac24/96 Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 6452. |
07/31/83 |
Flac 16 - 0,
88149 |
Ventura |
Ventura County Fairgrounds flac16; SBD -> Cassette Master -> Cass -> Dat -> CD All Transfers and Mastering By Charlie Miller
|
notes
|
| 6453. |
07/31/83 |
Flac 16 - 0,
96409 |
Ventura |
Ventura County Fairgrounds flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.2 -> r8brain PRO v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Recorded by Rango Keshavan
|
notes
|
| 6454. |
07/31/83 |
Shn - 0,
11933 |
Ventura |
Ventura County Fairgrounds AUD>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd
|
notes
|
| 6455. |
07/31/83 |
Flac - 0,
140320 |
Ventura |
Ventura County Fairgrounds flac16/48kHz; Recording Info: Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
|
notes
|
| 6456. |
07/31/83 |
Flac 24/96 - ,
151138 |
Ventura |
Ventura County Fairgrounds flac24/96khz Source : Nakamichi mics > Nakamichi deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 6457. |
07/31/83 |
Flac 16/48 - ,
151137 |
Ventura |
Ventura County Fairgrounds flac16/48khz Source : Nakamichi mics > Nakamichi deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 6458. |
08/20/83 |
Flac 16 - 0,
96387 |
Palo Alto |
Frost Amphitheatre flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2 -> r8brain PRO v1.5 -> FLAC/16; Taped By Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6459. |
08/20/83 |
Flac 16 - 0,
111528 |
Palo Alto |
Frost Amphitheatre flac16; Source: 2 Sennheiser 421 microphones (25 feet from stage-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6460. |
08/20/83 |
Shn - 0,
12081 |
Palo Alto |
Frost Amphitheatre AUD(Neumann KM 84?s)>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd
|
notes
|
| 6461. |
08/20/83 |
Flac 24/96 - 0,
148067 |
Palo Alto |
Frost Amphitheatre flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6462. |
08/20/83 |
Flac 16/48 - 0,
148066 |
Palo Alto |
Frost Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6463. |
08/20/83 |
Flac 24/96 - ,
151140 |
Palo Alto |
Frost Amphitheatre flac24/96khz MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 6464. |
08/20/83 |
Flac 16/48 - ,
151139 |
Palo Alto |
Frost Amphitheatre flac16/48khz MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 6465. |
08/20/83 |
Flac 24/96 - ,
155968 |
Palo Alto |
Frost Amphitheatre flac2496 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
|
notes
|
| 6466. |
08/20/83 |
Flac 16/48 - ,
155967 |
Palo Alto |
Frost Amphitheatre flac1648 Source Info: Rob Eaton's Master (FOB) Audience Cassettes; (2) Sennheiser 441's (Left + Right) + (1) Neumann U87 (center) blend > Nakamichi 550 Transfer Info: Master Cassettes (Nakamichi Dragon) > Pro Tools 12 > .wav 24/96 > Adobe Audition 2022 > TLH2496
|
notes
|
| 6467. |
08/21/83 |
Flac 16 - 0,
95672 |
Palo Alto |
Frost Amphitheatre flac16; Recording Info:(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Michael Kirschner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6468. |
08/21/83 |
Flac 24/96 - 0,
95687 |
Palo Alto |
Frost Amphitheatre flac24; Recording Info:(FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Michael Kirschner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6469. |
08/21/83 |
Flac 16 - 0,
111536 |
Palo Alto |
Frost Amphitheatre flac16; Source: 2 Sennheiser 421 microphones (25 feet from stage-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6470. |
08/21/83 |
Shn - 0,
10920 |
Palo Alto |
Frost Amphitheatre FOB Senn 441>Sony TC-D5>DAT>CD; via Pete; Seeded to etree by Jim Bennett
|
notes
|
| 6471. |
08/21/83 |
Shn - 0,
23853 |
Palo Alto |
Frost Amphitheatre Recording Info: (Immediate Left Of SBD) Nakamichi 300/CP4 -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Nakamichi Deck/Azimuth Aligned) -> Mytek Digital 8X96ADC -> Nuendo (24bit/44.1k) Process Info:Processed through Nuendo using Waves (slight eq and rendered down to a 16 bit wave file). Recorded and Transfered BY Bill Reutelhuber Tracked and SHN'd By Charlie Miller
|
notes
|
| 6472. |
08/21/83 |
Flac 24/48 - 0,
142899 |
Palo Alto |
Frost Amphitheatre flac24/48khz Source: MAC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~125 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Transferred: Kyle Holbrook
|
notes
|
| 6473. |
08/21/83 |
Flac 16/44,1 - 0,
142898 |
Palo Alto |
Frost Amphitheatre flac16/44.1khz Source: MAC Beyer M201's X-Y 7'up > Sony TCD5M no dolby TDK MA-R90 x 2 Location: ~125 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Transferred: Kyle Holbrook
|
notes
|
| 6474. |
08/21/83 |
Flac 24/96 - 0,
148073 |
Palo Alto |
Frost Amphitheatre flac24; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6475. |
08/21/83 |
Flac 16/48 - 0,
148072 |
Palo Alto |
Frost Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6476. |
08/21/83 |
Flac 24/96 - ,
151142 |
Palo Alto |
Frost Amphitheatre flac24/96khz Source : Nakamichi mics > Nakamichi deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 6477. |
08/21/83 |
Flac 16/48 - ,
151141 |
Palo Alto |
Frost Amphitheatre />flac16/48khz Source : Nakamichi mics > Nakamichi deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 6478. |
08/26/83 |
Flac 16 - 0,
110903 |
Portland |
Portland Memorial Coliseum flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
|
notes
|
| 6479. |
08/26/83 |
Shn - 0,
12258 |
Portland |
Portland Memorial Coliseum AUD (Senn. 421's)> MC >DAT>CDR; Eac >cool edit > shntool > cdwav >shnv3, by Ernie Dodd
|
notes
|
| 6480. |
08/26/83 |
Flac 24/48 - 0,
142901 |
Portland |
Portland Memorial Coliseum flac24/48khz ource Audience Recording: Beyer M 201c;1st gen TDK MA metal 90 Location: set 1: 100 feet from stage|DFC set 2: 70 feet from stage|DFC Lineage: Master was: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON 1st Gen copied to TDK MA metal 90 Sony TCD5M -> Sony TCD5M Playback: Nakamichi CR-5A ->Tascam DR-680 24/48 Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8 Taped by Kyle Holbrook & Chris Kidwell Transferred by Kyle Holbrook
|
notes
|
| 6481. |
08/26/83 |
Flac 16/44,1 - 0,
142900 |
Portland |
Portland Memorial Coliseum flac16/44.1khz ource Audience Recording: Beyer M 201c;1st gen TDK MA metal 90 Location: set 1: 100 feet from stage|DFC set 2: 70 feet from stage|DFC Lineage: Master was: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON 1st Gen copied to TDK MA metal 90 Sony TCD5M -> Sony TCD5M Playback: Nakamichi CR-5A ->Tascam DR-680 24/48 Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8 Taped by Kyle Holbrook & Chris Kidwell Transferred by Kyle Holbrook
|
notes
|
| 6482. |
08/26/83 |
Flac 24/96 - 0,
148833 |
Portland |
Portland Memorial Coliseum flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mini mics (mounted in hat, left side, 40' from stage)(Row A, Section 15, seats 4 & 5) > Sony D5M (TDK-MA90); Transfer Info: Master Cassettes (Nakamchi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6483. |
08/26/83 |
Flac 16/48 - 0,
148832 |
Portland |
Portland Memorial Coliseum flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mini mics (mounted in hat, left side, 40' from stage)(Row A, Section 15, seats 4 & 5) > Sony D5M (TDK-MA90); Transfer Info: Master Cassettes (Nakamchi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6484. |
08/27/83 |
Shn - 0,
16439 |
Seattle |
Seattle Center Coliseum Unknown AUD, with patches from an alternate source; via Darryl Hinko
|
notes
|
| 6485. |
08/27/83 |
Shn - 0,
12359 |
Seattle |
Seattle Center Coliseum AUD(Senn. 421?s)>MC>DAT>CDR Eac >shn (secure with proper offsets) by Ernie Dodd; Note Ernie has since supplied the missing tracks (disc 3); See info file for details
|
notes
|
| 6486. |
08/27/83 |
Flac 16 - 0,
31635 |
Seattle |
Seattle Center Coliseum flac16; source: unknown mics > Sony D5 cassette deck (probable) Location: (FOB?) Recorded by: Jamie Herbst transfer: cassettes (2nd gen) > PC > CDWAV (track splits) > GOLDWAVE (fades) > FLAC
|
notes
|
| 6487. |
08/27/83 |
Flac 16 - 0,
111818 |
Seattle |
Seattle Center Coliseum flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6488. |
08/27/83 |
Flac 24/48 - 0,
142903 |
Seattle |
Seattle Center Coliseum flac24/48khz Source Audience Recording: Beyer M 201c: Master Maxell MX90 Location: set 1: 70 feet from stage|DFC Lineage: Master AUD: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON Playback: Nakamichi CR-5A ->Tascam DR-680 24/48 Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8 Taped by Kyle Holbrook & Chris Kidwell Transferred by Kyle Holbrook
|
notes
|
| 6489. |
08/27/83 |
Flac 16/44,1 - 0,
142902 |
Seattle |
Seattle Center Coliseum flac16/44.1khz Source Audience Recording: Beyer M 201c: Master Maxell MX90 Location: set 1: 70 feet from stage|DFC Lineage: Master AUD: Beyer M201's (hyper cardiod)X-Y >> Sony TCD5M w Maxell MX 90| Dolby B ON Playback: Nakamichi CR-5A ->Tascam DR-680 24/48 Processing: i7Windows7 Audacity > cdwav editor > TLH flac level 8 Taped by Kyle Holbrook & Chris Kidwell Transferred by Kyle Holbrook
|
notes
|
| 6490. |
08/27/83 |
Flac 16 - 0,
92307 |
Seattle |
Seattle Center Coliseum flac16; FOB, Nakamichi CM300's > Sony TC-D5. Tape copied after show, MAC > C1, Sony TC-D5 > Marantz PMD-340 > TDK SA-90's (no Dolby). Transfer: C1 > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.
|
notes
|
| 6491. |
08/27/83 |
Flac 24/96 - 0,
148750 |
Seattle |
Seattle Center Coliseum flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (60' from stage, DFC)> Jamie Pouris' custom preamp/dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6492. |
08/27/83 |
Flac 16/48 - 0,
148749 |
Seattle |
Seattle Center Coliseum flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (60' from stage, DFC)> Jamie Pouris' custom preamp/dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6493. |
08/29/83 |
Shn - 0,
11603 |
Eugene |
Silva Hall, Hult Center SBD>Cass(2)>DAT>CDR; Seeded to etree by Willy
|
notes
|
| 6494. |
08/29/83 |
Flac 16 - 0,
105523 |
Eugene |
Silva Hall, Hult Center flac16; FOB AUD: Nakamichi CM300's > unknown deck > MAC > 1st Gen tape. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F.
|
notes
|
| 6495. |
08/29/83 |
Flac 16 - 0,
135945 |
Eugene |
Silva Hall, Hult Center flac16; Soundboard > PCM;Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 for Minor Edits by Jamie Waddell; channels flipped, minor cuts, and tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH; the original seed for this had errors
|
notes
|
| 6496. |
08/29/83 |
Flac 16/48 - 0,
140330 |
Eugene |
Silva Hall, Hult Center flac16/48kHz; Recording Info: Master Soundboard Cassette -> Tascam MKIII 1st Gen Cassette -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
|
notes
|
| 6497. |
08/29/83 |
Flac 24/96 - 0,
141485 |
Eugene |
Silva Hall, Hult Center flac24; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300) > Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496
|
notes
|
| 6498. |
08/29/83 |
Flac 16 - 0,
141486 |
Eugene |
Silva Hall, Hult Center flac16; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6499. |
08/29/83 |
Flac 24/48 - 0,
142925 |
Eugene |
Silva Hall, Hult Center flac24/48 Source: Master Was: Beyer M201's X-Y 6'up > Sony TCD5M no dolby Denon DXM 90 Metal x 2 This take: First Gen TDK MA90 x 2 Location: ~80 feet from stage, 40'ROC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6500. |
08/29/83 |
Flac 16 - 0,
105285 |
Eugene |
Silva Hall, Hult Center flac16; Source: Unknown audience recording > cass (unknown gens) Lineage: cass > Nakamichi BX-125E > EMU 0202 > Wavelab 6 > wav 24/96 > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > flac 16
|
notes
|
| 6501. |
08/29/83 |
Flac 16 - 0,
111087 |
Eugene |
Silva Hall, Hult Center flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
|
notes
|
| 6502. |
08/29/83 |
Flac 16/44,1 - 0,
142924 |
Eugene |
Silva Hall, Hult Center flac16/44.1 Source: Master Was: Beyer M201's X-Y 6'up > Sony TCD5M no dolby. Denon DXM 90 Metal x 2. This take: First Gen TDK MA90 x 2 Location: ~80 feet from stage, 40'ROC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6503. |
08/29/83 |
Flac 24/96 - 0,
148763 |
Eugene |
Silva Hall, Hult Center flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mics on pole, held head high, 50' from stage - row O, seats 208 & 209- DFC) > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6504. |
08/29/83 |
Flac 16/48 - 0,
148762 |
Eugene |
Silva Hall, Hult Center flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mics on pole, held head high, 50' from stage - row O, seats 208 & 209- DFC) > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6505. |
08/30/83 |
Shn - 0,
15110 |
Eugene |
Silva Hall, Hult Center Keysey intro: MSC>Cass. x 2>PCM>DAT>CDR Set Ip + Set II: Kesey's MSC>DAT>CDR Audience patches: Sennheiser 421's>Sony TC-D5M>Cass.>DAT>CDR taped by Rick Saeger (previous seed)
|
notes
|
| 6506. |
08/30/83 |
Flac 16 - 0,
29342 |
Eugene |
Silva Hall, Hult Center flac16; Source: Sennheiser 421's > Sony TC-D5 Lineage: MAC > C (first generation cassette used for this transfer) Transfer: C > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC. Seeded by nfagdtrfbyahoo
|
notes
|
| 6507. |
08/30/83 |
Flac 16 - 0,
111590 |
Eugene |
Silva Hall, Hult Center flac16; Source: 2 Sennheiser 441 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6508. |
08/30/83 |
Shn - 0,
12485 |
Eugene |
Silva Hall, Hult Center AUD (Senn. 421?s)> MC> DAT> CDR; Eac >cool edit > shntool > cdwav >shnv3 by Ernie Dodd; missing second half of set 2
|
notes
|
| 6509. |
08/30/83 |
Flac 24/96 - 0,
141487 |
Eugene |
Silva Hall, Hult Center flac24; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496
|
notes
|
| 6510. |
08/30/83 |
Flac 16 - 0,
141488 |
Eugene |
Silva Hall, Hult Center flac16; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6511. |
08/30/83 |
Flac 16/44,1 - 0,
142996 |
Eugene |
Silva Hall, Hult Center flac16/44.1kh Source: MAC: Beyer M201's X-Y 7'up > Sony TCD5M no dolby Denon DXM 90 Metal x 2 Location: ~70 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6512. |
08/30/83 |
Flac 24/48 - 0,
142997 |
Eugene |
Silva Hall, Hult Center flac24/48 Source: MAC: Beyer M201's X-Y 7'up > Sony TCD5M no dolby Denon DXM 90 Metal x 2 Location: ~70 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6513. |
08/31/83 |
Flac 16 - 0,
84934 |
Eugene |
Silva Hall, Hult Center flac16; AUD (Senn. 421’s)>MC>DAT>CDR>Eac >cool edit > shntool > cdwav >shnv3 repitched to 103.37% and converted to FLAC
|
notes
|
| 6514. |
08/31/83 |
Flac 16 - 0,
11598 |
Eugene |
Silva Hall, Hult Center flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6515. |
08/31/83 |
Shn - 0,
12486 |
Eugene |
Silva Hall, Hult Center AUD (Senn. 421?s)> MC> DAT> CDR, via Paul B, seeded to Etree by Ernie Dodd
|
notes
|
| 6516. |
08/31/83 |
Flac 16 - 0,
34928 |
Eugene |
Silva Hall, Hult Center flac16; Lineage: AUD > unknown mics > Sony TC-D5 > MAC > 1st generation cassettes Transfer: Sony UCX-S 90s > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression, and checksums) > FLAC
|
notes
|
| 6517. |
08/31/83 |
Flac 16/48 - 0,
140336 |
Eugene |
Silva Hall, Hult Center flac16/48kHz; Recording Info: Master Soundboard Cassette -> Tascam MKIII 1st Gen Cassette -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
|
notes
|
| 6518. |
08/31/83 |
Flac 24/96 - 0,
141489 |
Eugene |
Silva Hall, Hult Center flac24; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496
|
notes
|
| 6519. |
08/31/83 |
Flac 16 - 0,
141490 |
Eugene |
Silva Hall, Hult Center flac16; Source Info: Otto Rice's Master (FOB) Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi BX-300)> Apogee Mini Me 24/96 > Apogee Mini DAC > Adobe Audition 3.0 (24/96)> TLH flac2496; This is a 16/44 fileset. 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6520. |
08/31/83 |
Flac 24/48 - 0,
142927 |
Eugene |
Silva Hall, Hult Center flac24/48 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Nakamichi ZX-C90 x 2 Location: 100 feet from stage, DFC (2 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6521. |
08/31/83 |
Flac 16/44,1 - 0,
142926 |
Eugene |
Silva Hall, Hult Center flac16/44.1 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Nakamichi ZX-C90 x 2 Location: 100 feet from stage, DFC (2 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6522. |
08/31/83 |
Flac 24/96 - 0,
148767 |
Eugene |
Silva Hall, Hult Center flac24; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted in a hat)(row U, seat 104) > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6523. |
08/31/83 |
Flac 16/48 - 0,
148766 |
Eugene |
Silva Hall, Hult Center flac16/48kHz; Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics (mounted in a hat)(row U, seat 104) > Jamie Pouris' custom preamp/NX40 dbx encoder > Sony D5M; Transfer Info: Master Cassettes (Technics RS-B48R, dbx decoded) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6524. |
09/02/83 |
Flac 16 Mtx - 0,
100930 |
Boise |
Boise State University Pavillion flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 6525. |
09/02/83 |
Shn - 0,
33819 |
Boise |
Boise State University Pavillion SBD> cassette master>DAT>CDR>SHN - Patched fix of shnid 2174 by Bill Tetzeli
|
notes
|
| 6526. |
09/02/83 |
Shn - 0,
2174 |
Boise |
Boise State University Pavillion SBD> cassette master> (cass?)> DAT> CDR; via anonymous benefactor; upgrade in circulation
|
notes
|
| 6527. |
09/02/83 |
Shn - 0,
1374 |
Boise |
Boise State University Pavillion FOB AUD PCM(dbx)> dbx decode> DAT> CD> EAC>WAV> SHN; Extracted and posted to alt.binaries.gdead by Bob Donnelly; later to etree
|
notes
|
| 6528. |
09/02/83 |
Shn - 0,
17958 |
Boise |
Boise State University Pavillion Source: FOB AUD PCM (DBX) > DBX Decode > DAT > CDR > EAC > *Cool Edit Pro 2.0 > CDWave > FLAC *Original source had most of the between track crowd cut out I applied crossfades to smooth these cuts. Patched D/O in Eyes. Original source was also in need of retracking. EAC'd... by Doug Nawrocki
|
notes
|
| 6529. |
09/02/83 |
Flac 16 - 0,
103181 |
Boise |
Boise State University Pavillion flac16, FOB MAC 2 Beyer M160 and 1 Sennheiser 421 > Sony TCD5M > Soundblaster PCI. This is a new transfer from the same FOB MACs as SHNID 23854. Recorded by vlenihan
|
notes
|
| 6530. |
09/02/83 |
Shn - 0,
23854 |
Boise |
Boise State University Pavillion 10th Row Center 2 BeyerM160 Left & Right Channels 1 Sennheiser 421 Center Chanel Sony TCD5M Cassette Master>SoundForge5; upgrade in circulation
|
notes
|
| 6531. |
09/02/83 |
Flac 16/44,1 - 0,
142998 |
Boise |
Boise State University Pavillion flac16/44.1 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Nakamichi ZX-C90 x 2 Location: 40 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6532. |
09/02/83 |
Flac 24/48 - 0,
142999 |
Boise |
Boise State University Pavillion flac24/48 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Nakamichi ZX-C90 x 2 Location: 40 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6533. |
09/02/83 |
Flac 24/96 - 0,
149224 |
Boise |
Boise State University Pavillion flac24; 2nd Set Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 6534. |
09/02/83 |
Flac 16/48 - 0,
149223 |
Boise |
Boise State University Pavillion flac16/48kHz; Set 2 Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6535. |
09/04/83 |
Flac 16 - 0,
117185 |
Park City |
Park West Ski Resort flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (48k); Transfer Info: Dat -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6536. |
09/04/83 |
Flac 16 Mtx - 0,
132245 |
Park City |
Park West Ski Resort flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:117185) SBD -> Cassette Master -> Reel (Technics Deck) -> Dat (Panasonic SV3800/48k); Dat -> Samplitude Professional v11.2 -> FLAC and Audience (shnid:104956) MAC FOB 2 Beyer M160 & 1 Sennheiser 441 > Sony TCD5M > Sound Blaster PCI> CD Wav
|
notes
|
| 6537. |
09/04/83 |
Flac 16 - 0,
119805 |
Park City |
Park West Ski Resort flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Back Right Corner Of Soundboard/6 Feet High)> Sony WM-D6, Tapes Maxell UD-XLII's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6538. |
09/04/83 |
Flac 16 - 0,
35214 |
Park City |
Park West Ski Resort flac16; Seamless fix of shn id 2193 - MSC>C>DAT>CD>EAC>SHN>WAV>FLAC w/patch in drums. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 6539. |
09/04/83 |
Flac 24/48 - 0,
119804 |
Park City |
Park West Ski Resort flac24; Master Audience Recorded By Mr. Darby; Tascam PE120/CP1's (PAS/Back Right Corner Of Soundboard/6 Feet High)> Sony WM-D6, Tapes Maxell UD-XLII's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 6540. |
09/04/83 |
Shn - 0,
10253 |
Park City |
Park West Ski Resort Master Tape; 2 Beyer M160, 1 Sennheiser 441 Blend; Sony TCD5M > Sound Forge 5 > MKW .96f > Power Post 2K
|
notes
|
| 6541. |
09/04/83 |
Flac 24/96 - 0,
111032 |
Park City |
Park West Ski Resort flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
|
notes
|
| 6542. |
09/04/83 |
Flac 16 - 0,
104956 |
Park City |
Park West Ski Resort flac16; MAC FOB 2 Beyer M160 & 1 Sennheiser 441 > Sony TCD5M > Sound Blaster PCI> CD Wav
|
notes
|
| 6543. |
09/04/83 |
Flac 16/48 - 0,
138366 |
Park City |
Park West Ski Resort flac16/48kHz; Set 2 Recording from Unknown taper: Senn 421, 3 mic blend> MAC> DAT set 2 only; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 6544. |
09/04/83 |
Flac 16 - 0,
102050 |
Park City |
Park West Ski Resort flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 6545. |
09/04/83 |
Flac 16/44 - 0,
143000 |
Park City |
Park West Ski Resort flac16/44 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6546. |
09/04/83 |
Flac 24/48 - 0,
143001 |
Park City |
Park West Ski Resort flac24/48 Master: AUD MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage, DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6547. |
09/04/83 |
Flac 16 - 0,
142047 |
Park City |
Park West Ski Resort flac16; SBD MC>DAT>Clone>file created in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8
|
notes
|
| 6548. |
09/04/83 |
Shn - 0,
2193 |
Park City |
Park West Ski Resort Master Soundboard Cassette > Cassette > DAT > CDR; via Scott Clugston to abgd and etree; upgrade in circulation
|
notes
|
| 6549. |
09/04/83 |
Flac 24/96 - 0,
149229 |
Park City |
Park West Ski Resort flac24; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 6550. |
09/04/83 |
Flac 16/48 - 0,
149228 |
Park City |
Park West Ski Resort flac16/48kHz; Source Info: Bob Wagner's Master (FOB) Audience Cassette; Nakamichi CM700 mics > Sony TC-D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6551. |
09/04/83 |
Flac 16 - ,
150334 |
Park City |
Park West Ski Resort flac16; Source: Nakamichi 100 shotguns > Sony D5 > ? > FLAC; Location: FOB; Recorded by John O'Connor
|
notes
|
| 6552. |
09/04/83 |
Flac 16 Mtx - ,
169013 |
Park City |
Park West Ski Resort flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 117185 & 149228.
|
notes
|
| 6553. |
09/06/83 |
Flac16 Mtx - 0,
95820 |
Morrison |
Red Rocks Amphitheatre flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 6554. |
09/06/83 |
Shn - 0,
5489 |
Morrison |
Red Rocks Amphitheatre Master Soundboard Cassette > Cassette > DAT > CDR, with AUD patches from 2 Master Audience Cassettes: Sennheiser 421 mics > Sony D5, Sennheiser 441 mics > Sony D6 (see info file); Patching / CD Mastering, EAC'ed / SHN'ed by Scott Clugston
|
notes
|
| 6555. |
09/06/83 |
Flac 24/96 - 0,
111033 |
Morrison |
Red Rocks Amphitheatre flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
|
notes
|
| 6556. |
09/06/83 |
Shn - 0,
111866 |
Morrison |
Red Rocks Amphitheatre Senn 421's (FOB) > Analog Master > DAT > Montego > SoundForge 6 (normalize) > SHN; taped: Dean Grabski; seeded: Lou Wilkinson
|
notes
|
| 6557. |
09/06/83 |
Flac 16 - 0,
111711 |
Morrison |
Red Rocks Amphitheatre flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 6558. |
09/06/83 |
Flac 16 - 0,
35084 |
Morrison |
Red Rocks Amphitheatre flac16; Master: Beyer M201's (X-Y) > Sony TCD5M (Maxell MX 90, no dolby) Location: 140 feet from stage (behind board) Transfer: Sony TC-RX 370 > Echo Gina 24 @ 16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7808 > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed
|
notes
|
| 6559. |
09/06/83 |
Shn - 0,
11589 |
Morrison |
Red Rocks Amphitheatre 2 Sennheiser 421 > Sony TCD5M Half way between stage and board Master tape> Sound Forge5>Powerpost 2k To abgd via Walstib
|
notes
|
| 6560. |
09/06/83 |
Flac 24/48 - 0,
143040 |
Morrison |
Red Rocks Amphitheatre flac24/48 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 40 feet from stage (sixth row), DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6561. |
09/06/83 |
Flac 16/44,1 - 0,
143039 |
Morrison |
Red Rocks Amphitheatre flac16/44.1 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 40 feet from stage (sixth row), DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6562. |
09/06/83 |
Flac 16 Mtx - 0,
147910 |
Morrison |
Red Rocks Amphitheatre flac16; Matrix: Source One: shnid 5489: Master Soundboard Cassette > Cassette > DAT > CDR; Source Two: shnid 11589: Two Sennheiser 421 > Sony TCD5M: Source Three: shnid 35084: Beyer M201's X-Y 5.5'up > Maxell MX90 x 2 (Sony TCD5M, dolby off); Source Four: shnid 111711: Two Sennheiser 421 microphones > Sony TC-D5M > master analog cassettes; Matrix created with Audacity by Joe Noel
|
notes
|
| 6563. |
09/06/83 |
Flac 16 - 0,
102051 |
Morrison |
Red Rocks Amphitheatre flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 6564. |
09/06/83 |
Flac 24/96 - 0,
148336 |
Morrison |
Red Rocks Amphitheatre flac24; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6565. |
09/06/83 |
Flac 16/48 - 0,
148335 |
Morrison |
Red Rocks Amphitheatre flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6566. |
09/07/83 |
Flac 16 - 0,
113550 |
Morrison |
Red Rocks Amphitheatre flac16; Recording Info: (FOB) 3 Nakamichi 700 Omni's -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded Bob Wagner; All Transfers and Mastering By Charlie Mille
|
notes
|
| 6567. |
09/07/83 |
Flac 16 - 0,
102052 |
Morrison |
Red Rocks Amphitheatre flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 6568. |
09/07/83 |
Flac 24/96 - 0,
111034 |
Morrison |
Red Rocks Amphitheatre flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
|
notes
|
| 6569. |
09/07/83 |
Flac 16 - 0,
110913 |
Morrison |
Red Rocks Amphitheatre flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6570. |
09/07/83 |
Shn - 0,
10254 |
Morrison |
Red Rocks Amphitheatre 3 Beyer Dynamics M160> Sony TCD5m Mater Tape Recorded Half way between Board and Stage; Sound Forge 5> Power Post 2K
|
notes
|
| 6571. |
09/07/83 |
Flac 24/48 - 0,
143042 |
Morrison |
Red Rocks Amphitheatre flac24/48 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 50 feet from stage 8ft ROC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6572. |
09/07/83 |
Flac 16/44,1 - 0,
143041 |
Morrison |
Red Rocks Amphitheatre flac16/44.1 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 50 feet from stage 8ft ROC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6573. |
09/07/83 |
Flac 24/96 - 0,
148305 |
Morrison |
Red Rocks Amphitheatre flac24; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6574. |
09/07/83 |
Flac 16/48 - 0,
148304 |
Morrison |
Red Rocks Amphitheatre flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6575. |
09/08/83 |
Flac 16 - 0,
113684 |
Morrison |
Red Rocks Amphitheatre flac16; Recording Info: (FOB) 3 Nakamichi 700 Omni's -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/44.1k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; Recorded by Bob Wagner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6576. |
09/08/83 |
Shn - 0,
20536 |
Morrison |
Red Rocks Amphitheatre Lineage: MSC>Reel>DAT>CDR (Scarlet>Fire from Eaton's MAC)
|
notes
|
| 6577. |
09/08/83 |
Flac 16 - 0,
84856 |
Morrison |
Red Rocks Amphitheatre flac16; SOURCES: Set 1: Nakamichi CM304's > Sony D5 > Sony D6 (shnid=79047) with patches for tuning before Shakedown & L.L. Rain from: Senn. 441s? > MC > DAT > CDR (shnid=12482) Set 2: MSC (except for AUD Scarlet>Fire) > Reel > DAT > CDR > EAC > SHN > WAV > FLAC (level 8) (shnid=20536) with patches for start of Baby Blue from: Nakamichi CM304's > Sony D5 > Sony D6 (shnid=79047)
|
notes
|
| 6578. |
09/08/83 |
Flac 16 - 0,
102053 |
Morrison |
Red Rocks Amphitheatre flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 6579. |
09/08/83 |
Flac 24/96 - 0,
111035 |
Morrison |
Red Rocks Amphitheatre flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
|
notes
|
| 6580. |
09/08/83 |
Flac 16 - 0,
111728 |
Morrison |
Red Rocks Amphitheatre flac16; source: 2 Sennheiser 421 microphones > Sony TC-D5M - master analog cassettes; transfer: Sony TC-D5M (original record deck) >Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
|
notes
|
| 6581. |
09/08/83 |
Shn - 0,
12482 |
Morrison |
Red Rocks Amphitheatre AUD (Senn. 441's)> MC> DAT> CDR; via Paul B. Seeded to etree by Ernie Dodd
|
notes
|
| 6582. |
09/08/83 |
Flac 16 - 0,
79047 |
Morrison |
Red Rocks Amphitheatre flac16; Source: Nakamichi CM304's>Sony D5>Sony D6 Location: At SBD, stand at 7 Feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16bit>CDwav>flac16 Tapers: Mike G. and Tony S
|
notes
|
| 6583. |
09/08/83 |
Flac 24/48 - 0,
143057 |
Morrison |
Red Rocks Amphitheatre flac24/48 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 3 Location: 140 feet from stage, 10 ft. ROC (~10 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6584. |
09/08/83 |
Flac 16/44,1 - 0,
143056 |
Morrison |
Red Rocks Amphitheatre flac16/44.1 Master: AUD MC Beyer M201's X-Y 5.5'up > Sony TCD5M no dolby Maxell MX90 x 3 Location: 140 feet from stage, 10 ft. ROC (~10 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Chris Kidwell Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6585. |
09/10/83 |
Flac 16 - 0,
96920 |
Santa Fe |
Santa Fe Downs flac16; Lineage: Master cassette: Nak 550 with Nak 300 mics with shotgun caps Transfer: Nak BX3->Mac->CD->EAC extract->cd wave to split China Rider ->TLH convert to Flac6
|
notes
|
| 6586. |
09/10/83 |
Flac 16 - 0,
94508 |
Santa Fe |
Santa Fe Downs flac16; Analog Lineage: 2 x Nakamichi CM700 => Sony TC-D5m >> MAC Analog Sound Preservation: MAC >> Nakamichi DR-1 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner Transfer By: Adam Egert Mastering By: Adam Egert
|
notes
|
| 6587. |
09/10/83 |
Flac 24/96 - 0,
94509 |
Santa Fe |
Santa Fe Downs flac24; 2 x Nakamichi CM700 => Sony TC-D5m >> MAC >> Nakamichi DR-1 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Bob Wagner Transfer By: Adam Egert Mastering By: Adam Egert
|
notes
|
| 6588. |
09/10/83 |
Flac 16 - 0,
110915 |
Santa Fe |
Santa Fe Downs flac16; source: 2 Sennheiser 421 microphones (25 feet from stage) ~ Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) ~Pre Sonus Inspire GT~Sound Forge~.wav files~Trader's Little Helper~flac files
|
notes
|
| 6589. |
09/10/83 |
Flac 16 - 0,
84487 |
Santa Fe |
Santa Fe Downs flac16; Recording Info: (FOB) Sennheiser 441 -> PCM (Technics SV100) -> Dat Transfer Info: Dat (Sony R500) -> VX Pocket v2 -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6590. |
09/10/83 |
Flac 24/96 - 0,
139020 |
Santa Fe |
Santa Fe Downs flac24; billydee recording (patched out of): Beyerdynamics 180's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 6591. |
09/10/83 |
Flac 16 - 0,
79068 |
Santa Fe |
Santa Fe Downs flac16; Source: *Nakamichi CM304's>Sony D5>Sony D6 Location: FOB, stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: *Mike G. and Tony S. Transfered and uploaded by Tony S./nak700
|
notes
|
| 6592. |
09/10/83 |
Shn - 0,
4860 |
Santa Fe |
Santa Fe Downs Sources: Primary: Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM> DAT> CDR; Secondary: Aud> CM> C> NakDR10 (Playback Only)> PCM; Note: Secondary aud source used to patch in approximately 15 seconds missing from Minglewood. CD Remastering, EAC'ed / SHN'ed by Scott Clugston
|
notes
|
| 6593. |
09/10/83 |
Flac 16/48 - 0,
139299 |
Santa Fe |
Santa Fe Downs flac16/48kHz; Recording Info: SBD > Cassette Master > Reel > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6594. |
09/10/83 |
Flac 16 Mtx - 0,
139379 |
Santa Fe |
Santa Fe Downs flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 139020 & 139299.
|
notes
|
| 6595. |
09/10/83 |
Flac 16 - 0,
141023 |
Santa Fe |
Santa Fe Downs flac16; billydee recording (patched out of): Beyerdynamics 180's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 6596. |
09/10/83 |
Flac 24/48 - 0,
143080 |
Santa Fe |
Santa Fe Downs flac24/48 Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 100 feet from stage, 2 ft. LOC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Transferred: Kyle Holbrook
|
notes
|
| 6597. |
09/10/83 |
Flac 16/44,1 - 0,
143079 |
Santa Fe |
Santa Fe Downs flac16/44.1 Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 100 feet from stage, 2 ft. LOC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Transferred: Kyle Holbrook
|
notes
|
| 6598. |
09/10/83 |
Flac 24/96 - 0,
151508 |
Santa Fe |
Santa Fe Downs flac24/96khz Source Info: Robert Bryant's Master (FOB) Audience Cassettes; unknown mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 6599. |
09/10/83 |
Flac 16/48 - 0,
151507 |
Santa Fe |
Santa Fe Downs flac16/48khz Source Info: Robert Bryant's Master (FOB) Audience Cassettes; unknown mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 6600. |
09/11/83 |
Shn - 0,
4995 |
Santa Fe |
Santa Fe Downs SBD> Master Cassette> 1 Reel> DAT> DAT> WAV> Soundforge 4.0> CDWAV 1.53> MKW 0.97b> SHN; DAT> WAV via Sony SDT-9000 DDS drive using VDAT 0.6f; see info file for details and flaw notes; QC courtesy dankseeds
|
notes
|
| 6601. |
09/11/83 |
Flac 16 Mtx - 0,
125609 |
Santa Fe |
Santa Fe Downs flac16; 2 Source Matrix Matrix by dusborne; Soundboard (shinid:4995) SBD>Master Cassette>1 Reel>DAT>DAT>WAV>Soundforge 4.0>CDWAV 1.53>MKW 0.97b>SHN DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f and Audience (shnid:100454) FOB) Nakamichi CM300->PCM->DAT (16/44) Lineage: Dat clone->Sony PCM R-500->VX Pocket V2->SF6 Taper: Unknown Transferred and Seeded by Mike Watson
|
notes
|
| 6602. |
09/11/83 |
Flac 16 Mtx - 0,
131805 |
Santa Fe |
Santa Fe Downs flac16; 2 Source Matrix by dusborne; This is a remix and remaster of gd83-09-11.125609.mtx.dusborne.flac16
|
notes
|
| 6603. |
09/11/83 |
Flac 16 - 0,
100454 |
Santa Fe |
Santa Fe Downs flac16; Source: (FOB) Nakamichi CM300->PCM->DAT (16/44) Lineage: Dat clone->Sony PCM R-500->VX Pocket V2->SF6 Taper: Unknown Transferred and Seeded by Mike Watson on 08/03/2009
|
notes
|
| 6604. |
09/11/83 |
Flac 16 - 0,
112783 |
Santa Fe |
Santa Fe Downs flac16; source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6605. |
09/11/83 |
Shn - 0,
109158 |
Santa Fe |
Santa Fe Downs SBD-> ?->CD->EAC->WAV->SHN w/ Aud Patches
|
notes
|
| 6606. |
09/11/83 |
Shn - 0,
4874 |
Santa Fe |
Santa Fe Downs Source: Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM > DAT > CDR> EAC> SHN; CD Remastering, EAC'ed / SHN'ed by Scott Clugston; to abgd?
|
notes
|
| 6607. |
09/11/83 |
Shn - 0,
23224 |
Santa Fe |
Santa Fe Downs Source: Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM > DAT > CDR *Additional Editing by The Mighty Terrapin(Had The Remaining tracks from d1t06-10)
|
notes
|
| 6608. |
09/11/83 |
Flac 16 - 0,
79168 |
Santa Fe |
Santa Fe Downs flac16; Source: *Nakamichi CM304's>Sony D5>Sony D6 Location: FOB, stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: *Mike G. and Tony S. Transfered and uploaded by Tony S./nak700
|
notes
|
| 6609. |
09/11/83 |
Flac 16 - 0,
139652 |
Santa Fe |
Santa Fe Downs flac16; Set 2 Jeff Silberman FOB Master Recording: Sennheiser 441's > Technics PCM master > Vault Clone > David Gans Clone; Charlie Miller Transfer: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k); Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT (note: the original source had an error of d2t05)
|
notes
|
| 6610. |
09/11/83 |
Flac 16 - 0,
141025 |
Santa Fe |
Santa Fe Downs flac16; billydee recording (patched out of): Beyerdynamics 180's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 6611. |
09/11/83 |
Flac 24/48 - 0,
143082 |
Santa Fe |
Santa Fe Downs flac24/48 Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell UDXLII90 x 2 Location: 100 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Transferred: Kyle Holbrook
|
notes
|
| 6612. |
09/11/83 |
Flac 16/44,1 - 0,
143081 |
Santa Fe |
Santa Fe Downs flac16/44.1 Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell UDXLII90 x 2 Location: 100 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Transferred: Kyle Holbrook
|
notes
|
| 6613. |
09/11/83 |
Flac 24/96 - 0,
139021 |
Santa Fe |
Santa Fe Downs flac24; billydee recording (patched out of): Beyerdynamic m201 mics > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel, Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 6614. |
09/11/83 |
Flac 24/96 - 0,
151510 |
Santa Fe |
Santa Fe Downs flac24/96khz Source Info: Robert Bryant's Master (FOB) Audience Cassettes; unknown mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 6615. |
09/11/83 |
Flac 16/48 - 0,
151509 |
Santa Fe |
Santa Fe Downs flac16/48khz Source Info: Robert Bryant's Master (FOB) Audience Cassettes; unknown mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 6616. |
09/11/83 |
Flac 16 Mtx - ,
152635 |
Santa Fe |
Santa Fe Downs flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging),of shnid's 4995 & 151509.
|
notes
|
| 6617. |
09/13/83 |
Flac 16 - 0,
83117 |
Austin |
Manor Downs flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat Transfer Info: Dat -> CD (Tascam CDRW700) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 6618. |
09/13/83 |
Flac 16 - 0,
110772 |
Austin |
Manor Downs flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6619. |
09/13/83 |
Shn - 0,
12483 |
Austin |
Manor Downs ACM> ??> CDR; EAC>SHN by Ernie Dodd, with thanks to Paul B.
|
notes
|
| 6620. |
09/13/83 |
Flac - 0,
110514 |
Austin |
Manor Downs Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Sennheiser 421 microphones (up front) > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 6621. |
09/13/83 |
Flac 24/48 - 0,
143084 |
Austin |
Manor Downs flac24/48 Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 80 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Transferred: Kyle Holbrook
|
notes
|
| 6622. |
09/13/83 |
Flac 16/44,1 - 0,
143083 |
Austin |
Manor Downs flac16/44.1 Master: AUD MC Beyer M201's X-Y 6'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 80 feet from stage DFC Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Transferred: Kyle Holbrook
|
notes
|
| 6623. |
09/13/83 |
Flac 24 - 0,
146170 |
Austin |
Manor Downs flac24; Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24; Taper: Michael Gardner; Transfer and editing: Tony Suraci
|
notes
|
| 6624. |
09/13/83 |
Flac 16 - 0,
146169 |
Austin |
Manor Downs flac16; Source: Nakamichi CM300 (with CP1 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16; Taper: Michael Gardner; Transfer and editing: Tony Suraci
|
notes
|
| 6625. |
09/13/83 |
Flac 16/48 - 0,
151514 |
Austin |
Manor Downs flac16/48khz Source Info: Robert Bryant's Master (FOB) Audience Cassettes; unknown mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 6626. |
09/13/83 |
Flac 24/96 - 0,
151515 |
Austin |
Manor Downs flac24/96khz Source Info: Robert Bryant's Master (FOB) Audience Cassettes; unknown mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 6627. |
09/18/83 |
Flac 16 - 0,
79375 |
Grass Valley |
Nevada County Fairgrounds flac16; FOB AUD Source: 2 Sony ECM-220 mics + 1 Sony ECM-939LT (stereo) mic > Sony MX-10L 4-channel mixer > Marantz PMD-340 cassette deck. Taped on Maxell UDXL-II 90's, Dolby on. Mics aprx seven feet high, and set up aprx half-way between the stage and the soundboard. Transfer: MAC > Sony TC-D5M (Dolby on) > Marantz CDR-500 > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, October 2006. Taped and transfered by Andrew F
|
notes
|
| 6628. |
09/18/83 |
Flac 16 - 0,
98307 |
Grass Valley |
Nevada County Fairgrounds flac16; Nak 700's w/D5 and dbx fob dfc MAC>NakCR-3A>dbx224>hd>Audacity>CDwave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler
|
notes
|
| 6629. |
09/18/83 |
Shn - 0,
7225 |
Grass Valley |
Nevada County Fairgrounds set 2; Master FOB Audience Cassette; Neumann KM84 mics > Sony D5M cassette deck: master cassette played back via a Nakamichi CR7A > Sony R500 w/ "Super Bit-Mapping" turned "On" > DAT > CDR; CD Mastering, EAC'ed / SHN'ed by Scott Clugston
|
notes
|
| 6630. |
09/18/83 |
Flac 24/96 - 0,
138828 |
Grass Valley |
Nevada County Fairgrounds flac24; billydee recording (patched out of Yamaguchi/Poris): Nak 700's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: master audio cassette > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Joe Noel Edited & Mastered in Audacity, Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 6631. |
09/18/83 |
Flac 16 - 0,
140957 |
Grass Valley |
Nevada County Fairgrounds flac16; billydee recording (patched out of Yamaguchi/Poris): Nak 700's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: master audio cassette > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Joe Noel Edited & Mastered in Audacity, Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 6632. |
09/18/83 |
Shn - 0,
17409 |
Grass Valley |
Nevada County Fairgrounds MSC>Cass>DAT>CDR Eac > cool edit pro > shntool > cdwav > shnv3 Discs kindly provided by Andy Lemieux Eac > shn by Ernie Dodd
|
notes
|
| 6633. |
09/18/83 |
Flac 24/96 - ,
151143 |
Grass Valley |
Nevada County Fairgrounds flac24/96khz Source : Unspecified mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 6634. |
09/18/83 |
Flac 16/48 - ,
151144 |
Grass Valley |
Nevada County Fairgrounds flac16/48khz Source : Unspecified mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp 1648
|
notes
|
| 6635. |
09/24/83 |
Shn - 0,
9201 |
Watsonville |
Santa Cruz County Fairgrounds 1st set only; SBD>MC>C>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 6636. |
09/24/83 |
Flac 16 - 0,
98308 |
Watsonville |
Santa Cruz County Fairgrounds flac16; Nak700's w/d5 dbx fob dfc MAC>NakCR-3A>dbx224>hd>Audacity>CDwave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler
|
notes
|
| 6637. |
09/24/83 |
Shn - 0,
9200 |
Watsonville |
Santa Cruz County Fairgrounds FOB-AUD(Neuman KM-84?s>Sony TC-D5)>MC>C>DAT>CDR; seeded to etree by Tim Wiley
|
notes
|
| 6638. |
09/24/83 |
Flac 24/96 - 0,
138952 |
Watsonville |
Santa Cruz County Fairgrounds flac24; Set 1 billydee recording (patched out of unknown): Nakamichi 300 shotguns > unknown deck > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: master audio cassette > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 6639. |
09/24/83 |
Flac 16 - 0,
141027 |
Watsonville |
Santa Cruz County Fairgrounds flac16; Set 1 billydee recording (patched out of unknown): Nakamichi 300 shotguns > unknown deck > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: master audio cassette > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 6640. |
09/24/83 |
Flac 24 - 0,
146138 |
Watsonville |
Santa Cruz County Fairgrounds flac24; Source: Nakamichi CM300 (with CP4 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac24; Taper: Michael Gardner; Transfer and editing: Tony Suraci
|
notes
|
| 6641. |
09/24/83 |
Flac 16 - 0,
146137 |
Watsonville |
Santa Cruz County Fairgrounds flac16; Source: Nakamichi CM300 (with CP4 caps)>Sony TCD-5M; Location: FOB, Stand at 7.5 feet; Transfer: Nakamichi CR-5A>Lunatec V3 (digital out)>Sound Device 722>Adobe Aud. 3.0.>CD Wav>TLH>flac16; Taper: Michael Gardner; Transfer and editing: Tony Suraci
|
notes
|
| 6642. |
09/24/83 |
Flac 24/96 - 0,
16702 |
Watsonville |
Santa Cruz County Fairgrounds flac24; Source: (FOB) Unknown recording > cassette (low gen); Transfer: Cassette > Nakamichi CD1 > Tascam DR100-MKIII > wav 24/96; Lineage: wav 24/96 > Adobe Auditon 3 > iZotope RX7 Advanced > iZotope Ozone 5 Adavanced > CD Wave > Flac24; edited and mastered SIRMick
|
notes
|
| 6643. |
09/24/83 |
Flac 16 - 0,
146701 |
Watsonville |
Santa Cruz County Fairgrounds flac16; Source: (FOB) Unknown recording > cassette (low gen); Transfer: Cassette > Nakamichi CD1 > Tascam DR100-MKIII > wav 24/96; Lineage: wav 24/96 > Adobe Auditon 3 > iZotope RX7 Advanced > iZotope Ozone 5 Adavanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > Flac16; edited and mastered SIRMick June 2019
|
notes
|
| 6644. |
10/08/83 |
Flac 24/96 - 0,
135278 |
Richmond |
Richmond Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6645. |
10/08/83 |
Flac 16 - 0,
135279 |
Richmond |
Richmond Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6646. |
10/08/83 |
Shn - 0,
11364 |
Richmond |
Richmond Coliseum D5 audience master from the Chris Beach library. 15th row center. 3 Nak 701s > Mx-100(modified) > D5 > D10 > HHB CDR800 > SHN; A/D transfers done on origianl D5; via furthur; Note- This source has missing tracks and other problems; See public comments area for details
|
notes
|
| 6647. |
10/08/83 |
Flac 16 - 0,
97883 |
Richmond |
Richmond Coliseum flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.2 -> FLAC; Recorded by Jeff Silberman; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6648. |
10/08/83 |
Flac 16 - 0,
89802 |
Richmond |
Richmond Coliseum flac16; Set 2 Only - Source: Master Audience Cassette Sennheiser 421 > Sony D5 > Sony D6 Location: FOB 8th Row Center Taper: Ross Lipton for Bill Devanney Media: TDK MA 90 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC
|
notes
|
| 6649. |
10/08/83 |
Flac 24 - 0,
137299 |
Richmond |
Richmond Coliseum flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6650. |
10/08/83 |
Flac 16 - 0,
137317 |
Richmond |
Richmond Coliseum flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24 > 16 notes: 24 bit files decoded to wav > r8brain @ very high > 16 44.1 output wav; 16 44.1 wav > TLH encode flac level 8 & fix sbe > TLH
|
notes
|
| 6651. |
10/08/83 |
Shn - 0,
11734 |
Richmond |
Richmond Coliseum FOB-MC>DAT>CD; with patches from etree Nak source; See info file for details; via Tommy Danscuk; Seeded to etree by Willy
|
notes
|
| 6652. |
10/08/83 |
Shn - 0,
24156 |
Richmond |
Richmond Coliseum Source: MAC(FOB Atm 11)>DAT>CDR>WAV>SHN Taper: Mark Horvath. DAE(EAC0.9b4, offset corrected, secure mode) > wav editing (SF6) > tracking(cdwav) > sector boundaries confirmed (shntool) > SHN (mkwact) by C.Ladner.
|
notes
|
| 6653. |
10/08/83 |
Flac 16 - 0,
111147 |
Richmond |
Richmond Coliseum flac16; Source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (up front) > ? blend box ? > Sony TCD5M - analog master cassettes; Transfer: Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
|
notes
|
| 6654. |
10/08/83 |
Flac 16 - 0,
101936 |
Richmond |
Richmond Coliseum flac16; FOB Audience Recording Lineage: master cassette > cd > eac > flac Recording Equipment: 3 audio techinca atm 11 > sony d-5 Recording Location: FOB DFC Sweet Spot Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 6655. |
10/08/83 |
Flac 16 - 0,
100036 |
Richmond |
Richmond Coliseum flac16; Source: (FOB)Nak CM300->?->PCM->Apogee->DAT Lineage: Dat Clone->Sony PCM R-500->VX Pocket V2->Soundforge 6.0->FLAC; Taper: Unknown Transferred and seeded by M.Watson on 7/05/09
|
notes
|
| 6656. |
10/08/83 |
Flac 24 - 0,
|
Richmond |
Richmond Coliseum flac24; Updated Lineage: (3) audio technica atm11 (fob)> realistic mixer> d-5> tc sony tc we435> pcm m10> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96kHz/24 bit Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
|
notes
|
| 6657. |
10/08/83 |
Flac 16 - 0,
123722 |
Richmond |
Richmond Coliseum flac16; Recording Info: Master was the third D5 in line; about halfway between soundboard and stage; First Set 3 Sennheiser 441s -> Sony MX-7 Blend Box -> Sony TC-D5m, Second Set 2 Sennheiser 441s -> Sony TC-D5m; Transfer Info: Master Sony UCX-S Cassette Playback on Sony TC-D5m -> Marantz PMD670 -> Wav -> FLAC
|
notes
|
| 6658. |
10/08/83 |
Flac 24/48 - 0,
143257 |
Richmond |
Richmond Coliseum flac24/48 Master: AUD MC Sennheiser mke2002 binaurals worn on head > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage DFC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 This is 24 bit copy Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Gary Steele Greg Martens Transferred: Kyle Holbrook
|
notes
|
| 6659. |
10/08/83 |
Flac 16/44,1 - 0,
143256 |
Richmond |
Richmond Coliseum flac16/44.1 Master: AUD MC Sennheiser mke2002 binaurals worn on head > Sony TCD5M no dolby Maxell MX90 x 2 Location: 75 feet from stage DFC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Chris Kidwell Tom Pinney Sean Murtha Gary Steele Greg Martens Transferred: Kyle Holbrook
|
notes
|
| 6660. |
10/08/83 |
Flac 16/48 - 0,
143272 |
Richmond |
Richmond Coliseum flac16/48kHz; Source: (FOB) Beyer M-88'S > Cassette > DAT; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC; Taper Unidentified; Transferred & Seeded by Bill Graves
|
notes
|
| 6661. |
10/09/83 |
Flac 16 - 0,
89786 |
Greensboro |
Greensboro Coliseum flac16; Set 2 Only - Source: Master Audience Cassette Sennheiser 421 > Sony D5 > Sony D6 Location: FOB 8th Row Center Taper: Ross Lipton Media: Maxell XLII 90 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC
|
notes
|
| 6662. |
10/09/83 |
Flac 24/96 - 0,
135284 |
Greensboro |
Greensboro Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6663. |
10/09/83 |
Flac 16 - 0,
135283 |
Greensboro |
Greensboro Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6664. |
10/09/83 |
Flac 16 - 0,
111240 |
Greensboro |
Greensboro Coliseum flac16; Source: 2 Sennheiser 421 microphones (up front) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6665. |
10/09/83 |
Flac 16 - 0,
101937 |
Greensboro |
Greensboro Coliseum flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : 3 audio technica atm 11 > sony d-5 Recording Location: FOB DFC Sweet Spot Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 6666. |
10/09/83 |
Flac 24 - 0,
137300 |
Greensboro |
Greensboro Coliseum flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6667. |
10/09/83 |
Flac 16 - 0,
137321 |
Greensboro |
Greensboro Coliseum flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain
|
notes
|
| 6668. |
10/09/83 |
Shn - 0,
5077 |
Greensboro |
Greensboro Coliseum 3 Audio Technica ATM 11s > Sony TCM D-5 > MC, Cass > CD-R: MC > Sony TC-we 435 > analog Coax Cables > analog inputs > Philips CDR 870 > CD-R (see notes in info file); taped, Cass > CD-R conversion by Mark Horvath; CD-R> EAC 3x > .wavs compared by MD5s and EAC's .wav compare tool > Cool Edit (rejoin tracks and fades, see note in info) > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN, by Jan Welch; d2 tracked for 80 min
|
notes
|
| 6669. |
10/09/83 |
Flac 24/96 - 0,
120042 |
Greensboro |
Greensboro Coliseum flac24; Updated Lineage: (3) audio technica atm 11 fob>tcm-d-5>mc>sony tc we435> pcm m10> > soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96kHz/24bit Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
|
notes
|
| 6670. |
10/09/83 |
Flac 16/48 - 0,
143494 |
Greensboro |
Greensboro Coliseum flac16/48kHz; Source: (FOB) Beyer M-88's > Cassette > DAT; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC; Taper Unknown; Transferred & Seeded by Bill Graves
|
notes
|
| 6671. |
10/11/83 |
Flac 16 - 0,
120001 |
New York |
Madison Square Garden flac16; 2 source matrix: Soundboard Source(shnid=07372): SBD > Cassette Master > Dat x 2 > CDR > SHN and Audience Source (shnid=344): FOB Sennheiser 441's > Technics PCM master > DAT; Transfer: DAT > ZA2 > SoundForge
|
notes
|
| 6672. |
10/11/83 |
Shn - 0,
26459 |
New York |
Madison Square Garden noise-reduced and Bertha Remaster of a Master Cassette source, probably this previous version, or possibly this one (not specified); an alternate NR version also circulates; via Jay Ashley
|
notes
|
| 6673. |
10/11/83 |
Shn - 0,
7339 |
New York |
Madison Square Garden Sbd > Cassette Master > Dat x 2 > CDR > SHN; plus AUD patches from Jeff Silberman Senn source (see info file); to etree via Bob Harrell ; upgrade in circulation
|
notes
|
| 6674. |
10/11/83 |
Shn - 0,
14525 |
New York |
Madison Square Garden Sbd > Cassette Master > Dat x 2 > CDR > SHN; plus AUD patches from Jeff Silberman Senn source (see info file); to gdlive via Bob Harrell Note: This is exactly the same seed as the one seeded to etree with the same lineage, but it has noise reduction applied and was seeded to gdlive. ; upgrade in circulation
|
notes
|
| 6675. |
10/11/83 |
Flac 16 - 0,
101949 |
New York |
Madison Square Garden flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : 3 audio technica atm 11 > sony d-5 Recording Location: FOB dead center Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd traders little helper (fixed version now in circulation); Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 6676. |
10/11/83 |
Flac 16 Mtx - 0,
135250 |
New York |
Madison Square Garden flac16; 2 Source Matrix by Dusborne; Soundboard(shnid:07372)SBD > Cassette Master > Dat x 2 > CDR > SHN; Audience (shnid:91124) Recording Info:(FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; Recorded By Rob Eaton,Transfers and Mastering By Charlie Miller
|
notes
|
| 6677. |
10/11/83 |
Flac 24/96 - 0,
135286 |
New York |
Madison Square Garden flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6678. |
10/11/83 |
Flac 16 - 0,
135285 |
New York |
Madison Square Garden flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked with Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6679. |
10/11/83 |
Shn - 0,
7372 |
New York |
Madison Square Garden Peter Braverman 'fix' of the sub second audience patch in d2t01 of the original sbd version; SBD > Cassette Master > Dat x 2 > CDR > SHN
|
notes
|
| 6680. |
10/11/83 |
Flac 16 - 0,
91124 |
New York |
Madison Square Garden flac16; Recording Info: (FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller; Recorded By Rob Eaton
|
notes
|
| 6681. |
10/11/83 |
Flac 24 - 0,
137301 |
New York |
Madison Square Garden flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6682. |
10/11/83 |
Flac - 0,
137322 |
New York |
Madison Square Garden flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain
|
notes
|
| 6683. |
10/11/83 |
Flac - 0,
102106 |
New York |
Madison Square Garden flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : 3 audio technica atm 11 > sony d-5; Recording Location: FOB dead center; Recorded By: chasingwilma; Transfer: sony tc-we435 > philips cdr870; Tracked in CDwave, FLACd traders little helper; presumably a fix of source ID 101949
|
notes
|
| 6684. |
10/11/83 |
Shn - 0,
344 |
New York |
Madison Square Garden FOB Sennheiser 441's > Technics PCM master > DAT; Transfer: DAT > ZA2 > SoundForge; Taper: Jeff Silberman; via A. Gustin to etree, stemming from tree run by M. Daniel, F. Venezia; barely fits on 2 discs without filler; filler 4/17/84, same source
|
notes
|
| 6685. |
10/11/83 |
Flac 24 - 0,
122215 |
New York |
Madison Square Garden flac24; Updated Lineage: (3)audio technica atm11 fob> optimus> d-5> sony tc we435> pcm m10> > soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
|
notes
|
| 6686. |
10/11/83 |
Flac 16 - 0,
118673 |
New York |
Madison Square Garden flac16; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8; conversion rate: 48000/stereo/16 bit; lineage: (3)audio technica atm11 fob> optimus> d-5> optimus> d-5> sony tc we435> soundcard> cdwave 48000/stereo/16 bit> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 6687. |
10/11/83 |
Flac 16 - 0,
103298 |
New York |
Madison Square Garden flac16; Beyerdynamic M-201's xy 90 w/ Marantz CD-320 No nr Maxell XL II S 90 Recorded from directly in front of the board ,center Master>Nak CR-3AAudacity>CDWave>TLH Recorded by Tom Pinney Mastered by Russ Cansler
|
notes
|
| 6688. |
10/11/83 |
Flac - 0,
32644 |
New York |
Madison Square Garden Recording Info: Beyer M160 -> Cassette Master (Sony D5) -> CD Transfer Info: CD -> EAC -> Samplitude Professional v7.01 -> FLAC Recorded By Jim Wise Transferred and Edited By Charlie Miler
|
notes
|
| 6689. |
10/11/83 |
Flac 16/48 - 0,
143046 |
New York |
Madison Square Garden flac16/48kHz; Jim Wise's Master Audience Cassettes; Beyer M160 mics > Sony TC-D5 (Maxell UDXLII C90)(located at the soundboard)Transfer Info:Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6690. |
10/11/83 |
Flac 24/96 - 0,
143047 |
New York |
Madison Square Garden flac24; Jim Wise's Master Audience Cassettes; Beyer M160 mics > Sony TC-D5 (Maxell UDXLII C90)(located at the soundboard) Transfer Info:Master Cassettes (Nakamichi Dragon)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24-bit/96 kHz) > Adobe Audition 3.01 (24-bit/96 kHz) > TLH flac2496
|
notes
|
| 6691. |
10/11/83 |
Flac 24/48 - 0,
143295 |
New York |
Madison Square Garden flac24/48 Master set 1: AUD MC Sennheiser 421's ORTF 10'up > Sony TCD5M no dolby Maxell Metal90 (Third deck in line) Location set 1: 160 feet from stage, DFC (first row behind SBD) Master set 2: AUD MC Beyer M201's X-Y 9'up > Sony TCD5M no dolby Konica Metal90 Location set 2: 165 feet from stage, 5 ft. ROC (2 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 24 bit copy Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6692. |
10/11/83 |
Flac 16/44,1 - 0,
142258 |
New York |
Madison Square Garden flac16/44.1 Master set 1: AUD MC Sennheiser 421's ORTF 10'up > Sony TCD5M no dolby Maxell Metal90 (Third deck in line) Location set 1: 160 feet from stage, DFC (first row behind SBD) Master set 2: AUD MC Beyer M201's X-Y 9'up > Sony TCD5M no dolby Konica Metal90 Location set 2: 165 feet from stage, 5 ft. ROC (2 rows behind SBD) Transfer: Nakamichi CR-5A (24/96) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 6693. |
10/11/83 |
Flac 24/96 - 0,
143611 |
New York |
Madison Square Garden flac24; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
|
notes
|
| 6694. |
10/11/83 |
Flac 16 - 0,
143610 |
New York |
Madison Square Garden flac16; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg) Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6695. |
10/11/83 |
Flac 24/96 - 0,
148172 |
New York |
Madison Square Garden flac24; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6696. |
10/11/83 |
Flac 16/48 - 0,
148171 |
New York |
Madison Square Garden flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6697. |
10/11/83 |
Shn - 0,
152504 |
New York |
Madison Square Garden 2 Beyer M160> Sony TCD5M Master Cassette> SHN (circulated ~ Jan 2003)
|
notes
|
| 6698. |
10/11/83 |
Flac 16 Mtx - ,
168941 |
New York |
Madison Square Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 7372 & 152504.
|
notes
|
| 6699. |
10/12/83 |
Flac 16 - 0,
92461 |
New York |
Madison Square Garden flac16; SBD and Audience Matrix Mix of about 60% SBD to 40% Audience. Completed June 26,2008
|
notes
|
| 6700. |
10/12/83 |
Shn - 0,
8112 |
New York |
Madison Square Garden SBD > Cassette Master > Dat x 2 > CDR; via Bob Harrell
|
notes
|
| 6701. |
10/12/83 |
Flac 16 - 0,
30827 |
New York |
Madison Square Garden flac16; Source: FOB > 1 Neumann U87 + 2 Sennheiser 421's > Nak 550 (Master Cassette) > Dat Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 4.0 > Fades + Resampled to 44.1 > Cd Wave > Flac Transferred/Seeded By: Greg Lance
|
notes
|
| 6702. |
10/12/83 |
Flac 16 Mtx - 0,
135251 |
New York |
Madison Square Garden b>flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:08112) SBD > Cassette Master > Dat x 2 > CDR > SHN; Audience (shnid:91125) Recording Info: (FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k) Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; Recorded By Rob Eaton,Transfers and Mastering By Charlie Miller
|
notes
|
| 6703. |
10/12/83 |
Flac 16 - 0,
135290 |
New York |
Madison Square Garden flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Set 1 TDK MA 90, Set 2 Maxell UDXLII 90; Set 1 No Label, Set 2 Labelled As First Generation Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6704. |
10/12/83 |
Flac 24/96 - 0,
135298 |
New York |
Madison Square Garden flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Set 1 TDK MA 90, Set 2 Maxell UDXLII 90; Set 1 No Label, Set 2 Labelled As First Generation Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6705. |
10/12/83 |
Flac 16 - 0,
91125 |
New York |
Madison Square Garden flac16; Recording Info: (FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller; Recorded By Rob Eaton
|
notes
|
| 6706. |
10/12/83 |
Flac 24 - 0,
137302 |
New York |
Madison Square Garden flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6707. |
10/12/83 |
Flac 16 - 0,
137323 |
New York |
Madison Square Garden flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain
|
notes
|
| 6708. |
10/12/83 |
Shn - 0,
345 |
New York |
Madison Square Garden unknown aud (could be FOB Schoeps mk4- see pub comments); Transfer:? DAT > ZA2 > SoundForge; via Andy Gustin to etree, stemming from tree run by M. Daniel, F. Venezia
|
notes
|
| 6709. |
10/12/83 |
Flac 24/96 - 0,
122216 |
New York |
Madison Square Garden flac24; Updated Lineage: Sennhesier 441 fob> tcm-d-5>mc> sony tc we435> sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer proced
|
notes
|
| 6710. |
10/12/83 |
Flac 16 - 0,
117774 |
New York |
Madison Square Garden flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6711. |
10/12/83 |
Flac 16 - 0,
33340 |
New York |
Madison Square Garden flac16; Sennheiser 421's > Sony TCD-5M > Sony D-6 TDK MA and SAX masters; Transfer: TDK MA and SAX masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1; Location: approx 1/2 way between stage and sbd on the left side 10-15 rows up
|
notes
|
| 6712. |
10/12/83 |
Shn - 0,
99070 |
New York |
Madison Square Garden Beyer M160>Sony TCD5M Master Cassette>SHN
|
notes
|
| 6713. |
10/12/83 |
Flac 24 - 0,
140818 |
New York |
Madison Square Garden flac24; Partial Show Recording Info: AKG Mics (m/s) > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
This is your collection
|
notes
|
| 6714. |
10/12/83 |
Flac 16 - 0,
141012 |
New York |
Madison Square Garden flac16; Partial Show Recording Info: AKG Mics (m/s) > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6715. |
10/12/83 |
Flac 24/96 - 0,
143609 |
New York |
Madison Square Garden flac24; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
|
notes
|
| 6716. |
10/12/83 |
Flac 16 - 0,
143608 |
New York |
Madison Square Garden flac16; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6717. |
10/12/83 |
Flac 16 - 0,
101954 |
New York |
Madison Square Garden flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : 3 sennheiser 441 > sony d-5 Recording Location: behind the soundboard Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 6718. |
10/12/83 |
Flac 16 Mtx - ,
168943 |
New York |
Madison Square Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 8112 & 99070.
|
notes
|
| 6719. |
10/14/83 |
Flac 24/96 - 0,
135129 |
Hartford |
Hartford Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6720. |
10/14/83 |
Flac 16 - 0,
135320 |
Hartford |
Hartford Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6721. |
10/14/83 |
Flac 16 - 0,
103233 |
Hartford |
Hartford Civic Center flac16; Recording Info: (FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6722. |
10/14/83 |
Flac 16 - 0,
102056 |
Hartford |
Hartford Civic Center flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 6723. |
10/14/83 |
Flac 24 - 0,
137303 |
Hartford |
Hartford Civic Center flac24; Partial Set 2 Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6724. |
10/14/83 |
Flac 16 - 0,
137326 |
Hartford |
Hartford Civic Center flac16; Partial Set 2Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain
|
notes
|
| 6725. |
10/14/83 |
Shn - 0,
16907 |
Hartford |
Hartford Civic Center 3 ATM 11 (tapers section) > d-5> cassmaster> cdr; Taped and discs kindly provided by Mark Horvath; Eac > cool edit pro > shntool > cdwav > shnv3 By Ernie Dodd
|
notes
|
| 6726. |
10/14/83 |
Shn - 0,
20023 |
Hartford |
Hartford Civic Center Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's->Sony CDR-W66>EAC>CDWave>CD via Ficca
|
notes
|
| 6727. |
10/14/83 |
Flac 16 - 0,
101999 |
Hartford |
Hartford Civic Center flac16; Lineage: master cassette > cd > eac > flac Recording Equipment: (3) audio technica atm fob> tcm d-5> cm> cd Recording Location: fob Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 6728. |
10/14/83 |
Flac 24/96 - 0,
111055 |
Hartford |
Hartford Civic Center flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
|
notes
|
| 6729. |
10/14/83 |
Flac 24/96 - 0,
103234 |
Hartford |
Hartford Civic Center flac24;nak 300/cp4 (row in front of board @ 8', dfc enough) > tcd5m > maxell mx 90s (+dolby) -- master cassette > tcd5m (orig recorder) > minime (24/96) > sd744t > audacity > xact (flac24) recorded: david lane and or david barfield transferred/seeded: david barfield
|
notes
|
| 6730. |
10/14/83 |
Flac 24/96 - 0,
122237 |
Hartford |
Hartford Civic Center flac24; Updated Lineage: (3)audio technica atm11 fob> optimus> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit; Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
|
notes
|
| 6731. |
10/14/83 |
Flac 16 - 0,
124718 |
Hartford |
Hartford Civic Center flac16; AUD: Nakamichi CM300 w/CP1 cardioid capsules > Sony TC-D5M > TDK MA90's, front row of center riser, straight back, Section 325 (aka 225), Row A, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 06/2013
|
notes
|
| 6732. |
10/14/83 |
Flac - 0,
32360 |
Hartford |
Hartford Civic Center 2 Nak 700's>Sony TC-D5M>Maxell MX90 (1st set), TDK MA90 (2nd set) Taped and transferred by Doug Mow Conversion and seeding to bt.etree.org by Alex Ford 02/12/06
|
notes
|
| 6733. |
10/14/83 |
Flac 24/48 - 0,
143261 |
Hartford |
Hartford Civic Center flac24/48 Source: Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC shoulder height (several rows in front of SBD) Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 24 bit copy Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Greg Martens Transferred: Kyle Holbrook
|
notes
|
| 6734. |
10/14/83 |
Flac 16/44,1 - 0,
143260 |
Hartford |
Hartford Civic Center flac16/44.1 Source: Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC shoulder height (several rows in front of SBD) Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Greg Martens Transferred: Kyle Holbrook
|
notes
|
| 6735. |
10/14/83 |
Flac 16 - 0,
150969 |
Hartford |
Hartford Civic Center Recording Info: SBD > Cassette Master > DAT (Panasonic SV-3700-44.1k) > DAT (Panasonic SV-3800) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-44.1k) Additional Mastering: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC Original Transfer and Mastering by Rob Eaton. Additional Mastering by Charlie Miller. November 29, 2020
|
notes
|
| 6736. |
10/14/83 |
Flac 24/96 - 0,
151153 |
Hartford |
Hartford Civic Center flac24/96 Recording Info: Sennheiser 441 + (1) Neumann U87 blend > Cassette Master (Nakamichi 550) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) Additional Mastering: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 6737. |
10/14/83 |
Flac 16/44,1 - 0,
151597 |
Hartford |
Hartford Civic Center flac16/44.1khz Recording Info: Sennheiser 441 + (1) Neumann U87 blend > Cassette Master (Nakamichi 550) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) Additional Mastering: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151153 24 -> 16 @ 44.1
|
notes
|
| 6738. |
10/14/83 |
Flac 16 Mtx - ,
153345 |
Hartford |
Hartford Civic Center flac16; 2 Source Matrix by Dusborne; Soundboard(shnid:150969)Recording Info: SBD > Cassette Master > DAT (Panasonic SV-3700/44.1k) > DAT (Panasonic SV-3800) Transfer Info:DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16bit/44.1k)Additional Mastering:WAV > Adobe Audition 2020 > Samplitude ProX5Suite>FLAC,Original Transfer and Mastering by Rob Eaton,Additional Mastering by Charlie Miller;Audience(shnid:151153),Recording Info: Sennheiser 441 + (1) Neumann U87 blend > Cassette Master (Nakamichi 550)Transfer Info:Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12>WAV(24bit/96k) Additional Mastering:WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 Transfer and Mastering by Rob Eaton,Additional Mastering by Charlie Miller
|
notes
|
| 6739. |
10/14/83 |
Flac 24 - ,
155763 |
Hartford |
Hartford Civic Center Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > DDi Codec (Dolby B) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 6740. |
10/14/83 |
Flac 16 Mtx - ,
155720 |
Hartford |
Hartford Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 150969 & 103233.
|
notes
|
| 6741. |
10/14/83 |
Flac 16/44 - ,
156564 |
Hartford |
Hartford Civic Center flac1644 Recording Info: (FOB) Beyer M160 > Cassette Master (Sony TC-D5M/Maxell XLII-S90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > DDi Codec (Dolby B) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 155763 2496 > 1644.1
|
notes
|
| 6742. |
10/14/83 |
Flac 16 Mtx - ,
165105 |
Hartford |
Hartford Civic Center flac1644 A Photoleon Matrix Source #1 (156564); Recording Info: (fob) Beyer M160 > Cassette Master (sony Tc-d5m Maxell Xlii-s90 Dolby B) Recorded By John Ficca & Transferred By Charlie Miller. February 17, 2022 Source #2 (150969); Recording Info: Sbd > Cassette Master > Dat (panasonic Sv-3700-k) > Dat (panasonic Sv-3800) Original Transfer And Mastering By Rob Eaton. Additional Mastering By Charlie Miller. Source #3 (124718); Recording Info: Nakamichi Cm300 W Cp1 Cardioid Capsules > Sony Tc-d5m > Tdk Ma90's, Front Row Of Center Riser, Straight Back, Section 325 (aka 225), Row A, Taped By Tim Friend & Joe Morrone. Transfer By Andrew F.
|
notes
|
| 6743. |
10/15/83 |
Flac 16 Mtx - 0,
99326 |
Hartford |
Hartford Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 6744. |
10/15/83 |
Shn - 0,
12617 |
Hartford |
Hartford Civic Center Soundboard of unknown origin; seeded by Jack to gdlive, with noise reduction- see his pub comment; reportedly has SBEs; track timings reportedly match those of the previous FOB version
|
notes
|
| 6745. |
10/15/83 |
Flac 24/96 - 0,
124291 |
Hartford |
Hartford Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Set 1 Maxell UDXLII 90, Set 2 TDK MA 90; Set 1 Labelled:1st GEN - 2 Nakamichi 100 Guns Sandy, Set 2 No Label; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rena
|
notes
|
| 6746. |
10/15/83 |
Flac 16 - 0,
88018 |
Hartford |
Hartford Civic Center flac16; Source:2-Sennheiser MD421's>Sony D5 Location: FOB-4th row DFC @6 ft high Taper: Rick "coyotte"Colyard Team Old Skool FOB Released 10/28/07 2 maxell xl2's-cassette MASTERS Transfer: Sony ES-950>Edirol Digi-Mod UA5@44.1khz>Optical out>>Nomad JB3>WAV>Poulderbits Sound Editor for (fades/cuts)> FlacFrontend (level-8)>flac-16 Transfered by muletaper 10/07
|
notes
|
| 6747. |
10/15/83 |
Flac 16 - 0,
93751 |
Hartford |
Hartford Civic Center flac16; Recording Info: (FOB) Sennheiser 441 -> PCM -> Dat (44.1k);Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; Recorded By Jeff Silberman; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6748. |
10/15/83 |
Flac 1644 - 0,
135914 |
Hartford |
Hartford Civic Center flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell XLII for Set 1 and TDK MA-Metal for Set 2, FOB (approx tenth row) recording by Brian Schley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2496 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016
|
notes
|
| 6749. |
10/15/83 |
Flac 24 - 0,
137304 |
Hartford |
Hartford Civic Center flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6750. |
10/15/83 |
Flac 16 - 0,
137327 |
Hartford |
Hartford Civic Center flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain
|
notes
|
| 6751. |
10/15/83 |
Flac 16 - 0,
110904 |
Hartford |
Hartford Civic Center flac16; source: 2 Sennheiser 421 microphones (12th row-center) >Sony TC-D5M - master analog cassettes; transfer: Sony TC-D5M (original record deck) >Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
|
notes
|
| 6752. |
10/15/83 |
Flac 16 - 0,
103306 |
Hartford |
Hartford Civic Center flac16; (3) Beyer M160\'s > Nax Blend Box > TCD 5M > Digitized 24/48 > Sound Forge 7.0 > CD wave > Flac.16
|
notes
|
| 6753. |
10/15/83 |
Flac 16 - 0,
102000 |
Hartford |
Hartford Civic Center flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : (3) audio technica atm fob> tcm d-5> cm> cd Recording Location: fob Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 6754. |
10/15/83 |
Shn - 0,
346 |
Hartford |
Hartford Civic Center FOB Sennheiser 441's > Technics PCM master > DAT; taper Jeff Silberman; Transfer:? DAT > ZA2 > SoundForge; via Andy Gustin to etree, stemming from tree run by M. Daniel, Frank Venezia; note d1t3,4 had pauses post-song, fixed versions up by 2/2
|
notes
|
| 6755. |
10/15/83 |
Shn - 0,
20024 |
Hartford |
Hartford Civic Center Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's and 1 Beyer Dynamic 88->Sony CDR-W66>EAC>CDWave>CD via Ficca
|
notes
|
| 6756. |
10/15/83 |
Flac 16 - 0,
32293 |
Hartford |
Hartford Civic Center flac16; 2 Nak 700's pointed to stacks (FOB) > Maxell MX 90 > Sony TC-D5M Taped and transferred by Doug Mow. Conversion and Seeding to bt.etree.org by Alex Ford
|
notes
|
| 6757. |
10/15/83 |
Flac 24/96 - 0,
122371 |
Hartford |
Hartford Civic Center flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8
|
notes
|
| 6758. |
10/15/83 |
Flac 24/96 - 0,
111056 |
Hartford |
Hartford Civic Center flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
|
notes
|
| 6759. |
10/15/83 |
Flac 24/96 - 0,
138812 |
Hartford |
Hartford Civic Center flac16/96kHz; Set 2 billydee recording: Beyerdynamics 180's > Sony TC-D5M (patched out of Beyer setup) > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Joe Noel Edited & Mastered in Audacity, Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 6760. |
10/15/83 |
Flac 16 - 0,
138858 |
Hartford |
Hartford Civic Center flac16; Jeff Silberman recording: Senn 441 > Technics PCM > DAT (FOB 17th row); Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
|
notes
|
| 6761. |
10/15/83 |
Flac 16 - 0,
124552 |
Hartford |
Hartford Civic Center flac16; AUD: Nakamichi CM300 w/CP1 cardioid capsules > Sony TC-D5M > TDK MA90's, center floor section 8 row B, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 05/2013
|
notes
|
| 6762. |
10/15/83 |
Flac 16 - 0,
102058 |
Hartford |
Hartford Civic Center flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 6763. |
10/15/83 |
Flac 24/48 - 0,
143263 |
Hartford |
Hartford Civic Center flac24/48 Source: Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC shoulder height (several rows in front of SBD) Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 24 bit copy Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Transferred: Kyle Holbrook
|
notes
|
| 6764. |
10/15/83 |
Flac 16/44,1 - 0,
143262 |
Hartford |
Hartford Civic Center flac16/44.1 Source: Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC shoulder height (several rows in front of SBD) Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 16 bit copy Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Greg Martens Transferred: Kyle Holbrook
|
notes
|
| 6765. |
10/15/83 |
Flac 16/44,1 - 0,
143302 |
Hartford |
Hartford Civic Center flac16/44.1 Master: AUD MC Sennheiser mke2002 binaurals worn on head > Sony TCD5M no dolby Maxell MX90 x 2 (kidwell) Location: 75 feet from stage DFC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook Transferred: Kyle Holbrook
|
notes
|
| 6766. |
10/15/83 |
Flac 24/48 - 0,
143303 |
Hartford |
Hartford Civic Center flac24/48 Master: AUD MC Sennheiser mke2002 binaurals worn on head > Sony TCD5M no dolby Maxell MX90 x 2 (kidwell) Location: 75 feet from stage DFC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook Transferred: Kyle Holbrook
|
notes
|
| 6767. |
10/15/83 |
Flac 24/96 - 0,
143606 |
Hartford |
Hartford Civic Center flac24; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
|
notes
|
| 6768. |
10/15/83 |
Flac 16/48 - 0,
143607 |
Hartford |
Hartford Civic Center flac16; Mark Cohen's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5 > Sony D5 (patched out of Barry Glassberg); Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6769. |
10/15/83 |
Flac 16 - 0,
145259 |
Hartford |
Hartford Civic Center flac16; Set 2 billydee recording (patched out of Yamaguchi/Poris): 3 Nak 700's blend > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Joe Noel Edited & Mastered in Audacity, Flac 24/96; This file set is 16 bit @ 44.1 using the Fixed 24 to make this 16 bit
|
notes
|
| 6770. |
10/15/83 |
Flac 16 Mtx - ,
165106 |
Hartford |
Hartford Civic Center flac1644 A Photoleon Matrix Source #1 (1388580 - Remaster); Recording Info: (fob 17th Row) Senn 441 > Technics Pcm > Dat. Transfer Info: Dat (panasonic Sv-3700) > Tascam Da-3000 > Wav 16 Fob Recording By Jeff Silberman Transfer By Charlie Miller Edited & Mastered By Joe Noel July 2017 Source #2 (7313); Recording Info: Sbd > Cassette Master > Dat X 2 > Cdr > Shn (bob Harrell) Matrix Created In Adobe Audition By Joe Noel October 07, 2022
|
notes
|
| 6771. |
10/17/83 |
Flac 16 Mtx - 0,
92424 |
Lake Placid |
Olympic Center flac16; MATRIX MIX: 2 SBD/ 1 AUD (About 60%/40%); Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC); yet another fix/ugrade of the previous matrix sources: shn id 91192 and shn id 91239
|
notes
|
| 6772. |
10/17/83 |
Flac 16 - 0,
27585 |
Lake Placid |
Olympic Center flac16; mixed SBD sources, plus AUD patches: Set 1: SBD> Master Cassette> Dat> Sonic Solutions> CD> EAC> FLAC; Set 2: SBD> Master Cassette> Reel> Dat> CD> EAC> Samplitude v7.02 Professional> FLAC; Patch Info: (FOB/12th Row) Sennheiser 421> Master Cassette (Sony D5)> Dat> CD; Edited By Charlie Miller
|
notes
|
| 6773. |
10/17/83 |
Shn - 0,
26460 |
Lake Placid |
Olympic Center reDAE of very same audio CD as used for previous fileset, seeded to abgd by Skankweed; upgrade in circulation
|
notes
|
| 6774. |
10/17/83 |
Shn Mtx. - 0,
91239 |
Lake Placid |
Olympic Center MATRIX MIX: 2 SBD/ 1 AUD (About 60%/40%); this source fixes a flaw in the previous matrix source
|
notes
|
| 6775. |
10/17/83 |
Flac 24/96 - 0,
135188 |
Lake Placid |
Olympic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6776. |
10/17/83 |
Flac 16 - 0,
135187 |
Lake Placid |
Olympic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6777. |
10/17/83 |
Flac 16 - 0,
88957 |
Lake Placid |
Olympic Center flac16; Source: DAT Copy of Master Cassette Sennheiser MD 441 U > Sony TCD-5M FOB 10th Row Recorded and Copied to DAT by Chuck Jackson Transfer:Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 48 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/48 KHz WAV > Ozone 3.0 > MBIT+ and > CDWAV 1.9 Converted to 16/44.1 KHz WAV with r8brain > FLAC (level 8). with TLH Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. Transferred by C. Ladner Mastering by B. Koucky
|
notes
|
| 6778. |
10/17/83 |
Flac 16 - 0,
91126 |
Lake Placid |
Olympic Center flac16; Recording Info: (FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller; Recorded By Rob Eaton
|
notes
|
| 6779. |
10/17/83 |
Flac 24 - 0,
137305 |
Lake Placid |
Olympic Center flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6780. |
10/17/83 |
Flac 16 - 0,
137328 |
Lake Placid |
Olympic Center flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain
|
notes
|
| 6781. |
10/17/83 |
Flac 16 - 0,
105301 |
Lake Placid |
Olympic Center b>flac16; 2 Beyer M160's & 1 Beyer M88 Blend > sony TCD-5m > Digitized 24/48 > Sound Forge 7.0 > CD wave > Flac.16 Recorded by DDyche
|
notes
|
| 6782. |
10/17/83 |
Flac 16 - 0,
102070 |
Lake Placid |
Olympic Center flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : (3) sennhesier 421 fob> tcm d-5> cm> cd Recording Location: fob Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 6783. |
10/17/83 |
Shn - 0,
347 |
Lake Placid |
Olympic Center FOB (12th Row) > Sennheiser 421s > WM-D5 (Cassette master) > DAT > CD; 4/17/84 filler; stemming from Skankweed's post to abgd; etreed by Evan Levy 2/00 after reextraction/SHN (md5s here are for etree copy)
|
notes
|
| 6784. |
10/17/83 |
Flac 24/96 - 0,
122384 |
Lake Placid |
Olympic Center flac24; lineage: sennheiser 421 fob> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 6785. |
10/17/83 |
Flac 16 - 0,
111611 |
Lake Placid |
Olympic Center flac16; Source: 2 Sennheiser 421 microphones (14th row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6786. |
10/17/83 |
Flac 16/44,1 - 0,
143306 |
Lake Placid |
Olympic Center flac16/44.1khz AUD MC Sennheiser mke2002 binaurals on dummy head on stand > Sony TCD5M no dolby Maxell MX90 x 2 (kidwell) Location: 75 feet from stage 3-5' ROC 8 feet up on stand Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook Phil Schuman Mike Yacavone Olvy Johnson Transferred: Kyle Holbrook
|
notes
|
| 6787. |
10/17/83 |
Flac 24/48 - 0,
143305 |
Lake Placid |
Olympic Center flac24/48khz Master AUD/MC Beyer M201's X-Y 9'up > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC (several rows in front of SBD) Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Phil Schuman Mike Yacavone Olvy Johnson Transferred: Kyle Holbrook
|
notes
|
| 6788. |
10/17/83 |
Flac 16/44,1 - 0,
143304 |
Lake Placid |
Olympic Center flac16/44.1khz Master AUD/MC Beyer M201's X-Y 9'up > Sony TCD5M no dolby Maxell MX90 Location: 85 feet from stage, DFC (several rows in front of SBD) Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Phil Schuman Mike Yacavone Olvy Johnson Transferred: Kyle Holbrook
|
notes
|
| 6789. |
10/17/83 |
Flac 24/48 - 0,
143307 |
Lake Placid |
Olympic Center flac24/48khz AUD MC Sennheiser mke2002 binaurals on dummy head on stand > Sony TCD5M no dolby Maxell MX90 x 2 (kidwell) Location: 75 feet from stage 3-5' ROC 8 feet up on stand Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i5Windows10 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Chris Kidwell Tom Pinney Kyle Holbrook Phil Schuman Mike Yacavone Olvy Johnson Transferred: Kyle Holbrook
|
notes
|
| 6790. |
10/17/83 |
Flac 24/96 - 0,
148174 |
Lake Placid |
Olympic Center flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6791. |
10/17/83 |
Flac 16/48 - 0,
148173 |
Lake Placid |
Olympic Center flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6792. |
10/18/83 |
Flac 16 - 0,
135185 |
Portland |
Cumberland County Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6793. |
10/18/83 |
Flac 24/96 - 0,
135186 |
Portland |
Cumberland County Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6794. |
10/18/83 |
Flac 16 - 0,
91344 |
Portland |
Cumberland County Civic Center flac16; Recording Info: (FOB) Sennheiser 441 + (1) Neumann U87 -> Cassette Master (Nakamichi 550) -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; Recorded By Rob Eaton All Transfers and Mastering By Charlie Miller.
|
notes
|
| 6795. |
10/18/83 |
Flac 16 - 0,
87180 |
Portland |
Cumberland County Civic Center flac16; Set One Source: Sennheiser MD-421's > patched thru one deck > Marantz PMD-360 > Maxell XL-II, with no Dolby. Mics on stand, set up FOB. Taped by Ted Carpenter. Set Two source: First-gen cassette from another taper on the floor, equipment unknown. Transfer: MAC/1st Gen > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
|
notes
|
| 6796. |
10/18/83 |
Flac 16 - 0,
102059 |
Portland |
Cumberland County Civic Center flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded FOB center by Bob Morris
|
notes
|
| 6797. |
10/18/83 |
Flac 24 - 0,
137306 |
Portland |
Cumberland County Civic Center flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6798. |
10/18/83 |
Flac 16 - 0,
137330 |
Portland |
Cumberland County Civic Center flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain
|
notes
|
| 6799. |
10/18/83 |
Flac 24/96 - 0,
122385 |
Portland |
Cumberland County Civic Center flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 6800. |
10/18/83 |
Flac 16 - 0,
120128 |
Portland |
Cumberland County Civic Center flac16; 3 - Nak 701's > Nak Blend Box > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche
|
notes
|
| 6801. |
10/18/83 |
Flac 16 - 0,
112006 |
Portland |
Cumberland County Civic Center flac16; Source: 2 Sennheiser 421 microphones (up front & center) > Sony TCD5M (dolby off) - analog master cassettes; Transfer: Sony TC-D5M (original record deck-dolby off) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6802. |
10/18/83 |
Flac 24/96 - 0,
111057 |
Portland |
Cumberland County Civic Center flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded FOB center by Bob Morris
|
notes
|
| 6803. |
10/18/83 |
Flac 16 - 0,
102071 |
Portland |
Cumberland County Civic Center flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : (3) audio technica atm fob> tcm d-5> cm> cd Recording Location: fob Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd Flac Frontend level 8
|
notes
|
| 6804. |
10/18/83 |
Shn - 0,
12484 |
Portland |
Cumberland County Civic Center FOB-AUD> MC> CDR; via Paul B., Seeded to etree by Ernie Dodd
|
notes
|
| 6805. |
10/18/83 |
Flac 16/48 - 0,
140356 |
Portland |
Cumberland County Civic Center flac1648; Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
|
notes
|
| 6806. |
10/18/83 |
Flac 16/44,1 - 0,
143308 |
Portland |
Cumberland County Civic Center flac16/44.1 Master AUD/MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Konica Metal90 x 2 Location: 40 feet from stage, DFC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Sean Murtha Mike Yacavone Olvy Johnson Transferred: Kyle Holbrook
|
notes
|
| 6807. |
10/18/83 |
Flac 24/48 - 0,
143309 |
Portland |
Cumberland County Civic Center flac24/48 Master AUD/MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Konica Metal90 x 2 Location: 40 feet from stage, DFC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 This is 24 bit copy Mastered: Executive Crew Kyle Holbrook Tom Pinney Chris Kidwell Sean Murtha Mike Yacavone Olvy Johnson Transferred: Kyle Holbrook
|
notes
|
| 6808. |
10/18/83 |
Flac 16 - 0,
144722 |
Portland |
Cumberland County Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 6809. |
10/18/83 |
Flac 24/96 - 0,
144721 |
Portland |
Cumberland County Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 6810. |
10/18/83 |
Flac 16 Mtx - ,
155810 |
Portland |
Cumberland County Civic Center flac16; Matrix 2 Source Mix - SBD (shnid = 140356) Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 + AUD (shnid = 144721) source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger - matrix mixing by Kevin Tobin
|
notes
|
| 6811. |
10/18/83 |
Flac 16 Dts 5.1 - ,
155811 |
Portland |
Cumberland County Civic Center DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140356) Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 + AUD (shnid = 144721) source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger - dts mixing by Kevin Tobin
|
notes
|
| 6812. |
10/18/83 |
Flac 16/48 - ,
155812 |
Portland |
Cumberland County Civic Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140356) Master Soundboard Cassette -> Technics Reel to Reel -> Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648 + AUD (shnid = 144721) source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger - surround mixing by Kevin Tobin
|
notes
|
| 6813. |
10/20/83 |
Flac 24/96 - 0,
135089 |
Worcester |
The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's Tapes Labelled: Nak 100's w/Guns Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6814. |
10/20/83 |
Flac 16 - 0,
102060 |
Worcester |
The Centrum flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 6815. |
10/20/83 |
Flac 16 - 0,
28406 |
Worcester |
The Centrum flac16; AKG D224E > Sony TC-D5M > Maxell MX; Transfer: Sony TC-D5M > Edirol UA5 Custom mod > IBM R40/WinXP Pro/Sound Forge 5.0/CDR > EAC > WinXP Pro > FLAC Frontend > FLAC16; taped, transferred by Doug Mow; CDR> FLAC by Alex Ford
|
notes
|
| 6816. |
10/20/83 |
Flac 24 - 0,
137307 |
Worcester |
The Centrum flac24; Set 1 & Partial Set 2 Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6817. |
10/20/83 |
Flac 16 - 0,
137331 |
Worcester |
The Centrum flac16; Set 1 & Partial Set 2 Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bits > 16bits with r8brain
|
notes
|
| 6818. |
10/20/83 |
Shn - 0,
19515 |
Worcester |
The Centrum FOB Sony TCD5M with 2 Beyer Dynamic 160's recorded by Ficca and Brennan encoded by Jake Markezin
|
notes
|
| 6819. |
10/20/83 |
Shn - 0,
9960 |
Worcester |
The Centrum 20th row center w/ 3 Nak 701s > MX-100 > D5 > DAT > SHN; Unknown seeder; Note- You need to put Day Job on d1 if you want to fit this show onto two discs
|
notes
|
| 6820. |
10/20/83 |
Shn - 0,
13164 |
Worcester |
The Centrum AUD> Senn 441s (FOB)> PCM> DAT> CDRx?> EAC> SF 6.0> CDWAVE> SHN, Jeff Silberman; with Day Job patched from Sony 939s FOB; via Skankweed, with thanks to Duncan
|
notes
|
| 6821. |
10/20/83 |
Flac 24/96 - 0,
122445 |
Worcester |
The Centrum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 6822. |
10/20/83 |
Flac 24/96 - 0,
111058 |
Worcester |
The Centrum flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
|
notes
|
| 6823. |
10/20/83 |
Flac 16 - 0,
111381 |
Worcester |
The Centrum flac16; Source: 2 Sennheiser 421 microphones (15th row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6824. |
10/20/83 |
Flac 16 - 0,
102125 |
Worcester |
The Centrum flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : 3 audio technica atm 11 > sony d-5 Recording Location: FOB dead center Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd traders little helper; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 6825. |
10/20/83 |
Flac 16 - 0,
139323 |
Worcester |
The Centrum flac16; Jeff Silberman FOB Recording: Sennheiser 441's > Technics PCM master > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/44; Checksum & tags created in xACT
|
notes
|
| 6826. |
10/20/83 |
Flac 24/48 - 0,
143326 |
Worcester |
The Centrum flac24/48 Master AUD/MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 80 feet from stage, DFC ** patch source: AU/MC Sennheiser mke2002 headworn > Sony TCD5M Location: unknown Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Sean Murtha Chris Kidwell Greg Martens Transferred: Kyle Holbrook
|
notes
|
| 6827. |
10/20/83 |
Flac 16/44,1 - 0,
143325 |
Worcester |
The Centrum flac16/44.1 Master AUD/MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Maxell MX90 x 2 Location: 80 feet from stage, DFC ** patch source: AU/MC Sennheiser mke2002 headworn > Sony TCD5M Location: unknown Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Sean Murtha Chris Kidwell Greg Martens Transferred: Kyle Holbrook
|
notes
|
| 6828. |
10/20/83 |
Flac 16 - 0,
144724 |
Worcester |
The Centrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90, mx-90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 6829. |
10/20/83 |
Flac 24/96 - 0,
144723 |
Worcester |
The Centrum flac24: source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90, mx-90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 6830. |
10/20/83 |
Flac 16 - 0,
135088 |
Worcester |
The Centrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's Tapes Labelled: Nak 100's w/Guns Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked with Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6831. |
10/20/83 |
Flac 16/44 - ,
156192 |
Worcester |
The Centrum flac1644Recording Info: (FOB) Sennheiser 441 > PCM Master > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X6 Suite > FLAC/16
|
notes
|
| 6832. |
10/21/83 |
Flac 16 Mtx - 0,
105419 |
Worcester |
The Centrum flac16; Matrix by Hunter Seamons using Final Cut Pro & Soundtrack Pro (SHN>AIFF>Final Cut & Soundtrack>WAV>FLAC)
|
notes
|
| 6833. |
10/21/83 |
Shn - 0,
8113 |
Worcester |
The Centrum SBD > PCM > Dat X 3 > CDR; via Bob Harrell
|
notes
|
| 6834. |
10/21/83 |
Shn - 0,
9979 |
Worcester |
The Centrum Jay Ashley (Bertha) remaster of SBD>PCM source; SBD>>MPCM>>CASS>>DAT>>CDA>>SHN>>WAV>>DAW(Bertha)>>CDA; upgrade in circulation
|
notes
|
| 6835. |
10/21/83 |
Shn - 0,
5557 |
Worcester |
The Centrum Master Soundboard PCM > Cassette > DAT > CDR; see info file for flaw notes; CD Remastering, EAC'ed / SHN'ed by Scott Clugston
|
notes
|
| 6836. |
10/21/83 |
Flac 24/96 - 0,
135083 |
Worcester |
The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:TDK MA 90's Tapes Labelled: Nak 100's w/Guns Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6837. |
10/21/83 |
Flac 16 - 0,
135082 |
Worcester |
The Centrum
|
notes
|
| 6838. |
10/21/83 |
Flac 2448 - 0,
111507 |
Worcester |
The Centrum flac24; AUD: 2 Beyer M88's plus 1 Nakamichi CM300/CP1 cardioid blend mic > Nakamichi 550 > Maxell XLII-S 90's, floor near the SBD. Taped by Tim Friend. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 01/2011
|
notes
|
| 6839. |
10/21/83 |
Flac 16 - 0,
102063 |
Worcester |
The Centrum flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 6840. |
10/21/83 |
Flac 24 - 0,
137308 |
Worcester |
The Centrum flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6841. |
10/21/83 |
Flac 16 - 0,
137332 |
Worcester |
The Centrum flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 24bit > 16bit with r8brain
|
notes
|
| 6842. |
10/21/83 |
Shn - 0,
24998 |
Worcester |
The Centrum SBD>>PCM>>Dat>>CDR>>SHN>>DAW(Bertha)>>CDA/SHN There is another Bertha Remaster of 10/21/83. That version was done with the source that had a cassette gen in the lineage. This version has no cassette gen.
|
notes
|
| 6843. |
10/21/83 |
Flac - 0,
28888 |
Worcester |
The Centrum flac16; AKG D224E > Sony TC-D5M > Maxell MX Taper: Doug Mow Lineage: Sony TC-D5M > Edirol UA5 Custom mod > IBM R40/WinXP Pro/Sound Forge 5.0/CDR > EAC (no errors) > WinXP Pro > FLAC Frontend > FLAC16. first time in circulation 4/7/05.
|
notes
|
| 6844. |
10/21/83 |
Shn - 0,
348 |
Worcester |
The Centrum FOB (2nd row, dead center) Sennheiser 441's > Technics PCM master > DAT; Transfer: DAT > ZA2 > SoundForge; Taper: Jeff Silberman; slight glitch in Music; JGB encore not on master; tracking not quite right in a few places; via Andy Gustin, stemming from tree run by M. Daniel, Frank Venezia
|
notes
|
| 6845. |
10/21/83 |
Flac 24/48 - 0,
143328 |
Worcester |
The Centrum flac24/48 Master AUD/MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Nakamichi ZX c-90 x 2 Location: 90 feet from stage, 10' ROC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Sean Murtha Transferred: Kyle Holbrook
|
notes
|
| 6846. |
10/21/83 |
Flac 16/44,1 - 0,
143327 |
Worcester |
The Centrum flac16/44.1khz Master AUD/MC Beyer M201's X-Y 7'up > Sony TCD5M no dolby Nakamichi ZX c-90 x 2 Location: 90 feet from stage, 10' ROC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Kyle Holbrook Tom Pinney Sean Murtha Transferred: Kyle Holbrook
|
notes
|
| 6847. |
10/21/83 |
Shn - 0,
19516 |
Worcester |
The Centrum FOB Sony TCD5M with 2 Beyer Dynamic 160's recorded by Ficca and Brennan encoded by Jake Markezin
|
notes
|
| 6848. |
10/21/83 |
Flac 16 - 0,
102126 |
Worcester |
The Centrum flac16; Lineage: master cassette > cd > eac > flac Recording Equipment : 3 audio technica atm 11 > sony d-5 Recording Location: FOB dead center Recorded By: chasingwilma Transfer: sony tc-we435 > philips cdr870 Tracked in CDwave, FLACd traders little helper; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 6849. |
10/21/83 |
Flac 16 - 0,
111388 |
Worcester |
The Centrum flac16; Source: 2 Sennheiser 421 microphones (16th row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6850. |
10/21/83 |
Flac 24/96 - 0,
122446 |
Worcester |
The Centrum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 6851. |
10/21/83 |
Flac 24/96 - 0,
111059 |
Worcester |
The Centrum flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded by Bob Morris
|
notes
|
| 6852. |
10/21/83 |
Flac 24/96 - 0,
144732 |
Worcester |
The Centrum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 6853. |
10/21/83 |
Flac 16 - 0,
144733 |
Worcester |
The Centrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 6854. |
10/21/83 |
Flac 16 - 0,
139515 |
Worcester |
The Centrum flac16; Jeff Silberman Recording FOB (2nd row) Sennheiser 441's > Technics PCM master > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
|
notes
|
| 6855. |
10/21/83 |
Flac 16/44 - ,
156193 |
Worcester |
The Centrum flac1644 Recording Info: (FOB/2nd Row) Sennheiser 441 > PCM Master > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X6 Suite > FLAC/16
|
notes
|
| 6856. |
10/22/83 |
Shn - 0,
17274 |
Syracuse |
Carrier Dome, Syracuse University SBD > Cassette Master > Cassette > Dat > CDR > SHN. via drgseeds
|
notes
|
| 6857. |
10/22/83 |
Flac 16 - 0,
88715 |
Syracuse |
Carrier Dome, Syracuse University flac16; Source:Sennheiser-MD421's>Sony D5 Location: FOB-6th Row DFC @8 ft high on stand Taper: Rick "Coyotte" Colyard 2 Maxell SA-X90-Cassette MASTERS Transfer:MAC> Sony TCW-21(Analog out)>Edirol Digi-Mod UA5@44.1khz>Digital-Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Transfered and Edited by MULETAPER- 11/23/07
|
notes
|
| 6858. |
10/22/83 |
Flac 16 Mtx - 0,
135184 |
Syracuse |
Carrier Dome, Syracuse University flac16; 2 Source Matrix by Dusborne;Soundboard(shnid:17274)SBD > Cassette Master > Cassette > Dat > CDR > SHN; Audience(shnid:88725) Source:Sennheiser-MD421's>Sony D5,Taper: Rick "Coyotte" Colyard,Sennheiser-MD421's>Sony D5,Location: FOB-6th Row DFC @8 ft high on stand,Transfer:MAC> Sony TCW-21(Analog out)>Edirol Digi-Mod UA5@44.1khz>Digital-Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16,Transfered and Edited by MULETAPER- 11/23/07
|
notes
|
| 6859. |
10/22/83 |
Flac 24/96 - 0,
135076 |
Syracuse |
Carrier Dome, Syracuse University flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's,Tapes Labelled: Nak 300 Gun's Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6860. |
10/22/83 |
Flac 16 - 0,
135075 |
Syracuse |
Carrier Dome, Syracuse University b>flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of Sony TC-D5M, Tapes:Maxell UDXLII 90's,Tapes Labelled: Nak 300 Gun's Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6861. |
10/22/83 |
Flac 24 - 0,
137309 |
Syracuse |
Carrier Dome, Syracuse University flac24; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6862. |
10/22/83 |
Flac 16 - 0,
137333 |
Syracuse |
Carrier Dome, Syracuse University flac16; Recording Info: (FOB) Sennheiser 421 > Sony TC-D5M > Cassette Master (Sony WM-D6 Patched); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 24bit > 16bit with r8brain
|
notes
|
| 6863. |
10/22/83 |
Flac 24/44 - 0,
143147 |
Syracuse |
Carrier Dome, Syracuse University flac24; Master Audience Recording & Transfer by Ray Ackerman; 2 x Sennheiser 421 > Master Cassette (TDK MA XG) > Sony D5; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/44
|
notes
|
| 6864. |
10/22/83 |
Flac 16/44,1 - 0,
143329 |
Syracuse |
Carrier Dome, Syracuse University flac16/44.1khz Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX-90 x 2 Location: 60 feet from stage, 15' LOC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Olvy Johnson Tom Pinney Mike Yacavone Transferred: Kyle Holbrook
|
notes
|
| 6865. |
10/22/83 |
Flac 24/48 - 0,
143330 |
Syracuse |
Carrier Dome, Syracuse University flac24/48khz Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX-90 x 2 Location: 60 feet from stage, 15' LOC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Olvy Johnson Tom Pinney Mike Yacavone Transferred: Kyle Holbrook
|
notes
|
| 6866. |
10/22/83 |
Flac 24/96 - 0,
122495 |
Syracuse |
Carrier Dome, Syracuse University flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 6867. |
10/22/83 |
Shn - 0,
10547 |
Syracuse |
Carrier Dome, Syracuse University AUD>MC>DAT>CDR Senn. 421?s; via Paul B; Seeded to etree by Ernie Dodd
|
notes
|
| 6868. |
10/22/83 |
Flac 16 - 0,
111406 |
Syracuse |
Carrier Dome, Syracuse University flac16; Source: 2 Sennheiser 421 microphones (22nd row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6869. |
10/22/83 |
Flac 24/96 - 0,
144763 |
Syracuse |
Carrier Dome, Syracuse University flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90, mx-90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 6870. |
10/22/83 |
Flac 16 - 0,
144764 |
Syracuse |
Carrier Dome, Syracuse University flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-II90, mx-90, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 6871. |
10/22/83 |
Flac 24/96 - 0,
148200 |
Syracuse |
Carrier Dome, Syracuse University flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6872. |
10/22/83 |
Flac 16/48 - 0,
148199 |
Syracuse |
Carrier Dome, Syracuse University flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6873. |
10/22/83 |
Flac 16 - 0,
148290 |
Syracuse |
Carrier Dome, Syracuse University flac16; Source Info: Master Soundboard Cassette > Cassette > Dat (16/44.1); Transfer Info: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Sound Devices 744T (wav 16/44.1)> Adobe Audition CC 2019 > TLH flac16
|
notes
|
| 6874. |
10/22/83 |
Flac 16 Mtx - 0,
143329 |
Syracuse |
Carrier Dome, Syracuse University flac16/44.1khz Master AUD/MC Beyer M201's X-Y > Sony TCD5M no dolby Maxell MX-90 x 2 Location: 60 feet from stage, 15' LOC Transfer: Nakamichi LX-5 (24/48) > Tascam DR680|SD > i7Windows7 Audacity > cdwav editor > TLH flac level 8 Mastered: Executive Crew Olvy Johnson Tom Pinney Mike Yacavone Transferred: Kyle Holbrook
|
notes
|
| 6875. |
10/30/83 |
Shn - 0,
22800 |
San Rafael |
Marin County Veterans Auditorium Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 2 Discs SHN) via Charlie Miller
|
notes
|
| 6876. |
10/30/83 |
Shn - 0,
92382 |
San Rafael |
Marin County Veterans Auditorium AUD: Realistic Mini-mics > Sony WM-D6 > Toshiba KT-R2 > Maxell XL-II (1st set) and Maxell XL-IIS (2nd set). Mics on stand, FOB aprx 20th row. Taped by Andrew F. A>D: MAC > Nakamichi CR-2A (tape 2 side A: Nakamichi Dragon) > HHB CDR 830-Plus > EAC > Soundforge 6.0 > CDWave 1.94.5 > WAV > SHN. Transfer by Anne C
|
notes
|
| 6877. |
10/30/83 |
Flac 24 - 0,
142967 |
San Rafael |
Marin County Veterans Auditorium flac24; Recording Info: SBD > Cassette Master > Cassette (TDK SA-X90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
|
notes
|
| 6878. |
10/30/83 |
Flac 16 - 0,
143503 |
San Rafael |
Marin County Veterans Auditorium flac16; Recording Info: SBD > Cassette Master > Cassette (TDK SA-X90); Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; This file set is 16 bit @ 44.1
|
notes
|
| 6879. |
10/31/83 |
Shn - 0,
34934 |
San Rafael |
Marin County Veterans Auditorium SBD>MC>DAT>CDR>EAC>CDWAV>SHN - Fix of shn id 3827 via Bill Tetzeli
|
notes
|
| 6880. |
10/31/83 |
Shn - 0,
3811 |
San Rafael |
Marin County Veterans Auditorium Master Soundboard Cassette > DAT > CDR; with possible matrix patch (see notes); CD Mastering, EAC'ed / SHN'ed by Scott Clugston ; upgrade in circulation
|
notes
|
| 6881. |
10/31/83 |
Shn - 0,
3827 |
San Rafael |
Marin County Veterans Auditorium SBD> MC> DAT> CDR> EAC> CDWAV> SHN; via Tony Gardner with thanks to Paul B.; upgrade in circulation
|
notes
|
| 6882. |
10/31/83 |
Flac 16 - 0,
138759 |
San Rafael |
Marin County Veterans Auditorium flac16; Source: FOB Audience recording > Nakamichi 700s > ??? > dbx cassette master >dat (44.1k); Provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1; Transferred by Charlie Miller; Lineage: wav > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017
|
notes
|
| 6883. |
10/31/83 |
Shn - 0,
19894 |
San Rafael |
Marin County Veterans Auditorium Source: FOB(Nak 700)>MC>DAT>CDR>WAV>SHN. Taper: Mark Horvath. SHN encoding via C.Ladner.
|
notes
|
| 6884. |
10/31/83 |
Flac 16 - 0,
151222 |
San Rafael |
Marin County Veterans Auditorium Soundboard Cassette Master > DAT Provided by ANON
|
notes
|
| 6885. |
12/27/83 |
Flac 16 - 0,
32502 |
San Francisco |
San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller
|
notes
|
| 6886. |
12/27/83 |
Flac 16 Mtx - 0,
133049 |
San Francisco |
San Francisco Civic Auditorium flac16; Matrix 2 Source Mix - SBD (shnid=96167) SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16 and AUD (shn id 89483) Sennheiser MD-441's > patched thru 2 tapedecks > Marantz PMD-340 > Sony UCX-S 90's, Dolby on. Mics on 8-foot stand, just behind the Sbd. Transfer: MAC > Nakamichi DR-8 (Dolby B on) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and tranferred by Andrew F. - matrix mixing by Kevin Tobin
|
notes
|
| 6887. |
12/27/83 |
Flac Dts 5.1 - 0,
133050 |
San Francisco |
San Francisco Civic Auditorium DTS-Audio-CD 5.1 Mix; SBD (shnid=96167) SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; and AUD (shn id 89483) Sennheiser MD-441's > patched thru 2 tapedecks > Marantz PMD-340 > Sony UCX-S 90's, Dolby on. Mics on 8-foot stand, just behind the Sbd. Transfer: MAC > Nakamichi DR-8 (Dolby B on) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and tranferred by Andrew F. - dts mixing by Kevin Tobin
|
notes
|
| 6888. |
12/27/83 |
Flac 16 - 0,
134872 |
San Francisco |
San Francisco Civic Auditorium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: First Tape 1st Gen Nak 100's with Guns, Second Tape None; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked with Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6889. |
12/27/83 |
Flac 24/96 - 0,
134873 |
San Francisco |
San Francisco Civic Auditorium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: First Tape 1st Gen Nak 100's with Guns, Second Tape None; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6890. |
12/27/83 |
Flac 16 - 0,
89483 |
San Francisco |
San Francisco Civic Auditorium flac16; AUD: Sennheiser MD-441's > patched thru 2 tapedecks > Marantz PMD-340 > Sony UCX-S 90's, Dolby on. Mics on 8-foot stand, just behind the Sbd. Transfer: MAC > Nakamichi DR-8 (Dolby B on) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and tranferred by Andrew
|
notes
|
| 6891. |
12/27/83 |
Shn - 0,
18258 |
San Francisco |
San Francisco Civic Auditorium SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko. [Note: This shn set differs from the previous one submitted by Darryl in the last 2 tracks of disk 3 which are patched here per the info file. This is the preferred shn set.]; upgrade in circulation
|
notes
|
| 6892. |
12/27/83 |
Flac 24/96 - 0,
137635 |
San Francisco |
San Francisco Civic Auditorium flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS 90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
|
notes
|
| 6893. |
12/27/83 |
Flac 16 - 0,
137634 |
San Francisco |
San Francisco Civic Auditorium flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS 90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
|
notes
|
| 6894. |
12/27/83 |
Shn - 0,
18222 |
San Francisco |
San Francisco Civic Auditorium SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko; upgrade in circulation
|
notes
|
| 6895. |
12/27/83 |
Flac 16 - 0,
112241 |
San Francisco |
San Francisco Civic Auditorium flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6896. |
12/27/83 |
Flac 16 - 0,
79267 |
San Francisco |
San Francisco Civic Auditorium flac16; Source: *Sennheiser Shotguns>Sony D5M>Sony D5M Location: FOB/Right of Center/Stand at 8 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G. Transfer and upload by Tony S
|
notes
|
| 6897. |
12/27/83 |
Shn - 0,
17419 |
San Francisco |
San Francisco Civic Auditorium Aud>?>CD>EAC>SHN via Steve Barbella
|
notes
|
| 6898. |
12/27/83 |
Shn - 0,
17961 |
San Francisco |
San Francisco Civic Auditorium (FOB) Senn 441>PCM>Dat recorded by Jeff Silberman encoded by Charlie Miller
|
notes
|
| 6899. |
12/27/83 |
Flac 16 - 0,
96167 |
San Francisco |
San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6900. |
12/27/83 |
Flac 16/48 - ,
154451 |
San Francisco |
San Francisco Civic Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=96167) SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; and AUD (shn id 89483) Sennheiser MD-441's > patched thru 2 tapedecks > Marantz PMD-340 > Sony UCX-S 90's, Dolby on. Mics on 8-foot stand, just behind the Sbd. Transfer: MAC > Nakamichi DR-8 (Dolby B on) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and tranferred by Andrew F. - surround mixing by Kevin Tobin
|
notes
|
| 6901. |
12/28/83 |
Flac 16 - 0,
96172 |
San Francisco |
San Francisco Civic Auditorium flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6902. |
12/28/83 |
Flac 16 Mtx - 0,
127489 |
San Francisco |
San Francisco Civic Auditorium b>flac16; Matrix 3 Source Mix - SBD (shnid=96172) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 99126) FOB AUD: Sennheiser MD-421's > patched thru one deck (Nak 550) > Marantz PMD-340 > Sony UCX-S 90's, with Dolby. Mics on seven-foot stand, aprx 25 feet from the stage in the center, mics angled up. Transfer: MAC > Nakamichi DR-8 (Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. 05/2009 + VID (no shn id) used for patching and timing reference - matrix mixing by Kevin Tobin
|
notes
|
| 6903. |
12/28/83 |
Shn - 0,
10312 |
San Francisco |
San Francisco Civic Auditorium SBD>MC>C>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation
|
notes
|
| 6904. |
12/28/83 |
Flac 24/96 - 0,
134876 |
San Francisco |
San Francisco Civic Auditorium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6905. |
12/28/83 |
Flac 16 - 0,
134875 |
San Francisco |
San Francisco Civic Auditorium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6906. |
12/28/83 |
Flac 16 - 0,
99127 |
San Francisco |
San Francisco Civic Auditorium flac16; FOB AUD: Sennheiser MD-421's > patched thru one deck (Nak 550) > Marantz PMD-340 > Sony UCX-S 90's, with Dolby. Mics on seven-foot stand, aprx 25 feet from the stage in the center, mics angled up. Transfer: MAC > Nakamichi DR-8 (Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. 05/2009
|
notes
|
| 6907. |
12/28/83 |
Flac 24/96 - 0,
137656 |
San Francisco |
San Francisco Civic Auditorium flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
|
notes
|
| 6908. |
12/28/83 |
Flac 16 - 0,
137655 |
San Francisco |
San Francisco Civic Auditorium flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
|
notes
|
| 6909. |
12/28/83 |
Flac 24/96 - 0,
99126 |
San Francisco |
San Francisco Civic Auditorium flac24; FOB AUD: Sennheiser MD-421's > patched thru one deck (Nak 550) > Marantz PMD-340 > Sony UCX-S 90's, with Dolby. Mics on seven-foot stand, aprx 25 feet from the stage in the center, mics angled up. Transfer: MAC > Nakamichi DR-8 (Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. 05/2009
|
notes
|
| 6910. |
12/28/83 |
Flac 16 - 0,
112242 |
San Francisco |
San Francisco Civic Auditorium flac16:Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6911. |
12/28/83 |
Flac 16/44 - 0,
79351 |
San Francisco |
San Francisco Civic Auditorium flac16; Source: *Nakamichi CM304's(pointed at stacks)>Sony D5M>Sony D5M Location: FOB/Right of Center/Stand at 8 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G
|
notes
|
| 6912. |
12/28/83 |
Shn - 0,
23061 |
San Francisco |
San Francisco Civic Auditorium Source: FOB AUD -- Senn. 441's > Marantz 340 Transfer: By Aoxoa from MCassette - (Probably) Playback on Nak Dragon > HHB 850 > EAC > SHN Recorded by Andy F., Aoxoa's neighbor
|
notes
|
| 6913. |
12/28/83 |
Flac 16/48 - 0,
147476 |
San Francisco |
San Francisco Civic Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=96172) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 99126) FOB AUD: Sennheiser MD-421's > patched thru one deck (Nak 550) > Marantz PMD-340 > Sony UCX-S 90's, with Dolby. Mics on seven-foot stand, aprx 25 feet from the stage in the center, mics angled up. Transfer: MAC > Nakamichi DR-8 (Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. 05/2009 - surround mixing by Kevin Tobin
|
notes
|
| 6914. |
12/28/83 |
Flac 16 Dts. - 0,
147475 |
San Francisco |
San Francisco Civic Auditorium flac16; DTS CD Audio - SBD (shnid=96172) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 99126) FOB AUD: Sennheiser MD-421's > patched thru one deck (Nak 550) > Marantz PMD-340 > Sony UCX-S 90's, with Dolby. Mics on seven-foot stand, aprx 25 feet from the stage in the center, mics angled up. Transfer: MAC > Nakamichi DR-8 (Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. 05/2009 - dts mixing by Kevin Tobin
|
notes
|
| 6915. |
12/28/83 |
Flac 16 - 0,
32505 |
San Francisco |
San Francisco Civic Auditorium b>flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller
|
notes
|
| 6916. |
12/28/83 |
Flac 24/96 - 0,
148205 |
San Francisco |
San Francisco Civic Auditorium flac24; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6917. |
12/28/83 |
Flac 16/48 - 0,
148204 |
San Francisco |
San Francisco Civic Auditorium flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6918. |
12/28/83 |
Flac 16/48 - 0,
150938 |
San Francisco |
San Francisco Civic Auditorium flac16/48 Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 6919. |
12/28/83 |
Flac 24/96 - 0,
150941 |
San Francisco |
San Francisco Civic Auditorium flac24/96khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 6920. |
12/30/83 |
Flac 16 - 0,
112281 |
San Francisco |
San Francisco Civic Auditorium flac16; Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6921. |
12/30/83 |
Flac 16 - 0,
96181 |
San Francisco |
San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6922. |
12/30/83 |
Shn - 0,
10280 |
San Francisco |
San Francisco Civic Auditorium SBD>MC>DAT>CDR; via Paul B; Seeded to etree by Ernie Dodd; upgrade in circulation
|
notes
|
| 6923. |
12/30/83 |
Flac 24/96 - 0,
134896 |
San Francisco |
San Francisco Civic Auditorium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6924. |
12/30/83 |
Flac 16 - 0,
134895 |
San Francisco |
San Francisco Civic Auditorium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6925. |
12/30/83 |
Flac 16 - 0,
109130 |
San Francisco |
San Francisco Civic Auditorium flac16; AUD: Sennheiser MD-441's > patched out of Nak 550 > Marantz PMD-340 > Sony UCX-S 90's. FOB 25 feet from stage in center. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2496 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Taped & transferred by Andrew F. 07/2010
|
notes
|
| 6926. |
12/30/83 |
Flac 24/96 - 0,
109129 |
San Francisco |
San Francisco Civic Auditorium flac24; AUD: Sennheiser MD-441's > patched out of Nak 550 > Marantz PMD-340 > Sony UCX-S 90's. FOB 25 feet from stage in center. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2496 > CD-Wave > TLH > FLAC 2496 Tagged. Taped and transferred by Andrew F. 07/2010
|
notes
|
| 6927. |
12/30/83 |
Flac 16 - 0,
137665 |
San Francisco |
San Francisco Civic Auditorium b>flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
|
notes
|
| 6928. |
12/30/83 |
Flac 24/96 - 0,
137666 |
San Francisco |
San Francisco Civic Auditorium flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
|
notes
|
| 6929. |
12/30/83 |
Flac 16 - 0,
77321 |
San Francisco |
San Francisco Civic Auditorium flac16; Nakamichi CM304's(pointed at stacks)>Sony D5M(Maxell UDXLII's) Location: FOB/Right of Center/Stand at 8 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G
|
notes
|
| 6930. |
12/30/83 |
Flac 16 - 0,
112281 |
San Francisco |
San Francisco Civic Auditorium flac16; Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6931. |
12/30/83 |
Flac 16 - 0,
30072 |
San Francisco |
San Francisco Civic Auditorium flac16; Source: Sennheiser MD-441 mics > Marantz PMD-340 cassette deck Taped onto Sony UC-XS 90 cassette tape with Dolby On Set up FOB aprx 25 feet from stage, mics on 8-foot stand Transfer: MAC > Sony TC-D5M > Marantz CDR-500 > CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC
|
notes
|
| 6932. |
12/30/83 |
Flac 24/96 - 0,
151043 |
San Francisco |
San Francisco Civic Auditorium flac24/96khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 6933. |
12/30/83 |
Flac 16/48 - 0,
151042 |
San Francisco |
San Francisco Civic Auditorium flac16/48khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 6934. |
12/31/83 |
Flac 16 - 0,
94185 |
San Francisco |
San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6935. |
12/31/83 |
Flac 16 Mtx - 0,
126610 |
San Francisco |
San Francisco Civic Auditorium flac16; Matrix 3 Source Mix - SBD (shnid=96185) Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 112282) Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files + VID (no shn id) low generation video found on the internet for a video project - matrix mixing by Kevin Tobin
|
notes
|
| 6936. |
12/31/83 |
Flac 16 - 0,
90059 |
San Francisco |
San Francisco Civic Auditorium flac16; Set 3 only - National FM Broadcast > FM (93.3 WMMR) > unknown tape deck > TDK SA90 (Master Cassette) Transfer: Master FM Cassette > Nakamichi Cassette Deck 2 > Kind Kables RCA/XLR > Lunatec V3 (@ 24/96) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper FLAC16
|
notes
|
| 6937. |
12/31/83 |
Flac 16 - 0,
134901 |
San Francisco |
San Francisco Civic Auditorium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 6938. |
12/31/83 |
Flac 24/96 - 0,
134902 |
San Francisco |
San Francisco Civic Auditorium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes:Maxell UDXLII 90's, Tapes Labelled: Nak 300's With Gun's Pointed High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 6939. |
12/31/83 |
Flac 16 - 0,
32514 |
San Francisco |
San Francisco Civic Auditorium flac16; SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transferred and Edited By Charlie Miller
|
notes
|
| 6940. |
12/31/83 |
Shn - 0,
14948 |
San Francisco |
San Francisco Civic Auditorium Bertha Remaster) SBD>>MR>>DAT>>M-Audio2448>>WAV>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Brokedown Palace Source: Pre-FM>Cm>Cass>Dat>CD - Sound C-
|
notes
|
| 6941. |
12/31/83 |
Shn - 0,
13963 |
San Francisco |
San Francisco Civic Auditorium SBD -> Rm -> Dat -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD (SHN) Brokedown Palace patched from Pre-FM>Cm>Cass>Dat>CD Dat -> SHN Transfer Done By Charlie Miller charliemiller87@earthlink.net 8/27/02; upgrade in circulation
|
notes
|
| 6942. |
12/31/83 |
Flac 24/96 - 0,
137701 |
San Francisco |
San Francisco Civic Auditorium flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
|
notes
|
| 6943. |
12/31/83 |
Flac 16 - 0,
137700 |
San Francisco |
San Francisco Civic Auditorium flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
|
notes
|
| 6944. |
12/31/83 |
Shn - 0,
6102 |
San Francisco |
San Francisco Civic Auditorium sbd> mr> dats> wav> shn w/seek; dat> wav> shn by popi n. feeldz, from Michael Grossman DAT seed; Brokedown missing; Jack Straw beginning cut; upgrade in circulation
|
notes
|
| 6945. |
12/31/83 |
Shn - 0,
18737 |
San Francisco |
San Francisco Civic Auditorium 3 Beyer M160 FOB> Sony TCD5M Master Cassette>shn; Seeded to abgd by Walstib
|
notes
|
| 6946. |
12/31/83 |
Flac 16 - 0,
79383 |
San Francisco |
San Francisco Civic Auditorium flac16; Source: *Nakamichi CM304's(pointed at stacks)>Sony D5M>Sony D5M Location: FOB/Right of Center/Stand at 8 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G
|
notes
|
| 6947. |
12/31/83 |
Flac 16 - 0,
112282 |
San Francisco |
San Francisco Civic Auditorium flac16; Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6948. |
12/31/83 |
Flac 16/44 - 0,
34968 |
San Francisco |
San Francisco Civic Auditorium flac16; FOB Sennheiser 421s > Sony D5 > TDK MA90 MACs. Recorded by R.Lipton using B.Koucky's deck/blanks. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer/mastering/encoding/initial torrenting at bt.etree.org via C.Ladner
|
notes
|
| 6949. |
12/31/83 |
Flac 24/96 - 0,
148208 |
San Francisco |
San Francisco Civic Auditorium flac24; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6950. |
12/31/83 |
Flac 16/48 - 0,
148207 |
San Francisco |
San Francisco Civic Auditorium flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6951. |
12/31/83 |
Flac 24/96 - 0,
151339 |
San Francisco |
San Francisco Civic Auditorium flac24/96khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 6952. |
12/31/83 |
Flac 16/48 - 0,
151338 |
San Francisco |
San Francisco Civic Auditorium flac16/48khz Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 6953. |
12/31/83 |
Flac 16/48 - ,
155215 |
San Francisco |
San Francisco Civic Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=96185) Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 112282) Source: 2 Sennheiser 421 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - surround mixing by Kevin Tobin
|
notes
|
| 6954. |
03/28/84 |
Flac 16 - 0,
109259 |
San Rafael |
Marin County Veterans Auditorium flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 6955. |
03/28/84 |
Shn - 0,
28296 |
San Rafael |
Marin County Veterans Auditorium 2 Sony ECM 939LT stereo microphones > Marantz PMD 340, TDK AD-X90 cassettes with Dolby B, 8' stand 2nd set, 6.5' 1st set, ~20th row center just behind soundboard, Recorded by AndrewF; A-D transfer: master cassette > Nakamichi Dragon (Dolby B) > HHB CDR 830plus > EAC > Sound Forge 5.0 > CD Wave Editor 1.71 > WAV > SHN by Anne Cohen; drums are cut
|
notes
|
| 6956. |
03/28/84 |
Shn - 0,
27303 |
San Rafael |
Marin County Veterans Auditorium (FOB/20th Row) Sony ECM 939LT> Cassette Master (Marantz PMD430); Transfer Info: Cassette Master (Nak Dragon/Dolby B)> CD (HHb CDr 830Plus)> EAC> Sound Forge 5.0> SHN; Recorded By Andrew Faintych; Transferred By Anne Cohen; Converted By Charlie Miller; Drums Are Cut
|
notes
|
| 6957. |
03/28/84 |
Shn - 0,
16665 |
San Rafael |
Marin County Veterans Auditorium unknown aud > cass > cd Discs kindly provided by Mark Horvath Eac > cool edit pro > shntool > cdwav > shnv3 by Ernie Dodd Partial 2nd set Only
|
notes
|
| 6958. |
03/28/84 |
Flac 24/96 - 0,
148339 |
San Rafael |
Marin County Veterans Auditorium flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6959. |
03/28/84 |
Flac 16/48 - 0,
148337 |
San Rafael |
Marin County Veterans Auditorium flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6960. |
03/29/84 |
Flac 16 - 0,
106071 |
San Rafael |
Marin County Veterans Auditorium flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6961. |
03/29/84 |
Flac 16 - 0,
109112 |
San Rafael |
Marin County Veterans Auditorium flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes - TDK MA-R90's transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 6962. |
03/29/84 |
Flac 16 - 0,
32515 |
San Rafael |
Marin County Veterans Auditorium flac16; SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transferred and Edited By Charlie Miller
|
notes
|
| 6963. |
03/29/84 |
Shn - 0,
10559 |
San Rafael |
Marin County Veterans Auditorium Rex Foundation Benefit; Soundboard > ??? > CDR; Jerry's guitar is low in the mix at times; Seeded to etree by David Angelini; upgrade in circulation
|
notes
|
| 6964. |
03/29/84 |
Flac 16 - 0,
29645 |
San Rafael |
Marin County Veterans Auditorium flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up two rows behind soundboard, and eight seats to the right Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC Soundforge used for fades and some minor repairs (see notes) CD-Wave for Track ID's, and FLAC Frontend for lossless compression Verified and repaired SBE's with Traders Little Helper program
|
notes
|
| 6965. |
03/29/84 |
Flac 24/96 - 0,
148307 |
San Rafael |
Marin County Veterans Auditorium flac24; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6966. |
03/29/84 |
Flac 16/48 - 0,
148306 |
San Rafael |
Marin County Veterans Auditorium
|
notes
|
| 6967. |
03/31/84 |
Flac 16 - 0,
105821 |
San Rafael |
Marin County Veterans Auditorium flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6968. |
03/31/84 |
Shn - 0,
3576 |
San Rafael |
Marin County Veterans Auditorium SBD; via Mike Lai; upgrade in circulation
|
notes
|
| 6969. |
03/31/84 |
Shn - 0,
14078 |
San Rafael |
Marin County Veterans Auditorium Source: SBD > MC > DAT > CDR > EAC > Cool Edit Pro 2.0* > CDWave > mkwACT EAC'd/Pitch Corrected/SHN'd by Doug Nawrocki Source kindly provided by Vojo; upgrade in circulation
|
notes
|
| 6970. |
03/31/84 |
Flac 16 - 0,
79468 |
San Rafael |
Marin County Veterans Auditorium flac16; Source: *Nakamichi CM301's>Sony D5M>Sony D5M Location: FOB/Stand at 6 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G
|
notes
|
| 6971. |
03/31/84 |
Flac 16 - 0,
29916 |
San Rafael |
Marin County Veterans Auditorium b>flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up in center seat directly behind the soundboard Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC Soundforge used for fades, edits and patches over the tape-flip areas CD-Wave for Track ID's, and FLAC Frontend for lossless compression Verified SBE's and checksums with Trader's Little Helper program Cross-faded patches taken from LAMA's source: SBD > MC > DAT > CDR > EAC > Cool Edit Pro 2.0 > CD-Wave > mkwACT
|
notes
|
| 6972. |
03/31/84 |
Flac 16 - 0,
111289 |
San Rafael |
Marin County Veterans Auditorium flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6973. |
03/31/84 |
Flac 16 - 0,
98823 |
San Rafael |
Marin County Veterans Auditorium flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Rango Keshavan
|
notes
|
| 6974. |
03/31/84 |
Flac 16 - 0,
32516 |
San Rafael |
Marin County Veterans Auditorium flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation
|
notes
|
| 6975. |
03/31/84 |
Flac 24/96 - 0,
148340 |
San Rafael |
Marin County Veterans Auditorium flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 6976. |
03/31/84 |
Flac 16/48 - 0,
148393 |
San Rafael |
Marin County Veterans Auditorium flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 6977. |
04/01/84 |
Shn - 0,
7366 |
San Rafael |
Marin County Veterans Auditorium Master Soundboard Casette>PCM>DAT>DAT>Serafin Studios>CDR>EAC>SHN; upgrade in circulation
|
notes
|
| 6978. |
04/01/84 |
Flac 16 - 0,
105822 |
San Rafael |
Marin County Veterans Auditorium flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6979. |
04/01/84 |
Flac 16 - 0,
32535 |
San Rafael |
Marin County Veterans Auditorium flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation
|
notes
|
| 6980. |
04/01/84 |
Flac 16 - 0,
95693 |
San Rafael |
Marin County Veterans Auditorium flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Michael Kirschner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 6981. |
04/01/84 |
Shn - 0,
9064 |
San Rafael |
Marin County Veterans Auditorium Analog Soundboard->Pioneer PDR-509->CDRW->Audio Catalyst 2.1->WAV->Cool Edit 2000->MKW Compression Tool->SHN; To abgd via Acquiesce; upgrade in circulation
|
notes
|
| 6982. |
04/01/84 |
Flac 16 - 0,
79458 |
San Rafael |
Marin County Veterans Auditorium flac16; Source: *Nakamichi CM304's>Sony D5M>Sony D5M Location: ^At SBD/Stand at 7 Feet Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700 and Mike G
|
notes
|
| 6983. |
04/01/84 |
Flac 16 - 0,
32797 |
San Rafael |
Marin County Veterans Auditorium flac16; FOB: 2 Beyer M160s + 1 Senn. 421>D5>MC>CDR>EAC>FLAC Taper: Jim Quirk
|
notes
|
| 6984. |
04/01/84 |
Flac 16 - 0,
111291 |
San Rafael |
Marin County Veterans Auditorium flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 6985. |
04/01/84 |
Flac 16 - 0,
30828 |
San Rafael |
Marin County Veterans Auditorium flac16; Recording: Sony ECM-939LT stereo mics (x2) > Marantz PMD-340 cassette deck Taped onto TDK AD-X normal bias tape, with Dolby on Set up in center seat, two rows behind the soundboard Mics raised aprx seven and a half feet on a tent pole Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > TLH > FLAC Soundforge used as noted below. CD-Wave for Track-ID's, Trader's Little Helper to verify SBE-OK and make checksums, and Flac Frontend for lossless compression
|
notes
|
| 6986. |
04/06/84 |
Shn - 0,
10159 |
Las Vegas |
Aladdin Theater SBD>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
|
notes
|
| 6987. |
04/06/84 |
Flac 16 - 0,
109232 |
Las Vegas |
Aladdin Theater flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (13th row-center) > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 6988. |
04/06/84 |
Flac 16 - 0,
77310 |
Las Vegas |
Aladdin Theater flac16; Source: Nakamichi CM300*(with CP1 Card caps)>Sony TCD-5M Location: FOB/Right Center Orch. Sec. 1 Row M/Stand at 6-7 Feet Transfer: Sony D5M>Sound Device 722@24/96>Adobe Aud. 2.0> 16 bit>Cdwav>flac16. Tapers: Tony Suraci and Eugene D'alessandro
|
notes
|
| 6989. |
04/06/84 |
Flac 16 - 0,
148570 |
Las Vegas |
Aladdin Theater flac16; Source Info: Master Soundboard Cassettes; Sony D6 (dolby C) > Dat > PCM; Transfer Info: PCM (unknown equipment) > .wav 16/44.1 > Adobe Audition 2019 > TLH > flac16
|
notes
|
| 6990. |
04/07/84 |
Shn - 0,
13816 |
Irvine |
Irvine Meadows sbd>MC>Dat>cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd
|
notes
|
| 6991. |
04/07/84 |
Flac 16 - 0,
135528 |
Irvine |
Irvine Meadows flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD (shnid=13816); Transfer Info: CD -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC; All Patching and Remastering By Charlie Miller
|
notes
|
| 6992. |
04/07/84 |
Flac 16 - 0,
108618 |
Irvine |
Irvine Meadows flac16; source: 3 Beyer M160's > Nak100 > Sony TC-D5M - 17th Row Center - analog master cassettes - TDK MA-R90's transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 6993. |
04/07/84 |
Flac 16/48 - 0,
146012 |
Irvine |
Irvine Meadows flac16/48kHz; Soundboard Master from The Knudsen Collection at Lossless Legs; Nakamichi CR-7A -> Sound Devices MixPre-3M
|
notes
|
| 6994. |
04/13/84 |
Flac - 0,
27733 |
Hampton |
Hampton Coliseum flac16; SBD> Cassette Master> Cassette> Dat (Panasonic SV3800/48k), plus patches from Eaton FOB Neumann U87> Cass source; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
|
notes
|
| 6995. |
04/13/84 |
Flac 16 - 0,
123178 |
Hampton |
Hampton Coliseum flac16; MAC; Nakamichi 300's(w/shotguns) > Sony D5 > Sony D6 (master) > 2 x Maxell XLII 90; Location/Info: center, directly behind SBD, 10-12 feet high; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@ 24/88.2)> Lynx AES16e> WaveLab 7.2.1> .wav @ 24/88.2> Crystal Resampler> Apogee UV22HR> .wav @16/44.1> xACT(encoding/tracking/meta tagging)> flac16 (level eight); Tapers: Mark McCue and Kurt Casey; Transfer, editing and mastering: Alex Ford
|
notes
|
| 6996. |
04/13/84 |
Flac 16 - 0,
126039 |
Hampton |
Hampton Coliseum flac16; Master: 2 Beter M-160s and Sony TC-D5m; 2nd deck in line after another D5; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
|
notes
|
| 6997. |
04/13/84 |
Flac 16 - 0,
137369 |
Hampton |
Hampton Coliseum flac16; Set 2 Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Robert Bryant 24bit > 16bit with r8brain
|
notes
|
| 6998. |
04/13/84 |
Flac 24 - 0,
137367 |
Hampton |
Hampton Coliseum flac24; Set 2 Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded By Robert Bryant
|
notes
|
| 6999. |
04/13/84 |
Flac 24/48 - 0,
132772 |
Hampton |
Hampton Coliseum flac24; Source:Sennheiser MKE2002 Binaurals mounted on fake head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC; Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH); Transferred by Kyle Holbrook
|
notes
|
| 7000. |
04/13/84 |
Flac 16 - 0,
132771 |
Hampton |
Hampton Coliseum flac16; Source:Sennheiser MKE2002 Binaurals mounted on fake head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi LX-5 >ESI Juli@ at 24/48> Wavelab >FLAC; Recorded by executive crew (SM,CK (owner of MKE2002s),TP,KH); Transferred by Kyle Holbrook
|
notes
|
| 7001. |
04/13/84 |
Flac 24/96 - 0,
122974 |
Hampton |
Hampton Coliseum flac24; source: (3) audio technica atm 11 fob>tcm-d-5; conversion: sony tc we435> sony pcm m-10 96khz/24bit> cdwave> traders little helper encoding option 8; conversion rate: 96khz/24bit
|
notes
|
| 7002. |
04/13/84 |
Flac 16 - 0,
109288 |
Hampton |
Hampton Coliseum flac16; source: 3 Beyer M160's (up front) > custom made blend box> Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7003. |
04/13/84 |
Flac 16 - 0,
90470 |
Hampton |
Hampton Coliseum flac16; Recording Info: (FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 7004. |
04/13/84 |
Shn - 0,
34469 |
Hampton |
Hampton Coliseum Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Location: FOB and to the left to avoid blocking view MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity Normalization > WAV > CDWave > WAVs > mkwAC > SHNs
|
notes
|
| 7005. |
04/13/84 |
Shn - 0,
21130 |
Hampton |
Hampton Coliseum Rob Eaton FOB Center (Neumann U89)>Sony TC-D5>DAT>CDR>EAC>SHN
|
notes
|
| 7006. |
04/13/84 |
Shn - 0,
1521 |
Hampton |
Hampton Coliseum Neumann U-87 mics > Sony D6 cass > Dat > CDR; via PJ to abgd; includes alternate tracking suggestion for 2 discs
|
notes
|
| 7007. |
04/13/84 |
Flac 16 - 0,
102499 |
Hampton |
Hampton Coliseum flac16;Recording Info:SBD -> Cassette Master -> Cassette -> Dat (Panasonic SV3800/48k); Transfer Info:Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7008. |
04/13/84 |
Flac 24/48 - 0,
149110 |
Hampton |
Hampton Coliseum flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook) Transferred by Kyle Holbrook
|
notes
|
| 7009. |
04/13/84 |
Flac 16/44 - 0,
149109 |
Hampton |
Hampton Coliseum flac 16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook) Transferred by Kyle Holbrook
|
notes
|
| 7010. |
04/13/84 |
Flac 16/48 - ,
154377 |
Hampton |
Hampton Coliseum flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 7011. |
04/13/84 |
Flac 24/96 - ,
154378 |
Hampton |
Hampton Coliseum flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 7012. |
04/13/84 |
Flac 24/96 - ,
155212 |
Hampton |
Hampton Coliseum FLAC 2496 Recording Info: (FOB) Neumann U87 > Cassette Master (Nakamichi 550) Transfer Info: Master Cassettes (Nakamichi Dragon) > Avid Mbox Pro > Pro Tools 12 (WAV 24-bit/96k) Mastering Info: WAV > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 7013. |
04/13/84 |
Flac 16/44 - ,
155699 |
Hampton |
Hampton Coliseum FLAC 16/44 Recording Info: (FOB) Neumann U87 > Cassette Master (Nakamichi 550) Transfer Info: Master Cassettes (Nakamichi Dragon) > Avid Mbox Pro > Pro Tools 12 (WAV 24-bit/96k) Mastering Info: WAV > Samplitude Pro X6 Suite > FLAC/24 This is 155212 2496 > 1644
|
notes
|
| 7014. |
04/14/84 |
Flac 16 - 0,
105836 |
Hampton |
Hampton Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5/Dolby B/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7015. |
04/14/84 |
Flac 16 - 0,
109331 |
Hampton |
Hampton Coliseum flac16; source: 2 Beyer M160's & 1 Sennheiser 421 Microphones (up front) > Nak MX100 w/2001> Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7016. |
04/14/84 |
Flac 16 - 0,
32501 |
Hampton |
Hampton Coliseum flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Transferred and Edited By Charlie Miller; Upgrade in circulation
|
notes
|
| 7017. |
04/14/84 |
Flac 16 - 0,
126040 |
Hampton |
Hampton Coliseum flac16; Master: 2 Sennhesier 441s and Sony TC-D5m Cassette Master; 2nd deck in line after another D5; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
|
notes
|
| 7018. |
04/14/84 |
Flac 24 - 0,
139328 |
Hampton |
Hampton Coliseum flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
|
notes
|
| 7019. |
04/14/84 |
Flac 16 - 0,
139327 |
Hampton |
Hampton Coliseum flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/16
|
notes
|
| 7020. |
04/14/84 |
Flac 24/96 - 0,
123023 |
Hampton |
Hampton Coliseum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7021. |
04/14/84 |
Flac 16 - 0,
90595 |
Hampton |
Hampton Coliseum flac16; Recording Info: (FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 7022. |
04/14/84 |
Flac 16 - 0,
79652 |
Hampton |
Hampton Coliseum flac16; (FOB) MAC: Sennheiser 421s (shoulder level) > Sony D5 > Sony D5 > Maxell XLII 90s Location: FOB. 15-20 feet from stage, DFC Tapers: unknown & Mark McCue Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > CDWAV > Trader's Little Helper > FLAC16. Master audience cassettes supplied by Mark McCue. Transfer, edits & upload to bt.etree.org by Alex Ford 11/01/2006.
|
notes
|
| 7023. |
04/14/84 |
Flac 16 - 0,
34901 |
Hampton |
Hampton Coliseum flac16; Source: FOB Sennheiser 441s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on cleaned/demagged Nakamich DR-2 > Presonus Firebox preamp/A-D > firewire > 2 GHz P4 PC - XP Pro > Wavelab 5, recorded as 24 bit/96 KHz WAV > rendered to 16 bit/44.1 KHz WAV using Waves L3 Multimaximizer, hi res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer and editing by C.Ladner
|
notes
|
| 7024. |
04/14/84 |
Shn - 0,
34555 |
Hampton |
Hampton Coliseum Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Location: behind SBD and to the left. Taped and transfered to shn by Charles Bandrofcheck. MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Audacity Normaliation > WAV > CDWave > WAVs > mkwAC > SHN
|
notes
|
| 7025. |
04/14/84 |
Shn - 0,
12572 |
Hampton |
Hampton Coliseum 3 Nak 701s > MX-100(modified) > D5 > D10 > SHN (track names originally in the form of "d1t1.shn" - original md5 was not consistent with this file naming. with consistent file naming, all SHNs do verify)
|
notes
|
| 7026. |
04/14/84 |
Shn - 0,
1562 |
Hampton |
Hampton Coliseum Neumann U-87 mics > Sony D-6 > DAT > CDR; d2 is 80 min; via PJ to abgd; (thanks to Trip Bates for txt/md5 here)
|
notes
|
| 7027. |
04/14/84 |
Flac 24/96 - 0,
148458 |
Hampton |
Hampton Coliseum flac24; Source Info: Bill Koucky's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5 (Maxell MX90) (2nd deck in line, in the pit); Transfer Info: Master Cassettes (Nakamichi DR-1) > Edirol UA-5 24/96 > WaveLab 6.01 24/96 > Adobe Audition 24/96 > TLH flac2496
|
notes
|
| 7028. |
04/14/84 |
Flac 16/48 - 0,
148457 |
Hampton |
Hampton Coliseum flac16/48kHz; Source Info: Bill Koucky's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5 (Maxell MX90) (2nd deck in line, in the pit); Transfer Info: Master Cassettes (Nakamichi DR-1) > Edirol UA-5 24/96 > WaveLab 6.01 24/96 > Adobe Audition 24/96 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7029. |
04/14/84 |
Flac 24/48 - 0,
149112 |
Hampton |
Hampton Coliseum flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook) Transferred by Kyle Holbrook
|
notes
|
| 7030. |
04/14/84 |
Flac 16/44 - 0,
149111 |
Hampton |
Hampton Coliseum flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60 feet from stage >Sony TCD5M >Maxell Metal 100s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook) Transferred by Kyle Holbrook
|
notes
|
| 7031. |
04/14/84 |
Flac 24/48 - 0,
149491 |
Hampton |
Hampton Coliseum flac24/48khz Source: MAUD CA: Beyer M201's XY 60 feet from stage >Sony TCD5M > s1 Sony Metallic90; s2:TDK MA c90 No Dolby Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook, Mike Yacavone, Olvy Johnson) Transferred by Kyle Holbrook
|
notes
|
| 7032. |
04/14/84 |
Flac 16/44,1 - 0,
149490 |
Hampton |
Hampton Coliseum flac16/44.1khz Source: MAUD CA: Beyer M201's XY 60 feet from stage >Sony TCD5M > s1 Sony Metallic90; s2:TDK MA c90 No Dolby Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew (Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook, Mike Yacavone, Olvy Johnson) Transferred by Kyle Holbrook
|
notes
|
| 7033. |
04/14/84 |
Flac 16/48 - ,
154427 |
Hampton |
Hampton Coliseum flac16/48 Source Info: Master Audience Cassettes; (2) Beyer M160 + (1) Beyer M88 blend > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 7034. |
04/14/84 |
Flac 24/96 - ,
154428 |
Hampton |
Hampton Coliseum flac24/96 Source Info: Master Audience Cassettes; (2) Beyer M160 + (1) Beyer M88 blend > Unknown deck > Jim Vita's 1st generation cassettes (Maxell MX 90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 7035. |
04/14/84 |
Flac 16 Mtx - ,
161418 |
Hampton |
Hampton Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 105836 & 154427.
|
notes
|
| 7036. |
04/16/84 |
Flac 16 - 0,
109343 |
Rochester |
Community War Memorial Auditorium flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (12th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7037. |
04/16/84 |
Flac 16 - 0,
127159 |
Rochester |
Community War Memorial Auditorium flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 02/2014
|
notes
|
| 7038. |
04/16/84 |
Flac 16 - 0,
133031 |
Rochester |
Community War Memorial Auditorium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 7039. |
04/16/84 |
Flac 24/96 - 0,
133032 |
Rochester |
Community War Memorial Auditorium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 7040. |
04/16/84 |
Flac 24/48 - 0,
127158 |
Rochester |
Community War Memorial Auditorium flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 02/2014
|
notes
|
| 7041. |
04/16/84 |
Flac 16 - 0,
106621 |
Rochester |
Community War Memorial Auditorium flac16; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded FOB by Bob Morris
|
notes
|
| 7042. |
04/16/84 |
Flac 16 - 0,
32884 |
Rochester |
Community War Memorial Auditorium flac16; Source: FOB Sennheiser 441s > Sony D5. Patched out of Steve Adleman's D5>D5 at the show. Transfer: MAC playback on Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs extracted with EAC to WAV > FLAC. Originally recorded to analog MAC and transferred to digital realm by B.Koucky. Editing/remastering: All editing with Wavelab 5 (Level fluctuations adjusted using gain function > Tape pauses between tracks during the first set & tape flips smoothed with crossfades > Waves L3 Multimaximizer at -1.1 dB threshold, ceiling -0.1 dB with hi res CD rendering > CDWAV 1.9 > FLAC (level 5) > bt.etree.org by C.Ladner.
|
notes
|
| 7043. |
04/16/84 |
Flac 16/48 - 0,
137003 |
Rochester |
Community War Memorial Auditorium flac16/48kHz; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7044. |
04/16/84 |
Flac 24/96 - 0,
141022 |
Rochester |
Community War Memorial Auditorium flac24; Source Info: Ray Ackerman's Master Audience Cassettes ; 2 x Nakamichi 300/CP4 + 1 x Nakamichi 300/CP1 center fill > unknown mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkii)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96
|
notes
|
| 7045. |
04/16/84 |
Flac 16 - 0,
141021 |
Rochester |
Community War Memorial Auditorium flac16; Source Info: Ray Ackerman's Master Audience Cassettes ; 2 x Nakamichi 300/CP4 + 1 x Nakamichi 300/CP1 center fill > unknown mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkii)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7046. |
04/16/84 |
Flac 24/96 - 0,
113880 |
Rochester |
Community War Memorial Auditorium flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
|
notes
|
| 7047. |
04/16/84 |
Shn - 0,
1298 |
Rochester |
Community War Memorial Auditorium Neumann U-87 > Sony d-6 >dat >cdr; d2 tracked for 80 min; posted to abgd
|
notes
|
| 7048. |
04/16/84 |
Flac 16 - 0,
35408 |
Rochester |
Community War Memorial Auditorium flac16; Pitch corrected and patched version of shn id 32884 - FOB Sennheiser 441s > Sony D5 > DAT > CD > EAC > FLAC by Bill Tetzeli. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 7049. |
04/16/84 |
Flac 24/96 - 0,
123069 |
Rochester |
Community War Memorial Auditorium flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000Hz/24 bit
|
notes
|
| 7050. |
04/16/84 |
Flac 24/48 - 0,
149114 |
Rochester |
Community War Memorial Auditorium flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage ROC >Sony TCD5M > Maxell Metal 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
|
notes
|
| 7051. |
04/16/84 |
Flac 16/44,1 - 0,
149113 |
Rochester |
Community War Memorial Auditorium flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage ROC >Sony TCD5M > Maxell Metal 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
|
notes
|
| 7052. |
04/16/84 |
Flac 24/48 - 0,
149493 |
Rochester |
Community War Memorial Auditorium flac24/48khz Recording Information: Source: MAUD CA: Beyer M201's (Hypercardioid) 75 feet from stage DFC >Sony TCD5M > s1:TDK MA90; s2:TDK MA-R90 No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
|
notes
|
| 7053. |
04/16/84 |
Flac 16/44,1 - 0,
149492 |
Rochester |
Community War Memorial Auditorium flac16/44.1khz Recording Information: Source: MAUD CA: Beyer M201's (Hypercardioid) 75 feet from stage DFC >Sony TCD5M > s1:TDK MA90; s2:TDK MA-R90 No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
|
notes
|
| 7054. |
04/16/84 |
Flac 16/48 - ,
154453 |
Rochester |
Community War Memorial Auditorium flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 7055. |
04/16/84 |
Flac 24/96 - ,
154454 |
Rochester |
Community War Memorial Auditorium flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2021 > TLH flac2496
|
notes
|
| 7056. |
04/17/84 |
Flac 16 - 0,
127261 |
Niagara Falls |
Niagara Falls Convention Center flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2014
|
notes
|
| 7057. |
04/17/84 |
Flac 16 - 0,
133027 |
Niagara Falls |
Niagara Falls Convention Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 7058. |
04/17/84 |
Flac 24/96 - 0,
133028 |
Niagara Falls |
Niagara Falls Convention Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 7059. |
04/17/84 |
Flac 24/48 - 0,
127260 |
Niagara Falls |
Niagara Falls Convention Center flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2014
|
notes
|
| 7060. |
04/17/84 |
Flac 16 - 0,
32708 |
Niagara Falls |
Niagara Falls Convention Center flac16; Source: FOB Sennheiser 441 > Sony D5. Transfer: MAC playback on Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs > (EAC)WAV > FLAC. Recorded at the show on analog master cassette and transferred to digital realm by B.Koucky. Editing/FLACing: Pauses between tracks during the first set and tape flips were smoothed with crossfades using Wavelab > Waves L3 Multimaximizer applied at hi res CD rendering settings, threshold of -1.1 dB and ceiling of -0.1 dB > CDWAV 1.9 (tracking/flac'ing). Edits/mastering and flac encoding via C.Ladner.
|
notes
|
| 7061. |
04/17/84 |
Flac 16 - 0,
109346 |
Niagara Falls |
Niagara Falls Convention Center flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (way up front) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7062. |
04/17/84 |
Flac 16 - 0,
79670 |
Niagara Falls |
Niagara Falls Convention Center flac16; (FOB) MAC: 3 Beyer mics > Sony D5 > Teac mdx 90s: Location: FOB, 20-30 feet from stage; Taper: Mark McCue ;Master audience cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford
|
notes
|
| 7063. |
04/17/84 |
Flac 16/48 - 0,
137250 |
Niagara Falls |
Niagara Falls Convention Center flac16/48kHz; Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7064. |
04/17/84 |
Flac 24 - 0,
139330 |
Niagara Falls |
Niagara Falls Convention Center flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
|
notes
|
| 7065. |
04/17/84 |
Flac 16 - 0,
139329 |
Niagara Falls |
Niagara Falls Convention Center flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/16
|
notes
|
| 7066. |
04/17/84 |
Flac 24 - 0,
140463 |
Niagara Falls |
Niagara Falls Convention Center flac24; source: ots 12’ > nak 300 > tcd5m > master = tdk ma90 +dolby > master via tascam 122 mk ii > apogee rosetta 200 > (24/96) > audacity (normalize, tracks, fades) > xact (tags, ffp, md5); recorded: david barfield + david lane; transfer-seeded: barfield
|
notes
|
| 7067. |
04/17/84 |
Flac 24/96 - 0,
141837 |
Niagara Falls |
Niagara Falls Convention Center flac24; Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
|
notes
|
| 7068. |
04/17/84 |
Shn - 0,
8460 |
Niagara Falls |
Niagara Falls Convention Center FOB Nak 300>?>CDR; Seeded to etree by JT James
|
notes
|
| 7069. |
04/17/84 |
Flac 16 - 0,
90543 |
Niagara Falls |
Niagara Falls Convention Center flac16; Recording Info: (FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 7070. |
04/17/84 |
Flac 16 - 0,
79556 |
Niagara Falls |
Niagara Falls Convention Center flac16; 1 Audio Technica + 2 Nakamichi 300s/cp4s > Sony D5 > DAT > CDR Location: FOB Taper: unknown Transfer: EAC (no errors) > CDWAV > TLH > FLAC16. Source CD-Rs provided by Mark McCue. Transfer from CDR through FLAC16 by Alex Ford. This source may be derived from the same master as shn id 8460
|
notes
|
| 7071. |
04/17/84 |
Shn - 0,
28762 |
Niagara Falls |
Niagara Falls Convention Center 2 Beyer M160 > Sony TCD5M Master Cassette FOB > SHN
|
notes
|
| 7072. |
04/17/84 |
Flac 16 - 0,
86942 |
Niagara Falls |
Niagara Falls Convention Center flac16; Recorded by Gordon Sharpless Master Audience Cassette; 2 Neumann U-87s> Nakamichi 550> Sony D5 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3> Digital Audio Labs Card Deluxe soundcard > Adobe Audition > flac encoding > FLAC
|
notes
|
| 7073. |
04/17/84 |
Flac 16 - 0,
96460 |
Niagara Falls |
Niagara Falls Convention Center flac16; ATII/Nak 300 FOB ud>?>CDR>EAC>SHN > ? > FLAC
|
notes
|
| 7074. |
04/17/84 |
Flac 24/96 - 0,
113881 |
Niagara Falls |
Niagara Falls Convention Center flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
|
notes
|
| 7075. |
04/17/84 |
Flac 24/96 - 0,
123129 |
Niagara Falls |
Niagara Falls Convention Center flac24; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7076. |
04/17/84 |
Flac 16 - 0,
107548 |
Niagara Falls |
Niagara Falls Convention Center flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 7077. |
04/17/84 |
Flac 16 - 0,
145332 |
Niagara Falls |
Niagara Falls Convention Center flac16; source: ots 12’ > nak 300 > tcd5m > master = tdk ma90 +dolby > master via tascam 122 mk ii > apogee rosetta 200 > (24/96) > audacity (normalize, tracks, fades); recorded: david barfield + david lane; transfer-seeded: barfield; This file set is 16 bit @ 44.1
|
notes
|
| 7078. |
04/17/84 |
Flac 16 - 0,
145264 |
Niagara Falls |
Niagara Falls Convention Center flac16; Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1
|
notes
|
| 7079. |
04/17/84 |
Flac 24/48 - 0,
149173 |
Niagara Falls |
Niagara Falls Convention Center flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
|
notes
|
| 7080. |
04/17/84 |
Flac 16/44 - 0,
149172 |
Niagara Falls |
Niagara Falls Convention Center flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
|
notes
|
| 7081. |
04/17/84 |
Flac 24/48 - 0,
149495 |
Niagara Falls |
Niagara Falls Convention Center flac24/48khz Recording Information: Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
|
notes
|
| 7082. |
04/17/84 |
Flac 16/44,1 - 0,
149494 |
Niagara Falls |
Niagara Falls Convention Center flac16/44.1khz Recording Information: Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson
|
notes
|
| 7083. |
04/17/84 |
Flac 16/48 - ,
154529 |
Niagara Falls |
Niagara Falls Convention Center flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
|
notes
|
| 7084. |
04/17/84 |
Flac 24/96 - ,
154530 |
Niagara Falls |
Niagara Falls Convention Center flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
|
notes
|
| 7085. |
04/19/84 |
Flac 16 - 0,
27892 |
Philadelphia |
Philadelphia Civic Center flac16; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller
|
notes
|
| 7086. |
04/19/84 |
Flac 16 - 0,
118658 |
Philadelphia |
Philadelphia Civic Center flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat (SV3800/48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7087. |
04/19/84 |
Flac 24/96 - 0,
132980 |
Philadelphia |
Philadelphia Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Sennheiser 421's (X-Y Cross) And 2 Nakamichi CM300/CP4 Shotguns (Spread) > Unknown Mixer > Sony D5, Tapes:Maxell UDXLII - 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 7088. |
04/19/84 |
Flac 16 - 0,
132979 |
Philadelphia |
Philadelphia Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Sennheiser 421's (X-Y Cross) And 2 Nakamichi CM300/CP4 Shotguns (Spread) > Unknown Mixer > Sony D5, Tapes:Maxell UDXLII - 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 7089. |
04/19/84 |
Shn - 0,
19598 |
Philadelphia |
Philadelphia Civic Center Sbd > Cassette Master > Cassette > Dat x 2 > CDR > SHN; Seeded to FurthurNET; upgrade in circulation
|
notes
|
| 7090. |
04/19/84 |
Flac 24/96 - 0,
135777 |
Philadelphia |
Philadelphia Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell mx90’s, dolby b, FOB, section 102 Row O; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
|
notes
|
| 7091. |
04/19/84 |
Flac 16 - 0,
135776 |
Philadelphia |
Philadelphia Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell mx90’s, dolby b, FOB, section 102 Row O; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berge
|
notes
|
| 7092. |
04/19/84 |
Flac 16 - 0,
139155 |
Philadelphia |
Philadelphia Civic Center flac16; Jeff Silberman (FOB) Recording: Sennheiser 441's > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/44
|
notes
|
| 7093. |
04/19/84 |
Flac 24 - 0,
139332 |
Philadelphia |
Philadelphia Civic Center flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
|
notes
|
| 7094. |
04/19/84 |
Flac 16 - 0,
139331 |
Philadelphia |
Philadelphia Civic Center flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/16
|
notes
|
| 7095. |
04/19/84 |
Flac 16 - 0,
142045 |
Philadelphia |
Philadelphia Civic Center flac16; Jeff Silberman (FOB/15th row) Recording: Sennheiser 441's > PCM (Technics SV-100 14bit); Charlie Miller Transfer: from Ted's clone of Jeff's master > Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
|
notes
|
| 7096. |
04/19/84 |
Flac 16 - 0,
109352 |
Philadelphia |
Philadelphia Civic Center flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (12th row-center) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7097. |
04/19/84 |
Flac 16 - 0,
99667 |
Philadelphia |
Philadelphia Civic Center flac16; Source: (fob) Nakamichi CM300/CP4->Sony D-5M (Dolby B encoded)->TDK MA90 (x2)->Sony D-5M (Dolby B decoded) ->Korg MR-1000 (1Bit/5.6MHz)->AudioGate->16/44.1 wav->Soundforge 8.0->flac; Tapers: Dave Barfield and Dave Lane; Transferred and seeded by M. Watson
|
notes
|
| 7098. |
04/19/84 |
Shn - 0,
34680 |
Philadelphia |
Philadelphia Civic Center Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Transfer: MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > SoundForge 5.0 normalization > WAV > CDWave > WAVs > mkwAC > SHNs Location: front of tapers section Transfer and seed by Charles Bandrofcheck
|
notes
|
| 7099. |
04/19/84 |
Shn - 0,
14013 |
Philadelphia |
Philadelphia Civic Center AUD>MC>CD; via Paul B; Seeded to etree by Willy
|
notes
|
| 7100. |
04/19/84 |
Flac 24/48 - 0,
149497 |
Philadelphia |
Philadelphia Civic Center flac24/48khz Recording Information: Source 1: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Source 2: 2 Beyer M160 (hypercardioid)& 1 Sennheiser 421 (hypercardioid)> Nakamichi MX100 mixer > Sony TCD5M Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
|
notes
|
| 7101. |
04/19/84 |
Flac 16/44,1 - 0,
149496 |
Philadelphia |
Philadelphia Civic Center flac16/44.1khz Recording Information: Source 1: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Source 2: 2 Beyer M160 (hypercardioid)& 1 Sennheiser 421 (hypercardioid)> Nakamichi MX100 mixer > Sony TCD5M Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
|
notes
|
| 7102. |
04/19/84 |
Flac 24/96 - ,
154719 |
Philadelphia |
Philadelphia Civic Center flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row O, seat 15); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
|
notes
|
| 7103. |
04/19/84 |
Flac 16/48 - ,
154718 |
Philadelphia |
Philadelphia Civic Center flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row O, seat 15); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
|
notes
|
| 7104. |
04/19/84 |
Flac 16 Mtx - ,
166575 |
Philadelphia |
Philadelphia Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 118658 & 154718.
|
notes
|
| 7105. |
04/20/84 |
Flac 16 - 0,
103432 |
Philadelphia |
Philadelphia Civic Center flac16; Recording Info:SBD -> Cassette Master -> Reel -> Dat (SV3800/48k) -> WAV; Transfer Info: WAV -> Samplitude v7.02 Professional -> Cool Edit Pro v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7106. |
04/20/84 |
Flac 16 - 0,
132941 |
Philadelphia |
Philadelphia Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 7107. |
04/20/84 |
Flac 24/96 - 0,
132942 |
Philadelphia |
Philadelphia Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 7108. |
04/20/84 |
Shn - 0,
11873 |
Philadelphia |
Philadelphia Civic Center Master Soundboard Cassette > Cassette > CDR; CD Mastering, Shn'ed and Seeded by Scott Clugston; also to abgd via Charlie Connor; upgrade in circulation
|
notes
|
| 7109. |
04/20/84 |
Flac 16 - 0,
27775 |
Philadelphia |
Philadelphia Civic Center flac16; SBD> Cassette Master> Reel> Dat (SV3800/48k)> Samplitude v7.02 Professional> FLAC; Converted and Edited By Charlie Miller (note: a fixed fileset was circulated to correct a flaw in d2t02; additionally this source originally circulated tracked for 2 discs. The info below reflects the best available version of this source.)
|
notes
|
| 7110. |
04/20/84 |
Flac 24/96 - 0,
135799 |
Philadelphia |
Philadelphia Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
|
notes
|
| 7111. |
04/20/84 |
Flac 16 - 0,
135800 |
Philadelphia |
Philadelphia Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 xACT flac; transferred and seeded by Rob Berger
|
notes
|
| 7112. |
04/20/84 |
Flac 16 - 0,
139156 |
Philadelphia |
Philadelphia Civic Center flac16; Jeff Silberman (FOB) Recording: Sennheiser 441's > PCM > DAT; Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/44
|
notes
|
| 7113. |
04/20/84 |
Flac 24 - 0,
139334 |
Philadelphia |
Philadelphia Civic Center flac24 Set 1 Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24
|
notes
|
| 7114. |
04/20/84 |
Flac 16 - 0,
139333 |
Philadelphia |
Philadelphia Civic Center flac16; Set 1 Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/16
|
notes
|
| 7115. |
04/20/84 |
Flac 24/96 - 0,
141519 |
Philadelphia |
Philadelphia Civic Center flac24; Set 2 Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
|
notes
|
| 7116. |
04/20/84 |
Shn - 0,
7854 |
Philadelphia |
Philadelphia Civic Center Source Senn 441 > PCM Digital Audience (up-front) > DAT (SV3700) > DAT (Fostex D10) > CDR (Single WAV) > CDR-WAV (wav splits) > SHN (via MKWACT); via JR Fishman
|
notes
|
| 7117. |
04/20/84 |
Shn - 0,
4769 |
Philadelphia |
Philadelphia Civic Center DAUD(FOB/Senn 441s by Jim Wise)>PCM>DAT>CDA>SHN
|
notes
|
| 7118. |
04/20/84 |
Flac 16 - 0,
120265 |
Philadelphia |
Philadelphia Civic Center flac16; AKG 224's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche
|
notes
|
| 7119. |
04/20/84 |
Flac 16 - 0,
109353 |
Philadelphia |
Philadelphia Civic Center flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (14th row-center) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7120. |
04/20/84 |
Flac 16 - 0,
144957 |
Philadelphia |
Philadelphia Civic Center flac16; Set 2 Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1
|
notes
|
| 7121. |
04/20/84 |
Flac 24/48 - 0,
149499 |
Philadelphia |
Philadelphia Civic Center flac24/48khz Recording Information: Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
|
notes
|
| 7122. |
04/20/84 |
Flac 16/44,1 - 0,
149498 |
Philadelphia |
Philadelphia Civic Center flac16/44.1khz Recording Information: ** This is a 16 bit fileset ** Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
|
notes
|
| 7123. |
04/20/84 |
Flac 24/48 - 0,
149751 |
Philadelphia |
Philadelphia Civic Center flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 45 feet from stage ROC (13th row) >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from second deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
|
notes
|
| 7124. |
04/20/84 |
Flac 16/44,1 - 0,
149750 |
Philadelphia |
Philadelphia Civic Center flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 45 feet from stage ROC (13th row) >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from second deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
|
notes
|
| 7125. |
04/20/84 |
Flac 24/96 - ,
154737 |
Philadelphia |
Philadelphia Civic Center flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
|
notes
|
| 7126. |
04/20/84 |
Flac 16/48 - ,
154736 |
Philadelphia |
Philadelphia Civic Center flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
|
notes
|
| 7127. |
04/20/84 |
Flac 16 Mtx - ,
166578 |
Philadelphia |
Philadelphia Civic Center
|
notes
|
| 7128. |
04/21/84 |
Flac 24/96 - 0,
132913 |
Philadelphia |
Philadelphia Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 7129. |
04/21/84 |
Flac 16 - 0,
132913 |
Philadelphia |
Philadelphia Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:2 Nak 300's - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 7130. |
04/21/84 |
Flac 24/96 - 0,
135804 |
Philadelphia |
Philadelphia Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
|
notes
|
| 7131. |
04/21/84 |
Flac 16 - 0,
135805 |
Philadelphia |
Philadelphia Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, FOB, section 102 Row Y; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac;transferred and seeded by Rob Berger
|
notes
|
| 7132. |
04/21/84 |
Flac 16 - 0,
136794 |
Philadelphia |
Philadelphia Civic Center flac16; Source: AUD FOB 2 Beyer 160s->sony TCD5M->Sony CDR-W66->EAC->cdwave->CD
|
notes
|
| 7133. |
04/21/84 |
Flac 16 - 0,
106643 |
Philadelphia |
Philadelphia Civic Center flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded by Bob & Amanda Morris, lower balcony Row J, Seats 5 & 6.
|
notes
|
| 7134. |
04/21/84 |
Flac 16/48 - 0,
137247 |
Philadelphia |
Philadelphia Civic Center flac16/48kHz; Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7135. |
04/21/84 |
Flac 16/48 - 0,
137273 |
Philadelphia |
Philadelphia Civic Center flac16/48kHz: 5.1 LPCM Surround Sound (48k) - SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - mixing by Kevin Tobin
|
notes
|
| 7136. |
04/21/84 |
Flac Dts 5.1 - 0,
137272 |
Philadelphia |
Philadelphia Civic Center DTS-Audio-CD 5.1 Mix: SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - matrix mixing by Kevin Tobin
|
notes
|
| 7137. |
04/21/84 |
Flac 16 Mtx - 0,
137271 |
Philadelphia |
Philadelphia Civic Center flac16; Matrix 2 Source Mix - SBD (shnid=137247) Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shn id 10035) Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes - matrix mixing by Kevin Tobin
|
notes
|
| 7138. |
04/21/84 |
Flac 16 - 0,
137380 |
Philadelphia |
Philadelphia Civic Center flac16; FOB; Schoeps (no other info given); DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell
|
notes
|
| 7139. |
04/21/84 |
Flac 16 - 0,
141118 |
Philadelphia |
Philadelphia Civic Center flac16; Source Info: Rob Ackerman's Master Audience Cassettes; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkII)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7140. |
04/21/84 |
Flac 24/96 - 0,
141117 |
Philadelphia |
Philadelphia Civic Center flac24; Source Info: Rob Ackerman's Master Audience Cassettes; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer Info: Master Cassettes (Nakamichi 700 mkII)> Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3.0 (24/96) > TLH flac24/96
|
notes
|
| 7141. |
04/21/84 |
Shn - 0,
34682 |
Philadelphia |
Philadelphia Civic Center Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) Transfer: MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > SoundForge 5.0 normalization > WAV > CDWave > WAVs > mkwAC > SHNs to end of Throwing stones. Very End of Throwing Stones, Not Fade Away & Brokedown place from LMA Source: Neumann U87's (cardioid) > Sony Pro Mixer > Technics SV100 PCM > DAT > CDR Transfer and seed by Charles Bandrofcheck
|
notes
|
| 7142. |
04/21/84 |
Flac 16 - 0,
109391 |
Philadelphia |
Philadelphia Civic Center flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (14th row-center) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7143. |
04/21/84 |
Shn - 0,
18253 |
Philadelphia |
Philadelphia Civic Center Patched Eaton/Silberman FOB (17th Row Split 30 feet) Neumann U87's via Doug Nawrocki
|
notes
|
| 7144. |
04/21/84 |
Flac 24/96 - 0,
113882 |
Philadelphia |
Philadelphia Civic Center flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
|
notes
|
| 7145. |
04/21/84 |
Shn - 0,
10035 |
Philadelphia |
Philadelphia Civic Center Recorded by Rob Eaton and Jeff Silberman -- Rob's Neumann u87 (cardiod setting, split 30', 17th row) > 6 x 9 volts > Teac mic transformers -> Jeff's Technics SV-100 line in @ 14 bits > DAT > CDR > EAC > SHN; see info file for additional notes
|
notes
|
| 7146. |
04/21/84 |
Flac 24/48 - 0,
149501 |
Philadelphia |
Philadelphia Civic Center flac24/48khz Recording Information: Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
|
notes
|
| 7147. |
04/21/84 |
Flac 16/44,1 - 0,
149500 |
Philadelphia |
Philadelphia Civic Center flac16/44.1khz Recording Information: ** This is a 16 bit fileset ** Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 75 feet from stage 25 feet ROC >Sony TCD5M > TDK MA-R90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
|
notes
|
| 7148. |
04/21/84 |
Flac 16/48 - 0,
148828 |
Philadelphia |
Philadelphia Civic Center flac16/48kHz; Source Info: Robert Bryant's Master (FOB) Audience Cassettes; Schoeps CMC4 MK41 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7149. |
04/21/84 |
Flac 24/96 - 0,
148829 |
Philadelphia |
Philadelphia Civic Center flac24; Source Info: Robert Bryant's Master (FOB) Audience Cassettes; Schoeps CMC4 MK41 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7150. |
04/21/84 |
Flac 24/96 - ,
154847 |
Philadelphia |
Philadelphia Civic Center FLAC 2496 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
|
notes
|
| 7151. |
04/21/84 |
Flac 16/48 - ,
154848 |
Philadelphia |
Philadelphia Civic Center FLAC 1648 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row Y, seat 10); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
|
notes
|
| 7152. |
04/21/84 |
Flac 16 Mtx - ,
166581 |
Philadelphia |
Philadelphia Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 137247 & 154848.
|
notes
|
| 7153. |
04/23/84 |
Flac 16 - 0,
105927 |
New Haven |
Veterans' Memorial Coliseum flac16; Recording Info:SBD -> Cassette Master -> Cassette (TDK SA-X90 Dolby B); Transfer Info:Cassette (Nakamichi DR-1 Dolby B) -> Sound Devices 744T (24bit 96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC 16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7154. |
04/23/84 |
Flac 16 - 0,
126316 |
New Haven |
Veterans' Memorial Coliseum flac16; 2nd set only. AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2013
|
notes
|
| 7155. |
04/23/84 |
Flac 16 - 0,
132885 |
New Haven |
Veterans' Memorial Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 7156. |
04/23/84 |
Flac 24/96 - 0,
132886 |
New Haven |
Veterans' Memorial Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 7157. |
04/23/84 |
Flac 16 - 0,
32536 |
New Haven |
Veterans' Memorial Coliseum flac16; Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90 / Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton and Joani Walker for the Cassettes -- This is an upgrade to all previous circulating sbd's
|
notes
|
| 7158. |
04/23/84 |
Flac 16 - 0,
31147 |
New Haven |
Veterans' Memorial Coliseum flac16; First Set - Soundboard (unknown lineage) Transfer: Cassette > Sony TC-D5M (no Dolby) > Soundblaster > Soundforge > TLH (to verify SBE-OK & make checksums) > CD-Wave (for Track-ID's) > FLAC Frontend (for lossless compression); upgrade in circulation
|
notes
|
| 7159. |
04/23/84 |
Flac 16 - 0,
32240 |
New Haven |
Veterans' Memorial Coliseum flac16; SBD -> Master Cassette -> Reel -> Dat -> CD Transferred and Edited by Charlie Miller; upgrade in circulation
|
notes
|
| 7160. |
04/23/84 |
Shn - 0,
14949 |
New Haven |
Veterans' Memorial Coliseum 2nd set only; SBD -> Cm -> Reel -> Dat -> CD; Seeded to etree by Charlie Miller; upgrade in circulation
|
notes
|
| 7161. |
04/23/84 |
Flac 24/96 - 0,
123463 |
New Haven |
Veterans' Memorial Coliseum flac24; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7162. |
04/23/84 |
Flac 16 - 0,
109416 |
New Haven |
Veterans' Memorial Coliseum flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7163. |
04/23/84 |
Shn - 0,
14563 |
New Haven |
Veterans' Memorial Coliseum Mark Horvath FOB ATM2?s>Sony TC-D5>MC>CDR; Muddy recording; 2nd set more so than the 1st; via Paul B; Seeded to etree by Willy
|
notes
|
| 7164. |
04/23/84 |
Flac 24/48 - 0,
149175 |
New Haven |
Veterans' Memorial Coliseum flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals worn on head 60-70 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
|
notes
|
| 7165. |
04/23/84 |
Flac 16/44 - 0,
149174 |
New Haven |
Veterans' Memorial Coliseum flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals worn on head 60-70 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
|
notes
|
| 7166. |
04/23/84 |
Flac 24/48 - 0,
149582 |
New Haven |
Veterans' Memorial Coliseum flac24/48khz Recording Information: Source: MAUD CA: Beyer M201 hypercardioid XY 90' 60-70 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
|
notes
|
| 7167. |
04/23/84 |
Flac 16/44,1 - 0,
149581 |
New Haven |
Veterans' Memorial Coliseum flac16/44.1khz Source: MAUD CA: Beyer M201 hypercardioid XY 90' 60-70 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
|
notes
|
| 7168. |
04/23/84 |
Flac 16/48 - ,
155349 |
New Haven |
Veterans' Memorial Coliseum flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
|
notes
|
| 7169. |
04/23/84 |
Flac 24/96 - ,
155350 |
New Haven |
Veterans' Memorial Coliseum flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
|
notes
|
| 7170. |
04/24/84 |
Flac 16 - 0,
105854 |
New Haven |
Veterans' Memorial Coliseum flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette, Set 2: SBD -> Cassette Master -> Cassette (TDK SA-X90/Dolby B); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7171. |
04/24/84 |
Flac 16 - 0,
32620 |
New Haven |
Veterans' Memorial Coliseum flac16; Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton, Joani Walker and Jacob Feinberg for the tapes
|
notes
|
| 7172. |
04/24/84 |
Flac 16 - 0,
92518 |
New Haven |
Veterans' Memorial Coliseum flac16; FOB AUD: Patched from unknown mics and lead decks > Marantz PMD-340 > Maxell XLII 90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, June 2008. Transfer by Andrew F.
|
notes
|
| 7173. |
04/24/84 |
Flac 16 - 0,
32537 |
New Haven |
Veterans' Memorial Coliseum flac16; Set 2 Recording Info: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller Thanks to Paul Scotton and Joani Walker for the Cassettes; upgrade in circulation
|
notes
|
| 7174. |
04/24/84 |
Flac 24/48 - 0,
126230 |
New Haven |
Veterans' Memorial Coliseum flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24 bit) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 11/2013
|
notes
|
| 7175. |
04/24/84 |
Flac 16 - 0,
126231 |
New Haven |
Veterans' Memorial Coliseum flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, lower arena riser, straight back, first rows off the floor, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 11/2013
|
notes
|
| 7176. |
04/24/84 |
Flac 24 - 0,
Oade |
New Haven |
Veterans' Memorial Coliseum
|
notes
|
| 7177. |
04/24/84 |
Shn - 0,
14564 |
New Haven |
Veterans' Memorial Coliseum Set 1; AUD (Nak300's)>MC>DAT>CDR Set 2; Mark Horvath FOB ATM2?s> Sony TC-D5>MC>CDR; Set 2 is 'muddy'; via Paul B; Seeded to etree by Willy
|
notes
|
| 7178. |
04/24/84 |
Flac 16 - 0,
109423 |
New Haven |
Veterans' Memorial Coliseum flac16; source: 3 Beyer M160 microphones (13th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7179. |
04/24/84 |
Flac 24/48 - 0,
149587 |
New Haven |
Veterans' Memorial Coliseum flac24/48khz Source: MAUD CA: Beyer M201's (Hypercardioid) 45 feet from stage 6'high DFC >Sony TCD5M > TDK MA90; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook, Gary Steele
|
notes
|
| 7180. |
04/24/84 |
Flac 16/44,1 - 0,
149586 |
New Haven |
Veterans' Memorial Coliseum flac16/44.1khz Source: MAUD CA: Beyer M201's (Hypercardioid) 45 feet from stage 6'high DFC >Sony TCD5M > TDK MA90; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook
|
notes
|
| 7181. |
04/24/84 |
Flac 24/48 - 0,
149940 |
New Haven |
Veterans' Memorial Coliseum flac24/48khz Source: MAUD CA: Sennheiser mke2002 Binaural on dummy head 45 feet from stage 6'high DFC >Sony TCD5M > Sony TCD6M Maxell XLIIS90; No Dolby - Master copy from second deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
|
notes
|
| 7182. |
04/24/84 |
Flac 16/44,1 - 0,
149939 |
New Haven |
Veterans' Memorial Coliseum flac16/44.1khz Source: MAUD CA: Sennheiser mke2002 Binaural on dummy head 45 feet from stage 6'high DFC >Sony TCD5M > Sony TCD6M Maxell XLIIS90; No Dolby - Master copy from second deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
|
notes
|
| 7183. |
04/24/84 |
Flac 24/96 - ,
155621 |
New Haven |
Veterans' Memorial Coliseum flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
|
notes
|
| 7184. |
04/24/84 |
Flac 16/48 - ,
155620 |
New Haven |
Veterans' Memorial Coliseum flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
|
notes
|
| 7185. |
04/26/84 |
Flac 16 - 0,
91432 |
Providence |
Providence Civic Center flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7186. |
04/26/84 |
Flac 16 Mtx - 0,
92297 |
Providence |
Providence Civic Center flac16; MATRIX MIX: SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>Soundtrack>WAV>SHN) May 10, 2008 Remastered June 14, 2008. Cleaned up version of the previous Seamons matrix source
|
notes
|
| 7187. |
04/26/84 |
Flac 16 - 0,
91432 |
Providence |
Providence Civic Center flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7188. |
04/26/84 |
Flac 16 - 0,
125166 |
Providence |
Providence Civic Center flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 07/2013
|
notes
|
| 7189. |
04/26/84 |
Shn - 0,
4770 |
Providence |
Providence Civic Center Master Soundboard Cassette > Cassette > DAT > CDR
|
notes
|
| 7190. |
04/26/84 |
Flac 16 - 0,
92429 |
Providence |
Providence Civic Center flac16; FOB AUD: Patched from unknown mics and lead decks > Marantz PMD-340 > Maxell XLII-S 90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F.
|
notes
|
| 7191. |
04/26/84 |
Flac 24/96 - 0,
135839 |
Providence |
Providence Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, sec 1, row g; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
|
notes
|
| 7192. |
04/26/84 |
Flac 16 - 0,
135838 |
Providence |
Providence Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, sec 1, row g; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger
|
notes
|
| 7193. |
04/26/84 |
Flac 16 - 0,
78773 |
Providence |
Providence Civic Center flac16; Set I - 1st Gen; Sennheiser MKE 2002 (binaural, head worn) > Sony D5 > Sony D5 > Maxell XLII-S (no Dolby) Set II - MAC; Beyer M201s (hyper cards, X-Y) > Sony TC D5M > TDK MA90 (no Dolby) Tapers: Sennheiser MKE 2002s - Chris K./ Beyer M201s - Kyle H. Transfer: Nakamichi CD2 [azimuth adjusted]>Kind Kables rca>xlr>Lunatec V3>coax>Audiophile 24960> CEP 2.0 (normalized_100%)>CD Wave Editor>Traders Little Helper>FLAC16. Transfer, all edits, conversion & upload to bt.etree.org by Alex Ford 10/5/2006.
|
notes
|
| 7194. |
04/26/84 |
Flac 24/48 - 0,
125165 |
Providence |
Providence Civic Center flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24 bit) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 07/2013
|
notes
|
| 7195. |
04/26/84 |
Flac 24/96 - 0,
123621 |
Providence |
Providence Civic Center flac24; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7196. |
04/26/84 |
Flac 16 - 0,
109441 |
Providence |
Providence Civic Center flac16; source: 2 Sennheiser 441's & 1 Beyer M160 microphones (15th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on)- analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7197. |
04/26/84 |
Flac 16 - 0,
125778 |
Providence |
Providence Civic Center flac16; Master: 3 Sennhesier 441s/Yamaha MM10 Mic Mixer and Sony TC-D5m Cassette Master; 16th Row on Phil's side; 1st deck out of mic mixer; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
|
notes
|
| 7198. |
04/26/84 |
Flac 16/44,1 - 0,
149636 |
Providence |
Providence Civic Center flac16/44.1khz Source: set 1: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 50 feet from stage DFC >Sony TCD6M > TDK MA 90s No Dolby - Master copy from 2nd deck run by SM. set 2: MAUD CA: Beyer M201's (Hypercardioid) 50 feet from stage 6'high DFC >Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
|
notes
|
| 7199. |
04/26/84 |
Flac 24/48 - 0,
149635 |
Providence |
Providence Civic Center flac24/48khz Source: set 1: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 50 feet from stage DFC >Sony TCD6M > TDK MA 90s No Dolby - Master copy from 2nd deck run by SM. set 2: MAUD CA: Beyer M201's (Hypercardioid) 50 feet from stage 6'high DFC >Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
|
notes
|
| 7200. |
04/26/84 |
Flac 24/48 - 0,
149898 |
Providence |
Providence Civic Center flac24/48khz Recording Information: Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 50 feet from stage DFC >Sony TCD6M > TDK MA 90s x2.5 No Dolby - Master copy from 2nd deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
|
notes
|
| 7201. |
04/26/84 |
Flac 16/44,1 - 0,
149897 |
Providence |
Providence Civic Center flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 50 feet from stage DFC >Sony TCD6M > TDK MA 90s x2.5 No Dolby - Master copy from 2nd deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
|
notes
|
| 7202. |
04/26/84 |
Flac 16/48 - ,
155745 |
Providence |
Providence Civic Center flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics (section 5, row G, seta10) > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
|
notes
|
| 7203. |
04/26/84 |
Flac 24/96 - ,
155746 |
Providence |
Providence Civic Center flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics (section 5, row G, seta10) > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
|
notes
|
| 7204. |
04/27/84 |
Flac 16 - 0,
32619 |
Providence |
Providence Civic Center flac16; Source: FOB 15th Row Ctr Sennheiser 441 > Sony D5. Transfer: MAC playback on Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs extracted with EAC to WAV > FLAC. Originally recorded and transferred to digital realm by B.Koucky. Mastering: FLAC > WAV > Wavelab 5.0 (crossfaded tape flips, level adjustents and L3 Multimaximizer) > CDWAV 1.9 (tracking) > FLAC (level5) > torrenting by C.Ladner.
|
notes
|
| 7205. |
04/27/84 |
Shn - 0,
3158 |
Providence |
Providence Civic Center mixed source: 1st set - Neumann > D6 > DAT > CDR > EAC > WAV > SHN, 2nd set - MSbd> Cass > DAT > CDR > EAC > WAV > SHN; to abgd.hs by PJ
|
notes
|
| 7206. |
04/27/84 |
Flac 16 - 0,
132605 |
Providence |
Providence Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Sennheiser 421's (X-Y Cross) And 2 Nakamichi CM300/CP4 Shotguns (Spread) > Unknown Mixer > Sony D5, Tapes:Set 1 Maxell UDXLII - 90, Set 2 TDK MA - 90, Tapes Labelled:Master - Ross; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 7207. |
04/27/84 |
Flac 24/96 - 0,
132606 |
Providence |
Providence Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Sennheiser 421's (X-Y Cross) And 2 Nakamichi CM300/CP4 Shotguns (Spread) > Unknown Mixer > Sony D5, Tapes:Set 1 Maxell UDXLII - 90, Set 2 TDK MA - 90, Tapes Labelled:Master - Ross; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 7208. |
04/27/84 |
Flac 16 - 0,
124956 |
Providence |
Providence Civic Center flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 07/2013
|
notes
|
| 7209. |
04/27/84 |
Flac 16 - 0,
135908 |
Providence |
Providence Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row S; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger
|
notes
|
| 7210. |
04/27/84 |
Flac 24/96 - 0,
135909 |
Providence |
Providence Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row S; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
|
notes
|
| 7211. |
04/27/84 |
Flac 16 - 0,
125779 |
Providence |
Providence Civic Center flac16; Master: 3 Sennhesier 441s/Yamaha MM10 Mic Mixer and Sony TC-D5m Cassette Master; 16th Row on Phil's side; 1st deck out of mic mixer; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
|
notes
|
| 7212. |
04/27/84 |
Flac 24/48 - 0,
124955 |
Providence |
Providence Civic Center flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24 bit) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 07/2013
|
notes
|
| 7213. |
04/27/84 |
Flac 24/96 - 0,
123721 |
Providence |
Providence Civic Center flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7214. |
04/27/84 |
Flac 16 - 0,
109471 |
Providence |
Providence Civic Center flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on)- analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7215. |
04/27/84 |
Flac 24/48 - 0,
149652 |
Providence |
Providence Civic Center flac24/48khz Recording Information: Source: MAUD CA: Beyer M201's (Hypercardioid) 50 feet from stage 6'high DFC >Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
|
notes
|
| 7216. |
04/27/84 |
Flac 16/44,1 - 0,
149651 |
Providence |
Providence Civic Center flac16/44.1khz Recording Information:*** This is a 16 bit fileset *** Source: MAUD CA: Beyer M201's (Hypercardioid) 50 feet from stage 6'high DFC >Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
|
notes
|
| 7217. |
04/27/84 |
Flac 24/48 - 0,
149952 |
Providence |
Providence Civic Center flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90 No Dolby -second deck inline run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
|
notes
|
| 7218. |
04/27/84 |
Flac 16 - 0,
149951 |
Providence |
Providence Civic Center flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90 No Dolby -second deck inline run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
|
notes
|
| 7219. |
04/27/84 |
Flac 16/48 - ,
155815 |
Providence |
Providence Civic Center flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics (section 2, row S, seat 7) > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
|
notes
|
| 7220. |
04/27/84 |
Flac 24/96 - ,
155816 |
Providence |
Providence Civic Center flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics (section 2, row S, seat 7) > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
|
notes
|
| 7221. |
04/29/84 |
Flac 16 - 0,
91146 |
Uniondale |
Nassau Coliseum flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller Recorded By Rick Pauline
|
notes
|
| 7222. |
04/29/84 |
Flac 16 - 0,
125853 |
Uniondale |
Nassau Coliseum flac16; Set 2 only; Master: 2 Crown PZM-315 Microphones and Sony TC-D5m Cassette Master microphones spread about 20 feet behind stage, obstructed view seating; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
|
notes
|
| 7223. |
04/29/84 |
Flac 16/48 - 0,
140355 |
Uniondale |
Nassau Coliseum flac1648; 1st Set: Rob Eaton's (FOB) Master Audience Cassette; Neumann U-87 mics > Sony TC-D5M (21st Row, DFC)> Panasonic SV-3800 16/48; 2nd Set: Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac1648
|
notes
|
| 7224. |
04/29/84 |
Flac 16 - 0,
109481 |
Uniondale |
Nassau Coliseum flac16; source: 2 Beyer M160 & 1 Sennheiser 421 mic's (17th row-center) > Nak100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7225. |
04/29/84 |
Shn - 0,
15390 |
Uniondale |
Nassau Coliseum (FOB/14th Row) 3 Beyer M160's -> Cm -> Sound Forge -> CD -> EAC -> SHN; Converted to SHN By Charlie Miller
|
notes
|
| 7226. |
04/29/84 |
Flac 24/96 - 0,
123815 |
Uniondale |
Nassau Coliseum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7227. |
04/29/84 |
Flac 24/48 - 0,
149679 |
Uniondale |
Nassau Coliseum flac24/48khz Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
|
notes
|
| 7228. |
04/29/84 |
Flac 16/44,1 - 0,
149678 |
Uniondale |
Nassau Coliseum flac16/44.1khz Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
|
notes
|
| 7229. |
04/29/84 |
Flac 24/48 - 0,
149684 |
Uniondale |
Nassau Coliseum flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 90 feet from stage DFC (1st row 2nd section)>Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Patch source: MAUD CA Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
|
notes
|
| 7230. |
04/29/84 |
Flac 16/44,1 - 0,
149683 |
Uniondale |
Nassau Coliseum flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 90 feet from stage DFC (1st row 2nd section)>Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Patch source: MAUD CA Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
|
notes
|
| 7231. |
04/30/84 |
Flac 16 - 0,
91165 |
Uniondale |
Nassau Coliseum flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7232. |
04/30/84 |
Flac 16/48 - 0,
140354 |
Uniondale |
Nassau Coliseum flac1648 Set 1: (FOB) Neumann U-87 mics > Sony TC-D5M (21st Row, DFC)> Panasonic SV-3800 16/48; Set 2: Master Soundboard Cassette > Technics Reel To Reel > Panasonic SV-3800 Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 16/48 > Adobe Audition 3.0 -> TLH flac164
|
notes
|
| 7233. |
04/30/84 |
Flac 16 - 0,
34687 |
Uniondale |
Nassau Coliseum flac16; Source: FOB/Row 11 Sennheiser 441s > Sony D5 > Maxell MX90 Type IV Cassettes (Master Audience Cassette). Taped by Bill "whynotus" Koucky. Transfer/Mastering: MAC playback on Nakamichi DR-2 cassette deck > gold RCAs > Audiophile 24/96-Pentium IV PC > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered using Waves XNoise (learn mode) and L3 Multimaximizer, rendered to 16 bit/44.1 KHz WAV using hi-res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8)
|
notes
|
| 7234. |
04/30/84 |
Shn - 0,
5302 |
Uniondale |
Nassau Coliseum aud> senn 441> cassette master> cdr; via Mike Lai with thanks to Alan Powell
|
notes
|
| 7235. |
04/30/84 |
Flac 16 - 0,
109497 |
Uniondale |
Nassau Coliseum flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (17th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7236. |
04/30/84 |
Flac 24/96 - 0,
123922 |
Uniondale |
Nassau Coliseum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7237. |
04/30/84 |
Flac 24/48 - 0,
149177 |
Uniondale |
Nassau Coliseum flac24/48khz Source: 1st Gen AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby -lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
|
notes
|
| 7238. |
04/30/84 |
Flac 16/44 - 0,
149176 |
Uniondale |
Nassau Coliseum flac16/44.1khz Source: 1st Gen AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby -lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steele
|
notes
|
| 7239. |
04/30/84 |
Flac 24/48 - 0,
149695 |
Uniondale |
Nassau Coliseum flac24/48khz Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
|
notes
|
| 7240. |
04/30/84 |
Flac 16/44,1 - 0,
149692 |
Uniondale |
Nassau Coliseum flac16/44.1khz Source: MAUD CA: Beyer M201's (Hypercardioid) 90 feet from stage 6'high DFC (1st row second section from stage)> Sony TCD5M > TDK MA90x2.5; No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
|
notes
|
| 7241. |
04/30/84 |
Flac 24/48 - 0,
149983 |
Uniondale |
Nassau Coliseum flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLIIS 90 s2:TDK MA 90 No Dolby -second deck inline run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
|
notes
|
| 7242. |
04/30/84 |
Flac 16/44,1 - 0,
149982 |
Uniondale |
Nassau Coliseum flac16/44.1khz Recording Information: ** This is a 16 bit fileset ** Source: Master AUDCA: Sennheiser MKE2002 Binaurals worn on head 40-50 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLIIS 90 s2:TDK MA 90 No Dolby -second deck inline run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Gary Steel
|
notes
|
| 7243. |
05/06/84 |
Flac 16 - 0,
107138 |
Eugene |
Silva Hall, Hult Center flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7244. |
05/06/84 |
Flac 16 - 0,
77302 |
Eugene |
Silva Hall, Hult Center flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 7245. |
05/06/84 |
Shn - 0,
18638 |
Eugene |
Silva Hall, Hult Center SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko; upgrade in circulation
|
notes
|
| 7246. |
05/06/84 |
Flac 16 - 0,
29302 |
Eugene |
Silva Hall, Hult Center flac16; Source: Sen 421's > patched thru 3(?) decks > Toshiba KT-R2 Walkman Taped on Sony UCX-S 90 cassette (no dolby on the Toshiba walkman) Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > FLAC; Set 2 Only
|
notes
|
| 7247. |
05/06/84 |
Flac 16/48 - 0,
152043 |
Eugene |
Silva Hall, Hult Center flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7248. |
05/06/84 |
Flac 24/96 - 0,
152044 |
Eugene |
Silva Hall, Hult Center flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7249. |
05/07/84 |
Flac 16 - 0,
96343 |
Eugene |
Silva Hall, Hult Center flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; this source fixes a flaw in the previous source.
|
notes
|
| 7250. |
05/07/84 |
Flac 16 - 0,
77303 |
Eugene |
Silva Hall, Hult Center flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 7251. |
05/07/84 |
Flac 16 - 0,
96297 |
Eugene |
Silva Hall, Hult Center flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; upgrade in circulation.
|
notes
|
| 7252. |
05/07/84 |
Flac 16 - 0,
88850 |
Eugene |
Silva Hall, Hult Center flac16; source: sbd >dat x 2 > wav > shnn > wav > flac; upgrade in circulation
|
notes
|
| 7253. |
05/07/84 |
Shn - 0,
350 |
Eugene |
Silva Hall, Hult Center SBD> Cass> DAT> cdr; via Chris Vinci, Mike Lai; upgrade in circulation
|
notes
|
| 7254. |
05/07/84 |
Flac 16 - 0,
105436 |
Eugene |
Silva Hall, Hult Center flac16; Set 2 Only. Sennheiser 441's > patched thru unknown decks > Toshiba KTR2 Walkman. Recorded in the mezzanine. 1st Gen cassette transferred. Transfer: Maxell XLII > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F.
|
notes
|
| 7255. |
05/07/84 |
Flac 16/48 - 0,
152056 |
Eugene |
Silva Hall, Hult Center flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7256. |
05/07/84 |
Flac 24/96 - 0,
152057 |
Eugene |
Silva Hall, Hult Center flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7257. |
05/08/84 |
Flac 16 - 0,
77312 |
Eugene |
Silva Hall, Hult Center flac16; Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 7258. |
05/08/84 |
Shn - 0,
2573 |
Eugene |
Silva Hall, Hult Center SBD> MR> C> DAT> CDR; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation
|
notes
|
| 7259. |
05/08/84 |
Flac 16 - 0,
134517 |
Eugene |
Silva Hall, Hult Center flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7260. |
05/08/84 |
Flac 16 Mtx - 0,
134627 |
Eugene |
Silva Hall, Hult Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
notes
|
| 7261. |
05/08/84 |
Shn - 0,
12521 |
Eugene |
Silva Hall, Hult Center Set 2 only; (Mics?)>Sony D5>Master AUD Cassette>Cassette>WAV (CDWav)>SHN (MKWAct); Taped by Dave Morris, seeded by Jim Bennett and Brian Bontempo
|
notes
|
| 7262. |
05/08/84 |
Flac 16 - 0,
29304 |
Eugene |
Silva Hall, Hult Center flac16; Source: Sony ECM-939LT stereo mic > Marantz PMD-340 cassette deck. Sony UCX-S 90 cassettes, with Dolby B On. Taped by Andrew F. Mic on 7-foot tent pole, center seat of 30th row (rear orchestra). Transfer: MAC > Sony TC-D5M > Marantz CDR-500 > EAC > Soundforge > CD-Wave > FLAC Soundforge used for fades and to smooth out a few rough spots. There were too many yells and hand-claps to deal with, so I left those as-is. CD-Wave used for track-ID?s, and FLAC Frontend for lossless compression.
|
notes
|
| 7263. |
05/08/84 |
Flac 16/48 - 0,
152058 |
Eugene |
Silva Hall, Hult Center flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7264. |
05/08/84 |
Flac 24/96 - 0,
152059 |
Eugene |
Silva Hall, Hult Center flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7265. |
06/09/84 |
Flac 16 - 0,
77322 |
Sacramento |
Cal Expo flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 7266. |
06/09/84 |
Shn - 0,
18251 |
Sacramento |
Cal Expo SBD > MC > DAT > CD > EAC > SHN via Darryl Hinko; upgrade in circulation
|
notes
|
| 7267. |
06/09/84 |
Shn - 0,
14950 |
Sacramento |
Cal Expo 1st set only; Lineage: SBD -> Cm -> Dat -> MiniDisc -> Samplitude -> CD Recording Info: SBD -> Cm -> Dat; Note- Deal is patched from an aud source; See info file for details; upgrade in circulation
|
notes
|
| 7268. |
06/09/84 |
Flac 16 - 0,
106006 |
Sacramento |
Cal Expo flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7269. |
06/09/84 |
Shn - 0,
14565 |
Sacramento |
Cal Expo AUD (Nak 700?s)>MC>DAT>CD; Missing encore; via Paul B; Seeded to etree by Willy
|
notes
|
| 7270. |
06/09/84 |
Flac 24/48 - 0,
148188 |
Sacramento |
Cal Expo flac24/48 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
|
notes
|
| 7271. |
06/09/84 |
Flac 16/44 - 0,
148187 |
Sacramento |
Cal Expo flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
|
notes
|
| 7272. |
06/09/84 |
Flac 24/96 - 0,
151074 |
Sacramento |
Cal Expo flac24/96khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 7273. |
06/09/84 |
Flac 16/48 - 0,
151073 |
Sacramento |
Cal Expo flac16/48khz Source Info: Bob Wagner's Master (FOB) Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 7274. |
06/10/84 |
Flac 16 - 0,
105976 |
Sacramento |
Cal Expo flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16 ; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7275. |
06/10/84 |
Shn - 0,
10163 |
Sacramento |
Cal Expo SBD>MC>C>DAT>CDR; Stranger & Brokedown cut in, see info file for details; via Paul B; seeded to etree by Willy; upgrade in circulation
|
notes
|
| 7276. |
06/10/84 |
Flac 16 - 0,
77323 |
Sacramento |
Cal Expo flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 7277. |
06/10/84 |
Flac 16 - 0,
32366 |
Sacramento |
Cal Expo FOB: 2Beyer M160s>D5>MC>CDR>EAC>FLAC
|
notes
|
| 7278. |
06/10/84 |
Flac 24/48 - 0,
148190 |
Sacramento |
Cal Expo flac24/48 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
|
notes
|
| 7279. |
06/10/84 |
Flac 16/44 - 0,
148189 |
Sacramento |
Cal Expo flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 40 feet from stage head height Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
|
notes
|
| 7280. |
06/12/84 |
Flac 16 - 0,
78162 |
Morrison |
Red Rocks Ampitheatre flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony Suraci. Transfer and upload by Tony Suraci
|
notes
|
| 7281. |
06/12/84 |
Flac 24/96 - 0,
140182 |
Morrison |
Red Rocks Ampitheatre flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
|
notes
|
| 7282. |
06/12/84 |
Flac 16 - 0,
140181 |
Morrison |
Red Rocks Ampitheatre flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp
|
notes
|
| 7283. |
06/12/84 |
Flac 16 - 0,
122313 |
Morrison |
Red Rocks Ampitheatre flac16; Set 2 Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M; Transfer: Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files; From: 1st generation analog cassette
|
notes
|
| 7284. |
06/12/84 |
Flac 24/48 - 0,
147334 |
Morrison |
Red Rocks Ampitheatre flac24/48khz Recording Information: Source: MAUD CA|Sennheiser MKE2002 Binaurals on Kyle's Head set 1; dummy head set 2 > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
|
notes
|
| 7285. |
06/12/84 |
Flac 16/48 - 0,
147368 |
Morrison |
Red Rocks Ampitheatre flac16/48khz Recording Information: Source: MAUD CA|Sennheiser MKE2002 Binaurals on Kyle's Head set 1; dummy head set 2 > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
|
notes
|
| 7286. |
06/12/84 |
Flac 24/48 - 0,
148192 |
Morrison |
Red Rocks Ampitheatre flac24/48 Recording Information: MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook
|
notes
|
| 7287. |
06/12/84 |
Flac 16/44 - 0,
148191 |
Morrison |
Red Rocks Ampitheatre flac16/44 Recording Information: MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook
|
notes
|
| 7288. |
06/12/84 |
Flac 24/96 - 0,
148388 |
Morrison |
Red Rocks Ampitheatre flac24; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7289. |
06/12/84 |
Flac 16/48 - 0,
148387 |
Morrison |
Red Rocks Ampitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7290. |
06/13/84 |
Shn - 0,
11263 |
Morrison |
Red Rocks Ampitheatre SBD>PCM>DAT>CDR; via Rick M; Seeded to etree by Chris L
|
notes
|
| 7291. |
06/13/84 |
Flac 16 - 0,
78363 |
Morrison |
Red Rocks Ampitheatre flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony S
|
notes
|
| 7292. |
06/13/84 |
Flac 24/96 - 0,
140184 |
Morrison |
Red Rocks Ampitheatre flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
|
notes
|
| 7293. |
06/13/84 |
Flac 16 - 0,
140183 |
Morrison |
Red Rocks Ampitheatre flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp
|
notes
|
| 7294. |
06/13/84 |
Flac 16 - 0,
122132 |
Morrison |
Red Rocks Ampitheatre flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M; Transfer: Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files; From: 1st generation analog cassettes
|
notes
|
| 7295. |
06/13/84 |
Flac 16 - 0,
135955 |
Morrison |
Red Rocks Ampitheatre flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat -> CD -> SHN -> WAV; Transfer Info: WAV -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC
|
notes
|
| 7296. |
06/13/84 |
Flac 24/48 - 0,
148194 |
Morrison |
Red Rocks Ampitheatre flac24/48khz MAUD CA: Beyer M88's XY > Sony TCD5M|maxell MX90 x2 no NR ***[Hell in A Bucket from first generation same source] Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Chris Kidwell Transferred: Kyle Holbrook
|
notes
|
| 7297. |
06/13/84 |
Flac 16/44 - 0,
148193 |
Morrison |
Red Rocks Ampitheatre flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M|maxell MX90 x2 no NR ***[Hell in A Bucket from first generation same source] Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Chris Kidwell Transferred: Kyle Holbrook
|
notes
|
| 7298. |
06/13/84 |
Flac 24/96 - 0,
148390 |
Morrison |
Red Rocks Ampitheatre flac24; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7299. |
06/13/84 |
Flac 16/48 - 0,
148389 |
Morrison |
Red Rocks Ampitheatre flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master Audience Cassettes; (2) AKG D330BT mics + (1) Sennheiser 421 > Fostex Mixer > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7300. |
06/14/84 |
Shn - 0,
18804 |
Morrison |
Red Rocks Ampitheatre SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
|
notes
|
| 7301. |
06/14/84 |
Flac 16 - 0,
78371 |
Morrison |
Red Rocks Ampitheatre flac16; Source: *Nak CM304's>Sony D5M>Sony D5M(XLIIS) Location: At SBD#, Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16. Tapers: *Mike G. and Tony S.
|
notes
|
| 7302. |
06/14/84 |
Flac 16 - 0,
139553 |
Morrison |
Red Rocks Ampitheatre flac16; Recording Info: SBD > PCM Master > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7303. |
06/14/84 |
Flac 24/96 - 0,
140186 |
Morrison |
Red Rocks Ampitheatre flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
|
notes
|
| 7304. |
06/14/84 |
Flac 16 - 0,
140185 |
Morrison |
Red Rocks Ampitheatre flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp
|
notes
|
| 7305. |
06/14/84 |
Flac 16 - 0,
122133 |
Morrison |
Red Rocks Ampitheatre flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M; Transfer: Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files; From: 1st generation analog cassettes
|
notes
|
| 7306. |
06/14/84 |
Shn - 0,
351 |
Morrison |
Red Rocks Ampitheatre AUD/1>CD (poss Sennheiser>D5); via Teddy GoodBear to abgd; extensive notes
|
notes
|
| 7307. |
06/14/84 |
Flac 24/48 - 0,
147345 |
Morrison |
Red Rocks Ampitheatre flac24/48khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 140 feet from stage 15' ROC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
|
notes
|
| 7308. |
06/14/84 |
Flac 16/48 - 0,
147367 |
Morrison |
Red Rocks Ampitheatre flac16/48khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 140 feet from stage 15' ROC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
|
notes
|
| 7309. |
06/14/84 |
Flac 24/48 - 0,
148196 |
Morrison |
Red Rocks Ampitheatre flac24/48khz MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook
|
notes
|
| 7310. |
06/14/84 |
Flac 16/44 - 0,
148195 |
Morrison |
Red Rocks Ampitheatre flac16/44 MAUD CA: Beyer M88 cardiod XY > Sony TCD5M|maxell MX90 x2 no NR Location: 80 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD Recorded by: Executive Crew Tom Pinney, Sean Murtha, Chris Kidwell, Kyle Holbrook Transferred by: Kyle Holbrook
|
notes
|
| 7311. |
06/21/84 |
Shn - 0,
15405 |
Maple |
Kingswood Music Theater FM>MC>PCM>DAT>Cool Edit Pro>CDR>SHN; Via Andy L; EAC'ed and SHN'ed by tbrame
|
notes
|
| 7312. |
06/21/84 |
Flac 24/96 - 0,
132583 |
Maple |
Kingswood Music Theater flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 7313. |
06/21/84 |
Flac 16 - 0,
132582 |
Maple |
Kingswood Music Theater flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 7314. |
06/21/84 |
Shn - 0,
352 |
Maple |
Kingswood Music Theater "liberated" Bootleg CD > EAC > SHN; via B. de Vos; see flaw notes in pub comments
|
notes
|
| 7315. |
06/21/84 |
Flac 16 - 0,
32640 |
Maple |
Kingswood Music Theater flac16; AUD Source: Two Nakamichi CM-300's with CP-4 shotguns capsules, plus one Nakamichi CM-300 with CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Set up behind the soundboard. Taped by Ray Ackerman.
|
notes
|
| 7316. |
06/21/84 |
Flac 16/48 - 0,
137832 |
Maple |
Kingswood Music Theater flac16/48kHz; FM > MC > DAT; DAT @ 48kHz > Sony PCM-R500 > Tascam SS-R1 > Canare Coax > Samplitude Pro X2 Suite (Build 256) > TLH v2.7.0 (flac 8, ffp) > Foobar2000 v1.2.9 Live Show Tagger; Transfer & edits by Jeff Mitchell
|
notes
|
| 7317. |
06/21/84 |
Flac 24/96 - 0,
140158 |
Maple |
Kingswood Music Theater flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
|
notes
|
| 7318. |
06/21/84 |
Flac 16 - 0,
140157 |
Maple |
Kingswood Music Theater flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
|
notes
|
| 7319. |
06/21/84 |
Flac 24/96 - 0,
141522 |
Maple |
Kingswood Music Theater flac24; Ray Ackerman’s Master Audience Cassettes; 2 Nakamichi CM-300's w/ CP-4 shotguns capsules + 1 Nakamichi CM-300 w/ CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Located behind the SBD dead center; Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
|
notes
|
| 7320. |
06/21/84 |
Flac 24/96 - 0,
90982 |
Maple |
Kingswood Music Theater flac24; Partial Set 1 & All Set 2, Recordist: Kyle Holbrook Location: unknown Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Recorded Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 (No Dolby, Azimuth Adjusted) > Canare Star Quad interconnects > Sound Devices 722 (Line In, +10.0 dB) > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.2.0, FLAC Frontend v1.7.0.1, Level 8 All transfers and DSP performed by Tim Burke
|
notes
|
| 7321. |
06/21/84 |
Flac 16 - 0,
91024 |
Maple |
Kingswood Music Theater flac16; Partial Set 1 & All Set 2, Recordist: Kyle Holbrook Location: unknown Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Recorded Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 (No Dolby, Azimuth Adjusted) > Canare Star Quad interconnects > Sound Devices 722 (Line In, +10.0 dB) > IBM ThinkPad T41 Editing: Steinberg WaveLab v5.01b (resample, dither) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.2, FLAC Frontend v1.7.0.1, Level 8, Sector Boundaries Aligned All transfers and DSP performed by Tim Burke
|
notes
|
| 7322. |
06/21/84 |
Flac 16 - 0,
117777 |
Maple |
Kingswood Music Theater flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (18th row)> Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
|
notes
|
| 7323. |
06/21/84 |
Flac 16 - 0,
145045 |
Maple |
Kingswood Music Theater flac16; Ray Ackerman’s Master Audience Cassettes; 2 Nakamichi CM-300's w/ CP-4 shotguns capsules + 1 Nakamichi CM-300 w/ CP-1 cardioid capsule blend mic > Nakamichi MX-100 mixer > passed thru Sony TC-D5M > Sony TC-D6. Located behind the SBD dead center; Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1
|
notes
|
| 7324. |
06/21/84 |
Flac 24/48 - 0,
147383 |
Maple |
Kingswood Music Theater flac24/48khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
|
notes
|
| 7325. |
06/21/84 |
Flac 16/44,1 - 0,
147382 |
Maple |
Kingswood Music Theater flac16/44.1khz Recording Information: MAUD CA: Sennheiser MKE2002 Binaurals on dummy head > Sony TCD5M|maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
|
notes
|
| 7326. |
06/21/84 |
Flac 16/44 - 0,
148197 |
Maple |
Kingswood Music Theater flac16/44 MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
|
notes
|
| 7327. |
06/21/84 |
Flac 24/48 - 0,
148198 |
Maple |
Kingswood Music Theater flac24/48khz Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 100-120 feet from stage DFC Transfer: Nakamichi MR2 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Chris Kidwell, Sean Murtha?, Tom Pinney, Kyle Holbrook Transferred: Kyle Holbrook
|
notes
|
| 7328. |
06/21/84 |
Flac 24/96 - 0,
151253 |
Maple |
Kingswood Music Theater flac24/96khz Recording Info: FM > Cassette Master (Tascam 122) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k)
|
notes
|
| 7329. |
06/21/84 |
Flac 16/44 - 0,
151598 |
Maple |
Kingswood Music Theater flac16/44khz Recording Info: FM > Cassette Master (Tascam 122) Transfer Info: Cassette Master (Nakamichi Dragon) > Avid MBox Pro > Pro Tools 12 > WAV (24-bit/96k) - 151253 24 -> 16 @ 44.1
|
notes
|
| 7330. |
06/23/84 |
Flac 16 - 0,
81280 |
Harrisburg |
City Island flac16; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
|
notes
|
| 7331. |
06/23/84 |
Flac 24/96 - 0,
138874 |
Harrisburg |
City Island flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
|
notes
|
| 7332. |
06/23/84 |
Flac 16 - 0,
138873 |
Harrisburg |
City Island flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; to left of board; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
|
notes
|
| 7333. |
06/23/84 |
Flac 16/48 - 0,
140159 |
Harrisburg |
City Island flac16/48kHz; Recording Info: Master Soundboard Cassette -> Reel to Reel -> Dat 16/48; Transfer Info: Sony PCM-R500 16/48 -> Tascam DA-3000 > Adobe Audition 3.0 -> TLH flac1648
|
notes
|
| 7334. |
06/23/84 |
Flac 24 - 0,
140516 |
Harrisburg |
City Island flac24; source: nak 300 (12’ dfc by board) > tcd5m > master = maxwell udxl ii (1) / mx 90 (2) +dolby > master via tascam 122 mk ii > apogee rosetta 200(24/96) > audacity (normalize, tracks, fades) > flac24/96 > xact (tags, ffp, md5)
|
notes
|
| 7335. |
06/23/84 |
Flac 16 - 0,
141597 |
Harrisburg |
City Island flac16; Ray Ackerman’s Master Audience Cassettes; Four (4) Sennheiser 441's > Yamaha mixer > SonyD5 > SonyD6 > Cassette > DAT (FOB); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Kyocera D811 > Sony PCM 2600 using SBM > DAT 16/44
|
notes
|
| 7336. |
06/23/84 |
Flac 24/96 - 0,
81548 |
Harrisburg |
City Island flac24/96; Recordist: Kyle Holbrook Location: Centered, ~120' from stage lip, ~9' high Mic Config: X-Y Source: Beyer M201 > Sony TC-D5M > Maxell XLII-S (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell XLII-S > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke
|
notes
|
| 7337. |
06/23/84 |
Shn - 0,
14951 |
Harrisburg |
City Island Recording Info: (FOB) Senn 441 -> PCM -> Dat; Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC (Plextor 24/10/40A) -> Cool Edit Pro v1.2 -> SHN (2 Discs SHN / 2 Discs Audio); Seeded to etree by Charlie Miller
|
notes
|
| 7338. |
06/23/84 |
Shn - 0,
14566 |
Harrisburg |
City Island AUD (Nak 100's)>MC>DAT>CDR; via Paul B; Seeded to etree by Willy
|
notes
|
| 7339. |
06/23/84 |
Flac 24/96 - 0,
124088 |
Harrisburg |
City Island flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7340. |
06/23/84 |
Flac 16 - 0,
109812 |
Harrisburg |
City Island flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; Transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7341. |
06/23/84 |
Shn - 0,
18226 |
Harrisburg |
City Island Nak 700> D-5 taped by Mark Cohen, A:D transfer by Mark Cohen, final mastering and encoding by David Minches
|
notes
|
| 7342. |
06/24/84 |
Flac 16 - 0,
27449 |
Saratoga Springs |
Saratoga Performing Arts Center flac16: SBD> Cassette Master> Dat; patches from Nakamichi 300/CP1> Cassette Master> Dat; Transfer: Dat> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> FLAC; All Transfers and Editing By Charlie Miller
|
notes
|
| 7343. |
06/24/84 |
Flac 16 - 0,
132576 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 7344. |
06/24/84 |
Flac 24/96 - 0,
132577 |
Saratoga Springs |
Saratoga Performing Arts Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 7345. |
06/24/84 |
Flac 24/48 - 0,
109483 |
Saratoga Springs |
Saratoga Performing Arts Center flac24; FOB AUD: 3x Nakamichi CM300/CP1's cardioids > Nakamichi 550 > Maxell XLII-S 90's, set up in 12th row left of center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 Tagged. Transfer by Andrew F. 08/2010
|
notes
|
| 7346. |
06/24/84 |
Flac 16 - 0,
89559 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5M/Maxell XLIIS-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller.
|
notes
|
| 7347. |
06/24/84 |
Flac 16 - 0,
109484 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; FOB AUD: 3x Nakamichi CM300/CP1's cardioids > Nakamichi 550 > Maxell XLII-S 90's, set up in 12th row left of center. Taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 08/2010
|
notes
|
| 7348. |
06/24/84 |
Flac 16 - 0,
138865 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
|
notes
|
| 7349. |
06/24/84 |
Flac 24/96 - 0,
138866 |
Saratoga Springs |
Saratoga Performing Arts Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell xlIIS90’s, dolby b; lawn, center; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
|
notes
|
| 7350. |
06/24/84 |
Flac 24/96 - 0,
139813 |
Saratoga Springs |
Saratoga Performing Arts Center flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 7351. |
06/24/84 |
Flac 16 - 0,
141137 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 7352. |
06/24/84 |
Flac 16 - 0,
81627 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Recordist: Kyle Holbrook Location: Set One: ~5' ROC, ~175' from stage lip, head height | Set Two: Centered, ~150' from stage lip, head height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
|
notes
|
| 7353. |
06/24/84 |
Flac 24/96 - 0,
81707 |
Saratoga Springs |
Saratoga Performing Arts Center flac24/96; Recordist: Kyle Holbrook Location: Set One: ~5' ROC, ~175' from stage lip, head height | Set Two: Centered, ~150' from stage lip, head height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format : 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8
|
notes
|
| 7354. |
06/24/84 |
Shn - 0,
4628 |
Saratoga Springs |
Saratoga Performing Arts Center Aud> Nak300> CM> CDR> EAC(Secure Mode)> CDWave(Retracking Only)> Shnv3(MKW ACT)
|
notes
|
| 7355. |
06/24/84 |
Flac 24/96 - 0,
126261 |
Saratoga Springs |
Saratoga Performing Arts Center flac24; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7356. |
06/24/84 |
Flac 16 - 0,
117800 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TCD5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
|
notes
|
| 7357. |
06/26/84 |
Flac 16 - 0,
110057 |
Columbia |
Merriweather Post Pavilion flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 7358. |
06/26/84 |
Flac 16 - 0,
123260 |
Columbia |
Merriweather Post Pavilion flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7359. |
06/26/84 |
Flac 16 - 0,
127526 |
Columbia |
Merriweather Post Pavilion flac16; Source from Doug Oade: Schoeps cmc441 > Sony TC-D5M > Sony PCM-601ESD > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created and SBE's fixed in Traders Little Helper
|
notes
|
| 7360. |
06/26/84 |
Shn - 0,
20324 |
Columbia |
Merriweather Post Pavilion Source: SBD>PCM>DAT>CD>SHN. Tennessee Jed and Day Job are patched from an audience recording via Ray Hansen, encoded by Peter Braverman; upgrade in circulation
|
notes
|
| 7361. |
06/26/84 |
Flac 16 - 0,
91181 |
Columbia |
Merriweather Post Pavilion flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7362. |
06/26/84 |
Flac 16 - 0,
87625 |
Columbia |
Merriweather Post Pavilion flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (patch upgrade of shn id 87511)
|
notes
|
| 7363. |
06/26/84 |
Flac 24/96 - 0,
139840 |
Columbia |
Merriweather Post Pavilion flac24; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 7364. |
06/26/84 |
Flac 16 - 0,
141138 |
Columbia |
Merriweather Post Pavilion flac16; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 7365. |
06/26/84 |
Flac 16 - 0,
81741 |
Columbia |
Merriweather Post Pavilion flac16; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
|
notes
|
| 7366. |
06/26/84 |
Flac 24/96 - 0,
81875 |
Columbia |
Merriweather Post Pavilion flac24/96; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke
|
notes
|
| 7367. |
06/26/84 |
Shn - 0,
7293 |
Columbia |
Merriweather Post Pavilion AUD SENN 421's>TCD5-M, Recorded by R. Pauline; MC transferred to CD by Lou B.; cdr > eac (secure) > mkwact > shn (seekable) by Matt Vernon
|
notes
|
| 7368. |
06/26/84 |
Flac 16 - 0,
81495 |
Columbia |
Merriweather Post Pavilion flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck
|
notes
|
| 7369. |
06/26/84 |
Shn - 0,
77449 |
Columbia |
Merriweather Post Pavilion Source Info:Sennheiser421's>Sony D5:CD Transfer: Denon DN-790r>Audiophile 2496>Cool Edit 200>wav>shn: Taped and Transferred by Phil Unger; originally posted to abgd July 2002; sbe's fixed with shntool 9/16/2006
|
notes
|
| 7370. |
06/26/84 |
Flac 16 - 0,
111458 |
Columbia |
Merriweather Post Pavilion flac16; source: 2 Beyer M160 and 1 Sennheiser 421 microphones (14th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 7371. |
06/26/84 |
Flac 24/96 - 0,
148234 |
Columbia |
Merriweather Post Pavilion flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7372. |
06/26/84 |
Flac 16/48 - 0,
148233 |
Columbia |
Merriweather Post Pavilion flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7373. |
06/27/84 |
Flac 16 - 0,
87467 |
Columbia |
Merriweather Post Pavilion flac16; SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation
|
notes
|
| 7374. |
06/27/84 |
Flac 16 - 0,
87658 |
Columbia |
Merriweather Post Pavilion flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller. This is a pitch correction of the previous Miller source, shn id 87467
|
notes
|
| 7375. |
06/27/84 |
Flac 16 - 0,
82420 |
Columbia |
Merriweather Post Pavilion flac16; Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
|
notes
|
| 7376. |
06/27/84 |
Shn - 0,
4615 |
Columbia |
Merriweather Post Pavilion SBD> MC> C> DAT> CDRx1> EAC> SHN; Mastered, ripped, encoded and posted by Skankweed to abgd; upgrade in circulation
|
notes
|
| 7377. |
06/27/84 |
Shn - 0,
12929 |
Columbia |
Merriweather Post Pavilion SBD>Cassette Master>Cassette>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN (updated source info); upgrade in circulation
|
notes
|
| 7378. |
06/27/84 |
Flac - 0,
122873 |
Columbia |
Merriweather Post Pavilion flac16; 2nd set only. Gen 1 audience cassette > Sony TC-W320 > Marantz CDR 500 > CDR > EAC > flac
|
notes
|
| 7379. |
06/27/84 |
Flac 24/96 - 0,
82450 |
Columbia |
Merriweather Post Pavilion flac24; Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8
|
notes
|
| 7380. |
06/27/84 |
Flac 24/96 - 0,
139841 |
Columbia |
Merriweather Post Pavilion flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 7381. |
06/27/84 |
Flac 16 - 0,
141139 |
Columbia |
Merriweather Post Pavilion flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 7382. |
06/27/84 |
Flac 16 - 0,
111477 |
Columbia |
Merriweather Post Pavilion flac16; source: 2 Beyer M160 and 1 Sennheiser 421 microphones (15th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 7383. |
06/27/84 |
Flac 16 - 0,
81509 |
Columbia |
Merriweather Post Pavilion flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck
|
notes
|
| 7384. |
06/27/84 |
Shn - 0,
6999 |
Columbia |
Merriweather Post Pavilion Aud> Nak300> D5> CM> Cdr> EAC> CDWave (Retracking Only)> Shnv3 (MKW ACT); recorded by Steve Ziemba; transferred by Mike Lai; EAC. SHN by Charlie Connor; thanks to Mike Lai and Jon Rianhard; flip in Throwing Stones
|
notes
|
| 7385. |
06/27/84 |
Flac 16 - 0,
91375 |
Columbia |
Merriweather Post Pavilion flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7386. |
06/27/84 |
Flac 24/96 - 0,
148236 |
Columbia |
Merriweather Post Pavilion flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7387. |
06/27/84 |
Flac 16/48 - 0,
148235 |
Columbia |
Merriweather Post Pavilion flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7388. |
06/29/84 |
Flac - 0,
32781 |
Cuyahoga Falls |
Blossom Music Center **SET 2 SOUNDBOARD** Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 7389. |
06/29/84 |
Flac 24/96 - 0,
140004 |
Cuyahoga Falls |
Blossom Music Center flac24; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 7390. |
06/29/84 |
Flac 16 - 0,
141140 |
Cuyahoga Falls |
Blossom Music Center flac16; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 7391. |
06/29/84 |
Shn - 0,
14682 |
Cuyahoga Falls |
Blossom Music Center Jim Wise Senn 421?s>Sony TC-D5M>MC>DAT>CD; Second set pitch corrected; via Paul B; Seeded to etree by Willy
|
notes
|
| 7392. |
06/29/84 |
Flac 16 - 0,
111502 |
Cuyahoga Falls |
Blossom Music Center flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (18th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 7393. |
06/29/84 |
Flac 24/48 - 0,
150222 |
Cuyahoga Falls |
Blossom Music Center flac24/48khz MAUD CA: Beyer M160's PAS > Sony TCD5M|s1 Maxell UDXLIIS90; s2 Maxell MX90 Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Eddie Wahba Transferred: Kyle Holbrook
|
notes
|
| 7394. |
06/29/84 |
Flac 16/44,1 - 0,
150223 |
Cuyahoga Falls |
Blossom Music Center flac16/44.1khz MAUD CA: Beyer M160's PAS > Sony TCD5M|s1 Maxell UDXLIIS90; s2 Maxell MX90 no NR Location: 80 feet from stage DFC 7 feet up Transfer: Nakamichi LX5 > Marantz PMD661|SD Recorded By: Executive Crew - Tom Pinney, Kyle Holbrook, Sean Murtha, Eddie Wahba Transferred: Kyle Holbrook
|
notes
|
| 7395. |
06/30/84 |
Flac 16 - 0,
120740 |
Indianapolis |
Indianapolis Sports and Music Center flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7396. |
06/30/84 |
Flac 16 - 0,
123778 |
Indianapolis |
Indianapolis Sports and Music Center flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7397. |
06/30/84 |
Shn - 0,
2542 |
Indianapolis |
Indianapolis Sports and Music Center set 2, plus set 1 partial; SBD> MC> DAT> CDR; from Merry Pranksters Tree round 5, SHN branch; possibly via David Finney to etree?
|
notes
|
| 7398. |
06/30/84 |
Flac 24 - 0,
137072 |
Indianapolis |
Indianapolis Sports and Music Center flac24; Recording Info: (FOB) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7399. |
06/30/84 |
Flac 16 - 0,
137073 |
Indianapolis |
Indianapolis Sports and Music Center flac16; Recording Info: (FOB) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7400. |
06/30/84 |
Flac 16 - 0,
140199 |
Indianapolis |
Indianapolis Sports and Music Center flac16; Source Info: Master (FOB) Audience Cassette (11th row, DFC); 3 x Nakamichi CM700 mics > unknown deck > Dat > CDR; Transfer Info: CDR (EAC)> hard disk drive > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 7401. |
06/30/84 |
Shn - 0,
18559 |
Indianapolis |
Indianapolis Sports and Music Center FOB MAC (Sennheiser 2 ME-80's & 2 441's 12th row center>sony d-5>WAV>SHN>SHNTOOL>mkwACT. Recorded by Tommy McKeown. sbe fix/seeding by MattMan.
|
notes
|
| 7402. |
06/30/84 |
Flac 16 - 0,
31225 |
Indianapolis |
Indianapolis Sports and Music Center flac16; AUD: FOB, Sennheiser MD-421's > DBX NX-40 > Sony TC-D5 Taper: Unknown MAC > CD Transfer: Unknown CDR > EAC > WAV > WavMerge > CD-Wave > Soundforge > TLH > FLAC Frontend by Andrew F, Oct 2005. Some of the ID's were missing or in the wrong spot, so I merged the files and re-split them. I used Soundforge to make some small fades for the start and end of discs. I used TLH to verify SBE-OK and to make checksums, and Flac Frontend for lossless compression
|
notes
|
| 7403. |
06/30/84 |
Flac 16 - 0,
109804 |
Indianapolis |
Indianapolis Sports and Music Center flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7404. |
06/30/84 |
Flac 24/48 - 0,
150278 |
Indianapolis |
Indianapolis Sports and Music Center flac24/48khz Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 7405. |
06/30/84 |
Flac 16/44 - 0,
|
Indianapolis |
Indianapolis Sports and Music Center flac16/44.1khz Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook
|
notes
|
| 7406. |
06/30/84 |
Shn - 0,
152505 |
Indianapolis |
Indianapolis Sports and Music Center MAC> wav>shn Recorded by Tommy McKeown sony d-5 Sennheiser 2 ME-80 & 2 441's 12th. row center (originally circulated July 2003)
|
notes
|
| 7407. |
06/30/84 |
Flac 16 Mtx - ,
154326 |
Indianapolis |
Indianapolis Sports and Music Center flac16; Matrix 3 Source Mix - SBD (shnid = 123778) Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 109804) source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files + AUD2 (shnid = 150278) Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook - matrix mixing by Kevin Tobin
|
notes
|
| 7408. |
06/30/84 |
Dts Audio 5.1 - ,
154327 |
Indianapolis |
Indianapolis Sports and Music Center DTS-Audio-CD 5.1 Mix; - SBD (shnid = 123778) Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 109804) source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files + AUD2 (shnid = 150278) Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook - dts mixing by Kevin Tobin
|
notes
|
| 7409. |
06/30/84 |
Flac 16/48 - ,
154329 |
Indianapolis |
Indianapolis Sports and Music Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 123778) Recording Info: SBD -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 109804) source: 2 Beyer M160 & 1 Sennheiser 421 microphones (15th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files + AUD2 (shnid = 150278) Recording Information: MAUD CA: Beyer M88's XY > Sony TCD5M|Maxell MX90 x2 no NR Location: 75 feet from stage DFC Transfer: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Eddie Wahba, Sean Murtha, Tom Pinney Transferred: Kyle Holbrook - surround mixing by Kevin Tobin
|
notes
|
| 7410. |
07/01/84 |
Flac 16 - 0,
115107 |
Clarkston |
Pine Knob Music Theater flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Danny Taggart and Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz
|
notes
|
| 7411. |
07/01/84 |
Flac 16/48 - 0,
137029 |
Clarkston |
Pine Knob Music Theater flac16/48kHz; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7412. |
07/01/84 |
Flac 24/96 - 0,
140005 |
Clarkston |
Pine Knob Music Theater b>flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 7413. |
07/01/84 |
Flac 16 - 0,
141151 |
Clarkston |
Pine Knob Music Theater flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 7414. |
07/01/84 |
Flac 16 - 0,
109950 |
Clarkston |
Pine Knob Music Theater flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (14th row) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7415. |
07/01/84 |
Shn - 0,
25810 |
Clarkston |
Pine Knob Music Theater Recorded by Bill Reutelhuber with Nak CM100 shotgun mics into a Sony TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from the 20th row center FOB
|
notes
|
| 7416. |
07/01/84 |
Flac 16 - 0,
76620 |
Clarkston |
Pine Knob Music Theater flac16; Set 2 only - AUD Source: FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M cassette deck, onto Maxell UD-XLII tape, no Dolby. Taped by Ted Carpenter. MAC > CD transfer by Jim Wise (2002), likely done with Nakamichi Dragon > HHB Burner. Transfer Info: CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, by Andrew F
|
notes
|
| 7417. |
07/01/84 |
Shn - 0,
14683 |
Clarkston |
Pine Knob Music Theater AUD>MC>??>DAT>CDR; via Paul B; Seeded to etree by Willy
|
notes
|
| 7418. |
07/03/84 |
Flac 16 - 0,
115108 |
Kansas City |
Starlight Theater flac16; Source: (FOB) Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Greg Holtz and Danny Taggart; Transfers, mastering, track/FLAC by Greg Holtz
|
notes
|
| 7419. |
07/03/84 |
Flac 16 - 0,
118238 |
Kansas City |
Starlight Theater flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 7420. |
07/03/84 |
Flac 24/48 - 0,
118263 |
Kansas City |
Starlight Theater flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 7421. |
07/03/84 |
Flac 16 - 0,
139105 |
Kansas City |
Starlight Theater flac16; Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC
|
notes
|
| 7422. |
07/03/84 |
Flac 24 - 0,
140693 |
Kansas City |
Starlight Theater flac24; Set 2 Recording Info: SBD > PCM Master > PCM Clone (Maxell HGX Gold); Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7423. |
07/03/84 |
Flac 16 - 0,
141152 |
Kansas City |
Starlight Theater flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 7424. |
07/03/84 |
Shn - 0,
14909 |
Kansas City |
Starlight Theater AUD>MC>??>DAT>CDR; via Paul B; seeded to etree by Willy
|
notes
|
| 7425. |
07/03/84 |
Flac 16 - 0,
31634 |
Kansas City |
Starlight Theater flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII tape, with no Dolby
|
notes
|
| 7426. |
07/03/84 |
Flac 16 - 0,
77440 |
Kansas City |
Starlight Theater flac16; Source: *Nakamichi CM300's(with CP1 Caps/pointed)>Sony D5M(XLIIS)Location: FOB/DFC Stand at 7 Feet/Pointed at Stacks Transfer: #Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0 dither and resample/16Bit>Cdwav>flac16 Tapers: Tony Suraci and Eugene D'alessandro:Transfer and upload by Tony Suraci./Nak700
|
notes
|
| 7427. |
07/03/84 |
Shn - 0,
25811 |
Kansas City |
Starlight Theater Nak CM100 shotgun mics into a Sony TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from the 20th row behind the sbd with microphones separated left/right by 10', and 14' high; recorded by Bill Reutelhuber
|
notes
|
| 7428. |
07/03/84 |
Flac 16 - 0,
123823 |
Kansas City |
Starlight Theater flac16; nak300>cp4>d5 no dolby; ots dfc mics @ 10ft. pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.7>cdwave splits>tlh flac 8
|
notes
|
| 7429. |
07/03/84 |
Flac 24/96 - 0,
140013 |
Kansas City |
Starlight Theater flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 7430. |
07/04/84 |
Flac 16 - 0,
93858 |
Cedar Rapids |
Five Seasons Center flac16; Recording Info:SBD -> Master Cassette -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7431. |
07/04/84 |
Flac 16 - 0,
78958 |
Cedar Rapids |
Five Seasons Center flac16; Source: *Nakamichi CM304's>Sony D5M(XLIIS) Location: ^FOB at SBD, Stand at 9 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: Eugene D. and Tony S
|
notes
|
| 7432. |
07/04/84 |
Flac 16 - 0,
87341 |
Cedar Rapids |
Five Seasons Center flac16; AUD: Sennheiser MD-421's > patched thru one deck (D5?) > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
|
notes
|
| 7433. |
07/04/84 |
Shn - 0,
27761 |
Cedar Rapids |
Five Seasons Center SBD> Master Cassette> Cassette> Dat, plus patches from FOB Sennheiser 421> Cass; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> Adobe Audition> SHN; Transferred and Patched By Charlie Miller; Speed corrected by +2.37% to match the speed of the FOB, by Jay Ashley
|
notes
|
| 7434. |
07/04/84 |
Shn - 0,
27862 |
Cedar Rapids |
Five Seasons Center noise reduction> Bertha Remaster of Master Cassette> Cassette source, by Jay Ashley
|
notes
|
| 7435. |
07/04/84 |
Flac 24/96 - 0,
140014 |
Cedar Rapids |
Five Seasons Center flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 7436. |
07/04/84 |
Flac 16 - 0,
141153 |
Cedar Rapids |
Five Seasons Center flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 7437. |
07/04/84 |
Flac 16 - 0,
78958 |
Cedar Rapids |
Five Seasons Center flac16; Source: *Nakamichi CM304's>Sony D5M(XLIIS) Location: ^FOB at SBD, Stand at 9 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Tapers: Eugene D. and Tony S
|
notes
|
| 7438. |
07/04/84 |
Shn - 0,
14194 |
Cedar Rapids |
Five Seasons Center AUD: MC (Sennheiser 421)> DAT> CD> SHN; Seeded by Peter Braverman
|
notes
|
| 7439. |
07/04/84 |
Flac 16 - 0,
109942 |
Cedar Rapids |
Five Seasons Center flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front) > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7440. |
07/06/84 |
Flac 16 - 0,
86943 |
East Troy |
Alpine Valley Music Theatre flac16; AUD: Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell XL-II's, with no Dolby. Mics on stand set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
|
notes
|
| 7441. |
07/06/84 |
Flac 16 - 0,
121096 |
East Troy |
Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/Back Of Left Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 7442. |
07/06/84 |
Flac 24/48 - 0,
121095 |
East Troy |
Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/Back Of Left Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 7443. |
07/06/84 |
Flac 16 - 0,
139531 |
East Troy |
Alpine Valley Music Theatre flac16; Recording Info: SBD > PCM Master > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7444. |
07/06/84 |
Flac 24/96 - 0,
14032 |
East Troy |
Alpine Valley Music Theatre flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 7445. |
07/06/84 |
Flac 16 - 0,
141154 |
East Troy |
Alpine Valley Music Theatre flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 7446. |
07/06/84 |
Flac 16 - 0,
142540 |
East Troy |
Alpine Valley Music Theatre flac16; Bill Reutelhuber Master Recording: Nakamichi cm100 shotguns (spread on lawn) > master cassette (Maxell MX - Sony tcd5m Dolby B); A Philly Crew Transfer: Master Cassette > Nak CR7a > Korg MR1000 5.6 mhz 1 bit > Audiogate render > Flac 16/44
|
notes
|
| 7447. |
07/06/84 |
Flac 16 - 0,
109764 |
East Troy |
Alpine Valley Music Theatre flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7448. |
07/06/84 |
Shn - 0,
13898 |
East Troy |
Alpine Valley Music Theatre Fob: Sennheiser 441's > MC > Dat > Cd Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd
|
notes
|
| 7449. |
07/07/84 |
Flac 16 - 0,
94379 |
East Troy |
Alpine Valley Music Theatre flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Cassette -> PCM -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7450. |
07/07/84 |
Flac 16 - 0,
121124 |
East Troy |
Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/DFC Halfway In Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 7451. |
07/07/84 |
Shn - 0,
18752 |
East Troy |
Alpine Valley Music Theatre SBDMC(R?) > DAT > WAV > SHN w/ AUD(Senn 441s > D5 > DAT > CD) patches
|
notes
|
| 7452. |
07/07/84 |
Flac 24/48 - 0,
121123 |
East Troy |
Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Darby; Tascam PE120/SP1's (PAS/DFC Halfway In Pavilion/6 Feet High)> Sony TC-D5M, Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 7453. |
07/07/84 |
Flac 24/96 - 0,
140033 |
East Troy |
Alpine Valley Music Theatre flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 7454. |
07/07/84 |
Flac 16 - 0,
141155 |
East Troy |
Alpine Valley Music Theatre flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 7455. |
07/07/84 |
Flac 16 - 0,
142541 |
East Troy |
Alpine Valley Music Theatre flac16; Bill Reutelhuber Master Recording: Nakamichi cm100 shotguns (spread on lawn) > master cassette (Maxell MX - Sony tcd5m Dolby B); A Philly Crew Transfer: Master Cassette > Nak CR7a > Korg MR1000 5.6 mhz 1 bit > Audiogate render > Flac 16/44
|
notes
|
| 7456. |
07/07/84 |
Flac 16 - 0,
109750 |
East Troy |
Alpine Valley Music Theatre flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones - 13th row-center > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7457. |
07/07/84 |
Flac 16 - 0,
91489 |
East Troy |
Alpine Valley Music Theatre flac16; Set 2 Only, AUD: FOB, Nakamichi CM-300's w/CP-4 shotguns > Sony TC-D5M > Maxell XL-II, w/no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
|
notes
|
| 7458. |
07/07/84 |
Shn - 0,
4861 |
East Troy |
Alpine Valley Music Theatre Aud>Nak300>D5>CM>CDR>EAC(Secure Mode)>CDWave(Retracking Only)>shnv3(MKW ACT)
|
notes
|
| 7459. |
07/13/84 |
Flac 16 Mtx - 0,
105570 |
Berkeley |
Greek Theatre, U. Of California flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 7460. |
07/13/84 |
Flac 16 - 0,
96153 |
Berkeley |
Greek Theatre, U. Of California flac16; Recording Info:SBD -> Cassette Master (Sony D6/Maxell XLII-S90/TDK MA90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7461. |
07/13/84 |
Flac 16 - 0,
31989 |
Berkeley |
Greek Theatre, U. Of California flac16; Source: FOB: 2Beyer M160s>D5>MC>CDR>EAC>FLAC
|
notes
|
| 7462. |
07/13/84 |
Shn - 0,
353 |
Berkeley |
Greek Theatre, U. Of California SBD > ? > CDR> DAE (cdparanoia)> SHN; via Mark Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an analog generation"
|
notes
|
| 7463. |
07/13/84 |
Flac 16 - 0,
90464 |
Berkeley |
Greek Theatre, U. Of California flac16; SBD > ? > CDR > WAV > Cool Edit Pro (see notes) > FLAC(8); pitch corrected version of shn id 353
|
notes
|
| 7464. |
07/13/84 |
Flac 16 - 0,
136425 |
Berkeley |
Greek Theatre, U. Of California flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
|
notes
|
| 7465. |
07/13/84 |
Flac 16 - 0,
139747 |
Berkeley |
Greek Theatre, U. Of California flac16; Partial Set 2 Recording Info: SBD > PCM (cloned from vault master); Transfer: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16
|
notes
|
| 7466. |
07/13/84 |
Flac 24/96 - 0,
140048 |
Berkeley |
Greek Theatre, U. Of California flac24; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 7467. |
07/13/84 |
Flac 16 - 0,
141156 |
Berkeley |
Greek Theatre, U. Of California flac16; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 7468. |
07/13/84 |
Flac 24/96 - 0,
143392 |
Berkeley |
Greek Theatre, U. Of California flac24; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k)
|
notes
|
| 7469. |
07/13/84 |
Flac 16 - 0,
145333 |
Berkeley |
Greek Theatre, U. Of California flac16; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k); This file set is 16 bit @ 44.1
|
notes
|
| 7470. |
07/13/84 |
Flac 24/44 - 0,
150404 |
Berkeley |
Greek Theatre, U. Of California flac24; Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell
|
notes
|
| 7471. |
07/13/84 |
Flac 16/44,1 - 0,
152324 |
Berkeley |
Greek Theatre, U. Of California flac16/44.1 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90/TDK MA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24- 152162 24 > 16 @ 44.1
|
notes
|
| 7472. |
07/13/84 |
Flac 24/96 - 0,
152162 |
Berkeley |
Greek Theatre, U. Of California flac24/96 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90/TDK MA90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 7473. |
07/13/84 |
Flac 16/48 - ,
154195 |
Berkeley |
Greek Theatre, U. Of California flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7474. |
07/13/84 |
Flac 24/96 - ,
154196 |
Berkeley |
Greek Theatre, U. Of California flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7475. |
07/14/84 |
Flac 16 - 0,
77326 |
Berkeley |
Greek Theatre, U. Of California flac16; Recording Info: SBD -> Cassette Master (Sony D6/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 7476. |
07/14/84 |
Flac 16 - 0,
96120 |
Berkeley |
Greek Theatre, U. Of California flac16; Recording Info: SBD -> Cassette Master (Sony D6/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7477. |
07/14/84 |
Shn - 0,
25316 |
Berkeley |
Greek Theatre, U. Of California Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller; upgrade in circulation
|
notes
|
| 7478. |
07/14/84 |
Shn - 0,
354 |
Berkeley |
Greek Theatre, U. Of California SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; Jack Straw beginning cut; upgrade in circulation
|
notes
|
| 7479. |
07/14/84 |
Flac 16 - 0,
136427 |
Berkeley |
Greek Theatre, U. Of California flac16; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
|
notes
|
| 7480. |
07/14/84 |
Flac 24/96 - 0,
140049 |
Berkeley |
Greek Theatre, U. Of California flac24; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 7481. |
07/14/84 |
Flac 16 - 0,
141157 |
Berkeley |
Greek Theatre, U. Of California flac16; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 7482. |
07/14/84 |
Flac 16 - 0,
32093 |
Berkeley |
Greek Theatre, U. Of California flac16; FOB: 2 Beyer M160s>D5>MC>CDR>EAC>FLAC Taper: Jim Quirk
|
notes
|
| 7483. |
07/14/84 |
Flac 24/44 - 0,
150405 |
Berkeley |
Greek Theatre, U. Of California flac24; Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell
|
notes
|
| 7484. |
07/14/84 |
Flac 16/44,1 - 0,
152255 |
Berkeley |
Greek Theatre, U. Of California flac16/44.1 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 152164 24 > 16
|
notes
|
| 7485. |
07/14/84 |
Flac 24/96 - 0,
152164 |
Berkeley |
Greek Theatre, U. Of California flac24/96 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 7486. |
07/14/84 |
Flac 16/48 - ,
154224 |
Berkeley |
Greek Theatre, U. Of California flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7487. |
07/14/84 |
Flac 24/96 - ,
154225 |
Berkeley |
Greek Theatre, U. Of California flc24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7488. |
07/14/84 |
Flac 16 Mtx - ,
157189 |
Berkeley |
Greek Theatre, U. Of California flac1644;Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 152255 & 32093.
|
notes
|
| 7489. |
07/15/84 |
Flac 16 - 0,
96152 |
Berkeley |
Greek Theatre, U. Of California flac16; Recording Info:SBD -> Cassette Master (Sony D6/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7490. |
07/15/84 |
Flac 16 Mtx - 0,
125681 |
Berkeley |
Greek Theatre, U. Of California flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging) September 15, 2013
|
notes
|
| 7491. |
07/15/84 |
Shn - 0,
355 |
Berkeley |
Greek Theatre, U. Of California SBD > ? > CDR> DAE (cdparanoia)> SHN; via M. Ferguson, who says, "no intermediate source info... just enough background hiss to suggest that this source had an anlog generation"; a few track markers misplaced; upgrade in circulation
|
notes
|
| 7492. |
07/15/84 |
Flac 16 - 0,
30641 |
Berkeley |
Greek Theatre, U. Of California flac16; Set 1: SBD -> PCM Master -> Dat/0 -> Samplitude Professional v8.0 -> FLAC Set 2: SBD -> PCM Master -> Dat/0 -> Sonic Solutions -> CD -> EAC -> FLAC Transferred and Edited By Charlie Miller
|
notes
|
| 7493. |
07/15/84 |
Flac 16 - 0,
136514 |
Berkeley |
Greek Theatre, U. Of California flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo; 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 mastering by Jamie Waddell; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm
|
notes
|
| 7494. |
07/15/84 |
Flac 24/96 - 0,
140050 |
Berkeley |
Greek Theatre, U. Of California flac24; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 7495. |
07/15/84 |
Flac 16 - 0,
141158 |
Berkeley |
Greek Theatre, U. Of California flac16; Set 2 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 7496. |
07/15/84 |
Flac 16 - 0,
32295 |
Berkeley |
Greek Theatre, U. Of California flac16; FOB: 2 Beyer M160s>D5>MC>CDR>EAC>FLAC Taper: Jim Quirk EAC and FLAC Conversion by David Perez Jan. 26, 2006
|
notes
|
| 7497. |
07/15/84 |
Flac 24/44 - 0,
150406 |
Berkeley |
Greek Theatre, U. Of California flac24; Soundboard Cassette Masters Sony D-6 Dolby C; Speed Corrections by Jason Chastain; Mastering by Jim Blackwood and Jamie Waddell
|
notes
|
| 7498. |
07/15/84 |
Flac 16/44,1 - 0,
152256 |
Berkeley |
Greek Theatre, U. Of California flac16/44.1 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - 152163 24 > 16
|
notes
|
| 7499. |
07/15/84 |
Flac 24/96 - 0,
152163 |
Berkeley |
Greek Theatre, U. Of California flac24/96 Recording Info: SBD > Cassette Master (Sony WM-D6C/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 7500. |
07/15/84 |
Flac 16/48 - ,
154262 |
Berkeley |
Greek Theatre, U. Of California flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7501. |
07/15/84 |
Flac 24/96 - ,
154263 |
Berkeley |
Greek Theatre, U. Of California flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7502. |
07/21/84 |
Flac 16 - 0,
96394 |
Ventura |
Ventura County Fairgrounds flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7503. |
07/21/84 |
Flac 16 - 0,
77327 |
Ventura |
Ventura County Fairgrounds flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 7504. |
07/21/84 |
Shn - 0,
14329 |
Ventura |
Ventura County Fairgrounds Cool Edit fix of previous shn set SBD Master Reel-> DAT->ZA2- >CD, by Matthew Cole; upgrade in circulation
|
notes
|
| 7505. |
07/21/84 |
Flac 16 - 0,
88940 |
Ventura |
Ventura County Fairgrounds flac16; Master: Sony ECM-939LT (dead center, halfway between sbd and the stage) > Cassette Master (Sony TC-D6C) Transfer: Cassette Master (Nakamichi RX-202) > SBM > Sony PCM R500 (pass-through only @ 48kHz) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC Mastered and transfered by Dan Gale
|
notes
|
| 7506. |
07/21/84 |
Shn - 0,
1616 |
Ventura |
Ventura County Fairgrounds Master Reel-> DAT-> ZA2-> CD; via Mike Lai from Bruce Fried DAT seed; upgrade in circulation
|
notes
|
| 7507. |
07/21/84 |
Flac 24/96 - 0,
96410 |
Ventura |
Ventura County Fairgrounds flac24; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7508. |
07/21/84 |
Flac 16 - 0,
136717 |
Ventura |
Ventura County Fairgrounds flac16; Soundboard > PCM copy; Sony L-750ESX-HFB Dynamicron SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 for minor edits by Jamie Waddell; Audition CC 2015 for patch edits by Jason Chastain; Tracked with Audition 1.5-> shntool-> flac level 8 and checksums with TLH-> tagged with Mp3tag; 16bit 44.1kHz Track, FLAC and Pack by Jason Chastain
|
notes
|
| 7509. |
07/21/84 |
Flac 16 - 0,
112806 |
Ventura |
Ventura County Fairgrounds flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (30 feet from stage-center) > Nak MX100 W/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 7510. |
07/21/84 |
Shn - 0,
14329 |
Ventura |
Ventura County Fairgrounds Cool Edit fix of previous shn set SBD Master Reel-> DAT->ZA2- >CD, by Matthew Cole; upgrade in circulation
|
notes
|
| 7511. |
07/21/84 |
Flac 16 - 0,
139444 |
Ventura |
Ventura County Fairgrounds flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24; Recorded By Robert Bryant (patched out of the Oade brothers); This fileset is 16/44 - 24bit > 16bit using dBpoweramp
|
notes
|
| 7512. |
07/21/84 |
Flac 24 - 0,
139445 |
Ventura |
Ventura County Fairgrounds flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24; Recorded By Robert Bryant (patched out of the Oade brothers)
|
notes
|
| 7513. |
07/21/84 |
Flac 24/48 - 0,
150380 |
Ventura |
Ventura County Fairgrounds flac24/48khz Source: MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 90 feet from stage DFC Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Sean Murtha, John Hance Transferred: Kyle Holbrook
|
notes
|
| 7514. |
07/21/84 |
Flac 16/44,1 - 0,
150379 |
Ventura |
Ventura County Fairgrounds flac16/44.1khz Source: MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 90 feet from stage DFC Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Sean Murtha, John Hance Transferred: Kyle Holbrook
|
notes
|
| 7515. |
07/21/84 |
Flac 16/44,1 - 0,
152322 |
Ventura |
Ventura County Fairgrounds flac16/44.1 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - 152178 24 > 16 @ 44.1
|
notes
|
| 7516. |
07/21/84 |
Flac 24/96 - 0,
152178 |
Ventura |
Ventura County Fairgrounds flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 7517. |
07/21/84 |
Flac 16 Mtx - ,
153529 |
Ventura |
Ventura County Fairgrounds flac1644 Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 152322 & 112806.
|
notes
|
| 7518. |
07/22/84 |
Flac 16 - 0,
30650 |
Ventura |
Ventura County Fairgrounds flac16; SBD -> PCM -> Dat Transferred and Edited By Charlie Miller
|
notes
|
| 7519. |
07/22/84 |
Shn - 0,
5896 |
Ventura |
Ventura County Fairgrounds sbd> mr> dats> wav> shn w/seek; dat> wav> shn by popi n. feeldz with thanks to michael grossman for the dat; upgrade in circulation
|
notes
|
| 7520. |
07/22/84 |
Shn - 0,
5959 |
Ventura |
Ventura County Fairgrounds SBD> PCM> Dat> CD> EAC> SHN (mkwACT); via Keith Bode; upgrade in circulation
|
notes
|
| 7521. |
07/22/84 |
Flac 16 - 0,
102101 |
Ventura |
Ventura County Fairgrounds flac16; Recording Info: Nakamichi CM300s w/CP4 shotgun caps > Sony WM-D6C, FOB; Transfer Info: MAC > PC > CD > EAC > FLAC8
|
notes
|
| 7522. |
07/22/84 |
Flac 16 - 0,
108370 |
Ventura |
Ventura County Fairgrounds flac16; source: 2 Beyer M160 & 1 Sennheiser 421 Microphones > Nak MX100 W/2001 > Sony TC-D5M - analog master cassettes - TDK MA-R90's 30 feet from stage-center transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7523. |
07/22/84 |
Flac 16 - 0,
87037 |
Ventura |
Ventura County Fairgrounds flac16; Master: Sony ECM-939LT (dead center, halfway between sbd and the stage) > Cassette Master (Sony TC-D6C) Transfer: Cassette Master (Nakamichi RX-202) > SBM > Sony PCM R500 (pass-through only @ 48kHz) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC
|
notes
|
| 7524. |
07/22/84 |
Flac 16/44,1 - 0,
150381 |
Ventura |
Ventura County Fairgrounds flac16/44.1khz Source: MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 75 feet from stage DFC Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Sean Murtha, John Hance Transferred: Kyle Holbrook
|
notes
|
| 7525. |
07/22/84 |
Flac 24/48 - 0,
150382 |
Ventura |
Ventura County Fairgrounds flac24/48khz Source: MAUD Beyer M88 (Cardioid) XY 90' > Sony TCD5M|Maxell MX 90 x2 no NR (SM mic master) Location: 75 feet from stage DFC Lineage: Nakamichi LX5 > Marantz PMD661|SD >WIN10 Audacity|cdwav|TLH Flac level8 Recorded By: Executive Crew Sean Murtha, John Hance Transferred: Kyle Holbroo
|
notes
|
| 7526. |
07/22/84 |
Flac 16 Mtx - 0,
150532 |
Ventura |
Ventura County Fairgrounds flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 30650 & 108370.
|
notes
|
| 7527. |
07/22/84 |
Flac 16/44,1 - 0,
152323 |
Ventura |
Ventura County Fairgrounds flac16/44.1 Recording Info: SBD > Cassette Master (Sony TC-D5M) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 152201 24 > 16 @ 44.1
|
notes
|
| 7528. |
07/22/84 |
Flac 24/96 - 0,
152201 |
Ventura |
Ventura County Fairgrounds flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 7529. |
07/22/84 |
Flac 16/44 - 0,
152001 |
Ventura |
Ventura County Fairgrounds flac16/44 Recording Info: SBD > PCM Master (Sony Betamax) > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16
|
notes
|
| 7530. |
10/05/84 |
Flac 16/48 - 0,
127551 |
Charlotte |
Charlotte Coliseum flac16/48kHz; Set 1 Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply then a modified Sony TCD-D5M then > Sony PCM-F1 > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
|
notes
|
| 7531. |
10/05/84 |
Shn - 0,
2591 |
Charlotte |
Charlotte Coliseum updated source: SBDMC> [no Cass?]> DATs> CDRs> SHN, with FOB Nak 300 patches by Scott Clugston; edited by Darrin Sacks from Blacula's seed; no Sunshine Daydream
|
notes
|
| 7532. |
10/05/84 |
Flac 16 - 0,
132574 |
Charlotte |
Charlotte Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 7533. |
10/05/84 |
Flac 24/96 - 0,
132575 |
Charlotte |
Charlotte Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 7534. |
10/05/84 |
Flac 16 - 0,
87757 |
Charlotte |
Charlotte Coliseum flac16; Source: FOB: Nakamichi CM-300 Microphones with CP-4 Shotgun capsules>Sony WM-D6 cassette tape deck > Cdwave > TLH All transfers and Mastering done by Jamie Waddell on the GEMS Edit Station
|
notes
|
| 7535. |
10/05/84 |
Flac 16 Mtx - 0,
133026 |
Charlotte |
Charlotte Coliseum flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:02591) SBD> MC> Cass> DATs> CDRs> SHN and Audience (shnid:109982) 2 Beyer M160's & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7536. |
10/05/84 |
Shn - 0,
15528 |
Charlotte |
Charlotte Coliseum FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT
|
notes
|
| 7537. |
10/05/84 |
Flac 16 - 0,
83188 |
Charlotte |
Charlotte Coliseum flac16; Source: Nakamichi CM-100 w/ CP-4 Shotgun Capsules -> Sony D6 (Maxell XLII-S 90 x 2) Location: Mics on stand 10" apart and about 10' high in front and to the left of soundboard Tansfer/re-master: Nak MR-1 -> Presonus Tube Pre-Amp -> BBE 882i -> Behringer Ultrafex Pro Behringer -> Behringer MDX4600 Pro-XL Composer -> DBX 231 EQ -> FW-410 -> wavelab @24/96 (tracking, minor edits and bit rate reduction 16bit/44.1khz) -> flacfrontend L8 Taper: Greg Holtz (garageboy) Transfer/mastering: mtownshend@adelphia.net; this file set fixes errors in shn id 83161
|
notes
|
| 7538. |
10/05/84 |
Flac 24/96 - 0,
124130 |
Charlotte |
Charlotte Coliseum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7539. |
10/05/84 |
Flac 16 - 0,
109982 |
Charlotte |
Charlotte Coliseum flac16; source: 2 Beyer M160's & 1 Sennheiser 421 Microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7540. |
10/05/84 |
Flac 16 - 0,
103309 |
Charlotte |
Charlotte Coliseum flac16; Sony ECM 23F Stereo Mic>Sony WMD6 Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Recorded by David Cohen 25 feet FOB DFC 6.5 ft stand
|
notes
|
| 7541. |
10/05/84 |
Flac 16 - 0,
77703 |
Charlotte |
Charlotte Coliseum flac16; Source: *Beyer M88's>Sony D5M(XLIIS) Location: DFC/FOB Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700
|
notes
|
| 7542. |
10/05/84 |
Flac 24/96 - 0,
148396 |
Charlotte |
Charlotte Coliseum flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7543. |
10/05/84 |
Flac 16/48 - 0,
148395 |
Charlotte |
Charlotte Coliseum flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7544. |
10/06/84 |
Flac 16 - 0,
92283 |
Richmond |
Richmond Coliseum flac16; Taper: Greg Holtz Source: Nakamichi CM100s CP4caps, FOB-> D-6 Transfer: (By Holtz 1997) Unknown Nakamichi Tape Deck-> RCA-1/8"-> D-3 DAT @ 48kHz Current Transfer: (By JAZ) DAT (Direct from Cassette Master)-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0-> R8brainPro 44.1kHZ-> Traders Little Helper flac8; Upgrade in circulation
|
notes
|
| 7545. |
10/06/84 |
Flac 16/48 - 0,
127557 |
Richmond |
Richmond Coliseum flac16/48kHz; Set 2 Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply then a modified Sony TCD-D5M then > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
|
notes
|
| 7546. |
10/06/84 |
Flac 16 - 0,
132557 |
Richmond |
Richmond Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 7547. |
10/06/84 |
Flac 24/96 - 0,
132556 |
Richmond |
Richmond Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 7548. |
10/06/84 |
Flac 16 - 0,
112860 |
Richmond |
Richmond Coliseum flac16; Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC; Transfer: MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > R8-Brain dither to 16/44 > TLH > Flac Level 8
|
notes
|
| 7549. |
10/06/84 |
Flac 24/96 - 0,
112831 |
Richmond |
Richmond Coliseum flac24; Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC; Transfer: MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > TLH > Flac Level 8 > 24/96
|
notes
|
| 7550. |
10/06/84 |
Flac 24/96 - 0,
124157 |
Richmond |
Richmond Coliseum flac24; lineage: (2) audio technica atm11/ (2) nakamichi 300 cp1 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7551. |
10/06/84 |
Flac 16 - 0,
109985 |
Richmond |
Richmond Coliseum flac16; source: 2 Beyer M-88's & 1 Beyer M-160 Microphones > Nak MX100 w/2001> Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7552. |
10/06/84 |
Flac 16 - 0,
91173 |
Richmond |
Richmond Coliseum flac16; taper : Joe D'Amico nak 300 mics > sony d5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend (This source is an EAC version of the previous D'Amico source.)
|
notes
|
| 7553. |
10/06/84 |
Flac 16 - 0,
87015 |
Richmond |
Richmond Coliseum flac16; taper : Joe D'Amico aka Joebeacon nak 300 mics > sony d5 Transfer: nak dragon tape deck into creative extigy sound card into pc -flac frontend
|
notes
|
| 7554. |
10/06/84 |
Flac 16 - 0,
77750 |
Richmond |
Richmond Coliseum flac16; Source: *Beyer M88's>Sony D5M(XLIIS) Location: FOB/DFC Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700
|
notes
|
| 7555. |
10/06/84 |
Shn - 0,
33955 |
Richmond |
Richmond Coliseum This is a re-record of shnid 32898 using azimuth adjustment and Audacity.
|
notes
|
| 7556. |
10/06/84 |
Shn - 0,
32898 |
Richmond |
Richmond Coliseum Unknown shotgun mics > Sony D6 > MC > Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwACT > SHN; upgrade in circulation
|
notes
|
| 7557. |
10/06/84 |
Shn - 0,
15573 |
Richmond |
Richmond Coliseum FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT
|
notes
|
| 7558. |
10/06/84 |
Shn - 0,
3160 |
Richmond |
Richmond Coliseum AUD?; no other info available
|
notes
|
| 7559. |
10/08/84 |
Shn - 0,
14450 |
Worcester |
The Centrum SBD>MC>DAT>CDR ; AUDMC>Nakamichi DR-1>HHB 850 CDR ; SBD with Audience Patches seed text info ; Via Andy L. ; Seeded to Etree by T. Wiley
|
notes
|
| 7560. |
10/08/84 |
Flac 16 - 0,
132550 |
Worcester |
The Centrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Me, Bass Switch Wrong - Metered; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 7561. |
10/08/84 |
Flac 24/96 - 0,
132549 |
Worcester |
The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Me, Bass Switch Wrong - Metered; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 7562. |
10/08/84 |
Flac 16 - 0,
97535 |
Worcester |
The Centrum flac16; Source: Recorded by: Greg Holtz and Tony Bolton Master Cassette FOB right side about 8 feet in front of the SBD(Jerry's side - about 10 feet right of center - 2 Nak 100's w/CP-4 shotgun caps > Sony D-5 Transfer: Tascam112mkII > KorgMR1000 at 1bit/5.6mHz DSD> Audio Gate Software for 24/96 by Jamie Waddell Editing and Mastering: Alex Ford in Wavelab 6.10 with UAD in 24/96,Weiss Saracon for SRC to 16/44.1 POWR-3 Dither
|
notes
|
| 7563. |
10/08/84 |
Flac 16 - 0,
91376 |
Worcester |
The Centrum flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7564. |
10/08/84 |
Flac 16 - 0,
94302 |
Worcester |
The Centrum flac16; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7565. |
10/08/84 |
Flac 16 - 0,
135916 |
Worcester |
The Centrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90, tdk ma90, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger
|
notes
|
| 7566. |
10/08/84 |
Flac 24/96 - 0,
135917 |
Worcester |
The Centrum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90, tdk ma90, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
|
notes
|
| 7567. |
10/08/84 |
Flac 16 - 0,
106644 |
Worcester |
The Centrum flac16; Recorded FOB from floor Section 3, Row Q, Seat 8 by Bob Morris. (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
|
notes
|
| 7568. |
10/08/84 |
Flac 24/96 - 0,
94303 |
Worcester |
The Centrum flac24; Recording Info: (FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7569. |
10/08/84 |
Flac 16 - 0,
110008 |
Worcester |
The Centrum flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7570. |
10/08/84 |
Flac 16 - 0,
77843 |
Worcester |
The Centrum flac16; Source: Beyer M88's>Sony D5M(XLIIS) Location: FOB/DFC Section 2, Row M Stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96. Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700
|
notes
|
| 7571. |
10/08/84 |
Shn - 0,
7773 |
Worcester |
The Centrum Mike Rice's MC; Nak CM 100 mics w/ shotgun capsules > Sony D5 cassette deck; via JD Foltz; Seeded to etree by Willy
|
notes
|
| 7572. |
10/08/84 |
Flac 24/96 - 0,
124185 |
Worcester |
The Centrum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7573. |
10/08/84 |
Flac 24/96 - 0,
113963 |
Worcester |
The Centrum flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
|
notes
|
| 7574. |
10/08/84 |
Flac 24/96 - 0,
124207 |
Worcester |
The Centrum flac24; lineage: (2) nakamichi 300 cp4> d-5 mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7575. |
10/09/84 |
Shn - 0,
14499 |
Worcester |
The Centrum SBD>MC>DAT>CDR ; Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) ; Via Andy L. ; Seeded to Etree by T. Wiley
|
notes
|
| 7576. |
10/09/84 |
Flac 16 Mtx - 0,
123414 |
Worcester |
The Centrum flac16; 2 Source Matrix by dusborne; Soundboard (shinid:14499) Main Source: SBD>MC>DAT>CDR with Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) Taper: Mike Rice and Audience (shnid:120082) Akg 224's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche
|
notes
|
| 7577. |
10/09/84 |
Flac 16 - 0,
132544 |
Worcester |
The Centrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 7578. |
10/09/84 |
Flac 24/96 - 0,
132545 |
Worcester |
The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 7579. |
10/09/84 |
Flac 16 - 0,
96737 |
Worcester |
The Centrum flac16; Source: Master Cassette Recording Location: FOB Jerry's side roughly 10-12 feet right of center,Recording Equipment: Nakamichi CM-100 mics with CP-4 Shotgun caps > Sony D-5 Recorded by Greg Holtz and Tony Bolton Transfer: Tascam112mkII > KorgMR1000 at 1bit/5.6mHz DSD> Audio Gate Software for 24/96 file for mastering Editing and Mastering: Weiss Saracon for SRC to 16/44.1 POWR-3 Dither Trac'ed Cdwave Flac'ed level 8 TLH
|
notes
|
| 7580. |
10/09/84 |
Flac 16 - 0,
91410 |
Worcester |
The Centrum flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7581. |
10/09/84 |
Flac 16 - 0,
94344 |
Worcester |
The Centrum flac16;Recording Info:(FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7582. |
10/09/84 |
Flac 24/96 - 0,
135912 |
Worcester |
The Centrum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
|
notes
|
| 7583. |
10/09/84 |
Flac 16 - 0,
135911 |
Worcester |
The Centrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, section 2 row Q; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger
|
notes
|
| 7584. |
10/09/84 |
Flac 16 - 0,
106645 |
Worcester |
The Centrum flac16; Recorded FOB from floor Section 3, Row Q, Seat 8 by Bob Morris. Transferred & edited by Bob Morris 10/09. (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
|
notes
|
| 7585. |
10/09/84 |
Flac 24 - 0,
94345 |
Worcester |
The Centrum flac24; Recording Info:(FOB) Nakamichi 700 -> Master Cassette (Sony D5/Maxell UDXLII-S90); Transfer Info: Master Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/24; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7586. |
10/09/84 |
Flac 24/96 - 0,
124292 |
Worcester |
The Centrum flac24; lineage: (3)audio technica atm11 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7587. |
10/09/84 |
Flac 16 - 0,
120082 |
Worcester |
The Centrum flac16; Akg 224's > Sony TCD 5m > Sound Devices 722 - 24/96 > Sound Forge Audio Studio 10 > CD Wave > Flac 16; Recorded by David Dyche
|
notes
|
| 7588. |
10/09/84 |
Flac 24/96 - 0,
113964 |
Worcester |
The Centrum flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
|
notes
|
| 7589. |
10/09/84 |
Flac 16 - 0,
81386 |
Worcester |
The Centrum flac16; AUD Source: FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII's, no Dolby. Taped by Ted Carpenter. Transfer: MAC > CD by Jim Wise (2002), likely Nakamichi Dragon > HHB Burner. CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression and checksums) > FLAC, Jan 2007 by Andrew F
|
notes
|
| 7590. |
10/09/84 |
Flac 16 - 0,
110019 |
Worcester |
The Centrum flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7591. |
10/09/84 |
Shn - 0,
7774 |
Worcester |
The Centrum Mike Rice's MC; Nak CM 100 mics w/ shotgun capsules > Sony D5 cassette deck; via JD Foltz; Seeded to etree by Willy
|
notes
|
| 7592. |
10/09/84 |
Flac 16 - 0,
77880 |
Worcester |
The Centrum flac16; Source: *Beyer M88's>Sony D5M; Location: #FOB/DFC Sec. 5, Row G, Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony Suraci/nak700
|
notes
|
| 7593. |
10/11/84 |
Shn - 0,
17411 |
Augusta |
Augusta Civic Center Retracked and sector boundary errors fixed version of previous Oade Schoeps source; Source: FOB Schoeps MK41/CMC4 > Oade M118 > Sony TC D-5 Cassette Master > PCM > DAT @44.1khz; seeded by Sacks via Clifton
|
notes
|
| 7594. |
10/11/84 |
Flac 24/96 - 0,
132352 |
Augusta |
Augusta Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 7595. |
10/11/84 |
Flac 16 - 0,
132351 |
Augusta |
Augusta Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 7596. |
10/11/84 |
Flac 16 - 0,
100420 |
Augusta |
Augusta Civic Center flac16; FOB AUD: Nakamichi CM100 mics w/CP-4 shotgun capsules > Sony TC-D5M cassette deck. Situated exact center, directly in front of the soundboard, mic stand at about 7', shotguns pointing at stacks Transfer: MAC > Nakamichi DR-1 cassette deck > HHb 850 Standalone CD Burner > CDR > EAC > Cool Edit Pro > CD Wave > FLAC Level 8; Recorded by Greg Holtz & Tony Bolton
|
notes
|
| 7597. |
10/11/84 |
Flac 16 - 0,
132793 |
Augusta |
Augusta Civic Center flac16; Remaster of Oade source 8794; Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut and Flac files created in Audacity 2.0.5
|
notes
|
| 7598. |
10/11/84 |
Flac 16 - 0,
94404 |
Augusta |
Augusta Civic Center flac16; FOB AUD: Sennhesier MD-441's > Sony TC-D5M > Maxell UD-XLII 90's, no Dolby. Mics on seven-foot stood, angled up at stacks, approx 25 feet from the stage, in the center. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F.
|
notes
|
| 7599. |
10/11/84 |
Flac 16 - 0,
99190 |
Augusta |
Augusta Civic Center flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 7600. |
10/11/84 |
Flac 24/96 - 0,
137264 |
Augusta |
Augusta Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger
|
notes
|
| 7601. |
10/11/84 |
Flac 16 - 0,
137265 |
Augusta |
Augusta Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger
|
notes
|
| 7602. |
10/11/84 |
Flac 24/96 - 0,
139116 |
Augusta |
Augusta Civic Center flac24; billydee recording (patched out of): Neumann km84i's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 7603. |
10/11/84 |
Flac 16 - 0,
141028 |
Augusta |
Augusta Civic Center flac16; billydee recording (patched out of): Neumann km84i's > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 7604. |
10/11/84 |
Flac 16/48 - 0,
143631 |
Augusta |
Augusta Civic Center flac16; Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mics w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7605. |
10/11/84 |
Flac 24/96 - 0,
143623 |
Augusta |
Augusta Civic Center flac24; Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mics w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
|
notes
|
| 7606. |
10/11/84 |
Shn - 0,
8794 |
Augusta |
Augusta Civic Center ource: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor; upgrade in circulation
|
notes
|
| 7607. |
10/11/84 |
Shn - 0,
5304 |
Augusta |
Augusta Civic Center AUD, unknown mic (reportedly possible Schoeps or Sennheiser); via Nick Scarano?
|
notes
|
| 7608. |
10/11/84 |
- 0,
124355 |
Augusta |
Augusta Civic Center flac24; lineage: (2)nakamichi 300 cp1 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7609. |
10/11/84 |
Flac 24/96 - 0,
113965 |
Augusta |
Augusta Civic Center flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
|
notes
|
| 7610. |
10/11/84 |
Flac 16 - 0,
110034 |
Augusta |
Augusta Civic Center flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7611. |
10/11/84 |
Flac 16 - 0,
106646 |
Augusta |
Augusta Civic Center flac16; Recorded by Bob Morris.Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
|
notes
|
| 7612. |
10/11/84 |
Flac 16 - 0,
77916 |
Augusta |
Augusta Civic Center flac16; Source: Beyer M88's>Sony D5M Location: FOB/Right side, Stand at 8 feet. Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16 Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700
|
notes
|
| 7613. |
10/11/84 |
Shn - 0,
33825 |
Augusta |
Augusta Civic Center Source: FOB Beyer M160s > Sony TCD5M > Master Audience Cassette (Maxell MX90 Type IV Cassettes). Transfer: MAC playback on Nakamich DR-2 > Audiophile 2496 > recorded as 24bit /96 KHz WAV > Wavelab/Waves L3 (see notes) > rendered to 16/44.1 WAV > CDWAV 1.9 > FLAC (level 8).
|
notes
|
| 7614. |
10/12/84 |
Flac 16 Mtx - 0,
117573 |
Augusta |
Augusta Civic Center flac16; Matrix of SBD (shnid=5585) and AUD (shnid=8795) by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
notes
|
| 7615. |
10/12/84 |
Shn - 0,
5585 |
Augusta |
Augusta Civic Center Master Soundboard Cassette > Reel to Reel > DAT> CDR; with patches from Mike Rice's Master Audience Cassette: Nakamichi CM100 mics + CP4's> Sony D5; CDR ReMastering, Patching, EAC'ed, SHN'ed by Scott Clugston; see info file for details
|
notes
|
| 7616. |
10/12/84 |
Flac 24/96 - 0,
132346 |
Augusta |
Augusta Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 7617. |
10/12/84 |
Flac 16 - 0,
132345 |
Augusta |
Augusta Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 7618. |
10/12/84 |
Flac 16 - 0,
132822 |
Augusta |
Augusta Civic Center flac16; Remastered version of the original Oade source 8795 by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut and Flac files created in Audacity 2.0.6
|
notes
|
| 7619. |
10/12/84 |
Flac 16 - 0,
85219 |
Augusta |
Augusta Civic Center flac 16; Recording by Mtownshend:FOB -> Sony TC D5 -> PCM -> DAT (@44.1k) Transfer/mastering: Panasonic (optical out) -> E-MU 1010 (analog out) -> analog rack (ADAT out) -> E-MU 1010 -> Wavelab Tracking and Compression: CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper
|
notes
|
| 7620. |
10/12/84 |
Flac 16 - 0,
101952 |
Augusta |
Augusta Civic Center flac16; Lineage: Nakamichi CM-100 mics with CP-4 shotgun caps to a Sony D-5 stereo cassette recorder; Master Cassette >> Nakamichi DR-1 >> Korg MR-1000 at 1bit/5.6mHZ DSD Korg AudioGate Software for DSD to PCM WAV conversion at 24bit/44.1kHz Transfers, Editing and Mastering by Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither TradersLilHelper for FLAC8 Meta-Data with Tag&ReName
|
notes
|
| 7621. |
10/12/84 |
Flac 16 - 0,
99198 |
Augusta |
Augusta Civic Center flac16; Recorded by Steve Rolfe; 2 Nak 700s> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 7622. |
10/12/84 |
Flac 16 - 0,
77979 |
Augusta |
Augusta Civic Center flac16; *Beyer M88's>Sony D5M, FOB/left of center, stand at 8 feet. Taped, transfered and uploaded by Tony S
|
notes
|
| 7623. |
10/12/84 |
Flac 24/96 - 0,
137580 |
Augusta |
Augusta Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger
|
notes
|
| 7624. |
10/12/84 |
Flac 16 - 0,
137579 |
Augusta |
Augusta Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s>sony d5; maxell xl-IIS90’s, dolby b; nakamichi dragon/b>benchmark adc1 @ 24/96; transferred & seeded by Rob Berger
|
notes
|
| 7625. |
10/12/84 |
Flac 24/96 - 0,
139117 |
Augusta |
Augusta Civic Center flac24; billydee recording (patched out of Rob Eaton*): Neumann U87 (15' apart) > Sony TC-D5M > master audio cassette (FOB); Larry Sellers & the Philly Crew Direct Stream Digital (DSD) Transfer: MAC > Nak CR7A w/ azimuth adjusted > Korg MR-1000 @ 5.8mhz > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel > Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 7626. |
10/12/84 |
Flac 16 - 0,
139563 |
Augusta |
Augusta Civic Center flac16; Dan McSheffrey recording: Neumann KM84 > Nakamichi DMP-100 PCM > Dat (FOB); Charlie Miller transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered by Joe Noel in Audacity: Wave > Flac 16/44; Checksum & tags created in xACT
|
notes
|
| 7627. |
10/12/84 |
Flac 16 - 0,
30192 |
Augusta |
Augusta Civic Center flac16; Source Update: Note that the seeder Mtownshend indicates that this recording most likely is from an audience source. See the public comments regarding the source of this recording. (Had been marked:SBD/AUD Healy Matrix)
|
notes
|
| 7628. |
10/12/84 |
Flac 16 - 0,
132814 |
Augusta |
Augusta Civic Center flac16; MSC > Reel > DAT > CDR > EAC > WAV > TLH > FLAC
|
notes
|
| 7629. |
10/12/84 |
Flac 16/48 - 0,
143086 |
Augusta |
Augusta Civic Center flac16/48kHz; George Sterry's Master Audience Cassettes; Schoeps mics (model unknown) > Sony TC-158SD(Maxell UDXLII-C90) Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7630. |
10/12/84 |
Flac 24/96 - 0,
143087 |
Augusta |
Augusta Civic Center flac24; George Sterry's Master Audience Cassettes; Schoeps mics (model unknown) > Sony TC-158SD(Maxell UDXLII-C90)Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> KORG AudioGate 4 (.wav 24-bit/96k)> Adobe Audition 3.01 (24-bit/96k) > TLH flac2496
|
notes
|
| 7631. |
10/12/84 |
Flac 16/48 - 0,
143637 |
Augusta |
Augusta Civic Center flac16; 2nd Set Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7632. |
10/12/84 |
Flac 24/96 - 0,
143638 |
Augusta |
Augusta Civic Center flac24; 2nd Set Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
|
notes
|
| 7633. |
10/12/84 |
Shn - 0,
17412 |
Augusta |
Augusta Civic Center Oade Schoeps retracked for 2 disks and free of sector boundary errors via Clifton; Source: FOB Schoeps MK41/CMC4 > Oade M118 > Sony TC D-5 Cassette Master > PCM > DAT @44.1khz; upgrade in circulation
|
notes
|
| 7634. |
10/12/84 |
Shn - 0,
8795 |
Augusta |
Augusta Civic Center Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable);Seeded by Darrin Sacks; also to abgd via Charlie Connor; upgrade in circulation
|
notes
|
| 7635. |
10/12/84 |
Shn - 0,
20022 |
Augusta |
Augusta Civic Center Master Tapes by Ficca Source: FOB Center Sony TCD5M with 2 Beyer Dynamic 160's > Sony CDR-W66 > EAC > CDWave > CDA encoded by Ficca
|
notes
|
| 7636. |
10/12/84 |
Shn - 0,
256 |
Augusta |
Augusta Civic Center MAC > CDR > CDR > CDR > SHN; Mike Rice's Master Audience Cassette; Nakamichi CM100 mics w/ shotgun capsules > Sony D5 cassette deck: Master cassette played back via a Nakamichi DR-1 cassette deck> HHb 850 CDR; EAC>?CEP editing > CDWav? > CDRWin > Matsushita 7582 4x CDR; via Gregg Nixon, Scott Clugston, John Oleynick; see info file for flaw notes
|
notes
|
| 7637. |
10/12/84 |
Shn - 0,
18436 |
Augusta |
Augusta Civic Center Source: Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable) ***7.16.03*** Beginning of CR&S patched with alternate FOB Schoeps source, lineage is below. Patched with Cool Edit Pro 2.0 in multitrack view > mkwACT by Doug Nawrocki. d2t01 is the only md5 that differs from the original. Patch source lineage: MAC(FOB 2 Schoeps MK41/CMC4 > Sony TCD-5M) > WAV > SHN digital transfer: Kenwood KX1030 cassette deck > EMI 6|2m (16 bit @ 44.1khz) > Peak 3.21 > WAV > Shorten 1.1a4 > SHN
|
notes
|
| 7638. |
10/12/84 |
Flac 16 - 0,
106647 |
Augusta |
Augusta Civic Center flac16; Recorded by Bob Morris. Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
|
notes
|
| 7639. |
10/12/84 |
Flac 24/96 - 0,
124399 |
Augusta |
Augusta Civic Center flac24; lineage: (3)audio technica atm11fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7640. |
10/12/84 |
Flac 24/96 - 0,
113966 |
Augusta |
Augusta Civic Center flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
|
notes
|
| 7641. |
10/12/84 |
Flac 16 - 0,
110040 |
Augusta |
Augusta Civic Center flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones (up front)> Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7642. |
10/12/84 |
Flac 24/96 - 0,
148414 |
Augusta |
Augusta Civic Center flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp(24/96k)> Adobe CC 2019(24-bit/96k) > TLH flac2496
|
notes
|
| 7643. |
10/12/84 |
Flac 16/48 - 0,
148413 |
Augusta |
Augusta Civic Center flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp(24/96k)> Adobe CC 2019(24-bit/96k) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7644. |
10/14/84 |
Flac 24/96 - 0,
132342 |
Hartford |
Hartford Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 7645. |
10/14/84 |
Flac 16 - 0,
132341 |
Hartford |
Hartford Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 7646. |
10/14/84 |
Flac 16 - 0,
98567 |
Hartford |
Hartford Civic Center flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S90). Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; NOTE: This is source ID 91385 with a new patch added in Drums to make the show complete
|
notes
|
| 7647. |
10/14/84 |
Flac 16 - 0,
91385 |
Hartford |
Hartford Civic Center flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7648. |
10/14/84 |
Flac 16/48 - 0,
143829 |
Hartford |
Hartford Civic Center flac16/48kHz; Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7649. |
10/14/84 |
Flac 24/96 - 0,
143830 |
Hartford |
Hartford Civic Center flac24; Source Info: Mike Guy's Master Audience Cassettes; 3 mic spread - (2) Nakamichi CM300 mics w/ CP-4 shotgun caps + (1) Nakamichi CM100 mic w/CP-2 omni cap blend > Nakamichi 500 (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition 3.01 > TLH flac2496
|
notes
|
| 7650. |
10/14/84 |
Flac 24/96 - 0,
113967 |
Hartford |
Hartford Civic Center flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
|
notes
|
| 7651. |
10/14/84 |
Flac 16 - 0,
110042 |
Hartford |
Hartford Civic Center Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Beyer M160 & 1 Sennheiser 421 microphones (14th row)> Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7652. |
10/14/84 |
Flac 16 - 0,
78934 |
Hartford |
Hartford Civic Center flac16; 1st Gen; Sennhieser ME80s > Sony D5 > TDK MA90s Taper: Lucian Zaleski Transfer: Nakamichi CD2 [azimuth adjusted]>Kind Kables rca/xlr>Lunatec V3>coax>Audiophile 2496>CEP 2.0>CD Wave Editor>Flac Frontend>FLAC16. 1st Gen cassettes provided by Mark McCue. Transfer, edits, conversion and upload to bt.etree.org Alex Ford 10/09/2006
|
notes
|
| 7653. |
10/14/84 |
Flac 16 - 0,
106648 |
Hartford |
Hartford Civic Center flac16; Recorded FOB from Section 2, Row J, Seat 10 by Bob Morris. (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
|
notes
|
| 7654. |
10/14/84 |
Flac 16 - 0,
77990 |
Hartford |
Hartford Civic Center flac16; Source: *Beyer M88's>Sony D5M Location: FOB/DFC Sec. 2 Row M Stand at 7 Feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700
|
notes
|
| 7655. |
10/14/84 |
Shn - 0,
3592 |
Hartford |
Hartford Civic Center FOB> Nakamichi 300's> CP4Cassette Master> DAT> CDR> Eac> SHN; DAE(EAC) + SHN Encoding by Jeff M.; see info file for notes
|
notes
|
| 7656. |
10/14/84 |
Shn - 0,
77477 |
Hartford |
Hartford Civic Center fob-aud (Lineage Unknown) Seeded to abgd by Seth Jackson
|
notes
|
| 7657. |
10/14/84 |
Flac 24/96 - 0,
124467 |
Hartford |
Hartford Civic Center flac24; lineage: (2)nakamichi 300 cp4> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7658. |
10/14/84 |
Flac 24/96 - 0,
148574 |
Hartford |
Hartford Civic Center flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7659. |
10/14/84 |
Flac 16/48 - 0,
148573 |
Hartford |
Hartford Civic Center flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7660. |
10/14/84 |
Flac 16/48 - 0,
151292 |
Hartford |
Hartford Civic Center flac16/48 Set 2 Only: First SBD For This Date. Recording Info: SBD > Cassette Master > Reel (Technics) > DAT (Panasonic SV-3800-48k). Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-48k) Additional Mastering: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC16 Transfers by Rob Eaton. Mastering by Charlie Miller. December 29, 2020
|
notes
|
| 7661. |
10/15/84 |
Shn - 0,
4771 |
Hartford |
Hartford Civic Center Aud>? (lineage Unknown); Seeded to abgd by Seth Jackson
|
notes
|
| 7662. |
10/15/84 |
Flac 24/96 - 0,
132332 |
Hartford |
Hartford Civic Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 7663. |
10/15/84 |
Flac 16 - 0,
132331 |
Hartford |
Hartford Civic Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes: Maxell UDXLLII 90's; Tapes Labelled: Master-Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 7664. |
10/15/84 |
Flac 16 - 0,
91434 |
Hartford |
Hartford Civic Center flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7665. |
10/15/84 |
Flac 24/96 - 0,
124518 |
Hartford |
Hartford Civic Center flac24; lineage: (2)nakamichi 300 cp4> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7666. |
10/15/84 |
Flac 24/96 - 0,
113968 |
Hartford |
Hartford Civic Center flac24; (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
|
notes
|
| 7667. |
10/15/84 |
Flac 16 - 0,
110044 |
Hartford |
Hartford Civic Center flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7668. |
10/15/84 |
Flac 16 - 0,
106649 |
Hartford |
Hartford Civic Center flac16; Recorded FOB from Section 2, Row K, Seat 12 by Bob Morris. (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
|
notes
|
| 7669. |
10/15/84 |
Shn - 0,
22022 |
Hartford |
Hartford Civic Center Recording Info: (FOB) Senn 421 -> Cassette Master -> Dat -> CD Transfer Info: EAC -> Samplitude v7.02 Professional -> SHN - Transfered and Edited By Charlie Miller
|
notes
|
| 7670. |
10/15/84 |
Flac 16 - 0,
79023 |
Hartford |
Hartford Civic Center flac16; Source: Source update: Master Audience Cassette; (FOB) Sennheiser 421s > Sony D5 > D5 > D6 > 2 TDK MA90s Mic Config: pointed at the stacks, upper chest level Location: FOB, 15th or 17th row, slightly LOC Tapers: long forgotten taper, Adam, & Mark McCue Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > Kind Kables rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > CD Wave Editor > TLH > FLAC16
|
notes
|
| 7671. |
10/15/84 |
Flac 16 - 0,
150964 |
Hartford |
Hartford Civic Center Recording Info: SBD > PCM Master > DAT (Panasonic SV-3700) > DAT (Panasonic SV-3800) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC (3 Discs Audio) Original Transfer and Mastering by Rob Eaton. Additional Mastering by Charlie Miller. November 27, 2020
|
notes
|
| 7672. |
10/15/84 |
Flac 16 Mtx - 0,
151235 |
Hartford |
Hartford Civic Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
notes
|
| 7673. |
10/17/84 |
Flac 16 - 0,
32057 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: Set 1: SBD -> Master Cassette -> ? -> Cassette (Dolby C) Set 2: SBD -> Master Cassette -> Dat -> CD -> EAC -> SHN Transfer Info: Set 1: Cassette (Sony TC-WE475/Dolby C) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC Set 2: SHN -> WAV -> FLAC
|
notes
|
| 7674. |
10/17/84 |
Flac 16/48 - 0,
127692 |
East Rutherford |
Meadowlands Arena flac16/48kHz; Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply > modified Sony TCD-D5M. Later, Sony TCD-D5M > DAW (via SEKD Prodif) > Wav16/48; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
|
notes
|
| 7675. |
10/17/84 |
Flac 16 - 0,
132254 |
East Rutherford |
Meadowlands Arena flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 7676. |
10/17/84 |
Flac 24/96 - 0,
132253 |
East Rutherford |
Meadowlands Arena flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 7677. |
10/17/84 |
Flac 16 - 0,
27975 |
East Rutherford |
Meadowlands Arena flac16; 3 Nak CM700 (DIN; Row S, DFC) > Sony TC-D5M > Maxell MX tape; Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; Taped, transferred by Doug Mow; CDR> FLAC16 and minor editing by Alex Ford
|
notes
|
| 7678. |
10/17/84 |
Shn - 0,
21783 |
East Rutherford |
Meadowlands Arena Source: SBD > MC>DAT via J.Powell encoded by C.Ladner.; upgrade in circulation
|
notes
|
| 7679. |
10/17/84 |
Flac 16 - 0,
110051 |
East Rutherford |
Meadowlands Arena flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7680. |
10/17/84 |
Flac 24/96 - 0,
113969 |
East Rutherford |
Meadowlands Arena flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
|
notes
|
| 7681. |
10/17/84 |
Shn - 0,
15125 |
East Rutherford |
Meadowlands Arena AUD(Nak 300?s)>MC>DAT>CD via Paul B encoded by Willy
|
notes
|
| 7682. |
10/17/84 |
Flac 16 - 0,
78015 |
East Rutherford |
Meadowlands Arena flac16; Source: Beyer M88's>Sony D5M(XLIIS/Set 1, MX/Set 2) Location: FOB/DFC Sec. 8, Row G(7 rows from stage)Stand at 7 feet. Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony Suraci/aka Nak700
|
notes
|
| 7683. |
10/17/84 |
Flac 16 - 0,
106650 |
East Rutherford |
Meadowlands Arena flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Floor Section 7, Row Y, Seat 4 by Bob Morris.
|
notes
|
| 7684. |
10/18/84 |
Flac 16 - 0,
128497 |
East Rutherford |
Meadowlands Arena flac16; Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply > modified Sony TCD-D5M. Later, Sony TCD-D5M > DAW (via SEKD Prodif) > Wav16/44 (set 1) & 16/48 (set 2); Transfer and mastering by droncit 4/29/2014
|
notes
|
| 7685. |
10/18/84 |
Flac 24/96 - 0,
132239 |
East Rutherford |
Meadowlands Arena flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 7686. |
10/18/84 |
Flac 16 - 0,
132238 |
East Rutherford |
Meadowlands Arena flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 7687. |
10/18/84 |
Flac 16/48 - 0,
137213 |
East Rutherford |
Meadowlands Arena flac16/48kHz; Recording Info: SBD -> Cassette Master > Reel > Dat (48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7688. |
10/18/84 |
Flac 24 - 0,
142353 |
East Rutherford |
Meadowlands Arena flac24; Recording Info: Neumann KM86 (cardioid) > Master Reel (Uher Deck 1/2 trk Scotch Reels); Transfer Info: Master Reel (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Adobe Audition CC2015 > Samplitude Pro X3 > FLAC/24; Recorded by Frank Streeter and Rob Eaton; Transferred by Matt Smith; Mastered by Charlie Miller
|
notes
|
| 7689. |
10/18/84 |
Flac 16 - 0,
142514 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: Neumann KM86 (cardioid) > Master Reel (Uher Deck 1/2 trk Scotch Reels); Transfer Info: Master Reel (Technics RS1506) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Adobe Audition CC2015 > Samplitude Pro X3 > FLAC/24; Recorded by Frank Streeter and Rob Eaton; Transferred by Matt Smith; Mastered by Charlie Miller
|
notes
|
| 7690. |
10/18/84 |
Flac 16 - 0,
28290 |
East Rutherford |
Meadowlands Arena flac16; 3 Nak CM700 (Row N, DFC, DIN)> Sony TC-D5M > Maxell MX tape; Transfer: Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/WindowsXP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Windows XP Pro > FLAC Frontend > FLAC16; Taped, transferred by Doug Mow; EAC> flac by Alex Ford
|
notes
|
| 7691. |
10/18/84 |
Shn - 0,
17273 |
East Rutherford |
Meadowlands Arena (FOB) Nakamichi CM300/CP1 -> Cm (Sony D5) -> Dat (48k) > Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN. All transfers and remastering done by Charlie Miller
|
notes
|
| 7692. |
10/18/84 |
Flac 16 - 0,
106651 |
East Rutherford |
Meadowlands Arena flac16; Recorded from Floor Section 7, Row Y, Seat 4 by Bob Morris. Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
|
notes
|
| 7693. |
10/18/84 |
Flac 16 - 0,
87016 |
East Rutherford |
Meadowlands Arena flac16; taper : Joe D'Amico aka joebeacon nak 300 mics > sony d5 converted : nak dragon deck > behringer ultra curve pro 24 bit main frame >creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 7694. |
10/18/84 |
Flac 16 - 0,
78116 |
East Rutherford |
Meadowlands Arena flac16; Source: *Beyer M88's>SonyD5M(XLIIS/set 1, MX/Set 2) Location: FOB/Right Sec. 7, Row M, stand at 8 feet Transfer: Sony D5ProII>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac16 Taped and Transferred by Tony Suraci
|
notes
|
| 7695. |
10/18/84 |
Shn - 0,
21131 |
East Rutherford |
Meadowlands Arena 3 Nak 701s > D5 > MX-100 > D10 > SHN
|
notes
|
| 7696. |
10/18/84 |
Flac 16 - 0,
110052 |
East Rutherford |
Meadowlands Arena flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7697. |
10/18/84 |
Flac 16 - 0,
120142 |
East Rutherford |
Meadowlands Arena flac16; Source: Teac ME-20 > WMD6 FOB Sec 8 Row A Seat 14; Conversion: HK TD302Bk> PMD661; Recorded by Stan Roberts
|
notes
|
| 7698. |
10/18/84 |
Flac 24/96 - 0,
113970 |
East Rutherford |
Meadowlands Arena flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
|
notes
|
| 7699. |
10/18/84 |
Flac 24/48 - ,
149998 |
East Rutherford |
Meadowlands Arena flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head 45 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLII 90 s2:Maxell MX 90 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Gary Steel
|
notes
|
| 7700. |
10/18/84 |
Flac 16/44,1 - ,
149997 |
East Rutherford |
Meadowlands Arena flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head 45 feet from stage DFC >Sony TCD5M > s1: Maxell UDXLII 90 s2:Maxell MX 90 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Tom Pinney; Gary Steel
|
notes
|
| 7701. |
10/20/84 |
Flac 16 - 0,
105445 |
Syracuse |
Carrier Dome, Syracuse U flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; This is a re-master of source ID 15673
|
notes
|
| 7702. |
10/20/84 |
Flac 16 Mtx - 0,
122859 |
Syracuse |
Carrier Dome, Syracuse U flac16; Matrix from: Soundboard (shnid:105445) SBD -> Cassette Master -> Dat -> CD; All Transfers and Mastering By Charlie Miller and Audience (shnid:110063)source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files; Recorded by The Weasel - "Da Weez"; Transferred and mastered to .wav files by D5scott
|
notes
|
| 7703. |
10/20/84 |
Flac 16 - 0,
128437 |
Syracuse |
Carrier Dome, Syracuse U flac16; Set 2 Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
|
notes
|
| 7704. |
10/20/84 |
Flac 16 - 0,
131798 |
Syracuse |
Carrier Dome, Syracuse U flac16; Master Audience Recorded By Sandy For Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 24/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 7705. |
10/20/84 |
Flac 24/96 - 0,
131799 |
Syracuse |
Carrier Dome, Syracuse U flac24; Master Audience Recorded By Sandy For Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UD XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 7706. |
10/20/84 |
Flac 24/96 - 0,
108304 |
Syracuse |
Carrier Dome, Syracuse U flac24; FOB AUD: 2x Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell UD-XLII 90's w/no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496 Tagged. Transfer by Andrew F.
|
notes
|
| 7707. |
10/20/84 |
Shn - 0,
15673 |
Syracuse |
Carrier Dome, Syracuse U SBD> CM> DAT> computer processing> CDR> EAC> SHNTOOL> MKWACT; Editing by MattMan, from Alan Matta source discs; Upgrade in circulation
|
notes
|
| 7708. |
10/20/84 |
Flac 24/96 - 0,
140929 |
Syracuse |
Carrier Dome, Syracuse U flac24; Source Info: Ray Ackerman's (FOB) Master Audience Cassette (first row in front of soundboard); Sennheiser 441 mics > Sony D5 > Sony D6; Transfer Info: Cassette (Nakamichi mkii)> Grace Design Lunatec V3 > Oade modified M-Audio MicroTrack II (wav 24 bit/96k) > Adobe Audition 3 > TLH flac24/96
|
notes
|
| 7709. |
10/20/84 |
Flac 16 - 0,
140928 |
Syracuse |
Carrier Dome, Syracuse U flac16; Source Info: Ray Ackerman's (FOB) Master Audience Cassette (first row in front of soundboard); Sennheiser 441 mics > Sony D5 > Sony D6; Transfer Info: Cassette (Nakamichi mkii)> Grace Design Lunatec V3 > Oade modified M-Audio MicroTrack II (wav 24 bit/96k)> Adobe Audition 3 > TLH flac24/96; 24 bit > 16 bit via dBpoweramp
|
notes
|
| 7710. |
10/20/84 |
Flac 24/96 - 0,
124527 |
Syracuse |
Carrier Dome, Syracuse U flac24; lineage: sennheiser 441 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7711. |
10/20/84 |
Shn - 0,
1871 |
Syracuse |
Carrier Dome, Syracuse U nak300> cassette master> cd wav> cool edit pro> shn> cdr; transfer by Mike Lai from Bruce Fried seed; upgrade in circulation
|
notes
|
| 7712. |
10/20/84 |
Flac 16 - 0,
33341 |
Syracuse |
Carrier Dome, Syracuse U flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M, onto Maxell UD-XLII tape, with no Dolby. Taped by Ted Carpenter
|
notes
|
| 7713. |
10/20/84 |
Flac 16 - 0,
106652 |
Syracuse |
Carrier Dome, Syracuse U flac16; Recorded from Floor Section 3, Row L, Seat 9 by Bob Morris.Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
|
notes
|
| 7714. |
10/20/84 |
Flac 16 - 0,
110063 |
Syracuse |
Carrier Dome, Syracuse U flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7715. |
10/20/84 |
Flac 24/96 - 0,
108407 |
Syracuse |
Carrier Dome, Syracuse U flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits); Recorded from Floor Section 3, Row L, Seat 9 by Bob Morris
|
notes
|
| 7716. |
10/20/84 |
Flac 16 - 0,
150967 |
Syracuse |
Carrier Dome, Syracuse U Recording Info: SBD > PCM Master > DAT (Panasonic SV-3700) > DAT (Panasonic SV-3800) Transfer Info: DAT (Panasonic SV-3800) > Avid MBox Pro > Pro Tools 12 > WAV (16-bit-44.1k) Additional Mastering: WAV > Samplitude Pro X5 Suite > FLAC. (3 Discs Audio) Original Transfer and Mastering by Rob Eaton. Additional Mastering by Charlie Miller. November 28, 2020
|
notes
|
| 7717. |
10/20/84 |
Flac 24/48 - ,
152671 |
Syracuse |
Carrier Dome, Syracuse U flac24/48 Source: Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Three Rows Directly In Front Of Healy (sorry Dan!); Stand 6 To 7 Feet High.
|
notes
|
| 7718. |
10/20/84 |
Flac 16 - ,
152672 |
Syracuse |
Carrier Dome, Syracuse U flac16 This Is A 16bit File Set, Dithered Using Dbpoweramp Source: Nakamichi 100 Shotguns > Sony Tc-d5m > Master Cassette (tdk Ma90s, Dolby B On) Location: Three Rows Directly In Front Of Healy (sorry Dan!); Stand 6 To 7 Feet High. Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby> Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq & Software Dolby B Decode Using Nuendo & Ddicodec. Recorded, Transferred & Mastered By Anon Edited With Add'l Mastering In Adobe Audition By Joe Noel February 16, 2021
|
notes
|
| 7719. |
10/27/84 |
Flac 16 - 0,
106797 |
Berkeley |
Berkeley Community Theater flac16; SBD > Cassette Master > Cassette > FLAC; All Transfers and Mastering By Charlie Miller (note: This source was originally seeded as part of a collection of uncirculated SBD tracks.)
|
notes
|
| 7720. |
10/27/84 |
Flac 16 - 0,
123743 |
Berkeley |
Berkeley Community Theater flac16; Partial SBD > Cassette Master > Cassette > FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7721. |
10/27/84 |
Shn - 0,
17414 |
Berkeley |
Berkeley Community Theater Senn 441?s>Sony D-5. AUD>MC>DAT>CDR via Raoul Duke encoded by Willy and Matt Vernon
|
notes
|
| 7722. |
10/27/84 |
Flac 24/96 - 0,
145576 |
Berkeley |
Berkeley Community Theater flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row nn, seat 15; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 7723. |
10/27/84 |
Flac 16 - 0,
145577 |
Berkeley |
Berkeley Community Theater flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row nn, seat 15; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 7724. |
10/28/84 |
Shn - 0,
21935 |
Berkeley |
Berkeley Community Theater Source: SBD>MC>DAT>CDR>WAV>SHN - entire first set except for aud splice during LLR. First three tracks of second set are SBD with the remainder from an unlineaged FOB audience recording.
|
notes
|
| 7725. |
10/28/84 |
Flac 16 - 0,
88181 |
Berkeley |
Berkeley Community Theater flac16; Taped by Jay Abrams (jra-sm) and Keith Prior Digitized and edited by Jay Abrams Location: Section CTR - Row GG - Seat 23 Source: Quad Nakimichi's - (Nakimichi 700's and Nakimichi 100's) - mixed down to two channels at show Sony WM-D6C > Maxell Metal - Dolby C > Wav > CD Wav > xAct encoding to Flac
|
notes
|
| 7726. |
10/28/84 |
Flac 16 - 0,
106167 |
Berkeley |
Berkeley Community Theater flac16; Recording Info: Nakamichi 300/CP1 Mics -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7727. |
10/28/84 |
Flac 24/96 - 0,
145578 |
Berkeley |
Berkeley Community Theater flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row OO, seat 1; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 7728. |
10/28/84 |
Flac 16 - 0,
145579 |
Berkeley |
Berkeley Community Theater flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row OO, seat 1; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 7729. |
10/28/84 |
Flac 16 - 0,
20ß80 |
Berkeley |
Berkeley Community Theater flac16; AudMC > DAT > CD > EAC > FLAC Recoreded by Michael Parrish from taper section with 2 Nak mini-700s (with pressure zones) and 2 Senn 441s > battery powered DBX 224X > Sony D-6 (master cassette) - CD>FLAC by Noah Weiner, April 2005.
|
notes
|
| 7730. |
10/30/84 |
Shn - 0,
22256 |
Berkeley |
Berkeley Community Theater Source: Set 1: SBD>MC>DAT>CDR>WAV>SHN. Set 2: SBD>MC>DAT>CDR>WAV>SHN (first 3 tracks) AUD(Senn 441?s>Sony D-5)>MC>DAT>CDR>WAV>SHN (remainder of second set + encore)
|
notes
|
| 7731. |
10/30/84 |
Flac 16 - 0,
106168 |
Berkeley |
Berkeley Community Theater flac16; Recording Info: Nakamichi 300/CP1 Mics -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7732. |
10/30/84 |
Shn - 0,
17415 |
Berkeley |
Berkeley Community Theater Senn 441?s>Sony D-5. Lineage: AUD>MC>DAT>CDR via Raoul Duke encoded by Willy Munder and Matt Vernon
|
notes
|
| 7733. |
10/30/84 |
Flac 24/96 - 0,
145582 |
Berkeley |
Berkeley Community Theater flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row mm, seat 11; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 7734. |
10/30/84 |
Flac 16 - 0,
145583 |
Berkeley |
Berkeley Community Theater flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; center floor, row mm, seat 11; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 7735. |
10/30/84 |
Flac 24/48 - 0,
150782 |
Berkeley |
Berkeley Community Theater flac24/48khz Source: MAUD CA Sennheiser mke2002 Binaural mics, worn on Seans head > Sony TCD5M|TDK MA90 x2 Location: Upper balcony, ROC Row O Seat 22 Lineage: Nakmichi LX5 > Marantz PMD661|SD Recorded by: Sean Murtha, Gary Steel, Executive Crew Transferred: Kyle Holbrook
|
notes
|
| 7736. |
10/30/84 |
Flac 16/44,1 - 0,
150783 |
Berkeley |
Berkeley Community Theater flac16/44.1khz Source: MAUD CA Sennheiser mke2002 Binaural mics, worn on Seans head > Sony TCD5M|TDK MA90 x2 Location: Upper balcony, ROC Row O Seat 22 Lineage: Nakmichi LX5 > Marantz PMD661|SD Recorded by: Sean Murtha, Gary Steel, Executive Crew Transferred: Kyle Holbrook
|
notes
|
| 7737. |
10/31/84 |
Flac 16 - 0,
106798 |
Berkeley |
Berkeley Community Theater flac16; SBD > Cassette Master > Cassette > FLAC; All Transfers and Mastering By Charlie Miller (note: This source was originally seeded as part of a collection of uncirculated SBD tracks.)
|
notes
|
| 7738. |
10/31/84 |
Flac 16/48 - 0,
|
Berkeley |
Berkeley Community Theater flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
|
notes
|
| 7739. |
10/31/84 |
Flac 16/48 - 0,
142494 |
Berkeley |
Berkeley Community Theater flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
|
notes
|
| 7740. |
10/31/84 |
Shn - 0,
14947 |
Berkeley |
Berkeley Community Theater Source: AUD (Sennheiser 441) > CM > CDR > WAV > SHN. Thanks to Dr. B.Fried for the cassette masters. Original SHN conversion by Mike Lai. Note- This is a re-seed of previous seed by C Ladner; See info file for details
|
notes
|
| 7741. |
10/31/84 |
Flac 24/96 - 0,
145613 |
Berkeley |
Berkeley Community Theater flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90's; center floor, row OO, seat 13; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 7742. |
10/31/84 |
Flac 16 - 0,
145614 |
Berkeley |
Berkeley Community Theater flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90's; center floor, row OO, seat 13; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 7743. |
11/02/84 |
Shn - 0,
10172 |
Berkeley |
Berkeley Community Theater Set 1: SBD>Master Cassette> Cassette> DAT> CD> SHN:Set 2: SBD>PCM>DAT@44.1>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 >CDWav beta1.6(tracking only)> SHNv3 (MKW ACT) Set 1 source via Trip Bates shntool fixed version of Braverman SBD seed; Set 2 source: DAT via Joe Samaritano. Seeded to Fungus and abgd by Charlie Connor
|
notes
|
| 7744. |
11/02/84 |
Flac 16 - 0,
77878 |
Berkeley |
Berkeley Community Theater flac16; Sennheiser 421s? > PCM > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 > shntool > FLAC (lvl8)
|
notes
|
| 7745. |
11/02/84 |
Shn - 0,
9753 |
Berkeley |
Berkeley Community Theater Tony G shntool fix of original Braverman SBD seed; ; upgrade in circulation
|
notes
|
| 7746. |
11/02/84 |
Shn - 0,
9382 |
Berkeley |
Berkeley Community Theater Set 1: SBD> Master Cassette> Cassette> DAT> CD; Set 2: SBD> PCM> DAT> CD; via Charlie Miller; Seeded to etree by Peter Braverman; upgrade in circulation
|
notes
|
| 7747. |
11/02/84 |
Flac 24/96 - 0,
137968 |
Berkeley |
Berkeley Community Theater flac24; Monitor Mix Source: Soundboard (monitor mix) > Sony TC-D5 > Master [Maxell XLII-S90 cassette] Clone was made on a Aiwa CX-NA555 to a Maxell XLII-S90 cassette; Transfer: Sharp RT100 Deck[Clone Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/27/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Master Audience Source: Power Cards direct mics > Sony TC-D5 [Nakamichi SX-C90 Cassette] Transfer: Sharp RT100 Deck[Master Cassette & Clone Cassette] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/28/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Lineage: 96.00kHz/24bit wav > Adobe Audition 3.0. > WaveLab6 > iZotope Ozone 3 > CD Wave > TLH > Flac 24
|
notes
|
| 7748. |
11/02/84 |
Flac 16 - 0,
137969 |
Berkeley |
Berkeley Community Theater flac16; Monitor Mix Source: Soundboard (monitor mix) > Sony TC-D5 > Master [Maxell XLII-S90 cassette] Clone was made on a Aiwa CX-NA555 to a Maxell XLII-S90 cassette; Transfer: Sharp RT100 Deck[Clone Cassette, Maxell XLII 90] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/27/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Master Audience Recording Source: Power Cards direct mics > Sony TC-D5 [Nakamichi SX-C90 Cassette] Transfer: Sharp RT100 Deck[Master Cassette & Clone Cassette] > Sony PCM-M10 > Scandisc Ultra MicroSD 8gb [class 10] on 2/28/2017; Recording Mode: LPCM [wav] 96.00kHz/24bit; Lineage: 96.00kHz/24bit wav > Adobe Audition 3.0. > WaveLab6 > iZotope Ozone 3 > CD Wave > TLH > Flac 16; Converting Sample Rate: Adobe Audition 3.0 was also used to to convert 96.00kHz/24bit.WAV to sample rate to 44.10kHz/16bit with High Qulaity at 100%, Pre Post Filter checked, Dither enabled, Dither Depth at 1, P.D.F set to Triangular and No Noise Shaping
|
notes
|
| 7749. |
11/02/84 |
Flac 24/96 - 0,
147486 |
Berkeley |
Berkeley Community Theater flac24; source: aud cassette master; sennheiser 441's > sony d5; center floor, row nn, seat 27; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger
|
notes
|
| 7750. |
11/02/84 |
Flac 16 - 0,
147485 |
Berkeley |
Berkeley Community Theater flac16; source: aud cassette master; sennheiser 441's > sony d5; center floor, row nn, seat 27; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger
|
notes
|
| 7751. |
11/02/84 |
Flac 16/44 - ,
152202 |
Berkeley |
Berkeley Community Theater flac14/44 Speed-correction done with Celemony Capstan by Roger Eichorn
|
notes
|
| 7752. |
11/03/84 |
Flac 16 - 0,
110773 |
Berkeley |
Berkeley Community Theater flac16; Recording Info: SBD -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7753. |
11/03/84 |
Flac 16 - 0,
78704 |
Berkeley |
Berkeley Community Theater flac16; Sennheiser 421s > PCM > DAT > Sony DTC-2000ES > M-Audio Delta 410 > Soundforge 8.0 wav > Adobe Audition 1.5 > Shntool > FLAC lvl8
|
notes
|
| 7754. |
11/03/84 |
Shn - 0,
21761 |
Berkeley |
Berkeley Community Theater MSP > D > CD patched with MAC > C > C > D EAC & SHN conversion by John Mollman from Jim Powell's seed
|
notes
|
| 7755. |
11/03/84 |
Shn - 0,
8212 |
Berkeley |
Berkeley Community Theater SBD> MC> DAT> CD; Seeded to etree by Peter Braverman
|
notes
|
| 7756. |
11/03/84 |
Shn - 0,
18111 |
Berkeley |
Berkeley Community Theater AUD>MC>DAT>CDR via Raoul Duke, encoded by Willy and Matt Vernon
|
notes
|
| 7757. |
11/03/84 |
Flac 24/96 - 0,
147479 |
Berkeley |
Berkeley Community Theater flac24; source: aud cassette master; sennheiser 441's > sony d5; center floor, row nn, seat 19; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger
|
notes
|
| 7758. |
11/03/84 |
Flac 16 - 0,
147478 |
Berkeley |
Berkeley Community Theater flac16; source: aud cassette master; sennheiser 441's > sony d5 center floor, row nn, seat 19; taped by Doug Lamarre; nak dragon > benchmark adc1 @ 24/96 > adobe audition cc > flac; transferred by Rob Berger
|
notes
|
| 7759. |
11/03/84 |
Flac 24/48 - 0,
150802 |
Berkeley |
Berkeley Community Theater flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head front Row Balcony 145 feet from stage DFC >Nakamichi 550 Maxell UDXLIIS 90 x 3 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Gary Steel
|
notes
|
| 7760. |
11/03/84 |
Flac 16/44,1 - 0,
150801 |
Berkeley |
Berkeley Community Theater flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head front Row Balcony 145 feet from stage DFC >Nakamichi 550 Maxell UDXLIIS 90 x 3 No Dolby -Lead deck run by SM. Transfer: Nakamichi LX-5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Sean Murtha; Gary Steel
|
notes
|
| 7761. |
12/18/84 |
Shn - 0,
16613 |
San Rafael |
Arista Studio demos and rehearsals; Master Cassette Soundboard-> DAT-> Sonic Solutions-> CD-> EAC-> SHN; CD-> EAC-> SHN Done by Joe Samaritano from Gans seed; part of the KPFA Marathon broadcast on 2/22/2003 by David Gans
|
notes
|
| 7762. |
12/28/84 |
Flac 16 - 0,
132495 |
San Francisco |
San Francisco Civic Auditorium flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald
|
notes
|
| 7763. |
12/28/84 |
Flac 16 - 0,
105002 |
San Francisco |
San Francisco Civic Auditorium flac16; TAPER: Greg Holtz & Tony Bolton SOURCE: Front Row OTS, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
|
notes
|
| 7764. |
12/28/84 |
Flac 16 - 0,
106103 |
San Francisco |
San Francisco Civic Auditorium flac16; Sennheiser 441 > Sony TCD5-M > Maxell MX CM>Nakamichi CR7A > Edirol R4Pro (Oade Preamp Mod ) > WaveBurner > xACT > FLAC
|
notes
|
| 7765. |
12/28/84 |
Flac 16 - 0,
118250 |
San Francisco |
San Francisco Civic Auditorium flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 7766. |
12/28/84 |
Flac 24/48 - 0,
118249 |
San Francisco |
San Francisco Civic Auditorium flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 7767. |
12/28/84 |
Flac 24/96 - 0,
140169 |
San Francisco |
San Francisco Civic Auditorium flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
|
notes
|
| 7768. |
12/28/84 |
Flac 16 - 0,
140168 |
San Francisco |
San Francisco Civic Auditorium flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496; This is a 16/44 fileset. 24 bit to 16 bit via dBpoweramp
|
notes
|
| 7769. |
12/28/84 |
Flac 16/48 - 0,
142611 |
San Francisco |
San Francisco Civic Auditorium flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
|
notes
|
| 7770. |
12/28/84 |
Flac 16/48 - 0,
142611 |
San Francisco |
San Francisco Civic Auditorium flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
|
notes
|
| 7771. |
12/28/84 |
Shn - 0,
16584 |
San Francisco |
San Francisco Civic Auditorium Audience cassette > ? > DAT > CDR > SHN
|
notes
|
| 7772. |
12/28/84 |
Flac 16 - 0,
80953 |
San Francisco |
San Francisco Civic Auditorium flac16; Source: MAC: Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Location: 1st row balcony lip, DEAD Center Taper: Adam Transfer: MAC: Nakamichi CD2(played back on type IV setting, azimuth adjusted) > rca/xlr > Luntec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, conversion and upload to bt.etree.org by Alex Ford.
|
notes
|
| 7773. |
12/28/84 |
Flac 24/96 - 0,
148398 |
San Francisco |
San Francisco Civic Auditorium flac24; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7774. |
12/28/84 |
Flac 16/48 - 0,
148397 |
San Francisco |
San Francisco Civic Auditorium flac16/48kHz; 2nd Set Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7775. |
12/28/84 |
Flac 24/48 - 0,
151178 |
San Francisco |
San Francisco Civic Auditorium flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4' pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
|
notes
|
| 7776. |
12/28/84 |
Flac 16/44,1 - 0,
151177 |
San Francisco |
San Francisco Civic Auditorium flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals on dummy head, 4' pressure plates behind ears > lead Sony TCD5M > Maxell MX 90s No Dolby -lead deck run by CK. Location: 10th row balcony 125 feet from stage DFC on axis with top stack of speakers Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
|
notes
|
| 7777. |
12/28/84 |
Flac 24/48 - 0,
151176 |
San Francisco |
San Francisco Civic Auditorium flac24/48khz Source: Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD) Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
|
notes
|
| 7778. |
12/28/84 |
Flac 16/44,1 - 0,
151175 |
San Francisco |
San Francisco Civic Auditorium flac16/44.1khz Source: Master AUDCA: Beyer M88's XY > 3rd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by TP. Location: 140 feet from stage 5 ft LOC (front corner of OTS, left of SBD) Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
|
notes
|
| 7779. |
12/28/84 |
Flac 16/48 - 0,
152227 |
San Francisco |
San Francisco Civic Auditorium flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 7780. |
12/28/84 |
Flac 24/96 - 0,
152228 |
San Francisco |
San Francisco Civic Auditorium flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 7781. |
12/29/84 |
Flac 16 - 0,
106169 |
San Francisco |
San Francisco Civic Auditorium flac16; Recording Info: SBD -> ? -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7782. |
12/29/84 |
Flac 16 - 0,
132520 |
San Francisco |
San Francisco Civic Auditorium flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Recorded by the Oade Brothers; Mastering by Dan McDonald & Dave Usborne
|
notes
|
| 7783. |
12/29/84 |
Flac 16 - 0,
105032 |
San Francisco |
San Francisco Civic Auditorium flac16; TAPER: Greg Holtz & Tony Bolton. SOURCE: Front Row Balcony, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M. TRANSFER: By (JAZ) Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
|
notes
|
| 7784. |
12/29/84 |
Flac 16 - 0,
118252 |
San Francisco |
San Francisco Civic Auditorium flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 7785. |
12/29/84 |
Flac 16 - 0,
95694 |
San Francisco |
San Francisco Civic Auditorium flac16; Recording Info: (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M/Fuji Metal Tape/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Taped By Michael Kirschner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7786. |
12/29/84 |
Flac 24/48 - 0,
118251 |
San Francisco |
San Francisco Civic Auditorium flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 7787. |
12/29/84 |
Flac 16 - 0,
140187 |
San Francisco |
San Francisco Civic Auditorium flac16; Recording Info: 1st Set: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); 2nd Set: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: 1st Set: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 24/96 > dBpoweramp 16/44 > Adobe Audition 3.0 > TLH flac16; 2nd Set: Master PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 7788. |
12/29/84 |
Flac 16/48 - 0,
142761 |
San Francisco |
San Francisco Civic Auditorium flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
|
notes
|
| 7789. |
12/29/84 |
Shn - 0,
12926 |
San Francisco |
San Francisco Civic Auditorium AUD>?>CDR>EAC>SHN>WAV(re-tracked)>SHN; via Brian Bontempo; Seeded to etree by jim@juddcreek
|
notes
|
| 7790. |
12/29/84 |
Flac 16 - 0,
81758 |
San Francisco |
San Francisco Civic Auditorium flac16; MAC; 2 Sennheiser 421s > Sony D5 > Sony D5 > Maxell MX 90s Location: Front row of balcony, Dead Center Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Taper: Mark McCue Lineage: MAC > Nakamichi Cassette Deck 2(azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(A/D at 24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5 > editing > Waves L3 UltraMaximizer > 16 bit 44.1 kHz > CDWave Editor > TLH > FLAC16
|
notes
|
| 7791. |
12/29/84 |
Shn - 0,
87705 |
San Francisco |
San Francisco Civic Auditorium Source Update: Unknown Audience Source (Had been marked:MSC > C > DAT > WAV > SHN with patches from Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN)
|
notes
|
| 7792. |
12/29/84 |
Shn - 0,
24294 |
San Francisco |
San Francisco Civic Auditorium Oade Recording (FOB Schoeps CMC 441> Oade M118 > Sony TC D5)>DATs > CDR > WAV > SHN
|
notes
|
| 7793. |
12/29/84 |
Flac 24/48 - 0,
|
San Francisco |
San Francisco Civic Auditorium
|
notes
|
| 7794. |
12/29/84 |
Flac 24/96 - 0,
148400 |
San Francisco |
San Francisco Civic Auditorium flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7795. |
12/29/84 |
Flac 16/48 - 0,
148399 |
San Francisco |
San Francisco Civic Auditorium flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7796. |
12/29/84 |
Flac 24/48 - 0,
151202 |
San Francisco |
San Francisco Civic Auditorium flac24/48khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals headworn > lead Sony TCD5M > s1:maxell UDXLIIS90 No Dolby; s2:Maxell MX90 No Dolby -lead deck run by CK. Source 2: # MAUDCA (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M) Kirshner|Miller Location: 40-50 feet from stage DFC on Kyle's head Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
|
notes
|
| 7797. |
12/29/84 |
Flac 16/44,1 - 0,
151201 |
San Francisco |
San Francisco Civic Auditorium flac16/44.1khz Source: Master AUDCA: Sennheiser MKE2002 Binaurals headworn > lead Sony TCD5M > s1:maxell UDXLIIS90 No Dolby; s2:Maxell MX90 No Dolby -lead deck run by CK. Source 2: # MAUDCA (FOB) Sony ECM-220T -> Cassette Master (Sony TC-D5M) Kirshner|Miller Location: 40-50 feet from stage DFC on Kyle's head Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode
|
notes
|
| 7798. |
12/29/84 |
Flac 24/96 - 0,
152536 |
San Francisco |
San Francisco Civic Auditorium flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 7799. |
12/29/84 |
Flac 16/48 - 0,
152535 |
San Francisco |
San Francisco Civic Auditorium flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 7800. |
12/31/84 |
Flac 16 - 0,
106351 |
San Francisco |
San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 7801. |
12/31/84 |
Flac 16 - 0,
128592 |
San Francisco |
San Francisco Civic Auditorium flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Droncit; No changes to the file except for minor edits, fade-ins/fade-outs, and level changes as needed. One short blank space in Jack Straw cut out for flow. Editing with Diamond Cut Forensics 8 and Forensics 9 (alpha). Paragraphic and Spectral Filters applied for equalization.
|
notes
|
| 7802. |
12/31/84 |
Flac 16 - 0,
118306 |
San Francisco |
San Francisco Civic Auditorium flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 7803. |
12/31/84 |
Flac 16 - 0,
105154 |
San Francisco |
San Francisco Civic Auditorium flac16; TAPER: Greg Holtz & Tony Bolton SOURCE: Front Row Balcony, Nakamichi CM-100s w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell Metalxial MX 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
|
notes
|
| 7804. |
12/31/84 |
Flac 16 - 0,
96435 |
San Francisco |
San Francisco Civic Auditorium flac16; Nak 300 shotguns w/D6 OTS MAC>NakCR-3A>HD>Audacity>CDwave>TLH; recorded and transferred by Russ Cansler
|
notes
|
| 7805. |
12/31/84 |
Flac 24/48 - 0,
118305 |
San Francisco |
San Francisco Civic Auditorium flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/OTS Row 4)> Sony TC-D5m,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 7806. |
12/31/84 |
Flac 16 - 0,
32347 |
San Francisco |
San Francisco Civic Auditorium flac16; Recording Info: FM -> Master Reel (1/4 Track 7.5ips Dolby B Tandberg Deck) -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC
|
notes
|
| 7807. |
12/31/84 |
Shn - 0,
6395 |
San Francisco |
San Francisco Civic Auditorium SB > MR > ?? [apparently FM] > DAT > CDR > EAC> SHN; EAC, SHN, etreed by G.Gorinsky; with thanks to Bill Golden
|
notes
|
| 7808. |
12/31/84 |
Flac 16 - 0,
82046 |
San Francisco |
San Francisco Civic Auditorium flac16; MAC; 2 Sennheiser 421s > Sony D5 > TDK MA-R 90 (Set I & II) & Maxell MX 90 (Set III) Location: 1st row of balcony, Dead Center Mic Config: mics placed flat on 1st row balcony lip, DEAD Center and duct taped @ a 90 deg. angle Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3 (24bit/96kHz) > coax > Audiophile 2496 > WaveLab 5.0 > 24bit/96kHz .wav files (1 per tape side) > Waves L3 UltraMaximizer(dither) > 16bit/44.1kHz > CD Wave Editor > TLH > FLAC16.
|
notes
|
| 7809. |
12/31/84 |
Flac 16 - 0,
106684 |
San Francisco |
San Francisco Civic Auditorium flac16; Recording Info: AKG Mics -> Cassette Master (Sony D5); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded By Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7810. |
12/31/84 |
Flac 16 - 0,
140160 |
San Francisco |
San Francisco Civic Auditorium flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
|
notes
|
| 7811. |
12/31/84 |
Flac 24/96 - 0,
140161 |
San Francisco |
San Francisco Civic Auditorium flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496
|
notes
|
| 7812. |
12/31/84 |
Flac 16 - 0,
147328 |
San Francisco |
San Francisco Civic Auditorium flac16; Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1; Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16
|
notes
|
| 7813. |
12/31/84 |
Flac 16 - 0,
121725 |
San Francisco |
San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; This is a remaster of source ID 106251; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7814. |
12/31/84 |
Flac 24/96 - 0,
148402 |
San Francisco |
San Francisco Civic Auditorium flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 7815. |
12/31/84 |
Flac 16/48 - 0,
148401 |
San Francisco |
San Francisco Civic Auditorium flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7816. |
12/31/84 |
Flac 24/48 - 0,
151278 |
San Francisco |
San Francisco Civic Auditorium flac24/48khz Master: Sennheiser 421's, NORTF, front row balcony 150 feet from stage>Sony TCD5M; Maxell MX 90 w/dolby B Nr second deck in line; patched from Eddie Claridge mics & rig. Transfer: Nakamichi LX-5|ESI Juli@ @24/48||WIN10| Audacity| cdwav editor | TLH | FLAC Recorded by: Executive Crew- Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode Transferred by Kyle Holbrook
|
notes
|
| 7817. |
12/31/84 |
Flac 16/44,1 - 0,
151277 |
San Francisco |
San Francisco Civic Auditorium flac16/44.1khz Master: Sennheiser 421's, NORTF, front row balcony 150 feet from stage>Sony TCD5M; Maxell MX 90 w/dolby B Nr second deck in line; patched from Eddie Claridge mics & rig. Transfer: Nakamichi LX-5|ESI Juli@ @24/48||WIN10| Audacity| cdwav editor | TLH | FLAC Recorded by: Executive Crew- Chris Kidwell; Tom Pinney; Kyle Holbrook; JJ Hance; Mike Davis; Johnny B Goode Transferred by Kyle Holbrook
|
notes
|
| 7818. |
12/31/84 |
Flac 16/48 - ,
154659 |
San Francisco |
San Francisco Civic Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 150896) Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1 Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 + AUD (shnid = 140161) Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 - surround mixing by Kevin Tobin
|
notes
|
| 7819. |
12/31/84 |
Dts Audio 5.1 - ,
154658 |
San Francisco |
San Francisco Civic Auditorium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 150896) Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1 Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 + AUD (shnid = 140161) Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 - dts mixing by Kevin Tobin
|
notes
|
| 7820. |
12/31/84 |
Flac 16 Mtx - ,
154657 |
San Francisco |
San Francisco Civic Auditorium flac16; Matrix 2 Source Mix - SBD (shnid = 150896) Source Info: Master Soundboard Cassettes > Sony D6; 1st generation cassettes > PCM > .wav 16/44.1 Transfer Info: Unknown (.wav) > Adobe Audition 2019 > TLH flac16 + AUD (shnid = 140161) Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Denon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > flac2496 - matrix mixing by Kevin Tobin
|
notes
|
| 7821. |
02/18/85 |
Shn - 0,
7588 |
Oakland |
Henry J. Kaiser Convention Center SBD>CM>DAT>SoundForge>CD; Source DAT from Charlie Miller; see info file for more detailed lineage; via John Spaventa; Seeded to etree by Willy
|
notes
|
| 7822. |
02/18/85 |
Flac 16 - 0,
105539 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source: Audience recording > Nakamichi CM-100's CP-4 caps > Sony WM-D5 > mac Lineage: mac > Tascam 122B > Tascam HD-P2 > 24/48 wav > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > flac 16 taped by Gregg Holtz from OTS
|
notes
|
| 7823. |
02/18/85 |
Flac 16 - 0,
82843 |
Oakland |
Henry J. Kaiser Convention Center flac16; MAC; Sennheiser 421s > Sony TC-MD5 > Maxell MX90s Location: behind SBD Taper: Mark McCue Transfer: MAC > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Wave L3 UltraMaximizer (dither to 16 bit 44.1kHz) > CD Wave Editor > Trader's Little Helper > FLAC16. Transfer, dither and conversion by Alex Ford 02/23/2007.
|
notes
|
| 7824. |
02/18/85 |
Flac 16 - 0,
112038 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source: 3 Sennheiser 421 microphones (up front-center) > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 7825. |
02/19/85 |
Shn - 0,
9879 |
Oakland |
Henry J. Kaiser Convention Center SBD>MC>C>DAT>C>C>ZA2>CDR Lineage may be incorrect based on Nice Sound Quality It just sounds too good to be 4 analogs; via raul; Seeded to etree by steve barbella
|
notes
|
| 7826. |
02/19/85 |
Flac 16 - 0,
106685 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: AKG C422 (M/S) -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Joani Walker; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7827. |
02/19/85 |
Flac 16 - 0,
82946 |
Oakland |
Henry J. Kaiser Convention Center flac16; MAC; (FOB) Sennheiser 421s > Sony D5 > Maxell MX 90s Taper: Mark McCue Transfer: MAC > Nakamich Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer > 16 bit WAV > CD Wave Editor > TLH > FLAC16. Master Audience cassettes provided by Mark McCue Transfer, editing and conversion by Alex Ford
|
notes
|
| 7828. |
02/19/85 |
Flac 16 - 0,
112126 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source: 2 Beyer M160 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 7829. |
02/20/85 |
Shn - 0,
21917 |
Oakland |
Henry J. Kaiser Convention Center SBD ->Cassette Master -> Cassette -> Dat -> Cassette -> CD -> EAC -> SHN
|
notes
|
| 7830. |
02/20/85 |
Flac 16 - 0,
83096 |
Oakland |
Henry J. Kaiser Convention Center flac16; MAC; (FOB) Sennheiser 421s > Sony D5 > Maxell MX90s Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > 24 bit WAV > Waves L3 UltraMaximizer > 16 bit WAV > CD Wave Editor > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue Transfer, editing and conversion by Alex Ford 03/06/2007.
|
notes
|
| 7831. |
02/20/85 |
Flac 16 - 0,
106686 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: AKG C422 (M/S) -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Joani Walker; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7832. |
02/20/85 |
Shn - 0,
5303 |
Oakland |
Henry J. Kaiser Convention Center aud> senn 441> cassette master> cdr; via Mike Lai with thanks to Alan Powell
|
notes
|
| 7833. |
02/20/85 |
Flac 16 - 0,
110930 |
Oakland |
Henry J. Kaiser Convention Center flac16; source: 2 Beyer M160 & 1 Sennheiser 421 microphones > Nak MX100 w/2001 > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7834. |
02/??/85 |
Flac 16 - 0,
107163 |
Unknown |
Unknown flac16; Recording Info: SBD -> Cassette Master -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16
|
notes
|
| 7835. |
03/09/85 |
Flac 16 - 0,
104962 |
Berkeley |
Berkeley Community Theater flac16; Recording Info:SBD -> Cassette Master -> ? -> Cassette -> FLAC; Transfer Info:FLAC -> WAV -> Cool Edit Pro v2.0 -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller; upgrade to shnid 97331
|
notes
|
| 7836. |
03/09/85 |
Flac 16 - 0,
91881 |
Berkeley |
Berkeley Community Theater flac16; Source: SBD Transfer: Nak MR-1(Maxell XLII-S 90min) -> DAW -> M-Audio 66 -> Wavelab v.5 Re-Master: Wavelab v5: Ozone, graphical Edits, Fades -> CDWave Compression: FlacFrontend Level 8 -> TLH: shntool, ffp, md5
|
notes
|
| 7837. |
03/09/85 |
Flac 16 - 0,
84027 |
Berkeley |
Berkeley Community Theater flac16; MAC; Sennheiser 421s > Sony D5 > TDK MA90s Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@2496) > coax > Audiophile 2496 > WaveLab 5.0 > Waves L2 Ultramaximizer (dither) > WAV @ 16/44.1 > TLH > FLAC16. Transfer, all edits, conversion & seeding by Alex Ford
|
notes
|
| 7838. |
03/09/85 |
Flac 16 - 0,
97331 |
Berkeley |
Berkeley Community Theater flac16; Source: sbd > ? > cassette (Maxell XLII). Transfer: Sony TC-FX150 cassette player > "Santa Cruz" sound card > Nero SoundTrax > CDWav > TLH > FLAC16. Transferred, tracked & seeded by Chris Quinn; Upgrade in circulation
|
notes
|
| 7839. |
03/09/85 |
Shn - 0,
26334 |
Berkeley |
Berkeley Community Theater Realistic PZM mics, taper section > Sony TC-D5M cassette deck > Maxell MX-90 cassettes; Transfer: SF> CD Wave> MKW-ACT SHN; via seabass?
|
notes
|
| 7840. |
03/09/85 |
Shn - 0,
14448 |
Berkeley |
Berkeley Community Theater Unknown aud via Jim Decker, pitch correction Jeff Cotsman, shn encoding Matt Vernon
|
notes
|
| 7841. |
03/09/85 |
Flac 16 - 0,
96610 |
Berkeley |
Berkeley Community Theater flac16; Recorded by Tazuo Yamaguchi; Nak 700 cardiods on 12 inch pzm plates> poris preamp> Sony TC-D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 7842. |
03/10/85 |
Flac 16 - 0,
96594 |
Berkeley |
Berkeley Community Theater flac16; Taper: Greg Holtz Source: Nakamichi cm 300's CP-4 guns -> D-5 Transfer: (By JAZ) Cassette Master (Maxell Super Fine Epilaxial XLII-s 90's) -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII Compact Flash -> USB -> Mastered with UAD Technology in Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8
|
notes
|
| 7843. |
03/10/85 |
Flac 16 - 0,
83219 |
Berkeley |
Berkeley Community Theater flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC
|
notes
|
| 7844. |
03/10/85 |
Flac 16 - 0,
84291 |
Berkeley |
Berkeley Community Theater flac16; Sennheiser 421s > Sony D5 > 2 TDK MA90s Location: directly behind SBD Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@ 24/96) > coax > Audiophile 2496 > WaveLab 5 > WAV @2496 > Waves L2 (dither) > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & seeding by Alex Ford
|
notes
|
| 7845. |
03/10/85 |
Flac 16 - 0,
96630 |
Berkeley |
Berkeley Community Theater flac16; Recorded by Tazuo Yamaguchi; Nak 700 cardiods on 12 inch pzm plates (spread 4 seats apart)> dbx 224> poris preamp> Sony D5 Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 7846. |
03/10/85 |
Shn - 0,
10255 |
Berkeley |
Berkeley Community Theater FOB Senn421's > Master Cassette > DAT > CD; via Raul Duke; Seeded to etree by Steve Barbella
|
notes
|
| 7847. |
03/12/85 |
Flac 16 - 0,
96701 |
Berkeley |
Berkeley Community Theater flac16;Taper: Greg Holtz Source: Nakamichi cm 300's CP-4 guns -> Sony D-5 Transfer: (By JAZ) Cassette Master (Maxell Super Fine Epilaxial XLII-s 90's) -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII Compactflash -> USB -> Mastered with UAD Technology in Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8
|
notes
|
| 7848. |
03/12/85 |
Flac 16 - 0,
84323 |
Berkeley |
Berkeley Community Theater flac16; MAC; Sennheiser 421's > Sony TC-D5M > TDK MA90 Cassettes Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @24/96 > Waves L2 (dither) > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion and seeding by Alex Ford.
|
notes
|
| 7849. |
03/12/85 |
Flac 16 - 0,
83444 |
Berkeley |
Berkeley Community Theater flac16; Lineage: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX Transfer: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC
|
notes
|
| 7850. |
03/12/85 |
Shn - 0,
10256 |
Berkeley |
Berkeley Community Theater FOB Senn421's > Master Cassette > DAT > CD; via Raoul Duke; Seeded to etree by Steve Barbella
|
notes
|
| 7851. |
03/12/85 |
Shn - 0,
26433 |
Berkeley |
Berkeley Community Theater Sennheiser MD-421's > Sony TC-D5M > Maxell MX-90 cassettes, Set up in the taper's section; CD Wave tracking> Mkw-ACT shn; Transferred by AndrewF
|
notes
|
| 7852. |
03/12/85 |
Flac 16 - 0,
96439 |
Berkeley |
Berkeley Community Theater flac16; Recorded by Tazuo Yamaguchi; Nak 700 cardiods on 12 inch pzm plates> dbx 224> poris preamp> Sony TC-D5; mics were spread 4 seats apart Transfer and FLAC encoding by David Minches: Master played back on Nak Dragon> Grace Lunatec V3 (24/96)> Digital Audio Labs Card Deluxe> Adobe Audition 2.0> (dither/downsample)> FLAC encoding
|
notes
|
| 7853. |
03/13/85 |
Flac 16 - 0,
117344 |
Berkeley |
Berkeley Community Theater flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7854. |
03/13/85 |
Flac 16 - 0,
84490 |
Berkeley |
Berkeley Community Theater flac16; MAC; Sennheiser 421s > Sony D5 > TDK MA90 cassettes Taper: Mark McCue Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@24/96) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @24/96 > Waves L2 > WAV @16/44.1 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion and seeding by Alex Ford 4/24/2007.
|
notes
|
| 7855. |
03/13/85 |
Flac 16 - 0,
77347 |
Berkeley |
Berkeley Community Theater flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90/Dolby B) Transfer Info: Cassette Master (Sony TC-WE475/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 7856. |
03/13/85 |
Flac 24/96 - 0,
117343 |
Berkeley |
Berkeley Community Theater flac24; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7857. |
03/13/85 |
Shn - 0,
9961 |
Berkeley |
Berkeley Community Theater Master Soundboard Cassette > DAT > CDR; via raul; Seeded to etree by steve barbella; upgrade in circulation
|
notes
|
| 7858. |
03/13/85 |
Flac 16 - 0,
32017 |
Berkeley |
Berkeley Community Theater flac16; Nakamichi CM-300's w/CP-4 shotguns > Sony TC-D5M, taper's section. Taped onto Maxell MX-90, with Dolby off for recording and playback Transfer: MAC > Sony TC-D5M > Soundblaster > Soundforge > CD-Wave > Trader's Little Helper > FLAC Frontend
|
notes
|
| 7859. |
03/21/85 |
Flac 16 - 0,
82311 |
Hampton |
Hampton Coliseum flac16; Unknown SBD source > Cass(x) > WAV > CD > WAV > FLAC
|
notes
|
| 7860. |
03/21/85 |
Flac 16 - 0,
33949 |
Hampton |
Hampton Coliseum flac16; (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum core (Set II)]. Tapers: Mark McCue, Adam, Monica & John. Transfer, cuts, fades, encoding and seeding to bt.etree.org by Alex Ford.
|
notes
|
| 7861. |
03/21/85 |
Flac 24 - 0,
140837 |
Hampton |
Hampton Coliseum flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96;Checksum & tags created in xACT
|
notes
|
| 7862. |
03/21/85 |
Flac 24 - 0,
140865 |
Hampton |
Hampton Coliseum flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 7863. |
03/21/85 |
Flac 16 - 0,
141205 |
Hampton |
Hampton Coliseum ; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 7864. |
03/21/85 |
Flac 24/96 - 0,
124555 |
Hampton |
Hampton Coliseum flac24; lineage: sennheiser 421 fob> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7865. |
03/21/85 |
Shn - 0,
9976 |
Hampton |
Hampton Coliseum FOB-AUD>MC>CDR Mark Horvath recording, Senn. 421?s>Sony TC-D5; via Paul B; Seeded to etree by Brad Ingle
|
notes
|
| 7866. |
03/21/85 |
Flac 16 - 0,
87046 |
Hampton |
Hampton Coliseum flac16; taper : Joe D'Amico nak 300 mics > sony d5 nak dragon deck > creative extigy souncard>cool edit pro >flac frontend
|
notes
|
| 7867. |
03/21/85 |
Flac 16 - 0,
117820 |
Hampton |
Hampton Coliseum flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 7868. |
03/22/85 |
Flac - 0,
23144 |
Hampton |
Hampton Coliseum Oade Brothers Recording: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
|
notes
|
| 7869. |
03/22/85 |
Flac - 0,
34470 |
Hampton |
Hampton Coliseum MAC (FOB) 2 Sennheiser 421's > Sony TC-D5 > 2 TDK MA90's; Tapers: Mark McCue, Adam, Monica & John; Transfer, encoding and seeding to bt.etree.org by Alex Ford
|
notes
|
| 7870. |
03/22/85 |
Flac 24/96 - 0,
140838 |
Hampton |
Hampton Coliseum flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 7871. |
03/22/85 |
Flac 24 - 0,
140867 |
Hampton |
Hampton Coliseum flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 7872. |
03/22/85 |
Flac 16 - 0,
141206 |
Hampton |
Hampton Coliseum flac16; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 7873. |
03/22/85 |
Flac 24/96 - 0,
124570 |
Hampton |
Hampton Coliseum flac24; lineage: sennheiser 421 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7874. |
03/22/85 |
- 0,
87093 |
Hampton |
Hampton Coliseum flac16; Taper Joe D'Amico Nak 300 Mics > Sony D5 Nak Dragon Tape Deck > Creative Extigy Soundcard > Cooledit Pro > Flac Frontend
|
notes
|
| 7875. |
03/22/85 |
Shn - 0,
13782 |
Hampton |
Hampton Coliseum Taper:Mark Gibbs Nak 300's > Sony D5 > Master CASS > SoundMAX Digital Audio > CD Wav > SHN Transferred by John Hudson
|
notes
|
| 7876. |
03/22/85 |
Flac 16 - 0,
117821 |
Hampton |
Hampton Coliseum flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 7877. |
03/22/85 |
Shn - 0,
8593 |
Hampton |
Hampton Coliseum 2nd set only; AUD>PCM>DAT>CDR; Seeded to etree by Brad Ingle
|
notes
|
| 7878. |
03/22/85 |
Shn - 0,
35257 |
Hampton |
Hampton Coliseum Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHNs Recorded, transfered and seeded by Charles Bandrofcheck
|
notes
|
| 7879. |
03/22/85 |
Flac 16/48 - 0,
148303 |
Hampton |
Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - AUD1 (shnid = 23144) Oade Brothers Recording: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac + AUD2 (shnid = 87093) Taper Joe D'Amico Nak 300 Mics > Sony D5 Nak Dragon Tape Deck > Creative Extigy Soundcard > Cooledit Pro > Flac Frontend - surround mixing by Kevin Tobin
|
notes
|
| 7880. |
03/22/85 |
Flac 16 Dts.5.1 - 0,
148302 |
Hampton |
Hampton Coliseum DTS-Audio-CD 5.1 Mix; - AUD1 (shnid = 23144) Oade Brothers Recording: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac + AUD2 (shnid = 87093) Taper Joe D'Amico Nak 300 Mics > Sony D5 Nak Dragon Tape Deck > Creative Extigy Soundcard > Cooledit Pro > Flac Frontend - dts mixing by Kevin Tobin
|
notes
|
| 7881. |
03/22/85 |
Flac 16 - 0,
148300 |
Hampton |
Hampton Coliseum flac16; Patched & Pitch Corrected Audience - AUD (original shnid = 87093) Taper Joe D'Amico Nak 300 Mics > Sony D5 Nak Dragon Tape Deck > Creative Extigy Soundcard > Cooledit Pro > Flac Frontend - pitch correction and patches by Kevin Tobin
|
notes
|
| 7882. |
03/22/85 |
Flac 16 Mtx - 0,
148301 |
Hampton |
Hampton Coliseum flac16; Matrix 2 Audience Source Mix - AUD1 (shnid = 23144) Oade Brothers Recording: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac + AUD2 (shnid = 87093) Taper Joe D'Amico Nak 300 Mics > Sony D5 Nak Dragon Tape Deck > Creative Extigy Soundcard > Cooledit Pro > Flac Frontend - matrix mixing by Kevin Tobin
|
notes
|
| 7883. |
03/22/85 |
Flac 24/96 - 0,
149239 |
Hampton |
Hampton Coliseum flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 7884. |
03/22/85 |
Flac 16/48 - 0,
149238 |
Hampton |
Hampton Coliseum flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7885. |
03/24/85 |
Shn - 0,
11699 |
Springfield |
Springfield Civic Center 2nd set only; SBD>?>CD; via Tommy Danscuk; Seeded to etree by Willy
|
notes
|
| 7886. |
03/24/85 |
Flac 16 - 0,
130232 |
Springfield |
Springfield Civic Center flac16; Set 1: Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne; Set 2 Source: gd85-03-24.oade.connor.8461.sbeok.shnf: Oade's Master Audience PCM: Schoeps CMC-441 mics > Oade M118 > Sony PCM-F1 > DAT > CDR > EAC > Shn; Converted to flac using Traders Little Helper
|
notes
|
| 7887. |
03/24/85 |
Flac 16 - 0,
125720 |
Springfield |
Springfield Civic Center flac16; 2 M-160s and Sony TC-D5m Cassette Master; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
|
notes
|
| 7888. |
03/24/85 |
Flac 16 - 0,
99178 |
Springfield |
Springfield Civic Center flac16; Nakamichi 700's > d6 > MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit + > 16/44.1 Wave > Flac
|
notes
|
| 7889. |
03/24/85 |
Shn - 0,
8461 |
Springfield |
Springfield Civic Center Oade's Master Audience PCM>Schoeps CMC-441 mics>Oade M118>Sony PCM-F1>DAT>CDR>EAC>Shn EAC'ed/Shn'ed and seeded to fungus and abgd by Charlie Connor 3/26/02 with thanks To Scott Clugston and to Doug Oade.
|
notes
|
| 7890. |
03/24/85 |
Flac 24 - 0,
140840 |
Springfield |
Springfield Civic Center flac24; Source Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496
|
notes
|
| 7891. |
03/24/85 |
Flac 16 - 0,
140839 |
Springfield |
Springfield Civic Center
|
notes
|
| 7892. |
03/24/85 |
Flac 24/96 - 0,
124603 |
Springfield |
Springfield Civic Center flac24; lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7893. |
03/24/85 |
Flac 24/96 - 0,
114485 |
Springfield |
Springfield Civic Center flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
|
notes
|
| 7894. |
03/24/85 |
Flac 16 - 0,
87182 |
Springfield |
Springfield Civic Center flac16; audio tech mics > sony d-6 nak dragon tape deck > creative extigy soundcard> cool edit pro > flac frontend taper Joe D'Amico
|
notes
|
| 7895. |
03/24/85 |
Flac 16 - 0,
112149 |
Springfield |
Springfield Civic Center flac16; Source: 2 Sennheiser 421 microphones (up front-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 7896. |
03/24/85 |
Flac 16 - 0,
106780 |
Springfield |
Springfield Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris. Transferred & edited by Bob Morris 10/09.
|
notes
|
| 7897. |
03/24/85 |
Flac 16 - 0,
106779 |
Springfield |
Springfield Civic Center flac16; Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7898. |
03/24/85 |
Flac 16 - 0,
34619 |
Springfield |
Springfield Civic Center flac16; MAC: (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90's Tapers: Mark McCue, Adam, Monica & John Transfer, minor editing, encoding and seeding to bt.etree.org by Alex Ford 05/08/2006.
|
notes
|
| 7899. |
03/24/85 |
Flac 16 - 0,
78645 |
Springfield |
Springfield Civic Center flac16; Source: *Beyer M88's>Sony D5M Location: *At SBD, stand at 9 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16 bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S
|
notes
|
| 7900. |
03/24/85 |
Flac 24/96 - 0,
145291 |
Springfield |
Springfield Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 7901. |
03/24/85 |
Flac 16 - 0,
145292 |
Springfield |
Springfield Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 7902. |
03/24/85 |
Flac 24/96 - 0,
149243 |
Springfield |
Springfield Civic Center flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 7903. |
03/24/85 |
Flac 16/48 - 0,
149242 |
Springfield |
Springfield Civic Center flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7904. |
03/25/85 |
Flac 16 - 0,
84410 |
Springfield |
Springfield Civic Center flac16; Original SRC: MSC>Cass.>DAT>CDR>SHN Edit: SHN > WAV > repitch and patch in Cool Edit Pro > FLAC. Patched with Oade Schoeps PCM; Pitch corrected and patched version of shnid shn id 15403 by Bill Tetzeli
|
notes
|
| 7905. |
03/25/85 |
Flac 16 Mtx - 0,
132153 |
Springfield |
Springfield Civic Center flac16; 2 source matrix by Dusborne; Soundboard (shnid:084410) Pitch fix of shnid 15403 Original SRC: MSC>Cass.>DAT>CDR>SHN; Edit: SHN > WAV > repitch and patch in Cool Edit Pro > FLAC and Audience (shnid:23222) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Recorded by the Oade Brothers
|
notes
|
| 7906. |
03/25/85 |
Flac 24/48 - 0,
132989 |
Springfield |
Springfield Civic Center flac24; AUD: Beyers M88's > lead deck Sony D5 > Sony TC-D5M > TDK MA-90's, with no Dolby, set up in second row of seats at end of the floor. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Recording and transfer by Andrew F. 05/2015
|
notes
|
| 7907. |
03/25/85 |
Flac 16 - 0,
132990 |
Springfield |
Springfield Civic Center flac16; AUD: Beyers M88's > lead deck Sony D5 > Sony TC-D5M > TDK MA-90's, with no Dolby, set up in second row of seats at end of the floor. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Recording and transfer by Andrew F. 05/2015
|
notes
|
| 7908. |
03/25/85 |
Flac - 0,
23222 |
Springfield |
Springfield Civic Center Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Recorded by the Oade Brothers Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net)
|
notes
|
| 7909. |
03/25/85 |
Shn - 0,
15403 |
Springfield |
Springfield Civic Center MSC>Cass.>DAT>CDR>SHN; Audio Discs from Andy L; EAC'ed & SHN'ed by tbrame; upgrade in circulation
|
notes
|
| 7910. |
03/25/85 |
Flac 24 - 0,
140842 |
Springfield |
Springfield Civic Center flac24; Source Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496
|
notes
|
| 7911. |
03/25/85 |
Flac 16 - 0,
140841 |
Springfield |
Springfield Civic Center flac16; Source Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp
|
notes
|
| 7912. |
03/25/85 |
Flac 24/96 - 0,
124626 |
Springfield |
Springfield Civic Center flac24; lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7913. |
03/25/85 |
Flac 24/96 - 0,
114486 |
Springfield |
Springfield Civic Center flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
|
notes
|
| 7914. |
03/25/85 |
Flac 24/96 - 0,
145310 |
Springfield |
Springfield Civic Center flac24: source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 7915. |
03/25/85 |
Flac 16 - 0,
145311 |
Springfield |
Springfield Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 7916. |
03/25/85 |
Shn - 0,
14497 |
Springfield |
Springfield Civic Center Pitch corrected AUD Lineage: Nak 300 mics, Phil's side, next to board, -> Sony D5, -> HHb 850 -> SHN -> Schlisseltronics -> SHN
|
notes
|
| 7917. |
03/25/85 |
Flac 16 - 0,
34684 |
Springfield |
Springfield Civic Center flac16; MAC: (FOB) 2 Sennheiser 421s > Sony TC-D5 > 2 TDK MA90s Master Cassettes supplied by Mark McCue. Transfer, minor edits, conversion and seeding to bt.etree.org by Alex Ford.
|
notes
|
| 7918. |
03/25/85 |
Flac 16 - 0,
78800 |
Springfield |
Springfield Civic Center flac16; Source: *Beyer M88's>Sony D5M Location: *At SBD, stand at 9 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16bit>Cdwav>flac16 Taped, Transfered and uploaded by Tony S
|
notes
|
| 7919. |
03/25/85 |
Flac 16 - 0,
107547 |
Springfield |
Springfield Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 7920. |
03/25/85 |
Flac 16 - 0,
112152 |
Springfield |
Springfield Civic Center flac16; Source: 2 Beyer M160 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 7921. |
03/25/85 |
Flac 24/96 - 0,
149267 |
Springfield |
Springfield Civic Center flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 7922. |
03/25/85 |
Flac 16/48 - 0,
149266 |
Springfield |
Springfield Civic Center flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7923. |
03/25/85 |
Flac 24/96 - 0,
150739 |
Springfield |
Springfield Civic Center Flac24 Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching) > FLAC 2496
|
notes
|
| 7924. |
03/25/85 |
Flac 16 - 0,
150738 |
Springfield |
Springfield Civic Center Flac16 Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, patching, resample, MBit+ dither) > FLAC 16
|
notes
|
| 7925. |
03/25/85 |
Flac 16/48 - 0,
150966 |
Springfield |
Springfield Civic Center flac16/48khz Source Info: Master Vault Cassettes > Dick Latvala's 1st generation cassettes > Rob Eaton's DAT (16-48) > Tim Dalton's DAT (16-48) Transfer Info: Vault Cassettes (Tascam 122 MKIII) > Dick Latvala's Cassettes (Tascam 122 MKIII); Dick's 1st generation cassettes played back on a Nakamichi Dragon > Panasonic SV-3800 DAT (16-48) by Rob Eaton; Rob Eaton's DAT 16-48 (Panasonic SV-3800) > Tim Dalton's DAT (Panasonic SV-3800)(16-48); Tim Dalton's DAT (16-48)(Sony PCM R-500) > Tascam DA-3000 (DSF 1-bit-5.6 MHz)> .wav (16-48) > Adobe Audition CC 2020 > TLH flac1648 Mastered by Scott Clugston. February 2020
|
notes
|
| 7926. |
03/27/85 |
Shn - 0,
8567 |
Uniondale |
Nassau Veterans Memorial Coliseum SBD> MC> C> DAT> CDR> WAV> SHN; DAE, FTP via neo_levo
|
notes
|
| 7927. |
03/27/85 |
Flac - 0,
23442 |
Uniondale |
Nassau Veterans Memorial Coliseum Recorded by the Oade Brothers;Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net)
|
notes
|
| 7928. |
03/27/85 |
Flac 24/96 - 0,
140844 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; Set 2 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 7929. |
03/27/85 |
Flac 16 - 0,
141207 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Set 2 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 7930. |
03/27/85 |
Flac 24/96 - 0,
124675 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; lineage: sennheiser 421 (fob)> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7931. |
03/27/85 |
Flac 24/96 - 0,
103144 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; nak300/cp4 (ots, 12') > sony tcd5m > tdk-ma (dolby on, master) playback: tcd5m (same as recorder) > minime (24/96) > sd744 > audacity > xact (flac)
|
notes
|
| 7932. |
03/27/85 |
Shn - 0,
7369 |
Uniondale |
Nassau Veterans Memorial Coliseum updated source: PCM AUD (unknown taper/mics)> PCM> DAT> CDR(1)> SHN, big thanks to David Minches for the seed (had been marked unknown aud); via Scott Zarnegar; Matt Vernon
|
notes
|
| 7933. |
03/27/85 |
Flac 16 - 0,
34778 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; MAC: (FOB) 2 Sennheiser 421's > Sony D5 > TDK MA90's Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Transfer, editing, conversion and seeding by Alex Ford. Master Cassettes provided by Mark McCue.
|
notes
|
| 7934. |
03/27/85 |
Shn - 0,
78403 |
Uniondale |
Nassau Veterans Memorial Coliseum Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel
|
notes
|
| 7935. |
03/27/85 |
Flac 16 - 0,
87209 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; taper Joe D'Amico audio tech mics > sony d5 > ? > flac
|
notes
|
| 7936. |
03/27/85 |
Flac 16 - 0,
106784 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris. Transferred & edited by Bob Morris 10/09.
|
notes
|
| 7937. |
03/27/85 |
Flac 16 - 0,
107391 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; source: 2 Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ almost 6 feet) > analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 7938. |
03/27/85 |
Flac 24/96 - 0,
149304 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 7939. |
03/27/85 |
Flac 16/48 - 0,
149303 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/48kHz Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7940. |
03/27/85 |
Flac 16 - 0,
149949 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche
|
notes
|
| 7941. |
03/27/85 |
Flac 24/48 - 0,
152066 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24/48 Source: Master AUDCA: Beyer M201's XY > Nakamichi 550 > 2nd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by ??. Location: 40 feet from stage DFC, 8 ft up Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt
|
notes
|
| 7942. |
03/27/85 |
Flac 16/44 - 0,
152065 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/44 Source: Master AUDCA: Beyer M201's XY > Nakamichi 550 > 2nd Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck run by ??. Location: 40 feet from stage DFC, 8 ft up Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt
|
notes
|
| 7943. |
03/28/85 |
Flac 16 - 0,
94544 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Set 1 only, Matrix by Hunter Seamons using Soundtrack/Final Cut Pro (SHN & FLAC>AIFF>Soundtrack>Final Cut>WAV>FLAC)
|
notes
|
| 7944. |
03/28/85 |
Flac 16 - 0,
118304 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Soundboard > 1st Gen Tape > Nak Dragon > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'Amico
|
notes
|
| 7945. |
03/28/85 |
Flac 16 Mtx - 0,
94484 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 7946. |
03/28/85 |
Shn - 0,
23443 |
Uniondale |
Nassau Veterans Memorial Coliseum Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks (dsacks@pcisys.net)
|
notes
|
| 7947. |
03/28/85 |
Shn - 0,
5313 |
Uniondale |
Nassau Veterans Memorial Coliseum SBD> MC> DAT> CDR; via Randy Griesman; dropouts at d1t7 0:10, d2t1 0:32
|
notes
|
| 7948. |
03/28/85 |
Flac 16 Mtx - 0,
77465 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16;MTX by PLS SBD > MC > DAT > CDR > FLAC EAC'd and converted on 9/17/2001 by Randy Griesman and AUD Recorded by the Oade Brothers Transferred by Doug Oade, traced by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac ; upgrade in circulation
|
notes
|
| 7949. |
03/28/85 |
Flac 16 Mtx - 0,
89074 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Matrix of SBD: SBD > MC > DAT > CDR > FLAC EAC'd and converted by Randy Griesman and Oade AUD: Recorded by the Oade Brothers Transferred by Doug Oade, traced by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac This seed fixes d1t04 of shn id 77465, on which the sbd and aud were badly out of sync
|
notes
|
| 7950. |
03/28/85 |
Shn - 0,
357 |
Uniondale |
Nassau Veterans Memorial Coliseum set 1; SBD PCM > DAT > Sonic Solutions > CD; via Alan Fink, Mark Ferguson ; upgrade in circulation
|
notes
|
| 7951. |
03/28/85 |
Flac Dts 5.1 - 0,
89043 |
Uniondale |
Nassau Veterans Memorial Coliseum DTS Audio 5.1; by Randy Griesman Sources used: AUD: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac and SBD: SBD > MC > DAT > CDR > FLAC
|
notes
|
| 7952. |
03/28/85 |
Flac 16 - 0,
137507 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Set 1 Recording Info: SBD -> PCM Master > Dat Clone (44.1k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 7953. |
03/28/85 |
Flac 24 - 0,
137534 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; Set 1 Matrix of SBD & AUD (both FLAC/24) -> Audacity 2.0.6 -> alignment -> Dynamic Range Compression -> Normalization -> Export FLAC 24 (single file) -> Audacity -> labeled, tracked & exported (multiple files) -> FLAC 24 (level 8)
|
notes
|
| 7954. |
03/28/85 |
Flac 16 - 0,
141047 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Soundboard> 1st Gen Tape>Nak Dragon>Korg Mr-1000>Audio Gate>Cool Edit>Traders Little Helper>xACT>ProTools LE>xACT; this is a fix for source ID 118304; see info file for details
|
notes
|
| 7955. |
03/28/85 |
Flac 24/96 - 0,
124745 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; lineage: sennheiser 441 (fob)> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7956. |
03/28/85 |
Flac 24/96 - 0,
103184 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; nakamichi 300/cp4 (ots 12') > tcd5m (tdk mar, +dolby) > master cassette > tcd5m (original recorder +dolby) > minime (24/96) > sd744t > audacity > xact (flac24)
|
notes
|
| 7957. |
03/28/85 |
Flac 16 - 0,
34839 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; MAC: (FOB) 2 Nakamichi 700s [modified w/ plexiglass shock mounts@] > Sony D5 > TDK MA 90s. Tapers: Mark McCue, Adam, Monica, Johnny Kelly & Davey the beeker meade. Transfer, edits, conversion & seeding to bt.etree.org by Alex Ford 5/31/2006. Master cassettes provided by Mark McCue.
|
notes
|
| 7958. |
03/28/85 |
Flac 16 - 0,
87226 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; taper : Joe D'Amico nak 300 mics > sony d-5 > ? > flac
|
notes
|
| 7959. |
03/28/85 |
Flac 16 - 0,
106785 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris. Transferred & edited by Bob Morris 10/09.
|
notes
|
| 7960. |
03/28/85 |
Shn - 0,
78436 |
Uniondale |
Nassau Veterans Memorial Coliseum Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel
|
notes
|
| 7961. |
03/28/85 |
Flac 16/48 - 0,
145224 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (Set 1)(shnid = 137507) Recording Info: SBD -> PCM Master > Dat Clone (44.1k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + SBD (Set 2)(shnid = 5313) SBD> MC> DAT> CDR; via Randy Griesman + AUD (shnid = 23443) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks - surround mixing by Kevin Tobin
|
notes
|
| 7962. |
03/28/85 |
Flac 16 Dts.5.1 - 0,
145222 |
Uniondale |
Nassau Veterans Memorial Coliseum DTS-Audio-CD 5.1 Mix; - SBD (Set 1)(shnid = 137507) Recording Info: SBD -> PCM Master > Dat Clone (44.1k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + SBD (Set 2)(shnid = 5313) SBD> MC> DAT> CDR; via Randy Griesman + AUD (shnid = 23443) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks - dts mixing by Kevin Tobin
|
notes
|
| 7963. |
03/28/85 |
Flac 16 Mtx - 0,
145221 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Matrix 3 Source Mix - SBD (Set 1)(shnid = 137507) Recording Info: SBD -> PCM Master > Dat Clone (44.1k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller + SBD (Set 2)(shnid = 5313) SBD> MC> DAT> CDR; via Randy Griesman + AUD (shnid = 23443) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer:Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac Transferred by Doug Oade, traced by Darrin Sacks - matrix mixing by Kevin Tobin
|
notes
|
| 7964. |
03/28/85 |
Flac 24/96 - 0,
149306 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 7965. |
03/28/85 |
Flac 16/48 - 0,
149305 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7966. |
03/28/85 |
Flac 16 - 0,
149979 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche; the fixed version has the d1t07 that was missing from the original seed
|
notes
|
| 7967. |
03/28/85 |
Flac 16/48 - 0,
151044 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/48khz Source Info: Master Vault Cassettes > Dick Latvala's 1st generation cassettes > Rob Eaton's DAT (16/48) > Tim Dalton's DAT (16/48) Transfer Info: Vault Cassettes (Tascam 122 MKIII) > Dick Latvala's Cassettes (Tascam 122 MKIII); Dick's 1st generation cassettes played back on a Nakamichi Dragon > Panasonic SV-3800 DAT (16/48) by Rob Eaton; Rob Eaton's DAT 16/48 (Panasonic SV-3800) > Tim Dalton's DAT (Panasonic SV-3800)(16/48); Tim Dalton's DAT (16/48)(Sony PCM R-500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> .wav (16/48) > Adobe Audition CC 2020 > TLH flac1648
|
notes
|
| 7968. |
03/28/85 |
Flac 24/48 - 0,
162068 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24/48 Source: Master AUDCA: Beyer M88's XY > Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck Location: 40 feet from stage DFC, 8 ft up Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt
|
notes
|
| 7969. |
03/28/85 |
Flac 16/44 - 0,
152067 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/44 Source: Master AUDCA: Beyer M88's XY > Sony TCD5M in line > Maxell MX 90s No Dolby -lead deck Location: 40 feet from stage DFC, 8 ft up Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt
|
notes
|
| 7970. |
03/29/85 |
Flac - 0,
23475 |
Uniondale |
Nassau Veterans Memorial Coliseum Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 recorded by the Oade Brothers and tracked/flac'd by Darrin Sacks
|
notes
|
| 7971. |
03/29/85 |
Flac 24/96 - 0,
140845 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 7972. |
03/29/85 |
Flac 16 - 0,
141208 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 7973. |
03/29/85 |
Flac 24/96 - 0,
124750 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; lineage: sennhesier 421 (fob)> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 7974. |
03/29/85 |
Shn - 0,
78439 |
Uniondale |
Nassau Veterans Memorial Coliseum Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel
|
notes
|
| 7975. |
03/29/85 |
Flac 16 - 0,
34648 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; MAC: (FOB) 2 Sennheiser 421's > Sony TC-D5 > TDK MA90's Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Transfer, minor editing, and encoding by Alex Ford on 5/10/2006.
|
notes
|
| 7976. |
03/29/85 |
Flac 16 - 0,
78438 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Source: *Beyer M88's>Sony D5M(Sony UCX-S) Location: FOB, Sand at 7 feet. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S
|
notes
|
| 7977. |
03/29/85 |
Flac 16 - 0,
112216 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Source: 2 Beyer M160 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 7978. |
03/29/85 |
Shn - 0,
10493 |
Uniondale |
Nassau Veterans Memorial Coliseum AUD>MC>DAT>CDR; via raul; Seeded to etree by steve barbella
|
notes
|
| 7979. |
03/29/85 |
Flac 16 - 0,
87242 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; taper : Joe D'Amico nak 300 mics > sony d5 nak dragon tape deck > creative extigy soundcard> cool edit pro > flac frontend
|
notes
|
| 7980. |
03/29/85 |
Flac 16 - 0,
106058 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 7981. |
03/29/85 |
Flac 24/96 - 0,
145317 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 7982. |
03/29/85 |
Flac 16 - 0,
145318 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 7983. |
03/29/85 |
Flac 24/96 - 0,
149308 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 7984. |
03/29/85 |
Flac 16/48 - 0,
149307 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 7985. |
03/29/85 |
Flac 16 - 0,
150081 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche
|
notes
|
| 7986. |
03/29/85 |
Flac 24/48 - 0,
125070 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24/48 Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 65 feet from stage, 5 feet LOC, head level Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt
|
notes
|
| 7987. |
03/29/85 |
Flac 16/44 - 0,
152069 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/44 Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 65 feet from stage, 5 feet LOC, head level Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt
|
notes
|
| 7988. |
03/31/85 |
Shn - 0,
14671 |
Portland |
Cumberland County Civic Center SBD: MC> DAT> CD> SHN via Peter Braverman set 2 only
|
notes
|
| 7989. |
03/31/85 |
Flac - 0,
23592 |
Portland |
Cumberland County Civic Center Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
|
notes
|
| 7990. |
03/31/85 |
Flac 24 - 0,
139080 |
Portland |
Cumberland County Civic Center flac24; Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (Analog Outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; the original version had incorrect PCM emphasis
|
notes
|
| 7991. |
03/31/85 |
Flac 16 - 0,
139086 |
Portland |
Cumberland County Civic Center flac16; Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
notes
|
| 7992. |
03/31/85 |
Flac 24/96 - 0,
140858 |
Portland |
Cumberland County Civic Center flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 7993. |
03/31/85 |
Flac 16 - 0,
141209 |
Portland |
Cumberland County Civic Center flac16; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 7994. |
03/31/85 |
Flac 24/96 - 0,
141602 |
Portland |
Cumberland County Civic Center flac24; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
|
notes
|
| 7995. |
03/31/85 |
Flac 16/48 - 0,
142415 |
Portland |
Cumberland County Civic Center flac16/48kHz; Recording Info: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); Set 2: SBD > PCM (clone off vault master); Transfer Info: Set 1: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/44.1k; Set 2: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
This is your collection
|
notes
|
| 7996. |
03/31/85 |
Flac 16/48 - 0,
142808 |
Portland |
Cumberland County Civic Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD Set1 (shnid = 142415) Recording Info: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); + SBD Set2 (shnid = 139086)Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller + AUD (shnid = 106791) Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller - surround mixing by Kevin Tobin
|
notes
|
| 7997. |
03/31/85 |
Flac Dts 5.1 - 0,
142806 |
Portland |
Cumberland County Civic Center DTS-Audio-CD 5.1 Mix; - SBD Set1 (shnid = 142415) Recording Info: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); + SBD Set2 (shnid = 139086)Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller + AUD (shnid = 106791) Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin
|
notes
|
| 7998. |
03/31/85 |
Flac 16 Mtx - 0,
142805 |
Portland |
Cumberland County Civic Center flac16; Matrix 3 Source Mix - SBD Set1 (shnid = 142415) Recording Info: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); + SBD Set2 (shnid = 139086)Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller + AUD (shnid = 106791) Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
|
notes
|
| 7999. |
03/31/85 |
- 0,
142788 |
Portland |
Cumberland County Civic Center flac16; Matrix of AUD: Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR> EAC(Secure mode)> Shn(MKW ACT) and SBD: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); Set 2: SBD > PCM (clone off vault master); MATRIX: +2.5db added to Oade source; Mastering done by mdmilhausen
|
notes
|
| 8000. |
03/31/85 |
Flac 24/96 - 0,
114487 |
Portland |
Cumberland County Civic Center flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
|
notes
|
| 8001. |
03/31/85 |
Flac 24/96 - 0,
104927 |
Portland |
Cumberland County Civic Center flac24; source: nak 300/cp4 (12' ots) > tcd5m/maxell mx 90 (+dolby) > master cassette/tcd5m (orig recorder) > minime (24/96) > sd744t > audacity > xact (flac24); recorded: david barfield and/or david lane transferred/seeded: david barfield
|
notes
|
| 8002. |
03/31/85 |
Flac 16 - 0,
143374 |
Portland |
Cumberland County Civic Center flac16; Matrix: AUD: Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR> EAC(Secure mode)> Shn(MKW ACT) and SBD: Set 1: SBD > Cassette Master > Reel (Technics) > Dat (48k); Set 2: SBD > PCM (clone off vault master) +2.5db added to Oade source rendered @ -3db via wavelab 5; Mastering done by mdmilhausen
|
notes
|
| 8003. |
03/31/85 |
Flac 16 - 0,
78505 |
Portland |
Cumberland County Civic Center flac16; Source: *Beyer M88's>Sony D5M Location: FOB, stand at 7 feet; Transfer: Sony D5Pro>Lunatec V3>722 Editing: 722>Adobe Aud.>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony Suraci./nak700
|
notes
|
| 8004. |
03/31/85 |
Flac 16 - 0,
106786 |
Portland |
Cumberland County Civic Center flac16;Recorded by Bob Morris. Transferred & edited by Bob Morris 11/09. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) . Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
|
notes
|
| 8005. |
03/31/85 |
Flac 16 - 0,
145051 |
Portland |
Cumberland County Civic Center flac16; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1
|
notes
|
| 8006. |
03/31/85 |
Flac 24/96 - 0,
145326 |
Portland |
Cumberland County Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; neumann U84's* > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 8007. |
03/31/85 |
Flac 16 - 0,
145328 |
Portland |
Cumberland County Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; neumann U84's* > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 8008. |
03/31/85 |
Flac 16 - 0,
35409 |
Portland |
Cumberland County Civic Center flac16; MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II) Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade. Master cassettes provided by Mark McCue. Transfer, edits, conversion, and seeding to bt.etree.org by Alex Ford.
|
notes
|
| 8009. |
03/31/85 |
Shn - 0,
8244 |
Portland |
Cumberland County Civic Center Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR; Seeded to etree by Charlie Connor
|
notes
|
| 8010. |
03/31/85 |
Flac 16 - 0,
30884 |
Portland |
Cumberland County Civic Center flac16; Nak CM100's > D5 at the soundboard taped by Dave Minor encoded by Matt Vernon
|
notes
|
| 8011. |
03/31/85 |
Flac 16 - 0,
87283 |
Portland |
Cumberland County Civic Center flac16; taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 8012. |
03/31/85 |
Flac 16 - 0,
109791 |
Portland |
Cumberland County Civic Center b>flac16; Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8013. |
03/31/85 |
Flac 24/96 - 0,
149310 |
Portland |
Cumberland County Civic Center flac24 Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 8014. |
03/31/85 |
Flac 16/48 - 0,
149309 |
Portland |
Cumberland County Civic Center flac1648 Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8015. |
03/31/85 |
Flac 24/48 - 0,
152072 |
Portland |
Cumberland County Civic Center flac24/48 Source: Master AUDCA: Beyer M88's XY > 2nd Sony TCD5M in line no nr > Maxell MX 90s No Dolby -lead deck Location: 60 feet from stage DFC, shoulder height Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt
|
notes
|
| 8016. |
03/31/85 |
Flac 16/44 - 0,
125071 |
Portland |
Cumberland County Civic Center flac16/44 Source: Master AUDCA: Beyer M88's XY > 2nd Sony TCD5M in line no nr > Maxell MX 90s No Dolby -lead deck Location: 60 feet from stage DFC, shoulder height Transfer: Nakamichi LX5 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt
|
notes
|
| 8017. |
04/01/85 |
Shn - 0,
23659 |
Portland |
Cumberland County Civic Center Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1
|
notes
|
| 8018. |
04/01/85 |
Flac 16 - 0,
76321 |
Portland |
Cumberland County Civic Center flac16; Source: MAC: (FOB) Sennheiser 421s > Sony TC-D5 > TDK MA90 (Set I) TDK MA-R90 [aluminum shell] (Set II) Mic Config: mics on T-Bar, pointed at the stacks, chest high Location: FOB, 20-25 feet from the stage, DFC Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade Transfer: MAC > Nakamichi CD 2 (azimuth adjusted) > rca > xlr > Lunatec V3(@16 bit/44.1 Hz) > coax > Audiophile 2496 > CEP 2.0 > CD Wave Editor > Trader's Little Helper > FLAC16
|
notes
|
| 8019. |
04/01/85 |
Flac 16/48 - 0,
138254 |
Portland |
Cumberland County Civic Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) AUD1 (shnid = 87290) taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend + AUD2 (shnid = 124788) lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - mixing by Kevin Tobin
|
notes
|
| 8020. |
04/01/85 |
Flac Dts 5.1 - 0,
138253 |
Portland |
Cumberland County Civic Center DTS-Audio-CD 5.1 Mix: AUD1 (shnid = 87290)taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend + AUD2 (shnid = 124788) lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - dts mixing by Kevin Tobin
|
notes
|
| 8021. |
04/01/85 |
Flac 16 - 0,
138246 |
Portland |
Cumberland County Civic Center flac16; Patched/Pitch Corrected Audience (original shnid = 87290) taper: Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin
|
notes
|
| 8022. |
04/01/85 |
Flac 16 Mtx - 0,
138252 |
Portland |
Cumberland County Civic Center flac16; Matrix 2 Source Mix - AUD1 (shnid = 87290)taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend + AUD2 (shnid = 124788) lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - matrix mixing by Kevin Tobin
|
notes
|
| 8023. |
04/01/85 |
Flac 24/96 - 0,
138250 |
Portland |
Cumberland County Civic Center flac24; (original shnid = 124788) lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - 96/24 conversion to 48/24, pitch correction, and patches by Kevin Tobin
|
notes
|
| 8024. |
04/01/85 |
Flac 24/96 - 0,
140859 |
Portland |
Cumberland County Civic Center flac24; Set 2 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer:Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 8025. |
04/01/85 |
Flac 16 - 0,
140210 |
Portland |
Cumberland County Civic Center b>flac16; Set 2 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer:Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT: 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 8026. |
04/01/85 |
Flac 24/96 - 0,
141603 |
Portland |
Cumberland County Civic Center flac24; Set 2 Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
|
notes
|
| 8027. |
04/01/85 |
Flac 24/96 - 0,
124788 |
Portland |
Cumberland County Civic Center flac24; lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8028. |
04/01/85 |
Flac 16 - 0,
87290 |
Portland |
Cumberland County Civic Center flac16; taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon deck > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 8029. |
04/01/85 |
Flac 16 - 0,
30885 |
Portland |
Cumberland County Civic Center flac16; Nak CM100's > D5 at the soundboard taped by Dave Minor encoded by Matt Vernon
|
notes
|
| 8030. |
04/01/85 |
Flac 16 - 0,
78512 |
Portland |
Cumberland County Civic Center flac16; Source: *Beyer M88's >Sony D5M Location: FOB, stand at 7 feet. Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud>16bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S./nak700
|
notes
|
| 8031. |
04/01/85 |
Flac 16 - 0,
102139 |
Portland |
Cumberland County Civic Center flac16; Source: (2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5 Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16 Recorded by Ray Ackerman Conversion by Ray Ackerman Tracks, FLACs, Tags by Craig Taraszki Originally seeded 2009-10-22
|
notes
|
| 8032. |
04/01/85 |
Flac 24/96 - 0,
114488 |
Portland |
Cumberland County Civic Center flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
|
notes
|
| 8033. |
04/01/85 |
Flac 24/96 - 0,
103296 |
Portland |
Cumberland County Civic Center flac24; source: nak 300/cp4 (ots, 12') > tcd5m/maxell mx 90 > master cassette > tcd5m (orig recorder) > minime (24/96) > sd744t > audacity > xact (flac24) recorded: david barfield & david lane transferred/seeded: david barfield
|
notes
|
| 8034. |
04/01/85 |
Shn - 0,
8521 |
Portland |
Cumberland County Civic Center Sources: Primary Source:Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR>EAC>Shn Secondary Source:Steve Ziemba's Cassette Master;Aud>Nak300>D5>CM>CDR>EAC>Shn;The secondary source supplies the Baby Blue encore; Seeded to fungus and abgd by Charlie Connor with Thanks to Scott Clugston and Doug Oade
|
notes
|
| 8035. |
04/01/85 |
Shn - 0,
5594 |
Portland |
Cumberland County Civic Center Aud> Nak300> D5> CM> CDR> EAC(Secure Mode)> CDWave (Retracking Only)> shnv3 (MKW ACT); Cassette master recorded by Steven Ziemba; Transferred to cd by Michael Lai; EAC/Retracked/Shn'ed by Charlie Connor; to abgd
|
notes
|
| 8036. |
04/01/85 |
Flac 16 - 0,
106787 |
Portland |
Cumberland County Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris and Sam Morris. Transferred & edited by Bob Morris 11/09.
|
notes
|
| 8037. |
04/01/85 |
Flac 16 - 0,
145060 |
Portland |
Cumberland County Civic Center flac16; Set 2 Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1
|
notes
|
| 8038. |
04/01/85 |
Flac 24/96 - 0,
145330 |
Portland |
Cumberland County Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 8039. |
04/01/85 |
Flac 16 - 0,
145331 |
Portland |
Cumberland County Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 8040. |
04/01/85 |
Flac 24/96 - 0,
149312 |
Portland |
Cumberland County Civic Center flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 8041. |
04/01/85 |
Flac 16/48 - 0,
149311 |
Portland |
Cumberland County Civic Center flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8042. |
04/01/85 |
Flac 16 - 0,
149791 |
Portland |
Cumberland County Civic Center flac16; AKG 224’s > Sony TCD-5M > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche
|
notes
|
| 8043. |
04/01/85 |
Flac 24/48 - 0,
152074 |
Portland |
Cumberland County Civic Center flac24/48 Source: 1st Gen AUDCA: Beyer M88's XY > Marantz PMD430 w dbx > Maxell MX 90s No Dolby -lead deck Location: 50 feet from stage DFC, shoulder height Original Transfer: Marantz PMD430 dbx on > Sony TCD5M no nr Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt
|
notes
|
| 8044. |
04/01/85 |
Flac 16/44 - 0,
152073 |
Portland |
Cumberland County Civic Center flac16/44 Source: 1st Gen AUDCA: Beyer M88's XY > Marantz PMD430 w dbx > Maxell MX 90s No Dolby -lead deck Location: 50 feet from stage DFC, shoulder height Original Transfer: Marantz PMD430 dbx on > Sony TCD5M no nr Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, Chris Kidwell, JJ Hance, Sean Murtha, Gary Steel, Eric Britt
|
notes
|
| 8045. |
04/03/85 |
Flac 16 - 0,
106252 |
Providence |
Providence Civic Center flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLII-S90); Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8046. |
04/03/85 |
Shn - 0,
7550 |
Providence |
Providence Civic Center Sources: Master Soundboard Cassette > C > CDR, Master Audience Cassette: (2) Sennheiser ME-80's + (2) Sennheiser 441's source supplies patches,CD Mastering / Patching by Scott Clugston; EAC'ed / SHN'ed by Scott Clugston with thanks to Tommy McKeown & Charlie Connor; posted to abgd via Trip Bates
|
notes
|
| 8047. |
04/03/85 |
Flac 16 - 0,
132859 |
Providence |
Providence Civic Center flac16; AUD: 2x AT835B shotguns plus 1x AKG D12E center mic > unknown mixer > unknown lead deck > Sony WM-D6C > MAC, recording and transfer to CDR by Ray Ackerman. Transfer: MAC > CDR on unknown equipment 2005. CDR > EAC (secure) > WavMerge > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, April 2015.
|
notes
|
| 8048. |
04/03/85 |
Flac 16 - 0,
95409 |
Providence |
Providence Civic Center flac16; Taper: Greg Holtz Source: Nakamichi CM 100's with CP-4 shotguns -> D-5 Transfer: (By JAZ) Master Cassettes (Set I Fugi FR type IV metal 90, Set II Maxell Metaxial 90) -> Tascam 112 -> RCA -> Edirol M-10dx 24bit 96kHz -> COAX -> M-audio Delta 1010lt -> Wave Lab 5.0 -> R8brainPro 16bit 44.1kHz -> Traders Little Helper flac 8
|
notes
|
| 8049. |
04/03/85 |
Flac 16 - 0,
140860 |
Providence |
Providence Civic Center flac16; Source Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp
|
notes
|
| 8050. |
04/03/85 |
Flac 24 - 0,
140861 |
Providence |
Providence Civic Center flac24; Source Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496
|
notes
|
| 8051. |
04/03/85 |
Flac 24/96 - 0,
124794 |
Providence |
Providence Civic Center flac24; lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8052. |
04/03/85 |
Flac 16 - 0,
87313 |
Providence |
Providence Civic Center flac16; taper Joe D'Amico nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 8053. |
04/03/85 |
Flac 16 - 0,
106795 |
Providence |
Providence Civic Center flac16; Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8054. |
04/03/85 |
Shn - 0,
8825 |
Providence |
Providence Civic Center Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR> EAC> Shn; EAC'ed/Shn'ed and seeded to Fungus and abgd by Charlie Connor with thanks To Scott Clugston and Doug Oade
|
notes
|
| 8055. |
04/03/85 |
Flac 24/96 - 0,
145343 |
Providence |
Providence Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 8056. |
04/03/85 |
Flac 16 - 0,
145344 |
Providence |
Providence Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 8057. |
04/03/85 |
Flac - 0,
23927 |
Providence |
Providence Civic Center Recorded by the Oade Brothers Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
|
notes
|
| 8058. |
04/03/85 |
Flac 16 - 0,
76403 |
Providence |
Providence Civic Center flac16; Source: MAC: Sennheiser 421s > Sony D5 > 2 TDK MA90s Location: Tapers Section Mic Config: Mics on T bar pointed at the stacks, chest high. Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beeker meade Transfer: MAC>Nakamichi CD2>Lunatec V3(16/44.1)>Audiophile 2496>CEP 2.0>CD Wave Editor>Traders Little Helper>FLAC16 conversion and seeding to bt.etree.org by Alex Ford
|
notes
|
| 8059. |
04/03/85 |
Flac 24/96 - 0,
149314 |
Providence |
Providence Civic Center flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 8060. |
04/03/85 |
Flac 16/48 - 0,
149313 |
Providence |
Providence Civic Center flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8061. |
04/03/85 |
Flac 24/44 - 0,
150652 |
Providence |
Providence Civic Center flac24; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Master PCM (Oade mod Sony PCM-F1) > DAT; Transfer: DAT > Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 24-44; Edited & Mastered (Adobe Audition) by Joe Noel. September 17, 2020; Oade Brothers for recording
|
notes
|
| 8062. |
04/03/85 |
Flac 16 - 0,
150693 |
Providence |
Providence Civic Center flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Master PCM (Oade mod Sony PCM-F1) > DAT; Transfer: DAT > Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 24/44; Edited & Mastered (Adobe Audition) by Joe Noel; Dither info: WAV (24-bit/44k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson October 14, 2020
|
notes
|
| 8063. |
04/03/85 |
Flac 16/44 - 0,
152125 |
Providence |
Providence Civic Center flac16/44 Recording Information: Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 55 feet from stage, DFC, head level (19th row) Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
|
notes
|
| 8064. |
04/03/85 |
Flac 24/48 - 0,
152126 |
Providence |
Providence Civic Center flac24/48 Recording Information: Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 55 feet from stage, DFC, head level (19th row) Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
|
notes
|
| 8065. |
04/04/85 |
Shn - 0,
33816 |
Providence |
Providence Civic Center Fix of shn id 11704 (space patched in from Oade source) - SBD > MVHS HiFi Video > MC > CDR
|
notes
|
| 8066. |
04/04/85 |
Flac 16 - 0,
77029 |
Providence |
Providence Civic Center flac16; MAC; 2 Sennheiser 421s > Sony D5 > 2 TDK MA90s. Location: TS - first row, DFC, mics @ 15 feet Tapers: Mark McCue, Adam, Monica, Johnny Kelly and Davey the beaker meade. Transfer: Master Audience Cassettes>Nakamichi CD2(azimuth adjusted)> rca>xlr>Lunatec V3> coax>Audiophille 2496>CEP 2.0>Trader's Little Helper>FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer,edits, patches, conversion and upload to bt.etree by Alex Ford.
|
notes
|
| 8067. |
04/04/85 |
Flac 16 - 0,
132860 |
Providence |
Providence Civic Center flac16; AUD: 2x AT835B shotguns plus 1x AKG D12E center mic > unknown mixer > unknown lead deck > Sony WM-D6C > MAC, recording and transfer to CDR by Ray Ackerman. Transfer: MAC > CDR on unknown equipment 2005. CDR > EAC (secure) > WavMerge > Wavelab > CD-Wave > TLH > FLAC 1644 tagged, April 2015
|
notes
|
| 8068. |
04/04/85 |
Flac 16 - 0,
95626 |
Providence |
Providence Civic Center flac16; Taper: Greg Holtz Source: Nakamichi CM 100's with CP-4 shotguns -> D-5 Transfer: (By JAZ) Master Cassettes (Maxell Metaxial 90) -> Tascam 112 -> RCA to XLR -> Edirol M-10dx 24bit 96kHz -> COAX -> M-Audio Delta 1010lt -> Wave Lab 5.0 -> R8brainPro 16bit 44.1kHz -> Traders Little Helper flac 8 Note: Cross fades applied between most songs do to tape pauses.
|
notes
|
| 8069. |
04/04/85 |
Shn - 0,
11704 |
Providence |
Providence Civic Center SBD>HiFi Video (Lighting crew)>MC>CDR; Missing Space (tape flip); via Tommy Danscuk; Seeded to etree by Willy
|
notes
|
| 8070. |
04/04/85 |
Flac - 0,
23848 |
Providence |
Providence Civic Center Recorded by the Oade Brothers Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
|
notes
|
| 8071. |
04/04/85 |
Flac 16 - 0,
126237 |
Providence |
Providence Civic Center flac16; soundboard of unknown lineage. Transfer: XLII tapes BX-300 w/o Dolby on playback > Philips standalone CDR > CDWav to split and encode as Flac (level 5).
|
notes
|
| 8072. |
04/04/85 |
Flac 24/96 - 0,
140940 |
Providence |
Providence Civic Center flac24; Source Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496
|
notes
|
| 8073. |
04/04/85 |
Flac 16 - 0,
140939 |
Providence |
Providence Civic Center flac16; Source Info: Robert Bryant's Master Audience Cassettes; unknown mics > Sony TC-D5M; Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz)> KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp
|
notes
|
| 8074. |
04/04/85 |
Flac 24/96 - 0,
124813 |
Providence |
Providence Civic Center flac24; lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8075. |
04/04/85 |
Flac 16 - 0,
87352 |
Providence |
Providence Civic Center flac16; taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 8076. |
04/04/85 |
Flac 16 - 0,
118787 |
Providence |
Providence Civic Center flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 8077. |
04/04/85 |
Flac 24/96 - 0,
145468 |
Providence |
Providence Civic Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 8078. |
04/04/85 |
Flac 16 - 0,
145469 |
Providence |
Providence Civic Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 8079. |
04/04/85 |
Flac 24/96 - 0,
149316 |
Providence |
Providence Civic Center flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 8080. |
04/04/85 |
Flac 16 - 0,
149449 |
Providence |
Providence Civic Center flac16 Source Info: Unknown SBD > Dat (16/44.1); Transfer Info: Unknown
|
notes
|
| 8081. |
04/04/85 |
Flac 16/48 - 0,
149315 |
Providence |
Providence Civic Center flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8082. |
04/04/85 |
Flac 24/96 - 0,
151192 |
Providence |
Providence Civic Center Flac24 Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, pitch correctio, levels) > FLAC 2496
|
notes
|
| 8083. |
04/04/85 |
Flac 16 - 0,
151191 |
Providence |
Providence Civic Center Flac16 Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wav24/96 > Wavelab 10 (tracking, pitch correctio, levels, resample, MBit+ dither) > FLAC 1644
|
notes
|
| 8084. |
04/04/85 |
Flac 16/44 - 0,
152459 |
Providence |
Providence Civic Center flac16/44 Recording Info: SBD > PCM Master (Sony Betamax) > DAT Clone (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC-16 All Transfers and Mastering by Charlie Miller. March 27, 2021.
|
notes
|
| 8085. |
04/04/85 |
Flac 24/48 - 0,
152128 |
Providence |
Providence Civic Center flac24/48 Recording Information: Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 55 feet from stage, DFC, head level (19th row) Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
|
notes
|
| 8086. |
04/04/85 |
Flac 16/44 - 0,
152127 |
Providence |
Providence Civic Center flac16/44 Recording Information: Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 55 feet from stage, DFC, head level (19th row) Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
|
notes
|
| 8087. |
04/06/85 |
Flac - 0,
13467 |
Philadelphia |
The Spectrum SBD>Cm>Cass>Dat>CD>EAC>SHN; Converted to SHN by Charlie Miller
|
notes
|
| 8088. |
04/06/85 |
Flac 16 - 0,
96803 |
Philadelphia |
The Spectrum flac16; Taper: Greg Holtz Source: Nakamichi CM 100's with CP-4 shotguns -> Sony D-5 Transfer: (By JAZ) Master Cassettes (FUJI FR metal type IV) -> Tascam 112 -> RCA/XLR -> Edirol M-10dx 24bit 96kHz -> COAX -> M-Audio Delta 1010lt -> Mastered with UAD Technology in Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8
|
notes
|
| 8089. |
04/06/85 |
Flac - 0,
24027 |
Philadelphia |
The Spectrum Recorded by the Oade Brothers; transferred by Doug Oade, tracked by Darrin Sacks Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
|
notes
|
| 8090. |
04/06/85 |
Flac 16 - 0,
135801 |
Philadelphia |
The Spectrum flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8091. |
04/06/85 |
Shn - 0,
28633 |
Philadelphia |
The Spectrum Sennheiser 421's > Sony D-5 > TDK 90 Taper: Mark McCue Lineage: Sony D-5 > Tascam CD4U stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16. transfer from Sony D5 through CDR by Mark McCue. transfer from CDR through FLAC16 by Alex Ford on 03/10/05
|
notes
|
| 8092. |
04/06/85 |
Flac 24/96 - 0,
140875 |
Philadelphia |
The Spectrum flac24/96 Set 2 partial. Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M). Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96. Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96.
|
notes
|
| 8093. |
04/06/85 |
Flac 16 - 0,
141211 |
Philadelphia |
The Spectrum flac16; Set 2 partial Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M). Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96. Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96. 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 8094. |
04/06/85 |
Shn - 0,
8900 |
Philadelphia |
The Spectrum Unknown Audience source; Shn'ed and seeded to abgd by Chris Perkins with thanks to Michael McGinnis.
|
notes
|
| 8095. |
04/06/85 |
Shn - 0,
10990 |
Philadelphia |
The Spectrum Master Audience Cassette>DAT>CDR; Missing OMSN encore; via Raoul; Seeded to etree by Steve Barbella
|
notes
|
| 8096. |
04/06/85 |
Shn - 0,
33703 |
Philadelphia |
The Spectrum Nakamichi 300 Shotguns CP4's & Sony TCD5M; Transfer: Nakamichi BX300 Master cass-> Macintosh ->Peak Bias-> JAM-> cdr-> EAC-> MKW-> shn Sector boundaries verrified via shn tools; Taped & Transfered by Brian Mandel
|
notes
|
| 8097. |
04/06/85 |
Shn - 0,
73770 |
Philadelphia |
The Spectrum Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHN; recorded, transfered and seeded by Charles Bandrofcheck (other3)
|
notes
|
| 8098. |
04/06/85 |
Flac 16 - 0,
78851 |
Philadelphia |
The Spectrum flac16; Source: *Beyer M88's>Sony D5M Location: FOB, stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud.>16 Bit>Cdwav>flac16 Taped, transfered and uploaded by Tony S
|
notes
|
| 8099. |
04/06/85 |
Flac 24/96 - 0,
124819 |
Philadelphia |
The Spectrum flac24; lineage: (3) audio technica atm 11 (fob)> optimus> d-5mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8100. |
04/06/85 |
Flac 24/96 - 0,
145479 |
Philadelphia |
The Spectrum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 8101. |
04/06/85 |
Flac 16 - 0,
145480 |
Philadelphia |
The Spectrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 8102. |
04/06/85 |
Flac 24/96 - 0,
149318 |
Philadelphia |
The Spectrum flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 8103. |
04/06/85 |
Flac 16/48 - 0,
149317 |
Philadelphia |
The Spectrum flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8104. |
04/06/85 |
Flac 24/48 - 0,
152154 |
Philadelphia |
The Spectrum flac24/48 Recording Information: Source: Master AUDCA: Beyer M201's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 60 feet from stage, 6 ft LOC, head level Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
|
notes
|
| 8105. |
04/06/85 |
Flac 16/44 - 0,
153153 |
Philadelphia |
The Spectrum flac16/44 Recording Information: Source: Master AUDCA: Beyer M201's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -lead deck Location: 60 feet from stage, 6 ft LOC, head level Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
|
notes
|
| 8106. |
04/07/85 |
Shn - 0,
3346 |
Philadelphia |
The Spectrum Csbd> DAT> CDR> EAC> SHN; via Scott Z., Darrin Sacks
|
notes
|
| 8107. |
04/07/85 |
Flac 16 - 0,
128613 |
Philadelphia |
The Spectrum flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
|
notes
|
| 8108. |
04/07/85 |
Flac 16 - 0,
118484 |
Philadelphia |
The Spectrum flac16; Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico
|
notes
|
| 8109. |
04/07/85 |
Flac 16 Mtx - 0,
132713 |
Philadelphia |
The Spectrum flac16; 2 Source Matrix by Dusborne; Soundboard(shinid:003346) CSBD>DAT>CDR>EAC>SHN and Audience(shinid:128613) Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav
|
notes
|
| 8110. |
04/07/85 |
Flac 16 - 0,
91389 |
Philadelphia |
The Spectrum flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8111. |
04/07/85 |
Shn - 0,
14614 |
Philadelphia |
The Spectrum Seeded by Todd Campbell EAC & SHN by Jim Keith Lineage SBD>?>CD (WILL UPDATE)
|
notes
|
| 8112. |
04/07/85 |
Flac 16 - 0,
28488 |
Philadelphia |
The Spectrum flac16; Sennheiser 421's > Sony D5 > Tascam CRD4U > EAC > CDR Taper: M. McCue Lineage: Sony D-5 > Tascam CDR4U stand alone burner > CDR > EAC > Win XP Pro > FLAC Frontend > FLAC16. Transfer from Sony D5 through CDR by Mark McCue Transfer from CDR through FLAC16 by Alex Ford on 03/07/05.
|
notes
|
| 8113. |
04/07/85 |
Flac 16/48 - 0,
139542 |
Philadelphia |
The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - mixing by Kevin Tobin
|
notes
|
| 8114. |
04/07/85 |
Flac Dts 5.1 - 0,
139541 |
Philadelphia |
The Spectrum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin
|
notes
|
| 8115. |
04/07/85 |
Flac 16 Mtx - 0,
139540 |
Philadelphia |
The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 118484) Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper: Dan Healy; Editing: Joe D'amico + AUD (shnid = 91389) Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
|
notes
|
| 8116. |
04/07/85 |
Flac 24/96 - 0,
140866 |
Philadelphia |
The Spectrum flac24; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 8117. |
04/07/85 |
Flac 16 - 0,
141212 |
Philadelphia |
The Spectrum flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 8118. |
04/07/85 |
Shn - 0,
35081 |
Philadelphia |
The Spectrum Sennheiser 421's FOB & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel
|
notes
|
| 8119. |
04/07/85 |
Flac 16 - 0,
81454 |
Philadelphia |
The Spectrum flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs
|
notes
|
| 8120. |
04/07/85 |
Flac 16 - 0,
87419 |
Philadelphia |
The Spectrum flac16; taper : Joe D'Amico nak 300 mics > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 8121. |
04/07/85 |
Flac 16 - 0,
103429 |
Philadelphia |
The Spectrum flac16; Recorded by Dave Cohen Just to the right of the Board Sennheisser 421s>Sony TCD5M>Sony WMD6 Maxell XLII cassette masters. Dolby B was used on the Master Cassettes.The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
notes
|
| 8122. |
04/07/85 |
Flac 16 - 0,
107238 |
Philadelphia |
The Spectrum flac16; source: 2 Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ almost 6 feet) > analog cassette master Maxell MX90's. transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 8123. |
04/07/85 |
Flac 24/96 - 0,
124835 |
Philadelphia |
The Spectrum flac24; lineage: sennheiser 421 (fob)> optimus> d-5 > sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8124. |
04/07/85 |
Flac 24/96 - 0,
145487 |
Philadelphia |
The Spectrum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 8125. |
04/07/85 |
Flac 16 - 0,
145488 |
Philadelphia |
The Spectrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 8126. |
04/07/85 |
Flac 24/96 - 0,
149320 |
Philadelphia |
The Spectrum flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 8127. |
04/07/85 |
Flac 16/48 - 0,
149319 |
Philadelphia |
The Spectrum flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8128. |
04/07/85 |
Flac 24/48 - 0,
152156 |
Philadelphia |
The Spectrum flac24/48 Recording Information: Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -2nd deck Location: 65 feet from stage, 2 ft LOC, shoulder level Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
|
notes
|
| 8129. |
04/07/85 |
Flac 16/44 - 0,
152155 |
Philadelphia |
The Spectrum flac16/44 Recording Information: Source: Master AUDCA: Beyer M88's XY > Sony TCD5M no nr > Maxell MX 90s No Dolby -2nd deck Location: 65 feet from stage, 2 ft LOC, shoulder level Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney; Kyle Holbrook; JJ Hance; Eric Britt, Sean Murtha; Gary Steel; Mike Davis; Kenny Davis
|
notes
|
| 8130. |
04/08/85 |
Flac 16 - 0,
118375 |
Philadelphia |
The Spectrum flac16; Recording Info: SBD -> Master Cassette -> Cassette -> Dat (48) -> WAV; Transfer Info: WAV -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8131. |
04/08/85 |
Flac 16 - 0,
118481 |
Philadelphia |
The Spectrum flac16; Soundboard 1st Gen Tape > Tascam 122 mk lll > Korg Mr-1000 > Audio Gate > Cool Edit > Traders Little Helper; Taper : Dan Healy; Editing : Joe D'Amic
|
notes
|
| 8132. |
04/08/85 |
Flac - 0,
24227 |
Philadelphia |
The Spectrum Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
|
notes
|
| 8133. |
04/08/85 |
Flac 16 - 0,
96598 |
Philadelphia |
The Spectrum flac16; Taper: Greg Holtz Source: Nakamichi 100's & Sennheiser 421's Mix -> D-5 Transfer: (By JAZ) Cassette Master (Maxell Metaxial 90) -> Tascam 112, dolbyB -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8
|
notes
|
| 8134. |
04/08/85 |
Flac 16 - 0,
117189 |
Philadelphia |
The Spectrum flac16; Source: MAC; (FOB) unknown mics > Sony D5 > Sony D5 > Sony D5 > Sony D5 > 2 x TDK MA90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> r8brain PRO> .wav @ 16/44.1> CD Wave Editor> TLH> flac16. Location: Approx. 20 feet from the stage, Dead Center; Taper: Mark McCue; Transferred and mastered by Alex Ford
|
notes
|
| 8135. |
04/08/85 |
Flac 24/88.2 - 0,
117212 |
Philadelphia |
The Spectrum flac24; MAC; (FOB) unknown mics > Sony D5 > Sony D5 > Sony D5 > Sony D5 > 2 x TDK MA90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> CD Wave Editor> TLH> flac24. Location: Approx. 20 feet from the stage, Dead Center; Recorded by Mark McCue; Transferred and mastered by Alex Ford
|
notes
|
| 8136. |
04/08/85 |
Flac 24/96 - 0,
124854 |
Philadelphia |
The Spectrum flac24; lineage: nakamichi 700 (fob)> optimus> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8137. |
04/08/85 |
Flac 24/96 - 0,
102065 |
Philadelphia |
The Spectrum flac24; Source: Nak 300/CP4 > TCD5m - TDK MA90 (metal), OTS, 12' -- TCD5m (same as recorder) > Minime @ 24/96 > SD744 > Audacity > Flac24; Recorded: David Barfield And/Or David Lane; Transfer: David Barfield
|
notes
|
| 8138. |
04/08/85 |
Shn - 0,
3420 |
Philadelphia |
The Spectrum possible reDAE/reSHN of previous shn set; via redbeard to abgd
|
notes
|
| 8139. |
04/08/85 |
Shn - 0,
74161 |
Philadelphia |
The Spectrum Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwAC > SHN taped and transferred by Charles Bandrofcheck
|
notes
|
| 8140. |
04/08/85 |
Flac 16 - 0,
103445 |
Philadelphia |
The Spectrum flac16; Recorded by Dave Cohen Back right corner of the Board Sennheisser 421s>Sony TCD5M>Sony WMD6 Maxell XLII cassette masters. Dolby B was NOT used on the Master Cassettes.The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
notes
|
| 8141. |
04/08/85 |
Flac 16 - 0,
87465 |
Philadelphia |
The Spectrum flac16; taper : Joe D'Amico nak 300 mics > sony d-6 nak dragon tape deck > creative extigy soundcard > cool edit pro >flac frontend
|
notes
|
| 8142. |
04/08/85 |
Flac 16 - 0,
107045 |
Philadelphia |
The Spectrum flac16; source: 2 Beyer M160 Microphones > Sony TC-D5M - 25 feet from stage (mic's on a stand @ 6 feet) > analog cassette master Maxell MX90's. transfer: Sony TC-D5M (origional record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files; recorded and mastered to cdr by D5scott
|
notes
|
| 8143. |
04/08/85 |
Flac 24/96 - 0,
145497 |
Philadelphia |
The Spectrum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 8144. |
04/08/85 |
Flac 16 - 0,
145498 |
Philadelphia |
The Spectrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell xl-IIS90's; nakamichi dragon > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transferred & seeded by Rob Berger
|
notes
|
| 8145. |
04/08/85 |
Shn - 0,
8755 |
Philadelphia |
The Spectrum (Healy Mix)SBD>MC>PCM>BETA>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 8146. |
04/08/85 |
Shn - 0,
20010 |
Philadelphia |
The Spectrum SB> MC> DAT> CD via Kevin Gills
|
notes
|
| 8147. |
04/08/85 |
Flac 24/96 - 0,
149322 |
Philadelphia |
The Spectrum flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 8148. |
04/08/85 |
Flac 16/48 - 0,
149321 |
Philadelphia |
The Spectrum flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8149. |
04/08/85 |
Flac 24/96 - 0,
151431 |
Philadelphia |
The Spectrum 24 bit Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wavelab 10 (tracking, patching, pitch correction, Ozone 8 Maximizer for levels) > FLAC 2496
|
notes
|
| 8150. |
04/08/85 |
Flac 16 - 0,
151430 |
Philadelphia |
The Spectrum 16 bit Source: 3x Nak 701s > MX-100 > D5 by Bruce Barnum Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp (24/96) Lineage: Wavelab 10 (tracking, patching, pitch correction, Ozone 8 Maximizer for levels, resample, mBit+ dither) > FLAC 1644
|
notes
|
| 8151. |
04/08/85 |
Flac 24/48 - 0,
152174 |
Philadelphia |
The Spectrum flac24/48 Recording Information: Source: Master AUDCA: Beyer M88's XY > 4th Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location:200 feet from stage 15 feet ROC (RT rear corner of SBD), 15 feet up Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, JJ Hance, Sean Murtha, Gary Steel, Eric Britt, Mike Davis, Kenny Davis, Mikey
|
notes
|
| 8152. |
04/08/85 |
Flac 16/44 - 0,
152173 |
Philadelphia |
The Spectrum flac16/44 Source: Master AUDCA: Beyer M88's XY > 4th Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location:200 feet from stage 15 feet ROC (RT rear corner of SBD), 15 feet up Transfer: Nakamichi LX5 > Tascam DR680|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, JJ Hance, Sean Murtha, Gary Steel, Eric Britt, Mike Davis, Kenny Davis, Mikey
|
notes
|
| 8153. |
04/13/85 |
Flac 16 - 0,
122198 |
Irvine |
Irvine Meadows flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8154. |
04/13/85 |
Shn - 0,
6146 |
Irvine |
Irvine Meadows sbd> mc> reel> dats> wav> shn; dat> wav> shn by popi n. feeldz from Michael Grossman DAT
|
notes
|
| 8155. |
04/13/85 |
Flac 16 - 0,
97199 |
Irvine |
Irvine Meadows flac16; Source: Nakamichi cm 100's W/shotguns -> Sony D-5 Transfer: (By JAZ) Cassette Master (maxell super fine epilaxial XLII-s 90's) -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8
|
notes
|
| 8156. |
04/13/85 |
Flac 16 - 0,
83071 |
Irvine |
Irvine Meadows flac16; SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC > patches with Cool Edit > FLAC, patched version of shn id 77348 by Bill Tetzeli; Upgrade in circulation
|
notes
|
| 8157. |
04/13/85 |
Flac 16 - 0,
77348 |
Irvine |
Irvine Meadows flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; Upgrade in circulation
|
notes
|
| 8158. |
04/13/85 |
Flac 24/48 - 0,
123130 |
Irvine |
Irvine Meadows flac24; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS-90); Transfer Info: Cassette (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8159. |
04/13/85 |
Flac 24 - 0,
124884 |
Irvine |
Irvine Meadows flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 32595. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 8160. |
04/13/85 |
Flac 16 - 0,
32595 |
Irvine |
Irvine Meadows flac16; MAC: (FOB) Sennheiser 421's* > Sony D5 > Maxell XLII-S 90(Set I) & Maxell MX 90(Set II); Tapers: Adam, Justin & Monica; Mark McCue Masters; Transfer, minor editing and conversion by Alex Ford
|
notes
|
| 8161. |
04/14/85 |
Shn - 0,
3667 |
Irvine |
Irvine Meadows SBD> Master Cassette> DAT> CDR> EAC> SHN; DAE (EAC) + SHN Encoding by Jeff M.
|
notes
|
| 8162. |
04/14/85 |
Flac 16 - 0,
97220 |
Irvine |
Irvine Meadows flac16; Taper: Greg Holtz Source: Nakamichi cm 100's W/shotguns -> Sony D-5 Transfer: (By JAZ) Cassette Master (maxell super fine epilaxial XLII-s 90's) -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 -> R8brain 16bit 44.1kHz -> Traders Little Helper flac8
|
notes
|
| 8163. |
04/14/85 |
Flac 24/96 - 0,
143490 |
Irvine |
Irvine Meadows flac24; Set 2, Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k)
|
notes
|
| 8164. |
04/14/85 |
Flac 16/44,1 - 0,
144159 |
Irvine |
Irvine Meadows flac16; Source Info: Master Soundboard Cassettes > Dat (16-bit/44.1k); Transfer Info: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Sound Devices 744T (.wav 16-bit/44.1k) > Adobe Audition 3.01 > TLH flac16
|
notes
|
| 8165. |
04/14/85 |
Shn - 0,
32621 |
Irvine |
Irvine Meadows MAC: (FOB) Sennheiser 421's > Sony D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II) Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 03/08/2006.
|
notes
|
| 8166. |
04/14/85 |
Flac 24 - 0,
124931 |
Irvine |
Irvine Meadows flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 32621. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 8167. |
04/14/85 |
Flac 16 - 0,
145334 |
Irvine |
Irvine Meadows flac16; Set 2, Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > FLAC (24-bit/96k); This file set is 16 bit @ 44.1
|
notes
|
| 8168. |
04/14/85 |
Flac 24/96 - 0,
152159 |
Irvine |
Irvine Meadows flac24/96 Recording Info: SBD > Cassette Master (Sony WM-D6) Transfer Info: Cassette Master (Nakamichi Dragon) > Tascam DA-3000 (1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 8169. |
04/14/85 |
Flac 24/96 - 0,
152161 |
Irvine |
Irvine Meadows flac24/96 FIXED Version: Recording Info: SBD > Cassette Master (Dan Healy) > Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 8170. |
04/14/85 |
Flac 16/48 - 0,
151830 |
Irvine |
Irvine Meadows flac16/48 Source: SBD > unknown > Reel @ 7.5ips Transfer: Reel > Korg MR2000 (1 bit 5.6 mhz) (spdif out) > Digigram VX Pocket sound card > Panasonic Toughbook (spdif in) > Steinberg Nuendo > WAV 16/48 Reel Source unknown Transfer by Anonymous Edited & Mastered (Adobe Audition) by Joe Noel January 17, 2021
|
notes
|
| 8171. |
04/14/85 |
Flac 16/44,1 - 0,
152519 |
Irvine |
Irvine Meadows flac16/44.1 FIXED Version: Recording Info: SBD > Cassette Master (Dan Healy) > Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 153161 24 -> 16 @ 44.1
|
notes
|
| 8172. |
04/14/85 |
Flac 16/44,1 - 0,
152518 |
Irvine |
Irvine Meadows flac16/44.1 Recording Info: SBD > Cassette Master (Sony WM-D6) Transfer Info: Cassette Master (Nakamichi Dragon) > Tascam DA-3000 (1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152159 24 -> 16 @ 44.1
|
notes
|
| 8173. |
04/21/85 |
Flac - 0,
121733 |
San Rafael |
Marin Veterans Memorial Auditorium flac16; Source: SBD > ? > Cassette, kindly provided by Seaweed1010. Transfer: Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. August 2012
|
notes
|
| 8174. |
04/21/85 |
Flac - 0,
121757 |
San Rafael |
Marin Veterans Memorial Auditorium flac16; Source: SBD > ?>Low Gen Maxell XLII Cassette>Wav>Soundforge 10 (Tracking, Pitch Correction and *Editing)>Flac
|
notes
|
| 8175. |
04/27/85 |
Shn - 0,
25467 |
Palo Alto |
Frost Amphitheatre Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN via Charlie Miller
|
notes
|
| 8176. |
04/27/85 |
Flac 16 Mtx - 0,
78504 |
Palo Alto |
Frost Amphitheatre flac16; SBD + AUD Matrix 3 Source Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584
|
notes
|
| 8177. |
04/27/85 |
Flac 24/48 - 0,
78681 |
Palo Alto |
Frost Amphitheatre flac24; DVD-AUDIO 24/48 SBD+AUD Matrix Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584
|
notes
|
| 8178. |
04/27/85 |
Flac 16 - 0,
102035 |
Palo Alto |
Frost Amphitheatre flac16; Taper: Greg Holtz Source: Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5; Transfer: (By JAZ) Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8
|
notes
|
| 8179. |
04/27/85 |
Flac 16 - 0,
99835 |
Palo Alto |
Frost Amphitheatre flac16; Nakamichi 700's > d6 > MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit + > 16/44.1 Wave > Flac
|
notes
|
| 8180. |
04/27/85 |
Shn - 0,
17265 |
Palo Alto |
Frost Amphitheatre Source: SBD > MC > DAT > CDR > EAC > mkwACT Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic.
|
notes
|
| 8181. |
04/27/85 |
Shn - 0,
20683 |
Palo Alto |
Frost Amphitheatre Pitch-corrected version of shnid=17265.
|
notes
|
| 8182. |
04/27/85 |
Flac 16 - 0,
32648 |
Palo Alto |
Frost Amphitheatre flac16; MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)] Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 3/10 & 11/2006.
|
notes
|
| 8183. |
04/27/85 |
Flac Dts 5.1 - 0,
78437 |
Palo Alto |
Frost Amphitheatre DTS Audio 5.1; 3 source DTS-Audio-CD 5.1 Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584
|
notes
|
| 8184. |
04/27/85 |
Flac 24/96 - 0,
143491 |
Palo Alto |
Frost Amphitheatre flac24; Set 2, Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k
|
notes
|
| 8185. |
04/27/85 |
Flac 16 - 0,
76584 |
Palo Alto |
Frost Amphitheatre flac16; Source: MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s. Recorded by B.Koucky. Transfer: MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9
|
notes
|
| 8186. |
04/27/85 |
Flac 24 - 0,
124981 |
Palo Alto |
Frost Amphitheatre flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 32648. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 8187. |
04/27/85 |
Flac 16 - 0,
145335 |
Palo Alto |
Frost Amphitheatre flac16; Set 2, Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k); This file set is 16 bit @ 44.1
|
notes
|
| 8188. |
04/27/85 |
Shn - 0,
359 |
Palo Alto |
Frost Amphitheatre SBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim; no known flaws
|
notes
|
| 8189. |
04/27/85 |
Flac 24/96 - 0,
148416 |
Palo Alto |
Frost Amphitheatre flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8190. |
04/27/85 |
Flac 16/48 - 0,
148415 |
Palo Alto |
Frost Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8191. |
04/27/85 |
Flac 24/48 - 0,
148527 |
Palo Alto |
Frost Amphitheatre flac24; 5.1 LPCM Surround Sound (48k) - Original 5.1 DVD-A (78681) DVD-AUDIO 24/48 SBD+AUD Matrix Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584 - extraction/flac/tagging by Kevin Tobin
|
notes
|
| 8192. |
04/27/85 |
Flac 24/96 - 0,
151703 |
Palo Alto |
Frost Amphitheatre flac24/96khz Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB, OTS, MSWS till end of show. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96 Recording by Craig Rogers. Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel. January 20, 2021
|
notes
|
| 8193. |
04/27/85 |
Flac 24/96 - 0,
152284 |
Palo Alto |
Frost Amphitheatre flac24/96 Source Info: Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 8194. |
04/27/85 |
Flac 16/48 - 0,
153383 |
Palo Alto |
Frost Amphitheatre flac16/48 Source Info: Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 8195. |
04/27/85 |
Flac 24/96 - 0,
151970 |
Palo Alto |
Frost Amphitheatre flac24/96 This is a fix of shnid 151703. Channels were reversed on the other release. Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by Craig Rogers. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel.January 20, 2021.
|
notes
|
| 8196. |
04/27/85 |
Flac 16 - 0,
151947 |
Palo Alto |
Frost Amphitheatre Source: AKG CE1s (ORTF) > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip, Phil's side, Set I & Set II through GDTRFB; OTS, MSWS till end of show Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96 Recording by Craig Rogers
|
notes
|
| 8197. |
04/27/85 |
Flac 24/96 - ,
148348 |
Palo Alto |
Frost Amphitheatre Source: Analog Audience maxell mx 90's 3 tapes Namakamichi CM 700 Mics and Custom ps/preamp mixer - > modified dbx 224 (mod'd to run from battery pack) - > Sony TC D5M (dbx encoded) Analog Sound Peservation: Nakamichi CR7a - > dbx nx40 (dbx decoded) - > Audio Technica mixer/line amplifier - > Korg MR 2000 at 1 bit 5.6 MHz - > Audiogate software to create 24-96 files
|
notes
|
| 8198. |
04/28/85 |
Flac 16 - 0,
28439 |
Palo Alto |
Frost Amphitheatre flac16 **NEW UPGRADE** Source Updated CD Burner changed Recording Info: SBD -> Cassette Master -> Cassette -> CD (Marantz CDR 500 Pro) Transfer Info: CD -> EAC -> Samplitude Professional v8.0 -> FLAC Transferred and Edited By Charlie Miller
|
notes
|
| 8199. |
04/28/85 |
Flac 16 - 0,
102036 |
Palo Alto |
Frost Amphitheatre flac16; Taper: Greg Holtz Source: Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5; Transfer: (By JAZ) Cassette Master, TDK MA-R90 Alluminum Core -> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD-> R8brain for sample rate conversion to 16bit 44.1kHz -> Traders Little Helper flac8
|
notes
|
| 8200. |
04/28/85 |
Flac 16 - 0,
124404 |
Palo Alto |
Frost Amphitheatre flac16; Recording Info: (FOB) Nakamichi 700 -> Cassette Master (Sony TC-D5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By: Bob Wagner; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8201. |
04/28/85 |
Flac 16 - 0,
77406 |
Palo Alto |
Frost Amphitheatre flac16; source: Soundboard > DAT > DAT > CD > wav > shn > wav > flac patch source : SBD -> Cassette Master -> Cassette -> CD (Tascam CDRW5000) see text file for details
|
notes
|
| 8202. |
04/28/85 |
Flac 16 - 0,
105549 |
Palo Alto |
Frost Amphitheatre flac16; Source: Audience > Nakamichi 700's > Sony WM-D6 > mac Lineage: mac > Nakamichi DR-1 > Tascam HD-P2 > 24/96 wave > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 Wave > CD Wave > Flac 16
|
notes
|
| 8203. |
04/28/85 |
Flac 16 - 0,
28357 |
Palo Alto |
Frost Amphitheatre flac16; SBD> Cassette Master> Dat (48k)?; Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
|
notes
|
| 8204. |
04/28/85 |
Flac 24 - 0,
140826 |
Palo Alto |
Frost Amphitheatre flac24; Recording Info: Bob Wagner's Master FOB Audience Cassettes; Nakamichi CM700 mics > Sony TC-D5M (Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000(DSF 1-bit/5.8 MHz) > dBpoweramp (flac 24-bit/96k) > Adobe Audition 3 > TLH flac2496
|
notes
|
| 8205. |
04/28/85 |
Flac 16 - 0,
140825 |
Palo Alto |
Frost Amphitheatre flac16; Recording Info: Bob Wagner's Master FOB Audience Cassettes; Nakamichi CM700 mics > Sony TC-D5M (Maxell XLII-S90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000(DSF 1-bit/5.8 MHz) > dBpoweramp (flac 24-bit/96k) > Adobe Audition 3 24/96 > TLH flac2496; 24 bit > 16 bit via dBpoweramp
|
notes
|
| 8206. |
04/28/85 |
Flac 24/96 - 0,
143492 |
Palo Alto |
Frost Amphitheatre flac24; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k)
|
notes
|
| 8207. |
04/28/85 |
Shn - 0,
33505 |
Palo Alto |
Frost Amphitheatre MAC: (FOB) Sennheiser 421's > Sony D5 > Maxell XLII-S 90 (Set I) & TDK MA-R [aluminum core (Set II)]; Tapers: Adam, Justin & Monica; Master Cassettes provided by Mark McCue; Transfer, editing, conversion and seeding to bt.etree.org by Alex Ford.
|
notes
|
| 8208. |
04/28/85 |
Flac 24 - 0,
125010 |
Palo Alto |
Frost Amphitheatre flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 33505. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 8209. |
04/28/85 |
Flac 16 - 0,
145342 |
Palo Alto |
Frost Amphitheatre flac16; Walt Keeler (FOB) Recording: Sony ECM-150 > Sony WM-D6C > Master Audience Cassette (Maxell XLII-S 90); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > WAV (24-bit/96k); This file set is 16 bit @ 44.1
|
notes
|
| 8210. |
04/28/85 |
Shn - 0,
14192 |
Palo Alto |
Frost Amphitheatre Master Soundboard Reel > DAT > CD; Seeded to etree by Steve Barbella
|
notes
|
| 8211. |
04/28/85 |
Flac 24/96 - 0,
148418 |
Palo Alto |
Frost Amphitheatre flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8212. |
04/28/85 |
Flac 16/48 - 0,
148417 |
Palo Alto |
Frost Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8213. |
04/28/85 |
Flac 24/96 - 0,
151704 |
Palo Alto |
Frost Amphitheatre flac24/96khz Source: AKG CE1s > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip (Phil's side) Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96 Recording by KM & Craig Rogers. Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel. January 21, 2021.
|
notes
|
| 8214. |
04/28/85 |
Flac 24/96 - 0,
152303 |
Palo Alto |
Frost Amphitheatre flac24/96 Source Info: Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 8215. |
04/28/85 |
Flac 16/48 - 0,
152302 |
Palo Alto |
Frost Amphitheatre flac16/48 Source Info: Dan Healy's Master Soundboard Cassettes > Joani Walker's 1st generation cassettes Transfer Info: 1st Generation Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 8216. |
04/28/85 |
Flac 24/96 - 0,
151971 |
Palo Alto |
Frost Amphitheatre flac24/96 This is a fix of shnid 151704. Channels were reversed on the original release. Source: AKG CE1s > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip (Phil's side) Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by KM & Craig Rogers. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. January 21, 2021.
|
notes
|
| 8217. |
04/28/85 |
Flac 16 - 0,
151948 |
Palo Alto |
Frost Amphitheatre Source: AKG CE1s > Uher CR240 > Master Cassettes Location: Mouth, ten heads back from stage lip (Phil's side) Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96 Recording by KM & Craig Rogers
|
notes
|
| 8218. |
06/14/85 |
Flac 16 - 0,
117028 |
Berkeley |
Greek Theatre, U. Of California flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN; Transfer Info: SHN -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8219. |
06/14/85 |
Flac 16 Mtx - 0,
85831 |
Berkeley |
Greek Theatre, U. Of California flac16; Sick Bits Vol. 22a - SBD/AUD matrix of 3 previously circulating sources: SBD (shnid=13747) + Oade AUD (shnid=24451). Another AUD (shnid=32867) was used to patch crowd and tunings. Matrixed by Chris Chappell.
|
notes
|
| 8220. |
06/14/85 |
Flac 16 - 0,
130924 |
Berkeley |
Greek Theatre, U. Of California flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 08/2014
|
notes
|
| 8221. |
06/14/85 |
Flac 16 - 0,
132923 |
Berkeley |
Greek Theatre, U. Of California flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dan McDonald; All editing and sound alteration done with Diamond Cut Forensics 8.5. The recording sounded distant. I used a 30-band equalizer and Punch & Crunch effect to give it more presence
|
notes
|
| 8222. |
06/14/85 |
Flac 16 - 0,
97221 |
Berkeley |
Greek Theatre, U. Of California flac16; Source: Aud Recording Lineage: 3 Nak 700's (L & R Cardioids, Center Omni - 3 DB Low Pass filter)> -15 db pads> 3 mic mixer Preamp> Patchbay> Sony D6> MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs (Cambridge EQ, Precisions Buss Compressor, Precision Limiter) > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )
|
notes
|
| 8223. |
06/14/85 |
Shn - 0,
4978 |
Berkeley |
Greek Theatre, U. Of California Schoeps cmc42S (spread around 8') > Oade M118 prototype "b" > Oade Modified PCM-F1 > DATx2 (44.1khz) Recorded by Doug Oade, Taper's Section; Transfer: Sony D7> Sonic Sense Modified Sony 7 Pin Coax > Zoltrix Nightingale > CDWAV > SHN; DAT>SHN conversion and seeding by Darrin Sacks
|
notes
|
| 8224. |
06/14/85 |
Flac 16 - 0,
135615 |
Berkeley |
Greek Theatre, U. Of California flac16; Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8225. |
06/14/85 |
Flac 16/48 - 0,
135656 |
Berkeley |
Greek Theatre, U. Of California flac16/48kHz; Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8226. |
06/14/85 |
Shn - 0,
13747 |
Berkeley |
Greek Theatre, U. Of California Updated Source: SBD > Cassette DAT > CDR/? Conversion: CDR > EAC (read offset correct) > CDWave > CoolEditPro > mkwACT > SHN (seekable) by Randy Carman rcarman@cogeco.ca
|
notes
|
| 8227. |
06/14/85 |
Flac 16 - 0,
105542 |
Berkeley |
Greek Theatre, U. Of California flac16; Recording Info:Sony ECM-220T -> Cassette Master (Sony TC-D5M/TDK MA90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8228. |
06/14/85 |
Flac 24/96 - 0,
140888 |
Berkeley |
Greek Theatre, U. Of California flac24; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96;Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 8229. |
06/14/85 |
Flac 16 - 0,
141238 |
Berkeley |
Greek Theatre, U. Of California flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96;Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 8230. |
06/14/85 |
Flac 24 - 0,
126336 |
Berkeley |
Greek Theatre, U. Of California flac24; Taper: Danny Thompson; Editing: Joe D'Amico; AKG Se-5 Preis Mics W/ Ce-1 Caps > Uher Cr 240 Was 1st Deck > 2nd Deck Uher Cr 160; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper
|
notes
|
| 8231. |
06/14/85 |
Flac 16 - 0,
126338 |
Berkeley |
Greek Theatre, U. Of California flac16; Taper: Danny Thompson; Editing: Joe D'Amico; AKG Se-5 Preis Mics W/ Ce-1 Caps > Uher Cr 240 Was 1st Deck > 2nd Deck Uher Cr 160; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper
|
notes
|
| 8232. |
06/14/85 |
Flac 16 - 0,
111797 |
Berkeley |
Greek Theatre, U. Of California flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 8233. |
06/14/85 |
Shn - 0,
32867 |
Berkeley |
Greek Theatre, U. Of California Sennheiser 441's > Sony D5 > Sony D5 > Cassettes Tapers: Adam,Justin & Monica Mark McCue Master 1st deck out Conversion, minor editing, and seeding to bt.etree.org by Alex Ford.
|
notes
|
| 8234. |
06/14/85 |
Flac - 0,
24451 |
Berkeley |
Greek Theatre, U. Of California Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc42S (spread around 8') > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
|
notes
|
| 8235. |
06/14/85 |
Flac 24/48 - 0,
130923 |
Berkeley |
Greek Theatre, U. Of California flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 08/2014
|
notes
|
| 8236. |
06/14/85 |
Flac 16/48 - 0,
145329 |
Berkeley |
Greek Theatre, U. Of California flac16/48kHz; Set 2 Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; Patch info: shnid 117028 (SBD -> Cassette Master -> Dat -> CD -> EAC -> SHN); the patch was created with Audacity by Joe Noel
|
notes
|
| 8237. |
06/14/85 |
Flac 16/48 - 0,
145575 |
Berkeley |
Greek Theatre, U. Of California flac16/48kHz; Recording Info: SBD -> Cassette Master (Dolby B) -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Adobe Audition CC 2015 -> Samplitude Professional v11.2.1 -> FLAC/48k; Edited & patched with Audacity by Joe Noel
|
notes
|
| 8238. |
06/14/85 |
Flac 24/96 - 0,
148769 |
Berkeley |
Greek Theatre, U. Of California flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(12 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8239. |
06/14/85 |
Flac 16/48 - 0,
148768 |
Berkeley |
Greek Theatre, U. Of California flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(12 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8240. |
06/14/85 |
Flac 24/48 - ,
152641 |
Berkeley |
Greek Theatre, U. Of California flac24/48 Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high. Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq & software dolby B decode using Nuendo & DDI Codec. Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel January 26, 2021
|
notes
|
| 8241. |
06/14/85 |
Flac 16/48 - ,
152788 |
Berkeley |
Greek Theatre, U. Of California This Is 1648 Version Of Shnid 152641 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (maxell Mx90s, Dolby B On) Location: Taper Section; Stand 6 To 7 Feet High. Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby> Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq & Software Dolby B Decode Using Nuendo & Ddi Codec. Recorded, Transferred & Mastered By Anon Edited & Add'l Mastering In Adobe Audition By Joe Noel January 26, 2021
|
notes
|
| 8242. |
06/15/85 |
Flac 16 - 0,
96317 |
Berkeley |
Greek Theatre, U. Of California flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 ->FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8243. |
06/15/85 |
Flac 16 Mtx - 0,
85832 |
Berkeley |
Greek Theatre, U. Of California flac16; Sick Bits Vol. 22b - SBD/AUD matrix of 3 previously circulating sources: set 1 SBD (shnid=5682) and set 2 SBD (shnid=28449) + Oade AUD (shnid=24586). Matrixed by Chris Chappell.
|
notes
|
| 8244. |
06/15/85 |
Flac e - 0,
24586 |
Berkeley |
Greek Theatre, U. Of California Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
|
notes
|
| 8245. |
06/15/85 |
Flac - 0,
28449 |
Berkeley |
Greek Theatre, U. Of California flac16; *Set 2 Only* Soundboard->Vault PCM->PCM Clone->Sonic Solutions->Master CD. Master CD->EAC->FLAC. EAC, Re-track, and FLAC by Joe Samaritano
|
notes
|
| 8246. |
06/15/85 |
Flac 16 - 0,
97497 |
Berkeley |
Greek Theatre, U. Of California flac16; Source: Aud FOB Recording Lineage: 2 Nak 700's > Pre > Sony D6> MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )
|
notes
|
| 8247. |
06/15/85 |
Shn - 0,
5682 |
Berkeley |
Greek Theatre, U. Of California SBD> ?> CD-R> EAC> CDWAV retrack> SHN; via Randy Griesman
|
notes
|
| 8248. |
06/15/85 |
Flac 16 - 0,
97125 |
Berkeley |
Greek Theatre, U. Of California flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > JVC ME-90P Metal tape, with no Dolby. Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. January 2009.
|
notes
|
| 8249. |
06/15/85 |
Shn - 0,
34302 |
Berkeley |
Greek Theatre, U. Of California Fix of shnid 5682 by Bill Tetzeli - see info file for details
|
notes
|
| 8250. |
06/15/85 |
Shn - 0,
20878 |
Berkeley |
Greek Theatre, U. Of California SBD of unknown lineage, patched with AUD (see notes in text file) via Peter Etter
|
notes
|
| 8251. |
06/15/85 |
Flac 16 - 0,
140073 |
Berkeley |
Greek Theatre, U. Of California b>flac16; Set 2 Recording Info: Master Soundboard PCM > PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM 601ESD> Behringer Ultramatch Pro> Sound Devices 744T (16-bit/44.1k)> Adobe Audition 3.0> TLH flac16
|
notes
|
| 8252. |
06/15/85 |
Flac 24/96 - 0,
140889 |
Berkeley |
Greek Theatre, U. Of California flac24 Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 8253. |
06/15/85 |
Flac 16 - 0,
141239 |
Berkeley |
Greek Theatre, U. Of California flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 8254. |
06/15/85 |
Flac 16 - 0,
33338 |
Berkeley |
Greek Theatre, U. Of California flac16; Sennheiser 441's > Sony D5 > Sony D5 > Master Cassettes; Tapers: Adam,Justin & Monica Mark McCue Master 1st deck out; Transfer by Mark McCue; Conversion, edits, retracking, seeding to bt.etree.org by Alex Ford
|
notes
|
| 8255. |
06/15/85 |
Shn - 0,
7086 |
Berkeley |
Greek Theatre, U. Of California Oade PCM-AUD -- Schoeps MK41 (90 deg -- Tapers' Section) -> CMC4 -> Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT; Recorded by Doug Oade; Transfer: (Set I: 48K DAT; Set II: 44.1k DAT, from Doug Oade) Sony PCM-M1 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> Cooledit 2k (sample rate conversion) -> CDWAV -> SHN; DAT>SHN conversion and seeding by Darrin Sacks
|
notes
|
| 8256. |
06/15/85 |
Flac 16 - 0,
112725 |
Berkeley |
Greek Theatre, U. Of California b>flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 8257. |
06/15/85 |
Flac 24/96 - 0,
97124 |
Berkeley |
Greek Theatre, U. Of California flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > JVC ME-90P Metal tape, with no Dolby. Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009.
|
notes
|
| 8258. |
06/15/85 |
Flac - 0,
24586 |
Berkeley |
Greek Theatre, U. Of California Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
|
notes
|
| 8259. |
06/15/85 |
Flac 24/96 - 0,
148771 |
Berkeley |
Greek Theatre, U. Of California flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(13 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8260. |
06/15/85 |
Flac 16/48 - 0,
148770 |
Berkeley |
Greek Theatre, U. Of California flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(13 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8261. |
06/15/85 |
Flac 24/96 - 0,
152254 |
Berkeley |
Greek Theatre, U. Of California Flac 2496 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 8262. |
06/15/85 |
Flac 16/44,1 - 0,
152520 |
Berkeley |
Greek Theatre, U. Of California flac16/44.1 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152254 24 -> 16 @ 44.1
|
notes
|
| 8263. |
06/15/85 |
Flac 24/48 - ,
152642 |
Berkeley |
Greek Theatre, U. Of California flac24/48 Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high. Transfer: Master Cassette > Nakamichi CR7a playback with no dolby > Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec. Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021
|
notes
|
| 8264. |
06/15/85 |
Flac 16/48 - ,
152789 |
Berkeley |
Greek Theatre, U. Of California This Is 1648 Version Of Shnid 152642 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (maxell Mx90s, Dolby B On) Location: Taper Section; Stand 6 To 7 Feet High. Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby > Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq And Software Dolby B Decode Using Nuendo And Ddicodec. Recorded, Transferred & Mastered By Anon Edited & Add'l Mastering In Adobe Audition By Joe Noel February 17, 2021
|
notes
|
| 8265. |
06/15/85 |
Flac 16/48 - ,
154489 |
Berkeley |
Greek Theatre, U. Of California flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 152254) ecording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 24586) Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac - surround mixing by Kevin Tobin
|
notes
|
| 8266. |
06/15/85 |
Flac 16 Dts 5.1 - ,
154488 |
Berkeley |
Greek Theatre, U. Of California DTS-Audio-CD 5.1 Mix; - SBD (shnid = 152254) ecording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 24586) Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac - dts mixing by Kevin Tobin
|
notes
|
| 8267. |
06/15/85 |
Flac 16 Mtx - ,
154458 |
Berkeley |
Greek Theatre, U. Of California flac16; Matrix 2 Source Mix - SBD (shnid = 152254) ecording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 24586) Recorded by the Oade Brothers; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net); Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac - matrix mixing by Kevin Tobin
|
notes
|
| 8268. |
06/16/85 |
Flac 16 Mtx - 0,
85833 |
Berkeley |
Greek Theater, U. of California flac16; Sick Bits Vol. 22c - SBD/AUD matrix of 2 previously circulating sources: SBD (shnid=79021) + Oade AUD (shnid=24611). Matrixed by Chris Chappell.
|
notes
|
| 8269. |
06/16/85 |
Flac 16 - 0,
105876 |
Berkeley |
Greek Theater, U. of California flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8270. |
06/16/85 |
Flac 16 - 0,
24511 |
Berkeley |
Greek Theater, U. of California flac16; Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1, Recorded by Oade Brothers; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac, Transferred by Doug Oade, freshly tracked by Darrin Sacks
|
notes
|
| 8271. |
06/16/85 |
Flac 16 - 0,
79021 |
Berkeley |
Greek Theater, U. of California flac16; Recording Info: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC
|
notes
|
| 8272. |
06/16/85 |
Flac 16 - 0,
97499 |
Berkeley |
Greek Theater, U. of California flac16; Source: Aud FOB Recording Lineage: 2 Nak 700's > Pre > Sony D6> MAC (Dolby B ) > Nakamichhi ZX-7 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )
|
notes
|
| 8273. |
06/16/85 |
Shn - 0,
9218 |
Berkeley |
Greek Theater, U. of California Oade PCM-AUD Schoeps MK41 (90deg spaced spaced 17 cm- aka DIN variant, Tapers' Section)> CMC4> Oade M118 prototype b> Oade Modified PCM-F1> DAT (x3?) (48khz); Recorded by Doug Oade: Transfer: Sony PCM-M1> Sonic Sense Modified Sony 7 Pin Coax> Zoltrix Nightingale (coax Mod)> Cooledit 2k (sample rate conversion)> CDWAV> SHN; Note: There are two circulating transcriptions seeded by Darrin Sacks, this seed is from the 48kHz DAT source; see alternate seed; also to abgd via Charlie Connor
|
notes
|
| 8274. |
06/16/85 |
Shn - 0,
26080 |
Berkeley |
Greek Theater, U. of California SBD > Reel Master [?- see pub comments] > DATs; Transfer, by jbraveman: DAT 60ES > M-Audio Audiophile USB > CDWAV > Goldwave (normalization and minor edits) > CDWAV > mkwACT
|
notes
|
| 8275. |
06/16/85 |
Flac 16 - 0,
105543 |
Berkeley |
Greek Theater, U. of California flac16; Recording Info:AKG Mics -> Cassette Master (Sony TC-D5M/TDK MA90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8276. |
06/16/85 |
Flac 16 - 0,
127488 |
Berkeley |
Greek Theater, U. of California flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Maxell MX-90s, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. 03/2014
|
notes
|
| 8277. |
06/16/85 |
Flac 24/96 - 0,
140857 |
Berkeley |
Greek Theater, U. of California flac24; Source: Unknown mics > cassette master (Sony WM-D6) - Taped By Robert Bryant; Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited amd mastered SIRMick January 2018
|
notes
|
| 8278. |
06/16/85 |
Flac 16 - 0,
140862 |
Berkeley |
Greek Theater, U. of California flac16; Source: Unknown mics > cassette master (Sony WM-D6) - Taped By Robert Bryant; Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited amd mastered SIRMick January 2018
|
notes
|
| 8279. |
06/16/85 |
Shn - 0,
33669 |
Berkeley |
Greek Theater, U. of California (FOB) 2 Sennheiser 441's > Sony D5 > Master Cassettes Tapers: Adam, Justin and Monica Mark McCue Master Transferred by Mark McCue, conversion and seeding to bt.etree.org by Alex Ford
|
notes
|
| 8280. |
06/16/85 |
Shn - 0,
7087 |
Berkeley |
Greek Theater, U. of California Oade PCM-AUD Schoeps MK41 (90deg spaced spaced 17 cm- aka DIN variant, Tapers' Section)> CMC4> Oade M118 prototype b> Oade Modified PCM-F1> DAT (x1?) (44.1khz); Recorded by Doug Oade; Transfer: Sony d7> Sonic Sense Modified Sony 7 Pin Coax> Zoltrix Nightingale (coax Mod)> CDWAV (no sample Rate Conversion Performed); DAT>SHN conversion and seeding by Darrin Sacks; There are two circulating transcriptions seeded by Darrin Sacks, this seed is from the 44.1kHz DAT source; see alternate seed
|
notes
|
| 8281. |
06/16/85 |
Flac 24/48 - 0,
127487 |
Berkeley |
Greek Theater, U. of California b>flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Maxell MX-90s, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448. Taped and transferred by Andrew F. 03/2014
|
notes
|
| 8282. |
06/16/85 |
Shn - 0,
970 |
Berkeley |
Greek Theater, U. of California SBD> MVHS> DAT> CD-R; via Dave Barrick?; note there is an alternate 3 CD version
|
notes
|
| 8283. |
06/16/85 |
Flac 24/96 - 0,
148773 |
Berkeley |
Greek Theater, U. of California flac24; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(11 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8284. |
06/16/85 |
Flac 16/48 - 0,
148772 |
Berkeley |
Greek Theater, U. of California flac16/48kHz; Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics (135 degrees, x/y pattern, mounted on pole 7' high)(11 rows up from walkway, behind soundboard) > Sony D5; Transfer Info: Master Cassettes (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8285. |
06/16/85 |
Flac 24/96 - 0,
150523 |
Berkeley |
Greek Theater, U. of California flac24; (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. July 18, 2020
|
notes
|
| 8286. |
06/16/85 |
Flac 24/96 - 0,
152304 |
Berkeley |
Greek Theater, U. of California flac24/96 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 8287. |
06/16/85 |
Flac 16/44,1 - 0,
152521 |
Berkeley |
Greek Theater, U. of California flac16/44.1 Recording Info: SBD > Cassette Master (Nakamichi 550/Maxell XLII-S90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152304 24 -> 16 @ 44.1
|
notes
|
| 8288. |
06/16/85 |
Flac 24/48 - ,
152643 |
Berkeley |
Greek Theater, U. of California flac24/48 Source: Nakamichi 300 shotguns > Sony TC-D5M > Master Cassette (Maxell MX90s, Dolby B On) Location: Taper section; stand 6 to 7 feet high. Transfer: Master Cassette > Nakamichi CR7a playback with no dolby> Korg mr2000 (1 bit, 5.6 Mhz). Render from 1 bit to 24 48 wave file using AudioGate. Pre dolby nr decode eq and software dolby B decode using Nuendo and DDICodec. Recorded, Transferred & Mastered by Anon Edited & add'l Mastering in Adobe Audition by Joe Noel February 17, 2021
|
notes
|
| 8289. |
06/16/85 |
Flac 16/48 - ,
152790 |
Berkeley |
Greek Theater, U. of California This Is 1648 Version Of Shnid 15263 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (maxell Mx90s, Dolby B On) Location: Taper Section; Stand 6 To 7 Feet High. Transfer: Master Cassette > Nakamichi Cr7a Playback With No Dolby> Korg Mr2000 (1 Bit,mhz). Render From 1 Bit To 24 48 Wave File Using Audiogate. Pre Dolby Nr Decode Eq And Software Dolby B Decode Using Nuendo And Ddicodec. Recorded, Transferred & Mastered By Anon Edited & Add'l Mastering In Adobe Audition By Joe Noel February 17, 2021
|
notes
|
| 8290. |
06/21/85 |
Flac 16 Mtx - 0,
108266 |
East Troy |
Alpine Valley Music Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 8291. |
06/21/85 |
Shn - 0,
11492 |
East Troy |
Alpine Valley Music Theatre Master Soundboard Cassette > DAT > CDR; via Jack Straw; Seeded to etree by steve barbella
|
notes
|
| 8292. |
06/21/85 |
Flac 16 - 0,
86472 |
East Troy |
Alpine Valley Music Theatre flac16; MAC; 2 Nakamichi 100s > Sony D5 > 2 Maxell MX 90s Taped by Greg Holtz Transfer: MAC > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L3 UltraMaximizer > WAV @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Master Audience Cassettes provided by Greg Holtz. Transfer, edits, conversion and seeding by Alex Ford July 2007.
|
notes
|
| 8293. |
06/21/85 |
Flac 24/96 - 0,
133591 |
East Troy |
Alpine Valley Music Theatre flac24; Field: 2x Nakamichi CM100 mics with CP-4 shotgun capsules > Sony TS-D5M analog cassette recorder > Maxell MX-90 cassette tapes; Transfer: MAC > Tascam 112 analog tape deck > Edirol UA-5 USB Audio Interface > 2496 WAVs > Audacity > Trader's Little Helper > FLAC 24/96
|
notes
|
| 8294. |
06/21/85 |
Flac 16 - 0,
120969 |
East Troy |
Alpine Valley Music Theatre flac16; Set 2 Source: Very Low Gen SBD set 2 >NakCR-3A>Sony PCM M-10@24/44.1 M-10>Soundforge9.0>CDWave>TLH
|
notes
|
| 8295. |
06/21/85 |
Flac 24/96 - 0,
141292 |
East Troy |
Alpine Valley Music Theatre flac24; Source: Unknown mics > Sony WM-D6 > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018
|
notes
|
| 8296. |
06/21/85 |
Flac 16 - 0,
145363 |
East Troy |
Alpine Valley Music Theatre flac16; Source: Unknown mics > Sony WM-D6 > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick March 2018; This file set is 16 bit @ 44.1
|
notes
|
| 8297. |
06/21/85 |
Flac 16 - 0,
117822 |
East Troy |
Alpine Valley Music Theatre flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 8298. |
06/21/85 |
Flac 24/96 - ,
154486 |
East Troy |
Alpine Valley Music Theatre flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8299. |
06/21/85 |
Flac 16/48 - ,
154485 |
East Troy |
Alpine Valley Music Theatre flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8300. |
06/22/85 |
Flac 16 Mtx - 0,
109561 |
East Troy |
Alpine Valley Music Theatre flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 8301. |
06/22/85 |
Flac 16 - 0,
123586 |
East Troy |
Alpine Valley Music Theatre flac16; Recording Info: SBD -> Cassette Master -> PCM -> Dat (44.1k); Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8302. |
06/22/85 |
Flac 16 - 0,
86805 |
East Troy |
Alpine Valley Music Theatre flac16; (MAC) 4 Nakamichi 100s (2 for each channel) > Sony D5 > 2 Maxell MX90s Taper: Greg Holtz Transfer: MAC > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3(@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L3 UltraMaximizer > WAV @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Transfer, edits, conversion & seeding by Alex Ford August 2007.
|
notes
|
| 8303. |
06/22/85 |
Flac 24/96 - 0,
133603 |
East Troy |
Alpine Valley Music Theatre flac24; Field: 4x Nakamichi CM100 mics with CP-4 shotgun capsules front row OTS > Niles Audio Mixer > Sony TS-D5M analog cassette recorder > Maxell MX-90 cassette tapes; Transfer: MAC > Tascam 112 analog tape deck > Edirol UA-5 USB Audio Interface > 2496 WAVs > Audacity > Trader's Little Helper > FLAC 24/96
|
notes
|
| 8304. |
06/22/85 |
Shn - 0,
2665 |
East Troy |
Alpine Valley Music Theatre SBD> ?> CD; Seeded by Andy Greider; Extracted & Shortened by Jim Keith; note cut in space (see pub comment)
|
notes
|
| 8305. |
06/22/85 |
Shn - 0,
13478 |
East Troy |
Alpine Valley Music Theatre SBD > (poss cass gen)? > PCM > DAT @ 44.1 (pre-emphasis on); Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5 > pre-emphasis removed (see notes) > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig; via Bill Gardner, Ghost to etree
|
notes
|
| 8306. |
06/22/85 |
Flac 16 - 0,
117823 |
East Troy |
Alpine Valley Music Theatre flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 8307. |
06/22/85 |
Flac 24/48 - ,
152621 |
East Troy |
Alpine Valley Music Theatre flac24/48 Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel? Transfer by: Kyle Holbrook First AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8308. |
06/22/85 |
Flac 16/44,1 - ,
152620 |
East Troy |
Alpine Valley Music Theatre flac16/44.1 Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel? Transfer by: Kyle Holbrook First AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8309. |
06/22/85 |
Flac 16/48 - ,
154531 |
East Troy |
Alpine Valley Music Theatre flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8310. |
06/22/85 |
Flac 24/96 - ,
154532 |
East Troy |
Alpine Valley Music Theatre flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8311. |
06/24/85 |
Flac 16 Mtx - 0,
94663 |
Cincinnati |
River Bend Music Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 8312. |
06/24/85 |
Shn - 0,
25315 |
Cincinnati |
River Bend Music Center SBD > Cassette Master > PCM > DAT > CD; Transfer: CD > EAC > Cool Edit Pro v2.0 > Samplitude v7.02 Professional > SHN; Transferred and Edited By Charlie Miller; note flaw fix in d3t4 reflected in fixed md5 (see pub comments)
|
notes
|
| 8313. |
06/24/85 |
Shn - 0,
2274 |
Cincinnati |
River Bend Music Center fixed version of previous shn set, to boost Samson>He's Gone; via Patrick Murphy; hosted at gdlive.com
|
notes
|
| 8314. |
06/24/85 |
Shn - 0,
8198 |
Cincinnati |
River Bend Music Center Sbd > Cm > Dat x 3 > Cdr; NR applied with Cool edit; via Bob harrell; upgrade in circulation
|
notes
|
| 8315. |
06/24/85 |
Flac Mtx - 0,
32310 |
Cincinnati |
River Bend Music Center SBD/AUD Matrix by Timothy Pytlik
|
notes
|
| 8316. |
06/24/85 |
Flac 24/96 - 0,
140890 |
Cincinnati |
River Bend Music Center flac24; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 8317. |
06/24/85 |
Flac 16 - 0,
141240 |
Cincinnati |
River Bend Music Center flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 8318. |
06/24/85 |
Shn - 0,
360 |
Cincinnati |
River Bend Music Center Nak 300 > D5 > CM > CDR; via Chris Vinci, Mike Lai; Some left channel dropouts at beginning of USB
|
notes
|
| 8319. |
06/24/85 |
Flac - 0,
24662 |
Cincinnati |
River Bend Music Center Set II Only; Recorded by Jim Oade Transferred by Doug Oade, tracked by Darrin Sacks; Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
|
notes
|
| 8320. |
06/24/85 |
Flac 16 - 0,
118986 |
Cincinnati |
River Bend Music Center flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 8321. |
06/24/85 |
Flac 24/48 - ,
152623 |
Cincinnati |
River Bend Music Center flac24/48 Microphones: AKG C422|AKG S42 XY 90º Cardioid see *** Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba Transfer by: Kyle Holbrook Second AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8322. |
06/24/85 |
Flac 16/44,1 - ,
152622 |
Cincinnati |
River Bend Music Center flac16/44.1 Microphones: AKG C422|AKG S42 XY 90º Cardioid see *** Recorder: Sony TC-D5M [mic master] Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Gary Steel?, Eddie Wahba Transfer by: Kyle Holbrook Second AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8323. |
06/24/85 |
Flac 24/96 - ,
154534 |
Cincinnati |
River Bend Music Center flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8324. |
06/24/85 |
Flac 16/48 - ,
154533 |
Cincinnati |
River Bend Music Center flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8325. |
06/25/85 |
Flac 16 Mtx - 0,
106640 |
Cuyahoga Falls |
Blossom Music Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 8326. |
06/25/85 |
Shn - 0,
18663 |
Cuyahoga Falls |
Blossom Music Center SBD -> Cm -> Dat -> Sonic Solutions -> CD -> EAC -> SHN (2 Discs Audio / 2 Discs SHN) Converted By Charlie Miller
|
notes
|
| 8327. |
06/25/85 |
Flac 16 - 0,
132561 |
Cuyahoga Falls |
Blossom Music Center flac16; Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Master PCM > DAW (via SEKD Prodif) > Wav; Recorded by the Oade Brothers; Mastered by Dan McDonald
|
notes
|
| 8328. |
06/25/85 |
Flac 16 - 0,
106739 |
Cuyahoga Falls |
Blossom Music Center flac16; OTS: Sennheiser MD441U > Sony TCD5-M > MaxeLL MX > Nakamichi CR 7A > Edirol R4Pro ( Oade Preamp Mod ) @ 24/88.2 > WaveBurner > xACT > FLAC16; Recorded, processed, and let loose by Mike Kutik
|
notes
|
| 8329. |
06/25/85 |
Shn - 0,
3049 |
Cuyahoga Falls |
Blossom Music Center SBD> Master Cassette> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.; Known Flaws: d2t01 two minor clicks during first :02 of Gimme Some Lovin'
|
notes
|
| 8330. |
06/25/85 |
Flac 24/96 - 0,
140891 |
Cuyahoga Falls |
Blossom Music Center flac24; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 8331. |
06/25/85 |
Flac 16 - 0,
141241 |
Cuyahoga Falls |
Blossom Music Center flac16; Set 1 Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 8332. |
06/25/85 |
Flac 16 - 0,
142391 |
Cuyahoga Falls |
Blossom Music Center flac16; Source Info: Master Soundboard Cassettes (dolby b) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 8333. |
06/25/85 |
Flac 16 - 0,
121562 |
Cuyahoga Falls |
Blossom Music Center flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 8334. |
06/25/85 |
Flac 24/96 - 0,
148521 |
Cuyahoga Falls |
Blossom Music Center flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8335. |
06/25/85 |
Flac 16/48 - 0,
148520 |
Cuyahoga Falls |
Blossom Music Center flac16/48kHz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8336. |
06/25/85 |
Flac 24/48 - ,
152625 |
Cuyahoga Falls |
Blossom Music Center flac24/48 Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Pavilion ~100' from stage 30' ROC (Sec 22 Row R) This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Eddie Wahba Transfer by: Kyle Holbrook Third AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8337. |
06/25/85 |
Flac 16/44,1 - ,
152624 |
Cuyahoga Falls |
Blossom Music Center flac16/44.1khz Microphones: AKG C422|AKG S42 XY 90º Cardioid Recorder: Sony TC-D5M [mic master] Location: Pavilion ~100' from stage 30' ROC (Sec 22 Row R) This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney, Eddie Wahba Transfer by: Kyle Holbrook Third AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8338. |
06/27/85 |
Flac 16 Mtx - 0,
92963 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) July 6, 2008 Speed Corrected July 20. (This source fixes the speed of the previous Seamons source.)
|
notes
|
| 8339. |
06/27/85 |
Flac 16 - 0,
27863 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; SBD> Master Cassette> PCM> Dat (unconfirmed- could be SBD> VHS> Cass> Dat> CD); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
|
notes
|
| 8340. |
06/27/85 |
Flac 16 - 0,
112499 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Field Gear: Nakamichi CM-100's w/CP-4 Shotgun Capsules > Sony D-5 > MAC; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > Trader's Little Helper > FLAC Level 8; Recorded, transferred, tracked & FLAC'd by Greg Holtz
|
notes
|
| 8341. |
06/27/85 |
Flac 16 - 0,
79382 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Source: SBD > MC > DAT(48KHz).Transfer: DAT playback on Sony PCM-R500 > unbalanced XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracked with CDWAV 1.9 > FLAC. DAT via M.Townshend. Transfer, mastering and lossless encoding by C.Ladner
|
notes
|
| 8342. |
06/27/85 |
Flac 24/88 - 0,
135270 |
Saratoga Springs |
Saratoga Performing Arts Center flac24; MAC; Sennheiser 441s > Sony TCM-D5 > TDK MA 90s; Mic info: 2 rows behind board on Jerry side, mics @ 10ft; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatic V3 (@24/88.2)> WaveLab 7.2.1> .wav @24/88.2> UAD-2(editing/mastering)> .wav @24/88.2> xAct> flac24; Taper: Mark McCue; Transfer, editing and mastering: Alex Ford
|
notes
|
| 8343. |
06/27/85 |
Flac 16 Mtx - 0,
92645 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) See info file for details
|
notes
|
| 8344. |
06/27/85 |
Flac 16 - 0,
135268 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; MAC Sennheiser 441s > Sony TCM-D5 > TDK MA 90s; Mic info: 2 rows behind board on Jerry side, mics @ 10ft; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatic V3 (@24/88.2)> WaveLab 7.2.1> .wav @24/88.2> UAD-2(editing/mastering)> .wav @24/88.2> UV22HR/Crystal Resampler> .wav @16/44.1> xAct> flac16; Taper: Mark McCue; Transfer, editing and mastering: Alex Ford
|
notes
|
| 8345. |
06/27/85 |
Shn - 0,
6104 |
Saratoga Springs |
Saratoga Performing Arts Center Amy's Soundboard VHS > Cassette > DAT> CDR; CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston
|
notes
|
| 8346. |
06/27/85 |
Flac 24/96 - 0,
141598 |
Saratoga Springs |
Saratoga Performing Arts Center flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; eited and mastered SIRMick April 2018
|
notes
|
| 8347. |
06/27/85 |
Flac 16 - 0,
121563 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Source: 2 Beyer M160 microphones > Sony TCD5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 8348. |
06/27/85 |
Shn - 0,
7006 |
Saratoga Springs |
Saratoga Performing Arts Center FOB AUD> CM (unknown mics)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT); Digital Mastering by Charlie Connor, from Painoman's Master Analog Cassettes
|
notes
|
| 8349. |
06/27/85 |
Flac 16 - 0,
79597 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *Lawn, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700
|
notes
|
| 8350. |
06/27/85 |
Shn - 0,
25000 |
Saratoga Springs |
Saratoga Performing Arts Center Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac. Recorded by Jim Oade; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net)
|
notes
|
| 8351. |
06/27/85 |
Flac 24/96 - 0,
114489 |
Saratoga Springs |
Saratoga Performing Arts Center flac24; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
|
notes
|
| 8352. |
06/27/85 |
Flac 16 - 0,
106788 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Orchestra Section 8, Row GG, Seat 122 by Bob Morris. Transfer, edits, patch by Bob Morris 11/09.
|
notes
|
| 8353. |
06/27/85 |
Flac 24/96 - 0,
126238 |
Saratoga Springs |
Saratoga Performing Arts Center flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8354. |
06/27/85 |
Flac 16 - 0,
145345 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; eited and mastered SIRMick April 2018; This file set is 16 bit @ 44.1
|
notes
|
| 8355. |
06/27/85 |
Flac 24/96 - 0,
97558 |
Saratoga Springs |
Saratoga Performing Arts Center flac24/96; Source: SBD > MC > DAT(48KHz). Transfer: Playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and digitization > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > tracked with CDWAV 1.9 > FLAC. 24/96 Stereo DVD-A rendering was also generated using Discwelder Chrome II. Transfer, mastering and DVD-Audio rendering by C.Ladner
|
notes
|
| 8356. |
06/27/85 |
Flac 24/48 - ,
152627 |
Saratoga Springs |
Saratoga Performing Arts Center flac24/48 Microphones: AKG C422|AKG S42 XY s1:60º cardioid s2: 90º cardioid [-10dB pad on] Recorder: Sony TC-D5M [mic master] Location: Lawn ~175' from stage DFC This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney Transfer by: Kyle Holbrook Fourth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8357. |
06/27/85 |
Flac 16/44,1 - ,
152626 |
Saratoga Springs |
Saratoga Performing Arts Center flac16/44.1 Microphones: AKG C422|AKG S42 XY s1:60º cardioid s2: 90º cardioid [-10dB pad on] Recorder: Sony TC-D5M [mic master] Location: Lawn ~175' from stage DFC This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney Transfer by: Kyle Holbrook Fourth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8358. |
06/27/85 |
Flac 16/48 - ,
154535 |
Saratoga Springs |
Saratoga Performing Arts Center flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8359. |
06/27/85 |
Flac 24/96 - ,
154536 |
Saratoga Springs |
Saratoga Performing Arts Center flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8360. |
06/28/85 |
Flac 16 - 0,
107066 |
Hershey |
Hershey Park Stadium flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8361. |
06/28/85 |
Flac 16 Mtx - 0,
132533 |
Hershey |
Hershey Park Stadium flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:107066) SBD -> Cassette Master -> Dat -> CD; CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; and Audience (shnid:114680) Nakamichi CM-300 (CP-4) x2 > Cassette Master; Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > flac16 by Bob Morris
|
notes
|
| 8362. |
06/28/85 |
Flac 16 - 0,
33339 |
Hershey |
Hershey Park Stadium flac16; (FOB) 2 Sennheiser 441's > Sony D5 > Master Cassettes; Taped transferred by Mark McCue; Retracking, conversion and seeding to bt.etree.org by Alex Ford
|
notes
|
| 8363. |
06/28/85 |
Shn - 0,
5822 |
Hershey |
Hershey Park Stadium SBD? liberated bootleg; via lemon2
|
notes
|
| 8364. |
06/28/85 |
Flac 16 - 0,
77931 |
Hershey |
Hershey Park Stadium flac16; source: Soundboard > ??? (cass or pcm) > DAT > DAT > WAV > SHN > WAV > FLAC see text file for full details
|
notes
|
| 8365. |
06/28/85 |
Shn - 0,
23593 |
Hershey |
Hershey Park Stadium Set 1 Source: SBD (pitch corrected shnid = 5822). Set 2 Source: SBD>Reel>PCM>DAT. Remastering by MattMan: SHN>WAV>ADOBE AUDITION>CDWAV>SHNTOOL>mkwACT.
|
notes
|
| 8366. |
06/28/85 |
Flac 16 - 0,
137289 |
Hershey |
Hershey Park Stadium flac16; Phase Fix of source ID 33339; (FOB) 2 Sennheiser 441's (PAS) > Sony D5 > Master Cassettes; Location: 10 yard line, DFC; Original Transfer: MAC> Sony D5> Tascam Stand Alone burner(tracked on the fly)> EAC> HD> CDR> EAC> WinXP Pro> wav files joined> CD Wave Editor(retracking)> Flac Frontend> flac16; New edits: WaveLab 7.2.1 (phase fix and minor edits) > retrack > xAct> flac16; Taped and transferred by Mark McCue; Phase fix/minor edits by Alex Ford
|
notes
|
| 8367. |
06/28/85 |
Flac 24/96 - 0,
141599 |
Hershey |
Hershey Park Stadium flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick April 2018
|
notes
|
| 8368. |
06/28/85 |
Shn - 0,
76159 |
Hershey |
Hershey Park Stadium Sennheiser 4xx's > Marantz PMDxxx > MC Playback on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen) 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SBLive! > Sound Forge normalization > WAV > CDWave > WAVs > mkwACT > SHN Recorded by Jeff Hubbard
|
notes
|
| 8369. |
06/28/85 |
Flac 16 - 0,
79609 |
Hershey |
Hershey Park Stadium flac16; Source: Nakamichi CM304's>Sony D5M Location: *At SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700
|
notes
|
| 8370. |
06/28/85 |
Flac 24/96 - 0,
89009 |
Hershey |
Hershey Park Stadium flac24; Source: Nakamichi CM304's>Sony D5M Location: *At SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition>Cdwav/tracking>flac24 Taper: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 8371. |
06/28/85 |
Flac 16 - 0,
111343 |
Hershey |
Hershey Park Stadium flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) >Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
|
notes
|
| 8372. |
06/28/85 |
Flac 16 - 0,
114680 |
Hershey |
Hershey Park Stadium flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > CD Wave Editor > flac16; Microphones on tripod stand at 7 ft height under an umbrella in the rain; Recorded by Bob Morris
|
notes
|
| 8373. |
06/28/85 |
Flac 24/96 - 0,
114490 |
Hershey |
Hershey Park Stadium flac24; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24
|
notes
|
| 8374. |
06/28/85 |
Flac 24/96 - 0,
126140 |
Hershey |
Hershey Park Stadium flac24; source: (3) audio technica atm 11> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8375. |
06/28/85 |
Flac 24 - 0,
126158 |
Hershey |
Hershey Park Stadium flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 33339. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 8376. |
06/28/85 |
Shn - 0,
22517 |
Hershey |
Hershey Park Stadium AUD: FOB Sony D-5M Sennheiser 441's Recorded by Steve (the Lizzard); Posted to abgd by Tommy McKeown
|
notes
|
| 8377. |
06/28/85 |
Shn - 0,
25985 |
Hershey |
Hershey Park Stadium FOB Sony D-5M Sennheiser 441's Recorded by Steve (the Lizzard) /shninfo_detail.php?shnid=22517 sbe's were repaired with shntool
|
notes
|
| 8378. |
06/28/85 |
Flac 16 - 0,
145352 |
Hershey |
Hershey Park Stadium flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick April 2018; This file set is 16 bit @ 44.1
|
notes
|
| 8379. |
06/28/85 |
Shn - 0,
26144 |
Hershey |
Hershey Park Stadium Source: SBD > CM > DAT > DAT > DAT Transfer: DAT 60ES > M-Audio Audiophile USB > CDWAV (48) > Goldwave (normalization 100%, patch, and resample 44.1) > CDWAV tracking > mkwACT SHN; transfer by Joshua Braveman
|
notes
|
| 8380. |
06/28/85 |
Flac 16/48 - 0,
151254 |
Hershey |
Hershey Park Stadium flac16/48khz Source Info: Master Soundboard Cassettes (Sony D5M)> 1st generation cassettes (Sony D5M) > Rob Eaton's DAT (Panasonic SV-3800)(16/48) > Tim Dalton's DAT (Panasonic SV-3700)(16/48) Transfer Info: 1st generation cassettes (unknown deck) > Panasonic SV-3800 DAT (16/48) by Rob Eaton; Rob Eaton's DAT 16/48 (Panasonic SV-3800) > Tim Dalton's DAT (Panasonic SV-3800)(16/48); Tim Dalton's DAT (16/48)(Sony PCM R-500) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> .wav (16/48) > Adobe Audition CC 2020 > TLH flac1648
|
notes
|
| 8381. |
06/28/85 |
Flac 16/44 - 0,
151829 |
Hershey |
Hershey Park Stadium flac16/44 Source Info: 1st Set and Morning Dew thru Encore: Oade brothers Master Audience Cassettes ; Schoeps CMC4 MK41 mics > Sony D5M 2nd Set thru I Need A Miracle: Oade brothers Master Audience PCM; Schoeps CMC4 MK41 mics > Modified Sony PCM-F1 Transfer Info: Unknown Playback equipment > HDD via SEK'D Prodif by Doug Oade
|
notes
|
| 8382. |
06/28/85 |
Flac 24/96 - ,
154538 |
Hershey |
Hershey Park Stadium flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8383. |
06/28/85 |
Flac 16/48 - ,
154537 |
Hershey |
Hershey Park Stadium flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8384. |
06/30/85 |
Flac 16 Mtx - 0,
94642 |
Columbia |
Merriweather Post Pavilion flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 8385. |
06/30/85 |
Flac 16 - 0,
89192 |
Columbia |
Merriweather Post Pavilion flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 8386. |
06/30/85 |
Flac - 0,
25242 |
Columbia |
Merriweather Post Pavilion Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac (via Darrin Sacks)
|
notes
|
| 8387. |
06/30/85 |
Flac 16 - 0,
30158 |
Columbia |
Merriweather Post Pavilion flac16; SBD -> Cassette Master -> Dat -> CD -> EAC -> FLAC Converted By Charlie Miller
|
notes
|
| 8388. |
06/30/85 |
Flac 16 - 0,
138280 |
Columbia |
Merriweather Post Pavilion flac16; MAC; Sennheiser 441's > Sony D5; Location: 3 rows behind Healy on left; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> UAD-2(mastering)> .wav @24/88.2> Crystal Resampler/UV22HR> .wav @16/44.1> xAct> flac16; Tapers: Mark McCue and Davey Meade; Transfer and mastering: Alex Ford
|
notes
|
| 8389. |
06/30/85 |
Flac 24/48 - 0,
138288 |
Columbia |
Merriweather Post Pavilion flac24/48kHz; MAC; Sennheiser 441s > Sony D5; Location: 3 rows behind Healy on left; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3(@24/88.2)> Lynx AES16> WaveLab 7.2.1> UAD-2(mastering)> .wav @24/88.2> Crystal Resampler> .wav @24/48> xAct> flac24; Tapers: Mark McCue and Davey Meade; Transfer and mastering: Alex Ford
|
notes
|
| 8390. |
06/30/85 |
Flac 24/96 - 0,
141619 |
Columbia |
Merriweather Post Pavilion flac24; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
|
notes
|
| 8391. |
06/30/85 |
Flac 24/96 - 0,
84246 |
Columbia |
Merriweather Post Pavilion flac24/96; Recordist: Kyle Holbrook Location: Lawn, ~275' from stage lip Mic Config: XY, 90 degrees Source: AKG C422 (Cardioid) > AKG S42 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8
|
notes
|
| 8392. |
06/30/85 |
Flac 16 - 0,
84267 |
Columbia |
Merriweather Post Pavilion flac16; Recordist: Kyle Holbrook Location: Lawn, ~275' from stage lip Mic Config: XY, 90 degrees Source: AKG C422 (Cardioid) > AKG S42 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab 5.01b (resample, dither) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 All transfers and DSP performed by Tim Burke
|
notes
|
| 8393. |
06/30/85 |
Flac 24/96 - 0,
144155 |
Columbia |
Merriweather Post Pavilion flac24; 2nd Set Source Info: Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90); Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
|
notes
|
| 8394. |
06/30/85 |
Flac 16/48 - 0,
144154 |
Columbia |
Merriweather Post Pavilion flac16/48kHz; 2nd Set Source Info: Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90); Transfer Info:Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8395. |
06/30/85 |
Flac 16 - 0,
33702 |
Columbia |
Merriweather Post Pavilion Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC)> SBLive! > Audacity > WAV > CDWave > WAVs > mkwAC > SHNs; Recorded, transferred by Charles Bandrofcheck
|
notes
|
| 8396. |
06/30/85 |
Shn - 0,
7893 |
Columbia |
Merriweather Post Pavilion set 1; Recorded by Tommy McKeown; Master AUD Sony D5 Sennheiser ME 80 & 441's > Wav > SHN; 5 sec. dropout on left channel during BEW
|
notes
|
| 8397. |
06/30/85 |
Shn - 0,
7833 |
Columbia |
Merriweather Post Pavilion set 2; Daud -- Oade recording: Schoeps CMC441 (@ 90 degrees) > Oade M118 > Oade Modified PCM-F1 > DATs > CDRs > EAC > SHN (Seekable); via Darrin Sacks
|
notes
|
| 8398. |
06/30/85 |
Flac 16 - 0,
79641 |
Columbia |
Merriweather Post Pavilion flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 8399. |
06/30/85 |
Flac 24/96 - 0,
89039 |
Columbia |
Merriweather Post Pavilion flac24; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0>Cdwav/tracking>flac24 Taper: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 8400. |
06/30/85 |
Flac 16 - 0,
102134 |
Columbia |
Merriweather Post Pavilion flac16; Source: (2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5 Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16 Recorded by Ray Ackerman Conversion by Ray Ackerman Tracks, FLACs, Tags by Craig Taraszki; Originally seeded 2009-10-21
|
notes
|
| 8401. |
06/30/85 |
Flac 16 - 0,
145353 |
Columbia |
Merriweather Post Pavilion flac16; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1
|
notes
|
| 8402. |
06/30/85 |
Shn - 0,
23223 |
Columbia |
Merriweather Post Pavilion SBDmc>DAT>CD; fixed disc 3 SHNid=366 by Darryl Hinko and Tommy Brame
|
notes
|
| 8403. |
06/30/85 |
Shn - 0,
366 |
Columbia |
Merriweather Post Pavilion SBDmc> DAT> CD; via Nick Georges; reported lots of hiss, and inferior "digital manipulation"; additional notes in public comments Note- This show also circ's with 'corrected' track names via ccryder@westerncom.net
|
notes
|
| 8404. |
06/30/85 |
Flac 24/96 - 0,
126176 |
Columbia |
Merriweather Post Pavilion flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8405. |
06/30/85 |
Flac 24/96 - 0,
148523 |
Columbia |
Merriweather Post Pavilion flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8406. |
06/30/85 |
Flac 16/48 - 0,
148522 |
Columbia |
Merriweather Post Pavilion flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8407. |
06/30/85 |
Flac 16/44,1 - 0,
151255 |
Columbia |
Merriweather Post Pavilion flac16/44.1khz Recording Info: SBD > Cassette Master (Sony WM-D6C/Dolby C) > DAT > CD > WAV Transfer Info: WAV > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/16
|
notes
|
| 8408. |
06/30/85 |
Flac 16/44 - ,
152701 |
Columbia |
Merriweather Post Pavilion flac16/44 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~275' from stage (crest of the hill) This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, John Borg, Gary Steel Transfer by: Kyle Holbrook
|
notes
|
| 8409. |
06/30/85 |
Flac 24/48 - ,
152702 |
Columbia |
Merriweather Post Pavilion flac24/48 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~275' from stage (crest of the hill) This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, John Borg, Gary Steel Transfer by: Kyle Holbrook
|
notes
|
| 8410. |
07/01/85 |
Flac 16 Mtx - 0,
94681 |
Columbia |
Merriweather Post Pavilion flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 8411. |
07/01/85 |
Flac - 0,
46421 |
Columbia |
Merriweather Post Pavilion Recording Info: SBD -> Cm -> ? -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> CD; Transfered and Edited By Charlie Miller
|
notes
|
| 8412. |
07/01/85 |
Flac 16 - 0,
101283 |
Columbia |
Merriweather Post Pavilion flac16; Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8
|
notes
|
| 8413. |
07/01/85 |
Shn - 0,
17350 |
Columbia |
Merriweather Post Pavilion Hybrid soundboard - Original Paino seed w/ D3 Cribbs Patch and Charlie Miller "Day Job" via Torbjorn
|
notes
|
| 8414. |
07/01/85 |
Flac - 0,
25243 |
Columbia |
Merriweather Post Pavilion Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 (Oade brothers, via Darrin Sacks) Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > soundforge 6 where necessary for patching > Flac (sector boundaries aligned via flac frontend
|
notes
|
| 8415. |
07/01/85 |
Flac 16 - 0,
83465 |
Columbia |
Merriweather Post Pavilion flac16; Source: FOB-Nakamichi 700s > Sony D5 > Maxell MX90 type IV cassettes. Taped by B.Koucky, patched out of B. Glassberg. Transfer: MAC playback, Nakamichi CR-7A, azimuth adjusted > 1 ft Lynx RCA-XLR audio cables > Lunatec V3 > AES digital out > LynxTwo in a E6400-based DuoCore 2 PC > Wavelab 5, recorded as 24/96 KHz WAV > mastering with Ozone 3 > dithered to 16/44.1 KHz using Izotope MBIT+ > CDWAV1.9 > FLAC (level 8). Analog>Digital transfer and mastering by C.Ladner
|
notes
|
| 8416. |
07/01/85 |
Flac 16/48 - 0,
139047 |
Columbia |
Merriweather Post Pavilion flac16/48kHz; Source: SBD > Cassette Master > DAT (48k); Provided by Rich Gastwirt; Transfer: DAT > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick 2017
|
notes
|
| 8417. |
07/01/85 |
Flac 24/96 - 0,
85993 |
Columbia |
Merriweather Post Pavilion b>flac24/96; Recordist: Kyle Holbrook Location: Reserved Section, ~20' behind SBD, ~10' Left Of Center, ~120' from stage lip, ~7' high Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: AddaWav v1.3 (join the two separate "Drums" tracks) Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.4, FLAC Frontend, Level 8
This is your collection
|
notes
|
| 8418. |
07/01/85 |
Flac 16/44 - 0,
85820 |
Columbia |
Merriweather Post Pavilion flac16; Recordist: Kyle Holbrook Location: Location: Reserved Section, ~20' behind SBD, ~10' Left Of Center, ~120' from stage lip, ~7' high Mic Config: 0 cm, 90º (XY) Source: beyerdynamic M201 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Canare Star Quad interconnects > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab v5.01b (resample, dither) AddaWav v1.3 (join the two separate "Drums" tracks) Dither: MegaBitMax, iZotope Ozone 3 (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.4, FLAC Frontend, Level 8 All transfers and DSP performed by Tim Burke
|
notes
|
| 8419. |
07/01/85 |
Flac 24/96 - 0,
144157 |
Columbia |
Merriweather Post Pavilion flac24; Source Info: Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496
|
notes
|
| 8420. |
07/01/85 |
Flac 16/48 - 0,
144156 |
Columbia |
Merriweather Post Pavilion flac16/48kHz; Source Info: Mike Guy & Jim Pailes's Master Audience Cassettes; Nakamichi CM300 mics w/ CP-4 shotgun caps > Sony D5M (Maxell XLIIS-90); Transfer Info: Master Cassette (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2014 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8421. |
07/01/85 |
Shn - 0,
7892 |
Columbia |
Merriweather Post Pavilion Oade recording: Schoeps cmc441 (ortf @90 degrees) > Oade M118 > Modified Sony PCM-F1 > DATs >CDs > EAC > SHN (seekable); plus patches from fob beyer m160 source (see txt); EAC, patching, upload by Darrin Sacks; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments)
|
notes
|
| 8422. |
07/01/85 |
Shn - 0,
32796 |
Columbia |
Merriweather Post Pavilion Unknown shotgun type mics > Sony D6 > Maxell XLII 90's 12" stand Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN by Charles Bandrofcheck. This is the 2nd re-transfer by Charles of his source.
|
notes
|
| 8423. |
07/01/85 |
Shn - 0,
34164 |
Columbia |
Merriweather Post Pavilion Unknown shotgun mics audience recording by Charles Bandrofcheck. This is a re-record of shnid=32596. Changes are the azimuth adustment on the SD 4050 and the use of Audacity for noise reduction and normalization
|
notes
|
| 8424. |
07/01/85 |
Flac 24/96 - 0,
90242 |
Columbia |
Merriweather Post Pavilion flac24/96; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0>Cdwav/tracking>flac24 Taper: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 8425. |
07/01/85 |
Flac 16 - 0,
118988 |
Columbia |
Merriweather Post Pavilion flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 8426. |
07/01/85 |
Flac 16 - 0,
79649 |
Columbia |
Merriweather Post Pavilion flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 8427. |
07/01/85 |
Shn - 0,
16581 |
Columbia |
Merriweather Post Pavilion D3 only; Oade Patched version of previous SBD shn set by Sean Cribbs; upgrade in circulation
|
notes
|
| 8428. |
07/01/85 |
Shn - 0,
8482 |
Columbia |
Merriweather Post Pavilion Fix of previous sbd shn set; See info file for details; Disc 1 & 2: SBDmc>?>DAT>CD>EAC>SHN>CD>EAC Disc 3: SBDmc>?>DAT>CD>EAC Seeded to etree by Paino Man
|
notes
|
| 8429. |
07/01/85 |
Flac 24/96 - 0,
126180 |
Columbia |
Merriweather Post Pavilion flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8430. |
07/01/85 |
Flac 16 - 0,
151269 |
Columbia |
Merriweather Post Pavilion flac16/44.1khz Source Info: Master Soundboard Cassettes > 1st generation cassettes (unknown dubbing deck/Dolby C) > DAT > CD > .wav (16-bit/44.1k) Transfer Info: .wav > Adobe Audition 2020 > TLH > flac16
|
notes
|
| 8431. |
07/01/85 |
Flac 16/44 - ,
152708 |
Columbia |
Merriweather Post Pavilion flac16/44 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~250' from stage (just below crest of the hill) This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, John Borg, Gary Steel Transfer by: Kyle Holbrook Sixth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8432. |
07/01/85 |
Flac 24/48 - ,
152709 |
Columbia |
Merriweather Post Pavilion flac24/48 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: Lawn ~250' from stage (just below crest of the hill) This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, John Borg, Gary Steel Transfer by: Kyle Holbrook Sixth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8433. |
07/01/85 |
Flac 16/48 - ,
154539 |
Columbia |
Merriweather Post Pavilion flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8434. |
07/01/85 |
Flac 24/96 - ,
154540 |
Columbia |
Merriweather Post Pavilion flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8435. |
07/02/85 |
Flac 16 - 0,
121191 |
Pittsburgh |
Civic Arena flac16; MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford.
|
notes
|
| 8436. |
07/02/85 |
Shn - 0,
18249 |
Pittsburgh |
Civic Arena Source:SBD>MC>D> -Tape flip after RXR cuts in Promised -cut in brokedown uploaded from furthur via Sbd seeded to etree by bubba42
|
notes
|
| 8437. |
07/02/85 |
Flac 16 - 0,
92906 |
Pittsburgh |
Civic Arena flac16; MAC; (FOB) 2 x Sennheiser 421 > Sony D5 > 2 x Maxell XLII 90. Recorded by Rick "Coyote" Colyard. Transfer and mastering by Alex Ford. Master Audience Cassettes provided by Rick Colyard via Muletaper.
|
notes
|
| 8438. |
07/02/85 |
Flac Dts 5.1 - 0,
133613 |
Pittsburgh |
Civic Arena DTS-Audio-CD 5.1 Mix; SBD (shnid=18249) BD>MC>D> seeded to etree by bubba420 + AUD (shn id 121191) MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford. - DTS mixing by Kevin Tobin
|
notes
|
| 8439. |
07/02/85 |
Flac 16 Mtx - 0,
133612 |
Pittsburgh |
Civic Arena flac16; Matrix 2 Source Mix - SBD (shnid=18249) BD>MC>D> seeded to etree by bubba420 + AUD (shn id 121191) MAC; (FOB) Sennheiser 441's > Sony D5 > Sony D5 > 2 x TDK MA 90; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav (@24/88.2)> WaveLab editing/mastering with UAD-1 in 24/88.2> r8brain PRO> .wav @16/44.1> CD Wave Editor> TLH> flac16(level eight)> Tag&Rename(metadata). Taped by Davey Meade Transferred, edited and mastered by Alex Ford. - matrix mixing by Kevin Tobin
|
notes
|
| 8440. |
07/02/85 |
Flac 16 - 0,
133611 |
Pittsburgh |
Civic Arena flac16; Source:SBD>MC>D> - seeded to etree by bubba420 (original shnid 18249) - pitch correction and patches by Kevin Tobin
|
notes
|
| 8441. |
07/02/85 |
Flac - 0,
25244 |
Pittsburgh |
Civic Arena Source: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
|
notes
|
| 8442. |
07/02/85 |
Flac 24/96 - 0,
142046 |
Pittsburgh |
Civic Arena flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick May 2018
|
notes
|
| 8443. |
07/02/85 |
Shn - 0,
12082 |
Pittsburgh |
Civic Arena FOB Senn. 421's > Sony TC-D5 > DAT > CD; via Storyteller & Mark Horvath; Seeded to etree by Steve Barbella
|
notes
|
| 8444. |
07/02/85 |
Flac 16 - 0,
111805 |
Pittsburgh |
Civic Arena flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 8445. |
07/02/85 |
Flac 24/96 - 0,
126240 |
Pittsburgh |
Civic Arena flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8446. |
07/02/85 |
Flac 16 - 0,
145388 |
Pittsburgh |
Civic Arena flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; edited and mastered SIRMick May 2018, This file set is 16 bit @ 44.1
|
notes
|
| 8447. |
07/02/85 |
Flac 16/44 - ,
152710 |
Pittsburgh |
Civic Arena flac16/44 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: OTS- 100' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel Transfer by: Kyle Holbrook Seventh AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8448. |
07/02/85 |
Flac 24/48 - ,
152711 |
Pittsburgh |
Civic Arena flac24/48 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º Recorder: Sony TC-D5M Location: OTS- 100' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel Transfer by: Kyle Holbrook Seventh AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8449. |
07/02/85 |
Flac 16/48 - ,
154547 |
Pittsburgh |
Civic Arena flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8450. |
07/02/85 |
Flac 24/96 - ,
154548 |
Pittsburgh |
Civic Arena flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8451. |
07/13/85 |
Flac 16 - 0,
106193 |
Ventura |
Ventura County Fairgrounds flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8452. |
07/13/85 |
Flac 16 - 0,
89032 |
Ventura |
Ventura County Fairgrounds flac16; 2 x Sennheiser 441 > Sony D5 > Sony D5 > 2 x Maxell MX 90. Mic Config: waist high (covered with a black shawl), PAS. Location: FOB, 15-20 feet from the stage, DFC. Taper: Adam. Master Audience Cassettes provided by Mark McCue. 24 bit transfer, editing and conversion by Alex Ford December 2007.
|
notes
|
| 8453. |
07/13/85 |
Flac 24/96 - 0,
133534 |
Ventura |
Ventura County Fairgrounds flac24; Field Equipment: Nakamichi CM-100 mics w/CP-4 Shotgun caps > Sony TC-D5M Analog Cassette Recorder > Maxell MX-90 tapes; Transfer: MAC > Tascam 112 Analog Cassette Recorder > Edirol UA-5 > 24/96 > PC > Audacity > Trader's Little Helper > FLAC 24/96; Recorded, transferred, edited, tracked and FLAC'd by Greg Holtz
|
notes
|
| 8454. |
07/13/85 |
Flac 16 - 0,
76913 |
Ventura |
Ventura County Fairgrounds flac16; Source: FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped & Transferred by Charlie Connor
|
notes
|
| 8455. |
07/13/85 |
Flac 16 - 0,
77489 |
Ventura |
Ventura County Fairgrounds flac16; Source: Nakamichi CM301's(split)>Sony D5M Location: Directly behind SBD, one stand at each corner at 10 ft. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16 Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700
|
notes
|
| 8456. |
07/13/85 |
- 0,
372 |
Ventura |
Ventura County Fairgrounds SBDmc> DAT> CD> eac> cool edit> shn; hiss cleaned up with Cooledit (non-cleaned version may be available from Nick too); crackling sound on both discs here and there apparently due to Phil's equip; via N. Georges
|
notes
|
| 8457. |
07/13/85 |
Flac 24/96 - 0,
150524 |
Ventura |
Ventura County Fairgrounds flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. July 26, 2020.
|
notes
|
| 8458. |
07/13/85 |
Flac 24/96 - 0,
152473 |
Ventura |
Ventura County Fairgrounds flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 8459. |
07/13/85 |
Flac 16/48 - 0,
152075 |
Ventura |
Ventura County Fairgrounds flac16/48 Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8460. |
07/13/85 |
Flac 24/96 - 0,
152076 |
Ventura |
Ventura County Fairgrounds flac24/96 Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8461. |
07/13/85 |
Flac 16/44,1 - 0,
152522 |
Ventura |
Ventura County Fairgrounds flac16/44.1 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152473 24 -> 16 @ 44.1
|
notes
|
| 8462. |
07/13/85 |
Flac 24/48 - ,
152826 |
Ventura |
Ventura County Fairgrounds flac24/48 Source: Master AUDCA: Beyer M88's XY > 2nd Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location: 65 feet from stage DFC, shoulder height Transfer: Nakamichi 582ZX > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, Mike Davis, Kenny Davis, Pat Gillies
|
notes
|
| 8463. |
07/13/85 |
Flac 16/44 - ,
152825 |
Ventura |
Ventura County Fairgrounds flac16/44 Source: Master AUDCA: Beyer M88's XY > 2nd Sony TCD5M in line no nr > Maxell MX 90s No Dolby Location: 65 feet from stage DFC, shoulder height Transfer: Nakamichi 582ZX > Benchmark Sonic AD2K @24|48 > Marantz PMD 661|SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Tom Pinney, Kyle Holbrook, Mike Davis, Kenny Davis, Pat Gillies
|
notes
|
| 8464. |
07/14/85 |
Flac 16 - 0,
106194 |
Ventura |
Ventura County Fairgrounds flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8465. |
07/14/85 |
Flac 24/96 - 0,
133535 |
Ventura |
Ventura County Fairgrounds flac24; Field Equipment: Nakamichi CM-100 mics w/CP-4 Shotgun caps > Sony TC-D5M Analog Cassette Recorder > Maxell MX-90 tapes; Transfer: MAC > Tascam 112 Analog Cassette Recorder > Edirol UA-5 > 24/96 > PC > Audacity > Trader's Little Helper > FLAC 24/96; Recorded, transferred, edited, tracked and FLAC'd by Greg Holtz
|
notes
|
| 8466. |
07/14/85 |
Flac 16 - 0,
111253 |
Ventura |
Ventura County Fairgrounds flac16; MAC; Sennheiser 441 > Sony D5 > D5 > 2 x Maxell MX 90; Transfer/Lineage: MAC> Nakamichi Dragon> Lunatec V3 (@24/88.2)> Lynx AES16> WaveLab 6.10> .wav @24/88.2> iZotope Ozone 3> .wav @16/44.1> CD Wave Editor> TLH> flac16; Taped by Adam; Transferred, Edited and Mastered by Alex Ford
|
notes
|
| 8467. |
07/14/85 |
Shn - 0,
7546 |
Ventura |
Ventura County Fairgrounds Master Soundboard Cassette > CDR,CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston, posted to abgd via Charlie Connor
|
notes
|
| 8468. |
07/14/85 |
Flac 16 - 0,
79026 |
Ventura |
Ventura County Fairgrounds flac16; Source: Nakamichi CM301's(split)>Sony D5M Location: Directly behind SBD, one stand at each corner at 10 ft. Transfer: Sony D5pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16 Bit>Cdwav>flac Taped, transfered and uploaded by Tony S
|
notes
|
| 8469. |
07/14/85 |
Flac 24/96 - 0,
148420 |
Ventura |
Ventura County Fairgrounds flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8470. |
07/14/85 |
Flac 16/48 - 0,
148419 |
Ventura |
Ventura County Fairgrounds flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8471. |
07/14/85 |
Flac 24/96 - 0,
150525 |
Ventura |
Ventura County Fairgrounds flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel July 27, 2020.
|
notes
|
| 8472. |
07/14/85 |
Flac 24/96 - 0,
152538 |
Ventura |
Ventura County Fairgrounds flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 8473. |
07/14/85 |
Flac 16/44,1 - 0,
152561 |
Ventura |
Ventura County Fairgrounds flac16/44.1 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 152538 24 -> 16 @ 44.1
|
notes
|
| 8474. |
08/24/85 |
Flac - 0,
106195 |
Donner's Summit |
Boreal Ridge Ski Resort
|
notes
|
| 8475. |
08/24/85 |
Flac - 0,
99010 |
Donner's Summit |
Boreal Ridge Ski Resort flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology -> R8brainPro for SRC 16/44.1KHz -> Traders Little Helper flac8
|
notes
|
| 8476. |
08/24/85 |
Flac - 0,
77079 |
Donner's Summit |
Boreal Ridge Ski Resort flac16; Source:AKG's > Sony TCD5M > Sony TCDM > (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta 1.57(tracking only)>flac 16: Taped and transferred by Charlie Connor
|
notes
|
| 8477. |
08/24/85 |
Shn - 0,
13991 |
Donner's Summit |
Boreal Ridge Ski Resort Source: MSC > cdr via Paul Scotton encoded by Matt Vernon
|
notes
|
| 8478. |
08/30/85 |
Flac 16 - 0,
32799 |
Houston |
Southern Star Amphitheater flac16; Recording Info: SBD > (CM?) > DAT > DAT Transfer Info: Sony PCM-R300 > SB X-Fi EP > COOL EDIT PRO2 > .WAV > .FLAC (1.7.1)
|
notes
|
| 8479. |
08/30/85 |
Flac 16 - 0,
96289 |
Houston |
Southern Star Amphitheater flac16; MAC; (FOB) 2 x Sennheiser 441 > Sony D5 > Sony D5 > 2 x Maxell MX 90. Taped by Adam, Justin & Monica. Transferred, edited and mastered by Alex Ford. Master Audience Cassettes provided by and from the collection of Mark McCue.
|
notes
|
| 8480. |
08/30/85 |
Flac - 0,
25470 |
Houston |
Southern Star Amphitheater Field: Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac via Darrin Sacks
|
notes
|
| 8481. |
08/30/85 |
Shn - 0,
16903 |
Houston |
Southern Star Amphitheater SBD > ? > CD-R obtained by Slick Willie > EAC > correction of tracking > SHN by sunspot; Some diginoise was eliminated, some remains; seeded to etree by bubba420
|
notes
|
| 8482. |
08/30/85 |
Flac 24 - 0,
96349 |
Houston |
Southern Star Amphitheater flac24; MAC; (FOB) 2 x Sennheiser 441 > Sony D5 > Sony D5 > 2 x Maxell MX 90. Recorded by Adam, Justin & Monica. Transfer, editing and mastering by Alex Ford. Master Audience Cassettes provided by and from the collection of Mark McCue.
|
notes
|
| 8483. |
08/30/85 |
Flac 24/96 - 0,
138385 |
Houston |
Southern Star Amphitheater flac24; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8484. |
08/30/85 |
Flac 16 - 0,
138390 |
Houston |
Southern Star Amphitheater flac16; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138385 24 bit -> 16 bit
|
notes
|
| 8485. |
08/30/85 |
Shn - 0,
8792 |
Houston |
Southern Star Amphitheater Source:Charlie Connor's Master Audience Cassettes Lineage:AUD>Nak 300's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav(tracking only)>SHNv3 (MKW ACT)Note: This is a new transcription of my prior seed. This one doesn't have the EAC layer and of course the A>D is done with different equipment.Digital mastering and seeded via fungus and abgd by Charlie Connor
|
notes
|
| 8486. |
08/30/85 |
Flac 16 - 0,
123819 |
Houston |
Southern Star Amphitheater flac16; nak300>cp4>d5 no dolby; ots mics @12ft. pas; cass(m)>hhb830 cds 16/44.1 in 2003; cd>audacity +2.5>cdwave splits>tlh flac 8
|
notes
|
| 8487. |
08/30/85 |
Flac 24/48 - ,
153035 |
Houston |
Southern Star Amphitheater flac24/48 Microphones: Beyer M201's XY (hypercardioid) Patch Source 2: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high > Sony TC-D5M|4th in line Recorder: Sony TC-D5M| mic deck Location: Lawn- 250' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Phil Schuman Transfer by: Kyle Holbrook Dedicated to Kenny Davis RIP
|
notes
|
| 8488. |
08/30/85 |
Flac 16/44 - ,
153034 |
Houston |
Southern Star Amphitheater flac16/44 Microphones: Beyer M201's XY (hypercardioid) Patch Source 2: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high > Sony TC-D5M|4th in line Recorder: Sony TC-D5M| mic deck Location: Lawn- 250' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Phil Schuman Transfer by: Kyle Holbrook Dedicated to Kenny Davis RIP
|
notes
|
| 8489. |
08/30/85 |
Flac 24/48 - ,
153033 |
Houston |
Southern Star Amphitheater flac24/48 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high Patch Source 2: Beyer M201's XY (hypercardioid) > Sony TC-D5M Recorder: Sony TC-D5M| 4th in line Location: Lawn- 150' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Phil Schuman Transfer by: Kyle Holbrook Eighth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8490. |
08/30/85 |
Flac 16/44 - ,
153032 |
Houston |
Southern Star Amphitheater flac16/44 Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high Patch Source 2: Beyer M201's XY (hypercardioid) > Sony TC-D5M Recorder: Sony TC-D5M| 4th in line Location: Lawn- 150' from stage This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Phil Schuman Transfer by: Kyle Holbrook Eighth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8491. |
08/30/85 |
Flac 16/48 - ,
154549 |
Houston |
Southern Star Amphitheater flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 8492. |
08/30/85 |
Flac 24/96 - ,
154550 |
Houston |
Southern Star Amphitheater flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 8493. |
08/31/85 |
Flac 16 - 0,
25943 |
Austin |
Manor Downs flac16; updated lineage: 90 X-Y Schoeps CMC441 & 8ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac; Oade Brothers Recording, Transferred by Doug Oade, tracked by Darrin Sacks
|
notes
|
| 8494. |
08/31/85 |
Shn - 0,
8237 |
Austin |
Manor Downs updated lineage: 90 X-Y Schoeps CMC441 & 8ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1> DAT> CDR> EAC> Shn; taped by Doug Oade; EAC'ed/Shn'ed, and Seeded via Fungus and abgd by Charlie Connor with thanks to Scott Clugston and Doug Oade
|
notes
|
| 8495. |
08/31/85 |
Flac 16 - 0,
82367 |
Austin |
Manor Downs flac16; Taper: Mark McCue Source: (FOB) 2 Sennheiser 441s > Sony TC-D5M > Maxell MX 90s Location: FOB, 10-15 rows back, DFC Lineage: Transfer: Master AUD Cassettes > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Lunatec V3(@24/96)* > coax > M-Audio Audiophile 2496 > WaveLab 5.0 > WAV > Traders Little Helper > FLAC24 *V3 recording levels set equally at 25 + 3 trim, by Alex Ford Mastering: SIRMick
|
notes
|
| 8496. |
08/31/85 |
Flac 24/96 - 0,
82689 |
Austin |
Manor Downs flac24/96; Source: Audience FOB Recording, 10-15 rows back, DFC Media: Maxell MX 90s, Lineage: 2 Sennheiser 441s > Sony TC-D5M > MAC Transfer: MAC > Nakamichi Cassette Deck 2 (azimuth adjusted) > Kind Kables RCA/XLR > Grace Design Lunatec V3(@24/96)* > coax > M-Audio Audiophile 2496 > WaveLab 5.0 > WAV > Traders Little Helper > FLAC24 *V3 recording levels set equally at 25 + 3 trim Taped by: M. McCue Transfer by: A. Ford Mastering: SIRMick
|
notes
|
| 8497. |
08/31/85 |
Flac 16 - 0,
77193 |
Austin |
Manor Downs flac16; Source:FOB>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's)Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16: Taped & Transferred by Charlie Connor Seeded 9/04/2006
|
notes
|
| 8498. |
08/31/85 |
Flac 16 - 0,
108163 |
Austin |
Manor Downs flac16; Source Info: Master audience cassette recorded with 2 Beyer M160 microphones > Sony TC-D5M - Maxell MX90. Transfer: Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 8499. |
08/31/85 |
Flac 16 - 0,
123824 |
Austin |
Manor Downs flac16; Nak300>CP4>D5 no dolby; ots dfc mics @10ft pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.5>cdwave splits>tlh flac8
|
notes
|
| 8500. |
08/31/85 |
Flac 16/48 - 0,
151428 |
Austin |
Manor Downs flac16/48khz Source Info: Eddie Mook's Master Audience Cassettes; Nakamichi 100 mics + CP4 capsules > Sony D5 > Sony D6 Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 8501. |
08/31/85 |
Flac 24/96 - 0,
151429 |
Austin |
Manor Downs flac24/96 Source Info: Eddie Mook's Master Audience Cassettes; Nakamichi 100 mics + CP4 capsules > Sony D5 > Sony D6 Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 8502. |
08/31/85 |
Flac 24/48 - ,
153037 |
Austin |
Manor Downs flac24/48 This Source: Master AUDCA Maxell MX90 No NR [KH] Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high Recorder: Sony TC-D5M| 2nd in line Location: OTS- 120' from stage ** [44:45 -45:10] Spliced 25 seconds end of space through first 10 seconds of GDTRFB from OADE Schoeps rig, KH master- info: Patch Source:Microphones: Schoeps 90º X-Y 10 feet high > Oade M118 Recorder: OADE Analog patchbay|1st Sony TC-D5M in line [KH] Location: OTS- 120' from stage (6 feet away from AKG stand) Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson, Mike Yacavone, Phil Schuman Transfer by: Kyle Holbrook Ninth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8503. |
08/31/85 |
Flac 16/44 - ,
153036 |
Austin |
Manor Downs flac16/44 This Source: Master AUDCA Maxell MX90 No NR [KH] Microphones: AKG C422 (Cardioid) > AKG S42 XY 90º 10 feet high Recorder: Sony TC-D5M| 2nd in line Location: OTS- 120' from stage ** [44:45 -45:10] Spliced 25 seconds end of space through first 10 seconds of GDTRFB from OADE Schoeps rig, KH master- info: Patch Source:Microphones: Schoeps 90º X-Y 10 feet high > Oade M118 Recorder: OADE Analog patchbay|1st Sony TC-D5M in line [KH] Location: OTS- 120' from stage (6 feet away from AKG stand) Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson, Mike Yacavone, Phil Schuman Transfer by: Kyle Holbrook Ninth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8504. |
08/31/85 |
Flac 16/48 - ,
154551 |
Austin |
Manor Downs flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 8505. |
08/31/85 |
Flac 24/96 - ,
154552 |
Austin |
Manor Downs flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 8506. |
09/02/85 |
Shn - 0,
19475 |
Oklahoma City |
Zoo Amphitheater SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
|
notes
|
| 8507. |
09/02/85 |
Flac 16 - 0,
117763 |
Oklahoma City |
Zoo Amphitheater flac16; Master Audience Recorded By Mr. Darby Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 8508. |
09/02/85 |
Flac 16 - 0,
85981 |
Oklahoma City |
Zoo Amphitheater flac16; MAC; (FOB) Sennheiser 441s > Sony D5 > Sony D5 > 2 Maxell MX90s Tapers: Adam, Justin & Monica Transfer: Master Audience Cassettes > Nakamichi Dragon > Kind Kables RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496 > Waves L2 > WAV @ 1644 > CD Wave Editor > TLH > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, patches/edits, conversion, and seeding by Alex Ford - June 2007.
|
notes
|
| 8509. |
09/02/85 |
Flac 24/28 - 0,
117782 |
Oklahoma City |
Zoo Amphitheater flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 8510. |
09/02/85 |
Flac 24 - 0,
138386 |
Oklahoma City |
Zoo Amphitheater flac24; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8511. |
09/02/85 |
Flac 16 - 0,
138397 |
Oklahoma City |
Zoo Amphitheater flac16; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138386 24 bit -> 16 bit
|
notes
|
| 8512. |
09/02/85 |
Flac 16 Mtx - 0,
142182 |
Oklahoma City |
Zoo Amphitheater flac16; Matrix 2 Source Mix - SBD (shnid = 138386) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 117762) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - matrix mixing by Kevin Tobin
|
notes
|
| 8513. |
09/02/85 |
Flac 16/48 - 0,
142184 |
Oklahoma City |
Zoo Amphitheater flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 138386) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 117762) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - surround mixing by Kevin Tobin
|
notes
|
| 8514. |
09/02/85 |
Flac Dts 5.1 - 0,
142183 |
Oklahoma City |
Zoo Amphitheater DTS-Audio-CD 5.1 Mix; - SBD (shnid = 138386) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 117762) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - dts mixing by Kevin Tobin
|
notes
|
| 8515. |
09/02/85 |
Flac 24 Mtx - 0,
142181 |
Oklahoma City |
Zoo Amphitheater flac24; Matrix 2 Source Mix - SBD (shnid = 138386) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 117762) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - matrix mixing by Kevin Tobin
|
notes
|
| 8516. |
09/02/85 |
Flac 24 - 0,
142179 |
Oklahoma City |
Zoo Amphitheater flac24; Patched & Pitch Corrected Audience (original shnid = 117762) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - pitch correction and patches by Kevin Tobin
|
notes
|
| 8517. |
09/02/85 |
Flac 16 - 0,
142180 |
Oklahoma City |
Zoo Amphitheater flac16; Patched & Pitch Corrected Audience (original shnid = 117762) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tape Sony Metallic; Set 2 Master Tape Broke: Sony TC-D5M>B & O 8002,Tape Maxell XLII; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - pitch correction and patches by Kevin Tobin
|
notes
|
| 8518. |
09/02/85 |
Shn - 0,
2373 |
Oklahoma City |
Zoo Amphitheater MC> CD; Taped By: Glenn Steinkamp for the seed and transfer
|
notes
|
| 8519. |
09/02/85 |
Shn - 0,
17431 |
Oklahoma City |
Zoo Amphitheater Schoeps CMC34> PCM> DAT> CD-R> ?> SHN> MKW> WAVE LAB> MKW> SHN (Seekable); slight cleanup of some other shn set; seeded by Steven Leeds, with thanks to Jason Eckert
|
notes
|
| 8520. |
09/02/85 |
Shn - 0,
26077 |
Oklahoma City |
Zoo Amphitheater flac16; updated lineage: 90 X-Y Schoeps CMC441 & 8ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac; Oade Brothers Recording, Transferred by Doug Oade, tracked by Darrin Sacks
|
notes
|
| 8521. |
09/02/85 |
Flac 24/48 - ,
153041 |
Oklahoma City |
Zoo Amphitheater flac24/48 Microphones: Beyer M201c (Cardioid)XY 90º Recorder: Sony TC-D5M Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson, Mike Yacavone Transfer by: Kyle Holbrook
|
notes
|
| 8522. |
09/02/85 |
Flac 16/44 - ,
153040 |
Oklahoma City |
Zoo Amphitheater flac16/44 Microphones: Beyer M201c (Cardioid)XY 90º Recorder: Sony TC-D5M Location: Lawn ~150' from stage This Source: Master AUDCA Maxell MX90 No NR Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson, Mike Yacavone Transfer by: Kyle Holbrook
|
notes
|
| 8523. |
09/02/85 |
Flac 24/48 - ,
153039 |
Oklahoma City |
Zoo Amphitheater flac24/48 Microphones: AKG C422 (Cardioid)XY 90º|AKG S42 Recorder: Sony TC-D5M Location: Lawn ~175' from stage This Source: Master AUDCA Maxell MX90 No NR Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson, Mike Yacavone Transfer by: Kyle Holbrook Tenth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8524. |
09/02/85 |
Flac 16/44 - ,
153038 |
Oklahoma City |
Zoo Amphitheater flac16/44 Microphones: AKG C422 (Cardioid)XY 90º|AKG S42 Recorder: Sony TC-D5M Location: Lawn ~175' from stage This Source: Master AUDCA Maxell MX90 No NR Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Kyle Holbrook, Tom Pinney, Olvy Johnson, Mike Yacavone Transfer by: Kyle Holbrook Tenth AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8525. |
09/02/85 |
Flac 16/48 - ,
154367 |
Oklahoma City |
Zoo Amphitheater flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8526. |
09/02/85 |
Flac 24/96 - ,
154368 |
Oklahoma City |
Zoo Amphitheater flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8527. |
09/03/85 |
Flac 16 Mtx - 0,
94595 |
Kansas City |
Starlight Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 8528. |
09/03/85 |
Flac 16 - 0,
34772 |
Kansas City |
Starlight Theater flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 8529. |
09/03/85 |
Flac 16 - 0,
123078 |
Kansas City |
Starlight Theater flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8530. |
09/03/85 |
Flac 16 - 0,
119571 |
Kansas City |
Starlight Theater flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/LOC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 8531. |
09/03/85 |
Flac - 0,
27250 |
Kansas City |
Starlight Theater flac16 Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac; Oade Brothers Recording Transferred by Doug Oade, tracked by Darrin Sacks; possible difference re normalization compared to a similar previous fileset (see txt note)
|
notes
|
| 8532. |
09/03/85 |
Flac 16/48 - 0,
34668 |
Kansas City |
Starlight Theater flac16/48; FOB Schoeps CMC42Omni and CMC34Cardiod Passive Mix > F1 > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5* > shntool > flac (8)
|
notes
|
| 8533. |
09/03/85 |
Shn - 0,
7229 |
Kansas City |
Starlight Theater SBD; Seeded by Todd Campbell; EAC> Shn by Jim Keith; Slight DigiNoise(?) before Feels Like A Stranger; Tape flip plays the begining of Music Never Stops twice (very short)
|
notes
|
| 8534. |
09/03/85 |
Flac 24/48 - 0,
119570 |
Kansas City |
Starlight Theater flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/LOC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 8535. |
09/03/85 |
Shn - 0,
1681 |
Kansas City |
Starlight Theater AUD> Beyer 160> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN; A>D Conversion by Stephen Agan; seeded to abgd by Charlie Connor
|
notes
|
| 8536. |
09/03/85 |
Shn - 0,
7891 |
Kansas City |
Starlight Theater Oade Master -- 9-3-85 was 90 degree X-Y CMC441 + CMC42s (spaced 10') -> Oade mixer->Oade mod PCM-F1 first row behind board > ? (no digital processing performed) > Audio CDR from Doug Oade; via Darrin Sacks
|
notes
|
| 8537. |
09/03/85 |
Flac 16 - 0,
77197 |
Kansas City |
Starlight Theater flac16; Primary Source: FOB (Section 2A Row D Seat 8)>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M(Charlie Connor's CM - TDK MA90's) Secondary Source:Oade Master -Schoeps CMC441 The Secondary source supplies Patches as follows:d1t07 3:48 - 3:50 (two seconds of crowd noise d2t02 Last seven seconds;d2t07 First 47 secondsTransfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped & Transferred by Charlie Connor
|
notes
|
| 8538. |
09/03/85 |
Flac 16 - 0,
34669 |
Kansas City |
Starlight Theater flac16; FOB Schoeps CMC42Omni and CMC34Cardiod Passive Mix > F1 > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 44.1kHz* > shntool > flac (8)
|
notes
|
| 8539. |
09/03/85 |
Flac 24/96 - 0,
148576 |
Kansas City |
Starlight Theater flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8540. |
09/03/85 |
Flac 16/48 - 0,
148575 |
Kansas City |
Starlight Theater flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8541. |
09/03/85 |
Flac 16/48 - ,
150552 |
Kansas City |
Starlight Theater flac16/48kHz; Source: Beyer M160 > Sony D5 (Cass/M) > DAT @ 16/48; Transfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > iZotope RX > xACT (FLAC/TAG)
|
notes
|
| 8542. |
09/03/85 |
Flac 24/48 - ,
153133 |
Kansas City |
Starlight Theater flac24/48 Microphones: AKG C422 (Cardioid)XY 90º|AKG S42 Recorder: Sony TC-D5M Location: front row OTS; ~125' from stage This Source: 1st gen AUDCA Maxell UDXLII90 x2 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, Sean Murtha Transfer by: Kyle Holbrook Eleventh AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8543. |
09/03/85 |
Flac 16/44 - ,
153132 |
Kansas City |
Starlight Theater flac16/44 Microphones: AKG C422 (Cardioid)XY 90º|AKG S42 Recorder: Sony TC-D5M Location: front row OTS; ~125' from stage This Source: 1st gen AUDCA Maxell UDXLII90 x2 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, Sean Murtha Transfer by: Kyle Holbrook Eleventh AKG c422 GD recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8544. |
09/05/85 |
Flac 16 - 0,
102034 |
Morrison |
Red Rocks Amphitheatre flac16; SBD >> ? > CDR > EAC > SHN - pitch correction and patches by Kevin Tobin (update of source ID 12180)
|
notes
|
| 8545. |
09/05/85 |
Flac 16 - 0,
119573 |
Morrison |
Red Rocks Amphitheatre flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 8546. |
09/05/85 |
Shn - 0,
12180 |
Morrison |
Red Rocks Amphitheatre SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Dan Michael
|
notes
|
| 8547. |
09/05/85 |
Flac 16 - 0,
79778 |
Morrison |
Red Rocks Amphitheatre flac16; MAC: Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s; Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 >Trade's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford 11/08/2006.
|
notes
|
| 8548. |
09/05/85 |
Flac 16 Mtx - 0,
102032 |
Morrison |
Red Rocks Amphitheatre flac16; Matrix 4 Source Mix - SBD (shn id 12180) SBD >> ? > CDR > EAC > SHN + AUD1 (shn id 79778) Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s; Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 >Trade's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. + AUD2 (shn id 27680) Oade Master, 90 X-Y Schoeps CMC441 + 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac + AUD3 (no shn id) low generation audio from vhs located somewhere in taper section - matrix mixing by Kevin Tobin
|
notes
|
| 8549. |
09/05/85 |
Flac Dts 5.1 - 0,
102049 |
Morrison |
Red Rocks Amphitheatre DTS-Audio-CD 5.1 Mix; SBD (shn id 12180) SBD >> ? > CDR > EAC > SHN + AUD1 (shn id 79778) Sennheiser 441s (7-9 feet high) > Sony D5 > Maxell MX 90s; Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 >Trade's Little Helper > FLAC16. Master Audience Cassettes provided by Mark McCue. + AUD2 (shn id 27680) Oade Master, 90 X-Y Schoeps CMC441 + 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac + AUD3 (no shn id) low generation audio from vhs located somewhere in taper section - dts mixing by Kevin Tobin
|
notes
|
| 8550. |
09/05/85 |
Flac 24/48 - 0,
118572 |
Morrison |
Red Rocks Amphitheatre flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 8551. |
09/05/85 |
Flac 24/96 - 0,
140900 |
Morrison |
Red Rocks Amphitheatre flac24; Set 1 from Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96
|
notes
|
| 8552. |
09/05/85 |
Flac 16 - 0,
141242 |
Morrison |
Red Rocks Amphitheatre flac16; Set 1 from Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 8553. |
09/05/85 |
Flac 24/48 - 0,
142290 |
Morrison |
Red Rocks Amphitheatre flac24; Patched & Pitch Corrected Audience - (original shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - pitch correction and patches by Kevin Tobin
|
notes
|
| 8554. |
09/05/85 |
Flac 16/48 - 0,
142294 |
Morrison |
Red Rocks Amphitheatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 12180) SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Dan Michael + AUD (shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - surround mixing by Kevin Tobin
|
notes
|
| 8555. |
09/05/85 |
Flac Dts 5.1 - 0,
142293 |
Morrison |
Red Rocks Amphitheatre DTS-Audio-CD 5.1 Mix; - SBD (shnid = 12180) SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Dan Michael + AUD (shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - dts mixing by Kevin Tobin
|
notes
|
| 8556. |
09/05/85 |
Flac 16 - 0,
142291 |
Morrison |
Red Rocks Amphitheatre flac16; Patched & Pitch Corrected Audience - (original shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - pitch correction and patches by Kevin Tobin
|
notes
|
| 8557. |
09/05/85 |
Flac 16 Mtx - 0,
142292 |
Morrison |
Red Rocks Amphitheatre flac16; Matrix 2 Source Mix - SBD (shnid = 12180) SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Dan Michael + AUD (shnid = 119572) Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo - matrix mixing by Kevin Tobin
|
notes
|
| 8558. |
09/05/85 |
Flac 16 - 0,
106789 |
Morrison |
Red Rocks Amphitheatre flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris. Transferred and edited by Bob Morris 11/09.
|
notes
|
| 8559. |
09/05/85 |
Flac 16 - 0,
27680 |
Morrison |
Red Rocks Amphitheatre flac16 Oade Master, 90 X-Y Schoeps CMC441 + 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac; Transferred by Doug Oade, tracked by Darrin Sacks
|
notes
|
| 8560. |
09/05/85 |
Shn - 0,
11493 |
Morrison |
Red Rocks Amphitheatre Master Audience Cassette > DAT > CDR; via Jack Straw; Seeded to etree by steve barbella
|
notes
|
| 8561. |
09/05/85 |
Flac 24/96 - 0,
148578 |
Morrison |
Red Rocks Amphitheatre flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8562. |
09/05/85 |
Flac 16/48 - 0,
148577 |
Morrison |
Red Rocks Amphitheatre flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8563. |
09/05/85 |
Flac 24/48 - ,
153178 |
Morrison |
Red Rocks Amphitheatre flac24/48 Microphones: s1: AKG C422 (Cardioid) > AKG S42 XY 90º s2: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M Location: last row OTS- 120' from stage; 25 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney Transfer by: Kyle Holbrook Twelth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8564. |
09/05/85 |
Flac 16/44 - ,
153177 |
Morrison |
Red Rocks Amphitheatre flac16/44 Microphones: s1: AKG C422 (Cardioid) > AKG S42 XY 90º s2: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M Location: last row OTS- 120' from stage; 25 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney Transfer by: Kyle Holbrook Twelth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8565. |
09/06/85 |
Shn - 0,
12181 |
Morrison |
Red Rocks Amphitheatre SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Chad Magdanz
|
notes
|
| 8566. |
09/06/85 |
Flac 16 - 0,
28184 |
Morrison |
Red Rocks Amphitheatre flac16; Oade Master: 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM> DAW (via SEKD Prodif)> Wav> cdwav> flac; Transferred by Doug Oade, tracked by Darrin Sacks
|
notes
|
| 8567. |
09/06/85 |
Flac 16 - 0,
119586 |
Morrison |
Red Rocks Amphitheatre flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 8568. |
09/06/85 |
Flac 24/48 - 0,
119685 |
Morrison |
Red Rocks Amphitheatre flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 8569. |
09/06/85 |
Flac 16/48 - 0,
138827 |
Morrison |
Red Rocks Amphitheatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 12181SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Chad Magdanz + AUD (shnid = 28164) Oade Master: 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM> DAW (via SEKD Prodif)> Wav> cdwav> flac; Transferred by Doug Oade, tracked by Darrin Sacks - surround mixing by Kevin Tobin
|
notes
|
| 8570. |
09/06/85 |
Flac Dts 5.1 - 0,
138826 |
Morrison |
Red Rocks Amphitheatre DTS-Audio-CD 5.1 Mix: SBD (shnid = 12181SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Chad Magdanz + AUD (shnid = 28164) Oade Master: 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM> DAW (via SEKD Prodif)> Wav> cdwav> flac; Transferred by Doug Oade, tracked by Darrin Sacks - dts mixing by Kevin Tobin
|
notes
|
| 8571. |
09/06/85 |
Flac 16 Mtx - 0,
138825 |
Morrison |
Red Rocks Amphitheatre flac16; Matrix 2 Source Mix - SBD (shnid = 12181SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Chad Magdanz + AUD (shnid = 28164) Oade Master: 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s> custom M118 x2> custom Oade mixer> Oade MOD PCM-F1 @ first row behind board; Transfer: Master PCM> DAW (via SEKD Prodif)> Wav> cdwav> flac; Transferred by Doug Oade, tracked by Darrin Sacks - matrix mixing by Kevin Tobin
|
notes
|
| 8572. |
09/06/85 |
Flac 24/96 - 0,
142608 |
Morrison |
Red Rocks Amphitheatre flac24; Set 2 Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018
|
notes
|
| 8573. |
09/06/85 |
Flac 16 - 0,
80444 |
Morrison |
Red Rocks Amphitheatre flac16; Sennheiser 441s > Sony D5 > Maxell MX 90s Tapers: Justin, Adam & Monica Transfer: MAC > Nakamichi CD2 [azimuth adjusted] > rca/xlr > Lunatec V3 > coax > Audiophile 2496 > CEP 2.0 > Trader's Little Helper > FLAC16 Master Audience Cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford November 2006.
|
notes
|
| 8574. |
09/06/85 |
Flac 16 - 0,
106790 |
Morrison |
Red Rocks Amphitheatre flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris. Transferred and edited by Bob Morris 11/09.
|
notes
|
| 8575. |
09/06/85 |
Flac 24/96 - 0,
148580 |
Morrison |
Red Rocks Amphitheatre flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8576. |
09/06/85 |
Flac 16/48 - 0,
148579 |
Morrison |
Red Rocks Amphitheatre flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8577. |
09/06/85 |
Flac 24/48 - ,
153180 |
Morrison |
Red Rocks Amphitheatre flac24/48 Microphones: Beyer m201 (hypercardioid) XY 90º (no windscreens) Recorder: Sony TC-D5M No Dolby Location: third row OTS- 110' from stage; 5 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney Transfer by: Kyle Holbrook Dedicated to Kenny Davis RIP
|
notes
|
| 8578. |
09/06/85 |
Flac 16/44 - ,
153179 |
Morrison |
Red Rocks Amphitheatre flac16/44 Microphones: Beyer m201 (hypercardioid) XY 90º (no windscreens) Recorder: Sony TC-D5M No Dolby Location: third row OTS- 110' from stage; 5 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney Transfer by: Kyle Holbrook Dedicated to Kenny Davis RIP
|
notes
|
| 8579. |
09/07/85 |
Flac 16 Mtx - 0,
92521 |
Morrison |
Red Rocks Amphitheatre flac16; MATRIX MIX: About 60%SBD/40%AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) June 4, 2008 (This source fixes flaws in the two previous Seamons sources of this matrix, shn id 92111 and shn id 92124.)
|
notes
|
| 8580. |
09/07/85 |
Flac 16 Mtx - 0,
92184 |
Morrison |
Red Rocks Amphitheatre flac16; Sick Bits Vol. 26 - SBD/AUD matrix of 2 previously circulating sources: CM PCM SBD (shnid=33954) + Oade AUD (shnid=17078). Matrixed by Chris Chappell.
|
notes
|
| 8581. |
09/07/85 |
Flac 16 - 0,
33954 |
Morrison |
Red Rocks Amphitheatre flac16; Recording Info: SBD -> PCM Master -> Dat/0 (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> Cool Edit Pro v2.0 -> FLAC; Transfers and Mastering By Charlie Miller
|
notes
|
| 8582. |
09/07/85 |
Flac 16 - 0,
29305 |
Morrison |
Red Rocks Amphitheatre flac16; Oade Brothers Recording Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac
|
notes
|
| 8583. |
09/07/85 |
Flac 16 - 0,
119696 |
Morrison |
Red Rocks Amphitheatre flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 8584. |
09/07/85 |
Flac 24/48 - 0,
119595 |
Morrison |
Red Rocks Amphitheatre flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/DFC/Row 2 Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 8585. |
09/07/85 |
Shn - 0,
18102 |
Morrison |
Red Rocks Amphitheatre SBD>Cm>Dat>CD>EAC>SHN via Charlie Miller
|
notes
|
| 8586. |
09/07/85 |
Shn - 0,
34271 |
Morrison |
Red Rocks Amphitheatre Fix of shnid 18102 (sbd) by Bill Tetzeli - see info file for details
|
notes
|
| 8587. |
09/07/85 |
Shn - 0,
17031 |
Morrison |
Red Rocks Amphitheatre source: SB (Cassette > PCM > DAT) conversion: M-1 > 7-pin optical > Co2 > SB Live > CDwave Record > CE 2000 FFT NR > CDwave Index > (FLAC, SHN) Note: Has analog conversion through SBLive and Digital Noise Reduction.
|
notes
|
| 8588. |
09/07/85 |
Flac 16 - 0,
|
Morrison |
Red Rocks Amphitheatre flac16; Unknown microphones x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 8589. |
09/07/85 |
Flac 24/96 - 0,
140901 |
Morrison |
Red Rocks Amphitheatre flac24; Partial Show from Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96
|
notes
|
| 8590. |
09/07/85 |
Flac 16 - 0,
141243 |
Morrison |
Red Rocks Amphitheatre flac16; Partial Show from Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 8591. |
09/07/85 |
Flac 16 - 0,
80723 |
Morrison |
Red Rocks Amphitheatre flac16; MAC: Sennheiser 441s > Sony D5 > Maxell MX 90s Tapers: Justin, Adam and Monica Transfer: MAC>Nakamichi CD2(azimuth adjusted)>rca/xlr>Lunatec V3>coax>Audiophile 2496>CEP 2.0>CDWav Editor>TLH>FLAC16. Master Audience Cassettes provided by Mark McCue. Transfer, conversion and upload to bt.etree bt Alex Ford. SBE's fixed with Trader's Little Helper. Files encoded @ level 6.
|
notes
|
| 8592. |
09/07/85 |
Flac 16 - 0,
29305 |
Morrison |
Red Rocks Amphitheatre flac16; Oade Brothers Recording Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net) Oade Master -- 90 X-Y Schoeps CMC441 & 10 ft spaced Schoeps CMC42s -> custom M118 x2 -> custom Oade mixer -> Oade MOD PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > flac
|
notes
|
| 8593. |
09/07/85 |
Shn - 0,
17078 |
Morrison |
Red Rocks Amphitheatre Source: Schoeps CMC42S > Oade power supply +90deg x-y Schoeps CMC441 > Oade power supply. Then both into custom Oade mixer into Oade modified PCM-F1 and digitally remastered by Doug Oade > DAT > TB Fiji digi I/O > yarec > wav2cdr > wav (CD) > EAC > SHN Note: This version hosted by Nicks Picks. It is unclear what may be different from the previous schoeps source.
|
notes
|
| 8594. |
09/07/85 |
Shn - 0,
373 |
Morrison |
Red Rocks Amphitheatre Schoeps CMC42S> Oade power supply +90deg x-y Schoeps CMC441> Oade power supply. Then both into custom Oade mixer into Oade modified PCM-F1 and digitally remastered by Doug Oade> DAT > TB Fiji digi I/O > yarec > wav2cdr > wav; note wavs have pre-emphasis, so files should ideally be burned to audio with PRE flag set (see user comments)
|
notes
|
| 8595. |
09/07/85 |
Flac 16 Mtx - 0,
92124 |
Morrison |
Red Rocks Amphitheatre flac16; MATRIX MIX: About 60%SBD/40%AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) June 4, 2008; This source was a fix of the original Seamons matrix. A fixed upgrade is now in circulation
|
notes
|
| 8596. |
09/07/85 |
Flac 16 Mtx - 0,
92111 |
Morrison |
Red Rocks Amphitheatre flac16; MATRIX MIX: About 60%SBD/40%AUD Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC) June 4, 2008; fixed upgrade now in circulation
|
notes
|
| 8597. |
09/07/85 |
Flac 16 Mtx - 0,
150520 |
Morrison |
Red Rocks Amphitheatre flac16 Remaster of source ID 7637: SBD/AUD matrix of 2 previously circulating sources: CM PCM SBD shnid=33954 and Oade AUD shnid=17078; see info file for details
|
notes
|
| 8598. |
09/07/85 |
Flac 16/44 - ,
153128 |
Morrison |
Red Rocks Amphitheatre flac16/44 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: tenth row (behind OTS)- 140' from stage; 15 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney Transfer by: Kyle Holbrook Dedicated to Kenny Davis RIP
|
notes
|
| 8599. |
09/07/85 |
Flac 16/44 - ,
153181 |
Morrison |
Red Rocks Amphitheatre flac16/44 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: tenth row (behind OTS)- 140' from stage; 15 feet ROC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney Transfer by: Kyle Holbrook Dedicated to Kenny Davis RIP
|
notes
|
| 8600. |
09/10/85 |
Flac 16 - 0,
105881 |
Oakland |
Henry J. Kaiser Convention Center
|
notes
|
| 8601. |
09/10/85 |
Flac 16 - 0,
118374 |
Oakland |
Henry J. Kaiser Convention Center flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 8602. |
09/10/85 |
Flac 16 - 0,
77361 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> amplitude Professional v8.01 -> FLAC
|
notes
|
| 8603. |
09/10/85 |
Shn - 0,
10092 |
Oakland |
Henry J. Kaiser Convention Center SBD> Reel>DAT; Conversion: Tascam DA-20 MK II (via RCA analog out for pre-emphasis removal) > Tascam DA-20 > Delta Dio 2496 > Soundforge XP 4.5 (volume change and channel swap) > CD Wave > (CD> EAC d1t1-7)> SHN; Taped by ?, Converted by Rob (Odeo) Harrison
|
notes
|
| 8604. |
09/10/85 |
Flac 24/48 - 0,
118373 |
Oakland |
Henry J. Kaiser Convention Center flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 8605. |
09/10/85 |
Flac 24/96 - 0,
142793 |
Oakland |
Henry J. Kaiser Convention Center flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018
|
notes
|
| 8606. |
09/10/85 |
Flac 16 - 0,
77198 |
Oakland |
Henry J. Kaiser Convention Center flac16; SET ONE ONLY - Source:TS>AKG CE5's>Uher>Sony TCD5M (Charlie Connor's CM - TDK MA90's) Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16: Taped & Transferred by Charlie Connor
|
notes
|
| 8607. |
09/10/85 |
Flac 16 - 0,
145456 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018, This file set is 16 bit @ 44.1
|
notes
|
| 8608. |
09/11/85 |
Flac 16 - 0,
105709 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8609. |
09/11/85 |
Flac 16 - 0,
118337 |
Oakland |
Henry J. Kaiser Convention Center flac16; Master Audience Recorded By Mr. Darby And First Generation Tape For Set 2; Set 1:SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Set 2:2 Nakamichi CM300/CP4 Shotguns And 1 Nakamichi CM300/CP1 (DFC Row 2 Balcony/3.5 Feet High)>Sony Mixer>Sony TC-D5M Sony TC-D5M>Sony TC-D5M,Tape Maxell XLII-S (Set 2 Master Tape Destroyed); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 8610. |
09/11/85 |
Flac 16 - 0,
77362 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 8611. |
09/11/85 |
Flac 24/48 - 0,
118336 |
Oakland |
Henry J. Kaiser Convention Center flac24; Master Audience Recorded By Mr. Darby And First Generation Tape For Set 2; Set 1:SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Set 2:2 Nakamichi CM300/CP4 Shotguns And 1 Nakamichi CM300/CP1 (DFC Row 2 Balcony/3.5 Feet High)>Sony Mixer>Sony TC-D5M Sony TC-D5M>Sony TC-D5M,Tape Maxell XLII-S (Set 2 Master Tape Destroyed); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 8612. |
09/11/85 |
Shn - 0,
11494 |
Oakland |
Henry J. Kaiser Convention Center Master Soundboard Cassette > Cass > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella
|
notes
|
| 8613. |
09/11/85 |
Flac 24/96 - 0,
142800 |
Oakland |
Henry J. Kaiser Convention Center flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018
|
notes
|
| 8614. |
09/11/85 |
Flac 16 - 0,
77200 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source:TS>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16: Taped and Transferred by Charlie Connor
|
notes
|
| 8615. |
09/11/85 |
Flac 16 - 0,
145493 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018, This file set is 16 bit @ 44.1
|
notes
|
| 8616. |
09/12/85 |
Shn - 0,
11803 |
Oakland |
Henry J. Kaiser Convention Center Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella
|
notes
|
| 8617. |
09/12/85 |
Flac 16 - 0,
118332 |
Oakland |
Henry J. Kaiser Convention Center flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 8618. |
09/12/85 |
Flac 16 Mtx - 0,
123888 |
Oakland |
Henry J. Kaiser Convention Center flac16; Matrix 3 Source Mix - SBD (shn id 11803) Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella + AUD (shn id 118324) flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + VID (noshnid) VIDEO Patches supplied by audio from a video sent by Russ C. and worked on by BHP - matrix mixing by Kevin Tobin
|
notes
|
| 8619. |
09/12/85 |
Flac 24/48 - 0,
118321 |
Oakland |
Henry J. Kaiser Convention Center flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 8620. |
09/12/85 |
Flac 16 - 0,
123886 |
Oakland |
Henry J. Kaiser Convention Center flac16; upgrade of Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella (original shnid = 11803)- pitch correction and patches by Kevin Tobin
|
notes
|
| 8621. |
09/12/85 |
Flac 24/96 - 0,
142801 |
Oakland |
Henry J. Kaiser Convention Center flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018
|
notes
|
| 8622. |
09/12/85 |
Flac 16/48 - 0,
144569 |
Oakland |
Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 11803) SBD >> ? > CDR > EAC > SHN; via Howard Weiner, Chad Magdanz + AUD (shnid = 118321) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - surround mixing by Kevin Tobin
|
notes
|
| 8623. |
09/12/85 |
Flac 16 Dts 5.1 - 0,
123989 |
Oakland |
Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; SBD (shn id 11803) Master Soundboard Cassette > DAT > CDR; via StoryTeller; Seeded to etree by steve barbella + AUD (shn id 118324) flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + VID (noshnid) VIDEO Patches supplied by audio from a video sent by Russ C. and worked on by BHP - matrix mixing by Kevin Tobin
|
notes
|
| 8624. |
09/12/85 |
Flac 16 - 0,
77181 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source:TS>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and Transferred by Charlie Connor
|
notes
|
| 8625. |
09/12/85 |
Flac 16 - 0,
123887 |
Oakland |
Henry J. Kaiser Convention Center flac16; Patched and pitch corrected Master Audience Recording (source ID 118322) Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC Row 2 Balcony/3.5 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo (original shnid = 118321) - pitch correction and patches by Kevin Tobin
|
notes
|
| 8626. |
09/12/85 |
Flac 16 - 0,
145494 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick July 2018, This file set is 16 bit @ 44.1
|
notes
|
| 8627. |
09/12/85 |
Flac 24/96 - 0,
148637 |
Oakland |
Henry J. Kaiser Convention Center flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8628. |
09/12/85 |
Flac 16/48 - 0,
148636 |
Oakland |
Henry J. Kaiser Convention Center b>flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8629. |
09/15/85 |
Flac 16 - 0,
34722 |
Chula Vista |
Devore Field, Southwestern U flac16; Recording Info: SBD -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 8630. |
09/15/85 |
Flac 16 - 0,
120922 |
Chula Vista |
Devore Field, Southwestern U flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 8631. |
09/15/85 |
Flac 16 - 0,
88814 |
Chula Vista |
Devore Field, Southwestern U flac16; Source:Sennheiser-MD421's>Sony D5 Location: FOB-DFC-20 foot off stage@ 7 ft high on stand Taper: Rick "Coyotte" Colyard 2 TDK-SA90-Cassette MASTERS Transfer:MAC> Sony TCW-21(Analog out)>Edirol Digi-Mod UA5@44.1khz>Digital-Optical out>>Nomad JB3@44.1khz>WAV>Poulderbits Sound Editor for (fades/cuts)>FlacFrontend (level-8)>flac-16 Transfered and Edited by MULETAPER- 11/25/07
|
notes
|
| 8632. |
09/15/85 |
Flac - 0,
76992 |
Chula Vista |
Devore Field, Southwestern U flac16; Source:Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16 Taped and transferred by Charlie Connor
|
notes
|
| 8633. |
09/15/85 |
Shn - 0,
376 |
Chula Vista |
Devore Field, Southwestern U set 1; SBD -> ? -> DAT -> CD -> EAC -> SHN conversion by AJ
|
notes
|
| 8634. |
09/15/85 |
Shn - 0,
378 |
Chula Vista |
Devore Field, Southwestern U set 2 only; cut in Drums/Space; reportedly SBD>CM>DAT>CDR; extraction> shn> upload by E. Walker; note a SBD> PCM> DAT version of set 2, plus encore and two set 1 songs is known to circulate- might this be a 1-disc (length ~74:15) condensation from same source?
|
notes
|
| 8635. |
09/15/85 |
Flac 24/48 - 0,
120921 |
Chula Vista |
Devore Field, Southwestern U flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/DFC Behind Soundboard/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed,Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 8636. |
09/15/85 |
Shn - 0,
13600 |
Chula Vista |
Devore Field, Southwestern U Unknown Mics (parabolic reflectors, 40" apart)>Unknown deck> CM> C> Sony R500 w/ SBM (a/d)>WAV>CD-R.
|
notes
|
| 8637. |
09/15/85 |
Flac 24/96 - 0,
150271 |
Chula Vista |
Devore Field, Southwestern U flac24; Doug Schnetlage's Master Audience Cassettes; Sennheiser 441 mics > Sony D5 (TDK HX-S90); 33 foot microphone spacing; Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496; Transferred and Mastered by Jim Blackwood
|
notes
|
| 8638. |
09/15/85 |
Flac 24/96 - 0,
150272 |
Chula Vista |
Devore Field, Southwestern U flac24; Set 2 Only; Ben Lukosky's Master Audience Cassette; Sennheiser 421 mics > Sony D5 (TDK HX-S90); 33 foot microphone spacing; Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 > Samplitude Pro X5 > Flac2496; Transferred and Mastered by Jim Blackwood
|
notes
|
| 8639. |
09/15/85 |
Flac 16 Mtx - 0,
151233 |
Chula Vista |
Devore Field, Southwestern U flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 34722 & 13600.
|
notes
|
| 8640. |
09/15/85 |
Flac 16/48 - ,
155725 |
Chula Vista |
Devore Field, Southwestern U Recording Info: (FOB) Nakamichi CM700 > Cassette Master (Sony TC-D5M) > DAT (48k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition > Samplitude Pro X6 Suite > FLAC/48k
|
notes
|
| 8641. |
10/25/85 |
Flac 16 - 0,
89117 |
Pembroke Pines |
The Sportatorium flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 8642. |
10/25/85 |
Flac 16 - 0,
132295 |
Pembroke Pines |
The Sportatorium flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
|
notes
|
| 8643. |
10/25/85 |
Flac 16 - 0,
34691 |
Pembroke Pines |
The Sportatorium flac16; Source: FOB Nak 100s > Sony D6 > Master Audience Cassette (TDK MA90s), recorded by Bill Koucky. Transfer/edits/mastering: MAC playback on Nakamichi DR-2 tape deck > Presonus Firebox > firewire out > P4 2.0 GHz PC, recorded as 24 bit/96 KHz WAV on PC utilizing Wavelab 5, mastering with Waves X-Noise (learn mode) and L3 Multimaximizer > rendered to 16 bit/44.1 KHz WAV using hi res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8) by C. Ladner
|
notes
|
| 8644. |
10/25/85 |
Shn - 0,
3873 |
Pembroke Pines |
The Sportatorium (2) Beyers 160/(2) Nakamichi 300+CPI (Front of Board)> Master Cassette> DAT> CDR; Taped by Mark Horvath; CDR> EAC> MKW> SHN by Jan Welch
|
notes
|
| 8645. |
10/25/85 |
Flac 24/96 - 0,
126276 |
Pembroke Pines |
The Sportatorium flac24; source: (2) beyers 160/ (2) nakamichi 300> mixer> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8646. |
10/25/85 |
Flac 16 - 0,
140491 |
Pembroke Pines |
The Sportatorium flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 8647. |
10/25/85 |
Flac 16/48 - 0,
151825 |
Pembroke Pines |
The Sportatorium flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8648. |
10/25/85 |
Flac 24/96 - 0,
151826 |
Pembroke Pines |
The Sportatorium flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8649. |
10/26/85 |
Flac 16 - 0,
33929 |
Tampa |
Sun Dome flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 8650. |
10/26/85 |
Flac 16 - 0,
128703 |
Tampa |
Sun Dome flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope Ozone 5 Paragraphic EQ used for De-Emphasis Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
|
notes
|
| 8651. |
10/26/85 |
Flac 16 - 0,
124361 |
Tampa |
Sun Dome flac16; Set 1 Recording Info: Nakamichi 300 Mics ->Maxell XLII 90, set up in back of the floor. Transfer Info: Maxell XLII 90->Tascam BX1 (modified for flat transfer)->Tascam MKII-DR07 (24/bit, 96kHz) Editing: All editing (NAB curve applied, fade in, 2 fades out cut into tracks) with DC8Forensics. Slight correction for distance from speakers. Recorded by Bill Doherty
|
notes
|
| 8652. |
10/26/85 |
Shn - 0,
18986 |
Tampa |
Sun Dome Ken Mance's Audience Cassette Masters recorded on Uher CR-240/AKG CE-1 Microphones. A:D by Mark Cohen, D>SHN by David Minches
|
notes
|
| 8653. |
10/26/85 |
Shn - 0,
5078 |
Tampa |
Sun Dome FOB Audio Technica ATM 11s / 2 Nakamichi 300s > Sony TCM D-5 > Master Cassette; Conversion: MC > Sony TC-we 435 > Sony DTC 700 > DAT > Sony DTC 700 > digital ouput > Philips CDR 870 > CD-R (see note in info file); taped, Cass > CD-R conversion by Mark Horvath; CD-R > SHN: CD-R* > EAC 3x > .wavs compared by MD5s and EAC's .wav compare tool > Cool Edit (rejoin tracks and fades) > CD-WAV (Re-Tracking) > MKW ACT 0.96 > SHN, by Jan Welch
|
notes
|
| 8654. |
10/26/85 |
Flac 24/96 - 0,
126295 |
Tampa |
Sun Dome flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> mixer> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8655. |
10/26/85 |
Shn - 0,
17275 |
Tampa |
Sun Dome Set 2 Only; S:MC>D>CDR; Uploaded To Furthur Via DigiB; Seeded To Etree 05-16-03 By Bubba420
|
notes
|
| 8656. |
10/26/85 |
Flac 16/48 - 0,
151827 |
Tampa |
Sun Dome flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8657. |
10/26/85 |
Flac 24/96 - 0,
151828 |
Tampa |
Sun Dome flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8658. |
10/26/85 |
Flac 24/96 - ,
152787 |
Tampa |
Sun Dome Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Izotope RX8 Advanced > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 8659. |
10/26/85 |
Flac 16/44 - ,
154406 |
Tampa |
Sun Dome flac1644; Recording Info: SBD > Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 14 (WAV 24-bit/96k) > DDi Codec (Dolby B) > Izotope RX8 Advanced > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 8660. |
10/26/85 |
Flac 24/96 - ,
154871 |
Tampa |
Sun Dome FLAC 2496 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496
|
notes
|
| 8661. |
10/26/85 |
Flac 16/48 - ,
154872 |
Tampa |
Sun Dome FLAC 1648 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2022 > TLH flac2496
|
notes
|
| 8662. |
10/28/85 |
Flac 16 - 0,
105882 |
Atlanta |
Fox Theater b>flac16; Recording Info:SBD -> Cassette Master (Sony D5/Maxell MX90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8663. |
10/28/85 |
Flac 16 - 0,
128757 |
Atlanta |
Fox Theater flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Droncit; Editing with Diamond Cut Forensics 8 and Forensics 9 (alpha). BCE de-emphasis curve (modified PCM de-emphasis) applied. May 19,2014
|
notes
|
| 8664. |
10/28/85 |
Flac 16 - 0,
88862 |
Atlanta |
Fox Theater flac16; Source: Master Audience Recording Media: MAC Maxell MX 90 type IV cassettes Lineage: 2 x Sennheiser 421 > Sony TC D5M > Sony TC D5M [Tapers Section] Transfer: MAC playback, Nakamichi CR-7A, azimuth adjusted > 1 ft Lynx RCA-XLR audio cables > Lunatec V3 > AES digital out > LynxTwo in a E6400-based DuoCore 2 PC > Wavelab 5 [24/96] Mastering Software: WaveLab, iZotope Ozone 3 and Waves Q4 EQ, > converted to [44.1/16] with r8brain > CDWAV1.9 >TLH > Flac Level 8 Taped by B.Koucky Transfer by C.Ladner. Mastered By B. Koucky
|
notes
|
| 8665. |
10/28/85 |
Flac 16 - 0,
194706 |
Atlanta |
Fox Theater flac16; Recorded by Dave Cohen Orchestra Floor Sec. R/C Row RR Seat 54 3 Nakamichi CM300s w/CP4s> Nakamichi MX100 mixer>patchbay>Sony WMD6 Maxell XLII cassette masters No Dolby. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
notes
|
| 8666. |
10/28/85 |
Flac 16 - 0,
77370 |
Atlanta |
Fox Theater flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 8667. |
10/28/85 |
Flac 16 - 0,
88156 |
Atlanta |
Fox Theater flac16; Set 2 only. source: 2 Sony ECM-33P's > Sony TC-D5M (Dolby B)Maxell MX90 cassette. recorded by Jerry Moore, 8th row orchestra. transfer: master cassette (maxell MX90)> Nakamichi Dragon (Dolby B) > HHBCDR830plus > EAC > SoundForge 6.O (fades and tape flip)> CD Wave > flac. Transfer and flac encoding by Anne Cohen, May 2007.
|
notes
|
| 8668. |
10/28/85 |
Shn - 0,
18250 |
Atlanta |
Fox Theater Set 2 S:MC>D>CDR>Toast 1.1>SHN uploaded to furthur via Sbd seeded to etree by bubba420
|
notes
|
| 8669. |
10/28/85 |
Flac 16 - 0,
119947 |
Atlanta |
Fox Theater flac16; Source: Sony C38B> TCD5M OTS Seat CTR EE 103; Conversion: TD302Bk>PMD660> CDWave > flacfrontend > traderslittle helper; Recorded by Stan Roberts
|
notes
|
| 8670. |
10/28/85 |
Flac 16 - 0,
118891 |
Atlanta |
Fox Theater flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 8671. |
10/28/85 |
Flac 16 - 0,
83672 |
Atlanta |
Fox Theater flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC
|
notes
|
| 8672. |
10/28/85 |
Shn - 0,
13566 |
Atlanta |
Fox Theater Source: FOB Schoeps CMC3's/MK4's > PCM > DAT > CDR > EAC > CDWave > mkwACT Beginning of Sugaree and Scarlet Begonias patched with following source: Nak 300's > D5/Sony KA1ES > HHB 850 > EAC Eac'd/Patched/SHN'd by Doug Nawrocki
|
notes
|
| 8673. |
10/28/85 |
Shn - 0,
8566 |
Atlanta |
Fox Theater Nak 300->Sony D-5>MC>Sony KA1ES->HHb 850>CD>EAC>Cool Edit 2000>CDwav>Shnv3; via Tommy Danscuk; Seeded to etree by Ernie Dodd
|
notes
|
| 8674. |
10/28/85 |
Flac 24/96 - 0,
126299 |
Atlanta |
Fox Theater flac24; source: (2)audio technica atm 11/(2) beyers 160> mixer> tcd-d5>mc; conversion: sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8675. |
10/28/85 |
Shn - 0,
17276 |
Atlanta |
Fox Theater SET 1 and Encore ONLY; S:CM>D>CDR; Uploaded To Furthur Via DigiB; Seeded To Etree 05-16-03 By Bubba420
|
notes
|
| 8676. |
10/28/85 |
Flac 24/96 - 0,
148422 |
Atlanta |
Fox Theater flac24; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8677. |
10/28/85 |
Flac 16/48 - 0,
148421 |
Atlanta |
Fox Theater flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8678. |
10/28/85 |
Flac 24/96 - 0,
148851 |
Atlanta |
Fox Theater flac24; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8679. |
10/28/85 |
Flac 16/48 - 0,
148850 |
Atlanta |
Fox Theater flac16/48kHz; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8680. |
10/28/85 |
Flac 16/48 - 0,
151839 |
Atlanta |
Fox Theater flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8681. |
10/28/85 |
Flac 24/96 - 0,
151840 |
Atlanta |
Fox Theater flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8682. |
10/28/85 |
Flac 24/96 - ,
154299 |
Atlanta |
Fox Theater flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 8683. |
10/28/85 |
Flac 16/44 - ,
154408 |
Atlanta |
Fox Theater flac1644; Recording Info: SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 - -- This is 154299 2496 > 1644
|
notes
|
| 8684. |
10/28/85 |
Flac 16 Mtx - ,
158504 |
Atlanta |
Fox Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC/24 > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity w/dither > FLAC/16 via xACT w/meta-tagging), of shnid's 154299 & 151840.
|
notes
|
| 8685. |
10/29/85 |
Flac 16 - 0,
105818 |
Atlanta |
Fox Theater flac16; Recording Info:SBD -> Cassette Master (Sony D5/Maxell MX90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8686. |
10/29/85 |
Flac 16 - 0,
132358 |
Atlanta |
Fox Theater flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; BCE de-emphasis curve (modified PCM de-emphasis) applied. Tracks cut and Flac files created in Audacity 2.0.5
|
notes
|
| 8687. |
10/29/85 |
Flac 16 - 0,
89970 |
Atlanta |
Fox Theater flac16; Source: Master Audience Cassette Taper: Bill Koucky Location:Taper Section – Mezzanine Media: Maxell MX 90’s Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 10, 2008
|
notes
|
| 8688. |
10/29/85 |
Flac 16 - 0,
33704 |
Atlanta |
Fox Theater flac16; SBD> Cassette Master (Sony D5/Maxell MX90); Transfer: Cassette Master (Sony TC-WE475)> Sony R500 (Pass Through)> SEK'D Prodif Plus> Samplitude Professional v8.01> FLAC; Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 8689. |
10/29/85 |
Flac 24/96 - 0,
151884 |
Atlanta |
Fox Theater flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Orchestra, Center, Row BB, Seat 103); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8690. |
10/29/85 |
Flac 16 - 0,
83024 |
Atlanta |
Fox Theater flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC. The microphone location was 'dead center' and approximately 50 to 60 feet from the stage, which was about 50 feet or so in front of the Official Taper's Section
|
notes
|
| 8691. |
10/29/85 |
Shn - 0,
8599 |
Atlanta |
Fox Theater Complete; Nak 300-> Sony D-5 > MC > Sony KA1ES -> HHb 850 > CD; via Tommy Danscuk; Seeded to etree by Ernie Dodd
|
notes
|
| 8692. |
10/29/85 |
Shn - 0,
16756 |
Atlanta |
Fox Theater Pitch Corrected/Fixed/Retracked version of follwing source (*Cool Edit Pro notes at bottom): Nak 300 > Sony D-5; Sony KA1ES > HHb 850 > CD > EAC > Cool Edit 2000 > CDwav > Shnv3 Master Cass. > Cdr by Tommy Danscuk; Man with the plan: Willy Eac > cool edit > CDwav > shnv3 Ernie Dodd shntool verified
|
notes
|
| 8693. |
10/29/85 |
Flac 16 - 0,
104708 |
Atlanta |
Fox Theater flac16; Recorded by Dave Cohen Orchestra Floor Sec. L/C Row RR Seat 73 3 Nakamichi CM300s w/CP4s> Nakamichi MX100 mixer>patchbay>Sony WMD6 Maxell XLII cassette masters No Dolby. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
notes
|
| 8694. |
10/29/85 |
Shn - 0,
8501 |
Atlanta |
Fox Theater AUD > DAT > CDR > EAC > CDR > EAC > SHN; Seeded to abgd by cepx with thanks to Paul B.; Note 2nd set only: see txt file for editing notes
|
notes
|
| 8695. |
10/29/85 |
Flac 16 - 0,
119948 |
Atlanta |
Fox Theater flac16; Source: Sony C38B> TCD5M OTS Seat CTR EE 103; Conversion. TD302Bk>PMD660> CDWave > flacfrontend > traderslittle helper; Recorded by Stan Roberts
|
notes
|
| 8696. |
10/29/85 |
Flac 16 - 0,
108081 |
Atlanta |
Fox Theater flac16; Source: 2 Beyer M-160 microphones > Sony TC-D5M ~ Mics @ 7 feet 16th row-center Maxell MX90's Transfer: Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 8697. |
10/29/85 |
Flac 24/96 - 0,
126305 |
Atlanta |
Fox Theater flac24; source: (4) nakamichi 300> mixer> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8698. |
10/29/85 |
Shn - 0,
12182 |
Atlanta |
Fox Theater 2nd set only; Source: SBD>Cassette>Cassette>DAT Conversion: Tascam DA-20 MK II >SoundForge (48KHz>44.1KHz)>Cool Edit 2000 (10db hiss reduction and FFT filter to reduce treble from Dolby)>CD Wave>MKW (SHN) Taped by ?, Converted by Rob (Odeo) Harrison (www.odeo.net) 7/8/02. Includes filler from GDH #461 - Warfield, 2/17/82
|
notes
|
| 8699. |
10/29/85 |
Shn - 0,
21533 |
Atlanta |
Fox Theater SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
|
notes
|
| 8700. |
10/29/85 |
Flac 24/96 - 0,
148424 |
Atlanta |
Fox Theater flac24; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8701. |
10/29/85 |
Flac 16/48 - 0,
148423 |
Atlanta |
Fox Theater flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8702. |
10/29/85 |
Flac 24/96 - 0,
148859 |
Atlanta |
Fox Theater flac24; Source Info: Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8703. |
10/29/85 |
Flac 16/48 - 0,
148858 |
Atlanta |
Fox Theater flac16/48kHz; Source Info: Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8704. |
10/29/85 |
Flac 16/48 - 0,
151883 |
Atlanta |
Fox Theater flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Orchestra, Center, Row BB, Seat 103); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8705. |
10/29/85 |
Flac 24/96 - ,
154300 |
Atlanta |
Fox Theater flac24/96 Recording Info: SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 8706. |
10/29/85 |
Flac 16/44 - ,
154409 |
Atlanta |
Fox Theater flac1644; Recording Info: SBD > Cassette Master (Sony TC-D5M/Dolby B/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 - This is 154300 2496 > 1644
|
notes
|
| 8707. |
10/29/85 |
Flac 24 - ,
157449 |
Atlanta |
Fox Theater flac24; Matrix by Hunter Seamons using Final Cut Pro (FLAC/24 > AIFF > Final Cut w/EQ > AIFF tracking via Audacity > FLAC/24 via xACT w/meta-tagging), of shnid's 154300 & 151884.
|
notes
|
| 8708. |
10/29/85 |
Flac 16 Mtx - ,
157450 |
Atlanta |
Fox Theater flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC/24 > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity w/dither > FLAC/16 via xACT w/meta-tagging), of shnid's 154300 & 151884.
|
notes
|
| 8709. |
10/31/85 |
Shn - 0,
23590 |
Columbia |
Carolina Coliseum, University Of South Carolina SBD -> Master Cassette -> Reel -> Dat (48k)Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Patch Info: d1t08 (Tennessee Jed) - Patched from 7:04-7:26 Schoeps CMC4/MK41 > Oade M118 > Oade Modified Sony PCM-F1 > CD; Transferred and Patched By Charlie Miller
|
notes
|
| 8710. |
10/31/85 |
Flac - 0,
31189 |
Columbia |
Carolina Coliseum, University Of South Carolina flac16; blend of CM*SBD(shnid=23590) and Oade AUD (id=20282)
|
notes
|
| 8711. |
10/31/85 |
Shn - 0,
19209 |
Columbia |
Carolina Coliseum, University Of South Carolina S:D>C>D>C>D>CDR [Note: See info file for further details] Lineage: Cassette > D8 > Sony R500>HHB CDR800 Toast 1.1 for Wav via Seanb@isoc.net
|
notes
|
| 8712. |
10/31/85 |
Flac Mtx. - 0,
30829 |
Columbia |
Carolina Coliseum, University Of South Carolina flac16; Matrix of sbd(id=19209) & Oade Master PCM(id=20282)
|
notes
|
| 8713. |
10/31/85 |
Shn - 0,
8793 |
Columbia |
Carolina Coliseum, University Of South Carolina Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)> Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN(Seekable) Seeded by Darrin Sacks; Also to abgd via Charlie Connor
|
notes
|
| 8714. |
10/31/85 |
Shn - 0,
20282 |
Columbia |
Carolina Coliseum, University Of South Carolina Field: Schoeps CMC441 (from TS, 17cm @ 90deg) > Oade M118 > Oade modSony PCM-F1 Transfer: master PCM > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN)
|
notes
|
| 8715. |
10/31/85 |
Shn - 0,
32864 |
Columbia |
Carolina Coliseum, University Of South Carolina Unknown shotgun mikes > Sony D6 > Maxell MX 90s (MC); MC > Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN; Location: First row of taping section seats. Well above the crowd in the gym via Charles Bandrofcheck
|
notes
|
| 8716. |
10/31/85 |
Flac 16 - 0,
122146 |
Columbia |
Carolina Coliseum, University Of South Carolina flac16; Source: Senn ME-80 > TCD5M; Conversion: Playback HK TD302 > PMD661; Processing: Audacity Pitch correction > Cdwave > Flac Frontend > Foobar2000 > TLH; Recorded by Stan Roberts
|
notes
|
| 8717. |
10/31/85 |
Flac 24/96 - 0,
126314 |
Columbia |
Carolina Coliseum, University Of South Carolina flac24; source: (2) sennheiser 441> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8718. |
10/31/85 |
Shn - 0,
2028 |
Columbia |
Carolina Coliseum, University Of South Carolina SBD> C?-> DAT-> CDR-> SHN-> CDR-> SHN; Ripped by John Zei; update: mp3 generation somewhere in lineage- please do not circulate!
|
notes
|
| 8719. |
10/31/85 |
Flac 16/48 - 0,
151885 |
Columbia |
Carolina Coliseum, University Of South Carolina flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Section G, Row A, Seat 8); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8720. |
10/31/85 |
Flac 24/96 - 0,
151886 |
Columbia |
Carolina Coliseum, University Of South Carolina flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Section G, Row A, Seat 8); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8721. |
11/01/85 |
Shn - 0,
379 |
Richmond |
Richmond Coliseum Soundboard> ?> DAT> CDr; R500> AES/EBU> ZA2> Cooleditpro> SHN; via Stewart McCloskey to shntraders list; not etreed; d2 tracked for 80 min; 3/01 update: this show is now Dick's Picks 21- go buy it
|
notes
|
| 8722. |
11/01/85 |
Flac 16 - 0,
91179 |
Richmond |
Richmond Coliseum flac16; MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue.
|
notes
|
| 8723. |
11/01/85 |
Flac 24/48 - 0,
97646 |
Richmond |
Richmond Coliseum flac24; source: aud cassette master beyer m88's>sony d5, tdk ma-r90's taped by Rob Berger lineage: nak dragon>hd-p2 24/48>adobe>cd wave>flac transferred & seeded by Rob Berger
|
notes
|
| 8724. |
11/01/85 |
Flac 16/48 - 0,
134979 |
Richmond |
Richmond Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k): SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - mixing by Kevin Tobin Source Inform
|
notes
|
| 8725. |
11/01/85 |
Flac Dts 5.1 - 0,
134978 |
Richmond |
Richmond Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - DTS mixing by Kevin Tobin
|
notes
|
| 8726. |
11/01/85 |
Flac 16 Mtx - 0,
134977 |
Richmond |
Richmond Coliseum flac16; Matrix 2 Source Mix - SBD (shnid=no shnid) SBD > ??? > CD > EAC > Wav. obtained from Lisa Biasi for video project in 2004 + AUD (shn id 91179) MAC; 2 x Sennheiser 441 > D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX 90 (Set II). Taper: Lucien Zaleski. Transfer and Mastering: Alex Ford. Master audience cassettes provided by Mark McCue. - matrix mixing by Kevin Tobin
|
notes
|
| 8727. |
11/01/85 |
Flac Dts 5.1 - 0,
34558 |
Richmond |
Richmond Coliseum DTS Audio 5.1 DTS-Audio-CD 5.1 SBD/AUD Mix by dan@am-dig.com
|
notes
|
| 8728. |
11/01/85 |
Flac 24/96 - 0,
96195 |
Richmond |
Richmond Coliseum flac24; Source: 2x Sennheiser 421 > Sony TC-D5 > Sony TC-D5 Master Cassettes Maxell MX–90’s Location: FOB, 20' from stage. Center patched out of Steve Adleman Transfer: Nakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer > CD WAVE > TLH > Flac Taped, Transfer, Mastering by: Bill Koucky December 3, 2008
|
notes
|
| 8729. |
11/01/85 |
Shn - 0,
20416 |
Richmond |
Richmond Coliseum Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 [recorded by the Oade Brothers]
|
notes
|
| 8730. |
11/01/85 |
Shn - 0,
32709 |
Richmond |
Richmond Coliseum Source: Can't remember shotgun mics > Sony D6 > Maxel MX 90s Location: As close as they'd let you get to the left of SBD. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN
|
notes
|
| 8731. |
11/01/85 |
Flac 16 - 0,
96194 |
Richmond |
Richmond Coliseum flac16; Source: 2x Sennheiser 421 > Sony TC-D5 > Sony TC-D5 Master Cassettes Maxell MX–90’s Location: FOB, 20' from stage. Center patched out of Steve Adleman Transfer: Nakamichi DR-1 > Korg MR-1 > DSF [1-bit 2.8 MHz Stereo] Rate Conversion: Korg AudioGate to WAV [24/96] Mastering in WaveLab with iZotope Ozone 3 (eq) and Waves L3 Multimaximizer Rate Conversion to WAV [16/44.1] with r8brain > CD WAVE > TLH > Flac Taped, Transfer, Mastering by: Bill Koucky December 3, 2008
|
notes
|
| 8732. |
11/01/85 |
Flac 24/96 - 0,
126321 |
Richmond |
Richmond Coliseum flac24; source: (3) audio technica atm 11 (fob)> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8733. |
11/01/85 |
Shn - 0,
9217 |
Richmond |
Richmond Coliseum Sources: Primary Source:Oade DFOB -- Schoeps CMC441 (spaced 17cm@90deg) + CMC42 (Spread 8')> Oade M118 > Sony PCM-F1 > DAT (@44.1k) DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable: Secondary Source:Charlie Connor's Cassette Master: FOB>Beyer M88's>Sony TCM D5>Wav:The Secondary Source Supplies patch on d1t02 3:28-3:34: Seeded to etree by Darrin Sacks with thanks to JJ; also to abgd via Charlie Connor; 3/01 update: this date is now released as Dick's Picks 21- go buy that
|
notes
|
| 8734. |
11/01/85 |
Flac 16/48 - 0,
151915 |
Richmond |
Richmond Coliseum flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8735. |
11/01/85 |
Flac 24/96 - 0,
151916 |
Richmond |
Richmond Coliseum flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8736. |
11/02/85 |
Flac 16 Mtx - 0,
27582 |
Richmond |
Richmond Coliseum flac16; Matrix from 3 sources: SBD> ?> DAT> CD> EAC> WAV> SHN; AUD - Connor (FOB) Mics: Beyer Dynamic M88's; AUD - Oade (Tapers? Section) Mics: Schoeps (2 x CMC441, 1 x CMC42)> Sony PCM-F1; Matrixed by Chris Chappell
|
notes
|
| 8737. |
11/02/85 |
Shn - 0,
14804 |
Richmond |
Richmond Coliseum SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN
|
notes
|
| 8738. |
11/02/85 |
Shn - 0,
20663 |
Richmond |
Richmond Coliseum Schoeps CMC441s (90deg, 17cm) with single Omni center channel mic (CMC42 offset ~ 8' - mixed into main pair of CMC 441s) > custom mixer made by Doug Oade (M118 circuit in a 3 channel package) > Oade mod SONY PCM-F1 [recorded by the Oade Brothers]
|
notes
|
| 8739. |
11/02/85 |
Flac 16 - 0,
91238 |
Richmond |
Richmond Coliseum flac16; MAC; 2 x Sennheiser 421 > Sony D5 > D5 > Maxell XLII-S 90 (Set I) Maxell MX90 (Set II). Recorded by Lucien Zaleski. Transferred and Mastered by Alex Ford. Master audience cassettes provided by Mark McCue.
|
notes
|
| 8740. |
11/02/85 |
Flac 16 - 0,
77525 |
Richmond |
Richmond Coliseum flac16; SRC: MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B in)) taped by Tim Alexander; Transfer: MAC playback on Nak DR-1 (Dolby B out) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC
|
notes
|
| 8741. |
11/02/85 |
Flac 24/48 - 0,
77906 |
Richmond |
Richmond Coliseum flac24; SRC: MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B)) taped by Tim Alexander Transfer: MAC playback on Nak DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC
|
notes
|
| 8742. |
11/02/85 |
Flac 16 - 0,
137152 |
Richmond |
Richmond Coliseum flac16; (original shnid = 14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN - pitch correction and patches by Kevin Tobin
|
notes
|
| 8743. |
11/02/85 |
Flac LPCM 5.1 - 0,
137207 |
Richmond |
Richmond Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN + AUD (shnid=4772)(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd - mixing by Kevin Tobin
|
notes
|
| 8744. |
11/02/85 |
Flac Dts 5.1 - 0,
137206 |
Richmond |
Richmond Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN + AUD (shnid=4772)(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd - dts mixing by Kevin Tobin
|
notes
|
| 8745. |
11/02/85 |
Flac Mtx. - 0,
137205 |
Richmond |
Richmond Coliseum flac16; Matrix 2 Source Mix - SBD (shnid=14604) SBD > ? > DAT > CD > EAC > WAV > CoolEdit2000 (retracking) >SHN + AUD (shnid=4772)(FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd - matrix mixing by Kevin Tobin
|
notes
|
| 8746. |
11/02/85 |
Shn - 0,
4772 |
Richmond |
Richmond Coliseum (FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>SHNv3 (MKW ACT): Analog and digital mastering by Charlie Connor; seeded to abgd
|
notes
|
| 8747. |
11/02/85 |
Shn - 0,
32798 |
Richmond |
Richmond Coliseum Source: Can't remember shotgun mics > Sony D6 > Maxel MX 90s Location: As close as they'd let you get Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN via Charles Bandrofcheck
|
notes
|
| 8748. |
11/02/85 |
Flac 16 - 0,
121577 |
Richmond |
Richmond Coliseum flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 8749. |
11/02/85 |
Flac 24/96 - 0,
126333 |
Richmond |
Richmond Coliseum flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8750. |
11/02/85 |
Flac 24/96 - 0,
148861 |
Richmond |
Richmond Coliseum flac24; Source Info: Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8751. |
11/02/85 |
Flac 16/48 - 0,
148860 |
Richmond |
Richmond Coliseum flac16/48kHz; Source Info: Ted Mattes and Robby Hunt's Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8752. |
11/02/85 |
Flac 16/48 - 0,
151992 |
Richmond |
Richmond Coliseum flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8753. |
11/02/85 |
Flac 24/96 - 0,
151993 |
Richmond |
Richmond Coliseum flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8754. |
11/04/85 |
Shn - 0,
7801 |
Worcester |
The Centrum SBD:MC> DAT> C> DAT> CD; via Skip Jenkins; Peter Braverman
|
notes
|
| 8755. |
11/04/85 |
Flac 16 - 0,
132765 |
Worcester |
The Centrum flac16; Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Master PCM > DAW (via SEKD Prodif) > Wav; Recorded by the Oade Brothers; Mastering by Dave Usborne
|
notes
|
| 8756. |
11/04/85 |
Flac 16 - 0,
83072 |
Worcester |
The Centrum flac16; SBD:MC> DAT> C> DAT> CD> SHN> Cool Edit pitch correction and patching> FLAC (fixed version of shn id 7801) by Bill Tetzeli
|
notes
|
| 8757. |
11/04/85 |
Flac 16 - 0,
79656 |
Worcester |
The Centrum flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS at SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 8758. |
11/04/85 |
Flac 16 - 0,
77298 |
Worcester |
The Centrum flac16; SRC: MAC (Senn 421's + Nak 300s > Yamaha mixer > Sony D-5); Transfer: Playback on Nak DR-1 > HD-P2 > WAV > FLAC
|
notes
|
| 8759. |
11/04/85 |
Flac 24/48 - 0,
77835 |
Worcester |
The Centrum flac24; SRC: MAC (2 Senn 421s + 2 Nak 300 shotguns) > Yamaha mixer > Sony D-5 (Dolby B)) taped by Tim Alexander Transfer: MAC playback on Nak DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLACTransferred by Bill Tetzeli
|
notes
|
| 8760. |
11/04/85 |
Flac 24/96 - 0,
126360 |
Worcester |
The Centrum flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8761. |
11/04/85 |
Shn - 0,
11880 |
Worcester |
The Centrum Taper: phil Unger;Nakamici #100 Shotguns> SonyD5; CD Transfer Info: Denon D-790R > Audiophile 2496 > Cool Edit 2000 > Wav > SHN; Tracked with CD Wave: Seeded to ABGD
|
notes
|
| 8762. |
11/04/85 |
Flac 16 - 0,
77167 |
Worcester |
The Centrum flac16; 2nd Set Only: Beyer Dynamic M88's>Sony TCD5M (CM - Maxell Mx90)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and transferred by Charlie Connor
|
notes
|
| 8763. |
11/04/85 |
Flac 16 - 0,
106580 |
Worcester |
The Centrum flac16;Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Taper Section 101, Row CC, Seat 14 by Bob Morris.
|
notes
|
| 8764. |
11/04/85 |
Flac 24/96 - 0,
114674 |
Worcester |
The Centrum flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 101, Row CC, Seat 14 by Bob Morris
|
notes
|
| 8765. |
11/04/85 |
Flac 24/96 - 0,
148635 |
Worcester |
The Centrum flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8766. |
11/04/85 |
Flac 16/48 - 0,
148634 |
Worcester |
The Centrum flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8767. |
11/04/85 |
Flac 16 - 0,
150099 |
Worcester |
The Centrum flac16; SBD Cassette > DAT > FLAC
|
notes
|
| 8768. |
11/04/85 |
Flac 16/48 - 0,
151944 |
Worcester |
The Centrum flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section 5, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8769. |
11/04/85 |
Flac 24/96 - 0,
151995 |
Worcester |
The Centrum flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section 5, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8770. |
11/05/85 |
Shn - 0,
188 |
Worcester |
The Centrum sdb> reel master> cassette> dat> cdr; via Mike Lai
|
notes
|
| 8771. |
11/05/85 |
Flac 16/48 - 0,
143430 |
Worcester |
The Centrum flac16/48kHz; Source: sbd > cassette master > reel > dat (48k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick October 2018
|
notes
|
| 8772. |
11/05/85 |
Shn - 0,
21246 |
Worcester |
The Centrum Source: Audience (Tapers? Section) ? Digital Master Mics: Schoeps (2 x CMC441) Processor: Sony PCM-F1 (Oade Modified) Tape Deck: Sony Portable BetaMax Taper: Oades Tracked: Conrad
|
notes
|
| 8773. |
11/05/85 |
Flac 16 - 0,
77163 |
Worcester |
The Centrum flac16; 2nd Set Only: Beyer Dynamic M88's>Sony TCD5M (CM - Maxell Mx90)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57(tracking only)>flac16 Taped and transferred by Charlie Connor
|
notes
|
| 8774. |
11/05/85 |
Flac 16 - 0,
79669 |
Worcester |
The Centrum flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS behind SBD, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci
|
notes
|
| 8775. |
11/05/85 |
Flac 16 - 0,
87482 |
Worcester |
The Centrum flac16; taper ; Joe D'Amico nak 300 mics > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 8776. |
11/05/85 |
Flac 16 - 0,
106581 |
Worcester |
The Centrum flac16; Recorded from Taper Section 101, Row DD, Seat 2 by Bob Morris. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
|
notes
|
| 8777. |
11/05/85 |
Flac 24/96 - 0,
114675 |
Worcester |
The Centrum flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 101, Row DD, Seat 2 by Bob Morris
|
notes
|
| 8778. |
11/05/85 |
Flac 24/96 - 0,
126366 |
Worcester |
The Centrum flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8779. |
11/05/85 |
Flac 16 - 0,
150100 |
Worcester |
The Centrum flac16; SBD Cassette > DAT > FLAC
|
notes
|
| 8780. |
11/05/85 |
Flac 16/48 - 0,
151996 |
Worcester |
The Centrum flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section 5, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8781. |
11/05/85 |
Flac 24/96 - 0,
151997 |
Worcester |
The Centrum flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section 5, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8782. |
11/07/85 |
Flac 16 - 0,
88815 |
Rochester |
Community War Memorial Auditorium flac16; Recording Info: SBD -> Cassette Master -> Reel -> Dat Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.12 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller (This is a repatch of shn id 88727.)
|
notes
|
| 8783. |
11/07/85 |
Shn - 0,
22798 |
Rochester |
Community War Memorial Auditorium Tapers: Oade Bros Field: Schoeps CMC441 (TS, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1 Transfer: Master PCM > DAW (via SEKD card) > DSP* > CD data > HD > CDWave 1.7 > Wavelab 4 > mkwACT0.97b (SHN) Seeded via Bit Torrent February 23, 2004 by macdaddy
|
notes
|
| 8784. |
11/07/85 |
Flac 16 - 0,
127712 |
Rochester |
Community War Memorial Auditorium flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, with no Dolby. Set up to the right (stage left) of the SBD. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 04/2014
|
notes
|
| 8785. |
11/07/85 |
Shn - 0,
5300 |
Rochester |
Community War Memorial Auditorium SBD (MSC> Reel> DAT> CDR> TAE> CDR> EAC> Shnv3) with AUD patches (FOB AUD> Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3); assembled by Charlie Connor, from Dave Shepard's SBD seed and Cahrlie's AUD; alternative d1 AUD tracks also included
|
notes
|
| 8786. |
11/07/85 |
Flac 24 - 0,
139716 |
Rochester |
Community War Memorial Auditorium flac24; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8787. |
11/07/85 |
Flac 16 - 0,
139852 |
Rochester |
Community War Memorial Auditorium flac16; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8788. |
11/07/85 |
Flac 16/48 - 0,
142341 |
Rochester |
Community War Memorial Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 139716) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 127711) Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, with no Dolby. Set up to the right (stage left) of the SBD. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 04/2014 - surround mixing by Kevin Tobin
|
notes
|
| 8789. |
11/07/85 |
Flac Dts 5.1 - 0,
142338 |
Rochester |
Community War Memorial Auditorium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 139716) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 127711) Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, with no Dolby. Set up to the right (stage left) of the SBD. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 04/2014 - dts mixing by Kevin Tobin
|
notes
|
| 8790. |
11/07/85 |
Flac 16 Mtx - 0,
142337 |
Rochester |
Community War Memorial Auditorium flac16; Matrix 2 Source Mix - SBD (shnid = 139716) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 127711) Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, with no Dolby. Set up to the right (stage left) of the SBD. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 04/2014 - matrix mixing by Kevin Tobin
|
notes
|
| 8791. |
11/07/85 |
Flac 24/96 - 0,
114676 |
Rochester |
Community War Memorial Auditorium flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded by Bob Morris
|
notes
|
| 8792. |
11/07/85 |
Flac 24/96 - 0,
89069 |
Rochester |
Community War Memorial Auditorium flac24; Source: Nakamichi CM300's(with CP4 shotgun caps/pointed)>Sony D5M Location: Front left corner of board, stand at 10 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud>Cdwav>flac24 Taped, transfered and uploaded by Tony S./nak700
|
notes
|
| 8793. |
11/07/85 |
Flac 16 - 0,
111088 |
Rochester |
Community War Memorial Auditorium flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 8794. |
11/07/85 |
Flac 16 - 0,
102153 |
Rochester |
Community War Memorial Auditorium flac16; Recorded by Ray Ackerman (2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5 Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16 Conversion by Ray Ackerman. Tracks, FLACs, Tags by Craig Taraszki
|
notes
|
| 8795. |
11/07/85 |
Flac 16 - 0,
87494 |
Rochester |
Community War Memorial Auditorium flac16; taper : Joe D'Amico ''aka'' Joebeacon nak 300 mics > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 8796. |
11/07/85 |
Flac 16 - 0,
77503 |
Rochester |
Community War Memorial Auditorium flac16; Source: Nakamichi CM300's(with CP4 shotgun caps/pointed)>Sony D5M Location: Front left corner of board, stand at 10 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700
|
notes
|
| 8797. |
11/07/85 |
Flac 16 - 0,
30554 |
Rochester |
Community War Memorial Auditorium flac16; Recording Info: FOB AUD>Beyer Dynamic M88's>Sony TCD5M(CM Maxell Mx 90) Transfer INfo: Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>Flac Front End; Recorded and digitally mastered by Charlie Connor
|
notes
|
| 8798. |
11/07/85 |
Shn - 0,
25276 |
Rochester |
Community War Memorial Auditorium Taped & Transfered by Brian Mandel Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn. Sector boundaries verrified via shn tools.
|
notes
|
| 8799. |
11/07/85 |
Flac 24/96 - 0,
126422 |
Rochester |
Community War Memorial Auditorium flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8800. |
11/07/85 |
Flac 24/48 - 0,
127711 |
Rochester |
Community War Memorial Auditorium flac24; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90s, with no Dolby. Set up to the right (stage left) of the SBD. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 04/2014
|
notes
|
| 8801. |
11/07/85 |
Flac 24/96 - 0,
148633 |
Rochester |
Community War Memorial Auditorium flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8802. |
11/07/85 |
Flac 16/48 - 0,
148632 |
Rochester |
Community War Memorial Auditorium flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8803. |
11/07/85 |
Flac 16/48 - 0,
151998 |
Rochester |
Community War Memorial Auditorium flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8804. |
11/07/85 |
Flac 24/96 - 0,
151999 |
Rochester |
Community War Memorial Auditorium flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8805. |
11/07/85 |
Flac 24/48 - ,
154070 |
Rochester |
Community War Memorial Auditorium flac24/48 Master: MAUD CA Microphones: AKG C 422 crossed figure 8's (crossed at 90') handheld shoulder height >> Recorder: Sony TC-D5M| Maxell MX 90's no Dolby Location: approximately 40 feet from stage; 50 feet LOC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook Transferred: Kyle Holbrook
|
notes
|
| 8806. |
11/07/85 |
Flac 16/44 - ,
154069 |
Rochester |
Community War Memorial Auditorium flac16/44 Master: MAUD CA Microphones: AKG C 422 crossed figure 8's (crossed at 90') handheld shoulder height >> Recorder: Sony TC-D5M| Maxell MX 90's no Dolby Location: approximately 40 feet from stage; 50 feet LOC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook Transferred: Kyle Holbrook
|
notes
|
| 8807. |
11/08/85 |
Shn - 0,
35361 |
Rochester |
Community War Memorial Auditorium Seamless fix of shn id 5301 - Master Soundboard Cassette > Reel to Reel > DAT > CDR > WAV > SHN
|
notes
|
| 8808. |
11/08/85 |
Shn - 0,
5301 |
Rochester |
Community War Memorial Auditorium Master Soundboard Cassette > Reel to Reel > DAT > CDR, with patches from Charlie Connor's Master Audience Cassette (Beyer M88 mics> Sony TC-D5M in d1t7,8; CD Mastering, EAC> SHN by Scott Clugston; d2 tracked for 80 min
|
notes
|
| 8809. |
11/08/85 |
Flac 16 - 0,
86547 |
Rochester |
Community War Memorial Auditorium flac16; AUD Source: AKG CK1's > Uher CR-240 > Sony TC-D5M (first deck out). Taped onto Maxell MX-90's with no Dolby. Mics on stand (aprx 7 feet) set up just to the left (stage right) of the soundboard. Transfer by Jim Wise (2002), MAC > Nakamichi Dragon (no Dolby) > HHB CDR-800 > CDR. EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC
|
notes
|
| 8810. |
11/08/85 |
Flac 24 - 0,
139717 |
Rochester |
Community War Memorial Auditorium flac24; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8811. |
11/08/85 |
Flac 16 - 0,
139899 |
Rochester |
Community War Memorial Auditorium flac16; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8812. |
11/08/85 |
Flac 16/48 - 0,
142752 |
Rochester |
Community War Memorial Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 139717) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 126696) source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - surround mixing by Kevin Tobin
|
notes
|
| 8813. |
11/08/85 |
Flac Dts 5.1 - 0,
142751 |
Rochester |
Community War Memorial Auditorium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 139717) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 126696) source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - dts mixing by Kevin Tobin
|
notes
|
| 8814. |
11/08/85 |
Flac 24 Mtx - 0,
142749 |
Rochester |
Community War Memorial Auditorium flac24; Matrix 2 Source Mix - SBD (shnid = 139717) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 126696) source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - matrix mixing by Kevin Tobin
|
notes
|
| 8815. |
11/08/85 |
Flac 16 Mtx - 0,
142750 |
Rochester |
Community War Memorial Auditorium flac16; Matrix 2 Source Mix - SBD (shnid = 139717) Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 126696) source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - matrix mixing by Kevin Tobin
|
notes
|
| 8816. |
11/08/85 |
Flac 24/96 - 0,
142747 |
Rochester |
Community War Memorial Auditorium flac24; Patched & Pitch Corrected Audience (original shnid = 126696) source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - pitch correction and patches by Kevin Tobin
|
notes
|
| 8817. |
11/08/85 |
Flac 16 - 0,
124748 |
Rochester |
Community War Memorial Auditorium flac16; Patched & Pitch Corrected Audience (original shnid = 126696) source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit - pitch correction and patches by Kevin Tobin
|
notes
|
| 8818. |
11/08/85 |
Flac 24/96 - 0,
114677 |
Rochester |
Community War Memorial Auditorium flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded by Bob Morris
|
notes
|
| 8819. |
11/08/85 |
Shn - 0,
4773 |
Rochester |
Community War Memorial Auditorium AUD FOB> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT); d2 tracked for 80 min; taped, transferred and seeded to abgd by Charlie Connor
|
notes
|
| 8820. |
11/08/85 |
Shn - 0,
25275 |
Rochester |
Community War Memorial Auditorium Taped & Transfered by Brian Mandel Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn. Sector boundaries verrified via shn tools.
|
notes
|
| 8821. |
11/08/85 |
Flac 16 - 0,
79024 |
Rochester |
Community War Memorial Auditorium flac16; Source: Nakamichi CM300's(with CP4 shotgun caps/pointed)>Sony D5M Location: Front left corner of board, stand at 10 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16bit>Cdwav>flac Taped, transfered and uploaded by Tony S.
|
notes
|
| 8822. |
11/08/85 |
Flac 16 - 0,
87509 |
Rochester |
Community War Memorial Auditorium flac16; taper : Joe D'Amico nak 300 mics > sony d-5 infront of the soundboard nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 8823. |
11/08/85 |
Flac 16 - 0,
106807 |
Rochester |
Community War Memorial Auditorium flac16;Recorded by Bob Morris. Transferred & edited by Bob Morris 11/09. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
|
notes
|
| 8824. |
11/08/85 |
Shn - 0,
22023 |
Rochester |
Community War Memorial Auditorium Tapers: Oade Bros Field: Schoeps CMC441 (TS, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1 Transfer: Master PCM > DAW (via SEKD card) > DSP* > CD data > HD > CDWave 1.7 > Wavelab 4 > mkwACT0.97b (SHN) Tracking, fades and verification done by dwonk. First hosted via Bit Torrent February 5, 2004 by macdadd
|
notes
|
| 8825. |
11/08/85 |
Flac 24/96 - 0,
126696 |
Rochester |
Community War Memorial Auditorium flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8826. |
11/08/85 |
Flac 24/96 - 0,
149436 |
Rochester |
Community War Memorial Auditorium flac24; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 8827. |
11/08/85 |
Flac 16/48 - 0,
149435 |
Rochester |
Community War Memorial Auditorium flac16/48kHz; Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8828. |
11/08/85 |
Flac 16/48 - 0,
152020 |
Rochester |
Community War Memorial Auditorium flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8829. |
11/08/85 |
Flac 24/96 - 0,
152021 |
Rochester |
Community War Memorial Auditorium flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Taper's Section); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8830. |
11/08/85 |
Flac 24/48 - ,
154072 |
Rochester |
Community War Memorial Auditorium flac24/48 Microphones: AKG C 422 crossed figure 8's (crossed at 90') on monopod shoulder height >> Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; 50 feet LOC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kyle Holbrook Transferred by kyle@rocksuitcase.com Fourteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8831. |
11/08/85 |
Flac 16/44 - ,
154071 |
Rochester |
Community War Memorial Auditorium flac16/44 Microphones: AKG C 422 crossed figure 8's (crossed at 90') on monopod shoulder height >> Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; 50 feet LOC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kyle Holbrook Transferred by kyle@rocksuitcase.com Fourteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8832. |
11/10/85 |
Shn - 0,
12264 |
East Rutherford |
Meadowlands Arena Master Soundboard Cassette > DAT > Sonic Solutions > CD seeded by Steve Barbella
|
notes
|
| 8833. |
11/10/85 |
Flac 16 - 0,
128517 |
East Rutherford |
Meadowlands Arena flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS90 (1st set) & TDK MA90 (2nd set) with no Dolby. Set up last row of floor far right (stage left) side. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 05/2014
|
notes
|
| 8834. |
11/10/85 |
Shn - 0,
12202 |
East Rutherford |
Meadowlands Arena SBD> CM> DAT> DAT CLONE> CDR> EAC >SHN; transfer via Ken Doughty; EAC/SHN'd via Barbara Doughty; Seeded to Furthur Network via JBGoode4 Known flaws: d1t06 - end of All Over Now clipped(tape flip)
|
notes
|
| 8835. |
11/10/85 |
Flac 16 - 0,
141082 |
East Rutherford |
Meadowlands Arena flac16; Source Info: Master Soundboard Cassette (dolby b decoded) > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 8836. |
11/10/85 |
Shn - 0,
32638 |
East Rutherford |
Meadowlands Arena shotgun mics > Sony D6 > Maxell MX 90's. First right hand seat of taper section 12" stand. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN via Charlie
|
notes
|
| 8837. |
11/10/85 |
Shn - 0,
25472 |
East Rutherford |
Meadowlands Arena Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools via Brian Mandel
|
notes
|
| 8838. |
11/10/85 |
Flac 16 - 0,
87524 |
East Rutherford |
Meadowlands Arena flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cooledit pro > flac frontend
|
notes
|
| 8839. |
11/10/85 |
Flac 16 - 0,
106808 |
East Rutherford |
Meadowlands Arena flac16;Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris. Transferred, edited, patched by Bob M 11/09. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
|
notes
|
| 8840. |
11/10/85 |
Shn - 0,
4774 |
East Rutherford |
Meadowlands Arena AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT); d2 tracked for 80 min; Taped and Transferred by Charlie Connor
|
notes
|
| 8841. |
11/10/85 |
Shn - 0,
7955 |
East Rutherford |
Meadowlands Arena Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd.
|
notes
|
| 8842. |
11/10/85 |
Shn - 0,
19212 |
East Rutherford |
Meadowlands Arena Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taping, transfer by Doug Oade, fileset prep by dwonk, seeded via BT by macdaddy; note no DAE and possible remaster compared to previous shn set
|
notes
|
| 8843. |
11/10/85 |
Flac 16 - 0,
79689 |
East Rutherford |
Meadowlands Arena flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS Floor Section 5, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 8844. |
11/10/85 |
Flac 16 - 0,
127525 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: SBD Grateful Dead hour shows transferred music only shows No. 393, 394, 395 > Pre FM Satellite Feed > Nak pro deck > Maxell metal cassettes; Transfer Info: Master cassettes > Nak DR2 deck > Sound Forge Pro 10 > wav Traders Little Helper > flac
|
notes
|
| 8845. |
11/10/85 |
Flac 24/96 - 0,
126721 |
East Rutherford |
Meadowlands Arena flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8846. |
11/10/85 |
Flac 16 - 0,
145354 |
East Rutherford |
Meadowlands Arena flac16; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1
|
notes
|
| 8847. |
11/10/85 |
Flac 24/96 - 0,
114678 |
East Rutherford |
Meadowlands Arena flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris
|
notes
|
| 8848. |
11/10/85 |
Flac 24/96 - 0,
141651 |
East Rutherford |
Meadowlands Arena flac24; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
|
notes
|
| 8849. |
11/10/85 |
Flac 16 Mtx - 0,
142930 |
East Rutherford |
Meadowlands Arena flac16; Matrix 2 Source Mix - SBD (shnid = 141082) Source Info: Master Soundboard Cassette (dolby b decoded) > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac16 + AUD (shnid = 7955) Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd. - matrix mixing by Kevin Tobin
|
notes
|
| 8850. |
11/10/85 |
Flac 16 Dts.5.1 - 0,
142931 |
East Rutherford |
Meadowlands Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141082) Source Info: Master Soundboard Cassette (dolby b decoded) > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac16 + AUD (shnid = 7955) Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd. - dts mixing by Kevin Tobin
|
notes
|
| 8851. |
11/10/85 |
Flac 16/48 - 0,
141932 |
East Rutherford |
Meadowlands Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141082) Source Info: Master Soundboard Cassette (dolby b decoded) > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac16 + AUD (shnid = 7955) Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd. - surround mixing by Kevin Tobin
|
notes
|
| 8852. |
11/10/85 |
Flac 24/96 - 0,
148906 |
East Rutherford |
Meadowlands Arena flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8853. |
11/10/85 |
Flac 16/48 - 0,
148905 |
East Rutherford |
Meadowlands Arena flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8854. |
11/10/85 |
Flac 16 - 0,
149792 |
East Rutherford |
Meadowlands Arena flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche
|
notes
|
| 8855. |
11/10/85 |
Flac 24/96 - 0,
151337 |
East Rutherford |
Meadowlands Arena flac24/96khz Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 8856. |
11/10/85 |
Flac 16/48 - 0,
151336 |
East Rutherford |
Meadowlands Arena flac16/48khz Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 8857. |
11/10/85 |
Flac 16/48 - 0,
152045 |
East Rutherford |
Meadowlands Arena flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section B, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8858. |
11/10/85 |
Flac 24/96 - 0,
152046 |
East Rutherford |
Meadowlands Arena flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section B, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8859. |
11/10/85 |
Flac 24/48 - ,
154261 |
East Rutherford |
Meadowlands Arena flac24/48 Master: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 60' set 1; 90' set 2) head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (second in line) Location: approximately 70 feet from stage; 10 feet ROC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook Fifteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8860. |
11/10/85 |
Flac 16/44 - ,
154260 |
East Rutherford |
Meadowlands Arena flac16/44 Master: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 60' set 1; 90' set 2) head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (second in line) Location: approximately 70 feet from stage; 10 feet ROC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook Fifteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8861. |
11/11/85 |
Flac 16 Mtx - 0,
95966 |
East Rutherford |
Meadowlands Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 8862. |
11/11/85 |
Shn - 0,
14862 |
East Rutherford |
Meadowlands Arena Lineage:SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT(seekable)Editing: SHN>WAV>CE2K> shntool>mkwACT Transfer by Ken Doughty. Editing by Matt Cole. Seeded by JBGoode4
|
notes
|
| 8863. |
11/11/85 |
Flac 16 - 0,
94621 |
East Rutherford |
Meadowlands Arena flac16; MAC; (FOB) 2 x Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) and TDK MA-R90(Set II). Lineage: Master Audience Cassettes> Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3(@ 24/96)> coax> Audiophile 2496> WaveLab 5.0> .wav @ 24/96> Waves L3 UltraMaximizer> .wav @ 16/44.1> CD Wave Editor> Trader's Little Helper> FLAC16. Taped by Mark McCue. Transferred and Mastered by Alex Ford.
|
notes
|
| 8864. |
11/11/85 |
Flac 16 - 0,
95245 |
East Rutherford |
Meadowlands Arena flac16; Repitch of McCue source shn id 94621: FOB 2 x Sennheiser 441 > Sony D5 > Maxell XLII-S 90 Set I and TDK MA-R90 Set II along with putting channels back in phase and other small edits.
|
notes
|
| 8865. |
11/11/85 |
Flac 16/48 - 0,
143076 |
East Rutherford |
Meadowlands Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 14862) Lineage: SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT (seekable) Editing: SHN>WAV>CE2K> shntool>mkwACT Transfer by Ken Doughty. Editing by Matt Cole. Seeded by JBGoode4 + AUD (shnid = 19303) Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taped and transferred by Doug Oade; Fades, track cuts, WAV > SHN conversion & verification done by dwonk; seeded by macdaddy via BT - surround mixing by Kevin Tobin
|
notes
|
| 8866. |
11/11/85 |
Flac Dts 5.1 - 0,
143075 |
East Rutherford |
Meadowlands Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 14862) Lineage: SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT (seekable) Editing: SHN>WAV>CE2K> shntool>mkwACT Transfer by Ken Doughty. Editing by Matt Cole Seeded by JBGoode4 + AUD (shnid = 19303) Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taped and transferred by Doug Oade; Fades, track cuts, WAV > SHN conversion & verification done by dwonk; seeded by macdaddy via BT - dts mixing by Kevin Tobin
|
notes
|
| 8867. |
11/11/85 |
Flac 16 Mtx - 0,
143074 |
East Rutherford |
Meadowlands Arena flac16; Matrix 2 Source Mix - SBD (shnid = 14862) Lineage: SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT(seekable) Editing: SHN>WAV>CE2K> shntool>mkwACT Transfer by Ken Doughty. Editing by Matt Cole Seeded by JBGoode4 + AUD (shnid = 19303) Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taped and transferred by Doug Oade; Fades, track cuts, WAV > SHN conversion & verification done by dwonk; seeded by macdaddy via BT - matrix mixing by Kevin Tobin
|
notes
|
| 8868. |
11/11/85 |
Flac 16 - 0,
143073 |
East Rutherford |
Meadowlands Arena flac16; Remastered & Patched & Pitch Corrected Soundboard - SBD:(original shnid = 14862) Lineage: SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT(seekable) Editing: SHN>WAV>CE2K> shntool>mkwACT Transfer by Ken Doughty. Editing by Matt Cole Seeded by JBGoode4 - remastered by Charlie Miller with pitch correction and patches by Kevin Tobin
|
notes
|
| 8869. |
11/11/85 |
Flac 16 - 0,
79719 |
East Rutherford |
Meadowlands Arena flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS Floor Section 5, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci
|
notes
|
| 8870. |
11/11/85 |
Flac 16 - 0,
87540 |
East Rutherford |
Meadowlands Arena flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 8871. |
11/11/85 |
Flac 24/96 - 0,
114679 |
East Rutherford |
Meadowlands Arena flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris
|
notes
|
| 8872. |
11/11/85 |
Shn - 0,
19303 |
East Rutherford |
Meadowlands Arena Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taped and transferred by Doug Oade; Fades, track cuts, WAV > SHN conversion & verification done by dwonk; seeded by macdaddy via BT
|
notes
|
| 8873. |
11/11/85 |
Shn - 0,
32639 |
East Rutherford |
Meadowlands Arena unknown shotguns > Sony D6 > Maxell MX 90's. First right hand seat of taper section 12" stand. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN via Charlie Bandrofcheck
|
notes
|
| 8874. |
11/11/85 |
Shn - 0,
33584 |
East Rutherford |
Meadowlands Arena Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn
|
notes
|
| 8875. |
11/11/85 |
Flac 16 - 0,
106809 |
East Rutherford |
Meadowlands Arena flac16;Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris. Transferred & edited by Bob Morris 11/09. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
|
notes
|
| 8876. |
11/11/85 |
Flac 24/96 - 0,
126730 |
East Rutherford |
Meadowlands Arena flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 8877. |
11/11/85 |
Shn - 0,
12083 |
East Rutherford |
Meadowlands Arena 2nd set only; Schoeps CMC 341's> Master Cassette > DAT > CDR; via Storyteller; Seeded to etree by Steve Barbella
|
notes
|
| 8878. |
11/11/85 |
Shn - 0,
17960 |
East Rutherford |
Meadowlands Arena MAC > CDR > WAV > SHN. Audience analog cassette master 2 Nakamichi cm-700's > Sony tc-d5M(dolby b) recorded by Mark Cohen. a-d transfer > SHN by Anne Cohen.
|
notes
|
| 8879. |
11/11/85 |
Flac 16 - 0,
149798 |
East Rutherford |
Meadowlands Arena flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche
|
notes
|
| 8880. |
11/11/85 |
Flac 16/48 - 0,
152047 |
East Rutherford |
Meadowlands Arena flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section B, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8881. |
11/11/85 |
Flac 24/96 - 0,
152048 |
East Rutherford |
Meadowlands Arena flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section B, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496
|
notes
|
| 8882. |
11/16/85 |
Shn - 0,
18374 |
Long Beach |
Long Beach Arena Lineage: SBD>CM>C>DAT>DAT>CD>EAC>SHN>WAV>CE2K>CDWAVE>SHNTOOL>mkwACT(seekable); Patched with shnid=12263 (Schoeps MK41?s>PCM>DAT>CDR). Source files prepared and provided by JBGoode1; Editing by MattMan.
|
notes
|
| 8883. |
11/16/85 |
Flac 16 - 0,
134553 |
Long Beach |
Long Beach Arena flac16; AUD: Unknown mics (see note) > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015
|
notes
|
| 8884. |
11/16/85 |
Flac 24/48 - 0,
134552 |
Long Beach |
Long Beach Arena flac24; AUD: Unknown mics (see note) > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2015
|
notes
|
| 8885. |
11/16/85 |
Shn - 0,
12263 |
Long Beach |
Long Beach Arena Schoeps MK41?s > PCM > DAT > CDR seeded by Steve Barbella
|
notes
|
| 8886. |
11/16/85 |
Flac 24/96 - 0,
148775 |
Long Beach |
Long Beach Arena flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8887. |
11/16/85 |
Flac 16/48 - 0,
148774 |
Long Beach |
Long Beach Arena flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8888. |
11/17/85 |
Shn - 0,
12360 |
Long Beach |
Long Beach Arena Master Soundboard Cassette > DAT > CD uploaded by Steve Barbella
|
notes
|
| 8889. |
11/17/85 |
Flac 16 - 0,
134589 |
Long Beach |
Long Beach Arena flac16; AUD: Unknown mics (see note) > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 11/2015
|
notes
|
| 8890. |
11/17/85 |
Flac 24/48 - 0,
134588 |
Long Beach |
Long Beach Arena flac24; AUD: Unknown mics (see note) > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 11/2015
|
notes
|
| 8891. |
11/17/85 |
Shn - 0,
12361 |
Long Beach |
Long Beach Arena Schoeps MK41?s > PCM > DAT > CDR uploaded by Steve Barbella
|
notes
|
| 8892. |
11/17/85 |
Flac 24/96 - 0,
148831 |
Long Beach |
Long Beach Arena flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8893. |
11/17/85 |
Flac 16/48 - 0,
148830 |
Long Beach |
Long Beach Arena flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8894. |
11/20/85 |
Flac 16 - 0,
105991 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8895. |
11/20/85 |
Flac 16 - 0,
77371 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 8896. |
11/20/85 |
Flac 16 - 0,
92898 |
Oakland |
Henry J. Kaiser Convention Center flac16; Hat Mounted Realistic pzm's with Sony WMD6-C Sony UCX-S 90 Cnr Offical Taping Section,120 feet away,dead center Master>D6>HD>Audicity>CDWave>TLH>Torrent
|
notes
|
| 8897. |
11/20/85 |
Flac 24/48 - 0,
135131 |
Oakland |
Henry J. Kaiser Convention Center flac24; AUD: Unknown mics > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2016
|
notes
|
| 8898. |
11/20/85 |
Flac 16 - 0,
135122 |
Oakland |
Henry J. Kaiser Convention Center flac16; AUD: Unknown mics > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2016
|
notes
|
| 8899. |
11/20/85 |
Flac Dts 5.1 - 0,
134789 |
Oakland |
Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; SBD (shnid=105991) Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 92898)Hat Mounted Realistic pzm's with Sony WMD6-C Sony UCX-S 90 Cnr Offical Taping Section,120 feet away,dead center Master>D6>HD>Audicity>CDWave>TLH>Torrent - dts mixing by Kevin Tobin
|
notes
|
| 8900. |
11/20/85 |
Flac 16 - 0,
134787 |
Oakland |
Henry J. Kaiser Convention Center flac16; (original shnid = 92898) Hat Mounted Realistic pzm's with Sony WMD6-C Sony UCX-S 90 Cnr Offical Taping Section,120 feet away,dead center Master>D6>HD>Audicity>CDWave>TLH>Torrent - pitch correction and patches by Kevin Tobin
|
notes
|
| 8901. |
11/20/85 |
Flac 16 Mtx - 0,
134788 |
Oakland |
Henry J. Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid=105991) Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 92898)Hat Mounted Realistic pzm's with Sony WMD6-C Sony UCX-S 90 Cnr Offical Taping Section,120 feet away,dead center Master>D6>HD>Audicity>CDWave>TLH>Torrent - matrix mixing by Kevin Tobin
|
notes
|
| 8902. |
11/20/85 |
Flac 16/48 - 0,
134823 |
Oakland |
Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k)- SBD (shnid=105991) Recording Info: SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 92898)Hat Mounted Realistic pzm's with Sony WMD6-C Sony UCX-S 90 Cnr Offical Taping Section,120 feet away,dead center Master>D6>HD>Audicity>CDWave>TLH>Torrent - mixing by Kevin Tobin
|
notes
|
| 8903. |
11/20/85 |
Flac 16 - 0,
98517 |
Oakland |
Henry J. Kaiser Convention Center flac16; vintage Uher's w/dbx>D5 FOB DFC spread 6ft MAC>NakCR-3A>dbx>HD>Audacity>CDwave>TLH; Recorded by Tazuo Yamaguchi and anon Transferred by Russ Cansler
|
notes
|
| 8904. |
11/20/85 |
Shn - 0,
15478 |
Oakland |
Henry J. Kaiser Convention Center Master Soundboard Cassette > Cassette > DAT > CDR via Andy Lemieux encoded by Matt Vernon
|
notes
|
| 8905. |
11/21/85 |
Flac 16 - 0,
105992 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8906. |
11/21/85 |
Shn - 0,
3351 |
Oakland |
Henry J. Kaiser Convention Center dsbd> pcm> dat> cdr; no filler; d1 same as previous shns, d2 md5s differ; via Mike Lai
|
notes
|
| 8907. |
11/21/85 |
Flac 16 - 0,
98519 |
Oakland |
Henry J. Kaiser Convention Center flac16; Vintage Uher's w/dbx>D5 FOB DFC spread 6ft MAC>NakCR-3A>dbx224>HD>Audacity>CDWave>TLH Recorded by Tazuo Yamaguchi and anon Transferred by Russ Cansler
|
notes
|
| 8908. |
11/21/85 |
Flac 24/48 - 0,
135123 |
Oakland |
Henry J. Kaiser Convention Center flac24; AUD: Unknown mics > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2016
|
notes
|
| 8909. |
11/21/85 |
Flac 16 - 0,
135124 |
Oakland |
Henry J. Kaiser Convention Center flac16; AUD: Unknown mics > Sony TC-D5 > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2016
|
notes
|
| 8910. |
11/21/85 |
Flac Dts 5.1 - 0,
134748 |
Oakland |
Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; SBD (shnid=105992) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid=98519) Vintage Uher's w/dbx>D5 FOB DFC spread 6ft MAC>NakCR-3A>dbx224>HD>Audacity>CDWave>TLH Recorded by Tazuo Yamaguchi and anon Transferred by Russ Cansler - DTS mixing by Kevin Tobin
|
notes
|
| 8911. |
11/21/85 |
Flac 16 Mtx - 0,
134747 |
Oakland |
Henry J. Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid=105992) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid=98519) Vintage Uher's w/dbx>D5 FOB DFC spread 6ft MAC>NakCR-3A>dbx224>HD>Audacity>CDWave>TLH Recorded by Tazuo Yamaguchi and anon Transferred by Russ Cansler - matrix mixing by Kevin Tobin
|
notes
|
| 8912. |
11/21/85 |
Flac 16 - 0,
134746 |
Oakland |
Henry J. Kaiser Convention Center flac16; (original shnid = 98519) Vintage Uher's w/dbx>D5 FOB DFC spread 6ft MAC>NakCR-3A>dbx224>HD>Audacity>CDWave>TLH Recorded by Tazuo Yamaguchi and anon Transferred by Russ Cansler - pitch correction and patches by Kevin Tobin
|
notes
|
| 8913. |
11/21/85 |
Flac 16 - 0,
137508 |
Oakland |
Henry J. Kaiser Convention Center flac16; Set 1 Recording Info: SBD -> PCM Master > Dat Clone (44.1k); Transfer Info: Dat (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8914. |
11/21/85 |
Flac 16/48 - 0,
134815 |
Oakland |
Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=105992) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid=98519) Vintage Uher's w/dbx>D5 FOB DFC spread 6ft MAC>NakCR-3A>dbx224>HD>Audacity>CDWave>TLH Recorded by Tazuo Yamaguchi and anon Transferred by Russ Cansler - mixing by Kevin Tobin
|
notes
|
| 8915. |
11/21/85 |
Flac 24/96 - 0,
149201 |
Oakland |
Henry J. Kaiser Convention Center flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > custom "black box" built by Chris using Jensen transformers to supply phantom power and gain to line in > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8916. |
11/21/85 |
Flac 16/48 - 0,
149200 |
Oakland |
Henry J. Kaiser Convention Center flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > custom "black box" built by Chris using Jensen transformers to supply phantom power and gain to line in > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8917. |
11/22/85 |
Flac 16 - 0,
105993 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8918. |
11/22/85 |
Flac 2448 - 0,
135125 |
Oakland |
Henry J. Kaiser Convention Center flac24; AUD: Unknown mics > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2016
|
notes
|
| 8919. |
11/22/85 |
Flac 16 - 0,
135126 |
Oakland |
Henry J. Kaiser Convention Center flac16; AUD: Unknown mics > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 01/2016
|
notes
|
| 8920. |
11/22/85 |
Flac 16/48 - 0,
135609 |
Oakland |
Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 135125) flac24; AUD: Unknown mics > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2016 - mixing by Kevin Tobin
|
notes
|
| 8921. |
11/22/85 |
Flac Dts 5.1 - 0,
135608 |
Oakland |
Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; SBD (shnid=105993) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 135125) flac24; AUD: Unknown mics > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2016 - dts mixing by Kevin Tobin
|
notes
|
| 8922. |
11/22/85 |
Flac 16 Mtx - 0,
135607 |
Oakland |
Henry J. Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid=105993) Recording Info:SBD -> Cassette Master (Nakamichi 550/Maxell XLIIS-90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 135125) flac24; AUD: Unknown mics > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 01/2016 - matrix mixing by Kevin Tobin
|
notes
|
| 8923. |
11/22/85 |
Shn - 0,
9709 |
Oakland |
Henry J. Kaiser Convention Center Master Soundboard Cassette > ? > Dat > CDR; Seeded to etree by Steve Barbella
|
notes
|
| 8924. |
11/22/85 |
Flac 16 - 0,
98520 |
Oakland |
Henry J. Kaiser Convention Center flac16; Vintage Uhers w/dbx>D5 FOB DFC spread 6ft MAC>NakCR-3A>dbx224>HD>Audacity>CDWave>TLH recorded by Tazuo Yamaguchi and anon Transferred by Russ Cansler
|
notes
|
| 8925. |
11/22/85 |
Flac 16 - 0,
77404 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Nak 550/Maxell XLIIS-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 8926. |
12/30/85 |
Flac 16 - 0,
106019 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8927. |
12/30/85 |
Flac 16 - 0,
77405 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 8928. |
12/30/85 |
Flac 16 - 0,
81324 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: Digital FOB Audience Tape - Taper Unknown Recording Info: Schoeps Hypercardiods > PCM > DAT; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Transfered September 2006 Editing Info: Editing and Mastering by Jamie Waddell Wavelab 6.0- Waves Tools(DC offset correction and EQ), BBE, L2(dither-type2,ultra)-16/44.1 Traders Lil Helper Flac Level 8
|
notes
|
| 8929. |
12/30/85 |
Flac 1644 - 0,
135393 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM-100 mics w/CP-4 shotgun caps > Sony TC-D5M > MAC (Maxell MX-90's); Taper location: On floor at soundboard a few feet right of center, mics 8' high; Transfer: MAC > Tascam 112 > Edirol UA-5 > Audacity 24/48 wavs > R8 Brain 16/44 wavs > TLH > flac16; Recorded, transferred, edited, tracked and flac'd by Greg Ho
|
notes
|
| 8930. |
12/30/85 |
Shn - 0,
1223 |
Oakland |
Oakland-Alameda County Coliseum SBDmc> DAT> CD> EAC; ripped & seeded by Nick Georges; d2 tracked for 80 min (see additional tracking notes in pub comments); final update 8/23- because a couple of online setlist dbs show incorrect setlist order for set 1, d1 was thought to be misarranged. However, Nick's first seeding of the show was correct: My Brother Esau> Stagger Lee>. -tuning- > Little Red Rooster
|
notes
|
| 8931. |
12/30/85 |
Flac 24/96 - 0,
140909 |
Oakland |
Oakland-Alameda County Coliseum flac24; Set 1 from Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 8932. |
12/30/85 |
Flac 16 - 0,
140958 |
Oakland |
Oakland-Alameda County Coliseum flac16; Set 1 from Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 8933. |
12/30/85 |
Flac 16/48 - 0,
142100 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106019) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 81314) Source: Digital FOB Audience Tape - Taper Unknown Recording Info: Schoeps Hypercardiods > PCM > DAT; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Transfered September 2006 Editing Info: Editing and Mastering by Jamie Waddell Wavelab 6.0- Waves Tools(DC offset correction and EQ), BBE, L2(dither-type2,ultra)-16/44.1 Traders Lil Helper Flac Level 8 - surround mixing by Kevin Tobin
|
notes
|
| 8934. |
12/30/85 |
Flac Dts 5.1 - 0,
142099 |
Oakland |
Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 106019) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 81314) Source: Digital FOB Audience Tape - Taper Unknown Recording Info: Schoeps Hypercardiods > PCM > DAT; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Transfered September 2006 Editing Info: Editing and Mastering by Jamie Waddell Wavelab 6.0- Waves Tools(DC offset correction and EQ), BBE, L2(dither-type2,ultra)-16/44.1 Traders Lil Helper Flac Level 8 - dts mixing by Kevin Tobin
|
notes
|
| 8935. |
12/30/85 |
Flac16 Mtx - 0,
14098 |
Oakland |
Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 106019) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 81314) Source: Digital FOB Audience Tape - Taper Unknown Recording Info: Schoeps Hypercardiods > PCM > DAT; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Transfered September 2006 Editing Info: Editing and Mastering by Jamie Waddell Wavelab 6.0- Waves Tools(DC offset correction and EQ), BBE, L2(dither-type2,ultra)-16/44.1 Traders Lil Helper Flac Level 8 - matrix mixing by Kevin Tobin
|
notes
|
| 8936. |
12/30/85 |
Flac 16 - 0,
118434 |
Oakland |
Oakland-Alameda County Coliseum flac16; Set 2 Only Source: 2 Sennheiser 421 microphones - up front/center > Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 8937. |
12/30/85 |
Flac 16 - 0,
30208 |
Oakland |
Oakland-Alameda County Coliseum flac16; (FOB)AUD>Beyer Dynamic M88's>Sony TCD5M(CM Maxell MX90)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav v1.6 (tracking only)>flac; Recorded and digitally mastered by Charlie Connor 7/30/2005
|
notes
|
| 8938. |
12/30/85 |
Flac 24/96 - 0,
148710 |
Oakland |
Oakland-Alameda County Coliseum flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 8939. |
12/30/85 |
Flac 16/48 - 0,
148709 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 8940. |
12/30/85 |
Flac 24/48 - ,
154651 |
Oakland |
Oakland-Alameda County Coliseum flac24/48 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (fourth in line) Location: approximately 50 feet from stage; DFC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook Fifteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8941. |
12/30/85 |
Flac 16/44 - ,
154650 |
Oakland |
Oakland-Alameda County Coliseum flac16/44 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (fourth in line) Location: approximately 50 feet from stage; DFC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook Fifteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8942. |
12/31/85 |
Flac 16 - 0,
106021 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8943. |
12/31/85 |
Flac 16 - 0,
113739 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Data: FM Broadcast > Harmon Kardon FM Tuner > Teac A4300 RR Deck > Scotch Highlander 1800' , 7 1/2 IPS Master Tapes, 45 min. per side; Transfer Data: RR Master Tapes > Teac A4300 Deck > Wav > Soundforge > FLAC conversion via Trader's Little Helper
|
notes
|
| 8944. |
12/31/85 |
Flac 16 - 0,
120798 |
Oakland |
Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 8945. |
12/31/85 |
Shn - 0,
20006 |
Oakland |
Oakland-Alameda County Coliseum SBD (PreFM)> CASS> DAT> CD> Emphasis correction> remastering using custom DAW (Bertha)> CD> SHN; by Jay Ashley, from Lisa Biasi source
|
notes
|
| 8946. |
12/31/85 |
Flac 16 - 0,
78054 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 8947. |
12/31/85 |
Flac 16 - 0,
135434 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM-100 mics w/CP-4 shotgun caps > Sony TC-D5M > MAC (Maxell MX-90's); Taper location: On floor at soundboard a few feet right of center, mics 8' high; Transfer: MAC > Tascam 112 > Edirol UA-5 > Audacity 24/48 wavs > R8 Brain 16/44 wavs > TLH > flac16; Recorded, transferred, edited, tracked and flac'd by Greg Holtz
|
notes
|
| 8948. |
12/31/85 |
Flac 24/48 - 0,
120797 |
Oakland |
Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 8949. |
12/31/85 |
Flac 24/96 - 0,
140910 |
Oakland |
Oakland-Alameda County Coliseum flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 8950. |
12/31/85 |
Flac 16 - 0,
141244 |
Oakland |
Oakland-Alameda County Coliseum flac16; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 8951. |
12/31/85 |
Flac 16/48 - 0,
141997 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106021) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin
|
notes
|
| 8952. |
12/31/85 |
Flac Dts 5.1 - 0,
141996 |
Oakland |
Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 106021) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin
|
notes
|
| 8953. |
12/31/85 |
Flac 16 - 0,
141994 |
Oakland |
Oakland-Alameda County Coliseum flac16; Patched and Pitch Corrected Audience - AUD (original shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin
|
notes
|
| 8954. |
12/31/85 |
Flac 16 Mtx - 0,
141995 |
Oakland |
Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 106021) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
|
notes
|
| 8955. |
12/31/85 |
Flac16/48 LPCM - 0,
142017 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106021) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin
|
notes
|
| 8956. |
12/31/85 |
Flac 16/44 - 0,
30642 |
Oakland |
Oakland-Alameda County Coliseum Primary Source: Recording Info: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End Secondary Source: Steve Barbella's seed from shn id 12086 AUD>?>DAT>CDR; See txt file for details on Patches. Recorded, patched and digitally transferred by Charlie Connor August 28,2005
|
notes
|
| 8957. |
12/31/85 |
Shn - 0,
12086 |
Oakland |
Oakland-Alameda County Coliseum AUD>?>DAT>CDR; encore supplied by Peter Braverman's seed of Nak 300 cass master source; See info file for details; via PBx2; Seeded to etree by Steve Barbella
|
notes
|
| 8958. |
12/31/85 |
Shn - 0,
9627 |
Oakland |
Oakland-Alameda County Coliseum Charles Wier shntool fix of original Braverman Nak sourc
|
notes
|
| 8959. |
12/31/85 |
Shn - 0,
8395 |
Oakland |
Oakland-Alameda County Coliseum Audience cassette (Nak 300/Sony D5)> Nakamichi BX-300> CD> SHN; via Stephen B. Porter; Seeded to etree by Peter Braverman; upgrade in circulation
|
notes
|
| 8960. |
12/31/85 |
Flac 16 - 0,
121395 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: 2 Sennheiser 421 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 8961. |
12/31/85 |
Flac 24/48 - ,
154653 |
Oakland |
Oakland-Alameda County Coliseum flac24/48 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 45 feet from stage; DFC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Aaron Yamaguchi, John Hance Transferred: Kyle Holbrook Sixteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8962. |
12/31/85 |
Flac 16/44 - ,
154652 |
Oakland |
Oakland-Alameda County Coliseum flac16/44 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 45 feet from stage; DFC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Aaron Yamaguchi, John Hance Transferred: Kyle Holbrook Sixteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
|
notes
|
| 8963. |
02/08/86 |
Flac 16 - 0,
106033 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8964. |
02/08/86 |
Flac 16 - 0,
32541 |
Oakland |
Henry J. Kaiser Convention Center flac16; SBD -> Cassette Master (TDK MA-R90) Transferred and Edited By Charlie Miller
|
notes
|
| 8965. |
02/08/86 |
Shn - 0,
20724 |
Oakland |
Henry J. Kaiser Convention Center Source: SBD>MC>PCM>CDR>WAV>SHNv3 via neo_levo/candyman FTP
|
notes
|
| 8966. |
02/08/86 |
Flac 16 - 0,
140205 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 8967. |
02/08/86 |
Flac 16/48 - 0,
142388 |
Oakland |
Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106033) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140205) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - surround mixing by Kevin Tobin
|
notes
|
| 8968. |
02/08/86 |
Flac Dts 5.1 - 0,
142381 |
Oakland |
Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; - SBD (shnid = 106033) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140205) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - dts mixing by Kevin Tobin
|
notes
|
| 8969. |
02/08/86 |
Flac 16 Mtx - 0,
142380 |
Oakland |
Henry J. Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid = 106033) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140205) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - matrix mixing by Kevin Tobin
|
notes
|
| 8970. |
02/08/86 |
Flac 16 - 0,
83804 |
Oakland |
Henry J. Kaiser Convention Center flac16; Taped by "PA Deli Mike" 2x Sennheiser 441's OTS with 30 foot spread > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC by Mr. Chips
|
notes
|
| 8971. |
02/08/86 |
Shn - 0,
2987 |
Oakland |
Henry J. Kaiser Convention Center AUD> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); Both Analog & Digital Mastering by Charlie Connor: seeded to abgd.hs
|
notes
|
| 8972. |
02/09/86 |
Flac - 0,
106119 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info:SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8973. |
02/09/86 |
Flac - 0,
119376 |
Oakland |
Henry J. Kaiser Convention Center flac16; Set 2 Only Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/6 Feet LOC First Row Of Balcony)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 8974. |
02/09/86 |
Flac 24 - 0,
119375 |
Oakland |
Henry J. Kaiser Convention Center flac24; Set 2 Only Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/6 Feet LOC First Row Of Balcony)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 8975. |
02/09/86 |
Flac 16 - 0,
74135 |
Oakland |
Henry J. Kaiser Convention Center flac16; Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8)
|
notes
|
| 8976. |
02/09/86 |
Shn - 0,
7543 |
Oakland |
Henry J. Kaiser Convention Center Master Soundboard Cassette > CDR, disc 2 runs 74:25, CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston, posted to abgd via Charlie Connor
|
notes
|
| 8977. |
02/09/86 |
Flac LPCM 5.1 - 0,
138525 |
Oakland |
Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) SBD (shnid = 106119) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 74135) Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8) - mixing by Kevin Tobin
|
notes
|
| 8978. |
02/09/86 |
Flac Dts 5.1 - 0,
138523 |
Oakland |
Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix: SBD (shnid = 106119) Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 74135) Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8) - dts mixing by Kevin Tobin
|
notes
|
| 8979. |
02/09/86 |
Flac Mtx. - 0,
138522 |
Oakland |
Henry J. Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid = 106119)Recording Info:SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 74135) Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > Sony DTC 2000ES > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (8) - matrix mixing by Kevin Tobin
|
notes
|
| 8980. |
02/09/86 |
Flac - 0,
140206 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 8981. |
02/11/86 |
Flac - 0,
117261 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8982. |
02/11/86 |
Flac - 0,
117797 |
Oakland |
Henry J. Kaiser Convention Center flac16; Matrix of SBD (shnid=117263) and AUD (shnid=74961) by Jubal H. Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity w/dither > FLAC16 via xACT w/meta-tagging)
|
notes
|
| 8983. |
02/11/86 |
Flac - 0,
119364 |
Oakland |
Henry J. Kaiser Convention Center flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/front Row Of Balcony/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 8984. |
02/11/86 |
Shn - 0,
11716 |
Oakland |
Henry J. Kaiser Convention Center
|
notes
|
| 8985. |
02/11/86 |
Flac - 0,
74961 |
Oakland |
Henry J. Kaiser Convention Center flac16; Schoeps CMC 441 (hypercardioids) > PCM F1 > Sony PCM 601 > DAT > M-Audio Delta 410 > SoundForge 44.1kHz wav > Adobe Audition 1.5 > shntool > flac (lvl8)
|
notes
|
| 8986. |
02/11/86 |
Flac 24 - 0,
119363 |
Oakland |
Henry J. Kaiser Convention Center flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/front Row Of Balcony/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 8987. |
02/11/86 |
Flac - 0,
135519 |
Oakland |
Henry J. Kaiser Convention Center flac16; Set 2 Recording Info: SBD -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8988. |
02/11/86 |
Flac 24 - 0,
117263 |
Oakland |
Henry J. Kaiser Convention Center flac24; Recording Info: SBD -> Cassette Master (Sony D5/Dolby B/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 8989. |
02/11/86 |
Flac 24 - 0,
117798 |
Oakland |
Henry J. Kaiser Convention Center flac24; 24 Bit Matrix at 96 kHz Rate of SBD (shnid=117263) and AUD (shnid=74961) by Jubal H. Seamons using Final Cut Pro (FLAC24 & FLAC16 > AIFF > Final Cut w/EQ > AIFF tracking via Audacity > FLAC24 via xACT w/meta-tagging)
|
notes
|
| 8990. |
02/12/86 |
Flac 16 - 0,
81517 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
|
notes
|
| 8991. |
02/12/86 |
Flac 16 - 0,
119374 |
Oakland |
Henry J. Kaiser Convention Center flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 8992. |
02/12/86 |
Shn - 0,
21614 |
Oakland |
Henry J. Kaiser Convention Center Bertha Remaster of the soundboard source. SBD>>(?)>>Wav(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A
|
notes
|
| 8993. |
02/12/86 |
Flac 24/48 - 0,
119373 |
Oakland |
Henry J. Kaiser Convention Center flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 8994. |
02/12/86 |
Shn - 0,
3302 |
Oakland |
Henry J. Kaiser Convention Center AUD> Beyer Dynamic M88's> Sony TCD5M (CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav v1.6 (tracking only)> SHNv3 (MKW ACT); taped, transferred and seeded to abgd by Charlie Connor; includes Nevilles set as d1; d3 tracked for 80 min
|
notes
|
| 8995. |
02/14/86 |
Shn - 0,
11625 |
Oakland |
Henry J. Kaiser Convention Center SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD; via David Gans; RE-Seeded to etree by Charlie Miller with 'simple bass lift'; See info file for details
|
notes
|
| 8996. |
02/14/86 |
Flac 16 - 0,
119392 |
Oakland |
Henry J. Kaiser Convention Center flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 8997. |
02/14/86 |
Flac 24/48 - 0,
119391 |
Oakland |
Henry J. Kaiser Convention Center flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Middle Of OTS/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 8998. |
02/14/86 |
Shn - 0,
382 |
Oakland |
Henry J. Kaiser Convention Center SBD; via M. Lai; note d2t7 5:58? (Wharf Rat) reportedly skips back for a 1:27 repeat; fix up by 5/5/00; upgrade in circulation
|
notes
|
| 8999. |
02/14/86 |
Shn - 0,
10921 |
Oakland |
Henry J. Kaiser Convention Center SBD> PCM> Dat> Samplitude> Cool Edit Pro> CD; via David Gans; Seeded to etree by Charlie Miller
|
notes
|
| 9000. |
02/14/86 |
Flac 16 - 0,
140227 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9001. |
02/14/86 |
Flac 16 - 0,
142427 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD > PCM (Vault Master) > Dat Clone (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
notes
|
| 9002. |
02/14/86 |
Shn - 0,
29447 |
Oakland |
Henry J. Kaiser Convention Center Primary Source:Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's); Secondary Source: SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD (shn id 11625); The secondary source covers patches in the last 17 seconds of dt05(drums); the first 4:13 of d2t06 (space), and the first 6 seconds of d2t10 (Brokedown Palace: Recorded, Transferred, Patched and Tracked by Charlie Connor
|
notes
|
| 9003. |
03/19/86 |
Flac 16 - 0,
118517 |
Hampton |
Hampton Coliseum flac16; Sennheiser 441 + Sennheiser ME80-> 4 channel mic preamp/mixer, (mixer unknown)-> analog stereo out-> Technics RS-B68R home deck; Config/Location: ORTF behind board OTS (~20' behind board); Transfer: Metal Master TDK cassette>JVC TD-V661 3 head>Technics RS-B68R>unbalanced RCA analog inputs of Egosys Waveterminal 2496 record/tracked with CDWave @ 44.1>Macbook>Sound Studio 3.6(normalize peak, +gain)>xACT 2.15(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Unknown; Patch taped and transferred by: Mike Buyers; Processing and seeded by: Lenny Stubbe
|
notes
|
| 9004. |
03/19/86 |
Flac 16 - 0,
109838 |
Hampton |
Hampton Coliseum flac16; Set 1 only, Source: unknown soundboard * Lineage: cass > Denon DRR-730 > Sony RCD-W10 > cdr > eac > wav > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > CD Wave > TLH > Flac 16
|
notes
|
| 9005. |
03/19/86 |
Flac 16 - 0,
34223 |
Hampton |
Hampton Coliseum flac16; Taper: JOEBEACON Nak 300 Mics w/ CP4 shotguns > Sony D5; upgrade in circulation
|
notes
|
| 9006. |
03/19/86 |
Flac 16 - 0,
77978 |
Hampton |
Hampton Coliseum flac16; Sennheiser 421s > Sony D-5 (Dolby B in) > MAC taped by Tim Alexander Transfer: Playback on Nakamich DR-1 (Dolby B out) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC Patch source: Mike Lai archive.org seed (Sony mikes > C > CD) - shnid 3905
|
notes
|
| 9007. |
03/19/86 |
Flac 16 - 0,
109882 |
Hampton |
Hampton Coliseum flac16; Set 1 ONLY; Source: unknown soundboard * Lineage: cass > Denon DRR-730 > Sony RCD-W10 > cdr > eac > wav > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > CD Wave > TLH > Flac 16
|
notes
|
| 9008. |
03/19/86 |
Flac 24/48 - 0,
78163 |
Hampton |
Hampton Coliseum flac24; SRC: Sennheiser 421s > Sony D-5 (Dolby B in) > MAC taped by Tim Alexander Transfer: Playback on Nakamich DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC Patch source: Mike Lai archive.org seed (Sony mikes > C > CD) - shnid 3905
|
notes
|
| 9009. |
03/19/86 |
Flac 16 - 0,
140272 |
Hampton |
Hampton Coliseum flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9010. |
03/19/86 |
Shn - 0,
3905 |
Hampton |
Hampton Coliseum aud> sony mics> cassette master> cdr; via Mike Lai
|
notes
|
| 9011. |
03/19/86 |
Flac 16 - 0,
81797 |
Hampton |
Hampton Coliseum flac16; Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs
|
notes
|
| 9012. |
03/19/86 |
Flac 16 - 0,
87597 |
Hampton |
Hampton Coliseum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9013. |
03/19/86 |
Flac 16 - 0,
132686 |
Hampton |
Hampton Coliseum flac16; OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
|
notes
|
| 9014. |
03/19/86 |
Flac 24/96 - 0,
127512 |
Hampton |
Hampton Coliseum flac24; source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9015. |
03/19/86 |
Flac 16/48 - 0,
147518 |
Hampton |
Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - AUD1 (shnid = 132686) OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD + AUD2 (shnid = 140272) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - surround mixing by Kevin Tobin
|
notes
|
| 9016. |
03/19/86 |
Flac 16 Dts.5.1 - 0,
147517 |
Hampton |
Hampton Coliseum b>DTS-Audio-CD 5.1 Mix; - AUD1 (shnid = 132686) OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD + AUD2 (shnid = 140272) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - dts mixing by Kevin Tobin
|
notes
|
| 9017. |
03/19/86 |
Flac 16 Mtx - 0,
147516 |
Hampton |
Hampton Coliseum flac16; Matrix 2 Audience Source Mix - AUD1 (shnid = 132686) OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD + AUD2 (shnid = 140272) Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16 - matrix mixing by Kevin Tobin
|
notes
|
| 9018. |
03/19/86 |
Flac 16/48 - 0,
151154 |
Hampton |
Hampton Coliseum flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9019. |
03/19/86 |
Flac 24/96 - 0,
151155 |
Hampton |
Hampton Coliseum flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9020. |
03/19/86 |
Flac 24/96 - 0,
151705 |
Hampton |
Hampton Coliseum flac24/96khz Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96 Recording by Kenny Mance. Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel. February 02, 2021.
|
notes
|
| 9021. |
03/19/86 |
Flac 24/96 - 0,
151976 |
Hampton |
Hampton Coliseum flac24/96 This is a fixed version of shnid 151705. Original release had channels reversed. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by Kenny Mance. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 02, 2021.
|
notes
|
| 9022. |
03/19/86 |
Flac 16/44 - 0,
151949 |
Hampton |
Hampton Coliseum flac16/44 Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96 Recording by Kenny Mance Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 02, 2021. Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021
|
notes
|
| 9023. |
03/19/86 |
Flac 16/44 - ,
156021 |
Hampton |
Hampton Coliseum flac1644 Source: MAUD CA Microphones: set 1: AKG c422 cardioid's (X-Y at 90') head level|AKG B18 set 2: Beyer M201 XY head level Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd D5M in line) Location: approximately 40 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Sean Murtha, Gary Steel, Kyle Holbrook, Tom Pinney, John Hance Transferred: Kyle Holbrook
|
notes
|
| 9024. |
03/19/86 |
Flac 24/48 - ,
156022 |
Hampton |
Hampton Coliseum flac2448 Source: MAUD CA Microphones: set 1: AKG c422 cardioid's (X-Y at 90') head level|AKG B18 set 2: Beyer M201 XY head level Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd D5M in line) Location: approximately 40 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Sean Murtha, Gary Steel, Kyle Holbrook, Tom Pinney, John Hance Transferred: Kyle Holbrook
|
notes
|
| 9025. |
03/20/86 |
Flac 16 - 0,
107321 |
Hampton |
Hampton Coliseum flac16; Updated source info: Unknown Audience Source Respeed Processing: SHN>FLAC>WAV>Cool Edit Pro Processing>FLAC (Had been marked: Matrix SBD>MC>C>CD>SHN> Respeed Processing: SHN>FLAC>WAV>Cool Edit Pro Processing>FLAC)
|
notes
|
| 9026. |
03/20/86 |
Shn - 0,
8098 |
Hampton |
Hampton Coliseum Updated Source info: Unknown Audience Recording (Had been marked: Matrix SBD>MC>C>CD) Some minor digi-noise noted; See txt for details; via Jim Skinner; Seeded to etree by Willy
|
notes
|
| 9027. |
03/20/86 |
Flac 16 - 0,
87611 |
Hampton |
Hampton Coliseum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cooledit pro > flac frontend
|
notes
|
| 9028. |
03/20/86 |
Flac 16 - 0,
140273 |
Hampton |
Hampton Coliseum flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9029. |
03/20/86 |
Flac 16 - 0,
81845 |
Hampton |
Hampton Coliseum flac16; Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.
|
notes
|
| 9030. |
03/20/86 |
Shn - 0,
3906 |
Hampton |
Hampton Coliseum aud> sony mics> cassette master> cdr; via Mike Lai; reportedly may circulate with or without Comes a Time, possibly from 3/31/86, as filler (d1t10)
|
notes
|
| 9031. |
03/20/86 |
Flac 16 - 0,
132687 |
Hampton |
Hampton Coliseum flac16; OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M (Fuji Metal); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
|
notes
|
| 9032. |
03/20/86 |
Flac 24/96 - 0,
127513 |
Hampton |
Hampton Coliseum b>flac24; source: (2) akg shotguns> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9033. |
03/20/86 |
Flac 16/48 - 0,
151196 |
Hampton |
Hampton Coliseum
|
notes
|
| 9034. |
03/20/86 |
Flac 16/48 - 0,
151196 |
Hampton |
Hampton Coliseum flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9035. |
03/20/86 |
Flac 24/96 - 0,
151197 |
Hampton |
Hampton Coliseum flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9036. |
03/20/86 |
Flac 16/44 - ,
156023 |
Hampton |
Hampton Coliseum flac1644 Source: MAUD CA Microphones: Beyer M201 XY head level Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd D5M in line) Location: approximately 40 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Sean Murtha, Gary Steel?, Mike Davis, Kenny Davis, Kyle Holbrook?, Tom Pinney, John Hance Transferred: Kyle Holbrook
|
notes
|
| 9037. |
03/20/86 |
Flac 24/48 - ,
156024 |
Hampton |
Hampton Coliseum flac2448 Source: MAUD CA Microphones: Beyer M201 XY head level Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd D5M in line) Location: approximately 40 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Sean Murtha, Gary Steel?, Mike Davis, Kenny Davis, Kyle Holbrook?, Tom Pinney, John Hance Transferred: Kyle Holbrook
|
notes
|
| 9038. |
03/21/86 |
Shn - 0,
8453 |
Hampton |
Hampton Coliseum 1st set only; Updated lineage: Unknown Audience recording (Had been marked: Matrix SBD>MC>C>CD); via Jim Skinner; Seeded to etree by Willy
|
notes
|
| 9039. |
03/21/86 |
Flac 16 - 0,
140274 |
Hampton |
Hampton Coliseum flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9040. |
03/21/86 |
Flac 16/48 - 0,
142450 |
Hampton |
Hampton Coliseum flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
|
notes
|
| 9041. |
03/21/86 |
Flac 16 - 0,
142491 |
Hampton |
Hampton Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 142450) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 107555) source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files - matrix mixing by Kevin Tobin
|
notes
|
| 9042. |
03/21/86 |
Flac 16/48 - 0,
142493 |
Hampton |
Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 142450) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 107555) source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files - surround mixing by Kevin Tobin
|
notes
|
| 9043. |
03/21/86 |
Shn - 0,
5178 |
Hampton |
Hampton Coliseum Nakamichi 300 with Shotguns, Marantz PMD-430; Transfer: Nakamichi BR3 -> Cool Edit 2000 -> Shn; see info file for flaw notes; via Willy
|
notes
|
| 9044. |
03/21/86 |
Flac 16 - 0,
87638 |
Hampton |
Hampton Coliseum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9045. |
03/21/86 |
Flac 16 - 0,
132688 |
Hampton |
Hampton Coliseum flac16; OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M>Fuji Metal; Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
|
notes
|
| 9046. |
03/21/86 |
Flac 16 - 0,
107555 |
Hampton |
Hampton Coliseum flac16; source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files
|
notes
|
| 9047. |
03/21/86 |
Flac 24/96 - 0,
127531 |
Hampton |
Hampton Coliseum flac24; source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9048. |
03/21/86 |
Flac 16 - 0,
81864 |
Hampton |
Hampton Coliseum flac16; Source: Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.
|
notes
|
| 9049. |
03/21/86 |
Flac 16 Dts.5.1 - 0,
142492 |
Hampton |
Hampton Coliseum
|
notes
|
| 9050. |
03/21/86 |
Flac 16/48 - 0,
151198 |
Hampton |
Hampton Coliseum flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9051. |
03/21/86 |
Flac 24/96 - 0,
151199 |
Hampton |
Hampton Coliseum flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9052. |
03/21/86 |
Flac 16/44 - ,
156025 |
Hampton |
Hampton Coliseum flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel?, Kyle Holbrook?, Tom Pinney Transfer by: Kyle Holbrook
|
notes
|
| 9053. |
03/21/86 |
Flac 24/48 - ,
156026 |
Hampton |
Hampton Coliseum flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel?, Kyle Holbrook?, Tom Pinney Transfer by: Kyle Holbrook
|
notes
|
| 9054. |
03/23/86 |
Flac 16 - 0,
102167 |
Philadelphia |
The Spectrum flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8
|
notes
|
| 9055. |
03/23/86 |
Shn - 0,
15244 |
Philadelphia |
The Spectrum MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's) > wav > shn; Note- This is an sbefix of ; this source
|
notes
|
| 9056. |
03/23/86 |
Flac 16 - 0,
133940 |
Philadelphia |
The Spectrum flac16; Partial Set 2 Source: SBD > ? > Cassette. Transfer: Hitachi ME-Metal > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Andrew F. 08/2015
|
notes
|
| 9057. |
03/23/86 |
Flac 16 - 0,
141998 |
Philadelphia |
The Spectrum flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9058. |
03/23/86 |
Flac 16/48 - 0,
142392 |
Philadelphia |
The Spectrum flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
|
notes
|
| 9059. |
03/23/86 |
Flac 16 - 0,
133873 |
Philadelphia |
The Spectrum flac16; FOB Schoeps CMC3s/MK4s>PCM>DAT; Transfer: DAT>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by Unknown; de-emphasis version of source ID 132708 using xACT 2.34 by chillwig
|
notes
|
| 9060. |
03/23/86 |
Flac 16 - 0,
132708 |
Philadelphia |
The Spectrum flac16; FOB Schoeps CMC3s/MK4s>PCM>DAT; Transfer: DAT>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by Unknown; CDRs provided by Mark Lynn; Conversion to wav>flac by DATBRAD
|
notes
|
| 9061. |
03/23/86 |
Shn - 0,
15203 |
Philadelphia |
The Spectrum MAC (Sony TCD5M 2Sennheiser ME-80 & 2 Sennheiser 441's) > wav > shn
|
notes
|
| 9062. |
03/23/86 |
Shn - 0,
79565 |
Philadelphia |
The Spectrum Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools. Taped & Transfered by Brian Mandel
|
notes
|
| 9063. |
03/23/86 |
Flac 16 - 0,
79879 |
Philadelphia |
The Spectrum flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci
|
notes
|
| 9064. |
03/23/86 |
Flac 16 - 0,
111956 |
Philadelphia |
The Spectrum flac16; Source: 2 Beyer M160 & 1 Sennheiser 421 Microphones (up front-center) > Nak MX100 w/2001 > Sony TC-D5M (dolby off) - master analog cassettes; Transfer: Sony TC-D5M (original record deck-dolby off) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 9065. |
03/23/86 |
Flac 16 - 0,
87649 |
Philadelphia |
The Spectrum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9066. |
03/23/86 |
Flac 24/96 - 0,
127536 |
Philadelphia |
The Spectrum flac24; source: schoeps CMC 44> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9067. |
03/23/86 |
Flac 16/48 - 0,
145705 |
Philadelphia |
The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 142392) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 141998) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - surround mixing by Kevin Tobin
|
notes
|
| 9068. |
03/23/86 |
Flac 16 Dts.5.1 - 0,
145703 |
Philadelphia |
The Spectrum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 142392) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 141998) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - dts mixing by Kevin Tobin
|
notes
|
| 9069. |
03/23/86 |
Flac 16 Mtx - 0,
145702 |
Philadelphia |
The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 142392) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 141998) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - matrix mixing by Kevin Tobin
|
notes
|
| 9070. |
03/23/86 |
Flac 24/96 - 0,
148873 |
Philadelphia |
The Spectrum flac24; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9071. |
03/23/86 |
Flac 16/48 - 0,
148872 |
Philadelphia |
The Spectrum flac16/48kHz; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9072. |
03/23/86 |
Flac 24/48 - ,
156077 |
Philadelphia |
The Spectrum flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: 1st Gen AUDCA Maxell MX90 No NR [KH; SM master] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
|
notes
|
| 9073. |
03/23/86 |
Flac 16/44 - ,
156076 |
Philadelphia |
The Spectrum flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 40' from stage; DFC; chest height on stand This Source: 1st Gen AUDCA Maxell MX90 No NR [KH; SM master] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
|
notes
|
| 9074. |
03/23/86 |
Flac 24/96 - ,
156623 |
Philadelphia |
The Spectrum flac2496 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9075. |
03/23/86 |
Flac 16/48 - ,
156622 |
Philadelphia |
The Spectrum flac1648 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9076. |
03/24/86 |
Shn - 0,
22783 |
Philadelphia |
The Spectrum Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller
|
notes
|
| 9077. |
03/24/86 |
Flac 16 - 0,
103442 |
Philadelphia |
The Spectrum flac16; FOB recording By Tony Lochner Schoeps CMC-441 60 degrees AUD>PCM-F1/SL-2000 Betamax>F1 Copy>F1 Copy Transferred media is Sony PRO-X L-500, master and intermediate copy unknown Mic power supply unknown, probably Doug Oade 18V supply Transfer: Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 at 24/44.1 Mike Grace Fall2009 Editing-Mastering:Jamie Waddell on GEMS Edit Station. Weiss=Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither FLACLevel8
|
notes
|
| 9078. |
03/24/86 |
Flac 16 - 0,
102168 |
Philadelphia |
The Spectrum flac16; Taper: Greg Holtz Source: 2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8 (note: This source originally circulated with a corrupt track 02.)
|
notes
|
| 9079. |
03/24/86 |
Flac 16 - 0,
92275 |
Philadelphia |
The Spectrum flac16; 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
|
notes
|
| 9080. |
03/24/86 |
Flac 24/96 - 0,
92276 |
Philadelphia |
The Spectrum flac24; 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
|
notes
|
| 9081. |
03/24/86 |
Flac 16 - 0,
139772 |
Philadelphia |
The Spectrum flac16; Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
|
notes
|
| 9082. |
03/24/86 |
Shn - 0,
79610 |
Philadelphia |
The Spectrum Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools
|
notes
|
| 9083. |
03/24/86 |
Flac 16 - 0,
87655 |
Philadelphia |
The Spectrum flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9084. |
03/24/86 |
Shn - 0,
16746 |
Philadelphia |
The Spectrum Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN This is a new seed, with sector boundary errors fixed but otherwise no changes, April 2003. (Peter Braverman)
|
notes
|
| 9085. |
03/24/86 |
Shn - 0,
5570 |
Philadelphia |
The Spectrum AUD> Sony microphones> Nakamichi BX-300 deck> Maxell metal cassette, Recorded by Tony Cirella; Playback: Nakamichi DR?10> Monster analog cables> Tascam CD-RW700 CD burner> CD, transfer by Paul B.; EAC>SHN Greg Kerbel; tape flip in Space
|
notes
|
| 9086. |
03/24/86 |
Shn - 0,
7480 |
Philadelphia |
The Spectrum Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Peter Braverman; upgrade in circulation
|
notes
|
| 9087. |
03/24/86 |
Flac 16 - 0,
107413 |
Philadelphia |
The Spectrum flac16; source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files
|
notes
|
| 9088. |
03/24/86 |
Flac 16 - 0,
102654 |
Philadelphia |
The Spectrum flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick; recorded by Jon Pasternak
|
notes
|
| 9089. |
03/24/86 |
Shn - 0,
17890 |
Philadelphia |
The Spectrum Source: Schoeps CMC 4's/MK 4's > Sony D5 > DA-P1 > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT The between track crowd noise in the first set was edited out on the source discs. I used crossfades to make this as fluid as possible. Thanks to Mark McCue for the source discs. EAC'd/Seeded by Doug Nawrocki
|
notes
|
| 9090. |
03/24/86 |
Flac 24/96 - 0,
127535 |
Philadelphia |
The Spectrum flac24; source: schoeps CMC 44> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9091. |
03/24/86 |
Shn - 0,
21920 |
Philadelphia |
The Spectrum Soundboard > ? > CDR > Shn; seeded by Joey Browning; Shn converted with Mkw by Robert Goetz; upgrade in circulation
|
notes
|
| 9092. |
03/24/86 |
Flac 16/48LPCM - 0,
148734 |
Philadelphia |
The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 22783) Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller + AUD1 (shnid = 79610) (Set 1 Only) Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools + AUD2 (shnid = 139772) (Set 2 Only) Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT - surround mixing by Kevin Tobin
|
notes
|
| 9093. |
03/24/86 |
Flac 16 Dts.5.1 - 0,
148733 |
Philadelphia |
The Spectrum flac16; DTS-Audio-CD 5.1 Mix SBD (shnid = 22783) Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller + AUD1 (shnid = 79610) (Set 1 Only) Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools + AUD2 (shnid = 139772) (Set 2 Only) Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT - dts mixing by Kevin Tobin
|
notes
|
| 9094. |
03/24/86 |
Flac 16 Mtx - 0,
148732 |
Philadelphia |
The Spectrum flac16; Matrix 3 Source Mix - SBD (shnid = 22783) Source Info: SBD -> Cassette Master -> ? -> Cassette -> CD -> EAC -> SHN -> Samplitude v7.02 Professional -> SHN Patch Info: Schoeps CMC4/MK4 -> Cassette Master (Sony D5) -> Dat -> Cool Edit Pro -> SHN Patched and Edited By Charlie Miller + AUD1 (shnid = 79610) (Set 1 Only) Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools + AUD2 (shnid = 139772) (Set 2 Only) Set 2 Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK41's + MK2 > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT - matrix mixing by Kevin Tobin
|
notes
|
| 9095. |
03/24/86 |
Flac 16 - 0,
151214 |
Philadelphia |
The Spectrum Recording Info: (FOB) Neumann KM84i > PCM Master (Sony PCM F1/SL2000) > PCM Clone Transfer Info: PCM Clone (Sony SL-HF860D) > Sony PCM-601ESD > Behringer Ultramatch Pro (16-bit/44.1k) > Tascam SS-CDR200 > Samplitude Pro X5 Suite > FLAC/16
|
notes
|
| 9096. |
03/24/86 |
Flac 24/48 - ,
156079 |
Philadelphia |
The Spectrum flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby, third deck in line Location: 45 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel Transfer by: Kyle Holbrook
|
notes
|
| 9097. |
03/24/86 |
Flac 16/44 - ,
156078 |
Philadelphia |
The Spectrum flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby, third deck in line Location: 45 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel Transfer by: Kyle Holbrook
|
notes
|
| 9098. |
03/25/86 |
Shn - 0,
9880 |
Philadelphia |
The Spectrum Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start
|
notes
|
| 9099. |
03/25/86 |
Flac 16 - 0,
111954 |
Philadelphia |
The Spectrum flac16; MAC; (FOB) Sennheiser 441 > Sony D5 > Maxell XLII-S 90(Set I) Maxell MA-R 90(Set II); Taped by Mark McCue; Transferred, Edited and Mastered by Alex Ford
|
notes
|
| 9100. |
03/25/86 |
Flac 16 - 0,
102169 |
Philadelphia |
The Spectrum flac16; Taper: Greg Holtz Source: 2 Nakamichi CM-100 CP-4 mics mixed with 2 Nakamichi CM-300 CP-4 mics -> Niles Audio Mixer -> Sony TC-D5 Transfer: By (JAZ) Master Cassettes (Maxell MX90 Metaxial) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate convertion -> Traders Little Helper flac8
|
notes
|
| 9101. |
03/25/86 |
Shn - 0,
9404 |
Philadelphia |
The Spectrum SBD> Master Cassette> DAT> CD> SHN; via Rob Harrison; Seeded to etree by Peter Braverman; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start; upgrade in circulation
|
notes
|
| 9102. |
03/25/86 |
Flac 16 - 0,
139773 |
Philadelphia |
The Spectrum flac16; Robert Bryant recording (patched out of the Oade Brothers): Schoeps CMC4 MK4's > Sony PCM F1 > DAT/44 (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Tascam da3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
|
notes
|
| 9103. |
03/25/86 |
Flac 16 - 0,
105580 |
Philadelphia |
The Spectrum flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD front row of taper's section behind soundboard by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 9104. |
03/25/86 |
Flac 24/96 - 0,
127540 |
Philadelphia |
The Spectrum flac24; source: nakamichi 700> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9105. |
03/25/86 |
Flac 16 - 0,
117825 |
Philadelphia |
The Spectrum flac16; Source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 9106. |
03/25/86 |
Flac 16 - 0,
87672 |
Philadelphia |
The Spectrum flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9107. |
03/25/86 |
Shn - 0,
80002 |
Philadelphia |
The Spectrum Nakamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools Taped & Transfered by Brian Mandel
|
notes
|
| 9108. |
03/25/86 |
Flac 16 - 0,
79901 |
Philadelphia |
The Spectrum flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 9109. |
03/25/86 |
Shn - 0,
3188 |
Philadelphia |
The Spectrum AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor; flip in Don't Ease, no other flaws noted; d2 tracked for 80 min
|
notes
|
| 9110. |
03/25/86 |
Flac 16/48 - 0,
145624 |
Philadelphia |
The Spectrum b>flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN + AUD (shnid = 3188) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - surround mixing by Kevin Tobin
|
notes
|
| 9111. |
03/25/86 |
Flac Dts 5.1 - 0,
145623 |
Philadelphia |
The Spectrum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN + AUD (shnid = 3188) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - dts mixing by Kevin Tobin
|
notes
|
| 9112. |
03/25/86 |
Flac 16 - 0,
145618 |
Philadelphia |
The Spectrum flac16; Patched & Pitch Corrected Soundboard - SBD (original shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN; Note- d2 goes over 80 minutes, you can either move the encore to the end of d1, or use CD Wave to trim the first 20 seconds of tuning from the start - pitch correction and patches by Kevin Tobin
|
notes
|
| 9113. |
03/25/86 |
Flac 16 - 0,
145619 |
Philadelphia |
The Spectrum flac16; Patched & Pitch Corrected Audience - AUD (original shnid = 3118) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - pitch correction and patches by Kevin Tobin
|
notes
|
| 9114. |
03/25/86 |
Flac 16 Mtx - 0,
145620 |
Philadelphia |
The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 9880) Shntool fix by Willy of previous Braverman seed; SBD> Master Cassette> DAT> CD> SHN + AUD (shnid = 3188) AUD FOB (30ft Center Stage)> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, seeded to abgd by Charlie Connor - matrix mixing by Kevin Tobin
|
notes
|
| 9115. |
03/25/86 |
Flac 24/96 - 0,
151099 |
Philadelphia |
The Spectrum flac24/96khz Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9116. |
03/25/86 |
Flac 16/48 - 0,
151098 |
Philadelphia |
The Spectrum flac16/48khz Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9117. |
03/25/86 |
Flac 24/48 - ,
156081 |
Philadelphia |
The Spectrum flac2448 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
|
notes
|
| 9118. |
03/25/86 |
Flac 16/44 - ,
156080 |
Philadelphia |
The Spectrum flac1644 Microphones: Beyer m201 (hypercardioid) XY 90º Recorder: Sony TC-D5M No Dolby Location: 35' from stage; DFC; chest height on stand This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: Nakamichi LX-5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Gary Steel? Kyle Holbrook? Tom Pinney
|
notes
|
| 9119. |
03/27/86 |
Flac 16 - 0,
121600 |
Portland |
Cumberland County Civic Center flac16; SBD -> Cassette Master -> Reel -> Dat -> ? -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9120. |
03/27/86 |
Shn - 0,
26347 |
Portland |
Cumberland County Civic Center SBD> Cassette Master> Reel> Dat> ?> Dat> CD -> EAC> SHN; plus AUD patch from (FOB) Neumann U87> Cassette Master> CD, using Samplitude v7.02 Professional; SHN Conversion and Patch By Charlie Miller; Upgrade in circulation
|
notes
|
| 9121. |
03/27/86 |
Shn - 0,
5003 |
Portland |
Cumberland County Civic Center FOB (center)> AUD> MC> CDR; Neumann U87's> Uher CR240> Maxell XLII 90 Cass. Master> Marantz Pro CDR 500; Paul Hogan recording; EAC/SHN by Charles Hogan
|
notes
|
| 9122. |
03/27/86 |
Flac 16 - 0,
79067 |
Portland |
Cumberland County Civic Center flac16; MAC (Sennheiser 421s + Nakamichi 300 shotguns > Yamaha mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC
|
notes
|
| 9123. |
03/27/86 |
Shn - 0,
95808 |
Portland |
Cumberland County Civic Center S:D>C>D>CDR Set two could have a extra analog generation. Downloaded from Furthur 10/2008 - no other info in text file
|
notes
|
| 9124. |
03/27/86 |
Flac 24/48 - 0,
79187 |
Portland |
Cumberland County Civic Center flac24; MAC (Sennheiser 421s + Nakamichi 300 shotguns > Yamaha mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC
|
notes
|
| 9125. |
03/27/86 |
Flac 16 - 0,
106565 |
Portland |
Cumberland County Civic Center flac16;Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) . Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
|
notes
|
| 9126. |
03/27/86 |
Flac 16 - 0,
139324 |
Portland |
Cumberland County Civic Center flac16; Schoeps CMC4/MK4 > Oade pcm > Bryant pcm patch > Gastwirt dat (cloned from Bryant pcm); Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
|
notes
|
| 9127. |
03/27/86 |
Flac 24/96 - 0,
139468 |
Portland |
Cumberland County Civic Center flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
This is your collection
|
notes
|
| 9128. |
03/27/86 |
Flac 16 - 0,
141048 |
Portland |
Cumberland County Civic Center flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 9129. |
03/27/86 |
Flac 24/96 - 0,
127543 |
Portland |
Cumberland County Civic Center flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9130. |
03/27/86 |
Flac 16 - 0,
35289 |
Portland |
Cumberland County Civic Center flac16; Source: FOB Nakamichi 700s > Sony D6 > Maxell MX90 metal master audience cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (preamp and A/D) > firewire/P4/XP Pro > recorded as 24 bit/96 KHz WAV (Wavelab 5) > rendered to 16 bit/44.1 KHz WAV (Waves L3 Multimaximizer, hi res CD settings) > tracking (CDWAV 1.9) > FLAC, level 8 encoding
|
notes
|
| 9131. |
03/27/86 |
Shn - 0,
24029 |
Portland |
Cumberland County Civic Center Source: FOB(CENTER)>AUD>MC>CDR Neumann U87's>Uher CR240>Maxell XLII 90 Cass. Master>Marantz Pro CDR 500 Paul Hogan recording. Note: Original seed (shnid#5003) was TAO. Someone fixed it and uploaded it to TOL in 3/03.
|
notes
|
| 9132. |
03/27/86 |
Flac 16 - 0,
107068 |
Portland |
Cumberland County Civic Center flac16; Beyer M-88's XY 90w/D5 40 feet away,5 feet high,center Mac>NakCR-3A>AudigySE>Audacity>CDwave>TLH; Recorded by Tom Pinney Transferred by Russ Cansler
|
notes
|
| 9133. |
03/27/86 |
Flac 16 - 0,
87700 |
Portland |
Cumberland County Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9134. |
03/27/86 |
Flac 24/96 - ,
156131 |
Portland |
Cumberland County Civic Center flac2496 Microphones: AKG 422 XY fig 8's > Nakamichi 550 > Recorder: Sony TC-D5M No Dolby Maxell MX90 x 2 Location: 40 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: s1: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens Transfer by: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
|
notes
|
| 9135. |
03/27/86 |
Flac 16/44 - ,
156130 |
Portland |
Cumberland County Civic Center flac1644 Microphones: set 1 Beyer m201 (hypercardioid) XY 90º set 2 AKG 422 XY fig 8's > Nakamichi 550 > Recorder: Sony TC-D5M No Dolby Maxell MX90 x 2 Location: 40 feet from stage DFC This Source: Master AUDCA Maxell MX90 No NR [KH] Transfer: s1: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Mike Davis, Kenny Davis, Sean Murtha, Kyle Holbrook, Tom Pinney, Gary Steel, Greg Martens Transfer by: Kyle Holbrook
|
notes
|
| 9136. |
03/28/86 |
Flac 16 Mtx - 0,
95598 |
Portland |
Cumberland County Civic Center flac16; Sick Bits Vol. 28 - AUD1/SBD/AUD2 matrix of 3 previously circulating sources: AUD1 (shnid=32520) + SBD (shnid=31603) + AUD2 (shnid=5004)-low end only. Matrixed by Chris Chappell.
|
notes
|
| 9137. |
03/28/86 |
Flac 16 - 0,
88950 |
Portland |
Cumberland County Civic Center flac16; MOTB Release: 0032 16/44.1Source: Audience FOB Recording Media: MAC = Denon HD8 90 Lineage: 2 x AKG C 460 B-ULS/CK 61-ULS => Uher CR-240 >> MAC Transfer: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [S/PDIF] => TASCAM HD-P2 >> WAV [24/96] Taped by: D. Thompson Transfer by: A. Egert Mastering by: D. McCabe
|
notes
|
| 9138. |
03/28/86 |
Flac 16 - 0,
31603 |
Portland |
Cumberland County Civic Center flac16; Updated Lineage: SBD (Tascam322 to Marantz CDR500) > Cx? > CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC Frontend
|
notes
|
| 9139. |
03/28/86 |
Flac 24/96 - 0,
88953 |
Portland |
Cumberland County Civic Center flac24; MOTB Release: 0032 24/96 Source: Audience FOB Recording Media: MAC = Denon HD8 90 Lineage: 2 x AKG C 460 B-ULS/CK 61-ULS => Uher CR-240 >> MAC Transfer: MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 [S/PDIF] => TASCAM HD-P2 >> WAV [24/96] Taped By: D. Thompson Transfer By: A. Egert Mastering By: D. McCabe
|
notes
|
| 9140. |
03/28/86 |
Flac 16 - 0,
32520 |
Portland |
Cumberland County Civic Center flac16; Source: FOB Sennheiser ME88 > D5 > Maxell Metal Cassette master. Transfer: Playbackon Nakamichi BX-100 > Panasonic SV 3700 DAT> Tascam CD-RW 700> EAC > FLAC. Original recording, transfer, and FLAC'ing by Bill K. Mastering: Wavelab 5 (crossfades to smooth flips, minimal Waves L3 (-1 dB threshold)) > CDWAV 1.9 > FLAC by Chris L.
|
notes
|
| 9141. |
03/28/86 |
Flac 16 - 0,
106564 |
Portland |
Cumberland County Civic Center flac16;Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
|
notes
|
| 9142. |
03/28/86 |
Flac 16 - 0,
79289 |
Portland |
Cumberland County Civic Center flac16; Sennheiser 421s + Nakamichi 300s > Yamaha mixer > Sony D5 (Dolby B) > MAC taped by Tim Alexander Transfer: MAC playback on Nakamichi DR-1 > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC
|
notes
|
| 9143. |
03/28/86 |
Flac 16 - 0,
139325 |
Portland |
Cumberland County Civic Center flac16; Schoeps CMC4/MK4 > Oade pcm > Bryant pcm patch > Gastwirt dat (cloned from Bryant pcm); Charlie Miller Transfer: Dat (Panasonic SV-3700) > Tascam DA-3000 > wav 16/44; Edited & Mastered in Audacity by Joe Noel; Wave > Flac 16/44; Checksum & tags created in xACT
|
notes
|
| 9144. |
03/28/86 |
Flac 24/96 - 0,
139469 |
Portland |
Cumberland County Civic Center flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 9145. |
03/28/86 |
Flac 16 - 0,
141049 |
Portland |
Cumberland County Civic Center flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 9146. |
03/28/86 |
Flac 16 - 0,
87706 |
Portland |
Cumberland County Civic Center flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9147. |
03/28/86 |
Shn - 0,
5004 |
Portland |
Cumberland County Civic Center FOB (Center)> AUD> MC> CDR Neumann U87's> Uher CR240> Maxell XLII 90 Cass. Master> Marantz Pro CDR 500; Paul Hogan Recording; EAC/SHN by Charles Hogan
|
notes
|
| 9148. |
03/28/86 |
Flac 24/96 - 0,
127544 |
Portland |
Cumberland County Civic Center flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9149. |
03/28/86 |
Flac 24/48 - 0,
79328 |
Portland |
Cumberland County Civic Center flac24; MAC (2 Sennheiser 421s + 2 Nakamichi 300 shotguns > Yamaha mixer > Sony D5) taped by Tim Alexander. Transfer: MAC played back on Nakamichi DR-1 > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC
|
notes
|
| 9150. |
03/28/86 |
Flac 24/96 - ,
156133 |
Portland |
Cumberland County Civic Center flac2496 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; DFC Transfer: s1: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
|
notes
|
| 9151. |
03/28/86 |
Flac 16/44 - ,
156132 |
Portland |
Cumberland County Civic Center flac1644 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 40 feet from stage; DFC Transfer: s1: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD s2: Nakamichi 680ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
|
notes
|
| 9152. |
03/30/86 |
Flac 16 - 0,
106110 |
Providence |
Providence Civic Center flac16; Recording Info: SBD -> ? -> 2nd Gen Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9153. |
03/30/86 |
Flac 16 - 0,
106566 |
Providence |
Providence Civic Center flac16;Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
|
notes
|
| 9154. |
03/30/86 |
Flac 24/96 - 0,
139470 |
Providence |
Providence Civic Center flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 9155. |
03/30/86 |
Flac 16 - 0,
139523 |
Providence |
Providence Civic Center flac16; Source: FOB recording > Schoeps cmc4 mk41 > pcm > dat (44.1k) - recorded by Robert Bryant (patched out of the Oades) and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick 10/07/2017
|
notes
|
| 9156. |
03/30/86 |
Flac 16 - 0,
141050 |
Providence |
Providence Civic Center flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 9157. |
03/30/86 |
Flac 16/48 - 0,
142406 |
Providence |
Providence Civic Center flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
|
notes
|
| 9158. |
03/30/86 |
Flac 16 - 0,
103229 |
Providence |
Providence Civic Center flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 9159. |
03/30/86 |
Shn - 0,
10076 |
Providence |
Providence Civic Center Nak 300/Sony D5> Nakamichi BX-300> CD; via Stephen B. Porter; Seeded to etree by Peter Braverman
|
notes
|
| 9160. |
03/30/86 |
Flac 16 - 0,
87741 |
Providence |
Providence Civic Center flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9161. |
03/30/86 |
Flac 24/96 - 0,
127545 |
Providence |
Providence Civic Center flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9162. |
03/30/86 |
Shn - 0,
25526 |
Providence |
Providence Civic Center Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> CD (Tascam CDRW700) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
|
notes
|
| 9163. |
03/30/86 |
Flac 24/48 - ,
156187 |
Providence |
Providence Civic Center flac2448 ource: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 200 feet from stage; 30 feet LOC Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
|
notes
|
| 9164. |
03/30/86 |
Flac 16/48 - ,
156186 |
Providence |
Providence Civic Center flac1648 Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 200 feet from stage; 30 feet LOC Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
|
notes
|
| 9165. |
03/31/86 |
Flac 16 - 0,
106111 |
Providence |
Providence Civic Center flac16; Recording Info: SBD -> ? -> 2nd Gen Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9166. |
03/31/86 |
Flac 16 - 0,
83186 |
Providence |
Providence Civic Center flac16; Source: Audience FOB Recording Media: TDK HX-90 Cassette Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: D. Thompson Transfer by: A. Egert Mastering by: SIRMick
|
notes
|
| 9167. |
03/31/86 |
Flac 16 - 0,
106556 |
Providence |
Providence Civic Center flac16; Nakamichi Cm-300 X2 > Cassette Master (sony Tcd5m/maxell Mx 90) Cassette Master (nakamichi Dr-1) > Korg Mr-1000 (1-bit/5.6mhz) > Audiogate (1-bit/5.6mhz > 16-bit/44.1khz) > Cdwav (edits); Recorded from Taper section 8, Row F, Seat 2 by Bob Morris
|
notes
|
| 9168. |
03/31/86 |
Flac 24/96 - 0,
83475 |
Providence |
Providence Civic Center flac24/96; Source: Audience FOB Recording Media: TDK HX-90 Cassette Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Taped by: D. Thompson Transfer by: A. Egert Mastering by: SIRMick
|
notes
|
| 9169. |
03/31/86 |
Flac 16 - 0,
122001 |
Providence |
Providence Civic Center flac16; Recording Info: (FOB) Schoeps -> PCM -> Dat; Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> SHN -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Recorded By Jon Pasternak
|
notes
|
| 9170. |
03/31/86 |
Flac 24/96 - 0,
139471 |
Providence |
Providence Civic Center flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 9171. |
03/31/86 |
Flac 16 - 0,
141051 |
Providence |
Providence Civic Center flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 9172. |
03/31/86 |
Flac 16/48 - 0,
142429 |
Providence |
Providence Civic Center flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
|
notes
|
| 9173. |
03/31/86 |
Shn - 0,
13463 |
Providence |
Providence Civic Center AUD>MC>CDR; via Mr.Benson; seedeD
|
notes
|
| 9174. |
03/31/86 |
Flac 24/96 - 0,
127552 |
Providence |
Providence Civic Center flac24; source: (3) atm 11> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9175. |
03/31/86 |
Flac 24/96 - 0,
127568 |
Providence |
Providence Civic Center flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc;conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9176. |
03/31/86 |
Flac 16 - 0,
88001 |
Providence |
Providence Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shot guns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9177. |
03/31/86 |
Flac 16 - 0,
79912 |
Providence |
Providence Civic Center flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: *OTS Floor Sec 7 Row C, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci
|
notes
|
| 9178. |
03/31/86 |
Flac 16 - 0,
102337 |
Providence |
Providence Civic Center flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 9179. |
03/31/86 |
Shn - 0,
25527 |
Providence |
Providence Civic Center Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info:Nakamichi 300/CP4 -> Master Cassette (Marantz PMD430) -> CD (Tascam CDRW5000) -> EAC -> Cool Edit Pro v1.2 -> SHN (Taped By Jon Pasternak) via Charlie Miller; the origianal seed for this source had a flaw in d2t06; Upgrade in circulation
|
notes
|
| 9180. |
03/31/86 |
Shn - 0,
25294 |
Providence |
Providence Civic Center Taped:Joe Damico Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Brian Mandel Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verified via shn tools
|
notes
|
| 9181. |
03/31/86 |
Flac 24/48 - ,
156189 |
Providence |
Providence Civic Center flac2448 Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 > Nakamichi 550 mic deck Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 175 feet from stage; Center Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
|
notes
|
| 9182. |
03/31/86 |
Flac 16/44 - ,
156188 |
Providence |
Providence Civic Center flac1644 Source: MAUD CA Microphones: AKG c422 cardioids (X-Y at 90') |AKG B18 > Nakamichi 550 mic deck Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: OTS approximately 175 feet from stage; Center Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This Executive Crew AKG c422 recording is dedicated to Kenny Davis RIP
|
notes
|
| 9183. |
04/01/86 |
Flac 16 - 0,
106114 |
Providence |
Providence Civic Center flac16; Recording Info: SBD -> ? -> 2nd Gen Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9184. |
04/01/86 |
Flac 16 - 0,
101104 |
Providence |
Providence Civic Center flac16; AUD: Sennheiser MD-441's > Sony TC-D5M > Maxell MX-90's, no Dolby, next to the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F.
|
notes
|
| 9185. |
04/01/86 |
Flac 16 - 0,
106555 |
Providence |
Providence Civic Center flac16:Recording by Bob Morris. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90). Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)
|
notes
|
| 9186. |
04/01/86 |
Flac 24/96 - 0,
101103 |
Providence |
Providence Civic Center flac24; AUD: Sennheiser MD-441's > Sony TC-D5M > Maxell MX-90's, no Dolby, next to the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F.
|
notes
|
| 9187. |
04/01/86 |
Flac 24/96 - 0,
139472 |
Providence |
Providence Civic Center flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 9188. |
04/01/86 |
Flac 16 - 0,
141052 |
Providence |
Providence Civic Center flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 9189. |
04/01/86 |
Flac 16/48 - 0,
142452 |
Providence |
Providence Civic Center flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
|
notes
|
| 9190. |
04/01/86 |
Shn - 0,
17810 |
Providence |
Providence Civic Center Unknown Sony Mics> Sony TC-D5> Maxell Metal Cassette; Transfer: Nakamichi DR-10> Monster Analog cables> Tascam CD-RW700 Burner; Edit: EAC (IOMEGA CDRW9602EXT-B, Secure with C2, accurate stream, NO disable cache, Read offset correction = -147)> CE2K> SHNTOOL> mkwACT; via mattman
|
notes
|
| 9191. |
04/01/86 |
Shn - 0,
25529 |
Providence |
Providence Civic Center Recording Info: (FOB) Schoeps -> PCM -> Dat Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Patch Info: Nakamichi 300/CP4 -> Master Cassette (Sony D5) -> CD via Charlie Miller
|
notes
|
| 9192. |
04/01/86 |
Shn - 0,
7342 |
Providence |
Providence Civic Center Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Stephen B. Porter; Peter Braverman. [Note: Original shn set had sbe's on all tracks - a sbe-fixed-by set- version also circulates]
|
notes
|
| 9193. |
04/01/86 |
Flac 24/96 - 0,
127676 |
Providence |
Providence Civic Center flac24; source: (2) nakamichi 300/ (2) sennhesier 441> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9194. |
04/01/86 |
Flac 24/96 - 0,
127553 |
Providence |
Providence Civic Center flac24; source: (3) atm 11> optimus> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9195. |
04/01/86 |
Flac 16 - 0,
88016 |
Providence |
Providence Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9196. |
04/01/86 |
Flac 16 - 0,
79925 |
Providence |
Providence Civic Center flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: *OTS Floor Sec 7 Row F, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 9197. |
04/01/86 |
Flac 24/48 - ,
156191 |
Providence |
Providence Civic Center flac2448 Recording Information: Source: MAUD CA Microphones: AKG c422 cardiods's (X-Y at 90')|AKG B18 7' high Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 150 feet from stage; Front row OTS Transfer: Nakamichi LX-5> Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook
|
notes
|
| 9198. |
04/01/86 |
Flac 16/44 - ,
156190 |
Providence |
Providence Civic Center flac1644 Source: MAUD CA Microphones: AKG c422 cardiods's (X-Y at 90')|AKG B18 7' high Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 150 feet from stage; Front row OTS Transfer: Nakamichi LX-5> Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook
|
notes
|
| 9199. |
04/03/86 |
Shn - 0,
2789 |
Hartford |
Hartford Civic Center SBD> Master Cassette> DAT> CDR> EAC> SHN; EAC> SHN by Jeff M.
|
notes
|
| 9200. |
04/03/86 |
Shn - 0,
18509 |
Hartford |
Hartford Civic Center Vault PCM Master->10 inch reels at 15 ips->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. DAT seed provided by Michael P. Weitzman Transfer and SHN by Joe Samaritano
|
notes
|
| 9201. |
04/03/86 |
Flac 16 - 0,
76097 |
Hartford |
Hartford Civic Center flac16; FOB/TS - Schoeps CMC 44 Cardioids > Sony PCM F1, FOB > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl 8
|
notes
|
| 9202. |
04/03/86 |
Flac 16 - 0,
106553 |
Hartford |
Hartford Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 9203. |
04/03/86 |
Flac 16 - 0,
142712 |
Hartford |
Hartford Civic Center flac16; Recording Info: PCM Master > Neve 8068 Console > Reel (Studer A80/10in 7.5ips 1/2trk); Transfer Info: Reel > Pro Tools (24-bit/96k) > WAV; Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; This is 142690 24 -> 16
|
notes
|
| 9204. |
04/03/86 |
Flac 24/96 - 0,
142699 |
Hartford |
Hartford Civic Center flac24; Recording Info: PCM Master > Neve 8068 Console > Reel (Studer A80/10in 7.5ips 1/2trk); Transfer Info: Reel > Pro Tools (24-bit/96k) > WAV; Mastering Info: WAV > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; This is a patched version of shnid=142690
|
notes
|
| 9205. |
04/03/86 |
Flac 16 - 0,
88022 |
Hartford |
Hartford Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9206. |
04/03/86 |
Shn - 0,
86824 |
Hartford |
Hartford Civic Center akamichi 300 Shotguns CP4's & Sony TCD5M TDK MA 90 X 2 Location: 10Flor Sec 8 Row N Seat 3 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Taped & Transfered by Brian Mandel
|
notes
|
| 9207. |
04/03/86 |
Flac 16 - 0,
77346 |
Hartford |
Hartford Civic Center flac16; Source: Nakamichi CM304's(pointed)>Sony D5M(Maxell MX) Location: OTS Stand at 10 feet. Transfer: Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>cdwav>flac16 Taped, Transfered and uploaded by Tony Suraci
|
notes
|
| 9208. |
04/03/86 |
Flac 24/96 - 0,
103357 |
Hartford |
Hartford Civic Center flac24; source: nak 300/cp4 (@ board, 12') > tcd5m (tdk mar 90 +dolby) transfer: master cassette > tcd5m (orig recorder +dolby) > minime (24/96) > sd744t > audacity > xact (flac24) recorded: david lane/david barfield transferred/seeded: david barfield
|
notes
|
| 9209. |
04/03/86 |
Flac 24/96 - 0,
127695 |
Hartford |
Hartford Civic Center flac24; source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9210. |
04/03/86 |
Flac 24/96 - 0,
148582 |
Hartford |
Hartford Civic Center flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9211. |
04/03/86 |
Flac 16/48 - 0,
148581 |
Hartford |
Hartford Civic Center flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9212. |
04/03/86 |
Flac 16/44 - ,
156235 |
Hartford |
Hartford Civic Center flac1644 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 50 feet from stage; DFC Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This AKG c422 recording dedicated to our brother Kenny Davis
|
notes
|
| 9213. |
04/03/86 |
Flac 24/48 - ,
156236 |
Hartford |
Hartford Civic Center flac2448 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 50 feet from stage; DFC Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, John Hance, Kenny Davis, Sean Murtha Transferred: Kyle Holbrook This AKG c422 recording dedicated to our brother Kenny Davis
|
notes
|
| 9214. |
04/04/86 |
Flac 16 - 0,
76152 |
Hartford |
Hartford Civic Center flac16; Schoeps CMC 44 Cardioids > Sony PCM F1, FOB/TS > Sony PCM 601 > Sony /2000ES DAT > PC > Adobe Audition 1.5 > Shntool > flac lvl8
|
notes
|
| 9215. |
04/04/86 |
Flac 16 - 0,
108472 |
Hartford |
Hartford Civic Center flac16; AKG C-422>D5; AUD Master Cassettes (2-Maxell MX90)>NAK 1.5>wav>flac16 (Traders Little Helper) Type I - No Dolby - No Normalization or mastering of any kind
|
notes
|
| 9216. |
04/04/86 |
Shn - 0,
13464 |
Hartford |
Hartford Civic Center AUD>MC>CDR; via Mr.Benson; seedeD
|
notes
|
| 9217. |
04/04/86 |
Flac 16 - 0,
88106 |
Hartford |
Hartford Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9218. |
04/04/86 |
Flac 16/44 - 0,
29580 |
Hartford |
Hartford Civic Center Recording Info: Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA-R60 1st set; MA-R90 2nd set)Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded, Transferred, Patched and Tracked by Charlie Connor
|
notes
|
| 9219. |
04/04/86 |
Flac 16 - 0,
79986 |
Hartford |
Hartford Civic Center flac16; Source: Nakamichi CM304's>Sony D5M(Maxell MX) Location: *OTS Floor Sec 8 Row F, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 9220. |
04/04/86 |
Flac 24/96 - 0,
127700 |
Hartford |
Hartford Civic Center flac24; source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9221. |
04/04/86 |
Flac 24/96 - 0,
104943 |
Hartford |
Hartford Civic Center flac24; source: nak 300/cp4 (12', ots) > tcd5m/tdk ma-r90 (+dolby) -- master cassette > tcd5m (orig recorder +dolby) > minime (24/96) > sd744t > audacity > xact (flac24)
|
notes
|
| 9222. |
04/04/86 |
Flac 16 - 0,
103228 |
Hartford |
Hartford Civic Center flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 9223. |
04/04/86 |
Shn - 0,
87346 |
Hartford |
Hartford Civic Center Source: Nakamichi 300 Shotguns CP4's & Sony TCD5M. Location: 10Flor Sec 8 Row M Seat 4 Transfered:Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn. Taped and transfered by Brian Mandel
|
notes
|
| 9224. |
04/04/86 |
Flac 24/96 - 0,
148584 |
Hartford |
Hartford Civic Center flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9225. |
04/04/86 |
Flac 16/48 - 0,
148583 |
Hartford |
Hartford Civic Center flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9226. |
04/04/86 |
Flac 16/44 - ,
156237 |
Hartford |
Hartford Civic Center flac1644 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (first in line) Location: approximately 75 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook
|
notes
|
| 9227. |
04/04/86 |
Flac 24/48 - ,
156238 |
Hartford |
Hartford Civic Center flac2448 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (first in line) Location: approximately 75 feet from stage; DFC Transfer: Nakamichi LX5 > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook
|
notes
|
| 9228. |
04/12/86 |
Flac 16 - 0,
85126 |
Irvine |
Irvine Meadows flac16; (FOB) Sennheiser 441s > Sony D5 > MAC > 1st Gen Cassettes. Tapers: Adam & Justin. 1st Gen Cassettes provided by Mark McCue. Transfer, edits, conversion & seeding by Alex Ford May 2007
|
notes
|
| 9229. |
04/12/86 |
Shn - 0,
13465 |
Irvine |
Irvine Meadows AUD>MC>DAT>CDR; Schoeps CMC44?s; via Joe Brown; seedeD
|
notes
|
| 9230. |
04/12/86 |
Flac 24/96 - 0,
148778 |
Irvine |
Irvine Meadows flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9231. |
04/12/86 |
Flac 16/48 - 0,
148777 |
Irvine |
Irvine Meadows flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9232. |
04/12/86 |
Flac 24/96 - ,
151150 |
Irvine |
Irvine Meadows flac24/96khz Source : Nak mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 9233. |
04/12/86 |
Flac 16/48 - ,
151149 |
Irvine |
Irvine Meadows flac16/48khz Source : Nak mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp 1648
|
notes
|
| 9234. |
04/13/86 |
Flac 16 - 0,
81647 |
Irvine |
Irvine Meadows flac16; SBD -> Cassette Master -> Cassette -> Cassette; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9235. |
04/13/86 |
Flac 16 - 0,
119476 |
Irvine |
Irvine Meadows flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/Loge Row 6 Row FF Seat 617/6 Feet High)> Sony TC D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 9236. |
04/13/86 |
Flac 24/48 - 0,
119475 |
Irvine |
Irvine Meadows flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/Loge Row 6 Row FF Seat 617/6 Feet High)> Sony TC D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 9237. |
04/13/86 |
Shn - 0,
13513 |
Irvine |
Irvine Meadows AUD>MC>DAT>CDR; Schoeps CMC34?s; via Annie Beauneu; seedeD
|
notes
|
| 9238. |
04/13/86 |
Flac 16 - 0,
85287 |
Irvine |
Irvine Meadows flac 16; Source: (FOB) Sennheiser 441s > Sony D5 > MAC > 1st Gen Cassettes Tapers: Adam and Justin; 1st Gen Cassettes provided by Mark McCue;24 bit transfer, edits, conversion & seeding by Alex Ford
|
notes
|
| 9239. |
04/13/86 |
Flac 24/96 - 0,
148867 |
Irvine |
Irvine Meadows flac24; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9240. |
04/13/86 |
Flac 16/48 - 0,
148866 |
Irvine |
Irvine Meadows flac16/48kHz; Source Info: Chris Hecht's Master (FOB) Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9241. |
04/13/86 |
Flac 24/96 - ,
151151 |
Irvine |
Irvine Meadows flac24/96khz Source : Nak mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 9242. |
04/13/86 |
Flac 16/48 - ,
151152 |
Irvine |
Irvine Meadows flac16/48khz Source : Nak mics > unspecified deck > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp 1648
|
notes
|
| 9243. |
04/18/86 |
Flac 16 - 0,
34762 |
Berkeley |
Berkeley Community Theater flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 9244. |
04/18/86 |
Flac 16 - 0,
119488 |
Berkeley |
Berkeley Community Theater flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 9245. |
04/18/86 |
Flac 16 - 0,
32059 |
Berkeley |
Berkeley Community Theater flac16; Don Crandel's PCM, Schoeps, FOB > ? > CDR > EAC to transfer the CDR's to WAV > Trader's Little Helper v.1.0.0.72 for SBE-OK, checksums, and lossless compression to FLAC
|
notes
|
| 9246. |
04/18/86 |
Flac 16 - 0,
34748 |
Berkeley |
Berkeley Community Theater flac16; Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC All Transfers and Mastering By David Gans Converted To FLAC By Charlie Miller
|
notes
|
| 9247. |
04/18/86 |
Flac 24/48 - 0,
19487 |
Berkeley |
Berkeley Community Theater flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 9248. |
04/18/86 |
Flac 16 - 0,
140188 |
Berkeley |
Berkeley Community Theater flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9249. |
04/18/86 |
Flac 16 - 0,
117300 |
Berkeley |
Berkeley Community Theater flac16; nak300>cp4>Sony D5 OTS 9ft master tapes >hhb830 cd 16/44.1; taped/transferred by Doug Wright; DAE>TLH Flac 8 seeded by c. cage
|
notes
|
| 9250. |
04/18/86 |
Shn - 0,
24365 |
Berkeley |
Berkeley Community Theater unknown SBD; upgrade in circulation
|
notes
|
| 9251. |
04/19/86 |
Flac - 0,
34419 |
Berkeley |
Berkeley Community Theater flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 9252. |
04/19/86 |
Flac - 0,
34764 |
Berkeley |
Berkeley Community Theater flac16; Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC All Transfers and Mastering By David Gans
|
notes
|
| 9253. |
04/19/86 |
Flac - 0,
82049 |
Berkeley |
Berkeley Community Theater flac16; Patched tracks of the SBD -> PCM source (shn id 34764)
|
notes
|
| 9254. |
04/19/86 |
Flac - 0,
116409 |
Berkeley |
Berkeley Community Theater flac16; Taper Mike Darby; Master Audience Sennheiser MD421's(PAS/Sec CTR Row NN Seat 19/6ft)> Sony TC-D5M (Maxell MX); Original Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking,Fades,FLAC8); Tracks Re-Named,MetaData Tagging With AudiGate Software; Dithered With Korg Aqua To 16/44; SBE's Checked All OK
|
notes
|
| 9255. |
04/19/86 |
Shn - 0,
8568 |
Berkeley |
Berkeley Community Theater SBD> MC> DAT> CDR> WAV> SHN; DAE (EAC)> d/o repair (sound forge 5)> tracking (cdwav> boundary check (shntool)> SHN (mkwact)> FTP via neo_levo
|
notes
|
| 9256. |
04/19/86 |
Flac 24 - 0,
116408 |
Berkeley |
Berkeley Community Theater flac24; Taper Mike Darby; Master Audience Sennheiser MD421's(PAS/Sec CTR Row NN Seat 19/6ft)> Sony TC-D5M (Maxell MX); Original Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking,Fades,FLAC8); Tracks Re-Named,MetaData Tagging With AudiGate Software
|
notes
|
| 9257. |
04/19/86 |
Flac - 0,
140200 |
Berkeley |
Berkeley Community Theater flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9258. |
04/21/86 |
Flac - 0,
34765 |
Berkeley |
Berkeley Community Theater flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 9259. |
04/21/86 |
Flac - 0,
116432 |
Berkeley |
Berkeley Community Theater flac16; Taper Mike Darby; Master Audience Sennheiser MD421's(PAS/Sec CTR Row LL Seat 21/6ft)> Sony TC-D5M (Maxell MX); Original Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking,Fades,FLAC8); Tracks Re-Named,MetaData Tagging With AudiGate Software; SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 9260. |
04/21/86 |
Flac 24 - 0,
116431 |
Berkeley |
Berkeley Community Theater flac24; Taper Mike Darby; Master Audience Sennheiser MD421's(PAS/Sec CTR Row LL Seat 21/6ft)> Sony TC-D5M (Maxell MX); Original Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2@24/48>HDD>Amadeus Pro (Tracking,Fades,FLAC8); Tracks Re-Named,MetaData Tagging With AudiGate Software
|
notes
|
| 9261. |
04/21/86 |
Shn - 0,
1857 |
Berkeley |
Berkeley Community Theater SBD> Master Cassette> DAT> CDR> EAC> SHN; via Jeff M.
|
notes
|
| 9262. |
04/21/86 |
Flac - 0,
140223 |
Berkeley |
Berkeley Community Theater flac16; Source Info: (FOB) Schoeps CMC4/MK41 (110 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9263. |
04/21/86 |
Flac 16 - 0,
34766 |
Berkeley |
Berkeley Community Theater flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller
|
notes
|
| 9264. |
04/22/86 |
Flac 16 - 0,
34767 |
Berkeley |
Berkeley Community Theater flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 9265. |
04/22/86 |
Flac 16 - 0,
34768 |
Berkeley |
Berkeley Community Theater flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: SBD -> PCM -> Dat -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By David Gans and Charlie Miller
|
notes
|
| 9266. |
04/22/86 |
Flac 16 - 0,
119493 |
Berkeley |
Berkeley Community Theater flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4 Shotguns; (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 9267. |
04/22/86 |
Flac 24/48 - 0,
119492 |
Berkeley |
Berkeley Community Theater flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4 Shotguns; (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 9268. |
04/22/86 |
Flac 16 - 0,
140245 |
Berkeley |
Berkeley Community Theater flac16; Source Info: (FOB) Schoeps CMC4/MK41 (110 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9269. |
04/22/86 |
Shn - 0,
13583 |
Berkeley |
Berkeley Community Theater AUD>PCM>DAT>CDR; via Johanna; seedeD
|
notes
|
| 9270. |
05/03/86 |
Flac 16 - 0,
81516 |
Sacramento |
Cal Expo Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
|
notes
|
| 9271. |
05/03/86 |
Flac 16 - 0,
119544 |
Sacramento |
Cal Expo Amphitheatre flac16; Set 1 Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 9272. |
05/03/86 |
Flac 24/48 - 0,
119543 |
Sacramento |
Cal Expo Amphitheatre flac24; Set 1 Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 9273. |
05/03/86 |
Shn - 0,
18375 |
Sacramento |
Cal Expo Amphitheatre SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko
|
notes
|
| 9274. |
05/03/86 |
Flac 24 - 0,
135008 |
Sacramento |
Cal Expo Amphitheatre flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 9275. |
05/03/86 |
Shn - 0,
9626 |
Sacramento |
Cal Expo Amphitheatre Beyer M88s>PCM>metal cass>CDR; via Drew Berry; Seeded to etree by jimmy cronk
|
notes
|
| 9276. |
05/03/86 |
Flac 24/48 - ,
156456 |
Sacramento |
Cal Expo Amphitheatre flac2448 Source: 1GEN AUDCA 2.5% speed correction each set Microphones: Nakamichi 300/CP4 shotgun capsules Recorder: Sony TC-D5M| Maxell MX 90's no Dolby Location: OTS (tape says "behind board") original transfer: Sony TC-D5M > Sony TC-D5M Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Kenny Davis, Mike Davis, Tom Pinney, John Goode Transferred: Kyle Holbrook
|
notes
|
| 9277. |
05/03/86 |
Flac 16/44 - ,
156455 |
Sacramento |
Cal Expo Amphitheatre flac1644 Source: 1GEN AUDCA 2.5% speed correction each set Microphones: Nakamichi 300/CP4 shotgun capsules Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (1st in line) Location: OTS (tape says "behind board") original transfer: Sony TC-D5M > Sony TC-D5M Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Kenny Davis, Mike Davis, Tom Pinney, John Goode Transferred: Kyle Holbrook
|
notes
|
| 9278. |
05/04/86 |
Flac 16 - 0,
81603 |
Sacramento |
Cal Expo Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9279. |
05/04/86 |
Flac 16 - 0,
119546 |
Sacramento |
Cal Expo Amphitheatre flac16; Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 9280. |
05/04/86 |
Shn - 0,
12088 |
Sacramento |
Cal Expo Amphitheatre SBD -> PCM -> ? -> Cass (DBX) -> Dat; Seeded to etree by Charlie Miller
|
notes
|
| 9281. |
05/04/86 |
Flac 24/48 - 0,
119545 |
Sacramento |
Cal Expo Amphitheatre flac24; Master Audience Recorded By Mr. Darby; Sennheiser MD421's + Nakamichi CM300/CP4s> (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M,Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48>HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging By Keo
|
notes
|
| 9282. |
05/04/86 |
Flac 24 - 0,
135009 |
Sacramento |
Cal Expo Amphitheatre flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 9283. |
05/04/86 |
Shn - 0,
15234 |
Sacramento |
Cal Expo Amphitheatre AUD>PCM>DAT>CDR; Schoeps CMC-441's>Sony PCM-F1; Thanks to Billie Jean; seedeD
|
notes
|
| 9284. |
05/04/86 |
Flac 24/96 - 0,
148639 |
Sacramento |
Cal Expo Amphitheatre flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9285. |
05/04/86 |
Flac 16/48 - 0,
148638 |
Sacramento |
Cal Expo Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9286. |
05/04/86 |
Flac 24/96 - 0,
148869 |
Sacramento |
Cal Expo Amphitheatre flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9287. |
05/04/86 |
Flac 16/48 - 0,
148868 |
Sacramento |
Cal Expo Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9288. |
05/04/86 |
Flac 24/48 - ,
156458 |
Sacramento |
Cal Expo Amphitheatre flac2448 Source: 1GEN AUDCA speed corrected 1.5% Microphones: AKG c422 cardioid (X-Y at 90') chest level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (1st in line) Location: approximately 30 feet from stage; DFC original transfer: Sony TC-D5M > Sony TC-D5M Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Tom Pinney, Kenny Davis, John Goode Transferred: Kyle Holbrook
|
notes
|
| 9289. |
05/04/86 |
Flac 16/44 - ,
156457 |
Sacramento |
Cal Expo Amphitheatre flac1644 Source: 1GEN AUDCA speed corrected 1.5% Microphones: AKG c422 cardioid (X-Y at 90') chest level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (1st in line) Location: approximately 30 feet from stage; DFC original transfer: Sony TC-D5M > Sony TC-D5M Transfer: Nakamichi CR-5A > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Tom Pinney, Kenny Davis, John Goode Transferred: Kyle Holbrook
|
notes
|
| 9290. |
05/10/86 |
Flac 16 - 0,
81625 |
Palo Alto |
Frost Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9291. |
05/10/86 |
Flac 16 - 0,
120491 |
Palo Alto |
Frost Amphitheatre flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 9292. |
05/10/86 |
Flac 24/48 - 0,
120490 |
Palo Alto |
Frost Amphitheatre flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo (The first seed of this source had errors on tracks six and 13; please do not circulate that version.)
|
notes
|
| 9293. |
05/10/86 |
Shn - 0,
13817 |
Palo Alto |
Frost Amphitheatre AUD>MC*>DAT>CDR; via Abraham & Isaac; seedeD
|
notes
|
| 9294. |
05/10/86 |
Shn - 0,
19962 |
Palo Alto |
Frost Amphitheatre SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
|
notes
|
| 9295. |
05/10/86 |
Flac 16 - 0,
140256 |
Palo Alto |
Frost Amphitheatre flac16; Source Info: (FOB) Schoeps CMC4/MK41 (120 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9296. |
05/10/86 |
Flac 24/96 - 0,
135047 |
Palo Alto |
Frost Amphitheatre flac24; lineage: schoeps cmc 44 fob> tcd-d5> tcd-d5>mc sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8
|
notes
|
| 9297. |
05/10/86 |
Flac 24/96 - 0,
148865 |
Palo Alto |
Frost Amphitheatre
|
notes
|
| 9298. |
05/10/86 |
Flac 16/48 - 0,
148864 |
Palo Alto |
Frost Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9299. |
05/10/86 |
Flac 24/48 - ,
156609 |
Palo Alto |
Frost Amphitheatre flac2448 1GEN AUDCA Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, Aaron; patched out of Poris/Olness custom rig Transferred & Processed by Kyle Holbrook
|
notes
|
| 9300. |
05/10/86 |
Flac 16 - ,
156608 |
Palo Alto |
Frost Amphitheatre flac1644 1GEN AUDCA Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, Aaron; patched out of Poris/Olness custom rig Transferred & Processed by Kyle Holbrook
|
notes
|
| 9301. |
05/11/86 |
Flac 16 - 0,
81626 |
Palo Alto |
Frost Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9302. |
05/11/86 |
Flac 16 - 0,
120513 |
Palo Alto |
Frost Amphitheatre flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 9303. |
05/11/86 |
Flac 16 - 0,
26557 |
Palo Alto |
Frost Amphitheatre flac16; SBD > MC > C > DAT > CD > EAC > FLAC; inlcuding AUD patches from previous Beyer source; EAC/FLAC by Darryl Hinko, from David Feldstein's source discs
|
notes
|
| 9304. |
05/11/86 |
Flac 24/48 - 0,
120512 |
Palo Alto |
Frost Amphitheatre flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 9305. |
05/11/86 |
Shn - 0,
8115 |
Palo Alto |
Frost Amphitheatre SBD>MC>DAT>CDR (Additional Cass generations?); via Tony Gardner
|
notes
|
| 9306. |
05/11/86 |
Flac 16 - 0,
140257 |
Palo Alto |
Frost Amphitheatre flac16; Source Info: (FOB) Schoeps CMC4/MK41 (120 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9307. |
05/11/86 |
Flac 24/96 - 0,
135048 |
Palo Alto |
Frost Amphitheatre flac24; lineage: schoeps cmc 44 fob> tcd-d5> tcd-d5>mc sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8
|
notes
|
| 9308. |
05/11/86 |
Shn - 0,
2317 |
Palo Alto |
Frost Amphitheatre AUD> Beyer Dynamic M88's> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN; taped by Charlie Connor; A>D conversion by Stephen Agan; via Charlie Connor to abgd; see alternate tracking suggestions in info file
|
notes
|
| 9309. |
05/11/86 |
Flac 24/48 - ,
156611 |
Palo Alto |
Frost Amphitheatre flac2448 1GEN AUDCA speed corrected 2.25% usig Audacity Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, John Hance, Aaron; patched out of Poris/Olness rig Transferred & Processed by Kyle Holbrook
|
notes
|
| 9310. |
05/11/86 |
Flac 16 - ,
156610 |
Palo Alto |
Frost Amphitheatre flac1644 1GEN AUDCA speed corrected 2.25% usig Audacity Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, John Hance, Aaron; patched out of Poris/Olness rig Transferred & Processed by Kyle Holbrook
|
notes
|
| 9311. |
05/11/86 |
Flac 16 - ,
168552 |
Palo Alto |
Frost Amphitheatre flac16; OTS; Left, Realistic Stereo Cardioid Condenser 33-919 (On Stand) >Sharp Boom Box . Recording and transfer by OldNeumanntapr
|
notes
|
| 9312. |
06/20/86 |
Flac 16 - 0,
81645 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9313. |
06/20/86 |
Flac 16 - 0,
117827 |
Berkeley |
Greek Theatre, University Of California flac16; Master Audience Recorded By Mr. Darby; AKGC414B-ULS (Cardoid/DIN/DFC/Last Row OTS/6 Feet High)> Sony PCM-F1 (RCA Out)>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 9314. |
06/20/86 |
Shn - 0,
23591 |
Berkeley |
Greek Theatre, University Of California SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
|
notes
|
| 9315. |
06/20/86 |
Flac 16 - 0,
105540 |
Berkeley |
Greek Theatre, University Of California flac16; A combination of microphones and select console feeds. TDK MA-R 90 master metal cassette [typeIV] [no dolby] > Nak DR-1 [no dolby] >Lynx2 Studio Reference Interface > Wavelab 6.01 at 24 BIT 88.2 kH Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz Tracked in Wavelab Flac Level 8 with TLH SBE Free; A Master Cassette recording by Owsley Stanley, seeded on his 75th birthday
|
notes
|
| 9316. |
06/20/86 |
Flac 24/48 - 0,
117826 |
Berkeley |
Greek Theatre, University Of California flac24; Master Audience Recorded By Mr. Darby; AKGC414B-ULS (Cardoid/DIN/DFC/Last Row OTS/6 Feet High)> Sony PCM-F1 (RCA Out)>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 9317. |
06/20/86 |
Flac 24/96 - 0,
138909 |
Berkeley |
Greek Theatre, University Of California flac24; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
|
notes
|
| 9318. |
06/20/86 |
Flac 16 - 0,
138908 |
Berkeley |
Greek Theatre, University Of California flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
|
notes
|
| 9319. |
06/20/86 |
Shn - 0,
22935 |
Berkeley |
Greek Theatre, University Of California Sean Webber-Small Recording -- Spaced (8') Schoeps CMC42s->m118>MOD PCM-1 Transfer: Sony PCM-601ESD > Terratec EWX2496 card > DAW > DSP by Doug Oade tracked (cdwave) and re-flac'ed by Darrin Sacks
|
notes
|
| 9320. |
06/20/86 |
Flac 24 - 0,
126349 |
Berkeley |
Greek Theatre, University Of California
|
notes
|
| 9321. |
06/20/86 |
Shn - 0,
15243 |
Berkeley |
Greek Theatre, University Of California AUD>MC>DAT>CDR; Senn 441>Sony TC-D5; Thanks to the Plowman; seedeD
|
notes
|
| 9322. |
06/20/86 |
Flac 16 - 0,
126350 |
Berkeley |
Greek Theatre, University Of California flac16; Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460 Preis CK61 Caps > Uher 240; Master Tapes > Nak Dragon > Korg Mr1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row DFC Behind Soundboard
|
notes
|
| 9323. |
06/20/86 |
Flac 24/96 - 0,
148447 |
Berkeley |
Greek Theatre, University Of California flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9324. |
06/20/86 |
Flac 16/48 - 0,
148446 |
Berkeley |
Greek Theatre, University Of California flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9325. |
06/20/86 |
Flac 24/96 - 0,
151706 |
Berkeley |
Greek Theatre, University Of California flac24/96khz Set 2 Only. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes. Location: 3rd, 4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96. Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 04, 2021.
|
notes
|
| 9326. |
06/20/86 |
Flac 16/48 - 0,
152063 |
Berkeley |
Greek Theatre, University Of California flac16/48 version of i.d. 151977. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 04, 2021.
|
notes
|
| 9327. |
06/20/86 |
Flac 24/96 - 0,
151977 |
Berkeley |
Greek Theatre, University Of California flac24/96 Set 2 Only. This is a fixed version of shnid 151706. Original release had channels reversed. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 04, 2021.
|
notes
|
| 9328. |
06/20/86 |
Flac 16 - 0,
151950 |
Berkeley |
Greek Theatre, University Of California Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 3rd/4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96 Recording by JFK Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 04, 2021 Patch info: - shnid 22023 (Schoeps CMC442, Oade) supplies - s2t07; 00:20 - 00:28 - s2t11; all Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for supplying the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - UJB had 3 minor left channel d/o's repaired with the right channel - This is an Uher Archive production. - uherarchive@live.com - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021
|
notes
|
| 9329. |
06/20/86 |
Flac 24/96 - ,
164844 |
Berkeley |
Greek Theatre, University Of California flac2496; Recording info: Maxell MA-R90 cassette from Bear via Jamie Waddell; Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > 24 Bit 96 kHz FLAC; Recorded by Augustus Owsley Stanley III (aka Bear); Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Track, FLAC, and pack by Steve Gravel
|
notes
|
| 9330. |
06/20/86 |
Flac 16/48 - ,
164845 |
Berkeley |
Greek Theatre, University Of California flac1648; Recording info: Maxell MA-R90 cassette from Bear via Jamie Waddell; Transfer info: Nakamichi CR-7A > Tascam DA-3000 > Samplitude Pro X6 > 24 Bit 96 kHz FLAC; Recorded by Augustus Owsley Stanley III (aka Bear); Transferred and mastered by Jim Blackwood; Speed/pitch adjusted by Jason Chastain; Track, FLAC, and pack by Steve Gravel
|
notes
|
| 9331. |
06/21/86 |
Flac 16 - 0,
81518 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
|
notes
|
| 9332. |
06/21/86 |
Flac 16 Mtx - 0,
35025 |
Berkeley |
Greek Theatre, University Of California flac16; matrix sources: set 1: sbd > pcm > dat > sonic solutions > cd > eac > flac transferred and mastered by David Gans set 2: sbd > cassette master (sony d5/maxell mx-90) transferred and mastered by Laurie Partridge aud: Jim Oade recording -120 degree schoeps cmc44 > mod pcm-1
|
notes
|
| 9333. |
06/21/86 |
Flac 16 - 0,
98673 |
Berkeley |
Greek Theatre, University Of California flac16; Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8
|
notes
|
| 9334. |
06/21/86 |
Flac 16 - 0,
117829 |
Berkeley |
Greek Theatre, University Of California flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's + Nakamichi CM300/CP4's (PAS/DFC/Last Row OTS/6 Feet High)> Sony MX-10>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 9335. |
06/21/86 |
Flac 16 - 0,
81011 |
Berkeley |
Greek Theatre, University Of California flac16; Set 1 only: Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> FLAC Converted By Charlie Miller
|
notes
|
| 9336. |
06/21/86 |
Flac 24/48 - 0,
117828 |
Berkeley |
Greek Theatre, University Of California flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's + Nakamichi CM300/CP4's (PAS/DFC/Last Row OTS/6 Feet High)> Sony MX-10>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 9337. |
06/21/86 |
Shn - 0,
15406 |
Berkeley |
Greek Theatre, University Of California MSC>DAT>CDR>SHN; Discs from Andy L. DAE and SHN (Seekable) by tbrame
|
notes
|
| 9338. |
06/21/86 |
Flac 24/96 - 0,
139058 |
Berkeley |
Greek Theatre, University Of California flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
|
notes
|
| 9339. |
06/21/86 |
Flac 16 - 0,
139049 |
Berkeley |
Greek Theatre, University Of California flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
|
notes
|
| 9340. |
06/21/86 |
Flac 16/48 - 0,
141791 |
Berkeley |
Greek Theatre, University Of California flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - mixing by Kevin Tobin
|
notes
|
| 9341. |
06/21/86 |
Flac 16 Dts - 0,
141790 |
Berkeley |
Greek Theatre, University Of California DTS-Audio-CD 5.1 Mix; SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - dts mixing by Kevin Tobin
|
notes
|
| 9342. |
06/21/86 |
Flac 16 Mtx - 0,
141789 |
Berkeley |
Greek Theatre, University Of California flac16; Matrix 2 Source Mix - SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - matrix mixing by Kevin Tobin
|
notes
|
| 9343. |
06/21/86 |
Flac16/48 LPCM - 0,
142016 |
Berkeley |
Greek Theatre, University Of California flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - surround mixing by Kevin Tobin
|
notes
|
| 9344. |
06/21/86 |
Shn - 0,
13063 |
Berkeley |
Greek Theatre, University Of California AUD>MC>DAT>CDR; Senn 441?s>Sony TC-D5; via the Poor Boy; seedeD
|
notes
|
| 9345. |
06/21/86 |
Flac - 0,
21924 |
Berkeley |
Greek Theatre, University Of California Jim Oade Recording -- 120 degree Schoeps CMC44 ->MOD PCM-1 Transfer: Master PCM>DAW (via Sekd card)> DSP by Doug Oade using Audacity (Linux) -- Downloaded, tracked (cdwave) and re-flac'ed by Darrin (dsacks@pcisys.net)
|
notes
|
| 9346. |
06/21/86 |
Flac 24/96 - 0,
148479 |
Berkeley |
Greek Theatre, University Of California flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9347. |
06/21/86 |
Flac 16/48 - 0,
148478 |
Berkeley |
Greek Theatre, University Of California flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9348. |
06/21/86 |
Flac 24/96 - 0,
151707 |
Berkeley |
Greek Theatre, University Of California flac24/96khz Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes. Location: 3rd, 4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96. Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 05, 2021.
|
notes
|
| 9349. |
06/21/86 |
Flac 16/48 - 0,
152062 |
Berkeley |
Greek Theatre, University Of California flac16/48 version of i.d. of 152060. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496 Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 05, 2021.
|
notes
|
| 9350. |
06/21/86 |
Flac 24/96 - 0,
152060 |
Berkeley |
Greek Theatre, University Of California flac24/96 Fix Of 151978. Set 1 was saved as 1648 instead of 2496. Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96 Recording by JFK. Transfer by Craig Rogers. Edited & Mastered (Adobe Audition) by Joe Noel. February 05, 2021.
|
notes
|
| 9351. |
06/21/86 |
Flac 16/44 - 0,
151951 |
Berkeley |
Greek Theatre, University Of California flac16/44 Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes Location: 3rd/4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry. Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96 Recording by JFK Transfer by Craig Rogers Edited & Mastered (Adobe Audition) by Joe Noel February 05, 2021 Patch info: - Schoeps CMC442, Oade supplies - s1t01 - s1t04; all - s2t01; start - 03:13 (crowd) - s2t07; 01:13 - 01:26 Notes: - Thanks to JFK for recording the show. - Thanks to Craig Rogers for providing the source & the transfer. - Thanks to everyone involved with the patch source. - This source has been pitch corrected. - This is an Uher Archive production. - uherarchive@live.com * Dedicated to Len Bias - Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021
|
notes
|
| 9352. |
06/22/86 |
Flac 16 - 0,
81646 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9353. |
06/22/86 |
Flac 16 - 0,
117831 |
Berkeley |
Greek Theatre, University Of California flac16; Master Audience Recorded By Mr. Darby; AKGC460B/A60/CK1's (PAS/DFC/First Row OTS/6 Feet High)> Uher340>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 9354. |
06/22/86 |
Shn - 0,
388 |
Berkeley |
Greek Theatre, University Of California DSDB> DAT> CDr; via Mike Lai
|
notes
|
| 9355. |
06/22/86 |
Flac 16 - 0,
100204 |
Berkeley |
Greek Theatre, University Of California flac16; Recorded by Mike Grace and Annie Szvetecz; Lineage: Mike Grace Master PCM Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1 Recording Location: Official Tapers Section PCM to DAW Transfer by Mike Grace Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 wav
|
notes
|
| 9356. |
06/22/86 |
Flac 24 - 0,
117830 |
Berkeley |
Greek Theatre, University Of California flac24; Master Audience Recorded By Mr. Darby; AKGC460B/A60/CK1's (PAS/DFC/First Row OTS/6 Feet High)> Uher340>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 9357. |
06/22/86 |
Flac 16 - 0,
139290 |
Berkeley |
Greek Theatre, University Of California flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
|
notes
|
| 9358. |
06/22/86 |
Flac 24 - 0,
139291 |
Berkeley |
Greek Theatre, University Of California flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
|
notes
|
| 9359. |
06/22/86 |
Flac 16 - 0,
140671 |
Berkeley |
Greek Theatre, University Of California flac16; Source Info: (FOB) Schoeps CMC4/MK2 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9360. |
06/22/86 |
Flac 16/44 - 0,
30865 |
Berkeley |
Greek Theatre, University Of California Primary Source: Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Secondary Source: Neumann kmi-84->neumann bs48i-2>pcmf1,(at sbd)PCM->DAT shn id 7281 The secondary source covers patches in the last 26 seconds of d2t05(drums); the first 12 seconds of d3to1 (space) Recorded, digitally mastered and patched by Charlie Connor
|
notes
|
| 9361. |
06/22/86 |
Shn - 0,
7281 |
Berkeley |
Greek Theatre, University Of California Neumann kmi-84-> Neumann bs48i-2> pcmf1, at sbd; ; Taper Randy Fleck; PCM-> DAT: Sony pcm-601esd-> panasonic 3500; DAT->CD: fostex d5->marantz cdr615-> eac-> cdwav-> mkwact
|
notes
|
| 9362. |
06/22/86 |
Flac 16/44,1 - 0,
138856 |
Berkeley |
Greek Theatre, University Of California flac16 44.1khz Source: AKG 460 w/CK61 Caps > Uher 240. Transfer: Master Tapes > Nak Dragon > Korg Mr 1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper . Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon
|
notes
|
| 9363. |
06/22/86 |
Flac 24/96 - 0,
138857 |
Berkeley |
Greek Theatre, University Of California flac24 96khz Source: AKG 460 w/CK61 Caps > Uher 240. Transfer: Master Tapes > Nak Dragon > Korg Mr 1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper . Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon
|
notes
|
| 9364. |
06/22/86 |
Flac 24/96 - 0,
148481 |
Berkeley |
Greek Theatre, University Of California flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9365. |
06/22/86 |
Flac 16/48 - 0,
148480 |
Berkeley |
Greek Theatre, University Of California flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9366. |
06/26/86 |
Flac 16 - 0,
116647 |
Minneapolis |
Hubert H. Humphrey Metrodome flac16; Source: Nakamichi CM-100 mics w/ CP-1 Caps > Sony D-6 (Maxell MX-90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Danny Taggart - Third Row, Mics Hand-held Transfers, edits, track/FLAC by Greg Holtz
|
notes
|
| 9367. |
06/26/86 |
Flac 16 - 0,
92713 |
Minneapolis |
Hubert H. Humphrey Metrodome flac16; source: aud > ??? > cass (low gen) transfer: cass > Nakamichi BX-125E > Creative Extigy > Wavelab > wav > flac transferred, edited and mastered SIRMick July 2008
|
notes
|
| 9368. |
06/26/86 |
Flac 24 - 0,
139268 |
Minneapolis |
Hubert H. Humphrey Metrodome flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 >Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9369. |
06/26/86 |
Flac 16 - 0,
139278 |
Minneapolis |
Hubert H. Humphrey Metrodome flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 >Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 139268 24 bit -> 16 bit
|
notes
|
| 9370. |
06/26/86 |
Shn - 0,
25616 |
Minneapolis |
Hubert H. Humphrey Metrodome Recording Info: Sony ECM-939 -> Cassette Master -> CD Transfer Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Transfered and Edited By Charlie Miller
|
notes
|
| 9371. |
06/28/86 |
Flac - 0,
21272 |
East Troy |
Alpine Valley Music Theatre Recording Info: SBD -> Cassette Master -> ? -> Dat -> CD Editing Info: CD -> EAC -> Samplitude v7.02 Professional -> SHN Patch Info: Looks Like Rain -> Don't Ease Me In Patched From AUD -> Cassette Master -> ? -> Dat -> CD Editing and Patch Done By Charlie Miller
|
notes
|
| 9372. |
06/28/86 |
Flac 16 - 0,
116664 |
East Troy |
Alpine Valley Music Theatre flac16; Recording: Nakamichi CM100/CP-4 > Sony TC-D5M - OTS - Front of Lawn; Transfer: MAC > Tascam 122 > Edirol UA-5 > PC > Audacity > TLH > FLAC; Recorded by Greg Holtz and Danny Taggart; Transfer by Greg Holtz
|
notes
|
| 9373. |
06/28/86 |
Flac 16 - 0,
96552 |
East Troy |
Alpine Valley Music Theatre flac16; OTS AUD: Sennheiser ME-88 shotguns > patched thru one Sony D5 > Sony TC-D5M > Sony UCX-S 90's, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F.
|
notes
|
| 9374. |
06/28/86 |
Flac 16 - 0,
135534 |
East Troy |
Alpine Valley Music Theatre flac16; Recording Info: Sennheiser ME80 -> Cassette Master (Sony TC-DD5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Recorded by Michael Hessberg
|
notes
|
| 9375. |
06/28/86 |
Flac 24 - 0,
139269 |
East Troy |
Alpine Valley Music Theatre flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9376. |
06/28/86 |
Flac 16 - 0,
139279 |
East Troy |
Alpine Valley Music Theatre flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 139269 24 bit -> 16 bit
|
notes
|
| 9377. |
06/28/86 |
Flac 16 - 0,
140312 |
East Troy |
Alpine Valley Music Theatre flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9378. |
06/28/86 |
Flac 16 - 0,
104995 |
East Troy |
Alpine Valley Music Theatre flac16; Recorded by David Cohen Sec 2 Row SS Seat 102 Stand head height 2 Nakamichi CM100s/ CP4>Sony WMD6 w/Teac MDX90 cassette masters. No Dolby was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009
|
notes
|
| 9379. |
06/28/86 |
Flac 16 - 0,
76516 |
East Troy |
Alpine Valley Music Theatre flac16; Source: FOB(21st Row)>(Jim Vita's)Beyer Dynamic M160's>Sony TCD5M >Sony TCD5M (Charlie Connor's CM - TDK MA90's);Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16: Taped by Jim Vita; Transferred by Charlie Connor
|
notes
|
| 9380. |
06/28/86 |
Shn - 0,
13059 |
East Troy |
Alpine Valley Music Theatre AUD>MC>??>DAT>CDR; via Mary Shelly; seedeD
|
notes
|
| 9381. |
06/28/86 |
Flac 24/96 - 0,
144609 |
East Troy |
Alpine Valley Music Theatre flac24; Recording & Transfer by Ray Ackerman; Audio-Technica AT8035 + AKG D-12E blend > Sony D5 > Master Audience Cassettes (FOB); Transfer; Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; Edited & Mastered w/ Audacity by Joe Noel
|
notes
|
| 9382. |
06/29/86 |
Flac 16 - 0,
76557 |
East Troy |
Alpine Valley Music Theatre flac16; Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's) Transfer: Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and transferred by Charlie Connor
|
notes
|
| 9383. |
06/29/86 |
Flac 16 - 0,
96558 |
East Troy |
Alpine Valley Music Theatre flac16; Set 2 only; OTS AUD: (Set Two only) Sennheiser ME-88 shotguns > patched thru one Sony D5 > Sony TC-D5M > Sony UCX-S 90, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F.
|
notes
|
| 9384. |
06/29/86 |
Flac 24 - 0,
138161 |
East Troy |
Alpine Valley Music Theatre flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9385. |
06/29/86 |
Flac 16 - 0,
138165 |
East Troy |
Alpine Valley Music Theatre flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is shnid 138161 24 bit > 16
|
notes
|
| 9386. |
06/29/86 |
Flac 16 - 0,
140313 |
East Troy |
Alpine Valley Music Theatre flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9387. |
06/29/86 |
Shn - 0,
12969 |
East Troy |
Alpine Valley Music Theatre AUD> MC> ??> DAT> CDR; via Tom Thumb; seeded by eD
|
notes
|
| 9388. |
06/29/86 |
Flac 16 - 0,
104996 |
East Troy |
Alpine Valley Music Theatre flac16; Recorded by David Cohen Sec 2 Row KK Seat 44 Stand head height 2 Nakamichi CM100s/ CP4>Sony WMD6 w/Teac MDX90 cassette masters. No Dolby was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
notes
|
| 9389. |
06/29/86 |
Flac 24/96 - 0,
144610 |
East Troy |
Alpine Valley Music Theatre flac24; Recording & Transfer by Ray Ackerman; Audio-Technica AT8035 + AKG D-12E blend > Sony D5 > Master Audience Cassettes (FOB); Transfer; Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; Edited & Mastered w/ Audacity Joe Noel
|
notes
|
| 9390. |
06/30/86 |
Flac 16 - 0,
87348 |
Cincinnati |
Riverbend Music Center flac16; Schoeps CMC4/MK4 -> Oade M118 -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation
|
notes
|
| 9391. |
06/30/86 |
Flac 16 - 0,
116720 |
Cincinnati |
Riverbend Music Center flac16; Recording: Nakamichi CM100/CP-4 > Sony TC-D5M - OTS - Front of Lawn; Transfer: MAC > Tascam 122 > Edirol UA-5 > PC > Audacity > TLH > FLAC; Recorded by Greg Holtz and Danny Taggart; Transfer by Greg Holtz
|
notes
|
| 9392. |
06/30/86 |
Flac 24 - 0,
139270 |
Cincinnati |
Riverbend Music Center flac24; Set 2 Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9393. |
06/30/86 |
Flac 16 - 0,
139282 |
Cincinnati |
Riverbend Music Center flac16; Set 2 Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139270 24 bit -> 16 bit
|
notes
|
| 9394. |
06/30/86 |
Flac 16 - 0,
76473 |
Cincinnati |
Riverbend Music Center flac16; Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's)Transfer:Nak DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16:Taped and transferred by Charlie Connor
|
notes
|
| 9395. |
06/30/86 |
Shn - 0,
12935 |
Cincinnati |
Riverbend Music Center Schoeps CMC4/MK4 -> Oade M118 -> PCM -> Dat -> CD; via the Captain; seedeD (updated source info)
|
notes
|
| 9396. |
06/30/86 |
Flac 16 - 0,
105003 |
Cincinnati |
Riverbend Music Center flac16; Recorded by David Cohen Front Row Lawn DFC 2 Nakamichi CM100s/ CP4>Sony WMD6 w/Teac MDX90 (Set 1) & TDK MAR90 (Set 2) cassette masters. No Dolby was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
notes
|
| 9397. |
06/30/86 |
Flac 16 - 0,
132662 |
Cincinnati |
Riverbend Music Center flac16; OTS - In pavilion/section 800; 2 Nakamichi CM300s/cP4 shotguns(PAS)>Sony TCD5M>Fuji Metal; Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
|
notes
|
| 9398. |
06/30/86 |
Flac 16 - 0,
87521 |
Cincinnati |
Riverbend Music Center flac16; Recording Info: Schoeps CMC4/MK4 -> Oade M118 -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (This fileset fixes an error in d1t02 of shn id 87348.)
|
notes
|
| 9399. |
07/02/86 |
Flac 16 - 0,
124587 |
Akron |
Rubber Bowl, University of Akron flac16; Recording Info: Sennheiser ME80 -> Cassette Master (Sony TC-DD5M/Maxell XLII-S90); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded by: Michael Hessberg; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9400. |
07/02/86 |
Flac 16 - 0,
82519 |
Akron |
Rubber Bowl, University of Akron flac16; Source: Audience FOB Recording, Media: Denon HD8 90 min High Bias Tape Lineage: AKG C460b preís with Ck61uls capsules > Uher CR260AV > MAC Transfer: Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV Taped by: D. Thompson Transfer by: A. Egert Mastering by: M. Hughey
|
notes
|
| 9401. |
07/02/86 |
Flac 24/96 - 0,
82520 |
Akron |
Rubber Bowl, University of Akron flac24/96; Source: Audience FOB Recording, Media: Denon HD8 90 min High Bias Tape Lineage: AKG C460b preís with Ck61uls capsules > Uher CR260AV > MAC Transfer: Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV Taped by: D. Thompson Transfer by: A. Egert Mastering by: M. Hughey
|
notes
|
| 9402. |
07/02/86 |
Flac - 0,
Joint Ventures L.P |
Akron |
Rubber Bowl, University of Akron Grateful Dead 07/02/86
|
notes
|
| 9403. |
07/02/86 |
Flac 24 - 0,
139271 |
Akron |
Rubber Bowl, University of Akron flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9404. |
07/02/86 |
Flac 16 - 0,
139284 |
Akron |
Rubber Bowl, University of Akron flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139271 24 bit -> 16 bit
|
notes
|
| 9405. |
07/02/86 |
Flac 24/96 - 0,
139414 |
Akron |
Rubber Bowl, University of Akron flac24; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 9406. |
07/02/86 |
Flac 16/48 - 0,
139580 |
Akron |
Rubber Bowl, University of Akron flac16/48kHz; Oade Brothers Recording: Schoeps > spaced omnis > PCM > DAT (FOB); Charlie Miller transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel > flac 16/44; Checksum & tags created in xACT
|
notes
|
| 9407. |
07/02/86 |
Flac 16 - 0,
141053 |
Akron |
Rubber Bowl, University of Akron flac16; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 9408. |
07/02/86 |
Shn - 0,
12934 |
Akron |
Rubber Bowl, University of Akron AUD>DAT>CDR; via the Doodah Man; seedeD
|
notes
|
| 9409. |
07/02/86 |
Flac 24/96 - 0,
135055 |
Akron |
Rubber Bowl, University of Akron flac24; lineage: sennheiser 421 fob> tcd-d5> mc > c sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8
|
notes
|
| 9410. |
07/02/86 |
Flac 16 - 0,
105444 |
Akron |
Rubber Bowl, University of Akron flac16; Recorded by David Cohen FOB Phil's side about 35 yards from stage chest high mic stand 2 Nakamichi CM100s/ CP1>Sony WMD6 Maxell XLII cassette masters. No Dolby was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
notes
|
| 9411. |
07/02/86 |
Shn - 0,
22381 |
Akron |
Rubber Bowl, University of Akron 2 Beyer M160 FOB> Sony TCD5M Master Cassette>shn
|
notes
|
| 9412. |
07/04/86 |
Flac 16 - 0,
118659 |
Buffalo |
Rich Stadium flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9413. |
07/04/86 |
Flac 2448 - 0,
117033 |
Buffalo |
Rich Stadium flac24; Source: SBD 2nd Gen cassette (MSC > C > C) kindly provided by Seaweed1010. (*Last three songs in Set One from AUD.); Transfer: Maxell MXS-90 > Nakamichi CR-5A > Edirol FA-66 > WaveLab > TLH > FLAC 2448. Transfer by Andrew F. 11/2011
|
notes
|
| 9414. |
07/04/86 |
Flac 16 - 0,
89997 |
Buffalo |
Rich Stadium flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 9415. |
07/04/86 |
Flac 16 - 0,
111542 |
Buffalo |
Rich Stadium flac16; Master Audience Nakamichi CM300/CP4 Shotguns>DBX Reduction>Sony D5 Tapes:Maxell XLII-S 90,90 Taper:Floater,Transfer by Keo Transfer with Nakamichi MR-1>Korg MR-1000 @ 1 BIT/5.6MHz Tracking/Editing/sample Rate Conversion/Metadata tagging with AudioGate Software to 32 Bit Float/96kHz Flacked/Dithered With Korg Aqua to 16/44 SBE's checked/fixed with trader's little helper
|
notes
|
| 9416. |
07/04/86 |
Flac 24/96 - 0,
111541 |
Buffalo |
Rich Stadium flac24; Master Audience Nakamichi CM300/CP4 Shotguns>DBX Reduction>Sony D5 Tapes:Maxell XLII-S 90,90 Taper:Floater,Transfer by Keo Transfer with Nakamichi MR-1>Korg MR-1000 @ 1 BIT/5.6MHz Tracking/Editing/sample Rate Conversion/Metadata tagging/Flacked with AudioGate Software to 24 Bit/96kHz
|
notes
|
| 9417. |
07/04/86 |
Flac 24/96 - 0,
139415 |
Buffalo |
Rich Stadium flac24; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 9418. |
07/04/86 |
Flac 16 - 0,
141054 |
Buffalo |
Rich Stadium flac16; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 9419. |
07/04/86 |
Flac 24/96 - 0,
143038 |
Buffalo |
Rich Stadium flac24; Recording & Transfer by Ray Ackerman; Sennheiser 441 > Sony D5 > Master Audience Cassettes (FOB); Transfer; Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
|
notes
|
| 9420. |
07/04/86 |
Flac 24/96 - 0,
135203 |
Buffalo |
Rich Stadium flac24; lineage: (2) audio technica atm 11/ (2) nakamichi 300 cp4 shotguns> tcd-d5> mc > c sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8
|
notes
|
| 9421. |
07/04/86 |
Shn - 0,
13565 |
Buffalo |
Rich Stadium CDR source: AUD > Sennheiser 441 > D5 > ? > HHB stand-alone burner > CDR Video source: AUD > Farm-Aid satellite feed > Hi-Fi VHS x ? ; includes uncut drums>space
|
notes
|
| 9422. |
07/04/86 |
Shn - 0,
12930 |
Buffalo |
Rich Stadium FOB-AUD>MC>DAT>CDR; Senn 421?s>Sony TC-D5; via Uncle Sam; seeded by eD
|
notes
|
| 9423. |
07/04/86 |
Flac 16 - 0,
145496 |
Buffalo |
Rich Stadium flac16; Recording & Transfer by Ray Ackerman; Sennheiser 441 > Sony D5 > Master Audience Cassettes (FOB); Transfer; Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96, This file set is 16 bit @ 44.1
|
notes
|
| 9424. |
07/06/86 |
Shn - 0,
12928 |
Washington |
Robert F. Kennedy Stadium FOB-AUD>MC>DAT>CDR; Senn 421?s>Sony TC-D5; via Frankenstein; seeded by eD
|
notes
|
| 9425. |
07/06/86 |
Flac 24/96 - 0,
139416 |
Washington |
Robert F. Kennedy Stadium flac24; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 9426. |
07/06/86 |
Flac 16 - 0,
141037 |
Washington |
Robert F. Kennedy Stadium flac16; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 9427. |
07/06/86 |
Flac 24/96 - 0,
135065 |
Washington |
Robert F. Kennedy Stadium flac24; lineage: sennheiser 421 fob> tcd-d5> mc > c> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8
|
notes
|
| 9428. |
07/06/86 |
Flac 16 - 0,
86521 |
Washington |
Robert F. Kennedy Stadium flac16; Source: FOB Sennheiser 441s > Sony D5 > MAC (TDK MA90s). Taped by B.Koucky, patched from S.Adelman. Transfer: MAC playback on Nakamich CR-7A, azimuth adjusted > Lunatec V3 > LynxTwo > PC (Wavelab 5) > HD @ 24 bit/96 KHz) > Ozone 3 > 16/44.1 FLAC by Chris L
|
notes
|
| 9429. |
07/07/86 |
Flac 16 - 0,
88176 |
Washington |
Robert F. Kennedy Stadium flac16; In-House FM -> FM Receiver -> Cassette Master (Sony TC-D6C/Denon HD-M90) All Transfers and Mastering By Charlie Miller
|
notes
|
| 9430. |
07/07/86 |
Flac 16 - 0,
34750 |
Washington |
Robert F. Kennedy Stadium flac16; Master: In-house FM > Portable FM Receiver > Cassette Master (Sony TC-D6C) Transfer: Cassette Master (NAD 6050C) > SBM > DAT @48kHz (Sony PCM R500) > VXPocket v2 > Dell Inspiron 9300 > Sound Forge (v. 6.0) (editing, 48>44.1kHz resample) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC Mastered (on my 22nd birthday) and transfered by Dan Gale (dgale@loslobos.org)
|
notes
|
| 9431. |
07/07/86 |
Flac 24/96 - 0,
139417 |
Washington |
Robert F. Kennedy Stadium flac24; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 9432. |
07/07/86 |
Flac 24 - 0,
139718 |
Washington |
Robert F. Kennedy Stadium flac24; Recording Info: AKG C42 (m/s) > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9433. |
07/07/86 |
Flac 16 - 0,
138930 |
Washington |
Robert F. Kennedy Stadium flac16; Recording Info: AKG C42 (m/s) > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9434. |
07/07/86 |
Flac 16 - 0,
141055 |
Washington |
Robert F. Kennedy Stadium flac16; Michael Hessberg FOB Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 9435. |
07/07/86 |
Flac 24/96 - 0,
135066 |
Washington |
Robert F. Kennedy Stadium flac24; lineage: sennheiser 421 fob> tcd-d5> mc > c> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8
|
notes
|
| 9436. |
07/07/86 |
Shn - 0,
7001 |
Washington |
Robert F. Kennedy Stadium FOB Aud> Schoeps cmc3mk4> PCM> DAT> CD> EAC (Secure mode)> CDWave (Retracking only)> shnv3 (MKW ACT); with patches from second AUD (see info file); EAC/ Patched/ Retracked/ Shn'd by Charlie Connor; with thanks to Mike Lai and Jon Rianhard; Seeded to abgd by Trip Bates
|
notes
|
| 9437. |
07/07/86 |
Flac 16 - 0,
108262 |
Washington |
Robert F. Kennedy Stadium recorded and mastered to cdr by D5scott source: 2 Beyer M160 Microphones > Sony TC-D5M - analog master cassette - Maxell MX90's - 50 feet from stage-center - mic's on a stand @ 6 feet transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 9438. |
07/07/86 |
Flac 16 - 0,
30992 |
Washington |
Robert F. Kennedy Stadium flac16; "Partial" SBD >multi gen cass> Sony TC-WE305 > Rotel 1090 > Rane ME60 analog processor > Tascam CD-RW 750 > CD > Eac (secure) > cdwav > CE pro 2.1 > flac16 (level 8)
|
notes
|
| 9439. |
12/15/86 |
Flac 16 - 0,
99035 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9440. |
12/15/86 |
Flac 16 Mtx - 0,
128689 |
Oakland |
Oakland-Alameda County Coliseum flac16; 2 source matrix mix of AUD: shnid 80809 and SBD: shnid 99035
|
notes
|
| 9441. |
12/15/86 |
Flac 16 - 0,
132368 |
Oakland |
Oakland-Alameda County Coliseum flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's, with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 02/2015
|
notes
|
| 9442. |
12/15/86 |
Flac 24 - 0,
132367 |
Oakland |
Oakland-Alameda County Coliseum flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's, with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 02/2015
|
notes
|
| 9443. |
12/15/86 |
Shn - 0,
13270 |
Oakland |
Oakland-Alameda County Coliseum Source: SBD Lineage: Master Cassette> DAT> CD> SHN via Peter Braverman
|
notes
|
| 9444. |
12/15/86 |
Flac 16 - 0,
114699 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz
|
notes
|
| 9445. |
12/15/86 |
Shn - 0,
19600 |
Oakland |
Oakland-Alameda County Coliseum Master Dolby B Cass>Sonic Solutions via TC2000 @ 24 bits>SBM2 CD>CD > EAC[secure] > SHN. [Note - this is apparently another version of the KPFA sbd source.]
|
notes
|
| 9446. |
12/15/86 |
Shn - 0,
16330 |
Oakland |
Oakland-Alameda County Coliseum Master Dolby B Cass>Sonic Solutions via TC2000 @ 24 bits>SBM2 CD>CD > EAC[secure] > SHN
|
notes
|
| 9447. |
12/15/86 |
Shn - 0,
8230 |
Oakland |
Oakland-Alameda County Coliseum SBD > ?? > Cassette > analog signal to ESS Maestro sound card >wav > CDR >wav >shn; seeded to abgd by Bill Tetzeli with Thanks to Thom Moore; Good lovin cut missing JBG encore.; upgrade in circulation
|
notes
|
| 9448. |
12/15/86 |
Flac 16 Mtx - 0,
137555 |
Oakland |
Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 99035) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 88884) taper: Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
|
notes
|
| 9449. |
12/15/86 |
Flac 16 - 0,
137554 |
Oakland |
Oakland-Alameda County Coliseum flac16; (original shnid = 88884) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin
|
notes
|
| 9450. |
12/15/86 |
Flac Dts 5.1 - 0,
137558 |
Oakland |
Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid = 99035) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 88884) taper: Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
|
notes
|
| 9451. |
12/15/86 |
Flac 16/48 - 0,
137576 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 99035) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 88884) taper: Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - mixing by Kevin Tobin
|
notes
|
| 9452. |
12/15/86 |
Flac 24/96 - 0,
139362 |
Oakland |
Oakland-Alameda County Coliseum flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 9453. |
12/15/86 |
Flac 16 - 0,
140293 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9454. |
12/15/86 |
Flac 16 - 0,
80809 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci/nak700
|
notes
|
| 9455. |
12/15/86 |
Flac - 0,
25263 |
Oakland |
Oakland-Alameda County Coliseum Field: Nakamichi CM-101 > Nakamichi 550 > Sony WM-D6C (Master) Tapers: Adam Smith & Andy Liu (dwonk) Location: DFC of Taper Section (actually FOB by about 30 feet), 10' spread between mics (AB Stereo, two channel) Transfer: Nakamichi DR-3 (Master) > Oade adc24mod SONY SBM-1 > M-Audio AP2496 > Sound Forge XP4.5 > CDwave1.6 > FLAC
|
notes
|
| 9456. |
12/15/86 |
Flac 16 - 0,
88884 |
Oakland |
Oakland-Alameda County Coliseum flac16; taper : Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9457. |
12/15/86 |
Flac 16 Mtx - 0,
128698 |
Oakland |
Oakland-Alameda County Coliseum flac16; 2 source matrix mix of AUD: shnid 80809 and SBD: shnid 99035
|
notes
|
| 9458. |
12/16/86 |
Flac 16 - 0,
99044 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9459. |
12/16/86 |
Flac 16 - 0,
131397 |
Oakland |
Oakland-Alameda County Coliseum flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 09/2014
|
notes
|
| 9460. |
12/16/86 |
Flac 16 - 0,
114700 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps/Sennheiser 421's > Niles Audio Mixer > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz
|
notes
|
| 9461. |
12/16/86 |
Flac 16 - 0,
77409 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 9462. |
12/16/86 |
Flac 2448 - 0,
131396 |
Oakland |
Oakland-Alameda County Coliseum flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2014
|
notes
|
| 9463. |
12/16/86 |
Shn - 0,
8399 |
Oakland |
Oakland-Alameda County Coliseum Src: SBD > ?? > cassette > .wav > CDR > EACed to .wav > .shn; Seeded to abgd by Bill Tetzeli
|
notes
|
| 9464. |
12/16/86 |
Shn - 0,
4094 |
Oakland |
Oakland-Alameda County Coliseum set 2; SBD> 2nd gen Analog Cassette> CD-R> EAC> WAV> SHN; Digitally remastered by Joel Barr; Seeded by Ben Janik; upgrade in circulation
|
notes
|
| 9465. |
12/16/86 |
Flac 16/48 - 0,
137316 |
Oakland |
Oakland-Alameda County Coliseum b>flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=99044) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 131396) flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2014 - mixing by Kevin Tobin
|
notes
|
| 9466. |
12/16/86 |
Flac Dts 5.1 - 0,
137315 |
Oakland |
Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=99044) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 131396) flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2014 - matrix mixing by Kevin Tobin
|
notes
|
| 9467. |
12/16/86 |
Flac 16 Mtx - 0,
137314 |
Oakland |
Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid=99044) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 131396) flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX 90's with no Dolby, recording by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 09/2014 - matrix mixing by Kevin Tobin
|
notes
|
| 9468. |
12/16/86 |
Flac 24/96 - 0,
139363 |
Oakland |
Oakland-Alameda County Coliseum flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 9469. |
12/16/86 |
Flac 24 U Mtx - 0,
139726 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
|
notes
|
| 9470. |
12/16/86 |
Flac 16 U Mtx - 0,
139900 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
|
notes
|
| 9471. |
12/16/86 |
Flac 16 - 0,
140294 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9472. |
12/16/86 |
Flac 16 - 0,
141035 |
Oakland |
Oakland-Alameda County Coliseum flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 9473. |
12/16/86 |
Flac 16 - 0,
88891 |
Oakland |
Oakland-Alameda County Coliseum flac16; taper : Joe D'Amico nak 300 mics > sony d-5 infront of the soundboard
|
notes
|
| 9474. |
12/16/86 |
Flac 16 - 0,
80849 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci/nak700
|
notes
|
| 9475. |
12/16/86 |
Shn - 0,
9115 |
Oakland |
Oakland-Alameda County Coliseum 2nd Set; FOB Nak 300s>AUD>MC>CDR; via Michael Sewall; Seeded to etree
|
notes
|
| 9476. |
12/16/86 |
Flac 16 - 0,
118298 |
Oakland |
Oakland-Alameda County Coliseum flac16; Matrix soundboard/audience; Taper: Dan Healy; Editing: Joe D'Amico; First gen of Healy's masters > ? > FLAC
|
notes
|
| 9477. |
12/17/86 |
Flac 16 - 0,
131309 |
Oakland |
Oakland-Alameda County Coliseum flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Sony ES-Metal 90's, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 09/2014
|
notes
|
| 9478. |
12/17/86 |
Flac 16 - 0,
99048 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9479. |
12/17/86 |
Flac 16 - 0,
114701 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: Nakamichi CM-300 mics w/ CP-4 shotgun caps/Sennheiser 421's > Niles Audio Mixer > Sony D-5 (Front Row OTS); Transfer Info: MAC > Tascam 112 > Edirol UA-5 > Audacity > Traders Little Helper > FLAC Level 8; All recording, transfers, and mastering by Greg Holtz
|
notes
|
| 9480. |
12/17/86 |
Flac 2448 - 0,
131309 |
Oakland |
Oakland-Alameda County Coliseum flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Sony ES-Metal 90's, with no Dolby. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Taped and transferred by Andrew F. 09/2014
|
notes
|
| 9481. |
12/17/86 |
Flac Dts 5.1 - 0,
134892 |
Oakland |
Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=99048) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 88926)taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
|
notes
|
| 9482. |
12/17/86 |
Flac Mtx. - 0,
134891 |
Oakland |
Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid=99048) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 88926)taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
|
notes
|
| 9483. |
12/17/86 |
Flac 16 - 0,
134890 |
Oakland |
Oakland-Alameda County Coliseum flac16; (original shnid = 88926) AUD: taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin
|
notes
|
| 9484. |
12/17/86 |
Flac 16/48 - 0,
134893 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound Mix from SBD (shnid=99048) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 88926) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - mixing by Kevin Tobin
|
notes
|
| 9485. |
12/17/86 |
Flac 24/96 - 0,
139364 |
Oakland |
Oakland-Alameda County Coliseum flac24; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT
|
notes
|
| 9486. |
12/17/86 |
Flac 24 - 0,
139727 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
|
notes
|
| 9487. |
12/17/86 |
Flac 24 - 0,
139728 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
|
notes
|
| 9488. |
12/17/86 |
Ultra Mtx Sbd - 0,
139919 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
|
notes
|
| 9489. |
12/17/86 |
Flac 16 - 0,
139917 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
|
notes
|
| 9490. |
12/17/86 |
Flac 16 - 0,
140295 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9491. |
12/17/86 |
Flac 16 - 0,
141036 |
Oakland |
Oakland-Alameda County Coliseum flac16; Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
|
notes
|
| 9492. |
12/17/86 |
Flac 24/96 - 0,
141745 |
Oakland |
Oakland-Alameda County Coliseum flac24; Matrix 2 Source Mix - SBD (shnid = 139727) Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 139364) Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT - matrix mixing by Kevin Tobin
|
notes
|
| 9493. |
12/17/86 |
Shn - 0,
14452 |
Oakland |
Oakland-Alameda County Coliseum AUD>DAT>CDR; Nak 300's; via Melinda; seedeD
|
notes
|
| 9494. |
12/17/86 |
Flac 16 - 0,
80996 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham
|
notes
|
| 9495. |
12/17/86 |
Flac 16 - 0,
88926 |
Oakland |
Oakland-Alameda County Coliseum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9496. |
12/17/86 |
Flac 16 Mtx - 0,
145501 |
Oakland |
Oakland-Alameda County Coliseum b>flac16; Matrix 2 Source Mix - SBD (shnid = 139727) Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 139364) Michael Hessberg Recording: Sennheiser ME80 > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT - matrix mixing by Kevin Tobin, This file set is 16 bit @ 44.1
|
notes
|
| 9497. |
12/17/86 |
Flac 16 - 0,
77410 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 9498. |
12/17/86 |
Flac 24/96 - 0,
148871 |
Oakland |
Oakland-Alameda County Coliseum flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9499. |
12/17/86 |
Flac 16/48 - 0,
148870 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9500. |
12/27/86 |
Flac 16 - 0,
99050 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9501. |
12/27/86 |
Flac 16 Mtx - 0,
128690 |
Oakland |
Henry J. Kaiser Convention Center flac16; 2 Source matrix mix of shnid 81267(aud) and shnid 99050(sbd) with patches used from shnid 88965(aud)
|
notes
|
| 9502. |
12/27/86 |
Flac 16 - 0,
96566 |
Oakland |
Henry J. Kaiser Convention Center flac16; OTS AUD: AKG 451's (likely w/CK1's) > Sony TC-D5M > TDK MA-90's, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. 12/27/2008.
|
notes
|
| 9503. |
12/27/86 |
Flac 24/48 - 0,
137441 |
Oakland |
Henry J. Kaiser Convention Center flac24; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac Fingerprints
|
notes
|
| 9504. |
12/27/86 |
Flac 24 - 0,
139729 |
Oakland |
Henry J. Kaiser Convention Center flac24; Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
|
notes
|
| 9505. |
12/27/86 |
Flac 24 - 0,
139730 |
Oakland |
Henry J. Kaiser Convention Center flac24; Recording Info: Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9506. |
12/27/86 |
Flac 16 U Mtx - 0,
139998 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9507. |
12/27/86 |
Flac 16 - 0,
139994 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
|
notes
|
| 9508. |
12/27/86 |
Flac 16 - 0,
88965 |
Oakland |
Henry J. Kaiser Convention Center flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9509. |
12/27/86 |
Flac 24/96 - 0,
135200 |
Oakland |
Henry J. Kaiser Convention Center flac24; lineage: beyers 160 fob> tcd-d5> tcd-d5> mc sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8
|
notes
|
| 9510. |
12/27/86 |
Flac 16 - 0,
81267 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci
|
notes
|
| 9511. |
12/27/86 |
Flac 16 Mtx - 0,
143870 |
Oakland |
Henry J. Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid = 139729) Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 88965) Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
|
notes
|
| 9512. |
12/27/86 |
Flac Dts 5.1 - 0,
143871 |
Oakland |
Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; - SBD (shnid = 139729) Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 88965) Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
|
notes
|
| 9513. |
12/27/86 |
Flac 16/48 - 0,
143872 |
Oakland |
Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 139729) Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 88965) Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - surround mixing by Kevin Tobin
|
notes
|
| 9514. |
12/27/86 |
Shn - 0,
9152 |
Oakland |
Henry J. Kaiser Convention Center Set 1: SBD > MC > ? > DAT > CDR> WAV > SHN Set 2: SBD > MC > DAT > CDR > WAV > SHN; Seeded to etree by Chris L
|
notes
|
| 9515. |
12/27/86 |
Flac 16 - 0,
77443 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 9516. |
12/27/86 |
Flac 16 - 0,
14300 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9517. |
12/28/86 |
Flac 16 - 0,
99637 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9518. |
12/28/86 |
Shn Mtx - 0,
11495 |
Oakland |
Henry J. Kaiser Convention Center Ultramatrix (SBD/AUD mix)> Master cassette> DAT> CD> SHN; via Charlie Miller; Seeded to etree by Peter Braverman
|
notes
|
| 9519. |
12/28/86 |
Flac 16 - 0,
77445 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 9520. |
12/28/86 |
Flac 24/48 - 0,
137444 |
Oakland |
Henry J. Kaiser Convention Center flac24; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac Fingerprints
|
notes
|
| 9521. |
12/28/86 |
Flac 16 - 0,
142301 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source Info: Master (FOB) PCM; Unknown Schoeps mics > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9522. |
12/28/86 |
Flac 24/96 - 0,
135511 |
Oakland |
Henry J. Kaiser Convention Center flac24; source: schoeps cmc 4 fob > tcd-d5> tcd-d5> mc; conversion:sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate:96000/24 bit
|
notes
|
| 9523. |
12/28/86 |
Flac 16 - 0,
81281 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci
|
notes
|
| 9524. |
12/28/86 |
Flac 16 - 0,
117834 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 9525. |
12/28/86 |
Flac 16 - 0,
106450 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source: Superscope EC-7 Cardioids > Sony TC-153SD (Maxell XLIIS) Lineage: M-Cass > Sony TC-D5M > HHb CDR 800 Location: OTS, Balcony; Recorded/Transferred: Jeff Bowen; Extraction (CDR>EAC>WAV>FLAC): Brad Foster
|
notes
|
| 9526. |
12/28/86 |
Flac 16/44,1 - 0,
138869 |
Oakland |
Henry J. Kaiser Convention Center flac16 44.1khz Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper
|
notes
|
| 9527. |
12/28/86 |
- 0,
88967 |
Oakland |
Henry J. Kaiser Convention Center flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9528. |
12/28/86 |
Shn - 0,
152495 |
Oakland |
Henry J. Kaiser Convention Center Senn 421 > master cassette > cdr > trade cdrs > eac > wav > shn
|
notes
|
| 9529. |
12/28/86 |
Flac 16 - ,
155895 |
Oakland |
Henry J. Kaiser Convention Center flac16; Patched & Pitch Corrected Audience - (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin
|
notes
|
| 9530. |
12/28/86 |
Flac 16 Mtx - ,
155896 |
Oakland |
Henry J. Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid = 99637) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155895) (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin - matrix mixing by Kevin Tobin
|
notes
|
| 9531. |
12/28/86 |
Flac 16 Dts 5.1 - ,
155897 |
Oakland |
Henry J. Kaiser Convention Center DTS-Audio-CD 5.1 Mix; - SBD (shnid = 99637) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155895) (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin - dts mixing by Kevin Tobin
|
notes
|
| 9532. |
12/28/86 |
Flac 16/48 - ,
155898 |
Oakland |
Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 99637) Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155895) (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin - surround mixing by Kevin Tobin
|
notes
|
| 9533. |
12/28/86 |
Flac 24/96 - ,
155977 |
Oakland |
Henry J. Kaiser Convention Center flac24: Recording Info: Ultramatrix SBD > Cassette Master (Tascam Deck/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 9534. |
12/28/86 |
Flac 16/48 - ,
156031 |
Oakland |
Henry J. Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 155977) Recording Info: Ultramatrix SBD > Cassette Master (Tascam Deck/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 + AUD (shnid = 155895) (original shnid = 138869) Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper - pitch correction and patches by Kevin Tobin - surround mixing by Kevin Tobin
|
notes
|
| 9535. |
12/28/86 |
Flac 16/44 - ,
156498 |
Oakland |
Henry J. Kaiser Convention Center flac1644: Recording Info: Ultramatrix SBD > Cassette Master (Tascam Deck/TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > DDi Codec (Dolby B) > Samplitude Pro X6 Suite > FLAC/24 - This is 155977 2496 > 1644.1
|
notes
|
| 9536. |
12/30/86 |
Flac 16 - 0,
99638 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info:SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9537. |
12/30/86 |
Flac 16 Mtx - 0,
128691 |
Oakland |
Henry J. Kaiser Convention Center flac16; 2 source Matrix mix of Shnid 81308(aud) and shnid 99638(sdb) with patches used from shnid 88983(aud)
|
notes
|
| 9538. |
12/30/86 |
Flac 16 - 0,
105203 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source: Audience > Nakamichi CM-100 mics with CP-4 shogtun caps > Sony TC-D5 > mac Lineage: mac > Tascam 122b > Tascam HD-P2 > wav 24/48 > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > CD Wave > Flac 16 Taped by Gregg Holtz, from OTS
|
notes
|
| 9539. |
12/30/86 |
Shn - 0,
6025 |
Oakland |
Henry J. Kaiser Convention Center SBD> Cm> DAT> CD> EAC> CDWAV editing > SHN (seekable); via Steve Barbella
|
notes
|
| 9540. |
12/30/86 |
Flac 16 - 0,
80818 |
Oakland |
Henry J. Kaiser Convention Center flac16; shn id 77446: MSC -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC patched with shn id 6025: Barbella source - SBD> Cm> DAT> CD> EAC> CDWAV editing > SHN (seekable) and multigen cassette purporting to be from an FM post-dated broadcast (no shnid).
|
notes
|
| 9541. |
12/30/86 |
Flac 16 - 0,
77446 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 9542. |
12/30/86 |
Flac 24/48 - 0,
137456 |
Oakland |
Henry J. Kaiser Convention Center flac24; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac Fingerprints
|
notes
|
| 9543. |
12/30/86 |
Flac 24 - 0,
137978 |
Oakland |
Henry J. Kaiser Convention Center flac24; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9544. |
12/30/86 |
Flac 16 - 0,
138007 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD > Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, this is the 137978 24bit->16bit
|
notes
|
| 9545. |
12/30/86 |
Flac 16 - 0,
142302 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9546. |
12/30/86 |
Flac 24/96 - 0,
135512 |
Oakland |
Henry J. Kaiser Convention Center flac24; source: set 1 beyers 160 fob> tcd-d5> tcd-d5> mc; set 2 sennheiser 441 (3) fob> tcd-d5> mc > c; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9547. |
12/30/86 |
Flac 16 - 0,
81308 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci
|
notes
|
| 9548. |
12/30/86 |
Flac 16/44,1 - 0,
138870 |
Oakland |
Henry J. Kaiser Convention Center flac16 44.1khz Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper
|
notes
|
| 9549. |
12/30/86 |
Flac 16 - 0,
88983 |
Oakland |
Henry J. Kaiser Convention Center flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend
|
notes
|
| 9550. |
12/30/86 |
Flac 16 - 0,
138362 |
Oakland |
Henry J. Kaiser Convention Center flac16; Set 2 Unknown: FOB Schoeps CMC44 > Sony PCM-F1 > PCM master > DAT at 44.1 kHz; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 44 > Wave; Joe Noel Edits: T,F,P & P: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT
|
notes
|
| 9551. |
12/31/86 |
Flac 16 - 0,
99051 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9552. |
12/31/86 |
Shn - 0,
4637 |
Oakland |
Henry J. Kaiser Convention Center Pre-FM SBD > PCM > CDR > WAV > SHNv3; DAE (EAC> shntools> ftp) by neo_levo
|
notes
|
| 9553. |
12/31/86 |
Flac 16 - 0,
77445 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 9554. |
12/31/86 |
Flac 16 - 0,
137263 |
Oakland |
Henry J. Kaiser Convention Center flac16; Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; Track, FLAC and Pack by Norm
|
notes
|
| 9555. |
12/31/86 |
Flac 24 - 0,
137457 |
Oakland |
Henry J. Kaiser Convention Center flac24; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac Fingerprints
|
notes
|
| 9556. |
12/31/86 |
Flac 16 - 0,
142303 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source Info: 1st Set: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; 2nd Set: Oade's Master (FOB) Audience PCM; (2) Schoeps CMC4/MK41mics + (1) CMC4/MK4 center fill > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9557. |
12/31/86 |
Flac 16 - 0,
140822 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: Master UltraMatrix PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000(wav 16-bit/44.1k)> Adobe Audition > TLH flac16
|
notes
|
| 9558. |
12/31/86 |
Flac 24/96 - 0,
135513 |
Oakland |
Henry J. Kaiser Convention Center flac24; source: beyers 160 fob> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9559. |
12/31/86 |
Flac 16 - 0,
81330 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci
|
notes
|
| 9560. |
12/31/86 |
Flac 24/96 - ,
155987 |
Oakland |
Henry J. Kaiser Convention Center flac2496 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 9561. |
12/31/86 |
Flac 16/44 - ,
156532 |
Oakland |
Henry J. Kaiser Convention Center flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 155987 2496 > 1644.1
|
notes
|
| 9562. |
01/28/87 |
Flac 16 - 0,
83286 |
San Francisco |
San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9563. |
01/28/87 |
Shn - 0,
17073 |
San Francisco |
San Francisco Civic Auditorium Source: SBDcm(Healy Mix)>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN; Seeded to etree by Steven Leeds
|
notes
|
| 9564. |
01/28/87 |
Flac 16 - 0,
119289 |
San Francisco |
San Francisco Civic Auditorium flac16; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell XLII-S. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Taped & transferred by Andrew F. 02/2012
|
notes
|
| 9565. |
01/28/87 |
Flac 16/48 - 0,
135159 |
San Francisco |
San Francisco Civic Auditorium SHNID: 135159
|
notes
|
| 9566. |
01/28/87 |
Flac 16 Mtx - 0,
135157 |
San Francisco |
San Francisco Civic Auditorium flac16; Matrix 2 Source Mix - SBD (shnid=83286) SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 119326) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell XLII-S. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Taped & transferred by Andrew F. 02/2012 - matrix mixing by Kevin Tobin
|
notes
|
| 9567. |
01/28/87 |
Flac Dts 5.1 - 0,
135158 |
San Francisco |
San Francisco Civic Auditorium DTS-Audio-CD 5.1 Mix; SBD (shnid=83286) SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 119326) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell XLII-S. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Taped & transferred by Andrew F. 02/2012 - DTS mixing by Kevin Tobin
|
notes
|
| 9568. |
01/28/87 |
Flac 24 Mtx - 0,
140689 |
San Francisco |
San Francisco Civic Auditorium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9569. |
01/28/87 |
Flac 16 U Mtx - 0,
140787 |
San Francisco |
San Francisco Civic Auditorium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9570. |
01/28/87 |
Flac 24/96 - 0,
135543 |
San Francisco |
San Francisco Civic Auditorium flac24; lineage: sennheiser 421 fob> tcd-d5> tcd-d5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9571. |
01/28/87 |
Flac 24/48 - 0,
119326 |
San Francisco |
San Francisco Civic Auditorium flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell XLII-S. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Taped & transferred by Andrew F. 02/2012
|
notes
|
| 9572. |
01/28/87 |
Flac 16 - 0,
79466 |
San Francisco |
San Francisco Civic Auditorium flac16; Source: Nakamichi 100s, taper's section > Sony D5 > Maxell MX90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3, rendered to 16/44.1 using Waves IDR hi res CD dither settings > CDWAV 1.9 > FLAC (level 8 encoding). Digital transfer, rendering and FLAC encoding by C.Ladner.
|
notes
|
| 9573. |
01/29/87 |
Flac 16 - 0,
83284 |
San Francisco |
San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9574. |
01/29/87 |
Shn - 0,
10535 |
San Francisco |
San Francisco Civic Auditorium Healey ultramix: PCM -> Cassette Master > wav > mkw > shn; Seeded to etree by drgseeds via Bob H
|
notes
|
| 9575. |
01/29/87 |
Flac 16 - 0,
116280 |
San Francisco |
San Francisco Civic Auditorium flac16; Source: (OTS/Balcony) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster
|
notes
|
| 9576. |
01/29/87 |
Flac 24 Mtx - 0,
140690 |
San Francisco |
San Francisco Civic Auditorium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9577. |
01/29/87 |
Flac 16 - 0,
140788 |
San Francisco |
San Francisco Civic Auditorium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9578. |
01/29/87 |
Flac 16 - 0,
141938 |
San Francisco |
San Francisco Civic Auditorium flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Modified Sony F-1 PCM; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9579. |
01/29/87 |
Flac Dts 5.1 - 0,
142029 |
San Francisco |
San Francisco Civic Auditorium DTS-Audio-CD 5.1 Mix; SBD (shnid = 83284)Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shnid = 79467) Source: Nakamichi 100s, taper's section > Sony D5 > Maxell MX90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3, rendered to 16/44.1 using Waves IDR hi res CD dither settings > CDWAV 1.9 > FLAC (level 8 encoding). Digital transfer, rendering and FLAC encoding by C.Ladner. - dts mixing by Kevin Tobin
|
notes
|
| 9580. |
01/29/87 |
Flac 16 Mtx - 0,
142028 |
San Francisco |
San Francisco Civic Auditorium flac16; Matrix 2 Source Mix - SBD (shnid = 83284)Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shnid = 79467) Source: Nakamichi 100s, taper's section > Sony D5 > Maxell MX90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3, rendered to 16/44.1 using Waves IDR hi res CD dither settings > CDWAV 1.9 > FLAC (level 8 encoding). Digital transfer, rendering and FLAC encoding by C.Ladner. - matrix mixing by Kevin Tobin
|
notes
|
| 9581. |
01/29/87 |
Flac 16 - 0,
79467 |
San Francisco |
San Francisco Civic Auditorium flac16; Source: Nakamichi 100s, taper's section > Sony D5 > Maxell MX90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3, rendered to 16/44.1 using Waves IDR hi res CD dither settings > CDWAV 1.9 > FLAC (level 8 encoding). Digital transfer, rendering and FLAC encoding by C.Ladner.
|
notes
|
| 9582. |
01/29/87 |
Flac 16/48 - 0,
142030 |
San Francisco |
San Francisco Civic Auditorium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 83284)Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shnid = 79467) Source: Nakamichi 100s, taper's section > Sony D5 > Maxell MX90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3, rendered to 16/44.1 using Waves IDR hi res CD dither settings > CDWAV 1.9 > FLAC (level 8 encoding). Digital transfer, rendering and FLAC encoding by C.Ladner. - surround mixing by Kevin Tobin
|
notes
|
| 9583. |
01/30/87 |
Flac 16 - 0,
83285 |
San Francisco |
San Francisco Civic Auditorium flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9584. |
01/30/87 |
Shn - 0,
19299 |
San Francisco |
San Francisco Civic Auditorium SBD > MC > C > DAT > CD > EAC > SHN; EAC?SHN by Darryl Hinko
|
notes
|
| 9585. |
01/30/87 |
Flac 16 - 0,
116296 |
San Francisco |
San Francisco Civic Auditorium flac16; Source: (OTS/Balcony) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster
|
notes
|
| 9586. |
01/30/87 |
Flac 24 Mtx - 0,
140697 |
San Francisco |
San Francisco Civic Auditorium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9587. |
01/30/87 |
Flac 24 - 0,
140810 |
San Francisco |
San Francisco Civic Auditorium flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9588. |
01/30/87 |
UltraMtx Flac16 - 0,
140791 |
San Francisco |
San Francisco Civic Auditorium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9589. |
01/30/87 |
Flac 16 - 0,
140919 |
San Francisco |
San Francisco Civic Auditorium flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9590. |
01/30/87 |
Flac 16 - 0,
141947 |
San Francisco |
San Francisco Civic Auditorium flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9591. |
01/30/87 |
Shn - 0,
12089 |
San Francisco |
San Francisco Civic Auditorium AUD>DAT>CDR; via Easy Jim; Seeded to etree by eD
|
notes
|
| 9592. |
01/30/87 |
Flac 16 - 0,
79562 |
San Francisco |
San Francisco Civic Auditorium flac16; Source: Nakamichi 100s, taper's section > Sony D5 > Maxell MX90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3, rendered to 16/44.1 using Waves IDR hi res CD dither settings > CDWAV 1.9 > FLAC (level 8 encoding). Digital transfer, rendering and FLAC encoding by C.Ladner.
|
notes
|
| 9593. |
01/30/87 |
Flac 24/96 - 0,
148707 |
San Francisco |
San Francisco Civic Auditorium flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9594. |
01/30/87 |
Flac 16/48 - 0,
148706 |
San Francisco |
San Francisco Civic Auditorium flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9595. |
03/01/87 |
Flac 16 - 0,
82567 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9596. |
03/01/87 |
Shn - 0,
23060 |
Oakland |
Henry J. Kaiser Convention Center Soundboard->Master Cassettes->Sonic 20-bit->Sony SBM2->CD. CD->EAC->SHN. Transfer, edits, and SHN by Joe Samaritano
|
notes
|
| 9597. |
03/01/87 |
Flac 2448 - 0,
135409 |
Oakland |
Henry J. Kaiser Convention Center flac24; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2016
|
notes
|
| 9598. |
03/01/87 |
Flac 16 - 0,
135410 |
Oakland |
Henry J. Kaiser Convention Center flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016
|
notes
|
| 9599. |
03/01/87 |
Shn - 0,
12090 |
Oakland |
Henry J. Kaiser Convention Center SBD>MC>DAT>SF>CDR; via Tom Banjo; Seeded to etree by eD
|
notes
|
| 9600. |
03/01/87 |
Shn - 0,
18118 |
Oakland |
Henry J. Kaiser Convention Center SBD > DAT > CDR > EAC > SHN via Fishman
|
notes
|
| 9601. |
03/01/87 |
Flac 24 - 0,
149855 |
Oakland |
Henry J. Kaiser Convention Center flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9602. |
03/01/87 |
Flac 24 UMtx. - 0,
149856 |
Oakland |
Henry J. Kaiser Convention Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9603. |
03/01/87 |
Flac 16 - 0,
150137 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 9604. |
03/01/87 |
Flac 16 - 0,
150138 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 9605. |
03/01/87 |
Flac 24/96 - 0,
149037 |
Oakland |
Henry J. Kaiser Convention Center flac24; 2nd Set: Recording Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9606. |
03/01/87 |
Flac 16/48 - 0,
149036 |
Oakland |
Henry J. Kaiser Convention Center flac16/48kHz; 2nd Set: Recording Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9607. |
03/02/87 |
Flac 16 - 0,
82728 |
Oakland |
Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 This is a Matrix SBD, the straight SBD also circulates
|
notes
|
| 9608. |
03/02/87 |
Shn - 0,
1965 |
Oakland |
Henry J Kaiser Convention Center SBD; conversion by Mike Lai, from Bruce Fried's seed
|
notes
|
| 9609. |
03/02/87 |
Flac 16 - 0,
82728 |
Oakland |
Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
|
notes
|
| 9610. |
03/02/87 |
Flac 16 - 0,
135360 |
Oakland |
Henry J Kaiser Convention Center flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016
|
notes
|
| 9611. |
03/02/87 |
Flac 2448 - 0,
135359 |
Oakland |
Henry J Kaiser Convention Center flac24; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2016
|
notes
|
| 9612. |
03/02/87 |
Flac 24 - 0,
149861 |
Oakland |
Henry J Kaiser Convention Center flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9613. |
03/02/87 |
Flac 24 UMtx. - 0,
149862 |
Oakland |
Henry J Kaiser Convention Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
|
notes
|
| 9614. |
03/02/87 |
Flac 16 - 0,
150139 |
Oakland |
Henry J Kaiser Convention Center flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 9615. |
03/02/87 |
Flac 16 - 0,
150140 |
Oakland |
Henry J Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 9616. |
03/02/87 |
Flac 24/96 - 0,
149039 |
Oakland |
Henry J Kaiser Convention Center flac24; Recording Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9617. |
03/02/87 |
Flac 16/48 - 0,
149038 |
Oakland |
Henry J Kaiser Convention Center flac16/48kHz; Recording Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9618. |
03/03/87 |
Flac 16 - 0,
82726 |
Oakland |
Henry J Kaiser Convention Center flac16; Recording info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 This is a Matrix SBD, the straight SBD also circulates
|
notes
|
| 9619. |
03/03/87 |
Flac 16 - 0,
82726 |
Oakland |
Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
|
notes
|
| 9620. |
03/03/87 |
Flac 2448 - 0,
135313 |
Oakland |
Henry J Kaiser Convention Center flac24; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 03/2016
|
notes
|
| 9621. |
03/03/87 |
Flac 16 - 0,
135214 |
Oakland |
Henry J Kaiser Convention Center flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016
|
notes
|
| 9622. |
03/03/87 |
Shn - 0,
9175 |
Oakland |
Henry J Kaiser Convention Center SBD > MC > DAT > CDR; via neo_levo/candyman FTP
|
notes
|
| 9623. |
03/03/87 |
Flac 16/48 - 0,
142402 |
Oakland |
Henry J Kaiser Convention Center flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 82726) Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 + AUD (shnid = 135314) Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016 - surround mixing by Kevin Tobin
|
notes
|
| 9624. |
03/03/87 |
Flac Dts 5.1 - 0,
142401 |
Oakland |
Henry J Kaiser Convention Center DTS-Audio-CD 5.1 Mix; - SBD (shnid = 82726) Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 + AUD (shnid = 135314) Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016 - dts mixing by Kevin Tobin
|
notes
|
| 9625. |
03/03/87 |
Flac16 Mtx - 0,
142400 |
Oakland |
Henry J Kaiser Convention Center flac16; Matrix 2 Source Mix - SBD (shnid = 82726) Recording Info: SBD -> Cassette Master (Sony D5); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 + AUD (shnid = 135314) Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2016 - matrix mixing by Kevin Tobin
|
notes
|
| 9626. |
03/03/87 |
Flac 24 UMtx. - 0,
149960 |
Oakland |
Henry J Kaiser Convention Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9627. |
03/03/87 |
Flac 16 - 0,
150141 |
Oakland |
Henry J Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 9628. |
03/03/87 |
Flac 24/96 - 0,
149054 |
Oakland |
Henry J Kaiser Convention Center flac24; Recording Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9629. |
03/03/87 |
Flac 16/48 - 0,
149053 |
Oakland |
Henry J Kaiser Convention Center flac16/48kHz; Recording Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9630. |
03/22/87 |
Shn - 0,
25580 |
Hampton |
Hampton Coliseum Recording Info:Set 1: SBD -> Master Cassette -> Reel -> PCM -> CD Set 2: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
|
notes
|
| 9631. |
03/22/87 |
Flac 16 - 0,
123019 |
Hampton |
Hampton Coliseum flac16; SBD/AUD Matrix master tapes recorded by Don Pearson; transferred by Jim Blackwood; mastered by Jamie Waddell at 24/96 src with Weiss Saracon to 16/44.1; Tracked in CD Wave Editor; Tag&Rename for Meta Data; TradersLittleHelper for FLAC (Level 8 by Patrick White(wharfratpat@shnflac.net)
|
notes
|
| 9632. |
03/22/87 |
Flac 24/96 - 0,
132231 |
Hampton |
Hampton Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; AKG D224Es "8" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 9633. |
03/22/87 |
Flac 16 - 0,
132232 |
Hampton |
Hampton Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; AKG D224Es "8" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 9634. |
03/22/87 |
Flac 16 - 0,
88595 |
Hampton |
Hampton Coliseum flac16; Nakamichi CM-100 mics with CP-4 shotgun capsules. Floor, right side (Jerry's side) of SBD. All transfers and Mastering done by Jamie Waddell on the GEMS Edit Station Trac'ed Cdwave Flac'ed level 8 TLH
|
notes
|
| 9635. |
03/22/87 |
Flac 16 - 0,
126109 |
Hampton |
Hampton Coliseum flac16; 2 AKG 451s with CK-8 Capsules and Sony TC-D5m Cassette Master Taping Section; Transfer: Playback Maxell XLII-S cassette masters on Sony TC-D5m to Marantz PMD-670 (note: on the original source tracks 15 & 16 will not decode to .wav; a fixed version mow circulates)
|
notes
|
| 9636. |
03/22/87 |
Flac 16/48 - 0,
138644 |
Hampton |
Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) SBD (shnid = 25580)Recording Info:Set 1: SBD -> Master Cassette -> Reel -> PCM -> CD Set 2: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller + AUD (shnid = 77199) Source: Sennheiser shotguns (ME-88) > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res dither settings) > CDWAV 1.9 > FLAC (level 8 encoding). Transfer and FLAC encoding by C.Ladner - mixing by Kevin Tobin
|
notes
|
| 9637. |
03/22/87 |
Flac Dts 5.1 - 0,
138633 |
Hampton |
Hampton Coliseum b>DTS-Audio-CD 5.1 Mix; SBD (shnid = 25580)Recording Info:Set 1: SBD -> Master Cassette -> Reel -> PCM -> CD Set 2: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller + AUD (shnid = 77199) Source: Sennheiser shotguns (ME-88) > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res dither settings) > CDWAV 1.9 > FLAC (level 8 encoding). Transfer and FLAC encoding by C.Ladner - dts mixing by Kevin Tobin
|
notes
|
| 9638. |
03/22/87 |
Flac 16 Mtx - 0,
138632 |
Hampton |
Hampton Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 25580)Recording Info:Set 1: SBD -> Master Cassette -> Reel -> PCM -> CD Set 2: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller + AUD (shnid = 77199) Source: Sennheiser shotguns (ME-88) > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res dither settings) > CDWAV 1.9 > FLAC (level 8 encoding). Transfer and FLAC encoding by C.Ladner. - matrix mixing by Kevin Tobin
|
notes
|
| 9639. |
03/22/87 |
Flac 16 - 0,
89045 |
Hampton |
Hampton Coliseum flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9640. |
03/22/87 |
Shn - 0,
3854 |
Hampton |
Hampton Coliseum FOB Schoeps CMC441 > Oade P.S. > Sony PCMF1; Sony PCMF1> DAT by Sean Weber-Small; Tranfer: DAT (master, direct copy from PCM @ 44.1) Sony DTC-A6 > DIO 2448 > CDWAV > SHN by Bill Gardner; QC by dankseeds
|
notes
|
| 9641. |
03/22/87 |
Flac 24/96 - 0,
135544 |
Hampton |
Hampton Coliseum flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 9642. |
03/22/87 |
Shn - 0,
9734 |
Hampton |
Hampton Coliseum Master Soundboard Cassette (Ultra-Matrix) > Reel to Reel > PCM > CDR; CD Mastering, SHN'ed by Scott Clugston; To abgd via Charlie Connor
|
notes
|
| 9643. |
03/22/87 |
Flac 16 - 0,
77199 |
Hampton |
Hampton Coliseum flac16; Source: Sennheiser shotguns (ME-88) > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res dither settings) > CDWAV 1.9 > FLAC (level 8 encoding). Transfer and FLAC encoding by C.Ladner.
|
notes
|
| 9644. |
03/22/87 |
Flac 24 UMtx. - 0,
147624 |
Hampton |
Hampton Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 9645. |
03/22/87 |
Flac 16 U Mtx. - 0,
147634 |
Hampton |
Hampton Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This file set is 16 bit @ 44.1
|
notes
|
| 9646. |
03/23/87 |
Flac 16 - 0,
95716 |
Hampton |
Hampton Coliseum flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9647. |
03/23/87 |
Flac 24/96 - 0,
132155 |
Hampton |
Hampton Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 9648. |
03/23/87 |
Flac 16 - 0,
132154 |
Hampton |
Hampton Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 9649. |
03/23/87 |
Flac 16 - 0,
90868 |
Hampton |
Hampton Coliseum flac16; Nakamichi CM-100's with CP-4 shotgun capsules>>Sony D-5 cassette recorder located just at the right front lip of the soundboard. Recorded by Greg Holtz & Mike Rice master cass> tascam112mkII>presonus firestudio>firewire>wavelab6.0 a GEMS transfer at 32bf/96kHz, crystal resampler to 16/44.1 in wavelab 6.0 by Jamie Waddell
|
notes
|
| 9650. |
03/23/87 |
Flac 16 - 0,
126162 |
Hampton |
Hampton Coliseum flac16; 2 AKG 451s with CK-8 Capsules and Sony TC-D5m Cassette Master; Taping Section; Transfer: Playback Maxell XL-IIS cassette masters on Sony TC-D5m to Marantz PMD-670
|
notes
|
| 9651. |
03/23/87 |
Flac 24 - 0,
140679 |
Hampton |
Hampton Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9652. |
03/23/87 |
Flac 16 - 0,
140683 |
Hampton |
Hampton Coliseum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9653. |
03/23/87 |
Flac 24/96 - 0,
141278 |
Hampton |
Hampton Coliseum b>flac24; Patched & Pitch Corrected Audience (original shnid = 132155) Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - pitch correction and patches by Kevin Tobin
|
notes
|
| 9654. |
03/23/87 |
Flac 16 - 0,
141279 |
Hampton |
Hampton Coliseum flac16; Patched and Pitch Corrected Audience (original shnid = 132155) Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - pitch correction and patches by Kevin Tobin
|
notes
|
| 9655. |
03/23/87 |
Flac 16/48 - 0,
141287 |
Hampton |
Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140679) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 132155) Source Info: Master Audience Recorded By Steve Hill, Transfer By Keo! Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's. Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz. Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - mixing by Kevin Tobin
|
notes
|
| 9656. |
03/23/87 |
Flac 24 Mtx - 0,
141284 |
Hampton |
Hampton Coliseum flac24; Matrix 2 Source Mix - SBD (shnid = 140679) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 132155) Source Info: Master Audience Recorded By Steve Hill, Transfer By Keo! Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's. Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz. Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - matrix mixing by Kevin Tobin
|
notes
|
| 9657. |
03/23/87 |
Flac 16 Dts - 0,
141286 |
Hampton |
Hampton Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid = 140679) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 132155) Source Info: Master Audience Recorded By Steve Hill, Transfer By Keo! Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's. Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz. Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - dts mixing by Kevin Tobin
|
notes
|
| 9658. |
03/23/87 |
Flac 16 Mtx - 0,
141285 |
Hampton |
Hampton Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 140679) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 132155) Source Info: Master Audience Recorded By Steve Hill, Transfer By Keo! Unknown Microphones Labelled "Best Guess Nak100/CP4 Shotguns" > Sony D5, Tapes: Maxell XLII 90's. Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz. Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz - matrix mixing by Kevin Tobin
|
notes
|
| 9659. |
03/23/87 |
Flac 24/96 - 0,
135582 |
Hampton |
Hampton Coliseum flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 9660. |
03/23/87 |
Flac 16 - 0,
77786 |
Hampton |
Hampton Coliseum flac16; Source: Sennheiser ME88 shotguns > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res dither settings) > CDWAV 1.9 > FLAC (level 8 encoding). Transfer and FLAC encoding by C.Ladner
|
notes
|
| 9661. |
03/23/87 |
Shn - 0,
3870 |
Hampton |
Hampton Coliseum FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1; Sony PCMF1> DAT by Sean Weber-Small; CD Transfer: DAT (master, direct copy from PCM @ 44.1) Sony DTC-A6 > DIO 2448 > CDWAV > SHN by Bill Gardner; QC by dankseeds
|
notes
|
| 9662. |
03/23/87 |
Flac 16 - 0,
89057 |
Hampton |
Hampton Coliseum flac16; taper : Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9663. |
03/24/87 |
Flac 16 - 0,
94349 |
Hampton |
Hampton Coliseum flac16; Recording Info: Set 1: SBD -> Master Cassette -> Cassette; Set 2: SBD -> Master Cassette -> Dat (44.1k); Transfer Info: Set 1: Cassette -> Apogee MiniMe -> Samplitude Professional v9.1 -> FLAC; Set 2: Dat (Sony R500) -> Samplitude v7.02 Professional -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9664. |
03/24/87 |
Flac 24 - 0,
131807 |
Hampton |
Hampton Coliseum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 9665. |
03/24/87 |
Flac 16 - 0,
131806 |
Hampton |
Hampton Coliseum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 9666. |
03/24/87 |
Flac 16 - 0,
91254 |
Hampton |
Hampton Coliseum flac16; Nakamichi CM-100's with CP-4 shotgun capsules>>Sony D-5 cassette recorder located just at the right front lip of the soundboard. Recorded by Greg Holtz & Mike Rice master cassette> tascam112mkII>presonus firestudio>firewire>Wavelab 6.0 transfer at 32bf/96kHz mastering and crystal resampler to 16/44.1 in Wavelab 6.0 by Jamie Waddell on the GEMS Edit Station. Trac'ed cdwave,Flac'ed Flac Frontend level 8
|
notes
|
| 9667. |
03/24/87 |
Shn - 0,
24481 |
Hampton |
Hampton Coliseum Set 2 Only - Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
|
notes
|
| 9668. |
03/24/87 |
Flac 16 - 0,
126241 |
Hampton |
Hampton Coliseum flac16; 2 Sennhesier 441s and Sony TC-D5m Cassette Master; FOB; Transfer: Playback Maxell XL-IIS cassette masters on Sony TC-D5m to Marantz PMD-670
|
notes
|
| 9669. |
03/24/87 |
Shn - 0,
10077 |
Hampton |
Hampton Coliseum Nakamichi 300/Sony D-5> Nakamichi BX-300 > CD; via Stephen B. Porter; Seeded to etree by Peter Braverman
|
notes
|
| 9670. |
03/24/87 |
Flac 16 - 0,
77915 |
Hampton |
Hampton Coliseum flac16; Source: Sennheiser ME88 shotguns > Sony D6 > TDKMA90s. Recorded by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox/Neutrik Input > firewire > XP Pro PC/Wavelab 5 (recorded as 24bit/96 KHz WAV) > Waves L3 (rendered to 16/44.1 WAV using hi-res CD dither settings) > CDWAV 1.9 (tracking and encoding) > FLAC (level 8 encoding). Transfer, mastering and encoding by C.Ladner
|
notes
|
| 9671. |
03/24/87 |
Ultra MtxFlac24 - 0,
140805 |
Hampton |
Hampton Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9672. |
03/24/87 |
Flac 16 U Mtx - 0,
140920 |
Hampton |
Hampton Coliseum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9673. |
03/24/87 |
Flac 16 Mtx - 0,
142042 |
Hampton |
Hampton Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
|
notes
|
| 9674. |
03/24/87 |
Flac 24/96 - 0,
142039 |
Hampton |
Hampton Coliseum flac24; Patched & Pitch Corrected Audience (original shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin
|
notes
|
| 9675. |
03/24/87 |
Flac 16 - 0,
142040 |
Hampton |
Hampton Coliseum flac16; Patched & Pitch Corrected Audience (original shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin
|
notes
|
| 9676. |
03/24/87 |
Flac 16/48 - 0,
142044 |
Hampton |
Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k)- SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin
|
notes
|
| 9677. |
03/24/87 |
Flac 24/96 Mtx - 0,
142041 |
Hampton |
Hampton Coliseum flac24; Matrix 2 Source Mix - SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
|
notes
|
| 9678. |
03/24/87 |
Flac Dts 5.1 - 0,
142043 |
Hampton |
Hampton Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140805) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 131807) Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony D5, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin
|
notes
|
| 9679. |
03/24/87 |
Flac 16 - 0,
89110 |
Hampton |
Hampton Coliseum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1> creative extigy soundcard> cool edit pro> flac frontend
|
notes
|
| 9680. |
03/24/87 |
Flac 24/96 - 0,
135546 |
Hampton |
Hampton Coliseum flac24; Set 2 source: neuman kmr 184 fob> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9681. |
03/24/87 |
Shn - 0,
10354 |
Hampton |
Hampton Coliseum FOB Schoeps CMC44 > Oade P.S. > Sony PCMF1 Sony PCMF1> DAT; via Sean Weber-Small, Bill Gardner; Shntool fix by Darrin Sacks
|
notes
|
| 9682. |
03/24/87 |
Flac 16 - 0,
135992 |
Hampton |
Hampton Coliseum flac16; OTS 2 Nakamichi CM100s w/cP4 shotguns(PAS)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6)
|
notes
|
| 9683. |
03/26/87 |
Shn - 0,
109923 |
Hartford |
Hartford Civic Center Set I info Source: SBD Lineage: Master Cassette > DAT > CD > SHN; Set II info Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette > DAT > CD > SHN; via Douglas Tunstall, Nick Scarano and Jeff Hawkins; seeded to etree by Peter Braverman
|
notes
|
| 9684. |
03/26/87 |
Flac 24 Mtx - 0,
124744 |
Hartford |
Hartford Civic Center flac24; Set 2 Source: SBD (Healy Matrix) > Metal cassette 1st Gen > Maxell MXS-90 2nd Gen cassette. With kind thanks to Seaweed1010. Transfer: MXS > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit) > TLH > FLAC 2448 tagged. June 2013, Andrew F.
|
notes
|
| 9685. |
03/26/87 |
Flac 24 - 0,
138162 |
Hartford |
Hartford Civic Center b>flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9686. |
03/26/87 |
Flac 16 - 0,
138166 |
Hartford |
Hartford Civic Center flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is shnid 138162 24 > 16
|
notes
|
| 9687. |
03/26/87 |
Flac 16 - 0,
138700 |
Hartford |
Hartford Civic Center flac16; Robert Bryant recording: (patched out of the Oade Brothers) FOB Schoeps CMC4 MK41 > Sony PCM > DAT/44; Charlie Miller transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel edits: Track, Flac & Pack: Wave > Audacity > flac 16/44; Checksum & tags created in xACT
|
notes
|
| 9688. |
03/26/87 |
Flac 24/96 - 0,
143349 |
Hartford |
Hartford Civic Center flac24; Ray Ackerman’s Master Audience Cassettes: Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony TCD5 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
|
notes
|
| 9689. |
03/26/87 |
Flac 16 - 0,
89168 |
Hartford |
Hartford Civic Center flac16; taper : Joe D'Amico nak300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9690. |
03/26/87 |
Flac 16 - 0,
81450 |
Hartford |
Hartford Civic Center flac16; Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci
|
notes
|
| 9691. |
03/26/87 |
Flac 16 - 0,
106901 |
Hartford |
Hartford Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Taper Section 8, Row H, Seat 14 by Bob Morris. Transferred & edited by Bob Morris 11/09
|
notes
|
| 9692. |
03/26/87 |
Flac 16 - 0,
102131 |
Hartford |
Hartford Civic Center flac16; Source: (2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5 Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16 Recorded by Ray Ackerman Conversion by Ray Ackerman Tracks, FLACs, Tags by Craig Taraszki Originally seeded 2009-10-21
|
notes
|
| 9693. |
03/26/87 |
Flac 24/96 - 0,
135547 |
Hartford |
Hartford Civic Center flac24; 2 nakamichi 300 + cp4 / (2) audio technica shotguns> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9694. |
03/26/87 |
Flac 16 - 0,
145505 |
Hartford |
Hartford Civic Center flac16; Ray Ackerman's Master Audience Cassettes: Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony TCD5 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96, This file set is 16 bit @ 44.1
|
notes
|
| 9695. |
03/26/87 |
Flac 24/96 - 0,
150850 |
Hartford |
Hartford Civic Center flac24; Recording Info: Sennheiser 441 > Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Doug Lamarre
|
notes
|
| 9696. |
03/26/87 |
Flac 16/44,1 - 0,
151599 |
Hartford |
Hartford Civic Center flac16/44.1khz ; Recording Info: Sennheiser 441 > Cassette Master (Sony TC-D5M/Maxell MX90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Recorded by Doug Lamarre - 150850 24 -> 16 @ 44.1
|
notes
|
| 9697. |
03/26/87 |
Flac 16 - ,
150711 |
Hartford |
Hartford Civic Center flac16; Nak 300 Mics W/Cp4 Shotguns > Sony D5; Nak Dragon > Sony Sbm1 > Cool Edit > Master Raw Files > Adobe Audition CS6 > Trader's Little Helper; Taper: Joe D'Amico; Editing: Joe D'Amico
|
notes
|
| 9698. |
03/27/87 |
Flac 16 - 0,
95717 |
Hartford |
Hartford Civic Center flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9699. |
03/27/87 |
Flac 2448 Mtx - 0,
111241 |
Hartford |
Hartford Civic Center flac24; Source: SBD (Matrix) > Metal cassettes 1st Gen > XLII-S 1st Set and MX-S 2nd Set, 2nd Gen cassettes. With thanks to Seaweed1010. Transfer: Cassettes > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448 tagged. Dec 2010 Transfer by Andrew F.
|
notes
|
| 9700. |
03/27/87 |
Flac 24 - 0,
140855 |
Hartford |
Hartford Civic Center flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9701. |
03/27/87 |
Flac 24 U Mtx - 0,
140871 |
Hartford |
Hartford Civic Center
|
notes
|
| 9702. |
03/27/87 |
Flac 16 - 0,
142501 |
Hartford |
Hartford Civic Center flac16; Set 2, OTS Schoeps CMC441 (@90ยบ x-y) > PCM (Sony PCM F1) > DAT(1); John Ammons Transfer: from his clone of the DAT. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 44K > Wave
|
notes
|
| 9703. |
03/27/87 |
Flac 24/96 - 0,
143350 |
Hartford |
Hartford Civic Center flac24; Ray Ackerman’s Master Audience Cassettes: Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony TCD5 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96
|
notes
|
| 9704. |
03/27/87 |
Shn - 0,
7343 |
Hartford |
Hartford Civic Center Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Stephen B. Porter; Peter Braverman
|
notes
|
| 9705. |
03/27/87 |
Flac 16 - 0,
89300 |
Hartford |
Hartford Civic Center flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend
|
notes
|
| 9706. |
03/27/87 |
Flac 16 - 0,
106796 |
Hartford |
Hartford Civic Center flac16; Recording Info: Sony ECM-220T -> Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9707. |
03/27/87 |
Flac 16 - 0,
102128 |
Hartford |
Hartford Civic Center flac16; Source: (2x) AudioTechnica AT835 + (1x) AKG D12E > Sony TCD5 Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16 Recorded by Ray Ackerman Conversion by Ray Ackerman Tracks, FLACs, Tags by Craig Taraszki Originally seeded 2009-10-21
|
notes
|
| 9708. |
03/27/87 |
Flac 24/96 - 0,
135548 |
Hartford |
Hartford Civic Center flac24; source: (2) nakamichi 300 + cp4 / (2) audio technica shotguns> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9709. |
03/27/87 |
Flac 16 - 0,
145672 |
Hartford |
Hartford Civic Center flac16; Ray Ackerman’s Master Audience Cassettes: Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony TCD5 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96. This file set is 16 bit @ 44.1
|
notes
|
| 9710. |
03/27/87 |
Flac 24/96 - 0,
151256 |
Hartford |
Hartford Civic Center flac24/96khz Recording Info: Sennheiser 441 > Cassette Master (Sony TC-D5M/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 9711. |
03/27/87 |
Flac 16/44 - 0,
151600 |
Hartford |
Hartford Civic Center flac16/44khz Recording Info: Sennheiser 441 > Cassette Master (Sony TC-D5M/Maxell MX90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151256 24 -> 16 @ 44.1
|
notes
|
| 9712. |
03/27/87 |
Flac 16 - ,
150712 |
Hartford |
Hartford Civic Center flac16; Nak 300 Mics W/Cp4 Shotguns > Sony D5; Nak Dragon > Sony Sbm1 > Cool Edit > Master Raw Files > Adobe Audition CS6 > Trader's Little Helper; Taper: Joe D'Amico; Editing: Joe D'Amico
|
notes
|
| 9713. |
03/29/87 |
Flac 16 - 0,
89320 |
Philadelphia |
The Spectrum flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm-1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9714. |
03/29/87 |
Flac 16 - 0,
138638 |
Philadelphia |
The Spectrum flac16; Robert Bryant recording: (patched out of the Oade Brothers) FOB Schoeps CMC4 MK41 > Sony PCM > DAT/44; Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > flac 16/44; Checksum & tags created in xACT
|
notes
|
| 9715. |
03/29/87 |
Flac 24 - 0,
139719 |
Philadelphia |
The Spectrum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9716. |
03/29/87 |
Flac 16 U Mtx - 0,
139803 |
Philadelphia |
The Spectrum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9717. |
03/29/87 |
Shn - 0,
7344 |
Philadelphia |
The Spectrum Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN; via Stephen B. Porter; Peter Braverman
|
notes
|
| 9718. |
03/29/87 |
Flac 16 - 0,
77977 |
Philadelphia |
The Spectrum flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up next to the soundboard, on the left side (stage right). Mics on stand aprx 7-1/2 feet high, pointed at the stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC Taped and transfered by Andrew F
|
notes
|
| 9719. |
03/29/87 |
Flac 16 - 0,
81513 |
Philadelphia |
The Spectrum flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci
|
notes
|
| 9720. |
03/29/87 |
Flac 16 - 0,
109186 |
Philadelphia |
The Spectrum flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 9721. |
03/29/87 |
Flac 16 - 0,
119403 |
Philadelphia |
The Spectrum flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 9722. |
03/29/87 |
Flac 24/96 - 0,
135569 |
Philadelphia |
The Spectrum flac24; source: nakamichi 3 + cp4> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9723. |
03/30/87 |
Shn - 0,
18255 |
Philadelphia |
The Spectrum Master Soundboard Cassette (Ultr-Matrix Mix) > Reel to Reel > PCM > CDR
|
notes
|
| 9724. |
03/30/87 |
Shn - 0,
34394 |
Philadelphia |
The Spectrum Seamless fix of shn id 18255 - MSC (Ultr-Matrix Mix) > Reel to Reel > PCM > CDR
|
notes
|
| 9725. |
03/30/87 |
UltraMtx Flac24 - 0,
139720 |
Philadelphia |
The Spectrum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9726. |
03/30/87 |
Ultra MtxFlac16 - 0,
139805 |
Philadelphia |
The Spectrum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9727. |
03/30/87 |
Flac 24/96 - 0,
134853 |
Philadelphia |
The Spectrum flac24; Source: Nakamichi CM-300s/Shotguns -> Sony Walkman Pro/Maxell MX 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
|
notes
|
| 9728. |
03/30/87 |
Shn - 0,
5572 |
Philadelphia |
The Spectrum AUD> Sony microphones> Nakamichi BX-300 deck> Maxell metal cassette, Recorded by Tony Cirella; Playback: Nakamichi DR-10> Monster analog cables> Tascam CD-RW700 CD burner> CD, transfer by Paul B.; EAC>SHN by Greg Kerbel
|
notes
|
| 9729. |
03/30/87 |
Shn - 0,
10922 |
Philadelphia |
The Spectrum Source: Audience Master Cassette (Nak 300/Sony D5) Lineage: Nakamichi BX-300> CD> SHN; via Stephen B. Porter; Seeded to etree by Peter Braverman
|
notes
|
| 9730. |
03/30/87 |
Flac 16 - 0,
89341 |
Philadelphia |
The Spectrum flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9731. |
03/30/87 |
Flac 24/96 - 0,
135570 |
Philadelphia |
The Spectrum flac24; source: nakamichi 3 + cp4> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9732. |
03/31/87 |
Flac - 0,
21267 |
Philadelphia |
The Spectrum Recording Info: FM -> Cassette Master -> Dat Transfer Info: Dat -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> EAC -> SHN All Transfers Done By Charlie Miller charliemiller87@earthlink.net SHN'd On 12/8/03
|
notes
|
| 9733. |
03/31/87 |
Shn - 0,
7357 |
Philadelphia |
The Spectrum FM(AUD):MC> DAT> CD> AIFF> WAV> SHN; via Peter Braverman
|
notes
|
| 9734. |
03/31/87 |
Shn - 0,
14524 |
Philadelphia |
The Spectrum FM Broadcast (93.3 WMMR, Philadelphia) > Hi-Fi VHS Master> CDR; Seeded to etree by Scott Clugston
|
notes
|
| 9735. |
03/31/87 |
Flac 16 - 0,
81534 |
Philadelphia |
The Spectrum flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci aka nak700
|
notes
|
| 9736. |
03/31/87 |
Flac 24 - 0,
139721 |
Philadelphia |
The Spectrum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9737. |
03/31/87 |
Flac 16 U Mtx - 0,
139806 |
Philadelphia |
The Spectrum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9738. |
03/31/87 |
Flac 24/96 - 0,
135571 |
Philadelphia |
The Spectrum flac24; source: nakamichi 3 + cp4> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9739. |
03/31/87 |
Flac 16 - 0,
89349 |
Philadelphia |
The Spectrum flac16; taper: Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9740. |
04/02/87 |
Flac 16 - 0,
82310 |
Worcester |
The Centrum flac16; Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 9741. |
04/02/87 |
Flac 24/96 - 0,
131411 |
Worcester |
The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's ? * > Sony Tc-D5M, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 9742. |
04/02/87 |
Flac 16 - 0,
131412 |
Worcester |
The Centrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's ? * > Sony Tc-D5M, Tapes: Maxell XLII 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 9743. |
04/02/87 |
Flac 16 - 0,
99141 |
Worcester |
The Centrum flac16; Recording Info: (FOB/25th Row) Nakamichi 700 -> Sansui Tricode PCM Audio Processor -> Magnovox VCR; Transfer Info: PCM Master -> Samplitude Professional v10.2.1 -> FLAC; Recorded By Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9744. |
04/02/87 |
Flac 24 Mtx - 0,
140289 |
Worcester |
The Centrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9745. |
04/02/87 |
Flac 16 Mtx - 0,
140333 |
Worcester |
The Centrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9746. |
04/02/87 |
Flac 24 - 0,
140525 |
Worcester |
The Centrum flac24; source: nak 300 (12' ots) > tcd5m (mx90s +dolby) > master > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, fades, tracks) >flac2496 > xact (tags, md5, ffp); recorded: david lane + david barfield; transferred / seeded: barfield
|
notes
|
| 9747. |
04/02/87 |
Flac 16 - 0,
140668 |
Worcester |
The Centrum flac16; source: nak 300 (12' ots) > tcd5m (mx90s +dolby) > master > tascam 122mkii > apogee rosetta 200 (24/96) > audacity (normalize, fades, tracks) >flac2496 > xact (tags, md5, ffp); recorded: david lane + david barfield; transferred / seeded: barfield
|
notes
|
| 9748. |
04/02/87 |
Flac 24/48 - 0,
141281 |
Worcester |
The Centrum flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; 2 x AudioTechnica AT835 mics + 1 x AKG D12E center fill > Yamaha mixer > Sony TC-D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/48k) > WaveLab 5 (24/48) > Adobe Audition 3.0 (24/48) > TLH flac2448
|
notes
|
| 9749. |
04/02/87 |
Flac 16 - 0,
141280 |
Worcester |
The Centrum flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; 2 x AudioTechnica AT835 mics + 1 x AKG D12E center fill > Yamaha mixer > Sony TC-D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/48k) > WaveLab 5 (24/48) > Adobe Audition 3.0 (24/48) > TLH flac2448; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9750. |
04/02/87 |
Flac 16 - 0,
141969 |
Worcester |
The Centrum flac16; Set 2 Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9751. |
04/02/87 |
Flac 16 - 0,
106902 |
Worcester |
The Centrum flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Taper Section 5, Row U, Seat 2 by Bob Morris. Transferred & edited by Bob Morris 11/09.
|
notes
|
| 9752. |
04/02/87 |
Flac 16 - 0,
89395 |
Worcester |
The Centrum flac16; nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9753. |
04/02/87 |
Shn - 0,
11804 |
Worcester |
The Centrum AUD>PCM>DAT>CDR; via Charlie Phogg; Seeded to etree by eD
|
notes
|
| 9754. |
04/03/87 |
Flac 16 - 0,
95720 |
Worcester |
The Centrum flac16; Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9755. |
04/03/87 |
Flac 24/96 - 0,
131430 |
Worcester |
The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony Tc-D5M, Tapes: Maxell XLII 90's; Tapes Are Labeled: 2 Sennheiser 441's Casey; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 9756. |
04/03/87 |
Flac 16 - 0,
131429 |
Worcester |
The Centrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony Tc-D5M, Tapes: Maxell XLII 90's; Tapes Are Labeled: 2 Sennheiser 441's Casey; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 9757. |
04/03/87 |
Flac 16 - 0,
99165 |
Worcester |
The Centrum flac16; Recording Info: (FOB) Nakamichi 700 -> Sansui Tricode PCM Audio Processor -> Magnovox VCR Transfer Info: PCM Master -> Samplitude Professional v10.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9758. |
04/03/87 |
Ultra Mtx Sbd - 0,
140292 |
Worcester |
The Centrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9759. |
04/03/87 |
Flac 24/96 - 0,
141283 |
Worcester |
The Centrum flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; 2 x AudioTechnica AT835 mics + 1 x AKG D12E center fill > Yamaha mixer > Sony TC-D5 Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) > WaveLab 5 (24/96) > Adobe Audition 3.0 (24/96) > TLH flac2496
|
notes
|
| 9760. |
04/03/87 |
Flac 16 - 0,
141282 |
Worcester |
The Centrum flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; 2 x AudioTechnica AT835 mics + 1 x AKG D12E center fill > Yamaha mixer > Sony TC-D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) > WaveLab 5 (24/96) > Adobe Audition 3.0 (24/96) > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9761. |
04/03/87 |
Flac 16 - 0,
141970 |
Worcester |
The Centrum flac16; Set 2 Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9762. |
04/03/87 |
Shn - 0,
11631 |
Worcester |
The Centrum 2nd set only; FOB-AUD>MC>CDR; Senn 421?s>Sony TC-D5; via August West; Seeded to etree by eD(efojr)
|
notes
|
| 9763. |
04/03/87 |
Shn - 0,
24898 |
Worcester |
The Centrum Recording Info: Sennheiser ME80 -> Master Cassette -> Dat(44.1k) -> ZA2 -> SHN
|
notes
|
| 9764. |
04/03/87 |
Flac 24/96 - 0,
135572 |
Worcester |
The Centrum flac24; Set 2 source: nakamichi 3 + cp4> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9765. |
04/03/87 |
Flac 16 - 0,
89432 |
Worcester |
The Centrum flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9766. |
04/03/87 |
Flac 16 - 0,
140335 |
Worcester |
The Centrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9767. |
04/04/87 |
Flac 16 - 0,
95721 |
Worcester |
The Centrum flac16; Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9768. |
04/04/87 |
Flac 16 - 0,
131520 |
Worcester |
The Centrum flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony Tc-D5M, Tapes: Maxell XLII 90's; Set 2 Tape Is Labelled 2 Sennheiser 441's Casey; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software V.3.02 To 32 Bit Float/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 9769. |
04/04/87 |
Flac 24/96 - 0,
131521 |
Worcester |
The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony Tc-D5M, Tapes: Maxell XLII 90's; Set 2 Tape Is Labelled 2 Sennheiser 441's Casey; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 9770. |
04/04/87 |
Flac 24/96 - 0,
131521 |
Worcester |
The Centrum flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Sennheiser 441's > Sony Tc-D5M, Tapes: Maxell XLII 90's; Set 2 Tape Is Labelled 2 Sennheiser 441's Casey; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 9771. |
04/04/87 |
Flac 16 - 0,
99167 |
Worcester |
The Centrum flac16; Recording Info: (FOB) Nakamichi 700 -> Sansui Tricode PCM Audio Processor -> Magnovox VCR Transfer Info: PCM Master -> Samplitude Professional v10.2.1 -> Adobe Audition v1.5 -> FLAC; Recorded by Steve Rolfe; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9772. |
04/04/87 |
Flac 24 U Mtx - 0,
140306 |
Worcester |
The Centrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9773. |
04/04/87 |
Flac 16 - 0,
140373 |
Worcester |
The Centrum flac16; Recording Info: FM (WCUW) > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9774. |
04/04/87 |
Flac 16 U Mtx - 0,
140372 |
Worcester |
The Centrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9775. |
04/04/87 |
Shn - 0,
9362 |
Worcester |
The Centrum FOB Schoeps > PCM > DAT > CDR; via Rick M; neo_levo/candman FTP, 4/2002
|
notes
|
| 9776. |
04/04/87 |
Flac 16 - 0,
89471 |
Worcester |
The Centrum flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9777. |
04/04/87 |
Flac 24/96 - 0,
135583 |
Worcester |
The Centrum flac24; source: nakamichi 3 + cp4> tcd-d5> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
|
notes
|
| 9778. |
04/04/87 |
Flac 16 - 0,
109785 |
Worcester |
The Centrum flac16; FOB>AKG 414's>D5>MC>CDr>EAC>WAV>FLAC; Recorded By: Jeff Stevenson
|
notes
|
| 9779. |
04/04/87 |
Flac 16 - 0,
78055 |
Worcester |
The Centrum flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC
|
notes
|
| 9780. |
04/06/87 |
Flac - 0,
25809 |
East Rutherford |
Meadowlands Arena Patch for previous Matrix shn set, wherein d1t01 audience patch is from previous AUD shn set and SBEs fixed for d1t09, d2t01, and d2t11 [note: on 01/24/2007/ Charlie Miller distributed a flac version of this fileset.]
|
notes
|
| 9781. |
04/06/87 |
Shn Mtx - 0,
19848 |
East Rutherford |
Meadowlands Arena Healy Matrix TDK MA-90 cassette > Dick's Reel (Technics 1506) > PCM > CD (HHB CDR 800) > EAC > SHN; EAC/SHN by Darryl Hinko; a set of patches circulates
|
notes
|
| 9782. |
04/06/87 |
Ultra Mtx Sbd - 0,
140339 |
East Rutherford |
Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9783. |
04/06/87 |
UltraMtx Flac16 - 0,
140376 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9784. |
04/06/87 |
Flac 16 - 0,
106903 |
East Rutherford |
Meadowlands Arena flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Taper Section 2, Row L, Seat 14 by Bob Morris. Transferred & edited by Bob M 11/09.
|
notes
|
| 9785. |
04/06/87 |
Flac 16 - 0,
89507 |
East Rutherford |
Meadowlands Arena flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9786. |
04/06/87 |
Flac 16 - 0,
102655 |
East Rutherford |
Meadowlands Arena flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick; recorded by Jon Pasternak
|
notes
|
| 9787. |
04/06/87 |
Flac 16 - 0,
81380 |
East Rutherford |
Meadowlands Arena flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci aka nak700
|
notes
|
| 9788. |
04/06/87 |
Shn - 0,
10924 |
East Rutherford |
Meadowlands Arena AUD>MC>DAT>CDR Schoeps CMC-441?s>Sony D-5; via Paul; Seeded to etree by eD(efojr)
|
notes
|
| 9789. |
04/06/87 |
Flac 24/96 - 0,
135913 |
East Rutherford |
Meadowlands Arena flac24; lineage: sennheiser 21 (fob)> tcd-d5> mc> c> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 9790. |
04/07/87 |
Flac 16 - 0,
89971 |
East Rutherford |
Meadowlands Arena flac16; Source: WNEW-FM > unknown receiver > Onkyo TA-2048 > TDK SA-90's, with Dolby C on. Taped by Jon Pasternak. Transfer: MFC > Nakamichi DR-8 (Dolby C) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
|
notes
|
| 9791. |
04/07/87 |
Shn - 0,
19284 |
East Rutherford |
Meadowlands Arena Source: FM-SBD(WNEW)>C>CDR>WAV>SHN. Transfer to CDR via jabuzz420. SHN encoding via neo_levo.
|
notes
|
| 9792. |
04/07/87 |
UltraMtx Flac16 - 0,
140337 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9793. |
04/07/87 |
Flac 24/96 - 0,
134681 |
East Rutherford |
Meadowlands Arena flac24; Source: Nakamichi CM-300s/2-Mic CP-4 super-directional shotgun capsule -> Sony Walkman Pro/Triad Metal Position MG-X 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
|
notes
|
| 9794. |
04/07/87 |
Flac 16 - 0,
89541 |
East Rutherford |
Meadowlands Arena flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 9795. |
04/07/87 |
Flac 16 - 0,
81407 |
East Rutherford |
Meadowlands Arena flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci aka nak700
|
notes
|
| 9796. |
04/07/87 |
Shn - 0,
11649 |
East Rutherford |
Meadowlands Arena AUD>MC>DAT>CDR; Schoeps CMC-441?s>Sony D-5; via Mojo Hand; Seeded to etree by eD(efojr)
|
notes
|
| 9797. |
04/07/87 |
Flac 24/96 - 0,
135915 |
East Rutherford |
Meadowlands Arena flac24; Set 2 lineage:sennheiser 421 (fob)> tcd-d5> mc> c> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 9798. |
04/07/87 |
Flac 16 - 0,
106060 |
East Rutherford |
Meadowlands Arena flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Taper Section 2, Row M, Seat 8 by Bob Morris
|
notes
|
| 9799. |
04/07/87 |
Flac 24 UMtx. - 0,
140340 |
East Rutherford |
Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9800. |
04/09/87 |
Flac 16 - 0,
90477 |
Chicago |
UIC Pavilion flac16; Recording Info: SBD -> Cassette Master -> Cassette (Sony D6/Maxell XLII-S90/Dolby C) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby C) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9801. |
04/09/87 |
Shn - 0,
10160 |
Chicago |
UIC Pavilion Source: Audience cassette (Nakamichi 300/Sony D5) Lineage: Nakamichi BX-300 > CD > SHN; via Stephen B. Porter; Seeded to etree by Peter Braverman
|
notes
|
| 9802. |
04/09/87 |
Flac 16 - 0,
30135 |
Chicago |
UIC Pavilion flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2469 > Soundforge > CD-Wave > TLH > FLAC, July 2008 by Andrew F.
|
notes
|
| 9803. |
04/09/87 |
Flac 24 U Mtx - 0,
140872 |
Chicago |
UIC Pavilion flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9804. |
04/09/87 |
Flac 16 - 0,
140893 |
Chicago |
UIC Pavilion flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9805. |
04/09/87 |
Flac 16 - 0,
119019 |
Chicago |
UIC Pavilion flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 9806. |
04/09/87 |
Shn - 0,
10262 |
Chicago |
UIC Pavilion Shntool fix of original Braverman; Source: Audience cassette (Nakamichi 300/Sony D5) Lineage: Nakamichi BX-300 > CD > SHN
|
notes
|
| 9807. |
04/09/87 |
Shn - 0,
11657 |
Chicago |
UIC Pavilion FOB-AUD>MC>DAT>CDR; Schoeps CMC 441?s w/hyper Cartoid; via Billy Sunday; Seeded to etree by eD(efojr)
|
notes
|
| 9808. |
04/09/87 |
Flac 24/96 - 0,
148683 |
Chicago |
UIC Pavilion flac24; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser 421 and Sennheiser ME-80 blend > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9809. |
04/09/87 |
Flac 16/48 - 0,
148682 |
Chicago |
UIC Pavilion flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser 421 and Sennheiser ME-80 blend > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9810. |
04/09/87 |
Flac 24/96 - 0,
150526 |
Chicago |
UIC Pavilion flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. August 01, 2020
|
notes
|
| 9811. |
04/10/87 |
Flac 16 - 0,
102188 |
Chicago |
UIC Pavilion flac16; Source: SBD Unknown Taper Lineage: ? -> CD-R (uncut waves) -> CD Player (XLR out) -> M-Audio Delta 66 -> Flac16
|
notes
|
| 9812. |
04/10/87 |
Shn - 0,
10537 |
Chicago |
UIC Pavilion Source: Audience Cassette (Nakamichi 300/Sony D5) Lineage: Nakamichi BX-300> CD> SHN; via Stephen B. Porter; Seeded to etree by Peter Braverman
|
notes
|
| 9813. |
04/10/87 |
Flac 16 - 0,
134675 |
Chicago |
UIC Pavilion flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9814. |
04/10/87 |
Flac 16 - 0,
93385 |
Chicago |
UIC Pavilion flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2469 > Soundforge > CD-Wave > TLH > FLAC, July 2008 by Andrew F.
|
notes
|
| 9815. |
04/10/87 |
Flac 24 U Mtx - 0,
140874 |
Chicago |
UIC Pavilion flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9816. |
04/10/87 |
Flac 16 - 0,
140894 |
Chicago |
UIC Pavilion flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9817. |
04/10/87 |
Flac 16 - 0,
119029 |
Chicago |
UIC Pavilion flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 9818. |
04/10/87 |
Shn - 0,
10156 |
Chicago |
UIC Pavilion Schoeps CMC-441 Hyper Cartoid> PCM-F1> Panasonic 3700 DAT, CDR> EAC> MKWAct; via Jim Bennett
|
notes
|
| 9819. |
04/10/87 |
Flac 16 - 0,
105529 |
Chicago |
UIC Pavilion flac16; Recorded by Dave Cohen & Justin Lee Sec. 109 Row U Seat 17 8 ft. stand 2 Nakamichi CM100/CP4s>Nakamichi 550 w/Maxell XLIIS 90 cassettes. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
notes
|
| 9820. |
04/10/87 |
Flac 16/48 - 0,
146113 |
Chicago |
UIC Pavilion flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140874) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 10156) Schoeps CMC-441 Hyper Cartoid> PCM-F1> Panasonic 3700 DAT, CDR> EAC> MKWAct; via Jim Bennett - surround mixing by Kevin Tobin
|
notes
|
| 9821. |
04/10/87 |
Flac 16 Dts.5.1 - 0,
146112 |
Chicago |
UIC Pavilion DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140874) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 10156) Schoeps CMC-441 Hyper Cartoid> PCM-F1> Panasonic 3700 DAT, CDR> EAC> MKWAct; via Jim Bennett - dts mixing by Kevin Tobin
|
notes
|
| 9822. |
04/10/87 |
Flac 16 - 0,
146111 |
Chicago |
UIC Pavilion flac16; Matrix 2 Source Mix - SBD (shnid = 140874) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 10156) Schoeps CMC-441 Hyper Cartoid> PCM-F1> Panasonic 3700 DAT, CDR> EAC> MKWAct; via Jim Bennett - matrix mixing by Kevin Tobin
|
notes
|
| 9823. |
04/10/87 |
Flac 24/96 - 0,
150527 |
Chicago |
UIC Pavilion flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition 2020) by Joe Noel. August 18, 2020
|
notes
|
| 9824. |
04/11/87 |
Flac 16 - 0,
123652 |
Chicago |
UIC Pavilion flac16; Lineage: WXRT FM Broadcast Analog Master To Wav To Audio Cleaning Lab For Track Marks And Tape Flip Edits To CDR To EAC To TLH FLAC Level 8 No EQ
|
notes
|
| 9825. |
04/11/87 |
Shn - 0,
32365 |
Chicago |
UIC Pavilion (Re)fix of GDLive source. Please disregard my previous documentation.
|
notes
|
| 9826. |
04/11/87 |
Shn - 0,
34417 |
Chicago |
UIC Pavilion Seamless fix of shn id 22934 - Pre-FM > Master Reel > Dat > Sonic Solutions > CD source by Bill Tetzeli
|
notes
|
| 9827. |
04/11/87 |
Shn - 0,
22934 |
Chicago |
UIC Pavilion SOURCE: Pre-FM > Master Reel > Dat > Sonic Solutions > CD
|
notes
|
| 9828. |
04/11/87 |
Shn - 0,
392 |
Chicago |
UIC Pavilion SBD > ? > .shn; via David Finney; see listening notes in pub comments
|
notes
|
| 9829. |
04/11/87 |
Flac 16 - 0,
92950 |
Chicago |
UIC Pavilion flac16; OTS AUD Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2469 > Soundforge > CD-Wave > TLH > FLAC, July 2008 by Andrew F.
|
notes
|
| 9830. |
04/11/87 |
Flac 24 UMtx - 0,
140921 |
Chicago |
UIC Pavilion flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9831. |
04/11/87 |
Flac 16 - 0,
140941 |
Chicago |
UIC Pavilion flac16; Recording Info: FM (WXRT) > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9832. |
04/11/87 |
Flac 24 - 0,
140936 |
Chicago |
UIC Pavilion flac24; Recording Info: FM (WXRT) > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9833. |
04/11/87 |
Flac 16 U Mtx - 0,
140927 |
Chicago |
UIC Pavilion flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9834. |
04/11/87 |
Flac 16 - 0,
119031 |
Chicago |
UIC Pavilion flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 9835. |
04/11/87 |
Flac 24/96 - 0,
148863 |
Chicago |
UIC Pavilion flac24; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser 421 and Sennheiser ME-80 blend > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9836. |
04/11/87 |
Flac 16/48 - 0,
148862 |
Chicago |
UIC Pavilion flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Cassettes; Sennheiser 421 and Sennheiser ME-80 blend > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9837. |
04/11/87 |
Flac 24/96 - 0,
150528 |
Chicago |
UIC Pavilion flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. August 21, 2020
|
notes
|
| 9838. |
04/17/87 |
Flac 16 - 0,
83731 |
Irvine |
Irvine Meadows flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9839. |
04/17/87 |
Flac 16 - 0,
86837 |
Irvine |
Irvine Meadows flac16; MAC; Sennheiser 441s > D5 > D5 > gold plated Monster Cables > D5 > Maxell XLII-S 90 (set I) TDK MA-R90 (set II). Taper: Johnny Corso. Transfer: Master Audience Cassettes > Nakamichi Dragon > RCA/XLR > Lunatec V3 @ 2496 > coax > Audiophile 2496 > WaveLab 5.0 > WAV @ 2496. Transferred by Alex Ford - August 2007.
|
notes
|
| 9840. |
04/17/87 |
Flac 16 - 0,
141131 |
Irvine |
Irvine Meadows flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9841. |
04/17/87 |
Flac 24 U Mtx - 0,
141128 |
Irvine |
Irvine Meadows flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9842. |
04/17/87 |
Shn - 0,
11658 |
Irvine |
Irvine Meadows AUD>PCM>DAT>CDR; Schoeps CMC 34?s w/Cartoid & Full Wind Screens; Missing CR&S, Rooster; via Shotgun Ragtime Band; Seeded to etree by eD(efojr)
|
notes
|
| 9843. |
04/17/87 |
Flac 24/96 - ,
151126 |
Irvine |
Irvine Meadows flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 9844. |
04/17/87 |
Flac 16/48 - ,
151125 |
Irvine |
Irvine Meadows flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 9845. |
04/18/87 |
Flac 16 - 0,
83732 |
Irvine |
Irvine Meadows flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9846. |
04/18/87 |
Flac 16 - 0,
87639 |
Irvine |
Irvine Meadows flac16; MAC; Sennheiser 441s > D5 > D5 > gold plated Monster Cables > D5 > Maxell XLII-S 90 (set I) TDK MA-R90 (set II) Taper: John Corso Transfer: Master Audience Cassettes > Nakamichi Dragon > RCA/XLR > Lunatec V3 (@ 2496) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > iZotope Ozone 3 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC( 8 ) Master Audience Cassettes provided by Mark McCue. Transfer, editing, conversion and seeding by Alex Ford October 2007.
|
notes
|
| 9847. |
04/18/87 |
Shn - 0,
11882 |
Irvine |
Irvine Meadows Master Soundboard Casette > PCM> DAT> CDR EAC'ed/SHN'ed & Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor
|
notes
|
| 9848. |
04/18/87 |
Flac 24 U Mtx - 0,
141225 |
Irvine |
Irvine Meadows flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9849. |
04/18/87 |
Flac 16 U Mtx - 0,
141231 |
Irvine |
Irvine Meadows flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9850. |
04/18/87 |
Shn - 0,
11659 |
Irvine |
Irvine Meadows AUD>DAT>CDR; Schoeps CMC 44?s; via Bad Man Brown; Seeded to etree by eD(efojr)
|
notes
|
| 9851. |
04/18/87 |
Flac 24/96 - ,
151128 |
Irvine |
Irvine Meadows flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
This is your collection
|
notes
|
| 9852. |
04/18/87 |
Flac 16/48 - ,
151127 |
Irvine |
Irvine Meadows flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification
|
notes
|
| 9853. |
04/19/87 |
Flac 16 - 0,
83734 |
Irvine |
Irvine Meadows flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9854. |
04/19/87 |
Shn - 0,
3883 |
Irvine |
Irvine Meadows Healy Ultramix SBD/AUD> CM> DAT; via lemon2
|
notes
|
| 9855. |
04/19/87 |
Shn - 0,
3822 |
Irvine |
Irvine Meadows SBD > Cass Master > PCM > Dat > Behringer UltraMatch 2000 > CD > EAC > SHNv3; via c.m. (updated lineage; had been marked SBD (Matrix) > PCM > DAT...)
|
notes
|
| 9856. |
04/19/87 |
Shn - 0,
11883 |
Irvine |
Irvine Meadows Master Soundboard Casette > PCM> DAT> CDR EAC'ed,SHN'ed and Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor
|
notes
|
| 9857. |
04/19/87 |
Flac 16 - 0,
98052 |
Irvine |
Irvine Meadows flac16; Audience Recording Master Audience Cassette; 2 x Sennheiser 441>Sony D5>D5>D5>Maxell MA-R 90 Taped by John Corso. Set I transfer and EAC by Johnny Kelly. Set II cassette transfer by Alex Ford. Edited and Mastered by Alex Ford. All audio from the collection of Mark McCue
|
notes
|
| 9858. |
04/19/87 |
Flac 16 - 0,
135967 |
Irvine |
Irvine Meadows flac16; Digital Soundboard/MTX > PCM copy; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm; Wavelab 7.1 for Minor Edits by Jamie Waddell
|
notes
|
| 9859. |
04/19/87 |
Flac 24 UMtx - 0,
142119 |
Irvine |
Irvine Meadows flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9860. |
04/19/87 |
Flac 16 - 0,
142134 |
Irvine |
Irvine Meadows flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9861. |
04/19/87 |
Flac 16 - 0,
34964 |
Irvine |
Irvine Meadows flac16; source: Beyer Dynamic M88's>Sony TCD5M(CM) Transfer: Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.57 (tracking only)>flac16; Taped and transferred by Charlie Connor
|
notes
|
| 9862. |
04/19/87 |
Flac 24/96 - ,
151130 |
Irvine |
Irvine Meadows flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 9863. |
04/19/87 |
Flac 16/48 - ,
151129 |
Irvine |
Irvine Meadows flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 9864. |
05/02/87 |
Flac 16 - 0,
83737 |
Palo Alto |
Frost Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9865. |
05/02/87 |
Flac 16 - 0,
105509 |
Palo Alto |
Frost Amphitheatre flac16; Master Digital Audience Recording by Michael Grace Lineage: Schoeps CMC-32s (Omni) spaced 10 foot, 0 degrees > Grace 18V mic power supply, polypropylene coupling capacitors > PCM-F1/SL-2000 Betamax Sony SL-HF900 Transfer Info: Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 to 24 BIT - 44.1 kHz by Michael Grace Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDWAV Tag&Rename for Meta_Data TLH for FLAC Level 8 by Patrick White
|
notes
|
| 9866. |
05/02/87 |
Shn - 0,
18847 |
Palo Alto |
Frost Amphitheatre SBD > MC > DAT > EAC > SHN; EAC/SHN by Darryl Hinko
|
notes
|
| 9867. |
05/02/87 |
Flac 16 - 0,
141909 |
Palo Alto |
Frost Amphitheatre flac16; Recording Info: Master UltraMatrix PCM > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 9868. |
05/02/87 |
Shn - 0,
24492 |
Palo Alto |
Frost Amphitheatre Source: FOB 10th Row Sony D5 w/NAK 700's>MAC>C>DAT>WAV>SHN C>SHN Conversion by Cousinit Notes: Disc 1 requires an 80 minute disc
|
notes
|
| 9869. |
05/02/87 |
Flac 16 - 0,
98158 |
Palo Alto |
Frost Amphitheatre flac16; Source: FOB 10th Row Sony D5 w/NAK 700's>MAC>C>DAT>WAV>SHN; C>SHN>remaster>FLAC, Conversion by Cousinit; this is a remaster of source ID 24492
|
notes
|
| 9870. |
05/02/87 |
Flac 24/96 - 0,
148780 |
Palo Alto |
Frost Amphitheatre flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9871. |
05/02/87 |
Flac 16/48 - 0,
148779 |
Palo Alto |
Frost Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9872. |
05/03/87 |
Flac 16 - 0,
83738 |
Palo Alto |
Frost Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9873. |
05/03/87 |
Flac 16 - 0,
34396 |
Palo Alto |
Frost Amphitheatre flac16; Seamless fix of shn id 1193 - 65% DSBD PRE-FM SBD/35% FOB Schoeps CMC32S. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 9874. |
05/03/87 |
Shn - 0,
16175 |
Palo Alto |
Frost Amphitheatre Unknown SBD patched with circulating Matrix; via Darryl Hinko
|
notes
|
| 9875. |
05/03/87 |
Shn - 0,
18848 |
Palo Alto |
Frost Amphitheatre SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
|
notes
|
| 9876. |
05/03/87 |
Flac 16 - 0,
135937 |
Palo Alto |
Frost Amphitheatre flac16; Digital Soundboard > PCM copy > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; tracked with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH; the fixed version has the channels corrected; please don't circulate the original version
|
notes
|
| 9877. |
05/03/87 |
Flac 16 - 0,
98294 |
Palo Alto |
Frost Amphitheatre flac16; FOB 10th Row Sony D5 w/NAK 700's>MAC>C>DAT>WAV>FLAC, C>FLAC Conversion by Cousinit
|
notes
|
| 9878. |
05/03/87 |
Shn Mtx. - 0,
1193 |
Palo Alto |
Frost Amphitheatre DSBD/DAUD MIX: 65% DSBD PRE-FM SBD --> PCM --> DAT --> CDR, 35% FOB Schoeps CMC32S --> Grace P.S. --> Sony PCM601 ES --> DAT --> CDR; mixed by Sean Weber, converted to shn by Bill Gardner; note drums and space spread across multiple tracks; see pub comments for additional/updated source notes
|
notes
|
| 9879. |
05/03/87 |
Flac 24/96 - 0,
148782 |
Palo Alto |
Frost Amphitheatre flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9880. |
05/03/87 |
Flac 16/48 - 0,
148781 |
Palo Alto |
Frost Amphitheatre flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9881. |
05/03/87 |
Flac 16/48 - ,
152831 |
Palo Alto |
Frost Amphitheatre flac16/48 Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 9882. |
05/03/87 |
Flac 24/96 - ,
152832 |
Palo Alto |
Frost Amphitheatre flac24/96 Source Info: Bob Wagner's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 9883. |
05/09/87 |
Flac - 0,
83749 |
Monterey |
Laguna Seca Recreation Area flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9884. |
05/09/87 |
Shn Mtx - 0,
5059 |
Monterey |
Laguna Seca Recreation Area SBD (matrix)> PCM> Dat; Conversion: Sony M1> Oade Cable> Zoltrx Pro6> Soundforge(wav)> CDWav(split)> Shn V3 (no DAE); Conversion & Seed: Brian Cole
|
notes
|
| 9885. |
05/09/87 |
Flac - 0,
130885 |
Monterey |
Laguna Seca Recreation Area flac16; (FOB) Sennheiser 2002s(stealth) > Sony D5 > Master Cassettes > 1st Gen Cassettes; Transfer/Lineage: 1st Gen Cassettes> Nakamichi Dragon> Lunatec V3 (@ 24/88.2)> Lynx AES16> WaveLab 7.2.1> UAD-2 (editing/mastering)> Crystal Resampler/Apogee UV22HR> .wav @ 16/44.1> xAct> flac16(tags). Tapers: John Corso and Tom (last name long forgotten); Transferred, edited and mastered by Alex Ford; 1st Gen cassettes from the collection of Mark McCue
|
notes
|
| 9886. |
05/09/87 |
Flac - 0,
92165 |
Monterey |
Laguna Seca Recreation Area flac16; Hat Mounted Realistic PZM's with Sony WMD6-C Maxell MX 90 No nr 20 feet away 10 feet left of center Master>D6>HD>Audacity(pan 20% right)>CDWave>TLH
|
notes
|
| 9887. |
05/10/87 |
Flac 16 - 0,
83750 |
Monterey |
Laguna Seca Recreation Area flac16; Recording Info: SBD -> Cassette Master (Maxell MX90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9888. |
05/10/87 |
Shn - 0,
2256 |
Monterey |
Laguna Seca Recreation Area DSBD> PCM> DAT> zefiro2> soundforge> CDR> EAC> SHN; via Karl Schneiderman, John Zei
|
notes
|
| 9889. |
05/10/87 |
Flac 16 - 0,
92344 |
Monterey |
Laguna Seca Recreation Area flac16; Hat-Mounted Realistic PZM's with Sony WMD6-C No nr 1st set 20 feet away, dead center 2nd set 100 feet away, dead center TDK MA-X 90 Master>D6>HD>Audacity>CDWave>TLH>torrent Recorded and Transfered by Russjcan
|
notes
|
| 9890. |
05/10/87 |
Flac 16 - 0,
137069 |
Monterey |
Laguna Seca Recreation Area flac16; PCM Soundboard; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by John Wenzel; 16 bit 44.1kHz a project **GEMS** Betamania Release 2016-10-17
|
notes
|
| 9891. |
05/10/87 |
Flac 24 U Mtx - 0,
142115 |
Monterey |
Laguna Seca Recreation Area flac24; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK E-HG L-750); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9892. |
05/10/87 |
Flac 16 U Mtx - 0,
142116 |
Monterey |
Laguna Seca Recreation Area flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony Betamax/TDK E-HG L-750); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9893. |
05/10/87 |
Flac 16 - 0,
142133 |
Monterey |
Laguna Seca Recreation Area flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK E-HG L-750); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9894. |
05/10/87 |
Flac 16 - 0,
148844 |
Monterey |
Laguna Seca Recreation Area flac16; Bertha Remaster of source ID 137069: PCM Soundboard Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF->RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
|
notes
|
| 9895. |
06/12/87 |
Flac 16 - 0,
83751 |
Ventura |
Ventura County Fairgrounds flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Mille
|
notes
|
| 9896. |
06/12/87 |
Flac 16 - 0,
81458 |
Ventura |
Ventura County Fairgrounds flac16; Source: Audience FOB Recording Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette Lineage: AKG C460b pre’s with Ck61uls capsules > Uher CR240 (about 10th row DFC) > Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak > WAV24/96 > Wavelab 6.0 (WavesTools(C4,RBass,Q10)), BBE, L3(type1 dither dither, no noise shaping )> Flac Taped by: Danny Thomson Transfer by: Derek McCabe Mastered by: Jamie Waddell
|
notes
|
| 9897. |
06/12/87 |
Shn - 0,
11884 |
Ventura |
Ventura County Fairgrounds Master Soundboard Cassette > PCM > DAT> CDR; EAC'ed, SHN'ed and Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor
|
notes
|
| 9898. |
06/12/87 |
Shn - 0,
14854 |
Ventura |
Ventura County Fairgrounds Bertha Remaster of the original MSC source . SBD>>MC>>PCM>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA - Sound A
|
notes
|
| 9899. |
06/12/87 |
Flac 16 44,1 - 0,
142923 |
Ventura |
Ventura County Fairgrounds flac16/44.1 Source Info: 1st Set: Master UltraMatrix PCM > Cassette > Dat (16-bit/44.1k) 2nd Set: Master UltraMatrix PCM > Dat (16-bit/44.1k) Transfer Info: Dat (Sony R-500)> Apogee aes/ebu cable > Tascam DA-3000(.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16. Rob Eaton source Dat, Charlie Miller transfer, mastering by Scott Clugston.
|
notes
|
| 9900. |
06/12/87 |
Flac 24/96 - 0,
142921 |
Ventura |
Ventura County Fairgrounds flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 All Transfers and Mastering by Charlie Miller.
|
notes
|
| 9901. |
06/12/87 |
Flac 16 - 0,
143510 |
Ventura |
Ventura County Fairgrounds flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 All Transfers and Mastering by Charlie Miller; This file set is 16/44.1
|
notes
|
| 9902. |
06/12/87 |
Shn - 0,
11496 |
Ventura |
Ventura County Fairgrounds FOB-AUD>MC>CDR; Beyer 160?s>Sony TC-D5; via Paul; Seeded to etree by eD(efojr)
|
notes
|
| 9903. |
06/12/87 |
Flac 24/96 - 0,
135927 |
Ventura |
Ventura County Fairgrounds flac24; lineage:beyers 160 fob> tcd-d5> tcd-d5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 9904. |
06/12/87 |
Flac 24/96 - 0,
81970 |
Ventura |
Ventura County Fairgrounds flac24/96; Taper: Danny Thomson Source: FOB AKG C460b pre's with Ck61uls capsules > Uher CR240 (about 10th row DFC) > AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette Transfer: Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak by Derek McCabe Mastering: WAV24/96 > Wavelab 6.0 (WavesTools(C4, RBass, Q10)), BBE, L3 (type1 dither, no noise shaping) > FLAC by Jamie Waddell
|
notes
|
| 9905. |
06/12/87 |
Flac 16/48 - ,
151117 |
Ventura |
Ventura County Fairgrounds flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 9906. |
06/12/87 |
Flac 24/96 - ,
151118 |
Ventura |
Ventura County Fairgrounds flac24/96 Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 9907. |
06/13/87 |
Flac 16 - 0,
83752 |
Ventura |
Ventura County Fairgrounds flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9908. |
06/13/87 |
Flac 16 - 0,
83747 |
Ventura |
Ventura County Fairgrounds flac16; Source: Audience FOB Recording, Center Media: AKY Recording Supply Custom Wound BASF 100% CrO2 90 min. Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: Wavelab 6.0 Ozone EQ, BBE and L2 for Dither; Resampled using Crystal Sample Rate Converter. Taped by: D. Thompson Transfer by: A. Egert Mastering by: J. Waddell
|
notes
|
| 9909. |
06/13/87 |
Shn - 0,
10309 |
Ventura |
Ventura County Fairgrounds Matrix SBD>CASS>DAT>CD; via Israel Regardie; Seeded to etree by PainoMan
|
notes
|
| 9910. |
06/13/87 |
Flac 16 - 0,
80715 |
Ventura |
Ventura County Fairgrounds flac16; Main Source: Master Soundboard Cassette > PCM > DAT> CDR Patch source: MAC (2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)) taped by Tim Alexander; MAC (Nakamichi DR-1 (Dolby B decode)) > Edirol R-09 (24bit/48khz) > Nomad Jukebox 3 > WAV > FLAC
|
notes
|
| 9911. |
06/13/87 |
Flac 16 - 0,
77185 |
Ventura |
Ventura County Fairgrounds flac16; MAC (2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: MAC (Nakamichi DR-1 (Dolby B decode)) > Edirol R-09 (24bit/48khz) > Nomad Jukebox 3 > WAV > FLAC
|
notes
|
| 9912. |
06/13/87 |
Flac 24/48 - 0,
77268 |
Ventura |
Ventura County Fairgrounds flac24; SRC: MAC (2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: MAC (Nakamichi DR-1 (Dolby decode)) > Edirol R-09 (24 bit/48 khz) > WAV > FLAC Normalized to 98% Transferred on 8/6/06 by Bill Tetzeli
|
notes
|
| 9913. |
06/13/87 |
Shn - 0,
11895 |
Ventura |
Ventura County Fairgrounds Master Soundboard Cassette > PCM > DAT> CDR EAC'ed, SHN'ed and Seeded to Etree by Scott Clugston; Also to abgd via Charlie Connor
|
notes
|
| 9914. |
06/13/87 |
Flac 24/96 - 0,
135928 |
Ventura |
Ventura County Fairgrounds flac24; lineage:beyers 160 fob> tcd-d5> tcd-d5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 9915. |
06/13/87 |
Flac 24/96 - 0,
83748 |
Ventura |
Ventura County Fairgrounds flac24/96; Source: Audience FOB Recording, Center Media: AKY Recording Supply Custom Wound BASF 100% CrO2 90 min. Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: Wavelab 6.0 - Ozone EQ, BBE Bass Contour and L2 for Dither. Taped by: D. Thompson Transfer by: A. Egert Mastering by: J. Waddell
|
notes
|
| 9916. |
06/13/87 |
Flac 16/48 - ,
151119 |
Ventura |
Ventura County Fairgrounds flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 9917. |
06/13/87 |
Flac 24/96 - ,
151120 |
Ventura |
Ventura County Fairgrounds flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 9918. |
06/14/87 |
Flac 16 - 0,
83755 |
Ventura |
Ventura County Fairgrounds flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Mille
|
notes
|
| 9919. |
06/14/87 |
Flac 16 - 0,
83990 |
Ventura |
Ventura County Fairgrounds flac16; Source: Audience FOB Recording, DFC Media: TDK SA-X Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: D. Thompson Transfer by: A. Egert Mastering by: B. Koucky
|
notes
|
| 9920. |
06/14/87 |
Flac 16 - 0,
75505 |
Ventura |
Ventura County Fairgrounds flac16; Seamless fix of shn id 11896 - Master Soundboard Cassette > PCM > DAT > CD > WAV > SHN > WAV > FLAC
|
notes
|
| 9921. |
06/14/87 |
Shn - 0,
11896 |
Ventura |
Ventura County Fairgrounds Master Soundboard Cassette > PCM > DAT> CDR; CD Re-Mastering by Scott Clugston; EAC'ed, SHN'ed and Seeded to Etree by Scott Clugston; Also to abgd via Charlie Connor
|
notes
|
| 9922. |
06/14/87 |
Flac 24/48 - 0,
77365 |
Ventura |
Ventura County Fairgrounds flac24; SRC: MAC (2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby B decode) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC
|
notes
|
| 9923. |
06/14/87 |
Flac 24/96 - 0,
135940 |
Ventura |
Ventura County Fairgrounds flac24; lineage:beyers 160 fob> tcd-d5> tcd-d5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 9924. |
06/14/87 |
Flac 24 - 0,
84953 |
Ventura |
Ventura County Fairgrounds flac24; Source: Audience FOB Recording, DFC Media: TDK SA-X Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV Mastering: WaveLab 5.0 iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8) Taped by: D. Thompson Transfer by: A. Egert Mastering by: B. Koucky
|
notes
|
| 9925. |
06/14/87 |
Flac 16 - 0,
77364 |
Ventura |
Ventura County Fairgrounds flac16; SRC: MAC (2 Senn. 421s + 2 Nakamichi 300 shotguns > Yamaha Mixer > Sony D5 (Dolby B)) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby B decode)> Tascam HD-P2 (pass through) > Waveterminal U2A > Inspiron 8000 > WAV > FLAC
|
notes
|
| 9926. |
06/14/87 |
Shn Mtx. - 0,
17347 |
Ventura |
Ventura County Fairgrounds Matrix SBD>CASS>DAT>CD; via Israel Regardie
|
notes
|
| 9927. |
06/14/87 |
Flac 24/96 - ,
151122 |
Ventura |
Ventura County Fairgrounds flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 9928. |
06/14/87 |
Flac 16/48 - ,
151121 |
Ventura |
Ventura County Fairgrounds flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 9929. |
06/19/87 |
Flac 16 - 0,
83765 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9930. |
06/19/87 |
Shn - 0,
11942 |
Berkeley |
Greek Theatre, University Of California Master Soundboard Cassette> DAT> CDR; EAC'ed/SHN'ed & Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor
|
notes
|
| 9931. |
06/19/87 |
Shn - 0,
11560 |
Berkeley |
Greek Theatre, University Of California SBD>Cm>PCM>Dat>CD; Missing Drums/Space; via C. Miller; Seeded to etree by C. Ladner
|
notes
|
| 9932. |
06/19/87 |
Flac 16 - 0,
138259 |
Berkeley |
Greek Theatre, University Of California flac16; Source: Audience recording > Schoeps omnis > pcm > dat (44.1k); Recorded by Robert Bryant (patched out of the Oades) and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; dited and mastered SIRMick May 2017
|
notes
|
| 9933. |
06/19/87 |
Flac 16 - 0,
104894 |
Berkeley |
Greek Theatre, University Of California flac16; Source: (OTS) Nakamichi cm300/cp4->Sony D-5M(Dolby B Encoded)->Maxell MX90; Lineage: MAC->Sony D-5M(Dolby B Decoded)->Korg MR-1000 (1 Bit/5.6 MHz)->Korg AudioGate->(16/44.1) wav.->SF8->flac Taped by Dave Barfield and/or Dave Lane; Transferred and Seeded by M. Watson
|
notes
|
| 9934. |
06/19/87 |
Flac 16/44,1 - 0,
138871 |
Berkeley |
Greek Theatre, University Of California flac16 44.1khz AKG 460 Preis W/CK61 Caps > Uher Cr240. Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Trader's Little Helper. Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon
|
notes
|
| 9935. |
06/19/87 |
Flac 24/96 - 0,
138872 |
Berkeley |
Greek Theatre, University Of California flac24 96 khz AKG 460 Preis W/CK61 Caps > Uher Cr240. Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Trader's Little Helper. Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon
|
notes
|
| 9936. |
06/19/87 |
Flac 24/96 - 0,
135307 |
Berkeley |
Greek Theatre, University Of California flac24; Source: Previously unreleased Cassette original master. Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/Triad Metal-Position MG-X 90 -> JVC TD-W354 -> (analog) Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24; Recorded, tracked and seeded by bltz
|
notes
|
| 9937. |
06/19/87 |
Flac 16 - 0,
81604 |
Berkeley |
Greek Theatre, University Of California flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 9938. |
06/20/87 |
Flac 16 - 0,
93080 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info:SBD -> PCM -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9939. |
06/20/87 |
Flac - 0,
93886 |
Berkeley |
Greek Theatre, University Of California DTS Audio 5.1; DTS-Audio-CD 5.1 Mix of SBD (ShnID = 93080) and AUD (ShnID = 77988). See info file for details.
|
notes
|
| 9940. |
06/20/87 |
Flac 16 - 0,
83766 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9941. |
06/20/87 |
Shn - 0,
11943 |
Berkeley |
Greek Theatre, University Of California Master Soundboard Cassette> DAT> CDR; EAC'ed/SHN'ed & Seeded to Etree by Scott Clugston; also to abgd via Charlie Connor
|
notes
|
| 9942. |
06/20/87 |
Flac 16 - 0,
77988 |
Berkeley |
Greek Theatre, University Of California flac16; Taped by Robert Bryant w/ AKG 414 B/TL mics, cardioid pattern with windscreens, ORTF-> Oade PS-> Sony PCM F1. Transfer: PCM 601-> Sony DTC2000ES DAT-> M-Audio Delta 410-> Soundforge -> Samplitude Professional V8.01 -> waves X Crackle -> ffe l6 Transfered by Rich Gastwirt. edited by Bob Loy.
|
notes
|
| 9943. |
06/20/87 |
Shn - 0,
11561 |
Berkeley |
Greek Theatre, University Of California SBD/Matrix>Cm>PCM>DAT>CD; via cm; Seeded to etree by neo_levo
|
notes
|
| 9944. |
06/20/87 |
Flac 16 - 0,
138260 |
Berkeley |
Greek Theatre, University Of California flac16; Source: AKG 414 B/TL cardioids > ORTF > Oade PS > Sony PCM FI > dat (44.1); Recorded by Robert Bryant and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick May 2017
|
notes
|
| 9945. |
06/20/87 |
Flac 24 - 0,
124397 |
Berkeley |
Greek Theatre, University Of California flac24; Taper: Danny Thompson; Editing: Joe D'Amico; AKG C 460 Mics W/ CK61 Capsules > Uher Cr 240 Tape Deck; Master Tapes > Nak Dragon > Korg MR-1000 > Adobe Audition CS6 > Traders Little Helper; FOB About 9th Row Jerry's Side
|
notes
|
| 9946. |
06/20/87 |
Flac 24/96 - 0,
135308 |
Berkeley |
Greek Theatre, University Of California flac24; Source: Previously unreleased Cassette original master. Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/ (Triad Metal-Position MG-X 90 for Set 1 and Maxell MX 90 for Set 2) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24; Recorded, tracked and seeded by bltz
|
notes
|
| 9947. |
06/20/87 |
Flac 16 - 0,
124398 |
Berkeley |
Greek Theatre, University Of California flac16; Taper: Danny Thompson; Editing: Joe D'Amico; AKG C 460 Mics W/ CK61 Capsules > Uher Cr 240 Tape Deck; Master Tapes > Nak Dragon > Korg MR-1000 > Adobe Audition CS6 > Traders Little Helper; FOB About 9th Row Jerry's Side
|
notes
|
| 9948. |
06/20/87 |
Flac 16 - 0,
81744 |
Berkeley |
Greek Theatre, University Of California flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 9949. |
06/20/87 |
Flac 16 - 0,
146928 |
Berkeley |
Greek Theatre, University Of California flac16; MAC; Sennheiser 441s(left of board) > Sony D5 > Maxell XLII90 + Maxell MX90; Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatec V3> Lynx AES16> .wav @24/88.2> WaveLab 7.2.1> UAD-2> Crystal Resampler/UV22HR> .wav @16/44.1> xAct> flac16
|
notes
|
| 9950. |
06/21/87 |
Flac 16 - 0,
83767 |
Berkeley |
Greek Theatre, University Of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90/Sony D5) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9951. |
06/21/87 |
Shn - 0,
11497 |
Berkeley |
Greek Theatre, University Of California Missing China Doll & Drums; SBD>Cm>PCM>Dat>CD; via C Miller; Seeded to etree by Chris L
|
notes
|
| 9952. |
06/21/87 |
Shn - 0,
17348 |
Berkeley |
Greek Theatre, University Of California SBD Source: SBD>PCM>CASS>DAT>CD; AUD Source: AUD>PCM>DAT>CD; via Sir Peter Pendragon
|
notes
|
| 9953. |
06/21/87 |
Flac 16 - 0,
76379 |
Berkeley |
Greek Theatre, University Of California flac16; AKG 414 B/TL mics, cardioid pattern, with windscreens, ORTF -> Oade PS -> Sony PCM F1. Transfer: PCM 601 -> Sony DTC2000ES DAT -> M-Audio Delta 410 -> Soundforge. Transfered by Rich Gastwirt.(set1 Wavelabs 3 - Isotope Ozone raised level 3db to -.1) -> Tracking w/ Audacity -> FFE L6 sbe's verified w/ shntool. Editing track and flac by Bob Loy
|
notes
|
| 9954. |
06/21/87 |
Flac 16 - 0,
138261 |
Berkeley |
Greek Theatre, University Of California flac16; Source: AKG 414 B/TL cardioids > ORTF > Oade PS > Sony PCM FI > dat (44.1); Taped by Robert Bryant and provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfer by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick May 2017
|
notes
|
| 9955. |
06/21/87 |
Flac 24/96 - 0,
135385 |
Berkeley |
Greek Theatre, University Of California flac24; Source: Previously unreleased Cassette original master. Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/Maxell MX 90 -> JVC TD-W354 (analog) -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24
|
notes
|
| 9956. |
06/21/87 |
Flac 16 - 0,
81798 |
Berkeley |
Greek Theatre, University Of California flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 9957. |
06/21/87 |
Shn - 0,
13567 |
Berkeley |
Greek Theatre, University Of California 1st Set and Encore: Nak CM300 Audience source 2nd Set: Master Soundboard Cassette> ?? > DAT> CDR
|
notes
|
| 9958. |
06/21/87 |
Flac 16/48 - 0,
152598 |
Berkeley |
Greek Theatre, University Of California flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 9959. |
06/21/87 |
Flac 24/96 - 0,
152599 |
Berkeley |
Greek Theatre, University Of California flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D6M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 9960. |
06/26/87 |
Flac 16 - 0,
131214 |
East Troy |
Alpine Valley Music Theatre flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
|
notes
|
| 9961. |
06/26/87 |
Shn - 0,
8138 |
East Troy |
Alpine Valley Music Theatre AUD> Nakamichi 300 microphones> Sony D5 deck> master cassette; Playback/CD Transfer: Master cassette played on Denon DRM740 and fed to Tascam CDRW700; Recorded, transferred by Scott Bille; Eac(secure)> Shn by Greg Kerbel; Seeded through the 80's Audience Perma-Tree, BUDD, Philzone; see flaw notes in info file
|
notes
|
| 9962. |
06/27/87 |
Flac 16 - 0,
117502 |
East Troy |
Alpine Valley Music Theatre flac16; Sennheiser MD421's (X/Y/35 Ft. Away From Left Lawn Stack/6' High)> Sony TC-D5M Tapes:TDK MA Set 1,Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 9963. |
06/27/87 |
Flac 24/48 - 0,
117501 |
East Troy |
Alpine Valley Music Theatre flac24; Sennheiser MD421's (X/Y/35 Ft. Away From Left Lawn Stack/6' High)> Sony TC-D5M Tapes:TDK MA Set 1,Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software
|
notes
|
| 9964. |
06/27/87 |
Flac 16 - 0,
89731 |
East Troy |
Alpine Valley Music Theatre flac16; taper : Joe D'Amico nak 300 mics > sony d-5 front of board nak dragon tape deck > sony sbm1 > creative extigy sooundcard > cool edit pro > flac frontend
|
notes
|
| 9965. |
06/27/87 |
Shn - 0,
8139 |
East Troy |
Alpine Valley Music Theatre AUD> Nakamichi 300 microphones> Sony D5 deck> master cassette; Playback/CD Transfer: Master cassette played on Denon DRM740 and fed to Tascam CDRW700; Recorded, transferred by Scott Bille; Eac(secure)> Shn by Greg Kerbel; Seeded through the 80's Audience Perma-Tree, BUDD, Philzone; see flaw notes in info file
|
notes
|
| 9966. |
06/27/87 |
Flac 16 - 0,
131215 |
East Troy |
Alpine Valley Music Theatre flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
|
notes
|
| 9967. |
06/27/87 |
Flac 24/96 - 0,
148849 |
East Troy |
Alpine Valley Music Theatre flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9968. |
06/27/87 |
Flac 16/48 - 0,
148848 |
East Troy |
Alpine Valley Music Theatre flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9969. |
06/28/87 |
Flac 16 - 0,
117535 |
East Troy |
Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Darby Sennheiser MD421's (X/Y/35 Feet Away From Left Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked Metadata Tagging With Korg Aqua To 16/44 By Keo
|
notes
|
| 9970. |
06/28/87 |
Flac 24/48 - 0,
117534 |
East Troy |
Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Darby Sennheiser MD421's (X/Y/35 Feet Away From Left Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 9971. |
06/28/87 |
Shn - 0,
8140 |
East Troy |
Alpine Valley Music Theatre AUD> Nakamichi 300 microphones> Sony D5 deck> master cassette; Playback/CD Transfer: Master cassette played on Denon DRM740 and fed to Tascam CDRW700; Recorded, transferred by Scott Bille; Eac(secure)> Shn by Greg Kerbel; Seeded through the 80s Audience Perma-Tree, BUDD, Philzone; see flaw notes in info file
|
notes
|
| 9972. |
06/28/87 |
Flac 16 - 0,
89976 |
East Troy |
Alpine Valley Music Theatre flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend
|
notes
|
| 9973. |
06/28/87 |
Flac 16 - 0,
131216 |
East Troy |
Alpine Valley Music Theatre flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
|
notes
|
| 9974. |
06/28/87 |
Flac 16 - 0,
105601 |
East Troy |
Alpine Valley Music Theatre flac16; Front Row Lawn DFC 2 Nakamichi CM100s/CP4>Nakamichi550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B on Maxell MX90 cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
notes
|
| 9975. |
06/30/87 |
Shn - 0,
13442 |
Maple |
Kingswood Music Theater Primary Source: Ultra Matrix MSC>DAT>CDR>EAC>SHN (Seekable) Patch Source: AUD (mic. unk) > DAT > CDR > SHN
|
notes
|
| 9976. |
06/30/87 |
Shn - 0,
34404 |
Maple |
Kingswood Music Theater Seamless fix of shn id 13443 - Ultra Matrix MSC>DAT>CDR>EAC>SHN (Seekable)w/AUD patches
|
notes
|
| 9977. |
06/30/87 |
Shn - 0,
8577 |
Maple |
Kingswood Music Theater AUD (mic. unk) > DAT > CDR > SHN; DAE (EAC)> SHN (MKWACT)> FTP via C. Ladner; with thanks to Paul B. for the seeds
|
notes
|
| 9978. |
06/30/87 |
Flac 16 - 0,
136800 |
Maple |
Kingswood Music Theater flac16; Sbd > ? > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
|
notes
|
| 9979. |
06/30/87 |
Flac 16 - 0,
136770 |
Maple |
Kingswood Music Theater flac16; Set 2 only - Audience > unknown > cassette (John) > Sony TC-R303 > Zoom h4n > Audition CC 2015 > shntool > TLH
|
notes
|
| 9980. |
06/30/87 |
Flac 24 U Mtx - 0,
141750 |
Maple |
Kingswood Music Theater flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9981. |
06/30/87 |
Flac 16 - 0,
141896 |
Maple |
Kingswood Music Theater flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9982. |
06/30/87 |
Flac 24/96 - 0,
148702 |
Maple |
Kingswood Music Theater flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 9983. |
06/30/87 |
Flac 16/48 - 0,
148701 |
Maple |
Kingswood Music Theater flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 9984. |
06/??/87 |
Shn - 0,
97489 |
San Rafael |
Club Front Rehearsal material from soundboard cassette masters > DAT > CD-R > ? > SHN
|
notes
|
| 9985. |
06/??/87 |
Flac 16/48 - 0,
147314 |
San Rafael |
Club Front flac16/48khz source: cassette (soundboard) > DAT > Maxell DM 120 Digital Audio Tape Back Coated (DAT clone 26-11-1996 from Jed) > ***Transfer 15-May-2019 by LTA*** TASCAM DA-30 Digital Audio Tape Recorder (Digital Output Coaxial S/PDIF IEC 958 Type II) > Cable Mountain 24k Gold Plated Single RG59 Shielded Coaxial Phono Cable for SPDIF/Digital Audio > M-Audio MicroTrack II Professional 2-Channel Mobile Digital Recorder (S/PDIF) (WAV 16/48) > Hi-Speed USB Revision 2.0 Shielded 28AWG/2C+28AWG/2C E101344 AVM Style 2725 80° C 30 V Space Shuttle-C > AppleUSBXHCIAR USB 3.1 Bus > iMac18,3 4,2 GHz Intel Core i7 / macOS Mojave 10.14.4 (18E226) > WAV 16/48 > HairerSoft Amadeus Pro 2.4.7 (2023) (balance, tracking) > iZotope RX 7 Audio Editor (64 bit) 7.00.218 > xACT 2.47 (7974) > FLAC16/48
|
notes
|
| 9986. |
07/02/87 |
Shn - 0,
6473 |
Rochester |
Silver Stadium update: Healy Ultramix > cass> DAT > CDR > EAC > addawav> CDWave > mkwACT; EAC> Seeded by Doug Nawrocki
|
notes
|
| 9987. |
07/02/87 |
Flac 16 - 0,
115813 |
Rochester |
Silver Stadium flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 9988. |
07/02/87 |
Flac 24/96 - 0,
115812 |
Rochester |
Silver Stadium flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 9989. |
07/02/87 |
Flac 16 - 0,
35441 |
Rochester |
Silver Stadium flac16; Seamless fix of shn id 22057 - First Set:Healy Ultramix > C > DAT > CDR > *EAC > CDWave > SHN > (WAV > FLAC) Second Set: Beyer M88's>Sony TCD5M>CM (Note: The original .flac file set had replay gain applied; it should not be circulated.) Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 9990. |
07/02/87 |
Flac 24/96 - 0,
134827 |
Rochester |
Silver Stadium flac24; Source: Nakamichi CM-300s With Shotguns -> Sony Walkman Pro/Maxell XL2-S 90 (Original Master -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
|
notes
|
| 9991. |
07/02/87 |
Shn - 0,
22057 |
Rochester |
Silver Stadium Primary Source: Charlie Connor's Cassette Master Secondary Source: Healy Ultramix Previously seeded by Doug Nawrocki; The Secondary Source supplies all of the first set and Patches at 0:04-0:24 and 01:35-01:45 of D3t01 (Space). In my most definitely biased opinion the Aud is a slightly better mix. posted to abgd and tol via Charlie Connor
|
notes
|
| 9992. |
07/02/87 |
Flac 24/96 - 0,
138305 |
Rochester |
Silver Stadium flac24; source: beyers 160 fob>sony d-5>mc> c; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 9993. |
07/02/87 |
Flac 24/96 - 0,
150917 |
Rochester |
Silver Stadium flac24 Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 All Transfers and Mastering By Charlie Miller
|
notes
|
| 9994. |
07/02/87 |
Flac 16/44 - 0,
151601 |
Rochester |
Silver Stadium flac16/44khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 All Transfers and Mastering By Charlie Miller - 150917 24 -> 16 @ 44.1
|
notes
|
| 9995. |
07/04/87 |
Flac 16 - 0,
101650 |
Foxboro |
Sullivan Stadium flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 9996. |
07/04/87 |
Shn - 0,
97513 |
Foxboro |
Sullivan Stadium Soundboard > ? > SHN
|
notes
|
| 9997. |
07/04/87 |
Flac 16 - 0,
106724 |
Foxboro |
Sullivan Stadium flac16; Master: Nakamichi CM300's/CP1's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 9998. |
07/04/87 |
Flac 16 - 0,
87743 |
Foxboro |
Sullivan Stadium flac16; AUD Source: First gen cassettes (MAC > C) from unknown equipment Transfer: TDK SA-90's > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
|
notes
|
| 9999. |
07/04/87 |
Flac 16 - 0,
139594 |
Foxboro |
Sullivan Stadium flac16; Dan McSheffrey recording: (FOB) AKG 460/CK2 > PCM (Sony PCM-F1) > Dat (44.1k); Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel: wav 16/44 > flac 16/44; Checksum & tags created in xACT
|
notes
|
| 10000. |
07/04/87 |
Flac 16/48 - 0,
143052 |
Foxboro |
Sullivan Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 101650) Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139594) Dan McSheffrey recording: (FOB) AKG 460/CK2 > PCM (Sony PCM-F1) > Dat (44.1k); Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel: wav 16/44 > flac 16/44; Checksum & tags created in xACT - surround mixing by Kevin Tobin
|
notes
|
| 10001. |
07/04/87 |
Flac Dts 5.1 - 0,
143049 |
Foxboro |
Sullivan Stadium DTS-Audio-CD 5.1 Mix;; SBD (shnid = 101650) Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139594) Dan McSheffrey recording: (FOB) AKG 460/CK2 > PCM (Sony PCM-F1) > Dat (44.1k); Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel: wav 16/44 > flac 16/44; Checksum & tags created in xACT - dts mixing by Kevin Tobin
|
notes
|
| 10002. |
07/04/87 |
Flac 16 Mtx - 0,
143048 |
Foxboro |
Sullivan Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 101650) Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 139594) Dan McSheffrey recording: (FOB) AKG 460/CK2 > PCM (Sony PCM-F1) > Dat (44.1k); Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel: wav 16/44 > flac 16/44; Checksum & tags created in xACT - matrix mixing by Kevin Tobin
|
notes
|
| 10003. |
07/04/87 |
Shn - 0,
3858 |
Foxboro |
Sullivan Stadium FOB> aud> senn me80> cassette master> cdr; conversion by Mike Lai from Bruce Fried DAT
|
notes
|
| 10004. |
07/04/87 |
Shn - 0,
30370 |
Foxboro |
Sullivan Stadium FOB> aud> senn me80> cassette master> cdr; This apprears to be shn id 3858 with undocumented changes to d3t01 and d3t03 via archive.org
|
notes
|
| 10005. |
07/04/87 |
Flac 24/96 - 0,
136316 |
Foxboro |
Sullivan Stadium flac24; source: neuman kmr 81>sony d-5>mc> c; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; Note: Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
|
notes
|
| 10006. |
07/04/87 |
Flac 24/96 - 0,
145605 |
Foxboro |
Sullivan Stadium flac24; Michael Hessberg's Master Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 10007. |
07/04/87 |
Flac 16/48 - 0,
145604 |
Foxboro |
Sullivan Stadium flac16/48kHz; Michael Hessberg's Master Audience Cassettes; Sennheiser 421 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 10008. |
07/06/87 |
Flac 16 - 0,
84623 |
Pittsburgh |
Civic Arena flac16; Source: 2 Sennheiser 421s > Sony D5 > Sony D5 > TDK; Transfer: Master Cassettes > Nakamichi Dragon > Kind Kables > Lunatec V3 > coax > Audiophile 2496 > WaveLab 5 > WAV @24/96 > TLH > FLAC24; Editing : FLAC24 > Wavelab 5.0 using Ozone and L3 for dither > FLAC16
|
notes
|
| 10009. |
07/06/87 |
Flac 16 U Mtx - 0,
138790 |
Pittsburgh |
Civic Arena flac16; Recording Info: UltraMatrix SBD > PCM Master; Transfer Info: PCM Master (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
notes
|
| 10010. |
07/06/87 |
Flac 24 U Mtx - 0,
142086 |
Pittsburgh |
Civic Arena flac24; Recording Info: UltraMatrix SBD > Beta HiFi Master (TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 10011. |
07/06/87 |
Flac 16 - 0,
142087 |
Pittsburgh |
Civic Arena flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10012. |
07/06/87 |
Flac 16 U Mtx - 0,
142126 |
Pittsburgh |
Civic Arena flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 10013. |
07/06/87 |
Shn - 0,
2583 |
Pittsburgh |
Civic Arena AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred, and posted to abgd by Charlie Connor
|
notes
|
| 10014. |
07/06/87 |
Shn - 0,
3829 |
Pittsburgh |
Civic Arena unknown AUD> ?> CDR> EAC> cdwav> shn; via Tony Gardner with thanks to Willy Keats
|
notes
|
| 10015. |
07/06/87 |
Flac 24/96 - 0,
134826 |
Pittsburgh |
Civic Arena flac24; Source: Nakamichi CM-300s With Shotguns -> Sony Walkman Pro/Maxell XL2-S 90 (Original Master -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
|
notes
|
| 10016. |
07/06/87 |
Flac 24/96 - 0,
148855 |
Pittsburgh |
Civic Arena flac24; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 10017. |
07/06/87 |
Flac 16/48 - 0,
148854 |
Pittsburgh |
Civic Arena flac16/48kHz; Source Info: Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 10018. |
07/07/87 |
Flac 16 - 0,
124756 |
Roanoke |
Roanoke Civic Center flac16; Recording: Schoeps CMC44 (OTS) > Oade Power Supply > Sony PCM-F1 (with Apogee modified A/D filters) by Sean Weber-Small; Transfer: DAT Clone @ 44.1 kHz with pre-emphasis on. Sony PCM-2600 > Turtle Beach Fiji > Soundforge 4.5 > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig
|
notes
|
| 10019. |
07/07/87 |
Flac 16 - 0,
35152 |
Roanoke |
Roanoke Civic Center flac16; Source: Nakamichi 300s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8). Transfer/mastering/encoding/initial torrenting at bt.etree.org via C.Ladner, June 2006.
|
notes
|
| 10020. |
07/07/87 |
Shn - 0,
2584 |
Roanoke |
Roanoke Civic Center AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); taped, transferred and posted to abgd by Charlie Connor
|
notes
|
| 10021. |
07/07/87 |
Flac 16 - 0,
82271 |
Roanoke |
Roanoke Civic Center flac16; Source: unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.
|
notes
|
| 10022. |
07/07/87 |
Shn - 0,
2309 |
Roanoke |
Roanoke Civic Center Schoeps > PCM > DAT > CD > EAC > SHN; [no info file?]; via Steve Wigley, Randy to offers
|
notes
|
| 10023. |
07/07/87 |
Flac 16 - 0,
102909 |
Roanoke |
Roanoke Civic Center flac16; Recorded by Dave Cohen 4th row behind Board, DFC (Sec.LT4, Row D, Seat 2) 2 Nakamichi CM100s/CP4>Sony TCD5M w/ Dolby Maxell MX90 cassettes Master Cassettes were played back with Azimuth adjustment and Dolby decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager
|
notes
|
| 10024. |
07/08/87 |
Flac 16 - 0,
90146 |
Roanoke |
Roanoke Civic Center flac16; Recording Info: SBD -> Cassette Master -> Dat -> FLAC Transfer Info: FLAC -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 10025. |
07/08/87 |
Shn - 0,
1600 |
Roanoke |
Roanoke Civic Center FOB aud.->DAT->WAV->SHN; can fit on 2x80; via DonBean?; note no md5s with shn set- ones shown here were generated by Joe Sary after download
|
notes
|
| 10026. |
07/08/87 |
Flac 16 - 0,
142149 |
Roanoke |
Roanoke Civic Center flac16; Set 2 Source: (FOB) Schoeps cmc mk4 (ortf) > pcm > dat - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited an mastered SIRMick June 2018
|
notes
|
| 10027. |
07/08/87 |
Shn - 0,
2318 |
Roanoke |
Roanoke Civic Center AUD (taper's section)> Beyer Dynamic M88's> D5 (CM)> Nak MR2 (Playback)> Panasonic 3700 (ADC only, no DAT stage)> ZA2> Sound Forge (crossfading over tape flips only)> CDRx1> EAC> SHN; taped by Charlie Connor; A>D conversion by Stephen Agan; via Charlie Connor to abgd
|
notes
|
| 10028. |
07/08/87 |
Flac 16 - 0,
124757 |
Roanoke |
Roanoke Civic Center flac16; Recording: Schoeps CMC44 (OTS) > Oade Power Supply > Sony PCM-F1 (with Apogee modified A/D filters) by Sean Weber-Small; Transfer: DAT Clone @ 44.1 kHz with pre-emphasis on. Sony PCM-2600 > Turtle Beach Fiji > Soundforge 4.5 > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig
|
notes
|
| 10029. |
07/08/87 |
Flac 24/96 - 0,
134871 |
Roanoke |
Roanoke Civic Center flac24; Source: Nakamichi CM-300s/2-Mic CP-4 super-directional shotgun capsule -> Sony Walkman Pro/Maxell XLII-S 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
|
notes
|
| 10030. |
07/08/87 |
Flac 16 - 0,
105726 |
Roanoke |
Roanoke Civic Center flac16; Recorded by Dave Cohen 5th row behind Board, DFC (Sec LT5 Row E Seat 5) 2 Nakamichi CM100s/CP4>Sony TCD5M w/Dolby Maxell MX90s cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transferred by Dave Cohen November 2009.
|
notes
|
| 10031. |
07/08/87 |
Flac 16 - 0,
35339 |
Roanoke |
Roanoke Civic Center flac16; Source: Taper's section at the SBD, Nakamichi 300s > Sony D5 > Maxell MX90 Master Cassettes. Taped by B.Koucky. Transfer: MAC playback on Nakamichi DR-2 > Presonus Firebox (stereo preamp and 24 bit/96 A/D) > firewire/2 GHz PC/WinXP > recorded as 24 bit/96 KHz WAV & pauses/flips were smoothed with crossfades, Wavelab 5 > rendered to 16 bit/44.1 KHz WAV, Waves L3 Multimaximizer > CDWAV 1.9 (tracking) > FLAC (level 8) Transfer/mastering/encoding/initial torrenting at bt.etree.org via C.Ladner
|
notes
|
| 10032. |
07/08/87 |
Shn - 0,
3343 |
Roanoke |
Roanoke Civic Center FOB Schoeps > PCM > DAT @ 44.1 khz; DAT > CD Conversion: Don Becker; Equipment: PCM-M1 > Oade Active Cable > Sek'd Prodif Plus > Samplitude v5.5 > CDWAV
|
notes
|
| 10033. |
07/10/87 |
Flac 16 - 0,
101651 |
Philadelphia |
John F Kennedy Stadium flac16; Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10034. |
07/10/87 |
Shn - 0,
97490 |
Philadelphia |
John F Kennedy Stadium Soundboard > ? > SHN (One track patched from an unknown audience source.) (An alternate file set from this show also circulates possibly representing an EAC version.)
|
notes
|
| 10035. |
07/10/87 |
Flac 16/48LPCM - 0,
135282 |
Philadelphia |
John F Kennedy Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid 87266) AUD: Nakamichi CM-700's > patched from one Sony D5 > Sony TC-D5M > Maxell MX-90's (no Dolby), set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. - mixing by Kevin Tobin
|
notes
|
| 10036. |
07/10/87 |
Flac Dts 5.1 - 0,
134281 |
Philadelphia |
John F Kennedy Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=101651) Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid 87266) AUD: Nakamichi CM-700's > patched from one Sony D5 > Sony TC-D5M > Maxell MX-90's (no Dolby), set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. - dts mixing by Kevin Tobin
|
notes
|
| 10037. |
07/10/87 |
Flac 16 Mtx - 0,
135276 |
Philadelphia |
John F Kennedy Stadium flac16; Matrix 2 Source Mix - SBD (shnid=101651) Recording Info: SBD -> Cassette Master -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid 87266) AUD: Nakamichi CM-700's > patched from one Sony D5 > Sony TC-D5M > Maxell MX-90's (no Dolby), set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. - matrix mixing by Kevin Tobin
|
notes
|
| 10038. |
07/10/87 |
Shn - 0,
93077 |
Philadelphia |
John F Kennedy Stadium Soundboard (except Queen Jane Approximately)
|
notes
|
| 10039. |
07/10/87 |
Shn - 0,
3859 |
Philadelphia |
John F Kennedy Stadium FOB> aud> senn me80> cassette master> cdr; conversion by Mike Lai from Bruce Fried DAT
|
notes
|
| 10040. |
07/10/87 |
Flac 16 - 0,
116336 |
Philadelphia |
John F Kennedy Stadium flac16; Set 1 Only Source: Nakamichi cm300/cp4's > Sony D5; Lineage: Cass/2 > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded: Rob ?; Transferred: Jeff Bowen; Extraction: Brad Foster
|
notes
|
| 10041. |
07/10/87 |
Flac 16 - 0,
102170 |
Philadelphia |
John F Kennedy Stadium flac16; Nak 300 Mics > Sony D-5 Taper: Rob Editing: Joe D'Amico "AKA" Joebeacon This Is From My 1st Gen Tape . My Buddy Rob Taped This Up Front Way In Front Of The Board
|
notes
|
| 10042. |
07/10/87 |
Flac 16 - 0,
87266 |
Philadelphia |
John F Kennedy Stadium flac16; AUD: Nakamichi CM-700's > patched from one Sony D5 > Sony TC-D5M > Maxell MX-90's (no Dolby), set up FOB. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
|
notes
|
| 10043. |
07/10/87 |
Flac 24 UMtx. - 0,
149828 |
Philadelphia |
John F Kennedy Stadium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10044. |
07/10/87 |
Flac 24 - 0,
149827 |
Philadelphia |
John F Kennedy Stadium flac24; Recording Info: SBD (Mono) > Beta HiFi Master (TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10045. |
07/10/87 |
Flac 16 - 0,
149959 |
Philadelphia |
John F Kennedy Stadium flac16; Recording Info: SBD (Mono) > Beta HiFi Master (TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 10046. |
07/10/87 |
Flac 16 U Mtx. - 0,
149955 |
Philadelphia |
John F Kennedy Stadium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 10047. |
07/12/87 |
Flac 16 - 0,
84266 |
East Rutherford |
Giants Stadium flac16; Recording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 10048. |
07/12/87 |
Flac 16 - 0,
84935 |
East Rutherford |
Giants Stadium flac16; Pitch adjusted version of Source A (Entire GD set, last 3 tracks): likely AUD FOB CM> C> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz; A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); Source B (first 3 songs of Dylan set): Unknown AUD Source C (d2t13-d3t08): Unknown SBD Edit: SHNs > WAV > time/pitch stretching in CE Pro (see below) > FLAC by Bill Tetzeli
|
notes
|
| 10049. |
07/12/87 |
Shn - 0,
97491 |
East Rutherford |
Giants Stadium Soundboard > ? > SHN (except AUD PCM>DAT 1st 3 tracks)
|
notes
|
| 10050. |
07/12/87 |
Shn - 0,
3860 |
East Rutherford |
Giants Stadium SBD; via Stephen Agan, Mike Lai; Note- This is an aud recording except (apparently) for a few of the 'w/Dylan' tracks; See the 'user comments' for details
|
notes
|
| 10051. |
07/12/87 |
Flac 16 - 0,
106804 |
East Rutherford |
Giants Stadium flac16; 48k trade dat described as AUD PCM>DAT; Transfer 3/31/10: 48k dat > midiman delta dio 2496 > cooledit > wav > flac; cooledit used to convert to 44k at highest quality, for splitting tracks, patching, and editing
|
notes
|
| 10052. |
07/12/87 |
Flac Dts 5.1 - 0,
137180 |
East Rutherford |
Giants Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=84266) SRecording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid=406819) Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick - DTS mixing by Kevin Tobin
|
notes
|
| 10053. |
07/12/87 |
Flac16 Mtx - 0,
137179 |
East Rutherford |
Giants Stadium flac16; Matrix 2 Source Mix - SBD (shnid=84266) Recording Info: Sets 1 & 2: SBD -> PCM -> Dat -> CD Set 3: (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid=406819) Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick - matrix mixing by Kevin Tobin
|
notes
|
| 10054. |
07/12/87 |
Flac 16 - 0,
137298 |
East Rutherford |
Giants Stadium flac16; Set 3 Audience Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400->Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; Track, FLAC and Pack by Drew Frazer 16 bit 44.1kHz
|
notes
|
| 10055. |
07/12/87 |
Flac 16 - 0,
142137 |
East Rutherford |
Giants Stadium flac16; Source Info: 1st & 2nd Set: (FOB) Schoeps > PCM > PCM; 3rd Set: (FOB) Schoeps > PCM > Dat > CD (shnid 84266); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10056. |
07/12/87 |
Flac 16 - 0,
144301 |
East Rutherford |
Giants Stadium flac16; Set 3 Source info: SBD > Sony CCD-V90 (Patched out of screen feed) > 8mm Master (Maxell P6 120) Transfer: Master 8mm > Sony DCR-TRV230 > Datvideo TBC100 > ATI Wonder HD 600 > USB > HD > VirtualDub (.avi) > TMPGEnc Video Mastering 6 > WaveLab 6.0 > RBrain Pro > Flac 16/44 Taped by Don Pearson, Tapes Provided by Charlie Miller, Transfer and Mastered by Kevin Tobin
|
notes
|
| 10057. |
07/12/87 |
Flac 16 Mtx - 0,
144319 |
East Rutherford |
Giants Stadium flac16; Matrix 2 Source Mix - Set 3 Source Info: SBD (shnid=144301) SBD > Sony CCD-V90 (Patched out of screen feed) > 8mm Master (Maxell P6 120) Transfer: Master 8mm > Sony DCR-TRV230 > Datvideo TBC100 > ATI Wonder HD 600 > USB > HD > VirtualDub (.avi) > TMPGEnc Video Mastering 6 > WaveLab 6.0 > RBrain Pro > Flac 16/44 Taped by Don Pearson, Tapes Provided by Charlie Miller, Transfer and Mastered by Kevin Tobin + AUD (shnid=84266) (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller - matrix mixing by Kevin Tobin
|
notes
|
| 10058. |
07/12/87 |
Flac 16 Dts - 0,
144320 |
East Rutherford |
Giants Stadium DTS-Audio-CD 5.1 Mix; Set 3 Source Info: SBD (shnid=144301) SBD > Sony CCD-V90 (Patched out of screen feed) > 8mm Master (Maxell P6 120) Transfer: Master 8mm > Sony DCR-TRV230 > Datvideo TBC100 > ATI Wonder HD 600 > USB > HD > VirtualDub (.avi) > TMPGEnc Video Mastering 6 > WaveLab 6.0 > RBrain Pro > Flac 16/44 Taped by Don Pearson, Tapes Provided by Charlie Miller, Transfer and Mastered by Kevin Tobin + AUD (shnid=84266) (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller - dts mixing by Kevin Tobin
|
notes
|
| 10059. |
07/12/87 |
Flac 16/48 - 0,
144321 |
East Rutherford |
Giants Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k)Set 3 Source Info: SBD (shnid=144301) SBD > Sony CCD-V90 (Patched out of screen feed) > 8mm Master (Maxell P6 120) Transfer: Master 8mm > Sony DCR-TRV230 > Datvideo TBC100 > ATI Wonder HD 600 > USB > HD > VirtualDub (.avi) > TMPGEnc Video Mastering 6 > WaveLab 6.0 > RBrain Pro > Flac 16/44 Taped by Don Pearson, Tapes Provided by Charlie Miller, Transfer and Mastered by Kevin Tobin + AUD (shnid=84266) (FOB) Schoeps -> PCM -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller - surround mixing by Kevin Tobin
|
notes
|
| 10060. |
07/12/87 |
Shn - 0,
3422 |
East Rutherford |
Giants Stadium AUD FOB CM> C> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz; A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.57 (tracking only)> SHNv3 (MKW ACT); via Charlie Connor, Paino Man to abgd; d2 tracked for 80 min
|
notes
|
| 10061. |
07/12/87 |
Flac 16 - 0,
137381 |
East Rutherford |
Giants Stadium flac16; Set 1 & 2: FOB AKG460 Omni (no other info given); Set 3: Unknown (likely the same source as #106804); DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell
|
notes
|
| 10062. |
07/12/87 |
Flac 16 - 0,
106819 |
East Rutherford |
Giants Stadium Master: Nakamichi CM100's/CP4's>Sony D6>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, recorded FOB Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 10063. |
07/12/87 |
Flac 24/96 - 0,
149438 |
East Rutherford |
Giants Stadium flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 10064. |
07/12/87 |
Flac 16/48 - 0,
149437 |
East Rutherford |
Giants Stadium flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi CR7-A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 10065. |
07/19/87 |
Shn - 0,
97492 |
Eugene |
Autzen Stadium, University Of Oregon Soundboard > ? > SHN
|
notes
|
| 10066. |
07/19/87 |
Shn Mtx - 0,
13023 |
Eugene |
Autzen Stadium, University Of Oregon Source: Matrix DSBD>D>CD-R>EAC (0.93) >SHN (MKWACT 97) via JR Fishman
|
notes
|
| 10067. |
07/19/87 |
Flac - 0,
97651 |
Eugene |
Autzen Stadium, University Of Oregon Primary source: Soundboard Sony multi-track PCM master > mixdown cassette [recorded on Sony TCD5M] > Sony F1 PCM Beta tape > PCM Beta clone > CD [digital transfer with HHB standalone]. with splices from: Secondary source: Unknown lineage (low gen.) audience recording from PCM Beta tape copy Combination REMASTER info: Audience PCM Beta tape > Sony SL-HF900 Beta deck > Sony PCM601ESD interface and Soundboard CD received in trade > Macintosh with DigiDesign AudioMedia III soundcard > Pro Tools [speed match, seamless edits, normalization and tracking] > AIFF > xACT (FLAC level 8 files with sector boundaries verified). md5 file created with checkSUM+. No equalization or noise reduction was used in the remastering process. [Torrented at Dime-A-Dozen]
|
notes
|
| 10068. |
07/19/87 |
Shn - 0,
17352 |
Eugene |
Autzen Stadium, University Of Oregon AUD Source (Discs 1 & 2): AUD>CASS>DAT>CD; SBD Source (Disc 3): SBD>?>CD; via Sir Peter Pendragon
|
notes
|
| 10069. |
07/19/87 |
Flac 16 - 0,
136765 |
Eugene |
Autzen Stadium, University Of Oregon flac16; Healy matrix -> PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; tracking with Audacity-> flac level 8-> tagged with Tag&Rename and checksums with TLH by Norm
|
notes
|
| 10070. |
07/19/87 |
Flac 16 - 0,
137294 |
Eugene |
Autzen Stadium, University Of Oregon flac16; Set 3 Unknown Audience recording; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400->Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; Track, FLAC and Pack by Drew Frazer
|
notes
|
| 10071. |
07/19/87 |
Flac 16/48 - 0,
141646 |
Eugene |
Autzen Stadium, University Of Oregon flac16/48kHz; Set 3 Dsdb>cassette>Dat>clone to me>File cloned in Microtrack>Goldwave tracking and removal of gaps between songs>TLH8
|
notes
|
| 10072. |
07/19/87 |
Flac 24 UMtx. - 0,
149748 |
Eugene |
Autzen Stadium, University Of Oregon flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24
|
notes
|
| 10073. |
07/19/87 |
Flac 16 - 0,
149779 |
Eugene |
Autzen Stadium, University Of Oregon flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 10074. |
07/19/87 |
Flac 24/96 - 0,
152143 |
Eugene |
Autzen Stadium, University Of Oregon Flac 24/96 Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10075. |
07/19/87 |
Flac 16/48 - 0,
152142 |
Eugene |
Autzen Stadium, University Of Oregon Flac 16.48 Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D6 Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10076. |
07/24/87 |
Shn - 0,
97484 |
Oakland |
Oakland-Alameda County Stadium Soundboard > ? > SHN
|
notes
|
| 10077. |
07/24/87 |
Flac 16 - 0,
97493 |
Oakland |
Oakland-Alameda County Stadium flac16; Lineage: Primary Source: Soundboard Sony Multi-track PCM Master > Mixdown Cassette [recorded On Sony TCD5M] > Sony F1 PCM Beta Tape > Beta PCM Clone > CD [digital Transfer To Hhb Standalone] With Splices From: Secondary Source: Dan Healy's Audience Master - Microphones Hung In Front Of The House Sound Booth Above The Crowd > Sony F1 PCM Beta Tape Master > Beta PCM Clone > CD [digital Transfer To HHB Standalone] Combination Remaster Info: CD's > Macintosh with DigiDesign AudioMedia III soundcard > Pro Tools [speed match, seamless edits, normalization and tracking] > AIFF > xACT (FLAC level 8 files with sector boundaries verified). md5 file created with checkSUM+. No equalization or noise reduction was used in the remastering process
|
notes
|
| 10078. |
07/24/87 |
Flac 16 - 0,
92568 |
Oakland |
Oakland-Alameda County Stadium flac16; Hat-Mounted Realistic PZM's with Sony WMD6-C, taped from 60 feet away,dead center, using Maxell MX 90 No nr, by Russ Cansler
|
notes
|
| 10079. |
07/24/87 |
Shn - 0,
17353 |
Oakland |
Oakland-Alameda County Stadium AUD (schoeps CMC 32s)>DAT>CDM; via Sir Peter Pendragon; Includes Dylan/Dead set
|
notes
|
| 10080. |
07/24/87 |
Flac 16 - 0,
138228 |
Oakland |
Oakland-Alameda County Stadium flac16; Source: AKG 460 omni > Sony PCM-F1 > Dat; Recorded Fob; From the collection of Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transferred by Charle Miller; Lineage: wav 16/44.1 > iZotope RX6 Advanced Audio Editor > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick May 2017
|
notes
|
| 10081. |
07/24/87 |
Flac 16 - 0,
141768 |
Oakland |
Oakland-Alameda County Stadium flac16; Set 3 Recorded by Daspyknows and friends; Dead Center FOB; Schoeps CCM4 Sony PCM-F1/SL2000; Transferred by NickyC; Processed using Soundforge 11; TLH to convert to Flac
|
notes
|
| 10082. |
07/26/87 |
Shn - 0,
97495 |
Anaheim |
Anaheim Stadium Soundboard > ? > SHN (except unknown audience source for the last 3 tracks)
|
notes
|
| 10083. |
07/26/87 |
Flac 16 - 0,
98214 |
Anaheim |
Anaheim Stadium flac16; Modified Nak 700's omni w/D5 dbx nr FOB spread 6ft MAC>nakCR-3A>dbx>hd>Audacity>CDWave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler
|
notes
|
| 10084. |
07/26/87 |
Flac 16 - 0,
124098 |
Anaheim |
Anaheim Stadium flac16; Source: 1x Sennheiser MD-421 (mono) > unknown deck > MAC, recorded "off second stack behind Healy". 1st Gen cassettes kindly provided by Seaweed1010. Transfer: XLII-S > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged, Andrew F. March 2013
|
notes
|
| 10085. |
07/26/87 |
Flac 16 - 0,
139993 |
Anaheim |
Anaheim Stadium flac16; Source: (FOB) AKG C460 (omni) > PCM F1 > DAT (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017
|
notes
|
| 10086. |
07/26/87 |
Flac 24 UMtx - 0,
141759 |
Anaheim |
Anaheim Stadium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10087. |
07/26/87 |
Flac 16 - 0,
141897 |
Anaheim |
Anaheim Stadium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10088. |
07/26/87 |
Flac 16 - 0,
138248 |
Anaheim |
Anaheim Stadium flac16; Set 3 Source: soundboard segment from a trade, no lineage is available; audience portion Source: 2 Sennheiser MKH404tu > Sony D6 w/ Dolby C; Transfer: Nakamichi CR3A w/ Dolby B > Audigy 4 pro @ 16-44 > NERO > EAC > WAVE > Adobe Audition (combine tracks and remove small gaps from SBE errors) iZotope RX4 advanced (fix dropouts, remove loud clapping, increase volume, reduced bass in places) > CD Wave > TLH (flac level 8)
|
notes
|
| 10089. |
07/26/87 |
Flac 16/48 - 0,
148618 |
Anaheim |
Anaheim Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141759) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 98214) (Set 1 Only) Modified Nak 700's omni w/D5 dbx nr FOB spread 6ft MAC>nakCR-3A>dbx>hd>Audacity>CDWave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler + AUD2 (shnid = 139993) (Set 2&3 Only) Source: (FOB) AKG C460 (omni) > PCM F1 > DAT (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 - surround mixing by Kevin Tobin
|
notes
|
| 10090. |
07/26/87 |
Flac 16 Dts.5.1 - 0,
148617 |
Anaheim |
Anaheim Stadium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141759) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 98214) (Set 1 Only) Modified Nak 700's omni w/D5 dbx nr FOB spread 6ft MAC>nakCR-3A>dbx>hd>Audacity>CDWave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler + AUD2 (shnid = 139993) (Set 2&3 Only) Source: (FOB) AKG C460 (omni) > PCM F1 > DAT (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 - dts mixing by Kevin Tobin
|
notes
|
| 10091. |
07/26/87 |
Flac 16 Mtx - 0,
148616 |
Anaheim |
Anaheim Stadium flac16; Matrix 3 Source Mix - SBD (shnid = 141759) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 98214) (Set 1 Only) Modified Nak 700's omni w/D5 dbx nr FOB spread 6ft MAC>nakCR-3A>dbx>hd>Audacity>CDWave>TLH; Recorded by Tazuo Yamaguchi and Jamie Poris, Transferred by Russ Cansler + AUD2 (shnid = 139993) (Set 2&3 Only) Source: (FOB) AKG C460 (omni) > PCM F1 > DAT (44k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017 - matrix mixing by Kevin Tobin
|
notes
|
| 10092. |
08/11/87 |
Shn - 0,
14944 |
Morrison |
Red Rocks Amphitheatre SBD -> PCM -> CD -> EAC -> SHN (Grateful Dead Hour Pre-FM Discs) via Charlie Miller
|
notes
|
| 10093. |
08/11/87 |
Flac 16 - 0,
92056 |
Morrison |
Red Rocks Amphitheatre flac16; Recording Info:SBD -> PCM -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller
|
notes
|
| 10094. |
08/11/87 |
Shn - 0,
4951 |
Morrison |
Red Rocks Amphitheatre set 2; SBD> PCM> Dat> Cass> Dat; Conversion: Sony M1> Oade Cable> Zoltrx Pro6> Soundforge(wav)> CDWav(split)> Shn V3 (no EAC); Conversion & Seed: Brian Cole; show stemming from John Craft and Jay Serafin; see info file for notes
|
notes
|
| 10095. |
08/11/87 |
Shn Mtx - 0,
5247 |
Morrison |
Red Rocks Amphitheatre set 1; SBD> PCM> ??> Dat> CD (Healy Matrix); Conversion: Kenwood TrueX> EAC> shn V3 (seekable); via Brian Cole, from Paul B.'s seed' see info file for notes
|
notes
|
| 10096. |
08/11/87 |
Flac 16 - 0,
138972 |
Morrison |
Red Rocks Amphitheatre flac16; Patched/Pitch Corrected Audience (original shnid = 138303) FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT - pitch correction and patches by Kevin Tobin
|
notes
|
| 10097. |
08/11/87 |
Flac16 Mtx - 0,
138973 |
Morrison |
Red Rocks Amphitheatre flac16; Matrix 2 Source Mix - SBD (shnid = 92056) Recording Info:SBD -> PCM -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller + AUD (shnid = 138303) FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT - matrix mixing by Kevin Tobin
|
notes
|
| 10098. |
08/11/87 |
Flac Dts 5.1 - 0,
138974 |
Morrison |
Red Rocks Amphitheatre >DTS-Audio-CD 5.1 Mix; SBD (shnid = 92056) Recording Info:SBD -> PCM -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller + AUD (shnid = 138303) FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT - dts mixing by Kevin Tobin
|
notes
|
| 10099. |
08/11/87 |
Flac 16/48 - 0,
138975 |
Morrison |
Red Rocks Amphitheatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 92056) Recording Info:SBD -> PCM -> Sonic Solutions -> CD; Transfer Info:CD -> Samplitude Professional v10.02 -> FLAC Original Transfer and Mastering by David Gans; Additional Transfer and Mastering By Charlie Miller + AUD (shnid = 138303) FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT - surround mixing by Kevin Tobin
|
notes
|
| 10100. |
08/11/87 |
Flac 16 - 0,
142088 |
Morrison |
Red Rocks Amphitheatre flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10101. |
08/11/87 |
Flac 16 - 0,
81953 |
Morrison |
Red Rocks Amphitheatre flac16; AUD Source: Nakamichi CM-100's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in 15th row, stage left side of the soundboard. Taped by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and FLAC compression) > FLAC
|
notes
|
| 10102. |
08/11/87 |
Flac 16 - 0,
82033 |
Morrison |
Red Rocks Amphitheatre flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Suraci aka nak700
|
notes
|
| 10103. |
08/11/87 |
Flac 16 - 0,
138303 |
Morrison |
Red Rocks Amphitheatre flac16; FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Patch, Pack, re-Track in Audacity; Checksum & tags created in xACT
|
notes
|
| 10104. |
08/12/87 |
Flac 16 - 0,
95684 |
Morrison |
Red Rocks Amphitheatre flac16; Recording Info: SBD -> Cassette Master -> Apogee Ensemble -> Peak -> AIFF (24bit/48k) Transfer Info: AIFF -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10105. |
08/12/87 |
Flac 16 - 0,
81677 |
Morrison |
Red Rocks Amphitheatre flac16; Recording Info: SBD -> Cassette Master -> Cassette (Maxell XLIIS) Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10106. |
08/12/87 |
Flac 16 - 0,
77164 |
Morrison |
Red Rocks Amphitheatre flac16; Schoeps CMC 44 cardiods, ORTF > Sony PCM F1, FOB > DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5 > shntool > FLAC (lvl8)
|
notes
|
| 10107. |
08/12/87 |
Shn - 0,
17354 |
Morrison |
Red Rocks Amphitheatre AUD (Nak CM-100s)>CASS>DAT>CDM; via Sir Peter Pendragon
|
notes
|
| 10108. |
08/12/87 |
Flac 16 - 0,
142089 |
Morrison |
Red Rocks Amphitheatre flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10109. |
08/12/87 |
Flac 16 - 0,
81967 |
Morrison |
Red Rocks Amphitheatre AUD Source: Nakamichi CM-100's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in front row of taper's section. Taped by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and FLAC compression) > FLAC, January 2007.
|
notes
|
| 10110. |
08/12/87 |
Flac 16 - 0,
82054 |
Morrison |
Red Rocks Amphitheatre flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci
|
notes
|
| 10111. |
08/12/87 |
Shn - 0,
14911 |
Morrison |
Red Rocks Amphitheatre Nak CM 100>MC>DAT>CD; via Paul B; Seeded to etree by Willy
|
notes
|
| 10112. |
08/13/87 |
Shn - 0,
7992 |
Morrison |
Red Rocks Amphitheatre sbd > mc > dat X3 > wav > shn NR applied using CEP; via Bob Harrell
|
notes
|
| 10113. |
08/13/87 |
Flac 16 - 0,
142090 |
Morrison |
Red Rocks Amphitheatre flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10114. |
08/13/87 |
Flac 16 - 0,
81988 |
Morrison |
Red Rocks Amphitheatre flac16; AUD Source: Nakamichi CM-100's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in front row of taper's section. Taped by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and FLAC compression) > FLAC
|
notes
|
| 10115. |
08/13/87 |
Flac 16 - 0,
82098 |
Morrison |
Red Rocks Amphitheatre flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 10116. |
08/13/87 |
Shn - 0,
21348 |
Morrison |
Red Rocks Amphitheatre S:?>D>CD via Chris Larson
|
notes
|
| 10117. |
08/15/87 |
Flac 16 - 0,
83904 |
Telluride |
Town Park flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10118. |
08/15/87 |
Shn - 0,
17010 |
Telluride |
Town Park PreFM SBD(Healy Mix)>MC>DAT>CDR>EAC>WAVE LAB>CD WAVE>MKW>SHN (Seekable)
|
notes
|
| 10119. |
08/15/87 |
Flac 16 - 0,
74165 |
Telluride |
Town Park flac16; Patch fix of shn id 17010 - Source: PreFM SBD(Healy Mix)>MC>DAT>CDR
|
notes
|
| 10120. |
08/15/87 |
Flac 2448 - 0,
112718 |
Telluride |
Town Park flac24; Source: Nakamichi CM-300/CP-4 shotguns > Marantz PMD-420 > Maxell XLII-S 90's, taped from the OTS by Jon Pasternak. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2448. Transfer by Andrew F. 04/2011
|
notes
|
| 10121. |
08/15/87 |
Flac 16 - 0,
142153 |
Telluride |
Town Park flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10122. |
08/15/87 |
Flac 16 - 0,
82167 |
Telluride |
Town Park flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Surac
|
notes
|
| 10123. |
08/15/87 |
Shn - 0,
8324 |
Telluride |
Town Park FOB > PCM > DAT > CD; seeded to etree 5/2001 - neo_levo
|
notes
|
| 10124. |
08/16/87 |
Flac 16 - 0,
81679 |
Telluride |
Town Park flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10125. |
08/16/87 |
Shn - 0,
4170 |
Telluride |
Town Park PreFM > Rm > DAT > CDR > EAC > SHN; via C. Ladner; known flaws: d2t6:digipop@7:19, d2t7: song cuts @ 6:56
|
notes
|
| 10126. |
08/16/87 |
Flac 16 - 0,
142154 |
Telluride |
Town Park flac16; Source Info: 1st Set - Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41 mics > Oade M118 > Oade modified Sony PCM-F1; 2nd Set - Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK2 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10127. |
08/16/87 |
Flac 16 - 0,
82200 |
Telluride |
Town Park flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: *Don Beckham and Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 10128. |
08/18/87 |
Flac 16 - 0,
138289 |
Tempe |
Compton Terrace Amphitheatre flac16; FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel Label, Pack & Seed; Checksum & tags created in xACT
|
notes
|
| 10129. |
08/18/87 |
Flac 16 - 0,
138304 |
Tempe |
Compton Terrace Amphitheatre flac16; Rich Gastwirt Recording: FOB Schoeps CMC 44 cardioids, ORTF > Sony PCM F1 > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT
|
notes
|
| 10130. |
08/18/87 |
Flac 24 - 0,
140125 |
Tempe |
Compton Terrace Amphitheatre flac24; Set 1 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10131. |
08/18/87 |
Flac 16 - 0,
140235 |
Tempe |
Compton Terrace Amphitheatre flac16; Set 1 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10132. |
08/18/87 |
Flac 16 - 0,
142155 |
Tempe |
Compton Terrace Amphitheatre flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK2 mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10133. |
08/18/87 |
Shn - 0,
13102 |
Tempe |
Compton Terrace Amphitheatre Schoeps CMC 32s > DAT > CD; via Sephira Yesod; Seeded to etree by PainoMan
|
notes
|
| 10134. |
08/18/87 |
Flac 24/96 - 0,
145600 |
Tempe |
Compton Terrace Amphitheatre flac24; 1st Set: Michael Hessberg's Master Audience Cassette; Nakamichi 300 mics > Sony D5M; 2nd Set: Michael Hessberg's Master In-House FM Cassette > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 10135. |
08/18/87 |
Flac 16/48 - 0,
145599 |
Tempe |
Compton Terrace Amphitheatre flac16/48kHz; 1st Set: Michael Hessberg's Master Audience Cassette; Nakamichi 300 mics > Sony D5M; 2nd Set: Michael Hessberg's Master In-House FM Cassette > Sony D5M; Transfer Info: Master Cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp 2496 > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 10136. |
08/20/87 |
Flac 16 - 0,
106078 |
Park City |
Park West Ski Resort flac16: Set 2 only - Soundboard - Audience Matrix Mix. Taper: Unknown. Recording Gear: Unknown. Extra Processing BY mjallen FLAC -> TLH -> wAVE -> TLH (CHECK,REPAIR SBE) -> FlAC (level 8) Torrented at Dime-A-Dozen ~ 2/12/2010
|
notes
|
| 10137. |
08/20/87 |
Shn - 0,
8373 |
Park City |
Park West Ski Resort unk. mic's > DAT > CDR; Seeded to etree by Chris Ladner
|
notes
|
| 10138. |
08/20/87 |
Flac 16 - 0,
138285 |
Park City |
Park West Ski Resort >b>flac16; FOB Schoeps CMC32s, mics spaced 8' -> Apogee mod Sony PCMF1 -> Sony Betamax; Taper unknown; Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz; Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Joe Noel: Label, Pack & Seed; Checksum & tags created in xACT
|
notes
|
| 10139. |
08/20/87 |
Flac 24 - 0,
140126 |
Park City |
Park West Ski Resort flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10140. |
08/20/87 |
Ultra MtxFlac16 - 0,
140236 |
Park City |
Park West Ski Resort flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10141. |
08/20/87 |
Flac 16 - 0,
142156 |
Park City |
Park West Ski Resort flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10142. |
08/20/87 |
Flac 24/96 - 0,
151082 |
Park City |
Park West Ski Resort flac24/96khz Source Info: Michael Hessberg's In-House FM master cassettes; unknown receiver > Sony D5M Transfer Info: Master cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10143. |
08/20/87 |
Flac 16/48 - 0,
151080 |
Park City |
Park West Ski Resort flac16/48khz Source Info: Michael Hessberg's In-House FM master cassettes; unknown receiver > Sony D5M Transfer Info: Master cassettes (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10144. |
08/22/87 |
Flac 16 - 0,
103628 |
Angels Camp |
Calaveras County Fairgrounds flac16; Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10145. |
08/22/87 |
Shn - 0,
4232 |
Angels Camp |
Calaveras County Fairgrounds updated source: SBD> Master PCM> DAT> CDR> EAC> shn; via Tony Gardner
|
notes
|
| 10146. |
08/22/87 |
Shn - 0,
4795 |
Angels Camp |
Calaveras County Fairgrounds updated source: SBD> Master PCM> DAT> CDR> EAC> first shn by Tony Gardner> misc flaw fixes by Steve Barbella (see info file)> reshn (nonseeking)
|
notes
|
| 10147. |
08/22/87 |
Flac 16 - 0,
142139 |
Angels Camp |
Calaveras County Fairgrounds flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony Betamax/TDK HS); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
notes
|
| 10148. |
08/22/87 |
Flac 24 UMtx. - 0,
142138 |
Angels Camp |
Calaveras County Fairgrounds flac24; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 10149. |
08/22/87 |
Flac 16 - 0,
142146 |
Angels Camp |
Calaveras County Fairgrounds flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 10150. |
08/22/87 |
Flac 16/44,1 - 0,
149781 |
Angels Camp |
Calaveras County Fairgrounds flac16/44.1khz Taper: anon Location: right of center FOB; Gear: unknown stero mic (in hat) > Sony WMD6C (Maxell XLII); Transfer: Nakamichi BX-300 > xx cables > Waveterminal 2496 > Adobe Audition 3.0 in @ 16/48, downsample to 44.1; Tracking: CD Wave; FLAC encoding: TLH.
|
notes
|
| 10151. |
08/22/87 |
Flac 24/96 - 0,
151076 |
Angels Camp |
Calaveras County Fairgrounds flac24/96khz Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10152. |
08/22/87 |
Flac 16/48 - 0,
151075 |
Angels Camp |
Calaveras County Fairgrounds flac16/48khz Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10153. |
08/23/87 |
Shn - 0,
34422 |
Angels Camp |
Calaveras County Fairgrounds SBD>MC>DAT>CDR>EAC>shn - Seamless fix of shn id 4233
|
notes
|
| 10154. |
08/23/87 |
Flac 16 - 0,
103629 |
Angels Camp |
Calaveras County Fairgrounds flac16; Recording Info: SBD -> PCM; Transfer Info: PCM -> Peak -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10155. |
08/23/87 |
Flac 16 - 0,
02277 |
Angels Camp |
Calaveras County Fairgrounds flac16; Analog Audience Source: FOB Master Cassettes (MAC) Medium Stock Brands: MAC = 2 x Maxell UDXLIIs Analog Lineage: 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Danny Thompson Transfer By: Adam Egert Mastering By: Derek McCabe
|
notes
|
| 10156. |
08/23/87 |
Shn - 0,
4233 |
Angels Camp |
Calaveras County Fairgrounds SBD> MC> DAT> CDR> EAC> shn; via Tony Gardner; includes filler from 9/9/87 (see pub comments)
|
notes
|
| 10157. |
08/23/87 |
Flac 24/96 - 0,
92498 |
Angels Camp |
Calaveras County Fairgrounds flac24; 2 x AKG C460 CK61uls => Uher CR240 >> MAC Analog MAC >> Nakamichi DR-1 => Grace Design Lunatec v3 => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Danny Thompson Transfer By: Adam Egert Mastering By: Derek McCabe
|
notes
|
| 10158. |
08/23/87 |
Flac 16/48 - 0,
138758 |
Angels Camp |
Calaveras County Fairgrounds flac16/48kHz; unknown taper: Schoeps > spaced cardioids > pcm > dat (FOB); Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > flac 16/44; Checksum & tags created in xACT; (Admin note: the info file indocates that these files are 44.1kHz; they are actually 48kHz)
|
notes
|
| 10159. |
08/23/87 |
Flac 24 - 0,
142150 |
Angels Camp |
Calaveras County Fairgrounds flac24; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10160. |
08/23/87 |
Flac 16 - 0,
142151 |
Angels Camp |
Calaveras County Fairgrounds flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony Betamax/TDK HS); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10161. |
08/23/87 |
Flac 16 U Mtx - 0,
142157 |
Angels Camp |
Calaveras County Fairgrounds flac16; Recording Info: UltraMatrix SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10162. |
08/23/87 |
Flac 16 - 0,
142332 |
Angels Camp |
Calaveras County Fairgrounds flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC3/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10163. |
08/23/87 |
Flac 16 - 0,
142151 |
Angels Camp |
Calaveras County Fairgrounds flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony Betamax/TDK HS); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10164. |
08/23/87 |
Flac 16/48 - 0,
151156 |
Angels Camp |
Calaveras County Fairgrounds flac16/4khz Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10165. |
08/23/87 |
Flac 24/96 - 0,
151157 |
Angels Camp |
Calaveras County Fairgrounds flac24/96khz Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10166. |
08/23/87 |
Flac 24/96 - 0,
152484 |
Angels Camp |
Calaveras County Fairgrounds flac24/96 Dead Aire 100.1 FM master by Mike French "Moke" Lineage: Mostly Dead Aire 100.1 FM, but with a couple of patches from the sbd in set two to fix fm signal loss issues. Master: Portable FM radio (walkman type) headphone out-> Sony WM-D6C "b" n.r. Recorded live, from inside the concert venue. Lineage to 24/96 high resolution digital: master playback,... Sony TC-D5M "B" n.r. on, with Maxell MX90 master cassette -> *Grace Lunatec V3 +23dB gain analog out-> Sound Devices SD722 @ 24/96 *I needed additional +6dB of clean gain to run unity gain with the 722. then: SD722 digital files via firewire->Mac G4 (tiger 10.4) Processed via Sonic Studios 2.2.4 16/44.1 sbd patch-in samples, up-sampled to 24/96 via SS 2.2.4 Flac by xACT @ 7/8
|
notes
|
| 10167. |
09/07/87 |
Flac 16 - 0,
106061 |
Providence |
Providence Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 10168. |
09/07/87 |
Shn - 0,
8596 |
Providence |
Providence Civic Center Sony ECM220T mics from taper's section; via DNC vine
|
notes
|
| 10169. |
09/07/87 |
Flac 16 - 0,
73861 |
Providence |
Providence Civic Center flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up in taper's section, mics on stand aprx 7-1/2 feet high. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC
|
notes
|
| 10170. |
09/07/87 |
Flac 16 - 0,
89984 |
Providence |
Providence Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 10171. |
09/07/87 |
Flac 16 - 0,
82277 |
Providence |
Providence Civic Center flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 10172. |
09/07/87 |
Flac 16 - 0,
106821 |
Providence |
Providence Civic Center flac16; Recording Info:Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10173. |
09/07/87 |
Flac 16/48 - 0,
151411 |
Providence |
Providence Civic Center flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10174. |
09/07/87 |
Flac 24/96 - 0,
151412 |
Providence |
Providence Civic Center flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10175. |
09/07/87 |
Flac 16/44 - ,
156739 |
Providence |
Providence Civic Center flac1644 Lineage: Nak 300 w/ cp4 Shotguns -> Sony TDC5M ( no dolby )-> TDK-MA 90s -> Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> R8brain (resampled to 16bit 44.1khz ) -> TLH -> analysis,SBE,flac,checksums. taped and transferred by Ted Carpenter
|
notes
|
| 10176. |
09/08/87 |
Flac 16 - 0,
20994 |
Providence |
Providence Civic Center flac16; Recording Info: SBD -> PCM -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering by Charlie Miller
|
notes
|
| 10177. |
09/08/87 |
Shn - 0,
20994 |
Providence |
Providence Civic Center SBD -> PCM -> Dat -> CD -> EAC -> SHN Converted To SHN by Charlie Miller
|
notes
|
| 10178. |
09/08/87 |
Shn - 0,
7468 |
Providence |
Providence Civic Center Unknown Soundboard Slight hiss, otherwise good sound; via Andrew Pitner
|
notes
|
| 10179. |
09/08/87 |
Flac 16 - 0,
106592 |
Providence |
Providence Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 10180. |
09/08/87 |
Flac 16 - 0,
141882 |
Providence |
Providence Civic Center flac16; Recording Info: Ultramatrix PCM > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10181. |
09/08/87 |
Flac 16 - 0,
89995 |
Providence |
Providence Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 10182. |
09/08/87 |
Shn - 0,
8597 |
Providence |
Providence Civic Center Sony ECM220T mics from taper's section; via DNC vine
|
notes
|
| 10183. |
09/08/87 |
Flac 16 - 0,
82309 |
Providence |
Providence Civic Center flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 10184. |
09/08/87 |
Flac 16 - 0,
106822 |
Providence |
Providence Civic Center flac16; Recording Info:Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC/16; Recorded by Rango Keshavan; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10185. |
09/08/87 |
Flac 16 - 0,
102183 |
Providence |
Providence Civic Center flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 10186. |
09/08/87 |
Flac 16 - 0,
74162 |
Providence |
Providence Civic Center flac16; Source: AUD, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up in taper's section, mics on stand aprx 7-1/2 feet high Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression & checksums) > FLAC
|
notes
|
| 10187. |
09/08/87 |
Flac 24/96 - 0,
151414 |
Providence |
Providence Civic Center flac24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10188. |
09/08/87 |
Flac 16/48 - 0,
151413 |
Providence |
Providence Civic Center flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10189. |
09/09/87 |
Flac 16 - 0,
106832 |
Providence |
Providence Civic Center flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10190. |
09/09/87 |
Flac 16 - 0,
106591 |
Providence |
Providence Civic Center flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded by Bob Morris
|
notes
|
| 10191. |
09/09/87 |
Flac 16 - 0,
139781 |
Providence |
Providence Civic Center flac16; Recording Info: UltraMatrix SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Matering by Charlie Miller
|
notes
|
| 10192. |
09/09/87 |
Shn - 0,
8598 |
Providence |
Providence Civic Center Sony ECM220T mics from taper's section; via DNC vine
|
notes
|
| 10193. |
09/09/87 |
Flac 16 - 0,
106827 |
Providence |
Providence Civic Center flac16; Recording Info:Sony ECM-220T -> Cassette Master (Sony TC-D5M/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10194. |
09/09/87 |
Flac 16 - 0,
90033 |
Providence |
Providence Civic Center flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 10195. |
09/09/87 |
Flac 16 - 0,
75532 |
Providence |
Providence Civic Center flac16; AUD, Nakamichi CM-300's with CP-4 shotgun capsules >Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Set up in taper's section, mics on stand aprx 7-1/2 feet higH: Taped and Transferred by Andrew F.
|
notes
|
| 10196. |
09/09/87 |
Shn - 0,
10161 |
Providence |
Providence Civic Center Source: Audience (but see note below) Lineage: Master Cassette> DAT> CD> SHN (unconfirmed but likely); via Stephen Porter, Steve Aserkoff; Seeded to etree by Peter Braverman
|
notes
|
| 10197. |
09/09/87 |
Shn - 0,
6686 |
Providence |
Providence Civic Center Nak 300's > Sony D5 Casette Master > Sound Forge (wav) > Shorten; via valis_under
|
notes
|
| 10198. |
09/09/87 |
Shn - 0,
21014 |
Providence |
Providence Civic Center Recording Info: SBD -> Cassette Master -> Dat Transfer Info #1: Dat (Tascam DA-20mkII) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) Transfer Info #2: CD (Plextor 48/24/48A) -> EAC (v0.9 beta 4)-> Samplitude v7.02 Professional -> SHN All transfers and edits by Charlie Miller
|
notes
|
| 10199. |
09/09/87 |
Flac 16/48 - 0,
151426 |
Providence |
Providence Civic Center flac16/48khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10200. |
09/09/87 |
Flac 24/96 - 0,
151427 |
Providence |
Providence Civic Center flc24/96khz Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10201. |
09/09/87 |
Flac 16/44 - ,
156740 |
Providence |
Providence Civic Center flac1644 Lineage: Nak 300 w/ cp4 Shotguns -> Sony TDC5M ( no dolby )-> TDK-MA 90s -> Nakamichi CR3a -> M-Audio 192-6-> Wavelab Elements 11 -> Wav 24bit 48khz -> CD Wave -> R8brain (resampled to 16bit 44.1khz ) -> TLH -> analysis,SBE,flac,checksums. taped and trasferred by Ted Carpenter
|
notes
|
| 10202. |
09/11/87 |
Flac 16 U Mtx - 0,
14ß925 |
Landover |
Capital Centre flac16; Set 2 Source Info: UltraMatrix Soundboard > unknown cassette generations > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10203. |
09/11/87 |
Flac 16 - 0,
117662 |
Landover |
Capital Centre flac16; Master: Nakamichi CM100's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.13 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 10204. |
09/11/87 |
Flac 16 - 0,
90065 |
Landover |
Capital Centre flac16; taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 10205. |
09/11/87 |
Shn - 0,
8906 |
Landover |
Capital Centre FOB Schoeps> PCM> D> CDR> shn; via Chris Dipietro
|
notes
|
| 10206. |
09/11/87 |
Flac 16 - 0,
82369 |
Landover |
Capital Centre flac16; Source: Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.
|
notes
|
| 10207. |
09/12/87 |
Shn - 0,
31019 |
Landover |
Capital Centre Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner.
|
notes
|
| 10208. |
09/12/87 |
Shn - 0,
24293 |
Landover |
Capital Centre Source: SBD > ? (C1 or C2?) > DAT (44.1 w/pre-emphasis) Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5 > pre-emphasis removed and converted to 44.1kHz* > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig
|
notes
|
| 10209. |
09/12/87 |
Flac 16 - 0,
108280 |
Landover |
Capital Centre flac16; Schoeps > Sony D5 master cassettes Nak Dr-1 > Lynx2 Studio Interface at 32 bit float 88.2 kHz. Edited and Mastered by Jamie Waddell on the **GEMS** Edit Station Weiss-Saracon for SRC and Pow-r3 Dither to 16 bit 44.1 kHz MetaData with Tag and Rename TLH for FLAC Level 8 SBE FREE; Supplied by Vern B, Taped by Scott F.
|
notes
|
| 10210. |
09/12/87 |
Shn - 0,
4702 |
Landover |
Capital Centre CSBD?> DAT?; via chill and unIDed seeder; skipping in Black Muddy
|
notes
|
| 10211. |
09/12/87 |
Flac 16/48 - 0,
138221 |
Landover |
Capital Centre flac16/48kHz; 5.1 LPCM Surround Sound (48k) SBD (shnid = 31018)Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. + AUD (shnid = 8907) FOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro - mixing by Kevin Tobin
|
notes
|
| 10212. |
09/12/87 |
Flac 16 - 0,
138218 |
Landover |
Capital Centre flac16; (original shnid = 31018) Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. - pitch correction and patches by Kevin Tobin
|
notes
|
| 10213. |
09/12/87 |
Flac Dts 5.1 - 0,
138220 |
Landover |
Capital Centre DTS-Audio-CD 5.1 Mix:SBD (shnid = 31018)Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. + AUD (shnid = 8907) FOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro - dts mixing by Kevin Tobin
|
notes
|
| 10214. |
09/12/87 |
Flac16 Mtx - 0,
138219 |
Landover |
Capital Centre flac16; Matrix 2 Source Mix - SBD (shnid = 31018)Healy SBD Ultramix Patch > Sony D5 > MSC(Maxell MX90 Type IV Cassettes); Transfer and encoding by Chris Ladner. + AUD (shnid = 8907) FOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro - matrix mixing by Kevin Tobin
|
notes
|
| 10215. |
09/12/87 |
Shn - 0,
8907 |
Landover |
Capital Centre FOB Schoeps> pcm> dat> cdr> shn; via Chris Dipietro
|
notes
|
| 10216. |
09/12/87 |
Flac 16 - 0,
117967 |
Landover |
Capital Centre flac16; Master: Nakamichi CM100's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.13 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 10217. |
09/12/87 |
Flac 16 - 0,
150673 |
Landover |
Capital Centre flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 10218. |
09/13/87 |
Flac 16 - 0,
138247 |
Landover |
Capital Centre flac16; Source: AKG 414 > PCM > DAT (44.1 khz); Location: Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)> Firewire>Macbook>SoX v14.4.2(remove emphasis)>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 10219. |
09/13/87 |
- 0,
82399 |
Landover |
Capital Centre flac16; Source: Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs
|
notes
|
| 10220. |
09/13/87 |
Flac 16 - 0,
117982 |
Landover |
Capital Centre flac16; Master: Nakamichi CM100's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.13 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 10221. |
09/13/87 |
Shn - 0,
8908 |
Landover |
Capital Centre FOB Schoeps> PCM> D> CDR> mkw> shn; missing encore; via Chris Dipietro
|
notes
|
| 10222. |
09/13/87 |
Flac 16 - 0,
90082 |
Landover |
Capital Centre flac16; taper : Joe D'Amico nak300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative soundcard extigy > cool edit pro > flac frontend
|
notes
|
| 10223. |
09/15/87 |
Flac 16 - 0,
76347 |
New York |
Madison Square Garden flac16; Recording Info: SBD -> Cassette Master (Sony D6/TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude v7.02 Professional -> FLAC (2 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller
|
notes
|
| 10224. |
09/15/87 |
Shn - 0,
21981 |
New York |
Madison Square Garden SBD -> Cassette Master -> Dat (48k) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN - Transfered and Edited By Charlie Miller
|
notes
|
| 10225. |
09/15/87 |
Shn - 0,
20176 |
New York |
Madison Square Garden SBD:CM>DATs>CDRs
|
notes
|
| 10226. |
09/15/87 |
Flac 24/48 - 0,
115933 |
New York |
Madison Square Garden flac24; 24bit/48kHz file set: OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011
|
notes
|
| 10227. |
09/15/87 |
Flac 16 - 0,
90103 |
New York |
Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro> flac frontend
|
notes
|
| 10228. |
09/15/87 |
Flac 16 - 0,
125699 |
New York |
Madison Square Garden Taper: M.Laurentus Taper Tection: Section H, Row 28, Seat 14 AT835B's -SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac
|
notes
|
| 10229. |
09/15/87 |
Shn - 0,
15388 |
New York |
Madison Square Garden AUD (Schoeps CMC 44's)>MC*>DAT>CD via Raoul Duke encoded by Willy
|
notes
|
| 10230. |
09/15/87 |
Flac 16/48 - ,
154305 |
New York |
Madison Square Garden flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10231. |
09/15/87 |
Flac 24/96 - ,
154306 |
New York |
Madison Square Garden flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10232. |
09/16/87 |
Flac 16 - 0,
89065 |
New York |
Madison Square Garden flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10233. |
09/16/87 |
Shn - 0,
22797 |
New York |
Madison Square Garden SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
|
notes
|
| 10234. |
09/16/87 |
Shn - 0,
15409 |
New York |
Madison Square Garden Partial 2nd Set; SBD>MC>DAT>SS>CDR; See info file for details; via Paul B; Seeded to etree by Willy
|
notes
|
| 10235. |
09/16/87 |
Flac 24/48 - 0,
115934 |
New York |
Madison Square Garden flac24; 24bit/48kHz file set: OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011
|
notes
|
| 10236. |
09/16/87 |
Flac 16 - 0,
141891 |
New York |
Madison Square Garden flac16; Source Info: Master (FOB) PCM; AKG 414 mics > Sony PCM-F1 > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10237. |
09/16/87 |
Flac 16 - 0,
105471 |
New York |
Madison Square Garden flac16; Master: Nakamichi CM100's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD taper's section by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 10238. |
09/16/87 |
Flac 16 - 0,
90164 |
New York |
Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend
|
notes
|
| 10239. |
09/16/87 |
Flac 16 - 0,
82365 |
New York |
Madison Square Garden flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 10240. |
09/16/87 |
Shn - 0,
15206 |
New York |
Madison Square Garden AUD (Schoeps CMC 34's)>MC*>DAT>CD EAC/SHN by Willy
|
notes
|
| 10241. |
09/16/87 |
Flac 16 - 0,
125758 |
New York |
Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: Section H, Row 28, Seat 14; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
|
notes
|
| 10242. |
09/16/87 |
Flac 16 - 0,
149869 |
New York |
Madison Square Garden flac16; Nak 700’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche
|
notes
|
| 10243. |
09/16/87 |
Flac 16/48 - ,
154307 |
New York |
Madison Square Garden flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10244. |
09/16/87 |
Flac 24/96 - ,
154308 |
New York |
Madison Square Garden flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10245. |
09/18/87 |
Flac - 0,
96139 |
New York |
Madison Square Garden flac16; matrix of DSBD: shnid=19002 and AUD: shnid=82359 by hansokolow using ProTools
|
notes
|
| 10246. |
09/18/87 |
Shn - 0,
19002 |
New York |
Madison Square Garden MattMan remaster of shnid=10536; SBD PCM> DATx3> WAV> SHN, with alterrnate-source SBD patches (see notes)
|
notes
|
| 10247. |
09/18/87 |
Flac - 0,
126038 |
New York |
Madison Square Garden flac16; 3 Source Matrix from Source 1: SBD (shnid=20025; patched with shnid=21241); Lineage: Vault PCM Master->DAT; Transfer: DAT->ZA2->Soundforge->.wav->mkw->SHN Source 2: AUD (shnid=105797); Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD; Taper's section by Jon Pasternak Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors and Source 3: AUD (shnid=112782); OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Matrix by Roger Eichorn; Upgrade in circulation; the seeder has requested that this version be removed from circulation
|
notes
|
| 10248. |
09/18/87 |
Shn - 0,
21241 |
New York |
Madison Square Garden Soundboard (Healy Ultra Box)->Cassette Master. Cassette Master->HHb CDR-850 (pass-through only)->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano
|
notes
|
| 10249. |
09/18/87 |
Flac - 0,
124840 |
New York |
Madison Square Garden flac16; shnid=20025 (Vault PCM Master->DAT->ZA2->Soundforge->.wav->mkw->SHN) patched with shnid=21241 (Soundboard (Healy Ultra Box)->Cassette Master. Cassette Master->HHb CDR-850 (pass-through only)->ZA2->.wav->mkw->SHN). The following patches were made: (1) The beginning of the second set ('Tuning' and first seconds of 'Shakedown') (2) Most of 'Space.
|
notes
|
| 10250. |
09/18/87 |
Flac e - 0,
126165 |
New York |
Madison Square Garden flac16; Matrix from Source 1: SBD (shnid=20025; patched with shnid=21241) Lineage: Vault PCM Master->DAT Transfer: AT->ZA2->Soundforge->.wav->mkw->SHN, Source 2: AUD (shnid=105797) Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Taper's section by Jon Pasternak CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors and Source 3: AUD (shnid=112782) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged
|
notes
|
| 10251. |
09/18/87 |
Shn - 0,
394 |
New York |
Madison Square Garden SBD; via David Finney; see public comments for filler notes
|
notes
|
| 10252. |
09/18/87 |
Shn - 0,
76470 |
New York |
Madison Square Garden Most likely lineage: SBD>PCM>DAT>CD; Original SHN files provided by dfinney & Joe Internet; Patch material (D2T01 & D2T05) provided by Kiss The Stone
|
notes
|
| 10253. |
09/18/87 |
Shn - 0,
20025 |
New York |
Madison Square Garden Vault PCM Master->DAT. DAT->ZA2->Soundforge->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano.
|
notes
|
| 10254. |
09/18/87 |
Flac 24 - 0,
116004 |
New York |
Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011
|
notes
|
| 10255. |
09/18/87 |
Flac - 0,
134393 |
New York |
Madison Square Garden flac16; Set 1 SBD: ?? > CD > EAC > .wav > Flac; From Lisa Biasi collection. EAC > flac - Kevin Tobin
|
notes
|
| 10256. |
09/18/87 |
Flac Dts - 0,
134456 |
New York |
Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD1 (shnid=134393) Set 1 SBD: ?? > CD > EAC > .wav > Flac; From Lisa Biasi collection. EAC > flac - Kevin Tobin + SBD2 (shnid=76470) Set 2 Most likely lineage: SBD>PCM>DAT>CD; Original SHN files provided by dfinney & Joe Internet; Patch material (D2T01 & D2T05) provided by Kiss The Stone + AUD (shnid=90241) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - dts mixing by Kevin Tobin
|
notes
|
| 10257. |
09/18/87 |
Flac Mtx - 0,
134455 |
New York |
Madison Square Garden flac16; Matrix 3 Source Mix - SBD1 (shnid=134393) Set 1 SBD: ?? > CD > EAC > .wav > Flac; From Lisa Biasi collection. EAC > flac - Kevin Tobin + SBD2 (shnid=76470) Set 2 Most likely lineage: SBD>PCM>DAT>CD; Original SHN files provided by dfinney & Joe Internet; Patch material (D2T01 & D2T05) provided by Kiss The Stone + AUD (shnid=90241) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - matrix mixing by Kevin Tobin
|
notes
|
| 10258. |
09/18/87 |
Flac - 0,
134825 |
New York |
Madison Square Garden flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD1 (shnid=134393) Set 1 SBD: ?? > CD > EAC > .wav > Flac; From Lisa Biasi collection. EAC > flac - Kevin Tobin + SBD2 (shnid=76470) Set 2 Most likely lineage: SBD>PCM>DAT>CD; Original SHN files provided by dfinney & Joe Internet; Patch material (D2T01 & D2T05) provided by Kiss The Stone + AUD (shnid=90241) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - mixing by Kevin Tobin
|
notes
|
| 10259. |
09/18/87 |
Flac - 0,
34707 |
New York |
Madison Square Garden flac16/48; Master Soundboard PCM->Cassette->DAT @ 48kHz x 4. Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC. Conversion by Mark Lynn
|
notes
|
| 10260. |
09/18/87 |
Flac - 0,
137535 |
New York |
Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 24bit > 16bit with r8brain
|
notes
|
| 10261. |
09/18/87 |
Flac 24 - 0,
137533 |
New York |
Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10262. |
09/18/87 |
Flac 16 - 0,
125735 |
New York |
Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: Section H, Row 30, Seat 13; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
|
notes
|
| 10263. |
09/18/87 |
Flac 16 - 0,
105497 |
New York |
Madison Square Garden flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD taper's section by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 10264. |
09/18/87 |
Flac 16 - 0,
90241 |
New York |
Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend
|
notes
|
| 10265. |
09/18/87 |
Flac 16 - 0,
82359 |
New York |
Madison Square Garden flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 10266. |
09/18/87 |
Shn - 0,
10536 |
New York |
Madison Square Garden sbd PCM > Dat x3 > wav > shn; With alternate SBD patches; See info file for details; Seeded to etree by drgseeds via Bob H
|
notes
|
| 10267. |
09/18/87 |
Flac 16/48 - ,
154309 |
New York |
Madison Square Garden flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10268. |
09/18/87 |
Flac 24/96 - ,
154310 |
New York |
Madison Square Garden flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10269. |
09/19/87 |
Flac 16 - 0,
76469 |
New York |
Madison Square Garden flac16; Most likely SBD>PCM>DAT>CD>EAC>FLAC; Original CDs provided by Jay Serafin in 2000
|
notes
|
| 10270. |
09/19/87 |
Flac 16 Mtx - 0,
126294 |
New York |
Madison Square Garden flac16; Matrix from Source 1: SBD (shnid=76469) SBD>CD>EAC>FLAC; Source 2 (Set 1): AUD (shnid=91977) Taper(s): David Barfield and/or David Lane Source: (OTS) Nakamichi cm 300/cp4->Sony D-5M(Dolby B)->Maxell mx90 x 2; Transfer: MAC->Nakamichi MR-1->Korg MR-1000 (1 bit/ 5.6 Mhz)->Audio Gate->16/44 wav->flac; and Source 2 (Set 2): AUD (shnid=116065) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged; Transfer by Andrew F.; Upgrade in circulation; the seeder has requested that this version be removed from circulation
|
notes
|
| 10271. |
09/19/87 |
Flac 16 Mtx - 0,
126346 |
New York |
Madison Square Garden flac16; Another Matrix from Source 1: SBD (shnid=76469) SBD>CD>EAC>FLAC; Source 2 (Set 1): AUD (shnid=91977) Taper(s): David Barfield and or David Lane; Source: (OTS) Nakamichi cm 300/cp4->Sony D-5M(Dolby B)->Maxell mx90 x 2; ransfer: MAC->Nakamichi MR-1->Korg MR-1000 (1 bit/ 5.6 Mhz)->Audio Gate->16/44 wav->flac; and Source 2 (Set 2): AUD (shnid=116065) OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged
|
notes
|
| 10272. |
09/19/87 |
Flac 24/96 - 0,
131809 |
New York |
Madison Square Garden flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Beyer's Unknown Make > Sony TC-D5M; Tapes: Set 1 Maxell XLII 90, Set 2 Maxell XLII-S 90; Tapes Labelled:Master - 2 Beyer, T.D.; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 10273. |
09/19/87 |
Shn - 0,
396 |
New York |
Madison Square Garden SBD; via Bill Frank, Alan McCarthy
|
notes
|
| 10274. |
09/19/87 |
Flac Dts 5.1 - 0,
134126 |
New York |
Madison Square Garden DTS-Audio-CD 5.1; MixSBD (shnid=76469) Most likely SBD>PCM>DAT>CD>EAC>FLAC; Original CDs provided by Jay Serafin in 2000 + AUD (shn id 90485) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
|
notes
|
| 10275. |
09/19/87 |
Flac 16 Mtx - 0,
134125 |
New York |
Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=76469) Most likely SBD>PCM>DAT>CD>EAC>FLAC; Original CDs provided by Jay Serafin in 2000 + AUD (shn id 90485) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
|
notes
|
| 10276. |
09/19/87 |
Flac 16 - 0,
134124 |
New York |
Madison Square Garden flac16; (original shnid = 90485) Master Audience taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin
|
notes
|
| 10277. |
09/19/87 |
Flac 2448 - 0,
116065 |
New York |
Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011
|
notes
|
| 10278. |
09/19/87 |
Flac 24 - 0,
137405 |
New York |
Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10279. |
09/19/87 |
Flac 16 - 0,
137413 |
New York |
Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 137405 24bit > 16bit with r8brain
|
notes
|
| 10280. |
09/19/87 |
Flac 16 - 0,
142211 |
New York |
Madison Square Garden flac16; Set 2 Source Info: Oade's Master Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10281. |
09/19/87 |
Flac 24/96 - 0,
134925 |
New York |
Madison Square Garden flac24; Source: Nakamichi CM-300s/2-Mic CP-4 super-directional shotgun capsule -> Sony Walkman Pro/TDK MA-90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
|
notes
|
| 10282. |
09/19/87 |
Flac 16 - 0,
82419 |
New York |
Madison Square Garden flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 10283. |
09/19/87 |
Flac 16 - 0,
105569 |
New York |
Madison Square Garden flac16; Master: Nakamichi CM300's/CP4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD taper's section by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 10284. |
09/19/87 |
Flac 16 - 0,
90485 |
New York |
Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 10285. |
09/19/87 |
Flac 16 - 0,
125736 |
New York |
Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: Section H, Row 30, Seat 1; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
|
notes
|
| 10286. |
09/19/87 |
Flac 16 - 0,
91977 |
New York |
Madison Square Garden flac16; Taper(s): David Barfield and or David Lane Source: (OTS) Nakamichi cm 300/cp4->Sony D-5M(Dolby B)->Maxell mx90 x 2 Transfer: MAC->Nakamichi MR-1->Korg MR-1000 (1 bit/ 5.6 Mhz)->Audio Gate->16/44 wav->flac Transferred and seeded on 5/23/2008 by: M. Watson
|
notes
|
| 10287. |
09/19/87 |
Flac 16/48 - ,
154311 |
New York |
Madison Square Garden flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10288. |
09/19/87 |
Flac 24/96 - ,
154312 |
New York |
Madison Square Garden flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10289. |
09/20/87 |
Shn - 0,
33820 |
New York |
Madison Square Garden Seamless fix of shn id 16128 - Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN
|
notes
|
| 10290. |
09/20/87 |
Shn - 0,
16128 |
New York |
Madison Square Garden Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN; resliceD
|
notes
|
| 10291. |
09/20/87 |
Flac 24/96 - 0,
121638 |
New York |
Madison Square Garden flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP1's Or CP4's ? > Sony TC-D5M; Tapes:Set 1 Maxell XLII 90, Set 2 Maxell XLII-S 90; Tapes Labelled:Master - 2 Nak 300, Alex; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 10292. |
09/20/87 |
Flac 16 - 0,
131627 |
New York |
Madison Square Garden flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM300/CP1's Or CP4's ? > Sony TC-D5M; Tapes:Set 1 Maxell XLII 90, Set 2 Maxell XLII-S 90; Tapes Labelled:Master - 2 Nak 300, Alex; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 10293. |
09/20/87 |
Flac 16 - 0,
134352 |
New York |
Madison Square Garden flac16; (original shnid = 16128) Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN; resliceD - pitch correction and patches by Kevin Tobin
|
notes
|
| 10294. |
09/20/87 |
Flac 16 Mtx - 0,
134350 |
New York |
Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=16128) Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN; resliceD + AUD (shn id 90492) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro> flac frontend - matrix mixing by Kevin Tobin
|
notes
|
| 10295. |
09/20/87 |
Flac Dts 5.1 - 0,
134351 |
New York |
Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=16128) Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN; resliceD + AUD (shn id 90492) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro> flac frontend - DTS mixing by Kevin Tobin
|
notes
|
| 10296. |
09/20/87 |
Shn - 0,
16091 |
New York |
Madison Square Garden Master PCM>?>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN; Note 'actual' tracking in info file
|
notes
|
| 10297. |
09/20/87 |
Flac 2448 - 0,
116089 |
New York |
Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2011
|
notes
|
| 10298. |
09/20/87 |
Flac 16 - 0,
136704 |
New York |
Madison Square Garden flac16; Master Audience Recorded By Seremetcc And Bean, Transfer By Keo; Unknown Mics And Lead Deck > Marantz PMD-430, Tapes:Maxell XLII-S 90's; Recorded From The OTS; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 10299. |
09/20/87 |
Flac 24/96 - 0,
136703 |
New York |
Madison Square Garden flac24; Master Audience Recorded By Seremetcc And Bean, Transfer By Keo; Unknown Mics And Lead Deck > Marantz PMD-430, Tapes:Maxell XLII-S 90's; Recorded From The OTS; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 10300. |
09/20/87 |
Flac 24 - 0,
137407 |
New York |
Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10301. |
09/20/87 |
Flac 16 - 0,
137419 |
New York |
Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 137407 > 24bits > 16bits with r8brain
|
notes
|
| 10302. |
09/20/87 |
Flac 16 - 0,
142212 |
New York |
Madison Square Garden flac16; Source Info: Oade's Master Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10303. |
09/20/87 |
Flac 16 - 0,
90492 |
New York |
Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard> cool edit pro> flac frontend
|
notes
|
| 10304. |
09/20/87 |
Flac 16 - 0,
104491 |
New York |
Madison Square Garden flac16; Source: Nakamichi cm300/cp4->Sony D-5M(Dolby B Encoded)->TDK MA-X90; Lineage: MAC->Sony D-5M(Dolby B decoded)->Korg MR-1000 (1 Bit/5.6MHz)->Korg AudioGate->Wav. (16/44.1)->SF8->FLAC; Taper: Dave Barfield and/or David Lane; Transferred and Seeded by M. Watson on 12/17/2009
|
notes
|
| 10305. |
09/20/87 |
Flac 16 - 0,
82460 |
New York |
Madison Square Garden flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 10306. |
09/20/87 |
Shn - 0,
15410 |
New York |
Madison Square Garden AUD (Schoeps CMC 34's)>MC*>DAT>CD; via Paul B; Seeded to etree by Willy
|
notes
|
| 10307. |
09/20/87 |
Flac 16 - 0,
125746 |
New York |
Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: Section 57A, Row E, Seat 7; AT835B's -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
|
notes
|
| 10308. |
09/20/87 |
Flac 16/48 - ,
154315 |
New York |
Madison Square Garden flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10309. |
09/20/87 |
Flac 24/96 - ,
154316 |
New York |
Madison Square Garden flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10310. |
09/22/87 |
Shn - 0,
8218 |
Philadelphia |
The Spectrum SBD>C>DAT>CDR>EAC>MKW>SHN (1)- w/ Spencer Davis known flaws: d1t01 - digi noise at 1:48 uploaded 3/09/02 by spoogles
|
notes
|
| 10311. |
09/22/87 |
Shn - 0,
16139 |
Philadelphia |
The Spectrum Cleanup by Chris Frisco of previous seed; SBD>C>DAT>CDR; See info file for details
|
notes
|
| 10312. |
09/22/87 |
Flac 16 - 0,
134676 |
Philadelphia |
The Spectrum flac16; Recording Info: SBD -> Cassette Master -> Cassette (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10313. |
09/22/87 |
Flac 16 - 0,
136999 |
Philadelphia |
The Spectrum flac16; (original shnid = 90540) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend - pitch correction and patches by Kevin Tobin
|
notes
|
| 10314. |
09/22/87 |
Flac Dts 5.1 - 0,
137001 |
Philadelphia |
The Spectrum DTS-Audio-CD 5.1 Mix; SBD (shnid=134676) Recording Info: SBD -> Cassette Master -> Cassette (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; + AUD (shn id 90540) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend - dts mixing by Kevin Tobin
|
notes
|
| 10315. |
09/22/87 |
Flac 16 Mtx - 0,
137000 |
Philadelphia |
The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid=134676) Recording Info: SBD -> Cassette Master -> Cassette (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; + AUD (shn id 90540) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend - matrix mixing by Kevin Tobin
|
notes
|
| 10316. |
09/22/87 |
Flac LPCM 5.1 - 0,
137002 |
Philadelphia |
The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=134676) Recording Info: SBD -> Cassette Master -> Cassette (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16; + AUD (shn id 90540) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend - mixing by Kevin Tobin
|
notes
|
| 10317. |
09/22/87 |
Flac 16 - 0,
140363 |
Philadelphia |
The Spectrum flac16; Recording info: SBD > MC > PCM > DAT; Transfer info: DAT > Sony PCM-R500 > TASCAM DA-3000 > wav 16/44; Transfer by Charlie Miller. Edited & Mastered in Audacity wav 16/44 > flac 16/44 by Joe Noel; Checksum & tags created in xACT; this is a fixed version of Source ID 140349
|
notes
|
| 10318. |
09/22/87 |
Flac 24/44,1 - 0,
140349 |
Philadelphia |
The Spectrum flac24/44.1kHz; Recording info: SBD > MAC > PCM > DAT; Transfer info: DAT > Sony PCM-R500 > TASCAM DA-3000 > wav 16/44; Transfer by Charlie Miller. Edited & Mastered in Audacity wav 16/44 > flac 16/44 by Joe Noel; Checksum & tags created in xACT; fixed version in circulation
|
notes
|
| 10319. |
09/22/87 |
Flac 24/96 - 0,
134854 |
Philadelphia |
The Spectrum flac24; Source: Nakamichi CM-300s/Shotguns -> Sony Walkman Pro/Maxell MX 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
|
notes
|
| 10320. |
09/22/87 |
Flac 16 - 0,
90540 |
Philadelphia |
The Spectrum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend
|
notes
|
| 10321. |
09/22/87 |
Flac 16 - 0,
116949 |
Philadelphia |
The Spectrum flac16; Set 2 Only source: 2 Beyer M160 microphones-11th row/center> Sony TC-D5M - analog master cassette; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 10322. |
09/22/87 |
Flac 16/48 - ,
154369 |
Philadelphia |
The Spectrum flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10323. |
09/22/87 |
Flac 24/96 - ,
154370 |
Philadelphia |
The Spectrum flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10324. |
09/23/87 |
Flac 16 - 0,
30887 |
Philadelphia |
The Spectrum flac16; Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner.
|
notes
|
| 10325. |
09/23/87 |
Flac 16 - 0,
30887 |
Philadelphia |
The Spectrum flac16; Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner.
|
notes
|
| 10326. |
09/23/87 |
Shn - 0,
15207 |
Philadelphia |
The Spectrum SBD>MC>DAT>CD; Terrible static first 1:12 Stranger; See info file for details; EAC/SHN by Willy
|
notes
|
| 10327. |
09/23/87 |
Flac 16 - 0,
137225 |
Philadelphia |
The Spectrum flac16; (original shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin
|
notes
|
| 10328. |
09/23/87 |
Flac 16 - 0,
137226 |
Philadelphia |
The Spectrum flac16; (original shnid = 30887) Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. - pitch correction and patches by Kevin Tobin
|
notes
|
| 10329. |
09/23/87 |
Flac 16/48 - 0,
137231 |
Philadelphia |
The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 30887) Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. + AUD (shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - mixing by Kevin Tobin
|
notes
|
| 10330. |
09/23/87 |
Flac Dts 5.1 - 0,
137230 |
Philadelphia |
The Spectrum DTS-Audio-CD 5.1 Mix; SBD (shnid = 30887) Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. + AUD (shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
|
notes
|
| 10331. |
09/23/87 |
Flac 16 Mtx - 0,
137228 |
Philadelphia |
The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 30887)Source: Healy SBD Matrix Patch > Sony D5 > Maxell MX90 Type IV Cassettes. Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. No noise reduction or selective frequency augmentation/attenuation was performed. Transfer and encoding by Chris Ladner. + AUD (shnid = 90559) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
|
notes
|
| 10332. |
09/23/87 |
Flac 24 - 0,
137412 |
Philadelphia |
The Spectrum flac24; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10333. |
09/23/87 |
Flac 16 - 0,
137420 |
Philadelphia |
The Spectrum flac16; Recording Info: SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; 137412 fixed 24bit > 16bit with r8brain
|
notes
|
| 10334. |
09/23/87 |
Flac 16 - 0,
133606 |
Philadelphia |
The Spectrum Source / Lineage : Taper section nakamichi CM 100 / CP-4s > Marantz PMD 420, Master Cassette > CD, Transfered on a Nakamichi DR-2 > Tascom CDRW 2000 > me >EAC > TLH level 8 > flac 16 > you > enjoy Tape and Transfer By Jon Pasternak
|
notes
|
| 10335. |
09/23/87 |
Flac 16 - 0,
90559 |
Philadelphia |
The Spectrum flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 10336. |
09/23/87 |
Flac 16/48 - ,
154371 |
Philadelphia |
The Spectrum flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10337. |
09/23/87 |
Flac 24/96 - ,
154372 |
Philadelphia |
The Spectrum flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10338. |
09/24/87 |
Flac 16 - 0,
92282 |
Philadelphia |
The Spectrum flac16; Recording Info: Set 1: SBD -> PCM -> Dat -> CD Set 2: SBD -> PCM -> Dat (44.1k) Transfer Info: Set 1: CD -> Samplitude Professional v10.02 -> FLAC Set 2: Dat -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d1t03 of shn id 92282)
|
notes
|
| 10339. |
09/24/87 |
Shn - 0,
21782 |
Philadelphia |
The Spectrum SBD>DAT>Standalone CD Burner (hhB800)> EAC>WAV>ADDAWAV>CDWAV(retracking)>MKWACT>SHN Transcribed on 12/25/03 by JR Fishman fishmanj_98ATyahooDOTcom
|
notes
|
| 10340. |
09/24/87 |
Shn - 0,
398 |
Philadelphia |
The Spectrum Pre FM> HiFi VHS> CDr; via Mike Lai
|
notes
|
| 10341. |
09/24/87 |
Flac 24/44,1 - 0,
140350 |
Philadelphia |
The Spectrum flac24/44.1kHz; Set 2 Robert Bryant (patched out of Oade Bros.) Recording: Schoeps > CMC4 > MK41 > PCM > DAT (FOB); Charlie Miller Transfer: DAT > Sony PCM-R500 > TASCAM DA-3000 > wav 16/44; Edited & Mastered by Joe Noel in Audacity > flac 16/44; Checksum & tags created in xACT; fixed version in circulation
|
notes
|
| 10342. |
09/24/87 |
Flac 16 - 0,
140364 |
Philadelphia |
The Spectrum flac16; Set 2 Robert Bryant (patched out of Oade Bros.) Recording: Schoeps > CMC4 > MK41 > PCM > DAT (FOB); Charlie Miller Transfer: DAT > Sony PCM-R500 > TASCAM DA-3000 > wav 16/44; Edited & Mastered by Joe Noel in Audacity > flac 16/44; Checksum & tags created in xACT; this is a fixed version of Source ID 140350
|
notes
|
| 10343. |
09/24/87 |
Flac 16 - 0,
81857 |
Philadelphia |
The Spectrum flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Marantz 420 cassette deck, with Dolby On. Set up in the taper's section. Taped and transferred thru CDR by Jon Pasternak. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, checksums and FLAC compression) > FLAC
|
notes
|
| 10344. |
09/24/87 |
Flac 16 - 0,
90683 |
Philadelphia |
The Spectrum flac16; taper ; Joe D'Amico nak 300 mics > sony d-5 infront of the soundboard
|
notes
|
| 10345. |
09/24/87 |
Flac 16 - 0,
107876 |
Philadelphia |
The Spectrum flac16; source: 2 Beyer M160 Microphones > Sony TC-D5M - 16th row-center > analog cassette masters - Maxell MX90's. transfer: Sony TC-D5M (original record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files
|
notes
|
| 10346. |
09/24/87 |
Flac 16 - 0,
92282 |
Philadelphia |
The Spectrum flac16; Recording Info:Set 1: SBD -> PCM -> Dat -> CD; Set 2: SBD -> PCM -> Dat (44.1k); Transfer Info:Set 1: CD -> Samplitude Professional v10.02 -> FLAC; Set 2: Dat -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller. (Fixed version now in circulation.)
|
notes
|
| 10347. |
10/02/87 |
Flac 16 - 0,
83905 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 10348. |
10/02/87 |
Flac 16 - 0,
121960 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10349. |
10/02/87 |
Shn - 0,
7367 |
Mountain View |
Shoreline Amphitheatre Jay Ashley (Bertha) remaster of master cassette source (that had been transferred by Keith Bode); SBD> MC> DAT> WAV> CDR> SHN> DAW(Bertha)> CDA/SHN
|
notes
|
| 10350. |
10/02/87 |
Shn - 0,
8827 |
Mountain View |
Shoreline Amphitheatre SBD> CM> DAT> WAV> CD> EAC> SHN (mkwACT); DAT>CD Transfer By David Hollister; see notes in info file; this version circulated by Keith Bode, but is distinct from previous Hollister/Bode seeds of this date
|
notes
|
| 10351. |
10/02/87 |
Flac 16 - 0,
94115 |
Mountain View |
Shoreline Amphitheatre flac16; Hat Mounted realistic pzm's w/D6,100 feet away ,Right of center MAC>D6>HD>Audacity>CDWave>TLH Recorded and transfered by Russ Cansler
|
notes
|
| 10352. |
10/02/87 |
Shn - 0,
6938 |
Mountain View |
Shoreline Amphitheatre SBD> CM> DAT> WAV (Ego Sys U2A, Cool Edit Pro)> SHN (mkwACT), via Keith Bode
|
notes
|
| 10353. |
10/02/87 |
Flac 16 - 0,
142333 |
Mountain View |
Shoreline Amphitheatre flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10354. |
10/02/87 |
Flac 24 - 0,
142470 |
Mountain View |
Shoreline Amphitheatre flac24; Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10355. |
10/02/87 |
Flac 16 - 0,
142580 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10356. |
10/02/87 |
Flac 16/48 - 0,
143555 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 121960) Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142333) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - surround mixing by Kevin Tobin
|
notes
|
| 10357. |
10/02/87 |
Flac Dts 5.1 - 0,
143554 |
Mountain View |
Shoreline Amphitheatre DTS-Audio-CD 5.1 Mix; - SBD (shnid = 121960) Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142333) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - dts mixing by Kevin Tobin
|
notes
|
| 10358. |
10/02/87 |
Flac 16 Mtx - 0,
143553 |
Mountain View |
Shoreline Amphitheatre flac16; Matrix 2 Source Mix - SBD (shnid = 121960) Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142333) Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16 - matrix mixing by Kevin Tobin
|
notes
|
| 10359. |
10/03/87 |
Flac 16 - 0,
83906 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 10360. |
10/03/87 |
Flac 16 - 0,
121961 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller; the original seed for this source had a flaw in d1t08 which has been fixed
|
notes
|
| 10361. |
10/03/87 |
Shn - 0,
8829 |
Mountain View |
Shoreline Amphitheatre SBD> CM> DAT> CD> EAC> SHN (mkwACT); DAT>CD Transfer By David Hollister; see notes in info file; this version circulated by Keith Bode, but is distinct from previous Hollister/Bode seeds of this date; d2 tracked for 80 min
|
notes
|
| 10362. |
10/03/87 |
Flac 16 Mtx - 0,
79380 |
Mountain View |
Shoreline Amphitheatre flac16; Source: Healy Matrix SBD > PCM > DAT (48KHz)> DAT. Transfer: DAT playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracking (CDWAV 1.9) > FLAC (level 8)
|
notes
|
| 10363. |
10/03/87 |
Shn - 0,
399 |
Mountain View |
Shoreline Amphitheatre SBD> MCass> DAT> DAL CardDeluxe> WAV> shn;? transfer by Michael Owen; stemming from Pavman tree; some between-song tunings cut (cass flips?); via Steve B. to etree offer
|
notes
|
| 10364. |
10/03/87 |
Shn - 0,
7368 |
Mountain View |
Shoreline Amphitheatre Jay Ashley remaster of master cassette source; SBD> MC> DAT> WAV> CDR> SHN> DAW(Bertha)> CDA/SHN
|
notes
|
| 10365. |
10/03/87 |
Flac 16 U Mtx - 0,
139804 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: UltraMatrix SBD -> PCM; Transfer: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
notes
|
| 10366. |
10/03/87 |
Flac 16 - 0,
142709 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: UltraMatrix SBD -> Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 10367. |
10/03/87 |
Flac 24 UMtx - 0,
142689 |
Mountain View |
Shoreline Amphitheatre flac24; Recording Info: UltraMatrix SBD -> Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 10368. |
10/03/87 |
Flac 16/48 - 0,
143836 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 121961) Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 116344) Source: (OTS/Lawn/Center) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster - surround mixing by Kevin Tobin
|
notes
|
| 10369. |
10/03/87 |
Flac Dts 5.1 - 0,
143835 |
Mountain View |
Shoreline Amphitheatre DTS-Audio-CD 5.1 Mix; SBD (shnid = 121961) Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 116344) Source: (OTS/Lawn/Center) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster - dts mixing by Kevin Tobin
|
notes
|
| 10370. |
10/03/87 |
Flac 16 Mtx - 0,
143833 |
Mountain View |
Shoreline Amphitheatre flac16; Matrix 2 Source Mix - SBD (shnid = 121961) Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 116344) Source: (OTS/Lawn/Center) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster - matrix mixing by Kevin Tobin
|
notes
|
| 10371. |
10/03/87 |
Flac 16 - 0,
116344 |
Mountain View |
Shoreline Amphitheatre flac16; Source: (OTS/Lawn/Center) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster
|
notes
|
| 10372. |
10/04/87 |
Flac 16 - 0,
83907 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 10373. |
10/04/87 |
Flac 16 - 0,
121962 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (Maxell MX90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10374. |
10/04/87 |
Flac 16 Mtx - 0,
79381 |
Mountain View |
Shoreline Amphitheatre flac16; Source: Healy Matrix SBD > PCM > DAT (48KHz)> DAT. Transfer: DAT playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracking (CDWAV 1.9) > FLAC (level 8
|
notes
|
| 10375. |
10/04/87 |
Shn - 0,
7996 |
Mountain View |
Shoreline Amphitheatre Jay Ashley (Bertha) Remaster of Master Cassette Source; SBD> MC> DAT> CDA> WAV> SHN> DAW (Bertha)> CDA
|
notes
|
| 10376. |
10/04/87 |
Shn - 0,
401 |
Mountain View |
Shoreline Amphitheatre Master> DAT> CDr; via Mike Lai
|
notes
|
| 10377. |
10/04/87 |
Flac 16 - 0,
94185 |
Mountain View |
Shoreline Amphitheatre flac16; 1st gen Sennheiser 441's w/D5 OTS MAC>1st gen>D6>HD>Audacity>CDWave>TLH
|
notes
|
| 10378. |
10/04/87 |
Flac 16 - 0,
142334 |
Mountain View |
Shoreline Amphitheatre flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10379. |
10/04/87 |
Flac 16 - 0,
116359 |
Mountain View |
Shoreline Amphitheatre flac16; Source: (OTS/Lawn/Center) Superscope EC-7's (ortf/cardioids) > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster
|
notes
|
| 10380. |
10/04/87 |
Shn - 0,
8830 |
Mountain View |
Shoreline Amphitheatre SBD> CM> DAT> CD> EAC> SHN (mkwACT); DAT>CD Transfer By David Hollister; see notes in info file; this version circulated by Keith Bode, but is distinct from previous Hollister/Bode seeds of this date
|
notes
|
| 10381. |
11/06/87 |
Flac 16 - 0,
83941 |
Oakland |
Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 10382. |
11/06/87 |
Flac 16 - 0,
122166 |
Oakland |
Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10383. |
11/06/87 |
Shn - 0,
11656 |
Oakland |
Henry J Kaiser Convention Center SBD>Cm>Dat>Samplitude>Cool Edit Pro>CD; Seeded to etree by Charlie Miller
|
notes
|
| 10384. |
11/06/87 |
Flac 16 - 0,
116460 |
Oakland |
Henry J Kaiser Convention Center flac16; First Generation Cassettes From Unknown Mics/Deck>Unknown Original Copy Decks/Info; Tapes From White,Transfer By Keo; Tapes Maxell XLII Gold 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With AudioGate Software To 16/44; SBE's Checked/Fixed With Trader's Little helper
|
notes
|
| 10385. |
11/06/87 |
Flac 24/96 - 0,
116459 |
Oakland |
Henry J Kaiser Convention Center flac24; First Generation Cassettes From Unknown Mics/Deck>Unknown Original Copy Decks/Info; Tapes From White,Transfer By Keo; Tapes Maxell XLII Gold 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 10386. |
11/07/87 |
Flac 16 - 0,
83998 |
Oakland |
Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 10387. |
11/07/87 |
Flac 16 - 0,
122203 |
Oakland |
Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10388. |
11/07/87 |
Shn - 0,
9242 |
Oakland |
Henry J Kaiser Convention Center SBD > PCM > CDR; Transfer: PCM SBD -> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5 (editing- see notes)/CD Architect > CDR by Sean Weber-small; CDR > EAC > SHN by Bill Gardner
|
notes
|
| 10389. |
11/07/87 |
Flac 16 - 0,
27581 |
Oakland |
Henry J Kaiser Convention Center flac16 Remaster of shn id 9242 by uh_clem. See info file for details
|
notes
|
| 10390. |
11/07/87 |
Flac 16 - 0,
116669 |
Oakland |
Henry J Kaiser Convention Center flac16; First Generation Cassettes From Unknown Mics/Deck>Unknown Original Copy Decks/Info; Tapes From White,Transfer By Keo Tapes Maxell XLII Gold 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 10391. |
11/07/87 |
Flac 16 - 0,
138156 |
Oakland |
Henry J Kaiser Convention Center flac16; Sbd > ? > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering by Jamie Waddell in Wavelab 7.2.1; Track, FLAC and Pack by Chris James
|
notes
|
| 10392. |
11/07/87 |
Flac 24/96 - 0,
116665 |
Oakland |
Henry J Kaiser Convention Center flac24; First Generation Cassettes From Unknown Mics/Deck>Unknown Original Copy Decks/Info; Tapes From White,Transfer By Keo; Tapes Maxell XLII Gold 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 10393. |
11/08/87 |
Flac 16 - 0,
85587 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 10394. |
11/08/87 |
Flac 16 - 0,
122167 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info:FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10395. |
11/08/87 |
Shn - 0,
12039 |
Oakland |
Henry J. Kaiser Convention Center FOB, Schoeps CMC44 (110' ORTF) on stand --> Oade Power Supply --> Sony PCM-F1; Transfer: PCM Master, Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC and minor edits by Bill Gardner; ; QC by dankseeds
|
notes
|
| 10396. |
11/13/87 |
Flac 16 - 0,
95410 |
Long Beach |
Long Beach Arena flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Maxell XLIIS) Set 2: SBD -> Cassette Master (TDK MA-R90) Transfer Info: Set 1: Cassette -> Samplitude Professional v10.1 -> FLAC Set 2: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 10397. |
11/13/87 |
Flac 16 - 0,
122189 |
Long Beach |
Long Beach Arena flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Maxell XLIIS); Set 2: SBD -> Cassette Master (TDK MA-R90); Transfer Info: Set 1: Cassette -> Samplitude Professional v10.1 -> FLAC; Set 2: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10398. |
11/13/87 |
Shn - 0,
13568 |
Long Beach |
Long Beach Arena SBD -> Cm -> Cass -> Sony SBM1(Modified) -> VX Pocket -> Samplitude -> Cool Edit Pro -> SHN; Upgrade in circulation
|
notes
|
| 10399. |
11/13/87 |
Flac 24/96 - ,
151112 |
Long Beach |
Long Beach Arena flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 10400. |
11/13/87 |
Flac 16/48 - ,
151111 |
Long Beach |
Long Beach Arena flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 10401. |
11/14/87 |
Flac 16 - 0,
85588 |
Long Beach |
Long Beach Arena flac16; Recording Info: SBD -> Cassette Master -> Cassette Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 10402. |
11/14/87 |
Flac 16 - 0,
122199 |
Long Beach |
Long Beach Arena flac16; Recording Info: SBD -> Cassette Master -> Cassette; Transfer Info: Cassette (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16; Remastering Info: FLAC -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10403. |
11/14/87 |
Shn - 0,
14675 |
Long Beach |
Long Beach Arena Source 1 = SBD -> Cm -> Cass -> Sony SBM1(Modified) -> VX Pocket -> Samplitude -> Cool Edit Pro -> SHN Charlie Miller Seed. Source 2 = FOB Nak?s>cassette master > DAT > CDR > EAC > SHN via Todd Norman Source 3 = SBD>Cm>?>SHN via Todd Norman
|
notes
|
| 10404. |
11/14/87 |
Shn - 0,
15823 |
Long Beach |
Long Beach Arena AUD>MC>DAT>CD; via Paul B; Seeded to etree by Willy
|
notes
|
| 10405. |
11/14/87 |
Flac 16 - 0,
143686 |
Long Beach |
Long Beach Arena flac16; Sennheiser 441>tcd5m>cas (1st Gen Copy Made On Matching Calibrated Dragons mx-90 master,mx-90 copy); Transfer: Transfer: Mx-90 > Nakamichi Dragon > Olympus LS-10 > SoundForge9 > 16bit/44100hz > Goldwave > Cdwav > Flac; Recorded And Edited By Jason Flair
|
notes
|
| 10406. |
11/14/87 |
Shn - 0,
14068 |
Long Beach |
Long Beach Arena Partial, 4 songs; SBD -> Cm -> Cass -> Sony SBM1(Modified) -> VX Pocket -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller (this may circulate as filler on 11/13/87)
|
notes
|
| 10407. |
11/14/87 |
Flac 24/96 - ,
151114 |
Long Beach |
Long Beach Arena flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 10408. |
11/14/87 |
Flac 16/48 - ,
151113 |
Long Beach |
Long Beach Arena flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 10409. |
11/15/87 |
Flac 16 - 0,
95402 |
Long Beach |
Long Beach Arena flac16; Recording Info: SBD -> Sony D6 Cassette Master (TDK MA-R90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10410. |
11/15/87 |
Flac 16 - 0,
27307 |
Long Beach |
Long Beach Arena flac16; edited version of previous fileset, to remove fade in and fade out between Drumz & Space, correct SBEs and DC Offset; fixup by uh_clem
|
notes
|
| 10411. |
11/15/87 |
Shn - 0,
4750 |
Long Beach |
Long Beach Arena SBD > MC > Sonic Solutions > Pre-FM Dat @44.1; Transfer: DA-P1 > Delta Audiophile 2496 > Sound Forge 5 > CDWave > mkwACT, by Doug Nawrocki
|
notes
|
| 10412. |
11/15/87 |
Shn - 0,
17185 |
Long Beach |
Long Beach Arena Digital Ambient recording by M. French 20th row near center (Phil's side) Sennheiser MKE 2002 (HRTF, worn in/on hat) > WM-D6C (dolby C)analog>CD via hardware transfer, CD master (EAC)
|
notes
|
| 10413. |
11/15/87 |
Flac 16 - 0,
24535 |
Long Beach |
Long Beach Arena Sennheiser441>tcd5m>cas(1st Gen Copy Made On Matching Calibrated Dragons metal master,metal copy Transfer: JVC tdw-154>Nomad Creative Jukebox 3@44.1>goldwave>cdwav>flac
|
notes
|
| 10414. |
11/15/87 |
Flac 24/96 - ,
151116 |
Long Beach |
Long Beach Arena flac24/96khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 10415. |
11/15/87 |
Flac 16/48 - ,
151115 |
Long Beach |
Long Beach Arena flac16/48khz Source : Unspecified mics (Nak 100?) > unspecified deck (D6?) > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
This is your collection
|
notes
|
| 10416. |
12/27/87 |
Flac 16 - 0,
85592 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10417. |
12/27/87 |
Shn - 0,
17420 |
Oakland |
Oakland-Alameda County Coliseum Soundboard-> Cassette Master (Gans) played back on NAK CR-7A->Panasonic 3700 DAT. Fostex D5 DAT->ZA2->Soundforge->.wav->mKw->SHN (Joe Samaritano).
|
notes
|
| 10418. |
12/27/87 |
Flac 16 - 0,
97960 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: Audience Recording Lineage: Nakamichi CM-300's with CP-4 shotgun capsules > Sony D-5 cassette recorder > MAC > nakamichi DR-1 > 24/96 Wave > wavelab 5 > uad plugs > r8brain Pro > ozone mbit + > 16/44.1 wave > cd wave > TLH ( lvl 8 ) > Tag And Rename
|
notes
|
| 10419. |
12/27/87 |
Shn - 0,
15082 |
Oakland |
Oakland-Alameda County Coliseum SBD -> Cm -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN via Charlie Miller
|
notes
|
| 10420. |
12/27/87 |
Flac 24/48 - 0,
120466 |
Oakland |
Oakland-Alameda County Coliseum flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 06/2012
|
notes
|
| 10421. |
12/27/87 |
Flac 16 - 0,
141883 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source Info: (FOB) Audience > unknown Schoeps mics > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10422. |
12/27/87 |
Flac 24/96 - 0,
135198 |
Oakland |
Oakland-Alameda County Coliseum b>flac24; Source: Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MA 90 -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24
|
notes
|
| 10423. |
12/28/87 |
Flac 16 - 0,
85593 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10424. |
12/28/87 |
Shn - 0,
16910 |
Oakland |
Oakland-Alameda County Coliseum Ultramatrix (soundboard/audience mix) Master Cassette> DAT> CD> SHN patched with FOB Schoeps; via Raoul Duke, encoded & patched by Peter Braverman
|
notes
|
| 10425. |
12/28/87 |
Shn - 0,
17280 |
Oakland |
Oakland-Alameda County Coliseum Master Cassette Soundboard (Gans)->DAT->ZA2->SoundForge->SHN. *No* audience patch. Low generation lineage guaranteed. See info file for details. SHN'd and seeded to etree by Joe Samaritano
|
notes
|
| 10426. |
12/28/87 |
Flac 24/48 - 0,
120467 |
Oakland |
Oakland-Alameda County Coliseum flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 06/2012
|
notes
|
| 10427. |
12/28/87 |
Flac 24/96 - 0,
135155 |
Oakland |
Oakland-Alameda County Coliseum flac24; Source: Nakamichi CM-300s/Shotguns -> Sony Walkman Pro/TDK MA90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Recorded, tracked and seeded by bltz
|
notes
|
| 10428. |
12/28/87 |
Shn - 0,
16585 |
Oakland |
Oakland-Alameda County Coliseum Schoeps FOB->PCM->DAT->CD->CD->WAV->SHN via "M.D." encoded by Curtis Ewing
|
notes
|
| 10429. |
12/30/87 |
Flac 16 - 0,
85682 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10430. |
12/30/87 |
Shn - 0,
9363 |
Oakland |
Oakland-Alameda County Coliseum SBD>MC>DAT>CDR; via PB; neo_levo/candyman FTP 4/2002
|
notes
|
| 10431. |
12/30/87 |
Shn - 0,
17422 |
Oakland |
Oakland-Alameda County Coliseum Soundboard->Cassette Master (Gans) played back on NAK CR-7A->Panasonic 3700 DAT (sgrmag). Fostex D5 DAT->ZA2->Soundforge->.wav->mKw->SHN (Joe Samaritano).
|
notes
|
| 10432. |
12/30/87 |
Flac 24/48 - 0,
120547 |
Oakland |
Oakland-Alameda County Coliseum flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 06/2012
|
notes
|
| 10433. |
12/30/87 |
Flac 24/96 - 0,
135192 |
Oakland |
Oakland-Alameda County Coliseum flac24; Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MA 90 -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24
|
notes
|
| 10434. |
12/30/87 |
Flac 16 - 0,
84986 |
Oakland |
Oakland-Alameda County Coliseum flac16; Schoeps FOB > PCM > DAT > CD > CD> EAC > WAV > FLAC
|
notes
|
| 10435. |
12/31/87 |
Flac 16 - 0,
85684 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10436. |
12/31/87 |
Shn - 0,
402 |
Oakland |
Oakland-Alameda County Coliseum SBD> FM> REEL (TandbergTD20ASE)> WAV> SHN; recording: MacIntosh 2500 System (JBL 18" Sub-Woffers) with a Yamaha Reference Analog Tuner; Digitized to WAV with modified SBLive; recodring and seed by J. Ashley; No NR or digital alteration;? Mix was heavy on Bass
|
notes
|
| 10437. |
12/31/87 |
Shn - 0,
23040 |
Oakland |
Oakland-Alameda County Coliseum Primary source: bootleg disc of unknown source (pre-FM?) -- Sound: A+ Secondary source: Jay Ashley's FM reel -- SBD>>FM>>REEL(TandbergTD20ASE)>>WAV>>SHN -- Sound A- see http://db.etree.org/shninfo_detail.php?shnid=402 (see txt file for details)Compiled and edited by peet, 1/2004.
|
notes
|
| 10438. |
12/31/87 |
Flac16 Pcm - 0,
140070 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: Broadcast Mix > PCM (clone off Sony F1 Master); Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer UltraMatch Pro > Tascam SS-CDR200 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10439. |
12/31/87 |
Shn - 0,
16436 |
Oakland |
Oakland-Alameda County Coliseum Schoeps FOB> PCM> DAT> CD> CD> WAV> SHN; via Curtis Ewing, with thanks to Michelle Duffy
|
notes
|
| 10440. |
12/31/87 |
Flac 24/48 - 0,
120782 |
Oakland |
Oakland-Alameda County Coliseum flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90's, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 06/2012
|
notes
|
| 10441. |
02/13/88 |
Flac 16 - 0,
85908 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 10442. |
02/13/88 |
Flac 16 - 0,
102929 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -> FLAC/16; This is a re-master of shnid=85908; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10443. |
02/13/88 |
Shn - 0,
24292 |
Oakland |
Henry J. Kaiser Convention Center SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
|
notes
|
| 10444. |
02/13/88 |
Shn - 0,
14952 |
Oakland |
Henry J. Kaiser Convention Center Schoeps CMC3/MK41>Dat>CD; Seeded to etree by Charlie Miller
|
notes
|
| 10445. |
02/13/88 |
Flac 16 - 0,
96634 |
Oakland |
Henry J. Kaiser Convention Center flac16; OTS AUD: Sennheiser MD-441's > patched thru one Sony D5 > Sony WM-D6C > Maxell MX-90's with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Taped and transferred by Andrew F.
|
notes
|
| 10446. |
02/13/88 |
Shn - 0,
15126 |
Oakland |
Henry J. Kaiser Convention Center Schoeps CMC3/MK41>Dat>CDR ; Via Charlie Miller, Re Seeded by T. Wiley ; NOTE: This is a fix copy of Charlie Miller's seed.
|
notes
|
| 10447. |
02/14/88 |
Flac 16 - 0,
103110 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -> FLAC/16; This is a re-master of shnid=85909; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10448. |
02/14/88 |
Shn - 0,
23533 |
Oakland |
Henry J. Kaiser Convention Center Source 1: SBD>Master Cassette>CD>EAC>Samplitude>SHN Source 2: SBD>Dat>ZA2>Sound Forge>SHN (Terrapin, Miracle to End Of Show) Patches: Schoeps CMC3/MK41>Dat>Sound Forge>CD>EAC>SHN (Start Of China Cat)
|
notes
|
| 10449. |
02/14/88 |
Flac 16 - 0,
85909 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10450. |
02/14/88 |
Shn - 0,
24995 |
Oakland |
Henry J. Kaiser Convention Center SBD > MC > DAT > CD > EAC > SHN; except for Mighty Quinn, this is from the DSBD source; No cut at beginning of China Cat; EAC/SHN by Darryl Hinko
|
notes
|
| 10451. |
02/14/88 |
Shn - 0,
22312 |
Oakland |
Henry J. Kaiser Convention Center Source 1 (Seeded by Charlie Miller): Schoeps CMC3/MK41>Dat>CD>Cool Edit Pro>SHN. Source 2 (Seeded by Joe Samaritano): Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN.
|
notes
|
| 10452. |
02/14/88 |
Shn - 0,
14953 |
Oakland |
Henry J. Kaiser Convention Center Schoeps CMC3/MK41>Dat>CD; Seeded to etree by Charlie Miller
|
notes
|
| 10453. |
02/14/88 |
Flac 16 - 0,
96635 |
Oakland |
Henry J. Kaiser Convention Center flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony WM-D6C > Maxell MX-90's with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Taped and transferred by Andrew F.
|
notes
|
| 10454. |
02/14/88 |
Shn - 0,
15202 |
Oakland |
Henry J. Kaiser Convention Center Schoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of Charlie Miller's seed.
|
notes
|
| 10455. |
02/14/88 |
Flac 16/44 - ,
155850 |
Oakland |
Henry J. Kaiser Convention Center flac1644 Source Info: FOB Schoeps CMC 3 MK4-> PCM-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/44.1)
|
notes
|
| 10456. |
02/14/88 |
Flac 24/96 - ,
156169 |
Oakland |
Henry J. Kaiser Convention Center Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK SA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 10457. |
02/14/88 |
- ,
156445 |
Oakland |
Henry J. Kaiser Convention Center flac1644 Recording Info: SBD > Cassette Master (Sony TC-D5M/TDK SA-C90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156169 2496 > 1644.1
|
notes
|
| 10458. |
02/16/88 |
Flac 16 - 0,
103111 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Adobe Audition v1.5 -. FLAC/16; This is a re-master of shnid=88400; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10459. |
02/16/88 |
Flac - 0,
88400 |
Oakland |
Henry J. Kaiser Convention Center flac16; SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10460. |
02/16/88 |
Flac 16 - 0,
96936 |
Oakland |
Henry J. Kaiser Convention Center flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony WM-D6C > Maxell MX-90's with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Taped and transferred by Andrew F.
|
notes
|
| 10461. |
02/16/88 |
Shn - 0,
14954 |
Oakland |
Henry J. Kaiser Convention Center Schoeps CMC3/MK41>Dat>CD; Seeded to etree by Charlie Miller
|
notes
|
| 10462. |
02/16/88 |
Shn - 0,
15477 |
Oakland |
Henry J. Kaiser Convention Center Schoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of Charlie Miller's seed.
|
notes
|
| 10463. |
02/16/88 |
Shn - 0,
|
Oakland |
Henry J. Kaiser Convention Center SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
|
notes
|
| 10464. |
02/17/88 |
Flac 16 - 0,
88399 |
Oakland |
Henry J. Kaiser Convention Center flac16; SBD -> Cassette Master (Sony D5/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10465. |
02/17/88 |
Shn - 0,
18297 |
Oakland |
Henry J. Kaiser Convention Center SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko
|
notes
|
| 10466. |
02/17/88 |
Shn - 0,
24764 |
Oakland |
Henry J. Kaiser Convention Center SBD > MC > DAT > CD >EAC > SHN; EAC/SHN by Darryl Hinko
|
notes
|
| 10467. |
02/17/88 |
Shn - 0,
14955 |
Oakland |
Henry J. Kaiser Convention Center Schoeps CMC3/MK41>Dat>CD; Seeded to etree by Charlie Miller
|
notes
|
| 10468. |
02/17/88 |
Flac 16 - 0,
96637 |
Oakland |
Henry J. Kaiser Convention Center flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony WM-D6C > Maxell MX-90's with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644.
|
notes
|
| 10469. |
02/17/88 |
Shn - 0,
16113 |
Oakland |
Henry J. Kaiser Convention Center Schoeps CMC3/MK41>DAT>CDR ; Via Charlie Miller ; Re Seeded by T. Wiley ; Please Note this is a fixed copy of Charlie Miller's seed.
|
notes
|
| 10470. |
03/12/88 |
Flac 16 - 0,
138189 |
San Francisco |
Civic Auditorium flac16; Source: KFOG-FM > Cassette (compilation tape of GD-related highlights, marked 3rd Gen) kindly provided from the collection of DL; Transfer: TDK SA-90 > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 04/2017
|
notes
|
| 10471. |
03/12/88 |
Flac 16/44 - ,
156441 |
San Francisco |
Civic Auditorium flac1644 Recording Info: SBD > DAT > PCM Transfer Info: PCM (Sony SL-HF860D) > Sony PCM-601ESD > Behringer Ultramatch Pro (16-bit/44.1k) > Tascam SS-CDR200 > Samplitude Pro X6 Suite > FLAC/16
|
notes
|
| 10472. |
03/16/88 |
Flac 16 Mtx - 0,
113434 |
Oakland |
Henry J. Kaiser Convention Center flac16: Matrix by Jubal H. Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 10473. |
03/16/88 |
Shn - 0,
8864 |
Oakland |
Henry J. Kaiser Convention Center SB>DAT>CDR>EAC>CDR; via Peter Gallagher; Seeded to etree by Willy
|
notes
|
| 10474. |
03/16/88 |
Flac 16 - 0,
92985 |
Oakland |
Henry J. Kaiser Convention Center flac16; Hat-Mounted Realistic pzm's with Sony WMD6-C TDK MA-X90 No nr 5 feet away, dead center Master>D6>HD>Audacity>CDWave>TLH>torrent
|
notes
|
| 10475. |
03/16/88 |
Flac 16 - 0,
136272 |
Oakland |
Henry J. Kaiser Convention Center flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016
|
notes
|
| 10476. |
03/16/88 |
Flac 16 - 0,
141645 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source Info: Master (FOB) Audience PCM; Schoeps CMC4/MK4 (ORTF) > Oade P/S > Sony PCM-F1 > PCM Clone (Sony SL-2000); Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10477. |
03/16/88 |
Flac 24/96 Mtx - 0,
141899 |
Oakland |
Henry J. Kaiser Convention Center flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller
|
notes
|
| 10478. |
03/16/88 |
Flac 16 - 0,
141950 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller
|
notes
|
| 10479. |
03/16/88 |
Flac 16 - 0,
102670 |
Oakland |
Henry J. Kaiser Convention Center flac 16 Source: Nak 700>dbx II>D5 40 ft dfc MAC>NakCR-3A>HD>Audacity>CDwave>TLH
|
notes
|
| 10480. |
03/17/88 |
Flac 16 - 0,
91156 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 10481. |
03/17/88 |
Shn - 0,
13602 |
Oakland |
Henry J. Kaiser Convention Center Master (SBD) DAT>DATS>CDR>EAC>SHN; Seeded to etree by robertwstephens
|
notes
|
| 10482. |
03/17/88 |
Flac 16 - 0,
136123 |
Oakland |
Henry J. Kaiser Convention Center flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016
|
notes
|
| 10483. |
03/17/88 |
Flac 16 - 0,
137354 |
Oakland |
Henry J. Kaiser Convention Center flac16; Soundboard Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11, Editing and Mastering by Jamie Waddell in Wavelab 7.1, Track, FLAC and Pack by Norm
|
notes
|
| 10484. |
03/17/88 |
Flac 16 U Mtx - 0,
141884 |
Oakland |
Henry J. Kaiser Convention Center flac16; Source Info: Master UltraMatrix PCM > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10485. |
03/17/88 |
Flac 24 UMtx - 0,
141919 |
Oakland |
Henry J. Kaiser Convention Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10486. |
03/17/88 |
Flac 16 U Mtx - 0,
141952 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10487. |
03/17/88 |
Shn - 0,
21297 |
Oakland |
Henry J. Kaiser Convention Center Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano
|
notes
|
| 10488. |
03/18/88 |
Flac 16 - 0,
91157 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 10489. |
03/18/88 |
Shn - 0,
7989 |
Oakland |
Henry J. Kaiser Convention Center SBD>DAT>CD; via Kevin Gills; Seeded to etree by Willy
|
notes
|
| 10490. |
03/18/88 |
Shn - 0,
21298 |
Oakland |
Henry J. Kaiser Convention Center Soundboard->DAT Master->DAT. DAT->ZA2->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano
|
notes
|
| 10491. |
03/18/88 |
Flac 16 - 0,
136106 |
Oakland |
Henry J. Kaiser Convention Center flac16; AUD: Unknown mics & lead deck > Sony TC-D5M > Maxell MX-Metal 90's. Recording by Jon Bernstein. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 06/2016
|
notes
|
| 10492. |
03/18/88 |
Flac 24 UMtx - 0,
141920 |
Oakland |
Henry J. Kaiser Convention Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10493. |
03/18/88 |
Flac 16 U Mtx - 0,
141953 |
Oakland |
Henry J. Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10494. |
03/24/88 |
Flac 16 - 0,
91232 |
Atlanta |
The Omni flac16; Set 1 Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD -> Samplitude -> FLAC; Set 2 Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10495. |
03/24/88 |
Shn - 0,
15127 |
Atlanta |
The Omni SBD>MC>DAT>CDR (Healy Matrix) Eac(secure with proper offsets) >cool edit pro > shntool >cdwav> shn by Ernie Dodd & Willy
|
notes
|
| 10496. |
03/24/88 |
Flac 24 UMtx. - 0,
140261 |
Atlanta |
The Omni flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10497. |
03/24/88 |
Flac 16 - 0,
140259 |
Atlanta |
The Omni flac16; AUD: Sennheiser ME-80's > Keith L's lead deck > Sony TC-D5M > Maxell XLII-S 90's, OTS recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017
|
notes
|
| 10498. |
03/24/88 |
Flac 16 - 0,
140327 |
Atlanta |
The Omni flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10499. |
03/24/88 |
Shn - 0,
9540 |
Atlanta |
The Omni AUD> ?? > Cass x2 > WAV > SHN; via Grant Wood
|
notes
|
| 10500. |
03/24/88 |
Flac 24/96 - 0,
148853 |
Atlanta |
The Omni flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 10501. |
03/24/88 |
Flac 16/48 - 0,
148852 |
Atlanta |
The Omni b>flac16/48; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 10502. |
03/26/88 |
Shn - 0,
7164 |
Hampton |
Hampton Coliseum Matrix Analog Cass Master-> DAT-> CDR, via Peter Braverman
|
notes
|
| 10503. |
03/26/88 |
Flac 16 - 0,
91158 |
Hampton |
Hampton Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10504. |
03/26/88 |
Flac 16 Mtx - 0,
95488 |
Hampton |
Hampton Coliseum flac16; Matrix 4 Source Mix - SBD1:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller (shnid 91158) SBD2:Matrix Analog Cass Master-> DAT-> CDR, via Peter Braverman (shnid=7164) AUD1: Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Recorded and transferred by Dean Grabski (shnid 33950) AUD2: 1st or 2nd generation VHS supplied by Dan Sisler (no shnid) - matrix mixing by Kevin Tobin
|
notes
|
| 10505. |
03/26/88 |
Flac Dts 5.1 - 0,
95931 |
Hampton |
Hampton Coliseum DTS-Audio-CD 5.1 Mix; SBD1: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 (shnid 91158) SBD2: Matrix Analog Cass Master-> DAT-> CDR, (shnid=7164) AUD1: Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Recorded and transferred by Dean Grabski (shnid 33950) AUD2: 1st or 2nd generation VHS supplied by Dan Sisler (no shnid) - dts mixing by Kevin Tobin
|
notes
|
| 10506. |
03/26/88 |
Flac 16 - 0,
113740 |
Hampton |
Hampton Coliseum flac16; SBD Analog Cass Master-> DAT-> CDR -> ? -> FLAC
|
notes
|
| 10507. |
03/26/88 |
Flac 24 U Mtx - 0,
141142 |
Hampton |
Hampton Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10508. |
03/26/88 |
Flac 16 U Mtx - 0,
141311 |
Hampton |
Hampton Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10509. |
03/26/88 |
Flac 16 - 0,
142502 |
Hampton |
Hampton Coliseum flac16; Sean Weber-Small and Baird Garret FOB Recording: Schoeps CMC3 omni #3 > spaced/aimed > PCM(2); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44
|
notes
|
| 10510. |
03/26/88 |
Flac 16 - 0,
119007 |
Hampton |
Hampton Coliseum flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 10511. |
03/26/88 |
Flac 16 - 0,
33950 |
Hampton |
Hampton Coliseum flac16; Source: Sennheiser ME-80's (taper section) > Sony TCD5M > Sony D-6 TDK MAX Master Cassette Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 Recorded and transferred by Dean Grabski
|
notes
|
| 10512. |
03/26/88 |
Flac 16 - 0,
107820 |
Hampton |
Hampton Coliseum flac16; Master: OTS Nakamichi CM100/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors
|
notes
|
| 10513. |
03/26/88 |
Flac 16 - 0,
134379 |
Hampton |
Hampton Coliseum flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY-PAS)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn
|
notes
|
| 10514. |
03/26/88 |
Flac 16 - 0,
106049 |
Hampton |
Hampton Coliseum flac16; Recorded by Dave Cohen 2 Nakamichi CM100/CP4s 1 Nakamichi CM300/CP1 Nakamichi 550 w/Dolby B in OTS.Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
notes
|
| 10515. |
03/26/88 |
Flac 16 - 0,
106000 |
Hampton |
Hampton Coliseum flac16; Set 2 only Recorded by Dave Cohen 2 Nakamichi CM100/CP4s 1 Nakamichi CM300/CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS.Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009
|
notes
|
| 10516. |
03/26/88 |
Flac 24/96 - 0,
144486 |
Hampton |
Hampton Coliseum flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019
|
notes
|
| 10517. |
03/26/88 |
Flac 16 - 0,
144485 |
Hampton |
Hampton Coliseum flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick January 2019
|
notes
|
| 10518. |
03/26/88 |
Flac 24/96 - 0,
147993 |
Hampton |
Hampton Coliseum flac24; Source Info: Michael Hessberg's Master In-House FM Cassettes; Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 10519. |
03/26/88 |
- 0,
147992 |
Hampton |
Hampton Coliseum flac16/48kHz; Source Info: Michael Hessberg's Master In-House FM Cassettes; Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 10520. |
03/26/88 |
Shn - 0,
152469 |
Hampton |
Hampton Coliseum Set 2 only: Audience cassette master > burned to standalone Pioneer burner > ripped with DAC > shinned with MKW.
|
notes
|
| 10521. |
03/27/88 |
Shn - 0,
17262 |
Hampton |
Hampton Coliseum Updated Source info: In-House FM > Ultramatrix (SBD/AUD mix). Lineage: DAT (Panasonic 3800)> CD (HHBCDR800)> EAC> SHN via Peter Braverman
|
notes
|
| 10522. |
03/27/88 |
Flac 16 - 0,
34202 |
Hampton |
Hampton Coliseum flac16; Source: in house FM > unknown 'boom box' > Sony TCD5M > Sony WM-D6C TDK MA-X master cassettes Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 recorded and transferred by Dean Grabski
|
notes
|
| 10523. |
03/27/88 |
Shn - 0,
406 |
Hampton |
Hampton Coliseum SBD (Matrix)> DAT> CD> EAC> [retracking of d1 w/ SF, no other alteration]> SHN; known flaws: end of Let it Grow is missing - the last minute, but the jam does not get cut; via Adam Jerugim; listener reports additional skip or splice in Scarlet Begonias d2t3; note patched version now in circulation
|
notes
|
| 10524. |
03/27/88 |
Flac 16 - 0,
88250 |
Hampton |
Hampton Coliseum flac16; Source: FOB > Schoeps Cmc3 + omni #3 > Dat @ 44.1k Transfer: Fostex D5 > Vx Pocket 440 > Toshiba 3480ct > Wavelab 5.0 > Cd Wave > FLAC
|
notes
|
| 10525. |
03/27/88 |
Shn - 0,
3383 |
Hampton |
Hampton Coliseum patched version of previous SBD seed, with AUD patches applied by Peter Braverman (see info file)
|
notes
|
| 10526. |
03/27/88 |
Flac 16 - 0,
140806 |
Hampton |
Hampton Coliseum flac16; Set 2 Source; unknown taper: Schoeps Cmc3 + omni #3 > Dat @ 44.1k (FOB); Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered by Joe Noel in Audacity > flac 16/44; Checksum & tags created in xACT
|
notes
|
| 10527. |
03/27/88 |
Flac 24 U Mtx - 0,
141213 |
Hampton |
Hampton Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10528. |
03/27/88 |
Flac 16 U Mtx - 0,
141312 |
Hampton |
Hampton Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10529. |
03/27/88 |
Flac 16 - 0,
107907 |
Hampton |
Hampton Coliseum flac16; Master: OTS Nakamichi CM100/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 10530. |
03/27/88 |
Flac 16 - 0,
106174 |
Hampton |
Hampton Coliseum flac16; Recorded by Dave Cohen 2 Nakamichi CM100/CP1 X-Y@90degrees 1 Nakamichi CM300/CP2 Nakamichi 550 w/Dolby B in OTS. Sony UX Pro 90 cassettes. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
notes
|
| 10531. |
03/27/88 |
Flac 24/96 - 0,
144488 |
Hampton |
Hampton Coliseum flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019
|
notes
|
| 10532. |
03/27/88 |
Flac 16 - 0,
144487 |
Hampton |
Hampton Coliseum flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - Taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick January 2019
|
notes
|
| 10533. |
03/27/88 |
Flac 24/96 - 0,
147999 |
Hampton |
Hampton Coliseum flac24; Source Info: Michael Hessberg's Master In-House FM Cassettes; Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 10534. |
03/27/88 |
Flac 16/48 - 0,
147998 |
Hampton |
Hampton Coliseum flac16/48kHz; Source Info: Michael Hessberg's Master In-House FM Cassettes; Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 10535. |
03/27/88 |
Flac 16/48 - ,
152858 |
Hampton |
Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) -SBD (shnid = 141213) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 144488) Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 - surround mixing by Kevin Tobin
|
notes
|
| 10536. |
03/27/88 |
Flac 16 Dts 5.1 - ,
152857 |
Hampton |
Hampton Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141213) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 144488) Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 - dts mixing by Kevin Tobin
|
notes
|
| 10537. |
03/27/88 |
Flac 16 Mtx - ,
152856 |
Hampton |
Hampton Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 141213) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90/TDK SA-90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 144488) Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019 - matrix mixing by Kevin Tobin
|
notes
|
| 10538. |
03/28/88 |
Flac 16 - 0,
91233 |
Hampton |
Hampton Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10539. |
03/28/88 |
Shn - 0,
9977 |
Hampton |
Hampton Coliseum IN House FM>Sony D-5>MC>DAT>CDR; via Paul B; Seeded to etree by Brad Ingle
|
notes
|
| 10540. |
03/28/88 |
Flac 16 - 0,
34203 |
Hampton |
Hampton Coliseum flac16; Source: in house FM > unknown receiver > Sony TCD5M > Sony WM-D6C TDK MA-X master cassettes Transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1 recorded and transferred by Dean Grabski
|
notes
|
| 10541. |
03/28/88 |
Flac 24 - 0,
141215 |
Hampton |
Hampton Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10542. |
03/28/88 |
Flac 16 - 0,
141232 |
Hampton |
Hampton Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10543. |
03/28/88 |
Flac 16 - 0,
119008 |
Hampton |
Hampton Coliseum flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 10544. |
03/28/88 |
Flac 16 - 0,
132732 |
Hampton |
Hampton Coliseum flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY-PAS)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
|
notes
|
| 10545. |
03/28/88 |
Flac 16 - 0,
106181 |
Hampton |
Hampton Coliseum flac16; Recorded by Dave Cohen 2 Nakamichi CM100/CP1s: one on each stack 1 Nakamichi CM300/CP1 straight at stage Nakamichi 550 w/Dolby B in OTS.Maxell XLIIS cassettes. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
notes
|
| 10546. |
03/28/88 |
Flac 16 - 0,
132751 |
Hampton |
Hampton Coliseum flac16; Source: Sony C38B > TCD5M; Conversion: TCD5M > PMD660 > Cdwave > TLH > Foobar2000; Recorded by Stan Roberts
|
notes
|
| 10547. |
03/28/88 |
Flac 24/96 - 0,
144490 |
Hampton |
Hampton Coliseum flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2019
|
notes
|
| 10548. |
03/28/88 |
Flac 16 - 0,
144489 |
Hampton |
Hampton Coliseum flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick January 2019
|
notes
|
| 10549. |
03/28/88 |
Flac 24/96 - 0,
151272 |
Hampton |
Hampton Coliseum flac24/96khz Source Info: Michael Hessberg's Master In-House FM Cassettes; unknown receiver > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 10550. |
03/28/88 |
Flac 16/48 - 0,
151271 |
Hampton |
Hampton Coliseum flac16/48khz Source Info: Michael Hessberg's Master In-House FM Cassettes; unknown receiver > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 10551. |
03/28/88 |
Flac 16/48 - ,
152937 |
Hampton |
Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141215) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 119008) Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - surround mixing by Kevin Tobin
|
notes
|
| 10552. |
03/28/88 |
Flac 16 Dts 5.1 - ,
152936 |
Hampton |
Hampton Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141215) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 119008) Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - dts mixing by Kevin Tobin
|
notes
|
| 10553. |
03/28/88 |
Flac 16 Mtx - ,
152935 |
Hampton |
Hampton Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 141215) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 119008) Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - matrix mixing by Kevin Tobin
|
notes
|
| 10554. |
03/28/88 |
Flac 16 - ,
152934 |
Hampton |
Hampton Coliseum flac16; Patched & Pitch Corrected Audience - (original shnid = 119008) Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - pitch correction and patches by Kevin Tobin
|
notes
|
| 10555. |
03/28/88 |
Flac 16 - ,
156408 |
Hampton |
Hampton Coliseum Recording Info: (fob) Schoeps Mk3 Omni's Spread > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) > Pcm Transfer Info: Pcm > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Don Crandall, Chris Huron & Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 07, 2021
|
notes
|
| 10556. |
03/30/88 |
Flac 16 - 0,
91159 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10557. |
03/30/88 |
Flac 16 - 0,
124809 |
East Rutherford |
Meadowlands Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 10558. |
03/30/88 |
Flac 16 - 0,
83821 |
East Rutherford |
Meadowlands Arena flac16; Source: Internal FM broadcast > Unknown portable receiver > Sony TC-D5M > Sony WM-D6C Transfer: Master cassette > Nakamichi CR-2A > Apogee Mini-Me (24/48)> EGO-SYS WT2496 > Sound Forge 8.0 > CDWAVE 1.95.1 > FLAC frontend 1.7.1 Transferred by Dean Grabski 3-31-07
|
notes
|
| 10559. |
03/30/88 |
Shn - 0,
408 |
East Rutherford |
Meadowlands Arena SBD; via Mike Lai; note had circulated without set 1 (aka d1) at first
|
notes
|
| 10560. |
03/30/88 |
Flac 24/96 - 0,
124808 |
East Rutherford |
Meadowlands Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 10561. |
03/30/88 |
Flac 16 - 0,
89813 |
East Rutherford |
Meadowlands Arena flac16; AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. February 2008.
|
notes
|
| 10562. |
03/30/88 |
Ultra Mtx Sbd - 0,
140341 |
East Rutherford |
Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10563. |
03/30/88 |
UltraMtx Flac16 - 0,
140378 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10564. |
03/30/88 |
Flac 16 - 0,
30515 |
East Rutherford |
Meadowlands Arena Beyer Dynamic M88's>Sony TCD5M (CM - 1st Maxell MX90; 2nd Sony Metal ES 90) Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded and digitally mastered by Charlie Conno
|
notes
|
| 10565. |
03/30/88 |
Flac 16 - 0,
124842 |
East Rutherford |
Meadowlands Arena flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Taper Section: 2,Row-J,Seat-16
|
notes
|
| 10566. |
03/30/88 |
Flac 24/96 - 0,
145753 |
East Rutherford |
Meadowlands Arena flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick March 2019
|
notes
|
| 10567. |
03/30/88 |
Flac 16 - 0,
145752 |
East Rutherford |
Meadowlands Arena flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; editerd and mastered SIRMick March 2019
|
notes
|
| 10568. |
03/30/88 |
Flac 16 - 0,
124809 |
East Rutherford |
Meadowlands Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 10569. |
03/31/88 |
Shn - 0,
25528 |
East Rutherford |
Meadowlands Arena Recording Info: In House FM -> Cassette Master -> Dat -> CD -> Samplitude v7.02 Professional -> SHN via Charlie Miller
|
notes
|
| 10570. |
03/31/88 |
Shn - 0,
8137 |
East Rutherford |
Meadowlands Arena SBD; see flaw notes in info file; via unknown seeder to furthurnet
|
notes
|
| 10571. |
03/31/88 |
Flac 16 - 0,
90802 |
East Rutherford |
Meadowlands Arena flac16; AUD: Nakamichi CM300/CP4's > patched thru one deck > Marantz PMD-420 > Maxell MX-90's w/Dolby B, set up front row of OTS. Taped by Jon Pasternak. Transfer: MAC > Nakamichi DR-8 (Dolby B) > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. March 2008.
|
notes
|
| 10572. |
03/31/88 |
Flac 16 - 0,
138890 |
East Rutherford |
Meadowlands Arena flac16; Robert Bryant (patched out of Oade Bros.) Schoeps > CMC4 > MK41 > PCM > DAT (FOB); Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered by Joe Noel in Audacity > flac 16/44; Checksum & tags created in xACT
|
notes
|
| 10573. |
03/31/88 |
UltraMtx Flac24 - 0,
140279 |
East Rutherford |
Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10574. |
03/31/88 |
Ultra MtxFlac16 - 0,
140328 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10575. |
03/31/88 |
Flac 16 - 0,
140737 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (1st row center, OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10576. |
03/31/88 |
Flac - 0,
30748 |
East Rutherford |
Meadowlands Arena Recording Info: Taper's Section 110 row 9, seat 9> Beyer Dynamic M88's> Sony TCD5M (CM - 1 st set Maxell MX90;2nd set Sony Metal ES90) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Recorded and digitally transferred by Charlie Connor
|
notes
|
| 10577. |
03/31/88 |
Flac 16 - 0,
124843 |
East Rutherford |
Meadowlands Arena flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Taper Section: 2,Row-K,Seat-13
|
notes
|
| 10578. |
03/31/88 |
Flac 24/96 - 0,
146219 |
East Rutherford |
Meadowlands Arena flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick May 2019
|
notes
|
| 10579. |
03/31/88 |
Flac 16 - 0,
146218 |
East Rutherford |
Meadowlands Arena flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick May 2019
|
notes
|
| 10580. |
04/01/88 |
Flac 16 - 0,
91160 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10581. |
04/01/88 |
Flac 24 - 0,
124797 |
East Rutherford |
Meadowlands Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 10582. |
04/01/88 |
Shn - 0,
22309 |
East Rutherford |
Meadowlands Arena Set 1 Only* Soundboard (Healy Ultra Box)->DAT Master->DAT. DAT->ZA2->Soundforge(recording)->.wav->mkw->SHN. Transfer and SHN by Joe Samaritano. De-popping by Charlie Miller
|
notes
|
| 10583. |
04/01/88 |
Flac 16 - 0,
124798 |
East Rutherford |
Meadowlands Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 10584. |
04/01/88 |
Shn - 0,
9795 |
East Rutherford |
Meadowlands Arena SBD>DAT>?>CD (Possible Healy-FM); via Master Therion; Seeded to etree by PainoMan
|
notes
|
| 10585. |
04/01/88 |
Flac 16 - 0,
90921 |
East Rutherford |
Meadowlands Arena flac16; AUD Set One: Nakamichi CM300/CP4's > patched thru two decks > Marantz PMD-420, front row of OTS. AUD Set Two: Nakamichi CM100/CP4's > patched thru two decks > Marantz PMD-420, set up inside the fenced soundboard area. Taped onto Maxell MX-90's, with Dolby B. Taped by Jon Pasternak. Transfer: MAC > Nakamichi DR-8 (Dolby B) > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F. March 2008
|
notes
|
| 10586. |
04/01/88 |
UltraMtx Flac24 - 0,
140343 |
East Rutherford |
Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10587. |
04/01/88 |
Flac 16 - 0,
140934 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: 1st Set: Master Audience PCM; B&K 4011 mics (1st row center, OTS)> Sony Dat > PCM (Sony PCM-F1); 2nd Set: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (1st row center, OTS); Transfer Info: 1st Set: 1st gen PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16; 2nd Set: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10588. |
04/01/88 |
Flac 16 - 0,
124839 |
East Rutherford |
Meadowlands Arena flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Taper Section 2,Row-J,Seat-16
|
notes
|
| 10589. |
04/01/88 |
Flac 16 - 0,
91296 |
East Rutherford |
Meadowlands Arena flac16; Source: (OTS) Senn. ME-80 (pointed at stacks)-> Marantz PMD 430 (Dolby B)-> Sony UX-Pro90 x 2 Transfer: MAC-> Nakamichi MR-1-> Korg MR-1000 (DFF 1Bit/5.6MHz)-> Korg AudioGate-> Wav 24/96-> Soundforge 9.0->16/44->flac Taper: WKLITZ Transferred and seeded on 4/10/08 by: M.Watson
|
notes
|
| 10590. |
04/01/88 |
Flac 24/96 - 0,
147043 |
East Rutherford |
Meadowlands Arena flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24
|
notes
|
| 10591. |
04/01/88 |
Flac 16/44,1 - 0,
147042 |
East Rutherford |
Meadowlands Arena flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16
|
notes
|
| 10592. |
04/01/88 |
Shn Mtx. - 0,
11264 |
East Rutherford |
Meadowlands Arena Source: Ultramatrix (SBD/AUD mix) Lineage: DAT> ?> CD> SHN; via Raul; Seeded to etree by Peter Braverman
|
notes
|
| 10593. |
04/01/88 |
Flac 16 - 0,
140394 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10594. |
04/03/88 |
Flac 16 - 0,
91161 |
Hartford |
Hartford Civic Center flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10595. |
04/03/88 |
Shn - 0,
9628 |
Hartford |
Hartford Civic Center SBD>?>CD (Possible Matrix); via Ankh-af-na-khonsu; Seeded to etree by PainoMan
|
notes
|
| 10596. |
04/03/88 |
Flac 16 - 0,
89986 |
Hartford |
Hartford Civic Center flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008
|
notes
|
| 10597. |
04/03/88 |
Flac 16 - 0,
109056 |
Hartford |
Hartford Civic Center flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Front row OTS by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 10598. |
04/03/88 |
Flac 24/96 - ,
153796 |
Hartford |
Hartford Civic Center flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 10599. |
04/03/88 |
Flac 16/44 - ,
153797 |
Hartford |
Hartford Civic Center flac16/44 Recording Info: (FOB) Schoeps CMC4/MK41 (Oade Brothers) > PCM Master (Robert Bryant) > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/16
|
notes
|
| 10600. |
04/03/88 |
Flac 24/96 - ,
153796 |
Hartford |
Hartford Civic Center flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 10601. |
04/03/88 |
Flac 16/44 - ,
153797 |
Hartford |
Hartford Civic Center flac16/44 Recording Info: (FOB) Schoeps CMC4/MK41 (Oade Brothers) > PCM Master (Robert Bryant) > DAT (44.1k) Transfer Info: DAT (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X6 Suite > FLAC/16
|
notes
|
| 10602. |
04/03/88 |
Flac 16/44 - ,
154410 |
Hartford |
Hartford Civic Center flac1644; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 153796 2496 > 1644
|
notes
|
| 10603. |
04/04/88 |
Flac 16 - 0,
91162 |
Hartford |
Hartford Civic Center flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10604. |
04/04/88 |
Shn - 0,
19972 |
Hartford |
Hartford Civic Center SBD>Cassette Master>DAT>CD (Possible Matrix); with two d/o's patched from a SBD>MC source; See info file for details; via Ankh-af-na-khonsu; Seeded to etree by PainoMan (updated lineage; had been labeled SBD>DAT>CD)
|
notes
|
| 10605. |
04/04/88 |
Flac 16 - 0,
89996 |
Hartford |
Hartford Civic Center flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008
|
notes
|
| 10606. |
04/04/88 |
Flac 16 - 0,
138456 |
Hartford |
Hartford Civic Center flac16; Recorded by Robert Bryant FOB (patched out of Oade Brothers) Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > flac 16/44; Checksum & tags created in xACT
|
notes
|
| 10607. |
04/04/88 |
Flac 16 - 0,
86913 |
Hartford |
Hartford Civic Center flac16; Source: Tapers section, Sennheiser ME88s > Sony D5. Master Analog Cassettes Maxell MX90 Type IV cassettes. Taped by B.Koucky. Transfer: MAC playback on azimuth adjusted Nakamich CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to harddrive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves Z-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8). Transfer and mastering by Chris L.
|
notes
|
| 10608. |
04/04/88 |
Flac 24/96 - 0,
152203 |
Hartford |
Hartford Civic Center flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DFF 1-bit/5.6MHz > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 10609. |
04/04/88 |
Flac 16/44 - 0,
152576 |
Hartford |
Hartford Civic Center flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DFF 1-bit/5.6MHz > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152203 24 -> 16 @ 44.1
|
notes
|
| 10610. |
04/05/88 |
Flac 16 - 0,
91234 |
Hartford |
Hartford Civic Center flac16; Set 1: AUD -> Unknown Mics -> PCM -> Dat -> CD (shnid=10073) and Set 2: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10611. |
04/05/88 |
Flac 16 - 0,
90054 |
Hartford |
Hartford Civic Center flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008.
|
notes
|
| 10612. |
04/05/88 |
Flac 16/48 - 0,
138196 |
Hartford |
Hartford Civic Center flac16/48kHz; Set 2 Unknown taper: Schoeps CMC54 at 110 degrees ORTF > Neumann PS > Sony D10 Pro; mics on 8 foot stand 1st row behind soundboard; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac, & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 10613. |
04/05/88 |
Flac 24 U Mtx - 0,
140284 |
Hartford |
Hartford Civic Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10614. |
04/05/88 |
Flac 16 U Mtx. - 0,
140331 |
Hartford |
Hartford Civic Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10615. |
04/05/88 |
Shn - 0,
10073 |
Hartford |
Hartford Civic Center AUD>PCM>CD (Possible Matrix, Healy-FM or one damn good audience recording!); via Ankh-af-na-khonsu; Seeded to etree by PainoMan
|
notes
|
| 10616. |
04/05/88 |
Flac 16 - 0,
109167 |
Hartford |
Hartford Civic Center flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 10617. |
04/05/88 |
Flac 16 - 0,
140331 |
Hartford |
Hartford Civic Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10618. |
04/07/88 |
Flac 16 - 0,
91163 |
Worcester |
The Centrum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10619. |
04/07/88 |
Shn - 0,
17684 |
Worcester |
The Centrum Pre-FM > MR > VHS > DAT > CD > EAC > SHN (seekable) Via Darryl Hinko
|
notes
|
| 10620. |
04/07/88 |
Flac 16 - 0,
106062 |
Worcester |
The Centrum flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Taper Section 101, Row CC, Seat 9 by Bob Morris
|
notes
|
| 10621. |
04/07/88 |
Flac 16 - 0,
90340 |
Worcester |
The Centrum flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008
|
notes
|
| 10622. |
04/07/88 |
Flac 16 - 0,
125776 |
Worcester |
The Centrum flac16; Taper: M. Laurentus; In House FM- FM Reciever -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
|
notes
|
| 10623. |
04/07/88 |
Flac 16 - 0,
127683 |
Worcester |
The Centrum flac16; WCUW Worcester 91.3 FM stereo broadcast > reciever > Teac 3340 reel recorder (3.3/4 ips) > Maxell UD 7" master reel > (1st set copied to 1g reel) > played on Akai GX-77 into soundforge (wav) > flac (sb's aligned)
|
notes
|
| 10624. |
04/07/88 |
Flac 16/48 - 0,
141713 |
Worcester |
The Centrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 91163)Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 90340) AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. - surround mixing by Kevin Tobin
|
notes
|
| 10625. |
04/07/88 |
Flac 16 Dts - 0,
141712 |
Worcester |
The Centrum
|
notes
|
| 10626. |
04/07/88 |
Flac 16 Mtx - 0,
141711 |
Worcester |
The Centrum
|
notes
|
| 10627. |
04/07/88 |
Flac16/48 LPCM - 0,
142015 |
Worcester |
The Centrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 91163)Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 90340) AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008. - surround mixing by Kevin Tobin
|
notes
|
| 10628. |
04/07/88 |
Flac 16 - 0,
111676 |
Worcester |
The Centrum flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (14th row-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 10629. |
04/07/88 |
Flac 16 - 0,
125775 |
Worcester |
The Centrum flac16; Taper: M. Laurentus; Taper Section 101, Row B, Seat 8; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
|
notes
|
| 10630. |
04/07/88 |
Flac 16 - 0,
137382 |
Worcester |
The Centrum flac16; Schoeps CMC5 w/ MK4V; DAT(c) @ 44.1 kHz > Tascam DA-20MKII > Canare Coax > Korg MR-2000S > Kimber USB 2.0 > Samplitude Pro X2 (Build 256) > TLH v2.7.0 (align on sector boundaries, flac 8, ffp) > Foobar2000 v1.3.10 Live Show Tagger; Transfer & edits by Jeff Mitchell
|
notes
|
| 10631. |
04/07/88 |
Flac 24/96 - ,
156054 |
Worcester |
The Centrum flac2495 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 10632. |
04/07/88 |
Flac 16/44 - ,
156450 |
Worcester |
The Centrum flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-R90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 156054 2496 > 1644.1
|
notes
|
| 10633. |
04/08/88 |
Flac 16 - 0,
91240 |
Worcester |
The Centrum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10634. |
04/08/88 |
Shn - 0,
15128 |
Worcester |
The Centrum In-House FM>PCM>Dat>CD via Mike Murray; encoded by Willy
|
notes
|
| 10635. |
04/08/88 |
Flac 16 - 0,
106590 |
Worcester |
The Centrum flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Taper Section 101, Row CC, Seat 15 by Bob Morris
|
notes
|
| 10636. |
04/08/88 |
Flac - 0,
90465 |
Worcester |
The Centrum flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008.
|
notes
|
| 10637. |
04/08/88 |
Flac 16 - 0,
127693 |
Worcester |
The Centrum flac16; WCUW Worcester 91.3 FM stereo broadcast > reciever > Teac 3340 reel recorder (3.3/4 ips) > Maxell UD 7" master reel > played on Akai GX-77 into soundforge (wav) > flac (sb's aligned)
|
notes
|
| 10638. |
04/08/88 |
Flac 24/96 - 0,
140313 |
Worcester |
The Centrum flac24; source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy; lineage: pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger
|
notes
|
| 10639. |
04/08/88 |
Flac 16 - 0,
142253 |
Worcester |
The Centrum flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK41 mics, ortf (1st row center, OTS, directly behind soundboard); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10640. |
04/08/88 |
Flac 16 - 0,
111677 |
Worcester |
The Centrum flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 - microphones (12th row-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 10641. |
04/08/88 |
Flac 16 - 0,
82599 |
Worcester |
The Centrum flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and Mike E Transfer and upload by Tony Suraci
|
notes
|
| 10642. |
04/08/88 |
Flac 16 - 0,
140489 |
Worcester |
The Centrum flac16; source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy; lineage: pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger
|
notes
|
| 10643. |
04/08/88 |
Flac 24/96 - ,
156055 |
Worcester |
The Centrum flac2495 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 10644. |
04/08/88 |
Flac 16/44 - ,
156451 |
Worcester |
The Centrum flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156055 2496 > 1644.1
|
notes
|
| 10645. |
04/09/88 |
Flac 16 - 0,
91241 |
Worcester |
The Centrum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10646. |
04/09/88 |
Flac 16 - 0,
91019 |
Worcester |
The Centrum flac16; SBD + AUD Matrix 3 Source Mix: Audio Source Information SBD1 (shnid=91241) Recording Info: SBD -> Cassette Master (TDK SA-X90), SBD2 (shnid=15098) - only used for patches Source: Pre-FM broadcast Lineage: Master Reel> VHS (PCM)> DAT> CD> SHN, and AUD (shnid=90487) (Set 1 Right channel and all of set 2 both channels) Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter
|
notes
|
| 10647. |
04/09/88 |
Shn - 0,
15098 |
Worcester |
The Centrum pre-FM Master Reel> VHS (PCM)> DAT> CD> SHN via Skip Jenkins, encoded by Peter Braverman
|
notes
|
| 10648. |
04/09/88 |
Flac Dts 5.1 - 0,
91632 |
Worcester |
The Centrum DTS-Audio-CD 5.1 Mix; Audio Source Information SBD1 (shnid=91241) Recording Info: SBD -> Cassette Master (TDK SA-X90), SBD2 (shnid=15098) - only used for patches Source: Pre-FM broadcast Lineage: Master Reel> VHS (PCM)> DAT> CD> SHN, and AUD (shnid=90487) (Set 1 Right channel and all of set 2 both channels) Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter - dts mixed by Kevin Tobin
|
notes
|
| 10649. |
04/09/88 |
Flac 16 - 0,
106589 |
Worcester |
The Centrum flac16; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded from Taper Section 101, Row CC, Seat 14 by Bob Morris
|
notes
|
| 10650. |
04/09/88 |
Flac 16 - 0,
90487 |
Worcester |
The Centrum flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008
|
notes
|
| 10651. |
04/09/88 |
Flac 16 - 0,
127694 |
Worcester |
The Centrum flac16; Set 2 lineage: WCUW Worcester 91.3 FM stereo broadcast > reciever > Teac 3340 reel recorder (3.3/4 ips) > Maxell UD 7" master reel > played on Akai GX-77 into soundforge (wav) > flac (sb's aligned
|
notes
|
| 10652. |
04/09/88 |
Flac 24 - 0,
140395 |
Worcester |
The Centrum flac24; source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy; lineage: pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger
|
notes
|
| 10653. |
04/09/88 |
Flac 16 - 0,
140490 |
Worcester |
The Centrum flac16; source: pre fm 1st gen hifi vhs; Doug Lamarre’s copy; lineage: pre fm 10.5” reels > hifi vhs**; toshiba hifi vhs > adc1 @ 24/96 > adobe audition cc > fission > xACT; transferred & seeded by Rob Berger
|
notes
|
| 10654. |
04/09/88 |
Flac 16 - 0,
111691 |
Worcester |
The Centrum Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones - 13th row-center > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 10655. |
04/09/88 |
Flac 16 - 0,
82671 |
Worcester |
The Centrum flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and Mike E. Transfer and upload by Tony Suraci
|
notes
|
| 10656. |
04/09/88 |
Flac 24/96 - ,
156056 |
Worcester |
The Centrum flac2495 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 10657. |
04/09/88 |
Flac 24/96 - ,
156419 |
Worcester |
The Centrum flac2496 Recording Info: Pre-FM (WCUW-FM) > Reel Master > VHS HiFi (Scott SVR330S); Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 10658. |
04/09/88 |
Flac 16/44 - ,
156454 |
Worcester |
The Centrum flac1644 Recording Info: Pre-FM (WCUW-FM) > Reel Master > VHS HiFi (Scott SVR330S); Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 156419 2496 > 1644.1
|
notes
|
| 10659. |
04/09/88 |
Flac 16/44 - ,
156453 |
Worcester |
The Centrum flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156056 2496 > 1644.1
|
notes
|
| 10660. |
04/11/88 |
Flac 16 - 0,
91243 |
Detroit |
Joe Louis Arena flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10661. |
04/11/88 |
Flac 16 - 0,
116466 |
Detroit |
Joe Louis Arena flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-5 (Maxell XL-IIS 90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz
|
notes
|
| 10662. |
04/11/88 |
Shn - 0,
10157 |
Detroit |
Joe Louis Arena reEAC, reshn of previous shn set (see info), via Jim Bennett; SBD > In house FM broadcast > MC > CDR > EAC > CDWave > MKWAct > CDR (> EAC > CDWave > MKWAct)
|
notes
|
| 10663. |
04/11/88 |
Flac 24 - 0,
141859 |
Detroit |
Joe Louis Arena flac24; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10664. |
04/11/88 |
Flac 16 - 0,
141881 |
Detroit |
Joe Louis Arena flac16; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10665. |
04/13/88 |
Flac 16 - 0,
91164 |
Rosemont |
Rosemont Horizon flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10666. |
04/13/88 |
Flac 16 - 0,
120447 |
Rosemont |
Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/Section 2, Row 44, Seat 3/6 Feet High)> Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 10667. |
04/13/88 |
Flac 16 - 0,
95753 |
Rosemont |
Rosemont Horizon flac16; Source: Aud > Nak CM-100's CP-4 shotgun caps > Sony D-5 > MAC Transfer: MAC > Nak CR-5A > Tascam HD-p2 > 24/96 wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > CD Wave > TLH > Flac
|
notes
|
| 10668. |
04/13/88 |
Flac 24/48 - 0,
120446 |
Rosemont |
Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/Section 2, Row 44, Seat 3/6 Feet High)> Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 10669. |
04/13/88 |
Shn - 0,
16748 |
Rosemont |
Rosemont Horizon Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette> ?> DAT> CD> SHN (?) Listener reports multiple analog generations.
|
notes
|
| 10670. |
04/13/88 |
Flac 16/44 - ,
156479 |
Rosemont |
Rosemont Horizon flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156074 2496 > 1644.1
|
notes
|
| 10671. |
04/13/88 |
Flac 24/96 - ,
156074 |
Rosemont |
Rosemont Horizon flac2496 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90/TDK SA-C90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 10672. |
04/14/88 |
Flac 16 - 0,
91248 |
Rosemont |
Rosemont Horizon flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10673. |
04/14/88 |
Flac 16 - 0,
120456 |
Rosemont |
Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s + AKG D112 (PAS/Section 2, Row 44, Seat 3/6 Feet High)> Nakamichi 550>Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 10674. |
04/14/88 |
Shn - 0,
26283 |
Rosemont |
Rosemont Horizon SBD (Matrix) > MC > C > DAT > CD > EAC > SHN; includes patch from AUD source; EAC/SHN (nonseeking) by Darryl Hinko
|
notes
|
| 10675. |
04/14/88 |
Flac 24/48 - 0,
120455 |
Rosemont |
Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s + AKG D112 (PAS/Section 2, Row 44, Seat 3/6 Feet High)> Nakamichi 550>Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 10676. |
04/14/88 |
Shn - 0,
15824 |
Rosemont |
Rosemont Horizon AUD>MC*>DAT>CD; *The MC is 'probable' but unconfirmed; Entire show pitch corrected; The mix is a bit 'hot' at times, most noticeably in Jerry's vocals and in the first set; via Paul B; Seeded to etree by Willy
|
notes
|
| 10677. |
04/14/88 |
Flac 16/44 - ,
156481 |
Rosemont |
Rosemont Horizon flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156075 2496 > 1644.1
|
notes
|
| 10678. |
04/14/88 |
Flac 24/96 - ,
156075 |
Rosemont |
Rosemont Horizon flac2496 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 10679. |
04/15/88 |
Flac 16 - 0,
92263 |
Rosemont |
Rosemont Horizon flac16 Recording Info:SBD -> Dat (48k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10680. |
04/15/88 |
Flac 16 - 0,
120482 |
Rosemont |
Rosemont Horizon flac16; Master Audience Recorded By Mr. Allen And Mr. Darby; Neumann KMI 84s (X/Y/Section 2, Row 40, Seat 3/6 Feet High)> Unknown Phantom Power Supply> Marantz PMD-430>Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 10681. |
04/15/88 |
Shn - 0,
2020 |
Rosemont |
Rosemont Horizon SBD> Cass master?-> pre-FM cdr-> EAC-> Gans voiceover removed> shn; via John Zei; see John's comments in info file; Drums cuts into Space
|
notes
|
| 10682. |
04/15/88 |
Flac 16 - 0,
95824 |
Rosemont |
Rosemont Horizon flac16; Source: Aud > Nak CM-100's CP-4 shotgun caps > Sony D-5 > MAC (except #) Transfer: MAC > Nak CR-5A > Tascam HD-p2 > 24/96 wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > CD Wave > TLH > Flac
|
notes
|
| 10683. |
04/15/88 |
Flac 24/48 - 0,
120481 |
Rosemont |
Rosemont Horizon flac24; Master Audience Recorded By Mr. Allen And Mr. Darby; Neumann KMI 84s (X/Y/Section 2, Row 40, Seat 3/6 Feet High)> Unknown Phantom Power Supply> Marantz PMD-430>Sony TC-D5M, Tapes Maxell M-X's; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 10684. |
04/15/88 |
Flac 24/96 - ,
156057 |
Rosemont |
Rosemont Horizon flac2495 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 10685. |
04/15/88 |
Flac 16/44 - ,
156486 |
Rosemont |
Rosemont Horizon flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 156057 2496 > 1644.1
|
notes
|
| 10686. |
04/22/88 |
Flac - 0,
26818 |
Irvine |
Irvine Meadows flac16; SBD (Matrix) > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
|
notes
|
| 10687. |
04/22/88 |
Flac 16 - 0,
137944 |
Irvine |
Irvine Meadows flac16; Source: (2)Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH
|
notes
|
| 10688. |
04/22/88 |
Flac 24 - 0,
140422 |
Irvine |
Irvine Meadows flac24; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2017
|
notes
|
| 10689. |
04/22/88 |
Flac 16 - 0,
140443 |
Irvine |
Irvine Meadows flac16; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017
|
notes
|
| 10690. |
04/22/88 |
Shn - 0,
16070 |
Irvine |
Irvine Meadows AUD(unknown mics/deck)> PCM> DAT> CDR; Via Paul G.; Seeded to Etree by T. Wiley
|
notes
|
| 10691. |
04/22/88 |
Flac 24/96 - 0,
152289 |
Irvine |
Irvine Meadows flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 10692. |
04/22/88 |
Flac 16/44 - 0,
152577 |
Irvine |
Irvine Meadows flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152289 24 -> 16 @ 44.1
|
notes
|
| 10693. |
04/22/88 |
Flac 24/96 - ,
151102 |
Irvine |
Irvine Meadows flac24/96khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 10694. |
04/23/88 |
Flac 16 Mtx - 0,
28710 |
Irvine |
Irvine Meadows flac16; SBD (Matrix) > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
|
notes
|
| 10695. |
04/23/88 |
Shn - 0,
18117 |
Irvine |
Irvine Meadows Set 2 Ultramatrix (SBD/AUD mix) Lineage: Master cassette> DAT> CD> EAC> SHN> CD> SHN via Peter Braverman
|
notes
|
| 10696. |
04/23/88 |
Flac 2448 - 0,
140379 |
Irvine |
Irvine Meadows flac24; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, FOB recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 12/2017
|
notes
|
| 10697. |
04/23/88 |
Flac 16 - 0,
140380 |
Irvine |
Irvine Meadows flac16; AUD: Sennheiser MKH-816's > lead deck(s) > Sony TC-D5M > Maxell MX-90's, FOB recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017
|
notes
|
| 10698. |
04/23/88 |
Flac 16 - 0,
142254 |
Irvine |
Irvine Meadows flac16; Recording Info: Ted Mattes' Master (FOB) Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK41 mics, ORTF; Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10699. |
04/23/88 |
Shn - 0,
16924 |
Irvine |
Irvine Meadows FOB-AUD> PCM> DAT> CDR> EAC> WAVE LAB> CD WAVE> MKW> SHN (Seekable); Converted and seeded to etree by Steven Leeds, with thanks to Paul B
|
notes
|
| 10700. |
04/23/88 |
Flac 24/96 - 0,
152337 |
Irvine |
Irvine Meadows FLAC 24 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 10701. |
04/23/88 |
Flac 16/44 - 0,
152578 |
Irvine |
Irvine Meadows flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152337 24 -> 16 @ 44.1
|
notes
|
| 10702. |
04/23/88 |
Flac 24/96 - ,
151104 |
Irvine |
Irvine Meadows flac24/96khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 10703. |
04/23/88 |
Flac 16/48 - ,
151103 |
Irvine |
Irvine Meadows flac16/48khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 10704. |
04/24/88 |
Flac 16 Mtx - 0,
31976 |
Irvine |
Irvine Meadows flac16; SBD (Matrix) > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
|
notes
|
| 10705. |
04/24/88 |
Shn - 0,
16887 |
Irvine |
Irvine Meadows FOB-AUD> PCM> DAT> CDR; EAC> WAVE LAB> CD WAVE> MKW> SHN (Seekable); Converted and seeded to etree by Steven Leeds, with thanks to Paul B
|
notes
|
| 10706. |
04/24/88 |
Flac 24/96 - 0,
152480 |
Irvine |
Irvine Meadows flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 10707. |
04/24/88 |
Flac 16/44 - 0,
152579 |
Irvine |
Irvine Meadows flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 152480 24 -> 16 @ 44.1
|
notes
|
| 10708. |
04/24/88 |
Flac 24/96 - ,
151106 |
Irvine |
Irvine Meadows flac24/96khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 10709. |
04/24/88 |
Flac 16/48 - ,
151105 |
Irvine |
Irvine Meadows flac16/48khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 10710. |
04/30/88 |
Shn - 0,
4664 |
Palo Alto |
Frost Amphitheatre Healy Ultramatrix; via lemon2 with thanks to childo
|
notes
|
| 10711. |
04/30/88 |
Shn - 0,
3394 |
Palo Alto |
Frost Amphitheatre Pre-FM> Reel> Cassette> cdr; via Biff Blond, Mike Lai
|
notes
|
| 10712. |
04/30/88 |
Flac 24/48 - 0,
141810 |
Palo Alto |
Frost Amphitheatre flac24; Lineage: Nakamichi 700 cardioids front of board -> tcd5m (master) -> Korg mr1000 (1 bit, 5.6 Mhz) -> render in AudioGate to 24 bits 48 khz sampling
|
notes
|
| 10713. |
04/30/88 |
Flac 24 UMtx - 0,
141865 |
Palo Alto |
Frost Amphitheatre flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10714. |
04/30/88 |
Flac 16 - 0,
141889 |
Palo Alto |
Frost Amphitheatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10715. |
04/30/88 |
Shn - 0,
7727 |
Palo Alto |
Frost Amphitheatre AUD : Recorded 20th row center w/Uher 240 casette deck by Danny T.(the mouth); SHN by Tommy McKeown; to abgd
|
notes
|
| 10716. |
04/30/88 |
Flac 16 - 0,
118630 |
Palo Alto |
Frost Amphitheatre flac16; Source: (OTS/LOC) Superscope EC-7's [near coicident/cardioids] > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/transferred: Jeff Bowen; Extraction/seed: Brad Foster
|
notes
|
| 10717. |
04/30/88 |
Flac 16 - 0,
145595 |
Palo Alto |
Frost Amphitheatre flac16; Lineage: Nakamichi 700 cardioids front of board -> tcd5m (master) -> Korg mr1000 (1 bit, 5.6 Mhz) -> render in AudioGate to 24 bits 48 khz sampling; Mastered by Joe Noel, Flac > Audacity > Flac. April 26, 2018; This file set is 16 bit @ 44.1
|
notes
|
| 10718. |
04/30/88 |
Flac 16/48 - ,
151107 |
Palo Alto |
Frost Amphitheatre flac16/48khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 10719. |
04/30/88 |
Flac 24/96 - ,
151108 |
Palo Alto |
Frost Amphitheatre flac24/96khz Source : Nak mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 10720. |
05/01/88 |
Flac 24/48 - 0,
141811 |
Palo Alto |
Frost Amphitheatre flac24; Lineage: Nakamichi 700 cardioids front of board -> tcd5m (master) -> Korg mr1000 (1 bit, 5.6 Mhz) -> render in AudioGate to 24 bits 48 khz sampling
|
notes
|
| 10721. |
05/01/88 |
Shn - 0,
2206 |
Palo Alto |
Frost Amphitheatre DSBD->DAT Master->DAT Clone; DAT-> CD-> EAC-> CDWave-> SHN conversion and seeded by Adam Jerugim
|
notes
|
| 10722. |
05/01/88 |
Flac 16 - 0,
118671 |
Palo Alto |
Frost Amphitheatre flac16; Source: (OTS/LOC) Superscope EC-7's [near coicident/cardioids] > Sony TC-153SD; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/transferred: Jeff Bowen; Extraction/seed: Brad Foster
|
notes
|
| 10723. |
05/01/88 |
Flac 16 - 0,
145596 |
Palo Alto |
Frost Amphitheatre flac16; Lineage: Nakamichi 700 cardioids front of board -> tcd5m (master) -> Korg mr1000 (1 bit, 5.6 Mhz) -> render in AudioGate to 24 bits 48 khz sampling; Mastered by Joe Noel, Flac > Audacity > Flac, April 27, 2018; This file set is 16 bit @ 44.1
|
notes
|
| 10724. |
06/17/88 |
Flac 16 - 0,
112317 |
Bloomington |
Metropolitan Sports Center flac16; Recorded, transferred, tracked and FLACd by Greg Holtz; Field Equipment: Nakamichi CM100 CP-4 shotgun caps > D-5; Transfer: MAC > Cassette 1st gen > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > TLH > FLAC
|
notes
|
| 10725. |
06/17/88 |
Shn - 0,
19544 |
Bloomington |
Metropolitan Sports Center UNKNOWN AUD>?>CDR>WAV>SHN; Shn converted with Mkw by Robert Goetz (winterland121072@yahoo.com)
|
notes
|
| 10726. |
06/17/88 |
Shn - 0,
19286 |
Bloomington |
Metropolitan Sports Center AUD(likely sennheiser)>?>CDR>WAV>SHN. SHN encoding via C.Ladner.
|
notes
|
| 10727. |
06/19/88 |
Flac 16 - 0,
95920 |
East Troy |
Alpine Valley Music Theatre flac16; Recording Info:SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Transfer Info:Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10728. |
06/19/88 |
Flac 16 - 0,
119124 |
East Troy |
Alpine Valley Music Theatre flac16; Set 2 Only Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAc8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 10729. |
06/19/88 |
Flac 24/48 - 0,
119123 |
East Troy |
Alpine Valley Music Theatre flac24; Set 2 Only Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tape Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAc8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 10730. |
06/19/88 |
Flac 16 - 0,
107564 |
East Troy |
Alpine Valley Music Theatre flac16; Sennheiser 421s> Sony D5> Sony D5> MAC> 1st gen cassettes Maxell XLII (Set I) and Maxell XLII-S (Set II). Taped by Lucien Zaleski. Transferred, Edited and Mastered by Alex Ford
|
notes
|
| 10731. |
06/19/88 |
Flac 16 - 0,
127250 |
East Troy |
Alpine Valley Music Theatre flac16; Source (AUD): Shure SM57 (PAS, front row OTS, center, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
|
notes
|
| 10732. |
06/19/88 |
Shn - 0,
17267 |
East Troy |
Alpine Valley Music Theatre Source: AUD(Senn 441's)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN. Taper: Craig Camus. CDR source via Todd Norman. SHN encoding/FTP transmission via Chris Ladner/candyman FTP.
|
notes
|
| 10733. |
06/19/88 |
Flac 16 - 0,
111252 |
East Troy |
Alpine Valley Music Theatre flac16; Source: 2 Neumann KMF4 microphones-20th row > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
|
notes
|
| 10734. |
06/19/88 |
Flac 24 UMtx. - 0,
151049 |
East Troy |
Alpine Valley Music Theatre flac24/96khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 10735. |
06/19/88 |
Flac 24/96 - 0,
151200 |
East Troy |
Alpine Valley Music Theatre flac24/96 Patched version of: Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 (1 DVD FLAC)
|
notes
|
| 10736. |
06/19/88 |
Flac 16/44,1 - 0,
151602 |
East Troy |
Alpine Valley Music Theatre flac16/44.1khz Patched version of: Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 (1 DVD FLAC) - 151200 24 -> 16 @ 44.1
|
notes
|
| 10737. |
06/20/88 |
Flac 16 - 0,
119380 |
East Troy |
Alpine Valley Music Theatre flac16; Recording Info: SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10738. |
06/20/88 |
Flac 16 - 0,
123452 |
East Troy |
Alpine Valley Music Theatre flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Set 2: SBD -> Cassette Master -> ? -> Cassette; Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10739. |
06/20/88 |
Flac 16 - 0,
119068 |
East Troy |
Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tapes, Maxell MX Set 1,TDK MA-X Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAc8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 10740. |
06/20/88 |
Flac 16 - 0,
127251 |
East Troy |
Alpine Valley Music Theatre flac16; Source (AUD): Shure SM57 (DIN, center, OTS, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
|
notes
|
| 10741. |
06/20/88 |
Flac 24/48 - 0,
119067 |
East Troy |
Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tapes, Maxell MX Set 1,TDK MA-X Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAc8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 10742. |
06/20/88 |
Shn - 0,
17269 |
East Troy |
Alpine Valley Music Theatre Source: AUD(Senn 441's)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN. Taper: Craig Camus. CDR source via Todd Norman. SHN encoding/FTP transmission via Chris Ladner/candyman FTP.
|
notes
|
| 10743. |
06/20/88 |
Flac 16 - 0,
111266 |
East Troy |
Alpine Valley Music Theatre flac16; Source: 2 Neumann KMF4 microphones (11th row)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
|
notes
|
| 10744. |
06/20/88 |
Flac 16 - 0,
147212 |
East Troy |
Alpine Valley Music Theatre flac16; Source: AKG 460(FOB 20th Row); Transfer: DAT > Sony PCM R300 > Tascam DR680
|
notes
|
| 10745. |
06/20/88 |
Flac 24/48 - 0,
151410 |
East Troy |
Alpine Valley Music Theatre flac24/48khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 10746. |
06/20/88 |
Flac 16/44 - 0,
151614 |
East Troy |
Alpine Valley Music Theatre flac16/44khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M) > Cassette (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151410 24 -> 16 @ 44.1
|
notes
|
| 10747. |
06/22/88 |
Flac 16 - 0,
119780 |
East Troy |
Alpine Valley Music Theatre flac16; Set 2 Recording Info: SBD -> ? -> Cassette/4; Transfer Info: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.2 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10748. |
06/22/88 |
Flac 16 - 0,
119341 |
East Troy |
Alpine Valley Music Theatre flac16; Set 2 Only Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tape TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 10749. |
06/22/88 |
Flac 24/48 - 0,
119340 |
East Troy |
Alpine Valley Music Theatre flac24; Set 2 Only Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tape TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 10750. |
06/22/88 |
Flac 16 - 0,
127252 |
East Troy |
Alpine Valley Music Theatre flac16; Source (AUD): Shure SM57 (A/B, 10" spacing, center, OTS, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
|
notes
|
| 10751. |
06/22/88 |
Flac 16 - 0,
111276 |
East Troy |
Alpine Valley Music Theatre flac16; Source: 2 Neumann KMF4 microphones - 7th row > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
|
notes
|
| 10752. |
06/22/88 |
Shn - 0,
17349 |
East Troy |
Alpine Valley Music Theatre AUD(Senn 441's, Row 16, DFC)>CM (Marantz PMD 430)>DAT>CDR>WAV>SHN taped by Craig Camus via Todd Norman encoded by Chris Ladner
|
notes
|
| 10753. |
06/22/88 |
Flac 16 - 0,
31633 |
East Troy |
Alpine Valley Music Theatre flac16; Source: AKG414 > Sony PCM > Tascam Porta 5 w/ Dolby DBX Transfer: Cassette Master > CD > LibParanoia > AIFF > FLAC Taped by: Jim O'Malley
|
notes
|
| 10754. |
06/23/88 |
Shn - 0,
13051 |
East Troy |
Alpine Valley Music Theatre yet another DAE/re-SHN of the exisitng DSBD?; posted to abgd by terrapin flyer
|
notes
|
| 10755. |
06/23/88 |
Flac 16 - 0,
119343 |
East Troy |
Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tapes Set 1 Maxell-MX, Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 10756. |
06/23/88 |
Shn - 0,
9446 |
East Troy |
Alpine Valley Music Theatre Likely eac of original DSBD source
|
notes
|
| 10757. |
06/23/88 |
Flac 24/48 - 0,
119342 |
East Troy |
Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (X/Y/20 Feet From Left Back Lawn Stacks/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M, Tapes Set 1 Maxell-MX, Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 10758. |
06/23/88 |
Flac 16 - 0,
127253 |
East Troy |
Alpine Valley Music Theatre flac16; Source (AUD): Shure SM57 (A/B, 10" spacing, center, OTS, 7' up) > Sony WM-D6C (Maxell MX 90 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase (pre and post set fades, edit for tape flips, balance channels, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
|
notes
|
| 10759. |
06/23/88 |
Flac 16/48 UMtx - 0,
142398 |
East Troy |
Alpine Valley Music Theatre flac16/48kHz; Recording Info: UltraMatrix SBD > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Master by Charlie Miller
|
notes
|
| 10760. |
06/23/88 |
Shn - 0,
17407 |
East Troy |
Alpine Valley Music Theatre AUD(Senn 441's, Row 16, DFC)>CM (Marantz PMD430)>DAT>CDR>WAV>SHN. Recorded and transferred (CM > DAT > CDR) by Craig Camus. Encoding/edits by Chris Ladner.
|
notes
|
| 10761. |
06/23/88 |
Flac 16 - 0,
30114 |
East Troy |
Alpine Valley Music Theatre flac16; Source: AKG414 > PCM > Stereo Line Out > Tascam Port 5 Analog Tape Deck w/ DBX Dolby Transfer: Cassette Master > DAT > CD > LibParanoia > Flac16 Taped by O'Malley
|
notes
|
| 10762. |
06/23/88 |
Flac 16 - 0,
111227 |
East Troy |
Alpine Valley Music Theatre flac16; Source: 2 Neumann KMF4 microphones - 11th row > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
|
notes
|
| 10763. |
06/25/88 |
Flac 16 - 0,
107387 |
Hebron |
Buckeye Lake Music Center flac16; Sennheiser 421s> Sony D5> Sony D5> MAC> 1st Gen cassettes Taped by Lucien Zaleski and Andrew Kolodjeski. Transferred, Edited and Mastered by Alex Ford.
|
notes
|
| 10764. |
06/25/88 |
Flac 16 - 0,
143077 |
Hebron |
Buckeye Lake Music Center flac16; Master (FOB) Audience PCM; Schoeps MK2S split omnis > Tim Dalton's PCM clone (16-bit/44.1k); Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (.wav 16-bit/44.1k)> Adobe Audition 3.01 > TLH flac16
|
notes
|
| 10765. |
06/25/88 |
Flac 24/96 - 0,
134860 |
Hebron |
Buckeye Lake Music Center flac24; Source: Nakamichi CM-300s/Shotguns -> Sony Walkman Pro/TDK MA90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
|
notes
|
| 10766. |
06/25/88 |
Shn - 0,
6478 |
Hebron |
Buckeye Lake Music Center Schoeps MK2s fob; Unknown seeder
|
notes
|
| 10767. |
06/25/88 |
Flac 16 - 0,
149261 |
Hebron |
Buckeye Lake Music Center flac16; Source Info: FOB Microphones Unknown-> PCM-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 10768. |
06/26/88 |
Flac - 0,
123834 |
Pittsburgh |
Civic Arena flac16; Recording Info: (FOB) Schoeps CMC4/MK2 -> PCM -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10769. |
06/26/88 |
Flac 24 a - 0,
115734 |
Pittsburgh |
Civic Arena flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell XL-II 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 10770. |
06/26/88 |
Flac - 0,
115733 |
Pittsburgh |
Civic Arena flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell XL-II 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 10771. |
06/26/88 |
Flac - 0,
139226 |
Pittsburgh |
Civic Arena flac16/48kHz; Source: Audience recording > Schoeps MK2 > PCM > DAT (48k); provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; transferred by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick September 2017
|
notes
|
| 10772. |
06/26/88 |
Flac 16/48 - 0,
139246 |
Pittsburgh |
Civic Arena flac16/48kHz; Source: Audience recording > Schoeps MK2 > PCM > DAT (48k); provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; transferred by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick September 2017
|
notes
|
| 10773. |
06/26/88 |
Shn Mtx. - 0,
5608 |
Pittsburgh |
Civic Arena SBD/Matrix > Dat > CDR > Sonic Solutions > CDR > EAC > CDWave > mkwACT; extracted/seeded by Doug Nawrocki
|
notes
|
| 10774. |
06/28/88 |
Shn - 0,
7831 |
Saratoga Springs |
Saratoga Performing Arts Center (Pre FM) SBD> MC> DAT> CDR> Shn, Digital editing, retracking and posted to abgd by Charlie Connor with thanks to Skankweed
|
notes
|
| 10775. |
06/28/88 |
Shn - 0,
12187 |
Saratoga Springs |
Saratoga Performing Arts Center FM (matrix): DAT > CD > TrackThief > AIFF > Peak > WAV > SHN > shntool (corrected S.B.problems); Seeded to etree by Peter Braverman with thanks to Doug Nawrocki
|
notes
|
| 10776. |
06/28/88 |
Flac 16 - 0,
130781 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Recording Info: SBD > MC > DAT > CDR > SHN; Transfer Info: SHN > TLH > WAV > Sound Forge 10 > TLH > FLAC; Retracked, remastered version of shnid 7831; Retracked and mastered by Bill Guarneri, July 30, 2014
|
notes
|
| 10777. |
06/28/88 |
Shn - 0,
17956 |
Saratoga Springs |
Saratoga Performing Arts Center FM (matrix): DAT> CD> TrackThief> AIFF> Peak> WAV> SHN via Braverman (upgrade of prior seeds from this source)
|
notes
|
| 10778. |
06/28/88 |
Flac 24/96 - 0,
13ß427 |
Saratoga Springs |
Saratoga Performing Arts Center flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Nakamichi CM100/CP4 Shotguns > Unknown Mixer > Sony TC-D5m, Tapes Maxell MX-90's; Recorded From The Official Taper's Section; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 10779. |
06/28/88 |
Flac 16 - 0,
130426 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Nakamichi CM100/CP4 Shotguns > Unknown Mixer > Sony TC-D5m, Tapes Maxell MX-90's; Recorded From The Official Taper's Section; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 10780. |
06/28/88 |
Flac 24/96 - 0,
132523 |
Saratoga Springs |
Saratoga Performing Arts Center flac24; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD-8-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 10781. |
06/28/88 |
Flac 16 - 0,
132524 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD-8-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 10782. |
06/28/88 |
Shn - 0,
7802 |
Saratoga Springs |
Saratoga Performing Arts Center (pre- FM) SBD> MC> DAT> CDR, EAC'ed/Shn'ed and Posted to abgd by Stephen Agan
|
notes
|
| 10783. |
06/28/88 |
Flac 24 - 0,
134529 |
Saratoga Springs |
Saratoga Performing Arts Center flac24; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Tascam 122mkII) -> Focusrite Scarlett -> AIFF (24bit/44.1k); Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/24; Mastered By Charlie Miller
|
notes
|
| 10784. |
06/28/88 |
Flac 16 - 0,
134530 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Tascam 122mkII) -> Focusrite Scarlett -> AIFF; Mastering Info: AIFF -> Samplitude Professional v11.2.1 -> FLAC/16; Mastered By Charlie Miller
|
notes
|
| 10785. |
06/28/88 |
Flac 24/96 - 0,
141703 |
Saratoga Springs |
Saratoga Performing Arts Center flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
|
notes
|
| 10786. |
06/28/88 |
Flac 16 - 0,
110953 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Source: AKG 460b/ck63uls > AKG B18> Sony TCD5; Conversion: Nakamichi 700II (cassette master)> Oade Modified Lunatec V3 @ 24/96> Wave Lab 5 (resample, Apogee uv22hr dither)> CDA> FLAC16; Recorded by Ray Ackerman; Conversion by Ray Ackerman; Tracks, FLACs, Tags by Craig Taraszki
|
notes
|
| 10787. |
06/28/88 |
Flac 16 - 0,
145612 |
Saratoga Springs |
Saratoga Performing Arts Center flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k), Edited & Mastered by Joe Noel, WAV > Audacity > FLAC 24/96, April 10, 2018; This file set is 16 bit @ 44.1
|
notes
|
| 10788. |
06/30/88 |
Flac 16 - 0,
96071 |
Rochester |
Silver Stadium flac16; Recording Info: Set 1: SBD -> Cassette Master -> Cassette (Sony D5/Dolby B); Set 2: SBD -> Dat -> Sonic Solutions -> CD; Transfer Info: Set 1: Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC/16; Set 2: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10789. |
06/30/88 |
Flac 16 - 0,
80269 |
Rochester |
Silver Stadium flac16; Set 2 only: MAC > C1 (Maxell XLII 90) > Nakamichi 480, azimuth aligned > Tascam DA-40 (A/D only) > M-Audio Audiophile 192 > Adobe Audition > CDWave > FLAC Frontend
|
notes
|
| 10790. |
06/30/88 |
Shn - 0,
19530 |
Rochester |
Silver Stadium Set 2 SBD > DAT [vault] > DAT [vault clone] > CDR. Discs kindly provided by Zeb Weber via David Gans. cd > eac > shnv3 by Ernie Dodd. [Note: This is a more complete and uncensored version of this source (http://db.etree.org/shninfo_detail.php?shnid=6670).]
|
notes
|
| 10791. |
06/30/88 |
Shn - 0,
6670 |
Rochester |
Silver Stadium set 2; SBD> DAT> Sonic Solutions> CDR from David Gans; via Skankweed, David Finney
|
notes
|
| 10792. |
06/30/88 |
Flac 16 - 0,
138070 |
Rochester |
Silver Stadium flac16; Set 2 Source: FOB recording by Ted Mattes; Schoeps CMC42s (omnis spaced 8 feet) > Apogee Mod Sony PCM F1 FOB; Transfer: John Ammons; Beta master > DAT > CD > Audacity; Patch, tags & checksums: Joe Noel in Audacity & xACT; fixed version cirulated 2017/03/29: cut between BION removed duplicate patch removed from end of space (crossfades re-applied) re-tracked; please don't circuulate the original source
|
notes
|
| 10793. |
06/30/88 |
Flac 24/96 - 0,
141704 |
Rochester |
Silver Stadium flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
|
notes
|
| 10794. |
06/30/88 |
Flac 16 - 0,
142404 |
Rochester |
Silver Stadium flac16; Ted Mattes FOB Recording: Schoeps CMC42s (omnis spaced 8 feet) > Apogee Mod Sony PCM F1 > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44
|
notes
|
| 10795. |
06/30/88 |
Flac 16 - 0,
81533 |
Rochester |
Silver Stadium flac16; AUD Source: AKG 460's with CK3 hypercardioid capsules > Sony TC-D5M. Set up FOB, even with the front of the board. Taped by Ray Ackerman. Transfer: MAC > CD by Ray Ackerman (equipment unknown). CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007 by Andrew F
|
notes
|
| 10796. |
06/30/88 |
Shn - 0,
414 |
Rochester |
Silver Stadium FOB split Schoeps CMC5/mk21's > PCM > DAT; Conversion: DAT->Montego II->HD via Soundforge->CDWav->MKW .shn; via A. Gustin
|
notes
|
| 10797. |
06/30/88 |
Flac 24/96 - 0,
135156 |
Rochester |
Silver Stadium flac24; Set 2 Source: Nakamichi CM-300s/Shotguns -> Sony Walkman Pro/TDK MX-S 100 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Recorded, tracked and seeded by bltz
|
notes
|
| 10798. |
06/30/88 |
Flac 24/96 - 0,
144572 |
Rochester |
Silver Stadium flac24; Ray Ackerman's Master Audience Cassette Recording & Transfer; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette; Located, front left side of sound board; Transfer: Master Cassettes > Kyocera D811 > Grace V3 > M-Audio MicroTrack II > WAV 96Hz/24bit; Edited & Mastered w/ Audacity by Joe Noel
|
notes
|
| 10799. |
06/30/88 |
Flac 16 - 0,
145661 |
Rochester |
Silver Stadium flac16; Ray Ackerman's Master Audience Cassette Recording & Transfer; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette; Located, front left side of sound board; Transfer: Master Cassettes > Kyocera D811 > Grace V3 > M-Audio MicroTrack II > WAV 96Hz/24bit; Edited & Mastered w/ Audacity by Joe Noel. This file set is 16 bit @ 44.1
|
notes
|
| 10800. |
06/30/88 |
Flac 16 - 0,
146890 |
Rochester |
Silver Stadium flac16; John Kemble & Don Crandall (FOB) Recording: Schoeps CMC4 + 41 Cardiod capsules @ 110ยบ > MIT Proline XLR cables > OADE 48V "wonder cap" power supply > PCM (Sony PCM-F1/SL-2000) > PCM(2); Bill Reutelhuber transfer: PCM(2) > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44; Edited & Mastered by Joe Noel Flac > Audacity > Flac 16/44
|
notes
|
| 10801. |
07/01/88 |
Shn - 0,
20606 |
Cape Elizabeth |
The Inn By The Sea Tape "The Inn By The Sea" tape; This tape was left in a room occupied by The Grateful Dead at "The Inn By The Sea," Cape Elizabeth, Maine when they were doing the July 2 and 3, 1988 at Oxford Plains, Maine; Recorded at Club Front?; SBD>DAT>CT>CD>EAC>SHN; shn(1)>cda(1)
|
notes
|
| 10802. |
07/02/88 |
Flac 16 Mtx - 0,
92583 |
Oxford |
Oxford Plains Speedway flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
|
notes
|
| 10803. |
07/02/88 |
Flac 16 - 0,
86817 |
Oxford |
Oxford Plains Speedway flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 10804. |
07/02/88 |
Shn - 0,
21211 |
Oxford |
Oxford Plains Speedway Source: SBD + AUD 'Matrix Mix' Source 1) FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR Source 2) SBD > Dat > Sonic Solutions > CDR Both sources were extracted using EAC and time aligned/mixed/shn'ed by dan@am-dig.com using Cool Edit 2k (see additional notes in text file)
|
notes
|
| 10805. |
07/02/88 |
Flac 24/96 - 0,
124844 |
Oxford |
Oxford Plains Speedway flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 10806. |
07/02/88 |
Flac 16 - 0,
132393 |
Oxford |
Oxford Plains Speedway flac16; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD8 100's; Recorded By The Soundboard; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 10807. |
07/02/88 |
Flac 24/96 - 0,
132394 |
Oxford |
Oxford Plains Speedway flac24; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD8 100's; Recorded By The Soundboard; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 10808. |
07/02/88 |
Flac 16 - 0,
124845 |
Oxford |
Oxford Plains Speedway flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 10809. |
07/02/88 |
Shn - 0,
2328 |
Oxford |
Oxford Plains Speedway SBD> Master Cassette> DAT> CDR> EAC> SHN; via Jeff M.
|
notes
|
| 10810. |
07/02/88 |
Flac 16 - 0,
74652 |
Oxford |
Oxford Plains Speedway flac16 Fix of shn id 2328 - SBD>Master Cassette>DAT>CDR>EAC>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 10811. |
07/02/88 |
Flac Dts 5.1 - 0,
21434 |
Oxford |
Oxford Plains Speedway Source: SBD + AUD '5.1 DTS'; FOB Schoeps CMC42s (8ft. spaced omni) > PCM F1/SL2000, then PCM 601ES > DAT > CDR; SBD > Dat > Sonic Solutions > CDR
|
notes
|
| 10812. |
07/02/88 |
Flac 16 - 0,
106588 |
Oxford |
Oxford Plains Speedway flac16; (FOB) Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded FOB by Bob Morris
|
notes
|
| 10813. |
07/02/88 |
Flac 16/48 - 0,
138736 |
Oxford |
Oxford Plains Speedway flac16/48kHz; 5.1 LPCM Surround Sound (48k) Set 2 Only - SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin
|
notes
|
| 10814. |
07/02/88 |
Flac Dts 5.1 - 0,
138738 |
Oxford |
Oxford Plains Speedway DTS-Audio-CD 5.1 Mix; Set 2 Only SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin
|
notes
|
| 10815. |
07/02/88 |
Flac 16 Mtx - 0,
138737 |
Oxford |
Oxford Plains Speedway flac16; Matrix 2 Source Mix Set 2 Only - SBD (shnid = 86817) SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shnid = 12844) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
|
notes
|
| 10816. |
07/02/88 |
Flac 16 - 0,
140673 |
Oxford |
Oxford Plains Speedway flac16; Set 1 from Robert Bryant (from an Oade Bros. patch) FOB; Recording: Schoeps MK2 spaced omni's > Sony F1 > PCM > DAT; Charlie Miller Transfer: DAT (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT
|
notes
|
| 10817. |
07/02/88 |
Flac 16 - 0,
140674 |
Oxford |
Oxford Plains Speedway flac16; Jeff Silberman Master FOB Recording: Neumann U89 spaced omnis -> Technics SV-100 -> PCM; John Ammons Transfer: Tascam DA20 Mark II -> Roland SRC-2 -> Mac Mini > Audacity 3.0 @ 44K -> WAV; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT
|
notes
|
| 10818. |
07/02/88 |
Flac 16 Dts - 0,
92582 |
Oxford |
Oxford Plains Speedway DTS Audio 5.1; DTS-Audio-CD 5.1 Mix, see info file for details
|
notes
|
| 10819. |
07/02/88 |
Flac 24/96 - 0,
141757 |
Oxford |
Oxford Plains Speedway flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
|
notes
|
| 10820. |
07/02/88 |
Flac 16/48 - 0,
142977 |
Oxford |
Oxford Plains Speedway flac16/48kHz; Recording by Stephen Porter: Sennheiser Me80 > Sony D5 > Master Cassette (Maxell XLII-S 90); Transfer by Kris Wescott: Master Cassette > Nakamichi CR7a (dolby on) > Korg mr1000 1 bit @ 5.6 mhz > WAV 1648
|
notes
|
| 10821. |
07/02/88 |
Flac 16 - 0,
124766 |
Oxford |
Oxford Plains Speedway flac16; Taper: M. Laurentus; FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
|
notes
|
| 10822. |
07/02/88 |
Flac 16 - 0,
82762 |
Oxford |
Oxford Plains Speedway flac16; Source: Nakamichi CM304's>BeyerM101>Sony Mixer>Sony D5M Location: At SBD*, Stand at 8 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 10823. |
07/02/88 |
Flac 16 - 0,
32636 |
Oxford |
Oxford Plains Speedway Nakamichi 100's > Marantz 430-PDM [Maxell metals w/ dbx] Sony 59 ES > wavelab > cd wave > flac
|
notes
|
| 10824. |
07/02/88 |
Flac 16 - 0,
145666 |
Oxford |
Oxford Plains Speedway flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1
|
notes
|
| 10825. |
07/02/88 |
Flac 24/96 - 0,
147158 |
Oxford |
Oxford Plains Speedway flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited asnd mastered SIRMick July 2019
|
notes
|
| 10826. |
07/02/88 |
Flac 24 UMtx. - 0,
150683 |
Oxford |
Oxford Plains Speedway flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 10827. |
07/03/88 |
Shn - 0,
3908 |
Oxford |
Oxford Plains Speedway SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko
|
notes
|
| 10828. |
07/03/88 |
Flac 16 Mtx - 0,
92585 |
Oxford |
Oxford Plains Speedway flac16; SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
|
notes
|
| 10829. |
07/03/88 |
Flac 16 - 0,
107117 |
Oxford |
Oxford Plains Speedway flac16; (FOB) Schoeps CMC42s (Spaced Omni) > Sony PCM F1/SL2000 > PCM 601ES > Dan Houck's DAT; Lineage: Sony TCD-790 > Hucht Copyprocessor MKII > Tascam HD-P2 > WAV > FLAC
|
notes
|
| 10830. |
07/03/88 |
Flac 24 - 0,
132399 |
Oxford |
Oxford Plains Speedway flac24; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD 430 > Tapes:Denon HD 8-100's; Recorded From The Repeater Stack; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 10831. |
07/03/88 |
Flac 16 - 0,
132398 |
Oxford |
Oxford Plains Speedway flac16; Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD 430 > Tapes Denon HD 8-100's; Recorded From The Repeater Stack; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 10832. |
07/03/88 |
Flac 16 - 0,
124856 |
Oxford |
Oxford Plains Speedway flac16; Master Audience Recorded By Fitzy, Transfer By Keo! Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 10833. |
07/03/88 |
Flac 16 - 0,
92586 |
Oxford |
Oxford Plains Speedway flac16; FOB AUD: Nakamichi CM-300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, July 2008. Transfer by Andrew F.
|
notes
|
| 10834. |
07/03/88 |
Flac Dts 5.1 - 0,
92584 |
Oxford |
Oxford Plains Speedway DTS Audio 5.1; DTS-Audio-CD 5.1 Mix, see info file for details
|
notes
|
| 10835. |
07/03/88 |
Flac 16 - 0,
106587 |
Oxford |
Oxford Plains Speedway flac16; (FOB) Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/TDK MA 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded FOB by Bob Morris
|
notes
|
| 10836. |
07/03/88 |
Flac 16/48 - 0,
139083 |
Oxford |
Oxford Plains Speedway flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 3908) SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko + AUD (shnid = 124810) FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus - surround mixing by Kevin Tobin
|
notes
|
| 10837. |
07/03/88 |
Flac Dts 5.1 - 0,
139082 |
Oxford |
Oxford Plains Speedway DTS-Audio-CD 5.1 Mix; SBD (shnid = 3908) SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko + AUD (shnid = 124810) FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus - dts mixing by Kevin Tobin
|
notes
|
| 10838. |
07/03/88 |
Flac 16 Mtx - 0,
139081 |
Oxford |
Oxford Plains Speedway flac16; Matrix 2 Source Mix - SBD (shnid = 3908) SBD> DAT> Sonic Solutions> CDR> EAC> CD> EAC> SHN; via Saint Stephen, with thanks to Richard Danyko + AUD (shnid = 124810) FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus - matrix mixing by Kevin Tobin
|
notes
|
| 10839. |
07/03/88 |
Flac 16 - 0,
140675 |
Oxford |
Oxford Plains Speedway flac16; Jeff Silberman Master FOB Recording: Neumann U89 spaced omnis -> Technics SV-100 -> PCM; John Ammons Transfer: Tascam DA20 Mark II -> Roland SRC-2 -> Mac Mini > Audacity 3.0 @ 44K -> WAV; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT
|
notes
|
| 10840. |
07/03/88 |
Flac 24/96 - 0,
141758 |
Oxford |
Oxford Plains Speedway flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
|
notes
|
| 10841. |
07/03/88 |
Flac 16/48 - 0,
142978 |
Oxford |
Oxford Plains Speedway flac16/48kHz; Recording by Stephen Porter: Sennheiser Me80 > Sony D5 > Master Cassette (Maxell XLII-S 90); Transfer by Kris Wescott: Master Cassette > Nakamichi CR7a (dolby on) > Korg mr1000 1 bit @ 5.6 mhz > WAV 1648
|
notes
|
| 10842. |
07/03/88 |
Flac 16 - 0,
124810 |
Oxford |
Oxford Plains Speedway flac16; FOB In front of left stacks. AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus
|
notes
|
| 10843. |
07/03/88 |
Shn - 0,
3325 |
Oxford |
Oxford Plains Speedway (FOB) AUD> Beyer Dynamic 201's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav v1.6 (tracking only)> SHNv3 (MKW ACT); taped, mastered and seeded to abgd by Charlie Connor
|
notes
|
| 10844. |
07/03/88 |
Flac 16 - 0,
82801 |
Oxford |
Oxford Plains Speedway flac16; Source: Nakamichi CM304's>BeyerM101>Sony Mixer>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 10845. |
07/03/88 |
Flac 16 - 0,
145667 |
Oxford |
Oxford Plains Speedway flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.
|
notes
|
| 10846. |
07/03/88 |
Flac 24/96 - 0,
124855 |
Oxford |
Oxford Plains Speedway flac24; Master Audience Recorded By Fitzy, Transfer By Keo! Nakamichi CM300/CP4 Shotguns > Sony Tc-D5M, Tapes Maxel MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 10847. |
07/03/88 |
Flac 24/96 - 0,
147523 |
Oxford |
Oxford Plains Speedway flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick September 2019
|
notes
|
| 10848. |
07/03/88 |
- 0,
|
Oxford |
Oxford Plains Speedway (FOB) AUD> Beyer Dynamic 201's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav v1.6 (tracking only)> SHNv3 (MKW ACT); taped, mastered and seeded to abgd by Charlie Connor
|
notes
|
| 10849. |
07/15/88 |
Flac 16 - 0,
34751 |
Berkeley |
Greek Theatre, U. Of California flac16; Seamless fix of shn id 10343 - Ultramatrix>DAT>?>CD>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 10850. |
07/15/88 |
Shn - 0,
10343 |
Berkeley |
Greek Theatre, U. Of California Sources: Primary Source: Prev Braverman Matrix Seed Seconday Source: Prev Gardner Seed of Sean Weber-Small's Aud PCM Master The secondary source supplies a patch in Estimated Prophet(d2t05) from 3:03 thru 3:07; Patched by Scott Clugston. Vined and posted to abgd via Charlie Connor
|
notes
|
| 10851. |
07/15/88 |
Shn - 0,
10079 |
Berkeley |
Greek Theatre, U. Of California Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman
|
notes
|
| 10852. |
07/15/88 |
Flac 16 - 0,
140749 |
Berkeley |
Greek Theatre, U. Of California flac16; Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10853. |
07/15/88 |
Flac 24 UMtx - 0,
141922 |
Berkeley |
Greek Theatre, U. Of California flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10854. |
07/15/88 |
Flac 16 - 0,
141964 |
Berkeley |
Greek Theatre, U. Of California flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10855. |
07/15/88 |
Flac 16/48 - 0,
141962 |
Berkeley |
Greek Theatre, U. Of California flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - mixing by Kevin Tobin
|
notes
|
| 10856. |
07/15/88 |
Flac 16 - 0,
141959 |
Berkeley |
Greek Theatre, U. Of California flac16; Patched and Pitch Corrected Audience - AUD (original shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - pitch correction and patches by Kevin Tobin
|
notes
|
| 10857. |
07/15/88 |
Flac Dts 5.1 - 0,
141961 |
Berkeley |
Greek Theatre, U. Of California DTS-Audio-CD 5.1 Mix; SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - dts mixing by Kevin Tobin
|
notes
|
| 10858. |
07/15/88 |
Flac 16 Mtx - 0,
141960 |
Berkeley |
Greek Theatre, U. Of California flac16; Matrix 2 Source Mix - SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - matrix mixing by Kevin Tobin
|
notes
|
| 10859. |
07/15/88 |
Flac16/48 LPCM - 0,
142014 |
Berkeley |
Greek Theatre, U. Of California flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141922) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 137888) NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH - surround mixing by Kevin Tobin
|
notes
|
| 10860. |
07/15/88 |
Flac 16 Pre Fm - 0,
143155 |
Berkeley |
Greek Theatre, U. Of California flac16; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This file set is 16 bit @ 44.1
|
notes
|
| 10861. |
07/15/88 |
Flac 16 - 0,
143187 |
Berkeley |
Greek Theatre, U. Of California flac16; Sean Weber-Small recording: Schoeps CMC42S (Spaced Omni 14' Split)> Oade Power Supply> PCM (Sony PCM-F1 w/ Apogee modified A/D filters); Location (OTS, 2nd Row behind Healy); A Philly Crew transfer: PCM(1)> Sony PCM601esd (spdif out)> VX Pocket (spdif in)> Nuendo> FLAC 16/44
|
notes
|
| 10862. |
07/15/88 |
Flac 16 - 0,
137888 |
Berkeley |
Greek Theatre, U. Of California flac16; NAK-CM100-CP4 Shotguns(2) AT-Shotguns model unknown(2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up dead center on hill behind seating and walkway on 2 mic stands 10-12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flipps) > encoded to FLAC (level 8) w/ TLH
|
notes
|
| 10863. |
07/15/88 |
Shn - 0,
9244 |
Berkeley |
Greek Theatre, U. Of California 2nd Row Behind Healy (see notes): Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters; Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner
|
notes
|
| 10864. |
07/15/88 |
Flac 16 - 0,
138063 |
Berkeley |
Greek Theatre, U. Of California flac16; Fixed version Source Info: Healy-FM > FM Receiver(RCA output) > D-6 (Dolby C on) > Maxell MX-90; Transfer Info: Maxell MX-90 > Onkyo TA-2027(Dolby C on/azimuth adjusted) > Carver HR-722 > Sony M-10 (Wave 24bit/96k/tracked) > Soundforge 9 (fades / patch) > Converted to 16bit/44k w/ Audacity > Encoded to FLAC (level 8) w/ TLH; Original source marked pre-FM and had some files that were 44.1kHz and others 96kHz
|
notes
|
| 10865. |
07/15/88 |
Flac 24/96 - 0,
138064 |
Berkeley |
Greek Theatre, U. Of California flac24; Some file are 24 bit and others are 16bit; Source Info: pre-FM > FM Receiver(RCA output) > D-6 (Dolby C on) > Maxell MX-90; Transfer Info: Maxell MX-90 > Onkyo TA-2027(Dolby C on) > Carver HR-722 > Sony M-10 (Wave 24bit/96k/tracked) > Soundforge 9 (fades / patch) > Encoded to FLAC (level 8) w/ TLH; this entry is for documentation purposes
|
notes
|
| 10866. |
07/16/88 |
Flac 16 - 0,
87751 |
Berkeley |
Greek Theatre, U. Of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10867. |
07/16/88 |
Flac 16 Mtx - 0,
139808 |
Berkeley |
Greek Theatre, U. Of California flac16; Recording Info: UltraMatrix SBD (Broadcast Mix) > PCM Master; Transfer Info: PCM Master (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
notes
|
| 10868. |
07/16/88 |
Flac 16 Mtx - 0,
140549 |
Berkeley |
Greek Theatre, U. Of California
|
notes
|
| 10869. |
07/16/88 |
Flac 24 - 0,
140495 |
Berkeley |
Greek Theatre, U. Of California flac24; Recording Info: UltraMatrix SBD (Broadcast Mix) > Ultra Hi-FI VHS Master; Transfer Info: Ultra Hi-Fi VHS Master (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1 bit/5.8 MHz) > Adobe Audition 3.0 24/96 > TLH flac2496
|
notes
|
| 10870. |
07/16/88 |
Flac 16 - 0,
140750 |
Berkeley |
Greek Theatre, U. Of California flac16; Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10871. |
07/16/88 |
Flac 24 Pre Fm - 0,
143156 |
Berkeley |
Greek Theatre, U. Of California flac24; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10872. |
07/16/88 |
Flac 16 - 0,
143160 |
Berkeley |
Greek Theatre, U. Of California flac16; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10873. |
07/16/88 |
Flac 16 - 0,
107042 |
Berkeley |
Greek Theatre, U. Of California flac16; Nak700/cp701>Bill Box>dbx224>D5: Nak>dbx224>mytek8x96AD6(24bit)ftp>r8brain>audacity>cdwave>tlh; Recorded and Transferred by Bill Reutelhuber
|
notes
|
| 10874. |
07/16/88 |
U.Mtx Shn - 0,
10080 |
Berkeley |
Greek Theatre, U. Of California Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman
|
notes
|
| 10875. |
07/17/88 |
Flac 16 - 0,
87752 |
Berkeley |
Greek Theatre, U. Of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10876. |
07/17/88 |
Shn Mtx - 0,
10081 |
Berkeley |
Greek Theatre, U. Of California Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.); via Steve Aserkoff; Seeded to etree by Peter Braverman.; Note- This may be an FM source; See user comments
|
notes
|
| 10877. |
07/17/88 |
Shn - 0,
1808 |
Berkeley |
Greek Theatre, U. Of California SBD> DAT Master> CDR> EAC> WAV> SHN; known flaws: d2t05 - d/o's 4:34, 5:06; via Jeff M.; Note- This may be an FM source; See user comments
|
notes
|
| 10878. |
07/17/88 |
Flac 16 Mtx - 0,
140579 |
Berkeley |
Greek Theatre, U. Of California flac16; Set 2 Recording Info: UltraMatrix SBD (Broadcast Mix) > Ultra Hi-Fi VHS Master; Transfer Info: Ultra Hi-Fi VHS Master (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1 bit/5.8 MHz) > Adobe Audition 3.0 24/96 > TLH flac2496; channels are correct on this 16 bit
|
notes
|
| 10879. |
07/17/88 |
Flac 24 - 0,
140512 |
Berkeley |
Greek Theatre, U. Of California flac24; Set 2 Recording Info: UltraMatrix SBD (Broadcast Mix) > Ultra Hi-Fi VHS Master; Transfer Info: Ultra Hi-Fi VHS Master (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1 bit/5.8 MHz) > Adobe Audition 3.0 24/96 > TLH flac2496; the original source had errors, please don't circulate that version
|
notes
|
| 10880. |
07/17/88 |
Flac 16 - 0,
140511 |
Berkeley |
Greek Theatre, U. Of California flac16; Set 1 Recording Info: (FOB) Master Audience PCM; AKG 414btl mics, Master PCM > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10881. |
07/17/88 |
Flac 24 - 0,
143157 |
Berkeley |
Greek Theatre, U. Of California flac24; Recording Info: In-House FM (SBD) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10882. |
07/17/88 |
Flac 24 Pre Fm - 0,
143158 |
Berkeley |
Greek Theatre, U. Of California flac24; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10883. |
07/17/88 |
Flac 16 - 0,
143173 |
Berkeley |
Greek Theatre, U. Of California flac16; Recording Info: Pre-FM (KPFA Air-Check) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10884. |
07/17/88 |
Flac 16 - 0,
143211 |
Berkeley |
Greek Theatre, U. Of California flac16; Recording Info: In-House FM (SBD) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1
|
notes
|
| 10885. |
07/17/88 |
Shn - 0,
9245 |
Berkeley |
Greek Theatre, U. Of California 2nd Row Behind Healy (see notes). Schoeps CMC42S (Spaced Omni 10' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters. Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR; Recording and Transfer: Sean Weber-small; EAC> Shn via MKW .97 by Bill Gardner
|
notes
|
| 10886. |
07/17/88 |
Flac 16 - 0,
138013 |
Berkeley |
Greek Theatre, U. Of California flac16; NAK-CM100-CP4 Shotguns(2) TOA-K1 Cardoids (2) > Tascam PortaOne 4-Track Cassette w/DBX Type II on > Maxell XLII-S90 - Set up right of center on hill behind seating and walkway on 2 mic stands 8'&12' high; XLII-S90 > Onkyo TA-2027 > dbx-224X processer > Carver HR-722 > Sony M-10 (Wave 16 bit/tracked) > Soundforge 9 (fades for tape flips/start/end and patch) > encoded to FLAC (level 8) w/ TLH
|
notes
|
| 10887. |
07/29/88 |
Flac 16 - 0,
106034 |
Monterey |
Laguna Seca Recreation Area flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10888. |
07/29/88 |
Flac 16 - 0,
93970 |
Monterey |
Laguna Seca Recreation Area flac16; Hat Mounted Realistic pzm's w/sony WMD6-C 45 feet away,dead center MAC>D6>HD>Audacity>CDWave>TLH
|
notes
|
| 10889. |
07/29/88 |
Flac 16 - 0,
102903 |
Monterey |
Laguna Seca Recreation Area flac16; TAPER: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps (Hand Held FOB) Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
|
notes
|
| 10890. |
07/29/88 |
Flac 16 - 0,
105341 |
Monterey |
Laguna Seca Recreation Area flac16; Second Set Only 3rd gen sbd>NakCR-3A>AudigySE>Audacity>CDwave>TLH
|
notes
|
| 10891. |
07/29/88 |
Shn - 0,
5395 |
Monterey |
Laguna Seca Recreation Area Soundboard (was originally labeled as Aud CM-> DAT-> CDR-> EAC w/correct offsets using Secure Mode w/C2 (Plextor UW)-> SHN (MKW)); encore is different AUD source; see notes in info file; via Andy Hayum with thanks to Ken Doughty, Karen Lutz Benbrook
|
notes
|
| 10892. |
07/29/88 |
Flac 16 - 0,
86255 |
Monterey |
Laguna Seca Recreation Area flac16; Source: Schoeps cmc 4/mk2-> Sony pcm-f1->Beta->Dat->Sony pcm R-500(playback)->vx pocket v2->SF6 Taper: unknown
|
notes
|
| 10893. |
07/29/88 |
Flac 16 Mtx - ,
158384 |
Monterey |
Laguna Seca Recreation Area A Photoleon Matrix Source 1 (a Remastered Version Of Shnid 86255): Schoeps Cmc4 Mk2 > Sony Pcm-f1 > Beta > Dat Transfer: Dat > Sony Pcm R-500 > Vx Pocket V2 > Sf6 Taper: Unknown Transferred And Encoded To Flac By: M.watson Source Dat By: Wklitz Remastered In Adobe Audition By Joe Noel July 23, 2022 Source 2 (shnid 106034): Sbd > Cassette Master > Dat > Cd Transfer: Cd -> Adobe Audition V-> Samplitude Professional V-> Flac Transfer & Mastering By Charlie Miller February 14, 2010 Matrix Created In Adobe Audition By Joe Noel July 20, 2022
|
notes
|
| 10894. |
07/30/88 |
Shn - 0,
19585 |
Monterey |
Laguna Seca Recreation Area mixed sources: set1: sbd matrix> unknown cassette generations> ?dat?> cdr> wav> shn; set 2: aud (unknown taper)> unknown cassette generations> ?dat?> cdr> wav> shn; EAC> SHN by Robert Goetz from Mike Rider's source disc
|
notes
|
| 10895. |
07/30/88 |
Flac 16 - 0,
131102 |
Monterey |
Laguna Seca Recreation Area flac16; 2nd Set SBD 2nd generation recording Sony D6-c dolby b on > Sony PCM M10@24/44.1; SDcard>SoundForge9>CDWave>TLH
|
notes
|
| 10896. |
07/30/88 |
Flac 16 - 0,
102904 |
Monterey |
Laguna Seca Recreation Area flac16; Taper: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps (In Hat FOB) Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
|
notes
|
| 10897. |
07/30/88 |
Flac 16 - 0,
94495 |
Monterey |
Laguna Seca Recreation Area flac16; Hat Mounted Realistic pzm's w/D6 45 feet,dfc MAC>D6>HD>Audacity>CDwave>TLH
|
notes
|
| 10898. |
07/30/88 |
Shn - 0,
21092 |
Monterey |
Laguna Seca Recreation Area Recording Info:(FOB/Split 10 to 20 Feet)Nakamichi CM700/CP701 -> dbx type II encoder -> Cassette Master (Sony TC-D5M); Transfer Info: Cassette Master (Nakamichi Cassette Deck 1) -> dbx 224x -> Mytek 8X96ADC -> Nuendo (24bit) -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN); Process Info: Very slight eq with waves Q10 and rendered to a 16 bit file with waves L2; Editing Info: Normalized and Tracked with Samplitude v7.02 Professional; Recorded and Transfered BY Bill Reutelhuber; Edited By Charlie Miller 12/15/03
|
notes
|
| 10899. |
07/30/88 |
Flac 16 - 0,
82207 |
Monterey |
Laguna Seca Recreation Area flac 16:Primary Source: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - TDK MA90's) Secondary Source: Bill Reutelhuber's Nakamichi CM700/CP701>dbx type II encoder>Cassette Master (Sony TC-D5M) (shn id 21092)Transfer:Nakamichi DR-10>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav beta1.57 (tracking only)>flac16 Level 8: Taped and transferred by Charlie Connor
|
notes
|
| 10900. |
07/31/88 |
Shn - 0,
1669 |
Monterey |
Laguna Seca Recreation Area SBD > MR > DAT @48Khz; Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHN3 (seekable); via John D'Auria; d2 tracked for 80 min; small glitch in Bucket, no other flaws
|
notes
|
| 10901. |
07/31/88 |
Flac 16 - 0,
85999 |
Monterey |
Laguna Seca Recreation Area flac16; Source: Audience FOB Recording, DFC Media: TDK-SA-X Lineage: AKG C460b pre's with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Grace Design Lunatec V3 > AES > Sound Devices 722 > WAV
|
notes
|
| 10902. |
07/31/88 |
Flac 16 - 0,
102905 |
Monterey |
Laguna Seca Recreation Area flac16; Taper: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps (In Hat FOB) Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
|
notes
|
| 10903. |
07/31/88 |
Flac 16 - 0,
142255 |
Monterey |
Laguna Seca Recreation Area flac16; Source Info: Master Soundboard Cassette > PCM; Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10904. |
07/31/88 |
Flac 16/48 - 0,
142396 |
Monterey |
Laguna Seca Recreation Area flac16/48kHz; Set 1 Recording Info: UltraMatrix SBD > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller
|
notes
|
| 10905. |
08/26/88 |
Flac 16/48 - 0,
143125 |
Tacoma |
Tacoma Dome flac16/48kHz; Master UltraMatrix Soundboard Dat > Steve Block's cassettes > Jim Blackwood's Dat (16-bit/48k)Transfer Info: Dat (Sony PCM-R500) > Apogee aes/ebu cable > Sound Devices 744T (.wav 16-bit/48k) > Adobe Audition 3.01 > TLH flac1648
|
notes
|
| 10906. |
08/26/88 |
Flac 16 U Mtx - 0,
143143 |
Tacoma |
Tacoma Dome flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24. this file set is 16 bit at 44.1
|
notes
|
| 10907. |
08/26/88 |
Flac 24 - 0,
143062 |
Tacoma |
Tacoma Dome flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
|
notes
|
| 10908. |
08/26/88 |
Shn - 0,
8215 |
Tacoma |
Tacoma Dome FOB Schoeps CMC34 --> Sony PCM-601ES --> DAT; Seeded to etree by Bill Gardner
|
notes
|
| 10909. |
08/26/88 |
Flac 24/96 - 0,
152393 |
Tacoma |
Tacoma Dome flac24/96 repaired the flutter from shnid=143062 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > Izotope RX8 Advanced > FLAC/24
|
notes
|
| 10910. |
08/26/88 |
Flac 16/48 - 0,
152077 |
Tacoma |
Tacoma Dome flac16/48 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10911. |
08/26/88 |
Flac 24/96 - 0,
152078 |
Tacoma |
Tacoma Dome flac24/96 Source Info: Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10912. |
08/26/88 |
Flac 16/44 - 0,
152580 |
Tacoma |
Tacoma Dome flac16/44 repaired the flutter from shnid=143062 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > Izotope RX8 Advanced > FLAC/24 - This is 152393 24 -> 16 @ 44.1
|
notes
|
| 10913. |
08/28/88 |
Flac 16 - 0,
31107 |
Eugene |
Autzen Stadium, University Of Oregon flac16; Source: Healy SBD Ultramix Patch > Sony D5 > MSC(TDK MA-XG90 Type IV Cassettes). Transfer: MSC playback on Nakamichi DR2 > gold connector shielded 3ft RCA monster cable > Audiophile 2496 soundcard /P4 2 GHz > recorded as 24 bit/48 KHz WAV using Wavelab 5. Mastering: Wavelab 5.0 (24/48 files rendered to 16 bit/44.1 KHz using Waves L3 Multimaximizer with hi resolution CD rendering settings (threshold -2 dB / ceiling -0.1 dB / type I dither / ultra shaping) > tracking with CDWAV 1.9 > 16 bit FLAC. Transfer and encoding by C. Ladner.
|
notes
|
| 10914. |
08/28/88 |
Shn - 0,
16085 |
Eugene |
Autzen Stadium, University Of Oregon SBD>MC>DAT>CDR; via Paul G; Seeded by T. Wiley
|
notes
|
| 10915. |
08/28/88 |
Flac 16 44,1khz - 0,
139356 |
Eugene |
Autzen Stadium, University Of Oregon flac16 44.1khz Set 1 Only. Source: Schoeps CMC 34-> PCM-> DAT Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel
|
notes
|
| 10916. |
08/28/88 |
Flac 16 - 0,
140488 |
Eugene |
Autzen Stadium, University Of Oregon flac16; Sony WM-D3 with stock mic > Maxell XL-II 90 minute cassette > Nakamichi CR-7A azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 2.0 (16/44.1 capture to .wav) > iZotope RX and Ozone > FLAC
|
notes
|
| 10917. |
08/28/88 |
Flac 16/48 - 0,
152079 |
Eugene |
Autzen Stadium, University Of Oregon flac16/48 Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10918. |
08/28/88 |
Flac 24/96 - 0,
152080 |
Eugene |
Autzen Stadium, University Of Oregon flac24/96 Source Info: Mark Severson's Master (FOB) Audience Cassettes; Nakamichi 700 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp 24/96 > Adobe Audition CC 2020 > TLH flac2496
|
notes
|
| 10919. |
09/02/88 |
Flac 16 - 0,
28799 |
Landover |
Capital Centre flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat (SV3800/48k) Set 2: SBD -> Dat -> Sonic Solutions -> CD Transfer Info: Set 1: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC Set 2: CD -> EAC -> Samplitude Professional v8.0 -> FLAC
|
notes
|
| 10920. |
09/02/88 |
Flac 16 - 0,
27748 |
Landover |
Capital Centre flac16; SBD> Cassette Master> Dat (SV3800/48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller
|
notes
|
| 10921. |
09/02/88 |
Shn - 0,
18156 |
Landover |
Capital Centre NAK 300's + CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700; Cassette Playback on Nakamichi CR 7.AES/EBU out of AD into Fostex D5; Conversion: EAC>CD WAV> COOL EDIT PRO >MKW >SHN (Seekable); Converted and seeded to etree by Steven Leeds; Thanks to Mark Lynn and Mike B for the source discs, to Willy for the patch source
|
notes
|
| 10922. |
09/02/88 |
Flac 16 - 0,
82922 |
Landover |
Capital Centre flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac
|
notes
|
| 10923. |
09/02/88 |
Flac 16 - 0,
140732 |
Landover |
Capital Centre flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC3/MK41 mics, ortf (5th row center, OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 10924. |
09/02/88 |
Flac 16 - 0,
82542 |
Landover |
Capital Centre flac16; Sennheiser 4xx's > Marantz PMDxxx > MC Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck
|
notes
|
| 10925. |
09/02/88 |
Flac 16 - 0,
131128 |
Landover |
Capital Centre flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD
|
notes
|
| 10926. |
09/03/88 |
Flac 16 - 0,
27749 |
Landover |
Capital Centre flac16; verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller. (Note: The encore tracks circulate from the vault digital DAT separately here
|
notes
|
| 10927. |
09/03/88 |
Flac 16 - 0,
31224 |
Landover |
Capital Centre flac16; Vault dat SBD via Charlie Miller
|
notes
|
| 10928. |
09/03/88 |
Flac 16 - 0,
82511 |
Landover |
Capital Centre flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck
|
notes
|
| 10929. |
09/03/88 |
Flac 16 - 0,
82967 |
Landover |
Capital Centre flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac
|
notes
|
| 10930. |
09/03/88 |
Flac 16 - 0,
136751 |
Landover |
Capital Centre flac16; (original shnid = 82980) Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci - pitch correction and patches by Kevin Tobin
|
notes
|
| 10931. |
09/03/88 |
Flac 16/48 - 0,
136755 |
Landover |
Capital Centre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (original shnid = 27749)verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller & (original shnid = 31224) Vault dat SBD (of encore) via Charlie Miller + AUD (original shnid = 82980) Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci - mixing by Kevin Tobin
|
notes
|
| 10932. |
09/03/88 |
Flac Dts 5.1 - 0,
136753 |
Landover |
Capital Centre DTS-Audio-CD 5.1 Mix; SBD (original shnid = 27749)verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller & (original shnid = 31224) Vault dat SBD (of encore) via Charlie Miller + AUD (original shnid = 82980) Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci - DTS mixing by Kevin Tobin
|
notes
|
| 10933. |
09/03/88 |
Flac 16 - 0,
136750 |
Landover |
Capital Centre flac16; (original shnid = 27749) verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; & (original shnid = 31224) Vault dat SBD (of encore) - pitch correction and patches by Kevin Tobin
|
notes
|
| 10934. |
09/03/88 |
Flac 16 Mtx - 0,
1356752 |
Landover |
Capital Centre flac16; Matrix 2 Source Mix - SBD (original shnid = 27749)verified SBD> Cassette Master> Dat (SV3800/48k), plus AUD patch; Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller & (original shnid = 31224) Vault dat SBD (of encore) via Charlie Miller + AUD (original shnid = 82980) Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci - matrix mixing by Kevin Tobin
|
notes
|
| 10935. |
09/03/88 |
Flac 16 - 0,
142142 |
Landover |
Capital Centre flac16; Don Crandall & Chris Huron OTS Recording: Schoeps CMC3 MK41 > PCM (Nakamichi DMP-100); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
|
notes
|
| 10936. |
09/03/88 |
Flac 16 - 0,
92980 |
Landover |
Capital Centre flac16; Source: *AKG mics>DAT>Sony D5M Location: #OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Rig owner name unknown, Sony D5 - Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 10937. |
09/03/88 |
Shn - 0,
5913 |
Landover |
Capital Centre Updated source: Unknown Mics> Cm> Sound Forge> Dat> CD> Cool Edit Pro> CD (Patched w/(FOB) Senn ME80>Cm), by Charlie Miller; EAC > MKW > SHNv3 by DES; level adjustments during d1t1,2; d2 tracked for 80 min
|
notes
|
| 10938. |
09/03/88 |
Flac 16 - 0,
131130 |
Landover |
Capital Centre flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
|
notes
|
| 10939. |
09/05/88 |
Flac 16 - 0,
80630 |
Landover |
Capital Centre flac16; Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 10940. |
09/05/88 |
Flac 16 - 0,
83250 |
Landover |
Capital Centre flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac
|
notes
|
| 10941. |
09/05/88 |
Flac 16/48 - 0,
139475 |
Landover |
Capital Centre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - mixing by Kevin Tobin
|
notes
|
| 10942. |
09/05/88 |
Flac Dts 5.1 - 0,
139474 |
Landover |
Capital Centre DTS-Audio-CD 5.1 Mix; - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - dts mixing by Kevin Tobin
|
notes
|
| 10943. |
09/05/88 |
Flac 16 Mtx - 0,
139473 |
Landover |
Capital Centre flac16; Matrix 3 Source Mix - SBD1 (shnid = 80630) Set 1 only - SBD -> Cassette Master (TDK SA90) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee Minime (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shnid = 83250) Set 2 only NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck > EAC to extract to hard drive > CD Wave for splitting resulting .wav files, mkw to encode to shn > flac + AUD2 (shnid = 131131) Complete Show OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD - matrix mixing by Kevin Tobin
|
notes
|
| 10944. |
09/05/88 |
Flac 16 - 0,
140015 |
Landover |
Capital Centre flac16; Source: Sennheiser ME-80 Mics>Unknown Lead Deck> Sony WM-D6C Cassette Deck>TDK MA 90 Metal Cassette Master Tapes>Sony TC-D5M; Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>Edirol R-09 HR(Playback)>CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Section 128,Row EE Seats 4 Official Taper Section
|
notes
|
| 10945. |
09/05/88 |
Flac 16 - 0,
142143 |
Landover |
Capital Centre flac16; Don Crandall & Chris Huron FOB Recording: Schoeps sub cards @ 130ยบ > PCM (Nakamichi DMP-100); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
|
notes
|
| 10946. |
09/05/88 |
Shn - 0,
1644ß |
Landover |
Capital Centre NAK 300's+CP4(XY)-> Sony D5-> Lucid AD9624-> DAT@48KHZ-> Tascam CDRW 700; Cassette Playback on Nakamichi CR 7; AES/EBU out of AD into Fostex D5; Conversion: EAC> CD WAV> COOL EDIT PRO >MKW >SHN (Seekable); via Steven Leeds, with thanks to Mark Lynn and Mike B for discs
|
notes
|
| 10947. |
09/05/88 |
Flac 16 - 0,
131131 |
Landover |
Capital Centre flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn*; DAT to CDR and conversion to wav>flac by DATBRAD
|
notes
|
| 10948. |
09/06/88 |
Flac 16 - 0,
27750 |
Landover |
Capital Centre flac16; SBD> Cassette Master> Dat (SV3800/48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller
|
notes
|
| 10949. |
09/06/88 |
Flac 16 - 0,
83295 |
Landover |
Capital Centre flac16; NAK-100s > Sony D-5, using Dolby B > Maxell MX- 90s > recorded by Boyd McHugh from tapers' section Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Transfer by Dave Hanscom Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files, mkw to encode to shn. This is done by Bzl > flac
|
notes
|
| 10950. |
09/06/88 |
Flac 16 - 0,
140020 |
Landover |
Capital Centre flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Nakamichi 550 Cassette Deck (Lead Deck) >Sony WM-D6C Cassette Deck>TDK MA-90 Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section, Section 128 Row Bb,Seat 8
|
notes
|
| 10951. |
09/06/88 |
Flac 16 - 0,
142144 |
Landover |
Capital Centre flac16; Don Crandall & Chris Huron OTS Recording: Schoeps CMC3 MK41 > PCM (Nakamichi DMP-100); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
|
notes
|
| 10952. |
09/06/88 |
Shn - 0,
9984 |
Landover |
Capital Centre AUD>PCM>DAT>CDR (Schoeps CMC-34?s); via Paul Raoul; Seeded to etree by Brad Ingl
|
notes
|
| 10953. |
09/06/88 |
Flac 16 - 0,
131132 |
Landover |
Capital Centre flac16; OTS 2 Nakamichi CM100s w/10v batt/cP4 shotguns(XY)>Sony TCD5M (Maxell MX90s); Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT> Tascam DA20MKII>Tascam CDRW700>CDR> Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
|
notes
|
| 10954. |
09/08/88 |
Flac - 0,
1561 |
Philadelphia |
The Spectrum SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree (A re-tracked version circulates as of April, 2009. The audio data is identical. The "fixed info file is below.)
|
notes
|
| 10955. |
09/08/88 |
Flac 16 - 0,
116062 |
Philadelphia |
The Spectrum b>flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Flaoter,Transfer By Keo; Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 10956. |
09/08/88 |
Flac 16 Mtx - 0,
136887 |
Philadelphia |
The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid=1561) SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files + AUD (shn id 120487) Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - matrix mixing by Kevin Tobin
|
notes
|
| 10957. |
09/08/88 |
Flac 16/48 - 0,
136889 |
Philadelphia |
The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=1561) SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree + AUD (shn id 120487) Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - mixing by Kevin Tobin
|
notes
|
| 10958. |
09/08/88 |
Flac Dts 5.1 - 0,
136888 |
Philadelphia |
The Spectrum DTS-Audio-CD 5.1 Mix; SBD (shnid=1561) SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree + AUD (shn id 120487) Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - DTS mixing by Kevin Tobin
|
notes
|
| 10959. |
09/08/88 |
Flac 16 - 0,
136886 |
Philadelphia |
The Spectrum flac16; (original shnid = 1561) SBD>Metal Cassette Master>DAT; Tascam DA20>HHb850>CDR by Tom Donaldson et al; CDR> EAC> CDR> EAC> MKW Utility> .shn files> abgd by John A.; stemming from Uncirculated ?88 SBD Tree - pitch correction and patches by Kevin Tobin
|
notes
|
| 10960. |
09/08/88 |
Flac 24/96 - 0,
141741 |
Philadelphia |
The Spectrum flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
|
notes
|
| 10961. |
09/08/88 |
Flac 16 - 0,
142147 |
Philadelphia |
The Spectrum flac16; Don Crandall & Chris Huron Recording (OTS): Schoeps CMC4/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
|
notes
|
| 10962. |
09/08/88 |
Flac 16 - 0,
120487 |
Philadelphia |
The Spectrum flac16; Source: Schoeps CMC4/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: OTS first row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe
|
notes
|
| 10963. |
09/08/88 |
Flac 16 - 0,
110021 |
Philadelphia |
The Spectrum flac16; Source:Sony D6 Cassette Master>Beyer M160 Mics>Sony Tc-WE 325 Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac
|
notes
|
| 10964. |
09/08/88 |
Flac 16 - 0,
109176 |
Philadelphia |
The Spectrum flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 10965. |
09/08/88 |
Flac 16 - 0,
145670 |
Philadelphia |
The Spectrum flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1
|
notes
|
| 10966. |
09/08/88 |
Flac 24/96 - 0,
116063 |
Philadelphia |
The Spectrum flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Flaoter,Transfer By Keo; Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 10967. |
09/08/88 |
Flac 24 - 0,
147775 |
Philadelphia |
The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10968. |
09/08/88 |
Flac 16 - 0,
147850 |
Philadelphia |
The Spectrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, this file set is 16 bit @ 44.1
|
notes
|
| 10969. |
09/08/88 |
Flac 24 UMtx. - 0,
147973 |
Philadelphia |
The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is a pitch corrected version of shnid=147775 (tracks 04 through 06 were fixed)
|
notes
|
| 10970. |
09/08/88 |
Flac 16/48 - 0,
148085 |
Philadelphia |
The Spectrum flac16/48kHz; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is a pitch corrected version of shnid=147775 (tracks 04 through 06 were fixed); This file set is 16 bit @ 44.1
|
notes
|
| 10971. |
09/09/88 |
Shn - 0,
14840 |
Philadelphia |
The Spectrum SBD > Cass Master > DAT > CDR > CDR > EAC > SHN
|
notes
|
| 10972. |
09/09/88 |
Flac 16/48 - 0,
138816 |
Philadelphia |
The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 14840) SBD > Cass Master > DAT > CDR > CDR > EAC > SHN ; EAC/SHN by Darryl Hinko + AUD (shnid = 120488) Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - surround mixing by Kevin Tobin
|
notes
|
| 10973. |
09/09/88 |
Flac Dts 5.1 - 0,
138815 |
Philadelphia |
The Spectrum DTS-Audio-CD 5.1 Mix; SBD (shnid = 14840) SBD > Cass Master > DAT > CDR > CDR > EAC > SHN ; EAC/SHN by Darryl Hinko + AUD (shnid = 120488) Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - dts mixing by Kevin Tobin
|
notes
|
| 10974. |
09/09/88 |
Flac 16 Mtx - 0,
138813 |
Philadelphia |
The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 14840) SBD > Cass Master > DAT > CDR > CDR > EAC > SHN ; EAC/SHN by Darryl Hinko + AUD (shnid = 120488) Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - matrix mixing by Kevin Tobin
|
notes
|
| 10975. |
09/09/88 |
Flac 24/96 - 0,
141742 |
Philadelphia |
The Spectrum flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
|
notes
|
| 10976. |
09/09/88 |
Flac 16 - 0,
142148 |
Philadelphia |
The Spectrum flac16; Don Crandall & Chris Huron Recording (FOB): Schoeps CMC3/MK4 ORTF > PCM (Nakamichi DMP-100); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
|
notes
|
| 10977. |
09/09/88 |
Flac 16 - 0,
26465 |
Philadelphia |
The Spectrum flac16; AKG 414's> SonyD5> MC> CDR> EAC> WAV> FLAC
|
notes
|
| 10978. |
09/09/88 |
Flac 16 - 0,
109517 |
Philadelphia |
The Spectrum flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 10979. |
09/09/88 |
Flac 16 - 0,
120488 |
Philadelphia |
The Spectrum flac16; Source: Schoeps CMC3/MK41 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 16th row 110 degrees; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe
|
notes
|
| 10980. |
09/09/88 |
Flac 16 - 0,
110654 |
Philadelphia |
The Spectrum flac16;Sony D6 Cassette Master>Sennheiser 441 Mics>Sony TC- We 325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac. Taped By Boeditaper.
|
notes
|
| 10981. |
09/09/88 |
Flac 16 - 0,
145671 |
Philadelphia |
The Spectrum flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1
|
notes
|
| 10982. |
09/09/88 |
Flac 16 - 0,
148147 |
Philadelphia |
The Spectrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 10983. |
09/09/88 |
Flac 24 UMtx. - 0,
147844 |
Philadelphia |
The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10984. |
09/11/88 |
Flac 16 - 0,
81175 |
Philadelphia |
The Spectrum flac16; 1st set only: SBD (Healy Mix) > MC > CD (via Lisa Biasi) speed correction and patching by Kevin Tobin
|
notes
|
| 10985. |
09/11/88 |
Shn - 0,
17408 |
Philadelphia |
The Spectrum Matrix DSBD>D>CD>EAC>WAV>Cool Edit Processing (drop out cross-fades)>SHN (seekable, via MKWACT) via Fishman
|
notes
|
| 10986. |
09/11/88 |
Shn - 0,
8701 |
Philadelphia |
The Spectrum (Healy Mix) SBD> DAT> Cassette> DAT> CDR> EAC (secure)> Cool Edit Pro> CD WAV>SHN(seekable); Seeded to etree by Tim Wiley
|
notes
|
| 10987. |
09/11/88 |
Shn - 0,
14841 |
Philadelphia |
The Spectrum Bertha Remaster of the Soundboard/Cassette source. SBD(Healy Mix)>>DAT>>(*)CASS>>DAT>>>CDR>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A- Note- Changes were made to d2t02 and d2t03 immediately before distribution. It is believed that the pre-change shns do not circulate.
|
notes
|
| 10988. |
09/11/88 |
Flac 16 - 0,
110569 |
Philadelphia |
The Spectrum flac16; Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-WE325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac. Taped By Boeditaper
|
notes
|
| 10989. |
09/11/88 |
Flac 16 - 0,
120489 |
Philadelphia |
The Spectrum flac16; Source: Schoeps CMC3/MK4 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 17th row; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe
|
notes
|
| 10990. |
09/11/88 |
Flac 16 - 0,
83070 |
Philadelphia |
The Spectrum flac16; Source: Nak CM304's>Sony D5M Location: OTS, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci
|
notes
|
| 10991. |
09/11/88 |
Flac 16 - 0,
92003 |
Philadelphia |
The Spectrum flac16; Tapers: David Barfield and David Lane Source: (OTS) Nakamichi cm300/cp4->D-5M->Maxell MX90 x 2 Transfer: MAC->Nakamichi MR-1->Korg MR-1000I(DFF 1 Bit/5.6 Mhz)->Audio Gate->16/44.1 wav->FLAC Transferred and seeded on 5/25/2008 by: M. Watson
|
notes
|
| 10992. |
09/11/88 |
Flac 16 - 0,
109518 |
Philadelphia |
The Spectrum flac16; Master: Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 10993. |
09/11/88 |
Flac 24 - 0,
149209 |
Philadelphia |
The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 10994. |
09/11/88 |
Flac 16 U Mtx. - 0,
149212 |
Philadelphia |
The Spectrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 10995. |
09/11/88 |
Flac 16/48 - 0,
149235 |
Philadelphia |
The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 149209) Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120489) Source: Schoeps CMC3/MK4 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 17th row; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - surround mixing by Kevin Tobin
|
notes
|
| 10996. |
09/11/88 |
Flac 16 Dts.5.1 - 0,
149234 |
Philadelphia |
The Spectrum DTS-Audio-CD 5.1 Mix; SBD (shnid = 149209) Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120489) Source: Schoeps CMC3/MK4 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 17th row; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - dts mixing by Kevin Tobin
|
notes
|
| 10997. |
09/11/88 |
Flac 16 Mtx - 0,
149233 |
Philadelphia |
The Spectrum flac16; Matrix 2 Audience Source Mix - SBD (shnid = 149209) Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120489) Source: Schoeps CMC3/MK4 > Oade P/S? > PCM(Master) > PCM (Clone1); Location: FOB 17th row; PCM Transfer: PCM (Clone1) > Sony PCM 601ES > Fostex D5 > DAT (44.1khz); DAT Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/44.1)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.16(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe - matrix mixing by Kevin Tobin
|
notes
|
| 10998. |
09/11/88 |
Flac 16 - ,
156409 |
Philadelphia |
The Spectrum Recording Info: (fob) Schoeps Cmc441 (ortf) > Nakamichi Dmp-100 Deck > Sony Sl-2000 > Pcm (master) Location: 16th Row, Center Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 Master Audience Pcm Recorded By Ted Mattes & Paul Thompson Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 06, 2021
|
notes
|
| 10999. |
09/12/88 |
Shn - 0,
8477 |
Philadelphia |
The Spectrum (Healy Mix) SBD>DAT>CDR; Seeded to etree by Tim Wiley
|
notes
|
| 11000. |
09/12/88 |
Shn - 0,
11285 |
Philadelphia |
The Spectrum SBD/Matrix > MC > DAT > CDR; via Dan Szymanski; Seeded to etree by Doug Nawrocki
|
notes
|
| 11001. |
09/12/88 |
Flac 16 - 0,
109514 |
Philadelphia |
The Spectrum flac16; Nakamichi CM300/cp4's>Marantz PMD-420>Cass(m), Nak DR-2>Tascam CDRW2000>CD Recorded from the taper section by Jon Pasternak. Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 11002. |
09/12/88 |
Flac 16 - 0,
109019 |
Philadelphia |
The Spectrum flac16; source: 2 Neumann KMF4's > Sony TC-D5M (10th row-center) - analog master cassettes - Maxell MX-90's transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 11003. |
09/12/88 |
Flac 16 - 0,
110575 |
Philadelphia |
The Spectrum flac16; Source:Sony D6 Cassette Master>Sennheiser ME-80 Mics>Sony TC-WE 325 Home Cassette Deck(Playback)>Harmon Kardon CDR 20 Home Burner>CDR>EAC>Flac. Taped By boeditaper
|
notes
|
| 11004. |
09/12/88 |
Flac 16 - 0,
123923 |
Philadelphia |
The Spectrum flac16; Source: Schoeps CMC4/MK41 > Oade P/S? > PCM (Master) > PCM (Clone1); Location: FOB 16th row center; PCM Transfer: Sony PCM 601ES > DAT (0) (44.1khz); Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT (0) provided by: Craig Hillwig; DAT transfer and seeded by: Lenny Stubbe
|
notes
|
| 11005. |
09/12/88 |
Flac 24 UMtx. - 0,
149279 |
Philadelphia |
The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11006. |
09/12/88 |
Flac 16 - 0,
149414 |
Philadelphia |
The Spectrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This file set is 16 bit @ 44.1
|
notes
|
| 11007. |
09/14/88 |
Shn - 0,
5573 |
New York |
Madison Square Garden SBD> MC> DAT> CDR> EAC> WAV> SHN; via Nick Scarano; Nick's initial shn set was missing encore- encore track added from previous shn set thanks to DES and Willy- both versions (+/- encore) may circulate
|
notes
|
| 11008. |
09/14/88 |
Flac Dts - 0,
134429 |
New York |
Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=5573) SBD> MC> DAT> CDR> EAC> WAV> SHN; via Nick Scarano; Nick's initial shn set was missing encore- encore track added from previous shn set thanks to DES and Willy- both versions (+/- encore) may circulate + AUD (shn id 90707) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
|
notes
|
| 11009. |
09/14/88 |
Flac 16 - 0,
134427 |
New York |
Madison Square Garden flac16; (original shnid = 90707) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin
|
notes
|
| 11010. |
09/14/88 |
Flac 16 Mtx - 0,
134428 |
New York |
Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=5573) SBD> MC> DAT> CDR> EAC> WAV> SHN; via Nick Scarano; Nick's initial shn set was missing encore- encore track added from previous shn set thanks to DES and Willy- both versions (+/- encore) may circulate + AUD (shn id 90707) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
|
notes
|
| 11011. |
09/14/88 |
Flac 16 - 0,
134426 |
New York |
Madison Square Garden flac16; (original shnid = 5573) SBD> MC> DAT> CDR> EAC> WAV> SHN; via Nick Scarano; Nick's initial shn set was missing encore- encore track added from previous shn set thanks to DES and Willy- both versions (+/- encore) may circulate - pitch correction and patches by Kevin Tobin
|
notes
|
| 11012. |
09/14/88 |
Shn - 0,
7488 |
New York |
Madison Square Garden Jay Ashley (Bertha) remaster of original shn set; SBD> CM> DAT> CDA> DAW (Bertha)> CDA
|
notes
|
| 11013. |
09/14/88 |
Flac 16 - 0,
89084 |
New York |
Madison Square Garden flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 11014. |
09/14/88 |
Flac 16/48 - 0,
139048 |
New York |
Madison Square Garden flac16/48kHz; Robert Bryant (patched out of Oade Brothers) recording: Schoeps CMC4 MK41 > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edited & Mastered in Audacity: Wave > Flac 16/48; Checksum & tags created in xACT
|
notes
|
| 11015. |
09/14/88 |
Flac 24 U Mtx - 0,
142091 |
New York |
Madison Square Garden flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11016. |
09/14/88 |
Flac 16 U Mtx - 0,
142128 |
New York |
Madison Square Garden flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11017. |
09/14/88 |
Flac 16 - 0,
142130 |
New York |
Madison Square Garden flac16; Ted Mattes & Paul Thompson Master (FOB) Recording: Schoeps CMC3/MK4 (ORTF) > PCM (Nakamichi DMP-100, 14-bit); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
|
notes
|
| 11018. |
09/14/88 |
Flac 16 - 0,
90707 |
New York |
Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 11019. |
09/14/88 |
Flac 16 - 0,
125771 |
New York |
Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: 57D, Row A, Seat 2; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
|
notes
|
| 11020. |
09/14/88 |
Flac 16 - 0,
144150 |
New York |
Madison Square Garden flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 16/44.1 - Transferred by Nick Carbonetta; Lineage: wav 16/44.1 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 16; edited and mastered SIRMick December 2018
|
notes
|
| 11021. |
09/15/88 |
Shn - 0,
5068 |
New York |
Madison Square Garden SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min
|
notes
|
| 11022. |
09/15/88 |
Flac Dts5.1 Mix - 0,
132910 |
New York |
Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=5068) SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min + AUD (shn id 88535) AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - dts mixing by Kevin Tobin
|
notes
|
| 11023. |
09/15/88 |
Flac 16 Mtx - 0,
132909 |
New York |
Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=5068) SBD> MC> DAT> CDR> EAC> CDwave> SHN; via Steve Barbella; d2 tracked for 80 min + AUD (shn id 88535) AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - matrix mixing by Kevin Tobin
|
notes
|
| 11024. |
09/15/88 |
Flac 16 - 0,
103230 |
New York |
Madison Square Garden flac16; MAC; (FOB) Sennheiser 421s> Sony D5> Maxell XLII 60 (Set I) and Maxell XLII-s 90 (Set II). Transfer/Lineage: Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3 (@24/88.2)> coax> Audiophile 2496> WaveLab 6.10> .wav @ 24/88.2> R8brain> 16/44.1> CD Wave Editor> Traders Little Helper> FLAC16. Editing and Mastering in Wavelab 6.10 with UAD in 24/88.2. Taped by Mark McCue and Lucien Zaleski. Transferred, Edited and Mastered by Alex Ford.
|
notes
|
| 11025. |
09/15/88 |
Flac 16 - 0,
88535 |
New York |
Madison Square Garden flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 11026. |
09/15/88 |
Flac 16 - 0,
139644 |
New York |
Madison Square Garden flac16; Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity by Joe Noel: Flac 16/44; Checksum & tags created in xACT
|
notes
|
| 11027. |
09/15/88 |
Flac 16 - 0,
143842 |
New York |
Madison Square Garden flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Steve Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 16/44.1 - Transferred by Nick Carbonetta; Lineage: Wav 16/44.1 > Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 16; edited and mastered SIRMick November 2018
|
notes
|
| 11028. |
09/15/88 |
Flac 16 - 0,
90744 |
New York |
Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 11029. |
09/15/88 |
Flac 16 - 0,
125772 |
New York |
Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: 57F, Row C, Seat 5; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
|
notes
|
| 11030. |
09/16/88 |
Shn - 0,
5289 |
New York |
Madison Square Garden Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia
|
notes
|
| 11031. |
09/16/88 |
Flac 16 - 0,
105567 |
New York |
Madison Square Garden flac16; MAC; (FOB) MAC; (FOB) Sennheiser 421s > Sony D5 > 2 x Maxell XLII-S 90 Transfer: MAC> Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3(@24/88.2)> coax> Audiophile 2496> WaveLab 6.10> .wav @ 24/88.2> Waves L3 UltraMaximizer> CD Wave Editor> Trader's Little Helper> flac16. Editing and Mastering in WaveLab 6.10 with UAD in 24/88.2. Flac files tagged. Taped by Mark McCue and Lucien Zaleski. Transferred, Edited and Mastered by Alex Ford.
|
notes
|
| 11032. |
09/16/88 |
Shn - 0,
13603 |
New York |
Madison Square Garden Jay Ashley (Bertha) Remaster of the Jim Wise release. SBD>>MC>>DAT>>(*)>>CDA>>DAW(Bertha)>>CDA - Sound A
|
notes
|
| 11033. |
09/16/88 |
Flac Dts. - 0,
132967 |
New York |
Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=5289) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90776) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
|
notes
|
| 11034. |
09/16/88 |
Flac 16 Mtx - 0,
132966 |
New York |
Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=5289) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90776) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
|
notes
|
| 11035. |
09/16/88 |
Flac 16 - 0,
31965 |
New York |
Madison Square Garden flac16; AKG D224E (XY) > Sony TC D5M > Maxell MX Taper: Doug Mow Transfer: Cassette Master > Sony D5 > Edirol UA5 custom Oade mod > USB > IBM R40 > Soundforge > WAV > CDR > EAC > WinXP Pro > Flac Frontend > FLAC16
|
notes
|
| 11036. |
09/16/88 |
Flac 16 44,1khz - 0,
139634 |
New York |
Madison Square Garden flac 16 44.1khz Set 1 Only. From the Gastwirt Collection. Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT. Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44 Edited & Mastered by Joe Noel in Audacity: Wave > Flac 16/44
|
notes
|
| 11037. |
09/16/88 |
Flac 16 - 0,
140945 |
New York |
Madison Square Garden flac16; Recording info: Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Paul Thompson & Ted Mattes (OTS)
|
notes
|
| 11038. |
09/16/88 |
Flac 16 - 0,
90776 |
New York |
Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 11039. |
09/16/88 |
Flac 24/96 - 0,
149117 |
New York |
Madison Square Garden flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick February 2020
|
notes
|
| 11040. |
09/16/88 |
Flac 16 - 0,
149116 |
New York |
Madison Square Garden flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16
|
notes
|
| 11041. |
09/18/88 |
Shn - 0,
12746 |
New York |
Madison Square Garden SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD
|
notes
|
| 11042. |
09/18/88 |
Flac 16 Dts.5.1 - 0,
133006 |
New York |
Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=12746) SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD + AUD (shn id 90920) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - dts mixing by Kevin Tobin
|
notes
|
| 11043. |
09/18/88 |
Flac 16 Mtx - 0,
133005 |
New York |
Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=12746) SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD + AUD (shn id 90920) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - matrix mixing by Kevin Tobin
|
notes
|
| 11044. |
09/18/88 |
Flac 16 - 0,
133004 |
New York |
Madison Square Garden flac16; (original shnid = 90920) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - pitch correction and patches by Kevin Tobin
|
notes
|
| 11045. |
09/18/88 |
Flac 16 - 0,
133003 |
New York |
Madison Square Garden flac16; SBD>MC>C?>DAT>CDR; via Jools; Seeded to etree by eD (original shnid 12746) - pitch correction and patches by Kevin Tobin
|
notes
|
| 11046. |
09/18/88 |
Flac 16 - 0,
139645 |
New York |
Madison Square Garden flac16; Set 2 Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/44; Edited & Mastered in Audacity by Joe Noel: Flac 16/44; Checksum & tags created in xACT
|
notes
|
| 11047. |
09/18/88 |
Flac 1644 - 0,
139685 |
New York |
Madison Square Garden flac16 44.1khz Source Info: TS Schoeps CMC4 MK41 (Hyper Cards)-> PCM-> DAT (Jim Oade)-> DAT (Ryan Varnum). Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers By Pete Ebel
|
notes
|
| 11048. |
09/18/88 |
Flac 16 - 0,
140946 |
New York |
Madison Square Garden flac16; Recording info: Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Don Crandall & Chris Huron (OTS)
|
notes
|
| 11049. |
09/18/88 |
Flac 16 - 0,
125777 |
New York |
Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: 58A, Row B, Seat 2; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
|
notes
|
| 11050. |
09/18/88 |
Flac 16 - 0,
114059 |
New York |
Madison Square Garden flac16; Source: 2 Neumann KMF4 microphones (15th row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 11051. |
09/18/88 |
Flac 16 - 0,
90920 |
New York |
Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend
|
notes
|
| 11052. |
09/18/88 |
Flac 24/96 - 0,
148685 |
New York |
Madison Square Garden flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick January 2020
|
notes
|
| 11053. |
09/18/88 |
Flac 16/44,1 - 0,
148684 |
New York |
Madison Square Garden flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick January 2020
|
notes
|
| 11054. |
09/19/88 |
Shn - 0,
15076 |
New York |
Madison Square Garden SBD>MC>DAT>CDR ; Via Paul G ; Seeded by T. Wiley
|
notes
|
| 11055. |
09/19/88 |
Flac 16 - 0,
106202 |
New York |
Madison Square Garden flac16; MAC; (FOB) Sennheiser 421s > Sony D5 > 2 x Maxell XLII-S 90. Transfer: MAC> Nakamichi Dragon> Kind Kables RCA/XLR> Lunatec V3(@24/88.2)> coax> Audiophile 2496>WaveLab 6.10> .wav @ 24/88.2> R8Brain> .wav @ 16/44.1> CD Wave Editor> TLH> flac16(level eight). Taped by Mark McCue and Lucien Zaleski. Transferred, Edited and Mastered by Alex Ford.
|
notes
|
| 11056. |
09/19/88 |
Flac Dts 5.1 - 0,
133320 |
New York |
Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
|
notes
|
| 11057. |
09/19/88 |
Flac 16 Mtx - 0,
133319 |
New York |
Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
|
notes
|
| 11058. |
09/19/88 |
Flac 16 - 0,
133318 |
New York |
Madison Square Garden flac16; SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley (original shnid 15076) - pitch correction and patches by Kevin Tobin
|
notes
|
| 11059. |
09/19/88 |
Flac 16 - 0,
88613 |
New York |
Madison Square Garden flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 11060. |
09/19/88 |
Flac 16 - 0,
139646 |
New York |
Madison Square Garden flac16; Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity by Joe Noel: Flac 16/44; Checksum & tags created in xACT
|
notes
|
| 11061. |
09/19/88 |
Flac 16 - 0,
125780 |
New York |
Madison Square Garden flac16; Taper: M. Laurentus; Taper Section: 57A, Row D, Seat 3; AT835B's-AT8202's -10db -SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
|
notes
|
| 11062. |
09/19/88 |
Flac 16 - 0,
90976 |
New York |
Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 11063. |
09/19/88 |
Flac 24/96 - 0,
149278 |
New York |
Madison Square Garden flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 24; edited and mastered SIRMick March 2020
|
notes
|
| 11064. |
09/19/88 |
Flac 16 - 0,
149277 |
New York |
Madison Square Garden flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > (DSF 1-bit/5.6MHz) > DBPoweramp > wav 24/96 - Transferred by Nick Carbonetta; Lineage: wav 24/96> Adobe Audition 3 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick March 2020
|
notes
|
| 11065. |
09/19/88 |
Flac 16 - 0,
148730 |
New York |
Madison Square Garden flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>2 TDK SA-X 90 Minute Cassette Master Tapes> Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flav Level 8; Sector Boundaries Aligned Uisng Traders Little Helper; Taped By Dave Boedicker, Official Taper Section
|
notes
|
| 11066. |
09/19/88 |
Flac 16/48 - ,
156567 |
New York |
Madison Square Garden flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
|
notes
|
| 11067. |
09/20/88 |
Shn - 0,
2422 |
New York |
Madison Square Garden SBD> DAT> Casette Master> DAT> Montego II> CDR> EAC> SHN; via Jeff M.; includes encore, has small cut d1t7; upgrade relative to previous shn set
|
notes
|
| 11068. |
09/20/88 |
Flac 16 - 0,
28450 |
New York |
Madison Square Garden flac16; *Set 1 Only* Soundboard->DAT Master(48k)->DAT Clone->Sonic Solutions->CD->CD. CD->EAC->FLAC. EAC, Track, and FLAC by Joe Samaritano
|
notes
|
| 11069. |
09/20/88 |
Flac 16 - 0,
130698 |
New York |
Madison Square Garden flac16; Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC
|
notes
|
| 11070. |
09/20/88 |
Flac 16 - 0,
124883 |
New York |
Madison Square Garden flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11071. |
09/20/88 |
Flac Dts 5.1 - 0,
133540 |
New York |
Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=130698) Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC + AUD (shn id 90977) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - dts mixing by Kevin Tobin
|
notes
|
| 11072. |
09/20/88 |
Flac16 Mtx - 0,
130539 |
New York |
Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=130698) Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC + AUD (shn id 90977) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck >sony sbm1 > creative extigy soundcard> cool edit pro > flac frontend - matrix mixing by Kevin Tobin
|
notes
|
| 11073. |
09/20/88 |
Flac 16 - 0,
130538 |
New York |
Madison Square Garden flac16; Recording Info: SBD > DAT > C > DAT; Transfer Info:; DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC (original shnid 130698) - pitch correction and patches by Kevin Tobin
|
notes
|
| 11074. |
09/20/88 |
Flac 16 - 0,
89256 |
New York |
Madison Square Garden flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand, set up next to the lighting board, just in front of the OTS area. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 11075. |
09/20/88 |
Flac 16 - 0,
138359 |
New York |
Madison Square Garden flac16; Source: Unknown audience recording > dat (44.1k); Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfered by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick May 2017
|
notes
|
| 11076. |
09/20/88 |
Flac 16 - 0,
139647 |
New York |
Madison Square Garden flac16; Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity by Joe Noel: Flac 16/44; Checksum & tags created in xACT
|
notes
|
| 11077. |
09/20/88 |
Flac 16 - 0,
142131 |
New York |
Madison Square Garden flac16; Don Crandall & Chris Huron Recording (OTS): Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Charlie Miller Transfer: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > FLAC/16
|
notes
|
| 11078. |
09/20/88 |
Flac 16 - 0,
31991 |
New York |
Madison Square Garden flac16; AKG 224E > Sony D5 > Maxell MX Master Taper: Doug Mow Transfer: Cassette Master > Nak ZX7 > Edirol UA5 custom Oade Mod > USB > IBM R40/Windows XP Pro > Sound Forge 5.0 > WAV > CDR > EAC > Flac Frontend > FLAC16.
|
notes
|
| 11079. |
09/20/88 |
Flac 16 - 0,
90977 |
New York |
Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 11080. |
09/20/88 |
Flac 16 - 0,
116442 |
New York |
Madison Square Garden flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 11081. |
09/20/88 |
Flac 24/96 - 0,
124882 |
New York |
Madison Square Garden flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
This is your collection
|
notes
|
| 11082. |
09/20/88 |
Flac 24/96 - 0,
152253 |
New York |
Madison Square Garden flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 11083. |
09/20/88 |
Flac 24/96 - 0,
152253 |
New York |
Madison Square Garden flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 11084. |
09/22/88 |
Shn - 0,
5290 |
New York |
Madison Square Garden Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia; see info file for flaw notes
|
notes
|
| 11085. |
09/22/88 |
Flac 16 - 0,
124922 |
New York |
Madison Square Garden flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11086. |
09/22/88 |
Flac Dts 5.1 - 0,
133700 |
New York |
Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=5290) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 124922) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 - dts mixing by Kevin Tobin
|
notes
|
| 11087. |
09/22/88 |
Flac 16 - 0,
133698 |
New York |
Madison Square Garden flac16; (original shnid = 124922) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 - pitch correction and patches by Kevin Tobin
|
notes
|
| 11088. |
09/22/88 |
Flac 16 - 0,
133697 |
New York |
Madison Square Garden flac16; (original shnid = 5290) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia - pitch correction and patches by Kevin Tobin
|
notes
|
| 11089. |
09/22/88 |
Flac 16 - 0,
89048 |
New York |
Madison Square Garden flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 > Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 11090. |
09/22/88 |
Flac 24/96 - 0,
124921 |
New York |
Madison Square Garden flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 11091. |
09/22/88 |
Flac 16 - 0,
140947 |
New York |
Madison Square Garden flac16; Recording info: Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Don Crandall & Chris Huron (OTS)
|
notes
|
| 11092. |
09/22/88 |
Flac 16 Mtx - 0,
133699 |
New York |
Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=5290) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 124922) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 - matrix mixing by Kevin Tobin
|
notes
|
| 11093. |
09/22/88 |
Flac 16 - 0,
149942 |
New York |
Madison Square Garden flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche
|
notes
|
| 11094. |
09/22/88 |
Flac 24/96 - 0,
150695 |
New York |
Madison Square Garden flac24; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - Taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz - Transferred by Nick Carbonetta; Lineage: DSF 1-bit/5.6MHz > DBPoweramp > wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > CD Wave > flac 24; edited and mastered SIRMick October 2020
|
notes
|
| 11095. |
09/22/88 |
Flac 16 - 0,
150694 |
New York |
Madison Square Garden flac16; Source: Sennheiser ME-80s > Sony D-5 > Master Cassette - Taped by Stephen Porter; Transfer: Master Cassette > Nakamichi CR-7A > Korg MR-1000 > DSF 1-bit/5.6MHz - Transferred by Nick Carbonetta; Lineage: DSF 1-bit/5.6MHz > DBPoweramp > wav 24/96 > Adobe Audition 3 > iZotope RX7 Advanced > wav 16/44.1 > CD Wave > flac 16; edited and mastered SIRMick October 2020
|
notes
|
| 11096. |
09/23/88 |
Shn - 0,
5291 |
New York |
Madison Square Garden Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia
|
notes
|
| 11097. |
09/23/88 |
Flac 16 - 0,
79923 |
New York |
Madison Square Garden flac16; Soundcheck - Recording Info: SBD -> Cassette Master (Sony D6/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 11098. |
09/23/88 |
Flac Dts 5.1 - 0,
133796 |
New York |
Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=5291) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90983) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm 1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
|
notes
|
| 11099. |
09/23/88 |
Flac 16 - 0,
133794 |
New York |
Madison Square Garden flac16; (original shnid = 5291) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia - pitch correction and patches by Kevin Tobin
|
notes
|
| 11100. |
09/23/88 |
Flac 16 Mtx - 0,
133795 |
New York |
Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=5291) Soundboard> Master Cassette> DAT> CD; Seeded by Charlie Miller; Converted to SHN and treed by Frank Venezia + AUD (shn id 90983) taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm 1 > creative extigy soundcard > cool edit pro > flac frontend - matrix mixing by Kevin Tobin
|
notes
|
| 11101. |
09/23/88 |
Flac 16 - 0,
88997 |
New York |
Madison Square Garden flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > TDK MA-XG 90's, no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F
|
notes
|
| 11102. |
09/23/88 |
Flac 16 - 0,
139648 |
New York |
Madison Square Garden flac16; Set 2 Robert Bryant recording (patched out of Oade Brothers): Schoeps CMC4 MK41 > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Joe Noel Edited & Mastered in Audacity: Flac 16/44; Checksum & tags created in xACT
|
notes
|
| 11103. |
09/23/88 |
Flac 16 - 0,
140944 |
New York |
Madison Square Garden flac16; Recording info: Schoeps CMC3/MK4 > PCM (Nakamichi DMP-100) (Sony ESX-HiFi/L-750 Beta tape); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Don Crandall & Chris Huron (OTS)
|
notes
|
| 11104. |
09/23/88 |
Flac 16 - 0,
115860 |
New York |
Madison Square Garden flac16; Source: 2 Neumann KMF4 microphones (6th row-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 11105. |
09/23/88 |
Flac 16 - 0,
90983 |
New York |
Madison Square Garden flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm 1 > creative extigy soundcard > cool edit pro > flac frontend
|
notes
|
| 11106. |
09/24/88 |
Flac 16 - 0,
82486 |
New York |
Madison Square Garden flac16; Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches
|
notes
|
| 11107. |
09/24/88 |
Flac Dts 5.1 - 0,
133969 |
New York |
Madison Square Garden DTS-Audio-CD 5.1 Mix; SBD (shnid=82486) Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches + AUD (shn id 121064) Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - dts mixing by Kevin Tobin
|
notes
|
| 11108. |
09/24/88 |
Flac 16 - 0,
133987 |
New York |
Madison Square Garden flac16; (original shnid = 82486) Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches - pitch correction and patches by Kevin Tobin
|
notes
|
| 11109. |
09/24/88 |
Flac 16 Mtx - 0,
133968 |
New York |
Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid=82486) Recorded by David Minches FM>Sony PCM-601>NEC DX-5000 (Maxell XL-Pro)>Digital Domain VSP-P>Tascam DA-30>Egosys Waveterminal 2496>Cool Edit 2000>CDR Transfer and FLAC encoding by David Minches + AUD (shn id 121064) Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - matrix mixing by Kevin Tobin
|
notes
|
| 11110. |
09/24/88 |
Shn - 0,
425 |
New York |
Madison Square Garden encores missing; no source info; benefit with misc guests; via Rich (yubah); Keith Bode reports he traded around a bootleg CD of this show that matches setlist here- maybe this is his "very high quality bootleg
|
notes
|
| 11111. |
09/24/88 |
Flac 16 - 0,
89303 |
New York |
Madison Square Garden flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > TDK MA 90's, no Dolby. Mics on stand on floor near sbd. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
|
notes
|
| 11112. |
09/24/88 |
Shn - 0,
83073 |
New York |
Madison Square Garden Main source: Unknown FM or pre-FM source (shnid 425) Patch source: FM > C > poss. extra C gen > Tascam HD-P2 > .wav > SHN provided by Joey Browning (provides encores
|
notes
|
| 11113. |
09/24/88 |
Flac 24 - 0,
142104 |
New York |
Madison Square Garden flac24; Soundboard Recording Info: SBD > PCM Master (Sony ES-HG); Soundboard Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Audience Recording Info: AKG C42 (m/s) > Beta HiFi Master (Sony ES-HG); Audience Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Mastering Info: DSF > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller
|
notes
|
| 11114. |
09/24/88 |
Flac 16 - 0,
142105 |
New York |
Madison Square Garden flac16; Recording Info: SBD > PCM Master (Sony ES-HG); Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
notes
|
| 11115. |
09/24/88 |
Flac 16 - 0,
142132 |
New York |
Madison Square Garden flac16; Recording Info: AKG C42 (m/s) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 11116. |
09/24/88 |
Flac 16 - 0,
121064 |
New York |
Madison Square Garden flac16; Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 11117. |
09/24/88 |
Flac 24 - 0,
142112 |
New York |
Madison Square Garden flac24; Recording Info: AKG C42 (m/s) > Beta HiFi Master (Sony ES-HG); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 11118. |
09/24/88 |
Flac 16 - 0,
142129 |
New York |
Madison Square Garden flac16; Soundboard Recording Info: SBD > PCM Master (Sony ES-HG); Soundboard Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Audience Recording Info: AKG C42 (m/s) > Beta HiFi Master (Sony ES-HG); Audience Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6 MHz); Mastering Info: DSF > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller
|
notes
|
| 11119. |
09/30/88 |
Shn - 0,
7585 |
Mountain View |
Shoreline Amphitheatre 2nd set only; Soundboard Cassette >DAT> CDR> EAC> seekable SHN; via Darrin Sacks
|
notes
|
| 11120. |
09/30/88 |
Flac - 0,
21093 |
Mountain View |
Shoreline Amphitheatre et One Recording Info:(FOB/Section 102 Nakamichi CM700/CP701 -> dbx II -> Cassette Master (Sony TC-D5M); Set One Transfer Info: Cassette Master (Nakamichi Cassette Deck 1) -> dbx 224x -> Mytek 8X96ADC -> Nuendo (24bit) -> Samplitude v7.02 -> SHN (2 Discs Audio / 2 Discs SHN); Set Two Recording Info: SBD -> Cassette Master -> Dat -> CD > EAC -> SHN; Process Info: --slight eq with waves Q10 and slight dynamic expansion with waves C4 and rendered down to a 16 bit file with waves L2; Editing Info: --Tracked and Normalized with Samplitude v7.02 Professional; Recorded and Transfered BY Bill Reutelhuber; Edited and SHN'd By Charlie Miller 12/15/03
|
notes
|
| 11121. |
09/30/88 |
Flac 24 UMtx - 0,
142145 |
Mountain View |
Shoreline Amphitheatre flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11122. |
09/30/88 |
Flac 16 U Mtx - 0,
142152 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11123. |
09/30/88 |
Flac 16 - 0,
94477 |
Mountain View |
Shoreline Amphitheatre flac16; Beyer M-88's w/D6 OTS MAC>D6>HD>Audacity>CDWave>TLH
|
notes
|
| 11124. |
10/01/88 |
Shn - 0,
7728 |
Mountain View |
Shoreline Amphitheatre SBD> Cass> DAT> CDR> EAC> SHN (seekable); via Darrin Sacks to abgd, etree
|
notes
|
| 11125. |
10/01/88 |
Flac 16 - 0,
94478 |
Mountain View |
Shoreline Amphitheatre flac16; Beyer M-88's w/D6 OTS MAC>D6>HD>Audacity>CDWave>TLH
|
notes
|
| 11126. |
10/01/88 |
Flac 24 - 0,
142331 |
Mountain View |
Shoreline Amphitheatre flac24; Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11127. |
10/01/88 |
Flac 16 - 0,
142489 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11128. |
10/01/88 |
Flac 16 - 0,
116400 |
Mountain View |
Shoreline Amphitheatre flac16; Set 2 Only Source: (OTS) Superscope EC-7's > Marantz PMD-430; Lineage: Cass/M > Sony D5 > HHb 800 > EAC > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster
|
notes
|
| 11129. |
10/02/88 |
Flac 16 - 0,
34467 |
Mountain View |
Shoreline Amphitheatre flac16; Seamless fix of shn id 7637 - Cassette Soundboard>DAT>CDR>EAC>SHN(seekable)>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 11130. |
10/02/88 |
Shn - 0,
7637 |
Mountain View |
Shoreline Amphitheatre SBD> Cass> DAT> CDR> EAC>SHN (seekable); via Darrin Sacks to abgd, etree
|
notes
|
| 11131. |
10/02/88 |
Flac 24 - 0,
142403 |
Mountain View |
Shoreline Amphitheatre flac24; Set 2 Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11132. |
10/02/88 |
Flac 16 - 0,
142490 |
Mountain View |
Shoreline Amphitheatre flac16; Set 2 Recording Info: SBD > Beta HiFi Master (Sony Betamax/TDK HS); Transfer Info: Beta HiFi Master (Sony SL-HF66) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11133. |
10/02/88 |
Flac 16 - 0,
94479 |
Mountain View |
Shoreline Amphitheatre flac16; Beyer M-88's w/D6 OTS MAC>D6>HD>Audacity>CDWave>TLH
|
notes
|
| 11134. |
10/14/88 |
Shn - 0,
22791 |
Miami |
Miami Arena REPITCHED VERSION (2/22/04) using Charlie Miller's original SHN's; done by JR Fishman. See info file for additional edits
|
notes
|
| 11135. |
10/14/88 |
Shn - 0,
22289 |
Miami |
Miami Arena Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller
|
notes
|
| 11136. |
10/14/88 |
Flac 16 - 0,
83676 |
Miami |
Miami Arena flac16; Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz
|
notes
|
| 11137. |
10/14/88 |
Flac Dts 5.1 - 0,
134023 |
Miami |
Miami Arena DTS-Audio-CD 5.1 Mix; SBD (shnid=22289) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller + AUD (shn id 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - dts mixing by Kevin Tobin
|
notes
|
| 11138. |
10/14/88 |
Flac 16 - 0,
134024 |
Miami |
Miami Arena flac16; (original shnid = 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - pitch correction and patches by Kevin Tobin
|
notes
|
| 11139. |
10/14/88 |
Flac 16 Mtx - 0,
134022 |
Miami |
Miami Arena flac16; Matrix 2 Source Mix - SBD (shnid=22289) Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16/44.1k) -> USB -> Samplitude v7.02 Professional -> SHN Transferred By Charlie Miller + AUD (shn id 83676) Nak100's (w/ CP-4 shotgun capsules) -> Sony D-6 Tansfer/Mastering: Nak MR-2 -> Behringer DI-800 DI-Box; Mains balanced -> Behringer MDX4600 Pro-XL Composer - > Sidechain Looped; Behringer Ultragraph Pro -> Behringer Ultrafex Pro -> Presonus Tube Pre-Amp -> BBE 882i -> DBX 231 EQ -> FW-410 -> Appogee SPDIF Cable -> M-Audio 1010LT -> wavelab @24/96 Re-Mastered - Wavelab5(minor edits / crossfades and bit rate reduction w/ L3 multimaxer 16bit/44.1khz) -> CDwave -> flacfrontend L8 -> Checksums/shntool via. Traders Little Helper Taper: G. Holtz - matrix mixing by Kevin Tobin
|
notes
|
| 11140. |
10/14/88 |
Flac 24/96 - 0,
138830 |
Miami |
Miami Arena flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; taper section, section 101, row t, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
|
notes
|
| 11141. |
10/14/88 |
Flac 16 - 0,
138829 |
Miami |
Miami Arena flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; taper section, section 101, row t, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
|
notes
|
| 11142. |
10/14/88 |
Flac 24 U Mtx - 0,
141626 |
Miami |
Miami Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11143. |
10/14/88 |
Flac 16 - 0,
141625 |
Miami |
Miami Arena flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11144. |
10/14/88 |
Flac 16 U Mtx - 0,
141685 |
Miami |
Miami Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11145. |
10/14/88 |
Flac 24/96 - 0,
146317 |
Miami |
Miami Arena flac24; Recording Info: Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg
|
notes
|
| 11146. |
10/14/88 |
Flac 24/96 - 0,
148493 |
Miami |
Miami Arena flac24; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 11147. |
10/14/88 |
Flac 16/48 - 0,
148492 |
Miami |
Miami Arena flac16/48kHz; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 11148. |
10/15/88 |
Flac 16 - 0,
83504 |
St. Petersburg |
Bayfront Center Arena flac16; Source: Nak100's -> Sony D-6 (Marantz PMD43x was lead deck) Location: Tapers Section - Jerry's side behind board up 12": mics 10' up and 10" apart Transferred by mtownshend@adelphia.net
|
notes
|
| 11149. |
10/15/88 |
Flac - 0,
28438 |
St. Petersburg |
Bayfront Center Arena flac16; Recording Info: SBD -> Dat Master (48k) -> Dat (Cloned From Vault Master) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller (Set 2 partial)
|
notes
|
| 11150. |
10/15/88 |
Flac 16 - 0,
138836 |
St. Petersburg |
Bayfront Center Arena flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 4, seat 3; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
|
notes
|
| 11151. |
10/15/88 |
Flac 24/96 - 0,
138837 |
St. Petersburg |
Bayfront Center Arena flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 4, seat 3; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
|
notes
|
| 11152. |
10/15/88 |
Flac 16 - 0,
141447 |
St. Petersburg |
Bayfront Center Arena flac16; Source Info: Ted Mattes' Master (FOB) Audience PCM; Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11153. |
10/15/88 |
Flac 16/48 - 0,
142462 |
St. Petersburg |
Bayfront Center Arena b>flac16/48kHz; Source Info: 1st Set - Master UltraMatrix Soundboard Dat > Technics Reel to Reel > Panasonic SV-3800 Dat (16/48k); 2nd Set - Audience recording of unknown provenance; Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000(wav 16-bit/48k)> Adobe Audition 3.0 > TLH flac1648
|
notes
|
| 11154. |
10/15/88 |
Shn - 0,
17181 |
St. Petersburg |
Bayfront Center Arena UNKNOWN AUD>?>?>SHN Conversion: MKW>WAVE LAB>CD WAVE>MKW>SHN (Seekable) by Steven Leeds
|
notes
|
| 11155. |
10/15/88 |
Flac 24/96 - 0,
146318 |
St. Petersburg |
Bayfront Center Arena flac24; Recording Info: Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg
|
notes
|
| 11156. |
10/15/88 |
Flac 24/96 - 0,
148495 |
St. Petersburg |
Bayfront Center Arena flac24; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 11157. |
10/15/88 |
Flac 16/48 - 0,
148494 |
St. Petersburg |
Bayfront Center Arena flac16/48kHz; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 11158. |
10/15/88 |
Flac 16/44 - 0,
152008 |
St. Petersburg |
Bayfront Center Arena flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Izotope RX8 Advanced (WOW & Flutter Repair) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC/24 - 152002 24 > 16 @ 44.1
|
notes
|
| 11159. |
10/15/88 |
Flac 24/96 - 0,
152002 |
St. Petersburg |
Bayfront Center Arena flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Izotope RX8 Advanced (WOW & Flutter Repair) > Adobe Audition 2020 (Pitch Correction) > Samplitude Pro X5 Suite (Mastering) > FLAC/24
|
notes
|
| 11160. |
10/16/88 |
Flac 16 - 0,
92389 |
St. Petersburg |
Bayfront Center flac16; Recording Info: SBD -> Cassette Master (TDK SA-x90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11161. |
10/16/88 |
Flac 16 - 0,
138840 |
St. Petersburg |
Bayfront Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 3, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
|
notes
|
| 11162. |
10/16/88 |
Flac 16 - 0,
141448 |
St. Petersburg |
Bayfront Center flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11163. |
10/16/88 |
Flac 24 U Mtx - 0,
141650 |
St. Petersburg |
Bayfront Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11164. |
10/16/88 |
Flac 16 U Mtx - 0,
141686 |
St. Petersburg |
Bayfront Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony WM-D6C/TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11165. |
10/16/88 |
Flac 16 - 0,
86914 |
St. Petersburg |
Bayfront Center flac16; Source: Master Analog Cassettes Nakamichi 300’s > Sony D5. Tapers section Maxell MX90 Type IV cassettes. Taped by B.Koucky. Transfer: MAC playback on azimuth adjusted Nakamich CR-7A > Lynx RCA-XLR cables > Lunatec V3 (96KHz) > AES/EBU digital out > LynxTwo Soundcard, Pro-mode Sync > recorded to harddrive with Wavelab 5 as 24 bit/96 KHz PCM WAV > Waves Z-Noise and Ozone 3 > MBIT+ > 16/44.1 > CDWAV 1.9 > FLAC (level 8). Transfer and mastering by Chris L.
|
notes
|
| 11166. |
10/16/88 |
Flac 16 - 0,
28478 |
St. Petersburg |
Bayfront Center flac16; UPDATED source info: 2 Sennheiser ME80 shotguns > Sony D-5 > Maxell MX 90 (first set), TDK MA-XG90 (2nd set). Taper: Mark McCue Lineage: Sony D5 > Tascam CDR4U stand alone burner > CDR > EAC (no errors) > Win XP Pro > FLAC Frontend > FLAC 16. transfer from Sony D5 through CDR by Mark McCue. transfer from CDR through FLAC16 by Alex Ford on 03/08/05.
|
notes
|
| 11167. |
10/16/88 |
Flac 16 - 0,
26381 |
St. Petersburg |
Bayfront Center flac16; Remaster of shnid=10058, including secondary AUD patches from AUD> 2nd gen VHS, EQ and pitch correction; AUD> MC> DAT> CDR> SHN> WAV> ADOBE AUDITION> CDWAV> SHNTOOL> FLAC, by MattMan
|
notes
|
| 11168. |
10/16/88 |
Flac 24/96 - 0,
146319 |
St. Petersburg |
Bayfront Center flac24; Recording Info: Nakamichi 300 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg
|
notes
|
| 11169. |
10/16/88 |
Flac 24/96 - 0,
138841 |
St. Petersburg |
Bayfront Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; section 3, row 3, seat 7; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
|
notes
|
| 11170. |
10/16/88 |
Flac 24/96 - 0,
148497 |
St. Petersburg |
Bayfront Center flac24; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 11171. |
10/16/88 |
Flac 16/48 - 0,
148496 |
St. Petersburg |
Bayfront Center flac16/48kHz; Source Info: Michael Hessberg's Master Cassettes; Nakamichi 300 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 11172. |
10/18/88 |
Shn - 0,
17079 |
New Orleans |
Keifer Lakefront Arena SBD(Healy Mix)>MC>HiFi VHS>DAT>CDR>CD WAVE>WAVE LAB>MKW>SHN (Seekable); See info file for notes; Seeded to etree 05/07/03 by Steven Leeds
|
notes
|
| 11173. |
10/18/88 |
Flac 16 Mtx - 0,
122771 |
New Orleans |
Keifer Lakefront Arena flac16; Matrix 3 Source Mix - SBD (shn id 17079) SBD(Healy Mix)>MC>HiFi VHS>DAT>CDR>CD WAVE>WAVE LAB>MKW>SHN Seeded to etree 05/07/03 by Steven Leeds + AUD1 (shn id 116240) Master Audience AKG414>Technics Dat>Sony D6 Dolby C; Taper White,Transfer By Keo; Tapes Maxell MX 90's; Transfer With Nakamichi MR-1,No Dolby C>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz + AUD2 (shn id 122747) Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project - matrix mixing by Kevin Tobin
|
notes
|
| 11174. |
10/18/88 |
Flac 16 - 0,
115801 |
New Orleans |
Keifer Lakefront Arena flac16; Encores Only, AUD > ? > FLAC
|
notes
|
| 11175. |
10/18/88 |
Flac 16 - 0,
122733 |
New Orleans |
Keifer Lakefront Arena flac16; SBD(Healy Mix)>MC>HiFi VHS>DAT>CDR>CD WAVE>WAVE LAB>MKW>SHN - patched and speed corrected version of shnid 17079 by Kevin Tobin
|
notes
|
| 11176. |
10/18/88 |
Flac 16 - 0,
116241 |
New Orleans |
Keifer Lakefront Arena flac16; Master Audience AKG414>Technics Dat>Sony D6 Dolby C; Taper White,Transfer By Keo; Tapes Maxell MX 90's; Transfer With Nakamichi MR-1,No Dolby C>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 11177. |
10/18/88 |
Flac 24/96 - 0,
116240 |
New Orleans |
Keifer Lakefront Arena flac24; Master Audience AKG414>Technics Dat>Sony D6 Dolby C; Taper White,Transfer By Keo; Tapes Maxell MX 90's; Transfer With Nakamichi MR-1,No Dolby C>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 11178. |
10/18/88 |
Flac 16 - 0,
122747 |
New Orleans |
Keifer Lakefront Arena flac16; Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project
|
notes
|
| 11179. |
10/18/88 |
Flac 16 - 0,
141504 |
New Orleans |
Keifer Lakefront Arena flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Scoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Tansfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11180. |
10/18/88 |
Flac 24/96 - 0,
151208 |
New Orleans |
Keifer Lakefront Arena flac24/96khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 11181. |
10/18/88 |
Flac 16/44 - 0,
151615 |
New Orleans |
Keifer Lakefront Arena flac16/44khz Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell XLII-S) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151208 24 -> 16 @ 44.1
|
notes
|
| 11182. |
10/20/88 |
Flac 16 - 0,
105858 |
Houston |
The Summit flac16; Taper: Alan "Dogman" Miller. Lineage AKG Microphones > Nakamichi550 1st Generation Maxell XLII-S Tapes ( the masters are gone ). Nakamichi DR-1 [no dolby] > Lynx2 Studio Reference Interface > Wavelab 6.01 at 24 BIT 48 kHz Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station. Weiss Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz. Tracked in CDWAV Tag&Rename for Meta_Data. Trader's Little Helper for FLAC Level8 by Patrick White (wharfratpat@shnflac.net)
|
notes
|
| 11183. |
10/20/88 |
Flac 16 - 0,
82488 |
Houston |
The Summit flac16; Set 2 Only, Taper: Unknown AKGC422 > Sony D5 8ft high 30 ft center (or D5 tuned up and Nak300) JVC TD-V1050 cassette deck -> Lynx Two A/D (24-bit, 48kHz) -> Wavelab 6.0 Edited and Remastered: Wavelab 6.0 with Waves Plugins and Ozone by Jamie Waddell
|
notes
|
| 11184. |
10/20/88 |
Flac 24/96 - 0,
116358 |
Houston |
The Summit flac24; Master Audience Sennheiser 441's>Sony D5>Sony D6 (Patched) Dolby C On; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 11185. |
10/20/88 |
Flac 16 - 0,
141656 |
Houston |
The Summit flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Schoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11186. |
10/20/88 |
Flac 16 - 0,
116357 |
Houston |
The Summit flac16; Master Audience Sennheiser 441's>Sony D5>Sony D6 (Patched) Dolby C On; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 11187. |
10/20/88 |
Flac 16/44 - 0,
152172 |
Houston |
The Summit flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MX-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24 - 152119 24 > 16 @ 44.1
|
notes
|
| 11188. |
10/20/88 |
Flac 24/96 - 0,
152119 |
Houston |
The Summit flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MX-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Izotope RX8 Advanced > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 11189. |
10/21/88 |
Flac - 0,
30814 |
Dallas |
Reunion Arena Recording Info: SBD -> Dat; Transfer Info:Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC); Transferred and Edited By Charlie Miller charliemiller87@earthlink.net
|
notes
|
| 11190. |
10/21/88 |
Shn - 0,
18188 |
Dallas |
Reunion Arena MSC>?>DAT>CDR Eac > cool edit > shntool > cdwav > shnv3 Dat> Cdr by Andy Lemieux Eac > shnv3(secure with proper offsets) by Ernie Dodd
|
notes
|
| 11191. |
10/21/88 |
Flac 16 - 0,
116361 |
Dallas |
Reunion Arena flac16; Master Audience Unknown Realistic Mics>Sony D6,Dolby C On; Recorded Third Row In Front Of The Left Speaker Stack; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua Top 16/44; SBE's Checked/Fixed with Trader's Little Helper
|
notes
|
| 11192. |
10/21/88 |
Flac 16/44,1 - 0,
141026 |
Dallas |
Reunion Arena flac16/44.1 Source Info: FOB Schoeps CMC 4 Mk4-> Sony F1 PCM-> DAT (Lance Deal?) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 11193. |
10/21/88 |
Flac 16 - 0,
141657 |
Dallas |
Reunion Arena flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Schoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11194. |
10/21/88 |
Shn - 0,
31108 |
Dallas |
Reunion Arena Unknown Nakamichi mics > ? > Sony D-5 > Master Cassette > 1st Generation Cassette (2 Maxell XLII's) Taper: Unknown Lineage: 2 Maxell XLII's > Nakamichi Cassette Deck 2 > UA-5 @ 16 bit/44.1 kHz (analog in) > USB > WinXP Pro > Cool Edit Pro 2.0 > CDWave Editor > TLH (sbe fix) > Flac Frontend > FLAC16. Transfer and seeding to bt.etree.org by Alex Ford 10/06/2005 A very special thanks goes out to Barry B. for supplying (and trusting) me with his 1st Gen Cassettes.
|
notes
|
| 11195. |
10/21/88 |
Flac 24/96 - 0,
116361 |
Dallas |
Reunion Arena flac24; Master Audience Unknown Realistic Mics>Sony D6,Dolby C On; Recorded Third Row In Front Of The Left Speaker Stack; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 11196. |
12/09/88 |
Shn - 0,
16465 |
Long Beach |
Long Beach Arena Set 2; Master Soundboard Cassette >DAT >CD; via Mark Lynn and Mike B, encoded by Steven Leeds
|
notes
|
| 11197. |
12/09/88 |
Shn - 0,
16093 |
Long Beach |
Long Beach Arena AUD>DAT>CD; via Paul B; Seeded to etree by Willy
|
notes
|
| 11198. |
12/09/88 |
Flac 24/96 - 0,
152483 |
Long Beach |
Long Beach Arena flac24/96 Ambient Master by Mike French "Moke". A solo effort Tapers From Hell: A Journey to the Impact Zone Sennheiser MKE2002 omni's (x2) HRTF @ 6'4" -> Sony TC-D5M no dolby n.r.. From 16th row, center section, FOB,.. Not true center, but a few feet left of center. Solo effort, no blockers or quiet zone. To the digital realm @ 24/96: Sony TC-D5M master deck, and master cassette no n.r. -> Tascam DVRA1000 DSD recorder in PCM Mode 24/96, mastered directly to DVD+RW. By MF Master DVD+RW disc imported to Mac G4 Tiger 10.4 Track divisions, and fades by Sound Studios 2.2.4. Flac by xACT by Scott Brown @ 6/8 By MF
|
notes
|
| 11199. |
12/09/88 |
Flac 16 - 0,
152145 |
Long Beach |
Long Beach Arena Recording Info: UltraMatrix SBD > Cassette Master (Don Pearson) > Cassette (Dolby C) > WAV (16-bit/44.1k) Mastering Info: WAV > Samplitude Pro X5 Suite > FLAC/16
|
notes
|
| 11200. |
12/09/88 |
Flac 16/48 - ,
151088 |
Long Beach |
Long Beach Arena flac16/48khz Source : Unknown mics > DAT > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 11201. |
12/09/88 |
Flac 24/96 - ,
151089 |
Long Beach |
Long Beach Arena flac24/96khz Source : Unknown mics > DAT > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 11202. |
12/10/88 |
Shn - 0,
16094 |
Long Beach |
Long Beach Arena AUD>DAT>CD; via Paul B; Seeded to etree by Willy
|
notes
|
| 11203. |
12/10/88 |
Flac 16 - 0,
152146 |
Long Beach |
Long Beach Arena Recording Info: UltraMatrix SBD > Cassette Master (Don Pearson) > Cassette (Dolby C) > WAV (16-bit/44.1k) Mastering Info: WAV > Samplitude Pro X5 Suite > FLAC/16
|
notes
|
| 11204. |
12/10/88 |
Flac 16/48 - ,
151090 |
Long Beach |
Long Beach Arena flac16/48khz Source : Unknown mics > DAT > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp >1648
|
notes
|
| 11205. |
12/10/88 |
Flac 24/96 - ,
151091 |
Long Beach |
Long Beach Arena flac24/96khz Source : Unknown mics > DAT > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 11206. |
12/11/88 |
Shn - 0,
16095 |
Long Beach |
Long Beach Arena AUD>DAT>CD; via Paul B; Seeded to etree by Willy
|
notes
|
| 11207. |
12/11/88 |
Flac 16 - 0,
152147 |
Long Beach |
Long Beach Arena Recording Info: UltraMatrix SBD > Cassette Master (Don Pearson) > Cassette (Dolby C) > WAV (16-bit/44.1k) Mastering Info: WAV > Samplitude Pro X5 Suite > FLAC/16
|
notes
|
| 11208. |
12/11/88 |
Flac 16/48 - ,
151092 |
Long Beach |
Long Beach Arena flac16/48khz Source : Unknown mics > DAT > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 11209. |
12/11/88 |
Flac 24/96 - ,
151093 |
Long Beach |
Long Beach Arena flac24/96khz Source : Unknown mics > DAT > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 11210. |
12/28/88 |
Flac 16 - 0,
97099 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: aud > Nak CM-100's with CP-4 shotgun mics > D-5 > mac taped from the official tapers section Transfer: mac > Nakamichi CR-5A > Tascam HDP2 > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16
|
notes
|
| 11211. |
12/28/88 |
Flac 16 - 0,
75302 |
Oakland |
Oakland-Alameda County Coliseum flac16; Seamless fix of shn id 3914 - SBD: Healy Mix>PCM>DAT>EventGina>WAV>CD>EAC>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 11212. |
12/28/88 |
Shn - 0,
3914 |
Oakland |
Oakland-Alameda County Coliseum Healy Mix (SBD+AKG C 424b mic)> PCM> DAT> EventGina> WAV> CD> EAC> SHN; to abgd as well as etree?
|
notes
|
| 11213. |
12/28/88 |
Flac 16 Mtx - 0,
137866 |
Oakland |
Oakland-Alameda County Coliseum flac16; Healy Matrix -> Beta; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE->Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF->Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF->RME FIREFACE 800-> FireWire 400->Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab7; Audition CC 2015 Mastering and Patching by Jason Chastain; Track, FLAC, Pack by mdftunes
|
notes
|
| 11214. |
12/28/88 |
Flac 16 - 0,
141658 |
Oakland |
Oakland-Alameda County Coliseum
|
notes
|
| 11215. |
12/28/88 |
Flac 16 - 0,
117670 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 11216. |
12/28/88 |
Flac 24 UMtx. - 0,
149731 |
Oakland |
Oakland-Alameda County Coliseum b>flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11217. |
12/28/88 |
Flac 16 - 0,
149778 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 11218. |
12/29/88 |
Shn - 0,
6313 |
Oakland |
Oakland-Alameda County Coliseum sbd> dats> wav> shn; dat> wav> shn by popi n. feeldz, from Michael Grossman DAT seed
|
notes
|
| 11219. |
12/29/88 |
Shn Mtx - 0,
7347 |
Oakland |
Oakland-Alameda County Coliseum Ultra-Matrix DSBD>DAT>CDR>EAC>HD>SHN; via Glenn Gillis; Tony Gardner
|
notes
|
| 11220. |
12/29/88 |
Flac 16 Mtx - 0,
137692 |
Oakland |
Oakland-Alameda County Coliseum flac16; Healy Matrix -> Beta; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab7; Audition CC 2015 Mastering and Patching by Jason Chastain; Critical Listening Assistance and Track, FLAC, Pack by Norm
|
notes
|
| 11221. |
12/29/88 |
Flac 16 - 0,
140701 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony F1/Sony PRO-XL500); Transfer Info: PCM Master (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
notes
|
| 11222. |
12/29/88 |
Flac 16 - 0,
141659 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source Info: Ted Mattes' (with an assist to Jeff Travitz) Master (FOB) Audience PCM; Schoeps CMC4/MK4 > Sony PCM-F1 with Apogee filters; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam SS-CDR2000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11223. |
12/29/88 |
Flac 16 - 0,
98925 |
Oakland |
Oakland-Alameda County Coliseum flac16; 2 Nak 100's w/ CP-4 Guns > Sony D5 > MAC > Nak dr-1 > 24/96 Wave > Wavelab 5 > UAD Plugs > R8Brain Pro > Izotope Ozone 3 (mbit +) > 16/44.1 Wave > cd wave > flac 16 > TLH ( lvl 8 )
|
notes
|
| 11224. |
12/29/88 |
Flac 24/96 - 0,
152285 |
Oakland |
Oakland-Alameda County Coliseum flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 11225. |
12/29/88 |
Flac 16/44 - 0,
152582 |
Oakland |
Oakland-Alameda County Coliseum flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 -This is 152285 24 -> 16 @ 44.1
|
notes
|
| 11226. |
12/31/88 |
Flac 16 - 0,
85966 |
Oakland |
Oakland-Alameda County Coliseum flac16; SBD -> Cassette Master (Sony D5/TDK MAX-G90) All Transfers and Mastering By Charlie Miller
|
notes
|
| 11227. |
12/31/88 |
Shn - 0,
3189 |
Oakland |
Oakland-Alameda County Coliseum Healy Mix (SBD+AKG C 424b mic)> PCM> DAT> DALCardDeluxe> WAV> CD> EAC> SHN; via Stagger? to abgd, thence to etree; some balloon pops edited down or out
|
notes
|
| 11228. |
12/31/88 |
Shn - 0,
9396 |
Oakland |
Oakland-Alameda County Coliseum Jay Ashley (Bertha) Remaster of Healy SBD Mix; SBD(Healy Mix>>PCM>>DAT>>DALCardDeluxe>>WAV>>CDA>SHN>>DAW(Bertha)>>CDA
|
notes
|
| 11229. |
12/31/88 |
Flac 16 - 0,
97786 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: fm > Sony Walkman Fm stereo receiver > Marantz PMD-431 (probably) > mac Transfer: mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16
|
notes
|
| 11230. |
12/31/88 |
Flac 16 - 0,
138904 |
Oakland |
Oakland-Alameda County Coliseum flac16; Set 1 Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (44.1k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017
|
notes
|
| 11231. |
12/31/88 |
Flac 16 Mtx - 0,
136731 |
Oakland |
Oakland-Alameda County Coliseum flac16; Healy Matrix pre-fm -> Beta; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Audition CC 2015 Mastering by Jason Chastain; tracking with Audacity-> flac level 8->tagged with Tag&Rename and checksums with TLH by Norm; 16 bit 44.1kHz a project **GEMS**
|
notes
|
| 11232. |
12/31/88 |
Flac 16 - 0,
140702 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > PCM Master (Sony F1/Sony PRO-XL500); Transfer Info: PCM Master (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
notes
|
| 11233. |
12/31/88 |
Flac 16 - 0,
149469 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>3 TDK SA-X 90 Minute Master Cassette Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section
|
notes
|
| 11234. |
12/31/88 |
Flac 24/96 - 0,
152286 |
Oakland |
Oakland-Alameda County Coliseum flac24/96 Recording Info: UltraMatrix SBD (Broadcast Mix) > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 11235. |
12/31/88 |
Flac 16/44 - 0,
152538 |
Oakland |
Oakland-Alameda County Coliseum flac16/44 Recording Info: UltraMatrix SBD (Broadcast Mix) > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152286 24 -> 16 @ 44.1
|
notes
|
| 11236. |
02/05/89 |
Flac 16 - 0,
108689 |
Oakland |
Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B) Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11237. |
02/05/89 |
Shn - 0,
15402 |
Oakland |
Henry J Kaiser Convention Center Source: Ultramatrix (SBD/AUD mix) Lineage: Master Cassette> ?> DAT> CD> SHN. Thanks to Johnny Venus for the disks. Normalized and seeded by Peter Braverman
|
notes
|
| 11238. |
02/05/89 |
Flac 24 - 0,
108848 |
Oakland |
Henry J Kaiser Convention Center flac24; Recording Info: SBD -> Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11239. |
02/05/89 |
Flac 16 - 0,
32542 |
Oakland |
Henry J Kaiser Convention Center
|
notes
|
| 11240. |
02/05/89 |
Flac 16 - 0,
139666 |
Oakland |
Henry J Kaiser Convention Center flac16; Recording Info: SBD > PCM Master (Vault) > PCM Clone; Transfer Info: PCM (Sony SL-10) > Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 11241. |
02/05/89 |
Flac 24 - 0,
139649 |
Oakland |
Henry J Kaiser Convention Center flac24; Set 2 Soundboard Recording Info: SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/Maxell HGX GOLD); Audience Recording Info: AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/Maxell HGX GOLD); Soundboard Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Audience Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Mastering Info: KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller
|
notes
|
| 11242. |
02/05/89 |
Flac 16 - 0,
139794 |
Oakland |
Henry J Kaiser Convention Center flac16; Set 2 Soundboard Recording Info: SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/Maxell HGX GOLD); Audience Recording Info: AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/Maxell HGX GOLD); Soundboard Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Audience Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Mastering Info: KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller
|
notes
|
| 11243. |
02/05/89 |
Flac 24 - 0,
140729 |
Oakland |
Henry J Kaiser Convention Center flac24; Set 2 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
|
notes
|
| 11244. |
02/05/89 |
Flac 16 - 0,
140728 |
Oakland |
Henry J Kaiser Convention Center flac16; Set 2 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp
|
notes
|
| 11245. |
02/05/89 |
Flac 16 - 0,
140996 |
Oakland |
Henry J Kaiser Convention Center flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small
|
notes
|
| 11246. |
02/05/89 |
Flac 16 - 0,
116407 |
Oakland |
Henry J Kaiser Convention Center flac16; Source: (OTS) Superscope EC-7's (ortf/cardioids) > Sony WM-D6C; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster
|
notes
|
| 11247. |
02/05/89 |
Shn - 0,
9484 |
Oakland |
Henry J Kaiser Convention Center Mark Horvath FOB Senn. 421?s> Sony TC-D5> MC> CDR; Seeded to etree by Tim W
|
notes
|
| 11248. |
02/05/89 |
Flac 16 - 0,
138905 |
Oakland |
Henry J Kaiser Convention Center flac16; Ted Mattes Recording; Schoeps CMC 44 > Sony PCM F1 (110 degrees ORTF - FOB); Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz. Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; ReTracted & Packed in Audacity & seeded by Joe Noel > flac 16/44; Checksum & tags created in xACT
|
notes
|
| 11249. |
02/05/89 |
Flac 16 - 0,
124836 |
Oakland |
Henry J Kaiser Convention Center flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus
|
notes
|
| 11250. |
02/05/89 |
Flac 16 - 0,
105612 |
Oakland |
Henry J Kaiser Convention Center flac16; Recording Info:SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11251. |
02/06/89 |
Flac 16 - 0,
107030 |
Oakland |
Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/Maxell MX90/Dolby B); Transfer Info: Master Cassette (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11252. |
02/06/89 |
Flac 16 - 0,
26330 |
Oakland |
Henry J Kaiser Convention Center flac16; SBD> Master Cassette> CD (Marantz CDR 500 Pro); Transfer Info: CD (Sony CDP-XE500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> Cool Edit Pro v2.0> FLAC; Transferred and Edited By Charlie Miller, with thanks to Paul Scotton and Joani Walker
|
notes
|
| 11253. |
02/06/89 |
Flac 16 - 0,
138906 |
Oakland |
Henry J Kaiser Convention Center flac16; Set 1 Ted Mattes Recording; Schoeps CMC 44 > Sony PCM F1 (110 degrees ORTF - FOB); Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz. Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; ReTracted & Packed in Audacity & seeded by Joe Noel > flac 16/44; Checksum & tags created in xACT
|
notes
|
| 11254. |
02/06/89 |
Flac 16 - 0,
116433 |
Oakland |
Henry J Kaiser Convention Center flac16; Source: (OTS) Superscope EC-7's (ortf/cardioids) > Sony WM-D6C; Lineage: Cass/M > D5 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster
|
notes
|
| 11255. |
02/06/89 |
Shn - 0,
9485 |
Oakland |
Henry J Kaiser Convention Center Mark Horvath FOB Senn. 421?s> Sony TC-D5> MC> CDR; Seeded to Etree by Tim W
|
notes
|
| 11256. |
02/06/89 |
Flac 24 - 0,
146587 |
Oakland |
Henry J Kaiser Convention Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
|
notes
|
| 11257. |
02/06/89 |
Flac 16 - 0,
147384 |
Oakland |
Henry J Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; This file set is 16 bit @ 44.1
|
notes
|
| 11258. |
02/06/89 |
Flac 16 - 0,
124837 |
Oakland |
Henry J Kaiser Convention Center flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus
|
notes
|
| 11259. |
02/07/89 |
Flac 16 - 0,
106929 |
Oakland |
Henry J Kaiser Convention Center flac16; Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-X90/Dolby B); Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11260. |
02/07/89 |
Shn - 0,
9202 |
Oakland |
Henry J Kaiser Convention Center SBD>MC>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 11261. |
02/07/89 |
Flac - 0,
32543 |
Oakland |
Henry J Kaiser Convention Center flac16; SBD -> Cassette Master (TDK MA-X90) Transferred and Edited By Charlie Miller
|
notes
|
| 11262. |
02/07/89 |
Flac 16 - 0,
138907 |
Oakland |
Henry J Kaiser Convention Center flac16; Ted Mattes Recording; Schoeps CMC 44 > Sony PCM F1 (110 degrees ORTF - FOB); Dougal Donaldson Transfer from his PCM clone of the master; Sony Beta SL-HF360 > Sony PCM501 > analog outputs > MAudio soundcard > Soundforge > CD Architect > CD @44.1 kHz. Subsequent transfer from CD > SFDIF > MAudio > Soundforge, WAV file converted to FLAC; Mastered, ReTracted & Packed in Audacity & seeded by Joe Noel > flac 16/44; Checksum & tags created in xACT
|
notes
|
| 11263. |
02/07/89 |
Flac 16 - 0,
124838 |
Oakland |
Henry J Kaiser Convention Center flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus
|
notes
|
| 11264. |
02/07/89 |
Flac 24 UMtx. - 0,
149648 |
Oakland |
Henry J Kaiser Convention Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11265. |
02/07/89 |
Flac 16 U Mtx. - 0,
149698 |
Oakland |
Henry J Kaiser Convention Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 11266. |
02/10/89 |
Flac 16 - 0,
13060 |
Inglewood |
Great Western LA Forum flac16; Seamless fix of shn id 13060 - Master Cassette SBD>DAT(Fostex D-10 playback)>CD-R (hhb800 standalone)>EAC 0.9>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 11267. |
02/10/89 |
Shn - 0,
13060 |
Inglewood |
Great Western LA Forum Source: Master Cassette SBD>DAT(Fostex D-10 playback)>CD-R (hhb800 standalone)>EAC 0.9>SHN (via MKWACT)
|
notes
|
| 11268. |
02/10/89 |
Flac 24/96 - 0,
137004 |
Inglewood |
Great Western LA Forum flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); All Transfers and Mastering By Charlie Miller
|
notes
|
| 11269. |
02/10/89 |
Flac 16 - 0,
137076 |
Inglewood |
Great Western LA Forum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11270. |
02/10/89 |
Flac 24/96 - 0,
74843 |
Inglewood |
Great Western LA Forum flac24/96; Senn MKE2002 omni\'s HRTF -> Sony TC-D5M @ 6\' 5\" FOB/DFC to 24/96 digital: Sony TC-D5M master deck and master, no n.r. -> Tascam DVRA1000 DSD recorder in high res PCM mode of 24bit/96khz to flac: DVRA1000 Project Disc 23/96 files imported via Mac Tiger 10.4. Flac compression by xACT to 7/8 compression
|
notes
|
| 11271. |
02/10/89 |
Flac 16 - 0,
77647 |
Inglewood |
Great Western LA Forum flac16; Senn MKE2002 omni's HRTF -> Sony TC-D5M @ 6' 5" FOB/DFC to 24/96 digital: Sony TC-D5M master deck and master, no n.r. -> Tascam DVRA1000 DSD recorder in high res PCM mode of 24bit/96khz to flac: DVRA1000 Project Disc 24/96 files imported via Mac Tiger 10.4.Flac compression by xACT to 7/8 compression conversion: by Bob Loy Samplitude Professional V8.01 > Declipping > -13db > Isotope Ozone loudness maximizer > new max peak -.1db > 16bit 44100hz >ffe l6 sbes aligned by set>1d3 tag
|
notes
|
| 11272. |
02/10/89 |
Flac 16 - 0,
139760 |
Inglewood |
Great Western LA Forum flac16; Source Info: (FOB) Audience PCM; Schoeps CMC4/MK4 > Sony PCM-F1 > Dat (16/44); Transfer Info: Sony PCM-R500 > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11273. |
02/10/89 |
Flac 16 - 0,
140997 |
Inglewood |
Great Western LA Forum flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small
|
notes
|
| 11274. |
02/10/89 |
Flac 16 - 0,
124829 |
Inglewood |
Great Western LA Forum flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Section 1, Row DDD, Seat 8
|
notes
|
| 11275. |
02/10/89 |
Flac 24/48 - 0,
77708 |
Inglewood |
Great Western LA Forum flac24/48; Senn MKE2002 omni's HRTF -> Sony TC-D5M @ 6' 5" FOB/DFC to 24/96 digital: Sony TC-D5M master deck and master, no n.r. -> Tascam DVRA1000 DSD recorder in high res PCM mode of 24bit/96khz to flac: DVRA1000 Project Disc 24/96 files imported via Mac Tiger 10.4.Flac compression by xACT to 7/8 compression conversion 24/48: by Bob Loy Samplitude Professional V8.01 > Declipping > -13db > Isotope Ozone loudness maximizer > new max peak -.1db > 24bit 48hz >ffe l6; this is a clean-up of the original 24 bit source
|
notes
|
| 11276. |
02/11/89 |
Shn - 0,
9203 |
Inglewood |
Great Western LA Forum SBD>MC>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 11277. |
02/11/89 |
Flac 16 - 0,
134776 |
Inglewood |
Great Western LA Forum flac16; Recording Info: Set 1: SBD -> Cassette Master -> Dat; Set 2: SBD -> PCM Master -> Dat; Transfer Info: Dat (Tascam DA-20) -> Sound Devices 744T -> WAV -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11278. |
02/11/89 |
Shn - 0,
20759 |
Inglewood |
Great Western LA Forum DAUD[master] > CDR > EAC > AddaWav > CDWAV > SHN; EAC > SHN by harlan; CDR from D. Loebig
|
notes
|
| 11279. |
02/11/89 |
Flac 24 - 0,
35158 |
Inglewood |
Great Western LA Forum b>flac24/96; Set one: Sennheiser MKE2002 HRTF headband -> Sony TC-D5M @ 6'5" by Mike French Set two: ~ Schoeps cmc?? cards (caps on bodies, cardioids) ORTF @ 6'4" covered by the Mike Stand (MF) at eye level ~ Oade pre (m118 ?) -> Sony PCM processor->beta, line out (Sean Weber Small rig) -> Sony TC-D5M master by Mike French Transfer to 24/96: Sony TC-D5M master deck w/ master, no n.r. -> Tascam DVRA1000 DSD recorder in high-res pcm mode, 24/96 by Mike French then to flac: DVRA1000 Project Disc 24/96 imported to Mac OS-X Tiger, conversion by xACT
|
notes
|
| 11280. |
02/11/89 |
Flac 24 - 0,
140731 |
Inglewood |
Great Western LA Forum flac24; Set 1 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
|
notes
|
| 11281. |
02/11/89 |
Flac 16 - 0,
140730 |
Inglewood |
Great Western LA Forum flac16; Set 1 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp
|
notes
|
| 11282. |
02/11/89 |
Flac 16 - 0,
140719 |
Inglewood |
Great Western LA Forum flac16; Recording Info: Set 1: SBD > PCM; Set 2: UltraMatrix SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11283. |
02/11/89 |
Flac 16 - 0,
140999 |
Inglewood |
Great Western LA Forum flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small
|
notes
|
| 11284. |
02/11/89 |
Flac 16 - 0,
124830 |
Inglewood |
Great Western LA Forum flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Section 1, Row DDD, Seat 8
|
notes
|
| 11285. |
02/11/89 |
Flac 16 - 0,
76125 |
Inglewood |
Great Western LA Forum flac16; From the Impact Zone, fob/dfc Set one: Sennheiser MKE2002 HRTF headband -> Sony TC-D5M @ 6'5" by Mike French Set two; ~ Schoeps cmc?? cards (caps on bodies, cardioids) ORTF @ 6'4" covered by the Mike Stand (MF) at eye level. ~ Oade pre (m118 ?) -> Sony PCM processor->beta, line out (Sean Weber Small rig) -> Sony TC-D5M master by Mike French Transfer to 24/96; Sony TC-D5M master deck w/ master, no n.r. -> Tascam DVRA1000 DSD recorder in high-res pcm mode, 24/96 by Mike French then to flac; DVRA1000 Project Disc 24/96 imported to Mac OS-X Tiger, conversion by xACT, by MF - downsampled to 16/44.1 using Adobe Audition 1.5, dithered with iZotope Ozone. New flacs, etc created
|
notes
|
| 11286. |
02/12/89 |
Flac 16 - 0,
89200 |
Inglewood |
Great Western LA Forum flac16; Recording Info: SBD -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.0.1 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 11287. |
02/12/89 |
Shn - 0,
4680 |
Inglewood |
Great Western LA Forum SBD> MC> DAT> CD> SHN
|
notes
|
| 11288. |
02/12/89 |
Shn - 0,
429 |
Inglewood |
Great Western LA Forum SBD; via Mike Lai
|
notes
|
| 11289. |
02/12/89 |
Flac 24/96 - 0,
137005 |
Inglewood |
Great Western LA Forum flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); All Transfers and Mastering By Charlie Miller
|
notes
|
| 11290. |
02/12/89 |
Flac 16 - 0,
137086 |
Inglewood |
Great Western LA Forum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11291. |
02/12/89 |
Flac 16 - 0,
139800 |
Inglewood |
Great Western LA Forum flac16; Set 1 Source Info: (FOB) Audience PCM; Schoeps CMC4/MK4 > Sony PCM-F1 > Dat (16/44); Transfer Info: Sony PCM-R500 > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11292. |
02/12/89 |
Flac 16/48 - 0,
140915 |
Inglewood |
Great Western LA Forum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 137086) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; + AUD (shnid = 31265) Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion. - surrround mixing by Kevin Tobin
|
notes
|
| 11293. |
02/12/89 |
Flac 16 Dts - 0,
140914 |
Inglewood |
Great Western LA Forum DTS-Audio-CD 5.1 Mix; SBD (shnid = 137086) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; + AUD (shnid = 31265) Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion. - dts mixing by Kevin Tobin
|
notes
|
| 11294. |
02/12/89 |
Flac 16 Mtx - 0,
140913 |
Inglewood |
Great Western LA Forum flac16; Matrix 2 Source Mix - SBD (shnid = 137086) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; + AUD (shnid = 31265) Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion. - matrix mixing by Kevin Tobin
|
notes
|
| 11295. |
02/12/89 |
Flac 16 - 0,
140998 |
Inglewood |
Great Western LA Forum flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 (ORTF) > PCM (Sony PCM-F1 > Sony SL-2000 modded with Apogee filters - Oade capacitor power supply); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); Recorded by Ted Mattes and Sean Weber-Small
|
notes
|
| 11296. |
02/12/89 |
Flac 16 - 0,
76126 |
Inglewood |
Great Western LA Forum flac16; Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion - downsampled to 16/44.1 using Adobe Audition 1.5, dithered with iZotope Ozone. - retracked, new flacs, etc created, files have been renamed to Etree conventions
|
notes
|
| 11297. |
02/12/89 |
Flac 16 - 0,
124818 |
Inglewood |
Great Western LA Forum flac16; AT835B's- AT 8202’s-SONY WM D6-C Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Section 1, Row DDD, seat 6
|
notes
|
| 11298. |
02/12/89 |
Flac 24/96 - 0,
31265 |
Inglewood |
Great Western LA Forum flac24; Sean Weber Small rig, Schoeps cmc?? (cardioid caps on mic bodies) ORTF -> Oade pre (m118?) -> Sony F1/Beta rig, line out -> Sony TC-D5M analog cassette master by MF. From FOB/DFC. Mics at 6'5", at eye level to MF, covering the mics. The other mics were Neumann km84's, ortf-> Neu. p48v -> Sony TC-D5M @ 6'4" to 24/96 digital: Sony TC-D5M master deck w/ master tape, no n.r. -> Tascam DVRA1000 DSD in PCM mode 24/96 to flac: Tascam DVRA1000 DSD USB2.0 mode -> Mac Tiger 10.4 import, xACT conversion.
|
notes
|
| 11299. |
03/27/89 |
Flac 16 - 0,
81528 |
Atlanta |
The Omni flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
|
notes
|
| 11300. |
03/27/89 |
Flac 24/96 - 0,
108015 |
Atlanta |
The Omni flac24; Lineage: Master Audience Cassette Nak300.Sony D3.Maxell XLII-S 90's Transfer:Nak MR-1>Korg MR-1000 1Bit/5.6MHz Sample rate conversion with AudioGate software to 24/96 FLAC
|
notes
|
| 11301. |
03/27/89 |
Flac 16 - 0,
124947 |
Atlanta |
The Omni flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11302. |
03/27/89 |
Shn - 0,
9204 |
Atlanta |
The Omni AUD(Schoeps CMC-441's)>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 11303. |
03/27/89 |
Flac 24/96 - 0,
124946 |
Atlanta |
The Omni flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 11304. |
03/27/89 |
Flac 24 UMtx. - 0,
147800 |
Atlanta |
The Omni flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11305. |
03/27/89 |
Flac 16 U Mtx. - 0,
147894 |
Atlanta |
The Omni flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 11306. |
03/27/89 |
Flac 16 Mtx - ,
158251 |
Atlanta |
The Omni flac1644 A Photoleon Matrix Source 1 Shnid 9204 Source: Aud(schoeps Cmc-441's)> Dat> Cdr Conversion: Eac(secure)> Cd Wav> Cool Edit Pro> Shn(seekable) Conversion Edit Seeded To Etree By Tim Wiley 4 1 02 Another Installment Of The Music Never Stopped Project! Source 2 Shnid 147894 Recording: Ultramatrix Sbd > Cassette Master (tdk Ma-xg90) Recorded By Don Pearson & Dan Healy Transfer: Cassette Master (nakamichi Cr-7a) > Tascam Da-3000 (dsf 1-bit Mhz) > Adobe Audition Cc2015 > Samplitude Pro X4 Suite > Flac 24 Transfer & Mastering By Charlie Miller October 24, 2019 Source 3 Shnid 108015 Lineage: Master Audience Cassette Nak300.sony D3.maxell Xlii-s 90's Transfer:nak Mr-1>korg Mr-1000 1bit Mhz. Sample Rate Conversion With Audiogate Software To 24 Flac. Taper: Baker Matrix Created In Adobe Audition By Joe Noel August 04, 2022
|
notes
|
| 11307. |
03/27/89 |
Flac 16/44 - ,
158251 |
Atlanta |
The Omni flac1644 A Photoleon Matrix Source 1 Shnid 9204 Source: Aud(schoeps Cmc-441's)> Dat> Cdr Conversion: Eac(secure)> Cd Wav> Cool Edit Pro> Shn(seekable) Conversion Edit Seeded To Etree By Tim Wiley 4 1 02 Another Installment Of The Music Never Stopped Project! Source 2 Shnid 147894 Recording: Ultramatrix Sbd > Cassette Master (tdk Ma-xg90) Recorded By Don Pearson & Dan Healy Transfer: Cassette Master (nakamichi Cr-7a) > Tascam Da-3000 (dsf 1-bit Mhz) > Adobe Audition Cc2015 > Samplitude Pro X4 Suite > Flac 24 Transfer & Mastering By Charlie Miller October 24, 2019 Source 3 Shnid 108015 Lineage: Master Audience Cassette Nak300.sony D3.maxell Xlii-s 90's Transfer:nak Mr-1>korg Mr-1000 1bit Mhz. Sample Rate Conversion With Audiogate Software To 24 Flac. Taper: Baker Matrix Created In Adobe Audition By Joe Noel August 04, 2022
|
notes
|
| 11308. |
03/28/89 |
Flac 16 - 0,
81529 |
Atlanta |
The Omni flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
|
notes
|
| 11309. |
03/28/89 |
Flac 16 - 0,
124994 |
Atlanta |
The Omni flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11310. |
03/28/89 |
Flac 16 - 0,
111791 |
Atlanta |
The Omni flac 16; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [2/2/11]
|
notes
|
| 11311. |
03/28/89 |
Flac 24/48 - 0,
111792 |
Atlanta |
The Omni flac 24; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [2/2/11]
|
notes
|
| 11312. |
03/28/89 |
Shn - 0,
9205 |
Atlanta |
The Omni AUD>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 11313. |
03/28/89 |
Flac 24/96 - 0,
124993 |
Atlanta |
The Omni flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 11314. |
03/28/89 |
Flac 24 UMtx. - 0,
147818 |
Atlanta |
The Omni flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11315. |
03/28/89 |
Flac 16 - 0,
148154 |
Atlanta |
The Omni flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 11316. |
03/28/89 |
Flac 16 - ,
156410 |
Atlanta |
The Omni Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 08, 2021
|
notes
|
| 11317. |
03/30/89 |
Flac 16 - 0,
81531 |
Greensboro |
Greensboro Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11318. |
03/30/89 |
Flac 16 - 0,
125412 |
Greensboro |
Greensboro Coliseum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11319. |
03/30/89 |
Flac 16 - 0,
133932 |
Greensboro |
Greensboro Coliseum flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
|
notes
|
| 11320. |
03/30/89 |
Flac 16 - 0,
79836 |
Greensboro |
Greensboro Coliseum flac16; Set 1 only: Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 11321. |
03/30/89 |
Flac 16 - 0,
141801 |
Greensboro |
Greensboro Coliseum flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11322. |
03/30/89 |
Shn - 0,
10059 |
Greensboro |
Greensboro Coliseum Mark Horvath FOB Senn. 421?s>Sony TC-D5>MC>CDR; via Paul "Raoul" B; Seeded to etree by Brad Ingle
|
notes
|
| 11323. |
03/30/89 |
Flac 16/48 - 0,
137921 |
Greensboro |
Greensboro Coliseum flac16/48kHz; Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48khz)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 11324. |
03/30/89 |
Flac 24/96 - 0,
125411 |
Greensboro |
Greensboro Coliseum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 11325. |
03/30/89 |
Flac 24 UMtx. - 0,
147819 |
Greensboro |
Greensboro Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11326. |
03/30/89 |
Flac 16 - 0,
148153 |
Greensboro |
Greensboro Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 11327. |
03/31/89 |
Flac 16 - 0,
32349 |
Greensboro |
Greensboro Coliseum flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Set 1: Dat -> Sonic Solutions -> CD -> EAC -> FLAC Set 2: Dat -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 11328. |
03/31/89 |
Flac 16 - 0,
125426 |
Greensboro |
Greensboro Coliseum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11329. |
03/31/89 |
Flac 16 - 0,
95221 |
Greensboro |
Greensboro Coliseum flac16; Source: aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S taped by John Bleich Transfer : mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav 24/96) > flac
|
notes
|
| 11330. |
03/31/89 |
Flac 16 - 0,
133938 |
Greensboro |
Greensboro Coliseum flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
|
notes
|
| 11331. |
03/31/89 |
Shn - 0,
16666 |
Greensboro |
Greensboro Coliseum sbd>cass>dat>cd>eac>wav>shn>wav>shn; via Ray Hansen; seedeD
|
notes
|
| 11332. |
03/31/89 |
Flac 16 - 0,
140966 |
Greensboro |
Greensboro Coliseum flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11333. |
03/31/89 |
Flac 16/48 - 0,
138065 |
Greensboro |
Greensboro Coliseum flac16/48kHz; Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 11334. |
03/31/89 |
Shn - 0,
3826 |
Greensboro |
Greensboro Coliseum schoeps cmc?/mk21> DAT fob; via Childo and unIDed seeder; note offbeat track breaks; includes unIDed filler
|
notes
|
| 11335. |
03/31/89 |
Flac 24/96 - 0,
125425 |
Greensboro |
Greensboro Coliseum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; AKG100 > Sony D3, Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 11336. |
03/31/89 |
Flac 24 UMtx. - 0,
147823 |
Greensboro |
Greensboro Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11337. |
03/31/89 |
Flac 16 - 0,
148151 |
Greensboro |
Greensboro Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, this file set is 16 bit @ 44.1
|
notes
|
| 11338. |
03/31/89 |
Flac 16/48LPCM - 0,
149814 |
Greensboro |
Greensboro Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147823) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138065) Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe - surround mixing by Kevin
|
notes
|
| 11339. |
03/31/89 |
Flac 16 Mtx - 0,
149811 |
Greensboro |
Greensboro Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 147823) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138065) Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe - matrix mixing by Kevin Tobin
|
notes
|
| 11340. |
03/31/89 |
Flac 16 Dts.5.1 - 0,
149813 |
Greensboro |
Greensboro Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147823) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138065) Source: Schoeps CMC3/MK21 > DAT > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe - dts mixing by Kevin Tobin
|
notes
|
| 11341. |
03/31/89 |
Flac 24/96 - 0,
148612 |
Greensboro |
Greensboro Coliseum flac24; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 11342. |
03/31/89 |
Flac 16/48 - 0,
148611 |
Greensboro |
Greensboro Coliseum flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME-80 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 11343. |
03/??/89 |
Flac 16 - 0,
113358 |
San Rafael |
Club Front - Grateful Dead Studio flac16: Source reported to be: (Video ~ 1st gen video8 > stand alone DVR) Audio ~ AC3 48000Hz 256 kb/s tot , stereo (2/0) Extracted, Tracked, Downsampled and Converted to FLAC May 2011 by Teddy "GoodBear" - Number of Audio channels: 2 Audio Coding mode: Linear PCM audio Sampling Rate: 44.1kHz
|
notes
|
| 11344. |
04/02/89 |
Shn - 0,
17177 |
Pittsburgh |
Civic Arena Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan
|
notes
|
| 11345. |
04/02/89 |
Flac 16 - 0,
89780 |
Pittsburgh |
Civic Arena flac16; AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008
|
notes
|
| 11346. |
04/02/89 |
Flac 16 - 0,
134822 |
Pittsburgh |
Civic Arena flac16; Source: B&K4011 FOB AUD > ? > PCM unknown taper; Transfer: PCM (x) > DAT (0) > Microtrack 24/96 > WAV 44.1 > Flac 16/44.1
|
notes
|
| 11347. |
04/02/89 |
Flac Dts 5.1 - 0,
135454 |
Pittsburgh |
Civic Arena DTS-Audio-CD 5.1 Mix; SBD (shnid=17177) Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan + AUD (shn id 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - dts mixing by Kevin Tobin
|
notes
|
| 11348. |
04/02/89 |
Flac 16 - 0,
135452 |
Pittsburgh |
Civic Arena flac16; (original shnid = 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - pitch correction and patches by Kevin Tobin
|
notes
|
| 11349. |
04/02/89 |
Flac 16 Mtx - 0,
135453 |
Pittsburgh |
Civic Arena flac16; Matrix 2 Source Mix - SBD (shnid=17177) Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan + AUD (shn id 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - matrix mixing by Kevin Tobin
|
notes
|
| 11350. |
04/02/89 |
Flac 24/96 - 0,
141669 |
Pittsburgh |
Civic Arena flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
|
notes
|
| 11351. |
04/02/89 |
Flac 16 - 0,
96554 |
Pittsburgh |
Civic Arena flac16; source: aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell SII-S taped by John Bleich from Section 9F, Row TT, Seat 8 transfer: mac > Nakamichi BX-125E > EMU 020 > Wavelab > wav (24/96) > flac *except for It's All Over Now, Baby Blue: mac > Nakamichi ZX-9 > Tascam HD-P2 > wav (24/96) > flac
|
notes
|
| 11352. |
04/02/89 |
Shn - 0,
29734 |
Pittsburgh |
Civic Arena AUD>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Note this is the original shn seed for shn id9206 This source was made from my master cassettes and doesn't have the digital flaws noted on d2t01 (bad EAC) of shn id 9206. Digital Mastering by Charlie Connor Seeded to abgd 3/29/01; seeded to etree bt 6/21/05
|
notes
|
| 11353. |
04/02/89 |
Shn - 0,
9206 |
Pittsburgh |
Civic Arena AUD(Beyer M-88?s>Sony TC-D5)>MC>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 11354. |
04/02/89 |
Flac 16 - 0,
145673 |
Pittsburgh |
Civic Arena flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1
|
notes
|
| 11355. |
04/02/89 |
Flac 16/48 - 0,
135455 |
Pittsburgh |
Civic Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=17177) Matrix>DAT>CDR>EAC>SHN>WAV>CE2K>SHNTOOL>MKWACT. Editing/Seeding: MattMan + AUD (shn id 89780) AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008. - mixing by Kevin Tobi
|
notes
|
| 11356. |
04/02/89 |
Flac 24 UMtx. - 0,
147793 |
Pittsburgh |
Civic Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11357. |
04/02/89 |
Flac 16 U Mtx. - 0,
147892 |
Pittsburgh |
Civic Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 11358. |
04/02/89 |
Flac 24/96 - 0,
149268 |
Pittsburgh |
Civic Arena flac24; Source Info: TS Sennheiser-> Sony D5-> Sony D6-> Cassette; Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel
|
notes
|
| 11359. |
04/02/89 |
Flac 24/96 - 0,
151401 |
Pittsburgh |
Civic Arena Fresh Transfer and Remaster Of Source 141669. Source: (OTS) AKG 460 with ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette. Transfer: Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz-24bit Recording & Transfer by Ray Ackerman. Edited & Mastered (Adobe Audition) by Joe Noel. January 2, 2021
|
notes
|
| 11360. |
04/02/89 |
Flac 16/44,1 - 0,
151419 |
Pittsburgh |
Civic Arena flac16/44.1khz Ackerman Archives Source: (OTS) AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette Transfer: Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz/24bit Recording & Transfer by Ray Ackerman Edited & Mastered (Adobe Audition) by Joe Noel
|
notes
|
| 11361. |
04/03/89 |
Flac 16 Mtx - 0,
7507 |
Pittsburgh |
Civic Arena flac16; Matrix 4 Source Mix - SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor + AUD2 (shn id 125023)Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; + Video (no shnid) - matrix mixing by Kevin Tobin
|
notes
|
| 11362. |
04/03/89 |
Flac 24/96 - 0,
125022 |
Pittsburgh |
Civic Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 11363. |
04/03/89 |
Flac 16 - 0,
125023 |
Pittsburgh |
Civic Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11364. |
04/03/89 |
Shn - 0,
7507 |
Pittsburgh |
Civic Arena SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell
|
notes
|
| 11365. |
04/03/89 |
Flac 16 - 0,
133939 |
Pittsburgh |
Civic Arena flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
|
notes
|
| 11366. |
04/03/89 |
Flac Dts 5.1 - 0,
125403 |
Pittsburgh |
Civic Arena DTS-Audio-CD 5.1 Mix; SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor + AUD2 (shn id 125023)Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; + Video (no shnid) - dts mixing by Kevin Tobin
|
notes
|
| 11367. |
04/03/89 |
Flac 16 - 0,
89791 |
Pittsburgh |
Civic Arena flac16; AUD: Nakamichi CM300/CP4's > Marantz PMD-420, front row of OTS. Transfer: MAC > Nakamichi Dragon > Tascam CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred thru CDR by Jon Pasternak, EAC thru FLAC by Andrew F. January 2008.
|
notes
|
| 11368. |
04/03/89 |
Flac 16 - 0,
96796 |
Pittsburgh |
Civic Arena flac16; Source: aud > Nakamichi 300 shotguns > Sony WM-D6 > mac taped by John Bleich Transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav (16/44.1) > Cd Wave > TLH > flac16
|
notes
|
| 11369. |
04/03/89 |
Flac 16 - 0,
125413 |
Pittsburgh |
Civic Arena flac16; SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell (shnid 7507) - Patched, Pitch Correction and Tagged by Kevin Tobin
|
notes
|
| 11370. |
04/03/89 |
Flac 16/48 - 0,
135433 |
Pittsburgh |
Civic Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shn id 7507) SBD > PCM (analog output) > D > D > CDR; Mastered by Jay Serafin; via Bob Harrell + AUD1 (shn id 29758) FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor - mixing by Kevin Tobin
|
notes
|
| 11371. |
04/03/89 |
Flac 24/96 - 0,
141670 |
Pittsburgh |
Civic Arena flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
|
notes
|
| 11372. |
04/03/89 |
Flac 16 - 0,
100161 |
Pittsburgh |
Civic Arena flac16; Source: (FOB) Schoeps CMC5/MK4->DAT (16/48) Lineage: Dat Clone->Sony PCM R-500->VX Pocket V2->Soundforge 6.0 (fades, normalize (127.20%/2.09dB), resample)->FLAC; Taper: Unknown
|
notes
|
| 11373. |
04/03/89 |
Shn - 0,
29758 |
Pittsburgh |
Civic Arena FOB(11th Row)>Beyer Dynamic M88's>Sony TCD5M(CM)>Nak DR-10 (Playback)>Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8>Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT); Transferred/shn'ed by Charlie Connor
|
notes
|
| 11374. |
04/03/89 |
Flac 16 - 0,
145689 |
Pittsburgh |
Civic Arena flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1
|
notes
|
| 11375. |
04/03/89 |
Flac 24 UMtx. - 0,
147794 |
Pittsburgh |
Civic Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11376. |
04/03/89 |
Flac 16 - 0,
147893 |
Pittsburgh |
Civic Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 11377. |
04/03/89 |
Flac 24/96 - 0,
151402 |
Pittsburgh |
Civic Arena Fresh Transfer And Remaster Of Source 141670. Source: (OTS) AKG 460 with ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette. Transfer: Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz-24bit Recording & Transfer by Ray Ackerman. Edited & Mastered (Adobe Audition) by Joe Noel. January 4, 2021.
|
notes
|
| 11378. |
04/03/89 |
Flac 16/44,1 - 0,
151420 |
Pittsburgh |
Civic Arena flac16/44.1khz Ackerman Archives Source: (OTS) AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 > Master Cassette Transfer: Master Cassettes > Kyocera D811 > Grace V3 > microtrack > WAV 96Hz/24bit Recording & Transfer by Ray Ackerman Edited & Mastered (Adobe Audition) by Joe Noel
|
notes
|
| 11379. |
04/05/89 |
Flac 16 - 0,
83501 |
Ann Arbor |
Crisler Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11380. |
04/05/89 |
Shn - 0,
1091 |
Ann Arbor |
Crisler Arena Healy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop
|
notes
|
| 11381. |
04/05/89 |
Shn - 0,
5491 |
Ann Arbor |
Crisler Arena Healy Ultra Mix Cassette Master-> DAT-> CDR
|
notes
|
| 11382. |
04/05/89 |
Flac 16 - 0,
100671 |
Ann Arbor |
Crisler Arena flac16; Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8
|
notes
|
| 11383. |
04/05/89 |
Flac 16 - 0,
141802 |
Ann Arbor |
Crisler Arena flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11384. |
04/05/89 |
Flac 24 - 0,
144913 |
Ann Arbor |
Crisler Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11385. |
04/05/89 |
Flac 16 - 0,
111957 |
Ann Arbor |
Crisler Arena flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; Transfer Date: 2011-02-16; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master cassette(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard
|
notes
|
| 11386. |
04/05/89 |
Flac 16 - 0,
83800 |
Ann Arbor |
Crisler Arena flac16; source: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone
|
notes
|
| 11387. |
04/05/89 |
Flac 16 - 0,
145037 |
Ann Arbor |
Crisler Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1
|
notes
|
| 11388. |
04/06/89 |
Shn - 0,
1092 |
Ann Arbor |
Crisler Arena Healy Ultra Mix - sbd+aud> cm> dat> cd; via Aaron Kowalski to loop; missing encore; note most md5s and/or tracks of d3 were accidentally labelled as d2tn; renamed version (md5s shown here) may circulate >8/15/01 thanks to Aaron
|
notes
|
| 11389. |
04/06/89 |
Flac 16 - 0,
100672 |
Ann Arbor |
Crisler Arena flac16; Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8
|
notes
|
| 11390. |
04/06/89 |
Flac Dts 5.1 - 0,
126153 |
Ann Arbor |
Crisler Arena DTS-Audio-CD 5.1 Mix; SBD (shnid=83508) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - DTS mixing by Kevin Tobin
|
notes
|
| 11391. |
04/06/89 |
Flac 16 Mtx - 0,
85256 |
Ann Arbor |
Crisler Arena flac16; matrix sources: 1) SBD -> Cassette Master (TDK MA-XG90) transfer : Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 and 2) aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer : mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone except for Brokedown which is is from B&K 4011 source
|
notes
|
| 11392. |
04/06/89 |
Shn - 0,
5492 |
Ann Arbor |
Crisler Arena complete; Soundboard Cassette Master-> DAT-> CDR except encore which is from B&K 4011 source
|
notes
|
| 11393. |
04/06/89 |
Flac 16 Mtx - 0,
126150 |
Ann Arbor |
Crisler Arena flac16; Matrix 2 Source Mix - SBD (shnid=83508) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - matrix mixing by Kevin Tobin
|
notes
|
| 11394. |
04/06/89 |
Flac 16 - 0,
126149 |
Ann Arbor |
Crisler Arena flac16; (original shnid = 100672) Taper: Greg Holtz Source: Nakamichi CM-100 mics with CP-4 shotgun caps -> Sony D-5 Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal) Tascam 112 -> Korg MR-1, @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> r8brain PRO for Sample Rate Conversion 16/44.1KHz -> Traders Little Helper flac8 - pitch correction and patches by Kevin Tobin
|
notes
|
| 11395. |
04/06/89 |
Flac 16 - 0,
141803 |
Ann Arbor |
Crisler Arena flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11396. |
04/06/89 |
Flac 16 - 0,
111974 |
Ann Arbor |
Crisler Arena flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; Transfer Date: 2011-02-17; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard
|
notes
|
| 11397. |
04/06/89 |
Flac 16 - 0,
83801 |
Ann Arbor |
Crisler Arena flac16; source: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone
|
notes
|
| 11398. |
04/06/89 |
Flac 16 - 0,
83508 |
Ann Arbor |
Crisler Arena
|
notes
|
| 11399. |
04/06/89 |
Flac 24 UMtx. - 0,
147831 |
Ann Arbor |
Crisler Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11400. |
04/06/89 |
Flac 16 - 0,
148148 |
Ann Arbor |
Crisler Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 11401. |
04/06/89 |
Flac 16 - ,
156411 |
Ann Arbor |
Crisler Arena Recording Info: (ots) Schoeps Cmc441 Hypercardiod Capsules (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 08, 2021
|
notes
|
| 11402. |
04/06/89 |
Flac 16 Mtx - ,
158252 |
Ann Arbor |
Crisler Arena A Photoleon Matrix Source 1 Shnid 156411 Recording Info: (ots) Schoeps Cmc441 Hypercardiod Capsules (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 08, 2021 Source 2 Shnid 148148 Recording: Ultramatrix Sbd > Cassette Master (tdk Ma-xg90) Recorded By Don Pearson & Dan Healy Transfer: Cassette Master (nakamichi Cr-7a) > Tascam Da-3000 (dsf 1-bit Mhz) > Adobe Audition Cc2015 > Samplitude Pro X4 Suite > Flac 24 Transfer & Mastering By Charlie Miller October 26, 2019 Matrix Created In Adobe Audition By Joe Noel July 29, 2022
|
notes
|
| 11403. |
04/06/89 |
Flac 16 Mtx - ,
158252 |
Ann Arbor |
Crisler Arena A Photoleon Matrix Source 1 Shnid 156411 Recording Info: (ots) Schoeps Cmc441 Hypercardiod Capsules (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 08, 2021 Source 2 Shnid 148148 Recording: Ultramatrix Sbd > Cassette Master (tdk Ma-xg90) Recorded By Don Pearson & Dan Healy Transfer: Cassette Master (nakamichi Cr-7a) > Tascam Da-3000 (dsf 1-bit Mhz) > Adobe Audition Cc2015 > Samplitude Pro X4 Suite > Flac 24 Transfer & Mastering By Charlie Miller October 26, 2019 Matrix Created In Adobe Audition By Joe Noel July 29, 2022
|
notes
|
| 11404. |
04/08/89 |
Flac 16 Mtx - 0,
94166 |
Cincinnati |
Riverfront Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 11405. |
04/08/89 |
Flac 16 - 0,
83510 |
Cincinnati |
Riverfront Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11406. |
04/08/89 |
Shn - 0,
26348 |
Cincinnati |
Riverfront Arena SBD> Cassette Master> Dat> CD> EAC> SHN; Converted to SHN By Charlie Miller
|
notes
|
| 11407. |
04/08/89 |
Flac 16 Mtx - 0,
135470 |
Cincinnati |
Riverfront Arena flac16; Matrix 2 Source Mix - SBD (shnid=83510) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - matrix mixing by Kevin Tobin
|
notes
|
| 11408. |
04/08/89 |
Flac 16 - 0,
135469 |
Cincinnati |
Riverfront Arena flac16; (original shnid = 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - pitch correction and patches by Kevin Tobin
|
notes
|
| 11409. |
04/08/89 |
Flac 16/48 - 0,
135472 |
Cincinnati |
Riverfront Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=83510) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - mixing by Kevin Tobin
|
notes
|
| 11410. |
04/08/89 |
Flac 16 Dts.5.1 - 0,
135471 |
Cincinnati |
Riverfront Arena DTS-Audio-CD 5.1 Mix; SBD (shnid=83510) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 7857) Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor - matrix mixing by Kevin Tobin
|
notes
|
| 11411. |
04/08/89 |
Flac - 0,
140807 |
Cincinnati |
Riverfront Arena flac16; Set 1 Source; Unknown taper: FOB Schoeps > PCM > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > Flac 16/44; Edited & Mastered in Audacity 2.0.6 by Joe Noel: wav > Flac 16/44; Checksum & tags created in xACT
|
notes
|
| 11412. |
04/08/89 |
Flac 16 - 0,
141804 |
Cincinnati |
Riverfront Arena flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11413. |
04/08/89 |
Flac 16 - 0,
83802 |
Cincinnati |
Riverfront Arena flac16; source: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone
|
notes
|
| 11414. |
04/08/89 |
Shn - 0,
7857 |
Cincinnati |
Riverfront Arena Audience FOB MC(14th Row)>Beyer Dynamic M88's>Sony TCD5M; via Glen Charlton; Charlie Connor
|
notes
|
| 11415. |
04/08/89 |
Flac 16 - 0,
84175 |
Cincinnati |
Riverfront Arena flac16; Source: FOB Schoeps > PCM > DAT > CDR > EAC > *Adobe Audition 2.0 (Waves Q10 [pre-emphasis removal] and L3) > CDWave > FLAC EAC'd by Doug Nawrocki
|
notes
|
| 11416. |
04/08/89 |
Flac 16 - 0,
111975 |
Cincinnati |
Riverfront Arena flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; Transfer Date: 2011-02-17; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section of seats directly behind the soundboard
|
notes
|
| 11417. |
04/08/89 |
Flac 16 - 0,
131015 |
Cincinnati |
Riverfront Arena flac16; Master Digital Audience recording: Neumann KMR-81's> ?> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Panasonic SV-3700 (spdif)> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracks)> TLH (SBE/Flac16/ffp); Tranfer completed and uploaded to etree.org on August 22, 2014 by jwpetty
|
notes
|
| 11418. |
04/08/89 |
Flac 24 UMtx. - 0,
147838 |
Cincinnati |
Riverfront Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11419. |
04/08/89 |
Flac 16 U Mtx. - 0,
147895 |
Cincinnati |
Riverfront Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 11420. |
04/08/89 |
Flac 24/96 - 0,
149284 |
Cincinnati |
Riverfront Arena flac16; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96)-> Down Sample 16-44.1; Taped & Transfers by Pete Ebel
|
notes
|
| 11421. |
04/09/89 |
Flac 16 - 0,
34962 |
Louisville |
Freedom Hall flac16; SBD> CM> DAT> CD> EAC> SHN; speed corrected version of shn id 13207 (via Charlie Miller, Patrick White); fix by Kevin Tobin
|
notes
|
| 11422. |
04/09/89 |
Flac 16 - 0,
83523 |
Louisville |
Freedom Hall flac16; Source: Audience FOB Recording, 12th row DFC Media: BASF Chrome Maxima II 90 min. Lineage: AKG C460b preís with Ck61uls capsules > Uher CR240 > MAC Transfer: MAC > Nakamichi DR-1 > Benchmark ADC-1 > AES > Sound Devices 722 > wav Mastering: Wavelab5: Isotope Ozone 3 to brighten a little -> crosfaded at tape flips as noted -> Minor Z-Noise reduction -> Tracked w/ CDwave -> L3 Bit depth reduction/down sampled -> FlacFrontend Taped by: D. Thompson Transfer by: A. Egert Mastering by: M. Townshend
|
notes
|
| 11423. |
04/09/89 |
Shn - 0,
13207 |
Louisville |
Freedom Hall SBD> CM> DAT> CD> EAC> SHN; via Charlie Miller, Patrick White
|
notes
|
| 11424. |
04/09/89 |
Flac 16 - 0,
75504 |
Louisville |
Freedom Hall flac16; Seamless fix of shn id 34962 - SBD>CM>DAT>CD>EAC>SHN(>WAV>FLAC). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 11425. |
04/09/89 |
Flac 16/48 - 0,
138255 |
Louisville |
Freedom Hall flac16/48kHz; Source: Neumann KMR-82i > DAT (48 khz); Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.39(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 11426. |
04/09/89 |
Shn - 0,
7858 |
Louisville |
Freedom Hall Digital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern.
|
notes
|
| 11427. |
04/09/89 |
Flac 16 - 0,
84036 |
Louisville |
Freedom Hall flac16; source: aud > Nak 300 shotguns > WMD-6 > mac taped by John Bleich transfer: mac > AIWA HX PRO AD-F410 > Creative Extigy > Wavelab > wav > flac transfered at 24/48, downsampled to 16/44.1 and dithered with iZotope Ozone
|
notes
|
| 11428. |
04/09/89 |
Flac 24 UMtx. - 0,
147845 |
Louisville |
Freedom Hall flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11429. |
04/09/89 |
Flac 16 - 0,
148146 |
Louisville |
Freedom Hall flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 11430. |
04/09/89 |
Flac 16 - ,
156412 |
Louisville |
Freedom Hall Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recorded By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 10, 2021
|
notes
|
| 11431. |
04/11/89 |
Shn - 0,
15109 |
Rosemont |
Rosemont Horizon SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN via Charlie Miller
|
notes
|
| 11432. |
04/11/89 |
Flac 16 - 0,
120303 |
Rosemont |
Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11433. |
04/11/89 |
Flac 24/48 - 0,
120302 |
Rosemont |
Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 11434. |
04/11/89 |
Flac 16 - 0,
141850 |
Rosemont |
Rosemont Horizon flac16; Recording Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck, Sony ESX-HiFi/L750 tape); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11435. |
04/11/89 |
Flac 16 - 0,
106238 |
Rosemont |
Rosemont Horizon flac16; Recorded by Justin L. Lee 2 Nakamichi CM300s CP4 1 Nakamichi CM100 CP1 Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Dolby B in OTS. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
notes
|
| 11436. |
04/11/89 |
Flac 16 - 0,
94240 |
Rosemont |
Rosemont Horizon flac16; Source: Audience recording Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5> MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > wavelab 5 > Plugins > r8brainpro > 16/44.1 wave > cd wave > flac lvl 8 (TLH)
|
notes
|
| 11437. |
04/11/89 |
Flac 24 UMtx. - 0,
147985 |
Rosemont |
Rosemont Horizon flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11438. |
04/11/89 |
Flac 16 - 0,
148145 |
Rosemont |
Rosemont Horizon flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 16 bit @ 44.1
|
notes
|
| 11439. |
04/11/89 |
Flac 16 - ,
156413 |
Rosemont |
Rosemont Horizon Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 01, 2021
|
notes
|
| 11440. |
04/12/89 |
Flac 16 - 0,
83768 |
Rosemont |
Rosemont Horizon flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11441. |
04/12/89 |
Shn Mtx. - 0,
9962 |
Rosemont |
Rosemont Horizon Shntool fix by-disc by Willy of previous Braverman seed; Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD
|
notes
|
| 11442. |
04/12/89 |
Flac 16 - 0,
120337 |
Rosemont |
Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 43, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11443. |
04/12/89 |
Flac 16 - 0,
95291 |
Rosemont |
Rosemont Horizon flac16; Source: Audience Recording Lineage: Source: Audience recording Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-5> MAC > Nakamichi CR-5A > Emu 1212M > 24/96 wave > Adobe Audition 3.0 > CDWave > Flac16
|
notes
|
| 11444. |
04/12/89 |
Shn Mtx - 0,
29631 |
Rosemont |
Rosemont Horizon likely by-set shntool fix of Braverman seed; Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD> SHN;
|
notes
|
| 11445. |
04/12/89 |
Shn - 0,
9383 |
Rosemont |
Rosemont Horizon Ultramatrix (SBD/AUD mix)> Master Cassette> DAT> CD> SHN; via PB (l'autre); Seeded to etree by Peter Braverman
|
notes
|
| 11446. |
04/12/89 |
Flac 16 - 0,
140990 |
Rosemont |
Rosemont Horizon flac16; Set 2 Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11447. |
04/12/89 |
Flac 24/48 - 0,
120338 |
Rosemont |
Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 43, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 11448. |
04/12/89 |
Flac 16 - 0,
149418 |
Rosemont |
Rosemont Horizon flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24 This file set is 16 bit @ 44.1
|
notes
|
| 11449. |
04/12/89 |
Flac 24 UMtx. - 0,
149393 |
Rosemont |
Rosemont Horizon flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
|
notes
|
| 11450. |
04/12/89 |
Flac 16 - ,
156414 |
Rosemont |
Rosemont Horizon Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 02, 2021
|
notes
|
| 11451. |
04/13/89 |
Flac 16 - 0,
83769 |
Rosemont |
Rosemont Horizon flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11452. |
04/13/89 |
Flac 16 - 0,
120340 |
Rosemont |
Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11453. |
04/13/89 |
Flac 16 - 0,
134548 |
Rosemont |
Rosemont Horizon flac16; Source: Audience recording; Lineage: OTS > Nakamichi CM-100's with CP-4 shotgun caps > Sony D-6; Transfer: MAC > tascam 112 > Edirol UA-5 > Audacity > 2448wav > R8 Brain > 1644 wav > Trader's Little Helper > flac16; Taped by Dan Taggart and Greg Holtz
|
notes
|
| 11454. |
04/13/89 |
Flac 24/48 - 0,
120339 |
Rosemont |
Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; AKGC451E/CK1s (PAS/Section 2, Row 42, Seat 8/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M,Tapes:Set 1 Maxell MX,Set 2 TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 11455. |
04/13/89 |
Flac 16 - 0,
140991 |
Rosemont |
Rosemont Horizon flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11456. |
04/13/89 |
Shn - 0,
5607 |
Rosemont |
Rosemont Horizon SBD > MC > Dat > CDR > EAC > CDWave > mkwACT; Extraction/Seeding by Doug Nawrocki, from Kevin Gills source discs
|
notes
|
| 11457. |
04/13/89 |
Flac 24/96 - 0,
152345 |
Rosemont |
Rosemont Horizon flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 11458. |
04/13/89 |
Flac 16/44 - ,
154422 |
Rosemont |
Rosemont Horizon flac16/44; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152345 2496 > 1644
|
notes
|
| 11459. |
04/13/89 |
Flac 16 - ,
156415 |
Rosemont |
Rosemont Horizon Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 03, 2021
|
notes
|
| 11460. |
04/15/89 |
Flac 16 - 0,
82405 |
Milwaukee |
The Mecca flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11461. |
04/15/89 |
Flac 16 - 0,
102457 |
Milwaukee |
The Mecca flac16; TAPER: Greg Holtz SOURCE: Nakamichi CM-100 mics with CP-1 caps -> Sony WM-D6 TRANSFER: By JAZ, Master Cassettes (Maxell MX90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
|
notes
|
| 11462. |
04/15/89 |
Shn - 0,
430 |
Milwaukee |
The Mecca Matrix DSBD (Panasonic 3800)> CD (HHB CDR800)> EAC> SHN; Known Flaws - 1 sec. d/o @1:52 & 5 sec. d/o @2:46-2:51 during Space (d2t6) - some clipping on the left channel due to drums and bass being too high in the SBD mix. The master has this flaw as well; via A. Jerugim
|
notes
|
| 11463. |
04/15/89 |
Flac 16 Mtx - 0,
80277 |
Milwaukee |
The Mecca flac16; Source: Dan Healy's Matrix Mix -> MSC -> PCM -> DAT(x2) Transfer: Panasonic SV-3800 -> Optical out -> M-Audio CO2 -> Apogee S/PDIF -> M-Audio 1010LT. Recorded in Samplitude v.8.01 (24/48) Re-Mastered: Wavelab v.5. -> CD Wave -> FlacFrontend Level 8
|
notes
|
| 11464. |
04/15/89 |
Flac 16 - 0,
118401 |
Milwaukee |
The Mecca flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 11465. |
04/15/89 |
Flac 16 Mtx - 0,
128700 |
Milwaukee |
The Mecca flac16; Set One 2 source Matrix 80% sbd/20% soundtrack; Audio edited with iZotope Ozone 5 advanced; Matrix created with Adobe Audition 1.5; Audio editing and matrix by SIRMick
|
notes
|
| 11466. |
04/15/89 |
Flac 16 - 0,
141013 |
Milwaukee |
The Mecca flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11467. |
04/15/89 |
Flac 16 - 0,
140992 |
Milwaukee |
The Mecca flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Samplitude > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11468. |
04/15/89 |
Flac 16 - 0,
106308 |
Milwaukee |
The Mecca flac16: Recorded by Justin Lee & Dave Cohen OTS Sec. PP Row 5 Seat 3. 2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1. Nakamichi 550>Sony TCD5M Oade Erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen November 2009.
|
notes
|
| 11469. |
04/15/89 |
Flac 24 UMtx. - 0,
147300 |
Milwaukee |
The Mecca flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
|
notes
|
| 11470. |
04/15/89 |
Flac 16 - 0,
147385 |
Milwaukee |
The Mecca flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; This file set is 16 bit @ 44.1
|
notes
|
| 11471. |
04/15/89 |
Flac 24/48 - 0,
118400 |
Milwaukee |
The Mecca flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 17 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 > HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 11472. |
04/15/89 |
Flac 16 - ,
156416 |
Milwaukee |
The Mecca Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 11, 2021
|
notes
|
| 11473. |
04/15/89 |
Flac 16 Mtx - ,
167804 |
Milwaukee |
The Mecca flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 82405 & 141013
|
notes
|
| 11474. |
04/16/89 |
Flac 16 - 0,
81703 |
Milwaukee |
The Mecca flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11475. |
04/16/89 |
Flac 16 - 0,
118403 |
Milwaukee |
The Mecca flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Litttle Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 11476. |
04/16/89 |
Flac 16 - 0,
112742 |
Milwaukee |
The Mecca flac 16; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> Wavelab 6.1 [Crystal/UV22HR] -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [4/2/11]
|
notes
|
| 11477. |
04/16/89 |
Flac 24/48 - 0,
118402 |
Milwaukee |
The Mecca flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 11478. |
04/16/89 |
Shn - 0,
9371 |
Milwaukee |
The Mecca SBD> DAT> C> DAT> CD; via Paul B; Seeded to etree by Peter Braverman
|
notes
|
| 11479. |
04/16/89 |
Shn - 0,
9963 |
Milwaukee |
The Mecca Shntool fix by Willy of previous Braverman seed; SBD> DAT> C> DAT> CD
|
notes
|
| 11480. |
04/16/89 |
Flac 16 - 0,
140995 |
Milwaukee |
The Mecca flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11481. |
04/16/89 |
Flac 16 - 0,
106339 |
Milwaukee |
The Mecca flac16;Recorded by Justin Lee & Dave Cohen OTS Sec. PP Row 5 Seat 2, 2 Nakamichi CM300 CP4 & 1 Nakamichi CM300 CP1 w/ Nakamichi 550>Sony TCD5M Oade erase head removal Modification w/Dolby B. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
notes
|
| 11482. |
04/16/89 |
Flac 16 - 0,
96081 |
Milwaukee |
The Mecca flac16; Source: AKG 460B omni capsules, 7' high, 6' spread > Crown phantom power > Sony TC-D5M (pass-thru) > Yamaha MT1X (dbx type II encode, Maxell XL-IIS) Transfer: Yamaha MT120S (dbx type II decode) > Tascam DA-20 (D/A conversion) > coax/optical converter > Creative Nomad Jukebox 3 > Amarok > Cool Edit (edits and fades) > CDWAV > FLAC Taped and transferred by Pat Volkerding , 2008-11.
|
notes
|
| 11483. |
04/16/89 |
Flac 24/48 - 0,
112743 |
Milwaukee |
The Mecca flac24; source: [ots] Nakamichi CM300/CP4 -> Sony WM-D6 [Maxell MX-90], recorded by: Trew Rickers; transfer: cass [m] -> Sony TC-W370 -> R-44 [24/48] -> Wavelab 6.1 [merge/fades] -> CD Wave 1.98 -> TLH [flac/8] -> FOOBAR [tags], transfer: Chris Davis [4/2/11]
|
notes
|
| 11484. |
04/16/89 |
Flac 16 Mtx - 0,
122041 |
Milwaukee |
The Mecca flac16; Matrix 3 Source Mix - SBD (shn id 81703) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD1 (shn id 118402) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/Section PP Row 14 Seat 9/6 Feet High)> AKG9V Phantom Power>Sony TC-D5M; Tapes Set 1:Maxell MX,Set 2:TDK MA-X; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo + AUD2 (no shn id) Audience recording from Video soundtrack - matrix mixing by Kevin Tobin
|
notes
|
| 11485. |
04/16/89 |
Flac 24 UMtx. - 0,
149618 |
Milwaukee |
The Mecca flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
|
notes
|
| 11486. |
04/16/89 |
Flac 16 - 0,
149699 |
Milwaukee |
The Mecca flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 11487. |
04/16/89 |
Flac 16 - 0,
149793 |
Milwaukee |
The Mecca flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes> Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24.44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section, Section PP,Row5,Seat 7
|
notes
|
| 11488. |
04/16/89 |
Flac 16 - ,
156417 |
Milwaukee |
The Mecca Recording Info: (ots) Schoeps Cmc4 Mk4 Mics (ortf) > Oade Capacitor Supply > Monster Cable Prolink > Sony Pcm-f1 > Sony Sl-2000 > Pcm (master) Transfer Info: Pcm (master) > Sony Pcm601esd Spdif Out > Vx Pocket Laptop > Nuendo > Wav 16 44 Master Audience Pcm Recording By Ted Mattes Transfer By Anon Edited & Mastered (adobe Audition) By Joe Noel December 13, 2021
|
notes
|
| 11489. |
04/16/89 |
Flac 16 Mtx - ,
167825 |
Milwaukee |
The Mecca flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 81703 & 140995, with a patch from 156417.
|
notes
|
| 11490. |
04/17/89 |
Flac 24/48 - 0,
117564 |
Minneapolis |
Metropolitan Sports Center flac24; Master Audience Recorded By Mr. Darby; AKGC451E/ck1's (PAS/Sec 2 Row 42 Seat 13/6 Feet High)> Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 11491. |
04/17/89 |
Flac 16 - 0,
117565 |
Minneapolis |
Metropolitan Sports Center flac16; Master Audience Recorded By Mr. Darby; AKGC451E/ck1's (PAS/Sec 2 Row 42 Seat 13/6 Feet High)> Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 11492. |
04/17/89 |
Flac 24 U Mtx - 0,
138286 |
Minneapolis |
Metropolitan Sports Center flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11493. |
04/17/89 |
Flac 16 U Mtx - 0,
138305 |
Minneapolis |
Metropolitan Sports Center flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138286 24 bit -> 16 bit
|
notes
|
| 11494. |
04/17/89 |
Flac 16 - 0,
141003 |
Minneapolis |
Metropolitan Sports Center flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11495. |
04/17/89 |
Shn - 0,
9207 |
Minneapolis |
Metropolitan Sports Center AUD>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 11496. |
04/17/89 |
Shn - 0,
24003 |
Minneapolis |
Metropolitan Sports Center Source - 1st set MAC>C>C>D>cdwav>SHN; 2nd set MAC>C>D>cdwav>SHN; No deck or mic info; Seeded to tol.etree.org by John Stairs 4/04/04
|
notes
|
| 11497. |
04/17/89 |
Flac 16 - 0,
149521 |
Minneapolis |
Metropolitan Sports Center flac16; Set 2 Source: Sennheiser 441 Mics>Sony WM-D6C Cassette Deck>Maxell MX-90 Minute Metal Cassette Master Tape>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker
|
notes
|
| 11498. |
04/17/89 |
Flac 16 - ,
156066 |
Minneapolis |
Metropolitan Sports Center flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 138305 & 141003.
|
notes
|
| 11499. |
04/28/89 |
Flac 16 - 0,
88099 |
Irvine |
Irvine Meadows flac16; SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11500. |
04/28/89 |
Shn - 0,
13755 |
Irvine |
Irvine Meadows Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd via Charlie Connor
|
notes
|
| 11501. |
04/28/89 |
Shn - 0,
82050 |
Irvine |
Irvine Meadows Master Soundboard Cassette > CDR > EAC > SHN > patching/editing > SHN
|
notes
|
| 11502. |
04/28/89 |
Flac 16 - 0,
141008 |
Irvine |
Irvine Meadows flac16; Set 1 Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11503. |
04/28/89 |
Flac 16/48 - 0,
142343 |
Irvine |
Irvine Meadows flac16/48kHz; Source Info: Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 11504. |
04/28/89 |
Flac 16 - 0,
77841 |
Irvine |
Irvine Meadows his is a 16/44.1 conversion by SirMick of this source: Ambient Master by Tapers From Hell: A Journey to the Impact ZoneAnalog master by Mike French and John C. (DelCor Pizza! yummy!)Mike as the Mic Stand, and John tweaking the knobs using Sennheiser MKE2002 omni's(x2) HRTF @ 6'4"
|
notes
|
| 11505. |
04/28/89 |
Shn - 0,
9208 |
Irvine |
Irvine Meadows AUD>PCM>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 11506. |
04/28/89 |
Flac 24 - 0,
32087 |
Irvine |
Irvine Meadows flac24; Ambient Master by Tapers From Hell: A Journey to the Impact Zone Analog master by Mike French and John C. Sennheiser MKE2002 omni's(x2) HRTF @ 6'4" -> Sony TC-D5M "B"n.r. on the master. From Row WW, section 2, at the right front corner of the sbd, a few feet RoC
|
notes
|
| 11507. |
04/29/89 |
Flac 16 - 0,
88124 |
Irvine |
Irvine Meadows flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11508. |
04/29/89 |
Shn - 0,
13756 |
Irvine |
Irvine Meadows Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd via Charlie Conn
|
notes
|
| 11509. |
04/29/89 |
Flac 16 - 0,
141009 |
Irvine |
Irvine Meadows flac16; Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11510. |
04/29/89 |
Flac 16/48 - 0,
142344 |
Irvine |
Irvine Meadows flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 11511. |
04/29/89 |
Flac 16 - 0,
76511 |
Irvine |
Irvine Meadows flac16; 16/44.1 conversion of shn id 76495 Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master to the digital realm @ 24-96: Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits xACT by Scott Brown. Patched and edited by Bob Loy -> 16/44 conversion Samplitude Professional V8.01: remove dc offset, remove clipping, convert sample rate ultra high 1 -> 44100hz, dither POW-r#3 Noise shaping -> 16 bit output -> ffe L6 sector boundaries aligned -> id3 tag
|
notes
|
| 11512. |
04/29/89 |
Shn - 0,
9052 |
Irvine |
Irvine Meadows AUD>PCM>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 11513. |
04/29/89 |
Flac 24/96 - 0,
35360 |
Irvine |
Irvine Meadows flac24; Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master. From the first row center of section 6 (loge, first row center). This is the first row directly behind the sbd., and likely 10' above the sbd., due to the incline of the ampitheatre. The mics were clamped to the safety handrail at the front of this audience section, directly above the lighting board. The OTS for this concert was likely 75 rows further back (+?), and to the hard right of the ampitheatre. At the rear of the collonade section, hard right, as far back as possible in the seated area. to the digital realm @ 24-96: Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits xACT by Scott Brown as FLAC front end.
|
notes
|
| 11514. |
04/29/89 |
Flac 24/96 - 0,
76495 |
Irvine |
Irvine Meadows flac24; patched/edited version of shn id 35360 Neumann km84i ortf-> Neu.p48v-> Sony TC-D5M -> Sony TC-D5M "B" n.r. on master to the digital realm @ 24-96: Sony TC-D5M master deck, and master cassette, no n.r. -> Grace Lunatec V3 +23db gain, analog -> Sound Devices 722 at unity, at 24/96. SD722 firewire import to Mac G4 104 Tiger Sound Devices 2.2.4 for fades, edits, and splits
|
notes
|
| 11515. |
04/30/89 |
Flac 16 - 0,
88173 |
Irvine |
Irvine Meadows flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11516. |
04/30/89 |
Shn - 0,
13757 |
Irvine |
Irvine Meadows Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; To abgd via Charlie Connor
|
notes
|
| 11517. |
04/30/89 |
Flac 16 - 0,
95853 |
Irvine |
Irvine Meadows flac16; FOB AUD: Nakamichi CM-300's with CP-1 cardioid capsules > Sony TC-D5M > Maxell MX-90's, 17th row. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew
|
notes
|
| 11518. |
04/30/89 |
Flac 16 - 0,
141010 |
Irvine |
Irvine Meadows flac16; Set 1 Source Info: Ted Mattes' Master Audience PCM (Nakamichi DMP-100 deck); Schoeps CMC4/MK4 mics, ortf (OTS); Transfer Info: Master PCM (Sony SL-10)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16 bit/44.1k)> Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11519. |
05/06/89 |
Shn - 0,
5423 |
Palo Alto |
Frost Amphitheatre DSBD, with some editing (see notes in info file); via Jay Serafin to gdlive
|
notes
|
| 11520. |
05/06/89 |
Shn - 0,
34769 |
Palo Alto |
Frost Amphitheatre Seamless fix of shn id 14262 - DSBD
|
notes
|
| 11521. |
05/06/89 |
Shn - 0,
14262 |
Palo Alto |
Frost Amphitheatre shntool fixed shns of Jay Serafin dsbd seed
|
notes
|
| 11522. |
05/06/89 |
Flac 24 - 0,
135820 |
Palo Alto |
Frost Amphitheatre flac24; AUD: ? > cassette (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > TLH
|
notes
|
| 11523. |
05/06/89 |
Flac 16 - 0,
135821 |
Palo Alto |
Frost Amphitheatre flac16; AUD: ? > cassette (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > shntool > TLH
|
notes
|
| 11524. |
05/06/89 |
Flac 24 - 0,
140948 |
Palo Alto |
Frost Amphitheatre flac24; Recorded and Mastered by ArchivalAudio, Ian Stoy; Master Audience cassette: Toa K1’s spaced about 30” (Pointed At The Stacks) + Sennheiser 416’s (or Sennheiser MKH-415T?) > Sony MX-12 (mixer) > Sony WM-D6c; media: Denon HD8 (metal partial-high bias) 90 for first set and 100 for second set. Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -1.0db remove DC offset > flac24; xACT Flac Fingerprints
|
notes
|
| 11525. |
05/06/89 |
Flac 24/96 - 0,
141608 |
Palo Alto |
Frost Amphitheatre flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller.
|
notes
|
| 11526. |
05/06/89 |
Flac 16 U Mtx - 0,
141687 |
Palo Alto |
Frost Amphitheatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller.
|
notes
|
| 11527. |
05/06/89 |
Flac 16/48 - 0,
142355 |
Palo Alto |
Frost Amphitheatre flac16/48kHz; Source Info: Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 11528. |
05/06/89 |
Flac 16/48 - 0,
137275 |
Palo Alto |
Frost Amphitheatre flac16/48kHz; Healy DSBD > DAT 16/48 > DAT clone (16/48) > Tascam US144mkII > PC > Wav > CD Wave > TLH Flac1648; Set I peaked at -8db, set II peaked at -16db. Both sets have been normalized to -1db
|
notes
|
| 11529. |
05/07/89 |
Shn - 0,
10978 |
Palo Alto |
Frost Amphitheatre DSBD > DAT; DAT > WAV > SHN: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > CDWAV v1.71 > MKW, by Dan Stephens; tracked for 2x80
|
notes
|
| 11530. |
05/07/89 |
Flac 16 - 0,
34771 |
Palo Alto |
Frost Amphitheatre flac16; Seamless fix of shn id 3329 - SBD>DAT>DALCardDeluxe>WAV>CD>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 11531. |
05/07/89 |
Shn - 0,
3329 |
Palo Alto |
Frost Amphitheatre SBD > DAT> DALCard Deluxe> WAV> CD> SHN; CD Mastering by Michael Owen: DAT at 48kHz-Wave file resampled to 44.1 with Audio Magic Ring Software, File normalized (low levels) with DC-Art Millennium (Peak Normalization), Seven assorted pops and gliches corrected; From DooDah Tree #43, later to cdead; to etree via Tony Gardner
|
notes
|
| 11532. |
05/07/89 |
Shn - 0,
3864 |
Palo Alto |
Frost Amphitheatre updated source: bootleg CD> WAV> SHN; note Other One missing from the bootleg
|
notes
|
| 11533. |
05/07/89 |
Flac 24/48 - 0,
140949 |
Palo Alto |
Frost Amphitheatre flac24; Recorded and Mastered by ArchivalAudio, Ian Stoy; Master Audience cassette: Toa K1’s spaced about 30” (Pointed At The Stacks) + Sennheiser 416’s (or Sennheiser MKH-415T?) > Sony MX-12 (mixer) > Sony WM-D6c media: Denon HD8 (metal partial-high bias) 90 for first set and 100 for second set. Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -1.0db remove DC offset > flac24; xACT Flac Fingerprints
|
notes
|
| 11534. |
05/07/89 |
Flac 24/96 - 0,
141609 |
Palo Alto |
Frost Amphitheatre flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller
|
notes
|
| 11535. |
05/07/89 |
Flac 16 - 0,
141689 |
Palo Alto |
Frost Amphitheatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller
|
notes
|
| 11536. |
05/07/89 |
Flac 16/48 - 0,
142356 |
Palo Alto |
Frost Amphitheatre flac16/48kHz; Source Info: Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC4/MK2 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 11537. |
05/07/89 |
Flac 16 - 0,
118277 |
Palo Alto |
Frost Amphitheatre flac16; Source: 2 Sonic Studio DSM-1Sx microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 11538. |
05/07/89 |
Flac 16 - 0,
99567 |
Palo Alto |
Frost Amphitheatre flac16; Source:(ots) Sennheiser ME-80-> Marantz PMD-430 (Dolby B)-> Sony UX-S 90 x2-> Nakamichi MR-1->Korg MR-1000 (1bit/5.6Mhz)->AudioGate->16/44.1 wav.->flac Taped with Keith Litzenberger's gear, his master, he's not sure he attended this show. Transfer and upload: M. Watson
|
notes
|
| 11539. |
05/27/89 |
Flac 16 - 0,
87604 |
Oakland |
Oakland-Alameda County Stadium flac16; SBD -> Cassette Master (Sony D5/Maxell MX90) All Transfers and Mastering By Charlie Miller
|
notes
|
| 11540. |
05/27/89 |
Shn - 0,
6667 |
Oakland |
Oakland-Alameda County Stadium Dan Healy's Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd
|
notes
|
| 11541. |
05/27/89 |
Flac 16 - 0,
93686 |
Oakland |
Oakland-Alameda County Stadium flac16; Hat-Mounted Realistic pzm's with Sony WMD6-C 50 feet away,dead center Maxell XLII S 90 No nr Recorded and transferred by Russ Cansler Master>D6>HD>Audacity>CDWave>Goldwave>TLH
|
notes
|
| 11542. |
05/27/89 |
Flac 24/96 - ,
155314 |
Oakland |
Oakland-Alameda County Stadium Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 (pitch correction) > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 11543. |
05/27/89 |
Flac 16/44 - ,
155440 |
Oakland |
Oakland-Alameda County Stadium flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/Maxell MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 (pitch correction) > Samplitude Pro X6 Suite > FLAC/24 - This is 155314 2496 > 1644
|
notes
|
| 11544. |
06/18/89 |
Flac 16 - 0,
83709 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.02 -> FLAC Transfers and Mastering By Charlie Miller
|
notes
|
| 11545. |
06/18/89 |
Flac 16 - 0,
83635 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11546. |
06/18/89 |
Shn - 0,
9053 |
Mountain View |
Shoreline Amphitheatre SBD>??>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 11547. |
06/18/89 |
Flac 16/48 - 0,
142377 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 11548. |
06/18/89 |
Flac 16 - 0,
121369 |
Mountain View |
Shoreline Amphitheatre flac16; Set 1 Source: 2 Sonic Studio DSM-1Sx microphones - 22nd row > Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 11549. |
06/18/89 |
Flac 16 - 0,
127416 |
Mountain View |
Shoreline Amphitheatre flac16; Source (AUD): Audio Technica ATM11 (~ORTF, left of center, 7' up) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby NR off); Transfer: master cassettes > Sony TC-WE635 (Dolby NR off) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t05 & s1t06, during s2t06 and between s2t12 & s2t13); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC; fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
|
notes
|
| 11550. |
06/18/89 |
Flac 16 - 0,
111015 |
Mountain View |
Shoreline Amphitheatre flac16; Source: 1 Neumann KMF4 microphones (22nd row)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
|
notes
|
| 11551. |
06/19/89 |
Flac 16 - 0,
83673 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11552. |
06/19/89 |
Shn - 0,
8111 |
Mountain View |
Shoreline Amphitheatre SBD>Cassette Master>DAT>CDR; via Tony Gardner (updated lineage; had been labeled SBD>DAT>CD)
|
notes
|
| 11553. |
06/19/89 |
Flac 16/48 - 0,
142378 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 11554. |
06/19/89 |
Flac 16 - 0,
111098 |
Mountain View |
Shoreline Amphitheatre flac16; Source: 1 Neumann KMF4 microphone (25th row)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
|
notes
|
| 11555. |
06/19/89 |
Flac 16 - 0,
127417 |
Mountain View |
Shoreline Amphitheatre flac16; Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t06 & s1t07 during s2t08 and between s2t13 & s2t14); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
|
notes
|
| 11556. |
06/19/89 |
Flac 16 Mtx - ,
160236 |
Mountain View |
Shoreline Amphitheatre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 83673 & 142378.
|
notes
|
| 11557. |
06/21/89 |
Flac 16 - 0,
83718 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11558. |
06/21/89 |
Shn - 0,
4603 |
Mountain View |
Shoreline Amphitheatre Digital PPV feed> Master VHS> Dan Sisler's 1st-gen professionally dubbed VHS> DAT transfer by Sisler (Sony PCM R-500 via SBM)> CDR transfer by Kevin Gills on Alesis Masterlink> CDR> CDR> EAC (Secure Mode, Test and Copy)> SHN; EAC> SHN> etree by Gerald Gorinsky; includes E: Brokedown // from listed source + complete E: Brokedown from Jack Schlottman?s 1st-gen FM simulcast> CDR source)
|
notes
|
| 11559. |
06/21/89 |
Shn - 0,
16888 |
Mountain View |
Shoreline Amphitheatre Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended); via Vern White; with patch/crossfade Brokedown Palace from Jack Schlottman's FM > MC > CDR source by Doug Nawrocki
|
notes
|
| 11560. |
06/21/89 |
Flac 16/48 - 0,
142379 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 11561. |
06/21/89 |
Flac 16 - 0,
127418 |
Mountain View |
Shoreline Amphitheatre flac16; Source (AUD): Audio Technica ATM11 (DIN, OTS, center) > 5532 differential pre-amp > Sony WMD-6C (Maxell MX 90 & MX 100 cassettes, Dolby B encoded); Transfer: master cassettes > Sony TC-WE635 (Dolby B decoded) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, cross fade tape flips between s1t08 & s1t09, during s2t06 and between s2t11 & s2t12); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
|
notes
|
| 11562. |
06/21/89 |
Flac 16 - 0,
123383 |
Mountain View |
Shoreline Amphitheatre flac16; Source: VHS master (live PPV rec on TDK E-HG) > Analog (Nakamichi BX-300 on Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi
|
notes
|
| 11563. |
06/21/89 |
Flac 16 Mtx - 0,
144779 |
Mountain View |
Shoreline Amphitheatre flac16; Matrix 2 Source Mix - SBD (shnid = 83718) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shnid = 142379) Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - matrix mixing by Kevin Tobin
|
notes
|
| 11564. |
06/21/89 |
Flac Dts 5.1 - 0,
144782 |
Mountain View |
Shoreline Amphitheatre DTS-Audio-CD 5.1 Mix; - SBD (shnid = 83718) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shnid = 142379) Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dts mixing by Kevin Tobin
|
notes
|
| 11565. |
06/21/89 |
Flac 16/48 - 0,
144792 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 83718) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shnid = 142379) Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on 2 stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > wav (16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - surround mixing by Kevin Tobin
|
notes
|
| 11566. |
06/21/89 |
Flac 16/48 - 0,
138342 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Ted Mattes FOB Recording (hand held): Schoeps CMC521 at 100 ORTF with Schoeps t-bar > SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 11567. |
06/21/89 |
Flac 24/96 - 0,
150851 |
Mountain View |
Shoreline Amphitheatre flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11568. |
06/21/89 |
Flac 16/44 - 0,
151620 |
Mountain View |
Shoreline Amphitheatre flac1644; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller 150851 24 -> 16 @ 44.1
|
notes
|
| 11569. |
07/02/89 |
Flac 16 - 0,
81459 |
Foxboro |
Sullivan Stadium flac16; Source: Audience FOB Recording Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette Lineage: FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC(level 8) Taper: Danny Thomson Transfer: Derek McCabe Mastering: Chris Ladner
|
notes
|
| 11570. |
07/02/89 |
Flac 16 - 0,
77444 |
Foxboro |
Sullivan Stadium flac16; SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC
|
notes
|
| 11571. |
07/02/89 |
Flac 16 - 0,
133781 |
Foxboro |
Sullivan Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
|
notes
|
| 11572. |
07/02/89 |
Flac 16 - 0,
109498 |
Foxboro |
Sullivan Stadium flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac (Maxell XLIIS x 3) Transfer: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich
|
notes
|
| 11573. |
07/02/89 |
Flac 16 - 0,
99912 |
Foxboro |
Sullivan Stadium flac16; FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side). Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. 06/2009
|
notes
|
| 11574. |
07/02/89 |
Flac 24/96 - 0,
99911 |
Foxboro |
Sullivan Stadium flac24; FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 10 feet in front of SBD area and 15 feet to stage left (Brent side). Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. 06/2009
|
notes
|
| 11575. |
07/02/89 |
Flac 24 - 0,
138287 |
Foxboro |
Sullivan Stadium flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11576. |
07/02/89 |
Flac 16 - 0,
138258 |
Foxboro |
Sullivan Stadium b>flac16; Ted Mattes FOB recording: Schoeps CMC42s (omnis spaced 8 feet) > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; DAT Master > Sony PCM601/Beta > DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Audacity 3.0 at 44K > Wave; Joe Noel Track, Flac, Patch, Pack & Seed: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT
|
notes
|
| 11577. |
07/02/89 |
Flac 16 U Mtx - 0,
138306 |
Foxboro |
Sullivan Stadium flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138287 24 bit -> 16 bit
|
notes
|
| 11578. |
07/02/89 |
Flac 16 - 0,
134395 |
Foxboro |
Sullivan Stadium flac16; Source: Audience FOB Recording; Media: AKY Recording Supply Custom Wound BASF 100% CrO2 Cassette; Lineage: FOB AKG C460b pre's with ck61uls heads > Uher 240 > Nak DR-1 >Apogee 200 Rosetta >Firewire >Apple G5 >Bias Peak(24/96WAV) > Wavelab 5 > Waves L3 Multimaximizer (threshold -3.0 dB/ceiling -0.1 dB) > rendered to 16 bit/44.1 KHz WAV using UV22-HR>CDWAV 1.9 >FLAC (level 8); Taper: Danny Thomson; Transfer: Derek McCabe
|
notes
|
| 11579. |
07/02/89 |
Flac 24/48 - 0,
77458 |
Foxboro |
Sullivan Stadium flac24; SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC
|
notes
|
| 11580. |
07/02/89 |
Flac 16 - 0,
30363 |
Foxboro |
Sullivan Stadium flac16; AKG c414>?>DAT>CD(1gen)>EAC>FLAC
|
notes
|
| 11581. |
07/02/89 |
Shn - 0,
1110 |
Foxboro |
Sullivan Stadium FOB Schoeps CMC42s spaced omnis > Sony SL-2000PCM; Taped by: Rich Gastwirt; via NateDawg to offer, 2/01 to abgd
|
notes
|
| 11582. |
07/02/89 |
Flac 16 - 0,
30364 |
Foxboro |
Sullivan Stadium flac16; FOB Schoeps cmc4/mk2 spaced 20' > PCM > DAT > CD > EAC > FLAC
|
notes
|
| 11583. |
07/02/89 |
Shn - 0,
8243 |
Foxboro |
Sullivan Stadium Digital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern
|
notes
|
| 11584. |
07/02/89 |
Flac 16 - 0,
106586 |
Foxboro |
Sullivan Stadium flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris
|
notes
|
| 11585. |
07/02/89 |
Flac 24/96 - 0,
81855 |
Foxboro |
Sullivan Stadium flac24/96; Taper: Danny Thomson Source: FOB Nak700's > Uher 240 > Master Cassette Maxell XLII 90min. Transfer: Playback on Nak DR-1 > Apogee 200 Rosetta > Firewire > Apple G5 > Bias Peak (24 bit/96 KHz WAV) by D.McCabe. Mastering: Wavelab 5 > Waves L3 Multimaximizer (threshold -2.3 dB/ceiling -0.1 dB) > CDWAV 1.9 > FLAC (level 8), by C.Ladner.
|
notes
|
| 11586. |
07/02/89 |
Flac 16/44 - 0,
149202 |
Foxboro |
Sullivan Stadium flac16; Source: Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section
|
notes
|
| 11587. |
07/02/89 |
Flac 16 Mtx - 0,
150431 |
Foxboro |
Sullivan Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 138287) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 77458) SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC - matrix mixing by Kevin Tobin
|
notes
|
| 11588. |
07/02/89 |
Flac 16 Dts 5.1 - 0,
150432 |
Foxboro |
Sullivan Stadium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 138287) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 77458) SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC - dts mixing by Kevin Tobin
|
notes
|
| 11589. |
07/02/89 |
Flac 16/48LPCM - 0,
150433 |
Foxboro |
Sullivan Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 138287) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 77458) SRC: FOB (Sennheiser 421s > Sony D-5 (Dolby B in) > MAC) Taped by Tim Alexander Transfer: Playback on Nakamichi DR-1 (Dolby B out) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC - surround mixing by Kevin Tobin
|
notes
|
| 11590. |
07/02/89 |
Flac 16 Mtx - ,
153412 |
Foxboro |
Sullivan Stadium flac16 A Photoleon Matrix: (fob) Schoeps Cmc42s (omnis Spaced 8') > Panasonic Sv250 > Dat + Ultra Matrix Sbd > Cassette Master. Fob Schoeps Recording By Ted Mattes. Sbd Provided By Charlie Miller. Matrix Created By Joe Noel. July 2, 2021
|
notes
|
| 11591. |
07/04/89 |
Shn - 0,
18542 |
Orchard Park |
Rich Stadium SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko
|
notes
|
| 11592. |
07/04/89 |
Flac 16 - 0,
78771 |
Orchard Park |
Rich Stadium flac16; SRC: FOB (AKG 414s) > Sony D-5 (Dolby B) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby decode) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC Transferred and seeded by Bill Tetzeli
|
notes
|
| 11593. |
07/04/89 |
Flac 16 - 0,
133778 |
Orchard Park |
Rich Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
|
notes
|
| 11594. |
07/04/89 |
Flac 16 - 0,
101996 |
Orchard Park |
Rich Stadium flac16; Source: audience > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac Transfer: mac > Nakamichi BX-125E > Emu 0202 > Wavelab 5 > wav 24/96 Wavelab 5 (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16 Taped by John Bleich from OTS
|
notes
|
| 11595. |
07/04/89 |
Flac 24/96 - 0,
135541 |
Orchard Park |
Rich Stadium flac24; Master Audience Recorded By Seremetcc And Bean, Transfer By Keo; Mics Unk (Nak 300's ?) > Marantz PMD-430, Tapes:Maxell MX 90's; Mics Spread Behind SBD 30', 12-15' High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 11596. |
07/04/89 |
Flac 16 - 0,
135542 |
Orchard Park |
Rich Stadium b>flac16; Master Audience Recorded By Seremetcc And Bean, Transfer By Keo; Mics Unk (Nak 300's ?) > Marantz PMD-430, Tapes:Maxell MX 90's; Mics Spread Behind SBD 30', 12-15' High; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11597. |
07/04/89 |
Flac 24/48 - 0,
78959 |
Orchard Park |
Rich Stadium flac24; FOB (AKG 414s) > Sony D-5 (Dolby B) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby decode) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC
|
notes
|
| 11598. |
07/04/89 |
Flac 24 U Mtx - 0,
140127 |
Orchard Park |
Rich Stadium flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11599. |
07/04/89 |
Ultra MtxFlac16 - 0,
140237 |
Orchard Park |
Rich Stadium flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11600. |
07/04/89 |
Flac 16 - 0,
141011 |
Orchard Park |
Rich Stadium flac16; Recording info: (FOB/DFC) Schoeps CMC4/MK4 > PCM; Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k); PCM Recorded & Provided by Ted Mattes
|
notes
|
| 11601. |
07/04/89 |
Flac 24/96 - 0,
141726 |
Orchard Park |
Rich Stadium flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB); Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
|
notes
|
| 11602. |
07/04/89 |
Shn - 0,
9045 |
Orchard Park |
Rich Stadium UD>MC>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 11603. |
07/04/89 |
Flac 16 - 0,
118538 |
Orchard Park |
Rich Stadium flac16; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Recorded & Transfered By: Robert Mullen
|
notes
|
| 11604. |
07/04/89 |
Flac 16 - 0,
123367 |
Orchard Park |
Rich Stadium flac16; Source: Realistic omnis > Sony WM-D6 (Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables w attenuators > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi and David Crupi; Transfer by B Crupi
|
notes
|
| 11605. |
07/04/89 |
Flac 16 - 0,
145743 |
Orchard Park |
Rich Stadium flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB); Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1
|
notes
|
| 11606. |
07/04/89 |
Flac 24/96 - 0,
149269 |
Orchard Park |
Rich Stadium flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel
|
notes
|
| 11607. |
07/07/89 |
Flac 16 - 0,
35410 |
Philadelphia |
John F. Kennedy Stadium flac16; Seamless fix of shn id 7855 - Audience [was labeled as (Healy Mix) SBD>MC>DAT>CDR>EAC>SHN(WAV>FLAC)]. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 11608. |
07/07/89 |
Flac Mtx - 0,
7855 |
Philadelphia |
John F. Kennedy Stadium Audience (was labeled as (Healy Mix) SBD>MC>DAT>CDR_; via Paul B.; Tim wiley
|
notes
|
| 11609. |
07/07/89 |
Flac 16 - 0,
125120 |
Philadelphia |
John F. Kennedy Stadium flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 > Sony WM-D5; Tapes: Set 1: Maxell XLII-S 90, Set 2: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11610. |
07/07/89 |
Flac 16 - 0,
133776 |
Philadelphia |
John F. Kennedy Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
|
notes
|
| 11611. |
07/07/89 |
Flac 16 - 0,
89616 |
Philadelphia |
John F. Kennedy Stadium flac16; Source: 1st Gen; (FOB) 2 x Sennheiser 421's > Sony D5 > Sony D5 > 2 x Maxell UDXL I C90 Location: FOB, 30 feet from the stage, slightly ROC, mics were run above head level (7 - 8 feet high). Taper: Lucien Zaleski Transfer: Nakamichi Dragon > Kind Cables RCA/XLR > Lunatec V3 (@ 26/96) > coax > Audiophile 2496 > WaveLab 5.0 > .wav @ 24/96 > Waves L3 UltraMaximizer > .wav @ 16/44.1 > CD Wave Editor > Trader's Little Helper > FLAC16. Transferred and mastered by Alex Ford January 20
|
notes
|
| 11612. |
07/07/89 |
Flac 16 - 0,
96994 |
Philadelphia |
John F. Kennedy Stadium flac16; FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab 2496 > CD-Wave > R8Brain > TLH > FLAC 1644. Taped and transferred by Andrew F. January 2009.
|
notes
|
| 11613. |
07/07/89 |
Flac 24/96 - 0,
96993 |
Philadelphia |
John F. Kennedy Stadium flac24; 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009.
|
notes
|
| 11614. |
07/07/89 |
Flac 24 - 0,
140152 |
Philadelphia |
John F. Kennedy Stadium flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11615. |
07/07/89 |
Flac 16 U Mtx - 0,
140262 |
Philadelphia |
John F. Kennedy Stadium flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11616. |
07/07/89 |
Flac 24/96 - 0,
141727 |
Philadelphia |
John F. Kennedy Stadium flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB); Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
|
notes
|
| 11617. |
07/07/89 |
Flac 16/48 - 0,
142464 |
Philadelphia |
John F. Kennedy Stadium flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK41 mics > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 11618. |
07/07/89 |
Flac 16/48 - 0,
142785 |
Philadelphia |
John F. Kennedy Stadium b>flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - surround mixing by Kevin Tobin
|
notes
|
| 11619. |
07/07/89 |
Flac 24 Mtx - 0,
142782 |
Philadelphia |
John F. Kennedy Stadium flac24; Matrix 2 Source Mix - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - matrix mixing by Kevin Tobin
|
notes
|
| 11620. |
07/07/89 |
Flac Dts 5.1 - 0,
142784 |
Philadelphia |
John F. Kennedy Stadium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - dts mixing by Kevin Tobin
|
notes
|
| 11621. |
07/07/89 |
Flac 16 Mtx - 0,
142783 |
Philadelphia |
John F. Kennedy Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 140152) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 96993) 24bit 96kHZ file set. FOB AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-90's with no Dolby. Mics on 8-foot stand, approx 15 feet in front of SBD area and 15 feet to stage right (Phil side). Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Taped and transferred by Andrew F. January 2009 - matrix mixing by Kevin Tobin
|
notes
|
| 11622. |
07/07/89 |
Flac 16/48 - 0,
139283 |
Philadelphia |
John F. Kennedy Stadium flac16/48kHz; Source: Schoeps CMC4/MK2 > PCM > DAT (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.40(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 11623. |
07/07/89 |
Flac 16 - 0,
89653 |
Philadelphia |
John F. Kennedy Stadium flac16; Source: AKG414 FOB (probably from Dan Tepper's rig - AKG414TL > AKG B18 power supplies > Technics SV-MD1) Transfer: CDs received from Dan Lynch; extracted with Max 0.7.1 using CD paranoia setting; compressed using XACT 1.6.2 FLAC level 5; shntool, ffp and md5 by XACT 1.6.2)
|
notes
|
| 11624. |
07/07/89 |
Shn - 0,
4665 |
Philadelphia |
John F. Kennedy Stadium AKG 414TL's FOB; via Dave of ratdog.org
|
notes
|
| 11625. |
07/07/89 |
Shn - 0,
10925 |
Philadelphia |
John F. Kennedy Stadium Audience DAT mastered with unknown mics/deck; via Chaz Connor; Seeded to etree by Scott Clugston
|
notes
|
| 11626. |
07/07/89 |
Flac 16 - 0,
146745 |
Philadelphia |
John F. Kennedy Stadium flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5 (FOB); Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1
|
notes
|
| 11627. |
07/07/89 |
Flac 24/96 - 0,
125119 |
Philadelphia |
John F. Kennedy Stadium flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 > Sony WM-D5; Tapes: Set 1: Maxell XLII-S 90, Set 2: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 11628. |
07/07/89 |
Flac 16 Mtx - ,
153413 |
Philadelphia |
John F. Kennedy Stadium flac16 A Photoleon Matrix: Source: Akg 414-btl (cardioid X-y)> Neuman Bs945i> Technics Svmd1> Master Dat + Schoeps Cmc4 Mk41 Mics > Panasonic Sv-250 > Master Dat + Ultra Matrix Sbd> Cassette Master. Fob Recorded By Dan Tepper. Aud Recorded By Ted Mattes. Sbd Provided By Charlie Miller. Matrix Created By Joe Noel. July 4, 2021
|
notes
|
| 11629. |
07/09/89 |
Flac 16 - 0,
81177 |
East Rutherford |
Giants Stadium flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Mille
|
notes
|
| 11630. |
07/09/89 |
Flac 16 Mtx - 0,
124498 |
East Rutherford |
Giants Stadium flac16; 2 Source Matrix using Soundboard (shinid:81177) SBD -> Cassette Master (TDK SA-X90), Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 and Audience (shnid:78977) AKG 414s > Sony D5 > MAC (Dolby B) taped by Tim Alexander Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC
|
notes
|
| 11631. |
07/09/89 |
Flac 24/96 - 0,
125228 |
East Rutherford |
Giants Stadium flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 11632. |
07/09/89 |
Flac 24/48 - 0,
78977 |
East Rutherford |
Giants Stadium flac24; SRC: AKG 414s > Sony D5 > MAC (Dolby B) taped by Tim Alexander; Transfer: Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (24bit/48khz) > WAV > FLAC
|
notes
|
| 11633. |
07/09/89 |
Flac 16 - 0,
133773 |
East Rutherford |
Giants Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
|
notes
|
| 11634. |
07/09/89 |
Flac 16 - 0,
78968 |
East Rutherford |
Giants Stadium flac16; AKG 414s > Sony D5 > MAC (Dolby B) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (16bit/44.1khz) > WAV > FLAC
|
notes
|
| 11635. |
07/09/89 |
Flac 24 - 0,
141761 |
East Rutherford |
Giants Stadium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11636. |
07/09/89 |
Flac 16 - 0,
141880 |
East Rutherford |
Giants Stadium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11637. |
07/09/89 |
Flac 16/48 - 0,
142466 |
East Rutherford |
Giants Stadium flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 11638. |
07/09/89 |
Flac 16/48 - 0,
142584 |
East Rutherford |
Giants Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=142581) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 133773) MSource: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper - surround mixing by Kevin Tobin
|
notes
|
| 11639. |
07/09/89 |
Flac Dts 5.1 - 0,
142583 |
East Rutherford |
Giants Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=142581) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 133773) MSource: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper - dts mixing by Kevin Tobin
|
notes
|
| 11640. |
07/09/89 |
Flac 24 U Mtx - 0,
142581 |
East Rutherford |
Giants Stadium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11641. |
07/09/89 |
Flac 16 Mtx - 0,
142582 |
East Rutherford |
Giants Stadium flac16; Matrix 2 Source Mix - SBD (shnid=142581) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shn id 133773) MSource: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper - matrix mixing by Kevin Tobin
|
notes
|
| 11642. |
07/09/89 |
Flac 16 - 0,
109562 |
East Rutherford |
Giants Stadium flac16; Master: FOB AKG 451's>Sony TC-D5>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 1.69 (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 11643. |
07/09/89 |
Flac 16 - 0,
142610 |
East Rutherford |
Giants Stadium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11644. |
07/09/89 |
Shn - 0,
89725 |
East Rutherford |
Giants Stadium Source: AKG 414TL (FOB) > AKG B18 p/s (?) > Technics SV-MD1 @48kHz by Dan Tepper Transfer: DAT Clone(x) > Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5; downsampled to Cool Edit Pro 1.2 > Using pre/post filtering at best setting > CD Wave 1.62 > MKWAct 0.97
|
notes
|
| 11645. |
07/09/89 |
Shn - 0,
6943 |
East Rutherford |
Giants Stadium AUD (FOB/ AKG414TL)>> ???>> SHN>> Dual DAW (Bertha)>> CDA; remastering by Jay Ashley (apparently of a previously shned source); to CDead
|
notes
|
| 11646. |
07/09/89 |
Shn - 0,
4650 |
East Rutherford |
Giants Stadium AKG 414TL's fob; via lemon2, with thanks to wellaw; note appears similar to other shn set, but md5s differ; also note files are all mislabeled as "9/7/89", except inside info file (md5 tracks have been renamed at this site)
|
notes
|
| 11647. |
07/09/89 |
Flac 16 - 0,
125229 |
East Rutherford |
Giants Stadium flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11648. |
07/09/89 |
Flac 16/48 - 0,
142466 |
East Rutherford |
Giants Stadium flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 11649. |
07/10/89 |
Shn - 0,
16071 |
East Rutherford |
Giants Stadium Unknown SBD (Matrix); EAC/SHN by Darryl Hinko
|
notes
|
| 11650. |
07/10/89 |
Flac16 Mtx - 0,
124499 |
East Rutherford |
Giants Stadium flac16; 2 Source Matrix using Soundboard (shinid:016071) Source: Unknown SBD > EAC > SHN and Audience (shnid:79608) FOB (AKG 414s > Sony D5 (Dolby B) > MAC) taped by Tim Alexander Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC
|
notes
|
| 11651. |
07/10/89 |
Flac 16 - 0,
125292 |
East Rutherford |
Giants Stadium flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11652. |
07/10/89 |
Flac 24/96 - 0,
125291 |
East Rutherford |
Giants Stadium flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 11653. |
07/10/89 |
Flac 16 - 0,
133774 |
East Rutherford |
Giants Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
|
notes
|
| 11654. |
07/10/89 |
Flac 16 - 0,
109588 |
East Rutherford |
Giants Stadium flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac Transfer: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich
|
notes
|
| 11655. |
07/10/89 |
Flac 24/48 - 0,
79608 |
East Rutherford |
Giants Stadium flac24/48; FOB (AKG 414s > Sony D5 (Dolby B) > MAC) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC
|
notes
|
| 11656. |
07/10/89 |
Flac 16 - 0,
79589 |
East Rutherford |
Giants Stadium flac16; FOB (AKG 414s > Sony D5 (Dolby B) > MAC) taped by Tim Alexander Transfer: Playback on Nak DR-1 (Dolby B) > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC
|
notes
|
| 11657. |
07/10/89 |
Flac 16/48 - 0,
138781 |
East Rutherford |
Giants Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 16071) Unknown SBD (Matrix); EAC/SHN by Darryl Hinko + AUD (shnid = 76249) AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - surround mixing by Kevin Tobin
|
notes
|
| 11658. |
07/10/89 |
Flac Dts 5.1 - 0,
138770 |
East Rutherford |
Giants Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid = 16071) Unknown SBD (Matrix); EAC/SHN by Darryl Hinko + AUD (shnid = 76249) AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - dts mixing by Kevin Tobin
|
notes
|
| 11659. |
07/10/89 |
Flac 24 - 0,
138789 |
East Rutherford |
Giants Stadium flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11660. |
07/10/89 |
Flac16 Mtx - 0,
138762 |
East Rutherford |
Giants Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 16071) Unknown SBD (Matrix); EAC/SHN by Darryl Hinko + AUD (shnid = 76249) AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F. - matrix mixing by Kevin Tobin
|
notes
|
| 11661. |
07/10/89 |
Flac 16 - 0,
138761 |
East Rutherford |
Giants Stadium flac16; Patched/Pitch Corrected Soundboard (original shnid = 16071) Unknown SBD (Matrix); EAC/SHN by Darryl Hinko - pitch correction and patches by Kevin Tobin
|
notes
|
| 11662. |
07/10/89 |
Flac 16 U Mtx - 0,
138792 |
East Rutherford |
Giants Stadium flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138789 24 bit -> 16 bit
|
notes
|
| 11663. |
07/10/89 |
Flac 16/48 - 0,
142467 |
East Rutherford |
Giants Stadium flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 11664. |
07/10/89 |
Flac 16 - 0,
132698 |
East Rutherford |
Giants Stadium flac16; Recording info: FOB/Schoeps cmc 42 S (spaced omni's)> Oade p/s> SV-250 by Ted Mattes; DAT clones provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> M-Audio USB transit> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty
|
notes
|
| 11665. |
07/10/89 |
Flac 16 - 0,
76249 |
East Rutherford |
Giants Stadium flac16; AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UDXL-IIS 90's, with Dolby off. Mics on stand aprx eight feet high, with foam windscreens on mics, and umbrella secured aprx six inches above the mics. Set up even with the front of the soundboard, to the left (stage right) on Phil's side. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transfered by Andrew F.
|
notes
|
| 11666. |
07/10/89 |
Shn - 0,
13053 |
East Rutherford |
Giants Stadium 2nd set only; unknown audience source (possibly Schoeps FOB)> DAT> Cassette> HD> CDWAVE> CDR; via Patrick White, with thanks to Tom Goshaw
|
notes
|
| 11667. |
07/10/89 |
Flac 16 - 0,
138791 |
East Rutherford |
Giants Stadium flac16; Set 1 Recording Info: SBD -> Cassette Master -> Sony R500 (A>D) -> Sound Forge -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11668. |
07/10/89 |
Flac 16 Mtx - ,
153414 |
East Rutherford |
Giants Stadium flac16 A Photoleon Matrix. Source; (fob) Akg 414-btl (cardioid X-y) > Neuman Bs945i > Technics Svmd1 Master Dat + (ots) Schoeps Cmc4 Mk2s Mics Spaced On Stands, Ots > Panasonic Sv-250 Master Dat + Umtx Sbd> Cassette Master. Fob Recorded By Dan Tepper. Ots Recorded By Ted Mattes. Sbd Shared By Charlie Miller. Matrix Created By Joe Noel. July 13, 2021
|
notes
|
| 11669. |
07/12/89 |
Flac 16 - 0,
125359 |
Washington |
Robert F. Kennedy Stadium flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11670. |
07/12/89 |
Flac 24 - 0,
125358 |
Washington |
Robert F. Kennedy Stadium flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 11671. |
07/12/89 |
UltraMtx Flac24 - 0,
140351 |
Washington |
Robert F. Kennedy Stadium flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11672. |
07/12/89 |
UltraMtx Flac16 - 0,
140396 |
Washington |
Robert F. Kennedy Stadium flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11673. |
07/12/89 |
Flac 24 - 0,
140444 |
Washington |
Robert F. Kennedy Stadium flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel.
|
notes
|
| 11674. |
07/12/89 |
Flac 24/96 - 0,
141906 |
Washington |
Robert F. Kennedy Stadium flac24; Patched & Pitch Corrected Audience (original shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin
|
notes
|
| 11675. |
07/12/89 |
Flac Dts 5.1 - 0,
141911 |
Washington |
Robert F. Kennedy Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid = 140351) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin
|
notes
|
| 11676. |
07/12/89 |
Flac 24/96 Mtx - 0,
141908 |
Washington |
Robert F. Kennedy Stadium flac24; Matrix 2 Source Mix - SBD (shnid = 140351) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
|
notes
|
| 11677. |
07/12/89 |
Flac 16 - 0,
141907 |
Washington |
Robert F. Kennedy Stadium flac16; Patched & Pitch Corrected Audience (original shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin
|
notes
|
| 11678. |
07/12/89 |
Flac16 Mtx - 0,
141910 |
Washington |
Robert F. Kennedy Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 140351) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
|
notes
|
| 11679. |
07/12/89 |
Flac 16/48 - 0,
141912 |
Washington |
Robert F. Kennedy Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140351) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin
|
notes
|
| 11680. |
07/12/89 |
Flac16/48 LPCM - 0,
142013 |
Washington |
Robert F. Kennedy Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140351) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 125358) Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin
|
notes
|
| 11681. |
07/12/89 |
Shn - 0,
2354 |
Washington |
Robert F. Kennedy Stadium FOB Schoeps CMC34 > DAT @ 44.1 KHZ; Transfer: DAT Clone > DIO 2448 > CD WAV > SHN, by Bill Gardner
|
notes
|
| 11682. |
07/12/89 |
Shn - 0,
32130 |
Washington |
Robert F. Kennedy Stadium MC>CDR>EAC>CD Wave>shn; NAK-100s > Sony D-5, using Dolby B. Two Maxell MX- 90s recorded by Boyd McHugh from tapers' section(bfmch@aol.com) Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Transfer by Dave Hanscom (dehanscom@hotmail.com) Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files, mkw to encode to shn. This is done by Bzl (bzlrbi@aol.com)
|
notes
|
| 11683. |
07/12/89 |
Flac 16/48 - 0,
86332 |
Washington |
Robert F. Kennedy Stadium flac16/48;Source: (F.O.B.) AKG 414-> dat-> Sony pcm R-500 (playback)->vx pocket v2->SF6->flac Taper: Unknown ; Transferred, encoded and uploaded by: M. Watson ; Source dat provided by: wklitz
|
notes
|
| 11684. |
07/13/89 |
Flac 16 - 0,
95839 |
Washington |
Robert F. Kennedy Stadium flac16; Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11685. |
07/13/89 |
Flac 16 - 0,
125364 |
Washington |
Robert F. Kennedy Stadium flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11686. |
07/13/89 |
Flac 16 - 0,
133784 |
Washington |
Robert F. Kennedy Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
|
notes
|
| 11687. |
07/13/89 |
Flac 16 - 0,
32897 |
Washington |
Robert F. Kennedy Stadium flac16; NAK-100s > Sony D-5, using Dolby B.> cass, recorded by Boyd McHugh; MC > standalone TDK DA-5800 by Dave Hanscom; CDR> EAC> SHN (not seekable) Bzl; SHN> FLAC by Gary
|
notes
|
| 11688. |
07/13/89 |
Flac Dts 5.1 - 0,
136570 |
Washington |
Robert F. Kennedy Stadium DTS-Audio-CD 5.1 Mix; Source 1: SBD (shnid=95939) Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC + Source 2: AUD1 (shn id 133784) Set 2, Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper + Source 3: AUD2 (shnid 125363) Complete show, Master Audience Recorded By Fitzy; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin
|
notes
|
| 11689. |
07/13/89 |
Flac Mtx. - 0,
136568 |
Washington |
Robert F. Kennedy Stadium flac16; Matrix 3 Source Mix - Source 1: SBD (shnid=95939) Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC + Source 2: AUD1 (shn id 133784) Set 2, Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper + Source 3: AUD2 (shnid 125363) Complete show, Master Audience Recorded By Fitzy; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
|
notes
|
| 11690. |
07/13/89 |
Flac LPCM 5.1 - 0,
136662 |
Washington |
Robert F. Kennedy Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - Source 1: SBD (shnid=95939) Set 1 & Encore, Recording Info: SBD -> Master Cassette -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC + Source 2: AUD1 (shn id 133784) Set 2, Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper + Source 3: AUD2 (shnid 125363) Complete show, Master Audience Recorded By Fitzy; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - mixing by Kevin Tobin
|
notes
|
| 11691. |
07/13/89 |
Flac 24 - 0,
125363 |
Washington |
Robert F. Kennedy Stadium flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 11692. |
07/13/89 |
UltraMtx Flac24 - 0,
140352 |
Washington |
Robert F. Kennedy Stadium flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11693. |
07/13/89 |
UltraMtx Flac16 - 0,
140397 |
Washington |
Robert F. Kennedy Stadium flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11694. |
07/13/89 |
Flac 24 - 0,
140446 |
Washington |
Robert F. Kennedy Stadium flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel.
|
notes
|
| 11695. |
07/13/89 |
Shn - 0,
9046 |
Washington |
Robert F. Kennedy Stadium (Schoeps)AUD>PCM>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 11696. |
07/15/89 |
Flac 16 - 0,
97307 |
Noblesville |
Deer Creek Music Center flac16; Recording Info:Set 1 + Encore: SBD -> Master Cassette -> CD; Set 2: SBD -> Master Cassette -> Dat -> Cassette -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11697. |
07/15/89 |
Flac 16 - 0,
100391 |
Noblesville |
Deer Creek Music Center flac16; Taper: Greg Holtz Source: Nak CM-100s with CP-1 cardiod caps -> Sony WMD-6C Transfer: By JAZ, Master Cassettes (Maxell MX90 Metal Dolby B) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Prepared in Wave Lab 5.0 using UAD Technology -> Traders Little Helper flac8
|
notes
|
| 11698. |
07/15/89 |
Flac 16 - 0,
125722 |
Noblesville |
Deer Creek Music Center flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11699. |
07/15/89 |
Shn - 0,
11266 |
Noblesville |
Deer Creek Music Center SBD > MR > DAT > C > DAT > CDR; Seeded to etree by Doug Nawrocki
|
notes
|
| 11700. |
07/15/89 |
Flac 16 - 0,
139107 |
Noblesville |
Deer Creek Music Center flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24, This is 139106 24 bit -> 16 bit
|
notes
|
| 11701. |
07/15/89 |
Flac 24 - 0,
139106 |
Noblesville |
Deer Creek Music Center flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
|
notes
|
| 11702. |
07/15/89 |
Flac 16 - 0,
139292 |
Noblesville |
Deer Creek Music Center flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
|
notes
|
| 11703. |
07/15/89 |
Flac 24/96 - 0,
139293 |
Noblesville |
Deer Creek Music Center flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
|
notes
|
| 11704. |
07/15/89 |
Flac 24/96 - 0,
141072 |
Noblesville |
Deer Creek Music Center flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's) Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96) Taped & Transfers by Pete Ebel
|
notes
|
| 11705. |
07/15/89 |
Flac 16 - 0,
97691 |
Noblesville |
Deer Creek Music Center flac16; Source: Source: NAK550>2 CM300's w/CP4 Shotguns, 1 CM300 (Center Mic) Recorded and Encoded by Cousinit
|
notes
|
| 11706. |
07/15/89 |
Flac 16 - 0,
118804 |
Noblesville |
Deer Creek Music Center flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. Located in the designated "taper" section. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)
|
notes
|
| 11707. |
07/15/89 |
Flac 16 - 0,
106500 |
Noblesville |
Deer Creek Music Center b>flac16; Recorded by David Cohen & Justin Lee. Front Row of Lawn 8 foot stand 2 Nakamichi CM300s/ CP1s X-Y @ 90degrees w/1 Nakamichi CM300/CP2 bisecting the X-Y Pair> Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
notes
|
| 11708. |
07/15/89 |
Flac 16 - 0,
96609 |
Noblesville |
Deer Creek Music Center flac16; Source: Nak300 (4 mic mix; 2 shotgun, 2 cardioid) > Tandy 4 channel mixer > Sony TC-D5M (pass thru) > Yamaha MT1X (dbx type II encode, Maxell XL-IIS) Recorded by Eddie Wahba and Pat Volkerding Transfer: Yamaha MT120S (dbx type II decode) > Tascam DA-20 (A>D conversion) > coax/optical converter > Creative Nomad Jukebox 3 > Firewire > Amarok > CDWAV > FLAC
|
notes
|
| 11709. |
07/15/89 |
Flac 24/96 - 0,
125721 |
Noblesville |
Deer Creek Music Center flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 11710. |
07/17/89 |
Flac 16 Mtx - 0,
96230 |
East Troy |
Alpine Valley Music Theatre flac16; matrix of DSBD: shnid=17702 and AUD: shnid=92457 by hansokolow using ProTools
|
notes
|
| 11711. |
07/17/89 |
Flac 16 - 0,
106490 |
East Troy |
Alpine Valley Music Theatre flac16; TAPER: GREG HOLTZ "1st two nights we were up on the lawn shooting at the repeater stacks from very close range" SOURCE: Nakamichi CM-300's with CP4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac 8 -> Tagged w/Tag & Rename
|
notes
|
| 11712. |
07/17/89 |
Flac 16 - 0,
92457 |
East Troy |
Alpine Valley Music Theatre flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 27, 2008
|
notes
|
| 11713. |
07/17/89 |
Shn - 0,
177702 |
East Troy |
Alpine Valley Music Theatre Source: SBD > DAT > CDR > EAC > *Cool Edit Pro > mkwACT *Beginning of LTGTR, We Bid You Goodnight and Johnny B. Goode patched with Matrix > MC > CDR source.
|
notes
|
| 11714. |
07/17/89 |
Flac 16 - 0,
125724 |
East Troy |
Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Set 1 Maxell XLII-S 90, Set 2 Maxell XLII-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11715. |
07/17/89 |
Flac 24/96 - 0,
15723 |
East Troy |
Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Set 1 Maxell XLII-S 90, Set 2 Maxell XLII-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 11716. |
07/17/89 |
Shn - 0,
433 |
East Troy |
Alpine Valley Music Theatre DSBD > DAT > WAV (via S/PDIF) >CD > WAV (via EAC) > SHN; via stink_kind; d1t1 slight digi-noise at 10s and 30s; d1t1,d3t6,7 clipped on MSBD
|
notes
|
| 11717. |
07/17/89 |
Flac 24 U Mtx - 0,
138345 |
East Troy |
Alpine Valley Music Theatre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11718. |
07/17/89 |
Flac 16 U Mtx - 0,
138355 |
East Troy |
Alpine Valley Music Theatre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138345 24 bit -> 16 bit
|
notes
|
| 11719. |
07/17/89 |
Flac 16/48 - 0,
142297 |
East Troy |
Alpine Valley Music Theatre flac16/48kHz; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller Transfer: DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 11720. |
07/17/89 |
Flac 16 - 0,
106654 |
East Troy |
Alpine Valley Music Theatre flac16; Front Row of Lawn 8 foot stand 2 Nakamichi CM300s/ CP1's X-Y @ 90degrees w/1 Nakamichi CM300/CP1 bisecting the X-Y Pair> Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Maxell MX90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen Nov 2009.
|
notes
|
| 11721. |
07/17/89 |
Flac 24/96 - 0,
149270 |
East Troy |
Alpine Valley Music Theatre flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel
|
notes
|
| 11722. |
07/17/89 |
Flac 16 Dts.5.1 - 0,
150010 |
East Troy |
Alpine Valley Music Theatre DTS-Audio-CD 5.1 Mix; - SBD (shnid = 138345) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 149270) Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel - dts mixing by Kevin Tobin
|
notes
|
| 11723. |
07/17/89 |
Flac 16/48LPCM - 0,
150011 |
East Troy |
Alpine Valley Music Theatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 138345) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 149270) Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel - surround mixing by Kevin Tobin
|
notes
|
| 11724. |
07/17/89 |
Flac 24 Mtx. - 0,
150008 |
East Troy |
Alpine Valley Music Theatre flac24; Matrix 2 Source Mix - SBD (shnid = 138345) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 149270) Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel - matrix mixing by Kevin Tobin
|
notes
|
| 11725. |
07/17/89 |
Flac 16 Mtx - 0,
150009 |
East Troy |
Alpine Valley Music Theatre flac16; Matrix 2 Source Mix - SBD (shnid = 138345) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 149270) Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96->Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel - matrix mixing by Kevin Tobin This file set is 16 bit @ 44.1
|
notes
|
| 11726. |
07/18/89 |
Shn - 0,
9854 |
East Troy |
Alpine Valley Music Theatre DSBD; Transfer: D8 > Waveterminal 2496 (@44.1) > Samplitude 2496 > CDWav > mkwACT (seeking); Transfer and Seed by Jason Brantley; see inof file for flaw notes
|
notes
|
| 11727. |
07/18/89 |
Flac 16 Mtx - 0,
96231 |
East Troy |
Alpine Valley Music Theatre flac16; matrix of DSBD: shnid=9854 and AUD: shnid=92430 by hansokolow using ProTools
|
notes
|
| 11728. |
07/18/89 |
Flac 16 - 0,
106491 |
East Troy |
Alpine Valley Music Theatre flac16; TAPER: GREG HOLTZ "1st two nights we were up on the lawn shooting at the repeater stacks from very close range" SOURCE: Nakamichi CM-300's with CP4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
|
notes
|
| 11729. |
07/18/89 |
Flac 16 - 0,
92430 |
East Troy |
Alpine Valley Music Theatre flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 24, 2008
|
notes
|
| 11730. |
07/18/89 |
Shn - 0,
435 |
East Troy |
Alpine Valley Music Theatre DSBD> DAT> CD; via Nick Georges; reported diginoise at the beginning of Touch and in a few other places, like just before Jack-A-Roe starts, and in Sugar Mag :22-:28; weirdness note: info file gives 7-5-7 tracking, md5s shown here have 9-5-7 tracking; further, listener B. de Vos reports d1t5 FOTD is not on info file, and neither is d1t9 TMNS- the latter was not even played at the show (must be filler)
|
notes
|
| 11731. |
07/18/89 |
Flac 16 - 0,
125511 |
East Troy |
Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11732. |
07/18/89 |
Shn - 0,
28474 |
East Troy |
Alpine Valley Music Theatre Source: DSBD Transfer: D8 > Waveterminal 2496 (@44.1) > Samplitude 2496 > CDWav > mkwACT Transfer and Seed by Jason Brantley (jason@spreadwidepanic.com) 3/27/2003 -sector boundary error in d1t02 of shn id 9854; disc fixed with shntool -SBE in d1t02 fixed by William at TuneTree ; via TuneTraa and LMA
|
notes
|
| 11733. |
07/18/89 |
Flac 24/96 - 0,
125510 |
East Troy |
Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 11734. |
07/18/89 |
Flac 24 - 0,
138479 |
East Troy |
Alpine Valley Music Theatre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11735. |
07/18/89 |
Flac 16 - 0,
138496 |
East Troy |
Alpine Valley Music Theatre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138479 24 bit -> 16 bit
|
notes
|
| 11736. |
07/18/89 |
Flac 16/48 - 0,
142298 |
East Troy |
Alpine Valley Music Theatre flac16/48kHz; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller Transfer: DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 11737. |
07/18/89 |
Flac 16 - 0,
119722 |
East Troy |
Alpine Valley Music Theatre flac16; Source:Sony WM-D6C Cassette Master(Maxell MX Metal Tapes,Dolby "B" On)>Dak Shotgun Mics>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,On The Hill About 20 Yards In Front Of The Relay Tower
|
notes
|
| 11738. |
07/18/89 |
Flac 16 - 0,
106720 |
East Troy |
Alpine Valley Music Theatre flac16; Recorded by David Cohen & Justin Lee Front Row of Lawn 8 foot stand 2 Nakamichi CM300s/ CP4's w/1 Nakamichi CM300/CP2> Nakamichi 550>Sony TCD5M (Oade erase head removal modifications) w/Maxell MX90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
notes
|
| 11739. |
07/18/89 |
Flac 24/96 - 0,
147567 |
East Troy |
Alpine Valley Music Theatre flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Transfers by Pete Ebel
|
notes
|
| 11740. |
07/19/89 |
Shn - 0,
437 |
East Troy |
Alpine Valley Music Theatre DSBD> DAT> CD> eac> SHN; via N. Georges
|
notes
|
| 11741. |
07/19/89 |
Flac 16 Mtx - 0,
96232 |
East Troy |
Alpine Valley Music Theatre flac16; matrix of DSBD: shnid=437 and AUD: shnid=92447 by hansokolow using ProTools
|
notes
|
| 11742. |
07/19/89 |
Flac 16 - 0,
125854 |
East Troy |
Alpine Valley Music Theatre flac16; DSBD -> DAT -> CD -> eac -> SHN (original shn 437) - pitch correction and patches by Kevin Tobin
|
notes
|
| 11743. |
07/19/89 |
Flac 16 - 0,
106492 |
East Troy |
Alpine Valley Music Theatre flac16; TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
|
notes
|
| 11744. |
07/19/89 |
Flac 16 - 0,
125506 |
East Troy |
Alpine Valley Music Theatre flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11745. |
07/19/89 |
Flac 16 Mtx - 0,
125861 |
East Troy |
Alpine Valley Music Theatre flac16; Matrix 4 Source Mix - SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - matrix mixing by Kevin Tobin
|
notes
|
| 11746. |
07/19/89 |
Flac 16 - 0,
130697 |
East Troy |
Alpine Valley Music Theatre flac16; Set 2 FOB MC>A>A(XL-II)>CD>flac
|
notes
|
| 11747. |
07/19/89 |
Flac 16 - 0,
92447 |
East Troy |
Alpine Valley Music Theatre flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008
|
notes
|
| 11748. |
07/19/89 |
Flac 16 - 0,
138818 |
East Troy |
Alpine Valley Music Theatre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had PA static during t03, Sugaree, This is fixed 138808 24 bit -> 16 bit
|
notes
|
| 11749. |
07/19/89 |
Flac 24 Mtx - 0,
138808 |
East Troy |
Alpine Valley Music Theatre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had PA static during t03, Sugaree
|
notes
|
| 11750. |
07/19/89 |
Flac 24/96 - 0,
141076 |
East Troy |
Alpine Valley Music Theatre flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's) Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96) Transfers by Pete Ebel
|
notes
|
| 11751. |
07/19/89 |
Flac 16/48 - 0,
142229 |
East Troy |
Alpine Valley Music Theatre flac16/48kHz; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller Transfer: DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 11752. |
07/19/89 |
Flac 16 Dts.5.1 - 0,
125862 |
East Troy |
Alpine Valley Music Theatre DTS-Audio-CD 5.1 Mix; SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - dts mixing by Kevin Tobin
|
notes
|
| 11753. |
07/19/89 |
Flac 16 - 0,
125855 |
East Troy |
Alpine Valley Music Theatre flac16; (original shnid = 92447) Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 - pitch correction and patches by Kevin Tobin
|
notes
|
| 11754. |
07/19/89 |
Flac 24/96 - 0,
125505 |
East Troy |
Alpine Valley Music Theatre flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 11755. |
08/04/89 |
Flac 16 - 0,
89884 |
Sacramento |
Cal Expo flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11756. |
08/04/89 |
Flac 16 - 0,
82598 |
Sacramento |
Cal Expo flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 Mhz] Mastering: AudioGate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. July 4, 2008
|
notes
|
| 11757. |
08/04/89 |
Shn - 0,
11267 |
Sacramento |
Cal Expo SBD > MC > DAT > CDR; Seeded to etree by Doug Nawrocki
|
notes
|
| 11758. |
08/04/89 |
Flac 16 - 0,
78877 |
Sacramento |
Cal Expo flac16; AUD Source: Nakamichi CM-300's with CP-1 (cardioid) capsules > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 6-feet high. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC
|
notes
|
| 11759. |
08/04/89 |
Flac 16 - 0,
131470 |
Sacramento |
Cal Expo flac16; Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clone provided by Lance Deal. Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE's/Flac/md5)
|
notes
|
| 11760. |
08/05/89 |
Flac 16 - 0,
89885 |
Sacramento |
Cal Expo flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11761. |
08/05/89 |
Shn - 0,
13206 |
Sacramento |
Cal Expo set 2; SBD> CM> DAT> CD> EAC> SHN; via Charlie Miller, Patrick White
|
notes
|
| 11762. |
08/05/89 |
Flac 16 Mtx - 0,
96341 |
Sacramento |
Cal Expo flac16; matrix of SBD: shnid=89885 and DAUD: shnid=3871 by hansokolow using ProTools
|
notes
|
| 11763. |
08/05/89 |
Shn - 0,
18256 |
Sacramento |
Cal Expo SBD > MC > C > DAT > CD > EAC > SHN via Darryl Hinko
|
notes
|
| 11764. |
08/05/89 |
Flac 16 - 0,
35362 |
Sacramento |
Cal Expo flac16; Seamless fix of shn id 13206 - Set 2 only; SBD>CM>DAT>CD>EAC>SHN w/AUD patch. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 11765. |
08/05/89 |
Flac 16 - 0,
92636 |
Sacramento |
Cal Expo flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 Mhz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. July 6, 2008
|
notes
|
| 11766. |
08/05/89 |
Shn - 0,
3871 |
Sacramento |
Cal Expo FOB Schoeps MK2 (spread) > dat > cdr; Transfer: EAC (range extraction at 100%) > CDWAV > mkwACT; d2 tracked for 80 min; encore missing
|
notes
|
| 11767. |
08/05/89 |
Flac 16 - 0,
78865 |
Sacramento |
Cal Expo flac16; AUD Source: Neumann KM-150's > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 5-feet high. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC
|
notes
|
| 11768. |
08/05/89 |
Flac 16 - 0,
131471 |
Sacramento |
Cal Expo flac16; FOB/Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clone provided by Lance Deal. Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5)
|
notes
|
| 11769. |
08/06/89 |
Flac 16 - 0,
89966 |
Sacramento |
Cal Expo flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11770. |
08/06/89 |
Flac 16 Mtx - 0,
96358 |
Sacramento |
Cal Expo flac16; matrix of SBD: shnid=89966 and AUD: shnid=14197 by hansokolow using ProTools
|
notes
|
| 11771. |
08/06/89 |
Shn - 0,
12831 |
Sacramento |
Cal Expo Ultramatrix (SBD/AUD mix); Lineage: Master Cassette> DAT> CD> SHN> Peak> WAV> SHN via Scott Kolber and Diesel. Retracked, normalized, seeded by Peter Braverman; fixup of previous shn set
|
notes
|
| 11772. |
08/06/89 |
Flac 16 - 0,
78852 |
Sacramento |
Cal Expo flac16; AUD Source: Neumann KM-150's > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 5-feet high. Transfer: MAC > Nakamichi Dragon (Dolby on) > Tascam CDRW-5000 > CDR > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC
|
notes
|
| 11773. |
08/06/89 |
Flac 16 - 0,
127421 |
Sacramento |
Cal Expo flac16; Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony WM-D6C (XLIIS); Cassette Master Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS; Recorded/Transferred By: Jeff Bowen
|
notes
|
| 11774. |
08/06/89 |
Shn - 0,
14179 |
Sacramento |
Cal Expo Set 1 Source: FOB Spaced 50 ft. Neumann km150's > MC > CDR > EAC > Sound Forge 4.5 > mkwACT Set 2 Source: FOB Spaced Nak 700's > MC > DAT Transfer: DA-P1 > Montego II (hardware resample 48 > 44.1) > Sound Forge 4.5 > mkwACT EAC/Transfer/Seed by Doug Nawrocki
|
notes
|
| 11775. |
08/06/89 |
Flac 16 - 0,
131472 |
Sacramento |
Cal Expo flac16; FOB/Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clone provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); the original version of this source had a flaw in set2t02; please do not circulate that version
|
notes
|
| 11776. |
08/06/89 |
Shn - 0,
12385 |
Sacramento |
Cal Expo SBD> Cassette> DAT> CDR via Tommy Brame; fixed version also circulates
|
notes
|
| 11777. |
08/17/89 |
Flac 16 - 0,
119330 |
Berkeley |
The Greek Theatre - University of California flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 11778. |
08/17/89 |
Flac 16 - 0,
83733 |
Berkeley |
The Greek Theatre - University of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11779. |
08/17/89 |
Flac 16 - 0,
111996 |
Berkeley |
The Greek Theatre - University of California flac16; RECORDED BY: Greg Holtz; SOURCE: Healy's MTX -> Sony Stereo receiver (10 feet from In House FM Broadcast Source) -> Sony WM-D6C; TRANSFER: (By: JAZ) Master Cassettes (Maxell MX 90 IEC TYPE IV METAL) Tascam 112, Metal & Dolby B engaged -> Korg MR-1 @ 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename
|
notes
|
| 11780. |
08/17/89 |
Shn - 0,
25432 |
Berkeley |
The Greek Theatre - University of California Soundboard->Dat->Cassette->Dat(44.1) x ? Dat->Audiophile 2496->Samplitude v7.02 Professional->.wav->mkw->SHN. Transfer, editing, and SHN by Joe Samaritano
|
notes
|
| 11781. |
08/17/89 |
Shn - 0,
8965 |
Berkeley |
The Greek Theatre - University of California SBD>??>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 11782. |
08/17/89 |
Flac 24 - 0,
124751 |
Berkeley |
The Greek Theatre - University of California flac24; Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240 Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard
|
notes
|
| 11783. |
08/17/89 |
Flac 16 - 0,
131524 |
Berkeley |
The Greek Theatre - University of California flac16; Source info: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 12, 2014 by Will Petty
|
notes
|
| 11784. |
08/17/89 |
Flac 16 - 0,
82800 |
Berkeley |
The Greek Theatre - University of California flac16; Lineage: 2x Senheiser 441's + 1x Nakamichi 700 (Cardioid Capsule) > MX-100 > Sony TCD5-M Transfer: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC
|
notes
|
| 11785. |
08/17/89 |
Flac 16 - 0,
124752 |
Berkeley |
The Greek Theatre - University of California flac16; Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240; Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard (note: this source was originally seeded with a corrupt track 305 represented by the alt-md5 checksum; a fixed version now circulates)
|
notes
|
| 11786. |
08/18/89 |
Flac 16 - 0,
111997 |
Berkeley |
The Greek Theatre - University of California flac16; RECORDED BY: Greg Holtz; SOURCE: Healy's MTX -> Sony Stereo receiver (10 feet from In House FM Broadcast) -> Sony WM-D6C; TRANSFER: (By: JAZ) Master Cassettes (Maxell MX 90 IEC TYPE IV METAL) Tascam 112, Metal & Dolby B engaged -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename
|
notes
|
| 11787. |
08/18/89 |
Flac 16 - 0,
83774 |
Berkeley |
The Greek Theatre - University of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11788. |
08/18/89 |
Shn - 0,
4796 |
Berkeley |
The Greek Theatre - University of California Healy Matrix Digital SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer via D-10 > HHb800 by fishman; DAE by neo_levo: EAC (high, secure, offset corrected, with repeated extractions yielding matching wav md5's), tracked using CDWAVE (boundaries confirmed w/ shntool) > mkwact > SHNv3
|
notes
|
| 11789. |
08/18/89 |
Shn - 0,
34570 |
Berkeley |
The Greek Theatre - University of California Seamless fix of shn id 4796 - Healy Matrix Digital SBD > DAT > CDR > WAV > SHNv3
|
notes
|
| 11790. |
08/18/89 |
Shn - 0,
9964 |
Berkeley |
The Greek Theatre - University of California Jay Ashley (Bertha) remaster of Healy SBD mix; SBD>>DAT>>CDR>>WAV>>SHNv3>>WAV>>DAW(Bertha)>>CDA
|
notes
|
| 11791. |
08/18/89 |
Flac 16 - 0,
89375 |
Berkeley |
The Greek Theatre - University of California flac16; AUD: Sennheiser MD-421's > patched thru one Sony D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on six-foot stand in OTS. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Soundforge (for fades) > CD-Wave > TLH (SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 11792. |
08/18/89 |
Flac 24 - 0,
140718 |
Berkeley |
The Greek Theatre - University of California flac24; Set 2 Recording Info: Master Soundboard Ultramatrix DAT > Hi-Fi VHS; Transfer Info: Hi-Fi VHS (Sony SLV-M20HF)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
|
notes
|
| 11793. |
08/18/89 |
Flac 16 - 0,
140721 |
Berkeley |
The Greek Theatre - University of California flac16; Recording Info: Master Soundboard Ultramatrix DAT > PCM; Transfer Info: PCM (Sony SLV-M20HF)> Sony PCM 601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 11794. |
08/18/89 |
- 0,
141056 |
Berkeley |
The Greek Theatre - University of California flac16; Set 2 Recording Info: Master Soundboard Ultramatrix DAT > Hi-Fi VHS; Transfer Info: Hi-Fi VHS (Sony SLV-M20HF)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
|
notes
|
| 11795. |
08/18/89 |
Flac 24/96 - 0,
138867 |
Berkeley |
The Greek Theatre - University of California flac24 96khz Akg C460B > Preamp Ck61 Uls > Uher Cr240. Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper . Recorded Front Row Dead Center Right Behind Soundboard .Taper : Danny Thompson Editing : Joe D'Amico ''AKA'' Joebeacon.
|
notes
|
| 11796. |
08/18/89 |
Flac 16 - 0,
119338 |
Berkeley |
The Greek Theatre - University of California flac16; Source: 2 Beyer M160 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 11797. |
08/18/89 |
Flac 16 - 0,
131525 |
Berkeley |
The Greek Theatre - University of California flac16; Source info: Schoeps CMC 52 S (spaced 8' in TS)> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 12, 2014 by Will Petty
|
notes
|
| 11798. |
08/18/89 |
Flac 16/44,1 - 0,
138868 |
Berkeley |
The Greek Theatre - University of California flac16 44.1khz Akg C460B > Preamp Ck61 Uls > Uher Cr240. Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper. Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon
|
notes
|
| 11799. |
08/18/89 |
Flac 16 - 0,
94487 |
Berkeley |
The Greek Theatre - University of California flac16; LINEAGE: 2x Sennheiser 441 + 1x Nakamichi 700 (Cardioid Capsule) > Nakamichi MX-100 > Sony TCD5-M>Maxell MX. TRANSFER: CM>Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD >xACT extraction > WAV > FLAC NOTE: Canare microphone cables used, otherwise Monster cables throughout. Recorded and transferred by Mike Kutik
|
notes
|
| 11800. |
08/19/89 |
Flac 16 - 0,
111998 |
Berkeley |
The Greek Theatre - University Of California flac16; RECORDED BY: Greg Holtz; SOURCE: Healy's MTX -> Sony Stereo receiver (10 feet from In House FM Broadcast) -> Sony WM-D6C; TRANSFER: (By: JAZ) Master Cassettes (Maxell MX 90 IEC TYPE IV METAL) Tascam 112, Metal & Dolby B engaged -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename
|
notes
|
| 11801. |
08/19/89 |
Flac 16 Mtx - 0,
96303 |
Berkeley |
The Greek Theatre - University Of California flac16; matrix of SBD: shnid=83775 and AUD: shnid=13254 by hansokolow using ProTools
|
notes
|
| 11802. |
08/19/89 |
Flac 16 - 0,
83775 |
Berkeley |
The Greek Theatre - University Of California flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11803. |
08/19/89 |
Shn - 0,
5213 |
Berkeley |
The Greek Theatre - University Of California SBD Cassette Master > DAT > .WAV > .SHN; d2 tracked for 80 min; via Jon Miller to tree; see info file for flaw notes
|
notes
|
| 11804. |
08/19/89 |
Flac 16 - 0,
91088 |
Berkeley |
The Greek Theatre - University Of California flac16; AUD: Sennheiser MD-421's > patched thru one Sony D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on six-foot stand in OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog input > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 11805. |
08/19/89 |
Shn - 0,
23066 |
Berkeley |
The Greek Theatre - University Of California SBD > MC > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
|
notes
|
| 11806. |
08/19/89 |
Flac 16 Mtx - 0,
139669 |
Berkeley |
The Greek Theatre - University Of California flac16; Three Source Matrix created in Audacity
|
notes
|
| 11807. |
08/19/89 |
Flac 16 - 0,
139782 |
Berkeley |
The Greek Theatre - University Of California flac16;Recording Info: SBD -> Cassette Master (Sony TC-D5M/TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/16; Recorded by Don Pearson; Transferred by Charlie Miller
|
notes
|
| 11808. |
08/19/89 |
Flac 24 - 0,
124774 |
Berkeley |
The Greek Theatre - University Of California flac24; Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240; Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard
|
notes
|
| 11809. |
08/19/89 |
Flac 16 - 0,
119339 |
Berkeley |
The Greek Theatre - University Of California flac16; Source: 2 Sonic Studio DSM-1S/x microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 11810. |
08/19/89 |
Flac 16 - 0,
124775 |
Berkeley |
The Greek Theatre - University Of California flac16; Taper: Danny Thompson; Editing: Joe D'Amico; Akg C460B > Preamp Ck61 Uls > Uher Cr240; Master Tapes > Nak Dragon > Korg Mr-1000 > Adobe Audition CS6 > Traders Little Helper; Recorded Front Row Dead Center Right Behind Soundboard
|
notes
|
| 11811. |
08/19/89 |
Flac 16 - 0,
131526 |
Berkeley |
The Greek Theatre - University Of California b>flac16; Source info: Schoeps CMC 52 S (spread 8')> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal and others. Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 12, 2014 by Will Petty
|
notes
|
| 11812. |
08/19/89 |
Shn - 0,
13254 |
Berkeley |
The Greek Theatre - University Of California Schoeps cmc42s ->M118 -> Oade Mod PCM-F1, Taper Jim Oade; Transfer: Tascam DA-20 (DAT)-> Tascam CDRW4U -> EAC (secure) -> CDWave (tracking) -> CDR -> SHN (MKWact), from Oade DATs, by Matt Shapiro; EAC'd and SHN'd by jim
|
notes
|
| 11813. |
08/19/89 |
Flac 16 - 0,
83803 |
Berkeley |
The Greek Theatre - University Of California flac16; Recorded Front of OTS by 'PA Deli Mike' 2x Senheiser 441's + 1x Nakamichi 700 (Cardioid Capsule) > MX-100 > Sony TCD5-M. TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC by Mr. Chips
|
notes
|
| 11814. |
08/19/89 |
Flac 16 - 0,
131536 |
Berkeley |
The Greek Theatre - University Of California flac16; Source info: FOB/Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clones provided by Lance Deal. Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 14, 2014 by Will Petty
|
notes
|
| 11815. |
08/19/89 |
Flac 16 - 0,
138155 |
Berkeley |
The Greek Theatre - University Of California flac16; Original Source info (shnid 131536): FOB/Schoeps CMC 44's> Oade p/s> SV-255 by Ted Mattes. DAT clones provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Patched, Tracked, Flac'd & rePacked in Audacity by Joe Noel; Checksum & tags created in xACT
|
notes
|
| 11816. |
09/29/89 |
Flac 16 - 0,
81704 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11817. |
09/29/89 |
Shn - 0,
7282 |
Mountain View |
Shoreline Amphitheatre Ultramatrix: Master Cassette> DAT> CD> SHN> Peak> WAV> SHN; poss cass gen (see notes); Retracking and normalizing by Peter Braverman; with thanks to Skot G
|
notes
|
| 11818. |
09/29/89 |
Flac 16 - 0,
81705 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD -> Dat Transfer Info: Dat -> M-Audio DIO2448 -> Samplitude -> Cool Edit Pro -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 11819. |
09/29/89 |
Flac 16 - 0,
141772 |
Mountain View |
Shoreline Amphitheatre flac16; Recording info: Spaced Schoeps MK2 omni's > Sony F1 > PCM (OTS); Transfer info: Sony SL-10 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (FLAC 16-bit/44.1k)
|
notes
|
| 11820. |
09/29/89 |
Flac 16 - 0,
117927 |
Mountain View |
Shoreline Amphitheatre flac16; Source: 2 Sonic Studio DSM-1S/x microphones-up front/center> Sony DAT > 1st generation analog cassettes; Transfer: Sony KA1ESA > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 11821. |
09/29/89 |
Flac 16 - 0,
127422 |
Mountain View |
Shoreline Amphitheatre flac16; Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony WM-D6C (XLIIS); XLIIS Master Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS, Section 202, Row H, Seat #5; Recorded/Transferred By: Jeff Bowen
|
notes
|
| 11822. |
09/29/89 |
Shn - 0,
17703 |
Mountain View |
Shoreline Amphitheatre This is an updated text and md5 file for the previousshn set via Charlie Miller; Flaws in d2t08 and d2t09 fixed on 10/10/02
|
notes
|
| 11823. |
09/29/89 |
Flac 24/96 - 0,
151409 |
Mountain View |
Shoreline Amphitheatre flac24/96khz Recording Info: SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 11824. |
09/29/89 |
Flac 16/44 - 0,
151621 |
Mountain View |
Shoreline Amphitheatre flac16/44khz Recording Info: SBD > Cassette Master (TDK MA-XG) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 151409 24 -> 16 @ 44.1
|
notes
|
| 11825. |
09/30/89 |
Flac 16 - 0,
81719 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11826. |
09/30/89 |
Shn - 0,
8964 |
Mountain View |
Shoreline Amphitheatre SBD>MC>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 11827. |
09/30/89 |
Flac 16/48 - 0,
142503 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 11828. |
09/30/89 |
Flac 16 - 0,
97332 |
Mountain View |
Shoreline Amphitheatre flac16; Source: (OTS) Nakamichi cm300/cp4->Sony D-5(Dolby B)->Maxell XL II(x2) Taper: Dave Barfield Transfer: MAC->Nakamichi MR-1->Korg MR-1000(1bit/5.6 mhz)->Korg Audiogate->16/44.1 wav.->soundforge 9.0->waves Q-10->FLAC Transferred and seeded by: M. Watson
|
notes
|
| 11829. |
09/30/89 |
Flac 24/96 - 0,
151398 |
Mountain View |
Shoreline Amphitheatre flac 24/96kHz; Recording Info: SBD > Cassette Master (TDK MA-XG). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24.
|
notes
|
| 11830. |
09/30/89 |
Flac 16/44 - 0,
151622 |
Mountain View |
Shoreline Amphitheatre flac 16/44kHz; Recording Info: SBD > Cassette Master (TDK MA-XG). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24. 151398 24 -> 16 @ 44.1
|
notes
|
| 11831. |
10/01/89 |
Flac 16 - 0,
81721 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11832. |
10/01/89 |
Flac - 0,
26989 |
Mountain View |
Shoreline Amphitheatre flac16; Unknown SBD source > ? > CDR; Transfer: CDR > EAC > hard drive > CD Wave Editor (tracking) > FLAC (v. 1.7.1) compression level 8; Extraction and minor edit and FLACtion by Gary Field, with thanks to Joey Browning for the CDR
|
notes
|
| 11833. |
10/01/89 |
Flac 24 - 0,
142347 |
Mountain View |
Shoreline Amphitheatre flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 11834. |
10/01/89 |
Flac 16/48 - 0,
142504 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Source Info: Ted Mattes' Master Audience Dat; Schoeps CMC4/MK2S mics spaced on stands, OTS > Aerco preamp > Panasonic SV-250 (16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 11835. |
10/01/89 |
Flac 16 U Mtx - 0,
142513 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 11836. |
10/01/89 |
Flac 16 - 0,
121222 |
Mountain View |
Shoreline Amphitheatre flac16; Set 2 Source: 2 Sonic Studio DSM-1Sx microphones - 14th row/center > Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 11837. |
10/01/89 |
Shn - 0,
8963 |
Mountain View |
Shoreline Amphitheatre AUD>MC>C>CDR; Seeded to etree by Tim W
|
notes
|
| 11838. |
10/01/89 |
Flac 16 - 0,
132699 |
Mountain View |
Shoreline Amphitheatre flac16; Recording info on DAT: Schoeps CMC 42 S; DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> M-Audio USB transit>Audacity @ 16/48>16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty
|
notes
|
| 11839. |
10/08/89 |
Flac 16 - 0,
81532 |
Hampton |
Hampton Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11840. |
10/08/89 |
Flac 16 Mtx - 0,
96442 |
Hampton |
Hampton Coliseum flac16; matrix of SBD: shnid=81532 and DAUD: shnid=439 by hansokolow using ProTools
|
notes
|
| 11841. |
10/08/89 |
Flac 16 - 0,
32427 |
Hampton |
Hampton Coliseum flac16; SBD > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
|
notes
|
| 11842. |
10/08/89 |
Flac 24/96 - 0,
120376 |
Hampton |
Hampton Coliseum flac24; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 421> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-100's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 Khz; Metadata Tagging With Tag&Rename
|
notes
|
| 11843. |
10/08/89 |
Flac 16 - 0,
120377 |
Hampton |
Hampton Coliseum flac16; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 421> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430>Dolby B, Ran By Mr. Currier; Tapes Maxell MX-100's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11844. |
10/08/89 |
Shn - 0,
25261 |
Hampton |
Hampton Coliseum SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN
|
notes
|
| 11845. |
10/08/89 |
Shn - 0,
17732 |
Hampton |
Hampton Coliseum SBD; CDR> EAC> WAV> SHNv3 via Dan Carr
|
notes
|
| 11846. |
10/08/89 |
Flac 16 - 0,
89508 |
Hampton |
Hampton Coliseum flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand on the floor, near the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
|
notes
|
| 11847. |
10/08/89 |
Shn - 0,
8365 |
Hampton |
Hampton Coliseum SBD> Master Cass>DAT>CD; via CDead vine; Unknown seeder
|
notes
|
| 11848. |
10/08/89 |
Flac 16/48 - 0,
142509 |
Hampton |
Hampton Coliseum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar stand, shoulder height > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 11849. |
10/08/89 |
Shn - 0,
439 |
Hampton |
Hampton Coliseum FOB Schoeps CMC34's -> Panasonic SV-250; Transfer: D8 -> Montego II digi I/O -> CDWAV by D. Nawrocki; seed via P. Delgado
|
notes
|
| 11850. |
10/08/89 |
Flac 24 UMtx. - 0,
147605 |
Hampton |
Hampton Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11851. |
10/08/89 |
Flac 16 - 0,
147651 |
Hampton |
Hampton Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1
|
notes
|
| 11852. |
10/09/89 |
Flac 16 - 0,
80840 |
Hampton |
Hampton Coliseum flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC . This has an upgraded patch source.
|
notes
|
| 11853. |
10/09/89 |
Flac 16 Mtx - 0,
92495 |
Hampton |
Hampton Coliseum flac16; SBD + AUD Matrix - 4 Source Mix (60%-SBD, 10%-AUD1, 20%-AUD2, 10%-AUD3)
|
notes
|
| 11854. |
10/09/89 |
Shn - 0,
26236 |
Hampton |
Hampton Coliseum SBD + AUD Matrix Mix (60%-SBD/40%-AUD); SBD: PCM (analog out) > DAT x 4 > CDR; AUD FOB: Schoeps CMC641 > DAT; Mixed by dan@am-dig.com; related 5.1 mix also circulates
|
notes
|
| 11855. |
10/09/89 |
Shn - 0,
7721 |
Hampton |
Hampton Coliseum Lineage: SBD > PCM (analog output) > D > D > D > D; CD> SHN> Seeded to Etree by Patrick Murphy, from Jay Serafin seed discs; see info file for additional notes
|
notes
|
| 11856. |
10/09/89 |
Flac 24/96 - 0,
120403 |
Hampton |
Hampton Coliseum flac24; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 Khz; Metadata Tagging With Tag&Rename
|
notes
|
| 11857. |
10/09/89 |
Flac 16 - 0,
120404 |
Hampton |
Hampton Coliseum flac16; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 441> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-90's; Transfer Information:Nakamichi MR-1>No Dolby B>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11858. |
10/09/89 |
Shn - 0,
2276 |
Hampton |
Hampton Coliseum SBD> CASS(x)> DAT> CDR> EAC> SHN; via PainoMan to gdlive.com
|
notes
|
| 11859. |
10/09/89 |
Shn - 0,
31211 |
Hampton |
Hampton Coliseum Recording by: Rob R 3 Nak CM300 - 2 CP4's and 1 CP3 arrianged X/Y direct to dat > ? > .shn SBEs on Set 2 repaired using shntool v.2.0.3 (10/11/2005)
|
notes
|
| 11860. |
10/09/89 |
Flac 16 - 0,
89563 |
Hampton |
Hampton Coliseum flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand on the floor, near the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
|
notes
|
| 11861. |
10/09/89 |
Shn - 0,
17704 |
Hampton |
Hampton Coliseum FOB Schoeps CMC421> DAT> HHB standalone CD> EAC> ADDAWAV> CDWav retracking> WAV> SHN; conversions done by JR Fishman
|
notes
|
| 11862. |
10/09/89 |
Flac 16 - 0,
32902 |
Hampton |
Hampton Coliseum flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 11863. |
10/09/89 |
Flac Dts 5.1 - 0,
92005 |
Hampton |
Hampton Coliseum DTS Audio 5.1 Mix; 4 Source Mix - SBD (ShnID = 80840), SBD (ShnID = 80840), AUD2 (ShnID = 17704) and AUD3 (ShnID = 443)
|
notes
|
| 11864. |
10/09/89 |
Shn Dts - 0,
26235 |
Hampton |
Hampton Coliseum DTS-Audio-CD 5.1 Mix; SBD: PCM (analog out) > DAT x 4 > CDR AUD; FOB: Schoeps CMC641 > DAT; mixed by dan@am-dig.com; related matrix also circulates
|
notes
|
| 11865. |
10/09/89 |
Flac 16/48 - 0,
142510 |
Hampton |
Hampton Coliseum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar stand, shoulder height > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 11866. |
10/09/89 |
Shn - 0,
443 |
Hampton |
Hampton Coliseum Schoeps CMC421 (note change from previous mic info)> DAT > SEK'D Prodif 32 > SoundForge 4.5 (Level Increase & Resample - <48to44.1>) > CDWav> WAV > SHN; via T. Howland; note set 1 will fit all on d1 if you overburn 26 sec; listener M. Burgess reports, "first set sounds ok, maybe a little muddy, but the second sounds thin and trebley, totally different from the first set"; note Mark Ferguson renamed md5s and shns with his 8/3/00 rehosting- see his public comments, and md5s marked "ren" (for "rename")
|
notes
|
| 11867. |
10/09/89 |
Flac 16 - 0,
116646 |
Hampton |
Hampton Coliseum flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster
|
notes
|
| 11868. |
10/09/89 |
Flac 16/48 - 0,
125737 |
Hampton |
Hampton Coliseum flac16/48kHz; Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 11869. |
10/09/89 |
Flac 16 - 0,
99647 |
Hampton |
Hampton Coliseum flac16; Source: Nakamichi cm300/cp4->Sony D-5M (Dolby B encoded)->Maxell MX90 x 2->Sony D-5M (Dolby B decoded)->Korg MR-1000 (1bit/5.5MHz)->AudioGate->(16/44.1) wav-> Soundforge 8.0->flac; Taper: Dave Barfield; Transfer and seeded by: M. Watson
|
notes
|
| 11870. |
10/09/89 |
Flac 16 - 0,
125738 |
Hampton |
Hampton Coliseum flac16; Source: Schoeps CMC3/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 11871. |
10/09/89 |
Flac 16 - 0,
131003 |
Hampton |
Hampton Coliseum flac16; Master Digital FOB Recording by Lance Deal using Schoeps CMC521's> Schoeps VMS 52 UB> Technics SVMD1; Transfer: Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5)
|
notes
|
| 11872. |
10/09/89 |
Flac 16 U Mtx. - 0,
147621 |
Hampton |
Hampton Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1
|
notes
|
| 11873. |
10/09/89 |
Flac 24 UMtx. - 0,
147611 |
Hampton |
Hampton Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller;
|
notes
|
| 11874. |
10/09/89 |
Flac 16 Mtx - ,
154041 |
Hampton |
Hampton Coliseum flac16; Matrix 2 Source Mix>/i> - SBD (shnid = 147611) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; + AUD (shnid = 116646) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - matrix mixing by Kevin Tobin
|
notes
|
| 11875. |
10/09/89 |
Flac 16 Dts 5.1 - ,
154042 |
Hampton |
Hampton Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147611) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; + AUD (shnid = 116646) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - dts mixing by Kevin Tobin
|
notes
|
| 11876. |
10/09/89 |
Flac 16/48 - ,
154043 |
Hampton |
Hampton Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147611) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; + AUD (shnid = 116646) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - surround mixing by Kevin Tobin
|
notes
|
| 11877. |
10/09/89 |
Flac 16 Mtx - ,
158308 |
Hampton |
Hampton Coliseum flac16; Matrix by Hunter Seamons using Soundtrack Pro and Final Cut Pro (FLAC > AIFF > Soundtrack and Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 80840 & 125738.
|
notes
|
| 11878. |
10/11/89 |
Flac 16 - 0,
83282 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11879. |
10/11/89 |
Flac 16 Mtx - 0,
96599 |
East Rutherford |
Meadowlands Arena flac16; matrix of SBD: shnid=83292 and AUD: shnid=89613 by hansokolow using ProTools
|
notes
|
| 11880. |
10/11/89 |
Shn - 0,
6668 |
East Rutherford |
Meadowlands Arena Master Soundboard DAT > Cassette > DAT> CDR, with numerous ticks fixed (see notes); CD Re-mastering, SHN'ed by Scott Clugston; tracked for 2x80; to abgd
|
notes
|
| 11881. |
10/11/89 |
Flac 16 - 0,
89613 |
East Rutherford |
Meadowlands Arena flac16; AUD: Sennheiser MD-421's > patched thru one D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on 8-foot stand, front row of OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by An
|
notes
|
| 11882. |
10/11/89 |
Shn - 0,
13572 |
East Rutherford |
Meadowlands Arena Sbd> Cas(m)> Dat> ZA2/PC> SF> CD Architect> CDR?s; Note- This may be the same source that was cleaned up by Scott Clugston; See Here; Submitted with a reference to "some blips and goofy electronic noises"; via Dave Koehler
|
notes
|
| 11883. |
10/11/89 |
Flac 16/48 - 0,
138157 |
East Rutherford |
Meadowlands Arena flac16/48kHz; Schoeps CMC521 > Panasonic SV250; FOB Taper unknown; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 11884. |
10/11/89 |
Flac 24/96 - 0,
135411 |
East Rutherford |
Meadowlands Arena flac24; Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
|
notes
|
| 11885. |
10/11/89 |
Flac 16 - 0,
125661 |
East Rutherford |
Meadowlands Arena flac16; Taper: M. Laurentus; Taper Section 2, Row T, Seat 8; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
|
notes
|
| 11886. |
10/11/89 |
Flac 24 - 0,
147618 |
East Rutherford |
Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11887. |
10/11/89 |
Flac 16 - 0,
147652 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1
|
notes
|
| 11888. |
10/11/89 |
Flac 16/48 - 0,
147681 |
East Rutherford |
Meadowlands Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147618) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 135411) Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 - surround mixing by Kevin Tobin
|
notes
|
| 11889. |
10/11/89 |
Flac 24/96 Mtx - 0,
|
East Rutherford |
Meadowlands Arena flac24; Matrix 2 Source Mix - SBD (shnid = 147618) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 135411) Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 - matrix mixing by Kevin Tobin
|
notes
|
| 11890. |
10/11/89 |
Flac 16 Dts.5.1 - 0,
147680 |
East Rutherford |
Meadowlands Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147618) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 135411) Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 - dts mixing by Kevin Tobin
|
notes
|
| 11891. |
10/11/89 |
Flac 16 Mtx - 0,
147679 |
East Rutherford |
Meadowlands Arena flac16; Matrix 2 Source Mix - SBD (shnid = 147618) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 135411) Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 - matrix mixing by Kevin Tobin
|
notes
|
| 11892. |
10/11/89 |
Flac 24/96 - 0,
147677 |
East Rutherford |
Meadowlands Arena flac24; Patched & Pitch Corrected Audience - (original shnid = 135411) Source: Nakamichi CM-300s/CP-4 super-directional shotgun capsule -> Sony Walkman Pro, TDK MA 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24 - pitch correction and patches by Kevin Tobin
|
notes
|
| 11893. |
10/12/89 |
Flac 16 - 0,
83293 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11894. |
10/12/89 |
Flac 16 Mtx - 0,
96790 |
East Rutherford |
Meadowlands Arena flac16; matrix of SBD: shnid=83293 and AUD: shnid=89620 by hansokolow using ProTool
|
notes
|
| 11895. |
10/12/89 |
Flac 24/96 - 0,
115445 |
East Rutherford |
Meadowlands Arena flac24; Master Audience Cassette Nakamichi CM300/CP4 Shotguns>Sony D5; Tapes:Maxell XLII-90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 11896. |
10/12/89 |
Shn - 0,
5925 |
East Rutherford |
Meadowlands Arena Sbd> Cas(m)> Dat> ZA2/PC> SF> CD Architect> CDR?s; via Dave Koehler
|
notes
|
| 11897. |
10/12/89 |
Flac 24/96 - 0,
125769 |
East Rutherford |
Meadowlands Arena flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP1s > Sony D6, Tapes:Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 11898. |
10/12/89 |
Flac 16 - 0,
125770 |
East Rutherford |
Meadowlands Arena flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP1s > Sony D6, Tapes:Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11899. |
10/12/89 |
Flac 16 - 0,
115444 |
East Rutherford |
Meadowlands Arena flac16; Master Audience Cassette Nakamichi CM300/CP4 Shotguns>Sony D5; Tapes:Maxell XLII-90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 11900. |
10/12/89 |
Shn - 0,
30867 |
East Rutherford |
Meadowlands Arena Lineage: SBD -> Cm -> Dat -> Samplitude -> CD -> EAC -> SHN Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude 2496 v6.0 Dat -> CD -> EAC -> SHN all performed by Charlie Miller
|
notes
|
| 11901. |
10/12/89 |
Flac 16 - 0,
89620 |
East Rutherford |
Meadowlands Arena flac16; AUD: Sennheiser MD-421's > patched thru one D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on 8-foot stand, front row of OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 11902. |
10/12/89 |
Flac 16/48 - 0,
138158 |
East Rutherford |
Meadowlands Arena flac16/48kHz; Schoeps CMC521 > Panasonic SV250; FOB Taper unknown; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Patch'd, Track'd, Flac'd & Pack'd: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 11903. |
10/12/89 |
Flac 16/48 - 0,
142511 |
East Rutherford |
Meadowlands Arena
|
notes
|
| 11904. |
10/12/89 |
Flac 16 - 0,
125669 |
East Rutherford |
Meadowlands Arena flac16; Taper: M. Laurentus; Taper Section 2, Row T, Seat 1; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
|
notes
|
| 11905. |
10/12/89 |
Flac 24 - 0,
147625 |
East Rutherford |
Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11906. |
10/12/89 |
Flac 16 - 0,
147659 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.
|
notes
|
| 11907. |
10/14/89 |
Flac 16 Mtx - 0,
96794 |
East Rutherford |
Meadowlands Arena flac16; matrix of SBD: shnid=83296 and DAUD: shnid=88087 by hansokolow using ProTools
|
notes
|
| 11908. |
10/14/89 |
Flac 16 - 0,
83296 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11909. |
10/14/89 |
Flac 16 - 0,
120686 |
East Rutherford |
Meadowlands Arena flac16; Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes supplied By Mr. Currier; AKG568s With Shotguns+(1)Sennheiser441>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96kHz; Ditherd/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11910. |
10/14/89 |
Shn - 0,
25319 |
East Rutherford |
Meadowlands Arena Recording Info: SBD -> Master Cassette -> Dat -> ZA2 -> Sound Forge -> CD -> EAC -> SHN Patch Info: AUD -> Dat (48k) -> Sound Forge -> SHN Editing Info: SHN -> Samplitude v7.02 Professional -> SHN All Editing Done By Charlie Miller
|
notes
|
| 11911. |
10/14/89 |
Shn - 0,
5926 |
East Rutherford |
Meadowlands Arena Sbd> Cas(m)> Dat> ZA2/PC> SF> CD Architect> CDR?s; via Dave Koehler
|
notes
|
| 11912. |
10/14/89 |
Flac 16 - 0,
89655 |
East Rutherford |
Meadowlands Arena flac16; AUD: Nakamichi CM300's w/CP4 shotguns > patched thru 1 or 2 decks > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand in front row of OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F
|
notes
|
| 11913. |
10/14/89 |
Flac 24/96 - 0,
141763 |
East Rutherford |
Meadowlands Arena flac24; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k)
|
notes
|
| 11914. |
10/14/89 |
Flac 16/48 - 0,
142512 |
East Rutherford |
Meadowlands Arena flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 11915. |
10/14/89 |
Flac 16 - 0,
101824 |
East Rutherford |
Meadowlands Arena flac16; Sennheiser ME-80's>Technics SVM-D1 (Front of Taper's Section) DAT Master; Transferred on Oct 07, 2009:Sony TCD-D10PROII> Sound Devices 744t>Soundforge 9(Sample Rate Conversion/Fades)>CDWAV>FLAC; Recorded & Processed by Keith Litzenberger
|
notes
|
| 11916. |
10/14/89 |
Flac 16 - 0,
107823 |
East Rutherford |
Meadowlands Arena flac16; Master: AKG 458's>Sony TC-D5m>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, front row of the taper section Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 11917. |
10/14/89 |
Flac 16 - 0,
121841 |
East Rutherford |
Meadowlands Arena flac16; Set 2 Source: 2 Neumann KMF4 microphones - up front/center > Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 11918. |
10/14/89 |
Flac 16/48 - 0,
138137 |
East Rutherford |
Meadowlands Arena flac16/48kHz; Ted Mattes FOB recording: Schoeps CMC34 w/stand at 110 degrees on Schoeps t-bar > Oade Power Supply > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT; Note: the original seed of this source had Set 1 at 16 bit 48kHz; Set 2 at 16 bit 44.1kHz; the fixed version is all 48kHz
|
notes
|
| 11919. |
10/14/89 |
Flac 16 - 0,
125657 |
East Rutherford |
Meadowlands Arena flac16; Taper: M. Laurentus; Taper: Section 2, Row W, Seat 10; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
|
notes
|
| 11920. |
10/14/89 |
Flac 16 - 0,
88087 |
East Rutherford |
Meadowlands Arena flac16; Sennheiser ME-80's>Technics SVM-D1 (Front of Taper's Section) DAT Master>Sony TCD-D10PROII>Edirol R-4>Wavelab 5(Sample Rate Conversion to 44.1khz & Fades)>CDWAV>FLAC Recorded by Keith Litzenberger & Sam Tzirlin Transfer by Keith Litzenberger
|
notes
|
| 11921. |
10/14/89 |
Flac 16 - 0,
145746 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: Ray Ackerman's Master Audience Cassettes; AKG 460 w/ck63 caps > AKG B18 phantom power unit > Sony D5; Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k). This file set is 16 bit @ 44.1
|
notes
|
| 11922. |
10/14/89 |
Flac 24/96 - 0,
120685 |
East Rutherford |
Meadowlands Arena flac24; Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes supplied By Mr. Currier; AKG568s With Shotguns+(1)Sennheiser441>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 11923. |
10/14/89 |
Flac 24 UMtx. - 0,
147627 |
East Rutherford |
Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11924. |
10/14/89 |
Flac 16 - 0,
147664 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1
|
notes
|
| 11925. |
10/15/89 |
Flac 16 Mtx - 0,
96884 |
East Rutherford |
Meadowlands Arena flac16; matrix of SBD: shnid=3159 and DAUD: shnid=89674 by hansokolow using ProTools
|
notes
|
| 11926. |
10/15/89 |
Flac 16 - 0,
83298 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11927. |
10/15/89 |
Shn - 0,
3159 |
East Rutherford |
Meadowlands Arena SBD> C> DAT> CDR; seeded by Chaser
|
notes
|
| 11928. |
10/15/89 |
Flac 16 - 0,
120535 |
East Rutherford |
Meadowlands Arena flac16; Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes Transferred From Mr. Currier's Tapes; (2)Sennheiser441s+(1)Nakamichi CM300/CP1>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11929. |
10/15/89 |
Flac 16 - 0,
89647 |
East Rutherford |
Meadowlands Arena flac16; AUD: Sennheiser MD-421's > patched thru one D5 > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on 8-foot stand, front row of OTS. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 11930. |
10/15/89 |
Flac 16/48 - 0,
138138 |
East Rutherford |
Meadowlands Arena flac16/48kHz; Set 2 Ted Mattes FOB recording: Schoeps CMC521 > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 11931. |
10/15/89 |
Flac 16/48 - 0,
142542 |
East Rutherford |
Meadowlands Arena flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 11932. |
10/15/89 |
Flac 16 - 0,
107841 |
East Rutherford |
Meadowlands Arena flac16; Master: AKG 458's>Sony TC-D5m>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak, front row of the taper section Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 11933. |
10/15/89 |
Flac 16 - 0,
125556 |
East Rutherford |
Meadowlands Arena flac16; Set 1 Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 11934. |
10/15/89 |
Flac 16/48 - 0,
125555 |
East Rutherford |
Meadowlands Arena flac16/48kHz; Set 1 Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 11935. |
10/15/89 |
Flac 16 - 0,
125662 |
East Rutherford |
Meadowlands Arena flac16; Taper: M. Laurentus; Taper Section 2, Row W, Seat 2; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
|
notes
|
| 11936. |
10/15/89 |
Flac 24/96 - 0,
120533 |
East Rutherford |
Meadowlands Arena flac24; Master Audience Recorded By Alabama Bob And Mr. Currier; Tapes Transferred From Mr. Currier's Tapes; (2)Sennheiser441s+(1)Nakamichi CM300/CP1>Nakamichi 550> Marantz PDM-430>Dolby B>Tapes Maxell MX-90's; Transfer By Keo:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 11937. |
10/15/89 |
Flac 24 UMtx. - 0,
147631 |
East Rutherford |
Meadowlands Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11938. |
10/15/89 |
Flac 16/44,1 - 0,
147666 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1
|
notes
|
| 11939. |
10/15/89 |
Flac 16 - 0,
149522 |
East Rutherford |
Meadowlands Arena flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Master Cassette Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boeicker, Official Taper Section
|
notes
|
| 11940. |
10/16/89 |
Flac 16 Mtx - 0,
96899 |
East Rutherford |
Meadowlands Arena flac16; matrix of DSBD: shnid=446 and AUD: shnid=32131 (Set 1) and DAUD: shnid=34658 (Set 2) by hansokolow using ProTools
|
notes
|
| 11941. |
10/16/89 |
Shn - 0,
446 |
East Rutherford |
Meadowlands Arena source update: DSBD> DAT> WAV> CD-R; via Dave Barrick; 5/00- there may be another version around, possibly reextraction of this- at least 1 track matches the md5 shown here, another track doesn't; listener Jeff Davis reports errors: "some dropouts during the beginning of D1T1, and a dropout around 3:40 of "Space" on Disc 3"; see pub comments for tracking; Update: whole show now released as Nightfall of Diamonds- go buy it
|
notes
|
| 11942. |
10/16/89 |
Flac 16 - 0,
126359 |
East Rutherford |
Meadowlands Arena flac16; Master Audience Recorded By Mr. Baker And Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Set 1 Sony D6, Tape Maxell MX-90, Mr. Baker's; Set 2 Sony TC-D5M, Tape Denon HD-M 100, Fitzy's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 11943. |
10/16/89 |
Flac 24/96 - 0,
126358 |
East Rutherford |
Meadowlands Arena flac24; Master Audience Recorded By Mr. Baker And Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Set 1 Sony D6, Tape Maxell MX-90, Mr. Baker's, Set 2 Sony TC-D5M, Tape Denon HD-M 100, Fitzy's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 11944. |
10/16/89 |
Flac 16 - 0,
34658 |
East Rutherford |
Meadowlands Arena flac16; Set 2 Only - FOB Schoeps CMC34 Cardiod>Panasonic SV250(?)>DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav @48K/16b (WinXP) > 44.1K/16b Audacity 1.2.3 (FC3)> Tracks cut with shntool 2.0.3 > Flac 1.1.2 compression level 8 on FC3 Linux
|
notes
|
| 11945. |
10/16/89 |
Flac 16 U Mtx - 0,
140163 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11946. |
10/16/89 |
Flac 16 U Mtx - 0,
140263 |
East Rutherford |
Meadowlands Arena flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11947. |
10/16/89 |
Flac 16/48 - 0,
142543 |
East Rutherford |
Meadowlands Arena flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 11948. |
10/16/89 |
Flac 16 - 0,
124087 |
East Rutherford |
Meadowlands Arena flac16; Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 11949. |
10/16/89 |
Flac 16/48 - 0,
124086 |
East Rutherford |
Meadowlands Arena b>flac16/48kHz; Source: Schoeps CMC4/MK4 > Oade P/S > Panasonic SV250 (48 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 11950. |
10/16/89 |
Flac 16 - 0,
32131 |
East Rutherford |
Meadowlands Arena unknown audience recording CD > EAC > FLAC
|
notes
|
| 11951. |
10/16/89 |
Flac 16 - 0,
125658 |
East Rutherford |
Meadowlands Arena flac16; Taper: M. Laurentus; Taper Section 2, Row U, Seat 12; AT835B's- AT 8202’s-SONY WM D6-C; Cassette-Tascam DR-5 Line In-CD Wave- Flac
|
notes
|
| 11952. |
10/16/89 |
Flac 16 - ,
150534 |
East Rutherford |
Meadowlands Arena flac16; Source: Dak Shotgun Mics>Sony Wm-D6C Cassette Deck>2 Maxell MX-90 Metal Master Cassette Tapes>Sony TC-D5M Cassette Deck (Playback)> Edirol R-09 GR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section
|
notes
|
| 11953. |
10/18/89 |
Flac 16 - 0,
83776 |
Philadelphia |
The Spectrum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11954. |
10/18/89 |
Shn - 0,
12091 |
Philadelphia |
The Spectrum Healy Ultramix > MC > DAT > CDR; Beginning of Shakedown, Drumz and Space patched with following source-Digital Audience - Jill & Rob R 3 Nak CM 300's; See info file for details; Seeded to etree by Doug Nawrocki
|
notes
|
| 11955. |
10/18/89 |
Flac 16 Mtx - 0,
89967 |
Philadelphia |
The Spectrum flac16; Matrix 2 Source Mix - SBD (shn id 83776) SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 89963) MAV (Taped by LazyCow camera crew) JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Adobe Audition 3.0 - matrix mixing by Kevin Tobin
|
notes
|
| 11956. |
10/18/89 |
Flac 16 - 0,
89963 |
Philadelphia |
The Spectrum flac16; MAV (Taped by LazyCow camera crew) JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Adobe Audition 3.0
|
notes
|
| 11957. |
10/18/89 |
Flac 16/48 - 0,
142562 |
Philadelphia |
The Spectrum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 11958. |
10/18/89 |
Shn - 0,
7551 |
Philadelphia |
The Spectrum Digital Audience - Jill & Rob R,3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section. Posted to abgd via ArtCube
|
notes
|
| 11959. |
10/18/89 |
Flac 16 - 0,
101845 |
Philadelphia |
The Spectrum flac16; Sennheiser ME-80's>Technics SV-MD1 from front left corner of SBD DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC; Recorded By Keith Litzenberger
|
notes
|
| 11960. |
10/18/89 |
Flac 16 - 0,
120496 |
Philadelphia |
The Spectrum flac16; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.18(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 11961. |
10/18/89 |
Flac 16 - 0,
100218 |
Philadelphia |
The Spectrum flac16; Source: Nakamichi cm300/cp4->Sony D-5M (Dolby B encoded)->Maxell MX90 x 2 Lineage: MAC->Sony D-5M (Dolby B decoded)->Korg MR-1000 (1bit/5.5MHz)->AudioGate->(16/44.1) wav-> Soundforge 8.0->flac; Taper: Dave Barfield; Transferred and seeded by M.Watson on July 19, 2009
|
notes
|
| 11962. |
10/18/89 |
Flac 16 - 0,
116662 |
Philadelphia |
The Spectrum flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster
|
notes
|
| 11963. |
10/18/89 |
Flac 16/48 - 0,
120495 |
Philadelphia |
The Spectrum flac16/48kHz; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps; CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.18(encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 11964. |
10/18/89 |
Flac 16 Dts.5.1 - 0,
89968 |
Philadelphia |
The Spectrum DTS Audio 5.1; SBD (shn id 83776) SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 89963) MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Adobe Audition 3.0 - mixing by Kevin Tobin
|
notes
|
| 11965. |
10/18/89 |
Flac 24 UMtx. - 0,
147697 |
Philadelphia |
The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11966. |
10/18/89 |
Flac 16/48 - 0,
147725 |
Philadelphia |
The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147697) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142562) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - surround mixing by Kevin Tobin
|
notes
|
| 11967. |
10/18/89 |
Flac 16 Dts.5.1 - 0,
147724 |
Philadelphia |
The Spectrum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147697) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142562) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dts mixing by Kevin Tobin
|
notes
|
| 11968. |
10/18/89 |
Flac 16 Mtx - 0,
147723 |
Philadelphia |
The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 147697) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142562) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - matrix mixing by Kevin Tobin
|
notes
|
| 11969. |
10/18/89 |
Flac 16 - 0,
17728 |
Philadelphia |
The Spectrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.
|
notes
|
| 11970. |
10/18/89 |
Flac 16 - 0,
149607 |
Philadelphia |
The Spectrum flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassete Deck>2 Maxell MX-90 Monute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section, Section 107 Row 5.Seat 16
|
notes
|
| 11971. |
10/19/89 |
Flac 16 Mtx - 0,
96967 |
Philadelphia |
The Spectrum flac16; matrix of SBD: shnid=83305 and DAUD: shnid=7595 by hansokolow using ProTools
|
notes
|
| 11972. |
10/19/89 |
Flac 16 - 0,
83305 |
Philadelphia |
The Spectrum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11973. |
10/19/89 |
Shn - 0,
7640 |
Philadelphia |
The Spectrum DSBD>C?>DAT>CDR; via eD O'Connor
|
notes
|
| 11974. |
10/19/89 |
Shn - 0,
34571 |
Philadelphia |
The Spectrum Seamless fix of shn id 7640 - DSBD>C?>DAT>CDR>EAC>WAV>CDR
|
notes
|
| 11975. |
10/19/89 |
Flac 16/48 - 0,
94273 |
Philadelphia |
The Spectrum flac16/48; Sennheiser ME-80's>Technics SV-MD1 from 2 rows in front of Soundboard DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades)>CDWAV>FLAC Recorded, transferred & Uploaded By Keith Litzenberger *48KHZ Version*
|
notes
|
| 11976. |
10/19/89 |
Flac 16/48 - 0,
120497 |
Philadelphia |
The Spectrum flac16/48kHz; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.18(encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 11977. |
10/19/89 |
Flac 16 - 0,
116663 |
Philadelphia |
The Spectrum flac16; Set 1 Only Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster
|
notes
|
| 11978. |
10/19/89 |
Flac 16 - 0,
99977 |
Philadelphia |
The Spectrum flac16; Source: Nakamichi CM300/CP4->Sony D-5M (Dolby B encoded)->TDK MA-X90 x2->Sony D-5M (Dolby B decoded)->Korg MR-1000 (1bit/5.5MHz)->AudioGate->(16/44.1) wav-> Soundforge 8.0->flac; Taper: Dave Barfield
|
notes
|
| 11979. |
10/19/89 |
Shn - 0,
7595 |
Philadelphia |
The Spectrum Digital Audience - Jill & Rob R, 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section. Seeded to abgd via ArtCube
|
notes
|
| 11980. |
10/19/89 |
Flac 16 - 0,
101809 |
Philadelphia |
The Spectrum flac16; Sennheiser ME-80's>Technics SV-MD1 from 2 rows in front of Soundboard DAT MASTER>Sony TCD-D10PROII>Sound Devices 744t>Soundforge 9(Fades/Sample Rate Conversion)>CDWAV>FLAC; Recorded & transferred By Keith Litzenberger on October 7, 2009
|
notes
|
| 11981. |
10/19/89 |
Flac 16 - 0,
120498 |
Philadelphia |
The Spectrum flac16; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.18(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 11982. |
10/19/89 |
Flac 16 - 0,
94274 |
Philadelphia |
The Spectrum flac16; Sennheiser ME-80's>Technics SV-MD1 from 2 rows in front of Soundboard DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded, transferred & Uploaded By Keith Litzenberger
|
notes
|
| 11983. |
10/19/89 |
Flac 24 UMtx. - 0,
157722 |
Philadelphia |
The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 11984. |
10/19/89 |
Flac 16 - 0,
147729 |
Philadelphia |
The Spectrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 11985. |
10/19/89 |
Flac 16 - 0,
149634 |
Philadelphia |
The Spectrum flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section; Section 107, Row 5,Seat 15
|
notes
|
| 11986. |
10/20/89 |
Flac 16 Mtx - 0,
102200 |
Philadelphia |
The Spectrum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 11987. |
10/20/89 |
Flac 16 - 0,
11527 |
Philadelphia |
The Spectrum flac16; SBD Master Cassettes recorded by BEAR; Transferred and Mastered by Jim Blackwood; Tracked in CDWAV Tag&Rename for Meta_Data TradersLittleHelper for FLAC Level 8 by Patrick White
|
notes
|
| 11988. |
10/20/89 |
Flac 16 - 0,
83317 |
Philadelphia |
The Spectrum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 11989. |
10/20/89 |
Shn - 0,
13032 |
Philadelphia |
The Spectrum Ultra-Matrix Soundboard DAT > Cassette > DAT > CDR; Audience source supplies first 0:48 of "Hey Pocky Way" (d2t01); Alternate Sbd source supplies balance of "Hey Pocky Way" (d2t01) as well as the first 4:46 of "Scarlet Begonias" (d2t02);Patching / CD Mastering by Scott Clugston EAC'ed / SHN'ed by Scott Clugston; to abgd via terrapin flyer
|
notes
|
| 11990. |
10/20/89 |
Shn - 0,
7641 |
Philadelphia |
The Spectrum DSBD>C?>DAT>CDR; via eD O'Connor
|
notes
|
| 11991. |
10/20/89 |
Flac 16 Mtx - 0,
123590 |
Philadelphia |
The Spectrum flac16; Matrix 2 Source Mix - SBD (shn id 83317) SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 123584) MAV (Taped by Peanut Production camera crew);Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen. Transfer: S-VHS 1st Gen. -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> BHP -> Adobe Audition 3.0 -> R8Brain Pro -> CDWave - matrix mixing by Kevin Tobin
|
notes
|
| 11992. |
10/20/89 |
Flac 16 - 0,
123584 |
Philadelphia |
The Spectrum flac16; MAV (Taped by Peanut Production camera crew);Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen. Transfer: S-VHS 1st Gen. -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> BHP -> Adobe Audition 3.0 -> R8Brain Pro -> CDWave
|
notes
|
| 11993. |
10/20/89 |
Shn - 0,
99071 |
Philadelphia |
The Spectrum Possibly Shure M57s audience cassette master > burned to standalone Pioneer burner > ripped with DAC > shinned with MKW
|
notes
|
| 11994. |
10/20/89 |
Flac Dts 5.1 - 0,
123591 |
Philadelphia |
The Spectrum DTS Audio 5.1; SBD (shn id 83317) SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 123584) MAV (Taped by Peanut Production camera crew);Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen. Transfer: S-VHS 1st Gen. -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> BHP -> Adobe Audition 3.0 -> R8Brain Pro -> CDWave - mixing by Kevin Tobin
|
notes
|
| 11995. |
10/20/89 |
Flac 16/48 - 0,
142563 |
Philadelphia |
The Spectrum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 11996. |
10/20/89 |
Flac 16/48 - 0,
120499 |
Philadelphia |
The Spectrum flac16/48kHz; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.18(encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 11997. |
10/20/89 |
Flac 16 - 0,
99867 |
Philadelphia |
The Spectrum flac16; Source: (OTS)Nak.300/cp4->Sony D-5M (Dolby B encoded)->TDK MA-X90 x2->Sony D-5M (Dolby B decoded)->Korg MR-1000 (1Bit/5.6MHz)-> AudioGate->wav(16/44.1)->SF8->FLAC; Taper: Dave Barfield
|
notes
|
| 11998. |
10/20/89 |
Flac 16 - 0,
116721 |
Philadelphia |
The Spectrum flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster
|
notes
|
| 11999. |
10/20/89 |
Flac 16 - 0,
120500 |
Philadelphia |
The Spectrum flac16; Source: Schoeps CMC5/MK21> ? > DAT (probably Schoeps CMC5/MK21> Oade P/S > Panasonic SV250) (48 khz); Location: FOB; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.18(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 12000. |
10/20/89 |
Flac 24 UMtx. - 0,
147749 |
Philadelphia |
The Spectrum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12001. |
10/20/89 |
Flac 16/48 - 0,
147739 |
Philadelphia |
The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shn id 83317) SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 123584) MAV (Taped by Peanut Production camera crew);Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen. Transfer: S-VHS 1st Gen. -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> BHP -> Adobe Audition 3.0 -> R8Brain Pro -> CDWave - surround mixing by Kevin Tobin
|
notes
|
| 12002. |
10/20/89 |
Flac 16 U Mtx. - 0,
147902 |
Philadelphia |
The Spectrum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 12003. |
10/20/89 |
Shn - 0,
34579 |
Philadelphia |
The Spectrum Seamless fix of shn id 13032 - Ultramatrix SBD DAT>C>DAT>CD>EAC>SHN
|
notes
|
| 12004. |
10/20/89 |
Flac 16 - 0,
149682 |
Philadelphia |
The Spectrum flac16; Source:DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper Taped By Dave Boedicker, Official Taper Section, Section 107, Row 5, Seat 20
|
notes
|
| 12005. |
10/22/89 |
Flac 16 Mtx - 0,
102399 |
Charlotte |
Charlotte Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 12006. |
10/22/89 |
Flac 16 - 0,
83319 |
Charlotte |
Charlotte Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 12007. |
10/22/89 |
Shn - 0,
12188 |
Charlotte |
Charlotte Coliseum SBD> ?> CD> EAC> SHN (EAC); DAE & SHN Encoding by Tommy Brame
|
notes
|
| 12008. |
10/22/89 |
Flac 16/48 - 0,
142576 |
Charlotte |
Charlotte Coliseum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 12009. |
10/22/89 |
Flac 16 - 0,
97414 |
Charlotte |
Charlotte Coliseum flac16; Source: aud > Nakamichi CM-300s > Sony WD-5 > mac Transfer: mac > Nakamichi CR-5A > Tascam HD-P2 > 24/96 wav > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > flac16
|
notes
|
| 12010. |
10/22/89 |
Flac 16 - 0,
132700 |
Charlotte |
Charlotte Coliseum flac16; Recording info: FOB/ Schoeps cmc 521's> Colette (active) cables> Schoeps VMS 52 UB p/s> Technics SV-MD1 by Lance Deal; Master DAT's provided by Lance Deal by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty
|
notes
|
| 12011. |
10/22/89 |
Flac 24/96 - 0,
147644 |
Charlotte |
Charlotte Coliseum flac24; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel
|
notes
|
| 12012. |
10/22/89 |
Flac 24 - 0,
147755 |
Charlotte |
Charlotte Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12013. |
10/22/89 |
Flac 16 U Mtx. - 0,
148202 |
Charlotte |
Charlotte Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 12014. |
10/22/89 |
Flac 16 - 0,
149693 |
Charlotte |
Charlotte Coliseum flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8 Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section
|
notes
|
| 12015. |
10/23/89 |
Flac 16 Mtx - 0,
102771 |
Charlotte |
Charlotte Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 12016. |
10/23/89 |
Flac 16 - 0,
83327 |
Charlotte |
Charlotte Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 12017. |
10/23/89 |
Shn - 0,
2223 |
Charlotte |
Charlotte Coliseum SBD>Cassette Master> Sonic Solutions> CD> FM> DAT> CDR> EAC> SHN; via Jeff M.
|
notes
|
| 12018. |
10/23/89 |
Flac 16 - 0,
116205 |
Charlotte |
Charlotte Coliseum flac16: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper JB,Transfer By Keo Tapes Maxell MX 90,100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 12019. |
10/23/89 |
Flac 24/96 - 0,
116206 |
Charlotte |
Charlotte Coliseum flac24: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper JB,Transfer By Keo Tapes Maxell MX 90,100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz No Dithering With These Files
|
notes
|
| 12020. |
10/23/89 |
Flac 16/48 - 0,
142577 |
Charlotte |
Charlotte Coliseum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 12021. |
10/23/89 |
Flac 16 - 0,
131026 |
Charlotte |
Charlotte Coliseum flac16; Source: Set One is digital FOB/12th Row/Schoeps CMC 54's> DAT; Set Two is an ANALOG transfer from Schoeps CMC 421's in the T.S (AAD); DAT's provided by Lance Deal; Transfer: Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Transferred and liberated to bt.etree on August 24, 2014 by jwpetty
|
notes
|
| 12022. |
10/23/89 |
Flac 24/96 - 0,
147645 |
Charlotte |
Charlotte Coliseum flac24; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel
|
notes
|
| 12023. |
10/23/89 |
Flac 24 - 0,
147762 |
Charlotte |
Charlotte Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12024. |
10/23/89 |
Flac 16/48 - 0,
147918 |
Charlotte |
Charlotte Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147762) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147645) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - surround mixing by Kevin Tobin
|
notes
|
| 12025. |
10/23/89 |
Flac 16 Dts.5.1 - 0,
147917 |
Charlotte |
Charlotte Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147762) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147645) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - matrix mixing by Kevin Tobin
|
notes
|
| 12026. |
10/23/89 |
Flac 24/96 Mtx - 0,
147913 |
Charlotte |
Charlotte Coliseum flac24; Matrix 2 Source Mix - SBD (shnid = 147762) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147645) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - matrix mixing by Kevin Tobin
|
notes
|
| 12027. |
10/23/89 |
Flac 16 Mtx - 0,
147916 |
Charlotte |
Charlotte Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 147762) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147645) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - matrix mixing by Kevin Tobin
|
notes
|
| 12028. |
10/23/89 |
Flac 16 - 0,
148155 |
Charlotte |
Charlotte Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 12029. |
10/23/89 |
Flac 16 - 0,
96922 |
Charlotte |
Charlotte Coliseum flac16; Source: Audience Recording Lineage: Nak CM-300s with CP-4 caps (OTS on tall stand) > D-5 > MAC > Nak zx-7 > Tascam HD-P2 > 24/96 wave > wavelab 5 > plugs > r8brain pro > 16/44.1 wave > cd wave > flac 16 (TLH lvl 8)
|
notes
|
| 12030. |
10/23/89 |
Flac 16 - 0,
149694 |
Charlotte |
Charlotte Coliseum flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section
|
notes
|
| 12031. |
10/25/89 |
Flac 16 - 0,
83398 |
Miami |
Miami Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 12032. |
10/25/89 |
Flac 16 Mtx - 0,
125645 |
Miami |
Miami Arena flac16; 2 Source Matrix by dusborne Soundboard (shinid:83398) Recording Info: SBD -> Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16; All Transfers and Mastering By Charlie Miller and Audience (shnid:124034) Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz) Config/Location: ORTF/FOB on a stand Transfer: Sony PCM-2600(Apogee ES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ) Taped by: Ted Mattes
|
notes
|
| 12033. |
10/25/89 |
Flac 16 - 0,
83398 |
Miami |
Miami Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 12034. |
10/25/89 |
Flac 16 - 0,
79611 |
Miami |
Miami Arena flac16; Nakamichi 300 shotguns > Sony D5 > MAC taped by Tim Alexander Transfer: MAC playback on Nakamichi DR-1 > Tascam HD-P2 (16 bit/44.1 khz) > WAV > FLAC
|
notes
|
| 12035. |
10/25/89 |
Shn - 0,
1828 |
Miami |
Miami Arena Cassette SBD> DATs> CDRs> EAC> SHN; via Peter L., Sean Cribbs, Darrin Sacks
|
notes
|
| 12036. |
10/25/89 |
Flac 24/48 - 0,
79637 |
Miami |
Miami Arena flac24/48; Nakamichi 300 shotguns > Sony D5 (Dolby B) > MAC taped by Tim Alexander Transfer: MAC playback on Nakamichi DR-1 (Dolby B) > Tascam HD-P2 (24 bit/48 khz) > WAV > FLAC
|
notes
|
| 12037. |
10/25/89 |
Ultra MtxFlac24 - 0,
140815 |
Miami |
Miami Arena flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12038. |
10/25/89 |
Flac 16 - 0,
140917 |
Miami |
Miami Arena flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12039. |
10/25/89 |
Flac 16/48 - 0,
142606 |
Miami |
Miami Arena flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 12040. |
10/25/89 |
Flac 16 Mtx - 0,
143025 |
Miami |
Miami Arena flac16; Matrix 2 Source Mix - SBD (shnid = 140815) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142606) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dts mixing by Kevin Tobin
|
notes
|
| 12041. |
10/25/89 |
Flac Dts 5.1 - 0,
143027 |
Miami |
Miami Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 140815) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142606) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dts mixing by Kevin Tobin
|
notes
|
| 12042. |
10/25/89 |
Flac 16/48 - 0,
143028 |
Miami |
Miami Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 140815) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142606) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - surround mixing by Kevin Tobin
|
notes
|
| 12043. |
10/25/89 |
Flac 24 - 0,
143033 |
Miami |
Miami Arena flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This source has a fixed Hell In A Bucket
|
notes
|
| 12044. |
10/25/89 |
Flac 16/48 - 0,
124034 |
Miami |
Miami Arena flac16/48kHz; Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB on a stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 12045. |
10/25/89 |
Flac 16 - 0,
124035 |
Miami |
Miami Arena flac16; Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB on a stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 12046. |
10/25/89 |
Flac 16 - 0,
143511 |
Miami |
Miami Arena flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This source has a fixed Hell In A Bucket; This file set is 16/44.1
|
notes
|
| 12047. |
10/26/89 |
Flac 16 - 0,
83428 |
Miami |
Miami Arena flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 12048. |
10/26/89 |
Flac16 Mtx - 0,
125695 |
Miami |
Miami Arena flac16;2 Source Matrix by dusborne Soundboard (shinid:83428) Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller Audience (shnid:123831) Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz) Config/Location: ORTF/FOB on a stand Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ) Taped by: Ted Mattes
|
notes
|
| 12049. |
10/26/89 |
Shn - 0,
18664 |
Miami |
Miami Arena SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN Set 2 only. Converted By Charlie Miller
|
notes
|
| 12050. |
10/26/89 |
Shn - 0,
24587 |
Miami |
Miami Arena Complete show Set 1 from shn id 20614 and seamlessly fixed Set 2 from shn id 18664
|
notes
|
| 12051. |
10/26/89 |
Shn - 0,
20614 |
Miami |
Miami Arena Set 1 only. SBD -> Cm -> Dat -> CD -> EAC -> Samplitude v7.02 -> SHN by Charlie Miller
|
notes
|
| 12052. |
10/26/89 |
Shn - 0,
1829 |
Miami |
Miami Arena Soundboard > Cassette > DATs > CDRs > EAC > SHN; via Peter L., Sean Cribbs, Darrin Sacks
|
notes
|
| 12053. |
10/26/89 |
Shn - 0,
19163 |
Miami |
Miami Arena Soundboard (Ultra Matrix) > DAT Master > DAT > Sonic Solutions > Master CD > EAC > .wav > FLAC Frontend > FLAC, Compiled by Dan Lynch, Master CD provided by David Gans
|
notes
|
| 12054. |
10/26/89 |
Flac 16 - 0,
107258 |
Miami |
Miami Arena flac16;Schoeps CMC34 > PCM F1 > DAT (Fostex D-10 Playback) > CD (hhb800 standalone) > EAC (0.93b) > WAV > SHN (via MKWACT)
|
notes
|
| 12055. |
10/26/89 |
Flac 16/48 - 0,
142607 |
Miami |
Miami Arena flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 12056. |
10/26/89 |
Flac 16/48 - 0,
123831 |
Miami |
Miami Arena flac16/48kHz; Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB on a stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 12057. |
10/26/89 |
Flac 16 - 0,
123832 |
Miami |
Miami Arena flac16; Source: Schoeps CMC3/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB on a stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 12058. |
10/26/89 |
Flac 24 UMtx. - 0,
147714 |
Miami |
Miami Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12059. |
10/26/89 |
Flac 16 - 0,
147766 |
Miami |
Miami Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 12060. |
10/26/89 |
Flac 16 Dts.5.1 - 0,
147753 |
Miami |
Miami Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 147714) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142607) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dts mixing by Kevin Tobin
|
notes
|
| 12061. |
10/26/89 |
Flac 16 Mtx - 0,
147752 |
Miami |
Miami Arena flac16; Matrix 2 Source Mix - SBD (shnid = 147714) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142607) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - matrix mixing by Kevin Tobin
|
notes
|
| 12062. |
10/26/89 |
Flac 16/48 - 0,
147754 |
Miami |
Miami Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 147714) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142607) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar, hand held, chin high > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - surround mixing by Kevin Tobin
|
notes
|
| 12063. |
12/06/89 |
Shn - 0,
14917 |
Oakland |
Oakland-Alameda County Coliseum SBD -> Dat (Encore is SBD>Cm>Dat with AUD Patch starting at 4:16) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN (2 Discs SHN / 3 Discs Audio Transfered and Edited By Charlie Miller
|
notes
|
| 12064. |
12/06/89 |
Flac 16 - 0,
92964 |
Oakland |
Oakland-Alameda County Coliseum flac16; FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA-XG 90's with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.
|
notes
|
| 12065. |
12/06/89 |
Shn - 0,
7446 |
Oakland |
Oakland-Alameda County Coliseum sdb>dat>wav>cooledit>shn; via John Acquafredda
|
notes
|
| 12066. |
12/06/89 |
Flac16/48 UMtx - 0,
138926 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Ultra Matrix Soundboard Master > DAT; Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 12067. |
12/06/89 |
Flac 24 UMtx - 0,
140164 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12068. |
12/06/89 |
Shn - 0,
33821 |
Oakland |
Oakland-Alameda County Coliseum Seamless fix of shn id 14917 - SBD -> DAT -> Prodif Plus -> Samplitude v6.0 -> SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 12069. |
12/06/89 |
Flac 16 UMtx - 0,
140264 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12070. |
12/06/89 |
Flac 16/48 - 0,
142700 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 12071. |
12/06/89 |
Flac 16 - 0,
107991 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: 2 Beyer M-160 microphones > Sony TC-D5M ~ Mics @ 6 feet ~ 25 feet from stage-center ~ Maxell MX90's Transfer: Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 12072. |
12/08/89 |
Flac 16 - 0,
88396 |
Inglewood |
Great Western LA Forum flac16; SBD -> Dat -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 12073. |
12/08/89 |
Shn - 0,
15641 |
Inglewood |
Great Western LA Forum Source: Set 1 SBD>CM>CM?>DAT>CDR>WAV>SHNv3 Set 2 SBD>CM>DAT>CDR>WAV>SHNv3 (w/ aud splices). See info file for splice details. Source discs via M.Rider. SHN encoding/initial propagation via neo_levo/candyman FTP.
|
notes
|
| 12074. |
12/08/89 |
Shn - 0,
8961 |
Inglewood |
Great Western LA Forum AUD>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 12075. |
12/08/89 |
Flac 24 UMtx - 0,
140166 |
Inglewood |
Great Western LA Forum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12076. |
12/08/89 |
Flac 16 U Mtx - 0,
140265 |
Inglewood |
Great Western LA Forum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12077. |
12/08/89 |
Flac 24/96 - 0,
35372 |
Inglewood |
Great Western LA Forum flac24; Ambient recording master by Mike French / Tapers From Hell From the Impact Zone, fob/dfc (same spot as entire 02-89 run, and entire 12-89 run) Sennheiser MKE2002 omni's HRTF stealth stereo -> Sony TC-D5M to 24/96 pcm: Sony TC-D5M and cassette master, no n.r. -> Tascam DVRA1000 in pcm mode @24/96 to flac: Tascam DVRA1000 in usb 2.0 mode, master disc file import -> Mac G4 OS-X Tiger. Flac compression (6/8) by xACT by Scott Brown NOTE: this is not the "exact" .flac fileset seeded my Mike French, reencoded to flac level 8 added id3 tags by Bob Loy
|
notes
|
| 12078. |
12/08/89 |
Flac 16 - 0,
132701 |
Inglewood |
Great Western LA Forum flac16; Recording info on DAT's: FOB/Schoeps cmc 44's; DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty
|
notes
|
| 12079. |
12/08/89 |
Flac 16 - 0,
76251 |
Inglewood |
Great Western LA Forum flac16; Ambient recording master by Mike French - Tapers From Hell From the Impact Zone, fob,dfc (same spot as entire 02-89 run, and entire 12-89 run) Sennheiser MKE2002 omni's HRTF stealth stereo -> Sony TC-D5M to 24/96 pcm: Sony TC-D5M and cassette master, no n.r. -> Tascam DVRA1000 in pcm mode @24/96 to flac: Tascam DVRA1000 in usb2.0 mode, master disc file import -> Mac G4 OS-X Tiger. Flac compression (6/8) by xACT by Scott Brown -> 16/44 conversion - shntool join -> Wavelabs 5: converted to 44100hz -> Isotope Ozone - dither: type mbit+, noise shaping high, bit depth 16, dither amount normal -> Wavelab - processed to 16bit -> Audacity: tracking only -> ffe l6 sector boundaries aligned>id3 tag <-Seamless transition between Discs 2 and 3->
|
notes
|
| 12080. |
12/09/89 |
Shn - 0,
5450 |
Inglewood |
Great Western LA Forum SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer - via C. Miller. DAE, tracking (EAC > cdwave > shntool > mkwact) and FTP/ABGD via C. Ladner; see info file for listening notes
|
notes
|
| 12081. |
12/09/89 |
Shn - 0,
29754 |
Inglewood |
Great Western LA Forum Source: SBD > DAT > CDR > WAV > SHNv3. This is shn id 5450 with undocumented changes to d2t01 via LMA.
|
notes
|
| 12082. |
12/09/89 |
Flac 24 U Mtx - 0,
140180 |
Inglewood |
Great Western LA Forum flac24; Recording Info: UltraMatrix Master Soundbonard Dat 16/48 > Dat clone 16/48 directly from Dat master; Transfer Info: Dat 16/48 (Sony PCM-R500) > Sound Devices 744T 16/48 > Adobe Audition 3.0 > TLH flac1648; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12083. |
12/09/89 |
Flac 16/48 - 0,
140198 |
Inglewood |
Great Western LA Forum flac16/48 Recording Info: UltraMatrix Master Soundbonard Dat 16/48 > Dat clone 16/48 directly from Dat master. Transfer Info: Dat 16/48 (Sony PCM-R500) > Sound Devices 744T 16/48 > Adobe Audition 3.0 > TLH flac1648. Transfer by Charlie Miller. Mastered by Scott Clugston
|
notes
|
| 12084. |
12/09/89 |
Flac 16 U Mtx - 0,
140275 |
Inglewood |
Great Western LA Forum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; the original source had errors on the last three tracks; please don't circulate that version
|
notes
|
| 12085. |
12/09/89 |
Flac 16/48 - 0,
141796 |
Inglewood |
Great Western LA Forum flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 at 110 degrees on stand (FOB) > Oade capacitor supply > Panasonic SV-250 > DAT (48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes
|
notes
|
| 12086. |
12/09/89 |
Flac 24/96 - 0,
35373 |
Inglewood |
Great Western LA Forum flac24; Ambient master by Tapers From Hell: A Journey to the Impact Zone Analog Masters by Mike French "Moke" Sennheiser MKE2002 omni's HRTF (baffled omni's) -> Sony TC-D5M, FOB/DFC in the center of a giant quiet zone of tapers and friends. Mics at 6'5". I was also covering the fob mic tree for this entire 12/89 run. A Tapers From Hell gathering. to 24/96 digital: Sony TC-D5M master deck, master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: track marks originally applied via the DVRA1000 to the dvd+rw master. Then,.. master disc imported via Mac 10.4 Tiger, and flac compression by xACT by Scott Brown, level 6 NOTE: this is not the "exact" .flac fileset seeded my Mike French, it has added id3 tags by Bob Loy
|
notes
|
| 12087. |
12/09/89 |
Flac 16 - 0,
102174 |
Inglewood |
Great Western LA Forum flac16; Source: Nakamichi CM-300s w/CP-4's -> Sony TCD-D10 Lineage: M-DAT -> DAT/1 -> Tascam DA-30 -> HHb CDR 800 PRO via analog i/o Location: 2nd row OTS Taped/Transferred: Jeff Bowen CDR>EAC>TLH(6)>FLAC: Brad Foster (10/25/09)
|
notes
|
| 12088. |
12/09/89 |
Flac 16 - 0,
76273 |
Inglewood |
Great Western LA Forum flac16; Ambient recording master by Mike French - Tapers From Hell From the Impact Zone, fob,dfc (same spot as entire 02-89 run, and entire 12-89 run) Sennheiser MKE2002 omni's HRTF stealth stereo -> Sony TC-D5M to 24/96 pcm: Sony TC-D5M and cassette master, no n.r. -> Tascam DVRA1000 in pcm mode @24/96 All x'fers up to flac / master disc burn, by Mike French to flac: Tascam DVRA1000 in usb2.0 mode, master disc file import -> Mac G4 OS-X Tiger. Flac compression (6/8) by xACT by Scott Brown -> 16/44 conversion by Bob Loy -> shntool join -> Wavelabs 5: converted to 44100hz -> Isotope Ozone - dither: type mbit+, noise shaping high, bit depth 16, dither amount normal -> Wavelab - processed to 16bit -> Audacity: tracking only -> ffe l6 sector boundaries aligned -> id3 tag <-Seamless transition between Discs 1 and 2->
|
notes
|
| 12089. |
12/10/89 |
Flac 16 - 0,
119728 |
Inglewood |
Great Western LA Forum flac16; Recording Info: SBD (Dan Healy's UltraMatrix Mix) -> Dat (48k); Transfer Info: Dat (Tascam DA20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12090. |
12/10/89 |
Shn - 0,
5451 |
Inglewood |
Great Western LA Forum SBD > DAT > CDR > WAV > SHNv3; DAE via C. Ladner (EAC > CDWave > SHNTOOL > MKWACT), from Charlie Miller seed
|
notes
|
| 12091. |
12/10/89 |
Flac 16 Mtx - 0,
102402 |
Inglewood |
Great Western LA Forum flac16; Matrix 3 Source Mix - SBD (shn id 5451) SBD > DAT > CDR > WAV > SHNv3; DAE via C. Ladner (EAC > CDWave > SHNTOOL > MKWACT), from Charlie Miller seed + AUD1 (shn id 83792) Sennheiser MKE2002 omni's HRTF -> Sony TC-D5M. Mics at 6'5" Also covering an ortf pair of Neumann km84's -> Sony TC-D5M rig, on a stand. to 24/96 pcm: Sony TC-D5M master deck and master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: Tascam DVRA1000 in USB2.0 mode -> Mac OS-X Tiger import -> xACT by Scott Brown 6/8 level compression. + AUD2 (no shn id) low generation video supplied in dvd format by Dave Minor for video project - matrix mixing by Kevin Tobin
|
notes
|
| 12092. |
12/10/89 |
Shn - 0,
16669 |
Inglewood |
Great Western LA Forum Source: SBD > DAT > CDR > WAV > SHNv3. DAE via C. Ladner (EAC > CDWave > SHNTOOL > MKWACT).
|
notes
|
| 12093. |
12/10/89 |
Flac 16 - 0,
102510 |
Inglewood |
Great Western LA Forum flac16; SBD > DAT > CDR > WAV > SHNv3 - pitch correction and patches by Kevin Tobin (update of source ID 5451)
|
notes
|
| 12094. |
12/10/89 |
Flac 16 - 0,
137973 |
Inglewood |
Great Western LA Forum flac16; Source: (2) Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; recorded by Gris w/ my gear; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH
|
notes
|
| 12095. |
12/10/89 |
Ultra Mtx Flac - 0,
140202 |
Inglewood |
Great Western LA Forum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12096. |
12/10/89 |
Flac 16 - 0,
140276 |
Inglewood |
Great Western LA Forum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12097. |
12/10/89 |
Flac 16/48 - 0,
141797 |
Inglewood |
Great Western LA Forum flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 at 110 degrees on stand (FOB) > Oade capacitor supply > Panasonic SV-250 > DAT (48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes
|
notes
|
| 12098. |
12/10/89 |
Flac 24/96 - 0,
83792 |
Inglewood |
Great Western LA Forum flac24/96; Sennheiser MKE2002 omni's HRTF -> Sony TC-D5M. Mics at 6'5" Also covering an ortf pair of Neumann km84's -> Sony TC-D5M rig, on a stand. to 24/96 pcm: Sony TC-D5M master deck and master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: Tascam DVRA1000 in USB2.0 mode -> Mac OS-X Tiger import -> xACT by Scott Brown 6/8 level compression.
|
notes
|
| 12099. |
12/10/89 |
Flac 16 - 0,
102175 |
Inglewood |
Great Western LA Forum flac16; Source: Nakamichi CM-300s w/CP-4's -> Sony TCD-D10 Lineage: M-DAT -> DAT/1 -> Tascam DA-30 -> HHb CDR 800 PRO via analog i/o Location: 2nd row OTS Taped/Transferred: Jeff Bowen CDR>EAC>TLH(6)>FLAC: Brad Foster (10/25/09)
|
notes
|
| 12100. |
12/10/89 |
Flac 16/44,1 - 0,
146096 |
Inglewood |
Great Western LA Forum flac16/44.1khz Ambient Master by Mike French TFH: A Journey to the Impact Zone Sennheiser MKE2002 omni's HRTF -> Sony TC-D5M. Mics at 6'5" FOB/DFC (same spot as 2/89 run, and all 12/89 run) Also covering an ortf pair of Neumann km84's -> Sony TC-D5M rig, on a stand. to 24/96 pcm: Sony TC-D5M master deck and master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: Tascam DVRA1000 in USB2.0 mode -> Mac OS-X Tiger import -> xACT by Scott Brown 6/8 level compression.
|
notes
|
| 12101. |
12/10/89 |
Flac 16 Dts.5.1 - 0,
102513 |
Inglewood |
Great Western LA Forum DTS-Audio-CD 5.1 Mix; SBD (shn id 5451) SBD > DAT > CDR > WAV > SHNv3; DAE via C. Ladner (EAC > CDWave > SHNTOOL > MKWACT), from Charlie Miller seed + AUD1 (shn id 83792) Sennheiser MKE2002 omni's HRTF -> Sony TC-D5M. Mics at 6'5" Also covering an ortf pair of Neumann km84's -> Sony TC-D5M rig, on a stand. to 24/96 pcm: Sony TC-D5M master deck and master cassette, no n.r. -> Tascam DVRA1000 DSD recorder in pcm mode, 24/96 to flac: Tascam DVRA1000 in USB2.0 mode -> Mac OS-X Tiger import -> xACT by Scott Brown 6/8 level compression. + AUD2 (no shn id) low generation video supplied in dvd format by Dave Minor for video project - dts mixing by Kevin Tobin
|
notes
|
| 12102. |
12/27/89 |
Flac 16 - 0,
88397 |
Oakland |
Oakland-Alameda County Coliseum flac16; SBD -> Dat -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.1.1 -> Cool Edit Pro v2.0 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 12103. |
12/27/89 |
Shn - 0,
82051 |
Oakland |
Oakland-Alameda County Coliseum Source: Dan Healy's Master Soundboard Cassette > CDR > SHN > patching/editing > SHN
|
notes
|
| 12104. |
12/27/89 |
Shn - 0,
6662 |
Oakland |
Oakland-Alameda County Coliseum Dan Healy's Master Soundboard Cassette > CDR; CD Mastering by Scott Clugston; to abgd
|
notes
|
| 12105. |
12/27/89 |
Flac 24 - 0,
140369 |
Oakland |
Oakland-Alameda County Coliseum flac24; Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints
|
notes
|
| 12106. |
12/27/89 |
Flac 16 - 0,
140420 |
Oakland |
Oakland-Alameda County Coliseum flac16; Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints
|
notes
|
| 12107. |
12/27/89 |
Flac 16/48 - 0,
142683 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 12108. |
12/27/89 |
Flac 16 - 0,
142852 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12109. |
12/27/89 |
Flac 24 - 0,
142853 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12110. |
12/27/89 |
Shn - 0,
20785 |
Oakland |
Oakland-Alameda County Coliseum FOB>Shoeps CMC3/mk-4 > DAT > CDR > WAV > SHNv3; Taper unknown @ this time.
|
notes
|
| 12111. |
12/27/89 |
Flac 16 - 0,
105433 |
Oakland |
Oakland-Alameda County Coliseum flac16; Nakamichi Shotgun Mics>Sony D-5>Marantz PMD430; Recorded by Mike Mahoney
|
notes
|
| 12112. |
12/27/89 |
Shn - 0,
8960 |
Oakland |
Oakland-Alameda County Coliseum AUD>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 12113. |
12/27/89 |
Flac 16 - 0,
131027 |
Oakland |
Oakland-Alameda County Coliseum b>flac16; Digital FOB by Lance Deal using Schoeps CMC 521's (FOB)> Schoeps VMS 52 UB> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Fostex D-5 (AES/EBU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Transferred and liberated to bt.etree on August 24, 2014 by jwpetty
|
notes
|
| 12114. |
12/27/89 |
Flac 16 - 0,
117696 |
Oakland |
Oakland-Alameda County Coliseum flac16; Set 2 only Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 12115. |
12/27/89 |
Flac 16/48 - 0,
144153 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 142853) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142683) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - surround mixing by Kevin Tobin
|
notes
|
| 12116. |
12/27/89 |
Flac 16 Dts - 0,
144152 |
Oakland |
Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid = 142853) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142683) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - dtsmixing by Kevin Tobin
|
notes
|
| 12117. |
12/27/89 |
Flac 16 MTX - 0,
144151 |
Oakland |
Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 142853) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 142683) Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648 - matrix mixing by Kevin Tobin
|
notes
|
| 12118. |
12/27/89 |
Flac 16 Mtx - ,
165017 |
Oakland |
Oakland-Alameda County Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 142852 & 142683.
|
notes
|
| 12119. |
12/28/89 |
Flac 16 - 0,
32254 |
Oakland |
Oakland-Alameda County Coliseum flac16; SBD -> Master Cassette Transferred By David Gans Converted to FLAC By Charlie Miller
|
notes
|
| 12120. |
12/28/89 |
Flac 24 - 0,
126030 |
Oakland |
Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12121. |
12/28/89 |
Flac 16 - 0,
126031 |
Oakland |
Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12122. |
12/28/89 |
Flac 16/48 - 0,
139207 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Set 1 unknown taper: Schoeps CMC34 at 110 degrees ORTF > Panasonic SV250; hand held on Schoeps t-bar FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel: flac 16/48; Checksum & tags created in xACT
|
notes
|
| 12123. |
12/28/89 |
Flac 24 - 0,
140375 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Front Of Board Master Audience cassette: Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints
|
notes
|
| 12124. |
12/28/89 |
Flac 16 - 0,
140421 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Front Of Board Master Audience cassette: Toa K1’s head high > Sony WM-D6c; media: Maxell (Metal position IV) MX c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb; Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking normalize to -.9db remove DC offset > flac24; xACT Flac Fingerprints
|
notes
|
| 12125. |
12/28/89 |
Flac 16/48 - 0,
142684 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Source Info: 1st Set - Ted Mattes' Master (FOB) Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod) > Panasonic SV-250 (16-bit/48k); 2nd Set - Master Audience Dat (OTS) AKG 414 mics > unknown Dat deck (16-bit/48k) > Ted Mattes' Dat (16-bit/48k); Transfer Info: 1st Set: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648; 2nd Set: Master Dat clone (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 12126. |
12/28/89 |
Flac 16 - 0,
131028 |
Oakland |
Oakland-Alameda County Coliseum flac16; Digital FOB by Lance Deal using Schoeps CMC 521's (FOB)> Schoeps VMS 52 UB> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Transferred and liberated to bt.etree on August 24, 2014 by jwpetty
|
notes
|
| 12127. |
12/28/89 |
Flac 16 - 0,
117731 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 12128. |
12/28/89 |
Flac 16 - 0,
91643 |
Oakland |
Oakland-Alameda County Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 from front of Taper's Section DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades and Sample Rate Conversion)>CDWAV>FLAC Recorded By Keith Litzenberger & Gerry Gordon, All Transfers by Keith Litzenberger
|
notes
|
| 12129. |
12/28/89 |
Shn - 0,
12565 |
Oakland |
Oakland-Alameda County Coliseum 2 Beyer M160 FOB > Sony TCD5M Cassette Master > SHN; Unknown seeder
|
notes
|
| 12130. |
12/28/89 |
Flac 24/96 - ,
153956 |
Oakland |
Oakland-Alameda County Coliseum flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 12131. |
12/28/89 |
Flac 16/44 - ,
154423 |
Oakland |
Oakland-Alameda County Coliseum flac1644; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153956 2496 > 1644
|
notes
|
| 12132. |
12/28/89 |
Flac 16 Mtx - ,
165021 |
Oakland |
Oakland-Alameda County Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 154423 & 142684.
|
notes
|
| 12133. |
12/30/89 |
Shn - 0,
9122 |
Oakland |
Oakland-Alameda County Coliseum Source: Ultramatrix (SBD/AUD mix); Lineage: DAT> CD> SHN; via Rob Harrison; Seeded to etree by Peter Braverman
|
notes
|
| 12134. |
12/30/89 |
Flac 24/96 - 0,
126975 |
Oakland |
Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12135. |
12/30/89 |
Shn - 0,
8754 |
Oakland |
Oakland-Alameda County Coliseum ony G shntool fix of original Braverman seed; Ultramatrix (SBD/AUD mix); Lineage: DAT> CD> SHN
|
notes
|
| 12136. |
12/30/89 |
Flac 16 - 0,
126076 |
Oakland |
Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell XLII-S 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12137. |
12/30/89 |
Shn - 0,
5069 |
Oakland |
Oakland-Alameda County Coliseum mixed source: Set 1- DSBD> ?> D> CDR; Set 2- Schoeps CMC3/mk-4 FOB
|
notes
|
| 12138. |
12/30/89 |
Flac 16/48 - 0,
139208 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Set 1 unknown taper: (FOB) Schoeps CMC34 at 110 degrees ORTF > Panasonic SV250; hand held on Schoeps t-bar; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 16/48; Checksum & tags created in xACT
|
notes
|
| 12139. |
12/30/89 |
Flac 24 U Mtx - 0,
141200 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12140. |
12/30/89 |
Flac 16 U Mtx - 0,
141314 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12141. |
12/30/89 |
Flac 16/48 - 0,
142692 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC3/MK4 mics > Aerco PreAmp (w/ Oade capacitor mod)> Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 12142. |
12/30/89 |
Flac 16 - 0,
131029 |
Oakland |
Oakland-Alameda County Coliseum flac16; Digital FOB by Lance Deal using Schoeps CMC 521's (FOB)> Schoeps VMS 52 UB> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Panasonic SV-3700 (s/sdif)> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Transferred and liberated to bt.etree on August 24, 2014 by jwpetty
|
notes
|
| 12143. |
12/30/89 |
Flac 16 - 0,
117741 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 12144. |
12/30/89 |
Flac - 0,
109948 |
Oakland |
Oakland-Alameda County Coliseum (OTS) Nakamichi CM-300/CP-4 > TCD-D10 Lineage: DAT-M > Tascam DA-30 > HHb CDR 800 Recorded/Transferred: Jeff Bowen Extraction [CD>EAC>WAV>FLAC]: Brad Foster
|
notes
|
| 12145. |
12/30/89 |
Flac 16 Mtx - ,
165033 |
Oakland |
Oakland-Alameda County Coliseum flac1644; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 141314 & 142692.
|
notes
|
| 12146. |
12/31/89 |
Flac 16 - 0,
87784 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 12147. |
12/31/89 |
Flac 16 - 0,
96560 |
Oakland |
Oakland-Alameda County Coliseum flac16; matrix of DSBD: shnid=28735 and DAUD: shnid=92896 by hansokolow using ProTools
|
notes
|
| 12148. |
12/31/89 |
Shn - 0,
23574 |
Oakland |
Oakland-Alameda County Coliseum Pre-FM -> Dat -> Samplitude -> CD -> EAC -> SHN; Transfer By Charlie Miller
|
notes
|
| 12149. |
12/31/89 |
Shn - 0,
6116 |
Oakland |
Oakland-Alameda County Coliseum FMS > DAT > CDR > EAC (secure mode, test and copy) > SHN; EAC> SHN> etree by G. Gorinsky; with thanks to Glenn Gillis
|
notes
|
| 12150. |
12/31/89 |
Shn - 0,
28735 |
Oakland |
Oakland-Alameda County Coliseum Recording Info: Pre-FM -> Dat -> Samplitude -> CD -> EAC -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers By Charlie Miller charliemiller87@earthlink.net; Cleaned and Patched by Darryl Hinko 3/21/05; Patch in Dear Mr Fantasy with unknown AUD
|
notes
|
| 12151. |
12/31/89 |
Shn - 0,
18674 |
Oakland |
Oakland-Alameda County Coliseum SBD>>PreFM>>DAT>>CDA>>WAV(EAC)>> SHN>>DAW(Bertha)>>CDA/SHN
|
notes
|
| 12152. |
12/31/89 |
Flac 16/48 - 0,
142693 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Source Info: Master (FOB)Audience Dat; B&K 4011 mics (ORTF, 110 degrees)(16-bit/48k); Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
|
notes
|
| 12153. |
12/31/89 |
Flac 16 - 0,
92896 |
Oakland |
Oakland-Alameda County Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 (1st few row of OTS) DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades)>CDWAV>FLAC Transferred By Keith Litzenberger
|
notes
|
| 12154. |
12/31/89 |
Flac 16 - 0,
117749 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 12155. |
12/31/89 |
Flac 16 - 0,
109949 |
Oakland |
Oakland-Alameda County Coliseum (OTS) Nakamichi CM-300/CP-4 > TCD-D10 Lineage: DAT-M > Tascam DA-30 > HHb CDR 800 Recorded/Transferred: Jeff Bowen Extraction [CD>EAC>WAV>FLAC]: Brad Foster
|
notes
|
| 12156. |
12/31/89 |
Flac 16 - 0,
105224 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recorded by Mike Mahoney; Nakamichi Shotgun Mics>Sony D-5>Marantz PMD430
|
notes
|
| 12157. |
12/31/89 |
- ,
154085 |
Oakland |
Oakland-Alameda County Coliseum flac16/44 Pitch corrected, re-patched version of shnid 87784
|
notes
|
| 12158. |
12/31/89 |
Flac 24 - ,
154970 |
Oakland |
Oakland-Alameda County Coliseum flac24/96 Recording Info: UltraMatrix SBD (Broadcast Mix) > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 12159. |
12/31/89 |
Flac 16 - ,
155442 |
Oakland |
Oakland-Alameda County Coliseum flac16/44 Recording Info: UltraMatrix SBD (Broadcast Mix) > Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 154970 2496 > 1644
|
notes
|
| 12160. |
12/31/89 |
Flac 16 Mtx - ,
165046 |
Oakland |
Oakland-Alameda County Coliseum flac1644; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 155442 & 142693.
|
notes
|
| 12161. |
??/??/89 |
Shn - 0,
123640 |
Various |
Ante Up - Built to Last interview SHN > WAV > Audacity (only to cut music out), FLAC Frontend Level 8, TLH to fix SBE
|
notes
|
| 12162. |
02/25/90 |
Flac 16 - 0,
87786 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Maxell MX90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 12163. |
02/25/90 |
Flac 16 Mtx - 0,
82923 |
Oakland |
Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid 29345) + AUD (shnid 11805) mixed by Kevin Tobin
|
notes
|
| 12164. |
02/25/90 |
Flac 16 - 0,
28345 |
Oakland |
Oakland-Alameda County Coliseum flac16; SBD > DAT > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
|
notes
|
| 12165. |
02/25/90 |
Shn - 0,
13142 |
Oakland |
Oakland-Alameda County Coliseum Set 2; SBD with patches from Schoeps AUD; Lineage: SBD> DAT> CASS> DAT> CDR; via Patrick White
|
notes
|
| 12166. |
02/25/90 |
Flac 16 - 0,
93476 |
Oakland |
Oakland-Alameda County Coliseum flac16; FOB AUD: AKG C-568's > patched thru Panasonic SV-255 > Sony TC-D5M > TDK MA (1st Set) & TDK MA-XG (2nd Set), with no Dolby. Mics on stand, thirty feet from the stage, in the center. Taped by B and D. Transfer: MAC > Nakamichi DR-8 (with no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.
|
notes
|
| 12167. |
02/25/90 |
Flac 24/96 - 0,
125809 |
Oakland |
Oakland-Alameda County Coliseum flac24; Master Audience Recorded By M.L./Keo, Transfer By Keo; Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12168. |
02/25/90 |
Flac 16 - 0,
125810 |
Oakland |
Oakland-Alameda County Coliseum flac16; Master Audience Recorded BY M.L./Keo, Transfer By Keo; Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
This is your collection
|
notes
|
| 12169. |
02/25/90 |
Flac 24/96 - 0,
135099 |
Oakland |
Oakland-Alameda County Coliseum flac24; Source: Schoeps CMC 421 Sub Cardioids, ORTF, SV-250 DAT, FOB -> NAK 682 ZX/Sony Metal-SR/100 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Recorded by: Richard Berner and Friends
|
notes
|
| 12170. |
02/25/90 |
Flac 16 - 0,
135154 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: Schoeps CMC 421 Sub Cardioids, ORTF, SV-250 DAT, FOB -> NAK 682 ZX/Sony Metal-SR/100 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; further processing: .flac2496 to .wav2496 (TLH) to .wav1644 (r8brain, very high) to .flac1644 (THL, level 8, fix SBEs); Recorded by: Richard Berner and Friends
|
notes
|
| 12171. |
02/25/90 |
Flac Dts 5.1 - 0,
34732 |
Oakland |
Oakland-Alameda County Coliseum DTS-Audio 5.1; Mix of SBD:SBD > DAT > C > DAT > CD > EAC > FLAC; and AUD:CMC 44’s)>DAT>CDR; mixed by ktobin
|
notes
|
| 12172. |
02/25/90 |
Flac 16/48 - 0,
141870 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes
|
notes
|
| 12173. |
02/25/90 |
Shn - 0,
11805 |
Oakland |
Oakland-Alameda County Coliseum AUD(Schoeps CMC 44?s)>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley
|
notes
|
| 12174. |
02/25/90 |
Flac 16 - 0,
117754 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 12175. |
02/25/90 |
Flac 16 - 0,
130975 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: FOB Master Recording by Ted Mattes and Rick Katzeff using Schoeps CMC4/MK4> Oade> sv-255> clone(1:1); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (amplified set1 3.9/amplified set2 4.7)> 16/44> CDWave (tracking)> TLH (SBE/Flac16 (level 8)/ffp); Transfer completed August 15, 2014 by jwpetty
|
notes
|
| 12176. |
02/25/90 |
Flac 16 - 0,
150674 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-XG); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 12177. |
02/25/90 |
Flac 24/96 - 0,
150630 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-XG); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12178. |
02/26/90 |
Shn - 0,
16946 |
Oakland |
Oakland-Alameda County Coliseum Snbd > Dat> cdr >Dat > sblive > cd wave > mkw Audio tools > Shn; Unknown seeder
|
notes
|
| 12179. |
02/26/90 |
Flac 16 - 0,
131004 |
Oakland |
Oakland-Alameda County Coliseum flac16; Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5)
|
notes
|
| 12180. |
02/26/90 |
Shn - 0,
451 |
Oakland |
Oakland-Alameda County Coliseum SBD > CM> DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; via shakedown@canada.com; note revision in txt file for d1t8
This is your collection
|
notes
|
| 12181. |
02/26/90 |
Flac 16 - 0,
93841 |
Oakland |
Oakland-Alameda County Coliseum flac16; FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA 90's with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.
|
notes
|
| 12182. |
02/26/90 |
Flac Mtx.16/48 - 0,
137905 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; 2 source matrix by PhotoLeon using Audacity 2.0.6; Source 1: [shnid: 451] SBD > DAT; Conversion: D100 > Montego II > CD > HD via EAC > SHN; and Source 2: Digital Audience Recording by Rick Katzeff and Ted Mattes using Schoeps CMC 44> ? (presumed oade)> (presumed sv-250/255); Tranfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48 (fades)> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5); Audacity: Alligned -> Labeled -> DC offset removed & normalized -> flac 16/48; tags & checksums created in xACT
|
notes
|
| 12183. |
02/26/90 |
Flac 16 - 0,
137963 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: (2)Nak CP-100s w/CP-4 shotgun capsules > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH; this source contains two versions: a complete version and a slightly edited version that fits on two CDs (for that one person that still burns CDs)
|
notes
|
| 12184. |
02/26/90 |
Flac 16/48 - 0,
141871 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes
|
notes
|
| 12185. |
02/27/90 |
Shn - 0,
8569 |
Oakland |
Oakland-Alameda County Coliseum SBD > DAT > CDR > WAV > SHNv3; DAE (EAC)> tracking/ boundary (CDWAV/SHNTOOL)> SHN(MKWACT) > FTP via neo_levo
|
notes
|
| 12186. |
02/27/90 |
Flac 24/96 - 0,
125838 |
Oakland |
Oakland-Alameda County Coliseum flac24; Set One Master Audience Recorded BY M.L./Keo Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12187. |
02/27/90 |
Flac 16 - 0,
125839 |
Oakland |
Oakland-Alameda County Coliseum flac16; Set One Master Audience Recorded BY M.L./Keo Master Tapes Shared By Fitzy (His Deck/Tapes); Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell MX-90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12188. |
02/27/90 |
Flac 16 - 0,
93955 |
Oakland |
Oakland-Alameda County Coliseum flac16; FOB AUD: Sennheiser MD-421's > Sony TC-D5M > TDK MA (1st Set), TDK MA-XG (2nd Set), with no Dolby. Mics on six-foot stand, at 90-degree spread, thirty feet from the stage, in the center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.
|
notes
|
| 12189. |
02/27/90 |
Flac 16/48 UMtx - 0,
141692 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Recording Info: Ultra Matrix SBD > Dat (48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller
|
notes
|
| 12190. |
02/27/90 |
Flac 16/48 - 0,
141872 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Recording info: Schoeps cardioid CMC4/MK4 (FOB) > Oade Modified Arco Preamp > DAT (Panasonic SV-250/48k); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Recorded by Ted Mattes
|
notes
|
| 12191. |
02/27/90 |
Flac 16 - 0,
131005 |
Oakland |
Oakland-Alameda County Coliseum flac16; FOB Digital Audience Recording by Ted Mattes & Rick Katzeff using Schoeps CMC 44's> ? (presumed Oade p/s)> ? (presumed SV-250/255)> L. Deal clone; Transfer: Fosex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE/Flac16/md5)
|
notes
|
| 12192. |
03/14/90 |
Shn - 0,
8466 |
Landover |
Capital Centre sbd>mc>dats>Soundforge 4.5>CD; via Tom E; Hosted by candyman.etree.org
|
notes
|
| 12193. |
03/14/90 |
Flac 16 - 0,
125852 |
Landover |
Capital Centre flac16; Master Audience Recorded by Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12194. |
03/14/90 |
Flac 16 Mtx - 0,
89693 |
Landover |
Capital Centre flac16; Matrix 2 Source Mix - SBD (shn id 8466) sbd> mc> dats> Soundforge 4.5>CD; via Tom E; + AUD (shn id 89689) MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 - matrix mixing by Kevin Tobin
|
notes
|
| 12195. |
03/14/90 |
Flac 24/96 - 0,
125851 |
Landover |
Capital Centre flac24; Master Audience Recorded by Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12196. |
03/14/90 |
Flac - DTS - 0,
89733 |
Landover |
Capital Centre DTS Audio 5.1; SBD (shn id 8466) sbd> mc> dats> Soundforge 4.5>CD; via Tom E; + AUD (shn id 89689) MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 - mixing by Kevin Tobin
|
notes
|
| 12197. |
03/14/90 |
Flac 24 U Mtx - 0,
140959 |
Landover |
Capital Centre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12198. |
03/14/90 |
Flac 16 - 0,
140969 |
Landover |
Capital Centre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12199. |
03/14/90 |
Flac 16 - 0,
142544 |
Landover |
Capital Centre flac16/48kHz; Ted Mattes Recording: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: 1st row Tapers Section; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12200. |
03/14/90 |
Flac 16 - 0,
116746 |
Landover |
Capital Centre flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster
|
notes
|
| 12201. |
03/14/90 |
Flac 16 - 0,
116030 |
Landover |
Capital Centre flac16; Unknown Mic > Unknown Deck > Marantz PMD 430 Tapers Section Floor section 128, row FF, seat 1; Master Cassettes > SB Audigy > Adobe Audition @24bit/44.1Khz Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit. CDwave: tracking Trader's little Helper: md5, ffp, flac
|
notes
|
| 12202. |
03/14/90 |
Flac 16 - 0,
83778 |
Landover |
Capital Centre flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck
|
notes
|
| 12203. |
03/14/90 |
Flac 16 - 0,
89689 |
Landover |
Capital Centre flac16; MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0
|
notes
|
| 12204. |
03/14/90 |
Flac 16/48 - 0,
149324 |
Landover |
Capital Centre flac16/48kHz; reMaster of shnid 142544; Source info: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: 1st row Tapers Section; Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes
|
notes
|
| 12205. |
03/15/90 |
Flac 16 - 0,
105690 |
Landover |
Capital Centre flac16; Recording Info:SBD -> Cassette Master (TDK SA90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12206. |
03/15/90 |
Flac 16 - 0,
125672 |
Landover |
Capital Centre flac16; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12207. |
03/15/90 |
Flac 24/96 - 0,
125871 |
Landover |
Capital Centre flac24; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12208. |
03/15/90 |
Flac 16 U Mtx - 0,
140985 |
Landover |
Capital Centre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12209. |
03/15/90 |
Flac 24 U Mtx - 0,
140983 |
Landover |
Capital Centre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12210. |
03/15/90 |
Flac 16 - 0,
142545 |
Landover |
Capital Centre flac16/48kHz; Ted Mattes Master Recording: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: 1st row Tapers Section stand @ 8.5ft; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12211. |
03/15/90 |
Flac 16 - 0,
83675 |
Landover |
Capital Centre flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck
|
notes
|
| 12212. |
03/15/90 |
Shn - 0,
28293 |
Landover |
Capital Centre Nak 300's > Sony D-5 (w/dolby B)> Maxell MX cass, Taper's section recorded by Boyd McHugh; Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks, Transfer by Dave Hanscom; CDWav> EAC> shn by Bzl
|
notes
|
| 12213. |
03/15/90 |
Flac 16 - 0,
115935 |
Landover |
Capital Centre flac16; Unknown Mic > Unknown Deck > Marantz PMD 430 Tapers Section Floor section 128, row FF, seat 12; Master Cassettes > SB Audigy(line in) > Adobe Audition @24bit/44.1Khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit. CDwave: tracking. Trader's little Helper: md5, ffp, flacs
|
notes
|
| 12214. |
03/15/90 |
Shn - 0,
109251 |
Landover |
Capital Centre source: aud>?>Tascam 42mkII>Adobe Audition>wav
|
notes
|
| 12215. |
03/15/90 |
Flac 16/48 - 0,
149325 |
Landover |
Capital Centre flac16/48kHz; reMaster of shnid 142545; Source info: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: 1st row Tapers Section; Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes
|
notes
|
| 12216. |
03/16/90 |
Flac 16 - 0,
85201 |
Landover |
Capital Centre flac16; Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 12217. |
03/16/90 |
Flac 16 Mtx - 0,
97023 |
Landover |
Capital Centre flac16; matrix of SBD: shnid=85201 and AUD: shnid=91782 by hansokolow using ProTools
|
notes
|
| 12218. |
03/16/90 |
Flac 16 - 0,
125874 |
Landover |
Capital Centre flac16; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Renam
|
notes
|
| 12219. |
03/16/90 |
Shn - 0,
5227 |
Landover |
Capital Centre sbd > ? > cdr > eac > shn; 2 cuts in each BTW, Blow Away; Estimated declicked by unIDed person (md5s shown for pre and post-edited- see info file); via Willy from Andrew Wigdahl seed discs; filler on d3
|
notes
|
| 12220. |
03/16/90 |
Flac 16 Mtx - 0,
96549 |
Landover |
Capital Centre flac16; matrix of SBD: shnid=5227 and AUD: shnid=83791 by hansokolow using ProTools
|
notes
|
| 12221. |
03/16/90 |
Flac 16 - 0,
76037 |
Landover |
Capital Centre flac16; Seamless and patched edit of shn id 5227 - sbd > ? > cdr > eac > shn > wav > flac
This is your collection
|
notes
|
| 12222. |
03/16/90 |
Flac 24/96 - 0,
125873 |
Landover |
Capital Centre flac24; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12223. |
03/16/90 |
Flac Dts5.1 - 0,
132661 |
Landover |
Capital Centre DTS-Audio-CD 5.1 Mix; SBD (shn id 85201) Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 116749) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - dts mixing by Kevin Tobin
|
notes
|
| 12224. |
03/16/90 |
Flac 16 Mtx - 0,
132660 |
Landover |
Capital Centre flac16; Matrix 2 source mix - SBD (shn id 85201) Recording Info: SBD -> Cassette Master -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.1.1 -> FLAC All Transfers and Mastering By Charlie Miller + AUD (shn id 116749) Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster - matrix mixing by Kevin Tobin
|
notes
|
| 12225. |
03/16/90 |
Flac 16/48 - 0,
138312 |
Landover |
Capital Centre flac16/48kHz; Rick Katzeff and Ted Mattes recording; Set 1: CMC34 @110 ORTF > SV250 OTS; Set 2: CMC44 @110 ORTF > Oade PS > SV250 FOB; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: T,F & P Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 12226. |
03/16/90 |
Flac 16/48 - 0,
139176 |
Landover |
Capital Centre flac16/48kHz; Rick Katzeff & Ted Mattes (FOB) Recording; Schoeps CMC44 @110 ORTF > Oade PS > SV250 FOB; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 12227. |
03/16/90 |
Flac 16 - 0,
141000 |
Landover |
Capital Centre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12228. |
03/16/90 |
Flac 24 U Mtx - 0,
140993 |
Landover |
Capital Centre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12229. |
03/16/90 |
Flac 16/48 - 0,
142546 |
Landover |
Capital Centre flac16/48kHz; Ted Mattes Master Recording: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: FOB, set I; sec 2; row s. Set II sec 2; row t; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12230. |
03/16/90 |
Flac 16 - 0,
91782 |
Landover |
Capital Centre flac16; Unknown Microphones > Unknown Deck > Marantz PMD 430 Tapers Section Floor section 128, row GG, seat 15 Master Cassettes > SB Audigy > Adobe Audition @24bit/44.1Khz Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit. CDwave: tracking Trader's little Helper: md5, ffp, flacs Recorded by Chris LaPorte
|
notes
|
| 12231. |
03/16/90 |
Flac 16 - 0,
83791 |
Landover |
Capital Centre flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck
|
notes
|
| 12232. |
03/16/90 |
Flac 16 - 0,
32135 |
Landover |
Capital Centre flac16; Aud MC > CDR > EAC > CD Wave > .flac
|
notes
|
| 12233. |
03/16/90 |
Flac 16 - 0,
116749 |
Landover |
Capital Centre flac16; Source: (OTS) Nakamichi cm300/cp4's > Sony TCD-D10; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: Gene Juteau; Transferred: Jeff Bowen; Extraction: Brad Foster
|
notes
|
| 12234. |
03/16/90 |
Flac 16/48 - 0,
149326 |
Landover |
Capital Centre flac16/48kHz; eMaster of shnid 142546; Source: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: FOB, set I; sec 2; row s. Set II sec 2; row t; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes
|
notes
|
| 12235. |
03/18/90 |
Flac 16 - 0,
90486 |
Hartford |
Hartford Civic Center flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Mille
|
notes
|
| 12236. |
03/18/90 |
Flac 16 Mtx - 0,
96568 |
Hartford |
Hartford Civic Center flac16; matrix of SBD: shnid=9364 and AUD: shnid=94400 by hansokolow using ProTools
|
notes
|
| 12237. |
03/18/90 |
Flac 24/96 - 0,
125607 |
Hartford |
Hartford Civic Center flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Maxell MX 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12238. |
03/18/90 |
Flac 16 - 0,
125608 |
Hartford |
Hartford Civic Center flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Maxell MX 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12239. |
03/18/90 |
Shn - 0,
9364 |
Hartford |
Hartford Civic Center Hartford Civic Center SBD feed to HCN studios via ISDN > HCN Master Reel > DAT(Sony ES)recorded/(Tascam DA20mkII) playback>Pioneer PDR 555>CDR; Some aud splices, see info file for details; via David Huck, Matt Fuggi, & Michael Dixon (splicing and tracking)
|
notes
|
| 12240. |
03/18/90 |
Flac 16 - 0,
139225 |
Hartford |
Hartford Civic Center flac16; Recording Info: SBD (Recording Mix) > Dat Master > PCM (Sony Beta L-750); Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16
|
notes
|
| 12241. |
03/18/90 |
Flac 16/48 - 0,
141913 |
Hartford |
Hartford Civic Center flac16/48kHz; Ted Mattes Recording (FOB): Schoeps CMC4 MK4 > DAT (Panasonic SV250); Location: Sec 2 Row t Seat 8; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 12242. |
03/18/90 |
Flac 16 - 0,
138118 |
Hartford |
Hartford Civic Center flac16; Ted Mattes/Rick Katzeff FOB recording: Schoeps CMC34 at 110 degrees ORTF on Schoeps t-bar > Panasonic SV250 (phase corrected); John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 44K > Wave; Joe Noel Edits, T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 12243. |
03/18/90 |
Flac 16 - 0,
132671 |
Hartford |
Hartford Civic Center flac16; Recording info: 2nd row OTS/Schoeps cmc 521's> Schoeps VMS 52 UB p/s> SV-MD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CD Wave (tracking)> TLH (SBE's/Flac/md5); Transferred and liberated to etree by Will Petty
|
notes
|
| 12244. |
03/18/90 |
Flac 16 - 0,
91358 |
Hartford |
Hartford Civic Center flac16; Sennheiser ME-80's>Technics SV-MD1 (1st row OTS) 1st set recorded on Maxell R-90 DAT, 2nd Set Maxell R-120 DAT DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Recorded & Transferred By Keith Litzenberger
|
notes
|
| 12245. |
03/18/90 |
Flac 16 - 0,
35401 |
Hartford |
Hartford Civic Center flac16; AUD: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90 cassettes, with no Dolby. Mics on stand 7-feet high, set up near the back of the floor, aprx five rows behind the soundboard area. (Note: There was no taping area at this show.) Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 burner > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72. (for SBE-OK, FLAC compression, and checksums) > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 12246. |
03/18/90 |
Flac 16 - 0,
139667 |
Hartford |
Hartford Civic Center flac16; Three source matrix created in Audacity
|
notes
|
| 12247. |
03/18/90 |
Flac 16/48 - 0,
149332 |
Hartford |
Hartford Civic Center flac16/48kHz; reMaster of shnid 141913; Source: (FOB) Schoeps CMC4 MK4 > DAT (Panasonic SV250); Location: Sec 2 Row t Seat 8; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Master Digital Audience Recording by Ted Mattes
|
notes
|
| 12248. |
03/18/90 |
Flac 24 UMtx. - 0,
149480 |
Hartford |
Hartford Civic Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 12249. |
03/18/90 |
Flac 16 - 0,
149785 |
Hartford |
Hartford Civic Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 12250. |
03/19/90 |
Flac 16 Mtx - 0,
97024 |
Hartford |
Hartford Civic Center flac16; matrix of SBD: shnid=1526 and AUD: shnid=94400 by hansokolow using ProTool
|
notes
|
| 12251. |
03/19/90 |
Flac 24/96 - 0,
125628 |
Hartford |
Hartford Civic Center flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Set 1, Maxell MX 90 Set 2, Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12252. |
03/19/90 |
Flac 16 - 0,
34777 |
Hartford |
Hartford Civic Center flac16; Seamless fix of shn id 1526 - Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN -> WAV -> FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 12253. |
03/19/90 |
Flac 16 - 0,
86825 |
Hartford |
Hartford Civic Center flac16; AUD: Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand 7-feet high, set up just behind the soundboard area: Sec 8, Row D.Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
|
notes
|
| 12254. |
03/19/90 |
Shn - 0,
1526 |
Hartford |
Hartford Civic Center updated source: Pre-FM Soundboard Master Reel (at 15 inches per second) -> DAT -> CDRs -> EAC -> SHN; source CDs from Kirby (Chalupa) Bell/Bob Fishman, eac>shn by Darrin Sacks; see info file for flaw notes
|
notes
|
| 12255. |
03/19/90 |
Flac 16 - 0,
125629 |
Hartford |
Hartford Civic Center flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns And Sennheiser 441's > Radioshack Mixer > Sony TC-D5M, Tapes: Set 1, Maxell MX 90 Set 2, Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12256. |
03/19/90 |
Flac 16/48 - 0,
141914 |
Hartford |
Hartford Civic Center flac16/48kHz; Ted Mattes Recording (FOB): Schoeps CMC4 MK4 > DAT (Panasonic SV250); Location: Sec 2 Row p Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 12257. |
03/19/90 |
Flac 16 - 0,
94400 |
Hartford |
Hartford Civic Center flac16; Sennheiser ME-80's>Technics SV-MD1 (2nd row Taper's Section) DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger
|
notes
|
| 12258. |
03/19/90 |
Flac 16 - 0,
132673 |
Hartford |
Hartford Civic Center flac16; Recording info: 2nd row center OTS/ortf/Schoeps cmc 521's> Schoeps VMS 52 UB p/s> SV-MD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CD Wave (tracking)> TLH (SBE's/Flac/md5); Transferred and liberated to etree by Will Petty
|
notes
|
| 12259. |
03/19/90 |
Flac 16/48 - 0,
149333 |
Hartford |
Hartford Civic Center flac16/48kHz; reMaster of shnid 141914; Source: (FOB) Schoeps CMC4 MK4 > DAT (Panasonic SV250); Location: Sec 2 Row p Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Master Digital Audience Recording by Ted Mattes
|
notes
|
| 12260. |
03/19/90 |
Flac 24 - 0,
149504 |
Hartford |
Hartford Civic Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 12261. |
03/19/90 |
Flac 16 - 0,
149701 |
Hartford |
Hartford Civic Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 12262. |
03/21/90 |
Flac 16 - 0,
107870 |
Hamilton |
Copps Coliseum flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12263. |
03/21/90 |
Flac 16 Mtx - 0,
96638 |
Hamilton |
Copps Coliseum flac16; matrix of SBD: shnid=5307 and DAUD: shnid=1355 by hansokolow using ProTools
|
notes
|
| 12264. |
03/21/90 |
Shn - 0,
5307 |
Hamilton |
Copps Coliseum SBD Master Cassette > DAT > CD> EAC> SHN; via Brian Heath
|
notes
|
| 12265. |
03/21/90 |
Flac 16 - 0,
91967 |
Hamilton |
Copps Coliseum flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F.
|
notes
|
| 12266. |
03/21/90 |
Flac 16/48 - 0,
138583 |
Hamilton |
Copps Coliseum flac16/48kHz; Taper unknown; Set I: Schoeps CMC54 (ORTF) > Aerco PS > Panasonic SV250; FOB Row L; Set II: Schoeps CMC44 (ORTF) > Panasonic SV250; FOB 23rd Row; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: T,F & P Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 12267. |
03/21/90 |
Flac 16/48 - 0,
141111 |
Hamilton |
Copps Coliseum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS> AKG B18 phantom power unit> Panasonic SV250> DAT (OTS); Transfer info: Tascam DA 30 mkii> Microtrack ii> wavelab 5> WAV 16/48
|
notes
|
| 12268. |
03/21/90 |
Flac 16/48 - 0,
141930 |
Hamilton |
Copps Coliseum flac16/48kHz; Ted Mattes Recording: Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Location: 1st row Tapers Section; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12269. |
03/21/90 |
Shn - 0,
1355 |
Hamilton |
Copps Coliseum FOB Schoeps CMC44's > DAT > CD; Transfer: DVD > Optical cable > Phillips CDR870(CDDA) > EAC > CE2k > CDWAV > Shorten32 (see info file for notes); seeded by Doug Nawrocki
|
notes
|
| 12270. |
03/21/90 |
Flac 24/96 - 0,
148534 |
Hamilton |
Copps Coliseum flac24; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel
|
notes
|
| 12271. |
03/21/90 |
Flac 16/48 - 0,
149412 |
Hamilton |
Copps Coliseum flac16/48kHz; a reMaster of shnid 141930; Source: (FOB) Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes
|
notes
|
| 12272. |
03/21/90 |
Flac 24/96 - ,
156194 |
Hamilton |
Copps Coliseum flac2496 Recording Info Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 12273. |
03/21/90 |
Flac 16/44 - ,
156422 |
Hamilton |
Copps Coliseum flac1644 Recording Info Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156194 2496 > 1644.1
|
notes
|
| 12274. |
03/21/90 |
Flac 24/96 Mtx. - ,
156790 |
Hamilton |
Copps Coliseum flac24; Matrix 2 Source Mix - SBD (shn id 156194) Recording Info Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 + AUD (shn id 148534) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - matrix mixing by Kevin Tobin
|
notes
|
| 12275. |
03/21/90 |
Flac 16 Mtx - ,
156791 |
Hamilton |
Copps Coliseum flac16; Matrix 2 Source Mix - SBD (shn id 156194) Recording Info Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 + AUD (shn id 148534) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - matrix mixing by Kevin Tobin
|
notes
|
| 12276. |
03/21/90 |
Flac 16 Dts 5.1 - ,
156792 |
Hamilton |
Copps Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shn id 156194) Recording Info Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 + AUD (shn id 148534) Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel - dts mixing by Kevin Tobin
|
notes
|
| 12277. |
03/21/90 |
Flac 16/48 LPCM - ,
156794 |
Hamilton |
Copps Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) -
|
notes
|
| 12278. |
03/22/90 |
Flac 16 Mtx - 0,
113144 |
Hamilton |
Copps Coliseum flac16:Matrix by Jubal Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 12279. |
03/22/90 |
Flac 16 - 0,
107871 |
Hamilton |
Copps Coliseum flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Mille
|
notes
|
| 12280. |
03/22/90 |
Flac 16 Mtx - 0,
126698 |
Hamilton |
Copps Coliseum flac16; Matrix 3 Source Mix - SBD (shnid=107871) Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 125880) flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe + VID (no shn id) master video found supplied by Peanut Production for a video project - matrix mixing by Kevin Tobin
|
notes
|
| 12281. |
03/22/90 |
Shn - 0,
111464 |
Hamilton |
Copps Coliseum Soundboard Unknown>CD>EAC>WAV>SHN (This source was submitted to Etree with the alt-md5; the seed of this source did not match the alt-md5 on d1t7. A new shn-md5 was created.)
|
notes
|
| 12282. |
03/22/90 |
Flac 16 - 0,
91779 |
Hamilton |
Copps Coliseum flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F.
|
notes
|
| 12283. |
03/22/90 |
Shn - 0,
21433 |
Hamilton |
Copps Coliseum Bertha Remaster of the Master Cassette source; SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN
|
notes
|
| 12284. |
03/22/90 |
Shn Mtx - 0,
28040 |
Hamilton |
Copps Coliseum SBD + AUD Matrix Mix (60%-SBD/40%-AUD); Mixed & Shn conversion by Dan
|
notes
|
| 12285. |
03/22/90 |
Shn Mtx - 0,
453 |
Hamilton |
Copps Coliseum SBD (Matrix)> DAT> CD> EAC> [retracking of d2 w/ SF, no other alteration]> SHN; via Adam Jerugim; known flaws: 1 sec d/o d2t7 @0:17
|
notes
|
| 12286. |
03/22/90 |
Shn Dts - 0,
31772 |
Hamilton |
Copps Coliseum DTS Audio 5.1; Mix of AUD Dave Brotman FOB > Schoeps CMC54 (ORTF) > Aerco PS > DAT & SBD > MC > DAT
|
notes
|
| 12287. |
03/22/90 |
Flac 16 Dts.5.1 - 0,
126699 |
Hamilton |
Copps Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=107871)Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 125880) flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe + VID (no shn id) master video supplied by Peanut Production for a video project - dts mixing by Kevin Tobin
|
notes
|
| 12288. |
03/22/90 |
Flac 16 - 0,
139224 |
Hamilton |
Copps Coliseum flac16; Recording Info: SBD (Recording Mix) > Dat Master > PCM (Sony Beta L-750); Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16
|
notes
|
| 12289. |
03/22/90 |
Flac 16/48 - 0,
141112 |
Hamilton |
Copps Coliseum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
|
notes
|
| 12290. |
03/22/90 |
Flac 16/48 - 0,
141931 |
Hamilton |
Copps Coliseum flac16/48kHz; Ted Mattes Recording: Schoeps CMC5 MK4 > DAT 48k (Panasonic SV-250); Location: row 23 seat 10; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12291. |
03/22/90 |
Flac 16/48 - 0,
143170 |
Hamilton |
Copps Coliseum flac16/48kHz; Ted Mattes Recording: Schoeps CMC5 MK4 > DAT 48k (Panasonic SV-250); Location: row 23 seat 10; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Remaster notes: The right channel was inverted, that has been corrected; The levels were on the timid side, each track has been normalized
|
notes
|
| 12292. |
03/22/90 |
Flac 16/48 - 0,
125880 |
Hamilton |
Copps Coliseum flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe
|
notes
|
| 12293. |
03/22/90 |
Shn - 0,
7460 |
Hamilton |
Copps Coliseum Schoeps CMC54 (ORTF, 19th row) > Aerco PS > DAT @ 48kHz; via Dankseeds
|
notes
|
| 12294. |
03/22/90 |
Flac 16 - 0,
125881 |
Hamilton |
Copps Coliseum flac16; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)>Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8); Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe
|
notes
|
| 12295. |
03/22/90 |
Flac 16/48 - 0,
149413 |
Hamilton |
Copps Coliseum flac16/48kHz; reMaster of shnid 143170; Source: (FOB) Schoeps CMC5 MMK4 (ORTF) > Aerco m1000 preamp > DAT 48k (Panasonic SV-250); Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes
|
notes
|
| 12296. |
03/22/90 |
Flac 24/96 - ,
156195 |
Hamilton |
Copps Coliseum flac2496Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 12297. |
03/22/90 |
Flac 16/44 - ,
156423 |
Hamilton |
Copps Coliseum flac1644: Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156195 2496 > 1644.1
|
notes
|
| 12298. |
03/22/90 |
Flac 16 Mtx - ,
165885 |
Hamilton |
Copps Coliseum flac16; Matrix by Jubal Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 139224 & 125881.
|
notes
|
| 12299. |
03/24/90 |
Flac 16 - 0,
107873 |
Albany |
Knickerbocker Arena flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12300. |
03/24/90 |
Shn Mtx - 0,
32082 |
Albany |
Knickerbocker Arena SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
|
notes
|
| 12301. |
03/24/90 |
Flac 16 Mtx - 0,
127119 |
Albany |
Knickerbocker Arena flac16; 3 Source Matrix by dusborne; Soundboard (shnid:107873) Recording Info: SBD -> Cassette Master (TDK SA90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller; Audience (shnid:011806) Source: AUD(Schoeps CMC 421’s)>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable) Conversion/Edit/Seeded to Etree by T. Wiley 8/29/2002 and Audience (shnid:125389) Source: Nakamichi CM300/CP4 > Panasonic SV250 (48 khz) Location: OTS Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 ) Taped by: Dr. Stan Lobitz; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 12302. |
03/24/90 |
Shn - 0,
12791 |
Albany |
Knickerbocker Arena SBD > Dat x 3 > CDR > SHN; via drgseeds with thanks to Bob Harrell
|
notes
|
| 12303. |
03/24/90 |
Flac 24/96 - 0,
120742 |
Albany |
Knickerbocker Arena flac24; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Sony TCD-D10>Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12304. |
03/24/90 |
Flac 16 - 0,
120743 |
Albany |
Knickerbocker Arena flac16; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Sony TCD-D10>Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12305. |
03/24/90 |
Flac 16 Mtx - 0,
91828 |
Albany |
Knickerbocker Arena flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F.
|
notes
|
| 12306. |
03/24/90 |
Shn Dts - 0,
32075 |
Albany |
Knickerbocker Arena DTS-Audio-CD 5.1; Mix of SBD - SBD: DAT x 3 > CDR > SHN and AUD - FOB: Schoeps CMC 421 > DAT > CDR
|
notes
|
| 12307. |
03/24/90 |
Flac 16/48 - 0,
141113 |
Albany |
Knickerbocker Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
|
notes
|
| 12308. |
03/24/90 |
Flac 16/48 - 0,
142989 |
Albany |
Knickerbocker Arena flac16/48kHz; Ted Mattes Master DAT Recording (FOB): Schoeps CMC5 MK21 (ORTF) > DAT (Panasonic SV-250); Location: Sec 5 Row Q Seat 7/8; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12309. |
03/24/90 |
Shn - 0,
11806 |
Albany |
Knickerbocker Arena AUD(Schoeps CMC 421?s)>DAT>CDR; See info file for flaw notes; via Paul B; Seeded to Etree by T. Wiley
|
notes
|
| 12310. |
03/24/90 |
Flac 16/48 - 0,
94287 |
Albany |
Knickerbocker Arena flac16/48; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 12311. |
03/24/90 |
Shn - 0,
28387 |
Albany |
Knickerbocker Arena FOB Schoeps CMC5/MK21> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller
|
notes
|
| 12312. |
03/24/90 |
Flac 16 - 0,
94288 |
Albany |
Knickerbocker Arena flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 12313. |
03/24/90 |
Flac 16/48 - 0,
125389 |
Albany |
Knickerbocker Arena flac16/48kHz; Source: Nakamichi CM300/CP4 > Panasonic SV250 (48 khz); Location: OTS; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Dr. Stan Lobitz; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 12314. |
03/24/90 |
Flac 16 - 0,
125390 |
Albany |
Knickerbocker Arena flac16; Source: Nakamichi CM300/CP4 > Panasonic SV250 (48 khz); Location: OTS; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Dr. Stan Lobitz; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 12315. |
03/24/90 |
Flac 16 - 0,
147527 |
Albany |
Knickerbocker Arena b>flac16; Source:Sennheiser 441 Mics>Sony TC-D5M Cassteet Deck (Lead Deck)>Sony Wm-D6C Cassette Deck>TDK Ma-90 And TDK; Ma-100 Metal Cassette Master Tapes (One For each Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section
|
notes
|
| 12316. |
03/24/90 |
Flac 24/96 - ,
156367 |
Albany |
Knickerbocker Arena flac2496 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 12317. |
03/24/90 |
Flac 16/44 - ,
156426 |
Albany |
Knickerbocker Arena flac1644 Recording Info: Ultramatrix SBD > Cassette Master (Sony TC-D5M/TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156367 2496 > 1644.1
|
notes
|
| 12318. |
03/25/90 |
Flac 16 - 0,
87347 |
Albany |
Knickerbocker Arena flac16; SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller
|
notes
|
| 12319. |
03/25/90 |
Flac 16 Mtx - 0,
127157 |
Albany |
Knickerbocker Arena flac16; 2 Source Matrix by dusborne; Soundboard (shnid:87347) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller and Audience (shnid:114260) Recorded By Floater,Transfer By Keo; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes Maxell XLII-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz
|
notes
|
| 12320. |
03/25/90 |
Flac 16 - 0,
114260 |
Albany |
Knickerbocker Arena flac16; Recorded By Floater,Transfer By Keo; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Tapes Maxell XLII-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 12321. |
03/25/90 |
Flac 24/96 - 0,
114256 |
Albany |
Knickerbocker Arena flac24; Recorded By Floater,Transfer By Keo; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Tapes Maxell XLII-90,100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz; No Dithering With These Files
|
notes
|
| 12322. |
03/25/90 |
Shn - 0,
8506 |
Albany |
Knickerbocker Arena 24 track SBD MR> Healy 2 track Mixdown> C> DAT> CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky
|
notes
|
| 12323. |
03/25/90 |
Flac 16 - 0,
91879 |
Albany |
Knickerbocker Arena flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F.
|
notes
|
| 12324. |
03/25/90 |
Shn - 0,
4688 |
Albany |
Knickerbocker Arena SBD cass master > DAT > SHN DAT>SHN via Sony PCM-M1 > midiman CO2 s/pdif format converter > Zoltrix Nightengale > CoolEdit for record/downsample > CDWAV for tracking > MKW-ACT for SHN encoding. done by nick@nickspicks.com Notes: d3t01 (drums) cassette flip @ 1:26
|
notes
|
| 12325. |
03/25/90 |
Flac 24 - 0,
120859 |
Albany |
Knickerbocker Arena flac24; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12326. |
03/25/90 |
Flac 16 - 0,
120858 |
Albany |
Knickerbocker Arena flac16; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12327. |
03/25/90 |
Flac 16 - 0,
135276 |
Albany |
Knickerbocker Arena flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> Adobe Audition CS6 -> FLAC/16; All Transfers And Mastering By Charlie Miller; This is a pitch corrected version of source ID 87347
|
notes
|
| 12328. |
03/25/90 |
Flac 16/48 - 0,
141114 |
Albany |
Knickerbocker Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
|
notes
|
| 12329. |
03/25/90 |
Flac 16/48 - 0,
142990 |
Albany |
Knickerbocker Arena flac16/48kHz; Ted Mattes DAT Recording (FOB): Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location unknown; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12330. |
03/25/90 |
Flac 16/48 - 0,
143188 |
Albany |
Knickerbocker Arena flac16/48kHz; Ted Mattes Master DAT Recording (FOB): Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location unknown; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Remaster Notes: The right channel was inverted, that has been corrected; The levels were on the timid side, each track has been normalized
|
notes
|
| 12331. |
03/25/90 |
Shn - 0,
28389 |
Albany |
Knickerbocker Arena FOB Schoeps CMC4/MK21> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller; Fixed version now in circulation
|
notes
|
| 12332. |
03/25/90 |
Flac 16 - 0,
91500 |
Albany |
Knickerbocker Arena flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab>CDWAV>FLAC Recorded By Keith Litzenberger
|
notes
|
| 12333. |
03/25/90 |
Flac 16 - 0,
132707 |
Albany |
Knickerbocker Arena flac16; Recording Info: (FOB) Schoeps CMC4/MK21 -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master); Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Recorded By Ted Mattes; fix of source ID 28389 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC
|
notes
|
| 12334. |
03/25/90 |
Flac 16/48 - 0,
130429 |
Albany |
Knickerbocker Arena flac16/48kHz; Source: AKG 414B-ULS (cards) > Oade Deluxe + Nakamichi CM300/CP4 > Unknown mixer (Radio Shack?) > (analog) Panasonic SV250 (48 khz); Config/Location: AKG’s pointed just outside the stacks/Official Tapers Section; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.26(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Dr. Stan Lobitz; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 12335. |
03/25/90 |
Flac 16 - 0,
130430 |
Albany |
Knickerbocker Arena flac16; Source: AKG 414B-ULS (cards) > Oade Deluxe + Nakamichi CM300/CP4 > Unknown mixer (Radio Shack?) > (analog) Panasonic SV250 (48 khz); Config/Location: AKG’s pointed just outside the stacks/Official Tapers Section; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.26(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Dr. Stan Lobitz; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
This is your collection
|
notes
|
| 12336. |
03/25/90 |
Shn - 0,
7508 |
Albany |
Knickerbocker Arena SBD>24 Track Mixdown>DAT>C>PCM>FC/DD2496>CD; via David Hollister; Brian Voelz
|
notes
|
| 12337. |
03/25/90 |
Flac 16/48 - 0,
149394 |
Albany |
Knickerbocker Arena flac16/48kHz; reMaster of shnid 142990; Source: (FOB) Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location: unknown; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes
|
notes
|
| 12338. |
03/26/90 |
Flac 16 - 0,
87350 |
Albany |
Knickerbocker Arena flac16; SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller
|
notes
|
| 12339. |
03/26/90 |
Flac 16 - 0,
126789 |
Albany |
Knickerbocker Arena flac16; Master FM Recording, Broadcast From WPYX 106.5 Albany, New York; Recorded By Fitzy, Transfer By Keo; Unknown Recording Deck > Maxell XLII-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12340. |
03/26/90 |
Flac 16 Mtx - 0,
127210 |
Albany |
Knickerbocker Arena flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:087350) Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller and Audience (shnid:094411) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER > Tascam DA-30MKII > Sound Devices 702 > Soundforge 9 (Fades & Sample Rate Conversion) > CDWAV > FLAC; Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 12341. |
03/26/90 |
Shn - 0,
6697 |
Albany |
Knickerbocker Arena SBD> ?> CD; EAC> SHN by Randy Griesman; note portions of the show appear on Dozin' at the Knick- go buy it
|
notes
|
| 12342. |
03/26/90 |
Flac 24 - 0,
126788 |
Albany |
Knickerbocker Arena flac24; Master FM Recording, Broadcast From WPYX 106.5 Albany, New York; Recorded By Fitzy, Transfer By Keo; Unknown Recording Deck > Maxell XLII-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12343. |
03/26/90 |
Flac 24 - 0,
112093 |
Albany |
Knickerbocker Arena flac24; FM Broadcast (WPYX)Albany,NY>HIFI VHS>1St Generation Cassette Taper Rich P.,Transfer By Keo Original Equipment/VHS Tape/Cassette Transfer Unknown Transferred With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 12344. |
03/26/90 |
Flac 16 - 0,
112092 |
Albany |
Knickerbocker Arena flac16; FM Broadcast (WPYX)Albany,NY>HIFI VHS>1St Generation Cassette Taper Rich P.,Transfer By Keo Original Equipment/VHS Tape/Cassette Transfer Unknown; Transferred With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 12345. |
03/26/90 |
Shn - 0,
7509 |
Albany |
Knickerbocker Arena SBD> 24 Track Mixdown> DAT> C> PCM> FC/DD2496> CD; via David Hollister; Brian Voelz; note portions of the show appear on Dozin' at the Knick- go buy it
|
notes
|
| 12346. |
03/26/90 |
Shn - 0,
8508 |
Albany |
Knickerbocker Arena 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky; Note- portions of the show appear on Dozin' at the Knick- go buy it
|
notes
|
| 12347. |
03/26/90 |
Flac 16 - 0,
91916 |
Albany |
Knickerbocker Arena flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F.
|
notes
|
| 12348. |
03/26/90 |
Flac 24/96 - 0,
120942 |
Albany |
Knickerbocker Arena flac24; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12349. |
03/26/90 |
Flac 16 - 0,
120943 |
Albany |
Knickerbocker Arena flac16; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12350. |
03/26/90 |
Flac 16 - 0,
135497 |
Albany |
Knickerbocker Arena flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> Adobe Audition CS6 -> FLAC/16; This is a pitch corrected version of source ID 87350; All Transfers And Mastering By Charlie Miller
|
notes
|
| 12351. |
03/26/90 |
Flac 16/48 - 0,
141115 |
Albany |
Knickerbocker Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
|
notes
|
| 12352. |
03/26/90 |
Flac 16/48 - 0,
142991 |
Albany |
Knickerbocker Arena flac16/48kHz; Ted Mattes Master DAT Recording (FOB): Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location: Sec 5 Row E Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12353. |
03/26/90 |
Flac 16 - 0,
94411 |
Albany |
Knickerbocker Arena flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger
|
notes
|
| 12354. |
03/26/90 |
Flac 24/96 - 0,
135063 |
Albany |
Knickerbocker Arena flac24; First set, Set II Victim, and, after China -> Rider: Richard Berner's B&K 4011's, 110 degrees ORTF, hand-held @ 5' high, Prolink -> Neumann Power Supply -> D10, 26th Row Center, FOB -> DAT Master, Apogee 701/BETA -> NAK 682 ZX -> Sony Metal-SR/90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; China -> Rider: Schoeps CMC 421 Sub Cardioids, 100 degrees, 1 row in front of soundboard, about 4 seats right
|
notes
|
| 12355. |
03/26/90 |
Flac 16/48 - 0,
122541 |
Albany |
Knickerbocker Arena flac16/48kHz; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Fixed version in circulation
|
notes
|
| 12356. |
03/26/90 |
Flac 16/48 - 0,
133045 |
Albany |
Knickerbocker Arena flac16/48kHz; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; this is a fixed version of source ID 122541
|
notes
|
| 12357. |
03/26/90 |
Flac 16 - 0,
122542 |
Albany |
Knickerbocker Arena flac16; Source: Schoeps CMC4/MK21 > Oade Cap Coupled Supply > Panasonic SV250 > DAT (48 khz); Config/Location: 110 degrees FOB Section 5, Row E, Seat 7; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (1) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 12358. |
03/26/90 |
Flac 16/48 - 0,
149395 |
Albany |
Knickerbocker Arena flac16/48kHz; reMaster of shnid 142991; Source: (FOB) Schoeps CMC4 MK21 (ORTF) > DAT (Panasonic SV-250); Location: Sec 5 Row E Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes
|
notes
|
| 12359. |
03/28/90 |
Flac 16 Mtx - 0,
95943 |
Uniondale |
Nassau Coliseum flac16; SBD + AUD Matrix: SBD (ShnID = 87643) Recording Info: SBD > DAT > Cassette Master (TDK MA-R90) and AUD (ShnID = 28381) Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) > Oade Cap Coupled Supply > DAT (Panasonic SV250/48k) > DAT (Cloned From Master)
|
notes
|
| 12360. |
03/28/90 |
Flac 16 - 0,
87643 |
Uniondale |
Nassau Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller
|
notes
|
| 12361. |
03/28/90 |
Flac 16 - 0,
95943 |
Uniondale |
Nassau Coliseum flac16; SBD + AUD Matrix: SBD (ShnID = 87643) Recording Info: SBD > DAT > Cassette Master (TDK MA-R90) and AUD (ShnID = 28381) Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) > Oade Cap Coupled Supply > DAT (Panasonic SV250/48k) > DAT (Cloned From Master)
|
notes
|
| 12362. |
03/28/90 |
Flac 16 - 0,
121788 |
Uniondale |
Nassau Coliseum flac16; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12363. |
03/28/90 |
Flac 24/96 - 0,
126837 |
Uniondale |
Nassau Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes Maxell MX-90s; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12364. |
03/28/90 |
Flac 16 - 0,
126838 |
Uniondale |
Nassau Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes Maxell MX-90s; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12365. |
03/28/90 |
Flac 24/96 - 0,
123786 |
Uniondale |
Nassau Coliseum flac24; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12366. |
03/28/90 |
Shn - 0,
4685 |
Uniondale |
Nassau Coliseum SBD 24 Track Mix > Master Cass > Dat > CD-R > SHN > WAV > AddAWave > retracking > shn (single MD5 for entire show) > WAV > shn (with MD5s for each disc); Discs provided by Steve Wigley, original shn by Doug Nawrocki; reshn of previous shn set, by Jan Welch- checksums now differ; see info file for details and flaw notes
|
notes
|
| 12367. |
03/28/90 |
Shn - 0,
7510 |
Uniondale |
Nassau Coliseum SBD> 24 Track Mixdown> DAT> C> PCM> FC/DD2496> CD; via David Hollister; Brian Voelz
|
notes
|
| 12368. |
03/28/90 |
Shn - 0,
3872 |
Uniondale |
Nassau Coliseum sbd/32 track mix> mc> dat> cdr> shn> wav> addawav> retrack> shnv3; from Steve Wigley CD, first shn by Steve (may not circ?), second shn step (to v3, md5s shown here) by Doug Nawrocki; see flaw notes in info file; note a later re-reshn also in circ
|
notes
|
| 12369. |
03/28/90 |
Shn - 0,
8510 |
Uniondale |
Nassau Coliseum 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky
|
notes
|
| 12370. |
03/28/90 |
Shn - 0,
33833 |
Uniondale |
Nassau Coliseum Seamless fix of shn id 8510 - 24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>SHN
|
notes
|
| 12371. |
03/28/90 |
Flac - 0,
95825 |
Uniondale |
Nassau Coliseum DTS-Audio-CD 5.1 Mix; SBD (ShnID = 87643) Recording Info: SBD > DAT > Cassette Master (TDK MA-R90) and AUD (ShnID = 28381) Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) > Oade Cap Coupled Supply > DAT (Panasonic SV250/48k) > DAT (Cloned From Master)
|
notes
|
| 12372. |
03/28/90 |
Flac - 0,
132873 |
Uniondale |
Nassau Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=87643) SRecording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller + AUD (shn id 87701) AUD (Changed mics between sets). Set One: Nakamichi CM-300's with CP-4 shotguns. Set Two: Sennheiser MD-441's. Mics > Sony TC-D5M > Maxell MX 90/100 tape, with no Dolby. Mics on 7-foot stands, in front row of OTS. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Wav > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - DTS 5.1 mixing by Kevin Tobin
|
notes
|
| 12373. |
03/28/90 |
Flac 16 Mtx - 0,
132872 |
Uniondale |
Nassau Coliseum flac16; Matrix 2 Source Mix - SBD (shnid=87643) Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller + AUD (shn id 87701) AUD (Changed mics between sets). Set One: Nakamichi CM-300's with CP-4 shotguns. Set Two: Sennheiser MD-441's. Mics > Sony TC-D5M > Maxell MX 90/100 tape, with no Dolby. Mics on 7-foot stands, in front row of OTS. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Wav > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. - matrix mixing by Kevin Tobin
|
notes
|
| 12374. |
03/28/90 |
Flac 16 - 0,
135520 |
Uniondale |
Nassau Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> Adobe Audition CS6 -> FLAC/16; All Transfers And Mastering By Charlie Mill
|
notes
|
| 12375. |
03/28/90 |
Flac 16/48 - 0,
141954 |
Uniondale |
Nassau Coliseum flac16/48kHz; Ted Mattes Recording: Schoeps CMC4 MK4 (ORTF) > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 24 Seat 8/9; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12376. |
03/28/90 |
Shn - 0,
28381 |
Uniondale |
Nassau Coliseum Updated Includes d1t08 Cassidy; FOB Schoeps CMC4/MK4 (ORTF)> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller
|
notes
|
| 12377. |
03/28/90 |
Flac 16 - 0,
91355 |
Uniondale |
Nassau Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 DAT (OTS) 1st set recorded on Maxell R-90 DAT, 2nd Set Maxell R-120 DAT DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Recorded & Transferred By Keith Litzenberger
|
notes
|
| 12378. |
03/28/90 |
Shn - 0,
91202 |
Uniondale |
Nassau Coliseum Nakamichi 300 Shotguns CP4's & Sony TCD5M Maxell MX 90 X 2 Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools. Taped & Transfered by Brian Mandel
|
notes
|
| 12379. |
03/28/90 |
Flac 16 - 0,
87701 |
Uniondale |
Nassau Coliseum flac16; AUD (Changed mics between sets). Set One: Nakamichi CM-300's with CP-4 shotguns. Set Two: Sennheiser MD-441's. Mics > Sony TC-D5M > Maxell MX 90/100 tape, with no Dolby. Mics on 7-foot stands, in front row of OTS. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Wav > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 12380. |
03/28/90 |
Flac 16 - 0,
124834 |
Uniondale |
Nassau Coliseum flac16; AT835B's- AT 8202's-SONY TCD-5M-Cassette-Tascam DR-5 Line In-CD Wave- Flac; Taper: M. Laurentus from Taper Section Sec B2,Row 54,Seat 10
|
notes
|
| 12381. |
03/28/90 |
Flac 16 - 0,
132758 |
Uniondale |
Nassau Coliseum b>flac16; Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Recorded By Ted Mattes; Transferred By Charlie Miller; due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed. Thanks to Craig for discovering this issue and taking the time to fix source ID 28381
|
notes
|
| 12382. |
03/28/90 |
Flac 16/48 - 0,
149443 |
Uniondale |
Nassau Coliseum flac16/48kHz; reMaster of shnid 141954; Source: Schoeps CMC4 MK4 (ORTF) > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 24 Seat 8/9; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes
|
notes
|
| 12383. |
03/28/90 |
Flac 24/96 - ,
157770 |
Uniondale |
Nassau Coliseum flac2496; Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 12384. |
03/28/90 |
Flac 16/44 - ,
158167 |
Uniondale |
Nassau Coliseum flac1644; Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition CC 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 157770 2496 > 1644
|
notes
|
| 12385. |
03/29/90 |
Shn - 0,
33925 |
Uniondale |
Nassau Coliseum Fix of shnid 26341 - SBD> DAT> CD> EAC> SHN> WAV> FLAC patched with shnid 1317 (FOB>DAT>?>CD). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 12386. |
03/29/90 |
Shn - 0,
26341 |
Uniondale |
Nassau Coliseum SBD> Dat> CD; SHN Conversion By Charlie Miller
|
notes
|
| 12387. |
03/29/90 |
Flac 16 Mtx - 0,
97118 |
Uniondale |
Nassau Coliseum flac16; matrix of DSBD: shnid=????? and DAUD: shnid=91347 by hansokolow using ProTools
This is your collection
|
notes
|
| 12388. |
03/29/90 |
Flac 16 Mtx - 0,
127385 |
Uniondale |
Nassau Coliseum flac16; matrix of shnid=33925 and shnid=91347 by Roger Eichorn (Fresh Legs, vol. 9)
|
notes
|
| 12389. |
03/29/90 |
Flac 16 - 0,
126847 |
Uniondale |
Nassau Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M; Tapes: Set 1: Maxell MX-90, Set 2: TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12390. |
03/29/90 |
Flac 24 - 0,
126846 |
Uniondale |
Nassau Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes: Set 1: Maxell MX-90, Set 2: TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12391. |
03/29/90 |
Shn - 0,
3389 |
Uniondale |
Nassau Coliseum SBD> DAT> CDR; via Andy Bear Greider, Doug Nawrocki; note reshn version also in circ
|
notes
|
| 12392. |
03/29/90 |
Flac 16 - 0,
121843 |
Uniondale |
Nassau Coliseum flac16; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12393. |
03/29/90 |
Shn - 0,
4686 |
Uniondale |
Nassau Coliseum SBD> DAT> CDR> SHN by Doug Nawrocki> wav> reshn by Jan Welch; note reshn of previous shn set (see info file)- checksums differ
|
notes
|
| 12394. |
03/29/90 |
Flac 24/96 - 0,
121842 |
Uniondale |
Nassau Coliseum flac24; Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12395. |
03/29/90 |
Shn - 0,
24996 |
Uniondale |
Nassau Coliseum SBD>DAT>CDR; fixed copy of SHNid=3389; encoded by Darryl Hinko
|
notes
|
| 12396. |
03/29/90 |
Flac 16/48 - 0,
141955 |
Uniondale |
Nassau Coliseum flac16/48kHz; Ted Mattes Recording: Schoeps CMC4 MK21 (ORTF) > Prolink Oade Modified Grace Preamp > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 20 Seat 8/9; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12397. |
03/29/90 |
Flac 16/48 - 0,
143171 |
Uniondale |
Nassau Coliseum flac16/48kHz; Ted Mattes Recording: Schoeps CMC4 MK21 (ORTF) > Prolink Oade Modified Grace Preamp > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 20 Seat 8/9; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Remaster Notes: The right channel was inverted, that has been corrected; The levels were on the timid side, each track has been normalized
|
notes
|
| 12398. |
03/29/90 |
Flac 16 - 0,
91347 |
Uniondale |
Nassau Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 DAT (OTS) 1st set recorded on Maxell R-90 DAT, 2nd Set Maxell R-120 DAT DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Recorded & Transferred By Keith Litzenberger
|
notes
|
| 12399. |
03/29/90 |
Flac 16 - 0,
83612 |
Uniondale |
Nassau Coliseum flac16; AUD Source: Nakamichi CM300's with CP4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with Dolby off. Mics on stand aprx 7-feet high, pointed at stacks, set up in taper's area second row center. Transfer: MAC > Sony TC-D5M (Dolby off) > Marantz CDR-500 > EAC > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC; Taped and transferred by Andrew F
|
notes
|
| 12400. |
03/29/90 |
Shn - 0,
1317 |
Uniondale |
Nassau Coliseum set 2; FOB> DAT> ?> CDR, mics and taper unknown; reportedly SBD-like; posted by Stephen Agan to abgd, later by Darrin Sacks to etree
|
notes
|
| 12401. |
03/29/90 |
Flac - 0,
29191 |
Uniondale |
Nassau Coliseum Source: Unknown Mics > DAT > HiFi VHS (TDK HDXpro) Transfer: HiFi VHS > SBM-1 > Audiophile 2496 > Adobe Audition > FLAC Audio VHS provided by David Neaman. Transfer by Doug Nawrocki.
|
notes
|
| 12402. |
03/29/90 |
Flac 16/48 - 0,
124324 |
Uniondale |
Nassau Coliseum flac16/48kHz; Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Fixed version of source ID 123924
|
notes
|
| 12403. |
03/29/90 |
Flac 16 - 0,
123925 |
Uniondale |
Nassau Coliseum flac16; Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Upgrade in circulation
|
notes
|
| 12404. |
03/29/90 |
Flac 16/48 - 0,
123924 |
Uniondale |
Nassau Coliseum flac16/48kHz; Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Upgrade in circulation
|
notes
|
| 12405. |
03/29/90 |
Flac 16 - 0,
124325 |
Uniondale |
Nassau Coliseum flac16; Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Ted Mattes; DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe; Fixed version of source ID 123925
|
notes
|
| 12406. |
03/29/90 |
Flac 16 - 0,
149419 |
Uniondale |
Nassau Coliseum flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This file set is 16 bit @ 44.1
|
notes
|
| 12407. |
03/29/90 |
Flac 24 UMtx. - 0,
149396 |
Uniondale |
Nassau Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12408. |
03/29/90 |
Flac 16/48LPCM - 0,
149594 |
Uniondale |
Nassau Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 149396) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - surround mixing by Kevin Tobin
|
notes
|
| 12409. |
03/29/90 |
Flac 24 - 0,
149589 |
Uniondale |
Nassau Coliseum flac24; Patched & Pitch Corrected Audience - (original shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - pitch correction and patches by Kevin Tobin
|
notes
|
| 12410. |
03/29/90 |
Flac 24 Mtx. - 0,
149591 |
Uniondale |
Nassau Coliseum flac24; Matrix 2 Source Mix - SBD (shnid = 149396) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - matrix mixing by Kevin Tobin
|
notes
|
| 12411. |
03/29/90 |
Flac 16 Dts.5.1 - 0,
149593 |
Uniondale |
Nassau Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 149396) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - dts mixing by Kevin Tobin
|
notes
|
| 12412. |
03/29/90 |
Flac 16 - 0,
149590 |
Uniondale |
Nassau Coliseum flac16; Patched & Pitch Corrected Audience - (original shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - pitch correction and patches by Kevin Tobin This file set is 16 bit @ 44.1
|
notes
|
| 12413. |
03/29/90 |
Flac 16 Mtx - 0,
149592 |
Uniondale |
Nassau Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 149396) Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 121842) Recorded By B.R. And Mr. Currier Recorded From The OTS; AKG451 With Shotguns>AKG 9V Phantom Power Box>Sony TCD-D10 (Rob Berger's)> Sony TCD-D10>(B.R.'s Patch); Mr. Currier's Cassettes Lineage:B.R,'s Recording Deck/Master Dat> Nakamichi CR-3A>Dolby C, Tapes Maxell MX-90,100; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz - matrix mixing by Kevin Tobin This file set is 16 bit @ 44.1
|
notes
|
| 12414. |
03/30/90 |
Flac 16 - 0,
89173 |
Uniondale |
Nassau Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 12415. |
03/30/90 |
Flac 16 - 0,
87742 |
Uniondale |
Nassau Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 12416. |
03/30/90 |
Flac 16 - 0,
126886 |
Uniondale |
Nassau Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes:Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked with Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12417. |
03/30/90 |
Flac 16 Mtx - 0,
123944 |
Uniondale |
Nassau Coliseum flac16; Matrix 2 Source Mix - SBD (shn id 89173) SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 123934) MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 - matrix mixing by Kevin Tobin
|
notes
|
| 12418. |
03/30/90 |
Flac - 0,
123945 |
Uniondale |
Nassau Coliseum DTS AUDIO 5.1 - SBD (shn id 89173) SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v10 -> FLAC/16 All Transfers and Mastering By Charlie Miller + AUD (shn id 123934) MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0 - DTS mixing by Kevin Tobin
|
notes
|
| 12419. |
03/30/90 |
Shn - 0,
8511 |
Uniondale |
Nassau Coliseum 24 track SBD MR>John Cutler 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky
|
notes
|
| 12420. |
03/30/90 |
Shn - 0,
4687 |
Uniondale |
Nassau Coliseum FM> DAT> CDR> SHN by Doug Nawrocki> wav> reshn by Jan Welch; note reshn of previous shn set (see info file)- checksums differ
|
notes
|
| 12421. |
03/30/90 |
Shn - 0,
3390 |
Uniondale |
Nassau Coliseum FM>DAT>CDR; via Andy Bear Greider, Doug Nawrocki; note reshn also in circ
|
notes
|
| 12422. |
03/30/90 |
Flac 16 - 0,
123934 |
Uniondale |
Nassau Coliseum flac16; MAV (Taped by LazyCow camera crew)JVC Single Tube Camera, Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Sony SLV-R5UC -> Panasonic AG-7400 -> S-VHS 1st Gen Transfer: S-VHS 1st Gen -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac G4 -> Final Cut Pro 3 -> MP2 -> AIFF-> Brokedown House -> Adobe Audition 3.0
|
notes
|
| 12423. |
03/30/90 |
Shn - 0,
33926 |
Uniondale |
Nassau Coliseum Seamless fix of shn id 8511 - 24 track SBD MR> John Cutler 2 track Mixdown> C> DAT> CDR> SHN
|
notes
|
| 12424. |
03/30/90 |
Shn - 0,
8366 |
Uniondale |
Nassau Coliseum 24-track master (presumably ADAT) > 2-track mixdown > DAT > Cass > PCM > CD; Seeded to etree by Steve Barbella
|
notes
|
| 12425. |
03/30/90 |
Flac 24 - 0,
126885 |
Uniondale |
Nassau Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Sennheiser 441s > Sony TC-D5M, Tapes:Maxell MX-90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12426. |
03/30/90 |
Flac 16/48 - 0,
138584 |
Uniondale |
Nassau Coliseum flac16/48kHz; Taper unknown: B&K 4011 (ORTF) > Sony D10Pro, 1st row, center OTS; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 12427. |
03/30/90 |
Flac 16/48 - 0,
141956 |
Uniondale |
Nassau Coliseum flac16; Ted Mattes Recording: Schoeps CMC4 MK4 (ORTF) > Oade Modified Grace Preamp > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 20 Seat 8/9; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12428. |
03/30/90 |
Flac 16/48 - 0,
149442 |
Uniondale |
Nassau Coliseum flac16/48kHz; reMaster of shnid 141956; Source: Schoeps CMC4 MK4 (ORTF) > Oade Modified Grace Preamp > DAT 48k (Panasonic SV-250); Location: Sec b1 Row 20 Seat 8/9; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Ted Mattes
|
notes
|
| 12429. |
04/01/90 |
Flac 16 Mtx - 0,
35168 |
Atlanta |
The Omni flac16; matrix sources: sbd : 24 Track Mixdown > DAT > C > PCM > FC/DD2496 > CD aud: FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro > RME46/8 > SoundForge > CD
|
notes
|
| 12430. |
04/01/90 |
Flac 16 Mtx - 0,
97203 |
Atlanta |
The Omni flac16; matrix of SBD: shnid=87809 and AUD: shnid=3458 by hansokolow using ProTools
|
notes
|
| 12431. |
04/01/90 |
Flac 16 - 0,
87809 |
Atlanta |
The Omni flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller
|
notes
|
| 12432. |
04/01/90 |
Shn - 0,
8512 |
Atlanta |
The Omni 24 track SBD MR>John Cutler 2 track Mixdown>C>DAT>CDR; via Glenn Gillis; Seeded to etree by Gerald Gorinsky
|
notes
|
| 12433. |
04/01/90 |
Shn - 0,
33927 |
Atlanta |
The Omni Seamless fix of shn id 8512 - 24 track SBD MR> John Cutler 2 track Mixdown> C> DAT> CDR>SHN
|
notes
|
| 12434. |
04/01/90 |
Shn - 0,
7512 |
Atlanta |
The Omni SBD>24 Track Mixdown>DAT>C>PCM>FC/DD2496>CD; via David Hollister; Brian Voelz
|
notes
|
| 12435. |
04/01/90 |
Flac 16 - 0,
135535 |
Atlanta |
The Omni flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16; All Transfers And Mastering By Charlie Miller; This is a pitch corrected version of source ID 87809
|
notes
|
| 12436. |
04/01/90 |
Flac 16 - 0,
131204 |
Atlanta |
The Omni flac16; Source info: FOB/Schoeps CMC 521's (hand held/ortf/110°)> Collette active cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty
|
notes
|
| 12437. |
04/01/90 |
Flac 16 - 0,
106757 |
Atlanta |
The Omni flac16; Recorded by David Cohen. OTS 8 foot stand (sec. 128 Row DD Seat 3) 2 Nakamichi CM300s/ CP4's w/1 Nakamichi CM300/CP2> Nakamichi 550 w/Maxell XLIIS90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred Transferred by Dave Cohen, November 2009.
|
notes
|
| 12438. |
04/01/90 |
Shn - 0,
5063 |
Atlanta |
The Omni
|
notes
|
| 12439. |
04/01/90 |
Flac 24/96 - 0,
145218 |
Atlanta |
The Omni flac24; Recording Info: Sennheiser 421 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel
|
notes
|
| 12440. |
04/01/90 |
Flac 16 - 0,
145747 |
Atlanta |
The Omni flac16; Recording Info: Sennheiser 421 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel. This file set is 16 bit @ 44,1
|
notes
|
| 12441. |
04/01/90 |
Shn - 0,
3458 |
Atlanta |
The Omni aud MC> DAT> CD-R; Nak 300/CP4's > PMD 420; Alan Wallace, tapers section; via Tony Gardner; note some clipping
|
notes
|
| 12442. |
04/01/90 |
Flac 16/48 - 0,
149445 |
Atlanta |
The Omni flac16/48kHz; Set 2 Source: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Dave Brotman
|
notes
|
| 12443. |
04/01/90 |
Flac 24/96 - ,
158174 |
Atlanta |
The Omni flac2496 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 12444. |
04/01/90 |
Flac 16/44 - ,
158176 |
Atlanta |
The Omni flac1644 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2022 > Samplitude Pro X6 Suite > FLAC/24 - This is 158174 2496 > 1644
|
notes
|
| 12445. |
04/02/90 |
Flac 16 Mtx - 0,
97216 |
Atlanta |
The Omni flac16; matrix of SBD: shnid=17731 and AUD: shnid=3299 by hansokolow using ProTools
|
notes
|
| 12446. |
04/02/90 |
Shn - 0,
12198 |
Atlanta |
The Omni SBD -> ? -> Dat -> Samplitude -> Cool Edit Pro -> SHN. Transfer and editing done by Charlie Miller
|
notes
|
| 12447. |
04/02/90 |
Shn - 0,
13391 |
Atlanta |
The Omni SBD -> ? -> Dat -> Samplitude -> Cool Edit Pro -> SHN, same as previous with d1t1 fix
|
notes
|
| 12448. |
04/02/90 |
Shn - 0,
17731 |
Atlanta |
The Omni MSC> DAT> Cdr > Eac > cool edit pro > cdwav > shntool > shnv3; Discs kindly provided by Andy Lemieux; Eac > shn by Ernie Dodd; reportedly upgrade relative to previous shn set
|
notes
|
| 12449. |
04/02/90 |
Flac 16 - 0,
137933 |
Atlanta |
The Omni b>flac16; Source: (2)Nak CP-100s w/CP-4 shotgun capsules L & R(tracks 1 & 2) w/(1)Senheiser 441 panned to center(track 3) > Tascam PortaOne 4-track cassette w/dbx type II on > Maxell XLII-S; Maxell XLII-S > Onkyo TA-2027 > dbx-224X decoder > Carver HR-722 > M-10 (16-bit WAVE/tracking) > Soundforge 9.0 (fades at tape flipps/start/end) > encoded to FLAC (level 8)w/TLH
|
notes
|
| 12450. |
04/02/90 |
Flac 16/48 - 0,
142002 |
Atlanta |
The Omni flac16/48kHz; Dave Brotman FOB Recording using Ted mattes' rig: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12451. |
04/02/90 |
Flac 16/48 - 0,
143172 |
Atlanta |
The Omni flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Remaster Notes: The right channel was inverted, that has been corrected; The levels were on the timid side, each track has been normalized
|
notes
|
| 12452. |
04/02/90 |
Flac 16 - 0,
106763 |
Atlanta |
The Omni flac16;Recorded by David Cohen. OTS 8 foot stand (sec. 128 Row CC Seat11) 2 Nakamichi CM300s/ CP4's w/1 Nakamichi CM300/CP2> Nakamichi 550 w/Maxell XLIIS90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November, 2009
|
notes
|
| 12453. |
04/02/90 |
Flac 16 - 0,
131205 |
Atlanta |
The Omni flac16; Source info: FOB/Schoeps CMC 421's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal and Rick Katzeff; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty
|
notes
|
| 12454. |
04/02/90 |
Flac 16 - 0,
133276 |
Atlanta |
The Omni flac16; Source info: FOB/Schoeps CMC 421's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal and Rick Katzeff; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio; Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); fix of SHNID 131205 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed
|
notes
|
| 12455. |
04/02/90 |
Shn - 0,
5064 |
Atlanta |
The Omni FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro > RME46/8 > SoundForge > CD> EAC> SHN
|
notes
|
| 12456. |
04/02/90 |
Shn - 0,
3299 |
Atlanta |
The Omni Nak 300's/cp 4's > *Marantz PMD420 (mc) > dat > cdr >eac (range extracted at 100% for retracking) > cdwave > mkwact; Taped by Alan Wallace; Discs provided by Kevin Gills, shn by Doug Nawrocki
|
notes
|
| 12457. |
04/02/90 |
Flac 24/96 - 0,
145219 |
Atlanta |
The Omni flac24; Recording Info: (OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel
|
notes
|
| 12458. |
04/02/90 |
Flac 16 - 0,
145749 |
Atlanta |
The Omni flac16; Recording Info: (OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel. This file set is 16 bit @ 44.1
|
notes
|
| 12459. |
04/02/90 |
Flac 16/48 - 0,
149446 |
Atlanta |
The Omni flac16/48kHz; reMaster of shnid 142002; Source: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Dave Brotman
|
notes
|
| 12460. |
04/02/90 |
Flac 24/96 - 0,
152287 |
Atlanta |
The Omni flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 12461. |
04/02/90 |
Flac 16/44 - 0,
152510 |
Atlanta |
The Omni flac16/44 Source: A:D AudioTechnica815A shotguns>Panasonic SV-250(48kHz) Transfer: DAT(48kHz)>ZA2(S/PDIF)>Samplitude2496>CD-r Tapes provided by Tom and Roger Transfer by Chris Larson (VegasBobby@gmail.com)
|
notes
|
| 12462. |
04/02/90 |
Flac 16/44 - ,
154440 |
Atlanta |
The Omni flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152287 2496 > 1644
|
notes
|
| 12463. |
04/03/90 |
Flac 16 Mtx - 0,
97566 |
Atlanta |
The Omni flac16; matrix of SBD: shnid=17811 and AUD: shnid=3732 by hansokolow using ProTools
|
notes
|
| 12464. |
04/03/90 |
Shn - 0,
17811 |
Atlanta |
The Omni Soundboard Master Cassette > Sonic Solutions @ 24 bits > CD (Sony Super Bit Mapping 2) > EAC > SHN (seekable); via Darryl Hinko with thanks to Dave Sanders; Drums patched and tuning returned to first set from AUD source
|
notes
|
| 12465. |
04/03/90 |
Flac 16/48 - 0,
142003 |
Atlanta |
The Omni flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12466. |
04/03/90 |
Flac 16/48 - 0,
142216 |
Atlanta |
The Omni flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC5 MK21 (@ 100ยบ spaced array) > DAT 48k (Panasonic SV-250). Mics were hand held; John Ammons Transfer from clone of DAT master: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; the original version was missing Promised Land
|
notes
|
| 12467. |
04/03/90 |
Flac 16 - 0,
133277 |
Atlanta |
The Omni flac16; Source: FOB by Rick Katzeff using Schoeps CMC 44's> Oade p/s> SV 255> 1:1 clone; DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); fix of SHNID 131206 due to an inverted left channel likely due to a faulty xlr cable in the recording gear chain. Craig Hillwig used xACT 2.35 and Audacity to decode, join files and invert the left channel in a 32 bit float. Lenny Stubbe used Sound Studio 3.6 and xACT 2.35 to add gain, track, tag, encode/align to FLAC and seed
|
notes
|
| 12468. |
04/03/90 |
Flac 24/96 - 0,
135201 |
Atlanta |
The Omni flac24; Source: Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MX-S 90 (Set II TDK SA100) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24
|
notes
|
| 12469. |
04/03/90 |
Flac 16 - 0,
106904 |
Atlanta |
The Omni b>flac16; Recorded by David Cohen OTS 8 foot stand (sec. 128 Row CC Seat 12) 2 Nakamichi CM300s/ CP4's w/1 Nakamichi CM300/CP2> Nakamichi 550 w/Maxell XLIIS90 cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
notes
|
| 12470. |
04/03/90 |
Flac 16 - 0,
131206 |
Atlanta |
The Omni flac16; Source: FOB by Rick Katzeff using Schoeps CMC 44's> Oade p/s> SV 255> 1:1 clone; DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty
|
notes
|
| 12471. |
04/03/90 |
Shn - 0,
3732 |
Atlanta |
The Omni FOB Nak 300/CP4's (Pair) + Sennheiser 441's (Pair) > Sony Mixer > Sony D10 Pro; EAC'd and Shned by Estim8ted
|
notes
|
| 12472. |
04/03/90 |
Shn - 0,
3577 |
Atlanta |
The Omni Nak 300/CP4's > PMD 420 by Alan Wallace, tapers section; MC> DAT> CD-R; note first few seconds of Promised Land missing; via Kevin Gills, Tony Gardner
|
notes
|
| 12473. |
04/03/90 |
Flac 24/96 - 0,
145220 |
Atlanta |
The Omni flac24; Recording Info: (OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel
|
notes
|
| 12474. |
04/03/90 |
Flac 16 - 0,
145750 |
Atlanta |
The Omni flac16; Recording Info: (OTS) Sennheiser ME80 > Cassette Master (Sony TC-D5M/Maxell XLII-S100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit/96k); Master Audience Recording by Micheal Hessberg; DSD Transfer by Charlie Miller; Edited & Mastered by Joe Noel. This file set is 16 bit @ 44.1
|
notes
|
| 12475. |
04/03/90 |
Flac 16/48 - 0,
149447 |
Atlanta |
The Omni flac16/48kHz; reMaster of shnid 142003; Source: Schoeps CMC4 MK21 > Oade Modified Grace Preamp > Pro Link > DAT 48k (Panasonic SV-250); Location: Sec 5 Row J Seat 7; Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Master Digital Audience Recording by Dave Brotman
|
notes
|
| 12476. |
04/03/90 |
Flac 16/44 - 0,
152511 |
Atlanta |
The Omni flac16/44 Source: A: Audio Technica 815A Shotguns>Panasonicsv250 Transfer: DAT(48kHz)>ZA2(S/PDIF)>WaveLab 3.03>CD-r Transfer by Chris Larson (nswboogy@easystreet.com) http://www.easystreet.com/~nswboogy
|
notes
|
| 12477. |
05/05/90 |
Shn - 0,
11660 |
Carson |
Cal State Dominguez Hills DSBD>DAT>CDR; Encore from FM source; via Paul B; Seeded to Etree by T. Wiley
|
notes
|
| 12478. |
05/05/90 |
Shn - 0,
4850 |
Carson |
Cal State Dominguez Hills DSBD> Cass> DAT> CD> EAC (secure)> MKW-Act seekable SHN encoding by nick@nickspicks.com This show was broadcast over FM. I doubt this is a PRE-FM source though.
|
notes
|
| 12479. |
05/05/90 |
Flac 24/96 - 0,
137021 |
Carson |
Cal State Dominguez Hills flac24; Set 1 Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); All Transfers and Mastering By Charlie Miller
|
notes
|
| 12480. |
05/05/90 |
Flac 16 - 0,
137088 |
Carson |
Cal State Dominguez Hills flac16; Set 1 Recording Info: SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC (24bit/96k); FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp; flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12481. |
05/05/90 |
Flac 16 - 0,
97423 |
Carson |
Cal State Dominguez Hills flac16; Set 1 only, FOB AUD: Schoeps CMC5/MK2 (omnis) > Panasonic SV255 Dat. Mics 7-foot spread, 20-feet from the stage. MAD > Cassette by Alabama Bob. Taped by the B&D Crew. Transfer: That's CD-90 Metal cassette > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644, by Andrew F. Feb 2009.
|
notes
|
| 12482. |
05/05/90 |
Flac 16 - 0,
131207 |
Carson |
Cal State Dominguez Hills flac16; Source info: Schoeps CMC 521's (110°/ortf/20 yards FOB/hand held)> Collette (active) cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty
|
notes
|
| 12483. |
05/05/90 |
Flac 24/96 - 0,
141262 |
Carson |
Cal State Dominguez Hills flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller
|
notes
|
| 12484. |
05/05/90 |
Flac 16 - 0,
141275 |
Carson |
Cal State Dominguez Hills flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller
|
notes
|
| 12485. |
05/05/90 |
Flac 16/48 - 0,
141939 |
Carson |
Cal State Dominguez Hills flac16/48kHz; Ted Mattes Recording (FOB): Set I: Schoeps CMC4 MK4 > Grace preamp > DAT 48k; Set II: B+K 4011 > DAT 48k; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12486. |
05/05/90 |
Flac 16 - 0,
138649 |
Carson |
Cal State Dominguez Hills b>flac16; This is an FM broadcast, recorded live in the concert venue; KPFK public radio broadcast; The lineage guessing, in part; The FM receiver was a portable “Walkman”-type portable FM rec’vr; patched to my spare deck: Sony WM-D6C; transfer to digital was without any Dolby N.R., regardless of whether or not it was on the master; That transfer was via my Sony TC-D5M -> Tascam DR70D at a 24.96 sampling
|
notes
|
| 12487. |
05/05/90 |
Flac 24/96 - 0,
134997 |
Carson |
Cal State Dominguez Hills flac24; Source: B&K 4011 Cardioids, ORTF, 5' Tall Stand, front-of-board -> ProLink Cables -> Neumann Power Supply -> DAT TCD-10 -> Beta -> Nak 682ZX -> TDK SAX 90 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
|
notes
|
| 12488. |
05/05/90 |
Flac 16 - 0,
131207 |
Carson |
Cal State Dominguez Hills flac16; Source info: Schoeps CMC 521's (110°/ortf/20 yards FOB/hand held)> Collette (active) cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 3, 2014 by Will Petty
|
notes
|
| 12489. |
05/05/90 |
Flac 16 - 0,
116818 |
Carson |
Cal State Dominguez Hills flac16; Source: (3) Nakamichi cm300 [(2) cp4 Shotgun Capsules + (1) cp3 Super Omni] > Boss BX-4 Mixer > Aiwa HD-X1; Lineage: DAT/M > DAT/1 > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: John Lech; Transferred: Jeff Bowen; Extraction: Brad Foster
|
notes
|
| 12490. |
05/05/90 |
Flac 16 - 0,
138648 |
Carson |
Cal State Dominguez Hills flac16; Bruel and Kjaer 4011 cardioids as ORTF stereo => Neumann p48v power => Sony TCD-D10 DAT => Sony TC-D5M cassette master (TC-D5M in live recording chain; this analog master is the 24.96 digital master source); From upfront, FOB-DFC; Mics at 6’03”+ being covered by Mike. Knobs and buttons twiddlin’ by Tom D.
|
notes
|
| 12491. |
05/05/90 |
Flac 16 - 0,
143960 |
Carson |
Cal State Dominguez Hills flac16; Tim Dalton Source: In house FM > Dat; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/44; Edited & Mastered in Audacity by Joe Noel
|
notes
|
| 12492. |
05/06/90 |
Flac 16 - 0,
80278 |
Carson |
Cal State Dominguez Hills flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Mille
|
notes
|
| 12493. |
05/06/90 |
Flac 16 Mtx - 0,
97237 |
Carson |
Cal State Dominguez Hills flac16; matrix of DSBD: shnid=80278 and DAUD: shnid=7891 by hansokolow using ProTools
|
notes
|
| 12494. |
05/06/90 |
Shn - 0,
11661 |
Carson |
Cal State Dominguez Hills SBD>MC>DAT>CD; via Paul B; Seeded to Etree by T. Wiley
|
notes
|
| 12495. |
05/06/90 |
Flac 16 - 0,
116826 |
Carson |
Cal State Dominguez Hills flac16; Source: (3) Nakamichi cm300 [(2) cp4 Shotgun Capsules + (1) cp3 Super Omni] > Boss BX-4 Mixer > Aiwa HD-X1; Lineage: DAT/M > DAT/1 > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded: John Lech; Transferred: Jeff Bowen; Extraction: Brad Foster
|
notes
|
| 12496. |
05/06/90 |
Flac 16 - 0,
131208 |
Carson |
Cal State Dominguez Hills flac16; Source info: Schoeps CMC 54's (20 yards FOB/on stand)> Collette (active) cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to bt.etree on September 3, 2014 by Will Petty
|
notes
|
| 12497. |
05/06/90 |
Flac 16 - 0,
111299 |
Carson |
Cal State Dominguez Hills flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 12498. |
05/06/90 |
Flac 16 - 0,
137861 |
Carson |
Cal State Dominguez Hills flac16 Ambient recording by Tom Tech twiddlin' the knobs (Tom D.), and Mike French covering the mics at 6'6". Bruel and Kjaer B&K 4011 cardioids as ORTF stereo at 6’6”, Neumann p48v power pack,Sony TCD-D10 DAT 1648 From: FOB/DFC
|
notes
|
| 12499. |
05/06/90 |
Flac 24/96 - 0,
141263 |
Carson |
Cal State Dominguez Hills flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller
|
notes
|
| 12500. |
05/06/90 |
Flac 16 - 0,
141276 |
Carson |
Cal State Dominguez Hills flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller
|
notes
|
| 12501. |
05/06/90 |
Flac 16/48 - 0,
141940 |
Carson |
Cal State Dominguez Hills flac16/48kHz; Ted Mattes Recording (FOB): Set I: Schoeps CMC4 MK2 > Grace preamp > DAT 48k; Set II: B+K 4011 > DAT 48k; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12502. |
05/06/90 |
Shn - 0,
7891 |
Carson |
Cal State Dominguez Hills FOB Schoeps CMC44> master audience DAT> DAT> CD> EAC> SHN
|
notes
|
| 12503. |
06/08/90 |
Shn - 0,
34387 |
Sacramento |
Cal Expo FOB Matrix SBD > DAT > CDR > WAV > SHN - Seamless fix of shn id 6935
|
notes
|
| 12504. |
06/08/90 |
Flac 16 - 0,
130389 |
Sacramento |
Cal Expo flac16; 3 Source Matrix by Dusborne Soundboard (shnid:034397) Source: FOB Matrix SBD > DAT > CDR > WAV > SHN, Audience (shnid:095184) FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob and Audience (shnid:111329) Recorded by The Weasel with 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes
|
notes
|
| 12505. |
06/08/90 |
Flac 16 - 0,
130419 |
Sacramento |
Cal Expo flac16; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12506. |
06/08/90 |
Shn - 0,
6935 |
Sacramento |
Cal Expo FOB Matrix SBD > DAT > CDR > WAV > SHN. End of Sugar Magnolia and encore: Schoeps CMC 441's > PCM > SL2000 > DAT > Cass > SHN (Kutick/Adelman); Thanks to C. Miller for the SBD seeds. DAE (EAC) > tracking (cdwave) > boundary checking (shntool) > shn (mkwact) via neo_levo; see flaw notes in info file
|
notes
|
| 12507. |
06/08/90 |
Flac 24/96 - 0,
130418 |
Sacramento |
Cal Expo flac24; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12508. |
06/08/90 |
Flac 16 - 0,
95184 |
Sacramento |
Cal Expo flac16; FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Transfer by Andrew F.
|
notes
|
| 12509. |
06/08/90 |
Shn - 0,
29385 |
Sacramento |
Cal Expo Source: Schoeps CMC 441's > Sony PCM F-1 > SL-2000 > DAT master > cassette > SHN; Taper: Michael Kutick; DAT > cassette > SHN transfer, splicing & tracking: Ken Adelman; Also to abgd via David Warren
|
notes
|
| 12510. |
06/08/90 |
Flac 16 - 0,
94233 |
Sacramento |
Cal Expo flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded By Gerry Gordon & Keith Litzenberger Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 12511. |
06/08/90 |
Flac 16 - 0,
111329 |
Sacramento |
Cal Expo flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 12512. |
06/08/90 |
Shn - 0,
9630 |
Sacramento |
Cal Expo ob "at the impact zone" 6' stands 6' spaced schoeps omis > Oade pre (presumably m118) > SV250 analog line out>D10 recording by Sean Weber and west coast "tapers fro hell" crew
|
notes
|
| 12513. |
06/08/90 |
Flac 16/48 - 0,
143343 |
Sacramento |
Cal Expo flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC4/MK2S (Spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12514. |
06/08/90 |
Flac 16 Mtx - 0,
147925 |
Sacramento |
Cal Expo flac16; Source: Matrix SBD > DAT > CDR > WAV > SHN > FLAC (See additional notes.)
|
notes
|
| 12515. |
06/08/90 |
Flac 24 UMtx. - 0,
149619 |
Sacramento |
Cal Expo flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 12516. |
06/08/90 |
Flac 16 - 0,
149702 |
Sacramento |
Cal Expo flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 12517. |
06/08/90 |
Flac 24/96 - 0,
150583 |
Sacramento |
Cal Expo flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 10, 2020
|
notes
|
| 12518. |
06/08/90 |
Flac 16/44 - 0,
150618 |
Sacramento |
Cal Expo flac16; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 22, 2020
|
notes
|
| 12519. |
06/08/90 |
Flac 24/96 - ,
153498 |
Sacramento |
Cal Expo flac24/96 Recording Info: 2 x Nakamichi 100/CP4 + 2 x AKG C1000S (Cardioid) > Boss BX-4 > Cassette Master (Sony WM-D6C/Maxell XLII-S100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 12520. |
06/08/90 |
Flac 16/44 - ,
154441 |
Sacramento |
Cal Expo flac16/44 Recording Info: 2 x Nakamichi 100/CP4 + 2 x AKG C1000S (Cardioid) > Boss BX-4 > Cassette Master (Sony WM-D6C/Maxell XLII-S100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153498 2496 > 1644
|
notes
|
| 12521. |
06/09/90 |
Shn - 0,
34398 |
Sacramento |
Cal Expo SBD (Matrix) > DAT > CDR > WAV > SHN - Seamless fix of shn id 6936
|
notes
|
| 12522. |
06/09/90 |
Flac 16 - 0,
126538 |
Sacramento |
Cal Expo flac16; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12523. |
06/09/90 |
Flac 24/96 - 0,
126537 |
Sacramento |
Cal Expo flac24; Master Audience Recorded BY Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12524. |
06/09/90 |
Shn - 0,
6936 |
Sacramento |
Cal Expo SBD (Matrix) > DAT > CDR > WAV > SHN; with AUD patch at end of encore: Schoeps CMC441s > Sony PCM F1> SL-2000> DAT> Cass> SHN (Ken Adelman). DAE (EAC) > tracking (CDWAV) > boundary checking (SHNTOOL) > SHN (MKWACT) via neo_levo; SBD seed via Charlie Miller
|
notes
|
| 12525. |
06/09/90 |
Flac 16 - 0,
95251 |
Sacramento |
Cal Expo flac16; FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Transfer by Andrew F.
|
notes
|
| 12526. |
06/09/90 |
Flac 16 - 0,
88197 |
Sacramento |
Cal Expo flac16; Source (AUD): Josephson C-640 w/ KA-20 (cardioid) capsules > 5532 differential pre-amp (+21db) > Sony WMD-6C (Dolby C) Microphone configuration: Microphones split approx 30 feet (left and right side of the SBD), 7' up (on stands) Master format: Maxell MX 100 cassettes Transfer: Sony WMD-6C > Lunatec V3 (44.1 kHz, 16 bit, ANSR on) > m-Audio Delta 2496 (SPDIF) > WaveLab Digital editing: Steinberg CuBase (pre and post set fades, blend between d1t07 and d1t08) Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2 Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC) Recorded, processed and distributed by Chuck Miller
|
notes
|
| 12527. |
06/09/90 |
Flac 16/48 - 0,
142578 |
Sacramento |
Cal Expo flac16/48kHz; Sean Weber-Small (FOB) Recording: Schoeps CMC4 MK2 > Oade Power Supply > DAT 48k (Panasonic SV-250) mics spaced 8' w/ mic stands @ 5' 11"; Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12528. |
06/09/90 |
Flac 16 - 0,
111342 |
Sacramento |
Cal Expo flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 12529. |
06/09/90 |
Flac 16 - 0,
23532 |
Sacramento |
Cal Expo B&K 4011 110degrees ORTF on the "Mike Stand" 6'4" Neumann p48 phantom supply > Sony TCD-D10 pro II (48k) > DAT master > TAscam DA-20 MKII > Marigo Audio Lab Coax S/PDIF cable > Tascam CDRW700 > CD-R master > Marantz CDR500 dual well cd burner at 1x > 1st gen CD-R copy > EAC in secure mode > FLAC
|
notes
|
| 12530. |
06/09/90 |
Shn - 0,
29386 |
Sacramento |
Cal Expo Source: Schoeps CMC 441's > Sony PCM F-1 > SL-2000 > DAT master > cassette > SHN; Taper: Michael Kutik; DAT > cassette > SHN transfer, splicing & tracking: Ken Adelman; Also to abgd via David Warren
|
notes
|
| 12531. |
06/09/90 |
Flac 16/48 - 0,
134549 |
Sacramento |
Cal Expo flac16/48kHz; Recorded by Sean Weber-Small with Schoeps CMC42s (FOB omnis spaced 8' with 5' 11" mic stands) -> Oade Power Supply -> Panasonic SV-250. Transfer from a DAT clone of Sean's Master by FOBAUD: Playback on Tascam DA20 -> Roland SRC-2 -> Mac Mini -> Audacity 2.1 -> WAV @48kHz
|
notes
|
| 12532. |
06/09/90 |
Flac 16/48 - 0,
143344 |
Sacramento |
Cal Expo b>flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC4/MK2S (Spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12533. |
06/09/90 |
Flac 16 - 0,
145489 |
Sacramento |
Cal Expo flac16; Source: Utramatrix > Dat (44k) - Provided by Rich Gastwirt; Transfer: Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/44.1 - Transfer by Charlie Miller; Lineage: wav 16/44.1 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 16; edited and mastered SIRMick February 2019
|
notes
|
| 12534. |
06/09/90 |
Flac 24 UMtx. - 0,
149620 |
Sacramento |
Cal Expo flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 12535. |
06/09/90 |
Flac 16 - 0,
149721 |
Sacramento |
Cal Expo flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller,This file set is 16 bit @ 44.1
|
notes
|
| 12536. |
06/09/90 |
Flac 24/96 - 0,
150584 |
Sacramento |
Cal Expo flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 11, 2020
|
notes
|
| 12537. |
06/09/90 |
Flac 16/44 - 0,
150619 |
Sacramento |
Cal Expo flac16; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 22, 2020
|
notes
|
| 12538. |
06/10/90 |
Flac Mtx. - 0,
30369 |
Sacramento |
Cal Expo SBD + AUD Matrix Mix (50%-SBD/50%-AUD); Mixed by dan@am-dig.com; Note: This is a remix and upgrade to shn ID 30361 See txt file for additional comments
|
notes
|
| 12539. |
06/10/90 |
Shn Mtx - 0,
6937 |
Sacramento |
Cal Expo SBD/Matrix > DAT > CDR > WAV > SHN; plus patch from Mike Lai AUD source (see info) EAC, SHNTOOL, and minor repair work (cdwave) via neo_levo; SBD seed via Charlie Miller
|
notes
|
| 12540. |
06/10/90 |
Flac 16 - 0,
95449 |
Sacramento |
Cal Expo flac16; FOB AUD: 2x Sennheiser MD421's plus 1x Nakamichi CM300 with CP1 cardioid capsule blend mic > Nakamichi 550 > Maxell XL-IIS 90's with no Dolby. Set up 30 feet from the stage, FOB center. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC. Transfer by Andrew F.
|
notes
|
| 12541. |
06/10/90 |
Falc Dts - 0,
30373 |
Sacramento |
Cal Expo DTS-Audio-CD 5.1 Mix; Mixed by dan@am-dig.com. This is a remix and upgrade to shn ID 29669 See txt file for additional comments
|
notes
|
| 12542. |
06/10/90 |
Flac 16 Mtx - 0,
20361 |
Sacramento |
Cal Expo flac16; SBD + AUD Matrix Mix (50%-SBD/50%-AUD); Source 1: SBD: DAT > CDR > WAV > SHN Source 2: FOB: B&K 4011 (ORTF 6'4 mic Stand) > Neumann p48 phantom supply > Sony TCD-D10 pro II (48k)
|
notes
|
| 12543. |
06/10/90 |
Shn Dts - 0,
29669 |
Sacramento |
Cal Expo DTS-Audio-CD 5.1 Mix (See Tech Notes in Txt File), Source Info:SBD - SBD: DAT > CDR > WAV > SHN; AUD - FOB: B&K 4011 (ORTF 6'4 mic Stand) > Neumann p48 phantom supply > Sony TCD-D10 pro II 48k); Seeded by Dan@Am-Dig
|
notes
|
| 12544. |
06/10/90 |
Flac 16/48 - 0,
142579 |
Sacramento |
Cal Expo flac16/48kHz;Sean Weber-Small (FOB) Recording: Schoeps CMC4 MK2 > Oade Power Supply > DAT 48k (Panasonic SV-250). Mics spaced 8' w/ mic stands @ 5' 11"; Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12545. |
06/10/90 |
Flac 16 - 0,
97059 |
Sacramento |
Cal Expo flac16; Schoeps Omni Spaced 27'>Oade?>Technics SV-MD1 in Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC (It's likely that my DAT was patched via analog output of lead deck as the mics were not mine and the Technics has no Digital in.) Processed By Keith Litzenberger
|
notes
|
| 12546. |
06/10/90 |
Shn - 0,
457 |
Sacramento |
Cal Expo daud> schoeps mk4> D> CD; d3 filler not IDed?; etreed via M. Ferguson?
|
notes
|
| 12547. |
06/10/90 |
Flac 16 - 0,
111334 |
Sacramento |
Cal Expo flac16; Source: 2 Neumann KMF4 microphones (up front) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 12548. |
06/10/90 |
Flac 16/48 - 0,
143345 |
Sacramento |
Cal Expo flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC4/MK2S (Spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12549. |
06/10/90 |
Flac 16 Mtx - 0,
147940 |
Sacramento |
Cal Expo flac16; Source: SBD/Matrix > DAT > CDR > WAV > SHN > FLAC (See additional notes.)
|
notes
|
| 12550. |
06/10/90 |
Flac 24 UMtx. - 0,
149621 |
Sacramento |
Cal Expo flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 12551. |
06/10/90 |
Flac 16 - 0,
149727 |
Sacramento |
Cal Expo flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 12552. |
06/10/90 |
Flac 24/96 - 0,
150585 |
Sacramento |
Cal Expo flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow. DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 14, 2020
|
notes
|
| 12553. |
06/10/90 |
Flac 16 - 0,
150620 |
Sacramento |
Cal Expo flac16; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Sept 22, 2020
|
notes
|
| 12554. |
06/10/90 |
Flac 24/96 - ,
152180 |
Sacramento |
Cal Expo flac24/96 FOB Aud Nakamichi CP-702 omni capsules, 12' spread > custom pre-amp/power supply > Dbx Type II noise reduction encoder > Sony TC-D5 cassette Transfer: Master cassette playback on Nakamichi Dragon > Dbx 224X-DS Type II noise reduction decoder > RME Fireface 800, 24-bit 96kHz
|
notes
|
| 12555. |
06/15/90 |
Flac 16 - 0,
106144 |
Mountain View |
Shoreline Amphitheatre SHNID: 106144
|
notes
|
| 12556. |
06/15/90 |
Flac 16 - 0,
126233 |
Mountain View |
Shoreline Amphitheatre flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12557. |
06/15/90 |
Flac 24/96 - 0,
126232 |
Mountain View |
Shoreline Amphitheatre flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12558. |
06/15/90 |
Shn - 0,
8570 |
Mountain View |
Shoreline Amphitheatre SBD > DAT > CDR > WAV > SHN; plus AUD patch; DAE(EAC) > boundary/ splice/ tracking(SHNTOOL, SF5) > SHN (MKWACT) via neo_levo
|
notes
|
| 12559. |
06/15/90 |
Flac 16 - 0,
35161 |
Mountain View |
Shoreline Amphitheatre flac16; Fix of shn id 8570 - SBD > DAT > CDR > WAV > SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 12560. |
06/15/90 |
Flac 16/48 - 0,
138464 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Set 2, unknown taper: Schoeps CMC 42s > Panasonic SV255; mics spaced 9 feet with 6'5" stand; front row taper section; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Pack & Patch: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 12561. |
06/15/90 |
Flac 16/48 - 0,
142345 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman OTS Recording: Schoeps CMC4 MK2's > DAT (Panasonic SV250): mics spaced 9' on a stand at 6'5"; front row OTS; Charlie Miller Transfer from DAT clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 12562. |
06/15/90 |
Shn - 0,
7762 |
Mountain View |
Shoreline Amphitheatre 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner
|
notes
|
| 12563. |
06/15/90 |
Flac 16 - 0,
143855 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16 bit @ 44.1
|
notes
|
| 12564. |
06/15/90 |
Flac 24 - 0,
143854 |
Mountain View |
Shoreline Amphitheatre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12565. |
06/15/90 |
Flac 16/48 - 0,
146443 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Dave Brotman & Jeff Metchick Master Digital Recording: Set I: (FOB) Spaced Schoeps CMC4 MK4's > Oade Pre Amp > (-20db pad) > DAT (Panasonic SV255); Location: Row F Seat 21 & 27, mics were on stands at 6' 4" spaced 9' 1"; Set II: (OTS) Schoeps CMC4 MK4's (110°) > Oade Pre Amp > DAT (Panasonic SV250); Location: front row tapers section; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel: Flac 16/48 > Audacity > 16/48
|
notes
|
| 12566. |
06/15/90 |
Flac 16 Mtx - 0,
146936 |
Mountain View |
Shoreline Amphitheatre flac16; Matrix: Source one: Dave Brotman & Jeff Metchick Master Digital (FOB/OTS) Recording: Set I: Spaced Schoeps CMC4 MK4's > Oade Pre Amp > (-20db pad) > DAT (Panasonic SV255); Location: Row F Seat 21 & 27, mics were on stands at 6' 4" spaced 9' 1"; Set II: (OTS) Schoeps CMC4 MK4's (110°) > Oade Pre Amp > DAT (Panasonic SV250); Location: front row tapers section; Source two: Recording Info: SBD -> Dat -> CD; Both sources edited & mastered for matrix by Joe Noel
|
notes
|
| 12567. |
06/16/90 |
Flac 16 - 0,
106145 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12568. |
06/16/90 |
Flac 16 - 0,
126273 |
Mountain View |
Shoreline Amphitheatre flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12569. |
06/16/90 |
Flac 24/96 - 0,
126272 |
Mountain View |
Shoreline Amphitheatre flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12570. |
06/16/90 |
Shn - 0,
8571 |
Mountain View |
Shoreline Amphitheatre SBD > DAT > CDR > WAV > SHN; plus AUD patch; DAE(EAC)> boundary/ splice (SHNTOOL)> SHN(MKWACT) > FTP via neo_levo
|
notes
|
| 12571. |
06/16/90 |
Flac 16/48 - 0,
138399 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; unknown taper; Set 1: B&K 4011 at 110 ORTF > Sony D10Pro with 7' stand first row taper section; Set 2: Schoeps CMC54 at 110 ORTF > Aerco Power Supply > M1000 Cables > Panasonic SV255 hand held Section 102 Row R center; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT; the original version had errors in s2t01 and s2t04; please don't circulate that version
|
notes
|
| 12572. |
06/16/90 |
Flac 16/48 - 0,
142612 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman OTS Recording: Schoeps CMC4/MK4 (110º) > DAT (Panasonic SV250); Charlie Miller Transfer from DAT clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 12573. |
06/16/90 |
Shn - 0,
7763 |
Mountain View |
Shoreline Amphitheatre Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner
|
notes
|
| 12574. |
06/16/90 |
Flac 16 - 0,
96407 |
Mountain View |
Shoreline Amphitheatre flac16; 1st set: DAT CLONE:AKG 414's>?>Technics SV-MD1 Recorded By Bill Savage; 2nd Set: DAT MASTER:Sennheiser ME-80's>Technics SV-MD1 Recorded By Keith Litzenberger DAT>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Transferred By Keith Litzenberger
|
notes
|
| 12575. |
06/16/90 |
Flac 16/48 - 0,
143425 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Set 2 Dave Brotman (FOB) Recording: Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12576. |
06/16/90 |
Flac 16/48 - 0,
146444 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Dave Brotman & Jeff Metchick Master Digital Recording: Set I: (OTS) Schoeps CMC4/MK2 (110°) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Set II: (FOB) Schoeps CMC5/MK4 (110°) > M1000 Cables > Oade Pre-Amp > Jensen 16 > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48; Edited & Mastered by Joe Noel: Flac 16/48 > Audacity > Flac 16/48
|
notes
|
| 12577. |
06/16/90 |
Flac 16 Mtx - 0,
146937 |
Mountain View |
Shoreline Amphitheatre flac16; Matrix: Source One: Dave Brotman & Jeff Metchick (FOB) Recording: Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Source Two: Recording Info: SBD > Dat > CD; Transfer Info: CD > Samplitude Professional v11.03 > FLAC; Source Three: Set 1: B&K 4011 at 110 ORTF > Sony D10Pro with 7' stand first row taper section; All Three sources edited & mastered for matrix by Joe Noel
|
notes
|
| 12578. |
06/16/90 |
Flac 24 UMtx. - 0,
147584 |
Mountain View |
Shoreline Amphitheatre flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12579. |
06/16/90 |
Flac 16 - 0,
147773 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 12580. |
06/17/90 |
Flac 16 - 0,
106170 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD -> Dat -> CD; Transfer Info:CD -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12581. |
06/17/90 |
Flac 16 Mtx - 0,
97329 |
Mountain View |
Shoreline Amphitheatre flac16; matrix of DSBD: shnid=10062 and DAUD: shnid=96420 by hansokolow using ProTools
|
notes
|
| 12582. |
06/17/90 |
Flac 24/96 - 0,
126387 |
Mountain View |
Shoreline Amphitheatre flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12583. |
06/17/90 |
Flac 16 - 0,
126388 |
Mountain View |
Shoreline Amphitheatre flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-90, Set 2 Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12584. |
06/17/90 |
Shn - 0,
10062 |
Mountain View |
Shoreline Amphitheatre SBD>DAT>CDR; via Paul B; Seeded to etree by neo_levo
|
notes
|
| 12585. |
06/17/90 |
Flac 16/48 - 0,
138400 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; unknown taper; Set 1: Schoeps CMC52s > Aerco Power Supply > M1000 Cables > Panasonic SV255; mics spaced 9 feet front row taper section; Set 2: Schoeps CMC44 at 110 degrees ORTF > Panasonic SV250 Section 102; Row M center (FOB); John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 12586. |
06/17/90 |
Flac 16 - 0,
111846 |
Mountain View |
Shoreline Amphitheatre flac16; Source: 2 Neumann KMF4 - microphones - 8th row > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 12587. |
06/17/90 |
Flac 16 - 0,
96420 |
Mountain View |
Shoreline Amphitheatre flac16; 1st Set: DAT MASTER:Sennheiser ME-80's>Technics SV-MD1 Recorded By Keith Litzenberger 2nd Set: DAT CLONE:AKG 414's>?>Technics SV-MD1 Recorded By Bill Savage DAT>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC) Transferred By Keith Litzenberger
|
notes
|
| 12588. |
06/17/90 |
Shn - 0,
7764 |
Mountain View |
Shoreline Amphitheatre 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern; via abgd; vined by Chris Ladner
|
notes
|
| 12589. |
06/17/90 |
Flac 16/48 - 0,
143426 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12590. |
06/17/90 |
Flac 24 UMtx. - 0,
149334 |
Mountain View |
Shoreline Amphitheatre flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12591. |
06/17/90 |
Flac 16 U Mtx. - 0,
149425 |
Mountain View |
Shoreline Amphitheatre b>flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller This file set is 16 bit @ 44.1
|
notes
|
| 12592. |
06/23/90 |
Flac 16 Mtx - 0,
108310 |
Eugene |
Autzen Stadium - University of Oregon flac16; Matrix by Hansokolow using ProTools of these sources: SBD: shnid=28690 // DAUD: shnid=88105
|
notes
|
| 12593. |
06/23/90 |
Flac 16 - 0,
99648 |
Eugene |
Autzen Stadium - University of Oregon flac16; Recording Info: Nakamichi 100/CP4 + AKG C1000S -> Boss BX-4 -> Cassette Master (Sony WM-D6C) -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16; Mixed, Recorded, Transfered and Mastered By Charlie Miller
|
notes
|
| 12594. |
06/23/90 |
Shn - 0,
10261 |
Eugene |
Autzen Stadium - University of Oregon Audience (was labeled as SBD>Cm>Dat>Samplitude>CD). Seeded by Charlie Miller via Neo_Levo to candyman and abgd.
|
notes
|
| 12595. |
06/23/90 |
Shn - 0,
28690 |
Eugene |
Autzen Stadium - University of Oregon Source: SBD-matrix>CM>DAT>CDR>WAV>SHN; this is shn id 20695 with undocumented changes to d3t3 via Tol and LMA.
|
notes
|
| 12596. |
06/23/90 |
Flac 24 UMtx - 0,
141774 |
Eugene |
Autzen Stadium - University of Oregon flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12597. |
06/23/90 |
Flac 16 UMtx - 0,
141861 |
Eugene |
Autzen Stadium - University of Oregon flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12598. |
06/23/90 |
Flac 16/48 - 0,
141894 |
Eugene |
Autzen Stadium - University of Oregon flac16/48kHz; Ted Mattes Recording (FOB): Schoeps CMC4 MK21 (ORTF - 90º) > DAT (Panasonic SV250); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 12599. |
06/23/90 |
Shn - 0,
6945 |
Eugene |
Autzen Stadium - University of Oregon Digital Audience - Jill & Rob R. 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section
|
notes
|
| 12600. |
06/23/90 |
Flac 16/48 - 0,
124302 |
Eugene |
Autzen Stadium - University of Oregon flac16/48kHz; Source: Schoeps CMC3/MK2S > P/S > Panasonic SV255 (48 khz); Config/Location: spaced 8'/FOB/6' stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.21(encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 12601. |
06/23/90 |
Flac 16 - 0,
121911 |
Eugene |
Autzen Stadium - University of Oregon flac16; Source: 2 Beyer M160 microphones - up front/center > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 12602. |
06/23/90 |
Flac 16 - 0,
88105 |
Eugene |
Autzen Stadium - University of Oregon flac16; Sennheiser ME-80's>Technics SVM-D1 (Front Of Taper's Section) Dat Master>Sony TCD-D0PROII>Edirol R-4>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded by G. Gordon using Keith Litzenberger's gear Transfer & Uploaded to Etree by Keith Litzenberger
|
notes
|
| 12603. |
06/23/90 |
Flac 16/48 - 0,
143537 |
Eugene |
Autzen Stadium - University of Oregon flac16/48kHz; Set 2 Dave Brotman (FOB) Recording: (FOB) Schoeps CMC5/MK2S (spaced 9ft stand 5'10" off to right 2ft) > M1000 Cables > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12604. |
06/23/90 |
Flac 16 - 0,
124301 |
Eugene |
Autzen Stadium - University of Oregon flac16; Source: Schoeps CMC3/MK2S > P/S > Panasonic SV255 (48 khz); Config/Location: spaced 8'/FOB/6' stand; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>Wave Editor 1.5.7 (iZotope Resampler)>xACT 2.21(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); DAT clone (2) provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 12605. |
06/23/90 |
Flac 24/96 - 0,
147808 |
Eugene |
Autzen Stadium - University of Oregon flac24; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
|
notes
|
| 12606. |
06/23/90 |
Flac 16/48 - 0,
147807 |
Eugene |
Autzen Stadium - University of Oregon flac16/48kHz; Recording Info: ,Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
|
notes
|
| 12607. |
06/23/90 |
Flac 16/48 - ,
152691 |
Eugene |
Autzen Stadium - University of Oregon flac16/48 Remaster Of Shnid 141894 Source: (fob)schoeps Cmc4 Mk21 (ortf - 90º) > Dat (panasonic Sv250) Transfer: Dat > Sony Pcm R500 > Tascam Da-3000 > Wav 16 48 Recorded By Ted Mattes Transfer By Charlie Miller Edited & Remastered By Joe Noel June 24, 2021
|
notes
|
| 12608. |
06/24/90 |
Flac 16 Mtx - 0,
108329 |
Eugene |
Autzen Stadium, U. of Oregon flac16; Matrix of these sources: SBD: shnid=12092 // DAUD: shnid=94258
|
notes
|
| 12609. |
06/24/90 |
Shn - 0,
12092 |
Eugene |
Autzen Stadium, U. of Oregon sbd>mc>dat>cdr; Unkown seeder
|
notes
|
| 12610. |
06/24/90 |
Flac 16/48 - 0,
141255 |
Eugene |
Autzen Stadium, U. of Oregon flac16/48kHz; Master DAT Recording by Rick Katzeff, Marcus Buick & John Ammons: Set I (HSF only): Schoeps CMC52s omnis 8' apart on 6' stands > Panasonic SV250 (FOB); Master DAT Recording by unknown: Set I (post HSF) & Set II: Schoeps CMC 421 at 90 degrees 'RED' > Oade PS > SV250 (OTS); Transfer by John Ammons: DAT clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
|
notes
|
| 12611. |
06/24/90 |
Flac 24 UMtx - 0,
141784 |
Eugene |
Autzen Stadium, U. of Oregon flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12612. |
06/24/90 |
Flac 16 UMtx - 0,
141862 |
Eugene |
Autzen Stadium, U. of Oregon flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12613. |
06/24/90 |
Flac 16/48 - 0,
141895 |
Eugene |
Autzen Stadium, U. of Oregon flac16/48kHz; Ted Mattes Recording (OTS): Schoeps CMC4 MK21 (ORTF - 90º) > DAT (Panasonic SV250); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 12614. |
06/24/90 |
Flac 16 - 0,
106896 |
Eugene |
Autzen Stadium, U. of Oregon flac16; Source Info: Master audience recording with 2 Beyer M160 microphones > Sony TC-D5M (90 minute Maxell Metal Cassettes). Recorded from about 40 feet from stage-center. Mic's on a stand about 6 feet high. Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 12615. |
06/24/90 |
Flac 16 - 0,
94258 |
Eugene |
Autzen Stadium, U. of Oregon flac16; Sennheiser ME-80's>Technics SVM-D1 (Front Of Taper's Section) Dat Master>Sony TCD-D0PROII>Edirol R-4>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded by Gerry Gordon using Keith Litzenberger's gear Transferred & Uploaded by Keith Litzenberger
|
notes
|
| 12616. |
06/24/90 |
Shn - 0,
6946 |
Eugene |
Autzen Stadium, U. of Oregon Digital Audience - Jill & Rob R: 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section
|
notes
|
| 12617. |
06/24/90 |
Flac 16/48 - 0,
143538 |
Eugene |
Autzen Stadium, U. of Oregon flac16/48kHz; Dave Brotman (OTS) Recording: (Schoeps CMC4/MK21 > Oade Pre-Amp > Dat (Panasonic SV-250/48k); Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12618. |
06/24/90 |
Flac 24/96 - 0,
147810 |
Eugene |
Autzen Stadium, U. of Oregon flac24; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
|
notes
|
| 12619. |
06/24/90 |
Flac 16/48 - 0,
147809 |
Eugene |
Autzen Stadium, U. of Oregon flac16/48kHz; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
|
notes
|
| 12620. |
07/04/90 |
Flac 16 - 0,
81523 |
Bonner Springs |
Sandstone Ampitheatre flac16; patched version of shn id 26351: SBD -> Dat -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD -> EAC -> SHN; all SHNs converted to FLAC
|
notes
|
| 12621. |
07/04/90 |
Flac 16 - 0,
117550 |
Bonner Springs |
Sandstone Ampitheatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/20 Feet Directly In Front Of Left Lawn Stack/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes (Sony Metal-ES); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudiGate Software
|
notes
|
| 12622. |
07/04/90 |
Flac 24/48 - 0,
117549 |
Bonner Springs |
Sandstone Ampitheatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/20 Feet Directly In Front Of Left Lawn Stack/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes (Sony Metal-ES); Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging By Keo With AudioGate Software
|
notes
|
| 12623. |
07/04/90 |
Shn - 0,
26351 |
Bonner Springs |
Sandstone Ampitheatre SBD> Dat> Cassette Master; Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller
|
notes
|
| 12624. |
07/04/90 |
Flac 24/96 - 0,
133536 |
Bonner Springs |
Sandstone Ampitheatre flac24; Field: 2x Nakamichi CM100 mics with CP-4 shotgun capsules > Sony TC-D5M analog cassette recorder > Maxell MX90 tapes; Transfer: MAC > Tascam 112 analog cassette deck > Edirol UA-5 USB Audio Interface > 24/96 > PC > Audacity (tracks and fades) > Trader's Little Helper > flac 24/96
|
notes
|
| 12625. |
07/04/90 |
Flac 16 - 0,
137897 |
Bonner Springs |
Sandstone Ampitheatre flac16; Front of lawn, dead center, 16' mic stand; NAK-CM-100 w/CP-4 shotgun capsules left & right and Senheiser-441 panned to center > Tascam PortaOne 4-track Cassette (dbx type II on) > Maxell XLII-S 100's (without the 100's Fire would have cut, so glad they came out w/ 100's); Maxell XLII-S100 > Onkyo TA-2027(I have 2 NAK's and neither one work, bought the Onkyo as it has 1/4" mic inputs L & R) > dbx 224x > Sony M-10 (16 bit WAVE & tracked) > Soundforge 9 (fades at start and tape flipps) > encoded to FLAC (level 8) w/TLH
|
notes
|
| 12626. |
07/04/90 |
Flac 16/48 - 0,
140955 |
Bonner Springs |
Sandstone Ampitheatre flac16/48kHz; Recording by Rick Katzeff: Set I: Schoeps CMC32s (omni's spaced 8 1/2 feet) > Panasonic SV255 (front row OTS); Set II: Schoeps CMC421 at "100 degrees RED" > Panasonic SV255 (FOB); Transfer by John Ammons: DAT clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
|
notes
|
| 12627. |
07/04/90 |
Flac 16 - 0,
127374 |
Bonner Springs |
Sandstone Ampitheatre flac16; Set 1 Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1); Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, iZotope RX DeClick, WAVES Q10 Paragraphic EQ, WAVES L2 Ultramaximizer, a 1 second section of s1t06 was patched with the analog cassette master of the same source); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC; fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC) Recorded, transfered, processed and distributed by Chuck Miller
|
notes
|
| 12628. |
07/04/90 |
Flac 16 - 0,
131537 |
Bonner Springs |
Sandstone Ampitheatre flac16; Source info: Set 1: Schoeps CMC 421's> Schoeps VMS 52 UB(?)> Technics SVMD1; Set 2: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on October 14, 2014 by Will Petty
|
notes
|
| 12629. |
07/04/90 |
Shn - 0,
8573 |
Bonner Springs |
Sandstone Ampitheatre AUD (AKG 414?s) > DAT (Sony D-3) > CDR > WAV > SHNv3; DAE(EAC)>tracking (CDWAV)> boundary check (SHNTOOL)> SHN(MKWACT)> FTP via neo_levo
|
notes
|
| 12630. |
07/04/90 |
Flac 16/48 - 0,
143599 |
Bonner Springs |
Sandstone Ampitheatre flac16/48kHz; Dave Brotman (FOB) Recording: Schoeps CMC5/MK4 (ortf) > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Location: Row V Seats 4 + 5; Charlie Miller Transfer: DAT Master > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
|
notes
|
| 12631. |
07/04/90 |
Flac 24/96 - 0,
147812 |
Bonner Springs |
Sandstone Ampitheatre flac24; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
|
notes
|
| 12632. |
07/04/90 |
Flac 16/48 - 0,
147811 |
Bonner Springs |
Sandstone Ampitheatre flac16/48kHz; Recording Info: , Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
|
notes
|
| 12633. |
07/04/90 |
Flac 24/96 - ,
153738 |
Bonner Springs |
Sandstone Ampitheatre flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 12634. |
07/04/90 |
Flac 16/44 - ,
154442 |
Bonner Springs |
Sandstone Ampitheatre flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 153738 2496 > 1644
|
notes
|
| 12635. |
07/06/90 |
Shn - 0,
12770 |
Louisville |
Cardinal Stadium SBD> Dat> Sonic Solutions> CD; EAC'd and SHN'd By Charlie Miller
|
notes
|
| 12636. |
07/06/90 |
Flac 16 - 0,
126122 |
Louisville |
Cardinal Stadium flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12637. |
07/06/90 |
Shn - 0,
9009 |
Louisville |
Cardinal Stadium SBD>C>C>DAT>CD>EAC>CDRWAV>WAV>SHN; Speed corrected, see info file for details; Seeded to etree by JR Fishman
|
notes
|
| 12638. |
07/06/90 |
Flac 24/96 - 0,
130511 |
Louisville |
Cardinal Stadium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Uknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12639. |
07/06/90 |
Flac 16 - 0,
130512 |
Louisville |
Cardinal Stadium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Uknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12640. |
07/06/90 |
Flac 16 - 0,
102291 |
Louisville |
Cardinal Stadium flac16; Taper: Greg Holtz Source: Nakamichi CM-300's w/CP-4 shotgun caps FOB > D-5 Transfer: By (JAZ) Master Cassettes (Maxell MX100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 5.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8
|
notes
|
| 12641. |
07/06/90 |
Shm - 0,
2255 |
Louisville |
Cardinal Stadium SBD> D-> CDR-> EAC> SHN; Ripped by John Zei; quick d/o in pre-Drums jam
|
notes
|
| 12642. |
07/06/90 |
Flac 24/96 - 0,
126121 |
Louisville |
Cardinal Stadium flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12643. |
07/06/90 |
Flac 16/48 - 0,
142685 |
Louisville |
Cardinal Stadium flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording: Schoeps CMC3 MK4 > Jensen 16 PS > DAT (Panasonic sv250); set I though pre drums mics are hand held, post drums mics are on a stand @ 6'2"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 12644. |
07/06/90 |
Flac 24/96 - 0,
134928 |
Louisville |
Cardinal Stadium flac24; Source: Schoep CMC 34 Cardioids, O.R.T.F. -> SV255, Section 13-3, Row P, Center. DAT Master -> Clone -> Apogee 701/Beta -> Nak BX125 -> Maxell MX90 (Set 1), TDK MA110 (Set 2) -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
|
notes
|
| 12645. |
07/06/90 |
Flac 16 - 0,
131219 |
Louisville |
Cardinal Stadium flac16; Source info: Schoeps CMC 52 S (spread 8'/Taper Section)> Pro-Link cables> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to etree on September 4, 2014 by jwpetty
|
notes
|
| 12646. |
07/06/90 |
Flac 16 - 0,
131218 |
Louisville |
Cardinal Stadium flac16; Source info: FOB/Schoeps CMC 34's (ortf)> DAT> 1:1 clone DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch>(s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5); Transferred and liberated to bt.etree on September 4, 2014 by Will Petty
|
notes
|
| 12647. |
07/06/90 |
Flac 16/48 - 0,
143600 |
Louisville |
Cardinal Stadium flac16/48kHz; Dave Brotman Master DAT Recording: Set I: (FOB) Schoeps CMC5/MK4 (ortf) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Set II: (FOB) Schoeps CMC5/MK21 (spaced) > M1000 Cables > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 12648. |
07/06/90 |
Flac 16 - 0,
82915 |
Louisville |
Cardinal Stadium flac16; Set 2 only, Taper: unknown Location: ots Mic Config: unknown Source: schoeps cmc52>??>dat Record Format: 16-bit, 44.1 kHz Conversion: tascam da20mkII>spdif>edirol ua25>usb>audacity (2007-02-26) Edit: none Final Format: 16-bit, 44.1 kHz Track: CD-Wave
|
notes
|
| 12649. |
07/06/90 |
Flac 24/96 - ,
153082 |
Louisville |
Cardinal Stadium flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 12650. |
07/06/90 |
Flac 16/44 - ,
154443 |
Louisville |
Cardinal Stadium flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition > Samplitude Pro X6 Suite > FLAC/24 - This is 153082 2496 > 1644
|
notes
|
| 12651. |
07/08/90 |
Flac 24/96 - 0,
130548 |
Pittsburgh |
Three Rivers Stadium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12652. |
07/08/90 |
Flac 16 - 0,
130549 |
Pittsburgh |
Three Rivers Stadium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12653. |
07/08/90 |
Shn - 0,
16157 |
Pittsburgh |
Three Rivers Stadium SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore
|
notes
|
| 12654. |
07/08/90 |
Flac 16 - 0,
109665 |
Pittsburgh |
Three Rivers Stadium flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac Lineage: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich
|
notes
|
| 12655. |
07/08/90 |
Flac 16 - 0,
97714 |
Pittsburgh |
Three Rivers Stadium flac16; Source: aud > Nakamichi CM-300 mics with CP-4 Shotgun Caps > Sony D-5 > mac Transfer: mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > Cd Wave > TLH > Flac16
|
notes
|
| 12656. |
07/08/90 |
Flac 24 - 0,
135742 |
Pittsburgh |
Three Rivers Stadium flac24; SBD: ? > cassette/4 (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > > TLH
|
notes
|
| 12657. |
07/08/90 |
Flac 16 - 0,
135741 |
Pittsburgh |
Three Rivers Stadium flac16; SBD: ? > cassette/4 (John) > Sony TC-R303 > Zoom h4n > Audition 1.5 > shntool > TLH
|
notes
|
| 12658. |
07/08/90 |
Flac 16/48 - 0,
138452 |
Pittsburgh |
Three Rivers Stadium flac16/48kHz; Set 1: Unknown Schoeps > DAT; OTS; Set 2: Schoeps CMC34 @ 110 degrees ORTF > Panasonic SV255; FOB (10 rows front of board center) recorded by Rick Katzeff; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 12659. |
07/08/90 |
Flac 16/48 - 0,
138704 |
Pittsburgh |
Three Rivers Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore + AUD (shnid = 130548) Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin
|
notes
|
| 12660. |
07/08/90 |
Flac Dts 5.1 - 0,
138703 |
Pittsburgh |
Three Rivers Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore + AUD (shnid = 130548) Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
|
notes
|
| 12661. |
07/08/90 |
Flac 16 - 0,
138701 |
Pittsburgh |
Three Rivers Stadium flac16; Patched/Pitch Corrected Soundboard (original shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore - pitch correction and patches by Kevin Tobin
|
notes
|
| 12662. |
07/08/90 |
Flac 16 Mtx - 0,
138702 |
Pittsburgh |
Three Rivers Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 16157) SBD> C(?)> CDR; via Joey B; encoded by T. Brame; missing encore + AUD (shnid = 130548) Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
|
notes
|
| 12663. |
07/08/90 |
Flac 24 UMtx - 0,
141773 |
Pittsburgh |
Three Rivers Stadium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12664. |
07/08/90 |
Flac 16 - 0,
141863 |
Pittsburgh |
Three Rivers Stadium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12665. |
07/08/90 |
Flac 16/48 - 0,
142686 |
Pittsburgh |
Three Rivers Stadium flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman Recording: Set I: (FOB*) Schoeps CMC3 MK4 (ORTF) > DAT. 10 rows FOB; Set II: (FOB) Schoeps CMC MK2y > Jenson 16 PS > DAT (Panasonic sv250). Mics spread 9'5" on stands @ 7'5", row LL; DFC; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 12666. |
07/10/90 |
Flac 16 - 0,
106373 |
Raleigh |
Carter-Finley Stadium flac16; Recording Info:SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12667. |
07/10/90 |
Shn - 0,
8256 |
Raleigh |
Carter-Finley Stadium SBD > MC > DAT > EAC > SHN; Unknown seeder
|
notes
|
| 12668. |
07/10/90 |
Flac 16 - 0,
130402 |
Raleigh |
Carter-Finley Stadium flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12669. |
07/10/90 |
Flac 24/96 - 0,
130583 |
Raleigh |
Carter-Finley Stadium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12670. |
07/10/90 |
Flac 16 - 0,
130584 |
Raleigh |
Carter-Finley Stadium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12671. |
07/10/90 |
Flac 16 Mtx - 0,
128383 |
Raleigh |
Carter-Finley Stadium flac16; 3 source matrix mix of AUD shnid 126182, SBD shnid 106373 and AUD shnid 31790; Mixed by Nick Crump
|
notes
|
| 12672. |
07/10/90 |
Flac 16 - 0,
128182 |
Raleigh |
Carter-Finley Stadium flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's > AKG 9V Phantom Power > Marantz PDM 430 > Probaly Dolby (Not Marked) > Tapes Maxell MX 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12673. |
07/10/90 |
Flac 24 - 0,
120403 |
Raleigh |
Carter-Finley Stadium flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12674. |
07/10/90 |
Flac 24/96 - 0,
126181 |
Raleigh |
Carter-Finley Stadium flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's > AKG 9V Phantom Power > Marantz PDM 430 > Probaly Dolby (Not Marked) > Tapes Maxell MX 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12675. |
07/10/90 |
Flac 16 - 0,
133954 |
Raleigh |
Carter-Finley Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
|
notes
|
| 12676. |
07/10/90 |
Flac 16/48 - 0,
142694 |
Raleigh |
Carter-Finley Stadium flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman Recording: (8 rows FOB) Schoeps CMC3 MK4 (ORTF) > DAT. Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 12677. |
07/10/90 |
Flac 16 - 0,
31790 |
Raleigh |
Carter-Finley Stadium flac16; FOB DFC Schoeps MK4s ORTF On Stand->Oade m118->Panasonic SV255@48 kHz Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample) -> CDWAV (track) ->FLAC
|
notes
|
| 12678. |
07/10/90 |
Flac 24/96 - 0,
135049 |
Raleigh |
Carter-Finley Stadium flac24; Source: Schoeps CMC-34 Cardioids, ORTF, Hand-held, 8 rows in front-of-board -> ProLink Cables -> Neumann Power Supply -> DAT TCD-10 -> Beta -> Nak 682ZX -> Maxell MX 90 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Set 2, Schoeps CMC-54 Cardioids, ORTF, on stand -> SV-250 Up Front
|
notes
|
| 12679. |
07/10/90 |
Flac 16/48 - 0,
143601 |
Raleigh |
Carter-Finley Stadium flac16/48kHz; Dave Brotman Master DAT Recording: (FOB 8 Rows) Schoeps CMC3/MK4 (ortf) > M1000 Cables > JE13 > Dat (Panasonic SV-255/48k); Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 12680. |
07/10/90 |
Flac 16 - 0,
149323 |
Raleigh |
Carter-Finley Stadium flac16; Source:Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker, Official Taper Section
|
notes
|
| 12681. |
07/10/90 |
Flac 24 UMtx. - 0,
150367 |
Raleigh |
Carter-Finley Stadium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 12682. |
07/10/90 |
Flac 16 Dts.5.1 - 0,
150397 |
Raleigh |
Carter-Finley Stadium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 150367) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 143601) Dave Brotman Master DAT Recording: (FOB 8 Rows) Schoeps CMC3/MK4 (ortf) > M1000 Cables > JE13 > Dat (Panasonic SV-255/48k); Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 - dts mixing by Kevin Tobin
|
notes
|
| 12683. |
07/10/90 |
Flac 16/48 - 0,
150398 |
Raleigh |
Carter-Finley Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 150367) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 143601) Dave Brotman Master DAT Recording: (FOB 8 Rows) Schoeps CMC3/MK4 (ortf) > M1000 Cables > JE13 > Dat (Panasonic SV-255/48k); Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 - surround mixing by Kevin Tobin
|
notes
|
| 12684. |
07/10/90 |
Flac 16 Mtx - 0,
150396 |
Raleigh |
Carter-Finley Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 150367) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24 + AUD (shnid = 143601) Dave Brotman Master DAT Recording: (FOB 8 Rows) Schoeps CMC3/MK4 (ortf) > M1000 Cables > JE13 > Dat (Panasonic SV-255/48k); Set I; hand held. Set II; on stand @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48 - matrix mixing by Kevin Tobin
|
notes
|
| 12685. |
07/10/90 |
Flac 16 - 0,
150501 |
Raleigh |
Carter-Finley Stadium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 12686. |
07/12/90 |
Shn - 0,
21980 |
Washington |
Robert F. Kennedy Stadium Recording Info: Set One: SBD -> Dat Set Two: SBD -> Cassette Master (TDK SA-X 100) Transfer Info: Set One: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Set Two: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee Mini-Me (16bit /44.1k) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN) All Transfers and Edits Done By Charlie Miller charliemiller87@earthlink.net 1/27/04
|
notes
|
| 12687. |
07/12/90 |
Flac 16 Mtx - 0,
128388 |
Washington |
Robert F. Kennedy Stadium flac16; Matrix mix of AUD shnid 121537 and SBD shnid 021980 with patches from shnid 97709; Mixed by Nick Crump
|
notes
|
| 12688. |
07/12/90 |
Flac 24/96 - 0,
130618 |
Washington |
Robert F. Kennedy Stadium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12689. |
07/12/90 |
Flac 16 - 0,
130610 |
Washington |
Robert F. Kennedy Stadium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12690. |
07/12/90 |
Flac 16 - 0,
97709 |
Washington |
Robert F. Kennedy Stadium flac16; Source: FOB-Schoeps CMC3 MK4-> Oade P/S->Sony D10 Pro->DAT->CDR->WAV->FLAC Transfer: Dat Clone->Panasonic SV3700-> Marantz CDR 615-> CDR Ripped with EAC (No Errors)Tracks Named -> Flac (Level 8) with Traders Little Helper and Tagged with Foobar 2000. Transfers by Pete Ebel on March 3, 2009
|
notes
|
| 12691. |
07/12/90 |
Flac 24/96 - 0,
121563 |
Washington |
Robert F. Kennedy Stadium flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12692. |
07/12/90 |
Shn - 0,
2482 |
Washington |
Robert F. Kennedy Stadium SBD > DAT > DAT clones > ZA-2 > wave (via Cool Edit) > CD-R; transfer by John McAtee; poss cass gen somewhere- see pub comment
|
notes
|
| 12693. |
07/12/90 |
Shn - 0,
17688 |
Washington |
Robert F. Kennedy Stadium source, lineage unspecified; Posted to a.b.gd.hs
|
notes
|
| 12694. |
07/12/90 |
Flac 16 - 0,
133957 |
Washington |
Robert F. Kennedy Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
|
notes
|
| 12695. |
07/12/90 |
Flac 16 - 0,
141394 |
Washington |
Robert F. Kennedy Stadium flac16/48kHz; Rick Katzeff Recording: Spaced Schoeps CMC32s @ 8 1/2' > Panasonic SV250 > DAT [FOB]; John Ammons Transfer: (dat clone from master) Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
|
notes
|
| 12696. |
07/12/90 |
Flac 16/48 - 0,
143602 |
Washington |
Robert F. Kennedy Stadium flac16/48kHz; Dave Brotman Master DAT Recording: (FOB) Schoeps CMC3/MK2S (spaced) > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 12697. |
07/12/90 |
Flac 24 - 0,
149523 |
Washington |
Robert F. Kennedy Stadium flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
|
notes
|
| 12698. |
07/12/90 |
Flac 16 - 0,
149730 |
Washington |
Robert F. Kennedy Stadium flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 12699. |
07/12/90 |
Flac 16 - 0,
149329 |
Washington |
Robert F. Kennedy Stadium flac16; Source:DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Cassette Master Tapes>Sony TC-D5 Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section
|
notes
|
| 12700. |
07/12/90 |
Flac 16 Mtx - ,
161266 |
Washington |
Robert F. Kennedy Stadium flac16; Matrix by Hunter Seamons using Soundtrack Pro and Final Cut Pro (FLAC > AIFF > Soundtrack & Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 21980 (set 1), 149730 (set 2) & 97709.
|
notes
|
| 12701. |
07/14/90 |
Flac 16 - 0,
106403 |
Foxboro |
Foxboro Stadium flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12702. |
07/14/90 |
Flac 16 - 0,
128385 |
Foxboro |
Foxboro Stadium flac16; 16 bit matrix mix of AUD shnid 121510 and SBD shnid 106404; Mixed by Nick Crump
|
notes
|
| 12703. |
07/14/90 |
Flac 24/96 - 0,
106404 |
Foxboro |
Foxboro Stadium flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12704. |
07/14/90 |
Flac 24/96 - 0,
130835 |
Foxboro |
Foxboro Stadium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12705. |
07/14/90 |
Flac 16 - 0,
130834 |
Foxboro |
Foxboro Stadium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12706. |
07/14/90 |
Flac 16 - 0,
92772 |
Foxboro |
Foxboro Stadium flac16; Source: OTS Audience Recording - set up at the right front lip of the sbd Lineage: Nakamichi CM-300's with CP-4 Shotgun Caps > Sony D-5 > MAC > NAK D3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh)
|
notes
|
| 12707. |
07/14/90 |
Flac 16/48 - 0,
79750 |
Foxboro |
Foxboro Stadium flac16/48; source: Schoeps CMC 44 cardioids ORTF FOB 6' stand-> Oade PS-> modified Panasonic SV-255 Taped and transferred by Rich Gastwirt
|
notes
|
| 12708. |
07/14/90 |
Shn - 0,
84979 |
Foxboro |
Foxboro Stadium SBD cass master>DAT>SHN
|
notes
|
| 12709. |
07/14/90 |
Shn - 0,
463 |
Foxboro |
Foxboro Stadium SBD(?) ("could be DSBD, likely SBDm")> ? ("could also have a cassette gen between the source and DAT, not sure")> DAT> CD> EAC; via Nick Georges; see pub comments for flaw notes
|
notes
|
| 12710. |
07/14/90 |
Shn - 0,
31950 |
Foxboro |
Foxboro Stadium SBD > ? > CD > EAC >SHN
|
notes
|
| 12711. |
07/14/90 |
Flac 24/96 - 0,
121510 |
Foxboro |
Foxboro Stadium flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12712. |
07/14/90 |
Flac 16 - 0,
121511 |
Foxboro |
Foxboro Stadium flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12713. |
07/14/90 |
Flac 16 - 0,
111133 |
Foxboro |
Foxboro Stadium flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped from OTS, and transferred by John Bleich
|
notes
|
| 12714. |
07/14/90 |
Flac 16 - 0,
133966 |
Foxboro |
Foxboro Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
|
notes
|
| 12715. |
07/14/90 |
Flac 16 - 0,
141395 |
Foxboro |
Foxboro Stadium flac16/48kHz; Rick Katzeff Recording: Spaced Schoeps CMC32s @ 8' > Panasonic SV250 > DAT [FOB]; John Ammons Transfer: (dat clone from master) Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
|
notes
|
| 12716. |
07/14/90 |
Flac 16 Mtx - 0,
141748 |
Foxboro |
Foxboro Stadium flac16; A photoLeon Matrix; Source #1: Rick Katzeff Recording: Spaced Schoeps CMC32s @ 8' > Panasonic SV250 > DAT [FOB]. Mics on stands, set I @ 6', set II @ 6'3" and Source #2: Recorded, Transferred and Digitally Mastered by Dan Tepper; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT
|
notes
|
| 12717. |
07/14/90 |
Flac 24/96 - 0,
134830 |
Foxboro |
Foxboro Stadium flac24; Source: B&K 4011 Cardioids FOB -> ? -> Nakamichi 682ZX -> Maxell MX 90 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
|
notes
|
| 12718. |
07/14/90 |
Flac 24 - 0,
128386 |
Foxboro |
Foxboro Stadium flac24; 24bit matrix mix of AUD shnid 121510 and SBD shnid 106404; Mixed by Nick Crump
|
notes
|
| 12719. |
07/14/90 |
Shn - 0,
15508 |
Foxboro |
Foxboro Stadium 2Beyerm160 > SonyTCD5M Master Cassette> SHN; seeded to abgd by Walstib
|
notes
|
| 12720. |
07/14/90 |
Flac 16/48 - 0,
143603 |
Foxboro |
Foxboro Stadium flac16/48kHz; Set 1 Dave Brotman Master DAT Recording: (FOB) Schoeps CMC3/MK2S (spaced 8'5" stands 6'3") > JE13 > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 12721. |
07/14/90 |
Flac 24/96 - 0,
147814 |
Foxboro |
Foxboro Stadium flac24; Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
|
notes
|
| 12722. |
07/14/90 |
Flac 16/48 - 0,
147813 |
Foxboro |
Foxboro Stadium flac16/48kHz; Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
|
notes
|
| 12723. |
07/14/90 |
Flac 16 - 0,
149340 |
Foxboro |
Foxboro Stadium flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell MX-90 Minute Metal Master Cassette Tapes>Sony TC-D5 M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section
|
notes
|
| 12724. |
07/14/90 |
Flac 16/48 - 0,
79750 |
Foxboro |
Foxboro Stadium flac16/48; source: Schoeps CMC 44 cardioids ORTF FOB 6' stand-> Oade PS-> modified Panasonic SV-255 Taped and transferred by Rich Gastwirt
|
notes
|
| 12725. |
07/14/90 |
Flac 16 - ,
152771 |
Foxboro |
Foxboro Stadium flac16; Matrix 2 Source Mix - SBD (shnid = 106404) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147814) Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 - matrix mixing by Kevin Tobin
|
notes
|
| 12726. |
07/14/90 |
Dts Audio 5.1 - ,
152772 |
Foxboro |
Foxboro Stadium DTS-Audio-CD 5.1 Mix; - SBD (shnid = 106404) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147814) Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 - dts mixing by Kevin Tobin
|
notes
|
| 12727. |
07/14/90 |
Flac 16/48 - ,
152773 |
Foxboro |
Foxboro Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106404) Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 147814) Recording Info: Master Audience Recording Nakamichi 300 Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722 - surround mixing by Kevin Tobin
|
notes
|
| 12728. |
07/16/90 |
Flac 16 - 0,
95782 |
Orchard Park |
Rich Stadium flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12729. |
07/16/90 |
Flac 16 Mtx - 0,
128387 |
Orchard Park |
Rich Stadium flac16; 3 source matrix mix of AUD shnid 95580, SBD shnid 95782 and AUD shnid 116444; Mixed by Nick Crump
|
notes
|
| 12730. |
07/16/90 |
Shn - 0,
1316 |
Orchard Park |
Rich Stadium SBD> DAT> CD's> EAC> SHN; SHN/upload by Randall Ward, seed via Matt Knapp
|
notes
|
| 12731. |
07/16/90 |
Flac 24/96 - 0,
131229 |
Orchard Park |
Rich Stadium flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12732. |
07/16/90 |
Flac 1644 - 0,
131228 |
Orchard Park |
Rich Stadium flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12733. |
07/16/90 |
Flac 16 - 0,
98919 |
Orchard Park |
Rich Stadium flac16; Source: Nakamichi CM-100s with CP-4 shotgun caps > D-5 > mac; at the soundboard, a bit right of center if memory serves me correctly Lineage: mac > Nakamichi ZX-7 > Tascam HD-P2 > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16
|
notes
|
| 12734. |
07/16/90 |
Flac 16 - 0,
116444 |
Orchard Park |
Rich Stadium flac16; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Radio Shack Mixer>Sony D5>Sony D5 Unknown Number Of Patch In Line; Taper JB,Transfer By Keo; Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 12735. |
07/16/90 |
Flac 16 - 0,
121581 |
Orchard Park |
Rich Stadium flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Traders Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12736. |
07/16/90 |
Shn - 0,
84980 |
Orchard Park |
Rich Stadium DSBD>CD
|
notes
|
| 12737. |
07/16/90 |
Flac 16 - 0,
95580 |
Orchard Park |
Rich Stadium flac16; FOB AUD: Sennheiser MD-441's > Sony TC-D5M > TDK SA 90's with no Dolby. Mics on stand, 18th row FOB. Taped by Alabama Bob. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1644. Transfer by Andrew F.
|
notes
|
| 12738. |
07/16/90 |
Flac 16 - 0,
32018 |
Orchard Park |
Rich Stadium flac16; 1st Set:Soundboard->DAT@48 kHz->DAT.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record/resample->CDWAV (track) ->FLAC. 2nd Set:Soundboard->DAT@44.1 kHz->DAT.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC. Conversion by Mark Lynn
|
notes
|
| 12739. |
07/16/90 |
Flac 24/96 - 0,
121580 |
Orchard Park |
Rich Stadium flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12740. |
07/16/90 |
Flac 24/96 - 0,
116445 |
Orchard Park |
Rich Stadium flac24; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Radio Shack Mixer>Sony D5>Sony D5 Unknown Number Of Patch In Line; Taper JB,Transfer By Keo; Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 12741. |
07/16/90 |
Flac 16/48 - 0,
142695 |
Orchard Park |
Rich Stadium flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording: Set I: Spaced Schoeps CMC5 MK21 > Jensen PS > DAT (Panasonic SV250); Mics spaced @ 8'5" on stands @ 6'; Set II: Spaced Schoeps CMC3 MK2 > Jensen PS > DAT (Panasonic SV250). Mics spaced @ 8'5" on stands @ 6'5"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 12742. |
07/16/90 |
Flac 16 - 0,
133997 |
Orchard Park |
Rich Stadium flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
|
notes
|
| 12743. |
07/16/90 |
Flac 16/48 - 0,
143604 |
Orchard Park |
Rich Stadium flac16/48kHz; Set 1 Dave Brotman Master DAT Recording: (FOB/DFC) Schoeps CMC3/MK2S (spaced 8'3" stands 6'4") > JE13 > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 12744. |
07/16/90 |
Flac 16/48 - 0,
145658 |
Orchard Park |
Rich Stadium flac16/48kHz; Source: Utramatrix > Dat (48k) - Provided by Rich Gastwirt; Transfer: Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick March 2019
|
notes
|
| 12745. |
07/16/90 |
Flac 16 - 0,
149401 |
Orchard Park |
Rich Stadium flac16; Source: Dak Shotgun Mics>Sony WM-D6C Cassette Deck>2 Maxell XL-II 90 And 100 Minute Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
|
notes
|
| 12746. |
07/18/90 |
Flac 16 - 0,
95807 |
Noblesville |
Deer Creek Music Center flac16; Recording Info:Set 1: SBD -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD; Set 2: SBD -> Dat Master (48k); Transfer Info:Set 1: CD -> Samplitude Professional v10.1 -> FLAC; Set 2: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12747. |
07/18/90 |
Shn - 0,
28889 |
Noblesville |
Deer Creek Music Center Set1 SBD>>DAT>>MC>>SHN>>DAW(Bertha)>>CDA/SHN + Set2 SBD>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A+
|
notes
|
| 12748. |
07/18/90 |
Flac 24/96 - 0,
131339 |
Noblesville |
Deer Creek Music Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12749. |
07/18/90 |
Flac 16 - 0,
131337 |
Noblesville |
Deer Creek Music Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12750. |
07/18/90 |
Flac 16 - 0,
117698 |
Noblesville |
Deer Creek Music Center flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 12751. |
07/18/90 |
Shn - 0,
12760 |
Noblesville |
Deer Creek Music Center whole show, SBD> 5th Gen analog cassette> Sound Forge> CD> EAC> SHN, with AUD splice in Drums tape flip; via Jeff Wilson
|
notes
|
| 12752. |
07/18/90 |
Shn - 0,
32218 |
Noblesville |
Deer Creek Music Center Braverman fix and cleanup of previously circulating Miller source (SHNID 26352). Purports to fix/clean up only d1t01, d1t02, d2t07, and d3t01 through d3t04 of original source. See text file for details.
|
notes
|
| 12753. |
07/18/90 |
Shn - 0,
12579 |
Noblesville |
Deer Creek Music Center Source for set 1: SBD Lineage: MC> C5*> SoundForge> CD> EAC> SHN Source for set 2: SBD Lineage: unknown, likely S:DAT> C> DAT> CD> SHN via Mike W and Mike Lai; seeded and tracked by Peter Braverman
|
notes
|
| 12754. |
07/18/90 |
Flac 24/48 - 0,
117697 |
Noblesville |
Deer Creek Music Center flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 12755. |
07/18/90 |
Shn - 0,
26352 |
Noblesville |
Deer Creek Music Center SBD, mixed source: Set 1: SBD> Dat> Cassette Master; Set 2: SBD> Dat> CD; Set 1 Transfer: Cassette Master> ART DIO (24bit/96k)> Sound Forge 7> CD> EAC> SHN; SHN Conversion By Charlie Miller; see pub comments for additional lineage notes
|
notes
|
| 12756. |
07/18/90 |
Flac 16 - 0,
118904 |
Noblesville |
Deer Creek Music Center flac16; Recorded by Dave Cohen and Justin Lee 2 Nakamichi CM300 Omnis Spaced at 2 meters>Nakamichi 550 w/dolby B Maxell XLIIS90s cassettes 3/4 of the way back in OTS, DFC; The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transfer by Dave Cohen
|
notes
|
| 12757. |
07/18/90 |
Flac 16 Mtx - 0,
132853 |
Noblesville |
Deer Creek Music Center flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:095807) Set 1: SBD -> Cassette Master -> ART DIO (24bit/96k) -> Sound Forge 7 -> CD; Set 2: SBD -> Dat Master (48k) and Audience (shnid:118904) 2 Nakamichi CM300 Omnis Spaced at 2 meters -> Nakamichi 550 w/dolby B; Maxell XLIIS90s cassettes
|
notes
|
| 12758. |
07/18/90 |
Flac 16 - 0,
137862 |
Noblesville |
Deer Creek Music Center flac16; Updated Source: Neumann KM54 > Neumann P/S > Denon DTR-80P (44.1 khz); Location: FOB; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)> Firewire> Macbook> Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.38(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Craig Hillwig; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 12759. |
07/18/90 |
Flac 16/48 - 0,
138229 |
Noblesville |
Deer Creek Music Center flac16/48kHz; Rick Katzeff recording: Schoeps CMC34 at 110 degrees ORTF on Schoeps t-bar > Oade PS > Panasonic SV255. 1st set 20th row hand held DFC; 2nd set 25th row DFC with 6'3" stand; John Ammons; Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 12760. |
07/18/90 |
Shn - 0,
7358 |
Noblesville |
Deer Creek Music Center unknown aud>?>cdr>eac>shn; via Paul B.; Tony Gardner
|
notes
|
| 12761. |
07/18/90 |
Flac 16 - 0,
97366 |
Noblesville |
Deer Creek Music Center flac16; Source: NAK550>2 CM300's w/CP4 Shotguns, 1 CM300 (Center Mic) Lineage: MC>WAV>FLAC Recorded and Encoded by Cousinit
|
notes
|
| 12762. |
07/18/90 |
Flac 16 - 0,
118892 |
Noblesville |
Deer Creek Music Center flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; This was recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. We were located in the designated "taper" section for this recording. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)
|
notes
|
| 12763. |
07/18/90 |
Flac 16/48 - 0,
143605 |
Noblesville |
Deer Creek Music Center flac16/48kHz; Dave Brotman Master Dat Recording: (FOB/Row 20/21) Schoeps CMC3/MK4 (ortf) > M1000 > Oade Pre-Amp > Dat (Panasonic SV-255/48k); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 12764. |
07/18/90 |
Flac 24 - 0,
147560 |
Noblesville |
Deer Creek Music Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24
|
notes
|
| 12765. |
07/18/90 |
Flac 16 - 0,
147774 |
Noblesville |
Deer Creek Music Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 12766. |
07/18/90 |
Flac 24/96 - 0,
147817 |
Noblesville |
Deer Creek Music Center flac24; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
|
notes
|
| 12767. |
07/18/90 |
Flac 16/48 - 0,
147816 |
Noblesville |
Deer Creek Music Center flac16/48kHz; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
|
notes
|
| 12768. |
07/19/90 |
Flac 16 - 0,
95783 |
Noblesville |
Deer Creek Music Center flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12769. |
07/19/90 |
Flac 16 - 0,
34617 |
Noblesville |
Deer Creek Music Center flac16; Seamless fix of shn id 2177 - DSBD>DAT>CD-R>EAC>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 12770. |
07/19/90 |
Flac 24/96 - 0,
131316 |
Noblesville |
Deer Creek Music Center flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12771. |
07/19/90 |
Flac 16 - 0,
131315 |
Noblesville |
Deer Creek Music Center flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12772. |
07/19/90 |
Flac 16 - 0,
117700 |
Noblesville |
Deer Creek Music Center flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 12773. |
07/19/90 |
Flac 16 - 0,
105263 |
Noblesville |
Deer Creek Music Center flac16; TAPER: Greg Holtz SOURCE: FOB Sec B Row 17 DFC Nakamichi CM-100's with CP-1 caps -> Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
|
notes
|
| 12774. |
07/19/90 |
Shn - 0,
2177 |
Noblesville |
Deer Creek Music Center DSBRD> DAT> CD-R> EAC> SHN; via Garcia420 to abgd
|
notes
|
| 12775. |
07/19/90 |
Flac 16 - 0,
32354 |
Noblesville |
Deer Creek Music Center flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 12776. |
07/19/90 |
Flac 24/48 - 0,
117699 |
Noblesville |
Deer Creek Music Center flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 12777. |
07/19/90 |
Flac 16 - 0,
118905 |
Noblesville |
Deer Creek Music Center flac16; Recorded by Dave Cohen and Justin Lee 2 Nakamichi CM300 Omnis Spaced at 2 meters>Nakamichi 550 w/dolby B Maxell XLIIS90s cassettes 3/4 of the way back in OTS, DFC The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transfer by Dave Cohen
|
notes
|
| 12778. |
07/19/90 |
Flac 16 Mtx - 0,
132854 |
Noblesville |
Deer Creek Music Center flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:095783) SBD -> Dat Master (48k) and Audience (shnid:118905) 2 Nakamichi CM300 Omnis Spaced at 2 meters -> Nakamichi 550 w/dolby B; Maxell XLIIS90s cassettes
|
notes
|
| 12779. |
07/19/90 |
Flac 16/48 - 0,
142346 |
Noblesville |
Deer Creek Music Center flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 (ORTF)> Jensen 16's > DAT (Panasonic sv250); Location: row 5/v center; Charlie Miller Transfer of clone from master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 12780. |
07/19/90 |
Flac 16 - 0,
118893 |
Noblesville |
Deer Creek Music Center flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; This was recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. We were located in the designated "taper" section for this recording. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)
|
notes
|
| 12781. |
07/19/90 |
Flac 24 - 0,
147566 |
Noblesville |
Deer Creek Music Center flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12782. |
07/19/90 |
Flac 16 - 0,
147777 |
Noblesville |
Deer Creek Music Center flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 12783. |
07/19/90 |
Flac 24/96 - ,
154264 |
Noblesville |
Deer Creek Music Center flac2496; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
|
notes
|
| 12784. |
07/19/90 |
Flac 16/48 - ,
154265 |
Noblesville |
Deer Creek Music Center flac1648; Recording Info: Master Audience Recording Audio Technica 815a Mics > Marantz PMD430 Recorder, DBX on > Maxell XLII-S cassette; Transfer info: Cassette Master -> Nakamichi Cassette Deck 1.5 > DBX 224X-DS Noise Reduction System > Sound Devices 722
|
notes
|
| 12785. |
07/21/90 |
Flac 16 - 0,
95809 |
Tinley Park |
World Music Theatre flac16; Recording Info:SBD -> Dat Master (48k); Transfer Info:Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12786. |
07/21/90 |
Flac 24/96 - 0,
131365 |
Tinley Park |
World Music Theatre flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
This is your collection
|
notes
|
| 12787. |
07/21/90 |
Flac 16 - 0,
131366 |
Tinley Park |
World Music Theatre flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
This is your collection
|
notes
|
| 12788. |
07/21/90 |
Flac 16 - 0,
117734 |
Tinley Park |
World Music Theatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 12789. |
07/21/90 |
Shn - 0,
7832 |
Tinley Park |
World Music Theatre Master Soundboard DAT > CDR,EAC'ed / SHN'ed by Scott Clugston; to abgd via Charlie Connor
|
notes
|
| 12790. |
07/21/90 |
Shn - 0,
2109 |
Tinley Park |
World Music Theatre SBD> D-> CDR-> EAC> SHN; Ripped by John Zei; Drums & Space are cut
|
notes
|
| 12791. |
07/21/90 |
Flac 24/96 - 0,
117733 |
Tinley Park |
World Music Theatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 12792. |
07/21/90 |
Flac 16 - 0,
112524 |
Tinley Park |
World Music Theatre flac16; Field Gear: Nakamichi CM-300's w/ CP-4 shotgun capsules > Sony D-5 > MAC; Taping location: Front of Lawn; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > TLH > FLAC Level 8; Taped, transferred, mastered, track/FLAC by Greg Holtz
|
notes
|
| 12793. |
07/21/90 |
Flac 16/48 - 0,
142004 |
Tinley Park |
World Music Theatre flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 (ORTF) > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 12794. |
07/21/90 |
Flac 16 - 0,
131538 |
Tinley Park |
World Music Theatre flac16; FOB/Schoeps CMC 34's>(presumed Oade p/s)> (presumed SV-250 or 255) by (likely Katzeff or Mattes); DAT clones provided by Lance Deal; Transfer: Fostex D-5 (optical)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CD Wave (tracking)> TLH (SBE's/Flac/md5); Transferred and liberated to etree on October 14, 2014 by Will Petty
|
notes
|
| 12795. |
07/21/90 |
Flac 16/48 - 0,
143930 |
Tinley Park |
World Music Theatre flac16/48kHz; Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48
|
notes
|
| 12796. |
07/21/90 |
Flac 16 - 0,
133841 |
Tinley Park |
World Music Theatre flac16; lineage: sbd/aud matrix>dat>cd> eac> cdwave> traders little helper encoding option 8
|
notes
|
| 12797. |
07/21/90 |
Flac 24 UMtx. - 0,
150458 |
Tinley Park |
World Music Theatre flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12798. |
07/21/90 |
Flac 16 - 0,
150502 |
Tinley Park |
World Music Theatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 12799. |
07/21/90 |
Flac 16/48 - 0,
150564 |
Tinley Park |
World Music Theatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 150458) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 143930) Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 - surround mixing by Kevin Tobin
|
notes
|
| 12800. |
07/21/90 |
Dts Audio 5.1 - 0,
150563 |
Tinley Park |
World Music Theatre DTS-Audio-CD 5.1 Mix; - SBD (shnid = 150458) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 143930) Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 - dts mixing by Kevin Tobin
|
notes
|
| 12801. |
07/21/90 |
Flac 16 Mtx - 0,
150562 |
Tinley Park |
World Music Theatre flac16; Matrix 2 Source Mix - SBD (shnid = 150458) Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 143930) Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info: Set I, Section 103 Row AA Seat 27 (hand held); Set II, row 27 center, mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48 - matrix mixing by Kevin Tobin
|
notes
|
| 12802. |
07/22/90 |
Flac 16 - 0,
115497 |
Tinley Park |
World Music Theatre flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes a drop out in d2t03 of source ID 95870
|
notes
|
| 12803. |
07/22/90 |
Flac 24/96 - 0,
131372 |
Tinley Park |
World Music Theatre flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Renam
|
notes
|
| 12804. |
07/22/90 |
Flac 1644 - 0,
131371 |
Tinley Park |
World Music Theatre flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12805. |
07/22/90 |
Flac 16 - 0,
117740 |
Tinley Park |
World Music Theatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 12806. |
07/22/90 |
Flac 16 - 0,
112525 |
Tinley Park |
World Music Theatre flac16; Field Gear: Nakamichi CM-300's w/ CP-4 shotgun capsules > Sony D-5 > MAC; Taping location: 3rd level corporate box inside pavilion; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > TLH > FLAC Level 8; Taped, transferred, mastered, track/FLAC by Greg Holtz
|
notes
|
| 12807. |
07/22/90 |
Shn - 0,
9397 |
Tinley Park |
World Music Theatre Jay Ashley (Bertha) remaster of Master DAT source; SBD>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA
|
notes
|
| 12808. |
07/22/90 |
Flac 24/48 - 0,
117739 |
Tinley Park |
World Music Theatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 12809. |
07/22/90 |
Shn - 0,
7834 |
Tinley Park |
World Music Theatre Master Soundboard DAT > CDR,EAC'ed / SHN'ed by Scott Clugston, to abgd via Charlie Connor
|
notes
|
| 12810. |
07/22/90 |
Flac 16 - 0,
95870 |
Tinley Park |
World Music Theatre flac16; Recording Info:SBD -> Dat Master (48k); Transfer Info:Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
|
notes
|
| 12811. |
07/22/90 |
Flac 16/48 - 0,
138459 |
Tinley Park |
World Music Theatre flac16/48kHz; Rick Katzeff recording: FOB Schoeps cardioids* at 110 degrees ORTF > Panasonic SV250 > DAT; Set I is labeled CMC34 & set II is labeled CMC54; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 12812. |
07/22/90 |
Flac 16/48 - 0,
142005 |
Tinley Park |
World Music Theatre flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 (ORTF) > DAT (Panasonic SV250); Location info: s1, Section 103 Row BB Seat 28 (hand held); s2, same as s1, mics on stand @ 6'2"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 12813. |
07/22/90 |
Flac 16/48 - 0,
143931 |
Tinley Park |
World Music Theatre flac16/48kHz; Dave Brotman Master DAT Recording: Schoeps CMC3 MK4 (ORTF) Oade PS > M100 cable > DAT (Panasonic SV250); Location info (FOB): s1, Section 103 Row BB Seat 28 (hand held); s2, same as s1, mics on stand @ 6'2"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Edited & Mastered by Joe Noel; Flac 16/48 > Audacity > 16/48
|
notes
|
| 12814. |
07/22/90 |
Flac 16 - 0,
133842 |
Tinley Park |
World Music Theatre flac16; lineage: sbd/aud matrix>dat>cd> eac> traders little helper encoding option 8
|
notes
|
| 12815. |
07/22/90 |
Flac 24/96 - ,
158175 |
Tinley Park |
World Music Theatre flac2496 Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 12816. |
07/22/90 |
Flac 16/44 - ,
158192 |
Tinley Park |
World Music Theatre flac1644 Recording Info: Ultramatrix SBD > Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite > FLAC/24 - This is 158175 2496 > 1644
|
notes
|
| 12817. |
07/23/90 |
Flac 16 - 0,
95898 |
Tinley Park |
World Music Theatre flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12818. |
07/23/90 |
Flac 16 - 0,
131406 |
Tinley Park |
World Music Theatre flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12819. |
07/23/90 |
Flac 24/96 - 0,
131407 |
Tinley Park |
World Music Theatre flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12820. |
07/23/90 |
Flac 16 - 0,
117751 |
Tinley Park |
World Music Theatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 12821. |
07/23/90 |
Flac 24 - 0,
117750 |
Tinley Park |
World Music Theatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 12822. |
07/23/90 |
Flac 16 - 0,
112526 |
Tinley Park |
World Music Theatre flac16; Field Gear: Nakamichi CM-300's w/ CP-4 shotgun capsules > Sony D-5 > MAC; Taping location: Front Row Lawn; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > TLH > FLAC Level 8; Taped, transferred, mastered, track/FLAC by Greg Holtz
|
notes
|
| 12823. |
07/23/90 |
Shn - 0,
7612 |
Tinley Park |
World Music Theatre sbd>dat>cd>shn; via Ed O'Connor
|
notes
|
| 12824. |
07/23/90 |
Shn - 0,
7835 |
Tinley Park |
World Music Theatre Master Soundboard DAT > CDR, EAC'ed / SHN'ed by Scott Clugston, to abgd via Charlie Connor
|
notes
|
| 12825. |
07/23/90 |
Shn - 0,
7417 |
Tinley Park |
World Music Theatre listed as SBD, no other source in info file seeded by Chaser
|
notes
|
| 12826. |
07/23/90 |
Flac 16 - 0,
81303 |
Tinley Park |
World Music Theatre flac16; Bertha Remaster of shn id 7835: Master SBD DAT > CDR >DAW(Bertha) > SHN > WAV > FLAC (note: the original shn file set has not been distributed)
|
notes
|
| 12827. |
07/23/90 |
Flac 16 - 0,
133843 |
Tinley Park |
World Music Theatre flac16; lineage: sbd/aud matrix>dat>cd> eac> traders little helper encoding option 8
|
notes
|
| 12828. |
07/23/90 |
Flac 16/48 - 0,
142006 |
Tinley Park |
World Music Theatre flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 ORTF > DAT (Panasonic SV250); Location info: Row 26 Center mics on stand @ 6'3"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 12829. |
07/23/90 |
Flac 24/96 - 0,
135062 |
Tinley Park |
World Music Theatre flac24; Source: Schoeps CMC-34 Cardioids, 110° ORTF, Up Front/FOB-> ProLink Cables -> Neumann Power Supply -> SV25 -> Nak 682ZX -> TDK MA 110 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
|
notes
|
| 12830. |
07/23/90 |
Flac 16/48 - 0,
147604 |
Tinley Park |
World Music Theatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 95898) Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138985) Rick Katzeff FOB Recording: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Checksum & tags created in xACT - surround mixing by Kevin Tobin
|
notes
|
| 12831. |
07/23/90 |
Flac 16 Dts.5.1 - 0,
147602 |
Tinley Park |
World Music Theatre DTS-Audio-CD 5.1 Mix; - SBD (shnid = 95898) Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138985) Rick Katzeff FOB Recording: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Checksum & tags created in xACT - dts mixing by Kevin Tobin
|
notes
|
| 12832. |
07/23/90 |
Flac 16 Mtx - 0,
147601 |
Tinley Park |
World Music Theatre flac16; Matrix 2 Source Mix - SBD (shnid = 95898) Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 138985) Rick Katzeff FOB Recording: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Checksum & tags created in xACT - matrix mixing by Kevin Tobin
|
notes
|
| 12833. |
07/23/90 |
Flac 24 UMtx. - 0,
147719 |
Tinley Park |
World Music Theatre flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12834. |
07/23/90 |
Flac 16 - 0,
147778 |
Tinley Park |
World Music Theatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK MA-X90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 12835. |
07/23/90 |
Flac 16/48 - 0,
138958 |
Tinley Park |
World Music Theatre flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Checksum & tags created in xACT
|
notes
|
| 12836. |
08/28/90 |
Flac 24/96 - ,
156714 |
San Rafael |
Club Front flac2496 Recording Info: SBD > Cassette Master (TDK SA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) >Tascam Hi-Res Editor (WAV 24-bit-96k) > Samplitude Pro X6 Suite > FLAC24 (1 DVD FLAC) All Transfers and Mastering by Charlie Miller. May 9, 2022 Notes: -- This is not the full band -- Thanks to David Beckwith for supplying the cassette
|
notes
|
| 12837. |
08/28/90 |
Flac 16/44 - ,
157161 |
San Rafael |
Club Front flac1644 Recording Info: SBD > Cassette Master (TDK SA-XG90) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) >Tascam Hi-Res Editor (WAV 24-bit-96k) > Samplitude Pro X6 Suite > FLAC24 (1 DVD FLAC) All Transfers and Mastering by Charlie Miller. May 9, 2022 Notes: -- This is not the full band -- Thanks to David Beckwith for supplying the cassette - This is 156714 2496 -> 1644
|
notes
|
| 12838. |
09/07/90 |
Flac 16 - 0,
92240 |
Richfield |
Richfield Coliseum flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 12839. |
09/07/90 |
Flac 16 - 0,
131684 |
Richfield |
Richfield Coliseum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: TDK SA-100's; Microphones Set Up Upper seats Last Row Vince's Side; Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12840. |
09/07/90 |
Flac 24/96 - 0,
131685 |
Richfield |
Richfield Coliseum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: TDK SA-100's; Microphones Set Up Upper seats Last Row Vince's Side; Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12841. |
09/07/90 |
Flac 16 - 0,
98877 |
Richfield |
Richfield Coliseum flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony D-5 Transfer: Master Cassettes (Maxell MX90) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology -> Traders Little Helper flac8
|
notes
|
| 12842. |
09/07/90 |
Flac 16 44,1khz - 0,
101018 |
Richfield |
Richfield Coliseum flac16; Source: Audience > Nakamichi 300s with cp1 caps > Sony WM-D6 > MAC (Sony Metal-SR) Transfer: MAC > Nakamichi BX-125E > EMU 0202 > Wavelab > wav 24/96 > Adobe Audition > Wavelab (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16; Taped by John Bleich from OTS sec 8, row ccc, seat 3
|
notes
|
| 12843. |
09/07/90 |
Shn - 0,
13253 |
Richfield |
Richfield Coliseum SBD> Cassette; Conversion: Tascam DA-20 MK II > (via RCA analog for Emphasis removal) Tascam DA-20 >Delta Dio 2496 > Soundforge XP 4.5 > CDRWIN > EAC > SHN, by Rob (Odeo) Harrison
|
notes
|
| 12844. |
09/07/90 |
Flac 16/48 - 0,
146060 |
Richfield |
Richfield Coliseum flac16/48kHz; Recording info: (FOB) Schoeps CMC3/MK4 (110°) > M1000 Cables > Oade Preamp > Master Dat (Panasonic SV-250/48k). Location: (Sect. 2, Row V, Seat 11, mics hand held); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48 Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel
|
notes
|
| 12845. |
09/07/90 |
Flac 16/48 - 0,
138484 |
Richfield |
Richfield Coliseum flac16/48kHz; Rick Katzeff Recording: Schoeps CMC34 at 110 degrees ORTF > Panasonic SV250; FOB, Row V Center; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 12846. |
09/08/90 |
Flac 16 Mtx - 0,
97359 |
Richfield |
Richfield Coliseum flac16; matrix of SBD: shnid=92241 and AUD: shnid=11662 by hansokolow using ProTools
|
notes
|
| 12847. |
09/08/90 |
Flac 16 - 0,
112302 |
Richfield |
Richfield Coliseum flac16; Field Equipment: Sanken 2-way Capsule Stereo Microphone > Sony D-5; Transfer: MAC>Tascam 112 MKII > Edirol R-09 (16/44) > Audacity > TLH > FLAC; Recorded, transferred, tracked & FLAC'd by Greg Holtz
|
notes
|
| 12848. |
09/08/90 |
Flac 24/96 - 0,
131696 |
Richfield |
Richfield Coliseum SHNID: 131696 flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5; Tapes: Maxell XLII-s 90 *, Maxell MX 100; Microphones Set Up Upper seats Last Row Vince's Side Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12849. |
09/08/90 |
Flac 16 - 0,
131695 |
Richfield |
Richfield Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D5; Tapes: Maxell XLII-s 90 *, Maxell MX 100; Microphones Set Up Upper seats Last Row Vince's Side Between Half And A Quarter Away From Stage; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
This is your collection
|
notes
|
| 12850. |
09/08/90 |
Flac 16 - 0,
92241 |
Richfield |
Richfield Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 12851. |
09/08/90 |
Shn - 0,
14045 |
Richfield |
Richfield Coliseum Set 2 only SBD>CM>DAT>CDR>EAC>SHN All transcription and conversion from DAT done by JR Fishman NY, NY fishmanj_98@yahoo.com
|
notes
|
| 12852. |
09/08/90 |
Flac 16 - 0,
101148 |
Richfield |
Richfield Coliseum flac16; Source: Audience > Nakamichi 300s with cp1 caps > Sony WM-D6 > MAC (Maxel XL II-S) Transfer: MAC > Nakamichi BX-125E > EMU 0202 > Wavelab > wav 24/96 > Adobe Audition > Wavelab (with iZotope Ozone 4) > iZotope RX Advanced > wav 16/44.1 > CD Wave > TLH > flac16 Taped by John Bleich from OTS sec 8, row ccc, seat 14
|
notes
|
| 12853. |
09/08/90 |
Flac 16 - 0,
98889 |
Richfield |
Richfield Coliseum flac16; Taper: Greg Holtz Source: Nakamichi cm 100's w/shotguns -> Sony D-5 Transfer: Master Cassettes (Maxell MX90) Tascam 112 -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Mastered in Wave Lab 5.0 using UAD Technology -> Traders Little Helper flac8
|
notes
|
| 12854. |
09/08/90 |
Shn - 0,
11662 |
Richfield |
Richfield Coliseum AUD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley
|
notes
|
| 12855. |
09/08/90 |
Flac 16/48 - 0,
144620 |
Richfield |
Richfield Coliseum flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick 2019
|
notes
|
| 12856. |
09/08/90 |
Flac 16/48 - 0,
146061 |
Richfield |
Richfield Coliseum flac16/48kHz; Set 1 Recording info: B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k) Location: (DFC, Row 1, OTS); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel
|
notes
|
| 12857. |
09/10/90 |
Flac 16 - 0,
80955 |
Philadelphia |
The Spectrum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 12858. |
09/10/90 |
Flac 16 Mtx - 0,
137115 |
Philadelphia |
The Spectrum flac16; 2 Source Matrix by Dusborne; Soundboard (Shnid:80955)Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16; Audience (Shnid:11807) Source: AUD(Nak. 300's>D-5)>CM>??>CDR>There maybe another Cass. gen in the lineage. Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
|
notes
|
| 12859. |
09/10/90 |
Flac 16/48 - 0,
142361 |
Philadelphia |
The Spectrum flac16/48kHz; Set I - Rick Katzeff Recording; Schoeps CMC44 (110ยบ ORT F) > M100 > DAT (Panasonic SV250). Location; FOB, Sect 102; Row 14; Seat 13; Set II - Rich Berner; B&K 4011's (110ยบ ORTF) > Neumann P.S. > DAT (Sony D10 Pro); Location; Row 16; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV
|
notes
|
| 12860. |
09/10/90 |
Shn - 0,
11807 |
Philadelphia |
The Spectrum AUD(Nak. 300's>D-5)>CM>??>CDR; See info file for edit notes; via Dan Faust; Seeded to Etree by T. Wiley
|
notes
|
| 12861. |
09/10/90 |
Shn - 0,
8702 |
Philadelphia |
The Spectrum AUD>DAT>CDR; Seeded to etree by Tim Wiley
|
notes
|
| 12862. |
09/10/90 |
Flac 16/48 - 0,
146062 |
Philadelphia |
The Spectrum flac16/48kHz; Recording info: Schoeps CMC4/MK4 (110°) > M1000 Cables > Oade Preamp > Master DAT (Panasonic SV-250/48k). Location: FOB; Sec, 102 Row 14, Seat 13 (mics hand held); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel
|
notes
|
| 12863. |
09/11/90 |
Flac 16 - 0,
122145 |
Philadelphia |
The Spectrum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12864. |
09/11/90 |
Flac 24/48 - 0,
122144 |
Philadelphia |
The Spectrum flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12865. |
09/11/90 |
Flac 16 - 0,
121665 |
Philadelphia |
The Spectrum
|
notes
|
| 12866. |
09/11/90 |
Flac 24/96 - 0,
121664 |
Philadelphia |
The Spectrum flac24; Master Audience Recorded By MR. Currier, Transfer By Keo; AKGC451EB/CK1's>AKG 9V Phantom Power>Marantz PDM 430> Probaly Dolby (Not Marked)>Tapes Maxell MX-100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12867. |
09/11/90 |
Shn - 0,
11809 |
Philadelphia |
The Spectrum (Healy Mix)SBD>DAT>C>DAT>CDR; with FOB(Nak. 300's>D-5)>CM>??>CDR patches; See info file for details; via Paul B and Dan Faust; Seeded to Etree by T. Wiley
|
notes
|
| 12868. |
09/11/90 |
Flac 16 Mtx - 0,
137116 |
Philadelphia |
The Spectrum flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:122145) Recording Info: SBD -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; Audience (shnid:011808)Source: FOB(Nak. 300's > D-5) > CM >?? > CDR >There maybe another Cass. gen. in the lineage. Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable
|
notes
|
| 12869. |
09/11/90 |
Flac 16/48 - 0,
142423 |
Philadelphia |
The Spectrum flac16/48kHz; Set 1 Rich Berner FOB Recording; B&K 4011s @ 110ยบ ORTF > Mod Neumann PS > DAT (Sony D10 Pro). Location; Section 102 Row 16 Seat 9; mics on stand @ 6'; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV
This is your collection
|
notes
|
| 12870. |
09/11/90 |
Shn - 0,
11808 |
Philadelphia |
The Spectrum FOB(Nak. 300's>D-5)>CM>??>CDR; See info file for edit notes; via Dan Faust; Seeded to Etree by T. Wiley
|
notes
|
| 12871. |
09/11/90 |
Flac 16/48 - 0,
146063 |
Philadelphia |
The Spectrum flac16/48kHz; Recording info: B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k). Location: FOB; Sec, 102 Row 14, Seat 13 (mics on stand @ 6'); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel
|
notes
|
| 12872. |
09/12/90 |
Flac 16 - 0,
74247 |
Philadelphia |
The Spectrum flac16; SBD > Dat > Cassette Master (TDK SA100) > Dat (44.1k) > Sony D8 > VX Pocket 440 > Sony Vaio C1VP > Samplitude Professional v7.02 > FLAC; Transfers and Mastering By Charlie Miller
|
notes
|
| 12873. |
09/12/90 |
Shn - 0,
8818 |
Philadelphia |
The Spectrum First set only; (Healy Mix) SBD> Cassette Master> ??> CDR; Seeded to etree by Tim W
|
notes
|
| 12874. |
09/12/90 |
Flac 16 Mtx - 0,
137117 |
Philadelphia |
The Spectrum flac16; 2 Source Matrix by Dusborne; Soundboard (Shnid:74247) Recording Info: SBD -> Dat -> Cassette Master (TDK SA100) -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC; Audience (Shnid:7741)Source:Schoeps CMC-34?s, FOB-AUD>DAT>CDR
|
notes
|
| 12875. |
09/12/90 |
Flac 16/48 - 0,
142424 |
Philadelphia |
The Spectrum flac16/48kHz; Rich Berner FOB Recording; B&K 4011s @ 110ยบ ORTF > Mod Neumann PS > DAT (Sony D10 Pro). Location; Section 102 Row 16 Seat 9; mics on stand @ 6'; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > WAV
|
notes
|
| 12876. |
09/12/90 |
Shn - 0,
7741 |
Philadelphia |
The Spectrum Schoeps CMC-34?s, FOB-AUD> DAT> CDR; via Paul B.; Tim Wiley
|
notes
|
| 12877. |
09/12/90 |
Flac 16/48 - 0,
146065 |
Philadelphia |
The Spectrum flac16/48kHz; Recording info: B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k); Location: FOB, Sec 102, Row 15 (s1) Row 14 (s2), Seat 13 (mics on stand @ 6'); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel
|
notes
|
| 12878. |
09/12/90 |
Shn - 0,
13141 |
Philadelphia |
The Spectrum Schoeps MK4V> DAT> CD-R> EAC> ADDAWAV (for retracking set 1)> CDRWAV> MKWACT> SHN; via JR Fishman
|
notes
|
| 12879. |
09/14/90 |
Flac 16 Mtx - 0,
97443 |
New York |
Madison Square Garden flac16; matrix of DSBD: shnid=74405 and DAUD: shnid=88942 by hansokolow using ProTools
|
notes
|
| 12880. |
09/14/90 |
Flac 16 - 0,
74405 |
New York |
Madison Square Garden flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> VX Pocket 440 -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 12881. |
09/14/90 |
Shn - 0,
7769 |
New York |
Madison Square Garden analog sbd> dat> cd> eac> cd; via Jeff Fishman; Steve Barbella
|
notes
|
| 12882. |
09/14/90 |
Flac 16 - 0,
92017 |
New York |
Madison Square Garden flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony TC-D5M > Sony TC-D5M > Maxell MX90/100, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Taped and transferred by Andrew F.
|
notes
|
| 12883. |
09/14/90 |
Flac 16/48 - 0,
141164 |
New York |
Madison Square Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
|
notes
|
| 12884. |
09/14/90 |
Flac 16 - 0,
88942 |
New York |
Madison Square Garden flac16; Ambient Recording by Sean Weber & Rick Katseff B&K 4011's ORTF -> Grace pre -> Panasonic SV250 line-in transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +6dB digital gain added in the transfer from DAT to CDR master
|
notes
|
| 12885. |
09/14/90 |
Flac 16 - 0,
117928 |
New York |
Madison Square Garden flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 12886. |
09/14/90 |
Shn - 0,
11810 |
New York |
Madison Square Garden Dave Brotman FOB (15th row, center) AUD(Schoeps)> DAT> CDR; via Paul B; Seeded to Etree by T. Wiley
|
notes
|
| 12887. |
09/14/90 |
Flac 16/48 - 0,
144756 |
New York |
Madison Square Garden flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick January 2019
|
notes
|
| 12888. |
09/14/90 |
Shn - 0,
9623 |
New York |
Madison Square Garden Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects).
|
notes
|
| 12889. |
09/14/90 |
Flac 16/48 - 0,
150531 |
New York |
Madison Square Garden flac16/48kHz; Recording info: (FOB) B&K 4011 (110°) > B&K power supply > Master DAT (Panasonic SV-250/48k); Location: Section 2, row 15, seat 1 (mics on stand at 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Master Digital Audience Recording by Dave Brotman & Jeff Metchick; Transfer by Charlie Miller; Edited & Mastered by Joe Noel (Adobe Audition) August 22, 2020
|
notes
|
| 12890. |
09/15/90 |
Flac 16 - 0,
89070 |
New York |
Madison Square Garden flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 12891. |
09/15/90 |
Flac 16 Mtx - 0,
97498 |
New York |
Madison Square Garden flac16; matrix of SBD: shnid=89070 and DAUD: shnid=9047 by hansokolow using ProTools
|
notes
|
| 12892. |
09/15/90 |
Flac 24/96 - 0,
131637 |
New York |
Madison Square Garden flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12893. |
09/15/90 |
Flac 16 - 0,
131636 |
New York |
Madison Square Garden flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12894. |
09/15/90 |
Flac 24 - 0,
132066 |
New York |
Madison Square Garden flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12895. |
09/15/90 |
Flac 16 - 0,
132065 |
New York |
Madison Square Garden flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12896. |
09/15/90 |
Shn - 0,
7770 |
New York |
Madison Square Garden analog sbd>dat>cd>eac>cd; via Jeff Fishman; Steve Barbella
|
notes
|
| 12897. |
09/15/90 |
Shn - 0,
7746 |
New York |
Madison Square Garden DSBD> Sony SDT-9000> VDAT> WAV> CDWAV; via Martman
|
notes
|
| 12898. |
09/15/90 |
Flac 16 - 0,
77205 |
New York |
Madison Square Garden flac16; source: dsbd > dat > dat > dat@44k transfer: Sony D8(modified) > dat@44K > wavelab5.0 > wav > flac16 see text file for details
|
notes
|
| 12899. |
09/15/90 |
Flac 16 - 0,
92063 |
New York |
Madison Square Garden flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony TC-D5M > Sony TC-D5M > Maxell MX90/100, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Taped and transferred by Andrew F.
|
notes
|
| 12900. |
09/15/90 |
Flac 16 - 0,
77295 |
New York |
Madison Square Garden flac16; SBD -> Dat -> Cassette Master -> Dat Transferred By bendover@theotherones.org Mastered By Charlie Miller
|
notes
|
| 12901. |
09/15/90 |
Flac 16/48 - 0,
141165 |
New York |
Madison Square Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
|
notes
|
| 12902. |
09/15/90 |
Flac 16 - 0,
91474 |
New York |
Madison Square Garden b>flac16; Sennheiser ME-80's>Techinics SV-MD1 from Taper's Section Dat Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded by Keith Litzenberger
|
notes
|
| 12903. |
09/15/90 |
Flac 16 - 0,
88946 |
New York |
Madison Square Garden flac16; Ambient Recording by tdarian - John Corso B&K 4011's ORTF -> Grace Pre -> Panasonic SV250 line-in FOB 17th Row seat 3 near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +6dB digital gain added in the transfer from DAT to CDR master
|
notes
|
| 12904. |
09/15/90 |
Shn - 0,
9047 |
New York |
Madison Square Garden Recorded by Dave Brotman: FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects).
|
notes
|
| 12905. |
09/15/90 |
Flac 16/48 - 0,
144813 |
New York |
Madison Square Garden flac16/48kHz; Set 1 Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick January 2019
|
notes
|
| 12906. |
09/15/90 |
Flac 16 - ,
150667 |
New York |
Madison Square Garden flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Deck>2 TDK MA-X 90 And 110 Minute Cassette Master Tapes>Sony TC-D5M Cassette Deck (Playback) >Edirol R-09 HR (24/44.1 KHZ) >CD Wav Editor>Traders Little Helper >Flac level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
|
notes
|
| 12907. |
09/16/90 |
Flac 16 - 0,
132022 |
New York |
Madison Square Garden flac16; Set 1 And Encore Only; Master Audience Recorded By Mr. Currier, Tranfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tape: Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12908. |
09/16/90 |
Flac 24 - 0,
132021 |
New York |
Madison Square Garden flac24; Set 1 And Encore Only; Master Audience Recorded By Mr. Currier, Tranfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tape: Maxell MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12909. |
09/16/90 |
Flac 16 - 0,
92158 |
New York |
Madison Square Garden flac16; OTS AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony TC-D5M > Sony TC-D5M > Maxell MX90/100, with no Dolby. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Taped and transferred by Andrew F
|
notes
|
| 12910. |
09/16/90 |
Flac 16 Mtx - 0,
136806 |
New York |
Madison Square Garden flac16; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Wavelab 7.1 tape speed correction, Multiband Compression, Equalization, Volume and DC Offset
|
notes
|
| 12911. |
09/16/90 |
Flac 16/48 - 0,
141166 |
New York |
Madison Square Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
|
notes
|
| 12912. |
09/16/90 |
Flac 16 - 0,
125564 |
New York |
Madison Square Garden flac16; Taper: M. Laurentus; Loge/Taper Section Sec 57F,Row A,Seat 14; AT835B's- AT 8202’s-SONY TCD-5M-Cassette- Cassette-Tascam DR5 Line In-CD Wave- FLAC
|
notes
|
| 12913. |
09/16/90 |
Flac 16 - 0,
97707 |
New York |
Madison Square Garden flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC; Recorded By Keith Litzenberger
|
notes
|
| 12914. |
09/16/90 |
Shn - 0,
9435 |
New York |
Madison Square Garden Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects); Seeded to etree by Darrin Sacks; also to abgd via Charlie Connor
|
notes
|
| 12915. |
09/16/90 |
Shn - 0,
11663 |
New York |
Madison Square Garden Recorded by Dave Brotman, FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects); via Paul B; Seeded to Etree by T. Wiley
|
notes
|
| 12916. |
09/16/90 |
Flac 16 - 0,
88947 |
New York |
Madison Square Garden flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLink cables -> Neumann p48v -> Sony TCD-D10 DAT line-in Section 1 row 18 center - on center aisle Seat A FOB near center. transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 CDR master transfer by Mike French
|
notes
|
| 12917. |
09/16/90 |
Flac 16 - 0,
144815 |
New York |
Madison Square Garden flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This fileset is 16 bit @ 44.1
|
notes
|
| 12918. |
09/16/90 |
Flac 16/48 - 0,
144814 |
New York |
Madison Square Garden flac16/48kHz; Set 1 Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick January 2019
|
notes
|
| 12919. |
09/16/90 |
Flac 24 - 0,
144784 |
New York |
Madison Square Garden flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12920. |
09/16/90 |
Flac 16 Mtx - 0,
145946 |
New York |
Madison Square Garden flac16; Matrix: SBD (shnid=144815): Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) and AUD (shnid=141166): Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS)
|
notes
|
| 12921. |
09/18/90 |
Flac 16 - 0,
86952 |
New York |
Madison Square Garden flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC. All Transfers and Mastering By Charlie Miller. (Fixes a dropout in shn id 79022; see info file for details)
|
notes
|
| 12922. |
09/18/90 |
Flac 16 Mtx - 0,
96156 |
New York |
Madison Square Garden flac16; matrix of DSBD: shnid=79022 and DAUD: shnid=9772 by hansokolow using ProTools
|
notes
|
| 12923. |
09/18/90 |
Shn - 0,
11811 |
New York |
Madison Square Garden SBD>DAT MASTER>DATX2>CD; via the Piper; Seeded to etree by troy richey
|
notes
|
| 12924. |
09/18/90 |
Flac 24/96 - 0,
131909 |
New York |
Madison Square Garden flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 12925. |
09/18/90 |
Flac 16 - 0,
131908 |
New York |
Madison Square Garden flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451 With Shotguns (Rob Berger's) > AKG 9V Phantom Power > Marantz PDM 430 > Tapes: Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 12926. |
09/18/90 |
Flac 16 - 0,
35162 |
New York |
Madison Square Garden flac16; Fix of shn id 12885 - SBD->Cm->Dat->CD->Cool Edit Pro->CD>EAC>SHN. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 12927. |
09/18/90 |
Flac 16 - 0,
79022 |
New York |
Madison Square Garden flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC
|
notes
|
| 12928. |
09/18/90 |
Shn - 0,
12885 |
New York |
Madison Square Garden Lineage: SBD->Cm->Dat->CD->Cool Edit Pro->CD via Charlie Miller
|
notes
|
| 12929. |
09/18/90 |
Flac 16/48 - 0,
139520 |
New York |
Madison Square Garden flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC 34's (ortf)> M-1000> Oade p/s> SV-255; Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 12930. |
09/18/90 |
Flac 16/48 - 0,
141167 |
New York |
Madison Square Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
|
notes
|
| 12931. |
09/18/90 |
Shn - 0,
9772 |
New York |
Madison Square Garden DFOB MAD>D>CD Recorded by Dave Bratman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects). 4, 1 second d/o's were patched w/ an FOB source; See info file for details; Seeded to etree by Darrin Sacks
|
notes
|
| 12932. |
09/18/90 |
Flac 16 - 0,
88968 |
New York |
Madison Square Garden flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open From Section A Row 19, seat 2 FOB - near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +2dB digital gain added in the transfer from DAT to CDR master
This is your collection
|
notes
|
| 12933. |
09/18/90 |
Flac 16 Mtx - 0,
138069 |
New York |
Madison Square Garden flac16; Matrix by photoleon; Ambient Recording by Tom Darian; B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open; From Section A Row 19, seat 2 FOB - near center; transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700; and SBD -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC
|
notes
|
| 12934. |
09/18/90 |
Flac 16 - 0,
124767 |
New York |
Madison Square Garden flac16; Taper: M. Laurentus; Loge/Taper Section Sec 56D,Row A,Seat 12; AT835B's- AT 8202’s-SONY TCD-5M-Cassette-Tascam DR-5 Line In-CD Wave- Flac
|
notes
|
| 12935. |
09/18/90 |
Flac 16 - 0,
96934 |
New York |
Madison Square Garden flac16; Taper: M.Laurentus Loge/Taper Section Sec 56D,Row A,Seat 12 Taper-M. Laurentus AT835B's- AT 8202’s-SONY TCD-5M-Cassette-SoundBlaster Extreme Hi-Fi Line In-Creative Recorder-CD Wave- FLAC (This source was originally seeded missing Heaven's Door & Other One; then reseeded with Heaven's Door added.). A version of this source without the missing songs now circulates.
|
notes
|
| 12936. |
09/18/90 |
Flac 16 - 0,
97021 |
New York |
Madison Square Garden flac16; Taper: M.Laurentus Loge/Taper Section Sec 56D,Row A,Seat 12 Taper-M. Laurentus AT835B's- AT 8202’s-SONY TCD-5M-Cassette-SoundBlaster Extreme Hi-Fi Line In- Creative Recorder-CD Wave- FLAC; This is the fixed/complete version of source id 96934.
|
notes
|
| 12937. |
09/18/90 |
Flac 16/48 - 0,
144893 |
New York |
Madison Square Garden flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV250 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2019
|
notes
|
| 12938. |
09/18/90 |
Flac 24 UMtx. - 0,
147622 |
New York |
Madison Square Garden flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12939. |
09/18/90 |
Flac 16 - 0,
147781 |
New York |
Madison Square Garden flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 12940. |
09/18/90 |
Flac 16/48 - 0,
150544 |
New York |
Madison Square Garden flac16/48kHz; Recording Info: (FOB) Schoeps CMC3-MK4 (ORTF) > M1000 Cables > Oade PS > Master Dat (Panasonic SV-250-48k); Location: Sec A Row 19 Seat 01 (FOB, mics on stand @ 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16-48; Master Digital Audience Recording by Dave Brotman & Jeff Metchick; Transfer by Charlie Miller; Edited & Mastered by Joe Noel (Adobe Audition 2020). August 22, 2020
|
notes
|
| 12941. |
09/18/90 |
Flac 16 Mtx - ,
152738 |
New York |
Madison Square Garden flac16; Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 86952 & 141167.
|
notes
|
| 12942. |
09/19/90 |
Flac 16 Mtx - 0,
97641 |
New York |
Madison Square Garden flac16; matrix of DSBD: shnid=85003 and DAUD: shnid=11664 by hansokolow using ProTools
|
notes
|
| 12943. |
09/19/90 |
Flac 16 - 0,
85003 |
New York |
Madison Square Garden flac16; Recording Info: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD Set 2: SBD -> Dat Master -> Sonic Solutions -> CD Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC Original Transfer and Mastering By David Gans Additional Editing and Tracking By Charlie Miller
|
notes
|
| 12944. |
09/19/90 |
Shn - 0,
3373 |
New York |
Madison Square Garden Updated lineage: SBD> CM> DAT> CDR> EAC> SHN; via Jeff M.
|
notes
|
| 12945. |
09/19/90 |
Shn - 0,
14674 |
New York |
Madison Square Garden Jay Ashley remaster of previous sbd source. SBD>>DAT>>CASS>>CDA>>EAC>>SHN>>DAW(Bertha)>>CDA/SHN
|
notes
|
| 12946. |
09/19/90 |
Flac 16 Mtx - 0,
96157 |
New York |
Madison Square Garden flac16; matrix of DSBD: shnid=3373 and DAUD: shnid=11664 by hansokolow using ProTools
|
notes
|
| 12947. |
09/19/90 |
Shn - 0,
26081 |
New York |
Madison Square Garden amalgam of 2 previous seeds A and B, remastered by Tim Wiley; see info file for details
|
notes
|
| 12948. |
09/19/90 |
Flac Mtx.16/48 - 0,
138055 |
New York |
Madison Square Garden flac16/48kHz; MTX from Audience recording: Recording by Tom Darian; From Section A Row 19, seat 2 FOB - near center; B&K 4011's ORTF -> ProLnk Cables -> Neumann p48v -> Sony TCD-D10 line-in wide-open; Transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700 +2dB digital gain added in the transfer from DAT to CDR master and SBD Recording: Set 1: SBD -> Cassette Master -> Sonic Solutions -> CD; Set 2: SBD -> Dat Master -> Sonic Solutions -> CD; Transfer Info: CD -> Samplitude Professional v9.1.1 -> FLAC
|
notes
|
| 12949. |
09/19/90 |
Flac 24/96 - 0,
143131 |
New York |
Madison Square Garden 24 bit George Sterry (OTS) Recording: Sony ECM-909A > Cassette Master (Sony TC-158SD) Charlie Miller Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > FLAC 24/96 Edited & Mastered by Joe Noel Flac 24/96 > Audacity > Flac 24/96
|
notes
|
| 12950. |
09/19/90 |
Shn - 0,
9988 |
New York |
Madison Square Garden MAD>D>CD; FOB B&K 4011's; Seeded to etree by Darrin Sacks
|
notes
|
| 12951. |
09/19/90 |
Shn - 0,
11664 |
New York |
Madison Square Garden Dave Brotman FOB(15th row, Center)-AUD(Scheops)>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley
|
notes
|
| 12952. |
09/19/90 |
Flac 16 - 0,
88969 |
New York |
Madison Square Garden flac16; Ambient recording by tdarian B&K 4011's ORTF -> ProLink cables -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide-open Mics at 6'3" Section A - Row 18 - Seat 2 - FOB near center transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700
|
notes
|
| 12953. |
09/19/90 |
Flac 16 - 0,
96927 |
New York |
Madison Square Garden flac16; Taper: M.Laurentus Loge/Taper Section Sec 56D,Row B,Seat 2 AT835B's- AT 8202’s-SONY TCD-5M-Cassette-SoundBlaster Extreme Hi-Fi Line In-Creative Recorder-CD Wave- FLAC
|
notes
|
| 12954. |
09/19/90 |
Flac 24 UMtx. - 0,
147623 |
New York |
Madison Square Garden flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12955. |
09/19/90 |
Flac 16 - 0,
147888 |
New York |
Madison Square Garden flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 12956. |
09/19/90 |
Flac 16/48 - 0,
149583 |
New York |
Madison Square Garden flac16/48kHz; Recording info: Schoeps CMC3/MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250/48k); Location: Section A, Row 18, Seat 1 (mics on stand @ 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16/48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel
|
notes
|
| 12957. |
09/19/90 |
Flac 16/48 - 0,
150545 |
New York |
Madison Square Garden flac16/48kHz; Recording Info: Schoeps CMC3-MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250-48k); Location: Section A, Row 18, Seat 1 (mics on stand @ 6'5"); Transfer Info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16-48; Master Digital Audience Recording by Dave Brotman & Jeff Metchick; Transfer by Charlie Miller; Edited & Mastered by Joe Noel (Adobe Audition 2020); Notes: Remaster of shnid 149583
|
notes
|
| 12958. |
09/20/90 |
Shn Mtx - 0,
30868 |
New York |
Madison Square Garden BD + AUD Matrix Mix (50%-SBD/50%-AUD) using SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN, shn id 12111 and AUD Source: FOB > Scheops > DAT > CDR Location: Row 15, Center shn id 11633
|
notes
|
| 12959. |
09/20/90 |
Shn - 0,
14855 |
New York |
Madison Square Garden Bertha Remaster of the original DSBD Source. SBD>>Dat>>(*)>>SHN>>DAW(Bertha)>>CDA - Sound A+
|
notes
|
| 12960. |
09/20/90 |
Shn Dts - 0,
31773 |
New York |
Madison Square Garden DTS-Audio 5.1; mix of SBD > DAT > Samplitude > Cool Edit Pro > SHN & Dave Brotman FOB > Scheops > DAT > CDR
|
notes
|
| 12961. |
09/20/90 |
Shn - 0,
465 |
New York |
Madison Square Garden set II,E; Ultramix SBD > DAT > CD-R; CD Mastering by C.J. Eichinger; Tape from T. Buller; see pub comments for flaw note
|
notes
|
| 12962. |
09/20/90 |
Shn - 0,
28691 |
New York |
Madison Square Garden SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN. There was a flaw in the original transfer (d3t05 - Throwing Stones) that has been fixed. Flaws in d1t02 and d3t01 were also fixed
|
notes
|
| 12963. |
09/20/90 |
Shn - 0,
12111 |
New York |
Madison Square Garden SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN; Seeded to etree by Charlie Miller
|
notes
|
| 12964. |
09/20/90 |
Shn - 0,
34629 |
New York |
Madison Square Garden Seamless fix of shn id 28691 - SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN
|
notes
|
| 12965. |
09/20/90 |
Flac 16/48 - 0,
141168 |
New York |
Madison Square Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
|
notes
|
| 12966. |
09/20/90 |
Shn - 0,
9989 |
New York |
Madison Square Garden Recorded by Dave Brotman FOB DFC, (Section 2, row 15, seat 1) Schoeps MK4/CMC3 (ortf/110deg)>Oade PS>Oade Mod. SV255 (MIT reference XLR interconnects); With SBD patches in Truckin', see info file for details; Seeded to etree by Darrin Sacks
|
notes
|
| 12967. |
09/20/90 |
Shn - 0,
11633 |
New York |
Madison Square Garden FOB AUD Schoeps (Row 15,Center)> DAT> CDR> EAC> CEP editing> SHN; taped by Dave Brotman; Seeded by Tim Wiley from Paul B. source discs
|
notes
|
| 12968. |
09/20/90 |
Flac 16 - 0,
88970 |
New York |
Madison Square Garden flac16; Ambient Recording by tdarian B&K 4011's ORTF -> ProLink cable -> Neumann p48v -> Sony TCD-D10 DAT 48khz line-in wide open Mics on stand at 6'+ transfer and edit notes: Tascam DA20mkII 48k DAT master -> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700
|
notes
|
| 12969. |
09/20/90 |
Flac 16 - 0,
96918 |
New York |
Madison Square Garden flac16; Taper: M.Laurentus Loge/Taper Section Sec 56D,Row A,Seat-14 AT835B's- AT 8202’s-SONY TCD-5M-Cassette-SoundBlaster Extreme Hi-Fi Line In-Creative Recorder-CD Wave- FLAC
|
notes
|
| 12970. |
09/20/90 |
Flac 16 Mtx - 0,
138036 |
New York |
Madison Square Garden b>flac16; 2 source matrix: shnid: 108849 - SBD -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC and shnid: 88970 - Ambient Recording by Ted Darian; B&K 4011's ORTF-> ProLink cable-> Neumann p48v-> Sony TCD-D10 DAT 48khz line-in wide open Mics on stand at 6'+; transfer and edit notes: Tascam DA20mkII 48k DAT master> Tascam CDRW700 with Marigo Audio Labs coaxial spdif cable, with dither to 44.1khz, on-the-fly, by the Tascam 700
|
notes
|
| 12971. |
09/20/90 |
Flac 16 - 0,
132709 |
New York |
Madison Square Garden flac16; Recording info: FOB (Section A, Row 18, Seat 1); Schoeps CMC 34's (ortf)> M-1000> Oade p/s> SV-255 by Rick Katzeff; DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 23, 2015 by Will Petty
|
notes
|
| 12972. |
09/20/90 |
Flac 16 - 0,
108849 |
New York |
Madison Square Garden flac16; Recording Info: SBD -> Dat; Transfer Info: Dat -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12973. |
09/20/90 |
Flac 16/48 - 0,
149578 |
New York |
Madison Square Garden flac16/48kHz; Recording info: Schoeps CMC3-MK4 (110°) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250-48k). Location: Sec A Row 18 Seat 01 (FOB, mics on stand @ 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 1648
|
notes
|
| 12974. |
09/20/90 |
Flac 16/48 - 0,
150546 |
New York |
Madison Square Garden flac16/48kHz; Recording Info: Schoeps CMC3-MK4 (ORTF) > M1000 Cables > Oade pre > Jensen 16 PS > Master Dat (Panasonic SV-250-48k); Location: Sec A Row 18 Seat 01 (FOB, mics on stand @ 6'5"); Transfer info: Dat > Sony PCM r500 > Tascam DA-3000 > flac 16-48; Dave Brotman & Jeff Metchick Master Digital Recording; Charlie Miller Transfer; Edited & Mastered by Joe Noel; Notes: Remaster of shnid 149578
|
notes
|
| 12975. |
09/20/90 |
Flac 16 Mtx - ,
152739 |
New York |
Madison Square Garden flac16; Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 108849 & 141168.
|
notes
|
| 12976. |
09/20/90 |
Flac 16 - ,
150669 |
New York |
Madison Square Garden flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Deck>1 TDM MA-90 Metal Cassette Tape (1stSet) And 1 100 Minute Sony Metal SR Cassette Tape(2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor>Traders Little Helper> Flace Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section
|
notes
|
| 12977. |
09/20/90 |
Flac 24/96 - ,
156442 |
New York |
Madison Square Garden flac2496 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 12978. |
09/20/90 |
Flac 16/44 - ,
156488 |
New York |
Madison Square Garden flac1644 Recording Info: Ultramatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156442 2496 > 1644.1
|
notes
|
| 12979. |
09/28/90 |
Shn - 0,
13531 |
San Rafael |
Front Street Unknown SBD> ? (possible cassette gen)> CDR> EAC> SHN; via Jeff M
|
notes
|
| 12980. |
10/13/90 |
Shn - 0,
21971 |
Stockholm |
Ice Stadium DSBD > CD > EAC > SHN; EAC/SHN by Darryl Hinko
|
notes
|
| 12981. |
10/13/90 |
Shn - 0,
11627 |
Stockholm |
Ice Stadium SBD>MC>C>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley
|
notes
|
| 12982. |
10/13/90 |
Flac 16 - 0,
92841 |
Stockholm |
Ice Stadium flac16; Audience Recording Lineage: Unknown Mics > Sony D-5 > MAC > NAK D3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh)
|
notes
|
| 12983. |
10/13/90 |
Flac 16 - 0,
90031 |
Stockholm |
Ice Stadium flac16; Source: Audience Master Cassette Nakamichi 300’s > Marantz PMD-430 Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 16, 2008
|
notes
|
| 12984. |
10/13/90 |
Flac 16/48 - 0,
138953 |
Stockholm |
Ice Stadium flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
|
notes
|
| 12985. |
10/13/90 |
Flac 24 U Mtx - 0,
141086 |
Stockholm |
Ice Stadium flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 12986. |
10/13/90 |
Flac 16 U Mtx - 0,
141088 |
Stockholm |
Ice Stadium SHNID: 141088
|
notes
|
| 12987. |
10/13/90 |
Flac 16 - 0,
128225 |
Stockholm |
Ice Stadium flac16; Recording Info :SONY WM-D6C > MARANTZ EM-8 > Cassette Tape; Transfer Info: Cassette Tape > Nakamichi Dragon Cassette Deck > SONY PCM-M10 (24bit/44,1kHz) > iZotope RX (for hissreduction and sometimes minor eq) > Audacity for Mac (for track splitting) WAV>TLH>FLAC
|
notes
|
| 12988. |
10/17/90 |
Shn - 0,
11613 |
Essen |
GrugaHalle DSBD>DAT>CDR; via Paul B; Seeded to Etree by T. Wiley
|
notes
|
| 12989. |
10/17/90 |
Flac 16 - 0,
112818 |
Essen |
GrugaHalle flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XL II 90,100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 12990. |
10/17/90 |
Flac 24 - 0,
112819 |
Essen |
GrugaHalle flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XL II 90,100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 12991. |
10/17/90 |
Flac 16 - 0,
92977 |
Essen |
GrugaHalle flac16; Source: Audience Recording Lineage: Unknown Mics > Sony D-5 > MAC > NAK DR-3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh)
|
notes
|
| 12992. |
10/17/90 |
Flac 16 Mtx - 0,
143496 |
Essen |
GrugaHalle flac16; Two source matrix 70% sbd/30% aud; Sources: sbd - shnid 11613 DSBD > DAT > CDR; aud - shnid 143495 Neumann U89 > Sonosax SX-M2 > Sony TCD-D10 pro > Dat x 3; edited and matrix SIRMick November 2018
|
notes
|
| 12993. |
10/17/90 |
Flac 16/48 - 0,
143495 |
Essen |
GrugaHalle flac16/48kHz; Source: (probably) Neumann U89 > Sonosax SX-M2 > Sony TCD-D10 pro > Dat x 3 (48k) - Taped by Jeff Silberman and provided by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick October 2018
|
notes
|
| 12994. |
10/17/90 |
Flac 24/96 - 0,
144816 |
Essen |
GrugaHalle flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger
|
notes
|
| 12995. |
10/17/90 |
Flac 16 - 0,
144817 |
Essen |
GrugaHalle flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger
|
notes
|
| 12996. |
10/17/90 |
Flac 16 - 0,
89987 |
Essen |
GrugaHalle flac16; Audience Master Cassette Nakamichi 300’s > Marantz PMD-430 Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 12, 2008
|
notes
|
| 12997. |
10/19/90 |
Shn - 0,
12892 |
Berlin |
Internationales Congress Centrum DSBD: Healy mix>MD>D>CD; seeded to abgd by dieter
|
notes
|
| 12998. |
10/19/90 |
Shn - 0,
8199 |
Berlin |
Internationales Congress Centrum [D]SBD > ? > CDR; via Terry Rogers; Seeded to etree by Matt Vernon
|
notes
|
| 12999. |
10/19/90 |
Flac 16 - 0,
93854 |
Berlin |
Internationales Congress Centrum flac16; Source: Audience Recording Lineage: Unknown Mics > Sony D-5 > MAC > NAK DR-3 > Emu 1212M > 24/96 wave > Wavelab 5 > plugins > r8brain pro > 16/44.1 wave > cd wave > flac lvl8 (tlh)
|
notes
|
| 13000. |
10/19/90 |
Flac 16 - 0,
90094 |
Berlin |
Internationales Congress Centrum flac16; Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Sony Walkman Pro D-6 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media Maxell MX-90, MX-100 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 20, 2008
|
notes
|
| 13001. |
10/19/90 |
Flac 16 - 0,
131475 |
Berlin |
Internationales Congress Centrum flac16; Source info: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5)
|
notes
|
| 13002. |
10/19/90 |
Flac 24/96 - 0,
144894 |
Berlin |
Internationales Congress Centrum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger
|
notes
|
| 13003. |
10/19/90 |
Flac 16 - 0,
144895 |
Berlin |
Internationales Congress Centrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger
|
notes
|
| 13004. |
10/20/90 |
Flac 16 Mtx - 0,
98728 |
Berlin |
Internationales Congress Centrum flac16; matrix of SBD: shnid=12931 and DAUD: shnid=90641 by hansokolow using ProTools
|
notes
|
| 13005. |
10/20/90 |
Shn - 0,
12931 |
Berlin |
Internationales Congress Centrum DSBD: Healy mix>MD>D>CD
|
notes
|
| 13006. |
10/20/90 |
Flac 16 - 0,
115551 |
Berlin |
Internationales Congress Centrum flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XLII 90,XLII-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 13007. |
10/20/90 |
Flac 24/96 - 0,
115552 |
Berlin |
Internationales Congress Centrum flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XLII 90,XLII-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 13008. |
10/20/90 |
Shn - 0,
8245 |
Berlin |
Internationales Congress Centrum Source : SBD > ? > CDR; via Terry Rogers; Seeded to etree by Matt Vernon
|
notes
|
| 13009. |
10/20/90 |
Flac 16 - 0,
90641 |
Berlin |
Internationales Congress Centrum flac16; Source: Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Sony Walkman Pro D-6 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 MX-100 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 6, 2008
|
notes
|
| 13010. |
10/20/90 |
Flac 16/48 - 0,
138476 |
Berlin |
Internationales Congress Centrum flac16/48kHz; Mark Teitelbaum Recording: B&K 4011 (ORTF) > Neumann power supply > Panasonic SV255; FOB w/ stand; John Ammons Transfer: Tascam DA-20 MKII > Roland SRC-2 > Mac Mini optical input > Audacity 2.1 > WAV @ 48kHz; Joe Noel Edits: (re)Track & Pack: Flac > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT; Set 1 is 48kHz, Set 2 is 44.1kHz
|
notes
|
| 13011. |
10/20/90 |
Flac 16/48 - 0,
139112 |
Berlin |
Internationales Congress Centrum flac16/48kHz; source: aud dat master > dat> dat; Doug Lamarre’s clone via Dan Liff r.i.p; taped by Jeff Silberman; neumann U89 > sonosax 5000 > sony tcd-d10 pro; transferred & seeded by Rob Berger
|
notes
|
| 13012. |
10/20/90 |
Flac 16 - 0,
131473 |
Berlin |
Internationales Congress Centrum flac16; Source info: Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1 by Lance Deal; Master DAT's provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminuous Monarch> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CD Wav (tracking)> TLH (SBE's/Flac16/md5)
|
notes
|
| 13013. |
10/20/90 |
Flac 16/48 - 0,
144552 |
Berlin |
Internationales Congress Centrum flac16/48kHz; Source: Schoeps MK4 > Schoeps CMC4 > VMS52UB > Sony SBM-1 > Panasonic SV-255; Transfer: DAT(c) @48kHz > Tascam DA-P1 > Tascam SS-R1 > Samplitude Pro X3 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger); Thanks to Dave Flaschner for the DATs; Transfer & edits by Jeff Mitchell
|
notes
|
| 13014. |
10/20/90 |
Flac 24/96 - 0,
144900 |
Berlin |
Internationales Congress Centrum flac24; source: aud cassette master; taped by Doug Lamarre;sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger
|
notes
|
| 13015. |
10/20/90 |
Flac 16 - 0,
144901 |
Berlin |
Internationales Congress Centrum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger
|
notes
|
| 13016. |
10/20/90 |
Flac 16 - 0,
150273 |
Berlin |
Internationales Congress Centrum flac16; SBD > ? > FLAC
|
notes
|
| 13017. |
10/20/90 |
Flac 16/44 - ,
153737 |
Berlin |
Internationales Congress Centrum flac15/44 Source: Sony ECM-150 -> Sony TCD-D5 Transfer: Master Casette -> B&O Beocord 9000 -> Sony pcm-a1 (96/24) -> audition -> cdwav -> flac Taper: G. [2021-10-01 transfer by Willer [light EQ + levels + normalizing - Downsampled to 44,1/16]
|
notes
|
| 13018. |
10/22/90 |
Shn - 0,
22315 |
Frankfurt |
Festhalle DSBD > CD > EAC > SHN; No cut in Bird Song; EAC/SHN by Darryl Hinko
|
notes
|
| 13019. |
10/22/90 |
Flac 16 - 0,
114392 |
Frankfurt |
Festhalle flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7); Tapes:Maxell XLII 90,XLII-S 100 Taper:Friend Of Floater; Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 13020. |
10/22/90 |
Flac 24/96 - 0,
114393 |
Frankfurt |
Festhalle flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100; Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 13021. |
10/22/90 |
Shn - 0,
13466 |
Frankfurt |
Festhalle SBD>CM>D>CD>EAC>SHN, transcribed by JR Fishman
|
notes
|
| 13022. |
10/22/90 |
Shn - 0,
8722 |
Frankfurt |
Festhalle SBD>DAT>C>DAT>CDR; Seeded to etree by Tony Gardner
|
notes
|
| 13023. |
10/22/90 |
Flac 16 - 0,
90745 |
Frankfurt |
Festhalle flac16; Source: Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set: TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 11, 2008
|
notes
|
| 13024. |
10/22/90 |
Flac 16 - 0,
131001 |
Frankfurt |
Festhalle flac16; Schoeps CMC 521's> Schoeps VMS 52 UB> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Fostex D-5> Luminous Monarch cable> M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE/Flac 16-Level 8/md5); Transfer completed August 18, 2014 by jwpetty
|
notes
|
| 13025. |
10/22/90 |
Shn - 0,
12833 |
Frankfurt |
Festhalle 2 Beyer M160> Sony TCD5M Front Of Board Master Cassette> CDR via unknown seeder
|
notes
|
| 13026. |
10/22/90 |
Flac 16/48 - 0,
143528 |
Frankfurt |
Festhalle flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick
|
notes
|
| 13027. |
10/22/90 |
Flac 24/96 - 0,
144925 |
Frankfurt |
Festhalle flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger
|
notes
|
| 13028. |
10/22/90 |
Flac 16 - 0,
144926 |
Frankfurt |
Festhalle flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441's > sony d5, maxell mx-90/100's, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96 > adobe audition cc > fission > xACT flac; transfer - Rob Berger
|
notes
|
| 13029. |
10/24/90 |
Flac 16 - 0,
84961 |
Hamburg |
Sportsahalle flac16; SBD->DAT->CDR->EAC->WAV->FLAC
|
notes
|
| 13030. |
10/24/90 |
Flac 16 - 0,
131010 |
Hamburg |
Sportsahalle flac16; Digital FOB (20') Recording by Lance Deal using Schoeps CMC 521's (110°)> Schoeps VMS 52UB p/s> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Liberated on August 21, 2014 by jwpetty
|
notes
|
| 13031. |
10/24/90 |
Shn - 0,
11612 |
Hamburg |
Sportsahalle SBD>DAT>C>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable); via Paul B; Seeded to Etree by T. Wiley
|
notes
|
| 13032. |
10/24/90 |
Flac 16 - 0,
90754 |
Hamburg |
Sportsahalle flac16; Source: Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 MX-100 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 12, 2008
|
notes
|
| 13033. |
10/24/90 |
Flac 16/48 - 0,
139115 |
Hamburg |
Sportsahalle flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
|
notes
|
| 13034. |
10/24/90 |
Flac 16 - 0,
141756 |
Hamburg |
Sportsahalle flac16; Source Info: Master UltraMatrix Soundboard Dat > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Adobe Audition 3.0 > TLH flac16
|
notes
|
| 13035. |
10/24/90 |
Flac 16 - 0,
131010 |
Hamburg |
Sportsahalle flac16; Digital FOB (20') Recording by Lance Deal using Schoeps CMC 521's (110°)> Schoeps VMS 52UB p/s> Technics SVMD1; Master DAT provided by Lance Deal; Transfer: Fostex D-5 (optical)> Luminous Monarch cable> M-Audio Audiophile 2496 @ 16/48> 16/44> CDWave(tracking)> TLH (SBE/Flac16/md5); Liberated on August 21, 2014 by jwpetty
|
notes
|
| 13036. |
10/24/90 |
Flac 16/48 - 0,
143962 |
Hamburg |
Sportsahalle flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick December 2018
|
notes
|
| 13037. |
10/27/90 |
Shn - 0,
9373 |
Paris |
The Zenith SBD>DAT>CD; via Tommy Danscuk; Seeded to etree by Peter Braverman
|
notes
|
| 13038. |
10/27/90 |
Shn - 0,
21254 |
Paris |
The Zenith sbe-fixed version of the SBD>DAT>CD source
|
notes
|
| 13039. |
10/27/90 |
Flac 16 - 0,
90800 |
Paris |
The Zenith flac16; Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 14, 2008
|
notes
|
| 13040. |
10/27/90 |
Flac 16/48 - 0,
139118 |
Paris |
The Zenith flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
|
notes
|
| 13041. |
10/27/90 |
Flac 24/96 - 0,
141604 |
Paris |
The Zenith flac24/96 Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller.
|
notes
|
| 13042. |
10/27/90 |
Flac 16 - 0,
141693 |
Paris |
The Zenith flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller.
|
notes
|
| 13043. |
10/27/90 |
Flac 16 - 0,
113534 |
Paris |
The Zenith >flac16; Source: Sennheiser ME-80/K3U > Sony TC-D5M (no dolby); Transfer: Sony TC-D5M (original used for master) > Tascam HD-P2 24/48 > CF Card > Sound Forge 8 (vol/fades) > WaveLab (UV22HR) CD WAVE > FLAC van den Hul The First Ultimate cable used between D-5 and HD-P2; Recorded and transferred by Dean Grabski
|
notes
|
| 13044. |
10/27/90 |
Flac 16 - 0,
84288 |
Paris |
The Zenith flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Set up in the balcony taper section, a few rows from the edge. Mics on stand aprx 5-feet high, aimed at stacks and angled down slightly. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, April 2007. Taped and transferred by Andrew F.
|
notes
|
| 13045. |
10/27/90 |
Flac 16/48 - 0,
144199 |
Paris |
The Zenith flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick December 2018
|
notes
|
| 13046. |
10/28/90 |
Shn - 0,
3264 |
Paris |
The Zenith SBD> DATx3; Conversion: Sony M-1 > Midiman Optical > SPDIF SB Platinum > CoolEdit WAV > CDWav WAV > SHN (mkw); Shns Produced by JamPhan
|
notes
|
| 13047. |
10/28/90 |
Flac 16 - 0,
114394 |
Paris |
The Zenith flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helpe
|
notes
|
| 13048. |
10/28/90 |
Flac 24/96 - 0,
114395 |
Paris |
The Zenith flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XLII 90,XLII-S 100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 13049. |
10/28/90 |
Flac 16 - 0,
83696 |
Paris |
The Zenith flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Set up in the balcony taper section, a few rows from the edge. Mics on stand aprx 5-feet high, aimed at stacks and angled down slightly. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, March 2007. Taped and transferred by Andrew F
|
notes
|
| 13050. |
10/28/90 |
Flac 16 - 0,
90833 |
Paris |
The Zenith flac16; Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 15, 2008
|
notes
|
| 13051. |
10/28/90 |
Flac 16/48 - 0,
139119 |
Paris |
The Zenith flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
|
notes
|
| 13052. |
10/28/90 |
Flac 24/96 - 0,
141605 |
Paris |
The Zenith flac24/96 Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller.
|
notes
|
| 13053. |
10/28/90 |
Flac 16 - 0,
141694 |
Paris |
The Zenith flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC) All Transfers and Mastering By Charlie Miller.
|
notes
|
| 13054. |
10/28/90 |
Flac 16 - 0,
113591 |
Paris |
The Zenith flac16; RECORDING LINEAGE: Source: Sennheiser ME-80/K3U > Sony TC-D5M (no dolby); Transfer: Sony TC-D5M (original used for master) > Tascam HD-P2 24/48 > CF Card > Sound Forge 8 (vol/fades) > WaveLab (UV22HR) CD WAVE > FLAC van den Hul The First Ultimate cable used between D-5 and HD-P2; Recorded and transferred by Dean Grabski
|
notes
|
| 13055. |
10/28/90 |
Flac 16/48 - 0,
144200 |
Paris |
The Zenith flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick December 2018
|
notes
|
| 13056. |
10/30/90 |
Flac 16 - 0,
34545 |
London |
Wembley Arena flac16; Seamless fix of shn id 6678 - dsbd>dat>cd>shn>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 13057. |
10/30/90 |
Flac 16 Mtx - 0,
126879 |
London |
Wembley Arena flac16; 2 Source matrix by Dave Usborne; Soundboard shnid:34645); dsbd>dat>cd>shn>WAV>FLAC via Bill Tetzeli;Audience (shnid:81706); Taped and transferred by Andrew F;AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks;Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007
|
notes
|
| 13058. |
10/30/90 |
Shn - 0,
7449 |
London |
Wembley Arena SBD> DAT> CDR; EAC'ed / SHN'ed by Dieter; to abgd
|
notes
|
| 13059. |
10/30/90 |
Shn - 0,
6678 |
London |
Wembley Arena dsbd> dat> cd> shn; via Steve Barbella
|
notes
|
| 13060. |
10/30/90 |
Flac 16 - 0,
90836 |
London |
Wembley Arena flac16; Set 2 only Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-902nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 16, 2008
|
notes
|
| 13061. |
10/30/90 |
Flac 16 Mtx - 0,
136847 |
London |
Wembley Arena flac16; SBD MTX > PCM; Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Editing and Mastering by Jamie Waddell in Wavelab 7.1; Track, FLAC and Pack by Norm
|
notes
|
| 13062. |
10/30/90 |
Flac 16/48 - 0,
139120 |
London |
Wembley Arena flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
|
notes
|
| 13063. |
10/30/90 |
Flac 24 UMtx - 0,
140864 |
London |
Wembley Arena flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13064. |
10/30/90 |
Flac 16 - 0,
140898 |
London |
Wembley Arena flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13065. |
10/30/90 |
Flac 16 - 0,
81706 |
London |
Wembley Arena flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, January 2007. Taped and transferred by Andrew F
|
notes
|
| 13066. |
10/30/90 |
Flac 16/48 - 0,
143863 |
London |
Wembley Arena flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick
|
notes
|
| 13067. |
10/31/90 |
Shn - 0,
8070 |
London |
Wembley Arena SBD > DAT > CDR > WAV > SHNv3; seed discs via Tim Symons, DAE(EAC) > SHNTOOL > MKWACT via neo_levo; reportedly with Werewolves splice, but fewer pops than previous shn sets
|
notes
|
| 13068. |
10/31/90 |
Flac 16 Mtx - 0,
125745 |
London |
Wembley Arena flac16; 2 Source Matrix by dusborne; Soundboard (shinid:8070) Source: SBD > DAT > CDR > WAV > SHNv3; DAE(EAC) > SHNTOOL > MKWACT via Chris L. and Audience (shnid:90844) Source: Audience Master Cassette Nakamichi 300's Shotguns > Marantz PMD-430 w/Dolby B; Tapers: Alf Houck and Robert Wright Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC; Transfer and Mastered by Bill Koucky March 16, 2008
|
notes
|
| 13069. |
10/31/90 |
Flac 16 - 0,
90844 |
London |
Wembley Arena b>flac16; Source: Audience Master Cassette Nakamichi 300’s Shotguns > Marantz PMD-430 w/Dolby B Tapers: Alf Houck and Robert Wright Location: Taper’s Section Media: 1st Set Maxell MX-90 2nd Set TDK MA-110 Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky March 16, 2008
|
notes
|
| 13070. |
10/31/90 |
Flac 16/48 - 0,
138688 |
London |
Wembley Arena flac16/48kHz; Set I: Mark Teitlebaum FOB recording w/stand; B&K 4011 at 110 degrees ORTF > Neumann PS > Panasonic SV255; Set II: Rick Katzeff FOB recording w/stand; Schoeps CMC34 at 110 degrees ORTF > MIT Cables > Oade PS > Panasonic SV250; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: raw waves track'd, flac'd, pack'd & patch'd in Audacity & exported as flac 16/48; Checksum & tags created in xACT
|
notes
|
| 13071. |
10/31/90 |
Flac 16/48 - 0,
139125 |
London |
Wembley Arena flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
|
notes
|
| 13072. |
10/31/90 |
Flac 16/48 - 0,
139615 |
London |
Wembley Arena flac16/48kHz; Source: (FOB) Schoeps cmc4 mk41 > modified Panasonic SV-250 > Dat x 2 (48k) - Recorded by Jim Oade and provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017
|
notes
|
| 13073. |
10/31/90 |
Flac 16/48 - 0,
142715 |
London |
Wembley Arena flac16/48kHz; Dave Brotman FOB Recording: Schoeps CMC3 MK4 (ORTF)> MIT cables > Jensen 16 P.S. > DAT (Panasonic sv250), mics on stand; 6'3" (s1), 6'5" (s2); Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 13074. |
10/31/90 |
Flac 16/48 - 0,
142734 |
London |
Wembley Arena flac16/48kHz; Rick Katzeff FOB Recording: Schoeps CMC3 MK4 (ORTF)> MIT cables > Jensen 16 P.S. > DAT (Panasonic sv250), mics on stand; 6'3" (s1), 6'5" (s2); Charlie Miller Transfer from clone of master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
|
notes
|
| 13075. |
10/31/90 |
Flac 16 - 0,
85914 |
London |
Wembley Arena flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX tapes, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Audiophile 2496 analog RCA-In > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, June 2007. Taped and transferred by Andrew F.
|
notes
|
| 13076. |
10/31/90 |
Flac 16/48 - 0,
143864 |
London |
Wembley Arena flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick
|
notes
|
| 13077. |
10/31/90 |
Flac 24 UMtx. - 0,
150006 |
London |
Wembley Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 13078. |
10/31/90 |
Flac 16 - 0,
150234 |
London |
Wembley Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 13079. |
11/01/90 |
Shn - 0,
8068 |
London |
Wembley Arena SBD > DAT > CDR > WAV > SHNv3; via Tim S., neo_levo
|
notes
|
| 13080. |
11/01/90 |
Shn - 0,
34651 |
London |
Wembley Arena SBD > DAT > CDR > WAV > SHN - Seamless fix of shn id 8068
|
notes
|
| 13081. |
11/01/90 |
Flac 16 Mtx - 0,
125953 |
London |
Wembley Arena flac16; 2 Source Matrix by dusborne; Soundboard (shinid:34651) Souce: SBD > DAT > CDR > WAV > SHNv3 and Audience (shinid:90994) Source: DAUD Schoeps CMC54 > vms 5u > Sony D-10 2 Pro DAT x 1 Recorded by unknown German Taper, Dats provided by David Flaschner Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 > CD Wave > TLH > FLAC
|
notes
|
| 13082. |
11/01/90 |
Shn - 0,
3861 |
London |
Wembley Arena Set 1= MDAT AUD> DAT> CDR> EAC> SHN (taper unknown); Set 2= MSBD DAT> DAT> CDR> EAC> SHN; transfer by Karen Benbrook; editing and shn by Jeff Romanowski (see his notes in info file)
|
notes
|
| 13083. |
11/01/90 |
Flac 16 - 0,
82406 |
London |
Wembley Arena flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-90's, with no Dolby. Set up at rear of floor just behind the lighting board, mics on stand aprx seven feet high and aimed at stacks. Transfer: MAC > Sony TC-D5M (no Dolby) > Marantz CDR-500 > CDR > EAC > WAV > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-OK, FLAC compression, and checksums) > FLAC, February 2007. Taped and transferred by Andrew F
|
notes
|
| 13084. |
11/01/90 |
Flac 16 - 0,
90994 |
London |
Wembley Arena flac16; Source: DAUD Schoeps CMC54 > vms 5u > Sony D-10 2 Pro DAT x 1 Recorded by unknown German Taper, Dats provided by David Flaschner Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 > CD Wave > TLH > FLAC Transfer and Mastered by Bill Koucky March 25, 2008
|
notes
|
| 13085. |
11/01/90 |
Flac 16/48 - 0,
138689 |
London |
Wembley Arena flac16/48kHz; Mark Teitlebaum FOB recording w/stand; B&K 4011 at 110 degrees ORTF > Neumann PS > Panasonic SV255; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: raw waves track'd, flac'd, pack'd & patch'd in Audacity & exported as flac 16/48; Checksum & tags created in xACT
|
notes
|
| 13086. |
11/01/90 |
Flac 16/48 - 0,
139147 |
London |
Wembley Arena flac16/48kHz; source: aud dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded by Rob Berger
|
notes
|
| 13087. |
11/01/90 |
Flac 16/48 - 0,
143865 |
London |
Wembley Arena flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick November 2018
|
notes
|
| 13088. |
11/01/90 |
Flac 24 UMtx - 0,
145544 |
London |
Wembley Arena flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13089. |
11/01/90 |
Flac 16 - 0,
145663 |
London |
Wembley Arena flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This file set is 16 bit @ 44.1
|
notes
|
| 13090. |
12/03/90 |
Flac 16 - 0,
81740 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (Maxell Metal Capsule/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 13091. |
12/03/90 |
Flac 16 - 0,
119331 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: 2 Sennheiser 421 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 13092. |
12/03/90 |
Shn - 0,
13992 |
Oakland |
Oakland-Alameda County Coliseum AUD(Nak mics + CP4)>DAT>CDR; via Paul B; Seeded to etree by Tim Wiley
|
notes
|
| 13093. |
12/03/90 |
Flac 16/48 - 0,
138092 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Rob Darroch FOB DFC Recording: B&K 4011s at 110 degrees ORTF on Schoeps T-bar > Neumann Power Supply > Panasonic SV255; 1st set stand at 6'1", 2nd set at 6'3"; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 13094. |
12/03/90 |
Flac 24 UMtx - 0,
143373 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24
|
notes
|
| 13095. |
12/03/90 |
Flac 16 U Mtx - 0,
143512 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; This file set is 16/44.1
|
notes
|
| 13096. |
12/03/90 |
Flac 16/48 - 0,
145151 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2019
|
notes
|
| 13097. |
12/03/90 |
Flac 24/96 - 0,
150663 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 26, 2020
|
notes
|
| 13098. |
12/03/90 |
Flac 16 - 0,
150691 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson
|
notes
|
| 13099. |
12/03/90 |
Flac 24/96 - ,
153867 |
Oakland |
Oakland-Alameda County Coliseum flac24/96 Recording Info: 2 x Nakamichi 100/CP4 + 2 x AKG C1000S (Cardioid) > Boss BX-4 > Cassette Master (Sony WM-D6C/Maxell Metal 100) > Cassette (Maxell XLII-S90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 13100. |
12/03/90 |
Flac 16/44 - ,
154445 |
Oakland |
Oakland-Alameda County Coliseum flac16/44 Recording Info: 2 x Nakamichi 100/CP4 + 2 x AKG C1000S (Cardioid) > Boss BX-4 > Cassette Master (Sony WM-D6C/Maxell Metal 100) > Cassette (Maxell XLII-S90) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 153867 2496 > 1644
|
notes
|
| 13101. |
12/04/90 |
Shn - 0,
9365 |
Oakland |
Oakland-Alameda County Coliseum SBD>DAT>CDR; Uncle>Big River are from either an Excellent Aud source, or they have a different, Matrix like mix; via neo_levo/candyman ftp - 4/2002
|
notes
|
| 13102. |
12/04/90 |
Flac 16 - 0,
105425 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: 2 Beyer M160 Mics > Sony TC-D5M 25 feet from stage - center - mics @ 5.5 feet high on a stand > analog cassette master Maxell Metal cassettes with Dolby on - Limiter off Transfer: Analog cassette master (original record deck-Dolby off) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
|
notes
|
| 13103. |
12/04/90 |
Flac 16/48 - 0,
138093 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Rob Darroch FOB DFC Recording: B&K 4011s at 110 degrees ORTF on Schoeps T-bar > Neumann Power Supply > Panasonic SV255; 1st set stand at 6'3", 2nd set at 6'4"; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 13104. |
12/04/90 |
Flac 24 - 0,
143376 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13105. |
12/04/90 |
Flac 16/48 - 0,
143441 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Source: Digital Soundboard > DAT (clone); Transfer: DAT (clone) > Sony PCM-R500 > Marantz PMD661 (via SPDIF) > FLAC 16/48; Edited & Mastered by Joe Noel; Flac > Audacity Flac 16/48
|
notes
|
| 13106. |
12/04/90 |
Flac 16 U Mtx - 0,
143517 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (Sony TC-D5M/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16/44.1
|
notes
|
| 13107. |
12/04/90 |
Flac 16/48 - 0,
145225 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Source: Nakamichi 300s (cp4) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2019
|
notes
|
| 13108. |
12/04/90 |
Flac 16/44,1 - 0,
143584 |
Oakland |
Oakland-Alameda County Coliseum flac16/44.1khz Source Info: Soundboard (Ultra-Matrix?) -> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel.
|
notes
|
| 13109. |
12/04/90 |
Flac 24/96 - 0,
150654 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit-5.6MHz) > dBpoweramp > WAV (24-bit-96k); FOB Recording by Jonathan Mow; DSD Transfer by Charlie Miller; Edited & Mastered (Adobe Audition) by Joe Noel. September 26, 2020
|
notes
|
| 13110. |
12/04/90 |
Flac 16 - 0,
150692 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: (FOB) Nakamichi 700 > Cassette Master (Sony TC-D5M); DSD Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > WAV (24-bit-96k); Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson
|
notes
|
| 13111. |
12/08/90 |
Shn - 0,
472 |
Chandler |
Compton Terrace Amphitheatre S:PCM> DAT> ZA2> CD; no encore; unfortunate diginoise during Victim (on all DATs); seeded by D. Hollister; via Skank, and/or J. Sachs to abgd?; via A. Stern to etree; note d2t3 gives an error when burning with CDRWin- to fix, Adam suggests opening this track in a wav editor (like CEP) and saving before burning
|
notes
|
| 13112. |
12/08/90 |
Flac 16 - 0,
124096 |
Chandler |
Compton Terrace Amphitheatre flac16; Recording Info: Set 1 SBD>CM>DAT>CD>WAV (remaster of shnid=472); Set 2 SBD>CM>CAS1>WAV; Set 2 Transfer Info: Nak CR-7A > MADA-2-> Sequoia 11-> FLAC; Mastered by Jim Blackwood
|
notes
|
| 13113. |
12/08/90 |
Flac 16 - 0,
117558 |
Chandler |
Compton Terrace Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet From Center Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 13114. |
12/08/90 |
Flac 24/48 - 0,
117559 |
Chandler |
Compton Terrace Amphitheatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet From Center Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 13115. |
12/08/90 |
Flac 24/96 - 0,
141606 |
Chandler |
Compton Terrace Amphitheatre flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller.
|
notes
|
| 13116. |
12/08/90 |
Flac 16 - 0,
141700 |
Chandler |
Compton Terrace Amphitheatre flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller.
|
notes
|
| 13117. |
12/08/90 |
Flac 16 - 0,
130961 |
Chandler |
Compton Terrace Amphitheatre flac16; Digital Audience Recording by R. Katzeff/Schoeps CMC321 subs (fob)> ?> sv-250> L. Deal clone; Transfer: Panasonic SV-3500 (spdif)> M-Audio Audiophile 24/96> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE/Flac16-Level 8/ffp); Transfer completed August 14, 2014 by jwpetty; the original seed for this source was missing set2t06; please do not circulate that version
|
notes
|
| 13118. |
12/08/90 |
Flac 16 - 0,
89867 |
Chandler |
Compton Terrace Amphitheatre flac16; AT Shotguns > unknown decks x2 > PMD430 Tapers section on lawn behind SBD PMD430 > SB Audigy Line IN > Adobe Audition @24bit/48khz Adobe Audition: Noise Reduction of hiss, fade ins/outs, pop/click eliminator, dithered and resampled to 16bit/44khz. CDwave: tracking Trader's little Helper: flacs
|
notes
|
| 13119. |
12/09/90 |
Flac 16 - 0,
76351 |
Chandler |
Compton Terrace flac16; source: SBD > DAT(x?) DAT from collection of Todd Evans - todd@bluedakota.com DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav tracked in CDWav/44.1 output
|
notes
|
| 13120. |
12/09/90 |
Flac 16 - 0,
117610 |
Chandler |
Compton Terrace flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet From Center Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 13121. |
12/09/90 |
Shn - 0,
5155 |
Chandler |
Compton Terrace SBD > DAT > CDR > WAV > SHNv3; DAT > CDR transfer - via C. Miller; DAE (EAC > shntool > mkwact) by C. Ladner
|
notes
|
| 13122. |
12/09/90 |
Flac 24/48 - 0,
117609 |
Chandler |
Compton Terrace flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet From Center Lawn Stack/6 Feet High)> Sony TC-D5M>Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 13123. |
12/09/90 |
Flac 24/96 - 0,
141607 |
Chandler |
Compton Terrace flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller.
|
notes
|
| 13124. |
12/09/90 |
Flac 16 - 0,
141701 |
Chandler |
Compton Terrace flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller.
|
notes
|
| 13125. |
12/09/90 |
Shn - 0,
4182 |
Chandler |
Compton Terrace source: ? (info to follow) betaseed; via Tony Gardner with thanks to Andrew McCall; Space cut
|
notes
|
| 13126. |
12/09/90 |
Flac 16 - 0,
130925 |
Chandler |
Compton Terrace flac16; Set 1 Master Audience Recording by R. Katzeff/Schoeps CMC32S (fob/spaced 8.5 feet Section D & E/Row 6/Seats 2 & 2)> pro-link> sv-250> clone; Transfer: Fostex D-5 (spdif out)> M-Audio USB Transit> Audacity @ 16/48> 16/44> CDWave (tracking)> TLH (SBE/Flac16/ffp)
|
notes
|
| 13127. |
12/09/90 |
Flac 16 - 0,
89799 |
Chandler |
Compton Terrace flac16; Nak 300's > Unknown Deck > Marantz pmd430 Taper section on lawn behind SBD PMD430 > SB Audigy Line IN> Adobe Audition @ 24bit/48khz Adobe Audition: Noise Reduction of hiss, fade ins/outs, pop/click eliminator, dithered and resampled to 16bit/44khz. CDwave: tracking Trader's little Helper: flacs
|
notes
|
| 13128. |
12/09/90 |
Flac 16/48 - 0,
76477 |
Chandler |
Compton Terrace flac16/48; source: SBD > DAT(x?) > ? > CD Wave > flac
|
notes
|
| 13129. |
12/12/90 |
Flac 16 - 0,
109289 |
Denver |
McNichols Sports Arena flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13130. |
12/12/90 |
Flac 16 - 0,
120137 |
Denver |
McNichols Sports Arena flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13131. |
12/12/90 |
Flac 16 - 0,
87372 |
Denver |
McNichols Sports Arena flac16; Set 2 only, SBD > Healy DAT > PCM > DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 > ? > FLAC
|
notes
|
| 13132. |
12/12/90 |
Flac 16 Mtx - 0,
87659 |
Denver |
McNichols Sports Arena flac16; Matrix 3 Source Mix - SBD1 (shn id 87461) (1st set only) SBD -> Dat (48k) + SBD2 (shn id 87372) (2nd set only) Healy DAT > PCM > DAT + AUD (shn id 32020) Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master - matrix mixing by Kevin Tobin
|
notes
|
| 13133. |
12/12/90 |
Flac 24 - 0,
120136 |
Denver |
McNichols Sports Arena flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 13134. |
12/12/90 |
Flac 16 - 0,
87660 |
Denver |
McNichols Sports Arena flac16; AUD : Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master by Dean Grabski - patched and speed correction of shn id 32020 by Kevin Tobin
|
notes
|
| 13135. |
12/12/90 |
Flac 16 - 0,
87461 |
Denver |
McNichols Sports Arena flac16; Set 1 only, Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 13136. |
12/12/90 |
Shn - 0,
2030 |
Denver |
McNichols Sports Arena SBD> D-> CDR-> EAC> SHN; Ripped by John Zei
|
notes
|
| 13137. |
12/12/90 |
Flac Dts 5.1 - 0,
87686 |
Denver |
McNichols Sports Arena DTS Audio 5.1; SBD1 (shn id 87461) (1st set only) SBD -> Dat (48k) + SBD2 (shn id 87372) (2nd set only) Healy DAT > PCM > DAT + AUD (shn id 32020) Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master - dts mixing by Kevin Tobin
|
notes
|
| 13138. |
12/12/90 |
Flac 16/48 - 0,
140071 |
Denver |
McNichols Sports Arena flac16/48kHz; Rick Katzeff recording: Schoeps CMC4 MK2 Omni's > Panasonic SV-250 > DAT (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wave > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 13139. |
12/12/90 |
Flac 16 Mtx - 0,
140146 |
Denver |
McNichols Sports Arena flac16; Two Source Matrix by PhotoLeon: Source #1 Recording Info: SBD -> Dat (48k) and Source #2 Rick Katzeff recording: Schoeps CMC4 MK2 Omni's > Panasonic SV-250 > DAT (FOB)
|
notes
|
| 13140. |
12/12/90 |
Flac 16 - 0,
142547 |
Denver |
McNichols Sports Arena flac16; Patched & Pitch Corrected Audience (original shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin
|
notes
|
| 13141. |
12/12/90 |
Flac 16/48 - 0,
142550 |
Denver |
McNichols Sports Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 109289) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin
|
notes
|
| 13142. |
12/12/90 |
Flac Dts 5.1 - 0,
142549 |
Denver |
McNichols Sports Arena DTS-Audio-CD 5.1 Mix; - SBD (shnid = 109289) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin
|
notes
|
| 13143. |
12/12/90 |
Flac 16 Mtx - 0,
142548 |
Denver |
McNichols Sports Arena flac16; Matrix 2 Source Mix - SBD (shnid = 109289) Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120137) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 5 Seat 3/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
|
notes
|
| 13144. |
12/12/90 |
Flac 16 - 0,
127359 |
Denver |
McNichols Sports Arena flac16; Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1); Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, WAVES X-Click, Paragraphic EQ & Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper (SBE check, FLAC & FLAC fingerprint) > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
|
notes
|
| 13145. |
12/12/90 |
Flac 16 - 0,
32020 |
Denver |
McNichols Sports Arena flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 >CDWAVE >FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski
|
notes
|
| 13146. |
12/12/90 |
Flac 16 - 0,
109289 |
Denver |
McNichols Sports Arena flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13147. |
12/12/90 |
Flac 24 UMtx. - 0,
149544 |
Denver |
McNichols Sports Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X6 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13148. |
12/12/90 |
Flac 16 - 0,
149736 |
Denver |
McNichols Sports Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X6 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13149. |
12/13/90 |
Flac 16 - 0,
108981 |
Denver |
McNichols Sports Arena flac16; Recording Info:SBD -> Dat (48k); Transfer Info:Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13150. |
12/13/90 |
Flac 16 - 0,
120150 |
Denver |
McNichols Sports Arena b>flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section EEE Row 6 Seat 15/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13151. |
12/13/90 |
Shn - 0,
224411 |
Denver |
McNichols Sports Arena Source: Soundboard Matrix:D-> DAT; Transfer: DAT-> Sony PCM R-300 > RME digi 96/8PAD > Soundforge 6.0 @48k by Marc Pujol; Encoding: 48k -> 44.1k via Cool Edit Pro High Accuracy Setting > Cool Edit (diginoise patches) > CDWAV > mkwact (seekable) by Matt Vernon
|
notes
|
| 13152. |
12/13/90 |
Flac 24/48 - 0,
120149 |
Denver |
McNichols Sports Arena flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section EEE Row 6 Seat 15/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 13153. |
12/13/90 |
Shn - 0,
4988 |
Denver |
McNichols Sports Arena similar to previous shn set except d2t1 checksum differs, and no seeder attribution in info file; noted 8/01 at hydro (with 11/00 datestamp)
|
notes
|
| 13154. |
12/13/90 |
Shn - 0,
2031 |
Denver |
McNichols Sports Arena SBD> D> CDR> EAC> SHN; Ripped by John Zei
|
notes
|
| 13155. |
12/13/90 |
Flac 16 - 0,
32021 |
Denver |
McNichols Sports Arena flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 > CDWAVE > FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski
|
notes
|
| 13156. |
12/13/90 |
Flac 16/48 - 0,
138731 |
Denver |
McNichols Sports Arena flac16/48kHz; Rick Katzeff recording: Schoeps CMC521 configured in a 90 degree spaced array > Oade PS > Panasonic SV250; front & center taper section; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Wave > Audacity > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 13157. |
12/13/90 |
Flac 16/48 - 0,
140290 |
Denver |
McNichols Sports Arena flac16/48kHz; Two Source Matrix: Source #1 (shnid: 108981) Recording Info: SBD -> Dat (48k) and Rick Katzeff recording: Schoeps CMC521 configured in a 90 degree spaced array > Oade PS > Panasonic SV250; front & center taper section; Joe Noel Edits: Wave > Audacity > flac 16/48
|
notes
|
| 13158. |
12/13/90 |
Flac 16 - 0,
127360 |
Denver |
McNichols Sports Arena flac16; Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1); Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, iZotope RX DeClick, WAVES Q10 Paragraphic EQ (high-pass only), WAVES L2 Ultramaximizer, a 2 second section of s1t10 was patched with the analog cassette master of the same source); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
|
notes
|
| 13159. |
12/13/90 |
Flac 24 UMtx. - 0,
149556 |
Denver |
McNichols Sports Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13160. |
12/13/90 |
Flac 16 - 0,
149746 |
Denver |
McNichols Sports Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13161. |
12/14/90 |
Flac 16 - 0,
89127 |
Denver |
McNichols Sports Arena flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16
|
notes
|
| 13162. |
12/14/90 |
Flac 1644 - 0,
120165 |
Denver |
McNichols Sports Arena flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 3 Seat 6/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13163. |
12/14/90 |
Flac 24/48 - 0,
120164 |
Denver |
McNichols Sports Arena flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section FFF Row 3 Seat 6/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 13164. |
12/14/90 |
Flac 16 - 0,
32022 |
Denver |
McNichols Sports Arena flac16; Source: Sennheiser K3U/ME-80 Mics > Sony TCD-5M > TDK-MAXG Cassette Master Lineage: Cassette Master > Nakamichi DR-3 Cassette Deck > Apogee Mini-Me (16/44.1) > EGO-SYS WT2496 > SF6 > CDWAVE > FLAC Notes: Recorded front row taper section, Recorded and transferred by Dean Grabski
|
notes
|
| 13165. |
12/14/90 |
Flac 16/48 - 0,
138732 |
Denver |
McNichols Sports Arena flac16/48kHz; Set 1: Schoeps CMC321 at 110 degrees "RED" > Panasonic SV250; Section AAA, Row 15, Seat 17; mics hand held recorded by Rick Katzeff; Set 2: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV255; front row and center of taper section; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Wave > Audacity > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 13166. |
12/14/90 |
Flac 16/48 - 0,
140291 |
Denver |
McNichols Sports Arena flac16/48kHz; Two Source Matrix: Source #1 (shnid: 89127) Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) and Source #2 (shnid 138732) Set 1: Schoeps CMC321 at 110 degrees "RED" > Panasonic SV250; Section AAA, Row 15, Seat 17; mics hand held recorded by Rick Katzeff; Set 2: Schoeps CMC54 at 110 degrees ORTF > Panasonic SV255; front row and center of taper section; Joe Noel Edits: Wave > Audacity > flac 16/48
|
notes
|
| 13167. |
12/14/90 |
Flac 16 - 0,
127361 |
Denver |
McNichols Sports Arena flac16; Source: Josephson C-640 w/ KA-20 (cardioid) capsules (NOS, OTS, 8' up) > 5532 differential pre-amp (+21db) > Panasonic AG6400 (Hi-Fi audio, VHS master) > JVC HR-D725U (Hi-Fi audio, VHS Gen 1); Transfer: JVC HR-D725U (Hi-Fi audio, VHS Gen 1) > Tascam DR-680 > SDHC card > PC; Digital editing: Steinberg CuBase SX (pre and post set fades, channel balancing, iZotope RX DeClick, WAVES Q10 Paragraphic EQ (high-pass only), WAVES L2 Ultramaximizer); Tracking & processing: CD Wave Editor > Trader's Little Helper/ FLAC, SBE check & FLAC fingerprint > AudioShell tag editor; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, transfered, processed and distributed by Chuck Miller
|
notes
|
| 13168. |
12/14/90 |
Flac 24 UMtx. - 0,
149608 |
Denver |
McNichols Sports Arena flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 13169. |
12/14/90 |
Flac 16 - 0,
149757 |
Denver |
McNichols Sports Arena flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13170. |
12/27/90 |
Shn - 0,
8193 |
Oakland |
Oakland-Alameda County Coliseum 2nd set only; SBD(matrix)>DAT>CDR; Seeded to etree by Tony Gardner; Note- There is now a 'retracked' version of disc 1 circ'ing, I have included the md5's here.
|
notes
|
| 13171. |
12/27/90 |
Flac 16 - 0,
76115 |
Oakland |
Oakland-Alameda County Coliseum flac16; Set One: AKG 460/CK8X (Front Row Taper's Section) -> Dat (Sony D3) -> PCM -> Dat (Sony R500) -> Samplitude v7.02 Professional -> SHN; Set Two: SBD -> Dat -> SHN; Seamless edit of shn id 21928
|
notes
|
| 13172. |
12/27/90 |
Shn - 0,
21928 |
Oakland |
Oakland-Alameda County Coliseum Set One: AKG 460/CK8X (Front Row Taper's Section) -> Dat (Sony D3) -> PCM -> Dat (Sony R500) -> Samplitude v7.02 Professional -> SHN Set Two: SBD -> Dat -> SHN Recorded By Paul Tumolo Transfered By Charlie Miller and Neil Sturtevant
|
notes
|
| 13173. |
12/27/90 |
Flac 16/48 - 0,
138040 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; source(s): Set I: B&K 4011 > Prolink Cables > Mod Neumann PS > Panasonic SV255; FOB DFC with 6 ft stand; Tapped by Rob Darroch; Set II: Schoeps CMC34 > MIT Cables > Oade PS > Panasonic SV250; FOB DFC hand held by Marcus Buick; Taped by Rick Katzeff and Marcus Buick; Transfer: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave. By John Ammons from his DAT clone of the masters; Wave > xACT > flac > Audacity > labeled > patched > export multiple > flac 16/44 (level 8); Checksum & tags created in xACT; Set 1 is 16 bit 44.1 kHz, Set 2 is 16 bit 48kHz
|
notes
|
| 13174. |
12/27/90 |
Flac 24 - 0,
138473 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13175. |
12/27/90 |
Flac 16 - 0,
138519 |
Oakland |
Oakland-Alameda County Coliseum b>flac16; Recording Info: Ultra Matrix SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138473 24 bit -> 16 bit
|
notes
|
| 13176. |
12/27/90 |
Flac 16/48 - 0,
138040 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; source(s): Set I: B&K 4011 > Prolink Cables > Mod Neumann PS > Panasonic SV255; FOB DFC with 6 ft stand; Tapped by Rob Darroch; Set II: Schoeps CMC34 > MIT Cables > Oade PS > Panasonic SV250; FOB DFC hand held by Marcus Buick; Taped by Rick Katzeff and Marcus Buick; Transfer: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave; By John Ammons from his DAT clone of the masters; Wave > xACT > flac > Audacity > labeled > patched > export multiple > flac 16/44 (level 8); Checksum & tags created in xACT; Note: the original seed of this source had Set 1 at 16 bit 44.1 kHz, Set 2 at 16 bit 48kHz; the fixed version is all 48kHz
|
notes
|
| 13177. |
12/27/90 |
Flac 16 - 0,
116109 |
Oakland |
Oakland-Alameda County Coliseum flac16; Set 2 source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 13178. |
12/27/90 |
Shn - 0,
28385 |
Oakland |
Oakland-Alameda County Coliseum set2; FOB AKG 460/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN ; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller
|
notes
|
| 13179. |
12/27/90 |
Flac 16 - 0,
127387 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM-300x3; 2 CP-4 Shotgun Capsules + 1 CP-1; Cardioid Capsule > Boss BX-4 Mixer > Sony WM-D6C (MX-S 100 Masters); Transfer: Cassette Masters > Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS; SEC 112; Recorded/Transferred By: Jeff Bowen
|
notes
|
| 13180. |
12/28/90 |
Flac 16 - 0,
114440 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info:SBD -> Dat (48k); Transfer Info:Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13181. |
12/28/90 |
Shn - 0,
11498 |
Oakland |
Oakland-Alameda County Coliseum (Healy Mix)SBD>??>DAT>CDR; Seeded to etree by T. Wiley
|
notes
|
| 13182. |
12/28/90 |
Ultra Mtx Flac - 0,
140147 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > Adobe Audition CC2015 > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13183. |
12/28/90 |
Flac 16 - 0,
127432 |
Oakland |
Oakland-Alameda County Coliseum flac16; Set 1 Source: Nakamichi CM-300x3; Two CP-4 Shotguns + One CP-1 Cardioid > Boss BX-4 Mixer > Sony WM-D6C (MX-S 90); MX-S 90 Master Transferred: Sony TC-D5M > HHb CDR 800 PRO > CD Master > FLAC (Level 8) Via xACT 2.25; Location: OTS; Exact Row, Seat # Not Recorded; Recorded/Transferred By: Jeff Bowen
|
notes
|
| 13184. |
12/28/90 |
- 0,
136762 |
Oakland |
Oakland-Alameda County Coliseum flac16: Recorded by Chris Dusio AT835's>SonyD6>That's Metal Cassette>ZoomF8>Audacity
|
notes
|
| 13185. |
12/28/90 |
Flac 16/48 - 0,
138057 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Set I: B&K 4011 > Schoeps T-bar @ 100 degrees ORTF > ProLink Cables > Mod Neumann PS > Panasonic SV255; hand held by Rob Darroch; Set 2: Schoeps CMC 34 > Schoeps T-bar @ 100 degrees ORTF > MIT Cables >Oade PS > Panasonic SV250; with stand through drums; hand held by Rick Katzeff from Space; Transfer: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave by John Ammons; Wave > Audacity > labeled > patched > export multiple > flac 16/48 (level 8); Checksum & tags created in xACT; Tracking, patch, checksum & tags by Joe Noel
|
notes
|
| 13186. |
12/28/90 |
Flac 16 - 0,
140247 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > Adobe Audition CC2015 > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13187. |
12/28/90 |
Flac 16 - 0,
116114 |
Oakland |
Oakland-Alameda County Coliseum flac16; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 13188. |
12/30/90 |
Flac 16 - 0,
119696 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD (Dan Healy's UltraMatrix) -> Dat (48k); Transfer Info: Dat (Tascam DA20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13189. |
12/30/90 |
Flac 16 - 0,
116105 |
Oakland |
Oakland-Alameda County Coliseum flac16; First or Second Generation Tapes (I Believe); Possible Lineage: Sennheiser 441's>Sony D5>Transfer Decks 2 Sony TCRX-410's No Dolby; Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 13190. |
12/30/90 |
Flac 24/96 - 0,
116104 |
Oakland |
Oakland-Alameda County Coliseum flac24; First or Second Generation Tapes (I Believe); Possible Lineage: Sennheiser 441's>Sony D5>Transfer Decks 2 Sony TCRX-410's No Dolby; Tapes:Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 13191. |
12/30/90 |
Shn - 0,
22025 |
Oakland |
Oakland-Alameda County Coliseum Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC 2000 -> CD (Tascam CDRW700) -> EAC -> Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN) - All Transfers and Editing By Charlie Miller
|
notes
|
| 13192. |
12/30/90 |
Shn - 0,
11669 |
Oakland |
Oakland-Alameda County Coliseum SBD>??>DAT>CDR; Seeded to Etree by T. Wiley
|
notes
|
| 13193. |
12/30/90 |
Flac 16/48 - 0,
138190 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Set 1 Rob Darroch recording (hand held): B&K 4011 at 110 degrees ORTF on Schoeps t-bat > Pro-Link Cables > Mod Neumann PS > Panasonic SV255; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 13194. |
12/30/90 |
Flac 24 UMtx - 0,
141848 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13195. |
12/30/90 |
Flac 16 - 0,
141864 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13196. |
12/30/90 |
Flac 16 - 0,
127333 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM-300 CP-4 Shotgun Capsules > Sony TC-153SD Master (SA-X100) SA-X100 Masters Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS; Recorded/Transferred By: Jeff Bowen
|
notes
|
| 13197. |
12/30/90 |
Flac 16 - 0,
116142 |
Oakland |
Oakland-Alameda County Coliseum flac16: Recorded by "Da Weez". Transferred and mastered to .wav files by D5scott; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 13198. |
12/31/90 |
Flac 16 - 0,
90102 |
Oakland |
Oakland-Alameda County Coliseum flac16; Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08.
|
notes
|
| 13199. |
12/31/90 |
Flac 16 - 0,
121782 |
Oakland |
Oakland-Alameda County Coliseum flac16; timing corrected and patched upgrade of (shnid 116141):Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files. Upgrade by Kevin Tobin
|
notes
|
| 13200. |
12/31/90 |
Shn - 0,
1688 |
Oakland |
Oakland-Alameda County Coliseum Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR; Montego II > CDWave > Sound Forge XP 4.5; via Mike Hall
|
notes
|
| 13201. |
12/31/90 |
Flac Dts 5.1 - 0,
121792 |
Oakland |
Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shn id 90102) Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08. + AUD1 (shn id 116141) Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files + AUD2 (no shn id) Video soundtrack used to patch AUD1 - dts mixing by Kevin Tobin
|
notes
|
| 13202. |
12/31/90 |
Flac 16 - 0,
126823 |
Oakland |
Oakland-Alameda County Coliseum flac16; FM live stereo broadcast (not pre-recorded) > Yamaha 500 reciever with digital tuner and wire antenna > (tracks 10-16:) Teac 3340 reel recorder, no dolby (3.3/4 ips) > Maxell UD 7" master reel tape > played on Akai GX-77 reel deck into soundforge (wav) > (tracks 1-9 and 17-20:) Maxell MX 90 minute metal master cassette > Nak. BX- 100 cassette deck (dolby off) > played on tascam 112 into soundforge (wav) > flac (sb's aligned)
|
notes
|
| 13203. |
12/31/90 |
Flac 16/48 - 0,
138041 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Rob Darroch recording [FOB DFC]: Hand held at 110 degrees ORTF on Schoeps T-bar with B&K 4011 > Pro-Link Mic Cables > Modified Neumann PS > Panasonic SV255; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel track, flac & pack: Wave > flac > Audacity > tracked > export multiple > flac 16/44; Checksum & tags created in xACT
|
notes
|
| 13204. |
12/31/90 |
Flac 24 - 0,
138723 |
Oakland |
Oakland-Alameda County Coliseum flac24; Soundboard Recording Info: SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/TDK E-HG); Audience Recording Info: AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/TDK E-HG); Soundboard Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Audience Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Mastering Info: KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller
|
notes
|
| 13205. |
12/31/90 |
Flac 16 - 0,
138744 |
Oakland |
Oakland-Alameda County Coliseum flac16; Soundboard Recording Info: SBD > PCM Master (JVC HR-D570U) > PCM Clone (S-VHS Deck/TDK E-HG); Audience Recording Info: AKG C42 (m/s) > VHS HiFi Master (JVC HR-D570U) > VHS HiFi (S-VHS Deck/TDK E-HG); Soundboard Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Audience Transfer Info: VHS HiFi (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz); Mastering Info: KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; Transferred, Mixed and Mastered by Charlie Miller, This is 138723 24 bit -> 16 bit
|
notes
|
| 13206. |
12/31/90 |
Flac 16 Mtx - 0,
121790 |
Oakland |
Oakland-Alameda County Coliseum flac16; Matrix 3 Source Mix - SBD (shn id 90102) Pre-FM > DAT > CD > EAC > CD > EAC > FLAC; Both EAC steps were done twice with correct setting to ensure accurate rips. Final EAC and FLAC conversion done by Bob Abrams, 2/21/08. + AUD1 (shn id 116141) Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files + AUD2 (no shn id) Audience recording from Vidoe soundtrack - matrix mixing by Kevin Tobin
|
notes
|
| 13207. |
12/31/90 |
Flac 24 - 0,
140734 |
Oakland |
Oakland-Alameda County Coliseum flac24; Set 2 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496
|
notes
|
| 13208. |
12/31/90 |
Flac 16 - 0,
140733 |
Oakland |
Oakland-Alameda County Coliseum flac16; Set 2 Recording Info: Master Audience 4 Track Hi-Fi VHS; AKG C42 mics located mid-side of soundboard > 1st gen Hi-Fi VHS; Transfer Info: 1st Gen Hi-Fi VHS (Sony SLV-M20HF) > Tascam DA-3000 (DSF 1-bit/5.8 MHz)> dBpoweramp 24/96 > Adobe Audition 3.0 > TLH flac2496; 24 bit > 16 bit via dBpoweramp
|
notes
|
| 13209. |
12/31/90 |
Flac 16 - 0,
140720 |
Oakland |
Oakland-Alameda County Coliseum flac16; Set 2 Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (WAV 16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
notes
|
| 13210. |
12/31/90 |
Flac 24 U Mtx - 0,
141792 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13211. |
12/31/90 |
Flac 16 - 0,
141868 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13212. |
12/31/90 |
Flac 16 - 0,
127388 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM-300 CP-4 Shotguns > Sony TC-153SD (TDK SA-X Masters); Cassette Masters Transferred: Sony TC-D5M > HHb CDR 800 PRO Via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS; SEC 111, Row N, Seat #3; Recorded/Transferred By: Jeff Bowen
|
notes
|
| 13213. |
12/31/90 |
Flac 16 - 0,
116141 |
Oakland |
Oakland-Alameda County Coliseum flac16: Recorded by "Da Weez" Transferred and mastered to .wav files by D5scott source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 13214. |
12/31/90 |
Flac 16/48 - 0,
138041 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Rob Darroch recording [FOB DFC]: Hand held at 110 degrees ORTF on Schoeps T-bar with B&K 4011 > Pro-Link Mic Cables > Modified Neumann PS > Panasonic SV255; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel track, flac & pack: Wave > flac > Audacity > tracked > export multiple > flac 16/44; Checksum & tags created in xACT
|
notes
|
| 13215. |
02/19/91 |
Shn - 0,
8574 |
Oakland |
Oakland-Alameda County Coliseum SBD > DAT > Soundforge> CDR > WAV > SHN; DAE(EAC)> SHN (MKWACT), via neo_levo with thanks to Charlie Miller
|
notes
|
| 13216. |
02/19/91 |
Flac 16 - 0,
132350 |
Oakland |
Oakland-Alameda County Coliseum flac16; FOB/Schoeps CMC 34's> Oade p/s> M-1000 cables> SV-255 by Ted Mattes. DAT clone provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on January 27, 2015 by Will Petty
|
notes
|
| 13217. |
02/19/91 |
Flac 24 - 0,
141764 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13218. |
02/19/91 |
Flac 16 - 0,
141849 |
Oakland |
Oakland-Alameda County Coliseum flac16;; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Fixed version of source ID 141847
|
notes
|
| 13219. |
02/19/91 |
- 0,
|
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Fixed version in circulation
|
notes
|
| 13220. |
02/20/91 |
Flac 16 - 0,
28471 |
Oakland |
Oakland-Alameda County Coliseum flac16; SBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
|
notes
|
| 13221. |
02/20/91 |
Flac 16 - 0,
118255 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: 2 Beyer M160 microphones - up front/center > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 13222. |
02/20/91 |
Shn - 0,
11271 |
Oakland |
Oakland-Alameda County Coliseum Updated source: 2 Nak 100/CP4 + 2 AKG C1000, Front Row Tapers Section> Boss BX4 Mixer> Cassette Master (Sony D6/Dolby B), taped by Charlie Miller; Cass> DAT transfer by Dan Sisler; Dat (Sony R500/SBM On)> CD (Tascam CDRW700) transfer by Charlie Miller; EAC> CDWAV> SHN by eD(efojr), from Paul's seed discs
|
notes
|
| 13223. |
02/20/91 |
Flac 24 - 0,
141769 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13224. |
02/20/91 |
Flac 16 - 0,
141851 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13225. |
02/20/91 |
Flac 16/48 - 0,
138072 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Rob Darroch recording [FOB DFC]: Hand held at 110 degrees ORTF on Schoeps T-bar with B&K 4011 > Pro-Link Mic Cables > Modified Neumann PS > Panasonic SV255. Set 1 hand held by Rob, set 2 on stand at 6'2"; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optcal) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48
|
notes
|
| 13226. |
02/21/91 |
Shn - 0,
22308 |
Oakland |
Oakland-Alameda County Coliseum Recording Info: SBD -> Dat Transfer Info: Dat (Sony D8) -> Delta DiO 2496 -> Samplitude 2496 -> SHN 3 Discs Audio / 2 Discs SHN Re-tracked and Normalized with Samplitude v7.02 Professional By Charlie Miller charliemiller87@earthlink.net 2/11/04
|
notes
|
| 13227. |
02/21/91 |
Flac 16 - 0,
93474 |
Oakland |
Oakland-Alameda County Coliseum flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master using Sony 75ES -> Technics SV-DA10 Recording Equipment : B&K 4011 Cardiod (ORTF) -> Rob’s Neumann Supply -> Panasonic sv255 -> On Stand (6’ 3”) Recording Location: FOB DFC Sweet Spot Recorded By: Unknown Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
|
notes
|
| 13228. |
02/21/91 |
Shn - 0,
1469 |
Oakland |
Oakland-Alameda County Coliseum SBD > DAT x2; Transfer TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHN; transfer and hosted by John D'Auria
|
notes
|
| 13229. |
02/21/91 |
Flac 16 - 0,
93842 |
Oakland |
Oakland-Alameda County Coliseum flac16; Hat-mounted realistic pzm's with Sony WMD6-C 30 feet,dfc MAC>D6>HD>Audacity>cdwave>TLH
|
notes
|
| 13230. |
02/21/91 |
Flac 24 - 0,
141771 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13231. |
02/21/91 |
Flac 16 - 0,
141853 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13232. |
02/21/91 |
Flac 16 - 0,
121377 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source for 1st set: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassette; Source for 2nd set: 2 Schoeps ? microphones - up front/center> Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 13233. |
03/17/91 |
Flac 16 - 0,
28295 |
Landover |
Capital Centre flac16; SBD> Master Dat> Master Cassette (Tascam 122mkIII)> Dat (SV3800/48k); Transfer: Dat> Cool Edit Pro> Samplitude v7.02 Professional> FLAC; Patch Info: Nakamichi 300/CP4 + Neumann KM84> Cassette Master (Sony D5/Maxell MX-S90); Patched and Edited By Charlie Miller
|
notes
|
| 13234. |
03/17/91 |
Shn - 0,
8745 |
Landover |
Capital Centre SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy
|
notes
|
| 13235. |
03/17/91 |
Flac 24/96 - 0,
132297 |
Landover |
Capital Centre flac24; Master Audience Recorded By J.B., Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-90, Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 13236. |
03/17/91 |
Flac 16 - 0,
132296 |
Landover |
Capital Centre flac16; Master Audience Recorded By J.B., Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-90, Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13237. |
03/17/91 |
Flac 16/48 - 0,
135341 |
Landover |
Capital Centre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=8745) SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy + AUD (shn id 94062) Master:Sennheiser ME-80's>Technics SV-MD1 OTS Transfer:DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - mixing by Kevin Tobin
|
notes
|
| 13238. |
03/17/91 |
Flac 16 - 0,
135338 |
Landover |
Capital Centre flac16; (original shnid = 8745) SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy - pitch correction and patches by Kevin Tobin
|
notes
|
| 13239. |
03/17/91 |
Flac 16 Mtx - 0,
135339 |
Landover |
Capital Centre flac16; Matrix 2 Source Mix - SBD (shnid=8745) SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy + AUD (shn id 94062) Master:Sennheiser ME-80's>Technics SV-MD1 OTS Transfer:DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - matrix mixing by Kevin Tobin
|
notes
|
| 13240. |
03/17/91 |
Flac Dts 5.1 - 0,
135340 |
Landover |
Capital Centre DTS-Audio-CD 5.1 Mix; SBD (shnid=8745) SBD>MC>DAT>CDR; via Tom Eliason; Seeded to etree by Willy + AUD (shn id 94062) Master:Sennheiser ME-80's>Technics SV-MD1 OTS Transfer:DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - dts mixing by Kevin Tobin
|
notes
|
| 13241. |
03/17/91 |
Flac 16 - 0,
94062 |
Landover |
Capital Centre flac16; Master:Sennheiser ME-80's>Technics SV-MD1 OTS Transfer:DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger (The original source is missing Crazy Finders, d2t05.)
|
notes
|
| 13242. |
03/17/91 |
Shn - 0,
28386 |
Landover |
Capital Centre FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Jeff Metchik (sp?); Transferred By Charlie Miller
|
notes
|
| 13243. |
03/17/91 |
Flac 16 - 0,
107115 |
Landover |
Capital Centre flac16; Recorded by David Cohen Official Taping Section 8 Ft. Stand (Sec. 128, Row C, seat 4) 2 Nakamichi CM300s/ CP4s w/6" diameter plexiglass plates directly behind the rear pickups of the capsules> Nakamichi 550 w/Maxell XLIIS cassette masters Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
notes
|
| 13244. |
03/17/91 |
Flac 16/48 - 0,
149502 |
Landover |
Capital Centre flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48); Location: Section 2, Row R, Seat 14, DFC; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick
|
notes
|
| 13245. |
03/17/91 |
Flac 24 - 0,
149656 |
Landover |
Capital Centre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13246. |
03/17/91 |
Flac 16 - 0,
149664 |
Landover |
Capital Centre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13247. |
03/18/91 |
Flac 16 - 0,
28162 |
Landover |
Capital Centre flac16; SBD > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
|
notes
|
| 13248. |
03/18/91 |
Shn - 0,
10926 |
Landover |
Capital Centre 2nd Set; SBD>MC>DAT>CD; via Paul; Seeded to etree by eD(efojr)
|
notes
|
| 13249. |
03/18/91 |
Flac 24/96 - 0,
132303 |
Landover |
Capital Centre flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D6, Tapes:Maxell MX-90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 13250. |
03/18/91 |
Flac 16 - 0,
132302 |
Landover |
Capital Centre flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D6, Tapes:Maxell MX-90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13251. |
03/18/91 |
Flac Dts 5.1 - 0,
33770 |
Landover |
Capital Centre DTS-Audio-CD 5.1 Mix; SBD:SBD > MC > DAT > CD;AUD:AUD (unknown mics) >DAT>Cass (X1)>CDR; mixed by ktobin
|
notes
|
| 13252. |
03/18/91 |
Flac 16 - 0,
107155 |
Landover |
Capital Centre flac16; Recorded by David Cohen Official Taping Section 8 foot stand (sec. 128 Row B Seat 13) 3 Nakamichi CM300s/CP4s>Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
notes
|
| 13253. |
03/18/91 |
Shn - 0,
16779 |
Landover |
Capital Centre AUD (unknown mics) >DAT>Cass (X1)>CDR via D.Duquette. DAE/SHN encoding neo_levo/candyman
|
notes
|
| 13254. |
03/18/91 |
Flac 16/48 - 0,
149503 |
Landover |
Capital Centre flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (16/48); Location: first row center, taper’s section; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick
|
notes
|
| 13255. |
03/18/91 |
Flac 16 - 0,
149665 |
Landover |
Capital Centre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13256. |
03/18/91 |
Flac 24 - 0,
149661 |
Landover |
Capital Centre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13257. |
03/20/91 |
Flac 16 Mtx - 0,
111794 |
Landover |
Capital Centre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 13258. |
03/20/91 |
Flac 16 - 0,
93177 |
Landover |
Capital Centre flac16; Recording Info:SBD -> Dat -> Cassette Master -> Sound Forge -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d2t01 of the previous Charlie Miller source.)
|
notes
|
| 13259. |
03/20/91 |
Flac 24/96 - 0,
132417 |
Landover |
Capital Centre flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 13260. |
03/20/91 |
Flac 16 - 0,
123416 |
Landover |
Capital Centre flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 13261. |
03/20/91 |
Flac 16 - 0,
93038 |
Landover |
Capital Centre flac16; Recording Info:SBD -> Dat -> Cassette Master -> Sound Forge -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13262. |
03/20/91 |
Shn - 0,
11272 |
Landover |
Capital Centre SBD>DAT>CDR; See info file for 'anomalies'; via Paul; Seeded to etree by eD(efojr)
|
notes
|
| 13263. |
03/20/91 |
Flac 16 - 0,
34559 |
Landover |
Capital Centre flac16; **SOUNDCHECK** Recording Info:Unknown Mics -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net -- Thanks to Gary Field for the cassette -- Thanks to macdaddy for the Nak Cassette Deck
|
notes
|
| 13264. |
03/20/91 |
Flac 16 - 0,
76521 |
Landover |
Capital Centre flac16; Set 2 only - MAC>CDR Nak 100s > Sony D-5, using dolby B, onto Maxell cassettes. Taper's section. recorded by Boyd McHugh Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files (updated mic info)
|
notes
|
| 13265. |
03/20/91 |
Flac 16/48 - 0,
138740 |
Landover |
Capital Centre flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017
|
notes
|
| 13266. |
03/20/91 |
Flac 16 - 0,
107168 |
Landover |
Capital Centre flac16; Recorded by David Cohen Official Taping Section 8 foot stand (Sec. 128 Row A Seat 4) 3 Nakamichi CM300s/CP4s>Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
notes
|
| 13267. |
03/20/91 |
Flac 16/48 - 0,
149506 |
Landover |
Capital Centre flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (1648); Location: First Row Center, Taper’s Section; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648
|
notes
|
| 13268. |
03/20/91 |
Flac 24/96 - 0,
152131 |
Landover |
Capital Centre flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 13269. |
03/20/91 |
Flac 16/44 - ,
154460 |
Landover |
Capital Centre flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 --- This is 152131 2496 > 1644
|
notes
|
| 13270. |
03/21/91 |
Flac 16 Mtx - 0,
111877 |
Landover |
Capital Centre flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
|
notes
|
| 13271. |
03/21/91 |
Flac 16 - 0,
132471 |
Landover |
Capital Centre flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13272. |
03/21/91 |
Flac 24/96 - 0,
132472 |
Landover |
Capital Centre flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 13273. |
03/21/91 |
Shn - 0,
474 |
Landover |
Capital Centre SBD> DAT> ZA2> SHN; slight cut d2t7 ~5:44; via G. King
|
notes
|
| 13274. |
03/21/91 |
Flac 16 - 0,
87289 |
Landover |
Capital Centre flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 13275. |
03/21/91 |
Flac 16/48 - 0,
138994 |
Landover |
Capital Centre flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick August 2017
|
notes
|
| 13276. |
03/21/91 |
Flac 16 - 0,
94179 |
Landover |
Capital Centre flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC
|
notes
|
| 13277. |
03/21/91 |
Flac 16 - 0,
109365 |
Landover |
Capital Centre flac16; Recorded by David Cohen Official Taping Section 8 foot stand (Sec. 128 Row A Seat 4) 2 Nakamichi CM300s/ CP4s w/6" diameter plexiglass plates directly behind the rear pickups of the capsules & 1 Nakamichi CM300/CP1 > Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
|
notes
|
| 13278. |
03/21/91 |
Flac 16/48 - 0,
149507 |
Landover |
Capital Centre flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (1648); Location: first row center, taper’s section; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648
|
notes
|
| 13279. |
03/21/91 |
Flac 24/96 - 0,
151341 |
Landover |
Capital Centre flac24/96khz Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 13280. |
03/21/91 |
Flac 16 - 0,
151624 |
Landover |
Capital Centre flac16/44khz Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151341 24 -> 16 @ 44.1
|
notes
|
| 13281. |
03/23/91 |
Flac 16 - 0,
87729 |
Albany |
Knickerbocker Arena flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 13282. |
03/23/91 |
Flac 16 - 0,
133033 |
Albany |
Knickerbocker Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13283. |
03/23/91 |
Flac 24/96 - 0,
133034 |
Albany |
Knickerbocker Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 13284. |
03/23/91 |
Flac 16 - 0,
81969 |
Albany |
Knickerbocker Arena flac16; Recorded by B.Koucky, patched out of B.Glassberg. Source: FOB Nak 700s > Sony D5 > Type IV cassette (Maxell MX100s), no Dolby during recording. Transfer and mastering: MAC playback on Nakamichi CR-7A with manually adjusted azmimuth > Presonus Firebox Neutrik inputs > Firewire/XP Pro > Wavelab 5, recorded as 24 bit 96 KHz PCM WAV > Waves L3 Multimaximizer (-1.7 dB/-0.1 ceiling > rendered to 16 bit/44.1 KHz WAV using UV22 HR, normal/no autoblack > CDWAV 1.9 > FLAC (level 8) by C.Ladner
|
notes
|
| 13285. |
03/23/91 |
Flac 16 - 0,
34967 |
Albany |
Knickerbocker Arena flac16; AUD: Nackamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 Dat. Taped onto Maxell DM-120 tape, set up in second row of taper's section, center seat. Mics on stand aprx 7-1/2 feet high, pointing at stacks and kept level (not angled up). Transfer: MAD > Sony DTC-690 > Optical cable > Marantz CDR-500 burner > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, FLAC compression, and checksums) > FLAC > bt.etree. Taped and transferred by Andrew F.
|
notes
|
| 13286. |
03/23/91 |
Shn - 0,
9507 |
Albany |
Knickerbocker Arena AUD: Schoeps CMC 34?s>DAT; via Paul; Seeded to etree by eD(efojr)
|
notes
|
| 13287. |
03/23/91 |
Flac 16 - 0,
94366 |
Albany |
Knickerbocker Arena flac16; Sennheiser ME-80's>Technics SV-MD1; DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 13288. |
03/23/91 |
Flac 16/48 - 0,
145316 |
Albany |
Knickerbocker Arena flac16/48kHz; Source: Nakamichi 300s (shotgun/omni mix) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2019
|
notes
|
| 13289. |
03/23/91 |
Flac 16/48 - 0,
149299 |
Albany |
Knickerbocker Arena flac16/48kHz; Recording info: (FOB) Schoeps CMC34 @ 110˚ > M1000 Cables > Tao Research PS > Panasonic SV255 > Master DAT > clone; Transfer info: clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 > Wave 48Hz 16bits
|
notes
|
| 13290. |
03/23/91 |
Flac 24/96 - 0,
152177 |
Albany |
Knickerbocker Arena flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 13291. |
03/23/91 |
Flac 16/44 - ,
154461 |
Albany |
Knickerbocker Arena flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152177 2496 > 1644
|
notes
|
| 13292. |
03/24/91 |
Shn - 0,
25274 |
Albany |
Knickerbocker Arena SBD > MC > DAT > CD > EAC > SHN; Patched with AUD> DAT> CDR; Schoeps CMC-421?s>Oade>Panasonic SV-255; EAC/SHN by Darryl Hinko
|
notes
|
| 13293. |
03/24/91 |
Flac - 0,
122515 |
Albany |
Knickerbocker Arena flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13294. |
03/24/91 |
Shn - 0,
18119 |
Albany |
Knickerbocker Arena Source: SBD>CM>DAT>Cx>CDR>WAV>SHN Transfer via Ja.Buzz420 (playback on Denon DRM-540 > HHB 830 CDR). SHN and encoding and hosting via neo_levo/candyman FTP
|
notes
|
| 13295. |
03/24/91 |
Flac - 0,
115573 |
Albany |
Knickerbocker Arena flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6; Tapes Maxell MX-S 90,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 13296. |
03/24/91 |
Flac - 0,
113002 |
Albany |
Knickerbocker Arena flac16; AUD: 2x Nakamichi CM300/CP4 shotguns > Casio DA-7 > Maxell DM Dat. Mics on 7-foot stand, front row OTS. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Wavelab (SRC & Dither) > CD-Wave > TLH > FLAC 1644 Tagged. Taped & transferred by Andrew F. 04/2011
|
notes
|
| 13297. |
03/24/91 |
Flac 24 - 0,
113127 |
Albany |
Knickerbocker Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-s 90 + MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 13298. |
03/24/91 |
Flac - 0,
133126 |
Albany |
Knickerbocker Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-s 90 + MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helepr; Metadata Tagging With Tag&Rename
|
notes
|
| 13299. |
03/24/91 |
Flac 24 - 0,
122514 |
Albany |
Knickerbocker Arena flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 13300. |
03/24/91 |
Flac 24 - 0,
115572 |
Albany |
Knickerbocker Arena flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6; Tapes Maxell MX-S 90,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 13301. |
03/24/91 |
Flac 24 - 0,
137075 |
Albany |
Knickerbocker Arena flac24; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13302. |
03/24/91 |
Flac - 0,
137101 |
Albany |
Knickerbocker Arena flac16; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13303. |
03/24/91 |
Shn - 0,
12093 |
Albany |
Knickerbocker Arena AUD> DAT> CDR; Schoeps CMC-421?s>Oade>Panasonic SV-255; via WIlliam-O; Seeded to etree by eD
|
notes
|
| 13304. |
03/24/91 |
Flac 16 - 0,
97694 |
Albany |
Knickerbocker Arena flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC
|
notes
|
| 13305. |
03/24/91 |
Shn - 0,
28388 |
Albany |
Knickerbocker Arena FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller
|
notes
|
| 13306. |
03/24/91 |
Flac 16/48 - 0,
149546 |
Albany |
Knickerbocker Arena flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110degrees) > Panasonic SV-255 (1648); Location: @ soundboard, section 5, row F, seat 8; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel
|
notes
|
| 13307. |
03/24/91 |
Flac 24/96 - 0,
152197 |
Albany |
Knickerbocker Arena flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 13308. |
03/24/91 |
Flac 16/44 - ,
154462 |
Albany |
Knickerbocker Arena flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152197 2496 > 1644
|
notes
|
| 13309. |
03/25/91 |
Flac 16 - 0,
87731 |
Albany |
Knickerbocker Arena flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 13310. |
03/25/91 |
Shn - 0,
18376 |
Albany |
Knickerbocker Arena sbd>cass-master>dat>shn
|
notes
|
| 13311. |
03/25/91 |
Flac 16 - 0,
122507 |
Albany |
Knickerbocker Arena flac16; Master Audience Recorded by Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13312. |
03/25/91 |
Flac 24/96 - 0,
133309 |
Albany |
Knickerbocker Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90 + MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 13313. |
03/25/91 |
Flac 16 - 0,
133308 |
Albany |
Knickerbocker Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90 + MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13314. |
03/25/91 |
Flac 24/96 - 0,
122506 |
Albany |
Knickerbocker Arena flac24; Master Audience Recorded by Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 13315. |
03/25/91 |
Flac 24/96 - 0,
111860 |
Albany |
Knickerbocker Arena flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Floater,Transfer By Keo Tapes: Set 1 Maxell MX-90 set 2 Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 13316. |
03/25/91 |
Flac 16/48 - 0,
138814 |
Albany |
Knickerbocker Arena flac16/48kHz; Set 2, unknown taper: Schoeps CMC34 at 110 degrees ORTF > M1000 Cables > Tao Research Power Supply > Panasonic SV255; 3 rows FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edited & Mastered in Audacity, exported > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 13317. |
03/25/91 |
Flac 16 - 0,
91972 |
Albany |
Knickerbocker Arena flac16; Source:Sennheiser ME-80's>Techics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger
|
notes
|
| 13318. |
03/25/91 |
Flac 16 - 0,
84645 |
Albany |
Knickerbocker Arena flac16; AUD: Nackamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 Dat. Taped onto Maxell DM-120 tape, set up in front row of taper's section, one seat off center. Mics on stand aprx 7-1/2 feet high, pointing at stacks and kept level (not angled up). Transfer: MAD > Sony D10-P > Coax SPDIF > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Taped and transferred (April 2007) by Andrew F
|
notes
|
| 13319. |
03/25/91 |
Flac 16/48 - 0,
146016 |
Albany |
Knickerbocker Arena flac16/48kHz; Source: Nakamichi 300s (shotgun/omni mix) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick April 2019
|
notes
|
| 13320. |
03/25/91 |
Flac 16 - 0,
111859 |
Albany |
Knickerbocker Arena flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper Floater,Transfer By Keo Tapes: Set 1 Maxell MX-90 set 2 Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With AudioGate Software To 16/44 SBE's Checked/Fixed With Traders Little Helper
|
notes
|
| 13321. |
03/25/91 |
Flac 16/48 - 0,
149547 |
Albany |
Knickerbocker Arena flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110degrees) > Panasonic SV-255 (1648); Location: FOB three rows in front of soundboard; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel
|
notes
|
| 13322. |
03/25/91 |
Flac 24/96 - 0,
152198 |
Albany |
Knickerbocker Arena flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 13323. |
03/25/91 |
Flac 16/44 - ,
154463 |
Albany |
Knickerbocker Arena flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152198 2496 > 1644
|
notes
|
| 13324. |
03/27/91 |
Flac 16 - 0,
120855 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller; the original files had errors on d1t05 and d1t10.
|
notes
|
| 13325. |
03/27/91 |
Shn - 0,
9405 |
Uniondale |
Nassau Veterans Memorial Coliseum SBD> Master Cassette > DAT> CD> SHN; Box of Rain from aud patch; via Rob Harrison; Seeded to etree by Peter Braverman
|
notes
|
| 13326. |
03/27/91 |
Shn - 0,
10310 |
Uniondale |
Nassau Veterans Memorial Coliseum Chris L shntool fix of original Braverman seed; SBD> Master Cassette > DAT> CD
|
notes
|
| 13327. |
03/27/91 |
Flac 16 - 0,
35163 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Fix of shn id 14486 - SBD -> Cm (Sony D5) -> Dat. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 13328. |
03/27/91 |
Flac 16 - 0,
112169 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16: AUD: 2x Nakamichi CM300/CP4 shotguns > Casio DA-7 > Maxell DM Dat. Mics on 7-foot stand, front row OTS. Transfer: MAD > Sony DTC-690 > Optical Out > Marantz CDR-500 > CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged. Taped & transferred by Andrew F. 04/2011
|
notes
|
| 13329. |
03/27/91 |
Flac - 0,
144486 |
Uniondale |
Nassau Veterans Memorial Coliseum Recording Info: SBD -> Cm (Sony D5) -> Dat; Transfer Info: Dat (Sony R500) -> Sound Devices USB Pre -> Sony Vaio C1VP -> Samplitude 6.0 -> Cool Edit Pro v2.0 -> SHN; Transfered and Remastered By Charlie Miller; Upgrade in circulation
|
notes
|
| 13330. |
03/27/91 |
Flac 24/96 - 0,
120857 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-K677ES) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v3.0 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had errors on d1t05 and d1t10.
|
notes
|
| 13331. |
03/27/91 |
Flac 24/96 - 0,
133608 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio shack Mixer > Sony D5,Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 13332. |
03/27/91 |
Flac 16 - 0,
133607 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio shack Mixer > Sony D5,Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13333. |
03/27/91 |
Shn - 0,
9980 |
Uniondale |
Nassau Veterans Memorial Coliseum Tony G shntool fix of original Braverman seed; SBD> Master Cassette > DAT> CD
|
notes
|
| 13334. |
03/27/91 |
Flac 16/48 - 0,
139159 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k); Recorded by Rich Gastwirt from 1st row OTS Transfer: Set I - Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Set II - Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick August 2017
|
notes
|
| 13335. |
03/27/91 |
Flac 16/48 - 0,
141407 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
|
notes
|
| 13336. |
03/27/91 |
Shn - 0,
9189 |
Uniondale |
Nassau Veterans Memorial Coliseum AUD>DAT>CDR; Seeded to etree by eD
|
notes
|
| 13337. |
03/27/91 |
Flac 16 - 0,
91484 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 Recorded in the Taper Section by Keith Litzenberger DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades & Sample Rate Conversion)>CDWAV>FLAC
|
notes
|
| 13338. |
03/27/91 |
Shn - 0,
28390 |
Uniondale |
Nassau Veterans Memorial Coliseum set2; FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer Info: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney. Dan O'Neill Transferred By Charlie Miller
|
notes
|
| 13339. |
03/27/91 |
Flac 16/48 - 0,
146181 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/48kHz; (FOB) Neuman SKM150 (90 Deg X-Y) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick April 2019
|
notes
|
| 13340. |
03/27/91 |
Flac 24/96 - 0,
152199 |
Uniondale |
Nassau Veterans Memorial Coliseum flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 13341. |
03/27/91 |
Flac 16/44 - ,
154474 |
Uniondale |
Nassau Veterans Memorial Coliseum flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152199 2496 > 1644
|
notes
|
| 13342. |
03/28/91 |
Flac 16 - 0,
87732 |
Uniondale |
Nassau Coliseum flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Mill
|
notes
|
| 13343. |
03/28/91 |
Shn - 0,
7287 |
Uniondale |
Nassau Coliseum SBD> DAT> CDR> EAC> SHN (seekable) via Steve Barbella
|
notes
|
| 13344. |
03/28/91 |
Flac 16 - 0,
107569 |
Uniondale |
Nassau Coliseum flac16; AUD: 2x Nakamichi CM300/CP4 shotguns > Casio DA-7 > Maxell DM Dat. Mics on 7-foot stand, front row OTS. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Taped & transferred by Andrew F. 05/2010
|
notes
|
| 13345. |
03/28/91 |
Flac 24/96 - 0,
133617 |
Uniondale |
Nassau Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 13346. |
03/28/91 |
Flac 16 - 0,
133516 |
Uniondale |
Nassau Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13347. |
03/28/91 |
Flac 16/48 - 0,
140091 |
Uniondale |
Nassau Coliseum flac16/48kHz; Rich Gastwirt recording: (OTS) Schoeps CMC4 MK4 (ortf)> DAT (Panasonic SV-255); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 13348. |
03/28/91 |
Flac 16/48 - 0,
141408 |
Uniondale |
Nassau Coliseum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
|
notes
|
| 13349. |
03/28/91 |
Flac 16 U Mtx - 0,
142169 |
Uniondale |
Nassau Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13350. |
03/28/91 |
Flac 24 UMtx - 0,
142213 |
Uniondale |
Nassau Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is a fixed version of shnid=142161
|
notes
|
| 13351. |
03/28/91 |
Flac 16 - 0,
142428 |
Uniondale |
Nassau Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is a fixed version of shnid=142161
|
notes
|
| 13352. |
03/28/91 |
Flac 16 - 0,
91713 |
Uniondale |
Nassau Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 from Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred by Keith Litzenberger
|
notes
|
| 13353. |
03/28/91 |
Shn - 0,
28391 |
Uniondale |
Nassau Coliseum FOB Schoeps CMC3/MK4 (ORTF)> Oade Preamp> Dat (Panasonic SV255/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller
|
notes
|
| 13354. |
03/28/91 |
Flac 16/48 - 0,
146430 |
Uniondale |
Nassau Coliseum flac16/48khz Source: (FOB) Neuman SKM150 (90 Deg X-Y) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648 edited and mastered SIRMick May 2019
|
notes
|
| 13355. |
03/28/91 |
Flac 24 UMtx. - 0,
142161 |
Uniondale |
Nassau Coliseum b>flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; Fixed version in circulation
|
notes
|
| 13356. |
03/28/91 |
Flac 16/48 - 0,
149560 |
Uniondale |
Nassau Coliseum flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (1648); Location: FOB mics hand held, section B1, row 19, seat 8; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648
|
notes
|
| 13357. |
03/29/91 |
Shn - 0,
8232 |
Uniondale |
Nassau Coliseum SBD> DAT> Cassette> DAT> Tascam DA-20 MKII> Delta Dio 2496> Cool Edit> CDR; via Rob Harrison; Seeded to etree by Tim Wiley
|
notes
|
| 13358. |
03/29/91 |
Shn - 0,
12757 |
Uniondale |
Nassau Coliseum SBD> Cass(1)> DAT> SHN; DAT> SHN conversion done by Leo Samouilidis: DAT> Opcode SonicPort> HD(Cool Edit)> MKW ACT> SHN
|
notes
|
| 13359. |
03/29/91 |
Flac 16 - 0,
109110 |
Uniondale |
Nassau Coliseum flac16; Master Audience Four Mic Mix Nakamichi CM300's/CP4 Sotguns And Sennheiser 441's> unknown Mixer>Sony D-6>--# Patch out of ?--- Tapes:Maxell MX-S 100's Transfer: Nakamichi MR-1>Dolby B>Korg MR 1000 @ 1 Bit/5.6mHz>Sample rate conversion with AudioGate software to 32 bit float/96kHz Wave>Dithered with Korg Aqua to 16/44
|
notes
|
| 13360. |
03/29/91 |
Flac 24/96 - 0,
133624 |
Uniondale |
Nassau Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 13361. |
03/29/91 |
Flac 16 - 0,
133623 |
Uniondale |
Nassau Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13362. |
03/29/91 |
Flac 24/48 - 0,
114398 |
Uniondale |
Nassau Coliseum flac24; AUD: 2x Nakamichi CM300/CP4 shotguns > Casio DA-7 (lead deck) > Sony TC-D5M (first deck out) > Maxell MXS 90/100. Mics on 7-foot stand, front row OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448. Transfer by Andrew F. July 2011.
|
notes
|
| 13363. |
03/29/91 |
Flac 16 - 0,
114339 |
Uniondale |
Nassau Coliseum flac16; AUD: 2x Nakamichi CM300/CP4 shotguns > Casio DA-7 (lead deck) > Sony TC-D5M (first deck out) > Maxell MXS 90/100. Mics on 7-foot stand, front row OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. July 2011.
|
notes
|
| 13364. |
03/29/91 |
Flac 24 - 0,
137079 |
Uniondale |
Nassau Coliseum flac24; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13365. |
03/29/91 |
Flac 16 - 0,
137102 |
Uniondale |
Nassau Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13366. |
03/29/91 |
Flac 16/48 - 0,
141409 |
Uniondale |
Nassau Coliseum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
|
notes
|
| 13367. |
03/29/91 |
Flac 24 UMtx - 0,
142237 |
Uniondale |
Nassau Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 13368. |
03/29/91 |
Flac 24 - 0,
142236 |
Uniondale |
Nassau Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This is a pitch corrected (remastered) version of shnid=137079
|
notes
|
| 13369. |
03/29/91 |
Flac 16 U Mtx - 0,
142431 |
Uniondale |
Nassau Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 13370. |
03/29/91 |
Flac 16 - 0,
142430 |
Uniondale |
Nassau Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This is a pitch corrected (remastered) version of shnid=137079
This is your collection
|
notes
|
| 13371. |
03/29/91 |
Flac 16/48 - 0,
146568 |
Uniondale |
Nassau Coliseum flac16/48kHz; Source: (FOB) Neuman SKM150 (90 Deg X-Y) > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick May 2019
|
notes
|
| 13372. |
03/29/91 |
Flac 16/48 - 0,
149579 |
Uniondale |
Nassau Coliseum flac16/48kHz; Recording: Schoeps CMC3 MK4’s (110°) > Panasonic SV-255 (1648); Location: FOB mics hand held, section B1, row 19, seat 8; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648
|
notes
|
| 13373. |
03/29/91 |
Flac 16 U Mtx. - 0,
149815 |
Uniondale |
Nassau Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1, contains fixed New Speedway Boogie
|
notes
|
| 13374. |
03/31/91 |
Flac 16 - 0,
120029 |
Greensboro |
Greensboro Coliseum flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13375. |
03/31/91 |
Flac 16 - 0,
93473 |
Greensboro |
Greensboro Coliseum flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Schoeps CMC34 (ORTF) -> MIT Cable -> Oade Power Supply -> Panasonic sv255 Recording Location: FOB Recorded By: Unknown Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
|
notes
|
| 13376. |
03/31/91 |
Shn - 0,
31955 |
Greensboro |
Greensboro Coliseum SBD dat master > dat > cd (eac, secure) > SHN
|
notes
|
| 13377. |
03/31/91 |
Shn - 0,
9451 |
Greensboro |
Greensboro Coliseum SBD > ?? > EAC > Multiquence > Shn; Seeded by C Perkins with thanks to Chris Luper; see text file for noted flaws.Samson and Eyes appear on Dick's Picks 17, Please support the artist and their commercial releases go buy it
|
notes
|
| 13378. |
03/31/91 |
Flac 16 Mtx - 0,
99386 |
Greensboro |
Greensboro Coliseum flac16; Matrix: SBD (shnid=31955) and AUD (shnid=93473); matrix by Joey South (shn and flac>wav>wavelab>wav>cd wave for tracking>flac)
|
notes
|
| 13379. |
03/31/91 |
Flac 16 - 0,
109862 |
Greensboro |
Greensboro Coliseum flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac Transfer: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped from OTS, and transferred by John Bleich
|
notes
|
| 13380. |
03/31/91 |
Flac 24/96 - 0,
112999 |
Greensboro |
Greensboro Coliseum flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96kHz
|
notes
|
| 13381. |
03/31/91 |
Flac 16 - 0,
113300 |
Greensboro |
Greensboro Coliseum flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX-90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96kHz Dithered/Flacked With Korg Aqua to 16/44 SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 13382. |
03/31/91 |
Flac 16/48 - 0,
149580 |
Greensboro |
Greensboro Coliseum flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (1648); Location: FOB mics hand held, center section, row S, seat 9; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648
|
notes
|
| 13383. |
03/31/91 |
Flac 24/96 - 0,
152200 |
Greensboro |
Greensboro Coliseum flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 13384. |
03/31/91 |
Flac 16/44 - ,
154477 |
Greensboro |
Greensboro Coliseum flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152200 2496 > 1644
|
notes
|
| 13385. |
04/01/91 |
Flac 16 - 0,
31966 |
Greensboro |
Greensboro Coliseum flac16; SBD -> PCM Master -> PCM Clone -> Sonic Solutions -> CD Transferred and Edited By Charlie Miller
|
notes
|
| 13386. |
04/01/91 |
Shn - 0,
2021 |
Greensboro |
Greensboro Coliseum SBD> D-> cdr-> EAC-> shn; Ripped by John Zei
|
notes
|
| 13387. |
04/01/91 |
Flac 16 - 0,
109943 |
Greensboro |
Greensboro Coliseum flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac Transfer: mac > Yamaha K-98 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped from OTS, and transferred by John Bleich
|
notes
|
| 13388. |
04/01/91 |
Shn - 0,
9732 |
Greensboro |
Greensboro Coliseum Sources: Primary Source; Jay Serafin's seed SBD>D>A>D>SSSB: Secondary Source:SBD>DAT>CDR (Musicfan's seed to abgd; Secondary Source provides d1t01-t04; the last 5 seconds of d1t07;the last 2:01 of d1t09; CD Remastering by Charlie Connor; Seeded to Fun_Gus and abgd by Charlie Connor
|
notes
|
| 13389. |
04/01/91 |
Shn - 0,
8257 |
Greensboro |
Greensboro Coliseum set 2 plus partial set 1; SBD > D > A > D > SSSB; via Jay Serafin to gdlive
|
notes
|
| 13390. |
04/01/91 |
- 0,
137439 |
Greensboro |
Greensboro Coliseum flac24; Recording Info: SBD > Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13391. |
04/01/91 |
Flac 16 - 0,
137352 |
Greensboro |
Greensboro Coliseum flac16; Recording Info: SBD > Dat Master > PCM; Transfer Info: PCM (Sony SL-HF500) > Sony PCM601-ESD > Omega Fenix HT > Audio Audition 6.0 > FLAC; Mastering Info: FLAC > Samplitude Pro X3 Suite > FLAC; Transferred By David Minches; Mastered By Charlie Miller; the original version had a drop out in Peggy-O; please don't circulate that version
|
notes
|
| 13392. |
04/01/91 |
Flac 16 - 0,
141915 |
Greensboro |
Greensboro Coliseum flac16; Recording Info: SBD > Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13393. |
04/01/91 |
Flac 24/96 - 0,
148614 |
Greensboro |
Greensboro Coliseum flac24; Source Info: Michael Hessberg's Master Audience Cassettes; AKG C522 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496
|
notes
|
| 13394. |
04/01/91 |
Flac 16/48 - 0,
148613 |
Greensboro |
Greensboro Coliseum flac16/48kHz; Source Info: Michael Hessberg's Master Audience Cassettes; AKG C522 mics > Sony D5; Transfer Info: Master Cassettes (Nakamichi DR-1)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
|
notes
|
| 13395. |
04/01/91 |
Flac 16/48 - 0,
149231 |
Greensboro |
Greensboro Coliseum flac16/48kHz; Source Info: FOB Schoeps CMC3 MK4-> Oade P/S/-> Panasonic SV255-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Taped: Believed to be Clay Brennecke & Jamie Young; Transfers by Pete Ebel
|
notes
|
| 13396. |
04/01/91 |
Flac 24 UMtx. - 0,
149649 |
Greensboro |
Greensboro Coliseum flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13397. |
04/01/91 |
Flac 16 U Mtx. - 0,
149666 |
Greensboro |
Greensboro Coliseum flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13398. |
04/01/91 |
Flac 16/48 - 0,
149611 |
Greensboro |
Greensboro Coliseum flac16/48kHz; Recording: Schoeps CMC3 MK4s (ORTF) > Panasonic SV-255 (16/48); Location: FOB mics on stand, center section, row U, seat 9; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer by Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel
|
notes
|
| 13399. |
04/03/91 |
Flac - 0,
107083 |
Atlanta |
The Omni flac16; sbd> dat> cass(2)> dat> spdif> cdr> eac> shn> wav (CE Processing)>flac; Pitch corrected version of source ID 4735
|
notes
|
| 13400. |
04/03/91 |
Flac - 0,
103622 |
Atlanta |
The Omni flac16; Taper: Greg Holtz SOURCE: Front Row OTS, Nakamichi CM-300 w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX-S 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
|
notes
|
| 13401. |
04/03/91 |
Shn - 0,
4735 |
Atlanta |
The Omni sbd> dat> cass(2)> dat> spdif> cdr> eac> shn; via Tony Gardner; Pitch corrected upgrade in circulation
|
notes
|
| 13402. |
04/03/91 |
Flac 16 - 0,
112293 |
Atlanta |
The Omni flac16; Master Audience Nakamichi CM300/CP4 Shotguns>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96kHz Dithered/Flacked With Korg Aqua to 16/44 SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 13403. |
04/03/91 |
Flac 24 - 0,
112294 |
Atlanta |
The Omni flac24; Master Audience Nakamichi CM300/CP4 Shotguns>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96kHz
|
notes
|
| 13404. |
04/03/91 |
Flac - 0,
133733 |
Atlanta |
The Omni flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13405. |
04/03/91 |
Flac 24 - 0,
133732 |
Atlanta |
The Omni flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 13406. |
04/03/91 |
Flac 16/44 - 0,
152010 |
Atlanta |
The Omni flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 151842 24 > 16 @ 44.1
|
notes
|
| 13407. |
04/03/91 |
Flac 24/96 - 0,
151842 |
Atlanta |
The Omni flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 13408. |
04/04/91 |
Flac 16 - 0,
99240 |
Atlanta |
The Omni flac16; Recording Info:SBD -> Cassette Master -> Cassette (Sony D5/TDK SA90); Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.2.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13409. |
04/04/91 |
Flac 16 - 0,
93472 |
Atlanta |
The Omni flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Schoeps CMC34 (ORTF) -> Panasonic sv255 Recording Location: FOB Recorded By: Unknown Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
|
notes
|
| 13410. |
04/04/91 |
Flac 16 - 0,
103623 |
Atlanta |
The Omni flac16; Taper: Greg Holtz SOURCE: Front Row OTS, Nakamichi CM-300 w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX-S 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename
|
notes
|
| 13411. |
04/04/91 |
Flac 16 - 0,
112310 |
Atlanta |
The Omni flac16; Master Audience Nakamichi CM300 CP4 Shotguns + Sennheiser 441's>Radio Shack Mixer>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,MX-S 100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit 5.6 MHz Tracking Sample Rate Conversion Metadata Tagging With AudioGate Software To 32 Bit Float 96 kHz Dithered Flacked With Korg Aqua To 16 44 SBE's Checked Fixed With Trader's Little Helper
|
notes
|
| 13412. |
04/04/91 |
Flac 24 - 0,
133810 |
Atlanta |
The Omni flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Sennheiser 441s > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 13413. |
04/04/91 |
Flac 16 - 0,
133809 |
Atlanta |
The Omni flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; 2 Sennheiser 441s > Sony D6, Tapes:Maxell MX-S 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13414. |
04/04/91 |
Flac 24/96 - 0,
112309 |
Atlanta |
The Omni flac24; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441\'s>Radio Shack Mixer>?>Sony D6; Tapes From Floater,Transfer By Keo; Tapes:Maxell MX 90,MX-S 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 13415. |
04/04/91 |
Flac 16/48 - 0,
138838 |
Atlanta |
The Omni flac16/48kHz; Set 2, unknown taper: Schoeps CMC34 at 100 degrees ORTF > M1000 Cables > Tao Research PS > Panasonic SV255; 7 Rows FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 13416. |
04/04/91 |
Flac 16/48 - 0,
140691 |
Atlanta |
The Omni flac16/48kHz; Set 2 Oade Brothers Recording: Neumann TLM170 -> DAT (OTS); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 13417. |
04/04/91 |
Shn - 0,
24711 |
Atlanta |
The Omni patched shnID 15548, FOB> AKGc1000s>Sony Cassette D3 > cdr >Eac > cool edit > shntool > cdwav >shnv3 with patch of promised land with cassette master by cdipietro; source of patch: AT835's> D5ProII> master cassette crossfaded with soundforge 7.0 via Tol
|
notes
|
| 13418. |
04/04/91 |
Shn - 0,
15548 |
Atlanta |
The Omni FOB> AKGc1000s>Sony Cassette D3 > cdr Eac > cool edit > shntool > cdwav >shnv3 Taped by Thomas Larson Discs provided by Chris Adams Eac >shn (secure with proper offsets) by Ernie Dodd
|
notes
|
| 13419. |
04/04/91 |
Flac 16 - 0,
31954 |
Atlanta |
The Omni flac16; record: Audio Technica 835a's>b18's>D5proII ots transfer: Cassette Master>Aiwa F810>M Audio Audiophile 24/96 @44.1>Wavelab 5>cdwav>flac record & transfer by cdipietro
|
notes
|
| 13420. |
04/04/91 |
Flac 16/48 - 0,
149626 |
Atlanta |
The Omni flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (1648); Location: FOB mics hand held, section 5, row FF, seat 7; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648
|
notes
|
| 13421. |
04/04/91 |
Flac 16 - 0,
152093 |
Atlanta |
The Omni flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 152022 24 -> 16 @ 44.1
|
notes
|
| 13422. |
04/04/91 |
Flac 24/96 - 0,
152022 |
Atlanta |
The Omni flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 13423. |
04/05/91 |
Shn - 0,
4162 |
Atlanta |
The Omni sbd> ?> cdr> eac> shn; shn by Jay James, hosted by Tony Gardner
|
notes
|
| 13424. |
04/05/91 |
Flac 16 - 0,
103624 |
Atlanta |
The Omni flac16; Taper: Greg Holtz SOURCE: Front Row OTS, Nakamichi CM-300 w/CP-4 shotgun caps -> Sony TC-D5M TRANSFER: By (JAZ) Master Cassettes (Maxell MX-S 90) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 48KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tag With Tag & Rename
|
notes
|
| 13425. |
04/05/91 |
Flac 16 - 0,
112389 |
Atlanta |
The Omni flac16; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's>RadioShack Mixer>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,MX-S 100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 13426. |
04/05/91 |
Flac 16 - 0,
133955 |
Atlanta |
The Omni flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13427. |
04/05/91 |
Flac 24 - 0,
133956 |
Atlanta |
The Omni flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns + Sennheiser 441's> Unknown Radio Shack Mixer > Sony D5,Tapes:Maxell MX 100's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 13428. |
04/05/91 |
Flac 16/48 - 0,
132572 |
Atlanta |
The Omni flac16/48kHz; DAT sound board master recorded by Dan Healy; DAT x Zero-Cassette x Zero Transfer By Dan Healy using his custom built multi cassette cloning machine nicknamed "The "Gorgon"; Analog Cassette (via Dick Latvala) to DAT Digital-Nakamichi Dragon-Sony PCM R-500 DAT@ 48KHz (circa 1998); DAT play back on a Sony PCM R-500-Digital Audio Labs Card deluxe-WAV; Editing(Adobe Audition 3.0)-FLAC encoding(dBpoweramp); Tagging(Tag & Re-name) Jim Wise
|
notes
|
| 13429. |
04/05/91 |
Flac 24 - 0,
112390 |
Atlanta |
The Omni flac24; Master Audience Nakamichi CM300/CP4 Shotguns + Sennheiser 441's>RadioShack Mixer>?>Sony D6 Tapes From Floater,Transfer By Keo Tapes:Maxell MX 90,MX-S 100 Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96kHz
|
notes
|
| 13430. |
04/05/91 |
Flac 16/48 - 0,
138839 |
Atlanta |
The Omni flac16/48kHz; Set 2, unknown taper: Schoeps CMC34 at 100 degrees ORTF > M1000 Cables > Tao Research PS > Panasonic SV255; FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xAC
|
notes
|
| 13431. |
04/05/91 |
Flac 16/48 - 0,
140692 |
Atlanta |
The Omni flac16/48kHz; Oade Brothers Recording: Neumann TLM170 -> DAT (OTS); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 13432. |
04/05/91 |
Flac 16/48 - 0,
149628 |
Atlanta |
The Omni flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ORTF) > Panasonic SV-255 (1648); Location: FOB mics hand held, section 5, row FF, seat 7; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 1648
|
notes
|
| 13433. |
04/05/91 |
Flac 16 - 0,
152171 |
Atlanta |
The Omni flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - 152099 24 > 16 @ 44.1
|
notes
|
| 13434. |
04/05/91 |
Flac 24/96 - 0,
152099 |
Atlanta |
The Omni flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge Pro 13 (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 13435. |
04/07/91 |
Shn - 0,
31953 |
Orlando |
Orlando Arena SBD DAT master > DAT > CD-R my discs (made from DAT) > EAC (secure) > SHN w/mkw-act seekable
|
notes
|
| 13436. |
04/07/91 |
Shn - 0,
476 |
Orlando |
Orlando Arena SBD > ? > SHN; via M. Ferguson, neo_levo
|
notes
|
| 13437. |
04/07/91 |
Shn - 0,
2022 |
Orlando |
Orlando Arena SBD> D-> cdr-> EAC->shn; Ripped by John Zei
|
notes
|
| 13438. |
04/07/91 |
Flac 16 - 0,
115109 |
Orlando |
Orlando Arena flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-5 (Maxell MX-S analog cassette tapes) - Front Row OTS; Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Recorded by Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz
|
notes
|
| 13439. |
04/07/91 |
Flac 24 - 0,
137080 |
Orlando |
Orlando Arena flac24; Set 1 Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13440. |
04/07/91 |
Flac 16 - 0,
137081 |
Orlando |
Orlando Arena flac16; Recording Info: Set 1: SBD -> Cassette Master (TDK SA-X100); Set 2: SBD -> Dat (44.1k); Set 1 Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/16; Set 2 Transfer Info: Dat (Sony R500) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13441. |
04/07/91 |
Flac 16/48 - 0,
138128 |
Orlando |
Orlando Arena flac16/48kHz; Dan (?) running Bob Melomed's rig (Set I) FOB Schoeps CMC34 110 degrees ORTF on Scheops t-bar > M1000 Cable > Tao Research Power Supply > SV255; 5 Rows FOB; Chuck Vasseur recording (Set II) Neumann KM54 tube mics > Technics SVMD1; 14th Row center; John Ammons Transfer: from his DAT clones of the masters. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Patched, Track'd, Flac'd & Pack'd: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 13442. |
04/07/91 |
Flac 16/48 - 0,
33337 |
Orlando |
Orlando Arena flac16/48; Sennheiser ME-80's/KU-3's > Casio DA-7; Wavelab > CD Wave > flac
|
notes
|
| 13443. |
04/07/91 |
Flac 16/48 - 0,
143388 |
Orlando |
Orlando Arena flac16/48kHz; Source: Neuman KM86 Custom 60° X-Y * > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick
|
notes
|
| 13444. |
04/07/91 |
Flac 16 - 0,
149622 |
Orlando |
Orlando Arena flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13445. |
04/07/91 |
Flac 24 - 0,
149563 |
Orlando |
Orlando Arena flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 13446. |
04/07/91 |
Flac 16/48 - 0,
149826 |
Orlando |
Orlando Arena flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ortf) > Panasonic SV-255 (16/48); Location: FOB mics hand held, section F5, row B, seat 5; Transfer: DAT (Tascam DA-40) > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel
|
notes
|
| 13447. |
04/07/91 |
Flac 16 Mtx - 0,
150455 |
Orlando |
Orlando Arena flac16; Set 2 Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 137081 & 138128.
|
notes
|
| 13448. |
04/07/91 |
Flac 16 Mtx - 0,
150456 |
Orlando |
Orlando Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut w/EQ > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 137081, 31953 & 138128.
|
notes
|
| 13449. |
04/08/91 |
Flac 16 Mtx - 0,
95260 |
Orlando |
Orlando Arena flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 13450. |
04/08/91 |
Shn - 0,
10060 |
Orlando |
Orlando Arena SBD>DAT>C>DAT>CDR; via Paul "Raoul B." Duke; seeded to etree by Brad Ingle
|
notes
|
| 13451. |
04/08/91 |
Flac - 0,
115377 |
Orlando |
Orlando Arena flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-5 (Maxell MX-S analog cassette tapes) - Front Row OTS; Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Recorded by Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz
|
notes
|
| 13452. |
04/08/91 |
Shn - 0,
9384 |
Orlando |
Orlando Arena SBD> DAT> C> DAT> CD> SHN; via PB (el otro); Seeded to etree by Peter Braverman
|
notes
|
| 13453. |
04/08/91 |
Flac 16/44 - 0,
137103 |
Orlando |
Orlando Arena flac16; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13454. |
04/08/91 |
Flac 24 - 0,
137100 |
Orlando |
Orlando Arena flac24; Recording Info: SBD -> Cassette Master (TDK (SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13455. |
04/08/91 |
Flac 16/48 - 0,
34297 |
Orlando |
Orlando Arena flac16/48; Sen. 421's ~> Casio DA-7 Wavelab > CD Wave w/ Flac (48kHz files)
|
notes
|
| 13456. |
04/08/91 |
Flac 16/48 - 0,
143389 |
Orlando |
Orlando Arena flac16/48kHz; Source: Neuman KM86 Custom 60° X-Y * > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick
|
notes
|
| 13457. |
04/08/91 |
Flac 16/48 - 0,
149300 |
Orlando |
Orlando Arena flac16/48kHz; Recording info: (FOB) Schoeps CMC34 @ 110˚ > M1000 Cables > Tao Research PS > Panasonic SV255 > Master DAT > clone; Transfer info: clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 > Wave 48Hz 16bits
|
notes
|
| 13458. |
04/08/91 |
Flac 16/48 - 0,
149657 |
Orlando |
Orlando Arena flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ortf) > Panasonic SV-255 (1648); Location: FOB mics hand held, section F5, row B, seat 6; Transfer: Dat > Sony PCM r500 > Tascam DA-40 > Tascam DA-3000 > Flac 1648
|
notes
|
| 13459. |
04/08/91 |
Flac 24/96 - 0,
152230 |
Orlando |
Orlando Arena flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 13460. |
04/08/91 |
- ,
154478 |
Orlando |
Orlando Arena flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24 - This is 152230 2496 > 1644 - This is 152230 2496 > 1644
|
notes
|
| 13461. |
04/09/91 |
Shn - 0,
25466 |
Orlando |
Orlando Arena Recording Info: SBD -> Master Dat (Panasonic 3700) -> Master Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Master Cassette (Nakamichi CR-7A) -> Dat (Sony R500/48k/SBM On) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN via Charlie Miller
|
notes
|
| 13462. |
04/09/91 |
Flac 16 - 0,
115534 |
Orlando |
Orlando Arena flac16; Source: Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-5 (Maxell MX-S analog cassette tapes) - Front Row OTS; Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Recorded by Greg Holtz; Transfers, edits, track/FLAC by Greg Holtz
|
notes
|
| 13463. |
04/09/91 |
Flac 16 - 0,
93471 |
Orlando |
Orlando Arena flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Schoeps CMC34 (ORTF) -> Panasonic sv255 Recording Location: FOB Recorded By: Unknown Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) ->Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
|
notes
|
| 13464. |
04/09/91 |
Flac 16 - 0,
113172 |
Orlando |
Orlando Arena flac16: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes:Maxell MX 90,100 Tapes From Floater,Transfer By Keo
|
notes
|
| 13465. |
04/09/91 |
Shn - 0,
10061 |
Orlando |
Orlando Arena SBD>??>DAT>??>CDR (Liberated Bootleg); Missing Masterpiece, NFA & Brokedown; Some distortion throughout; See info file for details; via PBR Duke; Seeded to etree by Brad Ingle
|
notes
|
| 13466. |
04/09/91 |
Flac 24 - 0,
113168 |
Orlando |
Orlando Arena flac24: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes:Maxell MX 90,100 Tapes From Floater,Transfer By Keo
|
notes
|
| 13467. |
04/09/91 |
Flac 24/96 - 0,
137171 |
Orlando |
Orlando Arena flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC/24; All Transfers and Mastering By Charlie Miller; FLAC 16 Additional Lineage: 24/96 flac -> 16/44.1 WAV with dbpoweramp. flac level 8, SBE fix and checksums with traderslittlehelper.
|
notes
|
| 13468. |
04/09/91 |
Flac 24 - 0,
137163 |
Orlando |
Orlando Arena flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Professional v11.2.1 > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13469. |
04/09/91 |
Flac 16/48 - 0,
34654 |
Orlando |
Orlando Arena flac16/48; Sen. ME-80's/KU-3's ~> Casio DA-7 Dat master > m-audio usb > Wavelab > CD Wave w/ Flac
|
notes
|
| 13470. |
04/09/91 |
Flac 16/48 - 0,
143390 |
Orlando |
Orlando Arena flac16/48kHz;; Source: Neuman KM86 Custom 60° X-Y * > Oade p/s > Panasonic SV255 > DAT (48K) - Taped by Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick
|
notes
|
| 13471. |
04/09/91 |
Flac 16/48 - 0,
149658 |
Orlando |
Orlando Arena flac16/48kHz; Recording: Schoeps CMC3 MK4’s (ortf) > Panasonic SV-255 (1648); Location: FOB mics hand held, section F5, row B, seat 6; Transfer: Dat > Sony PCM r500 > Tascam DA-40 > Tascam DA-3000 > Flac 1648
|
notes
|
| 13472. |
04/09/91 |
Flac 24/96 - 0,
152232 |
Orlando |
Orlando Arena flac24/96 Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 13473. |
04/09/91 |
Flac 16/48 - 0,
152231 |
Orlando |
Orlando Arena flac16/48 Set 2 Recording Info: SBD > DAT Master (48k) Transfer Info: DAT Master (Sony PCM-R500) > Sound Devies 744T (16-bit/48k) > Samplitude Pro X5 Suite > FLAC
|
notes
|
| 13474. |
04/09/91 |
Flac 24/96 - 0,
152233 |
Orlando |
Orlando Arena flac24/96 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 13475. |
04/09/91 |
Flac 16/44 - ,
154481 |
Orlando |
Orlando Arena flac16/44 Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152232 2496 > 1644
|
notes
|
| 13476. |
04/09/91 |
Flac 16/44 - ,
154480 |
Orlando |
Orlando Arena flac16/44 Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24 - This is 152233 2496 > 1644
|
notes
|
| 13477. |
04/27/91 |
Flac 16 - 0,
26332 |
Las Vegas |
Sam Boyd Silver Bowl flac16; 3 source combo: 1: SBD> Dat> Cassette Master> Dat (48k); 2: SBD> Dat> Sonic Solutions> CD; 3: (FOB) Schoeps CMC3/MK2> Dat (48k); Transfer: Dat or CD> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transfers and Editing By Charlie Miller
|
notes
|
| 13478. |
04/27/91 |
Flac 16 Mtx - 0,
102906 |
Las Vegas |
Sam Boyd Silver Bowl flac16; 3 source matrix: a - SBD -> Dat -> Cassette Master -> Dat (48k) (shnid 26332) b - FOB Schoeps CMC 32 Omni (on stands 6' 2" high and spaced 8 feet) > Panasonic sv250 (shnid 93470) c - video soundtrack, 3rd Gen VHS supplied by Donald Buderus and extracted by Awolfoutwest a - 60% both channels, b - 40% left channel, c - 40% right channel
|
notes
|
| 13479. |
04/27/91 |
Flac 16 - 0,
93470 |
Las Vegas |
Sam Boyd Silver Bowl flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Schoeps CMC 32 Omni (on stands 6' 2" high and spaced 8 feet) > Panasonic sv250 Recording Location: FOB Recorded By: James Young (patched into the Schoeps Rig) Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
|
notes
|
| 13480. |
04/27/91 |
Shn - 0,
6111 |
Las Vegas |
Sam Boyd Silver Bowl Purported: SBD> Phil Lesh's cassette master> DAT> CDR; CDR > EAC > mkw > SHN by Matt Vernon, from Tim Wheaton seed discs; see info file for flaw notes
|
notes
|
| 13481. |
04/27/91 |
Shn - 0,
12018 |
Las Vegas |
Sam Boyd Silver Bowl SBD material from previous shn set with AUD patches added by Alan J. Fink from eD's first-gen source cass
|
notes
|
| 13482. |
04/27/91 |
Flac 16 - 0,
118572 |
Las Vegas |
Sam Boyd Silver Bowl flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Sec FFF Row 3 Seat 6/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua T0 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13483. |
04/27/91 |
Flac 24/48 - 0,
118571 |
Las Vegas |
Sam Boyd Silver Bowl flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Sec FFF Row 3 Seat 6/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename
|
notes
|
| 13484. |
04/27/91 |
Flac 16 - 0,
91055 |
Las Vegas |
Sam Boyd Silver Bowl flac16; Set 2 only - 1st gen; (FOB) unknown modified vintage microphone > Sony D5 > MAC > D5 > TDK SA90. Taper: unknown via Justin R. Mastered by Alex Ford. 1st Gen Audience Cassette provided by Mark McCue.
|
notes
|
| 13485. |
04/27/91 |
Flac 16 - 0,
112862 |
Las Vegas |
Sam Boyd Silver Bowl flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 13486. |
04/27/91 |
Flac 24/96 - ,
156258 |
Las Vegas |
Sam Boyd Silver Bowl flac2496: Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 13487. |
04/27/91 |
Flac 16/44,1 - ,
156404 |
Las Vegas |
Sam Boyd Silver Bowl flac1644.1: Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156358 2496 > 1644.1
|
notes
|
| 13488. |
04/28/91 |
Flac 16 - 0,
92278 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info:Set 1: SBD -> Dat -> Cassette Master -> Dat -> CD; Set 2: SBD -> Dat (44.1k); Transfer Info: Set 1: CD -> Samplitude Professional v10.02 -> FLAC Set 2: Dat -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13489. |
04/28/91 |
Flac 16 Mtx - 0,
102923 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; 3 source matrix: a - shnid 92278: Set 1: SBD -> Dat -> Cassette Master -> Dat -> CD, Set 2: SBD -> Dat (44.1k), b - shnid 93469: FOB Digital Audience Recording Recording Equipment: Neumann U89 (on stands 6' 2" high and spaced 8 feet) > Sony D10 Pro Recorded By: James Young c - video soundtrack, 3rd Gen VHS supplied by Donald Buderus and extracted by Awolfoutwest; Mix: a - 60%, b - 20%, c - 20%
|
notes
|
| 13490. |
04/28/91 |
Flac 16 - 0,
118632 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13491. |
04/28/91 |
Flac 16 - 0,
93469 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; FOB Digital Audience Recording Lineage: DAT1 – Cloned from DAT Master Recording Equipment: Neumann U89 (on stands 6' 2" high and spaced 8 feet) > Sony D10 Pro Recording Location: FOB Recorded By: James Young (patched into the Neumann Rig) Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
|
notes
|
| 13492. |
04/28/91 |
Shn - 0,
6112 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. Purported: SBD> Phil Lesh's cassette master> DAT> CDR; CDR > EAC > mkw > SHN by Matt Vernon, from Tim Wheaton seed discs; see info file for flaw notes
|
notes
|
| 13493. |
04/28/91 |
Flac 24/48 - 0,
118631 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename
|
notes
|
| 13494. |
04/28/91 |
Flac 16 - 0,
83074 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Main source: (purported) SBD> Phil Lesh's cassette master>DAT>CDR>EAC>mkw>SHN Patch source A: FOB MAC (2 beyerm 160 & 1 Sennheiser 421>Sony TCD5M)>?>SHN (shnid 19161) and Patch source B: FOB Neumann U87's > ? > CDR > EAC(secure) > mkwact(seekable) (shnid 8196) by Bill Tetzeli
|
notes
|
| 13495. |
04/28/91 |
Flac 16 - 0,
112926 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 13496. |
04/28/91 |
Shn - 0,
8196 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. FOB Neumann U87's > ? > CDR; via Marcus Thunich; Seeded to etree by Matt Vernon
|
notes
|
| 13497. |
04/28/91 |
Shn - 0,
19161 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. Source: FOB MAC (2 beyerm 160 & 1 Sennheiser 421>Sony TCD5M)>?>SHN. Mastering: SHN>WAV>CE2K>SHNTOOL>mkwACT. Mastered & seeded by MattMan.
|
notes
|
| 13498. |
04/28/91 |
Flac 16 - 0,
116859 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Source: (FOB) AT853a [cardioids/xy] > Panasonic SV-255; Lineage: DAT/M > VHS/1 > HHb 800 > EAC > CDWav > FLAC; Recorded: John Lech; Transferred: Jeff Bowen; Extraction: Brad Foster
|
notes
|
| 13499. |
04/28/91 |
Flac 16/48 - ,
151049 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16/48khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 13500. |
04/28/91 |
Flac 24/96 - ,
151050 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac24/96khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 13501. |
04/28/91 |
Flac 24/96 - ,
156366 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac2496 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 13502. |
04/28/91 |
Flac 16/44,1 - ,
156406 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac1644.1: Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156366 2496 > 1644.1
|
notes
|
| 13503. |
05/03/91 |
Flac 16 - 0,
109233 |
Sacramento |
Cal Expo flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat (48k) Set 2: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13504. |
05/03/91 |
Shn - 0,
8831 |
Sacramento |
Cal Expo Source: SBD > DAT > C > DAT > CDR > WAV > SHN
|
notes
|
| 13505. |
05/03/91 |
Flac 24 - 0,
142256 |
Sacramento |
Cal Expo flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 13506. |
05/03/91 |
Flac 16 - 0,
142435 |
Sacramento |
Cal Expo flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > dBpoweramp > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 13507. |
05/03/91 |
Flac 16 - 0,
113064 |
Sacramento |
Cal Expo flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 13508. |
05/03/91 |
Flac 16 - 0,
91195 |
Sacramento |
Cal Expo flac16; Equipment: Schoeps Omnis (on stands spaced 10ft apart) -> Panasonic sv250 Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0
|
notes
|
| 13509. |
05/04/91 |
Flac 16 - 0,
109234 |
Sacramento |
Cal Expo flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13510. |
05/04/91 |
Shn - 0,
9117 |
Sacramento |
Cal Expo SBD > DAT > C > DAT > CDR; via R. Martin; Seeded to etree by C. Ladner
|
notes
|
| 13511. |
05/04/91 |
Flac 16/48 - 0,
138120 |
Sacramento |
Cal Expo flac16/48kHz; Set 2 Rob Darroch & John Ammons recording: B&K 4006 Omni's in SASS mount > Hoyt Power Supply > Panasonic SV255; FOB DFC with stand @ 5' 11"; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48
|
notes
|
| 13512. |
05/04/91 |
- 0,
113100 |
Sacramento |
Cal Expo flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 13513. |
05/04/91 |
Flac 24/48 - 0,
97785 |
Sacramento |
Cal Expo flac24; OTS Nak 300's > unknown DAT deck > DATmaster > Master Analog Cassettes MAC > SBaudigy > Adobe Audition @ 24bit/48khz Adobe Audition: noise reduction, pop/click eliminator, fade in/out. CD wave: Tracking. Trader's little Helper: md5, ffp, flac
|
notes
|
| 13514. |
05/04/91 |
Flac 16 - 0,
116894 |
Sacramento |
Cal Expo flac16; Source: (FOB) AT853a [cardioids/xy] > Panasonic SV-255; Lineage: DAT/M > VHS/1 > HHb 800 > EAC > CDWav > FLAC; Recorded: John Lech; Transferred: Jeff Bowen; Extraction: Brad Foster
|
notes
|
| 13515. |
05/04/91 |
Flac 16 - 0,
98069 |
Sacramento |
Cal Expo flac16; OTS Nak 300's > unknown DATdeck > DATmaster > Master Analog Cassettes MAC > SBaudigy > Adobe Audition @ 24bit/48khz Adobe Audition: noise reduction, pop/click eliminator, fade in/out, dithered/resampled to 16/44.1 CD wave: Tracking. Trader's little Helper: md5, ffp, flac; transfered by Chris LaPorte
|
notes
|
| 13516. |
05/04/91 |
Flac 24 - 0,
150657 |
Sacramento |
Cal Expo flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 13517. |
05/04/91 |
Flac 16 - 0,
150676 |
Sacramento |
Cal Expo flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13518. |
05/05/91 |
Shn - 0,
19181 |
Sacramento |
Cal Expo DSBD > CD > EAC > SHN; EAC/SHN by Darryl Hinko
|
notes
|
| 13519. |
05/05/91 |
Shn - 0,
9367 |
Sacramento |
Cal Expo Set 1: AUD:Schoeps CMC-34's>DAT>CDR Set 2: SBD>DAT>C>DAT>CDR; Missing Encore; via Paul; Seeded to etree by eD(efojr) - 05/05/02
|
notes
|
| 13520. |
05/05/91 |
Flac 1644 - 0,
140123 |
Sacramento |
Cal Expo flac16/44.1 Source Info: TS Nak 300 CP-4 (Shotgun)-> DAT Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Early 2000's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel.
|
notes
|
| 13521. |
05/05/91 |
Flac 16 - 0,
140179 |
Sacramento |
Cal Expo flac16; AUD: Schoeps CMC4/Hyper-cards (MK41) > Sony TC-D5 (no Dolby) > Maxell XLII-S 90/100, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain SRC > Wavelab (adding 16-bit patches) > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 12/2017
|
notes
|
| 13522. |
05/05/91 |
Flac 24/96 - 0,
150666 |
Sacramento |
Cal Expo flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Sound Forge 13 Pro (WAV 32-bit/192k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC (24-bit/96k); All Transfers and Mastering by Charlie Miller
|
notes
|
| 13523. |
05/05/91 |
Flac 16 - 0,
150665 |
Sacramento |
Cal Expo
|
notes
|
| 13524. |
05/10/91 |
Shn - 0,
6257 |
Mountain View |
Shoreline Amphitheatre SBD > DAT > CDR > WAV > SHNv3; DAE (EAC) > boundary checking (shntool) > compression (mkwact) via neo_levo, with thanks to C. Miller
|
notes
|
| 13525. |
05/10/91 |
Flac 16/48 - 0,
138129 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; John Ammons recording: Schoeps CMC32s > M1000 Cable > Tao Research Power Supply > Panasonic SV255; omni's spaced 8 1/2 feet with 6' 7" stands; Section 202, Row F, Seats 20 & 25 (1st row behind Healy); John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 13526. |
05/10/91 |
Flac 16 - 0,
149676 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13527. |
05/10/91 |
Flac 24 - 0,
149670 |
Mountain View |
Shoreline Amphitheatre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13528. |
05/10/91 |
Flac 16 Mtx - ,
166598 |
Mountain View |
Shoreline Amphitheatre flac1644; Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut for pre- and post-mix EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shind's 6257 & 138129.
|
notes
|
| 13529. |
05/11/91 |
Shn - 0,
7638 |
Mountain View |
Shoreline Amphitheatre SBD : DAT > C (Latvala) > DAT > CDR; via Tom Angello; d2 tracked for 80 min
|
notes
|
| 13530. |
05/11/91 |
Flac 16 - 0,
111121 |
Mountain View |
Shoreline Amphitheatre flac16; Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
|
notes
|
| 13531. |
05/11/91 |
Flac 24 - 0,
149686 |
Mountain View |
Shoreline Amphitheatre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24
|
notes
|
| 13532. |
05/11/91 |
Flac 16 - 0,
149697 |
Mountain View |
Shoreline Amphitheatre flac16: Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 13533. |
05/11/91 |
Flac 16/48 - 0,
150239 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 149686) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24 + AUD (shnid = 111121) Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files - surround mixing by Kevin Tobin
|
notes
|
| 13534. |
05/11/91 |
Flac 16 Dts.5.1 - 0,
150238 |
Mountain View |
Shoreline Amphitheatre DTS-Audio-CD 5.1 Mix; - SBD (shnid = 149686) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24 + AUD (shnid = 111121) Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files - dts mixing by Kevin Tobin
|
notes
|
| 13535. |
05/11/91 |
Flac 16 - 0,
150236 |
Mountain View |
Shoreline Amphitheatre flac16; Patched & Pitch Corrected Audience - (original shnid = 111121) Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files - pitch correction and patches by Kevin Tobin
|
notes
|
| 13536. |
05/11/91 |
Flac 16 Mtx - 0,
150237 |
Mountain View |
Shoreline Amphitheatre flac16; Matrix 2 Source Mix - SBD (shnid = 149686) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24 + AUD (shnid = 111121) Source: 2 Neumann KMF4 microphones (20th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files - matrix mixing by Kevin Tobin
|
notes
|
| 13537. |
05/11/91 |
Flac 16/48 - ,
151051 |
Mountain View |
Shoreline Amphitheatre flac16/48khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 13538. |
05/11/91 |
Flac 24/96 - ,
151052 |
Mountain View |
Shoreline Amphitheatre flac24/96khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 13539. |
05/12/91 |
Flac 16 - 0,
31962 |
Mountain View |
Shoreline Amphitheatre flac16; SBD -> Dat Transferred and Edited By Charlie Miller
|
notes
|
| 13540. |
05/12/91 |
Flac 16 - 0,
111372 |
Mountain View |
Shoreline Amphitheatre flac16; Schoeps MK4 w/ RBox 16 Bit 48K. Do not recall DAT use to master this show. Recorded from section 102. Transferred by Nick C using Sony D7>Edirol R-44 via coax digital. Processed using Soundforge 10b, resample, to 16bit 44.1K and split tracks TLH to convert to Flac
|
notes
|
| 13541. |
05/12/91 |
Shn - 0,
7362 |
Mountain View |
Shoreline Amphitheatre Master Soundboard Cassette > CDR; via Scott Clugston
|
notes
|
| 13542. |
05/12/91 |
Flac 16 - 0,
137353 |
Mountain View |
Shoreline Amphitheatre flac16; Set 1 Recording Info: SBD > Dat Master > PCM; Transfer Info: PCM (Sony SL-HF500) > Sony PCM601-ESD > Omega Fenix HT > Audio Audition 6.0 > FLAC; Mastering Info: FLAC > Samplitude Pro X3 Suite > FLAC; Transferred By David Minches; Mastered By Charlie Miller
|
notes
|
| 13543. |
05/12/91 |
Flac 16 - 0,
111135 |
Mountain View |
Shoreline Amphitheatre flac16; Source: 2 Neumann KMF4 microphones (15th row-center)> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck)>Pre Sonus Inspire GT>Sound Forge>.wav files>Trader's Little Helper>flac files
|
notes
|
| 13544. |
05/12/91 |
Shn - 0,
9402 |
Mountain View |
Shoreline Amphitheatre FOB-AUD:Schoeps MK4V>DAT>CDR; via Paul; Seeded to etree by eD(efojr)
|
notes
|
| 13545. |
05/12/91 |
Flac 24 - 0,
149691 |
Mountain View |
Shoreline Amphitheatre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24
|
notes
|
| 13546. |
05/12/91 |
Flac 16 - 0,
149700 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 13547. |
05/12/91 |
Flac 16/48 - ,
151053 |
Mountain View |
Shoreline Amphitheatre flac16/48khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 13548. |
05/12/91 |
Flac 24/96 - ,
151054 |
Mountain View |
Shoreline Amphitheatre flac24/96khz Source : AT-815As > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 13549. |
06/01/91 |
Shn - 0,
6020 |
Los Angeles |
Los Angeles Coliseum DSBD> Dat> c> Dat> CD> EAC> SHN; via Steve Barbella, with thanks to John Valter, Paul B.
|
notes
|
| 13550. |
06/01/91 |
Flac 16 44,1khz - 0,
139357 |
Los Angeles |
Los Angeles Coliseum flac16 44.1khz Source: NAK 300-> DAT (Tapers Section) Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel
|
notes
|
| 13551. |
06/01/91 |
Flac 24 - 0,
140453 |
Los Angeles |
Los Angeles Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13552. |
06/01/91 |
Flac 16 - 0,
140459 |
Los Angeles |
Los Angeles Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13553. |
06/01/91 |
Flac 16/44,1 - 0,
151504 |
Los Angeles |
Los Angeles Coliseum flac16/44.1khz Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 69 1644 Edition Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 1644 > Audacity > TLH > FLAC
|
notes
|
| 13554. |
06/01/91 |
Flac 24/96 - ,
151056 |
Los Angeles |
Los Angeles Coliseum flac24/96khz Source : AT-815As (near soundboard) > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 13555. |
06/01/91 |
Flac 24/96 - ,
151505 |
Los Angeles |
Los Angeles Coliseum flac24/96khz Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 68 2496 Edition Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC
|
notes
|
| 13556. |
06/01/91 |
Flac 16/48 - ,
151055 |
Los Angeles |
Los Angeles Coliseum flac16/48khz Source : AT-815As (near soundboard) > D5 > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 13557. |
06/06/91 |
Shn - 0,
18711 |
Noblesville |
Deer Creek Music Center Recording Info: SBD -> Dat -> Cm -> Dat Transfer Info: Dat -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude v.60 -> Cool Edit Pro v1.2 -> CD -> EAC (Secure Mode) -> SHN (3 Discs Audio / 2 Discs SHN) All transfers done by Charlie Miller
|
notes
|
| 13558. |
06/06/91 |
Shn - 0,
478 |
Noblesville |
Deer Creek Music Center DSBD -> 48 KHz DAT Read in by Other1: DigiI/O via SGI DAT drive -> shn file -> internet to chastewk -> unshned -> sample rate conversion and normalization with Cooledit 96 -> tracked w/ CD-WAV > SHN
|
notes
|
| 13559. |
06/06/91 |
Flac 16 - 0,
118714 |
Noblesville |
Deer Creek Music Center flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13560. |
06/06/91 |
Flac 24 - 0,
118713 |
Noblesville |
Deer Creek Music Center flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 13561. |
06/06/91 |
Flac 1644 - 0,
140234 |
Noblesville |
Deer Creek Music Center flac16/44 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48). This is 24 bit -> 16 bit. Transfers by Pete Ebel
|
notes
|
| 13562. |
06/06/91 |
Flac 24 - 0,
140482 |
Noblesville |
Deer Creek Music Center flac24 96khz Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel.
|
notes
|
| 13563. |
06/06/91 |
Shn - 0,
11604 |
Noblesville |
Deer Creek Music Center Nakamichi 300 shotguns, back tapers lawn > Sony D-6 (Denon Hd8-100 masters output from same deck) > Sony ES-59 DAT; Seeded to etree by JamPhan
|
notes
|
| 13564. |
06/06/91 |
Flac 16 - 0,
95639 |
Noblesville |
Deer Creek Music Center flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
|
notes
|
| 13565. |
06/06/91 |
Flac 24 - 0,
149524 |
Noblesville |
Deer Creek Music Center flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
|
notes
|
| 13566. |
06/06/91 |
Flac 16 - 0,
149638 |
Noblesville |
Deer Creek Music Center flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 13567. |
06/07/91 |
Shn - 0,
18712 |
Noblesville |
Deer Creek Music Center Recording Info: SBD -> Dat -> Cm -> Dat Transfer Info: Dat -> Behringer UltraMatch SRC2000 -> Dio 2448 -> Samplitude v.60 -> Cool Edit Pro v1.2 ->CD -> EAC (Secure Mode) -> SHN All transfers done by Charlie Miller
|
notes
|
| 13568. |
06/07/91 |
Flac 16 - 0,
95640 |
Noblesville |
Deer Creek Music Center flac16; Set 2 only, Lineage: DAT1 – Cloned from DAT Master Recording Equipment: AKG C460 w/ CK61 110º ORTF -> Grace Supply -> Master DAT Recording Location: FOB Recorded By: JC Mahoney Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
|
notes
|
| 13569. |
06/07/91 |
Shn - 0,
480 |
Noblesville |
Deer Creek Music Center via Other1 and Chas; note d2t4 bad- to be replaced >9/12
|
notes
|
| 13570. |
06/07/91 |
Flac 16 - 0,
118760 |
Noblesville |
Deer Creek Music Center flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13571. |
06/07/91 |
Flac 16 - 0,
105581 |
Noblesville |
Deer Creek Music Center flac16; source: [ots] Nakamichi cm300/cp4 -> Sony D8 [16/48]. recorded by: Trew Rickers; transfer: dat [m] -> Tascam DA20 mkII -> R-44 -> CD Wave 1.98 -> Wavelab 5.01a [fades/Resampler 192] -> FLAC [8]. transfer: Chris Davis [1/22/10]
|
notes
|
| 13572. |
06/07/91 |
Flac 1644 - 0,
140239 |
Noblesville |
Deer Creek Music Center b/>flac16/44 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48). Transfers by Pete Ebel
|
notes
|
| 13573. |
06/07/91 |
Flac 24 - 0,
140484 |
Noblesville |
Deer Creek Music Center flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel.
|
notes
|
| 13574. |
06/07/91 |
Flac 24/48 - 0,
118759 |
Noblesville |
Deer Creek Music Center flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 13575. |
06/07/91 |
Flac 16/48 - 0,
149420 |
Noblesville |
Deer Creek Music Center flac16/48kHz; Source Info: Set #1: T/S B&K 4011-> Sony D10 Pro II-> DAT; Clay Brennecke & Jamie Young Recording; Set #2: FOB:AKG C460 w/ CK61 110º ORTF -> Grace Supply -> Master DAT (SHN ID#095640); Recorded By: JC Mahoney; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
|
notes
|
| 13576. |
06/07/91 |
Flac 24 - 0,
149529 |
Noblesville |
Deer Creek Music Center flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
|
notes
|
| 13577. |
06/07/91 |
Flac 16 - 0,
149639 |
Noblesville |
Deer Creek Music Center flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 13578. |
06/09/91 |
Shn - 0,
12756 |
Hebron |
Buckeye Lake Music Center SBD> DAT> CD> SHN; provenance unknown, submitted by user kberry
|
notes
|
| 13579. |
06/09/91 |
Flac 16 Mtx - 0,
128299 |
Hebron |
Buckeye Lake Music Center flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:012756) SBD>DAT>CD>SHN; Audience (shnid:095641) B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro; DFC Front Row Taper Section; Recorded By: James Young & Clay Brennecke and Audience (shnid:118811) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M; Tapes Sony Metal-ES
|
notes
|
| 13580. |
06/09/91 |
Flac 16 - 0,
118811 |
Hebron |
Buckeye Lake Music Center flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13581. |
06/09/91 |
Flac 16 - 0,
138333 |
Hebron |
Buckeye Lake Music Center flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This is 138321 24 bit -> 16 bit
|
notes
|
| 13582. |
06/09/91 |
Flac 24 - 0,
138321 |
Hebron |
Buckeye Lake Music Center flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13583. |
06/09/91 |
Flac 1644 - 0,
140238 |
Hebron |
Buckeye Lake Music Center flac16/44 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48). This is 24 bit -> 16 bit. Transfers by Pete Ebel.
|
notes
|
| 13584. |
06/09/91 |
Flac 24 - 0,
140469 |
Hebron |
Buckeye Lake Music Center flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel.
|
notes
|
| 13585. |
06/09/91 |
Flac 16/48 - 0,
140670 |
Hebron |
Buckeye Lake Music Center flac16/48; taper unknown: FOB Schoeps CMC32s spaced 8 ft > Tao Research PS > M1000 cables > Panasonic SV255 with 6'3" stands; John Ammons Transfer: Tascam DA-20 MKII > Roland SRC-2 > Mac Mini optical input > Audacity 2.1 > WAV @ 48kHz; Edited & mastered in Audacity by Joe Noel: WAV > Flac48
|
notes
|
| 13586. |
06/09/91 |
Flac 16 - 0,
134008 |
Hebron |
Buckeye Lake Music Center flac16; Source: AKG 414-BTL (cardioid X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
|
notes
|
| 13587. |
06/09/91 |
Flac 16 - 0,
95641 |
Hebron |
Buckeye Lake Music Center flac16; Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
|
notes
|
| 13588. |
06/09/91 |
Flac 16/48 - 0,
150368 |
Hebron |
Buckeye Lake Music Center flac16/48kHz; Recording: FOB Schoeps CMC32's spaced 8' > Tao Research PS > M1000 cables > Panasonic SV255mod> Master DAT. Location: FOB on stand @ 6'3"; Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16/48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 01, 2020
|
notes
|
| 13589. |
06/11/91 |
Shn - 0,
5609 |
Charlotte |
Charlotte Coliseum source unknown (likely SBD> CM> DAT> CDR); DAE: CDR> EAC> SHN; Extraction and shorten conversion by JT James; reported upgrade relative to previous shn set
|
notes
|
| 13590. |
06/11/91 |
Flac 16 - 0,
95642 |
Charlotte |
Charlotte Coliseum flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
|
notes
|
| 13591. |
06/11/91 |
Shn - 0,
5158 |
Charlotte |
Charlotte Coliseum SBD > CM > DAT > CDR; DAE: EAC (high, secure, offset corrected) > shntools (boundaries confirmed) > MKWACT > SHNv3 by Chris L.; with thanks to J.Valter for seed; reported problems in West LA- upgrade now in circulation
|
notes
|
| 13592. |
06/11/91 |
Flac 16 - 0,
138388 |
Charlotte |
Charlotte Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 138322 24 bit -> 16 bit
|
notes
|
| 13593. |
06/11/91 |
Flac 24 - 0,
138322 |
Charlotte |
Charlotte Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13594. |
06/11/91 |
Flac 16 Mtx - 0,
138343 |
Charlotte |
Charlotte Coliseum flac16; Two source matrix: 70% sbd/30% aud with a few level adjustments; sbd: Cassette Master (TDK SA-X100/Tascam Deck); transferred and master by Charlie Miller; Resampled an dithered with iZotope RX 6 Advanced; and aud: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recorded by James Young & Clay Brennecke, transferred by Todd Evans and mastered by Jamie Waddell; matrix created with Adobe Audition 1.5 SIRMick
|
notes
|
| 13595. |
06/11/91 |
Flac 16 - 0,
132802 |
Charlotte |
Charlotte Coliseum
|
notes
|
| 13596. |
06/11/91 |
Flac 16 - 0,
111294 |
Charlotte |
Charlotte Coliseum
|
notes
|
| 13597. |
06/12/91 |
Shn - 0,
13266 |
Charlotte |
Charlotte Coliseum SBD> DAT> CDR (previous shn set) + AUD patch for encore
|
notes
|
| 13598. |
06/12/91 |
Flac 16 - 0,
95643 |
Charlotte |
Charlotte Coliseum flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
|
notes
|
| 13599. |
06/12/91 |
Shn - 0,
9403 |
Charlotte |
Charlotte Coliseum SBD>DAT>CDR; via Paul; Seeded to etree by eD(efoj
|
notes
|
| 13600. |
06/12/91 |
Flac 24 - 0,
138334 |
Charlotte |
Charlotte Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13601. |
06/12/91 |
Flac 16 - 0,
138341 |
Charlotte |
Charlotte Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 138334 24 bit -> 16 bit
|
notes
|
| 13602. |
06/12/91 |
Flac 16 - 0,
94310 |
Charlotte |
Charlotte Coliseum flac16; Sennheiser ME-80\'s>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 13603. |
06/12/91 |
Flac 16 - 0,
132803 |
Charlotte |
Charlotte Coliseum flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro
|
notes
|
| 13604. |
06/12/91 |
Flac 16/48 - 0,
150369 |
Charlotte |
Charlotte Coliseum flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ortf) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set 1; Center Orchestra Row R, Seat 7 (hand held); Location: Set 2; Center Orchestra Row R, Seat 7 (on stand); Transfer: Master DAT > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer by Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 02, 2020
|
notes
|
| 13605. |
06/14/91 |
Shn - 0,
16816 |
Washington |
Robert F. Kennedy Stadium SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV)
|
notes
|
| 13606. |
06/14/91 |
Flac 16 Mtx - 0,
100610 |
Washington |
Robert F. Kennedy Stadium flac16; Matrix - Audience source: soundtrack from a low gen, audience shot, VHS, provided by Greyful Dave amd Soundboard source: DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN (shnid16816) seeded by Peter Braverman
|
notes
|
| 13607. |
06/14/91 |
Flac 16 Mtx - 0,
128575 |
Washington |
Robert F. Kennedy Stadium flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:016816) Lineage: DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN and Audience (shnid:094371) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger
|
notes
|
| 13608. |
06/14/91 |
Flac 16 - 0,
111113 |
Washington |
Robert F. Kennedy Stadium flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Lineage: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition 1.5 > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich
|
notes
|
| 13609. |
06/14/91 |
Flac 16/48 - 0,
135774 |
Washington |
Robert F. Kennedy Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=16816) SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) + AUD (shn id 94371) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - mixing by Kevin Tobin
|
notes
|
| 13610. |
06/14/91 |
Flac Dts 5.1 - 0,
135773 |
Washington |
Robert F. Kennedy Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=16816) SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) + AUD (shn id 94371) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - DTS mixing by Kevin Tobin
|
notes
|
| 13611. |
06/14/91 |
Flac 16 Mtx - 0,
135771 |
Washington |
Robert F. Kennedy Stadium flac16; Matrix 2 Source Mix - SBD (shnid=16816) SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) + AUD (shn id 94371) Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - matrix mixing by Kevin Tobin
|
notes
|
| 13612. |
06/14/91 |
Flac 16 - 0,
135770 |
Washington |
Robert F. Kennedy Stadium flac16; (original shnid = 16816) SBD > DAT> CD> SHN> Peak (track recutting and level adjustments)> SHN via Peter Braverman (possible cassette gen but NOT VFTV) - pitch correction and patches by Kevin Tobin
|
notes
|
| 13613. |
06/14/91 |
Flac 16 - 0,
94371 |
Washington |
Robert F. Kennedy Stadium flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger
|
notes
|
| 13614. |
06/14/91 |
Flac 16 - 0,
149642 |
Washington |
Robert F. Kennedy Stadium flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This fie set is 16 bit @ 44.1
|
notes
|
| 13615. |
06/14/91 |
Flac 24 - 0,
149609 |
Washington |
Robert F. Kennedy Stadium flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 13616. |
06/16/91 |
Flac - 0,
34783 |
East Rutherford |
Giants Stadium flac16; DSBD>DAT>WAV>CD>EAC>SHN>WAV>FLAC - Seamless fix of shn id 17028. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 13617. |
06/16/91 |
Flac - 0,
128625 |
East Rutherford |
Giants Stadium flac16; 2 Source Matrix by Dusborne Soundboard (shnid:034783) Seamless fix of shinid=17028 by Bill Tetzeli: Source: DSBD->DAT->Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S and Audience (shnid:122648) Master Audience Recorded By Mr. Currier, Transfer By Keo AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's
|
notes
|
| 13618. |
06/16/91 |
Shn - 0,
4798 |
East Rutherford |
Giants Stadium SBD > ? > DAT > CDR > WAV > SHNv3, further source info is pending; DAE: EAC (high, secure mode, offset corrected) > shntool (boundaries confirmed); brief bout of digistatic ~ 31 seconds into d1t05; via Chris L. with thanks to John Valter; can be tracked 2x80 (see info file)
|
notes
|
| 13619. |
06/16/91 |
Shn - 0,
17028 |
East Rutherford |
Giants Stadium Source: DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF
|
notes
|
| 13620. |
06/16/91 |
Flac - 0,
109124 |
East Rutherford |
Giants Stadium flac16; Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44
|
notes
|
| 13621. |
06/16/91 |
Flac - 0,
122648 |
East Rutherford |
Giants Stadium flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13622. |
06/16/91 |
Flac 24 - 0,
122647 |
East Rutherford |
Giants Stadium flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 13623. |
06/16/91 |
Flac LPCM 5.1 - 0,
135892 |
East Rutherford |
Giants Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - mixing by Kevin Tobin
|
notes
|
| 13624. |
06/16/91 |
Flac Dts 5.1 - 0,
135891 |
East Rutherford |
Giants Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - DTS mixing by Kevin Tobin
|
notes
|
| 13625. |
06/16/91 |
Flac - 0,
135889 |
East Rutherford |
Giants Stadium flac16; (original shnid = 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - pitch correction and patches by Kevin Tobin
|
notes
|
| 13626. |
06/16/91 |
Flac Mtx. - 0,
135890 |
East Rutherford |
Giants Stadium flac16; Matrix 2 Source Mix - SBD (shnid=17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF + AUD (shn id 109124) Master Audience Nakamichi CM300's/CP4 Shotguns>Sony D-6> Maxell MX-S 90/100 Transfer by Keo: Nakamichi MR-1>Korg MR 1000 @ 1 Bit/5.6mHz 1St Set no Dolby, 2nd set Dolby B Tracking/Sample Rate Conversion/Dithering with AudioGate software to 32 bit float/96kHz and Dithered with Korg Aqua to 16/44 - matrix mixing by Kevin Tobin
|
notes
|
| 13627. |
06/16/91 |
Flac - 0,
135888 |
East Rutherford |
Giants Stadium flac16; (original shnid = 17028) DSBD (DAT)-> Tascam DA-30mkII-> AES-EBU bus-> RME Intelligent 24/96 PAD-> Cool Edit Pro (direct - no edit)-> CDRWin-> Plextor Internal SCSI 12/10/32S by GJF - pitch correction and patches by Kevin Tobin
|
notes
|
| 13628. |
06/16/91 |
Flac 16 - 0,
134056 |
East Rutherford |
Giants Stadium flac16; Source: B&K 4011 (ORTF) > SONY D10 Pro > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
|
notes
|
| 13629. |
06/16/91 |
Flac 24 - 0,
149986 |
East Rutherford |
Giants Stadium flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13630. |
06/16/91 |
Flac 16 - 0,
150162 |
East Rutherford |
Giants Stadium b>flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13631. |
06/16/91 |
Flac 16/48 - 0,
150370 |
East Rutherford |
Giants Stadium flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (SV-255mod) (16-48); Location: FOB, Section B, Row 30, Seat 20 (hand held); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 02, 2020
|
notes
|
| 13632. |
06/17/91 |
Shn - 0,
25608 |
East Rutherford |
Giants Stadium SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller; [Note: This is the only circulating source without an analog gen in it.]
|
notes
|
| 13633. |
06/17/91 |
Flac 16 Mtx - 0,
31606 |
East Rutherford |
Giants Stadium flac16; SBD + AUD Matrix Mix
|
notes
|
| 13634. |
06/17/91 |
Flac 16 Mtx - 0,
128692 |
East Rutherford |
Giants Stadium flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:025608) Recording Info: SBD -> Master Dat (44.1k) -> Dat Clone; Audience (shnid:095644) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro by James Young & Clay Brennecke; and Audience (shnid:122791) AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's
|
notes
|
| 13635. |
06/17/91 |
Flac 16 - 0,
95644 |
East Rutherford |
Giants Stadium flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
|
notes
|
| 13636. |
06/17/91 |
Dts 5.1 Mix - 0,
33670 |
East Rutherford |
Giants Stadium DTS-Audio-CD 5.1 Mix
|
notes
|
| 13637. |
06/17/91 |
Shn - 0,
3591 |
East Rutherford |
Giants Stadium sbd> ?> cdr> eac> shn; via Tony Gardner, with thanks to Peter Braverman
|
notes
|
| 13638. |
06/17/91 |
Flac 16 - 0,
122791 |
East Rutherford |
Giants Stadium flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13639. |
06/17/91 |
Shn - 0,
484 |
East Rutherford |
Giants Stadium DSBD> DAT> CDR> SHN; new version d1, 5/18/99; first 1-2 sec of Eyes is missing; note md5s were lacking- ones shown here generated by G.S. Hamilton, for OK shns with the newer d1
|
notes
|
| 13640. |
06/17/91 |
Flac 24/96 - 0,
122790 |
East Rutherford |
Giants Stadium flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 13641. |
06/17/91 |
Flac 16/48 - 0,
135941 |
East Rutherford |
Giants Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - mixing by Kevin Tobin
|
notes
|
| 13642. |
06/17/91 |
Flac Dts 5.1 - 0,
135943 |
East Rutherford |
Giants Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - DTS mixing by Kevin Tobin
|
notes
|
| 13643. |
06/17/91 |
Flac16 Mtx - 0,
135942 |
East Rutherford |
Giants Stadium flac16; Matrix 2 Source Mix - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - matrix mixing by Kevin Tobin
|
notes
|
| 13644. |
06/17/91 |
Flac 24 - 0,
137545 |
East Rutherford |
Giants Stadium flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13645. |
06/17/91 |
Flac 16/48 - 0,
86659 |
East Rutherford |
Giants Stadium
|
notes
|
| 13646. |
06/17/91 |
Flac 16 - 0,
134054 |
East Rutherford |
Giants Stadium flac16; Source: AKG 414-BTL (hypercard X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
|
notes
|
| 13647. |
06/17/91 |
Flac 16 - 0,
86660 |
East Rutherford |
Giants Stadium flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped & transferred (7/2007) by Andrew F.
|
notes
|
| 13648. |
06/17/91 |
Flac 16 - 0,
137457 |
East Rutherford |
Giants Stadium flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 24bit > 16bit with r8brain
|
notes
|
| 13649. |
06/17/91 |
Flac 16/48 - 0,
150371 |
East Rutherford |
Giants Stadium flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: FOB, Section B, Row 30, Seat 20 (hand held); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 04, 2020
|
notes
|
| 13650. |
06/17/91 |
Flac 16 - 0,
150677 |
East Rutherford |
Giants Stadium flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13651. |
06/19/91 |
Shn - 0,
2786 |
Clarkston |
Pine Knob Music Theater SBD > DAT > Cass > DAT > CD > EAC > CDWav (retrack) > CD; Retracking done by Ivan Kotch; to etree via Adam Jerugim; known flaws: splice during Promised, noise during FOTM (A patched version of d1t08 also circulates as of June, 2010.)
|
notes
|
| 13652. |
06/19/91 |
Shn - 0,
109345 |
Clarkston |
Pine Knob Music Theater SBD>CM>DAT>SHN>CD; edited and transferred to cd by michael lai
|
notes
|
| 13653. |
06/19/91 |
Flac 16 - 0,
116154 |
Clarkston |
Pine Knob Music Theater flac16; Master Audience Nakamichi CM300/CP4 Shotguns SonyD5; Taper Mr. Baker,Tapes From JB's Collection,Transfer By Keo; Tapes Maxell MX-s 90.100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 13654. |
06/19/91 |
Flac 16 - 0,
95645 |
Clarkston |
Pine Knob Music Theater flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
|
notes
|
| 13655. |
06/19/91 |
Shn - 0,
2786 |
Clarkston |
Pine Knob Music Theater SBD > DAT > Cass > DAT > CD > EAC > CDWav (retrack) > CD; Retracking done by Ivan Kotch; to etree via Adam Jerugim; known flaws: splice during Promised, noise during FOTM (A patched version of d1t08 also circulates as of June, 2010.)
|
notes
|
| 13656. |
06/19/91 |
Flac 24 - 0,
116153 |
Clarkston |
Pine Knob Music Theater flac24; Master Audience Nakamichi CM300/CP4 Shotguns SonyD5; Taper Mr. Baker,Tapes From JB's Collection,Transfer By Keo; Tapes Maxell MX-s 90.100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 13657. |
06/19/91 |
Flac 16 - 0,
138579 |
Clarkston |
Pine Knob Music Theater flac16; SBD>CM>DAT>SHN>CD; This is a minor remaster of shnid: 109345
|
notes
|
| 13658. |
06/19/91 |
Flac 24 - 0,
140452 |
Clarkston |
Pine Knob Music Theater b/>flac24/96Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel
|
notes
|
| 13659. |
06/19/91 |
Shn - 0,
18392 |
Clarkston |
Pine Knob Music Theater FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer : Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller
|
notes
|
| 13660. |
06/19/91 |
Shn - 0,
19144 |
Clarkston |
Pine Knob Music Theater Source: AUD (unknown mics) >DAT>CDR>WAV>SHN. SHN encoding via C.Ladner.
|
notes
|
| 13661. |
06/19/91 |
Flac 16 - 0,
149645 |
Clarkston |
Pine Knob Music Theater flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 13662. |
06/19/91 |
Flac 24 - 0,
149584 |
Clarkston |
Pine Knob Music Theater flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
|
notes
|
| 13663. |
06/19/91 |
Flac 16/48 - 0,
150372 |
Clarkston |
Pine Knob Music Theater flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set I FOB, Section Center, Row O, Seat 18 (hand held);Location: Set II FOB, Section Center, Row O, Seat 18 (on stand @ 6'); Transfer: Dat > Sony PCM r500 > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick. Transfer By Charlie Miller. Edited & Mastered using Adobe Audition by Joe Noel.May 16, 2020
|
notes
|
| 13664. |
06/20/91 |
Shn - 0,
2787 |
Clarkston |
Pine Knob Music Theater SBD > DAT > Cass > DAT > CD > EAC, with Audience patch: Unknown DAUD > CD > EAC; All editing done with EAC, CDWave and SoundForge 4.5, by Ivan Kotch; to etree via Adam Jerugim; see info file for notes
|
notes
|
| 13665. |
06/20/91 |
Flac 16 - 0,
95646 |
Clarkston |
Pine Knob Music Theater flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
|
notes
|
| 13666. |
06/20/91 |
Flac 16 - 0,
105023 |
Clarkston |
Pine Knob Music Theater flac16; Source: Audience > Nakamichi CM-300 mics with CP-4 shotgun caps > Sony TC-D5 > mac Lineage: mac > Tascam 122b > Tascam HD-P2 > wav 24/48 > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > CD Wave > Flac 16 Taped by Gregg Holtz, from front of OTS, DFC
|
notes
|
| 13667. |
06/20/91 |
Flac 24 - 0,
140466 |
Clarkston |
Pine Knob Music Theater flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's). Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analong-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96). Transfers by Pete Ebel.
|
notes
|
| 13668. |
06/20/91 |
Shn - 0,
2187 |
Clarkston |
Pine Knob Music Theater unknown mics > DAT > CDR > EAC x 2 > WAV > SHN3.0; via Chris Ladner, from Marc Laurent's discs; see info file for listening notes
|
notes
|
| 13669. |
06/20/91 |
Shn - 0,
28393 |
Clarkston |
Pine Knob Music Theater FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller
|
notes
|
| 13670. |
06/20/91 |
Flac 16 - 0,
149646 |
Clarkston |
Pine Knob Music Theater flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13671. |
06/20/91 |
Flac 24 - 0,
149585 |
Clarkston |
Pine Knob Music Theater flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 13672. |
06/20/91 |
Flac 16/48 - 0,
150373 |
Clarkston |
Pine Knob Music Theater b>flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set 1 FOB, Section Center, Row O, Seat 15 (hand held); Location: Set 2 FOB, Section Center, Row O, Seat 15 (on stand @ 6'); Transfer: Dat > Sony PCM r500 > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 19, 2020
|
notes
|
| 13673. |
06/22/91 |
Flac 16 - 0,
112775 |
Chicago |
Soldier Field flac16; Recording Info: SBD -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13674. |
06/22/91 |
Flac 16 - 0,
105541 |
Chicago |
Soldier Field flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13675. |
06/22/91 |
Flac - 0,
29057 |
Chicago |
Soldier Field This is shn id 485 with undocumented changes. See the comments here for a possible explanation. Via Tol and LMA.
|
notes
|
| 13676. |
06/22/91 |
Flac 16 - 0,
118489 |
Chicago |
Soldier Field flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/Sec J Row 17 Seat 4/6 Feet High)> Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13677. |
06/22/91 |
Flac 24/48 - 0,
118488 |
Chicago |
Soldier Field flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s (PAS/Sec J Row 17 Seat 4/6 Feet High)> Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 13678. |
06/22/91 |
Flac 16/48 - 0,
150374 |
Chicago |
Soldier Field flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set 1 FOB, Section B, Row 26, Seat 39 (hand held - two seats off center); Location: Set 2 FOB, Section B, Row 26, Seat 39 (on stand @ 6' - two seats off center); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. May 19, 2020
|
notes
|
| 13679. |
06/22/91 |
Flac 24 - 0,
150648 |
Chicago |
Soldier Field flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 13680. |
06/22/91 |
Flac 16 - 0,
150678 |
Chicago |
Soldier Field flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13681. |
06/24/91 |
Flac 16 - 0,
35351 |
Bonner Springs |
Sandstone Ampitheatre flac16; Fix of shn id 2533 - DSBD>DAT>CDR>WAV>SHN>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 13682. |
06/24/91 |
Flac 16 - 0,
118934 |
Bonner Springs |
Sandstone Ampitheatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13683. |
06/24/91 |
Shn - 0,
2533 |
Bonner Springs |
Sandstone Ampitheatre DSBD> DAT> CDR; EAC> SHN by Jeff M.
|
notes
|
| 13684. |
06/24/91 |
Flac 24/48 - 0,
118933 |
Bonner Springs |
Sandstone Ampitheatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 13685. |
06/24/91 |
Shn - 0,
28394 |
Bonner Springs |
Sandstone Ampitheatre FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); plus patch from Schoeps hypercards> custom supply> SV255 section tape; Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill, with patch source by Ed Boardman; Transferred By Charlie Miller
|
notes
|
| 13686. |
06/24/91 |
Flac 16 - 0,
116711 |
Bonner Springs |
Sandstone Ampitheatre flac16; Schoeps CMC5u/ MK-4 > Panasonic SV 255 > Sony WMD-6C (Dolby C encoded); Microphone configuration: TS, center, ORTF, 10' up Master format (analog): Maxell MX-S 90 & MX 110 cassettes; Transfer: Sony TC-WE635 (Dolby C decoded) > Tascam DR-680 > SDHC card > (card reader) PC > CuBase SX; Digital editing: CuBase SX (pre and post set fades, level correction, WAVES 10 band Paragraphic EQ, WAVES L1 Ultramaximizer (limiting), cassette flips patched with etree source #28394); Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded via analog patch from Richard Wood, processed and distributed by Chuck Miller
|
notes
|
| 13687. |
06/24/91 |
Shn - 0,
21648 |
Bonner Springs |
Sandstone Ampitheatre FOB AKG 460 cardioid > DAT > CD DAT > CD: Panasonic sv3700 > Cool Edit Pro > CD Wave > mkw
|
notes
|
| 13688. |
06/24/91 |
Flac 24 - 0,
146590 |
Bonner Springs |
Sandstone Ampitheatre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 13689. |
06/24/91 |
Flac 16 - 0,
147391 |
Bonner Springs |
Sandstone Ampitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller; This file set is 16 bit @ 44.1
|
notes
|
| 13690. |
06/24/91 |
Flac 16/48 - 0,
150375 |
Bonner Springs |
Sandstone Ampitheatre flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (ORTF) > Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: Set 1 FOB, Section 3, Row W, Seat 2 (hand held - 5 seats off center); Location: Set 2 FOB, Section 3, Row W, Seat 2 (on stand @ 6'5" - 5 seats off center); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick.Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel. June 18, 2020
|
notes
|
| 13691. |
06/25/91 |
Shn - 0,
15590 |
Bonner Springs |
Sandstone Ampitheatre SBD > DAT > CDR > EAC > Cool Edit Pro 2.0 > mkwACT; fades have been patched; EAC'd/SHN'd by Doug Nawrocki
|
notes
|
| 13692. |
06/25/91 |
Flac 16 - 0,
95647 |
Bonner Springs |
Sandstone Ampitheatre flac16; Lineage: Clone of Master DAT Recording Equipment: AKG C460B/CK61 (ORTF) -> Mike Grace Early Preamp -> Dat Master (Casio DA-7/ 16-bit - 48kHz) Recording Location: FOB Recorded By: JC Mahoney & Dan Oneil Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
|
notes
|
| 13693. |
06/25/91 |
Shn - 0,
26350 |
Bonner Springs |
Sandstone Ampitheatre SBD> Vault Dat> Dat> Dat (44.1k); Transfer: Dat (Tascam DA20)> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> Cool Edit Pro v2.0> SHN; All Transfers and Editing By Charlie Miller; note upgrade compared to prev sources in circ (NOT from liberated bootleg)
|
notes
|
| 13694. |
06/25/91 |
Shn - 0,
489 |
Bonner Springs |
Sandstone Ampitheatre DSBD Boot? > CDR > SHN (EAC); 2x80 min; liberated KTS bootleg; via screenwriter to abgd 11/99; to etree ~12/3
|
notes
|
| 13695. |
06/25/91 |
Flac 16 - 0,
119018 |
Bonner Springs |
Sandstone Ampitheatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13696. |
06/25/91 |
Flac 24/48 - 0,
119017 |
Bonner Springs |
Sandstone Ampitheatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/2nd Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony Tc-D5M,Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 13697. |
06/25/91 |
Flac 16 - 0,
123825 |
Bonner Springs |
Sandstone Ampitheatre flac16; nak300>cp4>pmd430 no dbx; ots dfc mics@12 ft. pas; cass(m)>hhb830 cds 16/44.1 in 2003; cd>audacity +2.1.cdwave splits tlh flac 8; t&s by c. cage
|
notes
|
| 13698. |
06/25/91 |
Flac 16 - 0,
116626 |
Bonner Springs |
Sandstone Ampitheatre
|
notes
|
| 13699. |
06/25/91 |
Shn - 0,
28403 |
Bonner Springs |
Sandstone Ampitheatre FOB AKG C460B/CK61 (ORTF)> Mike Grace Early Preamp> Dat Master (Casio DA-7/48k); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By JC Mahoney, Dan O'Neill; Transferred By Charlie Miller
|
notes
|
| 13700. |
06/25/91 |
Flac 24 - 0,
149530 |
Bonner Springs |
Sandstone Ampitheatre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 13701. |
06/25/91 |
Flac 16 - 0,
149647 |
Bonner Springs |
Sandstone Ampitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13702. |
06/25/91 |
Flac 16/48 - 0,
150376 |
Bonner Springs |
Sandstone Ampitheatre flac16/48kHz; Recording: FOB Schoeps CMC3 MK4’s (110˚)> Oade PS > MIT cables > Master DAT (Panasonic SV-255mod) (16-48); Location: FOB, Section 3, Row Y, Seat 3 (hand held); Transfer: Dat > Tascam DA-40 > Tascam DA-3000 > Flac 16-48; Master Digital FOB Recording by Dave Brotman & Jeff Metchick; Transfer By Charlie Miller; Edited & Mastered using Adobe Audition by Joe Noel.June 18, 2020
|
notes
|
| 13703. |
06/28/91 |
Shn - 0,
11706 |
Denver |
Mile High Stadium SBD> Dat> Samplitude> CD, Seed Supplied By David Gans; Transfer Info: Sony R500> Behringer SRC2000> M-Audio Dio 2448> Compaq 5452, Transfer done by Charlie Miller; Recorded with Samplitude v6.0, Fades done with Cool Edit Pro v1.2, Tracked with CDWave v1.71, SHN'd with MKW v0.97 Beta1
|
notes
|
| 13704. |
06/28/91 |
Flac 16 - 0,
119064 |
Denver |
Mile High Stadium flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13705. |
06/28/91 |
Flac 16 - 0,
96359 |
Denver |
Mile High Stadium flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB - 20th Row - Hand Held Both Sets Recorded By: James Young Transfer: 16 bit – 48kHz DAT > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
|
notes
|
| 13706. |
06/28/91 |
Shn - 0,
9592 |
Denver |
Mile High Stadium SBD>DAT>CDR; via Paul; Seeded to etree by eD(efojr); Note- May be an FM source
|
notes
|
| 13707. |
06/28/91 |
Flac 24/48 - 0,
119063 |
Denver |
Mile High Stadium flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename by Keo
|
notes
|
| 13708. |
06/28/91 |
Flac 16 - 0,
84509 |
Denver |
Mile High Stadium flac16; Recorded by Patrick H. Source: Sony ECM33F mics -> Sony D6 -> Master cassette TDK SA90 No Dolby Type II Location: In front of band Transfer: Nak -> MC (TDK SA90) -> RME DIGI Interface -> Samplitude 6.0 -> Flac(8)
|
notes
|
| 13709. |
06/28/91 |
Flac 16 - 0,
150679 |
Denver |
Mile High Stadium flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13710. |
08/12/91 |
Flac 16 - 0,
29496 |
Sacramento |
Cal Expo flac16; SBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
|
notes
|
| 13711. |
08/12/91 |
Flac 16 - 0,
119081 |
Sacramento |
Cal Expo flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 13712. |
08/12/91 |
Flac 16 - 0,
96371 |
Sacramento |
Cal Expo flac16; Lineage: Clone from Master DAT Recording Equipment: Schoeps Omni -> Oade Supply -> Panasonic SV-255 Recording Location: FOB, on stands 8 feet hight and mic stands spaced 8.5 feet apart Recorded By: Unknown Transfer: 16 bit – 48kHz DAT > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
|
notes
|
| 13713. |
08/12/91 |
Shn - 0,
8109 |
Sacramento |
Cal Expo Don Pearson Master Cassette > Cassette > D > CD-r; d3 circs w/ filler from 8-13-91 set 1; Same source; via JR Fishman
|
notes
|
| 13714. |
08/12/91 |
Flac 24/48 - 0,
119080 |
Sacramento |
Cal Expo flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-s Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 13715. |
08/12/91 |
Flac 16 - 0,
137911 |
Sacramento |
Cal Expo flac16; DAT Master DSBDs, no transfer inf0 > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
|
notes
|
| 13716. |
08/12/91 |
Flac 16 - 0,
113423 |
Sacramento |
Cal Expo Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 13717. |
08/12/91 |
Flac 16 - 0,
143090 |
Sacramento |
Cal Expo flac16; Unknown taper: Schoeps Omni MK2 (spaced 12') > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT > PCM; Charlie Miller Transfer: PCM (Sony SL-10) > Sony PCM601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > FLAC 16/44
|
notes
|
| 13718. |
08/12/91 |
Flac 16 - 0,
148406 |
Sacramento |
Cal Expo flac16; Source Info: FOB Schoeps CMC3 MK4-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 13719. |
08/12/91 |
Flac 24 - 0,
150299 |
Sacramento |
Cal Expo flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13720. |
08/13/91 |
Flac 16 - 0,
109241 |
Sacramento |
Cal Expo flac16; Recording Info:SBD -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13721. |
08/13/91 |
Flac 16 - 0,
119112 |
Sacramento |
Cal Expo flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13722. |
08/13/91 |
Shn - 0,
10927 |
Sacramento |
Cal Expo SBD>CM>DAT>CDR; via Paul; seeded to etree by eD(efojr)
|
notes
|
| 13723. |
08/13/91 |
Flac 24/48 - 0,
119111 |
Sacramento |
Cal Expo flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 13724. |
08/13/91 |
Flac 16 - 0,
137912 |
Sacramento |
Cal Expo flac16; DAT Master SBDs, no transfer info > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
|
notes
|
| 13725. |
08/13/91 |
Flac 16/48 - 0,
138191 |
Sacramento |
Cal Expo flac16/48kHz; 1st set [partial]: B&K 4011's 110 degrees ORTF with Schoeps t-bar > Mod Neumann PS > Panasonic SV255 with stand, recorded by Rob Darroch; 2nd set: Schoeps CMC34 110 degrees ORTF with Schoeps t-bat > Canare Cable > Tao Research PS > Pro-Link jumper cable > Panasonic SV255 hand held at 5'10" by John Ammons; John Ammons Transfer: master DAT > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 13726. |
08/13/91 |
Flac 16 - 0,
91678 |
Sacramento |
Cal Expo flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger
|
notes
|
| 13727. |
08/13/91 |
Flac 16 - 0,
113426 |
Sacramento |
Cal Expo flac16: Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 13728. |
08/13/91 |
Flac 16 - 0,
143088 |
Sacramento |
Cal Expo flac16; unknown taper: Schoeps Omni MK2 (spaced 12') > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT > PCM; Charlie Miller Transfer: PCM (Sony SL-10) > Sony PCM601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > FLAC 16/44
|
notes
|
| 13729. |
08/13/91 |
Flac 16/48 - 0,
148404 |
Sacramento |
Cal Expo flac16/48kHz; Set 1 Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)->SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
|
notes
|
| 13730. |
08/13/91 |
Flac 16 - 0,
148403 |
Sacramento |
Cal Expo flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 13731. |
08/13/91 |
Flac 24 - 0,
15ß306 |
Sacramento |
Cal Expo flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 13732. |
08/14/91 |
Flac 16 - 0,
30073 |
Sacramento |
Cal Expo flac16; SBD > DAT > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
|
notes
|
| 13733. |
08/14/91 |
Flac 16 - 0,
119112 |
Sacramento |
Cal Expo flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-s Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13734. |
08/14/91 |
Shn - 0,
9798 |
Sacramento |
Cal Expo SBD>DAT>??>DAT>CDR; via Paul; Seeded to etree by eD(efojr)
|
notes
|
| 13735. |
08/14/91 |
Flac 24/48 - 0,
119121 |
Sacramento |
Cal Expo flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes TDK MA-X Set 1,Sony Metal E-S Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 13736. |
08/14/91 |
Flac 16 - 0,
137920 |
Sacramento |
Cal Expo flac16; DAT Master SBDs no transfer info > Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit-> SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11
|
notes
|
| 13737. |
08/14/91 |
Flac 16 - 0,
113427 |
Sacramento |
Cal Expo Recorded by The Weasel - "Da Weez" Transferred and mastered to .wav files by D5scott Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 13738. |
08/14/91 |
Flac 16 - 0,
143089 |
Sacramento |
Cal Expo flac16; Set 2 Unknown taper: FOB Schoeps Omni MK2 (spaced 12') > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT > PCM; Charlie Miller Transfer: PCM (Sony SL-10) > Sony PCM601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > FLAC 16/44
|
notes
|
| 13739. |
08/14/91 |
Flac 16 - 0,
148407 |
Sacramento |
Cal Expo flac16; Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 13740. |
08/16/91 |
Flac - 0,
17011 |
Mountain View |
Shoreline Amphitheatre ource: SB DAT 48khz low-gen clone Conversion: Sony PCM-1 (7-pin optical) > Zoltrix C-Media CMI8738/C3DX PCI (optical) > Ce2k pro record (48) > Ce2k pro convert sample (44.1, highest quality, pre-post filter) > CDWav > FLAC
|
notes
|
| 13741. |
08/16/91 |
Flac - 0,
111330 |
Mountain View |
Shoreline Amphitheatre flac16; Updated Source Info: SBD > ? > DAT Clone > FLAC (Had been marked Schoeps MK4 w/ RBox 16 Bit 48K...)
|
notes
|
| 13742. |
08/16/91 |
Shn - 0,
6676 |
Mountain View |
Shoreline Amphitheatre SBD:DAT> DAT> SF> WAV> SHN; via J.T. James, Peter Braverman
|
notes
|
| 13743. |
08/16/91 |
Flac - 0,
81571 |
Mountain View |
Shoreline Amphitheatre flac16/48; Soundboard->DAT @ 48 kHz->DAT x 4.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC
|
notes
|
| 13744. |
08/16/91 |
Flac 16 - 0,
121806 |
Mountain View |
Shoreline Amphitheatre flac16; AKG451 w/ CK1's>DAT>?DAT?>501PCM>BETA tape>601PCM>coax> DAD USB>Audacity> 24-48 WAV...>PATCH W/SBD>flac16-44>tlh sbe fix. set1:ots AKG 451 CK1,set2 ots 460 CK8; patches from sbd source nickc shn 111330.
|
notes
|
| 13745. |
08/16/91 |
Flac - 0,
137942 |
Mountain View |
Shoreline Amphitheatre b>flac16/48kHz; DSBD 16 bit 48kHz DAT; Ampex 467 R-124 Certified Mastering Audio Cassettes [DATs]-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Mastering by Jamie Waddell in Wavelab 7.2.1; Track, FLAC and Pack by Norm
|
notes
|
| 13746. |
08/16/91 |
Flac 24/96 - 0,
141274 |
Mountain View |
Shoreline Amphitheatre flac24/96 Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller
|
notes
|
| 13747. |
08/16/91 |
Flac 16 - 0,
141316 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller
|
notes
|
| 13748. |
08/16/91 |
Flac 16/48 - ,
151057 |
Mountain View |
Shoreline Amphitheatre flac16/48khz Source : Nak CM-100s > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 13749. |
08/16/91 |
Flac 24/96 - ,
151058 |
Mountain View |
Shoreline Amphitheatre flac24/96khz Source : Nak CM-100s > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 13750. |
08/17/91 |
Flac 16 Mtx - 0,
107826 |
Mountain View |
Shoreline Amphitheatre flac16; Hansokolow matrix of these digital sources: SBD: shnid=20696 // AUD: shnid=94196 (Taped by: Keith Litzenberger)
|
notes
|
| 13751. |
08/17/91 |
Shn - 0,
20696 |
Mountain View |
Shoreline Amphitheatre Source: SBD -> DAT Master -> DAT Clone -> Tascam DA40 ->(SPDIF)-> SB Live -> SoundForge -> wav -> shn. This set of files represents a SHNTOOL fixed correction of the previously circulating SHN set (http://db.etree.org/shninfo_detail.php?shnid=497).
|
notes
|
| 13752. |
08/17/91 |
Flac 16/48 - 0,
81572 |
Mountain View |
Shoreline Amphitheatre flac16/48; Soundboard->DAT @ 48 kHz->DAT x 4.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC
|
notes
|
| 13753. |
08/17/91 |
Shn - 0,
497 |
Mountain View |
Shoreline Amphitheatre SBD -> DAT Master -> DAT Clone -> Tascam DA40 -> (SPDIF)-> SB Live -> SoundForge -> Wav -> Shorten; via J. Josephs, originally named by song, with underscores, apostrophes et al; C. Hannigan renamed and reordered tracks to fit so the encore is at the beginning- see his new info file
|
notes
|
| 13754. |
08/17/91 |
Flac 24/96 - 0,
141289 |
Mountain View |
Shoreline Amphitheatre flac24/96 Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller.
|
notes
|
| 13755. |
08/17/91 |
Flac 16 - 0,
141317 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller.
|
notes
|
| 13756. |
08/17/91 |
Flac 16 - 0,
94196 |
Mountain View |
Shoreline Amphitheatre flac16; Source: Sennheiser ME-80\'s> Technics SV-MD1 (DAT) Lineage: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Taped by: Keith Litzenberger from Section 202 Row E Seat 23 (Front Row Center OTS) Transferred by: Keith Litzenberger
|
notes
|
| 13757. |
08/17/91 |
Flac 16 - 0,
119208 |
Mountain View |
Shoreline Amphitheatre flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 13758. |
08/17/91 |
Flac 16/48 - 0,
149444 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Source Info: Set #1: T/S Sennheiser ME 88->DAT; Set #2: T/S B&K 4003 (Omni Caps)-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
|
notes
|
| 13759. |
08/17/91 |
Flac 16/48 - ,
151059 |
Mountain View |
Shoreline Amphitheatre flac16/48khz Source : Nak CM-100s > Nak 550 > D6 > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 13760. |
08/17/91 |
Flac 24/96 - ,
151060 |
Mountain View |
Shoreline Amphitheatre flac24/96khz Source : Nak CM-100s > Nak 550 > D6 > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 13761. |
08/18/91 |
Flac 16 Mtx - 0,
107883 |
Mountain View |
Shoreline Amphitheatre flac16; Matrix by hansokolow of these two sources: DSBD: (shnid=21349) SB DAT 48khz low-gen clone // DAUD: (shnid=94188) Sennheiser ME-80's>Technics SV-MD1; By Keith Litzenberger
|
notes
|
| 13762. |
08/18/91 |
Flac 16/48 - 0,
81573 |
Mountain View |
Shoreline Amphitheatre flac16/48; Soundboard->DAT @ 48 kHz->DAT x 4.Conversion:Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC
|
notes
|
| 13763. |
08/18/91 |
Shn - 0,
21349 |
Mountain View |
Shoreline Amphitheatre Source:SB DAT 48khz low-gen clone via kung@steve-behan.com Patch Source: SBD > DAT > ZA2 > CDR > EAC Patched, retracked, shn'd... by Doug Nawrocki
|
notes
|
| 13764. |
08/18/91 |
Flac - 0,
19870 |
Mountain View |
Shoreline Amphitheatre Source: SBD DAT 48khz low-gen clone (on 60 min/120 minute audio dats, 93?) Transfer: Sony PCM-1 / 7 pin > Nightengale PCI / Optical (reverse format) > Ce Pro 2000 Record 48k > Ce Pro 2000 Downsample to 44k / highest quality, pre-post filter > CDWav > ShnTool > FLAC
|
notes
|
| 13765. |
08/18/91 |
Flac 24/96 - 0,
141295 |
Mountain View |
Shoreline Amphitheatre flac24/96 Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller.
|
notes
|
| 13766. |
08/18/91 |
Flac 16 - 0,
141326 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100). Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24 (1 Disc FLAC). All Transfers and Mastering By Charlie Miller.
|
notes
|
| 13767. |
08/18/91 |
Flac 16 - 0,
94188 |
Mountain View |
Shoreline Amphitheatre flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded,Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 13768. |
08/18/91 |
Flac 24 - 0,
147507 |
Mountain View |
Shoreline Amphitheatre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This source has a fixed Deal
|
notes
|
| 13769. |
08/18/91 |
Flac 16 - 0,
148256 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This source has a fixed Deal (3 static bursts remain @ 7:10, 7:12, 7:18 on aLL know sources), This file set is 16 bit @ 44.1
|
notes
|
| 13770. |
08/18/91 |
Flac 16/48 - 0,
149439 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Source Info: T/S B&K 4003 (Omni Caps)-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
|
notes
|
| 13771. |
08/18/91 |
Flac 16/48 - ,
151061 |
Mountain View |
Shoreline Amphitheatre flac16/48khz Source : Unspecified mics > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 13772. |
08/18/91 |
Flac 24/96 - ,
151062 |
Mountain View |
Shoreline Amphitheatre flac24/96khz Source : Unspecified mics > Nak 550 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 13773. |
09/04/91 |
Flac 16 - 0,
95313 |
Richfield |
Richfield Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13774. |
09/04/91 |
Shn - 0,
5558 |
Richfield |
Richfield Coliseum sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs
|
notes
|
| 13775. |
09/04/91 |
Flac 16 - 0,
111271 |
Richfield |
Richfield Coliseum flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich
|
notes
|
| 13776. |
09/04/91 |
Flac 16 Mtx - 0,
132960 |
Richfield |
Richfield Coliseum flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:095313) SBD -> Dat -> Cassette Master; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16 and Audience (shnid:091802) Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. 16 bit 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0
|
notes
|
| 13777. |
09/04/91 |
Shn - 0,
28404 |
Richfield |
Richfield Coliseum Schoeps CMC4/MK4 (FOB/Row Q, ORTF)> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Dan O'Neill; Transferred By Charlie Miller
|
notes
|
| 13778. |
09/04/91 |
Flac 16 - 0,
132810 |
Richfield |
Richfield Coliseum flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro
|
notes
|
| 13779. |
09/04/91 |
Flac 16 - 0,
96192 |
Richfield |
Richfield Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 13780. |
09/04/91 |
Flac 16 - 0,
121608 |
Richfield |
Richfield Coliseum flac16; Original Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; Transfers and Mastering By Charlie Miller; Tech Notes: Levels Ran Throughout(to my fine tuned ears) way Too HOT!!; Decoded To Wave w/Traders Little Helper v2.7.1; Normalized to -7 dB w/Audacity v2.0.1(64 bit), DC Offsets Removed. Channels Independently Changed; Re-encoded to Flac Level 8 w/TLH. Tagged w/Foobar2000 v.1.1.13/tradersfriend addon; Checksums Rehashed & Verified w/TLH v271 Additional Editing & Coding By Joe "Terrapin" Barberi
|
notes
|
| 13781. |
09/04/91 |
Flac 24/48 - 0,
147568 |
Richfield |
Richfield Coliseum flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Set #1:Maxell XL-II's 90's & Set #2:Maxell XL-II's 100's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48); Transfers by Pete Ebel
|
notes
|
| 13782. |
09/04/91 |
Flac 16 - 0,
91802 |
Richfield |
Richfield Coliseum b>flac16; FOB Digital Audience Recording Lineage: DAT Master Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. Recording Location: FOB DFC … Section 2, Row 17 Recorded By: Dan O'Neil Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
|
notes
|
| 13783. |
09/04/91 |
Flac 16/48 - 0,
149459 |
Richfield |
Richfield Coliseum flac16/48kHz; Source Info: FOB B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
|
notes
|
| 13784. |
09/04/91 |
Flac 24 - 0,
150016 |
Richfield |
Richfield Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 13785. |
09/04/91 |
Flac 16 - 0,
150284 |
Richfield |
Richfield Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 13786. |
09/04/91 |
Flac 16/48 - 0,
151811 |
Richfield |
Richfield Coliseum flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: Set 1; Row Q (handheld), Set 2; Row Q (stand) Transfer: Master DAT > Tascam DA-20mk2 > coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 27, 2021. Notes: Fresh transfer & processing of shnid 91802.
|
notes
|
| 13787. |
09/05/91 |
Flac 16 - 0,
121620 |
Richfield |
Richfield Coliseum flac16; sbd > dat > cassette > dat > cdr; Levels Ran Throughout(to my fine tuned ears) way Too HOT!!; Decoded To Wave w/Traders Little Helper v2.7.1; Normalized to -7 dB w/Audacity v2.0.1(64 bit), DC Offsets Removed. Channels Independently Changed. Clipped Excess Blank/Silent Space at end of 1st & 2nd sets. Fixed Gap Between d1t01 & d1t02. Encoded to Flac Level 8 w/TLH. Tagged w/Foobar2000 v.1.1.13/tradersfriend addon. Checksums Rehashed & Verified w/TLH v2.7.1; Additional Editing & Coding By Joe "Terrapin" Barberi
|
notes
|
| 13788. |
09/05/91 |
Flac 16 Mtx - 0,
92785 |
Richfield |
Richfield Coliseum flac16; Matrix sources: (shnid 5559) sbd > dat > c > dat > cdr and (shnid 91803) FOB Digital Audience Recording Matrixed by SIRMick July 2008
|
notes
|
| 13789. |
09/05/91 |
Flac 16 - 0,
91803 |
Richfield |
Richfield Coliseum flac16; FOB Digital Audience Recording Lineage: DAT Master Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. Recording Location: FOB DFC … Section 2, Row 17 Recorded By: Dan O'Neil Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
|
notes
|
| 13790. |
09/05/91 |
Shn - 0,
5559 |
Richfield |
Richfield Coliseum sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs
|
notes
|
| 13791. |
09/05/91 |
Flac 16 Mtx - 0,
132961 |
Richfield |
Richfield Coliseum flac16; 2 Source Matrix by Dusborne Soundboard (shnid:005559) sbd>dat>c>dat>cdr and Audience (shnid:091803) Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. 16 bit 48kHz DAT Master > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0
|
notes
|
| 13792. |
09/05/91 |
Flac 16 - 0,
138373 |
Richfield |
Richfield Coliseum flac16; Lineage: AKG 414B-ULS>OADE M148>Panasonic SV255>DAT; Playback: Sony PCM-R300>SPDIF>Tascam PMD671 CF 24 48>HD>CDWAV Splits>16.441>TLH FLAC8; Location: FOB TaperSection DFC; Recorded, Transferred and uploaded By Dave D
|
notes
|
| 13793. |
09/05/91 |
Flac 16 - 0,
94300 |
Richfield |
Richfield Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 13794. |
09/05/91 |
Flac 16 - 0,
132811 |
Richfield |
Richfield Coliseum flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro
|
notes
|
| 13795. |
09/05/91 |
Flac 16/48 - 0,
147493 |
Richfield |
Richfield Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 5559) sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs + AUD (shnid = 138373) Lineage: AKG 414B-ULS>OADE M148>Panasonic SV255>DAT; Playback: Sony PCM-R300>SPDIF>Tascam PMD671 CF 24 48>HD>CDWAV Splits>16.441>TLH FLAC8; Location: FOB TaperSection DFC; Recorded, Transferred and uploaded By Dave D - surround mixing by Kevin Tobin
|
notes
|
| 13796. |
09/05/91 |
Flac 16 Dts.5.1 - 0,
147492 |
Richfield |
Richfield Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 5559) sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs + AUD (shnid = 138373) Lineage: AKG 414B-ULS>OADE M148>Panasonic SV255>DAT; Playback: Sony PCM-R300>SPDIF>Tascam PMD671 CF 24 48>HD>CDWAV Splits>16.441>TLH FLAC8; Location: FOB TaperSection DFC; Recorded, Transferred and uploaded By Dave D - dts mixing by Kevin Tobin
|
notes
|
| 13797. |
09/05/91 |
Flac 16 Mtx - 0,
147491 |
Richfield |
Richfield Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 5559) sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs + AUD (shnid = 138373) Lineage: AKG 414B-ULS>OADE M148>Panasonic SV255>DAT; Playback: Sony PCM-R300>SPDIF>Tascam PMD671 CF 24 48>HD>CDWAV Splits>16.441>TLH FLAC8; Location: FOB TaperSection DFC; Recorded, Transferred and uploaded By Dave D - matrix mixing by Kevin Tobin
|
notes
|
| 13798. |
09/05/91 |
Flac 24/48 - 0,
147569 |
Richfield |
Richfield Coliseum flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Set #1:Maxell XL-II's 90's & Set #2:Maxell XL-II's 100's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48); Transfers by Pete Ebel
|
notes
|
| 13799. |
09/05/91 |
Flac 16/48 - 0,
149460 |
Richfield |
Richfield Coliseum flac16/48kHz; Source Info: FOB B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
|
notes
|
| 13800. |
09/05/91 |
Flac 24 - 0,
150030 |
Richfield |
Richfield Coliseum b>flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 13801. |
09/05/91 |
Flac 16 - 0,
150285 |
Richfield |
Richfield Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 13802. |
09/05/91 |
Flac 16/48 - 0,
151812 |
Richfield |
Richfield Coliseum flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB-DFC; Set 1 Row R, Seat 10 (handheld); Set 2 Row R Seat 10 (stand) Transfer: Master DAT > Tascam DA-20mk2 > coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 28, 2021. Notes: fresh transfer & processing of shnid 91802.
|
notes
|
| 13803. |
09/06/91 |
Flac 16 - 0,
95314 |
Richfield |
Richfield Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13804. |
09/06/91 |
Flac 16 - 0,
91804 |
Richfield |
Richfield Coliseum flac16; FOB Digital Audience Recording Lineage: DAT Master Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255. Recording Location: FOB DFC … Section 2, Row 17 Recorded By: Dan O'Neil Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, Tag & Rename for FLAC Meta-Tagging FLAC’d Flac Frontend level 8
|
notes
|
| 13805. |
09/06/91 |
Shn - 0,
5560 |
Richfield |
Richfield Coliseum sbd> dat> c> dat> cdr; via Tony Gardner from Paul B. seed discs
|
notes
|
| 13806. |
09/06/91 |
Shn - 0,
82052 |
Richfield |
Richfield Coliseum sbd>dat>c>dat>cdr>shn>patching/editing>shn
|
notes
|
| 13807. |
09/06/91 |
Flac 16 Mtx - 0,
132965 |
Richfield |
Richfield Coliseum flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:095314) SBD -> Dat -> Cassette Master; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> FLAC/16 and Audience (shnid:091804) Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255 6 bit 48kHz DAT Master > TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0
|
notes
|
| 13808. |
09/06/91 |
Flac 16 - 0,
132813 |
Richfield |
Richfield Coliseum flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro
|
notes
|
| 13809. |
09/06/91 |
Shn - 0,
28405 |
Richfield |
Richfield Coliseum FOB Schoeps CMC4/MK4 (ORTF)> Oade Cap Coupled Supply> Dat (Panasonic SV250/48k)> Dat (Cloned From Master); Transfer: Dat (Sony R500)> Behringer UltraMatch SRC2000> SEK'D Prodif Plus> Samplitude v7.02 Professional> SHN; Recorded By Dan O'Neill; Transferred By Charlie Miller
|
notes
|
| 13810. |
09/06/91 |
Flac 16 - 0,
94234 |
Richfield |
Richfield Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 13811. |
09/06/91 |
Flac 24/48 - 0,
147570 |
Richfield |
Richfield Coliseum flac24; Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Set #1:Maxell XL-II's 90's & Set #2:Maxell XL-II's 100's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/48-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/48); Transfers by Pete Ebel
|
notes
|
| 13812. |
09/06/91 |
Flac 16 - 0,
149462 |
Richfield |
Richfield Coliseum flac16; Source Info: TS Schoeps CMC 4 Mk41-> Koch P/S-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 13813. |
09/06/91 |
Flac 16/48 - 0,
149641 |
Richfield |
Richfield Coliseum flac16/48kHz; Source Info: FOB B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
|
notes
|
| 13814. |
09/06/91 |
- 0,
|
Richfield |
Richfield Coliseum
|
notes
|
| 13815. |
09/06/91 |
Flac 24 - 0,
150031 |
Richfield |
Richfield Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 13816. |
09/06/91 |
Flac 16 - 0,
150286 |
Richfield |
Richfield Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 13817. |
09/06/91 |
Flac 16/48 - 0,
151813 |
Richfield |
Richfield Coliseum flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k). Location: FOB-DFC. Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 29, 2021. Notes: fresh transfer & processing of shnid 91804.
|
notes
|
| 13818. |
09/08/91 |
Shn - 0,
75772 |
New York |
Madison Square Garden DSBD > CDA > DAT; Cleaned up copy of SHNid=1069; Clean up by Darryl Hinko
|
notes
|
| 13819. |
09/08/91 |
Flac 16 - 0,
130711 |
New York |
Madison Square Garden flac16; Recording Info: DSBD > DAT > DAT; Transfer Info: DAT > Sony D8 > WAV > Sound Forge 10 > TLH > FLAC; A fresh transfer of my DAT clone. Upgrade to single source SBD. Transferred, tracked and mastered by Bill Guarneri, July 22, 2014
|
notes
|
| 13820. |
09/08/91 |
Flac 16 Mtx - 0,
99108 |
New York |
Madison Square Garden flac16; SBD + AUD Matrix Mix - 3 Source Mix: SBD (shnID = 75772), AUD1 (shnID = 96398) and AUD2 (shnID = 98392); 65%-SBD, 20%-AUD1, 15%-AUD2
|
notes
|
| 13821. |
09/08/91 |
Flac 16 - 0,
96398 |
New York |
Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Row R, Off Center Set 2 On Stand, Row R, On Aisle Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
|
notes
|
| 13822. |
09/08/91 |
Shn - 0,
1069 |
New York |
Madison Square Garden DSBD> DAT> CD; via Jay Ashley: see flaw note in pub comments
|
notes
|
| 13823. |
09/08/91 |
Flac 16 - 0,
34661 |
New York |
Madison Square Garden flac16; DSBD>DAT>CD>WAV>SHN>WAV>FLAC - Seamless fix of shn id 1069, fade tracks added. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 13824. |
09/08/91 |
Flac 16 Dts - 0,
99074 |
New York |
Madison Square Garden flac16; DTS-Audio-CD 5.1 Mix - 3 Source Mix of SBD (shnID = 75772), AUD1 (shnID = 96398) and AUD2 (shnID = 98392)
|
notes
|
| 13825. |
09/08/91 |
Flac 24/48 - 0,
123844 |
New York |
Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 02/2013
|
notes
|
| 13826. |
09/08/91 |
Flac 16 - 0,
98392 |
New York |
Madison Square Garden flac16; Sennheiser ME-80's>Technics SV-MD1 from OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC; Recorded & Transferred By Keith Litzenberger
|
notes
|
| 13827. |
09/08/91 |
Flac 16/48 - 0,
88003 |
New York |
Madison Square Garden flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand, back of floor center, directly behind the lighting board. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 13828. |
09/08/91 |
Flac 16 - 0,
88002 |
New York |
Madison Square Garden flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand, back of floor center, directly behind the lighting board. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F.
|
notes
|
| 13829. |
09/08/91 |
Flac 24 - 0,
149783 |
New York |
Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13830. |
09/08/91 |
Flac 16 - 0,
149846 |
New York |
Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13831. |
09/08/91 |
Flac 16/48 - 0,
150539 |
New York |
Madison Square Garden flac16/48kHz; Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa; Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48; edited and mastered SIRMick August 2020
|
notes
|
| 13832. |
09/09/91 |
Flac 16 - 0,
96399 |
New York |
Madison Square Garden b>flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 3, Row S, On Aisle Set 2 On Stand, Section 3, Row V, Seat 2 Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
|
notes
|
| 13833. |
09/09/91 |
Flac 16 Mtx - 0,
110640 |
New York |
Madison Square Garden flac16; This is a matrix of these sources: SBD: shnid=508 (DSBD>>DAT>>CDA) // DAUD: shnid=96399 (Recording Equipment: B&K 4011 110∫ ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)
|
notes
|
| 13834. |
09/09/91 |
Flac 16 - 0,
34677 |
New York |
Madison Square Garden flac16; SBD>>DAT>>CDA>>WAV>>SHN>>WAV>>FLAC - Seamless fix of shn id 508. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 13835. |
09/09/91 |
Shn - 0,
75773 |
New York |
Madison Square Garden DSBD > DAT > CDA; Clean up copy of SHNid=508; Clean up by Darryl Hinko
|
notes
|
| 13836. |
09/09/91 |
Shn - 0,
508 |
New York |
Madison Square Garden DSBD> DAT> CD; via C. Miller, J. Ashley
|
notes
|
| 13837. |
09/09/91 |
Flac 24/48 - 0,
123544 |
New York |
Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 01/2013
|
notes
|
| 13838. |
09/09/91 |
Shn - 0,
28851 |
New York |
Madison Square Garden Recording Info: (FOB) Schoeps CMC4/MK4 (ORTF) -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Dan O'Neill Transferred By Charlie Miller
|
notes
|
| 13839. |
09/09/91 |
Flac 24 - 0,
149749 |
New York |
Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13840. |
09/09/91 |
Flac 16 - 0,
149777 |
New York |
Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13841. |
09/09/91 |
Flac 16/48 - 0,
150412 |
New York |
Madison Square Garden flac16/48kHz; Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa; Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48; edited and mastered SIRMick July 2020
|
notes
|
| 13842. |
09/09/91 |
Flac 16/48 - 0,
151920 |
New York |
Madison Square Garden flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB; Sec 2, Row V, Seat 3; Set I (handheld), Set II (stand over 6') Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 25, 2021.
|
notes
|
| 13843. |
09/10/91 |
Flac 16 - 0,
89085 |
New York |
Madison Square Garden flac16; SBD DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0
|
notes
|
| 13844. |
09/10/91 |
Flac 16 - 0,
34678 |
New York |
Madison Square Garden flac16; DSBD>DATs>CDRs>EAC>SHN>WAV>FLAC - Seamless fix of shn id 511. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 13845. |
09/10/91 |
Shn - 0,
511 |
New York |
Madison Square Garden complete; DSBD> DATs> CDRs> EAC> SHN; via Darrin Sacks
|
notes
|
| 13846. |
09/10/91 |
Flac 16 Mtx - 0,
98132 |
New York |
Madison Square Garden flac16; Matrix synch completed by Amdig SBD + AUD Matrix from 2 GEMS Source Mix (65%-SBD/35%-AUD) Time sych done in CEPro 2.0 Multitrack matrix mixdown to 24/48 in CEPro 2.0 Final Matrix Matstering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by BlueDakota. Tracked in Wavelab 6.0, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging; Matrix Recordings Created from these GEMS Sources: source ID 89085 - GEMS DSBD (DSBD 16-bit, 44.1kHz Vault DAT Clone) and source ID 96422 - GEMS FOB Aud (Master FOB DAT 16-bit, 48kHz)
|
notes
|
| 13847. |
09/10/91 |
Flac 16 - 0,
96422 |
New York |
Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 2, Row S, Seat 2 Set 2 On Stand, Section 2, Row V, Seat 2 Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8Tag & Rename for FLAC Meta-Tagging.
|
notes
|
| 13848. |
09/10/91 |
Flac 24 Mtx - 0,
98701 |
New York |
Madison Square Garden flac24; SBD+AUD Matrix Mix (65%-SBD/35%-AUD) SBD (shnID = 89085) and AUD (shnID = 96422)
|
notes
|
| 13849. |
09/10/91 |
Flac - 0,
30755 |
New York |
Madison Square Garden Source: SBD: DAT(M) > DAT(1) > DAT(2) Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC; FLAC conversion done by dan@am-dig.com
|
notes
|
| 13850. |
09/10/91 |
Flac 16 - 0,
117024 |
New York |
Madison Square Garden flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 13851. |
09/10/91 |
Shn Dts - 0,
98655 |
New York |
Madison Square Garden DTS-Audio-CD 5.1 Mix; Source Info - SBD (shnID = 89085) and AUD (shnID = 96422) Recorded By: James Young and Clay Brennecke
|
notes
|
| 13852. |
09/10/91 |
Flac 24/48 - 0,
122424 |
New York |
Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 10/2012
|
notes
|
| 13853. |
09/10/91 |
Flac 24/96 - 0,
117023 |
New York |
Madison Square Garden flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 13854. |
09/10/91 |
Flac 16/48 - 0,
138917 |
New York |
Madison Square Garden flac16/48kHz; source: Schoeps cmc34 (FOB) -> Oade P/S -> Panasonic SV-255 (48k); transfer: (DAT master) Sony D8 -> Oade 7-pin/Coax -> Tascam HD-P2 -> wav -> Sound Studio -> xACT -> flac (16/48); recorded by: Dan O'Neill, set 1 handheld, Set 2 stand over 6'; location: Sec 2, Row V, Seat 3
|
notes
|
| 13855. |
09/10/91 |
Flac 24 - 0,
149509 |
New York |
Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13856. |
09/10/91 |
Flac 16 - 0,
149650 |
New York |
Madison Square Garden flac; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13857. |
09/10/91 |
Flac 16/48 - 0,
151921 |
New York |
Madison Square Garden flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB; Sec 2, Row V, Seat 3; Set I (handheld), Set II (stand over 6') Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel.January 25, 2021. Notes: Fresh transfer & mastering of shnid 138917.
|
notes
|
| 13858. |
09/10/91 |
Flac 16/44 - ,
153418 |
New York |
Madison Square Garden fkac16/44 A Photoleon Matrix Source: Schoeps Cmc34 (ortf) > M1000 Cables > Tao Research Oade Supply > Panasonic Sv255> Master Dat (48k) + (ots) Nak Cm300 Cp4 Shotguns> Cassette + Sbd> Dat(?). Fob Recording By Dan O'neill. Ots Recording By Jb. Sbd Dat Sourced From Todd Evans. Matrix Created By Joe Noel. August 03, 2021
|
notes
|
| 13859. |
09/12/91 |
Flac 16 - 0,
110641 |
New York |
Madison Square Garden flac16; This is a matrix of these sources: DSBD: shnid=28871 (soundboard > DAT > CDR > SHN) // DAUD: shnid=97386 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)
|
notes
|
| 13860. |
09/12/91 |
Shn - 0,
28871 |
New York |
Madison Square Garden Clean up of SHNid=516; SBD > DAT > CDR > SHN; Cleaned by Darryl Hinko. See notes.
|
notes
|
| 13861. |
09/12/91 |
Flac 16 - 0,
97386 |
New York |
Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB - Hand Held, Upfront Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
|
notes
|
| 13862. |
09/12/91 |
Shn - 0,
516 |
New York |
Madison Square Garden SBD > DAT > CDR > .shn; .via Jon, Adam Roux; (note may have been in abgd before this perhaps?)
|
notes
|
| 13863. |
09/12/91 |
Flac 24/48 - 0,
122165 |
New York |
Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012
|
notes
|
| 13864. |
09/12/91 |
Flac 16/48 - 0,
139651 |
New York |
Madison Square Garden flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k) - Recorded by Rick Gastwirt from 1st row OTS; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick October 2017
|
notes
|
| 13865. |
09/12/91 |
Flac 24 - 0,
149784 |
New York |
Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13866. |
09/12/91 |
Flac 16 - 0,
149847 |
New York |
Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13867. |
09/12/91 |
Flac 16/48 - 0,
150655 |
New York |
Madison Square Garden flac16/48kHz; Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa; Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48; edited and mastered SIRMick October 2020
|
notes
|
| 13868. |
09/13/91 |
Flac 16 - 0,
110642 |
New York |
Madison Square Garden flac16; This is a matrix of these sources: SBD: shnid=31244 (DSBD > DAT > CD > EAC > FLAC) // DAUD: shnid=97387 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)
|
notes
|
| 13869. |
09/13/91 |
Flac 16 - 0,
31244 |
New York |
Madison Square Garden flac16; DSBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko; No cut in Masterpiece
|
notes
|
| 13870. |
09/13/91 |
Flac 16 - 0,
97387 |
New York |
Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Hand Held, Upfront Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
|
notes
|
| 13871. |
09/13/91 |
Shn - 0,
520 |
New York |
Madison Square Garden via A. Kowalski to offer
|
notes
|
| 13872. |
09/13/91 |
Flac 16 - 0,
34679 |
New York |
Madison Square Garden flac16; DSBD>DAT>CD>WAV>SHN>WAV>FLAC - Seamless fix of shn id 520. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 13873. |
09/13/91 |
Flac 16 - 0,
111224 |
New York |
Madison Square Garden flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich
|
notes
|
| 13874. |
09/13/91 |
Flac 24/48 - 0,
122120 |
New York |
Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012
|
notes
|
| 13875. |
09/13/91 |
Flac 16/48 - 0,
138572 |
New York |
Madison Square Garden flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k); Recorded by Rich Gastwirt from 1st row OTS; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick June 2017
|
notes
|
| 13876. |
09/13/91 |
Flac 16 - 0,
141921 |
New York |
Madison Square Garden flac16; Matrix: 1. SHNID 97387 Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro; 2. SHNID 138572 Source: Audience recording > Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k) and 3. SHNID 31244 Source: Source: DSBD > DAT > CD > EAC > FLAC
|
notes
|
| 13877. |
09/13/91 |
Flac 16/48 - 0,
147304 |
New York |
Madison Square Garden flac16/48kHz; Source: (FOB) B&K 4011 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick August 2019
|
notes
|
| 13878. |
09/13/91 |
Flac 24 - 0,
149790 |
New York |
Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13879. |
09/13/91 |
Flac 16 - 0,
149851 |
New York |
Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13880. |
09/13/91 |
Flac 16/48 - 0,
150956 |
New York |
Madison Square Garden Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and nastered SIRMick November 2020
|
notes
|
| 13881. |
09/14/91 |
Flac 16 - 0,
110643 |
New York |
Madison Square Garden flac16; This is a matrix of these sources: SBD: shnid=77789 (SBD -> Dat -> CD) // DAUD: shnid=97388 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)
|
notes
|
| 13882. |
09/14/91 |
Flac 16 - 0,
32904 |
New York |
Madison Square Garden flac16; SBD -> Dat -> CD All Transfers and Mastering By Charlie Miller
|
notes
|
| 13883. |
09/14/91 |
Flac 16 - 0,
97388 |
New York |
Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
|
notes
|
| 13884. |
09/14/91 |
Shn - 0,
77789 |
New York |
Madison Square Garden SBD -> Dat -> CD; Clean up of SHNid=32904 by Darryl Hinko
|
notes
|
| 13885. |
09/14/91 |
Shn - 0,
522 |
New York |
Madison Square Garden sbd> dat> cd> eac> shn; via A. Kowalski to GDH-Trading loop, not yet etreed
|
notes
|
| 13886. |
09/14/91 |
Flac 16 - 0,
111250 |
New York |
Madison Square Garden flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich
|
notes
|
| 13887. |
09/14/91 |
Flac 24/48 - 0,
122035 |
New York |
Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012
|
notes
|
| 13888. |
09/14/91 |
Flac - 0,
25318 |
New York |
Madison Square Garden NAK CM 300s + CP4->Casio DA7 Location:On The Floor Directly Behind The Soundboard In Front Of The Official Taper Section. Conversion: Sony 60 ES-> Emagic AudiowerkII -> Soundforge (record/resample) -> CDWAV (track) -> FLAC
|
notes
|
| 13889. |
09/14/91 |
Flac 16/48 - 0,
138918 |
New York |
Madison Square Garden flac16/48kHz; source: Schoeps cmc34 (FOB) -> Oade P/S -> Panasonic SV-255 (48k); transfer: (DAT master) Sony D8 -> Oade 7-pin/Coax -> Tascam HD-P2 -> wav -> Sound Studio -> xACT -> flac (16/48); recorded by: Dan O'Neill, FOB/DFC
|
notes
|
| 13890. |
09/14/91 |
Flac 16/48 - 0,
147629 |
New York |
Madison Square Garden flac16/48kHz; Source: (FOB) B&K 4011 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick
|
notes
|
| 13891. |
09/14/91 |
Flac 24 - 0,
149977 |
New York |
Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13892. |
09/14/91 |
Flac 16 - 0,
150163 |
New York |
Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13893. |
09/14/91 |
Flac 16/48 - 0,
151340 |
New York |
Madison Square Garden flac16/48khz Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick January 2021
|
notes
|
| 13894. |
09/16/91 |
Shn - 0,
525 |
New York |
Madison Square Garden sbd> dat> cd> eac> shn; via A. Kowalski to GDH-Trading loop, not yet etreed
|
notes
|
| 13895. |
09/16/91 |
Flac 16 Mtx - 0,
100910 |
New York |
Madison Square Garden flac16; SBD + AUD Matrix Mix (65%-SBD, 35%-AUD) Source Info: SBD (shnID = 525) > DAT > CD > EAC > SHN and FOB AUD (shnID = 97389) Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Recorded By: James Young and Clay Brennecke
|
notes
|
| 13896. |
09/16/91 |
Flac 16 - 0,
98389 |
New York |
Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
|
notes
|
| 13897. |
09/16/91 |
Flac 16 Dts - 0,
100911 |
New York |
Madison Square Garden flac16; DTS-Audio-CD 5.1 Mix of SBD (shnID = 525) > DAT > CD > EAC > SHN and FOB AUD (shnID = 97389) Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Recorded By: James Young and Clay Brennecke
|
notes
|
| 13898. |
09/16/91 |
Flac 24/48 - 0,
121949 |
New York |
Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012
|
notes
|
| 13899. |
09/16/91 |
Flac 16 - 0,
135484 |
New York |
Madison Square Garden flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13900. |
09/16/91 |
Flac 16/48 - 0,
139795 |
New York |
Madison Square Garden flac16/48kHz; Source: Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > dat (48k) - Recorded by Rich Gastwirt from 1st row OTS; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick November 2017
|
notes
|
| 13901. |
09/16/91 |
Flac 16 - 0,
94246 |
New York |
Madison Square Garden flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 13902. |
09/16/91 |
Shn - 0,
4868 |
New York |
Madison Square Garden FOB B&K 4011 (hand-held, sets recorded from different positions) -> Canari cables -> Neumann Phantom Power ->Sony TCD D10 Pro 2 Modified-> DAT @48k; Transfer: Clone from Master played back through Sony PCM-M1 -> 7pin Coax Out -> Zoltrix Nightingale -> Cooledit 2k (48k->44.1k conversion) -> cdwav (track splitting) -> shorten; recorded by Clay Brennecke and James Young
|
notes
|
| 13903. |
09/16/91 |
Flac 16 - 0,
149653 |
New York |
Madison Square Garden flac; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13904. |
09/16/91 |
Flac 24 - 0,
149633 |
New York |
Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13905. |
09/16/91 |
Flac 16/48 - 0,
151778 |
New York |
Madison Square Garden Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick February 2021
|
notes
|
| 13906. |
09/16/91 |
Flac 16/48 - ,
152918 |
New York |
Madison Square Garden flac16/48 Recording: Fob Schoeps Cmc3 Mk4’s (ortf)> Tao Research Ps > Mit Cables > Master Dat (panasonic Sv-255mod) (16 Location: Set I Fob, Section 3, Row U, Seat 14 (on Stand @ 6') Location: Set Ii Fob, Section 3, Row U, Seat 14 (on Stand @ 6'5") Transfer: Dat > Tascam Da-40 > Tascam Da-3000 > Flac 16 48 Master Digital Fob Recording By Dave Brotman & Jeff Metchick Transfer By Charlie Miller Edited & Mastered Using Adobe Audition By Joe Noel July 02, 2020
|
notes
|
| 13907. |
09/16/91 |
Flac 16/44 - ,
153419 |
New York |
Madison Square Garden flac16/44 A Photoleon Matrix: (fob) Schoeps Cmc3 Mk4’s (ortf)> Tao Research Ps > Mit Cables > Master Dat + (ots) Schoeps Cmc4 Mk4> Master Dat + Sbd> Master Cassette. Fob Recording By Dave Brotman & Jeff Metchick. Ots Recording By Rich Gastwirt. Sbd Recording By Don Pearson & Dan Healy Matrix Created By Joe Noel. July 28, 2021
|
notes
|
| 13908. |
09/17/91 |
Flac 16 Mtx - 0,
110644 |
New York |
Madison Square Garden flac16; This is a matrix of these sources: SBD: shnid=12847 (SBD: DAT> CD> EAC> SHN) // DAUD: shnid=97390 (B&K 4011 110∫ ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)
|
notes
|
| 13909. |
09/17/91 |
Shn - 0,
12847 |
New York |
Madison Square Garden SBD: DAT> CD> EAC> SHN
|
notes
|
| 13910. |
09/17/91 |
Flac 16 - 0,
113422 |
New York |
Madison Square Garden flac16: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell Metal Capsule 100's Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With AudioGate Software To 16/44 SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 13911. |
09/17/91 |
Flac 24/96 - 0,
113421 |
New York |
Madison Square Garden flac24: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell Metal Capsule 100's Tapes From Floater,Transfer By Keo Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz No Dithering With These Files
|
notes
|
| 13912. |
09/17/91 |
Flac 24/48 - 0,
121837 |
New York |
Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012
|
notes
|
| 13913. |
09/17/91 |
Flac 16 - 0,
97390 |
New York |
Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
|
notes
|
| 13914. |
09/17/91 |
Flac 16 - 0,
94213 |
New York |
Madison Square Garden flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 13915. |
09/17/91 |
- 0,
150054 |
New York |
Madison Square Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13916. |
09/17/91 |
Flac 16 - 0,
150293 |
New York |
Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13917. |
09/17/91 |
Flac 16/48 - 0,
151779 |
New York |
Madison Square Garden Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick February 2021
|
notes
|
| 13918. |
09/18/91 |
Flac 16 Mtx - 0,
110645 |
New York |
Madison Square Garden flac16; This is a matrix of these sources: SBD: shnid=2788 (DSBD -> DAT -> CD -> EAC -> SHN) // DAUD: shnid=97391 (B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro)
|
notes
|
| 13919. |
09/18/91 |
Shn - 0,
2788 |
New York |
Madison Square Garden DSBD -> DAT -> CD -> EAC -> SHN; via Adam Jerugim
|
notes
|
| 13920. |
09/18/91 |
Shn - 0,
527 |
New York |
Madison Square Garden dsbd> dat(s)> cd; via A. Kowalski to offer; 1/01 to etree
|
notes
|
| 13921. |
09/18/91 |
Flac 24/48 - 0,
121805 |
New York |
Madison Square Garden flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MX90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 09/2012
|
notes
|
| 13922. |
09/18/91 |
Flac 16 - 0,
97391 |
New York |
Madison Square Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by Dazed64. Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
|
notes
|
| 13923. |
09/18/91 |
Flac 16 - 0,
94309 |
New York |
Madison Square Garden flac16; Sennheiser ME-80's>Technics SV-MD1>Sony TCD-D3 DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 13924. |
09/18/91 |
Flac 16 - 0,
150680 |
New York |
Madison Square Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13925. |
09/18/91 |
Flac 16/48 - 0,
152268 |
New York |
Madison Square Garden flac16/48 Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick April 2021
|
notes
|
| 13926. |
09/20/91 |
Flac 16 Mtx - 0,
111352 |
Boston |
Boston Garden flac16; Matrix 50% sbd/50% aud; Sources: SBD > DAT > CDR > WAV > SHNv3 (shnid 5700) thanks to Andy 'Bear' G. for the seeds. DAE (eac) > tracking (cdwave) > bourndary checking (shntool) > SHNv3 (mkwact) > FTP via Chris L. and aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S 90 (shnid 94608) taped by John Bleich from section U, row k, seat 7 transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > iZotope RX Advanced wav (16/44.1) > CD Wave > TLH > flac 16; editing and matrix by SIRMick
|
notes
|
| 13927. |
09/20/91 |
Shn - 0,
34799 |
Boston |
Boston Garden SBD > DAT > CDR > WAV > SHN - Seamless fix of shn id 5700
|
notes
|
| 13928. |
09/20/91 |
Flac 16 - 0,
101438 |
Boston |
Boston Garden flac16; Lineage: Set 2 Master DAT, Set 1 Clone of Master DAT Recording Equipment: Set 1 - Schoeps CMC34 (ORTF) > Oade Supply > Panasonic sv255 Set 2 - B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: Set 1 FOB - Set 2 FOB Section BB Row 24 Seat 3 Recorded By: Set 1 by Dan Oneil and Set 2 by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither
|
notes
|
| 13929. |
09/20/91 |
Shn - 0,
21647 |
Boston |
Boston Garden Unknown SBD source. Hosted by tol.etree.org; seeded via bittorrent by Tony G.
|
notes
|
| 13930. |
09/20/91 |
Shn - 0,
5700 |
Boston |
Boston Garden SBD > DAT > CDR > WAV > SHNv3; via Chris L. from Andy 'Bear' G. seed
|
notes
|
| 13931. |
09/20/91 |
Flac 16 - 0,
94608 |
Boston |
Boston Garden flac16; Source: aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S 90 taped by John Bleich from section U, row k, seat 7 transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > flac mastered with iZotope Ozone and iZotope RX Advanced transferred, edited and mastered SIRMick
|
notes
|
| 13932. |
09/20/91 |
Flac 16 - 0,
124202 |
Boston |
Boston Garden flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13933. |
09/20/91 |
Flac 16 Mtx - 0,
133731 |
Boston |
Boston Garden flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:034799) SBD > DAT > CDR > WAV > SHNv3 and Audience (shnid:101438) Set 1 - Schoeps CMC34 (ORTF) > Oade Supply > Panasonic sv255; Set 2 - B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro 16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0
|
notes
|
| 13934. |
09/20/91 |
Flac 16/48 - 0,
138147 |
Boston |
Boston Garden flac16/48kHz; DSBD Masters; DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017
|
notes
|
| 13935. |
09/20/91 |
Flac 16/48 - 0,
139815 |
Boston |
Boston Garden flac16/48kHz; source: daud; taped by Dan Liff R.I.P; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded - Rob Berger
|
notes
|
| 13936. |
09/20/91 |
Shn - 0,
18596 |
Boston |
Boston Garden Recorded with nakamichi 300 plus cp4 (shotguns) from the taping section by Mark Horvath
|
notes
|
| 13937. |
09/20/91 |
Flac 16 Mtx - 0,
111333 |
Boston |
Boston Garden flac16; matrix 50% sbd/50% aud; Sources: SBD > DAT > CDR > WAV > SHNv3 (shnid 5700) thanks to Andy 'Bear' G. for the seeds. DAE (eac) > tracking (cdwave) > bourndary checking (shntool) > SHNv3 (mkwact) > FTP via Chris L. and aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell XL II-S 90 (shnid 94608) taped by John Bleich from section U, row k, seat 7 transfer: mac > Nakamichi BX-125E > EMU 0202 > Wavelab > wav (24/96) > iZotope RX Advanced wav (16/44.1) > CD Wave > TLH > flac 16; Upgrade in circulation
|
notes
|
| 13938. |
09/20/91 |
Flac 24/96 - 0,
124201 |
Boston |
Boston Garden flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 13939. |
09/20/91 |
Flac 16/48 - 0,
148910 |
Boston |
Boston Garden flac16/48kHz; Source: Neuman KMi86 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > iZotope Ozone 5 Advanced > CD Wave > flac 1648; edited and mastered SIRMick February 2020
|
notes
|
| 13940. |
09/20/91 |
Flac 24 - 0,
149505 |
Boston |
Boston Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13941. |
09/20/91 |
Flac 16 - 0,
149655 |
Boston |
Boston Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13942. |
09/20/91 |
Flac 16/48 - 0,
151922 |
Boston |
Boston Garden flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB/DFC; Sec BB Row 19 Seat 15; Set 1 (handheld), Set 2 (stand) Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited and Mastered (Adobe Audition) by Joe Noel. January 24, 2021 Notes: Set I fresh transfer and mastering of shnid 101438 Set II new to circulation
|
notes
|
| 13943. |
09/20/91 |
Flac 16/44 - 0,
152512 |
Boston |
Boston Garden
|
notes
|
| 13944. |
09/20/91 |
Flac 16 Mtx - ,
153420 |
Boston |
Boston Garden flac16/44 A Photoleon Matrix: Source: (fob) Schoeps Cmc34> Master Dat + Sbd > Cassette Master. Fob Recording By Dan O'neill. Sbd Recording By Don Pearson & Dan Healy. Matrix Created By Joe Noel September 15, 2021
|
notes
|
| 13945. |
09/20/91 |
Flac 16/48 - ,
154501 |
Boston |
Boston Garden flac16/48 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick November 2021
|
notes
|
| 13946. |
09/21/91 |
Shn - 0,
529 |
Boston |
Boston Garden sbd> DAT> CD-R> EAC> SHN (no cass in gen); seed via A. McCall, via A. Eaglestone to BUDD et al offer; 11/00 at gdlive.com
|
notes
|
| 13947. |
09/21/91 |
Flac 16 - 0,
101439 |
Boston |
Boston Garden flac16; Lineage: Set 1 Clone of Master DAT, Set 2 Master DAT Set 1 Clone of Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither
|
notes
|
| 13948. |
09/21/91 |
Flac 16 - 0,
124450 |
Boston |
Boston Garden flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flcked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 13949. |
09/21/91 |
Flac 16 Mtx - 0,
134353 |
Boston |
Boston Garden flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:000529) SBD->DAT->CDR->EAC->SHN and Audience(shnid:101439)Set 2 Master DAT, Set 1 Clone of Master DAT,B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro,16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0
|
notes
|
| 13950. |
09/21/91 |
Flac 24/96 - 0,
124449 |
Boston |
Boston Garden flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 13951. |
09/21/91 |
Flac 16 - 0,
94674 |
Boston |
Boston Garden flac16; source: aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell SII-S taped by John Bleich from section V, row K, seat 3 transfer: mac > Nakamichi BX-125E > EMU 020 > Wavelab > wav (24/96) > flac
|
notes
|
| 13952. |
09/21/91 |
Flac 16 - 0,
138148 |
Boston |
Boston Garden flac16; DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017
|
notes
|
| 13953. |
09/21/91 |
Flac 16/48 - 0,
139816 |
Boston |
Boston Garden flac16/48kHz; source: daud; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded - Rob Berger
|
notes
|
| 13954. |
09/21/91 |
Flac 16 - 0,
106585 |
Boston |
Boston Garden flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Floor Section BB, Row 31, Seat 14 by Bob & Sam Morris
|
notes
|
| 13955. |
09/21/91 |
Flac 16 - 0,
85221 |
Boston |
Boston Garden flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa Dat tape. Mics on 7-foot stand, pointed at stacks, third row of taping area. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F.
|
notes
|
| 13956. |
09/21/91 |
Flac 16/48 - 0,
85222 |
Boston |
Boston Garden flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa Dat tape. Mics on 7-foot stand, pointed at stacks, third row of taping area. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped & transferred (5/2007) by Andrew F.
|
notes
|
| 13957. |
09/21/91 |
Flac 16/48 - 0,
149852 |
Boston |
Boston Garden flac16/48kHz; Source: Neuman TLM170 > Oade p/s > Panasonic SV255 > DAT (48K) - From the collection of Tim Dalton; Transfer: DAT > Sony PCM-R500 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > CD Wave > flac 1648
|
notes
|
| 13958. |
09/21/91 |
Flac 24 - 0,
149996 |
Boston |
Boston Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 13959. |
09/21/91 |
Flac 16 - 0,
150164 |
Boston |
Boston Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13960. |
09/21/91 |
Flac 16/48 - 0,
151923 |
Boston |
Boston Garden flac16/48 Source: Schoeps CMC34 (ORTF) > M1000 cables > Tao Research - Oade supply > Panasonic SV255 (48k) Location: FOB-DFC; Sec BB Row 19 Seat 15; Set 1 (handheld), Set 2 (stand) Transfer: Master DAT > Tascam DA-20mk2 > RCA coax > Tascam DA-3000 > WAV 16-48 Recording by Dan O'Neill. Transfer by JC Mahoney. Edited & Mastered (Adobe Audition) by Joe Noel. January 25, 2021.
|
notes
|
| 13961. |
09/21/91 |
Flac 16/48 - ,
154722 |
Boston |
Boston Garden flac16/48 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick December 2021
|
notes
|
| 13962. |
09/22/91 |
Shn - 0,
17180 |
Boston |
Boston Garden DSBD>DAT>CD-R>EAC>WAV>ADDAWAV>CDRWAV>SHN (via MKWACT) via J. Fishman
|
notes
|
| 13963. |
09/22/91 |
Flac 16 - 0,
83156 |
Boston |
Boston Garden flac 16; Source: Soundboard -> DAT @ 48kHz. Transfer: Sony PCM-R500 -> Nuendo Multiset -> WaveLab 4.0g Resampled with WaveLab 4.0g, tracked with CDWav 1.91 and converted to FLAC.
|
notes
|
| 13964. |
09/22/91 |
Flac 16 - 0,
101440 |
Boston |
Boston Garden flac16; Set 1 Only - Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither
|
notes
|
| 13965. |
09/22/91 |
Flac 16 - 0,
34686 |
Boston |
Boston Garden flac16; SBD > GD MASTER DIGITAL MULTI-TRACK > MARIN COUNTY DIGITAL MIXDOWN TO DAT > SSSB - Seamless fix of shn id 7692
|
notes
|
| 13966. |
09/22/91 |
Shn - 0,
530 |
Boston |
Boston Garden DSBD> DAT> ZA2> CD-R; 6/99 first seed, some skips in d1 from ZA2 probs; 1/3 retransfer- still a skip? (see pub comment); via Frank Spinale (and to abgd 1/9)
|
notes
|
| 13967. |
09/22/91 |
Shn - 0,
7692 |
Boston |
Boston Garden updated lineage SBD > ? [reputed GD master multitrack- see pub comment] > DAT > SSSB; via Jay Serafin; GDLive
|
notes
|
| 13968. |
09/22/91 |
Flac 16 Mtx - 0,
134354 |
Boston |
Boston Garden flac16; 3 Source Matrix byDusborne;Soundboard (shnid:83156)Soundboard -> DAT @ 48kHz,Audience set 1(shnid:101440)B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro,16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0, Audience Set 2 (shnid:124594)AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's,Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz
|
notes
|
| 13969. |
09/22/91 |
Flac 24/96 - 0,
124593 |
Boston |
Boston Garden flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 13970. |
09/22/91 |
Flac 16 - 0,
138149 |
Boston |
Boston Garden flac16; DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017
|
notes
|
| 13971. |
09/22/91 |
Flac 16/48 - 0,
139817 |
Boston |
Boston Garden flac16/48kHz; source: daud; taped by Dan Liff r.i.p; neumann rsm 190i > sony tcd-d10 pro; transferred & seeded - Rob Berger
|
notes
|
| 13972. |
09/22/91 |
Flac 16/48 - 0,
85224 |
Boston |
Boston Garden flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa Dat tape. Mics on 7-foot stand, pointed at stacks, third row of taping area. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped & transferred (5/2007) by Andrew F.
|
notes
|
| 13973. |
09/22/91 |
Flac 16 - 0,
85223 |
Boston |
Boston Garden flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa Dat tape. Mics on 7-foot stand, pointed at stacks, third row of taping area. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F.
|
notes
|
| 13974. |
09/22/91 |
Flac 24 - 0,
150637 |
Boston |
Boston Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 13975. |
09/22/91 |
Flac 16 - 0,
150681 |
Boston |
Boston Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13976. |
09/22/91 |
Flac 16/48 - ,
155571 |
Boston |
Boston Garden flac16/48Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick 02/03/2022
|
notes
|
| 13977. |
09/24/91 |
Flac - 0,
25939 |
Boston |
Boston Garden SBD> Dat x 3; Transfer: Dat (Tascam DA20)> CD (Tascam CDRW700)> EAC> Samplitude v7.02 Professional> SHN; All Transfers and Editing by Charlie Miller; reported upgrade to previous circulating copies
|
notes
|
| 13978. |
09/24/91 |
Flac 16 - 0,
101441 |
Boston |
Boston Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 24 Seat 10 Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither
|
notes
|
| 13979. |
09/24/91 |
Shn - 0,
7693 |
Boston |
Boston Garden updated lineage: SBD > ? [reputed GD master multitrack- see pub comment] > DAT > SSSB; via Jay Serafin; GDLive
|
notes
|
| 13980. |
09/24/91 |
Flac 24/96 - 0,
97595 |
Boston |
Boston Garden flac24; Set 2 Recording Info: SBD -> Dat x (presumably? - best guess for the era) -> Analog Master -> First Generation Cassette Transfer Info: First Generation Cassette -> Sony TC WE475 Cassette Deck -> Rotel 680BX preamplifier -> M-Audio Audiophile 192 at 96,000 Hz 24bit -> Soundforge 8 -> .flac level 6 via Traders Little Helper
|
notes
|
| 13981. |
09/24/91 |
Shn - 0,
2374 |
Boston |
Boston Garden SBD > MC > DAT > CDR; vtree round 2 (8/00), to etree 11/00
|
notes
|
| 13982. |
09/24/91 |
Shn - 0,
33813 |
Boston |
Boston Garden Refix of Jay Serafin seed using "orthodox" methods SBD> ? > DAT > SSB
|
notes
|
| 13983. |
09/24/91 |
Flac 16 - 0,
116037 |
Boston |
Boston Garden flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell MX 90,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 13984. |
09/24/91 |
Flac 16 - 0,
35363 |
Boston |
Boston Garden flac16; SBD -> Dat x 3 -> CD (Tascam CDRW700) -> EAC -> Samplitude v7.02 Professional -> SHN (-> WAV -> FLAC) - Seamless fix of shn id 25939. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 13985. |
09/24/91 |
Flac 16 Mtx - 0,
134355 |
Boston |
Boston Garden flac16; 2 Source Matrix byDusborne; Soundboard (shnid:025939,SBD -> Dat x 3,Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> Samplitude v7.02 Professional -> SHN, Audience (shnid:101441),Master DAT,B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro,Transfer:16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0
|
notes
|
| 13986. |
09/24/91 |
Flac 24/96 - 0,
116036 |
Boston |
Boston Garden flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Maxell MX 90,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 13987. |
09/24/91 |
Flac 16 - 0,
138150 |
Boston |
Boston Garden flac16; DSBD Masters; DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017
|
notes
|
| 13988. |
09/24/91 |
Flac 16/48 - 0,
139829 |
Boston |
Boston Garden flac16/48kHz; source: daud; neumann rsm 190iS > sony tcd-d10 pro; taped by Dan Liff r.i.p; transferred & seeded - Rob Berger
|
notes
|
| 13989. |
09/24/91 |
Flac 16 - 0,
84982 |
Boston |
Boston Garden flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F
|
notes
|
| 13990. |
09/24/91 |
Flac 16/48 - 0,
84983 |
Boston |
Boston Garden flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 13991. |
09/24/91 |
Flac 16 - 0,
148445 |
Boston |
Boston Garden flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Master>2 Maxell XL-II-S Tapes (1 90 Minite For 1st Set, 1 100 Minute Tape For 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (34/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section, Section U, Row E, Seat 10
|
notes
|
| 13992. |
09/24/91 |
Flac 16/48 - 0,
150196 |
Boston |
Boston Garden flac16/48kHz; Source: (FOB) Schoeps cmc4/mk4 (ortf) > Oade modified Panasonic SV-255 > dat master (48k) - Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfered by Charlie Miller; Lineage: wav 16/48 > iZotope RX7 Advanced > CD Wave > Flac 16/48; edited and mastered SIRMick Junwe 2020
|
notes
|
| 13993. |
09/24/91 |
Flac 24 - 0,
150638 |
Boston |
Boston Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 13994. |
09/24/91 |
Flac 16 - 0,
150682 |
Boston |
Boston Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition 2020 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 13995. |
09/24/91 |
Flac 16 Mtx - ,
153241 |
Boston |
Boston Garden flac16/44 A Photoleon Matrix: Source; (fob) B&k 4011> Dat Master + (eof) Schoeps Cmc3 Mk4> Dat Master + Sbd> Cassette Master. Fob Recording By James Young & Clay Brennecke. Eof Recording By Andrew F. Sbd Recording By Don Pearson & Dan Healy. Matrix Created By Joe Noel August 17, 2021
|
notes
|
| 13996. |
09/24/91 |
Flac 16/48 - ,
155581 |
Boston |
Boston Garden flac16/48 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick February 2022
|
notes
|
| 13997. |
09/25/91 |
Flac 16 - 0,
101442 |
Boston |
Boston Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither
|
notes
|
| 13998. |
09/25/91 |
Flac 16 - 0,
138151 |
Boston |
Boston Garden flac16; DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 20
|
notes
|
| 13999. |
09/25/91 |
Flac 16/48 - 0,
139839 |
Boston |
Boston Garden flac16/48kHz; source: daud; neumann rsm 190iS > sony tcd-d10 pro; taped by Dan Liff r.i.p; transferred & seeded - Rob Berger
|
notes
|
| 14000. |
09/25/91 |
Shn - 0,
16667 |
Boston |
Boston Garden Nakamichi CM300 + CP4REAR > d-5>cm >cdr Taped and discs kindly provided by Mark Horvath Eac > cool edit pro > shntool > cdwav > shnv3 By Ernie Dodd
|
notes
|
| 14001. |
09/25/91 |
Flac 16/48 - 0,
84858 |
Boston |
Boston Garden flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 14002. |
09/25/91 |
Flac 16 - 0,
84857 |
Boston |
Boston Garden flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F.
|
notes
|
| 14003. |
09/25/91 |
Flac 16/48 - 0,
148726 |
Boston |
Boston Garden flac16/48kHz; Source: Set I Neumann TLM 170 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT; Set II Neumann KMi86 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT; Transfer: Master DAT > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Master Digital Audience recording by Tim Dalton; Transfer by Charlie Miller; Edited & Mastered w/ Adobe Audition by Joe Noel
|
notes
|
| 14004. |
09/25/91 |
Flac 16 - 0,
149681 |
Boston |
Boston Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 14005. |
09/25/91 |
Flac 24 - 0,
149672 |
Boston |
Boston Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14006. |
09/25/91 |
Flac 16 - 0,
148533 |
Boston |
Boston Garden flac16; Source: DAK Shotgun Mics>Sony WM-D6C Cassette Master>1 Maxell XL-II-S Tapes (1 90 Minute For 1st Set, 1 TDK SA-X 100 Minute Tape For 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (34/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section, Section M, Row K, Seat 10
|
notes
|
| 14007. |
09/25/91 |
Flac 16/48 - ,
156464 |
Boston |
Boston Garden flac1648 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick April 2022
|
notes
|
| 14008. |
09/26/91 |
Flac 16 Mtx - 0,
95247 |
Boston |
Boston Garden flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 14009. |
09/26/91 |
Flac 16 - 0,
95534 |
Boston |
Boston Garden flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v7.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14010. |
09/26/91 |
Flac16 Mtx - 0,
101543 |
Boston |
Boston Garden flac16; Matrix of Soundboard (shnid 95534) and Front of Board Audience (shnid 101443) -> Matrix by Amdig
|
notes
|
| 14011. |
09/26/91 |
Flac 16 - 0,
101443 |
Boston |
Boston Garden flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 18 Seat 15 Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither
|
notes
|
| 14012. |
09/26/91 |
Shn - 0,
1575 |
Boston |
Boston Garden SBD> MC> DAT> CDA; high pitched buzz (9200hz- 10200hz) throughout the show removed with a 30% notch filter; via Jay Ashley; etreed; presumably identical source to abgd copy, but md5s differ
|
notes
|
| 14013. |
09/26/91 |
Shn - 0,
21242 |
Boston |
Boston Garden SBD(1)>DAT>CD>EAC>CDWAVE>MKWACT>SHN This may be a digital soundboard. There is no wow and flutter in Eyes of the World as existed in older versions of the 9/26/91 SBD. Thanks to an old friend Dougal Donaldson for providing me with the source DATS some years back. Listener reports probably one cassette generation. Transfers and conversions all done by JR Fishman
|
notes
|
| 14014. |
09/26/91 |
Flac 16 - 0,
124759 |
Boston |
Boston Garden flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14015. |
09/26/91 |
Flac 16 - 0,
121750 |
Boston |
Boston Garden flac16; Master Audience Recorded By JB, Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony TC-D5M; Tapes:Set 1 Maxell MX 100, set 2 3M Black Watch 4040 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14016. |
09/26/91 |
Flac 16 - 0,
34852 |
Boston |
Boston Garden flac16; Set 2 only - DAUD FOB B&K 4011 B&Ks on mic stand from Sec. BB Row 18 Seat 15 recorded by Clay Brennecke > Modified Sony D10 Pro > DAT (1) > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5* 44kHz > flac (8)
|
notes
|
| 14017. |
09/26/91 |
Flac 16 - 0,
76050 |
Boston |
Boston Garden flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA100) Transfer Info: Cassette Master (Sony TC-WE475) -> Apogee MiniMe -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 14018. |
09/26/91 |
Flac Dts 5.1 - 0,
102067 |
Boston |
Boston Garden DTS Audio 5.1; Mix of SBD (shnID = 95534) SBD > DAT > CD > EAC > SHN; Via A. Kowalski and AUD (shnID = 101443) FOB Digital Audience Recording
|
notes
|
| 14019. |
09/26/91 |
Flac 24/96 - 0,
121758 |
Boston |
Boston Garden flac24; Master Audience Recorded By JB, Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony TC-D5M; Tapes:Set 1 Maxell MX 100, set 2 3M Black Watch 4040 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 14020. |
09/26/91 |
Flac 16/48 - 0,
34851 |
Boston |
Boston Garden flac16/48; Set 2 only - DAUD FOB B&K 4011 B&Ks on mic stand from Sec. BB Row 18 Seat 15 recorded by Clay Brennecke > Modified Sony D10 Pro > DAT (1) > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav > Adobe Audition 1.5* 48kHz > flac (8)
|
notes
|
| 14021. |
09/26/91 |
Flac 16 - 0,
138152 |
Boston |
Boston Garden flac16; DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017
|
notes
|
| 14022. |
09/26/91 |
Flac 16/48 - 0,
139874 |
Boston |
Boston Garden flac16/48kHz; source: daud; neumann rsm 190iS > sony tcd-d10 pro; taped by Dan Liff r.i.p; transferred & seeded - Rob Berger
|
notes
|
| 14023. |
09/26/91 |
Flac 16 - 0,
94247 |
Boston |
Boston Garden flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 14024. |
09/26/91 |
Flac 16 - 0,
84852 |
Boston |
Boston Garden flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F.
|
notes
|
| 14025. |
09/26/91 |
Flac 16/48 - 0,
84853 |
Boston |
Boston Garden flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 Dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand secured to hockey-wall at end of floor, behind lighting board, in the center. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 14026. |
09/26/91 |
Flac 24/96 - 0,
124758 |
Boston |
Boston Garden flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 14027. |
09/26/91 |
Flac 16/48 - 0,
148727 |
Boston |
Boston Garden flac16/48kHz; Source: Set I Neumann TLM 170 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT; Set II Neumann KMi86 > Oade Custom Pre Amp > Panasonic SV-255 > Master DAT; Transfer: Master DAT > Sony PCM r500 > Tascam DA-3000 > wav 16/48; Master Digital Audience recording by Tim Dalton; Transfer by Charlie Miller; Edited & Mastered w/ Adobe Audition by Joe Noel
|
notes
|
| 14028. |
09/26/91 |
Flac 24 - 0,
149553 |
Boston |
Boston Garden flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
|
notes
|
| 14029. |
09/26/91 |
Flac 16 - 0,
149662 |
Boston |
Boston Garden flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 14030. |
09/26/91 |
Flac 16 - 0,
148585 |
Boston |
Boston Garden flac16; Source:DAK Shotgun Mics>Sony WM-D6C Cassette Master>1 Maxell XL-II-S Tapes (1 90 Minute For 1st Set,1TDK SA-X 100 Minute Tape For 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (34/44.1 KHZ)>Cd Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section, Section U, Row E,Seat 7
|
notes
|
| 14031. |
09/26/91 |
Flac 16 Mtx - ,
153422 |
Boston |
Boston Garden flac16/44 A Photoleon Matrix: Source: (fob) B&k 4011> Master Dat + (ots) Neumann Tlm 170> Master Dat + Sbd (dat). Fob Recording By James Young & Clay Brennecke. Ots Recording By Tim Dalton. Sbd Shared By Po & Stucco Tina Holmes. Matrix Created By Joe Noel August 12, 2021
|
notes
|
| 14032. |
09/26/91 |
Flac 16/48 - ,
156465 |
Boston |
Boston Garden flac1648 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 EDited and mastered SIRMick April 2022
|
notes
|
| 14033. |
09/26/91 |
Flac 16/48 - ,
156465 |
Boston |
Boston Garden flac1648 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 EDited and mastered SIRMick April 2022
|
notes
|
| 14034. |
10/27/91 |
Flac 16 - 0,
81199 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: SBD > DAT(48KHz) > DAT playback on Sony PCM-R500 > XLR analog outputs > Mogami Gold cables > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV withWavelab 5 > mastered with Waves L3 Multimaximizer (threshold of -2.9 dB, ceiling -0.1 dB)> rendered to 16 bit /44.1 KHz WAV using UV22-HR dithering (normal/no autoblack) > tracked with CDWAV 1.9 > FLAC
|
notes
|
| 14035. |
10/27/91 |
Flac 16 - 0,
120120 |
Oakland |
Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14036. |
10/27/91 |
Flac 16 - 0,
102206 |
Oakland |
Oakland-Alameda County Coliseum flac16; Lineage: Clone of Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by James Young and Marcus Buick Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging
|
notes
|
| 14037. |
10/27/91 |
Shn - 0,
537 |
Oakland |
Oakland-Alameda County Coliseum SBD> DAT> ZA2> Soundforge 4> CD Architect> CDR> EAC> shn; via Eric, Jeff
|
notes
|
| 14038. |
10/27/91 |
Flac 24/48 - 0,
120119 |
Oakland |
Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 14039. |
10/27/91 |
Flac 16/48 - 0,
137738 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Recording Info: SBD > Dat Master (48k); Transfer Info: Dat Master (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14040. |
10/27/91 |
Flac 24 - 0,
139272 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14041. |
10/27/91 |
Flac 16 - 0,
139300 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139272 24 bit -> 16 bit
|
notes
|
| 14042. |
10/27/91 |
Flac 16 - 0,
117198 |
Oakland |
Oakland-Alameda County Coliseum flac16; source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 14043. |
10/28/91 |
Shn - 0,
12789 |
Oakland |
Oakland-Alameda County Coliseum SBD> DAT (n clones)> PCM> DAT; Conversion: Tascam DA-20 MK II > Delta Dio 2496 > Soundforge XP 4.5 > CDWave > SHN by Rob (Odeo) Harrison; tracked for 2x80
|
notes
|
| 14044. |
10/28/91 |
Flac - 0,
120100 |
Oakland |
Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Traders Little Helper; Metadata Tagging With Tag&Renam
|
notes
|
| 14045. |
10/28/91 |
Flac 24 - 0,
120099 |
Oakland |
Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 14046. |
10/28/91 |
Flac - 0,
102207 |
Oakland |
Oakland-Alameda County Coliseum flac16; Lineage: Clone of Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by James Young and Marcus Buick Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging
|
notes
|
| 14047. |
10/28/91 |
Flac 24 - 0,
139274 |
Oakland |
Oakland-Alameda County Coliseum b>flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14048. |
10/28/91 |
Flac - 0,
139303 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139274 24 bit -> 16 bit
|
notes
|
| 14049. |
10/28/91 |
Flac 16 - 0,
|
Oakland |
Oakland-Alameda County Coliseum
|
notes
|
| 14050. |
10/30/91 |
Shn - 0,
25262 |
Oakland |
Oakland-Alameda County Coliseum DSBD > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
|
notes
|
| 14051. |
10/30/91 |
Flac 16 - 0,
120061 |
Oakland |
Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14052. |
10/30/91 |
Flac 16 - 0,
102209 |
Oakland |
Oakland-Alameda County Coliseum flac16; Lineage: Clone of Master DAT Recording Equipment: Schoeps CMC34 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by James Young and Marcus Buick Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging
|
notes
|
| 14053. |
10/30/91 |
Flac 24/48 - 0,
120060 |
Oakland |
Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 14054. |
10/30/91 |
Flac 24 - 0,
139275 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14055. |
10/30/91 |
Flac 16 - 0,
139304 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139275 24 bit -> 16 bit
|
notes
|
| 14056. |
10/30/91 |
Shn - 0,
9762 |
Oakland |
Oakland-Alameda County Coliseum Senn 421's>DAT>CDR; via Paul; Seeded to etree by eD(efojr)
|
notes
|
| 14057. |
10/31/91 |
Flac16 Mtx - 0,
102252 |
Oakland |
Oakland-Alameda County Coliseum flac16; SBD+AUD Matrix Mix (60% SBD & 40% AUD); Multitrack Mixdown: SBD -3db, Aud -8db; Matrix by Amdig
|
notes
|
| 14058. |
10/31/91 |
Shn - 0,
540 |
Oakland |
Oakland-Alameda County Coliseum SBD; set 1 and set II seeded separately, but merged together here; seeded by Ghost and Andrew Elborgen; Update 11/18/08 I found discs of these so I added the md5s I have with mine. Darryl Hinko
|
notes
|
| 14059. |
10/31/91 |
Flac 16 - 0,
32241 |
Oakland |
Oakland-Alameda County Coliseum flac16; DSBD > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
|
notes
|
| 14060. |
10/31/91 |
Flac 16 - 0,
120041 |
Oakland |
Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename; The original source for this seed has an encoding error on track 20
|
notes
|
| 14061. |
10/31/91 |
Flac 24/48 - 0,
120040 |
Oakland |
Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 14062. |
10/31/91 |
Flac 16 - 0,
102211 |
Oakland |
Oakland-Alameda County Coliseum flac16; Lineage: Clone of Master DAT Recording Equipment: Schoeps CMC34 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Todd Evans - Tag & Rename for FLAC Meta-Data Tagging
|
notes
|
| 14063. |
10/31/91 |
Flac - 0,
30699 |
Oakland |
Oakland-Alameda County Coliseum Matrix by RJ Hythloday of sbd > (?) > shn(id=2897)& FOB recorded by Marcus Buick Transferred By Charlie Miller
|
notes
|
| 14064. |
10/31/91 |
Shn - 0,
2897 |
Oakland |
Oakland-Alameda County Coliseum sbd> ?> shn; via Tony Gardner
|
notes
|
| 14065. |
10/31/91 |
Flac 24 - 0,
102251 |
Oakland |
Oakland-Alameda County Coliseum flac24; SBD+AUD Matrix Mix (60% SBD & 40% AUD) Multitrack Mixdown: SBD -3db, Aud -8db; Matrix by Amdig
|
notes
|
| 14066. |
10/31/91 |
Flac Dts 5.1 - 0,
103307 |
Oakland |
Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; Source Info: SBD (shnID = 32241) DSBD > DAT > CD > EAC > FLAC and AUD (shnID = 101443) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2 > Modified Sony TCD D-10 Pro Recording Location: FOB Section BB Row 18 Seat 15 Recorded by James Young and Clay Brennecke
|
notes
|
| 14067. |
10/31/91 |
Flac 24 - 0,
139276 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14068. |
10/31/91 |
Flac 16 - 0,
139305 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller. This is 139276 24 bit -> 16 bit
|
notes
|
| 14069. |
10/31/91 |
Shn - 0,
28612 |
Oakland |
Oakland-Alameda County Coliseum Recording Info: (FOB) Schoeps CMC3/MK4 -> 'Tao Research" Oade -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Marcus Buick (mics in a giant costume hat) Transferred By Charlie Miller
|
notes
|
| 14070. |
11/03/91 |
Flac 16 - 0,
107797 |
San Francisco |
Polo Field, Golden Gate Park flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14071. |
11/03/91 |
Flac 24/48 - 0,
117752 |
San Francisco |
Polo Field, Golden Gate Park flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 14072. |
11/03/91 |
Flac 16 - 0,
34912 |
San Francisco |
Polo Field, Golden Gate Park flac16; Source: FM > VHS HiFi (Maxell XL120) Transfer: Panasonic AG-5210 > Soundforge 8 - 44.1KHz/24bit > highpass triangular dither-> 16bit > CD Wave > FLAC16
|
notes
|
| 14073. |
11/03/91 |
Shn - 0,
19292 |
San Francisco |
Polo Field, Golden Gate Park Source: Liberated Bootleg CD>EAC>SHN
|
notes
|
| 14074. |
11/03/91 |
Flac 24/48 - 0,
117752 |
San Francisco |
Polo Field, Golden Gate Park flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 14075. |
11/03/91 |
Flac 24/96 - 0,
150808 |
San Francisco |
Polo Field, Golden Gate Park flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 14076. |
11/03/91 |
Flac 16/48 - 0,
150807 |
San Francisco |
Polo Field, Golden Gate Park flac16/48kHz; Recording Info: UltraMatrix SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller
|
notes
|
| 14077. |
11/03/91 |
Flac 16 - ,
153785 |
San Francisco |
Polo Field, Golden Gate Park flac16; Pitch Corrected Audience - (original shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - pitch correction by Kevin Tobin
|
notes
|
| 14078. |
11/03/91 |
Flac 24/48 - ,
153784 |
San Francisco |
Polo Field, Golden Gate Park flac24; Pitch Corrected Audience - (original shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - pitch correction by Kevin Tobin
|
notes
|
| 14079. |
11/03/91 |
Flac 16/48 - ,
153783 |
San Francisco |
Polo Field, Golden Gate Park flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 150808) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller + AUD (shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - surround mixing by Kevin Tobin
|
notes
|
| 14080. |
11/03/91 |
Flac 16 Dts 5.1 - ,
153782 |
San Francisco |
Polo Field, Golden Gate Park DTS-Audio-CD 5.1 Mix; - SBD (shnid = 150808) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller + AUD (shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - dts mixing by Kevin Tobin
|
notes
|
| 14081. |
11/03/91 |
Flac 16 Mtx - ,
153781 |
San Francisco |
Polo Field, Golden Gate Park fflac16; Matrix 2 Source Mix - SBD (shnid = 150808) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller + AUD (shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - matrix mixing by Kevin Tobin
|
notes
|
| 14082. |
11/03/91 |
Flac 24 Mtx. - ,
153780 |
San Francisco |
Polo Field, Golden Gate Park flac24; Matrix 2 Source Mix - SBD (shnid = 150808) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller + AUD (shnid = 117752) Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/50 Feet ROC/Behind Soundboard/7 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES,Encore-Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo - matrix mixing by Kevin Tobin
|
notes
|
| 14083. |
12/27/91 |
Flac 16 - 0,
105582 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info:SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14084. |
12/27/91 |
Shn - 0,
25944 |
Oakland |
Oakland-Alameda County Coliseum DSBD > DAT > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko, with patches added from previous AUD source
|
notes
|
| 14085. |
12/27/91 |
Flac 16 - 0,
127428 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: Nakamichi CM-300x3; Two CP-4 Shotguns + One CP-1 Cardioid > Boss BX-4 Mixer > Sony WM-D6C (w/Dolby C) > Cassette Master (MX-S 100); Masters Transferred Via: WM-D6C (Original Record Deck w/Dolby C) > HHb CDR 800 > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS, Low And Center (Exact Row, Seat # Not Recorded); Recorded/Transferred By: Jeff Bowen
|
notes
|
| 14086. |
12/27/91 |
Shn - 0,
12094 |
Oakland |
Oakland-Alameda County Coliseum AUD> DAT> CDR; Schoeps MK4's; via Billy DeLyon; Seeded to etree by eD
|
notes
|
| 14087. |
12/27/91 |
Flac 24/96 - 0,
|
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 14088. |
12/28/91 |
Flac 16 - 0,
104999 |
Oakland |
Oakland-Alameda County Coliseum flac16; Lineage: Clone of Master DAT Recording Equipment: B&K 4011 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging
|
notes
|
| 14089. |
12/28/91 |
Flac 16 Mtx - 0,
97730 |
Oakland |
Oakland-Alameda County Coliseum flac16; matrix of DSBD: shnid=76116 and DAUD: shnid=4534 by hansokolow using ProTools
|
notes
|
| 14090. |
12/28/91 |
Flac 16 - 0,
76116 |
Oakland |
Oakland-Alameda County Coliseum flac16; Set 1: SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN (> WAV > FLAC); Set 2: SBD -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN (> WAV > FLAC) - Seamless edit of shn id 21615
|
notes
|
| 14091. |
12/28/91 |
Shn - 0,
4534 |
Oakland |
Oakland-Alameda County Coliseum FOB/DFC B&K 4011 ORTF > Canari ?(Canare cables?) > Neumann (phantom?) > Sony TDC D10 Pro 2 (w/Oade modification)
|
notes
|
| 14092. |
12/28/91 |
Flac 16 MTX - 0,
143947 |
Oakland |
Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 143856) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 104999) Lineage: Clone of Master DAT Recording Equipment: B&K 4011 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging - matrix mixing by Kevin Tobin
|
notes
|
| 14093. |
12/28/91 |
Flac 16/48 - 0,
143949 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 143856) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 104999) Lineage: Clone of Master DAT Recording Equipment: B&K 4011 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging - surround mixing by Kevin Tobin
|
notes
|
| 14094. |
12/28/91 |
Flac 16 Dts - 0,
143948 |
Oakland |
Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid = 143856) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24 + AUD (shnid = 104999) Lineage: Clone of Master DAT Recording Equipment: B&K 4011 > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging - dts mixing by Kevin Tobin
|
notes
|
| 14095. |
12/28/91 |
Flac 24 - 0,
143856 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24
|
notes
|
| 14096. |
12/28/91 |
Flac 16 - 0,
143857 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; This file set is 16 bit @ 44.1
|
notes
|
| 14097. |
12/28/91 |
Shn - 0,
21615 |
Oakland |
Oakland-Alameda County Coliseum Set 1: SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN Set 2: SBD -> Dat (Tascam DA20) -> CD (Tascam CDRW700) -> EAC -> SHN
|
notes
|
| 14098. |
12/28/91 |
Flac 16 - 0,
144616 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: UltraMatrix SBD > Dat Master (44.1k); Transfer Info: Dat Master (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14099. |
12/28/91 |
Flac 16/48 - 0,
|
Oakland |
Oakland-Alameda County Coliseum
|
notes
|
| 14100. |
12/30/91 |
Flac 16 - 0,
32574 |
Oakland |
Oakland-Alameda County Coliseum flac16; SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller
|
notes
|
| 14101. |
12/30/91 |
Flac 16/48 - 0,
135054 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - mixing by Kevin Tobin
|
notes
|
| 14102. |
12/30/91 |
Flac Dts 5.1 - 0,
135052 |
Oakland |
Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - dts mixing by Kevin Tobin
|
notes
|
| 14103. |
12/30/91 |
Flac 16 Mtx - 0,
135051 |
Oakland |
Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid=32574) SBD (Ultra-Matrix) -> Master Dat (44.1k) All Transfers and Mastering By Charlie Miller + AUD (shn id 6812) FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act. - matrix mixing by Kevin Tobin
|
notes
|
| 14104. |
12/30/91 |
Shn - 0,
6812 |
Oakland |
Oakland-Alameda County Coliseum FOB/DFC hand held/ORTF B&K 4011 > Neuman BS 48i-2 phantom power > Sony TCD D-10 Pro-2 (modified) DAT master > 1 clone played back through an Edirol UA-5, hardware resampled from 48k to 44.1k > Soundforge > CD-wav > SHN seekable SHN files encoded w/Mkw-act.
|
notes
|
| 14105. |
12/30/91 |
Flac 16 - 0,
105000 |
Oakland |
Oakland-Alameda County Coliseum flac16; Lineage: Clone of Master DAT Recording Equipment: B&K4011s > MIT Cable > Oade Power Supply > Panasonic sv255 Recording Location: FOB - Hand Held Both Sets Recorded by Marcus Buick and James Young Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Traders Little Helper for FLAC Level 8 SBE Free Tag & Rename for FLAC Meta-Data Tagging
|
notes
|
| 14106. |
12/30/91 |
Flac 16/48 - 0,
|
Oakland |
Oakland-Alameda County Coliseum
|
notes
|
| 14107. |
12/31/91 |
Flac 16 - 0,
76545 |
Oakland |
Oakland-Alameda County Coliseum flac16; SBD->Satellite Feed->DAT>CDR->WAV->SHNv3->FLAC; fix of shn id 5921
|
notes
|
| 14108. |
12/31/91 |
Shn - 0,
5921 |
Oakland |
Oakland-Alameda County Coliseum SBD > Satellite Feed > DAT> CDR > WAV > SHNv3; DAE (EAC) > tracking (cdwave) > boundary checking (shntool) > SHNv3 (mkwact) via C.Ladner, from C.Larson for seed discs
|
notes
|
| 14109. |
12/31/91 |
Flac 16 - 0,
94248 |
Oakland |
Oakland-Alameda County Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger from front row Taper's Section
|
notes
|
| 14110. |
12/31/91 |
Flac 24 - 0,
149557 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
|
notes
|
| 14111. |
12/31/91 |
Flac 16/48 - 0,
149558 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Recording Info: UltraMatrix SBD (Broadcast Mix) > DAT Master (48k); Transfer Info: DAT Master (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14112. |
12/31/91 |
Flac 16 - 0,
149663 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 14113. |
02/13/92 |
Shn - 0,
17404 |
San Rafael |
Club Front DSBD->CD->EAC->SHN by Joe Samaritano Studio Rehearsal of So Many Roads
|
notes
|
| 14114. |
02/21/92 |
Shn - 0,
8189 |
San Rafael |
Club Front Studio Seeded to abgd by Doo Dah Man; Note original files contained an SFV integrity file. Md5 was created from the original shns and provided to the etree db here.
|
notes
|
| 14115. |
02/22/92 |
Flac 16 - 0,
96395 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14116. |
02/22/92 |
Flac 16 - 0,
77722 |
Oakland |
Oakland-Alameda County Coliseum flac16; FOB Digital Audience Set 1: B&K 4011 (ORTF) Hand Held -> Canare Cable -> Neumann Supply -> Modified Sony D10 Pro Jamie Young Rig) Set 2: Schoeps CMC34 -> Panasonic sv250 (Marcus Rig)
|
notes
|
| 14117. |
02/22/92 |
Shn - 0,
9981 |
Oakland |
Oakland-Alameda County Coliseum SBD>MC>C>DAT>CDR; via Paul; Seeded to etree bt Tony G
|
notes
|
| 14118. |
02/22/92 |
Flac 16/48 - 0,
138245 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16/48; edited and mastered SIRMick May 2017
|
notes
|
| 14119. |
02/22/92 |
Flac 16 - 0,
117851 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: 2 Beyer M160 microphones - up front/center > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 14120. |
02/22/92 |
Flac 24 - 0,
149848 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
|
notes
|
| 14121. |
02/22/92 |
Flac 16 - 0,
145007 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 14122. |
02/23/92 |
Flac 16 - 0,
96396 |
Oakland |
Oakland-Alameda County Coliseum flac16; Set 2 Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14123. |
02/23/92 |
Flac 16 - 0,
119790 |
Oakland |
Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tape Set 1:Maxell MX-S,Set 2:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14124. |
02/23/92 |
Flac 24/48 - 0,
119789 |
Oakland |
Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tape Set 1:Maxell MX-S,Set 2:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 14125. |
02/23/92 |
Flac 16 - 0,
138164 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; edited and mastered SIRMick April 2017
|
notes
|
| 14126. |
02/23/92 |
Shn - 0,
9982 |
Oakland |
Oakland-Alameda County Coliseum AUD>DAT>CDR (Schoeps CMC 34?s); via Paul; Seeded to etree by Tony G
|
notes
|
| 14127. |
02/23/92 |
Flac 16/48 - 0,
149263 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Source Info: FOB Sennheiser 421-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
|
notes
|
| 14128. |
02/23/92 |
Flac 16/48 - 0,
149262 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Source Info: FOB B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
|
notes
|
| 14129. |
02/23/92 |
Flac 24 - 0,
149829 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24
|
notes
|
| 14130. |
02/23/92 |
Flac 16 - 0,
150012 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 14131. |
02/24/92 |
Flac 16 - 0,
96397 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14132. |
02/24/92 |
Flac 16 - 0,
119799 |
Oakland |
Oakland-Alameda County Coliseum flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tape Set 1:Maxell MX-S,Set 2:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14133. |
02/24/92 |
Shn - 0,
9983 |
Oakland |
Oakland-Alameda County Coliseum 2nd Set; SBD>MC>C>DAT>CDR; Missing encore, last song cuts; via Paul; Seeded to etree by Tony G
|
notes
|
| 14134. |
02/24/92 |
Flac 16 - 0,
95566 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14135. |
02/24/92 |
Flac 24/48 - 0,
119798 |
Oakland |
Oakland-Alameda County Coliseum flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tape Set 1:Maxell MX-S,Set 2:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging By Keo
|
notes
|
| 14136. |
02/24/92 |
Flac 16 - 0,
117852 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: 2 Beyer M160 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 14137. |
02/24/92 |
Flac 16/48 - 0,
140814 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Set I - B&K 4011 > DAT (unknown taper* - FOB); Set II - Soundboard > DAT (Dan Healy mix); Both sets transferred by Charlie Miller: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 14138. |
02/24/92 |
Shn - 0,
17680 |
Oakland |
Oakland-Alameda County Coliseum B&K 4011> Neumann PS> Sony D10ProII, FOB, Stand D> CD: Tascam DA-P20> HHb-850> EAC> CDWAV> SHN via Roy Earl Pettus
|
notes
|
| 14139. |
02/24/92 |
Flac 24 - 0,
149849 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14140. |
02/24/92 |
Flac 16 - 0,
149850 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > DAT (44.1k); Transfer Info: DAT (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X4 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14141. |
02/24/92 |
Flac 16 - 0,
150023 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X4 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 14142. |
03/01/92 |
Flac 16 - 0,
97712 |
Atlanta |
The Omni flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC
|
notes
|
| 14143. |
03/01/92 |
Flac - 0,
92617 |
Atlanta |
The Omni OTS AUD: Nakamichi CM-300's with CP-4 shotguns > Sony TC-D5M > Maxell MX-S 90/100, with no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.
|
notes
|
| 14144. |
03/01/92 |
Flac 16 - 0,
105618 |
Atlanta |
The Omni flac16; source: [ots] Nakamichi cm300/cp4 -> Sony D8 [16/48]. recorded by: Trew Rickers; transfer: dat [m] -> Tascam DA20 mkII -> R-44 -> CD Wave 1.98 -> Wavelab 5.01a [fades/Resampler 192] -> FLAC [8]. transfer: Chris Davis [1/22/10]
|
notes
|
| 14145. |
03/01/92 |
Flac 24 - 0,
140221 |
Atlanta |
The Omni flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14146. |
03/01/92 |
Flac 16 - 0,
140287 |
Atlanta |
The Omni flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14147. |
03/01/92 |
Shn - 0,
4736 |
Atlanta |
The Omni Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 FOB; via Tony Gardner
|
notes
|
| 14148. |
03/01/92 |
Flac 16/48 - ,
155822 |
Atlanta |
The Omni flac16/48 Recording Info (set I): (fob) Schoeps Cmc3 Mk4’s (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: Section 5, Row Ff, Set 7 Recording Info (set Ii): (ots) Neumann Tlm 170's > Dat Transfer: Dat > Panasonic Sv-3800 > Vx Pocket Sound Card > Panasonic Toughbook > Steinberg Nuendo > Wav 1648 Set I Recorded By Dave Brotman & Jeff Metchick Set Ii Recorded By Unknown & Provided By Dave Brotman Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 6, 2022
|
notes
|
| 14149. |
03/02/92 |
Flac 16 - 0,
105675 |
Atlanta |
The Omni flac16; source: [ots] Nakamichi cm300/cp4 -> Sony D8 [16/48]. recorded by: Trew Rickers; transfer: dat [m] -> Tascam DA20 mkII -> R-44 -> CD Wave 1.98 -> Wavelab 5.01a [fades/Resampler 192] -> FLAC [8]. transfer: Chris Davis [1/26/10]
|
notes
|
| 14150. |
03/02/92 |
Flac 16 - 0,
92749 |
Atlanta |
The Omni flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, next to lighting board area, stage right. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 14151. |
03/02/92 |
Flac 16/48 - 0,
92748 |
Atlanta |
The Omni flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, next to lighting board area, stage right. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 14152. |
03/02/92 |
Flac 24 - 0,
140255 |
Atlanta |
The Omni flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14153. |
03/02/92 |
Flac 16 - 0,
140297 |
Atlanta |
The Omni flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14154. |
03/02/92 |
Shn - 0,
4737 |
Atlanta |
The Omni Schoeps CMC3/MK4> Oade M118> Panasonic SV-250 FOB; via Tony Gardner
|
notes
|
| 14155. |
03/02/92 |
Flac 16/48 - ,
155823 |
Atlanta |
The Omni flac16/48 Recording (set I): (fob) Schoeps Cmc3 Mk4’s (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: Row Ff Recording (set Ii): (ots) Schoeps Cmc3 Mk4’s (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: Ots Transfer: Master Dat > Panasonic Sv-3800 > Vx Pocket Sound Card > Panasonic Toughbook > Steinberg Nuendo > Wav 1648 Recorded By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 06, 2022
|
notes
|
| 14156. |
03/02/92 |
Flac 16/48 - ,
155824 |
Atlanta |
The Omni flac16/48 Recording: (fob) B&k4011 > Sony D10 Pro Ii > Dat > Clone Transfer: Clone > Panasonic Sv-3800 > Vx Pocket Sound Card > Panasonic Toughbook > Steinberg Nuendo > Wav 1648 Recorded By Clay Brennecke Source Provided By Dave Brotman Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 11, 2022
|
notes
|
| 14157. |
03/03/92 |
Flac 16 - 0,
92897 |
Atlanta |
The Omni flac16; OTS AUD: Nakamichi CM-300's with CP-4 shotguns > Sony TC-D5M > Maxell MX-S 90/100, with no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC. Transfer by Andrew F.
|
notes
|
| 14158. |
03/03/92 |
Flac 24 - 0,
140251 |
Atlanta |
The Omni flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14159. |
03/03/92 |
Flac 16 - 0,
140298 |
Atlanta |
The Omni flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14160. |
03/03/92 |
Shn - 0,
9471 |
Atlanta |
The Omni AUD>DAT>CDR (Schoeps CMC 34?s); via Paul; Seeded to etree by Tony G
|
notes
|
| 14161. |
03/03/92 |
Flac 16/48 - ,
155825 |
Atlanta |
The Omni flac16/48 Source: Fob Schoeps Cmc3 Mk4’s (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: Row J Seat 8 Transfer: Master Dat > Panasonic Sv-3800 > Vx Pocket Sound Card > Panasonic Toughbook > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 07, 2022
|
notes
|
| 14162. |
03/05/92 |
Flac - 0,
27422 |
Hampton |
Hampton Coliseum SBD > DAT > C > DAT > CD > EAC > FLAC; includes patching from B&K4011's ORTF FOB; EAC/FLAC by Darryl Hinko
|
notes
|
| 14163. |
03/05/92 |
Shn - 0,
5240 |
Hampton |
Hampton Coliseum SBD> DAT> ?> CD> EAC> SHN; EAC> SHN by Ben Luton; small dropout d3t4 5:56 ; upgrade in circulation
|
notes
|
| 14164. |
03/05/92 |
Flac 24 - 0,
140253 |
Hampton |
Hampton Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14165. |
03/05/92 |
Flac 16 - 0,
140299 |
Hampton |
Hampton Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14166. |
03/05/92 |
Flac 16 - 0,
25729 |
Hampton |
Hampton Coliseum B&K4011's ORTF FOB On Stand (6 - 7 feet high) >Neumann BS48i-2 Supply> Modified Sony D10 Pro (Modified by Bob Katz) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410>Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC
|
notes
|
| 14167. |
03/05/92 |
Flac 16/48 - 0,
148535 |
Hampton |
Hampton Coliseum flac16/48kHz; Source Info: Sennheiser 421-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
|
notes
|
| 14168. |
03/05/92 |
Flac 16/48 - ,
155826 |
Hampton |
Hampton Coliseum flac16/48 Source: Fob Schoeps Cmc3 Mk4’s (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: 20th Row Center, Mics On Stand @ 7' Transfer: Master Dat > Panasonic Sv-3800 > Vx Pocket Sound Card > Panasonic Toughbook > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 08, 2022
|
notes
|
| 14169. |
03/06/92 |
Flac 16/48 - 0,
131577 |
Hampton |
Hampton Coliseum flac16/48kHz; DAT soundboard master > Cassette; Cassette > DAT via Nakamichi Dragon to Sony PCM R-500 DAT 48khz; Digital Transfer and FLAC encoding by Jim Wise: October 2014; DAT played back on a Sony PCM R-500-> Digital Audio Labs Carddeluxe-> WAV [16/48]; Adobe Audition 3.0- FLAC encoding; Digital Transfer and FLAC encoding by Jim Wise: October 2014
|
notes
|
| 14170. |
03/06/92 |
Flac 16/48 - 0,
85418 |
Hampton |
Hampton Coliseum flac16/48; FOB AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown mic power & lead dat deck > Coax SPDIF > Casio DA-7 > Sony DT-Dat tape. FOB aprx 30-feet from stage, mics handheld at aprx 5-1/2 feet. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 14171. |
03/06/92 |
Flac 16 - 0,
85420 |
Hampton |
Hampton Coliseum flac16; FOB AUD Source: Schoeps CMC3/MK4 (ORTF) > unknown mic power & lead dat deck > Coax SPDIF > Casio DA-7 > Sony DT-Dat tape. FOB aprx 30-feet from stage, mics handheld at aprx 5-1/2 feet. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F.
|
notes
|
| 14172. |
03/06/92 |
Flac 24 - 0,
140254 |
Hampton |
Hampton Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14173. |
03/06/92 |
Flac 16 - 0,
140300 |
Hampton |
Hampton Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14174. |
03/06/92 |
Shn - 0,
9472 |
Hampton |
Hampton Coliseum AUD>DAT>CDR (Nak 700?s>Sony D-3); via Paul; seeded to etree by Tony G
|
notes
|
| 14175. |
03/06/92 |
Flac 16/48 - 0,
148536 |
Hampton |
Hampton Coliseum flac16/48kHz; Source Info: B&K 4011-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
|
notes
|
| 14176. |
03/06/92 |
Flac 16/48 - ,
155827 |
Hampton |
Hampton Coliseum flac16/48 Source: Fob Schoeps Cmc3 Mk4’s (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: 20th Row Center Transfer: Master Dat > Panasonic Sv-3800 > Vx Pocket Sound Card > Panasonic Toughbook > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 08, 2022
|
notes
|
| 14177. |
03/08/92 |
Flac 16 - 0,
113040 |
Landover |
Capital Centre flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes:Maxell MX-S 100's Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 14178. |
03/08/92 |
Shn - 0,
14083 |
Landover |
Capital Centre S : MC > D > CDR; see info file for edit notes; via Paul B; Tony G; Alan Fink
|
notes
|
| 14179. |
03/08/92 |
Flac 16 - 0,
111091 |
Landover |
Capital Centre flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Lineage: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich
|
notes
|
| 14180. |
03/08/92 |
Flac 24/96 - 0,
113039 |
Landover |
Capital Centre flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D6 Tapes:Maxell MX-S 100's Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 14181. |
03/08/92 |
Flac 24 - 0,
141627 |
Landover |
Capital Centre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14182. |
03/08/92 |
Flac 16 - 0,
141705 |
Landover |
Capital Centre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14183. |
03/08/92 |
Flac 24/96 - 0,
148230 |
Landover |
Capital Centre flac24; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel
|
notes
|
| 14184. |
03/08/92 |
Flac 16 - 0,
148229 |
Landover |
Capital Centre flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 14185. |
03/09/92 |
Shn - 0,
9755 |
Landover |
Capital Centre SBD> DAT> C> PCM> DAT> CD; via Rob Harrison; Seeded to etree by Peter Braverman; Shntool fix by Tony G
|
notes
|
| 14186. |
03/09/92 |
Flac 24/88 - 0,
112438 |
Landover |
Capital Centre flac24; SBD Master Casettes >> 24BIT 88.2kHz; All Transfers and Mastering by Jim Blackwood and Jamie Waddell
|
notes
|
| 14187. |
03/09/92 |
Shn - 0,
8110 |
Landover |
Capital Centre Soundboard -> DAT -> Cassette -> PCM -> DAT; upgrade in circulation
|
notes
|
| 14188. |
03/09/92 |
Flac 24/96 - 0,
115700 |
Landover |
Capital Centre flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Sony D6(Patched); Tapes From Floater,Transfer By Keo; Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 14189. |
03/09/92 |
Flac 16 - 0,
115701 |
Landover |
Capital Centre flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Sony D6(Patched); Tapes From Floater,Transfer By Keo; Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 14190. |
03/09/92 |
Flac 24 - 0,
141629 |
Landover |
Capital Centre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14191. |
03/09/92 |
Flac 24/48 - 0,
141719 |
Landover |
Capital Centre flac24; OTS AUD: AKG-568's > lead decks(s) > Sony TC-D5 > Maxell XLII's, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > TLH > FLAC 2448 tagged. Transferred by Andrew F. 04/2018
|
notes
|
| 14192. |
03/09/92 |
Flac 16 - 0,
141720 |
Landover |
Capital Centre flac16; OTS AUD: AKG-568's > lead decks(s) > Sony TC-D5 > Maxell XLII's, recording by Alabama Bob. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24bit output) > R8Brain SRC > TLH > FLAC 1644 tagged. Transferred by Andrew F. 04/2018
|
notes
|
| 14193. |
03/09/92 |
Flac 16 - 0,
141716 |
Landover |
Capital Centre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14194. |
03/09/92 |
Flac 24/96 - 0,
148231 |
Landover |
Capital Centre flac24; Source Info: TS Nakamichi CM-300 CP4-> Sony D5-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel
|
notes
|
| 14195. |
03/09/92 |
Flac 16 - 0,
148232 |
Landover |
Capital Centre flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 14196. |
03/09/92 |
Flac 16/48 - ,
155828 |
Landover |
Capital Centre flac16/48 Source: (fob) Schoeps Cmc3 Mk4’s (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Transfer: Master Dat > Panasonic Sv-3800 > Vx Pocket Sound Card > Panasonic Toughbook > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 14, 2022
|
notes
|
| 14197. |
03/11/92 |
Shn - 0,
9398 |
Uniondale |
Nassau Coliseum SBD>DAT>CDR (probable cassette gen); Seeded to etree by Tony G
|
notes
|
| 14198. |
03/11/92 |
Flac 24/96 - 0,
109266 |
Uniondale |
Nassau Coliseum flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D-6 Tapes Maxell MX-s 90,100; Transfer Nakamichi MR-1 Cassette Deck>Dolby B>Korg MR 1000 @ 1 Bit/5.6mHz Tracking/Sample Rate Conversion with AudioGate software to 24/96kHz
|
notes
|
| 14199. |
03/11/92 |
Flac 16 - 0,
109265 |
Uniondale |
Nassau Coliseum flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D-6 Tapes Maxell MX-s 90,100; Transfer Nakamichi MR-1 Cassette Deck>Dolby B>Korg MR 1000 @ 1 Bit/5.6mHz Tracking/Sample Rate Conversion with AudioGate software to 32 Bit Float/96kHz Dithered with Korg Aqua to 16/44
|
notes
|
| 14200. |
03/11/92 |
Flac 16/48 - 0,
138278 |
Uniondale |
Nassau Coliseum flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16/48; edited and mastered SIRMick May 2017
|
notes
|
| 14201. |
03/11/92 |
Flac 16 Mtx - 0,
138279 |
Uniondale |
Nassau Coliseum flac16; Matrix: 60/40; soundboard - shnid 9398, seeded by Tony Gardner and audience - shnid 138278, taped by Rich Gastwirt; edited and mastered SIRMick May 2017
|
notes
|
| 14202. |
03/11/92 |
Flac 24 - 0,
141616 |
Uniondale |
Nassau Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14203. |
03/11/92 |
Flac 16 - 0,
141717 |
Uniondale |
Nassau Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14204. |
03/11/92 |
Flac 24/96 - 0,
135166 |
Uniondale |
Nassau Coliseum flac24; Source: Nakamichi CM-300s/CP4 Shotguns -> Sony Walkman Pro/TDK MX-S 90 (Set II MX-S 100) -> JVC TD-W354 -> Zoom H6 -> WAV 96/24 -> Audacity -> FLAC 96/24
|
notes
|
| 14205. |
03/11/92 |
Flac 16 - 0,
127220 |
Uniondale |
Nassau Coliseum flac16; Partial Show, Source: Sony condenser mics (2 channel) > Sony WM cassette deck; Config/Location: 20' from Garcia/in the hat FOB 7th and 3rd row center; Transfer: (master cassette) Nakamichi DR-1>Sound Devices 722 (24/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> WavEditor 1.5.7 (iZotope Resampler, MBIT+ Dither)> xACT 2.25(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Scott M.; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 14206. |
03/11/92 |
Flac 2448 - 0,
127219 |
Uniondale |
Nassau Coliseum flac24; Partial Show, Source: Sony condenser mics (2 channel) > Sony WM cassette deck; Config/Location: 20' from Garcia/in the hat FOB 7th and 3rd row center; Transfer: (master cassette) Nakamichi DR-1>Sound Devices 722 (24/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.25(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Scott M.; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 14207. |
03/11/92 |
Flac 16 - 0,
148349 |
Uniondale |
Nassau Coliseum flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 14208. |
03/11/92 |
Flac 16/48 - ,
155829 |
Uniondale |
Nassau Coliseum flac16/48 Recording: Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 11, 2022
|
notes
|
| 14209. |
03/12/92 |
Flac 24/96 - 0,
135463 |
Uniondale |
Nassau Coliseum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6,Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 14210. |
03/12/92 |
Flac 16 - 0,
135464 |
Uniondale |
Nassau Coliseum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony D6,Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14211. |
03/12/92 |
Flac 16/48 - 0,
86703 |
Uniondale |
Nassau Coliseum flac16/48; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS, left side (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 14212. |
03/12/92 |
Flac 16 - 0,
86704 |
Uniondale |
Nassau Coliseum flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS, left side (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1 kHz) > TLH > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 14213. |
03/12/92 |
Flac 24 - 0,
141617 |
Uniondale |
Nassau Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14214. |
03/12/92 |
Flac 16 - 0,
141718 |
Uniondale |
Nassau Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14215. |
03/12/92 |
Shn - 0,
9476 |
Uniondale |
Nassau Coliseum ACM>DAT>CDR (Schoeps CMC4); via Paul; Seeded to etree by Tony G
|
notes
|
| 14216. |
03/12/92 |
Flac 16 - 0,
142173 |
Uniondale |
Nassau Coliseum flac16/48kHz; Source: Schoeps cmc4 mk4(ortf) > Oade modified Panasonic SV-255 > Dat (48k) 0- Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX4 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 1648; edited and mastered SIRMick June 2018
|
notes
|
| 14217. |
03/12/92 |
Flac 16 - 0,
148350 |
Uniondale |
Nassau Coliseum flac16; Source Info: FOB Schoeps CMC3 Mk4-> Oade P/S-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 14218. |
03/12/92 |
Flac 16/48 - ,
155830 |
Uniondale |
Nassau Coliseum flac16/48 Recording: Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 11, 2022
|
notes
|
| 14219. |
03/13/92 |
Flac 16 - 0,
137748 |
Uniondale |
Nassau Coliseum flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
|
notes
|
| 14220. |
03/13/92 |
Flac 24/96 - 0,
137749 |
Uniondale |
Nassau Coliseum flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96> fission> adobe audition cc> xACT flac; transferred - Rob Berger
|
notes
|
| 14221. |
03/13/92 |
Flac 16/48 - 0,
139621 |
Uniondale |
Nassau Coliseum flac16/48kHz; Source: Schoeps cmc4 mk4 (ortf) > Oade modified Panasonic SV-255 > Dat (48k) - Taped by Rich Gastwirt from 1st row tapers section; Transfer: Set I - Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Set II - Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; editerd and mastered SIRMick October 2017
|
notes
|
| 14222. |
03/13/92 |
Flac 24 - 0,
141618 |
Uniondale |
Nassau Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14223. |
03/13/92 |
Flac 16 - 0,
141721 |
Uniondale |
Nassau Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14224. |
03/13/92 |
Flac 24/96 - 0,
134996 |
Uniondale |
Nassau Coliseum flac24; Source: Nakamichi CM-300s/2-Mic, CP-1 Cardioids, ORTF -> Sony Walkman Pro, Maxell MX-S 100 Cassette Tape -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24
|
notes
|
| 14225. |
03/13/92 |
Shn - 0,
9477 |
Uniondale |
Nassau Coliseum ACM>DAT>CDR (Nak 700?s>Sony D-3); via Paul; Seeded to etree by Tony G
|
notes
|
| 14226. |
03/13/92 |
Flac 16 - 0,
148351 |
Uniondale |
Nassau Coliseum flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 14227. |
03/13/92 |
Flac 16/48 - ,
155831 |
Uniondale |
Nassau Coliseum flac16/48 Recording: Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: 18th Row Center Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 16, 2022
|
notes
|
| 14228. |
03/16/92 |
Flac 16 - 0,
122021 |
Philadelphia |
The Spectrum flac16; SBD->DAT->?->Cas->CD->EAC->SHN via Dan - patched and speed corrected version of shnid 13571 by Kevin Tobin
|
notes
|
| 14229. |
03/16/92 |
Shn - 0,
13571 |
Philadelphia |
The Spectrum SBD->DAT->?->Cas->CD->EAC->SHN via Dan
|
notes
|
| 14230. |
03/16/92 |
Flac Dts 5.1 - 0,
122040 |
Philadelphia |
The Spectrum DTS-Audio-CD 5.1 Mix SBD (shn id 13571)SBD->DAT->?->Cas->CD->EAC->SHN via Dan + AUD1 (shn id 85338)Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS: Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. + AUD2 (no shn id) Audience recording from Video soundtrack - dts mixing by Kevin Tobin
|
notes
|
| 14231. |
03/16/92 |
Flac 16 Mtx - 0,
122020 |
Philadelphia |
The Spectrum flac16; Matrix 3 Source Mix - SBD (shn id 13571)SBD->DAT->?->Cas->CD->EAC->SHN via Dan + AUD1 (shn id 85338)Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS: Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F. + AUD2 (no shn id) Audience recording from Video soundtrack - matrix mixing by Kevin Tobin
|
notes
|
| 14232. |
03/16/92 |
Flac 16/48 - 0,
85338 |
Philadelphia |
The Spectrum flac 16-48kHz; Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS: Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 14233. |
03/16/92 |
Flac 16 - 0,
85423 |
Philadelphia |
The Spectrum flac16; AUD Source: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > Sony DT-Dat tape. Mics on 7-foot stand in front row of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F.
|
notes
|
| 14234. |
03/16/92 |
Flac 24 - 0,
138163 |
Philadelphia |
The Spectrum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14235. |
03/16/92 |
Flac 16 - 0,
138167 |
Philadelphia |
The Spectrum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is shnid 138163 24 > 16
|
notes
|
| 14236. |
03/16/92 |
Flac 16/48 - 0,
139653 |
Philadelphia |
The Spectrum flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT> AKG 414 > Sony D10 Pro II; Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 14237. |
03/16/92 |
Flac 16 - 0,
147757 |
Philadelphia |
The Spectrum flac16; Source:Nakamichi 300 Mics W/CP1 Cardioids>Sony WM-D6C Cassette Master>2 Maxell Metal Cassette Master Tapes (Sony MX-90 Minute 1st Set, MX-S 100 Minute Tape 2nd Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)> Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector BoundariesAligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section
|
notes
|
| 14238. |
03/16/92 |
Flac 16 - 0,
148408 |
Philadelphia |
The Spectrum flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 14239. |
03/16/92 |
Flac 16 - 0,
148530 |
Philadelphia |
The Spectrum flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD; Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel; Note: This Version Fixes Digital Noise on source ID 148408 during Corrina
|
notes
|
| 14240. |
03/16/92 |
Flac 16 - 0,
149240 |
Philadelphia |
The Spectrum flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel; This Version Fixes Digital Noise on source ID 148530during Scarlet Begonias
|
notes
|
| 14241. |
03/16/92 |
Flac 16/48 - ,
155832 |
Philadelphia |
The Spectrum flac16/48 Recording Info (set I): Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat > Clone Recording Info (set Ii): Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Location: 18th Row Center Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 17, 2022
|
notes
|
| 14242. |
03/17/92 |
Flac 16 - 0,
126961 |
Philadelphia |
The Spectrum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony WM-D6; Set 1 Tape:Maxel MX-S 90, Set 2 Tape:TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14243. |
03/17/92 |
Flac 24/96 - 0,
126960 |
Philadelphia |
The Spectrum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony WM-D6; Set 1 Tape:Maxel MX-S 90, Set 2 Tape:TDK MA-110; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 14244. |
03/17/92 |
Flac 16/48 - 0,
139654 |
Philadelphia |
The Spectrum flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT> AKG 414 > Sony D10 Pro II; Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 14245. |
03/17/92 |
Flac 24 - 0,
140827 |
Philadelphia |
The Spectrum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14246. |
03/17/92 |
Flac 16 - 0,
140843 |
Philadelphia |
The Spectrum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14247. |
03/17/92 |
Shn - 0,
16052 |
Philadelphia |
The Spectrum Nak 300 > Sony d-5 > cass master > cdr; Eac > cool edit pro > shntool > cdwav > shnv3; Taped and discs kindly provided by Mark Horvath; eac > shn (secure with proper offsets) by Ernie Dodd
|
notes
|
| 14248. |
03/17/92 |
Flac 16 - 0,
148367 |
Philadelphia |
The Spectrum flac16; Source: Nakamichi 300 Mics W/CP1 Cardioids>Sony WM-D6C Cassette Master>2 Maxell Metal Cassette Master Tapes (Sony MX-90 Minute 1st Set, MX-S 100 Minute Tape 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section
|
notes
|
| 14249. |
03/17/92 |
Flac 16 - 0,
148409 |
Philadelphia |
The Spectrum flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 14250. |
03/17/92 |
Flac 16/48 - ,
155642 |
Philadelphia |
The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141827) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155639) Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project - surround mixing by Kevin Tobin
|
notes
|
| 14251. |
03/17/92 |
Flac 16 Dts 5.1 - ,
155641 |
Philadelphia |
The Spectrum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141827) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155639) Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project - dts mixing by Kevin Tobin
|
notes
|
| 14252. |
03/17/92 |
Flac 16 - ,
155640 |
Philadelphia |
The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 141827) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 155639) Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project - matrix mixing by Kevin Tobin
|
notes
|
| 14253. |
03/17/92 |
Flac 16 - ,
155639 |
Philadelphia |
The Spectrum flac16; Audience Nak 300 Shotguns -> 0 Decks -> Panasonic AG-7400 -> S-VHS Master supplied by Peanut Production for a video project
|
notes
|
| 14254. |
03/17/92 |
Flac 16/48 - ,
155833 |
Philadelphia |
The Spectrum flac16/48 Recording Info (set I): Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Recording Info (set Ii): Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat > Clone Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 18, 2022
|
notes
|
| 14255. |
03/18/92 |
Flac 16 - 0,
90077 |
Philadelphia |
The Spectrum flac16; AUD: Namamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F. Feb 2008.
|
notes
|
| 14256. |
03/18/92 |
Flac 16/48 - 0,
139655 |
Philadelphia |
The Spectrum flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT> AKG 414 > Sony D10 Pro II; Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Transfer by Charlie Miller; Mastered by Scott Clugston
|
notes
|
| 14257. |
03/18/92 |
Flac 24 - 0,
141628 |
Philadelphia |
The Spectrum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14258. |
03/18/92 |
Flac 16 - 0,
141800 |
Philadelphia |
The Spectrum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14259. |
03/18/92 |
Shn - 0,
9756 |
Philadelphia |
The Spectrum AUD>DAT>CDR (AKG460b/CK8's); via Paul; Seeded to etree by Tony G
|
notes
|
| 14260. |
03/18/92 |
Flac 16 - 0,
111290 |
Philadelphia |
The Spectrum flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich
|
notes
|
| 14261. |
03/18/92 |
Flac 16 - 0,
148368 |
Philadelphia |
The Spectrum flac16; Source: Nakamichi 300 Mics W/CP1 Cardioids>Sony WM-D6C Cassette Master>2 Maxell Metal Cassette Master Tapes (Sony MX-90 Minute 1st Set, MX-S 100 Minute Tape 2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)> Cd Wav Editor>Traders Little Helper>Flac Level 8 Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Official Taper Section
|
notes
|
| 14262. |
03/18/92 |
Flac 16 - 0,
148410 |
Philadelphia |
The Spectrum flac16; Source Info: FOB B&K 4011-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 14263. |
03/18/92 |
Flac 16 Mtx - ,
154885 |
Philadelphia |
The Spectrum flac16; Matrix 2 Source Mix - SBD (shnid = 141800) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 9756) AUD>DAT>CDR (AKG460b/CK8's); via Paul; Seeded to etree by Tony G - matrix mixing by Kevin Tobin
|
notes
|
| 14264. |
03/18/92 |
Flac 16 Dts 5.1 - ,
154886 |
Philadelphia |
The Spectrum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141800) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 9756) AUD>DAT>CDR (AKG460b/CK8's); via Paul; Seeded to etree by Tony G - dts mixing by Kevin Tobin
|
notes
|
| 14265. |
03/18/92 |
Flac 16/48 - ,
154887 |
Philadelphia |
The Spectrum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141800) Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller + AUD (shnid = 9756) AUD>DAT>CDR (AKG460b/CK8's); via Paul; Seeded to etree by Tony G - surround mixing by Kevin Tobin
|
notes
|
| 14266. |
03/18/92 |
Flac 16/48 - ,
155834 |
Philadelphia |
The Spectrum flac16/48 Recording: Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 48) > Master Dat Location: 18th Row Center, Mics On Stand @ 6' Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 19, 2022
|
notes
|
| 14267. |
03/20/92 |
Flac 16 Mtx - 0,
95208 |
Hamilton |
Copps Coliseum flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
|
notes
|
| 14268. |
03/20/92 |
Shn - 0,
9757 |
Hamilton |
Copps Coliseum SBD>DAT>CDR; Missing Brown Eyed Women; via Paul; Seeded to etree by Tony G
|
notes
|
| 14269. |
03/20/92 |
Flac 16 - 0,
76478 |
Hamilton |
Copps Coliseum flac16; FOB Digital Audience - 13th Row Center Schoeps CMC34 Cardiod (110 degrees ORTF) -> Oade Supply -> Panasonic 2v255; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav; Edited Adobe Audition 1.5 Dithered 48/44.1 w/gaussian noise and aslight noise-shaping in r8brain v1.9 Tracked in CDWav Flac Level8 in TLH
|
notes
|
| 14270. |
03/20/92 |
Flac 24 - 0,
141785 |
Hamilton |
Copps Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14271. |
03/20/92 |
Flac 24 - 0,
141785 |
Hamilton |
Copps Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14272. |
03/20/92 |
Flac 16 - 0,
116465 |
Hamilton |
Copps Coliseum flac16; Master: Sonic Studios DSM-6>Sony TCD-D5M by Alan Schmit, 15th row center; Conversion: Cass(m)>Onkyo TA-6711>Tascam DA-20 (A/D)>Microtrack 24/96>WAV WAV>Sound Studio 2.2.4>xACT 2.13>FLAC by Dave Mallick
|
notes
|
| 14273. |
03/20/92 |
Flac 16 - 0,
96171 |
Hamilton |
Copps Coliseum flac16; Recording Info: Sennheiser ME-80's>Technics SV-MD1; Transfer Info: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC; Recorded & Processed By Keith Litzenberger
|
notes
|
| 14274. |
03/20/92 |
Flac 24/96 - 0,
149301 |
Hamilton |
Copps Coliseum flac24; Source Info: TS Nakamichi CM-300 CP4-> Casio DA-2 DAT-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel
|
notes
|
| 14275. |
03/20/92 |
Flac 16/48 - 0,
149525 |
Hamilton |
Copps Coliseum flac16/48kHz; Set 2 Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Taped By Clay Brennecke; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48)
|
notes
|
| 14276. |
03/20/92 |
Flac 16/48 - ,
155835 |
Hamilton |
Copps Coliseum flac16/48 Recording: Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 12, 2022
|
notes
|
| 14277. |
03/21/92 |
Shn - 0,
17696 |
Hamilton |
Copps Coliseum SBD DAT master > cass (suspected) > DAT > CD (mine) > EAC > SHN via Peter Braverman
|
notes
|
| 14278. |
03/21/92 |
Flac 16 - 0,
76484 |
Hamilton |
Copps Coliseum flac16; FOB Digital Audience - 13th Row Center Schoeps CMC34 Cardiod (110 degrees ORTF) -> Oade Supply -> Panasonic 2v255; DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav; tracked in CDWav/48k output *Re-Sampled to 44.1k via r8brain @ Highest Quality settings.* Flac Level 8 in TLH
|
notes
|
| 14279. |
03/21/92 |
Flac 24 - 0,
141786 |
Hamilton |
Copps Coliseum flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14280. |
03/21/92 |
Flac 16 - 0,
141807 |
Hamilton |
Copps Coliseum flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14281. |
03/21/92 |
Flac 16 - 0,
116405 |
Hamilton |
Copps Coliseum flac16; Set 1 and partial Set 2 Master: B&K 4011's>Sony D10 Pro>D5 by Alan Schmit, 14th row center, patched out of Clay Brennecke; Conversion: Cass(m)>Onkyo TA-6711>Tascam DA-20 (A/D)>Microtrack 24/96>WAV WAV>Sound Studio 2.2.4>xACT 2.13>FLAC; by Dave Mallick
|
notes
|
| 14282. |
03/21/92 |
Flac 16 - 0,
116108 |
Hamilton |
Copps Coliseum flac16; Source:Sony D6 Cassette Master(Dolby B On)>Nakamichi 300 Mics W/CP1 Cardioids>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped In Official Taper Section
|
notes
|
| 14283. |
03/21/92 |
Flac 16 - 0,
97542 |
Hamilton |
Copps Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades/Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger
|
notes
|
| 14284. |
03/21/92 |
Shn - 0,
11268 |
Hamilton |
Copps Coliseum Schoeps CMC 34's > PCM > DAT > CDR; via Dave DiMartino; Seeded to etree by Doug Nawrocki
|
notes
|
| 14285. |
03/21/92 |
Flac 24/96 - 0,
149302 |
Hamilton |
Copps Coliseum flac24; Set 2 Source Info: TS Nakamichi CM-300 CP4-> Casio DA-2 DAT-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel
|
notes
|
| 14286. |
03/21/92 |
Flac 16/48 - 0,
149526 |
Hamilton |
Copps Coliseum flac16/48kHz; Set 1 Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Taped By Clay Brennecke; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); this is the same source used in SHN ID #116405 minus the Cassette generation
|
notes
|
| 14287. |
03/21/92 |
Flac 16/48 - ,
155836 |
Hamilton |
Copps Coliseum flac16/48 Recording: Fob Schoeps Cmc34 (ortf) > Tao Research > M1000 Cables > Panasonic Sv-255mod (16 > Master Dat Transfer: Master Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By Dave Brotman & Jeff Metchick Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 15, 2022
|
notes
|
| 14288. |
03/23/92 |
Shn - 0,
451 |
Auburn Hills |
The Palace SBD> D->CDR-> EAC> SHN; Ripped by John Zei
|
notes
|
| 14289. |
03/23/92 |
Flac 24 - 0,
141787 |
Auburn Hills |
The Palace flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14290. |
03/23/92 |
Flac 16 - 0,
141808 |
Auburn Hills |
The Palace flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14291. |
03/23/92 |
Flac 16 - 0,
116458 |
Auburn Hills |
The Palace flac16; Master: Sonic Studios DSM-6>Sony TCD-D5M by Alan Schmit, 16th row center; Conversion: Cass(m)>Onkyo TA-6711>Tascam DA-20 (A/D)>Microtrack 24/96>WAV WAV>Sound Studio 2.2.4>xACT 2.13>FLAC by Dave Mallick
|
notes
|
| 14292. |
03/23/92 |
Flac 24/96 - 0,
148319 |
Auburn Hills |
The Palace flac24; Source Info: TS Nakamichi CM-300 CP4-> Casio DA-2 DAT-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel
|
notes
|
| 14293. |
03/23/92 |
Flac 16 - 0,
148316 |
Auburn Hills |
The Palace flac16; Source Info: FOB AKG 460-> Oade P/S-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 14294. |
03/23/92 |
Flac 16/48 - ,
155837 |
Auburn Hills |
The Palace flac16/48 Recording: (fob) Akg 460 > Oade P S > Panasonic Sv255 > Dat Transfer: Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By B. Gately Dat Provided By Dave Brotman Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 23, 2022
|
notes
|
| 14295. |
03/24/92 |
Shn - 0,
17024 |
Auburn Hills |
The Palace SBD>DAT>CASS>DAT>CD. dat > cd via stand alone CD-R; CDs (first gen) > EAC > SHN Note: These are a second EAC from the same source disks by Nick George but the md5's are different from his first shn set circulated.
|
notes
|
| 14296. |
03/24/92 |
Flac 16 - 0,
116616 |
Auburn Hills |
The Palace flac16; Master: Sonic Studios DSM-6>Sony TCD-D5M by Alan Schmit, 16th row center; Conversion: Cass(m)>Onkyo TA-6711>Tascam DA-20 (A/D)>Microtrack 24/96>WAV WAV>Sound Studio 2.2.4>xACT 2.13>FLAC by Dave Mallick
|
notes
|
| 14297. |
03/24/92 |
Flac 24 - 0,
141788 |
Auburn Hills |
The Palace >flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14298. |
03/24/92 |
Flac 16 - 0,
141809 |
Auburn Hills |
The Palace flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14299. |
03/24/92 |
Flac 24/96 - 0,
148323 |
Auburn Hills |
The Palace flac24; Source Info: TS Nakamichi CM-300 CP4-> Casio DA-2 DAT-> Sony D6-> Cassette Master (Maxell XL-II's 90's); Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96); Taped & Transfers by Pete Ebel
|
notes
|
| 14300. |
03/24/92 |
Flac 16 - 0,
148322 |
Auburn Hills |
The Palace flac16; Source Info: FOB AKG 460-> Oade P/S-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 14301. |
03/24/92 |
Flac 16/48 - ,
155838 |
Auburn Hills |
The Palace flac16/48 Recording: (fob) Akg 460 > Oade P S > Panasonic Sv255 > Dat Transfer: Dat > Panasonic Sv-3800 (spdif Out) > Digigram Vx Pocket Sound Card > Panasonic Toughbook (spdif In) > Steinberg Nuendo > Wav 1648 Recording By B. Gately Dat Provided By Dave Brotman Transfer By Anonymous Edited & Mastered (adobe Audition) By Joe Noel January 15, 2022
|
notes
|
| 14302. |
05/19/92 |
Flac 16 - 0,
92286 |
Sacramento |
Cal Expo flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 14303. |
05/19/92 |
Flac 16 - 0,
119815 |
Sacramento |
Cal Expo flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14304. |
05/19/92 |
Shn - 0,
20003 |
Sacramento |
Cal Expo Source A:SBD>DAT>CDR>EAC>Cool Edit>SHN Source B:SBD>CM>CDR>EAC>Cool Edit>SHN shntool fix of Wiley seed with patched encore
|
notes
|
| 14305. |
05/19/92 |
Shn - 0,
7856 |
Sacramento |
Cal Expo SBD> DAT> CDR; 2nd encore patched w/ SBD> CM> CDR; via Paul Bottiglio; Tim Wiley; upgrade in circulation
|
notes
|
| 14306. |
05/19/92 |
Flac 16/48 - 0,
86251 |
Sacramento |
Cal Expo flac16/48; AKG 460/CK8s (25-foot split) > Tascam DA-P20; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) Tapers: Scott Swayne and Carl S. Transfer by Scott Swayne
|
notes
|
| 14307. |
05/19/92 |
Flac 16 - 0,
86238 |
Sacramento |
Cal Expo flac16; AKG 460/CK8s (25-foot split) > Tascam DA-P20; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) Tapers: Scott Swayne and Carl S. Transfer by Scott Swayne
|
notes
|
| 14308. |
05/19/92 |
Flac 24/48 - 0,
119814 |
Sacramento |
Cal Expo flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 14309. |
05/19/92 |
Flac 16 - 0,
118736 |
Sacramento |
Cal Expo flac16; Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 14310. |
05/19/92 |
Flac 24 - 0,
150040 |
Sacramento |
Cal Expo flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 14311. |
05/19/92 |
Flac 16 - 0,
150294 |
Sacramento |
Cal Expo flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 14312. |
05/20/92 |
Flac 16 - 0,
92387 |
Sacramento |
Cal Expo flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 14313. |
05/20/92 |
Flac 16 - 0,
119829 |
Sacramento |
Cal Expo flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Ditherd/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14314. |
05/20/92 |
Shn - 0,
16580 |
Sacramento |
Cal Expo Please NOTE this is a fixed copy of the original SHN set ; SBD>DAT>C>DAT>CDR ; See info file for details; Seeded By T. Wiley
|
notes
|
| 14315. |
05/20/92 |
Flac 16/48 - 0,
86455 |
Sacramento |
Cal Expo flac16/48; Field: AKG 460/CK8s (25-foot split) > Tascam DA-P20 ; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) Tapers: Scott Swayne and Carl S.
|
notes
|
| 14316. |
05/20/92 |
Flac 16 - 0,
86454 |
Sacramento |
Cal Expo flac16; Field: AKG 460/CK8s (25-foot split) > Tascam DA-P20 ; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) Tapers: Scott Swayne and Carl S.
|
notes
|
| 14317. |
05/20/92 |
Flac 24 - 0,
119827 |
Sacramento |
Cal Expo flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 14318. |
05/20/92 |
Flac 24 - 0,
140700 |
Sacramento |
Cal Expo flac24; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14319. |
05/20/92 |
Flac 16 - 0,
140816 |
Sacramento |
Cal Expo flac16; Recording Info: UltraMatrix SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14320. |
05/20/92 |
Shn - 0,
8040 |
Sacramento |
Cal Expo 2nd Set; AUD (Schoeps MK4's)> DAT> CDR; via Tim Wiley
|
notes
|
| 14321. |
05/20/92 |
Flac 16 - 0,
149280 |
Sacramento |
Cal Expo flac16; Source Info: Set #1: TS AKG 568B-> DAT; Set #2: FOB Schoeps CMC 54-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 14322. |
05/20/92 |
Flac 24/96 - ,
151064 |
Sacramento |
Cal Expo b/>flac24/96khz Source : Unspecified mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 14323. |
05/20/92 |
Flac 16/48 - ,
151063 |
Sacramento |
Cal Expo flac16/48khz Source : Unspecified mics > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 14324. |
05/21/92 |
Flac 16 - 0,
92355 |
Sacramento |
Cal Expo flac16; Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Mille
|
notes
|
| 14325. |
05/21/92 |
Flac 24/48 - 0,
119840 |
Sacramento |
Cal Expo flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 14326. |
05/21/92 |
Shn - 0,
8703 |
Sacramento |
Cal Expo Pre-FM DSBD> DAT (48kHz)> DAT> ZA2 (S/PDIF)> Samplitude 2496> CDR; via Tom and Roger; Seeded to etree by Chris Larson
|
notes
|
| 14327. |
05/21/92 |
Flac 16 - 0,
119841 |
Sacramento |
Cal Expo flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M, Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/28> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14328. |
05/21/92 |
Flac 16/48 - 0,
86281 |
Sacramento |
Cal Expo flac16/48; AKG 460/CK8s (25-foot split) > Tascam DA-P20 ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8)
|
notes
|
| 14329. |
05/21/92 |
Flac 16 - 0,
86280 |
Sacramento |
Cal Expo flac16; AKG 460/CK8s (25-foot split) > Tascam DA-P20 ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8)
|
notes
|
| 14330. |
05/21/92 |
Shn - 0,
9655 |
Sacramento |
Cal Expo Pre FM SBD> DAT> CD-R (single Track) > EAC 0.9 > Cool Edit Pro > CDR Win (for track cuts) > SHN (via MKWACT); see editing notes in info file; via JR Fishman, Steve Barbella; upgrade in circulation
|
notes
|
| 14331. |
05/21/92 |
Flac 24 - 0,
150055 |
Sacramento |
Cal Expo flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 14332. |
05/21/92 |
Flac 16 - 0,
150295 |
Sacramento |
Cal Expo flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 14333. |
05/21/92 |
Flac 16/48 - ,
151065 |
Sacramento |
Cal Expo flac16/48khz Source : AKG 568 (behind soundboard) > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 14334. |
05/21/92 |
Flac 24/96 - ,
151066 |
Sacramento |
Cal Expo flac24/96khz Source : AKG 568 (behind soundboard) > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 14335. |
05/23/92 |
Flac 16 - 0,
92271 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info:SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14336. |
05/23/92 |
- 0,
|
Mountain View |
Shoreline Amphitheatre AKG 460/CK8X -> Dat (Sony D3) -> PCM -> Dat (Sony R500/44.1k) recorded by Paul Tumolo, shn conversion Charlie Miller
|
notes
|
| 14337. |
05/23/92 |
Flac 16/48 - 0,
85245 |
Mountain View |
Shoreline Amphitheatre flac16/48; Location: OTS Row F center Equipment: AKG 460-CK8's spaced 5' apart -> TEAC DA-P20 Transfer: TASCAM DA-30 (48k)-(S/PDIF)-> Diamond Xtreme Sound Card-> Cool Edit Pro -> CDWave -> FLAC Taped By: Scott Swayne Transfer By: Scott Swayne
|
notes
|
| 14338. |
05/23/92 |
Flac 16 - 0,
149285 |
Mountain View |
Shoreline Amphitheatre flac16; Source Info: Neumann KM84-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel
|
notes
|
| 14339. |
05/23/92 |
Flac 24/48 - 0,
150399 |
Mountain View |
Shoreline Amphitheatre flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 14340. |
05/23/92 |
Flac 16 - 0,
150506 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 14341. |
05/23/92 |
Flac 16/48 - ,
151067 |
Mountain View |
Shoreline Amphitheatre flac16/48khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 14342. |
05/23/92 |
Flac 24/96 - ,
151068 |
Mountain View |
Shoreline Amphitheatre flac24/96khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 14343. |
05/24/92 |
Flac 16 - 0,
92272 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info:SBD -> Dat -> Cassette Master (TDK SA-X100); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.02 -> FLAC/16; All Transfers and Mastering By Charlie Mille
|
notes
|
| 14344. |
05/24/92 |
Shn - 0,
8704 |
Mountain View |
Shoreline Amphitheatre SBD> MC> DAT> ZA2 (S/PDIF)> Wavelab3.03> SHN; via Roger and Tom; Seeded to etree by Chris Larson
|
notes
|
| 14345. |
05/24/92 |
Flac 16 - 0,
119319 |
Mountain View |
Shoreline Amphitheatre flac16; Source: 2 Sennheiser 441 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 14346. |
05/24/92 |
Flac 16/48 - 0,
142238 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; source: AKG 460/CK8 microphones>DAT; recorded by Scott Swayne; lineage: DAT clone of master>Tascam DA-20 mkII>S/PDIF> MOTU 2408 mkII>computer>Wavelab (fades only)>CD Wav>TLH>flac1648; xfer/edits: Henry Heikkinen
|
notes
|
| 14347. |
05/24/92 |
Flac 16 - 0,
149286 |
Mountain View |
Shoreline Amphitheatre flac16; Source Info: Neumann KM84-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel
|
notes
|
| 14348. |
05/24/92 |
Flac 24 - 0,
150425 |
Mountain View |
Shoreline Amphitheatre flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k); All Transfers and Mastering by Charlie Miller
|
notes
|
| 14349. |
05/24/92 |
Flac 16 - 0,
150516 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k); All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 14350. |
05/24/92 |
Flac 16/48 - ,
151069 |
Mountain View |
Shoreline Amphitheatre flac16/48khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 14351. |
05/24/92 |
Flac 24/96 - ,
151070 |
Mountain View |
Shoreline Amphitheatre flac24/96khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 14352. |
05/25/92 |
Shn - 0,
16469 |
Mountain View |
Shoreline Amphitheatre SBD> DAT> C> DAT> CDR; via Tim Wiley; improvements over prior seed- see notes (pitch and amplitude correction, but no NR)
|
notes
|
| 14353. |
05/25/92 |
Flac 16 - 0,
119933 |
Mountain View |
Shoreline Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Loge Section 202 Row H Seat 23/6 Feet High)> Whirlwind Phantoms>Teac DA-P20>Sony TC-D5M,Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14354. |
05/25/92 |
Flac 24/48 - 0,
119932 |
Mountain View |
Shoreline Amphitheatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Loge Section 202 Row H Seat 23/6 Feet High)> Whirlwind Phantoms>Teac DA-P20>Sony TC-D5M,Tapes Maxell MX-S; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 14355. |
05/25/92 |
Flac 16 - 0,
149287 |
Mountain View |
Shoreline Amphitheatre flac16; Source Info: Neumann KM84-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel
|
notes
|
| 14356. |
05/25/92 |
Flac 24/48 - 0,
150463 |
Mountain View |
Shoreline Amphitheatre flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k)
|
notes
|
| 14357. |
05/25/92 |
Flac 16 - 0,
150517 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k). This file set is 16 bit @ 44.1
|
notes
|
| 14358. |
05/25/92 |
Flac 16/48 - ,
151071 |
Mountain View |
Shoreline Amphitheatre flac16/48khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 14359. |
05/25/92 |
Flac 24/96 - ,
151072 |
Mountain View |
Shoreline Amphitheatre flac24/96khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 14360. |
05/29/92 |
Shn - 0,
35295 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. SBD*>DAT>CDR>WAV>SHN; Cleaned up copy of SHNid=21320; Clean up and SHN by Darryl Hinko
|
notes
|
| 14361. |
05/29/92 |
Shn - 0,
21320 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. Source: SBD monitor mix>DAT>CDR>WAV>SHN.; upgrade in circulation
|
notes
|
| 14362. |
05/29/92 |
Flac 16 - 0,
84998 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; FOB Schoeps MK4s -> Reutelhuber-> sv255 -> (clone) Teac DA-p20 -> Tascam DA-30 -> Diamond xTreme Sound Card -> Cool Edit Pro -> CDWave -> flac
|
notes
|
| 14363. |
05/29/92 |
Shn - 0,
9990 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. AKG 460/ck8x > DAT > CDR; via Charlie Miller; Seeded to etree by neo_levo
|
notes
|
| 14364. |
05/29/92 |
Flac 16 - 0,
116446 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Source (AUD): Josephson C-640 w/ KA-20 (cardioid) capsules > 5532 differential pre-amp (+21db) > Sony WMD-6C (Dolby C encoded); Microphone configuration: TS, centered, DIN, 9' up Master format (analog): Maxell MX-S 90 & MX 110 cassettes; Transfer: Sony TC-WE635 (Dolby C decoded) > Tascam DR-680 > SDHC card > (card reader) PC > WaveLab 5 Digital editing: WaveLab 5 (pre and post set fades, speed correction, cassette flips patched with etree source #84998) Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC) Recorded, processed and distributed by Chuck Miller
|
notes
|
| 14365. |
05/29/92 |
Flac 24 - 0,
150037 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 14366. |
05/29/92 |
Flac 16 - 0,
150296 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 14367. |
05/29/92 |
Flac 24/96 - ,
151085 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac24/96khz Set 2 Only. Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 14368. |
05/29/92 |
Flac 16/48 - ,
151084 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16/48khz Set 2 Only. Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 14369. |
05/30/92 |
Flac 16 Mtx - 0,
83094 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Matrix 2 Source Mix - SBD (shnid 75698) + AUD (shnid 10063) mixed by Kevin Tobin
|
notes
|
| 14370. |
05/30/92 |
Flac 16 - 0,
76082 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR > EAC > SHN - Seamless edit of shn id 75698
|
notes
|
| 14371. |
05/30/92 |
Flac 16 - 0,
75698 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR > EAC > SHN; speed corrected version of shn id 8255 (via Charlie Kidder); fix by Kevin Tobin ; upgrade in circulation
|
notes
|
| 14372. |
05/30/92 |
Shn Dts 5.1 - 0,
75713 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. DTS Audio 5.1; Mix SBD:SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR; AUD:(FOB) Schoeps MK4 > DAT > CDR > WAV > SHN; mixed by ktobin
|
notes
|
| 14373. |
05/30/92 |
Shn - 0,
8255 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. whole show; SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR; CDR> EAC> WAV> MKW> SHN by Charlie Kidder; upgrade in circulation
|
notes
|
| 14374. |
05/30/92 |
Shn - 0,
10063 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. (FOB) Schoeps MK4 > DAT > CDR; via C. M.; Seeded to etree by neo_levo
|
notes
|
| 14375. |
05/30/92 |
Flac 16 - 0,
116403 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Source (AUD): Josephson C-640 w/ KA-20 (cardioid) capsules > 5532 differential pre-amp (+21db) > Sony WMD-6C (Dolby C encoded); Microphone configuration: TS, centered, NOS, 8' up; Master format(analog): Maxell MX 100 cassettes; Transfer: Sony TC-WE635 (Dolby C decoded) > Tascam DR-680 > SDHC card > (card reader) PC > WaveLab 5; Digital editing: WaveLab 5 (pre and post set fades, speed correction, DC offset removal, cassette flips patched with etree source #10063); Tracking & processing for CD: CD Wave Editor 1.95.1 > FLAC Frontend 1.7.1/ FLAC 1.1.2; Distribution format: 44.1 kHz, 16 bit, stereo (.FLAC); Recorded, processed and distributed by Chuck Miller
|
notes
|
| 14376. |
05/30/92 |
Flac 24 - 0,
150038 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 14377. |
05/30/92 |
Flac 16 - 0,
150297 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 14378. |
05/31/92 |
Flac 16 - 0,
92388 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/88.2k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 14379. |
05/31/92 |
Flac 16 - 0,
34692 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V flac16; Seamless fix of shn id 544 - SBD > DAT > SONY D8 (S/PDIF) > HD > SHN > WAV > FLAC; upgrade in circulation. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 14380. |
05/31/92 |
Shn - 0,
544 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V SBD > DAT > SONY D8 (S/PDIF) > HD > SHN; via Mike Lai; listeners John Florek et al report diginoise d1t8 ~1:50-2:00; upgrade in circulation
|
notes
|
| 14381. |
05/31/92 |
Flac 16 - 0,
87281 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V flac16; SBD -> Dat -> Cassette Master -> Dat (48k) Transfer Info: Dat (Sony D8) -> Behringer Ultramatch Pro SRC2496 -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 14382. |
05/31/92 |
Flac 16 - 0,
118794 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 14383. |
05/31/92 |
Flac 16 - 0,
116420 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V flac16; Source: Josephson C-640 w/ KA-20 (cardioid) capsules > 5532 differential pre-amp (+21db) > Sony WMD-6C (Dolby C encoded); Transfer: Sony TC-WE635 (Dolby C decoded) > Tascam DR-680 > SDHC card > PC > WaveLab 5 > CD Wave Editor 1.95.1 > Flac Frontend 1.7.1 > Flac; Taped and Transferred by Chuck Miller
|
notes
|
| 14384. |
05/31/92 |
Flac 24 - 0,
150039 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 14385. |
05/31/92 |
Flac 16 - 0,
150298 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Adobe Audition CC 2015 > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 14386. |
05/31/92 |
Flac 16/48 - ,
151086 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V flac16/48khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 14387. |
05/31/92 |
Flac 24/96 - ,
151087 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V flac24/96khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification)
|
notes
|
| 14388. |
05/31/92 |
Flac 16/48 - ,
151086 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V flac16/48khz Source : Nak shotguns > D6 > MAC Taped by: Gesine Lohr Transfer by : Matt Vernon Lineage: MAC > Nak CR-7A (azimuth adjusted) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > Tascam Hi Res Editor (DSF concatenate & 2496 PCM) > Audacity (Trim, tracking, amplification) > dbpoweramp > 1648
|
notes
|
| 14389. |
06/06/92 |
Shn - 0,
14042 |
Orchard Park |
Rich Stadium Second Set Only SBD>DAT>WAV>CoolEdit>CDWAV>SHN; upgrade in circulation
|
notes
|
| 14390. |
06/06/92 |
Flac 16 - 0,
82444 |
Orchard Park |
Rich Stadium flac16; MAD Recording - FOB DFC Audience: 1st Two Songs of Set 1 - B&K4011's Balance of Show: Schoeps CMC32's Spaced Omni's (6' Stand and 8' Spread) -> Monster M1000 Cable -> Panasonic sv255 DAT Deck 16/48
|
notes
|
| 14391. |
06/06/92 |
Shn - 0,
16815 |
Orchard Park |
Rich Stadium set 2 SBD DAT>WAV>CE>CDWAV>CDR & SHN via Steve Herman (previous source but with sbe's fixed and made seekable) encoded by Chris Ladner
|
notes
|
| 14392. |
06/06/92 |
Flac 24/96 - 0,
134943 |
Orchard Park |
Rich Stadium flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 14393. |
06/06/92 |
Flac 16 - 0,
134942 |
Orchard Park |
Rich Stadium flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14394. |
06/06/92 |
Flac 16 - 0,
111171 |
Orchard Park |
Rich Stadium SHNID: 111171
|
notes
|
| 14395. |
06/06/92 |
Flac 24/96 - 0,
137752 |
Orchard Park |
Rich Stadium flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
|
notes
|
| 14396. |
06/06/92 |
Flac 16 - 0,
137751 |
Orchard Park |
Rich Stadium flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
|
notes
|
| 14397. |
06/06/92 |
Flac 24 - 0,
140203 |
Orchard Park |
Rich Stadium flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14398. |
06/06/92 |
Flac 16 - 0,
140277 |
Orchard Park |
Rich Stadium flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14399. |
06/06/92 |
Flac 16 - 0,
119035 |
Orchard Park |
Rich Stadium flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience cassette; Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master cassette(TDK SA-X90)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)
|
notes
|
| 14400. |
06/06/92 |
Flac 16 - 0,
124862 |
Orchard Park |
Rich Stadium
|
notes
|
| 14401. |
06/06/92 |
Shn - 0,
8242 |
Orchard Park |
Rich Stadium AUD > CM > DAT > CDR > WAV > SHN;(unk. mic); Unknown seeder
|
notes
|
| 14402. |
06/08/92 |
Flac 16 - 0,
89981 |
Richfield |
Richfield Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 14403. |
06/08/92 |
Flac 16 - 0,
83493 |
Richfield |
Richfield Coliseum flac16; MAD FOB DFC Digital Audience Recording Taped by Todd Evans, Section 2, Row S, Seats 8 and 9 Recording Info: Schoeps CMC34 (cardiod) > Oade Mic Preamp > Panasonic sv255 DAT Recorder > DAT Master Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> M-Audio Firewire Solo Interface -> Soundforge 8.0
|
notes
|
| 14404. |
06/08/92 |
Flac 16 - 0,
81791 |
Richfield |
Richfield Coliseum flac16; Senn 441’s>Sony D-5>Sony D6 > ? > flac Recorded by Mike Mahoney
|
notes
|
| 14405. |
06/08/92 |
Flac - 0,
12561 |
Richfield |
Richfield Coliseum flac16 format; DSBD > DAT > 1C > DAT; Transfer: DAT > WAV > FLAC: Dan Stephens, Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (normalize, 48-44.1, highest accuracy with anti-alias filter) > CDWav v1.71 > FLAC Frontend; (no DAE ; 48k, unmodified FLAC archived and available upon request); upgrade in circulation
|
notes
|
| 14406. |
06/08/92 |
Flac 16 - 0,
111193 |
Richfield |
Richfield Coliseum flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich
|
notes
|
| 14407. |
06/08/92 |
Flac 16 44,1 - 0,
141251 |
Richfield |
Richfield Coliseum flac16/44.1 Set 1 Only. Source Info: FOB B&K 4011-> DAT (Clay and Jamie?) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel
|
notes
|
| 14408. |
06/08/92 |
Flac 24 - 0,
150494 |
Richfield |
Richfield Coliseum flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k)
|
notes
|
| 14409. |
06/08/92 |
Flac 16 - 0,
150518 |
Richfield |
Richfield Coliseum flac16; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k), This file set is 16 bit @ 44.1
|
notes
|
| 14410. |
06/09/92 |
Flac 16 - 0,
89985 |
Richfield |
Richfield Coliseum flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 14411. |
06/09/92 |
Flac 16 - 0,
81856 |
Richfield |
Richfield Coliseum flac16; Senn 441’s>Sony D-5>Sony D6 > ? > flac Recorded by Mike Mahoney
|
notes
|
| 14412. |
06/09/92 |
Flac 16 44,1 - 0,
141250 |
Richfield |
Richfield Coliseum flac16/44.1 Source Info: FOB B&K 4011-> DAT (Clay and Jamie?). Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel
|
notes
|
| 14413. |
06/09/92 |
Flac 16 - 0,
12574 |
Richfield |
Richfield Coliseum flac16 format; Set I: AUD, FOB Schoeps CMC32's > DAT > PCM > DAT, Set II: AUD, OTS AKG 568's > DAT > PCM > DAT; Transfer: DAT > WAV > FLAC: Dan Stephens: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > CDWav v1.71 > FLAC Frontend (no DAE)
|
notes
|
| 14414. |
06/09/92 |
Flac 16 - 0,
111202 |
Richfield |
Richfield Coliseum flac16; Source: Audience recording > Nakamichi 300s (with cp1 caps) > Sony WM-D6 > MAC; Transfer: MAC > Sony WM-D6 > Edirol R09 HR > 24/48 wav > Adobe Audition > Wavelab 6 (with iZotope Ozone 4) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped and transferred by John Bleich
|
notes
|
| 14415. |
06/09/92 |
Flac 24/48 - 0,
150594 |
Richfield |
Richfield Coliseum flac24; Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite > FLAC (24-bit/48k)
|
notes
|
| 14416. |
06/11/92 |
Flac 16 - 0,
90105 |
Albany |
Knickerbocker Arena flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 14417. |
06/11/92 |
Flac 16 - 0,
110979 |
Albany |
Knickerbocker Arena flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo
|
notes
|
| 14418. |
06/11/92 |
Shn - 0,
8069 |
Albany |
Knickerbocker Arena sbd> dat> cass> dat> cdr> wav> shnv3; via cozmic chuck, neo_levo; upgrade in circulation
|
notes
|
| 14419. |
06/11/92 |
Flac 16 - 0,
134956 |
Albany |
Knickerbocker Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14420. |
06/11/92 |
Flac 24/96 - 0,
134957 |
Albany |
Knickerbocker Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 14421. |
06/11/92 |
Flac 24/96 - 0,
110978 |
Albany |
Knickerbocker Arena flac24; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24 taped by Baker and transferred by Keo
|
notes
|
| 14422. |
06/11/92 |
Flac 16 - 0,
137549 |
Albany |
Knickerbocker Arena flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck (Maxell MX-90 Minute Metal Tapes,1st Set,Sony SR-100 Minute Metal Tapes,2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,1st Row Official Taping Section
|
notes
|
| 14423. |
06/11/92 |
Flac 24/96 - 0,
137755 |
Albany |
Knickerbocker Arena flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
|
notes
|
| 14424. |
06/11/92 |
Flac 16 - 0,
137754 |
Albany |
Knickerbocker Arena flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
|
notes
|
| 14425. |
06/11/92 |
Flac 24 - 0,
139452 |
Albany |
Knickerbocker Arena flac24; AKG 568s -> Oade Power Supply > Casio DA-7 Portable DAT Deck -> Sony PCM-R500 Deck -> Hosa ODL-312 Optical AES/EBU Link -> Audacity on a Macintosh, all digital end-to-end. Front row tapers, center section; Taped by Bob Block, tracked and seeded by bltz
|
notes
|
| 14426. |
06/11/92 |
Shn - 0,
18581 |
Albany |
Knickerbocker Arena AUD(unknown mics)> DAT > CDR via Raoul Duke encoded by Matt Vernon
|
notes
|
| 14427. |
06/11/92 |
Flac 16 - 0,
86034 |
Albany |
Knickerbocker Arena flac16; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > R8Brain (44.1kHz) > TLH > FLAC. Taped and transferred (June 2007) by Andrew F.
This is your collection
|
notes
|
| 14428. |
06/11/92 |
Flac 16/48 - 0,
86035 |
Albany |
Knickerbocker Arena flac16/48; AUD Source: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DG-Dat tape. Mics on 7-foot stand in OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (June 2007) by Andrew F.
|
notes
|
| 14429. |
06/11/92 |
Flac 16 - 0,
116122 |
Albany |
Knickerbocker Arena flac16; Source:Sony D6 Cassette Master(Dolby B On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Cd Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped 1st Row Official Tapers Section.Taped By Dave Boedicker
|
notes
|
| 14430. |
06/11/92 |
Flac 16 - 0,
149565 |
Albany |
Knickerbocker Arena b>flac16; Source Info: TS: Schoeps CMC3 MK4-> Panasonic SV255-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped By Jeff Travitz; Transfers by Pete Ebel
|
notes
|
| 14431. |
06/11/92 |
Flac 16 - 0,
149564 |
Albany |
Knickerbocker Arena flac16; Set 1 Source Info: FOB B&K 4011-> Sony D10 Pro II-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 14432. |
06/11/92 |
Flac 24/48 - ,
152717 |
Albany |
Knickerbocker Arena flac24/48 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24
|
notes
|
| 14433. |
06/11/92 |
Flac 16/44 - ,
154484 |
Albany |
Knickerbocker Arena flac16/44 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 152717 2496 > 1644
|
notes
|
| 14434. |
06/12/92 |
Flac 16 - 0,
90111 |
Albany |
Knickerbocker Arena flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 14435. |
06/12/92 |
Flac 16 - 0,
83891 |
Albany |
Knickerbocker Arena flac16; Main Source: MSC > cassette > DAT > CoolEdit > CD > Peak edits > SHN (shnid 15821) Patch Source: (FOB)B+K 4011 > DAT > CDR/? > EAC > CDR > EAC > SHNv3 (shnid 4882) Edit: SHN > WAV > editing in Cool Edit Pro > CD Wave (patched tracks) > shntool > FLAC. Pitch correction of shnid 15821 by Bill Tetzeli
|
notes
|
| 14436. |
06/12/92 |
Shn - 0,
15821 |
Albany |
Knickerbocker Arena SBD > Master cassette> cassette> DAT> CoolEdit> CD> Peak edits> SHN via Johnny Venus encoded by Peter Braverman; upgrade in circulation
|
notes
|
| 14437. |
06/12/92 |
Flac 24/96 - 0,
134968 |
Albany |
Knickerbocker Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 14438. |
06/12/92 |
Flac 16 - 0,
134967 |
Albany |
Knickerbocker Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14439. |
06/12/92 |
Flac 24/96 - 0,
111079 |
Albany |
Knickerbocker Arena flac24; Source: Master Audience > Nakamichi CM300 with CP4 caps > Sony D6 > (Maxell MX, 1x90, 1x100); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24; taped by Baker and transferred by Keo
|
notes
|
| 14440. |
06/12/92 |
Flac 16 - 0,
111080 |
Albany |
Knickerbocker Arena flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (Maxell MX, 1x90, 1x100); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo
|
notes
|
| 14441. |
06/12/92 |
Flac 16 - 0,
137823 |
Albany |
Knickerbocker Arena flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
|
notes
|
| 14442. |
06/12/92 |
Flac 24/96 - 0,
137824 |
Albany |
Knickerbocker Arena flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx-90/100’s, dolby b; OTS; nakamichi dragon/b > benchmark adc1 @ 24/96>fission> adobe audition cc> xACT flac; transferred - Rob Berger
|
notes
|
| 14443. |
06/12/92 |
Flac 16 - 0,
86095 |
Albany |
Knickerbocker Arena flac16; Set One: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS. Set Two: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7. Transfer: 1st Set MAD & 2nd Set clone > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC
|
notes
|
| 14444. |
06/12/92 |
Flac 16 - 0,
96095 |
Albany |
Knickerbocker Arena flac16; Sennheiser MD421's>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades,Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 14445. |
06/12/92 |
Flac 16/48 - 0,
86096 |
Albany |
Knickerbocker Arena flac16/48; Set One: Nakamichi CM-300's with CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand in OTS. Set Two: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7, set up in OTS. Cloned Coax SPDIF > Casio DA-7. Transfer: 1st Set MAD & 2nd Set clone > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC
|
notes
|
| 14446. |
06/12/92 |
Flac 16 - 0,
116279 |
Albany |
Knickerbocker Arena flac16; Source: Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boudaries Aligned Using Traders Little Helper. Taped By Dave Boedicker, 1st Row Taper Section.
|
notes
|
| 14447. |
06/12/92 |
Flac 16 - 0,
123682 |
Albany |
Knickerbocker Arena flac16; Source: OTS/DFC/Audix shotguns > Sony WM-D6 (Set 1: 90 min Denon HD8; Set 2: 100 min Denon HD8 type II/NR: on); Transfer: Nakamichi BX300 (Analog master/NR: off) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/44.1) > Edirol UA25 > Sonar LE > Sound Forge 9.0 (convert 16 bit, tracking, added fades and normalize) > TLH (flac@8/ffp/sbe); Recorded, transferred and seeded by Bob Crupi
|
notes
|
| 14448. |
06/12/92 |
Flac 16 - 0,
137492 |
Albany |
Knickerbocker Arena flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck(Maxell MX-90 Minute Metal Tapes,1st Set,Sony SR-100 Minute Metal; Tapes, 2nd Set)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8, Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,1st Row Official Taping Section
|
notes
|
| 14449. |
06/12/92 |
Shn - 0,
4882 |
Albany |
Knickerbocker Arena (FOB)B+K 4011 > DAT > CDR/? > EAC > CDR > EAC > SHNv3; via Scott Agne
|
notes
|
| 14450. |
06/12/92 |
Flac 16 - 0,
145128 |
Albany |
Knickerbocker Arena flac16; Recording info: Set I: AKG 451eb/ck3 (FOB) > DAT (Sony D10 Pro) > PCM; Set II: Neumann KMi86 (OTS) > DAT (Panasonic SV255) > PCM; Transfer info: Beta PCM (video track) digital output: Sony SL-HF66 > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (FLAC 16-bit/44.1k); Digital Recordings made by unknown
|
notes
|
| 14451. |
06/12/92 |
Flac 24/48 - ,
152725 |
Albany |
Knickerbocker Arena flac24/48 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24
|
notes
|
| 14452. |
06/12/92 |
Flac 16/44 - ,
154491 |
Albany |
Knickerbocker Arena flac16/44 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi Res Editor (WAV 24-bit/96k) > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 152725 2448 > 1644
|
notes
|
| 14453. |
06/14/92 |
Flac 16 - 0,
89071 |
East Rutherford |
Giants Stadium flac16; Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v9.12 -> FLAC/16 All Transfers and Mastering By Charlie Miller
|
notes
|
| 14454. |
06/14/92 |
Flac 16 - 0,
85997 |
East Rutherford |
Giants Stadium flac16; Source: FOB(30 yrd line) Neumann KM82i's > Sony D5 > Maxell MX90 type IV stereo cassette. Taped by B. Koucky. Transfer: MAC playback on Nakamichi CR-7A, azimuth adjusted > Lynx RCA-XLR cables > Lunatec V3 @ 96 KHz, AES XLR digital out > AES digital input, LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. Transferred and mastering by C.Ladner.
|
notes
|
| 14455. |
06/14/92 |
Flac 16 - 0,
105592 |
East Rutherford |
Giants Stadium flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX. Set up front row OTS. Taped & transfer to CDR by Jon Pasternak. Transfer: MAC > Nakamichi DR-2 > Tascam CDRW2000 > CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged. EAC thru FLAC by Andrew F. 01/2010
|
notes
|
| 14456. |
06/14/92 |
Shn - 0,
1035 |
East Rutherford |
Giants Stadium "analog sbd", no further info available; 2-3 spots of diginoise; via Aaron Kowalski to BUDD offer; circ as 3-disc shn set with 7/10/89; txt/md5s here courtesy DES, 6/23/01; upgrade in circulation
|
notes
|
| 14457. |
06/14/92 |
Flac 16/48 - 0,
138565 |
East Rutherford |
Giants Stadium flac16/48kHz; Unknown Taper: B&K 4011 (ORTF) > Neumann PS > Sony D10Pro; FOB w/stand; Stand specified at 6' 5" for 2nd set; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 14458. |
06/14/92 |
Flac 24/96 - ,
153971 |
East Rutherford |
Giants Stadium flac24/96 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (WAV 24-bit/48k) > FLAC/24
|
notes
|
| 14459. |
06/14/92 |
Flac 16/44 - ,
154495 |
East Rutherford |
Giants Stadium flac16/44 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (WAV 24-bit/48k) > FLAC/24 - This is 153971 2448 > 1644
|
notes
|
| 14460. |
06/15/92 |
Flac 16 - 0,
32449 |
East Rutherford |
Giants Stadium flac16; SBD -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v8.01 -> FLAC Transferred and Edited By Charlie Miller
|
notes
|
| 14461. |
06/15/92 |
Flac 16 Mtx - 0,
122576 |
East Rutherford |
Giants Stadium flac16; Matrix - sbd 65%/aud 35%: 1) SBD -> Dat -> CD and 2) FOB>DAT>CDR; Schoeps CMC3/MK4> Oade M118> Panasonic SV-250
|
notes
|
| 14462. |
06/15/92 |
Flac 16 - 0,
105593 |
East Rutherford |
Giants Stadium flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX. Set up front row OTS. Taped & transfer to CDR by Jon Pasternak. Transfer: MAC > Nakamichi DR-2 > Tascam CDRW2000 > CDR > EAC > Wavelab > CD-Wave > TLH > FLAC 1644 Tagged. EAC thru FLAC by Andrew F. 01/2010
|
notes
|
| 14463. |
06/15/92 |
Shn - 0,
9972 |
East Rutherford |
Giants Stadium FOB>DAT>CDR; Schoeps CMC3/MK4> Oade M118> Panasonic SV-250; via John Valter; Seeded to etree by eD(efojr)
|
notes
|
| 14464. |
06/17/92 |
Flac 16 - 0,
32486 |
Charlotte |
Charlotte Coliseum flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller
|
notes
|
| 14465. |
06/17/92 |
Flac 24/96 - 0,
110947 |
Charlotte |
Charlotte Coliseum flac24; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24; taped by Baker and transferred by Keo
|
notes
|
| 14466. |
06/17/92 |
Flac 24/96 - 0,
134987 |
Charlotte |
Charlotte Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 14467. |
06/17/92 |
Flac 16 - 0,
134986 |
Charlotte |
Charlotte Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14468. |
06/17/92 |
Flac 16 - 0,
110948 |
Charlotte |
Charlotte Coliseum flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D6 > MAC (1 x Maxell MX-S100 + 1 x MX-S90); Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16; taped by Baker and transferred by Keo
|
notes
|
| 14469. |
06/17/92 |
Shn - 0,
4673 |
Charlotte |
Charlotte Coliseum AUD (CMC-31)> DAT> CDR> EAC> CDWAVE (excess silences removed)> SHN (MKW); DAE (EAC V0.9pb9) and SHN conversion (mkwACT 0.97 beta 1) by Charles Wier, from Paul Bottiglio's CDs
|
notes
|
| 14470. |
06/18/92 |
Flac 16 - 0,
32487 |
Charlotte |
Charlotte Coliseum flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller
|
notes
|
| 14471. |
06/18/92 |
Shn - 0,
29702 |
Charlotte |
Charlotte Coliseum Set II only: Source: Sbd > ?? > CD's (likely a cassette gen) Transfer: CD's > EAC (secure) > MKWACT > SHN EAC/SHN by Chris Davis; upgrade in circulation
|
notes
|
| 14472. |
06/18/92 |
Flac 16 - 0,
134975 |
Charlotte |
Charlotte Coliseum flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14473. |
06/18/92 |
Flac 24/96 - 0,
134976 |
Charlotte |
Charlotte Coliseum flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 14474. |
06/18/92 |
Flac 24 - 0,
139446 |
Charlotte |
Charlotte Coliseum flac24; Nakamichi CM-300, CP-4 Shotguns > Casio DA-7 Portable DAT Deck -> Sony PCM-R500 Deck -> Hosa ODL-312 Optical AES/EBU Link -> Audacity on a Macintosh
|
notes
|
| 14475. |
06/18/92 |
Shn - 0,
4674 |
Charlotte |
Charlotte Coliseum AUD (CMC-31)> DAT> CDR> EAC> SHN (MKW); DAE (EAC V0.9pb9) and SHN conversion (mkwACT 0.97 beta 1) by Charles Wier, from Paul Bottiglio's CDs; Known flaws: 25 ms analog dropout at 2:50 of He's Gone
|
notes
|
| 14476. |
06/18/92 |
Flac 16 - 0,
96087 |
Charlotte |
Charlotte Coliseum flac16; Sennheiser ME-80's>Technics SV-MD1 Dat Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades,Sample Rate Conversion)>CDWAV>FLAC Recorded, transferred & Uploaded By Keith Litzenberger
|
notes
|
| 14477. |
06/18/92 |
Flac 16/48 - 0,
144379 |
Charlotte |
Charlotte Coliseum flac16/48khz Recorded by: Mark Lynn Source: NAK 300s + CP4 shotguns > Casio DA7 with emphasis > DAT @48 kHz (on floor) Transferred by Mark Lynn & morst: Mark Lynn: DAT master > Sound Devices 722 morst: FLAC > Audacity 2.1.0 > WAVs > xACT 2.47 > FLACs @ 48kHz
|
notes
|
| 14478. |
06/20/92 |
Flac 16 - 0,
32488 |
Washington |
Robert F. Kennedy Stadium flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller
|
notes
|
| 14479. |
06/20/92 |
Flac 16 - 0,
93996 |
Washington |
Robert F. Kennedy Stadium flac16; Recording Info: SBD -> Dat -> CD Transfer Info: CD -> EAC -> Samplitude Professional v8.01 -> FLAC with fixed d2t01 by Tim Leavy (see info file for details). This is a fixed version of shn ID shn id 32488
|
notes
|
| 14480. |
06/20/92 |
Flac 16/48 - 0,
33953 |
Washington |
Robert F. Kennedy Stadium flac16/48; Master Soundboard DAT @ 48KHZ->DAT x 4; Conversion: Sony R500 ->M Audio Audiophile 2496 ->Soundforge (record)->CDWAV (track) ->FLAC, by Mark Lynn
|
notes
|
| 14481. |
06/20/92 |
Shn - 0,
546 |
Washington |
Robert F. Kennedy Stadium SBD> DATs> CDRs> EAC> SHN; via Darrin Sacks; level change during Corinna- a few min in the level suddenly goes up a bit and may actually clip then immediately goes down by about 6db and stays that way for the rest of the set; upgrade in circulation
|
notes
|
| 14482. |
06/20/92 |
Shn - 0,
2207 |
Washington |
Robert F. Kennedy Stadium DSBD, no other info available; has same change in level in Corinna as mentioned on the other shn set in circulation; via Tony Gardner; upgrade in circulation
|
notes
|
| 14483. |
06/20/92 |
Flac 16/48 - 0,
34827 |
Washington |
Robert F. Kennedy Stadium flac16/48; FOB DFC Digital Audience Recording Schoeps CMC34 -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master - Recorded by Todd Evans
|
notes
|
| 14484. |
06/20/92 |
Flac 16 - 0,
34817 |
Washington |
Robert F. Kennedy Stadium flac16; FOB DFC Digital Audience Recording Schoeps CMC34 -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master - Recorded by Todd Evans
|
notes
|
| 14485. |
06/20/92 |
Flac 16 - 0,
94214 |
Washington |
Robert F. Kennedy Stadium flac16; Sennheiser ME-80's>Technics SV-MD1 from front of OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 14486. |
06/22/92 |
Flac 16 - 0,
32490 |
Burgettstown |
Star Lake Amphitheatre flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller
|
notes
|
| 14487. |
06/22/92 |
Flac 24/96 - 0,
135072 |
Burgettstown |
Star Lake Amphitheatre flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 14488. |
06/22/92 |
Flac 16 - 0,
135071 |
Burgettstown |
Star Lake Amphitheatre flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14489. |
06/22/92 |
Shn - 0,
14043 |
Burgettstown |
Star Lake Amphitheatre Second Set Only SBD ?>DAT>WAV>CE>CDWAV>CDR & SHN [probable cassette generation]; upgrade in circulation
|
notes
|
| 14490. |
06/22/92 |
Flac 16 - 0,
86435 |
Burgettstown |
Star Lake Amphitheatre flac16; source : aud > Nak 300s > WMD-6 > mac taped by John Bleich transfer : mac > Aiwa AD-F410 > Creative Extigy > Wavelab > wav (24/96) > flac downsampled to 16/44.1 with Wavelab and dithered with iZotope Ozone
|
notes
|
| 14491. |
06/22/92 |
Flac 16 - 0,
121415 |
Burgettstown |
Star Lake Amphitheatre flac16; Set 2 Source: 2 Beyer M160 microphones - 9th row/center> Sony TC-D5M - analog master cassette; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 14492. |
06/22/92 |
Shn - 0,
5218 |
Burgettstown |
Star Lake Amphitheatre DAUD (master) > CDR > EAC > CDWAV > SHN >wav > shn w/seeking, plus encore: SBD > DAT > Cassette > DAT > Delta Dio 2496 > CDR > EAC> .shn; via brothercrow, harlan from D. Loebig, Rob Harrison seeds
|
notes
|
| 14493. |
06/23/92 |
Flac 16 - 0,
32491 |
Burgettstown |
Star Lake Amphitheatre flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller
|
notes
|
| 14494. |
06/23/92 |
Shn - 0,
6024 |
Burgettstown |
Star Lake Amphitheatre SBD> Dat> c> Dat> Cool Edit> cd> EAC> SHN (seekable);EAC>SHN Steve Barbella, from John Valter seed discs; upgrade in circulation
|
notes
|
| 14495. |
06/23/92 |
Flac 24/96 - 0,
135074 |
Burgettstown |
Star Lake Amphitheatre flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 14496. |
06/23/92 |
Flac 16 - 0,
135073 |
Burgettstown |
Star Lake Amphitheatre flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rena
|
notes
|
| 14497. |
06/23/92 |
Shn - 0,
9985 |
Burgettstown |
Star Lake Amphitheatre DAUD (master) > CDR; via D. Loebig; Seeded to etree by Harlan
|
notes
|
| 14498. |
06/23/92 |
Flac 16 - 0,
86634 |
Burgettstown |
Star Lake Amphitheatre flac16; source: aud > Nak 300s > WMD-6 > mac taped by John Bleich transfer : mac > Aiwa AD-F410 > Creative Extigy > Wavelab > wav (24/96) > flac downsampled to 16/44.1 with Wavelab and dithered with iZotope Ozone
|
notes
|
| 14499. |
06/25/92 |
Flac - 0,
32496 |
Chicago |
Soldier Field flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller
|
notes
|
| 14500. |
06/25/92 |
Shn - 0,
22794 |
Chicago |
Soldier Field Source: Soundboard (was originally labeled as Shure Beta 57's > Tascam Porta 5 DBX Analog Deck > Cass Master > DAT > CDR) Transfer: EAC > CDR > FLAC Taper: Jim O'Malley Location: "...down on the field close to the stage..."
|
notes
|
| 14501. |
06/25/92 |
Shn - 0,
2258 |
Chicago |
Soldier Field SBD> D-> CDR-> EAC> SHN; Ripped by John Zei; Missing encore; upgrade in circulation
|
notes
|
| 14502. |
06/25/92 |
Shn - 0,
548 |
Chicago |
Soldier Field SBD->CASS0->DAT @ 44.1 Khz (encore 48 Khz, resampled via CoolEdit Pro @ 999 qs); Transfer: DAT->PC (S/PDIF, TB Fiji), SHNs from original WAVs, A. Shiffman; see info file for flaw notes; upgrade in circulation
|
notes
|
| 14503. |
06/25/92 |
Flac - 0,
34801 |
Chicago |
Soldier Field flac16; Seamless fix of shn id 8959 - SBD > GD MASTER D > D > SSSB
|
notes
|
| 14504. |
06/25/92 |
Shn - 0,
8959 |
Chicago |
Soldier Field SBD > RF Digital Earpiece Monitor Mix Buss (mix was fed to Kreutzman/Hart) > Vault Archive ADAT > 24-bit/96 kHz 2-track Mixdown DAT (Marin County Source) > SSSB; Seeded to etree by Jay Serafin
|
notes
|
| 14505. |
06/25/92 |
Flac - 0,
138876 |
Chicago |
Soldier Field flac16/48kHz; Set 2, unknown taper: B&K 4011 at 110 degrees ORTF > Neumann PS > Sony D10Pro - FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 14506. |
06/25/92 |
Flac - 0,
139264 |
Chicago |
Soldier Field flac16 44.1khz Set 1 only. Recorded by David Cohen & Justin Lee. OTS 8 foot stand. 2 Nakamichi CM300 Omnis spaced 2 meters >Sony D10Pro II DAT 48K Master sample rate converted to 44.1 in Wavelab
|
notes
|
| 14507. |
06/25/92 |
Flac - 0,
139369 |
Chicago |
Soldier Field flac16 44.1khz Source Info: FOB B&K 4011-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel
|
notes
|
| 14508. |
06/25/92 |
Flac - 0,
139368 |
Chicago |
Soldier Field flac16 44.1khz Source Info: FOB Schoeps CMC3 MK2-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1).Transfers by Pete Ebel
|
notes
|
| 14509. |
06/26/92 |
Flac - 0,
32497 |
Chicago |
Soldier Field flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller
|
notes
|
| 14510. |
06/26/92 |
Shn - 0,
9118 |
Chicago |
Soldier Field DAUD[master] > CDR; via D. Loebig; Seeded to etree by harlan
|
notes
|
| 14511. |
06/28/92 |
Flac 16 - 0,
32550 |
Noblesville |
Deer Creek Music Center flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller
|
notes
|
| 14512. |
06/28/92 |
Flac 16 Mtx - 0,
97810 |
Noblesville |
Deer Creek Music Center flac16; matrix of DSBD: shnid=32550 and DAUD: shnid=90152 by hansokolow using ProTools
|
notes
|
| 14513. |
06/28/92 |
Flac 16/48 - 0,
90149 |
Noblesville |
Deer Creek Music Center flac16/48; AUD: Schoeps CMC3/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > Sony DDS-Dat tape. Mics on seven foot stand, set up dead center, front edge of grass, just behind last seating row. Transfer: MAD > Sony TCD-D10P > Audiophile 2496 SPDIF-In > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F
|
notes
|
| 14514. |
06/28/92 |
Shn - 0,
8601 |
Noblesville |
Deer Creek Music Center SBD; Lineage; Master Cassette> DAT> CD; 1st set via Charlie Miller; Seeded to etree by Peter Braverman; upgrade in circulation
|
notes
|
| 14515. |
06/28/92 |
Flac 16 - 0,
28395 |
Noblesville |
Deer Creek Music Center flac16; SBD> Dat> CD> CD> Sonic Solutions> CD> CD> EAC> FLAC; via Charlie Miller; upgrade in circulation
|
notes
|
| 14516. |
06/28/92 |
Flac 24/96 - 0,
135321 |
Noblesville |
Deer Creek Music Center flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 14517. |
06/28/92 |
Flac 16 - 0,
135322 |
Noblesville |
Deer Creek Music Center flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14518. |
06/28/92 |
Flac 24 - 0,
140204 |
Noblesville |
Deer Creek Music Center flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14519. |
06/28/92 |
Flac 16 - 0,
140280 |
Noblesville |
Deer Creek Music Center flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14520. |
06/28/92 |
Flac 16 - 0,
132788 |
Noblesville |
Deer Creek Music Center flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro
|
notes
|
| 14521. |
06/28/92 |
Shn - 0,
550 |
Noblesville |
Deer Creek Music Center FOB (hand held) B&K 4011's -> D10 Pro, P. Delgado; Transfer: D8 -> Montego II -> CDWAV -> Shorten32, D. Nawrocki
|
notes
|
| 14522. |
06/28/92 |
Flac 16/48 - 0,
149397 |
Noblesville |
Deer Creek Music Center flac16/48kHz; Source Info:;FOB B&K 4011-> Sony D-10 Pro II-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48)
|
notes
|
| 14523. |
06/28/92 |
Flac 16/48 - 0,
149398 |
Noblesville |
Deer Creek Music Center flac16/48kHz; Set 1 Source Info: Beyer CM 101-> Casio DA-7-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48)
|
notes
|
| 14524. |
06/29/92 |
Shn - 0,
9399 |
Noblesville |
Deer Creek Music Center SBD>DAT>C>DAT>CDR; Seeded to etree by Tony G
|
notes
|
| 14525. |
06/29/92 |
Flac 24/96 - 0,
135350 |
Noblesville |
Deer Creek Music Center flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 14526. |
06/29/92 |
Flac 16 - 0,
135351 |
Noblesville |
Deer Creek Music Center flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Set 1 Maxell MX-S 90, Set 2 Maxell MX-S 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14527. |
06/29/92 |
Flac 24 - 0,
140222 |
Noblesville |
Deer Creek Music Center flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14528. |
06/29/92 |
Flac 16 - 0,
140285 |
Noblesville |
Deer Creek Music Center flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14529. |
06/29/92 |
Flac 16 - 0,
132789 |
Noblesville |
Deer Creek Music Center flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro
|
notes
|
| 14530. |
06/29/92 |
Shn - 0,
2281 |
Noblesville |
Deer Creek Music Center Nak300 (CP-4 shotgun caps) -> Sony D5M-Pro (used as mic preamp) -> Yamaha MT1X cassette deck using DBX type II encoding; A/D Playback: Cassette Master in Yamaha MT120S using DBX type II decoding ->Tascam DA20 -> Zefiro ZA2 -> CoolEdit editing -> CDR; slight bit of the beginning of Desolation is missing, as well as the first couple notes of Deal; tape flip in Drums/Space spliced together with Cool Edit; Recording by Pat Volkerding and Eddie Wahba; A>D>CDR transfer by by Pat Volkerding; upload by Chris Ladner; see info file for burning notes
|
notes
|
| 14531. |
06/29/92 |
Flac 16 - 0,
91644 |
Noblesville |
Deer Creek Music Center flac16; Sennheiser ME-80's>Technics SV-MD1 from Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger
|
notes
|
| 14532. |
06/29/92 |
Flac 16/48 - 0,
149399 |
Noblesville |
Deer Creek Music Center flac16/48kHz; Source Info: FOB B&K 4011-> Sony D-10 Pro II-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48)
|
notes
|
| 14533. |
07/01/92 |
Shn - 0,
5701 |
Hebron |
Buckeye Lake Music Center preFM SBD > CM > DAT > CDR > WAV > SHNv3; d1 tracked for 80 min; some clipping; via Chris L.
|
notes
|
| 14534. |
07/01/92 |
Flac 24/96 - 0,
110853 |
Hebron |
Buckeye Lake Music Center flac24; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D5 > MAC (1 x Maxell MX-S100 + 1 x MX-S90) Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > CD Wave > TLH > Flac 24 taped by Baker and transferred by Keo
|
notes
|
| 14535. |
07/01/92 |
Flac 16 - 0,
81844 |
Hebron |
Buckeye Lake Music Center flac16; Schoeps CMC32's (8 foot spaced omnis on 6 foot stands) -> Monster M1000 Cable -> Oade Mic Preamp -> Monster M1000 Jumper Cables -> Panasonic sv255 DAT Deck; DAT > TASCAM DA-20 > M-Audio FireWire Solo > Soundforge 8.0 wav
|
notes
|
| 14536. |
07/01/92 |
Flac 16 - 0,
110852 |
Hebron |
Buckeye Lake Music Center flac16; Source: Audience Recording > Nakamichi CM300 with CP4 caps > Sony D5 > MAC (1 x Maxell MX-S100 + 1 x MX-S90) Lineage: MAC > Nakamichi MR-1> Dolby B > Korg MR 100 @ 1Bit/5.6 MHz > AudioGate > 24/96 wav> Adobe Audition 1.5 > Wavelab 6 (with iZotope Ozone) > iZotope RX Advanced > 16/44.1 wav > CD Wave > TLH > Flac 16 taped by Baker and transferred by Keo
|
notes
|
| 14537. |
07/01/92 |
Flac 24 - 0,
140128 |
Hebron |
Buckeye Lake Music Center flac24; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14538. |
07/01/92 |
Flac 16 - 0,
140226 |
Hebron |
Buckeye Lake Music Center flac16; Recording Info: SBD > Cassette Master (Tascam Deck/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14539. |
07/01/92 |
Flac 16/48 - 0,
147571 |
Hebron |
Buckeye Lake Music Center b>flac16/48kHz; Source Info: Beyer CM 101-> Casio DA-7-> DAT (Taped by Pete Ebel); Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
|
notes
|
| 14540. |
12/02/92 |
Flac 16 - 0,
119982 |
Denver |
McNichols Sports Arena flac16; Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14541. |
12/02/92 |
Flac 16 - 0,
82302 |
Denver |
McNichols Sports Arena flac16; MAD FOB Digital Audience Recording - 13th Row Schoeps Mk4v Cardiod Capsule (ORTF) -> Schopes Kc5 Active Cable -> Schoeps CMC3 Mic Body -> Oade Mic Pre -> Monster M1000 Jumper Cable (12" -> Panasonic sv255 DAT Master Recorded by Todd Evans - (DFC was the aisle, this recording 1 seat from aisle) Transfer- MAD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0
|
notes
|
| 14542. |
12/02/92 |
Flac 24/48 - 0,
119982 |
Denver |
McNichols Sports Arena flac24; Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 14543. |
12/02/92 |
Flac 24 - 0,
140148 |
Denver |
McNichols Sports Arena flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14544. |
12/02/92 |
Flac 16 - 0,
140248 |
Denver |
McNichols Sports Arena flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14545. |
12/02/92 |
Flac 16/48 - 0,
141410 |
Denver |
McNichols Sports Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
|
notes
|
| 14546. |
12/02/92 |
Flac 16/48 - 0,
132562 |
Denver |
McNichols Sports Arena flac16/48kHz; Recording Notes: recorded and transferred by jlevene; Source: undocumented (but probably Nak 300 > Sony D3) > DAT/master (32kHz); Transfer: Tascam DA-20 > analog connection > Marantz PMD661 (digital tansfer) .wav (16/48); SFv9, CDwave, TLH and mp3tag were used to finish the conversion to .flac; minor level adjustments during T2/FLAS
|
notes
|
| 14547. |
12/02/92 |
Shn - 0,
9991 |
Denver |
McNichols Sports Arena 2nd Set; AUD(Neumann KM 140's)>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 14548. |
12/02/92 |
Shn - 0,
12228 |
Denver |
McNichols Sports Arena (Unknown Audience) Digital Master> DAT> DMXFire> CDWav> mkw> shn; shn info submitted by user ststephen
|
notes
|
| 14549. |
12/03/92 |
Flac 16 - 0,
120034 |
Denver |
McNichols Sports Arena flac16; Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14550. |
12/03/92 |
Flac 16 - 0,
82352 |
Denver |
McNichols Sports Arena flac16; MAD FOB Digital Audience Recording - 14th Row Schoeps Mk4v Cardiod Capslue (ORTF) -> Schopes Kc5 Active Cable -> Schoeps CMC3 Mic Body -> Oade Mic Pre -> Monster M1000 Jumper Cable (12" -> Panasonic sv255 DAT Master Recorded by Todd Evans - (DFC was the aisle, this recording 1 seat from aisle) Transfer: MAD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0
|
notes
|
| 14551. |
12/03/92 |
Flac 24/48 - 0,
120033 |
Denver |
McNichols Sports Arena flac24; Master Audience Recorded By Mr. Walker And Mr. Darby; AKGC460B/CK61's (DIN/Section FFF,Row 3, Seat 4/6 Feet High)> AKGB18 (With 48 Volt Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1,Maxell MX-S,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 14552. |
12/03/92 |
Flac 24 - 0,
140149 |
Denver |
McNichols Sports Arena flac24; Set 1 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14553. |
12/03/92 |
Flac 16 - 0,
140249 |
Denver |
McNichols Sports Arena flac16; Set 1 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14554. |
12/03/92 |
Flac 16/48 - 0,
141411 |
Denver |
McNichols Sports Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
|
notes
|
| 14555. |
12/03/92 |
Shn - 0,
9474 |
Denver |
McNichols Sports Arena Neumann KM 140's > DAT > CDR; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 14556. |
12/03/92 |
Flac 16 - 0,
30071 |
Denver |
McNichols Sports Arena flac16; Recording Info: (FOB/ORTF) B&K 4011 -> Modified Neumann Power supply -> Dat (Modified Sony D10 Pro) -> Dat Clone Transfer Info: Dat Clone (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
|
notes
|
| 14557. |
12/03/92 |
Flac 16/48 - 0,
132563 |
Denver |
McNichols Sports Arena flac16/48kHz; Recording Notes: recorded and transferred by jlevene; Source: undocumented (but probably Nak 300 > Sony D3 in the taper section) > DAT/master (32kHz); Transfer: Tascam DA-20 > analog connection > Marantz PMD661 (digital tansfer) .wav (16/48); SFv9, CDwave, TLH and mp3tag were used to finish the conversion to .flac
|
notes
|
| 14558. |
12/05/92 |
Flac - 0,
33827 |
Tempe |
Compton Terrace Amphitheatre Digital Audience Recording Taped by Todd Evans Schoeps CMC32 Split Omnis -> Monster M1000 Jumpers -> Oade Pre -> MonsterM1000 Cable -> 7ft Stand -> Panasonic sv255 DAT Master from Todd Evans MASTER DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav Soundforge 8.0 for 48/44.1>tracked in shntool-2.0.3> FLAC Frontend Level8
|
notes
|
| 14559. |
12/05/92 |
Flac 16 - 0,
117623 |
Tempe |
Compton Terrace Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DID/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 14560. |
12/05/92 |
Flac - 0,
117622 |
Tempe |
Compton Terrace Amphitheatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DID/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 14561. |
12/05/92 |
Flac 24 - 0,
140150 |
Tempe |
Compton Terrace Amphitheatre flac24; Set 2 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14562. |
12/05/92 |
Flac 16 - 0,
140250 |
Tempe |
Compton Terrace Amphitheatre flac16; Set 2 Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14563. |
12/05/92 |
Shn - 0,
8757 |
Tempe |
Compton Terrace Amphitheatre AUD(AKG-460's)>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 14564. |
12/06/92 |
Flac 16 - 0,
94107 |
Tempe |
Compton Terrace Amphitheatre flac16; Recording Info:SBD -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14565. |
12/06/92 |
Flac 16 Mtx - 0,
97819 |
Tempe |
Compton Terrace Amphitheatre flac16; matrix of DSBD: shnid=94107 and DAUD: shnid=33956 by hansokolow using ProTools
|
notes
|
| 14566. |
12/06/92 |
Flac 16 - 0,
117626 |
Tempe |
Compton Terrace Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/First Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 14567. |
12/06/92 |
Flac 16 - 0,
33956 |
Tempe |
Compton Terrace Amphitheatre flac16; Schoeps CMC32 Split Omnis -> Monster M1000 Jumpers -> Oade Pre -> MonsterM1000 Cable -> 7ft Stand -> Panasonic sv255 soundforge 8.0 48kHz/44.1kHz conversion> tracked in CDWav>FLAC; Taped by Todd Evans; patched with shnid 8706, a GEMS production
|
notes
|
| 14568. |
12/06/92 |
Flac 24/48 - 0,
117627 |
Tempe |
Compton Terrace Amphitheatre flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/First Row Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1 Maxell MX-s,Set 2 Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 14569. |
12/06/92 |
Shn - 0,
8706 |
Tempe |
Compton Terrace Amphitheatre SBD>D> Delta Dio 2496 > Cool Edit >CDR; Seeded to etree by Tim Wiley
|
notes
|
| 14570. |
12/06/92 |
Flac 16/44,1 - 0,
141065 |
Tempe |
Compton Terrace Amphitheatre flac16/44.1khz Source Info: FOB AKG 460-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 14571. |
12/06/92 |
Flac 16 - 0,
125410 |
Tempe |
Compton Terrace Amphitheatre flac16; Shoeps 441>DAT>CM>WAV>FLAC; TRANSFER NAKCR1>TEAC CRW250>WAV>FLAC
|
notes
|
| 14572. |
12/06/92 |
Shn - 0,
10381 |
Tempe |
Compton Terrace Amphitheatre Unknown aud > ? > CDR; via Raoul Duke and Ziggy; Seeded to etree by Matt Vernon
|
notes
|
| 14573. |
12/06/92 |
Flac 16 - 0,
117301 |
Tempe |
Compton Terrace Amphitheatre flac16; dave homes dat master; lineage: audience dat master to cdr krw_co transfer to eac to tlh flac level 8
|
notes
|
| 14574. |
12/06/92 |
Flac 16 - 0,
114526 |
Tempe |
Compton Terrace Amphitheatre flac16; Source DAT labeled AKG C-61's w/ Hyper-Cardiod caps > Denon DTR-80P ; Source taped by Steve Fink and Marcus Barnett Tascam DA-40 > S/PDIF > M-Audio 2496 @ 48khz > 44khz sample rate conversion via iZotope SRC 64 bit SRC Tracking performed in Adobe Audition 3.0 FLAC conversion via Trader's Little Helper; All transfers by ifthir@hotmail.com 7/8/2011
|
notes
|
| 14575. |
12/11/92 |
Shn - 0,
9534 |
Oakland |
Oakland-Alameda County Coliseum SBD DAT master > DAT/1 > CDR > iMac > SHN; note shntool-fixed version of previous shn set, via Nathan Scott; seekable
|
notes
|
| 14576. |
12/11/92 |
Shn - 0,
5548 |
Oakland |
Oakland-Alameda County Coliseum Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa\'s nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear; missing Deal; upgrade in circulation
|
notes
|
| 14577. |
12/11/92 |
Flac 16 - 0,
79264 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording - Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer - DAT Clone from Dat Master from collection of Todd Evans DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info - Wavelab 6.0 - 48/16 wav> BBE, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE
|
notes
|
| 14578. |
12/11/92 |
Flac 16 - 0,
86009 |
Oakland |
Oakland-Alameda County Coliseum flac16; Schoeps CMC-441's > Panasonic SV-255> DAT (clone) ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) ; Taped By (likely) Ed Boardman ; Transfer By Scott Swayne (AltheasBoy) in 06/2007
|
notes
|
| 14579. |
12/11/92 |
Flac 16/48 - 0,
86010 |
Oakland |
Oakland-Alameda County Coliseum flac16/48; Schoeps CMC-441's > Panasonic SV-255> DAT (clone) ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) ; Taped By (likely) Ed Boardman ; Transfer By Scott Swayne (AltheasBoy) in 06/2007 ; 48k version
|
notes
|
| 14580. |
12/11/92 |
Flac 16/48 - 0,
139686 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Jim Wise recording: AKG 414 > Oade preamp > Sony D-10 Pro > DAT (FOB); Jim Wise transfer: DAT > Sony D-10 Pro > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 14581. |
12/11/92 |
Flac 24 - 0,
140828 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14582. |
12/11/92 |
Flac 16 - 0,
140846 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14583. |
12/11/92 |
Shn - 0,
9773 |
Oakland |
Oakland-Alameda County Coliseum AUD (AKG-460's) >DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 14584. |
12/11/92 |
Flac 16/48 - 0,
141731 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Recording info: Set I: Schoeps CMC34 (110° ORTF) > MIT Cable > TAO Research P.S. > Panasonic SV225 > DAT Recorded by John Ammons, hand held @ 5'9" FOB, center; Set II: AMS ST-250 (ambisonic mode)> 4 track Nagra D open reel 24 bit digital deck> 2 channel stereo DAT (Blumlein pattern)> DAT; Recorded by Jeff Silberman, just left of center, FOB; Transfer info: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Transfer by John Ammons of his s1 Master DAT & s2 clone of Silberman Master DAT
|
notes
|
| 14585. |
12/11/92 |
Flac 16/48 - 0,
150535 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Recording: Schoeps MK4 CMC3mod (ORTF)> MIT shotgun XLR > TAO-Oade PS > MIT shotgun XLR > Panasonic SV250mod > Master DAT (16bit48kHz); Location, FOB, DFC; Mics handheld 5'9"-1st Set, 5'10"-2nd Set; Transfer: Master DAT > Panasonic SV3800 > S-PDIF(16bit48kHz) > Edirol-R4 > WAV 48-16; Master Digital FOB Recording by Marcus Buick & Rob Darroch with assistance of John Ammons; Transfer by Marcus Buick; Edited & Mastered using Adobe Audition (2020) by Joe Noel
|
notes
|
| 14586. |
12/12/92 |
Flac 16 Mtx - 0,
97937 |
Oakland |
Oakland-Alameda County Coliseum flac16; matrix of SBD: shnid=5549 and AUD: shnid: set 1=23220, set 2=28878 by hansokolow using ProTools
|
notes
|
| 14587. |
12/12/92 |
Shn - 0,
5549 |
Oakland |
Oakland-Alameda County Coliseum Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear; d2 tracked for 80 min
|
notes
|
| 14588. |
12/12/92 |
Flac 16 - 0,
79599 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording info-Digital FOB Audience Schoeps CMC54 taper: unknown Transfer info-DAT Clone from Dat Master DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info-Edited and Mastered By Blingfreein Adobe Audition 1.5; -48/44.1 SRC(Crystal Ultra), L3 type 1 dither in Wavelab 6.0 by Jamie Waddell - Flac Level 8 in FLACFrontend SBE FREE
|
notes
|
| 14589. |
12/12/92 |
Flac 16/48 - 0,
139687 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Jim Wise recording: AKG 414 > Oade preamp > Sony D-10 Pro > DAT (FOB); Jim Wise transfer: DAT > Sony D-10 Pro > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 14590. |
12/12/92 |
Flac 24 - 0,
140829 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14591. |
12/12/92 |
Flac 16 - 0,
140850 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14592. |
12/12/92 |
Shn - 0,
28878 |
Oakland |
Oakland-Alameda County Coliseum Set 2 only; Recording Info: (FOB) Soundfield AMS ST250 (Blumlein) -> Nagra D Digital Reel To Reel (20 bit) -> Dat -> Dat Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Recorded By Jeff Silberman Dat Supplied By JC Mahoney Transferred By Charlie Miller
|
notes
|
| 14593. |
12/12/92 |
Flac - 0,
23220 |
Oakland |
Oakland-Alameda County Coliseum Source: fob 30' center(from stage) hand held cmc 4,41 ortf>canare star quad cables>koch power supply > canare star quad cables>koch modified panasonic sv-255 panasonic sv-3700>hhb 830>CD-r>EAC (secure mode)>.wav>Flac Taped and transfered (DAT to Cd-r) Ed Boardman & CD-r>EAC>.wav>Flac by C Evans
|
notes
|
| 14594. |
12/12/92 |
Shn - 0,
9510 |
Oakland |
Oakland-Alameda County Coliseum AUD (AKG-460's)>DAT>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 14595. |
12/12/92 |
Flac 16/48 - 0,
150536 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Recording: Schoeps MK4 CMC3mod (ORTF, FOB) > MIT shotgun XLR > TAO-Oade PS > MIT shotgun XLR > Panasonic SV250mod > Master DAT (16bit 48kHz); Location, FOB, DFC. Mic handheld 5'9"-1st Set, 5'10"-2nd Set; Transfer: Master DAT > Panasonic SV3800 > S-PDIF(16bit48kHz) > Edirol-R4 > WAV 48-16; Master Digital FOB Recording by Marcus Buick & Rob Darroch with assistance of John Ammons; Transfer by Marcus Buick; Edited & Mastered using Adobe Audition (2020) by Joe Noel
|
notes
|
| 14596. |
12/13/92 |
Shn - 0,
10928 |
Oakland |
Oakland-Alameda County Coliseum Steve Barbella retrack of of original Healy Master seed; Dan Healy 2 track pa sbd dat master > Healy cassette; via Tommy Banjo & MerryPranksterTree; Seeded to etree by StoneBear
|
notes
|
| 14597. |
12/13/92 |
Flac 16 - 0,
79352 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording - Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer - DAT Clone from Dat Master DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info - All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3(w type 1 dither), Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE
|
notes
|
| 14598. |
12/13/92 |
Flac 16 - 0,
86041 |
Oakland |
Oakland-Alameda County Coliseum flac16; Schoeps CMC441's > Panasonic SV-255 > (clone) Teac DA-P20; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8)
|
notes
|
| 14599. |
12/13/92 |
Flac 16/48 - 0,
86037 |
Oakland |
Oakland-Alameda County Coliseum flac16/48; Schoeps CMC441's > Panasonic SV-255 > (clone) Teac DA-P20; Transfer: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8
|
notes
|
| 14600. |
12/13/92 |
Flac 16/48 - 0,
139688 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Jim Wise recording: AKG 414 > Oade preamp > Sony D-10 Pro > DAT (FOB); Jim Wise transfer: DAT > Sony D-10 Pro > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 14601. |
12/13/92 |
Flac 16/48 - 0,
140381 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017
|
notes
|
| 14602. |
12/13/92 |
Flac 24 - 0,
140830 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14603. |
12/13/92 |
Flac 16 - 0,
140851 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14604. |
12/13/92 |
Flac 16/48 - 0,
149335 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Source Info: FOB Neumann Mics-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
|
notes
|
| 14605. |
12/16/92 |
Shn - 0,
5551 |
Oakland |
Oakland-Alameda County Coliseum Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear
|
notes
|
| 14606. |
12/16/92 |
Flac 16 - 0,
79547 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording- Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer- DAT Clone from Dat Master DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3 type1 dither, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE
|
notes
|
| 14607. |
12/16/92 |
Flac 16 Mtx - 0,
27580 |
Oakland |
Oakland-Alameda County Coliseum flac16; Matrix mix of Set 2 SBD (shnid=5551) plus FOB (shnid=25812) by MattMan; SHN/FLAC> WAV> Adobe Audition> CDWAV> shntool> FLAC Frontend
|
notes
|
| 14608. |
12/16/92 |
Flac 16/48 - 0,
138710 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Source: unknown aud (possibly AKGs) > dat (48k) provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; transferred by Charlie Miller; Lineage: wav > iZotope RX 6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick
|
notes
|
| 14609. |
12/16/92 |
Flac 16/48 - 0,
140423 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Set 2 Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018
|
notes
|
| 14610. |
12/16/92 |
Flac 24 - 0,
140831 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14611. |
12/16/92 |
Flac 16 - 0,
140853 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14612. |
12/16/92 |
Flac 16/48 - 0,
140956 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Recording info: Schoeps CMC34 at 110 degrees ORTF on Schoeps t-bar > MIT Cable > Tao Research Power Supply > Panasonic SV255; Location info: FOB, one person right of center, directly under center court Warriors scoreboard. Set 1 handheld at 5'9" & Set 2 w/ 5'11" stand; Transfer info: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Master DAT Recording & transfer by John Ammons
|
notes
|
| 14613. |
12/16/92 |
Shn - 0,
15395 |
Oakland |
Oakland-Alameda County Coliseum FOB Schoeps MK4V> Sony D3> D> CD> EAC> WAV> SHN encoded by JR Fishman
|
notes
|
| 14614. |
12/16/92 |
Flac 16 - 0,
25812 |
Oakland |
Oakland-Alameda County Coliseum flac16; FOB center (30' from stage) hand held CMC 4,41 ORTF> Canare star quad cables> Koch power supply > Canare star quad cables> Koch modified Panasonic sv-255 >hhb 830> CD-r> EAC >.wav> Flac; taped, transferred by Ed Boardman; DAE> flac by Chris Evans
|
notes
|
| 14615. |
12/16/92 |
Flac 16/48 - 0,
138068 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Set 2 Fob recording > AKG 414 > Oade preamp > Sony D-10 Pro > DAT; recorded by Jim Wise; Transfer: DAT > Sony D-10 Pro > Tascam DA-3000 > wav 16/48; Taped and transferred by Jim Wise; Lineage: wav 16/48 > Adobe Audition 3.1 > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac16; edited and mastered SIRMick
|
notes
|
| 14616. |
12/16/92 |
Shn - 0,
9631 |
Oakland |
Oakland-Alameda County Coliseum AUD>??>CDR; via Raoul Duke; Seeded to etree by Matt Vernon
|
notes
|
| 14617. |
12/17/92 |
Shn - 0,
5552 |
Oakland |
Oakland-Alameda County Coliseum Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > confiscated by Dick Latvala > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR; stemming from Tommy Banjo & MerryPranksterTree, seeded to etree by StoneBear
|
notes
|
| 14618. |
12/17/92 |
DTS - 0,
88013 |
Oakland |
Oakland-Alameda County Coliseum DTS Audio 5.1; 4 Source Mix - SBD (shn id 5552) Dan Healy 2 track pa sbd dat master > Healy cassette + AUD1 (shn id 79732) Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 + AUD2 (shn id 29086) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz + AUD3 AUD3 (no shn id) 2nd Generation Video with LPCM audio supplied by Awolfoutwest - dts mixing by Kevin Tobin
|
notes
|
| 14619. |
12/17/92 |
Flac 16 Mtx - 0,
87983 |
Oakland |
Oakland-Alameda County Coliseum flac16; Matrix 4 Source Mix - SBD (shn id 5552) Dan Healy 2 track pa sbd dat master > Healy cassette + AUD1 (shn id 79732) Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 + AUD2 (shn id 29086) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz + AUD3 AUD3 (no shn id) 2nd Generation Video with LPCM audio supplied by Awolfoutwest - matrix mixing by Kevin Tobin
|
notes
|
| 14620. |
12/17/92 |
Flac 16 - 0,
79732 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording- Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer- DAT Clone from Dat Master from collection of Todd Evans - DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3 dither type1, Crystal SRC(ultra)> 44.1/16> FLAC Level8 flacfrontend SBE FREE
|
notes
|
| 14621. |
12/17/92 |
Flac 24 - 0,
140832 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14622. |
12/17/92 |
Flac 16 - 0,
140854 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14623. |
12/17/92 |
Shn - 0,
29086 |
Oakland |
Oakland-Alameda County Coliseum Source: Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz Transfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r Transfer by Chris Larson
|
notes
|
| 14624. |
12/17/92 |
Flac 16 - 0,
119222 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: Sonic Solution DSM-1S/x microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 14625. |
12/17/92 |
Shn - 0,
28903 |
Oakland |
Oakland-Alameda County Coliseum Source: Set 1- A(FOB):Schoeps CMC5 MK4's>DAT(48kHz) Set 2- A: AKG 460 B's w/ CK8>DAT(48)kHz Transfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r Transfer by Chris Larson
|
notes
|
| 14626. |
01/24/93 |
Shn - 0,
5610 |
Oakland |
Oakland-Alameda County Coliseum SBD > DAT > C > DAT > CDR > TAE (overlap) > WAV > SHN; Ripped, SHNed, and seeded by Jon Seff; see info file for lineage notes
|
notes
|
| 14627. |
01/24/93 |
Flac 16 - 0,
85009 |
Oakland |
Oakland-Alameda County Coliseum flac16; Set 2: FOB Schoeps MK4s > Panasonic sv255 > (clone) Teac DA-P20 > Tascam DA-30 > Diamond xTreme Sound Card >Cool Edit Pro > CDWave > Flac16
|
notes
|
| 14628. |
01/24/93 |
Flac 16 - 0,
116031 |
Oakland |
Oakland-Alameda County Coliseum flac16; source: 2 Neumann KMF4's up front-center> Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 14629. |
01/24/93 |
Flac 16/48 - 0,
138078 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Rob Darroch recording [FOB DFC]: Schoeps MK4 Capsules in hat > Bill Reutelhuber PS > Panasonic SV250. Mics worn in hat by Rob Darroch; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48
|
notes
|
| 14630. |
01/24/93 |
Flac 16/44,1 - 0,
141070 |
Oakland |
Oakland-Alameda County Coliseum flac16/44.1 set 2 only. Source Info: FOB Schoeps CMC3 Mk4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 14631. |
01/24/93 |
Flac 16 - 0,
142855 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700) > Dat Clone (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14632. |
01/24/93 |
Flac 16 - 0,
142856 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14633. |
01/24/93 |
Flac 24 - 0,
142854 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14634. |
01/25/93 |
Shn - 0,
9368 |
Oakland |
Oakland-Alameda County Coliseum SBD>CM>DAT>CDR; via Rick M; neo_levo/candyman FTP
|
notes
|
| 14635. |
01/25/93 |
Flac 16 - 0,
116032 |
Oakland |
Oakland-Alameda County Coliseum flac16; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 14636. |
01/25/93 |
Flac 16/44,1 - 0,
141064 |
Oakland |
Oakland-Alameda County Coliseum flac16/44.1 Source Info: FOB Schoeps CMC3 Mk4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 14637. |
01/25/93 |
Flac 16 - 0,
142994 |
Oakland |
Oakland-Alameda County Coliseum flac16; Set 2 Recording Info: SBD > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14638. |
01/25/93 |
Flac 24 - 0,
142995 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14639. |
01/25/93 |
Flac 16 - 0,
143521 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; This file set is 16/44.1
|
notes
|
| 14640. |
01/26/93 |
Shn - 0,
26346 |
Oakland |
Oakland-Alameda County Coliseum SBD> Dat> Cassette Master> Dat> CD> EAC> SHN; Converted To SHN By Charlie Miller
|
notes
|
| 14641. |
01/26/93 |
Flac 16/48 - 0,
85934 |
Oakland |
Oakland-Alameda County Coliseum flac16/48; AKG 460/CK8's (2' spacing on custom T-Bar) > Marantz PMD-700 > (clone) DA-P20 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8
|
notes
|
| 14642. |
01/26/93 |
Flac 16 - 0,
85933 |
Oakland |
Oakland-Alameda County Coliseum flac16; AKG 460/CK8's (2' spacing on custom T-Bar) > Marantz PMD-700 > (clone) DA-P20 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1kHz) > CDWave > FLAC (L8
|
notes
|
| 14643. |
01/26/93 |
Flac 16/48 - 0,
134781 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Source: Unknown FOB AUD > DAT; Transfer: DATx > Microtrack 24/96 16/48 > WAV > Flac (TLH)
|
notes
|
| 14644. |
01/26/93 |
Shn - 0,
4083 |
Oakland |
Oakland-Alameda County Coliseum AUD > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff
|
notes
|
| 14645. |
01/26/93 |
Shn - 0,
21493 |
Oakland |
Oakland-Alameda County Coliseum Source: AUD > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff (jon@seff.net); d2t2, d2t3 fixed from http://db.etree.org/shninfo_detail.php?shnid=4083
|
notes
|
| 14646. |
01/26/93 |
Flac 16/48 - 0,
141744 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Set 2 Rob Darroch recording [FOB DFC]: Schoeps MK4 Capsules in hat > Bill Reutelhuber PS > Panasonic SV250. Mics worn in hat by Rob Darroch; John Ammons Transfer; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
|
notes
|
| 14647. |
01/26/93 |
Flac 16/48 - 0,
Set 2 Only |
Oakland |
Oakland-Alameda County Coliseum
|
notes
|
| 14648. |
01/26/93 |
Flac 24 - 0,
143161 |
Oakland |
Oakland-Alameda County Coliseum flac24; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24
|
notes
|
| 14649. |
01/26/93 |
Flac 16 - 0,
143219 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat Master > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24 This file set is 16 bit @ 44.1
|
notes
|
| 14650. |
02/13/93 |
Shn - 0,
17435 |
San Rafael |
Club Front Club Front Studio Rehearsal; DSBD->CD->EAC->SHN; CD->EAC->SHN by Joe Samaritano
|
notes
|
| 14651. |
02/21/93 |
Flac 16 - 0,
86058 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording- Digital FOB Audience Taper: Chip Copeland Neumann km140 (110 deg. ORTF) -> Neumann Supply -> Panasonic sv255 Transfer- DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav May 2006 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 - 48/16 wav> BBE, L3 type1 dither, Crystal SRC(ultra)> 44.1/16> Trac'ed cdwave,Flac'ed level 8 TLH
|
notes
|
| 14652. |
02/21/93 |
Flac 16 - 0,
132376 |
Oakland |
Oakland-Alameda County Coliseum flac16; SBD> DAT> Steve Block CAS master> DAT> CDR> Sequoia 11-> WAV
|
notes
|
| 14653. |
02/21/93 |
Flac 16 - 0,
138697 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14654. |
02/21/93 |
Shn - 0,
1055 |
Oakland |
Oakland-Alameda County Coliseum FOB (mics unknown) > DAT @ 48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > downsampled to 44.1k/normalized to 98% > SHN (no extraction); Transferred, SHNed, and seeded by: Jon Seff; note tracked for 1x80, 1x74
|
notes
|
| 14655. |
02/22/93 |
Shn - 0,
19283 |
Oakland |
Oakland-Alameda County Coliseum DSBD: DAT > DAT > CD encoded by Matt Vernon
|
notes
|
| 14656. |
02/22/93 |
Flac 16 - 0,
116143 |
Oakland |
Oakland-Alameda County Coliseum flac16; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 14657. |
02/22/93 |
Flac 16 - 0,
138698 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14658. |
02/22/93 |
Flac 16 44,1 - 0,
141178 |
Oakland |
Oakland-Alameda County Coliseum flac16/44.1 Source Info: FOB Schoeps CMC 5 MK 4-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel
|
notes
|
| 14659. |
02/22/93 |
Flac 16/48LPCM - 0,
149128 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 19238) DSBD: DAT > DAT > CD encoded by Matt Vernon + AUD (shnid = 116143) source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files.-surround mixing by Kevin Tobin
|
notes
|
| 14660. |
02/22/93 |
Flac 16 Dts.5.1 - 0,
149127 |
Oakland |
Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; SBD (shnid = 19238) DSBD: DAT > DAT > CD encoded by Matt Vernon + AUD (shnid = 116143) source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files.-dts mixing by Kevin Tobin
|
notes
|
| 14661. |
02/22/93 |
Flac 16 Mtx - 0,
149126 |
Oakland |
Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix SBD (shnid = 19238) DSBD: DAT > DAT > CD encoded by Matt Vernon + AUD (shnid = 116143) source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files.- matrix mixing by Kevin Tobin
|
notes
|
| 14662. |
02/22/93 |
Flac 16 - 0,
149125 |
Oakland |
Oakland-Alameda County Coliseum flac16; Patched & Pitch Corrected Audience AUD (original shnid = 116143) source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files - pitch correction and patches by Kevin Tobin
|
notes
|
| 14663. |
02/23/93 |
Flac 16 Mtx - 0,
123213 |
Oakland |
Oakland-Alameda County Coliseum flac16; Matrix created with Audacity, Sbd +0 dB Gain, Aud -8 dB Gain, with slight variations to avoid clipping; soundboard source - gd93-02-23.sbd.unknown.14485.sbeok.shnf and aud source - gd1993-02-23.116152.NeumannKMF4.daweez.d5scott
|
notes
|
| 14664. |
02/23/93 |
Shn - 0,
14485 |
Oakland |
Oakland-Alameda County Coliseum SBD>DAT(S)>CDR with Brokedown from unspecified audience source
|
notes
|
| 14665. |
02/23/93 |
Flac 16/48 - 0,
134784 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Source: Neumann TLM 170 FOB AUD > DAT; Transfer: DATx (Sony 60ES) > Microtrack 24/96 WAV > TLH Flac 16/48
|
notes
|
| 14666. |
02/23/93 |
Flac 16 - 0,
116152 |
Oakland |
Oakland-Alameda County Coliseum flac16; source: 2 Neumann KMF4 microphones-up front > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 14667. |
02/23/93 |
Flac 16/48 - 0,
138786 |
Oakland |
Oakland-Alameda County Coliseum b>flac16/48kHz; Rob Darroch recording [FOB DFC]: Schoeps MK4 Capsules in hat > Bill Reutelhuber PS > Panasonic SV250. Mics worn in hat by Rob Darroch; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel T,F & P: Wave > Audacity > track/label > export multiple > flac 16/48
|
notes
|
| 14668. |
02/23/93 |
Flac 16/44,1 - 0,
141069 |
Oakland |
Oakland-Alameda County Coliseum flac16/44.1 set 1 only. Source Info: FOB Mic's Unknown-> DAT Transfer Info: DAT (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel
|
notes
|
| 14669. |
02/23/93 |
Flac 16/44,1 - 0,
141067 |
Oakland |
Oakland-Alameda County Coliseum fl1c6/44.1 Source Info: FOB Schoeps CMC 54-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel
|
notes
|
| 14670. |
02/23/93 |
Flac 16/48 - 0,
142897 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 1611) SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall + AUD (shnid = 141067) fl1c6/44.1 Source Info: FOB Schoeps CMC 54-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel - surround mixing by Kevin Tobin
|
notes
|
| 14671. |
02/23/93 |
Flac Dts 5.1 - 0,
142896 |
Oakland |
Oakland-Alameda County Coliseum DTS-Audio-CD 5.1 Mix; - SBD (shnid = 1611) SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall + AUD (shnid = 141067) fl1c6/44.1 Source Info: FOB Schoeps CMC 54-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel - dts mixing by Kevin Tobin
|
notes
|
| 14672. |
02/23/93 |
Flac 16 Mtx - 0,
142895 |
Oakland |
Oakland-Alameda County Coliseum flac16; Matrix 2 Source Mix - SBD (shnid = 1611) SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall + AUD (shnid = 141067) fl1c6/44.1 Source Info: FOB Schoeps CMC 54-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel - matrix mixing by Kevin Tobin
|
notes
|
| 14673. |
02/23/93 |
Shn - 0,
1611 |
Oakland |
Oakland-Alameda County Coliseum SBD> DAT> Sonic Solutions (for phase correction)> CD; via Mike Hall
|
notes
|
| 14674. |
02/23/93 |
Flac 16/48 - 0,
149400 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Source Info: FOB Schoeps MK4->Reutelhuber P/S->Panasonic SV255-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48)
|
notes
|
| 14675. |
03/09/93 |
Flac - 0,
110510 |
Rosemont |
Rosemont Horizon flac16; Recording Info:SBD -> Master Dat (44.1k); Transfer Info:Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14676. |
03/09/93 |
Flac - 0,
119620 |
Rosemont |
Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 49 Seat 1/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Maxell MX-S,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14677. |
03/09/93 |
Flac 24 - 0,
119619 |
Rosemont |
Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 49 Seat 1/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Maxell MX-S,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 14678. |
03/09/93 |
Flac - 0,
96075 |
Rosemont |
Rosemont Horizon flac16; Source: Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 14679. |
03/09/93 |
Shn - 0,
10084 |
Rosemont |
Rosemont Horizon AUD>DAT>CDR (AKG 460's); via Paul; Seeded to etree by Tony G
|
notes
|
| 14680. |
03/09/93 |
Flac - 0,
132702 |
Rosemont |
Rosemont Horizon flac16; Recording info: FOB/Schoeps CMC 34> Oade p/s> SV-255 by Vezzetti; DAT's provided by Lance Deal; Transfer: Fostex D-5 (optical)> M Audio USB Transit> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on March 22, 2015 by Will Petty
|
notes
|
| 14681. |
03/10/93 |
Flac - 0,
120543 |
Rosemont |
Rosemont Horizon flac16; Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14682. |
03/10/93 |
Flac - 0,
119635 |
Rosemont |
Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 2 Row 49 Seat 5/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14683. |
03/10/93 |
Shn - 0,
35215 |
Rosemont |
Rosemont Horizon Sbd > DAT master > analog > DAT > CDR > EAC > SHN - Seamless fix of shn id 2024
|
notes
|
| 14684. |
03/10/93 |
Shn - 0,
2024 |
Rosemont |
Rosemont Horizon Sbd > DAT master > analog > DAT > CDR > EAC > SHN; via Doug Nawrocki, Chris Ladner; "no known flaws" reported by seeder
|
notes
|
| 14685. |
03/10/93 |
Flac 24 - 0,
119634 |
Rosemont |
Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 2 Row 49 Seat 5/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 14686. |
03/10/93 |
Flac - 0,
96436 |
Rosemont |
Rosemont Horizon flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 14687. |
03/11/93 |
Flac 16 - 0,
120726 |
Rosemont |
Rosemont Horizon flac16; Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14688. |
03/11/93 |
Flac 16 Mtx - 0,
120865 |
Rosemont |
Rosemont Horizon flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
notes
|
| 14689. |
03/11/93 |
Flac 16 - 0,
119637 |
Rosemont |
Rosemont Horizon flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 48 Seat 8/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked with Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14690. |
03/11/93 |
Flac 24/48 - 0,
119636 |
Rosemont |
Rosemont Horizon flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 48 Seat 8/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Sony Metal-ES,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 14691. |
03/11/93 |
Flac 16 - 0,
96384 |
Rosemont |
Rosemont Horizon flac16; Source: Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 14692. |
03/11/93 |
Shn - 0,
10538 |
Rosemont |
Rosemont Horizon AUD>DAT>CDR (AKG 460's); via Paul; Seeded to etree by Tony G
|
notes
|
| 14693. |
03/11/93 |
Shn - 0,
10383 |
Rosemont |
Rosemont Horizon SBD>CAS>DAT>CD; Seeded to etree by wharf_ratt
|
notes
|
| 14694. |
03/14/93 |
Flac 16 - 0,
96305 |
Richfield |
Richfield Coliseum flac16; Recording Info: SBD -> Dat Master (44.1k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14695. |
03/14/93 |
Flac 16 - 0,
110491 |
Richfield |
Richfield Coliseum flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell MX-s 90,100 Taper:JB Transfer By;Keo Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 32 Bit Float/96kHz Dithered with Korg Aqua to 16 Bit/44.1kHz
|
notes
|
| 14696. |
03/14/93 |
Flac 16 - 0,
119653 |
Richfield |
Richfield Coliseum flac16; Master Audience Recorded By Mr. Darby And Mr. Walker; AKGC460B/CK61's (DIN/DFC/Middle Of OTS/8 Feet High)> AKGB18's (With 48V Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1:Maxell MX-S,Set 2:Dennon HD-M; Mr. Darby Was Patched Out Of His Late Friend Rob Walker; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14697. |
03/14/93 |
Flac 16 - 0,
83162 |
Richfield |
Richfield Coliseum flac16; Recording Info: Schoeps Mk4 (cardiod) > Schoeps KC5 active Cable > Schoeps CMC 3 mic body > Monster M1000 Jumper cable > Panasonic sv255 DAT Recorder > DAT Master Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> M-Audio Firewire Solo Interface -> Soundforge 8.0 Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 using Ozone and L2 for dither Trac'ed Cdwave, Flac'ed level 8 TLH
|
notes
|
| 14698. |
03/14/93 |
Shn - 0,
19782 |
Richfield |
Richfield Coliseum Source: Set I: AUD, OTS, Sennheiser ME80's > Teac DA-P20 ; Set II: SBD, DSBD > ?C > DAT ; seeded to etree by Dan Stephens (dms@well.com)
|
notes
|
| 14699. |
03/14/93 |
Flac 24/96 - 0,
136407 |
Richfield |
Richfield Coliseum flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 14700. |
03/14/93 |
Flac 16 - 0,
136408 |
Richfield |
Richfield Coliseum flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14701. |
03/14/93 |
Flac 24/96 - 0,
110493 |
Richfield |
Richfield Coliseum flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell MX-s 90,100 Taper:JB Transfer By;Keo Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 24 Bit/96kHz
|
notes
|
| 14702. |
03/14/93 |
Flac 24/48 - 0,
119652 |
Richfield |
Richfield Coliseum flac24; Master Audience Recorded By Mr. Darby And Mr. Walker; AKGC460B/CK61's (DIN/DFC/Middle Of OTS/8 Feet High)> AKGB18's (With 48V Transformers)>Sony TC-D5M> Sony TC-D5M,Tapes Set 1:Maxell MX-S,Set 2:Dennon HD-M; Mr. Darby Was Patched Out Of His Late Friend Rob Walker; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 14703. |
03/14/93 |
Shn - 0,
14830 |
Richfield |
Richfield Coliseum Source: Sennheiser ME80's (taper section)>Teac DA-P20 Transfer: Panasonic SV-3700>HHb CDR-800>EAC>Shn
|
notes
|
| 14704. |
03/14/93 |
Flac 16 - 0,
117608 |
Richfield |
Richfield Coliseum flac16; Source: Sony D6 Cassette master(Dolby B On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)>CD WavEditor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker, Official Taper Section
|
notes
|
| 14705. |
03/14/93 |
Shn - 0,
4703 |
Richfield |
Richfield Coliseum AKG468 shotguns > DAT; Conversion: DAT (Panasonic SV-3800) > CD (HHB CDR-850) > EAC (Plextor PX-40TS, secure mode) > SHN; seed by Robert Brown to abgd
|
notes
|
| 14706. |
03/16/93 |
Flac - 0,
120741 |
Landover |
Capital Centre flac16; Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14707. |
03/16/93 |
Shn - 0,
5442 |
Landover |
Capital Centre sbd> dat> c> dat> cdr; via Tony Gardner, from Paul B. seed discs
|
notes
|
| 14708. |
03/16/93 |
Flac Dts 5.1 - 0,
135259 |
Landover |
Capital Centre flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=120741) Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid 85173) AKG 460/CK8's -> Panasonic SV-255 -> (clone) TEAC DA-P20 -> Tascam DA-30 (48k) --[coaxial S/PDIF]--> Diamond xTreme Sound Card (48k) - mixing by Kevin Tobin
|
notes
|
| 14709. |
03/16/93 |
Flac Mtx. - 0,
135257 |
Landover |
Capital Centre flac16; Matrix 2 Source Mix - SBD (shnid=120741) Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid 85173) AKG 460/CK8's -> Panasonic SV-255 -> (clone) TEAC DA-P20 -> Tascam DA-30 (48k) --[coaxial S/PDIF]--> Diamond xTreme Sound Card (48k) - matrix mixing by Kevin Tobin
|
notes
|
| 14710. |
03/16/93 |
Flac - 0,
97708 |
Landover |
Capital Centre flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC; Recorded By Keith Litzenberger
|
notes
|
| 14711. |
03/16/93 |
Flac - 0,
85173 |
Landover |
Capital Centre flac16; AKG 460/CK8's -> Panasonic SV-255 -> (clone) TEAC DA-P20 -> Tascam DA-30 (48k) --[coaxial S/PDIF]--> Diamond xTreme Sound Card (48k)
|
notes
|
| 14712. |
03/16/93 |
Shn - 0,
28658 |
Landover |
Capital Centre Source: Af: AKG 414's>D Transfer: D(48kHz)>Panasonic sv3700>ZA2(S/PDIF)>Wavelab 3.03.CDWav>.wav or .shn
|
notes
|
| 14713. |
03/16/93 |
Flac - 0,
31958 |
Landover |
Capital Centre flac16; record: akg 451's>b18's>D5proII ots transfer: Cassette Master>Aiwa F810>MAudio audiophile 24/96 @44.1>Wavelab 5>cdwav>flac record& transfer by cdipietro
|
notes
|
| 14714. |
03/16/93 |
Flac - 0,
139672 |
Landover |
Capital Centre flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648
|
notes
|
| 14715. |
03/16/93 |
Flac - 0,
140082 |
Landover |
Capital Centre flac16/48kHz; Set 2 Rich Gastwirt recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 14716. |
03/16/93 |
Flac 16 Dts.5.1 - 0,
135258 |
Landover |
Capital Centre DTS-Audio-CD 5.1 Mix; SBD (shnid=120741) Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shnid 85173) AKG 460/CK8's -> Panasonic SV-255 -> (clone) TEAC DA-P20 -> Tascam DA-30 (48k) --[coaxial S/PDIF]--> Diamond xTreme Sound Card (48k) - dts mixing by Kevin Tobin
|
notes
|
| 14717. |
03/17/93 |
Flac - 0,
79050 |
Landover |
Capital Centre flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC
|
notes
|
| 14718. |
03/17/93 |
Flac - 0,
86711 |
Landover |
Capital Centre flac16; Source: Unknown AUD > ? > Cassette. Transfer: Cassette > Sony TC-D5M (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC (August 2007) by Andrew F. (note: the date in the info file and file names is incorrect; this is from 3/17/93.)
|
notes
|
| 14719. |
03/17/93 |
Shn - 0,
4979 |
Landover |
Capital Centre SBD > MC > DAT > CDR > WAV > SHN; see info file for notes; upload C. Ladner, from cm's seed
|
notes
|
| 14720. |
03/17/93 |
Flac - 0,
77788 |
Landover |
Capital Centre flac16; NAK-300s > Sony D-5, using Dolby B. Two Maxwell MXS tapes recorded by Boyd McHugh from tapers' section Transfer: MC > standalone Philips 880 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks > EAC to extract to hard drive, CD Wave for splitting resulting .wav files, flac Fromtend to encode to flac. This is done by Bzl
|
notes
|
| 14721. |
03/17/93 |
Flac - 0,
31957 |
Landover |
Capital Centre flac16; record: akg 451's>b18's>D5proII ots transfer: Cassette Master>Aiwa F810>MAudio audiophile 24/96 @44.1>Wavelab 5>cdwav>flac record& transfer by cdipietro
|
notes
|
| 14722. |
03/17/93 |
Flac - 0,
34421 |
Landover |
Capital Centre flac16; **SOUNDCHECK** Recording Info: Unknown Mics -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 14723. |
03/17/93 |
Flac - 0,
89163 |
Landover |
Capital Centre flac 16; Source: AKG 460/CK8's -> Panasonic SV-255 -> (clone) TEAC DA-P20 ->Tascam DA-30 (48k) --[coaxial S/PDIF]--> Diamond xTreme Sound Card (48k)
|
notes
|
| 14724. |
03/17/93 |
Flac - 0,
117743 |
Landover |
Capital Centre flac16; Source: Sony D6 Cassette master(Dolby B On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders little Helper. Taped By Dave Boedicker,Official Taper Section
|
notes
|
| 14725. |
03/17/93 |
Flac - 0,
138877 |
Landover |
Capital Centre flac16/48kHz; Set 2, Taped by Ron Keyser: AMS ST-250 Soundfield mic > Modified Sony D10Pro> DAT - FOB; John Ammons Transfer from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 14726. |
03/18/93 |
Flac - 0,
79070 |
Landover |
Capital Centre flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC
|
notes
|
| 14727. |
03/18/93 |
Shn - 0,
16814 |
Landover |
Capital Centre FOB (SoundField ST250)>DAT(playback on Panasonic SV-3800)>HHb CDR-850>CDR>WAV>SHN. CDR source via D.Duquette. SHN encoding/initial FTP propagation via C.Ladner/candyman FTP.
|
notes
|
| 14728. |
03/18/93 |
Shn - 0,
28659 |
Landover |
Capital Centre Source: Af: Schoeps cmc5&mk21's>D 11th row, center Transfer: D(48kHz)>Panasonic sv3700>ZA2(S/PDIF)>Wavelab 3.03>CDWav>.wav>CD or .shn
|
notes
|
| 14729. |
03/18/93 |
Flac - 0,
118320 |
Landover |
Capital Centre flac16; Source:Sony D6 cassette Master(Dolby "B" On)>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker,Official Taper Section
|
notes
|
| 14730. |
03/18/93 |
Flac - 0,
106322 |
Landover |
Capital Centre flac16/48kHz; Source: Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro; Transfer: Tascam DA20 MKII->Edirol R44->SD->PC->CD Wave Editor->Flac Frontend; Tapers Unknown ,Eliot Byron's Rig,Eliot Byron's tape marked Master. Transfer and upload by Frank D'Auria.
|
notes
|
| 14731. |
03/18/93 |
Flac - 0,
139673 |
Landover |
Capital Centre flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648
|
notes
|
| 14732. |
03/20/93 |
Flac 16 - 0,
28428 |
Atlanta |
The Omni flac16; SBD> Dat> Cassette Master> Dat> CD> EAC> SHN> WAV> Samplitude Professional v8.0> FLAC; plus patch from FOB Soundfield AMS ST250 source; Edited By Charlie Miller
|
notes
|
| 14733. |
03/20/93 |
Shn - 0,
3385 |
Atlanta |
The Omni AKG 568 (shotguns)-> Sony D3; transferred the master DATs to CDR with a Panasonic SV3800 -> HHb CDR-850 via optical; CDR-> EAC-> SHN; via Tony Gardner
|
notes
|
| 14734. |
03/20/93 |
Flac 16 - 0,
111267 |
Atlanta |
The Omni flac16; 2 NAK300s/CP4s(PAS) + 1 NAK300/CP1(CTR)>NAK MX100>TC-D5m(line out)>TCD-D3(16/48); Digital transfer: (TCD-D8>PMD670>CF>HDD); MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6);
|
notes
|
| 14735. |
03/20/93 |
Flac 16/48 - 0,
147585 |
Atlanta |
The Omni flac16/48kHz; Source Info: TS Nak 300-> Casio DA-7-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Taped & Transfers by Pete Ebel
|
notes
|
| 14736. |
03/20/93 |
Flac 16 - 0,
149271 |
Atlanta |
The Omni flac16; Source Info: FOB AMS ST-250-> Sony D10 Pro II-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1)
|
notes
|
| 14737. |
03/20/93 |
Flac 24/48 - 0,
151158 |
Atlanta |
The Omni flac24/48khz Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24
|
notes
|
| 14738. |
03/20/93 |
Flac 16/44 - 0,
151663 |
Atlanta |
The Omni flac16/44khz Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 151158 24 -> 16 @ 44.1
|
notes
|
| 14739. |
03/21/93 |
Flac - 0,
28429 |
Atlanta |
The Omni flac16; SBD> Dat> Cassette Master> Dat> CD> EAC> SHN> WAV> Samplitude Professional v8.0> FLAC; Edited By Charlie Miller
|
notes
|
| 14740. |
03/21/93 |
Flac - 0,
132695 |
Atlanta |
The Omni flac16; Set One recording info on DAT: Neumann TLM-170/Oade (presumed Oade recording); Set Two recording info on DAT: B&K 4011 received from Jim Lyle; DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on by Will Petty
|
notes
|
| 14741. |
03/21/93 |
Shn - 0,
3386 |
Atlanta |
The Omni AKG 568 (shotguns)-> Sony D3; transferred the master DATs to CDR with a Panasonic SV3800 -> HHb CDR-850 via optical; CDR-> EAC-> SHN; via Tony Gardner
|
notes
|
| 14742. |
03/21/93 |
Flac - 0,
111268 |
Atlanta |
The Omni flac16; 2 NAK300s/CP4s(PAS) + 1 NAK300/CP1(CTR)> NAK MX100>TC-D5m(line out)>TCD-D3(16/48); Digital transfer: (TCD-D8>PMD670>CF>HDD); MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6); (OTS/sec 128F-row PP-seat 14)
|
notes
|
| 14743. |
03/21/93 |
Shn - 0,
7470 |
Atlanta |
The Omni FOB/DFC Soundfield ST-250 > Sony D10 Pro-II (48k) Master DAT Mastered live by James Young / Ron kaiser; via nick@nickspicks.com
|
notes
|
| 14744. |
03/21/93 |
Flac 24/48 - 0,
151159 |
Atlanta |
The Omni flac24/48khz Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24
|
notes
|
| 14745. |
03/21/93 |
Flac 16/44 - 0,
151664 |
Atlanta |
The Omni flac16/44khz Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp (WAV 24-bit/96k) > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 151159 24 -> 16 @ 44.1
|
notes
|
| 14746. |
03/22/93 |
Flac 16 - 0,
28430 |
Atlanta |
The Omni flac16; set1; SBD> Dat> Cassette Master> Dat> CD> EAC> SHN> WAV> Samplitude Professional v8.0> FLAC; Edited By Charlie Miller
|
notes
|
| 14747. |
03/22/93 |
Flac 16 - 0,
1132696 |
Atlanta |
The Omni flac16; Recording info on DAT: Neumann TLM 170/Oade (presumed Oade Brothers recording); DAT's provided by Lance Deal; Transfer: Fostex D-5 (AES/BU)> Luminous Monarch cable> (s/pdif) M-Audio Audiophile 2496> Audacity @ 16/48> 16/44> CDWAve(tracking)> TLH (SBE's/Flac/md5); Tranferred and liberated to etree on by Will Petty
|
notes
|
| 14748. |
03/22/93 |
Flac 16 - 0,
111269 |
Atlanta |
The Omni b>flac16; 2 NAK300s/CP4s(PAS) + 1 NAK300/CP1(CTR)> NAK MX100>TC-D5m(line out)>TCD-D3(16/48); Digital transfer: (TCD-D8>PMD670>CF>HDD); MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6); (OTS/sec 128F-row NN-seat 14)
|
notes
|
| 14749. |
03/22/93 |
Shn - 0,
3388 |
Atlanta |
The Omni AKG 568 (shotguns)-> Sony D3; transferred the master DATs to CDR with a Panasonic SV3800 -> HHb CDR-850 via optical; CDR-> EAC with proper offset-> SHN; known flaw: glitch at 2:00 on d3t03; via Tony Gardner; note gaps from previous version are fixed in this copy
|
notes
|
| 14750. |
03/22/93 |
Flac 24 - 0,
141620 |
Atlanta |
The Omni flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14751. |
03/22/93 |
Flac 16 - 0,
141812 |
Atlanta |
The Omni flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14752. |
03/24/93 |
Flac - 0,
109210 |
Chapel Hill |
Dean Smith Center flac16; Recording Info: SBD -> Dat Master (48k) Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 14753. |
03/24/93 |
Flac - 0,
25664 |
Chapel Hill |
Dean Smith Center Source: Master SBD>DAT via Modified Sony D10 Pro II. Recorded By Ron Keyser (This is from the lead deck from the daisey chain feed to the taper section) Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC
|
notes
|
| 14754. |
03/24/93 |
Shn - 0,
16885 |
Chapel Hill |
Dean Smith Center SBD > D10 proII transfered and encoded by Doug Nawrocki
|
notes
|
| 14755. |
03/24/93 |
Shn - 0,
4707 |
Chapel Hill |
Dean Smith Center SBD > DAT > CDR > EAC > SHN; DAE and shn conversion by Jason Parmer
|
notes
|
| 14756. |
03/24/93 |
Shn - 0,
100675 |
Chapel Hill |
Dean Smith Center Updated lineage: SBD > ? > SHN (Had been marked Unknown Audience source
|
notes
|
| 14757. |
03/24/93 |
Flac - 0,
85794 |
Chapel Hill |
Dean Smith Center flac16; AKG 460/CK8's > Marantz PMD-700 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007
|
notes
|
| 14758. |
03/24/93 |
Flac - 0,
89795 |
Chapel Hill |
Dean Smith Center flac16/48; AKG 460/CK8's > Marantz PMD-700 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007 ** 48k version **
|
notes
|
| 14759. |
03/24/93 |
Flac - 0,
25754 |
Chapel Hill |
Dean Smith Center Set 2 Only: AMS ST250 FOB DFC> AMS Control Box (Blumlein Technique)> Modified Sony D10 Pro Cloned to another Mod. Sony D10 PRO (This clone was used for this transfer) Master recorded By James Young Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC
|
notes
|
| 14760. |
03/24/93 |
Flac - 0,
139181 |
Chapel Hill |
Dean Smith Center flac16/48kHz; source: sbd dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; sony tcd-d10 pro; transferred & seeded by Rob Berger
|
notes
|
| 14761. |
03/24/93 |
Flac Mtx. - 0,
140000 |
Chapel Hill |
Dean Smith Center flac16; Matrix of Source 1 (shnid 109210): Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; and Source 2 (shnid 85794): Recording info: AKG 460/CK8's > Marantz PMD-700; Transfer info: Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8)
|
notes
|
| 14762. |
03/25/93 |
Flac 16 - 0,
103176 |
Chapel Hill |
Dean Smith Center flac16; Recording Info:SBD -> Dat; Transfer Info: Dat (Sony R500) -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14763. |
03/25/93 |
Flac 16 - 0,
25820 |
Chapel Hill |
Dean Smith Center flac16; SBD> Panasonic SV255 (Master DAT)> Modified Sony D10 Pro (Master DAT) Recorded By Ron Keyser. Transfer: By Ron Keyser Playing Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF>Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC Aud. Patch: AMS ST250 FOB DFC> AMS Control Box (Blumlein Technique)> Modified Sony D10 Pro Cloned to another Mod. Sony D10 PRO (This clone was used for this transfer) Master recorded By James Young
|
notes
|
| 14764. |
03/25/93 |
Shn - 0,
10078 |
Chapel Hill |
Dean Smith Center SBD>DAT>CD (This lineage is probable but not confirmed.); via Donnie Loeffler; Seeded to etree by Peter Braverman
|
notes
|
| 14765. |
03/25/93 |
Shn - 0,
3191 |
Chapel Hill |
Dean Smith Center SBD> DAT, with first 2 songs patched in from AUD AMS ST-250>D10; SBD via Pete Delgado; Transfer by Doug Nawrocki: DA-P1> Montego II> CE2k> CDWav> MKWAct; some declicking (see notes in info file)
|
notes
|
| 14766. |
03/25/93 |
Shn - 0,
16433 |
Chapel Hill |
Dean Smith Center SBD > D10proII; Transfer: DA-P1 > Montego II > CE2000 > CDWave > shn > CEP 2.0 (Slightly smoothed audience patch and boosted levels 3db on entire show) > shn; presumably an edit of previous shn set, by unIDed person
|
notes
|
| 14767. |
03/25/93 |
Flac 16 - 0,
85829 |
Chapel Hill |
Dean Smith Center flac16; AKG 460/CK8's > Marantz PMD-700 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007
|
notes
|
| 14768. |
03/25/93 |
Flac 16/48 - 0,
85830 |
Chapel Hill |
Dean Smith Center flac16/48; AKG 460/CK8's > Marantz PMD-700 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007 **48k version **
|
notes
|
| 14769. |
03/25/93 |
Shn - 0,
14831 |
Chapel Hill |
Dean Smith Center Nak 300's at 8'> sony d3; transfer: Dat> sblive> cdwave> mkw audio tools> SHN; Taped By Wally Stine, locn TS
|
notes
|
| 14770. |
03/25/93 |
Flac 16 - 0,
25805 |
Chapel Hill |
Dean Smith Center set 1 only; flac16; AMS ST250 FOB DFC> AMS Control Box (Blumlein Technique)> Modified Sony D10 Pro Cloned to another Mod. Sony D10 PRO; recorded By James Young; Transfer: Master DAT in Sony D8> M-AUDIO Audiophile USB via SPDIF> Sound Forge V7.0> Sony VAIO PCV-RS410> Resampled to 44.1kHz> CD Wave Editor> WAV> FLAC, by Ron Keyser
|
notes
|
| 14771. |
03/25/93 |
Flac 16/48 - 0,
139204 |
Chapel Hill |
Dean Smith Center flac16/48kHz; source: sbd dat master > dat; Doug Lamarre’s clone; taped by Dan Liff r.i.p; sony tcd-d10 pro; transferred & seeded by Rob Berger
|
notes
|
| 14772. |
03/27/93 |
Flac 16 - 0,
92523 |
Albany |
Knickerbocker Arena flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat Set 2: SBD -> Dat Transfer Info: Set 1: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> WAV Set 2: Dat (Fostex D5) -> Audiophile 2496 -> Samplitude Professional v7.02 -> WAV Mastering Info: WAV -> Samplitude Professional v10.1 -> FLAC All Transfers By Charlie Miller and Joe Samaritano All Mastering By Charlie Miller
|
notes
|
| 14773. |
03/27/93 |
Flac 16 - 0,
110576 |
Albany |
Knickerbocker Arena flac16; Master Audience Nakamichi CM100/CP4 Shotguns>Sony D5>Dolby On Tapes: Maxell Metal Capsule 100's Taper:Heaton Transfer By:Keo Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 32 Bit Float/96kHz,Dithered with Korg Aqua to 16/44
|
notes
|
| 14774. |
03/27/93 |
Shn - 0,
555 |
Albany |
Knickerbocker Arena SBD> DAT; via D. DiProsa; Transfer: D8> 7 pin/digi coax> Montego II digi I/O> CDWAV by D. Nawrocki
|
notes
|
| 14775. |
03/27/93 |
Flac 24/96 - 0,
110577 |
Albany |
Knickerbocker Arena flac24; Master Audience Nakamichi CM100/CP4 Shotguns>Sony D5>Dolby On Tapes: Maxell Metal Capsule 100's Taper:Heaton Transfer By:Keo Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6MHz Tracking/Editing/Sample Rate Conversion with AudioGate Software to 24 Bit/96kHz No Dithering on these files
|
notes
|
| 14776. |
03/27/93 |
Shn - 0,
31956 |
Albany |
Knickerbocker Arena Source: SBD > DAT Transfer: D8 > 7 pin/digi coax > Montego II > CDWave > SHN by Doug Nawrocki with patched d2t03
|
notes
|
| 14777. |
03/27/93 |
Shn - 0,
6701 |
Albany |
Knickerbocker Arena FOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by James Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > Edirol UA-5 (s/pdif in, hardware resample from 48 > 44.1k, USB out > SF 5.0 > CDWave (tracking) > MKW-Act (SHN, seekable) DAT transfer/encoding by nick@nickspicks.com
|
notes
|
| 14778. |
03/27/93 |
Flac 16 - 0,
95958 |
Albany |
Knickerbocker Arena flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) TLH > FLAC; Taped & transferred by Andrew F.
|
notes
|
| 14779. |
03/27/93 |
Flac 16 - 0,
119209 |
Albany |
Knickerbocker Arena flac16; Audience Recording Source:Sony D6 Cassette Master(Dolby "B" ON>Maxell MX-S Metal Cassettes)>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders little Helper. Taped By Dave Boedicker. Official Tapers Section
|
notes
|
| 14780. |
03/27/93 |
Flac 16/48 - 0,
139670 |
Albany |
Knickerbocker Arena flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648
|
notes
|
| 14781. |
03/27/93 |
Flac 16/48 - 0,
140009 |
Albany |
Knickerbocker Arena flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger
|
notes
|
| 14782. |
03/27/93 |
Flac 16/48 - 0,
144223 |
Albany |
Knickerbocker Arena flac16/48kHz; Source: AKG CK63 > AKG 460B > Custom Pre > Teac DAP-20; Transfer: DAT(m) @48kHz > Sony PCM-R500 > Korg MR-2000S > Samplitude Pro X3 Suite > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger); Taped by Dave Flaschner; Provided by Dave Flaschner; Transfer & edits by Jeff Mitchell
|
notes
|
| 14783. |
03/27/93 |
Flac 24/96 - 0,
136687 |
Albany |
Knickerbocker Arena flac24; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 14784. |
03/27/93 |
Flac 16 - 0,
136688 |
Albany |
Knickerbocker Arena flac16; Master Audience Recorded By Fitzy, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14785. |
03/27/93 |
Flac 16 Mtx - ,
152952 |
Albany |
Knickerbocker Arena flac16; Matrix by Hunter Seamons using Final Cut Pro for set 1 and Soundtrack Pro for set 2 (FLAC > AIFF > Final Cut > Soundtrack > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 92523 & 140009.
|
notes
|
| 14786. |
03/28/93 |
Flac 16 - 0,
96215 |
Albany |
Knickerbocker Arena flac16; Recording Info: SBD -> Master Dat -> soundBlade -> DVD (16bit/44.1k); Transfer Info:DVD -> Samplitude Professional v10.1 -> FLAC; Transferred and Mastered By David Gans; Additional Mastering By Charlie Miller
|
notes
|
| 14787. |
03/28/93 |
Shn - 0,
16747 |
Albany |
Knickerbocker Arena SBD>DAT>C>DAT>CDR encoded by Dan Carr [note: a fix of a d/o on d1t05 also circulates]
|
notes
|
| 14788. |
03/28/93 |
Flac 16 - 0,
95962 |
Albany |
Knickerbocker Arena flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644. Taped/transfer Andrew F
|
notes
|
| 14789. |
03/28/93 |
Shn - 0,
5702 |
Albany |
Knickerbocker Arena FOB section 5, Row N, Seat 8/9 Handheld Soundfield ST-250 (in blumlein mode) > Sony D10 pro II (modified) Taped by Jamies Young DAT clone from master > Sony PCM-M1 > Oade 7pin active cable > CO2 s/pdif format converter > Zoltrix Nightengale > CE2K (record, resample) > CDWAV (tracking > SHN (seekable) DAT transfer/encoding by nick@nickspicks.com
|
notes
|
| 14790. |
03/28/93 |
Flac 16 - 0,
136700 |
Albany |
Knickerbocker Arena flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14791. |
03/28/93 |
Flac 24/96 - 0,
136669 |
Albany |
Knickerbocker Arena flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M; Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 14792. |
03/28/93 |
Flac 16/48 - 0,
95961 |
Albany |
Knickerbocker Arena flac16/48; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648. Taped/transfer Andrew F.
|
notes
|
| 14793. |
03/28/93 |
Flac 24/48 - 0,
124514 |
Albany |
Knickerbocker Arena b>flac24; Source: OTS/Audix shotguns > Sony WM-D6 (Sony ES-IV analog master/NR: On); Transfer: Nakamichi BX300 (analog master/Set 1 NR: OFF/Set 2 NR: ON) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/48) > Edirol UA25 > Sonar v4LE >Sound Forge 9.0 (tracking & fades) > TLH (flac@8/ffp); Recorded by Bob Crupi; Transferred and seeded by Bob Crupi
|
notes
|
| 14794. |
03/28/93 |
Flac 16 - 0,
124513 |
Albany |
Knickerbocker Arena flac16; Source: OTS/Audix shotguns > Sony WM-D6 (Sony ES-IV analog master/NR: On); Transfer: Nakamichi BX300 (analog master/Set 1 NR: OFF/Set 2 NR: ON) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/48) > Edirol UA25 > Sonar4 LE > Sound Forge 9.0 (convert 16/44.1, tracking & fades) > TLH (flac@8/ffp); Recorded by Bob Crupi; Transferred and seeded by Bob Crupi
|
notes
|
| 14795. |
03/28/93 |
Flac 16 - 0,
119290 |
Albany |
Knickerbocker Arena flac16; Source: Sony D6 Cassette Master(Maxell MX-S Metal Cassettes, Dolby "B" ON>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback,Dolby Off)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker, Official Taper Section
|
notes
|
| 14796. |
03/28/93 |
Flac 16 - 0,
106368 |
Albany |
Knickerbocker Arena b>flac16; Source:Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro; Transfer:Tascam DA20 MKII->Edirol R44->SD->PC->CD Wave Editor->Flac Frontend Taped by Eliot Byron and others unknown. Taped from row 15 FOB,Up front in the hat
|
notes
|
| 14797. |
03/28/93 |
Flac 16/48 - 0,
139671 |
Albany |
Knickerbocker Arena flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648
|
notes
|
| 14798. |
03/28/93 |
Flac 16/48 - 0,
140016 |
Albany |
Knickerbocker Arena flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger
|
notes
|
| 14799. |
03/28/93 |
Flac 16/48 - 0,
144224 |
Albany |
Knickerbocker Arena flac16/48kHz; Source: AKG CK63 > AKG 460B > Custom Pre > Teac DAP-20; Transfer: DAT(m) @48kHz > Sony PCM-R500 > Korg MR-2000S > Adobe Audition CS6 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger); Taped by Dave Flaschner; Provided by Dave Flaschner; Transfer & edits by Jeff Mitchell
|
notes
|
| 14800. |
03/28/93 |
Flac 16 Mtx - ,
154748 |
Albany |
Knickerbocker Arena Flac16; Matrix by Hunter Seamons using Soundtrack Pro (FLAC > AIFF > Soundtrack > Final Cut Pro for EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 96215 & 140016.
|
notes
|
| 14801. |
03/29/93 |
Shn - 0,
13512 |
Albany |
Knickerbocker Arena SBD>DAT>Cass>DAT; via Chris Larson ; Seeded to etree by T. Wiley
|
notes
|
| 14802. |
03/29/93 |
Flac 16/48 - 0,
134819 |
Albany |
Knickerbocker Arena flac16/48kHz; Source: FOB > DAT; unknown taper and equipment; Transfer: DAT (x) > 60ES > Microtrack 24/96 > WAV 16/48 > Flac 16/48; Patch source: DAUD/OTS Schoeps mk4(ORTF); taped by Eliot Byron; transfer>upload by Jim Raras SHNID 8376
|
notes
|
| 14803. |
03/29/93 |
Flac 16 - 0,
96029 |
Albany |
Knickerbocker Arena flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644. Taped/transfer Andrew F.
|
notes
|
| 14804. |
03/29/93 |
Flac 16 - 0,
136710 |
Albany |
Knickerbocker Arena flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 100 + 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14805. |
03/29/93 |
Flac 24/96 - 0,
136708 |
Albany |
Knickerbocker Arena flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 100 + 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 14806. |
03/29/93 |
Flac 16/48 - 0,
96025 |
Albany |
Knickerbocker Arena flac16/48; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648. Taped/transfer Andrew F.
|
notes
|
| 14807. |
03/29/93 |
Flac 16 - 0,
119472 |
Albany |
Knickerbocker Arena flac16; Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns(Maxell MX-s Metal Tapes,Dolby "B" ON)>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders little Helper.Taped By Dave Boedicker,Official Taper Section
|
notes
|
| 14808. |
03/29/93 |
Shn - 0,
8376 |
Albany |
Knickerbocker Arena DAUD/OTS Schoeps mk4(ORTF); taped by Eliot Byron; transfer>upload by Jim Raras; QC courtesy Dankseeds
|
notes
|
| 14809. |
03/29/93 |
Flac 16/48 - 0,
140019 |
Albany |
Knickerbocker Arena flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger
|
notes
|
| 14810. |
03/29/93 |
Flac 16/48 - 0,
144225 |
Albany |
Knickerbocker Arena flac16/48kHz; Source: AKG CK63 > AKG 460B > Custom Pre > Teac DAP-20; Transfer: DAT(m) @48kHz > Sony PCM-R500 > Korg MR-2000S > Adobe Audition CS6 > dBpoweramp Music Converter > Foobar2000 (Live Show Tagger); Taped by Dave Flaschner; Provided by Dave Flaschner; Transfer & edits by Jeff Mitchell
|
notes
|
| 14811. |
03/29/93 |
Flac 16/48 - 0,
139668 |
Albany |
Knickerbocker Arena flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648
|
notes
|
| 14812. |
03/29/93 |
Flac 24/48 - 0,
151342 |
Albany |
Knickerbocker Arena flac24/48khz Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24
|
notes
|
| 14813. |
03/29/93 |
Flac 16/44 - 0,
151665 |
Albany |
Knickerbocker Arena flac16/44khz Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite (24-bit/48k) > FLAC/24 151342 24 -> 16 @ 44.1
|
notes
|
| 14814. |
03/29/93 |
Flac 16/44 - ,
154852 |
Albany |
Knickerbocker Arena flac16/44; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > Soundtrack Pro > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging), of shnid's 151665 & 140019.
|
notes
|
| 14815. |
03/31/93 |
Flac 16 - 0,
1144456 |
Uniondale |
Nassau Coliseum flac16; Recording Info: SBD -> Master Dat (44.1k); Transfer Info: Master Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14816. |
03/31/93 |
Shn - 0,
18750 |
Uniondale |
Nassau Coliseum Recording Info: SBD -> Dat -> Cm -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> CD -> EAC -> SHN All transfers done by Charlie Miller
|
notes
|
| 14817. |
03/31/93 |
Shn - 0,
31000 |
Uniondale |
Nassau Coliseum Soundcheck ; *Note* this is a fixed copy of Ken K's original flac seed. Source: Unknown Generation cassette (a montior feed or an "AUD" tape made inside the venue?) ; Transfer & Encoding by Ken K. ; track renaming and sector error fix by one of the folks @ tmnsp.net
|
notes
|
| 14818. |
03/31/93 |
Flac 16 - 0,
96100 |
Uniondale |
Nassau Coliseum flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644. Taped/transfer Andrew F.
|
notes
|
| 14819. |
03/31/93 |
Flac 16/48 - 0,
96099 |
Uniondale |
Nassau Coliseum flac16/48; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Maxell DM-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648. Taped/transfer Andrew F.
|
notes
|
| 14820. |
03/31/93 |
Flac 16 - 0,
124440 |
Uniondale |
Nassau Coliseum flac16; Source: OTS/Audix shotguns > Sony WM-D6 (Sony ES-IV analog master/NR: On); Transfer: Nakamichi BX300 (analog master/NR: off) > AudioQuest Sidewinder Cables (attenuated) > V3 (24/48) > Edirol UA25 > Sonar LE > Sound Forge 9.0 (convert 16/44.1, tracking, fades and normalize) > TLH (flac@8/ffp); Recorded by Bob Crupi; Transferred and seeded by Bob Crupi
|
notes
|
| 14821. |
03/31/93 |
Flac 16/48 - 0,
139689 |
Uniondale |
Nassau Coliseum flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Recorded & Transferred by Jim Wise; Mastered by Scott Clugston
|
notes
|
| 14822. |
03/31/93 |
Flac 16/48 - 0,
139964 |
Uniondale |
Nassau Coliseum flac16/48kHz; source: aud dat master; taped by Doug Lamarre; sennheiser 441’s > denon dtr-80; taper section; transferred & seeded - Rob Berger
|
notes
|
| 14823. |
03/31/93 |
Shn - 0,
8756 |
Uniondale |
Nassau Coliseum AUD(Schoeps CMC 541's)>DAT>CDR; Unknown Seeder
|
notes
|
| 14824. |
03/31/93 |
Flac 24 - 0,
149467 |
Uniondale |
Nassau Coliseum flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 14825. |
03/31/93 |
Flac 16 - 0,
150156 |
Uniondale |
Nassau Coliseum flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 14826. |
04/01/93 |
Shn - 0,
23822 |
Uniondale |
Nassau Coliseum DSBD > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
|
notes
|
| 14827. |
04/01/93 |
Flac - 0,
96103 |
Uniondale |
Nassau Coliseum flac16; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Sony DT-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > R8Brain (to 44.1kHz) > TLH > FLAC 1644. Taped/transfer Andrew F.
|
notes
|
| 14828. |
04/01/93 |
Flac - 0,
96102 |
Uniondale |
Nassau Coliseum flac16/48; AUD: AKG C460B/CK8 shotguns > unknown lead dat decks > Coax SPDIF > Casio DA-7 > Sony DT-120's, front of OTS. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Wavelab > CD-Wave > TLH > FLAC 1648. Taped/transfer Andrew F.
|
notes
|
| 14829. |
04/01/93 |
Shn - 0,
17682 |
Uniondale |
Nassau Coliseum B&K 4011 w/balls > HDS1@stacks front center of ts > CD; Conversion: CD > EAC > Cool Edit 2000 > CDWav > mkwACT 0.97 > shn by Steve Blanchard
|
notes
|
| 14830. |
04/01/93 |
Flac - 0,
139690 |
Uniondale |
Nassau Coliseum flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Recorded & Transferred by Jim Wise; Mastered by Scott Clugston
|
notes
|
| 14831. |
04/01/93 |
Flac - 0,
139965 |
Uniondale |
Nassau Coliseum flac16/48kHz; source: aud dat master; taped by Doug Lamarre; sennheiser 441’s > denon dtr-80; taper section; transferred & seeded - Rob Berger
|
notes
|
| 14832. |
04/01/93 |
Flac 24 - 0,
149968 |
Uniondale |
Nassau Coliseum flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 14833. |
04/01/93 |
Flac 16 - 0,
150157 |
Uniondale |
Nassau Coliseum flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 14834. |
04/02/93 |
Shn - 0,
13500 |
Uniondale |
Nassau Coliseum SBD>DAT>C>DAT>CDR>EAC>WAV>MKW>SHNv3
|
notes
|
| 14835. |
04/02/93 |
Shn - 0,
18527 |
Uniondale |
Nassau Coliseum AUD(Schoeps CMC-541?s) > DAT > CDR via Raoul Duke encoded by Matt Vernon
|
notes
|
| 14836. |
04/02/93 |
Flac - 0,
139691 |
Uniondale |
Nassau Coliseum flac16/48kHz; Set 2 Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Recorded & Transferred by Jim Wise; Mastered by Scott Clugston
|
notes
|
| 14837. |
04/02/93 |
Flac - 0,
139966 |
Uniondale |
Nassau Coliseum flac16/48kHz; source: aud dat master; taped by Doug Lamarre; sennheiser 441’s > denon dtr-80; taper section; transferred & seeded - Rob Berger
|
notes
|
| 14838. |
04/02/93 |
Flac 24 - 0,
149469 |
Uniondale |
Nassau Coliseum flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 14839. |
04/02/93 |
Flac 16 - 0,
150158 |
Uniondale |
Nassau Coliseum flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24, This file set is 16 bit @ 44.1
|
notes
|
| 14840. |
04/04/93 |
Flac 16 - 0,
27976 |
Uniondale |
Nassau Coliseum flac16; SBD > DAT > C > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
|
notes
|
| 14841. |
04/04/93 |
Flac 16/48 - 0,
85860 |
Uniondale |
Nassau Coliseum flac16/48; AKG 460/CK8's (2' apart on a custom T-Bar) -> Panasonic SV-255 -> Teac DA-P20 -> Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) **48k version**
|
notes
|
| 14842. |
04/04/93 |
Flac 16 - 0,
85859 |
Uniondale |
Nassau Coliseum flac16; AKG 460/CK8's (2' apart on a custom T-Bar) -> Panasonic SV-255 -> Teac DA-P20 -> Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8)
|
notes
|
| 14843. |
04/04/93 |
Shn - 0,
18978 |
Uniondale |
Nassau Coliseum Source: Nak 300/CP4>CM>CDR>WAV>SHN. CDR source via O.Clark. SHN encoding/FTP via C.Ladner/candyman FTP.
|
notes
|
| 14844. |
04/04/93 |
Shn - 0,
18528 |
Uniondale |
Nassau Coliseum AUD(Schoeps CMC-541?s) > DAT > CDR via Raoul Duke encoded by Matt Vernon
|
notes
|
| 14845. |
04/04/93 |
Flac 16 - 0,
138482 |
Uniondale |
Nassau Coliseum flac16 Source - Lineage : OTS - Nak CM 300 > CP-4S > Sony TCD5 > Cassette Master > Transfer to CD > me > EAC > TLH level 8 > flac 16 > you > enjoy ! Tape and Transferred by Jon Pasternak
|
notes
|
| 14846. |
04/04/93 |
Flac 16/48 - 0,
139692 |
Uniondale |
Nassau Coliseum flac16/48kHz; Set 2 Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Recorded & Transferred by Jim Wise; Mastered by Scott Clugston
|
notes
|
| 14847. |
04/04/93 |
Flac 24 - 0,
149970 |
Uniondale |
Nassau Coliseum flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 14848. |
04/04/93 |
Flac 16 - 0,
150159 |
Uniondale |
Nassau Coliseum flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 14849. |
04/05/93 |
Shn - 0,
12095 |
Uniondale |
Nassau Coliseum SBD>MC>DAT>CDR; via Raoul Duke; Seeded to etree by Tony G
|
notes
|
| 14850. |
04/05/93 |
Shn - 0,
8842 |
Uniondale |
Nassau Coliseum 1st set only; DAUD/FOB Schoeps mk21(ORTF); via Dankseeds
|
notes
|
| 14851. |
04/05/93 |
Flac 16 - 0,
107784 |
Uniondale |
Nassau Coliseum flac16; Recording: Sonic Solutions DSM-6P -> Sony D6 Section B1, Row 16, Seat 9 (DFC) Transfer: Onkyo TA-2600 -> Audacity -> Wav -> xACT -> Flac
|
notes
|
| 14852. |
04/05/93 |
Flac 16/48 - 0,
139693 |
Uniondale |
Nassau Coliseum flac16/48kHz; Source Info: Jim Wise's FOB Audience DAT > Schoeps CMC6/MK4 (hand-held ORTF) > Sonosax SX-M2 > Dat (Sony D10 Pro/48k); Transfer Info: DAT Master (Sony PCM-R500)> Tascam DA-3000> WAV (16-bit/48k)> Adobe Audition 3.0> TLH flac1648; Recorded & Transferred by Jim Wise; Mastered by Scott Clugston
|
notes
|
| 14853. |
04/05/93 |
Flac 24 - 0,
149971 |
Uniondale |
Nassau Coliseum flac24; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller
|
notes
|
| 14854. |
04/05/93 |
Flac 16 - 0,
150160 |
Uniondale |
Nassau Coliseum flac16; Recording Info: SBD > DAT Master (48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > Samplitude Pro X5 Suite > FLAC/24; All Transfers and Mastering by Charlie Miller, This file set is 16 bit @ 44.1
|
notes
|
| 14855. |
05/14/93 |
Flac 16/48 - 0,
137245 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16/48kHz; Recording Info: (FOB) Schoeps MK41 -> Dat (Panasonic SV-255/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14856. |
05/14/93 |
Shn - 0,
17812 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. A : ? > DAT > CDR > EAC > SHN; CDR > EAC > CDWAV > SHN by Alan J Fink, with thanks to Paul B.
|
notes
|
| 14857. |
05/14/93 |
Flac 16 - 0,
94259 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 14858. |
05/14/93 |
Flac 16 - 0,
112085 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: FOBH 30' center Schoeps Mk-41 3.5" @ 90* ( 1/2 O.R.T.F ) > Schoeps KC5 Actives > CMC 4 > Canare Star Quad > Koch Power Supply > Canare Star Quad > Koch Modified Panasonic SV-255; Transfer Info: DAT x 3 48k > Hosa ODL-276 > Nomad Jukebox 3 > USB > Dell Home Computer > R8t Brain 48K to 44.1k > CD Wave > Flac Frontend
|
notes
|
| 14859. |
05/14/93 |
Flac 24 - 0,
140129 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14860. |
05/14/93 |
Flac 16 - 0,
140224 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14861. |
05/14/93 |
Flac 16/48 - 0,
141491 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460/61 B18 > AKG B18 phantom power unit > Panasonic SV255 > DAT (OTS); Location: on the rail behind the soundboard dead center; Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
|
notes
|
| 14862. |
05/15/93 |
Flac - 0,
32091 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: FOBH 30' center Schoeps Mk-41 3.5" @ 90* ( 1/2 O.R.T.F ) > Schoeps KC5 Actives > CMC 4 > Canare Star Quad > Kock Power Supply > Canare Star Quad > Koch Modified Panasonic SV-255. Transfer Info: DAT x 3 48k > Hosa ODL-276 > Nomad Jukebox 3 > USB > Dell Home Computer > R8t Brain 48K to 44.1k > CD Wave > Flac Frontend.
|
notes
|
| 14863. |
05/15/93 |
Flac - 0,
137246 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16/48kHz; Recording Info: (FOB) Schoeps MK41 -> Dat (Panasonic SV-255/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14864. |
05/15/93 |
Shn - 0,
17955 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. A : Schoeps CMC 521's > DAT > CDR > EAC > CE Pro > SHN; CDR > EAC > CE Pro > SHN by Alan J Fink (aj.fink@verizon.net)
|
notes
|
| 14865. |
05/15/93 |
Flac 24 - 0,
140130 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14866. |
05/15/93 |
Flac - 0,
140225 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14867. |
05/15/93 |
Flac 16/48 - 0,
141493 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16/48kHz; Set 2 Master Audience Recording & Transfer by Ray Ackerman: AKG 460/61 B18 > AKG B18 phantom power unit > Panasonic SV255 > DAT (OTS); Location: on the rail behind the soundboard dead center; Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
|
notes
|
| 14868. |
05/16/93 |
Flac 16 - 0,
34826 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Seamless fix of shn id 32348 - SBD -> Master Dat -> Sonic Solutions -> CD -> EAC -> FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 14869. |
05/16/93 |
Flac 16 - 0,
32348 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: SBD -> Master Dat -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> FLAC
|
notes
|
| 14870. |
05/16/93 |
Shn - 0,
4183 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. Internal FM> DAT (48kHz); Transfer: DAT> ZA2 (S/PDIF)> Samplitude2496> shn; Conversion by Chris Larson, from Tom and Roger's tapes
|
notes
|
| 14871. |
05/16/93 |
Shn - 0,
11934 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. SBD>DAT(48kHz); via Steve Herman; Seeded to etree by M. Walke
|
notes
|
| 14872. |
05/16/93 |
Flac 16 - 0,
135614 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: Schoeps MK41 -> Dat (48k); Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14873. |
05/16/93 |
Flac 16 - 0,
116301 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 14874. |
05/16/93 |
Flac 24 - 0,
140260 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14875. |
05/16/93 |
Flac 16 - 0,
140326 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14876. |
05/16/93 |
Flac 16/48 - 0,
141494 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460/61 B18 > AKG B18 phantom power unit > Panasonic SV255 > DAT (OTS); Location: on the rail behind the soundboard dead center; Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
|
notes
|
| 14877. |
05/16/93 |
Flac 24/96 - 0,
151343 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac24/96khz Remastered Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Samplitude Pro X5 Suite > FLAC/24
|
notes
|
| 14878. |
05/16/93 |
Flac 16/44 - 0,
151684 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16/44khz Remastered Recording Info: SBD > Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > Samplitude Pro X5 Suite > FLAC/24 151343 24 -> 16 @ 44.1
|
notes
|
| 14879. |
05/21/93 |
Flac 16 - 0,
32499 |
Mountain View |
Shoreline Amphitheatre flac16; SBD -> Master Dat -> Sonic Solutions -> CD Converted By Charlie Miller
|
notes
|
| 14880. |
05/21/93 |
Flac 16/48 - 0,
137252 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Recording Info: (FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k); Transfer Info: Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14881. |
05/21/93 |
Flac 16/48 - 0,
137355 |
Mountain View |
Shoreline Amphitheatre b>flac16/48kHz; Set 2 Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14882. |
05/21/93 |
Shn - 0,
9400 |
Mountain View |
Shoreline Amphitheatre AUD(Schoeps CMC 521?s)>DAT>CDR; Seeded to etree by Tony G
|
notes
|
| 14883. |
05/21/93 |
Flac 24 - 0,
140856 |
Mountain View |
Shoreline Amphitheatre flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14884. |
05/21/93 |
Flac 16 - 0,
140870 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14885. |
05/22/93 |
Shn - 0,
11665 |
Mountain View |
Shoreline Amphitheatre SBD -> Dat -> Sonic Solutions -> CD; Seeded to etree by Charlie Miller
|
notes
|
| 14886. |
05/22/93 |
Shn - 0,
9401 |
Mountain View |
Shoreline Amphitheatre SBD>DAT>??>DAT>CDR; Seeded to etree by Tony G
|
notes
|
| 14887. |
05/22/93 |
Flac - 0,
137254 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Recording Info: (FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k); Transfer Info: Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14888. |
05/22/93 |
Flac - 0,
137350 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14889. |
05/22/93 |
Flac - 0,
127320 |
Mountain View |
Shoreline Amphitheatre flac16; Source: Nakamichi CM-300 x 3; 2 CP-4’s + 1 CP-1 > Boss BX-4 Mixer > Sony TC-D5M XLIIS Cass Master; Transferred: TC-D5M (Original Record Deck) > HHb CDR 800 PRO via Analog i/o > CD Masters > FLAC (Level 8) Via xACT 2.25; Location: OTS, SEC 202, Left; Recorded/Transferred By:Jeff Bowen
|
notes
|
| 14890. |
05/23/93 |
Shn - 0,
8707 |
Mountain View |
Shoreline Amphitheatre DSBD>DAT>CDR; Seeded to etree by Tim Wiley
|
notes
|
| 14891. |
05/23/93 |
Flac - 0,
137255 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Recording Info: (FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k); Transfer Info: Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14892. |
05/23/93 |
Flac - 0,
137351 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14893. |
05/23/93 |
Flac - 0,
94352 |
Mountain View |
Shoreline Amphitheatre flac16; Neumann KM140's>Panasonic SV-250>Analog out>Technics SV-MD1(don't have preamp used written on my label) DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 14894. |
05/25/93 |
Shn - 0,
19224 |
Sacramento |
Cal Expo DSBD: DAT > DAT > Sonic Solutions > CD > CD encoded by Matt Vernon
|
notes
|
| 14895. |
05/25/93 |
Flac 16/48 - 0,
34853 |
Sacramento |
Cal Expo flac16/48; FOB Schoeps Mk2 Omni Capsule 7' spaced omnis in hat -> Schoeps Active Cables -> Schoeps CMC 5 Mic Body -> Monster M1000 Jumper -> Neumann Supply -> Canare Cable -> Panasonic sv255 Transfer: Transfer by Todd Evans May 2006 - todd@bluedakota.com DAT Clone > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav
|
notes
|
| 14896. |
05/25/93 |
Flac 16 - 0,
34849 |
Sacramento |
Cal Expo flac16; FOB Schoeps Mk2 Omni Capsule 7' spaced omnis in hat -> Schoeps Active Cables -> Schoeps CMC 5 Mic Body -> Monster M1000 Jumper -> Neumann Supply -> Canare Cable -> Panasonic sv255 Transfer: Transfer by Todd Evans May 2006 - todd@bluedakota.com DAT Clone > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav
|
notes
|
| 14897. |
05/25/93 |
Flac 16/48 - 0,
137257 |
Sacramento |
Cal Expo flac16/48kHz; Recording Info: (FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k); Transfer Info: Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14898. |
05/25/93 |
Shn - 0,
19223 |
Sacramento |
Cal Expo Schoeps > DAT > CDR via Tom Bellanca encoded by Matt Vernon
|
notes
|
| 14899. |
05/25/93 |
Flac 24 - 0,
140499 |
Sacramento |
Cal Expo flac24/96 Source AK40's (in kangol hat)>lc3 cables>km100's>Neumann 48v. P.S.>(Oade Modifed) SV-250. Lineage DAT Master>SV-3700 (digital out)>Apogee Duet>Macbook Pro>Audacity>Audition>Flac24/48. Taped by Taper Troy.
|
notes
|
| 14900. |
05/26/93 |
Flac - 0,
27776 |
Sacramento |
Cal Expo flac16; SBD> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller
|
notes
|
| 14901. |
05/26/93 |
Flac - 0,
84031 |
Sacramento |
Cal Expo flac16; Recording Info: FOB Schoeps Mk2 Omni Capsule (omnis in hat) spaced 8 feet apart -> Schoeps Active Cables -> Schoeps CMC 5 Mic Body -> Monster M1000 Jumper -> Neumann Supply -> Canare Cable -> Panasonic sv255 DAT Clone > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing Info- All editing and mastering by Jamie Waddell Wavelab 6.0 using Ozone and L2 for dither Tracked: Cdwave Flac'ed Level 8 Tlh
|
notes
|
| 14902. |
05/26/93 |
Shn - 0,
19132 |
Sacramento |
Cal Expo DSBD>CASS>DAT>CDx2 > EAC in secure mode > SHN
|
notes
|
| 14903. |
05/26/93 |
Shn - 0,
1958 |
Sacramento |
Cal Expo M:C> D> CD> EAC> SHN; via Nick Georges; CD insert available at www.nickspicks.com
|
notes
|
| 14904. |
05/26/93 |
Flac - 0,
15384 |
Sacramento |
Cal Expo flac16; FOB Schoeps CMC3, 2-> OADE/PS-SV255; DAT>CD conversion, unknown; My audio discs > EAC (secure) > FLAC; ripped/FLAC'd/edits done by Nick Georges
|
notes
|
| 14905. |
05/26/93 |
Flac - 0,
140311 |
Sacramento |
Cal Expo flac16/48kHz; Set 1 Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017
|
notes
|
| 14906. |
05/26/93 |
Flac 16/48 - 0,
152130 |
Sacramento |
Cal Expo flac16/48 Recording Info: (FOB) Schoeps MK41 > DAT Master (Modified Panasonic SV-255/48k) Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k
|
notes
|
| 14907. |
05/27/93 |
Flac - 0,
27777 |
Sacramento |
Cal Expo flac16; SBD> Dat (48k); Transfer: Dat (Sony D8)> RME Hammerfall Digiface> Sony Vaio C1VP> Samplitude v7.02 Professional> FLAC; Transferred By Charlie Miller
|
notes
|
| 14908. |
05/27/93 |
Flac - 0,
100800 |
Sacramento |
Cal Expo flac16; FOB Digital Audience Recording Lineage: Clone of Master DAT Recording Equipment: Schoeps Mk2 Omni Capsules in-hat human mic stands spaced 8' apart -> Schoeps Active Cables -> Schoeps CMC Mic Body -> Oade Mic Pre -> Panasonic sv255 Recorded By: Unknown; Transfer: 16 bit – 48kHz DAT Clone > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0; Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither TradersLilHelper for FLAC8 SBE FREE Tag & Rename for FLAC Meta-Tagging
|
notes
|
| 14909. |
05/27/93 |
Shn - 0,
1932 |
Sacramento |
Cal Expo M:C> D> transfer via dap1>zoltrix nightengale> SHN; no noise reduction; via Nick Georges; may or may not have extra cass gen- see Nick's listening notes in info file
|
notes
|
| 14910. |
05/27/93 |
Flac - 0,
137258 |
Sacramento |
Cal Expo flac16/48kHz; Recording Info: (FOB) Schoeps MK41 > Dat Master (Panasonic SV-255/48k); Transfer Info: Dat Master (Sony R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14911. |
05/27/93 |
Flac - 0,
91374 |
Sacramento |
Cal Expo flac16; Neumanns(model forgotten over the last 15 years, likely KM150's)>Technics SV-MD1 Recorded FOB By Steve Fink & Keith Litzenberger Transfer by Keith Litzenberger DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC
|
notes
|
| 14912. |
05/27/93 |
Flac - 0,
109587 |
Sacramento |
Cal Expo flac16; Sankens COS1 FOB -> ? -> DAT (16 bit/48 khz); Transfer: Sony R500->Sound Devices 722; Mastered: Soundforge Pro 10.0b - *All file manipulation in Soundforge done at 24 bits*. Volume normalization, minor clap removal during some quiet parts of drums/space, sample rate conversion 48khz to 44.1khz using iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter, then dithered back to 16 bits using using iZotope MBIT+ with Ultra noise shaping, High dither settings. Tracked in CDWav; Recorded By ?; Transfer, mastering, and tracking August 2010 by Scott Bernstein
|
notes
|
| 14913. |
06/05/93 |
Shn - 0,
8328 |
East Rutherford |
Giants Stadium DSDB master> DAT Clone> ?> CDR; Seeded to etree by Tim Wiley
|
notes
|
| 14914. |
06/05/93 |
Flac 16 - 0,
104982 |
East Rutherford |
Giants Stadium flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, set up back of floor. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged. Transfer by Andrew F. 12/2009
|
notes
|
| 14915. |
06/05/93 |
Flac 24/96 - 0,
136842 |
East Rutherford |
Giants Stadium flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Dolby B On; Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Dolby B On > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 14916. |
06/05/93 |
Flac 16 - 0,
135843 |
East Rutherford |
Giants Stadium flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Dolby B On; Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Dolby B On > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14917. |
06/05/93 |
Shn - 0,
8ß41 |
East Rutherford |
Giants Stadium AUD>DAT>CDR; via Paul B.; Tim Wiley
|
notes
|
| 14918. |
06/05/93 |
Flac 16/48 - 0,
141595 |
East Rutherford |
Giants Stadium flac16/48kHz; Set 2 Source Info: Jim Wise's Master (FOB) Audience Dat; Modified Nakamichi 700 mics > Sony D10 (16-bit/48k); Transfer Info: Dat (16/48k)(Sony PCM-R500) > Tascam DA-3000 > .wav 16-bit/48k > Adobe Audition 3.0 > TLH flac1648
|
notes
|
| 14919. |
06/05/93 |
Flac 16/48 - 0,
149527 |
East Rutherford |
Giants Stadium flac16/48kHz; Source Info: FOB Sennheiser MKH-40 (Wide-Angled Cardioid)-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48)
|
notes
|
| 14920. |
06/06/93 |
Flac 16 - 0,
100023 |
East Rutherford |
Giants Stadium flac16:; Replaygain and repeat-glitch fix of DSBD>CDR>shn>WAV>FLAC: SHNID 34835, which was in turn a seamless fix of SHNID 8246.
|
notes
|
| 14921. |
06/06/93 |
Shn - 0,
8246 |
East Rutherford |
Giants Stadium DSBD> CDR> shn; via Andy Gustin with thanks to Kevin Kaye
|
notes
|
| 14922. |
06/06/93 |
Flac 16 - 0,
105266 |
East Rutherford |
Giants Stadium flac16; FOB AUD: Sonics Studios mics > Cassette > 1C. Transfer: 1st gen Maxell XLIIS > Nakamichi DR-2 > Edirol FA-66 > Wavelab > R8Brain > CD-Wave > TLH > FLAC 1644 Tagged
|
notes
|
| 14923. |
06/06/93 |
Shn - 0,
8329 |
East Rutherford |
Giants Stadium DSBD master> Dat Clone> ?> CDR; Seeded to etree by Tim Wiley
|
notes
|
| 14924. |
06/06/93 |
Flac 16 - 0,
136851 |
East Rutherford |
Giants Stadium flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Dolby B On; Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Dolby B On > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14925. |
06/06/93 |
Flac 24/96 - 0,
136850 |
East Rutherford |
Giants Stadium flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Dolby B On; Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Dolby B On > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 14926. |
06/06/93 |
Flac 24/96 - 0,
135170 |
East Rutherford |
Giants Stadium b>flac24; Source: Previously unreleased FOB DAT -> cassette. Sennheiser MKH 40 Cardioids, ORTF, 5'8" High on stand -> Canare Cable -> Sennheiser MSA 14 Power Supplies -> Sony TCDC-D10 DAT, Sec. 6, row 3, Seat 18, ~24 rows from stage, 2 seats right of center, FOB; DAT x-fer -> Apogee 701 BETA -> Nak BX300 / TDK MA110 -> JVC TD-W354 -> Zoom H6 96/24 WAV -> Audacity -> FLAC 96/24; Recorded by Richard Berner
|
notes
|
| 14927. |
06/06/93 |
Flac 16/48 - 0,
149528 |
East Rutherford |
Giants Stadium flac16/48kHz; Source Info: FOB Sennheiser MKH-40 (Wide-Angled Cardioid)-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); this is the same source as (#135170) minus the Cassette generation
|
notes
|
| 14928. |
06/08/93 |
Shn - 0,
6673 |
Auburn Hills |
The Palace DSBD > DAT (possibly DSBD > 1C > DAT); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE); upload by Scott Thompson
|
notes
|
| 14929. |
06/08/93 |
Flac 16 - 0,
116346 |
Auburn Hills |
The Palace flac16; First Generation Tapes Of Unknown Mics/Deck; Transfer By Keo; Tapes:Maxell XLII 90,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed with Traders Little Helper
|
notes
|
| 14930. |
06/08/93 |
Flac 24/96 - 0,
116345 |
Auburn Hills |
The Palace flac24; First Generation Tapes Of Unknown Mics/Deck; Transfer By Keo; Tapes:Maxell XLII 90,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 14931. |
06/08/93 |
Flac 16/48 - 0,
150587 |
Auburn Hills |
The Palace flac16/48kHz; Recording Info: SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller
|
notes
|
| 14932. |
06/09/93 |
Shn - 0,
13601 |
Auburn Hills |
The Palace SBD>Dat>Cm>Dat>Samplitude>CD; Seeded to etree by Charlie Miller
|
notes
|
| 14933. |
06/09/93 |
Shn - 0,
6674 |
Auburn Hills |
The Palace DSBD > 1C > DAT; DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > Delta DiO 2448 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV > MKW Audio Compression Tool v0.97b1 (no DAE); upload by Scott Thompson
|
notes
|
| 14934. |
06/09/93 |
Shn - 0,
9457 |
Auburn Hills |
The Palace S>D>C>D>CD; Unknown seeder
|
notes
|
| 14935. |
06/09/93 |
Flac 16 - 0,
94350 |
Auburn Hills |
The Palace flac16; Sennheiser ME-80's>Technics SV-MD1; DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 14936. |
06/09/93 |
Flac 16/48 - 0,
150588 |
Auburn Hills |
The Palace flac16/48kHz; Recording Info: SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller
|
notes
|
| 14937. |
06/11/93 |
Shn - 0,
34399 |
Hebron |
Buckeye Lake Music Center SBD>MDAT>Sonic Solutions>CD->EAC->SHN - Seamless fix of shn id 19217
|
notes
|
| 14938. |
06/11/93 |
Flac - 0,
100405 |
Hebron |
Buckeye Lake Music Center flac16; 3-Source SBD/AUD Matrix: SBD: shnid=34399, AUD 1: shnid=34163, and AUD 2: shnid=3192 see info files for details
|
notes
|
| 14939. |
06/11/93 |
Shn - 0,
19217 |
Hebron |
Buckeye Lake Music Center Soundboard->DAT Master->Sonic Solutions->CD->EAC->SHN. CD seed provided by DG. EAC and SHN by Joe Samaritano.
|
notes
|
| 14940. |
06/11/93 |
Flac - 0,
34163 |
Hebron |
Buckeye Lake Music Center flac16; FOB DFC Digital Audience Recording Schoeps CMC32 (8' Split Omni's) -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav Tracked w CDWav ->verified SBEOK shntool-2.0.3 -> Soundforge 8.0 48/44.1 conversion -> FlacFrontend(level8)
|
notes
|
| 14941. |
06/11/93 |
Flac - 0,
111293 |
Hebron |
Buckeye Lake Music Center flac16; Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony Tc We-325 Home Cassette Deck(PLayback)>Edirol R-09 HR>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper
|
notes
|
| 14942. |
06/11/93 |
Flac - 0,
109886 |
Hebron |
Buckeye Lake Music Center flac16; Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
|
notes
|
| 14943. |
06/11/93 |
Shn - 0,
3192 |
Hebron |
Buckeye Lake Music Center AKG 451 hypercardioid (90 deg XY)> TCD-D3> Dio2448> CE2k (48>44.1)> WAV> SHN; via Doug Nawrocki. [Note added 8/27/2003: An sbe-fixed shn set also circulates]
|
notes
|
| 14944. |
06/11/93 |
Flac 16/48 - 0,
149566 |
Hebron |
Buckeye Lake Music Center flac16/48kHz; Set 1 Source Info: Beyer CM 101-> Casio DA-7-> DAT; Transfer Info: Master DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
|
notes
|
| 14945. |
06/13/93 |
Flac 16 - 0,
105491 |
Orchard Park |
Rich Stadium flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.22 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14946. |
06/13/93 |
Flac 16 - 0,
116901 |
Orchard Park |
Rich Stadium flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Sony Metal SR-100,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 14947. |
06/13/93 |
Shn - 0,
8584 |
Orchard Park |
Rich Stadium FOB-AUD (Schoeps CMC-32?s)> DAT> CDR> WAV> SHN; DAE (EAC)> Boundary Check (SHNTOOL)> SHNv3 (MKWACT)> FTP via neo_levo
|
notes
|
| 14948. |
06/13/93 |
Flac 24/96 - 0,
136917 |
Orchard Park |
Rich Stadium flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 14949. |
06/13/93 |
Flac 16 - 0,
136918 |
Orchard Park |
Rich Stadium flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes:Maxell MX-S 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14950. |
06/13/93 |
Flac 24/96 - 0,
116900 |
Orchard Park |
Rich Stadium flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper Floater,Transfer By Keo; Tapes Sony Metal SR-100,Maxell Metal Capsule 100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 14951. |
06/13/93 |
Flac - 0,
111953 |
Orchard Park |
Rich Stadium flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience cassette Transfer Date: 2011-02-15; Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master cassette(TDK SA-X90)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8); Note: This was recorded with 2 sets of mics, 4 channels, mixed down to 2 channels. The mics were mounted on a stand 8' in height. We were located in the designated "taper" section, on the floor, behind the soundboard
|
notes
|
| 14952. |
06/13/93 |
Flac 16 - 0,
147183 |
Orchard Park |
Rich Stadium flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony WM-D6C Cassette Master>2 Maxell MX-90 And MX-100 Cassette Master Tapes (1 For Each Set)>Sony TC-D5 M Cassette Deck(Playback)CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker, Official Taper Section
|
notes
|
| 14953. |
06/15/93 |
Shn - 0,
10085 |
Louisville |
Freedom Hall SBD>DAT>C>DAT>CDR; via Paul; Seeded to etree by Tony G
|
notes
|
| 14954. |
06/15/93 |
Flac 16 - 0,
117680 |
Louisville |
Freedom Hall flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/Last Row On Floor Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 14955. |
06/15/93 |
Flac 16 - 0,
105743 |
Louisville |
Freedom Hall flac16; source: [ots] Nakamichi cm300/cp4 -> Sony D8 [16/48]. recorded by: Trew Rickers; transfer: dat [m] -> Tascam DA20 mkII -> R-44 -> CD Wave 1.98 -> Wavelab 5.01a [fades/Resampler 192] -> FLAC [8]. transfer: Chris Davis [1/30/10]
|
notes
|
| 14956. |
06/15/93 |
Flac 16/48 - 0,
117679 |
Louisville |
Freedom Hall flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/Last Row On Floor Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 14957. |
06/15/93 |
Flac 16/48 - 0,
137334 |
Louisville |
Freedom Hall flac16/48kHz; Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14958. |
06/15/93 |
Flac 16/48 Mtx - 0,
137863 |
Louisville |
Freedom Hall flac16/48kHz; Matrix Source 1 (shnid 137334): Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k and Source 2 (shnid 106551): Recording info: (Handheld/ORTF/110^/FOB/DFC/Row20) B&K 4011s > Neumann BS48i-2 > Panasonic SV-255 > DAT(m); Transfer info: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit
|
notes
|
| 14959. |
06/15/93 |
Shn - 0,
18984 |
Louisville |
Freedom Hall FOB/DFC Soundfield ST-250 (blumlein mode) > Sony D10-Pro II (48k); hand held for first set; on stand (6') for second set; upgrade in circulation
|
notes
|
| 14960. |
06/15/93 |
Flac 16 - 0,
106551 |
Louisville |
Freedom Hall flac16; Source: (Handheld/ORTF/110^/FOB/DFC/Row20) B&K 4011s > Neumann BS48i-2 > Panasonic SV-255 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC DAT(m) sourced by Alan Schmit Transfer by Terry Watts 16/48k Master FLAC available
|
notes
|
| 14961. |
06/15/93 |
Flac 16 - 0,
99146 |
Louisville |
Freedom Hall flac16; FOB/DFC Soundfield ST-250 (blumlein mode) > Sony D10-Pro II (48k) hand held for set one, on stand (6') for 2nd set 1st gen clone played back through Sony PCM-M1 > Oade active cable > Edirol UA-5 (hardware resample to 44.1k) > USB out > HP Omnibook (cool Edit 2000 for record/edit) > CD-WAV > SHN; fix of source ID 18984
|
notes
|
| 14962. |
06/15/93 |
Flac 16 - 0,
125096 |
Louisville |
Freedom Hall flac16; SBD>DAT>C>DAT>CDR>WAV>SHN>WAV>FLAC - fix of shnid 10085
|
notes
|
| 14963. |
06/15/93 |
Flac 16/44 - 0,
152513 |
Louisville |
Freedom Hall flac16/44 Source: Af: Schoeps CMC34 -> Oade M148 -> Panasonic SV-255>D Transfer: D(48kHz)>Panasonic sv3700>ZA2(S/PDIF)>Wavelab 3.03>CDWav>.wav>CD or .shn Transfered by Chris Larson (gdvault@gmail.com) 3/13/2002
|
notes
|
| 14964. |
06/16/93 |
Shn - 0,
13330 |
Louisville |
Freedom Hall SBD>DAT>C>DAT>Samplitude>CD>EAC>SHN seeded by Tom Eliason
|
notes
|
| 14965. |
06/16/93 |
Flac 16/48 - 0,
117681 |
Louisville |
Freedom Hall flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/Last Row On Floor Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 14966. |
06/16/93 |
Flac 16 - 0,
117682 |
Louisville |
Freedom Hall flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/Last Row On Floor Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 14967. |
06/16/93 |
Flac 16/48 - 0,
137335 |
Louisville |
Freedom Hall b>flac16/48kHz; Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14968. |
06/16/93 |
Flac 16Mtx16/48 - 0,
137894 |
Louisville |
Freedom Hall flac16/48kHz; Matrix: Source 1 (shnid 137335): Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; and Source 2 (shnid 131217): Recording info: FOB (20th Row)/Schoeps CMC 521's> Schoeps VMS 52 UB> Sony D-3 by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminous Monarch> M-Audio Audiophile 2496 (s/pdif)> Audacity @ 16/48> 16/44> CD Wav (Tracking)> TLH (SBE's/Flac16/md5)
|
notes
|
| 14969. |
06/16/93 |
Shn - 0,
10929 |
Louisville |
Freedom Hall Nak 300's>sonyD3 at soundboard. DAt>sblive>cdwave; Seeded to etree by Wally Stine
|
notes
|
| 14970. |
06/16/93 |
Shn - 0,
8192 |
Louisville |
Freedom Hall Taper Section Neumann TLM 170's (cardioid) > Teac DA-20; via Doug Nawrocki
|
notes
|
| 14971. |
06/16/93 |
Flac 16 - 0,
99155 |
Louisville |
Freedom Hall flac16; 4 x Nak CM-300/CP-4's (3' spread @ 12' height) -> Sony TCD-D3 DAT @ 48k -> Audigy 2 -> Adobe Audition 3.0 -> 16/44.1 wave -> TLH -> Flac 16
|
notes
|
| 14972. |
06/16/93 |
Flac 16 - 0,
107044 |
Louisville |
Freedom Hall flac16; Partial Set 1 Source: (Handheld/ORTF/110^/FOB/DFC/Row20) B&K 4011s > Neumann BS48i-2 > Panasonic SV-255 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC DAT(m) sourced by Alan Schmit Transfer by Terry Watts
|
notes
|
| 14973. |
06/16/93 |
Flac 16 - 0,
131217 |
Louisville |
Freedom Hall flac16; Source: FOB (20th Row)/Schoeps CMC 521's> Schoeps VMS 52 UB> Sony D-3 by Lance Deal; Master DAT provided by Lance Deal; Transfer Info: Fostex D-5 (AES/BU)> Luminous Monarch> M-Audio Audiophile 2496 (s/pdif)> Audacity @ 16/48> 16/44> CD Wav (Tracking)> TLH (SBE's/Flac16/md5); Trasferred and liberated to etree.org on September 4, 2014 by Will Petty
|
notes
|
| 14974. |
06/16/93 |
Flac 16 - 0,
110439 |
Louisville |
Freedom Hall flac16; Source: (Handheld/ORTF/110^/FOB/DFC/Row20) B&K 4011s > Neumann BS48i-2 > Panasonic SV-255 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) provided by Alan Schmit; Transfer by Terry Watts
|
notes
|
| 14975. |
06/16/93 |
Flac 16/44 - 0,
152514 |
Louisville |
Freedom Hall flac16/44 Source: A(ts):D(48kHz) Audio Technica 815A Shotguns>Panasonic sv250 Transfer: D ( through a Panasonic sv 3700)>ZA2(S/PDIF)>Wavelab 3.03>CDWav>.wav(or shn) Thanks to Tom and Roger for the dats Transferred by Chris Larson (gdvault@gmail.com)
|
notes
|
| 14976. |
06/18/93 |
Shn - 0,
13784 |
Chicago |
Soldier Field SBD>Dat>Samplitude>Cool Edit Pro>CD; Box Of Rain and Liberty patched from unknown Digital Audience source.
|
notes
|
| 14977. |
06/18/93 |
Shn - 0,
2033 |
Chicago |
Soldier Field SBD> D-> CDR-> EAC> SHN; Ripped by John Zei
|
notes
|
| 14978. |
06/18/93 |
Flac - 0,
119661 |
Chicago |
Soldier Field flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/OTS Section 1 Row 30 Seat 7)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14979. |
06/18/93 |
Flac - 0,
33932 |
Chicago |
Soldier Field flac16; Fob Digital Audience Recording Schoeps CMC321 (Sub Cardiods) -> Oade Power Supply -> Panasonic sv255 - 7' Stand DAT Master - Recorded by Todd Evans, Adam Gross and Bill Pobega DAT Master from Todd Evans DAT Master > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav 48K >> 44.1 resampling (audacity 1.2.3), tracking (shntool 2.0.3) and flac16 encoding (flac 1.1.2) running on FC3 linux by triportweek.
|
notes
|
| 14980. |
06/18/93 |
Flac - 0,
119660 |
Chicago |
Soldier Field flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/OTS Section 1 Row 30 Seat 7)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 14981. |
06/18/93 |
Flac 16/48 - 0,
150589 |
Chicago |
Soldier Field flac16/48kHz; Recording Info: SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller
|
notes
|
| 14982. |
06/19/93 |
Flac 16 - 0,
28298 |
Chicago |
Soldier Field flac16; SBD> Dat> CD> EAC> Sampltiude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller; Dat supplied by David Gans, original mastering by Donnie Loeffler, Thanks to Bob Kidder for the vine disc
|
notes
|
| 14983. |
06/19/93 |
Flac 16 - 0,
119664 |
Chicago |
Soldier Field flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/OTS Section 1 Row 30 Seat 7)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 14984. |
06/19/93 |
Flac 16/48 - 0,
119662 |
Chicago |
Soldier Field flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/OTS Section 1 Row 30 Seat 7)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 14985. |
06/19/93 |
Shn - 0,
16607 |
Chicago |
Soldier Field schoeps CMC44's>Panasonic SV-255>??>CDR>EAC>SHN
|
notes
|
| 14986. |
06/19/93 |
Flac 16/48 - 0,
149441 |
Chicago |
Soldier Field flac16/48kHz; Set 2 Source Info: FOB: Schopes CMC 3 MK2 (Omni)-> Panasonic SV255-> DAT; Row: 21, Space 10' on Stands; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
|
notes
|
| 14987. |
06/19/93 |
Flac 16 - 0,
149440 |
Chicago |
Soldier Field flac16; Source Info: TS: Nak 300 CP4-> Casio DA-2-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 14988. |
06/21/93 |
Flac 16 - 0,
108962 |
Noblesville |
Deer Creek Music Center flac16; Recording Info:SBD -> Dat Master (48k); Transfer Info:Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14989. |
06/21/93 |
Flac 16/48 - 0,
118165 |
Noblesville |
Deer Creek Music Center flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 14990. |
06/21/93 |
Shn - 0,
14121 |
Noblesville |
Deer Creek Music Center SBD: DAT> CD> SHN; Seeded by Peter Braverman, with thanks to Raoul; see notes in info file
|
notes
|
| 14991. |
06/21/93 |
Flac 16 - 0,
118116 |
Noblesville |
Deer Creek Music Center flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 14992. |
06/21/93 |
Flac 16 - 0,
32095 |
Noblesville |
Deer Creek Music Center flac16; Source: Realistic PZMs DFC/Lawn > Sony D5 > D7@48 Transfer: Aiwa HD-S1 > Behringer Ultramatch 2496 > JB3 > SF8 (edits/SRC)
|
notes
|
| 14993. |
06/21/93 |
Shn - 0,
13305 |
Noblesville |
Deer Creek Music Center Source:AMS ST-250 -> Modified D10 pro By Pete Delgado. Transfer:D8 -> Montego II -> CDWAV -> Shorten3; Note- This is a re-eac (as noted in the txt) however all efforts were made to find the original shn's and no one seems to have archived them.
|
notes
|
| 14994. |
06/21/93 |
Flac 16/48 - ,
154455 |
Noblesville |
Deer Creek Music Center flac16/48 Source Info: Jason Greenberg's Master Audience Cassettes; Sennheiser 441 mics > Marantz PMD430 Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496
|
notes
|
| 14995. |
06/21/93 |
Flac 24/96 - ,
154456 |
Noblesville |
Deer Creek Music Center flac24/96 Source Info: Jason Greenberg's Master Audience Cassettes; Sennheiser 441 mics > Marantz PMD430 Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496
|
notes
|
| 14996. |
06/22/93 |
Flac 16 - 0,
108983 |
Noblesville |
Deer Creek Music Center flac16; Recording Info:SBD -> Dat Master (48k); Transfer Info:Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 14997. |
06/22/93 |
Flac 16/48 - 0,
118167 |
Noblesville |
Deer Creek Music Center flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 14998. |
06/22/93 |
Shn - 0,
14122 |
Noblesville |
Deer Creek Music Center SBD: DAT> CD> SHN; Seeded by Peter Braverman, with thanks to Raoul; see notes in info file
|
notes
|
| 14999. |
06/22/93 |
Flac 16 - 0,
118168 |
Noblesville |
Deer Creek Music Center flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 15000. |
06/22/93 |
Flac 16 - 0,
34718 |
Noblesville |
Deer Creek Music Center flac16; Digital FOB Audience Soundfield AMS Mic -> Sony D10 Pro Modified Taped by Jamie Young Set 1 Hand Held - Set 2 Stand DAT > TASCAM DA-20 > M-Audio 192 > Soundforge 8.0 wav by Todd Evans Edits/downsampling (Adobe Audition 1.5), Tracking (CDWave), FLAC (1.1.2) by Mike Hughey
|
notes
|
| 15001. |
06/22/93 |
Flac 16/48 - 0,
34752 |
Noblesville |
Deer Creek Music Center flac16/48; Digital FOB Audience Soundfield AMS Mic -> Sony D10 Pro Modified Taped by Jamie Young Set 1 Hand Held - Set 2 Stand DAT > TASCAM DA-20 > M-Audio 192 > Soundforge 8.0 wav by Todd Evans Edits(Adobe Audition 1.5), Tracking (CDWave), FLAC (1.1.2) by Mike Hughey
|
notes
|
| 15002. |
06/22/93 |
Flac 16 - 0,
77360 |
Noblesville |
Deer Creek Music Center flac16; daud source
|
notes
|
| 15003. |
06/22/93 |
Shn - 0,
3467 |
Noblesville |
Deer Creek Music Center FOB AMS ST-250 > Modified D10 pro > CDR > EAC > SHN; via Doug Nawrocki
|
notes
|
| 15004. |
06/22/93 |
Flac 16 - 0,
97725 |
Noblesville |
Deer Creek Music Center flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9>CDWAV>FLAC; Recorded By Keith Litzenberg
|
notes
|
| 15005. |
06/22/93 |
Flac 16/48 - ,
|
Noblesville |
Deer Creek Music Center
|
notes
|
| 15006. |
06/22/93 |
Flac 24/96 - ,
|
Noblesville |
Deer Creek Music Center
|
notes
|
| 15007. |
06/23/93 |
Flac 16 - 0,
108984 |
Noblesville |
Deer Creek Music Center flac16; Recording Info:SBD -> Dat Master (48k); Transfer Info:Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15008. |
06/23/93 |
Flac 16/48 - 0,
118191 |
Noblesville |
Deer Creek Music Center flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
|
notes
|
| 15009. |
06/23/93 |
Shn - 0,
14123 |
Noblesville |
Deer Creek Music Center SBD: DAT> CD> SHN; Seeded by Peter Braverman, with thanks to Raoul; see notes in info file
|
notes
|
| 15010. |
06/23/93 |
Flac 16 - 0,
118192 |
Noblesville |
Deer Creek Music Center flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Littles Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 15011. |
06/23/93 |
Flac 16/48 - 0,
34653 |
Noblesville |
Deer Creek Music Center flac16/48; Recording Detail: Taped by Jamie Young and Clay Brennecke - Row N Seat 13 AMS ST-250 microphone in the Blumlein Pattern on a Cool-Lux MD5500 Collapsible Light Stand both Sets 6"0' in air > AMS Microphone Preamp > Modified Sony TCD D-10 Professional DAT machine Transfer Detail: DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 wav DAT(1)
|
notes
|
| 15012. |
06/23/93 |
Shn - 0,
559 |
Noblesville |
Deer Creek Music Center FOB AMS ST-250(cardioid) -> Modified D-10 Pro, by Pete Delgado; Transfer: D8 -> Montego II -> CDWAV -> Shorten32,? by Doug Nawrocki
|
notes
|
| 15013. |
06/23/93 |
Flac 16 - 0,
138004 |
Noblesville |
Deer Creek Music Center flac16; Source: Sennheisser Mix (35 yards up on lawn center) 2 md 421-U cardiod ORTF and 2 me 80 short shotgun aimed at house stacks > 4 channel mixer > sony d-8 (Master DAT); Conversion: M-1 > Co2 > SB Live > CDwave Record and Index > FLAC
|
notes
|
| 15014. |
06/23/93 |
Flac 24/96 - ,
154631 |
Noblesville |
Deer Creek Music Center flac24/96 Source Info: Jason Greenberg's Master Audience Cassettes; Sennheiser 441 mics > Marantz PMD430 Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496
|
notes
|
| 15015. |
06/23/93 |
Flac 16/48 - ,
154630 |
Noblesville |
Deer Creek Music Center flac16/48 Source Info: Jason Greenberg's Master Audience Cassettes; Sennheiser 441 mics > Marantz PMD430 Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (.wav 24-bit/96k) > Adobe Audition 2022 > TLH flac2496
|
notes
|
| 15016. |
06/25/93 |
Flac 16 - 0,
110519 |
Washington |
Robert F. Kennedy Stadium flac16; Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15017. |
06/25/93 |
Flac 16 - 0,
91249 |
Washington |
Robert F. Kennedy Stadium flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves x-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky
|
notes
|
| 15018. |
06/25/93 |
Flac 16/48 - 0,
34893 |
Washington |
Robert F. Kennedy Stadium flac16/48; Soundfield AMS ST250 Microphone Cardiod -> Modified Sony D10 Pro DAT Recorded by Jamie Young edited by mtownshend DAT(1) from Todd Evans DAT > TASCAM DA-20 > M-Audio FireWire solo > Soundforge 8.0 waV > sf7.0 bit depth conversion w/ dither from 96kHz to 48kHz > FLACFrontend conversion to FLAC & ffp
|
notes
|
| 15019. |
06/25/93 |
Flac Dts 5.1 - 0,
133307 |
Washington |
Robert F. Kennedy Stadium DTS-Audio-CD 5.1 Mix; SBD (shnid=110519) Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Transfers and Mastering By Charlie Miller + AUD (shn id 91996) Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - dts mixing by Kevin Tobin
|
notes
|
| 15020. |
06/25/93 |
Flac 16 Mtx - 0,
133306 |
Washington |
Robert F. Kennedy Stadium flac16; Matrix 2 Source Mix - SBD (shnid=110519) Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Transfers and Mastering By Charlie Miller + AUD (shn id 91996) Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - matrix mixing by Kevin Tobin
|
notes
|
| 15021. |
06/25/93 |
Shn - 0,
19270 |
Washington |
Robert F. Kennedy Stadium Source: Primary Source: SBD/Monitor Mix > Beta > VHS > SB Audigy Platinum > CDWave > MKWact Patch Source: FOB AMS ST-250 (Blumlein) > Modified D10 Pro II FOB Source provides patch in Crowd/Tuning d2t01 and from 01:00 of Corinna to end of show SBD source provided by Matt Ziegler. Patched/SHN'd by Doug Nawrocki
|
notes
|
| 15022. |
06/25/93 |
Shn - 0,
1061 |
Washington |
Robert F. Kennedy Stadium AMS ST-250 run blumlein config > Sony D-10 Pro II FOB; via Nick Georges
|
notes
|
| 15023. |
06/25/93 |
Flac 16 - 0,
91996 |
Washington |
Robert F. Kennedy Stadium flac16; Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger
|
notes
|
| 15024. |
06/25/93 |
Flac 16 - 0,
26124 |
Washington |
Robert F. Kennedy Stadium flac16; Audience: Master DATS - Recorded by James Young & Ron Keyser AMS ST250 FOB DFC > AMS Control Box with the pattern on control box was set as close to ORTF(cardioids at 110 degrees) as possible > Modified Sony D10 Pro> Sony D10 Pro via Sony AES/EBU digital cable. (Both decks Modified By Bob Katz) Transfer By Ron Keyser Master DATS played back in a Sony D8 > M-Audio Auiophile USB > Sony PCV-RS410 Soundforge v 7.0 for resampling and fades. (Disc 2 & 3 are seamless) CD Wave Editor for tracking Flac Frontend.
|
notes
|
| 15025. |
06/25/93 |
Flac 16 - 0,
127453 |
Washington |
Robert F. Kennedy Stadium flac16; Source: Sony D6 Cassette master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker,Sect 12, Row 10, Seat 17. Taper Section.
|
notes
|
| 15026. |
06/25/93 |
Flac 16 Mtx - 0,
127502 |
Washington |
Robert F. Kennedy Stadium flac16; Lineage: Matrixed & retracked in Adobe Audition 3; SBD -> Master Dat (48k); Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> Flac and AUD Sony D6 Cassette master > Nakamichi 300 Mics W/CP4 Shotguns > Sony TC-D5M; Cassette Deck (Playback) > Edirol R-09 HR (24/44.1 KHZ) > CD Wav Editor > Traders Little Helper > Flac Level 8.Sector Boundaries Aligned; Taped By Dave Boedicker, Sect 12, Row 10, Seat 17.Taper section
|
notes
|
| 15027. |
06/25/93 |
Flac 16/48 - 0,
147796 |
Washington |
Robert F. Kennedy Stadium flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=110519) Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Transfers and Mastering By Charlie Miller + AUD (shn id 91996) Sennheiser ME-80's>Technics SV-MD1 Transfer: DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger - surround mixing by Kevin Tobin
|
notes
|
| 15028. |
06/25/93 |
Flac 16/48 - 0,
149336 |
Washington |
Robert F. Kennedy Stadium flac16/48kHz; Source Info: FOB Nakamichi CM300-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
|
notes
|
| 15029. |
06/26/93 |
Flac 16 - 0,
110520 |
Washington |
Robert F. Kennedy Stadium flac16; Recording Info:SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15030. |
06/26/93 |
Shn - 0,
7742 |
Washington |
Robert F. Kennedy Stadium sbd > dat > cass > dat > cd; via Brent Peich
|
notes
|
| 15031. |
06/26/93 |
Flac 16 - 0,
76834 |
Washington |
Robert F. Kennedy Stadium flac16; seamless, patched version of shn id 7742 - sbd > dat > cass > dat > cd > eac > shn > wav > flac
|
notes
|
| 15032. |
06/26/93 |
Flac 16 - 0,
26279 |
Washington |
Robert F. Kennedy Stadium flac16; Aud AMS ST250 FOB DFC > AMS Control Box with the pattern on control box was set as close to ORTF (cardioids at 110 degrees) as possible > Modified Sony D10 Pro> Modified Sony D10 Pro via Sony AES/EBU digital cable; (Both decks Modified By Bob Katz); Recorded by James Young & Ron Keyser; Transfer By Ron Keyser: Master DATS played back in a Sony D8 > M-Audio Auiophile USB > Sony PCV-RS410 Soundforge v 7.0 for resampling and fades> CD Wave Editor for tracking> Flac Frontend
|
notes
|
| 15033. |
06/26/93 |
Flac 16 - 0,
127688 |
Washington |
Robert F. Kennedy Stadium flac16; Source: Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section,Section 120,Row 10 Seat 15
|
notes
|
| 15034. |
06/26/93 |
Flac 16/48 - 0,
149337 |
Washington |
Robert F. Kennedy Stadium flac16/48kHz; Source Info: FOB Nakamichi CM300-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
|
notes
|
| 15035. |
06/26/93 |
Flac 16 - 0,
149338 |
Washington |
Robert F. Kennedy Stadium flac16; Source Info: FOB Schoeps CMC 5 MK 21-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 15036. |
08/21/93 |
Flac 16 - 0,
87291 |
Eugene |
Autzen Stadium, University of Oregon flac16; FOB Schoeps Omnis Mk2 Omni Capsules (the two mic stands were “human” – capsules were in hat and the “stands” were 10’ apart) -> Schoeps Active Cables -> Schoeps CMC 3 Mic Body -> Monster M1000 Jumper -> Oade Supply -> Canare Cable -> Panasonic sv255 DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav
|
notes
|
| 15037. |
08/21/93 |
Shn - 0,
15035 |
Eugene |
Autzen Stadium, University of Oregon Source: SBD > DAT > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT First few minutes of Here Comes Sunshine patched by Pat Volkerding with FM > DAT source Various patching/crossfades by Doug Nawrocki with Jay Serafin liberated bootleg source EAC'd/SHN'd by Doug Nawrocki
|
notes
|
| 15038. |
08/21/93 |
Shn - 0,
11269 |
Eugene |
Autzen Stadium, University of Oregon SBD > Pre-FM RTR > ? > ILLEGAL BOOTLEG CD > D > SSSB; Seeded to etree by Jay Serafin
|
notes
|
| 15039. |
08/21/93 |
Flac 16 - 0,
87555 |
Eugene |
Autzen Stadium, University of Oregon flac16; Source: FM Signal (KLCC 89.7) -> Harmon Kardon receiver -> HiFi Stereo VCR Lineage: HiFi Stereo VCR -> Teac P20 DAT -> Edirol UA-3FX -> Amadeus -> Flac Taped/Transferred: Mike Albright
|
notes
|
| 15040. |
08/21/93 |
Shn - 0,
561 |
Eugene |
Autzen Stadium, University of Oregon SBD> DAT> CD> EAC> Cool Edit '96 (removed digipop prior to music in beginning of d1t1)> CDWAV> Shorten32; via D. Nawrocki
|
notes
|
| 15041. |
08/21/93 |
Flac 16 - 0,
119060 |
Eugene |
Autzen Stadium, University of Oregon flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac file
|
notes
|
| 15042. |
08/21/93 |
Flac 16/48 - 0,
140172 |
Eugene |
Autzen Stadium, University of Oregon flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > Cd Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017
|
notes
|
| 15043. |
08/21/93 |
Flac 16/48 - 0,
141530 |
Eugene |
Autzen Stadium, University of Oregon flac16/48kHz; John Ammons & Jeff Silberman Digital FOB Recording; AMS ST-250 (ambisonic mode) > 4 track Nagra D open reel 24 bit digital deck > 2 channel stereo DAT using a Blumlein pattern > DAT (mics on 6' stand); John Ammons Transfer: Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
|
notes
|
| 15044. |
08/21/93 |
Flac 16/48 - 0,
151100 |
Eugene |
Autzen Stadium, University of Oregon flac16/48khz Recording Info: SBD > DAT Master (48k) Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k
|
notes
|
| 15045. |
08/22/93 |
Shn - 0,
562 |
Eugene |
Autzen Stadium, University Of Oregon SBD> DAT> CD> EAC> Cool Edit '96 (removed digipops prior to music in beginning of d2t1 & d3t1)> CDWAV> Shorten32; via Doug Nawrocki
|
notes
|
| 15046. |
08/22/93 |
Flac 16 Mtx - 0,
98235 |
Eugene |
Autzen Stadium, University Of Oregon flac16; matrix of DSBD: shnid=562 and DAUD: shnid=97076 by hansokolow using ProTools
|
notes
|
| 15047. |
08/22/93 |
Flac 16/48 - 0,
82637 |
Eugene |
Autzen Stadium, University Of Oregon flac16/48; Digital FOB DFC Audience FOB Schoeps Mk2 Omni Capsule spaced omnis (10 ft spread) in hat -> Schoeps Active Cables -> Schoeps CMC 3 Mic Body -> Monster M1000 Jumper -> Oade Supply -> Canare Cable -> Panasonic sv255 DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav (16bit, 48kHz)
|
notes
|
| 15048. |
08/22/93 |
Flac 16 - 0,
82529 |
Eugene |
Autzen Stadium, University Of Oregon flac16; Digital FOB DFC Audience FOB Schoeps Mk2 Omni Capsule spaced omnis (10 ft spread) in hat -> Schoeps Active Cables -> Schoeps CMC 3 Mic Body -> Monster M1000 Jumper -> Oade Supply -> Canare Cable -> Panasonic sv255 DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav (16bit, 48kHz) Minor editing done by Garret Leutbecher (Audition 1.5) & Michael Townshend (Wavelab)
|
notes
|
| 15049. |
08/22/93 |
Flac 16 - 0,
97076 |
Eugene |
Autzen Stadium, University Of Oregon flac16; AKG C61's>Teac DA-P20 @ 25th Row Center DAT>Digital Reels>DAT Clone Of Reels>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, De-emphasis,Sample Rate Conversion)>CDWAV>FLAC, Recorded By Steve L. Fink, Processed by Keith Litzenberger
|
notes
|
| 15050. |
08/22/93 |
Flac 16 - 0,
119062 |
Eugene |
Autzen Stadium, University Of Oregon flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 15051. |
08/22/93 |
Flac 16/48 - 0,
140173 |
Eugene |
Autzen Stadium, University Of Oregon flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > Cd Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017
|
notes
|
| 15052. |
08/22/93 |
Flac 16/44,1 - 0,
141062 |
Eugene |
Autzen Stadium, University Of Oregon flac16/44.1 Source Info: FOB Schoeps CMC 3 MK2(Omni) (Spaced)-> Oade P/S-> Panasonic SV255-> DAT Transfer Info: Dat (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15053. |
08/22/93 |
Flac 16/48 - 0,
150519 |
Eugene |
Autzen Stadium, University Of Oregon flac16/48kHz; Recording Info: SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller
|
notes
|
| 15054. |
08/25/93 |
Shn - 0,
11812 |
Mountain View |
Shoreline Amphitheatre SBD>??>DAT>CDR; See info file for edit notes and suggestion of a possible MC in the lineage; via Randy Perkins; Seeded to Etree by T. Wiley
|
notes
|
| 15055. |
08/25/93 |
Flac 16 Mtx - 0,
106287 |
Mountain View |
Shoreline Amphitheatre flac16: Matrix by hansokolow of SBD-shnid=11812 and AUD-shnid=94033
|
notes
|
| 15056. |
08/25/93 |
Flac 16 - 0,
94033 |
Mountain View |
Shoreline Amphitheatre flac16; Source: Schoeps MK4's>Rbox>Techinics SV-MD1 From Front Row Center OTS DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 15057. |
08/25/93 |
Flac 16/48 - 0,
140281 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017
|
notes
|
| 15058. |
08/25/93 |
Flac 16/48 - 0,
147626 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Recording Info: SBD > Dat Master (48k); Transfer Info: Dat Master (Sony PCM-R500) > Tascam SS-CDR200 > Samplitude Pro X4 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller
|
notes
|
| 15059. |
08/26/93 |
Shn - 0,
11499 |
Mountain View |
Shoreline Amphitheatre SBD>DAT>CM>DAT>DAT Clone @48k>WAV>SHN; Seeded to etree by Marc Pujol and Tim W
|
notes
|
| 15060. |
08/26/93 |
Flac 16 - 0,
94327 |
Mountain View |
Shoreline Amphitheatre flac16; Schoeps MK4's>Rbox>Technics SV-MD1 From Front Row Center OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 15061. |
08/26/93 |
Flac 16/48 - 0,
140282 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017
|
notes
|
| 15062. |
08/26/93 |
Flac 16 - 0,
145748 |
Mountain View |
Shoreline Amphitheatre flac16; Sony D6 -> MAC > Sony TCM-TE425 (azumth adjed) -> Sound Blaster Audigy 4! > Sound Forge 5.0 > CD Wav -> flac16; Tape flips and dead spots > crossfaded using Sound Forge 5.0; SBEs fixed using TLH; Recorded by Primo Williams xfer Charles Bandrofcheck; Thanks to Mr. Williams for lending me his masters
|
notes
|
| 15063. |
08/26/93 |
Flac 16/48 - 0,
147628 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Recording Info: SBD > Dat Master (48k); Transfer Info: Dat Master (Sony PCM-R500) > Tascam SS-CDR200 > Samplitude Pro X4 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller
|
notes
|
| 15064. |
08/27/93 |
Shn - 0,
9486 |
Mountain View |
Shoreline Amphitheatre SBD>CM>CDR; Seeded to Etree by T. Wiley
|
notes
|
| 15065. |
08/27/93 |
Flac 16 - 0,
94275 |
Mountain View |
Shoreline Amphitheatre flac16; Source: Schoeps MK4's>Rbox>Techinics SV-MD1 From Front Row Center OTS DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 15066. |
08/27/93 |
Flac 16/48 - 0,
140283 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick
|
notes
|
| 15067. |
08/27/93 |
Flac 16 - 0,
145798 |
Mountain View |
Shoreline Amphitheatre flac16; Sony D6 -> MAC > Sony TCM-TE425 (azumth adjed) -> Sound Blaster Audigy 4! > Sound Forge 5.0 > CD Wav -> flac16; Tape flips and dead spots > crossfaded using Sound Forge 5.0; SBEs fixed using TLH; Recorded by Primo Williams xfer Charles Bandrofcheck
|
notes
|
| 15068. |
08/27/93 |
Flac 16/48 - 0,
147630 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Recording Info: SBD > Dat Master (48k); Transfer Info: Dat Master (Sony PCM-R500) > Tascam SS-CDR200 > Samplitude Pro X4 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller
|
notes
|
| 15069. |
09/08/93 |
Flac - 0,
28780 |
Richfield |
Richfield Coliseum flac16; Recording Info: SBD -> Master Dat -> Dat Clone (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Mille
|
notes
|
| 15070. |
09/08/93 |
Flac - 0,
91950 |
Richfield |
Richfield Coliseum flac16; Recording Equipment: Schoeps Mk4v Capsules (ORTF Cardiod) -> Schoeps KC5 Active Cable -> Schoeps CMC6 Mic Body -> Monster M1000 Jumper -> Apogee AD500e -> Casio DA-R100 DAT Deck. Recording Location: FOB DFC Section 2, Row 16, Seats 7 & 8 Recorded By: Todd Evans Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
|
notes
|
| 15071. |
09/08/93 |
Shn - 0,
16754 |
Richfield |
Richfield Coliseum FOB(AKG491) > DAT > CDR> WAV > SHN via Chris Ladner
|
notes
|
| 15072. |
09/08/93 |
Flac - 0,
112788 |
Richfield |
Richfield Coliseum flac16; Source: (stand/ORTF/110^/DFC/Section) B&K 4011s > Neumann BS48i-2 > Panasonic SV-255 > DAT(m); Transfer: DAT(m) > Tascam DA-20mkII > SPDIF > Tascam HD-P2 > r8brain (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
|
notes
|
| 15073. |
09/08/93 |
Flac - 0,
127730 |
Richfield |
Richfield Coliseum flac16; Source:Audience Recording(Sony WM-D6C Cassette Deck)>Master Cassette>Nakamichi 300 Mics W/CP4 Shotguns> Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Taper Section, Section 5,Row DD,Seat 1
|
notes
|
| 15074. |
09/09/93 |
Flac - 0,
28781 |
Richfield |
Richfield Coliseum flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller
|
notes
|
| 15075. |
09/09/93 |
Flac - 0,
91949 |
Richfield |
Richfield Coliseum flac16; Recording Equipment: Schoeps Mk4v Capsules (ORTF Cardiod) -> Schoeps KC5 Active Cable -> Schoeps CMC6 Mic Body -> Monster M1000 Jumper Cable -> Apogee AD500e -> Casio DA-R100 DAT Deck. Recording Location: FOB DFC Section 2, Row 18, Seats 7 & 8 Recorded By: Todd Evans Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
|
notes
|
| 15076. |
09/09/93 |
Shn - 0,
5440 |
Richfield |
Richfield Coliseum AUD:AKG 568/Sony D3> CD> SHN; vis Tony Gardner
|
notes
|
| 15077. |
09/09/93 |
Flac - 0,
112793 |
Richfield |
Richfield Coliseum flac16; Source: (stand/ORTF/110^/DFC/Section) B&K 4011s > Neumann BS48i-2 > Panasonic SV-255 > DAT(m); Transfer: DAT(m) > Tascam DA-20mkII > SPDIF > Tascam HD-P2 > r8brain (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
|
notes
|
| 15078. |
09/09/93 |
Flac - 0,
128226 |
Richfield |
Richfield Coliseum flac16; Source:Sony WMD-D6C Cassette Deck>Nakamichi 300 Mics W/CP4 Shotguns>Master Cassette>Sony TC-D5M Cassette; Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.taped By Dave Boedicker,Official Taper Section,Section 123,Row A,Seat 6
|
notes
|
| 15079. |
09/10/93 |
Flac - 0,
28782 |
Richfield |
Richfield Coliseum flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller
|
notes
|
| 15080. |
09/10/93 |
Flac 16 - 0,
91948 |
Richfield |
Richfield Coliseum flac16; Recording Equipment: Schoeps CMC34 (ORTF Cardiod) -> Oade Mic Preamp -> Monster M1000 Jumper -> Panasonic sv255 DAT Deck. Recording Location: FOB DFC Section 2, Row 16, Seats 7 & 8 Recorded By: Todd Evans & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
|
notes
|
| 15081. |
09/10/93 |
Flac 16 - 0,
94372 |
Richfield |
Richfield Coliseum flac16; Schoeps MK4's>Rbox>Technics SV-MD1 From Front Row Center OTS DAT Master>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 15082. |
09/10/93 |
Shn - 0,
5441 |
Richfield |
Richfield Coliseum AUD:AKG 568/Sony D3> CD> SHN; via Tony Gardner
|
notes
|
| 15083. |
09/10/93 |
Flac 16 - 0,
112807 |
Richfield |
Richfield Coliseum flac16; Source: (stand/ORTF/110^/DFC/Section) B&K 4011s > Neumann BS48i-2 > Panasonic SV-255 > DAT(m); Transfer: DAT(m) > Tascam DA-20mkII > SPDIF > Tascam HD-P2 > r8brain (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
|
notes
|
| 15084. |
09/10/93 |
Flac 16 - 0,
128507 |
Richfield |
Richfield Coliseum flac16; Source: Sony WMD6-C Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper.taped By Dave Boedicker,Taper Section,Section 122,Row A,Seat 8
|
notes
|
| 15085. |
09/10/93 |
Flac 16/48 - 0,
140461 |
Richfield |
Richfield Coliseum flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SirMick January 2018
|
notes
|
| 15086. |
09/12/93 |
Flac - 0,
28783 |
Philadelphia |
The Spectrum flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller
|
notes
|
| 15087. |
09/12/93 |
Shn - 0,
24494 |
Philadelphia |
The Spectrum Source: Cousinit's Denon DTR80P DAT Deck w/ Nak 300 Shotguns>MDAT>WAV>SHN MDAT>SHN Conversion by Cousinit Seeded to abgd July 2003
|
notes
|
| 15088. |
09/12/93 |
Shn - 0,
18529 |
Philadelphia |
The Spectrum AUD(Sony C-38B?s) > DAT > CDR via Raoul Duke encoded by Matt Vernon
|
notes
|
| 15089. |
09/12/93 |
Shn - 0,
18637 |
Philadelphia |
The Spectrum nak 100's w/ ck 4 >d6>cM (patched out of dhind's rig)mc>aiwa f-810>tascam da30mkIIq@44.1>zoltrix nightengale6.0 >sf6.0>cdwav>SHN>WAV>Shntool(join)>ADWS>CD Wav>Shntool(check)>SHN(seekable) ; Via cdipietro ; Remaster by T. Wiley 07/25/2003.
|
notes
|
| 15090. |
09/12/93 |
Flac - 0,
85663 |
Philadelphia |
The Spectrum flac16/48; Schoeps MK4's>Reutelhuber Preamp>Technics SVM-D1 Recorded FOB in Section 102 Row 13 By Keith Litzenberger & Ed K. Transferred By Watson Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC
|
notes
|
| 15091. |
09/13/93 |
Flac - 0,
34030 |
Philadelphia |
The Spectrum flac16; SBD -> Master Dat (48k) All Transfers and Mastering By Charlie Miller
|
notes
|
| 15092. |
09/13/93 |
Shn - 0,
12755 |
Philadelphia |
The Spectrum set 2 only; DSBD> DAT> DAT> Sony SDT-9000> VDAT> WAV> mkwACT> SHN V.3; posted by Martman
|
notes
|
| 15093. |
09/13/93 |
Shn - 0,
7361 |
Philadelphia |
The Spectrum SB> DAT> CM> DAT> CD; via Charlie Miller; Chris Frisco; Steve Barbella
|
notes
|
| 15094. |
09/13/93 |
Flac - 0,
85991 |
Philadelphia |
The Spectrum flac16/48; Schoeps MK4's>Reutelhuber Preamp>Casio DA-7 from Section 102 Row 14 DAT MASTER>SONY TCD-D10PROII>EDIROL R-4>WL5>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 15095. |
09/13/93 |
Shn - 0,
12096 |
Philadelphia |
The Spectrum SBD> DAT> CM> DAT> CDR; Seeded to Etree by T. Wiley
|
notes
|
| 15096. |
09/13/93 |
Shn - 0,
|
Philadelphia |
The Spectrum
|
notes
|
| 15097. |
09/14/93 |
Flac - 0,
28786 |
Philadelphia |
The Spectrum flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller
|
notes
|
| 15098. |
09/14/93 |
Shn - 0,
19237 |
Philadelphia |
The Spectrum Source: Cousinit's Denon DTR80P DAT Deck w/ Nak 300 Shotguns>MDAT>WAV>SHN MDAT>SHN Conversion by Cousinit
|
notes
|
| 15099. |
09/14/93 |
Shn - 0,
13830 |
Philadelphia |
The Spectrum DAUD(Schoeps CMC-341's)>Tascam DAP1>CDR
|
notes
|
| 15100. |
09/16/93 |
Flac 16 - 0,
94226 |
New York |
Madison Square Garden flac16; Recording Info:Set 1: SBD -> Dat -> Master Cassette -> Dat -> CD; Set 2: SBD -> Dat (48k); All Transfers and Mastering By Charlie Miller
|
notes
|
| 15101. |
09/16/93 |
Flac 16 - 0,
131435 |
New York |
Madison Square Garden flac16 ; AUD: Schoeps CMC6/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > TDK DA-R DAT, set up end of floor center, directly behind the lighting board. Transfer: MAD > Sony D8 > Optical out > Edirol FA-66 > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F.
|
notes
|
| 15102. |
09/16/93 |
Shn - 0,
12370 |
New York |
Madison Square Garden SBD DAT> C> DAT> WAV> CE> CDWAV> SHN, with FOB aud patches (see info file); via Steve Herman
|
notes
|
| 15103. |
09/16/93 |
Shn - 0,
5703 |
New York |
Madison Square Garden FOB/DFC Sec. 2 - Row R - Seats 1 & 2 AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod (48k) recorded by Clay Brennecke and Jamie Young DAT > SHN via: Clone of master DAT played through Sony PCM-M1 > active 7 pin cable > Zoltrix Nightingale > recorded/downsampled on PC with Cool Edit 2000 tracked with CDWAV SHN encoding with MKW-ACT (seeking)
|
notes
|
| 15104. |
09/16/93 |
Shn - 0,
8375 |
New York |
Madison Square Garden DAUD/FOB Schoeps mk21(ORTF); via Eliot Byron; Seeded by Jim Raras to Dankseeds
|
notes
|
| 15105. |
09/16/93 |
Flac 16/48 - 0,
140220 |
New York |
Madison Square Garden flac16/48kHz; Source: (FOB) Schoeps cmc4 mk4 > dat (48k) - Taped by Jeff Zimmer and Roger J, provided by Rich Gastwirt; Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 . wav 16/48 - Transferred by Charlie Miller; Lineage: iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017
|
notes
|
| 15106. |
09/16/93 |
Flac 16/48 - 0,
140486 |
New York |
Madison Square Garden flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018
|
notes
|
| 15107. |
09/16/93 |
Flac 16 - 0,
140487 |
New York |
Madison Square Garden flac16; Recording Info: Set 1: SBD -> Dat -> Master Cassette -> Dat -> CD; Set 2: SBD -> Dat (48k); This is a pitch corrected version of shnid 94226; SIRMick January 2018
|
notes
|
| 15108. |
09/17/93 |
Flac - 0,
94228 |
New York |
Madison Square Garden flac16; Recording Info:SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15109. |
09/17/93 |
Flac - 0,
131466 |
New York |
Madison Square Garden flac16; AUD: Schoeps CMC6/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > TDK DA-R DAT, set up end of floor center, directly behind the lighting board. Transfer: MAD > Sony D8 > Optical out > Edirol FA-66 > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F.
|
notes
|
| 15110. |
09/17/93 |
Shn - 0,
18384 |
New York |
Madison Square Garden Set 2 only : SBD>DAT>CDR ; SHN>WAV>Shntool(join)>ADWS>CD WAV>Shntool(check)>SHN(seekable) ; Via Chris Larson ; Remastered by T. Wiley 07/13/2003.
|
notes
|
| 15111. |
09/17/93 |
Shn - 0,
5704 |
New York |
Madison Square Garden FOB/DFC Sec. 2 - Row R - Seats 1 & 2 AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod (48k) recorded by Clay Brennecke and Jamie Young DAT > SHN via: Clone of master DAT played through Sony PCM-M1 > active 7 pin cable > Zoltrix Nightingale > recorded/downsampled on PC with Cool Edit 2000 tracked with CDWAV SHN encoding with MKW-ACT (seeking); NOTE- User Matt Vernon submitted 'alternate' md5s with these notes... the md5's below differ for d1t1,6,7 d2t3,5 and d3t4,5 from the listed shn set but had the same info file i listened to this show and they are clean including set 2 continuity at the disk 2->3 transition.
|
notes
|
| 15112. |
09/17/93 |
Flac - 0,
128545 |
New York |
Madison Square Garden flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns> Sony WM-D6C Cassette Deck> Cassette Master>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker,Official Taper Section,Section 10, Row P,Seat 14
|
notes
|
| 15113. |
09/18/93 |
Flac - 0,
94229 |
New York |
Madison Square Garden flac16; Recording Info:SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 15114. |
09/18/93 |
Flac - 0,
131467 |
New York |
Madison Square Garden flac16; Set 1, AUD: Schoeps CMC6/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > TDK DA-R DAT, set up end of floor center, directly behind the lighting board. Transfer: MAD > Sony D8 > Optical out > Edirol FA-66 > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F.
|
notes
|
| 15115. |
09/18/93 |
Shn - 0,
12369 |
New York |
Madison Square Garden SBD DAT> C> DAT> WAV> CE> CDWAV> SHN w/ aud patches (see info file); via Steve Herman
|
notes
|
| 15116. |
09/18/93 |
Flac - 0,
137884 |
New York |
Madison Square Garden flac16/48kHz; Source: B&K 4011 > DAT (48 khz) FOB?; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/44.1)>Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)>xACT 2.38(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: unknown; DAT seed provided by: Eric Vandercar (ericv) #4EV; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 15117. |
09/18/93 |
Shn - 0,
5079 |
New York |
Madison Square Garden FOB/DFC Sec. 2 - Row R - Seats 1 & 2 2 AMS St-250s on stand both sets > Apogee AD 500 > Nagra digital Reel to Reel > DAT clone > SHN recorded by Clay Brennecke, Jamie Young and Jeff Silberman
|
notes
|
| 15118. |
09/20/93 |
Flac 16 - 0,
31623 |
New York |
Madison Square Garden flac16; Soundboard->Master DAT->Sonic Solutions->Master CD. Master CD->EAC->FLAC. EAC, Re-track, and FLAC by Joe Samaritano
|
notes
|
| 15119. |
09/20/93 |
Flac 16 - 0,
131592 |
New York |
Madison Square Garden flac16; AUD: Schoeps CMC6/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > TDK DA-R DAT, set up end of floor center, directly behind the lighting board. Transfer: MAD > Sony D8 > Optical out > Edirol FA-66 > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F.
|
notes
|
| 15120. |
09/20/93 |
Shn - 0,
8766 |
New York |
Madison Square Garden SBD>?>CDR; Seeded to etree by Tim W
|
notes
|
| 15121. |
09/20/93 |
Flac 16/48 - 0,
137336 |
New York |
Madison Square Garden flac16/48kHz; Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15122. |
09/20/93 |
Flac 16 - 0,
96889 |
New York |
Madison Square Garden flac16; Taper Section Sec 10,Row F,Seat-14 Taper-M. Laurentus AT835B's- AT 8202’s-SONY D 7 D7- Sony POC-DA12- Creative Audigy USB Optical In-Creative Recorder-CD Wave- FLAC
|
notes
|
| 15123. |
09/20/93 |
Shn - 0,
4531 |
New York |
Madison Square Garden FOB/DFC, Sec. 2, Row S - Seat 5; Schoeps S4 at 90 degrees > Canari Cables > Sonosax SX-M2 > Apogee AD 500 > Sony D-7; taper Jeff Zimmer- see pub comments
|
notes
|
| 15124. |
09/20/93 |
Flac 16/48 - 0,
140590 |
New York |
Madison Square Garden Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k) Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48 Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648 edited and mastered SIRMick January 2018
|
notes
|
| 15125. |
09/21/93 |
Flac - 0,
28765 |
New York |
Madison Square Garden flac16; Recording Info: SBD -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC charliemiller87@earthlink.net
|
notes
|
| 15126. |
09/21/93 |
Shn - 0,
28362 |
New York |
Madison Square Garden SBD> Dat> Cassette Master> Dat> CD> EAC> SHN; SHN> WAV> Samplitude Professional v8.0> FLAC by Charlie Miller, with thanks to Christopher Laughlin for SBD discs
|
notes
|
| 15127. |
09/21/93 |
Shn - 0,
4532 |
New York |
Madison Square Garden FOB/DFC Sec. 2 - Row M - Seat 1 AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod recorded by Clay Brennecke and James Young
|
notes
|
| 15128. |
09/21/93 |
Shn - 0,
8919 |
New York |
Madison Square Garden DAUD/FOB Schoeps mk21(ORTF) > KC5 actives > CMC5 > Sonosax SX-M2 > Apogee AD-500e > Sony D10 @48kH; via Dankseeds
|
notes
|
| 15129. |
09/21/93 |
Flac - 0,
109394 |
New York |
Madison Square Garden flac16; Master: Nakamichi CM300/cp4's>Sony TC-D5M>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak from the front row of the official taper section; Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 15130. |
09/21/93 |
Flac - 0,
94669 |
New York |
Madison Square Garden flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger
|
notes
|
| 15131. |
09/22/93 |
Shn - 0,
77070 |
New York |
Madison Square Garden Source: SBD:DAT-> CDR - EAC-> WAV-> SHN: by yubah)yubah@optonline.net -- Retracked and re-shn'd by ret.
|
notes
|
| 15132. |
09/22/93 |
Flac 16 Mtx - 0,
125353 |
New York |
Madison Square Garden flac16; Matrix using the following three sources: Source 1: SBD (shnid=77070) SBD:DAT-> CDR-> EAC-> WAV-> SHN; Source 2: AUD (shnid=91805) Recording Equipment: Soundfield AMS ST-250 Microphone using Blumlein configuration. Recorded By: James Young & Clay Brennecke and Source 3: AUD (shnid=97122) Schoeps MK4's>Rbox>Panasonic SV-255 FOB>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC; Recorded & Transferred By Keith Litzenberger; Upgrade in circulation; the seeder has requested that this version be removed from circulation
|
notes
|
| 15133. |
09/22/93 |
Flac 16 - 0,
131736 |
New York |
Madison Square Garden flac16; AUD: Schoeps CMC6/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > TDK DA-R DAT, set up end of floor center, directly behind the lighting board. Transfer: MAD > Sony D8 > Optical out > Edirol FA-66 > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F.
|
notes
|
| 15134. |
09/22/93 |
Flac 16 - 0,
91805 |
New York |
Madison Square Garden flac16; FOB Digital Audience Recording Lineage: DAT Master Recording Equipment: Soundfield AMS ST-250 Microphone using Blumlein configuration. Both sets recorded on stand (at 6’3””) > Panasonic SV 255. Recording Location: FOB DFC … Section 2, Row M, Seat 1 Recorded By: James Young & Clay Brennecke Transfer: DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging
|
notes
|
| 15135. |
09/22/93 |
Shn - 0,
565 |
New York |
Madison Square Garden DSBD> DAT> CDR> EAC> WAV> SHN; Seeded by an anonymous source with DATs provided by D. Murray, who sat in; EAC/SHN, u/l by Rich (yubah); stemming from Winter Oak tree; see pub comments for flaw note
|
notes
|
| 15136. |
09/22/93 |
Flac 16/48 - 0,
137337 |
New York |
Madison Square Garden flac16/48kHz; Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15137. |
09/22/93 |
Flac 16 - 0,
109235 |
New York |
Madison Square Garden flac16; Master: OTS Nakamichi CM300/cp4's>Sony TC-D5M>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 15138. |
09/22/93 |
Flac 16 - 0,
97122 |
New York |
Madison Square Garden flac16; Schoeps MK4's>Rbox>Panasonic SV-255 FOB>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger
|
notes
|
| 15139. |
09/22/93 |
Shn - 0,
8712 |
New York |
Madison Square Garden DAUD/FOB Schoeps mk21(ORTF); **No DAE at all**; via Eliot Byron; Seeded to etree by Jim Raras; Dankseed certified
|
notes
|
| 15140. |
09/22/93 |
Shn - 0,
4533 |
New York |
Madison Square Garden Recorded FOB/DFC by James Young & Clay Brennecke using: Sec. 2 - Row M - Seat 1 AMS ST-250 run Blumlein on stand both sets at 6"3' > Panasonic SV 255
|
notes
|
| 15141. |
09/22/93 |
Flac 16/48 - 0,
140821 |
New York |
Madison Square Garden flac16/48kHz; Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018
|
notes
|
| 15142. |
09/22/93 |
Flac 16 - 0,
142983 |
New York |
Madison Square Garden flac16; Matrix 2 Source Mix - SBD (shnid = 137337) Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140821) Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 - matrix mixing by Kevin Tobin
|
notes
|
| 15143. |
09/22/93 |
Flac Dts 5.1 - 0,
142984 |
New York |
Madison Square Garden DTS-Audio-CD 5.1 Mix; - SBD (shnid = 137337) Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140821) Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 - dts mixing by Kevin Tobin
|
notes
|
| 15144. |
09/22/93 |
Flac 16/48 - 0,
142985 |
New York |
Madison Square Garden flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 137337) Recording Info: SBD > Dat Master (Panasonic SV-3700/48k); Transfer Info: Dat Master (Sony R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller + AUD (shnid = 140821) Source: (FOB) Schoeps MK41 > Panasonic SV-255 > dat(48k); Transfer: dat > Sony PCM-R500 > Tascam DA-3000> wav 16/48; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick January 2018 - dts mixing by Kevin Tobin
|
notes
|
| 15145. |
09/22/93 |
Flac 16 Mtx - 0,
126108 |
New York |
Madison Square Garden flac16; Matrix Source 1: SBD (shnid=77070); SBD:DAT-> CDR; EAC-> WAV-> SHN and Source 2: AUD (shnid=91805) Recording Equipment: Soundfield AMS ST-250 Microphone using Blumlein configuration. Both sets recorded on stand (at 6'3") > Panasonic SV 255. Recording Location: FOB DFC Section 2, Row M, Seat 1; Recorded By: James Young & Clay Brennecke; Transfer: DAT Master > TASCAM DA-20 (SPDIF out) > LynxTWO-B Audio Reference Interface (SPDIF in) > Wavelab 6.0
|
notes
|
| 15146. |
09/24/93 |
Flac - 0,
107840 |
Boston |
Boston Garden flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Master Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional 11.03 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15147. |
09/24/93 |
Shn - 0,
22249 |
Boston |
Boston Garden Recording Info: SBD -> Master Dat (48k) Transfer Info: Master Dat (Sony R500) -> Behringer UltraMatch SRC 2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN - Transferred By Charlie Miller
|
notes
|
| 15148. |
09/24/93 |
Flac - 0,
87734 |
Boston |
Boston Garden flac16; Source: Neumann km 82i > Sonosax power supply > Sony TCD D10 PRO II DAT x 1 Recorded by Jim Birkhead Taper Section left of SBD Cloned: Casio DA-7 > Panasonic SV-3700 January 1, 1997 By Bill Koucky Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to 48 khz into Wavelab 5.0 mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by Bill Koucky. Seeded by October 18, 2007 Green Mountain Bros.
|
notes
|
| 15149. |
09/24/93 |
Shn - 0,
13308 |
Boston |
Boston Garden Source: Schoeps (unknown model/ps) > D7 @48k via Dave Minor. DAT > shn encoding Marc Pujol
|
notes
|
| 15150. |
09/24/93 |
Flac - 0,
94662 |
Boston |
Boston Garden flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger
|
notes
|
| 15151. |
09/24/93 |
Flac - 0,
109427 |
Boston |
Boston Garden flac16; Set 2 Only Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
|
notes
|
| 15152. |
09/24/93 |
Flac - 0,
110430 |
Boston |
Boston Garden flac16; Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
|
notes
|
| 15153. |
09/24/93 |
Flac - 0,
139967 |
Boston |
Boston Garden flac16/48kHz; source: aud dat master; taped by Doug Lamarre; sennheiser 441’s > denon dtr-80; taper section; transferred & seeded - Rob Berger
|
notes
|
| 15154. |
09/25/93 |
Flac - 0,
28787 |
Boston |
Boston Garden flac16; Recording Info: Set 1: SBD -> Master Dat -> Dat Clone (48k) set 2: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller
|
notes
|
| 15155. |
09/25/93 |
Flac 24 - 0,
137557 |
Boston |
Boston Garden flac24; Set 1 Recording Info: Nakamichi 300/CP4 > Cassette Master (Sony TC-D5M/TDK MA110); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded and Mastered By Charlie Miller
|
notes
|
| 15156. |
09/25/93 |
Flac 16 - 0,
137562 |
Boston |
Boston Garden flac16; Set 1 Recording Info: Nakamichi 300/CP4 > Cassette Master (Sony TC-D5M/TDK MA110); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; Recorded and Mastered By Charlie Miller, 24bit > 16bit with r8brain
|
notes
|
| 15157. |
09/25/93 |
Flac 16/48 - 0,
138302 |
Boston |
Boston Garden flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk21 > Oade modified Panasonic SV-255 > Dat (48k); Fob recording by Rick Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfer by Charlie Miller; Lineage: wav 16/48 > iZotope RX6 Advanced > iZotope Ozone 5 dvanced > CD Wave > TLH > Flac 16/48; edited and mastered SIRMick May 2017
|
notes
|
| 15158. |
09/25/93 |
Shn - 0,
17356 |
Boston |
Boston Garden Set 1 Schoeps (unknown model/ps) via David Minor. Set 2 Schoeps CMC-521?s via Raoul Duke. Transfer and encoding Marc Pujol, Alan Fink and Matt Vernon
|
notes
|
| 15159. |
09/25/93 |
Flac 16 - 0,
110431 |
Boston |
Boston Garden flac16; Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
|
notes
|
| 15160. |
09/25/93 |
Flac 16 - 0,
109428 |
Boston |
Boston Garden flac16; Set 2 Only Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
|
notes
|
| 15161. |
09/25/93 |
Flac 16/48 - 0,
139968 |
Boston |
Boston Garden flac16/48kHz; source: aud dat master; taped by Doug Lamarre; sennheiser 441’s > denon dtr-80; taper section; transferred & seeded - Rob Berger
|
notes
|
| 15162. |
09/25/93 |
Flac 16/48 - 0,
140092 |
Boston |
Boston Garden flac16/48kHz; Recording Info: Rich Gastwirt's Master Audience Dat 16/48; Schoeps CMC4/MK4 -> Oade P/S -> Panasonic SV-255; Transfer Info: Dat (Panasonic SV-3800) 16/48 -> Tascam DA-3000 16/48 -> Adobe Audition 3.0 -> TLH flac1648
|
notes
|
| 15163. |
09/25/93 |
Flac 16 - 0,
87744 |
Boston |
Boston Garden flac16; Source: Neumann km 82i > Sonosax power supply > Sony TCD D10 PRO II DAT x1 Recorded by Jim Birkhead Taper Section left of SBD Cloned: Casio DA-7 > Panasonic SV-3700 January 1997 By Bill Koucky Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to 48 khz Wavelab 5.0 mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by Bill Koucky Seeded by Green Mountain Bros.October 19, 2007
|
notes
|
| 15164. |
09/26/93 |
Flac - 0,
28788 |
Boston |
Boston Garden flac16; Recording Info: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller
|
notes
|
| 15165. |
09/26/93 |
Flac - 0,
125885 |
Boston |
Boston Garden flac16; 3 Source Matrix from Source 1: SBD (shnid=28788) Recording Info: SBD -> Master Dat (48k); Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC, Source 2: AUD (shnid=112782) Taper: Baker Master Audience: Nakamichi CM300/CP4 Shotguns > Sony D5; Transfer Maxell Metal Capsule's 100,100 > Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz and Source 3: AUD (shnid=87812 / shnid=13990) Source: Neumann km 82i > Sonosax SX-PR power supply > Sony TCD D10 PRO II DAT x1; Recorded by Jim Birkhead / Taper Section, left of SBD Cloned (January 1997): Casio DA-7 > Panasonic SV-3700; Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to 48 khz Wavelab 5.0; Mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level 8)
|
notes
|
| 15166. |
09/26/93 |
Flac - 0,
112782 |
Boston |
Boston Garden flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper:Baker,Transfer By Keo Tapes Maxell Metal Capsule's 100,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked with Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 15167. |
09/26/93 |
Flac - 0,
138490 |
Boston |
Boston Garden flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k); Recorded by Rick Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/8; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick June 2017
|
notes
|
| 15168. |
09/26/93 |
Shn - 0,
13990 |
Boston |
Boston Garden Source: Schoeps (unknown model/ps) > D7 @48k via Dave Minor, DAT > SHN by Marc Pujol
|
notes
|
| 15169. |
09/26/93 |
Shn - 0,
11501 |
Boston |
Boston Garden AUD(Nak 300?s + CP4)>DAT>CD; via p'bo; Seeded to etree by neo_levo
|
notes
|
| 15170. |
09/26/93 |
Flac - 0,
94670 |
Boston |
Boston Garden flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger
|
notes
|
| 15171. |
09/26/93 |
Flac - 0,
87812 |
Boston |
Boston Garden flac16; Source: Neumann km 82i > Sonosax SX-PR power supply > Sony TCD D10 PRO II DAT x1 Recorded by Jim Birkhead Taper Section left of SBD Cloned: Casio DA-7 > Panasonic SV-3700 January 1997 Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to 48 khz Wavelab 5.0 mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by Bill Koucky Seeded by Green Mountain Bros. October 23, 2007 Patch Source: db.etree # 13900
|
notes
|
| 15172. |
09/26/93 |
Flac - 0,
110432 |
Boston |
Boston Garden flac16; Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
|
notes
|
| 15173. |
09/26/93 |
Flac - 0,
109429 |
Boston |
Boston Garden flac16; Set 1 Only Source: (handheld/ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > SV-255 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
|
notes
|
| 15174. |
09/26/93 |
Flac - 0,
139970 |
Boston |
Boston Garden flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger
|
notes
|
| 15175. |
09/26/93 |
Flac - 0,
140093 |
Boston |
Boston Garden flac16/48kHz; Recording Info: Rich Gastwirt's Master Audience Dat 16/48; Schoeps CMC4/MK4 -> Oade P/S -> Panasonic SV-255; Transfer Info: Dat (Panasonic SV-3800) 16/48 -> Tascam DA-3000 16/48 -> Adobe Audition 3.0 -> TLH flac1648
|
notes
|
| 15176. |
09/28/93 |
Flac 16 - 0,
79058 |
Boston |
Boston Garden flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC
|
notes
|
| 15177. |
09/28/93 |
Flac 16 Mtx - 0,
125461 |
Boston |
Boston Garden flac16; Matrix of Source 1: SBD Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC, Source 2: AUD Source: NeumannShotguns>DAT; Transfer: DAT>ZA2 (S/PIDF)>Samplitude 2496>CD-r (or shn) and Source 3: AUD Source: Schoeps (unknown model/ps) > D7 @48k; Transfer: 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 with anti-alias filter) > CDWav (splits) > mkw > shn (seekable); originally seeded with a track missing (Please do not circulate the incomplete version.); Upgrade in circulation; the seeder has requested that this version be removed from circulation
|
notes
|
| 15178. |
09/28/93 |
Shn - 0,
12850 |
Boston |
Boston Garden Lineage: Set 1: Schoeps>Dat>Sound Forge>CD (previous aud shn seed via Marc Pujol et. al.) Set 2: SBD>Dat>Cm>Dat>Samplitiude>CD Dat>CD Transfer for sbd portion done by Charlie Miller
|
notes
|
| 15179. |
09/28/93 |
Flac 16 Mtx - 0,
125382 |
Boston |
Boston Garden flac16; Three-source matrix using the following sources. (1) SBD -> Dat (48k) -> Samplitude Professional v7.02 -> FLAC; All Transfers and Mastering By Charlie Miller. (2) Schoeps (unknown model/ps) > D7 @48k; Transfered by Marc Pujol 9/25/2002 Source DAT from Dave Minor via Matt Vernon. (3) Neumann Shotguns > DAT; Tapes provided by Tom and Roger, Conversion by Chris Larson; Upgrade in circulation; the seeder has requested that this version be removed from circulation
|
notes
|
| 15180. |
09/28/93 |
Shn - 0,
28899 |
Boston |
Boston Garden Source: A: NeumannShotguns>DAT Transfer: DAT>ZA2 (S/PIDF)>Samplitude 2496>CD-r (or shn) Transfer by Chris Larson
|
notes
|
| 15181. |
09/28/93 |
Flac 16/48 - 0,
87780 |
Boston |
Boston Garden flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, pointed at stacks, floor OTS aprx 2 or 3 rows behind soundboard. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F.
|
notes
|
| 15182. |
09/28/93 |
Flac 16 - 0,
87781 |
Boston |
Boston Garden flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, pointed at stacks, floor OTS aprx 2 or 3 rows behind soundboard. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped & transferred by Andrew F
|
notes
|
| 15183. |
09/28/93 |
Flac 16 - 0,
128694 |
Boston |
Boston Garden flac16; Source:Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using traders Little Helper.Taped By Dave Boedicker,Taper; Section,Section 38,Row CC,Seat 14
|
notes
|
| 15184. |
09/28/93 |
Flac 16 - 0,
87989 |
Boston |
Boston Garden flac16; Neumann km 82i > Sonosax SX-PR power supply > Sony TCD D10 PRO II DAT x1 Recorded by Jim Birkhead Taper Section left of SBD Cloned: Casio DA-7 > Panasonic SV-3700 January 1997 Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to 48 khz Wavelab 5.0 mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by Bill Koucky Seeded by Green Mountain Bros. October 26, 2007
|
notes
|
| 15185. |
09/28/93 |
Flac 16/48 - 0,
139981 |
Boston |
Boston Garden flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger
|
notes
|
| 15186. |
09/28/93 |
Flac 16/48 - 0,
140131 |
Boston |
Boston Garden flac16/48kHz; Recording Info: Rich Gastwirt's Master Audience Dat 16/48; Schoeps CMC4/MK4 -> Oade P/S -> Panasonic SV-255; Transfer Info: Dat (Panasonic SV-3800) 16/48 -> Tascam DA-3000 16/48 -> Adobe Audition 3.0 -> TLH flac1648
|
notes
|
| 15187. |
09/28/93 |
Flac 16 Mtx - 0,
126746 |
Boston |
Boston Garden flac16; Matrix from Source 1: SBD Recording Info: SBD -> Dat (48k); Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC Source 2: AUD Source: A: NeumannShotguns>DAT; Transfer: DAT>ZA2 (S/PIDF)>Samplitude 2496>CD-r (or shn) and Source 3: AUD Source: Schoeps (unknown model/ps) > D7 @48k; Transfer: 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 with anti-alias filter) > CDWav (splits) > mkw > shn (seekable); Matrix by Roger Eichorn
|
notes
|
| 15188. |
09/28/93 |
Shn - 0,
12378 |
Boston |
Boston Garden Source: Schoeps (unknown model/ps) > D7 @48k Transfer: 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 with anti-alias filter) > CDWav (splits)> mkw > shn (seekable) SHNtool used verify track boundaries prior to wav>shn Transfered by Marc Pujol 9/25/2002
|
notes
|
| 15189. |
09/29/93 |
Flac 16 - 0,
28800 |
Boston |
Boston Garden flac16; Recording Info: Set 1: SBD -> Master Dat -> Dat Clone (48k) Set 2: SBD -> Master Dat (48k) Transfer Info: Dat (Sony 500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC Transferred and Edited By Charlie Miller
|
notes
|
| 15190. |
09/29/93 |
Flac 16 - 0,
117089 |
Boston |
Boston Garden flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper:Mr.Baker,Transfer By Keo; Tapes Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 15191. |
09/29/93 |
Flac 16 - 0,
100235 |
Boston |
Boston Garden flac16; Recording Info:Sennheiser 421 -> Cassette Master -> Cassette; Transfer Info:Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16;Recorded, Transferred and Mastered By Charlie Miller
|
notes
|
| 15192. |
09/29/93 |
Flac 24/96 - 0,
117090 |
Boston |
Boston Garden flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper:Mr.Baker,Transfer By Keo; Tapes Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 15193. |
09/29/93 |
Flac 16 - 0,
128697 |
Boston |
Boston Garden flac16; Source: Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little helper. Taped By Dave Boedicker, Taper Section, Section BB, Row 34,Seat 1
|
notes
|
| 15194. |
09/29/93 |
Flac 16 - 0,
86808 |
Boston |
Boston Garden flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, pointed at stacks, floor taping section, aprx 2 or 3 rows behind soundboard. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped & transferred by Andrew F.
|
notes
|
| 15195. |
09/29/93 |
Flac 16 - 0,
88144 |
Boston |
Boston Garden flac16; Source: Neumann km 82i > Sonosax SX-PR power supply > Sony TCD D10 PRO II DAT x1 Recorded by Jim Birkhead Taper Section left of SBD Cloned: Casio DA-7 > Panasonic SV-3700 January 1997 Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to 48 khz Wavelab 5.0 mastering with iZotope Ozone 3 > dithered to 44.1 khz > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by Bill Koucky Seeded by Green Mountain Bros. October 31, 2007
|
notes
|
| 15196. |
09/29/93 |
Flac 16/48 - 0,
86807 |
Boston |
Boston Garden flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Sony DT-Dat tape. Mics on 7-foot stand, pointed at stacks, floor taping section, aprx 2 or 3 rows behind soundboard. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped & transferred by Andrew F.
|
notes
|
| 15197. |
09/29/93 |
Shn - 0,
12436 |
Boston |
Boston Garden Schoeps (unknown model/ps) > D7 @48k via Dave Minor. Transfer Marc Pujol
|
notes
|
| 15198. |
09/29/93 |
Flac 16/48 - 0,
139995 |
Boston |
Boston Garden flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger
|
notes
|
| 15199. |
09/29/93 |
Flac 16/48 - 0,
140132 |
Boston |
Boston Garden flac16/48kHz; Recording Info: Rich Gastwirt's Master Audience Dat 16/48; Schoeps CMC4/MK4 -> Oade P/S -> Panasonic SV-255; Transfer Info: Dat (Panasonic SV-3800) 16/48 -> Tascam DA-3000 16/48 -> Adobe Audition 3.0 -> TLH flac1648
|
notes
|
| 15200. |
09/30/93 |
Shn - 0,
10064 |
Boston |
Boston Garden SBD>DAT>C>DAT>CDR; via Paul; Seeded to etree by neo_levo
|
notes
|
| 15201. |
09/30/93 |
Flac - 0,
79116 |
Boston |
Boston Garden flac16; Recording Info: SBD -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC
|
notes
|
| 15202. |
09/30/93 |
Shn - 0,
12380 |
Boston |
Boston Garden Schoeps (unknown model/ps) > D7 @48k via Dave Minor. shn encoding Marc Pujol
|
notes
|
| 15203. |
09/30/93 |
Flac - 0,
128805 |
Boston |
Boston Garden flac16; Source: Sony D6 Cassette Master>Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker, Taper Section CC,Row 38,Seat 14
|
notes
|
| 15204. |
09/30/93 |
Flac - 0,
140003 |
Boston |
Boston Garden flac16/48kHz; aud dat master, sennheiser 441's>denon dtr-80, taped by Doug Lamarre, transferred & seeded by Rob Berger
|
notes
|
| 15205. |
09/30/93 |
Flac 16/44 - 0,
152515 |
Boston |
Boston Garden flac16/44 Source: A: NeumannShotguns>DAT Transfer: DAT>ZA2 (S/PIDF)>Samplitude 2496>CD-r (or shn) Tapes provided by Tom Conversion by Chris Larson
|
notes
|
| 15206. |
12/08/93 |
Flac 16 - 0,
83399 |
Los Angeles |
Sports Arena flac16; Recording Info: SBD -> Dat -> CD (Tascam CDRW700) Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 15207. |
12/08/93 |
Shn - 0,
10281 |
Los Angeles |
Sports Arena SBD > DAT > CDR; via C. Larson; Seeded to etree by C. Ladner
|
notes
|
| 15208. |
12/08/93 |
Flac 16/48 - 0,
141520 |
Los Angeles |
Sports Arena flac16/48 Source Info: FOB Schoeps MK 4-> (?)-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel
|
notes
|
| 15209. |
12/08/93 |
Flac 16 44,1 - 0,
141521 |
Los Angeles |
Sports Arena flac16/44.1 Source Info: TS Schopes CMC 3 Mk 2-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15210. |
12/09/93 |
Flac 16 - 0,
91958 |
Los Angeles |
Sports Arena flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15211. |
12/09/93 |
Shn - 0,
7312 |
Los Angeles |
Sports Arena SBD > ? > DAT > CDR > EAC(secure) > Cool Edit > mkwact > shn; via Ryan Varnum; Matt Vernon
|
notes
|
| 15212. |
12/09/93 |
Flac 16 - 0,
94325 |
Los Angeles |
Sports Arena flac16; Source: Schoeps MK4's>Rbox>Techinics SV-MD1 From Front Row Center OTS DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 15213. |
12/09/93 |
Flac 16 44,1 - 0,
141524 |
Los Angeles |
Sports Arena flac16/44.1 Source Info: TS Schopes CMC 3 Mk 2-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15214. |
12/09/93 |
Flac 16/48 - 0,
150595 |
Los Angeles |
Sports Arena flac16/48kHz; Recording Info: SBD > DAT Master (48k); Transfer Info: DAT Master (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/48k; All Transfers and Mastering by Charlie Miller
|
notes
|
| 15215. |
12/10/93 |
Flac - 0,
83770 |
Los Angeles |
Sports Arena flac16; Recording Info: SBD -> Dat Transfer Info: Dat -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 15216. |
12/10/93 |
Shn - 0,
1599 |
Los Angeles |
Sports Arena DSBD; via Nick Georges; note info file here reflects correct setlist
|
notes
|
| 15217. |
12/10/93 |
Flac - 0,
86407 |
Los Angeles |
Sports Arena flac16; DFOB: Schoeps MK-4 Cardiod Capsule in Hat > Panasonic sv255 > DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav > Adobe Audition 2.0 edited > Flac Frontend level 8
|
notes
|
| 15218. |
12/10/93 |
Flac - 0,
85695 |
Los Angeles |
Sports Arena flac16; Sennheiser K3U/ME40's > Panasonic sv-255 > (clone) Teac DA-P20 Transfer: Tascam DA-30 -*-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) * via coax S/PDIF By Scott Swayne (altheasboy) in 06/2007
|
notes
|
| 15219. |
12/10/93 |
Flac - 0,
74212 |
Los Angeles |
Sports Arena flac16; Fix of shn id 1599 - DSBD>CD
|
notes
|
| 15220. |
12/10/93 |
Flac - 0,
85696 |
Los Angeles |
Sports Arena flac16/48; Sennheiser K3U/ME40's > Panasonic sv-255 > (clone) Teac DA-P20 Transfer: Tascam DA-30 -*-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) * via coax S/PDIF By Scott Swayne (altheasboy) in 06/2007
|
notes
|
| 15221. |
12/12/93 |
Flac - 0,
91959 |
San Diego |
San Diego Sports Arena flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat -> CD Set 2: SBD -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 15222. |
12/12/93 |
Flac - 0,
86697 |
San Diego |
San Diego Sports Arena flac16; Recording- Digital FOB Audience Taper: Chip Copeland Schoeps MK-4 Cardiod Capsule in Hat > Panasonic sv255 Transfer- DAT(1) > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav Editing and Mastering in Wavelab 6.0 using UAD1-e PCI-e DSP powered plugins- Cambridge EQ and Precision Limiter Trac'ed Cdwave , Flac TLH level 8
|
notes
|
| 15223. |
12/12/93 |
Flac 24 - 0,
139183 |
San Diego |
San Diego Sports Arena flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15224. |
12/12/93 |
Flac - 0,
1392212 |
San Diego |
San Diego Sports Arena flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 139183 24 bit -> 16 bit
|
notes
|
| 15225. |
12/12/93 |
Shn - 0,
7318 |
San Diego |
San Diego Sports Arena MK4 FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon
|
notes
|
| 15226. |
12/12/93 |
Flac - 0,
88150 |
San Diego |
San Diego Sports Arena flac16; Schoeps MK4's>Rbox>Technics SVM-D1(Front Row Center of Taper's Section) Dat Master>Sony TCD-D100>Edirol R-4 (Fades & Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred by Keith Litzenberger
|
notes
|
| 15227. |
12/12/93 |
Shn - 0,
19317 |
San Diego |
San Diego Sports Arena Source: Set 2 SBD > DAT > CDR > EAC > CDWave > mkwACT EAC'd/SHN'd by Doug Nawrocki
|
notes
|
| 15228. |
12/12/93 |
Flac 16 - 0,
107116 |
San Diego |
San Diego Sports Arena flac16; Source: (handheld/ORTF/110^/FOB/DFC) B&K 4011s > Neumann BA48i-2 > Sony TCD-D3 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC DAT(m) sourced by Alan Schmit Transfer by Terry Watts
|
notes
|
| 15229. |
12/13/93 |
Flac - 0,
91349 |
San Diego |
San Diego Sports Arena flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC
|
notes
|
| 15230. |
12/13/93 |
Flac - 0,
91960 |
San Diego |
San Diego Sports Arena flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat -> CD Set 2: SBD -> Dat -> CD Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 15231. |
12/13/93 |
Shn - 0,
11666 |
San Diego |
San Diego Sports Arena Set 1: FOB(Schoeps MK4) > DAT(s) > EAC(secure) > mkwact(seekable) > shn. Set 2: SBD > DAT > CDR > WAV > SHNv3; via Ryan>Matt>Willy, Paul B; Seeded to etree by neo_levo
|
notes
|
| 15232. |
12/13/93 |
Flac - 0,
85711 |
San Diego |
San Diego Sports Arena flac16/48; Sennheiser ME-80's > Teac DA-P20 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007
|
notes
|
| 15233. |
12/13/93 |
Flac - 0,
85710 |
San Diego |
San Diego Sports Arena flac16; Sennheiser ME-80's > Teac DA-P20 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) By Scott Swayne (AltheasBoy) in 06/2007
|
notes
|
| 15234. |
12/13/93 |
Flac 24 - 0,
139184 |
San Diego |
San Diego Sports Arena flac24; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15235. |
12/13/93 |
Flac - 0,
139214 |
San Diego |
San Diego Sports Arena flac16; Recording Info: SBD > Cassette Master (TDK SA-X100/Tascam Deck); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, This is 139184 24 bit -> 16 bit
|
notes
|
| 15236. |
12/13/93 |
Shn - 0,
7360 |
San Diego |
San Diego Sports Arena MK4 FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon
|
notes
|
| 15237. |
12/13/93 |
Flac - 0,
94671 |
San Diego |
San Diego Sports Arena flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 8 (fades, Sample Rate Conversion)>CDWAV>FLAC Recorded & Transferred By Keith Litzenberger
|
notes
|
| 15238. |
12/17/93 |
Flac - 0,
91961 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15239. |
12/17/93 |
Shn - 0,
19287 |
Oakland |
Oakland-Alameda County Coliseum Primary Source: SBD>DAT>C>DAT>CDR (via Chris Laughlin). Patch Source: shnid=7348. Mastered & seeded by MattMan.
|
notes
|
| 15240. |
12/17/93 |
Shn - 0,
7348 |
Oakland |
Oakland-Alameda County Coliseum KM140's FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon
|
notes
|
| 15241. |
12/17/93 |
Flac - 0,
86014 |
Oakland |
Oakland-Alameda County Coliseum flac16/48; Recorded, Transferred & Uploaded by Keith Litzenberger; Source: Schoeps MK4's>Reutelhuber PreAmp>Technics SVM-D1 Transfer: Sony TCD-D10PROII>Edirol R-4>WL5>CDWAV>FLAC **16 BIT/48KHZ Transfer from master**
|
notes
|
| 15242. |
12/17/93 |
Flac - 0,
122840 |
Oakland |
Oakland-Alameda County Coliseum flac16; Source: * microphones - up front/center > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files; * - see info file regarding microphones
|
notes
|
| 15243. |
12/18/93 |
Flac 16 - 0,
91962 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15244. |
12/18/93 |
Shn - 0,
20330 |
Oakland |
Oakland-Alameda County Coliseum SBD>DAT>Cass.>DAT>CDR>WAV>SHN via Jim Powell encoded by Chris Ladner
|
notes
|
| 15245. |
12/18/93 |
Shn - 0,
7277 |
Oakland |
Oakland-Alameda County Coliseum Unknown FOB aud (likely Neumann KM-140, see user comments)> DAT(s) > CDR via Ryan Varum; Matt Vernon
|
notes
|
| 15246. |
12/18/93 |
Flac 16/48 - 0,
141525 |
Oakland |
Oakland-Alameda County Coliseum flac16/48 Source Info: FOB Neumann KM140-> DAT Possibly recorded by Dominic Tringale. Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel
|
notes
|
| 15247. |
12/18/93 |
Flac 16/44 - ,
168893 |
Oakland |
Oakland-Alameda County Coliseum flac1644: FOB; Nyquist Omnis >Sony TCD-D3 DAT 1st DAT Copy Transferred Via Tascam DA 30 >S/PDIF >HHb CDR 800 PRO CD >FLAC (Level 8) + Tags Via xACT 2.53 Recorded By Jack Hunt Transfer, FLAC, Tags, & Front Cover Artwork By OldNeumanntapr
|
notes
|
| 15248. |
12/19/93 |
Flac 16 - 0,
91963 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: SBD -> Dat -> CD; Transfer Info: CD -> Samplitude Professional v9.02 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15249. |
12/19/93 |
Shn - 0,
12573 |
Oakland |
Oakland-Alameda County Coliseum Set 1: SBD>DAT> Cassette> DAT> CD> SHN Set 2: SBD>MC>DAT>ZA2>CDR>WAV>SHN; via Charlie Miller, Peter Braverman, neo_levo
|
notes
|
| 15250. |
12/19/93 |
Shn - 0,
10112 |
Oakland |
Oakland-Alameda County Coliseum Set 1: FOB AUD (unk. mic) > DAT > CDR; Set 2: SBD>MC>DAT>ZA2>CDR; via Willy/Matt and Paul B; Seeded to etree by neo_levo
|
notes
|
| 15251. |
12/19/93 |
Shn - 0,
7349 |
Oakland |
Oakland-Alameda County Coliseum Unknown FOB aud > DAT(s) > CDR; via Ryan Varum; Matt Vernon
|
notes
|
| 15252. |
12/19/93 |
Shn - 0,
28883 |
Oakland |
Oakland-Alameda County Coliseum Set 2; Source: A(FOB): Neuman KM 140's>DAT(48kHz) Tansfer: DAT>ZA2(S/PDIF)>Samplitude2496>CD-r (or shn); Transfer by Chris Larson
|
notes
|
| 15253. |
02/25/94 |
Flac 16 - 0,
91250 |
Oakland |
Oakland-Alameda County Coliseum flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky
|
notes
|
| 15254. |
02/25/94 |
Shn - 0,
15096 |
Oakland |
Oakland-Alameda County Coliseum Source: FOB (unknown mics) > DAT > Tascam DA-20 > Harmon Kardon stand alone burner >Tascam CDRW700 > Toast Audio Extractor (overlap) > SHN. THIS IS NOT A RE-EXTRACTION - the original SHNs had sector boundary errors on the last track of each disc, were not seekable (also minor), and the d2>d3 transition was not seamless (minor again). These issues have been resolved and the show tracked on 2 discs instead of 3 (minus the previously included "filler").
|
notes
|
| 15255. |
02/25/94 |
Shn - 0,
1381 |
Oakland |
Oakland-Alameda County Coliseum FOB (unknown mics) > DAT; Transfer: Tascam DA-20 > Harmon Kardon stand alone burner >Tascam CDRW700 > Toast Audio Extractor (overlap) > SHN; SHNed and seeded by Jon Seff, from Mark Ramler's CDs; with 3/27/94 filler
|
notes
|
| 15256. |
02/25/94 |
Flac 16 44,1 - 0,
141174 |
Oakland |
Oakland-Alameda County Coliseum flac16/44.1 Source Info: Schoeps MK 4->Reutelhuber P/S-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15257. |
02/25/94 |
Flac 24/48 - ,
156420 |
Oakland |
Oakland-Alameda County Coliseum flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24
|
notes
|
| 15258. |
02/25/94 |
Flac 16/44 - ,
156489 |
Oakland |
Oakland-Alameda County Coliseum flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 156420 2448 > 1644.1
|
notes
|
| 15259. |
02/26/94 |
Shn - 0,
18095 |
Oakland |
Oakland-Alameda County Coliseum Neumann KM84 -> Dat(48k) via Charlie Miller
|
notes
|
| 15260. |
02/26/94 |
Flac 16 44,1 - 0,
141175 |
Oakland |
Oakland-Alameda County Coliseum flac16/44.1 Source Info: Schoeps CMC 5 MK 4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15261. |
02/26/94 |
Flac 16/48 - 0,
141611 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; FOB recording by Kyle Porter: Neumann KM54 reconditioned tube mics, in hat > Custom PS > Spectra Sonics pre Amp > Apogee AD500 converter > Sony TCD-D7; Transfer by John Ammons: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
|
notes
|
| 15262. |
02/26/94 |
Flac 24/48 - ,
156421 |
Oakland |
Oakland-Alameda County Coliseum flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 15263. |
02/26/94 |
Flac 16/44 - ,
156490 |
Oakland |
Oakland-Alameda County Coliseum flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156421 2448 > 1644.1
|
notes
|
| 15264. |
02/27/94 |
Flac 16 - 0,
32577 |
Oakland |
Oakland-Alameda County Coliseum flac16; SBD -> Dat (44.1k) All Transfers and Mastering By Charlie Miller
|
notes
|
| 15265. |
02/27/94 |
Flac 16 - 0,
92803 |
Oakland |
Oakland-Alameda County Coliseum flac16; Fixed version of Matrix (SBD/AUD mixdown) by Bill Tetzeli (shnid 32637). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 15266. |
02/27/94 |
Flac Mtx. - 0,
32637 |
Oakland |
Oakland-Alameda County Coliseum Matrix (SBD/AUD mixdown), done in Cool Edit Pro, transition between discs 2 and 3 is seamless by Bill Tetzeli
|
notes
|
| 15267. |
02/27/94 |
Shn - 0,
5972 |
Oakland |
Oakland-Alameda County Coliseum DSBD> CM(?)> DAT; Tascam DA-20mkII > SBLive! > CDWAV > MKW; DAT > WAV > SHN: Dan Stephens; upload by Scott Thompson; see notes in info file
|
notes
|
| 15268. |
02/27/94 |
Flac 16/48 - 0,
85709 |
Oakland |
Oakland-Alameda County Coliseum b>flac16/48; Schoeps MK4's>Reutelhuber Preamp>Sony TCD-D10PROII FOB DFC Recorded By Keith Litzenberger, Roger Jones & Corey Clayton Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC
|
notes
|
| 15269. |
02/27/94 |
Shn - 0,
12097 |
Oakland |
Oakland-Alameda County Coliseum AUD (mics unknown)>DAT>CDR; via H. Wankleswurth; Seeded to etree by candyman
|
notes
|
| 15270. |
02/27/94 |
Flac 16 44,1 - 0,
141176 |
Oakland |
Oakland-Alameda County Coliseum flac16/44.1 Source Info: Schoeps CMC 5 MK 4-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15271. |
02/27/94 |
Flac 16/48 - 0,
141375 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; Set 2 FOB recording by Kyle Porter: Neumann KM54 tube mics, in hat > Custom PS > Dennon DAT deck; Transfer by John Ammons; DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
|
notes
|
| 15272. |
03/04/94 |
Shn - 0,
8330 |
Phoenix |
Desert Sky Pavilion DSBD --> DAT --> CDR; via Charlie Kidder
|
notes
|
| 15273. |
03/04/94 |
Flac 16 - 0,
33697 |
Phoenix |
Desert Sky Pavilion flac16; SBD> ?> CDR> EAC> FLAC; via sailor_saint
|
notes
|
| 15274. |
03/04/94 |
Flac 16 - 0,
119518 |
Phoenix |
Desert Sky Pavilion flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 15275. |
03/04/94 |
Flac 16/48 - 0,
110517 |
Phoenix |
Desert Sky Pavilion flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 15276. |
03/04/94 |
Flac 16 - 0,
89172 |
Phoenix |
Desert Sky Pavilion flac16; Source:Schoeps MK4's>Rbox>Sony TCD-D10PROII FOB Transfer: DAT Master>Sony TCD-D10PROII>M-Audio Audiophile 192>Wavelab 5(Fades & Sample Rate Conversion to 16/44.1)>CDWAV>FLAC Recorded and Transferred By Keith Litzenberger
|
notes
|
| 15277. |
03/04/94 |
Flac 16/44,1 - 0,
152011 |
Phoenix |
Desert Sky Pavilion SBD > DAT 44.1 kHz DATs provided to KXCI's Dead Air program by Dick Latvala for broadcast in April of 1999. Fresh transfer and mastering by Jim Blackwood Sony R-500 to Tascam DA-3000 [2020]
|
notes
|
| 15278. |
03/05/94 |
Shn - 0,
8331 |
Phoenix |
Desert Sky Pavilion DSBD --> DAT --> CDR; via Charlie Kidder
|
notes
|
| 15279. |
03/05/94 |
Flac - 0,
33585 |
Phoenix |
Desert Sky Pavilion SBD > ? > CDR (see info file)
|
notes
|
| 15280. |
03/05/94 |
Flac 16 - 0,
119533 |
Phoenix |
Desert Sky Pavilion flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 15281. |
03/05/94 |
Flac 16/48 - 0,
119532 |
Phoenix |
Desert Sky Pavilion flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 15282. |
03/05/94 |
Flac 16 - 0,
113694 |
Phoenix |
Desert Sky Pavilion flac16; Source: 2 Neumann KMF4 microphones (up front-center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 15283. |
03/05/94 |
Flac 16/44,1 - 0,
152012 |
Phoenix |
Desert Sky Pavilion SBD > DAT 44.1 kHz DATs provided to KXCI's Dead Air program by Dick Latvala for broadcast in April of 1999. Fresh transfer and mastering by Jim Blackwood Sony R-500 to Tascam DA-3000 [2020]
|
notes
|
| 15284. |
03/06/94 |
Shn - 0,
8332 |
Phoenix |
Desert Sky Pavilion DSBD --> DAT --> CDR; via Charlie Kidder
|
notes
|
| 15285. |
03/06/94 |
Flac 16 - 0,
33613 |
Phoenix |
Desert Sky Pavilion flac16; SBD> ?> CD (see info file for notes); via sailor_saint
|
notes
|
| 15286. |
03/06/94 |
Flac 16/48 - 0,
119560 |
Phoenix |
Desert Sky Pavilion flac16/48kHz & flac24; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1); Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 15287. |
03/06/94 |
Flac 16 - 0,
119559 |
Phoenix |
Desert Sky Pavilion flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1) and Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 15288. |
03/06/94 |
Flac 16 - 0,
89190 |
Phoenix |
Desert Sky Pavilion b>flac16; Source:Schoeps MK4's>Rbox>Sony TCD-D10PROII FOB Transfer: DAT Master>Sony TCD-D10PROII>M-Audio Audiophile 192>Wavelab 5(Fades & Sample Rate Conversion to 16/44.1)>CDWAV>FLAC Recorded and Transferred By Keith Litzenberger
|
notes
|
| 15289. |
03/06/94 |
Flac 16/44,1 - 0,
152013 |
Phoenix |
Desert Sky Pavilion SBD > DAT 44.1 kHz DATs provided to KXCI's Dead Air program by Dick Latvala for broadcast in April of 1999. Fresh transfer and mastering by Jim Blackwood Sony R-500 to Tascam DA-3000 [2020]
|
notes
|
| 15290. |
03/16/94 |
Shn - 0,
7778 |
Rosemont |
Rosemont Horizon SBD> Dat> Sonic Solutions> CDR> WAV> SHNv3; This is an upgrade from the previously seeded SHN of this show w/o the digistatic in Scarlet>Fire and also a SBD of the encore. seeded by C. Ladner via candyman with thanks to C. Miller; also to abgd via Charlie Connor; tracked for 2x80
|
notes
|
| 15291. |
03/16/94 |
Shn - 0,
567 |
Rosemont |
Rosemont Horizon DSBD->DAT-> DAP-1> Digital in through a Digital Audio Labs Card digital I/O> Computer->CD->SHN; downsampled set one only from 48KHz to 44.1KHz with Cool Edit Pro 1.1; encore patched from AUD; d1t3 ~6-9 min, d1t4 ~4 min, SBD probs; DAT tracking probs ~11 min into set II, smoothed; via 3D; note 11/00, apparently recirculating with different d2 md5s (d2alt, poss reextraction?)
|
notes
|
| 15292. |
03/16/94 |
Flac - 0,
130174 |
Rosemont |
Rosemont Horizon flac16; Recording Info: SBD > Dat Master (Panasonic SV-3700/44.1k); Transfer Info: Dat Master (Panasonic SV-3800) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
notes
|
| 15293. |
03/16/94 |
Flac - 0,
140065 |
Rosemont |
Rosemont Horizon flac16/44 Source Info: FOB Schoeps MK4-> Reutelhuber P/S-> DAT Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Eb
|
notes
|
| 15294. |
03/17/94 |
Shn - 0,
8023 |
Rosemont |
Rosemont Horizon SBD > DAT > CDR > EAC > SHNv3; DAE (EAC)> boundary checking (SHNTOOL)> SHN (MKWACT) via neo_levo. seeded via candyman, also to abgd via Charlie Connor
|
notes
|
| 15295. |
03/17/94 |
Flac - 0,
139336 |
Rosemont |
Rosemont Horizon flac16 44.1khz Source: AKG C391 ORTF in first row OTS 8 foot stand > Teac DAP20 @ 16/48. Transfer: DAT Master>Lynx Studio 1>Wavelab 3.0. Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Recorded by Dave Cohen and Justin Lee. Transfer by Dave Cohen 2010.
|
notes
|
| 15296. |
03/17/94 |
Flac - 0,
140066 |
Rosemont |
Rosemont Horizon flac16/44 Source Info: TS AKG 460->DAT Transfer Info: DAT (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel
|
notes
|
| 15297. |
03/18/94 |
Flac - 0,
79117 |
Rosemont |
Rosemont Horizon flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC
|
notes
|
| 15298. |
03/18/94 |
Shn - 0,
13930 |
Rosemont |
Rosemont Horizon Source: Audience (presumably DAT) Lineage: ?> Cassette> CD> SHN; Overall, a rather poor recording, though its the only available source after extensive searching.
|
notes
|
| 15299. |
03/18/94 |
Flac - 0,
140067 |
Rosemont |
Rosemont Horizon flac16/44 Source Info: FOB AKG 451 -> Koro P/S-> Panasonic SV255-> DAT Transfer Info: DAT (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel
|
notes
|
| 15300. |
03/20/94 |
Shn - 0,
10539 |
Richfield |
Richfield Coliseum AUD(Nak 300s)>DAT>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo
|
notes
|
| 15301. |
03/20/94 |
Shn - 0,
15464 |
Richfield |
Richfield Coliseum Source: AUD (SchoepsCMC34>Oade>SV255) > DAT > CDR > WAV > SHN; via M.Ratliff; Seeded to etree by neo_levo
|
notes
|
| 15302. |
03/20/94 |
Flac - 0,
110567 |
Richfield |
Richfield Coliseum flac16; Set 1 Source: (handheld/ORTF/110^/DFC/FOB/17th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
|
notes
|
| 15303. |
03/20/94 |
Flac - 0,
111373 |
Richfield |
Richfield Coliseum flac16; Set 2 only Master: B&K 4011s > Neumann BS48i-2 > TCD-D3 Mics handheld, ORTF/110^, DFC in the 17th row by Alan Schmit; Conversion: Tascam DA-20>Microtrack 24/96>WAV>Sound Studio 2.2.4>xACT 2.05>FLAC by Dave Mallick
|
notes
|
| 15304. |
03/20/94 |
Flac - 0,
130902 |
Richfield |
Richfield Coliseum flac16; Source:Audience Recording(Sony Wm D6C Cassette Deck>Nakamichi 300 Mics W/CP4 Shotgun Mics)> Cassette Master>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 kHz)>CD Wav Editor> Traders Littrle Helper>Flac Level 8.Sector Coundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker,Official Taper Section
|
notes
|
| 15305. |
03/21/94 |
Shn - 0,
6258 |
Richfield |
Richfield Coliseum SBD > DAT > CDR > SHNv3; via johnathan miller, candyman
|
notes
|
| 15306. |
03/21/94 |
Flac 16 Mtx - 0,
125739 |
Richfield |
Richfield Coliseum flac16; Matrix of Source 1: SBD > DAT > CDR > SHNv3 and Source 2: AUD Source (handheld/ORTF/110^/DFC/FOB/18th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; matrix by Roger Eichorn
|
notes
|
| 15307. |
03/21/94 |
Flac 16 - 0,
130919 |
Richfield |
Richfield Coliseum flac16; Sony WM-D6C Cassette Deck>Cassette Master>Nakamichi 300 Micsd W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
|
notes
|
| 15308. |
03/21/94 |
Flac 16 - 0,
110568 |
Richfield |
Richfield Coliseum flac16; Source: (handheld/ORTF/110^/DFC/FOB/18th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
|
notes
|
| 15309. |
03/21/94 |
Flac 16 - 0,
140296 |
Richfield |
Richfield Coliseum flac16; Set 2 Recording Info: Master Soundboard Dat > Dat; Transfer Info: Dat (Sony PCM-R500)> Tascam DA-3000 > Adobe Audition 3.0> TLH flac16; Mastered by Scott Clugston
|
notes
|
| 15310. |
03/21/94 |
Flac 24/96 - ,
158160 |
Richfield |
Richfield Coliseum flac2496 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 3.0 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 15311. |
03/21/94 |
Flac 16/44 - ,
158173 |
Richfield |
Richfield Coliseum flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 3.0 > Samplitude Pro X6 Suite > FLAC/24 - This is 158160 2496 > 1644
|
notes
|
| 15312. |
03/23/94 |
Shn - 0,
13793 |
Uniondale |
Nassau Coliseum Set 1: SBD DAT>WAV>CE>CDWAV>SHN Set 2: AUD DAT ( Nakamichi CM300's w/Cp4 shotguns>Denon DTR- 80P)>WAV>CE>CDWAV>SHN submitted by M.Walker via Steve Herman
|
notes
|
| 15313. |
03/23/94 |
Flac - 0,
124020 |
Uniondale |
Nassau Coliseum flac16; All Set 1 & Partial Set 2 Source: SBD > DAT > CDR > EAC > FLAC; EAC'd/FLAC'd by Doug Nawrocki
|
notes
|
| 15314. |
03/23/94 |
Flac - 0,
134816 |
Uniondale |
Nassau Coliseum flac16; Source: NAK300 Guns > Shure FP32 > Sony D7; Location: Center Ice Owners Box; Transfer: Fostex D5 > Toslink > Motu Traveler > MacBook Pro > Peak Pro (Tracks/Fades); Recorded & Upped By: Ted Cappelen
|
notes
|
| 15315. |
03/23/94 |
Shn - 0,
14257 |
Uniondale |
Nassau Coliseum Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP.
|
notes
|
| 15316. |
03/23/94 |
Flac - 0,
90740 |
Uniondale |
Nassau Coliseum flac16; Recording info: (OTS/Behind SBD/DFC/mics @ 90deg/stand @ 10') AKG 460b/ck61 -> custom pre-amp -> Teac DA-P20 Transfer info: dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (3/11/08)
|
notes
|
| 15317. |
03/23/94 |
Shn - 0,
26988 |
Uniondale |
Nassau Coliseum AUD fob (in hat) Schoeps mk4> Reutelhuber p/s> Sony tc-d10 proII (modified), Recorded by Ace Cubby; Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > SHN > WAV > CDR; transferred by Chris Larson
|
notes
|
| 15318. |
03/23/94 |
Flac - 0,
139365 |
Uniondale |
Nassau Coliseum flac16 44.1khz Source Info: Soundboard-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel
|
notes
|
| 15319. |
03/23/94 |
Flac - 0,
140153 |
Uniondale |
Nassau Coliseum flac16/48kHz; Set 1 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 15320. |
03/24/94 |
Shn - 0,
14258 |
Uniondale |
Nassau Coliseum Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP.
|
notes
|
| 15321. |
03/24/94 |
Flac 16/48 - 0,
140154 |
Uniondale |
Nassau Coliseum flac16/48kHz; Set 1 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 15322. |
03/25/94 |
Shn - 0,
14189 |
Uniondale |
Nassau Coliseum Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3 via JABUZZ420 encoding by Candyman
|
notes
|
| 15323. |
03/25/94 |
Flac 16/48 - 0,
140155 |
Uniondale |
Nassau Coliseum flac16/48kHz; Set 1 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 15324. |
03/25/94 |
Flac 16/48 - ,
150672 |
Uniondale |
Nassau Coliseum flac16/48kHz; Source: B&K 4010 > Beyer MV-100; Patch Taper Sony D7 @ 16/48: David Flaschner Transfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > xACT(FLAC/TAG)
|
notes
|
| 15325. |
03/25/94 |
Flac 16/48 - ,
150672 |
Uniondale |
Nassau Coliseum flac16/48kHz; Source: B&K 4010 > Beyer MV-100; Patch Taper Sony D7 @ 16/48: David Flaschner Transfer: DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > xACT(FLAC/TAG)
|
notes
|
| 15326. |
03/27/94 |
Shn - 0,
20926 |
Uniondale |
Nassau Coliseum Recording Info: SBD -> Dat (Vault Master) -> Sonic Solutions -> CD -> Eac -> SHN; Patched and SHN'd By Charlie Miller
|
notes
|
| 15327. |
03/27/94 |
Shn - 0,
4851 |
Uniondale |
Nassau Coliseum mixed sources: DAUD from bootleg CD "Headin' East", DSBD (see info); via unIDed seeder
|
notes
|
| 15328. |
03/27/94 |
Shn - 0,
14260 |
Uniondale |
Nassau Coliseum Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP.
|
notes
|
| 15329. |
03/28/94 |
Shn - 0,
17263 |
Uniondale |
Nassau Coliseum Shntool fixed version of Set 1 unknown DAUD source, Set 2 DSBD, d2t04 (drums) FM>DAT.
|
notes
|
| 15330. |
03/28/94 |
Shn - 0,
14261 |
Uniondale |
Nassau Coliseum Source: Audience (Naks, model unknown) > DAT > CM > playback on Denon DRM-540 > HHB 830 CDR > WAV > SHNv3. Transfer discs provided by JA BUZZ, DAE and SHN via Chris L./candyman FTP.
|
notes
|
| 15331. |
03/28/94 |
Shn - 0,
32569 |
Uniondale |
Nassau Coliseum from 7th row tapers secion B&K 4010 w/balls > DAT master > DAT clone > SHN DAT transfer via PCM-M1 > Oade active cable > Edirol UA-5 (hardware resample) > USB > HP Omnibook 500 running CoolEdit2000 > CDWAV > MKW-Act non seekable SHNs due to winXP and Act issues transfer/encoding by nick@nickspicks.com
|
notes
|
| 15332. |
03/28/94 |
Shn - 0,
27057 |
Uniondale |
Nassau Coliseum AUD fob(in hat) Schoeps mk4> Reutelhuber p/s> Sony tc-d10 proII (modified), Recorded by Ace Cubby; Transfer: Panasonic SV 3700 > ZA2 (s/pdif) > Wavelab 3.03 > CDWav > SHN > WAV > CDR; transferred by Chris Larson
|
notes
|
| 15333. |
03/28/94 |
Flac - 0,
34561 |
Uniondale |
Nassau Coliseum flac16; Digital Master Audience Recording - Dan Lynch Master Series Vol 10 Recorded from 1st Row Taper's Section Sennheiser 441's > Sony D-7 > DAT Master DAT Master > Panasonic SV-3800 > digital coaxial > Audigy 2 ZS Platinum > CD Wave > 16 bit 44.1 wav > Soundforge (set fades, level boost) > CD Wave (tracking) > Flac Frontend (level 7, align sector boundaries) > flac Thanks to Danny Hupert for the patch!
|
notes
|
| 15334. |
03/28/94 |
Flac 16/48 - 0,
140156 |
Uniondale |
Nassau Coliseum flac16/48kHz; Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
This is your collection
|
notes
|
| 15335. |
03/28/94 |
Shn - 0,
137898 |
Uniondale |
Nassau Coliseum Set 2 Source: SBD:D>ZA2>CD or SHN
|
notes
|
| 15336. |
03/30/94 |
Shn - 0,
14832 |
Atlanta |
The Omni Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN Transfered By Charlie Miller.
|
notes
|
| 15337. |
03/30/94 |
Shn - 0,
3621 |
Atlanta |
The Omni SBD: DAT> ZA2> Samplitude2496> CDR> EAC> SHN; via Tony Gardner with thanks to Chris Larson; encore missing
|
notes
|
| 15338. |
03/30/94 |
Shn - 0,
31806 |
Atlanta |
The Omni Source: S:D>ZA2>Samplitude2496>CD-R transfer by clarson (BTWind@comcast.net)
|
notes
|
| 15339. |
03/30/94 |
Flac 16 - 0,
110956 |
Atlanta |
The Omni flac16; Source: (ORTF/110^/DFC/FOB/16th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
|
notes
|
| 15340. |
03/31/94 |
Shn - 0,
14883 |
Atlanta |
The Omni Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN Encore Is Missing (I Fought The Law) Transfered By Charlie Miller.
|
notes
|
| 15341. |
03/31/94 |
Shn - 0,
10920 |
Atlanta |
The Omni Dsbd>cdr; Seeded to etree by Chaser
|
notes
|
| 15342. |
03/31/94 |
Flac 16 - 0,
34841 |
Atlanta |
The Omni flac16; Seamless fix of shn id 10930. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 15343. |
03/31/94 |
Flac 16 - 0,
110955 |
Atlanta |
The Omni flac16; Source: (ORTF/110^/DFC/FOB/17th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
|
notes
|
| 15344. |
04/01/94 |
Shn - 0,
14834 |
Atlanta |
The Omni Recording Info: SBD -> Dat Transfer Info: Dat (Sony R500) ->Prodif Plus ->Samplitude v6.0 ->SHN Transfered By Charlie Miller encore from FOB source.
|
notes
|
| 15345. |
04/01/94 |
Flac 16 - 0,
116722 |
Atlanta |
The Omni flac16; First Generation Cassttes Unknown Mics/Deck,Unknown Original Transfer Info; Tapes From White,Transfer By Keo; Tapes:Maxell XLII 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 15346. |
04/01/94 |
Shn - 0,
1210 |
Atlanta |
The Omni DSBD> DAT> CD> CD> SHN (Boot CD Rip); Seeded by: Brian Leonard; see misc flaw notes in info file
|
notes
|
| 15347. |
04/01/94 |
Flac 24 - 0,
116723 |
Atlanta |
The Omni flac24; First Generation Cassttes Unknown Mics/Deck,Unknown Original Transfer Info; Tapes From White,Transfer By Keo; Tapes:Maxell XLII 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 15348. |
04/01/94 |
Flac 16 - 0,
119748 |
Atlanta |
The Omni flac16; nak300>cp4>2ch mixer>sony d7 16/44.1; OTS 2nd row dfc 12ft. DIN dat(m)> hhb830 cd>cdwave>tlh flac 8; t&s by c. cage
|
notes
|
| 15349. |
04/01/94 |
Flac 16 - 0,
110954 |
Atlanta |
The Omni flac16; Set 2 Only; Source: (ORTF/110^/DFC/FOB/17th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
|
notes
|
| 15350. |
04/01/94 |
Flac 16 - 0,
142364 |
Atlanta |
The Omni flac16; Source: SBD > dat (44.1k) - Provided by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Tascam DA-3000 > wav 16/44.1 - Transferred by Charlie Miller; Lineage: wav 16/48> iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac16; edited and mastered SIRMick June 2018
|
notes
|
| 15351. |
04/04/94 |
Shn - 0,
11502 |
Orlando |
Sports Arena SBD>DAT>Cassette>DAT>CDRx2; New eac of original seed discs; See info file for details; via Mick McGinnis; Seeded to etree by chris L
|
notes
|
| 15352. |
04/04/94 |
Flac 16 - 0,
87453 |
Orlando |
Sports Arena flac16; AUD: Nakamichi CM-300's w/CP-4 shotgun capsules > Sony TC-D5M > Maxell MX-S 90/100, with no Dolby. Mics on 7-foot stand in OTS. Taped by Ted Carpenter. Transfer: MAC > Nakamichi BX-125 (Dolby off) > Audiophile-2496 > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
|
notes
|
| 15353. |
04/04/94 |
Flac 16 - 0,
105813 |
Orlando |
Sports Arena flac16; source: [ots] Nakamichi cm300/cp4 -> Sony D8 [16/48]. recorded by: Trew Rickers; transfer: dat [m] -> Tascam DA20 mkII -> R-44 -> CD Wave 1.98 -> Wavelab 5.01a [fades/Resampler 192] -> FLAC [8]. transfer: Chris Davis [02/02/10]
|
notes
|
| 15354. |
04/04/94 |
Flac 16 44,1 - 0,
141248 |
Orlando |
Sports Arena flac16/44.1 Source Info: OTS Sony CS-38b-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel.
|
notes
|
| 15355. |
04/04/94 |
Flac 16/48 - 0,
141426 |
Orlando |
Sports Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
|
notes
|
| 15356. |
04/04/94 |
Flac 24/48 - ,
156433 |
Orlando |
Sports Arena flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 15357. |
04/04/94 |
Flac 16/44 - ,
156491 |
Orlando |
Sports Arena flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 - This is 156443 2448 > 1644.1
|
notes
|
| 15358. |
04/06/94 |
Flac 16 - 0,
91391 |
Miami |
Miami Arena flac16; Soundcheck: Source 1: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Source 2: SBD -> Dat -> MiniDisc -> Cool Edit Pro -> FLAC -> Samplitude Professional v10.02 > TLH > FLAC Transfer Source 1: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves x-Noise Transfer and Mastering for source 1: Bill Koucky Transfer and Mastering for source 2: Charlie Miller (fix of shn id 91351)
|
notes
|
| 15359. |
04/06/94 |
Flac 16 - 0,
28258 |
Miami |
Miami Arena flac16; mixed sources, incl soundcheck: Set 1: (FOB) Schoeps MK4> Dat> CD, Set 2: SBD> Dat> CD, Encore: (FOB) Schoeps MK4> Dat> CD, Soundcheck: SBD> Dat> MiniDisc> Cool Edit Pro> CD; Transfer: WAV> Samplitude Professional v8.0> FLAC; Transferred and Edited By Charlie Miller
|
notes
|
| 15360. |
04/06/94 |
Shn - 0,
13110 |
Miami |
Miami Arena Soundcheck; SBD>Dat>MiniDisc>Behringer UltraMatch SRC2000>Dio2448>Cool Edit Pro>SHN; Seeded to etree by Charlie Miller
|
notes
|
| 15361. |
04/06/94 |
Shn - 0,
10311 |
Miami |
Miami Arena FOB-AUD(Schoeps MK4>SV250)>DAT>CDR; via Paul; Seeded to etree by Chris L
|
notes
|
| 15362. |
04/06/94 |
Flac 16 - 0,
91351 |
Miami |
Miami Arena flac16; Soundcheck: Source 1: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Source 2: SBD -> Dat -> MiniDisc -> Cool Edit Pro -> CD Transfer Source 1: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves x-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky; upgrade now in circulation
|
notes
|
| 15363. |
04/06/94 |
Flac 16/48 - 0,
141427 |
Miami |
Miami Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
|
notes
|
| 15364. |
04/07/94 |
Shn - 0,
20187 |
Miami |
Miami Arena DSBD > CD > EAC > SHN; Liberty supplied by the FOB-AUD(Schoeps MK4>SV250)>DAT>CDR source; EAC/SHN by Darryl Hinko
|
notes
|
| 15365. |
04/07/94 |
Shn - 0,
10313 |
Miami |
Miami Arena FOB-AUD(Schoeps MK4>SV250)>DAT>CDR; via Paul; Seeded to etree by Chris L
|
notes
|
| 15366. |
04/07/94 |
Flac 16/48 - 0,
141428 |
Miami |
Miami Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
|
notes
|
| 15367. |
04/07/94 |
Flac 16/48 - 0,
141695 |
Miami |
Miami Arena flac16/48kHz; Taped by aka TW from about the 15th row; FOB/Schoeps Mics and Dat>Clone to me> File cloned in Microtrack using a Tascam Dat deck>Goldwave tracking> TLH8; Fixed version in circulation
|
notes
|
| 15368. |
04/07/94 |
Flac 16/48 - 0,
141885 |
Miami |
Miami Arena flac16; Taped by aka TW from about the 15th row; FOB/Schoeps Mics and Dat>Clone to me>File cloned in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8; The original upload had speed problems
|
notes
|
| 15369. |
04/08/94 |
Shn - 0,
10503 |
Miami |
Miami Arena AUD(Schoeps CMC521?s)>DAT>CDR; via Paul; Seeded to etree by Chris L
|
notes
|
| 15370. |
04/08/94 |
Flac 16/44,1 - 0,
139358 |
Miami |
Miami Arena flac16 44.1khz Set 2 Only. Source: Soundboard->Cassette->DAT Transfer: Cassette transfered to DAT in the mid 90's... DAT-> Marantz CDR 615 (late 90's)-> extract wav -> Flaced with Traders little helper Level 8->Tagged. (16/44.1). Transfers by Pete Ebel
|
notes
|
| 15371. |
06/08/94 |
Flac - 0,
117196 |
Sacramento |
Cal Expo flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Dolby B; Taper Mr. Baker,Transfer By Keo; Tapes:Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Dolby B Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
|
notes
|
| 15372. |
06/08/94 |
Flac - 0,
85117 |
Sacramento |
Cal Expo flac16; Recorded by Keith Litzenberger & Roger Jones aka "Ace Cubby" Schoeps MK4's>Reutelhuber>Sony TCD-D10PROII FOB DFC Transfer done on 5/08/2007 from DAT MASTER: Sony TCD-D10PROII>Edirol R-4>WL5 (Fades and Resampling to 44.1khz)>CDWAV>FLAC
|
notes
|
| 15373. |
06/08/94 |
Flac 24 - 0,
117197 |
Sacramento |
Cal Expo flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Dolby B; Taper Mr. Baker,Transfer By Keo; Tapes:Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Dolby B Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 15374. |
06/08/94 |
Shn - 0,
100165 |
Sacramento |
Cal Expo AUD (KM 140?s)>DAT>CDR; via PB; Seeded to etree by neo_levo
|
notes
|
| 15375. |
06/09/94 |
Flac - 0,
119694 |
Sacramento |
Cal Expo flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Dolby B On; Taper Mr. Baker,Transfer By Keo; Tapes:Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Dolby B Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 15376. |
06/09/94 |
Flac 24 - 0,
119693 |
Sacramento |
Cal Expo flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5>Dolby B On; Taper Mr. Baker,Transfer By Keo; Tapes:Maxell MX-S 90,100; Transfer With Nakamichi MR-1>Dolby B Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename
|
notes
|
| 15377. |
06/09/94 |
Flac - 0,
119146 |
Sacramento |
Cal Expo flac16; Source: 2 Sonic Studio DSM-1S/x microphones (up front & center) > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 15378. |
06/09/94 |
Shn - 0,
10066 |
Sacramento |
Cal Expo Schoeps CMC 54's >DAT>CDR; via Paul B; Seeded to etree by neo_levo
|
notes
|
| 15379. |
06/10/94 |
Shn - 0,
10067 |
Sacramento |
Cal Expo AUD(KM 140?s)>DAT>CDR; via Paul B; Seeded to etree by neo_levo
|
notes
|
| 15380. |
06/10/94 |
Flac 16/48 - 0,
141214 |
Sacramento |
Cal Expo flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48
|
notes
|
| 15381. |
06/13/94 |
Shn - 0,
8239 |
Seattle |
Memorial Stadium Schoeps CMC441s FOB > DAT > PC > WAV > SHN; Seeded to etree by Marc Pujol
|
notes
|
| 15382. |
06/13/94 |
Flac 16 - 0,
137718 |
Seattle |
Memorial Stadium flac16; Partial Set 2 Source: SBD > ? > DAT > CDR; CDR (TaiyoYuden 80m japan) > EAC (secure, 100% quality) > Audacity (edits, fades, levels) > CDWav (tracking) > TLH (FLAC - level 8); Conversion by Chris Mrachek
|
notes
|
| 15383. |
06/13/94 |
Flac 16/48 - 0,
141203 |
Seattle |
Memorial Stadium flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48
|
notes
|
| 15384. |
06/13/94 |
Flac 24 - 0,
145371 |
Seattle |
Memorial Stadium flac24; Source - Nakamichi CM300 > DAT; Transfer - TDK DAT master > Tascam DA30 (16/48kHz) > SPDIF > Sound Devices USBPre1.5 > Wavelab6 (32 bit) > CD Wave Editor > FLAC24; master DAT tape from the collection of John Anastas; Patched out of unknown taper and source deck
|
notes
|
| 15385. |
06/13/94 |
Flac 16 - 0,
145463 |
Seattle |
Memorial Stadium flac16; Source - Nakamichi CM300 > DAT; Transfer - TDK DAT master > Tascam DA30 (16/48kHz) > SPDIF > Sound Devices USBPre1.5 > Wavelab6 (32 bit) > CD Wave Editor > FLAC24; master DAT tape from the collection of John Anastas; Patched out of unknown taper and source deck This file set is 16 bit @ 44.1
|
notes
|
| 15386. |
06/13/94 |
Flac 16/44 - 0,
152516 |
Seattle |
Memorial Stadium flac16/44 Source: AKG(fob):D Transfer: Samplitude Project>Cool Edit>CDWAV>EZCD>CD-r Tapes provided by Paul Gibian Transfer by Chris Larson (exploregon@gmail.com)
|
notes
|
| 15387. |
06/14/94 |
Shn - 0,
8710 |
Seattle |
Memorial Stadium S:D>C>D>CD; Unknown Seeder; Liberty cuts
|
notes
|
| 15388. |
06/14/94 |
Shn - 0,
12523 |
Seattle |
Memorial Stadium SBD>DAT>CD; Seeded to etree by Chris Larson
|
notes
|
| 15389. |
06/14/94 |
Flac 16/48 - 0,
141204 |
Seattle |
Memorial Stadium flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48
|
notes
|
| 15390. |
06/14/94 |
Flac 24/48 - ,
156587 |
Seattle |
Memorial Stadium flac2448 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24
|
notes
|
| 15391. |
06/14/94 |
Flac 16/44 - ,
157162 |
Seattle |
Memorial Stadium flac1644 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) > Adobe Audition 2020 > Samplitude Pro X6 Suite > FLAC/24 156587 2448 -> 1644
|
notes
|
| 15392. |
06/17/94 |
Shn - 0,
28898 |
Eugene |
Autzen Stadium, U. of Oregon Source: A:Nuemann mics (model number unknown)>DAT Transfer: DAT>ZA2>Samplitude 2496>CD-r (or SHN) Transfer by Chris Larson
|
notes
|
| 15393. |
06/17/94 |
Shn - 0,
9774 |
Eugene |
Autzen Stadium, U. of Oregon AUD (Nak700's)>DAT>CDR; via Paul B; Seeded to etree by neo_levo/candyman
|
notes
|
| 15394. |
06/17/94 |
Flac 16/48 - 0,
145696 |
Eugene |
Autzen Stadium, U. of Oregon flac16/48kHz; Source - Sennheiser 441 > DAT > patch DAT; Transfer - patch DAT master > Tascam DA30 > Spdif > SD USBPre1.5 > Wavelab6 (16/48kHz) > CD Wave Editor > FLAC
|
notes
|
| 15395. |
06/18/94 |
Shn - 0,
12098 |
Eugene |
Autzen Stadium, U. Of Oregon SBD>?>DAT>CDR; via Paul; Seeded to etree by C. Ladner
|
notes
|
| 15396. |
06/18/94 |
Flac 16 - 0,
109217 |
Eugene |
Autzen Stadium, U. Of Oregon flac16; Master Audience Nakamachi CM300/CP4 Shotguns>Sony D-5/Dolby B Tapes:Sony Metal Select 90's Transfer by Keo: Nakamichi MR-1>Dolby B>Korg MR-1000 @ 1 Bit/5.6mHz Tracking/Sample Rate Conversion with AudioGate software to 32 Bit Float/96kHz Dithering with Korg Aqua to 16/44
|
notes
|
| 15397. |
06/18/94 |
Flac 16 - 0,
119174 |
Eugene |
Autzen Stadium, U. Of Oregon flac16; Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 15398. |
06/18/94 |
Flac 16/48 - 0,
141201 |
Eugene |
Autzen Stadium, U. Of Oregon flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48
|
notes
|
| 15399. |
06/18/94 |
Flac 24/96 - 0,
109218 |
Eugene |
Autzen Stadium, U. Of Oregon flac24; Master Audience Nakamachi CM300/CP4 Shotguns>Sony D-5/Dolby B Tapes:Sony Metal Select 90's Transfer by Keo: Nakamichi MR-1>Dolby B>Korg MR-1000 @ 1 Bit/5.6mHz Tracking/Sample Rate Conversion with AudioGate software to 24 Bit/96kHz no dithering
|
notes
|
| 15400. |
06/18/94 |
Flac 16 - 0,
145949 |
Eugene |
Autzen Stadium, U. Of Oregon flac16; Sony D6 -> MAC > Sony TCM-TE425 (azumth adjed) -> Sound Blaster Audigy 4! > Sound Forge 5.0 > CD Wav -> flac16; Tape flips and dead spots > crossfaded using Sound Forge 5.0; SBEs fixed using TLH.; Recorded by Primo Williams xfer Charles Bandrofcheck
|
notes
|
| 15401. |
06/18/94 |
Flac 16/48 - 0,
149181 |
Eugene |
Autzen Stadium, U. Of Oregon flac16/48kHz; Source: SBD; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader's Little Helper > FLAC; Taper: Unknown; Transferred & Seeded by Bill Graves
|
notes
|
| 15402. |
06/19/94 |
Shn - 0,
12524 |
Eugene |
Autzen Stadium, U. of Oregon Source: S:DAT>CDR Transfer: Panasonic sv3700>ZA2>Wavelab 3.03>CDWav>shn; Seeded to etree by Chris Larson
|
notes
|
| 15403. |
06/19/94 |
Flac - 0,
82053 |
Eugene |
Autzen Stadium, U. of Oregon flac16; S:DAT>CDR Transfer: Panasonic sv3700>ZA2>Wavelab 3.03>CDWav>shn>patching/editing>flac
|
notes
|
| 15404. |
06/19/94 |
Shn - 0,
8240 |
Eugene |
Autzen Stadium, U. of Oregon FOB / Nak 100/CP1 cardioids > DAT > PC > WAV > SHN; Seeded to etree by Marc Pujol
|
notes
|
| 15405. |
06/24/94 |
Shn - 0,
13443 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. Audience recording by Neil Sturtevant Senn K3U mics w/ ME80 capsules > Master DAT (deck model unknown). DAT > CD transfer by Neil Sturtevant (untracked). Subsequent Extraction (EAC), tracking (CD Wave) and SHN conversion (mkwACT) by Sean Cribbs
|
notes
|
| 15406. |
06/24/94 |
Flac - 0,
97302 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16/48; Source:Scheops CMC5/MK4->Sonosax SX-M2->ApogeeD1000??->Sony D10 Transfer:Tascam DA-20mkII->Edirol R-44->Cd Wave->FlacFrontend Taped by Eliot Byron Transered and uploaded by Frank D'Auria
|
notes
|
| 15407. |
06/25/94 |
Shn - 0,
16471 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. complete; SBD> DAT> CDR> EAC> WAV> CE> CDWAV> SHN; with Shoe Fits from previous seed; See info file for details
|
notes
|
| 15408. |
06/25/94 |
Flac - 0,
111610 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Tapes:Maxell XLII-s 100,100; Transfer Info:Nakamichi MR-1>Dolby B>Korg MR-1000 @ 1 Bit/5.6MHz Metadata added with AudioGate software SBE's Checked/Fixed with Trader's Little Helper Editing and Mastering by Jamie Waddell on the GEMS Edit Station at 24 bit 96 kHz Weiss-Saracon for 16 bit 44.1kHz conversion
|
notes
|
| 15409. |
06/26/94 |
Shn - 0,
14943 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. Source: SBD > CASSETTE > DAT @48k Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed and seeded by Jon Seff (jon@seff.net). This represents the SHNTOOL FIXED and STRIPPED version of the previous seed which had sector boundary errors on all tracks and noncanonical headers on the first disc. Distributed via candyman FTP.
|
notes
|
| 15410. |
06/26/94 |
Flac - 0,
85864 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Encore only, Source: SBD>???>bootleg cassette Lineage: bootleg cassette>HD>WAV>FLAC
|
notes
|
| 15411. |
06/26/94 |
Flac - 0,
106225 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Schoeps CMC5 MK4->Sonosax SX-M2->Sony D10 Pro ->Tascam DA20 MKII->Edirol R44->SD->PC->Audacity->CD Wave Editor->Flac Frontend
|
notes
|
| 15412. |
06/26/94 |
Flac - 0,
138699 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info: SBD > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15413. |
07/01/94 |
Shn - 0,
9369 |
Mountain View |
Shoreline Amphitheatre SBD>DAT>CDR; via p'bo; neo_levo/candyman FTP
|
notes
|
| 15414. |
07/01/94 |
Flac - 0,
116005 |
Mountain View |
Shoreline Amphitheatre flac16; source: 2 Neumann KMF4's > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 15415. |
07/02/94 |
Shn - 0,
3988 |
Mountain View |
Shoreline Amphitheatre sbd > dat > cdr > eac > shnv3; via C. Ladner
|
notes
|
| 15416. |
07/02/94 |
Shn - 0,
10980 |
Mountain View |
Shoreline Amphitheatre DSBD > DAT; DAT > WAV > SHN: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV v1.71 > MKW, by Dan Stephens (dms@well.com)
|
notes
|
| 15417. |
07/02/94 |
Flac 16 - 0,
116006 |
Mountain View |
Shoreline Amphitheatre flac16; source: 2 Neumann KMF4 microphones -12th row-center > Sony TC-D5M - analog master cassettes; transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 15418. |
07/03/94 |
Shn - 0,
11691 |
Mountain View |
Shoreline Amphitheatre DSBD > DAT; DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 4.5 (48-44.1, highest accuracy with anti-alias filter) > CDWAV v1.71 > MKW Audio Compression Tool v0.96f
|
notes
|
| 15419. |
07/03/94 |
Shn - 0,
8067 |
Mountain View |
Shoreline Amphitheatre DSBD > DAT > CDR > WAV > SHNv3; liberated bootleg, partially repaired (see notes); via neo_levo; tracked for 2x80
|
notes
|
| 15420. |
07/03/94 |
Flac - 0,
86001 |
Mountain View |
Shoreline Amphitheatre flac16/48; Sennheiser Me-80s (could be 40s) > Panasonic SV-255 > Teac DA-P20 (clone) > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8)
|
notes
|
| 15421. |
07/03/94 |
Flac - 0,
86000 |
Mountain View |
Shoreline Amphitheatre flac16; Sennheiser Me-80s (could be 40s) > Panasonic SV-255 > Teac DA-P20 (clone) > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8)
|
notes
|
| 15422. |
07/03/94 |
Flac - 0,
118758 |
Mountain View |
Shoreline Amphitheatre flac16; Source: 2 Neumann KMF4 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
|
notes
|
| 15423. |
07/13/94 |
Shn - 0,
17029 |
Highgate |
Franklin County Airport M:D>SHN digital transfer via: Da-p1 > zoltrix Nightengale 48 > 44.1 via CoolEdit2k > tracked with CDWAV via Nick Georges. Note, this version has different md5s than the original but its directly from Nick's server...
|
notes
|
| 15424. |
07/13/94 |
Flac 16 - 0,
103630 |
Highgate |
Franklin County Airport flac16; Source: Nakamichi 300s (with cp1 caps) > Sony WM-D6 > mac (Maxell XLII C90 x 2) Lineage: mac > Nakamichi BX-125E > EMU 0202 > Wavelab 6 > wav 24/96 > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > Cd Wave > TLH > flac 16 taped by John Bleich, OTS just right of the soundboard
|
notes
|
| 15425. |
07/13/94 |
Flac 16/48 - 0,
135272 |
Highgate |
Franklin County Airport flac16/48kHz; source: FOB daud master taped by Doug Lamarre; Sanken COS-11BP lavalier mics (Dan Liff’s r.i.p.) > Denon DTR-80P 30’ in front of soundboard; transferred & seeded by Rob Berger 2/2016
|
notes
|
| 15426. |
07/13/94 |
Flac 16 - 0,
134271 |
Highgate |
Franklin County Airport flac16; source: FOB daud master taped by Doug Lamarre; Sanken COS-11BP lavalier mics (Dan Liff’s r.i.p.) > Denon DTR-80P 30’ in front of soundboard; transferred & seeded by Rob Berger 2/2016
|
notes
|
| 15427. |
07/13/94 |
Flac 16 - 0,
88931 |
Highgate |
Franklin County Airport flac16; AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
|
notes
|
| 15428. |
07/13/94 |
Flac 16/48 - 0,
85719 |
Highgate |
Franklin County Airport flac16/48; Schoeps MK4's>Reutelhuber>Sony TCD-D10PROII Recorded FOB by Roger,Rich, Seth, Keith & Jim Transferred to WAV By Watson Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC WAV>FLAC Transfer & Upload by Keith Litzenberger
|
notes
|
| 15429. |
07/13/94 |
Flac 16 - 0,
34299 |
Highgate |
Franklin County Airport flac16; Source: Neumann km-82i Shotguns > Teac DAT behind sbd 20 ft in front of speaker stack 20 ft high Transfer: Panasonic SV-3700 DAT > Audiophile 2496 > WaveLab 5.01 @ 24 bit/44.1 > converted to 16 bit> CD Wave Editor > EAC > Flac Recorded by and transfers by Bill Koucky
|
notes
|
| 15430. |
07/13/94 |
Shn - 0,
10384 |
Highgate |
Franklin County Airport AKG-460-CKIX>Sony D-7>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo
|
notes
|
| 15431. |
07/13/94 |
Flac - 0,
32291 |
Highgate |
Franklin County Airport Source: Schoeps CMC 44 cardioids (ORTF) > Oade power supply > modified Panasonic SV-255 > Sony D3 DAT Master (spdif input) Location: taped up front on a 6 foot stand Transfer: DAT Master 60ES > M-Audio Microtrack 2496 (spdif) > WAV > Flac taper & transfer: jbraveman@hotmail.com
|
notes
|
| 15432. |
07/13/94 |
Flac 16 - 0,
107916 |
Highgate |
Franklin County Airport flac16; Master: OTS Nakamichi CM300/cp4's>Sony TC-D5M>Cass(m), Nak DR-2>Tascam CDRW2000>CD by Jon Pasternak; Extraction: CD>xACT 2.00a (cdparanoia)>WAV>FLAC, all tracks extracted with no errors by Dave Mallick
|
notes
|
| 15433. |
07/13/94 |
Flac 16 - 0,
147694 |
Highgate |
Franklin County Airport flac16; Source Info: FOB Schoeps CMC5 Mk 21-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 15434. |
07/16/94 |
Flac 16 - 0,
97192 |
Washington |
Robert F. Kennedy Stadium flac16; Source: aud > Nak 300's with shotgun caps > Sony WM-D6 > mac taped from section 120, row 6, seat 11 Transfer: mac > Nak CR-5A > EMU 1212M > wav 24/96 > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > wav 16/44.1 > CDWave > TLH > flac16
|
notes
|
| 15435. |
07/16/94 |
Flac 16 - 0,
28741 |
Washington |
Robert F. Kennedy Stadium flac16; Recorded By Ron Keyser using his AMS ST250 on a Stand FOB, DFC> Modified Sony D10 Pro II.
|
notes
|
| 15436. |
07/16/94 |
Shn - 0,
7461 |
Washington |
Robert F. Kennedy Stadium FOB AMS ST250 (ambisonic) >Modified Sony D10 pro2 > DAT > Tascam CDR 700; via Tim Wiley
|
notes
|
| 15437. |
07/16/94 |
Flac 16 - 0,
95183 |
Washington |
Robert F. Kennedy Stadium flac16; Schoeps MK4's>Rbox>Sony TCD-D10PROII FOB Dat Clone>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC Recorded By Keith Litzenberger, Roger Jones, Rich Downey & More
|
notes
|
| 15438. |
07/16/94 |
Flac 16 - 0,
147683 |
Washington |
Robert F. Kennedy Stadium flac16; Source Info: FOB Schoeps CMC5 Mk 4->Oade P/S->Panasonic SV255->DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 15439. |
07/17/94 |
Shn - 0,
10540 |
Washington |
Robert F. Kennedy Stadium S250?s(ambisonic)>Sony D-10 pro 2>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo
|
notes
|
| 15440. |
07/17/94 |
Flac 16 - 0,
91363 |
Washington |
Robert F. Kennedy Stadium flac16; Schoeps MK4's>Rbox>Sony TCD-D10PROII FOB DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5>CDWAV>FLAC Recorded By Keith Litzenberger, Ace Cubby, Carrion Crow and Others
|
notes
|
| 15441. |
07/17/94 |
Flac 16 - 0,
147684 |
Washington |
Robert F. Kennedy Stadium flac16; Source Info: FOB Schoeps CMC5 Mk 4->Oade P/S->Panasonic SV255->DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 15442. |
07/17/94 |
Flac 16 - 0,
97900 |
Washington |
Robert F. Kennedy Stadium flac16; Source: Audience recording Lineage: aud > Nakamichi 300 shotguns > Sony WM-D6 > mac > Cr-5a > Emu 1212M > 24/96 wave > Wavelab 5 > UAD Plugs > r8brain pro > ozone izotope > 16/44.1 Wave > cd wave > TLH ( lvl 8 ) > Tag And Rename
|
notes
|
| 15443. |
07/17/94 |
Flac 16/44 - 0,
152517 |
Washington |
Robert F. Kennedy Stadium flac16/44 Source: A(ts):D Sennheiser Stereo Mic Transfer: DAT(48kHz)>ZA2(S/PDIF)>Wavelab 3.03>wav or shn Tapes provided by Tom and Roger Conversion by Chris Larson (gdvault@gmail.com) 2/1/2002
|
notes
|
| 15444. |
07/19/94 |
Shn - 0,
8476 |
Noblesville |
Deer Creek Music Center DSBd>?>CDR; Seeded to etree by Dan Carr
|
notes
|
| 15445. |
07/19/94 |
Flac 16 - 0,
92433 |
Noblesville |
Deer Creek Music Center flac16; Nak 300's > D6 > MAC > DR-3 > EMU 1212M > 24/96 wave > wavelab 5 > plugins > r8brain > 32/44.1 wave > wavelab 5 (tracked) > L3 > 16/44.1 wave > flac16 (TLH lvl 8)
|
notes
|
| 15446. |
07/19/94 |
Flac 16 - 0,
91836 |
Noblesville |
Deer Creek Music Center flac16; Taper: Greg Holtz Source: Nakamichi Cm300's with Cp-4 guns/PZM 30D's mix-> D3 DAT Transfer: (By JAZ) DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Mastering Software-> Traders Little Helper flac8
|
notes
|
| 15447. |
07/19/94 |
Shn - 0,
28163 |
Noblesville |
Deer Creek Music Center AudioTechnica 815A Shotguns> Panasonic SV250(48kHz); Transfer: DAT> ZA2(S/PDIF)> samplitude2496> CD-r; Transfer by Chris Larson, with thanks to Tom, Roger
|
notes
|
| 15448. |
07/19/94 |
Flac 16 - 0,
91140 |
Noblesville |
Deer Creek Music Center flac16; Set 2 only, (OTS) AKG 460b/ck61 -> custom pre-amp -> D-7 -> dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (3/31/08)
|
notes
|
| 15449. |
07/19/94 |
Flac 16 - 0,
147695 |
Noblesville |
Deer Creek Music Center flac16; Source Info: FOB Schoeps NK 4-> Reutelhuber P/S-> DAT; Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel
|
notes
|
| 15450. |
07/19/94 |
Flac 16 - 0,
35164 |
Noblesville |
Deer Creek Music Center flac16; Fix of shn id 8476 - DSBD>?>CDR>EAC>WAV>SHNv3. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 15451. |
07/20/94 |
Shn - 0,
12596 |
Noblesville |
Deer Creek Music Center SBD> DAT> WAV> CDR> WAV> SHN; via darkstar13311
|
notes
|
| 15452. |
07/20/94 |
Flac - 0,
91848 |
Noblesville |
Deer Creek Music Center flac16; Taper: Greg Holtz Source: Nakamichi Cm300's with Cp-4 guns/PZM 30D's mix-> D3 DAT Transfer: (By JAZ) DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Mastering Software-> Traders Little Helper flac8
|
notes
|
| 15453. |
07/20/94 |
Flac - 0,
119553 |
Noblesville |
Deer Creek Music Center flac16; Source: Audience Recording > Nakamichi 300's with CP-4 caps > Sony WMD-6 > MAC; Transfer: MAC > Sony WMD-6 > Edirol R-09HR > wav 24/48; Lineage: wav 24/48 > Adobe Audtion 1.5 > Wavelab 6 (with iZoptope Ozone 5 Advanced) > iZotope RX 2 Advanced > wav 16/44.1 > CD Wave > TLH > Flac 16; Taped and transferred by John Bleich
|
notes
|
| 15454. |
07/20/94 |
Shn - 0,
31805 |
Noblesville |
Deer Creek Music Center Source: A: Audio Technica 815a Shotguns>Panasonic sv250 (48kHz) Transfer: DAT>ZA2(S/PDIF)>Wavelab3.03>CD-r Transfer by Chris Larson
|
notes
|
| 15455. |
07/20/94 |
Flac - 0,
89561 |
Noblesville |
Deer Creek Music Center flac16; Schoeps MK4's>Rbox>Sony TCD-D10PRO (mod) FOB Transfer: DAT MASTER>Tascam DA-30>Sony TCD-D10PRO (mod) DAT CLONE>Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC Recorded By Roger Jones
|
notes
|
| 15456. |
07/20/94 |
Flac - 0,
139713 |
Noblesville |
Deer Creek Music Center flac16/44.1 Source Info: TS Beyer CMC 101 (Omni's)-> Casio DA-7-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel
|
notes
|
| 15457. |
07/20/94 |
Flac - 0,
140083 |
Noblesville |
Deer Creek Music Center flac16/48kHz; taper & equipment unknown: (FOB) AUD > Dat (48k); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 15458. |
07/21/94 |
Shn - 0,
12322 |
Noblesville |
Deer Creek Music Center Shntool fix (by Chris Ladner) of previous Braverman seed; See info file for details; SBD>?>DAT>CD
|
notes
|
| 15459. |
07/21/94 |
Flac - 0,
91838 |
Noblesville |
Deer Creek Music Center flac16; Taper: Greg Holtz Source: Nakamichi Cm300's with Cp-4 guns/PZM 30D's mix-> D3 DAT Transfer: (BY JAZ) DAT master-> Sony PCM R-300-> COAX-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Mastering Software-> Traders Little Helper flac8
|
notes
|
| 15460. |
07/21/94 |
Shn - 0,
9406 |
Noblesville |
Deer Creek Music Center SBD> ?> DAT> CD> Cool Edit> CD> SHN; via Rob Harrison; Seeded to etree by Peter Braverman
|
notes
|
| 15461. |
07/21/94 |
Flac - 0,
91155 |
Noblesville |
Deer Creek Music Center flac16; (OTS) AKG 460b/ck61 -> custom pre-amp -> D-7 -> dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (4/2/08)
|
notes
|
| 15462. |
07/21/94 |
Shn - 0,
76309 |
Noblesville |
Deer Creek Music Center Source: Nak 300's/cp4's > D7 Transfer: DA-P1 > Phillips CDR870 > EAC > CDWave > mkwACT
|
notes
|
| 15463. |
07/21/94 |
Flac - 0,
112808 |
Noblesville |
Deer Creek Music Center flac16; Source: (ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro > DAT(m); Transfer: DAT(m) > Tascam DA-20mkII > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
|
notes
|
| 15464. |
07/21/94 |
Shn - 0,
31804 |
Noblesville |
Deer Creek Music Center Source: A:D(48kHz) no mic info Transfer: D>ZA2>Samplitude2496>CD-r Transfer by Chris Larson
|
notes
|
| 15465. |
07/21/94 |
Shn - 0,
12099 |
Noblesville |
Deer Creek Music Center AUD (mic unk) >DAT>CD; via Paul; Seeded to etree by candyman
|
notes
|
| 15466. |
07/21/94 |
Shn - 0,
18144 |
Noblesville |
Deer Creek Music Center Source: FOB Shure BG 4.0's > D7 > CDR > EAC > Cool Edit Pro 2.0 > CDWave > mkwACT EAC'd... By Doug Nawrocki
|
notes
|
| 15467. |
07/21/94 |
Flac - 0,
139714 |
Noblesville |
Deer Creek Music Center flac16/44.1 Source Info: TS Beyer CMC 101 (Omni's)-> Casio DA-7-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel
|
notes
|
| 15468. |
07/23/94 |
Flac - 0,
14853 |
Chicago |
Soldier Field flac16; SBD Monitor Mix > DAT @ 48k - Transfer: D8 > Dio 2448 > Soundforge 5.0 (48k > 44.1k) > CDWav > FLAC Frontend > .flac; missing Encore patched from FOB [15th Row] Schoeps (Unknown Model) > DAT; Transferred by: Ryan Burns
|
notes
|
| 15469. |
07/23/94 |
Shn - 0,
14839 |
Chicago |
Soldier Field DSBD>D>CD>SHN Transcription from DAT and Encoding by JR Fishman
|
notes
|
| 15470. |
07/23/94 |
Shn - 0,
574 |
Chicago |
Soldier Field FOB (15th Row) Schoeps (Unknown Model) > DAT; via Tim Buller
|
notes
|
| 15471. |
07/23/94 |
Flac 16/48 - 0,
147691 |
Chicago |
Soldier Field flac16/48kHz; Source Info: FOB Schoeps CMC5 Mk 4-> Aerco P/S-> Panasonic SV255-> DAT; Location Sec B, Row 22, seat 30; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
|
notes
|
| 15472. |
07/24/94 |
Flac 16 - 0,
119591 |
Chicago |
Soldier Field flac16; AKG C391 ORTF in hat FOB 18th row Left Center>Teac DAP20 @ 16/48; DAT Master>Lynx Studio 1>Wavelab 3.0; Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Recorded by Dave Cohen and Justin Lee
|
notes
|
| 15473. |
07/24/94 |
Shn - 0,
10087 |
Chicago |
Soldier Field AUD (mic unk.)>DAT>CDR; via Paul B; Seeded to etree by neo_levo
|
notes
|
| 15474. |
07/24/94 |
Flac 16 - 0,
112820 |
Chicago |
Soldier Field flac16; Source: (ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro > DAT(m); Transfer: DAT(m) > Tascam DA-20mkII > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
|
notes
|
| 15475. |
07/24/94 |
Flac 16/48 - 0,
147692 |
Chicago |
Soldier Field flac16/48kHz; Source Info: FOB Schoeps CMC5 Mk 4-> Aerco P/S-> Panasonic SV255-> DAT; Transfer Info: DAT Tape (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48); Transfers by Pete Ebel
|
notes
|
| 15476. |
07/26/94 |
Flac 16 - 0,
91255 |
Maryland Heights |
Riverport Amphitheatre flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: Waves X-Noise, iZotope Ozone 3 EQ and Nomad LM-662 in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky
|
notes
|
| 15477. |
07/26/94 |
Flac 16 - 0,
119446 |
Maryland Heights |
Riverport Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 15478. |
07/26/94 |
Flac 16/48 - 0,
119445 |
Maryland Heights |
Riverport Amphitheatre flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 15479. |
07/26/94 |
Flac 16 - 0,
120293 |
Maryland Heights |
Riverport Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> AKGBP18s>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename; Taper had access to a second pair of AKG 451EBs so he ran 2 master copies
|
notes
|
| 15480. |
07/26/94 |
Flac 24/48 - 0,
120292 |
Maryland Heights |
Riverport Amphitheatre flac24; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> AKGBP18s>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo; Taper had access to a second pair of AKG 451EBs so he ran 2 master copies
|
notes
|
| 15481. |
07/26/94 |
Flac 16 - 0,
124310 |
Maryland Heights |
Riverport Amphitheatre flac16; Source: Sony C38B > SV-250; Conversion: DAP-1 > PMD661 > Audactiy (normalize and dither) > CDwave > TLH; Recorded by Stan Roberts
|
notes
|
| 15482. |
07/26/94 |
Shn - 0,
10225 |
Maryland Heights |
Riverport Amphitheatre Chase Smith recording, Shure BG-40?s>Sony D-7>DAT>CDR; via Paul; seeded to etree by neo_levo
|
notes
|
| 15483. |
07/26/94 |
Flac 16/44,1 - 0,
139723 |
Maryland Heights |
Riverport Amphitheatre flac16/44.1khz Source Info: TS Beyer CMC 101 (Omni's)-> Casio DA-7-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel
|
notes
|
| 15484. |
07/26/94 |
Flac 16 - 0,
139978 |
Maryland Heights |
Riverport Amphitheatre flac16; Recording Info: SBD > Dat (Panasonic SV-3700/44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
notes
|
| 15485. |
07/27/94 |
Flac 16 - 0,
119474 |
Maryland Heights |
Riverport Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 15486. |
07/27/94 |
Flac 16/48 - 0,
119473 |
Maryland Heights |
Riverport Amphitheatre flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 15487. |
07/27/94 |
Flac 16 - 0,
120301 |
Maryland Heights |
Riverport Amphitheatre flac16; Master Audience Recorded By Mr. Darby (2nd Source); AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> AKGBP18s>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename; Taper had access to a second pair of AKG 451EBs so he ran 2 master copies
|
notes
|
| 15488. |
07/27/94 |
Flac 24/48 - 0,
120300 |
Maryland Heights |
Riverport Amphitheatre flac24; Master Audience Recorded By Mr. Darby (2nd Source); AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> AKGBP18s>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo; Taper had access to a second pair of AKG 451EBs so he ran 2 master copies
|
notes
|
| 15489. |
07/27/94 |
Shn - 0,
8725 |
Maryland Heights |
Riverport Amphitheatre Shure BG-40/Sony D-7 recorded by Chase Smith > ? > CDR; via Mike Rodriguez; Seeded to etree by Matt Vernon
|
notes
|
| 15490. |
07/27/94 |
Flac 16 - 0,
124311 |
Maryland Heights |
Riverport Amphitheatre flac16; Source: Sony C38B > SV-250; Conversion: DAP-1 > PMD661 > Audactiy (normalize and dither) > CDwave > TLH; Recorded by Stan Roberts
|
notes
|
| 15491. |
07/27/94 |
Flac 16/44,1 - 0,
139724 |
Maryland Heights |
Riverport Amphitheatre flac16/44.1 Source Info: TS Beyer CMC 101 (Omni's)-> Casio DA-7-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel
|
notes
|
| 15492. |
07/29/94 |
Flac 16 - 0,
91193 |
Hebron |
Buckeye Lake Music Center flac16; Taper: Todd Evans & Adam Gross Equipment: Schoeps Omnis (on stands spaced 10ft apart) -> Schoeps Active Cables -> Schoeps CMC 3 Mic Body -> Monster M1000 Cable -> Oade Supply -> Monster M1000 Jumper -> Panasonic sv255 Transfer: DAT Master> TASCAM DA-20 (S/PDIF out) -> LynxTWO-B Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 by Todd Evans All editing and mastering by Jamie Waddell on the GEMS Edit Station. Trac'ed Cdwave,Flac'ed Flac Frontend level 8
|
notes
|
| 15493. |
07/29/94 |
Shn - 0,
25582 |
Hebron |
Buckeye Lake Music Center Recording Info: (FOB) Beyer M101 (Omni) -> Dat (Casio DA-7) -> CD -> EAC -> SHN via Charlie Miller
|
notes
|
| 15494. |
07/29/94 |
Shn - 0,
4078 |
Hebron |
Buckeye Lake Music Center Schoeps mk4 (12' spread FOB) > DAT; DAT3@44.1> Tascam DA-30mkII> SBL spdif> SoundForge 4.5> wav> MKW> shn; unknown taper- uploaded by C.DiPietro; note both regular and fixed d1 md5s were submitted to db but no further details were provided
|
notes
|
| 15495. |
07/29/94 |
Flac 16 - 0,
110975 |
Hebron |
Buckeye Lake Music Center flac16; Source: (ORTF/110^/DFC/FOB) B&K 4011s > Neumann BS48i-2 > Modified Sony TCD-D10 Pro > DAT(m); Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; DAT(m) sourced by Alan Schmit; Transfer by Terry Watts
|
notes
|
| 15496. |
07/31/94 |
Shn - 0,
2593 |
Auburn Hills |
The Palace DSBD> CDR> EAC> SHN; via Chase Runyon to sativa; not seekable?
|
notes
|
| 15497. |
07/31/94 |
Flac 16 - 0,
113009 |
Auburn Hills |
The Palace flac16; DSBD (unknown DAT) > GoodBear DAT (1999?) > CDR (1999?) > EAC (April 2011) > FLAC
|
notes
|
| 15498. |
07/31/94 |
Shn - 0,
2752 |
Auburn Hills |
The Palace DSBD> CDR> EAC> SHN; seeded by Chase Runyon, reshn for seeking by Carl Johnson
|
notes
|
| 15499. |
07/31/94 |
Flac 16 - 0,
96464 |
Auburn Hills |
The Palace flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 15500. |
07/31/94 |
Flac 16 - 0,
91974 |
Auburn Hills |
The Palace flac16; Tapers Section Lower level, section 120b, row JJJ, seat 3 Neumann skm 100/AK50's > Unknown deck > Marantz PMD 430 Master Cassettes > SB Audigy > Adobe Audition @24bit/48khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit/44khz. CDwave: Tracking. Trader's little Helper: md5, ffp, flacs Recorded by Chris LaPorte
|
notes
|
| 15501. |
08/01/94 |
Shn - 0,
1026 |
Auburn Hills |
The Palace set 2; DSBD> CD> EAC; via Nick Georges; md5s listed as d2,d3; shns dated as "94-01-08"
|
notes
|
| 15502. |
08/01/94 |
Shn - 0,
12522 |
Auburn Hills |
The Palace Neumann TLM 170i's (cardioid) > Modified D10 pro II. Transfer: DA-P1 > Audiophile 2496 > Sound Forge 6 (48 > 44.1 on 4 w/anti alias) > CDWave > mkwACT by Doug Nawrocki
|
notes
|
| 15503. |
08/01/94 |
Flac 16 - 0,
96443 |
Auburn Hills |
The Palace flac16; Schoeps MK4's>Rbox>Technics SV-MD1 DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger
|
notes
|
| 15504. |
08/01/94 |
Flac 16 44,1 - 0,
141177 |
Auburn Hills |
The Palace flac16/44.1 Source Info: Set #1: TS? Schoeps CMC5 Mk4->Oade P/S-> Sony D10 Pro II-> DAT Set #2: FOB Schoeps MK4-> Reutelhuber P/S-> DAT (Ace Cubby) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15505. |
08/03/94 |
Flac 16/48 - 0,
85704 |
East Rutherford |
Giants Stadium flac16/48; Schoeps CMC54's>Aerco>Sony TCD-D10PROII, FOB (@15th Row Center) Recorded By Travitz & Keith Litzenberger Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC
|
notes
|
| 15506. |
08/03/94 |
Shn - 0,
20291 |
East Rutherford |
Giants Stadium Taper: Dan Sisler Source: FOB 25th row/center > Schoeps cmc5/mk4 > Sonosax > Sony d10 > digi out > Sony d7 @44.1 Clone: Master DAT/Master D7 > Sony PCM-R500 by Dan Sisler DAT to SHN: Dan's 1x clone > Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 > CDwave > SHN (seekable) by Marc Pujol
|
notes
|
| 15507. |
08/03/94 |
Shn - 0,
8728 |
East Rutherford |
Giants Stadium AUD>DAT>CDR; Unknown seeder
|
notes
|
| 15508. |
08/04/94 |
Shn - 0,
8729 |
East Rutherford |
Giants Stadium DAUD (AKG 460's) >DAT> CDR> EAC (secure)> Cool Edit Pro> CD; Seeded to etree by Tim W
|
notes
|
| 15509. |
08/04/94 |
Flac 16 - 0,
147726 |
East Rutherford |
Giants Stadium flac16; Source Info: FOB Schoeps CMC5 Mk 21-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 15510. |
09/16/94 |
Shn - 0,
2642 |
Mountain View |
Shoreline Amphitheatre AKG C61 Tube mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); via Jon Seff
|
notes
|
| 15511. |
09/16/94 |
Flac 16 - 0,
136859 |
Mountain View |
Shoreline Amphitheatre flac16; Set 2 Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15512. |
09/16/94 |
Flac 16/48 - 0,
1416688 |
Mountain View |
Shoreline Amphitheatre flac16/48kHz; Set 2 Jeff Silberman Digital Recording; Neumann U89 > StellaDAT > DAT (mics spaced 40', front row, OTS); John Ammons Transfer; DAT clone > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave
|
notes
|
| 15513. |
09/17/94 |
Flac 16 - 0,
119979 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15514. |
09/17/94 |
Shn - 0,
10068 |
Mountain View |
Shoreline Amphitheatre SBD>DAT>C>DAT>CDR; via Paul B; Seeded to etree by neo_levo
|
notes
|
| 15515. |
09/17/94 |
Flac 16 - 0,
109983 |
Mountain View |
Shoreline Amphitheatre flac16; Source: (OTS) Nakamichi CM-300's/CP-1 > Sony TCD-D10; Lineage: DAT-M > Tascam DA-30 > HHb CDR 800; Recorded/Transferred: Jeff Bowen Extraction [CD>EAC>WAV>CDWav>FLAC]: Brad Foster
|
notes
|
| 15516. |
09/18/94 |
Flac 16 - 0,
136849 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat (48k); Set 2: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15517. |
09/18/94 |
Shn - 0,
10069 |
Mountain View |
Shoreline Amphitheatre AUD (Nak 300?s)>Aiwa DAT>CDR; via Paul B; Seeded to etree by neo_levo
|
notes
|
| 15518. |
09/18/94 |
Flac 16 - 0,
116926 |
Mountain View |
Shoreline Amphitheatre flac16; Source: Nakamichi cm300/cp1's > Sony TCD-D10; Lineage: DAT/M > DA-30 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster
|
notes
|
| 15519. |
09/18/94 |
Flac 16 - 0,
147727 |
Mountain View |
Shoreline Amphitheatre flac16; Source Info: Unknown Microphones-> DAT; Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's); Extract Wav-> Flac Level 8-> Tagged (16/44.1); Taped & Transfers by Pete Ebel
|
notes
|
| 15520. |
09/27/94 |
Flac 16 - 0,
83082 |
Boston |
Boston Garden flac16; AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.95.1 > FLAC v1.1.3 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
|
notes
|
| 15521. |
09/27/94 |
Flac 16/48 - 0,
136852 |
Boston |
Boston Garden flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15522. |
09/27/94 |
Shn - 0,
8480 |
Boston |
Boston Garden DAUD Nakamichi 300(2) + cp 4> D-7> DAT> CDR; Seeded to etree by Tim Wiley; seekable
|
notes
|
| 15523. |
09/27/94 |
Shn - 0,
10182 |
Boston |
Boston Garden unknown DAUD source; Seeded to etree by Nick Georges
|
notes
|
| 15524. |
09/27/94 |
Shn - 0,
14021 |
Boston |
Boston Garden PNB Microphones FOB via Dave Minor, shn conversion Marc Pujol
|
notes
|
| 15525. |
09/27/94 |
Flac 16/48 - 0,
140240 |
Boston |
Boston Garden flac16/48kHz; Set 2 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 15526. |
09/27/94 |
Flac 16/48 - 0,
150128 |
Boston |
Boston Garden flac16/48kHz; Source: Sennheiser ME 88's > Sony Sony TCD-D7 > Dat Master (48k)- Recorded from OST (mics on pole) by Dan Ragosa; Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller; Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48; edited and mastered SIRMick June 2020
|
notes
|
| 15527. |
09/28/94 |
Flac 16 - 0,
83238 |
Boston |
Boston Garden flac16; AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.95.1 > FLAC v1.1.3 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
|
notes
|
| 15528. |
09/28/94 |
Flac 16 - 0,
136872 |
Boston |
Boston Garden flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Mi
|
notes
|
| 15529. |
09/28/94 |
Shn - 0,
10183 |
Boston |
Boston Garden unknown DAUD source; Seeded to etree by Nick Georges
|
notes
|
| 15530. |
09/28/94 |
Shn - 0,
14945 |
Boston |
Boston Garden PMB Microphones FOB via Dave Minor> D7> R300> RMEdigi96/8pad> SF6.0> CDWav> mkw> shn conversion by Marc Pujol
|
notes
|
| 15531. |
09/28/94 |
Flac 16/48 - 0,
152489 |
Boston |
Boston Garden Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick May 2021
|
notes
|
| 15532. |
09/29/94 |
Shn - 0,
12100 |
Boston |
Boston Garden Dsbd>D>C>D>CD; Seeded to etree by Chris Larson
|
notes
|
| 15533. |
09/29/94 |
Flac 16 Mtx - 0,
125635 |
Boston |
Boston Garden b>flac16; Matrix Source 1: Dsbd>D>C>D>CD, Source 2: (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz); Transfer: Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > .wav and Source 3: Taper Dave Minor; Source: PMB Microphones (German)(1) > Sony D7 @ 48k; Transfer 48k DAT clone> Sony PCM-R300 > Monster SPDIF digital cable > RMEdigi96/8PAD > SoundForge 6.0 (rec, 48>44 highest setting with anti-alias filter) > CDWav (splits) > mkw > shn (seekable)
|
notes
|
| 15534. |
09/29/94 |
Shn - 0,
1815 |
Boston |
Boston Garden Updated Lineage notes 12-10-00 M:D> dick latvala's cass> D> cooledit> cdwav> shn; Nick Georges' notes: my bad...my dat came labled as dsbd. some new clues came up suggesting the above lineage. Still, clean as a whistle!
|
notes
|
| 15535. |
09/29/94 |
Flac 16/48 - 0,
96403 |
Boston |
Boston Garden flac16/48; (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz) Taped by Carrion Crow and Ace Cubby Transferred by Jason Sobel: Tascam DA-20MKII > Tascam HD-P2 > CF card > usb 2.0 > pc > .wav
|
notes
|
| 15536. |
09/29/94 |
Flac 16 - 0,
84947 |
Boston |
Boston Garden flac16; (FOB) Schoeps mk4 > Reutelhuber > modified Sony D10 Pro II (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > r8brain v1.9 (resample to 44.1 kHz) > WaveLab 5.01b (fades) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Carrion Crow and Ace Cubby; Transferred by Jason Sobel
|
notes
|
| 15537. |
09/29/94 |
Flac 16 - 0,
83297 |
Boston |
Boston Garden flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel
|
notes
|
| 15538. |
09/29/94 |
Shn - 0,
10184 |
Boston |
Boston Garden unknown DAUD source; Seeded to etree by Nick Georges
|
notes
|
| 15539. |
09/29/94 |
Flac 16/48 - 0,
140241 |
Boston |
Boston Garden flac16/48kHz; Set 2 Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: DAT > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 15540. |
09/29/94 |
Shn - 0,
15078 |
Boston |
Boston Garden PMB Microphones (German)(1) > Sony D7 @48k taped by Dave Minor, encoded by Marc Pujol
|
notes
|
| 15541. |
09/29/94 |
Flac 16/48 - 0,
152490 |
Boston |
Boston Garden Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick May 2021
|
notes
|
| 15542. |
10/01/94 |
Flac 16 - 0,
95066 |
Boston |
Boston Garden flac16; Matrix by Hunter Seamons using Soundtrack/Final Cut Pro(SHN>AIFF>Soundtrack>Final Cut>WAV>FLAC)
|
notes
|
| 15543. |
10/01/94 |
Shn - 0,
31992 |
Boston |
Boston Garden Txt-file is exactly the same as for shnid=4671 - but MD5s doesn't match that one, or anything else in the db.
|
notes
|
| 15544. |
10/01/94 |
Shn - 0,
1025 |
Boston |
Boston Garden SBD> unknown analog? > DAT> CD> EAC; ripped and seeded by Nick Georges; note updated source based on pub comment
|
notes
|
| 15545. |
10/01/94 |
Shn - 0,
4671 |
Boston |
Boston Garden SBD> Dat> CDR (Pre-Fm GDH Discs) > CDR > EAC (Secure Mode, Test and Copy) > SHN; EAC, SHN extraction and etree seeding done by Gerald Gorinsky; with thanks to Charlie Miller and Lee Umstead
|
notes
|
| 15546. |
10/01/94 |
Flac 16 - 0,
132503 |
Boston |
Boston Garden flac16; AUD: Nakamichi CM300/CP4 shotguns > Casio DA-7 > TDK DC4 DAT. Mics on 7-foot stand, end of floor, center & straight back by the hockey wall. Transfer: MAD > Sony TC-D8 > Optical out > Edirol FA-66 > Wavelab 1648 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. 02/2015
|
notes
|
| 15547. |
10/01/94 |
Flac 16 - 0,
83671 |
Boston |
Boston Garden flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz, patch) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel
|
notes
|
| 15548. |
10/01/94 |
Shn - 0,
14869 |
Boston |
Boston Garden Bertha Remaster of Master DAT source SBD>DAT>CDA>SHN>DAW(Bertha)>CDA>SHN, via Jay Ashley, seeded to Etree by Hub Spencer
|
notes
|
| 15549. |
10/01/94 |
Flac 16/48 - 0,
77224 |
Boston |
Boston Garden flac16/48; Digital FOB DFC Audience Recorded by Todd Evans & Adam Gross Floor Section CC; Row 21; Seat 6 FOB Schoeps Mk4 Cardiod Capsule -> Schoeps Active Cables -> Schoeps CMC 6 Mic Body -> Apogee AD500e -> CASIO DA-R100 MAD DAT > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 wav 48k native resolution source: Patced in Adobe Audtion 1.5 w/ shnid 15079, aud source; remastered in wavleb(see notes) dithered wavlab UV22HR,tracked in wavleb, Flac Level 8 with Flacfrontend
|
notes
|
| 15550. |
10/01/94 |
Flac 16 - 0,
77223 |
Boston |
Boston Garden flac16; Digital FOB DFC Audience Recorded by Todd Evans & Adam Gross Floor Section CC; Row 21; Seat 6 Patced in Adobe Audtion 1.5 w/ shnid 15079, aud source; remastered in wavlab(see notes), SRC 48 to 44.1 using r8brain pro: min phasing, prevent clipping enabled, normalize peak dBFS not enabled dithered wavlab UV22HR,tracked in wavlab, Flac Level 8 with Flacfrontend
|
notes
|
| 15551. |
10/01/94 |
Shn - 0,
15079 |
Boston |
Boston Garden PMB Microphones (German)(1) FOB> Sony D7 @48k taped by Dave Minor, encoding by Marc Pujol
|
notes
|
| 15552. |
10/01/94 |
Flac 16/48 - 0,
140242 |
Boston |
Boston Garden flac16/48kHz; Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 15553. |
10/01/94 |
Flac 16/48 - 0,
141436 |
Boston |
Boston Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
|
notes
|
| 15554. |
10/01/94 |
Flac 16 - 0,
150116 |
Boston |
Boston Garden flac16; Recording Info: SBD > DAT Master > DAT Clone (44.1k); Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
|
notes
|
| 15555. |
10/01/94 |
Flac 16/48 - ,
153204 |
Boston |
Boston Garden flac16/48 Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX8 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 editerd and mastered SIRMick September 2021
|
notes
|
| 15556. |
10/02/94 |
Flac 16 - 0,
132486 |
Boston |
Boston Garden flac16; AUD: Nakamichi CM300/CP4 shotguns > Casio DA-7 > TDK DC4 DAT. Mics on 7-foot stand, end of floor, center & straight back by the hockey wall. Transfer: MAD > Sony TC-D8 > Optical out > Edirol FA-66 > Wavelab 1648 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. 02/2015
|
notes
|
| 15557. |
10/02/94 |
Flac 16 - 0,
84028 |
Boston |
Boston Garden flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz, patches) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel
|
notes
|
| 15558. |
10/02/94 |
Flac 16/48 - 0,
135875 |
Boston |
Boston Garden flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15559. |
10/02/94 |
Shn - 0,
15111 |
Boston |
Boston Garden PMB Microphones FOB> Sony D7 @48k via Dave Minor, encoding Marc Pujol
|
notes
|
| 15560. |
10/02/94 |
Shn - 0,
10223 |
Boston |
Boston Garden Unknown Schoeps audience recording > DAT > CD; Seeded to etree by Nick Georges
|
notes
|
| 15561. |
10/02/94 |
Flac 16/48 - 0,
140243 |
Boston |
Boston Garden flac16/48kHz; Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 15562. |
10/02/94 |
Flac 16/48 - 0,
141437 |
Boston |
Boston Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
|
notes
|
| 15563. |
10/02/94 |
Flac 16/48 - ,
154277 |
Boston |
Boston Garden flac16/48 Source: Sennheiser ME88's > Sony TCD-D7 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX7 Advanced > Neutron 2 Advanced > CD Wave > flac 16/48 edited and mastered SIRMick Novwmber 2021
|
notes
|
| 15564. |
10/03/94 |
Flac 16 - 0,
132411 |
Boston |
Boston Garden flac16; AUD: Nakamichi CM300/CP4 shotguns > Casio DA-7 > TDK DC4 DAT. Mics on 7-foot stand, end of floor, center & straight back by the hockey wall. Transfer: MAD > Sony TC-D8 > Optical out > Edirol FA-66 > Wavelab 1648 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F. 02/2015
|
notes
|
| 15565. |
10/03/94 |
Flac 16 - 0,
84388 |
Boston |
Boston Garden flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 > Sony D7 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz, patches) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner and Tom McMinn; Transferred by Jason Sobel
|
notes
|
| 15566. |
10/03/94 |
Flac 16/48 - 0,
136890 |
Boston |
Boston Garden flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15567. |
10/03/94 |
Shn - 0,
2520 |
Boston |
Boston Garden unknown audience> bootleg cd (The Dead In Bloom)> eac> shn; via Bill Stube or David Doumani?; can be tracked for 2x80
|
notes
|
| 15568. |
10/03/94 |
Shn - 0,
102024 |
Boston |
Boston Garden FOB Schoeps mk4>Rutthueber>DAT; Unknown seeder
|
notes
|
| 15569. |
10/03/94 |
Shn - 0,
15112 |
Boston |
Boston Garden PMB Microphones FOB> Sony D7 @48k via Dave Minor, encoding Marc Pujol
|
notes
|
| 15570. |
10/03/94 |
Flac 16/48 - 0,
14ß244 |
Boston |
Boston Garden flac16/48kHz; Rich Gastwirt's Master Audience Dat recording: Schoeps CMC4 MK4> Panasonic SV-255> DAT (48k) (FOB); Charlie Miller Transfer: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48; Edited & Mastered in Audacity by Joe Noel: wav 16/48 > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 15571. |
10/03/94 |
Flac 16/48 - ,
156466 |
Boston |
Boston Garden flac1648 Source: Sennheiser ME88's > Sony TCD-D3 > DAT Master (48k) - recorded by Dan Rogosa. Transfer: DAT > Tascam DA-40 > Tascam DA-3000 > wav 16/48 - Transferred by Charlie Miller. Lineage: wav > iZotope RX9 Advanced > CD Wave > flac 16/48 Edited and mastered SIRMick April 2022
|
notes
|
| 15572. |
10/05/94 |
Shn - 0,
8030 |
Philadelphia |
The Spectrum SBD > DAT > CDR; via Tim Wiley
|
notes
|
| 15573. |
10/05/94 |
Shn - 0,
6483 |
Philadelphia |
The Spectrum SBD> DAT> CDR> Sonic Solutions> CDR
|
notes
|
| 15574. |
10/05/94 |
Flac 16 - 0,
79258 |
Philadelphia |
The Spectrum flac16; source: aud > WMD-6 with Nak 300 shotguns > mac > wav > flac taped by John Bleich (taper section row 1 seat 19 Section 107) transfer by SIRMick: Sony TC-FX2 > Wavelab > wav 24/48
|
notes
|
| 15575. |
10/05/94 |
Flac 16/48 - 0,
124410 |
Philadelphia |
The Spectrum flac16/48kHz; Source: Sony C38B > SV-250; Conversion: DAP1 > PMD661 > Audacity (Normalizing and Dither) > CDWave > TLH >foobar2000 (tagging); Recorded by Stan Roberts
|
notes
|
| 15576. |
10/05/94 |
Flac 16/48 - 0,
85225 |
Philadelphia |
The Spectrum flac16/48; Schoeps MK4's>Reutelhuber>Sony TCD-D10PROII Recorded From Section 102 Row 13 Seats 11-12 Recorded By Keith Litzenberger & Roger Jones DAT Master played back on Sony TCD-D10PROII>Edirol R-4>WL5 (Fades)>CDWAV>FLAC
|
notes
|
| 15577. |
10/05/94 |
Flac 16/44,1 - 0,
151083 |
Philadelphia |
The Spectrum flac16/44.1khz Recording Info: SBD > DAT Master (Panasonic SV-3700/44.1k) > DAT (Panasonic SV-3800) Transfer Info: DAT (Tascam DA-40) > Tascam DA-3000 > Samplitude Pro X5 Suite > FLAC/16 (3 Discs Audio) All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net
|
notes
|
| 15578. |
10/06/94 |
Flac 16/48 - 0,
124411 |
Philadelphia |
The Spectrum flac16/48kHz; Source: Sony C38B > Pan SV-250; Conversion: DAP-1 > PMD661 > Audacity (normalize and dither) > CDWave > TLH > Foobar2000 (tagging); Recorded By Stan Roberts
|
notes
|
| 15579. |
10/06/94 |
Flac 16 - 0,
79554 |
Philadelphia |
The Spectrum flac16 source: aud > WMD-6 with Nak 300 shotguns > mac > wav > flac taped by John Bleich (taper section row 1 seat 19 Section 107) transfer by SIRMick: Sony TC-FX2 > Wavelab > wav 24/48
|
notes
|
| 15580. |
10/06/94 |
Shn - 0,
7743 |
Philadelphia |
The Spectrum Nakamichi 300> ?> D7; Transfer: Tascam DAP1> Egosys U2A Waveterminal USB> Soundforge4.5xp> CDWave; via mark & julie lonski; ericB
|
notes
|
| 15581. |
10/06/94 |
Flac 16 - 0,
95371 |
Philadelphia |
The Spectrum flac16; source: (OTS) AKG 460/ck61 -> custom pre-amp -> Teac DAP-20; recorded by: Tom McMinn, dat provided by: Dave Flaschner. transfer: dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6); transfer: Chris Davis (10/18/08)
|
notes
|
| 15582. |
10/06/94 |
Flac 16 - 0,
97286 |
Philadelphia |
The Spectrum flac16; Source:Schoeps CMC5/MK4->Sonosax SX-M2->Sony D10 F.O.B. D.F.C. taped by Eliot Byron in the hat worn by Bill R. Transfer and upload by Frank D'Auria
|
notes
|
| 15583. |
10/07/94 |
Flac 16 - 0,
79019 |
Philadelphia |
The Spectrum flac16; source: aud > sony wmd-6 with nak 300 shotguns > mc > wav > cdr > eac > wav > flac taped by John Bleich (row 1 seat 21 Section 107) extraction by Mark Horvath (details not known)
|
notes
|
| 15584. |
10/07/94 |
Shn - 0,
7993 |
Philadelphia |
The Spectrum DAUD/FOB> Unknown Mics (AKG?) /Deck> DAT@48k> DAT > SF 4.5a> SHN (seekable); Via Aldo Torre; Marc P; Tim W
|
notes
|
| 15585. |
10/07/94 |
Flac 16/48 - 0,
124412 |
Philadelphia |
The Spectrum flac16/48kHz; Source: Sony C38B's > SV-250; Conversion: DAP-1 > PMD661 > Audacity (Normalize and Dither) > CDwave > TLH; Recorded by Stan Roberts
|
notes
|
| 15586. |
10/07/94 |
Flac 16 - 0,
101803 |
Philadelphia |
The Spectrum flac16; Schoeps MK4's>Rbox>Sony TCD-D10PROII; Transfer: Sony TCD-D10PROII>Sound Devices 744t>Soundforge 9 (Fades, Sample Rate conversion to 44.1khz)>CDWAV>FLAC; Recorded By Keith Litzenberger & Roger Jones From Section 104 Row 5
|
notes
|
| 15587. |
10/07/94 |
Flac 16 - 0,
97225 |
Philadelphia |
The Spectrum flac16; Source: Schoeps CMC5/MK4->Sonosax SX-M2 pre-amp->Sony D10 F.O.B. D.F.C Transfer: Tascam DA-20mkII->HHb CDR850->Flac frontend Taped by Eliot Byron in the hat on Bill R. Transfered and Uploaded by Frank D'Auria
|
notes
|
| 15588. |
10/09/94 |
Flac 16 - 0,
32562 |
Landover |
USAir Arena flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> ? -> 3rd Gen Cassette Transfer Info: 3rd Gen Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 15589. |
10/09/94 |
Shn - 0,
17357 |
Landover |
USAir Arena SBD ?> C4> CD> SHN via Billy Schools encoded by Peter Braverman
|
notes
|
| 15590. |
10/09/94 |
Flac 16 - 0,
93876 |
Landover |
USAir Arena flac16; Source: Audience Recording Lineage: Lineage: Nak 300's > D6 > MAC > DR-3 > EMU 1212M > 24/96 wave > wavelab 5 > plugins > r8brain pro > 16/44.1 > cd wave > flac16 (TLH lvl 8
|
notes
|
| 15591. |
10/09/94 |
Shn - 0,
2619 |
Landover |
USAir Arena AKG 460's w/ck61's (cards) > Teac DA-P20 > D10pro > Panasonic SV3700; Transfer: D8 > Montego II > CDWAVE, by Doug Nawrocki; Source via Pete Delgado
|
notes
|
| 15592. |
10/09/94 |
Flac 16 - 0,
132783 |
Landover |
USAir Arena flac16; record: Audio Technica AT835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro
|
notes
|
| 15593. |
10/09/94 |
- 0,
111984 |
Landover |
USAir Arena (OTS) AKG460s/CK8s(PAS)>B-18s>FP-11s>DAP20(16/48) Digital transfer: (TCD-D8>PMD670>CF>HDD) MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6) Recording and transfer by DATBRAD
|
notes
|
| 15594. |
10/09/94 |
Flac 16 - 0,
143134 |
Landover |
USAir Arena flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette DecK>Sony 90 Minute UX Chrome Tape (1st Set), Maxell XL-II-S 100 Minute Tape (2nd Set)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR (24/44.1 KHZ)>CD Wav Editor> Audacity (To Normalize Recording Levels)>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker, Taper Section, Section 128 Row DD Seat 7
|
notes
|
| 15595. |
10/09/94 |
Flac 16 - 0,
147586 |
Landover |
USAir Arena flac16; Source Info: FOB Schoeps MK4-> Reutelhuber P/S-> DAT (Ace Cubby?); Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 15596. |
10/09/94 |
Flac 24/48 - 0,
151257 |
Landover |
USAir Arena flac24/48khz Recording Info: Sennheiser ME88 > Cassette Master (Marantz PMD430) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k)
|
notes
|
| 15597. |
10/09/94 |
Flac 16/48 - 0,
152158 |
Landover |
USAir Arena flac16/48khz Recording Info: Sennheiser ME88 > Cassette Master (Marantz PMD430) Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/48k) - 151257 24 -> 16 @ 44.1
|
notes
|
| 15598. |
10/10/94 |
Flac 16 - 0,
34563 |
Landover |
USAir Arena flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> ? -> 3rd Gen Cassette Transfer Info: 3rd Gen Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 15599. |
10/10/94 |
Shn - 0,
14198 |
Landover |
USAir Arena SBD>DATx2>C>HiFi VHS>?>DAT>Delta Dio2496>SHN(seekable) NO DAE ; Patched Source: Schoeps MK4,AUD>DAT>CDR ; Via Rob Harrison ; Seeded to etree by T. Wiley
|
notes
|
| 15600. |
10/10/94 |
Flac 16 - 0,
94091 |
Landover |
USAir Arena flac16; Source: Audience Recording Lineage: Nak 300's > D6 > MAC > DR-3 > EMU 1212M > 24/96 wave > wavelab 5 > plugins > r8brain pro > 16/44.1 > cd wave > flac16 (TLH lvl 8) Taped by John Bleich
|
notes
|
| 15601. |
10/10/94 |
Shn - 0,
15389 |
Landover |
USAir Arena Source: AKG 568's > DAT > CDR > EAC* > CDWave > mkwACT *Test and Copy and used Add-A-Wave to rejoin tracks for retracking EAC'd/Seeded by Doug Nawrocki Source discs kindly provided by Dave DiMartino Thanks for the dedication to the tunes bro! Updated seed. I patched the d/o in Desolation Row 2:32 - 2:35 with circ'ing sbd source. That's the only md5 signature that changed
|
notes
|
| 15602. |
10/10/94 |
Shn - 0,
8042 |
Landover |
USAir Arena Schoeps MK4; AUD> DAT> CDR; via Paul B., Tim Wiley
|
notes
|
| 15603. |
10/10/94 |
Flac 16 - 0,
132785 |
Landover |
USAir Arena flac16; record: Audio Technica at835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro
|
notes
|
| 15604. |
10/10/94 |
Flac 16 - 0,
123681 |
Landover |
USAir Arena flac16; Source: OTS/LOC/Audix shotguns > Sony WM-D6; Transfer: Nakamichi BX300 (Analog master) > AudioQuest Sidewinder Cables (attenuated) > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 9.0 (tracking, added fades and normalize) > TLH (flac@8/ffp); Recorded, transferred and seeded by Bob Crupi
|
notes
|
| 15605. |
10/10/94 |
Flac - 0,
111985 |
Landover |
USAir Arena (OTS) AKG460s/CK8s(PAS)>B-18s>FP-11s>DAP20(16/48) Digital transfer: (TCD-D8>PMD670>CF>HDD) MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6) Recording and transfer by DATBRAD
|
notes
|
| 15606. |
10/10/94 |
Flac 16/48 - 0,
106275 |
Landover |
USAir Arena flac16/48kHz; Source: Schoeps MK4's->Schoeps VMS021b->Sony D10 Pro Transfer: Tascam DA-20 MKII->Edirol R44->SD->PC->Cd Wave Editor->Flac Frontend Taped by Eliot Byron and ?, up front in the hat, FOB
|
notes
|
| 15607. |
10/10/94 |
Flac 16 - 0,
88861 |
Landover |
USAir Arena flac16; AKG 460B/ck61 > custom pre-amp > Teac DA-P20 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1 kHz) > CD Wave v1.96.1 > FLAC v1.2.1 (Level 8); Taped by Tom McMinn; Transferred by Jason Sobel
|
notes
|
| 15608. |
10/11/94 |
Flac 16 - 0,
34564 |
Landover |
USAir Arena flac16; Recording Info: SBD -> Cassette Master (Sony D5) -> ? -> 3rd Gen Cassette Transfer Info: 3rd Gen Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
|
notes
|
| 15609. |
10/11/94 |
Shn - 0,
17959 |
Landover |
USAir Arena Set 2 only; SBD > ?> C4> CD> SHN via Billy Schools encoded by Peter Braverman
|
notes
|
| 15610. |
10/11/94 |
Flac 16 - 0,
94370 |
Landover |
USAir Arena flac16; Source: Audience recording Lineage: Lineage: Nak 300's > D6 > MAC > DR-3 > EMU 1212M > 24/96 wave > wavelab 5 > plugins > r8brain pro > 16/44.1 > cd wave > flac16 (TLH lvl 8)
|
notes
|
| 15611. |
10/11/94 |
Shn - 0,
2620 |
Landover |
USAir Arena AKG 460's w/ck61's (cards) > Teac DA-P20 > D10pro > Panasonic SV3700; Transfer: D8 > Montego II > CDWAVE, by Doug Nawrocki; Source via Pete Delgado
|
notes
|
| 15612. |
10/11/94 |
Flac 16 - 0,
132786 |
Landover |
USAir Arena flac16; record: Audio Technica 835b's > Sony D5 pro II > cassette master; transfer: Aiwa ad-f810>Tascam DA MK30II(a-d) > coax > M-Audio 24/96 Audiophile > SoundForge 10 > CDwav(track split); record and transfer by c dipietro
|
notes
|
| 15613. |
10/11/94 |
Flac - 0,
111986 |
Landover |
USAir Arena (OTS) AKG460s/CK8s(PAS)>B-18s>FP-11s>DAP20(16/48) Digital transfer: (TCD-D8>PMD670>CF>HDD) MDAT>Wav>Wavelab-6(44.1)>CDWave(splits)>Flac Frontend(Level 6) Recording and transfer by DATBRAD
|
notes
|
| 15614. |
10/11/94 |
Flac 16/48 - 0,
106276 |
Landover |
USAir Arena flac16/48kHz; Source: Schoeps CMC5 Mk4->Reutelhuber P/s->Sony D10 Pro Transfer: Tascam DA-20 MKII->Edirol R44->SD->PC->Cd Wave Editor->Flac Frontend Taped by Eliot Byron and ?, up front in the hat, FOB
|
notes
|
| 15615. |
10/11/94 |
Flac 16/48 - 0,
85687 |
Landover |
USAir Arena flac16/48; Schoeps MK4's>Reutelhuber>(Either Sony TCD-D10ProII or Casio DAR-100) Recorded FOB in Section 2 (Somewhere between 12-17th Row) by Roger Jones and Jim V. Transferred to WAV By Watson WAV>FLAC Conversion & Upload by Keith Litzenberger Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC
|
notes
|
| 15616. |
10/11/94 |
Flac 16 - 0,
147606 |
Landover |
USAir Arena flac16; Source Info: FOB (Sec B, Row 20) Schoeps MK4-> Reutelhuber P/S-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1); Transfers by Pete Ebel
|
notes
|
| 15617. |
10/11/94 |
Flac 16 - 0,
147756 |
Landover |
USAir Arena flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Master Cassette Tapes(1st Set Sony UX 90 Minute Tape; 2nd Set TDK SA-X 100 Minute Tape)>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24.44.1 KHZ)>CD Wav Editor> Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker; Section 128,Row DD Seat 9 Official Taper Section
|
notes
|
| 15618. |
10/13/94 |
Shn - 0,
7800 |
New York |
Madison Square Garden SBD> DAT> C> DAT> CDR> EAC> Cool Edit> SHN; via Paul B.; Tim Wiley
|
notes
|
| 15619. |
10/13/94 |
Flac 16 - 0,
33299 |
New York |
Madison Square Garden flac16; SBD -> Dat -> Cassette Master -> Dat -> CD -> EAC -> FLAC Patched By Charlie Miller
|
notes
|
| 15620. |
10/13/94 |
Flac 16 - 0,
96364 |
New York |
Madison Square Garden flac16; Source: aud > Nak 300 shotguns > WMD-6 > mac Transfer: mac > Nakamichi CR-5A > EMU 1212M > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > 16/44.1 Wave > CD Wave > TLH > flac16; Taped by John Bleich from Section 11 > Row N > Seat 3, Edited by SIRMick
|
notes
|
| 15621. |
10/13/94 |
Flac 16/48 - 0,
88356 |
New York |
Madison Square Garden flac16/48; AUD: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > TDK DC4. Mics on 7-foot stand, directly behind lighting board in the center. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
|
notes
|
| 15622. |
10/13/94 |
Flac 16 - 0,
88357 |
New York |
Madison Square Garden flac16; AUD: Schoeps CMC3/MK4 (ORTF) > Oade mic power supply > Casio DA-7 (lead deck) > Coax SPDIF > Casio DA-7 (first deck out) > TDK DC4. Mics on 7-foot stand, directly behind lighting board in the center. Transfer: MAD > Sony TCD-D10P > SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped & transferred by Andrew F.
|
notes
|
| 15623. |
10/13/94 |
Flac 16/48 - 0,
141482 |
New York |
Madison Square Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
|
notes
|
| 15624. |
10/14/94 |
Flac 16 Mtx - 0,
119611 |
New York |
Madison Square Garden flac16; Matrix by Jubal H. Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT w/meta-tagging)
|
notes
|
| 15625. |
10/14/94 |
Flac 16 - 0,
79167 |
New York |
Madison Square Garden flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC
|
notes
|
| 15626. |
10/14/94 |
Flac 16 - 0,
96383 |
New York |
Madison Square Garden flac16; Source: aud > Nak 300 shotguns > WMD-6 > mac Transfer: mac > Nakamichi CR-5A > EMU 1212M > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > 16/44.1 Wave > CD Wave > TLH > flac16
|
notes
|
| 15627. |
10/14/94 |
Shn - 0,
9054 |
New York |
Madison Square Garden Sbd>C>Dat>CDR>EAC>CDR>EAC>Shn; Seeded to abgd by Chris Perkins with Thanks to JP Bruynes
|
notes
|
| 15628. |
10/14/94 |
Flac 16 - 0,
83822 |
New York |
Madison Square Garden flac16; Source: (FOB) Schoeps CMC521> Sonosax SX-M2> Apogee AD-?> Sony D10* (@48kHz) Taper: Unknown Transfer: Tascam DA-40> M-Audio Audiophile 2496> Samplitude 7.0 (resample to 44.1kHz, fades)> CDWav 1.71> FLAC v1.7.1 (Level 8) Transferred & Seeded by: TaylorC
|
notes
|
| 15629. |
10/14/94 |
Flac 16/48 - 0,
141483 |
New York |
Madison Square Garden flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
|
notes
|
| 15630. |
10/14/94 |
Shn - 0,
5204 |
New York |
Madison Square Garden sbd> dat> c> dat> cdr; EAC> SHN by Tony Gardner, from Paul B. seed discs; Intermittent digistatic, 5:00- 7:00 of Scarlet
|
notes
|
| 15631. |
10/15/94 |
Flac - 0,
76894 |
New York |
Madison Square Garden SBD -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC; Cleaned up copy of SHNid=27249; Clean up by Darryl Hinko
|
notes
|
| 15632. |
10/15/94 |
Flac 16 Mtx - 0,
130737 |
New York |
Madison Square Garden flac16; SBD/AUD matrix: Source 1: (OTS) AKG460s/CK8s(PAS)>B-18s>FP-11s>DAP20(16/48); DAT>WAV: (TCD-D8>PMD670>CF>HDD); Recording and transfer by DATBRAD and Source 2: SBD (source ID 76894) SBD -> Dat -> Sonic Solutions -> CD -> EAC -> FLAC -> WAV; Converted By Charlie Miller; Matrix: AddaWav(rejoin sbd tracks)>Audacity(60/40 sbd/aud mix)>CDWave(splits)>Flac Frontend(Level 6)
|
notes
|
| 15633. |
10/15/94 |
Shn - 0,
16466 |
New York |
Madison Square Garden set 1; SBD (FM GDH)> DAT> CD; EAC (secure)> WavLab 4.0> CD WAV> Shntool> SHN (seekable); via Yellow Fin
|
notes
|
| 15634. |
10/15/94 |
Flac 16 - 0,
96457 |
New York |
Madison Square Garden flac16; Source: aud > Nak 300 shotguns > WMD-6 > mac Transfer: mac > Nakamichi CR-5A > EMU 1212M > 24/96 Wave > Adobe Audition > Wavelab with iZotope Ozone > iZotope RX Advanced > 16/44.1 Wave > CD Wave > TLH > flac16
|
notes
|
| 15635. |
10/15/94 |
Shn - 0,
8043 |
New York |
Madison Square Garden Nak 300 Shotguns> Awia DAT> CDR; via Paul B.; Tim Wiley
|
notes
|
| 15636. |
10/15/94 |
Flac 16 - 0,
98063 |
New York |
Madison Square Garden flac16; Source:Schoeps CMC5 MK4->Aerco preamp->Sony D10 F.O.B D.F.C. Taped by Eliot Byron Transfer:Sony D8->Sony SBM1->Edirol R44->usb/pc->Cd Wave->Flac Frontend; Transfer and Upload by Frank D'Auria
|
notes
|
| 15637. |
10/15/94 |
Flac 16 - 0,
96333 |
New York |
Madison Square Garden flac16; Recorded FOB By Eliot Byron, Transferred By Keith Litzenberger Source: Schoeps CMC54's>Sonosax SX-M2>Apogee AD1000>Sony TCD-D10PROII Transfer: My DAT Clone>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC
|
notes
|
| 15638. |
10/15/94 |
Flac 16/48 - 0,
139074 |
New York |
Madison Square Garden flac16/48kHz; Set 1 B&K 4011 at 110° ORTF front of board. Unknown taper; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Tracked in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 15639. |
10/15/94 |
Flac 16/48 - 0,
139698 |
New York |
Madison Square Garden flac16 48khz Source: AKG 414’s > Oade custom preamp > Sony TCD-D10 Pro > Dat (48k). Transfer: DAT > Sony PCM-R500 > Tascam DA-3000> WAV 16/48. Recorded and transferred by Jim Wise. edited and mastered SIRMick.
|
notes
|
| 15640. |
10/15/94 |
Flac 16 - 0,
27249 |
New York |
Madison Square Garden flac16; SBD> Dat> Sonic Solutions> CD> EAC> FLAC; Converted By Charlie Miller, with thanks to David Gans for the discs
|
notes
|
| 15641. |
10/17/94 |
Shn - 0,
14615 |
New York |
Madison Square Garden DSBD>DAT>CDR shn encoding by Dan Carr
|
notes
|
| 15642. |
10/17/94 |
Shn - 0,
3575 |
New York |
Madison Square Garden
|
notes
|
| 15643. |
10/17/94 |
Flac 24 - 0,
98176 |
New York |
Madison Square Garden flac24; Tapers Section unknown Mics > unknown Deck > sony D5 > PMD430 1st set recorded on a Maxell XLIIs-90, 2nd set recorded on a Maxell MX-110 Master Cassettes > SB Audigy > Adobe Audition @24bit/48Khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator. CDwave: tracking. Trader's little Helper: md5, ffp, flac; Recorded by Chris LaPorte
|
notes
|
| 15644. |
10/17/94 |
Flac 16 - 0,
98175 |
New York |
Madison Square Garden flac16; Tapers Section unknown Mics > unknown Deck > sony D5 > PMD430 1st set recorded on a Maxell XLIIs-90, 2nd set recorded on a Maxell MX-110 Master Cassettes > SB Audigy > Adobe Audition @24bit/48Khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, dithered/resmapled to 16bit/44.1Khz. CDwave: tracking. Trader's little Helper: md5, ffp, flac; Recorded by Chris LaPorte
|
notes
|
| 15645. |
10/17/94 |
Flac 16/48 - 0,
106249 |
New York |
Madison Square Garden flac16/48kHz; Schoeps CMC5 MK4's->Sonosax SX-M2->Apogee D100O->Sony D10 Pro ->Tascam DA20 MII->Edirol R44->SD->PC->CD Wave Editor->Flac Frontend
|
notes
|
| 15646. |
10/17/94 |
Flac 16/48 - 0,
142979 |
New York |
Madison Square Garden flac16/48kHz; George Sterry Recording: Sony ECM-909A > Cassette Master (Sony TC-D3/TDK SA-X100); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > FLAC 24/96
|
notes
|
| 15647. |
10/17/94 |
Flac 16 - 0,
145763 |
New York |
Madison Square Garden flac16; George Sterry Recording: Sony ECM-909A > Cassette Master (Sony TC-D3/TDK SA-X100); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.6 MHz) > KORG AudioGate 4 > FLAC 24/96. This file set is 16 bit @ 44.1
|
notes
|
| 15648. |
10/17/94 |
Flac 16/44 - 0,
152394 |
New York |
Madison Square Garden flac16/44 Roger Eichorn speed/pitch correction of sbd shnid=014615
|
notes
|
| 15649. |
10/18/94 |
Flac 16 - 0,
119523 |
New York |
Madison Square Garden flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15650. |
10/18/94 |
Shn - 0,
8708 |
New York |
Madison Square Garden SBD> DAT> C*> CDR; Seeded to etree by Tim Wiley
|
notes
|
| 15651. |
10/18/94 |
Flac 24 - 0,
97711 |
New York |
Madison Square Garden flac24; Tapers Section unknown Mics > unknown Deck > sony D5 > PMD430 1st set recorded on a Maxell XLIIs-90, 2nd set recorded on a Maxell MX-110 Master Cassettes > SB Audigy > Adobe Audition @24bit/44.1Khz Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator CDwave: tracking Trader's little Helper: md5, ffp, flac; Recorded by Chris LaPorte
|
notes
|
| 15652. |
10/18/94 |
Flac 16 - 0,
85384 |
New York |
Madison Square Garden flac16; AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > WaveLab 5.01b (fades) > r8brain v1.9 (resample to 44.1 kHz) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
|
notes
|
| 15653. |
10/18/94 |
Shn - 0,
10086 |
New York |
Madison Square Garden AUD(Schoeps CMC 521?s)>DAT>CDR; via Paul; Seeded to etree by neo_levo
|
notes
|
| 15654. |
10/19/94 |
Flac 16/48 - 0,
137089 |
New York |
Madison Square Garden flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15655. |
10/19/94 |
Flac 16 - 0,
106741 |
New York |
Madison Square Garden flac16; Recording Info: Audience - Taper Section Recorded by Ted Morris with equipment supplied by Mike Kutik 2x Sennheiser 441 + 1x Nakamichi 700/CP701 Center (Cardiod Capsule) > Canare Star-Quad/Neutrik > Nakamichi MX100 > Monster RCA and/or Y cables > Sony TCD-D7
|
notes
|
| 15656. |
10/19/94 |
Flac 16 - 0,
85410 |
New York |
Madison Square Garden flac16; AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48 kHz); Tascam DA-20MKII > Tascam HD-P2 > r8brain v1.9 (resample to 44.1 kHz) > WaveLab 5.01b (fades, patch) > CD Wave v1.95.1 > FLAC v1.1.4 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobe
|
notes
|
| 15657. |
10/19/94 |
Shn - 0,
7744 |
New York |
Madison Square Garden B&K 4011?s; AUD> DAT> CDR; via Paul B.; Tim Wiley
|
notes
|
| 15658. |
10/19/94 |
Flac 16 - 0,
91913 |
New York |
Madison Square Garden flac16; Tapers Section, floor. Unknown Mics > Unknown Deck > Marantz PMD430. Master Cassettes > SB Audigy > Adobe Audition @24bit/44.1Khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator, 16bit. CDwave: Tracking. Trader's little Helper: md5, ffp, flac Recorded by Chris LaPorte
|
notes
|
| 15659. |
11/29/94 |
Shn - 0,
10541 |
Denver |
McNichols Sports Arena AUD(Schoeps MK4)>DAT>CD; via Paul B; Seeded to etree by neo_levo
|
notes
|
| 15660. |
11/29/94 |
Flac 16/48 - 0,
138022 |
Denver |
McNichols Sports Arena flac16/48kHz; Source: Microtech Gefell UM70S Cards > Teac P-20 > DA-P1; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader’s Little Helper > FLAC; Taper Unknown; Transferred & Seeded by Bill Graves
|
notes
|
| 15661. |
11/29/94 |
Flac 16/48 - 0,
141190 |
Denver |
McNichols Sports Arena flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48
|
notes
|
| 15662. |
11/29/94 |
Flac 16/44 - ,
154592 |
Denver |
McNichols Sports Arena flac16/44 Source : AIWA CM-30A mic > Sony WM-D6C (Recorded and transferred by Jeff Wilson) (Source 4) Transfer : Marantz Pro PMD-502 > PC > CD Wave Editor (tracking) > Wave > TLH (sbe aligned) Flac 8 Traders Den - Dec.6, 2021 posted by kingrue upload #3368
|
notes
|
| 15663. |
11/30/94 |
Shn - 0,
10542 |
Denver |
McNichols Sports Arena AUD(Schoeps MK4)>DAT>CD; via Paul B; Seeded to etree by neo_levo
|
notes
|
| 15664. |
11/30/94 |
Flac 16/48 - 0,
138023 |
Denver |
McNichols Sports Arena flac16/48kHz; Source: Microtech Gefell UM70S Cards > Teac P-20 > DA-P1; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader’s Little Helper > FLAC; Taper Unknown; Transferred & Seeded by Bill Graves
|
notes
|
| 15665. |
11/30/94 |
Flac 16/48 - 0,
141191 |
Denver |
McNichols Sports Arena flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48
|
notes
|
| 15666. |
12/01/94 |
Shn - 0,
10932 |
Denver |
McNichols Sports Arena AUD(mic. and location unk., FOB?)>DAT>CDR; via Paul B; Seeded to etree by neo_levo
|
notes
|
| 15667. |
12/01/94 |
Flac 16/48 - 0,
138024 |
Denver |
McNichols Sports Arena flac16/48kHz; Source: Microtech Gefell UM70S Cards > Teac P-20 > DA-P1; Transfer: Tascam DA-30 mkII > S/PDIF > M Audio Microtrack 24/96 > WAV > Audacity > Trader’s Little Helper > FLAC; Taper Unknown; Transferred & Seeded by Bill Graves
|
notes
|
| 15668. |
12/01/94 |
Flac 16/48 - 0,
141192 |
Denver |
McNichols Sports Arena flac16/48kHz; Master Dat Recording by Greg Clark: (FOB) Schoeps MK41 > Dat (Panasonic SV-255/48k); Transfer info: Dat > Panasonic SV-3700 > Tascam DA-3000 > wav 16/48
|
notes
|
| 15669. |
12/08/94 |
Shn - 0,
5611 |
Oakland |
Oakland-Alameda County Coliseum KM-140s > DAT; Transfer: DAT Master > Tascam CD-RW700 > CD > TAE (overlap) > WAV > SHN; Ripped, SHNed, and seeded by Jon Seff; tracked for 2x80
|
notes
|
| 15670. |
12/08/94 |
Flac 16/48 - 0,
139122 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; John Ammons & Jeff Zimmer Recording: Schoeps MK4s > Bill Reutelhuber Power Supply > Panasonic SV-255 FOB DFC. Mics in hair; John Ammons Transfer: DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & mastered in Audacity by Joe Noel > flac 16/48
|
notes
|
| 15671. |
12/09/94 |
Shn - 0,
12052 |
Oakland |
Oakland-Alameda County Coliseum SBD -> Dat -> CD; Seeded by Charlie Miller
|
notes
|
| 15672. |
12/09/94 |
Flac 16/48 - 0,
141234 |
Oakland |
Oakland-Alameda County Coliseum flac16/48 Source Info: Schoeps MK4->Reutelhuber P/S-> DAT Transfer Info: DAT (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel
|
notes
|
| 15673. |
12/11/94 |
Shn - 0,
12525 |
Oakland |
Oakland-Alameda County Coliseum SBD>?>DAT>CD; Unknown seeder
|
notes
|
| 15674. |
12/11/94 |
Flac 16 - 0,
86104 |
Oakland |
Oakland-Alameda County Coliseum flac16; AUD Unknown Mics > DAT > DAT ; Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) ; Transferred by Scott Swayne (AltheasBoy) in 06-2007
|
notes
|
| 15675. |
12/11/94 |
Flac 16/48 - 0,
141235 |
Oakland |
Oakland-Alameda County Coliseum flac16/48 Source Info: Neumann KM 140-> Aerco P/S-> Sony D10 Pro II->DAT Transfer Info: DAT (Panasonic SV-3700) -> Coaxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel
|
notes
|
| 15676. |
12/12/94 |
Shn - 0,
10933 |
Oakland |
Oakland-Alameda County Coliseum AUD(Schoeps MK4?s)>DAT>CD; via Raul Duke; Seeded to etree by neo_levo
|
notes
|
| 15677. |
12/12/94 |
Flac 16/44,1 - 0,
141236 |
Oakland |
Oakland-Alameda County Coliseum flac16/44.1 Source Info: Schoeps MK4->Reutelhuber P/S-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15678. |
12/15/94 |
Shn - 0,
3469 |
Los Angeles |
Sports Arena AKG 460B + CK8 > D3 @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed and seeded by Jon Seff
|
notes
|
| 15679. |
12/15/94 |
Shn - 0,
14266 |
Los Angeles |
Sports Arena shntool fix of Jon Seff's AKG seed
|
notes
|
| 15680. |
12/15/94 |
Flac 16 44,1 - 0,
141237 |
Los Angeles |
Sports Arena flac16 44.1khz Source Info: FOB Schoeps MK 4-> Reutelhuber P/S-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel.
|
notes
|
| 15681. |
12/15/94 |
Flac 16/48 - ,
153187 |
Los Angeles |
Sports Arena flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon
|
notes
|
| 15682. |
12/15/94 |
Flac 24/96 - ,
156201 |
Los Angeles |
Sports Arena flac2496 Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24
|
notes
|
| 15683. |
12/15/94 |
Flac 16/44,1 - ,
156395 |
Los Angeles |
Sports Arena flac1644.1: Recording Info: SBD > DAT Master (Panasonic SV-3700/48k) > Cassette Master (Tascam 122mkIII/TDK SA-X100); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6MHz) > Tascam Hi-Res Editor (WAV 24-bit/96k) > Adobe Audition 2020 > Samplitude Pro X6 Suite (24-bit/48k) > FLAC/24 - This is 156201 2448 > 1644.1
|
notes
|
| 15684. |
12/16/94 |
Flac 16 - 0,
34551 |
Los Angeles |
Sports Arena flac16; Set 2 DSBD > DAT > [?] > CDR > EAC > CEPro > CDWAV > FLAC (level 8) via Andy Lemieux. Encoded by Matt Vernon
|
notes
|
| 15685. |
12/16/94 |
Flac 16 Mtx - 0,
100297 |
Los Angeles |
Sports Arena flac16; matrix of DSBD: shnid=34551 and DAUD: shnid=10543 by hansokolow using ProTools
|
notes
|
| 15686. |
12/16/94 |
Flac 16/48 - 0,
138603 |
Los Angeles |
Sports Arena flac16/48kHz; Taper unknown: Schoeps CMC54 > Aerco PS > Marantz DAT; FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT
|
notes
|
| 15687. |
12/16/94 |
Shn - 0,
10543 |
Los Angeles |
Sports Arena AUD(Nak 300 Shotguns)>Aiwa DAT>CD; via Henry Wankleswurth; Seeded to etree by neo_levo
|
notes
|
| 15688. |
12/16/94 |
Flac 16 44,1 - 0,
141245 |
Los Angeles |
Sports Arena flac16/44.1 Source Info: FOB Schoeps MK 4-> Reutelhuber P/S-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel.
|
notes
|
| 15689. |
12/16/94 |
Flac 16/48 - ,
153188 |
Los Angeles |
Sports Arena flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon
|
notes
|
| 15690. |
12/18/94 |
Shn - 0,
3618 |
Los Angeles |
Sports Arena AKG 460B + CK8 > D3 @48k; Transfer: DA20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed and seeded by Jon Seff; note level adjustment t1
|
notes
|
| 15691. |
12/18/94 |
Shn - 0,
13530 |
Los Angeles |
Sports Arena Shntool fix (by Chris L) of original AKG seed; See info file for details; AKG 460B + CK8 > D3 @48kTransfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed and seeded by Jon Seff (jon@seff.net)
|
notes
|
| 15692. |
12/18/94 |
Flac 16/48 - 0,
141246 |
Los Angeles |
Sports Arena flac16/48 Source Info: FOB Schoeps CMC 5 MK 4-> DAT. Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48). Transfers by Pete Ebel.
|
notes
|
| 15693. |
12/18/94 |
Flac 16 44,1 - 0,
141249 |
Los Angeles |
Sports Arena flac16/44.1 Source Info: FOB Neumann KM 140-> Aerco P/S-> Casio DTR 100-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel.
|
notes
|
| 15694. |
12/18/94 |
Flac 16/48LPCM - 0,
149205 |
Los Angeles |
Sports Arena flac16/48kHz; 5.1 LPCM Surround Sound (48k) - AUD1 (shnid = 141249) Source Info: FOB Neumann KM 140-> Aerco P/S-> Casio DTR 100-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. + AUD2 (shnid = 13530) Shntool fix (by Chris L) of original AKG seed; See info file for details; AKG 460B + CK8 > D3 @48kTransfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed and seeded by Jon Seff.- Note: Missing 1st 3 songs of 1st Set - surround mixing by Kevin Tobin
|
notes
|
| 15695. |
12/18/94 |
Flac 16 Dts.5.1 - 0,
149204 |
Los Angeles |
Sports Arena DTS-Audio-CD 5.1 Mix; AUD1 (shnid = 141249) Source Info: FOB Neumann KM 140-> Aerco P/S-> Casio DTR 100-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. + AUD2 (shnid = 13530) Shntool fix (by Chris L) of original AKG seed; See info file for details; AKG 460B + CK8 > D3 @48kTransfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed and seeded by Jon Seff.- Note: Missing 1st 3 songs of 1st Set - dts mixing by Kevin Tobin
|
notes
|
| 15696. |
12/18/94 |
Flac 16 Mtx - 0,
149203 |
Los Angeles |
Sports Arena flac16; Matrix 2 Audience Source Mix - AUD1 (shnid = 141249) Source Info: FOB Neumann KM 140-> Aerco P/S-> Casio DTR 100-> DAT. Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel. + AUD2 (shnid = 13530) Shntool fix (by Chris L) of original AKG seed; See info file for details; AKG 460B + CK8 > D3 @48kTransfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction) Transferred, SHNed and seeded by Jon Seff.- Note: Missing 1st 3 songs of 1st Set - matrix mixing by Kevin Tobin
|
notes
|
| 15697. |
12/19/94 |
Shn - 0,
20712 |
Los Angeles |
Sports Arena DATSBD>Cass.>DAT>Cass.>CDR via Andy Lemieux Encoding, patching [Schoeps MK-4 (http://db.etree.org/shn/2521)] , pitching by Matt Vernon
|
notes
|
| 15698. |
12/19/94 |
Shn - 0,
2521 |
Los Angeles |
Sports Arena Schoeps MK-4 > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV @44.1k > SHN (no extraction); Transferred, SHNed and seeded by Jon Seff; Jon's comment: Levels are a little low throughout, but quite hot during drums, so I couldn't normalize and there may be a bit of clipping at the highest points.
|
notes
|
| 15699. |
02/19/95 |
Flac 16 - 0,
95443 |
Salt Lake City |
Delta Center flac16; Schoeps CMC441's>koch power supply >Panasonic sv-255>Sony TCD-D10PROII Recorded by Keith Litzenberger via digital patch from Ed Boardman front Row of Taper's Section DAT MASTER>Tascam DA-30MKII>Sound Devices 702>Soundforge 9(Fades, Sample Rate Conversion)>CDWAV>FLAC
|
notes
|
| 15700. |
02/19/95 |
Shn - 0,
10544 |
Salt Lake City |
Delta Center AUD(Schoeps MK4s)>DAT>CDR; via P.B.; Seeded to etree by Chris L.
|
notes
|
| 15701. |
02/19/95 |
Flac 16/44,1 - 0,
141066 |
Salt Lake City |
Delta Center flac16/44.1 Source Info: FOB Schoeps MK4V-> Reutelhuber P/S-> Sony D10 Pro II-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15702. |
02/19/95 |
Flac 16/48 - 0,
145490 |
Salt Lake City |
Delta Center flac16/48khz Source: AKGC60B+CK8x shotgun in OTS, ~34’ to St.L of C (inline w/hanging PA; aimed at the PA) > Panasonic SV-255 (Paul Tumolo’s rig) Analog or Digi out, possibly via custom patchbay built by Neil Sturtevant (detail not noted) > Sony TCD-D3 DAT @ 48 kHz Recorded and transferred by Jean Lerond Transfer: Fostex D5 DAT (playback of DAT Master record) @ 16-bits, 48 kHz (S/PDIF optical out) > M-Audio Firewire Audiophile external soundcard > Magix Sound Forge Pro Suite 12.1 build 170 x64
|
notes
|
| 15703. |
02/20/95 |
Shn - 0,
1297 |
Salt Lake City |
Delta Center SBD > D > CD-R > EAC >SHN (note no cass gen); "buzzing" in the audio was a problem with the venue's/band's sound equipment; via Brian Walker; mastered by Jay Serafin; note the "if any editing" clause in info file is part of Jay's boilerplate for seeds
|
notes
|
| 15704. |
02/20/95 |
Flac 16 - 0,
144300 |
Salt Lake City |
Delta Center flac16; Master Soundboard Dat > 1st generation cassettes > Dat > HDD (.wav 16/44.1); Transfer Info: HDD (.wav)> Adobe Audition CC 2019 > TLH flac16
|
notes
|
| 15705. |
02/20/95 |
Flac 16/48 - 0,
145491 |
Salt Lake City |
Delta Center flac16/48khz Source: AKGC60B+CK8x shotgun in OTS, ~34’ to St.L of C (inline w/hanging PA; aimed at the PA) > Panasonic SV-255 (Paul Tumolo’s rig) Analog or Digi out, possibly via custom patchbay built by Neil Sturtevant (detail not noted) > Sony TCD-D3 DAT @ 48 kHz Recorded and transferred by Jean Lerond Transfer: Fostex D5 DAT (playback of DAT Master record) @ 16-bits, 48 kHz (S/PDIF optical out) > M-Audio Firewire Audiophile external soundcard > Magix Sound Forge Pro Suite 12.1 build 170 x64
|
notes
|
| 15706. |
02/21/95 |
Flac 16 - 0,
114144 |
Salt Lake City |
Delta Center flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15707. |
02/21/95 |
Shn - 0,
8840 |
Salt Lake City |
Delta Center DSBD > 1C > DAT; Seeded to etree by Dan Stephens
|
notes
|
| 15708. |
02/21/95 |
Shn - 0,
1524 |
Salt Lake City |
Delta Center SBD> D> CD-R> EAC> SHN; via Jay Serafin, Brian Walker; see info file and pub comments for notes; possibly "click track" audible on a couple tracks
|
notes
|
| 15709. |
02/21/95 |
Flac 16/48 - 0,
140348 |
Salt Lake City |
Delta Center flac16/48kHz; Source: unknown aud > dat (48k); Transfer: dat > Sony R500 > Tascam DA-3000 > wav 16/48; Lineage: wav > iZotope RX6 Advanced > Adobe Audition 1.5 > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 1648; edited and mastered SIRMick December 2017
|
notes
|
| 15710. |
02/21/95 |
Flac 16/48 - 0,
145492 |
Salt Lake City |
Delta Center flac16/48khz Source: AKGC60B+CK8x shotgun in OTS, ~34’ to St.L of C (inline w/hanging PA; aimed at the PA) > Panasonic SV-255 (Paul Tumolo’s rig) Analog or Digi out, possibly via custom patchbay built by Neil Sturtevant (detail not noted) > Sony TCD-D3 DAT @ 48 kHz Recorded and transferred by Jean Lerond Transfer: Fostex D5 DAT (playback of DAT Master record) @ 16-bits, 48 kHz (S/PDIF optical out) > M-Audio Firewire Audiophile external soundcard > Magix Sound Forge Pro Suite 12.1 build 170 x64
|
notes
|
| 15711. |
02/24/95 |
Flac 16 - 0,
32480 |
Oakland |
Oakland-Alameda County Coliseum flac16; FM SBD Monitor > MC > Cx > WAV > FLAC
|
notes
|
| 15712. |
02/24/95 |
Shn - 0,
4766 |
Oakland |
Oakland-Alameda County Coliseum AT 4071 > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; note fixed-boundary version may also circulate
|
notes
|
| 15713. |
02/24/95 |
Flac 16 - 0,
91203 |
Oakland |
Oakland-Alameda County Coliseum flac16; (OTS) AKG 460b/ck61 -> custom pre-amp -> D-7 -> dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (4/5/08)
|
notes
|
| 15714. |
02/24/95 |
Flac 16/48 - 0,
139126 |
Oakland |
Oakland-Alameda County Coliseum flac16/48kHz; John Ammons & Jeff Zimmer Recording: Schoeps MK4s > Bill Reutelhuber Power Supply > Panasonic SV-255 FOB DFC[ Mics in hair; John Ammons Transfer: DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & mastered in Audacity by Joe Noel > flac 16/48
|
notes
|
| 15715. |
02/24/95 |
Flac 16/44,1 - 0,
141024 |
Oakland |
Oakland-Alameda County Coliseum flac16/44.1 Source Info: FOB Schoeps CMC4 Mk41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15716. |
02/25/95 |
Shn - 0,
5494 |
Oakland |
Oakland-Alameda County Coliseum shntool-fixed version (by Jeff Kempka?) of previous shn set: Unknown Mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff
|
notes
|
| 15717. |
02/25/95 |
Flac 16 - 0,
91223 |
Oakland |
Oakland-Alameda County Coliseum flac16; (OTS) AKG 460b/ck61 -> custom pre-amp -> D-7 -> dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (4/7/08)
|
notes
|
| 15718. |
02/25/95 |
Shn - 0,
4777 |
Oakland |
Oakland-Alameda County Coliseum Unknown Mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling/ normalizing) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; note fixed-boundary version may also circulate
|
notes
|
| 15719. |
02/25/95 |
Flac 16/44,1 - 0,
141030 |
Oakland |
Oakland-Alameda County Coliseum flac16/44.1 Source Info: FOB Schoeps CMC4 Mk41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15720. |
02/25/95 |
Flac 16 - 0,
143162 |
Oakland |
Oakland-Alameda County Coliseum flac16; End of Set 2 Recording Info: SBD > Dat (cloned from vault master); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15721. |
02/26/95 |
Flac 16 - 0,
109244 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: Monitor Mix -> Dat -> Cassette Master -> Cassette Transfer Info: Cassette -> Dat -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC All Transfers and Mastering By Charlie Miller
|
notes
|
| 15722. |
02/26/95 |
Shn - 0,
4778 |
Oakland |
Oakland-Alameda County Coliseum Unknown Mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; see flaw and tracking notes in info file; note fixed-boundary version may also circulate
|
notes
|
| 15723. |
02/26/95 |
Shn - 0,
5495 |
Oakland |
Oakland-Alameda County Coliseum shntool-fixed version (by Jeff Kempka?) of previous shn set: Unknown Mics > DAT @48k; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak (downsampling) > WAV > SHN (no extraction); Transferred, SHNed, and seeded by Jon Seff; see flaw and tracking notes in info file
|
notes
|
| 15724. |
02/26/95 |
Flac 16 - 0,
91224 |
Oakland |
Oakland-Alameda County Coliseum flac16; (OTS) AKG 460b/ck61 -> custom pre-amp -> D-7 -> dat (master) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Dave Flaschner. transfer: Chris Davis (4/8/08)
|
notes
|
| 15725. |
02/26/95 |
Flac 16 44,1khz - 0,
141063 |
Oakland |
Oakland-Alameda County Coliseum flac16/44.1 Source Info: FOB Schoeps CMC4 Mk41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15726. |
02/26/95 |
Flac 16 - 0,
143163 |
Oakland |
Oakland-Alameda County Coliseum flac16; Recording Info: Monitor Mix > Dat > Cassette Master > Cassette > Dat (Sony PCM-R500); Transfer Info: Dat (Sony PCM-R500) > Adobe Audition v3.0 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15727. |
02/26/95 |
Flac 16 - 0,
144290 |
Oakland |
Oakland-Alameda County Coliseum flac16; Master Soundboard Dat > 1st generation cassettes > Dat > HDD (.wav 16-bit/44.1kHz); Transfer Info: HDD (.wav) > Adobe Audition CC 2019 > TLH flac16
|
notes
|
| 15728. |
03/17/95 |
Flac 16 - 0,
97658 |
Philadelphia |
The Spectrum flac16; Recording Info:SBD -> Dat -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15729. |
03/17/95 |
Flac - 0,
17951 |
Philadelphia |
The Spectrum (soundcheck) Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol
|
notes
|
| 15730. |
03/17/95 |
Flac 16 - 0,
91840 |
Philadelphia |
The Spectrum flac16; Taper:John Bleich - Lineage: Nak 300's > D6 > Master Cassette > DR-3 > Emu 1212M > 24/96 Wav > Wavelab 5 > Plugings > R8 Brain > 32/44.1 Wave > L3 > 16/44.1 Wave > Flac Lvl 8 (TLH)
|
notes
|
| 15731. |
03/17/95 |
Shn - 0,
16057 |
Philadelphia |
The Spectrum Sources: Primary - DSBD >?>Bootleg CD>EAC>SHN. Secondary audience source (Schoeps MK4) used for drums > space. This source represents a composite of the two previously circulated sources. An audience source for drums and space has been (relatively) seamlessly spliced in. A droupout in Loose Lucy in the SBD source was removed using soundforge 5.
|
notes
|
| 15732. |
03/17/95 |
Shn - 0,
1366 |
Philadelphia |
The Spectrum (soundcheck) Unbroken Chain Rehearsal & Sound Check; Phil's FM monitor signal intercepted with portable boom box; FM Analog> DAT> Macromedia Sound > Edit> SHN; 10 tracks of UBC plus banter; 8/00: formerly listed in db as 3/19/95- "may be mislabeled as 3/17/95"!- thanks to Tom Bellanca for correction; update 4/03- md5s added thanks to Matt Vernon- may or may not be originals (none were stored in shncirc originally)
|
notes
|
| 15733. |
03/17/95 |
Flac 16 - 0,
92087 |
Philadelphia |
The Spectrum flac16; Source: Nakamichi CM-300 CP-4 mics-> PCM-M1 @ 16/48kHz Transfer: Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 mastering software-> R8brain 16/44.1kHz-> Traders Little Helper, flac8 Taper: Greg Holtz
|
notes
|
| 15734. |
03/17/95 |
Shn - 0,
13400 |
Philadelphia |
The Spectrum AUD (Schoeps MK4)>DAT>CDR>WAV>SHNv3 via Paul B and Candyman
|
notes
|
| 15735. |
03/17/95 |
Flac 16 44,1 - 0,
141197 |
Philadelphia |
The Spectrum flac16/44.1 Source Info: FOB B&K 4011-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15736. |
03/17/95 |
Flac 16/48 - 0,
141505 |
Philadelphia |
The Spectrum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
|
notes
|
| 15737. |
03/17/95 |
Flac 16 - 0,
142982 |
Philadelphia |
The Spectrum flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape,1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
|
notes
|
| 15738. |
03/17/95 |
Shn - 0,
1366 |
Philadelphia |
The Spectrum Unbroken Chain Rehearsal & Sound Check; Phil's FM monitor signal intercepted with portable boom box; FM Analog> DAT> Macromedia Sound > Edit> SHN; 10 tracks of UBC plus banter; 8/00: formerly listed in db as 3/19/95- "may be mislabeled as 3/17/95"!- thanks to Tom Bellanca for correction; update 4/03- md5s added thanks to Matt Vernon- may or may not be originals (none were stored in shncirc originally)
|
notes
|
| 15739. |
03/17/95 |
Shn - 0,
17951 |
Philadelphia |
The Spectrum Phil's Ear Monitor Feed > Crew Member's Cassette Master (recorded inside venue) > 2nd Gen Cassette **see notes via Marc Pujol
|
notes
|
| 15740. |
03/17/95 |
Flac 16/48 - 0,
150765 |
Philadelphia |
The Spectrum flac16; DSDB>cassette>Dat>clone to me> File cloned in Microtrack>Goldwave Tracking>TLH8
|
notes
|
| 15741. |
03/18/95 |
Flac 16 - 0,
97659 |
Philadelphia |
The Spectrum flac16; Recording Info:SBD -> Dat -> Cassette Master -> Dat; Transfer Info: Dat -> Samplitude Professional v10.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15742. |
03/18/95 |
Flac 16 - 0,
92018 |
Philadelphia |
The Spectrum flac16; Nak 300's > D6 > master Cassette > DR-3 > EMU 1212M > 24/96 Wave > Wavelab 5 > plugins > r8brain > 32/44.1 wave > wavelab 5 (tracking) > L3 > 16/44.1 wave > Flac 16 (TLH lvl 8 ) Taped by John Bleich
|
notes
|
| 15743. |
03/18/95 |
Flac 16 - 0,
32055 |
Philadelphia |
The Spectrum flac16; remastered shn id 1362. SHN > WAV > Addawav > Wavelab 5.0 (see below) > CDWAV 1.9 > FLAC (level 5) see details in the text file.
|
notes
|
| 15744. |
03/18/95 |
Shn - 0,
1362 |
Philadelphia |
The Spectrum liberated" bootleg sbd cd > EAC > wav > shn; via Chris Ladner; known errors: d1t5 digipop @ 5:25, d1t10: soft digipops
|
notes
|
| 15745. |
03/18/95 |
Flac 16 - 0,
95677 |
Philadelphia |
The Spectrum flac16; Recordist : unknown Source: Soundboard > ? > DAT[x] Recorded Format: 16 bit, 48 kHz Conversion: DAT[x] > Tascam DA-45HR [digital coaxial output] > Oade ACM Marantz PMD671 [digital coaxial input] > CF card > IBM ThinkPad T41 Editing: Voxengo r8brain free v1.9 [resample at "very high" quality setting]Dither: none Final Format: 16 bit, 44.1 kHz Tracking: CD Wave v1.93.3 Compression: FLAC v1.1.2, FLAC Frontend v1.7.0.1, Level 8, Sector Boundaries Aligned DAT transfer and DSP performed by Tim Burke
|
notes
|
| 15746. |
03/18/95 |
Flac 16 - 0,
123337 |
Philadelphia |
The Spectrum flac16; Source: Audix shotguns > Sony WM-D6 (TDK SA-X type II/NR: on); Transfer: Nak BX300 (Analog master/NR: off) > Audio Quest Sidewinder cables (attenuated) > V3 (16/44.1) > Edirol UA25 > Sonar LE > Sound Forge 10.0 (tracking and normalize) > TLH (flac@8); Recorded by B Crupi; Transfer by B Crupi
|
notes
|
| 15747. |
03/18/95 |
Flac 16 44,1 - 0,
141182 |
Philadelphia |
The Spectrum flac16/44.1 Source Info: FOB Schoeps CMC 5 Mk 4-> Aerco P/S-> Apogee AD1000-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Taped by Adam Gross and Pete Ebel Transfers by Pete Ebel
|
notes
|
| 15748. |
03/18/95 |
Flac 16/48 - 0,
141506 |
Philadelphia |
The Spectrum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
|
notes
|
| 15749. |
03/18/95 |
Flac 16 - 0,
142354 |
Philadelphia |
The Spectrum flac16; Set 2 Recording Info: SBD > Vault Master Dat > Dat Clone (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15750. |
03/18/95 |
Flac 16 - 0,
143981 |
Philadelphia |
The Spectrum flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape,1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
|
notes
|
| 15751. |
03/19/95 |
Flac 16 - 0,
92062 |
Philadelphia |
The Spectrum flac16; Nak 300's > D6 > master Cassette > DR-3 > EMU 1212M > 24/96 Wave > Adobe Audition > Izotope Ozone 3 > MaxxBass > Ozone 3 (Dithering) > wav 16/44 > CDWave > Flac16. Taped by John Bleich.
|
notes
|
| 15752. |
03/19/95 |
Flac 16/48 - 0,
136858 |
Philadelphia |
The Spectrum flac16/48kHz; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15753. |
03/19/95 |
Shn - 0,
7479 |
Philadelphia |
The Spectrum SchoepsMK4> ReutelheuberBox> DenonDTR80p> SonyD7 Taping Section; DAT> CDr; via Dan Sisler; Seeded to etree by Tim Wiley
|
notes
|
| 15754. |
03/19/95 |
Shn - 0,
15097 |
Philadelphia |
The Spectrum FOB Schoeps MK41 > DAT @ 48KHz > ZA2 (48244) > SHN
|
notes
|
| 15755. |
03/19/95 |
Flac 16 44,1 - 0,
141181 |
Philadelphia |
The Spectrum flac16/44.1 Source Info: FOB Schoeps MK4V-> Reutelhuber P/S-> Sony D10 Pro II-> DAT (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15756. |
03/19/95 |
Flac 16 44,1 - 0,
141180 |
Philadelphia |
The Spectrum flac16/44.1 Source Info: FOB Schoeps CMC 5 Mk 4-> Aerco P/S-> Apogee AD1000-> DAT Transfer Info: DAT (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Taped by Adam Gross and Pete Ebel Transfers by Pete Ebel
|
notes
|
| 15757. |
03/19/95 |
Flac 16/48 - 0,
141507 |
Philadelphia |
The Spectrum flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
|
notes
|
| 15758. |
03/19/95 |
Flac 16 - 0,
143032 |
Philadelphia |
The Spectrum flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Marantz PMD 430 Cassette Deck>Maxell XL-II-S Cassette Masters(1 90 Minute; Tape, 1 100 Minute Tape)>Dolby "B" On>Sony TC-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Dave Boedicker,Official Taper Section
|
notes
|
| 15759. |
03/22/95 |
Flac 16 - 0,
112627 |
Charlotte |
Charlotte Coliseum flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper:Baker,Transfer By Keo Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 15760. |
03/22/95 |
Flac 24/96 - 0,
112628 |
Charlotte |
Charlotte Coliseum flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Taper:Baker,Transfer By Keo Tapes Maxell XLII-S 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96kHz
|
notes
|
| 15761. |
03/22/95 |
Shn - 0,
12179 |
Charlotte |
Charlotte Coliseum Grateful Dead 3-22-95 Charlotte Coliseum, Charlotte NC AKG C460B bodies with CK-8X short shotgun/hypercardiod capsules / Denon DTR-80P / Taper's Section 7.5' hig adjacent to SB on Phil's side DTR-80P -> (analog) Panasonic SV-250 -> (analog) Panasonic SV-3700 -> Sony DTC-690
|
notes
|
| 15762. |
03/22/95 |
Shn - 0,
11623 |
Charlotte |
Charlotte Coliseum AUD(Schoeps MK4s)>DAT>CD; via Henry Wankleswurth; Seeded to etree by neo_levo
|
notes
|
| 15763. |
03/23/95 |
Flac - 0,
25373 |
Charlotte |
Charlotte Coliseum Recording Info: Set 1: SBD -> Dat -> Cassette Master -> Dat (44.1k) Set 2: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC (3 Discs Audio / 2 Discs FLAC
|
notes
|
| 15764. |
03/23/95 |
Shn - 0,
1369 |
Charlotte |
Charlotte Coliseum SBD> D> cass> D> CD-R> EAC> SHN; mastering by Jay Serafin; to etree via Brian Walker; see info file for listening notes; note the "if any editing" clause in info file is part of Jay's boilerplate for seeds
|
notes
|
| 15765. |
03/23/95 |
Flac 16 - 0,
90975 |
Charlotte |
Charlotte Coliseum flac16; Unknown Mic > Unknown Deck > Marantz PMD 430 Tapers Section (117, row J, seat 11) Master Cassettes > SB Audigy(line in) > Adobe Audition @24bit/48khz Adobe Audition: Noise Reduction of analog hiss, fade ins/outs, pop/click eliminator, dithered and resampled to 16bit/44khz. CDwave: tracking Trader's little Helper: flacs
|
notes
|
| 15766. |
03/23/95 |
Flac 16 44,1 - 0,
141183 |
Charlotte |
Charlotte Coliseum flac16/44.1 Source Info: Set #1: FOB Schoeps CMC 5 Mk4-> Aerco P/S-> Casio DTR 100-> DAT (Battery Failed During Days Between) Set #2: FOB Schoeps MK 4 Reutelhuber P/S-> Teac-> DAT (Carrion Crow Solo) Set #1: Sec CTR, Row R, Seat 10 Set #2: Sec CTR, Row Q, Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Taped & Transfers by Pete Ebel
|
notes
|
| 15767. |
03/23/95 |
Flac 16 - 0,
142397 |
Charlotte |
Charlotte Coliseum flac16; Recording Info: SBD > Dat (44.1k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Master by Charlie Miller
|
notes
|
| 15768. |
03/24/95 |
Flac 16 - 0,
35182 |
Charlotte |
Charlotte Coliseum flac16; S: D> C> D> C2> D> CDR> FLAC The last cassette generation was obtained from Andy Lemieux and transferred to DAT by Hiroki Shibata. Converion by Chris Larson
|
notes
|
| 15769. |
03/24/95 |
Flac 16 - 0,
83900 |
Charlotte |
Charlotte Coliseum flac16; Main source: SBD > D> C> D> C2> D> CDR> FLAC; pitch fix of shnid 35181 by Bill Tetzeli
|
notes
|
| 15770. |
03/24/95 |
Flac 24/48 - 0,
98107 |
Charlotte |
Charlotte Coliseum flac24; Unknown mics > Unknown deck > Marantz PMD 430 Tapers Section (117, row g, seat 9) Recorded 1st set on Maxell MX-90, 2nd set on Maxell MX-110. Master Cassettes > SB Audigy > Adobe Audition @24bit/48khz. Adobe Audition: Noise Reduction, fade ins/outs, pop/click eliminator. CDwave: tracking. Trader's little Helper: md5, ffp, flac; Recorded by Chris LaPorte
|
notes
|
| 15771. |
03/24/95 |
Shn - 0,
5668 |
Charlotte |
Charlotte Coliseum AKG 460s > Technics 260 > DAT > CD > EAC > SHN; via jtjames
|
notes
|
| 15772. |
03/24/95 |
Flac 16 44,1 - 0,
141194 |
Charlotte |
Charlotte Coliseum flac16/44.1 Source Info: FOB Schoeps CMC 5 Mk4-> Aerco P/S-> Casio DTR 100-> DAT Sec CTR, Row R, Seat 7 Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Taped & Transfers by Pete Ebel
|
notes
|
| 15773. |
03/26/95 |
Shn - 0,
34835 |
Atlanta |
The Omni Fix of shn id 3909 - SBD > MC > DAT > CDR > EAC > SHN
|
notes
|
| 15774. |
03/26/95 |
Flac 16 - 0,
124612 |
Atlanta |
The Omni flac16; akg461>b18>d7 ots mics @ 10ft. pas; dat(m)>hhb830 cds in 2003; cd>eac>audacity eq>cdwave splits>tlh flac 8; t&s by c. cage
|
notes
|
| 15775. |
03/26/95 |
Flac 16/44,1 - 0,
141195 |
Atlanta |
The Omni flac16/44.1khz Source Info: FOB Schoeps MK 4->Reutelhuber P/S-> Teac DA-P20-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15776. |
03/26/95 |
Shn - 0,
3909 |
Atlanta |
The Omni SBD > MC > DAT > CDR; seed via cm., DAE (EAC + SHNv3) by c. ladner
|
notes
|
| 15777. |
03/26/95 |
Shn - 0,
152479 |
Atlanta |
The Omni Audience downloaded from a.b.m.s 07/03;
|
notes
|
| 15778. |
03/27/95 |
Shn - 0,
3194 |
Atlanta |
The Omni SBD> DAT> CDR> EAC> SHN; Seeded by: Jon Zilles, DAT conversion by fellow etreer; d2 tracked for 80 min; track timings courtesy Charles Weir
|
notes
|
| 15779. |
03/27/95 |
Flac 16 - 0,
124616 |
Atlanta |
The Omni flac16; akg461>b18>d7 16/44.1; ots mics @ 10 ft. pas; dat(m)>hhb830 cds in 2003; cd>eac>cdwave splits>tlh flac 8; t&s by c. cage
|
notes
|
| 15780. |
03/27/95 |
Flac 16 44,1khz - 0,
141196 |
Atlanta |
The Omni flac16/44.1khz Source Info: FOB Schoeps MK 4->Reutelhuber P/S-> Teac DA-P20-> DAT (Ace Cubby) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15781. |
03/27/95 |
Shn - 0,
152472 |
Atlanta |
The Omni Audience originally downloaded from a.b.m.s 07/03
|
notes
|
| 15782. |
03/27/95 |
Flac 16/44 - 0,
152190 |
Atlanta |
The Omni flac16/44 SBD > DAT > Cassette > CDR > EAC > SHN > Audition > FLAC Seeded by Jon Zilles Remastered by PsyKies
|
notes
|
| 15783. |
03/27/95 |
Flac 16/44 - ,
155199 |
Atlanta |
The Omni flac16/44 Source: SBD>DAT>CDR>EAC>SHN>FLAC Seeded by: Jon Zilles(zillejc@auburn.edu) Remastered by Spacebandit 2021/08/18 Removed a few clicks/peaks, glitches. Volume balanced. A lot of Dead Air removed between sets.
|
notes
|
| 15784. |
03/28/95 |
Flac 16 - 0,
80018 |
Atlanta |
The Omni flac16; FM SBD Monitor -> MC -> Cass (Maxell XLII 90) Transfer: Cassettte playback on Nakamichi MR-1 (no NR) -> gold-plated RCA Apogee cable -> RCA RX-D302B Receiver -> Optical out w/ Apogee Cable -> M-Audio CO2 Coax/Optical Converter -> S/PDIF -> M-Audio 1010-LT -> Recorded in Sound Forge8 (24/48 KHz WAV) Edits: Wavelab > Waves XHum (60Hz tone removed)/DeNoiser /L3 Multimaximizer/IDR (hi res CD settings) -> 16 bit WAV -> CD Wave Editor 1.95 -> FLAC Frontend -> FLAC level 8
|
notes
|
| 15785. |
03/29/95 |
Shn - 0,
18096 |
Atlanta |
The Omni 2nd set partial - from Phil's ear monitor via Marc Pujol
|
notes
|
| 15786. |
03/29/95 |
Flac 16 - 0,
124627 |
Atlanta |
The Omni flac16; akg461>b18>d7 16/44.1; ots mics @ 10 ft. pas; dat(m)>hhb 830 cds in 2003; eac>audacity eq>cdwave splits>tlh flac 8; t&s by c. cage
|
notes
|
| 15787. |
03/29/95 |
Flac 16/48 - 0,
136874 |
Atlanta |
The Omni flac16/48; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam DA-3000 -> Samplitude Professional v11.2.1 -> FLAC/48k; All Transfers and Mastering By Charlie Mi
|
notes
|
| 15788. |
03/29/95 |
Shn - 0,
3917 |
Atlanta |
The Omni set 2; NAK300's> Teac DAP 20; transfer via DAP-1> Zoltrix> CoolEdit> CDWAV> MKW audio tools; note nearly same info file as previous shn set, now all collected here, but md5s differ and discs are named as d2,d3; originally noted at Mike Lai's stellablue- poss reDAE or reworking of Nick Georges' seed? Note: shn-md5 for fixed sbe's
|
notes
|
| 15789. |
03/29/95 |
Shn - 0,
16088 |
Atlanta |
The Omni Speed-corrected version of previousAKG 451's source; See info file for details; Seeded to etree by CWier
|
notes
|
| 15790. |
03/29/95 |
Shn - 0,
8835 |
Atlanta |
The Omni Complete; Taper's source unknown other than A:D and AKG 451's; Seeded to etree by Tyler Jensen
|
notes
|
| 15791. |
03/29/95 |
Shn - 0,
30516 |
Atlanta |
The Omni set 2; NAK300's> Teac DAP 20; transfer via DAP-1> Zoltrix> CoolEdit> CDWAV> MKW audio tools; seekable SBE-fixed version of SHNid=3917
|
notes
|
| 15792. |
03/29/95 |
Flac 16/44,1 - 0,
141197 |
Atlanta |
The Omni flac16/44.1khz Source Info: FOB Schoeps MK 4V-> Reutelhuber P/S-> Sony D-10 Pro II-> DAT (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15793. |
03/30/95 |
Flac 16 - 0,
119786 |
Atlanta |
The Omni flac16; Recording Info: SBD -> Dat -> Cassette Master -> Dat (48k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15794. |
03/30/95 |
Shn - 0,
4161 |
Atlanta |
The Omni dsbd (pre-fm)> ?> cdr> eac> shn; via Tony Gardner, with thanks to Chris Larson
|
notes
|
| 15795. |
03/30/95 |
Flac 16 - 0,
95823 |
Atlanta |
The Omni flac16; Schoeps MK4's>Reutelhuber Preamp>Teac DA-P20 Recorded FOB By Ace Cubby Clone1>Tascam DA-30MKII>Sound Devices 702>Wavelab 5(Fades,De-emphasis, Sample Rate Conversion)>CDWAV>FLAC Transferred By Keith Litzenberger on 11/14/08
|
notes
|
| 15796. |
04/01/95 |
Shn - 0,
5287 |
Memphis |
Pyramid Arena Monitor Mix SBD -> DAT -> CDR-> EAC -> SHN; via Rus K.
|
notes
|
| 15797. |
04/01/95 |
Shn - 0,
581 |
Memphis |
Pyramid Arena SBD-> DAT-> CDR-> SHN; via J. Zei
|
notes
|
| 15798. |
04/01/95 |
Flac 16 - 0,
110613 |
Memphis |
Pyramid Arena flac16; Taped by: Greg Holtz Field Equipment: 4-mic mix - Nakamichi CM-300 mics with CP-4 shotgun capsules and Neumann KM-184s > Niles audio mixer > Sony D-3 DAT master tapes; Transfer (By Jaz): DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Izotope Ozone 3, Fades, L2 Dither 16/44.1 kHz, Traders Little Helper flac8; Tracking: Luke Olsen
|
notes
|
| 15799. |
04/01/95 |
Flac 16 - 0,
84289 |
Memphis |
Pyramid Arena flac16; Recording Info: FOB DFC Schoeps Mk4 cardiod capsules > Schoeps kc5 active cables > Schoeps CMC6 mic body > monster m1000 jumper cable > Apogee AD500e A/D converter > Casio DA-R100 DAT Deck (Master DAT) Transfer Info: DAT from the collection of Todd Evans and Adam Gross DAT Transfer by: Todd Evans DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0
|
notes
|
| 15800. |
04/01/95 |
Shn - 0,
28852 |
Memphis |
Pyramid Arena Source: A(tapers section):NAK CM300 Cardioids CP1 Caps>Sony TCD-D10 Transfer: D(48kHz)>ZA2(S/PDIF)>Samplitude2496>CD-
|
notes
|
| 15801. |
04/01/95 |
Flac 16 - 0,
118439 |
Memphis |
Pyramid Arena flac16; Source: Shure BG4.0's > Sony D6; Lineage: Cass/M > Nak DR-3 > CD > EAC > CDWav > FLAC; Location: OTS/sec 5; row Q, seat 8; Recorded/transferred: Christian Richart; Extraction/seed: Brad Foster
|
notes
|
| 15802. |
04/01/95 |
Flac 16 44,1 - 0,
141254 |
Memphis |
Pyramid Arena flac16/44.1 Source Info: FOB Schoeps MK 4-> Reutelhuber P/S-> Teac DA-P20-> DAT (Ace Cubby & Carron Crow) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel
|
notes
|
| 15803. |
04/01/95 |
Flac 16 - 0,
143053 |
Memphis |
Pyramid Arena flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck (Lead Deck)>Sony WM-D6C Cassette Deck>Master Tape (Maxell XL-II S 90 And 100 Minute Tapes)>Sony TC-D5M Cassette Deck (Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Andy T.Transfer By Dave Boedicker.Taped In Official Taper Section
|
notes
|
| 15804. |
04/02/95 |
Shn - 0,
11622 |
Memphis |
Pyramid Arena SBD>DAT>CD; Seeded to etree by Chris Larson
|
notes
|
| 15805. |
04/02/95 |
Flac 16 - 0,
91056 |
Memphis |
Pyramid Arena flac16; Taper: Greg Holtz Source: Nakamichi CM300s CP4 Shotguns-> D3 @ 16/48kHz Transfer: (By JAZ) DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, Izotope Ozone 3, Fades, L2 Dither 16/44.1 kHz, Traders Little Helper flac8
|
notes
|
| 15806. |
04/02/95 |
Shn - 0,
5226 |
Memphis |
Pyramid Arena DSBD?> liberated Bootleg CD> EAC> SHN; via Justin Snyder
|
notes
|
| 15807. |
04/02/95 |
Shn - 0,
28853 |
Memphis |
Pyramid Arena Source: A(tapers section):NAK CM300 Cardioid CP1 Caps>Sony TCD-D10 Transfer: D(48kHz)>ZA2(S/PDIF)>Samplitude2496>CD-r
|
notes
|
| 15808. |
04/02/95 |
Flac 16 - 0,
118440 |
Memphis |
Pyramid Arena flac16; Source: Shure BG4.0's > Sony D6; Lineage: Cass/M > Nak DR-3 > CD > EAC > CDWav > FLAC; Location: OTS/sec 120; row A, seat 11; Recorded/transferred: Christian Richart; Extraction/seed: Brad Foste
|
notes
|
| 15809. |
04/02/95 |
Shn - 0,
93209 |
Memphis |
Pyramid Arena SBD (possible monitor mix) > ? > shn
|
notes
|
| 15810. |
04/02/95 |
Flac 16 44,1 - 0,
141253 |
Memphis |
Pyramid Arena flac16/44.1 Source Info: Set #1: FOB Schoeps CMC6 MK4-> Apogee A/D500-> Casio-> DAT (Todd Evens & Adam Gross) Set #2: FOB Schoeps MK 4V-> Reutelhuber P/S-> Sony D-10 Pro II-> DAT (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel
|
notes
|
| 15811. |
04/02/95 |
Flac 16/48 - 0,
141431 |
Memphis |
Pyramid Arena flac16/48kHz; Set 2 Chuck Vasseur FOB Recording: Neumann KM54 modified tube mics, hand held on t-bar > Custom PS > TEAC Deck > DAT; John Ammons Transfer: DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave 16/48
|
notes
|
| 15812. |
04/02/95 |
Flac 16 - 0,
143095 |
Memphis |
Pyramid Arena flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Lead Deck)>Sony WM-D6C Cassette Deck> Master Tape(Maxell XL-II S 90 And 100 Minute Tapes)>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Andy T.Transfer By Dave Boedicker.Taped In Official Taper Section
|
notes
|
| 15813. |
04/02/95 |
Flac 16 - 0,
93736 |
Memphis |
Pyramid Arena flac16; Lineage: SBD -> DAT -> Cassette/? -> CD-R -> Audigy 2 -> Audition 3.0 -> 16/44.1k -> TLH -> Flac16. Clean up and pitch correction by Tim Leavy. This is a fix of shn id 11622
|
notes
|
| 15814. |
04/02/95 |
Flac 16/48 - 0,
149956 |
Memphis |
Pyramid Arena flac16/kHz; Set 2 only Neumann KM56s FOB>Grace Custom P/S>SonyD7; recorded by Sean Weber-Small and Jim Oade; DAT>Tascam DA-3000 transfer by Dave Cohen
|
notes
|
| 15815. |
04/02/95 |
Flac 16/48 - ,
156418 |
Memphis |
Pyramid Arena flac1648 Source: SBD : ? > DAT @ 16bit/48kHz; Transfer: TascamDA-20mkII > S/PDIF > MarantzPMD-661pro @ 16bit/48kHz; Mastering: SDHC > WavelabPro9.5 > CDWav > TLH (FLAC level8); FOH Engineer: John Cutler; Recorded by: unknown; Transfer & Mastering by: Chris Mrachek
|
notes
|
| 15816. |
04/04/95 |
Flac 16 - 0,
123593 |
Birmingham |
Jefferson Civic Center Coliseum flac16; Source: AUD(Schoeps MK4s)>DAT>CDR>WAV>SHNv3>Wav>Cool Edit 2000>Wav>Flac
|
notes
|
| 15817. |
04/04/95 |
Shn - 0,
10545 |
Birmingham |
Jefferson Civic Center Coliseum AUD(Schoeps MK4s)>DAT>CDR; via Paul B; Seeded to etree by Chris L
|
notes
|
| 15818. |
04/04/95 |
Flac 16 44,1 - 0,
141273 |
Birmingham |
Jefferson Civic Center Coliseum b/>flac16/44.1 Source Info: FOB Schoeps MK 4-> Reutelhuber P/S-> Teac DA-P20-> DAT (Ace Cubby & Carron Crow). Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel
|
notes
|
| 15819. |
04/04/95 |
Flac 16 - 0,
143099 |
Birmingham |
Jefferson Civic Center Coliseum flac16; Source:Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck(Master Deck)>Sony WM-D6C Cassette Deck> 1st Generation Cassette Tape(Maxell XL-II S 90 And 100 Minute Tapes)>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Andy T; Transfer By Dave Boedicker; Taped In Official Taper Section
|
notes
|
| 15820. |
04/05/95 |
Flac 16 - 0,
35258 |
Birmingham |
Jefferson Civic Center Coliseum flac16; Fix of shn id 18097 - pitch-corrected and repatched (SBD > ? > Cassette > CDr with AUD patches). Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 15821. |
04/05/95 |
Shn - 0,
18097 |
Birmingham |
Jefferson Civic Center Coliseum SBD > ? > Cassette > CDr with AUD patches via Darryl Hinko
|
notes
|
| 15822. |
04/05/95 |
Shn - 0,
10385 |
Birmingham |
Jefferson Civic Center Coliseum AUD(Schoeps MK4's)>DAT>CDR; via Paul B; Seeded to etree by Chris L
|
notes
|
| 15823. |
04/05/95 |
Flac 16/48 - 0,
141432 |
Birmingham |
Jefferson Civic Center Coliseum flac16/48kHz; Set 2 Chuck Vasseur FOB Recording: Neumann KM54 modified tube mics, hand held on t-bar > Custom PS > TEAC Deck > DAT; John Ammons Transfer: DAT master > Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave 16/48
|
notes
|
| 15824. |
04/05/95 |
Flac 16 - 0,
143121 |
Birmingham |
Jefferson Civic Center Coliseum flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck (Lead Deck) >Sony WM-D6C Cassette Deck>Master Tape (Maxell XL-II S 90 And TDK MA-X 100 Minute Tapes) >Sony TC-D5M Cassette Deck (Playback) >Edirol R-09 HR (24/44.1 KHZ) >CD Wav Editor>Traders Little Helper>Flac Level 8; Sector Boundaries Aligned Using Traders Little Helper; Taped By Andy T.; Transfer By Dave Boedicker; Taped In Official Taper Section
|
notes
|
| 15825. |
04/07/95 |
Flac 16 - 0,
35148 |
Tampa |
Tampa Stadium flac16; Source: SBD>Cass>DAT>ZA2>Samlitude2496(WAV)>SHN via Chris Larson. Note: Promised Land is NOT cut on this source.
|
notes
|
| 15826. |
04/07/95 |
Flac 16 - 0,
35364 |
Tampa |
Tampa Stadium flac16; Seamless fix of shn id 35148 - SBD>Cass>DAT>ZA2>Samlitude2496(WAV)>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 15827. |
04/07/95 |
Shn - 0,
7688 |
Tampa |
Tampa Stadium Source unknown - suspect SBD> ?> CDR> EAC> SHN; ? Likely mCass; via JT James
|
notes
|
| 15828. |
04/07/95 |
Flac 16 - 0,
137445 |
Tampa |
Tampa Stadium flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck>Sony WM-D6C Cassette Deck>Master Cassette Tape (Maxell XL-II S 90 Minute Tape,1st Set,100 Minute Tape 2nd Set)>Sony TC-D5M Cassette Deck(Playback)> Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper; Taped By Andy Trate
|
notes
|
| 15829. |
04/07/95 |
Flac 16/48 - 0,
132724 |
Tampa |
Tampa Stadium flac16/48kHz; Source: AKG 460/CK8's > Stewart BP1 Phantom power supplies> Pansaonic SV250; Conversion: Tascam DAP1 > Marantz PMD-661 > CDWaVE > TLH >foobar2000(tagging); Recorded by Stan Roberts
|
notes
|
| 15830. |
04/07/95 |
Flac 16 - 0,
92108 |
Tampa |
Tampa Stadium flac16; source: (fob) Scheops cmc6/mk4v (unknown pre-amp/recorder) transfer: dat (clone) -> DA-20mkII -> AR coax -> Audiophile 24/96 -> Wavelab 5.0 -> CD Wave -> FLAC(6). recorded by: Clete (?). transfer: Chris Davis (6/4/08)
|
notes
|
| 15831. |
04/07/95 |
Flac 16 44,1 - 0,
141350 |
Tampa |
Tampa Stadium flac16 44.1khz Source Info: FOB Schoeps Mk 4V-> Reutelhuber P/S-> Sony D10 Pro II (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15832. |
05/19/95 |
Shn - 0,
8600 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. AUD>DAT>CDR [AT-835A?s & Nak 300?s]; Seeded to etree by Tony Gardner
|
notes
|
| 15833. |
05/19/95 |
Shn - 0,
8874 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. Unknown Mics > DAT > CDR; Seeded to etree by Alan Croft
|
notes
|
| 15834. |
05/19/95 |
Shn - 0,
18704 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. Show recorded by Dan Sisler Tapes provided by Kevin Hoffman Transfer by Chris Larson - nswboogy@easystreet.com. there are end of disc SBE's.
|
notes
|
| 15835. |
05/19/95 |
Flac 16 44,1khz - 0,
141345 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16 44.1khz Source Info: FOB Schoeps MK 4-> Reutelhuber P/S-> Teac DA-P20-> DAT (Ace Cubby) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15836. |
05/19/95 |
Flac 16/48 - ,
153189 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon
|
notes
|
| 15837. |
05/20/95 |
Shn - 0,
18798 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. Source: Set 1: Tapers section- A:AKG 460's>DAT Set 2: Audience(FOB directly in front of soundboard):Schoeps MK-4's>Schoeps Pre-amp>Denon80-P>DAT(48kHz) Transfer: DAT>ZA2>Samplitude>CD-r (or shn). Recorded by Dan Sisler, DATs via Kevin Hoffman, Transfer Chris Larson. Note - there is a sector boundary error on the last track of the first disc.
|
notes
|
| 15838. |
05/20/95 |
Shn - 0,
8875 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. Unknown Mics > DAT > CDR; Seeded to etree by Alan Croft
|
notes
|
| 15839. |
05/20/95 |
Shn - 0,
12101 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. AUD(AT-835A?s & Nak 300?s)>DAT>CD; via Henry W; Seeded to etree by neo_levo
|
notes
|
| 15840. |
05/20/95 |
Flac 16 44,1khz - 0,
141346 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16 44.1khz Source Info: FOB Schoeps Mk 4V-> Reutelhuber P/S-> Sony D10 Pro II (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15841. |
05/20/95 |
Flac 16/48 - ,
153190 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon
|
notes
|
| 15842. |
05/21/95 |
Flac 16 - 0,
114329 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16; Recording Info:SBD -> Dat (44.1k); Transfer Info:Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
This is your collection
|
notes
|
| 15843. |
05/21/95 |
Shn - 0,
19419 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. Primary source: SBD: Dat > Cass > Dat > Cass2 > Dat > CDR > SHN (http://db.etree.org/shninfo_detail.php?shnid=15077). Secondary source: SBD>DAT>DAT>CDR>WAV>SHN from partial second set recording. NOTE: Primary source was slightly fast, suspected on listening initially and confirmed easily by comparing to a DSBD partial source. The pitch issue as well as a few other technical shortcomings are taken care of as well as the upgrade for most of the second set (see info file).
|
notes
|
| 15844. |
05/21/95 |
Shn - 0,
8876 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. Unknown Mics > DAT > CDR; Seeded to etree by Alan Croft
|
notes
|
| 15845. |
05/21/95 |
Shn - 0,
12102 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. AUD(AT-835A?s & Nak 300?s)>DAT>CD; via Henry Wankleswurth; Seeded to etree by neo_levo
|
notes
|
| 15846. |
05/21/95 |
Shn - 0,
18799 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. Source: A:FOB-Schoeps MK4's>Schoeps Pre-amp>Denon80-P@48kHz Transfer: DAT>ZA2>Samplitude2496>CD-r (or shn). Taped by Dan Sisler. DATs via Kevin Hoffman. Transfer to SHN via Chris Larson.
|
notes
|
| 15847. |
05/21/95 |
Flac 16 44,1khz - 0,
141347 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16 44.1khz Source Info: FOB Schoeps Mk 4V-> Reutelhuber P/S-> Sony D10 Pro II (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15848. |
05/21/95 |
Flac 16/48 - 0,
141526 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16/48 Source Info: FOB (Unknown Mic Source)-> DAT Transfer Info: DAT Tape (Panasonic SV-3700) -> Coxial SPDIF-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> Wav-> Flac Level 8-> Tagged (16/48) Transfers by Pete Ebel
|
notes
|
| 15849. |
05/21/95 |
Flac 16/48 - ,
152191 |
Las Vegas |
Sam Boyd Silver Bowl, U.N.L.V. flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon
|
notes
|
| 15850. |
05/24/95 |
Flac 16 - 0,
91237 |
Seattle |
Memorial Stadium flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: Nomad LM-662 in WaveLab > CD Wave > TLH > FLAC
|
notes
|
| 15851. |
05/24/95 |
Flac 16 - 0,
97610 |
Seattle |
Memorial Stadium flac16; Hat mounted Realistic pzm's > Sony WMD6-C, 60ft, dfc MAC>NakCR-3A>HD>Audacity>CDWave>TLH Recorded and transferred by Russ Cansler
|
notes
|
| 15852. |
05/24/95 |
Shn - 0,
8377 |
Seattle |
Memorial Stadium Neumann KM 140 > ? CDR; Seeded to etree by Matt Vernon
|
notes
|
| 15853. |
05/24/95 |
Shn - 0,
18800 |
Seattle |
Memorial Stadium Source: Af:Neumann KM140>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>WAV>SHN. Tapes provided by Ross M. Transfer by Chris Larson .
|
notes
|
| 15854. |
05/24/95 |
Flac 16 - 0,
35153 |
Seattle |
Memorial Stadium flac16; Source: Af:Nueman KM140>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>WAV Tapes provided by Ross M. Transfer by Chris Larson
|
notes
|
| 15855. |
05/24/95 |
Flac 16 - 0,
35181 |
Seattle |
Memorial Stadium flac16; Partial Set 2 unknown sbd > dat* Transfer: panasonic sv3700 > vxpocket 440 (s/pdif) > Wavelab 5.01b > CDWav > flac 16 Conversion by Chris Larson
|
notes
|
| 15856. |
05/24/95 |
Flac 16 44,1 - 0,
141527 |
Seattle |
Memorial Stadium flac16/44.1 Source Info: Set #1: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255 Set #2: FOB Schoeps MK4V-> Reutelhuber P/S-> Sony D10 Pro II (Clete) Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15857. |
05/25/95 |
Flac 16 - 0,
97640 |
Seattle |
Memorial Stadium flac16; Hat mounted realistic pzm's w/D6,50ft dfc.MAC>NakCR-3A>HD>Audacity>CDwave>TLH,recorded and transferred by Russ Cansler
|
notes
|
| 15858. |
05/25/95 |
Flac 16 - 0,
135613 |
Seattle |
Memorial Stadium flac16; Recording Info: Schoeps MK41 -> Dat (48k); Transfer Info: Dat -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC/44.1k; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15859. |
05/25/95 |
Shn - 0,
8481 |
Seattle |
Memorial Stadium Neumann KM 140 > ? > CDR; Seeded to etree by Matt Vernon
|
notes
|
| 15860. |
05/25/95 |
Shn - 0,
7600 |
Seattle |
Memorial Stadium Recorded and Mastered by Kevin Brockway; Nakamichi 300 mics (CP-4 capsule) > Sony D-7 DAT; see info file for transfer notes; wav > shn conversion mkwACT.97beta by Steve Kennedy-Williams
|
notes
|
| 15861. |
05/25/95 |
Flac 16 - 0,
35154 |
Seattle |
Memorial Stadium flac16; Source: Af:Nueman KM140>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>CD-r Transfer by Chris Larson
|
notes
|
| 15862. |
05/25/95 |
Shn - 0,
18801 |
Seattle |
Memorial Stadium Source: Af:Neumann KM140>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude 2496>WAV>SHN. Transfer by Chris Larson.
|
notes
|
| 15863. |
05/25/95 |
Flac 16 44,1 - 0,
141528 |
Seattle |
Memorial Stadium flac16/44.1 Source Info: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255 Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15864. |
05/26/95 |
Shn - 0,
2663 |
Seattle |
Memorial Stadium SBD > DAT > Cass/1 > DAT > Montego II S/PDIF > CDWav > SHNv3; d1 tracked for 80 min; DAT Provided by: Paul Gibian; Ripped, Tracked & Encoded By: Evan Saxton
|
notes
|
| 15865. |
05/26/95 |
Flac 16 - 0,
35169 |
Seattle |
Memorial Stadium flac16; Source: S:D>C>D>ZA2>Wavelab 3.01>FLAC16 Transfer by Chris Larson with tapes from Paul Gibian
|
notes
|
| 15866. |
05/26/95 |
Shn - 0,
8371 |
Seattle |
Memorial Stadium sbd>??>cdr; via Moss Willow; Seeded to etree by popi n. feeldz
|
notes
|
| 15867. |
05/26/95 |
Flac 16 - 0,
97643 |
Seattle |
Memorial Stadium flac16; Hat mounted realistic PZM's w/Sony D6-c,50ft dfc,MAC>NakCR 3A>HD>Audacity>CDwave>TLH recorded and transferred by Russ Cansler
|
notes
|
| 15868. |
05/26/95 |
Flac 16 - 0,
35199 |
Seattle |
Memorial Stadium flac16; Source: Af:D4 Schoeps CMC + MK21>DAT(48kHz) Conversion: DAT(48kHz)>ZA2(S/PIDF)>Wavelab3.03>CD-r by Chris Larson
|
notes
|
| 15869. |
05/26/95 |
Flac 16 - 0,
87601 |
Seattle |
Memorial Stadium flac16; Location: Taper's section Source: Microtech-Gefell UM70-S cardioids @120 degrees->Teac P20 DAT Taped/Transfered by Mike Albright
|
notes
|
| 15870. |
05/26/95 |
Flac 16 44,1 - 0,
141529 |
Seattle |
Memorial Stadium flac16/44.1 Source Info: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15871. |
05/28/95 |
Shn - 0,
28457 |
Portland |
Portland Meadows Source: Sbd > C (x?) > CD > EAC > SHN
|
notes
|
| 15872. |
05/28/95 |
Flac 16 - 0,
92041 |
Portland |
Portland Meadows flac16; Hat mounted Realistic PZM's with Sony WMD6-C Sony Metal SR 100 No nr 1st set Maxell MX 100 No nr 2nd set 50 feet away Dead Center Recorded and Transfered by Russjcan Master>D6>HD>Audacity>CDWave>TLH
|
notes
|
| 15873. |
05/28/95 |
Shn - 0,
9992 |
Portland |
Portland Meadows FOB-AUD(Schoeps CMC + MK21)>DAT>CDR; via Paul B; Seeded to etree by Chris L
|
notes
|
| 15874. |
05/28/95 |
Flac 16 - 0,
33569 |
Portland |
Portland Meadows flac16; Source: Af:D4 Schoeps CMC + MK21>DAT(48kHz) Conversion: AT(48kHz)>ZA2(S/PIDF)>Wavelab3.03>CD-r> Notes: - This is the same source that this show circulates in currently, however, the show in db.etree is not from the original flacs. I traded this show out which was then burnt on a standalone, then traded away which ended up getting eac'd and added to the db. Conversion by Chris Larson and Reseeded to http://tmnsp.net 3/19/2006
|
notes
|
| 15875. |
05/29/95 |
Flac 16 - 0,
92059 |
Portland |
Portland Meadows flac16; Hat Mounted Realistic PZM,s with Sony WMD6-C1st set Sony Metal-SR 100 No nr 2nd set Maxell MX 110 No nr 40 feet away,Dead Center Master>D6>HD>Audacity>CDWave>TLH>Torrent Recorded and Transfered by Russjcan
|
notes
|
| 15876. |
05/29/95 |
Shn - 0,
10070 |
Portland |
Portland Meadows FOB-AUD(Schoeps CMC + MK21)>DAT>CDR; via Paul B; Seeded to etree by neo_levo
|
notes
|
| 15877. |
05/29/95 |
Flac 16/48 - 0,
85419 |
Portland |
Portland Meadows flac16/48; FOB DFC Schoeps MK4's>Reutelhuber>Sony TCD-D10PRO
|
notes
|
| 15878. |
05/29/95 |
Flac 16 - 0,
34270 |
Portland |
Portland Meadows flac16; Source: Audience FOB: Schoeps CMC6 & MK21 > DAT(48kHz) >ZA2 > Samplitude 2496 Converted by Chris Larson 1/23/2001 from my dat - SBE's fixed 2/9/2006
|
notes
|
| 15879. |
05/29/95 |
Flac 16/48 - 0,
140930 |
Portland |
Portland Meadows flac16/48kHz; Source Info: Master (FOB) Audience Dat (16/48); Schoeps CMC3/MK41 > Panasonic SV255 (16/48); Transfer Info: Dat (16/48) (Sony PCM-R500) > Sound Devices 744T (16/48) > Adobe Audition 3.0 > TLH flac1648
|
notes
|
| 15880. |
06/02/95 |
Flac 16 - 0,
114337 |
Mountain View |
Shoreline Amphitheatre flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 15881. |
06/02/95 |
Flac 16/48 - 0,
85513 |
Mountain View |
Shoreline Amphitheatre flac16/48; OTS Sennheiser K3U/ME40's > Panasonic sv-255 > (clone) Teac DA-P20 > Tascam DA-30 -*-> Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) * via coax S/PDIF
|
notes
|
| 15882. |
06/02/95 |
Shn - 0,
583 |
Mountain View |
Shoreline Amphitheatre SBD > DAT > CD > extracted on a Mac using Toast Audio Extractor (overlap)> SHN (note corrected info); liberated bootleg; via Jon Seff
|
notes
|
| 15883. |
06/02/95 |
Flac 16 - 0,
85533 |
Mountain View |
Shoreline Amphitheatre flac16; OTS Sennheiser K3U/ME40's > Panasonic sv-255 > (clone) Teac DA-P20 > Tascam DA-30 -*-> Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) * via coax S/PDIF (*44.1k version of shn id 85513*)
|
notes
|
| 15884. |
06/02/95 |
Flac 16 - 0,
31105 |
Mountain View |
Shoreline Amphitheatre flac16; Taper: Unknown Location: OTS Source: AKG C61 tube mics (circa 1943) spaced omnis->DAT @ 48kHz Transfer: DA-20 MKII>Waveterminal 2496>Wavelab 5 (recording and 48>44.1 resampling)>CD Wave>FLAC Frontend
|
notes
|
| 15885. |
06/02/95 |
Flac 16 - 0,
116927 |
Mountain View |
Shoreline Amphitheatre flac16; Source: Nakamichi cm300/cp1's > Sony TCD-D7; Lineage: DAT/M > DA-P1 > HHb 800 > EAC > CDWav > FLAC; Recorded/Transferred: Jeff Bowen; Extraction: Brad Foster
|
notes
|
| 15886. |
06/02/95 |
Flac 16 44,1khz - 0,
141532 |
Mountain View |
Shoreline Amphitheatre flac16/44.1khz Source Info: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15887. |
06/02/95 |
Flac 16 - 0,
92520 |
Mountain View |
Shoreline Amphitheatre flac16; 1st Gen Soundboard > Tascam Dap1 > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit Pro > Flac Frontend
|
notes
|
| 15888. |
06/02/95 |
Flac 16/48 - ,
153192 |
Mountain View |
Shoreline Amphitheatre flac16/48 Set 1 only Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon
|
notes
|
| 15889. |
06/03/95 |
Flac 16/48 - 0,
85586 |
Mountain View |
Shoreline Amphitheatre flac16/48; Schoeps MK41's>reutelhuber Preamp>Casio DAR-100 Recorded FOB in Section 102 Row K Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC DAT>WAV transfer by Watson Recording and WAV>Flac conversion by Keith Litzenberger, Danny Lucian (1st set)& Roger Jones (2nd Set)
|
notes
|
| 15890. |
06/03/95 |
Shn - 0,
10153 |
Mountain View |
Shoreline Amphitheatre AUD(Nak 300 Shotguns)>Aiwa DAT>CDR; via Paul; Seeded to etree by neo_levo
|
notes
|
| 15891. |
06/03/95 |
Flac 16 - 0,
127398 |
Mountain View |
Shoreline Amphitheatre flac16; Source: Nakamichi CM-300 CP-1’s > Sony TCD-D7 DAT Master; Transferred: Sony TCD-D8 > S/PDIF > Tascam DR-100mkII (16 bit/48 kHz) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 8) > FLAC; Location: OTS; SEC 202, Row I; Recorded/Transferred By: Jeff Bowen
|
notes
|
| 15892. |
06/03/95 |
Flac 16 44,1khz - 0,
138847 |
Mountain View |
Shoreline Amphitheatre flac16 44.1khz Neumann KM-140 (ORTF) > EAA PSP-2 > Sony D-8 DAT (16/44.1) (FOBH). Section 102, 10th row, approx. 25' left of center. Taper: Evan
|
notes
|
| 15893. |
06/03/95 |
Flac 16 44,1khz - 0,
141533 |
Mountain View |
Shoreline Amphitheatre flac16/44.1khz Source Info: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15894. |
06/03/95 |
Flac 16/48 - ,
153193 |
Mountain View |
Shoreline Amphitheatre flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon
|
notes
|
| 15895. |
06/04/95 |
Shn - 0,
13929 |
Mountain View |
Shoreline Amphitheatre Source: Sbd>C(x?)>CD via Chris Larson
|
notes
|
| 15896. |
06/04/95 |
Flac 16 - 0,
85723 |
Mountain View |
Shoreline Amphitheatre flac16; Sennheiser K3U/ME40's > Panasonic sv255 > (clone) Teac DA-P20 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1k) > CDWave > FLAC (L8) By Scott Swayne in 06/2007
|
notes
|
| 15897. |
06/04/95 |
Shn - 0,
2538 |
Mountain View |
Shoreline Amphitheatre AKG522 > DAT; Transfer: DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > WAV > SHN (no extraction); Transferred, SHNed, and seeded by: Jon Seff; may have different source spliced in from NFA on
|
notes
|
| 15898. |
06/04/95 |
Shn - 0,
28897 |
Mountain View |
Shoreline Amphitheatre Source: Nak 300's > Awia dat > cd-r Transfer: Panasonic sv3700>ZA2(via S/PDIF)>Wavelab 3.03>CDWav>.wav>cdr or shn. shn with mkw .97 Transfer by Chris Larson
|
notes
|
| 15899. |
06/04/95 |
Flac 16 - 0,
127483 |
Mountain View |
Shoreline Amphitheatre flac16; Source: Nakamichi CM-300 CP-1’s > Sony TCD-D7; DAT Master Transferred: Sony TCD-D8 > S/PDIF > Tascam DR-100mkII (16/48) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 8) > FLAC; Location: OTS; SEC 202, Row I, Seat #7; Recorded/Transferred By: Jeff Bowen
|
notes
|
| 15900. |
06/04/95 |
Flac 16/44,1 - 0,
141554 |
Mountain View |
Shoreline Amphitheatre flac16/44.1khz Source Info: FOB Schoeps CMC 4 MK 41-> Koch P/S-> Panasonic SV255-> DAT Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1) Transfers by Pete Ebel
|
notes
|
| 15901. |
06/04/95 |
Flac 16/48 - 0,
85716 |
Mountain View |
Shoreline Amphitheatre flac16/48; Sennheiser K3U/ME40's > Panasonic sv255 > (clone) Teac DA-P20 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro > CDWave > FLAC (L8) By Scott Swayne in 06/2007
|
notes
|
| 15902. |
06/04/95 |
Flac 16/48 - ,
153194 |
Mountain View |
Shoreline Amphitheatre flac16/48 Source Info: Chris Bregman's Master DATs; stereo sony mic > dat master Transfer Info: Master DAT Sony PCM-R500 > Tascam DA-3000 (16-bit/48k) > Audacity > Xact > flac1648 Transfer by Charlie Miller Tracking/Tagging by Matt Vernon
|
notes
|
| 15903. |
06/15/95 |
Flac 16 - 0,
35212 |
Highgate |
Franklin County Airport flac16; Source S: ?> CDR. Wav> FLAC transfer by Hiroki Shibata using xACT. Note: There are fade-out/fade-in gaps between tracks.
|
notes
|
| 15904. |
06/15/95 |
Flac 16/48 - 0,
135288 |
Highgate |
Franklin County Airport flac16/48kHz; source: FOB daud master taped by Doug Lamarre; Sanken COS-11BP lavalier mics (Dan Liff’s r.i.p.) > Denon DTR-80P 30’ in front of soundboard; transferred & seeded by Rob Berger 3/2016
|
notes
|
| 15905. |
06/15/95 |
Shn - 0,
7745 |
Highgate |
Franklin County Airport FOB - Schoeps MK4V's -> Sonosax mic preamp -> DA - P1 -> DAT (Master) -> DAT -> HHb Cdr-800; via Matt Bertollo; Tim Wiley
|
notes
|
| 15906. |
06/15/95 |
Flac 16/48 - 0,
85740 |
Highgate |
Franklin County Airport flac16/48; Schoeps MK4's>Reutelhuber>Teac DAP-20 Recorded FOB by Carrion Crow & Crew with my Schoeps Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC DAT>WAV Transfer By Watson WAV>FLAC conversion and Upload by Keith Litzenberger
|
notes
|
| 15907. |
06/15/95 |
Flac 24/96 - 0,
143132 |
Highgate |
Franklin County Airport flac24; Source: Sony ECM-909A > Sony WM-D3 > Cassette Master (Maxell XL-II90) - Recorded by George Sterry*; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 24/96k - Transferred by Charlie miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24
|
notes
|
| 15908. |
06/15/95 |
Flac 16/48 - 0,
146046 |
Highgate |
Franklin County Airport flac16/48kHz; Source: FOB Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k) - Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48 - Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick April 2019
|
notes
|
| 15909. |
06/15/95 |
Flac 16 - 0,
145838 |
Highgate |
Franklin County Airport flac16; Source: Sony ECM-909A > Sony WM-D3 > Cassette Master (Maxell XL-II90) - Recorded by George Sterry*; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 24/96k - Transferred by Charlie miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24. This file set is 16 bit @ 44.1
|
notes
|
| 15910. |
06/15/95 |
Flac 16 - 0,
147120 |
Highgate |
Franklin County Airport flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
|
notes
|
| 15911. |
06/15/95 |
Flac 24 - 0,
147121 |
Highgate |
Franklin County Airport flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
|
notes
|
| 15912. |
06/18/95 |
Flac 16 - 0,
120080 |
East Rutherford |
Giants Stadium flac16; Source: Sony D6 Cassette Master(Maxell XL-II-S 90 Minute Tape,1st Set,TDK MA-X 100 Minute Metal Cassette, 2nd Set,Both Sets Dolby "B" ON)> Nakamichi 300 Mics W/CP4 Shotguns>Sony TD-D5M Cassette Deck(Playback,Dolby Off)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper> Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Dave Boedicker,Official Taper Section,Section 129,Row 29,Seat 26
This is your collection
|
notes
|
| 15913. |
06/18/95 |
Shn - 0,
92802 |
East Rutherford |
Giants Stadium FOB 30th row, DEAD fuckin center, Nak 300's Hand Held (Arm still sore) into my Sony d7. Dat > Sblive > CDwave > mkw Audio tools > Shn by Wally Stine - this is the update 10-21-2002 Patched using source "Running 2 TEAC decks and using AKG mics." ----- with additional track split by William of Tune tree
|
notes
|
| 15914. |
06/18/95 |
Shn - 0,
2543 |
East Rutherford |
Giants Stadium DAUD (Unknown Mics )> DAT> CDR; via Jeff M.
|
notes
|
| 15915. |
06/18/95 |
Flac 16 - 0,
35213 |
East Rutherford |
Giants Stadium flac16; Location: FOB 30th row - Dead Center Mic info: Nak 300's Hand Held (Arm still sore) Deck and linegae: Sony D7 > Dat > Sblive > CDwave > mkw Audio tools > Shn > FLAC 16 Note: This is a slightly modified update of the prior source (see notes for details)
|
notes
|
| 15916. |
06/18/95 |
Flac 24/96 - 0,
143092 |
East Rutherford |
Giants Stadium flac24; Source: Sony ECM-909A > Sony WM-D3 > Cassette Master (Maxell XL-II90) - Recorded by George Sterry; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 24/96k - Transferred by Charlie miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick September 2018
|
notes
|
| 15917. |
06/18/95 |
Flac 16 - 0,
145846 |
East Rutherford |
Giants Stadium flac16; Source: Sony ECM-909A > Sony WM-D3 > Cassette Master (Maxell XL-II90) - Recorded by George Sterry; Transfer: Cassette Master > Nakamichi DR-1 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > KORG AudioGate 4 > wav 24/96k - Transferred by Charlie miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick September 2018; This file set is 16 bit @ 44.1
|
notes
|
| 15918. |
06/18/95 |
Flac 24 - 0,
147124 |
East Rutherford |
Giants Stadium flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
|
notes
|
| 15919. |
06/18/95 |
Flac 16 - 0,
147123 |
East Rutherford |
Giants Stadium flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
|
notes
|
| 15920. |
06/19/95 |
Shn - 0,
10934 |
East Rutherford |
Giants Stadium FOB 25th Row, Dead fuckin center, Nak 300's (hand held, still sore) into my sony D7. Dat > sblive > Cd; Seeded to etree by Wally Stine
|
notes
|
| 15921. |
06/19/95 |
Shn - 0,
7994 |
East Rutherford |
Giants Stadium DAUD > Unknown Mics /Deck> DAT@48k>DAT CLONE> SOUND FORGE 4.5a> SHN(seekable); Via Aldo Torre; Marc P; Tim W
|
notes
|
| 15922. |
06/19/95 |
Flac 16/48 - 0,
85632 |
East Rutherford |
Giants Stadium flac16/48; Recorded By Keith Litzenberger & Steve G. FOB 12th Row Center Schoeps MK41's>Reutelhuber Preamp>Sony TCD-D10PROII Transferred By Watson Dat master played back on Sony pcm-R500->vx pocket v2->WL5>CDWAV>FLAC
|
notes
|
| 15923. |
06/19/95 |
Flac 24 - 0,
147126 |
East Rutherford |
Giants Stadium flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
|
notes
|
| 15924. |
06/19/95 |
Flac 16 - 0,
147125 |
East Rutherford |
Giants Stadium flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
|
notes
|
| 15925. |
06/21/95 |
Flac 16 - 0,
91352 |
Albany |
Knickerbocker Arena flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky
|
notes
|
| 15926. |
06/21/95 |
Flac 16 - 0,
7663 |
Albany |
Knickerbocker Arena flac16; Source: FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (48-44.1, highest accuracy with anti-alias filter; normalize) > CDWav 1.93 > FLAC Frontend 1.7.1 (no DAE)
This is your collection
|
notes
|
| 15927. |
06/21/95 |
Flac 16 - 0,
115993 |
Albany |
Knickerbocker Arena flac16; First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3> Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging; With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 15928. |
06/21/95 |
Flac 24/96 - 0,
115992 |
Albany |
Knickerbocker Arena flac24; First Generation Tapes; Taper Heaton,Transfer By Keo; Nakamichi CM300/CP4 Shotguns>Sony D7 (patched); Transfer Sony D7>Master Dat>Nakamichi LX3>Tapes Maxell XLII 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 15929. |
06/21/95 |
Flac 16 - 0,
35122 |
Albany |
Knickerbocker Arena flac16; Source: A:D (no mic info) Transfer: DAT(48kHz)>ZA2(S/PDIF)>Samplitude 2496>CD-r or shn Tapes provided by Tom and Roger, conversion by Chris Larson
|
notes
|
| 15930. |
06/21/95 |
Flac 16/48 - 0,
76664 |
Albany |
Knickerbocker Arena flac16/48; Source: FOB 15th row, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (record only) > CDWav 1.93 > FLAC Frontend 1.7.1 (48kHz)
|
notes
|
| 15931. |
06/21/95 |
Shn - 0,
5971 |
Albany |
Knickerbocker Arena Nakamichi 300's w/CP-4 caps -> Oade modified Sony TCD-D7; Tascam DA-20mkII > SBLive! (48-44.1) > CDWAV > MKW; DAT > WAV > SHN by Dan Stephens; upload by Scott Thompson
|
notes
|
| 15932. |
06/21/95 |
Flac 16 - 0,
120370 |
Albany |
Knickerbocker Arena flac16; Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.6 (iZotope Resampler)> xACT 2.17(encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart
|
notes
|
| 15933. |
06/21/95 |
Flac 16/48 - 0,
120371 |
Albany |
Knickerbocker Arena flac16/48kHz; Source: B&K 4021>Neumann/Stewart PS>Marantz PMD700 (48khz); Location: OTS 1st row center; Transfer: Sony PCM-2600(Apogee AES/EBU)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.17(encode, tag, fingerprint)>flac16 (level 8 ); DAT(1)>DAT(2) clone circa 1996 by: Eric Vandercar; DAT(2) seed and transfer by: Lenny Stubbe; Taped by: Seth Breidbart
|
notes
|
| 15934. |
06/21/95 |
Flac 16/48 - 0,
141512 |
Albany |
Knickerbocker Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
|
notes
|
| 15935. |
06/21/95 |
Flac 16/48 - 0,
141999 |
Albany |
Knickerbocker Arena flac16/48kHz; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 16/48 (2003); Transfer 2: Sony PCM2600(digital out)>Marantz PMD 570>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 05/19/2018; Taper: Pat Walsh; Mastering and upload: Tony Suraci
|
notes
|
| 15936. |
06/21/95 |
Flac 16 - 0,
148797 |
Albany |
Knickerbocker Arena flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck (Lead Deck)>Sony Wm-D6C Cassette Deck>2 Casssette Master Tapes (Maxell XL-2-S 90 Minute Cassette Tape For 1st Set, Scotch Black Watch 2020 100 Minute Tape For 2nd Set.); Taped By Andy Trate, Transfer By Dave Boedicker
|
notes
|
| 15937. |
06/22/95 |
Flac 16 - 0,
79432 |
Albany |
Knickerbocker Arena flac16; Source: FOB, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (48-44.1; normalize) > CDWav 1.93 > Flac Frontend 1.7.1 (no DAE)
|
notes
|
| 15938. |
06/22/95 |
Flac 16/48 - 0,
97431 |
Albany |
Knickerbocker Arena flac16/48; Source: FOB, Schoeps MK4 > Reutelhuber P/S > Denon DTR-80P > Sony TCD-D7 (mics in hat) Taped by Dan Sisler DAT > WAV > FLAC: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > Sound Forge 8.0d (build 128) (record only) > CDWav 1.93 > Flac Frontend 1.7.1 (48kHz)
|
notes
|
| 15939. |
06/22/95 |
Flac 16 - 0,
100123 |
Albany |
Knickerbocker Arena flac16; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-S 90/100, w/no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > R8Brain > TLH > FLAC 1644. Transfer by Andrew F. 07/2009
|
notes
|
| 15940. |
06/22/95 |
Shn - 0,
8767 |
Albany |
Knickerbocker Arena DAUD(no mic info)>DAT>ZA2>SHN>CD; Seeded to etree by Tim W
|
notes
|
| 15941. |
06/22/95 |
Shn - 0,
18802 |
Albany |
Knickerbocker Arena Source: NAK 300s > DAT > CD > CD(?) > EAC > SHNv3. Seeded by: Scott Agne.
|
notes
|
| 15942. |
06/22/95 |
Flac 24 - 0,
100122 |
Albany |
Knickerbocker Arena flac24; OTS AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Maxell MX-S 90/100, w/no Dolby. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Edirol FA-66 > Wavelab > CD-Wave > TLH > FLAC 2496. Transfer by Andrew F. 07/2009
|
notes
|
| 15943. |
06/22/95 |
Flac 16/48 - 0,
141513 |
Albany |
Knickerbocker Arena flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS > AKG B18 phantom power unit > Panasonic SV250 > DAT (OTS); Transfer info: Tascam DA 30 mkii > Microtrack ii > wavelab 5 > WAV 16/48
|
notes
|
| 15944. |
06/22/95 |
Flac 16/48 - 0,
142037 |
Albany |
Knickerbocker Arena flac16/48kHz; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 16/48 (2003); Transfer 2: Sony PCM2600(digital out)>Marantz PMD 570>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 05/19/2018; Taper: Pat Walsh; Mastering and upload: Tony Suraci
|
notes
|
| 15945. |
06/22/95 |
Flac 16 - ,
150395 |
Albany |
Knickerbocker Arena flac16; Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck (Lead Deck)>Sony Wm-D6C Cassette Deck>2 Casssette Master Tapes (Maxell XL-2-S 90 Minute Cassette Tape For 1st Set, Scotch Black Watch 2020 100 Minute Tape For 2nd Set.); Taped By Andy Trate; Transfer By Dave Boedicker
|
notes
|
| 15946. |
06/22/95 |
Flac 16 - ,
150395 |
Albany |
Knickerbocker Arena flac16; Nakamichi 300 Mics W/CP4 Shotguns>Sony TC-D5M Cassette Deck (Lead Deck)>Sony Wm-D6C Cassette Deck>2 Casssette Master Tapes (Maxell XL-2-S 90 Minute Cassette Tape For 1st Set, Scotch Black Watch 2020 100 Minute Tape For 2nd Set.); Taped By Andy Trate; Transfer By Dave Boedicker
|
notes
|
| 15947. |
06/24/95 |
Shn - 0,
8760 |
Washington |
Robert F. Kennedy Stadium AUD(Schoeps CMC 64's)>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 15948. |
06/24/95 |
Shn - 0,
8819 |
Washington |
Robert F. Kennedy Stadium FOB/DAUD>Scoeps MK4's>CMC6 Oade p/s>Panasonic SV-255>DAT>CDR; Seeded to etree by Tim W
|
notes
|
| 15949. |
06/24/95 |
Shn - 0,
12271 |
Washington |
Robert F. Kennedy Stadium FOB Nak 300's at 6 feet, then up to 8 feet. 40 feet from stage, DFC. Into a sony D-7. Dat > Sblive > cdwave > mkw audio tools >SHN
|
notes
|
| 15950. |
06/24/95 |
Flac 16/48 - 0,
85339 |
Washington |
Robert F. Kennedy Stadium flac 16 48kHz; Source: FOB AKG 300B/CK91 -> DAT -> DAT: Transfer: Tascam DA-30 -(S/PDIF)-> Diamond XTreme SC -> Cool Edit Pro -> CDWave -> FLAC (Level8); Taper: Unknown:Transfer By: Scott Swayne (altheasboy) in 2007
|
notes
|
| 15951. |
06/25/95 |
Shn - 0,
2236 |
Washington |
Robert F. Kennedy Stadium DSBD> DAT> CDR> EAC> shn; EAC>SHN by Bill Bina; etreed by Tony Gardner
|
notes
|
| 15952. |
06/25/95 |
Flac 16 - 0,
113092 |
Washington |
Robert F. Kennedy Stadium flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper:Baker,Transfer By Keo Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz Dithered/Flacked With Korg Aqua To 16/44 SBE's Checked/Fixed With Trader's Little Helper
|
notes
|
| 15953. |
06/25/95 |
Flac 16/48 - 0,
85340 |
Washington |
Robert F. Kennedy Stadium flac 16 48kHZ; Source: FOB AKG 300B/CK91 -> DAT ->DAT: Transfer: Tascam DA-30 -(S/PDIF)-> Diamond XTreme SC -> Cool Edit Pro -> CDWave -> FLAC (Level8): Taper: Unknown: Transfer By:Scott Swayne
|
notes
|
| 15954. |
06/25/95 |
Flac 16 - 0,
85622 |
Washington |
Robert F. Kennedy Stadium flac16; FOB AKG 300B/CK91 -> DAT -> DAT Transfer: Tascam DA-30 -(S/PDIF)-> Diamond XTreme SC -> Cool Edit Pro -> CDWave -> FLAC (Level8) (44.1k down-sampled version of shn id 85340 done by Scott Swayne)
|
notes
|
| 15955. |
06/25/95 |
Flac 24/96 - 0,
113093 |
Washington |
Robert F. Kennedy Stadium flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5 Taper:Baker,Transfer By Keo Tapes Maxell MX 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHZ Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
|
notes
|
| 15956. |
06/25/95 |
Flac 16 - 0,
27450 |
Washington |
Robert F. Kennedy Stadium flac16; FOB Schoeps mk-4 >kcy >vms021b >d-10pro2 > DATs; Transfer: DAT 60ES > M-Audio Audiophile USB > CDWAVE > Goldwave (patching, and resampling) > CDWAVE (tracking) > Flac Frontend; Tapers: Tom Cooper and Dave Howard; Transfer: jbraveman
|
notes
|
| 15957. |
06/25/95 |
Shn - 0,
10935 |
Washington |
Robert F. Kennedy Stadium FOB Nak 300's: at 6ft, then up to 8ft- 40ft from stage, Dead center> Sony D-7; Dat> Sblive> cd; recorded, Seeded to etree by Wally Stine
|
notes
|
| 15958. |
06/25/95 |
Flac 16/48 - 0,
121122 |
Washington |
Robert F. Kennedy Stadium flac16/48kHz; Source: Nak 300's > A/D > D7; Transfer: D8 > Behringer UCA202 > Audacity (@ 48Hz) > WAV > FLAC; Taped by Robert Dunbar; Transferred by Bill Graves
|
notes
|
| 15959. |
06/25/95 |
Flac 16 - 0,
17721 |
Washington |
Robert F. Kennedy Stadium flac16; speed- and pitch-corrected version of the (flag encoded & tagged version) of shnid: 2236 (DSBD>DAT>CDR); Speed-correction done with Celemony Capstan by Roger Eichorn; SBE's fixed with Trader's Little Helper; New .md5 and .ffp made with Trader's Little Helper
|
notes
|
| 15960. |
06/25/95 |
Flac 16 - 0,
150028 |
Washington |
Robert F. Kennedy Stadium b>flac16; SDB>Dat>one gen of cassette>back to Dat>clone>file cloned in Microtrack using a Tascam Dat deck>Goldwave tracking>TLH8
|
notes
|
| 15961. |
06/27/95 |
Flac 16 - 0,
92185 |
Auburn Hills |
The Palace flac16; Taper: Greg Holtz Source: Nakamichi CM-300 w/CP-4-PZM mix-> D7 @ 16/48kHz Transfer: (By JAZ) DAT Tape-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 Mastering Software-> R8brain 44.1kHz-> Traders Little Helper flac8
|
notes
|
| 15962. |
06/27/95 |
Flac 16/48 - 0,
119107 |
Auburn Hills |
The Palace flac16/48kHz; Source: Nak CM300/CP4>Teac DAP20 (48 khz); Location: OTS; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)>Firewire>Macbook> Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.15(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Marcus Thunich; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 15963. |
06/27/95 |
Flac 16 - 0,
83248 |
Auburn Hills |
The Palace flac16; Source: Nakamichi 701’s -> Reutelhuber -> Casio DA-7 (16/48) Location: FOB, 11th Row Center Transfer: Fostex D5 -> HHb 830 (16/44) -> EAC -> CD Wave -> FLAC
|
notes
|
| 15964. |
06/27/95 |
Flac 16 - 0,
35123 |
Auburn Hills |
The Palace flac16; Source: FOB>SchoepsMK-4V>D3 Conversion: DAT>Panasonic SV 3700>S/PDIF Apogee Digicable>Paris MEC>WAV>HD(SCSI)>CDWAV Tape provided by Jeff, conversion by Chris Larson
|
notes
|
| 15965. |
06/27/95 |
Shn - 0,
10180 |
Auburn Hills |
The Palace AUD(Schoeps CMC4)>DAT>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo
|
notes
|
| 15966. |
06/27/95 |
Flac 16 - 0,
141916 |
Auburn Hills |
The Palace flac16; Source: Audio Technica 8035>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Master cassette>Sony PCM2600(digital out)>Sound Devices 702>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Taper: Pat Walsh; Mastering and upload: Tony Suraci
|
notes
|
| 15967. |
06/27/95 |
Flac 16 - 0,
119108 |
Auburn Hills |
The Palace flac16; Source: Nak CM300/CP4>Teac DAP20 (48 khz); Location: OTS; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.5 (iZotope Resampler)> xACT 2.15(de-emphasis, encode, align on sector boundaries, tag, fingerprint)>flac16 (level 8 ) Taped by: Marcus Thunich; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 15968. |
06/28/95 |
Flac 16 - 0,
92186 |
Auburn Hills |
The Palace flac16; Taper: Greg Holtz Source: Nakamichi CM-300 w/CP-4-PZM mix-> D7 @ 16/48kHz Transfer: (By JAZ) Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 Mastering Software-> R8brain 44.1kHz-> Traders Little Helper flac8
|
notes
|
| 15969. |
06/28/95 |
Flac 16/48 - 0,
119109 |
Auburn Hills |
The Palace flac16/48kHz; Source: Nak CM300/CP4>Teac DAP20 (48 khz); Location: OTS; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)>Firewire>Macbook> Sound Studio 3.6(fades, normalize peak, +gain, track)> xACT 2.15(encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Marcus Thunich; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 15970. |
06/28/95 |
Shn - 0,
10154 |
Auburn Hills |
The Palace AUD, Schoeps CMC4>DAT>CDR; via Henry Wankleswurth; Seeded to etree by neo_levo
|
notes
|
| 15971. |
06/28/95 |
Flac 16 - 0,
83091 |
Auburn Hills |
The Palace flac16; Source: Nakamichi 701’s -> Reutelhuber -> Casio DA-7 (16/48) Location: FOB, 13th Row Center Transfer: Fostex D5 -> HHb 830 (16/44) -> EAC -> CD Wave -> FLAC
|
notes
|
| 15972. |
06/28/95 |
Flac 16 - 0,
119110 |
Auburn Hills |
The Palace flac16; Source: Nak CM300/CP4>Teac DAP20 (48 khz); Location: OTS; Transfer: Sony PCM-2600(S/PDIF)>Sound Devices 722 (16/48)> Firewire>Macbook>Sound Studio 3.6(fades, normalize peak, +gain, track)> Wave Editor 1.5.5 (iZotope Resampler)> xACT 2.15(de-emphasis, align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8 ); Taped by: Marcus Thunich; Transferred and seeded by: Lenny Stubbe
|
notes
|
| 15973. |
06/28/95 |
Flac 16 - 0,
141937 |
Auburn Hills |
The Palace flac16; Source: Audio Technica 8035>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 (2003); Transfer 2: Sony PCM2600(digital out)>Sound Devices 702>CF card> Adobe Aud 3.0>Cdwav>flac 16(TLH); Taper: Pat Walsh; Mastering and upload: Tony Suraci
|
notes
|
| 15974. |
06/30/95 |
Flac 16 - 0,
83144 |
Pittsburgh |
Three Rivers Stadium flac16; Recording Info: Schoeps Mk4 (cardiod) > Schoeps KC5 active Cable > Schoeps CMC 6 mic body > Monster M1000 Jumper cable > Apogee AD1000 A / D Converter (UV16 enabled to use the UV22 process) S/PDIF Out > CASIO DA-R100 S/PDIF IN > DAT Master > TASCAM DA-20 (S/PDIF out) -> M-Audio Firewire Solo Interface -> Soundforge 8.0 Taped by Todd Evans & Adam Gross
|
notes
|
| 15975. |
06/30/95 |
Flac 16 - 0,
92491 |
Pittsburgh |
Three Rivers Stadium flac16; Taper: Greg Holtz Source: WAY FOB-> Nakamichi CM-300's with Cp-1 caps, in hat-> Sony D-7 48kHz Transfer: (By JAZ) DAT Master-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0 Mastering Software-> r8brain 44.1kHz-> Traders Little Helper flac8
|
notes
|
| 15976. |
06/30/95 |
Flac 16/48 - 0,
95193 |
Pittsburgh |
Three Rivers Stadium flac16/48; Schoeps MK4's>Reutelhuber Preamp>Casio DAR-100 DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades)>CDWAV>FLAC Recorded By Roger Jones from Section 106 Row R Transferred By Keith Litzenberg
|
notes
|
| 15977. |
06/30/95 |
Flac 16 - 0,
95189 |
Pittsburgh |
Three Rivers Stadium flac16; Schoeps MK4's>Reutelhuber Preamp>Casio DAR-100 DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded By Roger Jones from Section 106 Row R Transferred By Keith Litzenberger
|
notes
|
| 15978. |
06/30/95 |
Flac 16/48 - 0,
89393 |
Pittsburgh |
Three Rivers Stadium flac16/48; Source: Schoeps mk4->DAT @ 48 kHz (FOB) Transfer: Sony DTC-ZE700->Tascam HDP2->CD Wave->Flac Frontend->.flac
|
notes
|
| 15979. |
06/30/95 |
Shn - 0,
3376 |
Pittsburgh |
Three Rivers Stadium FOB (~26th row) Schoeps CMC6/MK4s> DAT; Transfer: Sony PCM-R500> Tascam CD-RW700> EAC> SHN; Transferred, SHNed, and seeded by: Ryan Burns; hosted by Mike Lai
|
notes
|
| 15980. |
06/30/95 |
Flac 16 - 0,
147145 |
Pittsburgh |
Three Rivers Stadium flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
|
notes
|
| 15981. |
06/30/95 |
Flac 24 - 0,
147146 |
Pittsburgh |
Three Rivers Stadium flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
|
notes
|
| 15982. |
07/02/95 |
Flac 16 - 0,
74201 |
Noblesville |
Deer Creek Music Center flac16; Monitor mix > unknown cassette gens > ? > WAV > FLAC - contains band chatter about the riot, Jerry's death threat.
|
notes
|
| 15983. |
07/02/95 |
Flac 16 - 0,
91256 |
Noblesville |
Deer Creek Music Center flac16; Soundcheck: Source: FM SB Monitor > Sony D-6 Cassette > 1st gen > DAT Transfer: Panasonic SV-3700 > Edirol UA-5 > USB > WaveLab 5.0 Mastering with: iZotope Ozone 3 EQ, Nomad LM-662 and Waves X-Noise in WaveLab > CD Wave > TLH > FLAC Transfer and Mastering: Bill Koucky
|
notes
|
| 15984. |
07/02/95 |
Flac 16 - 0,
74417 |
Noblesville |
Deer Creek Music Center flac16; Seamless fix of shn id 12578 - SRC: Unknown AUD>??>Bootleg CD>WAV>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
|
notes
|
| 15985. |
07/02/95 |
Flac 16 - 0,
113283 |
Noblesville |
Deer Creek Music Center *Brought To You By gotfob* Source: (Marc Nutters Rig, DFC On Lawn) B&K 4006's > Lunatec 316 > Sv 250 > Patchbay > Sony D5 (Master Tapes) Transfer: (4.30.11)Marantz PMD 430 (XL II x 2) > Sd 702 @ 24/48 (+18db gain) > *Wavelab 6.0(edits,dither,resample) > Cd Wave > TLH > 16/44 FLAC
|
notes
|
| 15986. |
07/02/95 |
Shn - 0,
19592 |
Noblesville |
Deer Creek Music Center Source: Schoeps MK4v's > Reutelheuber Box > Sony D10 pro > CDR > EAC > mkwACT EAC'd/SHN'd by Doug Nawrocki
|
notes
|
| 15987. |
07/02/95 |
Flac 16 - 0,
124799 |
Noblesville |
Deer Creek Music Center b>flac16; akg461>b-18>d7 16/44.1; ots mics @ 12 ft. pas; dat(m)>hhb 830 cds in 2002; cd>cdwave splits>tlh flac 8; t&s by c. cage
|
notes
|
| 15988. |
07/02/95 |
Shn - 0,
12578 |
Noblesville |
Deer Creek Music Center Bootleg CD>WAV>SHN
|
notes
|
| 15989. |
07/02/95 |
Shn - 0,
587 |
Noblesville |
Deer Creek Music Center via B. Ball; fixed 12/8; defective version etreed 12/6 (fixed md5s are listed)
|
notes
|
| 15990. |
07/02/95 |
Flac 1644 - 0,
139737 |
Noblesville |
Deer Creek Music Center flac16/44.1khz Source Info: TS Schoeps CMC 5 MK4-> Sonosax P/S -> Sony D10 Pro II-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Taped & Transfers by Pete Ebel & Ryan Varnum
|
notes
|
| 15991. |
07/02/95 |
Flac 16 - 0,
92522 |
Noblesville |
Deer Creek Music Center flac16; Taper: Greg Holtz Source: Nakamichi CM-300 w/CP-4-PZM-> Niles Audio Mixer-> D7 @ 48kHz Transfer: (By JAZ) Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, r8brain 44.1kHz-> Traders Little Helper flac8
|
notes
|
| 15992. |
07/02/95 |
Flac 24 - 0,
147153 |
Noblesville |
Deer Creek Music Center flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
|
notes
|
| 15993. |
07/02/95 |
Flac 16 - 0,
147152 |
Noblesville |
Deer Creek Music Center flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
|
notes
|
| 15994. |
07/05/95 |
Flac 16 - 0,
35170 |
Maryland Heights |
Riverport Amphitheatre flac16; Source: S:C>D>FLAC16 Transfer by Chris Larson (encore missing)
|
notes
|
| 15995. |
07/05/95 |
Flac 16 - 0,
119402 |
Maryland Heights |
Riverport Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:SonyR500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 15996. |
07/05/95 |
Shn - 0,
9370 |
Maryland Heights |
Riverport Amphitheatre SBD>DAT>C>DAT; via neo_levo/candyman FTP
|
notes
|
| 15997. |
07/05/95 |
Flac 16 - 0,
94628 |
Maryland Heights |
Riverport Amphitheatre flac16; Source: Nakamichi CM-300 w/CP-4-PZM-> Niles Audio Mixer-> D7 @ 48kHz; Taper: Greg Holtz Transfer: (By JAZ) Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0, r8brain 44.1kHz-> Traders Little Helper flac8
|
notes
|
| 15998. |
07/05/95 |
Flac 16/48 - 0,
119401 |
Maryland Heights |
Riverport Amphitheatre flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:SonyR500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 15999. |
07/05/95 |
Shn - 0,
1819 |
Maryland Heights |
Riverport Amphitheatre Nak 300+cp4> D7; Conversion: D7> 7 pin digi coax> CDR880 (Master)> EAC > AddaWave > Sound Forge 3.0 (Fadeouts)> CDWave> SHN; Dat Seed from Chase Smith; Conversion by Chuck Rothofsky
|
notes
|
| 16000. |
07/05/95 |
Flac 16 - 0,
147118 |
Maryland Heights |
Riverport Amphitheatre flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
|
notes
|
| 16001. |
07/05/95 |
Flac 24 - 0,
147119 |
Maryland Heights |
Riverport Amphitheatre flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
|
notes
|
| 16002. |
07/06/95 |
Flac 16 - 0,
119430 |
Maryland Heights |
Riverport Amphitheatre flac16; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:SonyR500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
|
notes
|
| 16003. |
07/06/95 |
Shn - 0,
9119 |
Maryland Heights |
Riverport Amphitheatre SBD>DAT>C>DAT>CDR; Seeded to etree by Chris L w/ thanks to Braverman
|
notes
|
| 16004. |
07/06/95 |
Shn - 0,
30888 |
Maryland Heights |
Riverport Amphitheatre Remastered SBD>DAT>C>DAT>CDR>DAT>SHN by Ben Clem
|
notes
|
| 16005. |
07/06/95 |
Flac 16 - 0,
94675 |
Maryland Heights |
Riverport Amphitheatre flac16; Taper: Greg Holtz Source: Nakamichi CM-300 w/CP-4-PZM-> Niles Audio Mixer-> D7 @ 48kHz Transfer: (By JAZ) Master DAT-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0-> r8brain 44.1kHz-> Traders Little Helper flac8
|
notes
|
| 16006. |
07/06/95 |
Flac 16 - 0,
35156 |
Maryland Heights |
Riverport Amphitheatre flac16; Source: S:C>D>CDR Conversion by Chris Larson. This version does not have the DAE step.
|
notes
|
| 16007. |
07/06/95 |
Flac 16/48 - 0,
119429 |
Maryland Heights |
Riverport Amphitheatre flac16/48kHz; Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48; Transfer Information:SonyR500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
|
notes
|
| 16008. |
07/06/95 |
Flac 16 - 0,
91322 |
Maryland Heights |
Riverport Amphitheatre flac16; Taper: Greg Holtz: B&K 4006 Omni Cardoids > D6 > Master Cassette > Nak CD-1 > Emu 1212M > 24/96 Wave > wavelab 5 > Plugins > L3 > 16.44.1 Wave > Flac lvl 8 (TLH)
|
notes
|
| 16009. |
07/06/95 |
Shn - 0,
5452 |
Maryland Heights |
Riverport Amphitheatre Audience (Schoeps MK-4V/ Sony D-10) Master DAT> CDR> MKW> SHN; via Troy Richey from Chuck's seed discs
|
notes
|
| 16010. |
07/06/95 |
Flac 16 - 0,
146220 |
Maryland Heights |
Riverport Amphitheatre flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer 1: Master cassette>Sony PCM2600 16/48 (2003)* ; Transfer 2: Sony PCM2600(digital out)>Marantz PMD 570>CF card> Adobe Aud 3.0>Cdwav>flac 16 (TLH); Taper: Pat Walsh; Mastering and upload: Tony Suraci
|
notes
|
| 16011. |
07/08/95 |
Flac 16 - 0,
114363 |
Chicago |
Soldier Field flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Mille
|
notes
|
| 16012. |
07/08/95 |
Flac 16 Mtx - 0,
127736 |
Chicago |
Soldier Field flac16; 2 source matrix from mix of audience source id 004362 and soundboard source id 114363
|
notes
|
| 16013. |
07/08/95 |
Shn - 0,
10071 |
Chicago |
Soldier Field SBD>DAT>C>?>DAT>CDR; d1t07 (Eternity) from AUD source; See info file for details; via Paul B; seeded to etree by neo_levo
|
notes
|
| 16014. |
07/08/95 |
Flac 16 - 0,
98576 |
Chicago |
Soldier Field flac16; Pitch-adjusted version of shnid 35157; S: C> D> CDR > WAV > FLAC
|
notes
|
| 16015. |
07/08/95 |
Flac 16 - 0,
35157 |
Chicago |
Soldier Field flac16; Source: S: C> D> CDR Conversion: Chirs Larson. Note: This version does not have a DAE step
|
notes
|
| 16016. |
07/08/95 |
Flac 16/48 - 0,
134129 |
Chicago |
Soldier Field flac16/48kHz; ecording info: Oade Micro Mics > DAT Master @ 16bit/48kHz - 11th Row; pedigree: DAT Master > DAT > DAT; processing: DAT > Tascam DA45-HR > SD Usbpre2 > Adobe Audition > CDWAV > TLH Flac 8
|
notes
|
| 16017. |
07/08/95 |
Shn - 0,
4362 |
Chicago |
Soldier Field FOB B&K 4006 omni's (in hat, 36th row left of center) > Lunatec 316> Panasonic SV-250 by Marc Nutter; Transfer: Sony DTC-A6 > Dio 2448 > SF 4.5 @ 48K, Resample, add fades> CDWAV> SHN by Bill Gardner
|
notes
|
| 16018. |
07/08/95 |
Flac 16 - 0,
147113 |
Chicago |
Soldier Field flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
|
notes
|
| 16019. |
07/08/95 |
Flac 24 - 0,
147114 |
Chicago |
Soldier Field flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/08/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
|
notes
|
| 16020. |
07/09/95 |
Flac 16 - 0,
114369 |
Chicago |
Soldier Field flac16; Recording Info: SBD -> Dat (44.1k); Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
|
notes
|
| 16021. |
07/09/95 |
Flac 16 Mtx - 0,
127735 |
Chicago |
Soldier Field flac16; 3 source matrix from mix of audience source id 95445, soundboard source id 114369, and audience source id 86405; the original source had a flaw in d2t06 please do not circulate that source
|
notes
|
| 16022. |
07/09/95 |
Shn - 0,
7233 |
Chicago |
Soldier Field DSBD (pre FM) (@48kHz); Conversion: D8 > Waveterminal 2496 (@44.1kHz - Real Time Resample) > Soundforge 5.0 > CD Wave > mkwACT (saeeking); see info file for version comparison and editing notes; tracked for 2x80; via Jason Brantley
|
notes
|
| 16023. |
07/09/95 |
Shn - 0,
4091 |
Chicago |
Soldier Field dsbd (pre-FM)> dat> spdif> cdr> eac> shn; via Tony Gardner from dmac's CD; tracked for 2x80
|
notes
|
| 16024. |
07/09/95 |
Flac 16/48 - 0,
134130 |
Chicago |
Soldier Field flac16/48kHz; recording info: Oade Micro Mics > DAT Master @ 16bit/48kHz -23rd Row; pedigree: DAT Master > DAT > DAT; processing: DAT > Tascam DA45-HR > SD Usbpre2 > Adobe Audition > CDWAV > TLH Flac 8
|
notes
|
| 16025. |
07/09/95 |
Flac 16 - 0,
86405 |
Chicago |
Soldier Field flac16; Unknown mics>Audience Patch by Mike Mahoney from unknown taper>Sony D6 Cassette Deck Transfer Done with Denon Cassette Deck>Soundforge>CDR
|
notes
|
| 16026. |
07/09/95 |
Flac 16 - 0,
27977 |
Chicago |
Soldier Field flac16; unknown AUD> ?> Bootleg CD (marked AAD)> EAC> Flac (8); via Chris Larson
|
notes
|
| 16027. |
07/09/95 |
Flac 16 - 0,
95445 |
Chicago |
Soldier Field flac16; Schoeps MK4's>Rbox>Casio DAR-100 FOB/DFC Transfer: DAT MASTER>Sony TCD-D10PROII>Tascam DA-30MKII, DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded By Ace Cubby Gear and Transfer By Keith Litzenberger
|
notes
|
| 16028. |
07/09/95 |
Flac 24 - 0,
147058 |
Chicago |
Soldier Field flac24; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 24(TLH); Release date: 07/04/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
|
notes
|
| 16029. |
07/09/95 |
Flac 16 - 0,
147057 |
Chicago |
Soldier Field flac16; Source: Audio Technica 835b>Sony D5; Location: OTS, Stand at 9 feet; Transfer: Nakamichi Cassette Deck 1>Sound Devices 722> Adobe Aud 3.0>Cdwav>flac 16(TLH); Release date: 07/04/2019; Taper: Pat Walsh; Mastering and upload: Tony Suraci
|
notes
|
| 16030. |
07/09/95 |
Flac 16/48 - 0,
95444 |
Chicago |
Soldier Field flac16/48; Schoeps MK4's>Rbox>Casio DAR-100 FOB/DFC Transfer: DAT MASTER>Sony TCD-D10PROII>Tascam DA-30MKII, DAT Clone>Tascam DA-30MKII>Sound Devices 702>Soundforge 9 (Fades)>CDWAV>FLAC Recorded By Ace Cubby Gear and Transfer By Keith Litzenberger
|
notes
|
| 16031. |
??/??/95 |
Shn - 0,
97111 |
Unknown |
Studio - Earthquake Country sessions live/rehearsal recordings (DAT and/or ADAT) > ? > cassette > at least one cassette generation > my cassette; transfer using an AIWA AD-F850 tape deck, played directly into the inputs of a Yamaha DS-XG sound card. I used CoolEdit 2000 v1.1 to do the initial analog > digital sampling, apply mild noise reduction (my source tape is somewhat hissy, not surprising give the number of analog generations) and reduce the length of some of the between-song gaps. I used CD Wav v1.73 to define track boundaries and mkwACT v0.97 to prepare a master SHN disc (track boundaries verified using SHNtool).
|
notes
|